Question: The song Fit but You Know It was recorded by a group from what city in England?

Context articles: Sur la Mer
Know Your Ghosts E.P.
The Entertainer (song)
To Know Him Is to Love Him
A Tear from a Woman's Eyes
The Streets
Fit but You Know It
Chick Fit
We Are One (Ole Ola)
I Need to Know (Marc Anthony song)

Sur la Mer is the thirteenth album released by The Moody Blues, released in 1988.
 It features the hit single "I Know You're Out There Somewhere", a sequel to their 1986 hit "Your Wildest Dreams".
 Much of the music on this album would fit in the "synthpop" genre, though it does bear more rock and acoustic influences than its predecessor.
 Flautist and vocalist Ray Thomas did not appear on this album; although he remained a member of the band at the time during which it was recorded.
Know Your Ghosts E.P. (1997) is a 4-song E.P. released on CD by Tadpoles.
 Upon original release, Bakery Records included a VHS copy of Tadpoles' music video for the song "Snapper" with all mail-orders.
 The video version of the song "Snapper" was included on the E.P. and was recorded in 1991 by Todd Parker and drummer, Michael Kite Audino.
 "Judas, This Is Jesus" is a remake of the Tadpoles' track originally released on the 1989 cassette-only album, Beautiful Music For Ugly Children and was recorded and produced by Mark Kramer (Shimmy Disc) at Noise New Jersey studio.
 "Know Your Ghosts" is the same recording that appears on the Smoke Ghost album.
 Tadpoles covered the Tony Mentzer song "Oops, I Lost Your MInd" previously on 1990's cassette-only album William's Doll (album).
 Tadpoles remade the tune again here with Tony Mentzer himself on lead vocals and The Waitresses' Chris Butler guest-drumming.
"The Entertainer" is a single by singer Billy Joel released as the only single from his 1974 album "Streetlife Serenade".
 The song peaked at #34 on the US charts, a Top 40 hit for Joel that year.
 The song is a cynical and somewhat satirical look at the fleeting fame of a musician and fickle public tastes ("Today I am your champion / I may have won your hearts / But I know the game / You'll forget my name / And I won't be here / in another year / if I don't stay on the charts"); this theme would be examined in the later song "It's Still Rock and Roll to Me".
 Another verse in the song references the shortening of Joel's song, "Piano Man", from 5 minutes and 38 seconds to 3 minutes and 5 seconds to fit a radio slot, referenced by the lyrics "It was a beautiful song, / but it ran too long / If you're gonna have a hit, you gotta make it fit / So they cut it down to 3:05."
 Additionally, the timing printed on the label of the 7" release of "The Entertainer" was 3:05, although the actual 45 length was 3:11 (while the album length was 3:41).
 In the single version, Verse 3 (which starts at 1:02 in the album version) is edited out, and Verse 2 (which starts at 0:40) contains a steel guitar in its second half, which is actually featured in the second half of the "third" verse in the album version; indeed, on the single mix, the instrumental crescendo of the album version is anticipated by bringing the fuller instrumentation of Verse 3 under the vocals of Verse 2.
 As a result of this, the slightly emptier original instrumentation of Verse 2 (which includes a downward slide on the synth) and the vocals of Verse 3 are completely omitted, while the instrumentation of Verse 3 (featuring the steel guitar) does appear, but earlier.
"To Know Him Is to Love Him" is a song written by Phil Spector, inspired by words on his father's tombstone, "To Know Him Was To Love Him."
 It was first recorded by the only vocal group of which he was a member, the Teddy Bears.
 Their recording spent three weeks at No. 1 on the "Billboard" Hot 100 singles chart in 1958, while reaching No. 2 on UK's "New Musical Express" chart.
 Peter & Gordon and Bobby Vinton later had hits with the song, with its title and lyrics changed to "To Know You Is to Love You".
 In 1987, the song was resurrected by Dolly Parton, Linda Ronstadt and Emmylou Harris, whose "Trio" recording topped the U.S. country singles charts.
 The song is in 12/8 time.
"A Tear from a Woman’s Eye" is a 1964 song written and produced by Motown's main production team Holland–Dozier–Holland, and recorded by The Temptations for the Gordy (Motown) label.
 It competed with several songs, including "The Way You Do the Things You Do" and "Just Let Me Know" in an effort to become the A-side to the group's seventh single (losing out to the former).
 It was recorded just three days before the hit song that it lost the nomination to, which was "The Way You Do the Things You Do".
 The group's falsetto Eddie Kendricks as the song's narrator, compares several sad situations to a woman crying, which he says is "the saddest thing I've ever seen."
 This would be the first of only two times (the other being "Just One Last Look") in which H-D-H would produce any material for the group, who would be one of the few major Motown acts never to release a single produced by the trio, due to Berry Gordy, Jr., Smokey Robinson, and (later) Norman Whitfield having a tight hold on the group's released material.
 (Only Edward Holland, Jr. would have any success with the group, as Whitfield's co-writer.)
 This song would go unreleased until the 1994 box-set ""Emperors of Soul"", while "Just One Last Look" would be released as album filler on ""The Temptations with a Lot o' Soul"".
 The group would also later cover The Vandellas' "I'm Ready for Love", which would be released on ""The Temptations in a Mellow Mood"" but not produced by H-D-H.
The Streets were an English hip hop and UK garage project from Birmingham, England, led by the vocalist and multi-instrumentalist Mike Skinner.
"Fit But You Know It" is a song by The Streets and written/produced by Mike Skinner.
 It was the lead single of The Streets second album "A Grand Don't Come for Free" and was released on 26 April 2004; it reached number four in the UK Single Charts.
 It has been suggested that the lyrics refer to former S Club 7 member Rachel Stevens who was embarking on a solo career at the time the song was recorded.
"Chick Fit" is a song performed by British-Canadian recording girl group All Saints from their third studio album "Studio 1".
 It was released as the second and final single from the album on 26 February 2007.
 The release was originally planned to include a two-part physical but that was cancelled due to the poor sales of "Studio 1" and a fall-out between All Saints and their label Parlophone Records.
 "Chick Fit" was then released as a digital-only single instead.
 The song was co-written by group member Shaznay Lewis in collaboration with the song's producer Rick Nowels.
 It has prominent dance-pop, electropop, ska and hip hop musical characteristics.
 The song is lyrically influenced by feelings of feminism and infatuation.
"We Are One (Ole Ola)" is a song recorded by Cuban American rapper Pitbull for "One Love, One Rhythm – The 2014 FIFA World Cup Official Album" (2014).
 It is the official song of the 2014 FIFA World Cup and features guest vocals from American singer Jennifer Lopez and Brazilian singer Claudia Leitte.
 The artists co-wrote the song with Sia, RedOne, Danny Mercer, Dr. Luke, Cirkut, and Thomas Troelsen; the latter three are also the producers.
 Whilst receiving positive reviews from critics, initially the song received some negative reactions from Brazilians over its lack of Brazilian feeling.
 To change that, another version was also released and the music changed slightly to fit Afro Brazilian group Olodum's style of drumming - that version being the one that was used in the music video for the song.
 "We Are One" has experienced commercial success, reaching the top 20 in countries including Austria, France, Germany, Italy, Spain, and World Cup's host country, Brazil.
 The song went to its peak at no.1 in 3 countries.
"I Need to Know" is a song recorded by American singer Marc Anthony for his eponymous fourth studio album.
 It was released as the lead single from the album on August 15, 1999.
 Written and produced by Anthony and Cory Rooney, "I Need to Know" is a song about a man who longs to know how a woman feels about him.
 The song blends the musical styles of several genres, including R&B and Latin music; the instruments used include violin, piano, timbales and congas. Anthony recorded a Spanish-language version of the song, translated by Angie Chirino and Robert Blades, titled "Dímelo".