Dawn had seamlessly woven glass shots into many of his films: such as the crumbling California Missions in the movie Missions of California, and used the glass shot to revolutionize the in-camera matte.
Dawn įpynė stiklo kadrus į daugelį savo filmų, tokių kaip „Missions of California“, ir panaudojo stiklo kadrus revoliucionizuojant in-camera matte.