Question: What daughter of Catherine of Guise was also an aristocratic client of Monsieur Champagne?

Context articles: Catherine Henriette de Bourbon
Blanche of Navarre, Duchess of Brittany
Joan II of Navarre
Henriette Catherine de Joyeuse
Marie Louise Gonzaga
Champagne (coiffeur)
Adela of Champagne
Marie de Lorraine, Duchess of Guise
History of ballet
Reginald Herbert, 15th Earl of Pembroke

Catherine Henriette de Bourbon (11 November 1596 – 20 June 1663) was an illegitimate daughter of King Henry IV of France and his long-term "maîtresse en titre" Gabrielle d'Estrées.
 She was declared legitimate on 17 November 1596 at the Abbey of St. Ouen in Rouen and married into the Princely House of Guise.
Blanche of Navarre (1226 – 12 August 1283), also known as Blanche of Champagne, was the daughter of Theobald the Troubador, King of Navarre and Count of Champagne, and his second wife Agnes of Beaujeu.
 She was a member of the House of Champagne.
 By her marriage to John I, Duke of Brittany she became Duchess consort of Brittany.
Joan II (French: "Jeanne" ; 28 January 1312 – 6 October 1349) was Queen of Navarre from 1328 until her death.
 She was the only surviving child of Louis X of France, King of France and Navarre, and Margaret of Burgundy.
 Joan's paternity was dubious because her mother was involved in a scandal, but Louis X declared her his legitimate daughter before he died in 1316.
 However, the French lords were opposed to the idea of a female monarch and elected Louis X's brother, Philip V, king.
 The Navarrese noblemen also did homage to Philip.
 Joan's maternal grandmother, Agnes of France, Duchess of Burgundy, and uncle, Odo IV of Burgundy, made attempts to secure the counties of Champagne and Brie (which had been the patrimony of Louis X's mother, Joan I of Navarre) to Joan, but the French royal troops defeated her supporters.
 After Philip V married his daughter to Odo and granted him two counties as her dowry, Odo renounced Joan's claim to Champagne and Brie in exchange for a compensation in March 1318.
 Joan married Philip of Évreux, who was also a member of the French royal family.
Henriette Catherine de Joyeuse (8 January 1585 – 25 February 1656) was the daughter of Henri de Joyeuse and Catherine de Nogaret.
 She married her first husband, Henri de Bourbon, Duke of Montpensier, on 15 May 1597 and her second husband, Charles, Duke of Guise, on 6 January 1611.
Marie Louise Gonzaga (Polish: "Ludwika Maria" ; 18 August 1611 – 10 May 1667) was a French princess, noblewoman, the wife of two Polish kings and Grand Dukes of Lithuania, Władysław IV Vasa and John II Casimir, and as such queen of Poland and Grand Duchess of Lithuania.
 She was born in Nevers to Charles I, Duke of Mantua, and Catherine of Guise.
Monsieur Champagne was the first celebrity "coiffeur" for whom the term was first coined in France in 1663, shortly after his death.
 His aristocratic clients included Princess Marie de Gonzague.
 He was the title character in the comedy "Champagne le coiffeur" which was staged at the Théâtre du Marais.
Adela of Champagne (French: "Adèle" ; c. 1140 – 4 June 1206), also known as Adelaide and Alix, was Queen of France as the third wife of Louis VII.
 She was the daughter of Theobald II, Count of Champagne, and Matilda of Carinthia, and was named after her grandmother, Adela of Normandy.
Marie de Lorraine (15 August 1615 – 3 March 1688) was the daughter of Charles de Lorraine, Duke of Guise and Henriette Catherine de Joyeuse and the last member of the House of Guise, a branch of the House of Lorraine.
Ballet is a formalized form of dance with its origins in the Italian Renaissance courts of the 15th and 16th centuries.
 Ballet spread from Italy to France with the help of Catherine de' Medici, where ballet developed even further under her aristocratic influence.
 An early example of Catherine's development of ballet is through 'Le Paradis d' Amour', a piece of work presented at her daughter's wedding, Marguerite de Valois to Henry of Navarre.
 Aristocratic money was responsible for the initial stages of development in 'court ballet', as it was royal money that dictated the ideas, literature and music used in ballets that were created to primarily entertain the aristocrats of the time.
 The first formal 'court ballet' ever recognized was staged in 1573, 'Ballet des Polonais'.
 In true form of royal entertainment, 'Ballet des Polonais' was commissioned by Catherine de' Medici to honor the Polish ambassadors who were visiting Paris upon the accession of Henry of Anjou to the throne of Poland.
 In 1581, Catherine de' Medici commissioned another court ballet, "Ballet Comique de la Reine", however it was her compatriot, Balthasar de Beaujoyeulx, who organized the ballet.
 Catherine de' Medici and Balthasar de Beaujoyeulx were responsible for presenting the first court ballet ever to apply the principles of Baif's Academie, by integrating poetry, dance, music and set design to convey a unified dramatic storyline.
 Moreover, the early organization and development of 'court ballet' was funded by, influenced by and produced by the aristocrats of the time, fulfilling both their personal entertainment and political propaganda needs.
Reginald Herbert, 15th Earl of Pembroke and 12th Earl of Montgomery (8 September 1880 – 13 January 1960) was a British peer.
 His parents were Sidney Herbert, 14th Earl of Pembroke and Beatrix Louisa Lambton, daughter of George Lambton, 2nd Earl of Durham.
 He descends from a Russian aristocratic family, the Woronzows, through the marriage of Catherine Woronzow to George Augustus Herbert, 11th Earl of Pembroke.