romikgosai/squad_modified_2 huggingface dataset:
The use of such contractions is as old as Chinese characters themselves, and they have frequently been found in religious or ritual use. In the Oracle Bone script, personal names, ritual items, and even phrases such as 受又(祐) shòu yòu "receive blessings" are commonly contracted into single characters. A dramatic example is that in medieval manuscripts 菩薩 púsà "bodhisattva" (simplified: 菩萨) is sometimes written with a single character formed of a 2×2 grid of four 十 (derived from the grass radical over two 十). However, for the sake of consistency and standardization, the CPC seeks to limit the use of such polysyllabic characters in public writing to ensure that every character only has one syllable.

Q1: What have been constantly found in religious or ritual use?
A1: Chinese characters
Q2: What seeks to limit the use of polysyllabic characters?
A2: CPC
Q3: What is sometimes written as a single character?
A3: bodhisattva
Modern examples particularly include Chinese characters for SI units. In Chinese these units are disyllabic and standardly written with two characters, as 厘米 límǐ "centimeter" (厘 centi-, 米 meter) or 千瓦 qiānwǎ "kilowatt". However, in the 19th century these were often written via compound characters, pronounced disyllabically, such as 瓩 for 千瓦 or 糎 for 厘米 – some of these characters were also used in Japan, where they were pronounced with borrowed European readings instead. These have now fallen out of general use, but are occasionally seen. Less systematic examples include 圕 túshūguǎn "library", a contraction of 圖書館, A four-morpheme word, 社会主义 shèhuì zhǔyì "socialism", is commonly written with a single character formed by combining the last character, 义, with the radical of the first, 社, yielding roughly 礻义.

Q1: What are disyllabic and usually written with two characters?
A1: SI units
Q2: What is a less systematic example?
A2: túshūguǎn
Q3: What is commonly written with a single character formed by combining the last character with the radical of the first?
A3: socialism
A commonly seen example is the double happiness symbol 囍, formed as a ligature of 喜喜 and referred to by its disyllabic name (simplified Chinese: 双喜; traditional Chinese: 雙喜; pinyin: shuāngxǐ). In handwriting, numbers are very frequently squeezed into one space or combined – common ligatures include 廿 niàn, "twenty", normally read as 二十 èrshí, 卅 sà, "thirty", normally read as 三十 sānshí, and 卌 xì "forty", normally read as 四十 "sìshí". In some cases counters are also merged into one character, such as 七十人 qīshí rén "seventy people". Another common abbreviation is 门 with a "T" written inside it, for 問題, 问题, wèntí ("question; problem"), where the "T" is from pinyin for the second syllable tí 题. Since polysyllabic characters are often non-standard, they are often excluded incharcter dictionaries.

Q1: What characters are often non-standard?
A1: polysyllabic
Q2: What is a commonly seen example?
A2: double happiness symbol
Q3: What is formed as a ligature?
A3: double happiness symbol
In certain cases compound words and set phrases may be contracted into single characters. Some of these can be considered logograms, where characters represent whole words rather than syllable-morphemes, though these are generally instead considered ligatures or abbreviations (similar to scribal abbreviations, such as & for "et"), and as non-standard. These do see use, particularly in handwriting or decoration, but also in some cases in print. In Chinese, these ligatures are called héwén (合文), héshū (合書) or hétǐzì (合体字), and in the special case of combining two characters, these are known as "two-syllable Chinese characters" (双音节汉字, 雙音節漢字).

Q1: What may be contracted into single characters?
A1: compound words and set phrases
Q2: What can be considered as set phrases?
A2: single characters
Q3: What are logograms?
A3: characters represent whole words rather than syllable-morphemes
Chinese characters are primarily morphosyllabic, meaning that most Chinese morphemes are monosyllabic and are written with a single character, though in modern Chinese most words are disyllabic and dimorphemic, consisting of two syllables, each of which is a morpheme. In modern Chinese 10% of morphemes only occur as part of a given compound. However, a few morphemes are disyllabic, some of them dating back to Classical Chinese. Excluding foreign loan words, these are typically words for plants and small animals. They are usually written with a pair of phono-semantic compound characters sharing a common radical. Examples are 蝴蝶 húdié "butterfly" and 珊瑚 shānhú "coral". Note that the 蝴 hú of húdié and the 瑚 hú of shānhú have the same phonetic, 胡, but different radicals ("insect" and "jade", respectively). Neither exists as an independent morpheme except as a poetic abbreviation of the disyllabic word.

Q1: What are primarily morphosyllabic?
A1: Chinese characters
Q2: What are written with a single character?
A2: Chinese morphemes
Q3: What have the same phonetic, but different radicals?
A3: 蝴 hú of húdié and the 瑚 hú of shānhú
In addition to strictness in character size and shape, Chinese characters are written with very precise rules. The most important rules regard the strokes employed, stroke placement, and stroke order. Just as each region that uses Chinese characters has standardized character forms, each also has standardized stroke orders, with each standard being different. Most characters can be written with just one correct stroke order, though some words also have many valid stroke orders, which may occasionally result in different stroke counts. Some characters are also written with different stroke orders due to character simplification.

Q1: What are written with very precise rules?
A1: Chinese characters
Q2: What has standardized character forms?
A2: Chinese characters
Q3: What are also written with different stroke orders due to character simplification?
A3: characters
Just as Roman letters have a characteristic shape (lower-case letters mostly occupying the x-height, with ascenders or descenders on some letters), Chinese characters occupy a more or less square area in which the components of every character are written to fit in order to maintain a uniform size and shape, especially with small printed characters in Ming and sans-serif styles. Because of this, beginners often practise writing on squared graph paper, and the Chinese sometimes use the term "Square-Block Characters" (方块字 / 方塊字, fāngkuàizì), sometimes translated as tetragraph, in reference to Chinese characters.

Q1: What have a characteristic shape?
A1: Roman letters
Q2: What occupy a more or less space area?
A2: Chinese characters
Q3: What can sometimes be translated as tetragraph?
A3: Square-Block Characters
Regular script typefaces are also commonly used, but not as common as Ming or sans-serif typefaces for body text. Regular script typefaces are often used to teach students Chinese characters, and often aim to match the standard forms of the region where they are meant to be used. Most typefaces in the Song dynasty were regular script typefaces which resembled a particular person's handwriting (e.g. the handwriting of Ouyang Xun, Yan Zhenqing, or Liu Gongquan), while most modern regular script typefaces tend toward anonymity and regularity.

Q1: What are commonly used?
A1: Regular script typefaces
Q2: What are often used to teach students Chinese characters?
A2: Regular script typefaces
Q3: What resembles an actual person's handwriting?
A3: handwriting of Ouyang Xun
The art of writing Chinese characters is called Chinese calligraphy. It is usually done with ink brushes. In ancient China, Chinese calligraphy is one of the Four Arts of the Chinese Scholars. There is a minimalist set of rules of Chinese calligraphy. Every character from the Chinese scripts is built into a uniform shape by means of assigning it a geometric area in which the character must occur. Each character has a set number of brushstrokes; none must be added or taken away from the character to enhance it visually, lest the meaning be lost. Finally, strict regularity is not required, meaning the strokes may be accentuated for dramatic effect of individual style. Calligraphy was the means by which scholars could mark their thoughts and teachings for immortality, and as such, represent some of the more precious treasures that can be found from ancient China.

Q1: What is the art of writing Chinese characters?
A1: Chinese calligraphy
Q2: What is one of the Four Arts of the Chinese Scholars?
A2: Chinese calligraphy
Q3: What is not required?
A3: strict regularity
The cursive script (草書(书), cǎoshū, literally "grass script") is used informally. The basic character shapes are suggested, rather than explicitly realized, and the abbreviations are sometimes extreme. Despite being cursive to the point where individual strokes are no longer differentiable and the characters often illegible to the untrained eye, this script (also known as draft) is highly revered for the beauty and freedom that it embodies. Some of the simplified Chinese characters adopted by the People's Republic of China, and some simplified characters used in Japan, are derived from the cursive script. The Japanese hiragana script is also derived from this script.

Q1: What script is used informally?
A1: cursive
Q2: What are suggested, rather than explicitly realized?
A2: basic character shapes
Q3: What script is derived from the cursive script?
A3: Japanese hiragana script
The Shang dynasty oracle bone script and the Zhou dynasty scripts found on Chinese bronze inscriptions are no longer used; the oldest script that is still in use today is the Seal Script (篆書(书), zhuànshū). It evolved organically out of the Spring and Autumn period Zhou script, and was adopted in a standardized form under the first Emperor of China, Qin Shi Huang. The seal script, as the name suggests, is now used only in artistic seals. Few people are still able to read it effortlessly today, although the art of carving a traditional seal in the script remains alive; some calligraphers also work in this style.

Q1: What script is only used in artistic seals?
A1: seal
Q2: What script is the oldest and still in use today?
A2: Seal
Q3: Who work in the style of carving a traditional seal in the script?
A3: calligraphers
The following is a comparison of Chinese characters in the Standard Form of National Characters, a common traditional Chinese standard used in Taiwan, the Table of General Standard Chinese Characters, the standard for Mainland Chinese simplified Chinese characters, and the jōyō kanji, the standard for Japanese kanji. Generally, the jōyō kanji are more similar to traditional Chinese characters than simplified Chinese characters are to traditional Chinese characters. "Simplified" refers to having significant differences from the Taiwan standard, not necessarily being a newly created character or a newly performed substitution. The characters in the Hong Kong standard and the Kangxi Dictionary are also known as "Traditional," but are not shown.

Q1: What are also known as "traditional"?
A1: characters in the Hong Kong standard and the Kangxi Dictionary
Q2: What is usually more similar to traditional Chinese characters?
A2: jōyō kanji
Q3: What is commonly used in Taiwan?
A3: Table of General Standard Chinese Characters
In the years after World War II, the Japanese government also instituted a series of orthographic reforms. Some characters were given simplified forms called shinjitai 新字体 (lit. "new character forms", the older forms were then labelled the kyūjitai 旧字体, lit. "old character forms"). The number of characters in common use was restricted, and formal lists of characters to be learned during each grade of school were established, first the 1850-character tōyō kanji 当用漢字 list in 1945, the 1945-character jōyō kanji 常用漢字 list in 1981, and a 2136-character reformed version of the jōyō kanji in 2010. Many variant forms of characters and obscure alternatives for common characters were officially discouraged. This was done with the goal of facilitating learning for children and simplifying kanji use in literature and periodicals. These are simply guidelines, hence many characters outside these standards are still widely known and commonly used, especially those used for personal and place names (for the latter, see jinmeiyō kanji),[citation needed] as well as for some common words such as "dragon" (Japanese kana: たつ, Rōmaji: tatsu) in which both the shinjitai 竜 and the kyūjitai 龍 forms of the kanji are both acceptable and widely known amongst native Japanese speakers.

Q1: What did the Japanese government institute?
A1: series of orthographic reforms
Q2: What was restricted?
A2: The number of characters in common use
Q3: When was the 2136 character reformed?
A3: 2010
The majority of simplified characters are drawn from conventional abbreviated forms, or ancient standard forms. For example, the orthodox character 來 lái ("come") was written with the structure 来 in the clerical script (隶书 / 隸書, lìshū) of the Han dynasty. This clerical form uses one fewer stroke, and was thus adopted as a simplified form. The character 雲 yún ("cloud") was written with the structure 云 in the oracle bone script of the Shang dynasty, and had remained in use later as a phonetic loan in the meaning of "to say" while the 雨 radical was added to differentiate meanings. The simplified form adopts the original structure.

Q1: What are drawn from conventional abbreviated forms?
A1: majority of simplified characters
Q2: What was written with the structure in the clerical script?
A2: orthodox character
Q3: What script uses one fewer stroke?
A3: clerical script
The People's Republic of China issued its first round of official character simplifications in two documents, the first in 1956 and the second in 1964. A second round of character simplifications (known as erjian, or "second round simplified characters") was promulgated in 1977. It was poorly received, and in 1986 the authorities rescinded the second round completely, while making six revisions to the 1964 list, including the restoration of three traditional characters that had been simplified: 叠 dié, 覆 fù, 像 xiàng.

Q1: Who issued its first round of character simplifications in two documents?
A1: The People's Republic of China
Q2: When was a second round announced?
A2: 1977
Q3: How was the second round received?
A3: poorly
Although most often associated with the People's Republic of China, character simplification predates the 1949 communist victory. Caoshu, cursive written text, almost always includes character simplification, and simplified forms have always existed in print, albeit not for the most formal works. In the 1930s and 1940s, discussions on character simplification took place within the Kuomintang government, and a large number of Chinese intellectuals and writers have long maintained that character simplification would help boost literacy in China. Indeed, this desire by the Kuomintang to simplify the Chinese writing system (inherited and implemented by the Communist Party of China) also nursed aspirations of some for the adoption of a phonetic script based on the Latin script, and spawned such inventions as the Gwoyeu Romatzyh.

Q1: What almost always includes character simplification?
A1: Caoshu
Q2: What is Caoshu?
A2: cursive written text
Q3: When did discussions of character simplification take place?
A3: In the 1930s and 1940s
The use of traditional Chinese characters versus simplified Chinese characters varies greatly, and can depend on both the local customs and the medium. Before the official reform, character simplifications were not officially sanctioned and generally adopted vulgar variants and idiosyncratic substitutions. Orthodox variants were mandatory in printed works, while the (unofficial) simplified characters would be used in everyday writing or quick notes. Since the 1950s, and especially with the publication of the 1964 list, the People's Republic of China has officially adopted simplified Chinese characters for use in mainland China, while Hong Kong, Macau, and the Republic of China (Taiwan) were not affected by the reform. There is no absolute rule for using either system, and often it is determined by what the target audience understands, as well as the upbringing of the writer.

Q1: What varies greatly?
A1: The use of traditional Chinese characters versus simplified Chinese characters
Q2: What were mandatory in printed works?
A2: Orthodox variants
Q3: What were adopted for use in mainland China?
A3: Chinese characters
According to the Rev. John Gulick: "The inhabitants of other Asiatic nations, who have had occasion to represent the words of their several languages by Chinese characters, have as a rule used unaspirated characters for the sounds, g, d, b. The Muslims from Arabia and Persia have followed this method … The Mongols, Manchu, and Japanese also constantly select unaspirated characters to represent the sounds g, d, b, and j of their languages. These surrounding Asiatic nations, in writing Chinese words in their own alphabets, have uniformly used g, d, b, & c., to represent the unaspirated sounds."

Q1: Who is John Gulick?
A1: Rev
Q2: Who constantly selected unaspirated characters?
A2: Mongols, Manchu, and Japanese
Q3: Who have followed this method?
A3: Muslims from Arabia and Persia
Although Chinese characters in Vietnam are now limited to ceremonial uses, they were once in widespread use. Until the early 20th century, Literary Chinese was used in Vietnam for all official and scholarly writing. Around the 13th century the Nôm script was developed to record folk literature in the Vietnamese language. The script used Chinese characters to represent both borrowed Sino-Vietnamese vocabulary and native words with similar pronunciation or meaning. In addition thousands of new compound characters were created to write Vietnamese words. This process resulted in a highly complex system that was never mastered by more than 5% of the population. Both Literary Chinese and Nôm were replaced in the early 20th century by Vietnamese written with the Latin-based Vietnamese alphabet.

Q1: What is now limited to ceremonial uses?
A1: Chinese characters in Vietnam
Q2: What were once in widespread use?
A2: Chinese characters in Vietnam
Q3: What was used in schooling?
A3: Literary Chinese
After Kim Jong Il, the second ruler of North Korea, died in December 2011, Kim Jong Un stepped up and began mandating the use of Hanja as a source of definition for the Korean language. Currently, it is said that North Korea teaches around 3,000 Hanja characters to North Korean students, and in some cases, the characters appear within advertisements and newspapers. However, it is also said that the authorities implore students not to use the characters in public. Due to North Korea's strict isolationism, accurate reports about hanja use in North Korea are hard to obtain.

Q1: When did the second ruler of North Korea pass away?
A1: December 2011
Q2: Who stepped up after 2011?
A2: Kim Jong Un
Q3: Who began moderating the use of Hanja?
A3: Kim Jong Un
When learning how to write hanja, students are taught to memorize the native Korean pronunciation for the hanja's meaning and the Sino-Korean pronunciations (the pronunciation based on the Chinese pronunciation of the characters) for each hanja respectively so that students know what the syllable and meaning is for a particular hanja. For example, the name for the hanja 水 is 물 수 (mul-su) in which 물 (mul) is the native Korean pronunciation for "water", while 수 (su) is the Sino-Korean pronunciation of the character. The naming of hanja is similar to if "water" were named "water-aqua", "horse-equus", or "gold-aurum" based on a hybridization of both the English and the Latin names. Other examples include 사람 인 (saram-in) for 人 "person/people", 큰 대 (keun-dae) for 大 "big/large//great", 작을 소 (jakeul-so) for 小 "small/little", 아래 하 (arae-ha) for 下 "underneath/below/low", 아비 부 (abi-bu) for 父 "father", and 나라이름 한 (naraimreum-han) for 韓 "Han/Korea".

Q1: What are students taught to memorize?
A1: native Korean pronunciation for the hanja's meaning
Q2: What is name of the hanja?
A2: mul-su
Q3: What is the Korean pronunciation of water?
A3: mul
There is a clear trend toward the exclusive use of hangul in day-to-day South Korean society. Hanja are still used to some extent, particularly in newspapers, weddings, place names and calligraphy (although it is nowhere near the extent of kanji use in day-to-day Japanese society). Hanja is also extensively used in situations where ambiguity must be avoided,[citation needed] such as academic papers, high-level corporate reports, government documents, and newspapers; this is due to the large number of homonyms that have resulted from extensive borrowing of Chinese words.

Q1: What is still being used according to experts?
A1: Hanja
Q2: What is used in situations where ambiguity must be avoided?
A2: Hanja
Q3: What is considered a location with a high level of ambiguity?
A3: weddings
In times past, until the 15th century, in Korea, Literary Chinese was the dominant form of written communication, prior to the creation of hangul, the Korean alphabet. Much of the vocabulary, especially in the realms of science and sociology, comes directly from Chinese, comparable to Latin or Greek root words in European languages. However, due to the lack of tones in Korean,[citation needed] as the words were imported from Chinese, many dissimilar characters took on identical sounds, and subsequently identical spelling in hangul.[citation needed] Chinese characters are sometimes used to this day for either clarification in a practical manner, or to give a distinguished appearance, as knowledge of Chinese characters is considered a high class attribute and an indispensable part of a classical education.[citation needed] It is also observed that the preference for Chinese characters is treated as being conservative and Confucian.

Q1: What was the dominant form of written communication?
A1: Literary Chinese
Q2: What is treated as being conservative and confucian?
A2: Chinese characters
Q3: What comes directly from China?
A3: science and sociology
Written Japanese also includes a pair of syllabaries known as kana, derived by simplifying Chinese characters selected to represent syllables of Japanese. The syllabaries differ because they sometimes selected different characters for a syllable, and because they used different strategies to reduce these characters for easy writing: the angular katakana were obtained by selecting a part of each character, while hiragana were derived from the cursive forms of whole characters. Modern Japanese writing uses a composite system, using kanji for word stems, hiragana for inflexional endings and grammatical words, and katakana to transcribe non-Chinese loanwords as well as serve as a method to emphasize native words (similar to how italics are used in Romance languages).

Q1: What also includes a pair of syllabaries?
A1: Written Japanese
Q2: Why do the syllabaries differ?
A2: they sometimes selected different characters for a syllable
Q3: What uses a composite system?
A3: Modern Japanese writing