Question: What type of soprano was Emma Matthews famous for?

Context articles: Emma Matthews
Made in Chelsea (series 10)
Emma Carelli
Spinto soprano
Soprano clarinet
Lyric soprano
Emma Luart
Sopranist
Mignon Nevada
Soprano

Emma Matthews (born 1970) is an English-born Australian lyric coloratura soprano, noted for operatic roles, but also popular on the concert stage.
 A Principal Artist with Opera Australia, Matthews has received more Helpmann Awards than any other individual artist, nine Green Room Awards, the Mo Award and the Remy Martin Australian Opera Award.
The tenth series of Made in Chelsea, a British structured-reality television programme, began airing on 19 October 2015 on E4.
 The official trailer for the new series was released on 29 September 2015 confirming the start date.
 It concluded on 4 January 2016 following nine regular episodes, a Christmas special, a New Year special, and an End of Season party hosted by Rick Edwards.
 This series was the first to include new cast members Emma Walsh, Sam Harney, Tallulah Rufus Isaacs.
 Richard Dinan also returned to the series having last appeared during the fifth series, and Francis Boulle made a one-off return during the Christmas special.
 This was also the final series to include original cast member Spencer Matthews, long-running cast member Oliver Proudlock, as well as Millie Wilkinson and Emily Weller, who both made their debuts during the ninth series.
 The series focused heavily on Sam and Tiff's rocky relationship coming to an end when Tiff admits to cheating on him during the summer and rumours of Sam cheating surface, until the pair eventually reunite.
 It also includes Louise and Alik attempting to make their long distance relationship work with obstacles in their way, Binky and JP finally making their relationship official despite commitment issues from his part, and Spencer causing further trouble by hooking up with Ollie's latest love interest Emma.
Emma Carelli (12 May 1877 in Naples – 17 August 1928 near Rome) was an Italian operatic soprano who was particularly associated with the dramatic soprano roles of the verisimo repertoire and the works of Richard Wagner.
A spinto soprano (also lirico-spinto, spinto lyric soprano or "pushed lyric") is a type of operatic soprano voice that has the limpidity and easy high notes of a lyric soprano, yet can be "pushed" on to achieve dramatic climaxes without strain.
 This type of voice may possess a somewhat darker timbre, too, than the average lyric soprano.
 It generally uses "squillo" to "slice" through the sound of a full orchestra, rather than singing over the orchestra like a true dramatic soprano.
The term soprano clarinet is used occasionally to refer to those instruments from the clarinet family that occupy a higher position, both in pitch and in popularity than subsequent additions to the family such as the basset horns and bass clarinets.
 The B♭ clarinet is by far the most common type of clarinet and indeed the unmodified word "clarinet" usually refers to this instrument.
 However, due to a tendency for writers and historians to imitate the terms used to denote instruments in other instrumental 'family groups' the term soprano is sometimes used to apply not only to the B♭ clarinet but also to the clarinets in A and C, sounding respectively a semitone lower and a whole tone higher than the B♭ instrument, and even the low G clarinet—rare in Western music but popular in the folk music of Turkey—sounding a whole tone lower than the A.
 While some writers reserve a separate category of sopranino clarinets for the E♭ and D clarinets, these are more usually regarded as soprano clarinets as well.
 All have a written range from the E below middle C to about the C three octaves above middle C, with the sounding pitches determined by the particular instrument's transposition.
A lyric soprano is a type of operatic soprano voice that has a warm quality with a bright, full timbre that can be heard over an orchestra.
 The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera.
 Lyric sopranos have a range from approximately middle C (C4) to "high D" (D6).
 This is the most common female singing voice.
 There is a tendency to divide lyric sopranos into two groups, light and full.
Emma Luart (14 August 1892, Brussels - 26 August 1968, Brussels) was a Belgian operatic soprano.
 A graduate of the Brussels Conservatory, she made her official stage début at The Hague in 1914.
 She was committed to La Monnaie in Brussels from 1918-1922 where she excelled in lyric soprano roles like Louise, Mélisande, and Manon.
 She spent the remainder of her career as a member of the Opéra-Comique in Paris.
 Her career was disrupted by the outbreak of World War II, and she was not heard on the stage again after this point.
A sopranist (also, sopranista or male soprano) is a male singer who is able to sing in the vocal tessitura of a soprano usually through the use of falsetto vocal production.
 This voice type is a specific kind of countertenor.
 In rare cases an adult man may be able to sing in the soprano range using his normal or modal voice and not falsetto due to endocrinological reasons, like Radu Marian, or as a result of a larynx that has not completely developed as in the case of Michael Maniaci.
Mignon Nevada (14 August 1886 – 25 June 1971) was an English operatic soprano.
 She was born in Paris, daughter of the American operatic soprano Emma Nevada and her English husband Raymond Palmer.
 She was named after the title character of the 1866 opera "Mignon", written by her godfather, French composer Ambroise Thomas.
 Her voice was light and agile, and her mother trained her to be a coloratura soprano, although Sir Thomas Beecham thought this was a mistake, that she should have been a mezzo-soprano instead.
A soprano ] is a type of classical female singing voice and has the highest vocal range of all voice types.
 The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C) = 261 Hz to "high A" (A) =880 Hz in choral music, or to "soprano C" (C, two octaves above middle C) =1046 Hz or higher in operatic music.
 In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody.