Question: Which country is the language a poem written and sung on a holiday and created in the 13th century from? 

Context articles: Hebrew language
Carmen Mauri
Ma'oz Tzur
Caerlaverock Castle
Types of Women
Medieval Serbian literature
Hamsa-Sandesha
Pyu language (Burma)
Jnanappana
Shahnameh

Hebrew ( ; , "Ivrit " ] or ] ) is a Northwest Semitic language native to Israel, spoken by over 9 million people worldwide.
 Historically, it is regarded as the language of the Israelites and their ancestors, although the language was not referred to by the name Hebrew in the Tanakh.
 The earliest examples of written Paleo-Hebrew date from the 10th century BCE.
 Hebrew belongs to the West Semitic branch of the Afroasiatic language family.
 Hebrew is the only living Canaanite language left, and the only truly successful example of a revived dead language.
Carmen Mauri (song of a Maur) is an anonymous Polish medieval poem written in Latin.
 It tells the story of Polish magnate Piotr Włast and his rebellion against Prince Władysław Wygnaniec.
 The poem has survived only in fragmentary form.
 Its author and exact date of creation is unknown, it is presumed that the author was a Benedictine monk and the poem was written between the second half of the 12th century and the beginning of the 14th century.
"Ma'oz Tzur" (Hebrew: מעוז צור‎ ‎ "Māʕōz Sˤūr") is a Jewish liturgical poem or "piyyut".
 It is written in Hebrew, and is sung on the holiday of Hanukkah, after lighting the festival lights.
 The name is a reference to the Hasmonean stronghold of Beth-zur.
 This Hebrew song is thought to have been written sometime in the 13th century.
 It was originally sung only in the home, but has been used in the synagogue since the nineteenth century or earlier.
 In more recent years, of its six stanzas sometimes only the first stanza is sung (or the first and fifth).
Caerlaverock Castle (from "caer laverock", "lark castle") is a moated triangular castle first built in the 13th century.
 It is located on the southern coast of Scotland, 11 km south of Dumfries, on the edge of the Caerlaverock National Nature Reserve.
 Caerlaverock was a stronghold of the Maxwell family from the 13th century until the 17th century when the castle was abandoned.
 It was besieged by the English during the Wars of Scottish Independence, and underwent several partial demolitions and reconstructions over the 14th and 15th centuries.
 In the 17th century, the Maxwells were created Earls of Nithsdale, and built a new lodging within the walls, described as among "the most ambitious early classical domestic architecture in Scotland".
 In 1640 the castle was besieged for the last time and was subsequently abandoned.
 Although demolished and rebuilt several times, the castle retains the distinctive triangular plan first laid out in the 13th century.
 Caerlaverock Castle was built to control trade in early times.
Types of Women, sometimes translated simply as Women or rendered as Semonides 7, is an Archaic Greek satirical poem written by Semonides of Amorgos in the seventh century BCE.
 The poem is based on the idea that Zeus created men and women differently, and that he specifically created ten types of women based on different models from the natural world.
 Semonides' poem was influenced by Hesiod's story of Pandora, told in both his "Works and Days" and his "Theogony".
 The poem survives due to its inclusion in Joannes Stobaeus' "Anthology".
 Despite the poem's length and its interest as evidence as to early Greek attitudes towards women, it has received little scholarly attention and has generally been considered to be of little literary merit.
Between the 11th and 13th century, the foundations of an independent Serbian literature was formed.
 In this period, the direction and character of literature was built with an elementary system of genres in its main guidelines, with a selected and modified literary language.
 Only with the works of Saint Sava and the development of the autocephalous Serbian church did the Serbian literature receive its content that would make it an equal and active participant in the literary life of the Orthodox Slavic world.
 Hence, the 13th century was not only the new, but main stage in the constitution of Serbian medieval literature.
 This stage ended sometime prior to the end of the century, with the ultimate standardization of the Rascian orthography in literacy and completing the creation of the main genres of the period: the Hagiography ("žitije") and Divine Service ("služba").
 The main literary centres of the early Nemanjić state were finally established by the end of the 13th century: Hilandar, Studenica, Žiča, Mileševa, Peć; in which the supply of Old Slavic general literature was filled with works of Serbian, domestic literary workshops.
 In the course of this century Serbian literature sought to reach the height of Byzantine-Slavic literature, to join the community.
 The motive of these activities, its main driver, is in the creation of Serbian Orthodox cults, cults of the holy dynasty (the Nemanjić) and the autocephalous church.
 In order to enter the world of Byzantine and European civilization of the Middle Ages it was necessary for Serbia not only to have its independent state and independent Church, but also to have its role in the general Christian culture of that time, especially participation in holiness, in a higher spiritual community, where the Serbian people was represented through "their [own] people".
 Its own literature was thus a necessary expression of social and national independence, but at the same time integration in the spiritual ecumene of the Christian civilization through which it showed maturity and justified the political existence of the state itself on the world scale.
 On this basis, all of the specificalness of the old Serbian literature developed, as well as its universal, global identity: specificities are expressed in the creation of general genres, mostly in the hagiographical literature, i.e. the so-called "ruler historiography"; far less pronounced in hymnography, in poetry, where the canons of Byzantine poetics are quite obvious.
 The role of founding father of the independent Serbian literature is held by Saint Sava, the youngest son of Grand Prince Stefan Nemanja, founder and first Archbishop of the independent Serbian Church.
Hansa-Sandesha (Sanskrit: हंससन्देश ; IAST: Hansasandeśa ) or "The message of the Swan" is a Sanskrit love poem written by Vedanta Desika in the 13th century AD.
 A short lyric poem of 110 verses, it describes how Rama, hero of the "Ramayana" epic, sends a message via a swan to his beloved wife, Sita, who has been abducted by the demon king Ravana.
 The poem belongs to the "sandeśa kāvya ", ‘messenger poem’, genre and is very closely modeled upon the "Meghaduta" of Kalidasa.
 It has particular significance for Srivaishnavites, whose god, Vishnu, it celebrates.
The Pyu language (Burmese: ပျူ ဘာသာ , ] ; also Tircul language) is an extinct Sino-Tibetan language that was mainly spoken in present-day central Burma (Myanmar) in the first millennium CE.
 It was the vernacular of the Pyu city-states, which thrived between the second century BCE and the 9th century CE.
 Its usage declined starting in the late 9th century when the Bamar people of the Kingdom of Nanzhao began to overtake the Pyu city-states.
 The language was still in use, at least in royal inscriptions of the Pagan Kingdom if not in popular vernacular, until the late 12th century.
 It became extinct in the 13th century, completing the rise of the Burmese language, the language of the Pagan Kingdom, in Upper Burma, the former Pyu realm.
Jnanappana is a devotional poem written by the 16th century Malayalam poet Poonthanam.
 This poem written as a devotional prayer to Guruvayoorappan is considered as an important work in Malayalam literature.
 Written in simple Malayalam, the Jnanappana was Poonthanam's magnum opus and is an important work of Bhakti literature from Kerala and is revered for its poetic merit and intensity of devotion.
The Shahnameh, also transliterated as Shahnama (Persian: شاهنامه‎ ‎ ] , "The Book of Kings"), is a long epic poem written by the Persian poet Ferdowsi between c. 977 and 1010 CE and is the national epic of Greater Iran.
 Consisting of some 50,000 "distichs" or couplets (two-line verses), the "Shahnameh" is the world's longest epic poem written by a single poet.
 It tells mainly the mythical and to some extent the historical past of the Persian Empire from the creation of the world until the Islamic conquest of Persia in the 7th century.
 Modern Iran, Azerbaijan, Afghanistan and the greater region influenced by the Persian culture (such as Georgia, Armenia, Turkey and Dagestan) celebrate this national epic.