Question: What 1998 album is William Orbit known for working on?

Context articles: Ray of Light (song)
Saints &amp; Sinners (All Saints album)
Pieces in a Modern Style 2
The Future (song)
Bassomatic
Orbit (album)
Deep in Vogue
Early anthropocene
Ray of Light
The Suit and the Photograph

"Ray of Light" is a song by American singer Madonna.
 It is the title track from her seventh studio album "Ray of Light" (1998), and was released as the album's second single on May 6, 1998, by Maverick Records.
 The song was also included on the compilation albums "GHV2" (2001) and "Celebration" (2009).
 Written by Madonna, William Orbit, Clive Maldoon, Dave Curtiss, Christine Leach, and produced by Madonna and Orbit, "Ray of Light" is based on Curtiss Maldoon's "Sepheryn" and is an electronic dance song with techno, trance, Eurodance, and disco influences.
 "Ray of Light" contains several sound effects such as whistles, bleeps and bells, the usage of electric guitar, and underlying synths. Lyrically, the song has a theme of freedom.
Saints & Sinners is the second studio album by British-Canadian girl group All Saints.
 It was released three years after their debut album, "All Saints".
 The album reached number one in the UK, their only album to do so.
 Three tracks on the album were produced by William Orbit, best known for his work with Madonna on her "Ray of Light" album.
 The album received mixed reviews from music critics, praising the singles and the new direction of music, while some felt it was too similar to the Spice Girls and Madonna's album "Ray of Light".
Pieces in a Modern Style 2 is the 11th album by British electronic musician and record producer, William Orbit.
 A follow-up to Orbit's 1995 album "Pieces in a Modern Style", it was released in compact disc and digital download formats on 22 August 2010 through Decca Records.
 Orbit's second foray into classical music by way of electronic instrumentation includes, among others, a selection from Pyotr Ilyich Tchaikovsky's "Swan Lake".
"The Future" is a song from Prince's 1989 "Batman" soundtrack, and the final single released from the album.
 The single was not the album version, but a remixed version by S'Express' Mark Moore and William Orbit.
 "The Future" was released as a single only in Europe.
 The standard European 7" single was backed with the album version of "Electric Chair", but on the maxi-single, "Electric Chair" was also remixed by Moore and Orbit.
 Moore and Orbit's remix of "The Future" is house-inspired, whereas Prince's original is minimalistic.
 Moore and Orbit substituted a muted, pulsating beat in place of the original elements of Prince's song.
 Moore and Orbit also removed Prince's original bassline, synthline, and snippets of sampled dialogue.
 This would be the last time Orbit would work with Prince for several years.
 In most countries, neither "The Future" nor its B-side were a hit on the pop or dance floors.
 The single peaked at #9 in the Dutch charts.
Bassomatic (sometimes written as Bass-O-Matic) were a British band, that recorded house music in the 1990s.
 A project of William Orbit, the band included vocalist Sharon Musgrave and rapper MC Inna Onestep amongst others.
 For the second album, singer Sindy Finn replaced Sharon Musgrave on vocals.
 Both albums were released by Guerilla Studios, founded by William Orbit with Laurie Mayer and Grant Gilbert.
Orbit is the first album by William Orbit.
 While all of his later solo albums are predominantly instrumental, this album consists mostly of songs with lyrics, with vocals performed by Peta Nikolich.
"Deep in Vogue" is a 1989 dance single by Malcolm McLaren and the Bootzilla Orchestra featuring Lourdes and Willie Ninja, with additional production and remix by Mark Moore and William Orbit.
 The song was lifted from McLaren's fourth album, "Waltz Darling".
 He was so impressed with the Moore and Orbit version that he scrapped his original recording and used the Moore/Orbit remix (in a shortened form with a spoken intro by McLaren and some other parts not found on the 12 inch) for the "Waltz Darling" album.
 The 12-inch mix is subtitled 'Banjie Realness' (although the correct spelling generally used is 'Banjee').
The Early Anthropocene Hypothesis (sometimes called Early Anthropogenic) was proposed by William Ruddiman.
 It posits that the Anthropocene era, as some scientists call the most recent period in Earth's history when the activities of the human race first began to have a significant global impact on Earth's climate and ecosystems, did not begin in the eighteenth century with advent of coal-burning factories and power plants of the industrial era, as was commonly assumed, but dates back to 8,000 years ago, triggered by intense farming activities after agriculture became widespread.
 It was at that time that atmospheric greenhouse gas concentrations stopped following the periodic pattern of rises and falls that had accurately characterized their past long-term behavior, a pattern that is explained by natural variations in Earth's orbit known as Milankovitch cycles.
Ray of Light is the seventh studio album by American singer Madonna.
 It was released on February 22, 1998 by Maverick and Warner Bros.
 Records.
 After giving birth to her first child, Madonna started working on the album with producers Babyface and Patrick Leonard.
 Following failed sessions with them, Madonna pursued a new musical direction with English producer William Orbit.
 The recording took place over four months and experienced problems with Orbit's hardware arrangement, which would break down, and recording would have to be delayed until they could be repaired.
The Suit and the Photograph is a 1998 album by Michael Nyman with the Michael Nyman Band, recorded in 1995.
 On this album, Nyman is the composer, conductor, and producer, and wrote the liner notes.
 The album contains two works, "String Quartet No. 4" and "3 Quartets".
 The album is named for its cover photograph by August Sander, which Nyman had associated with the Michael Nyman Band since its inception in 1977.
 He cites a description of the photograph by John Berger, in an essay of the same title, describing that the suits deform the working class rural men just enough to "undermine physical dignity."
 Both of the pieces on the album originated in Japan.
 It is Nyman's second release on EMI and his 33rd in general, but is not designated part of a series, as EMI had done with Concertos.
 Said Nyman of EMI, "I didn't excite them, and they didn't excite me."
 Nyman's only further releases on EMI would be the UK edition of "Ravenous", featuring remixes by William Orbit, and "The Actors", both film scores.