Question: Vanished Planet and Medici, are which type of entertainment?

Context articles: Vanished Planet
HD 46375 b
Medici (board game)
Venus de' Medici
Capitoline Venus
Colossal Baroque
Lava planet
Barberini Venus
Eyeball planet
History of ballet

Vanished Planet is a cooperative board game that debuted at the World Boardgaming Championships in 2003.
 "Vanished Planet" pits the players against a time limit; the players must succeed in a certain number of goals before this time limit is reached, or they all lose.
HD 46375 b is an extrasolar planet located approximately 109 light-years away in the constellation of Monoceros, orbiting the star HD 46375.
 With 79 Ceti b on March 29, 2000, it was joint first known extrasolar planet less massive than Saturn orbiting a normal star.
 The planet is a "hot Jupiter", a type of planet that orbits very close to its parent star.
 In this case the orbital distance is only a tenth that of the planet Mercury.
 No transit of the planet has been detected, so its inclination must be less than 83°.
 Because the inclination is unknown, the true mass of the planet is not known.
Medici is a German-style board game by Reiner Knizia.
 Players buy cards in an auction and match in series and in sets to end up with most points from those formations.
The Venus de' Medici or Medici Venus is a Hellenistic marble sculpture depicting the Greek goddess of love Aphrodite.
 It is a 1st-century BCE marble copy, perhaps made in Athens, of a bronze original Greek sculpture, following the type of the Aphrodite of Knidos, which would have been made by a sculptor in the immediate Praxitelean tradition, perhaps at the end of the century.
 It has become one of the navigation points by which the progress of the Western classical tradition is traced, the references to it outline the changes of taste and the process of classical scholarship.
 It is housed in the Uffizi Gallery, Florence, Italy.
The Capitoline Venus is a type of statue of Venus, specifically one of several "Venus Pudica" (modest Venus) types (others include the Venus de' Medici type), of which several examples exist.
 The type ultimately derives from the Aphrodite of Cnidus.
 The Capitoline Venus and her variants are recognisable from the position of the arms—standing after a bath, Venus begins to cover her breasts with her right hand, and her groin with her left hand.
The Colossal Baroque style is a name which has been coined to describe a number of compositions from the 17th and 18th centuries composed in an opulent, magnificent and large-scaled style.
 Such works frequently make use of polychoral techniques and often feature instrumental forces considerably larger than the norm for the Baroque period.
 The Colossal Baroque had its roots in Italy, in the resplendent multiple polychoral music of the Venetian School, in the sumptuous, extravagant productions of the Medici court, for example the 40- and 60-voice "Missa sopra Ecco sì beato giorno" by Alessandro Striggio, and in the large polychoral works of the Roman School, many of which were written long after the Venetian School had vanished.
 An impetus for this music was the Council of Trent [Counter-Reformation].
 Some attendees of the Council held the unofficial point of view that music should be subservient to text, as both exemplified as well as idealized in the choral music of Palestrina.
 Some critics held that this was not as achievable in larger choral textures.
A lava planet is a hypothetical type of terrestrial planet, with a surface mostly or entirely covered by molten lava.
 Situations where such planets could exist include a young terrestrial planet just after its formation, a planet that has recently suffered a large collision event, or a planet orbiting very close to its star, causing intense irradiation and tidal forces.
The Barberini Venus, Jenkins Venus or Weddell Venus, is a copy from the Aphrodite of Cnidus, along the lines of the Venus de Medici.
 Its torso is a Hadrianic copy in Parian marble of the same type as the Venus de' Medici, with 18th-century restorations.
An eyeball planet is a hypothetical type of tidally locked planet, for which tidal locking induces spatial features (for example in the geography or composition of the planet) resembling an eyeball.
 It is mainly used for terrestrial planets where liquid may be present, in which tidal locking will induce a spatially dependent temperature gradient (the planet will be very hot on the side facing the star and very cold on the other side).
 This temperature gradient will therefore limit the places in which liquid may exist on the surface of the planet to ring or disk shaped areas.
Ballet is a formalized form of dance with its origins in the Italian Renaissance courts of the 15th and 16th centuries.
 Ballet spread from Italy to France with the help of Catherine de' Medici, where ballet developed even further under her aristocratic influence.
 An early example of Catherine's development of ballet is through 'Le Paradis d' Amour', a piece of work presented at her daughter's wedding, Marguerite de Valois to Henry of Navarre.
 Aristocratic money was responsible for the initial stages of development in 'court ballet', as it was royal money that dictated the ideas, literature and music used in ballets that were created to primarily entertain the aristocrats of the time.
 The first formal 'court ballet' ever recognized was staged in 1573, 'Ballet des Polonais'.
 In true form of royal entertainment, 'Ballet des Polonais' was commissioned by Catherine de' Medici to honor the Polish ambassadors who were visiting Paris upon the accession of Henry of Anjou to the throne of Poland.
 In 1581, Catherine de' Medici commissioned another court ballet, "Ballet Comique de la Reine", however it was her compatriot, Balthasar de Beaujoyeulx, who organized the ballet.
 Catherine de' Medici and Balthasar de Beaujoyeulx were responsible for presenting the first court ballet ever to apply the principles of Baif's Academie, by integrating poetry, dance, music and set design to convey a unified dramatic storyline.
 Moreover, the early organization and development of 'court ballet' was funded by, influenced by and produced by the aristocrats of the time, fulfilling both their personal entertainment and political propaganda needs.