Question: Do Venus and Adonis and Don Pasquale have the same number of acts?

Context articles: Mean Venus
Don Pasquale
Venus and Mars/Rock Show
Vénus et Adonis
Venus and Adonis (opera)
Venus and Adonis
Henry Austin (poet)
Venus and Adonis (Titian)
Dido and Aeneas
The Death of Adonis (Rubens)

Mean Venus is an American hard rock band from New Jersey.
 The quintet consists of 'J' (lead singer and songwriter), Adrian Freyre & Marcelo Cardosa (guitar), Russ Ippoliti (drums), and Chigger (bass).
 Formed in early 2006, Mean Venus has shared the stage with numerous national acts including 7Mary3, Skid Row, Extreme, Ratt, Dokken, L.A.Guns, Stryper, King's X, Rainbow, UFO, Sebastian Bach and others.
 In April 2008, Mean Venus headlined the Hawaiian Chopper Magazine's Motorhead Classic in Honolulu, Hawaii.
 They also performed at 2008's Clearwater Festival.
 Mean Venus songs have received radio airplay all over the country (WDHA, WZZO, WYSP, etc.)
Don Pasquale (] ) is an opera buffa, or comic opera, in three acts by Gaetano Donizetti with an Italian libretto completed largely by Giovanni Ruffini as well as the composer.
 It was based on a libretto by Angelo Anelli for Stefano Pavesi's opera "Ser Marcantonio" written in 1810 but, on the published libretto, the author appears as "M.A."
"Venus and Mars/Rock Show" is a medley of two songs written by Paul and Linda McCartney and originally performed by Wings that make up the first two songs of the album "Venus and Mars".
 The single was released in the United States on 27 October 1975 and in the United Kingdom on 28 November 1975.
 The B-side was "Magneto and Titanium Man", another track from the album.
 The single version is considerably shorter than the album version of the songs; in the single "Rock Show" is cut by more than 3 minutes and "Venus and Mars" is cut by a few seconds.
 "Venus and Mars/Rock Show" peaked at number 12 on the "Billboard" Hot 100 in the US, but did not chart on the UK singles chart.
 In the book "The Rough Guide to the Beatles", Chris Ingham praised both songs, describing "Venus and Mars" as "atmospheric" and "Rock Show" as "barnstorming".
Vénus et Adonis is an opera ("tragédie en musique") in a prologue and 5 acts composed by Henri Desmarets to a libretto by Jean-Baptiste Rousseau.
 Based on the story of Venus and Adonis in Book X of Ovid's "Metamorphoses", it was first performed by the Académie Royale de Musique at the Théâtre du Palais-Royal in Paris on 28 July 1697 with Marie Le Rochois and Louis Gaulard Dumesny in the title roles.
 Desmarets staged a major revival of the work with a new prologue at the court of Leopold, Duke of Lorraine in 1707.
 During the composer's lifetime, it was performed in Germany, Belgium, and France, but then fell into obscurity.
 Its first staging in modern times took place at the Opéra de Nancy on 28 April 2006.
Venus and Adonis is an opera in three acts and a prologue by the English Baroque composer John Blow, composed in about 1683.
 It was written for the court of King Charles II at either London or Windsor.
 It is considered by some to be either a semi-opera or a masque, but "The New Grove" names it as the earliest known English opera.
Venus and Adonis, a classical myth, was a common subject for art during the Renaissance and Baroque eras.
 Some works which have been titled "Venus and Adonis" are:
Henry Austin (17th century) was an English poet postulated by Alexander Balloch Grosart as author of "The Scourge of Venus, or the Wanton Lady.
 With the Rare Birth of Adonis.
 The Second Impression, corrected and enlarged, by H. A." (1614).
 Grosart's identification in the "Dictionary of National Biography" depended on a remark about "Austin" by Thomas Heywood.
 The modern "Oxford Dictionary of National Biography" notes that this identification rested on a confusion of works by Ovid ("The Scourge of Venus" is taken from "Metamorphoses", not the "Ars amatoria" and the "Remedia amoris" which Heywood meant).
 It also states that later editors did not accept Grosart's view of the identity of "H. A.".
A composition of Venus and Adonis by the Venetian Renaissance artist Titian has been painted a number of times, by Titian himself, by his studio assistants and by others.
 In all there are some thirty versions that may date from the 16th century, the nudity of Venus undoubtedly accounting for this popularity.
 It is unclear which of the surviving versions, if any, is the original or prime version, and a matter of debate how much involvement Titian himself had with surviving versions.
 There is a precise date for only one version, that in the Prado in Madrid, which is documented in correspondence between Titian and Philip II of Spain in 1554.
 However, this appears to be a later repetition of a composition first painted a considerable time earlier, possibly as early as the 1520s.
Dido and Aeneas (Z. 626) is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate.
 The dates of the composition and first performance of the opera are uncertain.
 It was composed no later than July 1688, and had been performed at Josias Priest's girls' school in London by the end of 1689.
 Some scholars argue for a date of composition as early as 1683.
 The story is based on Book IV of Virgil's "Aeneid".
 It recounts the love of Dido, Queen of Carthage, for the Trojan hero Aeneas, and her despair when he abandons her.
 A monumental work in Baroque opera, "Dido and Aeneas" is remembered as one of Purcell's foremost theatrical works.
 It was also Purcell's only true opera, as well as his only all-sung dramatic work.
 One of the earliest known English operas, it owes much to John Blow's "Venus and Adonis", both in structure and in overall effect.
 The influence of Cavalli's opera "Didone" is also apparent.
The Death of Adonis is a c.1614 painting by Peter Paul Rubens, now in the Israel Museum in Jerusalem.
 It shows the dead Adonis being mourned by Venus, Cupid and the Three Graces