Question: Are Glamour and Al Jamila aimed at the same gender audience?

Context articles: Mai Badr
Al Jamila
Gender Balance Council
Finch's Quarterly Review
Seoul International Women's Film Festival
Gender feminism
Glamour (magazine)
Encyclopedia of Women and Islamic Cultures
Sheila Cavanagh
Drama 2.0

Mai Badr (born 6 July 1968) is the editor-in-chief of Hia magazine and deputy editor-in-chief of Sayidaty and Al Jamila.
 Born in Birmingham, UK, she is of Syrian origin and is considered one of the most prominent Arab women journalists.
 She spent her childhood and completed her education in Lattakia on the Syrian coast and is married to journalist Adnan Alkateb with whom she has their only child Badr.
Al Jamila is an Arabic monthly women's magazine, published in Dubai.
 It is one of the publications of the Saudi Research and Marketing Group.
The Gender Balance Council (Arabic: مجلس الإمارات للتوازن بين الجنسين "majlis al-ʾimārāt lit-tawāzun bayna al-jinsayn") is a federal entity in the UAE.
 According to Sheikha Jawaher bint Mohammed Al Qasimi, the Gender Balance Council seeks empowering women and enhancing their role in the development of the UAE.
 In the country, more women graduate from universities than; however, social and legal constrains are put on women's work.
 The GBC is chaired by President of Dubai Women Establishment, Shaikha Manal bint Mohammed Al Maktoum.
 Currently 41st on the international gender equality index, the UAE is set to be one of the world’s top 25 by the year 2021.
Finch's Quarterly Review is an international luxury magazine which publishes articles about glamour and style, often with a humorous slant.
 The magazine is primarily aimed at the luxury sector, but also includes coverage of philanthropy, politics, the arts, history and music.
 Articles in the publication are often written by society insiders, from a perspective which may not be available in other magazines.
 The target audience is people in show business.
SEOUL International Women’s Film Festival (SIWFF, previously International Women's Film Festival in Seoul, IWFFIS) first took place on April 1, 1997, which marked the second appearance of the international film festival in Korea following Busan International Film Festival launched in 1996.
 This was the time when there was no clear idea about how to define a film festival.
 At that time, SEOUL International Women’s Film Festival came up with a catchphrase See the world through women’s eyes, setting its main goal to introduce women’s films that explore the “women’s reality from the women’s perspectives”.
 Featuring films by women, for women, and of women, the 1st edition of SEOUL International Film Festival received a number of positive reviews from the audience, which was never anticipated this much.
 Thanks to continuous support from the audience, SEOUL International Film Festival that used to be happening every other year has become an annual event since the 3rd edition in 2001.
 For the 6th edition in 2004, SEOUL International Women’s Film Festival looked for changes by relocating the festival office and venues to Sinchon, the street of youth and culture.
 For the 9th edition in 2007, the Queer Rainbow section was first introduced, presenting films about life and culture of gender minorities.
 In order to go beyond the gender boundaries based on biological sex and to reach out for solidarity, SEOUL International Women’s Film Festival newly created the Open Cinema section encompassing feminist films made by male directors.
 Now in 2015, SEOUL International Film Festival attempts to build its new festival identity and become a cultural platform more approachable for a wide variety of audiences by changing the official English title of the festival from International Women’s Film Festival in Seoul to SEOUL International Women’s Film Festival as well as by retouching the festival logo used for last 17 years.
Gender feminism is a term used in relation to other forms of feminism.
 First explicated in the book "Who Stole Feminism?"
 in 1994, Christina Hoff Sommers categorized gender feminism as a gynocentric subdivision of feminism.
 According to Wendy McElroy and Christina Hoff Sommers, gender or political feminism is defined in opposition to individualist feminism.
 Disapproval of modern-day gender roles and the gradual eradication of them are at the foundation of gender feminism.
 Gender feminism aims to bring awareness to a perspective on the development of the different sexes Feminism, itself, is defined in Sommers' book, "Who Stole Feminism?"
 as a "collection of movements and ideologies aimed at defining, establishing, and defending equal political, economic, and social rights for women."
 Gender feminism views gender as socially constructed.
 Furthermore, that this construction of gender is embedded into various aspects of the everyday social order, which consists of power, privileges and economic resources.
Glamour is a women's magazine published by Condé Nast Publications.
 Founded in 1939 and first published in April 1939 in the United States, it was originally called "Glamour of Hollywood".
The Encyclopaedia of Women and Islamic Cultures is a reference work on gender studies and the Islamic world.
 This encyclopedia is aimed to become "an essential reference work for students and researchers in the fields of gender studies, Middle Eastern and Islamic studies, as well as scholars of religion, history, politics, anthropology, geography and related disciplines."
Sheila Cavanagh is an associate professor of sociology and former chair of the Sexuality Studies Program at York University.
 Cavanagh is currently chair of the Canadian Sexuality Studies Association and co-editor (along with Malena Gustavson) of the "Somatechnics" journal.
 Her research is in the area of gender and sexuality with a concentration on queer, cultural, and psychoanalytic theories.
 Cavanagh is editing a special issue on transgender and psychoanalysis in "Transgender Studies Quarterly" and completing her third book monograph titled "Transgender and the Other Sexual Difference: Bracha L. Ettinger and Jacques Lacan".
 She co-edited a collection with Angela Failler and Rachel A. J. Hurst titled "Skin, Culture and Psychoanalysis" (2013) published by Palgrave Macmillan.
 Her first sole-authored book titled "Sexing the Teacher: School Sex Scandals and Queer Pedagogies" (2007) was given honorable mention by the Canadian Women’s Studies Association.
 Her second sole-authored book titled "Queering Bathrooms: Gender, Sexuality, and the Hygienic Imagination" (2010) is a GLBT Indie Book Award finalist and recipient of the CWSA/ACEF Outstanding Scholarship Prize Honourable Mention (2012).
 Her performed ethnography titled Queer Bathroom Monologues (QBM) premiered at the Toronto Fringe Festival (2011) and was given the Audience Pick Award.
 The play was professionally staged at Buddies in Bad Times Theatre, Toronto, in June 2014 for WorldPride and has toured at conferences, colleges and universities in Canada and the United States.
 She has published in a wide range of international journals and given keynotes addresses at conferences in Sweden, Turkey and Canada.
 Cavanagh teaches an undergraduate course titled Sociology of Gender and a range of graduate courses in sexuality studies, feminist theory and queer theory.
 She is also interviewed in Rohan Spong's documentaries "T is for Teacher" (2009) and "Queer Science" (2008).
Drama 2.0 is a multi-platform television format.
 The goal of this format is to synchronize scripted content with user-generated content.
 The TV drama invites the audience to participate online and in reality, offering various layers of involvement.
 The highest levels of participation, the "quality participation", is designed to generate content by the participant in various forms.
 The lower levels of participation, the "quantity participation", is designed to distribute the content generated by the quality participation.
 This user generated content is quoted in the TV drama through so called "donut holes" and steered by "matches".
 These layers of participation form the participation pyramid.
 The lower levels are aimed at a broad audience and casual fans.
 The top levels, the quantity participation, are aimed at the hard-core fans.
 A community is built months before the launch of the TV drama, simultaneously with the shoot and post production of the scripted content.