A poem about a landmark named for this location compares it to a "harp and altar, of fury fused" and wonders "(How could mere toil align thy coiling strings)" before asking it to "of the curveship lend a myth to God."
A poem about a landmark named for this location compares it to a "harp and altar, of fury fused" and wonders "(How could mere toil align thy coiling strings)" before asking it to "of the curveship lend a myth to God." A poem about a journey to this location tells it that "You furnish your parts toward the soul" and earlier remarks on "Crowds of men and women attired in their usual costumes!" Â A long poem anchored to a landmark named for this location launches into stories about (*) "Powhatan's Daughter" and "Ave Maria," which recounts Columbus' discovery of America. A poem about going to this location opens, "Flood-tide below me! I watch you face to face." This location's "Bridge" was considered by Hart Crane to be the poetic center of its city. For 10 points, Walt Whitman described "Crossing" a "Ferry" to what borough of New York?
A poem about a landmark named for this location compares it to a "harp and altar, of fury fused" and wonders "(How could mere toil align thy coiling strings)" before asking it to "of the curveship lend a myth to God."
Brooklyn [accept "To Brooklyn Bridge"; accept "Crossing Brooklyn Ferry," prompt on "The Bridge"; prompt on New York] Â 