Question: The composer of the ballet L'Île Enchantée has composed how many major orchestral works?

Context articles: List of compositions by Arthur Sullivan
Sequoia (composition)
Bohuslav Martinů
Maria Newman
Denis Gougeon
L'Île Enchantée
Orchestral Works by Tomas Svoboda
Arthur Sullivan
The Pleasures of the Enchanted Island
Igor Štuhec

The following is a list of musical works by the English composer Arthur Sullivan, best known for his operatic collaborations with W. S. Gilbert.
 In all, Sullivan's artistic output included 23 operas, 13 major orchestral works, eight choral works and oratorios, two ballets, one song cycle, incidental music to several plays, numerous hymns and other church pieces, and a large body of songs, parlour ballads, part songs, carols, and piano and chamber pieces.
Sequoia is an orchestral composition by the American composer Joan Tower.
 The work was commissioned by the American Composers Orchestra with support from the Jerome Foundation.
 It was first performed on May 18, 1981 in Alice Tully Hall by the American Composers Orchestra under the conductor Dennis Russell Davies.
 The piece is dedicated to the concertmistress and first horn player of the orchestra, Jean and Paul Ingraham, respectively.
 "Sequoia" was Tower's first major orchestral composition and remains one of the composer's most performed works.
Bohuslav Jan Martinů (] ; December 8, 1890 – August 28, 1959) was a Czech composer of modern classical music.
 Martinů wrote 6 symphonies, 15 operas, 14 ballet scores and a large body of orchestral, chamber, vocal and instrumental works.
 Martinů became a violinist in the Czech Philharmonic Orchestra, and taught music in his home town.
 In 1923 Martinů left Czechoslovakia for Paris, and deliberately withdrew from the Romantic style in which he had been trained.
 In the 1930s he experimented with expressionism and constructivism, and became an admirer of current European technical developments, exemplified by his orchestral works "Half-time" and "La Bagarre".
 He also adopted jazz idioms, for instance in his "La revue de cuisine" ("Kitchen Revue").
Maria Newman (born Maria Louise Newman on January 18, 1962, in Los Angeles, California) is an award-winning American composer of classical music, and a critically acclaimed violinist, violist and pianist.
 She is the youngest child of Alfred Newman, a major Hollywood film composer.
 Maria holds the Louis and Annette Kaufman Composition Chair; and the Joachim Chassman Violin Chair at the Montgomery Arts House for Music and Architecture in Malibu, California, and is a founder of the Malibu Friends of Music.
 Her library of original works represents a range of genres, from large-scale orchestral works, works for the ballet, chamber works, choral and vocal works, to new collaborative scores for vintage silent film.
 She has been presented with many awards and commissions, including musical commendations from the United States Congress (2009), the California State Senate (2009), the California State Assembly (2009), the City of Malibu (2010), and the Annenberg Foundation (2011).
Denis Gougeon (born November 16, 1951) is a Canadian composer and music educator.
 His more than 80 compositions encompass a wide variety of genres, including orchestral works, chamber music, opera, ballet, and pieces for solo instruments and voice.
 Notable ensembles to have included his compositions in their performance repertoire include the Bavarian State Ballet, the Canadian Opera Company, the I Musici de Montréal Chamber Orchestra, Le Nouvel Ensemble Moderne, New Music America, the Norwegian National Opera and Ballet, the Quebec Contemporary Music Society, and the Vancouver New Music Society among others.
 In 1989 he became the first composer-in-residence of the Montreal Symphony Orchestra, holding that post until 1992.
L'Île Enchantée (literally, The Enchanted Island) is an 1864 ballet by Arthur Sullivan written as a divertissement at the end of Vincenzo Bellini's "La Sonnambula" at Covent Garden.
 It was choreographed by H. Desplaces.
Orchestral Works by Tomas Svoboda (sometimes abridged as Orchestral Works) is a classical music album by the Oregon Symphony under the artistic direction of James DePreist, released by the record label Albany in 2003.
 The album was recorded at the Arlene Schnitzer Concert Hall in Portland, Oregon during three performances in January and June 2000.
 It contains three works by Tomáš Svoboda, a Czech-American composer who taught at Portland State University for more than 25 years: "Overture of the Season", Op. 89; "Concerto for Marimba and Orchestra", Op. 148; and Symphony No. 1 (of Nature), Op. 20.
 The album's executive producers were Peter Kermani, Susan Bush, and Mark B. Rulison; Blanton Alspaugh served as the recording producer.
Sir Arthur Seymour Sullivan MVO (13 May 1842 – 22 November 1900) was an English composer.
 He is best known for his series of 14 operatic collaborations with the dramatist W. S. Gilbert, including "H.M.S. Pinafore", "The Pirates of Penzance" and "The Mikado".
 His works include 23 operas, 13 major orchestral works, eight choral works and oratorios, two ballets, incidental music to several plays, and numerous hymns and other church pieces, songs, and piano and chamber pieces.
 The best known of his hymns and songs include "Onward Christian Soldiers" and "The Lost Chord".
The Pleasures of the Enchanted Island (French: Les" "plaisirs de l’Île enchantée) was a multi-day performance presented to the court of King Louis XIV of France at Versailles.
 It was staged to celebrate the beginning of the building campaigns for the Chateau de Versailles.
 In particular, the intention was to acquaint those involved in its construction, the King's wife, mother, lovers, mistresses, and family in general to cotillon style ball and overall culture.
 Molière played a large role in the organisation of festivities, which featured the premières of "La Princesse d'Élide" and "Tartuffe".
Igor Štuhec (born 15 December 1932) is a contemporary Slovenian composer, who lives in Ljubljana and Maribor.
 He studied composition at the Ljubljana Academy of Music under Lucijan Marija Škerjanc and Matija Bravničar.
 He continued his studies at the Vienna Academy of Music and Dramatic Art under Hanns Jelinek, and also at the Darmstädter Ferienkurse.
 After some early neo-classical orchestral works that show his mastery of traditional techniques, Štuhec gradually moved towards the adoption of new techniques in the early 1960s.
 Although in 1955 he had produced a musique concrète composition in "Biological Transformation", the radical change came with the chamber pieces "Situacija" (1963) and "Silhuete" (1964) and the orchestral "Differentiations" (1964), all of which exhibit his assimilation of 12-note and aleatory procedures.
 Štuhec's skill is particularly evident in miniatures such as the "Minikoncert", where his writing is at its most delicate and the textures are almost always crystal clear.
 A later group of orchestral works extending his textural techniques, notably the concertos and the three "Entuziazmi" pieces, display a vivid imagination and a strong rhythmic momentum.
 Also among his works are two operas, "Zupanova Micka" (1948) and