Question: Who is the publisher of the American comic books for which Aaron Schoenke is best known as a cinematographer?

Context articles: Batman
Masked Raider
Namor
L. Miller &amp; Son, Ltd.
Archie Goodwin (comics)
Comic book letter column
Comic book
Aaron Schoenke
Master Mind Excello
Crime comics

Batman is a fictional superhero appearing in American comic books published by DC Comics.
 The character was created by artist Bob Kane and writer Bill Finger, and first appeared in "Detective Comics" #27 (1939).
 Originally named the "Bat-Man", the character is also referred to by such epithets as the Caped Crusader, the Dark Knight, and the World's Greatest Detective.
The Masked Raider is an American comic book character who appeared in American comic books published during the 1930s and 1940s period known as the Golden Age of Comic Books.
 Created by writer-artist Al Anders, he first appeared in the Timely Comics' anthology series "Marvel Comics" #1 (Oct. 1939), and ran through issue #12 (Oct. 1940) of the by-then retitled "Marvel Mystery Comics".
Namor the Sub-Mariner ( ) (Namor McKenzie) is a fictional character appearing in American comic books published by Marvel Comics.
 Debuting in early 1939, the character was created by writer-artist Bill Everett for Funnies Inc., one of the first "packagers" in the early days of comic books that supplied comics on demand to publishers looking to enter the new medium.
 Initially created for the unreleased comic "Motion Picture Funnies Weekly", the Sub-Mariner first appeared publicly in "Marvel Comics" #1 (cover-dated Oct. 1939) – the first comic book from Timely Comics, the 1930s–1940s predecessor of the company Marvel Comics.
 During that period, known to historians and fans as the Golden Age of Comic Books, the Sub-Mariner was one of Timely's top three characters, along with Captain America and the original Human Torch.
 Everett said the character's name was inspired by Samuel Taylor Coleridge's poem, "The Rime of the Ancient Mariner".
 Everett came up with "Namor" by writing down noble sounding names backwards and thought Roman/Namor looked the best.
L. Miller & Son, Ltd. was a British publisher of magazines, comic books, and pulp fiction intended primarily to take advantage of the British ban on importing printed matter.
 Between 1943 and 1966, the firm published British editions of many American comic books, primarily those of Fawcett Comics.
 They are best known for the 1954 creation of Marvelman — a blatant imitation of the Golden Age Captain Marvel — after America's Fawcett Publications capitulated to National Periodicals (DC Comics).
 (The two companies had fought a long legal battle in which National claimed Captain Marvel infringed on Superman's copyright.)
 L. Miller & Son also published a large line of Western comics, many reprints but also some original titles.
Archie Goodwin (September 8, 1937 – March 1, 1998) was an American comic book writer, editor, and artist.
 He worked on a number of comic strips in addition to comic books, and is best known for his Warren and Marvel Comics work.
 For Warren he was chief writer and editor of landmark horror anthology titles "Creepy" and "Eerie" between 1964 and 1967.
 At Marvel, he served as the company's editor-in-chief from 1976 to the end of 1977.
 In the 1980s, he edited the publisher's anthology magazine "Epic Illustrated" and its Epic Comics imprint.
 He is also known for his work on "Star Wars" in both comic books and newspaper strips.
 He is regularly cited as the "best-loved comic book editor, ever."
A comic book letter column is a section of an American comic book where readers' letters to the publisher appear.
 Comic book letter columns are also commonly referred to as letter columns (or lettercols), letter pages, letters of comment (LOCs), or simply letters to the editor.
 Letter columns appeared early on in the history of comic books themselves, and their growing prevalence — particularly beginning in the 1960s — helped create and legitimatize comics fandom.
 Letter columns remained a regular feature of most comic books until the early years of the 21st century, when they were gradually phased out in favor of the growing prevalence of email and Internet forums.
A comic book or comicbook, also called comic magazine or simply comic, is a publication that consists of comic art in the form of sequential juxtaposed panels that represent individual scenes.
 Panels are often accompanied by brief descriptive prose and written narrative, usually dialog contained in word balloons emblematic of the comics art form.
 Although comics has some origins in 18th century Japan and 1830s Europe, comic books were first popularized in the United States during the 1930s.
 The first modern comic book, "Famous Funnies", was released in the United States in 1933 and was a reprinting of earlier newspaper humor comic strips, which had established many of the story-telling devices used in comics.
 The term "comic book" derives from American comic books once being a compilation of comic strips of a humorous tone; however, this practice was replaced by featuring stories of all genres, usually not humorous in tone.
Aaron Schoenke (pronounced "Shern-Ca") (born October 4, 1984, in Fountain Valley, California) is an American film and television actor, screenwriter, film director, film editor, film producer, and cinematographer best known for his independent Batman-genre fan films.
Master Mind Excello (Earl Everett) is an American comic book character appearing in American comic books published by Marvel Comics.
 His only appearances for several decades were in "Mystic Comics" #2 and 3, published in the 1940s by Marvel's forerunner, Timely Comics, during a period that is known as the Golden Age of Comic Books.
Crime comics is a genre of American comic books and format of crime fiction.
 The genre was originally popular in the late 1940s and early 1950s and is marked by a moralistic editorial tone and graphic depictions of violence and criminal activity.
 Crime comics began in 1942 with the publication of "Crime Does Not Pay" published by Lev Gleason Publications and edited by Charles Biro.
 As sales for superhero comic books declined in the years after World War II, other publishers began to emulate the popular format, content and subject matter of "Crime Does Not Pay", leading to a deluge of crime-themed comics.
 Crime and horror comics, especially those published by EC Comics, came under official scrutiny in the late 1940s and early 1950s, leading to legislation in Canada and Great Britain, the creation in the United States of the Comics Magazine Association of America and the imposition of the Comics Code Authority in 1954.
 This code placed limits on the degree and kind of criminal activity that could be depicted in American comic books, effectively sounding the death knell for crime comics and their adult themes.