Question:  Holy Terror is the twelfth album by a group of poets whose name is based on a poem by who?

Context articles: The Twelfth Album
Florencia del Pinar
Clarinda (poet)
New Generation poets (1994)
Noel Derecki
Crepuscolari
The Last Poets
Metaphysical poets
Holy Terror (album)
La Pléiade

"The Twelfth Album" is an alternative history short story by Stephen Baxter, first published in "Interzone" in April 1998.
 It is about an imaginary twelfth album recorded by the Beatles, called "God".
 The album features songs that were written and recorded as solo projects by the group's members in reality, but in a parallel universe where the Beatles did not split up following the release of "Let It Be", resulting in these songs being recorded by the group.
 In the universe where it was recorded, the Earth was apparently destroyed by a hail of comets, which shocks the two middle-aged men who find the album in their deceased workmate's room on board the docked Titanic Hotel in Liverpool.
Florencia Pinar is one of the few Castilian female writers of the 15th century.
 She is known mostly for her mastery of figurative language.
 Little is known about the exact date and location of her birth, but it is assumed that Pinar was an educated member of the upper class.
 This much can be deduced from the fact that she was one of the few female poets whose works were included in the 15th century Spanish poetic songbook known as "Cancionero general".
 Her work must have been deemed exemplary at the time as the songbook was compiled with the intent to make the works of renowned poets more accessible to the public.
 She also composed her poems in the Castilian dialect which was characteristic of the educated upper class of her time.
 Only four of her works are known to have been published, two of which were later attributed to the “dama” (lady) or “Señora” Florencia Pinar.
 Both of these titles connote a certain elevated level of social status.
 There have also been a number of additional poems dating back to the 15th century that also denote a poet by the name of "Pinar."
 For the most part, many of these have been attributed to Florencia's brother Geronimo de Pinar - who was also a writer of many canciones.
 However, there is still some speculation about how many of them may have actually been written by Florencia Pinar herself.
 Pinar's poems are canciones - a popular 15th century - that usually discussed lighter themes.
Clarinda was the pen name used by an anonymous Peruvian poet, generally assumed to be a woman, who wrote in the early 17th Century.
 The only work attributed to her is the long poem "Discourse in Praise of Poetry" ("Discurso en loor de la poesía"), which was printed in Seville in 1608.
 She is one of very few female, Spanish-speaking colonial-period poets whose work has not been lost.
 Thus, she is often read in partnership with Mexico's Sor Juana Inés de la Cruz and fellow Peruvian "Amarilis", whose identity is also uncertain.
The New Generation poets is a list of 1994 British poets whose work was featured in a month-long nationwide festival, many of the writers going on to considerable popular success.
 The 20 poets were chosen by a panel of judges comprising Melvyn Bragg (non-voting chair), poets Michael Longley and Vicki Feaver, literary critic James Wood, Margaret Busby (publisher and author) and John Osborne (Professor of American Studies at Hull University and editor of the poetry magazine "Bête Noire").
Noel Christopher Derecki (born December 12, 1968) in New York City, NY, USA is former child actor whose work in television, film, and the stage was primarily during the 1980s and 1990s.
 Noel was featured as one of the gang in the film Billy Bathgate (1991) and as musician Tony Vandelo in Heartbreak Hotel (1988).
 He went on to work in commercials for Nickelodeon and Dannon Yogurt.
 He was featured as the indolent teenage son in the 1992 Promenade Theater stage production of "Holy Terror."
The Crepusculars (Italian: Poeti Crepuscolari "twilight poets") were a group of Italian poets whose work is notable for its use of musical and mood-conveying language and its general tone of despondency.
 The group's metaphorical name, coined by literary critic Giuseppe Antonio Borgese to refer to a condition of decline, describes a number of poets whose melancholic writings were a response to the modernization of the early 20th century.
The Last Poets is the name for several groups of poets and musicians who arose from the late 1960s African-American civil rights movement's black nationalist movement.
 The name is taken from a poem by the South African revolutionary poet Keorapetse Kgositsile, who believed he was in the last era of poetry before guns would take over.
 The original users of that name were the trio of Felipe Luciano, Gylan Kain, and David Nelson.
The term metaphysical poets was coined by the critic Samuel Johnson to describe a loose group of 17th-century English poets whose work was characterized by the inventive use of conceits, and by a greater emphasis on the spoken rather than lyrical quality of their verse.
 These poets were not formally affiliated and few were highly regarded until 20th century attention established their importance.
 Given the lack of coherence as a movement, and the diversity of style between poets, it has been suggested that calling them Baroque poets after their era might be more useful.
 Once the Metaphysical style was established, however, it was occasionally adopted by other and especially younger poets to fit appropriate circumstances.
Holy Terror is the twelfth album by rap/spoken word pioneers The Last Poets released in 1993.
 The album was financed and released by P-Vine Records in Japan and then released by Rykodisc Records in the United States and the United Kingdom later that same year, with a release in 2004 by Innerhythmic.
 The U.S. and UK releases featured one bonus track entitled "Black and Strong (Homesick)".
 The lead figures in the Last Poets at this time were Umar Bin Hassan and Abiodun Oyewole.
 The album was part of the Black Arc Series, launched by producer Bill Laswell in 1992.
La Pléiade (] ) is the name given to a group of 16th-century French Renaissance poets whose principal members were Pierre de Ronsard, Joachim du Bellay and Jean-Antoine de Baïf.
 The name was a reference to another literary group, the original Alexandrian Pleiad of seven Alexandrian poets and tragedians (3rd century B.C.), corresponding to the seven stars of the Pleiades star cluster.
 The name "Pléiade" was also adopted in 1323 by a group of fourteen poets (seven men and seven women) in Toulouse.