paragraph_text: František Martin Pecháček, also "Francis Martin Pechatschek, Pechaczek, Behatschek" (10 November 1763 in Ústí nad Orlicí - 26 September 1816 in Vienna) was a Bohemian violinist, pedagog, arranger and diligent composer. His son Franz Pecháček became known as a virtuoso violinist and composer. The collections of the Municipal Museum in Usti nad Orlici contain two of his compositions, a piece for violin and orchestra entitled "Rondeau brilliant" and a concert duo for two violins, "Polonaise."

paragraph_text: William Paxton (1737–1781) was a cellist in England. He composed several sets of duets and solos for the cello, including six duos for two cellos (Op. 1), eight duos for violin and cello (Op. 2), six solos for violin (Op. 3), four solos for violin and two for the cello (Op. 4), twelve easy lessons for cello (Op. 6). and six solos for cello (Op. 8). Paxton’s brother Stephen also composed for the cello.

paragraph_text: The "standard complement" of double winds and brass in the orchestra from the first half of the 19th century is generally attributed to Beethoven. The exceptions to this are his Symphony No. 4, Violin Concerto, and Piano Concerto No. 4, which each specify a single flute. The composer's instrumentation usually included paired flutes, oboes, clarinets, bassoons, horns and trumpets. Beethoven carefully calculated the expansion of this particular timbral "palette" in Symphonies 3, 5, 6, and 9 for an innovative effect. The third horn in the "Eroica" Symphony arrives to provide not only some harmonic flexibility, but also the effect of "choral" brass in the Trio. Piccolo, contrabassoon, and trombones add to the triumphal finale of his Symphony No. 5. A piccolo and a pair of trombones help deliver "storm" and "sunshine" in the Sixth. The Ninth asks for a second pair of horns, for reasons similar to the "Eroica" (four horns has since become standard); Beethoven's use of piccolo, contrabassoon, trombones, and untuned percussion—plus chorus and vocal soloists—in his finale, are his earliest suggestion that the timbral boundaries of symphony should be expanded. For several decades after he died, symphonic instrumentation was faithful to Beethoven's well-established model, with few exceptions.

paragraph_text: The 42 études ou caprices ("42 études or capriccios") for solo violin were composed by Rodolphe Kreutzer around 1796. While Kreutzer was a prolific composer with some 50 stage works and dozens of other pieces to his credit, he is best known as a pedagogue. Together with Pierre Baillot and Pierre Rode, he was at the center of the development of the French school of violin playing around the turn of the 19th century, which defined much of the 19th-century (and hence the modern) approach to playing the violin.

paragraph_text: The concerto, as understood in this modern way, arose in the Baroque period, in parallel to the concerto grosso, which contrasted a small group of instruments called a concertino with the rest of the orchestra, called the ripieno. The popularity of the concerto grosso form declined after the Baroque period, and the genre was not revived until the 20th century. The solo concerto, however, has remained a vital musical force from its inception to this day.

paragraph_text: The George Enescu Festival (also known as George Enescu International Festival and Competition), held in honor of the celebrated Romanian composer George Enescu, is the biggest classical music festival and classical international competition held in Romania and one of the biggest in Eastern Europe. Enescu's close associate George Georgescu organized the first festival in 1958; highlights included a performance of Bach's Concerto for Two Violins with Yehudi Menuhin and David Oistrakh as soloists and a staging of Enescu's sole opera, "Œdipe", with Constantin Silvestri conducting.

paragraph_text: L'arbre des songes ("The Tree of Dreams") is a violin concerto written by Henri Dutilleux between 1983 and 1985. It is dedicated to Isaac Stern.

paragraph_text: Franz Xaver Pecháček (4 July 1793 in Vienna – 15 September 1840 in Karlsruhe) was an Austrian-German violin virtuoso and composer of Bohemian origin. Besides polonaises, variations, Rondos and potpourris for violin and orchestra, he composed two string quartets and the "Adagio et Polonaise" for clarinet and orchestra.

paragraph_text: The "Sicilian drama", as he called it, originated from Szymanowski's enthusiasm for Mediterranean culture as a melting pot of different peoples and religions. He spent much time travelling in that area in 1911 and in 1914, and shared his love of the region with Iwaszkiewicz. In the summer of 1918 at Odessa, Ukraine, Szymanowski and Iwaszkiewicz conceived the project, and composed the opera over the period of 1918 to 1924. Szymanowski's lost novel "Efebos" dealt with mystical themes similar to those that inspired this work; Szymanowski labelled it a "Misterium".

paragraph_text: Paul Viardot (20 July 1857 – 1 December 1941) was a French violinist and musicologist; born at Courtavenel, son of the distinguished singer and composer Pauline Viardot. Studied under Léonard and has appeared with great success in Paris and London. Compositions include two sonatas, several concert solos and smaller violin works as well as important contributions to the literature of music.

paragraph_text: Johanna Senfter was born and died in Oppenheim. From 1895 she studied composition under Iwan Knorr, violin under Adolf Rebner, piano under Karl Friedberg and organ at the Hoch Conservatory in Frankfurt am Main. This gave her a considerable amount of musical training when in 1908 she became a student of Max Reger in Leipzig. She composed nine symphonies, 26 orchestral works and concertos for piano, violin, viola, and cello. Senfter was a masterful composer of fugue. Altogether she left behind 134 works.

paragraph_text: Karol Szymanowski’s Violin Concerto No. 1, Op. 35, is considered one of the first modern violin concertos. It rejects traditional tonality and romantic aesthetics.

paragraph_text: The Wandering of a Little Soul () is a violin concerto by the Czech composer Leoš Janáček. The work is also known in English as "Pilgrimage of a Little Soul", "Pilgrimage of a Dear Soul" or simply as "Pilgrimage of the Soul". Nevertheless, the English title of the complete critical edition is "The Wandering of a Little Soul".

paragraph_text: Alois Reiser (April 6, 1887 - April 4, 1977 in Los Angeles) was an American composer of Czechoslovakian origin. Born in Prague, he came to the United States in 1905. He composed a number of works for orchestra, including two tone poems and two cello concertos; he also wrote chamber music, including string quartets, and the opera "Gobi". He also composed music for films.

paragraph_text: Forrest O’Connor (b. April 1, 1988 in Nashville, Tennessee) is a Grammy Award-winning singer-songwriter, mandolinist, and guitarist. He is the son of violin virtuoso and composer Mark O'Connor and currently co-lead singer and writer for the Americana band, O’Connor Band, whose album, "Coming Home", debuted at #1 on the Billboard Top Bluegrass Albums chart in August 2016. O'Connor has recorded with Paul Simon, Zac Brown, Clint Black, and Kenny Loggins, among others.

paragraph_text: Jacques Février was born in Saint-Germain-en-Laye, the son of the composer Henry Février. He studied with Édouard Risler and Marguerite Long at the Conservatoire de Paris, taking a "premier prix" in 1921. In 1932 he and the composer were the soloists in the first performance of Francis Poulenc's Concerto for two pianos. Although Paul Wittgenstein premiered Maurice Ravel's Concerto for the Left Hand, Février was expressly chosen by the composer to be the first French pianist to perform the work. He made many recordings of the French repertoire, receiving a Grand Prix du Disque of the Charles Cros Academy in 1963 for his recording of Ravel's piano works.

paragraph_text: Disma Fumagalli (born Inzago, 8 September 1826 - died Milan, 9 March 1893) was an Italian composer and teacher of music. He was a graduate of the Milan Conservatory, where he began teaching piano in 1853. He composed more than 300 études for piano, as well as other exercises; he also wrote a concerto for piano and string orchestra.

paragraph_text: Although Melartin was chiefly a lyricist, the symphony was central to his musical output. He wrote six symphonies (1902–1924) and was the first Finnish composer to bear Mahler's influence. The fourth symphony uses a vocalise like that of Carl Nielsen's "Sinfonia Espansiva". The fifth is a "Sinfonia brevis" ending in a fugue and chorale, while the sixth, harmonically more advanced than the other five, advances stepwise from a C minor first movement – with evocations of Mahler's second symphony – to an E-flat major finale. His musical output also includes an opera, "Aino" (based on the character from the Finnish national epic), a violin concerto, four string quartets, and many piano pieces. His works therefore are divided mainly into large-scale works for orchestra, and chamber pieces for much smaller groups and soloists. Despite working in the same time period as Jean Sibelius he was not influenced by the more famous composer's style, and his work has been largely overshadowed by that of Finland's most revered composer.

paragraph_text: ``Take Me Out to the Ball Game ''Song by Edward Meeker Language English Genre Tin Pan Alley Length 1: 14 Songwriter (s) Composer: Albert Von Tilzer Lyricist: Jack Norworth

paragraph_text: Concierto Barroco is a piece of music written in 2007 by the Bulgarian composer Gheorghi Arnaoudov, scored for violin and orchestra.

Question: What was the genre of Violin Concerto No. 1's composer?
Answer: opera