romikgosai/squad_modified huggingface dataset:
Besides singing Madonna has the ability to play several musical instruments. She learned to play drum and guitar from her then-boyfriend Dan Gilroy in the late 1970s before joining the Breakfast Club line-up as the drummer. This helped her to form the band Emmy, where she performed as the guitarist and lead vocalist. Madonna later played guitar on her demo recordings. On the liner notes of Pre-Madonna, Stephen Bray wrote: "I've always thought she passed up a brilliant career as a rhythm guitarist." After her career breakthrough, Madonna focused mainly in singing but was also credited for playing cowbell on Madonna (1983) and synthesizer on Like a Prayer (1989). In 1999, Madonna had studied for three months to play the violin for the role as a violin teacher in the film Music of the Heart, before eventually leaving the project. After two decades, Madonna decided to perform with guitar again during the promotion of Music (2000). She took further lessons from guitarist Monte Pittman to improve her guitar skill. Since then Madonna has played guitar on every tour, as well as her studio albums. At the 2002 Orville H. Gibson Guitar Awards, she received nomination for Les Paul Horizon Award, which honors the most promising up-and-coming guitarist.

Questions and answers:
['
Q: Which instruments can Madonna play?
A: drum and guitar', '
Q: Who taught Madonna how to play the drum and guitar?
A: Dan Gilroy', '
Q: What instrument does Madonna play on her demo recordings?
A: guitar', '
Q: How long did Madonna spent learning to play the violin?
A: three months', '
Q: Who was the guitarist that Madonna learnt from to improve on her skills?
A: Monte Pittman']
According to Taraborrelli, the defining moment of Madonna's childhood was the tragic and untimely death of her beloved mother. Psychiatrist Keith Ablow suggests her mother's death would have had an immeasurable impact on the young Madonna at a time when her personality was still forming. According to Ablow, the younger a child is at the time of a serious loss, the more profound the influence and the longer lasting the impact. He concludes that "some people never reconcile themselves to such a loss at an early age, Madonna is not different than them." Conversely, author Lucy O'Brien feels the impact of the rape she suffered is, in fact, the motivating factor behind everything Madonna has done, more important even than the death of her mother: "It's not so much grief at her mother's death that drives her, as the sense of abandonment that left her unprotected. She encountered her own worst possible scenario, becoming a victim of male violence, and thereafter turned that full-tilt into her work, reversing the equation at every opportunity."

Questions and answers:
["
Q: According to who was the defining moment of Madonna's childhood with her mother's death?
A: Taraborrelli,", '
Q: Which psychiatrist said that when a parent dies when the child is young, it leaves a lasting impact?
A: Keith Ablow', "
Q: Who believes that the rape Madonna experienced is the driving force in life?
A: Lucy O'Brien"]
As they grew older Madonna and her sisters would feel deep sadness as the vivid memory of their mother began drifting farther from them. They would study pictures of her and come to think that she resembled poet Anne Sexton and Hollywood actresses. This would later raise Madonna's interest in poetry, with Sylvia Plath being her favourite. Later, Madonna commented: "We were all wounded in one way or another by [her death], and then we spent the rest of our lives reacting to it or dealing with it or trying to turn into something else. The anguish of losing my mom left me with a certain kind of loneliness and an incredible longing for something. If I hadn't had that emptiness, I wouldn't have been so driven. Her death had a lot to do with me saying—after I got over my heartache—I'm going to be really strong if I can't have my mother. I'm going to take care of myself." Taraborrelli felt that in time, no doubt because of the devastation she felt, Madonna would never again allow herself, or even her daughter, to feel as abandoned as she had felt when her mother died. "Her death had taught [Madonna] a valuable lesson, that she would have to remain strong for herself because, she feared weakness—particularly her own—and wanted to be the queen of her own castle."

Questions and answers:
['
Q: Who felt deep sadness as the death of their mother fades away?
A: Madonna and her sisters', "
Q: Who does Madonna's mum resemble?
A: poet Anne Sexton", "
Q: Who is Madonna's favorite poet?
A: Sylvia Plath", '
Q: Who felt that her mother death was the driving force behind her success?
A: Madonna']
In 1985, Madonna commented that the first song to ever make a strong impression on her was "These Boots Are Made for Walkin'" by Nancy Sinatra; she said it summed up her own "take-charge attitude". As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Mozart and Chopin because she liked their "feminine quality". Madonna's major influences include Karen Carpenter, The Supremes and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev. She also grew up listening to David Bowie, whose show was the first rock concert she ever attended.

Questions and answers:
['
Q: Which song made a strong impression on Madonna?
A: These Boots Are Made for Walkin', '
Q: Who sang the song these boots are made for walking?
A: Nancy Sinatra;', '
Q: Whose favorite style is baroque?
A: Madonna', '
Q: Who grew up listening to David Bowie?
A: Madonna', "
Q: Name one of Madonna's major influence?
A: Karen Carpenter"]
Madonna's Italian-Catholic background and her relationship with her parents are reflected in the album Like a Prayer. It was an evocation of the impact religion had on her career. Her video for the title track contains Catholic symbolism, such as the stigmata. During The Virgin Tour, she wore a rosary and prayed with it in the music video for "La Isla Bonita". The "Open Your Heart" video sees her boss scolding her in the Italian language. On the Who's That Girl World Tour, she dedicated the song "Papa Don't Preach" to Pope John Paul II.

Questions and answers:
["
Q: What is Madonna's religious background?
A: Italian-Catholic", "
Q: Like a Prayer reflects Madonna's relationship with who?
A: her parents", '
Q: In which video did Madonna wear a rosary?
A: La Isla Bonita"', '
Q: In which video does it show Madonna being scolded by her boss in Italian?
A: Open Your Heart', "
Q: She dedicated Papa Don't Preach to whom?
A: Pope John Paul II."]
During her childhood, Madonna was inspired by actors, later saying, "I loved Carole Lombard and Judy Holliday and Marilyn Monroe. They were all incredibly funny ... and I saw myself in them ... my girlishness, my knowingness and my innocence." Her "Material Girl" music video recreated Monroe's look in the song "Diamonds Are a Girl's Best Friend", from the film Gentlemen Prefer Blondes (1953). She studied the screwball comedies of the 1930s, particularly those of Lombard, in preparation for the film Who's That Girl. The video for "Express Yourself" (1989) was inspired by Fritz Lang's silent film Metropolis (1927). The video for "Vogue" recreated the style of Hollywood glamour photographs, in particular those by Horst P. Horst, and imitated the poses of Marlene Dietrich, Carole Lombard, and Rita Hayworth, while the lyrics referred to many of the stars who had inspired her, including Bette Davis, described by Madonna as an idol. However, Madonna's film career has been largely received negatively by the film critic community. Stephanie Zacharek, critic for Time magazine, stated that, "[Madonna] seems wooden and unnatural as an actress, and it's tough to watch, because she's clearly trying her damnedest." According to biographer Andrew Morton, "Madonna puts a brave face on the criticism, but privately she is deeply hurt." After the box office bomb Swept Away (2002), Madonna vowed that she would never again act in a film, hoping her repertoire as a bad actress would never be discussed again.

Questions and answers:
['
Q: Name one actor that Madonna was inspired by?
A: Marilyn Monroe', "
Q: Madonna's Material Girl recreated whose look?
A: Monroe's", '
Q: The video Express Yourself was inspired by which silent film?
A: Metropolis', '
Q: Who stated that Madonna was a bad actress to watch?
A: Stephanie Zacharek', "
Q: Which one of Madonna's movie is a box office bomb?
A: Swept Away"]
Influences also came to her from the art world, most notably through the works of Mexican artist Frida Kahlo. The music video of the song "Bedtime Story" featured images inspired by the paintings of Kahlo and Remedios Varo. Madonna is also a collector of Tamara de Lempicka's Art Deco paintings and has included them in her music videos and tours. Her video for "Hollywood" (2003) was an homage to the work of photographer Guy Bourdin; Bourdin's son subsequently filed a lawsuit for unauthorised use of his father's work. Pop artist Andy Warhol's use of sadomasochistic imagery in his underground films were reflected in the music videos for "Erotica" and "Deeper and Deeper".

Questions and answers:
['
Q: Whose art influence Madonna?
A: Frida Kahlo', '
Q: Which video featured art from Kahlo and Remedios Varo?
A: Bedtime Story', '
Q: Madonna collects whose painting?
A: Tamara de Lempicka', '
Q: Her video Hollywood was a homage to which photographer?
A: Guy Bourdin']
Madonna is dedicated to Kabbalah, and in 2004 she adopted the name Esther which in Persian means "star". She has donated millions of dollars to New York and London schools teaching the subject. She faced opposition from rabbis who felt Madonna's adoption of the Kabbalah was sacrilegious and a case of celebrity dilettantism. Madonna defended her studies, saying: "It would be less controversial if I joined the Nazi Party", and that her involvement with the Kabbalah is "not hurting anybody". The influence of the Kabbalah was subsequently observed in Madonna's music, especially albums like Ray of Light and Music. During the Re-Invention World Tour, at one point in the show, Madonna and her dancers wore T-shirts that read "Kabbalists Do It Better". Her 2012 MDNA album has also drawn many influences from her Catholic upbringing, and since 2011 she has been attending meetings and services at an Opus Dei center, a Catholic institution that encourages spirituality through every day life.

Questions and answers:
['
Q: Which religion was Madonna dedicated to?
A: Kabbalah', '
Q: Which year did she adopt the name Esther?
A: 2004', '
Q: The influence of Kabbalah is seen in which album?
A: Ray of Light', '
Q: Where did Madonna attend Catholic services in 2011?
A: Opus Dei center']
In The Madonna Companion biographers Allen Metz and Carol Benson noted that more than any other recent pop artist, Madonna had used MTV and music videos to establish her popularity and enhance her recorded work. According to them, many of her songs have the imagery of the music video in strong context, while referring to the music. Cultural critic Mark C. Taylor in his book Nots (1993) felt that the postmodern art form par excellence is video and the reigning "queen of video" is Madonna. He further asserted that "the most remarkable creation of MTV is Madonna. The responses to Madonna's excessively provocative videos have been predictably contradictory." The media and public reaction towards her most-discussed songs such as "Papa Don't Preach", "Like a Prayer", or "Justify My Love" had to do with the music videos created to promote the songs and their impact, rather than the songs themselves. Morton felt that "artistically, Madonna's songwriting is often overshadowed by her striking pop videos."

Questions and answers:
['
Q: Who are the Madonna Companion Biographers?
A: Allen Metz and Carol Benson', '
Q: Madonna used which TV company to help with her career?
A: MTV', '
Q: The most remarkable creation in MTV is whom?
A: Madonna']
Madonna's initial music videos reflected her American and Hispanic mixed street style combined with a flamboyant glamor. She was able to transmit her avant-garde downtown New York fashion sense to the American audience. The imagery and incorporation of Hispanic culture and Catholic symbolism continued with the music videos from the True Blue era. Author Douglas Kellner noted, "such 'multiculturalism' and her culturally transgressive moves turned out to be highly successful moves that endeared her to large and varied youth audiences." Madonna's Spanish look in the videos became the fashion trend of that time, in the form of boleros and layered skirts, accessorizing with rosary beads and a crucifix as in the video of "La Isla Bonita".

Questions and answers:
['
Q: What influence did Madonna music video reflects?
A: American and Hispanic mixed street style', '
Q: She transmit her avant garde style to which audience?
A: American audience', '
Q: Which look of Madonna became a fashion trend?
A: Spanish look', '
Q: What type of Spanish clothings were worn for the video La Ista Bonita?
A: boleros and layered skirts']
Academics noted that with her videos, Madonna was subtly reversing the usual role of male as the dominant sex. This symbolism and imagery was probably the most prevalent in the music video for "Like a Prayer". The video included scenes of an African-American church choir, Madonna being attracted to a statue of a black saint, and singing in front of burning crosses. This mix of the sacred and the profane upset the Vatican and resulted in the Pepsi commercial withdrawal. In 2003, MTV named her "The Greatest Music Video Star Ever" and said that "Madonna's innovation, creativity and contribution to the music video art form is what won her the award."

Questions and answers:
['
Q: Who noted that Madonna was reversing the gender role?
A: Academics', '
Q: In which video was it the most obvious?
A: "Like a Prayer', '
Q: Who named Madonna the Greatest Music Video star ever?
A: MTV', '
Q: When was Madonna awarded the accolade?
A: 2003']
Madonna's emergence occurred during the advent of MTV; Chris Nelson from The New York Times spoke of pop artists like Madonna saying, "MTV, with its almost exclusively lip-synched videos, ushered in an era in which average music fans might happily spend hours a day, every day, watching singers just mouth the words." The symbiotic relationship between the music video and lip-syncing led to a desire for the spectacle and imagery of the music video to be transferred to live stage shows. He added, "Artists like Madonna and Janet Jackson set new standards for showmanship, with concerts that included not only elaborate costumes and precision-timed pyrotechnics but also highly athletic dancing. These effects came at the expense of live singing." Thor Christensen of The Dallas Morning News commented that while Madonna earned a reputation for lip-syncing during her 1990 Blond Ambition World Tour, she has subsequently reorganized her performances by "stay[ing] mostly still during her toughest singing parts and [leaves] the dance routines to her backup troupe ... [r]ather than try to croon and dance up a storm at the same time."

Questions and answers:
['
Q: Who had new standards of showmanship?
A: Madonna and Janet Jackson', '
Q: Who earned a reputation of lip synching in the Blond Ambition Tour?
A: Madonna', '
Q: What came as an expense of live singing?
A: highly athletic dancing']
To allow for greater movement while dancing and singing, Madonna was one of the earliest adopters of hands-free radio-frequency headset microphones, with the headset fastened over the ears or the top of the head, and the microphone capsule on a boom arm that extended to the mouth. Because of her prominent usage, the microphone design came to be known as the "Madonna mic". Metz noted that Madonna represents a paradox as she is often perceived as living her whole life as a performance. While her big-screen performances are panned, her live performances are critical successes. Madonna was the first artist to have her concert tours as reenactment of her music videos. Author Elin Diamond explained that reciprocally, the fact that images from Madonna's videos can be recreated in a live setting enhances the realism of the original videos. Thus her live performances have become the means by which mediatized representations are naturalized. Taraborrelli said that encompassing multimedia, latest technology and sound systems, Madonna's concerts and live performances are deemed as "extravagant show piece, a walking art show."

Questions and answers:
['
Q: What did Madonna use in her concerts?
A: hands-free radio-frequency headset microphones', '
Q: What was the microphone coined as?
A: "Madonna mic"', '
Q: Who is first to have reenactment of her music videos in concerts?
A: Madonna', "
Q: Whose concerts are extravagant live shows?
A: Madonna's"]
Various music journalists, critical theorists, and authors have deemed Madonna the most influential female recording artist of all time. Author Carol Clerk wrote that "during her career, Madonna has transcended the term 'pop star' to become a global cultural icon." Rolling Stone of Spain wrote that "She became the first viral Master of Pop in history, years before the Internet was massively used. Madonna was everywhere; in the almighty music television channels, 'radio formulas', magazine covers and even in bookshops. A pop dialectic, never seen since The Beatles's reign, which allowed her to keep on the edge of tendency and commerciality." Laura Barcella in her book Madonna and Me: Women Writers on the Queen of Pop (2012) wrote that "really, Madonna changed everything the musical landscape, the '80s look du jour, and most significantly, what a mainstream female pop star could (and couldn't) say, do, or accomplish in the public eye." William Langley from The Daily Telegraph felt that "Madonna has changed the world's social history, has done more things as more different people than anyone else is ever likely to." Alan McGee from The Guardian felt that Madonna is a post-modern art, the likes of which we will never see again. He further asserted that Madonna and Michael Jackson invented the terms Queen and King of Pop.

Questions and answers:
['
Q: Who is the most influential recording artist of all time?
A: Madonna', '
Q: Who wrote the book, Madonna and Me?
A: Laura Barcella', '
Q: Who said that Madonna changed the world social history?
A: William Langley from The Daily Telegraph', '
Q: Who said that Madonna is like post-moderm art?
A: Alan McGee from The Guardian']
According to Tony Sclafani from MSNBC, "It's worth noting that before Madonna, most music mega-stars were guy rockers; after her, almost all would be female singers ... When The Beatles hit America, they changed the paradigm of performer from solo act to band. Madonna changed it back—with an emphasis on the female." Howard Kramer, curatorial director of the Rock and Roll Hall of Fame and Museum, asserted that "Madonna and the career she carved out for herself made possible virtually every other female pop singer to follow ... She certainly raised the standards of all of them ... She redefined what the parameters were for female performers." According to Fouz-Hernández, subsequent female singers such as Britney Spears, Christina Aguilera, Kylie Minogue, the Spice Girls, Destiny's Child, Jennifer Lopez, and Pink were like her "daughters in the very direct sense that they grew up listening to and admiring Madonna, and decided they wanted to be like her." Time magazine included her in the list of the "25 Most Powerful Women of the Past Century", where she became one of only two singers to be included, alongside Aretha Franklin. She also topped VH1's lists of "100 Greatest Women in Music" and "50 Greatest Women of the Video Era".

Questions and answers:
['
Q: Who changed the dynamics of the singers back to mostly female?
A: Madonna', '
Q: Who is the director of the curator of Rock and Roll Hall of Fame and Museum?
A: Howard Kramer', '
Q: A lot of modern pop artist grew up listening to whom?
A: Madonna,', '
Q: Who included Madonna as the most powerful woman of the century?
A: Time magazine', '
Q: Who is the other woman who earned the title?
A: Aretha Franklin']
Madonna's use of sexual imagery has benefited her career and catalyzed public discourse on sexuality and feminism. As Roger Chapman documents in Culture Wars: An Encyclopedia of Issues, Viewpoints, and Voices, Volume 1 (2010), she has drawn frequent condemnation from religious organizations, social conservatives and parental watchdog groups for her use of explicit, sexual imagery and lyrics, religious symbolism, and otherwise "irreverent" behavior in her live performances. The Times wrote that she had "started a revolution amongst women in music ... Her attitudes and opinions on sex, nudity, style and sexuality forced the public to sit up and take notice." Professor John Fiske noted that the sense of empowerment that Madonna offers is inextricably connected with the pleasure of exerting some control over the meanings of self, of sexuality, and of one's social relations. In Doing Gender in Media, Art and Culture (2009), the authors noted that Madonna, as a female celebrity, performer, and pop icon, is able to unsettle standing feminist reflections and debates. According to lesbian feminist Sheila Jeffreys, Madonna represents woman's occupancy of what Monique Wittig calls the category of sex, as powerful, and appears to gleefully embrace the performance of the sexual corvée allotted to women. Professor Sut Jhally has referred to Madonna as "an almost sacred feminist icon."

Questions and answers:
['
Q: Madonna used what to benefit her career?
A: sexual imagery', '
Q: Who started a revolution in music with women?
A: Madonna', '
Q: Who wrote that Madonna is an almost scared feminist icon?
A: Professor Sut Jhally', '
Q: Who is regarded as a feminist during her time?
A: Madonna']
Madonna has received acclaim as a role model for businesswomen in her industry, "achieving the kind of financial control that women had long fought for within the industry", and generating over $1.2 billion in sales within the first decade of her career. Professor Colin Barrow from Cranfield School of Management described Madonna as "America's smartest businesswoman ... who has moved to the top of her industry and stayed there by constantly reinventing herself." London Business School academics called her a "dynamic entrepreneur" worth copying; they identified her vision of success, her understanding of the music industry, her ability to recognize her own performance limits (and thus bring in help), her willingness to work hard and her ability to adapt as the keys to her commercial success. Morton wrote that "Madonna is opportunistic, manipulative, and ruthless—somebody who won't stop until she gets what she wants—and that's something you can get at the expense of maybe losing your close ones. But that hardly mattered to her." Hazel Blackmore and Rafael Fernández de Castro in the book ¿Qué es Estados Unidos? from the Fondo de Cultura Económica, noted: "Madonna has been undoubtedly the most important woman in the history of popular music and a great businesswoman in herself; creating fashion, breaking taboos and provoking controversies."

Questions and answers:
['
Q: Who is an acclaim role model business woman?
A: Madonna', '
Q: Madonna generated how much in sales in the first 10 years of her career?
A: $1.2 billion in', '
Q: Who called Madonna a dynamic entrepreneur?
A: London Business School academics', '
Q: Who wrote that Madonna is opportunistic, manipulative and ruthless?
A: Morton']