Question: The Hope Theatre presented plays during what overall time frame in England?

Context articles: Forest Theater
The Bob Hope Theatre
English Renaissance theatre
Plymouth Theatre (Boston)
Haymarket Theatre (Boston, Massachusetts)
Hope Theatre
Rapid reaction force
Garden Theatre
Memory of Mankind
Majestic Theatre (Columbus Circle)

The Forest Theater is an historic amphitheater in Carmel-by-the-Sea, California.
 Founded in 1910, it is one of the oldest outdoor theaters west of the Rockies.
 Actor/director Herbert Heron is generally cited as the founder and driving force, and poet/novelist Mary Austin is often credited with suggesting the idea.
 As first envisioned, original works by California authors, children's theatre, and the plays of Shakespeare were the primary focus.
 Since its inception, a variety of artists and theatre groups have presented plays, pageants, musical offerings and other performances on the outdoor stage, and the facility's smaller indoor theatre and school.
The Bob Hope Theatre is a community theatre in Eltham in the Royal Borough of Greenwich, England.
 The theatre is owned and run by the members of Eltham Little Theatre Company.
 The theatre's own repertory members present approximately 11 shows each year, including a pantomime every January, and an annual musical.
 A variety of other companies also perform at the theatre throughout the year – about 15 additional productions.
English Renaissance theatre, also known as early modern English theatre, or (commonly) as Elizabethan theatre, refers to the theatre of England between 1562 and 1642.
The Plymouth Theatre (1911–1957) of Boston, Massachusetts, was located on Stuart Street in today's Boston Theater District.
 Architect Clarence Blackall designed the building for Liebler & Co.
 Performers included Henry Jewett, Bill "Bojangles" Robinson, 8-year-old Sammy Davis, Jr., and Bette Davis.
 In October 1911, the touring Abbey Theatre presented Synge's Playboy of the Western World at the Plymouth; in the audience were W. B. Yeats, Isabella Stewart Gardner and Rose Fitzgerald Kennedy.
The Haymarket Theatre (1796-1803) or Hay-Market Theatre was a theatre in late-18th century Boston, Massachusetts.
 Organized by Charles Stuart Powell, it occupied a large, wooden building "opposite the Mall on Common (later Tremont) Street, near Hatch's Tavern."
 In addition to dramatic plays, the theatre presented some 62 musical entertainments during its first 5 years.
 The Haymarket "was seldom used after 1800, and on March 3, 1803, it was offered for sale at auction on the condition that it be removed in 60 days."
The Hope Theatre was one of the theatres built in and around London for the presentation of plays in English Renaissance theatre, comparable to the Globe, the Curtain, the Swan, and other famous theatres of the era.
A rapid reaction force is a military or police unit designed to respond in very short time frames to emergencies.
 When used in reference to police forces such as SWAT teams, the time frame is minutes, while in military applications, such as with the use of paratroops or other commandos, the time frame is hours to days.
The Garden Theatre was a major theatre on Madison Avenue and 27th Street in New York City, New York.
 The theatre opened on September 27, 1890, and closed in 1925.
 Part of the second Madison Square Garden complex, the theatre presented Broadway plays for two decades and then, as high-end theatres moved uptown to the Times Square area, became a facility for German and Yiddish theatre, motion pictures, lectures, and meetings of trade and political groups.
Several motivations underlie the project.
 The primary ambition of MOM is to preserve an image of our era, created by numerous participants all over the planet.
 MOM will also contain information which our society is obliged to forward to the future: e.g. description of nuclear waste repositories.
 MOM collaborates with the NEA and SKB.
 Although the most obvious ambition and often described in the media is the concern about preserving our knowledge, this is not the primary goal of MOM.
 Serving as a time capsule MOM is both: in a time frame of millennia it is the story about us, and in a time frame of decades it is a backup.
 In times where global warming, nuclear danger and biological warfare threaten the existence of civilization, saving the core knowledge and culture acquired over centuries is a backup measure.
 In case of a collapse, the MOM project could help survivors to rebuild civilization.
 Linked to this, an another reason is of political order: facing the lack of reactivity of authorities concerning global warming, the MOM project is a reminder of what can happen.
 Roman and Greek civilizations whose histories have been reconstructed by the small percentage of texts and artifacts which survived until our days are examples that have inspired the MOM project.
 Finally, it's a critic of our digital civilization : according to Kunze, maybe nothing of the 21st century will last in the future, since most of our interactions are now virtual.
 The "accuracy versus bullshit" is one of the main themes of the MOM project, worried about loss of information, the project can only aim to save a fragment of the information produced until today, but this fragment has to be representative.
The Majestic Theatre was a theatre located at 5 Columbus Circle, the present site of the Time Warner Center.
 Designed in 1903 by John H. Duncan, the architect of Grant's Tomb, it was built at a time that Columbus Circle was expected to become a theatre district.
 Initially, the theatre, which seated about 1355, hosted original musicals and operettas, including "The Wizard of Oz" and "Babes in Toyland", and some plays.
 It was renamed Park Theatre in 1911, opening with "The Quaker Girl", and it again presented plays, musicals and operettas.
 The Shuberts, Florenz Ziegfeld and Billy Minsky, in succession, owned the house but did not find success there.
 In 1925, it was purchased by William Randolph Hearst, renamed Cosmopolitan Theatre, and played movies as well as live theatre.
 During the period it was used as a playhouse, its last name was amended to include International Theatre.