Post-mortem (disambiguation)
Post-mortem( meaning" after death") may refer to:
A Soldier Speaks After Death
A Soldier Speaks after Death( 병사는 죽어서 말한다-" Byeonsaneun jukeoseo malhanda") is a 1966 South Korean film directed by Kim Ki-young.
Consciousness after death
Consciousness after death is a common theme in society and culture in the context of life after death.
Scientific research has established that the mind and consciousness are closely connected with the physiological functioning of the brain, the cessation of which defines brain death.
However, many believe in some form of life after death, which is a feature of many religions.
After death (disambiguation)
Existence after death in the afterlife is generally taken to mean the survival of the essence of an individual once the individual's body in this world has died.
After death may also refer to:
A Soldier Speaks
" A Soldier Speaks" is a song from 1944, with music and lyrics by Peter DeRose, and published by Robbins Music Corp.
Life after death (disambiguation)
Life after death is the survival of the essence of an individual once the body of this world has died.
Life after death may also refer to:
Posthumous
Posthumous means" after death" and may refer to:
Sultaan
Sultaan is a 2000 Hindi- language Indian feature film directed by T L V Prasad and produced by Sangeetha Pictures, starring Mithun Chakraborty, Suvarna Mathew, Jack Gaud, Mukesh Rishi and Dharmendra in a special appearance.
The film is a remake of Telugu film" Sultan".
Kim Ki-young
Kim Ki-young
( October 10, 1919 – February 5, 1998) was a South Korean film director, known for his intensely psychosexual and melodramatic horror films, often focusing on the psychology of their female characters.
Kim was born in Seoul during the colonial period, raised in Pyongyang, where he became interested in theater and cinema.
In Korea after the end of World War II, he studied dentistry while becoming involved in the theater.
During the Korean War, he made propaganda films for the United States Information Service.
In 1955, he used discarded movie equipments to produce his first two films.
With the success of these two films Kim formed his own production company and produced popular melodramas for the rest of the decade.
Kim
Ki-young's first expression of his mature style was in his" The Housemaid"( 1960), which featured a powerful" femme fatale" character.
It is widely considered to be one of the best Korean films of all time.
After a" Golden Age" during the 1960s, the 1970s were a low- point in the history of Korean cinema because of governmental censorship and a decrease in audience attendance.
Nevertheless, working independently, Kim produced some of his most eccentric cinematic creations in this era.
Films such as" Insect Woman"( 1972) and" Iodo"( 1977) were successful at the time and highly influential on the younger generations of South Korean filmmakers both at their time of release, and with their rediscovery years later.
By the 1980s, Kim's popularity had gone into decline, and his output decreased in the second half of the decade.
Neglected by the mainstream during much of the 1990s, Kim became a cult figure in South Korean film Internet forums in the early 1990s.
Widespread international interest in his work was stimulated by a career retrospective at the 1997 Pusan International Film Festival.
He was preparing a comeback film when he and his wife were killed in a house fire in 1998.
The Berlin International Film Festival gave Kim a posthumous retrospective in 1998, and the French Cinémathèque screened 18 of Kim's films, some newly rediscovered and restored, in 2006.
Through the efforts of the Korean Film Council( KOFIC), previously lost films by Kim Ki- young continue to be rediscovered and restored.
Many current prominent South Korean filmmakers, including directors Im Sang- soo, Kim Ki-duk, Bong Joon- ho and Park Chan- wook, claim Kim Ki- young as an influence on their careers.
T. L. V. Prasad
T. L. V. Prasad is an Indian filmmaker, working in multiple Indian languages.
He is the director of nearly 70 Hindi films( 30 with Mithun Chakraborty), Telugu( 35 with N.T. Rama Rao, Akkineni Nageswara Rao, Chiranjeevi, Nandamuri Balakrishna) and Bengali( 4 with Mithun).

Question: Are the directors of films Sultaan and A Soldier Speaks After Death both from the same country?
Answer: no