Question: Was Norman Rockwell's works of the cultural icon of World War II representing men or women?

Context articles: Hibari Misora
Snipers of the Soviet Union
Norman Rockwell
Earl Mayan
Fort Oglethorpe (Fort Oglethorpe, Georgia)
Women in warfare and the military (1900–45)
Rosie the Riveter
Willie Gillis
Rosie the Riveter (disambiguation)
Women in war

Hibari Misora (美空 ひばり , Misora Hibari , May 29, 1937 – June 24, 1989) was a Japanese singer, actress and cultural icon.
 She received a Medal of Honor for her contributions to music and for improving the welfare of the public, and was the first woman to receive the People's Honour Award which was conferred posthumously for giving the public hope and encouragement after World War II.
Snipers of the Soviet Union played an important role mainly on the Eastern Front of World War II, apart from other preceding and subsequent conflicts.
 In World War II, Soviet snipers used the 7.62×54mmR rifle cartridge with light, heavy, armour-piercing (B-30), armour-piercing-incendiary (B-32), zeroing-and-incendiary (P3), and tracer bullets.
 Most Soviet World War II snipers carried a combat load of 120 rifle cartridges in the field.
 Unlike the militaries of other nations, these snipers could be men or women.
 In 1943, there were over 2,000 women functioning in this role.
Norman Perceval Rockwell (February 3, 1894 – November 8, 1978) was a 20th-century American author, painter and illustrator.
 His works enjoy a broad popular appeal in the United States for its reflection of American culture.
 Rockwell is most famous for the cover illustrations of everyday life he created for "The Saturday Evening Post" magazine over nearly five decades.
 Among the best-known of Rockwell's works are the "Willie Gillis" series, "Rosie the Riveter", "The Problem We All Live With", "Saying Grace", and the "Four Freedoms" series.
 He also is noted for his 64-year relationship with the Boy Scouts of America (BSA), during which he produced covers for their publication "Boys' Life", calendars, and other illustrations.
 These works include popular images that reflect the "Scout Oath" and "Scout Law" such as "The Scoutmaster", "A Scout is Reverent" and "A Guiding Hand", among many others.
Earl Mayan (1916December 12, 2009) was an American illustrator whose early career spanned the era of pulp magazines to the post World War II years alongside Norman Rockwell at "The Saturday Evening Post".
 From 1954 to 1961, he painted ten "Saturday Evening Post" covers and illustrated many of stories that appeared as inside the magazine.
Fort Oglethorpe was a United States Army post in the US state of Georgia.
 It was established in a 1902 regulation, and received its first contingent in 1904.
 It served largely as a cavalry post for the 6th Cavalry.
 During World War I Fort Oglethorpe was home to 4,000 German Prisoners of War and civilian detainees.
 During World War I and World War II, it served as an induction and processing center.
 During World War II, it was a major training center for the Women's Army Corps.
 The post was declared surplus after World War II and sold.
 The majority of the old post formed the nucleus for the present community of Fort Oglethorpe, Georgia.
This timeline of women in warfare and the military (1900–45) deals with the role of women in the military around the world from 1900 through 1945.
 By the end of the 19th century, women in some countries were starting to serve in limited roles in various branches of the military.
 The two major events in this time period were World War I and World War II.
 Please see Women in World War I and Women in World War II for more information.
Rosie the Riveter is a cultural icon of World War II, representing the women who worked in factories and shipyards during World War II, many of whom produced munitions and war supplies.
 These women sometimes took entirely new jobs replacing the male workers who joined the military.
 Rosie the Riveter is used as a symbol of feminism and women's economic power.
 Similar images of women war workers appeared in other countries such as Britain and Australia.
 Images of women workers were widespread in the media as government posters, and commercial advertising was heavily used by the government to encourage women to volunteer for wartime service in factories.
 "Rosie the Riveter" became the subject and title of a song and a Hollywood movie during WWII.
Willie Gillis, Jr. (more commonly simply Willie Gillis) is a fictional character created by Norman Rockwell for a series of World War II paintings that appeared on the covers of eleven issues of "The Saturday Evening Post" between 1941 and 1946.
 With the rank of private, Gillis was an everyman whose career was tracked on the cover of the "Post" from induction through discharge without being depicted in battle.
 Gillis and his girlfriend were modeled by two of Rockwell's acquaintances.
Rosie the Riveter is a cultural icon representing the working women of the United States during World War II.
The experiences of women in war have been diverse.
 Historically women have played a major role on the homefront.
 By the 18th century, some women accompanied armies assigned combat missions, usually handling roles such as cooking and laundry.
 Nursing became a major role starting in the middle 19th century.
 The main role in World War I (1914-1918) was employment in munitions factories, farming, and other roles to replace men drafted for the army.
 Women played an important role in making the system of food rationing work.
 World War II (1939-1945) marked a decisive turning point, With millions of women handling important homefront roles, such as working in munitions factories and otherwise replacing drafted men.
 Volunteer roles expanded.
 The most romantic new change was millions of women in regular military units.
 Typically they handled clerical roles so that men could be released for combat.
 Some women (especially in the Soviet Union, Germany, and Britain) were assigned limited combat roles, especially in anti-aircraft units, where they shot down enemy bombers while at the same time being safe from capture.
 Underground and resistance movements made extensive use of women in support roles.
 Reaction set in after 1945, and the roles allowed to women was sharply reduced in all major armies.
 Restarting in the 1970s, women played an increasing role in the military of major nations, including by 2005 roles as combat pilots.
 The new combat roles were highly controversial, raising issues of gender identity not just for the women, but for the male soldiers whose masculinity seemed to be problematic if women can do the same job.