Question: "Sebben, crudele", is an aria from Antonio Caldara's opera, released in what year, "La costanza in amor vince l'inganno", it has been recorded by Cecilia Bartoli, an Italian coloratura mezzo-soprano opera singer and recitalist?

Context articles: Julia Lezhneva
L'Olimpiade (Vivaldi)
Cecilia Bartoli
Edgar Vincent
Jozsef Gregor
Sebben, crudele
Lucia Valentini Terrani
Antonio Quintavalle
Adriano in Siria (Mysliveček)
La clemenza di Tito (Mysliveček)

Julia Lezhneva (Russian: Юлия Михайловна Лежнева) (born December 5, 1989) is a Russian soprano opera singer and recitalist, specialising in soprano and coloratura mezzo-soprano material of the 18th and early 19th century.
 She studied with Tamara Cherkasova, Irina Zhurina, Elena Obraztsova, Dennis O'Neill and Yvonne Kenny.
L'Olimpiade is a dramma per musica in three acts that was composed by Antonio Vivaldi.
 The opera uses an Italian libretto by Pietro Metastasio that was originally written for Antonio Caldara's 1733 opera of the same name.
 Vivaldi's version premiered in Venice at the Teatro Sant'Angelo on 17 February 1734.
 The same libretto was to be later set to music by over 50 other composers, starting from Giovanni Battista Pergolesi in 1735.
Cecilia Bartoli, (] ; born 4 June 1966) is an Italian coloratura mezzo-soprano opera singer and recitalist.
 She is best known for her interpretations of the music of Mozart and Rossini, as well as for her performances of lesser-known Baroque and classical music.
 She is known for having the versatility to sing soprano and mezzo roles.
Edgar Vincent (13 March 1918, Hamburg — 26 June 2008, New York City) was an American publicist and actor of German birth.
 He began his career appearing in small roles in Hollywood films during the 1940s but his German accent prevented him from moving further with his career.
 In 1949 he joined a New York publishing firm with his first client being the opera singer Ezio Pinza.
 He went on to specialize in being a publicist for opera singers, helping shape and forward the careers of major stars like Lily Pons, Anna Moffo, Eleanor Steber, Jussi Björling, George London, Leonard Warren, Mirella Freni, Shirley Verrett, Cecilia Bartoli, Dolora Zajick, Dorothy Kirsten, Eileen Farrell, Birgit Nilsson, Rise Stevens and Salvatore Licitra.
 He had a particularly close friendship and relationship with the late Beverly Sills and was also a close friend and adviser to Plácido Domingo in addition to being his publicist.
 Vincent also worked for Mikhail Baryshnikov and a handful of musicians other than opera singers, including conductors Erich Leinsdorf, Leopold Stokowski and Georg Solti; the cellist Mstislav Rostropovich; and the violinist Isaac Stern.
 He also worked frequently with his colleague, fellow publicist Margaret Carson.
József Gregor (August 8, 1940 - October 27, 2006) was a renowned Hungarian bass-baritone/basso buffo who enjoyed success first in Hungary, then in France, Belgium and Canada, and finally in the United States.
 József Gregor was born in Rákosliget, a small town that is now part of Budapest.
 He studied violin for ten years and then, voice at the Liszt Academy in Budapest for one year but did not graduate.
 He started singing with the Hungarian Army chorus in 1958 before becoming a soloist in National Theatre of Szeged in Hungary.
 In Europe he sang in many opera houses, including Vlaamse Opera and La Scala in Milan.
 Beginning in 1989, József Gregor appeared in the US with the Portland Opera and later with the Houston Grand Opera (with Cecilia Bartoli at her American debut) and the Metropolitan Opera (with Bryn Terfel).
 His most famous roles included Sarastro, Osmin, Falstaff, Don Pasquale, Dulcamara, Don Basilio, Don Bartolo, Don Magnifico, Boris Godunov, Varlaam, Philip II, Bluebeard etc., roles in masses and oratorios, musicals (Tevye, Caiaphas), and songs.
 He died in Szeged of gastric cancer.
"Sebben, crudele" (Though not deserving) is an aria from Antonio Caldara's 1710 opera, "La costanza in amor vince l'inganno" (Faithfulness in love conquers treachery).
 Although the opera itself has been rarely performed in modern times, "Sebben, crudele" remains a popular concert aria.
 It has been recorded by Cecilia Bartoli, Beniamino Gigli and Janet Baker, amongst others.
Lucia Valentini Terrani (29 August 1946 in Padua – 11 June 1998 in Seattle) was an Italian coloratura mezzo-soprano, particularly associated with Rossini roles.
Antonio Quintavalle (1688–c.1724) was an Italian opera composer.
 By 1703 and perhaps earlier he was chamber organist at the Mantuan court.
 He wrote music for three operas while he was in Mantua, one in collaboration with the maestro di cappella Antonio Caldara.
 In 1712 he became maestro di cappella of Trent Cathedral.
 His fourth and last opera was produced in Trent.
 The exact year of his death is uncertain.
 There is evidence suggesting that Quintavalle was in Trent until at least 1724.
 However, there is also record of death for an Antonio Quintavalle, chaplain at Torcello, who died near Venice on 28 January 1721 at the age of 45.
 It is possible that this other Antonio Quintavalle may be the composer or a different person entirely.
 None of Quintavalle's works have survived to today.
Adriano in Siria ("Hadrian in Syria") is an 18th-century Italian opera seria in 3 acts by the Czech composer Josef Mysliveček.
 It was composed to a libretto of the same name by the Italian poet Metastasio that was first performed in 1732 with music of Antonio Caldara and in more than 60 further settings until 1828.
 For a performance in the 1770s, it would only be expected that a libretto of such age would be abbreviated and altered to suit contemporary operatic taste.
 No other of the composer's settings of Metatasio's texts contains as many substitute aria texts as this one does.
 The cuts and changes in the text made for the 1776 performance of Mysliveček's opera are not attributable.
La clemenza di Tito ("The Clemency of Titus") is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček.
 It was composed to a libretto by the Italian poet Metastasio that was first performed in 1734 with music of Antonio Caldara.
 For a performance in the 1770s, it would only be expected that a libretto of such age would be abbreviated and altered to suit contemporary operatic taste (similar to the setting of the same text by Wolfgang Amadeus Mozart).
 The cuts and changes in the text made for the 1774 performance of Mysliveček's opera are not attributable.
 All of Mysliveček's operas are of the serious type in Italian language referred to as opera seria.