Question: Giovanni Santi was the father of which Italian architect of the High Renaissance?

Context articles: Giovanni Santi
Martinengo Altarpiece
Andrea Tirali
Raphael
Purism (Spanish architecture)
Portrait of Baldassare Castiglione
Donato Bramante
High Renaissance
Antonio da Lonate
Small Cowper Madonna

Giovanni Santi (c. 1435 – 1 August 1494) was an Italian painter, decorator, and the father of Raphael.
 He was born at Colbordolo in the Duchy of Urbino.
 He was a petty merchant for a time; he then studied under Piero della Francesca.
 He was influenced by Fiorenzo di Lorenzo, and seems to have been an assistant and friend of Melozzo da Forlì.
 He was court painter to the Duke of Urbino and painted several altarpieces, two now in the Berlin Museum, a Madonna in the church of San Francesco in Urbino, one at the church of Santa Croce in Fano, one in the National Gallery at London, and another in the gallery at Urbino; an Annunciation at the Brera in Milan; a resurrected Christ in the Museum of Fine Arts, Budapest; and a Jerome in the Lateran.
 He died in Urbino.
The Martinengo Altarpiece is a painting by the Italian High Renaissance painter Lorenzo Lotto, finished in 1516.
 It is housed in the church of Santi Bartolomeo e Stefano in Bergamo in northern Italy.
Andrea Tirali (1657–1737) was an Italian architect working in Venice and the Veneto.
 He is known to have worked at Villa Duodo at Monselice and the Chiesa and Convento di San Nicolò at Tolentino.
 At Villa Duodo he added to the work of the architect Vincenzo Scamozzi.
 Tirali was responsible for the intricate design of the pavement in the Piazza San Marco in Venice, for the elaborate tomb of the Valier family and for St Dominic Chapel in the Basilica of Saints Giovanni e Paolo, Venice.
 He also designed the portico to the Church of Tolentini, Venice from an idea of Scamozzi, the S. Vidal's facade and the entrance staircase to Ca' Sagredo.
 He was the architect of Villa Sceriman at Mira and Villa Morosini at Fiesso Umbertiano; of him the restauratiom of SS.
 Apostoli's towerbell, Scuola of Angelo Custode at Santi Apostoli, Palazzo Venier and Ponte dei Tre Archi at Cannaregio, Palazzo Castelli at S. Marina...all that in Venice.
 Of his the aechitect of St Vidal' s Vision Sanctuary at Pellestrina
Raffaello Sanzio da Urbino (] ; March 28 or April 6, 1483April 6, 1520), known as Raphael ( , ), was an Italian painter and architect of the High Renaissance.
 His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur.
 Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Purism is an initial phase of Renaissance architecture in Spain, which took place between 1530 and 1560, after to Isabelline Gothic and prior to the Herrerian architecture in the last third of the 16th century.
 The name "Prince Philip" refers to the period in which Philip II of Spain (born in 1527) had not yet received the inheritance of the Spanish Monarchy by abdication of his father the Emperor Charles V (1556).
 The name "Serlian" is due to the influential architect and treatise Sebastiano Serlio (in addition to the architectural element called "Serlian" in his honor).
 The Greco-Roman, the purist and the casticist are relate to the interpretation given to different elements of style, whether intellectual, formal, structural or decorative.
 Until then, writers of the period termed the classicist forms of the Italian Renaissance as the "roman" (Diego de Sagredo "Las Medidas del Romano", 1526), while the late-Gothic forms were called "the modern".
 For a more stylistic periodization more common in the art history, at that point of the 16th century the "Cinquecento" had entered in its Mannerist phase, while for the Spanish art is commonly used the expression High Renaissance (reserving the term Low Renaissance for the last third of the century).
Portrait of Baldassare Castiglione is a c. 1514–1515 oil painting attributed to the Italian High Renaissance painter Raphael.
 Considered one of the great portraits of the Renaissance, it has an enduring influence.
 It depicts Raphael's friend, the diplomat and humanist Baldassare Castiglione, who is considered a quintessential example of the High Renaissance gentleman.
Donato Bramante (1444 – 11 March 1514), born as Donato di Pascuccio d'Antonio and also known as Bramante Lazzari, was an Italian architect.
 He introduced Renaissance architecture to Milan and the High Renaissance style to Rome, where his plan for St. Peter's Basilica formed the basis of design executed by Michelangelo.
 His Tempietto (San Pietro in Montorio) marked the beginning of the High Renaissance in Rome (1502) when Pope Julius II appointed him to build a sanctuary over the spot where Peter was allegedly crucified.
In art history, High Renaissance is the period denoting the apogee of the visual arts in the Italian Renaissance.
 The High Renaissance period is traditionally taken to begin in the 1490s, with Leonardo's fresco of the Last Supper in Milan and the death of Lorenzo de' Medici in Florence, and to have ended in 1527 with the sacking of Rome by the troops of Emperor Charles V.
 This term was first used in German (Hochrenaissance) in the early nineteenth century, and has its origins in the "High Style" of painting and sculpture described by Johann Joachim Winckelmann.
 Over the last twenty years, use of the term has been frequently criticized by academic art historians for oversimplifying artistic developments, ignoring historical context, and focusing only on a few iconic works.
Antonio da Lonate (born 1456-1457, Lonate Pozzolo - died after 1541, Milan) was an Italian architect who is known for his Renaissance architecture.
 A follower of Donato Bramante, his works were designed in the High Renaissance style.
 Among the works attributed to him are the altar at the Basilica of San Magno in Legnano and the Vigevano Cathedral.
The Small Cowper Madonna is a painting by the Italian High Renaissance artist Raphael, depicting Mary and Child, in a typical Italian countryside.
 It has been dated to around 1505, the middle of the High Renaissance.