Question: The "Infernal Galop" was based on a text written in what language?

Context articles: MeCab
Sumihiri
Kikkuli
Target text
Arabization
Admonitions Scroll
Västgötalagen
Orpheus in the Underworld
Conversion of scripts
Can-can

MeCab is an open source text segmentation library for use with text written in the Japanese language originally developed by the Nara Institute of Science and Technology and currently maintained by Taku Kudou (工藤拓) as part of his work on the Google Japanese Input project.
 The name derives from the developer's favorite food, mekabu (和布蕪), a Japanese dish made from wakame leaves.
Sumihiri is a transliteration scheme that enables writing Sinhala language text using the English alphabet.
 A number of tools are available to convert text written using sumihiri to Sinhala script, if desired.
Kikkuli was the Hurrian "master horse trainer" ("assussanni", virtually Sanskrit "aśva-sana- ") of the land Mitanni" ("A-AŠ-ŠU-UŠ-ŠA-AN-NI ŠA" KUR "MI-IT-TA-AN-NI") and author of a chariot horse training text written in the Hittite language, dating to the Hittite New Kingdom (around 1400 BCE).
 The text is notable both for the information it provides about the development of Indo-European languages and for its content.
A Target Text (TT) is a translated text written in the intended Target Language, which is the result of a translation from a given Source Text.
 According to Jeremy Munday's definition of translation, "the process of translation between two different written languages involves the changing of an original written text (the source text or ST) in the original verbal language (the source language or SL) into a written text (the target text or TT) in a different verbal language (the target language or TL)".
 The terms 'source text' and 'target text' are preferred over 'original' and 'translation' because they do not have the same positive vs. negative value judgment.
Arabization or Arabisation (Arabic: تعريب‎ ‎ "taʻrīb ") describes either the conquest of a non-Arab area and growing Arab influence on non-Arab populations, causing their gradual adoption of the Arabic language and/or their incorporation of Arab culture and Arab identity.
 The religion of Islam and the associated Islamist (government and society ordered in accordance with laws prescribed by Islam) socio-political order, with their central Quran text written in Arabic language and tailored for Arab culture, had a central role in Arabization, which usually went hand in hand with Islamization of conquered lands.
 Generally, elements of Arabian origin were combined in various forms with elements from conquered civilizations and ultimately denominated "Arab".
 Arabization also continued in modern times, most prominently being enforced by the Arab nationalist regimes of Iraq, Syria, Sudan, Mauritania, Algeria and Libya with policies which include expanding colonial Arab settlements, expulsion of non-Arab minorities and enforcement of Arab identity and culture upon non-Arab populations, in particular by means of not permitting autochthonous mother tongues other than Arabic in education.
 The United Nations High Commissioner for Human Rights, citing local witnesses, also claims that the aggressive persecution of non-Arab minorities by the terror group Islamic State of Iraq and the Levant is forced Arabization.
The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (, "ca".
 345–"ca".
 406), but which modern scholarship regards as a 5th to 8th century work that may or may not be a copy of an original Jin Dynasty (265–420) court painting by Gu Kaizhi.
 The full title of the painting is Admonitions of the Court Instructress ().
 It was painted to illustrate a poetic text written in 292 by the poet-official Zhang Hua 張華 (232–300).
 The text itself was composed to reprimand Empress Jia 賈后 (257–300) and to provide advice to the women in the imperial court.
 The painting illustrates this text with scenes depicting anecdotes about exemplary behaviour of historical palace ladies, as well as with more general scenes showing aspects of life as a palace lady.
Västgötalagen (] ) or the Westrogothic law is the oldest Swedish text written in Latin script and the oldest of all Swedish provincial laws.
 It was compiled in the early 13th century, probably at least partly at the instigation of Eskil Magnusson and is known to have been the code of law used in the province of Västergötland (West Gothland) during the latter half of that century.
 The earliest complete text is dated 1281.
 Small fragments of an older text have been dated 1250.
Orphée aux enfers, whose title translates from the French as Orpheus in the Underworld, is an opéra bouffe (a form of operetta), or opéra féerie in its revised version.
 Its score was composed by Jacques Offenbach to a French text written by Ludovic Halévy and later revised by Hector-Jonathan Crémieux.
The conversion of scripts or writing is a procedure of replacing text written in one script or writing system with the characters of another script or system in order to make the text (e.g., proper names) legible for users of another language or script.
The can-can (or cancan as in the original French; ] ) is a high-energy, physically demanding dance which became a popular music hall dance in the 1840s, continuing in popularity in French cabaret to this day.
 Originally danced by both sexes, it is now traditionally associated with a chorus line of female dancers.
 The main features of the dance are the high kicks, splits and cartwheels.
 The "Infernal Galop" from Jacques Offenbach's "Orpheus in the Underworld" is the tune most associated with the can-can.