Question: Czesław Miłosz, writter of the 1953 nonfiction "The Captive Mind" was professor of Slavic Languages and Literatures at which American University? 

Context articles: Vitaly Shevoroshkin
Diana Lewis Burgin
Steven Franks
Christina Kramer
Clare Cavanagh
Russell Scott Valentino
Czesław Miłosz
Johanna Nichols
Polish literature
The Captive Mind

Vitaly Victorovich Shevoroshkin (Russian: Виталий Викторович Шеворошкин ) is an American linguist of Russian origin, specializing in the study of ancient Mediterranean languages.
 Shevoroshkin was born in 1932 in Georgia (USSR).
 In the 1960s he tried to decipher Carian inscriptions and proved that their language belonged to Anatolian languages.
 In the 1970s he emigrated to the United States.
 He is now a professor of Slavic Languages and Literatures and Linguistics at the University of Michigan.
Diana Lewis Burgin is an author, and Professor of Russian at the University of Massachusetts Boston; she received her B.A. in Russian from Swarthmore College, her M.A. & Ph.D. from Harvard University's Slavic Languages and Literatures Department.
 She has been teaching Russian at University of Massachusetts, Boston since 1975.
Steven Franks is a British born American linguist and researcher in the fields of syntax and slavics.
 Franks has written numerous books that have significantly contributed to Slavic linguistics.
 He is currently a professor of Linguistics, Slavic Languages and Literatures, and Cognitive Science, as well as an adjunct professor of Speech and Hearing Sciences and lives in Bloomington, Indiana with his family.
Christina Elizabeth Kramer is Professor of Slavic and Balkan languages and linguistics at the University of Toronto and Chair of the university's Department of Slavic Languages and Literatures which is part of the Faculty of Arts and Science.
Clare Cavanagh (born May 23, 1956) is an American literary critic, a Slavist, and a translator.
 She is the Frances Hooper Professor in the Arts and Humanities and Chair of the Department of Slavic Languages and Literatures at Northwestern University.
 An acclaimed translator of contemporary Polish poetry, she is currently under contract to write the authorized biography of Czesław Miłosz.
 She holds a B.A from the University of California, Santa Cruz, and an M.A. and Ph.D from Harvard University (1978, 1981 and 1988 respectively).
 Before coming to Northwestern University, she taught at the University of Wisconsin, Madison.
 Her work has been translated into Russian, Polish, Hungarian, French, Dutch, Chinese, and Japanese.
Russell Scott Valentino (born 1962) is a literary scholar, translator, and editor.
 He received his Ph.D. in Slavic Languages and Literatures from the University of California, Los Angeles in 1993.
 He taught Slavic and comparative literature at the University of Iowa from 1994 to 2012, was a member of University of Iowa's [Translation Workshop] from 2003 to 2012, and, served as Editor-in-chief of The Iowa Review from 2009 to 2013.
 Since 2013 he has served as chair of the Department of Slavic and East European Languages and Cultures at Indiana University and President of the American Literary Translators Association.
Czesław Miłosz ( ; 30 June 1911 – 14 August 2004) was a Polish poet, prose writer, translator and diplomat.
 His World War II-era sequence "The World" is a collection of twenty "naïve" poems.
 Following the war, he served as Polish cultural attaché in Paris and Washington, D.C., then in 1951 defected to the West.
 His nonfiction book "The Captive Mind" (1953) became a classic of anti-Stalinism.
 From 1961 to 1998 he was a professor of Slavic Languages and Literatures at the University of California, Berkeley.
 He became a U.S. citizen in 1970.
 In 1978 he was awarded the Neustadt International Prize for Literature, and in 1980 the Nobel Prize in Literature.
 In 1999 he was named a Puterbaugh Fellow.
 After the fall of the Iron Curtain, he divided his time between Berkeley, California, and Kraków, Poland.
Johanna Nichols is a professor emerita Linguist in the Department of Slavic Languages and Literatures at the University of California, Berkeley.
 Her research interests include the Slavic languages, the linguistic prehistory of northern Eurasia, language typology, ancient linguistic prehistory, and languages of the Caucasus, chiefly Chechen and Ingush.
 Nichols's best known work, "Linguistic Diversity in Space and Time", won the Linguistic Society of America's Leonard Bloomfield Book Award for 1994.
Polish literature is the literary tradition of Poland.
 Most Polish literature has been written in the Polish language, though other languages used in Poland over the centuries have also contributed to Polish literary traditions, including Latin, Yiddish, Lithuanian, Ukrainian, Belarusian, German and Esperanto.
 According to Czesław Miłosz, for centuries Polish literature focused more on drama and poetic self-expression than on fiction (dominant in the English speaking world).
 The reasons were manifold, but mostly rested on historical circumstances of the nation.
 Polish writers typically have had a more profound range of choices to motivate them to write, including historical cataclysms of extraordinary violence that swept Poland (as the crossroads of Europe); but also, Poland's own collective incongruities demanding adequate reaction from the writing communities of any given period.
The Captive Mind (Polish: Zniewolony umysł ) is a 1953 work of nonfiction by Polish writer, academic and Nobel laureate Czesław Miłosz, published in the English translation originally by Secker and Warburg.
 The work was written in Polish soon after the author received political asylum in Paris following his break with Poland's Communist government.
 It draws upon his experiences as an underground writer during World War II, and his position within the political and cultural elite of Poland in the immediate post-war years.
 The book attempts to explain both the intellectual allure of Stalinism and the temptation of collaboration with the Stalinist regime among intellectuals in post-war Central and Eastern Europe.
 Miłosz describes the book as having been written "under great inner conflict".