Question: Which film has the director who died later, Elle Boit Pas, Elle Fume Pas, Elle Drague Pas, Mais... Elle Cause ! or The Very Eye Of Night?

Knowledge 1: Elle boit pas, elle fume pas, elle drague pas, mais... elle cause !
Elle boit pas, elle fume pas, elle drague pas, mais ... elle cause!is a French comedy film directed by Michel Audiard released in 1970. [SEP] Knowledge 2: Michel Audiard
Paul Michel Audiard( 15 May 1920 – 27 July 1985) was a French screenwriter and film director, known for his witty, irreverent and slang- laden dialogues which made him a prominent figure on the French cultural scene of the 1960s and 1970s.He was the father of French film director Jacques Audiard. [SEP] Knowledge 3: The Very Eye of Night
The Very Eye of Night is 1958 American experimental silent black and white short written, cinematography and directed by Maya Deren and her last completed film.The film was made in collaboration with Metropolitan Opera Ballet School.The film editing by Deren into a 16 mm format and music by Teiji Ito.The entire film is projected as photographed in the negative. [SEP] Knowledge 4: Maya Deren
Maya Deren( April 29, 1917 – October 13, 1961), born Eleonora Derenkowska, was a Ukrainian- born American experimental filmmaker and important promoter of the avant- garde in the 1940s and 1950s.Deren was also a choreographer, dancer, film theorist, poet, lecturer, writer, and photographer.The function of film, Deren believed, was to create an experience.She combined her expertise in dance and choreography, ethnography, the African spirit religion of Haitian Vodou, symbolist poetry and gestalt psychology( student of Kurt Koffka) in a series of perceptual, black- and- white short films.Using editing, multiple exposures, jump- cutting, superimposition, slow- motion, and other camera techniques to her advantage, Deren abandoned established notions of physical space and time, in carefully planned films with specific conceptual aims." Meshes of the Afternoon"( 1943), her collaboration with Alexander Hammid, has been one of the most influential experimental films in American cinema history.She went on to make several films of her own, including" At Land"( 1944)," A Study in Choreography for Camera"( 1945), and" Ritual in Transfigured Time"( 1946), writing, producing, directing, editing, and photographing them with help from only one other person, Hella Heyman, her camerawoman.
Knowledge 1: The Very Eye of Night
The Very Eye of Night is 1958 American experimental silent black and white short written, cinematography and directed by Maya Deren and her last completed film.The film was made in collaboration with Metropolitan Opera Ballet School.The film editing by Deren into a 16 mm format and music by Teiji Ito.The entire film is projected as photographed in the negative. [SEP] Knowledge 2: Elle boit pas, elle fume pas, elle drague pas, mais... elle cause !
Elle boit pas, elle fume pas, elle drague pas, mais ... elle cause!is a French comedy film directed by Michel Audiard released in 1970. [SEP] Knowledge 3: Michel Audiard
Paul Michel Audiard( 15 May 1920 – 27 July 1985) was a French screenwriter and film director, known for his witty, irreverent and slang- laden dialogues which made him a prominent figure on the French cultural scene of the 1960s and 1970s.He was the father of French film director Jacques Audiard. [SEP] Knowledge 4: Maya Deren
Maya Deren( April 29, 1917 – October 13, 1961), born Eleonora Derenkowska, was a Ukrainian- born American experimental filmmaker and important promoter of the avant- garde in the 1940s and 1950s.Deren was also a choreographer, dancer, film theorist, poet, lecturer, writer, and photographer.The function of film, Deren believed, was to create an experience.She combined her expertise in dance and choreography, ethnography, the African spirit religion of Haitian Vodou, symbolist poetry and gestalt psychology( student of Kurt Koffka) in a series of perceptual, black- and- white short films.Using editing, multiple exposures, jump- cutting, superimposition, slow- motion, and other camera techniques to her advantage, Deren abandoned established notions of physical space and time, in carefully planned films with specific conceptual aims." Meshes of the Afternoon"( 1943), her collaboration with Alexander Hammid, has been one of the most influential experimental films in American cinema history.She went on to make several films of her own, including" At Land"( 1944)," A Study in Choreography for Camera"( 1945), and" Ritual in Transfigured Time"( 1946), writing, producing, directing, editing, and photographing them with help from only one other person, Hella Heyman, her camerawoman.
Knowledge 1: The Very Eye of Night
The Very Eye of Night is 1958 American experimental silent black and white short written, cinematography and directed by Maya Deren and her last completed film.The film was made in collaboration with Metropolitan Opera Ballet School.The film editing by Deren into a 16 mm format and music by Teiji Ito.The entire film is projected as photographed in the negative. [SEP] Knowledge 2: Elle boit pas, elle fume pas, elle drague pas, mais... elle cause !
Elle boit pas, elle fume pas, elle drague pas, mais ... elle cause!is a French comedy film directed by Michel Audiard released in 1970. [SEP] Knowledge 3: Maya Deren
Maya Deren( April 29, 1917 – October 13, 1961), born Eleonora Derenkowska, was a Ukrainian- born American experimental filmmaker and important promoter of the avant- garde in the 1940s and 1950s.Deren was also a choreographer, dancer, film theorist, poet, lecturer, writer, and photographer.The function of film, Deren believed, was to create an experience.She combined her expertise in dance and choreography, ethnography, the African spirit religion of Haitian Vodou, symbolist poetry and gestalt psychology( student of Kurt Koffka) in a series of perceptual, black- and- white short films.Using editing, multiple exposures, jump- cutting, superimposition, slow- motion, and other camera techniques to her advantage, Deren abandoned established notions of physical space and time, in carefully planned films with specific conceptual aims." Meshes of the Afternoon"( 1943), her collaboration with Alexander Hammid, has been one of the most influential experimental films in American cinema history.She went on to make several films of her own, including" At Land"( 1944)," A Study in Choreography for Camera"( 1945), and" Ritual in Transfigured Time"( 1946), writing, producing, directing, editing, and photographing them with help from only one other person, Hella Heyman, her camerawoman. [SEP] Knowledge 4: Ensemble for Somnambulists
Ensemble for Somnambulists is a 1951 American unfinished experimental silent short was written, produced, and directed by Maya Deren.The film was made while Deren teaching a workshop at the Toronto Film Society.Along with Deren the film assistant produced by M. Armour and D. Burritt and cinematography by Graeme Ferguson and Bruce Parsons.The film starring by Frank Ionson, Brian Macdonald, Hannah Winner, Cynthia Barrett and Terry Chapman.The film was never completed and officially unpublished, but this title has been restored and it screens occasionally along with Deren's other films.It is sort of a preliminary sketch for her nest film" The Very Eye of Night".

Answer: Elle Boit Pas, Elle Fume Pas, Elle Drague Pas, Mais... Elle Cause !