Question: The play, Der Besuch der alten Dame was adapted into a film by what name?

Context articles: The Visit (play)
Stadion An der Alten Försterei
Old Mamsell's Secret
Hyènes
Der Besuch der alten Dame (opera)
Wolfhart Westendorf
Nigel Levings
Genealogia Sponhemica
2030 – Aufstand der Alten
Alessandro De Marchi (conductor)

The Visit (German: "Der Besuch der alten Dame" ) is a 1956 tragicomic play by Swiss dramatist Friedrich Dürrenmatt.
Stadion An der Alten Försterei (English: "Stadium at the old forester's house") is the largest single-purpose football stadium in the German capital Berlin.
 It has been home to football club 1.
 FC Union Berlin and its forerunners since it was opened in 1920.
Old Mamsell's Secret (German:Das Geheimnis der alten Mamsell) is a 1925 German silent film directed by Paul Merzbach and starring Frida Richard, Guido Parish and Marcella Albani.
Hyènes is a 1992 Senegalese comedy film adaptation of Friedrich Dürrenmatt's Swiss-German satirical play "The Visit", directed by Djibril Diop Mambéty.
 The intimate story of love and revenge parallels a critique of neocolonialism and African consumerism.
 It was entered into the 1992 Cannes Film Festival.
Der Besuch der alten Dame ("The Visit of the Old Lady") is an opera in three acts by Gottfried von Einem to a German libretto by Friedrich Dürrenmatt, based on his play of the same name.
Wolfhart Westendorf (born September 18, 1924) is a German Egyptologist.
 He was a student of Hermann Grapow, and with him, was a co-author of the "Grundriss der Medizin der alten Ägypter", the most extensive study of the subject of ancient Egyptian medicine done in any language.
 He has also published many other books on Egyptology and the ancient Egyptian language.
Nigel Levings is an Australian stage lighting designer.
 He has designed lights for over 400 productions.
 He works extensively on operas, and has designed a large portion of Opera Australia's repertoire.
 Some of his most significant works include operas such as "The Demon" at the Bregenz Festival and for Zurich Opera; "Billy Budd" for the Welsh National Opera, Opera Australia, Canadian Opera Company, and for the English National Opera; "Nabucco" for Opera Australia; "Wozzeck" for Opera Australia; "L'Orfeo" for Innsbrucker Festwochen der Alten Musik and the Berlin State Opera; "A Midsummer Night's Dream" for the 1994 Edinburgh Festival; "La Belle Vivette" for the English National Opera; "Simon Boccanegra" for the Royal Opera House, Washington National Opera, and Dallas Opera; "Falstaff" for Théâtre du Châtelet; "Idomeneo", "Turandot", and "The Barber of Seville" for the Houston Grand Opera; and "Queen of Spades" for the Dallas Opera.
The Genealogia Sponhemica ("Oder Geschlecht Register der alten Graffen und Graffinnen zu Sponheim.
 Zusammengetragen, mit Anführung vieler merkwürdiger Geschichten 'illustriret', und dem Durchlauchtigsten Fürsten und Herren, Herren Georg Wilhelm Pfalzgraffen bey Rhein, Herzogen in Bayern, Graffen zu Veldenz und Sponheim u. unterthänigst 'presentiret', von Casp.
 Zillesio J. U. Lto.
 Consil.
 Palat.
 Sponheim.
 Die 21.
 Jun.
 Anno MDCLXIV.")
 is an official genealogical work of the House of Sponheim by Caspar Zillesius first presented in 1664 under Count Palatine George William of the Rhine, Count to Sponheim, and later reedited by the Archiv für rheinische Geschichte Coblenz in 1835 with revision of Johann Christian von Stramberg.
2030 – Aufstand der Alten (2030 - Rise of the Elderly) is a three-part German television miniseries which aired in January 2007.
 The docudrama, about demographics or "demographic crime", is written and directed by Jörg Lühdorff.
Alessandro De Marchi (born 1962) is an Italian conductor, best known for his interpretation of baroque oratorios and operas, as leader of the Academia Montis Regalis orchestra, and director of the orchestra's foundation in Mondovì, "Mons Regalis," one of the oldest towns of Piedmont.
 He was a student of the Accademia Nazionale di Santa Cecilia in Rome and the Schola Cantorum Basiliensis.
 Since 2010 De Marchi has succeeded René Jacobs as director of the Innsbruck Festwochen der Alten Musik.