Question:  Which documentary, Project Grizzly or American Scary, is a film about the history and legacy of classic television horror hosts, written and directed by American independent filmmakers John E. Hudgens and Sandy Clark?

Context articles: Independent Lens
Sundance Film Festival
Frankenstein vs. the Creature from Blood Cove
Sith Apprentice
Independent Spirit John Cassavetes Award
Project Grizzly (film)
American Scary
Twin Bracelets
Virginia Creepers
How to Draw a Bunny

Independent Lens is a weekly television series airing on PBS presenting documentary films made by independent filmmakers.
 Past seasons of "Independent Lens" were presented by hosts Angela Bassett, Don Cheadle, Susan Sarandon, Edie Falco, Terrence Howard, Maggie Gyllenhaal, America Ferrera, Mary-Louise Parker, and Stanley Tucci, who served two stints as host from 2012-2014.
The Sundance Film Festival, a program of the Sundance Institute, is a film festival that takes place annually in Park City, Utah.
 With over 46,660 attendees in 2016, it is the largest independent film festival in the United States.
 Held in January in Park City and Salt Lake City, Utah, as well as at the Sundance Resort, the festival is a showcase for new work from American and international independent filmmakers.
 The festival comprises competitive sections for American and international dramatic and documentary films, both feature films and short films, and a group of out-of-competition sections, including NEXT, New Frontier, Spotlight, Midnight, Premieres and Documentary Premieres.
 The 2017 Sundance Film Festival took place from January 19 to January 29, 2017.
Frankenstein vs. the Creature from Blood Cove is a 2005 horror film written and directed by William Winckler.
 It is the second film from William Winckler Productions.
 Filmed in black and white, the movie is an homage to classic monster movies, harkening back to the days of Universal's "Monster Rally" heyday.
 The movie was released direct to DVD in 2005 and has since gone on to acquire a growing fan base.
 Part of the success of the film to date has been the support it has received from horror hosts and fans of late night cinema, with a national syndicated showing on Mr. Lobo's "Cinema Insomnia" Halloween special as well as local airings on shows from the Horror Host Underground.
Sith Apprentice is a "Star Wars" fan film that made its debut on the internet on March 29, 2005, directed by John E. Hudgens and co-written by Hudgens, Denny Humbard, and "Men in Black" creator Lowell Cunningham.
 Made for around $1000, it is a spoof of "Star Wars" and "The Apprentice", with Emperor Palpatine filling the Donald Trump role in his search for a new apprentice.
 The final candidates in the film are Darth Vader, Darth Maul, Count Dooku, and Jar Jar Binks.
The Independent Spirit John Cassavetes Award is presented to the creative team of a film budgeted at less than $500,000 by the Film Independent, a non-profit organization dedicated to independent film and independent filmmakers.
 It is named after actor/screenwriter/director John Cassavetes, a pioneer of American independent film.
Project Grizzly is a 1996 National Film Board of Canada documentary about the lifelong project of Troy Hurtubise, a man who has been obsessed with researching the Canadian grizzly bear up close, ever since surviving an early encounter with such a bear.
American Scary is a 2006 American documentary film about the history and legacy of classic television horror hosts, written and directed by American independent filmmakers John E. Hudgens and Sandy Clark.
Twin Bracelets is a film produced in 1990 by Cosmopolitan Film Productions Co., a Hong Kong-based company that forms part of the film production conglomerate run by the Shaw brothers who are the owners of the Shaw Brothers Studio.
 S.L.Wei notes that "Twin Bracelets was shown at international film festivals."
 It has "won the 1992 San Francisco Gay and Lesbian Film Festival Award for Best Feature."
 John Charles called Twin Bracelets "(a) somber, engrossing drama" that is "marred only by the inevitability of its narrative."
 The film has been labeled a ‘lesbian’ film, but also a ‘feminist’ film.
 Some critics have also focused on what they took to be its ethnological aspects.
 Such aspects do indeed form the background of Zhaohuan Lu’s short story ‘The Twin Bracelets’ (1986) which served as the basis of the film script written by the film director, Huang Yu-shan.
 Huang Yushan who initially worked for Central Motion Picture Company (CMPC) and for the Shaw Bros. is a director who has made a choice in favor of independent film.
 In her life and work she is attached to feminism.
 According to Bérénice Reynaud, she is "one of the rare women to work in the Taiwanese film industry."
 Prof Lai has called Huang Yu-shan "Taiwan's major feminist director."
 S.L. Wei sees Huang as "an important voice in Taiwanese women's cinema.
 The fact that her film Twin Bracelets received relatively much attention "enabled Huang to have in-depth discussions with American independent filmmakers and feminist directors.
 From then on she began to push consciously forward [with] films about women."
Virginia Creepers: The Horror Host Tradition of the Old Dominion (or simply Virginia Creepers) is a 2009 documentary film directed by Sean Kotz and Christopher Valluzzo about horror hosts from Virginia.
How to Draw a Bunny: A Ray Johnson Portrait, is a collage-style feature-length documentary about the Detroit-born pop and performance artist Ray Johnson.
 Filmmakers John Walter and Andrew L. Moore delve into the mysterious life and death of Johnson, an artist whose “world was made up of amazing coincidences, serendipities and karmic gags,” according to Michael Kimmelman of "The New York Times".
 After Johnson’s suicide, Moore and Walter conducted interviews with artists including Christo, Chuck Close, Roy Lichtenstein, Judith Malina, and James Rosenquist.
 In addition, they gathered photographs, works of art, and home movies, which were edited into a fast-paced narrative exploring the artist’s life.
 The filmmakers “couldn’t have chosen a more elusive subject for a movie; their success in evoking Johnson, and in documenting his world, is a triumph of sympathy over psychology, memory over historicism,” wrote Stuart Klawans for "The Nation".
 The film premiered at the 2002 Sundance Film Festival, where it won the Special Jury Prize.
 The film also won the Grand Prix du Public 2002 at the Rencontres Internationales de Cinema in Paris and was nominated for a 2003 Independent Spirit Award and listed in "New York Magazine"’s “Top Ten of 2004.”