Work in Florence
When was "Saint George" finished?
Donatello
In Florence, Donatello assisted Lorenzo Ghiberti with the statues of prophets for the north door of the Florence Baptistery, for which he received payment in November 1406 and early 1408. In 1409–1411 he executed the colossal seated figure of "Saint John the Evangelist", which until 1588 occupied a niche of the old cathedral façade, and is now placed in the Museo dell'Opera del Duomo. This work marks a decisive step forward from late Gothic Mannerism in the search for naturalism and the rendering of human feelings. The face, the shoulders and the bust are still idealized, while the hands and the fold of cloth over the legs are more realistic. In 1411–1413, Donatello worked on a statue of St. Mark for the guild church of Orsanmichele. In 1417 he completed the "Saint George" for the Confraternity of the Cuirass-makers. The elegant "St. George and the Dragon" relief on the statue's base, executed in schiacciato (a very low bas-relief) is one of the first examples of central-point perspective in sculpture. From 1423 is the "Saint Louis of Toulouse" for the Orsanmichele, now in the Museum of the Basilica di Santa Croce. Donatello had also sculpted the classical frame for this work, which remains, while the statue was moved in 1460 and replaced by "Incredulity of Saint Thomas" by Verrocchio. Between 1415 and 1426, Donatello created five statues for the campanile of Santa Maria del Fiore in Florence, also known as the Duomo. These works are the "Beardless Prophet"; "Bearded Prophet" (both from 1415); the "Sacrifice of Isaac" (1421); "Habbakuk" (1423–1425); and "Jeremiah" (1423–1426); which follow the classical models for orators and are characterized by strong portrait details. From the late teens is the "Pazzi Madonna" relief in Berlin. In 1425, he executed the notable "Crucifix" for Santa Croce; this work portrays Christ in a moment of the agony, eyes and mouth partially opened, the body contracted in an ungraceful posture. From 1425–1427, Donatello collaborated with Michelozzo on the funerary monument of the Antipope John XXIII for the Battistero in Florence. Donatello made the recumbent bronze figure of the deceased, under a shell. In 1427, he completed in Pisa a marble relief for the funerary monument of Cardinal Rainaldo Brancacci at the church of Sant'Angelo a Nilo in Naples. In the same period, he executed the relief of the "Feast of Herod" and the statues of "Faith" and "Hope" for the Baptistery of San Giovanni in Siena. The relief is mostly in "stiacciato", with the foreground figures are done in bas-relief.