Question: What famous painting which was once part of Jacob Dissius collection is now in the Rijksmuseum in Amsterdam?

Context articles: Jacob Dissius
Master of the Amsterdam Death of the Virgin
José María de Torrijos y Uriarte
The Milkmaid (Vermeer)
Portrait of Abraham de Potter
Girl in a White Kimono
The Night Watch
A Mother's Duty
Windmill at Wijk bij Duurstede
Company in a courtyard behind a house

Jacob Abrahamsz.
 Dissius (1653 - 1695) was a Dutch typographer and printer.
 He is most notable as an art collector and for his links to Johannes Vermeer - his collection included 21 Vermeer works (including "The Milkmaid", "Portrait of a Young Woman", "A Girl Asleep", "Woman Holding a Balance" and "The Music Lesson") and in 1680 he married Madgdalene, daughter and sole heir of Vermeer's main patron Pieter van Ruijven.
 Dissius died in 1695 and his collection was auctioned off in Amsterdam the following year.
The Master of the Amsterdam Death of the Virgin (sometimes called the Master of the Almshouse of the Seven Electors) (fl.
 c. 1500) was a Netherlandish painter.
 His notname is derived from a panel depiction of the Death of the Virgin, dated to about 1500 and now in the Rijksmuseum Amsterdam.
 The painting shows the Virgin Mary and the twelve Apostles in a complex interior, in intimate mood.
 The figures in the painting are small, with small heads and hands; their torsos, however, are bulky and covered in drapery.
 The name "Master of the Almshouse of the Seven Electors" is sometimes preferred because it refers to the name of the institution that donated the painting to the museum.
 There is also some disagreement over the attribution of paintings ascribed to the Master; some critics prefer instead to attribute some of them to the poorly known Master of the Lantern.
 Critics also disagree as to his origin; some have linked him to Amsterdam, while others have suggested ties to Utrecht and its school of manuscript painters.
Jose Maria Torrijos y Uriarte (March 20, 1791 - December 11, 1831), Count of Torrijos, a title granted posthumously by the Queen Governor, also known as General Torrijos, was a Spanish Liberal soldier.
 He fought in the Spanish War of Independence and after the restoration of absolutism by Ferdinand VII in 1814 he participated in the pronouncement of John Van Halen of 1817 that sought to restore the Constitution of 1812, reason why he spent two years in prison until he was released after Triumph of the pronouncement of Irrigation in 1820.
 He returned to fight the French when the One Thousand Sons of San Luis invaded Spain to restore the absolute power of Ferdinand VII and when those triumphed ending the liberal triennium exiled to England.
 There he prepared a statement which he himself led, landing on the coast of Malaga from Gibraltar on December 2, 1831, along with sixty men accompanying him, but they fell into the trap that had been laid before him by the absolutist authorities and were arrested.
 Nine days later, on December 11, Torrijos and 48 of his fellow survivors were shot without trial on the beach of San Andres de Málaga, a fact that was immortalized by a sonnet of José de Espronceda entitled "To the death of Torrijos and his Companions" and by a famous painting that painted in 1888 Antonio Gisbert.
 "The tragic outcome of his life explains what has happened to history, in all fairness, as a great symbol of the struggle against despotism and tyranny, with the traits of epic nobility and serenity typical of the romantic hero, eternalized in The famous painting Antonio Gisbert."
 The city of Malaga erected a monument to Torrijos and his companions in the Plaza de la Merced, next to the birthplace of the painter Pablo Picasso.
 Under the monument to Torrijos in the middle of the square are the tombs of 48 of the 49 men shot; One of them, British, was buried in the English cemetery (Malaga).
The Milkmaid (Dutch: "De Melkmeid" or "Het Melkmeisje"), sometimes called "The Kitchen Maid", is an oil-on-canvas painting of a "milkmaid", in fact, a domestic kitchen maid, by the Dutch artist Johannes Vermeer.
 It is now in the Rijksmuseum in Amsterdam, the Netherlands, which regards it as "unquestionably one of the museum's finest attractions".
Portrait of Abraham de Potter, Amsterdam Silk Merchant (Dutch: "Portret van Abraham de Potter, zijdelakenkoopman in Amsterdam" ) is a 1649 portrait painting of silk merchant Abraham de Potter by Carel Fabritius.
 The oil painting on canvas is 68.5 by 57 cm (27.0 by 22 in ).
 The work has been in the collection of the Rijksmuseum in Amsterdam since 1892.
Girl in a White Kimono (Dutch: "Meisje in witte kimono" ) is an 1894 oil painting by George Hendrik Breitner.
 The subject of the painting is the sixteen-year-old Geesje Kwak, of whom Breitner made a series of photographs and paintings wearing red and white kimonos.
 The painting was inspired by the style of Japanese prints and is an example of Japonism.
 The painting is in the collection of the Rijksmuseum in Amsterdam.
Militia Company of District II under the Command of Captain Frans Banninck Cocq, also known as The Shooting Company of Frans Banning Cocq and Willem van Ruytenburch, but commonly referred to as The Night Watch (Dutch: "De Nachtwacht" ), is a 1642 painting by Rembrandt van Rijn.
 It is in the collection of the Amsterdam Museum but is prominently displayed in the Rijksmuseum as the best known painting in its collection.
 "The Night Watch" is one of the most famous Dutch Golden Age paintings.
A Mother's Duty (1658–1660) is an oil on canvas painting by the Dutch painter Pieter de Hooch, it is an example of Dutch Golden Age painting and is part of the collection of the Amsterdam Museum, on loan to the Rijksmuseum.
The Windmill of Wijk bij Duurstede (c. 1670) is an oil on canvas painting by the Dutch painter Jacob van Ruisdael.
 It is an example of Dutch Golden Age painting and is now in the collection of the Amsterdam Museum, on loan to the Rijksmuseum.
Company in a courtyard behind a house (1663-1665) is an oil on canvas painting by the Dutch painter Pieter de Hooch, it is an example of Dutch Golden Age painting and is part of the collection of the Amsterdam Museum, on loan to the Rijksmuseum.