Question: Femme aux Bras Croisés was painted by the sculptor and painter of what nationality?

Context articles: Joseph Szabo (painter)
Albert Pike Lucas
Eretria Painter
Woman with Animals
Pablo Picasso
Enrico Coleman
Femme aux Bras Croisés
Tarporley Painter
Danseuse (Csaky)
La Femme aux Phlox

Joseph Szabó – birth name: József Szabó (1925, Nyúl, Hungary – 2010, Fons-sur-Lussan, France) – was an emigrant Hungarian painter and sculptor.
 He studied at Hungarian University of Fine Arts in Budapest between 1947 and 1953.
 His teachers were István Szőnyi, László Bencze (painter), Gyula Pap (painter) and Jenő Barcsay.
 He immigrated to France in 1956.
 He continued his education in the field of fine arts in Paris, then in Nice.
 Initially, he painted surrealistic and dark pictures full of sombre colours that recall paintings of Grünewald and Bosch.
 By the late eighties, he came quite near to the limits of abstraction, and turned toward a more liberated, more colourful and less figurative art.
 Later, he painted expressive pictures with mosaic effect.
 In addition to paintings, he made sculptures as well; one of his monumental creations stands in front of the building of Médiathèque François Mitterrand in Sète, France.
 His paintings were exhibited in several art galleries, inter alia in Zurich, Chicago, New York, Montreal, Paris, Lyon, Nimes, Madrid, Milan and Geneva.
Albert Pike Lucas (1862–1945) was an American landscape, figure, and portrait painter; also a sculptor.
 He was born in Jersey City, and studied at the École des Beaux-Arts (1882–1888) in Paris under Hébert and Boulanger and later under Courtois and Dagman-Bouveret.
 At the Salon of 1896 he won a medal.
 After a sojourn in Italy he settled in New York in 1902.
 His painting is distinctly personal, with the lyric note predominant, and shows sympathetic intimacy with nature, especially in her larger and more mysterious aspects.
 His handling is broad yet conscientious, his color scheme rich and glowing, and he excels in the management of diffused light, as seen most strikingly in his well-known "Golden Madonna."
 He painted by preference nocturnes and twilight scenes, such as "October Breezes" (National Gallery, Washington), "The Little Church on the Hill," and "Walking against the Wind."
 He also painted portraits of many prominent persons.
 A good specimen of his work as a sculptor is the statuette "Ecstasy," in the Metropolitan Museum, New York.
The Eretria Painter was an ancient Greek Attic red-figure vase painter.
 He worked in the final quarter of the 5th century BC.
 The Eretria Painter is assumed to have been a contemporary of the Shuvalov Painter; he is considered one of the most interesting painters of his time.
 Many of hist best works are painted on "oinochoai" and belly "lekythoi".
 His paintings often depict many figures, moving in groups across all available surfaces.
 He also painted such vessels as figure-shaped vases or head-shaped "kantharoi".
 Much as the vase shapes he painted on are unusual, his themes are conventional: Athletes, satyrs and maenads, and mythological scenes.
 There are also some careful studies of women.
 He also painted white-ground vases.
 A "lekythos" in New York shows a funeral scene, typical of white-ground painting: Achilles is mourning Patroclus; the nereids bring him new weapons.
 The Eretria Painter's drawing style influenced later artists, e.g. the Meidias Painter and his school.
Woman with Animals, originally referred to as La dame aux bêtes and Portrait de Mme D.V. or Madame Raymond Duchamp-Villon, is a painting created late 1913 and completed during the month of February, 1914, by the French artist, theorist and writer Albert Gleizes.
 The painting was exhibited at the Salon des Indépendants, Paris, 1 March – 30 April 1914 (titled "Portrait de Mme D.V.").
 "Woman with animals" is executed in a personal Cubist style noted by the fusing background and figure, the multiple perspective or successive views at various moments in time of the Mrs. Duchamp-Villon's face and other elements, the freestyle brushstrokes delineating juxtaposing planes.
 The work was restored in 1940 by Jacques Villon and Robert Delaunay.
 Formerly in the collection of Marcel Duchamp, the work—along with a 1913 lavis and gouache study of the same subject entitled "La femme aux bêtes"—has been in the Peggy Guggenheim Collection, Venice, Italy, since 1940.
Pablo Picasso ( ; ] ; 25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France.
 Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore.
 Among his most famous works are the proto-Cubist "Les Demoiselles d'Avignon" (1907), and "Guernica" (1937), a dramatic portrayal of the bombing of Guernica by the German and Italian airforces.
Enrico Coleman (21 June 1846 – 14 February 1911) was an Italian painter of British nationality.
 He was the son of the English painter Charles Coleman and brother of the less well-known Italian painter Francesco Coleman.
 He painted, in oils and in watercolours, the landscapes of the Campagna Romana and the Agro Pontino; he was a collector, grower and painter of orchids. Because of his supposedly Oriental air, he was known to his friends as "Il Birmano", the Burmese.
Femme aux Bras Croisés (Woman with Folded Arms), is a painting by Pablo Picasso done in 1902 during his Blue Period.
 The subject of the painting is unknown, but she may be an inmate of the Saint-Lazare hospital-prison in Paris.
The Tarporley Painter was a Greek Apulian red-figure vase painter.
 His works date to the first quarter of the 4th century BC.
 The Tarporley Painter is his period's most important representative of the so-called "Plain Style".
 He is considered to have been the pupil and successor of the Sisyphus Painter, as indicated by his elegant fine-limbed figures and the solemn facial expressions of his woman and cloaked youths.
 He painted garments in a less balanced style then the Sisyphus Painter.
 His heads are often oval and lean forwards.
 The spaces between his figures are often filled with flowers, branches or vines.
 Over time, his drawing style becomes more fluid, but also less precise.
 He painted especially on bell "kraters", on which he often depicted dionysiac themes and theatrical scenes.
 His work includes the first known "phlyax" vase, showing the punishment of a thief, accompanied by a metric verse inscription.
 Mythological scenes by him are rare.
 There appears to be an especially close relationship between the work of the Tarporley Painter and that of the Dolon Painter, perhaps they cooperated directly for some time.
 His succession is represented by three separate schools, each clearly influenced by him.
 The most important painter of the first is the Schiller Painter, of the second the Hoppin Painter and of the third the Painter of Karlsruhe B9 and the Dijon Painter.
Danseuse, also known as Femme à l'éventail, or Femme à la cruche, is an early Cubist, Proto-Art Deco sculpture created in 1912 by the Hungarian avant-garde sculptor Joseph Csaky (1888–1971).
 This black and white photograph from the Csaky family archives shows a frontal view of the original 1912 plaster.
 "Danseuse" was exhibited in Paris at the 1912 Salon d'Automne (n. 405), an exhibition that provoked a "succès de scandale" and resulted in a xenophobic and anti-modernist quarrel in the French National Assembly.
 The sculpture was then exhibited at the 1914 Salon des Indépendants entitled "Femme à l'éventail" (n. 813); and at Galerie Moos, Geneva, 1920, entitled "Femme à la cruche".
La Femme aux Phlox, also known as Woman with Phlox or Woman with Flowers, is an oil painting created in 1910 by the French artist and theorist Albert Gleizes (1881–1953).
 The painting was exhibited in Room 41 at the Salon des Indépendants in the Spring of 1911 (no. 2612); the exhibition that introduced Cubism as a group manifestation to the general public for the first time.
 The complex collection of geometric masses in restrained colors exhibited in Room 41 created a scandal from which Cubism spread throughout Paris, France, Europe and the rest of the world.
 It was from the preview of the works by Gleizes, Metzinger, Le Fauconnier, Delaunay and Léger at the 1911 Indépendants that the term 'Cubism' can be dated.
 "La Femme aux Phlox" was again exhibited the following year at the Salon de la Section d'Or, Galerie La Boétie, 1912 (no. 35).
 "La Femme aux Phlox" was reproduced in "The Cubist Painters, Aesthetic Meditations (Les Peintres Cubistes)" by Guillaume Apollinaire, published in 1913.
 The same year, the painting was again revealed to the general public, this time in the United States, at the International Exhibition of Modern Art (The Armory Show), New York, Chicago, and Boston (no. 195).
 The work is now in the Museum of Fine Arts, Houston, Gift of the Esther Florence Whinery Goodrich Foundation.