Question: which book was dedicvated to Gwyneth Moore

Context articles: The Fish (poem)
Alan Moore's Hypothetical Lizard
Kid Prince Moore
Who Is Jake Ellis?
Playing with the Enemy
Patricia Veryan
Paul Thomas Anderson filmography
A Company of Swans
Manufacturing Dissent
If They Come in the Morning

The Fish is a 1918 poem by the American poet Marianne Moore.
 The poem was published in the August 1918 issue of "The Egoist".
 Moore's biographer, Linda Leavell, has described "The Fish" as "...one of Moore's best-loved and most mystifying poems" and that it is "Admired for its imagery and technical proficiency".
 The poem was later included in Moore's 1921 collection "Observations", where it appeared alongside "Reinforcements".
 The placing of the two poems in the book has been interpreted by critic John Slatin as a commentary by Moore on World War I, due to her brother's service as a chaplain in the United States Navy.
Alan Moore's Hypothetical Lizard is a comic book adaptation of the World Fantasy Award-nominated short story "A Hypothetical Lizard", written in 1988 by Alan Moore for the third volume of the "Liavek "shared world fantasy series.
 The story was later reprinted in "Words Without Pictures", a 1990 book of prose stories by comics writers edited by Steve Niles, but then went out of print.
 In 2004 Avatar Press published the first issue of "Alan Moore's Hypothetical Lizard" as a comic book adapted by writer Antony Johnston.
"Kid" Prince Moore was an American blues musician, from the United States, who recorded 17 songs from 1936 to 1938.
 Moore played in a Piedmont blues style, similar to that of Blind Blake.
 Moore also recorded two Gospel Music tracks, "Church Bells" and "Sign of Judgement".
 Moore also accompanied blues pianist Shorty Bob Parker on six of his own tracks.
 Bruce Bastin, in his book ""Red River Blues: The Blues Tradition in the Southeast"", suggests that Moore may have originated from The Carolinas, but as of 2017 there is no documented knowledge of Moore's life.
Who Is Jake Ellis?
 is an American espionage comic book published in 2011.
 Written by Nathan Edmondson with art by Tonci Zonjic, it is published by Image Comics.
 The story follows Jon Moore, a former analyst for the Central Intelligence Agency.
 Several years before, Moore had escaped from an illegal laboratory where he had been subject to various experiments related to remote viewing.
 The experiments resulted in Moore seeing Jake Ellis, a ghostly figure with extensive knowledge of espionage tradecraft.
 With Jake providing tactical advice, Moore has become a successful criminal in Western Europe, all the time trying to avoid the Americans who he believes were responsible for his imprisonment.
 When a job in Barcelona goes wrong, Moore comes under renewed scrutiny from law enforcement, the Americans, and the people who imprisoned him.
 At Jake's suggestion, Moore locates the facility which he was held at in Marrakech, Morocco.
 Jake believes that the facility will help him uncover his own origins.
 Moore infiltrates the facility and discovers files on both him and Jake, who he now realizes was a separate person all along.
 As they penetrate deeper into the complex, Jake becomes more confused and eventually disappears.
 Moore soon finds Jake's body, hooked up to life support machines.
 A doctor informs him that he and Jake were their most successful subjects and that they have been observing Moore since his escape.
 Moore manages to escape the facility with Jake in tow and delivers the unconscious body to the American embassy.
Playing With the Enemy by Gary W. Moore is a book about Gene Moore, the author's father, whose professional baseball career with the Brooklyn Dodgers was interrupted by World War II.
 The title comes from the elder Moore's time as a guard in a top-secret prisoner of war camp that was holding the crew of a "U-boat 505", a captured German submarine.
 The book was the winner of the 2006 Military Writer's Society of America Book of the Year.
Patricia Valeria Bannister, (born November 21, 1923 in London, England; died November 18, 2009 in Bellevue, Washington, USA) was a writer of historical romance fiction from 1978 until 2002.
 She wrote under the names Patricia Veryan and Gwyneth Moore.
American director, screenwriter, and producer Paul Thomas Anderson has directed seven feature-length films, five short films, twelve music videos, one documentary, one television episode as a guest segment director, and one theatrical play.
 He made his directorial debut with the mockumentary short film "The Dirk Diggler Story" (1988), at the age of 18, about a pornographic actor in the 1970s.
 Anderson followed it five years later with another short film, "Cigarettes & Coffee" in 1993.
 In 1996, Anderson wrote and directed the neo-noir crime thriller "Hard Eight", starring Philip Baker Hall, John C. Reilly, Gwyneth Paltrow, and Samuel L. Jackson.
 The film was well received, with film critic Roger Ebert saying of it in his review, "Movies like "Hard Eight" remind me of what original, compelling characters the movies can sometimes give us."
 Using the basis of "The Dirk Diggler Story", Anderson wrote and directed an expansion of the film entitled "Boogie Nights" in 1997.
 The film starred Mark Wahlberg as Eddie Adams/"Dirk Diggler" during the Golden Age of Porn in the 1970s and his eventual downfall in the 1980s.
 "Boogie Nights" received acclaim from critics and was a commercial success; at the 70th Academy Awards ceremony, the film was nominated for three Academy Awards, including for Best Supporting Actor (Burt Reynolds), Best Supporting Actress (Julianne Moore) and Best Original Screenplay.
A Company of Swans is a historical romance novel published in 1985 by Eva Ibbotson.
 The book is dedicated to Patricia Veryan.
 Critically well received, the young adult novel is starting to be obliquely referred to in reviews, as reviewers attempt to compliment a new work by comparing it to another, better established work.
Manufacturing Dissent: Uncovering Michael Moore is a 2007 documentary film.
 It asserts that filmmaker Michael Moore has used misleading tactics, primarily using on-camera statements by interviewees with personal grievances against Moore as proof.
 The documentary attempts to expose what the creators say are Moore's misleading tactics and mimics Moore's style of small documentary makers seeking and badgering their target for an interview to receive answers to their charges.
 The film was made over the course of two years by Canadians Debbie Melnyk and Rick Caine after they viewed "Fahrenheit 9/11", Moore's controversial film that attacked the Bush administration and its policies.
 Melnyk and Caine have stated that when they first sought to make a film about Moore, they held great admiration for what he had done for the documentary genre and set out to make a biography of him.
 During the course of their research, they became disenchanted with Moore's tactics.
 The title is a parody of the book "" by Edward S. Herman and Noam Chomsky, and the .
 In June 2007, Liberation Entertainment Inc. signed an exclusive deal with the filmmakers for all video and theatrical rights in the US & UK.
"If They Come in the Morning" is the original title of the better known song "No Time For Love."
 It was recorded by Moving Hearts for their 1981 album, and has also been recorded by a solo Christy Moore.
 It was written by American singer/songwriter Jack Warshaw in 1976.
 The title was borrowed from the book of the same title by Angela Davis, rephrasing the closing line of James Baldwin's letter to her of November 19, 1970: "...if they take you in the morning, they will be coming for us that night."
 From its first line the song attacks unjust law in the forms of "apartheid, internment, conscription, partition and silence..." with references to places prominent in the news at the time: Boston, Chicago, Saigon, Santiago (Chile), Cape Town and Belfast.
 Warshaw had visited Belfast on a research project and knew fellow Belfast/Derry songwriters The People of No Property whose recording was to be the source of Moore's version.
 To Moore and Irish opposition to partition and, as they see it, British occupation of Northern Ireland, it was a freedom anthem.
 Moore varied the song's first line, slipping in "we call it" after "They call it the law..." so that its meaning is unmistakable.
 He also entered Irish hunger striker Bobby Sands into the fourth stanza after Huey Newton and Bobby Seale in place of "the Panthers," giving the song greater traction through Sands' martyrdom.