Question: Who enjoyed a long career in the film industry from the early 1930s until the early 1980s, Aram Avakian or Val Guest?

Context articles: Jane Tilden
Val Guest
End of the Road (1970 film)
Bees in Paradise
Cops and Robbers (1973 film)
It's a Wonderful World (1956 film)
11 Harrowhouse
Yesterday's Enemy
Cinema of Pakistan
Aram Avakian

Jane Tilden (1910–2002) was an Austrian actress who enjoyed a long career on stage and in films and television shows.
 She was born as Marianne Tuch in Aussig, then part of the Austro-Hungarian Empire.
 She was the sister of the cinematographer Walter Tuch.
 After making her debut on the stage in the early 1930s she appeared regularly in German and Austrian films during the Nazi era including the 1938 comedy "The Blue Fox" (1938).
 After the Second World War she worked regularly in film and teleivison, increasingly in supporting roles.
 She was married three times, her husbands included the actor Erik Frey and composer Alexander Steinbrecher.
Valmond Maurice "Val" Guest (11 December 1911 – 10 May 2006) was an English film director and screenwriter.
 Beginning as a writer (and later director) of comedy films, he is best known for his work for Hammer, for whom he directed 14 films, and science fiction films.
 He enjoyed a long career in the film industry from the early 1930s until the early 1980s.
End of the Road is a 1970 film directed, co-written, and edited by Aram Avakian and adapted from a 1958 novel by John Barth, and stars Stacy Keach, James Earl Jones and Harris Yulin.
Bees in Paradise is a 1944 British musical comedy film directed by Val Guest and starring Arthur Askey, Anne Shelton and Peter Graves.
 It was produced by Edward Black at Gainsborough Pictures.
 Co-written by director Val Guest and comic Marriott Edgar, who wrote for Will Hay and the Crazy Gang and composed some of Stanley Holloway's famous monologues; this is a lesser known Askey vehicle.
Cops and Robbers is a 1973 crime comedy film directed by Aram Avakian with an original screenplay by Donald E. Westlake which Westlake subsequently expanded into a novel.
 The film stars Cliff Gorman as Tom and Joseph Bologna as Joe.
It's a Wonderful World is a 1956 British musical film directed by Val Guest and starring Terence Morgan, George Cole, Mylène Demongeot (listed in the credits as Mylène Nicole) and Kathleen Harrison.
 It also features Dennis Lotis, a popular singer at the time.
 It was made at Shepperton Studios.
 Songs include: "Rosanne", "When You Came Along", "Girls!
 Girls!
 Girls!"
 (Ted Heath, Moira Heath), "A Few Kisses Ago" (Robert Farnon, Val Guest), and "The Hawaiian War Chant" (Ted Heath).
11 Harrowhouse is a 1974 British film directed by Aram Avakian.
 It was adapted by Charles Grodin based upon the novel by Gerald A. Browne with the screenplay by Jeffrey Bloom.
 It stars Charles Grodin, Candice Bergen, James Mason, Trevor Howard and John Gielgud.
Yesterday's Enemy is a 1959 Hammer Films British war film in MegaScope directed by Val Guest and starring Stanley Baker, Guy Rolfe, Leo McKern and Gordon Jackson set in the Burma Campaign during World War II.
 It is based on a 1958 BBC teleplay by Peter R. Newman, who turned it into a three-act play in 1960.
 Gordon Jackson repeated his role from the BBC teleplay as Sgt. Ian Mackenzie.
 Columbia Pictures co-produced the film with Hammer Films in an agreement for five co-productions a year with Columbia providing half the finance.
 The film was shot on indoor sets in black and white and Megascope.
 The film has no musical score.
 Director Val Guest later said that "Yesterday's Enemy" was one of his films of which he was the most proud.
 In 2013, film magazine "Total Film" included "Yesterday's Enemy" in their list of "50 Amazing Films You've Probably Never Seen".
The Cinema of Pakistan or Pakistani cinema (Urdu: ‎ ) refers to the filmmaking industry in Pakistan.
 Pakistan is home to several film studios centres, primarily located in its two largest cities - Karachi and Lahore.
 Pakistani cinema has played an important part in Pakistani culture, and in recent years has begun flourishing again after years of decline, delivering entertainment to audiences in Pakistan and expatriates abroad.
 Several film industries are based in Pakistan, which tend to be regional and niche in nature.
 Over 10,000 Urdu feature-films have been produced in Pakistan since 1948, as well as over 8000 Punjabi, 6000 Pashto and 2000 Sindhi feature-length films.
 The first film ever produced was "Husn Ka Daku" in 1930, directed by Abdur Rashid Kardar in Lahore.
 The first Pakistani-film produced was "Teri Yaad", directed by Daud Chand in 1948.
 Between 1947 and 2007, Pakistani cinema was based in Lahore, home to the nation's largest film industry (nicknamed Lollywood).
 Pakistani films during this period attracted large audiences and had a strong cult following, was part of the cultural mainstream, widely available and imitated by the masses.
 During the early 1970s, Pakistan was the world's fourth largest producer of feature films.
 However, between 1977 and 2007, the film industry of Pakistan went into decline due to Islamization, strengthening of censorship laws and an overall lack of quality.
 Throughout the 1980s and 1990s, the film industry went through several periods of ups and downs, a reflection of its dependency on state funding and incentives.
 By 2000, the film industry in Lahore had collapsed and saw a gradual shift of Pakistani actors, actresses, producers and filmmakers from Lahore to Karachi.
 By 2007, the wounds of Pakistan's collapsed film industry began to heal and Karachi had cemented itself as the centre of Pakistani cinema.
 Quality and new technology led to an explosion of alternative form of Pakistani cinema.
 The shift has been seen by many as the leading cause for the "resurgence of Pakistani cinema".
 Despite the industry crisis starting in the mid-1980s, Pakistani films have retained much of its distinctive identity.
 Since the shift to Karachi, Pakistani films have once again began attracting a strong cult following.
Aram A. Avakian (April 23, 1926 – January 17, 1987) was an Armenian-American film editor and director.
 His work in the latter role includes "Jazz on a Summer's Day" (1960) and the indie film "End of the Road" (1970).