paragraph_text: Louis François Dauprat (24 May 1781 in Paris – 16 July 1868 in Paris) was a French horn player, composer and music professor at the Conservatoire de Paris. He played and taught only natural horn, but was also very interested in the first experiments with keyed horns. He successfully ensured the development of a distinctively French school of playing, marginally influenced by the invention of the valve horn.

paragraph_text: European art music is largely distinguished from many other non-European and popular musical forms by its system of staff notation, in use since about the 16th century. Western staff notation is used by composers to prescribe to the performer the pitches (e.g., melodies, basslines and/or chords), tempo, meter and rhythms for a piece of music. This leaves less room for practices such as improvisation and ad libitum ornamentation, which are frequently heard in non-European art music and in popular music  styles such as jazz and blues. Another difference is that whereas most popular styles lend themselves to the song form, classical music has been noted for its development of highly sophisticated forms of instrumental music such as the concerto, symphony, sonata, and mixed vocal and instrumental styles such as opera which, since they are written down, can attain a high level of complexity.

paragraph_text: Disma Fumagalli (born Inzago, 8 September 1826 - died Milan, 9 March 1893) was an Italian composer and teacher of music. He was a graduate of the Milan Conservatory, where he began teaching piano in 1853. He composed more than 300 études for piano, as well as other exercises; he also wrote a concerto for piano and string orchestra.

paragraph_text: Alois Reiser (April 6, 1887 - April 4, 1977 in Los Angeles) was an American composer of Czechoslovakian origin. Born in Prague, he came to the United States in 1905. He composed a number of works for orchestra, including two tone poems and two cello concertos; he also wrote chamber music, including string quartets, and the opera "Gobi". He also composed music for films.

paragraph_text: Wind instruments became more refined in the Classical era. While double reeded instruments like the oboe and bassoon became somewhat standardized in the Baroque, the clarinet family of single reeds was not widely used until Mozart expanded its role in orchestral, chamber, and concerto settings.

paragraph_text: Petroleum refining in the United States in 2013 produced 18.9 million barrels per day of refined petroleum products, more than any other country. Although the US was the world's largest net importer of refined petroleum products as recently as 2008, the US became a net exporter in 2010, and in 2014 was the largest exporter and the largest net exporter of refined petroleum. As of January 2015, there were 137 operating refineries in the US, distributed among 30 states.

paragraph_text: Che Sudaka is a four-piece band, composed of Argentinians and Colombians living in Barcelona. The band defines itself by its "punk reggae party" while using rhythms derived from hip-hop and ska.

paragraph_text: This is one of two horn concertos of Mozart to include bassoons (the other is K. 447), but in this one he "treats them indifferently in the first movement." It is the only one of Mozart's horn concertos to be in D major (the rest are in E-flat major) and the only one to have just two movements instead of the usual three (with the exception of the incompletely scored horn concerto, K. 370b+371).

paragraph_text: Jan Sandström (born 25 January 1954, Vilhelmina, Västerbotten County, Sweden) is a Swedish classical music composer. His compositions include the so-called "Motorbike Concerto" for trombone and orchestra and his choral setting of "Es ist ein Ros entsprungen".

paragraph_text: In parabolic antennas such as satellite dishes, a feed horn (or feedhorn) is a small horn antenna used to convey radio waves between the transmitter and/or receiver and the parabolic reflector. In transmitting antennas, it is connected to the transmitter and converts the radio frequency alternating current from the transmitter to radio waves and feeds them to the rest of the antenna, which focuses them into a beam. In receiving antennas, incoming radio waves are gathered and focused by the antenna's reflector on the feed horn, which converts them to a tiny radio frequency voltage which is amplified by the receiver. Feed horns are used mainly at microwave (SHF) and higher frequencies.

paragraph_text: Similarly, movies and television often revert to standard, clichéd snatches of classical music to convey refinement or opulence: some of the most-often heard pieces in this category include Bach´s Cello Suite No. 1, Mozart's Eine kleine Nachtmusik, Vivaldi's Four Seasons, Mussorgsky's Night on Bald Mountain (as orchestrated by Rimsky-Korsakov), and Rossini's William Tell Overture.

paragraph_text: Jacques Février was born in Saint-Germain-en-Laye, the son of the composer Henry Février. He studied with Édouard Risler and Marguerite Long at the Conservatoire de Paris, taking a "premier prix" in 1921. In 1932 he and the composer were the soloists in the first performance of Francis Poulenc's Concerto for two pianos. Although Paul Wittgenstein premiered Maurice Ravel's Concerto for the Left Hand, Février was expressly chosen by the composer to be the first French pianist to perform the work. He made many recordings of the French repertoire, receiving a Grand Prix du Disque of the Charles Cros Academy in 1963 for his recording of Ravel's piano works.

paragraph_text: In mathematical logic and logic programming, a Horn clause is a logical formula of a particular rule-like form which gives it useful properties for use in logic programming, formal specification, and model theory. Horn clauses are named for the logician Alfred Horn, who first pointed out their significance in 1951.

paragraph_text: The "standard complement" of double winds and brass in the orchestra from the first half of the 19th century is generally attributed to Beethoven. The exceptions to this are his Symphony No. 4, Violin Concerto, and Piano Concerto No. 4, which each specify a single flute. The composer's instrumentation usually included paired flutes, oboes, clarinets, bassoons, horns and trumpets. Beethoven carefully calculated the expansion of this particular timbral "palette" in Symphonies 3, 5, 6, and 9 for an innovative effect. The third horn in the "Eroica" Symphony arrives to provide not only some harmonic flexibility, but also the effect of "choral" brass in the Trio. Piccolo, contrabassoon, and trombones add to the triumphal finale of his Symphony No. 5. A piccolo and a pair of trombones help deliver "storm" and "sunshine" in the Sixth. The Ninth asks for a second pair of horns, for reasons similar to the "Eroica" (four horns has since become standard); Beethoven's use of piccolo, contrabassoon, trombones, and untuned percussion—plus chorus and vocal soloists—in his finale, are his earliest suggestion that the timbral boundaries of symphony should be expanded. For several decades after he died, symphonic instrumentation was faithful to Beethoven's well-established model, with few exceptions.

paragraph_text: Adult contemporary R&B may be played on both soft AC stations and urban AC. It is a form of neo soul R&B that places emphasis on songcraft and sophistication. As the use of drum machines, synthesizers, and sequencers dominates R&B-rooted music, adult contemporary R&B tends to take most of its cues from the more refined strains of 1970s soul, such as smooth soul, Philly soul and quiet storm. Classic songwriting touches and organic-leaning instrumentation, often featuring string arrangements and horn charts, were constants.

paragraph_text: Although Melartin was chiefly a lyricist, the symphony was central to his musical output. He wrote six symphonies (1902–1924) and was the first Finnish composer to bear Mahler's influence. The fourth symphony uses a vocalise like that of Carl Nielsen's "Sinfonia Espansiva". The fifth is a "Sinfonia brevis" ending in a fugue and chorale, while the sixth, harmonically more advanced than the other five, advances stepwise from a C minor first movement – with evocations of Mahler's second symphony – to an E-flat major finale. His musical output also includes an opera, "Aino" (based on the character from the Finnish national epic), a violin concerto, four string quartets, and many piano pieces. His works therefore are divided mainly into large-scale works for orchestra, and chamber pieces for much smaller groups and soloists. Despite working in the same time period as Jean Sibelius he was not influenced by the more famous composer's style, and his work has been largely overshadowed by that of Finland's most revered composer.

paragraph_text: Ludwig van Beethoven composed his Horn Sonata in F major, Op. 17 in 1800 for the virtuoso horn player Giovanni Punto. It was premiered with Punto as the soloist, accompanied on the piano by Beethoven himself in Vienna on April 18, 1800.

paragraph_text: The Five Pieces for Orchestra (Fünf Orchesterstücke), Op. 16, were composed by Arnold Schoenberg in 1909. The titles of the pieces, reluctantly added by the composer after the work's completion upon the request of his publisher, are as follows:

paragraph_text: City Scape is an orchestral piece composed by Jennifer Higdon in 2002 and commissioned by the Atlanta Symphony Orchestra. On November 14, 2002, the piece was premiered under the direction of Robert Spano. This piece dedicated to Robert Spano calls for a concerto grosso, in which 35 instruments are used; yet many of these instruments have featured solos that are scattered throughout the piece. The piece lasts a total of 31 minutes.

paragraph_text: Edwin Grasse (13 August 1884 – 8 April 1954) was an American violinist, organist and composer. Among his compositions were orchestral works, including a symphony and a violin concerto, and much chamber music, including a string quartet.

Question: What piece by the composer of Horn Concerto No. 1 is used as a cliche to convey refinement?
Answer: Eine kleine Nachtmusik