paragraph_text: The Portrait of Cardinal Niccolò Albergati is a painting by early Netherlandish painter Jan van Eyck, dating to around 1431 and now in the Kunsthistorisches Museum of Vienna, Austria.

paragraph_text: M. Jean McLane, born Myrtyle Jean MacLane (September 14, 1878 – January 23, 1964), was an American portraitist. Her works were exhibited and won awards in the United States and in Europe. She made portrait paintings of women and children. McLane also made portrait paintings of a Greek and Australian Premiers and Elisabeth, Queen of the Belgians.

paragraph_text: Nicola Salvi or Niccolò Salvi (6 August 1697 (Rome) – 8 February 1751 (Rome)) was an Italian architect; among his few projects completed is the famous Trevi fountain in Rome, Italy.

paragraph_text: The Portrait of Cardinal Ludovico Trevisan is a painting by the Italian Renaissance artist Andrea Mantegna, dated to c. 1459-1460.

paragraph_text: He was a nephew of Cardinal Juan Carvajal, and advanced rapidly in the ecclesiastical career at Rome, whither he came during the pontificate of Pope Sixtus IV (1471–84). Under Pope Innocent VIII he held successively the Spanish sees of Astorga (1488), Badajoz (1489), and Cartagena, in which latter quality he was sent as nuncio to Spain. Their Catholic Majesties sent him back as Spanish ambassador to Pope Alexander VI, by whom he was made Cardinal of Sts. Peter and Marcellinus in 1493, which title he exchanged in 1495 for that of Santa Croce in Gerusalemme.

paragraph_text: John Giles Eccardt (1720–1779) was a German-born British portrait painter. He came to England in the company of the French painter Jean-Baptiste van Loo for whom he worked as an assistant. When Van Loo departed the country, Eccardt remained and set up a portrait-painting business. In the following years he did portraits of a number of leading members of British society including twenty six of his chief patron Horace Walpole. He died in 1779.

paragraph_text: The Bust of Francesco Barberini is a marble sculpture by the Italian artist Gian Lorenzo Bernini, now in the National Gallery of Art in Washington, D.C.. It was executed in 1623. It was commissioned by Pope Urban VIII, who was nephew of Francesco Barberini, an apostolic protonotary. Francesco had actually died in 1600 so Bernini created the bust from an existing painted portrait. The painted portrait is in Corsini Collection in Florence; Bernini made close use of the design, although the painting was a three quarter portrait as opposed to a bust of head, shoulders and upper body.

paragraph_text: The Bust of Cardinal Giovanni Dolfin or Delfin is a sculptural portrait by the Italian artist Gian Lorenzo Bernini, which is part of a mausoleum for the Venetian Cardinal Giovanni Delfin, member of one of Venice's most ancient noble families. The tomb as a whole was a joint work commissioned of Bernini and his father Pietro. While Gianlorenzo executed the portrait bust, Pietro carried out the surrounding figures, including two allegorical figures of Faith and Hope as well as the Delfin family coat of arms. The work was completed in late 1621, and sits in the church of San Michele in Isola.

paragraph_text: Ludovico Ludovisi was born in Bologna, then part of the Papal States, the son of Orazio Ludovisi and Lavinia Albergati. Following in the footsteps of his uncle Alessandro Ludovisi, he was trained at the Jesuit Collegio Germanico of Rome, and went on to the University of Bologna, where he received his doctorate in canon law on 25 February 1615.

paragraph_text: Niccolò Ghedini (Padua, 22 December 1959) is an Italian lawyer and politician. He is the lawyer of the former prime minister, Silvio Berlusconi.

paragraph_text: Jacob Pietersz Olycan (1596 – 1638), was a brewer, magistrate, and later mayor of Haarlem, best known today for his portrait by Frans Hals, pendant to the portrait of Aletta Hannemans, whom he married in Zwolle in 1624.

paragraph_text: In previous times, at the consistory at which the pope named a new cardinal, he would bestow upon him a distinctive wide-brimmed hat called a galero. This custom was discontinued in 1969 and the investiture now takes place with the scarlet biretta. In ecclesiastical heraldry, however, the scarlet galero is still displayed on the cardinal's coat of arms. Cardinals had the right to display the galero in their cathedral, and when a cardinal died, it would be suspended from the ceiling above his tomb. Some cardinals will still have a galero made, even though it is not officially part of their apparel.[citation needed]

paragraph_text: During childhood, siblings are a source of conflict and frustration as well as a support system. Adolescence may affect this relationship differently, depending on sibling gender. In same-sex sibling pairs, intimacy increases during early adolescence, then remains stable. Mixed-sex siblings pairs act differently; siblings drift apart during early adolescent years, but experience an increase in intimacy starting at middle adolescence. Sibling interactions are children's first relational experiences, the ones that shape their social and self-understanding for life. Sustaining positive sibling relations can assist adolescents in a number of ways. Siblings are able to act as peers, and may increase one another's sociability and feelings of self-worth. Older siblings can give guidance to younger siblings, although the impact of this can be either positive or negative depending on the activity of the older sibling.

paragraph_text: The Portrait of an African Man () also known as Portrait of a Moor () is a painting by the Netherlandish Renaissance painter Jan Mostaert. Mostaert probably made the painting between c. 1525 and 1530, or slightly earlier. The exact subject of the painting has long been unclear, although numerous ideas have been put forward, including that the depicted figure is a soldier, a nobleman or Saint Maurice. The portrait is significant in that it may portray the earliest portrait of a specific black man in European painting, though Saint Maurice, and Balthazar of the Three Kings or Biblical Magi, had long been usually portrayed as black.

paragraph_text: The Just Judges or The Righteous Judges is the lower left panel of the "Ghent Altarpiece", painted by Jan van Eyck or his brother Hubert Van Eyck between 1430–32. It is believed that the panel shows portraits of several contemporary figures such as Philip the Good, and possibly the artists Hubert and Jan van Eyck themselves. The panel was stolen in 1934 and has never been found.

paragraph_text: Many had considered Giovanni Battista Montini, the Archbishop of Milan, a possible candidate, but, although he was the archbishop of one of the most ancient and prominent sees in Italy, he had not yet been made a cardinal. Though his absence from the 1958 conclave did not make him ineligible – under Canon Law any Catholic male who is capable of receiving priestly ordination and episcopal consecration may be elected – the College of Cardinals usually chose the new pontiff from among the Cardinals who head archdioceses or departments of the Roman Curia that attend the papal conclave. At the time, as opposed to contemporary practice, the participating Cardinals did not have to be below age 80 to vote, there were few Eastern-rite Cardinals, and no Cardinals who were just priests at the time of their elevation.

paragraph_text: Jean-Marie Villot (11 October 1905 – 9 March 1979) was a French prelate and Cardinal of the Roman Catholic Church who served as Archbishop of Lyon from 1965 to 1967, Prefect of the Congregation for the Clergy from 1967 to 1969, Vatican Secretary of State from 1969 to 1979, and Camerlengo of the Holy Roman Church from 1970 to 1979. He was made a cardinal in 1965.

paragraph_text: Julien Hudson (January 9, 1811 – 1844) was a 19th-century free man of color who lived in New Orleans. He was a successful painter and art teacher. He is known as the first African American or French Creole of Color operating in America by whom a self-portrait has been found.

paragraph_text: Jacob van Oost or Jacob van Oost the Elder (1603–1671) was a Flemish painter of history paintings and portraits. He was the most important painter of Bruges in the 17th century through his portraits of members of the local bourgeois and his many altarpieces made in the spirit of the Counter Reformation. He also created genre paintings of musicians and card players for the open market.

paragraph_text: The Green Caesar is a portrait of Gaius Julius Caesar made of green slate kept in the Antikensammlung Berlin with the inventory number Sk 342, which was probably made in the first century AD.

Question: Who was the sibling of the person who painted The Portrait of Cardinal Niccolò Albergati?
Answer: Hubert Van Eyck