Question: Were both the New England Offering and Smith's Magazine published in the 19th century?

Context articles: Smith's Magazine
Christmas in Puritan New England
New England barn
Increase (given name)
Rea Putnam Fowler House
New England Offering
Watch and Ward Society
Clog dance (British)
Shaker communities
New England Review

Smith's Magazine was a Street & Smith magazine published monthly from April 1905 to February 1922.
Christmas celebrations in New England were illegal during parts of the 17th century, and were culturally taboo or rare in former Puritan colonies from foundation until the 1850s.
 The Puritan community found no Scriptural justification for celebrating Christmas, and associated such celebrations with paganism and idolatry.
 The earliest years of the Plymouth Colony were troubled with non-Puritans attempting to make merry, and Governor William Bradford was forced to reprimand offenders.
 English laws suppressing the holiday were enacted in the Interregnum, but repealed late in the 17th century.
 However, the Puritan view of Christmas and its celebration had gained cultural ascendancy in New England, and Christmas celebrations continued to be discouraged despite being legal.
 When Christmas became a federal holiday in 1870, the Puritan view was relaxed and late 19th century Americans fashioned the day into the Christmas of commercialism, spirituality, and nostalgia that most Americans recognize today.
The New England Barn was the most common style of barn built in most of the 19th century in rural New England and variants are found throughout the United States.
 This style barn superseded the ”three-bay barn” in several important ways.
 The most obvious difference is the location of the barn doors on the gable-end(s) rather than the sidewall(s).
 The New England and three bay barns were used similarly as multipurpose farm buildings (housing animals, crop storage and other uses all in one building) but the New England barns are typically larger and have a basement.
 Culturally the New England Barn represents a shift from subsistence farming to commercial farming thus are larger and show significant changes in American building methods and technologies.
 Most were used as dairy barns but some housed teams of oxen which are generally called "teamster barns".
 Sometimes these barns are simply called “gable fronted” and “gable fronted bank barns” but these terms are also used for barns other than the New England style barn such as in Maryland and Virginia which is not exactly the same style as found in New England.
 A similar style found in parts of the American mid-west and south is called a "transverse frame barn" or "transverse crib barn".
Originating in England, the name was given primarily among Puritans in colonial New England and in the early 19th century in the United States.
 Since the 19th century, the name has declined in popularity and is now rare, if not extinct.
The Rea Putnam Fowler House is a historic house at 4 Elerton Lane in Danvers, Massachusetts.
 It is a 2-1/2 story timber frame structure, five bays wide with a side gable roof, clapboard siding, and a slender central chimney.
 A leanto section extends to the rear, giving the house a classic saltbox profile.
 The leanto section extends beyond one of the sides, creating what is called a "Beverly jog".
 The front entrance is centered, and is sheltered by a late 18th or early 19th-century porch.
 The oldest portion of the house, its western three bays and leanto, was built about 1700, and the eastern bays were added about 1725.
 The original chimney was quite large; the present chimney is a 19th century replacement, and a second chimney in the leanto is a 20th century addition.
 The house underwent a historically sensitive restoration in the 1930s, under the auspices of the Society for the Preservation of New England Antiquities (now Historic New England).
The New England Offering was a collection of journal entries that was written by female mill workers in New England mills.
 Many of the women who were contributing to the magazine were working in mills in Lowell, Massachusetts.
 The “Lowell Offering” was a collection of narratives where women shared their works in a intellectual and cultural publication.
 The contributors took great pride in the magazine.
 The “Lowell Offering” gained a great deal amount of popularity.
 It was read by famous writers such as Charles Dickens, Anthony Trollope, and George Sand.
 The “Lowell Offering” lost momentum after the opinions of the writers moved towards areas that mill owners did not agree with.
 The “New England Offering” was established after controversy with the Lowell Offering erupted and the editors Harriet Farley and Harriott F. Curtis had to discontinue the “Lowell Offering” and start a new magazine.
 The magazine's first issue appeared in September 1847, and Farley ended publication with the March 1850 issue.
The New England Watch and Ward Society (founded as the New England Society for the Suppression of Vice) was a Boston, Massachusetts organization involved in the censorship of books and the performing arts from the late 19th century to the middle of the 20th century.
 After the 1920s, its emphasis changed to combating the spread of gambling.
 In 1957 the organization's name was changed to the New England Citizens Crime Commission, and in 1967 it became the Massachusetts Council on Crime and Correction.
 In 1975 it was merged with another organization to form Community Resources for Justice, a group that promotes prison reform and rights for ex-convicts.
English clog dancing began in 19th century England during the Industrial Revolution.
 It is thought to have developed in the Lancashire cotton mills where wooden-soled clogs were preferred to leather soles because the floors were kept wet to help keep the humidity high, important in cotton spinning.
 Workers sitting at the weaving machines wore hard-soled shoes, which they would tap to the rhythms of the machines to keep their feet warm.
 At their breaks and lunches, they would have competitions, where they were judged on the best rhythm patterns.
 By the late 1800s they clog-danced on proper stages at competitions.
 In these competitions, the judges would watch the routine and judge it according to footwork, precision, and technique.
 Clog dancers were a common sight at music halls throughout the 19th century and into the early 20th century.
 One such group was The Eight Lancashire Lads which included a young Charlie Chaplin as one of its members.
 Dan Leno became the world champion clog dancer in the 1880s, and records show that competitive clog dancing was a frequent occurrence throughout the 19th century.
After the Shakers arrived in the United States in 1774, they established numerous communities in the late-18th century through the entire 19th century.
 The first villages organized in Upstate New York and the New England states, and, through Shaker missionary efforts, Shaker communities appeared in the Midwestern states.
 Communities of Shakers were governed by area bishoprics and within the communities individuals were grouped into "family" units and worked together to manage daily activities.
 By 1836 eighteen major, long-term societies were founded, comprising some sixty families, and many smaller, short-lived communities were established over the course of the 19th century, including two failed ventures into the Southeastern United States and an urban community in Philadelphia, Pennsylvania.
 The Shakers peaked in population by the early 1850s.
 With the turmoil of the American Civil War and subsequent Industrial Revolution, Shakerism went into severe decline, and as the number of living Shakers diminished, Shaker villages ceased to exist.
 Some of their buildings and sites have become museums, and many are historic districts under the National Register of Historic Places.
 The only active community is Sabbathday Lake Shaker Village in Maine.
The New England Review (NER) is a quarterly literary magazine published by Middlebury College.
 Founded in New Hampshire in 1978 by poet, novelist, editor and professor Sydney Lea and poet Jay Parini, it was published as "New England Review & Bread Loaf Quarterly" from 1982 (when it moved to Middlebury College), until 1991 as a formal division of the Bread Loaf Writers' Conference.
 In 1991, the magazine reverted to its original name, "New England Review", and opted to have only informal ties with the Writers' Conference.