Question: What philosopher wrote a "Holy Lie" and his notes made up "The Will of Power"

Context articles: Study for Cardinal Niccolò Albergati
Book of Fees
Holy Lie
Notebooks of Henry James
The Will to Power (manuscript)
Text annotation
Mitrokhin Archive
Northern Liberty Market Co. v. Kelly
Feynman's Lost Lecture
Graham Simpson (musician)

Study for Cardinal Niccolò Albergati is a silverpoint drawing attributed to the Early Netherlandish painter Jan van Eyck, made in preparation for his "Portrait of Cardinal Niccolò Albergati" of 1431.
 Niccolò Albergati was a diplomat working under Pope Martin V.
 He met van Eyck during a peace congress in Antwerp, when the artist portrayed him.
 It is held in the collection of the Staatliche Kunstsammlungen in Dresden.
 The drawing, along with the "Saint Barbara" in the Royal Museum of Fine Arts Antwerp are the two surviving drawing by van Eyck.
 This work is especially valuable to art historians as it includes notes made to indicate the colors intended for the final oil portrait.
The Book of Fees is the colloquial title of a modern edition, transcript, rearrangement and enhancement of the mediaeval Liber Feodorum (Latin: "Book of Fees"), being a listing of feudal landholdings or "fees/fiefs", compiled in about 1302, but from earlier records, for the use of the English Exchequer.
 Originally in two volumes of parchment, the "Liber Feodorum" is a collection of about 500 written brief notes made between 1198 and 1292 concerning fiefs held "in capite" or in-chief, that is to say directly from the Crown.
 From an early date, the book comprising these volumes has been known informally as the Testa de Nevill (meaning "Head of Nevill"), supposedly after an image on the cover of the volume of one of its two major source collections.
 The modern standard edition, known colloquially as "The Book of Fees" whose three volumes were published between 1920 and 1931, improves on two earlier 19th-century efforts at publishing a comprehensive and reliable modern edition of all these mediaeval records of fees.
 The nomenclature "Book of Fees" is that generally used in academic citations by modern scholars to refer to this 20th-century modern published edition of the ancient collected documents.
A Holy Lie is a philosophical concept coined by Friedrich Nietzsche in his note manuscript "The will to power".
 It is additionally mentioned in another book of Nietzsche "The Antichrist".
The Notebooks of Henry James are private notes made by the American-British novelist and critic.
 Usually the notes are of a professional nature and concern ideas for possible or ongoing fictions, but there are a number of personal notes as well.
 James made entries in the "Notebooks" throughout most of his career.
The Will to Power (German: "Der Wille zur Macht" ) is a book of notes drawn from the literary remains (or "Nachlass") of philosopher Friedrich Nietzsche by his sister Elisabeth Förster-Nietzsche and Peter Gast (Heinrich Köselitz).
 The title derived from a work that Nietzsche himself had considered writing.
 The work was first translated into English by Anthony M. Ludovici in 1910, and it has since seen several other translations and publications.
Text Annotation is the practice and the result of adding a note or gloss to a text, which may include highlights or underlining, comments, footnotes, tags, and links.
 Text annotations can include notes written for a reader's private purposes, as well as shared annotations written for the purposes of collaborative writing and editing, commentary, or social reading and sharing.
 In some fields, text annotation is comparable to metadata insofar as it is added post hoc and provides information about a text without fundamentally altering that original text.
 Text annotations are sometimes referred to as marginalia, though some reserve this term specifically for hand-written notes made in the margins of books or manuscripts.
 Annotations are extremely useful and help to develop knowledge of English literature.
The Mitrokhin Archive is a collection of handwritten notes made secretly by KGB archivist Vasili Mitrokhin during his thirty years as a KGB archivist in the foreign intelligence service and the First Chief Directorate.
 When he defected to the United Kingdom in 1992 he brought the archive with him.
Northern Liberty Market Co. v. Kelly, 113 U.S. 199 (1885) , was a writ of error to reverse a judgment for the defendant in an action brought on April 4, 1884, by a corporation formed for the purpose of erecting a markethouse in the City of Washington and carrying on a marketing business there, upon twenty promissory notes made by him to the plaintiff, dated January 1, 1875.
Feynman's Lost Lecture: The Motion of Planets Around the Sun is a book based on a lecture by Richard Feynman.
 Restoration of the lecture notes and conversion into book form was undertaken by Caltech physicist David L. Goodstein and archivist Judith R. Goodstein.
 Feynman had given the lecture on the motion of bodies at Caltech on March 13, 1964, but the notes and pictures were lost for a number of years and consequently not included in "The Feynman Lectures on Physics" series.
 The lecture notes were later found, but unfortunately without the photographs of his illustrative chalkboard drawings.
 One of the editors, David L. Goodstein, stated that at first without the photographs, it was very hard to figure out what diagrams he was referring to in the audiotapes, but a later finding of his own private lecture notes made it possible to understand completely the logical framework with which Feynman delivered the lecture.
Graham Simpson (13 October 1943 – 16 April 2012) was a founding member and bassist of Roxy Music, and friend of Bryan Ferry.
 On their eponymous first album (1972), his bass notes made distinctive contributions to the tracks "Ladytron" and "Chance Meeting".
 However, not long after the album was released, Simpson, who was suffering from depression following the death of his mother from cancer, was given an open-ended choice to remain with or take a hiatus from the band by Ferry.
 Simpson chose to leave the band and never returned to the line-up.
 He used his band royalties to travel the world learning about different cultures and religions, particularly Sufism, returning to London in 1982.