Question: Was Karel Reisz or Jorge Fons Perez born first?

Context articles: Together (1956 film)
Saturday Night and Sunday Morning (film)
Jorge Fons
Free Cinema
Momma Don't Allow
Everybody Wins (film)
Who'll Stop the Rain
We Are the Lambeth Boys
Every Day Except Christmas
Karel Reisz

Together is a 1956 film about two deaf people in the East End of London, directed by , in collaboration with Denis Horne, based on his short story, "The Glass Marble."
 The two main characters are played by artists Eduardo Paolozzi and Michael Andrews, who were friends of the filmmaker.
 The film, produced by the British Film Institute Experimental Film Fund, was first shown as part of the first Free Cinema programme at the National Film Theatre in London in February 1956, along with Tony Richardson and Karel Reisz's "Momma Don't Allow", and Lindsay Anderson's "O Dreamland".
Saturday Night and Sunday Morning is a 1960 British drama film directed by Karel Reisz and produced by Tony Richardson.
 It is an adaptation of the 1958 novel of the same name by Alan Sillitoe, who also wrote the screenplay adaptation.
 The film is about a young machinist who spends his weekends drinking and partying, all the while having an affair with a married woman.
Jorge Fons Pérez (born in Tuxpan, Veracruz, Mexico on April 23, 1939) is a Mexican film director.
Free Cinema was a documentary film movement that emerged in the United Kingdom in the mid-1950s.
 The term referred to an absence of propagandised intent or deliberate box office appeal.
 Co-founded by Lindsay Anderson, though he later disdained the 'movement' tag, with Karel Reisz, Tony Richardson and Lorenza Mazzetti.
 The movement began with a programme of three short films at the National Film Theatre, London, on 5 February 1956.
 The programme was such a success that five more programmes appeared under the Free Cinema banner before the founders decided to end the series.
 The last event was held in March 1959.
 Three of the screenings consisted of work from overseas film makers.
Momma Don't Allow is a short British documentary film about a north London jazz club made in 1955.
 It was co-directed by Karel Reisz and Tony Richardson and filmed by Walter Lassally.
 It was produced by the British Film Institute Experimental Film Fund.
 It was first shown as part of the first Free cinema programme at the National Film Theatre in February 1956.
Everybody Wins is a 1990 American mystery-thriller film directed by Karel Reisz, starring Debra Winger and Nick Nolte.
 The screenplay was written by Arthur Miller, based on his one-act play "Some Kind of Love Story" (1984).
 It is loosely inspired by an actual 1970s murder case in Canaan, Connecticut which was the subject of the television film "A Death in Canaan" (1978) directed by Tony Richardson.
Who'll Stop the Rain is a 1978 psychological drama film released by United Artists starring Nick Nolte.
 It was directed by Karel Reisz and produced by Herb Jaffe and Gabriel Katzka with Sheldon Schrager and Roger Spottiswoode as executive producers.
 The screenplay was by Judith Rascoe and Robert Stone from Stone's novel "Dog Soldiers".
 The music score was by Laurence Rosenthal and the cinematography by Richard H. Kline.
We Are the Lambeth Boys (1959) is a British documentary film directed by Karel Reisz.
 Filmed in the summer of 1958, it was sponsored by the Ford motor company as part of a 'Look at Britain' series.
 "Lambeth Boys" was one of the last films to be made by the Free Cinema movement, and offered a sympathetic portrait of the lives of young working class people in South London.
Every Day Except Christmas is a 37-minute documentary film filmed in 1957 at the Covent Garden fruit, vegetable and flower market, then located in the Covent Garden area of East central London.
 It was directed by Lindsay Anderson and produced by Karel Reisz and Leon Clore under the sponsorship of Ford of Britain, the first of the company's "Look at Britain" series.
Karel Reisz (21 July 1926 – 25 November 2002) was a British filmmaker who was active in post–World War II Britain, and one of the pioneers of the new realist strain in British cinema during the 1950s and 1960s.