Question: The Mice Follies is a "Tom and Jerry" short with music that which used music from what score that was completed in 1889 and is the second of his three ballets?

Context articles: Push-Button Kitty
Bruno Bjelinski
Cheese It, the Cat!
The Sleeping Beauty (ballet)
Mice Follies (1954 film)
Graham George
Mice Follies (1960 film)
Ragtime (I)
AOR (performance)
Russian Seasons

Push-Button Kitty is a 1952 one-reel animated cartoon and is the 70th "Tom and Jerry" short directed by William Hanna and Joseph Barbera and produced by Fred Quimby.
 This is the last cartoon to feature Mammy Two Shoes.
 Mammy Two Shoes (for whom this cartoon has marked the final appearance for) is sweeping the floor and while Tom is relaxing near Jerry's mouse hole, not caring or noticing as Jerry comes out, then returns with a piece of cheese.
 Mammy then receives a package she has been expecting.
 She opens it to reveal Mechano, a talented robotic cat, just the opportunity to downside Tom after his laziness.
 In disbelief, both Tom and Jerry laugh out loud.
 Mammy then turns on Mechano with the remote control, and it immediately darts to the mouse, hits him with a hammer, and slingshots him out through the window.
 Mammy then laughs while the unwanted cat packs up and leaves the house.
 Mammy praises Mechano on its job.
 Jerry tries to get back into his hole in defiance, using various disguises to elude the computerised cat, but his efforts are no match for Mechano's every thwarting gadget.
 Knowing that he cannot win by himself, Jerry inserts a series of clockwork mice under the door slot to create a diversion for Mechano.
 Mechano starts to attack the mice and the house as soon as it detects them, but goes haywire and chops up the piano with an axe, breaks the china with his cannon, saws a table with a buzzsaw, and launches dynamite into a mouse hole, causing serious wreckage to the house.
 Mammy hears all of this, sees Mechano chopping into the floor after one of the mice, and yells at Mechano to stop.
 However, the computer will only respond to the controller, so nothing happens.
 Mammy runs around screaming for Tom's help who hears her out.
 Mammy runs away from the assault as Mechano tries to break through wardrobes and doors to chase the "mice" and ends up crashing and breaking himself to pieces.
 Mechano's computer hub, unfortunately, gets accidentally swallowed by Tom just before the maid reaches him.
 Mammy, with great relief, welcomes the cat back into the house, grateful to have him back on mouse-catching duties.
 However, Jerry gets the last laugh when he turns Mechano's remote control on causing Tom to "transform" into "Mechano".
 The terrified housemaid watches helplessly and starts screaming as the mechanised Tom activates and goes on a path of destruction as the cartoon draws to an end.
Bruno Bjelinski (born Bruno Weiss; 1 November 1909 – 3 September 1992) was one of a most influential Croatian composers in the 20th century.
 He was extremely prolific as a composer.
 His unique musical style was built upon the music of Poulenc, Hindemith, Ravel and Milhaud.
 He developed his own and recognizable musical language with the elements of neoclassicism.
 Bjelinski composed six operas, three ballets, 15 symphonies, 2 cello concertos, a cantata, piano music, songs, chamber music, and concertos for piano, violin, viola, bassoon, flute, and piano duo.
 He also composed music for the Croatian football movie "Plavi 9".
Cheese It, the Cat!
 is a 1957 Warner Bros. cartoon in the Looney Tunes series, directed by Robert McKimson.
 It is the second of three McKimson cartoons parodying television's "The Honeymooners" (the others being "The Honey-Mousers" and "Mice Follies").
The Sleeping Beauty (Russian: Спящая красавица / "Spyashchaya krasavitsa") is a ballet in a prologue and three acts, first performed in 1890.
 The music was composed by Pyotr Ilyich Tchaikovsky (his opus 66).
 The score was completed in 1889, and is the second of his three ballets.
 The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's "La Belle au bois dormant".
 The choreographer of the original production was Marius Petipa.
Mice Follies is the 85th one-reel animated "Tom and Jerry" short, created in 1953, directed by William Hanna and Joseph Barbera and produced by Fred Quimby with music by Scott Bradley (mainly incorporating Tchaikovsky's Sleeping Beauty Waltz).
 The cartoon was animated by Kenneth Muse, Ed Barge, Irven Spence and Ray Patterson with backgrounds by Robert Gentle.
 "Mice Follies" was released by Metro-Goldwyn-Mayer on September 4, 1954.
 For The Looney Tunes short see released in 1960 of the same name.
Graham Elias George (11 April 1912 – 9 December 1993) was a Canadian composer, music theorist, organist, choir conductor, and music educator of English birth.
 An associate of the Canadian Music Centre, his compositional output consists largely of choral works, many written for Anglican liturgical use.
 He also wrote three ballets, four operas, and some symphonic music.
 In 1938 he won the Jean Lallemand Prize for his " Variations on an Original Theme".
 At first he employed traditional tertial harmony, but the influence of Hindemith led him to introduce quartal-quintal harmony as integral to his style.
 Successful completion of RCCO/RCO diplomas and external degrees had demanded he attain very considerable expertise in counterpoint, and so his neoclassic deployment of contrapuntal devices such as imitation, canon and fugue is hardly accidental.
Mice Follies is a 1960 Looney Tunes cartoon directed by Robert McKimson.
 It was the third and last of his parodies of Jackie Gleason's "The Honeymooners", following "The Honey-Mousers" (1956) and "Cheese It, the Cat!
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Ragtime (I) is the second of three ballets made by New York City Ballet's co-founder and balletmaster George Balanchine to Igor Stravinsky's 1918 "Ragtime for Eleven Instruments"; with scenery by Robert Drew previously used for Lew Christensen's 1947 work for Ballet Society, "Blackface"; costumes by Karinska and lighting by David Hays.
 The premiere took place on December 7, 1960, at City Center of Music and Drama, conducted by Robert Irving, as part of a quartet of works titled "Jazz Concert", together with dances by Todd Bolender's "Creation of the World", Francisco Moncion's "Les Biches" and John Taras' "Ebony Concerto".
 Balanchine's 1966 "Ragtime (II)" was also made for City Ballet; his previous ballet to Stravinsky's "Ragtime" was one of a number of "informal little things" made in St. Petersburg in 1922.
AOR was a performance by Jean Michel Jarre.
 Jarre became the youngest musician to see one of his works played at the Paris Opera, at its reopening on 21 October 1971.
 The reopening consisted of three ballets; the first and third ballet were set to classical music, AOR - the second ballet that night - was completely electronic.
 It was the first time that electronic music had been allowed to be used.
 Jarre even had to paint the speakers of his synthesizers gold to match the decor of the opera house.
 There he performed with the Paris Opera Ballet, choreographer Norbert Schmucki and musician Igor Wakhévitch, who co-wrote the music.
Russian Seasons is the first of three ballets by Alexei Ratmansky, the others being "Concerto DSCH" and "Namouna, A Grand Divertissement".
 The ballet for six couples is set to the music of the same title by Leonid Desyatnikov for string orchestra, solo violin and soprano, music that passes through the Russian Orthodox liturgical calendar and seasons in its twelve sections.
 It premiered on June 8, 2006 as part of New York City Ballet's Diamond Project at the New York State Theater, Lincoln Center, with lighting by Mark Stanley and costumes by Galina Solovyeva, pillbox hats and six strong colors; blue, green, magenta, orange, red and purple.