Question: Which style of opera that predominated Europe from the 1710s to 1770 was one of the genres Giuseppe Scarlatti composed in?

Context articles: Charles Avison
Opera seria
Domenico Scarlatti
L'honestà negli amori
Che vidi oh ciel, che vidi
Giuseppe Scarlatti
Baroque music
Tolomeo e Alessandro
Dove è amore è gelosia
Gregorio Babbi

Charles Avison ( ; 16 February 1709 (baptised)9 or 10 May 1770) was an English composer during the Baroque and Classical periods.
 He was a church organist at St John The Baptist Church in Newcastle and at St. Nicholas's Church (later Newcastle Cathedral).
 He is most known for his "12 Concerti Grossi after Scarlatti" and his "Essay on Musical Expression", the first music criticism published in English.
 He composed in a transitional style that alternated between Baroque and Classical idioms.
Opera seria (] ; plural: "opere serie"; usually called "dramma per musica" or "melodramma serio") is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to c. 1770.
 The term itself was rarely used at the time and only attained common usage once "opera seria" was becoming unfashionable and beginning to be viewed as a historical genre.
 The popular rival to "opera seria" was "opera buffa," the 'comic' opera that took its cue from the improvisatory commedia dell'arte.
Giuseppe Domenico Scarlatti (Naples, 26 October 1685 Madrid, 23 July 1757) was an Italian composer who spent much of his life in the service of the Portuguese and Spanish royal families.
 He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style and he was one of the few Baroque composers to transition into the classical period.
 Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas.
L'honestà negli amori is a dramma per musica in 3 acts by composer Alessandro Scarlatti.
 Written in 1679-1680 when Scarlatti was 19 years old, it was his second opera.
 The opera uses an Italian language libretto that was written by either D F Bernini or Domenico Filippo Contini.
 The work premiered at the Teatro di Palazzo Bernini in Rome on 3 February 1680.
 The opera was performed again in 1682 in Acquaviva delle Fonti at the Palazzo De Mari with "Acquaviva laureata" a serenata composed by Giovanni Cesare Netti.
Che vidi oh Ciel, che vidi is a cantata da camera written by Domenico Scarlatti for soprano, two violins, and basso continuo.
 It is one of 41 cantatas Scarlatti composed for soprano voice.
 The text was written by poet and librettist Pietro Metastasio.
 The exact date of publication is not printed on the original score.
 Because this cantata belongs to the volume "Österreichische Nationalbibliothek" (named for the library in Vienna, Austria), the cantata was likely composed between 1729 and 1757, during the composer's time in Spain.
Giuseppe Scarlatti (1718 or 18 June 1723, Naples – 17 August 1777, Vienna) was a composer of "opere serie" and "opere buffe".
 He worked in Rome from 1739 to 1741, and from 1752 to 1754 in Florence, Pisa, Lucca and Turin.
 From 1752 to 1754, and again from 1756 to 1759, he worked in Venice and for short periods in Milan and Barcelona.
 In 1760 he moved to Vienna, where he enjoyed the friendship of Christoph Willibald Gluck.
 "The third most important musician of his clan", it is still uncertain whether he was the nephew of Alessandro born 18 June 1723 or the nephew of Domenico born in 1718.
 Giuseppe Scarlatti was married to the Viennese singer Barbara Stabili who died about 1753.
 By 1767 he had married Antonia Lefebvre, who that year bore him a son; she died three years later.
 Scarlatti died intestate in 1777 in Vienna.
Baroque music ( or ) is a style of Western art music composed from approximately 1600 to 1750.
 This era followed the Renaissance music era, and was followed in turn by the Classical era.
 Baroque music forms a major portion of the "classical music" canon, being nowadays widely studied, performed, and listened to.
 Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz, Giovanni Battista Pergolesi, Dieterich Buxtehude, and Johann Pachelbel.
Tolomeo e Alessandro, ovvero la corona disprezzata is an Italian-language opera by Domenico Scarlatti to a libretto by Carlo Sigismondo Capece which premiered in Rome on 19 January 1711 at the Palazzo Zuccari, with scenery by Filippo Juvarra.
 It was second of the seven operas composed by Domenico for the Polish queen Maria Casimira Sobieski, following his pastorale in three acts "La Silvia" of 27 January 1710.
Dove è amore è gelosia is an opera ("intermezzo ") in two acts composed by Giuseppe Scarlatti to an Italian libretto by Marco Coltellini.
 It was originally written for the wedding celebration of Jan Nepomuk, the eldest son and heir-apparent of Prince Joseph Adam I of Schwarzenberg, and premiered at the theatre in the Český Krumlov Castle in Český Krumlov on 24 July 1768.
Gregorio Babbi (16 November 1708, Cesena - 2 January 1768) was an Italian operatic tenor.
 He performed in the premieres of numerous operas, including works by Girolamo Abos, Pietro Auletta, Andrea Bernasconi, Giuseppe de Majo, Giuseppe Ferdinando Brivio, Pasquale Cafaro, Gioacchino Cocchi, Nicola Conforto, Pasquale Errichelli, Baldassarre Galuppi, Giuseppe Gazzaniga, Geminiano Giacomelli, Giovanni Antonio Giay, Johann Adolph Hasse, Niccolò Jommelli, Gaetano Latilla, Leonardo Leo, Gennaro Manna, Antonio Maria Mazzoni, Davide Perez, Niccolò Piccinni, Nicola Sabatino, Giuseppe Scarlatti, Tommaso Traetta and Antonio Vivaldi among others.