romikgosai/squad_modified_2 huggingface dataset:
The house scene in cities such as Birmingham, Leeds, Sheffield and London were also provided with many underground Pirate Radio stations and DJs alike which helped bolster an already contagious, but otherwise ignored by the mainstream, music genre. The earliest and influential UK house and techno record labels such as Warp Records and Network Records (otherwise known as Kool Kat records) helped introduce American and later Italian dance music to Britain as well as promoting select UK dance music acts.

Q1: what cities in the UK had major house scenes?
A1: Birmingham, Leeds, Sheffield and London
Q2: what helped to bolster house music in the uk?
A2: underground Pirate Radio stations and DJs
Q3: what were the earliest and most influential record labels in UK house music?
A3: Warp Records and Network Records
Q4: what was network records also known as?
A4: Kool Kat records
Q5: what type of dance music was later introduced alongside American house music?
A5: Italian dance music
But house was also being developed on Ibiza,[citation needed] although no house artists or labels were coming from this tiny island at the time. By the mid-1980s a distinct Balearic mix of house was discernible.[citation needed] Several clubs such as Amnesia with DJ Alfredo were playing a mix of rock, pop, disco and house. These clubs, fueled by their distinctive sound and Ecstasy, began to have an influence on the British scene. By late 1987, DJs such as Trevor Fung, Paul Oakenfold and Danny Rampling were bringing the Ibiza sound to UK clubs such as the Haçienda in Manchester, and in London clubs such as Shoom in Southwark, Heaven, Future and Spectrum.

Q1: what tiny island was house music also being devloped on?
A1: Ibiza
Q2: what was a popular club in ibiza that started playing dance and house music?
A2: Amnesia
Q3: who was the DJ at Amnesia in the mid 80s?
A3: DJ Alfredo
Q4: who were some of the DJs that brought the ibiza sound to uk clubs in late 1987?
A4: Trevor Fung, Paul Oakenfold and Danny Rampling
Q5: what was the name of the big dance club in Manchester UK in the late 80s?
A5: Haçienda
In the U.S., the music was being developed to create a more sophisticated sound,[citation needed] moving beyond just drum loops and short samples. In Chicago, Marshall Jefferson had formed the house group Ten City Byron Burke, Byron Stingily & Herb Lawson(from "intensity"). New York–based performers such as Mateo & Matos and Blaze had slickly produced disco house tracks. In Detroit a proto-techno music sound began to emerge with the recordings of Juan Atkins, Derrick May and Kevin Saunderson.

Q1: what group did Marshall Jefferson form?
A1: Ten City Byron Burke, Byron Stingily & Herb Lawson(from "intensity")
Q2: what sound emerged in Detroit with the recordings of juan atkins and derrick may?
A2: proto-techno music sound
Q3: where were mateo & matos based?
A3: New York
Q4: where was marshall jefferson based?
A4: Chicago
Q5: what sound did US house music move beyond in the late 80s?
A5: drum loops and short samples
Atkins, a former member of Cybotron, released Model 500 "No UFOs" in 1985, which became a regional hit, followed by dozens of tracks on Transmat, Metroplex and Fragile. One of the most unusual was "Strings of Life" by Derrick May, a darker, more intellectual strain of house. "Techno-Scratch" was released by the Knights Of The Turntable in 1984 which had a similar techno sound to Cybotron. The manager of the Factory nightclub and co-owner of the Haçienda, Tony Wilson, also promoted acid house culture on his weekly TV show. The Midlands also embraced the late 1980s house scene with illegal parties and more legal dance clubs such as The Hummingbird.

Q1: atkins was a former member of what music group?
A1: Cybotron
Q2: what hit single did atkins release in 1985?
A2: "No UFOs"
Q3: what unusual single did derrick may release, featuring a darker strain of house?
A3: "Strings of Life"
Q4: what did knights of the turntable release in 1984?
A4: Techno-Scratch
Q5: who was the manager of the factory nightclub and co-owner of the hacienda?
A5: Tony Wilson
Back in America the scene had still not progressed beyond a small number of clubs in Chicago, Detroit, Newark and New York City. However, many independent Chicago-based record labels were making appearances on the Dance Chart with their releases. In the UK, any house song released by a Chicago-based label was routinely considered a must play at many clubs playing house music. Paradise Garage in New York City was still a top club. The emergence of Todd Terry, a pioneer of the genre, was important in America. His cover of Class Action's Larry Levan mixed "Weekend" demonstrated the continuum from the underground disco to a new house sound with hip-hop influences evident in the quicker sampling and the more rugged bass-line.

Q1: what was a top club for house music in new york city?
A1: Paradise Garage
Q2: who was a pioneer of the genre in america?
A2: Todd Terry
Q3: what hit house song did todd terry cover?
A3: Weekend
Q4: what new influences led to a new house sound?
A4: hip-hop influences
Q5: what was different about the bass-line in the hip-hop influenced house songs?
A5: more rugged
In the late 1980s, Nu Groove Records prolonged, if not launched the careers of Rheji Burrell & Rhano Burrell, collectively known as Burrell (after a brief stay on Virgin America via Timmy Regisford and Frank Mendez), along with basically every relevant DJ and Producer in the NY underground scene. The Burrell's are responsible for the "New York Underground" sound and are the undisputed champions of this style of house. Their 30+ releases on this label alone seems to support that fact. In today's market Nu Groove Record releases like the Burrells' enjoy a cult-like following and mint vinyl can fetch $100 U.S. or more in the open market.

Q1: what label launched the careers of burrell?
A1: Nu Groove Records
Q2: what sound are the burrell's responsible for?
A2: "New York Underground"
Q3: how much can old vinyl releases of the burrells sell for today?
A3: $100
Q4: what label were the burrell's briefly with before their success?
A4: Virgin America
By the late 80s, House had moved West, particularly to San Francisco, Oakland, Los Angeles, Fresno, San Diego and Seattle. Los Angeles saw a huge explosion of underground raves and DJs, notably DJs Marques Wyatt and Billy Long, who spun at Jewel's Catch One, the oldest dance club in America. In 1989, the L.A. based, former EBN-OZN singer/rapper Robert Ozn started indie house label One Voice Records, releasing the Mike "Hitman" Wilson remix of Dada Nada's "Haunted House," which garnered instant club and mix show radio play in Chicago, Detroit and New York as well as in the U.K. and France. The record shot up to Number Five on the Billboard Club Chart, marking it as the first House record by a white artist to chart in the U.S. Dada Nada, the moniker for Ozn's solo act, released in 1990, what has become a classic example of jazz-based Deep House, the Frankie Knuckles and David Morales remix of Dada Nada's "Deep Love" (One Voice Records/US, Polydor/UK), featuring Ozn's lush, crooning vocals and muted trumpet improvisational solos, underscoring Deep House's progression into a genre that integrated jazz and pop songwriting structures – a feature which continued to set it apart from Acid House and Techno.

Q1: what is the oldest dance club in america?
A1: Jewel's Catch One
Q2: where did DJs marques wyatt and billy long become successful?
A2: Los Angeles
Q3: what label did robert ozn start in 1989?
A3: One Voice Records
Q4: one voice records released a remix of what dada nada song in 1989?
A4: Haunted House
Q5: dada nada was the moniker for what artist's solo act?
A5: Ozn
The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream.

Q1: what madonna single is credited as helping bring house music to the mainstream?
A1: Vogue
Q2: when was madonna's hit single "vogue" released?
A2: 1990
Q3: what decade did house music hit the mainstream in the us?
A3: 1990s
Q4: who sang the hit single "vogue"?
A4: Madonna
Q5: how well did madonna's single "vogue" do in the us?
A5: topped the US charts
Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago.

Q1: What gospel/R&B-influenced group released "Time Passes On" in 1993?
A1: Aly-us
Q2: who released the hit single "time for the perculator" in the us?
A2: Cajmere
Q3: what was cajmere's alternate name?
A3: Green Velvet
Q4: what was the name of the label operated by dj funk in chicago?
A4: Dance Mania
Q5: what was the prototype of ghetto house?
A5: "Time for the Perculator" by Cajmere
In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke.

Q1: where did the "chilling out" concept develop?
A1: Britain
Q2: who released the album analogue bubblebath?
A2: Aphex Twin
Q3: where was the band deee-lite based?
A3: New York
Q4: who released the track "little fluffy clouds"?
A4: Orb
Q5: who transformed happy mondays' "wrote for luck" into a dance hit?
A5: Vince Clarke
In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records.

Q1: what act was passed in england in an attempt to ban large rave dance events?
A1: Criminal Justice and Public Order Act 1994
Q2: what was the nail in the coffin for illegal raves?
A2: The Spiral Tribe at Castle Morten
Q3: when did the bill become a law?
A3: November 1994
Q4: what single introduced dub and reggae into the house sound?
A4: "Release the Pressure"
Q5: who recorded the hit single "release the pressure"?
A5: Leftfield
A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

Q1: where was a new type of club called Cream located?
A1: Liverpool
Q2: what was a new subgenre of house in chicago, developed by bad boy bill and others, called?
A2: Chicago hard house
Q3: george centeno, darren ramirez, and martin o. cairo developed a hard house sound in what city?
A3: Los Angeles
Q4: what was another name for hardcore techno from the netherlands?
A4: gabber
Q5: who began opening "superclubs"?
A5: Major record companies
Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music.

Q1: Daft Punk began producing a new sound out of what european city?
A1: Paris
Q2: When did Daft Punk begin producing a new sound?
A2: end of the 1990s and into the 2000s
Q3: Daft Punk, Stardust, Cassius, St. Germain, and DJ Falcon all came from what scene?
A3: Paris's house scene
Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.

Q1: When was House Unity Day in Chicago?
A1: August 10, 2005
Q2: Who proclaimed House Unity Day in Chicago?
A2: Chicago Mayor Richard M. Daley
Q3: In 2005, what anniversary was house music celebrating?
A3: "21st anniversary of house music"
Q4: what was recognized as the original home of house music in 2005?
A4: Chicago
Q5: What event was organized by Chicago's Department of Cultural Affairs to celebrate house music?
A5: Summer Dance Series
It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.

Q1: Defected Records was at the forefront of what type of house music?
A1: vocal house
Q2: Roule and Om was at the forefront of what type of house music?
A2: vocal house
Q3: Dennis Ferrer produced what type of house fusion?
A3: electro house and fidget house
Q4: in what time period did fusion genres of house emerge?
A4: mid-2000s
Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.

Q1: Where did the Winter Music Conference take place?
A1: Miami
Q2: The Shambhala Music Festival was dedicated to what?
A2: house music
Q3: where did house music gain popularity in the middle east?
A3: Dubai & Abu Dhabi
Q4: what event led to an increase in popularity for house music in the middle east?
A4: Creamfields
Q5: what large event in Miami was industry sponsored?
A5: Shambhala Music Festival
2010s saw multiple new sounds in house music developed by numerous DJs. Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia), Avicii, Alesso, etc. Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga's "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival.

Q1: What was different about swedish progressive house music?
A1: snare-less
Q2: Sebastian Ingrosso, Axwell, and Steve Angello formed what successful trio?
A2: Swedish House Mafia
Q3: What concept is characterized by abrasive leads and darker arpeggios?
A3: Dirty Dutch
Q4: Progressive house blended sounds were prominent in the song "Marry the Night" by what popular artist?
A4: Lady Gaga
Q5: Big room house has found increasing popularity since what year?
A5: 2010
In addition to these popular examples of house, there has also been a reunification of contemporary house and its roots. Many hip hop and R&B artists also turn to house music to add a mass appeal to the music they produce.

Q1: There has been a reunification of contemporary house with what?
A1: its roots
Q2: Why do many hip hop and R&B artists turn to house music?
A2: to add a mass appeal to the music they produce
Q3: What genre of artists has recently turned to house music to add mass appeal?
A3: hip hop and R&B
The terms upper case and lower case can be written as two consecutive words, connected with a hyphen (upper-case and lower-case), or as a single word (uppercase and lowercase). These terms originated from the common layouts of the shallow drawers called type cases used to hold the movable type for letterpress printing. Traditionally, the capital letters were stored in a separate case that was located above the case that held the small letters, and the name proved easy to remember since capital letters are taller.

Q1: The terms uppercase and lowercase originated from the common layout which type of drawers?
A1: shallow
Q2: Besides being a single word or two separate words, how can the words uppercase and lowercase be expressed?
A2: hyphen
Q3: In relation to the shelf the small letters were located, where were the capital letters?
A3: located above
Q4: Which characteristic of capital letters made it easy to remember.
A4: taller
The convention followed by many British publishers (including scientific publishers, like Nature, magazines, like The Economist and New Scientist, and newspapers, like The Guardian and The Times) and U.S. newspapers is to use sentence-style capitalisation in headlines, where capitalisation follows the same rules that apply for sentences. This convention is usually called sentence case. It may also be applied to publication titles, especially in bibliographic references and library catalogues. Examples of global publishers whose English-language house styles prescribe sentence-case titles and headings include the International Organization for Standardization.

Q1: What is the basis of capitalization standards for the sentence-style capitalization?
A1: sentences
Q2: What is the popular capitalization structure and standard used by many British publishers and U.S. newspapers?
A2: sentence-style
Q3: What is an alternative name for sentence-style capitalization?
A3: sentence case
Q4: Which popular global publisher utilizes sentence case for titles and headers?
A4: International Organization for Standardization
Q5: Besides headlines, what is sentence-style capitalization often applied to?
A5: publication titles
Similar developments have taken place in other alphabets. The lower-case script for the Greek alphabet has its origins in the 7th century and acquired its quadrilinear form in the 8th century. Over time, uncial letter forms were increasingly mixed into the script. The earliest dated Greek lower-case text is the Uspenski Gospels (MS 461) in the year 835.[citation needed] The modern practice of capitalising the first letter of every sentence seems to be imported (and is rarely used when printing Ancient Greek materials even today).

Q1: Which century did the lower-case script for the Greek Alphabet originate?
A1: 7th
Q2: Which century did the Greek alphabet acquire its quadrilinear form?
A2: 8th
Q3: Overtime which type of letter forms were mixed increasingly into the Greek language script?
A3: uncial
Q4: Which year is the earliest dated Greek lower-case text?
A4: 835
Q5: In which literature is the earliest dated Greek lower-case text?
A5: Uspenski Gospels
In orthography and typography, letter case (or just case) is the distinction between the letters that are in larger upper case (also capital letters, capitals, caps, large letters, or more formally majuscule, see Terminology) and smaller lower case (also small letters, or more formally minuscule, see Terminology) in the written representation of certain languages. Here is a comparison of the upper and lower case versions of each letter included in the English alphabet (the exact representation will vary according to the font used):

Q1: In orthography and typography, what is the distinction between the letters that are in larger upper case and lower upper case
A1: letter case
Q2: Minuscule is a term uses to describe which case of letter?
A2: smaller lower
Q3: Capital letters refer to which case of letter?
A3: larger upper
Q4: Letter case is used to distinction betweem lowercase and uppercase letter in which common representation of certain languages?
A4: written