Rencana ini ialah mengenai kugiran rock dari United Kingdom.  Untuk majalah terbitan Amerika Syarikat hampir bernama sama, sila lihat Rolling Stone.

**The Rolling Stones** ialah sebuah kumpulan rock Inggeris yang ditubuhkan di London pada tahun 1962. Aktif sepanjang tujuh dekad, mereka adalah salah satu kumpulan paling popular dan kekal pada era rock. Pada awal tahun 1960-an, kumpulan itu beberapa kali mempelopori bunyi berpacuan berirama yang mentakrifkan hard rock. Barisan stabil pertama mereka terdiri daripada vokalis Mick Jagger, gitaris Keith Richards, multi-instrumentalis Brian Jones, pemain bass Bill Wyman dan pemain dram Charlie Watts. Semasa tahun-tahun awal mereka, Jones adalah ketua utama kumpulan itu. Selepas Andrew Loog Oldham menjadi pengurus kumpulan itu pada tahun 1963, dia menggalakkan mereka menulis lagu mereka sendiri. Jagger–Richards perkongsian menjadi kuasa lagu senikata dan kreatif utama kumpulan itu; ini mengasingkan Jones, yang mengembangkan ketagihan dadah yang pada tahun 1968 mengganggu keupayaannya untuk menyumbang secara bermakna.

Berakar pada blues dan awal rock and roll, Rolling Stones mula bermain covers dan berada di barisan hadapan British Invasion pada tahun 1964, dikenal pasti dengan golongan muda dan memberontak budaya lawan 1960-an. Mereka kemudiannya menemui kejayaan yang lebih besar dengan bahan mereka sendiri, sebagai "(I Can't Get No) Satisfaction, "Get Off of My Cloud" (kedua-duanya 1965), dan "Paint It Black" (1966) menjadi nombor satu antarabangsa hits. *Aftermath* (1966) – album asli pertama mereka – sering dianggap sebagai yang paling penting dalam album awal mereka. Pada tahun 1967, mereka mendapat double-sided hit "Ruby Tuesday"/"Let's Spend the Night Together" dan bereksperimen dengan rock psychedelic pada *Their Satanic Majesties Request*. Menjelang akhir tahun 1960-an, mereka telah kembali kepada bunyi rock berasaskan rhythm and blues mereka, dengan single hit "Jumpin' Jack Flash" (1968) dan "Honky Tonk Women" (1969), dan album *Beggars Banquet* (1968), menampilkan "Sympathy for the Devil" dan "Street Fighting Man", dan *Let It Bleed*  (1969), menampilkan "You Can't Always Get What You Want" dan "Gimme Shelter".

Jones dipaksa untuk mengundurkan diri daripada kumpulan itu sama sekali sebelum kematiannya pada tahun 1969, digantikan oleh pemain gitar kedua Mick Taylor. That year they were first introduced on stage as "The Greatest Rock and Roll Band in the World". Pada tahun itu mereka mula-mula diperkenalkan di atas pentas sebagai "Kugiran Rock dan Roll Terhebat di Dunia". *Sticky Fingers* (1971), yang menghasilkan "Brown Sugar" dan "Wild Horses" dan termasuk penggunaan pertama logo lidah dan bibir mereka, adalah yang pertama daripada lapan album studio nombor satu berturut-turut di AS. *Exile on Main St.* (1972), menampilkan "Tumbling Dice", dan *Goats Head Soup* (1973), menampilkan "Angie", juga terlaris. Taylor mengundurkan diri daripada kumpulan itu pada penghujung tahun 1974, dan digantikan oleh Ronnie Wood. Band ini mengeluarkan *Some Girls* pada tahun 1978, menampilkan "Miss You", dan *Tattoo You* pada tahun 1981, menampilkan "Start Me Up". *Steel Wheels* (1989) secara meluas dianggap sebagai album comeback dan diikuti oleh *Voodoo Lounge* (1994). Kedua-dua keluaran telah dipromosikan oleh stadium besar dan lawatan arena, kerana Stones terus menjadi tarikan konsert yang besar; menjelang 2007 mereka telah merekodkan sepanjang masa lawatan konsert dengan kutipan tertinggi tiga kali, dan baru-baru ini pada 2021 mereka adalah beberapa kali aksi langsung dengan pendapatan tertinggi pada tahun itu. Selepas pemergian Wyman pada tahun 1993, kumpulan itu diteruskan sebagai teras empat keping, dengan Darryl Jones menjadi pemain bass tetap mereka, dan kemudian sebagai teras tiga keping selepas kematian Watts pada 2021, dengan Steve Jordan menjadi pemain dram tetap mereka. *Hackney Diamonds*, the band's first new album of original material in eighteen years, was released in October 2023, becoming their fourteenth UK number-one album.

Anggaran rekod jualan Rolling Stones sebanyak 200–juta menjadikan mereka salah satu daripada artis muzik terlaris sepanjang zaman. Kumpulan itu telah memenangi tiga Anugerah Grammy dan Anugerah Pencapaian Sepanjang Hayat Grammy. Mereka telah dilantik ke Rock and Roll Hall of Fame pada tahun 1989 dan UK Music Hall of Fame pada tahun 2004. *Billboard* majalah dan *Rolling Stone* telah meletakkan band ini sebagai salah satu artis terhebat sepanjang zaman.

Sejarah
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### Sejarah awal

Plak biru memperingati pertemuan Jagger dan Richards di Platform 2 di stesen kereta api Dartford di Dartford, Kent, pada 17 Oktober 1961
Keith Richards dan Mick Jagger menjadi rakan sekelas dan rakan zaman kanak-kanak pada tahun 1950 di Dartford, Kent. Keluarga Jagger berpindah ke Wilmington, Kent, lima batu (8.0 km) jauhnya, pada tahun 1954. Pada pertengahan 1950-an Jagger membentuk pancaragam garaj dengan rakannya Dick Taylor; kumpulan itu terutamanya memainkan bahan oleh Muddy Waters, Chuck Berry, Little Richard, Howlin' Wolf, dan Bo Diddley. Jagger seterusnya bertemu Richards pada 17 Oktober 1961 di platform dua stesen kereta api Dartford. Jagger membawa rekod oleh Chuck Berry dan Muddy Waters; ini mendedahkan kepada Richards minat bersama. Perkongsian muzikal bermula tidak lama kemudian. Richards dan Taylor sering bertemu Jagger di rumahnya. Pertemuan itu berpindah ke rumah Taylor pada akhir 1961, di mana Alan Etherington dan Bob Beckwith menyertai ketiga-tiga mereka; kuintet menggelarkan diri mereka sebagai Blues Boys.

Pada Mac 1962, Blues Boys membaca tentang Ealing Jazz Club dalam akhbar *Jazz News*, yang menyebut Alexis Korner's rhythm and blues band, Alexis Korner's Blues Incorporated. The Blues Boys menghantar pita rakaman terbaik mereka kepada Korner, yang kagum. Pada 7 April, mereka melawat Kelab Jazz Ealing, di mana mereka bertemu dengan ahli Blues Incorporated, yang termasuk pemain gitar slaid Brian Jones, pemain keyboard Ian Stewart, dan pemain dram Charlie Watts. Selepas pertemuan dengan Korner, Jagger dan Richards mula jamming dengan kumpulan itu.

Setelah meninggalkan Blues Incorporated, Jones mengiklankan untuk rakan kumpulan dalam *Jazz Weekly* pada minggu 2 Mei 1962. Ian Stewart adalah antara yang pertama membalas iklan tersebut. Pada bulan Jun, Jagger, Taylor, dan Richards meninggalkan Blues Incorporated untuk menyertai Jones dan Stewart. Latihan pertama termasuk pemain gitar Geoff Bradford dan vokalis Brian Knight, kedua-duanya memutuskan untuk tidak menyertai kumpulan itu. Mereka membantah memainkan lagu Chuck Berry dan Bo Diddley yang digemari oleh Jagger dan Richards. Pada bulan yang sama, penambahan pemain dram Tony Chapman melengkapkan barisan Jagger, Richards, Jones, Stewart, dan Taylor. Menurut Richards, Jones menamakan kumpulan itu semasa panggilan telefon kepada *Jazz News*. Apabila ditanya oleh wartawan mengenai nama kumpulan itu, Jones melihat Muddy Waters LP terbaring di atas lantai; salah satu lagu ialah "Rollin' Stone". Jones adalah "ketua tanpa pertandingan" kumpulan itu pada tahun-tahun awalnya dan kunci kejayaan awal kumpulan itu.

### 1962–1964: membina pengikut

Kugiran ini memainkan pertunjukan pertama mereka yang dinamakan sebagai "The Rollin' Stones" pada 12 Julai 1962, di Marquee Club di London. Pada masa itu, kumpulan itu terdiri daripada Jones, Jagger, Richards, Stewart, dan Taylor. Bill Wyman mengikuti uji bakat untuk peranan pemain gitar bass di sebuah pub di Chelsea pada 7 Disember 1962 dan telah diupah sebagai pengganti Dick Taylor. Kumpulan ini kagum dengan instrumen dan penguatnya (termasuk Vox AC30). Barisan klasik Rolling Stones, dengan Charlie Watts pada dram, bermain buat pertama kali di khalayak ramai pada hari Sabtu, 12 Januari 1963 di Kelab Jazz Ealing. Walau bagaimanapun, sehinggalah pertunjukan di sana pada 2 Februari 1963 barulah Watts menjadi pemain dram tetap Stones.

Ruang belakang bekas Crawdaddy Club di Richmond, London, di mana Rolling Stones mendapat kediaman pertama mereka, bermula pada Februari 1963
Tidak lama selepas itu, kumpulan itu memulakan lawatan pertama mereka ke UK, mempersembahkan Chicago blues, termasuk lagu oleh Chuck Berry dan Bo Diddley. Menjelang tahun 1963, mereka mencari kemajuan muzik serta populariti mereka. Pada tahun 1964, mereka menewaskan The Beatles sebagai kumpulan nombor satu United Kingdom dalam dua tinjauan. Nama kugiran ini telah ditukar sejurus selepas gig pertama mereka kepada "The Rolling Stones". Pemangku pengurus kumpulan itu ketika itu, Giorgio Gomelsky, mendapat tempat kediaman petang Ahad di Crawdaddy Club di Richmond, London, pada Februari 1963.

Pada Mei 1963, Rolling Stones menandatangani Andrew Loog Oldham sebagai pengurus mereka. Dia telah diarahkan kepada mereka oleh pelanggannya sebelum ini, The Beatles. Oleh kerana Oldham baru berusia sembilan belas tahun dan belum mencapai umur majoriti—dia juga lebih muda daripada sesiapa dalam kumpulan itu—dia tidak boleh mendapatkan lesen ejen atau menandatangani sebarang kontrak tanpa ibunya menandatangani bersama. Dengan keperluan dia menyertai ejen tempahan Eric Easton untuk mendapatkan pembiayaan rekod dan tempat tempahan bantuan. Gomelsky, who had no written agreement with the band, was not consulted.

Oldham pada mulanya cuba menggunakan strategi yang digunakan oleh Brian Epstein, pengurus The Beatles, dan meminta ahli kumpulan itu memakai sut. Dia kemudiannya mengubah fikirannya dan membayangkan sebuah kumpulan yang berbeza dengan The Beatles, menampilkan pakaian yang tidak dapat ditandingi, rambut panjang, dan penampilan yang tidak bersih. Dia mahu menjadikan Stones "sekumpulan yang tidak senonoh, gamy, tidak dapat diramalkan" dan untuk "menetapkan bahawa Stones mengancam, tidak sopan dan bersifat binatang". Stewart disingkirkan daripada kumpulan itu bahawa barisan rasmi, tetapi kekal sebagai pengurus jalan raya dan pemain papan kekunci pelancongan. Mengenai keputusan Stewart, Oldham kemudian berkata, "Nah, dia tidak nampak bahagian itu, dan enam terlalu ramai untuk [peminat] mengingati wajah dalam gambar itu." Kemudian, Oldham mengurangkan umur ahli kumpulan dalam bahan publisiti untuk menjadikan mereka muncul sebagai remaja.

Decca Records, yang enggan beberapa kali menandatangani perjanjian dengan The Beatles, memberikan Rolling Stones kontrak rakaman dengan syarat yang menggalakkan. Kumpulan itu akan menerima kadar royalti tiga kali ganda lebih tinggi daripada yang biasanya diberikan kepada lakonan baharu, kawalan penuh artistik rakaman, dan pemilikan pita rakaman induk. Perjanjian itu juga membenarkan kumpulan itu menggunakan studio rakaman bukan Decka. Regent Sound Studios, kemudahan mono yang dilengkapi dengan kotak telur di siling untuk rawatan bunyi, menjadi lokasi pilihan mereka. Oldham, yang tidak mempunyai pengalaman merakam tetapi menjadikan dirinya sebagai penerbit kumpulan itu, berkata Regent mempunyai bunyi yang "bocor, instrumen-ke-instrumen, cara yang betul" mencipta "dinding bunyi" yang berfungsi dengan baik untuk kumpulan itu. Disebabkan kadar tempahan Regent yang rendah, kumpulan itu boleh merakam untuk tempoh yang lama dan bukannya blok tiga jam biasa yang biasa di studio lain. Semua lagu pada album Rolling Stones pertama, *The Rolling Stones*, telah dirakamkan di sana.

Oldham membezakan kebebasan Rolling Stones dengan kewajipan Beatles untuk merakam di studio EMI, dengan mengatakan ia menjadikan The Beatles muncul sebagai "manusia semata–... berpeluh di studio untuk lelaki itu". Dia mempromosikan Rolling Stones sebagai lawan jahat kepada The Beatles, dengan membuat kumpulan itu berpose tanpa senyuman pada kulit album pertama mereka. Dia juga menggalakkan akhbar menggunakan tajuk provokatif seperti: "Adakah anda akan membenarkan anak perempuan anda berkahwin dengan Rolling Stone?" Sebaliknya, Wyman berkata: "Reputasi dan imej kami sebagai Bad Boys datang kemudian, sepenuhnya di sana, secara tidak sengaja. ... [Oldham] tidak pernah merekayasanya. Dia hanya mengeksploitasikannya secara menyeluruh." Dalam temu bual pada tahun 1972, Wyman menyatakan, "Kami adalah kumpulan pop pertama yang melepaskan diri daripada keseluruhan Cliff Richard perkara di mana kumpulan-kumpulan itu melakukan langkah-langkah menari yang sedikit, memakai pakaian seragam yang sama dan mempunyai corak yang tajam."

Versi muka depan Chuck Berry's "Come On" ialah single pertama Rolling Stones, dikeluarkan pada 7 Jun 1963. Kumpulan itu enggan memainkannya di pertunjukan langsung, dan Decca membeli hanya satu iklan untuk mempromosikan rekod itu. Atas arahan Oldham, ahli kelab peminat membeli salinan di kedai rekod yang ditinjau oleh carta, membantu "Come On" naik ke nombor–21 pada Carta Perseorangan UK.  Kemudian pada tahun 1963, Oldham dan Easton mengatur jelajah konsert UK besar pertama kumpulan itu sebagai aksi sokongan untuk bintang Amerika, termasuk Bo Diddley, Little Richard, dan the Everly Brothers. Lawatan itu memberi peluang kepada kumpulan itu untuk mengasah seni pentas mereka.

Semasa jelajah band ini merakam single kedua mereka, lagu Lennon–McCartney, "I Wanna Be Your Man". Ia mencapai nombor–13 pada carta UK. Album The Beatles 1963, *With the Beatles*, termasuk versi lagu mereka. Pada 1 Januari 1964, The Stones adalah kumpulan pertama yang bermain di BBC's *Top of the Pops*, membuat persembahan "I Wanna Be Your Man". Pada Januari 1964 kugiran ini mengeluarkan self-titled EP, yang menjadi rekod nombor 1 pertama mereka di UK. Single ketiga oleh Stones, Buddy Holly "Not Fade Away", mencerminkan gaya Bo Diddley, dikeluarkan pada Februari 1964 dan mencapai nombor–3.

The Rolling Stones di Amsterdam Airport Schiphol, Belanda, pada tahun 1964. Dari kiri ke kanan: Wyman, Richards, Jones, Watts dan Jagger
Oldham melihat masa depan yang kecil untuk tindakan yang melepaskan peluang untuk mendapatkan royalti penulisan lagu yang signifikan dengan hanya memainkan lagu-lagu yang disifatkannya sebagai "kulit hitam pertengahan umur", sekali gus mengehadkan daya tarikan mereka kepada penonton remaja. Jagger dan Richards memutuskan untuk menulis lagu bersama-sama. Oldham menyifatkan kumpulan pertama sebagai "soppy dan meniru". Kerana penulisan lagu kumpulan itu berkembang dengan perlahan, lagu-lagu dalam album pertama mereka "The Rolling Stones" (1964; dikeluarkan di AS sebagai *England's Newest Hit Makers*), adalah sampul utama, dengan hanya satu Jagger/Richards asal—"Tell Me (You're Coming Back)"—dan dua nombor dikreditkan kepada Nanker Phelge, nama pena yang digunakan untuk lagu yang ditulis oleh seluruh kumpulan.

Rolling Stones' first US Tour pada Jun 1964 adalah "suatu bencana", menurut Wyman. "Apabila kami tiba, kami tidak mempunyai rekod hit [di sana] atau apa-apa yang berlaku untuk kami." Apabila kumpulan itu muncul dalam rancangan pelbagai *The Hollywood Palace*, hos tetamu minggu itu, Dean Martin, mengejek kedua-dua rambut dan persembahan mereka. Semasa lawatan mereka merakam selama dua hari di Catur Studios di Chicago, bertemu dengan banyak pengaruh mereka yang paling penting, termasuk Muddy Waters. Sesi-sesi ini termasuk perkara yang akan menjadi hit nombor 1 pertama Rolling Stones di UK, versi muka depan Bobby dan Shirley Womack "It's All Over Now".

The Stones mengikuti the Famous Flames, menampilkan James Brown, dalam tayangan teater filem 1964 *T.A.M.I. Show*, yang mempamerkan aksi Amerika dengan artis British Invasion. According to Jagger, "We weren't actually following James Brown because there was considerable time between the filming of each section. Nevertheless, he was still very annoyed about it ..." On 25 October the band appeared on *The Ed Sullivan Show*. Because of the pandemonium surrounding the Stones, Sullivan initially declined to rebook them. However, he booked them for appearances in 1966 and 1967.

A second EP, *Five by Five*, was issued in the UK in August 1964. In the US the EP was expanded into their second LP, *12 X 5*, which was released in October during the tour. The Rolling Stones' fifth UK single, a cover of Willie Dixon's "Little Red Rooster"—with "Off the Hook", credited to Nanker Phelge, as the B-side—was released in November 1964 and became their second number 1 hit in the UK. The band's US distributors, London Records, declined to release "Little Red Rooster" as a single. In December 1964, the distributor released the band's first single with Jagger/Richards originals on both sides: "Heart of Stone", with "What a Shame" as the B-side; the single went to number 19 in the US.

### 1965–1967: height of fame

Three members of the Rolling Stones, Richards, Wyman and Watts, at Turku Airport in Turku, Finland, on 25 June 1965
The band's second UK LP, *The Rolling Stones No. 2*, was released in January 1965 and reached number 1 on the charts. The US version, released in February as *The Rolling Stones, Now!*, reached number 5. The album was recorded at Chess Studios in Chicago and RCA Studios in Los Angeles. In January and February of that year, the band played 34 shows for around 100,000 people in Australia and New Zealand. The single "The Last Time", released in February, was the first Jagger/Richards composition to reach number 1 on the UK charts; it reached number 9 in the US. It was later identified by Richards as "the bridge into thinking about writing for the Stones. It gave us a level of confidence; a pathway of how to do it."

A black and white trade ad for the 1965 Rolling Stones' North American tour. The members of the band are sitting on a staircase with either their hands clasped, or arms folded, looking at the camera. From left: The front row contains Brian Jones, Bill Wyman; the second row contains Charlie Watts and Keith Richards; the third (and final) row contains Mick Jagger.An advertisement for the 1965 Rolling Stones' North American tour
Their first international number 1 hit was "(I Can't Get No) Satisfaction", recorded in May 1965 during the band's third North American tour. Richards recorded the guitar riff that drives the song with a fuzzbox as a scratch track to guide a horn section. Nevertheless, the final cut did not include the planned horn overdubs. Issued in the summer of 1965, it was their fourth UK number 1 and their first in the US, where it spent four weeks at the top of the *Billboard* Hot 100. It was a worldwide commercial success for the band. The US version of the LP *Out of Our Heads*, released in July 1965, also went to number 1; it included seven original songs, three Jagger/Richards numbers and four credited to Nanker Phelge. The UK version of *Out of Our Heads* was released in September 1965. Their second international number 1 single "Get Off of My Cloud" was released in the autumn of 1965, followed by another US-only LP, *December's Children (And Everybody's)*.

The album *Aftermath*, released in the late spring of 1966, was the first LP to be composed entirely of Jagger/Richards songs; it reached number 1 in the UK and number 2 in the US. According to *The Daily Telegraph*, *Aftermath* is often regarded as the most important of the band's formative records. On this album, Jones' contributions expanded beyond guitar and harmonica. To the Middle Eastern-influenced "Paint It Black" he added sitar; to the ballad "Lady Jane" he added dulcimer, and to "Under My Thumb" he added marimbas. *Aftermath* also contained "Goin' Home", a nearly 12-minute song that included elements of jamming and improvisation.

The Stones' success on the British and American singles charts peaked during the 1960s. "19th Nervous Breakdown" was released in February 1966, and reached number 2 in the UK and US charts; "Paint It Black" reached number 1 in the UK and US in May 1966. "Mother's Little Helper", released in June 1966, reached number 8 in the US; it was one of the first pop songs to discuss the issue of prescription drug abuse. "Have You Seen Your Mother, Baby, Standing in the Shadow?" was released in September 1966 and reached number 5 in the UK and number 9 in the US. It had a number of firsts for the group: it was the first Stones recording to feature brass horns, and the back-cover photo on the original US picture sleeve depicted the group satirically dressed in drag. The song was accompanied by one of the first official music videos, directed by Peter Whitehead.

During their North American tour in June and July 1966, the Stones' high-energy concerts proved highly successful with young people, while alienating local police who had the physically exhausting task of controlling the often rebellious crowds. According to the Stones historians Philippe Margotin and Jean-Michel Guesdon, the band's notoriety "among the authorities and the establishment seems to have been inversely proportional to their popularity among young people". In an effort to capitalise on this, London released the live album *Got Live If You Want It!* in December. The band's first greatest hits album *Big Hits (High Tide and Green Grass)* was released in the UK in November 1966, a different version of which had been released in the US in March that year.

In January 1967, *Between the Buttons* was released, and reached number 3 in the UK and number 2 in the US. It was Andrew Oldham's last venture as the Rolling Stones' producer. Allen Klein took over his role as the band's manager in 1965. Richards recalled, "There was a new deal with Decca to be made ... and he said he could do it." The US version included the double A-side single "Let's Spend the Night Together" and "Ruby Tuesday", which went to number 1 in the US and number 3 in the UK. When the band went to New York to perform the numbers on *The Ed Sullivan Show* in January, they were ordered to change the lyrics of the refrain of "Let's Spend the Night Together" to "let's spend some time together".

In early 1967, Jagger, Richards, and Jones began to be hounded by authorities over their recreational drug use, after *News of the World* ran a three-part feature entitled "Pop Stars and Drugs: Facts That Will Shock You". The series described alleged LSD parties hosted by the Moody Blues and attended by top stars including the Who's Pete Townshend and Cream's Ginger Baker, and described alleged admissions of drug use by leading pop musicians. The first article targeted Donovan (who was raided and charged soon after); the second instalment (published on 5 February) targeted the Rolling Stones. A reporter who contributed to the story spent an evening at the exclusive London club Blaise's, where a member of the Rolling Stones allegedly took several Benzedrine tablets, displayed a piece of hashish, and invited his companions back to his flat for a "smoke". The article claimed this was Mick Jagger, but it turned out to be a case of mistaken identity; the reporter had in fact been eavesdropping on Brian Jones. Two days after the article was published, Jagger filed a writ for libel against the *News of the World*.

A week later, on 12 February, Sussex police, tipped off by the paper, raided a party at Keith Richards' home, Redlands. No arrests were made at the time, but Jagger, Richards, and their friend art dealer Robert Fraser were subsequently charged with drug offences. Andrew Oldham was afraid of being arrested and fled to America. Richards said in 2003, "When we got busted at Redlands, it suddenly made us realize that this was a whole different ball game and that was when the fun stopped. Up until then it had been as though London existed in a beautiful space where you could do anything you wanted."

In March 1967, while awaiting the consequences of the police raid, Jagger, Richards, and Jones took a short trip to Morocco, accompanied by Marianne Faithfull, Jones' girlfriend Anita Pallenberg, and other friends. During this trip the stormy relations between Jones and Pallenberg deteriorated to the point that she left Morocco with Richards. Richards said later: "That was the final nail in the coffin with me and Brian. He'd never forgive me for that and I don't blame him, but hell, shit happens." Richards and Pallenberg would remain a couple for twelve years. Despite these complications, the Rolling Stones toured Europe in March and April 1967. The tour included the band's first performances in Poland, Greece, and Italy. June 1967 saw the release of the US-only compilation album *Flowers*.

On 10 May 1967, the day Jagger, Richards and Fraser were arraigned in connection with the Redlands charges, Jones' house was raided by police. He was arrested and charged with possession of cannabis. Three of the five Stones now faced drug charges. Jagger and Richards were tried at the end of June. Jagger received a three-month prison sentence for the possession of four amphetamine tablets; Richards was found guilty of allowing cannabis to be smoked on his property and sentenced to a year in prison. Both Jagger and Richards were imprisoned at that point but were released on bail the next day, pending appeal.

*The Times* ran an editorial, "Who breaks a butterfly upon a wheel?", in which conservative editor William Rees-Mogg surprised his readers by his unusually critical discourse on the sentencing, pointing out that Jagger had been treated far more harshly for a minor first offence than "any purely anonymous young man". While awaiting the appeal hearings, the band recorded a new single, "We Love You", as a thank you for their fans' loyalty. It began with the sound of prison doors closing, and the accompanying music video included allusions to the trial of Oscar Wilde. On 31 July, the appeals court overturned Richards' conviction, and reduced Jagger's sentence to a conditional discharge. Jones' trial took place in November 1967. In December, after appealing the original prison sentence, Jones received a £1,000 fine and was put on three years' probation, with an order to seek professional help.

In December 1967, the band released *Their Satanic Majesties Request*, which reached number 3 in the UK and number 2 in the US. It drew unfavourable reviews and was widely regarded as a poor imitation of the Beatles' *Sgt. Pepper's Lonely Hearts Club Band*. *Satanic Majesties* was recorded while Jagger, Richards, and Jones were awaiting their court cases. The band parted ways with Oldham during the sessions. The split was publicly amicable, but in 2003 Jagger said: "The reason Andrew left was because he thought that we weren't concentrating and that we were being childish. It was not a great moment really—and I would have thought it wasn't a great moment for Andrew either. There were a lot of distractions and you always need someone to focus you at that point, that was Andrew's job." *Satanic Majesties* became the first album the Rolling Stones produced on their own. Its psychedelic sound was complemented by the cover art, which featured a 3D photo by Michael Cooper, who had also photographed the cover of *Sgt. Pepper*. Bill Wyman wrote and sang a track on the album: "In Another Land", also released as a single, the first on which Jagger did not sing lead.

### 1968–1972: Jones' departure and death, "Greatest Rock and Roll Band in the World"

Keith Richards in 1972
The band spent the first few months of 1968 working on material for their next album. Those sessions resulted in the song "Jumpin' Jack Flash", released as a single in May. The subsequent album, *Beggars Banquet*, an eclectic mix of country and blues–inspired tunes, marked the band's return to their rhythm and blues roots. It was also the beginning of their collaboration with producer Jimmy Miller. It featured the lead single "Street Fighting Man" (which addressed the political upheavals of May 1968) and "Sympathy for the Devil". Controversy over the design of the album cover, which featured a public toilet with graffiti covering the wall behind it, delayed the album's release for six months. While the band had "absolute artistic control over their albums", Decca was not enthused about the cover's depiction of graffiti reading "John Loves Yoko" being included; the album was released that December, with a different cover design. It reached number 3 in the UK and number 5 in the US.

*The Rolling Stones Rock and Roll Circus*, which originally began as an idea about "the new shape of the rock-and-roll concert tour", was filmed at the end of 1968. It featured John Lennon, Yoko Ono, the Dirty Mac, the Who, Jethro Tull, Marianne Faithfull, and Taj Mahal. The footage was shelved for 28 years but was finally released officially in 1996, with a DVD version released in October 2004.

By the time *Beggars Banquet* was released, Brian Jones was only sporadically contributing to the band. Jagger said that Jones was "not psychologically suited to this way of life". His drug use had become a hindrance, and he was unable to obtain a US visa. Richards reported that in a June meeting with Jagger, Watts, and himself at Jones' house, Jones admitted that he was unable to "go on the road again", and left the band saying, "I've left, and if I want to I can come back." On 3 July 1969, less than a month later, Jones drowned under mysterious circumstances in the swimming pool at his home, Cotchford Farm, in Hartfield, East Sussex. The band auditioned several guitarists, including Paul Kossoff, as a replacement for Jones, before settling on Mick Taylor, who was recommended to Jagger by John Mayall.

Mick Taylor, who replaced Brian Jones in 1969, debuted with the band in Hyde Park, London, on 5 July 1969, two days after Jones' death.
The Rolling Stones were scheduled to play at a free concert for Blackhill Enterprises in London's Hyde Park, two days after Jones' death; they decided to go ahead with the show as a tribute to him. Jagger began by reading an excerpt from Percy Bysshe Shelley's poem *Adonaïs*, an elegy written on the death of his friend John Keats. They released thousands of butterflies in memory of Jones before opening their set with "I'm Yours and I'm Hers", a Johnny Winter number. The concert, their first with new guitarist Mick Taylor, was performed in front of an estimated 250,000 fans. A Granada Television production team filmed the performance, which was broadcast on British television as *The Stones in the Park*. Blackhill Enterprises stage manager Sam Cutler introduced the Rolling Stones onto the stage by announcing: "Let's welcome the Greatest Rock and Roll Band in the World."
Cutler repeated the introduction throughout their 1969 US tour. The show also included the concert debut of their fifth US number 1 single, "Honky Tonk Women", which had been released the previous day. In September 1969 the band's second greatest hits album *Through the Past, Darkly (Big Hits Vol. 2)* was released, featuring a poem in dedication to Jones on the inside cover.

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| Sample of "Gimme Shelter" by The Rolling Stones, from *Let It Bleed* (1969) |
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| Sample of "Brown Sugar" by The Rolling Stones, from *Sticky Fingers* (1971) |
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The Stones' last album of the 1960s was *Let It Bleed*, which reached number 1 in the UK and number 3 in the US. It featured "Gimme Shelter" with guest lead female vocals by Merry Clayton (sister of Sam Clayton, of the American rock band Little Feat). Other tracks include "You Can't Always Get What You Want" (with accompaniment by the London Bach Choir, who initially asked that their name be removed from the album's credits after apparently being "horrified" by the content of some of its other material, but later withdrew this request), "Midnight Rambler", as well as a cover of Robert Johnson's "Love in Vain". Jones and Taylor are both featured on the album.

Just after the US tour ended, the band performed at the Altamont Free Concert at the Altamont Speedway, about lima puluh batu (80 km) east of San Francisco. A Hells Angels biker gang provided security, and a fan, Meredith Hunter, was stabbed and beaten to death by the Angels after they realised he was armed. Part of the tour, and the Altamont concert, was documented in Albert and David Maysles' film *Gimme Shelter*. In response to the growing popularity of bootleg recordings (in particular *Live'r Than You'll Ever Be*, recorded during the 1969 tour), the album *Get Yer Ya-Ya's Out!* was released in 1970. Critic Lester Bangs declared it the best-ever live album. It reached number 1 in the UK and number 6 in the US.

At the end of the decade, the band appeared on BBC's review of the 1960s music scene, *Pop Go the Sixties*, performing "Gimme Shelter", which was broadcast live on 31 December 1969. The following year, the band wanted out of contracts with both Klein and Decca, but still owed them a Jagger/Richards–credited single. To get back at the label and fulfil their final contractual obligation, the band came up with the track "Schoolboy Blues"—deliberately making it as crude as they could in hopes of making it unreleasable.

Amid contractual disputes with Klein, they formed their own record company, Rolling Stones Records. *Sticky Fingers*, released in March 1971, the band's first album on their own label, featured an elaborate cover designed by Andy Warhol. It was an Andy Warhol photograph of a man from the waist down in tight jeans featuring a functioning zipper. When unzipped, it revealed the subject's underwear. In some markets an alternate cover was released because of the perceived offensive nature of the original at the time.

Fail:The Rolling Stones' logo.svgThe Rolling Stones' logo, designed by John Pasche and modified by Craig Braun, introduced in 1971
*Sticky Fingers*' cover was the first to feature the logo of Rolling Stones Records, which effectively became the band's logo. It consisted of a pair of lips with a lapping tongue. Designer John Pasche created the logo, following a suggestion by Jagger to copy the stuck-out tongue of the Hindu goddess Kali. Critic Sean Egan has said of the logo, 

> Without using the Stones' name, it instantly conjures them, or at least Jagger, as well as a certain lasciviousness that is the Stones' own ... It quickly and deservedly became the most famous logo in the history of popular music.
> 
> 

 The tongue and lips design was part of a package that in 2003 VH1 named the best album cover ever. The logo has remained on all the Stones' post-1970 albums and singles, in addition to their merchandise and stage sets. The album contains one of their best-known hits, "Brown Sugar", and the country-influenced "Dead Flowers". "Brown Sugar" and "Wild Horses" were recorded at Alabama's Muscle Shoals Sound Studio after the 1969 American tour. The album continued the band's immersion into heavily blues-influenced compositions; is noted for its "loose, ramshackle ambience"; and marked Mick Taylor's first full album with the band. *Sticky Fingers* reached number 1 in both the UK and the US.

In 1968, the Stones, acting on a suggestion by pianist Ian Stewart, put a control room in a van and created the Rolling Stones Mobile Studio so they would not be limited to the standard 9–5 operating hours of most recording studios. The band lent the mobile studio to other artists, including Led Zeppelin, who used it to record *Led Zeppelin III* (1970) and *Led Zeppelin IV* (1971). Deep Purple immortalised the mobile studio itself in the song "Smoke on the Water" with the line "the Rolling truck Stones thing just outside, making our music there".

Following the release of *Sticky Fingers*, the Rolling Stones left England after receiving advice from their financial manager Prince Rupert Loewenstein. He recommended they go into tax exile before the start of the next financial year. The band had learned that they had not paid taxes for seven years, despite being assured that their taxes were taken care of; and the UK government was owed a relative fortune. The Stones moved to the South of France, where Richards rented the Villa Nellcôte and sublet rooms to band members and their entourage.

Using the Rolling Stones Mobile Studio, they held recording sessions in the basement. They completed the new tracks, along with material dating as far back as 1969, at Sunset Studios in Los Angeles. The resulting double album, *Exile on Main St.*, was released in May 1972, and reached number one in both the UK and the US. Given an A+ grade by critic Robert Christgau and disparaged by Lester Bangs—who reversed his opinion within months—*Exile* is now accepted as one of the Stones' best albums. The films *Cocksucker Blues* (never officially released) and *Ladies and Gentlemen: The Rolling Stones* (released in 1974) document the subsequent highly publicised 1972 North American Tour.

The band's double compilation album, *Hot Rocks 1964–1971*, was released in 1971; it reached number 3 in the UK and number 4 in the US. It is certified Diamond in the US, having sold over 6 million copies, being certified 12× Platinum for being a double album, and spent over 347 weeks on the *Billboard* album chart. A follow-up double compilation album *More Hot Rocks (Big Hits & Fazed Cookies)* was released in 1972. In 1974, Bill Wyman was the first band member to release solo material, his album *Monkey Grip*.

### 1972–1977: critical fluctuations and Ronnie Wood

Bill Wyman holds a bass guitar onstage.Mick Jagger sings onstage while holding a microphone stand up off the ground using both hands (left holding the pole and right the microphone body).Bill Wyman (left) in 1975 and Mick Jagger (right) in 1976
In 1972, members of the band set up a complex financial structure to reduce the amount of their taxes. Their holding company, Promogroup, has offices in both the Netherlands and the Caribbean. The Netherlands was chosen because it does not directly tax royalty payments. The band have been tax exiles ever since, meaning they can no longer use Britain as their main residence. Due to the arrangements with the holding company, the band has reportedly paid a tax of just 1.6% on their total earnings of £242 million over the past 20 years.

In November 1972, the band began recording sessions in Kingston, Jamaica, for the album *Goats Head Soup*; it was released in 1973 and reached number 1 in both the UK and US. The album, which contained the worldwide hit "Angie", was the first in a string of commercially successful, but critically tepidly received, studio albums. The sessions for *Goats Head Soup* also produced unused material, most notably an early version of the popular ballad "Waiting on a Friend", which was not released until the *Tattoo You* LP nine years later.

Another legal battle over drugs, dating back to their stay in France, interrupted the making of *Goats Head Soup*. Authorities had issued a warrant for Richards' arrest, and the other band members had to return briefly to France for questioning. This, along with Jagger's 1967 and 1970 convictions on drug charges, complicated the band's plans for their Pacific tour in early 1973: they were denied permission to play in Japan and almost banned from Australia. A European tour followed in September and October 1973, which bypassed France, coming, as it did, after Richards' recent arrest in England on drug charges.

The 1974 album *It's Only Rock 'n Roll* was recorded in the Musicland Studios in Munich, Germany; it reached number 2 in the UK and number 1 in the US. Miller was not invited to return as the album's producer because his "contribution level had dropped". Jagger and Richards, credited as "the Glimmer Twins", produced the album. Both the album and the single of the same name were hits.

Near the end of 1974, Taylor began to lose patience after years of feeling like a "junior citizen in the band of jaded veterans". The band's situation made normal functioning complicated, with members living in different countries, and legal barriers restricting where they could tour. In addition, drug use was starting to affect Taylor's and Richards' productivity, and Taylor felt some of his own creative contributions were going unrecognised. At the end of 1974, Taylor quit the Rolling Stones. Taylor said in 1980, "I wanted to broaden my scope as a guitarist and do something else ... I wasn't really composing songs or writing at that time. I was just beginning to write, and that influenced my decision ... There are some people who can just ride along from crest to crest; they can ride along somebody else's success. And there are some people for whom that's not enough. It really wasn't enough for me."

Ronnie Wood and Jagger perform onstage in Chicago, 1975.Ronnie Wood (left), on his first tour with the Rolling Stones, with Mick Jagger (right) in Chicago in 1975
The Stones needed a new guitarist, and the recording sessions in Munich for the next album, *Black and Blue* (1976) (number 2 in the UK, number 1 in the US), provided an opportunity for some guitarists hoping to join the band to work while trying out. Guitarists as stylistically disparate as Peter Frampton and Jeff Beck were auditioned, as well as Robert A. Johnson and Shuggie Otis. Both Beck and Irish blues rock guitarist Rory Gallagher later claimed they had played without realising they were being auditioned. American session players Wayne Perkins and Harvey Mandel also tried out, but Richards and Jagger preferred for the band to remain purely British. When Ronnie Wood auditioned, everyone agreed he was the right choice. He had already recorded and played live with Richards, and had contributed to the recording and writing of the track "It's Only Rock 'n Roll". He had declined Jagger's earlier offer to join the Stones, because of his commitment to Faces, saying "that's what's really important to me". Faces' lead singer Rod Stewart went so far as to say he would take bets that Wood would not join the Stones.

In 1975, Wood joined the band as second guitarist for their upcoming Tour of the Americas, which was a contributing factor in the disbandment of Faces. His installment as a Rolling Stone was announced in 1976; unlike the other band members, however, Wood was a salaried employee, which remained the case until the early 1990s, when he finally joined the Stones' business partnership.

The 1975 Tour of the Americas kicked off in New York City with the band performing on a flatbed trailer being pulled down Broadway. The tour featured stage props including a giant phallus and a rope on which Jagger swung out over the audience. In June of that year, the Stones' Decca catalogue was purchased by Klein's ABKCO label. In August 1976, the Stones played Knebworth in England in front of 200,000—their largest audience to date—and finished their set at 7 a.m. Jagger had booked live recording sessions at the El Mocambo, a club in Toronto, to produce a long-overdue live album, 1977's *Love You Live*, the first Stones live album since *Get Yer Ya-Ya's Out!* It reached No. 3 in the UK and No. 5 in the US.

Richards' addiction to heroin delayed his arrival in Toronto; the other members had already arrived. On 24 February 1977, when Richards and his family flew in from London, they were temporarily detained by Canadian customs after Richards was found in possession of a burnt spoon and hash residue. Three days later, the Royal Canadian Mounted Police, armed with an arrest warrant for Anita Pallenberg, discovered 22 gram (0.78 oz) of heroin in Richards' room. He was charged with importing narcotics into Canada, an offence that carried a minimum seven-year sentence. The Crown prosecutor later conceded that Richards had procured the drugs after his arrival.

A picture of El Mocambo taken at night.El Mocambo in Toronto, where some of the live album *Love You Live* was recorded in 1977
Despite the incident, the band played two shows in Toronto, but caused more controversy when Margaret Trudeau, then-wife of Canadian Prime Minister Pierre Trudeau, was seen partying with the band after one show. The band's shows were not advertised to the public. Instead, the El Mocambo had been booked for the entire week by April Wine for a recording session. 1050 CHUM, a local radio station, ran a contest for free tickets to see April Wine. Contest winners who selected tickets for Friday or Saturday night were surprised to find the Rolling Stones playing.

On 4 March, Richards' partner Anita Pallenberg pleaded guilty to drug possession and incurred a fine in connection with the original airport incident. The drug case against Richards dragged on for over a year. Ultimately, he received a suspended sentence and was ordered to play two charity concerts to benefit the Canadian institute for the blind in Oshawa; both shows featured the Rolling Stones and the New Barbarians, a group that Wood had put together to promote his latest solo album, which Richards also joined. This episode strengthened Richards' resolve to stop using heroin. It also ended his relationship with Pallenberg, which had become strained since the death of their third child, Tara. Pallenberg was unable to curb her heroin addiction as Richards struggled to get clean. While Richards was settling his legal and personal problems, Jagger continued his jet-set lifestyle. He was a regular at New York's Studio 54 disco club, often in the company of model Jerry Hall. His marriage to Bianca Jagger ended in 1977, although they had long been estranged.

Although the Rolling Stones remained popular through the early 1970s, music critics had begun to grow dismissive of the band's output, and record sales failed to meet expectations. By the mid-1970s, after punk rock became influential, many people had begun to view the Rolling Stones as an outdated band.

### 1978–1982: commercial peak

The group's fortunes changed in 1978, after the band released *Some Girls*, which included the hit single "Miss You", the country ballad "Far Away Eyes", "Beast of Burden", and "Shattered". In part as a response to punk, many songs, particularly "Respectable", were fast, basic, guitar-driven rock and roll, and the album's success re-established the Rolling Stones' immense popularity among young people. It reached number 2 in the UK and number 1 in the US. Following the 1978 US Tour, the band guested on the first show of the fourth season of the TV series *Saturday Night Live*.  Following the success of *Some Girls*, the band released their next album, *Emotional Rescue*, in mid-1980. During recording sessions for the album, a rift between Jagger and Richards slowly developed. Richards wanted to tour in the summer or autumn of 1980 to promote the new album. Much to his disappointment, Jagger declined. *Emotional Rescue* hit the top of the charts on both sides of the Atlantic and the title track reached number 3 in the US.

The Rolling Stones on stage in December 1981. From left: Mick Jagger wearing a blue jacket with yellow clothing and a black belt singing into a microphone, Keith Richards wearing black pants and a small purple vest (no shirt) playing a black guitar to the left—and slightly in front—of Jagger, Ronnie Wood wearing an orange jacket and black shirt/pants playing a beige guitar behind Jagger and Richards.The Rolling Stones performing at Rupp Arena in Lexington, Kentucky, December 1981
In early 1981, the group reconvened and decided to tour the US that year, leaving little time to write and record a new album, as well as to rehearse for the tour. That year's resulting album, *Tattoo You*, featured a number of outtakes from other recording sessions, including lead single "Start Me Up", which reached number 2 in the US and ranked number 22 on Billboard's Hot 100 year-end chart. Two songs ("Waiting on a Friend" (US number 13) and "Tops") featured Mick Taylor's unused rhythm guitar tracks, while jazz saxophonist Sonny Rollins played on "Slave", "Neighbours", and "Waiting on a Friend". The album reached number 2 in the UK and number 1 in the US.

The Rolling Stones reached number 20 on the *Billboard* Hot 100 in 1982 with "Hang Fire". Their 1981 American Tour was their biggest, longest, and most colourful production to date. It was the highest-grossing tour of that year. It included a concert at Chicago's Checkerboard Lounge with Muddy Waters, in one of his last performances before his death in 1983. Some of the shows were recorded. This resulted in the 1982 live album *Still Life (American Concert 1981)* which reached number 4 in the UK and number 5 in the US, and the 1983 Hal Ashby concert film *Let's Spend the Night Together*, filmed at Sun Devil Stadium in Tempe, Arizona and the Brendan Byrne Arena in the Meadowlands, New Jersey.

In mid-1982, to commemorate their 20th anniversary, the Rolling Stones took their American stage show to Europe. The European tour was their first in six years and used a similar format to the American tour. The band were joined by former Allman Brothers Band keyboardist Chuck Leavell, who continues to perform and record with them. By the end of the year, the Stones had signed a new four-album recording deal with a new label, CBS Records, for a reported $50 million, then the biggest record deal in history.

### 1983–1988: band turmoil and solo projects

Before leaving Atlantic, the Rolling Stones released *Undercover* in late 1983. It reached number 3 in the UK and number 4 in the US. Despite good reviews and the peak Top Ten position of the title track, the record sold below expectations and there was no tour to support it. Subsequently, the Stones' new marketer/distributor CBS Records took over distributing their Atlantic catalogue.

Richards and Wood during a Stones concert in Turin, Italy, in 1982
By this time, the Jagger/Richards rift had grown significantly. To Richards' annoyance, Jagger signed a solo deal with CBS Records and spent much of 1984 writing songs for his first album. He also declared his growing lack of interest in the Rolling Stones. By 1985, Jagger was spending more time on solo recordings. Much of the material on 1986's *Dirty Work* was generated by Richards, with more contributions from Wood than on previous Rolling Stones albums. It was recorded in Paris, and Jagger was often absent from the studio, leaving Richards to keep the recording sessions moving forward.

In June 1985, Jagger teamed up with David Bowie for "Dancing in the Street", which was recorded for the Live Aid charity movement. This was one of Jagger's first solo performances, and the song reached number 1 in the UK, and number 7 in the US. In December 1985, Ian Stewart died of a heart attack. The Rolling Stones played a private tribute concert for him at London's 100 Club in February 1986. Two days later they were presented with a Grammy Lifetime Achievement Award.

*Dirty Work* was released in March 1986 to mixed reviews, reaching number 4 in both the US and UK. It was the Stones' first album for CBS with an outside producer, Steve Lillywhite. With relations between Richards and Jagger at an all-time low, Jagger refused to tour to promote the album and instead undertook a solo tour, where he performed some Rolling Stones songs. As a result of their animosity, the Stones almost broke up. Jagger's solo records, *She's the Boss* (1985), which reached number 6 in the UK and number 13 in the US, and *Primitive Cool* (1987), which reached number 26 in the UK and number 41 in the US, met with moderate commercial success. In 1988, with the Rolling Stones mostly inactive, Richards released his first solo album, *Talk Is Cheap*, which reached number 37 in the UK and No. 24 in the US. It was well received by fans and critics, and was certified Gold in the US. Richards has subsequently referred to this late-80s period, when the two were recording solo albums with no obvious reunion of the Stones in sight, as "World War III". The following year, *25x5: The Continuing Adventures of the Rolling Stones*, a documentary spanning the band's career, was released for their 25th anniversary.

### 1989–1999: comeback and record-breaking tours

Multiple platinum award for their 1994 album Voodoo Lounge, on display at the Museo del Rock in Madrid.Richards performs in Rio de Janeiro, Brazil during the Voodoo Lounge Tour, 1995The band's 1994 album *Voodoo Lounge* was certified multi-platinum. **Top**: award displayed at the Museo del Rock in Madrid. **Bottom**: Richards performing onstage in Rio de Janeiro during the accompanying tour.
In early 1989, the Stones, including Mick Taylor and Ronnie Wood, as well as Brian Jones and Ian Stewart (posthumously), were inducted into the American Rock and Roll Hall of Fame. Jagger and Richards set aside their animosity and went to work on a new Rolling Stones album, *Steel Wheels*. Heralded as a return to form, it included the singles "Mixed Emotions" (US number 5), "Rock and a Hard Place" (US number 23) and "Almost Hear You Sigh". The album also included "Continental Drift", which the Rolling Stones recorded in Tangier, Morocco, in 1989, with the Master Musicians of Jajouka led by Bachir Attar, coordinated by Tony King and Cherie Nutting. Nigel Finch produced the BBC documentary film *The Rolling Stones in Morocco*. The album reached number 2 in the UK and number 3 in the US.

The Steel Wheels/Urban Jungle Tour was the band's first world tour in seven years and their biggest stage production to date. Opening acts included Living Colour and Guns N' Roses. Recordings from the tour include the 1991 concert album *Flashpoint*, which reached number 6 in the UK and number 16 in the US, and the concert film *Live at the Max* released in 1991. The tour was Bill Wyman's last. After years of deliberation he decided to leave the band, although his departure was not made official until January 1993. He then published *Stone Alone*, an autobiography based on scrapbooks and diaries he had kept since the band's early days. A few years later he formed Bill Wyman's Rhythm Kings and began recording and touring again.

After the successes of the Steel Wheels/Urban Jungle tours, the band took a break. Watts released two jazz albums; Wood recorded his fifth solo album, the first in 11 years, called *Slide On This*; Wyman released his fourth solo album; Richards released his second solo album in late 1992, *Main Offender*, and did a small tour, including big concerts in Spain and Argentina. Jagger got good reviews and sales with his third solo album, *Wandering Spirit*, which reached number 12 in the UK and number 11 in the US. The album sold more than two million copies worldwide, being certified Gold in the US.

After Wyman's departure, the Rolling Stones' new distributor/record label, Virgin Records, remastered and repackaged the band's back catalogue from *Sticky Fingers* to *Steel Wheels*, except for the three live albums. They issued another hits compilation in 1993 entitled *Jump Back*, which reached number 16 in the UK and number 30 in the US. By 1993, the Stones were ready to start recording another studio album. Charlie Watts recruited bassist Darryl Jones, a former sideman of Miles Davis, and Sting, as Wyman's replacement for 1994's *Voodoo Lounge*. Jones continues to perform with the band as their touring and session bassist. The album met with positive reviews and strong sales, going double platinum in the US. Reviewers took note and credited the album's "traditionalist" sounds to the Rolling Stones' new producer Don Was. *Voodoo Lounge* won the Grammy Award for Best Rock Album at the 1995 Grammy Awards. It reached number 1 in the UK and number 2 in the US.

Jagger performs in Chile during the Voodoo Lounge Tour.Jagger in Chile during the Voodoo Lounge Tour in 1995
The accompanying Voodoo Lounge Tour lasted into the following year and grossed $320 million, becoming the world's highest-grossing tour at the time. Mostly acoustic numbers from various concerts and rehearsals made up *Stripped* which reached number 9 in the UK and the US. It featured a cover of Bob Dylan's "Like a Rolling Stone", as well as infrequently played songs such as "Shine a Light", "Sweet Virginia", and "The Spider and the Fly". On 8 September 1994, the Stones performed their new song "Love Is Strong" and "Start Me Up" at the 1994 MTV Video Music Awards at Radio City Music Hall in New York. The band received the Lifetime Achievement Award at the ceremony.

The Rolling Stones were the first major recording artists to broadcast a concert over the Internet; a 20-minute video was broadcast on 18 November 1994 using the Mbone at 10 frames per second. The broadcast, engineered by Thinking Pictures and financed by Sun Microsystems, was one of the first demonstrations of streaming video; while it was not a true webcast, it introduced many to the technology.

The Rolling Stones ended the 1990s with the album *Bridges to Babylon*, released in 1997 to mixed reviews. It reached number 6 in the UK and number 3 in the US. The video of the single "Anybody Seen My Baby?" featured Angelina Jolie as guest and was given steady rotation on both MTV and VH1. Sales were roughly equal to those of previous records (about 1.2 million copies sold in the US). The subsequent Bridges to Babylon Tour, which crossed Europe, North America, and other destinations, proved that the band remained a strong live attraction. Once again, a live album was recorded during the tour, *No Security*; only this time all but two songs ("Live With Me" and "The Last Time") were previously unreleased on live albums. The album reached number 67 in the UK and number 34 in the US. In 1999, the Rolling Stones staged the No Security Tour in the US and continued the Bridges to Babylon tour in Europe.

### 2000–2011: *A Bigger Bang* and continued success

In late 2001, Mick Jagger released his fourth solo album, *Goddess in the Doorway*. It met with mixed reviews; it reached number 44 in the UK and number 39 in the US. A month after the September 11 attacks, Jagger, Richards, and a backing band took part in The Concert for New York City, performing "Salt of the Earth" and "Miss You". In 2002, the Stones released *Forty Licks*, a greatest hits double album, to mark forty years as a band. The collection contained four new songs recorded with the core band of Jagger, Richards, Watts, Wood, Leavell, and Jones. The album has sold more than 7 million copies worldwide. It reached number 2 in both the US and UK. The same year, *Q* magazine named the Rolling Stones one of the 50 Bands To See Before You Die. The Stones headlined the Molson Canadian Rocks for Toronto concert in Toronto, Canada, to help the city—which they had used for rehearsals since the Voodoo Lounge tour—recover from the 2003 SARS epidemic; an estimated 490,000 people attended the concert.

On 9 November 2003, the band played their first concert in Hong Kong, as part of the Harbour Fest celebration, in support of its SARS-affected economy. The same month, the band licensed the exclusive rights to sell the new four-DVD boxed set *Four Flicks*, recorded on their recent world tour, to the US Best Buy chain of stores. In response, some Canadian and US music retail chains (including HMV Canada and Circuit City) pulled Rolling Stones CDs and related merchandise from their shelves and replaced it with signs explaining why. In 2004, a double live album of the Licks Tour, *Live Licks*, was released and certified gold in the US. It reached number 2 in both the UK and US. In November 2004, the Rolling Stones were among the inaugural inductees into the UK Music Hall of Fame.

The Stones at San Siro stadium, Milan, during A Bigger Bang Tour, July 2006The Stones at Twickenham Stadium in London, August 2006
The band's first new album in almost eight years, *A Bigger Bang*, was released on 6 September 2005 to positive reviews, including a glowing write-up in *Rolling Stone* magazine. The album reached number 2 in the UK and number 3 in the US. The single "Streets of Love" reached the top 15 in the UK. The album included the political "Sweet Neo Con", Jagger's criticism of American Neoconservatism. Richards was initially worried about a political backlash in the US, but did not object to the lyrics, saying "I just didn't want it to become some peripheral distractions/political storm in a tea-cup sort of thing." The subsequent A Bigger Bang Tour began in August 2005, and included North America, South America, and East Asia. In February 2006, the group played the half-time show of Super Bowl XL in Detroit, Michigan. By the end of 2005, the Bigger Bang tour had set a record of $162 million in gross receipts, breaking the North American mark set by the band in 1994. On 18 February 2006, the band played a free concert to over one million people at the Copacabana beach in Rio de Janeiro—one of the largest rock concerts of all time.

After performances in Japan, China, Australia, and New Zealand in March and April 2006, the Stones' tour took a scheduled break before proceeding to Europe. During the break, Keith Richards was hospitalised in New Zealand for cranial surgery after a fall from a tree on Fiji, where he had been on holiday. The incident led to a six-week delay in launching the European leg of the tour. In June 2006, it was reported that Ronnie Wood was continuing his alcohol abuse rehabilitation programme, but this did not affect the rearranged European tour schedule. Mick Jagger's throat problems forced the cancellation of three shows and the rescheduling of several others that fall. The Stones returned to North America for concerts in September 2006, and returned to Europe on 5 June 2007. By November 2006, the Bigger Bang tour had been declared the highest-grossing tour of all time.

The Rolling Stones at the Berlin Film Festival's world premiere of Martin Scorsese's documentary *Shine a Light*. From left to right: Watts, Wood, Richards, and Jagger.
Martin Scorsese filmed the Stones performances at New York City's Beacon Theatre on 29 October and 1 November 2006 for the documentary film, *Shine a Light*, released in 2008. The film features guest appearances by Buddy Guy, Jack White, and Christina Aguilera. An accompanying soundtrack, also titled *Shine a Light*, was released in April 2008 and reached number 2 in the UK and number 11 in the US. The album's debut at number 2 on the UK charts was the highest position for a Rolling Stones concert album since *Get Yer Ya-Ya's Out! The Rolling Stones in Concert* in 1970. At the Beacon Theatre show, music executive Ahmet Ertegun fell and later died from his injuries.

The band toured Europe throughout June and August 2007. 12 June 2007 saw the release of the band's second four-disc DVD set: *The Biggest Bang*, a seven-hour film featuring their shows in Austin, Rio de Janeiro, Saitama, Shanghai, and Buenos Aires, along with extras. On 10 June 2007, the band performed their first gig at a festival in 30 years, at the Isle of Wight Festival, to a crowd of 65,000, and were joined onstage by Amy Winehouse. On 26 August 2007, they played their last concert of the Bigger Bang tour at the O2 Arena in London. At the conclusion of the tour, the band had grossed a record-setting $558 million and were listed in the 2007 edition of *Guinness World Records*. On 12 November 2007, ABKCO released *Rolled Gold: The Very Best of the Rolling Stones*, a double-CD remake of the 1975 compilation *Rolled Gold*. In July 2008, the Rolling Stones left EMI to sign with Vivendi's Universal Music, taking with them their catalogue stretching back to *Sticky Fingers*. New music released by the band while under this contract was to be issued through Universal's Polydor label.

During the autumn, Jagger and Richards worked with producer Don Was to add new vocals and guitar parts to ten unfinished songs from the *Exile on Main St.* sessions. Jagger and Mick Taylor also recorded a session together in London, where Taylor added a new guitar track to what would be the expanded album's single, "Plundered My Soul". On 17 April 2010, the band released a limited edition 7-inch vinyl single of the previously unreleased track "Plundered My Soul", as part of Record Store Day. The track, part of the group's 2010 re-issue of *Exile on Main St.*, was combined with "All Down the Line" as its B-side. The band appeared at the Cannes Festival for the premiere of the documentary *Stones in Exile* (directed by Stephen Kijak) about the recording of the album *Exile on Main St.* On 23 May, the re-issue of *Exile on Main St.* reached number 1 on the UK charts, almost 38 years to the week after it first occupied that position. The band became the first act to see a classic work return to number 1 decades after it was first released. In the US, the album re-entered the charts at number 2.

Loewenstein proposed to the band that they wind down their recording and touring activity and sell off their assets. The band disagreed, and that year Loewenstein parted from the band after four decades as their manager, later writing the memoir *A Prince Among Stones*. Joyce Smyth, a lawyer who had long been working for the Stones, took over as their full-time manager in 2010. Smyth would go on to win Top Manager in the 2019 *Billboard* Live Music Awards.

In October 2010, the Stones released *Ladies and Gentlemen: The Rolling Stones* to cinemas and later to DVD. A digitally remastered version of the film was shown in select cinemas across the United States. Although originally released to cinemas in 1974, it had never been available for home release, apart from bootleg recordings. In October 2011, the Stones released *The Rolling Stones: Some Girls Live In Texas '78* to cinemas. A digitally remastered version of the film was shown in select cinemas across the US. This live performance was recorded during one show in Ft. Worth, Texas, in support of their 1978 US Tour and their album *Some Girls*. The film was released (on DVD/Blu-ray Disc) on 15 November 2011. On 21 November, the band reissued *Some Girls* as a 2-CD deluxe edition. The second CD included twelve previously unreleased tracks (except "So Young", which was a B-side to "Out of Tears") from the sessions, with mostly newly recorded vocals by Jagger.

### 2012–2016: 50th anniversary, documentary and *Blue & Lonesome*

The Rolling Stones celebrated their 50th anniversary in the summer of 2012 by releasing the book *The Rolling Stones: 50*. A new take on the band's lip-and-tongue logo, designed by Shepard Fairey, was also revealed and used during the celebrations. Jagger's brother Chris performed a gig at The Rolling Stones Museum in Slovenia, in conjunction with the celebrations.

The documentary *Crossfire Hurricane*, directed by Brett Morgen, was released in October 2012. He conducted approximately fifty hours of interviews for the film, including extensive interviews with Wyman and Taylor. This was the first official career-spanning documentary since *25x5: The Continuing Adventures of the Rolling Stones*, filmed for their 25th anniversary in 1989. A new compilation album, *GRRR!*, was released on 12 November. Available in four different formats, it included two new tracks, "Doom and Gloom" and "One More Shot", recorded at Studio Guillaume Tell in Paris, France, in the last few weeks of August 2012. The album went on to sell over two million copies worldwide. The music video for "Doom and Gloom", featuring Noomi Rapace, was released on 20 November.

In November 2012, the Stones began their 50 & Counting... tour at London's O2 Arena, where they were joined by Jeff Beck. At their second show, in London, Eric Clapton and Florence Welch joined the group onstage. The third anniversary concert took place on 8 December at the Barclays Center, Brooklyn, New York. The last two dates were at the Prudential Center in Newark, New Jersey, on 13 and 15 December. Bruce Springsteen and blues–rock band the Black Keys joined the band on the final night. The stage on this tour was designed so that the lips could "inflate and deflate during different parts of the show." The band also played two songs at *12-12-12: The Concert for Sandy Relief*.

In July 2013, the Stones played Hyde Park, London, for the first time since 1969, with Mick Taylor performing with the band for the first time since 1974.
The Stones played nineteen shows in the US in spring 2013 with various guest stars, including Katy Perry and Taylor Swift, before returning to the UK. In June, the band performed at the 2013 Glastonbury Festival. They returned to Hyde Park in July and performed the same set list as their 1969 concert at the venue. *Hyde Park Live*, a live album recorded at the two Hyde Park gigs on 6 and 13 July, was released exclusively as a digital download through iTunes later that month. An award-winning live DVD, *Sweet Summer Sun: Live in Hyde Park*, was released on 11 November.

In February 2014, the band embarked on their 14 On Fire tour, scheduled for the Middle East, Asia, Australia, and Europe and to go until the summer. On 17 March, Jagger's long-time partner L'Wren Scott died suddenly, resulting in the cancellation and rescheduling of the opening tour dates to October. On 4 June, the Rolling Stones performed for the first time in Israel. *Haaretz* described the concert as being "Historic with a capital H". In a 2015 interview with Jagger, when asked if retirement crosses his mind he stated, "Nah, not in the moment. I'm thinking about what the next tour is. I'm not thinking about retirement. I'm planning the next set of tours, so the answer is really, 'No, not really.Templat:' "

The Stones performing onstage in Cuba.The Stones playing in Havana, Cuba, in March 2016; a spokesman for the band called it "the first open air concert in Cuba by a British rock band".
The Stones embarked on their Latin American tour in February 2016. On 25 March, the band played a bonus show, a free open-air concert in Havana, Cuba, which was attended by an estimated 500,000 concert-goers. In June of that year, the Rolling Stones released *Totally Stripped*, an expanded and reconceived edition of *Stripped*, in multiple formats. Their concert on 25 March 2016 in Cuba was commemorated in the film *Havana Moon*. It premiered on 23 September for one night only in more than a thousand theatres worldwide. The film *Olé Olé Olé: A Trip Across Latin America*, a documentary of their 2016 Latin America tour, premiered at the Toronto International Film Festival on 16 September 2016; it came out on DVD and Blu-ray on 26 May 2017. The Stones performed at the Desert Trip festival held in Indio, California, playing two nights, 7 and 14 October, the same nights as Bob Dylan.

The band released *Blue & Lonesome* on 2 December 2016. The album consisted of 12 blues covers of artists such as Howlin' Wolf, Jimmy Reed, and Little Walter. Recording took place in British Grove Studios, London, in December 2015, and featured Eric Clapton on two tracks. The album reached number 1 in the UK, the second-highest opening sales week for an album that year. It also debuted at number 4 on the *Billboard* 200.

### 2017–present: No Filter Tour, Watts's death, and *Hackney Diamonds*

In July 2017, the *Toronto Sun* reported that the Stones were getting ready to record their first album of original material in more than a decade, but recording was later ultimately delayed due to the COVID-19 pandemic. *On Air*, a collection of 18 recordings the band performed on the BBC between 1963 and 1965, was released in December 2017. The album featured eight songs the band had never recorded or released commercially.

The band's plane in Amsterdam in October 2017; it has the band's tongue logo painted on the side.The Stones bow post-show in London on 22 May 2018.The band's plane touches down in Amsterdam (top) during the No Filter Tour European leg, which ended at London Stadium (bottom) in May 2018.
In May 2017, the No Filter Tour was announced, with fourteen shows in twelve different venues across Europe in September and October of the same year. It was later extended to go from May to July 2018, adding fourteen new dates across the UK and Europe, making it the band's first UK tour since 2006. In November 2018, the Stones announced plans to bring the No Filter Tour to US stadiums in 2019, with 13 shows set to run from April to June. In March 2019, it was announced that Jagger would be undergoing heart valve replacement surgery, forcing the band to postpone the 17-date North American leg of their No Filter Tour. On 4 April 2019, it was announced that Jagger had completed his heart valve procedure in New York, was recovering (in hospital) after a successful operation, and could be released in the following few days. On 16 May, the Rolling Stones announced that the No Filter Tour would resume on 21 June with the 17 postponed dates rescheduled up to the end of August. In March 2020, the No Filter Tour was postponed due to the COVID-19 pandemic.

The Rolling Stones—featuring Jagger, Richards, Watts, and Wood at their homes—were one of the headline acts on Global Citizen's *One World: Together at Home* on-line and on-screen concert on 18 April 2020, a global event featuring dozens of artists and comedians to support frontline healthcare workers and the World Health Organization during the COVID-19 pandemic. On 23 April, Jagger announced through his Facebook page the release (the same day at 5pm BST) of the single "Living in a Ghost Town", a new Rolling Stones song recorded in London and Los Angeles in 2019 and finished in isolation (part of the new material that the band were recording in the studio before the COVID-19 lockdown), a song that the band "thought would resonate through the times we're living in" and their first original one since 2012. The song reached number 1 on the German Singles Chart, the first time the Stones had reached the top spot in 52 years, and making them the oldest artists ever to do so.

The Rolling Stones on stage at BST Hyde Park 2022, a year after the death of Watts. Left to right: Jagger, Wood, and Richards.
The band's 1973 album *Goats Head Soup* was reissued on 4 September 2020 and featured previously unreleased outtakes: such as "Criss Cross", which was released as a single and music video on 9 July 2020; "Scarlet", featuring Jimmy Page; and "All the Rage". On 11 September 2020, the album topped the UK Albums Chart as the Rolling Stones became the first artist to top the chart across six different decades.

In August 2021, it was announced that Watts would undergo an unspecified medical procedure and would not perform on the remainder of the No Filter tour; the longtime Stones associate Steve Jordan filled in as drummer. Watts died on 24 August 2021, at the age of 80, in a London hospital with his family around him. For 10 days, the contents of the Rolling Stones' official website were replaced with a picture of Watts, in his memory. On 27 August, the band's social media accounts shared a montage of pictures and videos of Watts. The band subsequently showed pictures and videos of Watts at the beginning of each concert on the No Filter tour. The short segment is roughly a minute long and plays a simple drum track by Watts. They became the highest-earning live act of 2021, surpassing Taylor Swift; since 2018 the two have traded the top two spots. The band began a new tour in 2022, with Jordan on drums.

Following reports in February 2023 that former Beatles Paul McCartney and Ringo Starr would appear on their yet-named new album, representatives for the band confirmed that McCartney will appear but stated that Starr would not. This will mark the first time that McCartney and the Stones have collaborated on a studio album. Four months later, it was reported that Wyman would return for a song, more than 30 years after his departure from the band; the album is expected to be released in late 2023.

In August 2023, media outlets reported, based on an advertisement in a local UK newspaper, that a new Stones album might be released in September 2023. The *Hackney Gazette* advertisement made reference to several previous Stones hits, and linked to a fictitious diamond jeweller called "Hackney Diamonds", whose website privacy policy is that of Universal Music Group; the band's logo was used to dot the letter "i" in "diamonds". On 29 August, the band confirmed association with the website through posts on its social media profiles. Because of the advertisement, it was suspected that the album could be called *Hackney Diamonds*. Elton John, Lady Gaga, Stevie Wonder and Paul McCartney, among others, are expected to guest on the new album. On 6 September 2023, Jagger, Richards and Wood appeared in a live Q&A with Jimmy Fallon to announce that *Hackney Diamonds* would be released on 20 October 2023. The album features the final two songs Charlie Watts recorded with the band prior to his death, and it also features former longtime bassist Bill Wyman on one of the album's tracks, marking only his second studio recording with the band since 1991's *Flashpoint* album. "Angry", the album's first single and music video (starring actress Sydney Sweeney), was also released during the Q&A, with the song also landing on the *EA Sports FC 24* soundtrack. Jagger speculated that the band's follow-up to *Hackney Diamonds* was 75% done by the time that album was released.

Musical development
-------------------

Lihat juga: Instruments played by the Rolling Stones
A copy of the signature Telecaster used by Keith Richards, known as "Micawber", in Fender's factory museum
The Rolling Stones have assimilated various musical genres into their own collective sound. Throughout the band's career, their musical contributions have been marked by a continual reference to and reliance on musical styles including blues, psychedelia, R&B, country, folk, reggae, dance, and world music—exemplified by Jones' collaboration with the Master Musicians of Jajouka—as well as traditional English styles that use stringed instruments such as harps. Brian Jones experimented with the use of non-traditional instruments, such as the sitar and slide guitar, in their early days. The group started out covering early rock 'n' roll and blues songs, and have never stopped playing live or recording cover songs. According to biographer Stephen Thomas Erlewine, the Stones "pioneered the gritty, hard-driving blues-based rock & roll that came to define hard rock with a "strong yet subtly swinging rhythm" provided by Wyman and Watts.

Jagger and Richards had a shared admiration of Jimmy Reed, Muddy Waters, and Howlin' Wolf. Little Walter influenced Brian Jones. Richards recalls, "He was more into T-Bone Walker and jazz blues stuff. We'd turn him onto Chuck Berry and say, 'Look, it's all the same shit, man, and you can do it.Templat:'" Charlie Watts, a traditional jazz drummer, was also introduced to the blues through his association with the pair, stating in 2003, "Keith and Brian turned me on to Jimmy Reed and people like that. I learned that Earl Phillips was playing on those records like a jazz drummer, playing swing, with a straight four." Jagger, recalling when he first heard the likes of Chuck Berry, Bo Diddley, Muddy Waters, Fats Domino, and other major American R&B artists, said it "seemed the most real thing" he had heard up to that point. Similarly, Keith Richards, describing the first time he listened to Muddy Waters, said it was the "most powerful music [he had] ever heard ... the most expressive". He also recalled, "when you think of some dopey, spotty seventeen year old from Dartford, who wants to be Muddy Waters—and there were a lot of us—in a way, very pathetic, but in another way, [it was] very ... heartwarming".

Despite the Rolling Stones' predilection for blues and R&B numbers on their early live set lists, the first original compositions by the band reflected a more wide-ranging interest. Critic Richie Unterberger described the first Jagger/Richards single, "Tell Me (You're Coming Back)", as a "pop rock ballad ... When [Jagger and Richards] began to write songs, they were usually not derived from the blues, but were often surprisingly fey, slow, Mersey-type pop numbers". "As Tears Go By", the ballad originally written for Marianne Faithfull, was one of the first songs written by Jagger and Richards and one of many written by the duo for other artists. Jagger said of the song, "It's a relatively mature song considering the rest of the output at the time. And we didn't think of [recording] it, because the Rolling Stones were a butch blues group." The Rolling Stones did later record a version which became a top five hit in the US.

Richards said of their early writing experiences, "The amazing thing is that although Mick and I thought these songs were really puerile and kindergarten-time, every one that got put out made a decent showing in the charts. That gave us extraordinary confidence to carry on, because at the beginning songwriting was something we were going to do in order to say to Andrew [Loog Oldham], 'Well, at least we gave it a try ...Templat:'" Jagger opined, "We were very pop-orientated. We didn't sit around listening to Muddy Waters; we listened to everything. In some ways it's easy to write to order ... Keith and I got into the groove of writing those kind of tunes; they were done in ten minutes. I think we thought it was a bit of a laugh, and it turned out to be something of an apprenticeship for us."

A white teardrop shaped guitar as used by Brian Jones, on display at the Hard Rock Cafe in Sacramento, CaliforniaA Vox Teardrop guitar used by Brian Jones on display at Hard Rock Cafe in Sacramento, California
The writing of "The Last Time", the Rolling Stones' first major single, proved a turning point. Richards called it "a bridge into thinking about writing for the Stones. It gave us a level of confidence; a pathway of how to do it." The song was based on a traditional gospel song popularised by the Staple Singers, but the Rolling Stones' number features a distinctive guitar riff, played by Brian Jones. Prior to the emergence of Jagger/Richards as the Stones' songwriters, the band members occasionally were given collective credit under the pseudonym Nanker Phelge. Some songs attributed to Nanker Phelge have been re-attributed to Jagger/Richards.

Beginning with Jones and continuing with Wood, the Rolling Stones have developed what Richards refers to as the "ancient art of weaving" responsible for part of their sound—the interplay between two guitarists on stage. Unlike most bands, the Stones follow Richards' lead rather than the drummer's. Likewise, Watts was primarily a jazz player who was able to bring that genre's influences to the style of the band's drumming. The following of Richards' lead has led to conflicts between Jagger and Richards, and they have been known to annoy one another, but they have both agreed it makes for a better record; Watts in particular has praised Jagger's production skills. In the studio the band have tended to use a fluid personnel for recordings and not use the same players for each song. Guest pianists were commonplace on recordings; several songs on *Beggars Banquet* are driven by Nicky Hopkins' piano playing. On *Exile on Main St.*, Richards plays bass on three tracks while Taylor plays on four.

Richards started using open tunings for rhythm parts (often in conjunction with a capo), most prominently an open-E or open-D tuning in 1968. Beginning in 1969, he often used 5-string open-G tuning (with the lower 6th string removed), as heard on the 1969 single "Honky Tonk Women", "Brown Sugar" (*Sticky Fingers*, 1971), "Tumbling Dice" (capo IV), "Happy" (capo IV), (*Exile on Main St.*, 1972), and "Start Me Up" (*Tattoo You*, 1981).

The feuds between Jagger and Richards originated in the 1970s when Richards was a heroin addict, resulting in Jagger managing the band's affairs for many years. When Richards got himself off heroin and became more present in decision-making, Jagger was not used to it and did not like having his authority diminished. This led to the period Richards has referred to as "World War III". Of making albums with the Stones, Richards referred to it in 2023 as "controlled madness. Mick is the controller and I'm the madness."

Musical collaboration between members of the band and supporting musicians was key, due to the fluid lineups typically experienced by the band in the studio, as tracks tended to be recorded "by whatever members of the group happened to be around at the time of the sessions". Over time, Jagger has developed into the template for rock frontmen and, with the help of the Stones, has, in the words of the *Telegraph*, "changed music" through his contributions to it as a pioneer of the modern music industry.

Legacy
------

Lihat juga: List of awards and nominations received by the Rolling Stones
Aerial view of the Stones' concert at Washington–Grizzly Stadium in Missoula, Montana, in October 2006. On three separate tours, the Stones have set records for the highest-grossing concert tour.
Since their formation in 1962, the Rolling Stones have survived multiple feuds. They have released 30 studio albums, 23 live albums, 12 official compilation albums, many recognised bootleg recordings, all of which comprise over 340 songs. According to OfficialCharts.com, the Stones are ranked the fourth bestselling group of all time. Their top single is "(I Can't Get No) Satisfaction", regarded by many at the time as "the classic example of rock and roll". The Stones contributed to the blues lexicon, creating their own "codewords" and slang, such as "losing streak" for menstrual period, which they have used throughout their catalogue of songs.

They pioneered the "raw, blues-based sound" that came to define hard rock and has been viewed as the musical "vanguard of a major transfusion" of various cultural attitudes, making them accessible to youth in Britain and the rest of the world. Muddy Waters was quoted as saying that the Rolling Stones and other English bands piqued the interest of American youth in blues musicians. After they came to the United States, sales of Waters' albums—and those of other blues musicians—increased public interest, thus helping to reconnect the country with its own music.

The Stones were supporters of the civil rights movement, having a clause in period contracts stating that they would not perform in segregated venues. Breach of this clause would fine the promoter £30,100 and allow the band to walk away. Their support of civil rights causes has continued to the current era.

The Rolling Stones store on Carnaby Street in London in 2012. Merchandise has contributed to the band's record-breaking revenues.
The Rolling Stones have sold over 240 million albums worldwide. In 2010, *Rolling Stone* ranked them as fourth on their list of the Greatest Artists of All Time; three years later, *Rolling Stone* declared them the "most definitional band that rock & roll has produced". *The Telegraph* has called Mick Jagger "the Rolling Stone who changed music". The band has been the subject of numerous documentaries and were inducted into the Rock and Roll Hall of Fame by Pete Townshend in 1989. The Rolling Stones have inspired and mentored new generations of musical artists both as a band and individually. They are also credited with changing the "whole business model of popular music". The only artists to top the UK Album Charts in six different decades, they are tied with Elvis Presley and Robbie Williams for the second most number 1 albums on the Official UK Chart, surpassed only by the Beatles.

In 1981, *Rolling Stone* wrote that the Stones "are the great rock & roll rhythm section of our time" and are "special primarily because they understand that a great rock & roll band never takes too much for granted." In 2002, CNN called the Stones "far and away the most successful act in rock today", adding, "since 1989 alone, the band has generated more than $1.5 billion in gross revenues. That total includes sales of records, song rights, merchandising, sponsorship money, and touring. The Stones have made more money than U2, or Springsteen, or Michael Jackson, or Britney Spears, or the Who—or whoever. Sure, Mick attended the London School of Economics, but his greatest talent, besides strutting and singing, is his ability to surround himself and the rest of the band with a group of very able executives."

In a review of the band's 2020 acoustic rendition of "You Can't Always Get What You Want" for Global Citizen's *One World: Together At Home* on-line and on-screen concert, *Billboard* stated that they are "still the masters of delivering unforgettable live performances." On their enduring appeal and reinvention, Rich Cohen of *The Wall Street Journal* wrote in 2016:

> The Stones have gone through at least five stylistic iterations: cover band, '60s pop, '60s acid, '70s groove, '80s New Wave. At some point, they lost that elasticity and ability to reinvent—they got old—but the fact that they did it so well for so long explains their inexhaustible relevance. The Stones have lived and died and been reborn again and again. It means that, for many different generations of adults, the sound of high school was the Rolling Stones. The Stones have reinvented themselves so many times that they might as well be immortal.
> 
> 

The band have received and been nominated for multiple awards including three Grammy Awards (and 12 nominations) and the Grammy Lifetime Achievement Award in 1986, the Juno Award for International Entertainer of the Year in 1991, U.K.'s Jazz FM Awards Album of the Year (2017) for their album *Blue & Lonesome*, and *NME* (*New Musical Express*) awards such as best live band and the NME award for best music film, for their documentary *Crossfire Hurricane*.

On Jagger's 75th birthday in 2018, scientists named seven fossil stoneflies after present and former members of the band. Two species, *Petroperla mickjaggeri* and *Lapisperla keithrichardsi*, were placed within a new family Petroperlidae. The new family was named in honour of the Rolling Stones, derived from the Greek "petra" that stands for "stone". The scientists referred to the fossils as "Rolling Stoneflies". This theme was continued when NASA named a rock disturbed by the thrusters of the Mars InSight Lander "Rolling Stones Rock", as announced by Robert Downey Jr. during the band's 22 August 2019 performance in Pasadena, California. In 2020, a third species of Petroperlidae, *Branchioperla ianstewarti*, was named after Ian Stewart, pianist and founding member of the band.

In 2019, *Billboard* magazine ranked the Rolling Stones second on their list of the "Greatest Artists of All Time", based on the band's US chart success. In 2022, the band featured on a series of UK postage stamps issued by the Royal Mail and their 60th anniversary was commemorated with a collectible coin by the Royal Mint.

Tours
-----

Rencana utama: List of The Rolling Stones concert tours
Since their first concert on 12 July 1962 at the Marquee Club in London, the Rolling Stones have performed more than two thousand concerts around the world and have gone on over 48 tours of varying length, including three of the highest-grossing tours of all time: Bridges to Babylon, Voodoo Lounge, and A Bigger Bang.

From small clubs and hotels in London with little room for Jagger to move around to selling out stadiums worldwide, Rolling Stones tours have changed significantly over the decades. The Stones' early setups were simple compared to what they became later in the band's career, when elaborate stage designs, pyrotechnics, and giant screens were used. By the time the Stones toured America in 1969, they began to fill large halls and arenas, such as The Forum in Inglewood, California. They were also using more equipment, including lighting rigs and better sound equipment, than they had used in clubs.

The 1969 tour is considered a "great watershed tour" by Mick Jagger because they "started hanging the sound and therefore hanging the lights". Attributing the birth of arena rock to the Stones 1969 US tour, *The Guardian* ranked it 19 on their list of the 50 key events in rock music history. Before this tour the loudest sound at large-capacity shows was often the crowd, so the Stones used lighting and sound systems that ensured they could be seen and heard in the biggest arenas. *The Guardian* commented that their "combination of front-of-house excellence and behind-the-scenes savvy took the business of touring to an entirely new level." During the 1972 tour, the Stones developed a complex light show that included giant mirrors that bounced the light off them.

Fail:The Rolling Stones stage props at Prudential Center 2012-12-13b.jpgThe Stones' concert runway at Prudential Center in Newark, New Jersey, in 2012; it first appeared in Stones' concerts in 1981.
During the 1975 Tour of the Americas, arena shows became an industry for the band, and the Stones hired a new lighting director, Jules Fisher.[*halaman diperlukan*] The props the band used on stage increased in both size and sophistication, similar to those on Broadway. They started to use multiple stages, from which they would select for a particular show. On this tour they had two versions of what Jagger referred to as the "lotus stage". One version had a large Venetian (cylindrical) curtain, and the other had leaves that began in a folded up position and opened during the beginning of the concert. This period also included a variety of props, including inflatable penises and other gimmicks, and incorporated a number of circus tricks.

During the 1981–1982 American tour, the Stones worked with Japanese designer Kazuhide Yamazari in constructing their stages for stadium-sized locations and audiences. During this period, stages increased in size to include runways and movable sections of the stage going out into the audience. This tour used coloured panels and was one of the last Stones tours to do so before switching to devices such as video screens. Stadium shows provided a new challenge for the band.

> When you're out there in this vast stadium, you have to physically tiny up on stage, so that's why on the 1981-2 tour we had those coloured panels and later we started using devices like video screens. We became very aware of not being seen, of just being there like ants. Mick is the one who *really* has to project himself over the footlights. And when the show gets that big, you need a little extra help, you need a couple of gimmicks, as we call it, in the show. You need fireworks, you need lights, you need a bit of theatre.
> 
> — Charlie Watts, *According to the Rolling Stones*

Over time, their props and stage equipment have become increasingly sophisticated. When the Stones began to fill stadium-sized venues, or larger, they ran into the problem of the audience no longer being able to see them. This was particularly the case when they performed a free concert for an estimated 1.5 million people in Rio de Janeiro on the *A Bigger Bang* tour in 2006. The show required over 500 lights, hundreds of speakers, and a video screen almost tiga belas meter (43 ka) in length. Due to the 2.5 km (1.6 bt) length of the beach on which the Stones performed, sound systems had to be set up in a relay pattern down the length of the beach, to keep the sound in sync with the music from the stage; for every tiga hundred and empat puluh meter (1,120 ka) of beach, the sound would be delayed by an additional second.

Diskografi
----------

* *The Rolling Stones* (1964)
* *12 X 5* (1964)
* *The Rolling Stones No. 2* / *The Rolling Stones, Now!* (1965)
* *Out of Our Heads* (1965)
* *December's Children (And Everybody's)* (1965)
* *Aftermath* (1966)
* *Between the Buttons* (1967)
* *Their Satanic Majesties Request* (1967)
* *Beggars Banquet* (1968)
* *Let It Bleed* (1969)
* *Sticky Fingers* (1971)
* *Exile on Main St.* (1972)
* *Goats Head Soup* (1973)
* *It's Only Rock 'n Roll* (1974)
* *Black and Blue* (1976)
* *Some Girls* (1978)
* *Emotional Rescue* (1980)
* *Tattoo You* (1981)
* *Undercover* (1983)
* *Dirty Work* (1986)
* *Steel Wheels* (1989)
* *Voodoo Lounge* (1994)
* *Bridges to Babylon* (1997)
* *A Bigger Bang* (2005)
* *Blue & Lonesome* (2016)
* *Hackney Diamonds* (2023)

Videografi rasmi
----------------

Filem dan video yang diterbitkan secara rasmi disusuli tarikh terbitan asal.

* 1966: *Charlie Is My Darling*, arahan Peter Whitehead) (released on DVD in 2009 without the Rolling Stones' music)
* 1968: *Sympathy for the Devil* , arahan Jean-Luc Godard (DVD)
* 1969: *Stones in the Park* (DVD)
* 1970: *Gimme Shelter*, arahan Albert dan David Maysles (DVD/Blu-ray Disc)
* 1974: *Ladies and Gentlemen: The Rolling Stones*, arahan Rolin Binzer
* 1982: *Rocks Off* and *Let's Spend the Night Together*, both directed by Hal Ashby (DVD)
* 1984: *Video Rewind* (VHS)
* 1989: *25x5 – The Continuing Adventures of the Rolling Stones* (VHS)
* 1992: *Stones at the Max*, directed by Julien Temple (DVD)
* 1995: *The Rolling Stones: Voodoo Lounge Live* (DVD)
* 1996: *The Rolling Stones Rock and Roll Circus*, arahan Michael Lindsay-Hogg (filmed in 1968) (DVD)
* 1998: *Bridges to Babylon Tour '97–98* (DVD)
* 2003: *Four Flicks* (DVD)
* 2007: *The Biggest Bang* (DVD/Blu-ray Disc)
* 2008: *Shine a Light*, arahan Martin Scorsese, released to theatres in standard and IMAX presentations (DVD/Blu-ray Disc)
* 2009: *Stones at the Max* Remastered Edition, arahan Julien Temple (DVD/Blu-ray Disc)
* 2010: *Stones in Exile*, arahan Stephen Kijak

Nota
----

1. ↑  Mick Avory himself has categorically denied "on many occasions" that he played with the Rollin' Stones that night. In fact he only rehearsed twice with them in the Bricklayers Arms pub, before they became known as the Rollin' Stones.
2. ↑  Wyman's book *Rolling With The Stones* incorrectly states the band played the Alcove club that night.
3. ↑  The comma in the early version of the song title, "Paint It, Black", being later dropped.
4. ↑  *News of the World* was tipped off by Richards' Belgian chauffeur. The chauffeur "developed a severe perambulatory impediment after ratting the band out to the News of the World in the build-up to the Redlands raid. In Keef's words: 'As I heard it, he never walked the same again.' "
5. ↑  The original cover for *Beggars Banquet* did not surface until the 1980s.
6. ↑  The previous performance was in 1976 at the Knebworth Fair.
7. ↑  The 2013 show tickets were not free like they were for the 1969 concert the band performed in Hyde Park.

Rujukan
-------

1. ↑  "Mick Jagger | The Rolling Stones". *The Rolling Stones*. Diarkibkan daripada yang asal pada 3 September 2017. Dicapai pada 2 Oktober 2017.
2. ↑  White, Charles. (2003), pp. 119–120, *The Life and Times of Little Richard: The Authorised Biography*, Omnibus Press.
3. 1 2  Nelson 2010, m/s. 8. sfn error: no target: CITEREFNelson2010 (help)
4. ↑  "Anniversary of Mick Jagger and Keith Richards Dartford meeting". BBC News. 17 Oktober 2011. Dicapai pada 13 April 2018.
5. ↑  Nelson 2010, m/s. 9. sfn error: no target: CITEREFNelson2010 (help)
6. 1 2 3  Greenfield 1981. sfn error: no target: CITEREFGreenfield1981 (help)
7. ↑  Nelson 2010, m/s. 10–11. sfn error: no target: CITEREFNelson2010 (help)
8. 1 2 3  Nelson 2010, m/s. 11. sfn error: no target: CITEREFNelson2010 (help)
9. 1 2 3  Künzler, Hanspeter (12 Julai 2012). "Rolling Stones celebrate 50 years of raucous rock'n'roll". CNN. Dicapai pada 10 Oktober 2022.
10. ↑  Jagger dll. 2003, m/s. 40. sfn error: no target: CITEREFJaggerRichardsWattsWood2003 (help)
11. ↑  Jagger dll. 2003, m/s. 42. sfn error: no target: CITEREFJaggerRichardsWattsWood2003 (help)
12. ↑  Nelson 2010, m/s. 13. sfn error: no target: CITEREFNelson2010 (help)
13. ↑  Aswad, Jem (19 Jun 2020). "'Life and Death of Brian Jones' Documentary Digs Deep Into the Rolling Stones Co-Founder's Demise". *Variety* (dalam bahasa Inggeris). Dicapai pada 18 Ogos 2023.
14. ↑  O’Hagan, Sean (7 Mei 2023). "'He epitomised the dazzling 60s and then was gone': the inside story of Rolling Stone Brian Jones". *The Observer* (dalam bahasa Inggeris). ISSN 0029-7712. Dicapai pada 18 Ogos 2023.
15. ↑  "BBC Music and BBC Arts present a Lafayette film production - The Stones and Brian Jones". BBC. Dicapai pada 18 Ogos 2023.[*pautan mati kekal*]
16. ↑  Palmer, Robert (23 Jun 1983). "Muddy Waters: 1915–1983". *Rolling Stone* (dalam bahasa Inggeris). Dicapai pada 23 Disember 2020.
17. ↑  Wyman 2002, m/s. 36–37. sfn error: no target: CITEREFWyman2002 (help)
18. 1 2 3  Faulk, B. J. (2011). New Left in Victorian Drag: "The Rolling Stones Rock and Roll Circus". *Texas Studies In Literature & Language*, *53*(2), 138–158.
19. ↑  Karnbach, James; Bernson, Carol (1997). *It's Only Rock 'n' Roll, The Ultimate Guide To The Rolling Stones*. Facts On File. Inc. New York. NY. 1997. ISBN 978-0-816-03547-2.
20. ↑  Wyman, Bill. *Rolling With the Stones* New York: DK Publishing, 2002. 36. Print
21. ↑  Doyle, Patrick (12 Julai 2012). "50 Years Ago Today, the Rolling Stones Played Their First Gig". *Rolling Stone* (dalam bahasa Inggeris). Dicapai pada 23 Disember 2020.
22. ↑  Greene, Andy (21 Jun 2019). "Watch Bill Wyman Explain How He Joined the Rolling Stones in 1962". *Rolling Stone*. Dicapai pada 25 Ogos 2021.
23. ↑  Wyman 2002, m/s. 51. sfn error: no target: CITEREFWyman2002 (help)
24. ↑  Richards, Keith (2010), *Life*, Weidenfeld & Nicolson, m/s. 121, ISBN 978-0-297-85439-5
25. ↑  Bockris 1992, m/s. 42–43. sfn error: no target: CITEREFBockris1992 (help)
26. ↑   Wyman, Bill. *Rolling With the Stones* New York: DK Publishing, 2002. 122. Print
27. ↑  Goldsworthy, Joan; Paulson, Linda Dailey (2005). "Mick Jagger". Dalam Pilchak, Angela M. (penyunting). *Contemporary Musicians*. **53**. Thomson Gale. m/s. 104. ISBN 0787680664. ISSN 1044-2197.
28. ↑  Januszczak, Waldemar (17 November 2014). "The Rolling Stones up close". *BBC*. Dicapai pada 6 Oktober 2017.
29. ↑  "The Rolling Stones". *Rock & Roll Hall of Fame*. Dicapai pada 6 Oktober 2017.
30. ↑  Covach, John; Coelho, Victor (2019). *The Cambridge Companion to the Rolling Stones*. Cambridge University Press. m/s. 6.
31. 1 2  "Andrew Loog Oldham". *Rock & Roll Hall of Fame*. Dicapai pada 19 Oktober 2017.
32. 1 2  Nelson 2010, m/s. 20. sfn error: no target: CITEREFNelson2010 (help)
33. ↑  Wyman 1990, m/s. 123. sfn error: no target: CITEREFWyman1990 (help)
34. ↑  Wyman 1990, m/s. 135–136. sfn error: no target: CITEREFWyman1990 (help)
35. ↑  Szatmary 2014, m/s. 123. sfn error: no target: CITEREFSzatmary2014 (help)
36. ↑  Greenfield, Robert (19 Ogos 1971). "Keith Richard: The Rolling Stone Interview". *Rolling Stone*. Diarkibkan daripada yang asal pada 18 April 2017. Dicapai pada 14 Ogos 2017.
37. ↑  Davis 2001, m/s. 79. sfn error: no target: CITEREFDavis2001 (help)
38. ↑  Nelson 2010, m/s. 22. sfn error: no target: CITEREFNelson2010 (help)
39. ↑  Oldham 2000, m/s. 205, 212. sfn error: no target: CITEREFOldham2000 (help)
40. 1 2 3  Jagger dll. 2003, m/s. 68. sfn error: no target: CITEREFJaggerRichardsWattsWood2003 (help)
41. ↑  Oldham 2000, m/s. 209–210, 212. sfn error: no target: CITEREFOldham2000 (help)
42. ↑  Coral, Hinckley & Rodman 1995. sfn error: no target: CITEREFCoralHinckleyRodman1995 (help)
43. ↑  Oldham 2000, m/s. 252–253. sfn error: no target: CITEREFOldham2000 (help)
44. ↑  Nelson 2010, m/s. 26. sfn error: no target: CITEREFNelson2010 (help)
45. ↑  Oldham 2000, m/s. 213. sfn error: no target: CITEREFOldham2000 (help)
46. ↑  Oldham 2000, m/s. 205. sfn error: no target: CITEREFOldham2000 (help)
47. ↑  Marshall 2012, m/s. 22. sfn error: no target: CITEREFMarshall2012 (help)
48. ↑  Wyman 1990, m/s. 136. sfn error: no target: CITEREFWyman1990 (help)
49. ↑  Wyman 1990, m/s. 133. sfn error: no target: CITEREFWyman1990 (help)
50. ↑  "Living with Superstardom: The Stones Bill Wyman says 'It Keeps Getting Harder'". *Billboard*. 6 November 1971. m/s. 29.
51. ↑  Wyman 1990, m/s. 139. sfn error: no target: CITEREFWyman1990 (help)
52. ↑  Oldham 2000, m/s. 221. sfn error: no target: CITEREFOldham2000 (help)
53. ↑  Dooley, Sean Patrick (25 Oktober 2010). "This Day in Music Spotlight: Rolling Stones Riot on Ed Sullivan". *gibson.com*. Diarkibkan daripada yang asal pada 31 Januari 2013. Dicapai pada 4 November 2010.
54. ↑  Haslam 2015, m/s. 91. sfn error: no target: CITEREFHaslam2015 (help)
55. ↑  Wyman 2002, m/s. 65. sfn error: no target: CITEREFWyman2002 (help)
56. ↑  Wyman 2002, m/s. 80–83. sfn error: no target: CITEREFWyman2002 (help)
57. ↑  Fricke, David (17 April 2008). "Blues Brothers". *Rolling Stone*. Diarkibkan daripada yang asal pada 5 April 2008.
58. ↑  Gilliland 1969, show 30, track 2. sfn error: no target: CITEREFGilliland1969 (help)
59. ↑  "The gig that time forgot". *The Independent*. 6 Januari 2006. m/s. 98. Dicapai pada 16 Julai 2022 – melalui Newspapers.com.
60. ↑  "The Greatest Show on Earth". *The Independent*. 22 Julai 2006. m/s. 12. Dicapai pada 16 Julai 2022 – melalui Newspapers.com.
61. ↑  Robinson, Ellie (10 Jun 2022). "Watch The Rolling Stones cover The Beatles' 'I Wanna Be Your Man' in Liverpool". *NME* (dalam bahasa Inggeris). Dicapai pada 16 Julai 2022.
62. ↑  "BBC says fond farewell to Top of the Pops". BBC. 20 Jun 2006. Dicapai pada 21 September 2019.
63. ↑  Warwick, Neil; Kutner, Jon; Brown, Tony (2004). *The Complete Book of The British Charts: Singles and Albums* (ed. 3rd). London: Omnibus Press. m/s. 24–28. ISBN 1-84449-058-0.
64. 1 2 3 4  "UK Charts – The Rolling Stones". Official Charts Company. Diarkibkan daripada yang asal pada 20 Oktober 2014. Dicapai pada 22 November 2015.
65. ↑  Oldham 2000, m/s. 256–257. sfn error: no target: CITEREFOldham2000 (help)
66. ↑  Jagger dll. 2003, m/s. 84. sfn error: no target: CITEREFJaggerRichardsWattsWood2003 (help)
67. ↑  Wyman 2002, m/s. 126. sfn error: no target: CITEREFWyman2002 (help)
68. ↑  "The Hollywood Palace". *TV.com*. Diarkibkan daripada yang asal pada 16 April 2012. Dicapai pada 1 Jun 2007.
69. ↑  Wyman 2002, m/s. 128–129. sfn error: no target: CITEREFWyman2002 (help)
70. ↑  Wyman 2002, m/s. 158. sfn error: no target: CITEREFWyman2002 (help)
71. ↑  Wyman 2002, m/s. 137. sfn error: no target: CITEREFWyman2002 (help)
72. 1 2 3  Jagger dll. 2003, m/s. 85. sfn error: no target: CITEREFJaggerRichardsWattsWood2003 (help)
73. ↑  Wyman 2002, m/s. 154. sfn error: no target: CITEREFWyman2002 (help)
74. ↑  Rodriguez, Juan (15 Julai 1972). "Everything you always wanted to know about the Stones..." *The Montreal Star*. m/s. 25. Dicapai pada 16 Julai 2022 – melalui Newspapers.com.
75. ↑  Richin, Leslie (15 Januari 2015). "Today in 1967, The Rolling Stones Forced to Censor Song on 'Ed Sullivan'". *Billboard* (dalam bahasa Inggeris). Dicapai pada 16 Julai 2022.
76. ↑  "'Five by Five' may be a 'hit'". *Herald Express*. 14 Ogos 1964. m/s. 11. Dicapai pada 9 April 2023 – melalui Newspapers.com.
77. ↑  "12 X 5 | The Rolling Stones". *The Rolling Stones*. Dicapai pada 11 Oktober 2017.
78. ↑  Wyman 2002, m/s. 159. sfn error: no target: CITEREFWyman2002 (help)
79. ↑  Wyman 2002, m/s. 164–165, 171. sfn error: no target: CITEREFWyman2002 (help)
80. ↑  Wyman 2002, m/s. 166. sfn error: no target: CITEREFWyman2002 (help)
81. 1 2 3  Jagger dll. 2003, m/s. 95. sfn error: no target: CITEREFJaggerRichardsWattsWood2003 (help)
82. ↑  Wyman 2002, m/s. 187. sfn error: no target: CITEREFWyman2002 (help)
83. ↑  Wyman 2002, m/s. 195. sfn error: no target: CITEREFWyman2002 (help)
84. ↑  Havers, Richard (30 Julai 2022). "'Out Of Our Heads': The Rolling Stones On The Brink Of Insanity". *UDiscoverMusic*. Dicapai pada 19 April 2023.
85. 1 2 3  "The Rolling Stones Biography". Rock and Roll Hall of Fame. Diarkibkan daripada yang asal pada 5 April 2013. Dicapai pada 12 April 2013.
86. ↑  Irwin, Corey (10 Jun 2022). "Watch the Rolling Stones honor the Beatles during Liverpool show". Diarkibkan daripada yang asal pada 3 Julai 2022. Dicapai pada 2 Julai 2022.
87. ↑  Monroe, Jazz (23 April 2015). "The Rolling Stones' Top 10 Albums – Ranked". *NME*. Diarkibkan daripada yang asal pada 16 Ogos 2017. Dicapai pada 15 Ogos 2017.
88. ↑  "Rolling Stones: 25 defining moments in their career (5 of 26) Aftermath released, 1966". *The Telegraph*. 6 Oktober 2016. Diarkibkan daripada yang asal pada 23 November 2016. Dicapai pada 19 Oktober 2017.
89. ↑  "Aftermath released, 1966". *The Daily Telegraph*. 17 Mei 2018. Diarkibkan daripada yang asal pada 31 Ogos 2018. Dicapai pada 27 November 2018.
90. ↑  Jagger dll. 2003, m/s. 100. sfn error: no target: CITEREFJaggerRichardsWattsWood2003 (help)
91. ↑  Margotin & Guesdon 2016, m/s. 151. sfn error: no target: CITEREFMargotinGuesdon2016 (help)
92. ↑  "The Rolling Stones | full Official Chart History". *Official Charts Company*. 31 Julai 1963. Dicapai pada 19 Oktober 2017.
93. 1 2  "The Rolling Stones Chart History". *Billboard*. Dicapai pada 19 Oktober 2017.
94. ↑  Gilliland 1969, show 38, track 3. sfn error: no target: CITEREFGilliland1969 (help)
95. ↑  "Nineteenth Nervous Breakdown | full Official Chart History | Official Charts Company". *OfficialCharts.com*. Dicapai pada 19 Oktober 2017.
96. 1 2 3 4  Corpuz, Kristin (26 Julai 2017). "Mick Jagger and The Rolling Stones' Biggest Billboard Hot 100 Hits". *Billboard*. Dicapai pada 19 Oktober 2017.
97. ↑  Inglis-Arkell, Esther (23 Mac 2015). "This Is The Drug In The Rolling Stones' Song 'Mother's Little Helper'". *io9*. Diarkibkan daripada yang asal pada 14 Ogos 2017. Dicapai pada 14 Ogos 2017.
98. ↑  Warner, Judith (5 Oktober 2012). "Valium Invalidation: What if Mother (and Father) Really Did Need A Little Help?". *Time*. ISSN 0040-781X. Dicapai pada 19 Oktober 2017.
99. ↑  "Have You Seen Your Mother Baby Standing in the Shadow | full Official Chart History". *OfficialCharts.com*. Dicapai pada 19 Oktober 2017.
100. ↑  "MoMA – Music promos for 'Have You Seen Your Mother, Baby, Standing in the Shadow?' [two versions] and 'We Love You'". *moma.org*. 2014. Diarkibkan daripada yang asal pada 6 September 2014. Dicapai pada 6 September 2014.
101. ↑  Chibnall, Steve (2014). "Standing in the Shadow: Peter Whitehead, Swinging London's Insider/Outsider". *Framework: The Journal of Cinema and Media*. **52** (1): 244–277. doi:10.1353/frm.2011.0048. S2CID 191994189.
102. ↑  Margotin & Guesdon 2016, m/s. 177, 178. sfn error: no target: CITEREFMargotinGuesdon2016 (help)
103. ↑  Larkin, Colin (2011). *Encyclopedia of Popular Music* (ed. 5th). Omnibus Press. m/s. 2005. ISBN 978-0-85712-595-8.
104. ↑  Greenfield, Robert (23 Januari 2015). "Keith Richards: The Rolling Stone Interview". *Rolling Stone*. Diarkibkan daripada yang asal pada 16 Ogos 2017. Dicapai pada 15 Ogos 2017.
105. ↑  Gilliland 1969, show 46. sfn error: no target: CITEREFGilliland1969 (help)
106. 1 2 3 4 5 6  "The Rolling Stones Biography". *Rolling Stone*. Diarkibkan daripada yang asal pada 30 April 2011. Dicapai pada 6 Jun 2006.
107. ↑  Wyman 2002, m/s. 256. sfn error: no target: CITEREFWyman2002 (help)
108. ↑  Wells 2012, m/s. 110. sfn error: no target: CITEREFWells2012 (help)
109. 1 2  Paytress 2003, m/s. 116. sfn error: no target: CITEREFPaytress2003 (help)
110. ↑  Cohen 2016, m/s. 153. sfn error: no target: CITEREFCohen2016 (help)
111. ↑  Meltzer, Tom (18 Oktober 2010). "Keith Richards: the Keef facts". *The Guardian*. Diarkibkan daripada yang asal pada 28 Disember 2013. Dicapai pada 19 Oktober 2010.
112. ↑  "Inside Allen Klein's Role in 1967 Jagger-Richards Drug Bust". *Rolling Stone*. 11 Ogos 2015. Diarkibkan daripada yang asal pada 11 Februari 2017. Dicapai pada 15 Ogos 2017.
113. ↑  "1967: Two Rolling Stones on drugs charges". *BBC*. 10 Mei 1967. Diarkibkan daripada yang asal pada 10 Februari 2017. Dicapai pada 15 Ogos 2017.
114. ↑  Jagger dll. 2003, m/s. 112. sfn error: no target: CITEREFJaggerRichardsWattsWood2003 (help)
115. ↑  Wyman 2002, m/s. 264–265. sfn error: no target: CITEREFWyman2002 (help)
116. ↑  Jagger dll. 2003, m/s. 113. sfn error: no target: CITEREFJaggerRichardsWattsWood2003 (help)
117. ↑  Wyman 2002, m/s. 268. sfn error: no target: CITEREFWyman2002 (help)
118. ↑  Christgau, Robert; Fricke, David (19 September 2017). "50 Essential Albums of 1967". *Rolling Stone*. Dicapai pada 9 April 2023.
119. ↑  "Police raid Keith Richard's "Redlands" home in Sussex for drugs". *The History of Rock Music*. Diarkibkan daripada yang asal pada 26 Jun 2015. Dicapai pada 25 Jun 2015.
120. ↑  Booth 2000, m/s. 276. sfn error: no target: CITEREFBooth2000 (help)
121. ↑  Wyman 2002, m/s. 278–282. sfn error: no target: CITEREFWyman2002 (help)
122. ↑  Booth 2000, m/s. 271–278. sfn error: no target: CITEREFBooth2000 (help)
123. ↑  Janovitz, Bill. "We Love You – song review". *Allmusic*. Diarkibkan daripada yang asal pada 20 November 2012. Dicapai pada 14 Julai 2013.
124. ↑  Tannenbaum, Rob; Marks, Craig (27 Oktober 2011). *I Want My MTV: The Uncensored Story of the Music Video Revolution*. Penguin. ISBN 9781101526415.
125. ↑  Stras, Laurie (5 Julai 2017). *'She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music'*. Routledge. ISBN 9781351548731.
126. ↑  Wyman 2002, m/s. 286. sfn error: no target: CITEREFWyman2002 (help)
127. ↑  Wyman 2002, m/s. 292–293, 299. sfn error: no target: CITEREFWyman2002 (help)
128. ↑  Davis 2001, m/s. 224–227. sfn error: no target: CITEREFDavis2001 (help)
129. ↑  Norman 2001, m/s. 293. sfn error: no target: CITEREFNorman2001 (help)
130. ↑  Wyman 2002, m/s. 290. sfn error: no target: CITEREFWyman2002 (help)
131. ↑  Wyman 2002, m/s. 296–298. sfn error: no target: CITEREFWyman2002 (help)
132. ↑  DeCurtis, Anthony (17 Jun 1997). "Review: Beggars Banquet". *Rolling Stone*. Diarkibkan daripada yang asal pada 31 Januari 2002. Dicapai pada 9 Julai 2013.
133. ↑  "*Beggars Banquet*". *Rolling Stone*. Januari 2003. Diarkibkan daripada yang asal pada 23 Mei 2012. Dicapai pada 22 November 2014.
134. ↑  Denisoff, R. Serge (2 April 2020). *Solid Gold: Popular Record Industry*. Routledge. ISBN 978-1-000-67917-5.
135. ↑  Enos, Morgan (6 Disember 2018). "The Rolling Stones' 'Beggars Banquet' at 50: Classic Album Track-by-Track". *Billboard* (dalam bahasa Inggeris). Dicapai pada 22 Julai 2022.
136. ↑  Robinson, Richard (6 September 1968). "Cover Dispute Delays Record Release". *The Emporia Gazette*. Free Press-Pop Scene Service. m/s. 10. Dicapai pada 22 Julai 2022 – melalui Newspapers.com.
137. ↑  Landau, Jon (6 Disember 1968). "Beggar's Banquet". *Rolling Stone* (dalam bahasa Inggeris). Dicapai pada 22 Julai 2022.
138. ↑  Edwards, Gavin (29 Ogos 2019). "Banned in the U.S.A.: 20 Wildest Censored Album Covers". *Rolling Stone* (dalam bahasa Inggeris). Dicapai pada 22 Julai 2022.
139. ↑  Maslin, Janet (12 Oktober 1996). "Taking a Trip Back in Time To the Sleek Young Stones". *The New York Times*. Dicapai pada 23 Ogos 2012.
140. ↑  Farley, Christopher John (18 Oktober 2004). "Starry Circus". *Time*. Diarkibkan daripada yang asal pada 20 Ogos 2012. Dicapai pada 23 Ogos 2012.
141. ↑  Jagger dll. 2003, m/s. 128. sfn error: no target: CITEREFJaggerRichardsWattsWood2003 (help)
142. ↑  Wyman 2002, m/s. 329. sfn error: no target: CITEREFWyman2002 (help)
143. ↑  Leonard, Michael (18 Mac 2013). "Free Spirit: The Genius Of Paul Kossoff". *Gibson.com*. Dicapai pada 3 Julai 2022.
144. ↑  Carlton, William (5 September 1979). "Mick Taylor seeking new success". *Austin American-Statesman*. N.Y. Daily News Service. m/s. 53. Dicapai pada 3 Julai 2022 – melalui Newspapers.com.
145. 1 2  The Rolling Stones (1969). *The Stones in the Park* (DVD released 2006). Network Studios.
146. ↑  Popkin, Helen A.S. (17 Ogos 2005). "The Stones may be old, but they can still rock". *Today*. Dicapai pada 2 Julai 2015 – melalui MSNBC.
147. ↑  Mccormick, Neil (24 November 2012). "Rolling Stones: are they really the world's greatest rock 'n' roll band?". *The Telegraph*. Diarkibkan daripada yang asal pada 11 Julai 2015. Dicapai pada 2 Julai 2015.
148. ↑  Zuel, Bernard (27 Ogos 2014). "The Rolling Stones were never bad boys, says former manager Sam Cutler". *Sydney Morning Herald*. Diarkibkan daripada yang asal pada 7 Oktober 2014. Dicapai pada 22 November 2014.
149. ↑  Margolis, Lynne (13 Mac 2014). "The Rolling Stones: Still The World's Greatest Rock And Roll Band?". The Recording Academy. Diarkibkan daripada yang asal pada 27 September 2015. Dicapai pada 2 Julai 2015.
150. ↑  "Hyde Park, London setlist: 13th July 2013". *The Rolling Stones*. Diarkibkan daripada yang asal pada 23 Mei 2017. Dicapai pada 15 Ogos 2017.
151. ↑  Rose, Rustyn (3 Ogos 2015). "The Rolling Stones release iconic Hyde Park 1969 performance on Blu-ray". *AXS*. Diarkibkan daripada yang asal pada 11 Ogos 2017. Dicapai pada 15 Ogos 2017.
152. ↑  Paytress, Mark (2009). "Good Times, Bad Times". *Rolling Stones: Off The Record*. Omnibus Press. ISBN 978-0857121134.
153. ↑  Davis 2001, m/s. 316. sfn error: no target: CITEREFDavis2001 (help)
154. ↑  *Let it Bleed*. Decca. m/s. 1.
155. ↑  Marcus, Greil (27 Disember 1969). "Let It Bleed – album review". *Rolling Stone*. Diarkibkan daripada yang asal pada 6 Januari 2013. Dicapai pada 7 Disember 2012.
156. ↑  Puterbaugh, Parke (11 Disember 2003). "The Making of 'Let It Bleed'". *Rolling Stone*. Diarkibkan daripada yang asal pada 16 Ogos 2017. Dicapai pada 15 Ogos 2017.
157. ↑  Burks, John (7 Februari 1970). "Rock & Roll's Worst Day: The Aftermath of Altamont". *Rolling Stone*. Diarkibkan daripada yang asal pada 1 November 2007. Dicapai pada 18 April 2007.
158. ↑  Bangs, Lester (4 September 1970). "Get Yer Ya-Ya's Out". *Rolling Stone*. Dicapai pada 20 Jun 2018.
159. ↑  Bangs, Lester (12 November 1970). "Get Yer Ya-Ya's Out – album review". *Rolling Stone*. Diarkibkan daripada yang asal pada 22 Disember 2013. Dicapai pada 14 Julai 2013.
160. ↑  Farber, Jim (19 Julai 2016). "The Rolling Stones on film, in the flesh: 70s rock decadence gets a rare screening". *The Guardian*. Dicapai pada 16 Julai 2022.
161. ↑  Margotin & Guesdon 2016, m/s. 334, 335. sfn error: no target: CITEREFMargotinGuesdon2016 (help)
162. ↑  Margotin & Guesdon 2016, m/s. 335. sfn error: no target: CITEREFMargotinGuesdon2016 (help)
163. ↑  Hagan, Joe (15 April 2021). "The Rolling Stones, Sticky Fingers, and the Man Who Made the Most Notorious Album Art of 1971". *Vanity Fair*. Dicapai pada 3 Julai 2022.
164. ↑  "10 banned album covers". *The Telegraph*. 1 Mei 2015. Diarkibkan daripada yang asal pada 5 Julai 2015. Dicapai pada 15 Ogos 2017.
165. 1 2 3  Coscarelli, Joe (7 Jun 2015). "Art of the Rolling Stones: Behind That Zipper and That Tongue". *The New York Times*. Diarkibkan daripada yang asal pada 11 Jun 2015. Dicapai pada 9 Jun 2015.
166. ↑  Egan 2013, m/s. 187. sfn error: no target: CITEREFEgan2013 (help)
167. ↑  Bekhrad, Joobin (13 April 2020). "How the 'Greatest Rock and Roll Band in the World' Got Its Logo". *The New York Times*. Diarkibkan daripada yang asal pada 13 April 2020. Dicapai pada 16 Ogos 2021.
168. ↑  Margotin & Guesdon 2016, m/s. 336. sfn error: no target: CITEREFMargotinGuesdon2016 (help)
169. ↑  Erlewine, Stephen Thomas. "Sticky Fingers – album review". *AllMusic*. Diarkibkan daripada yang asal pada 1 Julai 2013. Dicapai pada 14 Julai 2013.
170. ↑  Moon 2004, m/s. 695–699. sfn error: no target: CITEREFMoon2004 (help)
171. ↑  Landau, Jon (23 April 1971). "Sticky Fingers". *Rolling Stone*. Diarkibkan daripada yang asal pada 24 Disember 2014. Dicapai pada 22 November 2014.
172. ↑  "Sticky Fingers". *The Rolling Stones*. Diarkibkan daripada yang asal pada 21 Jun 2018. Dicapai pada 20 Jun 2018.
173. 1 2 3  Dempster, Allison (23 Mac 2015). "National Music Centre restoring mobile studio used by Rolling Stones". *CBC News*. Diarkibkan daripada yang asal pada 1 Januari 2017. Dicapai pada 15 Ogos 2017.
174. ↑  Capone, Julijana (15 Oktober 2015). "Famed Rolling Stones Mobile Studio finds new life at NMC". *National Music Centre*. Diarkibkan daripada yang asal pada 30 Jun 2017. Dicapai pada 15 Ogos 2017.
175. 1 2  Daniels, Beau (24 Oktober 2014). "The Stones Mobile Studio On Wheels Used By Led Zeppelin, Fleetwood Mac, And Queen". Diarkibkan daripada yang asal pada 16 Ogos 2017. Dicapai pada 15 Ogos 2017.
176. ↑  The National (26 Jun 2016). "Rolling Stones' Mobile Recording Truck - Inside Tour". Diarkibkan daripada yang asal pada 6 September 2017. Dicapai pada 16 Julai 2022 – melalui YouTube.
177. ↑  Nicolson, Barry (23 April 2015). "Rolling Stones: The Grisly Death-And-Drugs Filled Story Of 'Sticky Fingers'". *NME*. Diarkibkan daripada yang asal pada 16 Ogos 2017. Dicapai pada 15 Ogos 2017.
178. ↑  "Exile on Main Street". *The Rolling Stones*. Diarkibkan daripada yang asal pada 22 Oktober 2012. Dicapai pada 20 Jun 2018.
179. ↑  Christgau, Robert. "Reviews – The Rolling Stones". *Robert Christgau*. Diarkibkan daripada yang asal pada 18 Ogos 2017. Dicapai pada 30 Ogos 2007.
180. ↑  Erlewine, Stephen Thomas. "Exile on Main St – album review". *AllMusic*. Diarkibkan daripada yang asal pada 16 Julai 2013. Dicapai pada 14 Julai 2013.
181. ↑  Hodgetts, Vicki (10 Mei 1974). "Ladies and Gentlemen: The Rolling Stones". *Rolling Stone*. Diarkibkan daripada yang asal pada 24 Disember 2014. Dicapai pada 22 November 2014.
182. ↑  "hot rocks | full Official Chart History". *OfficialCharts.com*. Dicapai pada 30 Oktober 2017.
183. ↑  "The Rolling Stones Hot Rocks 1964–1971 Chart History". *Billboard*. Dicapai pada 30 Oktober 2017.
184. ↑  "The Rolling Stones Billboard 200 Chart History". *Billboard*. Dicapai pada 18 Februari 2021.
185. ↑  "The Rolling Stones Album Guide". *Rolling Stone*. Diarkibkan daripada yang asal pada 12 April 2011. Dicapai pada 22 November 2014.
186. ↑  "How Bill Wyman Became the First Rolling Stones Member to Go Solo With 'Monkey Grip'". *Ultimate Classic Rock*. 15 Mei 2014. Diarkibkan daripada yang asal pada 30 Julai 2017. Dicapai pada 15 Ogos 2017.
187. 1 2 3  Hall, Allan (2 Ogos 2006). "Stones paid just 1.6% tax on £240m royalties". *The Independent*. Diarkibkan daripada yang asal pada 13 Ogos 2017. Dicapai pada 13 Ogos 2017.
188. 1 2 3  Browning, Lynnley (4 Februari 2007). "The Netherlands, the New Tax Shelter Hot Spot". *The New York Times*. Diarkibkan daripada yang asal pada 13 Ogos 2017. Dicapai pada 13 Ogos 2017.
189. ↑  "Goats Head Soup". *The Rolling Stones*. Diarkibkan daripada yang asal pada 8 April 2016. Dicapai pada 20 Jun 2018.
190. ↑  Erlewine, Stephen Thomas. "Goats Head Soup – album review". *Allmusic*. Diarkibkan daripada yang asal pada 7 Julai 2013. Dicapai pada 14 Julai 2013.
191. ↑  Margotin & Guesdon 2016, m/s. 514, 528. sfn error: no target: CITEREFMargotinGuesdon2016 (help)
192. ↑  Wyman 2002, m/s. 408. sfn error: no target: CITEREFWyman2002 (help)
193. ↑  Wyman 2002, m/s. 361, 412. sfn error: no target: CITEREFWyman2002 (help)
194. 1 2  Turner, Steve (6 Disember 1874). "Making The Stones' New Album". *Rolling Stone*. Dicapai pada 11 Oktober 2017.
195. ↑  Jagger, M. Richards, R. (1974). [Liner notes]. In *It's Only Rock'n'Roll* [Vinyl, LP, Album, Reissue]. Rolling Stones Records.
196. ↑  "it's-only-rock-'n'-roll | full Official Chart History". *OfficialCharts.com*. Dicapai pada 11 Oktober 2017.
197. ↑  "it's-only-rock-and-roll | full Official Chart History". *OfficialCharts.com*. Dicapai pada 11 Oktober 2017.
198. ↑  Landau, Jon (16 Disember 1974). "It's Only Rock 'n Roll". *Rolling Stone*. Dicapai pada 11 Oktober 2017.
199. ↑  Kot, Greg (12 Disember 2014). "Mick Taylor to Slash: Rock's irreplaceable guitarists?". *BBC*. Dicapai pada 2 Jun 2018.
200. ↑  "Rolling Stones deny disbanding". *The Sun*. Associated Press. 2 Oktober 1975. m/s. 27. Dicapai pada 3 Julai 2022 – melalui Newspapers.com.
201. ↑  Margotin & Guesdon 2016, m/s. 418. sfn error: no target: CITEREFMargotinGuesdon2016 (help)
202. ↑  Margotin & Guesdon 2016, m/s. 420–423. sfn error: no target: CITEREFMargotinGuesdon2016 (help)
203. ↑  Margotin & Guesdon 2016, m/s. 420. sfn error: no target: CITEREFMargotinGuesdon2016 (help)
204. ↑  Obrecht, Jas (Februari 1980). "Mick Taylor: Ex-Rolling Stones On His Own". *Guitar World*: 20.
205. ↑  Jagger dll. 2003, m/s. 174. sfn error: no target: CITEREFJaggerRichardsWattsWood2003 (help)
206. 1 2  Paytress 2003, m/s. 239. sfn error: no target: CITEREFPaytress2003 (help)
207. ↑  Hattenstone, Simon (22 April 2011). "Ronnie Wood: Second Life". *The Guardian*. Diarkibkan daripada yang asal pada 29 November 2014. Dicapai pada 22 November 2014.
208. ↑  "Stones Settle With Allen Klein: Four More Albums". *Rolling Stone*. 5 Jun 1975. Diarkibkan daripada yang asal pada 16 Ogos 2017. Dicapai pada 15 Ogos 2017.
209. ↑  Aswad, Jem (9 September 2016). "The Rolling Stones' Early Catalog Dazzles on New Mono Remasters: Sneak Peek". *Billboard*. Diarkibkan daripada yang asal pada 23 Disember 2016. Dicapai pada 15 Ogos 2017.
210. ↑  Hind, John (25 November 2012). "The night I saw the Rolling Stones jam until 7am". *The Guardian*. Dicapai pada 25 Jun 2021.
211. 1 2  "Love You Live". *The Rolling Stones*. Diarkibkan daripada yang asal pada 2 April 2016. Dicapai pada 18 Jun 2018.
212. ↑  Christgau, Robert (31 Oktober 1977). "Christgau's Consumer Guide". *The Village Voice*. Diarkibkan daripada yang asal pada 24 Jun 2015. Dicapai pada 9 Jun 2015.
213. ↑  Greenspan 1980, m/s. 518. sfn error: no target: CITEREFGreenspan1980 (help)
214. ↑  Sandford 2003, m/s. 225. sfn error: no target: CITEREFSandford2003 (help)
215. 1 2  Greenspan 1980, m/s. 517–527. sfn error: no target: CITEREFGreenspan1980 (help)
216. 1 2  Sandford 2003, m/s. 227. sfn error: no target: CITEREFSandford2003 (help)
217. ↑  Sandford 2003, m/s. 232–233, 248–250. sfn error: no target: CITEREFSandford2003 (help)
218. ↑  "Seventies and Eighties". *The Telegraph*. 1 Ogos 2003. Diarkibkan daripada yang asal pada 16 Oktober 2010. Dicapai pada 2 Ogos 2010.
219. ↑  Philo, Simon (2 September 2015). "Not Sucking in the Seventies: The Rolling Stones and the Myth of Decline". *Rock Music Studies*. **2** (3): 295–314. doi:10.1080/19401159.2015.1093377. hdl:10545/620899. ISSN 1940-1159. S2CID 191963491.
220. ↑  Erlewine, Stephen Thomas. "Some Girls – album review". *AllMusic*. Diarkibkan daripada yang asal pada 28 Jun 2013. Dicapai pada 14 Julai 2013.
221. ↑  "Some Girls". *The Rolling Stones*. Diarkibkan daripada yang asal pada 13 Januari 2013. Dicapai pada 18 Jun 2018.
222. 1 2 3  Nelson 2010, m/s. 92. sfn error: no target: CITEREFNelson2010 (help)
223. ↑  "Emotional Rescue". *The Rolling Stones*. Diarkibkan daripada yang asal pada 8 April 2016. Dicapai pada 18 Jun 2018.
224. ↑  "Start Me Up". *Billboard*. Dicapai pada 18 Jun 2018.
225. ↑  Janovitz, Bill. "The Rolling Stones: 'Waiting on a Friend'". *AllMusic*. Dicapai pada 12 November 2014.
226. ↑  "Tattoo You". *The Rolling Stones*. Diarkibkan daripada yang asal pada 8 April 2016. Dicapai pada 18 Jun 2018.
227. ↑  Palmer, Robert (4 November 1981). "The Stones Roll On, Refusing to Become Show-Business Slick". *The New York Times*. Dicapai pada 3 Julai 2022.
228. ↑  "Muddy Waters / The Rolling Stones – Checkerboard Lounge: Live Chicago 1981 (DVD)". *AllMusic*. Diarkibkan daripada yang asal pada 16 Oktober 2015. Dicapai pada 22 November 2014.
229. ↑  "Still Life". *The Rolling Stones*. Dicapai pada 18 Jun 2018.
230. ↑  Loder, Kurt; Pond, Steve (21 Januari 1982). "Stones Tour Pays Off". *Rolling Stone*. Diarkibkan daripada yang asal pada 7 Mei 2016. Dicapai pada 18 Ogos 2017.
231. ↑  Saulnier, Jason (8 April 2010). "Interview with Chuck Leavell of the Rolling Stones". Music Legends. Diarkibkan daripada yang asal pada 16 Disember 2013. Dicapai pada 6 Mei 2013.
232. 1 2  Nelson 2010, m/s. 96. sfn error: no target: CITEREFNelson2010 (help)
233. ↑  "Undercover". *The Rolling Stones*. Diarkibkan daripada yang asal pada 29 November 2014. Dicapai pada 18 Jun 2018.
234. ↑  Richards & Fox 2010, m/s. 470–472. sfn error: no target: CITEREFRichardsFox2010 (help)
235. ↑  Richards & Fox 2010, m/s. 461. sfn error: no target: CITEREFRichardsFox2010 (help)
236. ↑  Seideman, Tony (24 Ogos 1985). "Bowie/Jagger Vidclip Heads for Movie Screens". *Billboard*. m/s. 1. Diarkibkan daripada yang asal pada 18 Ogos 2017.
237. ↑  "Sir Mick Jagger returns to UK singles chart". *BBC*. 13 Februari 2012. Diarkibkan daripada yang asal pada 23 Februari 2012. Dicapai pada 12 Mac 2012.
238. 1 2  DeCurtis, Anthony (10 April 1986). "Stones Pay Tribute to Ian Stewart With Club Show, Special Guests". *Rolling Stone* (dalam bahasa Inggeris). Dicapai pada 3 Julai 2022.
239. ↑  Tucker, Ken (26 Februari 1986). "'We Are the World' is big Grammy hit". *Santa Maria Times*. Knight-Ridder Newspapers. m/s. 5. Dicapai pada 3 Julai 2022 – melalui Newspapers.com.
240. ↑  "Dirty Work". *The Rolling Stones*. Diarkibkan daripada yang asal pada 11 November 2016. Dicapai pada 20 Jun 2018.
241. ↑  "Dirty Work". *The Rolling Stones*. Diarkibkan daripada yang asal pada 11 November 2016. Dicapai pada 18 Jun 2018.
242. 1 2  Greene, Andy (18 Mac 2011). "The 25 Boldest Career Moves in Rock History: 20) Mick Jagger Tours Solo With Joe Satriani". *Rolling Stone*. Diarkibkan daripada yang asal pada 5 Januari 2013. Dicapai pada 4 Disember 2011.
243. ↑  Sandford 1999, m/s. 268. sfn error: no target: CITEREFSandford1999 (help)
244. ↑  "Talk is Cheap". *Official Charts Company*. Dicapai pada 18 Jun 2018.
245. ↑  "Talk is Cheap". *Billboard*. Dicapai pada 18 Jun 2018.
246. 1 2 3  "RIAA Gold & Platinum database". Recording Industry Association of America. Diarkibkan daripada yang asal pada 26 Jun 2007. Dicapai pada 4 Disember 2011.
247. 1 2  Jagger dll. 2003, m/s. 247. sfn error: no target: CITEREFJaggerRichardsWattsWood2003 (help)
248. ↑  Patell 2011, m/s. 138. sfn error: no target: CITEREFPatell2011 (help)
249. 1 2  Patell 2011, m/s. 24. sfn error: no target: CITEREFPatell2011 (help)
250. ↑  "The Rolling Stones- Continental Drift". *BBC Four*. 12 Ogos 2011. Diarkibkan daripada yang asal pada 4 September 2015. Dicapai pada 22 November 2014.
251. ↑  "Steel Wheels". *The Rolling Stones*. Diarkibkan daripada yang asal pada 11 Jun 2017. Dicapai pada 19 Jun 2018.
252. ↑  "Flashpoint". *The Rolling Stones*. Diarkibkan daripada yang asal pada 6 Disember 2014. Dicapai pada 19 Jun 2018.
253. ↑  "Rolling Stones' 1991 Concert Film "Live at the Max" Headed to DVD". *Rolling Stone*. 9 November 2009. Diarkibkan daripada yang asal pada 24 Disember 2014. Dicapai pada 22 November 2014.
254. ↑  Light, Alan (21 Januari 1993). "Bill Wyman Quits the Rolling Stones". *Rolling Stone* (dalam bahasa Inggeris). Dicapai pada 3 Julai 2022.
255. ↑  Schinder & Schwartz 2010, m/s. 230. sfn error: no target: CITEREFSchinderSchwartz2010 (help)
256. ↑  Bockris 1992, m/s. 394. sfn error: no target: CITEREFBockris1992 (help)
257. ↑  Neill 2015, m/s. 137. sfn error: no target: CITEREFNeill2015 (help)
258. ↑  "Mick Jagger". *Official Charts Company*. Dicapai pada 19 Jun 2018.
259. ↑  "Wandering Spirit". *Billboard*. Dicapai pada 19 Jun 2018.
260. ↑  "Jump Back". *The Rolling Stones*. Dicapai pada 19 Jun 2018.
261. ↑  Erlewine, Stephen Thomas. "Voodoo Lounge – album review". *AllMusic*. Diarkibkan daripada yang asal pada 4 Jun 2013. Dicapai pada 14 Julai 2013.
262. ↑  "The 37th Grammy Nominations". *Los Angeles Times*. 6 Januari 1995. m/s. 3. Diarkibkan daripada yang asal pada 28 Oktober 2014. Dicapai pada 22 November 2014.
263. ↑  "Voodoo Lounge". *The Rolling Stones*. Diarkibkan daripada yang asal pada 29 November 2014. Dicapai pada 19 Jun 2018.
264. 1 2  Rosen, Craig (10 Disember 1994). "Virgin Act Ends Highest Grossing Tour Ever". *Billboard*. m/s. 45. Diarkibkan daripada yang asal pada 18 Ogos 2017.
265. ↑  "Stripped". *The Rolling Stones*. Dicapai pada 19 Jun 2018.
266. 1 2  Graff, Gary (24 November 1995). "Rolling Stones go high-tech (and acoustic)". *St. Louis Post-Dispatch*. Dallas Morning News. m/s. 66. Dicapai pada 3 Julai 2022 – melalui Newspapers.com.
267. ↑  Younk, Dave (23 November 1995). "'Stripped': Youth is gone but not the talent". *St. Cloud Times*. m/s. 49. Dicapai pada 3 Julai 2022 – melalui Newspapers.com.
268. 1 2  "1994 MTV Video Music Awards". *MTV*. 1994. Diarkibkan daripada yang asal pada 1 Mei 2011. Dicapai pada 4 Disember 2011.
269. ↑  Strauss, Neil (22 November 1994). "Rolling Stones Live on Internet: Both a Big Deal and a Little Deal". *The New York Times*. Diarkibkan daripada yang asal pada 29 Januari 2017.
270. ↑  

	* Erlewine, Stephen Thomas. "Bridges to Babylon – The Rolling Stones | Songs, Reviews, Credits". *AllMusic*. Diarkibkan daripada yang asal pada 13 Ogos 2017. Dicapai pada 13 Ogos 2017.
	* Kemp, Mark (29 September 1997). "Bridges to Babylon". *Rolling Stone*. Diarkibkan daripada yang asal pada 14 Mac 2014. Dicapai pada 4 Disember 2016.
	* Tucker, Ken (3 Oktober 1997). "Bridges to Babylon". *Entertainment Weekly*. Diarkibkan daripada yang asal pada 4 Disember 2016.
	* Moody, Paul (20 September 1997). "The Rolling Stones – Bridges To Babylon". *NME*. Diarkibkan daripada yang asal pada 17 Ogos 2000.
271. ↑  "Bridges to Babylon". *The Rolling Stones*. Diarkibkan daripada yang asal pada 29 November 2014. Dicapai pada 19 Jun 2018.
272. ↑  Udovitch, Mim (19 Ogos 1999). "The Devil in Miss Angelina Jolie". *Rolling Stone*. Diarkibkan daripada yang asal pada 21 Ogos 2017. Dicapai pada 21 Ogos 2017.
273. ↑  Sandler, Adam (4 Disember 1997). "Stones rolling tour with VH1, MTV boost". *Variety*. Diarkibkan daripada yang asal pada 13 Ogos 2017. Dicapai pada 13 Ogos 2017.
274. ↑  "The Rolling Stones". *Official Charts Company*. 31 Julai 1963. Dicapai pada 19 Jun 2018.
275. ↑  "No Security". *The Rolling Stones*. Diarkibkan daripada yang asal pada 3 Disember 2014. Dicapai pada 19 Jun 2018.
276. ↑  Collier, Gene (11 Mac 1999). "Stones' song list is set for the blues". *Post-Gazette*. Diarkibkan daripada yang asal pada 4 Mac 2016. Dicapai pada 13 Ogos 2017.
277. ↑  Williamson, Nigel (5 Disember 2003). "Alive and kicking". *The Guardian*. Diarkibkan daripada yang asal pada 12 September 2014. Dicapai pada 6 September 2010.
278. ↑  "Goddess in the Doorway". *Official Charts Company*. Dicapai pada 19 Jun 2018.
279. ↑  "Mick Jagger calls Concert for New York 'poignant and funny and sad'". *The Province*. Reuters. 24 Oktober 2001. m/s. 61. Dicapai pada 3 Julai 2022 – melalui Newspapers.com.
280. ↑  "Forty Licks". *The Rolling Stones*. Diarkibkan daripada yang asal pada 9 Disember 2014. Dicapai pada 19 Jun 2018.
281. ↑  Cox, Josie; Lawless, Jill (14 Julai 2012). "Rolling Stones hint at tour ahead of 50th anniversary celebration". *The Independent*. Diarkibkan daripada yang asal pada 3 Julai 2022. Dicapai pada 3 Julai 2022.
282. ↑  Rashbaum, Alyssa (31 Julai 2003). "Justin Timberlake Joins Stones At Toronto Benefit, Gets Pelted With Garbage". MTV. Diarkibkan daripada yang asal pada 17 Julai 2013. Dicapai pada 22 November 2014.
283. ↑  "Some US retailers join Stones boycott". *CNN*. Billboard. November 2003. Diarkibkan daripada yang asal pada 22 Januari 2008. Dicapai pada 14 Jun 2007.
284. ↑  "Live Licks". *The Rolling Stones*. Dicapai pada 19 Jun 2018.
285. ↑  "More names join UK Music Hall Of Fame". *NME*. 18 Oktober 2005. Diarkibkan daripada yang asal pada 7 Januari 2012. Dicapai pada 4 Disember 2011.
286. ↑  Light, Alan (22 September 2005). "A Bigger Bang – album review". *Rolling Stone*. Diarkibkan daripada yang asal pada 13 Ogos 2009. Dicapai pada 14 Jun 2007.
287. ↑  "A Bigger Bang". *The Rolling Stones*. Diarkibkan daripada yang asal pada 1 Disember 2012. Dicapai pada 19 Jun 2018.
288. 1 2  "The Rolling Stones – Official Chart History". Official Charts Company (OCC). Diarkibkan daripada yang asal pada 19 April 2013. Dicapai pada 14 Julai 2013.
289. 1 2  "Stones 'slate Bush' in album song". *BBC News*. 2005. Diarkibkan daripada yang asal pada 20 Januari 2008. Dicapai pada 16 Oktober 2007.
290. ↑  "Richards persuaded band to skip Live 8". *Sydney Morning Herald*. 4 September 2005. Diarkibkan daripada yang asal pada 24 September 2015. Dicapai pada 23 November 2014.
291. ↑  "Rolling Stones hold giant Rio gig". *BBC News*. 19 Februari 2006. Diarkibkan daripada yang asal pada 16 Ogos 2017. Dicapai pada 22 November 2013.
292. ↑  Krochak, Gerry (20 Julai 2006). "Mick and the boys on their way". *Star-Phoenix*. Saskatchewan News Network. m/s. 3. Dicapai pada 3 Julai 2022 – melalui Newspapers.com.
293. ↑  "Richards makes fast friends with his 'headman'". *National Post*. National Post news services. 21 Februari 2008. m/s. 2. Dicapai pada 3 Julai 2022 – melalui Newspapers.com.
294. ↑  DPA (15 Jun 2006). "After the tree ... it's rehab". *The Sydney Morning Herald*. Diarkibkan daripada yang asal pada 14 Jun 2007. Dicapai pada 17 Mei 2007.
295. ↑  Larkin, Adrian (20 Jun 2006). "Rolling Stones gig latest". BBC 6. Diarkibkan daripada yang asal pada 14 Julai 2007. Dicapai pada 18 Mei 2007.
296. ↑  "Stones show reset to Nov. 25 for Mick to rest his throat". *The Vancouver Sun*. 1 November 2006. m/s. 2. Dicapai pada 3 Julai 2022 – melalui Newspapers.com.
297. 1 2  "Update: Stones Roll By U2 For Top Grossing Tour Ever". *Billboard*. 27 November 2006. Diarkibkan daripada yang asal pada 28 Mei 2013. Dicapai pada 4 Mei 2013.
298. ↑  "70 Greatest Music Documentaries of All Time". *Rolling Stone*. Diarkibkan daripada yang asal pada 3 Julai 2022. Dicapai pada 10 Oktober 2022.
299. ↑  "Shine a Light". *The Rolling Stones*. Dicapai pada 19 Jun 2018.
300. ↑  Weiner, Tim (15 Disember 2006). "Ahmet Ertegun, Music Executive, Dies at 83". *The New York Times*. Diarkibkan daripada yang asal pada 17 Mei 2013. Dicapai pada 20 Mac 2012.
301. 1 2  Brown, Helen (10 Jun 2007). "Rolling Stones the high note on Isle of Wight". *The Telegraph*. Diarkibkan daripada yang asal pada 25 September 2015. Dicapai pada 23 November 2014.
302. ↑  Aubrey, Elizabeth (13 September 2019). "Here's how much The Rolling Stones made from their 'No Filter' world tour". *NME*. Diarkibkan daripada yang asal pada 3 Julai 2022. Dicapai pada 3 Julai 2022.
303. ↑  Majendie, Paul (26 September 2007). "Rolling Stones get Guinness satisfaction". *Reuters*. Diarkibkan daripada yang asal pada 3 Julai 2022. Dicapai pada 3 Julai 2022.
304. ↑  Erlewine, Stephen Thomas. "Rolled Gold+: The Very Best of the Rolling Stones – The Rolling Stones". *AllMusic*. Diarkibkan daripada yang asal pada 16 Ogos 2017. Dicapai pada 15 Ogos 2017.
305. ↑  Cohen, Jonathan (25 Julai 2008). "The Rolling Stones Leave EMI For Universal". *Billboard*. Diarkibkan daripada yang asal pada 12 April 2017. Dicapai pada 11 April 2017.
306. ↑  Ratliff, Ben (19 Mei 2010). "Revisiting 'Main St.' Rethinking the Myth". *The New York Times*. Diarkibkan daripada yang asal pada 3 Julai 2022. Dicapai pada 3 Julai 2022.
307. ↑  "The Rolling Stones to release "Plundered My Soul" for Record Store Day". *The Independent*. 10 April 2010. Diarkibkan daripada yang asal pada 29 Januari 2012. Dicapai pada 6 September 2010.
308. 1 2  Chagollan, Steve (15 Mei 2010). "Re-issue of Stones Album Spawns Cannes Doc". *Variety*. Diarkibkan daripada yang asal pada 1 Januari 2016.
309. ↑  "Archive Chart". Official Charts Company. 29 Mei 2010. Dicapai pada 6 September 2010.
310. ↑  "'Glee' Stops the Show at No. 1, Stones Come in Second On Billboard 200". *Billboard*. 14 September 2009. Diarkibkan daripada yang asal pada 4 Julai 2013. Dicapai pada 6 September 2010.
311. ↑  Sweeting, Adam (22 Mei 2014). "Prince Rupert Loewenstein obituary". *The Guardian*. Dicapai pada 12 November 2019.
312. ↑  "Rupert Loewenstein dies at 80; turned Rolling Stones into tycoons". *Los Angeles Times*. Associated Press. 23 Mei 2014. Dicapai pada 12 November 2019.
313. ↑  Roberts, Dave (28 Ogos 2018). "How to manage The Rolling Stones: 'If you start taking it for granted, that's doomsday'". *Music Business Worldwide*. Dicapai pada 12 November 2019.
314. ↑  Gibb, Frances (31 Januari 2013). "It isn't folk music, but I like it. . ". *The Times*. Diarkibkan daripada yang asal pada 12 November 2019. Dicapai pada 12 November 2019.
315. ↑  Eggersten, Chris (11 Jun 2019). "P!nk Accepts Legend of Live and Tour of the Year Award at Billboard Live Music Summit". *Billboard*. Dicapai pada 12 November 2019.
316. ↑  Rambler, Midnight (12 Ogos 2010). "Ladies and Gentlemen to Hit Cinemas across the Globe". *The Rolling Stones*. Diarkibkan daripada yang asal pada 15 Ogos 2010. Dicapai pada 6 September 2010.
317. ↑  "The Rolling Stones – Some Girls, Live in Texas '78". *Eagle Rock Entertainment*. Diarkibkan daripada yang asal pada 8 Disember 2011. Dicapai pada 3 Disember 2011.
318. ↑  "The Rolling Stones: Some Girls (Reissue) – review". *The Guardian*. Diarkibkan daripada yang asal pada 29 November 2014. Dicapai pada 23 November 2014.
319. ↑  "The Rolling Stones: 50". *The Rolling Stones*. Diarkibkan daripada yang asal pada 10 Jun 2017. Dicapai pada 18 Ogos 2017.
320. ↑  Doyle, Patrick (27 Jun 2012). "Rolling Stones Debut New 50th Anniversary Tongue Logo". *Rolling Stone*. Diarkibkan daripada yang asal pada 3 Julai 2022. Dicapai pada 3 Julai 2022.
321. ↑  Shah, Neil (9 Disember 2012). "Fan Hoping to See Rolling Stones In Slovenia Gets No Satisfaction" (PDF). *The Wall Street Journal*. Diarkibkan daripada yang asal (PDF) pada 11 Disember 2012.
322. ↑  Greene, Andy (1 Ogos 2012). "Rolling Stones Documentary Coming to HBO in Fall". *Rolling Stone*. Diarkibkan daripada yang asal pada 3 Oktober 2013. Dicapai pada 14 Julai 2013.
323. ↑  "GRRR! The Rolling Stones announce greatest hits album". *The Rolling Stones*. 4 September 2012. Diarkibkan daripada yang asal pada 29 Mac 2013. Dicapai pada 14 Julai 2013.
324. ↑  "New Rolling Stones video released featuring Dragon Tattoo star Noomi Rapace". *The Telegraph*. 21 November 2012. Diarkibkan daripada yang asal pada 28 Disember 2012. Dicapai pada 14 Julai 2013.
325. ↑  Schnelder, Marc (21 November 2012). "Rolling Stones Arouse Madness in 'Doom and Gloom' Video". Diarkibkan daripada yang asal pada 3 Julai 2022. Dicapai pada 3 Julai 2022.
326. ↑  Wood, Mikael (27 November 2012). "A 'raw' spectacle for London Stones fans". *The Los Angeles Times*. m/s. 29. Dicapai pada 3 Julai 2022 – melalui Newspapers.com.
327. 1 2 3  "Rolling Stones to perform with Lady Gaga and Bruce Springsteen". *The Telegraph*. 10 Disember 2012. Diarkibkan daripada yang asal pada 11 Disember 2012. Dicapai pada 12 Disember 2012.
328. ↑  "Lady Gaga sings 'Gimme Shelter' with The Rolling Stones at New Jersey gig". *NME*. 16 Disember 2012. Diarkibkan daripada yang asal pada 13 Ogos 2017. Dicapai pada 13 Ogos 2017.
329. ↑  "Tart me up! The Rolling Stones' fantastical stage designs – in pictures". *The Guardian* (dalam bahasa Inggeris). 25 April 2022. ISSN 0261-3077. Dicapai pada 3 Julai 2022.
330. ↑  Martens, Todd (12 Disember 2012). "12-12-12 Concert: The Rolling Stones make a quick exit". *Los Angeles Times*. Diarkibkan daripada yang asal pada 29 Disember 2013. Dicapai pada 14 Julai 2013.
331. ↑  Coleman, Miriam (12 Mei 2013). "Katy Perry Duets With the Rolling Stones". *Rolling Stone* (dalam bahasa Inggeris). Diarkibkan daripada yang asal pada 26 Oktober 2022. Dicapai pada 26 Oktober 2022.
332. ↑  Gore, Sydney (5 Jun 2013). "Taylor Swift Joins Rolling Stones On Stage for 'As Tears Go By'". *Billboard* (dalam bahasa Inggeris). Dicapai pada 26 Oktober 2022.
333. ↑  Lynskey, Dorian (30 Jun 2013). "Rolling Stones at Glastonbury 2013 – review". *The Guardian*. Diarkibkan daripada yang asal pada 30 Julai 2013. Dicapai pada 2 Julai 2013.
334. ↑  Lachno, James (9 April 2013). "Rolling Stones add second Hyde Park date". *The Telegraph*. Diarkibkan daripada yang asal pada 10 Januari 2022. Dicapai pada 6 Julai 2018.
335. ↑  Silverman, Rosa. "Mick Jagger: we will play same set list at Hyde Park gig as in 1969". *The Telegraph*. Diarkibkan daripada yang asal pada 20 Oktober 2013. Dicapai pada 15 Ogos 2017.
336. ↑  "Rolling Stones Release 'Hyde Park Live' Album". *Billboard*. Diarkibkan daripada yang asal pada 21 Februari 2014. Dicapai pada 19 April 2014.
337. ↑  Jones, Damian (26 Mei 2022). "The Rolling Stones recruit Sam Fender, Phoebe Bridgers, The War On Drugs and more for BST shows". *NME*. Dicapai pada 3 Julai 2022.
338. ↑  Renshaw, David (4 September 2013). "The Rolling Stones to release 'Sweet Summer Sun – Hyde Park Live' DVD". *NME*. Diarkibkan daripada yang asal pada 30 Disember 2022. Dicapai pada 30 Disember 2022.
339. ↑  "14 ON FIRE". The Rolling Stones. Diarkibkan daripada yang asal pada 16 April 2014. Dicapai pada 19 April 2014.
340. ↑  "Rolling Stones perform to more than 50,000 fans at Adelaide Oval". *ABC News*. Diarkibkan daripada yang asal pada 30 November 2014. Dicapai pada 10 Disember 2014.
341. ↑  "Rolling Stones rain satisfaction on Tel Aviv". *Haaretz*. Diarkibkan daripada yang asal pada 29 November 2014. Dicapai pada 12 November 2014.
342. ↑  Greene, Andy (7 April 2015). "Mick Jagger: 'I'm Not Thinking About Retirement'". *Rolling Stone*. Diarkibkan daripada yang asal pada 16 Ogos 2017. Dicapai pada 15 Ogos 2017.
343. 1 2  "Rolling Stones announce 'landmark' Cuba concert". BBC News. 1 Mac 2016. Diarkibkan daripada yang asal pada 2 Mac 2016.
344. ↑  Waddell, Ray (5 November 2015). "Rolling Stones Announce 2016 Latin American Tour". *Billboard*. Diarkibkan daripada yang asal pada 7 November 2015. Dicapai pada 8 November 2015.
345. ↑  Keough, Peter (5 Jun 2016). "Films that will move you". *The Boston Globe*. m/s. N9. Dicapai pada 16 Julai 2022 – melalui Newspapers.com.
346. ↑  Flake, Ricky (17 Jun 2016). "Blues from all around the world". *Sun Herald*. m/s. M18. Dicapai pada 16 Julai 2022 – melalui Newspapers.com.
347. ↑  "The Rolling Stones in Cuba concert film 'Havana Moon' to be premiered in cinemas for one night only". *The Rolling Stones*. 28 Julai 2016. Diarkibkan daripada yang asal pada 29 Julai 2016. Dicapai pada 31 Julai 2016.
348. ↑  Barker, Andrew (12 September 2016). "Toronto Film Review: 'The Rolling Stones Olé Olé Olé!: A Trip Across Latin America'". *Variety*. Diarkibkan daripada yang asal pada 3 Februari 2022. Dicapai pada 30 Disember 2022.
349. ↑  "The Rolling Stones Olé Olé Olé! : A Trip Across Latin America". *Toronto International Film Festival*. Diarkibkan daripada yang asal pada 4 April 2017. Dicapai pada 3 April 2017.
350. 1 2  Gallucci, Michael (17 September 2016). "New Rolling Stones Doc Captures Band's Latin American Tour, Historic Havana Show". *Rolling Stone*. Diarkibkan daripada yang asal pada 12 Ogos 2022. Dicapai pada 30 Disember 2022.
351. ↑  "¡Olé, Olé, Olé! A Trip Across Latin America | The Rolling Stones". *The Rolling Stones*. Diarkibkan daripada yang asal pada 4 April 2017. Dicapai pada 3 April 2017.
352. ↑  Waddell, Ray (7 Oktober 2016). "Desert Trip Founder Paul Tollett Explains Pulling Off McCartney, Stones & Dylan Lineup". *Billboard*. Dicapai pada 30 Januari 2021.
353. ↑  Grow, Kory (6 Oktober 2016). "Rolling Stones Announce New Blues Cover Album 'Blue & Lonesome'". *Rolling Stone*. Diarkibkan daripada yang asal pada 12 Disember 2016. Dicapai pada 21 Disember 2016.
354. ↑  "New Rolling Stones album Blue & Lonesome will be released in December". *The Telegraph*. Reuters. 6 Oktober 2016. Diarkibkan daripada yang asal pada 22 Disember 2016. Dicapai pada 21 Disember 2016.
355. ↑  "Blue&Lonesome". *The Rolling Stones Official Website*. Diarkibkan daripada yang asal pada 5 Januari 2017. Dicapai pada 21 Disember 2016.
356. ↑  "Rolling Stones top UK album chart with Blue & Lonesome". *BBC News*. 9 Disember 2016. Diarkibkan daripada yang asal pada 9 Januari 2017.
357. ↑  Caulfield, Keith (11 Disember 2016). "'The Hamilton Mixtape' Debuts at No. 1 on Billboard 200 Albums Chart". *Billboard*. Diarkibkan daripada yang asal pada 12 Disember 2016. Dicapai pada 12 Disember 2016.
358. ↑  "The Rolling Stones to record new album". *Toronto Sun*. 24 Julai 2017. Dicapai pada 31 Julai 2017.
359. ↑  Doyle, Patrick (3 September 2020). "Mick Jagger and Keith Richards on 'Goats Head Soup,' Life in Lockdown, and Why They'll Never Quit". *Rolling Stone*. Dicapai pada 29 Oktober 2020.
360. ↑  Kreps, Daniel (6 Oktober 2017). "Rolling Stones Collect Rare BBC Recordings for 'On Air' (by Daniel Kreps)". *Rolling Stone*. Dicapai pada 26 Oktober 2017.
361. ↑  "Stones – No Filter – European tour | The Rolling Stones". *The Rolling Stones*. Diarkibkan daripada yang asal pada 9 Mei 2017. Dicapai pada 9 Julai 2018.
362. ↑  Savage, Mark (26 Februari 2018). "Rolling Stones to tour UK in 2018". *BBC News*. Dicapai pada 27 Februari 2018.
363. ↑  Greene, Andy (19 November 2018). "The Rolling Stones Announce 2019 'No Filter' U.S. Stadium Tour". *Rolling Stone*. Dicapai pada 19 November 2018.
364. ↑  Kreps, Daniel (30 Mac 2019). "Rolling Stones Postpone North American Tour as Mick Jagger Gets Medical Treatment". *Rolling Stone*. Dicapai pada 30 Mac 2019.
365. ↑  "Mick Jagger Undergoes Successful Heart Valve Procedure". *Billboard*. Diarkibkan daripada yang asal pada 29 April 2019. Dicapai pada 1 September 2019.
366. ↑  Greene, Andy (16 Mei 2019). "Rolling Stones Announce Rescheduled Dates For 2019 'No Filter' Tour". *Rolling Stone*. Dicapai pada 19 Mei 2019.
367. ↑  Chan, Anna (17 Mac 2020). "Rolling Stones Postpone No Filter Tour Over Coronavirus". *Billboard*. Dicapai pada 19 April 2020.
368. ↑  Savage, Mark (18 April 2020). "Coronavirus: Stars take part in One World: Together At Home concert". *BBC*. Dicapai pada 18 April 2020.
369. ↑  Beaumont-Thomas, Ben (23 April 2020). "The Rolling Stones release Living In A Ghost Town, first original music since 2012". *The Guardian*. Dicapai pada 23 April 2020.
370. ↑  "Rolling Stones Nummer eins der deutschen Singlecharts – erstmals seit 1968". *Der Spiegel* (dalam bahasa Jerman). 3 Julai 2020. Dicapai pada 6 Julai 2020.
371. ↑  Ryan, Patrick (9 Julai 2020). "Rolling Stones share unreleased song 'Criss Cross,' announce 'Goats Head Soup' reissue". *USA Today*. Dicapai pada 9 Julai 2020.
372. 1 2  "The Rolling Stones break Official Chart record as they pip Declan McKenna to Number 1 with Goats Head Soup". *Official Charts Company*. 11 September 2020. Dicapai pada 12 September 2020.
373. ↑  Greene, Andy (5 Ogos 2021). "Rolling Stones' Charlie Watts Drops Out of U.S. Tour After Medical Procedure". *Rolling Stone* (dalam bahasa Inggeris). Dicapai pada 5 Ogos 2021.
374. ↑  Aswad, Jem (5 Ogos 2021). "Rolling Stones Drummer Charlie Watts Is 'Unlikely' to Join Group's 2021 U.S. Tour". *Variety* (dalam bahasa Inggeris). Dicapai pada 5 Ogos 2021.
375. ↑  "Rolling Stones drummer Charlie Watts dies at 80". BBC News. 24 Ogos 2021. Dicapai pada 24 Ogos 2021.
376. ↑  Lawless, Jill; Katz, Gregory (24 Ogos 2021). "Drummer Charlie Watts, Rolling Stones backbone, dies at 80". *Associated Press*. Dicapai pada 27 Ogos 2021.
377. ↑  "Charlie Watts". *The Rolling Stones*. 25 Ogos 2021. Diarkibkan daripada yang asal pada 25 Ogos 2021. Dicapai pada 25 Ogos 2021.
378. ↑  The Rolling Stones [@RollingStones] (27 Ogos 2021). "[Video of Watts]" (Twit). Diarkibkan daripada yang asal pada 27 Ogos 2021. Dicapai pada 27 Ogos 2021 – melalui Twitter.
379. ↑  "The Rolling Stones Are Back On Tour And Paid Tribute To Late Drummer Charlie Watts". NPR. Associated Press. 27 September 2021. Dicapai pada 9 November 2021.
380. ↑  Skinner, Tom (15 Disember 2021). "The Rolling Stones were the highest-earning live act of 2021". *Rolling Stone*. Dicapai pada 10 Oktober 2022.
381. ↑  Christman, Ed (29 Disember 2022). "Music's Top 40 U.S. Money Makers of 2021". *Billboard* (dalam bahasa Inggeris). Dicapai pada 30 Disember 2022.
382. ↑  Simpson, Dave (10 Jun 2022). "The Rolling Stones review – world's greatest rockers are still a gas, gas, gas". *The Guardian*. Dicapai pada 10 Jun 2022.
383. ↑  Aswad, Jem; Halperin, Shirley (21 Februari 2023). "Rolling Stones Recording With Paul McCartney — and Ringo?". *Variety* (dalam bahasa Inggeris). Dicapai pada 25 Februari 2023.
384. ↑  Kaufman, Gil (23 Februari 2023). "Rolling Stones Confirm Paul McCartney to Appear on a Song From Band's Upcoming Album". *Billboard* (dalam bahasa Inggeris). Dicapai pada 25 Februari 2023.
385. ↑  Haring, Bruce (10 Jun 2023). "Rolling Stones Album Tribute To Late Charlie Watts Will Have Bill Wyman Contributions". *Deadline* (dalam bahasa Inggeris). Dicapai pada 11 Jun 2023.
386. ↑  Jones, Damian (22 Ogos 2023). "The Rolling Stones appear to announce new album 'Hackney Diamonds' in local newspaper". *NME* (dalam bahasa Inggeris). Dicapai pada 23 Ogos 2023.
387. ↑  @RollingStones (29 Ogos 2023). "Hello World" (Twit) (dalam bahasa Inggeris). Diarkibkan daripada yang asal pada 30 Ogos 2023. Dicapai pada 30 Ogos 2023 – melalui Twitter.
388. ↑  Sandeman, George (23 Ogos 2023). "Rolling Stones tease new album with Hackney Diamonds advert". *The Times*. ISSN 0140-0460. Dicapai pada 23 Ogos 2023.
389. ↑  Varga, George (23 Ogos 2023). "Rolling Stones appear to be teasing the release of a new album called 'Hackney Diamonds'". *San Diego Union-Tribune* (dalam bahasa Inggeris). Dicapai pada 23 Ogos 2023.
390. ↑  Ronald, Issy (6 September 2023). "Rolling Stones launch 'Hackney Diamonds,' their first new album in almost two decades, with Jimmy Fallon Q&A" (dalam bahasa Inggeris). CNN. Dicapai pada 7 September 2023.
391. ↑  Brown, Andy (22 September 2023). "'EA Sports FC 24' soundtrack: here's a list of every song in the game". *NME* (dalam bahasa Inggeris). Dicapai pada 24 September 2023.
392. ↑  Pareles, Jon (14 September 2023). "The Rolling Stones on Starting Up Again". Fall Preview. *The New York Times* (dalam bahasa Inggeris). ISSN 1553-8095. OCLC 1645522. Dicapai pada 19 September 2023.
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	* Gallucci, Michael (28 Februari 2013). "Top 10 Brian Jones Rolling Stones Songs". *Ultimate Classic Rock*. Diarkibkan daripada yang asal pada 25 Julai 2017. Dicapai pada 18 Ogos 2017.
	* Wawzenek, Bryan (26 Mac 2016). "Top 10 Brian Jones Rolling Stones Multi-Instrumentalist Songs". *Ultimate Classic Rock*. Diarkibkan daripada yang asal pada 10 Julai 2017. Dicapai pada 18 Ogos 2017.
	* Hell, Richard (1 Oktober 2015). *Massive Pissed Love: Nonfiction 2001–2014*. Soft Skull Press. m/s. 23. ISBN 9781619026742.
394. ↑  Jagger dll. 2003, m/s. 100–101. sfn error: no target: CITEREFJaggerRichardsWattsWood2003 (help)
395. ↑  

	* Unterberger, Richie. "Time Is on My Side – The Rolling Stones: Songs, Reviews, Credits, Awards". *AllMusic*. Diarkibkan daripada yang asal pada 4 September 2015. Dicapai pada 22 November 2014.
	* Guy, Jack (13 Oktober 2021). "Paul McCartney says the Rolling Stones are 'a blues cover band'". CNN. Dicapai pada 3 Julai 2022.
	* Snider, Mike (13 Oktober 2021). "Paul McCartney disses The Rolling Stones, calling them 'a blues cover band'". *USA Today*. Dicapai pada 3 Julai 2022.
396. ↑  Erlewine, Stephen Thomas. "The Rolling Stones Biography, Songs, & Albums". AllMusic. Dicapai pada 18 Ogos 2023.
397. 1 2 3 4 5  Hellmann, John M. (1973). "'I'm a Monkey': The Influence of the Black American Blues Argot on the Rolling Stones". *The Journal of American Folklore*. **86** (342): 367–373. doi:10.2307/539360. JSTOR 539360.
398. 1 2  Gelly, Dave (30 April 2017). "Charlie Watts Meets the Danish Radio Big Band Review – serious jazz from Stones drummer". *The Guardian*. Diarkibkan daripada yang asal pada 17 Ogos 2017. Dicapai pada 17 Ogos 2017.
399. 1 2  "Charlie Watts". The Rolling Stones. Diarkibkan daripada yang asal pada 11 Ogos 2017. Dicapai pada 17 Ogos 2017.
400. ↑  Jagger dll. 2003, m/s. 41. sfn error: no target: CITEREFJaggerRichardsWattsWood2003 (help)
401. 1 2  "Top 10 Rolling Stones Blues Songs". *Ultimate Classic Rock*. 29 September 2016. Diarkibkan daripada yang asal pada 19 Ogos 2017. Dicapai pada 18 Ogos 2017.
402. ↑  Cannon, Carl M. (18 Julai 2017). *On This Date: From the Pilgrims to Today, Discovering America One Day at a Time*. Grand Central Publishing. ISBN 9781455542284.
403. ↑  "Can Blue Men Play The Whites?". *Blues Britannia*. BBC4. 3 Mei 2009. Diarkibkan daripada yang asal pada 28 Januari 2012. Dicapai pada 29 Mei 2010.
404. ↑  Unterberger, Richie. "Tell Me – song review". *AllMusic*. Diarkibkan daripada yang asal pada 22 Julai 2013. Dicapai pada 14 Julai 2013.
405. 1 2  Wenner, Jann (14 Disember 1995). "Mick Jagger Remembers". *Rolling Stone*. Diarkibkan daripada yang asal pada 19 Ogos 2020. Dicapai pada 5 November 2020.
406. ↑  Ruhlmann, William. "As Tears Go By – song review". *Allmusic*. Diarkibkan daripada yang asal pada 14 Julai 2013. Dicapai pada 14 Julai 2013.
407. ↑  van der Luft, Eric (2009). *Die at the Right Time!: A Subjective Cultural History of the American Sixties*. m/s. 102.
408. ↑  Nathan & Lindsay 2001, m/s. 217. sfn error: no target: CITEREFNathanLindsay2001 (help)
409. ↑  Jagger dll. 2003, m/s. 160–161. sfn error: no target: CITEREFJaggerRichardsWattsWood2003 (help)
410. ↑  Richards & Fox 2010, m/s. 241. sfn error: no target: CITEREFRichardsFox2010 (help)
411. ↑  Handy, Bruce (16 November 2012). "Taylor Swift is Officially the New Mick Jagger (and Here's Why)". *Vanity Fair*. Dicapai pada 6 November 2019.
412. ↑  Staubmann, Helmut (2013). *The Rolling Stones: Sociological Perspectives*. Lexington Books. m/s. 35. ISBN 978-0-739-17672-6.
413. ↑  Perone 2012, m/s. 159, 185. sfn error: no target: CITEREFPerone2012 (help)
414. ↑  Chris, Gill (1995). *Guitar legends: the definitive guide to the world's greatest guitar players*. HarperPerennial. m/s. 108.
415. ↑  Richards & Fox 2010, m/s. 236. sfn error: no target: CITEREFRichardsFox2010 (help)
416. ↑  Day, Elizabeth (12 November 2011). "The Rolling Stones: that 50-year itch…". *The Guardian*. Diarkibkan daripada yang asal pada 17 Ogos 2017. Dicapai pada 17 Ogos 2017.
417. ↑  Hodgkinson, Will (13 September 2023). "I've heard Hackney Diamonds. It's the best Rolling Stones album since 1978". *The Times*. ISSN 0140-0460. Dicapai pada 13 September 2023.
418. ↑  Greenfield, Robert (21 September 2006). "Making 'Exile on Main St.'". *Rolling Stone*. Diarkibkan daripada yang asal pada 27 April 2017. Dicapai pada 17 Ogos 2017.
419. 1 2  Perone 2012, m/s. 185. sfn error: no target: CITEREFPerone2012 (help)
420. 1 2 3  Langley, William (26 Julai 2013). "Mick Jagger: the Rolling Stone who changed music". *The Telegraph*. Diarkibkan daripada yang asal pada 13 Mac 2016. Dicapai pada 17 Ogos 2017.
421. 1 2  Nelson 2010, m/s. 141. sfn error: no target: CITEREFNelson2010 (help)
422. 1 2  Gilmore, Mikal (7 Mei 2013). "Love and War Inside the Rolling Stones". *Rolling Stone*. Diarkibkan daripada yang asal pada 2 Jun 2017. Dicapai pada 15 Ogos 2017.
423. ↑  "Keith Richards: sometimes I 'despise' Mick Jagger". *The Telegraph*. 3 Disember 2012. Diarkibkan daripada yang asal pada 3 Ogos 2017. Dicapai pada 15 Ogos 2017.
424. ↑  Edwards, Gavin (24 Ogos 2021). "Charlie Watts, Bedrock Drummer for the Rolling Stones, Dies at 80". *The New York Times* (dalam bahasa Inggeris). ISSN 0362-4331. Dicapai pada 2 Julai 2022.
425. ↑  Edelstein, Art (16 Oktober 2021). "Classic Stones Live. As near the Rolling Stones as you're likely to get". *Rutland Daily Herald*. m/s. D6. Dicapai pada 2 Julai 2022 – melalui Newspapers.com.
426. ↑  Gallucci, Michael (14 Jun 2022). "Rolling Stones Live Albums Ranked Worst to Best". *Ultimate Classic Rock*. Dicapai pada 2 Julai 2022.
427. ↑  Margotin & Guesdon 2016, m/s. Sleeve. sfn error: no target: CITEREFMargotinGuesdon2016 (help)
428. ↑  "The Official Top 20 biggest selling groups of all time revealed!". *Official Charts Company*. 3 November 2012. Diarkibkan daripada yang asal pada 15 Januari 2017. Dicapai pada 15 Ogos 2017.
429. ↑  Kiehl, Stephen (23 Ogos 2005). "Stones plan first stop in city since '69". *The Baltimore Sun*. m/s. C6. Dicapai pada 3 Julai 2022 – melalui Newspapers.com.
430. ↑  Allen, Dave (2007). "Feelin' Bad This Morning: Why the British Blues?". *Popular Music*. **26** (1): 141–156. doi:10.1017/S0261143007001183. JSTOR 4500305. S2CID 194020520.
431. ↑  Puterbaugh, Parke (14 Julai 1988). "The British Invasion: From the Beatles to the Stones, The Sixties Belonged to Britain". *Rolling Stone*. Diarkibkan daripada yang asal pada 30 Mei 2017. Dicapai pada 22 Ogos 2017.
432. ↑  Savage, Mark (19 November 2020). "Keith Richards: 'I'll celebrate the Stones' 60th anniversary in a wheelchair'" (dalam bahasa Inggeris). BBC News. Dicapai pada 30 Jun 2023.
433. 1 2  Serwer, Andy (30 September 2002). "Inside the Rolling Stones Inc". CNN. Dicapai pada 28 September 2021.
434. ↑  "'Send It To Me': Rolling Stones honoured with Royal Mail stamps". Reuters. 11 Januari 2022. Dicapai pada 2 Julai 2022.
435. ↑  Van Zandt, Steven (3 Disember 2010). "Rolling Stone Greatest Artists List". *Rolling Stone*. Dicapai pada 3 Julai 2022.
436. ↑  "The Rolling Stones". *Rock & Roll Hall of Fame*. Diarkibkan daripada yang asal pada 16 Ogos 2017. Dicapai pada 15 Ogos 2017.
437. ↑  Fricke, David; Rogers, Sheila (9 Mac 1989). "The 1989 Rock and Roll Hall of Fame Induction Ceremony". *Rolling Stone*. Diarkibkan daripada yang asal pada 16 Ogos 2017. Dicapai pada 15 Ogos 2017.
438. ↑  Sullivan, James (3 November 2002). "Like a Rolling Stone / Bands influenced by Mick and the boys". *SFGate*. Diarkibkan daripada yang asal pada 16 Ogos 2017. Dicapai pada 15 Ogos 2017.
439. ↑  The Rolling Stones (4 Jun 2013). *The Rolling Stones & Taylor Swift – As Tears Go By – Live in Chicago*. Diarkibkan daripada yang asal pada 13 Februari 2016. Dicapai pada 23 Ogos 2017 – melalui YouTube.
440. ↑  Garibaldi, Christina (27 Mac 2014). "Chris Martin Advises 'Voice' Singers To Get Moves Like Mick Jagger: Watch Now". *MTV News*. Diarkibkan daripada yang asal pada 16 Ogos 2017. Dicapai pada 15 Ogos 2017.
441. ↑  "Joss Stone Interview: Mick Jagger Taught Me About The Meaning Of Soul". *HuffPost Live*. 20 Julai 2015. Diarkibkan daripada yang asal pada 11 Disember 2021. Dicapai pada 15 Ogos 2017 – melalui YouTube.
442. ↑  Palmer, Robert (10 Disember 1981). "What Makes the Rolling Stones the Greatest Rock & Roll Band in the World". *Rolling Stone* (dalam bahasa Inggeris). Dicapai pada 18 Ogos 2023.
443. ↑  Daw, Stephen (18 April 2020). "'One World': Rolling Stones Perform a Classic". *Billboard*. Dicapai pada 19 April 2020.
444. ↑  Cohen, Rich (6 Mei 2016). "The Rolling Stones' Guide to Business Success". *The Wall Street Journal*. Dicapai pada 28 September 2021.
445. ↑  "Rolling Stones". The Recording Academy. 14 Mei 2017. Diarkibkan daripada yang asal pada 31 Mac 2019. Dicapai pada 29 Januari 2018.
446. ↑  "International Entertainer of the Year 1991". *The JUNO Awards*. Diarkibkan daripada yang asal pada 16 Ogos 2017. Dicapai pada 15 Ogos 2017.
447. ↑  Smirke, Richard (25 April 2017). "Rolling Stones Win Album of the Year at U.K.'s Jazz FM Awards". *Billboard*. Diarkibkan daripada yang asal pada 14 Julai 2017. Dicapai pada 15 Ogos 2017.
448. ↑  Smith, Caspar Llewellyn (28 Februari 2013). "NME awards: Rolling Stones win best live band". *The Guardian*. Diarkibkan daripada yang asal pada 16 Ogos 2017. Dicapai pada 15 Ogos 2017.
449. ↑  Sroka, Pavel; Staniczek, Arnold H.; Kondratieff, Boris C. (26 Julai 2018). "'Rolling' stoneflies (Insecta: Plecoptera) from mid-Cretaceous Burmese amber". *PeerJ*. **6**: e5354. doi:10.7717/peerj.5354. PMC 6064637. PMID 30065894.
450. ↑  Blistein, Jon (23 Ogos 2019). "NASA Names Rolling Stone on Mars After Rolling Stones". *Rolling Stone* (dalam bahasa Inggeris). Dicapai pada 19 April 2020.
451. ↑  Sroka, Pavel; Staniczek, Arnold H. (1 Mac 2020). "Retention of cervical and abdominal gills in the adult of a new fossil stonefly (Insecta, Plecoptera, Petroperlidae) from mid-Cretacous Burmese amber". *Cretaceous Research*. **107**: 104277. Bibcode:2020CrRes.10704277S. doi:10.1016/j.cretres.2019.104277. ISSN 0195-6671. S2CID 210296124.
452. ↑  Boles, David (8 Disember 2019). "Beatles, Rolling Stones top Billboard's Greatest of All Time Artists list". *Global News*. Dicapai pada 21 Jun 2020.
453. ↑  Lynch, Joe (11 Januari 2022). "Lick Jagger: Rolling Stones Stamps Are Coming to the U.K." *Billboard*. Dicapai pada 18 September 2022.
454. ↑  "Rolling Stones' 60th year honored with UK collectible coin". *Associated Press*. 1 Disember 2022. Dicapai pada 9 Disember 2022.
455. ↑  Margotin & Guesdon 2016, m/s. 10. sfn error: no target: CITEREFMargotinGuesdon2016 (help)
456. ↑  Leung, Hillary (2 April 2019). "Rolling Stones' North American Tour Postponed as Mick Jagger Undergoes Medical Treatment". *Time*. Dicapai pada 3 Julai 2022.
457. ↑  Mccormick, Neil (12 Julai 2012). "Rolling Stones at 50: The world's greatest rock brand turns 50". *The Telegraph*. Diarkibkan daripada yang asal pada 4 Mei 2017. Dicapai pada 16 Ogos 2017.
458. ↑  Jagger dll. 2003, m/s. 191. sfn error: no target: CITEREFJaggerRichardsWattsWood2003 (help)
459. 1 2  Hopkins, Jerry (22 Disember 1969). "The Rolling Stones Fall 1969 Tour". *Rolling Stone*. Diarkibkan daripada yang asal pada 16 Ogos 2017. Dicapai pada 16 Ogos 2017.
460. 1 2 3 4 5  Jagger et al. 2003, halaman 164–166
461. 1 2  Hann, Michael (12 Jun 2011). "The birth of arena rock". *The Guardian*. Dicapai pada 17 Disember 2017.
462. ↑  Greenfield, Robert (6 Julai 1972). "The Rolling Stones: On Tour". *Rolling Stone*. Dicapai pada 16 Mac 2018.
463. ↑  Freedland, Nat (2 November 1974). "Chip Monck Tells How He Wires Giant Events For Light/Sound". *Billboard*.
464. ↑  Davis 2001. sfn error: no target: CITEREFDavis2001 (help)
465. 1 2 3 4  Jagger dll. 2003, m/s. 190–192. sfn error: no target: CITEREFJaggerRichardsWattsWood2003 (help)
466. 1 2  Loder, Kurt (12 November 1981). "The Stones' Sloppy Start". *Rolling Stone*. Dicapai pada 1 Jun 2018.
467. ↑  Jagger dll. 2003, m/s. 192. sfn error: no target: CITEREFJaggerRichardsWattsWood2003 (help)
468. 1 2  Rohter, Larry (19 Februari 2006). "The Stones Rock 1.5 Million in Rio Days Before Carnival". *The New York Times*. Diarkibkan daripada yang asal pada 16 Ogos 2017. Dicapai pada 16 Ogos 2017.
469. ↑  "Rolling Stones hold giant Rio gig". *BBC News*. 19 Februari 2006. Diarkibkan daripada yang asal pada 16 Ogos 2017. Dicapai pada 16 Ogos 2017.
470. 1 2  "Live On Copacabana Beach – Full Concert, The Rolling Stones – YouTube". *YouTube*. Dicapai pada 16 Ogos 2017.
471. 1 2 3 4  Cohl, C. Callner, M. Gladstein, R. Howard, S. (Producers), & Strand, C. (Director). (2007). *The Rolling Stones – Live On Copacabana Beach* [Motion Picture]. United States: Concert Productions International.

Bacaan lanjut
-------------

* Gered Mankowitz: The Rolling Stones - Out of Their Heads. Photographs 1965-67 and 1982, ISBN 3-89602-664-X
* Stanley Booth, *The True Adventures of the Rolling Stones*, Chicago Review Press (2000), ISBN 1-55652-400-5 (also published as *Dance with the Devil: The Rolling Stones and Their Times*, Random House (1984), ISBN 0-394-53488-3
* Stanley Booth, *Keith: Standing in the Shadows*, St. Martin's Press (1995), ISBN 0-312-11841-4
* Bill Wyman, *Rolling with the Stones*, DK Publishing (2002), ISBN 0-7894-9998-3
* Roy Carr, *The Rolling Stones: An Illustrated Record*, Harmony Books (1976), ISBN 0-517-52641-7
* Robert Greenfield, *S.T.P.: A Journey Through America with the Rolling Stones* (1974), Reissued De Capo Press, 2002. ISBN 0-306-81199-5
* James Phelge, *Nankering with the Stones* 2000. ISBN 1-55652-373-4
* The Rolling Stones, *According to the Rolling Stones*, Chronicle Books (2003), ISBN 0-8118-4060-3
* Andrew Loog Oldham, *Stoned*, St. Martin's Griffin (2000), ISBN 0-312-27094-1
* Chet Flippo, *On the Road With the Rolling Stones*, Doubleday/Dolphin (1985), ISBN 0-385-19374
* Greil Marcus, "Myth and Misquotation", *The Dustbin Of History*, Harvard University Press (1997), ISBN 0-674-21858-2
* "The Ecstasy and the Irony: The Evolution of a Rhythm & Blues Band" Ian McPherson (2000)
* The Gram Parsons Homepage FAQ
* CBC Digital Archives - The Rolling Stones: Canada gets satisfaction

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* Tapak web rasmi
* Rolling With the Stones in 1969 Diarkibkan 2009-11-27 di Wayback Machine - image slideshow by *Life magazine*
* The Rolling Stones at Billboard.com
* The Rolling Stones at Allmusic
* The Rolling Stones at Discogs
* The Rolling Stones live music
* The Rolling Stones Art
* The Rolling Stones discography at MusicBrainz
* The Rolling Stones di Pangkalan Data Filem Internet (IMDb)

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