paragraph_text: Black Pearls is an album credited to jazz musician John Coltrane, released in 1964 on Prestige Records, catalogue 7316. It is assembled from the results of a single recording session at the studio of Rudy Van Gelder in Hackensack, New Jersey. As Coltrane's fame grew during the 1960s long after he had stopped recording for the label, Prestige used unissued recordings to create new marketable albums without Coltrane's input or approval.

paragraph_text: The Core (established 1999 in Trondheim, Norway) is a Norwegian Jazz band, known from a series of recordings. It was initiated by the drummer Espen Aalberg, and are performing music in the Coltrane/Shorter tradition.

paragraph_text: Jazz Way Out is an album by jazz musicians John Coltrane and Wilbur Harden, the second of the three 1958 Savoy recordings made by Coltrane and Harden together. The session also produced an alternate take of "Dial Africa", which can be found on some compilations, most notably the ones featuring the complete Savoy recordings made by Harden and Coltrane together, "The Complete Mainstream 1958 Sessions" (2009) and "The Complete Savoy Sessions" (1999).

paragraph_text: Settin' the Pace is an album credited to jazz musician John Coltrane, released in 1961 on Prestige Records, catalogue 7213. It is assembled from unissued results of a single recording session at the studio of Rudy Van Gelder in Hackensack, New Jersey in 1958. Coltrane on tenor saxophone is accompanied by the Red Garland Trio with Garland on piano, Paul Chambers on bass, and Art Taylor on drums. With Garland and Chambers Coltrane had played together since at least October 1955 in Miles Davis' band. With Art Taylor they were part of the "Tenor Conclave" recordings in September 1956. As a quartet they had already recorded two albums for Prestige, "John Coltrane with the Red Garland Trio" and "Soultrane". The material the quartet recorded on this session were extended interpretations of three popular songs not played by jazz musicians before, and "Little Melonae", a classic bebop tune written by Jackie McLean.

paragraph_text: Olé Coltrane is the ninth album by jazz musician John Coltrane, released in 1961 on Atlantic Records, catalogue SD 1373. The album was recorded at A&R Studios in New York, and was the last of Coltrane's Atlantic albums to be made under his own supervision.

paragraph_text: Tenor Conclave is an album by Hank Mobley, Al Cohn, John Coltrane and Zoot Sims. The album was originally recorded in 1956 and issued in 1957 on Prestige Records as PRLP 7074, and was credited to the Prestige All Stars. However, as Coltrane's profile grew in the following years after his contract with the label had expired, Prestige re-released it in 1962 as an apparent 'new' album, with a different cover prominently displaying Coltrane's name. This reissue of the album was given the catalogue number PRLP 7249.

paragraph_text: Joseph Brazil (August 25, 1927 – August 6, 2008) was an American jazz saxophonist and educator. Local musicians and touring acts performed in his basement. He taught jazz at Garfield High School, co-founded the Black Music curriculum at the University of Washington, and founded the Black Academy of Music in Seattle. He appeared on the albums "Om" by John Coltrane and "Ubiquity" by Roy Ayers.

paragraph_text: The John Coltrane Home is a house in the Dix Hills neighborhood of Huntington, Suffolk County, New York, where saxophonist John Coltrane lived from 1964 until his death in 1967. It was in this home that he composed "A Love Supreme".

paragraph_text: Two Tenors is an album credited to jazz musicians John Coltrane and Hank Mobley, released in 1969 on Prestige Records, catalogue 7670. It is a reissue of Prestige 7043 "Informal Jazz" by Elmo Hope, released in 1956. As Coltrane's fame grew during the 1960s long after he had stopped recording for the label, Prestige assembled varied recordings, often those where Coltrane had been merely a sideman, and reissued them as a new album with Coltrane's name prominently displayed. In this case, by 1969 Hope had become a far less marketable figure than Coltrane and Mobley, hence the redesignation of the LP.

paragraph_text: Stereo Drive is an album by jazz musician Cecil Taylor featuring John Coltrane, released in 1959 on United Artists Records, catalogue UAS 5014. The mono edition was issued as UAL 4014 with the title "Hard Driving Jazz", and later reissued under Coltrane's name in 1963 as "Coltrane Time" (UAJS 15001). Compact disc reissues appeared on the Blue Note Records label credited to Coltrane. It is the only known recording featuring both Coltrane and Taylor.

paragraph_text: Ascension is a jazz album by John Coltrane recorded in 1965 and released in 1966. It is often considered to be a cornerstone of Coltrane's work, with the albums recorded before it being more conventional in structure and the albums recorded after it being looser, free jazz inspired works. In addition, it signaled Coltrane's interest in moving away from the quartet format. Coltrane described "Ascension" in a radio interview as a "big band thing", although it resembles no big band recording made before it. The most obvious antecedent is Ornette Coleman's octet (or "double quartet") recording, "", which—like "Ascension"—is a continuous 40-minute performance with ensemble passages and without breaks. Jazz musician Dave Liebman, commenting on "Ascension", recalled that the album was the "torch that lit the free jazz thing".

paragraph_text: First Meditations (for quartet) is an album by John Coltrane recorded on September 2, 1965 and posthumously released in 1977. It is a quartet version of a suite Coltrane would record as "Meditations" two months later with the additions of Pharoah Sanders as a second tenor saxophone and Rashied Ali on drums. Along with "Sun Ship", recorded a week earlier, "First Meditations" represents the final recordings of Coltrane's classic quartet featuring bassist Jimmy Garrison, drummer Elvin Jones and pianist McCoy Tyner. The "Meditations" suite on this album consists of five movements, and is similar in musical character to the individual pieces on "Sun Ship". "Love" and "Serenity" are both free-form pieces with no fixed tempo or chord progression in the traditional jazz sense. "Consequences" is a high-intensity, up tempo piece that closely resembles the title track from "Sun Ship", with a theme consisting only of a brief, repetitive staccato phrase, and with an "extreme" solo from Coltrane featuring altissimo-register playing and multiphonics.

paragraph_text: John Coltrane and Johnny Hartman is a 1963 studio album featuring John Coltrane and Johnny Hartman. It was inducted into the Grammy Hall of Fame in 2013.

paragraph_text: Title in Limbo is an album by The Residents in collaboration with Renaldo and the Loaf, released in 1983 on Ralph Records. Guest performers include Snakefinger (guitar and violin), and vocalist Nessie Lessons.

paragraph_text: Informal Jazz is an album by jazz musician Elmo Hope, released in 1956 on Prestige Records, catalogue 7043. It has been reissued in 1969 as "Two Tenors" under the billing of Hope's sidemen for the session, John Coltrane and Hank Mobley.

paragraph_text: The Last Trane is an album credited to jazz musician John Coltrane, released in 1966 on Prestige Records, catalogue 7378.

paragraph_text: Three Views is a 3CD compilation album by trumpeter Dave Douglas which combines three volumes originally released as music downloads on Greenleaf Music's Portable Series in 2011 and features Douglas' Brass Ecstasy, a Quintet with Ravi Coltrane and Vijay Iyer, and the So Percussion Ensemble.

paragraph_text: "Jaleo" is the first international and second US single from Ricky Martin's album "Almas del Silencio" (2003). It was released on May 2, 2003 internationally and in July 2003 in the United States. "Jaleo", a Spanish word of Hebrew origin, has various meanings: to clap or yell out words such as "¡olé!", "¡eso!" to encourage flamenco dancers during a performance, or a style of dancing.

paragraph_text: Soultrane is the fourth studio album by jazz musician John Coltrane, released in 1958 on Prestige Records, catalogue 7142. It was recorded at the studio of Rudy Van Gelder in Hackensack, New Jersey, three days after a Columbia Records session for Miles Davis and the "Milestones" album.

paragraph_text: Africa/Brass is the eighth studio album by jazz musician John Coltrane, released in 1961 on Impulse! Records, catalogue A-6. The sixth release for the fledgling label and Coltrane's first for Impulse!, it features Coltrane's working quartet augmented by a larger ensemble to bring the total number of participating musicians to 21. Its big band sound, with the unusual instrumentation of French horns and euphonium, presented music very different from anything that had been associated with Coltrane to date.

Question: What was the name of the house where the musician on Olé Coltrane was living?
Answer: John Coltrane Home