Question: Craig Barron, is an American creative director and film historian who specializes in seamless matte painting effects, while at Industrial Light & Magic, or Matte World Digital, he worked on, or supervised the crews of more than a hundred films, including which 1995 American epic crime drama film ?

Context articles: Matte painting
Rocket Science VFX
Harrison Ellenshaw
Craig Barron
Richard Bluff
Michael Pangrazio
Matte World Digital
Casino (film)
David Luong
Peter Ellenshaw

A matte painting is a painted representation of a landscape, set, or distant location that allows filmmakers to create the illusion of an environment that is not present at the filming location.
 Historically, matte painters and film technicians have used various techniques to combine a matte-painted image with live-action footage.
 At its best, depending on the skill levels of the artists and technicians, the effect is "seamless" and creates environments that would otherwise be impossible or expensive to film.
 In the scenes the painting part is static and movements are integrated on it.
Rocket Science VFX RSVFX is a visual effects post-production studio based in Toronto, Ontario, Canada, and specializing in feature films and feature-quality television projects.
 Rocket Science VFX is a visual effects studio dedicated to providing the very best in conceptual designs, visual effects supervision, digital compositing, 2 and 3D animation, digital matte painting environments, multiple vendor supervision for feature films and feature-quality television projects.
Harrison Ellenshaw (born Peter Ellenshaw, July 20, 1945 in Harrisburg, Pennsylvania) is an American matte painter, following his British-born father Peter Ellenshaw.
 He started his career at Walt Disney Studios.
 He later joined George Lucas's effects studio Industrial Light and Magic (ILM), where he produced many of the matte visual effects backgrounds for the films "Star Wars" (1977) and "The Empire Strikes Back" (1980).
 He then returned to Disney to work on the film "Dick Tracy" (1990), and eventually headed Disney Studio's effects department, Buena Vista Visual Effects (BVVE).
 He was also visual effects supervisor for "Tron" (1982), where he had the distinction of being the first person to have that credit in a film.
Craig Barron (born April 6, 1961) is an American creative director and film historian who specializes in seamless matte painting effects.
 Starting at Industrial Light & Magic, and at his own VFX studio, Matte World Digital, Barron worked on or supervised the crews to create the matte painting effects of more than a hundred films, including "The Empire Strikes Back", "Raiders of the Lost Ark", "E.T. the Extra-Terrestrial", "Titanic", "Casino", "Zodiac", "Hugo", and "The Curious Case of Benjamin Button", for which he won the Academy Award for best visual effects.
Richard Bluff is an English special effects supervisor.
 Known for his works in Disney's visual effects company Industrial Light & Magic (ILM) as a digital matte artist and visual effects supervisor in acclaimed films such as "" (2005), "The Island" (2005), "Transformers" (2007-11), "Indiana Jones and the Kingdom of the Crystal Skull" (2008), "Star Trek" (2009), "Avatar" (2009), "The Avengers" (2012), "Cloud Atlas" (2012) "Pacific Rim" (2013), "The Big Short" (2015) and "Doctor Strange" (2016), for which he received an Academy Award for Best Visual Effects nomination at the 89th Academy Awards.
 He previously worked at Blur Studio as digital artist.
Michael Pangrazio (commonly credited as Mike Pangrazio) is an award-winning American art director in the feature film industry best known for his matte painting work on Raiders of the Lost Ark and The Empire Strikes Back.
 As traditional and digital matte artist, he created some of the most famous matte paintings in movie history.
 His best known painting is the Raiders of the Lost Ark warehouse interior set-extension at the end of the movie.
Matte World Digital was a visual effects company based in Novato, California that specialized in realistic matte painting effects and digital environments for feature films, television, electronic games and IMAX large-format productions.
 The company closed in 2012 after 24 years of service in the entertainment industry.
Casino is a 1995 American epic crime drama film directed by Martin Scorsese and starring Robert De Niro, Joe Pesci, and Sharon Stone.
 It is based on the non-fiction book "" by Nicholas Pileggi, who also co-wrote the screenplay for the film with Scorsese.
 The two previously collaborated on the hit film "Goodfellas" (1990).
David Luong is a Senior Cinematic Video Game Artist Level 2 at Blizzard Entertainment, with works ranging from 3D lighting and compositing to digital matte painting.
 He graduated from the Academy of Art University in 2005 with a BFA in Fine Arts and 3D Visual Effects Animation.
 He has worked on all of the major cinematics for Blizzard's AAA game titles such as "World of Warcraft", "Diablo 3", "StarCraft 2", and "Hearthstone" from 2006 to present.
 Luong is said to be an avid video gamer and movie lover.
 David Luong is one of the most significant contributors to the matte painting community and has a wide fanbase in the video game world.
His first worked in matte painting for producer Alexander Korda on such films as "Things to Come" (1936), and later on such Powell and Pressburger productions as "Black Narcissus" (1947) assisting his mentor W. (Walter) Percy Day.
 A few years later, while still based in Europe, he began to work for Hollywood studios.
 He worked for MGM on "Quo Vadis" (1951), but his most extensive association was with Walt Disney Studios beginning with their first completely live action feature film, "Treasure Island" (1950).
 He went on to work on "20,000 Leagues Under the Sea" (1954) and "Mary Poppins" (1964), for which he won an Academy Award.
 He retired after his work on "The Black Hole" (1979), but contributed matte paintings for "Dick Tracy" (1990).
 His son Harrison is also an Academy Award-winning effects designer.