Question: Jane Marie Andrée Rhodes sang Renata in the first recorded performance of an opera that could be  considered one of the composer’s what?

Context articles: Nathalie Baye
Twelfth Night
Measure for Measure
Tony Dize
The Christian Brothers Band (Memphis)
Rock Island Line
Smoke Gets in Your Eyes
Cedric Myton
The Fiery Angel (opera)
Jane Rhodes

Nathalie Marie Andrée Baye (born 6 July 1948) is a French film, television and stage actress.
 She began her career in 1970 and has appeared in more than 80 films.
 A ten-time César Award nominee, her four wins were for "Every Man for Himself" (1980), "Strange Affair" (1981), "La Balance" (1982), and "The Young Lieutenant" (2005).
 In 2009, she was made a Chevalier of the Legion of Honour.
 Her other films include "Day for Night" (1973), "Catch Me If You Can" (2002), "Tell No One" (2006) and "The Assistant" (2015).
Twelfth Night, or What You Will is a comedy by William Shakespeare, believed to have been written around 1601–02 as a Twelfth Night's entertainment for the close of the Christmas season.
 The play centres on the twins Viola and Sebastian, who are separated in a shipwreck.
 Viola (who is disguised as Cesario) falls in love with Duke Orsino, who in turn is in love with the Countess Olivia.
 Upon meeting Viola, Countess Olivia falls in love with her thinking she is a man.
 The play expanded on the musical interludes and riotous disorder expected of the occasion, with plot elements drawn from the short story "Of Apollonius and Silla" by Barnabe Rich, based on a story by Matteo Bandello.
 The first recorded performance was on 2 February 1602, at Candlemas, the formal end of Christmastide in the year's calendar.
 The play was not published until its inclusion in the 1623 First Folio.
Measure for Measure is a play by William Shakespeare, believed to have been written in 1603 or 1604.
 Originally published in the "First Folio" of 1623, where it was listed as a comedy, the play's first recorded performance occurred in 1604.
 The play's main themes include justice, "mortality and mercy in Vienna," and the dichotomy between corruption and purity: "some rise by sin, and some by virtue fall."
 Mercy and virtue prevail, as the play does not end tragically, with virtues such as compassion and forgiveness being exercised at the end of the production.
 While the play focuses on justice overall, the final scene illustrates that Shakespeare intended for moral justice to temper strict civil justice: a number of the characters receive understanding and leniency, instead of the harsh punishment to which they, according to the law, could have been sentenced.
Antonio Feliciano Rivera (born May 31, 1982), better known by stage name Tony Dize, is an American reggaeton singer of Puerto Rican descent.
 His first recorded performance was from the album "Blin Blin, Vol.
 1", with Wisin & Yandel in 2003, after which he collaborated with other artists of the genre and later released his debut album in 2008 titled "La Melodía De La Calle" (Spanish for "Street Melody") under WY Records and Machete Music.
 He was signed to Pina Records, for which he released "" in 2009.
 In November 2011 he contracted with DJ Memo to join his record label after a fallout with Raphy Pina.
 After a fallout with DJ Memo he is now under contract once again with Pina Records.
The Christian Brothers Band of Christian Brothers High School (Memphis, Tennessee) is the oldest high school band in America, having a continuous existence since its founding in 1872.
 The band was founded in the fall of 1872 by Br.
 Maurelian, who served as the first band director.
 The first recorded performance of the group was in the Memphis St. Patrick's Day Parade of 1873, and the band has performed every year since.
 The band has an unbroken lineage of ten band directors.
"Rock Island Line" is an American folk song.
 Ostensibly about the Chicago, Rock Island and Pacific Railroad, it appeared as a spiritual as early as 1929.
 The first recorded performance of "Rock Island Line" was by inmates of the Arkansas Cummins State Farm prison in 1934.
"Smoke Gets in Your Eyes" is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for their 1933 musical "Roberta".
 The song was sung in the original Broadway show by Tamara Drasin.
 Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction from Ray Sinatra, Frank Sinatra's second cousin, on October 13, 1933.
 Niesen's recording of the song was released by Victor, catalog# VE B 24454, with the B-side, "Jealousy", featuring Isham Jones and his Orchestra.
Cedric Myton (born 1947 in Old Harbour, Jamaica), is a Reggae musician and Rastafarian.
 Cedric Myton began his singing career with the group The Bell Stars, who recorded one single 45" "over and over", the record was a minor success.
 This record was released in 1967.
 Alongside Lincoln Thompson, "preps" Lewis, and Devon Russell, Cedric Myton formed "The Tartans" in 1968, the group released many 45" singles, and had early success in 1969 with the hit 45 "Dance All Night".
 After a couple of years The Tartans disbanded, and Myton alongside Lincoln "Prince" Thompson, formed "The Royal Rasses".
 Cedric Myton spent almost 3 years alongside Thompson, writing the tracks which would constitute the Royal Rasses album "Humanity".
 Cedric Myton also sang on every track on the album "Humanity".
 This album was a big success, although Cedric Myton left The Royal Rasses shortly after the release of "Humanity", his beautiful falsetto tones on every track, undoubtedly brought many fans to the attention of "The Royal Rasses" and the band continued without Cedric Myton, who went on to form "The Congos", alongside Roydel Johnson, who had a rich "tenor" and Watty Burnett who provided a "Deep Barritone", which combined with Cedric Mytons rich "Falsetto" anchored The Congos, whose music is easily distinguishable and highly regarded in not just reggae circles but worldwide.
 Unfortunately, due to both a dispute between the producer Lee"Scratch"Perry and Island Records favouritism of Bob Marley,the great first release LP from The Congos "Heart Of The Congos" was "Shelved" because it was deemed "a strong album" and Island Records.led by Chris Blackwell felt "Heart Of The Congos" would take away the limelight from Bob Marley.
 Many years later the English group "The Beat" released "Heart Of The Congos" on their own "Go-Feat" label, as did the company "Blood And Fire", and "Heart Of The Congos" was a big success,and rightly so, however it has to be said that had the album been released when it was first recorded it would have been a massive success.
 Instead it was released initially in very limited numbers on Lee Perry's "Black Art" label and Perry re-mixed the album adding various external sounds, such as "cow Horns" provided by the barritoned Burnett.
 They recorded the album "Heart of the Congos", with Lee Perry at the controls, producing what is widely considered one of the great classics of reggae.
 Later Myton pursued a solo career.
 After some time, the Congos reformed and recorded an album titled, "Back in the Black Ark".
 The group toured as well, appearing at music festivals such as the 2012 Rototom Sunsplash.
Sergei Prokofiev's opera, The Fiery Angel (Russian: Огненный ангел , "Ognenny angel" ), Op. 37, could be considered one of the composer’s largest challenges.
 Writing, production, and location were all factors in the piece’s progress.
 The journey to completion was not truly over until after Prokofiev’s time, when the piece was first presented in a full performance at the Théâtre des Champs-Élysées on 25 November 1955, and was first premiered at the Venice Festival in 1955.
Jane Marie Andrée Rhodes (March 13, 1929 – May 7, 2011) was a French opera singer whose voice encompassed both the soprano and high mezzo-soprano ranges.
 Her most celebrated role was Carmen, which she sang in the opera's first ever staging at the Palais Garnier.
 She also created the roles of Isadora in Marcel Landowski's "Le Fou" and Maguelone in Georges Delerue's "Le Chevalier de Neige" and sang Renata in the first recorded performance of Prokofiev's "The Fiery Angel".
 Admired for both her voice and her glamorous stage presence, she was nicknamed the "Bardot of the Opéra".
 She was married to conductor Roberto Benzi.