Question: In which quarterly English language literary magazine did the poetry of William Benton appear?

Context articles: William Benton (writer)
Newfoundland Quarterly
Desh (magazine)
Daruma Magazine
The Paris Review
Japanese poetry
Kaurab
Gentleman (magazine)
Yunost
Poetry Salzburg Review

William Benton is an American poet and novelist.
 Born 1939, in Houston, Texas, he grew up in a small town on Galveston Bay.
 He received his early training in music and worked as a jazz piano player before becoming a writer.
 In the mid-1960s he moved to New York City, where he edited riverrun magazine and press.
 He is not associated with a specific school of poetry, although Ezra Pound and William Carlos Williams, as well as the Black Mountain School, influence his work.
 In 1970 he was hired as assistant dean of Pacific Northwest College of Art (then The Museum Art School) in Portland, Oregon, where he remained as acting dean for three years.
 He has read and lectured at various universities.
 His poetry has appeared in The New Yorker, The Paris Review, and other magazines.
 James Salter described his novel, "Madly", as “Beautiful, intense, and utterly absorbing.”
 He lives in New York City.
Newfoundland Quarterly is a literary magazine published by Memorial University of Newfoundland in St. John's, Newfoundland and Labrador, Canada.
 Having begun as "a literary magazine of interest to Newfoundlanders at home and abroad," "Newfoundland Quarterly" today calls itself "a cultural journal of Newfoundland and Labrador", and publishes articles on the province's culture and history, including biography, local history, book reviews, visual art and poetry.
 Founded in 1901, it is Canada's longest running magazine.
Desh (Bengali: দেশ ) is an esteemed Bengali language literary magazine published by Anandabazar Patrika Limited from India.
 This magazine, which is in publication since 1933, has been edited by editors like Sagarmoy Ghosh in the past.
 The present editor is Harsha Dutta.
 After the death of Sagarmoy Ghosh, "Desh" started publishing non-fiction articles and essays on topics of current, historical and cultural interest.
 Started as a weekly, it evolved into a fortnightly in more recent years.
 It has also drifted from being a pure literary magazine to more current affairs-oriented format.
 Journalist and Ramon Magsaysay award winner Amitabha Chowdhury edited the magazine for quite some time after Sagarmoy Ghosh.
 "Desh" is published from 6 Prafulla Sarkar Street, Kolkata 700 001.
Daruma Magazine was a quarterly English language magazine published in Amagasaki, Japan and devoted to Japanese art and antiques.
 It was owned by Takeguchi Momoko and commenced publication in 1994.
 In addition to the major articles, each issue contained brief articles on haiku, woodblock prints, and ikebana.
 The magazine ceased publication in 2011, with Issue 70 (Vol.
 18, No. 2) being its last.
The Paris Review is a quarterly English language literary magazine established in Paris in 1953 by Harold L. Humes, Peter Matthiessen, and George Plimpton.
 In its first five years, "The Paris Review" published works by Jack Kerouac, Philip Larkin, V. S. Naipaul, Philip Roth, Terry Southern, Adrienne Rich, Italo Calvino, Samuel Beckett, Nadine Gordimer, Jean Genet, and Robert Bly.
Japanese poetry is poetry of or typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, and some poetry in Japan which was written in the Chinese language or "ryūka" from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry.
 Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty (although the Chinese classic anthology of poetry, "Shijing", was well known by the literati of Japan by the 6th century).
 Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese "kanshi"); and, as part of this tradition, poetry in Japan tended to be intimately associated with pictorial painting, partly because of the influence of Chinese arts, and the tradition of the use of ink and brush for both writing and drawing.
 It took several hundred years to digest the foreign impact and make it an integral part of Japanese culture and to merge this "kanshi" poetry into a Japanese language literary tradition, and then later to develop the diversity of unique poetic forms of native poetry, such as "waka", "haikai", and other more Japanese poetic specialties.
 For example, in the "Tale of Genji" both "kanshi" and "waka" are frequently mentioned.
 The history of Japanese poetry goes from an early semi-historical/mythological phase, through the early Old Japanese literature inclusions, just before the Nara period, the Nara period itself (710 to 794), the Heian period (794 to 1185), the Kamakura period (1185 to 1333), and so on, up through the poetically important Edo period (1603 and 1867, also known as "Tokugawa") and modern times; however, the history of poetry often is different than socio-political history.
Kaurab is a Bengali language literary magazine representing innovative, alternative, non-mainstream and experimental genres of Indian literature with an emphasis on poetry and poetics.
 In vogue for more than three decades, Kaurab continuously streams alternative genres of literature and has published scores of innovative Bengali writers.
 While some of them are deemed legendary and have been evaluated as literary myths, what keeps the wheel churning at Kaurab today is a whole new generation of creative writing.
Gentleman was an English language literary magazine published in India from 1980 to 2001.
 Its founder-editor was Minhaz Merchant of the Sterling Publications, which sold this and other magazines to the Indian Express Group in 1987.
 It was edited and published by Sambit Bal and Rajib Sarkar.
Yunost (Russian: Ю́ность , "Youth") is a Russian language literary magazine created in 1955 in Moscow (initially as a USSR Union of Writers' organ) by Valentin Kataev, its first editor-in-chief, who was fired in 1961 for publishing Vasily Aksyonov's "Ticket to the Stars".
 In "Yunost", which appealed to the young intellectual readership and contained an impressive poetry section, were premiered some significant, occasionally controversial (from the Soviet censorship's point of view) works of Anna Akhmatova, Bella Akhmadulina, Bulat Okudzhava, Nikolay Rubtsov, Yevgeny Yevtushenko, Andrey Voznesensky, Robert Rozhdestvensky, Boris Vasilyev, Andrei Molchanov, Rimma Kazakova, Mikhail Zadornov, Fazil Iskander, Vasily Aksyonov, Anatoly Gladilin, Anatoly Kuznetsov, Grigory Gorin, Nikolay Leonov and others.
 In 1980s, circulation of the magazine was more that 3 million copies.
 Since 1991 "Yunost" is an independently published journal.
Poetry Salzburg Review is an English language, biannual literary magazine published by Poetry Salzburg at the University of Salzburg and edited by Wolfgang Görtschacher.
 It is a successor to "The Poet's Voice" which was edited and published in Austria by British poet Fred Beake, James Hogg and Görtschacher.
 Since its creation in 2001, the journal aims to present a diverse range of contemporary poetry along with premiere translations into English, interviews with prominent and emerging poets and translators, poetry book reviews and general essays on poetry.
 As of 2012 the editorial board consists of William Bedford, Robert Dassanowsky, Jon Mateer, Ally Acker and Caitriona O'Reilly.
 In addition to its translations, it is one of the very few poetry publications that features accomplished international English language poets from beyond the English language world (i.e. writers from Austria, Bosnia, Switzerland, Croatia, Greece, Pakistan, Hungary, Germany, Singapore, Finland, Poland, Serbia, Ukraine, and Italy among others).
 The Poetry Salzburg press imprint publishes poetry books and collections in English.
 As of the Summer 2004 issue, PSR features new surrealistic, abstract and fantastic realist cover art by upcoming international artists including Sarah Bernal-Rutter, Leslie Buchanan, David Brooks, Helga Gasser, Paulo Cavalcante, Daniel Y. Harris, Jeanie Tomanek, Siegfried Zademack, Roland H. Heyder, Klaus Wiemann, Otto Rapp, Michael Cheval, Martin-Georg Oscity.