After the opera's premiere on 3 April she wrote to Holst with mildly critical comments on some of the singers, though with praise for the conductor, the young Malcolm Sargent.
Logo da estrea da ópera o 3 de abril escribiulle a Holst con comentarios lixeiramente críticos sobre algúns dos cantantes, aínda que eloxiou o director, o novo Malcolm Sargent.