Question: What androgynous model is also a song writer and record producer who's work makes up the 1998 anthology Private Life: The Compass Point Sessions?

Context articles: Johnny and Mary
Earth to America (album)
Whammy!
Grace Jones
I Want Home
Hyperballad
Work–life interface
Avalon (Roxy Music album)
Private Life: The Compass Point Sessions
Sex and/or Mr. Morrison

"Johnny and Mary" is a song written and originally performed by Robert Palmer.
 Palmer's version was recorded in 1980 at Compass Point Studios, New Providence, in the Bahamas.
 The song was featured on Palmer's album "Clues" (1980).
Earth to America is the ninth studio album by the Athens, Georgia-based band Widespread Panic.
 It was recorded in January 2006 with Terry Manning producing in Nassau, Bahamas at the Compass Point Studios.
 The album is being offered in three variations; a regular CD release, a digipak release, and a vinyl record release.
 The digipak release includes free song downloads through the band's concert album web page, Live Widespread Panic.com.
 The vinyl release includes two extra bonus tracks not found on the regular CD release.
Whammy!
 is the third studio album by American new wave band the B-52's.
 It was recorded at Compass Point Studios in Nassau, Bahamas, in December 1982 and was produced by Steven Stanley.
 The record was refined and mastered at Sterling Sound, New York City.
 It was released on April 27, 1983 in the United States, with Warner Bros.
 Records as the primary label.
 Sales for "Whammy!"
 were generally weaker than their previous album, but overall successful, spawning the popular singles "Legal Tender," "Whammy Kiss," and "Song for a Future Generation."
 The album entered the "Billboard" 200 twice in 1983, reaching both number 29 and 171 throughout the year, while "Legal Tender" reached the "Billboard" Hot 100 chart, as well as the "Billboard" Hot Dance Club Play Singles chart alongside its two respective singles.
Grace Beverly Jones (born 19 May 1948) is a Jamaican singer, songwriter, supermodel, record producer, and actress.
 Born in Jamaica, she moved when she was 13, along with her siblings, to live with her parents In Syracuse, New York.
 Jones began her modelling career in New York state, then in Paris, working for fashion houses such as Yves St. Laurent and Kenzo, and appearing on the covers of "Elle" and "Vogue".
 She worked with photographers such as Jean-Paul Goude, Helmut Newton, Guy Bourdin, and Hans Feurer, and became known for her distinctive androgynous appearance and bold features.
"I Want Home" is a song by the English rock band Bee Gees, written by Barry Gibb and released as a single in Australia in early 1966, backed with "Cherry Red".
 Their last single on Leedon had not been a hit, so the credit "Barry Gibb and the Bee Gees" used on the last several discs now reverted to simply "Bee Gees".
 Neither song appeared on any Bee Gees album until the 1967 compilation album, "Turn Around, Look At Us", but both were featured on "Brilliant From Birth" the 1998 anthology of the group's Australian recordings.
"Hyperballad" (also known as ""'Hyper-Ballad"") is the fourth single from the studio album "Post" by Icelandic musician and recording artist Björk.
 Like the rest of her songs, the song was written by Björk and co-produced by long-time collaborator Nellee Hooper.
 The recording sessions of "Post" and hence "Hyperballad" were set in Compass Point Studios, The Bahamas, to save tax money.
 "Hyperballad" infuses folktronica and acid house.
 The lyrical content discusses a dream that Björk experienced, in which she wakes early before her lover and throws small objects off a cliff, watching them smash.
 She imagines her body in their place, which makes her feel better about returning to her safe home and the arms of her lover.
Work–life interface is the intersection of work and private life.
 There are many aspects of one's personal life that can intersect with work including family, leisure, and health.
 Work–life interface is bidirectional; for instance, work can interfere with private life, and private life can interfere with work.
 This interface can be adverse in nature (e.g., work-life conflict) or can be beneficial (e.g., work-life enrichment) in nature.
Avalon is the eighth and final studio album by English rock band Roxy Music.
 Released in May 1982, it was recorded in 1981–82 at Compass Point Studios in Nassau, Bahamas, and is generally regarded as the culmination of the smoother, more adult-oriented sound of the band's later work.
 It was the band's most successful studio album, reaching No. 1 in the UK (for 3 weeks) and staying on the album charts for over a year.
 Although it only peaked at No. 53 in the United States, "Avalon" endured as a sleeper hit and became the band's only million-selling record in that country, ultimately receiving a RIAA platinum certification.
Private Life: The Compass Point Sessions is a compilation of recordings by Grace Jones released in 1998 by Island Records.
 The two-disc anthology consists mostly of material pulled from 1980–1982 recording sessions.
"Sex and/or Mr. Morrison" is a short story by Carol Emshwiller from Harlan Ellison's science fiction anthology "Dangerous Visions".
 It has been republished in Emshwiller's 1974 collection "Joy In Our Cause", in Pamela Sargent's 1975 anthology "Women of Wonder", in Emshwiller's 1990 collection "The Start of the End of It All", in Lisa Tuttle's 1998 anthology "Crossing the Border", in Michael Bishop's 2009 anthology "Passing for Human", and in the 2011 "Collected Stories of Carol Emshwiller, Vol.
 1"; it has also been translated into French and Dutch.