Question: The pianist, music critic, and teacher Olga Samaroff married for the second time this English conductor of Jewish-Polish and Irish descent who appeared in which film?

Context articles: Henry Wylde
Edith Grosz
Emilie Frances Bauer
Raymond Lewenthal
Manitoba Chamber Orchestra
Howard Klein (music critic)
Olga Samaroff
Olga de Amaral
Leopold Stokowski
Edward Holmes (musicologist)

Henry Wylde (22 May 1822 – 13 March 1890) was an English conductor, composer, teacher and music critic.
Edith Grosz (August 9, 1919 - February 14, 2011) was an American classical pianist and music educator based in Amsterdam.
 She was born in Philadelphia and studied piano at the Juilliard School in New York with Olga Samaroff and Eduard Steuermann.
 She and her husband, violinist Isidor Lateiner, gave concerts internationally as a duo.
 They moved to the Netherlands in 1963.
Emilie Frances Bauer (pseudonym: Francisco di Nogero; March 5, 1865 Walla Walla, Washington – March 9, 1926 Manhattan, New York) was an American music critic and pianist.
 She studied music with her father, Jacques Bauer (1834–1890), Miguel Espinosa in San Francisco, and at the Paris Conservatoire.
 She taught piano in Walla Walla and Portland Oregon.
 She was a music critic for "Portland Oregonian," editor for the "Musical Courier," music teacher in Boston (1896), editor for "The Musical Leader" (1900–1926), editor of a women's page in "The Etude" (1902–1903), critic for the "New York Evening Mail" (1906-1912), weekly contributor to the "San Francisco Chronicle," "Portland Oregonian" and the "Concertgoer."
 She was the sister of composer Marion Bauer.
Raymond Lewenthal (August 29, 1923November 21, 1988) was an American virtuoso pianist.
 Among his teachers were Olga Samaroff, who was a pupil of Charles-Valentin Alkan's son, Élie-Miriam Delaborde.
The Manitoba Chamber Orchestra was founded in 1972 by Ruben Gurevich.
 Gurevich served as music director and principal conductor until 1981.
 After a season of guest conductors, English conductor Simon Streatfeild, a founding member of the prestigious London-based chamber orchestra, the Academy of St. Martin in the Fields, was appointed music director and principal conductor in 1982.
 He was succeeded by another English conductor, Roy Goodman (2000-2005), and then by Anne Manson, who began her tenure in 2008.
Howard Klein (born 1931 in Teaneck, New Jersey) is an American music critic, pianist, and former Director of Arts and Humanities at the Rockefeller Foundation.
 He earned both a Bachelor of Science and Master of Science in Music from the Juilliard School.
 He began his career as a music teacher and pianist for dancer José Limón.
 In 1962 he became a music critic and reporter for "The New York Times".
 He left "The Times" in 1967 to become the Assistant Director of the Rockefeller Foundation, although he continued to contribute articles to the newspaper periodically on a freelance basis into the early 1970s.
 Klein played an instrumental role in the Rockefeller donation that established the TV Lab at Thirteen/WNET in 1971.
 In 1973 he succeeded Norman Lloyd as Director of Arts of the Rockefeller Foundation.
 In 1983 he became Deputy Director for Arts and Humanities for the foundation, a position he remained in until he left the organization in 1986.
 He then worked as the Director of Artists and Repertory for New World Records.
 Composer Charles Wuorinen dedicated his piano composition "Album Leaf" (1984) to him.
 He is the father of tenor Adam Klein.
Olga Samaroff (August 8, 1880May 17, 1948) was a pianist, music critic, and teacher.
 Among her teachers, Charles-Valentin Alkan's son, Élie-Miriam Delaborde.
 Her second husband was conductor Leopold Stokowski.
Olga de Amaral was born as Olga Ceballos Velez in Bogotá, Cundinamarca, Colombia to parents from the Antioquia region of Colombia.
 She was raised in a traditional religious family with 5 sisters and 2 brothers.
 She grew up in a traditional neighbourhood in Bogotá in a warm, safe family atmosphere, maintaining a special relationship with her loving and caring mother.
 Upon graduating from high school, in the years 1951-52 she got a degree in Architectural Design at the Colegio Mayor de Cundinamarca in Bogotá.
 After graduation, the future textile artist worked for a year as a director of the Architectural Drawing Faculty at the same school.
 In 1954, de Amaral went to the United States to study English in New York at the Columbia University.
 She then moved and studied fiber art at the Cranbrook Academy of Art in Bloomfield Hills, Michigan, USA (1954–55).
 The artist cherishes that period of her education and considers it crucial for her later artistic development: "In Cranbrook, the textile workshop had eight looms placed against the windows: one of them, in the corner, would be my home for a year.
 There, I lived my most intimate moments of solitude; there was born my certainty about color; its strength; I felt as if I loved color as though it were something tangible.
 I also learned to speak in color.
 I remember with nostalgia that experience in which souls touched hands".
 At Cranbrook de Amaral met Jim Amaral and they became close friends.
 In 1955, after a year in Cranbrook, she returned to Colombia and started to make decorative textiles on commission for her architect friends.
 Meanwhile, Jim Amaral was in the U.S. Navy, on a base in the Philippines.
 In 1956, Jim visited Colombia to see Olga, initially for a few weeks.
 Shortly after, Jim Amaral and Olga Ceballos Velez married and settled in Bogotá.
 They started a family (children Diego and Andrea) and a workshop of handwoven textiles.
 During that period, Jack Lenor Larsen visited Colombia and the Amaral's workshop.
 He expressed interest in Olga's tapestries.
 Their professional and artistic relationship became crucial in projection of her work internationally in the world of contemporary tapestry.
 In 1965 de Amaral founded and taught at the Textile Department at the Universidad de los Andes (University of the Andes) in Bogotá.
 In 1966-1967 the Amaral family lived in New York.
 There Olga de Amaral met Eileen Vanderbilt from the World Crafts Council and became its representative for Colombia.
 With Jack Lenor Larsen's collaboration, Olga de Amaral displayed her tapestries in New York (solo exhibition in Jack Lenor Larsen’s New York showroom in 1967), taught at Penland School of Crafts in North Carolina and in Haystack Mountain School of Crafts in Maine.
 After returning to Colombia, the Amarals travelled to Popayán and Tierradentro region with its must-see San Agustín.
 Later Olga visited Peru as the WCC representative.
 On a rapid visit to Ireland to participate in a WCC conference, Olga met Lucie Rie, a British ceramist who inspired her to incorporate gold into the tapestries.
 At the beginning of the seventies, the Amarals moved to Barcelona and then to Paris.
 They visited Greece, Italy, Holland, Belgium, Switzerland, Sweden, and England.
 They made contacts with the centres of European art.
 They lived for a time in Europe, then returned to Bogotá, visited different areas of Colombia, and then went back to France, amid exhibits, work, and new friendships.
 Another important journey for the artist was her travel to Japan.
 Nowadays Olga de Amaral lives and works in Bogotá, Colombia.
Leopold Anthony Stokowski (18 April 188213 September 1977) was an English conductor of Jewish-Polish and Irish descent.
 One of the leading and influential conductors of the early and mid-20th Century, he is best known for his long association with the Philadelphia Orchestra and for appearing in the film "Fantasia".
 He was especially noted for his free-hand conducting style that spurned the traditional baton and for obtaining a characteristically sumptuous sound from the orchestras he directed.
Edward Holmes (1797 – 28 August 1859) was an English musicologist, music critic, pianist, and music educator.
 Born just outside London, he was a pupil of Vincent Novello.
 He spent his early career earning a living as a piano teacher.
 In 1827 he visited Germany, and upon returning to England published his first book, "A Ramble among the Musicians of Germany" (1828; 3d ed.
 1838).
 Impressed with his skills as a writer on music, the owner "The Atlas" hired him as a music critic where he remained for many years.
 In 1849 he immigrated to the United States where he spent the last 10 years of his life working as an editor and music critic.
 He also contributed articles to several music journals during his career, including "The Musical Times".
 His other works include "The Life of Mozart" (1845), "Life of Purcell", for Novello's 'Sacred Music', and "Analytical and Thematic Index of Mozart's Piano-works".