Question: "Rags to Riches" is a 1953 popular song by Richard Adler and Jerry Ross, the best-known version of the song, recorded by Tony Bennett with which Canadian bandleader, orchestrator, composer and conductor, known for his lush arrangements of pop and Christmas standards?

Context articles: Everybody Loves a Lover
Dance with Me (Debelah Morgan song)
I'm Not at All in Love
Jerry Ross (composer)
Rags to Riches (song)
Steam Heat
Hernando's Hideaway
John Murray Anderson's Almanac
Whatever Lola Wants
Percy Faith

"Everybody Loves a Lover" is a popular song which was a hit single for Doris Day in 1958.
 Its lyricist, Richard Adler, and its composer, Robert Allen, were both best known for collaborations with other partners.
 The music Allen composed, aside from this song, was usually for collaborations with Al Stillman, and Adler wrote the lyrics after the 1955 death of his usual composing partner, Jerry Ross.
"Dance with Me" is a song by American R&B singer Debelah Morgan, composed by Morgan and music producer Giloh Morgan.
 Released in the year 2000, it was the first single produced from Morgan's third studio album of the same name.
 Its protagonist declares that she only wants to dance with her lover that night.
 "Dance with Me" peaked at <nowiki>#</nowiki>8 on the "Billboard" Singles Chart on December 26, 2000 (after reaching the Top 40 on October 3), and has been added to many hit compilation albums.
 "Dance with Me" received international acclaim and has been performed in different versions, including a special Walt Disney version and a Spanish version "Baila Conmigo."
 Morgan's "Dance With Me" was based on "Hernando's Hideaway" written by Richard Adler and Jerry Ross, who are given credit on the song.
"I'm Not at All in Love" is a popular song written by Richard Adler and Jerry Ross, published in 1954.
 It was first presented in the musical "The Pajama Game" by Janis Paige.
Jerry Ross (born Jerold Rosenberg; March 9, 1926 – November 11, 1955) was an American lyricist and composer whose works with Richard Adler for the musical theater include "The Pajama Game" and "Damn Yankees", winners of Tony Awards in 1955 and 1956, respectively, in both the "Best Musical" and "Best Composer and Lyricist" categories.
"Rags to Riches" is a 1953 popular song by Richard Adler and Jerry Ross.
 The best-known version of the song, recorded by Tony Bennett with Percy Faith and his orchestra, was number one for eight weeks on the Billboard chart in 1953 and became a gold record.
 In the same year, a version by David Whitfield reached number three in the British charts and one by Billy Ward and his Dominoes with Jackie Wilson singing lead made number two on Billboard's R&B chart.
 Later recordings by Sunny & the Sunliners (#45 in 1963) and Elvis Presley (#33 in 1971) also made the Billboard charts.
"Steam Heat" is a show tune from the 1954 Broadway musical "The Pajama Game", written by Richard Adler and Jerry Ross.
"Hernando's Hideaway" is a tango show tune, largely in long metre, from the musical "The Pajama Game", written by Jerry Ross and Richard Adler and published in 1954.
 It was sung in the stage and film versions of the musical by Carol Haney.
John Murray Anderson's Almanac is a musical revue, featuring the music of the songwriting team of Richard Adler and Jerry Ross, as well as other composers.
 It was conceived by John Murray Anderson.
"Whatever Lola Wants" is a popular song, sometimes rendered as "Whatever Lola Wants, Lola Gets".
 The music and words were written by Richard Adler and Jerry Ross for the 1955 musical play "Damn Yankees".
 The song is sung by Lola, the Devil's assistant, a part originated by Gwen Verdon, who reprised the role in the film.
 The saying was inspired by Lola Montez, an Irish-born "Spanish dancer" and mistress of King Ludwig I of Bavaria, who later became a San Francisco Gold Rush vamp.
Percy Faith (April 7, 1908 – February 9, 1976) was a Canadian bandleader, orchestrator, composer and conductor, known for his lush arrangements of pop and Christmas standards.
 He is often credited with popularizing the "easy listening" or "mood music" format.
 Faith became a staple of American popular music in the 1950s and continued well into the 1960s.
 Though his professional orchestra-leading career began at the height of the swing era, Faith refined and rethought orchestration techniques, including use of large string sections, to soften and fill out the brass-dominated popular music of the 1940s.