The Count of Monte Cristo (1913 film)
The Count of Monte Cristo is a 1913 silent film adventure directed by Joseph A. Golden and Edwin S. Porter.
It starred James O'Neill, a stage actor and father of playwright Eugene O'Neill.
James O'Neill had been playing Edmond Dantès most of his adult life and was famous in the role.
Daniel Frohman and Adolph Zukor produced together.
Edwin S. Porter co-directed with Joseph Golden, though this was probably necessary as Porter also served as the film's cinematographer.
A previous film by Selig starring Hobart Bosworth in 1912 had to be pulled from circulation as Zukor brought lawsuit against Selig for copyright infringement.
Edwin S. Porter
Edwin Stanton Porter (April 21, 1870 – April 30, 1941) was an American film pioneer, most famous as a producer, director, studio manager and cinematographer with the Edison Manufacturing Company and the Famous Players Film Company.
Of over 250 films created by Porter, his most important include "Jack and the Beanstalk" (1902), "Life of an American Fireman" (1903), "The Great Train Robbery" (1903), "The Kleptomaniac" (1905), "Life of a Cowboy" (1906), "Rescued from an Eagle's Nest" (1908), and "The Prisoner of Zenda" (1913) .
The Count of Monte Cristo (1953 film)
The Count of Monte Cristo( Spanish: El Conde de Montecristo) is a 1953 Argentine- Mexican historical adventure film directed by León Klimovsky and starring Jorge Mistral, Elina Colomer and Santiago Gómez Cou.
It is an adaptation of Alexandre Dumas's 1844 novel" The Count of Monte Cristo".
The Count of Monte Cristo (1934 film)
The Count of Monte Cristo is a 1934 American adventure film directed by Rowland V. Lee and starring Robert Donat and Elissa Landi.
Based on the 1844 novel" The Count of Monte Cristo" by Alexandre Dumas, the story concerns a man who is unjustly imprisoned for 20 years for innocently delivering a letter entrusted to him.
When he finally escapes, he seeks revenge against the greedy men who conspired to put him in prison.
This is the first sound film adaptation of Dumas' novel—five silent films preceded it.
The Treasure of Monte Cristo
The Treasure of Monte Cristo is a 1961 British film directed by Monty Berman and Robert S. Baker.
The film features Rory Calhoun as an army captain in 1815 who goes off in search of a treasure on the island of Monte Cristo.
It is a prequel to" The Count of Monte Cristo".
The film takes the same name as an unofficial sequel novel to" The Count of Monte Cristo", namely" The Treasure of Monte Cristo", written by Jules Lermina in 1885.
In the United States it was released under the alternative title The Secret of Monte Cristo.
The Return of Monte Cristo (1946 film)
The Return of Monte Cristo is a 1946 swashbuckler film which is a sequel to" The Count of Monte Cristo"( 1934) and" The Son of Monte Cristo"( 1940).
The Count of Monte Cristo (1942 film)
The Count of Monte Cristo( Spanish: El Conde de Montecristo) is a 1942 Mexican historical adventure film directed by Roberto Gavaldón and Chano Urueta and starring Arturo de Córdova, Mapy Cortés and Anita Blanch.
It is based on Alexandre Dumas's novel" The Count of Monte Cristo".
a story which has been adapted for film many times.
The Count of Monte Cristo (1961 film)
The Count of Monte Cristo is a 1961 French- Italian film version of the eponymous novel directed by Claude Autant- Lara.
The Sword of Monte Cristo
The Sword of Monte Cristo is a 1951 American adventure film written and directed by Maurice Geraghty.
The film stars George Montgomery, Rita Corday, Berry Kroeger, William Conrad, Rhys Williams and Steve Brodie.
It is loosely based on" The Count of Monte Cristo" by Alexandre Dumas.
The film was released on March 3, 1951, by 20th Century Fox.
The Son of Monte Cristo
The Son of Monte Cristo is a 1940 American black- and- white swashbuckling adventure film from United Artists, produced by Edward Small, directed by Rowland V. Lee, that stars Louis Hayward, Joan Bennett, and George Sanders.
The Small production uses the same sets and many of the same cast and production crew as his previous year's production of" The Man in the Iron Mask".
The film takes the same name as the unofficial sequel to" The Count of Monte Cristo", namely" The Son of Monte Cristo", written by Jules Lermina in 1881.
Using elements from several romantic swashbucklers of the time such as" The Prisoner of Zenda" and" The Mark of Zorro" the production also mirrors the situation of Continental Europe in 1939 – 1940.

Question: What nationality is the director of film The Count Of Monte Cristo (1913 Film)?
Answer: American