At the end of the chapter he suggests that the films from this period, released before Usmar Ismail's Darah dan Doa (1950), could not be considered truly "Indonesian" as they were commercially oriented.
Di akhir bab, ia berpendapat bahwa film-film yang dirilis pada masa itu, sebelum Darah dan Doa Usmar Ismail (1950), tidak bisa dianggap benar-benar "Indonesia" karena orientasinya komersial.