Question: Lack of Communication was an album by a group that was part of a musical movement that developed in what time period?

Context articles: Lack of Communication
Sonidero Nacional
Plastilina Mosh
List of post-punk bands
Telescoping effect
Maná (album)
RIP (band)
Santiago Feliú
New wave of British heavy metal
Post-punk revival

Lack of Communication is the first album by garage rock revival band The Von Bondies.
 It was produced by Jack White of The White Stripes, a band that also had the Von Bondies open their shows for them during one of their tours.
 The album was released in 2001 by Sympathy for the Record Industry, and released in the UK by Sweet Nothing Records.
Sonidero Nacional is a musical collective from Monterrey.
 They fuse different musical styles such as hip hop, reggae and electronica with the tropical rhythms of cumbia, vallenato, ska and afrobeat, thereby creating a new, more international form of cumbia.
 They are pioneers of the Avanzada Regia musical movement.
 They have performed at important festivals such as the Vive Latino festival in Mexico City and the Festival Internacional de Puebla.
 One of their most well-known songs is a tribute that they did to the norteña group Bronco, called "Grande de Cadera", which was released on the tribute album Tributo al más grande alongside various other covers done by other famous Mexican groups.
Plastilina Mosh is an electronic and alternative rock group from Monterrey, Mexico.
 They are part of the musical movement known as Avanzada Regia.
 Jonás González is the lead singer and guitar player.
 Alejandro Rosso is more involved with the creative process, providing most of the instrumentation and occasional background vocals.
The following is a list of post-punk bands.
 Post-punk is a musical movement that began at the end of the 1970s, following on the heels of the initial punk rock movement.
 The essential period that is most commonly cited as post-punk falls between 1978 and 1984.
In cognitive psychology, the telescoping effect (or telescoping bias) refers to the temporal displacement of an event whereby people perceive recent events as being more remote than they are and distant events as being more recent than they are.
 The former is known as backward telescoping or time expansion, and the latter as is known as forward telescoping.
 Three years is approximately the time frame in which events switch from being displaced backward in time to forward in time, with events occurring three years in the past being equally likely to be reported with forward telescoping bias as with backward telescoping bias.
 Although telescoping occurs in both the forward and backward directions, in general the effect is to increase the number of events reported too recently.
 This net effect in the forward direction is because of forces that impair memory, such as lack of salience, also impair time perception.
 Telescoping leads to an over reporting of the frequency of events.
 This over reporting is because participants include events beyond the period, either events that are too recent for the target time period (backward telescoping) or events that are too old for the target time period (forward telescoping).
Maná is the third overall album by the Latin American Mexican rock band currently known as Maná (formerly known as Sombrero Verde), and their first album published on the PolyGram label and performing as Maná.
 A new era began with the release of their self-titled debut album, which became an important part of a musical movement called "Rock en Tu Idioma" (Rock In Your Language).
 This helped open doors for music written in Spanish and proposed a novel alternative to a scene typically dominated by music in English.
 Despite achieving some success, this first recording as Maná did not satisfy the band and did not necessarily turn out so well due to the record company trying to change and adulterate the group's musical essence as well as its image.
 This is a recurring practice in the record industry.
 In spite of this, the band continued performing in alternative forums whenever Warner Music (WEA Latina) showed interest in their work and music.
R.I.P. was a hardcore punk group from Mondragón, Basque Country (Spain), and were part of the Basque Radical Rock musical movement in the early 1980s.
 By 2014, three of the band's classic four members — lead singer Karlos "Mahoma" Agirreurreta, bassist "Portu" Mancebo and guitarist Jul Bolinaga — had died.
Santiago Vicente Feliú Sierra (March 29, 1962 – February 12, 2014) was a Cuban singer and songwriter.
 Born in Havana, he became part of the musical movement known as nueva trova, which was the Cuban manifestation of the nueva canción movement and included such singers as Frank Delgado and Carlos Varela.
 Feliú wrote the songs "For Barbara" and "Without Julieta" and recorded 11 albums.
 His last album, "Oh Life", came out in 2010.
The new wave of British heavy metal (commonly abbreviated as NWOBHM) was a nationwide musical movement that started in the United Kingdom in the late 1970s and achieved international attention by the early 1980s.
 Journalist Geoff Barton coined the term in a May 1979 issue of the British music newspaper "Sounds" to describe the emergence of new heavy metal bands in the late 1970s, during the period of punk rock's decline and the dominance of new wave music.
Post-punk revival (also known as "new wave revival", "garage rock revival" or "new rock revolution") is a genre of alternative rock and indie rock that developed in the late 1990s and early 2000s, inspired by the original sounds and aesthetics of garage rock of the 1960s and new wave and post-punk of the 1980s.
 Bands that broke through to the mainstream from local scenes across the world in the early 2000s included the Strokes, Interpol, the White Stripes, the Hives and the Vines who were followed to commercial success by many established and new acts.
 By the end of the decade, most of the bands had broken up, moved on to other projects or were on hiatus, although some bands returned to recording and touring in the 2010s.