Question: What is considered to be one of the most important works of modernist literature and was translated by Stuart Gilbert?

Context articles: Gilbert schema for Ulysses
Literary modernism
Axel Törneman
Ulysses (novel)
Stuart Gilbert
Glossolalia debate
Matthew Ward (writer)
List of modernist writers
Emil Isac
Carl Stumpf

This schema for the novel "Ulysses" was produced by its author, James Joyce, in 1921 to help his friend, Stuart Gilbert, understand the fundamental structure of the book.
 Gilbert published it in 1930 in his book, "James Joyce's "Ulysses": A Study".
 The original copy of the Gilbert schema is housed in the Harley K. Croessmann Collection of James Joyce at Southern Illinois University Carbondale.
Literary modernism, or modernist literature, has its origins in the late 19th and early 20th centuries, mainly in Europe and North America, and is characterized by a very self-conscious break with traditional ways of writing, in both poetry and prose fiction.
 Modernists experimented with literary form and expression, adhering to Ezra Pound's maxim to "Make it new".
 This literary movement was driven by a conscious desire to overturn traditional modes of representation and express the new sensibilities of their time.
 The horrors of the First World War saw the prevailing assumptions about society reassessed, and modernist writers were influenced by such thinkers as Sigmund Freud and Karl Marx, amongst others, who raised questions about the rationality of the human mind.
Johan Axel Gustaf Törneman (28 October 1880 – 26 December 1925) was one of Sweden's earliest modernist painters.
 Born in Persberg, Värmland, in Sweden, he grew to work in several modernist styles, was one of the first Swedish expressionist artists, and became a part of the international avant-garde in art after embracing more abstract art styles in Germany and France that were evolving there during the early 1900s.
 He created his most famous paintings, "Night Café I" and "II", and "Trait", in France in 1905.
 These night café paintings, made from studies in the Place Pigalle, and in other nightclubs popular with artists such as "Café du Rat Mort" (Dead Rat Café), are seen as two of Swedish modernism's most important works, and are considered breakthrough work of Swedish modernism.
Ulysses is a modernist novel by Irish writer James Joyce.
 It was first serialised in parts in the American journal "The Little Review" from March 1918 to December 1920 and then published in its entirety in Paris by Sylvia Beach on 2 February 1922, Joyce's 40th birthday.
 It is considered to be one of the most important works of modernist literature and has been called "a demonstration and summation of the entire movement".
 According to Declan Kiberd, "Before Joyce, no writer of fiction had so foregrounded the process of thinking."
Stuart Gilbert (25 October 1883 – 5 January 1969) was an English literary scholar and translator.
 Among his translations into English are works by Alexis de Tocqueville, Édouard Dujardin, André Malraux, Antoine de Saint-Exupéry, Georges Simenon, Jean Cocteau, Albert Camus, and Jean-Paul Sartre.
 He also assisted in the translation of James Joyce's "Ulysses" into French.
The Glossolalia debate (Norwegian: "Tungetaledebatten" ) was a literary debate on modernist poetry in Norway in the 1950s.
 The debate started with Arnulf Øverland's nationwide touring with the speech "Tungetale fra Parnasset" (English: Glossolalia from the Parnassus ) in 1953, characterizing modernist literature as babble and nonsense.
 His talk was published in "Arbeiderbladet" in 1954, and resulted in a fierce debate.
 Among the defenders of modernist poetry were Odd Solumsmoen, Olav Dalgard and Paal Brekke, while poet and literary critic André Bjerke joined Øverland's criticism.
Matthew Ward (1950/1951 – June 23, 1990) was an American English/French translator noted for his 1989 rendition of Albert Camus' "The Stranger".
 He made several important alterations from the more British-toned translation (and previously only English edition) by Stuart Gilbert.
 Most notably he altered the quite well known opening line "Mother died today" to "Maman died today".
 Ward defended the alteration by noting that the more juvenile "Maman" reflects the "curious feeling he (Meursault) has for her".
 Other examples of Ward altering Gilbert's version include the line, "Il était avec son chien" from, "As usual, he had his dog with him" to "He was with his dog".
 Once again Ward felt this better reflected Meursault's character.
 Indeed, later in the novel Meursault notes Salamano's dog is worth no more or less than his wife.
Literary modernism, or modernist literature, has its origins in the late 19th and early 20th centuries, mainly in Europe and North America.
 Modernism is characterized by a self-conscious break with traditional styles of poetry and verse.
 Modernists experimented with literary form and expression, adhering to Ezra Pound's maxim to "Make it new".
 The modernist literary movement was driven by a conscious desire to overturn traditional modes of representation and express the new sensibilities of their time.
Emil Isac (] ; May 27, 1886 – March 25, 1954) was an Austro-Hungarian-born Romanian poet, dramatist, short story writer and critic.
 Noted as one of the pioneers of Symbolism and modernist literature in his native region of Transylvania, he was in tandem one of the leading young voices of the Symbolist movement in the neighboring Kingdom of Romania.
 Moving from prose poems with cosmopolitan traits, fusing Neo-romantic subjects with modernist free verse, he later created a lyrical discourse in the line of Social Realism.
 Isac was likewise known for criticizing traditionalist and nationalist trends in local literature, but, by the end of World War I, opened his own poetry to various traditionalist influences.
Carl Stumpf (] ; 21 April 1848 – 25 December 1936) was a German philosopher and psychologist.
 He studied with Franz Brentano at the University of Würzburg before receiving his doctorate at the University of Göttingen in 1868.
 He also tutored the modernist literature writer Robert Musil at the University of Berlin, and worked with Hermann Lotze, who is famous for his work in perception, at Göttingen.
 Stumpf is known for his work on the "psychology of tones".
 He had an important influence on his students Wolfgang Köhler and Kurt Koffka who were instrumental in the founding of "Gestalt" psychology as well as Kurt Lewin, who was also a part of the Gestalt group and was key in the establishment of experimental social psychology in America.
 Stumpf is considered one of the pioneers of comparative musicology and ethnomusicology, as documented in his study of the origins of human musical cognition "The Origins of Music" (1911).
 He held positions in the philosophy departments at the Universities of Göttingen, Würzburg, Prague, Munich and Halle, before obtaining a professorship at the University of Berlin.