Wang Xiaoshuai
Wang Xiaoshuai( born May 22, 1966) is a Chinese film director, screenwriter and occasional actor.
He is commonly grouped under the loose association of filmmakers known as the" Sixth Generation" of the Cinema of China ..
Like others in this generation, and in contrast with earlier Chinese filmmakers who produced mostly historical drama, Wang proposed a “ new urban Chinese cinema[ that] has been mainly concerned with bearing witness of a fast- paced transforming China and producing a localized critique of globalization. ”
Many of Wang's works are known for their sensitive portrayal of teens and youths, most notable in films such as" Beijing BicycleSo Close to ParadiseDrifters", and" Shanghai Dreams".
His 2008 film" In Love We Trust" was an exception as it portrays marital strains.
In 2010 Wang was appointed a" chevalier" of the Ordre des Arts et des Lettres.
He also served as a member of the jury of the BigScreen Italia Film Festival 2006, held in Kunming, Yunnan, China.
Adam Cozad
Adam Cozad is an American screenwriter best known for writing the scripts for and" The Legend of Tarzan".
The Legend of the Boy and the Eagle
The Legend of the Boy and the Eagle is a 1967 American live- action Walt Disney film.
Robert Clouse
Robert Clouse( March 6, 1928 – February 4, 1997) was an American film director and producer, known primarily for his work in the action/ adventure and martial arts genres.
He died on February 4, 1997 in Oregon of kidney failure.
Clouse directed Bruce Lee in Lee's second English- speaking film starring role,( the other being" Marlowe) 1973's" Enter the Dragon".
After Lee's death, Clouse completed Lee's final film" Game of Death" and released it in 1978 with a new storyline and cast.
Other projects included" Black Belt Jones"( 1974)," Darker than Amber"( 1970)," China O' Brien"( 1990), Jackie Chan's" The Big Brawl"( 1980)," Gymkata"( 1985)," The Ultimate Warrior"( 1975), among others.
Vincent Alo
Vincent" Jimmy Blue Eyes" Alo( May 26, 1904 – March 9, 2001) was a New York mobster and a high- ranking capo in the Genovese crime family who set up casino operations with mob associate Meyer Lansky in Florida and Cuba.
The Legend of Frank Woods
The Legend of Frank Woods is a 1977 western film.
" The Legend of Frank Woods" is a re-edited version a 1972 film entitled" To Hell You Preach".
The Legend of Ero of Armenteira
The legend of Saint Ero of Armenteira.
The romanic monastery of Armenteira has always been related to the legend of its founder, the abbot Ero.
The Legend of Jimmy Blue Eyes
The Legend of Jimmy Blue Eyes is a 1964 short film directed by Robert Clouse.
Teddy Buckner composed the film score.
Janee Michelle had her film acting debut in the film.
John A. Alonzo, who would later become best known for his camerawork for" Chinatown", served as the cinematographer for" The Legend of Jimmy Blue Eyes".
The film was screened at the 1965 Cannes Film Festival.
Clouse won a Golden Globe Award for the film.
The film was nominated for the Academy Award for Best Live Action Short Film at the 37th Academy Awards, but lost to.
" The Legend of Jimmy Blue Eyes" was Clouse's second film to be nominated for this award, the first being the 1962 film" The Cadillac".
The Legend of the Silver Fir
The Legend of the Silver Fir is a 1973 Czechoslovak film directed by František Vláčil.
Beijing Bicycle
Beijing Bicycle  "is a 2001 Chinese drama film by Sixth Generation Chinese director Wang Xiaoshuai, with joint investment from the Taiwanese Arc Light Films and the French Pyramide Productions.
The film stars first-time actors Cui Lin and Li Bin, supported by the already established actresses Zhou Xun and Gao Yuanyuan.
It premiered at the Berlin International Film Festival on 17 February 2001 and won the Jury Grand Prix, but was subsequently banned in Mainland China.
The ban was eventually lifted in 2004."
"Beijing Bicycle" revolves around a seventeen-year-old boy Guei (Cui) from the countryside who came to Beijing to seek work.
He finds a job with a courier company, which assigns him a brand-new bicycle.
After it is stolen one day, the stubborn Guei goes on a search for his missing bicycle.
At the other end of the city, Jian (Li) is a schoolboy who buys Guei's stolen bicycle from a second-hand market.
When Guei's search brings the two boys together, more than the ownership of the bicycle is brought into question.
The film explores the theme of youth as well as several social issues, including class, youth delinquency, theft, and rural-urban socio-economic divisions and change.

Question: Do both The Legend of Jimmy Blue Eyes and Beijing Bicycle films have the directors from the same country?
Answer: no