Question: What guitarist known for his back to basics rock style produced the Album Sin? 

Context articles: Ramport Studios
Sin (album)
MC5
Disintegration (The Cure album)
Afshar rugs
This and of That
List of garage rock compilation albums
Turn! Turn! Turn! (album)
Fear and Whiskey
Call It Rhythm and Blues/Baby, Let Me In

Ramport Studios was a South London recording studio on Thessaly Road owned by The Who.
 Several major albums were recorded at Ramport, including the 1974 album "Crime of the Century" by the progressive rock band Supertramp.
 Judas Priest also recorded their album Sin After Sin during 1976–1977.
 The 1973 album "Quadrophenia" was recorded there.
 Johnny Thunders and the Heartbreakers spent much of the summer of 1977 recording and mixing the album "L.A.M.F." there for The Who's label Track Records.
 Eventually, Virgin Records acquired it.
 It is currently now used as a doctor's surgery.
Sin is the fifth studio recording from Mother Superior and the first of two to be produced by MC5 legend Wayne Kramer.
MC5 was an American rock band from Lincoln Park, Michigan, formed in 1964.
 The original band line-up consisted of vocalist Rob Tyner, guitarists Wayne Kramer and Fred "Sonic" Smith, bassist Michael Davis, and drummer Dennis Thompson.
 "Crystallizing the counterculture movement at its most volatile and threatening", according to "AllMusic" critic Stephen Thomas Erlewine, the MC5's leftist political ties and anti-establishment lyrics and music positioned them as emerging innovators of the punk movement in the United States.
 Their loud, energetic style of back-to-basics rock and roll included elements of garage rock, hard rock, blues rock, and psychedelic rock.
Disintegration is the eighth studio album by British rock band The Cure, released on 2 May 1989 by Fiction Records.
 The record marks a return to the introspective and gloomy gothic rock style the band had established in the early 1980s.
 As he neared the age of 30, vocalist and guitarist Robert Smith had felt an increased pressure to follow up on the group's pop successes with a more enduring work.
 This, coupled with a distaste for the group's newfound popularity, caused Smith to lapse back into the use of hallucinogenic drugs, the effects of which had a strong influence on the production of the album.
 The Cure recorded "Disintegration" at Hookend Recording Studios in Checkendon, Oxfordshire, with co-producer David M. Allen from late 1988 to early 1989.
 During production, founding member Lol Tolhurst was fired from the band.
Afshar is a handwoven rug style produced by the Turkic Afshar tribe, a semi-nomadic group principally located in the mountainous areas surrounding the modern region of Iranian Azerbaijan.
 An additional population of Afshar tribes-people is located in the Kuchan area in Razavi Khorasan Province of Iran and city of Kerman.
 Carpets in the Afshar style are known for their stylized floral geometric designs, tribal artistry, and a characteristic palette of rust and blue color tones.
This and of That is the fourth album by the American alternative rock band Chronic Future.
 It was released in 2006, and consisted of new songs, as well as several re-recorded versions of songs that had originally been recorded and released by the band on their website, which is currently inactive.
 The song "Shellshocked" from "Lines in My Face" was emulated into the band's new style from its previous rock style by Ryan Breen, former rhythm guitarist of the band.
 The album was limited to 1000 copies.
 The album was self-released, and produced by Ben Collins.
 The album featured Ryan Breen as a collaborating artist.
This is a list of compilation albums featuring recordings entirely or mostly in the garage rock style of music, including variations of the genre ranging from basic garage rock and frat rock to folk rock-influenced and psychedelic garage rock.
 Most of the recordings compiled on these albums was originally recorded in the period between 1963-1968 in the United States and Canada.
 However, the list also includes compilations of recordings made outside of North America, in places such as Great Britain, Continental Europe, Latin America, and the far East, which are sometimes considered as counterparts or variants of the garage rock style (and are sometimes referred to as "Freakbeat," "Nederbeat", or "Group Sounds," as well as "beat" or "garage rock").
 When known, the city, state, country or region of origin of is given in parentheses.
 "US" covers the United States of America, while "UK" covers all parts of the United Kingdom (England, Ireland, Wales, etc.).
 "Mixed" means that the music comes from many parts of the world even if individual volumes within a series concentrate on a particular country or region.
 The list also contains sections devoted to later garage rock subgenres.
 The Nuggets and Pebbles albums were the pioneering series, so they are listed first, followed by the remainder in alphabetical order.
Turn!
 Turn!
 Turn!
 is the second album by the folk rock band The Byrds and was released in December 1965 on Columbia Records ("see" 1965 in music).
 Like its predecessor, "Mr. Tambourine Man", the album epitomized the folk rock genre and continued the band's successful mix of vocal harmony and jangly twelve-string Rickenbacker guitar.
 The album's lead single and title track, "Turn!
 Turn!
 Turn!
", was a Pete Seeger adaptation of text from the Book of Ecclesiastes that had previously been arranged in a chamber-folk style by the band's lead guitarist Jim McGuinn, while working with folksinger Judy Collins.
 The arrangement that McGuinn used for The Byrds' version utilized the same folk rock style as the band's previous hit singles.
Fear and Whiskey is the fourth studio album by English rock band The Mekons.
 It was released in 1985 and marked a dramatic shift in their sound following a short hiatus.
 It is universally viewed as their masterpiece by fans.
 It is credited as being the first alternative country album, as it blends the band's previously-established punk rock style with a country music sound.
 The album was initially released by Sin Records to significant critical praise and commercial success.
 However, due to Sin's small capacity for production and distribution, the album then remained largely unavailable until it was rereleased in 2002 by Quarterstick Records, a subsidiary of Touch and Go Records.
"Call It Rhythm and Blues"/"Baby, Let Me In" is a single release by Australian rock and roll band The Basics.
 The single, featuring two non-album tracks, was the band's follow-up to their debut album "Get Back"; the band had toured heavily around Australia in the interim.
 The single was released on 20 August 2004, and features the band's original line up of Kris Schroeder, Wally de Backer, and Michael Hubbard, although Hubbard had departed the band in June 2004, after the completion of the recording.
 Tim Heath had since joined the band on a permanent basis; hence, "Call It Rhythm and Blues/Baby, Let Me In" was the last Basics release to feature Michael Hubbard in any capacity.