paragraph_text: ``Let's Stick Together ''or`` Let's Work Together'' as it was subsequently titled, is a blues song written by Wilbert Harrison, which was released in 1962. In 1969 and 1970, the song was a hit for Harrison and has been recorded by a variety of artists, including Canned Heat and Bryan Ferry, who had chart successes with the song.

paragraph_text: McKinley Morganfield (April 4, 1913 -- April 30, 1983), known professionally as Muddy Waters, was an American blues musician who is often cited as the ``father of modern Chicago blues ''.

paragraph_text: "Rollin' and Tumblin'" (or "Roll and Tumble Blues") is a blues song first recorded by American singer/guitarist Hambone Willie Newbern in 1929. Called a "great Delta blues classic", it has been interpreted by hundreds of Delta and Chicago blues artists, including well-known recordings by Muddy Waters. "Rollin' and Tumblin'" has also been refashioned by a variety of rock-oriented artists.

paragraph_text: The song has been performed and recorded by many artists, including the Byrds, Judy Collins, Melanie, Odetta, and Stevie Wonder among others. The Byrds version was released in April of 1965 as their first single on Columbia Records, reaching number 1 on both the "Billboard" Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, "Mr. Tambourine Man." The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success.

paragraph_text: Dinah Sings Bessie Smith is a 1958 album by blues, R&B and jazz singer Dinah Washington released on the Emarcy label, and reissued by Verve Records in 1999 as The Bessie Smith Songbook. The album arrangements are headed by Robare Edmondson and Ernie Wilkins, and the songs are associated with American blues singer Bessie Smith. Allmusic details the album in its review as saying: "It was only natural that the "Queen of the Blues" should record songs associated with the "Empress of the Blues." The performances by the septet/octet do not sound like the 1920s and the purposely ricky-tick drumming is insulting, but Dinah Washington sounds quite at home on this music".

paragraph_text: ``The Keeper of the Stars ''is a song written by Dickey Lee, Danny Mayo and Karen Staley, and recorded by American country music artist Tracy Byrd. It was released in February 1995 as the fourth and last single from his album No Ordinary Man, it went on to reach a peak of # 2 on the Billboard Hot Country Singles & Tracks (now Hot Country Songs) charts, behind`` I Can Love You Like That'' by John Michael Montgomery. A year after its release, it was named Song of the Year by the Country Music Association.

paragraph_text: ``I Ca n't Quit You Baby ''is a blues standard written by Willie Dixon and first recorded by Chicago blues artist Otis Rush in 1956. It was Rush's first recording and became a record chart hit. The song, a slow twelve - bar blues, has been recorded by various artists, including Led Zeppelin, who included it on their debut album.

paragraph_text: "Driving Wheel", also called "Drivin' Wheel" or "Driving Wheel Blues", is blues song recorded by Roosevelt Sykes (listed as "The Honey Dripper" on early singles) in 1936. It became a standard of the blues and has been recorded by numerous artists, including Junior Parker and Al Green, who had "Billboard" magazine charts successes with the song.

paragraph_text: Bossa nova Stylistic origins Samba jazz blues choro Cultural origins Late 1950s, South Zone of Rio de Janeiro, Brazil Typical instruments Classical guitar acoustic guitar piano electric organ acoustic bass drums Subgenres Tropicália música popular brasileira Other topics Bossa Nova (dance) sambass

paragraph_text: "Blue Highway" is a song written by David Womack and Don Henry, and recorded by American country music artist John Conlee. It was released in July 1985 as the third single and title track from the album "Blue Highway". The song reached #15 on the "Billboard" Hot Country Singles & Tracks chart.

paragraph_text: Rodd Keith (born Rodney Keith Eskelin; January 30, 1937 – December 15, 1974) was an American multi-instrumentalist and songwriter. He is perhaps the best known figure in the obscure musical subgenre known as song poem music.

paragraph_text: According to NARAS, the new award will encompass all of the subgenres of the American Roots category field, which include Americana, bluegrass, blues, folk and other forms of regional roots music. The category will be open for solo artists, duos, groups and other collaborations and is for singles or tracks only.

paragraph_text: "How Long, How Long Blues" (also known as "How Long Blues" or "How Long How Long") is a blues song recorded by the American blues duo Leroy Carr and Scrapper Blackwell in 1928. The song became "an instant best-seller" and one of the first blues standards, inspiring many blues songs of the era. It has been recorded by many artists, not only in blues but also country and western, pop, and jazz.

paragraph_text: "Hoochie Coochie Man" (originally titled "I'm Your Hoochie Cooche Man") is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter.

paragraph_text: ``Blue Eyes Crying in the Rain ''is a song written by songwriter Fred Rose. Originally performed by Roy Acuff, the song has been covered by many artist; such as Hank Williams Sr. and Charlie Pride. Also the song was later recorded by Willie Nelson as part of his 1975 album Red Headed Stranger. Both the song and album would become iconic in country music history, and jump start Nelson's success as a singer and recording artist.

paragraph_text: Chester Arthur Burnett (June 10, 1910 – January 10, 1976), known as Howlin' Wolf, was a Chicago blues singer, guitarist, and harmonica player, originally from Mississippi. With a booming voice and imposing physical presence, he is one of the best-known Chicago blues artists. The musician and critic Cub Koda noted, "no one could match Howlin' Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits." Producer Sam Phillips recalled, "When I heard Howlin' Wolf, I said, 'This is for me. This is where the soul of man never dies. Several of his songs, including "Smokestack Lightnin'", "Killing Floor" and "Spoonful", have become blues and blues rock standards. In 2011, "Rolling Stone" magazine ranked him number 54 on its list of the "100 Greatest Artists of All Time".

paragraph_text: "Mannish Boy" (or "Manish Boy" as it was originally titled) is a blues standard by Muddy Waters. First recorded in 1955, the song is both an arrangement of and an "answer song" to Bo Diddley's "I'm a Man", which was in turn inspired by Waters' and Willie Dixon's "Hoochie Coochie Man". "Mannish Boy" features a repeating stop-time figure on one chord throughout the song and is credited to Waters, Mel London, and Bo Diddley.

paragraph_text: Portrait of a Man with a Blue Chaperon (or Portrait of a Man with a Blue Hood, earlier Portrait of a Jeweler or Man with a Ring) is a very small (22.5 cm x 16.6 cm with frame) oil on panel portrait of an unidentified man attributed to the Early Netherlandish painter Jan van Eyck.

paragraph_text: "Your Lying Blue Eyes" is a song written by Ken McDuffie, and recorded by American country music artist John Anderson. It was released in October 1979 as the third single from the album "John Anderson". The song reached #15 on the "Billboard" Hot Country Singles & Tracks chart.

paragraph_text: "Bluer Than Blue" is the title of a 1978 song recorded by Michael Johnson. The song was written by noted pop and country songwriter Randy Goodrum. Originally recorded as a demo, "Bluer Than Blue" was taken as the first single from Johnson's subsequent LP, "The Michael Johnson Album". The song is from the point of view of a man who is in a failing relationship, and is trying to convince himself that his situation will improve once the one he loved moves on; however, it is evident by the lyrics to the song his efforts are thus far ineffective.

Question: The singer of Hoochie Coochie Man is associated with which subgenre of the blues?
Answer: Chicago blues