Blowback (film)
Blowback is a 2000 film directed by Mark L. Lester.
Wale Adebanwi
Wale Adebanwi( born 1969) is a Nigerian- born first Black Rhodes Professor at St Antony's College, Oxford.
Femme Fatale, Jang Hee-bin
Femme Fatale, Jang Hee-bin or Concubine Jang Hui-bin  is a 1968 South Korean film directed by Im Kwon-taek.
Platform (2000 film)
Platform is a 2000 Chinese film written and directed by Jia Zhangke.
The film is set in and around the small city of Fenyang, Shanxi province, China (Jia's birthplace), from the end of the 1970s to the beginning of the 1990s.
It follows a group of twenty-something performers as they face personal and societal changes.
The dialogue is a mixture of local speech, mainly Jin Chinese and Mandarin.
The film has been called "an epic of grassroots".
It is named after a popular song about waiting at a railway platform.
"Platform" has garnered wide acclaim from critics in the years since its release, and is often named one of the greatest films of the 2000s.
Claude Weisz
Claude Weisz is a French film director born in Paris.
Jang Hee-sun
Jang Hee-sun( born 31 May 1986) is a South Korean field hockey player.
She competed for the South Korea women's national field hockey team at the 2016 Summer Olympics.
Im Kwon-taek
Im Kwon-taek (born May 2, 1936) is one of South Korea's most renowned film directors.
In an active and prolific career, his films have won many domestic and international film festival awards as well as considerable box-office success, and helped bring international attention to the Korean film industry.
As of spring 2015, he has directed 102 films.
Henry Moore (cricketer)
Henry Walter Moore( 1849 – 20 August 1916) was an English- born first- class cricketer who spent most of his life in New Zealand.
Jang Hee-mang
Jang Hee-mang( born 7 March 1992 in South Korea) is a South Korean association footballer who currently plays for River Plate Asunción in the Primera División Paraguaya.
Jia Zhangke
Jia Zhangke (born 24 May 1970) is a Chinese film director and screenwriter.
He is generally regarded as a leading figure of the "Sixth Generation" movement of Chinese cinema, a group that also includes such figures as Wang Xiaoshuai, Lou Ye, Wang Quan'an and Zhang Yuan.
Jia's early films, a loose trilogy based in his home province of Shanxi, were made outside of China's state-run film bureaucracy, and therefore are considered "underground" films.
Beginning in 2004, Jia's status in his own country rose when he was allowed to direct his fourth feature film, "The World", with state approval.
Jia's films have received critical praise and have been recognized internationally, notably winning the Venice Film Festival's top award Golden Lion for "Still Life".
NPR critic John Powers praised him as "(perhaps) the most important filmmaker working in the world today."

Question: Which film has the director born first, Femme Fatale, Jang Hee-Bin or Platform (2000 Film)?
Answer: Femme Fatale, Jang Hee-Bin