Question: Who scored a film based on a 1961 science fiction novel by Stanislaw Lem?

Context articles: Daniel Mróz
1 (2009 film)
Cliff Martinez
Professor Tarantoga
Fiasco (novel)
A Perfect Vacuum
Solaris (2002 film)
Stanisław Lem
András Rajnai
Steven Dillon (writer and professor)

Daniel Mróz (] ; born February 3, 1917 in Kraków, died January 21, 1993 in Kraków) – Polish stage designer and artist, illustrator of the science fiction books of Stanislaw Lem and of the unique, absurd writings of Sławomir Mrożek.
1 is the first featured film of the Hungarian director/production designer Pater Sparrow.
 It is inspired by the work "One Human Minute" by Polish science fiction writer Stanisław Lem, an example of Stanislaw Lem's fictitious criticism of nonexisting books.
Cliff Martinez (born February 5, 1954) is an American musician and composer.
 Early in his career, Martinez was known as a drummer notably with the Red Hot Chili Peppers and Captain Beefheart.
 Since the 1990s he has worked primarily as a film score composer, writing music for "Sex, Lies, and Videotape", "Drive", "Only God Forgives", "The Neon Demon", "Contagion", "Solaris", and "Traffic".
Professor Tarantoga (full name: Astral Sternu Tarantoga), xenozoologist, traveller, and inventor, is a fictional character from science fiction works by Stanislaw Lem.
Fiasco (Polish: "Fiasko" ) is a science fiction novel by Polish author Stanisław Lem, first published in a German translation in 1986.
 The book, published in Poland the following year, is a further elaboration of Lem's skepticism: in Lem's opinion, the difficulty in communication with alien civilizations is cultural disparity rather than spatial distance.
 The failure to communicate with an alien civilization is the main theme of the book.
 It was translated into English by Michael Kandel (1988).
 It was nominated for the Arthur C. Clarke Award.
A Perfect Vacuum (Polish: "Doskonała próżnia" ) is a 1971 book by Polish author Stanisław Lem, the largest and best known collection of Stanislaw Lem's fictitious criticism of nonexisting books.
 It was translated into English by Michael Kandel.
 Some of the reviews remind the reader of drafts of his science fiction novels, some read like philosophical pieces across scientific topics, from cosmology to the pervasiveness of computers, finally others satirize and parody everything from the nouveau roman to pornography, "Ulysses", authorless writing, and Dostoevsky.
Solaris is a 2002 American science fiction drama film written and directed by Steven Soderbergh, produced by James Cameron and Jon Landau, and starring George Clooney and Natascha McElhone.
 It is based on the 1961 science fiction novel of the same name by writer Stanisław Lem.
Stanisław Herman Lem (] ; 12 or 13 September 1921 – 27 March 2006) was a Polish writer of science fiction, philosophy, and satire, and a trained physician.
 Lem's books have been translated into forty-one languages and have sold over forty-five million copies.
 From the 1950s to 2000s, he published many books, both science fiction and philosophical/futurological.
 He is best known as the author of the 1961 novel "Solaris", which has been made into a feature film three times.
 In 1976, Theodore Sturgeon wrote that Lem was the most widely read science fiction writer in the world.
András Rajnai was a Hungarian TV director and screenwriter who worked for Hungarian Television (Magyar Televízió Müvelödési Föszerkesztöség: MTV) between 1958 and 1996.
 He was born on July 7, 1934 in Budapest, Hungary, and died on January 28, 2004 (age 69), also in Budapest.
 He was known for his use of blue-screen special effects techniques which he applied to television adaptations of science fiction and fantasy stories, by authors such as Stanislaw Lem, Isaac Asimov, Alexei Tolstoy, Jonathan Swift, Dante Alighieri and others.
Steven Dillon is an author and Professor of English at Bates College in Lewiston, Maine.
 He is also a film critic and film historian.
 Dillon's use of the expression ""The Solaris Effect"", as in the title of his book, referred to the great influence of Andrei Tarkovsky and his films on other film and art.
 Dillon's use of Solaris refers to the 1972 film by Tarkovsky, only indirectly to the novel by Stanislaw Lem.