For the Bexhill scenes during the film's second half, the director makes use of silence and cacophonous sound effects such as the firing of automatic weapons and loudspeakers directing the movement of "fugees" (illegal immigrants).
Nas escenas de Bexhill da segunda metade do filme, o director fai uso do silencio e efectos sonoros cacofónicos como o disparo de armas automáticas ou os altofalantes que dirixen o movemento dos "fugees" (inmigrantes ilegais).