Conversation so far:
What were some of the first changes the BBC Radiophonic Workshop made?
As the sixties drew to a close many of the techniques used by the Workshop changed as more electronic music began to be produced by synthesisers.
Did most in the BBC Radiophonic Workshop like using synthesisers?
Many of the old members of the Workshop were reluctant to use the new instruments, often because of the limitations and unreliable nature of many of the early synthesisers.
Did BBC Radiophonic Workshop musicians begin to like synthesisers?
This led to many leaving the workshop making way for a new generation of musicians in the early 1970s including Malcolm Clarke, Paddy Kingsland, Roger Limb and Peter Howell.
Was the BBC Radiophonic Workshop in demand most of the time?
By this point the output of the Workshop was vast with high demand for complete scores for programmes as well as the themes and sound effects
Did the BBC Radiophonic Workshop make a lot of programs and shows?
By the end of the decade the workshop was contributing to over 300 programmes a year from all departments of the BBC
Did BBC Radiophonic Workshop produce any well known programming?
The unit is known for its popular scores for programs such as Doctor Who and Quatermass and the Pit during the 1950s and 1960s.
Were there other shows that were popular as well BCC Radiophonc Workshop produce besides Doctor Who and Quatermass and the Pit?
Its contributions included material for programmes such as The Body in Question, Blue Peter and Tomorrow's World

Question: Is there anything else interesting?
Self-contained rewrite: Is there anything else interesting on BBC Radiophonic Workshop besides synthsisers, work output, Doctor Who, Quatermass and the Pit, The Body in Question, Blue Peter and Tomorrow's World?