Hanro Smitsman
Hanro Smitsman, born in 1967 in Breda( Netherlands), is a writer and director of film and television.
Till We Meet Again (1922 film)
Till We Meet Again is a 1922 silent American melodrama film directed by Christy Cabanne and starring Julia Swayne Gordon, Mae Marsh, and J. Barney Sherry.
It was released on October 15, 1922.
Leigh Jason
Leigh Jason( July 26, 1904 – February 19, 1979) was an American film director and screenwriter.
He was born in New York, New York, and died in Woodland Hills, Los Angeles.
Howard W. Koch
Howard Winchel Koch( April 11, 1916 – February 16, 2001) was an American producer and director of film and television.
Ian Barry (director)
Ian Barry is an Australian director of film and TV.
Till We Meet Again (1936 film)
Till We Meet Again is a 1936 American film directed by Robert Florey.
Peter Levin
Peter Levin is an American director of film, television and theatre.
The Mad Miss Manton
The Mad Miss Manton is a 1938 American screwball comedy- mystery film directed by Leigh Jason and starring Barbara Stanwyck as fun-loving socialite Melsa Manton and Henry Fonda as newspaper editor Peter Ames.
Melsa and her debutante friends hunt for a murderer while eating bonbons, flirting with Ames, and otherwise behaving like silly young women.
Ames is also after the murderer, as well as Melsa's hand in marriage.
This was the first of three screen pairings for Stanwyck and Fonda, the others being" The Lady Eve" and" You Belong to Me".
Brian Johnson (special effects artist)
Brian Johnson( born 1939 or 1940) is a British designer and director of film and television special effects.
Robert Florey
Robert Florey( 14 September 1900 – 16 May 1979) was a French- American director, screenwriter, film journalist and actor.
Born as Robert Fuchs in Paris, he became an orphan at an early age and was then raised in Switzerland.
In 1920 he worked at first as a film journalist, then as an assistant and extra in featurettes from Louis Feuillade.
Florey moved to the United States in 1921.
As a director, Florey's most productive decades were the 1930s and 1940s, working on relatively low- budget fillers for Paramount and Warner Brothers.
His reputation is balanced between his avant- garde expressionist style, most evident in his early career, and his work as a fast, reliable studio- system director called on to finish troubled projects, such as 1939's" Hotel Imperial".
He directed more than 50 movies.
His most popular film is likely the first Marx Brothers feature" The Cocoanuts" of 1929, and his 1932 foray into Universal- style horror," Murders in the Rue Morgue" is regarded by horror fans as highly reflective of German expressionism.
In 2006, as his 1937 film" Daughter of Shanghai" was selected for preservation in the United States National Film Registry by the Library of Congress, Florey was called" widely acclaimed as the best director working in major studio B-films".

Question: Are director of film Till We Meet Again (1936 Film) and director of film The Mad Miss Manton from the same country?
Answer: yes