Silvi Jan
Silvi Jan( or Jean,; born 27 October 1973) is a retired female Israeli football player.
Giovanni Battista Orsini
Giovanni Battista Orsini, or Jean- Baptiste des Ursins, was the 39th Grand Master of the Order of the Knights Hospitaller from 1467 to 1476.
Louis Pouchée
Louis John( or Jean) Pouchée( 1782 – 15 March 1845), was a London type founder and entrepreneur.
Domènec Terradellas
Domènec Terradellas( baptized 13 February 1713, Barcelona – 20 May 1751, Rome) was a Catalan opera composer.
The birthdate is sometimes incorrectly given as 1711.
Carreras i Bulbena did extensive research in contemporary documents, such as baptismal records, and found that the correct date was 1713.
All his works are thoroughly Italian in style.
Jean Delespine
Jean Delespine or Jean de l'Espine( 1505 – 1576), was a French angevin architect of the Renaissance.
Joannes Meyssens
Joannes, Jan Meyssens or Jean Meyssens( 17 May 1612 – 18 September 1670), was a Flemish Baroque painter, engraver, and printer.
Jean Edelinck
Jan, or Jean Edelinck( c.1640 – 1680), was a Flemish engraver who worked in Paris.
Jean-Edouard de Castella
Jean- Edouard( or Jean- Edward) de Castella( in Lilydale, Australia – in Fribourg), was a Swiss painter and illustrator.
Johannes Crucius
Johannes Crucius, or Jean de la Croix( 1560 – 1625), was a Dutch theologian.
Jean Crotti
Jean Crotti (24 April 1878 – 30 January 1958) was a French painter.
Crotti was born in Bulle, Fribourg, Switzerland.
He first studied in Munich, Germany at the School of Decorative Arts, then at age 23 moved to Paris to study art at the "Académie Julian".
Initially he was influenced by Impressionism, then by Fauvism and Art Nouveau.
Around 1910 he began to experiment with Orphism, an offshoot of Cubism, and a style that would be enhanced by his association in New York City with Marcel Duchamp and Francis Picabia.
A refugee from World War I, he looked to America as a place where he could live and develop his art.
In New York, he shared a studio with Marcel Duchamp and met his sister, Suzanne Duchamp.
She was part of the Dada movement in which Crotti would become involved.
In 1916, he exhibited Orphist-like paintings, several of which had religious titles that also included his "Portrait of Marcel Duchamp" and his much discussed "Les Forces MÈcaniques de l'amour Mouvement", created by using found objects.
In the fall of 1916, Crotti separated from his wife, Yvonne Chastel, and returned to Paris.
He had begun a relationship with Suzanne Duchamp that would culminate in his divorce in 1919 and immediate marriage to Suzanne.
An artist in her own right, she would greatly influence Jean Crotti’s painting.
In 1920, he produced one of his best known works, a portrait of Thomas Edison.
He would be part of the 1925 "Exposition International" in Paris, and the International Exhibition of Modern Art at the Brooklyn Museum in 1926 - 1927.
Over the ensuing years, he would create numerous paintings and be the subject for several solo exhibitions at major galleries in England, France, Germany, and the United States.
Crotti died in Paris.
Jean Crotti's heirs donated his personal papers to the Archives of American Art, Smithsonian Institution, where they can be consulted by researchers.
In Spring 2011, Francis M. Naumann Fine Art showed an exhibition, "Inhabiting Abstraction", including important examples from every significant phase and development in the realm of abstraction that Crotti explored, as well as one-of-a-kind works such as "Parterre de reve" (1920), in which he framed his painting palette and then signed it.

Question: Who lived longer, Jean Crotti or Domènec Terradellas?
Answer: Jean Crotti