Question: What is the ethnicity of one of the stars of "Move On"?

Context articles: Da Crime Posse
Clique
Ethnic groups in Rwanda
Ethnocultural empathy
Multicultural marketing
Slovaks in Czechoslovakia (1960–90)
Frances Negrón-Muntaner
Move On (2012 film)
Ahmed Iqbal Ullah Race Relations Resource Centre
Alexandra Maria Lara

Da Crime Posse was one well-known group in the genre of Oriental Hip Hop in Germany.
 The group was composed of two Turkish people (M.Ali and InceEfe), one German person (Olcay/Ole), and one Cuban person (Babalu).
 In his essay addressing the development of hip-hop in Germany, author Timothy S. Brown suggests that many musical groups in Germany are adopting a sort of “symbolic ethnicity” which asserts that one “does not necessarily have to be Turkish” to assume the Turkish identity.
 Furthermore, a scholar named Dietmar Elfein has cited Da Crime Posse as an example of how the “Turkish identity proposed is a mythological one” in the sense that one did not necessarily have to be Turkish to assume this symbolic ethnicity.
 Perhaps one of the most important musical collaborations that Da Crime Posse has taken part in has been that with Karakan and Erci E.
 Cina-i Sebeke (of Da Crime Posse) was the individual who met fellow Turkish hip-hop artists Karakan and Erci-E and spurred their musical collaboration.
 Together, they established the legendary group Cartel and released a compilation album in 1995.
 The only single from their self-titled album, composed by Big Porno Ahmet, brought the biggest success in the history of Turkish hip-hop.
 With this unexpected success, they achieved Gold and Platinum status (plus many more awards) by selling more than 2,250,000 copies.
A clique (, , or ), in the social sciences, is a group of individuals who interact with one another and share similar interests.
 Interacting with cliques is part of normative social development regardless of gender, ethnicity or popularity.
 Although cliques are most commonly studied during adolescence and middle childhood development, they exist in all age groups.
 Typically, people in a clique will not have a complete open friend group, and can therefore "ban" members of the clique if they do something that is considered unacceptable, such as talking to someone generally disliked by the clique.
 People that are part of a clique are bonded together through shared and similar social characteristics such as race, ethnicity, economic status and physical appearance.
The largest ethnic groups in Rwanda are the [Hutus]s (about 85% of the population), the Tutsis (14%), and the Twa (1%).
 Starting with the Tutsi feudal monarchy rule of the Tenth century, the Hutus were a subjugated social group.
 It was not until Belgian colonization that the tensions between the Hutus and Tutsis became focused on race, the Belgians propagating the myth that Tutsis were the superior ethnicity.
 The resulting tensions would eventually foster the slaughtering of Tutsis in the Rwandan genocide.
 Since then, government policy has changed to recognize one main ethnicity: "Rwandan".
Ethnocultural empathy refers to the understanding of feelings of individuals that are ethnically and/or culturally different from oneself.
 This concept casts doubts on global empathy, which assumes that empathy is “feeling in oneself the feelings of others” and is not specifically targeting any one group (e.g. age, gender, and ethnicity) or context.
 Ethnocultural empathy, on the other hand, assumes that empathy toward others probably increases if the other is similar to oneself in terms of ethnicity, gender, age, or cultural background.
Multicultural marketing (also known as ethnic marketing or cross-cultural marketing) is the practice of marketing to one or more audiences of a specific ethnicity—typically an ethnicity outside of a country's majority culture, which is sometimes called the "general market."
 Typically, multicultural marketing takes advantage of the ethnic group's different cultural referents—such as language, traditions, celebrations, religion and any other concepts—to communicate to and persuade that audience.
The division between Czechs and Slovaks in Czechoslovakia persisted as a key element in the reform movement of the 1960s and the retrenchment of the 1970s, a decade that dealt harshly with the aspirations of both Czechs and Slovaks.
 Ethnicity still remains integral to the social, political, and economic affairs of the country.
 It is not merely a matter of individual identity, folklore, or tradition.
 Perhaps one measure of how profoundly important ethnicity and autonomy were to Slovaks was a Slovak writer's 1968 call for a more positive reappraisal of the Slovak Republic.
 Although as a Marxist he found Monsignor Jozef Tiso's "clerico-fascist state" politically abhorrent, he acknowledged that "the Slovak Republic existed as the national state of the Slovaks, the only one in our history. . . ." Comparable sentiments surfaced periodically throughout the 1970s in letters to Bratislava's Pravda, even though the newspaper's editors tried to inculcate in their readership a "class and concretely historical approach" to the nationality question.
Frances Negrón-Muntaner (born 1966) is an award-winning Puerto Rican filmmaker, writer, and scholar.
 Her work is focused on a comparative exploration of coloniality, primarily in Puerto Rico and the United States, with special attention given to the intersections between race, ethnicity, gender, sexuality and politics.
 She is an associate professor of English and Comparative Literature and Director of the Center for the Study of Ethnicity and Race at Columbia University in New York City.
 She has also contributed to the Huffington Post, El Diario/La Prensa, and 80 Grados, and since 2008 has served as a Global Expert for the United Nations Rapid Response Media Mechanism.
 She is one of the best-known Puerto Rican lesbian artists currently living in the United States.
Move On is an international film project from 2012 directed by Asger Leth in collaboration with Deutsche Telekom AG.
 The leading actor is Mads Mikkelsen, who is supported by German actress Alexandra Maria Lara and newly discovered Slovak actress Gabriela Marcinkova.
 At www.move-on-film.com, a new episode of the movie appeared each week, and since its world premiere on 6 November 2012 in Berlin, all eight episodes can be viewed there.
The Ahmed Iqbal Ullah Race Relations Resource Centre is 'one of Europe's leading specialist libraries on migration, race and ethnicity'.
 Open to members of the public as well as to students and researchers, it is an open access library on race, ethnicity and migration located in Manchester, England.
 It actively celebrates cultures and (with its sister organisation, the Ahmed Iqbal Ullah Education Trust) fosters race relations through a range of work and initiatives.
 The Centre is part of The University of Manchester and is located in Manchester Central Library.
Alexandra Maria Lara (née Plătăreanu; 12 November 1978) is a Romanian-German actress best known for her roles in "Downfall" (2004), "Control" (2007), "Youth Without Youth" (2007), "The Reader" (2008), and "Rush" (2013).