Question: Still Kicking and Audience of One, are of which genre?

Context articles: Audience of One (film)
History (theatrical genre)
Still Kicking: The Fabulous Palm Springs Follies
Racism in horror films
Still Kicking (film)
Pixinguinha
Yun Mu Kwan
Invasion literature
Doug Wyatt
Actuality film

Audience of One is an award-winning 2007 documentary film directed by Michael Jacobs that was premiered on 9 March 2007 at South by Southwest in Austin, Texas.
History is one of the three main genres in Western theatre alongside tragedy and comedy, although it originated, in its modern form, thousands of years later than the other primary genres.
 For this reason, it is often treated as a subset of tragedy.
 A play in this genre is known as a history play and is based on a historical narrative, often set in the medieval or early modern past.
 History emerged as a distinct genre from tragedy in Renaissance England.
 The best known examples of the genre are the history plays written by William Shakespeare, whose plays still serve to define the genre.
 History plays also appear elsewhere in British and Western literature, such as Thomas Heywood's "Edward IV", Schiller's "Mary Stuart" or the Dutch genre "Gijsbrecht van Aemstel".
Still Kicking: The Fabulous Palm Springs Follies is a 1997 American short documentary film directed by Mel Damski.
 It was nominated at the 70th Academy Awards for Best Documentary Short Subject.
 It features The Fabulous Palm Springs Follies, which was formerly staged at the Palm Springs, California Plaza Theatre.
There has been a stereotyping of minorities and people of colour in the horror genre, especially within American films.
 Throughout the history of the genre there has a devaluing of the roles of minorities within such films, and according to one critic "a use of aspects from their culture as fodder for the plot".
 These films tend to have a predominately white casts and audience, and cast minorities as violent, and as monsters and villains.
 The horror genre in particular holds the power to play with aspects of violence in intriguing and symbolic ways.
Still Kicking: Six Artistic Women of Project Arts & Longevity is a 2006 32-minute documentary film by Pacific Grove filmmaker Greg Young, featuring six Bay Area women role models over 85 years old who remained artistically active.
 The catalyst for Young's film was Amy Gorman and Frances Kandl's Project Arts & Longevity through which they were exploring the link between longevity and artistic vitality.
 Along with the film the joint project resulted in a book entitled Aging Artfully.
Alfredo da Rocha Viana, Jr., better known as Pixinguinha (] ; April 23, 1897February 7, 1973) was a composer, arranger, flautist and saxophonist born in Rio de Janeiro.
 Pixinguinha is considered one of the greatest Brazilian composers of popular music, particularly within the genre of music known as choro.
 By integrating the music of the older "choro" composers of the 19th century with contemporary jazz-like harmonies, Afro-Brazilian rhythms, and sophisticated arrangements, he introduced "choro" to a new audience and helped to popularize it as a uniquely Brazilian genre.
 He was also one of the first Brazilian musicians and composers to take advantage of the new professional opportunities offered to musicians by the new technologies of radio broadcasting and studio recording.
 Pixinguinha composed dozens of "choros", including some of the most well-known works in the genre such as "Carinhoso", "Glória", "Lamento" and "Um a Zero".
Yun Mu Kwan (연무관, the 'Hall or Institute for Martial Study') is the name of a now all but forgotten Korean karate (Kong Soo Do) style, one of the original five styles or "kwans" that arose in Korea after World War II in emulation of the karate systems practiced in Japan and Okinawa.
 It was begun by Korean karateka Chun Sang Sup, after his return from Japan, where it is generally thought that he studied Shotokan karate under the direct or indirect tutelage of that system's founder, Gichin Funakoshi, an Okinawan educator who first brought karate to Japan from the Ryukyu Islands (annexed by Japan in the nineteenth century).
 Chun taught at the Yun Mu Kwan for only a few years before disappearing during the dislocations of the Korean War which began in 1950.
 Many of his former students eventually began training again at a different location under different teachers and under a new name: Jidokwan (meaning the 'Hall or Institute for Wisdom's Way').
 The Jidokwan was subsequently rolled up, along with most of the other Korean "kwans" into the newly systematized Korean national combat sport of "Taekwondo" (meaning "Foot Fist Way") in the mid 1950s.
 This new, unified Korean martial art emphasized different training and fighting methods than did the older Japanese karate styles from which it was derived, including stressing higher, fancier kicking and more acrobatic movements.
 Unlike the other kwans, however, the "Yun Mu Kwan" name disappeared very early in the history of Korean karate and so was never formally consolidated into the new Korean national sport of taekwondo—although some practitioners of Korean karate today still make use of the name.
 Most, but not all, have adopted the techniques, training methods and competitive rules which characterize modern taekwondo.
Invasion literature (or the invasion novel) is a literary genre most notable between 1871 and the First World War (1914) but still practised to this day.
 The genre first became recognizable starting in Britain in 1871 with "The Battle of Dorking", a fictional account of an invasion of England by Germany.
 This short story was so popular it started a literary craze for tales that aroused imaginations and anxieties about hypothetical invasions by foreign powers, and by 1914 the genre had amassed a corpus of over 400 books, many best-sellers, and a world-wide audience.
 The genre was influential in Britain in shaping politics, national policies, and popular perceptions in the years leading up to the First World War, and remains a part of popular culture to this day.
 Several of the books were written by or ghostwritten for military officers and experts of the day who believed that the nation would be saved if the particular tactic that they favoured was or would be adopted.
John Douglas Wyatt Doug Wyatt is a former professional American football player who played defensive back in the National Football League for five seasons for the New Orleans Saints and Detroit Lions.
 Wyatt was a three-time all-Missouri Valley Conference selection as a defensive back for the Golden Hurricane in 1967, '68 and '69.
 Also returned punts and handled field goal kicking and PATs his sophomore and junior seasons.
 Tallied a team-high eight pass breakups and was second in tackles with 72 stops as a junior in 1968.
 Was looked at to be Dallas Cowboys number one draft pick in the 1969 draft to play strong safety, however Doug underwent knee surgery in the spring before his senior season after an injury on the practice field.
 As a senior, Wyatt came back to lead Tulsa in interceptions and pass breakups with five pick offs for 41 yards and 10 pass breakups while recording 66 tackles.
 Had totals of 53 points as a sophomore and 25 points his junior season on conversions and field goals, and also totaled 312 yards on 25 punt returns in those two seasons.
 Played in the Hula Bowl after his senior campaign.
 Wyatt, before the draft was helping the state of Texas with highway cleanup in 1969, when he picked up a 7 up bottle that had been lying on the highway easement.
 When he rinsed off the bottle, it exploded from the Texas heat and a piece of shrapnel hit him in his left eye.
 Wyatt has been blind in that eye to this day.
 However Doug never disclosed his injury to anyone.
 Wyatt, was taken in the 17th round as a gamble, but ended up starting the first game for the New Orleans Saints playing blind in one eye every play.Wyatt started 3 seasons with the Saints and was traded to Detroit.
 Doug played 2 seasons in Detroit .
Doug Wyatt was inducted to the Tulsa HOF in 2006 for Football...He is still an avid Saints & Lions Fan.
 He currently resides in Tyler, Texas
The actuality film is a non-fiction film genre that, like the documentary film, uses footage of real events, places, and things, yet unlike the documentary is not structured into a larger argument, picture of the phenomenon or coherent whole.
 In practice, actuality films preceded the emergence of the documentary.
 During the era of early cinema, actualities—usually lasting no more than a minute or two and usually assembled together into a program by an exhibitor—were just as popular and prominent as their fictional counterparts.
 The line between "fact" and "fiction" was not so sharply drawn in early cinema as it would become after the documentary came to serve as the predominant non-fiction filmmaking form.
 An actuality film is not like a newspaper article so much as it is like the still photograph that is published along with the article, with the major difference being that it moves.
 Apart from the traveling actuality genre, actuality is one film genre that remains strongly related to still photography.