Titus at a Lectern
Titus at a Lectern or Titus at his Desk is a 1655 portrait by Rembrandt of his son Titus van Rijn, which has been in the Museum Boijmans Van Beuningen since 1939.
Calvary of Hendrik van Rijn
The Calvary of Hendrik van Rijn or Hendrik van Rijn Crucifixion is one of the earliest surviving panel paintings produced in the Low Countries.
It is catalogued number 519 in the Royal Museum of Fine Arts, Antwerp.
It was commissioned from an unknown master painter in 1363 by Hendrik van Rijn, archdeacon of Utrecht.
The work was produced in Utrecht, though the painter may have been a travelling artist from northern France or the southern Netherlands.
It is an' epitaph' or' memorial panel' which hung above van Rijn's grave in the city's St. Janskerk.
Its Latin inscription translates as" In the Year of Our Lord 1363, on the[ feast] day of Saint Boniface and his companions, Lord Hendrik van Rijn, provost and archdeacon of this church and founder of this altar, died.
Pray for him".
Guido van Rijn
Guido van Rijn( 11 April 1950) is a Dutch blues and gospel historian.
Where Was I
" Where Was I?" may refer to:
Rolf van Rijn
Rolf van Rijn( born 23 October 1972) is a Dutch retired basketball player.
Van Rijn, 2.17 m( 7 ft 1 in) tall, played as center for several teams over his career.
In 1998, he was a member of Real Madrid.
He also played for the Netherlands national basketball team.
Titus Flavius Clemens (consul)
Titus Flavius T. f. T. n. Clemens was a nephew of the Roman Emperor Vespasian.
He was the son of Titus Flavius Sabinus, consul "suffectus" in AD 69, and a brother of Titus Flavius Sabinus, consul in AD 82.
The emperors Titus and Domitian were his cousins.
Rembrandt
Rembrandt Harmenszoon van Rijn (15 July 1606 – 4 October 1669) was a Dutch draughtsman, painter, and printmaker.
An innovative and prolific master in three media
, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.
Unlike most Dutch masters of the 17th century, depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, and biblical and mythological themes as well as animal studies.
His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when (especially Dutch painting), although in many ways antithetical to the Baroque style that dominated Europe, was extremely prolific and innovative and gave rise to important new genres.
Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer.
Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, and Flemish Baroque Peter Paul Rubens.
Having achieved youthful success as a portrait painter, Rembrandt's later years were marked by personal tragedy and financial hardships.
Yet his etchings and paintings were popular throughout his lifetime, his reputation as an artist remained high, and for twenty years he taught many important Dutch painters.
Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs.
His self-portraits form a unique and intimate biography, in which the artist surveyed himself without vanity and with the utmost sincerity.
Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot.
His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since.
Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.
In his works he exhibited knowledge of classical iconography, which he molded to fit the requirements of his own experience; thus, the depiction of a biblical scene was informed by Rembrandt's knowledge of the specific text, his assimilation of classical composition, and his observations of Amsterdam's Jewish population.
Because of his empathy for the human condition, he has been called "one of the great prophets of civilization".
The French sculptor Auguste Rodin said, "Compare me with Rembrandt!
What sacrilege!
With Rembrandt, the colossus of Art!
We should prostrate ourselves before Rembrandt and never compare anyone with him!"
Vincent van Gogh wrote, "Rembrandt goes so deep into the mysterious that he says things for which there are no words in any language.
It is with justice that they call Rembrandt—magician—that's no easy occupation."
Karen van Rijn
Karen van Rijn is a former Dutch woman cricketer.
She has played for Netherlands in 9 Women's One Day International matches from 1989- 1991.
Motherland (disambiguation)
Motherland is the place of one's birth, the place of one's ancestors, or the place of origin of an ethnic group.
Motherland may also refer to:
Titus van Rijn
Titus van Rijn (22 September 1641 – 4 September 1668) was the fourth and only surviving child of Rembrandt Harmenszoon van Rijn and Saskia van Uylenburgh.
Titus is best known as a figure or model in his father's paintings and studies.

Question: Where was the place of death of Titus Van Rijn's father?
Answer: Amsterdam