Question: What is the name of this Mexican horror drama film from 1993 that starred Daniel Giménez Cacho?

Context articles: The Summit (2017 film)
El Santos vs. La Tetona Mendoza
Daniel Giménez Cacho
Cronos (film)
México Bárbaro
Ariadna Welter
We Are What We Are (2010 film)
Jealousy (1999 film)
Deep Crimson
Bad Education (film)

The Summit (Spanish: La cordillera ) is a 2017 Argentine political drama film directed by Santiago Mitre and written by Mitre and .
 The film stars Ricardo Darín, Dolores Fonzi, Érica Rivas, Elena Anaya, Daniel Giménez Cacho, Alfredo Castro, Gerardo Romano, Leonardo Franco, Paulina García, and Christian Slater.
 It was screened in the Un Certain Regard section at the 2017 Cannes Film Festival.
 It was released on 17 August 2017 in Argentina.
El Santos vs. La Tetona Mendoza (The Santos vs. Big Tits Mendoza in Spanish) is a 2012 Mexican adult animated comedy film based on José Ignacio Solórzano ("JIS") and Trino Camacho's comic strip series.
 It was released in Mexico on November 30, 2012.
 Along with the ensemble cast, the film stars Daniel Giménez Cacho, José María Yazpik, Héctor Jiménez and Regina Orozco.
 It was produced by Ánima Estudios (through its adult label, Átomo Films) and distributed by Videocine.
Daniel Giménez Cacho (born May 15, 1961) is a Spanish-born Mexican actor and Ariel award winner.
 He starred in several Mexican films and television series, such as "Sólo Con Tu Pareja", "Cronos", "Midaq Alley", "Tear This Heart Out", and "Bad Education".
 He is known for having worked with some of the most important Hispanic filmmakers: Guillermo Del Toro, Alfonso Cuarón, Jorge Fons and Pedro Almodóvar.
Cronos is a 1993 Mexican horror drama film written and directed by Guillermo del Toro, starring veteran Argentinean actor Federico Luppi and American actor Ron Perlman.
 "Cronos" is del Toro's first feature film, and the first of several films on which he collaborated with either Luppi or Perlman.
 The film was selected as the Mexican entry for the Best Foreign Language Film at the 66th Academy Awards, but was not accepted as a nominee.
México Bárbaro (aka Barbarous Mexico) is a 2014 Mexican anthology horror film directed by eight horror filmmakers from Mexico.
 The film contains 8 different shorts, each by different directors spanning Mexican horror legends.
 It premiered at the Sitges International Fantastic Film Festival 2014.
 In 2015, it was released on DVD and VOD in the U.S. and in 2016 on Netflix around the world.
 The film was sold to six countries during the Le Marché du Film at Festival de Cannes 2015, including MPI/Dark Sky Films.
Ariadne Welter (June 29, 1930 – December 13, 1998) was a Mexican movie actress of the Golden Age of Mexican cinema.
 She appeared in the Luis Buñuel film "The Criminal Life of Archibaldo de la Cruz" (1955).
 In 1956 she starred in the film "El Vampiro", a classic of the Mexican horror films.
We Are What We Are (Spanish: Somos lo que hay ) is a 2010 Mexican cannibal horror film directed by Jorge Michel Grau.
 The movie is about a family of cannibals who, after the death of the father, try to continue a ritualistic tradition of kidnapping and eating other humans.
 The film stars Paulina Gaitán and Daniel Giménez Cacho.
Jealousy (Spanish: Celos ) is a 1999 Spanish film, written and directed by Vicente Aranda.
 It stars Daniel Giménez Cacho, Aitana Sanchez-Gijón, Maria Botto and Luis Tosar.
Deep Crimson (Spanish: Profundo Carmesí ) is a 1996 Mexican crime film directed by Arturo Ripstein, written by Paz Alicia Garciadiego and starring Regina Orozco and Daniel Giménez Cacho.
 Like "The Honeymoon Killers" before it, the film is a dramatization of the story of "Lonely Hearts Killers", Raymond Fernandez and Martha Beck, who committed a string of murders of women in the 1940s.
Bad Education (Spanish: La mala educación ) is a 2004 Spanish drama film written and directed by Pedro Almodóvar.
 Starring Gael García Bernal, Fele Martínez, Daniel Giménez Cacho and Lluís Homar, the film focuses on two reunited childhood friends and lovers caught up in a stylised murder mystery.
 Along with metafiction, sexual abuse by Catholic priests, transsexuality and drug use are also important themes and devices in the plot, which led the MPAA to give the film an NC-17 rating.