Notoprojo, following extended residencies in Solo, furthered this process, perhaps to the point in which the style of the Pura Pakualaman could be heard as largely Solonese in character.
Notoprojo, setelah residensi yang diperpanjang di Solo, memperkaya proses persilangan musik gamelan ini, mungkin ke titik di mana karakter dan gaya gamelan Pura Paku Alaman bisa terdengar sebagian besar seperti gamelan Solo.