In Romare Bearden's version a Dalmatian can be seen on the ground, a waiter brings a drink from the right, and the participants have enormous hands.
In Romare Bearden's version a Dalmatian can be seen on the ground, a waiter brings a drink from the right, and the participants have enormous hands. Pieter de Hooch's version features a young page entering the scene and takes place in front of a fireplace, where a young lady asks her suitor's opinion. Theo Van Doesburg's depiction has a fourth party standing, surveying the action and it is framed by a dark background. The most famous representation of these titular individuals came in a series of three canvasses composed between 1890 and 1892 that feature five, four, and two figures, respectively. In all of the works these folks are gathered around a central table, wear hats, and stare intently at what they hold in front of them, for ten points, identify these subjects of Paul Cezanne's ruminations on playing a winning hand.
In Romare Bearden's version a Dalmatian can be seen on the ground, a waiter brings a drink from the right, and the participants have enormous hands.
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