On the right hand side of this painting a man is wearing a green and red polka dotted outfit and is standing on a green wooden platform containing the artist's signature.  
On the right hand side of this painting a man is wearing a green and red polka dotted outfit and is standing on a green wooden platform containing the artist's signature.  A sketch for this painting included a man wearing a chest full of military banners, and more prominently featured a (+) drummer.  Since this composition was never exhibited, the artist was better known in his lifetime for paintings like Skeletons Trying to Get Warm.  In the bottom left, a man wears a green top hat and a skeleton mask and someone holds a sign with the word "Fanfares" (*) on it, while several figures wearing paper mache masks look at the title figure of this work who is riding on a donkey.  Elsewhere, a banner reading "Long Live the Socialist State" is held up.  FTP, identify this work by James Ensor seeing Jesus arrive in the artist's home town.
On the right hand side of this painting a man is wearing a green and red polka dotted outfit and is standing on a green wooden platform containing the artist's signature.  
{The Entry of Christ Into Brussels} in 1889 (or {Christ's Entry Into Brussels} in 1889) [3]