Question: George Small's keyboard and piano work is featured on an album assembled in association with what label?

Context articles: Humoresques (Dvořák)
George Small (piano maker)
George Small (musician)
Piano bar
Tommy Dorsey: The Early Jazz Sides: 1932 – 1937
Milk and Honey (album)
Jankó keyboard
Ivar Bjørnson
Robert Schumann's Davidsbündlertänze
Philip Aaberg

Humoresques (Czech: Humoresky ), Op.
 101 (B.
 187), is a piano cycle by the Czech composer Antonín Dvořák, written during the summer of 1894.
 One writer says "the seventh Humoresque is probably the most famous small piano work ever written after Beethoven's "Für Elise.""
George Small (1782–1861) was a partner of the Scottish piano manufacturing firm of Muir, Wood and Company, an Edinburgh magistrate and a philanthropist.
George Small is an American musician, composer and producer who is active in the New York music scene.
 He has a wide variety of credits that include hit recordings, live performances with musicians (Broadway, concert and TV) and extensive productions and original compositions.
 His keyboard and piano work is featured on John Lennon & Yoko Ono's album "Double Fantasy" and the follow up, "Milk and Honey".
 He played downbeats on "Just Like Starting Over" and a piano accompaniment on "Watching the Wheels".
A piano bar (also known as a piano lounge) consists of a piano or electronic keyboard played by a professional musician, located in a cocktail lounge, bar, hotel lobby, office building lobby, restaurant, or on a cruise ship.
 Usually the pianist receives a small salary plus tips in a jar or basket on or near the piano, especially from patrons requesting a song traditionally written on a beverage napkin.
 Some piano bars feature a baby grand or grand piano surrounded by stools for patrons (or, somewhat humorously, an upright piano covered by a counter that makes it appear to be a grand piano).
 Others have a bar surrounding the piano or keyboard.
Tommy Dorsey: The Early Jazz Sides: 1932 – 1937 is a compilation album assembled by Jazz Legends, mainly featuring Tommy Dorsey's works from the 1930s during his association with RCA Victor.
Milk and Honey is an album by John Lennon and Yoko Ono released in 1984.
 Following the compilation "The John Lennon Collection", it is Lennon's eighth and final studio album, and the first posthumous release of new Lennon music, having been recorded in the last months of his life during and following the sessions for their 1980 album "Double Fantasy".
 It was assembled by Yoko Ono in association with the Geffen label.
The Jankó keyboard is a musical keyboard layout for a piano designed by Paul von Jankó in 1882.
 It was designed to overcome two limitations on the traditional piano keyboard: the large-scale geometry of the keys (stretching beyond a ninth, or even an octave, can be difficult or impossible for pianists with small hands), and the fact that each scale has to be fingered differently.
 Instead of a single row, the Jankó keyboard has an array of keys consisting of two interlocking manuals with three touch-points for each key lever.
 Each vertical column of keys is a semitone away from its neighboring columns, and on each horizontal row of keys the interval from one note to the next is a whole step.
Ivar Bjørnson (born November 27, 1977 in Etne) is a Norwegian composer/guitarist for the progressive black/viking metal band Enslaved.
 He is, along with Grutle Kjellson, one of only two founding members left in the current line-up, being only 13 years old at the time of the band's formation in 1991.
 Bjørnson and Grutle Kjellson performed in a death metal band called Phobia in 1989.
 The two decided that they wanted to form a new band in a more black metal style, and after discovering their shared fascination with Norse mythology, this set the groundwork for Enslaved.
 Beyond his duties on guitar, he writes almost all of the music for Enslaved as well as much of the lyrics.
 He has said that "When we started Enslaved we wanted to have the same level of commitment to something spiritual as our contemporaries in black metal [have with] the Satanic side.
 The dark destructive part of black metal didn't seem right because we didn't have any commitment to any Satanic ideology."
 He contributed keyboard/synth work to Borknagar's first three albums and synth/piano work on the Gorgoroth albums "Incipit Satan" and "Destroyer" under the name "Daimonion"; and also produced the first demo from black metal band Orcustus.
Robert Schumann’s “Davidsbündlertänze” is one of the last major works made by New York City Ballet's founding choreographer and balletmaster-in-chief George Balanchine.
 It is set to Robert Schumann's "Davidsbündlertänze" ("Dances of the League of David"), Op. 6 (1837).
 The idea for setting this piano work very likely came from a work created by Robert Joffrey for his own Joffrey Ballet Company, the premier of which took place at the City Center Theater in the late 1970s.
 Joffrey, in turn, received his inspiration from Jonathan Watts, a protege of Joffrey's and director of the Joffrey apprentice company, who, at the suggestion of pianist Neil Stannard (yours truly), created a ballet titled "Evening Dialogues" to this same score.
 This initial version of the Schumann cycle was featured on tour with the Joffrey second company in the mid 1970a.
Philip Aaberg (born April 8, 1949) is an American pianist and composer.
 He gained international recognition through a series of successful piano recordings released on Windham Hill Records.
 Although classically trained, Aaberg incorporates classical, jazz, bluegrass, rock, and new music elements into his compositions and musical structures.
 Although best known for his solo piano work, he is most at home in the chamber jazz genre.
 His compositions are noted for their "rigorous keyboard technique, diverse influences, and colorful compositional style."