Question: The American boy who disappeared in 1979 was lost from what artistic and cultural neighborhood in New York?

Context articles: Harlem Renaissance
SoHo, Manhattan
The American Boy's Handy Book
Korean Cultural Center New York
El Internacional (New York City)
Dirty War
Brooklyn Arts Gallery
Disappearance of Etan Patz
Edwin A. McAlpin
Westcott, Syracuse

The Harlem Renaissance was a cultural, social, and artistic explosion that took place in Harlem, New York, spanning the 1920s.
 During the time, it was known as the "New Negro Movement", named after the 1925 anthology by Alain Locke.
 The Movement also included the new African-American cultural expressions across the urban areas in the Northeast and Midwest United States affected by the African-American Great Migration, of which Harlem was the largest.
 The Harlem Renaissance was considered to be a rebirth of African-American arts.
 Though it was centered in the Harlem neighborhood of the borough of Manhattan in New York City, many francophone black writers from African and Caribbean colonies who lived in Paris were also influenced by the Harlem Renaissance.
SoHo, sometimes written Soho, is a neighborhood in Lower Manhattan, New York City, which in recent history came to the public's attention for being the location of many artists' lofts and art galleries, but is now better known for its variety of shops ranging from trendy upscale boutiques to national and international chain store outlets.
 The area's history is an archetypal example of inner-city regeneration and gentrification, encompassing socioeconomic, cultural, political, and architectural developments.
The American Boy's Handy Book is a handbook of activities intended for boys, written by a founder of the Boy Scouts of America, Daniel Carter Beard.
 It is divided into seasonal sections, with activities appropriate for each season in their respective sections.
 Originally published in New York City in 1882 with 254 black-and-white figures and 63 illustrations.
 The 2010 Centennial Edition of the book was granted the Gelett Burgess Children's Book Award in the Sports and Hobbies category.
The Korean Cultural Center New York (KCCNY) (Korean: 뉴욕한국문화원), a branch of the Ministry of Culture, Sports, and Tourism of the Republic of South Korea, is a government institution supported by the Korean Consulate General.
 Inaugurated in December of 1979, KCCNY works to establish and promote Korean culture and aesthetics in New York through diverse cultural and artistic activities including gallery exhibitions, performing arts concerts, film festivals, and educational programs.
 The current director is Seung Je Oh.
El Internacional Tapas Bar & Restaurant was conceived as an artistic project and social experiment, carried out between 1984 and 1986 by artist Antoni Miralda and chef Montse Guillén in the Tribeca neighborhood of Manhattan, New York City.
 It was an initiative merging the cultural contexts of contemporary art and cuisine.
 The restaurant's popularity and renown would become a daring exploration of cross-cultural, trans-disciplinary esthetics and somehow an iconic symbol of the New York scene of the 80s.
 The project engaged food, sensorial experiences and installation art as vehicles and rituals for transmitting and subverting traditions and blending social practices of the time.
 El Internacional was seen as a point of convergence for the artistic community, and, at the same time, as a real place that engaged neighbors and celebrities alike in its culinary inventions and exotic allure.
 El Internacional was an ongoing process of the almost 3-year day-by-day creation of a work of installation and performance art.
The "Dirty War" (Spanish: "Guerra Sucia" ), was the name used by the Argentine Military Government for a period of state terrorism in Argentina from roughly 1974 to 1983 (some sources date the beginning to 1969), during which military and security forces and right-wing death squads in the form of the Argentine Anticommunist Alliance (Triple A) hunted down and killed left-wing guerrillas, political dissidents, and anyone believed to be associated with socialism.
 About 30,000 people disappeared, many of which were impossible to be formally reported due to the nature of the issue: state terrorism.
 The targets were left-wing activists, guerrillas and militants, trade unionists, students, journalists and Marxists and Peronist guerrillas and their support network in the Montoneros believed to be 150,000-250,000-strong and 60,000-strong in the ERP, as well as alleged sympathizers.
 Some 10,000 of the "disappeared" were guerrillas of the Montoneros (MPM) and the Marxist People's Revolutionary Army (ERP) although the lowest estimate is that the Montoneros and ERP had a combined strength of 5,000.
 The "disappeared" included those thought to be a political or ideological threat to the military junta, even vaguely, and they were killed in an attempt by the junta to silence the opposition and break the determination of the guerrillas.
 The worst repression reportedly occurred after the guerillas were largely defeated in 1977, when the church, labor unions, artists, intellectuals and university students and professors were targeted.
 Although the Montoneros reported having carried out some 600 armed attacks in 1977, the guerrilla threat had greatly declined.
 The junta justified this mass terror by exaggerating the guerrilla threat, and even staged attacks to be blamed on guerillas and used frozen dead bodies of guerilla fighters that had been kept in storage for this purpose.
 In late 1979, Amnesty International accused the Videla military government of being responsible for the disappearance of 15,000 to 20,000 Argentine citizens since the 1976 coup.
 That year, a special study by the New York City Bar concluded that around 10,000 Argentines had disappeared since the coup.
 According to "Registro Unificado de Víctimas del Terrorismo de Estado" (Ruvte), 662 were disappeared under the presidency of Isabel Perón and 6,348 were disappeared during the military dictatorship.
The Brooklyn Arts Gallery was Brooklyn's first art gallery.
 Located in the borough's Brooklyn Heights neighborhood in New York City, the gallery first opened on January 22, 1958, with the purpose being to "provide facilities where artists may display their work to the public at a minimum cost and without red tape."
 Open to the public and free of charge to both patrons and artists, the gallery was privately established for the benefit of lesser-known artists in Brooklyn by its founder and director, Sylvia Dwyer.
 The Gallery's exhibits of paintings, drawings, prints, sculptures, and ceramics reflected many artistic movements of that era, including expressionism, realism, modern, non-objective, and abstraction.
 Throughout the 1960s, the gallery remained a center for artists and was heralded for its cultural influence on the neighborhood.
Etan Kalil Patz ( , born October 9, 1972, declared legally dead in 2001) was an American boy who was six years old on May 25, 1979 when he disappeared on his way to his school bus stop in the SoHo neighborhood of Lower Manhattan.
 His disappearance helped launch the missing children movement, which included new legislation and new methods for tracking down missing children, and spawned the "photo on a milk carton" campaigns of the early 1980s.
 He was the first missing child to have a photo on a milk carton.
 In 1983, President Ronald Reagan designated May 25—the anniversary of Etan's disappearance—as National Missing Children's Day in the United States.
General Edwin Augustus McAlpin (June 9, 1848 – April 12, 1917) was president of the D.H. McAlpin & Co., a tobacco manufacturer.
 He built the Hotel McAlpin in New York City, at the time the largest hotel in the world.
 He had an active military career in the New York National Guard and was appointed Adjutant General of New York by the Governor.
 He was president of the American Boy Scouts and the Mayor of Ossining, New York.
Westcott is a neighborhood in Syracuse, New York, United States.
 Its proximity to Syracuse University makes for a diverse community, home to Syracuse University students, professors and other faculty and staff, as well as residents at all income levels.
 Westcott Street is the main retail street of the neighborhood, featuring numerous restaurants, coffee shops, stores and The Westcott Theater performing arts venue.
 It is the site of the annual Westcott Street Cultural Fair, a one-day celebration of the diversity and uniqueness of the neighborhood with food, art, live performances and cultural activities.
 Westcott is also home to Thornden Park, one of the largest parks in Syracuse.
 The Westcott neighborhood is the boyhood home of renowned banjoist Tony Trischka.