Question: I Want a Woman is a song by the heavy metal band who had significant commercial success when?

Context articles: Kinetic Faith
Metal Health
Beatallica
I Want a Woman
Kill 'Em All
Accept (band)
Obús
Ratt
Don't Let's Start
Harry Nilsson

Kinetic Faith is the fourth album by the American heavy metal band Bride, released in 1991.
 This album was the band's first release on the Star Song label, and started the band's hard rock era, leaving straightforward metal behind and focusing on a more commercial sound.
 The band tasted success with the song "Everybody Knows My Name" which won them a GMA Dove Award, and "Sweet Louise" was a Christian radio hit.
 The following album, "Snakes in the Playground", would become a commercial success.
Metal Health is the third studio album by American heavy metal band Quiet Riot.
 It was released on March 11, 1983, bolstered by the No. 5 hit "Cum On Feel the Noize" and the No. 31 hit "Metal Health".
 "Metal Health" is notable for being the first heavy metal album to reach the top spot on the "Billboard" 200, replacing the Police's "Synchronicity" at number one in November 1983.
 The album went on to sell more than six million copies and is considered a classic among heavy metal fans.
 Some critics, such as AllMusic, describe it as a one-hit wonder, owing to Quiet Riot's relative lack of critical and commercial success with following albums (and subsequent disintegration) towards the end of the 1980s.
 The title track was ranked No. 35 on VH1's 40 Greatest Metal Songs.
Beatallica is a mash-up band that plays music made from combinations of songs of the Beatles and Metallica.
 A Beatallica song is typically a blend of a Beatles song and a Metallica song with a related title (e.g. "The Thing That Should Not Let It Be", combining The Beatles' "Let It Be" and Metallica's "The Thing That Should Not Be" or "And Justice for All My Loving" combining Metallica's "And Justice for All" and the Beatles' "All My Loving"), though sometimes just a Beatles song will be used as a basis with modified lyrics.
 The lyrics slip back and forth between the two songs, or occasionally neither, in lieu of original lyrics comically referencing Metallica, heavy metal music, or the heavy metal community.
 While the scansion and melody are usually Beatles-based, the music is played metal style with some Metallica riffs and solos thrown in.
 Consistent quirks made in the lyrics also criticize glam metal much in the fashion that thrash metal fans would do, as well as many references to blood.
 Their version of "I Want to Hold Your Hand" called "I Want to Choke Your Band", is an example of their criticism towards glam metal.
"I Want a Woman" is a song by American heavy metal band Ratt.
Kill 'Em All is the debut studio album by the American heavy metal band Metallica, released on July 25, 1983, by the independent record label Megaforce Records.
 "Kill 'Em All" is regarded as a groundbreaking album for thrash metal because of its precise musicianship, which fuses new wave of British heavy metal riffs with hardcore punk tempos.
 The album's musical approach and lyrics were markedly different from rock's mainstream of the early 1980s and inspired a number of bands who followed in similar manner.
 The album did not enter the "Billboard" 200 until 1986, when it peaked at number 155, following Metallica's commercial success with its third studio album "Master of Puppets"; the 1988 Elektra reissue peaked at number 120.
 "Kill 'Em All" was critically praised at the time of its release and in retrospect, and was placed on a few publications' best album lists.
 It was certified 3× Platinum by the Recording Industry Association of America (RIAA) in 1999 for shipping three million copies in the United States.
 The album generated two singles, "Whiplash" and "Jump in the Fire".
Accept is a German heavy metal band from the town of Solingen, originally assembled by former vocalist Udo Dirkschneider, guitarist Wolf Hoffmann and bassist Peter Baltes.
 Their beginnings can be traced back to the late 1960s.
 The band played an important role in the development of speed and thrash metal, being part of the German heavy metal scene, which emerged in the early to mid-1980s.
 Accept achieved commercial success with their fifth studio album "Balls to the Wall" (1983), which is the band's only album to be certified gold in the United States and Canada, and spawned their well-known hit "Balls to the Wall".
Obús is a Spanish heavy metal band created in Madrid in the early 80s.
 They stood out because they took the risk of making a big spectacle in their concerts in order to reach to the level of other international heavy metal bands.
 In addition, the lyrics they write and the feelings they transmit connect with the people that follow them.
 As they said in an interview: "All our songs , some more and some less, have a meaning".
 Far away from renouncing to their genre, they have always claimed that they were a heavy metal band and they even wrote a song about this genre in their first LP called"Dosis de Heavy Metal".
In 2012, because of their 30th anniversary, they did a Tour around Spain.
Ratt is an American heavy metal band that had significant commercial success in the 1980s, with their albums having been certified as gold, platinum, and multi-platinum by the RIAA.
 The group is perhaps best known for hit singles such as "Round and Round" and "Lay It Down", tracks that ranked on Billboard's top 40 at No. 12 and No. 40, respectively, as well as other songs such as "Wanted Man", "You're in Love" and "Dance".
 Along with groups such as friendly rivals Mötley Crüe, Ratt has been recognized as instrumental in the formation of the early 1980s Los Angeles glam metal scene, also known as "hair metal" or "pop metal".
"Don't Let's Start" is a popular song by alternative rock band They Might Be Giants, from their eponymous debut album "They Might Be Giants".
 It was the first single released from the album, released as a maxi-single.
 The song is one of the band's most popular and well-known songs, despite failing to achieve significant commercial success.
 The single peaked at #94 on the Australian ARIA singles chart in 1988.
 It was later re-released by Elektra in 1990 after the success of the band's third album, "Flood".
Harry Edward Nilsson III (June 15, 1941 – January 15, 1994), usually credited as Nilsson, was an American singer-songwriter who achieved the peak of his commercial success in the early 1970s.
 His work is characterized by pioneering overdub experiments, returns to the Great American Songbook, and fusions of Caribbean sounds.
 A tenor with a three-and-a-half octave range, Nilsson was one of the few major pop-rock recording artists of his era to achieve significant commercial success without ever performing major public concerts or undertaking regular tours.