Question: What opera originally had a different name, La traviata or The Bear?

Context articles: James Westman
La traviata discography
La Traviata (1983 film)
Plácido Domingo discography
La traviata
Loretta Di Franco
Phoenix Opera
Luis Lima
The Bear (opera)
Becoming Traviata

James Westman (born September 16, 1972) is a Canadian baritone known for his interpretation of the Verdi, Puccini and bel canto operatic repertoire, and particularly his signature role of Germont in "La traviata", which he has sung in over 150 performances, with opera companies such as San Francisco Opera, Houston Grand Opera, Pittsburgh Opera, Florida Grand Opera, Graz Opera, Santa Fe Opera, Chicago Lyric Opera, Opéra de Montréal, Los Angeles Opera, Grand Théâtre de Bordeaux, Canadian Opera Company, Boston Lyric Opera, Cologne Opera, Vancouver Opera, English National Opera, San Diego Opera, Dallas Opera, Utah Opera, and Opera Theatre of St. Louis.
 On January 29, 2011 Westman created the lead role of Sandy Keith In the world premiere of Bramwell Tovey's The Inventor.
 In 2017 he played Sir John A. MacDonald in Harry Somers's Louis Riel for the Canadian Opera Company's tribute to Canada's 150th celebrations.
 As a recitalist, he has performed for the Marilyn Horne Foundation, Aldeburgh Connection, Aldeburgh Festival, Musikverein, Wigmore Hall, Queen Elizabeth Hall, Morgan Library & Museum, Koerner Hall, Carnegie Hall, Saito Kinen Festival in Japan, Stratford Summer Music, British Broadcasting Corporation, and the Canadian Broadcasting Corporation.
 Westman first came to attention at the age of twelve when he was the first boy soprano to perform and record Mahler "4th Symphony" with Benjamin Zander and the Boston Philharmonic Orchestra in 1984.
 Westman is regularly featured as the Anthem singer for the Toronto Maple Leafs and numerous other NHL franchises.
 Four of Westman's recordings have been nominated for a Juno Award.
 Two recordings nominated for a Grammy Award.
The following is a partial discography of the many audio and video recordings of Giuseppe Verdi's opera, La traviata.
 Based on the novel "La dame aux Camélias" by Alexandre Dumas, fils, "La traviata" has been a staple of the operatic repertoire since its premiere on 6 March 1853 at the Teatro La Fenice in Venice.
La Traviata is a 1983 Italian film written, designed, and directed by Franco Zeffirelli.
 It is based on the opera "La traviata" with music by Giuseppe Verdi and libretto by Francesco Maria Piave.
 Soprano Teresa Stratas, tenor Plácido Domingo, and baritone Cornell MacNeil starred in the movie, in addition to singing their roles.
 The film premiered in Italy in 1982 and went into general release there the following year.
 It opened in theatres in the U.S. on April 22, 1983.
 The movie's soundtrack with James Levine conducting the Metropolitan Opera Orchestra won a Grammy Award for Best Opera Recording.
Plácido Domingo has made hundreds of opera performances, music albums, and concert recordings throughout his career as an operatic tenor.
 From his first operatic leading role as Alfredo in "La traviata" in 1961, his major debuts continued in swift succession: "Tosca" at the Hamburg State Opera and "Don Carlos" at the Vienna State Opera in 1967; "Adriana Lecouvreur" at the Metropolitan Opera, "Turandot" in Verona Arena and "La bohème" in San Francisco in 1969; "La Gioconda" in 1970; "Tosca" in Royal Opera House, Covent Garden in 1971; "La bohème" at the Bavarian State Opera in 1972; "Il trovatore" at the Paris Opéra in 1973 and "Don Carlo" at the Salzburg Festival in 1975, "Parsifal" in 1992 at the Bayreuth Festival; and the list continues until today; the same role is often recorded more than once.
La traviata (] , The Fallen Woman) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave.
 It is based on "La Dame aux Camélias" (1852), a play adapted from the novel by Alexandre Dumas, fils.
 The opera was originally titled "Violetta", after the main character.
 It was first performed on 6 March 1853 at the La Fenice opera house in Venice.
Loretta Di Franco is an American operatic soprano who is chiefly known for her more than 900 performances at the Metropolitan Opera from 1961-1995.
 Originally a member of the Met's opera chorus, she eventually was promoted to singing small comprimario roles beginning with one of the pages in Wagner's "Tannhäuser" and the peasant girl in "The Marriage of Figaro" in 1961.
 She went on to win the Metropolitan Opera National Council Auditions in 1965 which led to her first substantial role, Chloe in "The Queen of Spades".
 She continued to appear annually at the Met for the next 30 years, performing both leading and supporting roles.
 Some of the parts she performed at the Met included Annina in "La traviata", both the Aunt and Barena in Janáček's "Jenůfa", Barbarina and Marcellina in "The Marriage of Figaro", Berta in "The Barber of Seville", Countess Ceprano in "Rigoletto", the Dew Fairy and the Sandman in "Hansel and Gretel", Feklusa in "Káťa Kabanová", the First Lady in "The Magic Flute", the Flower Seller in Britten's "Death in Venice", Frasquita in "Carmen", Gerhilde in "Die Walküre", Giannetta in "L'elisir d'amore", Helen in "Mourning Becomes Electra", Ines in "Il trovatore", Jouvenot in "Adriana Lecouvreur", Kate Pinkerton in "Madama Butterfly", Laura in "Luisa Miller", Lauretta in "Gianni Schichi", Lisa in "La sonnambula", Marianne in "Der Rosenkavalier", Marthe in "Faust", Musetta in "La bohème", Oscar in "Un ballo in maschera", Samaritana in "Francesca da Rimini", Woglinde in both "Das Rheingold" and "Götterdämmerung", Xenia in "Boris Godunov", Zerlina in "Don Giovanni", and title role in "Lucia di Lammermoor".
 In 1991 she created the role of the Woman with Child in the world premiere of John Corigliano's "The Ghosts of Versailles".
The Phoenix Opera is a professional opera company located in Phoenix, Arizona USA.
 It is an affiliate member of OPERA America.
 The company was founded as the Phoenix Metropolitan Opera in 2006 by the artistic director John Massaro and the creative director Gail Dubinbaum.
 Massaro and Dubinbaum are married and have both had highly successful musical careers, working with such prestigious companies as the Metropolitan Opera.
 The 2007 inaugural season included only one fully staged opera, Puccini's "La Bohème".
 In 2008/09, the company presented two fully staged productions: Verdi's "Aida" and Puccini's "Tosca".
 In the 2009/10 season the company presented "Carmen" and "Madama Butterfly" conducted by Massaro.
 In the 2010/11 season the company presented "The Magic Flute" and "La Traviata".
Luis Lima (born 12 September 1948 in Córdoba, Argentina) is an Argentine operatic tenor, who studied in Buenos Aires under Carlos Guichandut and in Sicily under Gina Cigna.
 He made his opera debut in 1974, in Lisbon, in "Cavalleria rusticana", and since then sang in seventy-seven performances at the Metropolitan Opera (from 1977 to 2001) in nine different roles, starting with Alfredo Germont in "La traviata".
 He has also sung with the New York City Opera (1978–79, debuting in "Madama Butterfly"), at the Teatro alla Scala (first appearing in "Lucia di Lammermoor", 1977) and the Royal Opera House, Covent Garden (from 1984).
The Bear is the second of the two operas by William Walton, described in publication as an "Extravaganza in One Act".
 The libretto was written by Paul Dehn and Walton, based on the play of the same title by Anton Chekhov (which is also sometimes translated into English as "The Boor").
Becoming Traviata is a 2012 French documentary film chronicling rehearsals of the Verdi opera "La traviata" at the Aix-en-Provence Festival.
 Directed by Philippe Béziat, the film focuses largely on stage director working with coloratura soprano Natalie Dessay.
 The film's French title is Traviata et nous ("Traviata and Us").