The Count of Monte Cristo (1961 film)
The Count of Monte Cristo is a 1961 French- Italian film version of the eponymous novel directed by Claude Autant- Lara.
The Son of Monte Cristo
The Son of Monte Cristo is a 1940 American black- and- white swashbuckling adventure film from United Artists, produced by Edward Small, directed by Rowland V. Lee, that stars Louis Hayward, Joan Bennett, and George Sanders.
The Small production uses the same sets and many of the same cast and production crew as his previous year's production of" The Man in the Iron Mask".
The film takes the same name as the unofficial sequel to" The Count of Monte Cristo", namely" The Son of Monte Cristo", written by Jules Lermina in 1881.
Using elements from several romantic swashbucklers of the time such as" The Prisoner of Zenda" and" The Mark of Zorro" the production also mirrors the situation of Continental Europe in 1939 – 1940.
The Count of Monte Cristo (1942 film)
The Count of Monte Cristo( Spanish: El Conde de Montecristo) is a 1942 Mexican historical adventure film directed by Roberto Gavaldón and Chano Urueta and starring Arturo de Córdova, Mapy Cortés and Anita Blanch.
It is based on Alexandre Dumas's novel" The Count of Monte Cristo".
a story which has been adapted for film many times.
The Return of Monte Cristo (1946 film)
The Return of Monte Cristo is a 1946 swashbuckler film which is a sequel to" The Count of Monte Cristo"( 1934) and" The Son of Monte Cristo"( 1940).
The Sword of Monte Cristo
The Sword of Monte Cristo is a 1951 American adventure film written and directed by Maurice Geraghty.
The film stars George Montgomery, Rita Corday, Berry Kroeger, William Conrad, Rhys Williams and Steve Brodie.
It is loosely based on" The Count of Monte Cristo" by Alexandre Dumas.
The film was released on March 3, 1951, by 20th Century Fox.
The Count of Monte Cristo (1953 film)
The Count of Monte Cristo( Spanish: El Conde de Montecristo) is a 1953 Argentine- Mexican historical adventure film directed by León Klimovsky and starring Jorge Mistral, Elina Colomer and Santiago Gómez Cou.
It is an adaptation of Alexandre Dumas's 1844 novel" The Count of Monte Cristo".
The Viscount of Monte Cristo
The Viscount of Monte Cristo( Spanish: El Vizconde de Montecristo) is a 1954 Mexican comedy film directed by Gilberto Martínez Solares and starring Germán Valdés, Ana Bertha Lepe and Andrés Soler.
The film draws some of its plot from Alexandre Dumas's" The Count of Monte Cristo" with the setting moved to contemporary Mexico.
Valdés' films of the era were often distorted, comic versions of classic literature.
The Treasure of Monte Cristo
The Treasure of Monte Cristo is a 1961 British film directed by Monty Berman and Robert S. Baker.
The film features Rory Calhoun as an army captain in 1815 who goes off in search of a treasure on the island of Monte Cristo.
It is a prequel to" The Count of Monte Cristo".
The film takes the same name as an unofficial sequel novel to" The Count of Monte Cristo", namely" The Treasure of Monte Cristo", written by Jules Lermina in 1885.
In the United States it was released under the alternative title The Secret of Monte Cristo.
The Countess of Monte Cristo (1934 film)
The Countess of Monte Cristo is a 1934 American comedy film directed by Karl Freund and starring Fay Wray, Paul Lukas and Reginald Owen.
The film was a remake of a 1932 German film" The Countess of Monte Cristo".
It was remade in 1948 under the same title.
Wiener Takes All: A Dogumentary
Wiener Takes All: A Dogumentary is a 2007 documentary film that chronicles the lives of America's top competitive dachshunds and their owners.
Directed by Shane MacDougall, the film follows five competitors in the Wienerschnitzel "Wiener Nationals" dachshund racing circuit, from the scandal of the 2003 Wiener Nationals, through to the 2005 championships this December in San Diego.
The film opens with Noodles' controversial 2003 loss, and the ensuing Noodles-Pretzel rivalry - one that is cut short with Pretzel's tragic sudden death.
Only a few weeks later Noodles triumphantly wins the 2004 Wiener Nationals - this time free and clear.
The glory is short-lived, as he is forced into retirement by race organizers, and Team Noodles has to decide whether to accept his premature sojourn from the sport, or try and qualify out of state.
The film also follows some of America's top show dogs as they go to the Westminster Kennel Club Dog Show, then switches gears and heads to the heartland of Texas for the DCA Earthdog championships.
Allegations of doping, match fixing, animal cruelty, and discrimination are investigated, and revealing interviews with some of America's top judges, including Anne Rogers Clark, explain the background of some of the famous controversies in the dachshund (and dog show) world.

Question: Which film was released first, The Viscount Of Monte Cristo or Wiener Takes All: A Dogumentary?
Answer: The Viscount Of Monte Cristo