Peter Levin
Peter Levin is an American director of film, television and theatre.
Sadeq Kia
Sadeq Kia( 15 May 1920 – 1 March 2002) was a man of letters, distinguished professor of Iranian languages and the director of the second Academy of Persian Language and Literature.
The Razor's Edge (1984 film)
The Razor's Edge is a drama film starring Bill Murray.
The film is an adaptation of W. Somerset Maugham's 1944 novel" The Razor's Edge".
Theresa Russell, Catherine Hicks, Denholm Elliott, Brian Doyle- Murray and James Keach also star in the film.
John Byrum directed the film, which was co-written by Murray and Byrum.
This marked Murray's first starring role in a dramatic film, though Murray did inject some of his dry wit into the script.
The book's epigraph is dramatized as advice from the Katha Upanishad:" The path to salvation is narrow and as difficult to walk as a razor's edge."
Bahman Maghsoudlou
Bahman Maghsoudlou (born in Gorgan, Iran) is a film scholar, critic, author and independent film producer/director.
Mohammad Reza Delpak
He is the first sound designer of Iranian cinema.
Trane Tracks: The Legacy of John Coltrane
Trane Tracks:
The Legacy of John Coltrane is a documentary film about saxophonist John Coltrane.
Malcolm's Echo
Malcolm's Echo: The Legacy of Malcolm
X is a 2008 American documentary by Dami Akinnusi about the legacy of Malcolm X.
Ian Barry (director)
Ian Barry is an Australian director of film and TV.
Hugh Bicheno
Hugh Bicheno( born 1948) is a political risk analyst and an historian of conflict.
He is best known for his interpretations of the Falklands War in his best- selling" Razor's Edge: The Unofficial History of the Falklands War", and of the American Revolution in" Rebels and Redcoats: The American Revolutionary War".
Razor's Edge: The Legacy of Iranian Actresses
Razor's Edge:
The Legacy of Iranian Actresses is a 2016 documentary written and directed by Bahman Maghsoudlou.
The film examines what it was like to be an actress in the Iranian film industry from the industry's beginnings in the 1930s up to the Iranian Revolution of 1979, through extensive interviews, many with the actresses themselves, and
clips from the films.
The film spends a good deal of time focusing on the dual issues of the general attitude towards women (particularly women in the arts) in Iranian society and problems with censorship, the latter often arising from the former.
The actresses - and their male counterparts - were so thoroughly blackballed by the Islamic government that it was even forbidden for the media to mention their names in print.
This film is the second in Maghsoudlou's series on Iranian cinema and the seventh in his series on important Iranian cultural figures.
The film is particularly notable for the number of actresses from the period in question who agreed to be interviewed for it, as well as the rare film clips that Maghsoudlou assembled to give non-Iranians the chance to glimpse a national cinema that has not been seen in many parts of the world.
The actresses interviewed are:
The clips featured come from the following films:

Question: Which country the director of film Razor'S Edge: The Legacy Of Iranian Actresses is from?
Answer: Iran