Question: Which film has the director born later, Barbarosa or Stories Of The Revolution?

Knowledge 1: Stories of the Revolution
Stories of the Revolution is a 1960 Cuban drama film directed by Tomás Gutiérrez Alea.It was entered into the 2nd Moscow International Film Festival. [SEP] Knowledge 2: Barbarosa
Barbarosa is a 1982 American Western film starring Willie Nelson and Gary Busey about a young cowboy on the run from the law who partners with a famous bandito and learns about life from him." One of the best overlooked westerns of the last 20 years" according to reviewer LG Writer, and featured on an episode of the television show" Siskel& Ebert" dedicated to uncovering worthy sleepers, it is" a tale of betrayal, vendetta, honor, and dignityBarbarosa" was the first American film by noted Australian director Fred Schepisi. [SEP] Knowledge 3: Fred Schepisi
Frederic Alan Schepisi, AO( born 26 December 1939) is an Australian film director, producer and screenwriter.His credits include" The Chant of Jimmie BlacksmithPlentyRoxanneSix Degrees of Separation Mr. Baseball" and" Last Orders". [SEP] Knowledge 4: Tomás Gutiérrez Alea
Tomás Gutiérrez Alea (December 11, 1928 – April 16, 1996) was a Cuban filmmaker.He wrote and directed more than 20 features, documentaries, and short films, which are known for his sharp insight into post-Revolutionary Cuba, and possess a delicate balance between dedication to the revolution and criticism of the social, economic, and political conditions of the country.Gutiérrez's work is representative of a cinematic movement occurring in the 1960s and 1970s known collectively as the New Latin American Cinema.This collective movement, also referred to by various writers by specific names such as “Third Cinema”, “Cine Libre”, and “Imperfect Cinema,” was concerned largely with the problems of neocolonialism and cultural identity.The movement rejected both the commercial perfection of the Hollywood style, and the auteur-oriented European art cinema, for a cinema created as a tool for political and social change.Due not in a small part to the filmmakers’ lack of resources, aesthetic was of secondary importance to cinema's social function.The movement's main goal was to create films in which the viewer became an active, self-aware participant in the discourse of the film.Viewers were presented with an analysis of a current problem within society that as of that time had no clear solution, hoping to make the audience aware of the problem and to leave the theater willing to become actors of social change.
Knowledge 1: Fred Schepisi
Frederic Alan Schepisi, AO( born 26 December 1939) is an Australian film director, producer and screenwriter.His credits include" The Chant of Jimmie BlacksmithPlentyRoxanneSix Degrees of Separation Mr. Baseball" and" Last Orders". [SEP] Knowledge 2: Stories of the Revolution
Stories of the Revolution is a 1960 Cuban drama film directed by Tomás Gutiérrez Alea.It was entered into the 2nd Moscow International Film Festival. [SEP] Knowledge 3: Tomás Gutiérrez Alea
Tomás Gutiérrez Alea (December 11, 1928 – April 16, 1996) was a Cuban filmmaker.He wrote and directed more than 20 features, documentaries, and short films, which are known for his sharp insight into post-Revolutionary Cuba, and possess a delicate balance between dedication to the revolution and criticism of the social, economic, and political conditions of the country.Gutiérrez's work is representative of a cinematic movement occurring in the 1960s and 1970s known collectively as the New Latin American Cinema.This collective movement, also referred to by various writers by specific names such as “Third Cinema”, “Cine Libre”, and “Imperfect Cinema,” was concerned largely with the problems of neocolonialism and cultural identity.The movement rejected both the commercial perfection of the Hollywood style, and the auteur-oriented European art cinema, for a cinema created as a tool for political and social change.Due not in a small part to the filmmakers’ lack of resources, aesthetic was of secondary importance to cinema's social function.The movement's main goal was to create films in which the viewer became an active, self-aware participant in the discourse of the film.Viewers were presented with an analysis of a current problem within society that as of that time had no clear solution, hoping to make the audience aware of the problem and to leave the theater willing to become actors of social change. [SEP] Knowledge 4: Barbarosa
Barbarosa is a 1982 American Western film starring Willie Nelson and Gary Busey about a young cowboy on the run from the law who partners with a famous bandito and learns about life from him." One of the best overlooked westerns of the last 20 years" according to reviewer LG Writer, and featured on an episode of the television show" Siskel& Ebert" dedicated to uncovering worthy sleepers, it is" a tale of betrayal, vendetta, honor, and dignityBarbarosa" was the first American film by noted Australian director Fred Schepisi.
Knowledge 1: Fred Schepisi
Frederic Alan Schepisi, AO( born 26 December 1939) is an Australian film director, producer and screenwriter.His credits include" The Chant of Jimmie BlacksmithPlentyRoxanneSix Degrees of Separation Mr. Baseball" and" Last Orders". [SEP] Knowledge 2: Stories of the Revolution
Stories of the Revolution is a 1960 Cuban drama film directed by Tomás Gutiérrez Alea.It was entered into the 2nd Moscow International Film Festival. [SEP] Knowledge 3: Tomás Gutiérrez Alea
Tomás Gutiérrez Alea (December 11, 1928 – April 16, 1996) was a Cuban filmmaker.He wrote and directed more than 20 features, documentaries, and short films, which are known for his sharp insight into post-Revolutionary Cuba, and possess a delicate balance between dedication to the revolution and criticism of the social, economic, and political conditions of the country.Gutiérrez's work is representative of a cinematic movement occurring in the 1960s and 1970s known collectively as the New Latin American Cinema.This collective movement, also referred to by various writers by specific names such as “Third Cinema”, “Cine Libre”, and “Imperfect Cinema,” was concerned largely with the problems of neocolonialism and cultural identity.The movement rejected both the commercial perfection of the Hollywood style, and the auteur-oriented European art cinema, for a cinema created as a tool for political and social change.Due not in a small part to the filmmakers’ lack of resources, aesthetic was of secondary importance to cinema's social function.The movement's main goal was to create films in which the viewer became an active, self-aware participant in the discourse of the film.Viewers were presented with an analysis of a current problem within society that as of that time had no clear solution, hoping to make the audience aware of the problem and to leave the theater willing to become actors of social change. [SEP] Knowledge 4: W. Augustus Barratt
W. Augustus Barratt( 1873- 1947) was a Scottish- born, later American, songwriter and musician.

Answer: Barbarosa