Jack Shea (director)
Jack Shea (August 1, 1928 – April 28, 2013) was an American film and television director.
He was the president of the Directors Guild of America from 1997 to 2002.
The Diamond Queen (1953 film)
The Diamond Queen is a 1953 film directed by John Brahm.
It stars Fernando Lamas and Arlene Dahl.
Katutu, the Blind
Katutu, the Blind is a 1953 film.
Matt Corboy
Matt Corboy( born June 4, 1973) is an American actor.
He has appeared in both films and television series.
Aasoo Bane Angaarey
Aasoo Bane
Angaarey( English:" Tears Have Become Flames") is a 1993 Bollywood drama film, produced by Jatti K. Varma under the Paramount Pictures banner and directed by Mehul Kumar.
It stars Jeetendra, Madhuri Dixit, Deepak Tijori in the lead roles and music composed by Rajesh Roshan.
Madhuri Dixit played a double role as both mother and daughter and her performance was appreciated; despite the film not being a commercial success.
Dixit played a similar mother and daughter double role a year earlier in" Sangeet"; her performance in that film was also acclaimed.
Mehul Kumar
Mehul Kumar is an Indian filmmaker, film director, producer and writer in Bollywood.
Jennifer (1953 film)
Jennifer is a 1953 film directed by Joel Newton and starring Ida Lupino, Howard Duff, and Robert Nichols.
Blood Orange (1953 film)
Blood Orange( 1953 film) released in the United States as Three Stops to Murder, is a 1953 British crime film directed by Terence Fisher.
It stars Tom Conway and Mila Parély.
A private eye investigating a jewel robbery at a London fashion house finds himself involved in a murder mystery.
it's one of a handful of thrillers that Fisher made for Hammer Film Productions before he directed many of their early horror films in the late 1950s.
Skid Kids (film)
Skid Kids is a 1953 film directed by Don Chaffey and starring Barry MacGregor and Anthony Lang.
Terence Fisher
Terence Fisher( 23 February 1904 – 18 June 1980) was a British film director best known for his work for Hammer Films.
He was the first to bring gothic horror alive in full colour, and the sexual overtones and explicit horror in his films, while mild by modern standards, were unprecedented in his day.
His first major gothic horror film was" The Curse of Frankenstein"( 1957), which launched Hammer's association with the genre and made British actors Peter Cushing and Christopher Lee leading horror stars of the era.
He went on to film several adaptations of classic horror subjects, including" Dracula"( 1958)," The Mummy"( 1959), and" The Curse of the Werewolf"( 1961).
Given their subject matter and lurid approach, Fisher's films, though commercially successful, were largely dismissed by critics during his career.
It is only in recent years that Fisher has become recognised as an" auteur" in his own right.
His most famous films are characterised by a blend of fairytale myth and the supernatural alongside themes of sexuality, morality, and ‘ the charm of evil ’.
Drawing heavily on a Christian conservative outlook, there is often a hero who defeats the powers of darkness by a combination of faith in God and reason, in contrast to other characters, who are either blindly superstitious or bound by cold, godless rationalism.
For detailed discussions of Fisher's work, see" Terence Fisher: Horror, Myth, and Religion" by Paul Leggett( McFarland and Co, 2002)," British Film Makers: Terence Fisher" by Peter Hutchings( Manchester University Press, 2013), and" The Films of Terence Fisher: Hammer Horror and Beyond" by Wheeler Winston Dixon( Auteur Publishing, 2017).

Question: Do both films Blood Orange (1953 Film) and Aasoo Bane Angaarey have the directors that share the same nationality?
Answer: no