Question: Are Mike Ness and Marc Bolan both guitarists?

Context articles: Paul Fenton (musician)
Marc Bolan
Windstorm (album)
Zip Gun Boogie
Bolan's Rock Shrine
Light of Love
Great Jewish Music: Marc Bolan
Mike Ness
Under the Influences
Billy Super Duper

Paul Fenton (born 4 July 1946 in Huddersfield, Yorkshire, England) is an English drummer, best known for his work with T. Rex.
 After leaving Christie, he started playing drums for T. Rex in 1973, after being recommended to Marc Bolan by his producer Tony Visconti.
 He also toured briefly with Marc Bolan & T. Rex in 1974, and played additional drums with Davy Lutton on the songs "Solid Baby", "Funky London Childhood", and "Visions Of Domino".
Marc Bolan ( ; born Mark Feld; 30 September 1947 – 16 September 1977) was an English singer-songwriter, musician, guitarist, and poet.
 He was best known as the lead singer of the glam rock band T. Rex.
 Bolan was one of the pioneers of the glam rock movement of the 1970s.
 He died at age 29 in a car accident a fortnight before his 30th birthday.
Windstorm is the fourth studio album released by Gloria Jones in 1978.
 This album was a dedication to Marc Bolan, as on the rear cover, is written: "Special Dedication in memory of my son's father, the late Marc Bolan, whom we miss very much."
"Zip Gun Boogie" is a 1974 single, originally credited in the UK as a solo single by Marc Bolan of the British glam rock band T. Rex.
 In other territories, the single was credited to "T. Rex" or "Marc Bolan and T. Rex"; almost all reissues of the track credit it solely to T. Rex.
 The track and its B-side feature on the 1975 T. Rex album Bolan's Zip Gun.
Marc Bolan's Rock Shrine is the memorial to Marc Bolan where he died when the car in which he was a passenger hit a sycamore tree on Queen's Ride (part of the B306, close to Gipsy Lane) in Barnes, London, on 16 September 1977.
Light of Love is a US-only album released by British rock band T. Rex in 1974.
 It is composed of 3 tracks previously released in the UK on the album "Zinc Alloy and the Hidden Riders of Tomorrow", together with 8 songs recorded in the Spring of 1974 at Music Recorders Inc.
 Studios in Hollywood which would later appear on the album "Bolan's Zip Gun".
 The album was engineered by Gary Ulmer and, in the absence of Tony Visconti (who had left T. Rex production duties), was produced by Marc Bolan himself.
 The album marked the first time that a T. Rex album had been produced without Tony Visconti and also marked Bolan's debut in this role.
Great Jewish Music: Marc Bolan is a tribute album featuring the music of English singer/songwriter Marc Bolan of the band T.Rex.
 Produced by Danny Cohen, it was released on John Zorn's label Tzadik Records in 1998 as part of their series on "Radical Jewish Culture", following similar prior tributes to Burt Bacharach and .
Michael James Ness (born April 3, 1962) is an American guitarist, vocalist, producer and chief songwriter for the punk rock band Social Distortion, which was formed in 1978.
 Mike Ness' songs are represented by Downtown Music Publishing.
Under the Influences, the second (and most recent) solo album from Social Distortion's Mike Ness, is a compilation of country, rock, and bluegrass covers released just six months after his first solo effort, "Cheating at Solitaire".
 As the title implies, Ness intends the album to be an illustration of the music that shaped him.
 Songs as diverse as "I Fought the Law" and "Wildwood Flower" make their appearance, each with Mike Ness's unique spin.
 Included is a honky tonk version of Social Distortion staple, "Ball and Chain".
Billy Super Duper is an album by English glam rock act T. Rex.
 Released in 1982 by record label Marc on Wax, it was the first LP of entirely new and unheard material released after Marc Bolan's death in 1977 as the previous posthumous release, "You Scare Me to Death" consisted of demos first released in 1974.
 Billy Super Duper consists of studio outtakes and home demos recorded by the band between 1972 and 1977, with arrangements produced by John and Shan Bramley (the heads of the Marc Bolan Fanclub at the time).
 The album was intended to "complete" the demos and bring them up to date with contemporary music.