Jeff Buckley
Jeffrey Scott Buckley (November 17, 1966 – May 29, 1997), raised as Scott Moorhead, was an American singer, songwriter and guitarist.
After a decade as a session guitarist in Los Angeles, Buckley amassed a following in the early 1990s by playing cover songs at venues in Manhattan's East Village such as Sin-é, gradually focusing more on his own material.
After rebuffing much interest from record labels and his father's manager, Herb Cohen, he signed with Columbia, recruited a band, and recorded what would be his only studio album, "Grace", in 1994.
Over the following three years, the band toured extensively to promote the album, including concerts in the U.S., Europe, Japan, and Australia.
In 1996, they stopped touring and made sporadic attempts to record Buckley's second album in New York City with Tom Verlaine as producer.
In 1997, Buckley moved to Memphis, Tennessee, to resume work on the album, to be titled "My Sweetheart the Drunk", recording many four-track demos while also playing weekly solo shows at a local venue.
On May 29, 1997, while awaiting the arrival of his band from New York, he drowned during a spontaneous evening swim, fully clothed, in the Mississippi River when he was caught in the wake of a passing boat; his body was found on June 4.
Since his death, there have been many posthumous releases of his material, including a collection of four-track demos and studio recordings for his unfinished second album "
My Sweetheart the Drunk", expansions of "Grace", and the "Live at Sin-é" EP.
Chart success also came posthumously: with his cover of Leonard Cohen's song "Hallelujah" he attained his first number one on "Billboard"s Hot Digital Songs in March 2008 and reached number 2 in the UK Singles Chart that December.
Buckley and his work remain popular and are regularly featured in "greatest" lists in the music press; in 2004, "Rolling Stone" listed him at number 39 on their list of greatest singers of all time.
O Valencia!
" O Valencia!" is the fifth single by the indie rock band
The Decemberists, and the first released from their fourth studio album," The Crane Wife".
The music was written by The Decemberists and the lyrics by Colin Meloy.
It tells a story of two star- crossed lovers.
The singer falls in love with a person who belongs to an opposing gang.
At the end of the song, the singer's lover jumps in to defend the singer, who is confronting his lover's brother( the singer's" sworn enemy") and is killed by the bullet intended for the singer.
Ram Ramirez
Roger" Ram" Ramirez( September 15, 1913 – 11 January 1994) was an American jazz pianist and composer.
He was a co-writer of the song" Lover Man( Oh, Where Can You Be?)"
Bernie Bonvoisin
Bernard Bonvoisin, known as Bernie Bonvoisin( born 9 July 1956 in Nanterre, Hauts- de- Seine), is a French hard rock singer and film director.
He is best known for having been the singer of Trust.
He was one of the best friends of Bon Scott the singer of AC/ DC and together they recorded the song" Ride On" which was one of the last songs by Bon Scott.
Astrid North
Astrid North( Astrid Karina North Radmann; 24 August 1973, Berlin – 25 June 2019, Berlin) was a German soul singer and songwriter.
She was the singer of the German band, with whom she released five Albums.
As guest singer of the band she published three albums.
Caspar Babypants
Caspar Babypants is the stage name of children's music artist Chris Ballew, who is also widely known as the singer of The Presidents of the United States of America.
Billy Milano
Billy Milano is a Bronx- born heavy metal musician now based in Austin, Texas.
He is the singer and- occasionally- guitarist and bassist of crossover thrash band M.O.D., and he was also the singer of its predecessor, Stormtroopers of Death.
He was also the singer of United Forces, which also featured his Stormtroopers of Death bandmate Dan Lilker.
You Should Hear How She Talks About You
" You Should Hear How She Talks About You" is a song performed by American singer Melissa Manchester from her album" Hey Ricky".
First recorded by Charlie Dore for her 1981" Listen!" album," You Should Hear How She Talks About You" was written by Dean Pitchford and Tom Snow.
According to lyricist Pitchford, the song's lyrical concept was borrowed from" She Loves You" by the Beatles:" the idea of somebody reporting to somebody else on hearing this girl's in love with you, or this boy's in love with you."
Pitchford and Snow had had that idea in mind for some time; then when Snow first played for Pitchford a new tune which had come to him, Pitchford felt:" this[ could] be the song where we write our modern day' She Loves You.'"
Pitchford came up with the main hook line as" You should hear the way she talks about you" which Snow amended to" You should hear how she talks about you".
Arif Mardin who produced Manchester's recording described the track as" a real departure for Melissa because it has a new wave dance quality and she had been known for her ballads", Manchester having reached the Top Ten of the" Billboard" Hot 100 with the ballads" Midnight Blue"(# 6) and" Do n't Cry Out Loud"(# 10) and the previous Manchester/ Mardin collaboration" Theme from Ice Castles" also being a ballad.
Mardin continued:
" But music is music.
You ca n't turn your back on new formats or styles."
A 1985 interview with Manchester would state that the singer" had to be dragged kicking and screaming into[ the] studio to record ...' You Should Hear How She Talks About You'."
" You Should Hear How She Talks About You" reached# 5 on the U.S." Billboard" Hot 100 in September 1982 to become Manchester's highest charting record.
On the" Cash Box" chart, it spent six weeks at# 4.
The success enabled the song to rank at# 18 on the Hot 100's year- end chart for 1982.
The song would also prove to be Manchester's last Top 40 hit( her 1983 single" Nice Girls" would peak at# 42).
Also, it peaked at# 10 on the Adult Contemporary chart and# 8 on the dance chart.
The track would earn Manchester the Grammy Award for Best Female Pop Vocal Performance for the year 1982, besting nominated performances by superstars Linda Ronstadt and Olivia Newton- John as well as Juice Newton and Laura Branigan.
Manchester had previously been nominated in that category for her 1979 Top 10 hit" Do n't Cry Out Loud."
" You Should Hear How She Talks About You" was also a worldwide hit in Canada(# 5), New Zealand(# 20), and Australia(# 4).
In Australia, it ranked as the# 25 single of 1982.
In a 2012 interview Manchester would say of" You Should Hear How She Talks About YouWhat was wonderful was that the song was written by two colleagues of mine, Tom Snow and Dean Pitchford.
It's a solid song; but it was not the norm for me because I ’m basically a troubadour.
But I cut my hair off, lost lots of weight, glammed up, and ran it up the flagpole- and it worked!
It worked all the way to a Grammy, which was kind of surprising.
It was a lot of fun.
I stopped singing it for awhile, because I needed a little perspective on it.
But now I sing it again, and it ’s kinda fun."
Lover, You Should've Come Over
"Lover, You Should've Come Over" is the seventh track on Jeff Buckley's album "Grace".
Inspired by the ending of the relationship between Buckley and Rebecca Moore, it concerns the despondency of a young man growing older, finding that his actions represent a perspective he feels that he should have outgrown.
Biographer and critic David Browne describes the lyrics as "confused and confusing" and the music as "a languid beauty".
The song was covered by the English jazz pianist songwriter Jamie Cullum on his 2003 album "Twentysomething", and has also been covered live by American singer-songwriter John Mayer and Australian singer-songwriter Matt Corby.
The song was also featured in the third episode of the ABC series "
FlashForward" titled "137 Sekunden".
The song was covered by Natalie Maines on her 2013 solo album "Mother".
American singer Nikka Costa included a version of the song on her 2017 album "
Underneath and in Between".
It Should've Been You
It Should've Been You is the title of a number-one R&B single by Teddy Pendergrass.
In 1991, the song spent one week at number one on the US R&B chart.
It was the last of three singles to reach the top spot on the chart for Pendergrass.

Question: Where was the place of death of the performer of song Lover, You Should'Ve Come Over?
Answer: Memphis, Tennessee