Question: What song by Marvin Gaye appears on his album "Here, My Dear", inspired by his wife Anna Gordy Gaye, and is a biographical account of the singer's own personal demons as he battled drug abuse, paranoia and depression?

Context articles: You Can Leave, but It's Going to Cost You
Anna's Song
The Bells (The Originals song)
Here, My Dear (song)
In Our Lifetime (Marvin Gaye album)
Baby, I'm for Real
Anna Gordy Gaye
My Last Chance
Time to Get It Together
Here, My Dear

"You Can Leave, But It's Going to Cost You" is a funk-styled song recorded by Marvin Gaye and featured on his "Here, My Dear" album, when released in 1978.
 The song returns the subject of the album back to the demise of the singer's marriage to Anna Gordy Gaye as in this song he discusses a specific day in which the couple argued while at Anna's sister Gwen's house desperately trying to make amends.
 Marvin discusses that the couple got so mad to the point that they had sex afterwards with Marvin later stating "after all (Anna) was (his) wife".
 He then discusses parts of the court case and how, he says, Anna and her attorneys were doing their best to cause Marvin monetary damage, almost closing in on the singer's home, and in his opinion, his eldest son Marvin III.
 Before the song ends, Marvin brings in humorous irony in which he explains Anna talking about him on the witness stand.
"Anna's Song" is a song recorded by singer Marvin Gaye as part of his 1978 album, "Here, My Dear".
 Recorded during the midst of Marvin and estranged wife Anna going through an acrimonious divorce, the song autobiographically depicted several parts of Marvin and Anna's past including one lyric that hints at his first hit single, "Stubborn Kind of Fellow" where Gaye says ""What's it, husband, makes you so stubborn?""
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 A memorable part of the song for Marvin's fans includes a verse where Marvin's vocals rise when singing Anna's name.
 Unlike most of the songs on the album with the exception of "Sparrow", this song was recorded in a jazzy atmosphere.
"The Bells" is a 1970 single recorded by The Originals for Motown's Soul label, produced by Marvin Gaye and co-written by Gaye, his wife Anna Gordy Gaye, Iris Gordy, and Elgie Stover.
"Here, My Dear" is a song written, composed and produced by American soul singer Marvin Gaye, issued on the album of the same name in 1978.
 The song was a sort of introduction to the deeply confessional and post-divorce concept that gave a chronological look back at the tempestuous marriage between Marvin and first wife Anna.
 The lyric, "You don't have the right to use a son of mine to keep me in line", became a memorable lyric for fans of Gaye and very much was a lyric attacking Anna for demanding alimony and child support payments to support then-twelve-year-old Marvin, III.
 Marvin then sarcastically told his wife that he dedicated the album to her but warned that she might "not be happy" and telling Anna "this is what you wanted" making a reference to the judge in their divorce case to give up royalties from this album to Anna.
 The song's musical background would be used for the song "Everybody Needs Love" from this album.
In Our Lifetime?
 is the sixteenth studio album by soul musician Marvin Gaye, released January 15, 1981, on Motown label Tamla Records.
 Recording sessions for the album took place at Marvin's Room in Los Angeles, California, Seawest Recording Studio in Honolulu, Hawaii, and at Odyssey Studios in London, England, throughout 1979 and 1980(and abruptly remixed in 1981 by Motown).
 The album cover was designed by Neil Breeden.
 Gaye's final album for Motown before leaving for Columbia Records, the album was the follow-up to the commercial failure of "Here, My Dear", a double album which chronicled the singer's divorce from Anna Gordy.
 Entirely written, produced, arranged, and mixed by Gaye, "In Our Lifetime?"
 was a departure for Gaye from the disco stylings of his previous two studio efforts and was seen as one of the best albums of the singer's late-Motown period.
"Baby, I'm for Real" is a soul ballad written by Marvin Gaye and Anna Gordy Gaye, produced by Marvin and recorded and released by American Motown vocal group The Originals for the Soul label issued in 1969.
Anna Ruby Gaye (née Gordy; January 28, 1922 – January 31, 2014) was an American businesswoman, composer and songwriter.
 An elder sister of Motown founder Berry Gordy, she became a record executive in the mid-to-late 1950s distributing records released on Checker and Gone Records before forming the Anna label with Billy Davis and sister Gwen.
 Gordy later became known as a songwriter for several hits including the Originals' "Baby, I'm for Real", and at least two songs on Marvin Gaye's "What's Going On" album.
 The first wife of Gaye, their turbulent marriage later served as inspiration for Gaye's album, "Here, My Dear".
"My Last Chance" is a song by American recording artist Marvin Gaye.
 Gaye originally recorded this song as a demo during the making of the "What's Going On" period, initially as an instrumental.
 Two years later, he added vocals.
 Eventually he revised the song, along with Anna Gordy Gaye, his wife, and collaborator Elgie Stover as "I Love You Secretly" for The Miracles on their 1973 album, "Renaissance".
"Time to Get It Together" is a 1978 song recorded by Marvin Gaye and issued on Marvin's 1978 album, "Here, My Dear".
 Much like "Everybody Needs Love", "Anger" and "A Funky Space Reincarnation", among others, this song doesn't discuss the demise of Marvin's marriage to Anna Gordy Gaye.
 Instead the song is a biographical account of the singer's own personal demons as he battled drug abuse, paranoia and depression.
Here, My Dear is the fifteenth studio album by music artist Marvin Gaye, released December 15, 1978, on Motown-subsidiary label Tamla Records.
 Recording sessions for the album took place between 1977 and 1978 at Gaye's personal studios, Marvin Gaye Studios in Los Angeles, California.
 The album was notable for its subject matter's being dedicated to the fallout of Gaye's marriage to his first wife, Anna Gordy Gaye.
 Initially a commercial and critical failure upon its release, it was later hailed by music critics as one of Gaye's best produced albums in the years following Gaye's death.
 "It's taken me a while," Anna Gordy admitted in later years, "but I've come to appreciate every form of Marvin's music."