Question: Tintin and I and Umbrella, are of which genre?

Context articles: Bice Osei Kuffour
Pagan metal
Umbrella (film)
Musicians Union of Ghana
Tintin and I
C-pop
Turkish folk music
Blason populaire
Garage house
Denpa song

Bice Osei Kuffour (born 7 November 1981) is a Ghanaian hiplife musician, known popularly by the name Obour, which means "stone" in the Akan language.
 He is the current president of the Musicians Union of Ghana (MUSIGA), an umbrella group that unites all musicians in Ghana irrespective of genre.
 Obour is an alumnus of the University of Ghana, the US International Visitor Leadership Programme, Aspen Global Leadership Network, and African Leadership Initiative of West Africa.
Pagan metal is an umbrella term for heavy metal music which fuses extreme metal with "the pre-Christian traditions of a specific culture or region" through thematic concept, rustic melodies, unusual instruments or archaic languages", usually referring to folk metal or black metal.
 The Norwegian band In the Woods... was one of the first bands commonly viewed as pagan metal. "
Metal Hammer" author Marc Halupczok wrote that Primordial's song "To Enter Pagan" from the band's demo "Dark Romanticism" contributed to defining the genre.
Umbrella or "San" is a Chinese documentary film directed by Du Haibin and released in 2007.
 The film documents the experiences of modern rural China, particularly five social groups: students, soldiers, tradespeople, and peasants.
 Du's stated goal with the film was to highlight the growing disparity between China's prosperous cities and its stagnating countryside.
Musicians Union of Ghana (MUSIGA) is an umbrella group that unites all musicians in Ghana irrespective of their music genre.
Tintin and I (French: Tintin et moi) is a 2003 documentary by Anders Høgsbro Østergaard, about Belgian writer-artist Georges Remi, better known as Hergé, and his creation Tintin.
 The film is a co-production of Denmark, Belgium, France, and Switzerland.
C-pop is an abbreviation for Chinese popular music (), a loosely defined musical genre by artists originating from mainland China, Hong Kong, and Taiwan.
 Others come from countries where the Chinese language is used by a large number of the population, such as Singapore and Malaysia.
 C-pop is sometimes used as an umbrella term covering not only Chinese pop but also R&B, ballads, Chinese rock, Chinese hip hop and Chinese ambient music, although Chinese rock branched off as a separate genre during the early 1990s.
Turkish folk music ("Türk Halk Müziği") combines the distinct cultural values of all civilisations that have lived in Turkey and its former territories in Europe and Asia.
 Its unique structure includes regional differences under one umbrella.
 It was the most popular music genre in the Ottoman Empire era.
 After the foundation of the Turkish Republic, Atatürk asked to make a wide-scale classification and archiving of samples of Turkish folk music from around the country, which was launched in 1924 and continued until 1953 to collect around 10,000 folk songs.
 In the 1960s, Turkish folk music met with radio and folk musicians like Aşık Veysel, Neşet Ertaş, Bedia Akartürk became the most popular names of the Turkish folk music.
 In the 1970s and 1980s, with the rising popularity of arabesque and Turkish light western, Turkish folk music has lost some ground, but singers like Belkıs Akkale, İzzet Altınmeşe, Selda Bağcan, Güler Duman and Arif Sağ made successful hit songs and became important representatives of the genre.
Blason populaire is an umbrella genre in the field of folkloristics used to designate any item of any genre which makes use of stereotypes, usually, but not always, negative stereotypes, of a particular group.
"These stereotypes are manifested in a wide array of folkloric genres, including proverbs, other traditional sayings, nicknames, jokes, songs, rhymes, and football chants.
 All share a common function in that they are invoked to highlight positive aspects of the in-group by explicit auto-stereotyping or, alternatively, to identify the negative characteristics of out-groups.
 The explicit positive stereotyping of an in-group may often implicitly suggest negative characteristics of a rival out-group."
Garage house (originally known as "garage music"; also "New York house") is a dance music style that developed alongside house music.
 Garage, which had a more soulful R&B-derived sound, was developed in the Paradise Garage nightclub in New York City and club Zanzibar in New Jersey, United States, during the early-to-mid 1980s.
 There was much overlap between it and early house music, making it difficult to tell the two apart.
 It predates the development of Chicago house, and according to AllMusic, is relatively closer to disco than other dance styles.
 As Chicago house gained international popularity, New York's garage disco scene was distinguished from the "house" umbrella.
 DJs playing this genre include Tony Humphries, Larry Levan and Junior Vasquez.
Denpa song (電波ソング ) is a type of Japanese music that is intentionally strange and catchy.
 Common features of denpa songs include intentionally off-key vocals, nonsensical lyrics and an over-the-top tune.
 Denpa music has grown into a subculture within Japan, forming a significant aspect of otaku culture and has large numbers of doujin circles and music artists dedicated to denpa music.
 Denpa is not a specific genre in itself, but rather an umbrella term for various kinds of music.