Question: "L'Affiche rouge" is a song from the album "Les Chansons d'Aragon" (1961) by Léo Ferré, the affair became known by the name of the "Affiche rouge" ("Red Poster") because the Germans plastered Paris in the spring of 1944 with thousands of red posters denouncing those executed as immigrants and which collection of French movements that fought against the Nazi German occupation of France and against the collaborationist Vichy régime during the Second World War?

Context articles: Thomas Elek
L'affiche rouge
The Army of Crime
Affiche Rouge
Spartaco Fontano
Léo Ferré chante Baudelaire
French Resistance
Szlama Grzywacz
Bernard Villemot
Les Chansons d'Aragon

Thomas Elek, also known as Tamás Elek and KERPAL (born 7 December 1924, Budapest - d. 21 Feb 1944, Paris) was one of the members of the French resistance executed at the fort of Mont Valérien as a member of the Manouchian Group, a volunteer of the French liberation army FTP-MOI.
 His name was one of the ten featured on the "Affiche Rouge", displayed on thousands of copies by the Germans citywide after the trial of the 23 captured members of the Manouchian group.
 His photograph was displayed with the caption "Elek Juif Hongrois 8 déraillements" (Elek, Hungarian Jew, 8 derailments).
"L'Affiche rouge" is a song from the album "Les Chansons d'Aragon" (1961) by Léo Ferré.
 Its lyrics are based on the poem Strophes pour se souvenir ("Strophes to remember") which Louis Aragon wrote in 1955 for the inauguration of a street in the 20th arrondissement in Paris, named "rue du Groupe Manouchian" in honor of 23 members of the FTP-MOI executed by the Nazis in the Mont-Valérien.
 The affair became known by the name of the "Affiche rouge" ("Red Poster") because the Germans plastered Paris in the spring of 1944 with thousands of red posters denouncing those executed as immigrants and Resistants.
The Army of Crime (French: L'Armée du crime ) is a 2009 French drama-war film directed by Robert Guédiguian and based on a story by Serge Le Péron, one of three credited for the screenplay.
 It received a wide release in France on 16 September 2009 and opened in the United States in 2010.
 The film deals with the events of the Affiche Rouge ("red poster") affair.
 The title was taken from the caption on a propaganda poster, in which the Nazis sought to present prominent French Resistance fighters as foreign criminals; the caption read "Liberators?
 Liberation by the army of crime".
The Affiche Rouge ("Red Poster") is a famous propaganda poster, distributed by Vichy French and German authorities in the spring of 1944 in occupied Paris, to discredit 23 French Resistance fighters, members of the Manouchian Group.
 The term Affiche Rouge also refers more broadly to the circumstances surrounding the poster's creation and distribution, namely, the capture, trial and execution of these members of the Manouchian Group.
Spartaco Fontanot (born 17 January 1922 at Monfalcone, Italy, and died 21 February 1944, at Fort Mont-Valérien, France) was one of the members of the French resistance shot at Mont Valérien as a member of the Manouchian group.
 He was an Italian volunteer soldier in the French liberation army FTP-MOI.
 His name is one of the ten featured on the ""affiche rouge"", the propaganda poster displayed by the Germans during the trial of the 23 members of the Manouchian group.
 His photograph is also on the poster, with the caption "Fontanot, Italian communist, 12 attacks".
Léo Ferré chante Baudelaire (English: ""Léo Ferré sings Baudelaire"") is an album by Léo Ferré, released in 1967 by Barclay Records.
 It is his fourth LP dedicated to a poet, after a first Baudelaire effort in 1957 ("Les Fleurs du mal"), "Les Chansons d'Aragon" in 1961, and "Verlaine et Rimbaud" in 1964.
 It is also his second studio double album.
The French Resistance (French: "La Résistance" ) was the collection of French movements that fought against the Nazi German occupation of France and against the collaborationist Vichy régime during the Second World War.
 Résistance cells were small groups of armed men and women (called the Maquis in rural areas), who, in addition to their guerrilla warfare activities, were also publishers of underground newspapers, providers of first-hand intelligence information, and maintainers of escape networks that helped Allied soldiers and airmen trapped behind enemy lines.
 The men and women of the Résistance came from all economic levels and political leanings of French society, including émigrés; academics, students, aristocrats, conservative Roman Catholics (including priests) and also citizens from the ranks of liberals, anarchists and communists.
Szlama Grzywacz (1909-1944) was one of the members of the French resistance executed at the fort of Mont Valérien as a member of the Manouchian group, a volunteer of the French liberation army FTP-MOI.
 His name is one of the ten which featured on the "Affiche Rouge" displayed by the Germans during the trial of the 23 captured members of the Manouchian group.
 His photograph is displayed with the caption "Grzywacz juif polonais 2 attentats" (Grzywacz, Polish Jew, 2 attacks).
Bernard Villemot (1911, Trouville-sur-Mer – 1989) was a French graphic artist known primarily for his iconic advertising images for Orangina, Bally Shoe, Perrier, and Air France.
 He was known for a sharp artistic vision that was influenced by photography, and for his ability to distill an advertising message to a memorable image with simple, elegant lines and bold colors.
 From 1932–1934, he studied in Paris with artist Paul Colin, who was considered a master of Art Deco.
 From 1945–1946, Villemot prepared posters for the Red Cross.
 In the late 1940s, he also began a famous series of travel posters for Air France that would continue for decades.
 In 1949, Villemot's works were exhibited with those of his contemporary poster artist Raymond Savignac at the Gallery of Beaux Arts in Paris.
 In 1953, Villemot began designing logos and posters for the new soft drink Orangina, and over time these works would become some of his best known.
 In 1963, the Museum of Decorative Arts in Paris held an exhibition of his works.
 By the end of his life in 1989, he was known as one of the last great poster artists, and many collectors and critics consider him to be the "painter-laureate of modern commercial art."
 Since his death in 1989, his memorable images have been increasingly sought after by collectors.
 At least three books have been published that survey his art: "Les affiches de Villemot," by Jean-Francois Bazin (1985); "Villemot: l’affiche de A à Z," by Guillaume Villemot (2005); and "Embracing an icon: the posters of Bernard Villemot," by George H. Bon Salle (2015).
Les Chansons d'Aragon (English: ""Songs of Aragon"") is an album by Léo Ferré, released in 1961 by Barclay Records.
 It is his second album dedicated to a poet, after Baudelaire's "Les Fleurs du mal" in 1957.
 Here, Ferré focuses on former surrealist Louis Aragon, but the body of work he chooses (poetry collection "Le Roman inachevé", mostly) is not surrealistic.