Question: What song references a man who began playing music as part of The Stanley Brothers?

Context articles: Lonesome Pine Fiddlers
Buz Verno
Hitoshi Sakimoto
Angel Band (song)
Carter Stanley
Suede (singer)
The Stanley Brothers
Pony (Kasey Chambers song)
Ralph Stanley
Sunny Afternoon

The Lonesome Pine Fiddlers (1938- 1966) were an early bluegrass band which included such notable "first generation" bluegrass musicians as Ezra Cline, Bobby Osborne, Paul Williams, Melvin Goins, Charlie Cline, Curly Ray Cline, Larry Richardson and for a short time Jimmy Martin.
 The group was started by Ezra Cline and Curly Ray Cline and was originally named "Cousin Ezra and the Lonesome Pine Fiddlers".
 The Clines came from a large family consisting of musically talented people.
 Ray and Charlie's father, Charlie, was a talented banjo player and the women in the family, Geraldine and Bobbi, were great singers.
 For reasons unknown, Bobbi and Geraldine never joined the band on the road but often joined in at home, especially when notable Country singers, such as Bill Monroe, Lester Flatt and Earl Scruggs, and Hank Williams, came visiting.
 None of them ever had a music lesson yet excelled on every instrument they touched.
 Natives of the Gilbert Creek region of southern West Virginia, Cousin Ezra, along with brothers Ireland (Lazy Ned) and Curly Ray Cline, were part of the original Lonesome Pine Fiddlers from about 1938, a group that worked on radio at WHIS Bluefield, West Virginia.
 During World War II, Ned was killed in action.
 When the Pine Fiddlers resumed regular daily broadcasts, Charlie, who played multiple instruments, joined them on a regular basis.
 Charlie returned to the Fiddlers briefly before becoming a member of Bill Monroe's Blue Grass Boys.
 During 1952-1955, Charlie worked off and on with Monroe, recording some 38 songs, all on Decca.
 It has been said that he played every instrument at one time or another in the Monroe group except mandolin.
 Charlie spent most of 1953 back with the Lonesome Pine Fiddlers working at WJR radio in Detroit.
 When Ezra brought the band to Pikeville, Kentucky, in November, Charlie rejoined Bill Monroe.
 In 1954, Charlie did a session, playing lead guitar, with the Stanley Brothers and also another one on RCA with the Fiddlers, although he was not otherwise working with them at the time.
 He also worked briefly as a sideman with the Osborne Brothers, although he did not record with them.
 By 1958, Charlie (electric lead guitar) and his wife, Lee (electric bass), had rejoined Ezra and Curly Ray in the Lonesome Pine Fiddlers, who were experimenting with a more modern sound and working a TV show in Huntington, West Virginia, in addition to daily radio in Pikeville.
 In his later years, Charlie was with the Stanley Brothers.
 Curly Ray also played with the Stanley Brothers at a different time as their fiddler.
 Curly Ray was one of the best fiddlers in Bluegrass.
 This most talented family of musicians were the best, surpassed by none.
 Finally, on October 1, 2009, The Lonesome Pine Fiddlers got their due when they were inducted into the International Bluegrass Hall of Fame at the Ryman Theater (the original home of the Grand Ole Opry).
 Bobby Osborne, Melvin Goins and Paul Williams were there to receive the bands award.
 In the crowd of a sold out theater was the son of Ezra Cline, Scotty Ireland Cline, who recalled being in that same theater as a child sitting on stage and watching the Fiddlers play.
 (At the time, the Opry had bleachers for family just off stage).
 The final act of the evening at the IBMA Awards was the playing of "Pain in my Heart" by Osborne, Goins and Williams along with a Song from the Dillards, who were also inducted the same evening.
Buz Verno was born in Staten Island, New York on September 28, 1953.
 Encouraged by his father to start playing music at a very young age, Buz first began playing guitar at the age of 7.
 Feeling an overwhelming need to hone his musical talents even more, Buz began to write songs and lyrics.
 At age 12, Buz switched to bass guitar and a star was born.
Hitoshi Sakimoto (崎元 仁 , Sakimoto Hitoshi , born February 26, 1969) is a Japanese video game music composer and arranger.
 He is best known for scoring "Final Fantasy Tactics" and "Final Fantasy XII", though he has composed soundtracks for over 80 other games.
 He began playing music and video games in elementary school, and began composing video game music for money by the time he was 16.
 Sakimoto's professional career began a few years later in 1988 when he started composing music professionally as a freelancer, as well as programming sound drivers for games.
 Five years and 40 games later, he achieved his first mainstream success with the score to "".
 In 1997, he joined Square and composed for his first international success, the score to "Final Fantasy Tactics".
"Angel Band" is an American gospel music song.
 The lyrics – a poem written in common metre – were originally titled "My Latest Sun Is Sinking Fast," and were written by Jefferson Hascall (sometimes found as Haskell in hymnals).
 The lyric was first set in J. W. Dadmun's tunebook "The Melodeon" in 1860, to a tune by Dadmun.
 These words, being in common metre, could be sung to many hymn tunes, but the tune now universally associated them is by William Batchelder Bradbury, and was published in "Bradbury's Golden Shower of S.S. Melodies" in 1862.
 Bradbury's song was originally titled "The Land of Beulah."
 "Angel Band" became widely known in the 19th century, both in folk traditions and in published form, e.g. William Walker's Christian Harmony of 1866, and has been recorded by many artists, probably most famously by the Stanley Brothers, Emmylou Harris, and by the Monkees.
 The Stanley Brothers version is included on the "O Brother, Where Art Thou?"
 soundtrack album (2000).
Carter Glen Stanley (August 27, 1925 – December 1, 1966) was a bluegrass music lead singer, songwriter, and rhythm guitar player.
 He formed "The Stanley Brothers and The Clinch Mountain Boys" band together with his brother Ralph.
 The Stanley Brothers are generally acknowledged as the first band after Bill Monroe & the Blue Grass Boys to play in the bluegrass genre.
 According to some historians, their recording of "Molly and Tenbrooks" (aka "The Racehorse Song") marked the beginning of bluegrass as a genre.
Suede aka Suzanne deBronkart is an American pop, cabaret and jazz singer.
 She was born in Nyack, New York and went to high school in Severna Park, Maryland.
 She began playing music in high school, getting bar gigs before she even graduated.
 She lived in Baltimore for the majority of the 1980s and became a fixture at many local clubs.
 Suede's popularity steadily increased and she began playing sold-out shows in some of the US's most respected concert halls.
The Stanley Brothers were an American bluegrass duo made up of brothers Carter Stanley (1925–1966) and Ralph Stanley (1927–2016).
 Ralph and Carter performed as The Stanley Brothers with their band, The Clinch Mountain Boys, from 1946 to 1966.
 Ralph kept the band name when he continued as a solo after Carter's death, from 1967 until his own death in 2016.
"Pony" is a country song performed and written by Kasey Chambers and produced by her brother, Nash Chambers for her third album "Wayward Angel" (2004).
 It was released as the album's third single on 16 January 2005 in Australia as CD single.
 The song became Chambers' third top ten hit on the ARIA Singles Chart.
 It references Ralph Stanley, an American folk, bluegrass, and country music artist.
 At the APRA Music Awards of 2006 "Pony" won Most Performed Country Work.
Ralph Edmund Stanley (February 25, 1927 – June 23, 2016), also known as Dr. Ralph Stanley, was an American bluegrass artist, known for his distinctive singing and banjo playing.
 Stanley began playing music in 1946, originally with his brother Carter as part of The Stanley Brothers, and most often as the leader of his band, The Clinch Mountain Boys.
"Sunny Afternoon" is a song by The Kinks, written by chief songwriter Ray Davies.
 The track later featured on the "Face to Face" album as well as being the title track for their 1967 compilation album.
 Like its contemporary "Taxman" by The Beatles, the song references the high levels of progressive tax taken by the British Labour government of Harold Wilson.
 Its strong music hall flavour and lyrical focus was part of a stylistic departure for the band (begun with 1965's "A Well Respected Man"), which had risen to fame in 1964–65 with a series of hard-driving, power-chord rock hits.