Question: In what year was the choreographer who did the choreography for "Specter of the Rose" born?

Context articles: Tamara Geva
Andy Blankenbuehler
Hsiao Ho (actor)
Specter of the Rose
Toby Sedgwick
Ann Reinking
Casey Nicholaw
Stephen Mear
Cristina Caprioli
José Besprosvany

Tamara Geva (Russian: Тамара Гева , Жева, or Жева; 17 March 1907 – 9 December 1997) was a Russian-American actress, ballet dancer and choreographer.
 She was the first wife of dancer/choreographer George Balanchine.
Andy Blankenbuehler (born March 7, 1970) is an American dancer, choreographer and director primarily for stage and concerts.
 He has been nominated for the Tony Award for Best Choreography five times, and has won three times: for "Bandstand", "Hamilton" and "In the Heights."
 Blankenbuehler's other Broadway choreography work includes "9 to 5, Bring it On: The Musical", and the 2016 "Cats" revival.
Hsiao Ho, (Hsiao Hou) (; Cantonese: Siu Hau, born 1 January 1958 (age 58) in Meixian District, Guangdong, China) is a Hong Kong martial arts film actor, stunt performer and action choreographer.
 A Hakka, he has acted in many films directed by Lau Kar-leung, including "Mad Monkey Kung Fu" and Legendary Weapons of China.
 In 1985 he portrayed legendary kung fu warrior Fong Sai-Yuk in the Lau directed action-comedy, "Disciples of the 36th Chamber" and also took a lead role in Fake Ghost Catchers, directed by Lau Kar Wing.
 Fake Ghost Catchers is marketed by Celestial Pictures as being made two years before Ghostbusters (inferring that the idea for Ghostbusters may have come from the movie).
 Hou is also known for portraying the "disfigured swordsman" and doubling complicated action scenes in 1993's "Iron Monkey".
 He was also the action director for the movie Shaolin Avengers (1994).
 In 1982 he was nominated for Best Action Choreography for the movie Legendary Weapons of China (for which he was action director) at the Hong Kong Film Awards alongside Lau Kar Leung and Ching Chu who also provided choreography for the film.
Specter of the Rose is a 1946 film noir thriller film written and directed by Ben Hecht and starring Judith Anderson, Ivan Kirov, Viola Essen, Michael Chekhov, and Lionel Stander, with choreography by Tamara Geva, and music by George Antheil.
Toby Sedgwick (born 16 August 1958) is a British movement director, actor, and theatre choreographer.
 He achieved critical acclaim for his expressive "horse choreography" for life-size puppets used in "War Horse" (2007), which played at West End's New London Theatre, Broadway's Vivian Beaumont Theater and Toronto's Princess Of Wales Theatre.
 For the latter, Sedgwick won a 2008 Laurence Olivier Award for Best Theatre Choreographer and a 2012 Dora Mavor Moore Award for Outstanding Choreography in a Play or Musical.
 Due to its success, the play was going on a 30-city tour in the United States and was also produced in Australia and in Germany, opening late in 2013, just before the centenary of the first world war.
Ann Reinking (born November 10, 1949) is an American actress, dancer, and choreographer.
 Her extensive work in musical theater includes starring in Broadway productions of "Coco" (1969), "Over Here!
" (1974), "Goodtime Charley" (1975), "A Chorus Line" (1976), "Chicago" (1977), "Dancin'" (1978) and "Sweet Charity" (1986).
 In the 1996 revival of "Chicago", she reprised the role of Roxie Hart and was also the choreographer, winning the Tony Award for Best Choreography.
 For the 2000 West End production of "Fosse", she won the Olivier Award for Best Theatre Choreographer.
 She has also appeared in the films "All That Jazz" (1979), "Annie" (1982), and "Micki & Maude" (1984).
Casey Nicholaw (born 1962) is an American theatre director, choreographer and performer.
 He has been nominated for Tony Awards for directing and choreographing "The Drowsy Chaperone" (2006) and "Something Rotten!
" (2015), for choreographing "Monty Python's Spamalot" (2005), and choreographing "The Book of Mormon" (2011), winning for his co-direction of the latter with Trey Parker.
 He also was nominated for the Drama Desk Awards for Outstanding Direction and Choreography for "The Drowsy Chaperone" (2006) and "Something Rotten!"
 (2015) and for Outstanding Choreography for "Spamalot" (2005).
Stephen Mear (born 1964) is an English dancer and choreographer best known for his award-winning work in musical theatre.
 In 2005, Mear and co-choreographer Matthew Bourne won the Laurence Olivier Award for "Best Choreography", for their work on the new West End musical "Mary Poppins".
 This production later transferred to Broadway in 2006, being nominated for the Tony Award for "Best Choreography" in 2007.
 Most recently, Mear choreographed the new Broadway musical of Disney's "The Little Mermaid" (2007–08).
 In recognition of his achievements, in 2007 Mear was the recipient of a Carl Alan Award, an award voted for by leading dance organisations in the United Kingdom.
 In 2010, Stephen Mear won a Laurence Olivier Award for best Theatre Choreographer for his work on Hello Dolly at the Open Air Theatre, Regent's Park, he was also a choreographer for "So You Think You Can Dance (UK)", in the category broadway.
Cristina Caprioli (born 22 October 1953) is an Italian-born Swedish dancer and choreographer.
 During 2000-2002 she was head of the choreography program at the University of Dance and Circus (DOCH) in Stockholm, and in 2008 she was appointed Professor of Choreography.
 Caprioli is trained in dance in Sweden and the USA.
 During the mid-1990s she began choreographing and in 1998 she founded CCAP, an independent organization for sustainment of choreography, where she has produced more than 30 works.
 Through CCAP Caprioli produces stage performances, installations, videos, objects, publications and choreography, and runs long-term interdisciplinary research projects.
José Besprosvany ( October 13, 1959) is a dancer, choreographer, director and teacher, who has developed his career in Europe.
 He has been noted as one of Belgium’s contemporary dance innovators and reformers.
 He left Mexico as a teenager to study theater and dance in Paris and Brussels, after dancing and doing choreography with several companies, Besprosvany began his own in 1986, which has had at least one production each year since its inception.
 In the late1990s, Besprosvany revamped his choreography to the current dominant style, which blends various arts and media, with themes focusing on the relationship of dance and narrative along with non-European cultures.
 His productions have toured various European countries and have performed in Mexico as well, twice at the Festival Internacional Cervantino.