Question: What did the comedian who made Intimate Moments for a Sensual Evening win an emmy for?

Context articles: Film-poem
Beverly Barton
Moe Letter Blues
Abbywinters.com
Momentos Intimos
Olga de Amaral
Aziz Ansari
Intimate Moments for a Sensual Evening
Alexandra Sellers
Nobody Wants to Be Here and Nobody Wants to Leave

The film-poem (also called the poetic avant-garde film, verse-film or verse-documentary) is a label first applied to American avant-garde films released after World War II.
 During this time, the relationship between film and poetry was debated.
 James Peterson in "Dreams of Chaos, Visions of Order" said, "In practice, the film poem label was primarily an emblem of the avant-garde's difference from the commercial narrative film."
 Peterson reported that in the 1950s, overviews of avant-garde films "generally identified two genres: the film poem and the graphic cinema".
 By the 1990s, the avant-garde cinema encompassed the term "film-poem" in addition to different strains of filmmaking.
 Film-poems are considered "personal films" and are seen "as autonomous, standing apart from traditions and genres".
 They are "an open, unpredictable experience" due to eschewing extrinsic expectations based on commercial films.
 Peterson said, "The viewer's cycles of anticipation and satisfaction derive primarily from the film's intrinsic structure."
 The film-poems are personal as well as private: "Many film poems document intimate moments of the filmmaker's life."
Beverly Marie Beaver (née Inman; December 23, 1946 – April 21, 2011), better known as Beverly Barton, was an American author, known for her romantic suspense novels.
 She has written over thirty contemporary romance novels and created the popular "The Protectors" series for Harlequin Enterprises–owned Silhouette’s Intimate Moments lines.
 Her first book, "Yankee Lover", was published in July 1990 by Harlequin’s imprint, Silhouette Desire.
"Moe Letter Blues" is the twenty-first episode of "The Simpsons"<nowiki>'</nowiki> twenty-first season.
 It originally aired on the Fox network in the United States on May 9, 2010.
 In this episode, Homer, Reverend Lovejoy, and Apu Nahasapeemapetilon receive a letter from Moe stating that he will steal one of their wives.
 The three get together and try to remember intimate moments between Moe and their wives.
abbywinters.com (or simply Abby Winters) is a pornographic paysite largely revolving around nude modelling pictorials and lesbian and solo sex acts by female models.
 It claims all-female shooting crews and prides itself on being at the forefront of the "natural", reality-based porn market.
 The site was launched in the year 2000 and has since been split into three "mini-sites" known as 'Solo', 'Girl-Girl', and 'Intimate Moments' (masturbation).
Mementos Intimos (English: Intimate Moments) is a greatest hits album by Mexican-American Tejano singer Selena, released in 2004.
 Inside of the CD there is a short story from Selena's husband, Chris Pérez, about the song "Puede Ser" that was Selena's final recording from March 17, 1995.
Olga de Amaral was born as Olga Ceballos Velez in Bogotá, Cundinamarca, Colombia to parents from the Antioquia region of Colombia.
 She was raised in a traditional religious family with 5 sisters and 2 brothers.
 She grew up in a traditional neighbourhood in Bogotá in a warm, safe family atmosphere, maintaining a special relationship with her loving and caring mother.
 Upon graduating from high school, in the years 1951-52 she got a degree in Architectural Design at the Colegio Mayor de Cundinamarca in Bogotá.
 After graduation, the future textile artist worked for a year as a director of the Architectural Drawing Faculty at the same school.
 In 1954, de Amaral went to the United States to study English in New York at the Columbia University.
 She then moved and studied fiber art at the Cranbrook Academy of Art in Bloomfield Hills, Michigan, USA (1954–55).
 The artist cherishes that period of her education and considers it crucial for her later artistic development: "In Cranbrook, the textile workshop had eight looms placed against the windows: one of them, in the corner, would be my home for a year.
 There, I lived my most intimate moments of solitude; there was born my certainty about color; its strength; I felt as if I loved color as though it were something tangible.
 I also learned to speak in color.
 I remember with nostalgia that experience in which souls touched hands".
 At Cranbrook de Amaral met Jim Amaral and they became close friends.
 In 1955, after a year in Cranbrook, she returned to Colombia and started to make decorative textiles on commission for her architect friends.
 Meanwhile, Jim Amaral was in the U.S. Navy, on a base in the Philippines.
 In 1956, Jim visited Colombia to see Olga, initially for a few weeks.
 Shortly after, Jim Amaral and Olga Ceballos Velez married and settled in Bogotá.
 They started a family (children Diego and Andrea) and a workshop of handwoven textiles.
 During that period, Jack Lenor Larsen visited Colombia and the Amaral's workshop.
 He expressed interest in Olga's tapestries.
 Their professional and artistic relationship became crucial in projection of her work internationally in the world of contemporary tapestry.
 In 1965 de Amaral founded and taught at the Textile Department at the Universidad de los Andes (University of the Andes) in Bogotá.
 In 1966-1967 the Amaral family lived in New York.
 There Olga de Amaral met Eileen Vanderbilt from the World Crafts Council and became its representative for Colombia.
 With Jack Lenor Larsen's collaboration, Olga de Amaral displayed her tapestries in New York (solo exhibition in Jack Lenor Larsen’s New York showroom in 1967), taught at Penland School of Crafts in North Carolina and in Haystack Mountain School of Crafts in Maine.
 After returning to Colombia, the Amarals travelled to Popayán and Tierradentro region with its must-see San Agustín.
 Later Olga visited Peru as the WCC representative.
 On a rapid visit to Ireland to participate in a WCC conference, Olga met Lucie Rie, a British ceramist who inspired her to incorporate gold into the tapestries.
 At the beginning of the seventies, the Amarals moved to Barcelona and then to Paris.
 They visited Greece, Italy, Holland, Belgium, Switzerland, Sweden, and England.
 They made contacts with the centres of European art.
 They lived for a time in Europe, then returned to Bogotá, visited different areas of Colombia, and then went back to France, amid exhibits, work, and new friendships.
 Another important journey for the artist was her travel to Japan.
 Nowadays Olga de Amaral lives and works in Bogotá, Colombia.
Aziz Ansari (born February 23, 1983) is an American actor, comedian and filmmaker.
 He is known for his role as Tom Haverford on the NBC series "Parks and Recreation" (2009–2015) and as creator, writer and star of the Netflix series "Master of None", which debuted in 2015.
 Ansari and "Master of None" co-creator Alan Yang won the Emmy Award for Outstanding Writing for a Comedy Series in 2016, and the pair were also awarded a Peabody Award in 2016 for the series.
 The second season of "Master of None" was released in May 2017 to further critical success.
Intimate Moments for a Sensual Evening is the debut album by comedian Aziz Ansari, released by Comedy Central Records on January 19, 2010.
Alexandra Sellers is a writer, former actress and author of almost 40 contemporary romance novels.
 Her novels have been published in various Harlequin and Silhouette category lines, including Harlequin Desire, Intrigue, Mills & Boon Desire, Mills & Boon Special Releases, Presents, Silhouette Desire, Silhouette Intimate Moments, Silhouette Special Products, and Silhouette Spotlight.
 She is best known for her Sons of the Desert sheikh romance series.
Nobody Wants to Be Here and Nobody Wants to Leave is the fourth studio album by Scottish indie rock band The Twilight Sad, released by FatCat Records on 27 October 2014.
 The album was released to overwhelmingly positive reviews, with Allmusic summarising the album as "The Twilight Sad transform everything that came before into some of their most compelling music.
 By blending the extremes of their previous albums, they give intimate moments an epic scope in ways that sound truly revitalized... Equally desolate and majestic, "Nobody Wants to Be Here and Nobody Wants to Leave"'s naked emotions and sophisticated music mark a new high point for the Twilight Sad."