Question: "Touch" is a song from an album released under which labels ?

Context articles: Praying to the World
Touch Up
Everytime We Touch (Cascada song)
The Same Old Blood Rush with a New Touch
Touch (Little Mix song)
It'll Be Cool
Glory Days (Little Mix album)
Touch Yer Toes
Touch (Delirious? album)
Touch Your Woman (song)

Praying to the World is the fourth album released by German band Dawn of Destiny The album received generally positive reviews from review sites around the web such as "metal-temple.
com" with a 5/5 rating concluding that "DAWN OF DESTINY did put down an awesome album with skilled players in a tight teamwork spirit.
 The bass, drum, guitar and keyboard players are able to create different spheres perfectly, but so does the vocalists on this album.
 Just love the way DAWN OF DESTINY combines different kind of vocals beautifully together on their album 'Praying To The World'.
 They combined clear high and low vocals with easy to follow growling and grunts, able to touch much more than just the beauty and the beast.
 Giving this album an extra dimension and with that an extra touch.
 I’m happy to have bumped into DAWN OF DESTINY with their album “Praying To The World”.
<br> On the lower end of the review scale "lordsofmetal.nl" gave the album a 75/100, stating that "The music is good - but it has always been good.
 I like to see a band who improves itself on the weak spots, and actually becomes better, and that is what I miss here.
 It is still good music, but I hope that there is more than this."
Touch Up is Mother Mother's debut album released on February 27, 2007 on Last Gang Records.
 The album was self-titled when it was originally released in 2005.
 Two tracks were added when the band signed with Last Gang Records and the album was re-released in 2007.
 A video has been made for the song "Touch Up".
“Everytime We Touch” is a cover song performed by the German Eurodance recording trio Cascada, taken from their 2006 debut album of the same name.
 It was written, composed, and produced by the band's DJs, Manian and Yanou; however, the only writing/composing credits were given to Maggie Reilly, Stuart Mackilliop, and Peter Risavy, as the song borrows the chorus from Reilly's single of the same name.
 "Everytime We Touch" was first released in the United States on August 16, 2005 by Robbins Entertainment.
 It was later released internationally in association with other dance music labels including Zooland Records and All Around the World and Universal Music Group following its success in the United States.
 Musically, the song was composed as a Eurodance track with a pulsating synthesizer, jackhammer beat, and Europop lyrics.
The Same Old Blood Rush with a New Touch is the debut studio album by American rock band Cute Is What We Aim For.
 Following the band's formation in early 2005, they posted demos on Myspace and PureVolume.
 These demos soon garnered attention from record labels.
 After a period of time, the group received a call from major label Fueled by Ramen founder John Janick, who signed the band in November.
 In February 2006, the band began recording "The Same Old Blood Rush with a New Touch" with producer Matt Squire at Salad Days Studios in Beltsville, Maryland.
 During the album sessions, several of the demos the band had previously posted had been re-recorded.
 Prior to the album's release, "The Curse of Curves" was made available for streaming in March.
 Following the song's availability, the band went on a couple of tours in the U.S.
"Touch" is a song by British girl group Little Mix.
 It was released as the second single from their studio album "Glory Days".
 "Touch" has since become a top 10 success in the United Kingdom, and Ireland.
 A remix version, featuring newly-recorded vocals from American rapper Kid Ink was released on 28 February 2017.
It'll Be Cool is the ninth and last full-length album released by indie rock band Silkworm before drummer Michael Dahlquist was killed in a car wreck.
 It is the band's fourth and last album released on Touch and Go Records.
 The album was recorded by Steve Albini.
 Matt Kadane from Bedhead and The New Year played keyboards on this album.
Glory Days is the fourth studio album by British girl group Little Mix.
 It was released on 18 November 2016, by Syco Music and Columbia Records.
 The album was preceded by the UK number-one single "Shout Out to My Ex", released a month before.
 The single later won the Best British Single award at 2017 BRIT Awards.
 The album debuted at number one on the UK Albums Chart; it later became their first album to yield more than two top ten singles when the fourth single, "Power", reached number six on the UK Singles Chart.
 The album has sold over 600,000 copies in the U.K and over 1 million copies worlwide.
Touch Yer Toes was a demo album released by the group Simon Says, an Alternative metal band from Sacramento, California.
 Touch Yer Toes, which was released in 1994, is one of the few smaller demo albums Simon Says had recorded prior to the release of their first two full-length albums in 1997.
 During the time this album was released, the band played high school circuits as well as Sacramento all-ages clubs.
 This demo album featured Shane Ozmun on bass prior to the joining of Mike Arrieta in 1995.
 This album was produced by Simon Says and Jerry Jennings Productions and was recorded at Twelve Note Studio in Fair Oaks, California.
Touch is an album released by Delirious?
 in 2002.
 It is essentially a clone of album "Audio Lessonover?
" released in North America.
 In fact, only the first song, "Touch", is new.
 "Love is the Compass" and "Waiting for the Summer" are different versions from the UK release, and four songs present on "Audio Lessonover" were removed from "Touch".
"Touch Your Woman" is a song written and originally recorded by American entertainer Dolly Parton.
 It was released in December 1971 as the first single and title track of Parton's album "Touch Your Woman".
 It provided a 1972 top-ten country single for her.
 The lyrics speak of a disagreement between lovers, but concludes with the line "all you have to do to make it right is just touch your woman".
 A tranquil, slow-tempo ballad, the song differed from many of Parton's other hits at the time, in that it was neither an upbeat, lilting country number, nor a nostalgic reminiscence of her rural childhood.
 "Touch Your Woman" reached number 6 on the U.S. country singles charts in March 1972, though a number of country radio stations refused to play it because they found it too sexually suggestive.