Question: At It Again contains lyrics co-written by the singer and actor from what city?

Context articles: End Is Forever
At It Again
Mathematics (song)
Let's Go to Bed (No Angels song)
Craigslist (song)
Malicious Intent (album)
The Invisible Parade &amp; We Almost Made It
Líně s tebou spím
Luke Kelly
Philadelphia Chickens

End Is Forever is the third full release on Kung-Fu Records by The Ataris in 2001.
 The album features a mix of punk and pop punk similar to the band's previous works along with catchy pop rhythms.
 It contains lyrics that span nostalgia, growing up, love, relationships, and singer Kris Roe's childhood.
 End is Forever is notable for its many pop culture references and numerous lyrics that Roe describes as having "hidden meanings" encoded within.
At It Again is an album by The Dubliners and was released on the Major Minor label in 1968.
 It featured "The Irish Navy", a satirical song with lyrics co-written by Ronnie Drew and Luke Kelly and set to music by John Sheahan.
 Barney McKenna and Ciarán Bourke also feature on the album.
 It was re-released under the title "Seven Deadly Sins".
 The order of the tracks varies in different re-releases.
"Mathematics" is a b-side single from Mos Def's solo debut album, "Black on Both Sides".
 It contains lyrics about various social issues and asks the listener to add them up and come to conclusions about them.
 Many references to numbers are found in this song and at times, Mos Def rhymes statistics in numerical order.
 The song highlights the differences between the White and African-American citizens of the US and uses the lyrics "Do your math..." (from Erykah Badu's "On & On") telling young African-American's to 'do their maths' so they can avoid being part of the numerous degrading statistics he raps about in the opening and third verses of the song.
 The song is produced by DJ Premier whose famous scratch samples make up the song's bridge.
 Premier has called it one of his favorite beats.
"Let's Go to Bed" is a song performed by German pop group No Angels.
 It was written by Mousse T. and frequent collaborator Errol Rennalls for the band's second studio album "Now... Us!
" (2002), while production was handled by the former.
 Musically, the track is a mid-paced pop song that is set in retro style.
 It contains heavy elements of psychedelic soul and funk music, with its instrumentation led by a bass guitar.
 "Let's Go to Bed" contains lyrics that reference to a celebration of sexual lust and conquest, leading up to a desire to invite a love interest to come to bed.
"Craigslist" is a song and single by "Weird Al" Yankovic.
 It is a style parody of The Doors, and contains lyrics inspired by postings at the online classified advertising service, Craigslist.
 Yankovic described the idea of the song coming about thinking how it would be "anachronistically weird" for Jim Morrison to scream about Craigslist.
 Yankovic opted to use Craigslist as an example of something big in both the popular culture and his own life, and spent time exploring its listings to compose the lyrics.
 The song was released shortly after the closure of the Michael John Anderson (Craigslist Killer) case, a factor Yankovic considered "unfortunate timing".
Malicious Intent is the third album released in 1986 by Canadian speed/thrash metal band Razor.
 The album contains more honed and intense screaming from frontman Stace McLaren and the tracks on it mostly contains lyrics about heroic fantasy and playing heavy metal.
 An exception to this might be "Tear Me to Pieces", with lyrics penned by McLaren about knife fighting.
 "Malicious Intent" is known for containing incredibly loud drum rides and overall poor production.
 The album itself is an overall turning point for Razor and shows them going from traditional heavy metal and speeding up to a more thrash metal-oriented sound.
We Almost Made It is the title of Joseph Arthur's first artbook, released in 2006.
 It comes with a CD titled The Invisible Parade, a 21-track disc of mostly instrumental songs.
 Joseph described the set as "an artbook with a soundtrack."
 Only 5000 copies of the book/disc set were released.
 The hardcover book contains 110 pages of Joseph's original artwork, marking the first time a collection of his artwork has been made available for publication.
 The songs "Chapter 4," "Chapter 15," and "Chapter 19" are the only songs on the disc that have lyrics.
 "Chapter 15" contains lyrics taken from Joseph's poem ""On a boat from Ireland to England,"" and "Chapter 19" contains lyrics from the poem ""I saw a nail driven into his hand"" (both poems posted on Joseph's website in October 2005).
 "Chapter 1" and "Chapter 8" also appeared in the documentary film "Deliver Us from Evil" in 2006 (with "Chapter 1" listed as "Cathedral," and "Chapter 8" listed as "Pyramids").
 The book was only available through his website and at his live shows.
Líně s tebou spím is a studio album by Czech rock band The Plastic People of the Universe.
 It was released in June 2001 by Globus Music.
 It is their first album after death of singer, bassist and main composer Milan Hlavsa; it contains some of his compositions that he wrote before his death.
 It was produced by Tomáš Uher.
 The album was received negative critical acclaim.
 Album booklet contains lyrics in both Czech and English.
Luke Kelly (17 November 1940 – 30 January 1984) was an Irish singer, folk musician and actor from Dublin, Ireland.
 Born into a working-class household in Dublin city, Kelly moved to England in his late teens and by his early 20s had become involved in a folk music revival.
 Returning to Dublin in the 1960s, he is noted as a founding member of the band The Dubliners.
 Becoming known for his distinctive singing style, and sometimes political messages, the "Irish Post" and other commentators have regarded Kelly as one of Ireland's greatest folk singers.
Philadelphia Chickens is a book/music CD combination by Sandra Boynton and Michael Ford, published in 2002.
 It was nominated for a Grammy.
 The first half of the book contains lyrics and illustrations, while the second half contains musical notation for each song.
 It was reviewed favorably by The Philadelphia Inquirer and was also reviewed by Publishers Weekly.