Question:  Complicit is a play by an American playwright who teaches Playwrighting where?

Context articles: Amy Rosenthal
The Chip Woman's Fortune
Sarah Ruhl
Schooling Giacomo
Joe Sutton
Complicit (play)
Richard Stockton (playwright)
William Mastrosimone
The Year of the Dragon (play)
Ain Gordon

Amy Rosenthal (born 1974) is a British playwright from Muswell Hill, London.
 She took a Masters in Playwriting at Birmingham University.
 She won the Sunday Times Drama Award with her debut play Henna Night in 1999.
 She is the daughter of screenwriter Jack Rosenthal and actress Maureen Lipman.
 Rosenthal is Jewish.
 In 2015, she wrote the libretto to the opera "Entanglement" by the composer Charlotte Bray.
 Rosenthal was shortlisted for the Susan Smith Blackburn Prize for female dramatists.
 Rosenthal teaches playwrighting on the Arvon courses.
The Chip Woman’s Fortune is a 1923 one act play written by American playwright Willis Richardson.
 The play was produced by The Ethiopian Art Players and is historically important as the first serious work by an African American playwright to be presented on Broadway.
 Although Broadway had seen African American musical comedies and revues, it had never seen a serious drama.
Sarah Ruhl (born January 24, 1974) is an American playwright, professor, and essayist.
 Among her most popular plays are "Eurydice" (2003), "The Clean House" (2004), and "In the Next Room (or the Vibrator Play)" (2009).
 She is the recipient of a MacArthur Fellowship and the PEN/Laura Pels International Foundation for Theater Award for a distinguished American playwright in mid-career.
 Two of her plays have been finalists for the Pulitzer Prize for Drama and she received a nomination for Tony Award for Best Play.
Schooling Giacomo is a play by award-winning American playwright Rich Knipe.
 Knipe is the founder of The New York Dramadies Company and the Artistic Director of The Aery Theatre Company.
 "Schooling Giacomo" is about a boy named Giacomo, or Jake, growing up in the Bronx in the 1970s.
 The play switches between Jake at 14 years old and Jake in the present day.
 Present day Jake learns that it was the schooling he got not from his teachers, but from his family that teaches him how to deal with a medical crisis concerning his 16-year-old daughter.
Joe Sutton is an American playwright.
 He writes in the traditional Aristotelian style.
 He teaches Playwrighting at Dartmouth College.
Complicit is a play by American playwright Joe Sutton premièred at The Old Vic Theater in London on 7 January 2009.
Richard F. Stockton (Akron, Ohio February 3, 1932 – April 5, 1997) was an American playwright.
 He was the first American Playwright to receive a world premiere at the Abbey Theatre, Ireland’s National Theatre, for his play "Prisoner of the Crown", co-produced by Sir Alfred Drake.
 The play received its American premiere by the Repertory Company of the Virginia Museum Theater, under the title "The Royal Rape of Ruari Macasmunde", with Keith Fowler in the title role and under Alfred Drake's direction.
 The play dramatizes the jury deliberations in the treason trial of Roger Casement.
William Mastrosimone (born August 19, 1947) is an American playwright and screenwriter from Trenton, New Jersey.
 He attended high school at The Pennington School and received a graduate degree in playwrighting from Mason Gross School of the Arts, a part of Rutgers University.
The Year of the Dragon is a play written by Chinese American playwright Frank Chin.
 It is one of the first plays by an Asian American playwright to be produced on a mainstream New York stage.
 It premiered in 1974 at the American Place Theatre, and starred Randall Duk Kim, who had played the lead in Chin's earlier play, "The Chickencoop Chinaman".
 The rest of the cast included Pat Suzuki, Tina Chen, Conrad Yama, Lilah Kan, Doug Higgins, and Keenan Shimizu.
Ain Gordon is an American playwright, theatrical director and actor based in New York City.
 His work frequently deals with the interstices of history, focusing on people and events which are often overlooked or marginalized in "official" histories.
 His style combines elements of traditional playwrighting with aspects of performance art.