Source: Acts which do not amount to copyright infringement are provided under Section 52 of the Copyright Act, 1957. Some of these include: A fair dealing with a work for the purposes of its review or criticism. Reproduction of work for private study. Reproduction for educational purposes. Reporting present events in any print media. Reproduction of the judicial proceeding or of a report of the judicial proceeding. Publication or reproduction of the musical, literary, dramatic or artistic work in any work prepared by the secretariat of the legislature. The reproduction of any literary, musical work or dramatic in a certified copy made or supplied in lines with any law for the time being in force.

Target: ଯେଉଁ କାର୍ଯ୍ୟ ଗୁଡିକ କପି ରାଇଟ ଉଲଙ୍ଘନ ହୋଇଛି ବୋଲି ଧରାଯିବ ନାହିଁ, ତାହା କପି ରାଇଟ ଆକ୍ଟ 1957 ଧାରା – 52 ରେ ଦିଆଯାଇଛି, ତନ୍ମଧ୍ୟରୁ ନିମ୍ନରେ କେତେକ ଦିଆଗଲା। ମାଷ୍ଟରପିସ ର ନ୍ୟାୟ ସଙ୍ଗତ ସମାଲୋଚନା କିମ୍ବା ସିୀକ୍ଷା ବ୍ୟକ୍ତିଗତ ଭାବେ ପଠନ ଉଦ୍ଦେଶ୍ୟରେ ନକଲ କରିବା ଶିକ୍ଷାଦାନ ଉଦ୍ଦେଶ୍ୟରେ ନକଲ କରିବା କୌଣସି ମୁଦ୍ରଣ ଗଣ ମାଧ୍ୟମରେ ସାମ୍ପ୍ରତିକ ଘଟଣାକୁ ନେଇ ରିପୋର୍ଟ କରିବା


Source: Acts which do not amount to copyright infringement are provided under Section 52 of the Copyright Act, 1957. Some of these include: A fair dealing with a work for the purposes of its review or criticism. Reproduction of work for private study. Reproduction for educational purposes. Reporting present events in any print media. Reproduction of the judicial proceeding or of a report of the judicial proceeding. Publication or reproduction of the musical, literary, dramatic or artistic work in any work prepared by the secretariat of the legislature. The reproduction of any literary, musical work or dramatic in a certified copy made or supplied in lines with any law for the time being in force.

Target: ਹਾਂ, ਕਾਪੀਰਾਈਟ ਮਾਲਕ ਆਪਣੇ ਕਾਪੀਰਾਈਟ ਦਾ ਲਾਇਸੰਸ ਦੇ ਸਕਦਾ ਹੈ। ਕਾਪੀਰਾਈਟ ਲਾਇਸੰਸ ਵਿੱਚ ਕਿਸੇ ਵੀ ਇੰਟਰਸਟ ਦਾ ਤਬਾਦਲਾ ਕੀਤਾ ਜਾ ਸਕਦਾ ਹੈ । ਲਾਇਸੰਸ ਵਿੱਚ ਦਿੱਤੇ ਅਧਿਕਾਰ ਸੀਮਤ ਹਨ। ਲਾਇਸੰਸ ਦੁਆਰਾ, ਕਾਪੀਰਾਈਟ ਦਾ ਮਾਲਕ ਲਾਇਸੰਸਧਾਰਕ ਨੂੰ ਆਪਣੇ ਕੰਮ ਦੀ ਉਲੰਘਣਾ ਬਿਨਾਂ ਮਾਨੇ ਉਸਦੀ ਵਰਤੋਂ ਕਰਨ ਦਾ ਅਧਿਕਾਰ ਦਿੰਦਾ ਹੈ। ਭਾਰਤ ਵਿੱਚ, ਇਹ ਲਾਇਸੰਸ ਸਿਰਫ਼ ਕਾਪੀਰਾਈਟ ਮਾਲਕ ਦੇ ਹਸਤਾਖਰਾਂ ਅਧੀਨ ਜਾਂ ਉਸਦੇ ਅਧਿਕਾਰਤ ਏਜੰਟ ਦੁਆਰਾ ਦਿੱਤਾ ਜਾ ਸਕਦਾ ਹੈ। ਕਿਰਪਾ ਕਰਕੇ ਨੋਟ ਕਰੋ ਕਿ ਜੇਕਰ ਕਾਪੀਰਾਈਟ ਲਾਇਸੰਸ ਦੀ ਮਿਆਦ ਪੁੱਗ ਗਈ ਹੈ, ਤਾਂ ਕਾਪੀਰਾਈਟ ਮਾਲਕ ਨੂੰ ਉਲੰਘਣਾ ਦਾ ਮੁਕੱਦਮਾ ਸ਼ੁਰੂ ਕਰਨ ਸਮੇਤ, ਉਚਿਤ ਉਪਾਅ ਕਰਨ ਦਾ ਅਧਿਕਾਰ ਹੈ।


Source: Acts which do not amount to copyright infringement are provided under Section 52 of the Copyright Act, 1957. Some of these include: A fair dealing with a work for the purposes of its review or criticism. Reproduction of work for private study. Reproduction for educational purposes. Reporting present events in any print media. Reproduction of the judicial proceeding or of a report of the judicial proceeding. Publication or reproduction of the musical, literary, dramatic or artistic work in any work prepared by the secretariat of the legislature. The reproduction of any literary, musical work or dramatic in a certified copy made or supplied in lines with any law for the time being in force.

Target: பதிப்புரிமை மீறல் இல்லாத சட்டங்கள் பதிப்புரிமைச் சட்டம், 1957 இன் பிரிவு 52 இன் கீழ் வழங்கப்பட்டுள்ளன. இவற்றில் சில: ஒரு படைப்பை அதன் மதிப்பாய்வு அல்லது விமர்சனத்தின் நோக்கங்களுக்காக நியாயமான முறையில் கையாள்வது. தனிப்பட்டபடிப்புக்காகப் படைப்பை மறுபதிப்பு செய்தல். கல்வி நோக்கங்களுக்காக மறுபதிப்பு. ஏதாவதொரு அச்சு ஊடகத்தில் தற்போதைய நிகழ்வுகளைப் கொண்டுவருதல் நீதித்துறை நடவடிக்கையின் மறு உருவாக்கம் அல்லது நீதித்துறை நடவடிக்கையின் அறிக்கை. சட்டமன்றத்தின் செயலகத்தால் தயாரிக்கப்பட்ட எந்தவொரு இசை, இலக்கிய, நாடக அல்லது கலைப் படைப்புகளின் வெளியீடு அல்லது மறு உருவாக்கம். தற்போதைக்கு நடைமுறையில் உள்ள எந்தவொரு சட்டத்திற்கும் இணங்க தயாரிக்கப்பட்ட அல்லது வழங்கப்பட்ட சான்றளிக்கப்பட்ட எந்தவொரு இலக்கிய, இசைப் படைப்பு அல்லது நாடகத்தின் மறு உருவாக்கம்.


Source: Acts which do not amount to copyright infringement are provided under Section 52 of the Copyright Act, 1957. Some of these include: A fair dealing with a work for the purposes of its review or criticism. Reproduction of work for private study. Reproduction for educational purposes. Reporting present events in any print media. Reproduction of the judicial proceeding or of a report of the judicial proceeding. Publication or reproduction of the musical, literary, dramatic or artistic work in any work prepared by the secretariat of the legislature. The reproduction of any literary, musical work or dramatic in a certified copy made or supplied in lines with any law for the time being in force.

Target: చేయవచ్చు. కాపీరైట్ యజమాని. లైసెన్స్ బదిలీ లో (కాపీరైట్ ఏ ఆసక్తి బదిలీ) ఆసక్తి మంజూరు చేసిన హక్కులు పరిమితం. లైసెన్స్ ద్వారా, కాపీరైట్ యజమాని లైసెన్స్‌దారునికి తన పనిని ఎటువంటి ఉల్లంఘన లేకుండా ఉపయోగించుకునే హక్కును ఇస్తా డు. భారతదేశంలో ఈ లైసెన్స్ కాపీరైట్ యజమాని సంతకం మీద లేదా దాని అధికారం కలిగిన ఏజెంట్ ద్వారా మాత్రమే మంజూరు చేయబడుతుంది.


Source: What can one do if they find that their copyright in a work has been infringed?

Target: যদি তারা দেখতে পায় যে একটি কাজের ক্ষেত্রে তাদের কপিরাইট লঙ্ঘন করা হয়েছে তবে কেউ কী করতে পারে?


Source: What can one do if they find that their copyright in a work has been infringed?

Target: જો કોઈ કાર્યમાં તેમના કૉપિરાઈટનું ઉલ્લંઘન કરવામાં આવ્યું હોય તો તેઓ શું કરી શકે?


Source: What can one do if they find that their copyright in a work has been infringed?

Target: क्या कॉपीराइट का लाइसेंस दिया जा सकता है? यदि हाँ, तो कैसे?


Source: What can one do if they find that their copyright in a work has been infringed?

Target: ഒരു സൃഷ്ടിയുടെ പകർപ്പവകാശം ലംഘിക്കപ്പെട്ടതായി കണ്ടെത്തിയാൽ ഒരാൾക്ക് എന്തുചെയ്യാൻ കഴിയും?


Source: What can one do if they find that their copyright in a work has been infringed?

Target: त्यांच्या कॉपीराइटचे उल्लंघन झाल्याचे त्यांना आढळल्यास ते काय करू शकतात ?


Source: What can one do if they find that their copyright in a work has been infringed?

Target: କପି ରାଇଟ ଆଇନତଃ ହସ୍ତାନ୍ତର ହୋଇ ପାରିବ କି ? ଏହା ପାଇଁ ପ୍ରକ୍ରିୟା ରହିଅଛି?


Source: What can one do if they find that their copyright in a work has been infringed?

Target: ਕੀ ਕਾਪੀਰਾਈਟ ਦਾ ਅਸਾਈਨਮੈਂਟ (assignment) ਕੀਤਾ ਜਾ ਸਕਦਾ ਹੈ? ਅਜਿਹਾ ਕਰਨ ਦੀ ਪ੍ਰਕਿਰਿਆ ਕੀ ਹੈ?


Source: What can one do if they find that their copyright in a work has been infringed?

Target: ஒரு படைப்பில் அவர்களின் பதிப்புரிமை மீறப்பட்டிருப்பதைக் கண்டறிந்தால் என்ன செய்ய முடியும்?


Source: What can one do if they find that their copyright in a work has been infringed?

Target: కాపీరైట్ ఎసైన్ చేయవచ్చా ? దీన్ని చేయడానికి విధానం ఏమిటి?


Source: At the outset, one should carefully determine whether the infringement has taken place or not. In case it has, the copyright holder has both civil and criminal remedy against the infringer: Civil Remedy: An infringement claim can be filed before the civil court asking for monetary compensation and an injunction in order to prevent the continuation or repetition of the infringement. (See Sec. 55 of the Copyright Act, 1957). Criminal Remedy: If reproduction is unauthorized, it also amounts to a criminal offence and the copyright holder can initiate criminal proceedings against the infringer. The minimum punishment for Copyright infringement is 6-months imprisonment with a minimum fine of Rs 50, 000. (See Sec. 63 of the Copyright Act, 1957). Thirdly, one can also adopt for out of court settlement in the form of mediation, arbitration etc. As each of these exercises are heavily fact dependent, please seek legal help before proceeding further.

Target: শুরুতে, কোনও কপিরাইট লঙ্ঘন হয়েছে কিনা তা সাবধানতার সাথে নির্ধারণ করতে হবে। যদি এটি ঘটে থাকে, তবে কপিরাইটধারীর বিরুদ্ধে দেওয়ানি এবং ফৌজদারি উভয় ক্ষেত্রে প্রতিকার রয়েছে: দেওয়ানি প্রতিকার: লঙ্ঘনের ধারাবাহিকতা বা পুনরাবৃত্তি রোধ করার জন্য আর্থিক ক্ষতিপূরণ এবং নিষেধাজ্ঞার জন্য দেওয়ানি আদালতের সামনে একটি লঙ্ঘনের দাবি দায়ের করা যেতে পারে। (কপিরাইট আইন, ১৯৫৭ এর ধারা ৫৫ দেখুন) । ফৌজদারি প্রতিকার: যদি পুনরুত্পাদন অননুমোদিত হয় তবে এটি একটি ফৌজদারি অপরাধের প্রমাণ হয় এবং কপিরাইট ধারক লঙ্ঘনের বিরুদ্ধে ফৌজদারি কার্যক্রম শুরু করতে পারে। কপিরাইট লঙ্ঘনের জন্য সর্বনিম্ন শাস্তি হল ন্যূনতম ৫০,০০০ টাকা জরিমানা সহ ৬ মাসের কারাদণ্ড। (কপিরাইট আইন, ১৯৫৭ এর ধারা ৪৩ দেখুন) । তৃতীয়ত, কেউ মধ্যস্থতা, সালিস ইত্যাদি আকারে আদালতের বাইরে নিষ্পত্তির জন্যও গ্রহণ করতে পারে।


Source: At the outset, one should carefully determine whether the infringement has taken place or not. In case it has, the copyright holder has both civil and criminal remedy against the infringer: Civil Remedy: An infringement claim can be filed before the civil court asking for monetary compensation and an injunction in order to prevent the continuation or repetition of the infringement. (See Sec. 55 of the Copyright Act, 1957). Criminal Remedy: If reproduction is unauthorized, it also amounts to a criminal offence and the copyright holder can initiate criminal proceedings against the infringer. The minimum punishment for Copyright infringement is 6-months imprisonment with a minimum fine of Rs 50, 000. (See Sec. 63 of the Copyright Act, 1957). Thirdly, one can also adopt for out of court settlement in the form of mediation, arbitration etc. As each of these exercises are heavily fact dependent, please seek legal help before proceeding further.

Target: શરૂઆતમાં કોઈએ કાળજીપૂર્વક નક્કી કરવું જોઈએ કે ઉલ્લંઘન થયું છે કે નહીં. જો તેની પાસે હોય, તો કૉપિરાઇટ ધારક ઉલ્લંઘન કરનાર સામે સિવિલ અને ફોજદારી બંને ઉપાયો ધરાવે છે: નાગરિક ઉપાય (Civil remedy): ઉલ્લંઘનનો દાવો સિવિલ કોર્ટ સમક્ષ દાખલ કરી શકાય છે અને ઉલ્લંઘનને ચાલુ રાખવા અથવા પુનરાવર્તન અટકાવવા માટે નાણાકીય વળતર અને મનાઈ હુકમની માંગણી કરી શકાય છે. (કોપીરાઈટ એક્ટ, 1957ની કલમ 55 જુઓ). ફોજદારી ઉપાય (Criminal Remedy): જો પ્રજનન અનધિકૃત છે, તો તે ફોજદારી ગુનો પણ ગણાય છે અને કૉપિરાઇટ ધારક ઉલ્લંઘન કરનાર સામે ફોજદારી કાર્યવાહી શરૂ કરી શકે છે. કોપીરાઈટના ઉલ્લંઘન માટે લઘુત્તમ સજા 6 મહિનાની જેલ અને લઘુત્તમ 50,000 રૂપિયાનો દં ડ છે. (કોપીરાઈટ એક્ટ, 1957ની કલમ 63 જુઓ) ત્રીજે સ્થાને, વ્યક્તિ મધ્યસ્થી, લવાદી વગેરેના સ્વરૂપમાં કોર્ટની બહાર સમાધાન માટે પણ અપનાવી શકે છે. આમાંની દરેક કવાયત ખૂબ જ હકીકત પર આધારિત હોવાથી, કૃપા કરીને આગળ વધતા પહેલા કાનૂની મદદ લો.


Source: At the outset, one should carefully determine whether the infringement has taken place or not. In case it has, the copyright holder has both civil and criminal remedy against the infringer: Civil Remedy: An infringement claim can be filed before the civil court asking for monetary compensation and an injunction in order to prevent the continuation or repetition of the infringement. (See Sec. 55 of the Copyright Act, 1957). Criminal Remedy: If reproduction is unauthorized, it also amounts to a criminal offence and the copyright holder can initiate criminal proceedings against the infringer. The minimum punishment for Copyright infringement is 6-months imprisonment with a minimum fine of Rs 50, 000. (See Sec. 63 of the Copyright Act, 1957). Thirdly, one can also adopt for out of court settlement in the form of mediation, arbitration etc. As each of these exercises are heavily fact dependent, please seek legal help before proceeding further.

Target: हाँ, कॉपीराइट मालिक अपने कॉपीराइट लाइसेंस दे सकता है।लाइसेंस कॉपीराइट में मौजूद किसी भी हित का हस्तांतरण है (transfer of any interest in the copyright)। एक लाइसेंस में दिए गए अधिकार सीमित हैं। लाइसेंस के द्वारा कॉपीराइट का मालिक लाइसेंसधारी को बिना कोई उल्लंघन माने अपनी कृति का उपयोग करने का अधिकार देता है। भारत में, यह लाइसेंस केवल कॉपीराइट के मालिक के हस्ताक्षर पर या उसके विधिवत अधिकृत एजेंट के माध्यम से दिया जा सकता है।कृपया ध्यान दें कि यदि कॉपीराइट लाइसेंस की अवधि समाप्त हो गई है, तो कॉपीराइट स्वामी के पास उल्लंघन का मुकदमा शुरू करने सहित उचित उपाय करने का अधिकार है।


Source: At the outset, one should carefully determine whether the infringement has taken place or not. In case it has, the copyright holder has both civil and criminal remedy against the infringer: Civil Remedy: An infringement claim can be filed before the civil court asking for monetary compensation and an injunction in order to prevent the continuation or repetition of the infringement. (See Sec. 55 of the Copyright Act, 1957). Criminal Remedy: If reproduction is unauthorized, it also amounts to a criminal offence and the copyright holder can initiate criminal proceedings against the infringer. The minimum punishment for Copyright infringement is 6-months imprisonment with a minimum fine of Rs 50, 000. (See Sec. 63 of the Copyright Act, 1957). Thirdly, one can also adopt for out of court settlement in the form of mediation, arbitration etc. As each of these exercises are heavily fact dependent, please seek legal help before proceeding further.

Target: ആദ്യമായി, ലംഘനം നടന്നിട്ടുണ്ടോ ഇല്ലയോ എന്ന് ശ്രദ്ധാപൂർവ്വം നിർണ്ണയിക്കണം. അങ്ങനെയാണെങ്കിൽ, പകർപ്പവകാശ ഉടമയ്ക്ക് ലംഘനത്തിനെതിരെ സിവിൽ, ക്രിമിനൽ പ്രതിവിധി ഉണ്ട്: സിവിൽ പ്രതിവിധി: ലംഘനത്തിൻ്റെ തുടർച്ചയായ ആവർത്തനം തടയുന്നതിനും അനധികൃത ഉപയോഗത്തിനു നഷ്ടപരിഹാരവും ആവശ്യപ്പെട്ട് സിവിൽ കോടതിയിൽ ഒരു ലംഘന ക്ലെയിം ഫയൽ ചെയ്യാം. (1957-ലെ കോപ്പി റൈറ്റ് ആക്ട്ൻറെ സെക്ഷൻ 55 കാണുക) ക്രിമിനൽ പ്രതിവിധി: പുനർനിർമ്മാണം അനധികൃതമാണെങ്കിൽ, അത് ഒരു ക്രിമിനൽ കുറ്റത്തിനും തുല്യമാണ്, അതിനാൽ പകർപ്പവകാശ ഉടമയ്ക്ക് ലംഘനത്തിനെതിരെ ക്രിമിനൽ നടപടികൾ ആരംഭിക്കാൻ കഴിയും. പകർപ്പവകാശ ലംഘനത്തിനുള്ള ഏറ്റവും കുറഞ്ഞ ശിക്ഷ 6 മാസത്തെ തടവും കുറഞ്ഞത് 50,000 രൂപ പിഴയുമാണ്. (1957-ലെ പകർപ്പവകാശ നിയമത്തിന്റെ സെക്ഷൻ 63 കാണുക) മൂന്നാമതായി, മധ്യസ്ഥത, വ്യവഹാരം മുതലായവയുടെ രൂപത്തിൽ കോടതിക്ക് പുറത്തുള്ള ഒത്തുതീർപ്പും സ്വീകരിക്കാവുന്നതാണ്. ഈ മാർഗ്ഗംങ്ങൾ ഓരോന്നും വളരെയധികം വസ്തുതയെ ആശ്രയിച്ചിരിക്കുന്നതിനാൽ, തുടരുന്നതിന് മുമ്പ് ദയവായി നിയമസഹായം തേടുക.


Source: At the outset, one should carefully determine whether the infringement has taken place or not. In case it has, the copyright holder has both civil and criminal remedy against the infringer: Civil Remedy: An infringement claim can be filed before the civil court asking for monetary compensation and an injunction in order to prevent the continuation or repetition of the infringement. (See Sec. 55 of the Copyright Act, 1957). Criminal Remedy: If reproduction is unauthorized, it also amounts to a criminal offence and the copyright holder can initiate criminal proceedings against the infringer. The minimum punishment for Copyright infringement is 6-months imprisonment with a minimum fine of Rs 50, 000. (See Sec. 63 of the Copyright Act, 1957). Thirdly, one can also adopt for out of court settlement in the form of mediation, arbitration etc. As each of these exercises are heavily fact dependent, please seek legal help before proceeding further.

Target: सुरवातीस, उल्लंघन झाले आहे की नाही हे काळजीपूर्वक निश्चित के ले पाहिजे. असे झाल्यास, कॉपीराइट धारकाचा दिवाणी (Civil) व फौजदारी न्यायालयात खटला होऊ शकतो. नागरी उपाय (Civil Remedy): उल्लंघन करणार्‍याविरोधात दिवाणी (Civil) दावा दाखल होऊन न्यायालयात खटला दाखल केला जाऊ शकतो. खटल्यात, उल्लंघन रोखण्यासाठी (Injunction) आणि ते पुन्हा होण्यापासून रोखण्यासाठी, तसेच उल्लंघनामुळे झालेल्या नुक्सान भरपाई (damages) साठी प्रयत्न केला जाऊ शकतो. (कॉपीराइट कायदा 1957 चे कलम 55 पहा) गुन्हेगारी उपाय (Criminal Remedy): जर आपल्या परवानगीशिवाय आपल्या कार्याची कॉपी केली गेली असेल तर तो गुन्हा आहे आणि कॉपीराइट धारक उल्लंघन करणार्‍याविरूद्ध फौजदारी कारवाई देखील करू शकतो. कॉपीराइट उल्लंघनाची शिक्षा ह्यात दंड आणि तुरुंगवास दोऩी होऊ शकतात. (कॉपीराइट कायदा 195 195 चे कलम 43 पहा) तिसरे आयटम म्हणून आपण मध्यस्थता (कोर्टाबाहेर मध्यस्थी) (Mediation) व वाटघाटी (Negotiation) करून खटला सोडवू शकता. ह्या सर्व गोष्टी वस्तुस्थितीवर अवलंबून असल्यामुळे, वकिलाचा सल्ला घेऊनच पुढे जावे.


Source: At the outset, one should carefully determine whether the infringement has taken place or not. In case it has, the copyright holder has both civil and criminal remedy against the infringer: Civil Remedy: An infringement claim can be filed before the civil court asking for monetary compensation and an injunction in order to prevent the continuation or repetition of the infringement. (See Sec. 55 of the Copyright Act, 1957). Criminal Remedy: If reproduction is unauthorized, it also amounts to a criminal offence and the copyright holder can initiate criminal proceedings against the infringer. The minimum punishment for Copyright infringement is 6-months imprisonment with a minimum fine of Rs 50, 000. (See Sec. 63 of the Copyright Act, 1957). Thirdly, one can also adopt for out of court settlement in the form of mediation, arbitration etc. As each of these exercises are heavily fact dependent, please seek legal help before proceeding further.

Target: କପି ରାଇଟ୍ ର ମାଲିକ (ଅଧିକାରୀ) ତାଙ୍କର କପି ରାଇଟକୁ ସଂପୂର୍ଣ୍ଣ ବା ଆଂଶିକ ଭାବେ ସଂପୂର୍ଣ୍ଣ କପି ରାଇଟ୍ ର ଅବଧି ବା ସିମୀତ ଅବଧି ନିମନ୍ତେ ଜଣେ ବ୍ୟକ୍ତିଙ୍କୁ ଦେଇ ପାରନ୍ତି । ହସ୍ତାନ୍ତର ଦଲିଲ ହସ୍ତାନ୍ତରକାରୀ ବା ତାଙ୍କର ପ୍ରତିନିଧିଙ୍କ ଦ୍ଵାରା ସ୍ଵାକ୍ଷର ହସ୍ତାନ୍ତର ହେବା ଦରକାର । ଏହି ହସ୍ତାନ୍ତର ଦଲିଲ ରେ ପ୍ରାସଙ୍ଗିକ କାର୍ଯ୍ୟ ନିର୍ଦ୍ଦିଷ୍ଟ ହୋଇଥିବା ସହ କେଉଁ ଅଧିକାର ହସ୍ତାନ୍ତର ହେଲା । ଅବଧି ଏବଂ କେଉଁ ଅଞ୍ଚଳ ପାଇଁ ପ୍ରଯୁଜ୍ୟ ତାହା ମଧ୍ୟ ନିର୍ଦ୍ଦିଷ୍ଟ ହୋଇଥିବ ଯଦି କିଛି ରୟାଲତି ନିର୍ଦ୍ଧାରିତହୋଇଥାଏ, ତା ମଧ୍ୟ ହସ୍ତାନ୍ତର ଦଲିଲରେ ନିର୍ଦ୍ଦିଷ୍ଟ ହେବା ଦରକାର । ହସ୍ତାନ୍ତର କାର୍ଯ୍ୟରେ ଅବଧି ନିର୍ଦ୍ଦିଷ୍ଟ ଭାବେ ଉଲ୍ଲେଖ ନ ଥିଲେ ତାହା 5 ବର୍ଷ ପାଇଁ ବଳବତ୍ତର ରହିବ ଏବଂ ଏହା ପରେ ଏହାର ଅକାମୀ ହୋଇଯିବ । ପୁନଶ୍ଚ, ଯଦି ହସ୍ତାନ୍ତର ଗ୍ରହଣକାରୀ ତାଙ୍କର ଅଧିକାର 1 ବର୍ଷ ମଧ୍ୟରେ ଜାହିର କରିବେ ନାହିଁ ତେବେ ତାହା ଆପେ ଆପେ ଅକାମୀ ହୋଇଯିବ (କପି ରାଇଟ ଆକ୍ଟ , 1957 ର ଧାରା 18 ଓ 19 ଦେଖନ୍ତୁ )।


Source: At the outset, one should carefully determine whether the infringement has taken place or not. In case it has, the copyright holder has both civil and criminal remedy against the infringer: Civil Remedy: An infringement claim can be filed before the civil court asking for monetary compensation and an injunction in order to prevent the continuation or repetition of the infringement. (See Sec. 55 of the Copyright Act, 1957). Criminal Remedy: If reproduction is unauthorized, it also amounts to a criminal offence and the copyright holder can initiate criminal proceedings against the infringer. The minimum punishment for Copyright infringement is 6-months imprisonment with a minimum fine of Rs 50, 000. (See Sec. 63 of the Copyright Act, 1957). Thirdly, one can also adopt for out of court settlement in the form of mediation, arbitration etc. As each of these exercises are heavily fact dependent, please seek legal help before proceeding further.

Target: ਹਾਂ, ਕਾਪੀਰਾਈਟ ਦਾ ਮਾਲਕ ਆਪਣਾ ਕਾਪੀਰਾਈਟ ਪੂਰੇ ਜਾਂ ਅੰਸ਼ਕ ਰੂਪ ਵਿੱਚ ਸੌਂਪ ਸਕਦਾ ਹੈ । ਇਹ ਅਸਾਈਨਮੈਂਟ ਪੂਰੀ ਮਿਆਦ ਜਾਂ ਕਾਪੀਰਾਈਟ ਦੇ ਹਿੱਸੇ ਲਈ ਕੀਤੀ ਜਾ ਸਕਦੀ ਹੈ। ਅਸਾਈਨਮੈਂਟ ਲਈ ਲੇਖਕ ਜਾਂ ਉਸਦੇ ਏਜੰਟ ਦੇ ਹਸਤਾਖਰ ਦੀ ਲੋੜ ਹੁੰਦੀ ਹੈ। ਅਸਾਈਨਮੈਂਟ ਦਸਤਾਵੇਜ਼ ਵਿੱਚ ਨਿਰਧਾਰਤ ਕੰਮ ਦਾ ਨਾਮ, ਅਸਾਈਨਮੈਂਟ ਦੀ ਮਿਆਦ ਅਤੇ ਇਸਦੀ ਖੇਤਰੀ ਹੱਦ ਬਾਰੇ ਵੀ ਲਿਖਿਆ ਜਾਣਾ ਚਾਹੀਦਾ ਹੈ। ਜੇਕਰ ਅਸਾਈਨਮੈਂਟ ਦੀ ਮਿਆਦ ਨਿਰਧਾਰਤ ਨਹੀਂ ਕੀਤੀ ਗਈ ਹੈ, ਤਾਂ ਇਸਨੂੰ ਪੰਜ ਸਾਲ ਮੰਨਿਆ ਜਾਵੇਗਾ। ਇਸ ਤੋਂ ਬਾਅਦ, ਅਸਾਈਨਮੈਂਟ ਖਤਮ ਹੋ ਜਾਵੇਗੀ। ਇਸ ਤੋਂ ਇਲਾਵਾ, ਜੇਕਰ ਅਸਾਈਨਮੈਂਟ ਇੱਕ ਸਾਲ ਦੀ ਮਿਆਦ ਦੇ ਅੰਦਰ ਆਪਣੇ ਅਧਿਕਾਰਾਂ ਦੀ ਵਰਤੋਂ ਨਹੀਂ ਕਰਦਾ ਹੈ, ਤਾਂ ਅਸਾਈਨਮੈਂਟ ਆਪਣੇ ਆਪ ਖਤਮ ਹੋ ਜਾਵੇਗੀ। (ਕਾਪੀਰਾਈਟ ਐਕਟ, 1957 ਦੀ ਧਾਰਾ 18 ਅਤੇ 19 ਦੇਖੋ)


Source: At the outset, one should carefully determine whether the infringement has taken place or not. In case it has, the copyright holder has both civil and criminal remedy against the infringer: Civil Remedy: An infringement claim can be filed before the civil court asking for monetary compensation and an injunction in order to prevent the continuation or repetition of the infringement. (See Sec. 55 of the Copyright Act, 1957). Criminal Remedy: If reproduction is unauthorized, it also amounts to a criminal offence and the copyright holder can initiate criminal proceedings against the infringer. The minimum punishment for Copyright infringement is 6-months imprisonment with a minimum fine of Rs 50, 000. (See Sec. 63 of the Copyright Act, 1957). Thirdly, one can also adopt for out of court settlement in the form of mediation, arbitration etc. As each of these exercises are heavily fact dependent, please seek legal help before proceeding further.

Target: ஆரம்பத்தில், மீறல் நடந்ததா இல்லையா என்பதை ஒருவர் கவனமாகத் தீர்மானிக்க வேண்டும். அவ்வாறு இருந்தால், மீறுபவருக்கு எதிராக பதிப்புரிமத்தாரருக்கு சிவில் மற்றும் குற்றவியல் தீர்வு உள்ளது: சிவில் பரிகாரம்: சட்ட மீறல் தொடரும் அல்லது மீண்டும் நிகழாமல் தடுக்கும் வகையில் பண இழப்பீடு மற்றும் தடை உத்தரவு கேட்டு சிவில் நீதிமன்றத்தில் உரிமை மீறல் கோரிக்கையைத் தாக்கல் செய்யலாம். (பதிப்புரிமைச் சட்டம், 1957 பிரிவு 55ஐப் பார்க்கவும்) குற்றவியல் தீர்வு: மறு உருவாக்கம் அங்கீகரிக்கப்படாததாக இருந்தால், அது ஒரு குற்றமாகும், மேலும் பதிப்புரிமை வைத்திருப்பவர் மீறுபவருக்கு எதிராக குற்றவியல் நடவடிக்கைகளைத் தொடங்கலாம். பதிப்புரிமை மீறலுக்கான குறைந்தபட்ச தண்டனை 6 மாத சிறைத்தண்டனை மற்றும் குறைந்தபட்ச அபராதம் ரூ 50,000 ஆகும். (பதிப்புரிமைச் சட்டம், 1957 இன் பிரிவு 63 ஐப் பார்க்கவும்) மூன்றாவதாக, மத்தியஸ்தம், நடுவர் மன்றம் போன்றவற்றின் வடிவில் நீதிமன்றத்திற்கு வெளியே சமரசத்தையும் மேற்கொள்ளலாம். இந்தப் வழிகள் ஒவ்வொன்றும் உண்மையைச் சார்ந்து இருப்பதால், மேலும் தொடர்வதற்கு முன் சட்ட உதவியைப் பெறவும்.


Source: At the outset, one should carefully determine whether the infringement has taken place or not. In case it has, the copyright holder has both civil and criminal remedy against the infringer: Civil Remedy: An infringement claim can be filed before the civil court asking for monetary compensation and an injunction in order to prevent the continuation or repetition of the infringement. (See Sec. 55 of the Copyright Act, 1957). Criminal Remedy: If reproduction is unauthorized, it also amounts to a criminal offence and the copyright holder can initiate criminal proceedings against the infringer. The minimum punishment for Copyright infringement is 6-months imprisonment with a minimum fine of Rs 50, 000. (See Sec. 63 of the Copyright Act, 1957). Thirdly, one can also adopt for out of court settlement in the form of mediation, arbitration etc. As each of these exercises are heavily fact dependent, please seek legal help before proceeding further.

Target: కాపీరైట్ యజమాని వారి కాపీరైట్ యొక్క పూర్తి లేదా పాక్షిక నియామకాన్నిచేయవచ్చు . అసైన్‌మెంట్ కోసం రచయిత లేదా అతని ఏజెంట్ సంతకం అవసరం. అప్పగించిన పత్రంలో కేటాయించిన అప్పగించిన పని పేరు,వ్యవధి మరియు దాని ప్రాదేశిక పరిమితిని పేర్కొనాలి. రాయల్టీ నిర్ణయించబడితే, పత్రం దాని స్వంతంగా ఉండాలి. దాని గురించి కూడా వ్రాయాలి. అప్పగించిన పదం పేర్కొనకపోతే, అది ఐదేళ్ళుగా పరిగణించబడుతుంది. దీని తరువాత, అప్పగింత తగ్గుతుంది. ఇంకా,ఒక సంవత్సరం వ్యవధిలోఉంటే, అప్పగింత దాని హక్కులను కోల్పోతారు. (కాపీరైట్ చట్టం, 1957 లోని 18 మరియు 19 సెక్షన్లను చూడండి)


Source: What is the difference between Assignment of Copyright and License of Copyright?

Target: কপিরাইট লাইসেন্স এবং কপিরাইট নিয়োগ মধ্যে পার্থক্য কি?


Source: What is the difference between Assignment of Copyright and License of Copyright?

Target: કૉપિરાઇટની સોંપણી અને કૉપિરાઇટના લાઇસન્સ વચ્ચે શું તફાવત છે?


Source: What is the difference between Assignment of Copyright and License of Copyright?

Target: क्या कॉपीराइट का असाइनमेंट (Assignment) किया जा सकता है? ऐसा करने की प्रक्रिया क्या है?


Source: What is the difference between Assignment of Copyright and License of Copyright?

Target: പകർപ്പവകാശത്തിൻ്റെ നിയമനവും പകർപ്പവകാശത്തിൻ്റെ ലൈസൻസും തമ്മിലുള്ള വ്യത്യാസം എന്താണ്?


Source: What is the difference between Assignment of Copyright and License of Copyright?

Target: कॉपीराइट असाइनमेंटमध्ये आणि परवान्यात काय फरक आहे?


Source: What is the difference between Assignment of Copyright and License of Copyright?

Target: କପି ରାଇଟ ହସ୍ତାନ୍ତର ଓ କପି ରାଇଟ ଲାଇସେନ୍ସ ମଧ୍ୟରେ କଣ ପାର୍ଥକ୍ୟ ଅଛି?


Source: What is the difference between Assignment of Copyright and License of Copyright?

Target: ਕਾਪੀਰਾਈਟ ਦੇ ਅਸਾਈਨਮੈਂਟ ਅਤੇ ਲਾਇਸੈਂਸ ਵਿੱਚ ਕੀ ਅੰਤਰ ਹੈ?


Source: What is the difference between Assignment of Copyright and License of Copyright?

Target: பதிப்புரிமை ஒப்படைப்பு மற்றும் காப்புரிமை உரிமம் ஆகியவற்றுக்கு என்ன வித்தியாசம்?


Source: What is the difference between Assignment of Copyright and License of Copyright?

Target: కాపీరైట్ కేటాయింపు మరియు లైసెన్స్ మధ్య తేడా ఏమిటి?


Source: Assignment of rights results in transfer of title/ownership of the copyright however, licensing does not result in transfer of the title.

Target: কপিরাইট নিয়োগে কপিরাইটের শিরোনাম/মালিকানা হস্তান্তর হয় তবে লাইসেন্সের ফলে শিরোনাম হস্তান্তর হয় না।


Source: Assignment of rights results in transfer of title/ownership of the copyright however, licensing does not result in transfer of the title.

Target: અધિકારોની સોંપણી કોપીરાઈટના શીર્ષક/માલિકીના સ્થાનાંતરણમાં પરિણમે છે જો કે, લાયસન્સ શીર્ષકના સ્થાનાંતરણમાં પરિણમતું નથી.


Source: Assignment of rights results in transfer of title/ownership of the copyright however, licensing does not result in transfer of the title.

Target: हाँ, कॉपीराइट का स्वामी अपने कॉपीराइट का संपूर्ण या आंशिक असाइनमेंट कर सकता है। यह असाइनमेंट कॉपीराइट के पूरे कार्यकाल या उसके किसी भाग के लिए किया जा सकता है। असाइनमेंट के लिए रचयिता या उसके एजेंट के हस्ताक्षर जरूरी है। असाइनमेंट दस्तावेज़ में असाइन की गयी कृति का नाम, असाइनमेंट की अवधि और उसकी की क्षेत्रीय सीमा के बारे में लिखा जाना चाहिए।यदि कोई रॉयल्टी का फैसला किया गया है, तो दस्तावेज़ में उसके बारे में भी लिखा जाना चाहिए। यदि असाइनमेंट की अवधि नहीं बताई गई है, तो इसे पांच साल माना जाएगा। इसके बाद, असाइनमेंट लैप्स हो जाएगा। इसके अलावा, यदि एक वर्ष की अवधि के भीतर असाइन करने वाला अपने अधिकारों का उपयोग नहीं करता है, तो असाइनमेंट स्वचालित रूप से चूक जाएगा। ( कॉपीराइट अधिनियम, 1957 की धारा 18 और 19 देखें


Source: Assignment of rights results in transfer of title/ownership of the copyright however, licensing does not result in transfer of the title.

Target: അവകാശങ്ങൾ അസൈൻ ചെയ്യുന്നത് പകർപ്പവകാശത്തിൻ്റെ ശീർഷകം/ഉടമസ്ഥാവകാശം കൈമാറ്റത്തിനു കാരണമാക്കുന്നു, എന്നിരുന്നാലും, ലൈസൻസിംഗ് ശീർഷകത്തിൻ്റെ കൈമാറ്റത്തിന് കാരണമാകില്ല.


Source: Assignment of rights results in transfer of title/ownership of the copyright however, licensing does not result in transfer of the title.

Target: कॉपीराइटची असाइनमेंट कॉपीराइटवर हक्क हस्तांतरित करते, तर परवाना देणे हा अधिकार हस्तांतरित करत नाही आणि तो लेखकाकडेच राहतो.


Source: Assignment of rights results in transfer of title/ownership of the copyright however, licensing does not result in transfer of the title.

Target: କପି ରାଇଟ ହସ୍ତାନ୍ତର ଫଳରେ କପି ରାଇଟ ର ଶିରୋନାମା ହସ୍ତାନ୍ତର ହୋଇଥାଏ ମାତ୍ର କପି ରାଇଟ ଲାଇସେନ୍ସ ରେ ଶିରୋନାମା ହସ୍ତାନ୍ତର ହଉଏ ନାହିଁ।


Source: Assignment of rights results in transfer of title/ownership of the copyright however, licensing does not result in transfer of the title.

Target: ਕਾਪੀਰਾਈਟ ਦਾ ਅਸਾਈਨਮੈਂਟ ਕਾਪੀਰਾਈਟ ਦੇ ਸਿਰਲੇਖ (title) ਨੂੰ ਟ੍ਰਾਂਸਫਰ ਕਰਦਾ ਹੈ, ਜਦੋਂਕਿਲਾਇਸੈਂਸ ਸਿਰਲੇਖ ਨੂੰ ਟ੍ਰਾਂਸਫਰ ਨਹੀਂ ਕਰਦਾ ਹੈ ਅਤੇ ਸਿਰਲੇਖ ਕਾਪੀਰਾਈਟ ਧਾਰਕ ਕੋਲ ਰਹਿੰਦਾ ਹੈ।


Source: Assignment of rights results in transfer of title/ownership of the copyright however, licensing does not result in transfer of the title.

Target: உரிமைகளை ஒதுக்குவது பதிப்புரிமையின் தலைப்பு/உரிமையை மாற்றுவதில் விளைகிறது, இருப்பினும் உரிமம் வழங்குவது தலைப்பை மாற்றுவதில் விளைவதில்லை.


Source: Assignment of rights results in transfer of title/ownership of the copyright however, licensing does not result in transfer of the title.

Target: కాపీరైట్ యొక్క కేటాయింపు టైటిల్‌ను కాపీరైట్‌కు బదిలీ చేస్తుంది, అయితే లైసెన్సింగ్ టైటిల్‌ను బదిలీ చేయదు మరియు రచయిత వద్ద ఉంటుంది.


Source: What are Moral Rights under Copyright Law?

Target: কপিরাইট আইনে নৈতিক অধিকারগুলি কী কী?


Source: What are Moral Rights under Copyright Law?

Target: કોપીરાઈટ કાયદા હેઠળ નૈતિક અધિકારો (Moral Rights) શું છે?


Source: What are Moral Rights under Copyright Law?

Target: कॉपीराइट के असाइनमेंट और लाइसेंस के बीच अंतर क्या है?


Source: What are Moral Rights under Copyright Law?

Target: പകർപ്പവകാശ നിയമത്തിന് കീഴിലുള്ള ധാർമ്മിക അവകാശങ്ങൾ എന്തൊക്കെയാണ്?


Source: What are Moral Rights under Copyright Law?

Target: कॉपीराइट कायद्यानुसार नैतिक (Moral Rights) अधिकार काय आहेत?


Source: What are Moral Rights under Copyright Law?

Target: କପି ରାଇଟ ନିୟମ ଅଧିନରେ ନୈତିକ ଅଧିକାର (Moral Rights) ସବୁ କଣ ଅଟେ?


Source: What are Moral Rights under Copyright Law?

Target: ਕਾਪੀਰਾਈਟ ਕਾਨੂੰਨ ਦੇ ਅਧੀਨ ਨੈ ਤਿਕ ਅਧਿਕਾਰ (Moral Rights) ਕੀ ਹਨ?


Source: What are Moral Rights under Copyright Law?

Target: காப்புரிமைச் சட்டத்தின் கீழ் தார்மீக உரிமைகள் என்றால் என்ன?


Source: What are Moral Rights under Copyright Law?

Target: కాపీరైట్ చట్టం ప్రకారం నైతిక హక్కులు ఏమిటి?


Source: Moral rights are the author's right of paternity and integrity over his work. The right of paternity gives the author the right to claim authorship of the work. While the right to integrity entitles the author to object to any mutilation and infringement of his work, which causes damage to the author’s reputation.The moral rights are independent of the author’s copyright and remain with him even after assignment of the Copyright. (See Sec. 57 of the Copyright Act, 1957).

Target: নৈতিক অধিকার হল লেখকের পিতৃত্বের অধিকার এবং তার কাজের উপর সততা। পিতৃত্বের অধিকার লেখককে কাজের লেখকত্ব দাবি করার অধিকার দেয়। যদিও সততার অধিকার লেখককে তার কাজের যে কোনও বিকৃতি এবং লঙ্ঘনের বিরুদ্ধে আপত্তি করার অধিকার দেয়, যা লেখকের খ্যাতির ক্ষতি করে। নৈতিক অধিকার লেখকের কপিরাইট থেকে স্বাধীন এবং কপিরাইট নিয়োগের পরেও তার সাথে থাকে। (কপিরাইট আইন, ১৯৫৭ এর ধারা ৫৭ দেখুন) ।


Source: Moral rights are the author's right of paternity and integrity over his work. The right of paternity gives the author the right to claim authorship of the work. While the right to integrity entitles the author to object to any mutilation and infringement of his work, which causes damage to the author’s reputation.The moral rights are independent of the author’s copyright and remain with him even after assignment of the Copyright. (See Sec. 57 of the Copyright Act, 1957).

Target: નૈતિક અધિકારો લેખકના તેમના કાર્ય પર પિતૃત્વ અને અખંડિતતાનો અધિકાર છે. પિતૃત્વનો અધિકાર લેખકને કાર્યના લેખકત્વનો દાવો કરવાનો અધિકાર આપે છે. જ્યારે અખંડિતતાનો અધિકાર લેખકને તેના કામના કોઈપણ વિકૃતિ અને ઉલ્લંઘન સામે વાંધો ઉઠાવવા માટે હકદાર બનાવે છે, જે લેખકની પ્રતિષ્ઠાને નુકસાન પહોંચાડે છે. નૈતિક અધિકારો લેખકના કોપીરાઈટથી સ્વતંત્ર છે અને કોપીરાઈટની સોંપણી પછી પણ તેની સાથે રહે છે. (કોપીરાઈટ એક્ટ, 1957ની કલમ 57 જુઓ).


Source: Moral rights are the author's right of paternity and integrity over his work. The right of paternity gives the author the right to claim authorship of the work. While the right to integrity entitles the author to object to any mutilation and infringement of his work, which causes damage to the author’s reputation.The moral rights are independent of the author’s copyright and remain with him even after assignment of the Copyright. (See Sec. 57 of the Copyright Act, 1957).

Target: कॉपीराइट के असाइनमेंट से कॉपीराइट का हक़ (title) ट्रांसफर हो जाता है जबकि, लाइसेंसिंग से हक़ ट्रांसफर नहीं होता और रचयिता के पास ही रहता है।


Source: Moral rights are the author's right of paternity and integrity over his work. The right of paternity gives the author the right to claim authorship of the work. While the right to integrity entitles the author to object to any mutilation and infringement of his work, which causes damage to the author’s reputation.The moral rights are independent of the author’s copyright and remain with him even after assignment of the Copyright. (See Sec. 57 of the Copyright Act, 1957).

Target: ധാർമ്മിക അവകാശങ്ങൾ എന്നത് എഴുത്തുകാരൻ്റെ പിതൃത്വത്തിനും അവൻ്റെ സൃഷ്ടിയുടെ മേൽ സമഗ്രത്യക്കുമുള്ള അവകാശമാണ്. പിതൃത്വത്തിൻ്റെ അവകാശം രചയിതാവിന് കൃതിയുടെ കർത്തൃത്വം അവകാശപ്പെടാനുള്ള അവകാശം നൽകുന്നു. സമഗ്രത്യക്കുള്ള അവകാശമൂലം, രചയിതാവിൻ്റെ പ്രശസ്തിക്ക് കോട്ടം വരുത്തുന്ന, തൻ്റെ കൃതിയുടെ ഏതെങ്കിലും വികലമാക്കൽ, ലംഘനം എന്നിവയെ എതിർക്കാൻ രചയിതാവിന് അവകാശമുണ്ട്. ധാർമ്മിക അവകാശങ്ങൾ രചയിതാവിൻ്റെ പകർപ്പവകാശത്തിൽ നിന്ന് സ്വതന്ത്രമാണ്,. പകർപ്പവകാശ അസൈൻമെൻ്റിനു ശേഷവും ധാർമ്മിക അവകാശങ്ങൾ രചയിതാവിൽ തന്നെ തുടരും. (1957-ലെ പകർപ്പവകാശ നിയമത്തിൻ്റെ സെക്ഷൻ 57 കാണുക)


Source: Moral rights are the author's right of paternity and integrity over his work. The right of paternity gives the author the right to claim authorship of the work. While the right to integrity entitles the author to object to any mutilation and infringement of his work, which causes damage to the author’s reputation.The moral rights are independent of the author’s copyright and remain with him even after assignment of the Copyright. (See Sec. 57 of the Copyright Act, 1957).

Target: नैतिक अधिकार निर्मात्याच्या कार्यावर पितृत्व (Paternity) आणि अखंडतेचा (Integrity) हक्क आहे. पितृत्वाचा अधिकार लेखकास त्याच्या कार्याचे श्रेय मिळविण्याचा अधिकार देतो. तर अखंडतेचा अधिकार लेखकास अशा कोणत्याही प्रकारच्या बदलांवर आणि त्यांच्या कार्याच्या उल्लंघनांमुळे लेखकाच्या प्रतिष्ठेला हानी पासून रोखण्याचा हक्क देतो. नैतिक अधिकार कॉपीराइट पासून स्वतंत्र आहेत आणि कॉपीराइटच्या असाइनमेंट नंतरही लेखकाकडेच राहतात. (कॉपीराइट कायदा, 1957 चे कलम 57 पहा)


Source: Moral rights are the author's right of paternity and integrity over his work. The right of paternity gives the author the right to claim authorship of the work. While the right to integrity entitles the author to object to any mutilation and infringement of his work, which causes damage to the author’s reputation.The moral rights are independent of the author’s copyright and remain with him even after assignment of the Copyright. (See Sec. 57 of the Copyright Act, 1957).

Target: Paternity ଅଧିକାର ଲେଖକଙ୍କୁ ନିଜର କାର୍ଯ୍ୟ ଉପରେ ସଂପୂର୍ଣ୍ଣ ଅଧିକାର ପ୍ରଦାନ କରେ । ଯେତେବେଳେ ସାମଗ୍ରୀକ ଅଧିକାର ଲେଖକଙ୍କୁ ତାଙ୍କର କାର୍ଯ୍ୟର ବିକୃତି କରଣ, ଉଲଙ୍ଘନ କାର୍ଯ୍ୟ ଯାହା ତାଙ୍କର ସୁଖ୍ୟାତିକୁ ନଷ୍ଟ କରୁଥିବ ତେବେ ସେ ଏହା ବିରୁଦ୍ଧରେ ଅଭିଯୋଗ କରି ପାରିବେ । ଲେଖକଙ୍କ ନୈତିକ ଅଧିକାର ତାଙ୍କର କପି ରାଇଟ ଅଧିକାର ଠାରୁ ସ୍ଵତନ୍ତ୍ର ଏବଂ କପି ରାଇଟ କଲା ପରେ ବି ଲେଖକଙ୍କ ଜୈତିକ ଅଧିକାର ତାଙ୍କ ପାଖରେ ରହିଥାଏ । (କପି ରାଇଟ ଆକ୍ଟ , 1957 ର ଧାରା 57 - ଖଦେଖନ୍ତୁ )।


Source: Moral rights are the author's right of paternity and integrity over his work. The right of paternity gives the author the right to claim authorship of the work. While the right to integrity entitles the author to object to any mutilation and infringement of his work, which causes damage to the author’s reputation.The moral rights are independent of the author’s copyright and remain with him even after assignment of the Copyright. (See Sec. 57 of the Copyright Act, 1957).

Target: ਨੈ ਤਿਕ ਅਧਿਕਾਰ ਲੇਖਕ ਦਾ ਆਪਣੇ ਕੰਮ ਉੱਤੇ ਪਿਤਰੀਤਾ (paternity) ਅਤੇ ਅਖੰਡਤਾ (integrity) ਦਾ ਅਧਿਕਾਰ ਹੈ।ਪਿਤਰੀਤਾ ਦਾ ਅਧਿਕਾਰ ਲੇਖਕ ਨੂੰ ਆਪਣੇ ਕੰਮ ਦਾ ਸਿਹਰਾ (credit) ਲੈਣ ਦਾ ਹੱਕ ਦਿੰਦਾ ਹੈ। ਜਦੋਂਕਿ ਅਖੰਡਤਾ ਦਾ ਅਧਿਕਾਰ ਲੇਖਕ ਨੂੰ ਉਸ ਦੇ ਕੰਮ ਦੇ ਕਿਸੇ ਵੀ ਬਦਲਾਅ ਅਤੇ ਉਲੰਘਣਾ 'ਤੇ ਇਤਰਾਜ਼ ਕਰਨ ਦਾ ਅਧਿਕਾਰ ਦਿੰਦਾ ਹੈ ਜੋ ਲੇਖਕ ਦੀ ਸਾਖ ਨੂੰ ਨੁਕਸਾਨ ਪਹੁੰਚਾਉਂਦਾ ਹੈ। ਨੈਤਿਕ ਅਧਿਕਾਰ ਕਾਪੀਰਾਈਟ ਤੋਂ ਸੁਤੰਤਰ ਹਨ ਅਤੇ ਕਾਪੀਰਾਈਟ ਦੇ ਅਸਾਈਨਮੈਂਟ ਕੀਤੇ ਜਾਣ ਤੋਂ ਬਾਅਦ ਵੀ ਲੇਖਕ ਕੋਲ ਰਹਿੰਦੇ ਹਨ। (ਕਾਪੀਰਾਈਟ ਐਕਟ, 1957 ਦੀ ਧਾਰਾ 57 ਦੇਖੋ)


Source: Moral rights are the author's right of paternity and integrity over his work. The right of paternity gives the author the right to claim authorship of the work. While the right to integrity entitles the author to object to any mutilation and infringement of his work, which causes damage to the author’s reputation.The moral rights are independent of the author’s copyright and remain with him even after assignment of the Copyright. (See Sec. 57 of the Copyright Act, 1957).

Target: படைப்பாளியின் படைப்பாக்க உரிமை மற்றும் நேர்மை சார்ந்தது தார்மீக உரிமைகள் ஆகும். படைப்பாக்க உரிமையானது படைப்பாளிக்கு உரிமை கோரும் உரிமையை வழங்குகிறது. நேர்மைக்கான உரிமையானது, ஆசிரியரின் நற்பெயருக்குச் சேதம் விளைவிக்கும் எந்தவொரு சிதைவு மற்றும் அவரது படைப்பின் மீறலை எதிர்ப்பதற்கு ஆசிரியருக்கு உரிமை அளிக்கிறது. தார்மீக உரிமைகள் ஆசிரியரின் பதிப்புரிமையிலிருந்து சுயாதீனமானவை மற்றும் பதிப்புரிமை ஒதுக்கப்பட்ட பின்னரும் அவருடன் இருக்கும். (பதிப்புரிமைச் சட்டம், 1957 இன் பிரிவு 57 ஐப் பார்க்கவும்)


Source: Moral rights are the author's right of paternity and integrity over his work. The right of paternity gives the author the right to claim authorship of the work. While the right to integrity entitles the author to object to any mutilation and infringement of his work, which causes damage to the author’s reputation.The moral rights are independent of the author’s copyright and remain with him even after assignment of the Copyright. (See Sec. 57 of the Copyright Act, 1957).

Target: నైతిక అధికారం అనేది సృష్టికర్త యొక్క స్వంత పనికి పితృత్వం మరియు సమగ్రత యొక్క హక్కు. పితృత్వ హక్కు రచయిత తన పనికి క్రెడిట్ పొందే హక్కును ఇస్తుంది. అయితే సమగ్రతకు హక్కు రచయిత యొక్క ప్రతిష్టను దెబ్బతీసే ఏవైనా మార్పులు మరియు తన రచనల ఉల్లంఘనకు అభ్యంతరం చెప్పే హక్కును రచయితకు ఇస్తుంది. నైతిక హక్కులు కాపీరైట్ నుండి స్వతంత్రంగా ఉంటాయి మరియు కాపీరైట్ కేటాయించిన తర్వాత కూడా రచయిత వద్ద ఉంటాయి. (కాపీరైట్ చట్టం, 1957 లోని సెక్షన్ 57 చూడండి)


Source: What is meant by ‘Design’ under the Designs Act, 2000?

Target: ডিজাইন আইন ২০০০ এর অধীনে "ডিজাইন" বলতে কী বোঝায়?


Source: What is meant by ‘Design’ under the Designs Act, 2000?

Target: ડિઝાઇન એક્ટ, 2000 હેઠળ 'ડિઝાઇન' નો અર્થ શું છે?


Source: What is meant by ‘Design’ under the Designs Act, 2000?

Target: डिजाइन अधिनियम, 2000 के तहत 'डिजाइन' से क्या अभिप्राय है?


Source: What is meant by ‘Design’ under the Designs Act, 2000?

Target: ഡിസൈൻ ആക്ട്, 2000 പ്രകാരം 'ഡിസൈൻ' എന്നതുകൊണ്ട് എന്താണ് അർത്ഥമാക്കുന്നത്?


Source: What is meant by ‘Design’ under the Designs Act, 2000?

Target: डिझाईन कायदा 2000 नुसार 'डिझाईन' म्हणजे काय?


Source: What is meant by ‘Design’ under the Designs Act, 2000?

Target: Design ଆକ୍ଟ , 2000 ଅନୁସାରେ ଡିଜାଇନ କହିଲେ କଣ ବୁଝାଯାଏ ?


Source: What is meant by ‘Design’ under the Designs Act, 2000?

Target: ਡਿਜ਼ਾਈਨ ਐਕਟ, 2000 ਦੇ ਤਹਿਤ 'ਡਿਜ਼ਾਈਨ' ਦਾ ਕੀ ਅਰਥ ਹੈ?


Source: What is meant by ‘Design’ under the Designs Act, 2000?

Target: வடிவமைப்பு சட்டம், 2000 இன் கீழ் 'வடிவமைப்பு' என்றால் என்ன?


Source: What is meant by ‘Design’ under the Designs Act, 2000?

Target: డిజైన్ యాక్ట్, 2000 ప్రకారం 'డిజైన్' అంటే ఏమిటి?


Source: Design is the shape, configuration, pattern, ornament, composition of lines or colour or combination that is applied to any article (be it 2D or 3D) through any industrial process. Designs are meant to appeal to the eye and not to add to the product’s functionality. (See Sec. 2(d) of the Designs Act, 2000) For example: A business which applies a particular applique/motif on one of its range of shirts, can protect this under design. The motif is there to enhance the visual appeal of the product i.e. the shirt.

Target: ডিজাইন বা নকশা হল আকৃতি, কনফিগারেশন, প্যাটার্ন, অলঙ্কার, রেখার সংমিশ্রণ বা রঙ বা সংমিশ্রণ যা যেকোনো শিল্প চোখের প্রক্রিয়ার মাধ্যমে যেকোনো নিবন্ধে (সেটি 2D বা 3Dই হোক) প্রয়োগ করা হয়। ডিজাইনগুলিকে আপীল করার জন্য এবং পণ্যের কার্যকারিতা যোগ করার জন্য নয়৷ উদাহরণস্বরূপ: শার্টের প্রস্তুতকারক তাদের সমস্ত শার্টের জন্য একটি বিশেষ ধরণের "চেক ডিজাইন" প্রয়োগ করেন। এই নকশাটি কেবলমাত্র আসল পণ্য অর্থাৎ শার্টকে সুন্দর করে তোলে। উত্পাদক ডিজাইন এটি কাজ অধীনে সংরক্ষণ করতে পারেন (ধারা ২ ডি (ডিজাইন আইনের), ২০০০ দেখুন) ।


Source: Design is the shape, configuration, pattern, ornament, composition of lines or colour or combination that is applied to any article (be it 2D or 3D) through any industrial process. Designs are meant to appeal to the eye and not to add to the product’s functionality. (See Sec. 2(d) of the Designs Act, 2000) For example: A business which applies a particular applique/motif on one of its range of shirts, can protect this under design. The motif is there to enhance the visual appeal of the product i.e. the shirt.

Target: ડિઝાઇન એ આકાર, રૂપરેખાંકન, નમૂનો, આભૂષણ, રેખાઓની રચના અથવા રંગ અથવા સંયોજન છે જે કોઈપણ ઔદ્યોગિક પ્રક્રિયા દ્વારા કોઈપણ લેખ (તે 2D અથવા 3D હોય) પર લાગુ કરવામાં આવે છે. ડિઝાઇન્સ આંખને આકર્ષવા માટે છે અને ઉત્પાદનની કાર્યક્ષમતામાં ઉમેરવા માટે નહીં. (ડિઝાઇન એક્ટ, 2000ની કલમ 2(ડી) જુઓ) ઉદાહરણ તરીકે: એક વ્યવસાય જે તેના શર્ટની શ્રેણીમાંથી એક પર ચોક્કસ એપ્લીક/મોટિફ લાગુ કરે છે, તે ડિઝાઇન હેઠળ તેને સુરક્ષિત કરી શકે છે. ઉત્પાદનની વિઝ્યુઅલ આકર્ષણ એટલે કે શર્ટને વધારવા માટે મોટિફ છે.


Source: Design is the shape, configuration, pattern, ornament, composition of lines or colour or combination that is applied to any article (be it 2D or 3D) through any industrial process. Designs are meant to appeal to the eye and not to add to the product’s functionality. (See Sec. 2(d) of the Designs Act, 2000) For example: A business which applies a particular applique/motif on one of its range of shirts, can protect this under design. The motif is there to enhance the visual appeal of the product i.e. the shirt.

Target: डिजाइन किसी भी आकार, चुनाव , पैटर्न, आभूषण, लाइनों या रंगो की रचना या संयोजन है। इसे औद्योगिक प्रक्रिया (Industrial Process) के माध्यम से किसी भी वस्तु (2D या 3D) पर लगाया जाता है। डिजाइन का काम केवल वस्तु को आँखों को भाने लायक बनाना है। यह वस्तु की कार्यक्षमता बढ़ाने के लिए नहीं हैं। उदाहरण के लिए: एक शर्ट का निर्माता अपनी सभी शर्ट पर एक विशेष प्रकार का ‘चेक का डिजाइन’ लगाता है।यह डिजाइन के वल मूल उत्पाद यानि शर्ट को सुन्दर बनाता है। निर्माता इसे डिजाइन अधिनियम के तहत संरक्षित कर सकता है। (डिजाइन अधिनियम, 2000 की धारा 2 (घ) देखें )


Source: Design is the shape, configuration, pattern, ornament, composition of lines or colour or combination that is applied to any article (be it 2D or 3D) through any industrial process. Designs are meant to appeal to the eye and not to add to the product’s functionality. (See Sec. 2(d) of the Designs Act, 2000) For example: A business which applies a particular applique/motif on one of its range of shirts, can protect this under design. The motif is there to enhance the visual appeal of the product i.e. the shirt.

Target: ഏതെങ്കിലും വ്യവസായിക പ്രക്രിയയിലൂടെ ഏതെങ്കിലും ലേഖനത്തിൽ (അത് 2D അല്ലെങ്കിൽ 3D ആകട്ടെ) ഉപയോഗിക്കുന്ന ആകൃതി, കോൺഫിഗറേഷൻ, പാറ്റേൺ, അലങ്കാരം, ലൈനുകളുടെ ഘടന അല്ലെങ്കിൽ നിറം അല്ലെങ്കിൽ കോമ്പിനേഷൻ എന്നിവയാണ് ഡിസൈൻ. ഡിസൈനുകൾ ആകർഷണം ഉദ്ദേശിച്ചുള്ളതാണ്, ഉൽപ്പന്നത്തിൻ്റെ പ്രവർത്തനക്ഷമത കൂട്ടാൻ വേണ്ടിയുള്ളതല്ല. ( ഡിസൈൻ ആക്റ്റ 2000, സെക്ഷൻ 2(d) കാണുക) ഉദാഹരണത്തിന്: ഒരു പ്രത്യേക ആപ്പ്ലിക്ക്/മോട്ടിഫ് അതിൻ്റെ ഷർട്ടുകളുടെ ഒരു ശ്രേണിയിൽ പ്രയോഗിക്കുന്ന ഒരു ബിസിനസ്സിന്, ഡിസൈനിന് കീഴിൽ ഇത് പരിരക്ഷിക്കാനാകും. ഉൽപ്പന്നത്തിൻ്റെ അതായത് ഷർട്ടിൻ്റെ വിഷ്വൽ അപ്പീൽ വർധിപ്പിക്കുന്നതിനാണ് മോട്ടിഫ് ഉള്ളത്.


Source: Design is the shape, configuration, pattern, ornament, composition of lines or colour or combination that is applied to any article (be it 2D or 3D) through any industrial process. Designs are meant to appeal to the eye and not to add to the product’s functionality. (See Sec. 2(d) of the Designs Act, 2000) For example: A business which applies a particular applique/motif on one of its range of shirts, can protect this under design. The motif is there to enhance the visual appeal of the product i.e. the shirt.

Target: डिझाईन म्हणजे कोणत्याही आकार, निवड, नमुना, अलंकार, रेषा किंवा रंगांची रचना किंवा संयोजन. हे औद्योगिक प्रक्रियेद्वारे (Industrial Process) कोणत्याही वस्तू वर (2D किंवा 3D)लागू के ले जाते. डिझाइनचे काम केवळ डोळ्यास चांगले दिसावे एवढेच असू शकते. त्या वस्तूची ऑब्जेक्टची कार्यक्षमता वाढविण्यासाठी नाही. उदाहरणार्थ: शर्ट तयार करणारा त्याच्या सर्व शर्टवर 'चेक डिझाईन' चा एक खास प्रकार लागू करतो . शर्ट सुंदर बनवते. (डिझाईन कायदा, 2000 चे कलम 2 (ड) पहा)


Source: Design is the shape, configuration, pattern, ornament, composition of lines or colour or combination that is applied to any article (be it 2D or 3D) through any industrial process. Designs are meant to appeal to the eye and not to add to the product’s functionality. (See Sec. 2(d) of the Designs Act, 2000) For example: A business which applies a particular applique/motif on one of its range of shirts, can protect this under design. The motif is there to enhance the visual appeal of the product i.e. the shirt.

Target: ଡିଜାଇନ ହେଉଛି ଗୋଟିଏ ଦ୍ରବ୍ୟରେ ବ୍ୟବହାର କରାଯାଇ ଥିବା ଆକାର, ପ୍ରକାର, ଅଳଙ୍କରଣ, ରେଖା, ଓ ରଙ୍ଗ ସଂରଚନା ବା ଏ ସବୁର ସମ୍ମିଶ୍ରଣ । ଡିଜାଇନ ହେଉଛି କୌଣସି ଶିଳ୍ପ ପ୍ରକ୍ରିୟା ଦ୍ଵାରା ଗୋଟିଏ ଦ୍ରବ୍ୟର 2D ବା 3 D ଆକାର, ପ୍ରକାର। ଡିଜାଇନ ଆଖିକୁ ପଦାର୍ଥ ଟିକୁ ସୁନ୍ଦର ଦେଖାଯିବା ପାଇ ଉଦ୍ଦିଷ୍ଟ । ମାତ୍ର ଉତ୍ପାଦର କାର୍ଯ୍ୟକାରୀତା ପାଇଁ ନୁହେଁ । (ଡିଜାଇନ ଆକ୍ଟ , 2000 ର ଧାରା 2 (d) ଦେଖନ୍ତୁ ) ।


Source: Design is the shape, configuration, pattern, ornament, composition of lines or colour or combination that is applied to any article (be it 2D or 3D) through any industrial process. Designs are meant to appeal to the eye and not to add to the product’s functionality. (See Sec. 2(d) of the Designs Act, 2000) For example: A business which applies a particular applique/motif on one of its range of shirts, can protect this under design. The motif is there to enhance the visual appeal of the product i.e. the shirt.

Target: ਡਿਜ਼ਾਈਨ ਕੋਈ ਵੀ ਸ਼ਕਲ, ਚੋਣ, ਪੈਟਰਨ, ਆਭੂਸ਼ਣ , ਰਚਨਾ ਜਾਂ ਲਾਈਨਾਂ ਜਾਂ ਰੰਗਾਂ ਦਾ ਸੁਮੇਲ ਹੁੰਦਾ ਹੈ। ਇਹ ਉਦਯੋਗਿਕ ਪ੍ਰਕਿਰਿਆ (Industrial process) ਦੁਆਰਾ ਕਿਸੇ ਵੀ ਵਸਤੂ (2D ਜਾਂ 3D) 'ਤੇ ਲਾਗੂ ਹੁੰਦਾ ਹੈ। ਡਿਜ਼ਾਇਨ ਦਾ ਕੰਮ ਸਿਰਫ਼ ਵਸਤੂ ਨੂੰ ਅੱਖ ਨੂੰ ਪਸੰਦ ਆਉਣ ਲਾਇਕ ਬਣਾਉਣਾ ਹੈ। ਇਹ ਵਸਤੂ ਦੀ ਕਾਰਜਸ਼ੀਲਤਾ ਨੂੰ ਵਧਾਉਣ ਲਈ ਨਹੀਂ ਹੈ। ਉਦਾਹਰਨ ਲਈ: ਇੱਕ ਕਮੀਜ਼ ਨਿਰਮਾਤਾ ਆਪਣੀਆਂ ਸਾਰੀਆਂ ਕਮੀਜ਼ਾਂ 'ਤੇ ਇੱਕ ਵਿਸ਼ੇਸ਼ ਕਿਸਮ ਦਾ 'ਚੈੱਕ ਡਿਜ਼ਾਈਨ' ਲਾਗੂ ਕਰਦਾ ਹੈ। ਇਹ ਡਿਜ਼ਾਈਨ ਸਿਰਫ਼ ਉਤਪਾਦ ਨੂੰ, ਭਾਵ ਕਮੀਜ਼ ਨੂੰ, ਸੁੰਦਰ ਬਣਾਉਂਦਾ ਹੈ। ਨਿਰਮਾਤਾ ਇਸਨੂੰ ਡਿਜ਼ਾਈਨ ਐਕਟ ਦੇ ਤਹਿਤ ਸੁਰੱਖਿਅਤ ਕਰ ਸਕਦਾ ਹੈ । (ਡਿਜ਼ਾਇਨ ਐਕਟ, 2000 ਦੀ ਧਾਰਾ 2(d) ਦੇਖੋ)


Source: Design is the shape, configuration, pattern, ornament, composition of lines or colour or combination that is applied to any article (be it 2D or 3D) through any industrial process. Designs are meant to appeal to the eye and not to add to the product’s functionality. (See Sec. 2(d) of the Designs Act, 2000) For example: A business which applies a particular applique/motif on one of its range of shirts, can protect this under design. The motif is there to enhance the visual appeal of the product i.e. the shirt.

Target: தொழில் துறை செயல்முறை மூலம் வடிவம், கட்டமைப்பு, காட்டுரு, அணி ஒப்பனை அல்லது கோடுகள் அல்லது வண்ணங்களின் கலவையை ஒரு பொருளின் மீது (அதாவது 2D அல்லது 3D) பயன்படுத்துவதே வடிவமைப்பு ஆகும். வடிவமைப்பு கண்கவர் தன்மைக்கானதே அல்லாமல் பொருளின் செயல்பாட்டிற்காக அல்ல. (வடிவமைப்புச் சட்டம், 2000 இன் பிரிவு 2(டி) ஐப் பார்க்கவும்) எடுத்துக்காட்டாக: ஒரு வணிகநிறுவனம் தன்னுடைய சட்டைகள் வடிவமைப்பில் வண்ணத்துணி அடிவமைப்பு அல்லது பல வடிவங்களை மீண்டும் சேர்ப்பதன் மூலம் ஒரு வடிவமைப்பை உருவாக்கி பாதுகாக்க முடியும்.


Source: Design is the shape, configuration, pattern, ornament, composition of lines or colour or combination that is applied to any article (be it 2D or 3D) through any industrial process. Designs are meant to appeal to the eye and not to add to the product’s functionality. (See Sec. 2(d) of the Designs Act, 2000) For example: A business which applies a particular applique/motif on one of its range of shirts, can protect this under design. The motif is there to enhance the visual appeal of the product i.e. the shirt.

Target: డిజైన్ అంటే ఏదైనా ఆకారం, ఎంపిక, నమూనా, ఆభరణం, పంక్తులు లేదా రంగుల కూర్పు లేదా కలయిక. ఇది పారిశ్రామిక ప్రక్రియ ద్వారా ఏదైనా వస్తువుకు (2 డి లేదా 3 డి) వర్తించబడుతుంది. డిజైన్ పనికి తగినట్లుగా మాత్రమే ఆబ్జెక్ట్ కంటికి విందు చేయడానికి కాని, అది వస్తువు యొక్క కార్యాచరణను పెంచడానికి కాదు. ఉదాహరణకు: ఒక చొక్కా తయారీదారు వారి అన్ని చొక్కాలు చెక్ డిజైన్ 'కి ఒక ప్రత్యేక రకం వర్తిస్తుంది. ఈ డిజైన్ మాత్రమే అసలైన ఉత్పత్తి అంటే. చొక్కా అందంగా చేస్తుంది. తయారీదారు డిజైన్ కింద సంరక్షించవచ్చు (సెక్షన్ 2 (డిజైన్ చట్టం డి), 2000)


Source: Does ‘application by industrial process’ necessarily mean application by machines?

Target: "শিল্প প্রক্রিয়া দ্বারা আবেদন" মানে কি মেশিন দ্বারা আবেদন?


Source: Does ‘application by industrial process’ necessarily mean application by machines?

Target: શું 'ઔદ્યોગિક પ્રક્રિયા દ્વારા એપ્લિકેશન'નો અર્થ મશીનો દ્વારા અરજી આવશ્યક છે?


Source: Does ‘application by industrial process’ necessarily mean application by machines?

Target: क्या डिजाइन का वस्तु पर 'औद्योगिक प्रक्रिया द्वारा लगाने’ का मतलब केवल मशीनों द्वारा लगाया जाना है?


Source: Does ‘application by industrial process’ necessarily mean application by machines?

Target: 'വ്യാവസായിക പ്രക്രിയ വഴിയുള്ള അപേക്ഷ' എന്നതിനർത്ഥം യന്ത്രങ്ങൾ ഉപയോഗിച്ചുള്ള പ്രയോഗമാണോ?


Source: Does ‘application by industrial process’ necessarily mean application by machines?

Target: वस्तुच्या रचनेवर 'औद्योगिक प्रक्रिया' म्हणजे केवळ मशीन वरची प्रक्रिया का?


Source: Does ‘application by industrial process’ necessarily mean application by machines?

Target: ଶିଳ୍ପ ପ୍ରକ୍ରିୟା ଦ୍ଵାରା ଡିଜାଇନ କରିବେ ଅର୍ଥ ଖଣ ଯନ୍ତ୍ରପାତି ବ୍ୟବହାର କରିବା?


Source: Does ‘application by industrial process’ necessarily mean application by machines?

Target: ਕੀ ਵਸਤੂ 'ਤੇ 'ਉਦਯੋਗਿਕ ਪ੍ਰਕਿਰਿਆ ਦੁਆਰਾ’(‘application by industrial process’) ਡਿਜ਼ਾਈਨ ਪਾਉਣ ਦਾ ਮਤਲਬ ਸਿਰਫ਼ ਮਸ਼ੀਨਾਂ ਦੁਆਰਾ ਪਾਉਣਾ ਹੈ?


Source: Does ‘application by industrial process’ necessarily mean application by machines?

Target: 'தொழில்துறை செயல்முறை மூலம் விண்ணப்பம்' என்பது இயந்திரங்களால் பயன்படுத்தப்பட வேண்டும் என்று அர்த்தமா?


Source: Does ‘application by industrial process’ necessarily mean application by machines?

Target: ఏదైనా వస్తు వు డిజైన్మీద 'పారిశ్రా మిక ప్రక్రియ' అంటే యంత్రా లు మాత్రమేనా?


Source: No, application by an industrial process, includes mechanical, chemical as well as manual application. The process of application can even be a combination of all three. (See Sec. 2(d) of the Designs Act, 2000)

Target: না, একটি শিল্প প্রক্রিয়া দ্বারা প্রয়োগ, যান্ত্রিক, রাসায়নিক এবং সেইসাথে ম্যানুয়াল প্রয়োগ অন্তর্ভুক্ত। আবেদন প্রক্রিয়া এমনকি তিনটির সমন্বয় হতে পারে। (ডিজাইন আইন, ২০০০ এর ধারা ২ (ডি) দেখুন )।


Source: No, application by an industrial process, includes mechanical, chemical as well as manual application. The process of application can even be a combination of all three. (See Sec. 2(d) of the Designs Act, 2000)

Target: ના, ઔદ્યોગિક પ્રક્રિયા દ્વારા એપ્લિકેશનમાં યાંત્રિક, રાસાયણિક તેમજ મેન્યુઅલ એપ્લિકેશનનો સમાવેશ થાય છે. અરજીની પ્રક્રિયા ત્રણેયનું મિશ્રણ પણ હોઈ શકે છે. (ડિઝાઇન એક્ટ, 2000ની કલમ 2(ડી) જુઓ)


Source: No, application by an industrial process, includes mechanical, chemical as well as manual application. The process of application can even be a combination of all three. (See Sec. 2(d) of the Designs Act, 2000)

Target: नहीं, एक ‘औद्योगिक प्रक्रिया’ में यांत्रिक (mechanical), रासायनिक (chemical) और साथ ही मैनुअल अनुप्रयोग शामिल हैं।डिजाइन को वस्तु पर इन तीनों प्रक्रियाओं के संयोजन (combination) से भी लगाया जा सकता है। (डिजाइन अधिनियम, 2000 की धारा 2 (घ) देखें )


Source: No, application by an industrial process, includes mechanical, chemical as well as manual application. The process of application can even be a combination of all three. (See Sec. 2(d) of the Designs Act, 2000)

Target: ഇല്ല, ഒരു വ്യവസായ പ്രക്രിയയുടെ പ്രയോഗത്തിൽ മെക്കാനിക്കൽ, കെമിക്കൽ, അതുപോലെ തന്നെ മാനുവൽ ആപ്ലിക്കേഷനും ഉൾപ്പെടുന്നു. അപേക്ഷയുടെ പ്രക്രിയ മൂന്നിൻ്റെയും സംയോജനമായിരിക്കാം. ഡിസൈൻ ആക്റ്റ 2000, സെക്ഷൻ 2(d) കാണുക)


Source: No, application by an industrial process, includes mechanical, chemical as well as manual application. The process of application can even be a combination of all three. (See Sec. 2(d) of the Designs Act, 2000)

Target: नाही, 'औद्योगिक प्रक्रिया' मध्ये यांत्रिक (mechanical), रासायनिक (chemical) तसेच मॅन्युअल अनुप्रयोगांचा समावेश आहे डिझाइनकेलेल्या वस्तुवर वर , या तीन प्रक्रियेच्या संयोग (combination) देखील लागू होऊ शकते. (डिझाईन कायदा , २००० चे कलम २ (डी) पहा).


Source: No, application by an industrial process, includes mechanical, chemical as well as manual application. The process of application can even be a combination of all three. (See Sec. 2(d) of the Designs Act, 2000)

Target: ନା, ଶିଳ୍ପ ପ୍ରକ୍ରିୟା ଅଧିନରେ ଯାନ୍ତ୍ରିକ ଉପାୟ, ରାସାୟନିକ ଉପାୟ, ଏପରିକି ହସ୍ତ


Source: No, application by an industrial process, includes mechanical, chemical as well as manual application. The process of application can even be a combination of all three. (See Sec. 2(d) of the Designs Act, 2000)

Target: ਨਹੀਂ, ਇੱਕ 'ਉਦਯੋਗਿਕ ਪ੍ਰਕਿਰਿਆ ' ਵਿੱਚ ਮਕੈਨੀਕਲ (mechanical), ਰਸਾਇਣਕ (chemical) ਅਤੇ ਮੈਨੂਅਲ (manual) ਐਪਲੀਕੇਸ਼ਨ ਸ਼ਾਮਲ ਹਨ। ਇਹਨਾਂ ਤਿੰਨ ਪ੍ਰਕਿਰਿਆਵਾਂ ਦੇ ਸੁਮੇਲ ਦੁਆਰਾ ਕਿਸੇ ਵਸਤੂ 'ਤੇ ਡਿਜ਼ਾਈਨ ਨੂੰ ਲਾਗੂ ਕੀਤਾ ਜਾ ਸਕਦਾ ਹੈ। (ਡਿਜ਼ਾਇਨ ਐਕਟ, 2000 ਦੀ ਧਾਰਾ 2(d) ਦੇਖੋ)


Source: No, application by an industrial process, includes mechanical, chemical as well as manual application. The process of application can even be a combination of all three. (See Sec. 2(d) of the Designs Act, 2000)

Target: இல்லை, ஒரு தொழில்துறை செயல்முறை, இயந்திர, இரசாயன மற்றும் கைமுறை பயன்பாடு ஆகியவற்றை உள்ளடக்கியது. தயாரிப்பின் செயல்முறை மூன்றின் கலவையாகவும் இருக்கலாம். (வடிவமைப்புச் சட்டம், 2000 இன் பிரிவு 2(டி) ஐப் பார்க்கவும்)


Source: No, application by an industrial process, includes mechanical, chemical as well as manual application. The process of application can even be a combination of all three. (See Sec. 2(d) of the Designs Act, 2000)

Target: కాదు. ఒక 'పారిశ్రామిక.ప్రక్రియ' యాంత్రిక, రసాయనిక అలాగే మాన్యువల్ అప్లికేషన్లు డిజైన్స్ కి వర్తించవచ్చు. వస్తువు అప్లికేషన్లు ఈ మూడు ప్రక్రియల్లో కలయికతో కూడా ఉండవచ్చు. (డిజైన్ యాక్ట్, 2000 లోని సెక్షన్ 2 (డి) చూడండి)


Source: What is the purpose of registration of design?

Target: নকশা বা ডিজাইনের নিবন্ধকরণের উদ্দেশ্য কী?


Source: What is the purpose of registration of design?

Target: ડિઝાઇનની નોંધણીનો હેતુ શું છે?


Source: What is the purpose of registration of design?

Target: डिजाइन के पंजीकरण का उद्देश्य क्या है?


Source: What is the purpose of registration of design?

Target: ഡിസൈൻ രജിസ്ട്രേഷന്റെ ഉദ്ദേശ്യം എന്താണ്?


Source: What is the purpose of registration of design?

Target: डिझाईन नोंदणी करण्याचा हेतू काय आहे?


Source: What is the purpose of registration of design?

Target: ଡିଜାଇନ ପଞ୍ଜୀକରଣର ଉଦ୍ଦେଶ୍ୟ କଣ?


Source: What is the purpose of registration of design?

Target: ਡਿਜ਼ਾਈਨ ਦੀ ਰਜਿਸਟ੍ਰੇਸ਼ਨ ਦਾ ਉਦੇਸ਼ ਕੀ ਹੈ?


Source: What is the purpose of registration of design?

Target: வடிவமைப்பை பதிவு செய்வதன் நோக்கம் என்ன?


Source: What is the purpose of registration of design?

Target: డిజైన్ నమోదు యొక్క ఉద్దేశ్యం ఏమిటి?


Source: Registration of design protects the design created as well as the creator of the design. It offers protection from counterfeiting and copying. Additionally, it provides the creator bonafide rewards that they deserve when the design is legitimately applied by others. Owners of registered designs can initiate legal action in case of infringement of design. It is to be noted that works which are ‘artistic works in’ under the Copyright Act, or are Trademarks under the Trade Marks Act, are excluded from the definition of design and hence cannot be registered as designs. (See Sec. 2(d) of the Designs Act, 2000)

Target: নকশা বা ডিজাইনের নিবন্ধন তৈরি করা ডিজাইনের পাশাপাশি ডিজাইনের নির্মাতাকেও রক্ষা করে। এটি নকল এবং অনুলিপি থেকে সুরক্ষা প্রদান করে। উপরন্তু, এটি স্রষ্টাকে পুরষ্কার প্রদান করে যা তারা প্রাপ্য যখন নকশাটি অন্যদের দ্বারা বৈধভাবে প্রয়োগ করা হয়। নিবন্ধিত ডিজাইনের মালিকরা নকশা লঙ্ঘনের ক্ষেত্রে আইনি ব্যবস্থা নিতে পারেন। উল্লেখ্য যে কপিরাইট আইনের অধীনে "শৈল্পিক কাজ" বা ট্রেড মার্কস অ্যাক্টের অধীনে ট্রেডমার্কগুলি ডিজাইনের সংজ্ঞা থেকে বাদ দেওয়া হয়েছে এবং তাই ডিজাইন হিসাবে নিবন্ধিত করা যাবে না। (ডিজাইন আইন, ২০০০ এর ধারা ২ (ডি) দেখুন) ।


Source: Registration of design protects the design created as well as the creator of the design. It offers protection from counterfeiting and copying. Additionally, it provides the creator bonafide rewards that they deserve when the design is legitimately applied by others. Owners of registered designs can initiate legal action in case of infringement of design. It is to be noted that works which are ‘artistic works in’ under the Copyright Act, or are Trademarks under the Trade Marks Act, are excluded from the definition of design and hence cannot be registered as designs. (See Sec. 2(d) of the Designs Act, 2000)

Target: ડિઝાઇનની નોંધણી બનાવાયેલ ડિઝાઇન તેમજ ડિઝાઇનના નિર્માતાનું રક્ષણ કરે છે. તે નકલ અને નકલ સામે રક્ષણ આપે છે. વધુમાં, તે નિર્માતાને વાસ્તિવિક પુરસ્કારો પૂરા પાડે છે જે તેઓ લાયક છે જ્યારે ડિઝાઇન અન્ય લોકો દ્વારા કાયદેસર રીતે લાગુ કરવામાં આવે છે. નોંધાયેલ ડિઝાઇનના માલિકો ડિઝાઇનના ઉલ્લંઘનના કિસ્સામાં કાનૂની કાર્યવાહી શરૂ કરી શકે છે. નોંધનીય છે કે જે કૃતિઓ કોપીરાઈટ એક્ટ હેઠળ 'કલાત્મક કૃતિઓ' છે અથવા ટ્રેડ માર્ક્સ એક્ટ હેઠળ ટ્રેડમાર્ક છે, તે ડિઝાઇનની વ્યાખ્યામાંથી બાકાત છે અને તેથી ડિઝાઇન તરીકે નોંધણી કરી શકાતી નથી. (ડિઝાઇન એક્ટ, 2000ની કલમ 2(ડી) જુઓ)


Source: Registration of design protects the design created as well as the creator of the design. It offers protection from counterfeiting and copying. Additionally, it provides the creator bonafide rewards that they deserve when the design is legitimately applied by others. Owners of registered designs can initiate legal action in case of infringement of design. It is to be noted that works which are ‘artistic works in’ under the Copyright Act, or are Trademarks under the Trade Marks Act, are excluded from the definition of design and hence cannot be registered as designs. (See Sec. 2(d) of the Designs Act, 2000)

Target: डिजाइन का पंजीकरण डिजाइन के निर्माता को उसके डिजाइन की जालसाजी और नकल से सुरक्षा प्रदान करता है। इसके अतिरिक्त, यह निर्माता को कुछ प्रतिफल पाने का अधिकार भी प्रदान करता है, जब उसका डिजाइन वैध रूप से दूसरों द्वारा लागू किया गया हो। पंजीकृ त डिजाइन के मालिक डिजाइन के उल्लंघन के मामले में कानूनी कार्रवाई भी शुरू कर सकते हैं। यह ध्यान दिया जाना चाहिए कि वे कृति जो कॉपीराइट अधिनियम के तहत 'कलात्मक कार्य' (Artistic Work) हैं, या ट्रेड मार्क्स अधिनियम के तहत ट्रेडमार्क हैं, उनको डिजाइन की परिभाषा से बाहर रखा गया है। इसलिए इन्हे डिजाइन के रूप में पंजीकृत नहीं किया जा सकता है।(डिजाइन अधिनियम, 2000 की धारा 2 (घ) देखें)


Source: Registration of design protects the design created as well as the creator of the design. It offers protection from counterfeiting and copying. Additionally, it provides the creator bonafide rewards that they deserve when the design is legitimately applied by others. Owners of registered designs can initiate legal action in case of infringement of design. It is to be noted that works which are ‘artistic works in’ under the Copyright Act, or are Trademarks under the Trade Marks Act, are excluded from the definition of design and hence cannot be registered as designs. (See Sec. 2(d) of the Designs Act, 2000)

Target: ഡിസൈനിൻ്റെ രജിസ്ട്രേഷൻ സൃഷ്ടിച്ച ഡിസൈനിനെയും ഡിസൈനിൻ്റെ സ്രഷ്ടാവിനെയും സംരക്ഷിക്കുന്നു. ഇത് വ്യാജ ഉപയോഗത്തിൽ നിന്നും പകർത്തലിൽ നിന്നും സംരക്ഷണം നൽകുന്നു. കൂടാതെ, ഡിസൈൻ മറ്റുള്ളവർ നിയമാനുസൃതമായി പ്രയോഗിക്കുമ്പോൾ സ്രഷ്‌ടാവിന് അർഹമായ ബോണഫൈഡ് റിവാർഡുകൾ ഇത് നൽകുന്നു. രജിസ്‌റ്റർ ചെയ്‌ത ഡിസൈനുകളുടെ ഉടമകൾക്ക് ഡിസൈൻ ലംഘനമുണ്ടായാൽ നിയമനടപടി സ്വീകരിക്കാവുന്നതാണ്. പകർപ്പവകാശ നിയമത്തിന് കീഴിലുള്ള 'കലാപരമായ സൃഷ്ടികൾ' അല്ലെങ്കിൽ ട്രേഡ് മാർക്ക് നിയമത്തിന് കീഴിലുള്ള വ്യാപാരമുദ്രകളായ സൃഷ്ടികൾ ഡിസൈനിൻ്റെ നിർവചനത്തിൽ നിന്ന് ഒഴിവാക്കിയിരിക്കുന്നു, അതിനാൽ ഇവ ഡിസൈനുകളായി രജിസ്റ്റർ ചെയ്യാൻ കഴിയില്ല. (ഡിസൈൻ ആക്റ്റ 2000, സെക്ഷൻ 2(d) കാണുക)


Source: Registration of design protects the design created as well as the creator of the design. It offers protection from counterfeiting and copying. Additionally, it provides the creator bonafide rewards that they deserve when the design is legitimately applied by others. Owners of registered designs can initiate legal action in case of infringement of design. It is to be noted that works which are ‘artistic works in’ under the Copyright Act, or are Trademarks under the Trade Marks Act, are excluded from the definition of design and hence cannot be registered as designs. (See Sec. 2(d) of the Designs Act, 2000)

Target: डिझाइनची नोंदणी डिझाइनच्या निर्मात्यास, बनावट बनविणे आणि त्याच्या डिझाइनची नक्कल करण्यापासून संरक्षण प्रदान करते. याव्यतिरिक्त, इत्तरांनी डिझाइनचा वापर केल्यास, निर्मात्यास योग्य मोबदला मिळू शकतो. नोंदणीकृ त डिझाइन मालक डिझाइन उल्लंघन प्रकरणी कायदेशीर कारवाई देखील करू शकता. कॉपीराइट कायद्यानुसार जे कलात्मक काम (Artistic Work) आहे ते डिझाइन असू शकत नाही. ट्रेडमार्क कायद्यानुसार जे ट्रेडमार्क आहे तेही डिझाइन असू शकत नाही म्हणूनच त्यांना डिझाइन म्हणून नोंदणी करता येणार नाही. (डिझाईन कायदा, २००० चे कलम २ (डी) पहा)


Source: Registration of design protects the design created as well as the creator of the design. It offers protection from counterfeiting and copying. Additionally, it provides the creator bonafide rewards that they deserve when the design is legitimately applied by others. Owners of registered designs can initiate legal action in case of infringement of design. It is to be noted that works which are ‘artistic works in’ under the Copyright Act, or are Trademarks under the Trade Marks Act, are excluded from the definition of design and hence cannot be registered as designs. (See Sec. 2(d) of the Designs Act, 2000)

Target: ଡିଜାଇନ ର ପଞ୍ଜୀକରଣ ନିର୍ମାତାକୁ ତାଙ୍କ ଡିଜାଇନ ର କାଉଣ୍ଟର ଫିଟିଙ୍ଗ ଏବଂ ନକଲରୁ ସୁସରକ୍ଷା ପ୍ରଦାନ କରେ । ଡିଜାଇନ ପଞ୍ଜୀକରଣ ଦ୍ଵାରା ନ୍ୟାୟିକ ବୈଧ ଉପାୟରେ ଏହାକୁ ଅନ୍ୟ ନିର୍ମାତା ବ୍ୟବହାର କଲେ ପଞ୍ଜୀକରଣ କର୍ତ୍ତାକୁ ପାରିତୋଷିକ ମିଳିଥାଏ ।ପଞ୍ଜୀକୃ ତ ଡିଜାଇନ ର ମାଲିକ ତାଙ୍କ ଡିଜାଇନ ର ଅବୈଧ ବ୍ୟବହାର କାରୀ/ଉଲଙ୍ଘନ କାରୀଙ୍କ ବିରୁଦ୍ଧରେ ଆଇନ ଗତ କାର୍ଯ୍ୟାନୁ ଷ୍ଠାନ ଗ୍ରହଣ କରି ପାରି ଥାନ୍ତି । ଏହା ଧ୍ୟାନ ଦେବାକୁ ହେବ ଯେ ଯେଉଁ କଳାତ୍ମକ କାର୍ଯ୍ୟ ସବୁ କପି ରାଇଟ ଆକ୍ଟ ବା ଟ୍ରେଡ ମାର୍କ ଆକ୍ଟ ଅନ୍ତର୍ଗତ ସେଗୁଡିକ ଡିଜାଇନ ସଂଜ୍ଞାର ବାହାରେ, ତେଣୁ ସେ ସବୁ ଡିଜାଇନ ଭାବେ ପଞ୍ଜୀକରଣ ହୋଇ ପାରିବ ନାହିଁ । (ଡିଜାଇନ ଆକ୍ଟ , 2000 ର ଧାରା 2 (d) ଦେଖନ୍ତୁ ) ।


Source: Registration of design protects the design created as well as the creator of the design. It offers protection from counterfeiting and copying. Additionally, it provides the creator bonafide rewards that they deserve when the design is legitimately applied by others. Owners of registered designs can initiate legal action in case of infringement of design. It is to be noted that works which are ‘artistic works in’ under the Copyright Act, or are Trademarks under the Trade Marks Act, are excluded from the definition of design and hence cannot be registered as designs. (See Sec. 2(d) of the Designs Act, 2000)

Target: ਡਿਜ਼ਾਇਨ ਦੀ ਰਜਿਸਟ੍ਰੇਸ਼ਨ ਡਿਜ਼ਾਇਨ ਦੇ ਨਿਰਮਾਤਾ ਨੂੰ ਉਸ ਦੇ ਡਿਜ਼ਾਈਨ ਦੀ ਜਾਅਲਸਾਜ਼ੀ ਅਤੇ ਨਕਲ ਤੋਂ ਬਚਾਉਂਦੀ ਹੈ। ਇਸ ਤੋਂ ਇਲਾਵਾ, ਇਹ ਨਿਰਮਾਤਾ ਨੂੰ ਕੁਝ ਬੋਨਾਫਾਈਡ ਅਵਾਰਡ (bonafide awards)ਪ੍ਰਾਪਤ ਕਰਨ ਦਾ ਵੀ ਹੱਕਦਾਰ ਬਣਾਉਂਦਾ ਹੈ ਜਦੋਂ ਇਸਦਾ ਡਿਜ਼ਾਈਨ ਦੂਜਿਆਂ ਦੁਆਰਾ ਕਾਨੂੰਨੀ ਤੌਰ 'ਤੇ ਲਾਗੂ ਕੀਤਾ ਜਾਂਦਾ ਹੈ। ਰਜਿਸਟਰਡ ਡਿਜ਼ਾਈਨ ਮਾਲਕ ਡਿਜ਼ਾਈਨ ਦੀ ਉਲੰਘਣਾ ਦੇ ਮਾਮਲੇ ਵਿੱਚ ਕਾਨੂੰਨੀ ਕਾਰਵਾਈ ਵੀ ਸ਼ੁਰੂ ਕਰ ਸਕਦਾ ਹੈ। ਇਹ ਨੋਟ ਕੀਤਾ ਜਾਣਾ ਚਾਹੀਦਾ ਹੈ ਕਿ ਉਹ ਕੰਮ ਜੋ ਕਾਪੀਰਾਈਟ ਐਕਟ ਦੇ ਅਧੀਨ 'ਕਲਾਤਮਕ ਕੰਮ' (artistic work) ਹਨ, ਜਾਂ ਟ੍ਰੇਡ ਮਾਰਕਸ ਐਕਟ ਦੇ ਤਹਿਤ ਟ੍ਰੇਡਮਾਰਕ ਕੀਤੇ ਗਏ ਹਨ, ਉਹਨਾਂ ਨੂੰ ਡਿਜ਼ਾਈਨ ਦੀ ਪਰਿਭਾਸ਼ਾ ਤੋਂ ਬਾਹਰ ਰੱਖਿਆ ਗਿਆ ਹੈ। ਇਸ ਲਈ, ਉਹਨਾਂ ਨੂੰ ਡਿਜ਼ਾਈਨ ਵਜੋਂ ਰਜਿਸਟਰ ਨਹੀਂ ਕੀਤਾ ਜਾ ਸਕਦਾ। (ਡਿਜ਼ਾਇਨ ਐਕਟ, 2000 ਦੀ ਧਾਰਾ 2(d) ਦੇਖੋ)


Source: Registration of design protects the design created as well as the creator of the design. It offers protection from counterfeiting and copying. Additionally, it provides the creator bonafide rewards that they deserve when the design is legitimately applied by others. Owners of registered designs can initiate legal action in case of infringement of design. It is to be noted that works which are ‘artistic works in’ under the Copyright Act, or are Trademarks under the Trade Marks Act, are excluded from the definition of design and hence cannot be registered as designs. (See Sec. 2(d) of the Designs Act, 2000)

Target: வடிவமைப்பின் பதிவு உருவாக்கப்பட்ட வடிவமைப்பையும் வடிவமைப்பாளரையும் பாதுகாக்கிறது. இது போலி மற்றும் நகலெடுப்பதிலிருந்து பாதுகாப்பை வழங்குகிறது. கூடுதலாக, வடிவமைப்பை மற்றவர்கள் சட்டப்பூர்வமாகப் பயன்படுத்தும்போது, படைப்பாளிக்குத் தகுதியான bonafide வெகுமதிகளை இது வழங்குகிறது. வடிவமைப்பை மீறி பயன்படுத்தும் பட்சத்தில் பதில் செய்யப்பட்ட வடிவமைப்புகளின் உரிமையாளர்கள் சட்ட நடவடிக்கை எடுக்கலாம். எந்த படைப்புகள் ‘கலைசார்ந்த படைப்புகள்’ என்று பதிப்புரிமை சட்டத்திலோ, வர்த்தக முத்திரையாக வர்த்தக முத்திரைச் சட்டத்திலோ வரையறுக்கப்படுமானால் வடிவமைப்பு என்ற வரையறையில் சேர்க்க முடியாது மேலும் வடிவமைப்பாக பதிவு செய்ய முடியாது. (வடிவமைப்புச் சட்டம், 2000 இன் பிரிவு 2(டி) ஐப் பார்க்கவும்)


Source: Registration of design protects the design created as well as the creator of the design. It offers protection from counterfeiting and copying. Additionally, it provides the creator bonafide rewards that they deserve when the design is legitimately applied by others. Owners of registered designs can initiate legal action in case of infringement of design. It is to be noted that works which are ‘artistic works in’ under the Copyright Act, or are Trademarks under the Trade Marks Act, are excluded from the definition of design and hence cannot be registered as designs. (See Sec. 2(d) of the Designs Act, 2000)

Target: డిజైన్ యొక్క రిజిస్ట్రేషన్ దాని తయారీదారునికి నకిలీ మరియు దాని రూపకల్పన యొక్క నకిలీ నుండి రక్షణను అందిస్తుంది. అదనంగా,తయారీదారుకు కొంత పరిశీలన పొందే హక్కును, దాని రూపకల్పన చెల్లుబాటు అయ్యేటట్టు ఇస్తుంది. డిజైన్ ఉల్లంఘన విషయంలో రిజిస్టర్డ్ డిజైన్ యజమానులు చట్టపరమైన చర్యలను కూడా ప్రా రంభించవచ్చు. ఇది వారుగమనించాలి. పని ట్రేడ్మార్క్ 'కళాత్మక పని' (Artistic వర్క్), లేదా ట్రేడ్ మార్క్స్ చట్టం, కాపీరైట్ చట్టం కింద,ఇది వారు డిజైన్ నిర్వచనం నుండి మినహాయించినట్లయితే వాటిని డిజైన్లుగా నమోదు చేయలేము. (డిజైన్ యాక్ట్, 2000 లోని సెక్షన్ 2 (డి) చూడండి)


Source: What is the effect of registration of design?

Target: যদি আমি আমার শৈল্পিক কাজ (কপিরাইট আইনের অধীনে) শিল্পভাবে উত্পাদিত অনুলিপিগুলিতে প্রয়োগ করা শুরু করি তাহলে কী হবে?


Source: What is the effect of registration of design?

Target: ડિઝાઇનની નોંધણીની અસર શું છે?


Source: What is the effect of registration of design?

Target: डिजाइन के पंजीकरण का क्या प्रभाव है?


Source: What is the effect of registration of design?

Target: ഡിസൈനിന്റെ രജിസ്ട്രേഷന്റെ ഫലമെന്താണ്?


Source: What is the effect of registration of design?

Target: डिझाईन नोंदणीचा  काय परिणाम होतो?


Source: What is the effect of registration of design?

Target: ଡିଜାଇନ ପଞ୍ଜୀକରର କଣ ପ୍ରଭାବ ଅଛି?


Source: What is the effect of registration of design?

Target: ਡਿਜ਼ਾਈਨ ਦੀ ਰਜਿਸਟ੍ਰੇਸ਼ਨ ਦਾ ਕੀ ਪ੍ਰਭਾਵ ਹੈ?


Source: What is the effect of registration of design?

Target: வடிவமைப்பைப் பதிவு செய்வதன் விளைவு என்ன?


Source: What is the effect of registration of design?

Target: కాపీరైట్ చట్టం క్రింద కళాత్మకంగా తయారు చేసిన వస్తు వులపై పారిశ్రామికంగా ఉత్పత్తి ని ప్రారంభిస్తే అది కూడా మాస్టర్ పీస్ డిజైన్ అవుతుందా?


Source: On registration of design, the proprietor has ‘copyright’ for the period of registration. This is different from copyright as covered in the Copyrights Act, 1957. Under the Designs Act, the term ‘copyright’ implies the exclusive right to use the design that is registered as applied to an article.

Target: কপিরাইট আইনের অধীনে সুরক্ষিত একটি শৈল্পিক কাজ ডিফল্টরূপে ডিজাইন আইনের অধীনে নিবন্ধনযোগ্য নয়। উপরন্তু, যদি এই ধরনের একটি কাজ ৫০ বারের বেশি উত্পাদিত হয়, তাহলে কাজটি তার কপিরাইট সুরক্ষা হারায়। সুতরাং, একটি বিশেষ ধরণের কাজের জন্য উপযুক্ত সুরক্ষা কী তা সম্পর্কে সতর্ক হওয়া উচিত। যেখানে আপনি উপযুক্ত সুরক্ষার বিষয়ে নিশ্চিত হন এমন কাজের সাথে কাজ করার সময়, আইনি পরামর্শ নেওয়ার পরামর্শ দেওয়া হয়।


Source: On registration of design, the proprietor has ‘copyright’ for the period of registration. This is different from copyright as covered in the Copyrights Act, 1957. Under the Designs Act, the term ‘copyright’ implies the exclusive right to use the design that is registered as applied to an article.

Target: ડિઝાઇનની નોંધણી પર, માલિક પાસે નોંધણીના સમયગાળા માટે 'કોપીરાઇટ' છે. આ કૉપિરાઇટ એક્ટ, 1957 માં આવરી લેવામાં આવેલ કૉપિરાઇટ કરતાં અલગ છે. ડિઝાઇન્સ એક્ટ હેઠળ, 'કોપીરાઇટ' શબ્દ એ ડિઝાઇનનો ઉપયોગ કરવાનો વિશિષ્ટ અધિકાર સૂચવે છે જે લેખમાં લાગુ થયા મુજબ નોંધાયેલ છે


Source: On registration of design, the proprietor has ‘copyright’ for the period of registration. This is different from copyright as covered in the Copyrights Act, 1957. Under the Designs Act, the term ‘copyright’ implies the exclusive right to use the design that is registered as applied to an article.

Target: डिजाइन के पंजीकरण पर, प्रोपराइटर के पास पंजीकरण की अवधि के लिए डिजाइन में 'कॉपीराइट' है। यह सामान्य कॉपीराइट से अलग है। यहाँ, 'कॉपीराइट' शब्द का अर्थ है कि पंजीकृत डिजाइन का उपयोग करने का अनन्य अधिकार।


Source: On registration of design, the proprietor has ‘copyright’ for the period of registration. This is different from copyright as covered in the Copyrights Act, 1957. Under the Designs Act, the term ‘copyright’ implies the exclusive right to use the design that is registered as applied to an article.

Target: ഡിസൈൻ രജിസ്ട്രേഷനിൽ, രജിസ്ട്രേഷൻ കാലയളവിലേക്ക് ഉടമസ്ഥന് 'പകർപ്പവകാശം' ഉണ്ട്. 1957-ലെ പകർപ്പവകാശ നിയമത്തിൽ ഉൾപ്പെടുത്തിയിട്ടുള്ള പകർപ്പവകാശത്തിൽ നിന്ന് ഇത് വ്യത്യസ്തമാണ്. ഡിസൈൻ ആക്‌റ്റിന് കീഴിൽ, 'പകർപ്പവകാശം' എന്ന പദം ഒരു ലേഖനത്തിന് ബാധകമാക്കിയിരിക്കുന്ന ഡിസൈൻ ഉപയോഗിക്കാനുള്ള പ്രത്യേക അവകാശത്തെ സൂചിപ്പിക്കുന്നു.


Source: On registration of design, the proprietor has ‘copyright’ for the period of registration. This is different from copyright as covered in the Copyrights Act, 1957. Under the Designs Act, the term ‘copyright’ implies the exclusive right to use the design that is registered as applied to an article.

Target: डिझाइनची नोंदणी केल्यावर, नोंदणीच्या कालावधीसाठी प्रोप्रायटर कडे डिझाइनमध्ये 'कॉपीराइट' असतो. हे सामान्य कॉपीराइट पेक्षा वेगळे आहे. येथे 'कॉपीराइट' शब्दाचा अर्थ नोंदणीकृत डिझाइन वापरण्याचा अनन्य हक्क आहे.


Source: On registration of design, the proprietor has ‘copyright’ for the period of registration. This is different from copyright as covered in the Copyrights Act, 1957. Under the Designs Act, the term ‘copyright’ implies the exclusive right to use the design that is registered as applied to an article.

Target: ଡିଜାଇନ ପଞ୍ଜୀକରଣ ଦ୍ଵାରା ପ୍ରୋପ୍ରାଇଟର ଙ୍କର ପଞ୍ଜୀକରଣ ଅବଧି ପାଇଁ କପି ରାଇଟ ଅଛି । ଏଠାରେ କପି ରାଇଟ ଶବ୍ଦର ଅର୍ଥ ହେଉଛି ଯେ ପଞ୍ଜୀକୃତ ଡିଜାଇନର ବ୍ୟବହାର ଉପରେ ନିରଙ୍କୁଶ ଅଧିକାର ।


Source: On registration of design, the proprietor has ‘copyright’ for the period of registration. This is different from copyright as covered in the Copyrights Act, 1957. Under the Designs Act, the term ‘copyright’ implies the exclusive right to use the design that is registered as applied to an article.

Target: ਡਿਜ਼ਾਈਨ ਦੀ ਰਜਿਸਟ੍ਰੇਸ਼ਨ ਹੋਣ 'ਤੇ, ਰਜਿਸਟ੍ਰੇਸ਼ਨ ਦੀ ਮਿਆਦ ਲਈ ਪ੍ਰੋਪਰਾਈਟਰ ਕੋਲ ਡਿਜ਼ਾਈਨ ਵਿਚ 'ਕਾਪੀਰਾਈਟ' ਹੁੰਦਾ ਹੈ। ਇਹ ਆਮ ਕਾਪੀਰਾਈਟ ਤੋਂ ਵੱਖਰਾ ਹੈ। ਇੱਥੇ 'ਕਾਪੀਰਾਈਟ' ਸ਼ਬਦ ਦਾ ਅਰਥ ਹੈ ਰਜਿਸਟਰਡ ਡਿਜ਼ਾਈਨ ਦੀ ਵਰਤੋਂ ਕਰਨ ਦਾ ਵਿਸ਼ੇਸ਼ ਅਧਿਕਾਰ।


Source: On registration of design, the proprietor has ‘copyright’ for the period of registration. This is different from copyright as covered in the Copyrights Act, 1957. Under the Designs Act, the term ‘copyright’ implies the exclusive right to use the design that is registered as applied to an article.

Target: வடிவமைப்பைப் பதிவு செய்யும் போது, பதிவு செய்யும் காலத்திற்கு உரிமையாளருக்கு 'பதிப்புரிமை' உள்ளது. இது பதிப்புரிமைச் சட்டம், 1957 இல் குறிப்பிடப்பட்டுள்ள பதிப்புரிமையிலிருந்து வேறுபட்டது. வடிவமைப்புச் சட்டத்தின் கீழ், 'பதிப்புரிமை' என்ற சொல் ஒரு பொருளின் பதிவுசெய்யப்பட்ட வடிவமைப்பைப் பயன்படுத்துவதற்கான பிரத்தியேக உரிமையைக் குறிக்கிறது.


Source: On registration of design, the proprietor has ‘copyright’ for the period of registration. This is different from copyright as covered in the Copyrights Act, 1957. Under the Designs Act, the term ‘copyright’ implies the exclusive right to use the design that is registered as applied to an article.

Target: లేదు. పైన వివరించిన ప్రకారం, వారు పని, కాపీరైట్ చట్టం కింద 'కళాత్మక పని' (Artistic వర్క్) మధ్య వారు డిజైన్ నిర్వచనం నుండి మినహాయింపు. మీరు మీ కళాత్మక పనిని పారిశ్రా మిక తయారీ వస్తు వులపై పెట్టడం ప్రారంభిస్తే, 50 కంటే ఎక్కువ సార్లు పునరుత్పత్తి చేసినట్లయితే మీరు దానిపై మీ కాపీరైట్ రక్షణను కోల్పోతారు. ఈ సందర్భంలో మీ పనికి డిజైన్ రక్షణ లేదా కాపీరైట్ రక్షణ చట్ట ప్రకారం లభించదు. ( కాపీరైట్ చట్టంలోని సెక్షన్ 15 క్రింద )


Source: What happens if I start applying my artistic work (under the Copyright Act) to industrially produced copies?

Target: ডিজাইন নিবন্ধকরণের প্রভাব কী?


Source: What happens if I start applying my artistic work (under the Copyright Act) to industrially produced copies?

Target: જો હું ઔદ્યોગિક રીતે ઉત્પાદિત નકલો પર મારા કલાત્મક કાર્ય (કોપીરાઇટ એક્ટ હેઠળ) લાગુ કરવાનું શરૂ કરું તો શું થશે?


Source: What happens if I start applying my artistic work (under the Copyright Act) to industrially produced copies?

Target: क्या होगा यदि मैं कॉपीराइट अधिनियम के तहत सुरक्षित अपनी कलात्मक कृति (Artistic Work) को औद्योगिक रूप से निर्मित वस्तुओं पर लगाना शुरू कर दूं? क्या वह कृति डिजाइन भी बन जाएगी?


Source: What happens if I start applying my artistic work (under the Copyright Act) to industrially produced copies?

Target: വ്യവസായികമായി നിർമ്മിക്കുന്ന പകർപ്പുകളിൽ ഞാൻ എൻ്റെ കലാസൃഷ്ടികൾ (കോപ്പി റൈറ്റ് ആക്ട് പ്രകാരം) പ്രയോഗിക്കാൻ തുടങ്ങിയാൽ എന്ത് സംഭവിക്കും?


Source: What happens if I start applying my artistic work (under the Copyright Act) to industrially produced copies?

Target: मी औद्योगिक उत्पादनासाठी माझे (कॉपीराइट कायद्यांतर्गत) कलात्मक काम (Artistic work) वापर करण्यास सुरुवात के ली तर काय होईल ?


Source: What happens if I start applying my artistic work (under the Copyright Act) to industrially produced copies?

Target: ମୋର କଳାତ୍ମକ କାର୍ଯ୍ୟକୁ ଉଦ୍ୟୋଗ ପ୍ରସ୍ତୁତ ନମୁନା ଗୁଡିକରେ ପ୍ରୟୋଗ କରେ ତେବେ କଣ ହେବ?


Source: What happens if I start applying my artistic work (under the Copyright Act) to industrially produced copies?

Target: ਕੀ ਹੋਵੇਗਾ ਜੇਕਰ ਮੈਂ ਕਾਪੀਰਾਈਟ ਐਕਟ ਅਧੀਨ ਸੁਰੱਖਿਅਤ ਆਪਣੇ ਕਲਾਤਮਕ ਕੰਮ (artistic work) ਨੂੰ ਉਦਯੋਗਿਕ ਤੌਰ' ਤੇ ਨਿਰਮਿਤ ਵਸਤੂਆਂ (industrially produced copies) 'ਤੇ ਪਾਉਣਾ ਸ਼ੁਰੂ ਕਰ ਦਿੰਦਾ ਹਾਂ ? ਕੀ ਉਹ ਕੰਮ ਵੀ ਡਿਜ਼ਾਈਨ ਬਣ ਜਾਵੇਗਾ?


Source: What happens if I start applying my artistic work (under the Copyright Act) to industrially produced copies?

Target: எனது கலைப் படைப்புகளை (பதிப்புரிமைச் சட்டத்தின் கீழ்) தொழில்துறையில் தயாரிக்கப்பட்ட நகல்களுக்குப் பயன்படுத்தத் தொடங்கினால் என்ன நடக்கும்?


Source: What happens if I start applying my artistic work (under the Copyright Act) to industrially produced copies?

Target: డిజైన్ రిజిస్ట్రేషన్ ప్రభావం ఏమిటి?


Source: An artistic work protected under the Copyright Act is by default not registrable under the Design Act. Additionally, if such a work is produced more than 50 times, then the work also loses its Copyright protection. Thus, one should be careful as to what is the appropriate protection for a particular kind of work. When dealing with works where you are ensure about the kind of protection suitable, it is recommended to seek legal advice.

Target: ডিজাইনের নিবন্ধকরণের পরে, স্বত্বাধিকারীর নিবন্ধকরণের সময়কালের জন্য ডিজাইনে একটি "কপিরাইট" রয়েছে। এটি সাধারণ কপিরাইট থেকে পৃথক। এখানে "কপিরাইট" শব্দের অর্থ নিবন্ধিত ডিজাইনটি ব্যবহারের একচেটিয়া অধিকার।


Source: An artistic work protected under the Copyright Act is by default not registrable under the Design Act. Additionally, if such a work is produced more than 50 times, then the work also loses its Copyright protection. Thus, one should be careful as to what is the appropriate protection for a particular kind of work. When dealing with works where you are ensure about the kind of protection suitable, it is recommended to seek legal advice.

Target: કોપીરાઈટ એક્ટ હેઠળ સંરક્ષિત કલાત્મક કાર્ય ડિફોલ્ટ રૂપે ડિઝાઇનએક્ટ હેઠળ નોંધણીપાત્ર નથી. વધુમાં, જો આવી કૃતિ 50 થી વધુ વખત બનાવવામાં આવે છે, તો કાર્ય તેની કોપીરાઈટ સુરક્ષા પણ ગુમાવે છે. આમ, કોઈ ચોક્કસ પ્રકારના કામ માટે યોગ્ય રક્ષણ શું છે તેની કાળજી રાખવી જોઈએ. જ્યારે તમે યોગ્ય પ્રકારના રક્ષણ વિશે ખાતરી કરો છો ત્યાં કામો સાથે કામ કરતી વખતે, કાનૂની સલાહ લેવાની ભલામણ કરવામાં આવે છે.


Source: An artistic work protected under the Copyright Act is by default not registrable under the Design Act. Additionally, if such a work is produced more than 50 times, then the work also loses its Copyright protection. Thus, one should be careful as to what is the appropriate protection for a particular kind of work. When dealing with works where you are ensure about the kind of protection suitable, it is recommended to seek legal advice.

Target: नहीं। जैसा की ऊपर बताया गया है, वे कृति जो कॉपीराइट अधिनियम के तहत 'कलात्मक कार्य' (Artistic Work) हैं, उनको डिजाइन की परिभाषा से बाहर रखा गया है। यदि आप अपनी कलात्मक कृति (Artistic Work) को औद्योगिक रूप से निर्मित वस्तुओं पर लगाना शुरू कर देंगे, तो 50 से अधिक वस्तुओं पर लगने के बाद आप उस पर अपने कॉपीराइट को भी खो देंगे। ऐसे में आपका कार्य न तो डिज़ाइन सुरक्षा पाता है और न ही कॉपीराइट सुरक्षा।(ऐसा कॉपीराइट अधिनियम की धारा 15 के अनुसार होता है) यदि आप इस बारे में अनिश्चित हैं कि आपका काम डिजाइन या कॉपीराइट के तहत उपयुक्त है या नहीं तो आपको कानूनी सलाह लेनी चाहिए कि आपके काम के लिए सबसे अच्छी सुरक्षा क्या होगी।


Source: An artistic work protected under the Copyright Act is by default not registrable under the Design Act. Additionally, if such a work is produced more than 50 times, then the work also loses its Copyright protection. Thus, one should be careful as to what is the appropriate protection for a particular kind of work. When dealing with works where you are ensure about the kind of protection suitable, it is recommended to seek legal advice.

Target: പകർപ്പവകാശ നിയമത്തിന് കീഴിലുള്ള ഒരു കലാസൃഷ്ടി ഡിഫോൾട്ടായി ഡിസൈൻ ആക്ടിന് കീഴിൽ രജിസ്റ്റർ ചെയ്യാൻ കഴിയില്ല. കൂടാതെ, അത്തരമൊരു സൃഷ്ടി 50 തവണയിൽ കൂടുതൽ നിർമ്മിക്കപ്പെട്ടാൽ, ആ സൃഷ്ടിയുടെ പകർപ്പവകാശ പരിരക്ഷയും നഷ്ടപ്പെടും. അതിനാൽ, ഒരു പ്രത്യേക തരം വസ്തുവിനു അനുയോജ്യമായ സംരക്ഷണം എന്താണെന്ന് ശ്രദ്ധിക്കണം. ഇത്തരം വസ്തുക്കൾ കൈകാര്യം ചെയ്യുമ്പോൾ, അനുയോജ്യമായ തരത്തിലുള്ള പരിരക്ഷയെക്കുറിച്ച് നിങ്ങൾക്ക് ഉറപ്പുനൽകുന്ന, നിയമോപദേശം തേടാൻ ശുപാർശ ചെയ്യുന്നു.


Source: An artistic work protected under the Copyright Act is by default not registrable under the Design Act. Additionally, if such a work is produced more than 50 times, then the work also loses its Copyright protection. Thus, one should be careful as to what is the appropriate protection for a particular kind of work. When dealing with works where you are ensure about the kind of protection suitable, it is recommended to seek legal advice.

Target: कॉपीराइट कायद्या अंतर्गत संरक्षित एक कलात्मक कार्य डिझाईन असेल तर ते नोंदणीयोग्य नाही. याव्यतिरिक्त, जर असे काम 50 पेक्षा जास्त वेळा तयार केले गेले तर कार्य देखील त्याचे कॉपीराइट संरक्षण गमावते. अशा प्रकारे, एक विशिष्ट प्रकारच्या कामासाठी योग्य संरक्षण काय आहे याची काळजी घ्यावी. आपण योग्य प्रकारच्या संरक्षणाची खात्री करण्यासाठी, कायदेशीर सल्ला घेणे योग्य आहे.


Source: An artistic work protected under the Copyright Act is by default not registrable under the Design Act. Additionally, if such a work is produced more than 50 times, then the work also loses its Copyright protection. Thus, one should be careful as to what is the appropriate protection for a particular kind of work. When dealing with works where you are ensure about the kind of protection suitable, it is recommended to seek legal advice.

Target: ଯଦି ଆପଣଙ୍କ କଳାତ୍ମକ କାର୍ଯ୍ୟ ଟି 50 ଟିରୁ ଅଧିକା ନମୁନା ରେ ପ୍ରୟୋଗ କରାଯାଏ,ତେବେ ଏହା କେବଳ ଡିଜାଇନ ପଞ୍ଜୀକରଣ ପାଇଁ ଅଯୋଗ୍ୟ ହେବ ନାହିଁ ତାହା ସହ କପି ରାଇଟ ସୁରକ୍ଷା ମଧ୍ୟ ହରାଇବ । ଏହା ଦ୍ଵାରା ଆପଣଙ୍କ କାର୍ଯ୍ୟଟି ଉଭୟ ଆଇନ ଦ୍ଵାରା ସୁରକ୍ଷାହୀନ ହେବ । (କପି ରାଇଟ ଆକ୍ଟ , 1957 ର ଧାରା 15 ଦେଖନ୍ତୁ )।


Source: An artistic work protected under the Copyright Act is by default not registrable under the Design Act. Additionally, if such a work is produced more than 50 times, then the work also loses its Copyright protection. Thus, one should be careful as to what is the appropriate protection for a particular kind of work. When dealing with works where you are ensure about the kind of protection suitable, it is recommended to seek legal advice.

Target: ਨਹੀਂ| ਜਿਵੇਂ ਕਿ ਉੱਪਰ ਦੱਸਿਆ ਗਿਆ ਹੈ, ਕਾਪੀਰਾਈਟ ਐਕਟ ਦੇ ਅਧੀਨ 'ਕਲਾਤਮਕ ਰਚਨਾਵਾਂ ' ਨੂੰ ਡਿਜ਼ਾਈਨ ਦੀ ਪਰਿਭਾਸ਼ਾ ਤੋਂ ਬਾਹਰ ਰੱਖਿਆ ਗਿਆ ਹੈ। ਜੇਕਰ ਤੁਸੀਂ ਆਪਣੇ ਕਲਾਤਮਕ ਕੰਮ ਨੂੰ ਉਦਯੋਗਿਕ ਤੌਰ 'ਤੇ ਬਣਾਈਆਂ ਵਸਤੂਆਂ 'ਤੇ ਪਾਉਣਾ ਸ਼ੁਰੂ ਕਰਦੇ ਹੋ, ਤਾਂ ਤੁਸੀਂ ਇਸਨੂੰ 50 ਤੋਂ ਵੱਧ ਆਈਟਮਾਂ ' ਤੇ ਲਾਗੂ ਕਰਨ ਤੋਂ ਬਾਅਦ ਇਸ 'ਤੇ ਆਪਣਾ ਕਾਪੀਰਾਈਟ ਵੀ ਗੁਆ ਦੇਵੋਗੇ। ਇਸ ਸਥਿਤੀ ਵਿੱਚ ਤੁਹਾਡੇ ਕੰਮ ਨੂੰ ਨਾ ਤਾਂ ਡਿਜ਼ਾਈਨ ਸੁਰੱਖਿਆ ਅਤੇ ਨਾ ਹੀ ਕਾਪੀਰਾਈਟ ਸੁਰੱਖਿਆ ਮਿਲਦੀ ਹੈ। ( ਇਹ ਕਾਪੀਰਾਈਟ ਐਕਟ ਦੀ ਧਾਰਾ15 ਦੇ ਅਨੁਸਾਰ ਹੁੰਦਾ ਹੈ) ਜੇਕਰ ਤੁਸੀਂ ਇਸ ਬਾਰੇ ਅਨਿਸ਼ਚਿਤ (unsure) ਹੋ ਕੀ ਤੁਹਾਡਾ ਕੰਮ ਡਿਜ਼ਾਈਨ ਜਾਂ ਕਾਪੀਰਾਈਟ ਵਿਸ਼ੇ ਦੇ ਅਧੀਨ ਹੈ, ਤਾਂ ਤੁਹਾਨੂੰ ਕਾਨੂੰਨੀ ਸਲਾਹ ਲੈਣੀ ਚਾਹੀਦੀ ਹੈ ਕਿ ਤੁਹਾਡੇ ਕੰਮ ਲਈ ਸਭ ਤੋਂ ਵਧੀਆ ਸੁਰੱਖਿਆ ਕੀ ਹੋਵੇਗੀ।


Source: An artistic work protected under the Copyright Act is by default not registrable under the Design Act. Additionally, if such a work is produced more than 50 times, then the work also loses its Copyright protection. Thus, one should be careful as to what is the appropriate protection for a particular kind of work. When dealing with works where you are ensure about the kind of protection suitable, it is recommended to seek legal advice.

Target: பதிப்புரிமைச் சட்டத்தின் கீழ் பாதுகாக்கப்பட்ட ஒரு கலைப் படைப்பு இயல்புநிலையாக வடிவமைப்புச் சட்டத்தின் கீழ் பதிவு செய்ய முடியாது. கூடுதலாக, அத்தகைய படைப்பு 50 முறைக்கு மேல் தயாரிக்கப்பட்டால், படைப்பு அதன் காப்புரிமை பாதுகாப்பையும் இழக்கிறது. எனவே, ஒரு குறிப்பிட்ட வகையான படைப்புக்குப் பொருத்தமான பாதுகாப்பு என்ன என்பதில் கவனமாக இருக்க வேண்டும். அவ்வகை படைப்புகளை கையாளும்பொழுது, பொருத்தமான பாதுகாப்பைப் பற்றி நீங்கள் உறுதிசெய்யும் போது, சட்ட ஆலோசனையைப் பெறப் பரிந்துரைக்கப்படுகிறது.


Source: An artistic work protected under the Copyright Act is by default not registrable under the Design Act. Additionally, if such a work is produced more than 50 times, then the work also loses its Copyright protection. Thus, one should be careful as to what is the appropriate protection for a particular kind of work. When dealing with works where you are ensure about the kind of protection suitable, it is recommended to seek legal advice.

Target: డిజైన్ నమోదు చేసిన తరువాత, యజమాని రిజిస్ట్రేషన్ వ్యవధికి రూపకల్పనలో 'కాపీరైట్' ఉంటుంది. ఇది సాధారణ కాపీరైట్ నుండి భిన్నంగా ఉంటుంది. ఇక్కడ, 'కాపీరైట్' అనే పదానికి రిజిస్టర్డ్ డిజైన్‌ను ఉపయోగించుకునే ప్రత్యేక హక్కు అని అర్థం.


Source: When does the applicant receive a registration certificate for registering a design?

Target: আবেদনকারী কখন ডিজাইন নিবন্ধনের জন্য নিবন্ধকরণ শংসাপত্র পান?


Source: When does the applicant receive a registration certificate for registering a design?

Target: અરજદારને ડિઝાઇનની નોંધણી માટે નોંધણી પ્રમાણપત્ર ક્યારે મળે છે?


Source: When does the applicant receive a registration certificate for registering a design?

Target: आवेदक को डिजाइन रजिस्टर करने के लिए पंजीकरण प्रमाण-पत्र कब प्राप्त होता है?


Source: When does the applicant receive a registration certificate for registering a design?

Target: ഒരു ഡിസൈൻ രജിസ്റ്റർ ചെയ്യുന്നതിനായി അപേക്ഷകന് എപ്പോഴാണ് രജിസ്ട്രേഷൻ സർട്ടിഫിക്കറ്റ് ലഭിക്കുക?


Source: When does the applicant receive a registration certificate for registering a design?

Target: अर्जदारास डिझाईन नोंदवण्यासाठी नोंदणी प्रमाणपत्र के व्हा मिळेल?


Source: When does the applicant receive a registration certificate for registering a design?

Target: ଦରଖାସ୍ତ କାରୀ/ଆବେଦନ କାରୀ କେତେବେଳେ ଗୋଟିଏ ଡିଜାଇନ ପଞ୍ଜୀକରଣର ପ୍ରମାଣପତ୍ର ପାଇଥାନ୍ତି?


Source: When does the applicant receive a registration certificate for registering a design?

Target: ਬਿਨੈਕਾਰ ਨੂੰ ਡਿਜ਼ਾਈਨ ਰਜਿਸਟਰ ਕਰਨ ਲਈ ਰਜਿਸਟ੍ਰੇਸ਼ਨ ਸਰਟੀਫਿਕੇਟ ਕਦੋਂ ਮਿਲਦਾ ਹੈ?


Source: When does the applicant receive a registration certificate for registering a design?

Target: விண்ணப்பதாரர் வடிவமைப்பைப் பதிவு செய்வதற்கான பதிவுச் சான்றிதழை எப்போது பெறுகிறார்?


Source: When does the applicant receive a registration certificate for registering a design?

Target: డిజైన్‌ను నమోదు చేయడానికి దరఖాస్తుదారు రిజిస్ట్రేషన్ సర్టిఫికెట్‌ను ఎప్పుడు పొందుతారు?


Source: After the application for registration of design is accepted and registered, the owner or creator receives a certificate of registration.

Target: নিবন্ধকরণের জন্য যদি আপনার আবেদনটি গৃহীত হয় তবে আপনার ডিজাইন বা নকশা নিবন্ধিত হবে। কেবলমাত্র এই নিবন্ধকরণের পরেই মালিক বা নির্মাতারা নিবন্ধের শংসাপত্র পান যা তাদের নকশার ধারক করে।


Source: After the application for registration of design is accepted and registered, the owner or creator receives a certificate of registration.

Target: ડિઝાઇનની નોંધણી માટેની અરજી સ્વીકારવામાં આવે અને નોંધણી કરવામાં આવે તે પછી, માલિક અથવા સર્જકને નોંધણીનું પ્રમાણપત્ર પ્રાપ્ત થાય છે.


Source: After the application for registration of design is accepted and registered, the owner or creator receives a certificate of registration.

Target: यदि आपका पंजीकरण के लिए दिया गया आवेदन स्वीकार कर लिया जाता है तो आपका डिज़ाइन पंजीकृ त पंजीकृ त कर दिया जाता है। इस पंजीकरण के बाद ही मालिक या निर्माता को पंजीकरण का प्रमाण पत्र प्राप्त होता है, जिससे वह डिज़ाइन के धारक बन जाते है।


Source: After the application for registration of design is accepted and registered, the owner or creator receives a certificate of registration.

Target: ഡിസൈനിൻ്റെ രജിസ്ട്രേഷനായുള്ള അപേക്ഷ സ്വീകരിച്ച് രജിസ്റ്റർ ചെയ്ത ശേഷം, ഉടമയ്‌ക്കോ സ്രഷ്‌ടാവിനോ രജിസ്‌ട്രേഷൻ സർട്ടിഫിക്കറ്റ് ലഭിക്കും.


Source: After the application for registration of design is accepted and registered, the owner or creator receives a certificate of registration.

Target: नोंदणीसाठी आपला अर्ज स्वीकारल्यास आपली रचना नोंदणीकृ त आहे. केवळ या नोंदणीनंतर मालक किंवा उत्पादकास नोंदणीचे प्रमाणपत्र प्राप्त होते, जे त्यांना डिझाइन धारक बनवते.


Source: After the application for registration of design is accepted and registered, the owner or creator receives a certificate of registration.

Target: ଡିଜାଇନ ପଞ୍ଜୀକରଣର ଆବେଦନ ଗ୍ରହଣ ଏବଂ ପଞ୍ଜୀକୃତ ହେବା ପରେ ଦରଖାସ୍ତ କାରୀ ମାଲିକ ବା ସଂରଚନା କାରୀ ପଞ୍ଜୀକରଣ ପ୍ରମାଣ ପତ୍ର ପାଇଥାନ୍ତି ।


Source: After the application for registration of design is accepted and registered, the owner or creator receives a certificate of registration.

Target: ਜੇਕਰ ਤੁਹਾਡੀ ਰਜਿਸਟ੍ਰੇਸ਼ਨ ਲਈ ਅਰਜ਼ੀ ਸਵੀਕਾਰ ਕੀਤੀ ਜਾਂਦੀ ਹੈ, ਤਾਂ ਤੁਹਾਡਾ ਡਿਜ਼ਾਈਨ ਰਜਿਸਟਰਡ ਹੋ ਜਾਂਦਾ ਹੈ। ਇਸ ਰਜਿਸਟ੍ਰੇਸ਼ਨ ਤੋਂ ਬਾਅਦ ਹੀ ਮਾਲਕ ਜਾਂ ਨਿਰਮਾਤਾ ਨੂੰ ਰਜਿਸਟ੍ਰੇਸ਼ਨ ਦਾ ਸਰਟੀਫਿਕੇਟ ਪ੍ਰਾਪਤ ਹੁੰਦਾ ਹੈ, ਜਿਸ ਨਾਲ ਉਸ ਨੂੰ ਡਿਜ਼ਾਈਨ ਦਾ ਧਾਰਕ ਬਣਾਇਆ ਜਾਂਦਾ ਹੈ।


Source: After the application for registration of design is accepted and registered, the owner or creator receives a certificate of registration.

Target: வடிவமைப்பைப் பதிவு செய்வதற்கான விண்ணப்பம் ஏற்றுக்கொள்ளப்பட்டுப் பதிவுசெய்யப்பட்ட பிறகு, உரிமையாளர் அல்லது உருவாக்கியவர் பதிவுச் சான்றிதழைப் பெறுகிறார்.


Source: After the application for registration of design is accepted and registered, the owner or creator receives a certificate of registration.

Target: రిజిస్ట్రేషన్ కోసం మీ దరఖాస్తు అంగీకరించబడితే, అప్పుడు మీ డిజైన్ రిజిస్టర్ చేయబడి ఉంటుంది. ఈ రిజిస్ట్రేషన్ తర్వాత మాత్రమే యజమాని లేదా తయారీదారు రిజిస్ట్రేషన్ సర్టిఫికేట్ అందుకుంటారు, ఇది వారిని డిజైన్ హోల్డర్ చేస్తుంది.


Source: What is the validity of the registered design?

Target: নিবন্ধিত ডিজাইনের মেয়াদ কত?


Source: What is the validity of the registered design?

Target: નોંધાયેલ ડિઝાઇનની માન્યતા શું છે?


Source: What is the validity of the registered design?

Target: पंजीकृत डिजाइन की वैधता क्या है?


Source: What is the validity of the registered design?

Target: രജിസ്റ്റർ ചെയ്ത ഡിസൈനിൻ്റെ സാധുത എന്താണ്?


Source: What is the validity of the registered design?

Target: नोंदणीकृ त डिझाइनची वैधता काय आहे?


Source: What is the validity of the registered design?

Target: ପଞ୍ଜୀକୃତ ଡିଜାଇନର ବୈଧତା ସମୟ ସୀମା କଣ?


Source: What is the validity of the registered design?

Target: ਰਜਿਸਟਰਡ ਡਿਜ਼ਾਈਨ ਦੀ ਮਿਆਦ ਕੀ ਹੈ?


Source: What is the validity of the registered design?

Target: பதிவுச் செய்யப்பட்ட வடிவமைப்பின் செல்லுபடியாகும் தன்மை என்ன?


Source: What is the validity of the registered design?

Target: రిజిస్టర్డ్ డిజైన్ యొక్క ప్రా మాణికత ఏమిటి?


Source: On registration of the design, the owner has exclusive rights over the article for a period of 10 years. On the expiry of 10 years, it can be further extended for 5 years on payment of renewal fees. (See Sec. 11 of the Designs Act, 2000)

Target: ডিজাইনের নিবন্ধকরণের পরে, ধারকটির ১০ বছরের জন্য ডিজাইন রয়েছে তবে একচেটিয়া অধিকার রয়েছে। ১০ বছর শেষে,নবায়ন ফি পরিশোধের এটা আরেকটি ৫ বছরের জন্য বাড়ানো হতে পারে। (ডিজাইন আইন, ২০০০ এর ধারা ১১ দেখুন) ।


Source: On registration of the design, the owner has exclusive rights over the article for a period of 10 years. On the expiry of 10 years, it can be further extended for 5 years on payment of renewal fees. (See Sec. 11 of the Designs Act, 2000)

Target: ડિઝાઇનની નોંધણી પર, માલિક પાસે 10 વર્ષના સમયગાળા માટે લેખ પર વિશિષ્ટ અધિકારો છે. 10 વર્ષની સમાપ્તિ પર, નવીકરણ ફીની ચુકવણી પર તેને 5 વર્ષ માટે વધુ લંબાવી શકાય છે. (ડિઝાઇન એક્ટ, 2000ની કલમ 11 જુઓ).


Source: On registration of the design, the owner has exclusive rights over the article for a period of 10 years. On the expiry of 10 years, it can be further extended for 5 years on payment of renewal fees. (See Sec. 11 of the Designs Act, 2000)

Target: डिजाइन के पंजीकरण पर, धारक के पास 10 वर्षों की अवधि के लिए डिजाइन पर अनन्य अधिकार हैं। 10 साल की समाप्ति पर, नवीकरण शुल्क के भुगतान पर इसे 5 साल के लिए और बढ़ाया जा सकता है। ( डिजाइन अधिनियम, 2000 की धारा 11 देखें )


Source: On registration of the design, the owner has exclusive rights over the article for a period of 10 years. On the expiry of 10 years, it can be further extended for 5 years on payment of renewal fees. (See Sec. 11 of the Designs Act, 2000)

Target: ഡിസൈനിൻ്റെ രജിസ്ട്രേഷനിൽ, ഉടമയ്ക്ക് 10 വർഷത്തേക്ക് ലേഖനത്തിന്മേൽ പ്രത്യേക അവകാശം നൽക്കുന്നു. 10 വർഷം കഴിയുമ്പോൾ, പുതുക്കൽ ഫീസ് അടച്ചു ഇത് 5 വർഷത്തേക്ക് കൂടി നീട്ടാം. (ഡിസൈൻ ആക്റ്റ 2000, സെക്ഷൻ 11 കാണുക)


Source: On registration of the design, the owner has exclusive rights over the article for a period of 10 years. On the expiry of 10 years, it can be further extended for 5 years on payment of renewal fees. (See Sec. 11 of the Designs Act, 2000)

Target: डिझाइनची नोंदणी केल्यावर, धारकाकडे दहा वर्षांच्या कालावधी साठी डिझाइन हक्क असतात. 10 वर्षांच्या शेवटी, नूतनीकरण शुल्क भरून तो हक्क अधिक 5 वर्षे वाढवून घेत येतो. (डिझाईन कायदा 2000 च्या कलम 11 पहा)


Source: On registration of the design, the owner has exclusive rights over the article for a period of 10 years. On the expiry of 10 years, it can be further extended for 5 years on payment of renewal fees. (See Sec. 11 of the Designs Act, 2000)

Target: ଡିଜାଇନ ପଞ୍ଜୀକରଣ ପରେ ମାଲିକଙ୍କର ପରବର୍ତ୍ତୀ ଦଶ ବର୍ଷ ପର୍ଯ୍ୟନ୍ତ ନିରଙ୍କୁଶ ଅଧିକାର ରହିଥାଏ । ଦଶ ବର୍ଷ ଶେଷ ହେଲା ପରେ ନବୀକରଣ ଦେୟ ଦେବା ପରେ ଏହା ପରବର୍ତ୍ତୀ ପାଞ୍ଚ ବର୍ଷ ପାଇଁ ସମ୍ପ୍ରସାରିତ ହୋଇଥାଏ । (ଡିଜାଇନ ଆକ୍ଟ , 2000 ର ଧାରା 11 ଦେଖନ୍ତୁ ) । କପି ରାଇଟର ସମୟ ସୀମା ଶେଷ ହେବା ପରେ ଡିଜାଇନ ପୁନଃ ପଞ୍ଜୀକରଣ କରାଯାଇ ପାରିବ କି? ନା, ଏପରି ହୋଇ ପାରିବ ନାହିଁ । କିନ୍ତୁ ଯଦି ପଞ୍ଜୀକରଣର ଅବଧି ଦଶ ବର୍ଷ ପୂର୍ଣ୍ଣ ହୋଇଥିବ ତେବେ ପ୍ରୋପ୍ରାଇଟର ଅବଧି ସମ୍ପ୍ରସାରଣ ପାଇଁ ଆବେଦନ କରି ପାରିବେ । (ଡିଜାଇନ ଆକ୍ଟ , 2000 ର ଧାରା 11ଦେଖନ୍ତୁ )।


Source: On registration of the design, the owner has exclusive rights over the article for a period of 10 years. On the expiry of 10 years, it can be further extended for 5 years on payment of renewal fees. (See Sec. 11 of the Designs Act, 2000)

Target: ਡਿਜ਼ਾਈਨ ਦੀ ਰਜਿਸਟ੍ਰੇਸ਼ਨ ਹੋਣ 'ਤੇ, ਧਾਰਕ ਕੋਲ 10 ਸਾਲਾਂ ਦੀ ਮਿਆਦ ਲਈ ਡਿਜ਼ਾਈਨ 'ਤੇ ਵਿਸ਼ੇਸ਼ ਅਧਿਕਾਰ ਹੁੰਦੇ ਹਨ । 10 ਸਾਲਾਂ ਦੇ ਅੰਤ 'ਤੇ, ਨਵਿਆਉਣ ਦੀ ਫੀਸ ਦੇ ਭੁਗਤਾਨ 'ਤੇ ਇਸ ਨੂੰ ਹੋਰ 5 ਸਾਲਾਂ ਲਈ ਵਧਾਇਆ ਜਾ ਸਕਦਾ ਹੈ। (ਡਿਜ਼ਾਇਨ ਐਕਟ, 2000 ਦੀ ਧਾਰਾ 11 ਦੇਖੋ)


Source: On registration of the design, the owner has exclusive rights over the article for a period of 10 years. On the expiry of 10 years, it can be further extended for 5 years on payment of renewal fees. (See Sec. 11 of the Designs Act, 2000)

Target: வடிவமைப்பைப் பதிவுசெய்தால், உரிமையாளருக்கு 10 வருட காலத்திற்கு பொருளின் மீது பிரத்தியேக உரிமைகள் உள்ளன. 10 ஆண்டுகள் முடிவடைந்தால், மேலும் 5 ஆண்டுகளுக்கு புதுப்பித்தல் கட்டணம் செலுத்தி நீட்டிக்கப்படலாம். (வடிவமைப்புச் சட்டம், 2000 இன் பிரிவு 11ஐப் பார்க்கவும்)


Source: On registration of the design, the owner has exclusive rights over the article for a period of 10 years. On the expiry of 10 years, it can be further extended for 5 years on payment of renewal fees. (See Sec. 11 of the Designs Act, 2000)

Target: డిజైన్ నమోదు చేసిన తరువాత, హోల్డర్ 10 సంవత్సరాల కాలానికి డిజైన్ కలిగి ఉంటాడు. కానీ ప్రత్యేక హక్కులు ఉన్నాయి. 10 సంవత్సరాల ముగింపులో పునరుద్ధరణ రుసుము చెల్లింపు అది మరో 5 సంవత్సరాలు విస్తరించవచ్చు. (డిజైన్ యాక్ట్, 2000 లోని సెక్షన్ 11 చూడండి)


Source: What is the penalty for piracy of a registered design?

Target: লঙ্ঘনকারী যে তার নকশা নকল করে তার বিরুদ্ধে নিবন্ধিত ডিজাইনধারীর প্রতিকার কী?


Source: What is the penalty for piracy of a registered design?

Target: નોંધાયેલ ડિઝાઇનની પાઇરસી (ચાંચિયાગીરી) માટે શું દંડ છે?


Source: What is the penalty for piracy of a registered design?

Target: क्या डिजाइन का पंजीकरण रद्द किया जा सकता है?


Source: What is the penalty for piracy of a registered design?

Target: രജിസ്റ്റർ ചെയ്ത ഡിസൈനിൻ്റെ പൈറസിക്കുള്ള പിഴ എന്താണ്?


Source: What is the penalty for piracy of a registered design?

Target: नियमांचे उल्लंघन करणार्‍या विरुद्ध नोंदणीकृत डिझाइन धारकासाठी काय उपाय आहे?


Source: What is the penalty for piracy of a registered design?

Target: ଡିଜାଇନର ପଞ୍ଜୀକରଣ ବାତିଲ କରାଯାଇ ପାରିବ କି?


Source: What is the penalty for piracy of a registered design?

Target: ਰਜਿਸਟਰਡ ਡਿਜ਼ਾਈਨ ਦੇ ਧਾਰਕ ਲਈ ਉਸ ਦੇ ਡਿਜ਼ਾਈਨ ਦੀ ਨਕਲ ਕਰਨ ਵਾਲੇ ਵਿਅਕਤੀ ਦੇ ਵਿਰੁੱਧ ਕੀ ਉਪਾਅ ਹੈ?


Source: What is the penalty for piracy of a registered design?

Target: பதிவு செய்யப்பட்ட வடிவமைப்பின் திருட்டுக்கான அபராதம் என்ன?


Source: What is the penalty for piracy of a registered design?

Target: డిజైన్ రిజిస్ట్రేషన్ రద్దు చేయవచ్చా?


Source: The person who is a registered proprietor of a design can bring a suit against infringement and ask for injunction against the pirated designs. Further, the proprietor can also seek damages for such piracy. (See Sec. 22 of the Designs Act, 2000)

Target: যে কোনও ব্যক্তি ডিজাইনের নিবন্ধিত ধারক তিনি লঙ্ঘনকারীটির বিরুদ্ধে মামলা আনতে পারেন। মামলাতে, তিনি পাইরেটেড ডিজাইনের বিরুদ্ধে আদেশ নিষেধ চাইতে পারেন। তদতিরিক্ত, স্বত্বাধিকারী এই জলদস্যুটির ক্ষতিপূরণও চাইতে পারেন। (ডিজাইন আইন, ২০০০ ধারা ২২ দেখুন)।


Source: The person who is a registered proprietor of a design can bring a suit against infringement and ask for injunction against the pirated designs. Further, the proprietor can also seek damages for such piracy. (See Sec. 22 of the Designs Act, 2000)

Target: જે વ્યક્તિ ડિઝાઇનનો રજિસ્ટર્ડ માલિક છે તે ઉલ્લંઘન સામે દાવો લાવી શકે છે અને પાઇરેટેડ ડિઝાઇન સામે મનાઇ હુકમ માંગી શકે છે. વધુમાં, માલિક આવી પાઇરસી માટે નુકસાની પણ માંગી શકે છે. (ડિઝાઇન એક્ટ, 2000 ની સેકશન 22 જુઓ).


Source: The person who is a registered proprietor of a design can bring a suit against infringement and ask for injunction against the pirated designs. Further, the proprietor can also seek damages for such piracy. (See Sec. 22 of the Designs Act, 2000)

Target: डिजाइन का पंजीकरण एक याचिका दायर करने पर किसी भी समय रद्द किया जा सकता है। यह याचिका एक निर्धारित शुल्क के साथ डिजाइन नियंत्रक (Controller of Designs ) के पास दायर की जाती है। पंजीकरण रद्द करवाने के निम्नलिखित आधार है: यदि डिजाइन पहले ही भारत में पंजीकृ त हो । यदि पंजीकरण की तारीख से पहले डिजाइन, भारत में या कहीं और प्रकाशित हो रखा हो । यदि डिजाइन पंजीकरण योग्य न होने पर भी पंजीकृत कर दिया गया हो। यदि डिजाइन नया (new) या मूल (original) नहीं हो । यदि वह धारा 2 (डी) के तहत ‘डिजाइन’ की परिभाषा के अनुसार एक डिजाइन नहीं हो। (डिजाइन अधिनियम, 2000 की धारा 19 देखें।)


Source: The person who is a registered proprietor of a design can bring a suit against infringement and ask for injunction against the pirated designs. Further, the proprietor can also seek damages for such piracy. (See Sec. 22 of the Designs Act, 2000)

Target: ഒരു ഡിസൈനിൻ്റെ രജിസ്‌ട്രേഡ് പ്രൊപ്രൈറ്റർ ആയ വ്യക്തിക്ക് ലംഘനത്തിനെതിരെ ഒരു സ്യൂട്ട് കൊണ്ടുവരാനും പൈറേറ്റഡ് ഡിസൈനുകൾക്കെതിരെ ഇൻജക്ഷൻ ആവശ്യപ്പെടാനും കഴിയും. കൂടാതെ, ഉടമസ്ഥന് അത്തരം പൈറസിക്ക് നഷ്ടപരിഹാരം തേടാനും കഴിയും. (ഡിസൈൻ ആക്റ്റ 2000, സെക്ഷൻ 22 കാണുക)


Source: The person who is a registered proprietor of a design can bring a suit against infringement and ask for injunction against the pirated designs. Further, the proprietor can also seek damages for such piracy. (See Sec. 22 of the Designs Act, 2000)

Target: डिझाइनचा नोंदणीकृत हक्क असलेली व्यक्ती उल्लंघन करणार्‍याविरूद्ध खटला दाखल करू शकते. खटल्यात हक्कदार त्या पायरेटेड डिझाईन्स विरूद्ध आदेश (Injunction) मागू शकतो. या व्यतिरिक्त, मालक या चोरीच्या नुकसान भरपाईची (Compensation) मागणी देखील करू शके ल. (डिझाईन कायदा 2000 कलम 22 पहा)


Source: The person who is a registered proprietor of a design can bring a suit against infringement and ask for injunction against the pirated designs. Further, the proprietor can also seek damages for such piracy. (See Sec. 22 of the Designs Act, 2000)

Target: ଗୋଟିଏ ଡିଜାଇନର ପଞ୍ଜୀକରଣ, ପଞ୍ଜୀକରଣ ପରେ ଯେକୌଣସି ସମୟରେ ଫର୍ମ ସଂଖ୍ୟା 8 ଡିଜାଇନ ନିୟନ୍ତ୍ର କଙ୍କୁ ବାତିଲ ନିମନ୍ତେ ନିମ୍ନରେ ଦିଆ ଯାଇଥିବା ଯେକୌଣସି କାରଣ ଦର୍ଶାଇ ଆବେଦନ କଲେ ପଞ୍ଜୀକରଣ ବାତିଲ ହୋଇ ପାରିବ। ଯଦି ଡିଜାଇନ ପୂର୍ବରୁ ଦେଶ ମଧ୍ୟରେ (ଭାରତରେ) ପଞ୍ଜୀକୃତ ହୋଇଥିବ ଯଦି ଏହା ପୂର୍ବରୁ ଭାରତ ବା ଅନ୍ୟ କୌଣସି ଦେଶରେ ପଞ୍ଜୀକରଣ ତାରିଖ ପୁର୍ବରୁ ପ୍ରକାଶିତ ହୋଇଥିବ । ଯଦି ଡିଜାଇନ ପଞ୍ଜୀକରଣ ଯୋଗ୍ୟ ହୋଇ ନଥିବ ଯଦି ଡିଜାଇନଟି ନୂତନ ବା ପକୃତ ମୂଳ ଡିଜାଇନ ହୋଇ ନ ଥିବ ଯଦି ଡିଜାଇନଟି ଡିଜାଇନ ଆଇନର ଧାରା 2 (d) ରେ ଥିବା ସଂଜ୍ଞା ଅଧିନରେ ଆସୁ ନଥିବ । (ଡିଜାଇନ ଆକ୍ଟ , 2000 ର ଧାରା 19 ଦେଖନ୍ତୁ ) ।


Source: The person who is a registered proprietor of a design can bring a suit against infringement and ask for injunction against the pirated designs. Further, the proprietor can also seek damages for such piracy. (See Sec. 22 of the Designs Act, 2000)

Target: ਉਹ ਵਿਅਕਤੀ ਜੋ ਕਿਸੇ ਡਿਜ਼ਾਈਨ ਦਾ ਰਜਿਸਟਰਡ ਧਾਰਕ ਹੈ, ਉਲੰਘਣਾ ਕਰਨ ਵਾਲੇ ਵਿਅਕਤੀ ਦੇ ਵਿਰੁੱਧ ਮੁਕੱਦਮਾ ਲਿਆ ਸਕਦਾ ਹੈ। ਮੁਕੱਦਮੇ ਵਿੱਚ, ਉਹ ਪਾਇਰੇਟਿਡ ਡਿਜ਼ਾਈਨ (pirated design) ਦੇ ਖਿਲਾਫ ਫ਼ਰਮਾਨ (injunction) ਦੀ ਮੰਗ ਕਰ ਸਕਦਾ ਹੈ। ਇਸ ਤੋਂ ਇਲਾਵਾ ਮਾਲਕ ਇਸ ਪਾਇਰੇਸੀ ਲਈ ਮੁਆਵਜ਼ੇ ਦੀ ਮੰਗ ਵੀ ਕਰ ਸਕਦਾ ਹੈ। (ਡਿਜ਼ਾਇਨ ਐਕਟ, 2000 ਦੀ ਧਾਰਾ 22 ਦੇਖੋ।)


Source: The person who is a registered proprietor of a design can bring a suit against infringement and ask for injunction against the pirated designs. Further, the proprietor can also seek damages for such piracy. (See Sec. 22 of the Designs Act, 2000)

Target: ஒரு வடிவமைப்பின் பதிவுசெய்யப்பட்ட உரிமையாளராக இருப்பவர், விதிமீறலுக்கு எதிராக வழக்குத் தொடுத்து, திருட்டு வடிவமைப்புகளுக்கு எதிராகத் தடை உத்தரவைக் கோரலாம். மேலும், உரிமையாளர் அத்தகைய திருட்டுக்கு இழப்பீடு கோரலாம். (வடிவமைப்புச் சட்டம், 2000 இன் பிரிவு 22ஐப் பார்க்கவும்)


Source: The person who is a registered proprietor of a design can bring a suit against infringement and ask for injunction against the pirated designs. Further, the proprietor can also seek damages for such piracy. (See Sec. 22 of the Designs Act, 2000)

Target: డిజైన్ పిటిషన్ దాఖలు చేసిన తర్వాత ఎప్పుడైనా రిజిస్ట్రేషన్ రద్దు చేయవచ్చు. ఈ పిటిషన్‌ను కంట్రో లర్ ఆఫ్ డిజైన్స్‌కు నిర్ణీత రుసుముతో దాఖలు చేస్తారు. రిజిస్ట్రేషన్ రద్దు చేయడానికి ఈ క్రింది కారణాలు ఉన్నాయి (డిజైన్ యాక్ట్, 2000 లోని సెక్షన్ 19 చూడండి.): డిజైన్ ఇప్పటికే భారతదేశంలో నమోదు చేయబడి ఉంటే. డిజైన్ రిజిస్ట్రేషన్ ముందు, భారతదేశం లో లేదా మరెక్కడైనా ప్రచురింపబడి ఉంటే. . రిజిస్ట్రేషన్ చేయకపోయినా డిజైన్ నమోదు చేయబడితే. డిజైన్ కొత్తది లేదా అసలైనది కాకపోతే. సెక్షన్ 2 (డి) కింద 'డిజైన్' యొక్క నిర్వచనం ప్రకారం ఇది డిజైన్ కాకపోతే.


Source: Can the registration of design be cancelled?

Target: ডিজাইন নিবন্ধকরণ বাতিল করা যেতে পারে?


Source: Can the registration of design be cancelled?

Target: શું ડિઝાઇનની નોંધણી રદ કરી શકાય?


Source: Can the registration of design be cancelled?

Target: पंजीकृत डिजाइन के धारक के पास अपने डिजाइन की नकल करने वाले उल्लंघनकर्ता के खिलाफ क्या उपाय है?


Source: Can the registration of design be cancelled?

Target: ഡിസൈനിൻ്റെ രജിസ്ട്രേഷൻ റദ്ദാക്കാനാകുമോ?


Source: Can the registration of design be cancelled?

Target: डिझाइन नोंदणी रद्द के ली जाऊ शकते का?


Source: Can the registration of design be cancelled?

Target: ଗୋଟିଏ ପଞ୍ଜୀକୃ ତଡିଜାଇନର ଚୋରା ବ୍ୟବହାର ପାଇଁ କଣ ଦଣ୍ଡ ବିଧାନ ରହିଛି?


Source: Can the registration of design be cancelled?

Target: ਕੀ ਡਿਜ਼ਾਈਨ ਦੀ ਰਜਿਸਟ੍ਰੇਸ਼ਨ ਰੱਦ ਕੀਤੀ ਜਾ ਸਕਦੀ ਹੈ?


Source: Can the registration of design be cancelled?

Target: வடிவமைப்பின் பதிவை ரத்து செய்ய முடியுமா?


Source: Can the registration of design be cancelled?

Target: తన డిజైన్‌ను అనుకరించే ఉల్లంఘనదారునికి వ్యతిరేకంగా రిజిస్టర్డ్ డిజైన్‌ను కలిగి ఉన్నవారికి పరిష్కారం ఏమిటి?


Source: The registration of a design may be cancelled at any time after the registration of design on a petition for cancellation in form 8 with prescribed fee to the Controller of Designs on any of the following grounds: That the design has been previously registered in India. That it has been published in India or elsewhere prior to date of registration. Design is not registrable. The design is not new or original. It is not a design under definition of Design stated under section 2(d). (See Sec. 19 of the the Designs Act, 2000).

Target: ডিজাইনের পিটিশন দায়েরের পরে নিবন্ধকরণ যে কোনও সময় বাতিল করা যেতে পারে। এই পিটিশন একটি নির্ধারিত ফি দিয়ে ডিজাইনার কন্ট্রোলারের কাছে দায়ের করা হয়। নিবন্ধকরণ বাতিল করার জন্য নিম্নলিখিত ভিত্তিগুলি হল: ডিজাইনটি ইতিমধ্যে ভারতবর্ষে নিবন্ধিত থাকলে। ডিজাইনে নিবন্ধকরণের আগে, ভারতবর্ষে করা বা প্রকাশিত স্থাপন অন্য কোথাও। ডিজাইনটি নিবন্ধভু ক্ত থাকলেও এটি রেজিস্ট্রেশনযোগ্য না হয়। ডিজাইনটি নতু ন বা আসল না হলে। এটি ধারা ২ (ডি) এর অধীনে "ডিজাইনের" সংজ্ঞা অনুসারে ডিজাইন না হলে। (ডিজাইন আইন, ২০০০ এর ধারা ১৯ দেখুন।)


Source: The registration of a design may be cancelled at any time after the registration of design on a petition for cancellation in form 8 with prescribed fee to the Controller of Designs on any of the following grounds: That the design has been previously registered in India. That it has been published in India or elsewhere prior to date of registration. Design is not registrable. The design is not new or original. It is not a design under definition of Design stated under section 2(d). (See Sec. 19 of the the Designs Act, 2000).

Target: નીચે આપેલા કોઈપણ આધાર પર કંટ્રોલર ઑફ ડિઝાઈનને નિયત ફી સાથે ફોર્મ 8 માં રદ કરવા માટેની અરજી પર ડિઝાઇનની નોંધણી પછી કોઈપણ સમયે ડિઝાઇનની નોંધણી રદ થઈ શકે છે: ડિઝાઇન અગાઉ ભારતમાં નોંધાયેલ છે. તે ભારતમાં અથવા અન્યત્ર નોંધણીની તારીખ પહેલા પ્રકાશિત કરવામાં આવી છે. ડિઝાઇન નોંધણી યોગ્ય નથી. ડિઝાઇન નવી કે મૂળ નથી. તે વિભાગ 2 (ડી) હેઠળ જણાવેલ ડિઝાઇનની વ્યાખ્યા હેઠળની ડિઝાઇન નથી. (ડિઝાઇન એક્ટ, 2000 ની સેકશન 19 જુઓ).