Question: The History of Cardenio is known to have been performed by a theatre company who assumed a new name in 1603 when what monarch took the throne?

Context articles: Workhouse Theatre Company
Stephen I of Pécs
No Name Players
Chilsag Chillies Theatre Company
UBI Theatre Leipzig
King's Men (playing company)
The History of Cardenio
Plan-B Theatre Company
Melbourne Theatre Company
Electric Theatre Company

Workhouse Theatre Company (WTC) is the only independent theatre company residing and producing in north Minneapolis.
 Based in the Camden neighborhoods of Minneapolis, WTC was established by Artistic Director Jeff Redman in 2004, under the name Camden Civic Theatre.
 The name was changed to Workhouse Theatre Company in 2006, although the theatre's dedication to Camden remains the same and WTC still maintains the title of the first and only independent theatre company based in the Camden community.
Stephen I was the third known bishop of Pécs (Hungarian: "I. István pécsi püspök" ) in the Kingdom of Hungary around 1093.
 His name was only maintained by a 15th-century copy of an obviously falsified charter dated to 1093.
 In this year, according to the charter, King Ladislaus I of Hungary, along with the archbishop of Esztergom and other prelates of the kingdom, determined the borders between the Archdiocese of Kalocsa and the Diocese of Pécs.
 The charter also relates that the monarch took into account both the testimony of Archbishop Desiderius of Kalocsa, and the deed of foundation of the bishopric of Pécs.
 Although the charter itself is not authentic, it may well have preserved the memory of a bishop of Pécs named Stephen from the end of the 11th century.
No Name Players is a professional theatre company based in Pittsburgh, Pennsylvania.
 Founded in 2000 by Don DiGiulio at Marshall University in Huntington, West Virginia, the theatre company began as a creative outlet for DiGiulio and his classmates to hone their craft outside of college-related performance opportunities.
 It has since evolved to become an important part of Pittsburgh's theatre scene, establishing its presence in 2004 with a production of Charles Mee's "Big Love", which was recognized as one of the Top Ten Plays of 2004 by the Pittsburgh Post-Gazette.
 The company's mission is to "present unique and challenging theatrical productions by both new and established playwrights with an emphasis on the collaborative nature of theatre through ensemble."
 It is notable for its "SWAN Day" celebration, which is an annual theatrical event that features short plays and other performance pieces that are created primarily by women, in connection with the international holiday SWAN (Support Women Artists Now) Day which occurs on the last Saturday of Women's History Month.
 The company has no performance space of its own but has used performance spaces around Pittsburgh, including Pittsburgh Playwrights Theatre Company, Bricolage Production Company, and the Grey Box Theatre.
 It has received attention from Pittsburgh Post-Gazette, Pittsburgh Tribune-Review, Out Online, and Pittsburgh City Paper.
Chilsag Chillies is an Indian Theatre company and the flagship LiveShow,Stageplay and musical production arm of the Chisag Entertainment Network.The company has operations in US, UK, Canada and India and has a network of talented artists all over the world.
 Chilsag Chillies also maintains a global network of research centers in key cities around the world that provide inputs on the latest in world theatre.Founded in 2003 by Sachin Gupta ,Chilsag Chillies Theatre Company prides itself in being one of the few theatre companies that showcase their own original creations.
 Within the short period of its existence, Chilsag Chillies Theatre Company has been able to set a benchmark of success in the field of theatre.
 The very first production of the company, “Celebration of Life”, was felicitated by the chief minister of Delhi, Sheila Dikshit and was also appreciated internationally when it was performed at the Factory Theatre, Toronto, Canada and Off-Broadway Theare,New York.
 The high standard set by the first production has only been matched, if not surpassed, by the succeeding productions.
UBI Theatre Leipzig is a bilingual (English and German) theatre company based in Leipzig (Germany).
 Established in Birmingham (England) in 2002, it moved to Leipzig in 2005 along with its founder Gareth Knapman.
 In 2012, German theatre educator and actress Claudia Jessat joined the company and the two of them managed the company together until Gareth's passing in early 2016, after which Claudia assumed the role of the owner.
 The name of the company was then changed from "Ubiquity Theatre Company" to UBI Theatre Leipzig.
 UBI seeks to produce socially conscious theatre projects in both performance and in workshop projects with children, youngsters and adults.
 UBI follows the British tradition of 'Theatre in Education' and 'Community Theatre', and is influenced by Bertolt Brecht, Keith Johnstone and Augusto Boal in its ideals of using theatre for social gain.
 Projects take place in their Leipzig premises and various local theatres.
The King's Men was the acting company to which William Shakespeare (1564–1616) belonged for most of his career.
 Formerly known as The Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became The King's Men in 1603 when King James I ascended the throne and became the company's patron.
The History of Cardenio, often referred to as merely Cardenio, is a lost play, known to have been performed by the King's Men, a London theatre company, in 1613.
 The play is attributed to William Shakespeare and John Fletcher in a Stationers' Register entry of 1653.
 The content of the play is not known, but it was likely to have been based on an episode in Miguel de Cervantes' "Don Quixote" involving the character Cardenio, a young man who has been driven mad and lives in the Sierra Morena.
 Thomas Shelton's translation of the First Part of "Don Quixote" was published in 1612, and would thus have been available to the presumed authors of the play.
Plan-B Theatre Company is one of five professional theatre companies in Salt Lake City, Utah.
 It is the smallest in terms of budget and staff.
 Plan-B develops and produces unique and socially conscious theatre, it is the only theatre company in Utah devoted to developing new plays by Utah playwrights, and is the resident theatre company at the Rose Wagner Performing Arts Center.
 In fact, The Dramatists Guild of America has noted that Plan-B is the only professional theatre company in the United States producing full seasons of new work by local playwrights.
The Melbourne Theatre Company (popularly known as MTC) is a theatre company based in Melbourne, Victoria.
 Founded in 1953 as the Union Theatre Repertory Company, it is the oldest professional theatre company in Australia.
 The company's Southbank Theatre houses the 500-seat Sumner and the 150-seat Lawler, and the company also performs in the Arts Centre Melbourne's Fairfax Studio and Playhouse, all located in Melbourne's Arts Precinct in Southbank.
 Considered Victoria's state theatre company, it formally comes under the auspices of the University of Melbourne.
 Currently, it offers a Mainstage Season of ten to twelve plays each year, as well as education, family and creative development activities.
 It has a subscriber base of approximately 20,000 people and plays to a quarter of a million people annually.
Electric Theatre Company was a non-profit, regional, Equity theatre company located in Scranton, Pennsylvania.
 The company was founded in 1992 as The Northeastern Theatre Ensemble by Zeve Ben Dov and played in Scranton for eight years before moving to Keystone College for four years.
 Artistic leadership was taken up by David Zarko in 2001, and he continued in that position through the company's final season in 2011.
 The theatre returned to downtown Scranton in 2005 and began the 2008-2009 season under its new name.
 From 2005 until its demise in 2011, it performed in the old Hotel Jermyn's main ballroom, which was converted into a 99-130 seat, flexible black box theatre.
 Also within the facility was The Ballroom, a space used for parties, workshops, theatre lab experiments, and classes.
 ETC closed in June 2011 and was officially disbanded within the following year due to difficulties in maintaining funding levels; although numbers of both donors and audience continued to grow into the final season, dollar amounts fell below a sustainable level.