Question: Johann Heinrich Meyer was a Swiss painter and pupil of a writer on art who created his own what?

Context articles: Johann Heinrich Meyer (publisher)
Jakob Emanuel Handmann
Jean Preudhomme
Johann Jakob Schalch
Die Horen (Schiller)
Johann Heinrich Meyer
Henry Fuseli
Johann Heinrich Troll
Johann Heinrich Bisterfeld
Propyläen

Johann Heinrich Meyer (2 March 1812 in Braunschweig - 4 November 1863 in Braunschweig; also known as Heinrich Meyer) was a German bookseller and publisher.
Jakob Emanuel Handmann (16 August 1718 in Basel – 3 November 1781 in Bern) was a Swiss painter specialised in portrait painting.
 He was a contemporary of the Swiss painters Anton Graff, Jean Preudhomme, Angelica Kauffman, Johann Jakob Schalch, Johann Caspar Füssli and his son Johann Heinrich Füssli.
Jean Preudhomme or Preud'ho(m)me or Prudhomme (baptised on November 23, 1732 in Rolle; buried on July 20, 1795 in La Neuveville) was a Swiss painter.
 He was a contemporary of the Swiss painters Anton Graff, Johann Jakob Schalch, Angelica Kauffman, Jakob Emanuel Handmann, Johann Caspar Füssli and his son Johann Heinrich Füssli.
Johann Jakob Schalch (23 January 1723 – 21 August 1789) was a Swiss painter.
 He was a contemporary of the Swiss painters Anton Graff, Jean Preudhomme, Angelica Kauffman, Jakob Emanuel Handmann, Johann Caspar Füssli.
 His son Johann Heinrich Füssli was also a noted painter.
Die Horen ("The Horae") was a monthly German literary journal published from 1795 to 1797.
 It was printed by the Cotta publishing house in Tübingen and edited and run by Friedrich Schiller.
 Many and partially antagonistic prominent figures in German culture of the time contributed, among them Johann Jakob Engel, Fichte, Goethe, Herder, Alexander von Humboldt, Wilhelm von Humboldt, Friedrich Heinrich Jacobi, Johann Heinrich Meyer, August Wilhelm Schlegel, and Karl Ludwig von Woltmann.
 The journal formed the cornerstone of Weimar Classicism and exerted a great influence onto German intellectual history.
Johann Heinrich Meyer (16 March 1760, Stäfa, Zürich - 14 October 1832, Jena) was a Swiss painter and art writer active in Weimar.
 A pupil of Henry Fuseli, he went to Rome in 1784, and befriended Goethe in 1787, becoming his right-hand-man in artistic matters (with the nicknames "Kunschtmeyer" and "Goethemeyer").
 From 1791 he lived in Weimar, working from 1806 as director of its Fürstlichen freien Zeichenschule.
Henry Fuseli {'1': ", '2': ", '3': ", '4': "} (German: Johann Heinrich Füssli; 7 February 1741 – 17 April 1825) was a Swiss painter, draughtsman and writer on art who spent much of his life in Britain.
 Many of his works, such as "The Nightmare", deal with supernatural subject-matter.
 He painted works for John Boydell's Shakespeare Gallery, and created his own "Milton Gallery".
 He held the posts of Professor of Painting and Keeper at the Royal Academy.
 His style had a considerable influence on many younger British artists, including William Blake.
Johann Heinrich Troll (1756–1824) was a Swiss painter.
Johann Heinrich Bisterfeld (1605 – 16 February 1655) was a German philosopher, logician and encyclopedic writer from Siegen.
 A follower of Ramus and pupil of Johann Heinrich Alsted at the Herborn Academy ("Academia Nassauensis"), Bisterfeld became head of the academy in Weissenburg (Alba Iulia) in Transylvania, where he died.
Die Propyläen was a periodical begun in July 1798 by Johann Wolfgang von Goethe and his friend Johann Heinrich Meyer.