Question: What is the name of the American journalist, satirist, cultural critic and scholar of the American English, who was an editor of The Smart Set?

Context articles: The Pakistan Anti-Hero
Black Mask (magazine)
George Jean Nathan
Wang Hsing-ching
H. L. Mencken
Virginia Heffernan
William Nericcio
Margaret Morganroth Gullette
End of the Past
The Smart Set

The Pakistan Anti-Hero is a book written by Pakistani author, journalist, cultural critic and satirist, Nadeem F.Paracha.
 It is his second book.
 His first book, "End of the Past" was published in 2016 by Vanguard Publications.
 His second book too is published by Vanguard.
 "The Pakistan Anti-Hero" is an extension of Paracha's first book in which he mapped the political evolution of Pakistani society.
 In his second book he attempts to navigate the evolution of Pakistani nationalism through the study of a number of Pakistani intellectuals, artistes, sportsmen, scholars and militants.
Black Mask was a pulp magazine first published in April 1920 by the journalist H. L. Mencken and the drama critic George Jean Nathan.
 The magazine was one of several money-making publishing ventures to support the prestigious literary magazine "The Smart Set", which Mencken edited, and which had operated at a loss since at least 1917.
 Under their editorial hand, the magazine was not exclusively a publisher of crime fiction, offering, according to the magazine, "the best stories available of adventure, the best mystery and detective stories, the best romances, the best love stories, and the best stories of the occult."
 The magazine's first editor was Florence Osborne (credited as F. M. Osborne).
George Jean Nathan (February 14, 1882 – April 8, 1958) was an American drama critic and magazine editor.
 He worked closely with H. L. Mencken, bringing the literary magazine "The Smart Set" to prominence as an editor, and co-founding and editing "The American Mercury" and "The American Spectator".
Wang Hsing-ching (; born 1946), who has a pseudonym of Nanfang Shuo (南方朔, Nánfāng Shuò), is a journalist, political commentator, and cultural critic.
 Today, he is the chief editor and writer of "The Journalist" magazine (新新聞週刊), with commentaries on current issues in major newspapers.
 His writings, including Western ideas analysis, social phenomena criticism, and literature comments, are all regarded as very influential.
 Crediting his intellectual contribution to the society, he is known as "the most industrious private scholar in Taiwan".
Henry Louis Mencken (September 12, 1880 – January 29, 1956) was an American journalist, satirist, cultural critic and scholar of American English.
 Known as the "Sage of Baltimore", he is regarded as one of the most influential American writers and prose stylists of the first half of the twentieth century.
 He commented widely on the social scene, literature, music, prominent politicians and contemporary movements.
 His satirical reporting on the Scopes trial, which he dubbed the "Monkey Trial", also gained him attention.
Virginia Heffernan (born August 8, 1969) is an American journalist and cultural critic.
 She has worked as a staff writer for "The New York Times" — first as a TV critic, then as a magazine columnist, and then as an opinion writer.
 She has also worked as a senior editor for "Harper's", a founding editor of "Talk", a TV critic for "Slate", a fact checker for "The New Yorker" and a national correspondent for "Yahoo News".
William Anthony Nericcio, aka Memo, is a Chicano literary theorist, cultural critic, American Literature scholar, and Professor of English and Comparative Literature at San Diego State University.
 Currently Director of the Master of Arts in Liberal Arts and Sciences program, he is the author of the award-winning "Tex[t]-Mex: Seductive Hallucinations of the "Mexican" in America," "The Hurt Business: Oliver Mayer's Early Works Plus", and "Homer From Salinas: John Steinbeck's Enduring Voice for the Californias".
 Nericcio is also a graphic designer, creating book covers, film posters, and websites, most notably for SDSU Press and Hyperbole Books, where he oversees the production of cultural studies tomes.
 His Text-Mex Gallery blog investigates the pathological interrogation of Mexican, Latina/o, Chicana/o, "Hispanic," Mexican-American, and Latin American stereotypes, political, and cultural issues.
 He is also the curator of the text-image exhibition entitled “MEXtasy,” which has been displayed at numerous institutions, including University of Michigan and South Texas College.
 He is currently working on his follow-up book to "Tex[t]-Mex, Eyegiene: Permutations of Subjectivity in the Televisual Age of Sex and Race".
Margaret Morganroth Gullette (born 1941), a Resident Scholar at the Women’s Studies Research Center at Brandeis University, is a cultural critic who calls herself an age critic and theorist.
 She is a prize-winning writer of nonfiction, an essayist, feminist, and activist.
 Her contributions to the field of cultural studies of age include four books, the latest of which is "Agewise: Fighting the New Ageism in America" (2011).
 Other books of Gullette’s that have been influential (in humanistic and cultural gerontology, history, literary and cultural criticism, sociology and anthropology, performance and film studies, life writing and narrative theory, fashion studies, and feminist health activism) include "Aged by Culture" (2004), "Declining to Decline: Cultural Combat and the Politics of the Midlife" (1997); and "Safe at Last in the Middle Years: The Invention of the Midlife Progress Novel" (1988).
End of the Past is a book by Pakistani journalist, cultural critic and satirist Nadeem F. Paracha.
 Published by Vanguard Publications in 2016, it is a social history of Pakistan in which Paracha charts the religious and cultural evolution of Pakistan through the country's cultural, sporting and ideological histories.
The Smart Set was an American literary magazine, founded by Colonel William d'Alton Mann and published from March 1900 to June 1930.
 During its heyday under the editorship of H. L. Mencken and George Jean Nathan, "The Smart Set" offered many up-and-coming authors their start and gave them access to a relatively large audience.
 Its headquarters was in New York City.