One work by this name spends an undue amount of time examining the dental hygiene of Kiki of Montparnasse, and grew out of a collaboration arranged by Frederick Kesler.
One work by this name spends an undue amount of time examining the dental hygiene of Kiki of Montparnasse, and grew out of a collaboration arranged by Frederick Kesler. This work features a sonnata rondo structure that sees the first theme recapitulated by triple meter xylophones, before an extended coda sequence which begins after a single bell sounds and features long periods of silence punctuated by increasingly angry contributions form this work's central instrument. This work's disastrous 1927 Carnegie Hall premiere prompted its composer to shun sheet music and declare a general distaste for (*) Marinetti, while recent orchestrations have used synchronized disklaviers in place of the 16 player pianos demanded by this piece. Originally written as the score for a Dadaist film collaboration involving Dudley Murphy, Man Ray, and Fernand Leger, this absurd futurist composition consists of the ensuing cacophony produced by switching on an assortment of items like sirens and airplane propellers. FTP, identify this musical work by George Antheil, whose title suggests a machinated version of a certain dance genre whose participants often wear tutus.
One work by this name spends an undue amount of time examining the dental hygiene of Kiki of Montparnasse, and grew out of a collaboration arranged by Frederick Kesler.
{Ballet Mecanique} or {Mechanical Ballet}