paragraph_text: Top and Bottom Brass is an album by trumpeter Clark Terry featuring performances recorded in early 1959 and originally released on the Riverside label.

paragraph_text: Lulu is a collaboration album between rock singer-songwriter Lou Reed and heavy metal band Metallica. It was released on October 31, 2011 by Warner Bros. in the U.S. and Vertigo elsewhere. The album is the final full-length studio recording project that Reed was involved in before his death in October 2013. It was recorded in San Rafael, California, during April through June 2011, after Reed had played with Metallica at the Rock and Roll Hall of Fame's 25th Anniversary Concert which led to them wanting to collaborate. The lead single, titled "The View", was released on September 27, 2011.

paragraph_text: "Cover on My Heart" is a pop ballad performed by Guy Sebastian and is the third single from his third album "Closer to the Sun". Sebastian announced that this song was the album's third single in April 2007. The single was released on 28 July 2007 in Australia, set by his record label Sony BMG Australia. Sebastian performed the song on various programmes such as "Sunrise" and "Rove Live".

paragraph_text: African Venus is an album by American jazz saxophonist Dewey Redman featuring performances recorded in 1992 and released on the Evidence label.

paragraph_text: Live at the North Sea Jazz Festival is a live album by jazz musician Freddie Hubbard released on the Pablo label which features performances by Hubbard, David Schnitter, Billy Childs, Larry Klein and Sinclair Lott recorded at the North Sea Jazz Festival, The Hague, the Netherlands on July 12, 1980.

paragraph_text: Bach to the Blues is an album performed by the Ramsey Lewis Trio that was recorded in 1964 and released on the Argo label.

paragraph_text: Take Offs and Landings is Rilo Kiley's debut full-length album, originally released in 2001 under the vanity label "Rilo Records," then shortly thereafter on the independent label Barsuk Records. It was released for the first time on vinyl on March 15, 2011.

paragraph_text: Groovin' High is an album by American jazz saxophonist Booker Ervin featuring performances recorded in 1963 and 1964 for the Prestige label.

paragraph_text: 30th Anniversary Tour: Live is the fourth live album by George Thorogood and the Destroyers. It was recorded on May 4, 2004 at the Royal Concert Hall in Nottingham, England, and on October 19, 2004 on the Eagle Records label. The performance was also released on DVD, and as a CD/DVD collectors' edition.

paragraph_text: Matador is an album by American jazz trumpeter Kenny Dorham featuring performances recorded in 1962 and released on the United Artists label.

paragraph_text: Live at Carlos 1 is a live album by the American jazz violinist Billy Bang recorded in 1986 and released on the Italian Soul Note label.

paragraph_text: Jesus at the Center: Live is a contemporary worship live album recorded and performed by Israel & New Breed. The album is released by Integrity Media and Columbia Records. The album was recorded live at Lakewood Church in early February 2012.

paragraph_text: The Opening is a live album by American jazz pianist Mal Waldron featuring a performance recorded in Paris in 1970 and released on the French Futura label.

paragraph_text: California Meeting: Live on Broadway is a live album by the American jazz saxophonist Archie Shepp recorded in 1985 and released on the Italian Soul Note label.

paragraph_text: The Voice That Is! is an album by American jazz vocalist Johnny Hartman featuring performances recorded in 1964 for the Impulse! label.

paragraph_text: Red and Black in Willisau is a live album by American jazz saxophonist Dewey Redman and drummer Ed Blackwell featuring performances recorded at the Willisau Jazz Festival in 1980 for the Italian Black Saint label.

paragraph_text: Live at the Whitney is a live album by American pianist, composer and bandleader Duke Ellington recorded at the Whitney Museum of American Art in 1972 and released on the Impulse! label in 1995.

paragraph_text: The illustrations on the cover were officially credited to Brent Bailer but Spanish illustrator won in 2000 a legal battle after which it was determined that the original drawing had been done by him for the cover of a magazine in the seventies. RCA was forced to pay Nazario 4 million pesetas (around 24,000 euros/$27,000 USD). Nazario has said that if Lou Reed had ever asked him for permission to use his drawing, he would probably have given it for free.

paragraph_text: Phil Collins arrived with his entire drum kit to record a live drum track on top of the already programmed drum machine. He set up the kit and then waited patiently until early evening until after all the vocals had been recorded. Ure was content with the first take that Collins performed, but the perfectionist Collins was unhappy with it and asked for a second take to be recorded, which he was satisfied with.

paragraph_text: Breakfast in the Field is the debut recording by guitarist Michael Hedges released on the Windham Hill label in 1981. It was recorded live to 2-track, with no overdubs.

Question: What is the record label of the performer of Live: Take No Prisoners?
Answer: Warner Bros.