Question: Which writer, André Breton or Jack Schaefer, is anti-fascist?

Context articles: Jack Schaefer
Anthology of Black Humor
Max Morise
Monte Walsh (1970 film)
André Breton
Littérature (magazine)
Philippe Soupault
Elisa Breton
Exposition Internationale du Surréalisme
Surrealist automatism

Jack Warner Schaefer (November 19, 1907 – January 24, 1991) was an American writer known for his Westerns.
 His best-known work is "Shane", which was made into the film "Shane", and the short story "Stubby Pringle's Christmas" (1964).
The Anthology of Black Humor (in French "Anthologie de l'humour noir") is an anthology of 45 writers edited by André Breton.
 It was first published in 1940 in Paris by Éditions du Sagittaire and its distribution was immediately banned by the Vichy government.
 It was reprinted in 1947 after Breton's return from exile, with a few additions.
 In 1966, Breton, ""having resisted the temptation to add more names"", published the book again and called this edition "the definitive".
Max Morise (1900-1973) was a French artist, writer & actor, associated with the Surrealist movement in Paris from 1924 to 1929.
 He was friends with Robert Desnos and Roger Vitrac before they joined the Surrealist movement.
 He contributed articles to "La Revolution Surrealiste" and took part in a series of round table discussions held by the group, regarding the nature of sex.
 He also participated in several Surrealist games, most famously the "exquisite corpse".
 André Breton quotes Morise twice in the first "Surrealist Manifesto"; after saying "We do not have any talent", Breton provides a quote by Vitrac and Paul Éluard, then says "Ask Max Morise" and provides this quote:
Monte Walsh is a 1970 film directed by cinematographer William A. Fraker.
 His directorial debut, it stars Lee Marvin, Jeanne Moreau and Jack Palance.
 The name "Monte Walsh" is taken from the title of a 1963 western novel by Jack Schaefer, but the film has little to do with the plot of Schaefer's book.
 The film was set in Harmony, Arizona.
 A made-for-TV remake was set in Wyoming and directed by Simon Wincer, with Tom Selleck and Isabella Rossellini playing the parts of Monte and Martine.
 The story has elements of a tragedy.
 The song played over the opening credits is "The Good Times Are Comin' " by Mama Cass, with music and lyrics by John Barry and Hal David.
André Breton (] ; 19 February 1896 – 28 September 1966) was a French writer, poet, and anti-fascist.
 He is known best as the founder of Surrealism.
 His writings include the first "Surrealist Manifesto" ("Manifeste du surréalisme") of 1924, in which he defined surrealism as "pure psychic automatism".
Littérature was a literary magazine edited by André Breton, Philippe Soupault, and Louis Aragon.
 Its first issue was published on March 19, 1919.
 Because of dwindling circulation, Breton decided to terminate publication after the August 1921 issue.
 In March 1922, however, he relaunched the magazine with the cover illustrating a Man Ray drawing of a shiny top hat, and the title, ""Littérature": New Series."
 Breton remained the only one in charge of the review, after the departure of Aragon and Soupault, and to mark the review's change of direction, Breton decided to replace the cover image created by Man Ray with drawings – different each time – by Francis Picabia, to whom he gave carte blanche for each issue.
 Picabia drew on religious imagery, erotic iconography, and the iconography of games of chance.
Philippe Soupault (2 August 1897, Chaville, Hauts-de-Seine – 12 March 1990, Paris) was a French writer and poet, novelist, critic, and political activist.
 He was active in Dadaism and later founded the Surrealist movement with André Breton.
 Soupault initiated the periodical "Littérature" together with the writers Breton and Louis Aragon in Paris in 1919, which, for many, marks the beginnings of Surrealism.
 The first book of automatic writing, "Les champs magnétiques" (1920), was co-authored by Soupault and Breton.
 In 1927 Soupault, with the help of his wife Marie-Louise, translated William Blake's "Songs of Innocence and Experience" into French.
 The next year, Soupault authored a monograph on Blake, arguing the poet was a "genius" whose work anticipated the Surrealist movement in literature.
 He directed Radio Tunis from 1937 to 1940, when he was arrested by the pro-Vichy regime.
 He fled successfully to Algiers.
Elisa Breton (born Elisa Bindhoff Enet) (b. Viña del Mar in Chile, 25 April 1906, d. Le Kremlin-Bicêtre, 5 April 2000), was a French artist and writer, and the third wife of the French writer and surrealist André Breton.
The Exposition Internationale du Surréalisme was an exhibition by surrealist artists that took place from January 17 to February 24, 1938, in the generously equipped Galérie Beaux-Arts, run by Georges Wildenstein, at 140, Rue du Faubourg Saint-Honoré in Paris.
 It was organised by the French writer André Breton, the surrealists' brain and theorist, and Paul Éluard, the best known poet of the movement.
 The catalogue listed, along with the above, Marcel Duchamp as generator and arbitrator (to appease the partly fierce conflicts mainly between Breton and Éluard), Salvador Dalí and Max Ernst as technical advisers, Man Ray as head lighting technician and Wolfgang Paalen as responsible for the design the entrance and main hall with "water and foliage".
 The exhibition was staged in three sections, showing paintings and objects as well as unusually decorated rooms and mannequins which had been redesigned in various ways.
 With this holistic presentation of surrealist art work the movement wrote exhibition history.
Surrealist automatism is a method of art making in which the artist suppresses conscious control over the making process, allowing the unconscious mind to have great sway.
 Early 20th century Dadaists, such as Hans Arp, made some use of this method through chance operations.
 Surrealist artists, most notably André Masson, adapted to art the automatic writing method of André Breton and Philippe Soupault who composed with it "Les Champs Magnétiques" (The Magnetic Fields) in 1919. "
The Automatic Message" (1933) was one of Breton's significant theoretical works about automatism.