Question: What is the name of the larger organization to which the ballet company Émilie Cozette performs in is a part of?

Context articles: Paris Opera Ballet
Émilie Cozette
Greensboro Ballet
Ballet Memphis
English National Ballet
Cork City Ballet
The Royal Ballet
Ballet master
San Francisco Ballet
Cairo Opera Ballet Company

The Paris Opera Ballet (French: "Ballet de l'Opéra national de Paris") is an integral part of the Paris Opera and the oldest national ballet company.
 Together with the Moscow Bolshoi Ballet and the London Royal Ballet it is regarded as one of the three most preeminent ballet companies in the world.
Émilie Cozette (born 1981) is a French ballet dancer.
 She joined the Paris Opera Ballet in 1998, becoming a star (étoile) in 2007.
Greensboro Ballet is a professional ballet company directed by Maryhelen Mayfield which performs primarily in Greensboro, North Carolina at the Carolina Theatre of Greensboro.
 It is the only ballet company in the Piedmont Triad.
 It is one of the only non-profit ballet companies in North Carolina.
 Greensboro Ballet has presented works by George Balanchine.
 The company also has performed a number of works made especially for the Greensboro Ballet by Rick McCullough, Jill Eathorne Bahr, Leslie Jane Pessemier, and alumni Emery LeCrone.
 Maryhelen Mayfield has choreographed over twenty-five works for the company.
Ballet Memphis is a ballet company in Memphis, Tennessee.
 Ballet Memphis is the region's largest professional ballet company.
 Ballet Memphis performed at the Orpheum Theatre and at the Clark Opera Memphis Center in East Memphis prior to the completion of its own venue in 2010.
 Ballet Memphis has existed for about three decades and strives to interpret the South's cultural legacy through dance.
 Ballet Memphis presentations feature both classical and modern dance choreography.
 The Ballet Memphis building was designed by Memphis architect James F. Williamson.
 The Ford Foundation awarded Ballet Memphis one of its challenge grants in 2001 and praised the organization as a national treasure of the cultural world.
English National Ballet is a classical ballet company founded by Dame Alicia Markova and Sir Anton Dolin and based at Markova House in South Kensington, London, England.
 Along with The Royal Ballet, Birmingham Royal Ballet and Scottish Ballet, it is one of the four major ballet companies in Great Britain.
 English National Ballet is one of the foremost touring companies in Europe, performing in theatres throughout the UK as well as conducting international tours and performing at special events.
 The Company employs approximately 67 dancers and a symphony orchestra, (English National Ballet Philharmonic) and there is also an associate school, English National Ballet School, which is independent from the ballet company.
 The Company regularly performs seasons at the London Coliseum and has been noted for specially staged performances at the Royal Albert Hall.
 In 2014 English National Ballet became an Associate Company of Sadler's Wells.
 The Patron of English National Ballet is HRH The Duke of York.
Cork City Ballet is an Irish ballet company founded by Alan Foley, a disciple of Joan Denise Moriarty, in 1992.
 It is one of two professional ballet companies in Ireland.
 Cork City Ballet annually performs at Cork Opera House, most recently with a production of Giselle.
 It has toured venues such as Wexford Opera House, The Helix Tralee's Siamsa Tire and University Concert Hall, Limerick.
 Cork City Ballet is known for working with an array of guest artists from companies such as Royal Swedish Ballet and Kirov Ballet.
 In 2012, Cork City Ballet commemorated the centenary of the birth of Joan Denise Moriarty, the founder of Irish Theatre Ballet, Ireland's first professional ballet company.
The Royal Ballet is an internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, UK.
 The largest of the four major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois, it became the resident ballet company of the Royal Opera House in 1946 and was granted a royal charter in 1956, becoming recognised as Britain's flagship national ballet company.
Ballet Master (also "Balletmaster", "Ballet Mistress" [increasingly archaic English language use], "Premier Maître de ballet" or "Premier Maître de ballet en Chef") is the term used for an employee of a ballet company who is responsible for the level of competence of the dancers in their company.
 In modern times, ballet masters are generally charged with teaching the daily company ballet class and rehearsing the dancers for both new and established ballets in the company's repertoire.
 The artistic director of a ballet company, whether a male or female, may also be called its ballet master.
 Historic use of gender marking in job titles in ballet (and live theatre) is being supplanted by gender-neutral language job titles regardless of an employee's gender identity or expression (e.g. "Ballet Master" in lieu of "Ballet Mistress", "Wig Master" as an alternative to "Wig Mistress").
San Francisco Ballet is a ballet company, founded in 1933 as the San Francisco Opera Ballet under the leadership of ballet master Adolph Bolm.
 The company is currently based in the War Memorial Opera House, San Francisco, under the direction of Helgi Tomasson.
 San Francisco Ballet was the first professional ballet company in the United States.
 It is among the world's leading dance companies, presenting more than 100 performances annually, with a repertoire that spans both classical and contemporary ballet.
 Along with American Ballet Theatre and the New York City Ballet, San Francisco Ballet has been described as part of the "triumvirate of great classical companies defining the American style on the world stage today".
The Cairo Opera Ballet Company is the resident ballet company of the Cairo Opera House and a ballet school affiliated to Egypt's Higher Institute of Ballet.
 Its foundation began in 1958 during the presidency of Gamal Abdel Nasser through the efforts of Tharwat Okasha, Egypt's culture minister at the time, and Leonid Lavrovsky, the former artistic director of the Bolshoi Ballet who took a group of Egyptian dancers to Russia for two years of training.
 At the time of its founding, it was the only Arab resident classical ballet company in the Middle East.