Question: What year did the recorder of Young Man Mose die?

Context articles: Young Man Blues
Back Country Suite
Mose Allison
Can I Play with Madness
'Tronie' of a Young Man with Gorget and Beret
Go West, Young Man
Young Man Mose
Sonnet 110
Sonnet 28
Sonnet 32

"Young Man Blues" is a song by jazz artist Mose Allison.
 Allison first recorded it in March 1957 for his debut album, "Back Country Suite", in which it appears under the title "Back Country Suite: Blues."
 In Allison's two-CD compilation set of 2002, "Allison Wonderland", Allison reveals that the tune's full title is: "Back Country Suite: Blues (a.k.a. 'Young Man's Blues')".
 The tune was famously covered by The Who during live sets - first appearing on their 1970 album "Live at Leeds".
 Another live performance features in the movie and soundtrack for "The Kids Are Alright", from a 1969 performance at the London Coliseum.
 The song was included in "Rock Band 2" as downloadable content.
 The tune is also found on Chris Spedding's 2009 reissued album "One Step Ahead of the Blues", where in the liner notes Spedding states he was trying make a version, which was how he imagined Allison originally recorded it; having never heard it.
 Spedding's blues rock version differs considerably from either Allison's jazz-blues or The Who's rock versions.
 It has also been covered live by You Am I, Joe Bonamassa, the Foo Fighters and The Bright Light Social Hour.
Back Country Suite is the debut album by blues/jazz pianist and vocalist Mose Allison which was recorded in 1957 and released on the Prestige label.
 The album features the first recording of Allison's "Young Man Blues" (titled simply "Blues") which was later covered by The Who on their album "Live at Leeds".
Mose John Allison Jr. (November 11, 1927 – November 15, 2016) was an American jazz and blues pianist, singer, and songwriter.
 He became notable for playing a unique mix of blues and modern jazz, both singing and playing piano.
 After moving to New York in 1956, he worked primarily in jazz settings, playing with jazz musicians like Stan Getz, Al Cohn, and Zoot Sims, along with producing numerous recordings.
"Can I Play with Madness" is a song by the English heavy metal band Iron Maiden.
 The song is the sixteenth single released by the band.
 Released in 1988, it was the first single from their seventh studio album, "Seventh Son of a Seventh Son" (1988), and hit number 3 in the UK charts.
 The song is about a young man who wants to learn the future from an old prophet with a crystal ball.
 The young man thinks he is going mad and seeks the old prophet to help him cope with his visions/nightmares.
 The prophet's advice is ignored by the young man and they become angry with each other.
 The song was originally a ballad named "On the Wings of Eagles", written by Adrian Smith.
'Tronie' of a Young Man with Gorget and Beret, formerly known as Self-portrait as a young man (both with variant titles) is a "tronie" portrait of a young man that was traditionally regarded as one of over 40 painted self-portraits by Rembrandt.
 It is now in the Galleria degli Uffizi in Florence, where the most recent restoration by Daniele Rossi revealed a signature previously hidden under old varnish.
Go West, Young Man is a 1936 American comedy film directed by Henry Hathaway and starring Mae West, Warren William, and Randolph Scott.
 Released by Paramount Pictures and based on the play "Personal Appearance" by Lawrence Riley, the film is about a movie star who gets stranded out in the country and trifles with a young man's affections.
 The phrase "Go West, Young Man" is often attributed to "New York Tribune" founder Horace Greeley, and often misattributed to Indiana journalist John B. L. Soule, but the latest research shows it to be a paraphrase.
Young Man Mose is the third album by blues/jazz pianist and vocalist Mose Allison which was recorded in 1958 and released on the Prestige label.
Sonnet 110 is one of 154 sonnets written by the English playwright and poet William Shakespeare.
 Sonnet 110 was published along with the other sonnets in the 1609 Quarto.
 The sonnet falls in place with the Fair Youth sequence of Shakespeare's sonnets, in which the poet expresses his love towards a young man.
 The mystery of the young man is still unknown today.
 However, there are many different theories by various scholars of who this young man may be.
 There has been much debate whether or not this sonnet was written about Shakespeare's disdain with the stage and actors.
 Whereas others have interpreted sonnet 110 as the poet confessing his love to a young man.
Sonnet 28 is one of 154 sonnets written by the English playwright and poet William Shakespeare, it was first published in 1609.
 The sonnet is a part of the Fair Youth sequence, in which the poet expresses his love towards a young man — usually referred to as "the young man" or the "friend".
 Shakespeare's use of "friend" means more than just of a sexual nature, it highlights the Renaissance ideal of male fidelity and equality.
 From sonnets 18 to 126, Shakespeare writes about his relationship with the said young man.
 Although the identity of the young man is still unknown, Henry Wriothesley and William Herbert, 3rd Earl of Pembroke, are the two leading contenders.
Sonnet 32 is one of 154 sonnets written by the English playwright and poet William Shakespeare.
 It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man.
 The writer is reflecting on a future in which the young man will probably outlive him.
 The writer takes a melancholy tone, telling the young man to remember the writer not because of the strength of the sonnets, but because the love that has been shown to the young man far surpasses any love shown by another poet.