Question: What type of industry do Zozo and Josef Far have in common?

Context articles: Uterine cancer
Zozo
Carmen Lebbos
Josef Velenovský
Demofoonte (Mysliveček) (1775)
Wiener oboe
Il trionfo di Clelia (Mysliveček)
Skin cancer in horses
Josef Fares
Court of Chancery

Uterine cancer or womb cancer is any type of cancer that emerges from the tissue of the uterus.
 It can refer to several types of cancer, with cervical cancer (arising from the lower portion of the uterus) being the most common type worldwide and the second most common cancer in women in developing countries.
 Endometrial cancer (or cancer of the inner lining of the uterus) is the second most common type, and fourth most common cancer in women from developed countries.
 Risk factors depend on specific type, but obesity, older age, and human papillomavirus infection add the greatest risk of developing uterine cancer.
 Early on, there may be no symptoms, but irregular vaginal bleeding, pelvic pain or fullness may develop.
 If caught early, most types of uterine cancer can be cured using surgical or medical methods.
 When the cancer has extended beyond the uterine tissue, more advanced treatments including combinations of chemotherapy, radiation therapy, or surgery may be required.
Zozo is a Swedish-Lebanese drama film which was released to cinemas in Sweden on 2 September 2005 telling the story about a Lebanese boy (Imad Creidi) during the civil war, who gets separated from his family and ends up in Sweden.
 It was directed by Swedish-Lebanese director Josef Fares.
 The story is mostly inspired by Fares' real life immigration to Sweden during the war.
Carmen Lebbos (Arabic: كارمن لبّس‎ ‎ ; born 1963) is a Lebanese actress who has been working in film, television and the theater since 1981.
 She has been in several television series and movies including Ziad Doueiri’s "West Beyrouth" and Josef Fares’s "Zozo".
Josef Velenovský (22 April 1858 – 7 May 1949) was a Czech botanist, mycologist, pteridologist, and bryologist.
 He also worked with fossils.
 He was a research investigator and professor in the Botanical Institute of the University of Prague, alternating with his colleague Ladislav Josef Čelakovský.
 He was also professor of botany at Charles University, where he concentrated in the study of mycology in final half of his life.
 Velenovský collected innumerable material, particularly in new central Bohemia, and described at least 2000 species of fungi.
 Many of his type specimens and other collections are located in the herbarium of the Národní Museum of Prague.
Demofoonte is an opera in three acts by the Czech composer Josef Mysliveček.
 It was the composer's second setting of this popular libretto by Metastasio first produced in 1733 (it was common in the second half of the eighteenth century for composers to set Metastasian texts dozens of times over).
 It was typical for subsequent setting of Metastasian dramas to incorporate significant alterations, and this setting retains the augmentation of the role of Timante that is found in the composer's first setting of this text.
 All of Mysliveček's operas are of the serious type in Italian referred to as opera seria.
The Akademiemodel Wiener Oboe, commonly referred to as the Wiener Oboe or Viennese oboe, is a type of modern oboe first developed in the 1880s by Josef Hajek.
 The design of the Wiener Oboe retains the essential bore and tonal characteristics of the historical oboe.
 The Wiener Oboe is named after its origins in Vienna (German: "Wien") and, besides the more common Conservatoire oboe, is the only other type of modern oboe in use today.
Il trionfo di Clelia ("The Triumph of Clelia") is an 18th-century Italian opera in three acts by the Czech composer Josef Mysliveček composed to a libretto by the Italian poet Metastasio.
 It was common in the 1760s for composers to set Metastasian texts written decades before.
 Exceptionally, the text for "Il trionfo di Clelia", first produced in Vienna in 1762, was almost new when Mysliveček was commissioned to compose his setting for Turin, and all of the aria texts used for his setting derive from the original libretto.
 This opera (and all the rest of Mysliveček's operas) belong to the serious type in Italian language referred to as "opera seria".
Skin cancer, or neoplasia, is the most common type of cancer diagnosed in horses, accounting for 45 to 80% of all cancers diagnosed.
 Sarcoids are the most common type of skin neoplasm and are the most common type of cancer overall in horses.
 Squamous-cell carcinoma is the second-most prevalent skin cancer, followed by melanoma.
 Squamous-cell carcinoma and melanoma usually occur in horses greater than 9-years-old, while sarcoids commonly affect horses 3 to 6 years old.
 Surgical biopsy is the method of choice for diagnosis of most equine skin cancers, but is contraindicated for cases of sarcoids.
 Prognosis and treatment effectiveness varies based on type of cancer, degree of local tissue destruction, evidence of spread to other organs (metastasis) and location of the tumor.
 Not all cancers metastasize and some can be cured or mitigated by surgical removal of the cancerous tissue or through use of chemotherapeutic drugs.
Josef Fares (born 19 September 1977) is a Crystal-Simorgh winning Swedish-Lebanese-Assyrian film director.
 His brother is the actor Fares Fares, who has appeared in many of his films.
The Court of Chancery was a court of equity in England and Wales that followed a set of loose rules to avoid the slow pace of change and possible harshness (or "inequity") of the common law.
 The Chancery had jurisdiction over all matters of equity, including trusts, land law, the administration of the estates of lunatics and the guardianship of infants.
 Its initial role was somewhat different, however; as an extension of the Lord Chancellor's role as Keeper of the King's Conscience, the Court was an administrative body primarily concerned with conscientious law.
 Thus the Court of Chancery had a far greater remit than the common law courts, whose decisions it had the jurisdiction to overrule for much of its existence, and was far more flexible.
 Until the 19th century, the Court of Chancery could apply a far wider range of remedies than the common law courts, such as specific performance and injunctions, and also had some power to grant damages in special circumstances.
 With the shift of the Exchequer of Pleas towards a common law court and loss of its equitable jurisdiction by the Administration of Justice Act 1841, the Chancery became the only national equitable body in the English legal system.