Question: Adrianus Jacobus Zuyderland was Vincent van Gogh's favorite model during his Hague period, he appears in dozens of drawings, easily identified by his bald head and prominent white whiskers, and he was the model for the drawing which was the basis for At Eternity's Gate, an oil painting by Vincent van Gogh that he made in which year, in Saint-Rémy de Provence based on an early lithograph?

Context articles: Van Gogh's family in his art
Farmhouse in Provence
Fondation Vincent van Gogh Arles
Portrait of a Man in a Top Hat
Green Wheat Field with Cypress
The Passion of Vincent van Gogh
Adrianus Jacobus Zuyderland
Early works of Vincent van Gogh
At Eternity's Gate
Copies by Vincent van Gogh

Van Gogh's family in his art is a group of works that Vincent van Gogh made for or about Van Gogh family members.
 In 1881 Vincent drew a portrait of his grandfather, also named Vincent van Gogh, and his sister Wil.
 While living in Nuenen, Vincent memorialized his father in "Still Life with Bible" following his death in 1885.
 There he also made many paintings and drawings in 1884 and 1885 of his parent's vicarage, its garden and the church.
 At the height of his career in Arles he made "Portrait of the Artist's Mother", "Memory of the Garden at Etten" of his mother and sister and "Novel Reader", which is thought to be of his sister, Wil.
Farmhouse in Provence also known as Entrance Gate to a Farm with Haystacks was made in 1888 by Vincent van Gogh in Arles in Provence at the height of his career.
 Partially due to having been inspired by painter Adolphe Monticelli, Van Gogh sought the Provence region of France to further expand his painting skill and experience.
 Van Gogh used several pairs of complementary colors in the "Farmhouse in Provence", the color contrast bringing an intensity to his work.
 The painting is owned by the National Gallery of Art of Washington, D.C..
Fondation Vincent van Gogh Arles is a non-profit foundation located in Arles France dedicated to the work and legacy of Vincent Van Gogh.
 Its goal is to generate and promote cultural and artistic activities with reference to the oeuvre of Vincent van Gogh as related to the time he spent in Arles, and the intention that van Gogh expressed in establishing an international center of artistic creation and exchange in Arles.
 The artistic director is editor-in-chief of Parkett, Bice Curiger.
Portrait of a Man in a Top Hat is a drawing created in 1882 by Vincent van Gogh currently in Worcester Art Museum.
 It is one of Van Gogh's drawings depicting Adrianus Jacobus Zuyderland.
Green Wheat Field with Cypress (French: Champ de blé vert avec cyprès) is an oil on canvas painting by a Dutch Post-Impressionist Vincent van Gogh.
 It was completed in 1889, while van Gogh was voluntarily incarcerated at the asylum of St. Paul near Saint-Rémy in Provence.
 Several paintings of wheat fields with cypresses were made when van Gogh was able to leave the asylum grounds and explore the local landscape.
 Besides a fondness for cypresses, van Gogh had a special affinty with wheat fields; he depicted them dozens of times over the years; to Vincent they symbolized the cycle of life and death, and he found in them both solace and inspiration.
The Passion of Vincent van Gogh is an opera in three acts and eighteen scenes by composer Christopher Yavelow.
 The opera was commissioned by the National Endowment for the Arts and composed at the Camargo Foundation in 1983 during a Camargo Fellowship in Cassis, France.
 The English libretto by the composer is taken from the letters of Vincent van Gogh (with permission from the Vincent van Gogh Foundation), Paul Gauguin's journal, and additional official documents relating to Vincent van Gogh.
 Each line is footnoted in the score and libretto.
 A German translation by Monique Fasel appears in both the score and libretto.
 Research for the opera was supported by the International Research and Exchanges Board (IREX) and by the American Council of Learned Societies and the Social Science Research Council.
 An abridged version of the opera premiered at the University of Texas at Dallas on April 14, 1984.
Adrianus Jacobus Zuyderland was Vincent van Gogh's favorite model during his Hague period.
 He appears in dozens of drawings, easily identified by his bald head and prominent white whiskers, and he was the model for the drawing which was the basis for van Gogh's later iconic painting "At Eternity's Gate".
The early works of Vincent van Gogh is a group of paintings and drawings that Vincent van Gogh made when he was 27 and 28, in 1881 and 1882, his first two years of serious artistic exploration.
 Over the course of the two-year period Van Gogh lived in several places.
 He left Brussels, where he had studied for about a year in 1881, to return to his parent's home in Etten (North Brabant), where he made studies of some of the residents of the town.
 In January 1882 Van Gogh went to The Hague where he studied with his cousin-in-law Anton Mauve and set up a studio, funded by Mauve.
 During the ten years of Van Gogh's artistic career from 1881 to 1890 Vincent's brother Theo would be a continuing source of inspiration and financial support; his first financial support began in 1880 funding Vincent while he lived in Brussels.
Sorrowing Old Man (At Eternity's Gate) is an oil painting by Vincent van Gogh that he made in 1890 in Saint-Rémy de Provence based on an early lithograph.
 The painting was completed in early May at a time when he was convalescing from a severe relapse in his health and some two months before his death, which is generally accepted as a suicide.
Copies by Vincent van Gogh form an important group of paintings executed by Vincent van Gogh between 1887 and early 1890.
 While at Saint-Paul asylum in Saint-Rémy-de-Provence, France, where Van Gogh admitted himself, he strived to have subjects during the cold winter months.
 Seeking to be reinvigorated artistically, Van Gogh did more than 30 copies of works by some of his favorite artists.
 About twenty-one of the works were copies after, or inspired by, Jean-François Millet.
 Rather than replicate, Van Gogh sought to translate the subjects and composition through his perspective, color, and technique.
 Spiritual meaning and emotional comfort were expressed through symbolism and color.
 His brother Theo van Gogh would call the pieces in the series some of his best work.