Abe Meyer
Abe Meyer( 1901 – 1969) was an American composer of film scores.
The City (1939 film)
The City is a pioneering short documentary film from 1939 that contrasts the problems of the contemporary urban environment with the superior social and physical conditions that can be provided in a planned community.
It was directed and photographed by Ralph Steiner and Willard Van Dyke based on a treatment by Lewis Mumford, which was in turn based on an outline by Pare Lorentz.
Aaron Copland wrote the musical score and Morris Carnovsky provided the narration.
Thomas Morse
Thomas Morse( born June 30, 1968) is an American composer of film and concert music.
Alonso Mudarra
Alonso Mudarra( c. 1510 – April 1, 1580) was a Spanish composer of the Renaissance, and also played the vihuela, a guitar- shaped string instrument.
He was an innovative composer of instrumental music as well as songs, and was the composer of the earliest surviving music for the guitar.
Tarcisio Fusco
Tarcisio Fusco was an Italian composer of film scores.
He was the brother of the composer Giovanni Fusco and the uncle of operatic soprano Cecilia Fusco.
Amedeo Escobar
Amedeo Escobar( 1888–1973) was an Italian composer of film scores.
Bert Grund
Bert Grund( 1920–1992) was a German composer of film scores.
Aaron Copland
Aaron Copland (November 14, 1900December 2, 1990) was an American composer, composition teacher, writer, and later a conductor of his own and other American music.
Copland was referred to by his peers and critics as "the Dean of American Composers".
The open, slowly changing harmonies in much of his music are typical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit.
He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which the composer labeled his "vernacular" style.
Works in this vein include the ballets "Appalachian SpringBilly the Kid" and "Rodeo", his "Fanfare for the Common Man" and Third Symphony.
In addition to his ballets and orchestral works, he produced music in many other genres, including chamber music, vocal works, opera and film scores.
After some initial studies with composer Rubin Goldmark, Copland traveled to Paris, where he first studied with Isidor Philipp and Paul Vidal, then with noted pedagogue Nadia Boulanger.
He studied three years with Boulanger, whose eclectic approach to music inspired his own broad taste.
Determined upon his return to the U.S. to make his way as a full-time composer, Copland gave lecture-recitals, wrote works on commission and did some teaching and writing.
He found composing orchestral music in the modernist style he had adapted abroad a financially contradictory approach, particularly in light of the Great Depression.
He shifted in the mid-1930s to a more accessible musical style which mirrored the German idea of ("music for use"), music that could serve utilitarian and artistic purposes.
During the Depression years, he traveled extensively to Europe, Africa, and Mexico, formed an important friendship with Mexican composer Carlos Chávez and began composing his signature works.
During the late 1940s, Copland became aware that Stravinsky and other fellow composers had begun to study Arnold Schoenberg's use of twelve-tone (serial) techniques.
After he had been exposed to the works of French composer Pierre Boulez, he incorporated serial techniques into his "Piano Quartet" (1950), "Piano Fantasy" (1957), "Connotations" for orchestra (1961) and "Inscape" for orchestra (1967).
Unlike Schoenberg, Copland used his tone rows in much the same fashion as his tonal material—as sources for melodies and harmonies, rather than as complete statements in their own right, except for crucial events from a structural point of view.
From the 1960s onward, Copland's activities turned more from composing to conducting.
He became a frequent guest conductor of orchestras in the U.S. and the UK and made a series of recordings of his music, primarily for Columbia Records.
Walter Ulfig
Walter Ulfig was a German composer of film scores.
Henri Verdun
Henri Verdun( 1895–1977) was a French composer of film scores.

Question: What nationality is the composer of film The City (1939 Film)?
Answer: American