A quadruple one was written by Alan Hovhanness, while the first one to appear on a film soundtrack was in Virgil Thomson's score for Louisana Story.
A quadruple one was written by Alan Hovhanness, while the first one to appear on a film soundtrack was in Virgil Thomson's score for Louisana Story. The "school" variety is seen in Ravel's Tomb of Couperin, and Arthur Honneger revised part of "Amphion" into a work entitled "prelude, this, and postlude for orchestra." Beethoven's Great one and Shostakovich's twenty-four preludes and these are other examples of this form, which begins with an exposition involving an instrument playing the subject and other voices repeating. For 10 points, name this musical form seen in Bach's "Well-Tempered Clavier."
A quadruple one was written by Alan Hovhanness, while the first one to appear on a film soundtrack was in Virgil Thomson's score for Louisana Story.
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