Question: The Shape of Jazz to Come, the third album by jazz musician Ornette Coleman, was part of a quartet that included what trumpeter, who was a pioneer in world fusion music in the 1960s?

Context articles: Something Else!!!!
The Shape of Jazz to Come
The Festival Dancing in Your Head
Ascension (John Coltrane album)
Coleman Classics Volume 1
Don Cherry (trumpeter)
Tomorrow Is the Question!
Live at the Hilcrest Club 1958
Twins (Ornette Coleman album)
The Art of the Improvisers

Something Else!!!!
 (sometimes called Something Else!!!!
 The Music of Ornette Coleman) is the 1958 debut album by jazz saxophonist Ornette Coleman.
 According to AllMusic, the album "shook up the jazz world", revitalizing the union of blues and jazz and restoring "blues to their 'classic' beginnings in African music".
 It is unusual in Coleman's output in that it features a conventional bebop quintet instrumentation (saxophone, cornet, piano, bass and drums); after this album, Coleman would rarely use the piano, creating a starker and more fluid sound.
The Shape of Jazz to Come is the third album by jazz musician Ornette Coleman.
 Although Coleman initially wished for the album to be titled "Focus on Sanity", after one of the songs on the album, it was ultimately titled "The Shape of Jazz to Come" at the urging of Atlantic producer Nesuhi Ertegun, who felt that the title would give consumers "an idea about the uniqueness of the LP."
 Released on Atlantic Records in 1959, it was his debut on the label and his first album featuring his working quartet including himself, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins.
 The recording session for the album took place on May 22, 1959, at Radio Recorders in Hollywood, California.
 Two outtakes from the session, "Monk and the Nun" and "Just for You", would later be released respectively on the 1970s compilations "Twins" and "The Art of the Improvisers".
 In 2012, the Library of Congress added the album to the National Recording Registry.
The Festival Dancing in Your Head is a festival dedicated to commissioning, producing, and presenting new music and music films from around the world.
 The festival is produced by Headwaters Music, a non-profit music organization, led by composer Anthony Gatto.
 The 2005 festival at the Walker Art Center in Minneapolis celebrated the 75th birthday of Ornette Coleman with nearly 100 international musicians, including an evening with The Ornette Coleman Quartet.
 Past festival performers include the Kronos Quartet, Bang on a Can All-stars, So Percussion, Alarm Will Sound, Iva Bittová, Ethel, Flux Quartet, The Bad Plus, Happy Apple, Low, Gao Hong, Dean Granros and Antigravity, Tibetan Monks of the Gyuto Wheel of Dharma Monastery, Dosh, Patrick Crossland, Douglas Ewart, Anthony Cox.
 Composers performed include Steve Reich, David Lang, Michael Gordon, John Adams, Arvo Pärt, György Ligeti, Martin Bresnick, Brian Ferneyhough, Annie Gosfield, John King, Phil Kline, Evan Ziporyn, Béla Bartók.
Ascension is a jazz album by John Coltrane recorded in 1965 and released in 1966.
 It is often considered to be a watershed album, with the albums released before it being more conventional in structure and the albums released after it being looser, free jazz inspired works.
 In addition, it signaled Coltrane's interest in moving away from the quartet format.
 Coltrane described "Ascension" in a radio interview as a "big band thing", although it resembles no big band recording made before it.
 The most obvious antecedent is Ornette Coleman's octet (or "double quartet") recording, "", which—like "Ascension"—is a continuous 40-minute performance with ensemble passages and without breaks.
 Jazz musician Dave Liebman, commenting on "Ascension", recalled that the album was the "torch that lit the free jazz thing".
Coleman Classics Volume 1 is a live album by pianist Paul Bley, saxophonist Ornette Coleman, trumpeter Don Cherry, drummer Billy Higgins and bassist Charlie Haden recorded in California in 1958 and released Bley's on the Improvising Artists label in 1977.
 The album is notable as being an early live recording of Ornette Coleman, made shortly after his first album, "Something Else!!!!
" and featuring the group (without Bley) that would soon record the classic Atlantic albums "The Shape of Jazz to Come" (1959) and "Change of the Century" (1960).
Donald Eugene Cherry (November 18, 1936 – October 19, 1995) was an American jazz trumpeter.
 Noted for his long association with saxophonist Ornette Coleman, which began in the late 1950s, Cherry was a pioneer in world fusion music in the 1960s.
Tomorrow Is the Question!
, subtitled "The New Music of Ornette Coleman!"
, is the second album by American jazz musician Ornette Coleman, originally released in 1959 by the Contemporary label.
 It is Coleman's last album for the label before he began a highly-successful multi-album series for Atlantic Records in 1959.
Live at the Hilcrest Club 1958 (also released as The Fabulous Paul Bley Quintet) is a live album by pianist Paul Bley, saxophonist Ornette Coleman, trumpeter Don Cherry, drummer Billy Higgins and bassist Charlie Haden recorded in California in 1958 and released on the Inner City label in 1976.
 The album is notable as being the first live recording of Ornette Coleman, made shortly after he recorded his first album, "Something Else!!!!
" and featuring the group (without Bley) that would soon record the classic Atlantic albums "The Shape of Jazz to Come" (1959) and "Change of the Century" (1960).
Twins is a compilation album credited to jazz composer and saxophonist Ornette Coleman, released by Atlantic Records in 1971.
 The album was assembled without Coleman's input, comprising outtakes from recording sessions of 1959 to 1961 for "The Shape of Jazz to Come", "This Is Our Music", "", and "Ornette!
" Sessions for "Monk and the Nun" took place at Radio Recorders in Hollywood, California; for "First Take" at A&R Studios in New York City, and all others at Atlantic Studios also in Manhattan.
 The track "First Take" was a first attempt at "Free Jazz" from the album of the same name.
The Art of the Improvisers is a compilation album credited to jazz composer and saxophonist Ornette Coleman, released by Atlantic Records in 1970.
 The album was assembled without Coleman's input, comprising outtakes from recording sessions of 1959 to 1961 for "The Shape of Jazz to Come", "Change of the Century", "This Is Our Music", "Ornette!
", and "Ornette on Tenor".
 Recording sessions in 1959 took place at Radio Recorders in Hollywood, California; those in 1960 and 1961 at Atlantic Studios in New York City.