Question: Nikolay Dubovskoy created a "Landscape of Mood" along with a painter of what ethnicity?

Context articles: Mood (literature)
Nikolay Dubovskoy
Johann Franz Ermels
Cairn in Snow
Isaac Levitan
Malynka Nikolay
Sangam landscape
Patrick Huse
Joachim Patinir
Nikolay Samokish

In literature, mood is the atmosphere of the narrative.
 Mood is created by means of setting (locale and surroundings in which the narrative takes place), attitude (of the narrator and of the characters in the narrative), and descriptions. Though atmosphere and setting are connected, they may be considered separately to a degree.
 Atmosphere is the aura of mood that surrounds the story.
 It is to fiction what the sensory level is to poetry.
 Mood is established in order to affect the reader emotionally and psychologically and to provide a feeling for the narrative.
Nikolay Nikanorovich Dubovskoy (Russian: Николай Никанорович Дубовской; 17 December 1859, Novocherkassk — 28 February 1918, Saint Petersburg) was a Russian landscape painter, associated with the Peredvizhniki.
 Together with Isaac Levitan, he helped create what came to be known as the "Landscape of Mood".
Johann Franz Ermels (1641 – December 1693), a German painter and engraver, a pupil of Holtzman, was born in Reilkirch.
 He resided at Nuremberg, and painted for the church of St. Sebald in that city a picture of the "Resurrection"; he was more successful, however, as a painter of landscapes, in which he imitated the style of Jan Both.
 He died at Nuremberg, aged 52.
 In the Städel Gallery at Frankfort is a "Landscape" by him, with figures by J. H. Roos; and in the Vienna Gallery is a "Landscape with Fishermen" by him.
 A "Landscape" is also in the Milan Gallery.
 There are by him a few etchings of landscapes, after Waterloo, Breenbergh, etc., executed with spirit and taste.
Cairn in Snow (German: Hünengrab im Schnee ) is a landscape painting by Caspar David Friedrich.
 It was created in 1807.
 The painting is a Romantic allegorical landscape, showing what appears to be a Neolithic burial site among three oaks, near the town Gützkow in Germany.
 The painter depicts barren trees in the snow, giving the work a haunted, spectral air.
 With its contemplative melancholy mood, the painting transmits a Romantic view of nature.
Isaac Ilyich Levitan (Russian: Исаа́к Ильи́ч Левита́н ; 30 August [O.S. 18 August] 1860 – 4 August [O.S. 22 July] 1900 ) was a classical Russian landscape painter who advanced the genre of the "mood landscape".
Nikolay Malinka (Ukrainian: Микола Малинка; February 16, 1913 – December 14, 1993) was a Ukrainian painter, creative artist, and sculptor.
 He was among those who studied and worked in the Soviet Union where Socialist Realism became a state policy, but is often considered a representative of Ukrainian impressionism as well.
 Focused on the dramatic depictions of Soviet and Ukrainian history, Nikolay Malinka produced canvases of Ukrainian Cossack’s quest for peace and freedom, portrayed prominent personalities of the past and present day, composed a brief history of his homeland - Yahotyn county of Kyiv Region.
 Later, when Gorbachev’s glasnost’ effectively ended state censorship, he began to reveal on the canvas Ukrainian national tragedies, such as the forcible collectivization and the Great Famine (Holodomor) of 1933, which took millions of Ukrainian lives.
The Sangam landscape (Tamil: அகத்திணை "inner classification") is the name given to a poetic device that was characteristic of love poetry in classical Tamil Sangam literature.
 The core of the device was the categorisation of poems into different "tiṇai"s or modes, depending on the nature, location, mood and type of relationship represented by the poem.
 Each "tiṇai" was closely associated with a particular landscape, and imagery associated with that landscape - its flowers, trees, wildlife, people, climate and geography - was woven into the poem in such a way as to convey a mood, associated with one aspect of a romantic relationship.
Patrick Huse (born April 1, 1948) is a Norwegian painter and multimedia artist.
 He studied landscape art and conceptualism during the late 1970,s and early 1980,s. His works incorporate techniques as painting, drawing, photograph, video, wall based text material and objects.
 His work is described by Matthew Kangas, Seattle’s leading critic for thirty years, interprets Patrick Huse’s art in the light of this narrative when he gave a great deal of praise in the Seattle Times about “Rift” in the Frye Art Museum, 2000: “Dark, cloudy and moody, Huse’s pictures are part of a long, gloomy tradition of northern European landscape tradition.
 In the early 1990,s he started a project titled Rethinking Landscape, trilogy consisting of the three parts: 1 Nordic Landscape, 2 RIFT and 3 Penetration.
 The traditional landscape art still plays a role as an artistic reference, but through a series of exhibitions from the mid-1990s and later, he has challenged landscape art in a way which makes his project unique.
 For many years through his interest for indigenous people and tradition in the Arctic Patrick Huse extensively travelled the north and his work in a period of twelve years resulted in an approach to art through a crossover between art and anthropology.
 This was concluded in a trilogy called Northern Imaginary which was under production for nine years.
Joachim Patinir, also called Patenier (c. 1480 – 5 October 1524), was a Flemish Renaissance painter of history and landscape subjects.
 He was Flemish, from the area of modern Wallonia, but worked in Antwerp, then the centre of the art market in the Low Countries.
 Patinir was a pioneer of landscape as an independent genre and he was the first Flemish painter to regard himself primarily as a landscape painter.
 He effectively invented the world landscape, a distinct style of panoramic northern Renaissance landscapes which is Patinir's important contribution to Western art.
Nikolay Semyonovich Samokish (Russian: Николай Семёнович Самокиш ; translit.
: "Nikolay Semyonovich Samokish"; 25 October 1860, Nezhin, Government of Chernigov, Russian Empire - 18 January 1944, Simferopol, Russian SFSR, USSR) was a Russian and Soviet painter and illustrator of Cossack descent who specialized in military art and animal painting.
 During the First World War Samokish was a correspondent of "The Sun of Russia", one of the most popular patriotic journals of Imperial Russia.
 He was a recipient of the Stalin Prize in 1941.