Daning
Daning or Da Ning may refer to:
Thundergate
Thundergate is a 1923 American drama film directed by Joseph De Grasse and written by Perry N. Vekroff.
The film stars Owen Moore, Virginia Brown Faire, Edwin B. Tilton, Sylvia Breamer, Robert McKim and Richard Cummings.
The film was released on October 15, 1923, by Associated First National Pictures.
João Silva
João Silva or da Silva may refer to:
Hip hop
Hip hop or hip-hop, is a culture and art movement that was created by African Americans, Latino Americans and Caribbean Americans in the Bronx, New York City.
The origin of the name is often disputed.
It is also argued as to whether hip hop started in the South or West Bronx.
While the term "hip hop" is often used to refer exclusively to hip hop music (including rap), hip hop is characterized by nine elements, of which only four are considered essential to understanding hip hop musically.
Afrika Bambaataa of the hip hop collective
Zulu Nation outlined these main pillars of hip hop culture, coining the terms: "rapping" (also called MCing or emceeing), a rhythmic vocal rhyming style (orality); DJing (and turntablism), which is making music with record players and DJ mixers (aural/sound and music creation); b-boying/b-girling/breakdancing (movement/dance); and graffiti.
Other elements of hip hop subculture and arts movements beyond the main four are: hip hop culture and historical knowledge of the movement (intellectual/philosophical); beatboxing, a percussive vocal style; street entrepreneurship; hip hop language; and hip hop fashion and style, among others.
The fifth element, although debated, is commonly considered either street knowledge, hip hop fashion, or beatboxing.
The Bronx hip hop scene emerged in the mid-1970s from neighborhood block parties thrown by the Black Spades, an African-American group that has been described as being a gang, a club, and a music group.
Brother-sister duo Clive Campbell, a.k.a. DJ Kool Herc, and Cindy Campbell additionally hosted DJ parties in the Bronx and are credited for the rise in the genre.
Hip hop culture has spread to both urban and suburban communities throughout the United States and subsequently the world.
These elements were adapted and developed considerably, particularly as the art forms spread to new continents and merged with local styles in the 1990s and subsequent decades.
Even as the movement continues to expand globally and explore myriad styles and art forms, including hip hop theater and hip hop film, the four foundational elements provide coherence and a strong foundation for hip hop culture.
Hip hop is simultaneously a new and old phenomenon; the importance of sampling tracks, beats, and basslines from old records to the art form means that much of the culture has revolved around the idea of updating classic recordings, attitudes, and experiences for modern audiences.
Sampling older culture and reusing it in a new context or a new format is called "flipping" in hip hop culture.
Hip hop music follows in the footsteps of earlier African-American-rooted and Latino musical genres such as blues, jazz, rag-time, funk, salsa, and disco to become one of the most practiced genres worldwide.
In 1990, Ronald "Bee-Stinger" Savage, a former member of the Zulu Nation, is credited for coining the term "Six elements of the Hip Hop Movement," inspired by Public Enemy's recordings.
The "Six Elements Of The Hip Hop Movement" are: Consciousness Awareness, Civil Rights Awareness, Activism Awareness, Justice, Political Awareness, and Community Awareness in music.
Ronald Savage is known as the Son of The Hip Hop Movement.
In the 2000s, with the rise of new media platforms and Web 2.0, fans discovered and downloaded or streamed hip hop music through social networking sites beginning with Myspace, as well as from websites like YouTube, Worldstarhiphop, SoundCloud, and Spotify.
Pêro de Anaia
Pêro de Anaia or Pedro d' Anaya or Anhaya or da Nhaya or da Naia( died March 1506) was a Castilian- Portuguese 16th- century knight, who established and became the first captain- major of the Portuguese Fort São Caetano in Sofala, and thus the first colonial governor of Portuguese East Africa( Mozambique).
Hip-hop in academia
Hip hop studies is a multidisciplinary field of study that encompasses sociology, anthropology, communication and rhetoric studies, religious studies, cultural studies, critical race theory, missiological studies, art history, dance, musicology, ethnomusicology, music theory, and gender studies.
The term" hip hop studies" began circulating in the mid-2000s, and though it is not clear who first coined the term to label the field, the field of hip hop studies is oft cited as having been crystallized by the publication of" That's the Joint!: The Hip Hop Studies Reader" in 2003.
" That's the Joint!" includes approximately 25 years of scholarship, criticism, and journalism.
The publication of this anthology was unprecedented, and highlights the evolving and continuous influence of" one of the most creative and contested elements of global popular culture since its advent in the late 1970s."
The publication of the first edition of" That's the Joint!" marked a consolidating moment for the field of hip hop studies because it brought together key writings on hip hop from a diversity of hip hop authorities.
Hip hop culture, rooted in the 1970s post -industrial South Bronx, is polyvocal and is represented in five cultural modes: rap music( oral), turntablism or" DJing"( aural), breaking( physical), graffiti art( visual), and knowledge( mental).
Hip hop has, and continues to produce a remarkable array of thinkers who embody complex ideological makeups exemplified through their performances as writers, artists, poets, and scholars.
In" Hip Hop Matters"( 2005), professor and media scholar S. Craig Watkins labels the increasing interdisciplinary cohort of hip hop academics and scholars as the" hip- hop intelligentsia," and suggests that while this group of individuals may not often been discussed as an entity in and of itself, their existence is, without question, one of the greatest achievements of the hip hop movement.
Watkins writes:" The growing array of hip- hop intellectuals is a spectacular indication of the movement's multifaceted demeanor and ceaseless energy ...
What has emerged is a body of thinkers who articulate a wide range of ideas that, in their unique way, map out the contradictory currents, ideas, and worldview that percolate throughout the phenomenal world of hip hop.
From spoken- word artists to academic scholars hip- hop intellectuals are translating the movement into a vast mix of critical commentary and artistic expression.
The results both energize and expand the image and imagination of the hip- hop intelligentsia."
Hip hop studies is part of the larger hip hop movement.
The research and teaching in this interdisciplinary field includes analyses of technology, pop culture, linguistics, globalization, geography, race, electoral politics, and a variety of aspects related to contemporary culture, as scholars attempt to critically assess hip hop as a movement.
Scholarship in hip hop studies is rooted in the foundational, Afro-diasporic call- and- response mechanism within hip hop culture.
Dapeng
Dapeng or Da Peng may refer to:
Da Hip Hop Witch
Da Hip Hop Witch is a 2000 American parody film directed, produced and written by Dale Resteghini.
The film is a parody of" The Blair Witch Project", and features appearances by Eminem, Ja Rule, Mobb Deep, Pras, Rah Digga, Vitamin C and Vanilla Ice.
Brescia (surname)
Brescia or da Brescia is a surname derived from the city of Brescia in Italy.
Notable people with the surname include:
Nossa Senhora de Nazaré, Piauí
Nossa Senhora de Nazaré is a municipality in the state of Piauí in the Northeast region of Brazil.

Question: Which film came out first, Thundergate or Da Hip Hop Witch?