Canal Contemporâneo
Canal Contemporâneo is a digital community and publication focused on Brazilian contemporary art.
It holds and spreads information, knowledge and debates in its different online modules: e-bulletins, blogs, forums, portfolios and art calendar.
Based on concepts like Virtual Community( Howard Rheingold), Radical Media( J. D. H. Downing) and Tactical media( D. Garcia/ G. Lovink), Canal Contemporâneo has been efficient in rousing communication and interaction, connecting people and institutions around the 27 Brazilian states and over 80 countries.
Created by the artist Patricia Canetti in 2000- 2001, Canal Contemporâneo was born like a bulletin( the so- called" e-nforme"), which was sent to an initial list of 200 electronic addresses.
Six years after its creation and succeeding developments, it has become the most influential medium of information and politization of Brazilian contemporary art in the Internet, being visited by more than 80 thousand people per month.
Canal Contemporâneo and the works in it are also inserted in the exhibitions context.
Performing as an “ artist ” in the contemporary art circuit, it completes its mission as a collective work and a space of engagement for the needs of the visual and technological arts.
Its on- line activism with petitions, forums and lists of discussion guides frequent journal articles and has been able to encourage mobilization.
It got clear in the episode that turned the community against the use of public funds for the construction of a Guggenheim Museum in Rio de Janeiro( 2003) and in the process of including the Digital Art in the scope of the Brazilian Funding laws( 2004).
Though the visibility given by Canal Contemporâneo since 2001, the applications for national art salons increased three times and, for the regional ones, they were multiplied by 10.
Canal Contemporâneo made its debut in exhibitions in 2004.
The first one was the hiPer> relações eletro// digitais( hiPer>electro// digital relations), curated by Daniela Bousso for the Sergio Motta Art and Technology Award and for the Santander Cultural, in Porto Alegre, with the work" Quebra de Padrão"( Breaking standards).
Then, came" Tudo aquilo que escapa"( Everything that escapes), curated by Cristiana Tejo, as part of the 46th Visual Arts Salon of Pernambuco, at Museu do Estado in Recife, with the work" Para que servem os Salões?"
( What are the salons made for?).
Canal Contemporâneo was also invited to take part in the Digital Communities category in Ars Electronica and, since then, Patricia Canetti, Canal Contemporâneo's coordinator, has been a member of the International Advisory Board of Digital Communities.
Canal Contemporâneo has also taken part of the Documenta 12 magazines, collaborating with several theoretical and artistic works and being invited to talk in the “ Paper and Pixel ” week in Kassel( Germany), in July 2007 Since 2005, the special projects of" Canal Contemporâneo" have been sponsored by Petrobras, Brazilian major cultural sponsor.
Flagship magazine
Flagship Magazine was an independent magazine for gamers.
Published in the UK, it started in 1983 for Play- by- mail game( PBM) players.
In 2002 it extended its coverage to include boardgames, role- playing games, web games and massively multiplayer online games, along with collectible card games and computer games.
The magazine came out bimonthly with game reviews, diaries, news columns and an emphasis on reader feedback.
Founded in 1983 by Nick Palmer and Chris Harvey," Flagship" was edited by Carol Mulholland from issue 70.
Shortly after publishing issue 130 in 2010 Carol Mulholland suffered a serious illness and the magazine ceased publication.
Vsyakaya vsyachina
Vsyakaya vsyachina( which may be translated as" Tutti- Frutti" or All Sorts and Sundries) was a Russian weekly magazine, established in 1769.
In 1770, there were 18 issues of the magazine entitled" Барышек всякия всячин ы"( Baryshek vsyakiya vsyachiny).
Empress Catherine II was a private editor- in- chief of the magazine.
" Vsyakaya vsyachina" ridiculed the morals and manners of the Russian gentry and protected moderate moralizing satire.
At the same time, the magazine came out against oppositionary moods in the society, primarily attacking progressive satiric magazines published by Nikolay Novikov.
Ad Astra (magazine)
Ad Astra is the quarterly magazine of the National Space Society( NSS).
The name literally means To the Stars.
The magazine came into being following the merger of the L5 Society and the National Space Institute which became the NSS in 1987.
The magazine was established in 1989.
It is based in Washington DC.
Imaginova, publisher of Space.com, published" Ad Astra" from 2005 to 2008.
From 2008 until the company closed, the magazine was published by MM Publishing.
Railway Transportation
Railway Transportation was an Australian magazine published by Shennan Publications between 1951 and 1972.
It came out monthly.
Boa Vista (literary magazine)
Boa Vista( Portuguese for" beautiful view") was a German literary magazine, founded in Hamburg in 1974 and published until 1983.
The magazine came out at irregular intervals and produced ten issues.
Personal Computer World
Personal Computer World( PCW)( February 1978- June 2009) was the first British computer magazine.
Although for at least the last decade it contained a high proportion of Windows PC content( reflecting the state of the IT field), the magazine's title was not intended as a specific reference to this.
At its inception in 1978' personal computer' was still a generic term( the Apple II, PET 2001 and TRS- 80 had been launched as personal computers in 1977.)
The magazine came out before the Wintel( or IBM PC compatible) platform existed; the original IBM PC itself was introduced in 1981.
Similarly, the magazine was unrelated to the Amstrad PCW.
LeftLion
LeftLion is a printed and online culture and listings magazine which covers Nottingham.
It was originally set up by three childhood friends, Jared Wilson, Alan Gilby and Tim Bates, and launched as a website on 1 September 2003.
The first issue of the printed magazine came out a year later in Autumn 2004.
The printed magazine was published bi-monthly from 2004- 2014.
Then, following a successful crowdfunding campaign on Kickstarter they raised the funds to publish the magazine monthly, which it has done ever since.
The online magazine is updated daily.
The publication takes its name from a stone lion in Nottingham's Old Market Square, which since Nottingham Council House was built in the 1920s has served as a meeting point for people in Nottingham City Centre.
Word Up! (magazine)
Word Up! was an American magazine focusing on teen entertainment and music.
The magazine was part of Enoble Media Group.
Its main focuses were African- American teen singers, rappers, models, and prodigies.
The magazine came out monthly and usually had many posters and contests for fans of famous" To Die For" celebrities.
It was very popular in the 1980s.
The magazine mostly covered information concerning rap, Hip- hop and R&B music.
The headquarters was in Paramus, New Jersey.
As of 2012," Word Up" ceased publication.
The last dated issue was April 2012.
Anadolu Mecmuası
The Ottoman journal Anadolu Mecmuası( Ottoman- Turkish: انادول و مجموعه سى; DMG: Anadolu Mecmuası; English:" Anatolia") was published in Istanbul in 11 issues between 1924 and 1925.
It was edited by Hilmi Ziya Ülken( 1901- 1974), a philosopher and professor for sociology at the University of Istanbul and by the historian Mükrimin Halil Yinanç( 1898- 1961).
The idea of the journal was born by an intellectual movement of professors and students of different disciplines( “ Anadoluculuk “), with Yinanç as their main representative.
The journal served the spreading of their ideas and as literary platform for Anatolian topics such as folklore, history, philosophy and geography.
The term “ anatolian homeland “ should demonstrate that it defines the nation and the history of the Turkish Republic should be considered as the history of Anatolia.

Question: Which magazine came out first, Canal Contemporâneo or Anadolu Mecmuası?
Answer: Anadolu Mecmuası