This man's Stabat Mater ends with a "Paradisi Gloria" performed by the whole choir featuring very few breaks and no division of voice parts, unlike the piece by Lassus which it is often compared with.
This man's Stabat Mater ends with a "Paradisi Gloria" performed by the whole choir featuring very few breaks and no division of voice parts, unlike the piece by Lassus which it is often compared with. Like Thomas Tallis, he produced some Lamentations of Jeremiah the Prophet, though he resigned afterwards in protest of the way choirboys were fed. His Mottetorum liber secundus includes motets by his brother and two sons, two of his 250 motets, an early book of which was dedicated to Pope Julius III and resulted in his admittance to the Cappella Sistina. His most famous work, for six voices, demonstrated that the mass could be intelligible in the context of polyphony and was submitted to the Council of Trent. FTP, name this 16th century composer of the Roman School, best known for his Pope Marcellus Mass.
This man's Stabat Mater ends with a "Paradisi Gloria" performed by the whole choir featuring very few breaks and no division of voice parts, unlike the piece by Lassus which it is often compared with.
Giovanni Pierluigi da {Palestrina}