paragraph_text: Wolfgang Amadeus Mozart completed his Symphony No. 41 in C major, K. 551, on 10 August 1788. The longest and last symphony that he composed, it is regarded by many critics as among the greatest symphonies in classical music.

paragraph_text: Vojtěch Matyáš Jírovec (Adalbert Gyrowetz) (20 February 1763 – 19 March 1850) was a Bohemian composer. He mainly wrote instrumental works, with a great production of string quartets and symphonies; his operas and singspiele numbered more than 30, including "Semiramide" (1791), "Der Augenarzt" (1811), and "Robert, oder Die Prüfung" (1815).

paragraph_text: Wolfgang Amadeus Mozart wrote Symphony No. 30 in D major, K. 202/186b in Salzburg, completing it on May 5, 1774.

paragraph_text: American composer William Schuman's Symphony No. 3 was completed on January 11, 1941, and premiered on October 17 of that year by the Boston Symphony Orchestra conducted by Serge Koussevitsky, to whom it is dedicated.

paragraph_text: Although Melartin was chiefly a lyricist, the symphony was central to his musical output. He wrote six symphonies (1902–1924) and was the first Finnish composer to bear Mahler's influence. The fourth symphony uses a vocalise like that of Carl Nielsen's "Sinfonia Espansiva". The fifth is a "Sinfonia brevis" ending in a fugue and chorale, while the sixth, harmonically more advanced than the other five, advances stepwise from a C minor first movement – with evocations of Mahler's second symphony – to an E-flat major finale. His musical output also includes an opera, "Aino" (based on the character from the Finnish national epic), a violin concerto, four string quartets, and many piano pieces. His works therefore are divided mainly into large-scale works for orchestra, and chamber pieces for much smaller groups and soloists. Despite working in the same time period as Jean Sibelius he was not influenced by the more famous composer's style, and his work has been largely overshadowed by that of Finland's most revered composer.

paragraph_text: Wolfgang Amadeus Mozart was born on 27January 1756 to Leopold Mozart (1719–1787) and Anna Maria, née Pertl (1720–1778), at 9 Getreidegasse in Salzburg. This was the capital of the Archbishopric of Salzburg, an ecclesiastic principality in what is now Austria, then part of the Holy Roman Empire. He was the youngest of seven children, five of whom died in infancy. His elder sister was Maria Anna Mozart (1751–1829), nicknamed "Nannerl". Mozart was baptised the day after his birth, at St. Rupert's Cathedral in Salzburg. The baptismal record gives his name in Latinized form, as "Joannes Chrysostomus Wolfgangus Theophilus Mozart". He generally called himself "Wolfgang Amadè Mozart" as an adult, but his name had many variants.

paragraph_text: The Seventh Symphony by the German composer Hans Werner Henze was written in 1983-84. It was commissioned by the Berliner Philharmoniker as part of the orchestra's centenary celebrations in 1982.

paragraph_text: Schenk was born in Wiener Neustadt. While still a boy he composed songs, dances and symphonies, and became a proficient violinist and keyboard and wind instrument player. In 1773 he went to Vienna to study with Georg Christoph Wagenseil. Beginning in 1777 he was composing religious works for Saint Stephen's Cathedral. In the 1780s he became a prolific composer of incidental music for plays and singspiele. His best-known singspiel is "Der Dorfbarbier", which premiered in 1796. His other compositions include numerous cantatas, ten symphonies, several concertos (including a well-known one for harp), and five string quartets. Mozart was a good friend of Schenk and Beethoven studied under him in 1793.

paragraph_text: Adolph Weiss (Baltimore, Maryland, November 12, 1891 – Van Nuys, California, February 21, 1971) was an American composer. A modernist, he was a pupil of Arnold Schoenberg in Berlin; his father was a pupil of Ferruccio Busoni. He also served as a professional bassoonist in a number of orchestras, including the New York Philharmonic, the New York Symphony Society, the Rochester Symphony, the Los Angeles Philharmonic, the San Francisco Symphony, and the Chicago Symphony. His music was once described as being "fuller of crabs than Chesapeake Bay".

paragraph_text: Lennox Berkeley composed his Symphony No. 2 in 1958. The work was commissioned by the City of Birmingham Symphony, who premiered it under Andrzej Panufnik in February 1959. Berkeley revised the symphony in 1976 for its first recording, by the London Philharmonic under Nicholas Braithwaite.

paragraph_text: Harold Van Heuvelen (March 30, 1919 – April 26, 2017) was an American composer and musician known principally for his Symphony No. 1 (opus 7), which was composed during World War II and which premiered 67 years later in 2012.

paragraph_text: Nader Mashayekhi (; born November 26, 1958 in Tehran) is a Persian composer. From 2006 to July 2007 he was conductor of the Tehran Symphony Orchestra. He is the son of Jamshid Mashayekhi.

paragraph_text: The Symphony No. 4 in A major, Op. 90, commonly known as the Italian, is an orchestral symphony written by German composer Felix Mendelssohn.

paragraph_text: Alexander Lamont Miller (born September 24, 1968) is an American music composer and Assistant Principal Oboist with the Grand Rapids Symphony. Mr. Miller's 1998 composition "Let Freedom Ring", for large orchestra and narrator, is a symphonic setting of Martin Luther King, Jr.'s historic "I Have a Dream" speech and has been performed by President Bill Clinton as well as by James Earl Jones, William Warfield and Danny Glover. Mr. Miller's composition "Fireworks" was premiered at Carnegie Hall in 2005 as part of the Grand Rapids Symphony's 75th anniversary celebration. More recently, Mr. Miller's 2009 composition "Remix in D" was commissioned by the Modesto Symphony Orchestra and performed by the Grand Rapids Symphony.

paragraph_text: Almost all of the composers who are described in music textbooks on classical music and whose works are widely performed as part of the standard concert repertoire are male composers, even though there has been a large number of women composers throughout the classical music period. Musicologist Marcia Citron has asked "[w]hy is music composed by women so marginal to the standard 'classical' repertoire?" Citron "examines the practices and attitudes that have led to the exclusion of women composers from the received 'canon' of performed musical works." She argues that in the 1800s, women composers typically wrote art songs for performance in small recitals rather than symphonies intended for performance with an orchestra in a large hall, with the latter works being seen as the most important genre for composers; since women composers did not write many symphonies, they were deemed to be not notable as composers. In the "...Concise Oxford History of Music, Clara Shumann  [sic] is one of the only  [sic] female composers mentioned." Abbey Philips states that "[d]uring the 20th century the women who were composing/playing gained far less attention than their male counterparts."

paragraph_text: Margaret Ruthven Lang (November 27, 1867 – May 29, 1972) was an American composer, affiliated with the Second New England School. Lang was also one of the first two women composers (along with Amy Beach) to have compositions performed by American symphony orchestras: Lang's "Dramatic Overture", by the Boston Symphony Orchestra, 1893; Beach's Grand Mass in E-flat, 1892, by the Handel and Haydn Society; and Beach's Gaelic Symphony, 1896, by the Boston Symphony..

paragraph_text: Currier was born in Huntingdon, Pennsylvania, and was raised in Providence, Rhode Island, in a family of talented musicians, including his brother Nathan Currier, also a noted composer. Sebastian Currier received degrees from the Juilliard School and Manhattan School of Music. His compositions include "Crossfade", written for two harps, and "Microsymph", described as a "30-minute symphony compressed into 10 minutes."

paragraph_text: Bechara El Khoury's Symphony, subtitled "The Ruins of Beirut", was composed in 1985. It was the third of a series of works inspired in the ongoing Lebanese Civil War, being preceded by tone poem "Lebanon in flames" and a Requiem. It is composed of four movements, marked "Drammatico", "Misterioso", "Poetico" and "Tragique".

paragraph_text: "Shostakovich" (1969–1981) is a series of thirty oil paintings by Aubrey Williams. Each painting in the series is based on a particular symphony or quartet by the Russian composer Dmitri Shostakovich, whom Williams regarded as "the greatest composer of [his] time".

paragraph_text: Ralph Vaughan Williams's Symphony in E minor, published as Symphony No. 6, was composed in 1944–47, during and immediately after World War II and revised in 1950. Dedicated to Michael Mullinar, it was first performed, in its original version, by Sir Adrian Boult and the BBC Symphony Orchestra on 21 April 1948. Within a year it had received some 100 performances, including the U.S. premiere by the Boston Symphony Orchestra under Serge Koussevitzky on 7 August 1948. Leopold Stokowski gave the first New York performances the following January with the New York Philharmonic and immediately recorded it, declaring that "this is music that will take its place with the greatest creations of the masters." However, Vaughan Williams, very nervous about this symphony, threatened several times to tear up the draft. At the same time, his programme note for the first performance took a defiantly flippant tone.

Question: Who was the father of the composer of Symphony No. 30?
Answer: Leopold Mozart