Question: Who coined the term in "The Wire" of the music genre that follows from bedroom pop?

Context articles: Mandarin Dynasty
New wave of new wave
Hypnagogic pop
Futurepop
K-pop
Songwriter
Tropipop
Kadongo Kamu
RnBass
Bedroom pop

Mandarin Dynasty is a band fronted by Mike Sherk, formed in Encinitas, California in 2004.
 The group is best known for extensively touring the American DIY music scene, as well as for releasing several bedroom pop albums, including "Sea Legs" (2005) and "Perpendicular Crosstalk" (2011).
The New Wave of New Wave (NWONW) was coined by music journalists to describe a subgenre of the British alternative rock scene in the early 1990s, in which bands displayed post-punk and new wave influences, particularly from bands such as The Clash, Blondie, Wire, and The Stranglers.
 The associated bands generally played guitar-based rock music often accompanied by keyboards.
 The movement was short lived and several of the bands involved were later linked with the more commercially successful Britpop, which it immediately preceded, and the NWONW was described by John Harris of "The Guardian" (one of the journalists who first coined the term) as "Britpop without the good bits".
 The "NME" played a major part in promoting and covering the genre, and promoted the "On" event, which featured many of the bands they had labelled NWONW.
Hypnagogic pop (sometimes used interchangeably with "chillwave" or "glo-fi") is a 21st-century style of pop music or general musical approach which explores elements of cultural memory and nostalgia by drawing on the music, popular entertainment, and recording technology of past decades, particularly the 1980s.
 The term was coined by journalist David Keenan in an August 2009 issue of "The Wire" to label a developing trend which he characterized as "pop music refracted through the memory of a memory."
 It has been variously described as a contemporary update of psychedelia, a reappropriation of media-saturated capitalist culture, and an "American cousin" to the British hauntology scene.
Futurepop is an electronic music genre, an outgrowth of EBM, that evolved in the late 1990s with groups like VNV Nation, Covenant, and Apoptygma Berzerk.
 The term "futurepop" was coined while a discussion between VNV Nation lead singer Ronan Harris and Apoptygma Berzerk lead singer Stephan Groth to describe their sound at the time, and that of similar groups.
 Other leading artists of the genre are Assemblage 23, Neuroticfish and Seabound.
K-pop (abbreviation of Korean pop; Hangul: 케이팝 ) is a music genre originating in South Korea that is characterized by a wide variety of audiovisual elements.
 Although it includes all genres of "popular music" within South Korea, the term is often used in a narrower sense to describe a modern form of South Korean pop music drawing inspiration on a range of styles and genres incorporated from the rest of the world such as Western pop music, rock, experimental, jazz, gospel, Latin, hip hop, R&B, reggae, electronic dance, folk, country and classical on top of its uniquely traditional Korean music roots.
 The more modern form of the genre emerged with one of the earliest K-pop groups, Seo Taiji and Boys, forming in 1992.
 Their experimentation with different styles and genres of music and integration of foreign musical elements helped reshape and modernize South Korea's contemporary music scene.
A songwriter is a professional who is paid to write lyrics and melodies for songs, typically for a popular music genre such as rock or country music.
 A songwriter can also be called a composer, although the latter term tends to be used mainly for individuals from the classical music genre.
 The pressure from the music industry to produce popular hits means that songwriting is often an activity for which the tasks are distributed between a number of people.
 For example, a songwriter who excels at writing lyrics might be paired with a songwriter with the task of creating original melodies.
 Pop songs may be written by group members from the band or by staff writers – songwriters directly employed by music publishers.
 Some songwriters serve as their own music publishers, while others have outside publishers.
Tropipop (also known as Colombian pop) is a music genre that developed in Colombia in the late 1990s and early 2000s.
 It is a blend of traditional musical forms of the Caribbean Region of Colombia, mainly Vallenato, with foreign Latin genres such as Salsa and Merengue, and pop and pop rock.
 The term "tropipop" comes from the synthesis of the words "tropical" and "Pop music" describing the genre's mix of Latin Tropical roots with American popular music.
Kadongo Kamu is a music genre native to Uganda and is the oldest mainstream music genre in the country.
 The word "kadongo kamu" is a term in the Ganda language that means "one little guitar".
 To understand why the genre has this name, one has to understand the stylistic structure of the music which is created with only one acoustic guitar, a dry acoustic non-electric six-string guitar.
 But this is not always the case and many times other instruments are involved.
 However the true style of the music relies only on one acoustic guitar as instrumentation, hence the "one little guitar" name.
RnBass (or R&Bass) is a movement and contemporary music genre that is the modernized form of traditional R&B music.
 Described by Vibe (magazine) as a breath of fresh air for the R&B genre, RnBass consists of tonal singing, melodic harmonies, along with heavy 808's that replace the 'blues' aspect of rhythm and blues.
 There are also notable elements of EDM, with influences of 1990s-2000s music, as well as hyphy.
 Coined by Bay Area producer J Maine, the RnBass musical style has garnered critical attention since the early-to-mid 2010s and has been popularized with urban audiences across America by Los Angeles producer DJ Mustard.
 Despite originating in the West Coast, namely the Bay Area and Los Angeles, RnBass producers and artists across the globe continue to develop R&B with the modern RnBass genre.
Bedroom pop is a music genre or aesthetic in which bands record at home, rather than at traditional recording spaces.
 It is characterized by DIY techniques, quiet, dreamy, textured sounds with heavy reverb and self-conscious, self-effacing lyrics.
 The term is often thrown around indiscriminately.
 An offshoot, chillwave, places more emphasis on lo-fi aesthetic.
 Hypnagogic pop, from the mid 2000s, follows in the traditions of bedroom pop.