Question: Which documentary is French, Iraq in Fragments or Beyond Hatred?

Context articles: Mastema
A Lover's Discourse: Fragments
Beyond Hatred
James Longley (filmmaker)
François-Eudes Chanfrault
Iraq in Fragments
La Haine
Maysoon Pachachi
Whitecourt crater
Stele of the Vultures

Mastema (Ge'ez: , Hebrew: מַשְׂטֵמָה‎ ‎ ) is an angel who persecutes evil in Jewish mythology.
 He carries out punishments for God, as well as tempting humans and testing their faith.
 In the Zadokite Fragments and the Dead Sea Scrolls, he is the angel of disaster, the father of all evil, and a flatterer of God.
 He first appears in the literature of the Second Temple Period as a personification of the Hebrew word "mastemah" (משטמה), meaning "hatred", "hostility", "enmity", or "persecution".
A Lover's Discourse: Fragments (French: "Fragments d’un discours amoureux" ) is a 1977 book by Roland Barthes.
 It contains a list of "fragments", some of which come from literature and some from his own philosophical thought, of a lover's point of view.
 Barthes calls them "figures"—gestures of the lover at work.
Beyond Hatred (French: "Au-delà de la haine" ) is a 2005 French documentary film written and directed by Olivier Meyrou.
His work includes the documentary, "Gaza Strip", released in 2002.
 His production, "Iraq in Fragments", presents a view of Iraq and Iraqis during the first two years of Iraq war.
 It was awarded three jury awards at the 2006 Sundance Film Festival and was nominated for an Academy Award for Documentary Feature, but lost to "An Inconvenient Truth".
 His short film "Sari's Mother" premiered at the 2006 Toronto International Film Festival and was nominated for an Academy Award for Documentary Short but lost to "Freeheld".
François-Eudes Chanfrault (2 December 1974 – 11 March 2016), also credited as François Eudes and Francois Eudes, was a French composer and laptop musician.
 Chanfrault's film music composition work in 2003 included the movie "Haute Tension" by filmmaker Alexandre Aja and "Who Killed Bambi?
" directed by Gilles Marchand.
 He released his first music album, "Computer-Assisted Sunset", on compact disc in 2005 via the label MK2, which received a positive reception from publications including "Fnac" and "Les Inrocks".
 The same year, his music was used in the film "Beyond Hatred", which was directed by Olivier Meyrou, and received a favorable review in "Variety".
 In 2006, he worked with director Alexandre Aja again, this time on the film "The Hills Have Eyes".
 His work on the music for this film inspired director Jeremy Forni for his 2011 documentary film "Après la gauche".
Iraq in Fragments is a documentary film directed by James Longley.
 Longley shot the film in Digital Video on a Panasonic DVX100 miniDV camcorder.
 The film premiered at the 2006 Sundance Film Festival where it won three awards: "Directing Award Documentary", "Editing Award Documentary" and "Excellence in Cinematography Award Documentary".
 The film is also a part of the Iraq Media Action Project film collection.
 It was nominated for an Academy Award for Best Documentary Feature.
 The film was shot in Iraq and edited at 911 Media Arts Center in Seattle.
 This film has three parts to it which describe the viewpoints of Sunni, Shi'ite, and Kurdish residents.
La Haine (] , "Hate") is a 1995 French black-and-white crime drama film written, co-edited, and directed by Mathieu Kassovitz.
 It is commonly released under its French title in the English-speaking world, although its U.S. VHS release was titled Hate.
 It is about three young friends and their struggle to live in the "banlieues" of Paris.
 The title derives from a line spoken by one of them, Hubert, ""La haine attire la haine!""
, "hatred breeds hatred."
Maysoon Pachachi (born September 17, 1947) is a film director, editor and producer of Iraqi origin.
 She was educated in Iraq, the U.S., Britain and can speak English, Arabic, French and Italian.
 She studied Philosophy at University College London (BA Hons) and Film at the Slade School of Art under Thorold Dickinson where visiting lecturers included Jean Renoir and Gillo Pontecorvo.
 She has made documentaries in Iraq, Iran, Palestine, Egypt, Syria and Lebanon.
 Aside from making films, Maysoon has also taught film directing and editing in Britain, Iraq and Palestine (in Jerusalem, Gaza and at Birzeit University).
 She now lives in Britain where she co-founded Act Together: Women Against Sanctions and War on Iraq, a group of UK-based Iraqi and non-Iraqi women formed in 2000 to campaign against the economic sanctions on Iraq.
 They also campaigned against the invasion of Iraq.
 Now the group's focus is on the occupation and the support of independent grassroots women’s initiatives in Iraq.
 She has also written articles on her work in Iraq and Palestine for the New Statesman and The Guardian amongst other publications.
Whitecourt crater is a meteorite impact crater in central Alberta, Canada.
 It is located approximately 10 km southeast of the Town of Whitecourt within Woodlands County.
 The crater was found by Sonny Stevens, a resident of Whitecourt, on July 3, 2007.
 Stevens was hunting in the area, and later found the first fragments of the meteorite while metal detecting on the crater rim.
 The meteoritic nature of the fragments, and thus the authenticity of the crater, was confirmed by Dr. Chris Herd, professor of Earth and Atmospheric Sciences at the University of Alberta.
 The area has been placed within a 200-metre by 200-metre protected zone, within which collecting is prohibited and subject to a $50,000 fine or one year in jail.
 However, the vast majority of fragments have been found on Crown land beyond the protected area.
The Stele of the Vultures is a monument from the Early Dynastic III period (2600–2350 BC) in Mesopotamia celebrating a victory of the city-state of Lagash over its neighbour Umma.
 It shows various battle and religious scenes and is named after the vultures that can be seen in one of these scenes.
 The stele was originally carved out of a single slab of limestone, but only seven fragments are known today.
 The fragments were found at Tello (ancient Girsu) in southern Iraq in the late 19th century and are now on display in the Louvre.