skysight-inc/HackerNews huggingface dataset:
This is a good question. It's a bit more complicated than just using SNI.

First is certificate management. There is currently no automated way for mail providers to obtain TLS certificates for domains whose MX records point to them - i.e. there is no SMTP/MX equivalent to the Baseline Requirement's "Agreed-Upon Change to Website" domain validation method, or ACME's HTTP-01 challenge type. And in general domain operators don't want their mail providers to have certificates which could be used to impersonate their websites.

The certificate problem could be solved with SRVName certificates, which permit certificates to be scoped to a particular service on a host. Combined with an automated SMTP/MX-based validation method, this would permit mail providers to easily and securely get certificates for the domains whose mail they host. But there are thorny security-critical compatibility problems which are blocking the deployment of SRVName certificates. I wrote about the problem near the end of this blog post: https://www.agwa.name/blog/post/avoiding_dnssec

Second is that you need a mechanism for servers to remember that they should use TLS with a particular recipient domain, similar to HSTS. This could probably be accomplished with a simple SMTP extension that's included in the EHLO response.
Thanks for killing my family’s primary email addresses google!

Absolutely no reason to pay for gmail @ vanity domain. Why I thought they would offer this service for free forever and actually went through with setting my kids up this way is beyond me - now it’s just 4x the work to migrate.
And you can choose to sync with Dropbox, one drive, etc.
And it has an android app.
Despite the algorithms, listeners have more choice now instead of having it dictated to them by radio DJs and record labels.

There are also deep, numerous niches to dive into.

Music making itself is more accessible now than ever with the software, computing power, and educational resources available.

This results in a much different landscape: rich, egalitarian, and diverse, but with less obvious landmarks and different ways to make money.
Five cheap ways to improve NYC subways
> the earliest incarnation of the software was a prototype Kevin wrote while in college, to motivate himself to do things like get enough sleep.

Did this work? Is Kevin still getting enough sleep nowadays?
I take it you no longer find those things to be stupid? One of the biggest benefits of Signal over iMessage/SMS for me is that I can use a desktop client for messaging 99% of the time. Is it really remotely common for people to write blog posts on a phone?
How Zoom’s web client avoids using WebRTC
Yep, they'd definitely be into informed consent. And would probably depend on the individual's definition of property.
And Obsidian! Plugin system is great and allow you to fine tune your workflow.
Correct. Rejecting modern/abstract art does not limit you to photorealism. In fact, even less stylized classical works rarely strived for mere photorealism, or were judged solely on that basis.

For example, I have never seen a photo that looks like https://artsandculture.google.com/asset/the-temple-of-dender...

And is a random photo taken by a tourist in Egypt as "good" as that painting? It's more photorealistic, after all!
In the very late 80's to early 90's is when I feel music as a monolithic cultural force started diverging. You had major veins of music that were able to stay in their own lanes to develop and had the music industry/radio support to do so - rap/hip-hop, pop, and alt-rock.

Early 90's is also when various underground styles and genres--house, techno, rave, jungle, industrial, were a thing enough to be easily discoverable even without the Internet. It was also then when 70's music was old enough to be called classic rock.

Then:

- Rap, techno, and other electronic-based styles of music showed that one-person music groups could be a thing.

- Music production technology started a trend of getting cheaper and cheaper as PCs became capable of real-time audio processing and non-band genres proved themselves viable.

Combine that with the Internet and it's not surprising we have an oversupply problem.

Then you have the Internet's effects on any type of media - almost costless to distribute, streaming and mp3 players enabling people to listen to exactly what they want anywhere they want, and social media's bubble effects. So it's not surprising we have a problem with things attaining cultural significance.

It wasn't like this in the past so music from the time when it wasn't has a special nostalgia.

It has never been a better time to get new music if you are willing to escape your bubbles and look, though.

> So the problem isn’t a lack of good new music. It’s an institutional failure to discover and nurture it.

It really looks like the music industry as an institution is failing, and I'm fine with that. It's not needed anymore.
One of the addresses he claims to own has signed a message saying it's not his though...
Building the Foundation for Creator Economy
> When there is autotune music on at the gas station people can't tell you who the artists is

As opposed to the 1960s, when nearly every popular album was actually recorded by the Wrecking Crew, not whatever muppets happened to be on the cover.
>The "work" in antiwork is usually referring to paid employment,

Except it's not, the posts also reflect this.

"A subreddit for those who want to end work, are curious about ending work, want to get the most out of a work-free life, want more information on anti-work ideas and want personal help with their own jobs/work-related struggles."
The internet has made it easier than ever to find them. There is literally more discoverability in music than in all of human history.
Yes git rebase -i is better as others pointed out.

Example from the start ... revert.

Don't revert stuff, fix stuff forward (make new commits with new changes) you won't introduce bugs in silly way.
No, my initial comment was the system was designed to in such a way as to inconvenience people and hope they get tired of trying to collect the money.
If you migrate to a google workspace subscription wouldn't you keep the purchases?
Gave this a try once but I remember that the performance on even relatively normal files was really bad. (Something like a few hundred urls as nested bullet points) which made me use Obsidian. Does anyone know if this is still an issue?
I couldn't tell you the date, though I sort of feel like it was somewhere in the late 90s, music shifted from music to entertainment. Sure there had been boy bands prior, there had been musicians that were more schtick than music, but something palpably changed. Yes, many will call out "autotune" but it feels more like that was a symptom than the disease.

My gut feeling is it came down to money - music producers / distributors realized they could separate the working musicians from the pretty face. As far as I'm concerned, this is the basic problem with movies too - the majority of movies are just a vehicle for whatever flavor-of-the-month pretty face they need to splash on a billboard. There's very little artistic about either music or movies, they are just "new" and industry expects us to eat what they feed us.

That isn't to say there isn't great music out there, and I'd argue it is the golden age if you are someone who wants to produce anything creative and take it directly to an audience. It just means that there's a breakdown between the "mainstream" and the "good".
I think this is just one component of the general information overload that exists today.

There used to be a few genere based radio stations. It was easy to find new music, because there weren't many places to look.

Today we have an infinite number of places to find new music. Far more than any person could ever hope to actually listen to.

And to complicate that, music creation as a whole has become something that anyone can do with a laptop and distribute into the mainstream platforms (e.g. spotify, etc.)

SO, the hours of music that exists keeps increasing exponentially, while the number of hours in a persons lifetime stay the same.
LOL! I love the domain name!!
> E-ink displays are expensive.

I was curious... from what I can find online the wholesale price of an e-ink display is not that much cheaper (if any) than buying an equivalently sized Kindle. What is the viability of a business model that involves rooting a Kindle, loading whatever calendar display software you need, and shipping it inside a pretty wooden frame?
For Web3, what is the product?
Time a python program that imports a few things and then immediately exits. It's significantly more CPU time than you might think. If you use a language with fast startup times, preforking CGI servers can be quite fast.
Not _absolutely_ roped in, but practically, yes. The cost of switching is ridiculously higher than the cost of just paying up - it's not a realistic option. Which, considering they also control how hard it is to switch, is a bit artificial.

It would be a little different if they did this to _everyone_ and completely removed the free @gmail plans. But instead they're targeting GSuite users when @gmail plans are _right there_, because they know they can get it.

Honestly, if it weren't for the alternatives setting somewhat of a market price, little could stop them from charging triple. The only comparable plan is the lowest tier of 4 tiers as it is, and I doubt it's gonna get _cheaper_ over time.
+ 1 for strongbox and keepassXC
I'm glad we don't have to do anything but wait for the egregious models to die. I remember when 8 degrees was a thing!

Now it's almost definitely under 4, and we already have roughly 1.25 degrees under our belt? And coming out of an ice age......

I think we just wait it out another 10 years, and they will revise it down to 3 degrees, and will have to admit that the feedback functions this entire hysteria is based on are not coming to fruition.

Remember, you don't have to be an expert. Just pick a single easy metric, and follow it. Sea level rise is my gold standard.
Yeah, life sometimes gets that way.
I don't even think you have to do that. Your Play account is tied to the email address itself, which you can migrate to another provider with DNS, not the workspace / gsuite stuff.
https://www.microsoft.com/en-us/microsoft-365/p/microsoft-36...
I do! But it seems somebody beat us to it: https://xn--wrdle-vua.dk/
Pointing out that there is greater complexity than merely Antares Autotune doesn't change the point at all. If music is snapped to 12-tone equal temperament it loses something for some listeners. You don't need to know the technical details (and I do know at least some of them, having developed vocal pitch detection algorithms) to have an aesthetic response to that.

That judgement is an aesthetic one though, and entirely subjective. Many people like the pitch "corrected" sound and there's nothing wrong with that. Personally I'd take Adele or Voces8 (the latter really know a thing or two about vocal pitch) over it any day of the week.
I think there's a confusion happening here between photo ID (an identification the government issues to citizens) and being required to submit photos of oneself and other documents to access government services.
> and is playing with fire for no absolutely no benefit

How so? The previous commits are still recoverable from the reflog.
It's still possible to use it locally in v7; v8 will no longer allow it.

The brand damage has been done regardless.
I also tend to watch a lot of YT. Here's some of my subscriptions:

https://www.youtube.com/c/YannicKilcher - deep learning paper summaries

https://www.youtube.com/c/tested - Adam Savage's Tested, learn about making

https://www.youtube.com/c/smartereveryday - Learning about science/engineering

https://www.youtube.com/c/BadFaithPodcast - podcast about social issues

https://www.youtube.com/user/aragusea - Cooking, most similar to Alton Brown's Good Eats

https://www.youtube.com/c/Wendoverproductions - How transportation tech and geopolitics work

https://www.youtube.com/c/VisualPolitikEN - Geopolitics explanations

https://www.youtube.com/c/TechnologyConnections - How devices work

https://www.youtube.com/c/RealEngineering - Engineering explanations

https://www.youtube.com/c/Freakinreviews Reviews of As-seen-on-tv type products

https://www.youtube.com/c/3blue1brown - Intuitive/visual explanations of math

Beyond that I have various hobbies I follow like stocks, gardening/hydroponics.
I don't think this is really a reflection of any sort of quality of new music vs. old music, but rather the structure of how people listen to music. If you listen from a main playlist on Spotify and add 100 songs a year and you listen to it generally on shuffle, you'll progressively listen to less and less new music as a proportion of your total listening. This is despite you being interested in the same amount of new music each year. This seems like a likely culprit particularly considering the 18-month limit this infograph seems to consider as new music.

In ye olden times one had to actively choose music to listen to, lending itself to the newer albums, and a relatively weakened aggregate power of one's back catalogue. Spotify and similar services lend themselves to a very passive means of listening however (shuffle and go) that will naturally give more listening to the music which has greater quantity (old music of course).
I guess Google feels it has enough of a monopoly they can afford to piss off any finite number of people (even very early peer-to-peer evangelists of their product) and write it off as business as usual.
A coworker 10 years my senior when I was 20: When did MTV start sucking and VH1 get good? MTV used to be good and VH1 used to be for the boring older crowd. It's way better than MTV, now.

Me: Hate to say it, but I don't think it's VH1 that's changed.

::pregnant pause::

Him: Ouch... My youth.
shop.invisible-computers.com?

Any idea what could be causing this? I am at a loss.
> All the crap that never made it far is mostly lost by now;

The Monkees were more popular than the Beatles, but you'll never get the Mojo magazine audience to admit that.
That's kind of missing the point though. In the context of the article, streaming, "an effort to seek out new things" is mostly out of the table. This is about things that are shoved in front of us. Before streaming, we would simply get fed stuff on the TV or the radio, and that's how we discovered music. This has been widely abused to feed us ever worse quality stuff. With streaming it's easy to skip the crap and look for stuff that we like better (within limits), and if the article is right, people are not just sucking up anymore.
I don't understand why people treat microservices or monoliths as either or. If I find my various projects using the same functionality over and over, then I'll split that off as a microservice to serve my monolith projects of various sizes.

It's like functions: don't turn code into a function until you need it in three different places.
Since you can have a Google account with a non-Gmail address [1] they should at least provide a way to switch to a non-Workspace account. I have a ton of app purchases tied to my account that are going to get stolen if I don't pay the extortion money.

1. https://support.google.com/accounts/answer/27441?hl=en
Not OP, but I would imagine that is the right word to use when force is being applied.
Tale as old as time. Mainstream music has been "dying" for many decades at this point.
I'm swiss and work at a (not internationally known) software company in zurich.

1. Yes, you will find a lot of job offers

2. Compared to my peers not in the software industry the pay is excellent. To get a glimpse you can check https://swissdevjobs.ch/ for salary ranges. Note that this is a lesser known job board and will not have the big name companies on there.

3. Currently there is mandated remote work due to a spike in covid cases. My company has floated that they will require 50% office presence afterwards. But guessing from the sentiment in the industry, there will be plenty of companies allowing full remote.
Looking around, on macOS there’s also MacPass[0] which looks decent (good enough that I could see myself contributing for the last few % of polish), and gnome-passwordsafe[1] looks reasonable on Linux (if a bit too mobile-y for a desktop app). The only notable hole in the platforms I use is Windows… perhaps it’s time to spin up a WinUI Keepass project.

[0]: https://github.com/MacPass/MacPass
[1]: https://apps.gnome.org/app/org.gnome.PasswordSafe/
The conversation about 1Password's corporate direction and the impact on its products, users and the "ecosystem" they appear to care so much about has been going on for months if not years before today. There's been plenty of time for slow thinking.

I say this as a 1Password subscriber and user of its products going back all the way to 1Password 3.
Bingo! This strategy has worked well for my org (75+ engineers) for years. If an engineer makes non-related bug fixes in the same branch we require them to revert the change and make a new branch. We also have each GitHub repo configured so the "Squash and Merge" option is the ONLY option available when merging a PR.

I don't care one lick what someone's branch history looks like. If they want to commit every day, or every hour, or after every keystroke - I don't care. All I know is that once the PR is merged, it's all going to be squashed into a logical unit so the `main` commit history will look just fine.
A lot of that old music was curated a developed by people in industry. A lot of new music is made on computers and anyone can produce it. I think we have a quantity over quality issue. Of course tastes change, when I was younger if you wanted to get radio play you had to be able to sing or create great music - now I hear a lot of loops of break beats and someone with a raspy voice growling out of the radio. Also, consider how compressed music is now, with every sound at the same max volume - I honestly find it hard to listen to. I think there is more nuance to this story that relates to curation and production of music.
Java XMPP Server: Openfire 4.7.0 has been released
Are you asking how to get the money?

Well if I was starting at age 20, then it would not happen in 2022 because I'd have little money.

First I would live with my parents. Then I could maximize savings. Not an option for everyone. And not cool. But housing is very expensive relative to income in 2022. A 20 year old me wouldn't have any other realistic way of saving up the money to buy a house while I'm still in my early 20's.

Second, I'd work as a software dev because those are my skills. And it tends to pay pretty decent.

I'd wait till I had at least 20% down, plus a healthy safety buffer of money. I would estimate my monthly living costs to be sure it was sustainable with my current income. Then buy.

Or if I was earning money at an incredible rate, I might wait and buy outright. Sure the money will be tied up in the house instead of an index fund. But I'd gain stability, a wide base where I cannot be knocked down. That is very appealing to me over maximizing gains.
I don't really think of thin value betting and semi-bluffing as the same concept on different betting rounds. Thin value betting gets its positive expectation (versus checking) entirely from getting called with a worse hand. It doesn't really have positive expectation from inducing a fold the way that semi-bluffing does.

At least, that holds if you assume the opponent will always call with hands above a threshold and fold with hands below it. Which is correct play (though kindly ignore raises, for simplicity - but they don't blow up the argument). Only if they behave very strangely, e.g. folding with the very best hands and worst hands but calling with the decent ones, can I see a better connection with semi-bluffing on early streets.
And this is where all the nerds come in and say: "We told you so!"

Spending anything more than a trivial amount of money for "cloud purchases" with next to no control over when the actual owner can change their mind, seems crazy to me.
How do you generate revenue if you only aggregate jobs or post them for free?
I’ve done this twice, but I was open about it. Once someone was fired, and the second time I was moved into a better dev position than where I was at.

In the end it worked out, but people did get fired or not replaced.
A huge amount of energy from gravitational collapse or radioactive isotopes from somebody else's star and/or neutron star collision is also trapped inside the earth as geothermal energy, certainly more than all the fossil fuels.
re: the performance review: don't know about your work place, but the first quarterly review I got at [insert name of large known company], my manger sat me down and explained she is budgeted a certain amount of bonus points for her 5 team members, and required to "grade on a curve". Hence, 1 team member will be "above average", 3 will be "average", and one "below average" every quarter. And for fairness, she rotates the names. I was deemed "below average" since it was my first quarter, but the good news, she said, is when she nominates me for "average" next quarter, she'd add a "shows improvement" comment to it!

Bare in mind, real actual money was tied to this stupid scheme, and you had to spend at least 2 hours writing a document explaining what you've done for the company, the team and the product, to justify your "averageness".

I lasted 3 quarters in that social experiment. And I'll laugh in the face of corporate recruiters till the day I die.
I made one too with inkplate. The software is open sourced. More details here: https://link.medium.com/DeyY5FlcXmb
Nit: they're adding Generics in 1.18 (not 1.8). Regarding "another 5 years": I'm not so sure. Go is very conservative about language changes. The type system didn't change at all from version 1.0 through version 1.17 (a 12-year period).
I agree that there isn’t anything inherently wrong with autotune, but electric guitars and synthesizers were very expressive instruments that generated new possibilities for musicians to express themselves: guitars with more sustain allowing for legato playing, for a different kind of vibrato, synthesizers allowing change of different parameters that traditional instruments can’t, etc. “Autotune the T-Pain effect”, is also a new sound…

But Autotune/Melodyne being used to make vocals flawless is sort of “removing” flaws from vocal tracks. This would be similar to replacing an orchestra with Gemeral MIDI instruments. It is technically perfect, but there’s less expression.

Whether this is good or bad I don’t know, but part of the charm of old recordings is the infinite variations of tuning and timing.
You're confused. I never said I rejected abstract art, and I never claimed that if you reject abstract art, you must love photorealism. Please reread what I wrote.
The first and primary public focus was always to prevent severe illness and death and alleviate the load on hospitals. Messaging on that has been fairly consistent.

Some countries pursued an eradication goal early on and some public health officials publicly spoke about their hope to achieve that, but while that was possible with the wild type it no longer is with the variants and animal reservoirs. It was a reasonable, rational strategy at the time, later undermined by the nature of new mutations.

You’re attempting to redefine the baseline of what’s considered acceptable for a vaccine, beyond what has ever been the case. In fact the vaccine most people would be aware of and have come into contact with, the flu vaccine, only partially protects against severe illness.

We have only been able to eradicate two viruses in human history through vaccination. In all other cases it’s a tool used to prevent worse outcomes and control the disease’s severity and spread.

Nonetheless, new vaccines that better target variants like Delta and Omicron, and hopefully any new ones that may emerge, are already in active development and trials. So we will see improvements in our ability to protect people against COVID-19.