Question: Baseball Manager is a 1963 pop art painting visible at a neomodern form of baseball architecture with a seating capacity of what?

Context articles: Woman with Flowered Hat
In the Car
Varoom!
Okay Hot-Shot, Okay!
Marlins Park
Baseball Manager
New Painting of Common Objects
Alison Pilkington
Bratatat!
Little Big Painting

Woman with Flowered Hat is a 1963 pop art painting with Magna on canvas by Roy Lichtenstein.
 The work is based on a Pablo Picasso portrait of Dora Maar.
 In May 2013, it sold for a record price for a Lichtenstein work.
In the Car (sometimes Driving) is a 1963 pop art painting by Roy Lichtenstein.
 The smaller, older of the two versions of this painting formerly held the record for highest auction price for a Lichtenstein painting.
 The larger version has been in the collection of the Scottish National Gallery of Modern Art in Edinburgh since 1980.
Varoom!
 is a 1963 pop art painting by Roy Lichtenstein that depicts an explosion and the onomatopoeic sound that gives it its name.
Okay Hot-Shot, Okay!
 (sometimes Okay Hot-Shot) is a 1963 pop art painting by Roy Lichtenstein that uses his Ben-Day dots style and a text balloon.
 It is one of several examples of military art that Lichtenstein created between 1962 and 1964, including several with aeronautical themes like this one.
 It was inspired by panels from four different comic books that provide the sources for the plane, the pilot, the text balloon and the graphic onomatopoeia, "VOOMP!"
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The stadium is designed in a neomodern form of baseball architecture.
 Marlins Park was also LEED certified as the greenest MLB park in 2012.
 The building is the sixth MLB stadium to have a retractable roof.
 With a seating capacity of 37,442, it is the third-smallest stadium in Major League Baseball by official capacity, and the smallest by actual capacity.
Baseball Manager is a 1963 pop art painting by Roy Lichtenstein.
 The magna on canvas measures 68 x 56 inches.
 The painting is visible at Marlins Park (Promenade Level, Section 19), located in Miami, Florida.
The exhibition "New Painting of Common Objects" at the Pasadena Art Museum in 1962 was the first museum survey of American pop art.
 The eight artists included were: Roy Lichtenstein, Jim Dine, Andy Warhol, Phillip Hefferton, Robert Dowd, Edward Ruscha, Joe Goode and Wayne Thiebaud.
 It was curated by Walter Hopps, who had given Andy Warhol his first solo show at the Ferus Gallery in Los Angeles the previous year.
 The show helped the pop art movement gain critical acceptance, preceding the Guggenheim Museum's 1963 pop art exhibition "Six Painters and the Object", curated by Lawrence Alloway.
Alison Pilkington is an Irish artist who was born in Sligo, Ireland, in 1967.
 She graduated with a Diploma in Fine Art Painting and Printmaking from Sligo RTC in 1989 and with a BA Hons in Fine Art Painting from The National College of Art and Design, Dublin in 1990.
 She is a lecturer in Painting at IADT Dun Laoghaire, a Board Member of The Model Arts and Niland Gallery, Sligo and Co – Editor of ‘The Fold’ publication with Cora Cummins, a publishing platform for invited artists to consider various themes.
 In 2012 she won a British Institution award for painting at the Royal Academy Summer Exhibition, London.
 In the same year she was shortlisted for the Marmite Painting Prize, which toured the UK from December 2012 to June 2013.
 In 2013 Pilkington was a Prizewinner in the 5th International ArtSlant Prize.
Bratatat!
 is a 1963 pop art painting by Roy Lichtenstein in his comic book style of using Ben-Day dots and a text balloon.
Little Big Painting is a 1965 oil and Magna on canvas pop art painting by Roy Lichtenstein.
 It is part of the "Brushstrokes" series of artworks that include several paintings and sculptures.
 It is located at the Whitney Museum of American Art in New York City.
 As with all of his "Brushstrokes" works, it is in part a satirical response to the gestural painting of abstract expressionism.