Question: Clifford O. Taylor studied with an American composer and professor of classical music at what university?

Context articles: Edward C. Taylor
Clifford Taylor (composer)
Stephen Jaffe
Frank Macchia
Walter Piston
Michael Eric Robinson
Musical composition
Heather Taylor
Pamela St. John
Barbara Kolb

Edward Curtis Taylor, Jr. (born August 3, 1923)) is an American chemist who designed and synthesized the chemotherapy drug pemetrexed (brand name Alimta), an inhibitor of purine biosynthesis, with grant support from the U.S. National Cancer Institute, NIH.
 Taylor studied for his PhD from 1946 to 1949 at Cornell University with Professor Cornelius Cain.
 As of 2009, royalties for this drug from Eli Lilly & Co. paid to Princeton University were sufficient to completely finance a state-of-the-art 263000 sqft chemistry laboratory building.
Clifford O. Taylor (20 October 1923 Avalon, PA-19 September 1987 Abington, PA) was an American composer and music educator.
 He studied with Walter Piston and Paul Hindemith and served as chairman of the department of music composition at Temple University for 23 years.
 Among his compositions are three symphonies, "The Freak Show" (a 1975
Stephen Jaffe (born December 30, 1954 in Washington, D.C.) is an American composer of contemporary classical music.
 He lives in Durham, North Carolina, United States, and serves on the music faculty of Duke University, where he holds the post of Mary and James H. Semans Professor of Music Composition; his colleagues there include composers Scott Lindroth and Anthony Kelley.
 Jaffe graduated summa cum laude from the University of Pennsylvania in 1977; he received a master's degree the following year from the same institution.
 During his time in Pennsylvania, he studied with George Crumb, George Rochberg, and Richard Wernick.
Frank Macchia (born October 12, 1958) is an American composer, arranger, saxophonist, and multi-reed player in Los Angeles.
 Originally from San Francisco he began playing clarinet at age 10 and later studied bassoon, saxophone and flute.
 At 14 he began studying musical composition and writing jazz and classical music pieces.
 He is noted for his large catalog of eclectic and virtuosic original compositions spanning jazz, classical, Cajun, Americana, experimental, New Age, Spoken Word, and jazz-fusion styles as well as his extensive work as a composer and orchestrator for live television and television and film soundtracks. Macchia has been noted for his jazz and orchestral arrangements of traditional American folk songs.
Walter Hamor Piston Jr, (January 20, 1894 – November 12, 1976), was an American composer of classical music, music theorist, and professor of music at Harvard University.
 His students included Leroy Anderson, Leonard Bernstein, Elliott Carter, Irving Fine, and Robert Strassburg.
Michael Eric Robinson (born March 11,1956) is an American composer associated with both contemporary classical music and computer music.
 His work is influenced by jazz, South Asian music and Indian classical music.
Musical composition can refer to an original piece of music, either a song or an instrumental music piece, the structure of a musical piece, or the process of creating or writing a new song or piece of music.
 People who create new compositions are called composers in classical music.
 In popular music and traditional music, the creators of new songs are usually called songwriters; with songs, the person who writes new words for a song is the lyricist.
 "Composition" is the act or practice of creating a song or other piece of music.
 In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score", which is then performed by the composer or by other instrumental musicians or singers.
 In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression.
 In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will play the different parts of music, such as the melody, accompaniment, countermelody, bassline and so on) is typically done by the composer, but in musical theatre and in pop music, songwriters may hire an arranger to do the orchestration.
 In some cases, a pop or traditional songwriter may not use written notation at all, and instead compose the song in her mind and then play, sing and/or record it from memory.
 In jazz and popular music, notable sound recordings by influential performers are given the weight that written or printed scores play in classical music.
Heather Taylor (born 9 September 1977 in Edmonton, Alberta) is a Canadian poet, writer, filmmaker, and social media and community specialist.
 Taylor studied music, acting and writing in western Canada.
Pamela St. John (born February 2, 1950) is an American composer of classical music.
 She studied at Indiana at Bloomington and has studied under Robert Ward.
 She has served as President of the North Carolina Composers' Alliance.
 Her work "Maithuna Sextet", commissioned by the North Carolina Music Teachers' Association, was performed by the Ciompi Quartet at Duke University; "Forest Spirit Suite", also performed by Ciompi, includes the folk instruments didgeridoo and rainstick.
Barbara Kolb (b. Hartford, Connecticut, February 10, 1939) is an American composer.
 Her music uses sound masses and often creates vertical structures through simultaneous rhythmic or melodic units (motifs or figures).
 Barbara's musical styling can be identified by her use of colorful textures, impressionistic touch, and atonal vocabulary, with influences stemming from literary and visual arts.
 She was the first American woman composer to win the Rome Prize.
 She received her B.M. (cum laude, 1961) and M.M. degrees (1964) from the Hartt College of Music (now The Hartt School) at the University of Hartford, and studied with Arnold Franchetti, Lukas Foss and Gunther Schuller.
 Following her various degrees, Kolb relocated to Vienna, Austria from 1966-1967 with a Fulbright Fellowship grant.
 She was the first female American composer to win the Rome Prize [Prix de Rome], in 1969.
 From 1979 - 1982, Kolb served as the artistic director of contemporary music at the Third Street Music School Settlement, where she presented the "Music New to New York" concert series.
 Additionally, she has had a professional teaching career teaching at Rhode Island College and Eastman School of Music as a visiting professor in Composition.
 A selection of Barbara's compositions were featured at the Kennedy Center, performed by the "Theatre Chamber Players" as part of the Boston Modern Orchestra Project.
 However, Kolb was not only known as a composer; but she was also proficient at the Eb clarinet.