Question: The author which included Garmouth is described as what?

Context articles: Eugenia
Robert Westall
Socialism with no doctrine
Dwardius
Brian Stewart (playwright)
Fordilloidea
Chromatolysis
Alembic (magazine)
Garmouth (fictional)
Don Juan Matus

Eugenia is a genus of flowering plants in the myrtle family Myrtaceae.
 It has a worldwide, although highly uneven, distribution in tropical and subtropical regions.
 The bulk of the approximately 1,000 species occur in the New World tropics, especially in the northern Andes, the Caribbean, and the Atlantic Forest (coastal forests) of eastern Brazil.
 Other centers of diversity include New Caledonia and Madagascar.
 Many species new to science have been and are in the process of being described from these regions.
 For example, 37 new species of "Eugenia" have been described from Mesoamerica in the past few years.
 At least 20 new species are currently in the process of being described from New Caledonia, and approximately the same number of species new to science may occur in Madagascar.
 Despite the enormous ecological importance of the myrtle family in Australia (e.g. "Eucalyptus", "Corymbia", "Angophora", "Melaleuca", "Callistemon", "Rhodamnia", "Gossia"), only one species of "Eugenia", "E. reinwardtiana", occurs on that continent.
 The genus also is represented in Africa south of the Sahara, but it is relatively species-poor on that continent.
 In the past some botanists included the morphologically similar Old World genus "Syzygium" in "Eugenia", but research by Rudolf Schmid in the early 1970s convinced most botanists that the genera are easily separable.
 Research by van Wyk and colleagues in South Africa suggests the genus may comprise at least two major lineages, recognizable by anatomical and other features.
Robert Atkinson Westall (7 October 1929 – 15 April 1993) was an English author, teacher and journalist best known for his children's fiction, although he also wrote non-fiction and work specifically for adults.
 Many of his novels aimed at a teenage audience deal with complex, dark and adult themes.
 He has been described as "the dean of British war novelists".
"Socialism with no doctrine" (Socialisme sans doctrine) is a phrase coined by Albert Métin based on his observation of the experiments in labour and economic regulation by the nonsocialist governments of Australia and New Zealand that Métin described as effectively being a form of state socialism though these policies did not contain any reference recognizing socialist theory.
 Métin wrote the book "Socialisme sans doctrine" (1901) that described this phenomenon and described these experiments undertaken in Australia and New Zealand to an audience in Paris that included future French Prime Minister Alexandre Millerand in the audience.
Dwardius is an extinct genus of otodontid sharks which existed during the Cretaceous period in what is now Australia, England, France, and India.
 It was described by Mikael Siverson in 1999, as a new genus for the species "Cretalamna woodwardi", which had been described by J. Hermann in 1977.
 Another species, "D. siversoni", was described from the middle Albian of northeastern France by V.I. Zhelezko in 2000; the species epithet honours the author of the genus.
 A new species, "D. sudindicus", was described by Charlie J. Underwood, Anjali Goswami, G.V.R. Prasad, Omkar Verma, and John J. Flynn in 2011, from the Cretaceous of India.
Brian Stewart is a British playwright.
 He is best known for his play "Castro's Beard" that was first produced by the Deptford players, off-broadway in 2001.
 The New York Times described it as a 'Mordant, irreverent Comedy that was timely and thought-provoking'."
 It was subsequently produced by the Barrington Stage Company in Massachusetts in 2002 and then at the Stages Repertory Theatre, Houston in 2004.
 Following a rehearsed reading at the Arts centre in London in 2005 - with a cast that included David Soul and Timothy West - the play was produced by the Theatre Royal Haymarket, in association with Richard Jordan Productions and the Yvonne Arnaud Theatre, Guildford, and embarked on a number one tour of the UK in 2006 when the name was changed to "Killing Castro".
 The cast included: Edward Hardwicke (Torphy), Clive Mantle (Brawner), Michael Praed (Madison) and Martin Shaw's son, Joe Shaw, as Drake.
 The play which centres on the true plots by the CIA to assassinate Fidel Castro in the 1960s received mixed reviews in the UK.
 It was described by the "Birmingham Mail" as an "acclaimed comedy" which "chronicles the more bizarre of America's attempts to kill the Cuban leader Fidel Castro - including filling his shoes with poison and inventing an exploding cigar."
 The "Daily Telegraph" said "The British dramatist Brian Stewart appears to have got lucky with this intermittently entertaining but rather trite little play about the CIA's plots to bump off Fidel Castro."
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 Although, Michael Billington of the Guardian was much more complimentary: 'Stewart's weapon is comedy.
 But his argument, that America will stop at nothing in its defiance of international law, is no different from that of Pinter in his Nobel speech.'
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 The play was published by Josef Weinberger in 2009.
 In 2013, the play was translated into Polish by Karolina Mackiewicz and performed in repertory by the Teatr Polski Szczecin as "Operacja Castro"; the director was Bartłomiej Wysozomirski.
Fordilloidea is an extinct superfamily of early bivalves containing two described families, Fordillidae and Camyidae and the only superfamily in the order Fordillida.
 The superfamily is known from fossils of early to middle Cambrian age found in North America, Greenland, Europe, the Middle East, Asia, and Australia.
 Fordillidae currently contains two genera, "Fordilla" and "Pojetaia" each with up to three described species while Camyidae only contains a single genus "Camya" with one described species, "Camya asy".
 Due to the size and age of the fossil specimens, Fordillidae species are included as part of the Turkish Small shelly fauna.
In 1885, researcher Walther Flemming described dying cells in degenerating mammalian ovarian follicles.
 The cells showed variable stages of pyknotic chromatin.
 These stages included chromatin condensation, which Flemming described as "half-moon" shaped and appearing as "chromatin balls," or structures resembling large, smooth, and round electron-dense chromatin masses.
 Other stages included cell fractionation into smaller bodies.
 Flemming named this degenerative process "chromatolysis" to describe the gradual disintegration of nuclear components.
 The process he described now fits with the relatively new term, apoptosis, to describe cell death.
Alembic was a poetry magazine established by Peter Barry, Ken Edwards, and Robert Gavin Hampson, which appeared eight times during the 1970s.
 The first issue appeared in 1973: it was a collection of poems by Barry, Edwards, Hampson and Jim Stewart with graphic work by John Simpson, Robert Snell and Sibani Raychaudhuri.
 The work was printed on different colours and sizes of paper - and contained in a plastic bag.
 It was sold at the Edinburgh Festival of 1973, where Hampson was working with the Liverpool-based multimedia group Zoom Cortex.
 (See Adrian Henri, "Events and Happenings", Thames and Hudson, for Zoom Cortex.)
The second issue maintained the same format (a collection of loose pages in a plastic bag) but with an increased number of poets.
 Richard Kostelanetz's assemblages have been described by the editors as their model for this mode of publication.
 With the third issue, the magazine adopted the standard little-magazine format of the time: A4 pages, card cover, stapled.
 Alembic 3, 4 and 5 also marked a more self-conscious engagement with contemporary London-based experimental poetry.
 "Alembic" 3 (Spring 1975) announced the intention to engage with "one area of contemporary creative practice' in each issue in order to represent the range of poetry being written in the UK.
 This issue focused on contemporary work that had its roots in surrealism.
 It included Lee Harwood's essay 'Surrealist Poetry Today', which had been a talk given at the Poetry Society, and it included work by Harwood, Paul Matthews, Jeff Nuttall, Heathcote Williams and others.
 "Alembic" 4 was edited solely by Hampson and was dedicated to open field poetry and the idea of place.
 Allen Fisher was the featured poet: in addition to work by him, there was also an interview with him conducted by Barry and Edwards.
 This issue also included work by Roy Fisher, Eric Mottram, and a small number of American poets, including Alan Davies, who was to be associated with LANGUAGE poetry.
 "Alembic" 5 (Autumn 1976)was edited solely by Edwards and focused on experimental prose, including work by Paul Buck, Opal Nations, Jeff Nuttall, Maxim Jakubowski, David Miller, the Canadian writer Greg Hollingshead and James Sherry, who was also associated with LANGUAGE poetry.
 This issue was also the first to be offset.
 (Like "Alembic" 4.
 it had a wrap around cover rather than card.)
 "Alembic" 6 (Summer 1977)was again solely edited by Hampson.
 It included further work by contributors to earlier issues.
 The featured poet was the Australian poet David Miller: as well as poems and essays by Miller, there was also poetry by Robert Lax and a reprint of work by Charles Madge, on both of whom Miller had written.
 In addition, there was also work by Rosmarie Waldrop, Tom Leonard, Elaine Randell and Barry MacSweeney.
 "Alembic" 7 (Spring 1978), edited by Edwards and Hampson out of Lower Green Farm, was the 'Assemblage Issue', assembled by inviting a range of poets and visual artists to provide the contents.
 It included work by Jeremy Adler, Paul Buck, Herbert Burke, Paula Claire, cris cheek, Bob Cobbing, Glenda George, Robert Sheppard, E. E. Vonna-Michel, Lawrence Upton and others.
 A particular feature of this issue was that every cover was different: they were hand-printed by Vonna-Michel with a rubber-stamp used for the title.
 "Alembic" 9 (to be edited by Hampson) was promised, but never appeared: Edwards had begun to publish "Reality Studios" as a slimmer, faster and more frequent publication.
 This eventually metamorphosed (through an amalgamation with Wendy Mulford's Street Editions) into Reality Street, which has been a major publisher of experimental poetry and prose since the 1980s.
Garmouth is the fictional seaside town in which Robert Westall's book, "The Machine Gunners" is set.
 Garmouth is based on Tynemouth, a seaside town, near Newcastle Upon Tyne in the North East of England.
 Garmouth also features in several other novels by Westall, including "Fathom Five" (the sequel to "The Machine Gunners") and "The Watch House".
 Various Garmouth landmarks are described in "Fathom Five".
 Two such landmarks are Collinwood's Monument, and Wooden Dolly.
Don Juan Matus is the name used by anthropologist and author Carlos Castaneda to describe a Yaqui Mexican spiritual guide (teacher) in his series of books on Nagualism (although Castaneda repeatedly indicates that "Juan Matus" is pseudonym chosen by the author to protect the bearer's true identity).
 He is described as a Native American of Yaqui/Yuma parentage.
 Castaneda writes that he first met Matus at a bus depot in Nogales, Arizona, in the early 1960s.
 He is described by Castaneda as a 'Man of Knowledge' from a Toltec lineage of seers, who imparts much of his wisdom and clarity through his 'connection' with Castaneda.
 The knowledge is described as being passed on to Castaneda by means of actual experiences, simple exercises, talks, and much patience on the part of both, which ends in transforming Castaneda's view of the world.
 There is extensive scholarly debate whether Matus was a real person, an allegorical figure, or an invention by Castaneda.