Gerald FitzGerald, 9th Earl of Kildare
Gerard FitzGerald, 9th Earl of Kildare( 1487 – 12 December 1534), also known in Irish as Gearóid Óg( Young Gerald), was a leading figure in 16th- century Irish History.
In 1513 he inherited the title of Earl of Kildare and position of Lord Deputy of Ireland from his father.
Jean Bérain the Elder
Jean Berain the Elder( Saint- Mihiel, Meuse, 1640 – 24 January 1711, Paris) was a draughtsman and designer, painter and engraver of ornament, the artistic force in the Royal office of the Menus- Plaisirs du Roi where all the designs originated for court spectacle, from fêtes to funerals, and many designs for furnishings not covered by the Bâtiments du Roi.
The" Berainesque" style of light arabesques and playful grotesques was an essential element in the" style Régence" that led to the French rocaille and European rococo.
Born in the Austrian Netherlands, the son of a master gunsmith, in whose line of work engraving was a prominent technique, he spent his career at Paris.
Long after his death the connoisseur Pierre- Jean Mariette wrote of him," Nothing was done, in whatever genre that it might have been, unless it were in his manner, or where he had given designs for it."
Through his engravings and those of his son, his style was highly influential beyond the court and Paris, notably in the Low Countries, Germany and London.
His close friendship with Nicodemus Tessin the Younger ensured that Berain's own nuance in the Louis XIV style was transmitted to court circles in Sweden.
Berain was established in Paris by 1663.
On 28 December 1674 he was appointed" dessinateur de la Chambre et du cabinet du Roi"( designer of the king's chamber and office) in the Menus- Plaisirs( a post he retained until his death), in succession to Henri de Gissey, whose pupil he is believed to have been.
From 1677 onward he had workrooms and an apartment in the Galeries du Louvre near to those of André Charles Boulle, for whom he made many designs for furniture.
After the death of Charles Le Brun Berain was commissioned to compose and supervise the whole of the exterior decoration of the king's ships.
His first designs for royal interiors date from the years 1682 – 84.
He was inventive and industrious, and, beginning with interiors at the Hôtel de Mailly( 1687 – 88) assimilated and adapted Raphaelesque grotesque ornament to the taste of the time.
He provided arabesque designs for the manufacture of Beauvais tapestry.
At Meudon for Louis," le Grand Dauphin", whose favourite designer he remained.
Berain's decors, beginning in 1699, initiated the Régence style that was a precursor of the Rococo.
Bérain also designed for the theatre.
By 1674 he had already begun designing costumes for Jean- Baptiste Lully's Opéra, including costumes for dancers in the" divertissements".
For Lully's 1684 opera" Amadis", a tale of chivalric romance, Bérain carried out research into the styles of the Middle Ages and the Renaissance, a historical approach to costume design that was unusual for the time.
Besides costume designs for Lully's" tragédies en musique", Bérain designed the costumes for Lully's ballets" Le triomphe de l'amour"( 1681) and" Le temple de la paix"( 1685).
In 1680 he additionally took over Carlo Vigarani's work as the designer of the Opéra's stage machinery and scenery, and until 1707 he was in charge of staging all lyric works produced at the Théâtre du Palais- Royal in Paris as well as at the royal residences.
After Lully's death in 1687, he created designs for the earliest" opéra-ballets", Pascal Colasse's" Les saisons"( 1695) and André Campra's" L'Europe galante"( 1697).
In his set designs Bérain continued using highly symmetrical single- point perspective, following in the footsteps of his Italian predecessors Giacomo Torelli and Vigarani, as well as Giovanni Francesco Grimaldi and Giovanni Burnacini.
He never employed the" per angolo"( oblique) perspective designs that were being tried in Italy by designers such as the Galli-Bibienas.
In 1692 it was Bérain who worked with the Royal Family on the occasion of the marriage of Philippe d'Orléans to the kings illegitimate daughter Françoise- Marie de Bourbon," Mademoiselle de Blois".
Bérain designed their jewelled wedding clothes and their private apartments at the Palais- Royal in the Capital.
His numerous designs were for the most part engraved under his own supervision; a collection of them was published in Paris in 1711 by his son -in- law, Jacques Thuret, clockmaker to the king from 1694.
There are three books," L' Œuvre de J. BerainOrnements inventés par J. Berain" and" Œuvres de J. Berain contenant des ornements d'architecture".
Désiré Guilmard in" Les Maîtres ornemanistes", gives a complete list of his published works.
His son and pupil, Jean Berain the Younger,( 1678 – 1726), was born and died in Paris.
He exercised the same official functions after his father's death and worked in a very similar taste.
William Herbert, 18th Earl of Pembroke
William Alexander Sidney Herbert, 18th Earl of Pembroke, 15th Earl of Montgomery( born 18 May 1978) is an English peer.
He became earl in 2003 following the death of his father, Henry Herbert, 17th Earl of Pembroke.
Wentworth FitzGerald, 17th Earl of Kildare
Wentworth FitzGerald, 17th Earl of Kildare PC( I)( 1634 – 5 March 1664), styled Lord Offaly until 1660, was an Irish politician who sat in the House of Commons of England in 1660 and from 1661 sat in the Irish House of Lords.
Jean Bérain the Younger
Jean Bérain the Younger( 1678 in Paris – 1726 in Paris) was a French designer, and son of Jean Bérain the Elder.
He was his father's pupil, and exercised the same official functions after his father's death.
Thus he planned the funeral ceremonies at Saint Denis Basilica on the death of the Dauphin, and afterwards made the designs for the obsequies of Louis XIV.
He is perhaps best known as an engraver.
He engraved eleven plates of the collection" Ornements de peinture et de sculpture qui sont dans la galerie d' Apollon au chasteau du Louvre, et dans le grand appartement du roy au palais des Tuileries"( Paris, 1710), which have been wrongly attributed to his father, the" Mausolée du duc de Bourgogne", and that of" Marie Louise Gabrielle de Savoie, reine d' Espagne"( 1714), etc.
His work is exceedingly difficult to distinguish from his father's, the similarity of style being remarkable.
Domitilla the Elder
Flavia Domitilla Major(" Major", Latin for" the elder")
Flavia Domitilla the Elder or Domitilla the Elder( died before 69, perhaps c. 65) was the wife of the Roman Emperor Vespasian.
Gerald FitzGerald, 11th Earl of Kildare
Gerald FitzGerald, 11th Earl of Kildare( 1525 – 16 November 1585), also known as the" Wizard Earl"( a sobriquet also given to The 9th Earl of Northumberland), was an Irish peer.
He was the son of The 9th Earl of Kildare and his second wife Elizabeth, Countess of Kildare.
Gerald FitzGerald, 5th Earl of Kildare
Gerald FitzMaurice FitzGerald, 5th Earl of Kildare( d. before 24 June 1428) was an Irish peer.
Gerald was the son of Maurice FitzGerald, 4th Earl of Kildare and Elizabeth Burghersh.
Gaspar Bouttats
Gaspar Bouttats the Elder or Gaspard Bouttats the Elder( c. 1640 – 1695– 96) was a Flemish printmaker and engraver of the Baroque period.
William Sutherland, 17th Earl of Sutherland
William Sutherland, 17th Earl of Sutherland, previously named William Gordon, 17th Earl of Sutherland,( 2 October 1708 – 1750), was a Scottish politician who sat in the House of Commons from 1727 until 1733 when he succeeded to the peerage as Earl of Sutherland.
He was chief of the Clan Sutherland, a Scottish clan of the Scottish Highlands.

Question: Who died first, Jean Bérain The Elder or Wentworth Fitzgerald, 17Th Earl Of Kildare?
Answer: Wentworth Fitzgerald, 17Th Earl Of Kildare