romikgosai/squad_modified huggingface dataset:
Deep house's origins can be traced to Chicago producer Mr Fingers's relatively jazzy, soulful recordings "Mystery of Love" (1985) and "Can You Feel It?" (1986). According to author Richie Unterberger, it moved house music away from its "posthuman tendencies back towards the lush" soulful sound of early disco music.

Questions and answers:
['
Q: what producer was the first to produce deep house? 
A: Mr Fingers', "
Q: where was producer mr. fingers' from?
A: Chicago", '
Q: when was mr. fingers\' "mystery of love" released? 
A: 1985', '
Q: when was mr. fingers\' "can you feel it?" released?
A: 1986']
Acid house arose from Chicago artists' experiments with the squelchy Roland TB-303 bass synthesizer, and the style's origins on vinyl is generally cited as Phuture's "Acid Tracks" (1987). Phuture, a group founded by Nathan "DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson, is credited with having been the first to use the TB-303 in the house music context. The group's 12-minute "Acid Tracks" was recorded to tape and was played by DJ Ron Hardy at the Music Box, where Hardy was resident DJ. Hardy once played it four times over the course of an evening until the crowd responded favorably. The track also utilized a Roland TR-707 drum machine.

Questions and answers:
['
Q: When was Phuture\'s "Acid Tracks" released?
A: 1987', '
Q: Who founded the group Phuture?
A: Nathan "DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson', '
Q: what instrument was Phuture the first to use in house music?
A: TB-303', '
Q: how long was phuture\'s "acid tracks"?
A: 12-minute', '
Q: what type of drum machine did "acid tracks" use?
A: Roland TR-707']
Club play from pioneering Chicago DJs such as Hardy and Lil Louis, local dance music record shops such as Importes, State Street Records, Loop Records, Gramaphone Records and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago. Later, visiting DJs & producers from Detroit fell into the genre. Trax Records and DJ International Records, Chicago labels with wider distribution, helped popularize house music inside and outside of Chicago. One 1986 house tune called "Move Your Body" by Marshall Jefferson, taken from the appropriately titled "The House Music Anthem" EP, became a big hit in Chicago and eventually worldwide. By 1986, UK labels were releasing house music by Chicago acts, and by 1987 house tracks by Chicago DJs and producers were appearing on and topping the UK music chart. By this time, house music released by Chicago-based labels was considered a must-play in clubs.

Questions and answers:
['
Q: what radio station aired the Hot Mix 5 show?
A: WBMX-FM', '
Q: what record labels helped popularize house music?
A: Trax Records and DJ International Records', '
Q: what song by marshall jefferson became a big house hit?
A: "Move Your Body"', '
Q: what european country were big house music hits being released in, in 1987?
A: UK', '
Q: where was house music from chicago-based labels considered a must-play?
A: clubs']
The term "house music" is said to have originated from a Chicago club called The Warehouse, which existed from 1977 to 1983. Clubbers to The Warehouse were primarily black and gay, who came to dance to music played by the club's resident DJ Frankie Knuckles, whom fans refer to as the "godfather of house". After the Warehouse closed in 1983, the crowds went to Knuckles' new club, The Power Plant. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!", and then everybody laughed. South-Side Chicago DJ Leonard "Remix" Roy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets. Farley Jackmaster Funk was quoted as saying "In 1982, I was DJing at a club called The Playground and there was this kid named Leonard 'Remix' Roy who was a DJ at a rival club called The Rink. He came over to my club one night, and into the DJ booth and said to me, 'I've got the gimmick that's gonna take all the people out of your club and into mine – it's called House music.' Now, where he got that name from or what made him think of it I don't know, so the answer lies with him."

Questions and answers:
["
Q: what club did the term 'house music' originate from?
A: The Warehouse", '
Q: what city was the club The Warehouse located in?
A: Chicago', '
Q: what years was the club The warehouse open?
A: 1977 to 1983', '
Q: what types of people did the club The Warehouse attract?
A: primarily black and gay', '
Q: who was the resident DJ at The Warehouse in Chicago?
A: Frankie Knuckles']
Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labeling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub were labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Questions and answers:
['
Q: what is the name of Chip E\'s 1985 house hit?
A: "It\'s House"', '
Q: when was Chip E\'s hit "It\'s House" released?
A: 1985', "
Q: the term 'house music' came from the labeling of records at what store?
A: Importes Etc"]
In a 1986 interview, Rocky Jones, the former club DJ who ran the D.J. International record label, doesn't mention Importes Etc., Frankie Knuckles, or the Warehouse by name, but agrees that "house" was a regional catch-all term for dance music, and that it was once synonymous with older disco music.

Questions and answers:
['
Q: who ran the D.J. International record label?
A: Rocky Jones', '
Q: House is a regional catch-all term for what kind of music?
A: dance music,', "
Q: what was 'house music' once synonymous with?
A: older disco music"]
Larry Heard, a.k.a. "Mr. Fingers", claims that the term "house" became popular due to many of the early DJs creating music in their own homes using synthesizers and drum machines such as the Roland TR-808, TR-909, and the TB 303.[citation needed] These synthesizers were used to create a house subgenre called acid house.

Questions and answers:
['
Q: What was the stage name of Larry Heard?
A: Mr. Fingers', '
Q: Why did the term house become popular? 
A: early DJs creating music in their own homes', '
Q: what are the Roland TR-808, TR-909, and TB 303 examples of?
A: synthesizers and drum machines', '
Q: synthesizers were used to create what house subgenre?
A: acid house', '
Q: what was the real name of Mr. Fingers?
A: Larry Heard']
Juan Atkins, an originator of Detroit techno music, claims the term "house" reflected the exclusive association of particular tracks with particular clubs and DJs; those records helped differentiate the clubs and DJs, and thus were considered to be their "house" records. In an effort to maintain such exclusives, the DJs were inspired to create their own "house" records.

Questions and answers:
['
Q: What is Juan Atkins an originator of?
A: Detroit techno music', '
Q: What did Atkins claim the term house reflected?
A: the exclusive association of particular tracks with particular clubs and DJs', '
Q: Why were DJs inspired to create their own house records?
A: differentiate the clubs and DJs']
House also had an influence of relaying political messages to people who were considered to be outcasts of society. The music appealed to those who didn't fit into mainstream American society and was especially celebrated by many black males. Frankie Knuckles once said that the Warehouse club in Chicago was like "church for people who have fallen from grace" The house producer Marshall Jefferson compared it to "old-time religion in the way that people just get happy and screamin'". Deep house was similar to many of the messages of freedom for the black community.

Questions and answers:
['
Q: Who did House relay political messages to? 
A: outcasts of society', '
Q: Who did Frankie Knuckles once say the Warehouse club was for? 
A: church for people who have fallen from grace', '
Q: Who was a famous house producer?
A: Marshall Jefferson', '
Q: where was the warehouse club located?
A: Chicago', '
Q: what community was deep house popular with?
A: the black community']
Detroit techno is an offshoot of Chicago house music. It was developed starting in the late 80s, one of the earliest hits being "Big Fun" by Inner City. Detroit techno developed as the legendary disc jockey The Electrifying Mojo conducted his own radio program at this time, influencing the fusion of eclectic sounds into the signature Detroit techno sound. This sound, also influenced by European electronica (Kraftwerk, Art of Noise), Japanese synthpop (Yellow Magic Orchestra), early B-boy Hip-Hop (Man Parrish, Soul Sonic Force) and Italo disco (Doctor's Cat, Ris, Klein M.B.O.), was further pioneered by Juan Atkins, Derrick May, and Kevin Saunderson, the "godfathers" of Detroit Techno.[citation needed]

Questions and answers:
['
Q: what was one of the earliest Detroit techno hits?
A: "Big Fun" by Inner City', '
Q: who started the Detroit techno development?
A: The Electrifying Mojo', '
Q: what was the nickname of juan atkins, derrick may, and devin saunderson?
A: the "godfathers" of Detroit Techno', '
Q: who were the early b-boy hip-hop artists that inspired detroit techno?
A: Man Parrish, Soul Sonic Force', '
Q: who were the european electronica artists that inspired detroit techno?
A: Kraftwerk, Art of Noise']
Derrick May a.k.a. "MAYDAY" and Thomas Barnett released "Nude Photo" in 1987 on May's label "Transmat Records", which helped kickstart the Detroit techno music scene and was put in heavy rotation on Chicago's Hot Mix 5 Radio DJ mix show and in many Chicago clubs.[citation needed] A year later, Transmat released what was to become one of techno and house music's classic anthems – the seminal track "Strings of Life". Transmat Records went on to have many more successful releases[citation needed] such as 1988's "Wiggin". As well, Derrick May had successful[citation needed] releases on Kool Kat Records and many remixes for a host of underground and mainstream recording artist.

Questions and answers:
['
Q: Mayday and Thomas Barnett released what hit in 1987?
A: "Nude Photo"', "
Q: what was the name of Mayday's record label?
A: Transmat Records", '
Q: What was the real name of the artist Mayday?
A: Derrick May', '
Q: what year was the hit song "wiggin" released?
A: 1988', '
Q: what label did Derrick May have successful releases on after his own?
A: Kool Kat Records']
Kevin Saunderson's company KMS Records contributed many releases that were as much house music as they were techno. These tracks were well received in Chicago and played on Chicago radio and in clubs.[citation needed] Blake Baxter's 1986 recording, "When we Used to Play / Work your Body", 1987's "Bounce Your Body to the Box" and "Force Field", "The Sound / How to Play our Music" and "the Groove that Won't Stop" and a remix of "Grooving Without a Doubt". In 1988, as house music became more popular among general audiences, Kevin Saunderson's group Inner City with Paris Gray released the 1988 hits "Big Fun" and "Good Life", which eventually were picked up by Virgin Records. Each EP / 12 inch single sported remixes by Mike "Hitman" Wilson and Steve "Silk" Hurley of Chicago and Derrick "Mayday" May and Juan Atkins of Detroit. In 1989, KMS had another hit release of "Rock to the Beat" which was a theme in Chicago dance clubs.[citation needed]

Questions and answers:
['
Q: who founded KMS Records?
A: Kevin Saunderson', '
Q: what was the name of Blake Baxter\'s 1986 hit recording?
A: "When we Used to Play / Work your Body"', '
Q: what was the name of Blake Baxter\'s 1987 hit recording?
A: "Bounce Your Body to the Box"', '
Q: what group released "Big Fun" and "Good Life" in 1988?
A: Inner City', '
Q: what was the 1989 hit theme released by KMS?
A: "Rock to the Beat"']
With house music already massive on the '80s dance-scene it was only a matter of time before it would penetrate the UK pop charts.[citation needed] The record generally credited as the first house hit in the UK was Farley "Jackmaster" Funk's "Love Can't Turn Around" which reached #10 in the UK singles chart in September 1986.

Questions and answers:
['
Q: what is credited as the first house hit in the UK?
A: Farley "Jackmaster" Funk\'s "Love Can\'t Turn Around"', '
Q: what did "Love Can\'t Turn Around" peak at in the UK charts?
A: #10', '
Q: what year did Farley Funk have his first UK hit?
A: 1986']
In January 1987, Chicago artist Steve "Silk" Hurley's "Jack Your Body" reached number one in the UK, showing it was possible for house music to cross over. The same month also saw Raze enter the top 20 with "Jack the Groove", and several further house hits reached the top ten that year. Stock Aitken Waterman's productions for Mel and Kim, including the number-one hit "Respectable", added elements of house to their previous Europop sound, and session group Mirage scored top-ten hits with "Jack Mix II" and "Jack Mix IV", medleys of previous electro and Europop hits rearranged in a house style. Key labels in the rise of house music in the UK included:

Questions and answers:
['
Q: What was the first house single to hit #1 in the UK?
A: Steve "Silk" Hurley\'s "Jack Your Body"', '
Q: What year did "Jack Your Body" hit #1 in the UK?
A: 1987', '
Q: Who had a hit single with "jack the groove"?
A: Raze', "
Q: what group's productions for Mel and Kim added elements of house to the europop sound?
A: Stock Aitken Waterman", "
Q: what was the name of mel and kim's number-one hit single in the UK?
A: Respectable"]
The tour in March 1987[citation needed] of Knuckles, Jefferson, Fingers Inc. (Heard) and Adonis as the DJ International Tour boosted house in the UK. Following the number-one success of MARRS' "Pump Up The Volume" in October, the years 1987 to 1989 also saw UK acts such as The Beatmasters, Krush, Coldcut, Yazz, Bomb The Bass, S-Express, and Italy's Black Box opening the doors to a house music onslaught on the UK charts. Early British house music quickly set itself apart from the original Chicago house sound;[citation needed] many of the early hits were based on sample montage, rap was often used for vocals (far more than in the US),[citation needed] and humor was frequently an important element.

Questions and answers:
['
Q: what tour boosted house in the UK in the late 80s?
A: Knuckles, Jefferson, Fingers Inc. (Heard) and Adonis as the DJ International Tour', '
Q: when did the DJ International Tour take place?
A: March 1987', '
Q: what was the name of MARRS\' number-one single in October 1987?
A: "Pump Up The Volume"', '
Q: what was frequently an important element of UK house music?
A: humor', '
Q: Sample montages were a key difference between british house music and what?
A: the original Chicago house sound']
One of the early anthemic tunes, "Promised Land" by Joe Smooth, was covered and charted within a week by the Style Council. Europeans embraced house, and began booking legendary American house DJs to play at the big clubs, such as Ministry of Sound, whose resident, Justin Berkmann brought in Larry Levan.

Questions and answers:
['
Q: who released the hit single "promised land"?
A: Joe Smooth', '
Q: who covered and charted the single "promised land"?
A: Style Council', '
Q: who was the resident of the Ministry of Sound?
A: Justin Berkmann', '
Q: who did Justin Berkmann bring into the club to play?
A: Larry Levan']
The house scene in cities such as Birmingham, Leeds, Sheffield and London were also provided with many underground Pirate Radio stations and DJs alike which helped bolster an already contagious, but otherwise ignored by the mainstream, music genre. The earliest and influential UK house and techno record labels such as Warp Records and Network Records (otherwise known as Kool Kat records) helped introduce American and later Italian dance music to Britain as well as promoting select UK dance music acts.

Questions and answers:
['
Q: what cities in the UK had major house scenes?
A: Birmingham, Leeds, Sheffield and London', '
Q: what helped to bolster house music in the uk?
A: underground Pirate Radio stations and DJs', '
Q: what were the earliest and most influential record labels in UK house music?
A: Warp Records and Network Records', '
Q: what was network records also known as?
A: Kool Kat records', '
Q: what type of dance music was later introduced alongside American house music?
A: Italian dance music']
But house was also being developed on Ibiza,[citation needed] although no house artists or labels were coming from this tiny island at the time. By the mid-1980s a distinct Balearic mix of house was discernible.[citation needed] Several clubs such as Amnesia with DJ Alfredo were playing a mix of rock, pop, disco and house. These clubs, fueled by their distinctive sound and Ecstasy, began to have an influence on the British scene. By late 1987, DJs such as Trevor Fung, Paul Oakenfold and Danny Rampling were bringing the Ibiza sound to UK clubs such as the Haçienda in Manchester, and in London clubs such as Shoom in Southwark, Heaven, Future and Spectrum.

Questions and answers:
['
Q: what tiny island was house music also being devloped on?
A: Ibiza', '
Q: what was a popular club in ibiza that started playing dance and house music?
A: Amnesia', '
Q: who was the DJ at Amnesia in the mid 80s?
A: DJ Alfredo', '
Q: who were some of the DJs that brought the ibiza sound to uk clubs in late 1987?
A: Trevor Fung, Paul Oakenfold and Danny Rampling', '
Q: what was the name of the big dance club in Manchester UK in the late 80s?
A: Haçienda']
In the U.S., the music was being developed to create a more sophisticated sound,[citation needed] moving beyond just drum loops and short samples. In Chicago, Marshall Jefferson had formed the house group Ten City Byron Burke, Byron Stingily & Herb Lawson(from "intensity"). New York–based performers such as Mateo & Matos and Blaze had slickly produced disco house tracks. In Detroit a proto-techno music sound began to emerge with the recordings of Juan Atkins, Derrick May and Kevin Saunderson.

Questions and answers:
['
Q: what group did Marshall Jefferson form?
A: Ten City Byron Burke, Byron Stingily & Herb Lawson(from "intensity")', '
Q: what sound emerged in Detroit with the recordings of juan atkins and derrick may?
A: proto-techno music sound', '
Q: where were mateo & matos based?
A: New York', '
Q: where was marshall jefferson based?
A: Chicago', '
Q: what sound did US house music move beyond in the late 80s?
A: drum loops and short samples']
Atkins, a former member of Cybotron, released Model 500 "No UFOs" in 1985, which became a regional hit, followed by dozens of tracks on Transmat, Metroplex and Fragile. One of the most unusual was "Strings of Life" by Derrick May, a darker, more intellectual strain of house. "Techno-Scratch" was released by the Knights Of The Turntable in 1984 which had a similar techno sound to Cybotron. The manager of the Factory nightclub and co-owner of the Haçienda, Tony Wilson, also promoted acid house culture on his weekly TV show. The Midlands also embraced the late 1980s house scene with illegal parties and more legal dance clubs such as The Hummingbird.

Questions and answers:
['
Q: atkins was a former member of what music group?
A: Cybotron', '
Q: what hit single did atkins release in 1985?
A: "No UFOs"', '
Q: what unusual single did derrick may release, featuring a darker strain of house?
A: "Strings of Life"', '
Q: what did knights of the turntable release in 1984?
A: Techno-Scratch', '
Q: who was the manager of the factory nightclub and co-owner of the hacienda?
A: Tony Wilson']
Back in America the scene had still not progressed beyond a small number of clubs in Chicago, Detroit, Newark and New York City. However, many independent Chicago-based record labels were making appearances on the Dance Chart with their releases. In the UK, any house song released by a Chicago-based label was routinely considered a must play at many clubs playing house music. Paradise Garage in New York City was still a top club. The emergence of Todd Terry, a pioneer of the genre, was important in America. His cover of Class Action's Larry Levan mixed "Weekend" demonstrated the continuum from the underground disco to a new house sound with hip-hop influences evident in the quicker sampling and the more rugged bass-line.

Questions and answers:
['
Q: what was a top club for house music in new york city?
A: Paradise Garage', '
Q: who was a pioneer of the genre in america?
A: Todd Terry', '
Q: what hit house song did todd terry cover? 
A: Weekend', '
Q: what new influences led to a new house sound?
A: hip-hop influences', '
Q: what was different about the bass-line in the hip-hop influenced house songs?
A: more rugged']
In the late 1980s, Nu Groove Records prolonged, if not launched the careers of Rheji Burrell & Rhano Burrell, collectively known as Burrell (after a brief stay on Virgin America via Timmy Regisford and Frank Mendez), along with basically every relevant DJ and Producer in the NY underground scene. The Burrell's are responsible for the "New York Underground" sound and are the undisputed champions of this style of house. Their 30+ releases on this label alone seems to support that fact. In today's market Nu Groove Record releases like the Burrells' enjoy a cult-like following and mint vinyl can fetch $100 U.S. or more in the open market.

Questions and answers:
['
Q: what label launched the careers of burrell?
A: Nu Groove Records', '
Q: what sound are the burrell\'s responsible for? 
A: "New York Underground"', '
Q: how much can old vinyl releases of the burrells sell for today?
A: $100', "
Q: what label were the burrell's briefly with before their success?
A: Virgin America"]
By the late 80s, House had moved West, particularly to San Francisco, Oakland, Los Angeles, Fresno, San Diego and Seattle. Los Angeles saw a huge explosion of underground raves and DJs, notably DJs Marques Wyatt and Billy Long, who spun at Jewel's Catch One, the oldest dance club in America. In 1989, the L.A. based, former EBN-OZN singer/rapper Robert Ozn started indie house label One Voice Records, releasing the Mike "Hitman" Wilson remix of Dada Nada's "Haunted House," which garnered instant club and mix show radio play in Chicago, Detroit and New York as well as in the U.K. and France. The record shot up to Number Five on the Billboard Club Chart, marking it as the first House record by a white artist to chart in the U.S. Dada Nada, the moniker for Ozn's solo act, released in 1990, what has become a classic example of jazz-based Deep House, the Frankie Knuckles and David Morales remix of Dada Nada's "Deep Love" (One Voice Records/US, Polydor/UK), featuring Ozn's lush, crooning vocals and muted trumpet improvisational solos, underscoring Deep House's progression into a genre that integrated jazz and pop songwriting structures – a feature which continued to set it apart from Acid House and Techno.

Questions and answers:
["
Q: what is the oldest dance club in america?
A: Jewel's Catch One", '
Q: where did DJs marques wyatt and billy long become successful?
A: Los Angeles', '
Q: what label did robert ozn start in 1989?
A: One Voice Records', '
Q: one voice records released a remix of what dada nada song in 1989?
A: Haunted House', "
Q: dada nada was the moniker for what artist's solo act?
A: Ozn"]