Question: Which opera has more acts Der Freischütz or Il trovatore

Context articles: Riccardo Massi
Max Maretzek Italian Opera Company
Il trovatore discography
Der Freischütz
Aleksandr Antonenko
Elena da Feltre
Il trovatore
Loretta Di Franco
Sharon Sweet
Magic Hunter

Riccardo Massi is an Italian operatic tenor who had performed at such Italian theatres as both the Giuseppe Verdi Theatre and La Scala.
 He became known for his role as Mario Cavaradossi in "Tosca" which he performed in autumn of 2011 at the Bavarian State Opera and then performed again at the Berlin Opera Theatre in November of that year.
 His US debut was in February 2012 as Radames in "Aida" at the Metropolitan Opera following by another summer performance that year.
 In the autumn of 2012 he sang in "Il trovatore" staged by the Canadian Opera in Toronto and in February 2013 sang Calaf in "Turandot" produced by the Royal Swedish Opera.
 He also became known for his performance as Don Alvaro in "La forza del destino" at the Australian Opera and the same year sang in another "Aida" production, this time at the Michigan Opera Theatre.
 From 2013 to 2014 he performed at the Royal Opera House and as Cavaradossi at the Liceu in Barcelona.
 Later on, he returned to Royal Swedish Opera where he sang the title role in "Andrea Chenier" and then another "Radames" at the Houston Grand Opera.
 At the Opernhaus Zurich, he sang Calaf in December 2015.
The Max Maretzek Italian Opera Company (sometimes referred to as the Italian Opera Company, the Italian Grand Opera Company, or Academy of Music Opera Company) was a touring American opera company that performed throughout the United States from 1849-1878.
 The first major opera company in Manhattan and one of the first important companies in the United States, it had a long association with the Academy of Music in New York City where it presented an annual season of opera from 1854 until the company's demise in 1878 There the company performed the United States premieres of "Rigoletto", "Il trovatore", and "La traviata" among other works.
This is a partial discography of Giuseppe Verdi's opera "Il trovatore" ("The Troubadour") and "Le trouvère" (the revised version in French translation).
 At least 83 recordings exist of the opera as a whole, made between 1912 and 2011, although not all of them are absolutely complete.
 Of these, 45 are live audio recordings, 22 are studio audio recordings, and 16 are videos or movies.
 "Il trovatore" was first performed at the Teatro Apollo, Rome on 19 January 1853.
 "Le trouvère" was first presented on 12 January 1857.
Der Freischütz , Op. 77, J. 277, (usually translated as "The Marksman" or "The Freeshooter") is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind.
 It premiered on 18 June 1821 at the Schauspielhaus Berlin.
 It is considered the first important German Romantic opera, especially in its national identity and stark emotionality.
Aleksandrs Antoņenko (born in Riga June 26, 1975) is a Latvian tenor who specializes in dramatic repertoire.
 He debuted on stage as "Prince" in "Rusalka" in 2009.
 Since then, he has performed in cities such as Baden-Baden, Berlin, Monte Carlo, and Stockholm.
 Notable appearances include a 2012 appearance in Tosca, as Cavaradossi, at La Scala.
 In the same year he was seen as Otello at the Royal Opera House in London.
 In 2013 he appeared in the role of "Radames" in "Aida" at the Zurich Opera House.
 He followed that performance by appearing as Manrico in Il Trovatore at the Berlin State Opera.
 He has also performed in "Turandot" as Calaf at La Scala.
 In 2013, he appeared in the role of "Ismaele" in Giuseppe Verdi's opera "Nabucco", conducted by Nicola Luisotti at the Teatro alla Scala, Milan as well as the Splendid Palace in Latvia.
 In 2014 he announced that he will perform at The Orchestra Hall in "Cavalleria rusticana" and "Pagliacci".
 He will also appear as the title role in the Metropolitan Opera's new production of "Otello", which will open the Met's 2015-2016 season.
 The production is notable within American opera circles due to the Met's decision to abandon their tradition of blackface for the role of Otello.
 Other future performances include "Norma" at the Bavarian State Opera, "Otello" at Barcelona's Gran Teatre del Liceu and Zürich's Opernhaus, and "Pagliacci" at the Royal Opera House in London.
Elena da Feltre is an opera in three acts by 19th-century Italian composer Saverio Mercadante from a libretto by Salvatore Cammarano, well known as librettist of Donizetti's "Lucia di Lammermoor" and Verdi's "Il trovatore".
 The premiere took place at the Teatro San Carlo in Naples on 1 January 1839 as part of the Carnival Season.
 While not successful at the time, the opera was revived at La Scala in 1843 with twenty performances.
Il trovatore (] ; Italian for "The Troubadour") is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play "El trovador" (1836) by Antonio García Gutiérrez.
 It was Gutiérrez's most successful play, one which Verdi scholar Julian Budden describes as "a high flown, sprawling melodrama flamboyantly defiant of the Aristotelian unities, packed with all manner of fantastic and bizarre incident."
Loretta Di Franco is an American operatic soprano who is chiefly known for her more than 900 performances at the Metropolitan Opera from 1961-1995.
 Originally a member of the Met's opera chorus, she eventually was promoted to singing small comprimario roles beginning with one of the pages in Wagner's "Tannhäuser" and the peasant girl in "The Marriage of Figaro" in 1961.
 She went on to win the Metropolitan Opera National Council Auditions in 1965 which led to her first substantial role, Chloe in "The Queen of Spades".
 She continued to appear annually at the Met for the next 30 years, performing both leading and supporting roles.
 Some of the parts she performed at the Met included Annina in "La traviata", both the Aunt and Barena in Janáček's "Jenůfa", Barbarina and Marcellina in "The Marriage of Figaro", Berta in "The Barber of Seville", Countess Ceprano in "Rigoletto", the Dew Fairy and the Sandman in "Hansel and Gretel", Feklusa in "Káťa Kabanová", the First Lady in "The Magic Flute", the Flower Seller in Britten's "Death in Venice", Frasquita in "Carmen", Gerhilde in "Die Walküre", Giannetta in "L'elisir d'amore", Helen in "Mourning Becomes Electra", Ines in "Il trovatore", Jouvenot in "Adriana Lecouvreur", Kate Pinkerton in "Madama Butterfly", Laura in "Luisa Miller", Lauretta in "Gianni Schichi", Lisa in "La sonnambula", Marianne in "Der Rosenkavalier", Marthe in "Faust", Musetta in "La bohème", Oscar in "Un ballo in maschera", Samaritana in "Francesca da Rimini", Woglinde in both "Das Rheingold" and "Götterdämmerung", Xenia in "Boris Godunov", Zerlina in "Don Giovanni", and title role in "Lucia di Lammermoor".
 In 1991 she created the role of the Woman with Child in the world premiere of John Corigliano's "The Ghosts of Versailles".
Sharon Sweet (born August 16, 1951 in New York City) is an American dramatic soprano.
 Sharon Sweet has appeared in leading roles in several major venues in Europe and the United States and has made notable contributions to several recordings, in particular "Lohengrin", "Der Freischütz", "Don Giovanni", and "Il Trovatore".
 In 1999, she accepted a full-time teaching position at Westminster Choir College of Rider University.
 In a column in "Opera News", Sweet stated that she made the move out of frustration with the current operatic scene which emphasized physical appearance over voice.
 She cited her struggles with Hashimoto's syndrome, a thyroid condition.
Magic Hunter (Hungarian: "Bűvös vadász" , French: "Freischütz" ) is a 1994 Hungarian-Swiss-French fantasy film written and directed by Ildikó Enyedi and loosely inspired to the opera Der Freischütz.