Question: The Christmas Concerto is bya composer that died in what year?

Context articles: Trombone Concerto (Rouse)
Christmas Concerto (Corelli)
Boston Concerto
Oboe Concerto (Marcello)
Correlazione
Piano Concerto No. 1 (Rubinstein)
Percussion Concerto (Higdon)
Carlos Duarte
Piano Concerto No. 3 (Beethoven)
Arcangelo Corelli

The Trombone Concerto is a concerto for trombone and orchestra by the American composer Christopher Rouse.
 The work was commissioned by the New York Philharmonic for its principal trombonist Joseph Alessi.
 It was completed on April 5, 1991, and was first performed by Alessi and the New York Philharmonic conducted by Leonard Slatkin on December 30, 1992, in Avery Fisher Hall, New York City.
 The concerto is dedicated to the composer and conductor Leonard Bernstein, who died suddenly October 14, 1990.
 In 1993, the work was awarded the Pulitzer Prize for Music.
Concerto grosso in G minor, Op. 6, No. 8 by Arcangelo Corelli, known commonly as the Christmas Concerto, was commissioned by Cardinal Pietro Ottoboni and published posthumously in 1714 as part of Corelli's "Twelve concerti grossi, Op. 6".
 The concerto bears the inscription "Fatto per la notte di Natale " (made for the night of Christmas).
 Its composition date is uncertain, but there is a record of Corelli having performed a Christmas concerto in 1690 for the enjoyment of his new patron.
The Boston Concerto is a concerto for orchestra by the American composer Elliott Carter.
 The work was commissioned by the Boston Symphony Orchestra, for which the piece is titled.
 It was first performed in Symphony Hall, Boston, on April 3, 2003 by the Boston Symphony Orchestra under the conductor Ingo Metzmacher.
 Carter dedicated the concerto to his wife Helen Jones Carter, who died on May 17, 2003.
The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello.
 The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.
 As a concerto for oboe, strings and continuo its oldest extant sources date from 1717: that year it was printed in Amsterdam, and a C minor variant of the concerto, S Z799, was written down.
Correlazione is a ballet made by Miriam Mahdaviani for New York City Ballet's Diamond Project II to Corelli's concerti grossi, Op. 6, No. 1 in D major, No. 3 in C minor, No. 8 in G minor "(Christmas Concerto)", and to the Sonata for Violin Op. 5, No. 12 in D minor ("La follia").
 The premiere took place 26 May 1994 at the New York State Theater, Lincoln Center.
The Piano Concerto No. 1 in E minor, Op. 25, written in 1850 and published in 1858 by Anton Rubinstein is a Romantic concerto is dedicated to Alexander Villoing, the composer's principal piano teacher.
 It is his fourth attempt at writing a concerto, two were from 1849 and were lost while the third from the same year was transformed into a Piano Octet, Op. 9.
 Although the First Concerto is the most traditional of the five concerti, a characteristic leonine quality in the piano scoring often emerges throughout.
The Percussion Concerto is a one-movement concerto for solo percussion and orchestra by the American composer Jennifer Higdon.
 The work was jointly commissioned by the Philadelphia Orchestra, the Indianapolis Symphony Orchestra, and the Dallas Symphony Orchestra, with contributions from the Philadelphia Music Project and the Lacy Foundation of LDI, Ltd.
 The piece was completed in 2005 and is dedicated to the percussionist Colin Currie, for whom the concerto was written.
 The piece won the 2010 Grammy Award for Best Classical Contemporary Composition.
 That same year, Higdon won the Pulitzer Prize for Music for her Violin Concerto (2008).
Carlos Duarte (born in Caracas on June 1, 1957; died April 13, 2003) was a Venezuelan composer and pianist.
 His premier recital was at age 11 and at 16 he won a national award for composition (He obtained the prize for 3 consecutive years from 1973 to 1975).
 He composed some pieces for piano and orchestra: "Ludios" (Ludus), "Sinfonietta La Mar" (Sea Sinfonietta), "Concierto de la Canción Triste" (Sad Song Concerto) and "Requiem para un Idiota" (Requiem for an Idiot).
 In 1999 he composed a Quintet for the End of the Century (Quinteto para el Fin del Siglo).
 The composer himself performed the first performances in the same year, with the Arpeggione Quartet (as a Piano Quintet) and the European Union Chamber Orchestra (as a Concerto for Piano and String Orchestra).
 His last work was a Requiem, entitled "Requiem para un Idiota" (Requiem for an Idiot), for Piano (as his own voice), Chorus, 8 Clarinets, 8 Bassons, 8 Contrabassoons and 8 Double Basses.
 The Caracas Municipal Symphony Orchestra (Orquesta Sinfónica Municipal de Caracas) posthumously premiered in April 30th, 2006 under the baton of Rodolfo Saglimbeni and Arnaldo Pizzolante playing the piano part.
 Both are among the closest friends of Duarte.
 He composed also the incidental piano music for "Jav & Jos", "The Last Minotaur" and "Clitemnestra" all of them performed by the "Theja" Theater Group in the nineties.
 Between 1987 and 1990 he was the Pianist of the Caracas Municipal Symphony Orchestra.
 He served as a professor at the Universidad Simón Bolívar Post-Graduate Music Faculty.
The Piano Concerto No. 3 in C minor, Op.
 37, was composed by Ludwig van Beethoven in 1800 and was first performed on 5 April 1803, with the composer as soloist.
 The year for which the concerto was composed (1800) has however been questioned by contemporary musicologists.
 It was published in 1804.
 During that same performance, the Second Symphony and the oratorio "Christ on the Mount of Olives" were also premiered.
 The composition was dedicated to Prince Louis Ferdinand of Prussia.
 The first primary theme is reminiscent of that of Mozart's 24th Piano Concerto.
Arcangelo Corelli ( ; 17 February 1653 – 8 January 1713) was an Italian violinist and composer of the Baroque era.
 His music was key in the development of the modern genres of sonata and concerto, in establishing the preeminence of the violin, and as the first coalescing of modern tonality and functional harmony.