Question: Tam Lin is a character in a legendary ballad originating from Norfolk, it's also associated with the Glasgow Reel, a folk dance type, as well as the accompanying dance tune type, is called?

Context articles: Tam Lin (novel)
Time (Steeleye Span album)
Aise
Hokey cokey
Carterhaugh
Reel (dance)
Virginia reel (dance)
Liege &amp; Lief
Tam Lin
Jig

Tam Lin is a 1991 contemporary fantasy novel by United States author Pamela Dean, who based it on the traditional Scottish border ballad "Tam Lin".
Time is an album by Steeleye Span.
 The album was released in 1996, after a seven-year hiatus.
 The impetus for the album was a 25th anniversary reunion tour the year before, during which most of the former members of the band performed together.
 Maddy Prior was experiencing voice problems so she spoke to Gay Woods, a founding member who had left the band after the first album, to rejoin.
 Woods initially resisted this move, since she had not performed publicly for some time, but Prior eventually prevailed and Woods returned to the band.
 The result was only the second Steeleye Span album to feature two female singers, which was used to very good effect on the ironic "Old Maid in the Garrett" and to a lesser extent on "The Prickly Bush" and "The Cutty Wren".
 Both, Prior and Woods, provide lead vocals on different songs.
 Priors' voice troubles are reflected in her musical choices on this album; she generally sings less powerfully and in a lower range, but still effectively.
 Woods also introduced a few Irish elements to the bands' repertoire, including the "Old Maid in the Garrett/Tam Lin reel" and her Bodhran.
 This album was to be Priors' last album with Steeleye Span until 2002’s "Present".
Aise (Greek: Αϊσέ , Turkish: "Ayşe" ),Turkish: "Atımı Bağladım Ben Bir Ormana" , is an instrumental dance tune common throughout the eastern Mediterranean.
 Sections of its melody are found as part of “Selanik”(“Thessalonikê”), a tune from Macedonia; in apiece by the Ottoman Armenian composer Tatyos Efendi; and in the song, “Love’s Like a Pin,”from Asia Minor and Propontis (for a recording, see Songs and Tunes of Thrace, CUP CD 7-8, 1:3).
 What was probably the first recording has also been identified: a 78 made in Cairo in 1910 under the title, “Bulbul Al-Afrah” (“The Happy Nightingale”), with the Jewish musician Ibrahim Sahalun ’s Takht on violin.In Lesvos, the tune is called “Aisé” (a Turkish female name).
 It may have had lyrics at some point in the past and was most commonly performed in the west of the island.
 The tune is characteristic of the petachtos karsilamas, a term that refers to an entire category of dance performed to tunes with a very rapid time signature (although today,thanks to the choreographic intervention of the dance association, it is presented as a “chair dance”).
 This type of karsilamas is also called aïdinikos (see the section ondance), and the rhythm has nine beats (2+2+2+3).
There are similar folkloric tunes known as "Gel Gel Aman".
The hokey cokey (United Kingdom), hokey pokey (United States, Ireland, Canada, Australia, the Caribbean, Israel), or hokey tokey (New Zealand), is a participation dance with a distinctive accompanying tune and lyric structure.
 It is well known in English-speaking countries.
 It originates in a British folk dance, with variants attested as early as 1826.
 The song and accompanying dance peaked in popularity as a music hall song and novelty dance in the mid-1940s in Britain and Ireland.
 The song became a chart hit twice in the 1980s.
 The first hit was by The Snowmen, which peaked at UK No. 18 in 1981.
Carterhaugh is a wood and farm near the confluence of the Yarrow Water and the Ettrick Water near Selkirk in the Scottish Borders.
 This real location is the fictional setting for the meeting between Tam Lin and Janet (sometimes Margaret) in the ballad "Tam Lin".
The reel is a folk dance type as well as the accompanying dance tune type.
 In Scottish country dancing, the reel is one of the four traditional dances, the others being the jig, the strathspey and the waltz, and is also the name of a dance figure (see below).
The Virginia reel is a folk dance that dates from the 17th century.
 Though the reel may have its origins in Scottish country dance and the Highland reel, and perhaps have an even earlier influence from an Irish dance called the Rinnce Fada, it is generally considered to be an English country dance.
 The dance was most popular in America from 1830–1890.
Liege & Lief is the fourth album by the English folk rock band Fairport Convention.
 It is the third and final album the group released in the UK in 1969, all of which prominently feature Sandy Denny as lead female vocalist (Denny did not appear on the group's 1968 debut album).
 It is also the very first Fairport album on which all songs have either been adapted (freely) from traditional British and Celtic folk material (for example "Matty Groves", "Tam Lin"), or else are original compositions (such as "Come All Ye", "Crazy Man Michael") written and performed in a similar style.
 By introducing songs of this genre into the group's repertoire Denny, who had previously sung and recorded traditional folk songs as a solo artist, was instrumental in this transformation.
 Although Denny quit the band even before the album's release, Fairport Convention has continued to the present day to make music almost exclusively within the traditional British folk music idiom, and are still most strongly associated with it.
Tam (or Tamas) Lin (also called Tamlane, Tamlin, Tomlin, Tam Lien, Tam-a-Line, Tam Lyn, or Tam Lane) is a character in a legendary ballad originating from Norfolk (Child 39, Roud 35).
 It is also associated with a reel of the same name, also known as the Glasgow Reel.
 The story revolves around the rescue of Tam Lin by his true love from the Queen of the Fairies.
 The motif of capturing a person by holding him through all forms of transformation is found throughout Europe in folktales.
The jig (Irish: "port" ) is a form of lively folk dance in compound metre, as well as the accompanying dance tune.
 It developed in 16th-century England, and was quickly adopted on the Continent where it eventually became the final movement of the mature Baroque dance suite (the French gigue; Italian and Spanish giga).
 Today it is most associated with Irish dance music, Scottish country dance and the Métis people in Canada.
 Jigs were originally in duple compound metre, (e.g., time), but have been adapted to a variety of time signatures, by which they are often classified into groups, including light jigs, slip jigs, single jigs, double jigs, and treble jigs.