Question: Which Indian poet born in 1952 published a volume of hand-printed poems?

Context articles: Banalata Sen (book)
A. K. Ramanujan
Mappings (poetry collection)
Darshan Singh Awara
Vikram Seth
Alembic (magazine)
Satya Mohan Verma
Gulab Khandelwal
Samartha Vashishtha
New Poems

Banalata Sen (Bengali: বনলতা সেন ) is a volume of poems by Jibanananda Das.
 During Das's lifetime, it was published twice: first time in Poush 1349 Bengali calendar(December 1942 AD) with a cover by Sambhu Shaha including 12 poems, second time in Srabon 1359 Bengali calendar (1952 AD) an enlarged version with a cover by Satyajit Ray including 30 poems.
 Das named the volume after the poem: Banalata Sen, one of Das’s finest poems, certainly his most popular.
 The enlarged edition published by Signet Press was awarded in 1953 at the Nikhil Banga Rabindra Sahitya Sammelan (All Bengal Rabindra Literature Convention).
 The recurring themes in the poems of this volume are love, nature, time, temporariness of life and love, etc.
 Above all, a historical sense pervades everything.
 The names that frequent in many poems are Suchetana, Suranjana, Sudarshana and Syamali and these women are deemed above or beyond women in general.
 In these poems, the love Das talks about crosses the boundaries of time and place and sometimes seems impersonal too.
Attipate Krishnaswami Ramanujan (16 March 1929 – 13 July 1993) also known as A. K. Ramanujan was an Indian poet and scholar of Indian literature who wrote in both English and Kannada.
 Ramanujan was a poet, scholar, a philologist, folklorist, translator, and playwright.
 His academic research ranged across five languages: English, Kannada, Tamil, Telugu, and Sanskrit.
 He published works on both classical and modern variants of this literature and argued strongly for giving local, non-standard dialects their due.
 Though he wrote widely and in a number of genres, Ramanujan's poems are remembered as enigmatic works of startling originality, sophistication and moving artistry.
 He was awarded the Sahitya Akademi Award posthumously in 1999 for his collection of poems, "The Collected Poems".
Mappings is a first book of poems by Vikram Seth originally published by the Writers Workshop, Calcutta (now Kolkata), as a hand-set, hand-printed and hand-bound volume ("in Hardback or Flexiback") in 1980 or 1981 (the Flexiback edition copyright date is 1981).
 With the growth of Seth's reputation, the volume has been reprinted by mainstream publishers (ISBN  ).
Darshan Singh Awara (1906–1982) was an Indian poet, who started writing verse under the impulse of the Indian Freedom Struggle in the early 1920s.
 The tone and diction of these poems were nationalist revolutionary and they were first published in a volume named "Bijii di Tarak (The Lap of Lightning)".
 It was confiscated by the British Government under the title "Bhaghawat (Rebellion)," followed in 1941 by Main Baghi Han (I am a Rebel).
 The rebellion at this state has gone from mere political defiance of the British rulers to the more fundamental spiritual rebellion against the belief in an all-pervading divinity and the principles and tactics of institutional religion.
 Awara saw the variety of religions in India as obstacles in the way not only of the National struggle for freedom but also of basic humanity.
 He died in 1982.
Vikram Seth {'1': ", '2': ", '3': 'CBE', '4': "} ( ; born June 20, 1952) is an Indian novelist and poet.
 He has written several novels and poetry books.
 He has received several awards including Padma Shri, Sahitya Akademi Award, Pravasi Bharatiya Samman, WH Smith Literary Award and Crossword Book Award.
 Seth's collections of poetry such as "Mappings" and "Beastly Tales" are notable contributions to the Indian English language poetry canon.
Alembic was a poetry magazine established by Peter Barry, Ken Edwards, and Robert Gavin Hampson, which appeared eight times during the 1970s.
 The first issue appeared in 1973: it was a collection of poems by Barry, Edwards, Hampson and Jim Stewart with graphic work by John Simpson, Robert Snell and Sibani Raychaudhuri.
 The work was printed on different colours and sizes of paper - and contained in a plastic bag.
 It was sold at the Edinburgh Festival of 1973, where Hampson was working with the Liverpool-based multimedia group Zoom Cortex.
 (See Adrian Henri, "Events and Happenings", Thames and Hudson, for Zoom Cortex.)
The second issue maintained the same format (a collection of loose pages in a plastic bag) but with an increased number of poets.
 Richard Kostelanetz's assemblages have been described by the editors as their model for this mode of publication.
 With the third issue, the magazine adopted the standard little-magazine format of the time: A4 pages, card cover, stapled.
 Alembic 3, 4 and 5 also marked a more self-conscious engagement with contemporary London-based experimental poetry.
 "Alembic" 3 (Spring 1975) announced the intention to engage with "one area of contemporary creative practice' in each issue in order to represent the range of poetry being written in the UK.
 This issue focused on contemporary work that had its roots in surrealism.
 It included Lee Harwood's essay 'Surrealist Poetry Today', which had been a talk given at the Poetry Society, and it included work by Harwood, Paul Matthews, Jeff Nuttall, Heathcote Williams and others.
 "Alembic" 4 was edited solely by Hampson and was dedicated to open field poetry and the idea of place.
 Allen Fisher was the featured poet: in addition to work by him, there was also an interview with him conducted by Barry and Edwards.
 This issue also included work by Roy Fisher, Eric Mottram, and a small number of American poets, including Alan Davies, who was to be associated with LANGUAGE poetry.
 "Alembic" 5 (Autumn 1976)was edited solely by Edwards and focused on experimental prose, including work by Paul Buck, Opal Nations, Jeff Nuttall, Maxim Jakubowski, David Miller, the Canadian writer Greg Hollingshead and James Sherry, who was also associated with LANGUAGE poetry.
 This issue was also the first to be offset.
 (Like "Alembic" 4.
 it had a wrap around cover rather than card.)
 "Alembic" 6 (Summer 1977)was again solely edited by Hampson.
 It included further work by contributors to earlier issues.
 The featured poet was the Australian poet David Miller: as well as poems and essays by Miller, there was also poetry by Robert Lax and a reprint of work by Charles Madge, on both of whom Miller had written.
 In addition, there was also work by Rosmarie Waldrop, Tom Leonard, Elaine Randell and Barry MacSweeney.
 "Alembic" 7 (Spring 1978), edited by Edwards and Hampson out of Lower Green Farm, was the 'Assemblage Issue', assembled by inviting a range of poets and visual artists to provide the contents.
 It included work by Jeremy Adler, Paul Buck, Herbert Burke, Paula Claire, cris cheek, Bob Cobbing, Glenda George, Robert Sheppard, E. E. Vonna-Michel, Lawrence Upton and others.
 A particular feature of this issue was that every cover was different: they were hand-printed by Vonna-Michel with a rubber-stamp used for the title.
 "Alembic" 9 (to be edited by Hampson) was promised, but never appeared: Edwards had begun to publish "Reality Studios" as a slimmer, faster and more frequent publication.
 This eventually metamorphosed (through an amalgamation with Wendy Mulford's Street Editions) into Reality Street, which has been a major publisher of experimental poetry and prose since the 1980s.
Satya Mohan Verma is an Indian poet.
 Born in December 1933 at Damoh and named “Mohan” on "Mahatma Gandhi" by his Gandhian father.
 Verma completed his studies from "Saugor University" and chooses teaching as his career.
 He first came in scene on a kavi sammelan with Vrindavan Lal Verma and then with the motivation of "Bhavani Prasad Mishra" first joint collection of poems with Vitthalbhai Patel and "Dinkar Sonwalkar" “Deewaron Ke Khilaaf” was published.
 He organized the mega literary event “Sarjana-77” the biggest and memorable event in Bundelkhand area.
 His book on small poems named "Pal Do Pal" was very popular in early 70s.
 About his another book Vikalp Ka Samikaran Dr. Harivansh Rai Bachhan said that “poems of Satyamohan are as soft as his personality”.
 His book “Vyom-Dharma” gained lot of critical acclaim and became his signature.
 He did translation of English poems of several famous poets such as Robert Frost, Pablo Neruda etc. in Hindi and “Chintan” the official diary of SPIC MACAY.
 He also edited the famous book Karm Sanyasi Krishna written by his father.
 He is the writer of "Bundeli Gaan" 'veer bundeli dharti par pahun pag dhaaro ju' sung by famous singer Vinod Rathore.
Gulab Khandelwal was an Indian poet born in the town of Navalgarh, Rajasthan (India) on 21 February 1924.
 He has written poetry in different forms such as "Lyrics",
Samartha Vashishtha (born 1983) is an Indian poet writing in English and Hindi, his mothertongue.
 He has published two volumes of poems in English--"Anhadnad", a collection of his childhood poems in 2000, and "Shadows Don't Live in Walls" in 2004.
 In 2017, Rajkamal Prakashan, the leading publisher of literature in Hindi, released his book of poems, "Sapne Mein Piyaa Panee" (सपने में पिया पानी).
 He won a "Poetry Chain-Poetry Society (India) Annual Poetry Prize" in 2003 for his poem-sequence, "Simla".
New Poems (German: Neue Gedichte ) is a two-part collection of poems written by Bohemian-Austrian poet and novelist Rainer Maria Rilke (1875–1926).
 The first volume, dedicated to Elisabeth and Karl von der Heydt was composed from 1902 to 1907 and was published in the same year by Insel Verlag in Leipzig.
 The second volume (New Poems: The Other Part), dedicated to Auguste Rodin, was completed in 1908 and published by the same publisher.
 With the exception of eight poems written in Capri, Rilke composed most of them in Paris and Meudon.
 At the start of each volume he placed, respectively, Früher Apollo (Early Apollo) and Archaïscher Torso Apollos (Archaic Torso of Apollo), poems about sculptures of the poet-God.