Question: Do both Bodyjar and Fishbone perform punk music?

Context articles: Eskorbuto
Bodyjar
List of punk rock bands, 0–K
Jay's Longhorn Bar
Punk in Sweden
List of punk rock bands, L–Z
Punk's Not Dead (2007 film)
Anarcho-punk
Jarchives: 10 Years of Bodyjar
Fishbone

Eskorbuto are a punk band from Santurtzi (Greater Bilbao, Basque Country, Spain) which formed in 1980.
 They have been one of the most influential bands for Spanish and Latin American punk rock.
 They are known for their strong attitude and crude lyrics.
 They were one of the first bands to perform punk with lyrics in Spanish.
 Eskorbuto is a modified word taken from "escorbuto" (scurvy in Spanish).
Bodyjar are an Australian pop punk band which formed in 1990.
 They began performing under the name Bodyjar in 1994; their previous names included Damnation (1990–91) and Helium (1992–93).
 The latter group released an album, "You Can't Hold Me Down", in October 1992.
 As Bodyjar their original line-up were Cameron Baines on vocals and guitar; Ben Petterson on vocals and guitar; Grant Relf on vocals and bass guitar; and Charles Zerafa on drums.
 In 1995 Ross Hetherington (ex-Bastard Squad, Swamp Rats) replaced Zerafa on drums.
 In 1999 Tom Read replaced Petterson on guitar and in 2004 Hetherington made way for Shane Wakker on drums.
This is a list of notable punk rock bands (numbers 0–9 and letters A through K).
 The bands listed have played some type of punk music at some point in their career, although they may have also played other styles.
 Bands who played in a style that influenced early punk rock—such as garage rock and protopunk—but never played punk rock themselves, should not be on this list.
 Bands who created a new genre that was influenced by (but is not a subgenre of) punk rock—such as alternative rock, crossover thrash, metalcore, new wave, and post-punk—but never played punk rock, should not be listed either.
Jay's Longhorn Bar, most frequently referred to by patrons as The Longhorn, was a nexus of the punk music scene in Minneapolis, Minnesota, in the late 1970s and early 1980s, described by music critics as a "legendary" part of the genre's history and a "punk rocker's paradise."
 One of the earliest clubs in America to regularly book punk, New Wave, and alternative-rock bands, the Longhorn was the only concert stage in Minnesota where touring acts in those genres could regularly perform until the opening of what would become First Avenue in 1980. "
The Police, Blondie, all the big acts played there," wrote Hüsker Dü guitarist Bob Mould, who frequented the venue and noted that he considered Hüsker Dü "an actual band" only after they had performed on the Longhorn stage.
 Robert Wilkinson, singer for Minneapolis punk band Flamingo, noted that in terms of importance to the scene, “The Longhorn was Minneapolis’ CBGB’s.”
Punk rock and hardcore punk have created a punk subculture in Sweden since punk music became popular in the 1970s.
 The most famous Swedish punk band was Ebba Grön, followed by KSMB; other notable bands were Asta Kask, Grisen Skriker, Kriminella Gitarrer, The Pain and Göteborg Sound.
 In the 1980s hardcore punk, kängpunk and crust punk became popular in Sweden.
 The two perhaps most influential bands are Mob 47 and Anti Cimex, whose music has also inspired many foreign bands.
 Some other examples of influential bands are Moderat Likvidation, Black Uniforms, Totalitär and Avskum.
 Together with the early American hardcore bands and the British band Discharge, the Swedish punk scene since the early 1990s consisted almost exclusively of "tribute bands" to the above.
 In the 1990s the crust punk was still going strong with bands like Driller Killer, Skitsystem, Wolfbrigade, and Disfear.
This is a list of notable punk rock bands (letters L through Z).
 The bands listed have played some type of punk music at some point in their career, although they may have also played other styles.
 Bands who played in a style that influenced early punk rock—such as garage rock and protopunk—but never played punk rock themselves, should not be on this list.
 Bands who created a new genre that was influenced by (but is not a subgenre of) punk rock—such as alternative rock, crossover thrash, grunge, metalcore, new wave, and post-punk—but never played punk rock, should not be listed either.
Punk's Not Dead is a 2007 documentary film directed by Susan Dynner, an American hardcore punk fan.
 The film claims to infiltrate American clubs, malls, recording studios, etc. where it sets out to claim hardcore punk and pop punk music is "thriving" from an American perspective.
 Its content features performances largely from 1980s hardcore bands and MTV skate punk and pop punk/rock acts.
 It also includes various interviews and behind-the-scenes footage with the bands, labels and fans.
Anarcho-punk (or anarchist punk) is punk rock that promotes anarchism.
 The term "anarcho-punk" is sometimes applied exclusively to bands that were part of the original anarcho-punk movement in the United Kingdom in the late 1970s and early 1980s.
 Some use the term more broadly to refer to any punk music with anarchist lyrical content, which may figure in crust punk, hardcore punk, folk punk, and other styles.
"Jarchives: 10 Years of Bodyjar" is Bodyjar's second compilation CD, released in 2003.
 The album contains their most popular songs from previous albums (such as Rimshot, No Touch Red, How It Works and Plastic Skies), their cover of "Borderline" originally recorded for a Midnight Oil tribute album, and two new songs exclusive to the compilation - "17 Years" and "Don't Sell Me Out".
 In addition, the sleeve features testimonials from members of fellow Australian punk acts, such as The Living End, One Dollar Short and Blueline Medic.
 Initial copies came with a DVD featuring music videos and interviews.
 This would eventually be released separately from the CD.
Fishbone is an American rock band formed in 1979 in Los Angeles, California, which plays a fusion of ska, punk rock, funk, heavy rock and soul.
 Critics have noted of the band: "Fishbone was one of the most distinctive and eclectic alternative rock bands of the late '80s.
 With their hyperactive, self-conscious diversity, goofy sense of humor, and sharp social commentary, the group gained a sizable cult following during the late '80s, yet they were never able to earn a mainstream audience."