Question: What American drummer, best known for his work with P-Funk, worked with a funk band led by George Clinton?

Context articles: Hey, Man, Smell My Finger
Parliament (band)
Zapp (band)
Jerome Brailey
Up for the Down Stroke
Funk or Walk
The Electric Spanking of War Babies
Urban Dancefloor Guerillas
Flash Light (song)
The Pinocchio Theory

Hey, Man, Smell My Finger is the sixth studio album by American funk musician George Clinton, released October 12, 1993 on Paisley Park Records.
 It is Clinton's second and last release for the Paisley Park label, owned by Prince.
 The album features an array of musical guests including Prince, Dallas Austin, Humpty Hump from Digital Underground, Ice Cube, N'Dea Davenport, Dr. Dre, and Herbie Hancock, as well P-Funk alumni including Bootsy Collins, Bernie Worrell, Maceo Parker, and Fred Wesley.
 "Hey, Man, Smell My Finger" furthers Clinton's incorporation of hip hop elements such as electronically produced beats, rapping by Clinton, and sampling of older P-Funk material.
Parliament is a funk band most prominent during the 1970s.
 Both Parliament and its sister act, Funkadelic, are led by George Clinton.
Zapp (also known as the Zapp Band or Zapp & Roger) is an American funk band that emerged from Cincinnati, Ohio, in 1977.
 Particularly influential in the electro subgenre of funk, Zapp served as partial inspiration toward the creation of the G-funk sound of hip-hop popular on the West Coast of the United States in the early to mid 1990s, with many of their songs sampled by numerous hip-hop artists.
 The original line-up consisted of four brothers—Roger Troutman, Larry Troutman, Lester Troutman and Terry Troutman—and non-Troutman family members Bobby Glover, Gregory Jackson, Sherman Fleetwood, Jerome Derrickson, Eddie Barber and Jannetta Boyce.
 The group received attention in the early 1980s for implementing heavy use of the talk-box, which became one of their most well known characteristics.
 Zapp worked closely with members George Clinton and Bootsy Collins of the band Parliament-Funkadelic during its early stages, their support being a factor in the group gaining a record deal with Warner Bros.
 Records in 1979.
 Zapp released its eponymous debut album in 1980, having a sound reminiscent of P-Funk as a result of Clinton's and Collins' input on the production.
 Zapp achieved most of its formative mainstream recognition from the single "More Bounce to the Ounce" from the same album, now widely regarded as a classic example of early 1980s electronic funk.
 The following year in 1981, Clinton stopped working with the band over a record dispute regarding Roger Troutman's solo debut.
 Zapp continued to produce several more albums thereafter, releasing "Zapp II" in 1982.
 The album's musical style veered drastically away from their first release; despite this, the album sold well, and was certified gold by late 1982.
Jerome Eugene "Bigfoot" Brailey (born August 20, 1950) is an American drummer, best known for his work with P-Funk, which included the bands Parliament, Funkadelic, and numerous related projects.
 Brailey is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic.
Up for the Down Stroke is an album by the American funk band Parliament.
 It was the band's second album (following 1970's "Osmium"), and their first to be released on Casablanca Records.
 The album was released on July 3, 1974.
 Its title track was Parliament's first chart hit and remains one of the most well-known P-Funk songs.
 The album also contains a funk reworking of The Parliaments' song "(I Wanna) Testify" under the title "Testify".
 The original title of the album was "Whatever Makes Baby Feel Good", and the cover features group leader George Clinton hovering over a woman in distress, sporting a black wig and monster-type gloves.
Funk or Walk is the debut album by the Brides of Funkenstein, released on Atlantic Records in September 1978.
 The album was produced by George Clinton with the exception of the album's first single "Disco To Go" which was written and produced by Clinton and Bootsy Collins.
 The Brides of Funkenstein consisted of Lynn Mabry and Dawn Silva, who were members of Sly and the Family Stone prior to joining P-Funk.
 Funk Or Walk earned these extraordinary divas a Record World Award for Best New Female Artists and Best New R&B Group in 1979.
 The song was originally performed live by Bootsy's Rubber Band.
 To this day, the P-Funk All Stars continue to play "Disco To Go" in their live concerts.
 The Brides of Funkenstein also toured and recorded with Parliament/Funkadelic around this same time.
The Electric Spanking of War Babies is the 13th studio album by the American funk band Funkadelic, released in April of 1981 on Warner Bros.
 Records.
 The title is an allusion to the Vietnam War and baby boomers.
 It includes many relative newcomers to P-Funk, many of whom remained employed by George Clinton on future releases under his own name or under the name George Clinton & the P-Funk All-Stars.
 Sly Stone is a collaborator on this album.
 Clinton originally planned on this being a double album, but the idea was quashed by Warner Brothers.
 Some of the deleted tracks appeared on later P-Funk releases, most notably the 1982 hit single "Atomic Dog" which appeared on the first George Clinton solo album, "Computer Games".
Urban Dancefloor Guerillas is the debut album of funk band the P-Funk All-Stars, released in 1983 on Uncle Jam Records.
 The album features an amalgamation of various alumni from the bands Parliament and Funkadelic, both of which were disbanded by 1981.
 It is the only studio album credited solely to the P-Funk All-Stars, as opposed to other albums that are credited to George Clinton and the P-Funk All Stars.
 The songs on "Urban Dancefloor Guerillas" were produced by a variety of members of the P-Funk musical collective including Clinton, Garry Shider, Walter Morrison, Sylvester Stewart (Sly Stone), and Bootsy Collins.
"Flash Light" is a song by funk band Parliament, written by George Clinton, Bernie Worrell and Bootsy Collins and released in January 1978 on the album "Funkentelechy Vs. the Placebo Syndrome".
 It was the first number-one R&B hit by any of the P-Funk groups and spent four months on the U.S. Pop charts, peaking at number 16.
 The track became Parliament's second certified million-selling single, following "Give Up the Funk (Tear the Roof Off the Sucker)."
 "Flash Light" also gave Casablanca Records its first number-one R&B hit.
 In New Zealand, the song reached number three and is ranked as the eighth biggest hit of 1978.
The Pinocchio Theory is a 1977 single by the American Funk band Bootsy's Rubber Band.
 It was released by Warner Bros.
 Records on February 9, 1977.
 The single first charted in Billboard magazine's Hot Soul Singles chart in March 1977 where it peaked at number six.
 "The Pinocchio Theory" inspired the George Clinton creation Sir Nose D'Voidoffunk (see P-Funk mythology: the song says if you fake the funk, your nose will grow, and Sir Nose fakes the funk).
 The b-side of the "The Pinocchio Theory" is "Rubber Duckie".