Question: Which of the following is a film director known for quota quickies: George King or Jean Genet?

Context articles: Arthur B. Woods
Underneath the Arches (film)
Cinematograph Films Council
The Chinese Bungalow (1940 film)
Frank Richardson (director)
George Provis
Widgey R. Newman
George King (film director)
Jean Genet
Jack Hobbs (actor)

Arthur Bickerstaffe Woods (17 August 1904 – 8 February 1944) was an English film director with 27 credits between 1933 and 1940.
 Woods' films were mainly quota quickies but were diverse in style, from light comedy and musicals to dark crime thrillers.
 His most acclaimed film is 1938's "They Drive by Night".
 By the end of the 1930s Woods was gaining a reputation as one of Britain's most promising and versatile young directors, but put his career on hold to volunteer for war service in the Royal Air Force, the only British film director to do so.
 He was killed while on active service in February 1944, leaving his potential largely unfulfilled.
Underneath the Arches is a 1937 British comedy film directed by Redd Davis and starring Bud Flanagan, Chesney Allen, Stella Moya, Lyn Harding and Edmund Willard.
 Flanagan and Allen formed part of the comedy ensemble known as the Crazy Gang.
 It was made by Julius Hagen's Twickenham Studios as part of its ambitious production schedule following its abandonment of quota quickies.
The Cinematograph Films Council was established by the Cinematograph Films Act 1938 as a result of a Board of Trade report by a committee chaired by Lord Moyne, which recommended that such a statutory body should be created to advise the UK government on matters relating to the film industry.
 Among its specific functions was the monitoring of a so-called 'quality test' (based on cost per foot of finished film) that was to be applied under the Act to films which sought registration as British under the screen quota to eliminate quota quickies.
The Chinese Bungalow, also known as Chinese Den, is a 1940 British drama film directed by George King and starring Kay Walsh, Jane Baxter and Paul Lukas.
 It was adapted from the play "The Chinese Bungalow" by Marion Osmond and James Corbett.
 King was a former producer of quota quickies who was increasingly working on films with better budgets during the early war years.
Frank Richardson (1898-1962) was an American film director and screenwriter.
 In the 1920s and 1930s he worked in Britain, directing several quota quickies including "Don't Be a Dummy" (1932).
George Provis (1901–1989) was a British art director who worked on over a hundred films during a lengthy career.
 He began his career working on quota quickies during the 1930s.
 After the Second World War, Provis was appointed by Sydney Box to head the art department at Gainsborough Pictures.
Widgey R. Newman (1900–1944) was a British screenwriter, producer and film director.
 He was a major force in the British B film industry of the 1930s, overseeing the production of a number of quota quickies.
George King (1899–26 June 1966) was an English actors' agent, film director, producer and screenplay writer.
 He is associated with the production of quota quickies.
 He helmed several of Tod Slaughter's melodramas, including 1936's "".
Genet's mother was a prostitute who raised him for the first seven months of his life before putting him up for adoption.
 Thereafter Genet was raised in the provincial town of Alligny-en-Morvan, in the Nièvre department of central France.
 His foster family was headed by a carpenter and, according to Edmund White's biography, was loving and attentive.
 While he received excellent grades in school, his childhood involved a series of attempts at running away and incidents of petty theft.
Jack Hobbs (1893–1968) was a British stage and film actor who appeared in more than forty films.
 After making his debut in the 1915 silent "The Yoke" Hobbs appeared in a mixture of leading and supporting roles in both the silent and sound eras.
 He played the hero in several quota quickies of the 1930s, including "All That Glitters" (1936).
 He was cast as an effectively glib, smooth-talking antagonist in two George Formby films "No Limit" (1935) and "It's in the Air" (1938).