Question: who painted the ceiling of the florence cathedral
[{'answer': 'Giorgio Vasari', 'provenance': [{'wikipedia_id': '220884', 'title': 'Florence Cathedral', 'start_paragraph_id': 61, 'start_character': 590, 'end_paragraph_id': 61, 'end_character': 604, 'bleu_score': 1.0, 'section': 'Section::::Interior.\n'}]}, {'answer': 'Federico Zuccari', 'provenance': [{'wikipedia_id': '220884', 'title': 'Florence Cathedral', 'start_paragraph_id': 61, 'start_character': 609, 'end_paragraph_id': 61, 'end_character': 625, 'bleu_score': 1.0, 'section': 'Section::::Interior.\n'}]}, {'answer': 'Giorgio Vasari and Federico Zuccari', 'provenance': [{'wikipedia_id': '220884', 'title': 'Florence Cathedral', 'start_paragraph_id': 61, 'start_character': 590, 'end_paragraph_id': 61, 'end_character': 625, 'bleu_score': 1.0, 'section': 'Section::::Interior.\n'}]}, {'answer': 'a number of collaborators , such as Domenico Cresti'}, {'provenance': [{'wikipedia_id': '220884', 'title': 'Florence Cathedral', 'start_paragraph_id': 61, 'start_character': 0, 'end_paragraph_id': 61, 'end_character': 1640, 'bleu_score': 0.975082566120926, 'meta': {'yes_no_answer': 'NONE', 'annotation_id': 11527828434796132185}, 'section': 'Section::::Interior.\n'}]}, {'provenance': [{'wikipedia_id': '220884', 'title': 'Florence Cathedral', 'section': 'Section::::Interior.\n', 'start_paragraph_id': 61, 'end_paragraph_id': 61, 'meta': {'evidence_span': ['Giorgio Vasari and Federico Zuccari', 'It was suggested that the interior of the 45 metre (147\xa0ft) wide dome should be covered with a mosaic decoration to make the most of the available light coming through the circular windows of the drum and through the lantern. Brunelleschi had proposed the vault to glimmer with resplendent gold, but his death in 1446 put an end to this project, and the walls of the dome were whitewashed. Grand Duke Cosimo I de\' Medici decided to have the dome painted with a representation of "The Last Judgment". This enormous work, 3,600\xa0metres² (38 750\xa0ft²) of painted surface, was started in 1568 by Giorgio Vasari and Federico Zuccari and would last till 1579. The upper portion, near the lantern, representing "The 24 Elders of Apoc. 4" was finished by Vasari before his death in 1574. Federico Zuccari and a number of collaborators, such as Domenico Cresti, finished the other portions: (from top to bottom) "Choirs of Angels"; "Christ, Mary and Saints"; "Virtues, Gifts of the Holy Spirit and Beatitudes"; and at the bottom of the cupola: "Capital Sins and Hell". These frescoes are considered Zuccari\'s greatest work. But the quality of the work is uneven because of the input of different artists and the different techniques. Vasari had used "true fresco", while Zuccari had painted "in secco". During the restoration work, which ended in 1995, the entire pictorial cycle of "The Last Judgment" was photographed with specially designed equipment and all the information collected in a catalogue. All the restoration information along with reconstructed images of the frescos were stored and managed in the Thesaurus Florentinus computer system.', 'This enormous work, 3,600\xa0metres² (38 750\xa0ft²) of painted surface, was started in 1568 by Giorgio Vasari and Federico Zuccari and would last till 1579.']}}]}, {'provenance': [{'wikipedia_id': '33007753', 'title': 'Adoration of the Christ Child (Correggio)', 'section': 'Section::::History.\n', 'start_paragraph_id': 3, 'end_paragraph_id': 3, 'meta': {'evidence_span': ['Giorgio Vasari', 'The original commission of the painting is however unknown, although some identify it with that mentioned by late Renaissance art biographer Giorgio Vasari and which had been brought to Reggio Emilia from Genoa by Luca Pallavicino.']}}]}]