Question: Which writer, Sean S. Cunningham or Abigail Child, has completed more than thirty film and video works and installations, and six books?

Context articles: Ana María Simo
Sean S. Cunningham
John Gillies (artist and musician)
Abigail Child
Single-channel video
Surekha
Old English Hexateuch
The Task (poem)
Double Vision (1971 film)
Lucia Nogueira

Ana Maria Simo is a New York playwright, essayist and novelist.
 Born in Cuba, educated in France, and writing in English, she has collaborated with such experimental artists as composer Zeena Parkins, choreographer Stephanie Skura and filmmakers Ela Troyano and Abigail Child.
Sean Sexton Cunningham (born December 1, 1941) is an American film director, producer, and writer.
John Gillies (1960, Australia) is an Australian artist and musician, particularly known for his 'multi-layered and complex' video works and installations.
 He has also curated a number of video art programs.
Abigail Child is a filmmaker, poet, and writer who has been active in experimental writing and media since the 1970s.
 She has completed more than thirty film and video works and installations, and six books.
 An acknowledged pioneer in montage, Child’s early film work addressed the interplay between sound and image through reshaping narrative tropes, prefiguring many concerns of contemporary film and media.
Single-channel video is a term for video art works using a single electronic source and presented and exhibited from one playback device.
 Electronic sources can be any format of video tape, DVDs or computer-generated moving images utilizing the applicable playback device (such as a VCR, DVD player or computer) and exhibited using a television monitor, projection or other screen-based device.
 Historically, video art was limited to unedited video tape footage displayed on a television monitor in a gallery and was contrasted with both broadcast television and film projections in theatres.
 As technology advanced, the ability to edit and display video art provided more variations and "multi-channel video" works became possible as did multi-channel and multi-layered video installations.
 However, single-channel video works continue to be produced for a variety of aesthetic and conceptual reasons and the term usually now refers to a single image on a monitor or projection, regardless of image source or production.
Surekha is a contemporary Indian video artist whose works showcase themes including "Indian identity" and "Womanhood".
 She has been a full-time artist since 1996 and her video works have been shown at galleries outside India since 2001.
 Her works are known for the mix of video and physical presence, highlighting inherent experiences.
 Surekha has been exploring the possibilities of the video form, negotiating the public and private, locating the body as a site of contestation and appropriation.
 She uses photography and video to archive, document and perform.
 Surekha was born in Bangalore and has studied art at Ken school of Arts and Santiniketan, Viswabharati University.
 She has shown her works both in India and many international shows.
 Surekha lives and works in Bangalore.
The Old English Hexateuch is the collaborative project of the late Anglo-Saxon period that translated the six books of the Hexateuch into Old English, presumably under the editorship of Ælfric of Eynsham.
 It is the first vernacular translation of the first six books of the Old Testament, i.e. the five books of the Torah (Genesis, Exodus, Leviticus, Numbers and Deuteronomy) and Joshua.
The Task: A Poem, in Six Books is a poem in blank verse by William Cowper published in 1785, usually seen as his supreme achievement.
 Its six books are called "The Sofa", "The Timepiece", "The Garden", "The Winter Evening", "The Winter Morning Walk" and "The Winter Walk at Noon".
 Beginning with a mock-Miltonic passage on the origins of the sofa, it develops into a discursive meditation on the blessings of nature, the retired life and religious faith, with attacks on slavery, blood sports, fashionable frivolity, lukewarm clergy and French despotism among other things.
 Cowper's subjects are those that occur to him naturally in the course of his reflections rather than being suggested by poetic convention, and the diction throughout is, for an 18th-century poem, unusually conversational and unartificial.
 As the poet himself writes,
Double Vision is one of the earliest and best known video works by American (born 1937) artist Peter Campus.
 Running 14 minutes and 22 seconds, It is a single channel video created with two video cameras fed through a mixer, providing the effect of a photographic double exposure.
 The video is divided into seven parts, each referencing a phenomenal mode of perception or form of biological sight.
 Each part utilizes a different configuration of the video cameras to film the interior of a small loft space.
 It opens with the title Double Vision superimposed over a photograph of a fundus (the back layer of the retina) taken through an ophthalmoscope.
 Campus described the video as "an exploration of double or two-camera images, relating to the evolution of sight in animals.
 The tape begins with an uncoordinated two-camera image and works its way up to an eye-brain model, always conscious of how this model differed from its subject matter."
 Campus's contemporary Bill Viola wrote in Art in America: "Unlike many of his contemporaries who used the surveillance camera as a detached, fixed observer documenting the performer’s actions, Campus assigned an active, independent ontological status to the camera eye."
 The room the video takes place in has also been said to take on the role of subject.
 Campus said in 2003, "When I was young I made myself a prisoner of my room.
 It became part of me, an extension of my being.
 I thought of the walls as my shell.
 The room as a container had some relationship to the imaginary space inside a monitor."
Lucia Nogueira (1950–1998) was an artist specialising in sculptures and installations, video works and many drawings.
 Her work often alluded to the body and was concerned with the relationship between objects and language.