paragraph_text: African Venus is an album by American jazz saxophonist Dewey Redman featuring performances recorded in 1992 and released on the Evidence label.

paragraph_text: High Street Records was a subsidiary label of Windham Hill Records from about 1990 to 1997. Notable acts who recorded for the label include John Gorka, Pierce Pettis, Patty Larkin, The Subdudes, Downy Mildew, and Dots Will Echo. Several singer-songwriters associated with High Street appeared on the 1989 Windham Hill compilation, "" and the 1992 follow-up on High Street, "".

paragraph_text: Work Time is an album by jazz saxophonist Sonny Rollins, recorded for the Prestige label, featuring performances by Rollins with Ray Bryant, George Morrow, and Max Roach.

paragraph_text: Jamal Plays Jamal is an album by American jazz pianist Ahmad Jamal featuring performances recorded in 1974 and released on the 20th Century label.

paragraph_text: Antoine Marchand is a record label established in 2003 by the Dutch early music performer Ton Koopman. Antoine Marchand is the French translation of Ton Koopman. The label is distributed by Dutch Jazz and classics distributor Challenge.

paragraph_text: Easterly Winds is an album by American jazz pianist Jack Wilson featuring performances recorded and released on the Blue Note label in 1967.

paragraph_text: The Opening is a live album by American jazz pianist Mal Waldron featuring a performance recorded in Paris in 1970 and released on the French Futura label.

paragraph_text: Really Big! is the second album by saxophonist Jimmy Heath featuring big band performances recorded in 1960 and originally released on the Riverside label.

paragraph_text: Straight No Filter is an album by jazz saxophonist Hank Mobley, recorded mostly in 1963 but not released on the Blue Note label until 1985. The albums compiles performances recorded at four different sessions from 1963 to 1966.

paragraph_text: Matador is an album by American jazz trumpeter Kenny Dorham featuring performances recorded in 1962 and released on the United Artists label.

paragraph_text: Back Street is an album by jazz saxophonist Lou Donaldson, his second recording for the Muse label, featuring Donaldson's quartet with Herman Foster, Jeff Fuller, and Victor Jones.

paragraph_text: The Voice That Is! is an album by American jazz vocalist Johnny Hartman featuring performances recorded in 1964 for the Impulse! label.

paragraph_text: Live at Shea Stadium: The Concert is a CD and DVD music compilation of songs performed by American singer / songwriter Billy Joel during two concerts at Shea Stadium in New York City on July 16 and 18 of 2008. It was released on March 8, 2011. The film was produced by Jon Small, Joel's former bandmate in the 1960s groups The Hassles and Attila.

paragraph_text: The Beacon Street Collection is the second studio album by American rock band No Doubt, released on March 25, 1995 by Beacon Street Records. It was produced by the band and recorded in a homemade studio in the garage of their house on Beacon Avenue in Anaheim, California, from which the album takes its name. "The Beacon Street Collection" was released during a period when the band was receiving little attention from their label Interscope Records, and were not getting a chance to record a second album, as the label was disillusioned with them after the commercial failure of their 1992 eponymous debut. No Doubt had written large numbers of songs and knew that they would not make it onto any Interscope album, so they built their own studio and recorded the album there. Two singles were released: "Squeal" and "Doghouse".

paragraph_text: Cosmology is the second album by Rolo Tomassi, released on 24 May 2010. The album was planned to be released on 19 April, but was pushed back by the record label, Hassle. The band had begun recording demos for the record in the first week of October 2009 and wasted no time in recording the tracks professionally in Los Angeles during the second and third weeks of the same month. The album was produced by Diplo.

paragraph_text: Lulu is a collaboration album between rock singer-songwriter Lou Reed and heavy metal band Metallica. It was released on October 31, 2011 by Warner Bros. in the U.S. and Vertigo elsewhere. The album is the final full-length studio recording project that Reed was involved in before his death in October 2013. It was recorded in San Rafael, California, during April through June 2011, after Reed had played with Metallica at the Rock and Roll Hall of Fame's 25th Anniversary Concert which led to them wanting to collaborate. The lead single, titled "The View", was released on September 27, 2011.

paragraph_text: "Street Hassle" is a song recorded by Lou Reed for his 1978 album of the same name. It is 10 minutes and 56 seconds long and divided into three distinct sections: "Waltzing Matilda," "Street Hassle," and "Slipaway." Part one, "Waltzing Matilda," describes a woman picking up and paying a male prostitute. In Part Two, "Street Hassle," a drug dealer speaks at length about the death of a woman in his apartment to her companion. Part Three, "Slipaway," contains a brief, uncredited, spoken word section by Bruce Springsteen (from 9:02 to 9:39) and a dirge sung by Reed about love and death. It was recorded in E major.

paragraph_text: Bach to the Blues is an album performed by the Ramsey Lewis Trio that was recorded in 1964 and released on the Argo label.

paragraph_text: Groovin' High is an album by American jazz saxophonist Booker Ervin featuring performances recorded in 1963 and 1964 for the Prestige label.

paragraph_text: Top and Bottom Brass is an album by trumpeter Clark Terry featuring performances recorded in early 1959 and originally released on the Riverside label.

Question: What record label does the performer of Street Hassle belong to?
Answer: Warner Bros.