Question: Robert "Throb" Young is part of a band that originated where?

Context articles: Band of Susans
Civilian Conservation Corps
Young's Literal Translation
Primal Scream
American Brass Quintet
The Counts
Robert Young (musician)
The Redland
Carl Prekopp
Moraingy

Band of Susans was an American alternative rock band formed in New York City in 1986 and active until 1996.
 It originally consisted of Robert Poss (guitar/vocals), Susan Stenger (bass/vocals), Ron Spitzer (drums), with Susan Lyall (guitar), Susan Tallman (guitar), and Alva Rogers (vocals).
 The band would undergo several permutations over the years, usually involving three guitarists.
 Poss, Stenger, and Spitzer were the band's core members throughout its duration.
 They originated in the New York noise rock scene, but due to their layered guitar sound were sometimes seen as the American counterparts to the UK shoegazing bands and also drew influence from modern experimental composers Rhys Chatham and Glenn Branca.
The Civilian Conservation Corps (CCC) was a public work relief program that operated from 1933 to 1942 in the United States for unemployed, unmarried men from relief families as part of the New Deal.
 Originally for young men ages 18–25, it was eventually expanded to young men ages 17–28.
 Robert Fechner was the first director of the agency, succeeded by James McEntee following Fechner's death.
 The CCC was a major part of President Franklin D. Roosevelt's New Deal that provided unskilled manual labor jobs related to the conservation and development of natural resources in rural lands owned by federal, state and local governments.
 The CCC was designed to provide jobs for young men, and to relieve families who had difficulty finding jobs during the Great Depression in the United States.
 At the same time, it implemented a general natural resource conservation program in every state and territory.
 Maximum enrollment at any one time was 300,000.
 Over the course of its nine years in operation, 3 million young men participated in the CCC, which provided them with shelter, clothing, and food, together with a small wage of $30 (about $547 in 2015) a month ($25 of which had to be sent home to their families).
Young's Literal Translation (YLT) is a translation of the Bible into English, published in 1862.
 The translation was made by Robert Young, compiler of "Young's Analytical Concordance to the Bible" and "Concise Critical Comments on the New Testament".
 Young used the Textus Receptus (TR) and the Majority Text (MT) as the basis for his translation.
 He wrote in the preface to the first edition, "It has been no part of the Translator's plan to attempt to form a New Hebrew or Greek Text--he has therefore somewhat rigidly adhered to the received ones."
 Young produced a “Revised Version” of his translation in 1887, but he stuck with the Received Text.
 He wrote in the preface to the Revised Edition, "The Greek Text followed is that generally recognized as the 'Received Text,' not because it is thought perfect, but because the department of Translation is quite distinct from that of Textual Criticism, and few are qualified for both.
 If the original text be altered by a translator, (except he give his reasons for and against each emendation,) the reader is left in uncertainty whether the translation given is to be considered as that of the old or of the new reading."
 After Robert Young died on October 14, 1888, the publisher released a new Revised Edition in 1898.
 The 1898 version though was based on the TR, easily confirmed by the word "bathe" in Rev. 1:5 and the word "again" in Rev 20:5.
 The "Publishers' Note to the Third Edition" explains, "The work has been subjected to a fresh revision, making no alteration on the principles on which the Translation proceeds, but endeavouring to make it as nearly perfect in point of accuracy on its present lines as possible."
Primal Scream are a British rock band originally formed in 1982 in Glasgow by Bobby Gillespie (vocals) and Jim Beattie.
 The current lineup consists of Gillespie, Andrew Innes (guitar), Martin Duffy (keyboards), Simone Butler (bass) and Darrin Mooney (drums).
 Barrie Cadogan has toured and recorded with the band since 2006 as a replacement after the departure of guitarist Robert "Throb" Young.
When the American Brass Quintet gave its first public performance on December 11, 1960, brass chamber music was still relatively young to concert audiences.
 The Chicago Brass Quintet had originated the concept of a brass quintet in 1948, followed by the New York Brass Quintet in 1954.
 To delineate itself from these other two groundbreaking ensembles American Brass Quintet dedicated itself to "music originally written for brass," and substituted a bass trombone for the conventional tuba voice.
 That debut concert for them in 1960 marked the beginning of an international career for the ensemble that includes performances in Europe, Central and South America, the Middle East, Asia, Australia and all fifty of the United States; a discography now numbering fifty-one recordings; the premieres of over one hundred new brass works, and the inspiration to a whole new generation of brass quintets worldwide.
 ABQ commissions by Samuel Adler, Bruce Adolphe, Daniel Asia, Jan Bach, Robert Beaser, William Bolcom, Elliott Carter, Billy Childs, Robert Dennis, Jacob Druckman, Eric Ewazen, Anthony Plog, Huang Ruo, David S. Sampson, Gunther Schuller, William Schuman, Ralph Shapey, Joan Tower, Melinda Wagner, and Charles Whittenberg are considered among the most significant contributions to the brass quintet repertoire.
 In the past fifteen years alone, the ABQ has released recordings of over twenty-five major new brass quintets.
 The presentation of challenging contemporary brass music alongside earlier eras carefully edited by ABQ members for modern performance, has become a trademark of ABQ programming, and has helped establish the American Brass Quintet as the leader in the field of serious brass chamber music today.
The Counts is a R&B doo-wop band that started in 1953 and is still performing today.
 Members include Chester Brown, James Lee, Robert Penick, Robert Wesley, and Robert Young.
 The Counts are also known as The Original Counts for the fact they have not replaced any members in their history.
 Originally a group of five, The Counts still performed as a group of four after the death of Robert Young in 2001.
 They were also known as The Five Dots.
Robert "Throb" Young (1964 – 9 September 2014) was a Scottish musician.
 He was a member of the alternative rock band Primal Scream from 1984 to 2006.
The Redland is an American hip hop and R&B duo that originated in Atlanta, Georgia.
 The group was formed in August 2005, when both its members Earvin Rodney (rhymes, vocals) and Robert Nkosi Evans (vocals) were still attending Morehouse College.
 Band members state that The Redland title symbolizes The Redlands of Louisiana and Oklahoma, where Earvin Rodney and Robert Nkosi Evans come from respectively.
 After founding The Redland, Earvin Rodney and Robert Nkosi Evans became better known by their stage names Earv Legend and Kose respectively.
Carl James Prekopp (born Sheffield, 1979) is a British actor.
 He played Richard III at the Riverside Studios (2010) and originated the part of Lawrence in Tim Firth's stage adaptation of "Calendar Girls".
 He has appeared in BBC Radio 4 adaptations of Terry Pratchett's "Mort" (as the title character), "Small Gods" (as Brutha) and "Night Watch" (as young Sam Vimes).
 He was also a supporting actor in the 2007 British feature film "I Want Candy" with Mackenzie Crook, He directed the Afternoon Play "Taken" by Suzanne Heathcote for BBC Radio 4, and is a singer/songwriter and founding member of folk/rock band The Fircones featuring The Likely Lads actress Brigit Forsyth on Cello.
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 In 2015-2016, Prekopp appeared as William III of England and Daniel Defoe in the Royal Shakespeare Company's production of Helen Edmundson's "Queen Anne".
Moraingy (Malagasy) or Moringue (French) is a weaponless, bare-fisted striking style of traditional martial art that originated during the Maroseranana dynasty (1675–1896) of the Sakalava Kingdom of western coastal Madagascar.
 It has since become popularized throughout Madagascar, but particularly in coastal regions, and has spread to neighboring Indian Ocean islands including Réunion, Mayotte, Comoros, Seychelles and Mauritius.
 Participation in this form of combat was originally limited to young men, allowing elders to judge their physical fitness and strength while providing an opportunity for the youth to gain prestige and test their abilities.
 Today, while the average age of participants is still between 10 and 35, young people of both genders may practice the sport.
 Participants are called "kidabolahy" (young men) or "kidabo mpanao moraingy" (young people who practice moraingy) and are widely respected and even feared by fellow villagers.
 In the North, they are called "Fagnorolahy", and the assistants, "magnafo".
 Moraingy matches must by tradition be accompanied by music (often "salegy") to induce a trance-like state in the fighters and participants, contributing to the spiritual and communal experience of the fight.
 As part of this experience, participants typically engage in dances during and between the matches that are meant to provoke the supporters of the opposing party, while the crowd cheers and jeers loudly.