Question: Do both Die Frau ohne Schatten and Der Wildschütz have three acts?

Context articles: Richard Strauss
Glenn Winslade
Der Wildschütz
Ellen Shade
Richard Mayr
Die Frau ohne Schatten
Michaela Schuster
Elena Pankratova
Mark Delavan
Robert Nagy (tenor)

Richard Georg Strauss (11 June 1864 – 8 September 1949) was a leading German composer of the late Romantic and early modern eras.
 He is known for his operas, which include "Der Rosenkavalier", "Elektra", "Die Frau ohne Schatten" and "Salome"; his Lieder, especially his "Four Last Songs"; his tone poems, including "Don Juan", "Death and Transfiguration", "Till Eulenspiegel's Merry Pranks", "Also sprach Zarathustra", "Ein Heldenleben", "Symphonia Domestica", and "An Alpine Symphony"; and other instrumental works such as "Metamorphosen" and his Oboe Concerto.
 Strauss was also a prominent conductor in Western Europe and the Americas, enjoying quasi-celebrity status as his compositions became standards of orchestral and operatic repertoire.
Glenn Winslade (born 1958) is an Australian operatic tenor known for his interpretations of dramatic roles such as Florestan in "Fidelio", the title role in "Idomeneo", the title role in "La clemenza di Tito", Erik in "The Flying Dutchman", the title role in "Rienzi", the title role in "Lohengrin", the title role in "Tannhäuser", the Emperor in "Die Frau ohne Schatten", Apollo in "Daphne", Bacchus in "Ariadne auf Naxos" and Max in "Der Freischütz".
Der Wildschütz oder Die Stimme der Natur ("The Poacher, or The Voice of Nature") is a German "Komische Oper", or comic opera, in three acts by Albert Lortzing from a libretto by the composer adapted from the comedy "Der Rehbock, oder Die schuldlosen Schuldbewussten" by August von Kotzebue.
 It had its premiere at the Stadttheater in Leipzig on 31 December 1842.
Ellen Shade is an American operatic soprano from New York.
 Her repertoire includes the Kaiserin in "Die Frau ohne Schatten", the Marschallin "Der Rosenkavalier", Chrysothemis "Elektra", Ariadne "Ariadne auf Naxos", Arabella, Katya Kabanova, Aida, Desdemona "Otello", Amelia "Un ballo in Maschera", Amelia "Simon Boccanegra", Sieglinde "Die Walkure", Elsa "Lohengrin", Elisabeth "Tannhauser", Eva "Die Meistersinger von Nurnberg".
 In Europe she has appeared at La Scala Milan, the Royal Opera House, Covent Garden, the Bastille and the Chatelet in Paris and in Vienna, Salzburg Festival, Berlin, Hamburg, Frankfurt [Article Reference], Stuttgart, Amsterdam, Brussels, Geneva and Athens.
 In North America she has performed with virtually all the major opera companies, including the Metropolitan Opera New York, Chicago, San Francisco, Los Angeles, Houston, Dallas, Seattle, Santa Fe, and the Canadian Opera in Toronto.
Richard Mayr (18 November 1877, in Henndorf – 1 December 1935, in Vienna) was an Austrian operatic bass-baritone who was particularly admired for his performances in works by Wolfgang Amadeus Mozart, Richard Wagner and Richard Strauss.
 He notably created the role of Barak, the Dyer in the world premiere of Strauss's "Die Frau ohne Schatten".
Die Frau ohne Schatten (The Woman without a Shadow), Op. 65, is an opera in three acts by Richard Strauss with a libretto by his long-time collaborator, the poet Hugo von Hofmannsthal.
 It was written between 1911 and either 1915 or 1917.
 When it premiered in Vienna on 10 October 1919, critics and audiences were unenthusiastic.
 Many cited problems with Hofmannsthal's complicated and heavily symbolic libretto.
 However, it is now a standard part of the operatic repertoire.
Michaela Schuster is a German operatic mezzo-soprano.
 She debuted at The Royal Opera as Herodias in Salome in 2008, and has since sung Princesse de Bouillon in Adriana Lecouvreur, and Venus in Tannhäuser.
 In the 2013/14 season, she will sing Klytämnestra in Elektra and the Nurse in Die Frau ohne Schatten.
Elena Pankratova is a Russian soprano, born in Yekaterinburg.
 In the 2013/14 season, she will make her Royal Opera House debut as Barak's Wife in Richard Strauss's "Die Frau ohne Schatten", a role she sang in 2012 at the premiere of the same production at La Scala, Milan.
Mark Delavan is an American operatic bass-baritone.
 He made his professional debut in 1986 at the San Francisco Opera in a small role in Giuseppe Verdi's "Don Carlos".
 He spent the next three years performing in numerous comprimario roles with the company.
 He has since returned to that opera house to sing Scarpia in Giacomo Puccini's "Tosca" (2004, with Carol Vaness in the title role) and Wotan in Richard Wagner's "The Ring Cycle" (2008, 2010, and 2011).
 In 2001 he made his debut at the Metropolitan Opera as Amonasro in Verdi's "Aida" with Deborah Voigt in the title role, Luciano Pavarotti as Radamès, Olga Borodina as Amneris, and James Levine conducting.
 He has since been heard at the Met as Alfio in Pietro Mascagni's "Cavalleria rusticana", Carlo Gérard in "Andrea Chénier", Count Tomsky in "The Queen of Spades", Don Carlo in Verdi's "La Forza del Destino", the Messenger in Richard Strauss' "Die Frau ohne Schatten", Scarpia, and the title roles in Verdi's "Nabucco", Verdi's "Rigoletto", and Verdi's "Simon Boccanegra".
Robert Nagy (March 3, 1929 – November 7, 2008) was an American operatic tenor who had a lengthy and fruitful association with the Metropolitan Opera that lasted for three decades.
 His association with the Met began when he won the Metropolitan Opera National Council Auditions in 1956.
 He mostly portrayed comprimario roles at the Met where his most memorable early role was the Messenger in "Aida"; a role he sang 172 times for the company.
 He notably sang in the world premieres of two operas by Samuel Barber at the Met: "Vanessa" (1958) and "Antony and Cleopatra" (1966).
 He also sang in the company premieres of "Die Frau ohne Schatten" (1966), "Billy Budd" (1978) and "L'enfant et les sortilèges" (1981).
 Although Nagy specialized in supporting roles, he also portrayed several leading parts at the Met, among them Florestan in "Fidelio", Herodes in "Salome", and the Drum Major in "Wozzeck'.
 He remained on the Met roster through the end of the 1987–88 season, performing 1,187 performances with the Met during his thirty years with the company.