Question: Everybody's Business is Nobody's Business: Or, Private Abuses, Public Grievances Exemplified is a 1725 pamphlet by an English writer whose most famous novel is second only to the bible in what?

Context articles: Birendra Kumar Bhattacharya
Kadambur R. Janarthanan
Daniel Defoe
En rade
Zdeněk Jirotka
Weedon Grossmith
C. V. Ananda Bose
The Protestant Monastery
Parochial Tyranny
Every-body's Business, Is No-body's Business

Birendra Kumar Bhattacharya (14 October 1924 – 6 August 1997) was an Indian writer and one of the pioneers of modern Assamese literature.
 He was the first ever Assamese writer to receive the Jnanpith Award, which was awarded to him in the year 1979 for his novel "Mrityunjay" (Immortal), followed by Indira Goswami in 2001.
 He was also a recipient of Sahitya Akademi Award in Assamese in 1961 for his Assamese novel "Iyaruingam", which is considered a masterpiece of Indian literature.
 In 2005, a translation of the work published by Katha Books with the title "Love in the Time of Insurgency" was released.
 Another famous novel written by Bhattacharya is "Aai" (Mother).
Kadambur R. Janarthanan (Born 22 October 1929) is a former union minister of India and a leader of All India Anna Dravida Munnetra Kazhagam (AIADMK).
 He was union Minister of State, Ministry of Personnel, Public Grievances and Pensions with additional Charge of minister of State for Finance (Revenue, Banking and Insurance).
 He held these portfolios in Second Vajpayee Ministry from 1998 to 1999.
born Daniel Foe, was an English trader, writer, journalist, pamphleteer, and spy.
 He is most famous for his novel "Robinson Crusoe", which is second only to the Bible in its number of translations.
 Defoe is noted for being one of the earliest proponents of the novel, as he helped to popularise the form in Britain with others such as Aphra Behn and Samuel Richardson, and is among the founders of the English novel.
En rade (English: "Becalmed", "A Haven" or "Stranded") is a novel by the French writer Joris-Karl Huysmans.
 It first appeared as a serial in the magazine "Revue Indépendante" between November 1886 and April 1887.
 It was published in book form on 26 April 1887 by Tresse et Stock.
 "En rade" followed Huysmans' most famous novel, "A rebours", and was a commercial failure since neither critics nor the public could understand its mixture of brutal realism and fantasy.
 Later on, the Surrealists were more appreciative and André Breton included extracts from the novel in his "Anthology of Black Humour".
Zdeněk Jirotka (January 7, 1911 – April 12, 2003) was a Czech writer of radio-broadcast plays and author of humorous novels, short stories, and feuilletons.
 He was born in Ostrava (North Moravia), sat for the leaving examination at the secondary industrial school in Hradec Králové (East Bohemia) in 1933 and then joined the Army where he served until 1940.
 After the Nazis had annexed the Czechoslovakia, Jirotka worked for the Public Works Ministry and in 1942, when his most famous novel "Saturnin" earned him a great success, he became a full-time writer.
 Among other newspapers and magazines that Jirotka contributed for were: the Lidové noviny (1940-1945), the Svobodné noviny (1945-1951), and the Dikobraz (1951-1953 and after 1962).
Walter Weedon Grossmith (9 June 1854 – 14 June 1919), better known as Weedon Grossmith, was an English writer, painter, actor and playwright best known as co-author of "The Diary of a Nobody" (1892) with his famous brother, music hall comedian and Gilbert and Sullivan star George Grossmith.
 Weedon Grossmith also illustrated "The Diary of a Nobody" to much acclaim.
C. V. Ananda Bose is an Indian civil servant who served in the Indian Administrative Service.
 He is notable for not yielding to the corrupt system of the Indian bureaucracy.
 An eminent administrator, writer, orator and innovator, Dr C. V. Ananda Bose pioneered pathbreaking administrative innovations in rural development, affordable housing, eco-tourism development, redressal of public grievances, women's empowerment, development of weaker sections of society and promotion of art and culture.
 The innovations have found expression in various developmental programmes that have been executed at the district, state and national levels in India.
The Protestant Monastery: or, a Complaint against the Brutality of the Present Age is a 1726 pamphlet by Daniel Defoe.
 It focuses on contemporary disrespect towards elders.
 Similarly to "Every-body's Business, Is No-body's Business" (1725), "Parochial Tyranny" (1727), "Augusta Triumphans" (1728) and "Second Thoughts are Best" (1729), it was published under the pseudonym of Andrew Moreton.
 Defoe did not sign his name to the majority of his works.
 He preferred them to be published anonymously or under one of his pen names.
 This choice was “sometimes” made “to conceal his authorship or to stimulate sales, but more characteristically to establish a point of view”.
Parochial Tyranny: Or, the House-Keeper's Complaint Against the Insupportable Exactions, and Partial Assessments of Select Vestries, &C is a 1727 pamphlet by Daniel Defoe.
 It deals with the corruption of parishes.
 Similarly to "Every-body's Business, Is No-body's Business" (1725), "The Protestant Monastery" (1726), "Augusta Triumphans" (1728) and "Second Thoughts are Best" (1729), it was published under the pseudonym of Andrew Moreton.
 Defoe did not sign his name to the majority of his works.
 He preferred them to be published anonymously or under one of his pen names.
 This choice was “sometimes” made “to conceal his authorship or to stimulate sales, but more characteristically to establish a point of view”.
Everybody's Business is Nobody's Business: Or, Private Abuses, Public Grievances Exemplified is a 1725 pamphlet by Daniel Defoe.
 It deals with the high salary of servants.
 Similarly to "The Protestant Monastery" (1726), "Parochial Tyranny" (1727), "Augusta Triumphans" (1728) and "Second Thoughts are Best" (1729), it was published under the pseudonym of Andrew Moreton.
 Defoe did not sign his name to the majority of his works.
 He preferred them to be published anonymously or under one of his pen names.
 This choice was “sometimes” made “to conceal his authorship or to stimulate sales, but more characteristically to establish a point of view”.