Problem: Background: Fred Hampton (August 30, 1948 - December 4, 1969) was an African-American activist and revolutionary, chairman of the Illinois chapter of the Black Panther Party (BPP), and deputy chairman of the national BPP. Hampton and fellow Black Panther Mark Clark were killed during a raid by a tactical unit of the Cook County, Illinois State's Attorney's Office, in conjunction with the Chicago Police Department and the Federal Bureau of Investigation in December 1969. In January 1970, a coroner's jury held an inquest and ruled the deaths of Hampton and Clark to be justifiable homicide. However, a civil lawsuit was later filed on behalf of the survivors and the relatives of Hampton and Clark.
Context: About the same time that Hampton was successfully organizing young African-Americans for the NAACP, the Black Panther Party (BPP) started rising to national prominence. Hampton was quickly attracted to the Black Panthers' approach, which was based on a ten-point program that integrated black self-determination on the basis of Maoism. Hampton joined the Party and relocated to downtown Chicago, and in November 1968 he joined the Party's nascent Illinois chapter--founded by Student Nonviolent Coordinating Committee (SNCC) organizer Bob Brown in late 1967. Over the next year, Hampton and his associates made a number of significant achievements in Chicago. Perhaps his most important accomplishment was his brokering of a nonaggression pact between Chicago's most powerful street gangs. Emphasizing that racial and ethnic conflict between gangs would only keep its members entrenched in poverty, Hampton strove to forge a class-conscious, multi-racial alliance between the BPP, the Young Patriots Organization, and the Young Lords under the leadership of Jose Cha Cha Jimenez. Fred Hampton met the Young Lords in the Chicago Lincoln Park Neighborhood, the day after the Young Lords were in the news after they had occupied a police community workshop meeting, held on the second floor hall of the Chicago 18th District Police Station. Later, the Rainbow Coalition was joined nationwide by the Students for a Democratic Society ("SDS"), the Brown Berets, and the Red Guard Party. In May 1969, Hampton called a press conference to announce that this "rainbow coalition" had formed. It was a phrase coined by Hampton and made popular over the years by Reverend Jesse Jackson, who eventually appropriated the name in forming his own, unrelated, coalition, Rainbow/PUSH. Hampton's organizing skills, substantial oratorical gifts, and personal charisma allowed him to rise quickly in the Black Panthers. Once he became leader of the Chicago chapter, he organized weekly rallies, worked closely with the BPP's local People's Clinic, taught political education classes every morning at 6am, and launched a project for community supervision of the police. Hampton was also instrumental in the BPP's Free Breakfast Program. When Brown left the Party with Stokely Carmichael in the FBI-fomented SNCC/Panther split, Hampton assumed chairmanship of the Illinois state BPP, automatically making him a national BPP deputy chairman. As the Panther leadership across the country began to be decimated by the impact of the FBI's COINTELPRO, Hampton's prominence in the national hierarchy increased rapidly and dramatically. Eventually, Hampton was in line to be appointed to the Party's Central Committee's Chief of Staff. He would have achieved this position had it not been for his death on the morning of December 4, 1969.
Question: Did his family move to Chicago as well?
Answer: unrelated,

Problem: Background: Victor Jara was born in 1932 in Lonquen, near Santiago, to two peasants, Manuel Jara and Amanda Martinez. His father was illiterate and encouraged his children to work from an early age to help the family survive, rather than attend school. By the age of 6, Jara was already working on the land. His father could not support the family on his earnings as a peasant at the Ruiz-Tagle estate, nor was he able to find stable work.
Context: After joining the choir at the University of Chile in Santiago, Jara was convinced by a choir-mate to pursue a career in theater. He subsequently joined the university's theater program and earned a scholarship for talent. He appeared in several of the university's plays, gravitating toward those with social themes, such as Russian playwright Maxim Gorky's The Lower Depths, a depiction of the hardships of lower-class life. In 1957, he met Violeta Parra, a singer who had steered folk music in Chile away from the rote reproduction of rural materials toward modern song composition rooted in traditional forms, and who had established musical community centers called penas to incorporate folk music into the everyday life of modern Chileans. Jara absorbed these lessons and began singing with a group called Cuncumen, with whom he continued his explorations of Chile's traditional music. He was deeply influenced by the folk music of Chile and other Latin American countries, and by artists such as Parra, Atahualpa Yupanqui, and the poet Pablo Neruda. In the 1960s, Jara started specializing in folk music and sang at Santiago's La Pena de Los Parra, owned by Angel Parra. Through these activities, he became involved in the Nueva Cancion movement of Latin American folk music. He released his first album, Canto a lo humano, in 1966, and by 1970, he had left his theater work in favor of a career in music. His songs were inspired by a combination of traditional folk music and left-wing political activism. From this period, some of his best-known songs are "Plegaria a un Labrador" ("Prayer to a Worker") and "Te Recuerdo Amanda" ("I Remember You Amanda").
Question: Did Jara do anything besides music?
Answer:
theater