Question: Where is the producer of "The Gate besides Björk based?

Context articles: Pluto (song)
Björk
St James's Gate F.C.
Varugad
1994 MTV Europe Music Awards
The Gate (song)
Innocence (Björk song)
Isobel (song)
Arca (musician)
All Neon Like

"Pluto" is a song by Icelandic musician Björk.
 The song was written and produced by Björk and British producer Mark Bell for Björk's fourth studio album, "Homogenic" (1997).
Björk Guðmundsdóttir (] , born 21 November 1965), known as Björk ( ), is an Icelandic singer, songwriter, actress, record producer, and DJ.
 Over her four-decade career, she has developed an eclectic musical style that draws on a wide range of influences and genres spanning electronic, pop, experimental, classical, trip hop, IDM, and avant-garde styles.
 She initially became known as the lead singer of the alternative rock band The Sugarcubes, whose 1987 single "Birthday" was a hit on US and UK indie stations and a favorite among music critics.
 Björk embarked on a solo career in 1993, coming to prominence as a solo artist with albums such as "Debut" (1993), "Post" (1995), and "Homogenic" (1997), while collaborating with a range of artists and exploring a variety of multimedia projects.
St James's Gate Football Club is an Irish association football club based in Drimnagh/Crumlin, Dublin.
 They played in the League of Ireland between 1921–22 and 1943–44 and again from 1990–91 until 1995–96.
 Gate were the inaugural winners of both the League of Ireland and the FAI Cup.
 Like several fellow early League of Ireland clubs, such as Fordsons, Jacobs, Midland Athletic and Dundalk, Gate had their origins as a factory or works team.
 They were initially the football team of the St James's Gate Brewery, the home of Guinness.
 Their senior men's team currently play in the Leinster Senior League.
The hill rises about 250 feet above the level of the plateau, which itself constitutes the summit of the Mahadev range at this point.
 The cone with the walls on it is seen from a great distance and appears very small indeed.
 But on near approach it is seen to be but the inner citadel of a place of considerable size and strength for the times in which it was built.
 On the south-west the outer wall or enceinte is entered by a rude gateway of a single pointed arch about eight feet high and five feet broad.
 As usual there is a curtain of solid masonry inside.
 The gate lies about 150 yards east of the edge of the plateau, which there terminates in an almost unbroken vertical precipice of several hundred feet in height and receding in a north-easterly direction.
 No wall was built along about three hundred yards of this part which is absolutely unscalable, but for the rest of the way the walling is continued along the edge of the cliff in a north-east direction for about another three hundred yards.
 Here it turns still following the cliff to the south-east for another seven hundred yards, and then gradually rounds to the westward covering four hundred and fifty yards more till it meets the gateway.
 But for the break of the inaccessible precipice this outer wall would form a nearly equilateral triangle with the corners rounded off, the side being of some six hundred and fifty yards.
 Facing nearly north, about fifty yards from the north-east angle, is a gateway with a couple of curtains in solid masonry.
 This entrance is cut in the sides of the cliff about twenty feet below the top which is reached by some dozen steps.
 It consisted as usual of a pointed arch, the top fallen in, about ten feet high by five broad.
 It leads out to the path down to Girvi, a village in the plains below and it probably formed the communication with Phaltan.
 This road winds down the face of the range for some five hundred feet till it hits the shoulder of a spur which it then follows to the base.
 The walling on the south side, from the edge of the cliff to some hundred yards east of the southern gate, is not more than a couple of feet in thickness and consists of all-fitting stones unmortared.
 The rest is massive and well mortared and still fairly preserved.
 The average height is from seven to ten feet.
 In the south-east angle is a rude temple of Bhairavnath and a few houses with the remains of Man y more.
 On the right side of the southern gate is a well preserved stone pond about thirty yards square with steps leading down to it.
 Next to and on the north of Bhairavnath's temple is another pond.
 The way up to the fort proper or upper and lower citadels is from the north side.
 The path up the hill side, which is steep but with grass and soil left in Man y places, is almost destroyed.
 About 150 feet up is the outer citadel built on a sort of shoulder of the hill and facing almost due west.
 It contains two massive bastions of excellent masonry looking north-west and south-west so that guns planted on them could comMan d respectively the north and south gateways.
 This citadel was connected with the main wall by a cross wall running across the whole breadth of the fort from east to west.
 Its entrance lies close below that to the upper citadel.
 A masonry curtain projects so as to hide the arch itself, which is not more than seven feet high by three broad, and has to be entered from due east.
 On the south side the walls are carried right up to the scarp of the upper citadel and are some ten feet high, so that to take the lower citadel in rear or flank must have been difficult.
 The upper citadel is above a vertical scarp some thirty feet high.
 The entrance to it lies some thirty feet above that to the lower citadel, and is cut in the rock about eight feet wide.
 There is a gateway of a pointed arch with the top fallen in and twenty odd steps leading up to it and ten more cut out of the rock, and winding up past the inside curtain on to the top.
 The walls of this upper citadel are still in tolerable preservation.
 They were originally about ten feet high and built of fair masonry.
 There is a large turret on the south-west corner, evidently meant to comMan d the southern gate.
 About ten yards to the east of this turret is a new looking building which was the headquarters or sadar.
 Immediately east of this and below it is a great pit about thirty feet square and equally deep roughly cut in the rock and said by the people to be a dungeon.
 Next to it on the south is a small pond evenly cut and lined with mortar used for storing water.
 There are some remains of sepoys' houses, and, near the turret, a small stone wheel said to belong to a gun.
 The outer walls east of the gates have bastions at every turn of the cliffs, and the masonry here is particularly strong and well preserved.
 It would appear that attacks were dreaded chiefly from the plain below.
 The assailants could either come up the spur towards the north entrance or they might attempt the spurs on the other side of the eastern ravine and attack the southern gateway.
 Hence apparently the reason for strengthening the walls of the enceinte on this side.
 After passing the southern gateway the assailants would be commanded Maan, Maharashtra from the lower citadel.
 They Would then be encountered by the cross wall.
 If that obstacle was overcome the besieged would run round the east side and into the two citadels.
 The appearance from the fort of the plain in the north is most formidable.
 The Panvan plateau completely commands Maan, Maharashtra and almost overhangs it.
 The fort is believed to have been built by Shivaji to resist the Moghals whose attacks he must have dreaded from the plain below.
 The Karkhanis or Superintendent of the fort was a Prabhu.
 The fort garrison consisted of 200 Ramoshis, Mahars, and other hereditary Gadkaris besides sepoys.
 It was surrendered in 1818 to Vitthal Pant Phadnis of the Raja of Satara left in charge of the town.
 He detached 200 men to take possession, being part of a force then raised to protect the town from the enterprizes of Bajirav's garrisons then in the neighbourhood.
 [Elphinstone in Pendhari and Maratha War Papers, 245.]
The first MTV Europe Music Awards were held on November 24, 1994, at Brandenburg Gate, Berlin, Germany, five years after the removal of the Berlin Wall.
 Hosted by Tom Jones, the show featured performances by Aerosmith, Björk, Roxette, Take That and George Michael.
 Presenters included East 17, Jean Paul Gaultier, Naomi Campbell, Pamela Anderson and model Helena Christensen, who kissed INXS's Michael Hutchence live on stage.
"The Gate" is a song recorded by Icelandic musician Björk.
 It was released on 15 September 2017 through One Little Indian as the lead single from her ninth studio album, "Utopia" (2017).
 The song was written and produced by Björk and Arca.
"Innocence" is a song written and recorded by Icelandic singer Björk.
 The song was released as the second single from her seventh full-length studio album, "Volta".
 It is co-produced by record producer Timbaland and his protégé Danja.
 The song was premiered on Björk's MySpace profile on March 19, 2007 as part of the fan contest to submit ideas for the music video.
 The single was released exclusively as a digital download on July 23, 2007.
"Isobel" is a song recorded by Icelandic singer Björk for her third studio album, "Post".
 Written by Sjón based on a story by Björk, the lyrics of "Isobel" tell the story of the title character, who is magically born in a forest and sends a message of instinct amongst the logic thinking of the people of the city.
 The story of Isobel has been explored in "Human Behaviour" and "Bachelorette", forming a trilogy.
 The track was released as the second single for the album as two different CD releases in August 1995.
 Featuring additional songwriting by Nellee Hooper and Marius de Vries, string arrangements by Eumir Deodato and production by Hooper and Björk, "Isobel" combines a lush orchestral sound with electronic breakbeats.
Alejandro Ghersi (born October 14, 1989), better known by his stage name Arca, is a Venezuelan electronic producer, songwriter, mixing engineer and DJ based in Dalston, London.
 He has released three studio albums to critical praise and has produced for artists such as Björk, Kanye West, and FKA twigs.
"All Neon Like" is a song by Icelandic musician Björk.
 The song was written by Björk and produced by the singer and British producer Mark Bell for Björk's fourth studio album, Homogenic (1997).