Question: What William Shakespeare play did Thomas William Hiddleston appear in at the beginning of his career?

Context articles: Into the Gauntlet
Tom Shakespeare
Thomas J. King Jr.
Tom Hiddleston
The Boys from Syracuse
Love's Labour's Won
Cymbeline
Jane Emily Herbert
Cobbe portrait
Love's Labour's Lost (film)

Into the Gauntlet is the tenth book in "The 39 Clues" novel series.
 It was written by Margaret Peterson Haddix and released on August 31, 2010.
 In the beginning of the book, Amy and Dan are now at the end of their clue hunt, and every misfortune they've had.
 Their lead is a poem found in their hotel room.
 However, it is then stolen by Isabel Kabra.
 It is revealed that William Shakespeare was a powerful Madrigal and the most important clue is on the line against their competitors.
 Dan and Amy are supposed to go to the Globe theater to watch a Shakespeare play, "Romeo and Julliet".
 While watching the show they see what looks to be ninjas.
 The ninjas find a clue at the top of the theater but drop it into the hands of Dan and Amy.
 As it turns out the whole Cahill family is at the play looking for the clue.
 Backstage of the play the fight over the paper found at the theater.
 Mr. McIntyre and Fiske Cahill reveal there is another family out there that makes Isabel Kabra look like Mother Teresa.
 The globe on the 39 Clues symbol is, unlike in the first nine books, shattered into pieces.
Sir Thomas William Shakespeare, 3rd Baronet (born 11 May 1966), better known as Tom Shakespeare, is an English sociologist and broadcaster.
 He has achondroplasia and uses a wheelchair.
Professor Thomas J. King Jr. (July 25, 1925 – 1994) was an educator, and an early user of word processing and sequence analysis to compare available early versions of William Shakespeare's plays for identification of variant texts and their analysis.
 Dr. King's historical work also researched original prompt copies of Elizabethan Era and Jacobean Era plays contemporary to Shakespeare, along with their marginalia, in order to identify stage directions and infer physical staging of Shakespeare's plays at the Globe and other London venues, as well as at provincial halls and inns where Elizabethan troupes performed on tour.
 In his extensive studies, Prof. King created databases of every Shakespeare play and other extant Elizabethan contemporary playhouse documents, by scene and character, to determine number of lines, and therefore the roles that could be doubled with sufficient time between for costume change, thus enabling him to determine the size of a working Elizabethan theater company.
Thomas William Hiddleston (born 9 February 1981) is an English actor, producer and musical performer.
 At the beginning of his career, he appeared in West End theatre productions of "Cymbeline" (2007) and "Ivanov" (2008).
 He won the Laurence Olivier Award for Best Newcomer in a Play for his role in "Cymbeline" and was also nominated for the same award for his role as Cassio in "Othello".
The Boys from Syracuse is a musical with music by Richard Rodgers and lyrics by Lorenz Hart, based on William Shakespeare's play, "The Comedy of Errors", as adapted by librettist George Abbott.
 The score includes swing and other contemporary rhythms of the 1930s.
 The show was the first musical based on a Shakespeare play.
 "The Comedy of Errors" was itself loosely based on a Roman play, "The Menaechmi, or the Twin Brothers", by Plautus.
Love's Labour's Won is a lost play attributed by contemporaries to William Shakespeare, written before 1598 and published by 1603, though no copies are known to have survived.
 Scholars dispute whether it is a true lost work, possibly a sequel to "Love's Labour's Lost", or an alternative title to a known Shakespeare play.
Cymbeline , also known as Cymbeline, King of Britain, is a play by William Shakespeare set in Ancient Britain and based on legends that formed part of the Matter of Britain concerning the early Celtic British King Cunobeline.
 Although listed as a tragedy in the First Folio, modern critics often classify "Cymbeline" as a romance or even a comedy.
 Like "Othello" and "The Winter's Tale", it deals with the themes of innocence and jealousy.
 While the precise date of composition remains unknown, the play was certainly produced as early as 1611.
Jane Emily Herbert was born to parents Henry Monckton Herbert and Elizabeth Jane Barlow.
 In 1839 her father kept a school in Arklow, County Wicklow, as evidenced by an article that appeared in "The Freeman's Journal" of 8 November 1839, while her mother and some of her siblings attended to the farm of about 50 acres.
 The article states the family moved in a respectable station in society.
 Her mother, Elizabeth Jane, was a sister of Arthur Craven Barlow, Esq., of Saunders Court & Mt Anna in Wexford, and Thomas William Barlow, Esq.,(as evidenced by the dedication in "The Bride of Imael" which reads: "To my widowed mother and her brothers Arthur Craven Barlow and Thomas William Barlow Esq., of Dublin").
 Both were prominent in society, the latter being for many years the solicitor for the Board of Ordnance in Ireland, and both married into the Jeffares family of Wexford.
 Following the death of Arthur's first wife, Susannah, about one year after their marriage, he married Dorothy Cooper, daughter of John Cooper of Birchgrove, Wexford.
 Their children immigrated to New Zealand, while most of Thomas William and Ann Jeffare's children immigrated to Australia.
The Cobbe portrait is an early Jacobean panel painting of a gentleman which has been argued to be a life portrait of William Shakespeare.
 It is displayed at Hatchlands Park in Surrey, a National Trust property, and the portrait is so-called because of its ownership by Charles Cobbe, Church of Ireland (Anglican) Archbishop of Dublin (1686–1765).
 There are numerous early copies of the painting, most of which were once identified as Shakespeare.
 The Cobbe original was only identified in the collection of the Anglo-Irish Cobbe family in 2006, and had until then been completely unknown to the world.
 Evidence uncovered by researchers at the Shakespeare Birthplace Trust led to the claim, presented in March 2009, that the portrait is of William Shakespeare and painted from life.
 Many scholars dismiss this theory and have provided evidence to identify the portrait as one of Sir Thomas Overbury The portrait has been the centrepiece of two exhibitions dedicated to it: "Shakespeare Found: a Life Portrait" at the Shakespeare Birthplace Trust, Stratford-upon-Avon, from April–October 2009 and "The Changing Face of William Shakespeare" at the Morgan Library and Museum, New York, from February–May 2011.
 An illustrated catalogue provides details of the painting and its provenance.
Love's Labour's Lost is a 2000 adaptation of the comic play of the same name by William Shakespeare, directed by and starring Kenneth Branagh.
 It was the first feature film to be made of this lesser-known comedy.
 Branagh's fourth film of a Shakespeare play (he did not direct the 1995 "Othello", although he did play Iago), "Love's Labour's Lost" was a box-office and critical disappointment.