Question: What type of magazine did Clive McClean work for?

Context articles: Ivy Gardner Proudfoot
Sheila McClean
Clive Phillpot
Peter Biľak
Clive McLean
Morphogenesis (band)
Ron Saint Germain
Barely Legal (magazine)
BL 18 inch Mk I naval gun
War Picture Library

Ivy Gardner Proudfoot (also known as Jane Ivy Hunter Fergusson Proudfoot) was born in 1894 and died in 1975.
 She was active as a sculptor and modeller of mainly figurative pieces between 1920-1957.
 Her specialty was sculptural portraits of children.
 She was born in Greenock, where the McClean Museum and Art Gallery hold her work but spent the majority of her working life living in Glasgow.
 Gardner attended the Glasgow School of Art between 1914-1925, and later became a member of the Glasgow Society of Lady Artists.
 She was seen to show great promise so later became the assistant to sculptors Benno Schotz and Alexander Proudfoot (1878-1957) who she married two years before he died.
Sheila McClean, RUA, (1932 – 5 Aug 2016) was an Irish painter, whose work was in the impressionist style.
Clive Phillpot is a specialist on artists' books, essayist, art writer, curator, and a librarian.
 Phillpot started his library career at the Charing Cross Public Library in London.
 He is a former librarian at the Chelsea School of Art in London, and served as the Director of the Library at the Museum of Modern Art in New York from 1977 to 1994.
 After his departure from the Library at the Museum of Modern Art, Phillpot pursued freelance work, writing, and curating exhibitions.
 While serving as the head of the MoMA's library, Phillpot founded and curated the Artist Book Collection, established in 1977.
 Phillpot was an active supporter of the New York art world during the 1980s.
 He contributed to artist exhibition catalogues (including the catalogue for The Art Press, an exhibition on the history of art magazines), conducted artist interviews, wrote essays on artists, and contributed a column titled "Feedback" to the art magazine Studio International.
 In 2013, JRP-Ringier published a collection of Clive Phillpot's essays and interviews, titled "Booktrek: Selected Essays on Artists' Books (1972-2010)".
 Phillpot served on the boards of Center for Book Arts, Franklin Furnace Archive, and the New York State Council on the Arts.
 From 1980-1994, Clive Phillpot served as a Board Member for Printed Matter, and served as the president of Printed Matter from 1992-1993.
Peter Biľak (born 1973 in Czechoslovakia) is a Slovakian graphic and typeface designer, based in The Hague, The Netherlands.
 He works in the field of editorial, graphic, and type design, teaches typeface design at the postgraduate course Type&Media at the KABK, Royal Academy of Art (The Hague).
 He started Typotheque in 1999, "Dot Dot Dot" in 2000, Indian Type Foundry in 2009, "Works That Work" magazine in 2012, and Fontstand, in 2015.
 He is a member of AGI (Alliance Graphique Internationale.)
 and lectures on his work internationally.
 He is a writer for numerous design magazines and frequently contributes writing and design to books and publications that include Print, Emigre, Eye (magazine), Items, tipoGrafica, Idea (magazine), Abitare and Page.
Clive McLean (27 October 1944 – 29 March 2005) was an English photographer and an AVN Hall of Fame member best known for his work at "Hustler" and "Barely Legal".
 He was sometimes credited as Oliver English and Clive McClean.
Morphogenesis is a British experimental music group specializing in improvised music and the use of unconventional instruments and sound-making devices.
 Founded in 1985, the group usually was composed of ex-Scratch Orchestra member Roger Sutherland (also the author of New Perspectives In Music, London: Sun Tavern Fields.
 ISBN  ), Adam Bohman (a member of C.I.M., Conspiracy, and many other improvising groups), Ron Briefel, Clive Hall, Fred Sansom, and sometime Organum cohort Michael Prime, who has developed techniques of using the bioelectrical fields of plants to create music.
 Occasional Nurse With Wound collaborator Clive Graham replaced Fred Sansom in 1989.
 Andy Cordery was with the band for 2 years in the early 1990s.
 Often using extended technique, "prepared" instruments or ordinary objects, most of the members also use live electronics to process their sounds in real time.
 Their unusual sound is difficult to categorise, drawing a small but enthusiastic following, leading to features in The Wire, Resonance (which later grew into the Resonance FM radio station) and jazz magazine EST.
 One admirer is Thurston Moore, who invited the group to support Sonic Youth in London in 2000, a performance they released on CD.
 Roger Sutherland died in 2004, but the group continues to perform sporadically.
 Clive Graham presented a regular show on Resonance FM until March 2006 entitled Sound Poets Exposed.
 Three of their CDs are available on Paradigm Discs, based in London.
Ron Saint Germain (alternate spellings Ron St. Germain, Ron Saint-Germaine and similar) is an American record producer, engineer, and mixer born in post-war Frankfurt, Germany, into a career Air Force family.
 Prior to his career in music production and engineering he was a musician, actor, singer.
 Ron's music business career spans forty five + years.
 He began learning the art of recording at two of America's busiest and best recording studios, Record Plant, NYC and Media Sound Studios, NYC.
 Some of Ron's fellow "colleagues" during those formative years were Tony Bongiovi, Bob Clearmountain, Harvey Goldberg, Mike Barbiero, Joe Gastwirt and Michael Brauer.
 Since going "Independent" as a Producer, Engineer and Mixer in 1977 his work has amassed over 100 + gold and platinum awards, selling well over a quarter billion units, garnering FOR THE ARTISTS, 19 Grammy nominations with 14 wins and numerous American Music and MTV Awards.
 He’s also mixed live and recorded in venues from CBGB’s to the 1980 Winter Olympics, Ronald Regan’s Inauguration Ceremonies and the John F. Kennedy Center for the Performing Arts.
 He has one of the most eclectic discographies in the business working in countless genres of music.
 Among some of the most notable include such Artists as Hendrix, Aretha, Whitney, Diana, Michael, Smokey, Ashford & Simpson, Mick Jagger, U2, Muse, Bad Brains, Living Colour, 311, Tool, Soundgarden, Sonic Youth, Creed, The Cure, Ziggy, Chili Peppers, Foreigner, Kraftwerk, Duran Duran, Nels Cline, Ornette Coleman, McCoy Tyner, Jackie McClean, Ben Golgberg, Kris Davis, Craig Taborn, The Last Poets and numerous others.
 He has much of his music work in film soundtracks, is active in Sound Design and is part of, 'A Moment In Time', a documentary film production company amomentintimefilms.com.
 Ron continues his work traveling where ever it takes him, but does most of his recording and mixing work at his private studio, "Saint’s Place".
Barely Legal is the name of an adult magazine targeted primarily at heterosexual men.
The BL 18-inch Mk I naval gun was a breech-loading naval gun used by the Royal Navy during World War I.
 It was the largest and heaviest gun ever used by the British.
 Only the Second-World-War Japanese 40 cm/45 Type 94 had a larger calibre, 18.1 in , but the British shell was heavier.
 The gun was a scaled-up version of the BL 15 inch Mk I naval gun and was developed to equip the "large light cruiser" (a form of battlecruiser) "Furious" .
 Three guns were built, but they did not see combat with "Furious", before they were removed from her and transferred to the "Lord Clive"-class monitor s "General Wolfe" and "Lord Clive" for coast bombardment duties.
 Only 85 rounds were fired in combat operations before the war ended.
 All three were removed from service in 1920 and served as proving guns for cordite tests.
 Two were scrapped in 1933 and the last one survived until it was scrapped in 1947.
War Picture Library was a British 64-page Pocket library war comic magazine title published by Amalgamated Press/Fleetway (now owned by IPC Magazines) for 2103 issues.
 Each issue featured a complete story, beginning on 1 September 1958 with "Fight Back to Dunkirk" and finishing 26 years later with "Wings of the Fleet" (3 December 1984).
 The Editor was Ted Bensberg.
 Assistant Editors included Geoff Kemp and Brian Smith.
 Other editorial staff included Pat Brookman, Terence Magee, Clive Ranger, Tony Power and Clive McGee.
 Art Editor was Mike Jones and Art Assistant was his brother Dave Jones.
 Other Art Assistants at various times were Roy McAdorey, Geoff Berwick, Bill Reid, John Fearnley.