Question: Sloan and Eugenius, share which genre?

Context articles: Return to the Field
Blason populaire
John French Sloan
ImpactStory
2dF Galaxy Redshift Survey
Eugenius (band)
WTC View
Sloan (band)
The Man in the Gray Flannel Suit (novel)
La muñeca menor

Return to the Field (歸田賦) is a literary work written in the Chinese style known as a rhapsody, or "fu" style: it is by Zhang Heng (AD 78–139), an official, inventor, mathematician, and astronomer of the Han Dynasty of China (202 BC–220 AD).
 Zhang's "Return to the Field" is a seminal work in the Fields and Gardens poetry genre which helped to sparked centuries of poetic enthusiasm for poems of various forms which share a common theme of nature foremost with human beings and human thought seemingly not in main focus, somewhat similar to the Landscape poetry genre; however, in the case of the Fields and Gardens genre, nature was focused upon in its more domestic manifestation, paying homage to the appearance of nature in gardens, as found in backyards, and cultivated in the countryside.
 "Return to the Field" also invokes traditional themes of Classical Chinese poetry involving nature versus society.
Blason populaire is an umbrella genre in the field of folkloristics used to designate any item of any genre which makes use of stereotypes, usually, but not always, negative stereotypes, of a particular group.
"These stereotypes are manifested in a wide array of folkloric genres, including proverbs, other traditional sayings, nicknames, jokes, songs, rhymes, and football chants.
 All share a common function in that they are invoked to highlight positive aspects of the in-group by explicit auto-stereotyping or, alternatively, to identify the negative characteristics of out-groups.
 The explicit positive stereotyping of an in-group may often implicitly suggest negative characteristics of a rival out-group."
John French Sloan (August 2, 1871 – September 7, 1951) was a twentieth-century painter and etcher and one of the founders of the Ashcan school of American art.
 He was also a member of the group known as The Eight.
 He is best known for his urban genre scenes and ability to capture the essence of neighborhood life in New York City, often observed through his Chelsea studio window.
 Sloan has been called "the premier artist of the Ashcan School who painted the inexhaustible energy and life of New York City during the first decades of the twentieth century" and an "early twentieth-century realist painter who embraced the principles of Socialism and placed his artistic talents at the service of those beliefs."
ImpactStory is an open source, web-based tool that provides altmetrics to help researchers measure and share the impacts of all their research outputs—from traditional ones such as journal articles, to alternative research outputs such as blog posts, datasets, and software.
 It aims to change the focus of the scholarly reward system to value and encourage web-native scholarship.
 ImpactStory is a nonprofit organisation funded by the Alfred P. Sloan Foundation and the National Science Foundation.
In astronomy, the 2dF Galaxy Redshift Survey (Two-degree-Field Galaxy Redshift Survey), 2dF or 2dFGRS is a redshift survey conducted by the Anglo-Australian Observatory (AAO) with the 3.9m Anglo-Australian Telescope between 1997 and 11 April 2002.
 The data from this survey were made public on 30 June 2003.
 The survey determined the large-scale structure in two large slices of the Universe to a depth of around 2.5 billion light years (redshift ~ 0.2).
 It was the world's largest redshift survey between 1998 (overtaking Las Campanas Redshift Survey) and 2003 (overtaken by the Sloan Digital Sky Survey).
 Matthew Colless, Steve Maddox and John Peacock were in charge of the project.
 Team members Shaun Cole and John Peacock were awarded a share of the 2014 Shaw Prize in astronomy for results from the 2dFGRS.
Eugenius (formerly known as Captain America) was an indie rock band from Glasgow, Scotland that existed from 1990–1995, centred on former Vaselines singer/guitarist Eugene Kelly and featuring members of BMX Bandits and Teenage Fanclub.
WTC View is an American film released in 2005, based on the 2003 play of the same name by Brian Sloan, that traces the search for a roommate in the weeks following 9/11.
 Eric (Michael Urie), a gay photographer, places an ad for a new roommate on September 10, 2001 for his apartment with a view of the World Trade Center.
 He encounters prospective roommates in varying stages of grief, including a campaign worker for mayoral candidate Mark J. Green, a boisterous construction worker, an idealistic NYU student, and a trader on Wall Street, each of whom share his own perspective on the events.
 Throughout the film, Eric deals with the aftermath of 9/11, the trauma it has and continues to cause him, and the resulting split from his boyfriend.
Sloan is a Toronto-based rock/power pop quartet from Halifax, Nova Scotia.
 Throughout their over twenty-five-year career, Sloan has released 11 LPs, two EPs, a live album, a Greatest hits album and more than thirty singles.
 The band has received nine Juno Award nominations, winning one.
 The band is known for their sharing of songwriting from each member of the group and their unaltered line-up throughout their career.
 Their albums' success has made Sloan one of the most popular Canadian bands of all time.
The Man in the Gray Flannel Suit is a 1955 novel by Sloan Wilson about the American search for purpose in a world dominated by business.
 The main characters, a middle-class young couple named Tom and Betsy Rath, share a struggle to find contentment in their hectic and material culture while several other characters fight essentially the same battle, but for different reasons.
 In the end, it is a story of taking responsibility for one's own life.
La muñeca menor ("The youngest doll") is a short story by Rosario Ferré published in 1976.
 This story falls under the genre of magical realism.
 According to critic Cynthia Sloan, "One of the lucid strategies that Ferré employs to challenge the conventional misrepresentation to introduce the presence of dolls in the literal, as well as the figurative sense, to show how the doll, being the stereotypical choice of toy for a girl, encapsulates societal expectations of behavior and appearance and therefore limits the scope of possibilities for women by continually reinforcing unrealistic ideals."
 The text also reflects the weakening of landowners as a result of industrialization.