Question: what kind of venue audience did Eva Zimmermann's daughter perform cabaret artistry in?

Context articles: Chris Burnett Quartet
Eva Busch
(Le) Poisson Rouge
Jollees
Lesburlesque
Cabaret
Crazy Horse (Beirut)
Open mic
Blandine Ebinger
Kabarett

Chris Burnett Quartet was formed when the American saxophonist and composer, Chris Burnett, return home to live in the Kansas City area in 2001.
 Thus, he began another new phase of his career as a performer.
 The Chris Burnett Quartet debuted with a performance on the main stage of the Roots Festival at Paola, Kansas in 2002.
 In 2003, he was contacted to open at the Adam's Mark in Kansas City for Maynard Ferguson by the jazz trumpet legend's management.
 As a result of that successful performance, an official of the Elms Resort and Spa who was in the audience, contracted CbQ to appear as the featured group at their 4th Annual Jazz and Wine Festival in Excelsior Springs, Missouri in 2004.
 Other recent performances included performing and successfully hosting the "Blue Monday Jam" at Kansas City's famous Blue Room jazz club in 2004 - thus validating the viability of his artistry within the historic " 18th and Vine Jazz District" scene too.
 Burnett also participated in a special broadcast performance for the popular "The Jazz Scene - 2004 Holiday Show" radio program hosted by David Basse for Kansas Public Radio.
 Although 2005 was primarily a year of sideman work for Mr. Burnett, he engaged each opportunity with equal enthusiasm, artistry and professionalism.
 He has been welcomed back home to the Kansas City area as an artist by such notable leaders as Ahmad Alaadeen, Bobby Watson and David Basse, resulting in participation in several significant jazz performances at regional music festivals and other significant live music events in the area.
 In May 2006 Chris Burnett became a featured artist, performing monthly at The Drum Room in the historic Hilton President Kansas City located within the emerging Kansas City Live!
 Downtown Entertainment District (see source link below).
 The group remains active.
Eva Busch (born Eva Zimmermann: 22 May 1909 - 20 July 2001) was a German born singer and cabaret artist.
(Le) Poisson Rouge (often referred to as LPR) is a music venue and multimedia art cabaret in New York City founded in 2008 by Justin Kantor and David Handler on the former site of The Village Gate.
 The performance space was designed and engineered by John Storyk/WSDG.
 It has become known for its focus on artistry, bringing contemporary classical music into the club setting, and offering a variety of set ups so that a seated classical performance can be followed by a standing set by a rock band or a DJ.
 Responding to a performance of Olivier Messiaen's "Quartet for the End of Time" featuring pianist Bruce Brubaker at LPR, the "Wall Street Journal" reported: "The crowd -- many of whom wouldn't even have known who Messiaen was -- sat in rapt silence, and roared their approval at the end."
Jollees was a live music and cabaret venue in Longton, Stoke-on-Trent, United Kingdom.
 The venue was re-established nearby in March 2016, in West End near to Stoke town centre, after having closed in 1992.
 The original venue was opened in October 1973 and was the largest capacity cabaret venue in the UK in the 1970s.
 It also hosted the World Professional Darts Championship from 1979 to 1985.
Lesburlesque is a British troupe of over thirty burlesque performers that perform on the cabaret circuit.
 They are notable for being the first and only burlesque troupe in the UK that performs lesbian burlesque.
 Following on from the success of Los Angeles-based girl band and dance troupe, the Pin Up Girls, Lesburlesque appeared on the burlesque scene in September 2010.
 They came to wider public attention in 2012 for having performed at a former church and continue to incorporate traditionally lesbian specific cabaret entertainment, such as drag kinging to broadening its appeal to the wider cabaret circuit.
Cabaret ( ) is a form of entertainment featuring music, song, dance, recitation, or drama.
 It is mainly distinguished by the performance venue, which might be a pub, a restaurant or a nightclub with a stage for performances.
 The audience, often dining or drinking, does not typically dance but usually sits at tables.
 Performances are usually introduced by a master of ceremonies or MC.
 The entertainment, as done by an ensemble of actors and according to its European origins, is often (but not always) oriented towards adult audiences and of a clearly underground nature.
 In the United States striptease, burlesque, drag shows, or a solo vocalist with a pianist, as well as the venues which house such events, are often advertised as cabarets.
The Crazy Horse, named after the Parisian cabaret Crazy Horse, is a notable cabaret on the Rue de Phénicie in Beirut, Lebanon.
 It was an infamous nightclub during the 1960s and 1970s when it was both a bar and a brothel, and considered the most outrageous of Beirut’s bawdy nightlife establishments.
 The venue, which was also known for its revues, was large, accommodating hundreds of tables, and the high ceiling was decorated with crystal chandeliers.
 Members of Lebanese and European high society, the rich and glitzy, along with politicians, spies, Arab sheikhs, and tourists mingled with the hostesses, dancers and prostitutes, making The Crazy Horse the highpoint of Beirut’s club scene by 1974.
 According to Adam Robinson, the author of "Bin Laden: behind the mask of the terrorist", Osama Bin Laden frequented the cabaret when he was a student at Brummana High School in Lebanon.
An open mic or open mike (derived from the expression "open microphone") is a live show at a coffeehouse, nightclub, comedy club or pub where audience members who are amateur performers or professionals who want to try out new material or plug an upcoming show are given the opportunity to perform onstage.
 Typically, as the name suggests, the performer is provided with a microphone which is plugged into a PA system, to make the individual's performance loud enough for the audience to hear.
 Often the performers sign up in advance for a time slot with the host or master of ceremonies, typically an experienced performer or the venue manager or owner.
 The master of ceremonies may screen potential candidates for suitability for the venue and give individuals a time to perform in the show.
 These events are focused on performance arts like poetry and spoken word, music (often singer-songwriters who accompany themselves on guitar), and comedy.
 Less commonly, small groups, such as a small rock band duo/trio or a comedy duo may appear.
 Group performances are uncommon, because of the space and the logistics of loading in and soundchecking such a group.
Blandine Ebinger (born Blandine Loeser) (4 November 1899, in Berlin – 25 December 1993, in Berlin) was a German actress and "chansonniere", the daughter of the pianist Gustav Loeser and the actress Margarete Wezel.
 Ebinger became acquainted with Friedrich Hollaender in 1919, and with him she became heavily invested as a performer, writer, and composer in the Berlin cabaret scene in the 1920s, beginning in the cabaret and the .
 She married Friedrich Hollaender, and she recorded many of his cabaret songs, including the set of songs entitled "Lieder eines armen Mädchens ".
 Although Ebinger and Hollaender ended their marriage before Hollaender emigrated to the United States because of the increasingly hostile environment for Jewish citizens in the early 1930s, Ebinger nevertheless faced discrimination as a result of the marriage, much of which was directed at their half-Jewish daughter, Philine, who was briefly married to Georg Kreisler.
 Ebinger emigrated to the United States in 1937, returning to Berlin in 1947.
 She moved to Munich, where she met her second husband, the publisher Helwig Hassepflug, in 1961.
 They eventually settled back in Berlin, where Blandine continued her career in the theater and as an actress on television productions.
 Ebinger died on 25 December 1993 in Berlin and is buried on the Waldfriedhof Dahlem.
 She was 94 years old.
Kabarett is the German word for the French word "cabaret" but has two different meanings.
 The first meaning is the same as in English, describing a form of entertainment featuring comedy, song, dance, and theatre (often the word "cabaret" is used in German for this as well to distinguish this form).
 The latter describes a kind of political satire.
 Unlike comedians who make fun of all kind of things, Kabarett artists (German: "Kabarettisten" ) pride themselves as dedicated almost completely to political and social topics of more serious nature which they criticize using techniques like cynicism, sarcasm and irony.