Question: Robert Christgau labled The Drifters' Golden Hits as #465 of 500 in Rolling Stone's 500 Greatest Albums of All Time; what did he label himself? 

Context articles: Robert Christgau
All Killer, No Filler: The Anthology
Christian Hoard
Al Green's Greatest Hits
The Drifters' Golden Hits
How Will the Wolf Survive?
I'm Still in Love with You (Al Green album)
Anthology (The Supremes album)
Number 1 Record
Solid Gold: 30 Golden Hits

Robert Thomas Christgau ( ; born April 18, 1942) is an American essayist and music journalist.
 One of the earliest professional rock critics, he spent 37 years as the chief music critic and senior editor for "The Village Voice", during which time he created and oversaw the annual Pazz & Jop poll.
 He has also covered popular music for "Esquire", "Creem", "Newsday", "Playboy", "Rolling Stone", "Billboard", NPR, "Blender", and "MSN Music", and is a visiting arts teacher at New York University.
 He has described himself as the "Dean of American Rock Critics".
All Killer, No Filler: The Anthology (also called The Jerry Lee Lewis Anthology: All Killer, No Filler!)
 is a 1993 box set collecting 42 songs by rock and roll and rockabilly pioneer Jerry Lee Lewis from the mid-1950s to the 1980s, including 27 charting hits.
 The album has been critically well received.
 In 2003, "Rolling Stone" listed the album at #245 in its list of "Rolling Stone's 500 Greatest Albums of All Time".
 "Country Music: The Rough Guide" indicated that "[t]his is the kind of full-bodied, decades-spanning treatment that Lewis's long, diverse career more than well deserves."
Christian David Hoard is an American music journalist and music editor for "Rolling Stone".
 A 2000 graduate of the University of Michigan, he began his career as a music journalist writing for the "Michigan Daily".
 He later moved to New York City, where he interned for "the Village Voice" and met Robert Christgau, who became his mentor.
 Christgau also later convinced his colleagues at "Rolling Stone" to allow Hoard to write for the magazine after Hoard became an intern there; he later became the magazine's senior editor.
 Along with Nathan Brackett, he co-edited "The New Rolling Stone Album Guide", which was published in 2004.
 In 2016, he replaced Brackett as "Rolling Stone"' s music editor.
Al Green's Greatest Hits is a 1975 greatest hits release by soul singer Al Green.
 In 2003, the album was ranked number 52 on "Rolling Stone" magazine's list of the 500 greatest albums of all time.
 The release has consistently ranked as one of the best executed 'greatest hits' albums in history.
The Drifters' Golden Hits is a 1968 compilation album by American doo wop/R&B vocal group The Drifters.
 The collection of the bands' later hits charted at #22 on Billboard's "Black Albums" chart and at #122 on the "Pop Albums" chart.
 Music critic Robert Christgau numbers it among the essentials for a basic library of albums representing the 1960s.
 In 2003, "Rolling Stone" listed the album at #465 in its list of "Rolling Stone's 500 Greatest Albums of All Time".
 Originally released on the Atlantic label, the album has been re-released on CD by Atlantic.
 A Drifters' compilation by the same name was released by Intercontinental records in 1996, but it has a different track listing.
How Will the Wolf Survive?
 is the major label third album of Los Lobos.
 In 1984, it was ranked #30 on "Rolling Stone" magazine's list of the 100 greatest albums of the 1980s.
 In 2003, the album was ranked number 461 on the magazine's list of the 500 greatest albums of all time.
I'm Still in Love with You is the fifth studio album by the American gospel and soul singer Al Green, released on October 23, 1972, on Hi Records.
 Recording sessions took place during 1972.
 The album was produced solely by Willie Mitchell.
 The album peaked at number four on the US "Billboard" 200 and number one on the US Top R&B/Hip-Hop Albums and produced four singles: "Love and Happiness" which was rated ninety-eight on "Rolling Stones"'s 500 Greatest Songs of All Time as well as "I'm Still in Love with You" and "Look What You Done for Me" which were top five hits on the US Pop Chart.
 In 2003, the album was ranked number 285 on the 500 greatest albums of all time by "Rolling Stone".
Anthology, also known as Anthology: The Best of The Supremes, first released in May 1974, is a series of same or similarly titled compilation albums by The Supremes.
 Motown released revised versions in 1986, 1995 and 2001.
 In its initial version, a 35-track triple record collection of hits and rare material, the album charted at #24 on Billboard's "Black Albums" and #66 on "Pop Albums".
 In 2003, "Rolling Stone Magazine" listed the 2001 version of the album at #431 in its list of "Rolling Stone's 500 Greatest Albums of All Time".
 Without specifying which edition, music journalist Robert Christgau lists the album as part of his recommended "core collection" of albums representing rock music before 1980.
Many critics praised the album's elegant vocal harmonies and refined songcraft but "#1 Record" suffered from poor distribution and sold fewer than 10,000 copies.
 However, "#1 Record" has more recently attracted wider attention, and in 2003 it was ranked number 438 on "Rolling Stone" magazine's list of the 500 greatest albums of all time.
 "Rolling Stone" magazine also ranked the song "Thirteen" as number 406 on its 500 Greatest Songs of All Time.
Solid Gold: 30 Golden Hits, also called 30 Golden Hits/21 Golden Years, is a greatest hits compilation album by James Brown.
 The double album set was initially released in 1977 on Polydor, and was re-released by the label in 1986.
 The album's liner notes listed the release dates and U.S. chart positions for each song and included an essay by Cliff White.
 This is the first compilation album to include Get Up(I Feel Like Being a) Sex Machine.
 According to Allmusic reviewer William Ruhlman, the collection was "state-of-the-art", an influential model "not only...for the many Brown compilations that would follow in later years, but also for the compilation boom in general".
 In 1981, "Village Voice" critic Robert Christgau described it as "an essential collection."
 Allmusic indicates that it supplies "the essence of James Brown", but also states "[i]t has since been superseded by the 1991 four-disc "Star Time" boxed set".