Question: Bardolph is the subject for insults by which character, the young Henry V?

Context articles: Prince Hal
Thomas Erpingham
Henry V Events
Hundred Years' War (1415–53)
Shakespearean history
Dual monarchy of England and France
Suite from Henry V
Henriad
Falstaff
Bardolph (Shakespeare character)

Prince Hal is the standard term used in literary criticism to refer to Shakespeare's portrayal of the young Henry V of England as a prince before his accession to the throne, taken from the diminutive form of his name used in the plays almost exclusively by Falstaff.
 Henry is called "Prince Hal" in critical commentary on his character in "Henry IV, Part 1" and "Henry IV, Part 2".
Sir Thomas Erpingham KG (  1355 –1428) was an English knight who became famous as the commander of King Henry V's longbow wielding archers at the Battle of Agincourt.
 He was immortalised as a character in the play "Henry V" by William Shakespeare.
 It is, however, his lengthy and loyal service to John of Gaunt, Henry IV and Henry V, which contributed significantly to the establishment of the House of Lancaster upon the English throne, that is his true legacy.
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The Lancastrian War was the third phase of the Anglo-French Hundred Years' War.
 It lasted from 1415, when Henry V of England invaded Normandy, to 1453 when the English lost Bordeaux.
 It followed a long period of peace from the end of the Caroline War in 1389.
 The phase was named after the House of Lancaster, the ruling house of the Kingdom of England, to which Henry V belonged.
 After the invasion of 1419, Henry V and, after his death, his brother John of Lancaster, Duke of Bedford, brought the English to the height of their power in France, with an English king crowned in Paris.
 However, by that time, with charismatic leaders such as Joan of Arc and La Hire, and with England losing its main allies, strong French counterattacks had started to win back all English continental territories, except the Pale of Calais (which was only captured in 1558).
 Charles VII of France was crowned in Notre-Dame de Reims in 1429.
 The Battle of Castillon (1453) was the last battle of the Hundred Years' War, but France and England remained formally at war until the Treaty of Picquigny in 1475.
 English, and later British, monarchs would continue to nominally claim the French throne until 1801, though they would never again seriously pursue it.
In the First Folio, the plays of William Shakespeare were grouped into three categories: comedies, histories, and tragedies.
 The histories—along with those of contemporary Renaissance playwrights—help define the genre of history plays.
 The histories might be more accurately called the "English history plays" and include the outliers "King John" and "Henry VIII" as well as a continuous sequence of eight plays covering the Wars of the Roses.
 These last are considered to have been composed in two cycles.
 The so-called first tetralogy, apparently written in the early 1590s, deals with the later part of the struggle and includes "Henry VI, parts one", "two" & "three" and "Richard III".
 The second tetralogy, finished in 1599 and including "Richard II", "Henry IV, Part 1", "Henry IV, Part 2" and "Henry V", is frequently called the "Henriad" after its protagonist Prince Hal, the future Henry V.
The dual monarchy of England and France existed during the latter phase of the Hundred Years' War when Charles VII of France and Henry VI of England disputed the succession to the throne of France.
 It commenced on 21 October 1422 upon the death of King Charles VI of France, who had signed the Treaty of Troyes which gave the French crown to his son-in-law Henry V of England and Henry's heirs.
 It excluded King Charles's son, the Dauphin Charles, who by right of primogeniture was the heir to the Kingdom of France.
 Although the Treaty was ratified by the Estates-General of France, the act was a contravention of the French law of succession which decreed that the French crown could not be alienated.
 Henry VI, son of Henry V, became king of both England and France and was recognized only by the English and Burgundians until 1435 as King Henry II of France.
 He was crowned King of France on 16 December 1431.
Suite from Henry V is a 1963 orchestral arrangement of William Walton's musical score from the 1944 film "Henry V".
 The suite, arranged by Muir Mathieson, is in five movements, although the second and fourth movements had already appeared in string arrangement form in Walton's own Two Pieces for Strings from Henry V.
Henriad is a common title used by scholars for Shakespeare's second historical tetralogy, comprising "Richard II"; "Henry IV, Part 1"; "Henry IV, Part 2"; and "Henry V".
 The plays depict the destabilising effects of the violation of political continuity with the overthrow of Richard II of England followed by the growth of Henry V of England from a wild youth to a great war leader in "Henry V".
 Although it was the second tetralogy to be written and performed, the subject matter comes chronologically before the first tetralogy comprising the three "Henry VI" plays and "Richard III".
 The term "Henriad" derives from the Classical epics the "Iliad" and "Aeneid".
Sir John Falstaff is a fictional character who is mentioned in five plays by William Shakespeare and appears on stage in three of them.
 His significance as a fully developed character in Shakespeare is primarily formed in the plays "Henry IV, Part 1" and "Part 2", where he is a companion to Prince Hal, the future King Henry V.
 A notable eulogy for Falstaff is presented in Act II, Scene III of "Henry V", where Falstaff does not appear as a character on stage, as enacted by Mistress Quickly in terms that some scholars have ascribed to Plato's description of the death of Socrates after drinking hemlock.
 By comparison, in "The Merry Wives of Windsor", Falstaff is presented by Shakespeare as the buffoonish suitor of two married women.
Bardolph is a fictional character who appears in four plays by William Shakespeare.
 He is a thief who forms part of the entourage of Sir John Falstaff.
 His grossly inflamed nose and constantly flushed, carbuncle-covered face is a repeated subject for Falstaff's and Prince Hal's comic insults and word-play.
 Though his role in each play is minor, he often adds comic relief, and helps illustrate the personality change in Henry from Prince to King.