Question: artist Rajko Müller plays a genre of music that is a subgenre of what music ?

Context articles: Gangsta rap
Neoclassical metal
Isolée
We Are Monster
Rara tech
Techdombe
Thomas Müller
List of avant-garde metal artists
Microhouse
Medieval folk rock

Gangsta rap or gangster rap is a subgenre of hip hop music with themes and lyrics that generally emphasize the "gangsta" lifestyle.
 The genre evolved from hardcore hip hop into a distinct form, pioneered in the mid-1980s by rappers such as Schoolly D and Ice-T, and was popularized in the later part of the 1980s by groups like N.W.A.
 After the national attention that Ice-T and N.W.A attracted in the late 1980s and early 1990s, gangsta rap became the most commercially lucrative subgenre of hip hop.
 Many (if not most) gangsta rap artists openly boast of their associations with various active street gangs as part of their artistic image, with the Bloods and Crips being the most commonly represented.
 Gangsta rap is closely related to other indigenous gang and crime-oriented forms of music, such as the narcocorrido genre of northern Mexico.
Neoclassical metal is a subgenre of heavy metal that is heavily influenced by classical music and usually features very technical playing, consisting of elements borrowed from both classical and speed metal music.
 Deep Purple's Ritchie Blackmore pioneered the subgenre by merging classical melodies and blues rock.
 Later, Yngwie Malmsteen became one of the most notable musicians in the subgenre, and contributed greatly to the development of the style in the 1980s.
 Other notable players in the genre are Randy Rhoads, Jason Becker, Tony MacAlpine, Vinnie Moore, Uli Jon Roth, Stéphan Forté and Timo Tolkki.
Isolée is microhouse artist Rajko Müller, a minimalist house producer whose music is reminiscent of indie electronic pop music of the early eighties and ambient techno from a decade on.
 Isolée is credited with creating the very first microhouse record to reach the club charts.
 Isolée's 2000 album "Rest", containing the hit "Beau Mot Plage", was arguably the first microhouse full-length.
We Are Monster is an album by German Microhouse artist Rajko Müller under his alias of Isolée.
 It was Isolée's second LP in five years.
Rara tech is an electronic music subgenre that fuses the Afro-Haitian genre rara with house music.
 Haitian-style electronic dance music (EDM) in Haiti is often referred to as "HEDM" (Haitian electronic dance music).
 The origins of the genre and term was pioneered by Haitian artist, music producer, and DJ, Gardy Girault.
Techdombe is an electronic music subgenre that fuses the Afro-Uruguayan genre Candombe with Techno music.
 The term is gestated by Uruguayan multidisciplinary-artist, music producer, and DJ Javier Zugarramurdi García.
 After many years of experimentation with the fusion of the genres, finally in 2015 Zugarramurdi releases a mini-album entitled "Techdombe" on his own independent label Repique, running under Bandcamp.
 The label is focused on release modern electronic music based on Candombe grooves.
 After giving birth to the subgenre Zugarramurdi is known as the originator of Techdombe.
Thomas Müller (] ; born 13 September 1989) is a German professional footballer who plays for and vice-captains Bayern Munich and the German national team.
 A versatile player, Müller plays as a midfielder or forward, and has been deployed in a variety of attacking roles – as an attacking midfielder, second striker, centre forward and on either wing.
 He has been praised for his positioning, teamwork and stamina, work-rate, and has shown consistency in both scoring and creating goals.
This is a list of avant-garde metal artists, regional scenes, and record labels.
 Avant-garde metal or avant-metal, also known as experimental metal, is a subgenre of heavy metal music loosely defined by use of experimentation and characterized by the use of innovative, avant-garde elements, large-scale experimentation, and the use of non-standard and unconventional sounds, instruments, song structures, playing styles, and vocal techniques.
 It evolved out of progressive rock and various forms of metal, including extreme metal, particularly the extreme subgenre death metal.
 Some early examples are the King Crimson releases "Larks' Tongues in Aspic" and "Red" in 1973 and 1974 respectively, and the 1976 Led Zeppelin album "Presence".
 The genre emerged in the early 1980s through the efforts of bands such as Celtic Frost and Voivod, who pioneered the genre.
 Other pioneers of avant-garde metal include Boris, Earth, Helmet, maudlin of the Well, Neurosis, Sunn O))), and Mr. Bungle.
 In the late 1990s, Misanthropy Records emerged as a promoter of Norwegian avant-garde metal until it folded in 2000, and, according to Jeff Wagner, in the late 1990s and early 2000s, a so-called "new wave of avant-garde metal" was spearheaded by The End Records.
 Some other record labels which promote avant-garde metal are Aurora Borealis, The Flenser, Holy Records, Hydra Head Records, Ipecac Recordings, Napalm Records, the Relapse Entertainment imprint of Relapse Records, Seventh Rule Recordings, and Southern Lord Records.
 In the United States, local avant-garde metal scenes have emerged in the San Francisco Bay Area, with bands such as Giant Squid, Grayceon, and Ludicra, Boston, with bands such as Isis, Kayo Dot, and maudlin of the Well and Seattle.
 According to the "New York Times", some regional scenes that developed in the mid-1990s included the cities of Tokyo, Los Angeles, and Oslo.
Microhouse, buftech or sometimes just minimal, is a subgenre of house music strongly influenced by minimalism and 1990s techno.
 Microhouse shares some common elements with less intense deep house, notably low pulsating basslines and long-lasting crashes; however, they diverge in tempo and the presence of vocals.
Medieval folk rock, medieval rock or medieval folk is a musical subgenre that emerged in the early 1970s in England and Germany which combined elements of early music with rock music.
 It grew out of the British folk rock and progressive folk movements of the later 1960s.
 Despite the name, the term was used indiscriminately to categorise performers who incorporated elements of medieval, renaissance and baroque music into their work and sometimes to describe groups who used few, or no, electric instruments.
 This subgenre reached its height towards the middle of the 1970s when it achieved some mainstream success in Britain, but within a few years most groups had either disbanded, or were absorbed into the wider movements of progressive folk and progressive rock.
 Nevertheless, the genre had a considerable impact within progressive rock where early music and medievalism in general, was a major influence and through that in the development of heavy metal.
 More recently medieval folk rock has revived in popularity along with other forms of medieval inspired music such as Dark Wave orientated neo-Medieval music and medieval metal.