That is patents. While it may seem similar, patents actually are "some kind of privileged status that you have to pay for", or at least have to officially register (I'm not sure if you have to pay for a patent, doesn't matter).

Patents are troublesome, in particular software patents, and in particular in the US due to the way patent trolls work.

But that is an entirely different discussion. Different groups and people behind it, different power struggle. Let's focus on copyright.

Copyright. The way the US enforces it and exerts influence over it--which is what the article is about--makes it a worldwide problem.

Another weird thing is, even from the "copyright everything" camp, it must seem that the US is disproportionately represented+enforced. But you don't hear them about that. There's a few reasons for that, larger non-US studios/distributors often have deals with US studios/distributors. But those deals are mainly with the US, so on the whole it is still disproportionately represented.

I kind of wonder, but have never seen any clear evidence for this so this is just speculation: Even outside the US, a very large percentage of media (pop songs, films, TV series) are of US origin. At least in the Netherlands: Domestic films are considered "niche", the hit charts are dominated by US pop songs and the majority of TV series broadcast and/or watched are US-based. Of course a large driving force behind this phenomenon is that (in NL) we all speak English, but how do you think it became that way? It's not education; We also learn German and French in school, but the Dutch people speak way better English than they speak the language of our neighbours (Germany), let alone French. And such is the case for a large part of Europe at least (I won't try to speak for places that I don't have much knowledge about).

That's some strong cultural influence. It is power. The US probably wants to keep it that way, it's an amazing way to influence thought in western culture everywhere. Anyway it is power, so there must be forces that want to keep it.

But the anti-piracy movements seem kind of antithetical to that, right? They are restricting distribution. So how does that add up? There doesn't seem to be a (public) fight between the "global cultural influence" forces in the US and the "content industry" forces. Again, I'm just speculating, but I can think of a few reasons: It's not about restricting distribution per se, it's about controlling distribution, and control is power. Another way is that by restricting supply (and with a lot of show), it is perceived as valuable, which legitimises. But that doesn't seem to be enough, considering the enormous amount of influence and power on cultures and thought all over the world, the US has control over. Restricting supply is just a trick and controlling distribution is not enough, there must be a force that pushes, too. But what is it? (I'm probably overlooking something extremely obvious because the alternative would be a world-wide psyops-campaign).

I mean, unless US pop-culture is just that much superior, that good, that everybody wants it, everywhere. But that also seems unlikely (and I don't mean that by hating on pop-music or anything, because non-US pop-music is really just as "shit", the "main stream" is still art IMHO, even when I don't like it myself, and that's a whole other discussion again).