Question: Which director was English, Ernst Lubitsch or Chris Menges?

Context articles: The Flame (1923 film)
Chris Menges
Die Augen der Mumie Ma
Eternal Love (1929 film)
Shoe Palace Pinkus
Kohlhiesels Töchter (1920 film)
Intoxication (film)
When Four Do the Same
Ernst Lubitsch
Meyer from Berlin

The Flame (German: Die Flamme) is a 1923 German silent drama film directed by Ernst Lubitsch and starring Pola Negri, Hermann Thimig and Alfred Abel.
 The film is based on a play by Hans Müller.
 In the United States it was released under the alternative title Montmartre.
 It was the last film Lubitsch made in Germany before emigrating to Hollywood where he directed his first American film "Rosita" for United Artists the same year.
Chris Menges BSC, ASC (born 15 September 1940) is an English cinematographer and film director.
 He is a member of both the American and British Societies of Cinematographers.
Die Augen der Mumie Ma (English language The Eyes of the Mummy or The Eyes of the Mummy Ma) is a 1918 German silent film directed by Ernst Lubitsch.
 The film stars Pola Negri as Ma, Emil Jannings as Radu, and Harry Liedtke as Wendland.
 It is the first collaboration between Lubitsch and Negri, a pairing that would go on to make worldwide successes such as "Carmen" (1918), "Madame DuBarry" (1919), and "Sumurun" (1920).
Eternal Love is a 1929 American silent romantic drama film directed by Ernst Lubitsch and starring John Barrymore and Camilla Horn.
 Based on the novel "Der Koenig der Bernina" by Jacob Christopher Heer, the film is about two lovers living in the Swiss Alps who struggle to be together and escape their loveless marriages.
 "Eternal Love" was the last silent film of both Lubitsch and Barrymore.
Shoe Palace Pinkus (German: Schuhpalast Pinkus) is a 1916 German silent comedy film directed by Ernst Lubitsch and starring Lubitsch, Else Kentner and Guido Herzfeld.
 In English it is sometimes known by the alternative titles Shoe Salon Pinkus and The Shoe Palace.
 It was part of the Sally series of films featuring Lubitsch as a sharp young Berliner of Jewish heritage.
 After leaving school, a self-confident young man goes to work in a shoe shop.
 Soon after, he becomes a shoe tycoon.
Kohlhiesels Töchter (English title: Kohlhiesel's Daughters) is a 1920 German silent comedy film directed by Ernst Lubitsch and starring Henny Porten, Emil Jannings and Jakob Tiedtke.
 It is an adaptation of the play "Kohlhiesel's Daughters" by Hanns Kräly, Lubitsch's frequent collaborator, who also worked on the film's screenplay.
 Three further film adaptations have been made of the work including a 1930 sound remake which also starred Porten.
Intoxication (German: Rausch) is a 1919 German silent drama film directed by Ernst Lubitsch and starring Asta Nielsen, Alfred Abel and Karl Meinhardt.
 It was based on the play "Brott och brott" by August Strindberg.
 Lubitsch was loaned out from UFA to the smaller Argus-Film for the production.
When Four Do the Same (German: Wenn vier Dasselbe tun) is a 1917 German silent comedy drama film directed by Ernst Lubitsch and starring Ossi Oswalda, Emil Jannings and Margarete Kupfer.
 Lubitsch himself plays a book shop employee who falls in love with Jannings' daughter.
 The film was a key transitional work in Lubitsch's career, as he began to produce films with greater depth than his early light comedies.
Ernst Lubitsch ( ; January 29, 1892November 30, 1947) was a German American film director, producer, writer, and actor.
 His urbane comedies of manners gave him the reputation of being Hollywood's most elegant and sophisticated director; as his prestige grew, his films were promoted as having "the Lubitsch touch".
 Among his most famous works are "Trouble in Paradise", "Ninotchka", "The Shop Around the Corner" and "To Be or Not to Be".
Meyer from Berlin (German: Meyer aus Berlin) is a 1919 German silent comedy film directed by Ernst Lubitsch and starring Lubitsch, Ossi Oswalda and Ethel Orff.
 It was part of the Sally series of films featuring Lubitsch as a sharp young Berliner of Jewish heritage.
 It was Lubitsch's penultimate film as an actor, after 1920 he devoted himself entirely to screenwriting and directing.