Question: The artwork of Gustav Klimt's protégé is featured in which city in Austria?

Context articles: Leopold Museum
Hope II
Klimt University of Vienna Ceiling Paintings
Ernst Klimt
Anne-Marie O'Connor
Klimt (film)
Stealing Klimt
Margaret Stonborough-Wittgenstein
Gustav Klimt
Egon Schiele

The Leopold Museum, housed in the Museumsquartier in Vienna, Austria, is home to one of the largest collections of modern Austrian art, featuring artists such as Egon Schiele, Gustav Klimt, Oskar Kokoschka and Richard Gerstl.
Hope II (in German, "Die Hoffnung II") is a painting by Gustav Klimt, made in 1907–08.
 It was the second of Klimt's works to focus on a pregnant woman, both depicting Herma, one of his favourite models.
 It was entitled "Vision" by Klimt, but has become known as "Hope II" after the earlier work "Hope", which is now distinguished as "Hope I".
 "Hope II" was acquired by the Museum of Modern Art in New York City in 1978.
The Klimt University of Vienna Ceiling Paintings, also known as the Faculty Paintings, were a series of paintings made by Gustav Klimt for the ceiling of the University of Vienna's Great Hall between the years of 1900–1907.
 In 1894, Klimt was commissioned to paint the ceiling.
 Upon presenting his paintings, "Philosophy", "Medicine" and "Jurisprudence", Klimt came under attack for 'pornography' and 'perverted excess' in the paintings.
 None of the paintings would go on display in the university.
Ernst Klimt (3 January 1864 in Vienna – 9 December 1892 in Vienna) was an Austrian history painter and decorative painter.
 He was a younger brother of the better-known artist Gustav Klimt.
Anne-Marie O'Connor is an American journalist and writer who authored The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer, the bestselling story of the battle by Vienna emigre Maria Altmann to reclaim five Gustav Klimt paintings from her native Austria in an eight-year legal battle by Los Angeles attorney E. Randol Schoenberg; a saga that also inspired a Harvey Weinstein movie, Woman in Gold, in which Helen Mirren played Maria Altmann.
Klimt is a 2006 Austrian art-house biographical film about the life of the Austrian Symbolist painter Gustav Klimt (1862–1918).
 It was written and directed by Raoul Ruiz, with an English screenplay adaptation by Gilbert Adair.
 The director of photography was Ricardo Aronovich, and the music was composed by Jorge Arriagada.
 The title role was played by John Malkovich and the cast included Stephen Dillane.
 Both a 130-minute-long director's cut and a shortened producer's cut of 96 minutes were shown at the 2006 Berlin Film Festival.
Stealing Klimt is a 2007 documentary film about Maria Altmann's attempt to recover five Gustav Klimt paintings stolen from her family by the Nazis in 1938, from Austria.
Margaret "Gretl" Stonborough-Wittgenstein (September 19, 1882 – September 27, 1958), of the prominent and wealthy Viennese Wittgenstein family, was a sister of the philosopher Ludwig Wittgenstein and the pianist Paul Wittgenstein.
 She was the subject of a famous 1905 portrait painted for her wedding by the artist Gustav Klimt (Stonborough-Wittgenstein and other members of the Wittgenstein family were among Klimt's most important patrons), which was sold in 1960 by her son Thomas and may now be seen in the Neue Pinakothek gallery in Munich.
Gustav Klimt (July 14, 1862 – February 6, 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement.
 Klimt is noted for his paintings, murals, sketches, and other objets d'art.
 Klimt's primary subject was the female body, and his works are marked by a frank eroticism.
 In addition to his figurative works, which include allegories and portraits, he painted landscapes.
 Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods.
Egon Schiele (] ; 12 June 1890 – 31 October 1918) was an Austrian painter.
 A protégé of Gustav Klimt, Schiele was a major figurative painter of the early 20th century.
 His work is noted for its intensity and its raw sexuality, and the many self-portraits the artist produced, including naked self-portraits.
 The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings mark the artist as an early exponent of Expressionism.