Major commissions in Florence
Who made the claim that  Donatello made no secret of his homosexuality
Donatello
Around 1430, Cosimo de' Medici, the foremost art patron of his era, commissioned from Donatello the bronze David (now in the Bargello) for the court of his Palazzo Medici. This is now Donatello's most famous work. At the time of its creation, it was the first known free-standing nude statue produced since ancient times. Conceived fully in the round, independent of any architectural surroundings, and largely representing an allegory of the civic virtues triumphing over brutality and irrationality, it was the first major work of Renaissance sculpture. Also from this period is the disquietingly small "Love-Atys", housed in the Bargello. Some have perceived the David as having homo-erotic qualities, and have argued that this reflected the artist's own orientation. Details of Donatello's relationships remain speculative. The historian Paul Strathern makes the claim that Donatello made no secret of his homosexuality, and that his behaviour was tolerated by his friends. This may not be surprising in the context of attitudes prevailing in the 15th- and 16th-century Florentine republic. However, little detail is known with certainty about his private life, and no mention of his sexuality has been found in the Florentine archives (in terms of denunciations) albeit which during this period are incomplete. The main evidence comes from anecdotes by Angelo Poliziano in his ""Detti piacevoli"". When Cosimo was exiled from Florence, Donatello went to Rome, remaining until 1433. The two works that testify to his presence in this city, the "Tomb of Giovanni Crivelli" at Santa Maria "in Aracoeli", and the "Ciborium" at St. Peter's Basilica, bear a strong stamp of classical influence. Donatello's return to Florence almost coincided with Cosimo's. In May 1434, he signed a contract for the marble pulpit on the facade of Prato cathedral, the last project executed in collaboration with Michelozzo. This work, a passionate, pagan, rhythmically-conceived bacchanalian dance of half-nude putti, was the forerunner of the great "Cantoria", or singing tribune, at the Duomo in Florence on which Donatello worked intermittently from 1433 to 1440 and was inspired by ancient sarcophagi and Byzantine ivory chests. In 1435, he executed the "Annunciation" for the Cavalcanti altar in Santa Croce, inspired by 14th-century iconography, and in 1437–1443, he worked in the Old Sacristy of the San Lorenzo in Florence, on two doors and lunettes portraying saints, as well as eight stucco tondoes. From 1438 is the wooden statue of St. John the Evangelist for Santa Maria Gloriosa dei Frari in Venice. Around 1440, he executed a bust of a "Young Man with a Cameo" now in the Bargello, the first example of a lay bust portrait since the classical era.