Question: What bands album produced by Daniel Lanois and Brian Eno, and was released on 18 November 1991 on Island Records and second single eached the top ten of the singles charts in several countries, including the band's native Ireland?

Context articles: The Unforgettable Fire
Music for Films Volume 2
How to Dismantle an Atomic Bomb
Mysterious Ways (song)
No Line on the Horizon
Apollo: Atmospheres and Soundtracks
Achtung Baby
The Joshua Tree
All That You Can't Leave Behind
Moment of Surrender

The Unforgettable Fire is the fourth studio album by Irish rock band U2.
 It was produced by Brian Eno and Daniel Lanois, and released on 1 October 1984 by Island Records.
 The band wanted to pursue a new musical direction following the harder-hitting rock of their 1983 album, "War".
 As a result, they employed Eno and Lanois to produce and assist in their experimentation with a more ambient and abstract sound.
 The resulting change in direction was at the time the band's most dramatic.
 The album's title is a reference to "The Unforgettable Fire"—an art exhibit about the atomic bombing of Hiroshima.
 The band saw the exhibit in November 1983 in Japan while on the "War" Tour.
Music for Films Volume 2 is an album by Brian Eno, Daniel Lanois, and Roger Eno.
 On the back cover Eno states, "I released the first volume of Music for Films in 1978, and it contained samples of my work, spanning the period of 1975-78.
 This second volume picks up where the first left off, but is somewhat different in that it contains fewer pieces with greater average length."
How to Dismantle an Atomic Bomb is the eleventh studio album by Irish rock band U2.
 It was released on 22 November 2004 on Island Records and Interscope Records.
 Much like their previous album, "All That You Can't Leave Behind", "How to Dismantle an Atomic Bomb" exhibits a more mainstream rock sound after the band experimented with alternative rock and dance music in the 1990s.
 The album was produced by Steve Lillywhite, with additional production from Chris Thomas, Jacknife Lee, Nellee Hooper, Flood, Daniel Lanois, Brian Eno, and Carl Glanville.
"Mysterious Ways" is a song by Irish rock band U2.
 It is the eighth track from their 1991 album "Achtung Baby" and was released as the album's second single on 25 November 1991.
 The song reached the top ten of the singles charts in several countries, including the band's native Ireland, where it went to number one.
 In the United States, the song topped the Modern Rock Tracks and Album Rock Tracks charts and peaked at number nine on the "Billboard" Hot 100.
No Line on the Horizon is the twelfth studio album by Irish rock band U2.
 It was produced by Brian Eno, Daniel Lanois, and Steve Lillywhite, and was released on 27 February 2009.
 It was the band's first record since "How to Dismantle an Atomic Bomb" (2004), marking the longest gap between studio albums of their career to that point.
 The band originally intended to release the songs as two EPs, but later combined the material into a single record.
 Photographer Anton Corbijn shot a companion film, "Linear", which was released alongside the album and included with several special editions.
Apollo: Atmospheres and Soundtracks is the ninth solo studio album by British ambient musician Brian Eno, released in 1983.
 It was written, produced, and performed by Brian Eno, his brother Roger and Daniel Lanois.
 Music from the album appeared in the films "28 Days Later", "Traffic", and "Trainspotting", whose soundtrack sold approximately four million copies.
 Two of the songs from the album, "Silver Morning" and "Deep Blue Day", were issued as a 7" single on EG Records.
Achtung Baby ( ) is the seventh studio album by Irish rock band U2.
 It was produced by Daniel Lanois and Brian Eno, and was released on 18 November 1991 on Island Records.
 Stung by criticism of their 1988 release, "Rattle and Hum", U2 shifted their musical direction to incorporate influences from alternative rock, industrial music, and electronic dance music into their sound.
 Thematically, "Achtung Baby" is darker, more introspective, and at times more flippant than their previous work.
 The album and the subsequent multimedia-intensive Zoo TV Tour were central to the group's 1990s reinvention, by which they abandoned their earnest public image for a more lighthearted and self-deprecating one.
The Joshua Tree is the fifth studio album by Irish rock band U2.
 It was produced by Daniel Lanois and Brian Eno, and was released on 9 March 1987 on Island Records.
 In contrast to the ambient experimentation of their 1984 release, "The Unforgettable Fire", the band aimed for a harder-hitting sound within the limitation of conventional song structures on "The Joshua Tree".
 The album is influenced by American and Irish roots music, and through sociopolitically conscious lyrics embellished with spiritual imagery, it contrasts the group's antipathy for the "real America" with their fascination with the "mythical America".
All That You Can't Leave Behind is the tenth studio album by Irish rock band U2.
 It was produced by Brian Eno and Daniel Lanois, and was released on 30 October 2000 on Island Records in the United Kingdom and Interscope Records in the United States.
 Following the mixed reception to their 1997 album, "Pop", "All That You Can't Leave Behind" represented a return to a more mainstream sound for the band after they experimented with alternative rock and dance music in the 1990s.
 At the time of the album's release, U2 said on several occasions that they were "reapplying for the job ... [of] the best band in the world".
 U2 brought back Eno and Lanois, who had produced three of the band's previous albums.
 The album was originally named "U2000", which had been a working title for their PopMart Tour.
"Moment of Surrender" is a song by rock band U2 and the third track on their 2009 album "No Line on the Horizon".
 During the initial recording sessions for the album in 2007 in Fez, Morocco, the band wrote the song with producers Brian Eno and Daniel Lanois within a few hours.
 Together, they recorded the song in a single take; Eno called the song's recording "the most amazing studio experience [he's] ever had".
 According to him and Lanois, the track is the closest the band came to realising their original concept for the album of writing "future hymns".
 The seven-minute song features gospel-like vocals in the chorus, along with a predominantly organ- and piano-based musical accompaniment.
 Lyrically, the song is about a drug addict who is undergoing a crisis of faith.