VVB
VVB has more meanings:
Berlin Sonnenallee station
Sonnenallee is a railway station in the Neukölln district of Berlin.
It is served by the S- Bahn lines and and is located at the southeastern end of the major street of the same name, about which a film was produced in 1999.
Way of the Dragon 2
Way of the Dragon 2, also known as Bruce Le's Greatest Revenge, is a 1978 martial arts sequel to Way of the Dragon starring Bruce Le.
The film is also considered to be a Bruceploitation film.
Despite the title the film has more in common with the 1972 film" Fist of Fury".
The film has received mixed to negative reviews.
Winter Sports Building
The Winter Sports Building( known locally as The Barn or The Old Barn) was an indoor ice rink on the campus if the University of North Dakota in Grand Forks, North Dakota.
The arena was one of the first indoor college facilities but began to show its age in the 1960s and was eventually replaced by the original Ralph Engelstad Arena in 1972 and then demolished in 1978.
Road show
Roadshow theatrical release is a practice in which a film opened in a limited number of theaters in large cities.
Road show or Road Show may also refer to:
Muhammadum Musthafayum
Muhammadum Musthafayum is a 1978 Indian Malayalam film.
The film has musical score by M. S. Viswanathan.
The Old Barn
The Old Barn is a 1929 American comedy film directed by Mack Sennett.
Zavallılar
Zavallılar is a film directed by Yılmaz Güney and written by Yılmaz Güney and Atıf Yılmaz.
Cast includes Yılmaz Güney, Yıldırım Önal, Göktürk Güney, Hülya Şengül, Hakkı Güvenç and Güven Şengil.
It was produced by Güney Film.
After Güney had begun to shoot the film he went behind bars due to the reason that he had sheltered anarchist students at home.
The destiny of his film Zavallılar seemed to be similar with those other unfinished films like Eisenstein ’s" Que Viva Mexico!", and Marilyn Monroe ’s" Something's Got to Give".
Güney planned to finish this film after his release, but as he winded up behind bars, he was unable to finish it.
However, in the archives there were about a 30 minutes taped, and Atıf Yılmaz continued upon this with fundamental changes in the scenario.
Thus, Zavallılar has a reputation as being an “ outer ” film of the man from the “ inside ”.
In Güney's films, prison has always been a symbol referring to the first or last station of the bad fate or of being trapped.
Prison has been a part of both his films and his individual life.
In Zavallılar, however, prison is a place sheltering poor, unemployed, and desperate people and a place where they can eat their fill.
Zavallılar is a film with 3 protagonists: Abuzer( performed by Yılmaz Güney), Arap( performed by Güven Şengil), and Hacı( performed by Yıldırım Önal).
The “ wretches ” are people crushed, looked down, excluded by the society, they are real miserables.
The film begins with the anxiety of the protagonists about their coming out.
They beg to stay at least until spring, because they do not have anyone or any place to which they belong to.
The film shows retrospectively the facts that caused them to go behind bars.
While telling their story, Yılmaz and Güney touch sorespots of the society, and refer to certain deviating situations.
Arap has been imprisoned because of his employer, against whose unjust behaviour he opposed.
His employer promised him a place in a building, that he would use as a little teahouse in return to stand guard of the building during its construction without pay.
However, after the construction the employer dishonours his promise, and Arap tried to fight, but he finds himself at the prison.
The labour under an illusionment of Arap symbolizes the labor exploitation and lack of social security.
Hacı has been imprisoned because of the double- crossing of a prostitute, whom he dreamed to live with.
Hacı's drama does not only narrates loneliness and lovelessness.
At the same time, it shows the by-products of the capitalist order, which develop alongside but which are not visible as long as one “ keeps out ”, like worthlessness, prostitiution, procuration, and bravado.
Abuzer saw his mother killing a man, to whom her husband sold her.
After that, Abuzer is pushed to evilness and crime, as he does not have any shelter or a family anymore.
Tha last scene of the scene is a one, which becomes imprinted in one's memory who watches the film.
It makes the fact visible, what out an innocent child can become due to the lack of social conscience.
Zavallılar sets forth a lot of problems and conflicts without mentioning their roots.
With this approach Güney continues, with the help of Yılmaz, his documentary behaviour.
It shows realities without any interpretatiın to the audience.
Again, Zavallılar has an uncertain end like Umut, and most of his other films.
Vaa Deal
Vaa Deal is an upcoming Indian Tamil- language action film directed and written by Rathina Shiva.
It features Arun Vijay and Karthika Nair in the lead roles.
The film has music by Thaman.
Having been in production since 2012, the film has been delayed for several years.
Old Barn (Canton, Massachusetts)
The Old Barn is a historic barn off Blue Hill River Road in Canton, Massachusetts.
Based on the construction methods used, it is estimated to have been built between 1690 and 1720, and is the oldest building on Brookwood Farm.
It is currently undergoing a major restoration undertaken by the North Bennet Street School.
They have removed the oldest section for major work to repair rot and insect damage.
It is expected to be returned to the site in 2010 or 2011.
All of the photographs here are of the portions of the barn built after the original barn.
The barn was added to the National Register of Historic Places as Old Barn on September 25, 1980.

Question: Which film has more directors, Zavallılar or The Old Barn?