I read your how-to article, and enjoyed your writing. And I came away with the impression that Pieter (who I had never heard of before) had chosen to settle down in Amsterdam, as in buying a house or somesuch. I wasn't interested enough in digital nomadism to go and read the article about him, but I thought I might read it over the weekend.

then I come here and discover that Pieter was just spending a few months in Amsterdam (and as he said, why wouldn't you if you had the opportunity), followed by your side of the story, which by now is taking on a life of its own, perhaps to the be the subject of its own article one day.

Look Mike, you may have made a rookie mistake (or several of them) on your first story, but by the time you wrote this how-to guide you were aware of both the errors and the fact that the errors seriously pissed off the subject of the article and his fans. And yet here you are, still telling the story about about how you got your ass in gear, pitched a story about a digital nomad who settled down, and mention that in the process of writing it you learned additional detail. I would never have guessed form this that you put your foot in it and it resulted in some negative publicity for both your subject and your publisher.

That's not cool. While most of the facts in the story are true, your idea that they can be subordinated to support the narrative that inspired you is bullshit, in the technical sense of a disregard for the factual rather than a deliberate untruth. If you feel the facts should fict the narrative then don't call yourself a journalist. Write fiction whether wholly invented or dramatized versions of real events, or advertorials, or whatever. In journalism facts have to be subordinate to narrative even if that means your story hook breaks.

Now, I feel an literary theory argument coming back towards saying that all journalism is inherently subjective and contains narratives, but you're not writing for an audience of ironically detached English majors who want a nice think piece with some amusing stylistic flourishes, you're writing for a general audience whose primary interest in your article is the actual subject matter. Your job as a writer here is to adapt everything to the truth of your subject. 'Globetrotter takes a breather' isn't quite as compelling a hook as 'nomad settles down' but it's up to you to mine those more prosaic facts for whatever gems of human interest gleam therein.

And please don't use the 'tight deadline' excuse. It was your first story, yes? So you either leave yourself some wiggle room or be extra extra careful to represent your subject accurately. While your feelings and emotions have been hurt by Pieter haunting you on the net, how much worse do you think he felt to see an inaccurate portrayal of himself in a prestigious nationally read magazine, which readers default to taking at face value? I'm going to give it to you straight: he's haunting you because you fucked up, you're compounding your fuckup by glossing over it in your personal marketing, and you're compounding it again by relitigating the issue in public. Everyone makes mistakes, but how you handle them is what makes you a professional as opposed to a hack.

When you fuck up at work, especially if you're freelance, you need to take the same approach you would with a family member or spouse: own it, apologize, and then shut up. It's possible that nobody has told you this, and you're also surrounded by cultural signifiers of people who built whole careers (and possibly now administrations) on peddling bullshit, but I'm pretty sure that you didn't agonize for years over your desire to be a writer so that you could peddle a slightly different flavor of bullshit, did you? Now that you've figured out how everyone else sells stories, you need to find a different and better way to do that. There are lots of techniques that work in terms of getting readers' attention, but ultimately end up shortchanging them - bathos, hyperbole, burying the lede, and so on. It's true, you need a hook and you need to bait it with something so readers will bite and you can get paid. But the day taht the fish start to think your bait always smells a bit off, it's over.