paragraph_text: Amédée Méreaux (full name Jean-Amédée Lefroid de Méreaux) (Paris, 17 September 1802 – Rouen, 25 April 1874) was a French musicologist, pianist, and composer. He was the author of "Les clavecinistes de 1637 à 1790", written from 1864 to 1867, which had essays on the composers it mentioned. His grandfather, Nicolas-Jean Lefroid de Méreaux (1745–1797), was a composer of operas and oratorios, while his father, Jean-Nicolas Lefroid de Méreaux, was an organist and pianist and was a composer of piano sonatas. He was a friend of Frédéric Chopin.

paragraph_text: Disma Fumagalli (born Inzago, 8 September 1826 - died Milan, 9 March 1893) was an Italian composer and teacher of music. He was a graduate of the Milan Conservatory, where he began teaching piano in 1853. He composed more than 300 études for piano, as well as other exercises; he also wrote a concerto for piano and string orchestra.

paragraph_text: Wolfgang Amadeus Mozart's Piano Sonata No. 1 in C major, K. 279 / 189d (1774), is a piano sonata in three movements. It was written down, except for the first part of the opening movement, during the visit Mozart paid to Munich for the production of "La finta giardiniera" from late 1774 to the beginning of the following March. A typical performance of the sonata takes about 14 minutes. It is the first of his 18 piano sonatas. All but two of the sonatas, No. 8 in A minor and No. 14 in C minor, are in a major key. Also, the first six sonatas seem to follow the cycle of fifths, to the flat side first (No. 1 in C major, No. 2 in F major, No. 3 in B-flat major, No. 4 in E-flat major) and then to the sharp side (No. 5 in G major, No. 6 in D major).

paragraph_text: Ludwig van Beethoven composed his Horn Sonata in F major, Op. 17 in 1800 for the virtuoso horn player Giovanni Punto. It was premiered with Punto as the soloist, accompanied on the piano by Beethoven himself in Vienna on April 18, 1800.

paragraph_text: Madame Ravissa de Turin (b. late 18th century; died February 20, 1807) was an Italian singer and composer. She was from Turin, but apparently lived in Paris from 1778 until 1783. She published six sonatas for harpsichord in Paris in 1778, on which she was described as "Maîtresse de Clavecin et de Chant italien". A copy of the sonatas survived in the collection of Kaiser Franz II of Austria. In 1933 the manuscript was discovered in storage at Steiermärkischer Musikverein by musicologist Ernst Fritz Schmid, and is now housed at Osterreichische Nationalbibliothek in Vienna. In 1778 her work was described in the "Parisian Almanach Musical" as "bold modulations that the Italians love and our timorous composers do not dare to allow themselves."

paragraph_text: Improvisation stands at the centre of Chopin's creative processes. However, this does not imply impulsive rambling: Nicholas Temperley writes that "improvisation is designed for an audience, and its starting-point is that audience's expectations, which include the current conventions of musical form." The works for piano and orchestra, including the two concertos, are held by Temperley to be "merely vehicles for brilliant piano playing ... formally longwinded and extremely conservative". After the piano concertos (which are both early, dating from 1830), Chopin made no attempts at large-scale multi-movement forms, save for his late sonatas for piano and for cello; "instead he achieved near-perfection in pieces of simple general design but subtle and complex cell-structure." Rosen suggests that an important aspect of Chopin's individuality is his flexible handling of the four-bar phrase as a structural unit.

paragraph_text: Ludwig van Beethoven's Piano Sonata No. 6 in F major, Op. 10, No. 2, was dedicated to the Countess Anne Margarete von Browne, and written from 1796 to 1798.

paragraph_text: Wolfgang Amadeus Mozart's Piano Sonata No. 6 in D major, K. 284 / 205b, (1775) is a sonata in three movements:

paragraph_text: Maurice Bolyer (December 1, 1920 – August 18, 1978), born Maurice Beaulieu, was a composer and musician known as "Canada's King of the Banjo". Although proficient in a variety of string instruments and piano, he is best known for his work on the banjo.

paragraph_text: Constantine Finehouse was born in St. Petersburg, Russia, and attended New England Conservatory, Juilliard and Yale University. His principle teachers included Fredrik Wanger, Natalia Harlap, Herbert Stessin, Jerome Lowenthal, Boris Berman and Bruce Brubaker. Praised by Rhein Main Presse Allgemeine Zeitung for his "interpretations of depth and maturity," Finehouse has performed extensively in the US (including in California, Colorado, Connecticut, Florida, Georgia, Massachusetts, New York, Rhode Island and Washington) and abroad (including in Lausanne, London, Odessa, St. Petersburg and Trieste). His newest album with cellist Sebastian Baverstam features the universally-admired Brahms Sonata No. 1 for piano and cello as well as several new works in the High Romantic style by Boston composer Tony Schemmer. His 2009 solo recording, Backwards Glance [Spice Rack Records 101-01], interweaves music of Johannes Brahms and Richard Beaudoin.

paragraph_text: Alf Wilhelm Lundberg (born 8 May 1979 in Haugesund, Norway) is a Norwegian Jazz musician (guitar and piano) and composer.

paragraph_text: Wolfgang Amadeus Mozart was born on 27January 1756 to Leopold Mozart (1719–1787) and Anna Maria, née Pertl (1720–1778), at 9 Getreidegasse in Salzburg. This was the capital of the Archbishopric of Salzburg, an ecclesiastic principality in what is now Austria, then part of the Holy Roman Empire. He was the youngest of seven children, five of whom died in infancy. His elder sister was Maria Anna Mozart (1751–1829), nicknamed "Nannerl". Mozart was baptised the day after his birth, at St. Rupert's Cathedral in Salzburg. The baptismal record gives his name in Latinized form, as "Joannes Chrysostomus Wolfgangus Theophilus Mozart". He generally called himself "Wolfgang Amadè Mozart" as an adult, but his name had many variants.

paragraph_text: Maria Rosa Coccia was born in Rome and studied with Sante Pesci. At the age of 13, Coccia composed six sonatas for harpsichord and the oratorio "Daniello", which was performed the same year in the Oratory S. Filippo Neri, in defiance of a tradition that women were not allowed to attend the event.

paragraph_text: Dmitri Shostakovich's Piano Sonata No. 2 in B minor, Op. 61 was composed in 1943 in Samara, where he had been evacuated due to the Siege of Leningrad, and was premiered by Shostakovich himself on June 6, soon after moving to Moscow. It was his first piano composition since the 1933 Preludes op.34.

paragraph_text: Sonata pian' e forte was written by Giovanni Gabrieli, an Italian composer and organist in 1597. This is the earliest known piece of music to call for specific brass instruments.

paragraph_text: Paul Viardot (20 July 1857 – 1 December 1941) was a French violinist and musicologist; born at Courtavenel, son of the distinguished singer and composer Pauline Viardot. Studied under Léonard and has appeared with great success in Paris and London. Compositions include two sonatas, several concert solos and smaller violin works as well as important contributions to the literature of music.

paragraph_text: Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associations to the listener; the names by which many of his pieces are known were invented by others. There is no evidence to suggest that the Revolutionary Étude was written with the failed Polish uprising against Russia in mind; it merely appeared at that time. The Funeral March, the third movement of his Sonata No. 2 (Op. 35), the one case where he did give a title, was written before the rest of the sonata, but no specific event or death is known to have inspired it.

paragraph_text: Florentina Mallá (14 July 1891 – 7 June 1973) was a Czech composer and pianist. She studied piano with Josef Jiránek at the Prague Conservatory, graduating in 1913 and later studied composition privately with Vítězslav Novák. She suspended her work as a composer during the communist years. Her works include didactic piano compositions, a sonatina and preludium for piano and about fifty songs. She died in Prague.

paragraph_text: The Rosary Sonatas ("Rosenkranzsonaten", also known as the Mystery Sonatas or Copper-Engraving Sonatas) by Heinrich Ignaz Franz Biber are a collection of 15 short sonatas for violin and continuo, with a final passacaglia for solo violin. Each has a title related to the Christian Rosary devotion practice and possibly to the Feast of the Guardian Angels.

paragraph_text: Pietro Domenico Paradies (also Pietro Domenico Paradisi) (170725 August 1791), was an Italian composer, harpsichordist and harpsichord teacher, most prominently known for a composition popularly entitled ""Toccata in A"", which is, in other sources, the second movement of his Sonata No. 6.

Question: Who was the father of the composer of Piano Sonata No. 1?
Answer: Leopold Mozart