Question: Tomorrow will be Better was created under the inspiration of a single originally recorded by what supergroup?

Context articles: We Are the World
Winning (Russ Ballard song)
Party at the NSA
Tomorrow Will Be Better
The Reeling
If It Ain't Love (Let's Leave It Alone)
Learning to Breathe (Larry Stewart album)
We Are the World (disambiguation)
Talkin' to the Wall
Sweet Dream (Jethro Tull Song)

"We Are the World" is a song and charity single originally recorded by the supergroup United Support of Artists (USA) for Africa in 1985.
 It was written by Michael Jackson and Lionel Richie (with arrangements by Michael Omartian) and produced by Quincy Jones for the album "We Are the World".
 With sales in excess of 20 million copies, it is one of the fewer than 30 all-time physical singles to have sold at least 10 million copies worldwide.
"Winning" is a pop rock single originally written and recorded by Russ Ballard on his 1976 album of the same name.
 It was subsequently recorded by Latin rock band Santana for the 1981 album, "Zebop!
".
 The lead vocal on the Santana version was performed by Alex Ligertwood.
 It was the sixth track on the album and was released as the third single (backed with "Brightest Star") and as a promotional music video.
"Party at the NSA" is a protest song and charity single originally recorded by electropop music group Yacht released in August 15, 2013.
 It was written, recorded, and produced by Jona Bechtolt and Claire L. Evans.
 Inspired by the 2013 global surveillance disclosures, proceeds from the single benefit the international non-profit digital rights group Electronic Frontier Foundation.
Tomorrow will be Better (明天會更好) is a song written by Taiwanese songwriter Lo Ta-yu.
 It was created in 1985 under the inspiration of the single "We Are the World" to raise money for World Vision to help with aid to Africa.
"The Reeling" is a song by American electronic band Passion Pit.
 It was released on May 11, 2009 as the first single from the band's debut studio album, "Manners".
 The song features background vocals from the PS22 Chorus.
 Generally well received by music critics, the single entered the "Billboard" Alternative Songs chart in September 2009.
 In the United Kingdom, the single originally peaked at number 137, but was re-issued in January 2010, where it performed slightly better at number 99.
 With this improved showing, the record company then re-issued "Sleepyhead" in March 2010.
 The song was featured on soccer video game, "Pro Evolution Soccer 2011".
"If It Ain't Love (Let's Leave It Alone)" is a single originally recorded by American country music artist Connie Smith.
 Released in July 1972, the song reached #7 on the "Billboard" Hot Country Singles chart.
 The song was issued onto Smith's second studio album of 1972 entitled "If It Ain't Love and Other Great Dallas Frazier Songs".
 In addition, "If It Ain't Love (Let's Leave It Alone)" peaked at #14 on the Canadian "RPM" Country Tracks chart around the same time.
Learning to Breathe is the fourth album by the American country music singer Larry Stewart.
 The final solo album of his career, it was released in 1999 on Windham Hill Records.
 "Still in Love", the only single, failed to chart.
 "Summer in the City" is a cover of a single originally recorded by The Lovin' Spoonful.
 After the album's release, Stewart rejoined Restless Heart in 2003, and has been a member since.
"We Are the World" a 1985 song and charity single originally recorded by the supergroup USA for Africa.
"Talkin' to the Wall" is a single originally recorded by country singer Warner MacPherson (better known by his stage name Warner Mack).
 He co-wrote it with Bill Montague.
 It became a top ten hit for him when the song peaked at No. 3 in the Country Singles chart in 1966.
"Sweet Dream" is a song recorded by the English progressive rock band Jethro Tull.
 The song is a non-album single originally recorded during the sessions of their second album "Stand Up", but appeared as a bonus track with several other non-album songs on remastered versions of that album.
 The song appears on many of their compilation albums.
 In England, the single was the first release on Chrysalis Records.