Question:  "A Subtlety" is a piece of installation art by an artist currently serving a five-year term as Tepper Chair at what university?

Context articles: The Big Easel, Emerald, Central Queensland
A Subtlety
Jacki Apple
Dubravka Šuica
Annie Caputo
Robotic art
Yin Xiuzhen
Edward Łazikowski
Alex Grey
Kara Walker

The Big Easel installation art piece, created by Canadian artist, Cameron Cross, is located in the town of Emerald in Central Queensland, Australia.
 Erected in 1999, and unveiled in October of the same year, the installation artwork depicts Dutch artist, Vincent van Gogh’s (1853-1890), famous "Sunflowers" (1889) still life painting, which is currently part of the Van Gogh Museum’s collection in Amsterdam.
 The monumental reproduction of van Gogh’s painting is located on the corner of Dundas Street and the Capricorn Highway, situated in the centre of Emerald’s Discovery Park.
 Weighing approximately 17,000 kilograms, Cross’ steel easel measures 25 metres in height, with the canvas measuring 7 x 10 metres.
 The easel’s three legs consist of 30 x 30 square centimetres of steel tubing, which are secured to 10 metre piers by 24-1 metre anchor bolts.
 To recreate van Gogh’s canvas, Cross has used twenty-four sheets of plywood, laminated together from four panels, each of which is coated with fibreglass and then sealed with a gel coat.
 The plywood canvas is painted while flat on the ground, using high performance paint, which is both sprayed and hand-painted onto the surface of the plywood.
A Subtlety (also known as the Marvelous Sugar Baby and subtitled ""an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant"") is a 2014 piece of installation art by American artist Kara Walker.
 "A Subtlety" was dominated by its central piece, a white sculpture depicting a woman with African features in the shape of a sphinx, but also included fifteen other sculptures.
 These fifteen "attendants" to the sphinx were enlarged versions of contemporary blackamoors produced in China.
Jacki Apple is an American artist, writer, composer, producer and educator based in New York City.
 She has worked in various disciplines such as performance art and installation art.
 As well as art making, Apple is also a prolific writer, penning over 200 reviews and critical essays on topics such as performance art, media arts, installation art and dance.
 Her writing has appeared in publications such as "Performing Arts Journal", "Public Art Review" and "The Drama Review".
 She is currently a professor in the department of Humanities and Design Science at Art Center College of Design in Pasadena, California.
Dubravka Šuica (born 20 May 1957) is a Croatian politician, member of the centre-right Croatian Democratic Union (HDZ) and member of parliament.
 She served two consecutive terms as mayor of Dubrovnik between 2001 and 2009.
 In 2013, she was elected as a Member of the European Parliament and in 2014, she was reelected and is currently serving a five-year term in office.
Annie Caputo is an American political advisor and government official.
 Currently serving as senior policy advisor for Chairman John Barrasso (R-WY) on the United States Senate Committee on Environment and Public Works, she is President Donald Trump's nominee to become a member of the Nuclear Regulatory Commission for the remainder of a five-year term expiring on June 30, 2021.
Robotic art is any artwork that employs some form of robotic or automated technology.
 There are many branches of robotic art, one of which is robotic installation art, a type of installation art that is programmed to respond to viewer interactions, by means of computers, sensors and actuators.
 The future behavior of such installations can therefore be altered by input from either the artist or the participant, which differentiates these artworks from other types of kinetic art.
Yin Xiuzhen (; born 1963 in Beijing) is a Chinese sculpture and installation artist.
 She incorporates used textiles and keepsakes from her childhood in Beijing to show the connection between memory and cultural identity.
 She studied painting in the Fine Arts Department of Capital Normal University, Beijing from 1985-89.
 After graduation, Yin taught at the high school attached to the Central Academy of Fine Arts in Beijing, until her exhibition schedule became too demanding.
 In 1989 she was first exposed to installation art; she showed her first installation, "Door", in the studio of artist Zhu Jinshi ("b" 1954) in 1994.
 She then had solo shows at Gertrude Contemporary Art Spaces, Melbourne; Asian Fine Arts Berlin Gallery, Germany; Chambers Fine Art, New York; and Town Hall, Germany.
Edward Łazikowski (born January 22, 1939, in Bąków Górny Poland) is a Polish artist whose work includes drawing, painting, photography, sculpture, installation art, performance art and art theory.
 Łazikowski graduated from the Strzemiński Academy of Fine Arts and Design in Łódź.
 He presents his artistic and theoretical achievements publicy in individual exhibitions and taking part in collective shows in galleries and museums, poblishing catalogues and articles in various magazines, and giving interview.
 Initially, he went in for painting (in the 1960s), then in the mid-1970s took interest in "actions" and photography (mainly documentary), and in the late 1970s and early 1980s performance art.
 Later on he created "objects" (sculptures): small constructions made of wood, string and fabric, which in time became larger, and sometimes became installations.
 An important part of his creative process is drawing, divided by the artist into three categories: free, working and note.
 Starting from the 1990s, he introduced a series of works called Fragtors.
 The term, coined by Łazikowski, and precisely described in his theoretical work "Fragtoryzacja świata" ("Fragtorisation of the World"), became the basis for artist's present plastic activities.
 In his theoretical and constructive works Łazikowski tries to combine discovering reality (science) with creating it (art).
 Łazikowski describes his aim as to carry out the "spiritualisation of his corporality (but not of the corpse), and corporalisation of his spirituality (but not of the spirit)."
 He sometimes exhibits his works outside galleries, at places unrelated to arts, not promoted by media and advertising campaigns; often outside the "field" of art.
Alex Grey (born November 29, 1953) is an American visionary artist, author, teacher, and Vajrayana practitioner.
 His body of work spans a variety of forms including performance art, process art, installation art, sculpture, visionary art, and painting.
 Grey is a member of the Integral Institute.
 He is also on the board of advisors for the Center for Cognitive Liberty and Ethics, and is the Chair of Wisdom University's Sacred Art Department.
 He and his wife Allyson Grey are the co-founders of The Chapel of Sacred Mirrors (CoSM), a non-profit church supporting Visionary Culture in Wappingers Falls, New York.
Kara Elizabeth Walker (born November 26, 1969) is an African American contemporary painter, silhouettist, print-maker, installation artist, and film-maker who explores race, gender, sexuality, violence, and identity in her work.
 She is best known for her room-size tableaux of black cut-paper silhouettes. Walker lives in New York City and has taught extensively at Columbia University.
 She is currently serving a five-year term as Tepper Chair in Visual Arts at the Mason Gross School of the Arts, Rutgers University.