Question: Were the Operas Wozzeck and Le comte Ory written by the same composer ?

Context articles: Comte de Gabalis
La favorite
Le portefaix
The Count of Monte Cristo (1954 film)
Edmond Dantès
Natalis Comes
List of operas set in the Crusades
Roberto Devereux
Wozzeck
Le comte Ory

Comte de Gabalis is a 17th-century French text by Abbé Nicolas-Pierre-Henri de Montfaucon de Villars (1635-1673).
 The titular "Comte de Gabalis" ("Count of Cabala") is an occultist who explains the mysteries of the world to the author.
 It first appeared in Paris in 1670, anonymously, though the identity of the author came to be known.
 The original title as published by Claude Barbin was "Le comte de Gabalis, ou entretiens sur les sciences secrètes", "The Count of Cabala, Or Dialogs on the Secret Sciences".
La Favorite (The Favourite, sometimes referred to by its Italian title: La favorita) is a grand opera in four acts by Gaetano Donizetti to a French-language libretto by Alphonse Royer and Gustave Vaëz, based on the play "Le comte de Comminges" by Baculard d'Arnaud.
 It premiered on December 2, 1840 at the Académie Royale de Musique (Salle Le Peletier) in Paris, France.
Le portefaix (The Porter) (full title "Le portefaix ou le jardinier de Grenade (The Porter, or the Gardener of Grenada)") is an opéra comique in three acts composed by José Melchor Gomis.
 The libretto by Eugène Scribe is based on an episode in "Le Comte de Villamayor" by M. Mortonval (Alexandre Furcy Guesdon).
 It was originally offered to the composer Giacomo Meyerbeer, but he was contracted instead by the opera manager Louis Véron to create a five-act grand opera ("Les Huguenots").
The Count of Monte Cristo (French: "Le Comte de Monte-Cristo" ) is a French drama romance film from 1954, directed by Robert Vernay, written by Georges Neveux, starring Daniel Ivernel and Jean Marais.
 The scenario was written on a basis of novel of Alexandre Dumas.
 The film was known under the title "Il tesoro di Montecristo" (Italy).
Edmond Dantès (] ) is a title character and the protagonist of Alexandre Dumas, père's 1844 adventure novel "The Count of Monte Cristo".
 Within the story's narrative, Dantès is an intelligent, honest, and loving man who turns bitter and vengeful after he is framed for a crime he did not commit.
 When Dantès finds himself free and enormously wealthy, he takes it upon himself to reward those who have helped him in his plight and punish those responsible for his years of suffering.
 He is known by the aliases The Count of Monte Cristo (French: "le Comte de Monte-Cristo" ), Sinbad the Sailor ("Sinbad le Marin"), Abbé Busoni, and Lord Wilmore.
Natale Conti or Latin Natalis Comes, also Natalis de Comitibus and French Noël le Comte (1520–1582) was an Italian mythographer, poet, humanist and historian.
 His major work "Mythologiae", ten books written in Latin, was first published in Venice in 1567 and became a standard source for classical mythology in later Renaissance Europe.
 It was reprinted in numerous editions; after 1583, these were appended with a treatise on the Muses by Geoffroi Linocier.
 By the end of the 17th century, his name was virtually synonymous with mythology: a French dictionary in defining the term "mythologie" noted that it was the subject written about by Natalis Comes.
Operas set against the background of the medieval Crusades can be found in the earliest examples of the art form and continue to be written into the 21st century.
 Many of the works listed here contain characters and plots based on real or legendary figures of the time such as Tancred, Prince of Galilee, Godfrey of Bouillon or Jaufre Rudel.
 The majority are set, at least in part, in the Holy Land and the surrounding region and deal with the conflicts between the Christians and Muslims. Others, such as Donizetti's "Gabriella di Vergy", deal with the misadventures of knights returning from the Crusades.
 In the case of "Gabriella di Vergy", Raoul de Coucy returns from the Third Crusade to find that his beloved Gabriella has married Lord Fayel.
 Following a duel, Fayel cuts out the heart of the unfortunate Raoul and presents it in an urn to Gabriella.
 The only comedy in the list, Rossini's "Le comte Ory", recounts the attempts by Ory and his friends to seduce the Countess of Formoutiers and the women of her household while their men are away at the Crusades.
 Ory's ploy of dressing up as nuns to gain access to the women is foiled when the Crusaders return.
 Many of the libretti for the operas listed are based either directly or indirectly on Torquato Tasso's epic poem, "La Gerusalemme liberata" ("Jerusalem Delivered"), or on Voltaire's tragic play, "Zaïre".
Roberto Devereux (or "Roberto Devereux, ossia Il conte di Essex" ["Robert Devereux, or the Earl of Essex"]) is a "tragedia lirica", or tragic opera, by Gaetano Donizetti.
 Salvadore Cammarano wrote the Italian libretto after François Ancelot's tragedy "Elisabeth d'Angleterre" (1829), and based as well on the "Historie secrete des amours d'Elisabeth et du comte d'Essex" (1787) by "Jacques Lescéne des Maisons", although Devereux was the subject of at least two other French plays: "Le Comte d'Essex" by Thomas Corneille and "Le Comte d'Essex" by Gauthier de Costes, seigneur de la Calprenède.
Wozzeck (] ) is the first opera by the Austrian composer Alban Berg.
 It was composed between 1914 and 1922 and first performed in 1925.
 The opera is based on the drama "Woyzeck", which was left incomplete by the German playwright Georg Büchner at his death.
 Berg attended the first production in Vienna of Büchner's play on 5 May 1914, and knew at once that he wanted to base an opera on it.
 From the fragments of unordered scenes left by Büchner, Berg selected fifteen to form a compact structure of three acts with five scenes each.
 He adapted the libretto himself, retaining "the essential character of the play, with its many short scenes, its abrupt and sometimes brutal language, and its stark, if haunted, realism..."
Le comte Ory is an opéra written by Gioachino Rossini in 1828.
 Some of the music originates from his opera "Il viaggio a Reims" written three years earlier for the coronation of Charles X.
 The French libretto was by Eugène Scribe and Charles-Gaspard Delestre-Poirson adapted from a comedy they had first written in 1817.