Question: Which film director was born first, Roger Corman or Pier Paolo Pasolini?

Context articles: Teorema (film)
Who Killed Pasolini?
The Decameron (1971 film)
Notes Towards an African Orestes
Pier Paolo Pasolini
Pasolini (film)
Accattone
Roger Corman
Enrique Irazoqui
Damiano Damiani

Teorema is a 1968 Italian art-house film written and directed by Pier Paolo Pasolini and starring Terence Stamp, Laura Betti, Silvana Mangano, Massimo Girotti, and Anne Wiazemsky.
 It was the first time Pasolini worked primarily with professional actors.
 In this film, an upper-class Milanese family is introduced to, and then abandoned by, a divine force.
 Two prevalent motifs are the desert and the timelessness of divinity.
Pasolini, un delitto italiano ("Pasolini, an Italian Crime"), internationally released as Who Killed Pasolini?
, is a 1995 Italian crime-drama film co-written and directed by Marco Tullio Giordana.
 It depicts the trial against Pino Pelosi, who was charged with the murder of artist and filmmaker Pier Paolo Pasolini.
The Decameron (Italian: "Il Decameron" ) is a 1971 film by Italian director Pier Paolo Pasolini, based on the novel "Il Decameron" by Giovanni Boccaccio.
 It is the first movie of Pasolini's "Trilogy of life", the others being "The Canterbury Tales" and "Arabian Nights".
Notes Towards an African Orestes (Italian: "Appunti per un'Orestiade Africana" ) is a 1970 Italian film by director Pier Paolo Pasolini about Pasolini's preparations for making a film version of the Oresteia set in Africa.
Pier Paolo Pasolini (] ; 5 March 1922 – 2 November 1975) was an Italian film director, poet, writer and intellectual.
 Pasolini also distinguished himself as an actor, journalist, philosopher, philologist, novelist, playwright, painter and political figure.
Pasolini is a 2014 English-language Franco-Italian drama film directed by Abel Ferrara and written by Maurizio Braucci about the final days of Italian film director Pier Paolo Pasolini.
 It was selected to compete for the Golden Lion at the 71st Venice International Film Festival.
 It was also screened in the Special Presentations section of the 2014 Toronto International Film Festival.
Accattone is a 1961 Italian drama film written and directed by Pier Paolo Pasolini.
 Despite being filmed from an original screenplay, "Accattone" is often perceived as a cinematic rendition of Pasolini's earlier novels, particularly "The Ragazzi" and "A Violent Life".
 It was Pasolini's first film as director, employing what would later be seen as trademark Pasolini characteristics; a cast of non-professional actors hailing from where the movie is set, and thematic emphasis on impoverished individuals.
Roger William Corman (born April 5, 1926) is an American independent film producer, director, screenwriter, entertainment businessman, and actor.
 He has been called "The Pope of Pop Cinema" and is known as a trailblazer in the world of independent film.
 Much of Corman's work has an established critical reputation, such as his cycle of low budget cult films adapted from the tales of Edgar Allan Poe.
 Admired by members of the French New Wave and "Cahiers du cinéma", in 1964 Corman was the youngest filmmaker to have a retrospective at the Cinémathèque Française, as well as the British Film Institute and the Museum of Modern Art.
 He was the co-founder of New World Pictures, a prolific multimedia company that helped to cement Fox as a major American television network, and is a long-time member of the Academy of Motion Picture Arts and Sciences.
 In 2009, he was awarded an Honorary Academy Award.
Enrique Irazoqui (b. July 5, 1944, Barcelona, Spain) is former a Spanish movie actor best known for his role as Jesus Christ in the 1964 film "The Gospel According to St. Matthew", directed by renowned Italian director Pier Paolo Pasolini.
 He was nineteen when he played the lead role in Pasolini's film, and has only had a small number of screen roles since.
Damiano Damiani (23 July 1922 – 7 March 2013) was an Italian screenwriter, film director, actor and writer.
 Poet and director Pier Paolo Pasolini referred to him as "a bitter moralist hungry for old purity", while film critic Paolo Mereghetti said that his style made him "the most American of Italian directors".