S. N. Mathur
S.N. Mathur was the Director of the Indian Intelligence Bureau between September 1975 and February 1980.
He was also the Director General of Police in Punjab.
Olav Aaraas
Olav Aaraas( born 10 July 1950) is a Norwegian historian and museum director.
He was born in Fredrikstad.
From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History.
In 2010 he was decorated with the Royal Norwegian Order of St. Olav.
The Incorrigible (film)
The Incorrigible( Spanish: La incorregible) is a 1931 film directed by Leo Mittler and starring Enriqueta Serrano, Tony D'Algy and Gabriel Algara.
Made at the Joinville Studios in Paris, it is the Spanish- language version of the 1930 American film" Manslaughter".
Such multi-language versions were common in the early years of film.
Paramount Pictures also made French, German and Swedish versions of the film.
Peter Levin
Peter Levin is an American director of film, television and theatre.
Reckless Youth (1931 film)
Reckless Youth is a 1931 German film directed by Leo Mittler and starring Camilla Horn, Walter Rilla and Alfred Gerasch.
It was made by Paramount Pictures at the Joinville Studios in Paris as a remake of the company's American film" Manslaughter".
Jesse E. Hobson
Jesse Edward Hobson( May 2, 1911 – November 5, 1970) was the director of SRI International from 1947 to 1955.
Prior to SRI, he was the director of the Armour Research Foundation.
Brian Kennedy (gallery director)
Brian Patrick Kennedy( born 5 November 1961) is an Irish- born art museum director who has worked in Ireland and Australia, and now lives and works in the United States.
He is currently the director of the Peabody Essex Museum.
He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019.
He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia( Canberra) from 1997- 2004.
Ian Barry (director)
Ian Barry is an Australian director of film and TV.
Cecil B. DeMille
Cecil Blount DeMille (August 12, 1881 – January 21, 1959) was an American filmmaker.
Between 1914 and 1958, he made a total of 70 features, both silent and sound films.
He is acknowledged as a founding father of the American cinema and the most commercially successful producer-director in film history.
His films were distinguished by their epic scale and by his cinematic showmanship.
His silent films were more diverse in genre, among which included social dramas, comedies, Westerns, farces, morality plays, and historical pageants.
DeMille began his career as a stage actor in 1900.
He later moved to writing and directing stage productions, some with Jesse Lasky, who was then a vaudeville producer.
DeMille's first film, "The Squaw Man" (1914), was also the first feature film shot in Hollywood.
Its interracial love story made it commercially successful and it first publicized Hollywood as the home of the U.S. film industry.
The continued success of his productions led to the founding of Paramount Pictures with Lasky and Adolph Zukor.
His first biblical epic, "The Ten Commandments" (1923), was both a critical and commercial success; it held the Paramount revenue record for twenty-five years.
DeMille directed "The King of Kings" (1927), a biography of Jesus, which gained approval for its sensitivity and reached more than 800 million viewers. "
The Sign of the Cross" (1932) is said to be the first sound film to integrate all aspects of cinematic technique.
"Cleopatra" (1934) was his first film to be nominated for the Academy Award for Best Picture.
After more than thirty years in film production, DeMille reached a pinnacle in his career with "Samson and Delilah" (1949), a biblical epic which became the highest-grossing film of 1950.
Along with biblical and historical narratives, he also directed films oriented toward "neo-naturalism", which tried to portray the laws of man fighting the forces of nature.
He received his first nomination for the Academy Award for Best Director for his circus drama
"The Greatest Show on Earth" (1952), which won both the Academy Award for Best Picture and the Golden Globe Award for Best Motion Picture – Drama.
His last and best known film, "The Ten Commandments" (1956), also a Best Picture Academy Award nominee, is currently the eighth-highest-grossing film of all time, adjusted for inflation.
In addition to his Best Picture Awards, he received an Academy Honorary Award for his film contributions, the Palme d'Or (posthumously) for "Union Pacific" (1939), a DGA Award for Lifetime Achievement, and the Irving G. Thalberg Memorial Award.
He was the first recipient of the Golden Globe Cecil B. DeMille Award, which was named in his honor.
DeMille's reputation as a filmmaker has grown over time and his work has influenced many other films and directors.
Manslaughter (1922 film)
Manslaughter is a 1922 American silent drama film directed by Cecil B. DeMille and starring Thomas Meighan, Leatrice Joy, and Lois Wilson.
It was scripted by Jeanie MacPherson adapted from the novel of the same name by Alice Duer Miller.
The film portrays the main character, Lydia Thorne, as a thrill-seeking, self-entitled, and wild woman who do not have a reputation of thinking before acting.
She acts selfishly by dancing with other men in the presence of her husband and not providing help to her maid who is in dire need for her son's health.
As a result of her numerous poor decisions, she is taken to court because of a vehicle accident entailing a high-speed chase she has with a motorcyclist policeman.
Following this accident, she is imprisoned for manslaughter after being prosecuted by her husband, Daniel O'Bannon, who is a lawyer.
After this endeavor, Lydia comes out of jail to find her husband has become an alcoholic.
This film was one of the first to depict very graphic scene of men plundering a room of women meant to represent the descent of Lydia's privileged life., and this film contained various imagery depicting life among the upper-class society.
"
Manslaughter" was the first film to show an erotic kiss between two members of the same sex.
The film consists of a character development that added to the films success, and at the time romance was a popular hit of the time because of the demographic that the films were addressing.

Question: Where did the director of film Manslaughter (1922 Film) die?
Answer: Hollywood