Question: Who is the for the man that produced most of the fourth and final album released by Oran "Juice" Jones and ran Royal Studios in Memphis, Tennessee?

Context articles: Player's Call
Willie Mitchell (musician)
Live &amp; Deadly: Memphis–Chicago
Royal Studios
Landing on a Hundred
Lawrence &quot;Boo&quot; Mitchell
Continuum (John Mayer album)
Translinear Light
GTO: Gangsters Takin' Over
To Be Immortal

Player's Call is the fourth and final album released by Oran "Juice" Jones.
 It was originally released by Tommy Boy Records in the United Kingdom in 1997 and was supposed to be a comeback album for Jones after the failure of his previous two albums.
 However, after the lead single released, "Poppin' that Fly," did not find any success, compounded with the failure of the album in the UK, Tommy Boy shelved the album.
 On March 12, 2007, Tommy Boy finally released the album in the United States.
 Most of the album was produced by the legendary Willie Mitchell.
William Lawrence Mitchell (March 1, 1928 – January 5, 2010) was an American trumpeter, bandleader, soul, R&B, rock and roll, pop and funk record producer and arranger who ran Royal Studios in Memphis, Tennessee.
 He was best known for his Hi Records label of the 1970s, which released albums by a large stable of popular Memphis soul artists, including Mitchell himself, Al Green, O. V. Wright, Syl Johnson, Ann Peebles and Quiet Elegance.
Live & Deadly: Memphis–Chicago is a live album recorded by the Compulsive Gamblers.
 It is the fourth and final album issued by the band, released on April 15, 2003 by the independent record label Sympathy for the Record Industry.
 The album contains 16 tracks recorded during two May 2002 performances, one in Memphis, Tennessee, and the other in Chicago, Illinois.
 "Live & Deadly" was released just prior to the second, and so far final, time the Compulsive Gamblers disbanded.
 [] The album contains cover songs by the Bar-Kays, Tom Waits, and Nolan Strong & The Diablos.
 The song "Sour and Vicious Man" was in turn covered by The Reatards on their third album, "Not Fucked Enough."
Royal Studios is a recording studio located in Memphis, Tennessee, United States.
 Established in 1956, it is one of the oldest continuously operated music recording studios in the world.
Landing On A Hundred is the third studio album by R&B artist Cody Chesnutt.
 It was released in October 2012 under Vibration Vineyard and One Little Indian Records.
 The album was recorded at Royal Studios in Memphis, Tennessee and SuPow Studios in Cologne, Germany
Lawrence "Boo" Mitchell is an American musician, songwriter, audio engineer, record producer and owner of Royal Studios in Memphis, Tennessee.
 He is best known for his work with Al Green, Solomon Burke, Anthony Hamilton, Rod Stewart, John Mayer, 8 Ball, Lamont Dozier, William Bell and Cody Chesnutt.
Continuum is the third studio album by American musician John Mayer, released September 12, 2006 on Columbia Records.
 Recording sessions for the album took place during November 2005 to September 2006 at The Village Recorder in Los Angeles, California, Avatar Studios and Right Track/Sound on Sound in New York City, and Royal Studios in Memphis, Tennessee.
 Production was handled primarily by Mayer and Steve Jordan.
 It marked a change in Mayer's musical style, and incorporated musical elements of blues and soul more heavily than in his previous work with pop-rock.
Translinear Light is the last studio album released by Alice Coltrane on Impulse Records in September, 2004.
 Produced by her son, Ravi Coltrane, who also played, it is the final album of Ms. Coltrane's career.
 Her third son with her deceased husband John Coltrane, Oran, also plays on the record.
 In addition to original compositions by Coltrane, it includes two compositions by John Coltrane and four covers of traditional works.
GTO: Gangsters Takin' Over is the second album released by Oran "Juice" Jones.
 It was released in 1987 through Def Jam Recordings and was produced entirely by Russell Simmons and Vincent Bell.
 "GTO" failed to find the same success as his previous album, only making it to 36 on the Top R&B/Hip-Hop Albums chart, and the album's only charting single, "Cold Spendin' My Money" wasn't much of a success either, only making it to 41 on the Hot R&B/Hip-Hop Singles & Tracks.
To Be Immortal is the third album released by Oran "Juice" Jones.
 It was released in 1989 through Def Jam Recordings and was his final album with the label.
 The album proved be an even bigger commercial failure than his previous album, not making it to any Billboard charts.
 Jones left the music business shortly after to tend to personal and family business.