Question: The Libertines were part of what genre of alternative rock and indie rock developed in the late 1990s and early 2000s?

Context articles: The Libertines
Post-punk revival
The Cribs
Post-Britpop
Indie rock
List of post-punk revival bands
List of avant-garde metal artists
Noise pop
Matthew Good Band
List of rock genres

The Libertines are an English rock band, formed in London in 1997 by frontmen Carl Barât (vocals/guitar) and Pete Doherty (vocals/guitar).
 The band, centred on the songwriting partnership of Barât and Doherty, has also included John Hassall (bass) and Gary Powell (drums) for most of its recording career.
 The band was part of the garage rock revival and spearheaded the movement in the UK.
Post-punk revival (also known as "new wave revival", "garage rock revival" or "new rock revolution") is a genre of alternative rock and indie rock that developed in the late 1990s and early 2000s, inspired by the original sounds and aesthetics of garage rock of the 1960s and new wave and post-punk of the 1980s.
 Bands that broke through to the mainstream from local scenes across the world in the early 2000s included the Strokes, Interpol, the White Stripes, the Hives and the Vines who were followed to commercial success by many established and new acts.
 By the end of the decade, most of the bands had broken up, moved on to other projects or were on hiatus, although some bands returned to recording and touring in the 2010s.
The Cribs are an English indie rock band originally from Wakefield, West Yorkshire.
 The band consists of twins Gary and Ryan Jarman and their younger brother Ross Jarman.
 They were subsequently joined by ex-The Smiths and Modest Mouse guitarist Johnny Marr who was made a formal member of the group in 2008.
 Marr would remain as part of the band until 2011; his departure was officially announced on 11 April through the band's website.
 The band, who first became active on the concert circuit in 2002, were initially tied to other like-minded UK bands of that time, most notably The Libertines, by a British music press that were looking for a 'British rearguard' to the wave of popular US alternative rock bands of the time.
 They had outgrown this tag by the time of the commercial success of their third LP.
 In 2008, "Q" magazine described the band as "The biggest cult band in the UK".
Post-Britpop is an alternative rock subgenre and is the period following Britpop in the late 1990s and early 2000s, when the media were identifying a "new generation" or "second wave" of guitar bands influenced by acts like Pulp, Oasis and Blur, but with less overtly British concerns in their lyrics and making more use of American rock and indie influences, as well as experimental music.
 Bands in the post-Britpop era that had been established acts, but gained greater prominence after the decline of Britpop, such as Radiohead and The Verve, and new acts such as Travis, Stereophonics, Feeder and particularly Coldplay, achieved much wider international success than most of the Britpop groups that had preceded them, and were some of the most commercially successful acts of the late 1990s and early 2000s.
Indie rock is a genre of alternative rock that originated in the United States and the United Kingdom in the 1980s.
 Originally "Indie" meant independent record labels and the music they produced.
 "Indie" was often used interchangeably with "alternative" rock.
 As grunge and punk revival bands in the US, and then Britpop bands in the UK, broke into the mainstream in the 1990s, indie identified those acts that retained an outsider and underground perspective.
 In the 2000s, as a result of changes in the music industry and the growing importance of the Internet, some indie rock acts began to enjoy commercial success, leading to questions about its meaningfulness as a term.
Post-punk revival is a type of indie rock that emulates the sound of post-punk bands of the late 1970s and new wave bands of the early 1980s and has been stylistically tied to 1990s music movements such as shoegazing, Britpop, garage revival and post-hardcore.
 They feature a more artsy, complex sound than other branches of indie rock, and often add synthesizer or other electronic sounds to the traditional guitar, bass and drums lineup.
 Post-punk revivalism started in England in the early 2000s and, while it is still strongest there, has grown in popularity in the US, Australia and Canada.
 Post-punk revivalism is prevalent in the London and New York City music scenes.
This is a list of avant-garde metal artists, regional scenes, and record labels.
 Avant-garde metal or avant-metal, also known as experimental metal, is a subgenre of heavy metal music loosely defined by use of experimentation and characterized by the use of innovative, avant-garde elements, large-scale experimentation, and the use of non-standard and unconventional sounds, instruments, song structures, playing styles, and vocal techniques.
 It evolved out of progressive rock and various forms of metal, including extreme metal, particularly the extreme subgenre death metal.
 Some early examples are the King Crimson releases "Larks' Tongues in Aspic" and "Red" in 1973 and 1974 respectively, and the 1976 Led Zeppelin album "Presence".
 The genre emerged in the early 1980s through the efforts of bands such as Celtic Frost and Voivod, who pioneered the genre.
 Other pioneers of avant-garde metal include Boris, Earth, Helmet, maudlin of the Well, Neurosis, Sunn O))), and Mr. Bungle.
 In the late 1990s, Misanthropy Records emerged as a promoter of Norwegian avant-garde metal until it folded in 2000, and, according to Jeff Wagner, in the late 1990s and early 2000s, a so-called "new wave of avant-garde metal" was spearheaded by The End Records.
 Some other record labels which promote avant-garde metal are Aurora Borealis, The Flenser, Holy Records, Hydra Head Records, Ipecac Recordings, Napalm Records, the Relapse Entertainment imprint of Relapse Records, Seventh Rule Recordings, and Southern Lord Records.
 In the United States, local avant-garde metal scenes have emerged in the San Francisco Bay Area, with bands such as Giant Squid, Grayceon, and Ludicra, Boston, with bands such as Isis, Kayo Dot, and maudlin of the Well and Seattle.
 According to the "New York Times", some regional scenes that developed in the mid-1990s included the cities of Tokyo, Los Angeles, and Oslo.
Noise pop is a subgenre of alternative/indie rock developed in the mid-1980s in the UK and US that mixes dissonant noise or feedback with the songcraft more often found in pop music.
Matthew Good Band was a Canadian alternative rock band formed by Matthew Good that existed from 1995 to 2002.
 The band consisted of Good (vocals, guitar), Dave Genn (lead guitar/keyboard), Ian Browne (drums) and Geoff Lloyd (bass) from 1995 to 1999 (replaced by Rich Priske from 1999 to 2001).
 The band would become one of Canada's most successful rock bands of the late 1990s and early 2000s, being nominated for 14 Juno Awards and winning the awards for "Best Group" and "Best Rock Album" ("Beautiful Midnight") in 2000.
 The band dissolved in 2002.
 Good has since pursued a successful solo career, while Genn joined the Canadian rock group 54-40 in 2005.
 Geoff Lloyd died in January 2010.
This is a list of rock music genres consisting of subgenres of popular music that have roots in 1940s' and 1950s' rock and roll, and which developed into a distinct identity as rock music in the 1960s, particularly in the United Kingdom and the United States.
 By the late 1960s, a number of identifiable rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, and jazz-rock fusion, many of which contributed to the development of psychedelic rock influenced by the counter-cultural psychedelic scene.
 New genres that emerged from this scene included progressive rock, which extended the artistic elements; glam rock, which highlighted showmanship and visual style; and the diverse and enduring major subgenre of heavy metal, which emphasized volume, power, and speed.
 In the second half of the 1970s, punk rock both intensified and reacted against some of these trends to produce a raw, energetic form of music characterized by overt political and social critiques.
 Punk was an influence into the 1980s on the subsequent development of other subgenres, including new wave, post-punk and eventually the alternative rock movement.
 From the 1990s alternative rock began to dominate rock music and break through into the mainstream in the form of grunge, Britpop, and indie rock.
 Further fusion subgenres have since emerged as well as conscious attempts to revisit rock's history.