O Valencia!
" O Valencia!" is the fifth single by the indie rock band
The Decemberists, and the first released from their fourth studio album," The Crane Wife".
The music was written by The Decemberists and the lyrics by Colin Meloy.
It tells a story of two star- crossed lovers.
The singer falls in love with a person who belongs to an opposing gang.
At the end of the song, the singer's lover jumps in to defend the singer, who is confronting his lover's brother( the singer's" sworn enemy") and is killed by the bullet intended for the singer.
Lutricia McNeal
Lutricia McNeal( born November 27, 1973) is an American soul and pop singer.
She achieved worldwide success with her cover version of" Ai n't That Just the Way" which sold two million copies worldwide.
My Side of Town (song)
" My Side of Town" is a 1997 song recorded by American singer Lutricia McNeal from her album of the same name.
The song was released as the follow- up single to McNeal's 1996 international hit" Ai n't That Just the Way".
Although not as successful as her previous hit," My Side of Town" managed to chart within the top 40 of the charts in Iceland, the Netherlands and Sweden.
In 1998, McNeal's music began to gain popularity in New Zealand, with two hits," Ai n't That Just the Way" and" Stranded", reaching the top three.
" My Side of Town" followed these hits and proved to be just as successful.
It first appeared on the Recorded Music NZ( then RIANZ) chart at number 43 on January 24, 1999, then reached number 7 three weeks later.
It dropped out of the top 10 for the next three weeks, then shot up 12 places to the number- one position on March 14, knocking New Radicals'" You Get What You Give" off the summit.
" My Side of Town" dropped to number 19 the next week, then spent three more weeks in the top 50 before leaving the chart, its last appearance at number 29 on April 11.
Despite its success, this song was McNeal's last substantial hit in that country.
Treat Me Like a Woman
"Treat Me Like a Woman" is a song recorded by British singer Lisa Stansfield for her 2004 album, "The Moment".
It was written by Kara DioGuardi, George Hammond-Hagan, John Hammond-Hagan and Layla Manoochehri, and produced by Trevor Horn.
The song received positive reviews from music critics who wrote that it finds Stansfield at her best and called it a "more feisty affair, full of texture and whit.
" At first, "Treat Me Like a Woman" was set for release in the United Kingdom as a double A-side single with "Easier."
ZTT Records set the release date for 4 October 2004 but the single was withdrawn at the last minute.
Later, "Treat Me Like a Woman" was selected as the lead single from "The Moment" in Europe and was issued on 14 February 2005.
It peaked at number thirty-six in Austria and forty-three in Germany.
The song reached number nine on the list of the most played British songs on German radio in 2005.
An accompanying music video, directed by Kevin Godley in 2004, was also released and included on the enhanced CD of "The Moment" in 2005.
Louis Jordan
Louis Thomas Jordan (July 8, 1908 – February 4, 1975) was an American musician, songwriter and bandleader who was popular from the late 1930s to the early 1950s.
Known as "The King of the Jukebox", his highest profile came towards the end of the swing era.
Jordan was a talented singer with great comedic flair, and he fronted his own band for more than twenty years.
He duetted with some of the biggest solo singing stars of his time, including Bing Crosby, Ella Fitzgerald and Louis Armstrong.
Jordan was also an actor and a film personality—he appeared in dozens of "soundies" (promotional film clips), made numerous cameos in mainstream features and short films, and starred in two musical feature films made especially for him.
He was an instrumentalist who played all forms of the saxophone but specialized in the alto.
He also played the piano and clarinet.
A productive songwriter, he wrote or co-wrote many songs that were influential classics of 20th-century popular music.
Jordan began his career in big-band swing jazz in the 1930s, but he became known as one of the leading practitioners, innovators and popularizers of jump blues, a swinging, up-tempo, dance-oriented hybrid of jazz, blues and boogie-woogie.
Typically performed by smaller bands consisting of five or six players, jump music featured shouted, highly syncopated vocals and earthy, comedic lyrics on contemporary urban themes.
It strongly emphasized the rhythm section of piano, bass and drums; after the mid-1940s, this mix was often augmented by electric guitar.
Jordan's band also pioneered the use of the electronic organ.
With his dynamic Tympany Five bands, Jordan mapped out the main parameters of the classic R&B, urban blues and early rock-and-roll genres with a series of highly influential 78-rpm discs released by Decca Records.
These recordings presaged many of the styles of black popular music of the late 1940s, 1950s and 1960s and exerted a strong influence on many leading performers in these genres.
Many of his records were produced by Milt Gabler, who went on to refine and develop the qualities of Jordan's recordings in his later production work with Bill Haley, including "Rock Around the Clock".
Jordan ranks fifth in the list of the most successful African-American recording artists according to Joel Whitburn's analysis of "Billboard" magazine's R&B chart.
Though comprehensive sales figures are not available, he had at least four million-selling hits during his career.
Jordan regularly topped the R&B "race" charts and was one of the first black recording artists to achieve significant crossover in popularity with the mainstream (predominantly white)
American audience, having simultaneous Top Ten hits on the pop charts on several occasions.
Ain't That Just Like a Woman (They'll Do It Every Time)
"Ain't That Just Like a Woman
(They'll Do It Every Time)" is a 1946 song by Louis Jordan and His Tympany Five.
The song went to number one on the R&B Jukebox chart for two weeks and peaked at number seventeen on the pop chart.
Chuck Berry, who acknowledged the influence of both Louis Jordan and Carl Hogan, copied the latter's guitar intro to the song for his 1958 classic "Johnny B. Goode".
Man! I Feel Like a Woman!
" Man! I Feel Like a Woman!" is a song recorded by Canadian singer- songwriter Shania Twain taken from her third studio album," Come On Over"( 1997).
Written by Twain with her longtime collaborator and then- husband Robert John" Mutt" Lange, who also produced the track, the song was released first to North American country radio stations in March 1999 as the eighth single from the album, and later it was released worldwide in September 1999.
" Man! I Feel Like a Woman!" is a country pop song with lyrics about female empowerment.
The song received generally favorable reviews from music critics, who praised the song's attitude and hook as well as Twain's vocals.
Commercially, the song was also successful, reaching the top- ten in six countries, while reaching the top- twenty in Canada and number 23 on the US" Billboard" Hot 100 chart.
It was even more successful on the Hot Country Songs chart, reaching the top- five and was certified Platinum by the RIAA for 1,000,000 digital downloads.
The song also won a Grammy for Best Female Country Vocal Performance in 2000.
The accompanying music video for" Man! I Feel Like a Woman!" was released on March 3, 1999, and it pays homage to Robert Palmer's" Addicted to Love" and Tone Lōc's" Wild Thing" music videos, featuring Twain dancing with buffed and blank- eyed male models.
The song was the opening song on both Twain's Come On Over Tour and the Up!
Tour as well as Twain's headline on the Super Bowl XXXVII Halftime show.
It was also used to comic effect in a 2004 Chevrolet Colorado TV commercial, as well as being on the soundtrack of Brazilian telenovela" Laços de Família".
The song was also performed by" American Idol" winner Carrie Underwood during the fourth season, and by Britney Spears in her first movie" Crossroads"( 2002).
Billy Milano
Billy Milano is a Bronx- born heavy metal musician now based in Austin, Texas.
He is the singer and- occasionally- guitarist and bassist of crossover thrash band M.O.D., and he was also the singer of its predecessor, Stormtroopers of Death.
He was also the singer of United Forces, which also featured his Stormtroopers of Death bandmate Dan Lilker.
Bernie Bonvoisin
Bernard Bonvoisin, known as Bernie Bonvoisin( born 9 July 1956 in Nanterre, Hauts- de- Seine), is a French hard rock singer and film director.
He is best known for having been the singer of Trust.
He was one of the best friends of Bon Scott the singer of AC/ DC and together they recorded the song" Ride On" which was one of the last songs by Bon Scott.
Carl Hogan
Carl D. Hogan
( October 15, 1917 – July 8, 1977) was an American jazz and rhythm and blues guitarist and bassist.
He is known for playing the lead guitar riff on Louis Jordan's" Ai n't That Just Like a Woman( They'll Do It Every Time)" which was later imitated by Chuck Berry for his hit" Johnny B. Goode".

Question: Which country the performer of song Ain'T That Just Like A Woman (They'Ll Do It Every Time) is from?
Answer: American