Question: What dynasty under Alexander the Great had a large hellenistic influence on Indian art?

Context articles: Qasr Al-Abd
Paraguayan indigenous art
Indian Art of the United States (exhibition)
Hellenistic armies
Alexander the Great
The Dictionary of Indian Art and Artists
Modern Indian painting
Hellenistic influence on Indian art
Raja Ravi Varma
Jockey of Artemision

Qasr al-Abd is a large Hellenistic palace from approximately 200 BCE, whose ruins stand in western Jordan in the valley of Wadi Seer, approximately 17 kilometres west of Amman, close to the village of Iraq al-Amir.
Paraguayan Indian art is the visual art created by the indigenous peoples of Paraguay.
 While indigenous artists embrace contemporary Western art media, their arts also include pre-Columbian art forms.
 Indian art of aboriginal origin includes ceramics, baskets, weaving and threading, feather art and leather work.
 Indian art of a hybrid nature includes the embroideries, lace, woodcarving and different metal products.
 Paraguay is particularly known for its indigenous featherwork and basket weaving.
Indian Art of the United States was a ground-breaking exhibition mounted at the Museum of Modern Art (New York) in 1941.
 Curated by Frederic Huntington Douglas, then curator of Indian art at the Denver Art Museum and Rene d'Harnoncourt, then director of the Indian Arts and Crafts Board, this exhibition "filled the entire gallery space of the Museum of Modern Art with Indian works...and constituted the first full-scale exhibition of Indian art in a major American art museum."
The Hellenistic armies is the term applied to the armies of the successor kingdoms of the Hellenistic period, which emerged after the death of Alexander the Great.
 After his death, Alexander's huge empire was torn between his successors, the Diadochi (Greek: Διάδοχοι ).
 During the Wars of the Diadochi, the Macedonian army, as developed by Alexander and Philip II, gradually adopted new units and tactics, further developing Macedonian warfare and improving on the tactics used in the Classical era.
 The armies of the Diadochi bear few differences from that of Alexander, but during the era of the Epigonoi (Ἐπίγονοι, "Successors"), the differences were obvious, favoring numbers over quality and weight over maneuverability.
 The limited availability of Greek conscripts in the east led to an increasing dependence on mercenary forces, whereas in the west, Hellenistic armies were continuously involved in wars, which soon exhausted local manpower, paving the way for Roman supremacy.
 The major Hellenistic states were the Seleucid Empire, Ptolemaic Egypt and the Antigonid kingdom (Macedonia).
 Smaller states included: Attalid Pergamum, Pontus, Epirus, the Achaean League, the Aetolian League, Syracuse, and other states (like Athens, Sparta etc.).
Alexander III of Macedon (20/21 July 356 BC – 10/11 June 323 BC), commonly known as Alexander the Great (Greek: Ἀλέξανδρος ὁ Μέγας , "Aléxandros ho Mégas" ), was a king ("basileus") of the Ancient Greek kingdom of Macedon and a member of the Argead dynasty.
 He was born in Pella in 356 BC and succeeded his father Philip II to the throne at the age of twenty.
 He spent most of his ruling years on an unprecedented military campaign through Asia and northeast Africa, and he created one of the largest empires of the ancient world by the age of thirty, stretching from Greece to northwestern India.
 He was undefeated in battle and is widely considered one of history's most successful military commanders.
The Dictionary of Indian Art and Artists, written by Pratima Seth, is a reference work pertaining to Indian art and artists.
 The reference book took about 12 years of researching for collection, compiling and consolidating the relevant information from the Indus art to the Indian art of the present time.
 The works covers different aspects of art including painting, sculpture, printmaking, weaving and embroidery.
The Modern Indian art movement in Indian painting is considered to have begun in Calcutta in the late nineteenth century.The old traditions of painting had more or less died out in Bengal and new schools of art were started by the British.
 Initially, protagonists of Indian art such as Raja Ravi Varma drew on Western traditions and techniques including oil paint and easel painting.
 A reaction to the Western influence led to a revival in primitivism, called as the Bengal school of art, which drew from the rich cultural heritage of India.
 It was succeeded by the Santiniketan school, led by Rabindranath Tagore's harking back to idyllic rural folk and rural life.
Hellenistic influence on Indian art reflects the artistic influence of the Greeks on Indian art following the conquests of Alexander the Great, from the end of the 4th century BCE to the first centuries of our era.
 The Greeks in effect maintained a political presence at the doorstep, and sometimes within India, down to the 1st century CE with the Greco-Bactrian Kingdom and the Indo-Greek Kingdoms, with many noticeable influences on the arts of the Maurya Empire (c.321-185 BCE) especially.
 Hellenistic influence on Indian art was also felt for several more centuries during the period of Greco-Buddhist art.
Raja Ravi Varma (29 April 1848–2 October 1906) was a celebrated Indian painter and artist.
 He is considered among the greatest painters in the history of Indian art for a number of aesthetic and broader social reasons.
 Firstly, his works are held to be among the best examples of the fusion of European techniques with a purely Indian sensibility.
 While continuing the tradition and aesthetics of Indian art, his paintings employed the latest European academic art techniques of the day.
 Secondly, he was notable for making affordable lithographs of his paintings available to the public, which greatly enhanced his reach and influence as a painter and public figure.
 Indeed, his lithographs increased the involvement of common people with fine arts and defined artistic tastes among common people for several decades.
 In particular, his depictions of Hindu deities and episodes from the epics and Puranas have received profound acceptance from the public and are found, often as objects of worship, across the length and breadth of India.
The Jockey of Artemision is a large Hellenistic bronze statue of a young boy riding a horse, dated to around 150–140 BC.
 It is a rare surviving original bronze statue from Ancient Greece and a rare example in Greek sculpture of a racehorse.
 Most ancient bronzes were melted down for their raw materials some time after creation, but this one was saved from destruction when it was lost in a shipwreck in antiquity, before being discovered in the twentieth century.
 It may have been dedicated to the gods by a wealthy person to honour victories in horse races, probably in the single-horse race (Greek: κέλης).
 The artist is unknown.