The Unstoppable Man
The Unstoppable Man is a 1960 British crime drama film directed by Terry Bishop and starring Cameron Mitchell, Harry H. Corbett, Marius Goring and Lois Maxwell.
Lee Hwa-si
Lee Hwa-si (born July 22, 1951) is a South Korean actress.
While Lee was attending Dongguk University with a major in Korean literature, she was cast to star in "Ban Geum-ryeon" directed by Kim Ki-young.
Lee is commonly referred to as director Kim Ki-young's persona due to her frequent appearances in Kim's films during the 1970s.
Lee's acting in "Iodo" (1977) especially is regarded as a good example to present her own character.
However, from onwards, Lee's career went down and Lee retired.
Fred Roy Krug
Fred R. Krug is an American film and television producer- director born in Bern, Switzerland.
Sepideh Farsi
Sepideh Farsi is an Iranian film director, born in Tehran in 1965.
Jacques Décombe
Jacques Décombe is a French author, actor and director born in 1953.
Ban Geum-ryeon
Ban Geum-ryeon (also known as "The Story of Pan Jinlian") is a 1982 South Korean film directed by Kim Ki-young, based upon Jin Ping Mei.
Filmed in 1975, the film was banned at the time, and 40 minutes of footage had been censored when it was finally released.
Terry Bishop
Terry Bishop (21 October 1912 - 30 October 1981) was a British screenwriter, and television and film director.
During the 1950s and 60s he worked extensively in British TV, directing episodes of series such as "The Adventures of William TellThe Adventures of Robin HoodSword of FreedomDanger Man", and "Sir Francis Drake".
He also made several low budget British films during this time, perhaps the best known of which is "Cover Girl Killer", starring "Steptoe and Son’s" Harry H. Corbett as a serial murderer.
Claude Weisz
Claude Weisz is a French film director born in Paris.
Yolonda Ross
Yolonda Ross is an American character actress, writer and director born (31 July 1974).
Kim Ki-young
Kim Ki-young (October 10, 1919 – February 5, 1998) was a South Korean film director, known for his intensely psychosexual and melodramatic horror films, often focusing on the psychology of their female characters.
Kim was born in Seoul during the colonial period, raised in Pyongyang, where he became interested in theater and cinema.
In Korea after the end of World War II, he studied dentistry while becoming involved in the theater.
During the Korean War, he made propaganda films for the United States Information Service.
In 1955, he used discarded movie equipments to produce his first two films.
With the success of these two films Kim formed his own production company and produced popular melodramas for the rest of the decade.
Kim Ki-young's first expression of his mature style was in his "The Housemaid" (1960), which featured a powerful "femme fatale" character.
It is widely considered to be one of the best Korean films of all time.
After a "Golden Age" during the 1960s, the 1970s were a low-point in the history of Korean cinema because of governmental censorship and a decrease in audience attendance.
Nevertheless, working independently, Kim produced some of his most eccentric cinematic creations in this era.
Films such as "Insect Woman" (1972) and "Iodo" (1977) were successful at the time and highly influential on the younger generations of South Korean filmmakers both at their time of release, and with their rediscovery years later.
By the 1980s, Kim's popularity had gone into decline, and his output decreased in the second half of the decade.
Neglected by the mainstream during much of the 1990s, Kim became a cult figure in South Korean film Internet forums in the early 1990s.
Widespread international interest in his work was stimulated by a career retrospective at the 1997 Pusan International Film Festival.
He was preparing a comeback film when he and his wife were killed in a house fire in 1998.
The Berlin International Film Festival gave Kim a posthumous retrospective in 1998, and the French Cinémathèque screened 18 of Kim's films, some newly rediscovered and restored, in 2006.
Through the efforts of the Korean Film Council (KOFIC), previously lost films by Kim Ki-young continue to be rediscovered and restored.
Many current prominent South Korean filmmakers, including directors
Im
Sang-soo, Kim Ki-duk, Bong Joon-ho and Park Chan-wook, claim Kim Ki-young as an influence on their careers.

Question: Which film has the director born earlier, The Unstoppable Man or Ban Geum-Ryeon?
Answer: The Unstoppable Man