paragraph_text: The Alte Mozart-Ausgabe (published 1879–1882) gives the numbering sequence 1–41 for the 41 numbered symphonies. The unnumbered symphonies (some, including K. 95, published in supplements to the Alte-Mozart Ausgabe until 1910) are sometimes given numbers in the range 42 to 56, even though they were written earlier than Mozart's Symphony No. 41 (written in 1788). The symphony K. 95 is given the number 45 in this numbering scheme.

paragraph_text: The International Who's Who in Music is a biographical dictionary and directory originally published by the International Biographical Centre located in Cambridge, England. It contains only biographies of persons living at the time of publication and includes composers, performers, writers, and some music librarians. The biographies included are solicited from the subjects themselves and generally include date and place of birth, contact information as well as biographical background and achievements.

paragraph_text: 920 Biography & genealogy 920 Biography, genealogy, insignia 921 - 928 This range is reserved as an optional location for biographies, which are shelved alphabetically by subject's last name. 929 Genealogy, names, insignia

paragraph_text: Wolfgang Amadeus Mozart died after a short illness on 5 December 1791, aged 35. His reputation as a composer, already strong during his lifetime, rose rapidly in the years after his death, and he became (as he has remained to this day) one of the most celebrated of all composers.

paragraph_text: In his native Poland, in France, where he composed most of his works, and beyond, Chopin's music, his status as one of music's earliest superstars, his association (if only indirect) with political insurrection, his love life and his early death have made him, in the public consciousness, a leading symbol of the Romantic era. His works remain popular, and he has been the subject of numerous films and biographies of varying degrees of historical accuracy.

paragraph_text: Wolfgang Amadeus Mozart completed his Symphony No. 41 in C major, K. 551, on 10 August 1788. The longest and last symphony that he composed, it is regarded by many critics as among the greatest symphonies in classical music.

paragraph_text: Donald James Winslow (1911 – 10 July 2010) was a professor at Boston University in Boston, United States who specialized in the subject of biography.

paragraph_text: Margaret Ruthven Lang (November 27, 1867 – May 29, 1972) was an American composer, affiliated with the Second New England School. Lang was also one of the first two women composers (along with Amy Beach) to have compositions performed by American symphony orchestras: Lang's "Dramatic Overture", by the Boston Symphony Orchestra, 1893; Beach's Grand Mass in E-flat, 1892, by the Handel and Haydn Society; and Beach's Gaelic Symphony, 1896, by the Boston Symphony..

paragraph_text: France is indebted to the Didot family for the publication of the "Biographie Nationale", and Belgium is also indebted for the establishment of her Royal Press. Relatives of Firmin Didot include François Ambroise Didot (1730–1804); Pierre François Didot (1732–95); Henri Didot (1765–1862); and Pierre Didot (1760–1853).

paragraph_text: Oliver Hilmes (born 1971 in Viersen, Germany) is a German author who has written several historical biographies. His study of Cosima Wagner, the daughter of the 19th century composer Franz Liszt and his biography of Alma Mahler a Viennese-born socialite, have been translated into English.

paragraph_text: "Shostakovich" (1969–1981) is a series of thirty oil paintings by Aubrey Williams. Each painting in the series is based on a particular symphony or quartet by the Russian composer Dmitri Shostakovich, whom Williams regarded as "the greatest composer of [his] time".

paragraph_text: Johanna Senfter was born and died in Oppenheim. From 1895 she studied composition under Iwan Knorr, violin under Adolf Rebner, piano under Karl Friedberg and organ at the Hoch Conservatory in Frankfurt am Main. This gave her a considerable amount of musical training when in 1908 she became a student of Max Reger in Leipzig. She composed nine symphonies, 26 orchestral works and concertos for piano, violin, viola, and cello. Senfter was a masterful composer of fugue. Altogether she left behind 134 works.

paragraph_text: The Seventh Symphony by the German composer Hans Werner Henze was written in 1983-84. It was commissioned by the Berliner Philharmoniker as part of the orchestra's centenary celebrations in 1982.

paragraph_text: The Symphony No. 4 in A major, Op. 90, commonly known as the Italian, is an orchestral symphony written by German composer Felix Mendelssohn.

paragraph_text: The Spring Symphony, a choral symphony, is Benjamin Britten's Opus 44. It is dedicated to Serge Koussevitzky and the Boston Symphony Orchestra. It was premiered in the Concertgebouw, Amsterdam, on Thursday 14 July 1949 (not 9 July which is quoted by many sources) as part of the Holland Festival, when the composer was 35. At the premiere the tenor soloist was Peter Pears, the soprano Jo Vincent and the contralto Kathleen Ferrier. The conductor was Eduard van Beinum. A recording of the performance survives and was first issued by Decca in August 1994.

paragraph_text: Harold Van Heuvelen (March 30, 1919 – April 26, 2017) was an American composer and musician known principally for his Symphony No. 1 (opus 7), which was composed during World War II and which premiered 67 years later in 2012.

paragraph_text: Adolph Weiss (Baltimore, Maryland, November 12, 1891 – Van Nuys, California, February 21, 1971) was an American composer. A modernist, he was a pupil of Arnold Schoenberg in Berlin; his father was a pupil of Ferruccio Busoni. He also served as a professional bassoonist in a number of orchestras, including the New York Philharmonic, the New York Symphony Society, the Rochester Symphony, the Los Angeles Philharmonic, the San Francisco Symphony, and the Chicago Symphony. His music was once described as being "fuller of crabs than Chesapeake Bay".

paragraph_text: The Alte Mozart-Ausgabe (published 1879–1882) gives the numbering sequence 1–41 for the 41 numbered symphonies. The unnumbered symphonies (some, including K. 97, published in supplements to the Alte-Mozart Ausgabe until 1910) are sometimes given numbers in the range 42 to 56, even though they were written earlier than Mozart's Symphony No. 41 (written in 1788). The symphony K. 97 is given the number 47 in this numbering scheme.

paragraph_text: At the beginning of the 19th century, Beethoven elevated the symphony from an everyday genre produced in large quantities to a supreme form in which composers strove to reach the highest potential of music in just a few works. Beethoven began with two works directly emulating his models Mozart and Haydn, then seven more symphonies, starting with the Third Symphony (``Eroica '') that expanded the scope and ambition of the genre. His Symphony No. 5 is perhaps the most famous symphony ever written; its transition from the emotionally stormy C minor opening movement to a triumphant major - key finale provided a model adopted by later symphonists such as Brahms and Mahler. His Symphony No. 6 is a programmatic work, featuring instrumental imitations of bird calls and a storm; and, unconventionally, a fifth movement (symphonies usually had at most four movements). His Symphony No. 9 includes parts for vocal soloists and choir in the last movement, making it a choral symphony.

paragraph_text: American composer William Schuman's Symphony No. 3 was completed on January 11, 1941, and premiered on October 17 of that year by the Boston Symphony Orchestra conducted by Serge Koussevitsky, to whom it is dedicated.

Question: Who is the main subject of the biographies of the composer of Symphonoy, K. 95?
Answer: Wolfgang Amadeus Mozart