Question: The Cult and TISM, have which genre in common?

Context articles: TISM
Mr Floppy
Cult following
Genre b.goode
Biblical genre
Tism.bestoff.
Cargo Cult Press
The Cult
Cult film
Genre painting

TISM (an acronym of This Is Serious Mum) were a seven-piece anonymous alternative rock band from Melbourne, Australia.
 The group were formed on 30 December 1982 by vocalist/drummer Humphrey B. Flaubert, bassist/vocalist Jock Cheese and keyboardist/vocalist Eugene de la Hot Croix Bun, and enjoyed a large underground/independent following.
 Their third album, "Machiavelli and the Four Seasons", reached the Australian national top 10 in 1995.
Mr Floppy were an Australian alternative rock, punk rock and oi!
 band formed in 1989 by Tim Aylward on guitar (ex-The Swarm), Mick Carroll on guitar, Paul Johnson on bass guitar and vocals and Joseph Kennedy (ex-Pray TV) on drums.
 They issued three studio albums on Zombie Penis Death Records, which were distributed by Waterfront Records, "Breakfast" (1991), "Gratuitous" (1992) and "The Unbearable Lightness of Being a Dickhead" (1993).
 They enjoyed a cult following; however, the band broke up in 1994.
 They were compared to TISM throughout their career, with some people actually claiming Mr Floppy were a TISM side project, although the band members hated such comparisons.
A cult following is a group of fans who are highly dedicated to a work of culture.
 A film, book, musical artist, television series or video game, among other things, will be said to have a cult following when it has a small but very passionate fanbase.
 A common component of cult followings is the emotional attachment the fans have to the object of the cult following, often identifying themselves and other fans as members of a community.
 Cult followings are also commonly associated with niche markets.
 Cult media are often associated with underground culture, and are considered too eccentric or subversive to be appreciated by the general public or to be commercially successful.
genre b.goode is the record label used by Australian band TISM.
 Formed around 1995, the unusual title comes from one of the founding members of TISM who chose his stage name as "Genre B. Goode".
 According to the remaining members of TISM, Genre's "complete non-sell-out stance" was "simultaneously stupid and inspiring to the rest of the band" which is why they named their record label after him.
 The label, however, is not a label in and of itself.
 It tends to be used as a vanity label the band attach to their recordings regardless of who they're signed to at the time.
A Biblical genre is a classification of Bible literature according to literary genre.
 The genre of a particular Bible passage is ordinarily identified by analysis of its general writing style, tone, form, structure, literary technique, content, design, and related linguistic factors; texts that exhibit a common set of literary features (very often in keeping with the writing styles of the times in which they were written) are together considered to be belonging to a genre.
 In Biblical studies, genres are usually associated with whole books of the Bible, because each of its books comprises a complete textual unit; however, a book may be internally composed of a variety of styles, forms, and so forth, and thus bear the characteristics of more than one genre (for example, chapter 1 of the Book of Revelation is prophetic/visionary; chapters 2 and 3 are similar to the epistle genre; etc.).
tism.bestoff.
 is a compilation CD by the Australian band TISM which was released on 29 July 2002 on the Genre B. Goode label.
 It is also known as best off, tism.
 best off.
 or by its long title tism.
 best off.
 retrospective works 86/02.
 It peaked at No. 44 on the ARIA Albums Chart.
Cargo Cult Press was launched in 2008 by Brian Cartwright to publish limited edition books in the horror genre.
 Cargo Cult Press is particularly notable for bringing to the collector's market writers such as Andersen Prunty and Gina Ranalli, known primarily in for their work in the Bizarro genre.
 Cargo Cult Press titles are currently distributed only through the Horror Mall website and a small number of specialty booksellers.
 Despite the low print runs typical of the small press, their first publication, "Population Zero", was nominated for a Bram Stoker Award in Superior Achievement in Long Fiction.
The Cult are a British rock band formed in 1983.
 Before settling on their current name in January 1984, the band performed under the name Death Cult, which was an evolution of the name of lead singer Ian Astbury's previous band Southern Death Cult.
 They gained a dedicated following in the UK in the mid-1980s as a post-punk/gothic rock band, with singles such as "She Sells Sanctuary", before breaking mainstream in the United States in the late 1980s as a hard rock band with singles such as "Love Removal Machine" and "Fire Woman".
 According to music critic Stephen Thomas Erlewine, the band fuse a "heavy metal revivalist" sound with the "pseudo-mysticism ... of The Doors [and] the guitar-orchestrations of Led Zeppelin ... while adding touches of post-punk goth rock".
 Since the initial formation of Southern Death Cult in Bradford in 1981, the band have had various line-ups; the longest-serving members are Astbury and guitarist Billy Duffy, the band's two songwriters.
A cult film or cult movie, also commonly referred to as a cult classic, is a film that has acquired a cult following.
 Cult films are known for their dedicated, passionate fanbase, an elaborate subculture that engage in repeated viewings, quoting dialogue, and audience participation.
 Inclusive definitions allow for major studio productions, especially box office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream.
 The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art.
 The term "cult film" itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though "cult" was in common use in film analysis for decades prior to that.
Genre painting, also called genre scene or petit genre, depicts aspects of everyday life by portraying ordinary people engaged in common activities.
 One common definition of a genre scene is that it shows figures to whom no identity can be attached either individually or collectively—thus distinguishing "petit genre" from history paintings (also called "grand genre") and portraits.
 A work would often be considered as a genre work even if it could be shown that the artist had used a known person—a member of his family, say—as a model.
 In this case it would depend on whether the work was likely to have been intended by the artist to be perceived as a portrait—sometimes a subjective question.
 The depictions can be realistic, imagined, or romanticized by the artist.
 Because of their familiar and frequently sentimental subject matter, genre paintings have often proven popular with the bourgeoisie, or middle class.