The central figure of this painting assumes a pose that is derived from the artist's earlier works Miracle of the Jealous Husband and The Martyrdom of Saint Lawrence.
The central figure of this painting assumes a pose that is derived from the artist's earlier works Miracle of the Jealous Husband and The Martyrdom of Saint Lawrence. In the left background, a group of nymphs can be seen on land in front of some cliffs, and at the bottom of this work, a monstrous, brown sea creature opens its mouth at the central figure. Of the two flying putti in the top left of this work, both hold bows but only the one on the left holds arrows, and the title character looks up at those putti. The title figure (*) grips a red robe in one hand while lying on an orange robe. In the bottom left, another putto rides a fish near the tail of a white animal that appears to be looking at the viewer; that animal is a bull. For 10 points, name this painting of an abduction scene by Titian
The central figure of this painting assumes a pose that is derived from the artist's earlier works Miracle of the Jealous Husband and The Martyrdom of Saint Lawrence.
The Rape of Europa