Question: Which film follows the early artistic career of Marla Olmstead: Day of the Fight or My Kid Could Paint That?

Context articles: Sefton Henry Parry
Valley Park Retail Area
Day of the Fight
My Kid Could Paint That
Jean Hugo
Oil paint
Marla Olmstead
Maria Teresa de Noronha
Giuseppe Tominz
Surfactants in paint

Sefton Henry Parry (1832 – 18 December 1887) was a Victorian theatre manager, and remarkably versatile.
 He was a competent actor, comedian and playwright, could paint scenery, cut out dresses, and do stage-carpentering.
 He was also an innovator, successful theatre manager, speculator and builder of theatres.
Valley Park Retail and Leisure Complex is a retail park in the Purley Way retail and industrial area.
 It is located in the Broad Green area of the London Borough of Croydon.
 Valley Park was opened in 1992 on the site of the former Croydon power stations, the first of which was built in the late nineteenth century.
 Croydon B power station was closed in 1984 and the majority of the site cleared in 1991.
 However the local council ordered the station's landmark chimneys be retained, which almost put IKEA off the site, but a compromise was made that IKEA could paint the top skirt of the tower in their colours (blue and yellow).
Day of the Fight is a 1951 American short subject documentary film directed by Stanley Kubrick.
 Kubrick financed the film himself.
My Kid Could Paint That is a 2007 documentary film by director Amir Bar-Lev.
 The movie follows the early artistic career of Marla Olmstead, a young girl from Binghamton, New York who gains fame first as a child prodigy painter of abstract art, and then becomes the subject of controversy concerning whether she truly completed the paintings herself or did so with her parents' assistance and/or direction.
 The film was bought by Sony Pictures Classics in 2007 after premiering at the Sundance Film Festival.
Jean Hugo (19 November 1894 – 21 June 1984) was a painter, illustrator, theatre designer and author.
 He was born in Paris and died in his home at the Mas de Fourques, near Lunel, France.
 Brought up in a lively artistic environment, he began teaching himself drawing and painting and wrote essays and poetry from a very early age.
 His artistic career spans the 20th century, from his early sketches of the First World War, through the creative ferment of the Parisian interwar years, and up to his death in 1984.
 He was part of a number of artistic circles that included Jean Cocteau, Raymond Radiguet, Pablo Picasso, Georges Auric, Erik Satie, Blaise Cendrars, Marie-Laure de Noailles, Paul Eluard, Francis Poulenc, Charles Dullin, Louis Jouvet, Colette, Marcel Proust, Jacques Maritain, Max Jacob, Carl Theodor Dreyer, Marie Bell, Louise de Vilmorin, Cecil Beaton and many others.
Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil.
 The viscosity of the paint may be modified by the addition of a solvent such as turpentine or white spirit, and varnish may be added to increase the glossiness of the dried oil paint film.
 Oil paints have been used in Europe since the 12th century for simple decoration, but were not widely adopted as an artistic medium until the early 15th century.
 Common modern applications of oil paint are in finishing and protection of wood in buildings and exposed metal structures such as ships and bridges.
 Its hard-wearing properties and luminous colors make it desirable for both interior and exterior use on wood and metal.
 Due to its slow-drying properties, it has recently been used in paint-on-glass animation.
 Thickness of coat has considerable bearing on time required for drying: thin coats of oil paint dry relatively quickly.
Marla Olmstead (born 2000 in Binghamton, New York) is a painter of abstract art who by the age of four had attracted international media attention for her work.
 Abstract artworks purportedly painted by her have been as large as five feet (1.52 m) square and have sold for tens of thousands of US dollars.
 A 2005 "60 Minutes II" story on Olmstead that first brought her publicity led to speculation that the works supposedly created by Marla were in fact created in collaboration with her father, which was further examined in the 2007 documentary on her, "My Kid Could Paint That".
D. Maria Teresa do Carmo de Noronha, (November 7, 1918, Lisbon – July 4, 1993) was a Portuguese aristocrat and a fado singer.
 As a granddaughter of the Counts of Paraty and Belmonte, she belonged to a family of the most ancient Nobility in the Iberian Peninsula, tracing her roots to the Royal Houses of both Portugal and Castile from the mid-14th century.
 Her artistic career spanned over 30 years and hers is considered one of the most unusual and beautiful fado voices.
 Her status as a "fidalga" meant, in the context of a conservative early 20th century Portugal, that she faced severe restrictions in having a professional artistic career As such, she did not enjoy the projection of other great "fadistas" of her time.
Giuseppe Tominz was born in Gorizia as the second of eleven children of Ivano Tominz, an Italian dealer in ironware of distant Slovene origin, and his wife Maria Anna Giacchini, a native Italian woman of Udine.
 He was educated in an Italian-speaking environment.
 He attended a primary school run by Piarists in Gorizia, where he began to learn to paint in the third year.
 He received his first training as a painter from the local artist Karel Keber and probably also from the painter Franz Caucig.
 In 1809, he left for Rome with the help of Austrian Archduchess Maria Anna, sister of Emperor Francis I of Austria, and count Francesco della Torre.
 In Rome, he studied painting with Domenico Conti Bazzani and in the Scuola del Nudo at the Accademia di San Luca.
 In 1814, he was awarded a silver medal for his drawing "Study of the Apostople".
 Two years later, he married Maria Ricci and in 1818, have two son Augusto and Alfredo will become the first director of the Revoltella Museum in Trieste.
 In the same year, Tominz returned with his family to Gorizia.
 Of his early artistic works, several anatomical studies, sketches and one of his landscapes "View of Vietri, Rieti and the Salerno Bay" have survived.
Paint has four major components: pigments, binders, solvents, and additives.
 Pigments serve to give paint its color, texture, toughness, as well as determining if a paint is opaque or not.
 Common white pigments include titanium dioxide and zinc oxide.
 Binders are the film forming component of a paint as it dries and affects the durability, gloss, and flexibility of the coating.
 Polyurethanes, polyesters, and acrylics are all examples of common binders.
 The solvent is the medium in which all other components of the paint are dissolved and evaporates away as the paint dries and cures.
 The solvent also modifies the curing rate and viscosity of the paint in its liquid state.
 There are two types of paint: solvent-borne and water-borne paints.
 Solvent-borne paints use organic solvents as the primary vehicle carrying the solid components in a paint formulation, whereas water-borne paints use water as the continuous medium.
 The additives that are incorporated into paints are a wide range of things which impart important effects on the properties of the paint and the final coating.
 Common paint additives are catalysts, thickeners, stabilizers, emulsifiers, texturizers, biocides to fight bacterial growth, etc.