Question: Which painter created the 'Beguiling of Merlin' and was closely associated with the later part of the Pre-Raphaelite movement? 

Context articles: John Jewell Penstone
Edward Burne-Jones
Evelyn De Morgan
Night and Sleep
Burne-Jones baronets
Alexander Munro (sculptor)
Thomas Seddon
The Beguiling of Merlin
Excommunication of actors by the Catholic Church
John Brett (artist)

John Jewell Penstone (1817–1902) was a portrait and genre artist who worked with paint, but is known mainly for his engravings, and has been associated with the Pre-Raphaelite movement.
 The National Portrait Gallery has two of his stipple engraving, and a lithograph (printed by Nosworthy & Wells).
Sir Edward Coley Burne-Jones, 1st Baronet {'1': ", '2': ", '3': ", '4': "} (28 August 183317 June 1898) was a British artist and designer closely associated with the later phase of the Pre-Raphaelite movement, who worked closely with William Morris on a wide range of decorative arts as a founding partner in Morris, Marshall, Faulkner & Co.
 Burne-Jones was closely involved in the rejuvenation of the tradition of stained glass art in Britain; his stained glass works include the windows of St. Philip's Cathedral, Birmingham, St Martin in the Bull Ring, Birmingham, Holy Trinity Church, Sloane Square, Chelsea, St Martin's Church in Brampton, Cumbria (the church designed by Philip Webb), St Michael's Church, Brighton, All Saints, Jesus Lane, Cambridge, St Edmund Hall and Christ Church, two colleges of the University of Oxford.
 His stained glass works also feature in St. Anne's Church, Brown Edge, Staffordshire Moorlands and St.Edward the Confessor church at Cheddleton Staffordshire.
Evelyn De Morgan ( ; 30 August 1855 – 2 May 1919) was an English painter whose works were influenced by the style of the Pre-Raphaelite movement.
 She was a follower of Pre-Raphaelist Edward Burne-Jones.
 Her paintings exhibit spirituality; use of mythological, biblical, and literary themes; the role of women; light and darkness as metaphors; life and death; and allegories of war.
Night and Sleep is an 1878 painting by Evelyn De Morgan, an English painter whose works were influenced by the style of the Pre-Raphaelite movement.
The Burne-Jones Baronetcy, of Rottingdean in the County of Sussex, and of The Grange in the Parish of Fulham in the County of London, was a title in the Baronetage of the United Kingdom.
 It was created on 4 May 1894 for the artist and designer Edward Burne-Jones.
 He was closely associated with the later phase of the Pre-Raphaelite movement.
 He was succeeded by his eldest son, the second Baronet, who was also a painter.
 The title became extinct on his death in 1926.
Alexander Munro (26 October 1825 – 1 January 1871) was a British sculptor of the Pre-Raphaelite movement.
 He concentrated on portraiture and statues, but is best known for his Rossetti-influenced figure-group "Paolo and Francesca" (1852), which has often been identified as the epitome of Pre-Raphaelite sculpture.
Thomas Seddon (London, 28 August 1821 – Cairo, 23 November 1856) was an English landscape painter associated with the Pre-Raphaelite movement, who painted colourful and highly detailed scenes of Brittany, Egypt and Jerusalem.
The Beguiling of Merlin is a painting by the Pre-Raphaelite painter Edward Burne-Jones which was created between 1872 and 1877.
Excommunication of actors was both literal and metaphorical practice of demeaning the reputation of actors as individuals or of their profession as the actors as well as refusing to recognize them as the individuals deserving the benefits of the religious rites under the Catholic customs.
 Many bishops, priests, and monks have strongly condemned theatrical amusements, and they even declared the actors to be 'instruments of Satan', 'a curse to the Church', and 'beguiling unstable souls'.
 The Roman Catholic Church believed theatre caused people to “indulge themselves in amusements which its fascinations interfere with the prosecution of the serious work of daily life.
 Anything pleasing or appealing to the lower nature, the ‘sensual appetites,’ were considered as temptations as dictated in the Lord’s Prayer: ‘Lead us not into temptation,’” which one must avoid in order to lead an ideal Christian life.
 One must eat and drink for strength and not for gluttony and drunkenness, rest and sleep to the glory of God and not to sink into indolence and sloth nor to become the masters instead of the servants of the body, and amusements are the most dangerous temptations and the worst impulses from otherwise, "many Christians will relax their ordinary strictness “for the sake of the cause,” and that having once obtained a “taste of the nectar, they will continue to drink it” The Church instead encouraged Christians to strive to please their neighbours for good edification rather than pleasing oneself.
John Brett {'1': ", '2': ", '3': ", '4': "} (8 December 1831 – 7 January 1902) was an artist associated with the Pre-Raphaelite movement, mainly notable for his highly detailed landscapes.