The space between the central figures in this painting reveals a man in blue walking behind a drooping flag.
The space between the central figures in this painting reveals a man in blue walking behind a drooping flag. In the left foreground of this painting, a man in green holds a rifle on his shoulder and looks at the viewer, and another man clad in white looks intently at his finger. The left foreground of this painting is dominated by a horse's ass, behind which rests a white and teal-checkered flag. Two battle-axes poke up from the crowd on the left side of this painting, and one of the central figures in this painting is wearing an ornate pink sash. One man in this painting is slightly bowed, handing the key to the title city to a man holding a telescope. Showing Justin Nassau and Ambrosio Spinola discussing terms, for 10 points, name this painting alternately known as "The Lances," by Diego Velazquez.
The space between the central figures in this painting reveals a man in blue walking behind a drooping flag.
The {Surrender at Breda} [or The {Surrender of Breda}; or La {Rendicion de Breda}; accept early Las {Lanzas}; or The {Lances}]