Edward Yang
Edward Yang( November 6, 1947 – June 29, 2007) was a Taiwanese filmmaker.
Yang, along with fellow auteurs Hou Hsiao -hsien and Tsai Ming- liang, was one of the leading film- makers of the Taiwanese New Wave and Taiwanese Cinema.
He won the Best Director Award at Cannes for his 2000 film" Yi Yi".
Laura Ashe
Laura
Ashe is a historian of English medieval literature, history and culture( c.1000-1550).
She lectures in English and is a Fellow of Worcester College, Oxford.
In 2009 Ashe won a Philip Leverhulme Prize, for the international impact of her research.
In 2015 she was the presenter for BBC Radio 3's" A Cultural History of the Plague" and has taken part as an expert panelist for BBC Radio
4's In Our Time on the topics of" The 12th Century RenaissanceBeowulfChivalry" and" Le Morte d' Arthur".
She has also appeared on In Our Time talking about Thomas Becket and Gawain and the Green Knight.
George Schnéevoigt
George Schnéevoigt( 23 December 1893 – 6 February 1961) was a Danish film director, cinematographer, and actor of the 1930s and early 1940s.
Schnéevoigt was born in Copenhagen, Denmark to actress Siri Schnéevoigt, and he is the father of actor and director Alf Schnéevoigt.
Duet for Four
Duet for Four is a 1982 film directed by Tim Burstall.
In Our Time (1944 film)
In Our Time is a 1944 romantic drama film set in the days leading up to World War II.
It stars Ida Lupino and Paul Henreid.
Champagnegaloppen
Champagnegaloppen is a 1938 Danish musical film directed by George Schnéevoigt.
The film based on a musical by Hans Christian Lumbye and play by Paul Holck- Hofmann and stars Svend Methling and Valdemar Møller.
It is named after the light classical piece composed by Hans Christian Lumbye, who is a character in the film.
AHI (musician)
AHI is the stage name of Ahkinoah Habah Izarh, a Canadian folk music singer- songwriter, whose album" In Our Time" was named as a Juno Award nominee for Contemporary Roots Album of the Year at the Juno Awards of 2019.
Originally from Brampton, Ontario and based primarily in Toronto, he released his debut album" We Made It Through the Wreckage" in 2016.
In 2017, he won the Canadian Songwriting Competition in the folk category, as well as the Stingray Rising Star Award at the Folk Music Ontario conference.
He then signed to Thirty Tigers, which released his sophomore album" In Our Time" in 2018.
Love in Our Time
Love in Our Time is a 1968 British film documentary about sex.
The theme song to the film" Love In Our Time" was sung by Glo Macari.
Gunan, King of the Barbarians
Gunan, King of the Barbarians  is a 1982 film directed by Franco Prosperi.
In Our Time (1982 film)
In Our Time is a 1982 Taiwanese anthology film directed by Edward Yang, Yi Chang, I- Chen Ko and Te- Chen Tao.
The film's four vignettes each take place in a different decade between 1950 and 1980 and depict characters at different points in their lives.
The film deals with a range of dramatic, comic, economic and social themes.
The first two episodes are described as contemplative and dream- inspired, while the latter two episodes feature more dialogue and overt comedy.
The first segment, translated as" Dinosaurs" or" Little Dragon Head", is directed by Tao and follows a young boy who escapes from childhood bullying by retreating into a fantasy world populated by his dinosaur toys.
The second segment," Expectations" or" Desires", is directed by Yang and stars Shi Anni as a young girl who becomes infatuated with an older man who is staying at her parents' house, but falls into a love triangle.
The third segment," Leapfrog", is directed by Ko and follows a college student who deals with the pressures of life by joining a competitive swimming club.
The final segment, translated as" Show your ID" or" Say Your Name", is directed by Yi Chang and stars Sylvia Chang.
It follows a newly married couple who are accidentally locked out of their home and workplaces, to comedic effect.
The film was produced by the Taiwanese Central Motion Picture Corporation, which had a reputation for conservative filmmaking.
Yang's segment was his first filmed work.
Writing in his eponymous book on Edward Yang, John Anderson described Yang's segment as bringing" an almost documentary content to the Taiwanese feature, which is counterbalanced in" Expectations" by Yang's decidedly poetic rhythms".
The" Harvard Film Archive" described the film as" eschew[ ing] studio- bound escapism and melodrama in favor of a hard- hitting cinema grounded in everyday life".
The film is sometimes cited as the foundational film of the New Taiwan Cinema.

Question: Are the directors of both films Champagnegaloppen and In Our Time (1982 Film) from the same country?
Answer: no