Question: What is the nationality of the person who wrote an arrangement for "The Dodger Song" as part of "Old American Songs"?

Context articles: Aaron Copland
Musical selections in The Wizard of Oz
Psycho Circus World Tour
Philip R. Goodwin
The Dodger Song
The Yankee Doodle Boy
Old American Songs
The Boatman's Dance
Robert Winslow Gordon
Ching a Ring Chaw

Aaron Copland ( ; November 14, 1900December 2, 1990) was an American composer, composition teacher, writer, and later a conductor of his own and other American music.
 Copland was referred to by his peers and critics as "the Dean of American Composers."
 The open, slowly changing harmonies in much of his music are typical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit.
 He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which the composer labeled his "vernacular" style.
 Works in this vein include the ballets "Appalachian Spring", "Billy the Kid" and "Rodeo", his "Fanfare for the Common Man" and Third Symphony.
 In addition to his ballets and orchestral works, he produced music in many other genres including chamber music, vocal works, opera and film scores.
The songs from the 1939 musical fantasy film "The Wizard of Oz" have taken their place among the most famous and instantly recognizable American songs of all time, and the film's principal song, "Over the Rainbow", is perhaps the most famous song ever written for a film.
 Music and lyrics were by Harold Arlen and E.Y. "Yip" Harburg, who won an Academy Award for Best Song for "Over the Rainbow".
Psycho Circus World Tour was a Kiss concert tour in 1998–2000.
 It was the first concert tour in history to have 3-D visual effects.
 The Smashing Pumpkins opened at the Dodger Stadium show only, in costume as The Beatles for the Halloween night performance.
 The Dodger Stadium show was streamed live on the internet as well as a radio broadcast.
 Two songs, "Psycho Circus" and "Shout It Out Loud", were screened live on Fox television as part of the "Kiss Live: The Ultimate Halloween Party" special.
 The vast majority of songs in the setlist were played on the previous Alive/Worldwide concert dates, leading to some frustration from fans expecting the return of classic songs not played on the previous tour.
 Peter Criss was quoted in Metal Edge magazine at the time as wanting to add "Parasite" to the setlist.
 The tour was initially hyped as having circus-style acts as pre-show entertainment.
 This ultimately happened only at the first concert at Dodger Stadium.
 Peter Criss later said that it didn't work out because the circus performers wanted equal billing and that some had even wanted to use KISS' backstage dressing room.
 "2,000 Man" was played to bring in the new Millennium at the 1999/2000 New Year's Eve show at Vancouver, advertised at the time as being recorded for Alive IV.
 The Vancouver show was also notable as being the first time the original members had played non-original band era material live in concert – "I Love It Loud", "Lick It Up" and "Heaven's on Fire" were added to the setlist and subsequently played on the Farewell Tour.
 "Forever" was listed on concert setlists at the Vancouver show but was not played.
 It was thought at the time it may have been intended as a Paul Stanley solo version prior to "Black Diamond".
 One notable show on the tour was the March 12 Bremen, Germany, show.
 After the opening song, Paul Stanley announced that the local fire marshall had banned Kiss from using any pyrotechnics during the show.
 They used a translator on stage to let the crowd understand exactly what Stanley was saying.
 At the end of the performance, the band ignited all of the pyrotechnics at once; as a result, they were banned from performing in Bremen.
 Ticket sales for this tour were notably slower than the previous Reunion Tour, with many of the smaller market shows underselling and a second North American leg for the summer of 1999 cancelled all together, the band ultimatly decided on embarking on a Farewell tour in the new millennium.
Philip R. Goodwin (September 16, 1881 – December 14, 1935) was an American painter and illustrator who specialized in depictions of wildlife, the outdoors, fishing, hunting and the Old American West.
 He provided illustrations for numerous books and magazines, as well as for commercial items, such as posters, advertisements and calendars.
 He is perhaps best known for illustrating Jack London's "The Call of the Wild" and for providing the cover art for many issues of Outdoor Recreation / Outdoor Life Magazine during the 1920s and early 1930s.
 He is also the artist who designed the Horse & Rider Trademark of the Winchester Repeating Arms Company.
 Goodwin was a very private person and did not seek publicity, so not much was known about his private life during his lifetime.
 Most of what is known comes from letters held at the Buffalo Bill Historical Center.
"The Dodger Song" is a 19th-century American folk song.
 Aaron Copland wrote an arrangement for it as part of "Old American Songs", a collection of arrangements of folk songs.
"The Yankee Doodle Boy", also well known as "(I'm a) Yankee Doodle Dandy" is a patriotic song from the Broadway musical "Little Johnny Jones" written by George M. Cohan.
 The play opened at the Liberty Theater on November 7, 1904.
 The play concerns the trials and tribulations of a fictional American jockey, Johnny Jones (based on the real life jockey Tod Sloan), who rides a horse named "Yankee Doodle" in the English Derby.
 Cohan incorporates snippets of several popular traditional American songs into his lyrics of this song, as he often did with his songs.
 The song was performed by James Cagney in the 1942 film "Yankee Doodle Dandy", in which he played Cohan.
Old American Songs are two sets of songs arranged by Aaron Copland in 1950 and 1952 respectively.
 Originally scored for voice and piano, they were reworked for baritone (or mezzo-soprano) and orchestra.
The Boatman's Dance is a minstrel song credited to Dan Emmett in 1843 and arranged by Aaron Copland as part of his set of "Old American Songs".
Robert Winslow Gordon (September 2, 1888 – March 26, 1961) was educated at Harvard.
 He joined the English faculty at the University of California at Berkeley in 1918.
 In 1923, he was asked by Arthur Sullivant Hoffman to run the folk music column "Old Songs Men Have Sung" in Hoffman's magazine, "Adventure".
 Gordon accepted and used the "Adventure" column to collect information on traditional American music from the magazine's readers.
 He was the founding head of the Archive of American Folk Song (later the Archive of Folk Culture, which became part of the American Folklife Center) at the Library of Congress in 1928.
 He was a pioneer in using mechanical means to document folk musicians, originally using Edison cylinder recordings.
 He is known among folk singers as the originator of the infamous Gordon "Inferno" Collection of American songs; he also collected an early version of Kumbaya.
 From 1943 to 1958, he was a Professor of English at George Washington University.
 He died March 26, 1961.
Ching a Ring Chaw (sometimes Ching-a-Ring, or Ching-a-Ring Shaw) is a song from the early days of the Minstrel tradition included by Aaron Copland in his "Old American Songs".