Question: Are G. K. Chesterton and Lavinia Greenlaw both English poets?

Context articles: G. K. Chesterton
The Chesterton Review
Metaphysical poets
G. K.'s Weekly
Cavalier poet
Lavinia Greenlaw
Father Brown
Orthodoxy (book)
UEA Creative Writing Course
Ian Boyd (academic)

Gilbert Keith Chesterton, KC*SG (29 May 1874 – 14 June 1936), better known as G. K. Chesterton, was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic.
 Chesterton is often referred to as the "prince of paradox". "
Time" magazine has observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out."
The Chesterton Review is the peer-reviewed academic journal of the G.K. Chesterton Institute for Faith & Culture (Seton Hall University).
 It was established in 1974 to promote an interest in all aspects of G. K. Chesterton's life, work, art, and ideas, including his Christian apologetics.
 The journal includes essays and articles written by Chesterton, and occasionally publishes special issues on particular topics.
 It also publishes special editions in Spanish, Portuguese, French, and Italian.
 The editor-in-chief is Ian Boyd.
 The journal is available in both print and electronic formats from the Philosophy Documentation Center.
The term metaphysical poets was coined by the critic Samuel Johnson to describe a loose group of 17th-century English poets whose work was characterized by the inventive use of conceits, and by a greater emphasis on the spoken rather than lyrical quality of their verse.
 These poets were not formally affiliated and few were highly regarded until 20th century attention established their importance.
 Given the lack of coherence as a movement, and the diversity of style between poets, it has been suggested that calling them Baroque poets after their era might be more useful.
 Once the Metaphysical style was established, however, it was occasionally adopted by other and especially younger poets to fit appropriate circumstances.
G. K.'s Weekly was a British publication founded in 1925 (with its pilot edition surfacing in late 1924) by seminal writer G. K. Chesterton, continuing until his death in 1936.
 Its articles typically discussed topical cultural, political, and socio-economic issues yet the publication also ran poems, cartoons, and other such material that piqued Chesterton's interest.
 It contained much of his journalistic work done in the latter part of his life, and extracts from it were published as the book "The Outline of Sanity".
 Precursor publications existed by the names of The Eye-Witness and The New Witness, the former being a weekly newspaper started by Hilaire Belloc in 1911, the latter Belloc took over from Cecil Chesterton, Gilbert's brother, who died in World War I: and a revamped version of "G. K.'s Weekly" continued some years after Chesterton's death by the name of The Weekly Review.
The cavalier poets was a school of English poets of the 17th century, that came from the classes that supported King Charles I during the English Civil War.
 Charles, a connoisseur of the fine arts, supported poets who created the art he craved.
 These poets in turn grouped themselves with the King and his service, thus becoming Cavalier Poets.
Lavinia Greenlaw (born 30 July 1962) is an English poet and novelist.
 Her most recent work is "A Double Sorrow: A Version of Troilus and Criseyde", which was shortlisted for the Costa Poetry Award in 2014.
Father Brown is a fictional Roman Catholic priest and amateur detective who is featured in 53 short stories published between 1910 and 1936 written by English novelist G. K. Chesterton.
 Father Brown solves mysteries and crimes using his intuition and keen understanding of human nature.
 Chesterton loosely based him on the Rt Rev. John Monsignor O'Connor (1870–1952), a parish priest in Bradford, who was involved in Chesterton's conversion to Catholicism in 1922.
Orthodoxy (1908) is a book by G. K. Chesterton that has become a classic of Christian apologetics.
 Chesterton considered this book a companion to his other work, "Heretics", writing it expressly in response to G.S. Street's criticism of the earlier work, "that he was not going to bother about his theology until I had really stated mine".
 In the book's preface Chesterton states the purpose is to "attempt an explanation, not of whether the Christian faith can be believed, but of how he personally has come to believe it."
 In it, Chesterton presents an original view of Christian religion.
 He sees it as the answer to natural human needs, the "answer to a riddle" in his own words, and not simply as an arbitrary truth received from somewhere outside the boundaries of human experience.
The course is split into four strands: Prose, Creative Non-Fiction, Poetry and Scriptwriting (which is Skillset accredited).
 All four result in an M.A. qualification upon successful completion of the course.
 The Course Directors are currently Andrew Cowan, Kathryn Hughes, Lavinia Greenlaw and Val Taylor respectively.
 Course tutors include Amit Chaudhuri, Trezza Azzopardi, Giles Foden, Tobias Jones, James Lasdun, Jean McNeil, Margaret Atwood and George Szirtes.
Ian Boyd {'1': ", '2': ", '3': 'CSB', '4': "} is Distinguished Professor of Catholic Studies at Seton Hall University, founder and editor of "The Chesterton Review", and president of the G.K. Chesterton Institute for Faith & Culture.
 A renowned scholar of G. K. Chesterton, he is the author of the book "The Novels of G.K. Chesterton".
 He was born and raised in Canada and completed his Master of Arts degree at the University of Toronto and Doctor of Philosophy degree at the University of Aberdeen, Scotland.
 For several years, he was a professor of English at St. Thomas More College at the University of Saskatchewan.
 Upon the invitation of then-President Robert Sheeran, he went to Seton Hall University to work more closely with Dermot Quinn, an editor of "The Chesterton Review".
 He has lectured extensively throughout the world on the sacramental themes and prophetic vision of Chesterton.