After principal photography was completed, Milius sent him two copies of the edited film: one without music, and the other with its scenes set to works by Richard Wagner, Igor Stravinsky, and Sergei Prokofiev, to illustrate the emotional overtones he wanted.
Despois de que a fotografía principal rematase, Milius envioulle dúas copias do filme rematado: unha sen música, e outra con escenas acompañadas das obras de Richard Wagner, Igor Stravinskii e Sergei Prokofev, co obxectivo de ilustrar os matices emocionais que quería.