Question: Jheronimus de Clibano was a member of the Habsburg "Grande chapelle", which is the distinguished choir of what son of Holy Roman Emperor Maximilian 1?

Context articles: Nicolas Payen
Philip I of Castile
Archduke Maximilian Francis of Austria
Jheronimus de Clibano
Eleanor of Portugal, Holy Roman Empress
Royal Monastery of Brou
Triumphal Procession
Large Triumphal Carriage
Cornelius Canis
Triumphal Arch (woodcut)

Nicolas Payen (also Nicolas Colin) (c. 1512, in Soignies – after April 24, 1559) was a Franco-Flemish composer and choirmaster of the Renaissance, associated with the "Grande Chapelle", the Habsburg imperial chapel, at the end of the reign of Charles V, Holy Roman Emperor.
Philip I (22 July 1478 – 25 September 1506) called the Handsome or the Fair, was the first member of the house of Habsburg to be King of Castile.
 The son of Holy Roman Emperor Maximilian I, at the age of three Philip inherited the greater part of the Duchy of Burgundy and the Burgundian Netherlands (as Philip IV) from his mother, Mary, and at 27 briefly succeeded to the Crown of Castile as the husband of Queen Joanna, who was also heir presumptive to the Crown of Aragon.
 He was the first Habsburg monarch in Spain.
 He never inherited his father's territories or became Holy Roman Emperor because he predeceased his father, but his son Emperor Charles V eventually united the Habsburg, Burgundian, Castilian, and Aragonese inheritances.
Archduke Maximilian Francis of Austria (full German name: Maximilian Franz Xaver Joseph Johann Anton de Paula Wenzel von Österreich, 8 December 1756 in Vienna – 26 July 1801 in Vienna) was Archbishop and Elector Spiritual of Cologne (and as such Chancellor of the Holy Roman Empire for Italy), and Grand Master of the Teutonic Knights.
 He was the youngest child of the Habsburg ruler of Austria, Maria Theresa, and her husband, Francis I, Holy Roman Emperor, for whom he was named.
 His siblings included Holy Roman Emperors Joseph II and Leopold II, Maria Carolina, Queen of Naples and Sicily, and Marie Antoinette, Queen of France and Navarre.
 He was the last fully functioning Elector of Cologne and was the employer and patron of the young Ludwig van Beethoven.
Jheronimus de Clibano (Jherome Du Four) (c. 1459 – between March 26 and May 16, 1503) was a Franco-Flemish composer and singer of the Renaissance.
 He was a member of the Habsburg "Grande chapelle", the distinguished choir of Philip I of Castile, at the same time as Pierre de La Rue.
Eleanor of Portugal (18 September 1434 – 3 September 1467) was Empress of the Holy Roman Empire.
 A Portuguese "infanta" (princess), daughter of King Edward of Portugal and his wife Eleanor of Aragon, she was the consort of Holy Roman Emperor Frederick III and the mother of Holy Roman Emperor Maximilian I.
The Royal Monastery of Brou is a religious complex located at Bourg-en-Bresse in the Ain "département", central France.
 It is composed of monastic buildings and a church, which were built at the beginning of the 16th century by Margaret of Austria, daughter of the Holy Roman Emperor Maximilian I and Governor of the Habsburg Netherlands.
 The complex was designed as a dynastic burial place in the tradition of the Burgundian Champmol and Cîteaux Abbey, and the French Saint-Denis.
 The church is known as the Église Saint-Nicolas-de-Tolentin de Brou in French.
The Triumphal Procession (in German, "Triumphzug") or Triumphs of Maximilian is a monumental 16th-century series of woodcut prints by several artists, commissioned by the Holy Roman Emperor Maximilian I.
 The composite image was printed from over 130 separate wood blocks; a total of 139 are known.
 Approximately 54 m long, it is one of the largest prints ever produced.
 It was designed to be pasted to the walls in city halls or the palaces of princes to create a decorative frieze, an expression of the Emperor's power and magnificence: a pictorial form of the contemporaneous royal entry, which like many Renaissance entries looked back to the Roman triumph.
 Maximilian's papers show that he intended the procession to "grace the walls of council chambers and great halls of the empire, proclaiming for posterity the noble aims of their erstwhile ruler".
 It was one of several works of propaganda in literary and print form commissioned by Maximilian, who was always drastically short of money, and lacked the funds to actually stage such a ceremony, unlike his Habsburg descendants.
 It could also be bound as a book, and it is copies treated this way which have survived, as well as those from later reprints.
The Large Triumphal Carriage or Great Triumphal Car (in German, "Triumphwagen") is a large 16th-century woodcut print by Albrecht Dürer, commissioned by the Holy Roman Emperor Maximilian I.
 The work was originally intended to be the central part of a 54 m long print of a "Triumphal Procession" or "Triumph of Maximilian", depicting Maximilian and his court entourage in a procession.
Cornelius Canis (also de Hondt, d'Hondt) (between 1500 and 1510 – 15 February 1562) was a Franco-Flemish composer, singer, and choir director of the Renaissance, active for much of his life in the "Grande Chapelle", the imperial Habsburg music establishment during the reign of Emperor Charles V.
 He brought the compositional style of the mid-16th century Franco-Flemish school, with its elaborate imitative polyphony, together with the lightness and clarity of the Parisian chanson, and he was one of the few composers of the time to write chansons in both the French and Franco-Flemish idioms.
The Triumphal Arch (also known as the Arch of Maximilian I, German: "Ehrenpforte Maximilians I." ) is a 16th-century monumental woodcut print, commissioned by the Holy Roman Emperor Maximilian I.
 The composite image was printed on 36 large sheets of paper from 195 separate wood blocks.
 At 295 xx , it is one of the largest prints ever produced, and was intended to be pasted to walls in city halls or the palaces of princes.
 It is part of a series of three huge prints created for Maximilian, the others being a "Triumphal Procession" (1516–18, 137 woodcut panels, 54 m long) which is led by a "Large Triumphal Carriage" (1522, 8 woodcut panels, 8 xx ); only the "Arch" was completed in Maximilian's lifetime and distributed as propaganda, as he intended.
 Together, this series has been described by art historian Hyatt Mayor as "Maximilian's program of paper grandeur".
 They stand alongside two published biographical allegories in verse, the "Theuerdank " and "Weisskunig ", heavily illustrated with woodcuts.