paragraph_text: The Wandering of a Little Soul () is a violin concerto by the Czech composer Leoš Janáček. The work is also known in English as "Pilgrimage of a Little Soul", "Pilgrimage of a Dear Soul" or simply as "Pilgrimage of the Soul". Nevertheless, the English title of the complete critical edition is "The Wandering of a Little Soul".

paragraph_text: The Witch is a ballet made by John Cranko to Maurice Ravel's Piano Concerto No. 2 in G Major (1931). The premiere took place Friday, 18 August 1950 at the Royal Opera House, Covent Garden, London.

paragraph_text: Disma Fumagalli (born Inzago, 8 September 1826 - died Milan, 9 March 1893) was an Italian composer and teacher of music. He was a graduate of the Milan Conservatory, where he began teaching piano in 1853. He composed more than 300 études for piano, as well as other exercises; he also wrote a concerto for piano and string orchestra.

paragraph_text: Although Melartin was chiefly a lyricist, the symphony was central to his musical output. He wrote six symphonies (1902–1924) and was the first Finnish composer to bear Mahler's influence. The fourth symphony uses a vocalise like that of Carl Nielsen's "Sinfonia Espansiva". The fifth is a "Sinfonia brevis" ending in a fugue and chorale, while the sixth, harmonically more advanced than the other five, advances stepwise from a C minor first movement – with evocations of Mahler's second symphony – to an E-flat major finale. His musical output also includes an opera, "Aino" (based on the character from the Finnish national epic), a violin concerto, four string quartets, and many piano pieces. His works therefore are divided mainly into large-scale works for orchestra, and chamber pieces for much smaller groups and soloists. Despite working in the same time period as Jean Sibelius he was not influenced by the more famous composer's style, and his work has been largely overshadowed by that of Finland's most revered composer.

paragraph_text: The "standard complement" of double winds and brass in the orchestra from the first half of the 19th century is generally attributed to Beethoven. The exceptions to this are his Symphony No. 4, Violin Concerto, and Piano Concerto No. 4, which each specify a single flute. The composer's instrumentation usually included paired flutes, oboes, clarinets, bassoons, horns and trumpets. Beethoven carefully calculated the expansion of this particular timbral "palette" in Symphonies 3, 5, 6, and 9 for an innovative effect. The third horn in the "Eroica" Symphony arrives to provide not only some harmonic flexibility, but also the effect of "choral" brass in the Trio. Piccolo, contrabassoon, and trombones add to the triumphal finale of his Symphony No. 5. A piccolo and a pair of trombones help deliver "storm" and "sunshine" in the Sixth. The Ninth asks for a second pair of horns, for reasons similar to the "Eroica" (four horns has since become standard); Beethoven's use of piccolo, contrabassoon, trombones, and untuned percussion—plus chorus and vocal soloists—in his finale, are his earliest suggestion that the timbral boundaries of symphony should be expanded. For several decades after he died, symphonic instrumentation was faithful to Beethoven's well-established model, with few exceptions.

paragraph_text: Concierto Barroco is a piece of music written in 2007 by the Bulgarian composer Gheorghi Arnaoudov, scored for violin and orchestra.

paragraph_text: William Paxton (1737–1781) was a cellist in England. He composed several sets of duets and solos for the cello, including six duos for two cellos (Op. 1), eight duos for violin and cello (Op. 2), six solos for violin (Op. 3), four solos for violin and two for the cello (Op. 4), twelve easy lessons for cello (Op. 6). and six solos for cello (Op. 8). Paxton’s brother Stephen also composed for the cello.

paragraph_text: The 42 études ou caprices ("42 études or capriccios") for solo violin were composed by Rodolphe Kreutzer around 1796. While Kreutzer was a prolific composer with some 50 stage works and dozens of other pieces to his credit, he is best known as a pedagogue. Together with Pierre Baillot and Pierre Rode, he was at the center of the development of the French school of violin playing around the turn of the 19th century, which defined much of the 19th-century (and hence the modern) approach to playing the violin.

paragraph_text: Alois Reiser (April 6, 1887 - April 4, 1977 in Los Angeles) was an American composer of Czechoslovakian origin. Born in Prague, he came to the United States in 1905. He composed a number of works for orchestra, including two tone poems and two cello concertos; he also wrote chamber music, including string quartets, and the opera "Gobi". He also composed music for films.

paragraph_text: Edwin Grasse (13 August 1884 – 8 April 1954) was an American violinist, organist and composer. Among his compositions were orchestral works, including a symphony and a violin concerto, and much chamber music, including a string quartet.

paragraph_text: Carl Nielsen's Concerto for Violin and orchestra, op. 33 [D.F.61] was written for Hungarian violinist Dr. Emil Telmányi, Nielsen's son-in-law, in 1911. The concerto has three movements , including a slow prelude.

paragraph_text: Ola Kvernberg (born 16 June 1981) is a Norwegian jazz musician known for his virtuosic string swing violin playing and his international performances. He is the son of traditional musicians Liv Rypdal Kvernberg and Torbjørn Kvernberg, and the brother of traditional musicians Kari Kvernberg Dajani and fiddler Jorun Marie Kvernberg, and grandson of the fiddler and traditional music composer Peter L. Rypdal. Kvernberg studied classical violin from the age of nine, and won 3rd prize in a great classical violin competition in Italy when he was fourteen.

paragraph_text: Jacques Février was born in Saint-Germain-en-Laye, the son of the composer Henry Février. He studied with Édouard Risler and Marguerite Long at the Conservatoire de Paris, taking a "premier prix" in 1921. In 1932 he and the composer were the soloists in the first performance of Francis Poulenc's Concerto for two pianos. Although Paul Wittgenstein premiered Maurice Ravel's Concerto for the Left Hand, Février was expressly chosen by the composer to be the first French pianist to perform the work. He made many recordings of the French repertoire, receiving a Grand Prix du Disque of the Charles Cros Academy in 1963 for his recording of Ravel's piano works.

paragraph_text: The concerto, as understood in this modern way, arose in the Baroque period, in parallel to the concerto grosso, which contrasted a small group of instruments called a concertino with the rest of the orchestra, called the ripieno. The popularity of the concerto grosso form declined after the Baroque period, and the genre was not revived until the 20th century. The solo concerto, however, has remained a vital musical force from its inception to this day.

paragraph_text: The Carl Nielsen Museum is a museum dedicated to the life of Danish composer Carl Nielsen and his wife, the sculptor Anne Marie Carl-Nielsen. It documents his life from his childhood in the town of Nr. Lyndelse, to his career and success on the European music scene, with his violins, his bugle and his grand piano on display, as well as a number of his musical scores, including six symphonies, three concertos, two operas, and chamber music and a great number of songs.

paragraph_text: The George Enescu Festival (also known as George Enescu International Festival and Competition), held in honor of the celebrated Romanian composer George Enescu, is the biggest classical music festival and classical international competition held in Romania and one of the biggest in Eastern Europe. Enescu's close associate George Georgescu organized the first festival in 1958; highlights included a performance of Bach's Concerto for Two Violins with Yehudi Menuhin and David Oistrakh as soloists and a staging of Enescu's sole opera, "Œdipe", with Constantin Silvestri conducting.

paragraph_text: In 1892, Carl-Nielsen contributed for the first time to the Free Exhibition ("") in Copenhagen. She became a permanent member in 1893. The two calves in bronze were accepted for the 1893 Chicago World's Fair. Her second daughter, Anne Marie Frederikke Carl-Nielsen (known as  – Sister) and son Hans Børge Carl-Nielsen were born on 4 March 1893 and 5 September 1895. Her father died on 14 September 1899.

paragraph_text: Jan Sandström (born 25 January 1954, Vilhelmina, Västerbotten County, Sweden) is a Swedish classical music composer. His compositions include the so-called "Motorbike Concerto" for trombone and orchestra and his choral setting of "Es ist ein Ros entsprungen".

paragraph_text: Per Mårtensson (born 1967 in Östersund) is a Swedish composer and teacher. He is artistic director and teaches composition at The Gotland School of Music Composition. In 1998 he was given membership in The Society of Swedish Composers. Mårtenssons catalog contains mainly orchestral and chamber music. He has composed music for ensembles such as Norrbotten NEO, Sonanza and Pearls Before Swine Experience. His flute concerto was awarded the Christ Johnson-price prize—the most prestigious composition price in Sweden.

paragraph_text: Franz Xaver Pecháček (4 July 1793 in Vienna – 15 September 1840 in Karlsruhe) was an Austrian-German violin virtuoso and composer of Bohemian origin. Besides polonaises, variations, Rondos and potpourris for violin and orchestra, he composed two string quartets and the "Adagio et Polonaise" for clarinet and orchestra.

Question: Where did the spouse of the composer of Violin Concerto die?
Answer: Copenhagen