paragraph_text: City Scape is an orchestral piece composed by Jennifer Higdon in 2002 and commissioned by the Atlanta Symphony Orchestra. On November 14, 2002, the piece was premiered under the direction of Robert Spano. This piece dedicated to Robert Spano calls for a concerto grosso, in which 35 instruments are used; yet many of these instruments have featured solos that are scattered throughout the piece. The piece lasts a total of 31 minutes.

paragraph_text: Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associations to the listener; the names by which many of his pieces are known were invented by others. There is no evidence to suggest that the Revolutionary Étude was written with the failed Polish uprising against Russia in mind; it merely appeared at that time. The Funeral March, the third movement of his Sonata No. 2 (Op. 35), the one case where he did give a title, was written before the rest of the sonata, but no specific event or death is known to have inspired it.

paragraph_text: Zigeunerweisen ("Gypsy Airs", ), Op. 20, is a musical composition for violin and orchestra written in 1878 by the Spanish composer Pablo de Sarasate. It was premiered the same year in Leipzig, Germany. It is based on themes of the Roma people, and in the last section the rhythms of the csárdás; this section uses a theme previously used in Franz Liszt's Hungarian Rhapsody No. 13, composed in 1847.

paragraph_text: František Martin Pecháček, also "Francis Martin Pechatschek, Pechaczek, Behatschek" (10 November 1763 in Ústí nad Orlicí - 26 September 1816 in Vienna) was a Bohemian violinist, pedagog, arranger and diligent composer. His son Franz Pecháček became known as a virtuoso violinist and composer. The collections of the Municipal Museum in Usti nad Orlici contain two of his compositions, a piece for violin and orchestra entitled "Rondeau brilliant" and a concert duo for two violins, "Polonaise."

paragraph_text: Concierto Barroco is a piece of music written in 2007 by the Bulgarian composer Gheorghi Arnaoudov, scored for violin and orchestra.

paragraph_text: It is the last of Mozart's substantial violin sonatas, with the only remaining work he wrote for this combination, the sonata in F, K. 547 of 1788 being more of a sonatina. It is also considered by several authors, including Alfred Einstein, to be part of his last series of three great violin sonatas which starts with the Regina Strinasacchi sonata in B-flat K. 454 from 1784 (his annus mirabilis, the year also of the six great piano concertos 14 – 19 and the quintet for piano and winds) and continuing with the E-flat violin sonata from December 1785. The first movement is a movement in sonata form in 6/8 time, with more evenly divided contributions between the two instruments than in the earliest of his sonatas, an exposition divided between its two tonal groups (A and E major), and a compact but unwasteful development section.

paragraph_text: Sonata pian' e forte was written by Giovanni Gabrieli, an Italian composer and organist in 1597. This is the earliest known piece of music to call for specific brass instruments.

paragraph_text: The Rosary Sonatas ("Rosenkranzsonaten", also known as the Mystery Sonatas or Copper-Engraving Sonatas) by Heinrich Ignaz Franz Biber are a collection of 15 short sonatas for violin and continuo, with a final passacaglia for solo violin. Each has a title related to the Christian Rosary devotion practice and possibly to the Feast of the Guardian Angels.

paragraph_text: European art music is largely distinguished from many other non-European and popular musical forms by its system of staff notation, in use since about the 16th century. Western staff notation is used by composers to prescribe to the performer the pitches (e.g., melodies, basslines and/or chords), tempo, meter and rhythms for a piece of music. This leaves less room for practices such as improvisation and ad libitum ornamentation, which are frequently heard in non-European art music and in popular music  styles such as jazz and blues. Another difference is that whereas most popular styles lend themselves to the song form, classical music has been noted for its development of highly sophisticated forms of instrumental music such as the concerto, symphony, sonata, and mixed vocal and instrumental styles such as opera which, since they are written down, can attain a high level of complexity.

paragraph_text: The Five Pieces for Orchestra (Fünf Orchesterstücke), Op. 16, were composed by Arnold Schoenberg in 1909. The titles of the pieces, reluctantly added by the composer after the work's completion upon the request of his publisher, are as follows:

paragraph_text: Similarly, movies and television often revert to standard, clichéd snatches of classical music to convey refinement or opulence: some of the most-often heard pieces in this category include Bach´s Cello Suite No. 1, Mozart's Eine kleine Nachtmusik, Vivaldi's Four Seasons, Mussorgsky's Night on Bald Mountain (as orchestrated by Rimsky-Korsakov), and Rossini's William Tell Overture.

paragraph_text: Ludwig van Beethoven composed his Horn Sonata in F major, Op. 17 in 1800 for the virtuoso horn player Giovanni Punto. It was premiered with Punto as the soloist, accompanied on the piano by Beethoven himself in Vienna on April 18, 1800.

paragraph_text: The 42 études ou caprices ("42 études or capriccios") for solo violin were composed by Rodolphe Kreutzer around 1796. While Kreutzer was a prolific composer with some 50 stage works and dozens of other pieces to his credit, he is best known as a pedagogue. Together with Pierre Baillot and Pierre Rode, he was at the center of the development of the French school of violin playing around the turn of the 19th century, which defined much of the 19th-century (and hence the modern) approach to playing the violin.

paragraph_text: He performs chamber music with pianist Ronald Brautigam, violinists Elizabeth Wallfisch, Andrew Manze and John Holloway and harpsichordists Richard Egarr and Lars Ulrik Mortensen. He has recorded Bach's suites for solo cello twice. With Egarr he has recorded Bach's sonatas for viola da gamba and harpsichord, and with Egarr and Manze, Bach's violin sonatas. With Mortensen and Holloway he has recorded Dieterich Buxtehude's complete chamber music, and with Ton Koopman, Pieter Hellendaal's cello sonatas.

paragraph_text: Vincent Aspey (5 January 1909 – 18 April 1987) was a violinist, born in England, but raised in New Zealand, who rose to the rank of the first violinist of the New Zealand Symphony Orchestra. In his later life, he taught violin to students, even those less willing, of the Raumati and Paraparaumu Colleges of New Zealand. Notable amongst his many abilities, was a tremendous ability for sight-reading, which undoubtedly helped him impart his knowledge of the violin, as all pieces were accessible to him, so that he could quickly absorb a piece, then suggest, according to his own musicality and experience, how it could be played, and how the piece could improve a player's own musicality.

paragraph_text: Franz Xaver Pecháček (4 July 1793 in Vienna – 15 September 1840 in Karlsruhe) was an Austrian-German violin virtuoso and composer of Bohemian origin. Besides polonaises, variations, Rondos and potpourris for violin and orchestra, he composed two string quartets and the "Adagio et Polonaise" for clarinet and orchestra.

paragraph_text: William Paxton (1737–1781) was a cellist in England. He composed several sets of duets and solos for the cello, including six duos for two cellos (Op. 1), eight duos for violin and cello (Op. 2), six solos for violin (Op. 3), four solos for violin and two for the cello (Op. 4), twelve easy lessons for cello (Op. 6). and six solos for cello (Op. 8). Paxton’s brother Stephen also composed for the cello.

paragraph_text: Franklin is known to have played the violin, the harp, and the guitar. He also composed music, notably a string quartet in early classical style. While he was in London, he developed a much-improved version of the glass harmonica, in which the glasses rotate on a shaft, with the player's fingers held steady, instead of the other way around. He worked with the London glassblower Charles James to create it, and instruments based on his mechanical version soon found their way to other parts of Europe. Joesph Haydn (a fan of Franklin's enlightened ideas) had a glass harmonica in his instrument collection. Beethoven wrote a sonata for the glass harmonica.

paragraph_text: Wolfgang Amadeus Mozart's six sonatas for keyboard with accompaniment of violin (or flute) and cello, K. 10–15 were composed in late 1764 in London during the Mozart family's grand tour of Europe. Queen Charlotte (the wife of King George III) commissioned them on 25 October and the works were dedicated on 18 January 1765. They were published as Mozart's "Opus III" by his father Leopold at 20 Frith Street, Soho, London, where the Mozarts lived from September 1764 until after May 1765.

paragraph_text: Paul Viardot (20 July 1857 – 1 December 1941) was a French violinist and musicologist; born at Courtavenel, son of the distinguished singer and composer Pauline Viardot. Studied under Léonard and has appeared with great success in Paris and London. Compositions include two sonatas, several concert solos and smaller violin works as well as important contributions to the literature of music.

Question: What piece by the composer of Violin Sonata No. 35 is used as a cliche to convey refinement?
Answer: Eine kleine Nachtmusik