This artist borrowed the pose of a newly discovered statue of Ariadne to portray a woman playing a kithara in one painting, which shows its central figure playing a modified lira da braccio that has nine strings rather than the typical seven.
This artist borrowed the pose of a newly discovered statue of Ariadne to portray a woman playing a kithara in one painting, which shows its central figure playing a modified lira da braccio that has nine strings rather than the typical seven. This artist designed that painting as a semi-circular fresco around a large window that frames a view of the Cortile del Belvedere. His student Giulio Romano completed a final painting juxtaposing the miracle of the possessed boy on the bottom with a transcendent Christ floating near Mt. Tabor, this man's Transfiguration. He showed Euterpe and Erato sitting on either side of (*) Apollo on the titular mythological mountain in the aforementioned fresco The Parnassus, which appears in the same room as a massive fresco showing the "Church Triumphant" hovering above a group of theologians debating transubstantiation. For 10 points, name this Renaissance artist who decorated the Vatican's Stanza della Segnatura with works like La Disputa and The School of Athens.
This artist borrowed the pose of a newly discovered statue of Ariadne to portray a woman playing a kithara in one painting, which shows its central figure playing a modified lira da braccio that has nine strings rather than the typical seven.
Raphael Sanzio [or Raffaello Sanzio da Urbino] 