Source: Copyright in a work begins to exist the moment the work is created. Hence, registration of a copyright is not a prerequisite for acquiring copyright protection. However, one can still register a copyright with the Copyright Office to solidify one’s rights. The registration of a copyright does not confer any additional rights to the owner, but it still creates a presumption of ownership. This can be of immense help in an infringement suit. (See Chapter X of the Copyright Act, 1957)

Target: कोणतेही काम कार्य तयार होण्याच्या क्षणापासून त्यातील कॉपीराइट सुरू होते. म्हणूनच, कॉपीराइटची नोंदणी कॉपीराइट संरक्षण मिळविण्यासाठी अट नाही. तथापि, आपण आपले हक्क बळकट करण्यासाठी कॉपीराइट कार्यालयात कॉपीराइटची नोंदणी स्वतः करू शकता. कॉपीराइटची नोंदणी मालकाला कोणतेही अतिरिक्त अधिकार देत नाही, परंतु त्या कामावर मालकी असल्याचे दावा प्रदान करते. उल्लंघन खटल्याच्या वेळी नोंदणी खूप मदत करू शकते. (कॉपीराइट कायदा 1957 चे अध्याय दहावे पहा)


Source: Copyright in a work begins to exist the moment the work is created. Hence, registration of a copyright is not a prerequisite for acquiring copyright protection. However, one can still register a copyright with the Copyright Office to solidify one’s rights. The registration of a copyright does not confer any additional rights to the owner, but it still creates a presumption of ownership. This can be of immense help in an infringement suit. (See Chapter X of the Copyright Act, 1957)

Target: କପି ରାଇଟ ନିୟମ ନିମ୍ନ ଲିଖିତ କାର୍ଯ୍ୟ ଗୁଡିକୁ ସୁରକ୍ଷା ପ୍ରଦାନ କରେ । ସାହିତ୍ୟ ସମ୍ଵନ୍ଧୀୟ – କମ୍ପ୍ୟୁଟର ପ୍ରୋଗ୍ରାମ, ବକୃ ତା, ଉପନ୍ୟାସ, କବିତା ଇତ୍ୟାଦି। ନାଟକ ସମ୍ଵନ୍ଦୀୟ – ନୃତ୍ୟ ରଚନା କାର୍ଯ୍ୟ, ଆବୃତ୍ତି, ନାଟକ, ନିର୍ଭୀକ ଅଭିନୟ, ଅଭିନୟର ଉପାୟ ଯାହା ଲେଖିବାକୁ ହୁଏ । ସଙ୍ଗୀତ ସମ୍ଵନ୍ଧୀୟ – ଏହି କାର୍ଯ୍ୟ ମ୍ୟୁଜିକ ସହ ଜଡିତ । ଏହି କାର୍ଯ୍ୟ ସଙ୍ଗୀତର ଚିହ୍ନ ପଦ୍ଧତି ହୋଇପାରେ, ରେକର୍ଡ ହୋଇ ନଥିବା ମେଲୋଡି ସଙ୍ଗୀତର ସଙ୍ଗତ ବା ରାଗ କିମ୍ବା ଏହି ସମସସ୍ତ କାର୍ଯ୍ୟର ଆଲେଖିକ ଉପସ୍ଥାପନ । କଳା ସମ୍ଵନ୍ଧୀୟ – ଚିତ୍ର, ଫଟୋଗ୍ରାଫ, ଭାସ୍କର୍ଯ୍ୟ, ମାନଚିତ୍ର, ବୈଷୟିକ ରେଖାଙ୍କନ ଇତ୍ୟାଦି । ଚଳଚ୍ଚିତ୍ର – ଏହା ସିନେମାଟୋଗ୍ରାଫିକ ପ୍ରକ୍ରିୟା ଦ୍ଵାରା ସୃଷ୍ଟି କରାଯାଇଥିବା ଚଳଚ୍ଚିତ୍ର । ଏହି କାର୍ଯ୍ୟ ଦୃଶ୍ୟ ଏବଂ ଧ୍ଵନି ରେକର୍ଡିଙ୍ଗ ର ସମ୍ମିଶ୍ରଣ ।ଶବ୍ଦ ଗ୍ରହଣ – ଏହା ସାଧାରଣ ଭାବେ ଧ୍ଵନିର ରେକର୍ଡିଙ୍ଗ ।


Source: Copyright in a work begins to exist the moment the work is created. Hence, registration of a copyright is not a prerequisite for acquiring copyright protection. However, one can still register a copyright with the Copyright Office to solidify one’s rights. The registration of a copyright does not confer any additional rights to the owner, but it still creates a presumption of ownership. This can be of immense help in an infringement suit. (See Chapter X of the Copyright Act, 1957)

Target: ਕਾਪੀਰਾਈਟ ਕਾਨੂੰਨ ਹੇਠ ਲਿਖੀਆਂ ਕਿਸਮਾਂ ਦੀਆਂ ਰਚਨਾਵਾਂ ਦੀ ਰੱਖਿਆ ਕਰਦਾ ਹੈ:


Source: Copyright in a work begins to exist the moment the work is created. Hence, registration of a copyright is not a prerequisite for acquiring copyright protection. However, one can still register a copyright with the Copyright Office to solidify one’s rights. The registration of a copyright does not confer any additional rights to the owner, but it still creates a presumption of ownership. This can be of immense help in an infringement suit. (See Chapter X of the Copyright Act, 1957)

Target: ஒரு படைப்பின் பதிப்புரிமை என்பது படைப்பு உருவாக்கப்பட்ட தருணத்தில் இருக்கத் தொடங்குகிறது. எனவே, பதிப்புரிமைப் பாதுகாப்பைப் பெறுவதற்குப் பதிப்புரிமையைப் பதிவு செய்வது ஒரு முன்நிபந்தனை அல்ல. இருப்பினும், ஒருவர் தனது உரிமைகளை உறுதிப்படுத்த, பதிப்புரிமை அலுவலகத்தில் பதிப்புரிமையைப் பதிவு செய்யலாம். பதிப்புரிமையின் பதிவு உரிமையாளருக்குக் கூடுதல் உரிமைகளை வழங்காது, ஆனால் அது உரிமையின் அனுமானத்தை உருவாக்குகிறது. இது ஒரு பதிப்புரிமை மீறல் வழக்கில் பெரும் உதவியாக இருக்கும். (பதிப்புரிமைச் சட்டம், 1957ன் அத்தியாயம் Xஐப் பார்க்கவும்)


Source: Copyright in a work begins to exist the moment the work is created. Hence, registration of a copyright is not a prerequisite for acquiring copyright protection. However, one can still register a copyright with the Copyright Office to solidify one’s rights. The registration of a copyright does not confer any additional rights to the owner, but it still creates a presumption of ownership. This can be of immense help in an infringement suit. (See Chapter X of the Copyright Act, 1957)

Target: కాపీరైట్ చట్టం ఈ క్రింది రకాల రచనలను రక్షిస్తుంది: సాహిత్యం - కంప్యూటర్ ప్రో గ్రా మ్‌లు, ప్రసంగం, నవలలు, కవిత్వం మొదలైనవి. నాటకం - ఇందులో కొరియోగ్రా ఫిక్ పని, పద్యధారణ యొక్క, నాటకం లేదా మూగ ప్రదర్శన ఉన్నాయి. సంగీతం - ఈ పనిలోసంగీతానికి సంబంధించినవి ఉంటాయి. ఈ కంపోజిషన్లు మ్యూజికల్ నోట్స్ రూపంలో కూడా ఉంటాయి. నమోదుచేయబడని మాధుర్యాలు ,శ్రా వ్యాలు , రాగాలు,గ్రా ఫికల్ ప్రా తినిధ్యాలు. కళాత్మక - డ్రాయింగ్‌లు, ఛాయాచిత్రాలు, శిల్పం, పటాలు, సాంకేతిక చిత్రా లు మొదలైనవి ఉన్నాయి. సినిమాటోగ్రా ఫిక్ ఫిల్మ్‌లు - సినిమాటోగ్రా ఫిక్ ప్రా సెస్ చేసిన వీడియో ఫిల్మ్‌ల వంటి రచనలు ఇందులో ఉన్నాయి. ఇవి దృశ్య మరియు సౌండ్ రికార్డింగ్‌ల కలయిక. సౌండ్ రికార్డింగ్ - ఇవి శబ్దాల రికార్డింగ్‌లు మాత్రమే.


Source: How to register for Copyright?

Target: કોપીરાઈટ માટે કેવી રીતે નોંધણી કરવી?


Source: How to register for Copyright?

Target: कॉपीराइट के लिए पंजीकरण कैसे करें?


Source: How to register for Copyright?

Target: പകർപ്പവകാശത്തിനായി എങ്ങനെ രജിസ്റ്റർ ചെയ്യാം?


Source: How to register for Copyright?

Target: कॉपीराइटसाठी नोंदणी कशी करावी?


Source: How to register for Copyright?

Target: ମୁଁ ମୋର କାର୍ଯ୍ୟକୁ କପି ରାଇଟ ସୁରକ୍ଷା ପାଇଁ ପଞ୍ଜୀକରଣ କରିବା ଉଚିତ କି ?


Source: How to register for Copyright?

Target: ਕੀ ਮੈਨੂੰ ਮੇਰੇ ਕੰਮ ਲਈ ਕਾਪੀਰਾਈਟ ਸੁਰੱਖਿਆ ਪ੍ਰਾਪਤ ਕਰਨ ਲਈ ਰਜਿਸਟਰ ਕਰਨ ਦੀ ਲੋੜ ਹੈ?


Source: How to register for Copyright?

Target: பதிப்புரிமைக்கு எவ்வாறு பதிவு செய்வது?


Source: How to register for Copyright?

Target: నా పనికి కాపీరైట్ రక్షణ పొందడానికి నేను నమోదు చేసుకోవాల్సిన అవసరం ఉందా?


Source: Copyright registration can be done at the Copyright office (established under Section 9 of the Copyright Act, 1957) in Delhi. Registration can also be done online at www.copyright.gov.in.

Target: કોપીરાઈટ નોંધણી દિલ્હીમાં કોપીરાઈટ ઓફિસ (કોપીરાઈટ એક્ટ, 1957ની કલમ 9 હેઠળ સ્થાપિત) ખાતે થઈ શકે છે. રજીસ્ટ્રેશન (www.copyright.gov.in) પર ઓનલાઈન પણ કરી શકાય છે.


Source: Copyright registration can be done at the Copyright office (established under Section 9 of the Copyright Act, 1957) in Delhi. Registration can also be done online at www.copyright.gov.in.

Target: कॉपीराइट पंजीकरण दिल्ली में कॉपीराइट कार्यालय (कॉपीराइट अधिनियम,1957 की धारा 9 के तहत स्थापित) में किया जा सकता है। पंजीकरण www.copyright.gov.in पर भी ऑनलाइन किया जा सकता है ।


Source: Copyright registration can be done at the Copyright office (established under Section 9 of the Copyright Act, 1957) in Delhi. Registration can also be done online at www.copyright.gov.in.

Target: പകർപ്പവകാശ രജിസ്ട്രേഷൻ ഡൽഹിയിലെ പകർപ്പവകാശ ഓഫീസിൽ (കോപ്പി റൈറ്റ് ആക്ട്, 1957 സെക്ഷൻ 9 പ്രകാരം സ്ഥാപിതമായത്) നടത്താവുന്നതാണ്. www.copyright.gov.in എന്ന വെബ്‌സൈറ്റിൽ ഓൺലൈനായും രജിസ്‌ട്രേഷൻ നടത്താം .


Source: Copyright registration can be done at the Copyright office (established under Section 9 of the Copyright Act, 1957) in Delhi. Registration can also be done online at www.copyright.gov.in.

Target: कॉपीराइट नोंदणी दिल्ली येथे कॉपीराइट कार्यालय (कॉपीराइट कायदा 1957 च्या कलम 9 अंतर्गत स्थापित) येथे के ली जाऊ शकते. नोंदणी www.copyright.gov.in या संके त स्थळावरही करता येईल.


Source: Copyright registration can be done at the Copyright office (established under Section 9 of the Copyright Act, 1957) in Delhi. Registration can also be done online at www.copyright.gov.in.

Target: ଯେ କୌଣସି ସୃଜନଶୀଳ କାର୍ଯ୍ୟର ଆରମ୍ଭରେ କପି ରାଇଟ ସୁରକ୍ଷାର ଆବଶ୍ୟକତା ରହିଛି । ଏକ ମାଷ୍ଟର ପିସର ପଞ୍ଜୀକରଣ ଆହରଣ କରିବା ଅର୍ଥ ଯେ କାମର ଉତ୍ପାଦନ ସେଠାରେ ଅଛି , ତେଣୁ ସକପି ରାଇଟ ଗୋଟିଏ ପୂର୍ବ ଆବଶ୍ୟକତା ଜିନିଷ ନୁହେଁ । ତଥାପି, ଆପଣଙ୍କର ଅଧିକାର କୁ ସବଳ କରିବା ପାଇ କପି ରାଇଟ ଅଫିସରେ ଏକ କପି ରାଇଟ ପଞ୍ଜୀକରଣ କରି ପାରନ୍ତି । କପି ରାଇଟ ପଞ୍ଜୀକରଣ ମାଲିକ କୁ କୌଣସି ଅତିରିକ୍ତ ଅଧିକାର ଦିଏ ନାହିଁ । କିନ୍ତୁ ଏହା ମାଲିକାନା ଉପରେ ଅଧିକାରର ଏକ ଧାରଣା ସୃଷ୍ଟି କରେ । ଏହି ପଞ୍ଜୀକରଣ ଉଲଙ୍ଘନ ମୋକଦ୍ଦମା ସମୟରେ ବହୁତ ସାହାଯ୍ୟ କରେ । (କପି ରାଇଟ ଆକ୍ଟ , 1957 ଅଧ୍ୟାୟ X ଦେଖନ୍ତୁ ) ।


Source: Copyright registration can be done at the Copyright office (established under Section 9 of the Copyright Act, 1957) in Delhi. Registration can also be done online at www.copyright.gov.in.

Target: ਕਿਸੇ ਕੰਮ ਵਿੱਚ ਕਾਪੀਰਾਈਟ ਕੰਮ ਦੇ ਬਣਨ ਦੇ ਸਮੇਂ ਤੋਂ ਸ਼ੁਰੂ ਹੁੰਦਾ ਹੈ। ਇਸ ਲਈ, ਕਾਪੀਰਾਈਟ ਦੀ ਰਜਿਸਟ੍ਰੇਸ਼ਨ ਕਾਪੀਰਾਈਟ ਸੁਰੱਖਿਆ ਪ੍ਰਾਪਤ ਕਰਨ ਲਈ ਇੱਕ ਪੂਰਵ ਸ਼ਰਤ ਨਹੀਂ ਹੈ। ਹਾਲਾਂਕਿ, ਤੁਸੀਂ ਆਪਣੇ ਅਧਿਕਾਰਾਂ ਨੂੰ ਇਕਸਾਰ ਕਰਨ ਲਈ ਕਾਪੀਰਾਈਟ ਦਫਤਰ ਨਾਲ ਕਾਪੀਰਾਈਟ ਰਜਿਸਟਰ ਕਰ ਸਕਦੇ ਹੋ। ਕਾਪੀਰਾਈਟ ਦੀ ਰਜਿਸਟ੍ਰੇਸ਼ਨ ਮਾਲਕ ਨੂੰ ਕੋਈ ਵਾਧੂ ਅਧਿਕਾਰ ਪ੍ਰਦਾਨ ਨਹੀਂ ਕਰਦੀ ਹੈ, ਪਰ ਇਹ ਕੰਮ ਦੀ ਮਲਕੀਅਤ ਨੂੰ ਮੰਨਣ ਲਈ ਇੱਕ ਅਨੁਮਾਨ ਪ੍ਰਦਾਨ ਕਰਦੀ ਹੈ । ਉਲੰਘਣਾ ਦੇ ਮੁਕੱਦਮੇ ਦੇ ਸਮੇਂ ਰਜਿਸਟਰੇਸ਼ਨ ਬਹੁਤ ਮਦਦਗਾਰ ਹੋ ਸਕਦੀ ਹੈ। (ਕਾਪੀਰਾਈਟ ਐਕਟ, 1957 ਦਾ ਚੈਪਟਰ X ਦੇਖੋ)


Source: Copyright registration can be done at the Copyright office (established under Section 9 of the Copyright Act, 1957) in Delhi. Registration can also be done online at www.copyright.gov.in.

Target: பதிப்புரிமைப் பதிவு டெல்லியில் உள்ள பதிப்புரிமை அலுவலகத்தில் (பதிப்புரிமைச் சட்டம், 1957ன் பிரிவு 9 இன் கீழ் நிறுவப்பட்டது) செய்யப்படலாம். www.copyright.gov.in என்ற இணையதளத்திலும் பதிவு செய்யலாம்.


Source: Copyright registration can be done at the Copyright office (established under Section 9 of the Copyright Act, 1957) in Delhi. Registration can also be done online at www.copyright.gov.in.

Target: ఏదైనా పని దానిలోని కాపీరైట్ పని మొదలైన క్షణం నుండి ప్రారంభమవుతుంది .. కాబట్టి కాపీరైట్ నమోదు అనేది కాపీరైట్ రక్షణ పొందటానికి ఒక షరతు కాదు. అయితే, మీ హక్కులను బలోపేతం చేయడానికి కాపీరైట్ కార్యాలయంలో మీరే కాపీరైట్ నమోదు చేసుకోవచ్చు. కాపీరైట్ యొక్క రిజిస్ట్రేషన్ యజమానికి అదనపు హక్కులను, కానీ ఇది పనిపై యాజమాన్యానికి ప్రిజెంషన్ ఇవ్వదు విశ్వసనీయతను అందిస్తుంది. ఉల్లంఘన దావా సమయంలో నమోదు చాలా సహాయపడుతుంది. (కాపీరైట్ చట్టం, 1957 యొక్క అధ్యాయం X చూడండి)


Source: What kind of works does copyright protect?

Target: કોપીરાઈટ કેવા પ્રકારની કૃતિઓનું રક્ષણ કરે છે?


Source: What kind of works does copyright protect?

Target: कॉपीराइट किस तरह की कृ तियों (Works) की रक्षा करता है?


Source: What kind of works does copyright protect?

Target: പകർപ്പവകാശം സംരക്ഷിക്കുന്നത് ഏത് തരത്തിലുള്ള പ്രവൃത്തികളാണ്?


Source: What kind of works does copyright protect?

Target: कॉपीराइट कोणत्या प्रकारची कामे संरक्षित करते?


Source: What kind of works does copyright protect?

Target: କପି ରାଇଟ ପାଇଁ ପଞ୍ଜୀକରଣ କିପରି ହୁଏ ?


Source: What kind of works does copyright protect?

Target: ਕਾਪੀਰਾਈਟ ਲਈ ਰਜਿਸਟਰ ਕਿਵੇਂ ਕਰੀਏ?


Source: What kind of works does copyright protect?

Target: பதிப்புரிமை எந்த வகையான படைப்புகளைப் பாதுகாக்கிறது?


Source: What kind of works does copyright protect?

Target: కాపీరైట్ కోసం ఎలా నమోదు చేయాలి?


Source: Copyright law protects the following kinds of works: Literary – includes computer programmes, speeches, novels, poems etc. Dramatic – includes choreographic work, piece for recitation, plays or dumb shows. Musical – this includes works consisting of music. These works could also be in the form of musical notations. Unrecorded melodies, harmonies or ragas or any graphical representation of these would be such work. Artistic – includes paintings, photographs, sculpture, maps, technical drawings etc. Cinematographic films – includes works such as video films made by cinematographic process. These are a combination of visual and sound recordings. Sound recordings – these are simply recordings of sounds. Sound recordings – these are simply recordings of sounds.

Target: કૉપિરાઇટ કાયદો નીચેના પ્રકારની કૃતિઓનું રક્ષણ કરે છે: સાહિત્યિક (Literary) - જેમાં કમ્પ્યુટર પ્રોગ્રામ્સ, ભાષણો, નવલકથાઓ, કવિતાઓ વગેરેનો સમાવેશ થાય છે. નાટકીય (Dramatic) - કોરિયોગ્રાફિક વર્ક , પઠન માટેનો ભાગ, નાટકો અથવા મૂંગા શોનો સમાવેશ થાય છે, જેનું અભિનય લેખિતમાં સ્વરૂપ મૂકવામા આવે છે. સંગીતમય (Musical) - આમાં સંગીતનો સમાવેશ કરતી કૃતિઓ શામેલ છે. આ કૃતિઓ સંગિના સંકેતોના સ્વરૂપમાં પણ હોઈ શકે છે. રેકોર્ડ ન કરાયેલ ધૂન, સંવાદિતા અથવા રાગો અથવા આની કોઈપણ ચિત્રાત્મક રજૂ આત આવા કાર્ય હશે. કલાત્મક (Artistic) - ચિત્રો, ફોટોગ્રાફ્સ, શિલ્પ, નકશા, તકનીકી રેખાંકનો વગેરે. ધ્વનિ રેકોર્ડિંગ્સ (Sound Recording)- આ ફક્ત અવાજોની રેકોર્ડિંગ્સ છે. સિનેમેટોગ્રાફિક ફિલ્મો - સિનેમેટોગ્રાફિક પ્રક્રિયા દ્વારા બનાવવામાં આવેલી વિડિયો ફિલ્મો જેવી કૃતિઓનો સમાવેશ થાય છે. આ દ્રશ્ય અને ધ્વનિ રેકોર્ડિંગનું સંયોજન છે.


Source: Copyright law protects the following kinds of works: Literary – includes computer programmes, speeches, novels, poems etc. Dramatic – includes choreographic work, piece for recitation, plays or dumb shows. Musical – this includes works consisting of music. These works could also be in the form of musical notations. Unrecorded melodies, harmonies or ragas or any graphical representation of these would be such work. Artistic – includes paintings, photographs, sculpture, maps, technical drawings etc. Cinematographic films – includes works such as video films made by cinematographic process. These are a combination of visual and sound recordings. Sound recordings – these are simply recordings of sounds. Sound recordings – these are simply recordings of sounds.

Target: कॉपीराइट कानून निम्नलिखित प्रकार के कार्यों की सुरक्षा करता है: साहित्यिक (Literary) - कंप्यूटर प्रोग्राम, भाषण, उपन्यास, कविता आदि शामिल हैं। नाटकीय (Dramatic) - इसमें कोरियोग्राफिक कार्य, सस्वर पाठ के लिए टुकड़ा, नाटक या गूंगा शो शामिल हैं | संगीत (Musical) - इस कार्य शामिल मिलकर मूसी सी। ये रचनाएँ संगीत की सूचनाओं के रूप में भी हो सकती हैं। अनियंत्रित धुन, सामंजस्य या राग या इनमें से कोई भी चित्रमय प्रतिनिधित्व इस तरह का काम होगा। कलात्मक (Artistic) - चित्र, तस्वीरें, मूर्तिकला, नक्शे, तकनीकी चित्र आदि शामिल हैं। सिनेमैटोग्राफिक फिल्में (Cinematographic Films) - इसमें सिनेमैटोग्राफिक प्रक्रिया द्वारा बनाई गई वीडियो फिल्मों जैसे काम शामिल हैं। ये दृश्य और ध्वनि रिकॉर्डिंग का एक संयोजन हैं। ध्वनि रिकॉर्डिंग (Sound Recording) - ये केवल ध्वनियों की रिकॉर्डिंग हैं।


Source: Copyright law protects the following kinds of works: Literary – includes computer programmes, speeches, novels, poems etc. Dramatic – includes choreographic work, piece for recitation, plays or dumb shows. Musical – this includes works consisting of music. These works could also be in the form of musical notations. Unrecorded melodies, harmonies or ragas or any graphical representation of these would be such work. Artistic – includes paintings, photographs, sculpture, maps, technical drawings etc. Cinematographic films – includes works such as video films made by cinematographic process. These are a combination of visual and sound recordings. Sound recordings – these are simply recordings of sounds. Sound recordings – these are simply recordings of sounds.

Target: പകർപ്പവകാശ നിയമം ഇനിപ്പറയുന്ന തരത്തിലുള്ള പ്രവൃത്തികളെ സംരക്ഷിക്കുന്നു: സാഹിത്യപരമായ (Literary) - കമ്പ്യൂട്ടർ പ്രോഗ്രാമുകൾ, പ്രസംഗങ്ങൾ, നോവലുകൾ, കവിതകൾ തുടങ്ങിയവ ഉൾപ്പെടുന്നു. നാടകീയം (Dramatic) - കൊറിയോഗ്രാഫിക് വർക്ക്, പാരായണത്തിനുള്ള ഭാഗം, നാടകങ്ങൾ അല്ലെങ്കിൽ മൂകമായ ഷോകൾ എന്നിവ ഉൾപ്പെടുന്നു. മ്യൂസിക്കൽ (Musical) - ഇതിൽ സംഗീതം അടങ്ങിയ കൃതികൾ ഉൾപ്പെടുന്നു. ഈ കൃതികൾ സംഗീത നൊട്ടേഷനുകളുടെ രൂപത്തിലുമാകാം. റെക്കോർഡ് ചെയ്യാത്ത ഈണങ്ങൾ, മേളങ്ങൾ അല്ലെങ്കിൽ രാഗങ്ങൾ അല്ലെങ്കിൽ ഇവയുടെ ഏതെങ്കിലും ഗ്രാഫിക്കൽ പ്രതിനിധാനം അത്തരം സൃഷ്ടികളായിരിക്കും. കലാപരമായത് (Artistic) - പെയിന്റിംഗുകൾ, ഫോട്ടോഗ്രാഫുകൾ, ശിൽപങ്ങൾ, ഭൂപടങ്ങൾ, സാങ്കേതിക ഡ്രോയിംഗുകൾ തുടങ്ങിയവ ഉൾപ്പെടുന്നു. സിനിമാട്ടോഗ്രാഫിക് ഫിലിമുകൾ (Cinematographic Films) - സിനിമാട്ടോഗ്രാഫിക് പ്രക്രിയയിലൂടെ നിർമ്മിച്ച വീഡിയോ ഫിലിമുകൾ പോലുള്ള സൃഷ്ടികൾ ഉൾപ്പെടുന്നു. ദൃശ്യ-ശബ്ദ റെക്കോർഡിംഗുകളുടെ സംയോജനമാണ് ഇവ. ശബ്ദ റെക്കോർഡിംഗുകൾ (Sound Recordings) - ഇവ കേവലം ശബ്ദങ്ങളുടെ റെക്കോർഡിംഗുകളാണ്.


Source: Copyright law protects the following kinds of works: Literary – includes computer programmes, speeches, novels, poems etc. Dramatic – includes choreographic work, piece for recitation, plays or dumb shows. Musical – this includes works consisting of music. These works could also be in the form of musical notations. Unrecorded melodies, harmonies or ragas or any graphical representation of these would be such work. Artistic – includes paintings, photographs, sculpture, maps, technical drawings etc. Cinematographic films – includes works such as video films made by cinematographic process. These are a combination of visual and sound recordings. Sound recordings – these are simply recordings of sounds. Sound recordings – these are simply recordings of sounds.

Target: कॉपीराइट कायद्यामध्ये पुढील प्रकारच्या कामांचे (Works) संरक्षण होते: साहित्यिक (Literary) - कॉम्प्यूटर प्रोग्राम, भाषण, कादंबऱ्या, कविता इ. समाविष्ट करते. नाट्यमय (Dramatic) - यात कोरिओग्राफिक कामे, पठणाचे तुकडे, नाटक किंवा मूक शो यांचा समावेश आहे. संगीतमय (Musical) - यात संगीत रचना नोटेशनच्या स्वरूपात देखील असू शकतात. रेकॉर्ड न केलेली स्वरांची संगती किंवा राग किंवा यापैकी कोणतेही चित्रणात्मक प्रतिनिधित्व यांचा समावेश आहे. कलात्मक (Artistic) - रेखाचित्रे, छायाचित्रे, शिल्पकला, नकाशे, चित्रे इत्यादींचा यात समावेश आहे. सिनेमॅटोग्राफिक फिल्म्स (Cinematographic Films) - सिनेमॅटोग्राफी यातप्रक्रियेद्वारे निर्मितव्हिडिओ चित्रपट यासारख्या गोष्टींचा समावेश आहे. हे व्हिज्युअल आणि ध्वनी रेकॉर्डिंगचे संयोजन आहे. ध्वनी रेकॉर्डिंग (Sound recording) - या केवळ ध्वनी रेकॉर्डिंग आहेत.


Source: Copyright law protects the following kinds of works: Literary – includes computer programmes, speeches, novels, poems etc. Dramatic – includes choreographic work, piece for recitation, plays or dumb shows. Musical – this includes works consisting of music. These works could also be in the form of musical notations. Unrecorded melodies, harmonies or ragas or any graphical representation of these would be such work. Artistic – includes paintings, photographs, sculpture, maps, technical drawings etc. Cinematographic films – includes works such as video films made by cinematographic process. These are a combination of visual and sound recordings. Sound recordings – these are simply recordings of sounds. Sound recordings – these are simply recordings of sounds.

Target: କପି ରାଇଟ ପଞ୍ଜୀକରଣ ଦିଲ୍ଲୀରେ ଅବସ୍ଥିତ କପି ରାଇଟରେ କରାଯାଏ (କପି ରାଇଟ ଆକ୍ଟ , 1957 ର ବିଭାଗ 9 ର ଅଧିନରେ ସ୍ଥାପିତ) ପଞ୍ଜୀକରଣ ଅନଲାଇନରେ www.copyright.gov.in ରେ କରାଯାଇ ପାରିବ ।


Source: Copyright law protects the following kinds of works: Literary – includes computer programmes, speeches, novels, poems etc. Dramatic – includes choreographic work, piece for recitation, plays or dumb shows. Musical – this includes works consisting of music. These works could also be in the form of musical notations. Unrecorded melodies, harmonies or ragas or any graphical representation of these would be such work. Artistic – includes paintings, photographs, sculpture, maps, technical drawings etc. Cinematographic films – includes works such as video films made by cinematographic process. These are a combination of visual and sound recordings. Sound recordings – these are simply recordings of sounds. Sound recordings – these are simply recordings of sounds.

Target: ਕਾਪੀਰਾਈਟ ਰਜਿਸਟ੍ਰੇਸ਼ਨ ਦਿੱਲੀ ਵਿੱਚ ਕਾਪੀਰਾਈਟ ਦਫ਼ਤਰ (ਕਾਪੀਰਾਈਟ ਐਕਟ,1957 ਦੇ ਸੈਕਸ਼ਨ 9 ਦੇ ਤਹਿਤ ਸਥਾਪਿਤ) ਵਿੱਚ ਕੀਤੀ ਜਾ ਸਕਦੀ ਹੈ। ਰਜਿਸਟ੍ਰੇਸ਼ਨ www.copyright.gov.in 'ਤੇ ਆਨਲਾਈਨ ਵੀ ਕੀਤੀ ਜਾ ਸਕਦੀ ਹੈ ।


Source: Copyright law protects the following kinds of works: Literary – includes computer programmes, speeches, novels, poems etc. Dramatic – includes choreographic work, piece for recitation, plays or dumb shows. Musical – this includes works consisting of music. These works could also be in the form of musical notations. Unrecorded melodies, harmonies or ragas or any graphical representation of these would be such work. Artistic – includes paintings, photographs, sculpture, maps, technical drawings etc. Cinematographic films – includes works such as video films made by cinematographic process. These are a combination of visual and sound recordings. Sound recordings – these are simply recordings of sounds. Sound recordings – these are simply recordings of sounds.

Target: பதிப்புரிமைச் சட்டம் பின்வரும் வகையான படைப்புகளைப் பாதுகாக்கிறது: இலக்கியம் - கணினி நிரல்கள், உரைகள், நாவல்கள், கவிதைகள் போன்றவை அடங்கும். நிகழ்கலை - ஆடற்கலை, சொற்பொழிவு, நாடகங்கள் அல்லது மவுன நாடகம் ஆகியவை அடங்கும். இசை - இதில் இசை அடங்கிய படைப்புகள் அடங்கும். இந்தப் படைப்புகள் இசைக் குறியீடுகளாகவும் இருக்கலாம். பதிவு செய்யப்படாத மெல்லிசைகள், ஒத்திசைவுகள் அல்லது ராகங்கள் அல்லது இவற்றின் எந்த வரைபடம் வாயிலாகக் குறிப்பிடும் படைப்பாக இருக்கும். கலைத்திறன் வாய்ந்த படைப்பு - ஓவியங்கள், புகைப்படங்கள், சிற்பங்கள், வரைபடங்கள், தொழில்நுட்ப வரைபடங்கள் போன்றவை அடங்கும். திரைப்படவியல் படைப்பு - ஒளிப்பதிவு செயல்முறையால் உருவாக்கப்பட்ட காணொளி படங்கள் போன்ற படைப்புகளை உள்ளடக்கியது. இவை காட்சி மற்றும் ஒலிப்பதிவுகளின் கலவையாகும். ஒலிப்பதிவுகள் - இவை வெறுமனே ஒலிகளின் பதிவுகள்.


Source: Copyright law protects the following kinds of works: Literary – includes computer programmes, speeches, novels, poems etc. Dramatic – includes choreographic work, piece for recitation, plays or dumb shows. Musical – this includes works consisting of music. These works could also be in the form of musical notations. Unrecorded melodies, harmonies or ragas or any graphical representation of these would be such work. Artistic – includes paintings, photographs, sculpture, maps, technical drawings etc. Cinematographic films – includes works such as video films made by cinematographic process. These are a combination of visual and sound recordings. Sound recordings – these are simply recordings of sounds. Sound recordings – these are simply recordings of sounds.

Target: కాపీరైట్ నమోదు Delhi లోని కాపీరైట్ కార్యాలయంలో (కాపీరైట్ చట్టం, 1957 లోని సెక్షన్ 9 కింద స్థా పించబడింది) చేయవచ్చు.నమోదు www.copyright.gov.in లో కూడా ఆన్‌లైన్‌లోచేసుకోవచ్చు.


Source: How long does Copyright protection last?

Target: কপিরাইট সুরক্ষা কত দিন স্থায়ী হয়?


Source: How long does Copyright protection last?

Target: કોપીરાઈટ સુરક્ષા કેટલો સમય ચાલે છે?


Source: How long does Copyright protection last?

Target: किसी कृति में मौजूद कॉपीराइट का मालिक कौन है?


Source: How long does Copyright protection last?

Target: പകർപ്പവകാശ പരിരക്ഷ (Copyright protection)എത്രത്തോളം നിലനിൽക്കും?


Source: How long does Copyright protection last?

Target: कॉपीराइट संरक्षण किती काळ टिके ल?


Source: How long does Copyright protection last?

Target: କପି ରାଇଟ ସୁରକ୍ଷାର ଅବଧି କେତେ ?


Source: How long does Copyright protection last?

Target: ਕਾਪੀਰਾਈਟ ਸੁਰੱਖਿਆ ਕਿੰਨੀ ਦੇਰ ਤੱਕ ਰਹਿੰਦੀ ਹੈ?


Source: How long does Copyright protection last?

Target: பதிப்புரிமை பாதுகாப்பு எவ்வளவு காலம் நீடிக்கும்?


Source: How long does Copyright protection last?

Target: కాపీరైట్ రక్షణ ఎంతకాలం ఉంటుంది?


Source: In case of original literary, dramatic, musical and artistic work, the duration of Copyright is the lifetime of the author, plus 60 years from the year following the death of the author. In case of cinematographic films and sound recording, the duration is 60 years starting from the immediate calendar year following the year of publication. (See Chapter V of the Copyright Act, 1957)

Target: সাহিত্য, নাটক, সঙ্গীত এবং চিত্রকলা এর ক্ষেত্রে, কপিরাইটের সময়কাল হল স্রষ্টার আয়ু, এবং স্রষ্টার মৃত্যুর ৬০ বছর পরে। সিনেম্যাটোগ্রাফিক ফিল্ম এবং সাউন্ড রেকর্ডিংয়ের ক্ষেত্রে, সময়কাল প্রকাশের বছরের পরের ক্যালেন্ডার বছর থেকে শুরু করে ৬০ বছর। (কপিরাইট আইন, ১৯৫৭ এর পঞ্চম অধ্যায়ে দেখুন)।


Source: In case of original literary, dramatic, musical and artistic work, the duration of Copyright is the lifetime of the author, plus 60 years from the year following the death of the author. In case of cinematographic films and sound recording, the duration is 60 years starting from the immediate calendar year following the year of publication. (See Chapter V of the Copyright Act, 1957)

Target: મૂળ સાહિત્યિક, નાટકીય, સંગીત અને કલાત્મક કાર્યના કિસ્સામાં, કોપીરાઈટનો સમયગાળો લેખકનું જીવનકાળ છે, ઉપરાંત લેખકના મૃત્યુ પછીના વર્ષથી 60 વર્ષ. સિનેમેટોગ્રાફિક ફિલ્મો અને સાઉન્ડ રેકોર્ડિંગના કિસ્સામાં, સમયગાળો પ્રકાશનના વર્ષ પછીના તાત્કાલિક કેલેન્ડર વર્ષથી શરૂ કરીને 60 વર્ષનો છે. (કોપીરાઈટ એક્ટ, 1957નું પ્રકરણ V જુઓ)


Source: In case of original literary, dramatic, musical and artistic work, the duration of Copyright is the lifetime of the author, plus 60 years from the year following the death of the author. In case of cinematographic films and sound recording, the duration is 60 years starting from the immediate calendar year following the year of publication. (See Chapter V of the Copyright Act, 1957)

Target: आमतौर पर कृति का निर्माता या रचयिता कॉपीराइट का मालिक होता है। हालाँकि, इस स्वामित्व नियम के कुछ अपवाद (exceptions) हैं जो कॉपीराइट अधिनियम की धारा 17 के तहत प्रदान किए गए हैं । इन अपवादो में सबसे आम मामला वह है जब रचयिता किसी नियोक्ता (employer) के नीचे सेवा या रोजगार के कॉन्ट्रैक्ट के दौरान कृतियाँ बनाता है। ऐसी कृतियों के कॉपीराइट का मालिक अमूमन रचयिता के बजाय रचयिता को काम देने वाला नियोक्ता होता है।


Source: In case of original literary, dramatic, musical and artistic work, the duration of Copyright is the lifetime of the author, plus 60 years from the year following the death of the author. In case of cinematographic films and sound recording, the duration is 60 years starting from the immediate calendar year following the year of publication. (See Chapter V of the Copyright Act, 1957)

Target: യഥാർത്ഥ സാഹിത്യ, നാടക, സംഗീത, കലാപരമായ സൃഷ്ടികളുടെ കാര്യത്തിൽ, പകർപ്പവകാശത്തിന്റെ കാലാവധി രചയിതാവിന്റെ ജീവിതകാലമാണ്. ഇതു കൂടാതെ രചയിതാവിന്റെ മരണ ശേഷം 60 വർഷത്തേക്കു കൂടി തുടരുന്നതാണു. സിനിമാറ്റോഗ്രാഫിക് ഫിലിമുകളുടെയും ശബ്ദ റെക്കോർഡിംഗിന്റെയും കാര്യത്തിൽ, പ്രസിദ്ധീകരണ വർശത്തിനു ശേഷമുള്ള കലണ്ടർ വർഷം അടിസ്ഥാനമാക്കി 60 വർഷത്തേക്കാണു കാലാവധി. (കോപ്പി റൈറ്റ് ആക്ട്, 1957 അധ്യായം 5 കാണുക).


Source: In case of original literary, dramatic, musical and artistic work, the duration of Copyright is the lifetime of the author, plus 60 years from the year following the death of the author. In case of cinematographic films and sound recording, the duration is 60 years starting from the immediate calendar year following the year of publication. (See Chapter V of the Copyright Act, 1957)

Target: साहित्यिक, नाट्यमय, वाद्य आणि कलात्मक निर्मिती बाबतीत, कॉपीराइटचा कालावधी हा लेखकाचा जीवन कालावधी असतो, तसेच लेखकाच्या मृत्यूनंतरच्या 60 वर्षांनंतर टिकते. (कॉपीराइट कायदा 1957 चे अध्याय पहा) सिनेमॅटोग्राफिक फिल्म्स (cinematographic films) आणि ध्वनिमुद्रण यासाठी, ज्या वर्षी ते प्रकाशीत झाले, त्याच्या पुढच्या वर्षापासून ६० वर्षे कॉपीराइट टिकते. (कॉपीराइट कायदा 1957 चे अध्याय V पहा)


Source: In case of original literary, dramatic, musical and artistic work, the duration of Copyright is the lifetime of the author, plus 60 years from the year following the death of the author. In case of cinematographic films and sound recording, the duration is 60 years starting from the immediate calendar year following the year of publication. (See Chapter V of the Copyright Act, 1957)

Target: ସାହିତ୍ୟ, ମଞ୍ଚ ନାଟକ, ସଙ୍ଗୀତ ଏବଂ କଳାତ୍ମକ କାମର କପି ରାଇଟ ଅବଧି ଲେଖକ / ସ୍ରଷ୍ଟାଙ୍କର ଶେଷ ଜୀବନ ପର୍ଯ୍ୟନ୍ତ ରହିଥାଏ । ଏଥି ସହିତ ତାଙ୍କର ମୃତ୍ୟୁ ବର୍ଷଠାରୁ 60 ବର୍ଷ ପର୍ଯ୍ୟନ୍ତ ବଳବତ୍ତର ରହେ (କପି ରାଇଟ ଆକ୍ଟ , 1957 ର ଅଧ୍ୟାୟ 5 ଦେଖନ୍ତୁ )। ସିନେମାଟୋଗ୍ରାଫିକ୍ ଚଳଚ୍ଚିତ୍ର ଏବଂ ସାଉଣ୍ଡ ରେକର୍ଡିଂ କ୍ଷେତ୍ରରେ, ଅବଧି 60 ବର୍ଷ, ପ୍ରକାଶନ ତାରିଖର ତୁରନ୍ତ କ୍ୟାଲେଣ୍ଡର ବର୍ଷରୁ ଆରମ୍ଭ | କପିରାଇଟ୍ ଆକ୍ଟ , 1957 ର V ଅଧ୍ୟାୟ ଦେଖନ୍ତୁ |


Source: In case of original literary, dramatic, musical and artistic work, the duration of Copyright is the lifetime of the author, plus 60 years from the year following the death of the author. In case of cinematographic films and sound recording, the duration is 60 years starting from the immediate calendar year following the year of publication. (See Chapter V of the Copyright Act, 1957)

Target: ਸਾਹਿਤਕ , ਨਾਟਕੀ, ਸੰਗੀਤਕ ਅਤੇ ਕਲਾਤਮਕ ਕੰਮਾਂ ਦੇ ਮਾਮਲੇ ਵਿੱਚ , ਕਾਪੀਰਾਈਟ ਦੀ ਮਿਆਦ ਲੇਖਕ ਦਾ ਜੀਵਨ ਕਾਲ ਹੈ, ਨਾਲ ਹੀ ਲੇਖਕ ਦੀ ਮੌਤ ਤੋਂ ਬਾਅਦ ਦੇ ਸਾਲ ਤੋਂ 60 ਸਾਲ । (ਕਾਪੀਰਾਈਟ ਐਕਟ, 1957 ਦਾ ਚੈਪਟਰ V ਦੇਖੋ)


Source: In case of original literary, dramatic, musical and artistic work, the duration of Copyright is the lifetime of the author, plus 60 years from the year following the death of the author. In case of cinematographic films and sound recording, the duration is 60 years starting from the immediate calendar year following the year of publication. (See Chapter V of the Copyright Act, 1957)

Target: சுயமான இலக்கியம், நாடகம், இசை மற்றும் கலைப் படைப்புகளில், பதிப்புரிமையின் காலம் ஆசிரியரின் வாழ்நாள் ஆகும், மேலும் ஆசிரியரின் மரணத்திற்கு அடுத்த ஆண்டிலிருந்து 60 ஆண்டுகள் வரை நீடிக்கும். ஒளிப்பதிவு படங்கள் மற்றும் ஒலிப்பதிவு எனில், வெளியிடப்பட்ட ஆண்டைத் தொடர்ந்து வரும் உடனடி நாட்க்காட்டி ஆண்டிலிருந்து 60 ஆண்டுகள் ஆகும். (பதிப்புரிமைச் சட்டம், 1957 இன் அத்தியாயம் Vஐப் பார்க்கவும்)


Source: In case of original literary, dramatic, musical and artistic work, the duration of Copyright is the lifetime of the author, plus 60 years from the year following the death of the author. In case of cinematographic films and sound recording, the duration is 60 years starting from the immediate calendar year following the year of publication. (See Chapter V of the Copyright Act, 1957)

Target: సాహిత్య, నాటకీయ, సంగీత మరియు కళాత్మక సృష్టి కాపీరైట్ కాలం రచయిత యొక్క జీవిత కాలం, మరియు రచయిత మరణించిన సంవత్సరం నుండి 60 సంవత్సరాలు. (కాపీరైట్ చట్టం, 1957 యొక్క అధ్యాయం V చూడండి) సినిమాటోగ్రాఫిక్ ఫిల్మ్‌లు మరియు సౌండ్ రికార్డింగ్‌ల విషయంలో, ప్రచురణ తేదీ తర్వాత తక్షణ క్యాలెండర్ సంవత్సరం నుండి ప్రా రంభమయ్యే వ్యవధి 60 సంవత్సరాలు. (కాపీరైట్ చట్టం, 1957 యొక్క V అధ్యాయం చూడండి)


Source: Who owns the copyright in a work?

Target: কোন কাজ এর ক্ষেত্রে কপিরাইট কার হয়?


Source: Who owns the copyright in a work?

Target: કાર્યમાં કોપીરાઈટ કોની પાસે છે?


Source: Who owns the copyright in a work?

Target: कॉपीराइट संरक्षण कब तक चलता है?


Source: Who owns the copyright in a work?

Target: ഒരു സൃഷ്ടിയുടെ പകർപ്പവകാശം ആർക്കാണ്?


Source: Who owns the copyright in a work?

Target: कोणतेही काम येथे असलेल्या कॉपीराइटचे मालक कोण आहे?


Source: Who owns the copyright in a work?

Target: ଯେ କୌଣସି କାର୍ଯ୍ୟ ଉପରେ କପି ରାଇଟର ମାଲିକାନା କାହାର ରହିଥାଏ?


Source: Who owns the copyright in a work?

Target: ਕਿਸੇ ਕੰਮ ਵਿੱਚ ਕਾਪੀਰਾਈਟ ਦਾ ਮਾਲਕ ਕੌਣ ਹੈ ?


Source: Who owns the copyright in a work?

Target: ஒரு படைப்பின் பதிப்புரிமை யாருக்கு சொந்தமானது?


Source: Who owns the copyright in a work?

Target: ఏదైనా పని ప్రస్తుతం ఉన్న కాపీరైట్ ఎవరి సొంతము ?


Source: Ordinarily the author or the creator of work is the owner of a copyright in a work. However, there are certain exceptions to this ownership rule which are provided under Section 17 of the Act. The most common of these exceptions is the case where the work is made in the course of the author’s employment under a contract of service. In this case, the author’ employer shall, in the absence of any agreement to the contrary, be the owner of the Copyright in the work produced.

Target: সাধারণত লেখক বা কাজের স্রষ্টাই একটি কাজের কপিরাইটের মালিক। যদিও, এই নিয়মের কিছু ব্যতিক্রম রয়েছে যা আইনের ধারা ১৭ এর অধীনে সরবরাহ করা হয়েছে। এগুলির মধ্যে একটি অতি সাধারণ ব্যতিক্রম হল: যখন কাজটি একটি পরিষেবার চুক্তির অধীনে লেখকের কর্মসংস্থানের সময় করা হয়। এই ক্ষেত্রে, কোন চুক্তির অনুপস্থিতিতে, লেখকের নিয়োগকর্তা, সে কাজের কপিরাইটের মালিক হবেন।


Source: Ordinarily the author or the creator of work is the owner of a copyright in a work. However, there are certain exceptions to this ownership rule which are provided under Section 17 of the Act. The most common of these exceptions is the case where the work is made in the course of the author’s employment under a contract of service. In this case, the author’ employer shall, in the absence of any agreement to the contrary, be the owner of the Copyright in the work produced.

Target: સામાન્ય રીતે લેખક અથવા કૃતિના સર્જક કૃતિમાં કોપીરાઈટના માલિક હોય છે. જો કે, આ માલિકીના નિયમમાં અમુક અપવાદો છે જે કાયદાની કલમ 17 હેઠળ પ્રદાન કરવામાં આવ્યા છે. આમાંના સૌથી સામાન્ય અપવાદો એવા કિસ્સા છે કે જ્યાં કામ સેવાના કરાર હેઠળ લેખકની રોજગાર દરમિયાન કરવામાં આવે છે. આ કિસ્સામાં, લેખકના નોકરીદાતા, તેનાથી વિપરીત કોઈપણ કરારની ગેરહાજરીમાં, ઉત્પાદિત કાર્યમાં કૉપિરાઇટના માલિક હશે.


Source: Ordinarily the author or the creator of work is the owner of a copyright in a work. However, there are certain exceptions to this ownership rule which are provided under Section 17 of the Act. The most common of these exceptions is the case where the work is made in the course of the author’s employment under a contract of service. In this case, the author’ employer shall, in the absence of any agreement to the contrary, be the owner of the Copyright in the work produced.

Target: साहित्यिक, नाटकीय, संगीत और कलात्मक कृतियों के मामले में, कॉपीराइट की अवधि लेखक के जीवन काल की है, साथ ही लेखक की मृत्यु के बाद के वर्ष से 60 वर्ष पर्यन्त है। ( कॉपीराइट अधिनियम , 1957 का अध्याय V देखें) सिनेमैटोग्राफिक फिल्मों और ध्वनि रिकॉर्डिंग की अवधि के मामले में, प्रकाशन की तारीख के बाद तत्काल कै लेंडर वर्ष से 60 वर्ष पर्यन्त है। (कॉपीराइट अधिनियम, 1957 का अध्याय V देखें)


Source: Ordinarily the author or the creator of work is the owner of a copyright in a work. However, there are certain exceptions to this ownership rule which are provided under Section 17 of the Act. The most common of these exceptions is the case where the work is made in the course of the author’s employment under a contract of service. In this case, the author’ employer shall, in the absence of any agreement to the contrary, be the owner of the Copyright in the work produced.

Target: സാധാരണയായി ഒരു സൃഷ്ടിയുടെ പകർപ്പവകാശത്തിന്റെ ഉടമ സൃഷ്ടിയുടെ രചയിതാവോ ആണ്. എന്തിരുന്നാലും, നിയമത്തിന്റെ സെക്ഷൻ 17 പ്രകാരം നൽകിയിരിക്കുന്ന ഉടമസ്ഥാവകാശത്തിൽ ചില ഒഴിവാക്കലുകൾ ഉണ്ട്. ഈ ഒഴിവാക്കലുകളിൽ ഏറ്റവും സാധാരണമായി കാണുന്നതു, ഒരു സേവന കരാറിന് കീഴിലുള്ള രചയിതാവിന്റെ തൻറെ ജോലിയുടെ ഗതിയിൽ സൃഷ്ടി നടത്തുന്ന സന്ദർത്തിലാണു. ഈ സാഹചര്യത്തിൽ, രചയിതാവിന്റെ തൊഴിൽ ദാതാവ്, (വിരുദ്ധമായ ഏതെങ്കിലും കരാറിന്റെ അഭാവത്തിൽ), നിർമ്മിച്ച സൃഷ്ടിയുടെ പകർപ്പവകാശത്തിന്റെ ഉടമയായിരിക്കും.


Source: Ordinarily the author or the creator of work is the owner of a copyright in a work. However, there are certain exceptions to this ownership rule which are provided under Section 17 of the Act. The most common of these exceptions is the case where the work is made in the course of the author’s employment under a contract of service. In this case, the author’ employer shall, in the absence of any agreement to the contrary, be the owner of the Copyright in the work produced.

Target: सहसा काम आहे. निर्माता किंवा लेखक कॉपीराइट मालक तथापि, या मालकीच्या नियमात काही अपवाद (exceptions) आहेत जे कॉपीराइट आहेत (कायद्याचे कलम 17 पहा) या अपवादांपैकी सर्वात सामान्य म्हणजे जेव्हा मालक (employer) नियोक्ताखालील रोजगार किंवा रोजगार कराराच्या दरम्यान निर्माता तयार करतो. अशा कामांच्या कॉपीराइटचा मालक सामान्यत : मालकास निर्मात्याऐवजी लेखकास काम देतो.


Source: Ordinarily the author or the creator of work is the owner of a copyright in a work. However, there are certain exceptions to this ownership rule which are provided under Section 17 of the Act. The most common of these exceptions is the case where the work is made in the course of the author’s employment under a contract of service. In this case, the author’ employer shall, in the absence of any agreement to the contrary, be the owner of the Copyright in the work produced.

Target: ସାଧାରଣତଃ କାର୍ଯ୍ୟର ସ୍ରଷ୍ଟା କିମ୍ବା ଲେଖକଙ୍କର ତାଙ୍କ କାର୍ଯ୍ୟ ଉପରେ ମାଲିକାନା ଥାଏ । ମାତ୍ର କେତେକ ନିର୍ଦ୍ଦିଷ୍ଟ ସ୍ଥଳରେ ବ୍ୟତିକ୍ରମ ରହିଅଛି । ଯାହା କପି ରାଇଟ ଆକ୍ଟ , 1957 ର ଧାରା 17ରେ ବର୍ଣ୍ଣିତ । ଘୋଟିଏ ସାଧାରଣ ବ୍ୟତିକ୍ରମ, ଯଦି ଲେଖକ କାର୍ଯ୍ୟ


Source: Ordinarily the author or the creator of work is the owner of a copyright in a work. However, there are certain exceptions to this ownership rule which are provided under Section 17 of the Act. The most common of these exceptions is the case where the work is made in the course of the author’s employment under a contract of service. In this case, the author’ employer shall, in the absence of any agreement to the contrary, be the owner of the Copyright in the work produced.

Target: ਆਮ ਤੌਰ ' ਤੇ ਰਚਨਾ ਦਾ ਨਿਰਮਾਤਾ ਜਾਂ ਲੇਖਕ ਕਾਪੀਰਾਈਟ ਦਾ ਮਾਲਕ ਹੁੰਦਾ ਹੈ। ਹਾਲਾਂਕਿ, ਇਸ ਮਲਕੀਅਤ ਨਿਯਮ ਦੇ ਕੁਝ ਅਪਵਾਦ ਹਨ ਜੋ ਕਾਪੀਰਾਈਟ ਐਕਟ ਦੇ ਸੈਕਸ਼ਨ 17 ਦੇ ਤਹਿਤ ਪ੍ਰਦਾਨ ਕੀਤੇ ਗਏ ਹਨ। ਇਹਨਾਂ ਅਪਵਾਦਾਂ ਵਿੱਚੋਂ ਸਭ ਤੋਂ ਆਮ ਹੁੰਦਾ ਹੈ ਜਦੋਂ ਲੇਖਕ ਕਿਸੇ ਰੁਜ਼ਗਾਰਦਾਤਾ ਦੇ ਅਧੀਨ ਸੇਵਾ ਜਾਂ ਰੁਜ਼ਗਾਰ ਦੇ ਇਕਰਾਰਨਾਮੇ ਦੇ ਦੌਰਾਨ ਕੰਮ ਬਣਾਉਂਦਾ ਹੈ । ਅਜਿਹੀਆਂ ਰਚਨਾਵਾਂ ਦਾ ਕਾਪੀਰਾਈਟ ਆਮ ਤੌਰ 'ਤੇ ਲੇਖਕ ਦੀ ਬਜਾਏ ਲੇਖਕ ਨੂੰ ਕੰਮ ਪ੍ਰਦਾਨ ਕਰਨ ਵਾਲਾ ਮਾਲਕ ਦਾ ਹੁੰਦਾ ਹੈ।


Source: Ordinarily the author or the creator of work is the owner of a copyright in a work. However, there are certain exceptions to this ownership rule which are provided under Section 17 of the Act. The most common of these exceptions is the case where the work is made in the course of the author’s employment under a contract of service. In this case, the author’ employer shall, in the absence of any agreement to the contrary, be the owner of the Copyright in the work produced.

Target: பொதுவாகப் படைப்பின் ஆசிரியர் அல்லது படைப்பாளி ஒரு படைப்பின் பதிப்புரிமைக்குச் சொந்தக்காரர். இருப்பினும், சட்டத்தின் 17வது பிரிவின் கீழ் வழங்கப்பட்ட இந்த உரிமை விதிக்கு சில விதிவிலக்குகள் உள்ளன. ஒப்பந்த அடிப்படையில் ஒரு படைப்பாளி வேலை செய்யும் போது படைப்பை உருவாக்கினால் உரிமைவதிக்கான விதிவிலக்கில் அடங்கும். இந்த வழக்கில், படைப்பாளியின் முதலாளி, மாறாக எந்த ஒப்பந்தமும் இல்லாத நிலையில், தயாரிக்கப்பட்டப் படைப்பின் பதிப்புரிமைக்கு உரிமையாளராக இருக்க முடியும்.


Source: Ordinarily the author or the creator of work is the owner of a copyright in a work. However, there are certain exceptions to this ownership rule which are provided under Section 17 of the Act. The most common of these exceptions is the case where the work is made in the course of the author’s employment under a contract of service. In this case, the author’ employer shall, in the absence of any agreement to the contrary, be the owner of the Copyright in the work produced.

Target: సాధారణంగా కృతి యజమాని. కర్త లేదా రచయితది కాపీరైట్ అయితే, ఈ యాజమాన్య నియమానికి కొన్ని మినహాయింపులు ఉన్నాయి, అవి కాపీరైట్ చట్టంలోని సెక్షన్ 17. ఈ మినహాయింపులలో సర్వసాధారణం ఏమిటంటే, సృష్టికర్త ఒక సేవలో లేదా ఉపాధి ఒప్పందంలో యజమాని కింద పనిని సృష్టించినప్పుడు. అటువంటి రచనల యొక్క కాపీరైట్ యజమాని సాధారణంగా యజమాని సృష్టికర్తకు కాకుండా రచయితకు పనిని ఇస్తా డు.


Source: Who is a performer, what are his rights and what is the duration of his rights?

Target: অভিনয়কারী কে? অভিনয়কারীর তার অধিকারগুলির সময়কাল কী?


Source: Who is a performer, what are his rights and what is the duration of his rights?

Target: કલાકાર કોણ છે, તેના અધિકારો શું છે અને તેના અધિકારોની અવધિ શું છે?


Source: Who is a performer, what are his rights and what is the duration of his rights?

Target: कलाकार (Performer) कौन है, उसके अधिकार (Performer’s rights) क्या है और उनके अधिकारों की अवधि क्या है?


Source: Who is a performer, what are his rights and what is the duration of his rights?

Target: ആരാണ് ഒരു പ്രകടനം നടത്തുന്നത്, അവന്റെ അവകാശങ്ങൾ എന്തൊക്കെയാണ്, അവന്റെ അവകാശങ്ങളുടെ കാലാവധി എത്രയാണ്?


Source: Who is a performer, what are his rights and what is the duration of his rights?

Target: काम करणारा (Performer) कोण आहे, त्या कलाकाराचे हक्क काय आहेत आणि त्याच्या अधिकारांचा (Performer’s rights) कालावधी काय आहे?


Source: Who is a performer, what are his rights and what is the duration of his rights?

Target: ଜଣେ କଳାକାର କିଏ ? ତାଙ୍କର କଣ କଣ ଅଧିକାର ଅଛି ? ଅଧିକାରର


Source: Who is a performer, what are his rights and what is the duration of his rights?

Target: ਕਰਤਾ ਕੌਣ ਹੈ, ਉਸਦੇ ਅਧਿਕਾਰ ਕੀ ਹਨ ਅਤੇ ਉਸਦੇ ਅਧਿਕਾਰਾਂ ਦੀ ਮਿਆਦ ਕੀ ਹੈ?


Source: Who is a performer, what are his rights and what is the duration of his rights?

Target: ஒரு நிகழ்த்துநர் யார், அவருடைய உரிமைகள் என்ன மற்றும் அவரது உரிமைகளின் காலம் என்ன?


Source: Who is a performer, what are his rights and what is the duration of his rights?

Target: ప్రదర్శకుడు ఎవరు, అతని హక్కులు ఏమిటి? మరియు అతని హక్కుల వ్యవధి ఎంత?


Source: A Performer includes people making a performance such as actors, singers, musicians, dancers, acrobats, jugglers etc. A performer is provided certain rights which are independent of the rights of the author, whose work is being performed. No individual can do the following acts without the performer’s consent can: Reproduce a sound recording or visual recording of the performance; Broadcast or communicate the performance to the public except where the performance is already broadcast. A performer’s rights are valid for 50 Years. (See Sec. 38 & 38A of the Copyright Act, 1957). Apart from this, performers also have the moral right to be identified as the performer of their performance. Further, they can also prevent any damage, mutilation or modification of their performance by a third party, if they feel that such actions are prejudicial to their reputation as a performer.

Target: অভিনেতা, গায়ক, সঙ্গীতজ্ঞ, নর্তক, অ্যাক্রোব্যাট, জাগল ইত্যাদির মতো পারফরম্যান্সকারী ব্যক্তিদের অন্তর্ভুক্ত করা হয়। যেমন একটি শিল্পীকে নির্দিষ্ট কিছু অধিকার দেওয়া হয় যা লেখকের অধিকার থেকে পৃথক। শিল্পীর সম্মতি ব্যতীত কোনও ব্যক্তি নিম্নলিখিত কাজগুলি সম্পাদন করতে পারবেন না: সাউন্ড রেকর্ডিং বা পারফরম্যান্সের ভিজ্যুয়াল রেকর্ডিং পুনরুত্পাদন; যেখানে পারফরম্যান্স ইতিমধ্যে সম্প্রচার করা হয়েছে তা বাদ দিয়ে জনসাধারণের কাছে পারফরম্যান্স সম্প্রচার বা যোগাযোগ করুন৷ একজন শিল্পীর অধিকার ৫০ বছরের জন্য বৈধ। (কপিরাইট আইন, ১৯৫৭ এর ধারা ৩৮ এবং ৩৮এ দেখুন) । এছাড়াও, শিল্পীর তার অভিনয়ের অভিনয় হিসাবে স্বীকৃতি দেওয়ার নৈতিক অধিকার রয়েছে। তারা যদি মনে করেন যে এটি কোনও শিল্পী হিসাবে তাদের খ্যাতির ক্ষতি করছে তবে তারা কারও দ্বারা তাদের অভিনয় পরিবর্ত ন বা পরিবর্তন রোধ করতে পারে।


Source: A Performer includes people making a performance such as actors, singers, musicians, dancers, acrobats, jugglers etc. A performer is provided certain rights which are independent of the rights of the author, whose work is being performed. No individual can do the following acts without the performer’s consent can: Reproduce a sound recording or visual recording of the performance; Broadcast or communicate the performance to the public except where the performance is already broadcast. A performer’s rights are valid for 50 Years. (See Sec. 38 & 38A of the Copyright Act, 1957). Apart from this, performers also have the moral right to be identified as the performer of their performance. Further, they can also prevent any damage, mutilation or modification of their performance by a third party, if they feel that such actions are prejudicial to their reputation as a performer.

Target: કલાકારમાં કલાકારો, ગાયકો, સંગીતકારો, નર્તકો, બજાણિયાઓ, જાદુગરો વગેરે જેવા પ્રદર્શન કરનારા લોકોનો સમાવેશ થાય છે. કલાકારને ચોક્કસ અધિકારો પ્રદાન કરવામાં આવે છે જે લેખકના અધિકારોથી સ્વતંત્ર હોય છે, જેનું કાર્ય કરવામાં આવી રહ્યું છે. કોઈ પણ વ્યક્તિ કલાકારની સંમતિ વિના નીચેના કાર્યો કરી શકે નહીં: ધ્વનિ રેકોર્ડિંગ અથવા પ્રદર્શનનું વિઝ્યુઅલ રેકોર્ડિંગ પુનઃઉત્પાદિત કરો; જ્યાં પર્ફોર્મન્સ પહેલાથી પ્રસારિત થયું હોય ત્યાં સિવાય પરફોર્મન્સને પ્રસારિત કરો અથવા જાહેર જનતાને જણાવો. કલાકારના અધિકારો 50 વર્ષ માટે માન્ય છે. (કોપીરાઈટ એક્ટ, 1957ની કલમ 38 અને 38A જુઓ) આ ઉપરાંત કલાકારોને તેમના પરફોર્મન્સના કલાકાર તરીકે ઓળખવાનો નૈતિક અધિકાર પણ છે. વધુમાં, તેઓ તૃતીય પક્ષ દ્વારા તેમની કામગીરીમાં કોઈપણ પ્રકારના નુકસાન, વિકૃતીકરણ અથવા ફેરફારને પણ અટકાવી શકે છે, જો તેઓને લાગે કે આવી ક્રિયાઓ એક કલાકાર તરીકેની તેમની પ્રતિષ્ઠા માટે પ્રતિકૂળ છે.


Source: A Performer includes people making a performance such as actors, singers, musicians, dancers, acrobats, jugglers etc. A performer is provided certain rights which are independent of the rights of the author, whose work is being performed. No individual can do the following acts without the performer’s consent can: Reproduce a sound recording or visual recording of the performance; Broadcast or communicate the performance to the public except where the performance is already broadcast. A performer’s rights are valid for 50 Years. (See Sec. 38 & 38A of the Copyright Act, 1957). Apart from this, performers also have the moral right to be identified as the performer of their performance. Further, they can also prevent any damage, mutilation or modification of their performance by a third party, if they feel that such actions are prejudicial to their reputation as a performer.

Target: ‘कलाकार’ में प्रदर्शन करने वाले लोग शामिल होते हैं जैसे अभिनेता , गायक , संगीतकार , डांसर, एक्रोबैट, बाजीगर आदि।यह लोग अक्सर किसी रचयिता की कृति का प्रदर्शन करते है।जैसे एक अभिनेता एक लेखक के द्वारा लिखी गयी कहानी का अपने अंदाज में अभिनय करता है। ऐसे में, एक कलाकार को कुछ अधिकार प्रदान किए जाते हैं जो रचयिता के अधिकारों से भिन्न होते है। कोई भी व्यक्ति कलाकार की सहमति के बिना निम्नलिखित कार्य नहीं कर सकता है : प्रदर्शन की ध्वनि रिकॉर्डिंग या विज़ुअल रिकॉर्डिंग को पुन: प्रस्तुत करें; जहां प्रदर्शन पहले से ही प्रसारित है , उसे छोड़कर जनता के लिए प्रदर्शन का प्रसारण या संचार करें । एक कलाकार के अधिकार 50 वर्षों के लिए मान्य हैं । (कॉपीराइट अधिनियम, 1957 की धारा 57 देखें ) इसके अलावा, कलाकार को अपने प्रदर्शन के प्रदर्शनकर्ता के रूप में पहचाने जाने का नैतिक अधिकार भी है। वे किसी के द्वारा हो रहे अपने प्रदर्शन के परिवर्तन या संशोधन को भी रोक सकते हैं, अगर उन्हें लगता है कि उससे उनकी एक कलाकार के रूप में मौजूद उनकी प्रतिष्ठा को नुकसान हो रहा है ।


Source: A Performer includes people making a performance such as actors, singers, musicians, dancers, acrobats, jugglers etc. A performer is provided certain rights which are independent of the rights of the author, whose work is being performed. No individual can do the following acts without the performer’s consent can: Reproduce a sound recording or visual recording of the performance; Broadcast or communicate the performance to the public except where the performance is already broadcast. A performer’s rights are valid for 50 Years. (See Sec. 38 & 38A of the Copyright Act, 1957). Apart from this, performers also have the moral right to be identified as the performer of their performance. Further, they can also prevent any damage, mutilation or modification of their performance by a third party, if they feel that such actions are prejudicial to their reputation as a performer.

Target: അഭിനേതാക്കൾ, ഗായകർ, സംഗീതജ്ഞർ, നർത്തകർ, അക്രോബാറ്റുകൾ, ജഗ്ലർമാർ തുടങ്ങിയ പ്രകടനം നടത്തുന്ന ആളുകളെ ഒരു അവതാരകൻ എന്ന ആശയം ഉൾക്കൊള്ളുന്നു. ഒരു അവതാരകന്, രചയിതാവിൻ്റെ അവകാശങ്ങളിൽ നിന്ന് സ്വതന്ത്രമായ ചില അവകാശങ്ങൾ നൽകിയിട്ടുണ്ട്, നിർവ്വഹിക്കുന്നയാളുടെ സമ്മതമില്ലാതെ ഒരു വ്യക്തിക്കും ഇനിപ്പറയുന്ന പ്രവൃത്തികൾ ചെയ്യാൻ കഴിയില്ല: പ്രകടനത്തിൻ്റെ ശബ്ദ റെക്കോർഡിംഗ് അല്ലെങ്കിൽ ദൃശ്യ റെക്കോർഡിംഗ് പുനർനിർമ്മിക്കുക; പ്രകടനം ഇതിനകം പ്രക്ഷേപണം ചെയ്‌തിരിക്കുന്നിടത്ത് ഒഴികെ പ്രകടനം പൊതുജനങ്ങൾക്ക് പ്രക്ഷേപണം ചെയ്യുക അല്ലെങ്കിൽ ആശയവിനിമയം നടത്തുക. ഒരു അവതാരകൻ്റെ അവകാശങ്ങൾ 50 വർഷത്തേക്ക് സാധുവാണ്. (കോപ്പി റൈറ്റ് ആക്ട്, 1957 സെക്ഷൻ 38,38A കാണുക) ഇതുകൂടാതെ, പ്രകടനം നടത്തുന്നവർക്ക് അവരുടെ പ്രകടനത്തിൻ്റെ പ്രകടനക്കാരനായി തിരിച്ചറിയാനുള്ള ധാർമ്മിക അവകാശവും ഉണ്ട്. കൂടാതെ, അത്തരം പ്രവർത്തനങ്ങൾ ഒരു അവതാരകൻ എന്ന നിലയിലുള്ള അവരുടെ പ്രശസ്തിക്ക് മുൻവിധി ഉണ്ടാക്കുന്നതായി അവർക്ക് തോന്നുന്നെങ്കിൽ, ഒരു മൂന്നാം കക്ഷി അവരുടെ പ്രകടനത്തിന് കേടുപാടുകൾ വരുത്തുകയോ വികൃതമാക്കുകയോ പരിഷ്ക്കരിക്കുകയോ ചെയ്യുന്നത് തടയാനും അവർക്ക് കഴിയും.


Source: A Performer includes people making a performance such as actors, singers, musicians, dancers, acrobats, jugglers etc. A performer is provided certain rights which are independent of the rights of the author, whose work is being performed. No individual can do the following acts without the performer’s consent can: Reproduce a sound recording or visual recording of the performance; Broadcast or communicate the performance to the public except where the performance is already broadcast. A performer’s rights are valid for 50 Years. (See Sec. 38 & 38A of the Copyright Act, 1957). Apart from this, performers also have the moral right to be identified as the performer of their performance. Further, they can also prevent any damage, mutilation or modification of their performance by a third party, if they feel that such actions are prejudicial to their reputation as a performer.

Target: 'परफॉर्मर्स' मध्ये अभिनेते, गायक, संगीतकार, नर्तक, एक्रोबॅट्स, इत्यादी कलाकारांचा समावेश असतो. हे लोक बर्‍याचदा लेखकाचे कार्य करतात. अशाच प्रकारे, एखाद्या कलाकाराला विशिष्ट अधिकार दिले जातात जे लेखकाच्या अधिकारांपेक्षा भिन्न असतात. कलाकाराच्या संमतीशिवाय कोणतीही व्यक्ती पुढील गोष्टी करु शकत नाही ध्वनी रेकॉर्डिंग किंवा कामगिरीचे व्हिज्युअल रेकॉर्डिंग पुनरुत्पादित करणे; कार्यक्रम आधीपासूनप्रसारित केला गेला वगळता लोकांकडे कार्यप्रदर्शन प्रसारित करणे किंवा संप्रेषण करणे . एखाद्या कलाकाराचे हक्क 50 वर्षांसाठी वैध असतात. (कॉपीराइट कायदा 1957 चे कलम 38 आणि 38 ए पहा). याव्यतिरिक्त, कलाकाराला त्याच्या अभिनयाचा कलाकार म्हणून ओळखण्याचा नैतिक अधिकार देखील आहे. एखाद्या कलाकारामुळे त्यांची प्रतिष्ठा खराब होत आहे असे त्यांना वाटत असल्यास ते त्यांच्या अभिनयामध्ये होणारे बदल किंवा बदल रोखू शकतात.


Source: A Performer includes people making a performance such as actors, singers, musicians, dancers, acrobats, jugglers etc. A performer is provided certain rights which are independent of the rights of the author, whose work is being performed. No individual can do the following acts without the performer’s consent can: Reproduce a sound recording or visual recording of the performance; Broadcast or communicate the performance to the public except where the performance is already broadcast. A performer’s rights are valid for 50 Years. (See Sec. 38 & 38A of the Copyright Act, 1957). Apart from this, performers also have the moral right to be identified as the performer of their performance. Further, they can also prevent any damage, mutilation or modification of their performance by a third party, if they feel that such actions are prejudicial to their reputation as a performer.

Target: କଳା ସମ୍ଵନ୍ଧୀୟ କାର୍ଯ୍ୟ କରୁ ଥିବା ଅଭିନେତା, ଗାୟକ, ସଙ୍ଗୀତଜ୍ଞ, ନର୍ତ୍ତକ/ନର୍ତ୍ତକୀ, ଲମ୍ଫ ପ୍ରଦାନ କାରୀ ଓ କୁହୁକ ବିଦ୍ୟା କାର୍ଯ୍ୟ କରୁଥିବା ବ୍ୟକ୍ତି ମାନେ କଳାକାର ଅନ୍ତର୍ଭୁକ୍ତ ଅଟନ୍ତି । କଳାକାରଙ୍କର କେତେକ ନିର୍ଦ୍ଦିଷ୍ଟ ଅଧିକାର ଅଛି ଯାହା ଲେଖକଙ୍କ ଅଧିକାର ଠାରୁ ଅଲଗା । କାରଣ, ଲେଖକଙ୍କ ଦ୍ଵାରା ଲିଖିତ କାହାଣୀ କଳାକାରଙ୍କ ଦ୍ଵାରା ପ୍ରଦର୍ଶିତ ହୋଇଥାଏ । କୌଣସି ବ୍ୟକ୍ତି କଳାକାରଙ୍କ ବିନେ ଅନୁମତିରେ ନିମ୍ନ ଲିଖିତ କାର୍ଯ୍ୟ କରି ପାରିବେ ନାହିଁ । ଗୋଟିଏ ଧ୍ଵନି ବା ଦୃଶ୍ୟର ରେକର୍ଡିଙ୍ଗ ପୁନଃ ଉପସ୍ଥାପନ । ପୂର୍ବରୁ ପ୍ରସାରିତ କାର୍ଯ୍ୟକ୍ରମ ବ୍ୟତୀତ ଅନ୍ୟ କାର୍ଯ୍ୟକ୍ରମକୁ ସାଧାରଣରେ ପ୍ରସାରଣ କରିବା ବା ଜଣାଇବା । କଳାକାରର ଅଧିକାର 50 ବର୍ଷ ପର୍ଯ୍ୟନ୍ତ ବୈଧ ଅଟେ । (କପି ରାଇଟ ଆକ୍ଟ , 1957 ର ଧାରା 38 ଦେଖନ୍ତୁ ) । ଏତଦ୍ ଭିନ୍ନ , କଳାକାରଙ୍କ ତାଙ୍କର କଳା ପ୍ରଦର୍ଶନ ନିମିତ୍ତ ପରିଚିତ ହେବା ନୈତିକ ଅଧିକାର ରହିଛି । ଅଧିକନ୍ତୁ , ତୃତୀୟ ପକ୍ଷଙ୍କ ଦ୍ଵାରା ତାଙ୍କ ପ୍ରଦର୍ଶନର କରାଯାଉ ଥିବା ପରିବର୍ତ୍ତନ, କ୍ଷତି ଓ ବିଖଣ୍ଡନକୁ ପ୍ରତିରୋଧ ବା ସ୍ଥଗିତ କରିପାରିବେ । ଯଦି କଳାକାର ଅନୁଭବ କରନ୍ତି ଯେ ଏହା ଦ୍ଵାରା ତାଙ୍କର ଖ୍ୟାତିର ବିରୁଦ୍ଧାଚରଣ କରାଯାଉଅଛି।


Source: A Performer includes people making a performance such as actors, singers, musicians, dancers, acrobats, jugglers etc. A performer is provided certain rights which are independent of the rights of the author, whose work is being performed. No individual can do the following acts without the performer’s consent can: Reproduce a sound recording or visual recording of the performance; Broadcast or communicate the performance to the public except where the performance is already broadcast. A performer’s rights are valid for 50 Years. (See Sec. 38 & 38A of the Copyright Act, 1957). Apart from this, performers also have the moral right to be identified as the performer of their performance. Further, they can also prevent any damage, mutilation or modification of their performance by a third party, if they feel that such actions are prejudicial to their reputation as a performer.

Target: 'ਕਲਾਕਾਰਾਂ' ਵਿੱਚ ਕਲਾਕਾਰ, ਗਾਇਕ, ਸੰਗੀਤਕਾਰ, ਡਾਂਸਰ, ਐਕਰੋਬੈਟ (acrobat), ਜੁਗਲਰ (juggler) ਆਦਿ ਸ਼ਾਮਲ ਹੁੰਦੇ ਹਨ। ਇਹ ਲੋਕ ਅਕਸਰ ਇੱਕ ਲੇਖਕ ਦਾ ਕੰਮ ਕਰਦੇ ਹਨ। ਜਿਵੇਂ ਕਿ ਇੱਕ ਅਭਿਨੇਤਾ ਇੱਕ ਲੇਖਕ ਦੁਆਰਾ ਲਿਖੀ ਗਈ ਕਹਾਣੀ ਦੀ ਆਪਣੀ ਸ਼ੈਲੀ ਵਿੱਚ ਕੰਮ ਕਰਦਾ ਹੈ। ਇਸ ਤਰ੍ਹਾਂ, ਇੱਕ ਕਲਾਕਾਰ ਨੂੰ ਕੁਝ ਅਧਿਕਾਰ ਦਿੱਤੇ ਜਾਂਦੇ ਹਨ ਜੋ ਲੇਖਕ ਦੇ ਅਧਿਕਾਰਾਂ ਤੋਂ ਵੱਖਰੇ ਹੁੰਦੇ ਹਨ। ਕੋਈ ਵੀ ਵਿਅਕਤੀ ਕਲਾਕਾਰ ਦੀ ਸਹਿਮਤੀ ਤੋਂ ਬਿਨਾਂ ਇਹ ਨਹੀਂ ਕਰ ਸਕਦਾ: ਪ੍ਰਦਰਸ਼ਨ ਦੀ ਇੱਕ ਆਵਾਜ਼ ਰਿਕਾਰਡਿੰਗ ਜਾਂ ਵਿਜ਼ੂਅਲ ਰਿਕਾਰਡਿੰਗ ਨੂੰ ਦੁਬਾਰਾ ਤਿਆਰ ਕਰਨਾ; ਪ੍ਰਦਰਸ਼ਨ ਨੂੰ ਜਨਤਾ ਨੂੰ ਪ੍ਰਸਾਰਿਤ ਕਰਨਾਜਾਂ ਸੰਚਾਰ ਕਰਨਾ ਸਿਵਾਏ ਜਿੱਥੇ ਪ੍ਰਦਰਸ਼ਨ ਪਹਿਲਾਂ ਹੀ ਪ੍ਰਸਾਰਿਤ ਕੀਤਾ ਗਿਆ ਹੈ। ਇੱਕ ਕਲਾਕਾਰ ਦੇ ਅਧਿਕਾਰ 50 ਸਾਲਾਂ ਲਈ ਯੋਗ ਹੁੰਦੇ ਹਨ। (ਕਾਪੀਰਾਈਟ ਐਕਟ, 1957 ਦੀ ਧਾਰਾ 38 ਅਤੇ 38(a) ਦੇਖੋ) ਇਸ ਤੋਂ ਇਲਾਵਾ ਕਲਾਕਾਰ ਦਾ ਵੀ ਨੈ ਤਿਕ ਅਧਿਕਾਰ ਹੁੰਦਾ ਹੈ ਕਿ ਉਹ ਆਪਣੀ ਅਦਾਕਾਰੀ ਦੇ ਪ੍ਰਦਰਸ਼ਨ ਵਜੋਂ ਮਾਨਤਾ ਪ੍ਰਾਪਤ ਕਰੇ। ਉਹ ਕਿਸੇ ਵੀ ਵਿਅਕਤੀ ਦੁਆਰਾ ਉਹਨਾਂ ਦੇ ਪ੍ਰਦਰਸ਼ਨ ਵਿੱਚ ਤਬਦੀਲੀਆਂ ਜਾਂ ਸੋਧਾਂ ਨੂੰ ਰੋਕ ਸਕਦੇ ਹਨ ਜੇਕਰ ਉਹ ਮਹਿਸੂਸ ਕਰਦੇ ਹਨ ਕਿ ਉਹ ਇੱਕ ਕਲਾਕਾਰ ਦੇ ਰੂਪ ਵਿੱਚ ਉਹਨਾਂ ਦੀ ਸਾਖ ਨੂੰ ਨੁਕਸਾਨ ਪਹੁੰਚਾ ਰਹੇ ਹਨ|


Source: A Performer includes people making a performance such as actors, singers, musicians, dancers, acrobats, jugglers etc. A performer is provided certain rights which are independent of the rights of the author, whose work is being performed. No individual can do the following acts without the performer’s consent can: Reproduce a sound recording or visual recording of the performance; Broadcast or communicate the performance to the public except where the performance is already broadcast. A performer’s rights are valid for 50 Years. (See Sec. 38 & 38A of the Copyright Act, 1957). Apart from this, performers also have the moral right to be identified as the performer of their performance. Further, they can also prevent any damage, mutilation or modification of their performance by a third party, if they feel that such actions are prejudicial to their reputation as a performer.

Target: நடிகர்கள், பாடகர்கள், இசைக்கலைஞர்கள், நடனக் கலைஞர்கள், வித்தைக்காரர்கள் போன்ற நிகழ்ச்சிகளை நிகழ்த்தும் நபர்கள் நிகழ்த்துதர்கள் ஆவர். எந்தவொர படைப்பாளியின் படைப்பு நிகழ்த்தப்படுகிறதோ உரிமைகளைச் சார்ந்திராமல் நிகழ்த்து இருக்கு சில உரிமைகள் உண்டு. அந்த படைப்பாளியின் நிகழ்த்துநரின் அனுமதியின்றி எந்தவொரு தனிநபரும் பின்வரும் செயல்களைச் செய்ய முடியாது: ஒலிப்பதிவு அல்லது நிகழ்ச்சியின் காட்சிப் பதிவை மீண்டும் உருவாக்குதல்; நிகழ்ச்சி ஏற்கனவே ஒளிபரப்பப்பட்ட இடங்கள் தவிர, பொதுமக்களுக்கு நிகழ்ச்சியை ஒளிபரப்புதல் அல்லது தெரிவித்தல் ஒரு நிகழ்த்துநரின் உரிமைகள் 50 ஆண்டுகளுக்கு செல்லுபடியாகும். (பதிப்புரிமைச் சட்டம், 1957 இன் பிரிவு 38 & 38A ஐப் பார்க்கவும்) நிகழ்த்துநர்கள் தாங்கள் நிகழ்த்தும் நிகழ்ச்சியின் நிகழ்த்துநராக தங்களை அடையாளப்படுத்திக் கொள்ளும் தார்மீக உறிமையுண்டு. மூன்றாம் நபர்கள் மூலமாக நிகழ்த்துநரின் நிகழ்ச்சி சேதத்துக்கும், சிதைவுக்கும், மாற்றத்துக்கும், உள்ளாக்கப்பட்டு தன்னுடைய நற்பெயருக்கு களங்கம் ஏற்படுவதாக ஒரு கருதினால் தடுக்கும் உரிமையும் உண்டு.


Source: A Performer includes people making a performance such as actors, singers, musicians, dancers, acrobats, jugglers etc. A performer is provided certain rights which are independent of the rights of the author, whose work is being performed. No individual can do the following acts without the performer’s consent can: Reproduce a sound recording or visual recording of the performance; Broadcast or communicate the performance to the public except where the performance is already broadcast. A performer’s rights are valid for 50 Years. (See Sec. 38 & 38A of the Copyright Act, 1957). Apart from this, performers also have the moral right to be identified as the performer of their performance. Further, they can also prevent any damage, mutilation or modification of their performance by a third party, if they feel that such actions are prejudicial to their reputation as a performer.

Target: 'ప్రదర్శనకారులలో' నటులు, గాయకులు, సంగీతకారులు, నృత్యకారులు, అక్రో బాట్లు , గారడి విద్యార్ధులు వంటి ప్రదర్శనకారులు ఉన్నారు. ఎవరైతే ప్రదర్శిస్తు న్నారో ఆ వ్యక్తులు తరచూ రచయిత రాసిన కథ శైలిలో నటుడు రచయిత పనిని చేస్తారు. అందుకని, ఒక కళాకారుడికి కొన్ని హక్కులు ఇవ్వబడతాయి రచయిత హక్కులకు భిన్నంగా . కళాకారుడి అనుమతి లేకుండా ఏ వ్యక్తి ఈ క్రింది పనులను చేయలేరు: ప్రదర్శన యొక్క సౌండ్ రికార్డింగ్ లేదా విజువల్ రికార్డింగ్‌ను పునరుత్పత్తి చేయడం. పనితీరు ఇప్పటికే ప్రదర్శించిన ప్రసారం చేయబడిన ప్రజలకు తప్ప ఇతరులకు ప్రసారం చేయడం లేదా కమ్యూనికేట్ చేయడం . ఒక కళాకారుడి హక్కులు 50 సంవత్సరాలు చెల్లు తాయి. (కాపీరైట్ చట్టం, 1957 లోని సెక్షన్లు 38 మరియు 38A చూడండి) అదనంగా, కళాకారుడికి తన నటనను ప్రదర్శించే వ్యక్తిగా గుర్తించబడే నైతిక హక్కు ఉంది. ఒక కళాకారుడిగా వారి ప్రతిష్టకు హాని కలిగిస్తుందని వారు భావిస్తే వారు వారి పనితీరును మార్చడం లేదా సవరించడాన్ని కూడా నిరోధించవచ్చు.


Source: What are the rights of a broadcaster? And what is the duration of the rights?

Target: সম্প্রচারকের অধিকার কী? এবং এই অধিকারগুলির সময়কাল কত?


Source: What are the rights of a broadcaster? And what is the duration of the rights?

Target: બ્રોડકાસ્ટરના અધિકારો શું છે? અને અધિકારોની અવધિ શું છે?


Source: What are the rights of a broadcaster? And what is the duration of the rights?

Target: प्रसारक के अधिकार (Broadcaster’s rights) क्या हैं? और इन अधिकारों की अवधि क्या है?


Source: What are the rights of a broadcaster? And what is the duration of the rights?

Target: ഒരു ബ്രോഡ്കാസ്റ്ററുടെ അവകാശങ്ങൾ എന്തൊക്കെയാണ്? അവകാശങ്ങളുടെ കാലാവധി എത്രയാണ്?


Source: What are the rights of a broadcaster? And what is the duration of the rights?

Target: प्रसारकाचे हक्क (Broadcaster’s rights) काय आहेत? आणि या अधिकारांचा कालावधी किती आहे?


Source: What are the rights of a broadcaster? And what is the duration of the rights?

Target: ଜଣେ ପ୍ରସାରଣ କର୍ତ୍ତାଙ୍କ କେଉଁ କେଉଁ ଅଧିକାର ଅଛି, ଏବଂ ସେହି


Source: What are the rights of a broadcaster? And what is the duration of the rights?

Target: ਪ੍ਰਸਾਰਕ ਦੇ ਅਧਿਕਾਰ ਕੀ ਹਨ? ਅਤੇ ਇਹਨਾਂ ਅਧਿਕਾਰਾਂ ਦੀ ਮਿਆਦ ਕੀ ਹੈ?


Source: What are the rights of a broadcaster? And what is the duration of the rights?

Target: ஒலிபரப்பாளரின் உரிமைகள் என்ன? மற்றும் உரிமைகளின் காலம் என்ன?


Source: What are the rights of a broadcaster? And what is the duration of the rights?

Target: ప్రసార హక్కులు ఏమిటి? మరియు ఈ హక్కుల వ్యవధి ఎంత?


Source: Broadcasters have the right known as "broadcast reproduction right", in respect of their broadcasts. Under this right no one can do the following without the broadcaster’s permission: re- broadcast the broadcast. Make it available to the public on receiving any payment. Make sound and visual recording of the broadcast. Sell or give on rent such sound or visual recordings. Broadcaster’s right is valid for 25 years. (See Sec. 37 of the Copyright Act, 1957)

Target: সম্প্রচারকারীদের তাদের সম্প্রচারের ক্ষেত্রে "সম্প্রচার পুনরুৎপাদন অধিকার" নামে পরিচিত অধিকার রয়েছে। এই অধিকারের অধীনে সম্প্রচারকারীর অনুমতি ছাড়া কেউ নিম্নলিখিতগুলি করতে পারে না: পুনরায় সম্প্রচার করা। অর্থলভের জন্য সম্প্রচারটি সর্বজনীন করা। সম্প্রচারের অডিও ভিজ্যুয়াল রেকর্ডিং তৈরি করা । এই জাতীয় রেকর্ডিং ভাড়া বা বিক্রয় করা । সম্প্রচারকের এইঅধিকার ২৫ বছরের জন্য বৈধ (কপিরাইট আইন, ১৯৫৭ এর ধারা ৩৭ দেখুন) ।


Source: Broadcasters have the right known as "broadcast reproduction right", in respect of their broadcasts. Under this right no one can do the following without the broadcaster’s permission: re- broadcast the broadcast. Make it available to the public on receiving any payment. Make sound and visual recording of the broadcast. Sell or give on rent such sound or visual recordings. Broadcaster’s right is valid for 25 years. (See Sec. 37 of the Copyright Act, 1957)

Target: બ્રોડકાસ્ટર્સ પાસે તેમના પ્રસારણના સંદર્ભમાં "પ્રસારણ અધિકાર" તરીકે ઓળખાતો અધિકાર છે. આ અધિકાર હેઠળ બ્રોડકાસ્ટરની પરવાનગી વિના કોઈ પણ નીચે મુજબ કરી શકતું નથી: પ્રસારણ પુનઃપ્રસારણ કરો. કોઈપણ ચુકવણી પ્રાપ્ત કરવા પર તેને જાહેર જનતા માટે ઉપલબ્ધ કરાવો. પ્રસારણનું ધ્વનિ અને દ્રશ્ય રેકોર્ડિંગ કરો. આવા ધ્વનિ અથવા વિઝ્યુઅલ રેકોર્ડિંગ્સ વેચો અથવા ભાડે આપો. બ્રોડકાસ્ટરનો અધિકાર 25 વર્ષ માટે માન્ય છે. (કોપીરાઈટ એક્ટ, 1957નીકલમ 37 જુઓ)


Source: Broadcasters have the right known as "broadcast reproduction right", in respect of their broadcasts. Under this right no one can do the following without the broadcaster’s permission: re- broadcast the broadcast. Make it available to the public on receiving any payment. Make sound and visual recording of the broadcast. Sell or give on rent such sound or visual recordings. Broadcaster’s right is valid for 25 years. (See Sec. 37 of the Copyright Act, 1957)

Target: प्रसारकों के पास अपने प्रसारण पर "प्रसारण पुनरुत्पादन अधिकार" (Broadcast Reproduction Rights) नाम के विशेष अधिकार है।इस अधिकार के तहत कोई भी ब्रॉडकास्टर की अनुमति के बिना निम्न कार्य नहीं कर सकता है: प्रसारण को फिर से प्रसारित करना। प्रसारण को पैसे के बदले सार्वजनिक कर देना। प्रसारण की ऑडियो विजुअल रिकॉर्डिंग बनाना। ऐसी रिकॉर्डिंग को किराए पर देना या बेचना। ब्रॉडकास्टर का यह अधिकार 25 साल के लिए वैध है।( कॉपीराइट अधिनियम, 1957 की धारा 37 देखें )


Source: Broadcasters have the right known as "broadcast reproduction right", in respect of their broadcasts. Under this right no one can do the following without the broadcaster’s permission: re- broadcast the broadcast. Make it available to the public on receiving any payment. Make sound and visual recording of the broadcast. Sell or give on rent such sound or visual recordings. Broadcaster’s right is valid for 25 years. (See Sec. 37 of the Copyright Act, 1957)

Target: പ്രക്ഷേകർക്ക് അവരുടെ പ്രക്ഷേപണവുമായി ബന്ധപ്പെട്ട് "പ്രക്ഷേപണ പുനർനിർമ്മാണ അവകാശം" എന്നറിയപ്പെടുന്ന അവകാശമുണ്ട്. ഈ അവകാശത്തിന് കീഴിൽ ബ്രോഡ്കാസ്റ്ററുടെ അനുമതിയില്ലാതെ ആർക്കും ഇനിപ്പറയുന്നവ ചെയ്യാൻ കഴിയില്ല: പ്രക്ഷേപണം വീണ്ടും സംപ്രേക്ഷണം ചെയ്യുക. ഏതെങ്കിലും പേയ്‌മെൻ്റ സ്വീകരിക്കുമ്പോൾ അത് പൊതുജനങ്ങൾക്ക് ലഭ്യമാക്കുക. പ്രക്ഷേപണത്തിൻ്റെ ശബ്ദ, ദൃശ്യ റെക്കോർഡിംഗ് ഉണ്ടാക്കുക. അത്തരം ശബ്ദ അല്ലെങ്കിൽ ദൃശ്യ റെക്കോർഡിംഗുകൾ വിൽക്കുകയോ വാടകയ്ക്ക് നൽകുകയോ ചെയ്യുക. ബ്രോഡ്കാസ്റ്ററുടെ അവകാശം 25 വർഷത്തേക്ക് സാധുവാണ്. (കോപ്പി റൈറ്റ് ആക്ട്, 1957 സെക്ഷൻ 37 കാണുക)


Source: Broadcasters have the right known as "broadcast reproduction right", in respect of their broadcasts. Under this right no one can do the following without the broadcaster’s permission: re- broadcast the broadcast. Make it available to the public on receiving any payment. Make sound and visual recording of the broadcast. Sell or give on rent such sound or visual recordings. Broadcaster’s right is valid for 25 years. (See Sec. 37 of the Copyright Act, 1957)

Target: ब्रब्रॉडकास्टर्सवर त्यांच्याआहेत पुनरुत्पादनविशेष हक्क" (Broadcast Reproduction Rights) अधिकारांवर अधिकार. ब्रॉडकास्टरच्या: प्रसारणाचे परवानगीशिवायखालील गोष्टी करु शकत नाहीत पुन्हा प्रसारण करण्यासाठी.पैशासाठी प्रसारण सार्वजनिक करणे. प्रसारणाचे ऑडिओ व्हिज्युअल रेकॉर्डिंग तयार करणेहे. अशी रेकॉर्डिंग भाड्याने देणे किंवा विक्री करणे. प्रसारकाचा हा हक्क 25 वर्षांसाठी वैध आहे. (कॉपीराइट कायदा 1957 चे कलम 37 पहा)


Source: Broadcasters have the right known as "broadcast reproduction right", in respect of their broadcasts. Under this right no one can do the following without the broadcaster’s permission: re- broadcast the broadcast. Make it available to the public on receiving any payment. Make sound and visual recording of the broadcast. Sell or give on rent such sound or visual recordings. Broadcaster’s right is valid for 25 years. (See Sec. 37 of the Copyright Act, 1957)

Target: ପ୍ରସାରଣ କର୍ତ୍ତାଙ୍କ ତାଙ୍କର ପ୍ରସାରଣ ଉପରେ ଥିବା ଅଧିକାରକୁ ପ୍ରସାରଣ ପ୍ରଯୋଜନା ଅଧିକାର ବୋଲି କୁହାଯାଏ । ଏହି ଅଧିକାର ଅଧିନରେ ନିମ୍ନ ଲିଖିତ କାର୍ଯ୍ୟ ପ୍ରସାର କର୍ତ୍ତାଙ୍କ ବିନା ଅନୁମତିରେ କୌଣସି ବ୍ୟକ୍ତି କରି ପାରିବେ ନାହିଁ । ପ୍ରସାରଣ ପରେ ପୁନଃ ପ୍ରସାରଣ କରିବା କୌଣସି ପ୍ରାପ୍ୟ ନେଇ ସାଧାରଣ ଜନତାଙ୍କ ପାଖରେ ପ୍ରସାରଣ ପହଞ୍ଚାଇବା ପ୍ରସାରିତ କାର୍ଯ୍ୟର ଧ୍ଵନି ଓ ଦୃଶ୍ୟ ରେକର୍ଡ କରିବା ଏହି ପ୍ରସାରିତ କାର୍ଯ୍ୟର ରେକର୍ଡିଙ୍ଗ ବିକ୍ରି କରିବା ବା ଭଡା ଦେବା ପ୍ରସାର କର୍ତ୍ତାଙ୍କର ଅଧିକାର 25 ବର୍ଷ ପର୍ଯ୍ୟନ୍ତ ବୈଧ ଅଟେ । (କପି ରାଇଟ ଆକ୍ଟ , 1957 ର ଧାରା 37ଦେଖନ୍ତୁ ) ।


Source: Broadcasters have the right known as "broadcast reproduction right", in respect of their broadcasts. Under this right no one can do the following without the broadcaster’s permission: re- broadcast the broadcast. Make it available to the public on receiving any payment. Make sound and visual recording of the broadcast. Sell or give on rent such sound or visual recordings. Broadcaster’s right is valid for 25 years. (See Sec. 37 of the Copyright Act, 1957)

Target: ਬ੍ਰੌਡਕਾਸਟਰਾਂ ਕੋਲ ਉਹਨਾਂ ਦੇ ਪ੍ਰਸਾਰਣ 'ਤੇ ਵਿਸ਼ੇਸ਼ ਅਧਿਕਾਰ ਹਨ ਜਿਨ੍ਹਾਂ ਨੂੰ "ਬ੍ਰੌਡਕਾਸਟ ਰੀਪ੍ਰੋਡਕਸ਼ਨ ਰਾਈਟਸ" ਕਿਹਾ ਜਾਂਦਾ ਹੈ। ਇਸ ਅਧਿਕਾਰ ਦੇ ਤਹਿਤ, ਕੋਈ ਵੀ ਪ੍ਰਸਾਰਕ ਦੀ ਇਜਾਜ਼ਤ ਤੋਂ ਬਿਨਾਂ ਹੇਠ ਲਿਖਿਆਂ ਨਹੀਂ ਕਰ ਸਕਦਾ ਹੈ: ਪ੍ਰਸਾਰਣ ਨੂੰ ਮੁੜ-ਪ੍ਰਸਾਰਿਤ ਕਰਨਾ ਪੈਸੇ ਲਈ ਪ੍ਰਸਾਰਣ ਜਨਤਕ ਬਣਾਉਣਾ। ਪ੍ਰਸਾਰਣ ਦੀ ਆਡੀਓ ਵਿਜ਼ੂਅਲ ਰਿਕਾਰਡਿੰਗ ਬਣਾਉਣਾ। ਅਜਿਹੀਆਂ ਰਿਕਾਰਡਿੰਗਾਂ ਨੂੰ ਕਿਰਾਏ 'ਤੇ ਦੇਣਾ ਜਾਂ ਵੇਚਣਾ। ਪ੍ਰਸਾਰਕ ਦਾ ਇਹ ਅਧਿਕਾਰ 25 ਸਾਲਾਂ ਲਈ ਵੈਧ ਹੈ। (ਕਾਪੀਰਾਈਟ ਐਕਟ, 1957 ਦੀ ਧਾਰਾ 37 ਦੇਖੋ)


Source: Broadcasters have the right known as "broadcast reproduction right", in respect of their broadcasts. Under this right no one can do the following without the broadcaster’s permission: re- broadcast the broadcast. Make it available to the public on receiving any payment. Make sound and visual recording of the broadcast. Sell or give on rent such sound or visual recordings. Broadcaster’s right is valid for 25 years. (See Sec. 37 of the Copyright Act, 1957)

Target: ஒலிபரப்பாளர்களுக்கு அவர்களின் ஒலிபரப்பைப் பொறுத்தமட்டில், "ஒலிபரப்பு மறு உருவாக்கம் உரிமை" எனப்படும் உரிமை உள்ளது. இந்த உரிமையின் கீழ், ஒளிபரப்பாளரின் அனுமதியின்றி யாரும் பின்வருவனவற்றைச் செய்ய முடியாது: ஒலிபரப்பை மீண்டும் ஒளிபரப்புவது. ஏதாவதொரு கட்டணத்தையும் பெற்றுக்கொண்டு பொதுமக்களுக்குத் வழங்குவது. ஒலிபரப்பின் ஒலி மற்றும் காட்சிப் பதிவை உருவாக்குவது. அத்தகைய ஒலி அல்லது காட்சிப் பதிவுகளை விற்பது அல்லது வாடகைக்குக் கொடுப்பது. ஒலிபரப்பாளரின் உரிமை 25 ஆண்டுகளுக்குச் செல்லுபடியாகும். (பதிப்புரிமைச் சட்டம், 1957 பிரிவு 37ஐப் பார்க்கவும்)


Source: Broadcasters have the right known as "broadcast reproduction right", in respect of their broadcasts. Under this right no one can do the following without the broadcaster’s permission: re- broadcast the broadcast. Make it available to the public on receiving any payment. Make sound and visual recording of the broadcast. Sell or give on rent such sound or visual recordings. Broadcaster’s right is valid for 25 years. (See Sec. 37 of the Copyright Act, 1957)

Target: "ప్రసారదారులు అని పిలువబడే వారి ప్రసారాలపై ప్రసారదారులకు పునరుత్పత్తి ప్రత్యేక హక్కులు" ఉన్నాయి. బ్రాడ్‌కాస్టర్ అనుమతి లేకుండా ఈ హక్కు క్రింద, క్రింది వాటిని చేయలేము. ప్రసారాన్ని తిరిగి ప్రసారం చేయడం . డబ్బు కోసం ప్రసార ప్రజలను తయారు చేయడం. ప్రసారాల ఆడియో విజువల్ రికార్డింగ్‌లను సృస్టించడం . అటువంటి రికార్డింగ్‌లను అద్దెకు ఇవ్వండం లేదా అమ్మడం. ఈ ప్రసార హక్కు 25 సంవత్సరాల వరకు చెల్లు తుంది. (కాపీరైట్ చట్టం, 1957 లోని సెక్షన్ 37 చూడండి)


Source: Can a Copyright be licensed? If yes, how?

Target: কপিরাইট লাইসেন্স দেওয়া যেতে পারে? যদি হ্যাঁ, কিভাবে?


Source: Can a Copyright be licensed? If yes, how?

Target: કોપીરાઈટ લાઇસન્સ મેળવી શકાય છે? જો હા, તો કેવી રીતે?


Source: Can a Copyright be licensed? If yes, how?

Target: कॉपीराइट कानून के तहत नैतिक अधिकार (Moral Rights) क्या हैं?


Source: Can a Copyright be licensed? If yes, how?

Target: ഒരു പകർപ്പവകാശത്തിന് ലൈസൻസ് ലഭിക്കുമോ? ഉണ്ടെങ്കിൽ, എങ്ങനെ?


Source: Can a Copyright be licensed? If yes, how?

Target: कॉपीराइट परवानादुसर्याला लायसन्स दिली जाऊ शकते का? जर होय, तर कसे?


Source: Can a Copyright be licensed? If yes, how?

Target: ଯଦି କୌଣସି ବ୍ୟକ୍ତି ଦେଖନ୍ତି ଯେ ତାଙ୍କ କାର୍ଯ୍ୟର କପି ରାଇଟ ଉଲଙ୍ଘନ


Source: Can a Copyright be licensed? If yes, how?

Target: ਕੋਈ ਵਿਅਕਤੀ ਕੀ ਕਰ ਸਕਦਾ ਹੈ ਜੇਕਰ ਉਸਨੂੰ ਪਤਾ ਲੱਗਦਾ ਹੈ ਕਿ ਉਸਦੇ ਕਾਪੀਰਾਈਟ ਦੀ ਉਲੰਘਣਾ ਕੀਤੀ ਗਈ ਹੈ?


Source: Can a Copyright be licensed? If yes, how?

Target: காப்புரிமை உரிமம் பெற முடியுமா? ஆம் எனில், எப்படி?


Source: Can a Copyright be licensed? If yes, how?

Target: వారి కాపీరైట్ ఉల్లంఘించబడిందని వారు కనుగొంటే ఏమి చేయవచ్చు?


Source: A license is the transfer of an interest in a copyright. In a license, the rights granted are limited. A grant of a license to a person authorizes the licensee to use the copyrighted work without any claim of infringement or unauthorized use being brought by the owner of the copyright against the licensee. In India, it can only be done through the signature of the owner of the copyright or through his duly authorised agent. Please note that if the copyright license is terminated, then a copyright owner is well within its rights to take appropriate remedies, including initiating an infringement suit.

Target: হ্যাঁ, লাইসেন্স হল একটি কপিরাইটের প্রতি আগ্রহের স্থানান্তর। লাইসেন্সে, প্রদত্ত অধিকার সীমিত। একজন ব্যক্তিকে একটি লাইসেন্স প্রদান লাইসেন্সধারীকে কপিরাইটযুক্ত কাজটি লাইসেন্সধারীর বিরুদ্ধে কপিরাইটের মালিক কর্তৃক আনা লঙ্ঘন বা অননুমোদিত ব্যবহারের দাবি ছাড়াই অনুমোদন করে। ভারতে, এটি শুধুমাত্র কপিরাইটের মালিকের স্বাক্ষরের মাধ্যমে বা তার যথাযথভাবে অনুমোদিত এজেন্টের মাধ্যমে করা যেতে পারে। অনুগ্রহ করে মনে রাখবেন যে যদি কপিরাইট লাইসেন্স বাতিল করা হয়, তাহলে একজন কপিরাইট মালিক একটি লঙ্ঘনের মামলা শুরু করা সহ উপযুক্ত প্রতিকার নেওয়ার অধিকার রয়েছে৷


Source: A license is the transfer of an interest in a copyright. In a license, the rights granted are limited. A grant of a license to a person authorizes the licensee to use the copyrighted work without any claim of infringement or unauthorized use being brought by the owner of the copyright against the licensee. In India, it can only be done through the signature of the owner of the copyright or through his duly authorised agent. Please note that if the copyright license is terminated, then a copyright owner is well within its rights to take appropriate remedies, including initiating an infringement suit.

Target: લાયસન્સ એ કૉપિરાઇટમાં રસનું ટ્રાન્સફર છે. લાયસન્સમાં, આપવામાં આવેલ અધિકારો મર્યાદિત છે. કોઈ વ્યક્તિને લાયસન્સ આપવાની અનુદાન લાયસન્સધારકને કોપીરાઈટના માલિક દ્વારા લાઇસન્સધારક વિરુદ્ધ કોઈપણ ઉલ્લંઘન અથવા અનધિકૃત ઉપયોગના દાવા વિના કોપીરાઈટ કરેલા કાર્યનો ઉપયોગ કરવા માટે અધિકૃત કરે છે. ભારતમાં, તે ફક્ત કોપીરાઈટના માલિકના હસ્તાક્ષર દ્વારા અથવા તેના યોગ્ય રીતે અધિકૃત એજન્ટ દ્વારા થઈ શકે છે. મહેરબાની કરીને નોંધ કરો કે જો કૉપિરાઇટ લાઇસન્સ સમાપ્ત કરવામાં આવે છે, તો કૉપિરાઇટ માલિક ઉલ્લંઘનનો દાવો શરૂ કરવા સહિત યોગ્ય ઉપાયો લેવાના તેના અધિકારોની અંદર છે.


Source: A license is the transfer of an interest in a copyright. In a license, the rights granted are limited. A grant of a license to a person authorizes the licensee to use the copyrighted work without any claim of infringement or unauthorized use being brought by the owner of the copyright against the licensee. In India, it can only be done through the signature of the owner of the copyright or through his duly authorised agent. Please note that if the copyright license is terminated, then a copyright owner is well within its rights to take appropriate remedies, including initiating an infringement suit.

Target: नैतिक अधिकार रचयिता के अपने काम पर पितृत्व (Paternity) और अखंडता (Integrity) का अधिकार है। पितृत्व का अधिकार रचयिता को अपने काम का श्रेय पाने का अधिकार देता है। जबकि अखंडता का अधिकार लेखक को अपने काम के किसी भी ऐसे परिवर्तन और उल्लंघन जो लेखक की प्रतिष्ठा को नुकसान पहुंचाता हो, पर आपत्ति करने का अधिकार देता है। नैतिक अधिकार कॉपीराइट से स्वतंत्र होते हैं और कॉपीराइट के असाइनमेंट के बाद भी रचयिता के साथ बने रहते हैं। (कॉपीराइट अधिनियम, 1957 की धारा 38 बी देखें )


Source: A license is the transfer of an interest in a copyright. In a license, the rights granted are limited. A grant of a license to a person authorizes the licensee to use the copyrighted work without any claim of infringement or unauthorized use being brought by the owner of the copyright against the licensee. In India, it can only be done through the signature of the owner of the copyright or through his duly authorised agent. Please note that if the copyright license is terminated, then a copyright owner is well within its rights to take appropriate remedies, including initiating an infringement suit.

Target: ഒരു പകർപ്പവകാശത്തിലുള്ള താൽപ്പര്യം കൈമാറ്റം ചെയ്യുന്നതാണ് ലൈസൻസ്. ഒരു ലൈസൻസിൽ, അനുവദിച്ചിരിക്കുന്ന അവകാശങ്ങൾ പരിമിതമാണ്. ഒരു വ്യക്തിക്ക് ഒരു ലൈസൻസ് അനുവദിക്കുന്നത്, സൃഷ്ടി ഉപയോഗിക്കാൻ ആ വൃക്തിയെ (ലൈസൻസിയെ) അധികാരപ്പെടുത്തുന്നു. ഇതുമൂലം പകർപ്പവകാശ ഉടമക്കു ലൈസൻസിക്കെതിരെ ലംഘനത്തിൻ്റെയോ അനധികൃത ഉപയോഗത്തിൻ്റെയോ ക്ലെയിം കൊണ്ടുവരാൻ സാധിക്കില. ഇന്ത്യയിൽ ഇതു പകർപ്പവകാശ ഉടമയുടെ അല്ലെങ്കിൽ അവൻ്റെ അംഗീകൃത ഏജന്റ് ഒപ്പിലൂടെ മാത്രമേ സാധ്യമാകൂ. പകർപ്പവകാശ ലൈസൻസ് അവസാനിപ്പിച്ചാൽ, ഒരു പകർപ്പവകാശ ഉടമയ്‌ക്ക് ഒരു ലംഘന കേസ് ആരംഭിക്കുന്നതുൾപ്പെടെ ഉചിതമായ പ്രതിവിധികൾ സ്വീകരിക്കാനുള്ള അവകാശം ഉണ്ടായിരിക്കുമെന്ന കാര്യം ശ്രദ്ധിക്കുക.


Source: A license is the transfer of an interest in a copyright. In a license, the rights granted are limited. A grant of a license to a person authorizes the licensee to use the copyrighted work without any claim of infringement or unauthorized use being brought by the owner of the copyright against the licensee. In India, it can only be done through the signature of the owner of the copyright or through his duly authorised agent. Please note that if the copyright license is terminated, then a copyright owner is well within its rights to take appropriate remedies, including initiating an infringement suit.

Target: होय, पण हस्तांतरित लायसन्स मध्ये देण्यात आलेला हक्क मर्यादित आहे. लायसन्स द्वारे, कॉपीराइटचा मालक परवानाधारकाला कोणतेही उल्लंघन केल्याशिवाय त्याचे कार्य वापरण्याचा अधिकार देतो. भारतात, हा लायसन्स के वळ कॉपीराइट मालकाच्या स्वाक्षर्‍यावर किंवा त्याच्या योग्य अधिकृ त एजंटद्वारे मिळू शकतो.


Source: A license is the transfer of an interest in a copyright. In a license, the rights granted are limited. A grant of a license to a person authorizes the licensee to use the copyrighted work without any claim of infringement or unauthorized use being brought by the owner of the copyright against the licensee. In India, it can only be done through the signature of the owner of the copyright or through his duly authorised agent. Please note that if the copyright license is terminated, then a copyright owner is well within its rights to take appropriate remedies, including initiating an infringement suit.

Target: ସର୍ବ ପ୍ରଥମେ, ବ୍ୟକ୍ତି ଜଣକ ଯତ୍ନ ସହକାରେ ନିର୍ଦ୍ଦାରଣ କରିବେ ଯେ ତାଙ୍କ କପି ରାଇଟ ଉଲଙ୍ଘନ ହୋଇଛି କି ନାହିଁ । ଯଦି ଉଲଙ୍ଘନ ହୋଇଥାଏ, ତେବେ ଉଭୟ ଫୌଜଦାରୀ ଓ ଅପରାଧ ଆଇନ ଅନୁସାରେ ଉଲଙ୍ଘନ କାରୀଙ୍କ ବିରୁଦ୍ଧରେ କାର୍ଯ୍ୟାନୁ ଷ୍ଠାନ ନିଆଯାଇ ପାରିବ । ଫୌଜଦାରୀ ଆଇନ ଅନୁସାରେ ପ୍ରତିକାର ସିଭିଲ ଅଦାଲତରେ ଗୋଟିଏ ଉଲଙ୍ଘନ ଦାବୀ ଉଲଙ୍ଘନ କାରୀଙ୍କ ବିରୁଦ୍ଧରେ ଦାୟର କରି ଆର୍ଥିକ କ୍ଷତିପୂରଣ ଓ ଉଲଙ୍ଗନ କାର୍ଯ୍ୟରୁ ନିବୃତ୍ତ ରହିବା ବା ପୁନରାବୃତ୍ତି ନ କରିବା ନିମିତ୍ତ ନିଷେଧାଜ୍ଞା ପାଇଁ ମାନ୍ୟବର ଅଦାଲତଙ୍କୁ ଅନୁରୋଧ କରାଯାଇ ପାରିବ। (କପି ରାଇଟ ଆକ୍ଟ , 1957 ର ଧାରା 55 ଦେଖନ୍ତୁ ) । ଅପରାଧ ଆଇନ ଅନୁସାରେ ପ୍ରତିକାର ଯଦି ଆପଣଙ୍କ ଅନୁମତି ବିନା ଆପଣଙ୍କ ମାଷ୍ଟର ପିସ ର ନକଲ ହେଉଥାଏ, ତେବେ କପି ରାଇଟ ଧାରକ ଉଲଙ୍ଘନ କାରୀଙ୍କ ବିରୁଦ୍ଧରେ ଅପରାଧିକ ମାମଲା ଦାୟର କରି ପାରିବେ । କପି ରାଇଟ ଉଲଙ୍ଘନ କାର୍ଯ୍ୟ ପାଇଁ 6 ମାସ କାରାଦଣ୍ଡ ସହ ସର୍ବନିମ୍ନ 50 ହଜାର ଟଙ୍କାର ଜରିମାନାର ଦଣ୍ଡ ରହିଅଛି । (କପି ରାଇଟ ଆକ୍ଟ , 1957 ର ଧାରା 63 ଦେଖନ୍ତୁ ) । ତୃତୀୟତଃ, ଜଣେ ଅଦାଲତ ବାହାରେ ମଧ୍ୟ ମଧ୍ୟସ୍ଥତା ଦ୍ଵାରା ଏହାର ସମାଧାନ କରି ପାରିବେ ।


Source: A license is the transfer of an interest in a copyright. In a license, the rights granted are limited. A grant of a license to a person authorizes the licensee to use the copyrighted work without any claim of infringement or unauthorized use being brought by the owner of the copyright against the licensee. In India, it can only be done through the signature of the owner of the copyright or through his duly authorised agent. Please note that if the copyright license is terminated, then a copyright owner is well within its rights to take appropriate remedies, including initiating an infringement suit.

Target: ਸ਼ੁਰੂ ਵਿੱਚ, ਕਿਸੇ ਨੂੰ ਧਿਆਨ ਨਾਲ ਇਹ ਨਿਰਧਾਰਤ ਕਰਨਾ ਚਾਹੀਦਾ ਹੈ ਕਿ ਉਲੰਘਣਾ ਹੋਈ ਹੈ ਜਾਂ ਨਹੀਂ। ਜੇਕਰ ਅਜਿਹਾ ਹੁੰਦਾ ਹੈ, ਤਾਂ ਕਾਪੀਰਾਈਟ ਧਾਰਕ ਕੋਲ ਸਿਵਲ ਅਤੇ ਫੌਜਦਾਰੀ ਅਦਾਲਤਾਂ ਦੋਵਾਂ ਵਿੱਚ ਉਲੰਘਣਾ ਕਰਨ ਵਾਲੇ ਵਿਰੁੱਧ ਮੁਕੱਦਮਾ ਦਾਇਰ ਕਰਨ ਦਾ ਉਪਾਅ ਹੈ : ਦੀਵਾਨੀ ਉਪਾਅ (civil remedy) : ਉਲੰਘਣਾ ਦੇ ਵਿਰੁੱਧ ਸਿਵਲ ਅਦਾਲਤ ਵਿੱਚ ਕੇਸ ਦਾਇਰ ਕੀਤਾ ਜਾ ਸਕਦਾ ਹੈ। ਉਲੰਘਣਾ ਨੂੰ ਰੋਕਣ ਅਤੇ ਇਸਨੂੰ ਦੁਬਾਰਾ ਹੋਣ ਤੋਂ ਰੋਕਣ ਲਈ ਮੁਕੱਦਮੇ ਵਿੱਚ ਹੁਕਮ ਮੰਗਿਆ ਜਾ ਸਕਦਾ ਹੈ। ਉਲੰਘਣਾ ਕਾਰਨ ਹੋਏ ਨੁਕਸਾਨ ਦੇ ਨਾਲ-ਨਾਲ ਹਰਜਾਨੇ ਦਾ ਦਾਅਵਾ ਵੀ ਕੀਤਾ ਜਾ ਸਕਦਾ ਹੈ । (ਕਾਪੀਰਾਈਟ ਐਕਟ, 1957 ਦੀ ਧਾਰਾ 55 ਦੇਖੋ) ਫੌਜਦਾਰੀ ਉਪਾਅ (criminal remedy) : ਜੇਕਰ ਤੁਹਾਡੇ ਕੰਮ ਦੀ ਤੁਹਾਡੀ ਇਜਾਜ਼ਤ ਤੋਂ ਬਿਨਾਂ ਨਕਲ ਕੀਤੀ ਜਾਂਦੀ ਹੈ ਤਾਂ ਇਹ ਇੱਕ ਅਪਰਾਧ ਹੈ ਅਤੇ ਕਾਪੀਰਾਈਟ ਧਾਰਕ ਉਲੰਘਣਾ ਕਰਨ ਵਾਲੇ ਵਿਰੁੱਧ ਅਪਰਾਧਿਕ ਕਾਰਵਾਈ ਵੀ ਸ਼ੁਰੂ ਕਰ ਸਕਦਾ ਹੈ। ਕਾਪੀਰਾਈਟ ਦੀ ਉਲੰਘਣਾ ਲਈ ਘੱਟੋ-ਘੱਟ ਸਜ਼ਾ 50,000/- ਰੁਪਏ ਦੇ ਘੱਟੋ-ਘੱਟ ਜੁਰਮਾਨੇ ਦੇ ਨਾਲ 6 ਮਹੀਨੇ ਦੀ ਕੈਦ ਹੈ । (ਕਾਪੀਰਾਈਟ ਐਕਟ, 1995 ਦੀ ਧਾਰਾ 63 ਦੇਖੋ)। ਇਸ ਤੋਂ ਇਲਾਵਾ, ਤੀਜੇ ਉਪਾਅ ਦੇ ਤੌਰ 'ਤੇ, ਤੁਸੀਂ ਉਲੰਘਣਾ ਕਰਨ ਵਾਲੇ ਨਾਲ ਵਿਚੋਲਗੀ ਜਾਂ ਗੱਲਬਾਤ ਦੁਆਰਾ ਅਦਾਲਤ ਵਿਚ ਜਾ ਕੇ ਮਾਮਲੇ ਦੇ ਹੱਲ ਤੱਕ ਪਹੁੰਚ ਸਕਦੇ ਹੋ । ਕਿਉਂਕਿ ਇਹਨਾਂ ਵਿੱਚੋਂ ਹਰੇਕ ਕਦਮ ਵੱਡੇ ਪੱਧਰ ਅਤੇ ਤੱਥਾਂ 'ਤੇ ਨਿਰਭਰ ਕਰਦਾ ਹੈ,ਕਿਰਪਾ ਕਰਕੇ ਅੱਗੇ ਵਧਣ ਤੋਂ ਪਹਿਲਾਂ ਕਾਨੂੰਨੀ ਮਦਦ ਲਓ।


Source: A license is the transfer of an interest in a copyright. In a license, the rights granted are limited. A grant of a license to a person authorizes the licensee to use the copyrighted work without any claim of infringement or unauthorized use being brought by the owner of the copyright against the licensee. In India, it can only be done through the signature of the owner of the copyright or through his duly authorised agent. Please note that if the copyright license is terminated, then a copyright owner is well within its rights to take appropriate remedies, including initiating an infringement suit.

Target: உரிமம் என்பது பதிப்புரிமை மீதான ஈர்ப்பை மாற்றுவதாகும். உரிமத்தில், வழங்கப்படும் உரிமைகள் வரையறுக்கப்பட்டவை. ஒரு நபருக்கு உரிமம் வழங்குவது, உரிமம் வழங்குவதன் மூலம் உரிமம் பெற்றவர். பதிப்புரிமை பெற்றப்படைப்பைப் பயன்படுத்த அதிகாரம் பெறும்போது அதிகாரமில்லாத பயன்பாடு என்றோ உரிமைமீறல் என்றோ பதிப்புரிமைக்கு சொந்தக்காரர் கோரமுடியாது. இந்தியாவில் பதிப்புரிமையின் உரிமையாளரின் அல்லது அவரது முறையாக அங்கீகரிக்கப்பட்ட முகவர் மூலமாக கையெழுத்து பெற்று மட்டுமே இதைச்செய்ய முடியும். பதிப்புரிமை உரிமம் நிறுத்தப்பட்டால், உரிமை மீறல் வழக்கைத் தொடங்குவது உட்பட தகுந்த தீர்வுகளை எடுப்பதற்கு பதிப்புரிமை உரிமையாளருக்கு உரிமை உள்ளது என்பதை நினைவில் கொள்ளவும்.


Source: A license is the transfer of an interest in a copyright. In a license, the rights granted are limited. A grant of a license to a person authorizes the licensee to use the copyrighted work without any claim of infringement or unauthorized use being brought by the owner of the copyright against the licensee. In India, it can only be done through the signature of the owner of the copyright or through his duly authorised agent. Please note that if the copyright license is terminated, then a copyright owner is well within its rights to take appropriate remedies, including initiating an infringement suit.

Target: ఉల్లంఘన జరిగిందో లేదో జాగ్రత్తగా నిర్ణయించాలి. ఇది ప్రారంభంలో జరిగితే, కాపీరైట్ హోల్డర్ సివిల్ మరియు క్రిమినల్ కోర్టులలో వ్యతిరేకించవచ్చు.: సివిల్ రెమెడీ: కాపిరైట్స్ ఉల్లంఘించిన వ్యక్తిపై సివిల్ కోర్టులో దావా వేయవచ్చు. దావాలోఉల్లంఘనను నివారించడానికి మరియు మళ్ళీ జరగకుండా నిరోధించడానికి ఒక నిషేధాన్ని కోరవచ్చు, అలాగే ఉల్లంఘన నుండి నష్టాలకు నష్టపరిహారాన్ని పొందవచ్చు . (కాపీరైట్ చట్టం, 1957 లోని సెక్షన్ 55 చూడండి) క్రిమినల్ రెమెడీ: మీ పని మీ అనుమతి లేకుండా కాపీ చేయబడితే, అది నేరం మరియు కాపీరైట్ హోల్డర్ కూడా ఉల్లంఘించిన వ్యక్తిపై క్రిమినల్ చర్యలను ప్రారంభించవచ్చు. కాపీరైట్ ఉల్లంఘనకు కనీస శిక్ష 6 నెలల జైలు శిక్ష, కనీసం రూ .50, 000 / - జరిమానా. (కాపీరైట్ చట్టం, 1957 లోని సెక్షన్ 43 చూడండి). మూడవ అంశంగా మీరు మధ్యవర్తిత్వం చేసి ఉల్లంఘనదారులతో చర్చల ద్వారా కోర్టు కేసు లేకుండా కేసు పరిష్కారాన్ని చేరుకోవచ్చు.


Source: Is Copyright assignable? What is the procedure to do so?

Target: কপিরাইট লঙ্ঘনের ব্যতিক্রমগুলি কী কী?


Source: Is Copyright assignable? What is the procedure to do so?

Target: શું કૉપિરાઇટ અસાઇનેબલ છે? આમ કરવાની પ્રક્રિયા શું છે?


Source: Is Copyright assignable? What is the procedure to do so?

Target: अगर किसी को यह पता चलता है कि उसके कॉपीराइट का उल्लंघन किया गया है, तो कोई क्या कर सकता है ?


Source: Is Copyright assignable? What is the procedure to do so?

Target: പകർപ്പവകാശം നൽകാനാകുമോ? അതിനുള്ള നടപടിക്രമം എന്താണ്?


Source: Is Copyright assignable? What is the procedure to do so?

Target: कॉपीराइटचे असाइनमेंट (Assignment) करता येते का? हे करण्याची प्रक्रिया काय आहे?


Source: Is Copyright assignable? What is the procedure to do so?

Target: କପି ରାଇଟ କଣ ଅନୁମତି ପତ୍ର (Licensed) ହୋଇପାରିବ । ଯଦି ହଁ


Source: Is Copyright assignable? What is the procedure to do so?

Target: ਕਾਪੀਰਾਈਟ ਉਲੰਘਣਾ ਦੇ ਅਪਵਾਦ ਕੀ ਹਨ?


Source: Is Copyright assignable? What is the procedure to do so?

Target: பதிப்புரிமை ஒதுக்க முடியுமா? அதற்கான நடைமுறை என்ன?


Source: Is Copyright assignable? What is the procedure to do so?

Target: కాపీరైట్ ఉల్లంఘనకు మినహాయింపులు ఏమిటి?


Source: The owner of a copyright can assign the copyright either wholly or partially for the whole term of the copyright or any part to an individual. The assignment should be signed by the assignor or his agent. It should identify the relevant work and specify the rights assigned, duration and the territorial extent of such assignment. In case any royalty has been decided, the assignment shall specify the same. If the duration of the assignment is not stated, it shall be deemed to be five years. Subsequent to which, the assignment will lapse. Further, if the assignee does not exercise his rights within a period of one year, the assignment will lapse automatically. (See Sec. 18 & 19 of the Copyright Act, 1957)

Target: কাজগুলি কপিরাইট লঙ্ঘন করে না সেগুলি কপিরাইট আইন, ১৯৫৭ এর ধারা ৫২ তে উল্লেখ করা হয়েছে। এর মধ্যে কয়েকটি অন্তর্ভু ক্ত: কাজের-সমালোচনা বা পর্যালোচনা। শিক্ষক বা শিক্ষার্থী দ্বারা ব্যক্তিগত অধ্যয়নের জন্য কাজের পুনরুত্পাদন। শিক্ষামূলক উদ্দেশ্যে প্রজনন। যে কোনও প্রিন্ট মিডিয়াতে বর্ত মান ইভেন্টগুলি প্রতিবেদন করা। বিচারিক কার্যক্রমের পুনরুত্পাদন বা বিচারিক কার্যক্রমের প্রতিবেদন। একটি পদ্ধতি অনুসারে প্রস্তুত বা সরবরাহকৃত কোনও শংসাপত্রিত কপির একটি কাজের পুনরুত্পাদন। (বলবতী আইন অনুসারে যে কোনও শংসিত কপির কোনও কাজের পুনরুত্পাদন) ।


Source: The owner of a copyright can assign the copyright either wholly or partially for the whole term of the copyright or any part to an individual. The assignment should be signed by the assignor or his agent. It should identify the relevant work and specify the rights assigned, duration and the territorial extent of such assignment. In case any royalty has been decided, the assignment shall specify the same. If the duration of the assignment is not stated, it shall be deemed to be five years. Subsequent to which, the assignment will lapse. Further, if the assignee does not exercise his rights within a period of one year, the assignment will lapse automatically. (See Sec. 18 & 19 of the Copyright Act, 1957)

Target: કૉપિરાઇટના માલિક કૉપિરાઇટની સંપૂર્ણ અથવા આંશિક રીતે કૉપિરાઇટની સંપૂર્ણ મુદત અથવા કોઈપણ ભાગ માટે કૉપિરાઇટ સોંપી શકે છે. સોંપણી સોંપનાર અથવા તેના એજન્ટ દ્વારા સહી થયેલ હોવી જોઈએ. તેણે સંબંધિત કાર્યને ઓળખવું જોઈએ અને સોંપેલ અધિકારો, અવધિ અને આવી સોંપણીની પ્રાદેશિક હદનો ઉલ્લેખ કરવો જોઈએ. જો કોઈ રોયલ્ટી નક્કી કરવામાં આવી હોય, તો અસાઇનમેન્ટ તેનો ઉલ્લેખ કરશે. જો સોંપણીનો સમયગાળો જણાવવામાં આવ્યો નથી, તો તે પાંચ વર્ષ માનવામાં આવશે. જેના પછી, સોંપણી સમાપ્ત થઈ જશે. વધુમાં, જો સોંપણી એક વર્ષના સમયગાળામાં તેના અધિકારોનો ઉપયોગ ન કરે, તો સોંપણી આપમેળે સમાપ્ત થઈ જશે. (કોપીરાઈટ એક્ટ, 1957ની કલમ 18 અને 19 જુઓ)


Source: The owner of a copyright can assign the copyright either wholly or partially for the whole term of the copyright or any part to an individual. The assignment should be signed by the assignor or his agent. It should identify the relevant work and specify the rights assigned, duration and the territorial extent of such assignment. In case any royalty has been decided, the assignment shall specify the same. If the duration of the assignment is not stated, it shall be deemed to be five years. Subsequent to which, the assignment will lapse. Further, if the assignee does not exercise his rights within a period of one year, the assignment will lapse automatically. (See Sec. 18 & 19 of the Copyright Act, 1957)

Target: शुरुआत में, किसी को सावधानीपूर्वक यह निर्धारित करना चाहिए कि उल्लंघन हुआ है या नहीं। यदि ऐसा होता है, तो कॉपीराइट धारक के पास उल्लंघनकर्ता के खिलाफ दीवानी (Civil) और फौजदारी (Criminal) दोनों अदालतों मे मुकदमा दायर करने का उपाय: Civil Remedy : उल्लंघन के खिलाफ दीवानी (Civil) अदालत में मुकदमा दायर किया जा सकता है।मुकदमे में उल्लंघन को रोकने व ऐसा दोबारा होने से रोकने के लिए निषेधाज्ञा (Injunction) की मांग करी जा सकती है।इसके साथ ही उल्लंघन से हुए नुकसान के लिए हर्जाना (damages) का दावा भी दायर किया जा सकता है । ( कॉपीराइट अधिनियम , 1957 की धारा 55 देखें ) Criminal Remedy: यदि आपकी इजाजत के बिना आपकी कृति की नक़ल करी गयी है तो यह एक अपराध है और कॉपीराइट धारक उल्लंघनकर्ता के खिलाफ आपराधिक कार्यवाही भी शुरू कर सकता है । कॉपीराइट उल्लंघन के लिए न्यूनतम सजा 50, 000/- रुपए के न्यूनतम जुर्माने के साथ 6 महीने की कैद है। ( कॉपीराइट अधिनियम, १ ९ ५) का धारा ६३ देखें )। इसके अलावा तीसरे उपाय के तौर पर आप उल्लंघनकर्ता के साथ मध्यस्थता (Mediation) या समझौता वार्ता (Negotiation) करके भी अदालत जाए बिना मामले के समाधान तक पहुँच सकते है। चूंकि इनमें से प्रत्येक कदम काफी हद तक तथ्य पर निर्भर है, कृपया आगे बढ़ने से पहले कानूनी सहायता लें।


Source: The owner of a copyright can assign the copyright either wholly or partially for the whole term of the copyright or any part to an individual. The assignment should be signed by the assignor or his agent. It should identify the relevant work and specify the rights assigned, duration and the territorial extent of such assignment. In case any royalty has been decided, the assignment shall specify the same. If the duration of the assignment is not stated, it shall be deemed to be five years. Subsequent to which, the assignment will lapse. Further, if the assignee does not exercise his rights within a period of one year, the assignment will lapse automatically. (See Sec. 18 & 19 of the Copyright Act, 1957)

Target: ഒരു പകർപ്പവകാശത്തിന്റെ ഉടമയ്ക്ക് പകർപ്പവകാശത്തിൻ്റെ മുഴുവൻ കാലയളവിലേക്കോ ഭാഗികമായോ പകർപ്പവകാശം ഒരു വ്യക്തിക്ക് നൽകാം. അസൈൻമെൻ്റിൽ അസൈനർ അല്ലെങ്കിൽ അവൻ്റെ ഏജൻ്റ ഒപ്പിടണം. ഇത് പ്രസക്തമായ പകർപ്പവകാശം തിരിച്ചറിയുകയും അസൈൻ ചെയ്ത അവകാശങ്ങൾ, ദൈർഘ്യം, അത്തരം അസൈൻമെന്റിന്റെ പ്രാദേശിക വ്യാപ്തി എന്നിവ വ്യക്തമാക്കുകയും വേണം. ഏതെങ്കിലും റോയൽറ്റി തീരുമാനിച്ചിട്ടുണ്ടെങ്കിൽ, അസൈൻമെൻ്റ അത് വ്യക്തമാക്കണം. അസൈൻമെൻ്റിൻ്റെ കാലാവധി വ്യക്തമാക്കിയിട്ടില്ലെങ്കിൽ, അത് അഞ്ച് വർഷമായി കണക്കാക്കും. അതിനുശേഷം, അസൈൻമെൻ്റ കാലഹരണപ്പെടും. കൂടാതെ, ഒരു വർഷത്തിനുള്ളിൽ അസൈനി തൻ്റെ അവകാശങ്ങൾ വിനിയോഗിച്ചില്ലെങ്കിൽ, അസൈൻമെൻ്റ സ്വയമേവ ഇല്ലാതാകും. (1957-ലെ പകർപ്പവകാശ നിയമത്തിൻ്റെ സെക്ഷൻ 18 & 19 കാണുക)


Source: The owner of a copyright can assign the copyright either wholly or partially for the whole term of the copyright or any part to an individual. The assignment should be signed by the assignor or his agent. It should identify the relevant work and specify the rights assigned, duration and the territorial extent of such assignment. In case any royalty has been decided, the assignment shall specify the same. If the duration of the assignment is not stated, it shall be deemed to be five years. Subsequent to which, the assignment will lapse. Further, if the assignee does not exercise his rights within a period of one year, the assignment will lapse automatically. (See Sec. 18 & 19 of the Copyright Act, 1957)

Target: होय, कॉपीराइट मालक त्यांच्या कॉपीराइटची असाइनमेंट करू शकतात, ती पूर्ण किंवा आंशिक. ही असाइनमेंट कॉपीराइटच्या संपूर्ण मुदतीसाठी किंवा त्यातील काही भागासाठी केली जाऊ शकते. असाइनमेंटसाठी लेखक किंवा त्याच्या एजंटची स्वाक्षरी आवश्यक आहे असाइनमेंट दस्तऐवजात नियुक्त केलेल्या कामाचे नाव, असाइनमेंटचा कालावधी आणि तिची क्षेत्रीय मर्यादा नमूद करणे आवश्यक आहे. रॉयल्टी ठरविल्यास दस्तऐवजात त्याची नोन्दणी असावी. जर असाइनमेंटची मुदत सांगितली गेली नाही तर ती पाच वर्षे मानली जाईल. यानंतर असाईनमेंट संपेल. याव्यतिरिक्त, जरएका वर्षाच्या कालावधीत Assignee आपल्या हक्कांचा वापर करीत नसेल तर, असाइनमेंट आपोआप गमावले जाईल. (कॉपीराइट कायदा, 1957 चे कलम 18 आणि 19 पहा)


Source: The owner of a copyright can assign the copyright either wholly or partially for the whole term of the copyright or any part to an individual. The assignment should be signed by the assignor or his agent. It should identify the relevant work and specify the rights assigned, duration and the territorial extent of such assignment. In case any royalty has been decided, the assignment shall specify the same. If the duration of the assignment is not stated, it shall be deemed to be five years. Subsequent to which, the assignment will lapse. Further, if the assignee does not exercise his rights within a period of one year, the assignment will lapse automatically. (See Sec. 18 & 19 of the Copyright Act, 1957)

Target: ହଁ, କପି ରାଇଟ ମାଲିକ ଏହାର କପି ରାଇଟ ଅନୁ ମତି ପତ୍ର ଦେଇ ପାରିବେ । ଅନୁମତି ପତ୍ର ହେଉଛି କପି ରାଇଟ୍ ର ଏକ ଅଂଶର ହସ୍ତାନ୍ତର । ଲାଇସେନ୍ସ ରେ ପ୍ରଦତ୍ତ ଅଧିକାରର ଏକ ସୀମା ଥାଏ । ଲାଇସେନସ ପ୍ରାପ୍ତ ବ୍ୟକ୍ତି କେବଳ କପି ରାଇଟ ହୋଇଥିବା କାର୍ଯ୍ୟକୁ ବ୍ୟବହାର କରି ପାରିବେ ମାତ୍ର ତାହା ଉପରେ କୌଣସି ଦାବୀ, ଉଲଙ୍ଘନ ଅନଧିକାର ବ୍ୟବହାର ପାଇଁ କପି ରାଇଟ ମାଲିକ ତାଙ୍କ ବିରୁ ଦ୍ଧରେ ଉଲଙ୍ଘନ ବୋଲି ବିଚାର କରିବେ । ଭାରତରେ ଏହା କେବଳ କପି ରାଇଟ ମାଲିକଙ୍କ ଦସ୍ତଖତ ବା ତାଙ୍କର ସ୍ଵୀକୃତିପ୍ରାପ୍ତ ଏଜେଣ୍ଟଙ୍କ ଦ୍ଵାରା କରାଯାଇ ପାରିବ ।


Source: The owner of a copyright can assign the copyright either wholly or partially for the whole term of the copyright or any part to an individual. The assignment should be signed by the assignor or his agent. It should identify the relevant work and specify the rights assigned, duration and the territorial extent of such assignment. In case any royalty has been decided, the assignment shall specify the same. If the duration of the assignment is not stated, it shall be deemed to be five years. Subsequent to which, the assignment will lapse. Further, if the assignee does not exercise his rights within a period of one year, the assignment will lapse automatically. (See Sec. 18 & 19 of the Copyright Act, 1957)

Target: ਉਹ ਕੰਮ ਜੋ ਕਾਪੀਰਾਈਟ ਦੀ ਉਲੰਘਣਾ ਨਹੀਂ ਕਰਦੇ ਹਨ, ਕਾਪੀਰਾਈਟ ਐਕਟ, 1957 ਦੀ ਧਾਰਾ 52 ਵਿੱਚ ਦਰਸਾਏ ਗਏ ਹਨ। ਇਹਨਾਂ ਵਿੱਚੋਂ ਕੁਝ ਸ਼ਾਮਲ ਹਨ: ਕਿਸੇ ਕੰਮ ਦੀ ਆਲੋਚਨਾ ਜਾਂ ਸਮੀਖਿਆ । ਨਿੱਜੀ ਅਧਿਐਨ ਲਈ ਅਧਿਆਪਕ ਜਾਂ ਵਿਦਿਆਰਥੀ ਦੁਆਰਾ ਕੰਮ ਦਾ ਪ੍ਰਜਨਨ। ਵਿਦਿਅਕ ਉਦੇਸ਼ਾਂ ਲਈ ਪ੍ਰਜਨਨ। ਕਿਸੇ ਵੀ ਪ੍ਰਿੰਟ ਮੀਡੀਆ ਵਿੱਚ ਮੌਜੂਦਾ ਘਟਨਾਵਾਂ ਦੀ ਰਿਪੋਰਟਿੰਗ। ਨਿਆਂਇਕ ਕਾਰਵਾਈਆਂ ਜਾਂ ਨਿਆਂਇਕ ਕਾਰਵਾਈਆਂ ਦੀਆਂ ਰਿਪੋਰਟਾਂ ਦਾ ਪੁਨਰ ਉਤਪਾਦਨ। ਕਿਸੇ ਕਾਨੂੰਨ ਦੇ ਅਨੁਸਾਰ ਬਣਾਈ ਜਾਂ ਸਪਲਾਈ ਕੀਤੀ ਇੱਕ ਪ੍ਰਮਾਣਿਤ ਕਾਪੀ ਵਿੱਚ ਕੰਮ ਦਾ ਪ੍ਰਜਨਨ । (reproduction of a work in any certified copy made according to any law in force)


Source: The owner of a copyright can assign the copyright either wholly or partially for the whole term of the copyright or any part to an individual. The assignment should be signed by the assignor or his agent. It should identify the relevant work and specify the rights assigned, duration and the territorial extent of such assignment. In case any royalty has been decided, the assignment shall specify the same. If the duration of the assignment is not stated, it shall be deemed to be five years. Subsequent to which, the assignment will lapse. Further, if the assignee does not exercise his rights within a period of one year, the assignment will lapse automatically. (See Sec. 18 & 19 of the Copyright Act, 1957)

Target: பதிப்புரிமையின் உரிமையாளர் ஒரு தனிநபருக்குப் பதிப்புரிமையின் முழு காலத்திற்கும் அல்லது ஒரு பகுதிகாலத்திற்கோ பதிப்புரிமையை முழுமையாகவோ அல்லது பகுதியாகவோ ஒதுக்கலாம். ஒதுக்கீட்டாளரோ அல்லது அவரது முகவரோ ஒதுக்கீட்டில் கையொப்பமிட வேண்டும். ஒதுக்கீடு செய்யும்பொழுது தொடர்புடைய வேலையைக் கண்டறிந்து, ஒதுக்கப்பட்ட உரிமைகள், கால அளவு மற்றும் அத்தகைய ஒதுக்கீட்டின் பிராந்திய அளவைக் குறிப்பிட வேண்டும். ஏதேனும் உரிமத்தொகை முடிவு செய்யப்பட்டால், ஒதுக்கீடு அதை குறிப்பிட வேண்டும். ஒதுக்கீட்டின் காலம் குறிப்பிடப்படவில்லை என்றால், அது ஐந்து ஆண்டுகள் எனக் கருதப்படும். அதற்குப்பின், ஒதுக்கீடு ரத்து செய்யப்படும். மேலும், ஒதுக்கப்பட்டவர் ஒரு வருட காலத்திற்குள் தனது உரிமைகளைப் பயன்படுத்தவில்லை என்றால், ஒதுக்கீடு தானாக காலாவதியாகிவிடும். (பதிப்புரிமைச் சட்டம், 1957 இன் பிரிவு 18 & 19 ஐப் பார்க்கவும்)


Source: The owner of a copyright can assign the copyright either wholly or partially for the whole term of the copyright or any part to an individual. The assignment should be signed by the assignor or his agent. It should identify the relevant work and specify the rights assigned, duration and the territorial extent of such assignment. In case any royalty has been decided, the assignment shall specify the same. If the duration of the assignment is not stated, it shall be deemed to be five years. Subsequent to which, the assignment will lapse. Further, if the assignee does not exercise his rights within a period of one year, the assignment will lapse automatically. (See Sec. 18 & 19 of the Copyright Act, 1957)

Target: కాపీరైట్‌ను ఉల్లంఘించని రచనలు కాపీరైట్ చట్టం, 1957 లోని సెక్షన్ 52 లో పేర్కొనబడ్డా యి. వీటిలో కొన్ని: పనిని విమర్శించడం లేదా సమీక్షించడం. ఉపాధ్యాయుడు లేదా విద్యార్థి వ్యక్తిగత అధ్యయనం కోసం పని యొక్క పునరుత్పత్తి. విద్యా ప్రయోజనాల కోసం పునరుత్పత్తి. ఏదైనా ముద్రణ మాధ్యమంలో ప్రస్తు త సంఘటనలను నివేదించడం. జ్యుడిషియల్ ప్రొసీడింగ్స్ యొక్క పునరుత్పత్తి లేదా జ్యుడిషియల్ ప్రొసీడింగ్స్ రిపోర్ట్. ఒక పద్ధతి ప్రకారం తయారుచేసిన లేదా సరఫరా చేయబడిన ధృవీకరించబడిన కాపీలో ఒక కృతి యొక్క పునరుత్పత్తి. (అమలులో ఉన్న ఏదైనా చట్టం ప్రకారం తయారు చేయబడిన ఏదైనా ధృవీకరించబడిన కాపీలో ఒక రచన యొక్క పునరుత్పత్తి)


Source: What are the exceptions to Copyright Infringement?

Target: কপিরাইটের একটি অ্যাসাইনমেন্টের করা যেতে পারে? এটি করার পদ্ধতি কী?


Source: What are the exceptions to Copyright Infringement?

Target: કૉપિરાઇટ ઉલ્લંઘનના અપવાદો શું છે?


Source: What are the exceptions to Copyright Infringement?

Target: कॉपीराइट उल्लंघन के अपवाद क्या हैं?


Source: What are the exceptions to Copyright Infringement?

Target: പകർപ്പവകാശ ലംഘനത്തിനുള്ള ഒഴിവാക്കലുകൾ എന്തൊക്കെയാണ്?


Source: What are the exceptions to Copyright Infringement?

Target: कॉपीराइट उल्लंघनास अपवाद (exception) काय आहेत?


Source: What are the exceptions to Copyright Infringement?

Target: କପି ରାଇଟ ଉଲଙ୍ଘନ ରେ କଣ ସବୁ ବ୍ୟତିକ୍ରମ ଥାଏ ?


Source: What are the exceptions to Copyright Infringement?

Target: ਕੀ ਕਾਪੀਰਾਈਟ ਦਾ ਲਾਇਸੰਸ ਦਿੱਤਾ ਜਾ ਸਕਦਾ ਹੈ? ਜੇਕਰ ਹਾਂ, ਤਾਂ ਕਿਵੇਂ?


Source: What are the exceptions to Copyright Infringement?

Target: பதிப்புரிமை மீறலுக்கான விதிவிலக்குகள் யாவை?


Source: What are the exceptions to Copyright Infringement?

Target: కాపీరైట్ లైసెన్స్ మంజూరు చేయవచ్చా? చేయవచ్చు అంటే ఎలా?


Source: Acts which do not amount to copyright infringement are provided under Section 52 of the Copyright Act, 1957. Some of these include: A fair dealing with a work for the purposes of its review or criticism. Reproduction of work for private study. Reproduction for educational purposes. Reporting present events in any print media. Reproduction of the judicial proceeding or of a report of the judicial proceeding. Publication or reproduction of the musical, literary, dramatic or artistic work in any work prepared by the secretariat of the legislature. The reproduction of any literary, musical work or dramatic in a certified copy made or supplied in lines with any law for the time being in force.

Target: হ্যাঁ, কপিরাইটের মালিক তাদের কপিরাইটের একটিকরতে পারেন সম্পূর্ণ বা আংশিক নিয়োগ। এই নিয়োগটি সম্পূর্ণ মেয়াদে বা কপিরাইটের অংশের জন্য করা যেতে পারে। অ্যাসাইনমেন্টের জন্য লেখক বা তার এজেন্টের স্বাক্ষর প্রয়োজনীয় অ্যাসাইনমেন্টের ডকু মেন্টে উল্লেখ করা উচিত নির্ধারিত কাজের নাম, অ্যাসাইনমেন্টের সময়সীমা এবং তার আঞ্চলিক সীমা সম্পর্কে ও লেখা উচিত। যদি নিয়োগের মেয়াদটি বর্ণিত না হয়, তবে এটি পাঁচ বছর হিসাবে বিবেচিত হবে। এর পরে, নিয়োগটি ল্যাপস হয়। তদুপরি, যদিএক বছরের সময়কালে নিয়োগকারী তার অধিকার প্রয়োগ না করে তবে নিয়োগটি স্বয়ংক্রিয়ভাবে মিস হয়ে যাবে। (কপিরাইট আইন, ১৯৫৭ এর ১৮ এবং ১৯ ধারা দেখুন)


Source: Acts which do not amount to copyright infringement are provided under Section 52 of the Copyright Act, 1957. Some of these include: A fair dealing with a work for the purposes of its review or criticism. Reproduction of work for private study. Reproduction for educational purposes. Reporting present events in any print media. Reproduction of the judicial proceeding or of a report of the judicial proceeding. Publication or reproduction of the musical, literary, dramatic or artistic work in any work prepared by the secretariat of the legislature. The reproduction of any literary, musical work or dramatic in a certified copy made or supplied in lines with any law for the time being in force.

Target: કૉપિરાઇટના ઉલ્લંઘનને પાત્ર ન હોય તેવા અધિનિયમો કૉપિરાઇટ એક્ટ, 1957ની કલમ 52 હેઠળ પ્રદાન કરવામાં આવે છે. તેમાંના કેટલાકનો સમાવેશ થાય છે:તેની સમીક્ષા અથવા ટીકાના હેતુઓ માટે કાર્ય સાથે યોગ્ય વ્યવહાર. ખાનગી અભ્યાસ માટે કામનું પ્રજનન. શૈક્ષણિક હેતુઓ માટે પ્રજનન. કોઈપણ પ્રિન્ટ મીડિયામાં વર્તમાન ઘટનાઓની જાણ કરવી. ન્યાયિક કાર્યવાહી અથવા ન્યાયિક કાર્યવાહીના અહેવાલનું પુનરુત્પાદન. વિધાનસભાના સચિવાલય દ્વારા તૈયાર કરાયેલ કોઈપણ કાર્યમાં સંગીત, સાહિત્યિક, નાટકીય અથવા કલાત્મક કાર્યનું પ્રકાશન અથવા પુનઃઉત્પાદન. કોઈપણ સાહિત્યિક, સંગીતની કૃતિ અથવા નાટકીયનું પ્રજનન પ્રમાણિત નકલમાં કરવામાં આવે છે અથવા તે સમય માટે અમલમાં હોય તેવા કોઈપણ કાયદાની રેખાઓ અનુસાર પૂરી પાડવામાં આવે છે.


Source: Acts which do not amount to copyright infringement are provided under Section 52 of the Copyright Act, 1957. Some of these include: A fair dealing with a work for the purposes of its review or criticism. Reproduction of work for private study. Reproduction for educational purposes. Reporting present events in any print media. Reproduction of the judicial proceeding or of a report of the judicial proceeding. Publication or reproduction of the musical, literary, dramatic or artistic work in any work prepared by the secretariat of the legislature. The reproduction of any literary, musical work or dramatic in a certified copy made or supplied in lines with any law for the time being in force.

Target: वे कार्य जो कॉपीराइट का उल्लंघन नहीं करते कॉपीराइट अधिनियम, 1957 की धारा 52 में बताये गए है। इनमें से कुछ शामिल हैं: कृति की समालोचना या समीक्षा। शिक्षक या विद्यार्थी द्वारा निजी अध्ययन के लिए काम का पुनरुत्पादन। शैक्षिक उद्देश्यों के लिए पुनरुत्पादन। किसी भी प्रिंट मीडिया में वर्तमान घटनाओं की रिपोर्टिंग। न्यायिक कार्यवाही का पुनरुत्पादन या न्यायिक कार्यवाही की रिपोर्ट। किसी विधि के अनुसार तैयार की गई या प्रदाय की गई किसी प्रमाणित प्रति में किसी कृति का पुनरुत्पादन। (reproduction of a work in any certified copy made according to any law in force)


Source: Acts which do not amount to copyright infringement are provided under Section 52 of the Copyright Act, 1957. Some of these include: A fair dealing with a work for the purposes of its review or criticism. Reproduction of work for private study. Reproduction for educational purposes. Reporting present events in any print media. Reproduction of the judicial proceeding or of a report of the judicial proceeding. Publication or reproduction of the musical, literary, dramatic or artistic work in any work prepared by the secretariat of the legislature. The reproduction of any literary, musical work or dramatic in a certified copy made or supplied in lines with any law for the time being in force.

Target: പകർപ്പവകാശ ലംഘനത്തിന് തുല്യമല്ലാത്ത നിയമങ്ങൾ 1കോപ്പി റൈറ്റ് ആക്ട്, 1957 സെക്ഷൻ 52 പ്രകാരമാണ് നൽകിയിരിക്കുന്നത്. ഇവയിൽ ചിലത് ഉൾപ്പെടുന്നു: ഒരു സൃഷ്ടിയുടെ അവലോകനത്തിനോ വിമർശനത്തിനോ വേണ്ടിയുള്ള ന്യായമായ ഇടപെടൽ. സ്വകാര്യ പഠനത്തിനായി പകർപ്പവകാശ വസ്തുവിൻ്റെ പുനർനിർമ്മാണം. വിദ്യാഭ്യാസ ആവശ്യങ്ങൾക്കായി പുനർനിർമ്മാണം. ഏത് അച്ചടി മാധ്യമത്തിലും വർത്തമാനകാല സംഭവങ്ങൾ റിപ്പോർട്ട് ചെയ്യുന്നു. ജുഡീഷ്യൽ നടപടികളുടെ അല്ലെങ്കിൽ ജുഡീഷ്യൽ നടപടികളുടെ റിപ്പോർട്ടിൻ്റെ പുനർനിർമ്മാണം. നിയമനിർമ്മാണ സഭയുടെ സെക്രട്ടേറിയറ്റ് തയ്യാറാക്കിയ ഏതെങ്കിലും സൃഷ്ടിയിലെ സംഗീത, സാഹിത്യ, നാടക അല്ലെങ്കിൽ കലാപരമായ സൃഷ്ടികളുടെ പ്രസിദ്ധീകരണം അല്ലെങ്കിൽ പുനർനിർമ്മാണം. തൽക്കാലം പ്രാബല്യത്തിൽ വരുന്ന ഏതെങ്കിലും നിയമത്തിന് അനുസൃതമായി നിർമ്മിച്ചതോ വിതരണം ചെയ്തതോ ആയ ഒരു സാക്ഷ്യപ്പെടുത്തിയ പകർപ്പിൽ ഏതെങ്കിലും സാഹിത്യ, സംഗീത സൃഷ്ടി അല്ലെങ്കിൽ നാടകത്തിൻ്റെ പുനർനിർമ്മാണം.


Source: Acts which do not amount to copyright infringement are provided under Section 52 of the Copyright Act, 1957. Some of these include: A fair dealing with a work for the purposes of its review or criticism. Reproduction of work for private study. Reproduction for educational purposes. Reporting present events in any print media. Reproduction of the judicial proceeding or of a report of the judicial proceeding. Publication or reproduction of the musical, literary, dramatic or artistic work in any work prepared by the secretariat of the legislature. The reproduction of any literary, musical work or dramatic in a certified copy made or supplied in lines with any law for the time being in force.

Target: कॉपीराइटचे उल्लंघन न करणार्‍या कामे कॉपीराइट कायदा 1957 च्या कलम 52 मध्ये नमूद आहेत. यापैकी काही समाविष्ट आहेतः समालोचना किंवा कार्याचे पुनरावलोकन. शिक्षक किंवा विद्यार्थ्यांद्वारे वैयक्तिक अभ्यासासाठी कार्याचे पुनरुत्पादन. शैक्षणिक उद्देशाने पुनरुत्पादन. कोणत्याही प्रिंट मीडियामध्ये सद्य घटनांचा अहवाल देणे. न्यायालयीन कार्यवाहीचे पुनरुत्पादन किंवा न्यायालयीन कार्यवाहीचा अहवाल. एखाद्या पद्धतीनुसार तयार केलेल्या किंवा पुरविल्या गेलेल्या प्रमाणित कॉपीमधील कार्याचे पुनरुत्पादन. (अंमलात असलेल्या कोणत्याही कायद्यानुसार केलेल्या कोणत्याही प्रमाणित कॉपीमधील कार्याचे पुनरुत्पादन)