Question: Karol Maciej Szymanowski's, Stabat Mater, Op. 53, was composed in 1925 to 1926 for soprano, alto and baritone soloists, SATB choir, and orchestra, was a Polish composer and pianist, considered a member of the late 19th-/early 20th-century of which modernist movement, and widely viewed as one of the greatest Polish composers?

Context articles: Stabat Mater (Pergolesi)
Karol Szymanowski
Hagith (opera)
Stabat Mater (Jenkins)
Stabat Mater (Szymanowski)
Stabat Mater (Pärt)
Anna Cymmerman
Stabat Mater in F minor (Schubert)
Stabat Mater (Poulenc)
Stabat Mater in G minor (Schubert)

Stabat Mater is a musical setting of the "Stabat Mater " sequence, composed by Giovanni Battista Pergolesi in 1736.
 Composed in the final weeks of Pergolesi's life, it is scored for soprano and alto soloists, violin I and II, viola and basso continuo (cello and organ).
Karol Maciej Szymanowski (] ; 6 October 188229 March 1937) was a Polish composer and pianist, the most celebrated Polish composer of the early 20th century.
 He is considered a member of the late 19th-/early 20th-century modernist movement Young Poland and widely viewed as one of the greatest Polish composers.
Hagith, Op.
 25, is an opera in one act by the Polish composer and pianist Karol Szymanowski considered one of the greatest Polish composers of the 20th century.
 The opera premiered at the Grand Theatre, Warsaw in 1922, nine years after its creation.
 The libretto in German was written by the Viennese secessionist poet and Szymanowski's friend Felix Dörmann.
Stabat Mater is a 2008 piece by the Welsh composer Karl Jenkins, and is based on the 13th-century prayer "Stabat Mater."
 Like much of Jenkins' earlier work, the piece incorporates both traditional Western music (orchestra and choir) with ethnic instruments and vocals - this time focusing on the Middle East.
 The recording features the Royal Liverpool Philharmonic Orchestra and Chorus, along with two soloists, Lithuanian mezzo-soprano Jurgita Adamonyte, and English musician Belinda Sykes, who both sings and performs on the duduk, an Armenian reed instrument.
Karol Szymanowski's Stabat Mater, Op.
 53, was composed in 1925 to 1926 for soprano, alto and baritone soloists, SATB choir, and orchestra.
 The work is divided into six movements and uses Jozef Janowski's (1865–1935) Polish translation of the Marian hymn, Stabat Mater.
Stabat Mater is a musical setting of the Stabat Mater sequence composed by Arvo Pärt in 1985, a commission of the Alban Berg Foundation.
 The piece is scored for a trio of singers: soprano, alto, and tenor; and a trio of string instruments violin, viola, and violoncello; it has a duration of approximately 24 minutes.
 A version with expanded forces (mixed chorus and orchestra) was premiered on June 12, 2008 at the Großen Musikvereinssaal during the Wiener Festwochen 2008 with Kristjan Järvi conducting the Singverein der Gesellschaft der Musikfreunde in Wien and the Tonkünstler-Orchester Niederösterreich.
 This new version was commissioned by the Tonkünstler-Orchester.
 "Stabat Mater" is composed in Pärt's characteristic tintinnabuli style (which he has employed nearly exclusively since 1976) in which arpeggiations of a major or minor triad are combined with ascending or descending diatonic scales.
Anna Cymmerman is a Polish operatic soprano.
 She studied at the Academy of Music in Łódź where she majored in Vocal Acting and Performance and graduated with honors in June, 2000.
 While a student, she debuted as a soloist in the Grand Theatre, Łódź.
 There, she performed in Polish as Blanche in Poulenc's "Dialogues of the Carmelites" directed by Christopher Kelm.
 Her performance was appreciated both by critics and viewers.
 She won a competition whose judges included Ewa Podleś and Andrzej Drabowicz.
 She has since performed in opera productions in Austria, Denmark, Holland, and Germany.
 Her performance in Karol Szymanowski's "Stabat Mater" at Chicago's International Music Theater was considered a great success.
Stabat Mater in F minor, D 383, is a musical setting of the "Stabat Mater" sequence, composed by Franz Schubert in 1816.
 It is scored for soprano, tenor and bass soloists, SATB choir, 2 flutes, 2 oboes, 2 bassoons, contrabassoon, 2 french horns, 3 trombones, violin I and II, viola, cello and double bass.
Stabat Mater, FP 148, is a musical setting of the Stabat Mater sequence composed by Francis Poulenc in 1950.
 Poulenc wrote the piece in response to the death of his friend, artist Christian Bérard; he considered writing a Requiem for Bérard, but, after returning to the shrine of the Black Virgin of Rocamadour, he selected the medieval "Stabat Mater" text.
 Poulenc's setting, scored for soprano solo, mixed chorus, and orchestra, premiered in 1951 at the Strasbourg Festival.
 The "Stabat Mater" was well-received throughout Europe, and in the United States it won the New York Critics’ Circle Award for Best Choral Work of the year.
Stabat Mater in G minor, D 175, is a musical setting of the Latin "Stabat Mater " sequence, composed by Franz Schubert in April 1815.
 It is scored for SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 3 trombones, violin I and II, viola, and basso continuo (cello, double bass and organ).