Question: Cemetery Gates is a song from a Pantera album from what year?

Context articles: Lorraine Park Cemetery Gate Lodge
Floods (Pantera song)
Cowboys from Hell
Forrest Cemetery Chapel and Comfort Station
Power Metal (album)
Dinas Cromlech
Brian Patrick O'Toole
The Dead Matter: Cemetery Gates
Cemetery Gates
Elmwood Cemetery Gates

The Lorraine Park Cemetery Gate Lodge is a historic gatehouse located near Woodlawn, Baltimore County, Maryland, United States.
 It is a 1 ⁄ -story, Queen Anne–style stone-and-frame building designed by Baltimore architect Henry F. Brauns that was constructed in 1884.
 Adjacent to the house are the ornate cast-iron and wrought-iron Lorraine Cemetery gates.
"Floods" is a power ballad by American heavy metal band Pantera from their 1996 album "The Great Southern Trendkill".
 It is the longest song on the album, and the third longest song the band has ever recorded, after "Cemetery Gates" (7:02), and "Hard Lines, Sunken Cheeks" (7:01).
Cowboys from Hell is the fifth studio album and major label debut by American heavy metal band Pantera, released on July 24, 1990 by Atco Records.
The Forrest Cemetery Chapel and Comfort Station (also known as the Ruth Cross Memorial Chapel) are historic structures in Gadsden, Alabama.
 The chapel, comfort station, and cemetery gates were built in 1935 by workers from the Works Progress Administration, and designed by local architect Paul W. Hofferbert, who also designed the Legion Park Bowl.
 The chapel is designed in Gothic Revival style, with a steeply pitched gable with three lancet arched windows and a square tower with lancet arch opening for the entrance.
 The front gate columns and wall are connected to a hipped roof comfort building, which originally housed restrooms, but is now used for storage.
 All three are constructed of rough-cut sandstone blocks quarried from nearby Lookout Mountain.
 The buildings were listed on the Alabama Register of Landmarks and Heritage in 1988 and the National Register of Historic Places in 1992.
Power Metal is the fourth studio album by heavy metal band Pantera, released in May 1988 through Metal Magic Records.
 It is the first Pantera album to feature Phil Anselmo on vocals, as part of a line-up which would last until the band's official split in 2003.
Dinas Cromlech is a striking rock outcrop in the Llanberis Pass, Snowdonia, in Gwynedd, northwest Wales, with a characteristic "open book" shape.
 It is clearly visible from the road (A4086), and the obvious rock-climbing route up the corner resisted attempts for many years.
 It was an important venue for a wave of new climbing, for example by Joe Brown: "Cenotaph Corner" (1952, E1, with Doug Belshaw) and "Cemetery Gates" (1951, E1, with Don Whillans).
Brian Patrick O'Toole is an American film producer and screenwriter.
 O'Toole's work includes co-producing the 2002 horror film "Dog Soldiers" and his screenwriting debut "Cemetery Gates".
 He also wrote a monthly column for the prominent American magazine "Fangoria" for six years and currently works with Black Gate Entertainment, with whom he has written and produced several films, including "Basement Jack", "Evilution" and the upcoming "Necropolitan" and "A Necessary Evil".
 He also wrote the screenplays for the "Atlas Shrugged" film adaptations.
The Dead Matter: Cemetery Gates is the tenth album of the band Midnight Syndicate, released in 2008.
"Cemetery Gates" is a power ballad by American heavy metal band Pantera.
 The song is the fifth track from "Cowboys from Hell", the band's fifth album and second with lead singer Phil Anselmo.
 "Cemetery Gates" showcases Anselmo's vocal ability and range, concluding with screaming high notes answered by Dimebag Darrell on guitar in a trade-off.
The Elmwood Cemetery Gates mark the east and north entrances to the Elmwood Cemetery in Sycamore, Illinois.
 The cast iron gates were likely built in 1865, the year the cemetery opened and the one emblazoned on the gates, though records of their construction have been lost.
 While cast iron was commonly used for building facades at the time, the gates are a rare example of its use in landscape architecture.
 The gates have a Serlian design with a wide central road entry and narrower pedestrian gates on either side; square columns separate the gates.
 An arch bearing the cemetery's name rises above the center entrance, while lintels span the side entrances; both the arch and the lintels feature ornamental designs.
 The Illinois Historic Structures Survey described the gates as the best extant example of iron cemetery gate design in the state.