The antithesis of one of this man's late works is the last work of the protagonist of one novel, who is inspired by the lament "Lasciatemi morire" and uses materials like the letters "H-E-A-E-S" in a "magic square" manner.
The antithesis of one of this man's late works is the last work of the protagonist of one novel, who is inspired by the lament "Lasciatemi morire" and uses materials like the letters "H-E-A-E-S" in a "magic square" manner. One of this man's works is described as "Bliss and heaven...gorgeousness and gorgeousity made flesh" by the protagonist of another novel. Several lectures on this man's work are given by a hopelessly stuttering man who shouts out commentary while playing his (*) music, tells the story of this man writing "the Credo, the Credo with the fugue," and explains why this composer did not write a third movement for his last piano sonata. In another novel, the protagonist exclaims that this man "did no harm to anyone. [He] just wrote music," as his fifth symphony is played to footage of Nazi war crimes. For 10 points, name this composer whose music is central to Wendell Kretzschmar's teaching in Doctor Faustus, and whose music is adored by Alex in A Clockwork Orange.
The antithesis of one of this man's late works is the last work of the protagonist of one novel, who is inspired by the lament "Lasciatemi morire" and uses materials like the letters "H-E-A-E-S" in a "magic square" manner.
Ludwig van {Beethoven} [accept “Good Ol’ {Ludwig van}”]