Question: The melody of "Baubles, Bangles & Beads" was based on works by a composer that belonged to what 19th century group?

Context articles: George William Nicol
Baubles, Bangles, &amp; Beads
Lithuanian National Revival
Baseball Hall of Fame balloting, 1936
Psathyrellaceae
Alexander Borodin
Ramdas Kathiababa
Ennis Friary
Lampworking
Fortifications of Antwerp

George William Nicol (1810-1884) was the first African Colonial Secretary of Sierra Leone and was one of few African senior level colonial officials in Freetown during the 19th century.
 Nicol belonged to the mulatto Settler class that exerted great influence in Freetown during the 19th century.
"Baubles, Bangles & Beads" is a popular song from the 1953 musical "Kismet", credited to Robert Wright and George Forrest.
 Like all the music in that show, the melody was based on works by Alexander Borodin, in this case the second theme of the second movement of his "String Quartet in D."
 The "Kismet" setting maintains the original's 3/4 waltz rhythm; pop music settings change the rhythm to a moderate four-beat accompaniment.
 Jazz musicians are especially drawn to the song's beguiling melody and advanced harmonic structure.
 The familiar AA'BA+Coda structure of the song is energized by a key change up a major third interval for every section; the transition is marked by a bracing harmonic progression from the central major key of one section to the tritone minor key of the following section.
 Jazz players and singers have enjoyed the musical challenges of this song for decades.
Lithuanian National Revival, alternatively Lithuanian National Awakening (Lithuanian: "Lietuvių tautinis atgimimas" ), was a period of the history of Lithuania in the 19th century at the time when a major part of Lithuanian-inhabited areas belonged to the Russian Empire (the Russian partition of the Polish-Lithuanian Commonwealth).
 It was expressed by the rise of self-determination of the Lithuanians that led to formation of the modern Lithuanian nation and culminated in the re-establishment of an independent Lithuanian state.
 Most active participants of national revival were Vincas Kudirka, Jonas Basanavičius and others.
 The period largely corresponded to the rise of romantic nationalism and other national revivals of the 19th century Europe.
The first elections to select inductees to the Baseball Hall of Fame were held in 1936.
 Members of the Baseball Writers' Association of America (BBWAA) were given authority to select individuals from the 20th century; while a special Veterans Committee, made up of individuals with greater familiarity with the 19th century game, was polled to select deserving individuals from that era.
 The intent was for 15 honorees to be selected before the 1939 ceremonies – 10 from the 20th century and 5 from the 19th; additional players from both eras would be selected in later years.
 Voters were given free rein to decide for themselves in which group a candidate belonged, with neither group knowing the outcome of the other election; some candidates had their vote split between the elections as a result – Cy Young, the pitcher with most wins in Major League history, finished 8th in the BBWAA vote and 4th in the Veterans vote.
 In addition, there was no prohibition on voting for active players, a number of whom received votes.
 Individuals who had been banned from baseball – such as Shoeless Joe Jackson and Hal Chase – were also not formally excluded, though few voters chose to include them on ballots.
The Psathyrellaceae are a family of dark-spored agarics that generally have rather soft, fragile fruiting bodies, and are characterized by black, dark brown, rarely reddish, or even pastel-colored spore prints.
 About 50% of species produce fruiting bodies that dissolve into ink-like ooze when the spores are mature via autodigestion.
 Prior to phylogenetic research based upon DNA comparisons, most of the species that autodigested were classified as Coprinaceae, which contained all of the inky-cap mushrooms.
 However, the type species of "Coprinus", "Coprinus comatus", and a few other species, were found to be more closely related to Agaricaceae.
 The former genus "Coprinus" was split between two families, and the name "Coprinaceae" became a synonym of Agaricaceae in its 21st-century phylogenetic redefinition.
 Note that in the 19th and early 20th centuries the family name Agaricaceae had far broader application, while in the late 20th century it had a narrower application.
 The family name Psathyrellaceae is based on the former Coprinaceae subfamily name Psathyrelloideae.
 The type genus "Psathyrella" consists of species that produce fruiting bodies which do not liquify via autodigestion.
 "Psathyrella" remained a polyphyletic genus until it was split into several genera including 3 new ones in 2015.
 "Lacrymaria" is another genus that does not autodigest its fruiting bodies.
 It is characterized by rough basidiospores and lamellar edges that exude beads of clear liquid when in prime condition, hence the Latin reference, "lacryma" (tears).
Alexander Porfiryevich Borodin (Russian: Алекса́ндр Порфи́рьевич Бороди́н ; ] , 12 November 183327 February 1887) was a Russian Romantic composer of Georgian origin, as well as a doctor and chemist.
 He was one of the prominent 19th century composers known as The Mighty Handful, a group dedicated to producing a uniquely Russian kind of classical music, rather than imitating earlier Western European models.
Vaishnav Chatuh Sampradaya Sri Mahanta Sri Sri Swami 108 Ramdas Kathia Baba(early 19th century – 1909) was a revered saint of the Hindu Dwaitadwaitavaadi Nimbarka Sampradaya and one of the principal spiritual figureheads associated with the propagation of Nimbarka Vaishnavism in Bengal.
 He was one of the main preachers involved in the mass propagation of Nimbarka Vaishnavism in Bengal in the late 19th century.
 He belonged to the sect of Nimbarka ascetics descending from the spiritual lineage of Sri Nagaji Maharaj who initiated the practice of circumambulation of Vraj(also called Vraj parikrama).
 The term "Kathiababa" has arisen from the usage of wooden(Kath means wood in Hindi and Bengali) chastity belts by the saints of this sect which are donned with the aim of subduing the lustful tendencies of the human body.
Ennis Friary (colloquially also known as Ennis Abbey) was a Franciscan friary in the town of Ennis, County Clare, Ireland.
 It was established in the middle of the 13th century by the ruling O'Brien dynasty who supported it for most of its existence.
 Following the suppression of the monasteries in the 16th century, the friary continued to function for a while despite the loss of its lands.
 In the early 17th century, the buildings were handed over to the Church of Ireland as a place of worship.
 It was used as such until the late 19th century.
 After the construction of a new Church of Ireland building, the friary fell into ruin.
 Managed by the Office of Public Works since the late 19th century, it was formally returned to the Franciscan Order in 1969.
Lampworking is a type of glasswork where a torch or lamp is primarily used to melt the glass.
 Once in a molten state, the glass is formed by blowing and shaping with tools and hand movements.
 It is also known as flameworking or torchworking, as the modern practice no longer uses oil-fueled lamps.
 Although lack of a precise definition for lampworking makes it difficult to determine when this technique was first developed, the earliest verifiable lampworked glass is probably a collection of beads thought to date to the fifth century BC.
 Lampworking became widely practiced in Murano, Italy in the 14th century.
 In the mid 19th century lampwork technique was extended to the production of paperweights, primarily in France, where it became a popular art form, still collected today.
 Lampworking differs from glassblowing in that glassblowing uses a furnace as the primary heat source, although torches are also used.
Antwerp was developed as a fortified city, but very little remains of the 10th century enceinte.
 Only some remains of the first city wall can be seen near the Vleeshuis museum at the corner of Bloedberg and Burchtgracht, and a replica of a "burg" (castle) named "Steen" has been partly rebuilt near the Scheldt-quais during the 19th century.
 Parts of the canals that protected the city between the 12th and 16th century have been covered and used as a sewage system.
 Both the 16th century city walls and the 19th century fortifications have been covered up by major infrastructure works during the 19th and 20th century.