Question: Who released the album on which Outro is the final track?

Context articles: Jigga My Nigga
The Fathomless Mastery
Hurry Up, We're Dreaming
Outro (M83 song)
Who Killed Idol?
Camera Phone (song)
The Swan Road
Whole Lotta Rosie
Pittsburgh Hearts
Countdown—Time in Outer Space

"Jigga My Nigga" is a single by Jay-Z from the Ruff Ryders Entertainment compilation "Ryde or Die Vol.
 1".
 It also appeared as a hidden track on Jay-Z's fourth album, "Vol.
 3... Life and Times of S. Carter", contained within the final track "Hova Song (Outro)".
 Produced by Swizz Beatz, it reached number 28 on the "Billboard" Hot 100.
 The song interpolates "Just Me, Just You" by The Counts and "What's My Name?
" by Snoop Dogg, using the line "what's my motherfuckin' name?"
.
 The beat was later remade for "Scenario 2000" by Eve featuring Ruff Ryders.
The Fathomless Mastery is the third full-length album by Swedish death metal band Bloodbath.
 Former Scar Symmetry vocalist Christian Älvestam performed guest vocals on the sixth track, "Iesous".
 The outro of the final track, "Wretched Human Mirror", features samples from the movie "I Am Legend".
 A video was made for "Hades Rising", directed by Owe Lingwall and shot on location in Vallentuna, near Stockholm.
 The album peaked at No. 45 on the Heatseekers Chart in the US on release.
 The album was reissued in 2011, bundled together with the tracks from the "Unblessing the Purity" EP released in 2008.
 "The Fathomless Mastery" is the last studio album with vocalist Mikael Åkerfeldt and the first to feature lead guitarist Per Eriksson.
Hurry Up, We're Dreaming (stylized as HurryUp,We'reDreaming.)
 is the sixth studio album by French electronic music band M83, released on 18 October 2011 by Naïve and Mute.
 It is M83's last album with keyboardist Morgan Kibby and the band's first full double album.
"Outro" is a song by French electronic music artist M83, released as the final track on the group's sixth studio album, "Hurry Up, We're Dreaming" (2011).
 It is a dramatic, symphonic rock song which has evoked "heartbreak, nostalgia, anticipation, jubilation and triumph".
'Who Killed Idol?'
 (stylized 'WHO KiLLED IDOL?')
 is the third studio album by Japanese idol group BiS, released on March 5, 2014.
 It is the last studio album released by the group before they disbanded in July 2014, and the only studio album to feature members First Summer Uika, Tentenko, Saki Kamiya and Megumi Koshouji.
 The album was released following a period of multiple changes in the BiS lineup, resulting in some tracks featuring members that were no longer part of the group by the time the album was released.
 The album continues the basic style of their previous albums, but shows more variety in the various styles of rock and pop featured in the tracks: "STUPiG" showcases a digital hardcore sound, "Hi" takes a step into upbeat punk rock, and "MURA-MURA" ventures into SKA-core.
 The pattern of including a cover track is continued, with "Primal" by The Yellow Monkey being included as the final track.
 The original version of this track also happened to be the last song The Yellow Monkey released before they disbanded, adding to its significance in the album.
"Camera Phone" is the fourth single from The Game's third album, "LAX".
 The song features R&B singer Ne-Yo.
 The song was produced by Cool & Dre.
 It appears as a bonus track on the deluxe edition of the album only.
 The single was only released for download in the UK and not the USA.
 In the UK, "Camera Phone" was the second single taken from "LAX".
 It did not originally feature on the UK edition of the album and was thus re-issued, removing the "Intro" and "Outro" and adding "Camera Phone" as the final track.
The Swan Road (Ukrainian: Лебединий шлях, Lebedynyy shlyakh) is the third album by the Ukrainian black metal band Drudkh, released in 2005.
 It is characterized by shorter songs and more prominent lyrics than are found on previous Drudkh releases; the lyrics are all taken from the work "The Haidamakas" (1841) by Ukrainian national poet Taras Shevchenko, narrating about the famous Ukrainian anti-Polish peasant rebellion of 1768.
 The name of the introductory track comes from the year 1648, when the greatest Cossack anti-Polish uprising set in Ukraine.
 The final track is an epic song on the destruction of Zaporizhian Sich by the Russian army in 1775.
 This album contains an increased use of distortion in the mix and more frequent usage of blast beats, but the last three tracks are considerably more low-key for Drudkh, with the final track being a folk ballad, presaging the direction they would pursue farther on the following year's "Songs of Grief and Solitude".
"Whole Lotta Rosie" is a song by Australian hard rock band AC/DC.
 It is the eighth and final track on the band's fourth Australian album, "Let There Be Rock", released in Australia in March 1977, and was written by Angus Young, Malcolm Young, and Bon Scott.
 It is also the eighth and final track on the international version of the album, released in June the same year.
Pittsburgh Hearts is the third and last in the Trilogy of Terror, a series of three EPs by Pittsburgh alternative hip hop duo, Grand Buffet.
 It's the first release on which they're credited by their real names.
 On previous releases, they had used a variety of stage names.
 The credits of back of the album's artwork, Jarrod announces that he has a daughter named Sugar Marie Weeks.
 The final track "Thank You.
 Goodbye.
 We'll Die."
 is an outro.
 It is where they discuss the album and diss various business.
 They manage to use the word "fuck" 47 times in a little under 3 minutes.
 This was first album in the trilogy, to not have a hidden track.
 It is also their last album to have a parental advisory label on the front cover.
Dedicated to astronaut John Glenn the album was another in a series of concept albums studying the exploration of unusual meters and polytonality within a jazz context.
 Recorded between May 3, 1961 and February 12, 1962, it was put on tape in many of the same sessions that appear on "Time Further Out".
 Brubeck encouraged the quartet members towards development of new time signatures for this album.
 The first track, "Countdown," is based on a typical "8 to the bar" boogie, stride piano in the manner of Earl Hines or Teddy Wilson, but with two extra notes added in, giving a meter count of 10.
 AC/DC's song "Whole Lotta Rosie" has an opening riff directly mimicking this track.
 Michael Katzif considers the track so smoothly played that some people may be unaware of the unusual time signature.
 "Eleven Four" uses a pattern of five beats, then two sets of three to create the feel of eleven.
 In the track "Why Phillis" some players stick to 3/4 time, others adhere to 4/4, while others move between the time signatures.
 "Someday My Prince Will Come" had been previously recorded by the Quartet before, juxtaposing triple and quadruple meters in the album "Dave Digs Disney", but the track was re-done on this album to further realize the rhythmic possibilities of poly-rhythm, including adding a rhythm of 2/4 to the mix.
 "Castilian Blues" and "Castilian Drums" have time signatures of 5/4, the latter being unsurprisingly a percussion showpiece.
 The next four tracks, "Fast Life," "Waltz Limp," "Three's a Crowd," and "Danse Duet" were written for a ballet entitled "Maiden in the Tower."
 Different characters in the performance have themes with different time signatures, and as they interact the interplay and contrasts of the various rhythms are paraded.
 The album's final track, as originally issued, is a standard blues in 4/4 time, hence the title "Back to Earth."