Henri Verdun
Henri Verdun( 1895–1977) was a French composer of film scores.
Abe Meyer
Abe Meyer( 1901 – 1969) was an American composer of film scores.
John Zorn
John Zorn (born September 2, 1953) is an American composer, arranger, record producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, soundtrack, ambient, and improvised music.
He incorporates diverse styles in his compositions, which he identifies as avant-garde or experimental.
Zorn was described by "Down Beat" as "one of our most important composers".
Zorn established himself within the New York City downtown music movement in the mid-1970s, performing with musicians across the sonic spectrum and developing experimental methods of composing new music.
After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of "The Big Gundown", an album reworking the compositions of Ennio Morricone.
He attracted further attention worldwide with the release of "Spillane" in 1987 and "Naked City" in 1990.
After spending almost a decade travelling between Japan and the US, he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s.
Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians.
Zorn has led the hardcore bands Naked City and Painkiller, the Jewish music-inspired jazz quartet Masada, composed 613 pieces as part of the three Masada songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary.
Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with many other musicians and ensembles that perform his diverse output.
Tarcisio Fusco
Tarcisio Fusco was an Italian composer of film scores.
He was the brother of the composer Giovanni Fusco and the uncle of operatic soprano Cecilia Fusco.
The Golden Boat (1947 film)
The Golden Boat( Spanish: La barca de oro) is a 1947 Mexican film.
It stars Carlos Orellana.
The Golden Boat
The Golden Boat is a 1990 American low-budget film directed by Chilean filmmaker Raúl Ruiz.
Shot in New York City, "The Golden Boat" is Ruiz's first film produced in the United States and has been categorized as a absurdist black comedy.
The setting of New York City is not only important to the plot of the film but also its production, for the film was “made in cooperation with the New York performance art group, The Kitchen.”
Ruiz channels the performances of the individuals in the art group in order to complete a “transposition of both US and Mexican soap operas” on screen.
The film's low budget was put together through a collaboration of small production companies; Duende Pictures, Nomad Films (Luxembourg), A.A.L.B. Partners, with the film's ludic nature being born out of, or produced through, the “collaboration with the postmodern performance group ‘The Kitchen.’”
One thing that is abundantly clear about the film is its lack of obviousness or clarity, which makes it all the more interesting that this film marked one of the first times that Ruiz shot from a script.
But even with a script Ruiz’s "The Golden Boat" is elusive and ever-changing narrative, a film in flux.
"In the United States you have to play by the rules," claimed Ruiz, who was living in the United States for the first time while he teaches film at Harvard.
But a man making a feature for $125,000, from a script he wrote in two days and rewrites at whim, with a cast of mostly nonprofessional actors, who did not even know where his post-production money would come from, is not playing by U.S. rules.
Yet in his standards this film's production was much more structured than his past works, for Ruiz stated that his American film was very organized.
He compares it to his works in France, saying “I have shot scenes where I didn't know which actors were coming.
I usually write the scene about one hour before the take."
The film seems to break all standard conventions in a way that only Ruiz knows how to do so masterfully well.
As a spectator one is left wondering what the film is about, as it's “a sort of Beckettian black comedy of anti-manners, involving New Yorkers who insult and knife each other and themselves and then return from the dead - ask the question, provoke guffaws, and never get an answer.
More often people defined the story by what it was not: as the Wooster Group’s Kate Valk, the Mexican soap-opera star, lectured me, “There’s no psychologically linear narrative.
It’s more formal, more surreal.
I am the sound of my voice, which is the same as the color of the room.”
Members of the production crew were given little direction in a way that provides legitimacy to the power of not knowing.
Continuity is nearly entirely absent, for Michael Kirby, the NYU professor of performance studies who was playing Austin, a knife-wielding philosopher, said "The Golden Boat" had "the strange continuity of a dream.
The smallest thing that comes into a dream will suddenly make it take off in that direction.
" When asked about this, Ruiz began making air-drawn maps that turned and wandered and branched out like some unstoppable family tree.
"You can follow this direction or you can follow that direction and then suddenly there's another one which moves parallel to that one," he said.
The film deconstructs traditional narrative techniques, multiplying the linguistic eccentricities.
"
The Golden Boat" was realized on a small budget, relying on the avant-garde theater company The Kitchen.
Several important actors on the New York scene took part in the film such as filmmaker Jim Jarmusch, writer Kathy Acker, Vito Acconci, John Zorn, the Wooster Group, or Annie Sprinkle.
Alonso Mudarra
Alonso Mudarra( c. 1510 – April 1, 1580) was a Spanish composer of the Renaissance, and also played the vihuela, a guitar- shaped string instrument.
He was an innovative composer of instrumental music as well as songs, and was the composer of the earliest surviving music for the guitar.
Bert Grund
Bert Grund( 1920–1992) was a German composer of film scores.
Theodred II (Bishop of Elmham)
Theodred II was a medieval Bishop of Elmham.
The date of Theodred's consecration unknown, but the date of his death was sometime between 995 and 997.
Walter Ulfig
Walter Ulfig was a German composer of film scores.

Question: What is the date of birth of the composer of film The Golden Boat?
Answer: September 2, 1953