Question: who was the drummer with the travelling wilburys
[{'answer': 'Jim Keltner', 'provenance': [{'wikipedia_id': '583156', 'title': 'Jim Keltner', 'start_paragraph_id': 0, 'start_character': 0, 'end_paragraph_id': 0, 'end_character': 11, 'bleu_score': 1.0, 'section': 'Section::::Abstract.'}]}, {'provenance': [{'wikipedia_id': '583156', 'title': 'Jim Keltner', 'start_paragraph_id': 19, 'start_character': 0, 'end_paragraph_id': 19, 'end_character': 137, 'bleu_score': 0.9021315316859231, 'meta': {'yes_no_answer': 'NONE', 'annotation_id': 3257610477337353710}, 'section': 'Section::::Career.:Traveling Wilburys.\n'}]}, {'provenance': [{'wikipedia_id': '31206', 'title': 'Traveling Wilburys', 'section': 'Section::::Line-ups.\n', 'start_paragraph_id': 47, 'end_paragraph_id': 47, 'meta': {'evidence_span': ['Jim Keltner, the session drummer and percussionist, was not listed as a Wilbury on either album. However, he is seen in all of the group\'s music videos, and on the DVD released in 2007, he is given the nickname "Buster Sidebury". Overdubs to the bonus tracks "Maxine" and "Like a Ship" also credited as "Ayrton Wilbury", a pseudonym for Dhani Harrison. The name Ayrton was used in honour of F1 racer Ayrton Senna. Jim Horn played saxophone on both albums. The lead guitar on the "Volume 3" song "She\'s My Baby" was played by rock guitarist Gary Moore ("Ken Wilbury").', 'Jim Keltner, the session drummer and percussionist, was not listed as a Wilbury on either album', 'Jim Keltner, the session drummer and percussionist, was not listed as a Wilbury on either album. However, he is seen in all of the group\'s music videos, and on the DVD released in 2007, he is given the nickname "Buster Sidebury". Overdubs to the bonus tracks "Maxine" and "Like a Ship" also credited as "Ayrton Wilbury", a pseudonym for Dhani Harrison. The name Ayrton was used in honour of F1 racer Ayrton Senna. Jim Horn played saxophone on both albums. The lead guitar on the "Volume 3" song "She\'s My Baby" was played by rock guitarist Gary Moore ("Ken Wilbury").']}}]}, {'provenance': [{'wikipedia_id': '31206', 'title': 'Traveling Wilburys', 'section': 'Section::::History.:1988–91.:Debut album.\n', 'start_paragraph_id': 14, 'end_paragraph_id': 14, 'meta': {'evidence_span': ['The five band members sat in a circle playing acoustic guitars in Stewart\'s kitchen; once each song\'s basic track had been written and recorded there (with accompaniment from a drum machine), the group recorded their vocals in another room, usually after dinner each night. Petty recalled that, as a friend but also an avowed fan of Dylan\'s, Harrison felt the need to clear the air on the first day by saying to him: "We know that you\'re Bob Dylan and everything, but we\'re going to just treat you and talk to you like we would anybody else." Dylan replied: "Well, great. Believe it or not, I\'m in awe of you guys, and it\'s the same for me." While most of the songs had a primary composer, all of the band members were creative equals. Petty later described Harrison as the Wilburys\' "leader and manager", and credited him with being a bandleader and producer that had a natural instinct for bringing out the best in people and keeping a recording session productive. As the group\'s producers, Harrison and Lynne directed the sessions, with Harrison often auditioning each member to decide who should sing a particular lead vocal part. The two producers then flew back to England; Lynne recalls that, throughout the flight, he and Harrison enthused about how to turn the sparse, acoustic-based tracks into completed recordings. Overdubs and further recording took place at Harrison\'s studio, FPSHOT, with "Sideburys" Jim Keltner (drums), Jim Horn (saxophones) and Ray Cooper (percussion). Harrison described the band\'s sound as "skiffle for the 1990s". The album was released on 18 October 1988. Distributed by Warner Bros., it appeared on the new Wilbury record label rather than on Harrison\'s Dark Horse label, in the interests of maintaining the group identity. Over the months following', 'The five band members sat in a circle playing acoustic guitars in Stewart\'s kitchen; once each song\'s basic track had been written and recorded there (with accompaniment from a drum machine), the group recorded their vocals in another room, usually after dinner each night. Petty recalled that, as a friend but also an avowed fan of Dylan\'s, Harrison felt the need to clear the air on the first day by saying to him: "We know that you\'re Bob Dylan and everything, but we\'re going to just treat you and talk to you like we would anybody else." Dylan replied: "Well, great. Believe it or not, I\'m in awe of you guys, and it\'s the same for me." While most of the songs had a primary composer, all of the band members were creative equals. Petty later described Harrison as the Wilburys\' "leader and manager", and credited him with being a bandleader and producer that had a natural instinct for bringing out the best in people and keeping a recording session productive. As the group\'s producers, Harrison and Lynne directed the sessions, with Harrison often auditioning each member to decide who should sing a particular lead vocal part. The two producers then flew back to England; Lynne recalls that, throughout the flight, he and Harrison enthused about how to turn the sparse, acoustic-based tracks into completed recordings. Overdubs and further recording took place at Harrison\'s studio, FPSHOT, with "Sideburys" Jim Keltner (drums), Jim Horn (saxophones) and Ray Cooper (percussion). Harrison described the band\'s sound as "skiffle for the 1990s". The album was released on 18 October 1988. Distributed by Warner Bros., it appeared on the new Wilbury record label rather than on Harrison\'s Dark Horse label, in the interests of maintaining the group identity. Over the months following']}}]}]