Question: what is the name of the bunny cartoon charactercreated by a Dutch writer and that is the favorites of a contemporary Chinese painter?

Context articles: Wang Xibang
Wu Guanzhong
Sanzi
Jerome Silbergeld
Liu Ye (artist)
Baton Bunny
Yishu Journal of Contemporary Chinese Art
Horse Hare
Miffy
Ding Fang

Wang Xibang ( ; 19252015) was a contemporary Chinese painter, calligrapher, poet, educator, and antique collector.
 Wang Xibang excelled in calligraphy and painting of plum blossom, pine, lotus, peony, wisteria, and loquat tree.
 He was the founder of Xin’an Association of Fine Arts, a member of the Chinese Artists Association, and a member of the Chinese Poet Association.
Wu Guanzhong (; 29 August 1919 – 25 June 2010) was a contemporary Chinese painter widely recognized as a founder of modern Chinese painting.
 He is considered to be one of the greatest contemporary Chinese painters.
 Wu's artworks had both Western and Eastern influences, such as the Western style of Fauvism and the Eastern style of Chinese calligraphy.
 Wu had painted various aspects of China, including much of its architecture, plants, animals, people, as well as many of its landscapes and waterscapes in a style reminiscent of the impressionist painters of the early 1900s.
 He was also a writer on contemporary Chinese art.
Sanzi (simplified Chinese: 散子), born in 1965 in Yangzhou, Jiangsu, is a widely recognized contemporary Chinese painter and designer.
 Known for his mastery of deploying a combination of techniques including Western painting, traditional Chinese ink painting, metal and wood work.
Jerome Silbergeld, (B.A Stanford University, 1966, M.A. Stanford, 1967, M.A. Univ. of Oregon 1972, Ph.D. Stanford 1974) is the P.Y. and Kinmay W. Tang Professor (Emeritus) of Chinese Art History at Princeton University and director of Princeton’s Tang Center for East Asian Art.
 He was formerly the chair of Art History and director of the School of Art and the University of Washington in Seattle, where he taught for twenty-five years.
 His research includes traditional and modern Chinese painting, cinema, and architecture and gardens.
 Among his book publications are "Chinese Painting Style" (1982); "Mind Landscapes: The Paintings of C. C. Wang" (1987); "Contradictions: Artistic Life, the Socialist State, and the Chinese Painter Li Huasheng" (1993); "China Into Film: Frames of Reference in Contemporary Chinese Cinema" (1999); "Hitchock with a Chinese Face" (2004); "Body in Question: Image and Illusion in Two Chinese Films by Director Jiang Wen" (2008); "Outside In: Chinese x American x Contemporary x Art" (2009); and "Humanism in China: A Contemporary Record of Photography" (2009); among his edited and co-edited publications is "Bridges to Heaven: Essays in East Asian Art in Honor of Wen C. Fong" (2 volumes, 2011).
 He has also published more than sixty articles, encyclopedia entries, and book reviews and co-authored the Encyclopædia Britannica entry on Chinese art.
Liu Ye (; born in 1964) is a Beijing-based contemporary Chinese painter known for his bright-hued paintings of childlike female figures, his favorite cartoon character Miffy the bunny and works inspired by Piet Mondrian.
 Liu Ye is part of a generation of artists who grew up during the Cultural Revolution.
 However, unlike most acclaimed Chinese contemporary art, his works have little political implications.
 Instead, he prefers to use a universal language to depict his inner world.
 His work has been exhibited extensively in China, Europe and the United States.
Baton Bunny is a Bugs Bunny cartoon of the "Looney Tunes" series, produced in 1958 and released in January 1959.
 It shows Bugs conducting an orchestra - with a fly bothering him.
 Bugs conducts, and in part, plays the overture to "Ein Morgen, ein Mittag und Abend in Wien" (A Morning, Noon, and Night in Vienna)", a composition by Franz von Suppé.
 Though Mel Blanc was credited for vocal characterizations, there is no dialogue in the short; the only vocal effect made was when an audience member is heard coughing.
 This is the third and last Bugs Bunny cartoon (the first two being "A Corny Concerto" and "Rhapsody Rabbit", although he says three lines in the latter) where Bugs is silent.
 Or, nearly silent; at one point, he 'shushes' the brass.
Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on contemporary Chinese art and culture.
 Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books.
 Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.
Horse Hare is a "Looney Tunes" Bugs Bunny cartoon released on February 13, 1960.
 It stars Bugs Bunny and Yosemite Sam.
 This cartoon reuses the plot from "Tom Tom Tomcat".
 It was the first Bugs Bunny cartoon released in the 1960s.
Miffy (Dutch: "Nijntje" , pronounced ] ) is a small female rabbit in a series of picture books drawn and written by Dutch artist Dick Bruna.
 The original Dutch name, Nijntje, is a shortening of the diminutive "konijntje", "little rabbit".
Ding Fang (born 1956, in Wugong, Shanxi Province) is a well-known Chinese painter and curator.
 He graduated from the Nanjing Fine Arts Academy in 1986, with a Masters in oil painting, where he later taught for several years.
 After working both as a professional artist and on the editorial staff of Fine Arts in China Magazine, he moved in 2000 to the Institute of Fine Arts at Nanjing University, where he currently teaches.
 His work appeared in several prominent shows in China in the early 1980s.
 When political circumstances made it difficult for him to continue working as an independent artist, he began to exhibit in galleries in Sweden, Vienna, Los Angeles, London, Oxford, Sydney, and Rotterdam.
 In recent years his work has featured in many major Chinese exhibitions, including the Beijing Biennale in 2003 and "The Wall: Reshaping Contemporary Chinese Art".
 He was the subject of a retrospective at the National Art Museum of China in 2002.
 The Yuan Center gallery in Beijing included several of his paintings in their recent exhibition, "After Culture".
 Fang is known to be a member of the avant-garde movement.