Question: "Magnet," released in 2003, is the title of the fifth solo album by which member of the Bee Gees, who was also the twin brother of Maurice Gibbs?

Context articles: Bee Gees' 1st
Bee Gees Gold
The Kid's No Good
This Is Where I Came In (song)
Magnet (album)
Robin Gibb
Stayin' Alive
The Ultimate Bee Gees
Blue Weaver
I Want Home

Bee Gees' 1st is the third studio album by English band Bee Gees, and their first international full-length recording after two albums distributed only in Australia and New Zealand.
 "Bee Gees' 1st" was the group's debut album for the UK Polydor label, and for the US Atco label.
 "Bee Gees 1st" was released on 14 July 1967 in the UK.
 On 9 August it entered the UK charts, on that same day, the album was released in the US, and it entered the US charts on 26 August.
 After its release, the band became more self-sufficient, producing and mixing many of their own releases.
Bee Gees Gold was a compilation album, released in America and Japan only (was also released in the UK), that focused on the early hits of the Bee Gees.
 Labeled as "Volume 1", it featured their U.S. Top 20 hits between 1967 and 1972 (plus "I Can't See Nobody", an album cut from "Bee Gees 1st").
 The album was intended to replace the two previous hits compilations, "Best of Bee Gees" and "Best of Bee Gees, Volume 2".
 It reached #50 on "Billboard"<nowiki>'</nowiki>s album chart during a time when the Bee Gees were topping the charts with their new R&B/Disco sound found on their then current album "Children of the World".
 "Gold" went gold in America in January 1978 and has sold 1.3 million copies to date.
 A kind of second volume was released as "Bee Gees Greatest" in 1980 which summed up the disco years from 1975-1979.
The Kid's No Good was to have been Barry Gibb's debut solo album following his departure from the Bee Gees in December 1969.
 There was no official title given to the album at the time.
 The line "the kid's no good", which the album is commonly titled on several bootleg releases, is also featured in the Bee Gees song "Come Home Johnny Bridie" on the 1973 album "Life in a Tin Can".
 The album features orchestral arrangements by Bill Shepherd who performed the same role for the Bee Gees from 1965 to 1972 (Robin and Maurice Gibb's solo recordings were done with different arrangers).
"This Is Where I Came In" is a song by the Bee Gees.
 It was the only single from their final album and was featured as the last song performed on the live Bee Gees 1997 PBS special "One Night Only" before the album release of "This Is Where I Came In" as an "experimental" song at that time the song was titled "This Is Just (Where I Came In)" before being changed and shortened to the current song title, "This Is Where I Came In", released in 2001.
 The song was written by Barry, Robin and Maurice Gibb.
 It reached no. 18 in the UK and no. 25 in Germany, but was not released in the United States.
 "Just in Case" is a song from 1997, which was shown in the writing stages on the Bee Gees 1997 documentary "Keppel Road".
 "I Will Be There" is a song from 1999 and presumably the demo version for Tina Turner, who recorded it on her 1999 album "Twenty Four Seven".
 The remix version of this song was remixed by DJ Domino, released also in that year also in Universal Records in the United States was edited to 5:07 and the DJ Domino edit was edited to 3:45.
"Magnet" is the fifth solo album by Robin Gibb of the Bee Gees, released in 2003.
 The song "Love Hurts" was originally recorded by The Everly Brothers, and he re-recorded the songs "Another Lonely Night in New York" (originally released in 1983 on "How Old Are You?"
) and "Wish You Were Here" (released in 1989, from the Bee Gees' album "One").
Robin Hugh Gibb (22 December 1949 – 20 May 2012) was a singer, songwriter and record producer, who gained worldwide fame as a member of the pop group the Bee Gees, with his brothers Barry and Maurice Gibb, his fraternal twin.
 Robin Gibb also had his own successful solo career.
"Stayin' Alive" is a disco song by the Bee Gees from the "Saturday Night Fever" motion picture soundtrack.
 The song was written by the Bee Gees members (Barry, Robin, and Maurice Gibb) and produced by the Bee Gees, Albhy Galuten, and Karl Richardson.
 It was released on 13 December 1977 as the second single from the "Saturday Night Fever" soundtrack.
 It is one of their signature songs.
 In 2004, "Stayin' Alive" was placed at number 189 on the list of Rolling Stone's 500 Greatest Songs of All Time.
 In 2004, it ranked No. 9 on AFI's 100 Years...100 Songs survey of top tunes in American cinema.
 In a UK television poll on ITV in December 2011 it was voted fifth in "The Nation's Favourite Bee Gees Song".
The Ultimate Bee Gees is a compilation album released to coincide with the 50th anniversary of the Bee Gees.
 Although the group did not start recording until 1963 on Festival Records in Australia, they began calling themselves the "Bee Gees" in 1959 after several name changes such as "Wee Johnny Hayes and the Bluecats", "The Rattlesnakes" and "BG's".
 Each disc is themed with the first containing more upbeat songs, called "A Night Out", and the second containing slower songs and ballads, called "A Night In", though the cover art does not distinguish this theme.
 Liner notes were written by Sir Tim Rice.
 This also marks the return of the 1970s era logo on an official Bee Gees release, which was last used on the Bee Gees' 1983 single "Someone Belonging to Someone".
A founder member of Amen Corner and its successor Fair Weather, Weaver replaced Rick Wakeman in Strawbs when he left to join Yes.
 Weaver was with the Strawbs during their most successful and critically acclaimed period where he played some notable mellotron and other keyboard sequences on their albums "Grave New World" and "Bursting at the Seams".
 He left Strawbs in 1973, and toured with Mott the Hoople in the US tour.
 Queen were their support act.
 He also appeared with the Streetwalkers and session work followed, including work with the Pet Shop Boys.
 He also played behind the Bee Gees at the initiation of his former Amen Corner colleague drummer Dennis Bryon, who had joined their backing band a year earlier during their successful 1975-79 period, taking in such highlights as "Jive Talkin'", "You Should Be Dancing" and the band's famous contributions on the "Saturday Night Fever" soundtrack.
 The three-piece backing band of Weaver, Bryon and the perennial Bee Gees sideman, Alan Kendall, played on the Bee Gees' albums, "Main Course", "Children of the World", "Here at Last... Bee Gees... Live" and "Spirits Having Flown".
 Unusually, Weaver featured as a co-composer on "(Our Love) Don't Throw It All Away", made a hit by the group's younger brother Andy Gibb.
 Weaver also co-composed the songs for Jimmy Ruffin's 1980 album "Sunrise" with Robin Gibb as lyricist, including the hit single, "Hold On (To My Love)".
"I Want Home" is a song by the English rock band Bee Gees, written by Barry Gibb and released as a single in Australia in early 1966, backed with "Cherry Red".
 Their last single on Leedon had not been a hit, so the credit "Barry Gibb and the Bee Gees" used on the last several discs now reverted to simply "Bee Gees".
 Neither song appeared on any Bee Gees album until the 1967 compilation album, "Turn Around, Look At Us", but both were featured on "Brilliant From Birth" the 1998 anthology of the group's Australian recordings.