Question: Are Lemmy and John S. Hall both poets?

Context articles: New Poets of England and America
New Generation poets (1994)
Lê Xuân Nhuận
John Matthias
Lemmy
The Poets' Encyclopedia
Concord Poetry Center
The Vehicule Poets
John S. Hall
Oxford Book of Modern Verse 1892–1935

New Poets of England and America was a poetry anthology edited by Donald Hall, Robert Pack and Louis Simpson, and published in 1957 by Meridian Books.
 In the post-war story about relations between American and British poetry, it represents the moment of closest "rapprochement", actual or intended.
 The Introduction by Robert Frost is oblique on the topic.
 The inclusion of a number of British "Movement" poets, as well as others, implies some kind of search for matching figures amongst the Americans.
 Poets had to be under forty years old to be included.
The New Generation poets is a list of 1994 British poets whose work was featured in a month-long nationwide festival, many of the writers going on to considerable popular success.
 The 20 poets were chosen by a panel of judges comprising Melvyn Bragg (non-voting chair), poets Michael Longley and Vicki Feaver, literary critic James Wood, Margaret Busby (publisher and author) and John Osborne (Professor of American Studies at Hull University and editor of the poetry magazine "Bête Noire").
Lê Xuân Nhuận (Westernised arrangement: Nhuan Xuan Le or Nhuan X. Le or Nhuan Le), born on January 2, 1930 in Huế (Vietnam), is a Vietnamese-American poet/writer.
 He has been an honored participant in "Who’s Who in New Poets", inducted as a member of the "Poets’ Guild", certified a "famous poet" and elected by The International Society of Poets into the International Poetry Hall of Fame under the pen name "Thanh-Thanh" (listed in "Academic Dictionaries and Encyclopedias").
John Matthias is an American poet.
 He was born in Columbus, Ohio, in 1941.
 Matthias attended the Ohio State University and Stanford University.
 While still in high school, he studied with John Berryman at a summer writing conference at the University of Utah in 1959 and kept in touch with Berryman for the rest of the latter's life.
 While in graduate school at Stanford he studied under the poet and critic Yvor Winters but did not conform to Winters' stringent anti-modernist position.
 In fact, Matthias became deeply interested in modernism, especially British modernism, which he came to know well during many years of residence in England, editing the anthology "23 Modern British Poets" in 1970, a groundbreaking personal intervention.
 His peers at Stanford included two future poets laureate of the United States, Robert Hass and Robert Pinsky, as well as the poets Ken Fields, James McMichael, and John Peck.
 When he left Stanford in 1966, he spent a year in London as a Fulbright Scholar where he met Diana Adams, and married her a year later.
 Diana's distinguished family includes several artists and writers, including her brother-in-law Wayland Young (Lord Kennet), the sculptor Emily Young, and the novelist Louisa Young.
 Many of Matthias’s poems deal with this family.
 In 1976 Matthias became a Visiting Fellow of Clare Hall, Cambridge, and has since 1977 been a Life Member.
 Although his main academic job has been at the University of Notre Dame, he has spent much of his professional life in Britain, where he did major scholarly work on the Anglo-Welsh poet and painter David Jones, editing both the poetry and essays on Jones’ work for Faber and Faber, the National Poetry Foundation, and University of Wales Press.
Ian Fraser Kilmister (24 December 1945 – 28 December 2015), better known as Lemmy, was a British musician, singer, and songwriter who founded and fronted the rock band Motörhead.
 His music was one of the foundations of the heavy metal genre.
 He was known for his appearance (including his friendly mutton chops), his distinctive gravelly, "rasp[y]" singing voice, which "...was one of the most recognisable voices in rock", and his way of singing, looking up towards "...a towering microphone tilted down into his weather-beaten face".
 He was also known for his unmistakable bass playing style, in which he used his Rickenbacker bass to create an "overpowered, distorted rhythmic rumble".
 Another unique aspect of Lemmy's bass sound is that he often played power chords using a growling overdriven Marshall tube bass stacks.
 Alongside his music career, he also had many minor roles and cameos in film and television.
The Poets' Encyclopedia is an English-language poetical anthology, covering the literary, art and music worlds of New York City in the 1970s.
 225 poets, artists, musicians and novelists transform the world's basic knowledge.
 Imagination trumps fact.
 John Cage writes on mushrooms, Richard Kostelanetz on gimmicks, Jackie Curtis on B-Girls, Pier Paolo Pasolini on reality, Daniel Berrigan on Israel, Allen Ginsberg on junk mail, Irene Dogmatic on junk food, John Chamberlain on junk sculpture, and William S. Burroughs on heroin.
 "The New York Times" said, it "includes Everything (page 82) and Nothing (page 196)."
 Unmuzzled OX, the publisher of "The Poets' Encyclopedia", attempted as a kind of sequel "The Poets' Guide to Canada".
 ("Unmuzzled OX" is edited in the summers from Kingston, Ontario.)
 Although George Bowering, Margaret Atwood, Sonja Skarstedt and other prominent Canadian poets wrote articles, the issue devolved into a jokey conversation between New Yorkers, pseudonymous New Yorkers, and the surrealist poet Russell Edson.
The Concord Poetry Center is a non-profit organization founded in March, 2004, by poet and critic Joan Houlihan.
 Located at the Emerson Umbrella Center for the Arts, in Concord, Massachusetts, the Concord Poetry Center was established as an independent (non-university affiliated) organization in MetroWest and the Greater Boston area with an exclusive emphasis on activities and services for poets and lovers of poetry.
 Members have use of a library of journals, access to the poetry room, discount for classes, membership in an online discussion list, and participation in member readings.
 The center holds lectures, tributes, panel discussions and public readings by some of the most renowned poets of our time, including former and current Poet Laureate Robert Pinsky, current Poet Laureate Donald Hall, and Pulitzer Prize winner Franz Wright as well as many area poets.
 The center's programs and activities take place in the fall and spring and include workshops, seminars, online courses, and community-based readings.
The Vehicule Poets was a collective formed in Montreal in the 1970s by poets Endre Farkas, Artie Gold, Tom Konyves, Claudia Lapp, John McAuley, Stephen Morrissey and Ken Norris, who shared an interest in experimental American poetry and European avant-garde literature and art.
 While they were each distinct in their own writing, and published books as individuals, they were collectively involved in organizing readings, art events, and in controlling their own means of literary production through the development of a variety of periodicals and collective publishing ventures.
 In 1979, John McAuley’s Maker Press published a collective anthology, "The Vehicule Poets".
 Six of the original Vehicule poets are still active as poets, artists and teachers.
 Artie Gold died on Valentine's Day, 2007.
John S. Hall (born John Charles Hall September 2, 1960) is an American poet, author, singer and lawyer perhaps best known for his work with King Missile, an avant-garde band that he co-founded in 1986 and has since led in various incarnations.
The Oxford Book of Modern Verse 1892–1935 was a poetry anthology edited by W. B. Yeats, and published in 1936 by Oxford University Press.
 A long and interesting introductory essay starts from the proposition that the poets included should be all the 'good' ones (implicitly the field is Anglo-Irish poetry, though notably a few Indian poets are there) active since Tennyson's death.
 In fact the poets chosen by Yeats are notable as an idiosyncratic selection to represent "modern verse".
 The Victorians are much represented, while the war poets from World War I are not.
 The modernist tendency does not predominate, though it is not ignored; Georgian Poetry is covered quite thoroughly, while a Dublin wit like Oliver St. John Gogarty is given much space and praised in the introduction as a great poet.