His experimentation with narrative styles continued with Ashikari ("The Reed Cutter," 1932), Shunkinsho ("A Portrait of Shunkin", 1933), and many other works that combine traditional aesthetics with Tanizaki's particular obsessions.
Eksperimentasi dengan gaya naratif diteruskannya dengan Ashikari (The Reed Cutter, 1932), Shunkinsho (A Portrait of Shunkin, 1933), dan beberapa karya lain yang memadukan estetisisme tradisional dengan obsesi khas Tanizaki.