Question: Which film came out earlier, Testament Of Orpheus or Wandering Fires?

Knowledge 1: Testament of Orpheus
Testament of Orpheus is a 1960 black- and- white film with a few seconds of color film spliced in.Directed by and starring Jean Cocteau, who plays himself as an 18th- century poet, the film includes cameo appearances by Pablo Picasso, Jean Marais, Charles Aznavour, Jean- Pierre Leaud and Yul Brynner.It is considered the final part of the Orphic Trilogy, following" The Blood of a Poet"( 1930) and" Orphée"( 1950).One critic described it as a" wry, self- conscious re-examination of a lifetime's obsessions" with Cocteau placing himself at the center of the mythological and fictional world he spun throughout his books, films, plays and paintings.The film includes numerous instances of" double takes", including one scene where Cocteau, walking past himself, looks back to see himself in what was described by one scholar as" a retrospective on the Cocteau" œuvre." The New York Times" calls it" self- serving", noting that the pretension of the film was certainly intended by Cocteau as his last statement made on film:" as much a long- winded self- analysis as an extraordinary succession of visually arresting images". [SEP] Knowledge 2: Wandering Fires
Wandering Fires is a 1925 silent film drama produced and directed by Maurice Campbell and stars Constance Bennett.It was distributed in the U.S. by Arrow Film Corporation and in the UK by Film Booking Offices of America.Campbell's wife, stage star Henrietta Crosman, appears in the film.A print is held by the George Eastman House.
Knowledge 1: Testament of Orpheus
Testament of Orpheus is a 1960 black- and- white film with a few seconds of color film spliced in.Directed by and starring Jean Cocteau, who plays himself as an 18th- century poet, the film includes cameo appearances by Pablo Picasso, Jean Marais, Charles Aznavour, Jean- Pierre Leaud and Yul Brynner.It is considered the final part of the Orphic Trilogy, following" The Blood of a Poet"( 1930) and" Orphée"( 1950).One critic described it as a" wry, self- conscious re-examination of a lifetime's obsessions" with Cocteau placing himself at the center of the mythological and fictional world he spun throughout his books, films, plays and paintings.The film includes numerous instances of" double takes", including one scene where Cocteau, walking past himself, looks back to see himself in what was described by one scholar as" a retrospective on the Cocteau" œuvre." The New York Times" calls it" self- serving", noting that the pretension of the film was certainly intended by Cocteau as his last statement made on film:" as much a long- winded self- analysis as an extraordinary succession of visually arresting images". [SEP] Knowledge 2: Testament of Youth
Testament of Youth is the first instalment, covering 1900 – 1925, in the memoir of Vera Brittain( 1893 – 1970).It was published in 1933.Brittain's memoir continues with" Testament of Experience", published in 1957, and encompassing the years 1925 – 1950.Between these two books comes" Testament of Friendship"( published in 1940), which is essentially a memoir of Brittain's close colleague and friend Winifred Holtby.A final segment of memoir, to be called" Testament of Faith" or" Testament of Time", was planned by Brittain but remained unfinished at her death." Testament of Youth" has been acclaimed as a classic for its description of the impact of World War I on the lives of women and the middle- class civilian population of Great Britain.The book shows how the impact extended into the postwar years.It is also considered a classic in feminist literature for its depiction of a woman's pioneering struggle to forge an independent career in a society only grudgingly tolerant of educated women.
Knowledge 1: Testament of Orpheus
Testament of Orpheus is a 1960 black- and- white film with a few seconds of color film spliced in.Directed by and starring Jean Cocteau, who plays himself as an 18th- century poet, the film includes cameo appearances by Pablo Picasso, Jean Marais, Charles Aznavour, Jean- Pierre Leaud and Yul Brynner.It is considered the final part of the Orphic Trilogy, following" The Blood of a Poet"( 1930) and" Orphée"( 1950).One critic described it as a" wry, self- conscious re-examination of a lifetime's obsessions" with Cocteau placing himself at the center of the mythological and fictional world he spun throughout his books, films, plays and paintings.The film includes numerous instances of" double takes", including one scene where Cocteau, walking past himself, looks back to see himself in what was described by one scholar as" a retrospective on the Cocteau" œuvre." The New York Times" calls it" self- serving", noting that the pretension of the film was certainly intended by Cocteau as his last statement made on film:" as much a long- winded self- analysis as an extraordinary succession of visually arresting images". [SEP] Knowledge 2: The Blood of a Poet
The Blood of a Poet( 1930) is an avant- garde film directed by Jean Cocteau, financed by Charles de Noailles and starring Enrique Riveros, a Chilean actor who had a successful career in European films.Photographer Lee Miller made her only film appearance in this movie, which features an appearance by the famed aerialist Barbette.It is the first part of the Orphic Trilogy, which is continued in" Orphée"( 1950) and concludes with" Testament of Orpheus"( 1960).

Answer: Wandering Fires