Question: Are both Black Chicks Talking and Bomb Harvest arts projects that include a stage production?

Context articles: Intercult
Samantha Katz
Nicole G. Leier
David Hill (arts director)
Bomb Harvest
Decima gallery
Black Chicks Talking
Let Me Tell Ya 'bout Black Chicks
Bo Hi Pak
Puppet Lab

Intercult is a European pioneer in cultural management and intercultural development.
 As an independent organisation Intercult engages in international arts projects in greater Europe.
 Based in Stockholm, Sweden, Intercult aims to internationalise Sweden’s cultural life through joint projects, networking and professional development.
Samantha Katz (born October 14, 1985) is a designer and arts entrepreneur best known for creating innovative community and technology based arts projects.
 One of her most notable projects is "Gallery Glass", a YouTube based series of interviews with artists employing the wearable technology Google Glass.
Nicole G. Leier is a Canadian actress who resides in Los Angeles.
 She is best known for her role as "Kelsey" in the TV series "Edgemont", as well as her role in the horror film "Septic Man".
 In 2016, Leier starred in the short film "Black Chicks" alongside David Cubitt.
 The film was written and directed by Neil LaBute.
 Nicole also produces and directs films with her production company "Black Tree Pictures".
David Hill is a theatre and arts director and producer, founder of the leading UK cultural events and arts agency ArtReach which initiates, develops and produces extraordinary creative arts projects and programmes.
 Hill has created and produced the innovative Night of Festivals project, produced the world’s largest interactive video artwork (Under Scan by Rafael Lozano-Hemmer) in Trafalgar Square, London and in public spaces across the UK East Midlands and created/delivered a range of high-profile new arts events such Three Cities Create and Connect, The Lyric Lounge and Dance in the Park.
 He has also delivered projects in Barcelona, India and the West Indies.
Bomb Harvest is a 2007 documentary film directed by Australian filmmaker Kim Mordaunt and produced by Sylvia Wilczynski.
 It explores the consequences of war in Laos as it follows an Australian bomb disposal specialist, training locals in the skill of detonating bombs while trying to stop villagers, particularly children, from finding them and using them for scrap metal.
Decima Gallery is a London-based arts projects organisation with a reputation for irreverent projects, according to a 2008 article in "The London Paper":
Black Chicks Talking is an arts project by Australian actress Leah Purcell featuring a 2001 documentary film, a 2002 book, a stage production and an art exhibition.
 The film is co-directed by Brendan Fletcher and features Indigenous Australian women including Purcell, actress Deborah Mailman and politician Kathryn Hay.
 Following the book and film, Purcell wrote a fictionalised dramatisation under the same title.
Let Me Tell Ya 'bout Black Chicks is an interracial pornographic film from 1985 directed by Gregory Dark and produced by the Dark Brothers (Gregory Dark and Walter Dark).
 It is a follow-up to the 1984 film "Let Me Tell Ya 'bout White Chicks".
Bo Hi Pak (born August 18, 1930, Korean: 박보희/朴普熙) is a prominent member of the Unification Church.
 During the 1970s and 1980s, he was a major leader in the church movement, leading projects such as newspapers (notably the "Washington Times"), schools, performing arts projects, political projects such as the anti-communist organization CAUSA International, and was president of the Unification Church International 1977-1991.
 He was also the president of Little Angels Children's Folk Ballet of Korea.
The Puppet Lab was founded in 1982 by designer Kim Bergsagel and director Symon Macintyre.
 Based in Edinburgh, The Puppet Lab is a performance arts charity.
 Their projects range from children’s puppet shows and workshops, which they tour to schools and theatres throughout the UK, to large-scale community arts projects and pageants, to innovative adult theatre productions.
 They often target rural areas and inner cities, where children and families tend to have very limited access to the arts.