Question: Which Norwegian composer and pianist is responsible for Lyric Suite, an orchestration of four to six piano pieces from Book V of his Lyric Pieces, Op. 54?

Context articles: Lyric Pieces
Petite Suite (Borodin)
Wedding Day at Troldhaugen
Kyllikki (Sibelius)
Lyric Suite (Berg)
Orchestral Suite No. 4 Mozartiana (Tchaikovsky)
Lyric Suite (Grieg)
Six Pieces for Piano, Op. 118 (Brahms)
L'Album des Six
Edvard Grieg

Lyric Pieces (Norwegian: Lyriske stykker ) is a collection of 66 short pieces for solo piano written by Edvard Grieg.
 They were published in 10 volumes, from 1867 (Op.
 12) to 1901 (Op. 71).
 The collection includes several of his best known pieces, such as "Wedding Day at Troldhaugen" ("Bryllupsdag på Troldhaugen"), "To Spring" ("Til våren"), "March of the Trolls" ("Trolltog"), and "Butterfly" ("Sommerfugl").
The Petite Suite is a suite of seven piano pieces, written by Alexander Borodin, and acknowledged as his major work for the piano.
 It was published in 1885, although some of the pieces had been written as far back as the late 1870s.
 After Borodin's death, Alexander Glazunov orchestrated the work, and added his orchestration of another of Borodin's pieces as an eighth number.
Wedding Day at Troldhaugen (Norwegian: Bryllupsdag på Troldhaugen ) is a musical piece composed by Edvard Grieg.
 It is the sixth piano piece in the eighth book of his "Lyric Pieces", bearing the opus number 65.
 There has been some discussion about the quality and proportion of this composition in relation to the whole book.
Kyllikki (subtitled "Three Lyric Pieces for Piano"), Op.
 41, is a composition written for piano by Jean Sibelius in 1904.
 Although the title is taken from the Kalevala, Sibelius' piece has no programmatical base in the national epic.
The Lyric Suite is a six-movement work for string quartet written by Alban Berg between 1925 and 1926 using methods derived from Arnold Schoenberg's twelve-tone technique.
 Though publicly dedicated to Alexander von Zemlinsky (from whose "Lyric Symphony" it quotes), the work has been shown to possess a "secret dedication" and to outline a "secret programme" .
 Berg arranged three of the "pieces" (movements) for string orchestra in 1928.
The Orchestral Suite No. 4, Op.
 61, more commonly known as Mozartiana, is an orchestral suite by Pyotr Ilyich Tchaikovsky, written in 1887 as a tribute to Wolfgang Amadeus Mozart on the 100th anniversary of that composer's opera "Don Giovanni".
 Because this suite consists of four orchestrations of piano pieces by (or in one case, based on) Mozart, Tchaikovsky did not number this suite with his previous three suites for orchestra.
 Instead, he considered it a separate work entitled "Mozartiana".
 Nevertheless, it is usually counted as No. 4 of his orchestral suites.
Edvard Grieg's Lyric Suite is an orchestration of four of the six piano pieces from Book V of his "Lyric Pieces", Op. 54.
 Both Grieg and the Austro-Hungarian conductor Anton Seidl had a hand in the orchestration.
 It consists of three pieces revised by Grieg from Seidl's arrangements, and one piece arranged by Grieg alone.
The Six Pieces for Piano, Op. 118, are some of the most beloved compositions that Johannes Brahms created for solo piano.
 Completed in 1893, and dedicated to Clara Schumann, the collection was the penultimate composition to be published during Brahms' lifetime.
 It was also his penultimate work composed for piano solo.
 Consistent with Brahms' other late keyboard works, Op. 118 is more introspective than his earlier piano pieces, which tended to be more virtuosic in character.
 The six pieces are:
L'Album des Six (original title: "Album des 6") is a suite of six piano pieces published in 1920 by Eugène Demets, and written by the members of the group of French composers known as "Les Six".
Edvard Hagerup Grieg (] ; 15 June 18434 September 1907) was a Norwegian composer and pianist.
 He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide.
 His use and development of Norwegian folk music in his own compositions put the music of Norway in the international spectrum, as well as helping to develop a national identity, much as Jean Sibelius and Antonín Dvořák did in Finland and Bohemia, respectively.