Ian Barry (director)
Ian Barry is an Australian director of film and TV.
Brian Kennedy (gallery director)
Brian Patrick Kennedy( born 5 November 1961) is an Irish- born art museum director who has worked in Ireland and Australia, and now lives and works in the United States.
He is currently the director of the Peabody Essex Museum.
He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019.
He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia( Canberra) from 1997- 2004.
Luis Moglia Barth
Luis Moglia Barth (12 April 1903 - 18 June 1984) was an Argentine film director and screenwriter, and one of the influential directors in the Cinema of Argentina of the classic era.
He directed some 30 films between 1927 and 1959, often screenwriting for his pictures.
He died in Buenos Aires, aged 81.
Con el diablo en el cuerpo
Con el diablo en el cuerpo is a 1947 Argentine film directed by Carlos Hugo Christensen and starring Susana Freyre, Juan Carlos Thorry and Tito Gómez.
Peter Levin
Peter Levin is an American director of film, television and theatre.
Ufa con el sexo
Ufa con el sexo is a 1968 Argentine film.
Con el más puro amor
Con el más puro amor is a 1966 Argentine film.
Homero Manzi
Homero Nicolás Manzione Prestera, better known as Homero Manzi( November 1, 1907 – May 3, 1951) was an Argentinian Argentine tango lyricist, author of various famous tangos.
He was born on November 1 of 1907 in Añatuya( province of Santiago del Estero), Argentina.
Manzi was interested in literature and tango since he was young.
After a brief incursion in journalism, he worked as a literature and Spanish professor but for political reasons( in addition to his membership in the Unión Cívica Radical) he was expelled from his professorship and decided to dedicate himself to the arts.
In 1935 he participated in the beginnings of FORJA( Fuerza de Orientación Radical de la Joven Argentina – Force of Radical Orientation of the Young in Argentina), group whose position has been classified as “ peoples nationalism ”.
It was centered almost exclusively in the problems in Argentina and Latin America.
They manifested to “ reconquer the political Sunday from our own land ” since it was considered that the country was still in a colonial situation.
In relation to the European conflict at the time, it supported a neutral position sustaining that there was no great interest was in play in Argentina or Latin America, it was more of a rejection position towards fascism just as much as communism.
In 1934 Manzi founded" MicrófonoMicrophone") magazine which covered subjects related to radio telephony, Argentine movies and film making.
He wrote the screenplay for" Nobleza Gaucha" in 1937 in collaboration with Hugo Mac Dougall, and a new version of the silent movie of 1915," HuellaFootprint")( 1940), for which they received second prize from Buenos Aires City Hall.
He also worked in" ConfesiónConfession")( 1940), without achieving commercial success with any of these movies.
In 1940 Manzi started what would be a long collaboration with Ulyses Petit de Murat, writing the screenplay for" Con el dedo en el gatillo Finger on the trigger")( 1940)" Fortín alto High Fort")( 1940), and" The Gaucho War"( 1942).
At the 1943 Argentine Film Critics Association Awards, Manzi and Murat won the Silver Condor Award for Best Adapted Screenplay for their screenplay of" The Gaucho War" which proved highly successful.
The early death of the poet was caused by cancer on Thursday, May 3, 1951.
Con el dedo en el gatillo
Con el dedo en el gatillo is a 1940 Argentine film directed by Luis Moglia Barth.
Mario Maurano
Mario Maurano (6 August 1905 - 27 December 1974) was an Argentine film score composer and pianist, best remembered for his tangos.
He was especially known for his orchestral work supporting starlet Libertad Lamarque, with songs including "Te quiero" (1946) and many more.
He was a frequent collaborator with director Luis Moglia Barth in the Golden Age of Argentine cinema, and was particularly prolific in the late 1930s and 1940s, composing for films such as "Twelve Women" (1939), "Confesión" (1940), "Con el dedo en el gatillo" (1940), "Huella" (1940), and "Boína blanca" (1941).
He also worked on films such as "Caminito de Gloria" (1939) with Luis César Amadori, and "La Verdadera victoria" (1944) with Carlos F. Borcosque.

Question: Where did the director of film Con El Dedo En El Gatillo die?
Answer: Buenos Aires