Question: Teinosuke Kinugasa, was a Japanese actor and film director, in 1954 he won at which Festival, for "Jigokumon" ("The Gate of Hell"), named until 2002 as the International Film Festival?

Context articles: Gate of Hell (film)
Minoru Inuzuka
A Page of Madness
1954 Cannes Film Festival
Cannes Film Festival
The Snowy Heron
Dedication of the Great Buddha
The Clambakes Series Vol. 2
Teinosuke Kinugasa
Musei Tokugawa

Gate of Hell (地獄門 , Jigokumon ) is a 1953 Japanese jidaigeki film directed by Teinosuke Kinugasa.
 It tells the story of a samurai (Kazuo Hasegawa) who tries to marry a woman (Machiko Kyō) he rescues, only to discover that she is married.
 Filmed using Eastmancolor, "Gate of Hell" was Daiei Film's first color film and the first Japanese color film to be released outside Japan.
Minoru Inuzuka (犬塚 稔 , Inuzuka Minoru , 15 February 1901 – 17 September 2007) was a Japanese film director and screenwriter.
 Starting out as a screenwriter at Shochiku in 1924, he also participated in the production of Teinosuke Kinugasa's "A Page of Madness".
 When Chōjirō Hayashi (later known as Kazuo Hasegawa) became a jidaigeki star at Shochiku, Inuzuka directed many of his films.
 After World War II, Inuzuka returned to specializing in screenplays and was known for his scripts for the Zatoichi series.
 He published his autobiography in 2002, and died in 2007 at the age of 106.
 When he died, he was called the last surviving director to have directed a silent film in the 1920s.
 Inuzuka wrote scripts for over 150 films and directed over 50.
A Page of Madness (狂った一頁 , Kurutta Ippēji or Kurutta Ichipeiji ) is a silent film by Japanese film director Teinosuke Kinugasa, made in 1926.
 It was lost for forty-five years until being rediscovered by Kinugasa in his storehouse in 1971.
 The film is the product of an avant-garde group of artists in Japan known as the Shinkankakuha (or School of New Perceptions) who tried to overcome naturalistic representation.
The 7th Cannes Film Festival was held from 25 March to 9 April 1954.
 With Jean Cocteau as President of the Jury, the Grand Prix went to the "Gate of Hell" by Teinosuke Kinugasa.
 The festival opened with "Le Grand Jeu" by Robert Siodmak.
 This was the last festival with a predominantly French Jury.
The Cannes Festival ( ; French: Festival de Cannes ), named until 2002 as the International Film Festival ("Festival international du film ") and known in English as the Cannes Film Festival, is an annual film festival held in Cannes, France, which previews new films of all genres, including documentaries, from all around the world.
 Founded in 1946, the invitation-only festival is held annually (usually in May) at the Palais des Festivals et des Congrès.
The Snowy Heron (白鷺 , Shirasagi ) is a 1958 Japanese film directed by Teinosuke Kinugasa.
 It was entered into the 1959 Cannes Film Festival.
Dedication of the Great Buddha (大仏開眼 , Daibutsu kaigen ) is a 1952 Japanese film directed by Teinosuke Kinugasa.
 It was entered into the 1953 Cannes Film Festival.
The Clambakes Series Volume 2 is the second of three limited edition Live albums by Superchunk known as the Clambakes series.
 Released in 2002 "The Clambakes Series Volume 2" (limited to 2,500 copies) is a film score that Superchunk was commissioned to write.
 It was recorded live at the Castro Theater in San Francisco, April 23, 2002 during the San Francisco International Film Festival at a showing of Teinosuke Kinugasa's 1926 film "A Page of Madness".
Teinosuke Kinugasa (衣笠 貞之助 , Kinugasa Teinosuke ) (1 January 1896 – 26 February 1982) was a Japanese actor and film director.
 He was born in Kameyama, Mie Prefecture and died in Kyoto.
 Kinugasa won the 1954 Palme d'or at Cannes for "Jigokumon" ("The Gate of Hell").
Musei Tokugawa (徳川 夢声 , Tokugawa Musei , 13 April 1894 – 1 August 1971) was a Japanese benshi, actor, raconteur, essayist, and radio and television personality.
 Musei (as he was called) first came to prominence as a benshi, a narrator of films during the silent era in Japan.
 He was celebrated for his restrained but erudite narration that was popular among intellectual film fans.
 He concentrated on foreign films such as "The Cabinet of Dr. Caligari" at high-class theaters like the Aoikan and the Musashinokan, but also performed Japanese works such as Teinosuke Kinugasa's experimental masterpiece "A Page of Madness" (1926).
 As the silent era ended, Musei switched to storytelling on stage and on radio, and also began acting and doing narrations in films.
 He was also famous for his essays, humorous novels, and autobiographical writings, publishing nearly fifty books in his life.
 With the advent of television in Japan, Musei also became a prominent presence in that medium.