sentence-transformers/squad huggingface dataset:
Passage: The term "house music" is said to have originated from a Chicago club called The Warehouse, which existed from 1977 to 1983. Clubbers to The Warehouse were primarily black and gay, who came to dance to music played by the club's resident DJ Frankie Knuckles, whom fans refer to as the "godfather of house". After the Warehouse closed in 1983, the crowds went to Knuckles' new club, The Power Plant. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!", and then everybody laughed. South-Side Chicago DJ Leonard "Remix" Roy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets. Farley Jackmaster Funk was quoted as saying "In 1982, I was DJing at a club called The Playground and there was this kid named Leonard 'Remix' Roy who was a DJ at a rival club called The Rink. He came over to my club one night, and into the DJ booth and said to me, 'I've got the gimmick that's gonna take all the people out of your club and into mine – it's called House music.' Now, where he got that name from or what made him think of it I don't know, so the answer lies with him."

Question: what club did the term 'house music' originate from?

Question: what city was the club The Warehouse located in?

Question: what years was the club The warehouse open?

Question: what types of people did the club The Warehouse attract?

Question: who was the resident DJ at The Warehouse in Chicago?
Passage: Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labeling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub were labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Question: what is the name of Chip E's 1985 house hit?

Question: when was Chip E's hit "It's House" released?

Question: the term 'house music' came from the labeling of records at what store?
Passage: In a 1986 interview, Rocky Jones, the former club DJ who ran the D.J. International record label, doesn't mention Importes Etc., Frankie Knuckles, or the Warehouse by name, but agrees that "house" was a regional catch-all term for dance music, and that it was once synonymous with older disco music.

Question: who ran the D.J. International record label?

Question: House is a regional catch-all term for what kind of music?

Question: what was 'house music' once synonymous with?
Passage: Larry Heard, a.k.a. "Mr. Fingers", claims that the term "house" became popular due to many of the early DJs creating music in their own homes using synthesizers and drum machines such as the Roland TR-808, TR-909, and the TB 303.[citation needed] These synthesizers were used to create a house subgenre called acid house.

Question: What was the stage name of Larry Heard?

Question: Why did the term house become popular?

Question: what are the Roland TR-808, TR-909, and TB 303 examples of?

Question: synthesizers were used to create what house subgenre?

Question: what was the real name of Mr. Fingers?
Passage: Juan Atkins, an originator of Detroit techno music, claims the term "house" reflected the exclusive association of particular tracks with particular clubs and DJs; those records helped differentiate the clubs and DJs, and thus were considered to be their "house" records. In an effort to maintain such exclusives, the DJs were inspired to create their own "house" records.

Question: What is Juan Atkins an originator of?

Question: What did Atkins claim the term house reflected?

Question: Why were DJs inspired to create their own house records?
Passage: House also had an influence of relaying political messages to people who were considered to be outcasts of society. The music appealed to those who didn't fit into mainstream American society and was especially celebrated by many black males. Frankie Knuckles once said that the Warehouse club in Chicago was like "church for people who have fallen from grace" The house producer Marshall Jefferson compared it to "old-time religion in the way that people just get happy and screamin'". Deep house was similar to many of the messages of freedom for the black community.

Question: Who did House relay political messages to?

Question: Who did Frankie Knuckles once say the Warehouse club was for?

Question: Who was a famous house producer?

Question: where was the warehouse club located?

Question: what community was deep house popular with?
Passage: Detroit techno is an offshoot of Chicago house music. It was developed starting in the late 80s, one of the earliest hits being "Big Fun" by Inner City. Detroit techno developed as the legendary disc jockey The Electrifying Mojo conducted his own radio program at this time, influencing the fusion of eclectic sounds into the signature Detroit techno sound. This sound, also influenced by European electronica (Kraftwerk, Art of Noise), Japanese synthpop (Yellow Magic Orchestra), early B-boy Hip-Hop (Man Parrish, Soul Sonic Force) and Italo disco (Doctor's Cat, Ris, Klein M.B.O.), was further pioneered by Juan Atkins, Derrick May, and Kevin Saunderson, the "godfathers" of Detroit Techno.[citation needed]

Question: what was one of the earliest Detroit techno hits?

Question: who started the Detroit techno development?

Question: what was the nickname of juan atkins, derrick may, and devin saunderson?

Question: who were the early b-boy hip-hop artists that inspired detroit techno?

Question: who were the european electronica artists that inspired detroit techno?
Passage: Derrick May a.k.a. "MAYDAY" and Thomas Barnett released "Nude Photo" in 1987 on May's label "Transmat Records", which helped kickstart the Detroit techno music scene and was put in heavy rotation on Chicago's Hot Mix 5 Radio DJ mix show and in many Chicago clubs.[citation needed] A year later, Transmat released what was to become one of techno and house music's classic anthems – the seminal track "Strings of Life". Transmat Records went on to have many more successful releases[citation needed] such as 1988's "Wiggin". As well, Derrick May had successful[citation needed] releases on Kool Kat Records and many remixes for a host of underground and mainstream recording artist.

Question: Mayday and Thomas Barnett released what hit in 1987?

Question: what was the name of Mayday's record label?

Question: What was the real name of the artist Mayday?

Question: what year was the hit song "wiggin" released?

Question: what label did Derrick May have successful releases on after his own?
Passage: Kevin Saunderson's company KMS Records contributed many releases that were as much house music as they were techno. These tracks were well received in Chicago and played on Chicago radio and in clubs.[citation needed] Blake Baxter's 1986 recording, "When we Used to Play / Work your Body", 1987's "Bounce Your Body to the Box" and "Force Field", "The Sound / How to Play our Music" and "the Groove that Won't Stop" and a remix of "Grooving Without a Doubt". In 1988, as house music became more popular among general audiences, Kevin Saunderson's group Inner City with Paris Gray released the 1988 hits "Big Fun" and "Good Life", which eventually were picked up by Virgin Records. Each EP / 12 inch single sported remixes by Mike "Hitman" Wilson and Steve "Silk" Hurley of Chicago and Derrick "Mayday" May and Juan Atkins of Detroit. In 1989, KMS had another hit release of "Rock to the Beat" which was a theme in Chicago dance clubs.[citation needed]

Question: who founded KMS Records?

Question: what was the name of Blake Baxter's 1986 hit recording?

Question: what was the name of Blake Baxter's 1987 hit recording?

Question: what group released "Big Fun" and "Good Life" in 1988?

Question: what was the 1989 hit theme released by KMS?
Passage: With house music already massive on the '80s dance-scene it was only a matter of time before it would penetrate the UK pop charts.[citation needed] The record generally credited as the first house hit in the UK was Farley "Jackmaster" Funk's "Love Can't Turn Around" which reached #10 in the UK singles chart in September 1986.

Question: what is credited as the first house hit in the UK?

Question: what did "Love Can't Turn Around" peak at in the UK charts?

Question: what year did Farley Funk have his first UK hit?
Passage: In January 1987, Chicago artist Steve "Silk" Hurley's "Jack Your Body" reached number one in the UK, showing it was possible for house music to cross over. The same month also saw Raze enter the top 20 with "Jack the Groove", and several further house hits reached the top ten that year. Stock Aitken Waterman's productions for Mel and Kim, including the number-one hit "Respectable", added elements of house to their previous Europop sound, and session group Mirage scored top-ten hits with "Jack Mix II" and "Jack Mix IV", medleys of previous electro and Europop hits rearranged in a house style. Key labels in the rise of house music in the UK included:

Question: What was the first house single to hit #1 in the UK?

Question: What year did "Jack Your Body" hit #1 in the UK?

Question: Who had a hit single with "jack the groove"?

Question: what group's productions for Mel and Kim added elements of house to the europop sound?

Question: what was the name of mel and kim's number-one hit single in the UK?
Passage: The tour in March 1987[citation needed] of Knuckles, Jefferson, Fingers Inc. (Heard) and Adonis as the DJ International Tour boosted house in the UK. Following the number-one success of MARRS' "Pump Up The Volume" in October, the years 1987 to 1989 also saw UK acts such as The Beatmasters, Krush, Coldcut, Yazz, Bomb The Bass, S-Express, and Italy's Black Box opening the doors to a house music onslaught on the UK charts. Early British house music quickly set itself apart from the original Chicago house sound;[citation needed] many of the early hits were based on sample montage, rap was often used for vocals (far more than in the US),[citation needed] and humor was frequently an important element.

Question: what tour boosted house in the UK in the late 80s?

Question: when did the DJ International Tour take place?

Question: what was the name of MARRS' number-one single in October 1987?

Question: what was frequently an important element of UK house music?

Question: Sample montages were a key difference between british house music and what?
Passage: One of the early anthemic tunes, "Promised Land" by Joe Smooth, was covered and charted within a week by the Style Council. Europeans embraced house, and began booking legendary American house DJs to play at the big clubs, such as Ministry of Sound, whose resident, Justin Berkmann brought in Larry Levan.

Question: who released the hit single "promised land"?

Question: who covered and charted the single "promised land"?

Question: who was the resident of the Ministry of Sound?

Question: who did Justin Berkmann bring into the club to play?
Passage: The house scene in cities such as Birmingham, Leeds, Sheffield and London were also provided with many underground Pirate Radio stations and DJs alike which helped bolster an already contagious, but otherwise ignored by the mainstream, music genre. The earliest and influential UK house and techno record labels such as Warp Records and Network Records (otherwise known as Kool Kat records) helped introduce American and later Italian dance music to Britain as well as promoting select UK dance music acts.

Question: what cities in the UK had major house scenes?

Question: what helped to bolster house music in the uk?

Question: what were the earliest and most influential record labels in UK house music?

Question: what was network records also known as?

Question: what type of dance music was later introduced alongside American house music?
Passage: But house was also being developed on Ibiza,[citation needed] although no house artists or labels were coming from this tiny island at the time. By the mid-1980s a distinct Balearic mix of house was discernible.[citation needed] Several clubs such as Amnesia with DJ Alfredo were playing a mix of rock, pop, disco and house. These clubs, fueled by their distinctive sound and Ecstasy, began to have an influence on the British scene. By late 1987, DJs such as Trevor Fung, Paul Oakenfold and Danny Rampling were bringing the Ibiza sound to UK clubs such as the Haçienda in Manchester, and in London clubs such as Shoom in Southwark, Heaven, Future and Spectrum.

Question: what tiny island was house music also being devloped on?

Question: what was a popular club in ibiza that started playing dance and house music?

Question: who was the DJ at Amnesia in the mid 80s?

Question: who were some of the DJs that brought the ibiza sound to uk clubs in late 1987?

Question: what was the name of the big dance club in Manchester UK in the late 80s?
Passage: In the U.S., the music was being developed to create a more sophisticated sound,[citation needed] moving beyond just drum loops and short samples. In Chicago, Marshall Jefferson had formed the house group Ten City Byron Burke, Byron Stingily & Herb Lawson(from "intensity"). New York–based performers such as Mateo & Matos and Blaze had slickly produced disco house tracks. In Detroit a proto-techno music sound began to emerge with the recordings of Juan Atkins, Derrick May and Kevin Saunderson.

Question: what group did Marshall Jefferson form?

Question: what sound emerged in Detroit with the recordings of juan atkins and derrick may?

Question: where were mateo & matos based?

Question: where was marshall jefferson based?

Question: what sound did US house music move beyond in the late 80s?
Passage: Atkins, a former member of Cybotron, released Model 500 "No UFOs" in 1985, which became a regional hit, followed by dozens of tracks on Transmat, Metroplex and Fragile. One of the most unusual was "Strings of Life" by Derrick May, a darker, more intellectual strain of house. "Techno-Scratch" was released by the Knights Of The Turntable in 1984 which had a similar techno sound to Cybotron. The manager of the Factory nightclub and co-owner of the Haçienda, Tony Wilson, also promoted acid house culture on his weekly TV show. The Midlands also embraced the late 1980s house scene with illegal parties and more legal dance clubs such as The Hummingbird.

Question: atkins was a former member of what music group?

Question: what hit single did atkins release in 1985?

Question: what unusual single did derrick may release, featuring a darker strain of house?

Question: what did knights of the turntable release in 1984?

Question: who was the manager of the factory nightclub and co-owner of the hacienda?
Passage: Back in America the scene had still not progressed beyond a small number of clubs in Chicago, Detroit, Newark and New York City. However, many independent Chicago-based record labels were making appearances on the Dance Chart with their releases. In the UK, any house song released by a Chicago-based label was routinely considered a must play at many clubs playing house music. Paradise Garage in New York City was still a top club. The emergence of Todd Terry, a pioneer of the genre, was important in America. His cover of Class Action's Larry Levan mixed "Weekend" demonstrated the continuum from the underground disco to a new house sound with hip-hop influences evident in the quicker sampling and the more rugged bass-line.

Question: what was a top club for house music in new york city?

Question: who was a pioneer of the genre in america?

Question: what hit house song did todd terry cover?

Question: what new influences led to a new house sound?

Question: what was different about the bass-line in the hip-hop influenced house songs?
Passage: In the late 1980s, Nu Groove Records prolonged, if not launched the careers of Rheji Burrell & Rhano Burrell, collectively known as Burrell (after a brief stay on Virgin America via Timmy Regisford and Frank Mendez), along with basically every relevant DJ and Producer in the NY underground scene. The Burrell's are responsible for the "New York Underground" sound and are the undisputed champions of this style of house. Their 30+ releases on this label alone seems to support that fact. In today's market Nu Groove Record releases like the Burrells' enjoy a cult-like following and mint vinyl can fetch $100 U.S. or more in the open market.

Question: what label launched the careers of burrell?

Question: what sound are the burrell's responsible for?

Question: how much can old vinyl releases of the burrells sell for today?

Question: what label were the burrell's briefly with before their success?
Passage: By the late 80s, House had moved West, particularly to San Francisco, Oakland, Los Angeles, Fresno, San Diego and Seattle. Los Angeles saw a huge explosion of underground raves and DJs, notably DJs Marques Wyatt and Billy Long, who spun at Jewel's Catch One, the oldest dance club in America. In 1989, the L.A. based, former EBN-OZN singer/rapper Robert Ozn started indie house label One Voice Records, releasing the Mike "Hitman" Wilson remix of Dada Nada's "Haunted House," which garnered instant club and mix show radio play in Chicago, Detroit and New York as well as in the U.K. and France. The record shot up to Number Five on the Billboard Club Chart, marking it as the first House record by a white artist to chart in the U.S. Dada Nada, the moniker for Ozn's solo act, released in 1990, what has become a classic example of jazz-based Deep House, the Frankie Knuckles and David Morales remix of Dada Nada's "Deep Love" (One Voice Records/US, Polydor/UK), featuring Ozn's lush, crooning vocals and muted trumpet improvisational solos, underscoring Deep House's progression into a genre that integrated jazz and pop songwriting structures – a feature which continued to set it apart from Acid House and Techno.

Question: what is the oldest dance club in america?

Question: where did DJs marques wyatt and billy long become successful?

Question: what label did robert ozn start in 1989?

Question: one voice records released a remix of what dada nada song in 1989?

Question: dada nada was the moniker for what artist's solo act?
Passage: The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream.

Question: what madonna single is credited as helping bring house music to the mainstream?

Question: when was madonna's hit single "vogue" released?

Question: what decade did house music hit the mainstream in the us?

Question: who sang the hit single "vogue"?

Question: how well did madonna's single "vogue" do in the us?
Passage: Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago.

Question: What gospel/R&B-influenced group released "Time Passes On" in 1993?

Question: who released the hit single "time for the perculator" in the us?

Question: what was cajmere's alternate name?

Question: what was the name of the label operated by dj funk in chicago?

Question: what was the prototype of ghetto house?
Passage: In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke.

Question: where did the "chilling out" concept develop?

Question: who released the album analogue bubblebath?

Question: where was the band deee-lite based?

Question: who released the track "little fluffy clouds"?

Question: who transformed happy mondays' "wrote for luck" into a dance hit?
Passage: In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records.

Question: what act was passed in england in an attempt to ban large rave dance events?

Question: what was the nail in the coffin for illegal raves?

Question: when did the bill become a law?

Question: what single introduced dub and reggae into the house sound?

Question: who recorded the hit single "release the pressure"?
Passage: A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

Question: where was a new type of club called Cream located?

Question: what was a new subgenre of house in chicago, developed by bad boy bill and others, called?

Question: george centeno, darren ramirez, and martin o. cairo developed a hard house sound in what city?

Question: what was another name for hardcore techno from the netherlands?

Question: who began opening "superclubs"?