Question: Everything's Coming Up Love is an album by a singer that died in what year?

Context articles: Mental Overdrive
Everything's Coming Up Rosie
Everything's Coming Up Love
Love Is Everything (Johnny Mathis album)
David Ruffin
Tropical Fish (book)
Time of Our Lives (Pitbull and Ne-Yo song)
Let There Be Love (1953 Joni James album)
Coming In for the Kill
Chelsea Morning

Mental Overdrive is the primary solo moniker of Per Martinsen (born 31 July 1966), one of Norway's most prolific and influential techno musicians.
 His tracks have ranged from hardcore rave techno to vibrant space-disco, and he's always maintained a healthy balance of humor and braininess.
 Active since 1990, he began his career releasing several 12" EPs of aggressive, rave-ready hardcore techno on revered Belgian label R&S, including 12000 AD (1990), The Second Coming (1991), Move!
 (as Confusion Club, 1991), and The Love EP (1992).
 In 1994, Martinsen began releasing atmospheric techno singles as part of Illumination, his duo with Nicholas Sillitoe.
 The next year, Mental Overdrive released the single "Disto Disco," which featured a B-side ("Faith") co-written by R&S artist Outlander, best known for the 1991 classic "Vamp."
 The A-side appeared on Mental Overdrive's full-length debut Plugged, released on Martinsen's own Love OD Communications.
 The album showed a notable progression in his music, maintaining its rough, distorted hardcore techno sound while adding more cerebral elements, placing it closer to Warp's Artificial Intelligence series.
 Martinsen displayed his sense of humor with 1996's Unplugged, a limited conceptual release containing silent "versions" of the tracks on Plugged.
 083 In 1997, Mental Overdrive signed to Virgin and released About Jazz, a significantly more house/disco-influenced EP than his previous work.
 This was followed by full-length Ad Absurdum, which continued in a more light-hearted and funky direction than his previous releases.
 He took a few years off from releasing Mental Overdrive recordings, instead devoting time to Frost (his more pop-focused electronic duo with his wife Aggie Peterson) and Illumination, which released two albums on RCA.
 Following the 2003 release of Mental Overdrive's Me EP on Love OD, he signed to Norwegian label Smalltown Supersound and released full-length 083, which featured the single "Diskodans."
 In 2005, the label compiled his early R&S material on CD as The Phuture That Never Happened.
 Two years later, Mental Overdrive's single "Spooks" appeared on Prins Thomas' Full Pupp label.
 The song appeared on his next Smalltown full-length, You Are Being Manipulated, which was released in 2008.
 The album was perfectly at home with the label's other left-field dance artists like Bjørn Torske and Kim Hiorthøy, while maintaining the unique Mental Overdrive sound.
 Martinsen continued releasing Mental Overdrive singles on Full Pupp and Love OD, and contributed to Rune Lindbæk's Meanderthals project.
 In 2012, he released Man with a Movie Camera, an EP featuring music he'd composed for a 1996 screening of the Russian silent film of the same name, which also featured pieces by Biosphere which would later appear on the 2001 remaster of his classic album Substrata.
 Mental Overdrive returned to his Love OD label for 2013 full-length Cycls, as well as 2014's Everything Is Connected, which compiled a few previously released EPs.
 In 2016, Full Pupp sublabel Rett I Fletta released a new version of Plugged consisting of alternate takes sourced from the original DAT tapes.
 (Paul Simpson for allmusic.com)
Everything's Coming Up Rosie is a 1977 studio album by the American jazz singer Rosemary Clooney.
 It was the first solo album that Clooney released on Concord Records, and Clooney saw it as her marking her return to recording since her nervous breakdown in 1968, precipitated by the assassination of Robert F. Kennedy.
 The title is a reference to the 1959 song "Everything's Coming up Roses".
 Clooney would record a further twenty five albums for Concord, with her last being released a year before her death in 2002.
Everything's Coming Up Love is a 1976 album from Temptations singer, David Ruffin.
Love Is Everything is an album by American pop singer Johnny Mathis that was released by Mercury Records on March 5, 1965, and included covers of hit songs from the 1930s ("Dancing in the Dark"), 1940s ("Long Ago (and Far Away)"), 1950s ("An Affair to Remember (Our Love Affair)" and "Never Let Me Go") and 1960s ("Go Away Little Girl", "People", and "This Is All I Ask") as well as new songs from the composers of "Fly Me to the Moon" ("A Thousand Blue Bubbles"), "What Will Mary Say" ("One More Mountain"), and "It's the Most Wonderful Time of the Year" ("Love Is Everything").
David Eli Ruffin (born Davis Eli Ruffin, January 18, 1941 – June 1, 1991) was an American soul singer and musician most famous for his work as one of the lead singers of The Temptations (1964–68) during the group's "Classic Five" period as it was later known.
 He was the lead voice on such famous songs as "My Girl" and "Ain't Too Proud to Beg".
Tropical Fish is a short story collection by Ugandan author Doreen Baingana.
 It revolves around the lives of a family based in Entebbe Uganda.
 It follows Christine, Patti and Rosa the daughters of a relatively well off family whose father, a senior government official, becomes an alcoholic and loses everything starting with his job.
 Through it all the mother has to support her family on her own.
 It follows the lives of the three sisters.
 It touches religious influence in Africa, boarding school life in missionary schools, first love, superstition, inevitably AIDS, love across the colour with a sugar daddy syndrome, the sense of alienation that comes with migrating to another country (USA) and that of displacement after coming back home.
 Rosa, the eldest sister, was promiscuous, she died of AIDS.
 Patti the middle sister, turned into a born again Christian.
 And Christine the youngest went to Los Angeles, came back eight years later to pick up a job amidst the struggles of discovering her inner self.
"Time of Our Lives" is a song recorded by American rapper Pitbull and American R&B singer Ne-Yo for the former's eighth studio album "Globalization".
 It also appears on Ne-Yo's album, "Non-Fiction".
 It was released on November 17, 2014 as the third single from the album by RCA Records.
 It was produced by Dr. Luke, Cirkut, Michael "Freakin" Everett and Lifted.
 The song marks the second coming for Pitbull by Ne-Yo, following the smash-hit "Give Me Everything" (2011); co-producers Dr. Luke and Cirkut also mark their fourth joint production for Pitbull (after "Timber", "Wild Wild Love", and "We Are One (Ole Ola)") and third for Ne-Yo (after "She Knows" and T-Pain's "Turn All the Lights On").
 It became Pitbull's most successful single from "Globalization", reaching number 9 on the "Billboard" Hot 100.
 "Time of Our Lives" also went to number one on the US Rhythmic chart.
Let There Be Love is Joni James debut album, recorded in 1953 and released by MGM Records at the end of the year.
 It was released in a four-disc 10-inch 78-rpm record box, in both a two-disc 7-inch 45-rpm extended-play foldout album and a four-disc 45-rpm regular-play box and on a 10-inch 33⅓-rpm album.
 The serial number, 222, coincidentally included James's lucky number, "22," which appeared in many of her record serial numbers all over the world.
 The album is the first to present its songs as a book in music, opening with "Let There Be Love" and closing with "I'll Be Seeing You", with the songs telling a story start to finish.
 The memorable cover was done at M-G-M Pictures Studios in Culver City by artist Russ Gale.
 From the album a single of "Let There Be Love" and "You're Nearer" was shipped to radio stations.
 Then, by public demand, a single of "You're My Everything" and "You're Nearer" was released.
 This album offered Joni's second recording of "Let There Be Love," which had been released in an earlier version in 1952 as her first single on Sharp Records in Chicago, then going to M-G-M Records for further distribution.
 Both recordings were arranged and conducted by Lew Douglas.
 "Let There Be Love" went to the top of the album charts and was the sixth-best-selling album of 1953.
 In 1956 the album was reissued as a 12-inch L.P. and in three single EPs; there was no EP set including the entire album.
 For this release, four Joni James singles were added, but one of them had never been released.
 That was "I Need You Now," which was to have followed the hit "My Love, My Love" but was canceled when Eddie Fisher came out with a version recorded several weeks after Joni's.
 M-G-M had expected Joni's original version to go straight to #1.
 For the new album the first four songs and second four songs were switched to get "You're My Everything" in the outside groove of the L.P. to facilitate disc jockey play.
 So, for 50 years, the story the album tells has been garbled.
 In 1961 the album got new cover art, a new serial number (E3931), and an electronically simulated stereo release.
 Released again on compact disk with yet more bonus tracks, the album is in its fifth decade as a best seller.
 Joni James hopes for yet another release which will restore the original song order.
 Significantly, for her last M-G-M album, "Bossa Nova Style", Joni included new recordings of several songs from "Let There Be Love", including a new single of "You're Nearer."
 That album was arranged by Lew Douglas's protégé Chuck Sagle.
 This information comes from Wayne Brasler, longtime President of the Joni James International Fan Club and the writer of the album notes for all Joni James' CD releases.
Coming In for the Kill is the second and last album by British pop duo Climie Fisher, released in 1989.
 The album was less successful than its predecessor "Everything", peaking at #35 in the United Kingdom.
 The track "Facts of Love" would later be covered by Christian pop singer, Kim Boyce three years later.
"Chelsea Morning" is a song written and composed by Joni Mitchell and recorded for the singer's second album, "Clouds," which she released in 1969.
 Prior to it coming out on the Mitchell album, the song had been issued as a single by Judy Collins earlier in the year and as a track on the debut album by Fairport Convention in 1968.
 Jennifer Warnes recorded it for her debut album, "I Can See Everything," also in 1968, and, in 1969, this version was released as a single.
 The earliest commercial appearance of the song, however, was likely its interpretation by Dave Van Ronk on his 1967 album "Dave Van Ronk and the Hudson Dusters."