Question: Which was created by an Australian, Man with a Movie Camera or Black Chicks Talking?

Context articles: A-Minima
Movie camera
Man with a Movie Camera
Arricam
Black Chicks Talking
Man with a Movie Camera (Biosphere album)
Moviecam
Arriflex 435
Arriflex 535
Moviecam Compact

The A-Minima is a Super 16 movie camera that was introduced by Aaton in 1999.
 Touted as the smallest reflex viewfinder movie camera at the time, the camera is distinguished by its low-profile form-factor.
 It has a size comparable to a small prosumer video camera, and weights 4.4 lb including film and battery.
 In order to accommodate the camera design, Aaton worked with Eastman Kodak to create a specially designed flexible flange 200 ft daylight spool.
 Because of the spool's particular design and the fact that the camera requires A-wind 16 mm film, the A-Minima can only use Kodak film stock, manufactured specifically for use with the A-Minima.
 The 200 foot length (approximately 5.5 minutes at 24 frame/s) and slightly noisy sound rating of 29 dB make it convenient as a B-camera or second unit camera; however, the small size and ease of use, along with an integrated AatonCode timecode unit, allow for less conspicuous and cumbersome shooting on Super 16.
The movie camera, film camera or cine-camera is a type of photographic camera which takes a rapid sequence of photographs on an image sensor or on a film.
 In contrast to a still camera, which captures a single snapshot at a time, the movie camera takes a series of images; each image constitutes a "frame".
 This is accomplished through an intermittent mechanism.
 The frames are later played back in a movie projector at a specific speed, called the frame rate (number of frames per second).
 While viewing at a particular frame rate, a person's eyes and brain merge the separate pictures together to create the illusion of motion.
Man with a Movie Camera (Russian: Человек с кино-аппаратом ("Chelovek s kinoapparatom"), Ukrainian: Людина з кіноапаратом ("Liudyna z Kinoaparatom") – sometimes called "A Man with a Movie Camera", "The Man with the Movie Camera", "The Man with a Camera", "The Man with the Kinocamera", or "Living Russia") – is an experimental 1929 Soviet silent documentary film, directed by Dziga Vertov and edited by his wife Elizaveta Svilova.
Arricam is a 35 mm movie camera line manufactured by Arri.
 It is Arri's flagship sync-sound camera line, replacing the Arriflex 535 line.
 The design was developed by Fritz Gabriel Bauer and Walter Trauninger, and is heavily derivative of the cameras Bauer created for his Moviecam company, which was bought out by Arri in the mid-1990s.
 As such, the Arricam is a fusion of the mechanical and intuitive design innovations of the Moviecam and the interchangeable accessories and complex electronic integration of the Arriflex.
 s of 2006 , the Arricam is considered, along with the Panaflex Millennium line, the top sync-sound camera system currently in usage, and is extremely popular amongst bigger budget feature films.
 The line comprises two camera body models, the ST (Studio) and LT (Lite).
 The Arricam ST is intended as a full-capability camera, including two camera magazine mounting configurations, whereas the Arricam LT is optimized for smaller, lightweight usage in handheld and Steadicam application, with only the option to mount the magazine in the rear position.
 Both cameras use motorized displacement magazines, have electronic rotating mirror shutters mounted beneath the film gate (as opposed to beside it, as in Panavision cameras), and contain independently adjustable sprocket pulleys within the camera body.
Black Chicks Talking is an arts project by Australian actress Leah Purcell featuring a 2001 documentary film, a 2002 book, a stage production and an art exhibition.
 The film is co-directed by Brendan Fletcher and features Indigenous Australian women including Purcell, actress Deborah Mailman and politician Kathryn Hay.
 Following the book and film, Purcell wrote a fictionalised dramatisation under the same title.
Man with a Movie Camera is an ambient soundtrack by Biosphere for Dziga Vertov's 1929 film "Man with a Movie Camera", commissioned by the Tromsø International Film Festival in 1996.
 This soundtrack was released later in 2001 as a bonus disc of "Substrata 2" with two bonus tracks ("The Eye of the Cyclone" and "Endurium") from the Japanese version of "Substrata".
Moviecam is a motion picture equipment company specializing in movie camera systems for 35 mm film.
 Originally started in Vienna as an in-house project of Fritz Gabriel Bauer and Walter Kindler's Moviegroup film production company in the late 1960s, the amount of research and development needed to create a new and modern motion picture camera system from scratch led to the formal creation of Moviecam as an independent corporate entity in 1976.
 Although only three camera models (SuperAmerica, Compact, and SL) were produced in significant quantities for international usage, the high quality camera design, simplicity of usage compared to the contemporary models of Arri and Panavision , and integration of modern and pioneering camera features led to widespread usage in the film industry.
 Arri subsequently bought the company in the 1990s.
 At Arri, Bauer developed, together with Walter Trauninger and their camera development team, the Arricam System, which combined the basic movement and design of the Moviecam systems with the precision electronic parts and complement of camera accessories already designed by Arri.
 The Arricam cameras were released in 2000 and remain the flagship camera line of Arri's 35 mm products.
 Despite the fact that Moviecam cameras have not been manufactured for almost ten years, their quality and features have kept them in service to meet their consistent high demand by feature film shoots.
The Arriflex 435 is a movie camera product line created by Arri in 1995 to replace the Arriflex 35III line.
 The number reflects its position as a successor camera to the Arri III and the fact that it is designed for 35 mm film.
 The 435 cameras are specifically designed as MOS cameras, which means that they are conventionally considered to be too loud to record usable location sound.
 However, this also frees the camera up to be optimized for non-sync sound uses, particularly any filming which either doesn't require sound or shooting at non-sync speed, shooting in reverse, or ramping between different speeds.
 As such, its potential applications are widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usage.
 It is currently considered to be the most popular 35 mm movie camera in usage, due to its wide range of production adoption, intuitive design, high reliability, and retail availability.
 Rival Panavision even owns more 435s for rental than Arri's own hire houses; Panavisions, however, can be converted to Pan-Arri 435s where they are modified to accept Panavision lenses and accessories.
 In recognition of the achievements of the 435 system, AMPAS awarded Arri a Scientific and Engineering Academy Award in 1999.
The Arriflex 535 is a movie camera product line created by Arri in 1990 to replace the Arriflex 35 BL line.
 As such, its potential applications are widespread, and thus it is regularly used as a primary camera on feature films, second unit work on features, on music videos, commercials, special effects work and motion control, among other usage.
 Before the introduction of the Arricam System, the 535 was one of the most popular 35 mm sync-sound movie camera in usage, due to its wide range of production adoption, intuitive design, high reliability, and retail availability.
 In recognition of the achievements of the 535 system, AMPAS awarded Arri a Scientific and Engineering Academy Award in 1995.
 The original variant was capable of between three and fifty frames per second, while the 535B variant, introduced in 1992, is capable of up to sixty frames per second.
Moviecam Compact is a movie camera product line created by Moviecam in 1990, developed by Fritz Gabriel Bauer with the improvements after developed Moviecam SuperAmerica.
 Its potential applications are widespread, and it is regularly used on music videos, for commercials, in second unit work on features, for special effects shooting, and for motion control.
 It is currently considered the most popular 35 mm movie camera in general use because of its intuitive design, wide range of applications, high reliability and retail availability.
 In recognition of the Compact system's achievements, AMPAS awarded Moviecam a Scientific and Engineering Academy Award in 1993.