Question: What was the original stage name of the artist who recorded the song element ?

Context articles: Margo Rey
Saya Ichikawa
Kendrick Lamar
Get Cape. Wear Cape. Fly
Element (song)
Too Darn Hot
Penelope Ann Miller
Meet the People
Soul Intent (EP)
Big Daddy (album)

Margo Rey (born Margarita Reymundo-Jurado; 18 October 1966) is a Mexican singer-songwriter whose original stage name was Margo Reymundo.
Saya Ichikawa (市川 紗椰 , Ichikawa Saya , born 14 February 1987, in Nagoya, Aichi Prefecture, Japan) is a Japanese model, "tarento", and newscaster.
 Her original stage name was just Saya until 2011.
 Her father is American with Native American Cherokee blood and her mother is Japanese.
Kendrick Lamar Duckworth (born June 17, 1987) is an American rapper and songwriter.
 Born and raised in Compton, California, he embarked on his musical career as a teenager under the stage name K-Dot, releasing a mixtape that garnered local attention and led to his signing with indie record label Top Dawg Entertainment (TDE).
 He began to gain recognition in 2010, after his first retail release, "Overly Dedicated".
 The following year, Lamar independently released his first studio album, "Section.80", which included his debut single, "HiiiPoWeR".
 By that time, he had amassed a large Internet following and collaborated with several prominent artists in the hip hop industry, including The Game, Busta Rhymes, Lil Wayne and Snoop Dogg.
Sam Duckworth is an English musician who performs as Get Cape.
 Wear Cape.
 Fly.
 He is sometimes referred to as Get Cape, Cape, GCWCF and Slam Dunkworth (the latter title apparently first coined by Emmy The Great).
 According to Duckworth, his original stage name came from Retro Gamer magazine, from an article about superhero games such as "Batman" containing the heading "Get Cape.
 Wear Cape.
 Fly".
 In addition to the Get Cape name, and his given name, Duckworth has released music under the moniker Recreations.
"Element" (stylized as "ELEMENT.")
 is a song by American rapper Kendrick Lamar, from his fourth studio album "Damn", released on April 14, 2017.
 The fourth track on the album, the song was written by Lamar, Mark Spears, aka Sounwave, James Blake, and Ricci Riera and produced by Sounwave, Blake, and Riera, with additional production by Tae Beast and Bēkon.
"Too Darn Hot" is a song written by Cole Porter for his musical "Kiss Me, Kate" (1948).
 In the stage version, it is sung at the start of Act 2, and in the 1948 original Broadway production, it was sung by Lorenzo Fuller (as Paul) and Eddie Sledge and Fred Davis (as the specialty dancers), leading the full company.
 In the 1953 MGM Hollywood film version, it is moved to a much earlier point, and it is sung by Ann Miller (as Lois Lane, Fred's new girlfriend, who is cast as Bianca).
 The song does not really contribute to the plot in either the stage or film versions; in the stage version, the song represents the company of "The Taming of the Shrew" taking a break offstage during the intermission of their play; in the film version it allows the audience to see Lois's fun-loving, risk-taking nature, and gave Ann Miller a chance to show off her dancing skills, specifically tap.
 The line 'According to the Kinsey report' (in the original stage production) was changed in the film version to 'According to the latest report'.
 The song has also been covered by many artists.
Penelope Ann Miller (born Penelope Andrea Miller; January 13, 1964), sometimes credited as Penelope Miller, is an American actress.
 She began her career on Broadway in the 1985 original production of "Biloxi Blues" and went on to receive a Tony Award nomination for the 1989 revival of "Our Town".
 She has starred in several major Hollywood films, particularly in the late 1980s and early 1990s, including "Adventures in Babysitting" (1987), "Biloxi Blues" (1988), "Big Top Pee-wee" (1988), "The Freshman" (1990), "Awakenings" (1990), "Kindergarten Cop" (1990), "Other People's Money" (1991), "Year of the Comet" (1992), and "Carlito's Way" (1993), for which she received a Golden Globe Award nomination.
 She returned to Broadway in the 1995 original stage production of "On the Waterfront".
 Her other films include a starring role in "The Relic" (1997) and supporting roles in "Chaplin" (1992), "Along Came a Spider" (2001) and "The Artist" (2011).
Meet the People (1944) is a Metro-Goldwyn-Mayer musical comedy film made during World War II, and starring Lucille Ball and Dick Powell and featuring Virginia O'Brien, Bert Lahr, Rags Ragland and June Allyson.
 The film takes its title from a successful Los Angeles stage revue, which ran on Broadway from December 25, 1940 to May 10, 1941.
 Vaughn Monroe and his orchestra, Spike Jones and his City Slickers, and Virginia O'Brien were also in the original stage cast.
 O'Brien sings the hit song "Say We're Sweethearts Again".
Soul Intent is the self-titled third and final EP by local American rap group Soul Intent, a group who features American rapper Eminem.
 Released only on cassette tape on February 25, 1995 via Mashin' Duck Records, the EP was not made available commercially.
 At the time of its release, Eminem was still known under his original stage name of "M&M".
 A year after the release of "Soul Intent", Eminem released his debut solo album, "Infinite".
 "Biterphobia" contains samples of "Jesus Christ Superstar's" song "Heaven on Their Minds".
Big Daddy is the tenth studio album by American singer-songwriter John Mellencamp, released in 1989 by Mercury Records.
 It was his last album to be released under the name John Cougar Mellencamp, a combination of his real name and his original stage name of Johnny Cougar.
 The album peaked at number seven on the "Billboard" 200 and contained the singles "Pop Singer" and "Jackie Brown", which peaked at No. 15 and 48, respectively, on the "Billboard" Hot 100.
 A re-mastered version of the album was released on May 24, 2005, and contains a bonus acoustic version of "Jackie Brown".
 Like "The Lonesome Jubilee", "Big Daddy" is folk-inspired as violins and fiddles (among other instruments) are significantly utilized on a number of tracks.
 The album's lyrics largely take a serious tone and the album as a whole is regarded by some as Mellencamp's most reflective.