Question: From which city did the painter of The Badia Polyptych come ?

Context articles: Tauberbischofsheim altarpiece
Saint Catherine of Alexandria Polyptych
Saint Vincent Panels
Master of Badia a Isola
San Luca Altarpiece
Andrea di Giusto
Francesco Vecellio
Giotto
Badia Polyptych
Annunziata Polyptych

The Taubischofsheim altarpiece (earlier known as the Karlsruhe altarpiece or Karlsruhe panels; German: Taubischofsheimer Altar, Karlsruher Altar, and Karlsruher Tafeln, respectively) is a late work by the German Renaissance painter Matthias Grünewald, probably completed between 1523 and 1525.
 The earliest written references to the work come from the 18th century, when the altarpiece was still in the Church of St. Martin in Tauberbischofsheim.
 Its original location and the identity of the patron who commissioned it are not known, but it is assumed that they both were in Tauberbischofsheim.
 The panels, which today are displayed separately, were originally painted on either side of a 196 cm by 152 cm wooden panel.
 Whether the pieces were the central part of a polyptych is uncertain, however.
 In order to display the work in an art museum, the panel was split in half during its first restoration in 1883.
 The paintings have been in the collection of the Staatliche Kunsthalle Karlsruhe since 1900.
The Saint Catherine of Alexandria Polyptych (also known as Pisa Polyptych) is a painting by the Italian medieval artist Simone Martini, dating to 1320.
 Originally placed at the high altar of the church of Santa Caterina in Pisa, it is now housed in the Museo Nazionale di San Matteo of the same city.
The Saint Vincent Panels, or the "Adoration of Saint Vincent" panels, are a polyptych consisting of six panels that were perhaps painted in the 1450s.
 They are attributed to the Portuguese painter Nuno Gonçalves, who was active from 1450 to 1471.
 Traditionally, the polyptych is dated to the 1450s due to the putative prominence of Prince Henry the Navigator among the persons represented in the panels (Henry died in 1460).
 Controversy concerning the true nature of Henry's presence in the panels - if any - along with the inclusion of figures that can be identified as his brothers, all of whom died before 1450, renders it difficult to assign any secure date for the creation of the panels other than sometime during the "floruit" of the painter Gonçalves.
The Master of Badia a Isola was an Italian painter.
 His name is taken from a depiction of the Madonna and Child that hangs in the Badia dei Santi Salvatore e Cirino in Abbadia a Isola, located near Monteriggioni, a comune in the province of Siena; a number of other paintings by his hand are also believed to exist.
The San Lucas Altarpiece, also known as the San Lucas Polyptych, is a polyptych panel painting by Northern Italian Renaissance painter Andrea Mantegna.
 The altarpiece is a polyptych panel painting featuring 12 figures each in his or her own arch.
 The seven figures in the top row flank the central figure of Jesus Christ.
 The five beneath flank Saint Luke.
Andrea di Giusto (c. 1400- 2 September 1450, Florence), rarely also known as Andrea Manzini or Andrea di Giusto Manzini was a Florentine painter of the late Gothic to early Renaissance style in Florence and its surrounding countryside.
 Andrea was heavily influenced by masters Lorenzo Monaco, Bicci di Lorenzo, Masaccio, and Fra Angelico, and tended to mix and match the motifs and techniques of these artists in his own work.
 Andrea was an eclectic painter and is considered a minor master of Florentine early Renaissance art.
 Andrea trained under Bicci di Lorenzo as a "garzone".
 He painted his most significant works, three altarpieces, in the Florentine contado, or countryside; these altarpieces were created for Sant’Andrea a Ripalta in Figline, Santa Margarita in Cortona, and the Badia degli Olivetani di San Bartolomeo alle Sacce near Prato.
 Aside from his major altarpieces, Andrea painted several Frescoes over the course of his career.
 He, along with other minor masters, are also known to have provided several different types of art, including triptychs and frescoes, for Romanesque pievi, or rural churches with baptistries.
 Moreover, he was well-known for several types of smaller craft objects, such as small tabernacles.
 He is said to have worked between 1420 and 1424 under Bicci di Lorenzo on paintings for Santa Maria Nuova.
 In 1436, he is said to have worked with Masaccio in painting the "Life of San Giuliano" for the Polyptych of Pisa, including the painting of the "Madonna and Child".
 He also appears to have collaborated in 1445 with Paolo Uccello in the Capella dell'Assunta in the Prato Cathedral.
 In 1428, he is listed as a member of the "Arte dei Medici e Speziali" guild in Florence as "Andrea di Giusto di Giovanni Bugli".
 His son, Giusto d'Andrea, was also a painter and worked with Neri di Bicci and Benozzo Gozzoli.
 Andrea died in Florence in 1450.
Francesco Vecellio (c. 1475–1560) was an Italian painter of the early Renaissance, best known as the elder brother of the painter Titian.
 In his youth, he was a soldier.
 As a painter, he was mainly active in 1520-1530s in Cadore.
 In 1524, he signed an altarpiece for San Vito in Cadore.
 In 1540s, he painted a polyptych at Candide.
 In late 1540s he painted the organ shutters of "San Salvatore" in Venice.
 He painted an "Annunciation" for San Nicola di Bari, now in the Gallerie dell'Accademia.
Giotto di Bondone ( 1270 – January 8, 1337), known mononymously as Giotto (] ) and latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages.
 He worked during the "Gothic or Proto-Renaissance" period.
The Badia Polyptych (Italian: "Polittico di Badia") is a painting by the Italian artist Giotto, painted around 1300 and housed in the Uffizi Gallery of Florence.
The Annunziata Polyptych is a painting cycle started by Filippino Lippi and finished by Pietro Perugino, whose central panel is now divided between the Galleria dell'Accademia ("Deposition from the Cross") and the Basilica dell'Annunziata, both in Florence, Italy.
 The polyptych had other six panels, which are housed in the Lindenau-Museum of Altenburg, the Metropolitan Museum of New York City, the Galleria Nazionale d'Arte Antica in Rome and in a private collection in South Africa.