Question: The composer of the music for "Le Bourgeois gentilhomme" spent most of his life working in the court of what leader?

Context articles: Le bourgeois de Calais
Michael Puleo
Jules Bonnot
Armand-François Le Bourgeois
Jean-Baptiste Lully
National Drama Company of Korea
Le Bourgeois gentilhomme
Le Bourgeois Gentilhomme (ballet)
École des Jeunes de langues
Le bourgeois gentilhomme (Strauss)

Le bourgeois de Calais is an opéra comique in three acts of 1887, with music by André Messager and a French libretto by Ernest Dubreuil, Paul Burani.
Michael Puleo is an American dancer, currently ballet master at the Compagnia Virgilio Sieni Danza, Florence, and assistant choreographer at Compagnia del Teatro Nuovo, Turin, Italy.
 He received his dance training at the Richard Andros Theater Art Center, the New York Performing Arts High School, and the School of American Ballet, and danced with the New York City Ballet, where he performed in the premieres of George Balanchine's "Le Bourgeois Gentilhomme" and Jerome Robbins' "Eight Lines", as well as with the Armitage Ballet Love's End in Armitage 'Contempt' and at the Metropolitan Opera.
Jules Bonnot (October 14, 1876 – April 28, 1912) was a French illegalist famous for his involvement in a criminal anarchist organization dubbed ""The Bonnot Gang"" by the French press.
 He viewed himself as a professional and avoided bloodshed, preferring to outwit his targets.
 Often posing as a businessman, his taste in expensive clothing earned him the pseudonym ""Le Bourgeois"" among comrades.
Armand Le Bourgeois (1911–2005) was bishop of Autun in central France from 1966 until his retirement in 1987.
 The last bishop of Autun to wear the pallium, he was prominent in ecumenical relations.
 He chaired an episcopal committee that decided to offer communion in Catholic churches to Anglicans who found themselves out of reach of their own church in France.
Jean-Baptiste Lully (] ; born Giovanni Battista Lulli ] ; 28 November 1632 – 22 March 1687) was an Italian-born French composer, instrumentalist, and dancer who spent most of his life working in the court of Louis XIV of France.
 He is considered a master of the French baroque style.
 Lully disavowed any Italian influence in French music of the period.
 He became a French subject in 1661.
In 1950, the National Drama Company of Korea was founded as an affiliate of the National Theater of Korea.
 Since 1986, the ‘World Classic Stage’ has planned to introduce a series of classics and has performed 20 plays including "Uncle Vanya", "Le Bourgeois Gentilhomme", "The Robbers", "Hamlet" and the "Terrorist".
Le Bourgeois gentilhomme (] , "The Bourgeois Gentleman" or "The Middle-Class Aristocrat" or "The Would-Be Noble") is a five-act "comédie-ballet"—a play intermingled with music, dance and singing—written by Molière, first presented on 14 October 1670 before the court of Louis XIV at the Château of Chambord by Molière's troupe of actors.
 Subsequent public performances were given at the theatre of the Palais-Royal beginning on 23 November 1670.
 The music was composed by Jean-Baptiste Lully, the choreography was by Pierre Beauchamp, the sets were by Carlo Vigarani and the costumes were done by the chevalier d’Arvieux.
Le Bourgeois Gentilhomme refers to two different ballets by George Balanchine set to Richard Strauss's "Concert Suite" (1924), with a libretto after Molière's 17th-century comédie-ballet of the same name.
The École des Jeunes de langues was a language school founded by Jean-Baptiste Colbert in 1669 to train interpreters and translators (then called dragomans after the Ottoman and Arabic word for such a figure, like Covielle in "Le Bourgeois Gentilhomme") in the languages of the Levant (Turkish, Arabic, Persian, Armenian, etc.) for ancien regime France.
 It systematized such training activity, which had begun informally at the "Collège des trois langues"; the latter had been created in 1530 by Francis I of France on the initiative of Henry IV's widow, Marie de Medici, to offer a course in Arabic.
Le bourgeois gentilhomme (also widely know in its German form as "Der Bürger als Edelman"), Op. 60, is an orchestral suite written by Richard Strauss between 1911 and 1917.
 The original idea of Hugo von Hofmannsthal was to revive Molière's 1670 play "Le Bourgeois gentilhomme", simplify the plot and introduce a "commedia dell'arte" troupe, add some incidental music and conclude matters with a one-act opera "Ariadne auf Naxos".