Wesley Barresi
Wesley Barresi( born 3 May 1984) is a South African born first- class and Netherlands international cricketer.
He is a right- handed wicket keeper- batsman and also bowls right- arm offbreak.
Wale Adebanwi
Wale Adebanwi( born 1969) is a Nigerian- born first Black Rhodes Professor at St Antony's College, Oxford.
Greg A. Hill (artist)
Greg A. Hill is a Canadian- born First Nations artist and curator.
He is Kanyen'kehaka, from Six Nations of the Grand River Territory, Ontario.
Patricia Moran
Patricia Moran( 25 September 1944 – 17 July 2017), was an Australian Realist Artist.
During her lifetime she taught Painting, Authored books, wrote magazine articles and produced videos illustrating her own technique.
Her speciality was to paint floral works in oils.
She won the Alice Bale Overseas study scholarship and the Yorick club art prize in 1982 and gave workshops for the Victorian Artists Society.
Patricia won many Awards and Art prizes during her career.
Carlo Cicala
Carlo Cicala or Carlo Cicada was a Roman Catholic prelate who served as Bishop of Albenga( 1554 – 1572).).
Carlo Cesio
Carlo Cesio or Carlo Cesi( 17 April 1622 – 6 January 1682) was a Baroque- style painter and engraver of the Roman school.
Henry Moore (cricketer)
Henry Walter Moore( 1849 – 20 August 1916) was an English- born first- class cricketer who spent most of his life in New Zealand.
John McMahon (Surrey and Somerset cricketer)
John William Joseph McMahon( 28 December 1917 – 8 May 2001) was an Australian- born first- class cricketer who played for Surrey and Somerset in England from 1947 to 1957.
Carlo Blasis
Carlo Blasis (4 November 1797 – 15 January 1878) was an Italian dancer, choreographer and dance theoretician born in Naples.
He is well known for his very rigorous dance classes, sometimes lasting four hours long.
Blasis insisted that his students learn theories and definitions of dance steps.
He trained all of Enrico Cecchetti's teachers and it is thought that Blasis's influence in his training is what led Cecchetti to create the Cecchetti method of ballet.
He published an analysis of the ballet techniques in 1820, in a work named "Traité élémentaire, théorique, et pratique de l'art de la danseElementary, Theoretical, and Practical Treatise on the Art of the Dance").
He is most known for the pose "Attitude" derived from the famous statue Mercury by Giovanni da Bologna.
Enrico Cecchetti expanded his method of instruction and theories.
Even during his own time, Blasis was not best known for his many choreographies (none of which survive today), but for his writings on dance theory.
He pioneered the reconciliation of balletic notions like lightness and grace with the geometry and physics of the body in motion.
In "The Code of Terpsichore", published in 1828, Blasis cataloged a clearly defined “alphabet” of dance poses.
This may be the first attempt at a comprehensive systemization of dance.
Blasis radicalized dance theory by relying heavily upon mathematical geometry and physics.
He introduced the idea of a “movement axis” - a vertical line through the pose, perpendicular to the floor, that delineates the center of balance of the body.
Blasis also contributed to dance pedagogy.
He suggested that instructors first describe the bodily figures outlined in his index of poses, then have students memorize them before attempting to physically embody them.
“The most diligent [student] might take copies of those figure on small slates, and carry them with them to study at home, in the same manner as a child, when he begins to spell, studies his horn-book."
Through the poses codified in his alphabet, Blasis felt that dancers could achieve the qualities of movement so desired in ballet like ease of motion and elegance.
In his "Notes Upon Dancing, Historical and Practical", Blasis praises certain ballets for their richness of emotion.
When speaking of “The Neapolitan Tarantella,” for example, he raves about how “love and pleasure are conspicuous throughout every movement,” and “every gesture and motion are full of seductive grace.”
Thus, Blasis ultimately wished for dancers to layer emotional expression on top of the codified, regimented poses demanded by the choreography and outlined in "The Code of Terpsichore".
Through these practices, Blasis aimed to direct “the newborn Romantic ballet along classical lines.
" In this way, Blasis was ahead of his time.
He took particular interest in some movements considered to be too aggressively virtuosic for the Romantic era of the early 1800s.
For example, he initiated the codification of the pirouette, breaking it down into a preparation, turn, and finish.
It wasn’t until the era of Marius Petipa in the late 1800s, just following the age of romanticism, that physically intense steps like the pirouette became widespread in ballet choreography, yet Blasis was analyzing them decades before.
From 1838 to 1853, Blasis and his wife, Annuniciata Ramaccini, were the Artistic Directors of what is now the La Scala Theatre Ballet School.
Prima ballerinas Fanny Cerrito, Carolina Rosati, Sofia Fuoco, Amalia Ferraris and Carlotta Brianza were among their students.
Blasis referred to seven of his dancers, who he was particularly proud of, as his "Pleiades": Marietta Baderna, Augusta Dominichettis, Amalia Ferraris, Sofia Fuoco, Flora Fabbri, Carolina Granzini and Pasquale Borri.
Blasis died in Cernobbio.
Hartley Lobban
Hartley W Lobban (9 May 1926 – 15 October 2004) was a Jamaican-born first-class cricketer who played 17 matches for Worcestershire in the early 1950s.

Question: Who was born first, Carlo Blasis or Patricia Moran?
Answer: Carlo Blasis