Les Gauloises bleues
Les Gauloises bleues is a 1968 French drama film directed by Michel Cournot.
It was listed to compete at the 1968 Cannes Film Festival, but the festival was cancelled due to the events of May 1968 in France.
Mr. Right (2009 film)
Mr. Right is a 2009 British film directed by David Morris and Jacqui Morris.
The jointly- made gay- themed film is the debut for both directors.
The Cameo, Edinburgh
The Cameo is an Edinburgh cinema which started life as the King's Cinema on 8 January 1914 and is one of the oldest cinemas in Scotland still in use.
Since becoming the Cameo in 1949, it has had a tradition of showing art house films.
From 1949 onward it has been an important venue for the Edinburgh International Film Festival.
It is at Tollcross, and since 1992 has been a three- screen cinema.
The Cameo was an independent cinema until 2012, when it was bought by the Picturehouse chain, owned by Cineworld.
Maurice Tourneur
Maurice Tourneur (2 February 1876 – 4 August 1961) was a French film director and screenwriter.
Michel Cournot
Michel Cournot( 1 May 1922 – 8 February 2007) was a French journalist, screenwriter and film director.
As a writer he was awarded the Fénéon Prize in 1949 for" Martinique".
His only film as a director," Les Gauloises bleues", was due to be entered at the 1968 Cannes Film Festival, but the festival was cancelled because of the events of May 1968 in France.
He received a Genie Award nomination for Best Original Screenplay at the 10th Genie Awards in 1989, as cowriter with Claude Fournier and Marie- José Raymond of the Canadian television miniseries" The Mills of Power( Les Tisserands du pouvoir)".
Mr. Right (2009 film)
Mr. Right is a 2009 British film directed by David Morris and Jacqui Morris.
The jointly- made gay- themed film is the debut for both directors.
Pat Buchanan (musician)
Patrick" Pat" Jay Buchanan is an American guitarist, known for his work with the band Cameo and as a Nashville- based session musician.
Cameo Records
Cameo Records was an American record label that flourished in the 1920s.
It was owned by the Cameo Record Corporation in New York City.
Cameo released a disc by Lucille Hegamin every two months from 1921 to 1926.
Cameo records are also noted for dance music.
The catalogue also included the Original Memphis Five and the Varsity Eight.
Musicians such as Red Nichols, Miff Mole, Adrian Rollini, and Frank Signorelli made trips to the Cameo studios.
In 1926, Cameo started recording using a microphone- electrical process.
An interesting blues number is 583," Crazy Blues", by Salt& Pepper.
Listen to the podcast at 26:46, where the disc is mentioned as an" early electric".
The Cameo Record Corporation started Lincoln Records( 1924) and Romeo Records( 1926).
In 1928 it merged with Pathé Records, and then the American Record Corporation.
The resulting company stopped using the Cameo name in the 1930s.
This label is not affiliated with Cameo- Parkway Records which was active in the 1950s and 1960s.
Cameo Theater
The Cameo Theatre was built in 1936 and is located at 1445 Washington Avenue in Miami Beach, Florida.
The Cameo has a long history and was a major venue for punk and hardcore acts beginning in 1985 when Richard Shelter struck a deal with Cameo owner Zori Hayon to book shows there.
According to the" Miami New Times", Richard Shelter's first Cameo event was held in July 1985 and featured D.O.A.
In an interview with Roger Deering, Kristy O' Brien describes the Cameo and the local scene in the 80's.
" Growing up in South Florida during the 1980s was a heady experience for anyone with alternative inklings.
Against the backdrop of endless blue skies, genteel faded pastel jewel box buildings, midnight porch- sitting elderly and relentless heat tempered with hope, beat the heart of the underground music world known as the Cameo Theater.
And undeniably the intense rhythm of that Miami Beach heartbeat was everyone ’s favorite local band, the Drills.
Most of the great hardcore punk bands such as Black Flag, Ramones, and the Dead Kennedys came to play in this tiny, decrepit hot pink and lime green art deco throwback and as opening band, the Drills were a huge part of the burgeoning all ages movement."
Richard Shelter was the first promoter to bring punk and hardcore to the Cameo.
According to Shelter," When I got back off the road with Pickett and started doing bigger shows at the Cameo, the financing came from Patrick, the owner of Tobacco Road, whom I had worked for part time as a waiter."
The Cameo
The Cameo( French: Le camée) is a 1913 French silent drama film directed by Maurice Tourneur and starring Emmy Lynn, Henry Roussel and Alexandre Arquillière.

Question: Are both directors of films The Cameo and Les Gauloises Bleues from the same country?
Answer: yes