This book took me a whole month to finish, though all things considered, it was a not a complicated or difficult book to read. The story of an aspiring young magician, Kvothe, who seeks entry to the prestigious University to become an arcanist, does seem rather Harry Potterish, though this is by no means a disparaging comparison.What distinguishes this fantasy novel from others of its ilk is the rather believable magic the author conjures. For instance, this first of a trilogy introduces us to "sympathy", a magical force which boasts elements of scientific concepts like thermodynamics, in the way objects can be moved by creating a sympathetic link between them to transfer energy.To Rothfuss's credit, he manages to create a fictional world that runs rather consistently according to a system he imagines. Kvothe's musical background is established by his childhood as part of the Edema Ruh, a troupe of people very much like the travelling minstrels, and music features as much as magic in the story. The inciting incident that throws young Kvothe into action is perhaps the murder of his parents and entire troupe by the Chandrian, a mythical evil force that is the stuff of faerie tales even in Kvothe's world, which complicates his quest to avenge his parents. Do the Chanrians exist or don't they? In the process, he becomes a street urchin for a period of three years, during which he learns a little about the Chandrian, and confirms his resolve to learn as much as he can about them by setting out for the University.However, the reader becomes very aware of the narrative lapsing into that of pre-pubescent boy, who is suitably enamoured with the first mysterious beauty, Denna, whom he meets enroute to the University, and who continues to appear in his life years later. Our young hero is caught gawking at women's bodies like a hormonal teen in parts of his narrative, while at the same time becoming obsessed with Denna despite her cruelty and contrary signals to him. One can't help but be irritated by Kvothe's willingness to explain her irresponsible behaviour away to his two best friends at the Uni in a very unconvincing conversation near the close of the book.The action in the novel is tempered by these distractions, especially in an episode with a draccus (a mythical dragonlike lizard) where he and Denna flirt, while also plotting to slay the creature. Arguably, the narrative structure also serves to distract, rather than add to the telling of the tale. I couldn't help but feel that the narrative frame of the adult Kvothe narrating the story to a Chronicler at an inn, is an unnecessary complication. Perhaps I would be proven wrong after reading the other two books in the trilogy (the third book still pending release at the time of this review). In the meantime, most of the other characters feel flat and undeveloped, largely owing, I feel, to the singular perspective Rothfuss gives to Kvothe throughout his recount of his past.Nonetheless, the story is entertaining, even if the writing is uneven in some parts, with overused phrases like "safe as houses". I look forward to Kvothe learning the name of the wind in the next book. 

Question: How is the great deal?
Answer: the novel is tempered