Question: Fun and Galt Aureus both make what kind of music?

Context articles: Galt Aureus
Melody Time
Fun (band)
Fun Pier
Kabarett
Matty Selman
Before Shane Went to Bangkok: Live in the USA
Aureation
City Fun
Make Your Own Kind of Music (song)

Galt Aureus (pronounced galt AWR-ee-uhs) is an American rock duo formed in 2005.
 The group consists of Saher Galt (vocals, keyboard) and his partner Susan Williams (vocals, guitar).
 As an independent band, they have risen to prominence through a popular YouTube channel and word of mouth rather than through mainstream channels (major label distribution and mass media).
Melody Time (working title All in Fun) is a 1948 American live-action animated film and the 10th theatrically released animated feature produced by Walt Disney.
 It was released to theatres by RKO Radio Pictures on May 27, 1948.
 Made up of several sequences set to popular music and folk music, the film is, like "Make Mine Music" before it, the popular music version of "Fantasia" (an ambitious film that proved to be a commercial disappointment upon its original theatrical release).
 "Melody Time", while not meeting the artistic accomplishments of "Fantasia", was mildly successful.
 It is the fifth Disney package film following "Saludos Amigos", "The Three Caballeros", "Make Mine Music", and "Fun and Fancy Free".
Fun (stylized as fun.)
 is an American pop rock band based in New York City.
 The band was formed by Nate Ruess (former lead singer of The Format), with Andrew Dost (of Anathallo), and Jack Antonoff (of Steel Train and Bleachers).
 Fun has released two albums: "Aim and Ignite" in August 2009 and "Some Nights" in February 2012.
Fun Pier opened up as the Wildwood Convention Hall Pier in 1924 by being leased out by Holly Beach Realty.
 In 1957 Holly Beach Realty ended there contract with the Wildwood Convention Hall Pier eventually rented the pier to Joe Barnes where he turned it into Fun Pier.
 When Barnes first started to rent the pier he had to destroy the entrance of the Wildwood Convention Hall to accommodate enough room to build some new rides.
 The end of the Wildwood Convention Hall which was an arcade and some shops was converted to a dark ride.
 Eventually by the mid 60's the building was torn down.
 The pier eventually got a Monorail, Ski Ride, Sky Tower and some other kiddie rides.
 In 1973 the Seascape ride way redeveloped into Castle Frankenstein.
 Later in 1975 the Devil's Inn was transformed into Lost World.
 On November 15, 1976 Joe Barnes sold the pier to the Howard's family.
 When he came some renovations came to the pier when he got rid of the classic monorail.
 In the 80's the pier added two water slides which would last until the final years of the pier.
 In 1984 there was a fire in the back of the pier (still unknown the cause) which burned Castle Frankenstein to the beach.
 Later that year on November 24, 1984 the Lost World was completely burned.
 This fire also destroyed the Crazy House, Jet 400, and the bumper cars.
 In 1984 Fun Pier removed the Sky Tower.
 The pole would remain on the pier until May 6, 2009.
 In the 1985 Season the two water slides were removed to make a difference on the pier.
 Later on that year Fun Pier would close down.
 In April 1, 1987 the pier was sold to Morey's Piers.
 During the 1987 season the Hanneford Family Circus rented the pier.
Kabarett is the German word for the French word "cabaret" but has two different meanings.
 The first meaning is the same as in English, describing a form of entertainment featuring comedy, song, dance, and theatre (often the word "cabaret" is used in German for this as well to distinguish this form).
 The latter describes a kind of political satire.
 Unlike comedians who make fun of all kind of things, Kabarett artists (German: "Kabarettisten" ) pride themselves as dedicated almost completely to political and social topics of more serious nature which they criticize using techniques like cynicism, sarcasm and irony.
Matty Selman is a playwright, lyricist and composer who makes his home in New York City.
 He first came into the national spotlight when he was hand-selected by Harvard's Robert Brustein to write the lyrics to an adaptation of Lysistrata with music by HAIR composer, Galt MacDermot.
 The resulting work starred Tony Award winner Cherry Jones and was presented by the American Repertory Theatre at Harvard and the Prince Theatre in Philadelphia.
 Both having lived on Staten Island, Selman and MacDermot continued their collaboration and wrote Goddess Wheel a further exploration of the Lysistrata tale, and The Tinderbox, based on the fairy tale by Hans Christian Andersen and set in war-torn Iraq.
 Prior to working with Galt MacDermot, Matty had collaborated with Agnes of God playwright, John Pielmeier on three musicals, Steeplechase the Funny Place, Young Rube, and Slow Dance with a Hot Pickup.
Before Shane Went to Bangkok: Live in the USA is the only live music EP by the band fun.
 It was recorded in 2013 during Fun's North American tour.
 The name of the EP refers to Fun's guitar tech and photographer Shane Timm.
 The EP was released December 17, 2013 as a digital download and also as a vinyl bundle including photographs taken during the tour, limited to 1,000 pressings, and was released primarily as a way of thanking the fans for attending the shows.
 Most notably, the EP contains a previously unreleased track called "What The Fuck" that was performed only in Fun's live sets.
Aureation ("to make golden", from Latin: "aureus" ) is a device in arts of rhetoric that involves the "gilding" (or supposed heightening) of diction in one language by the introduction of terms from another, typically a classical language considered to be more prestigious.
 It can be seen as analogous to gothic schools of ornamentation in carving, painting or ceremonial armoury.
 In terms of prosody it stands in direct contrast to plain language and its use is sometimes regarded, by current standards of literary taste, as overblown and exaggerated.
 But aureated expression does not necessarily mean loss of precision or authenticity in poetry when handled by good practitioners.
 In the British Isles, aureation has often been most associated with Scottish renaissance makars, especially William Dunbar or Gavin Douglas, who commonly drew on the rhetoric and diction of classical antiquity in their work.
City Fun was a magazine/fanzine documenting the music scene in Manchester, England between 1977 and 1984 and sold up to 2000 copies per issue via gigs, music stores, and selected news agents across Manchester, Liverpool, Sheffield and Leeds.
 The magazine was started by Andy Waide (Zero), Neil Hargreaves, Martin Heywood (X) and 'JC'.
 On the day it was decided to write & publish the first issue Andy Waide adopted the name Andy Zero and Martin Heywood became Martin X.
 The first edition was dedicated to The Distractions, and City Fun went on to document and inform the music scene in Manchester in the late 70's and early 80s.
 No one else at the time was writing about what was happening as it happened, and when others did write about Manchester music and culture it was from the outside not the inside.
 City Fun invited its readers to contribute articles and reviews and to tell people what was going on, or what they felt about life at the time.
"Make Your Own Kind of Music" is a pop song written by Barry Mann and Cynthia Weil, first recorded in 1968 by the New York City-based trio the Will-O-Bees (Janet Blossom, Steven Porter, and Robert Merchanthouse), who regularly performed Mann/Weil compositions.
 After Cass Elliot had a hit in the summer of 1969 with Mann/Weil's "It's Getting Better", she recorded "Make Your Own Kind of Music" as the follow-up single, and her album "Bubblegum, Lemonade, and... Something for Mama" was re-released as "Make Your Own Kind Of Music/It's Getting Better," the title cut having been added to the original track listing.
 However, Elliot's "Make Your Own Kind of Music" single only just reached the Top 40 at #36.
 The similar chart impact of the follow-up single, another Mann/Weil composition entitled "New World Coming," which reached #42, signaled Elliot's challenges in maintaining a profile as a current hitmaker, as the 1960s turned into the 1970s.
 The Cass Elliot track is in the key of E major.