Answer the question at the end by quoting:

Larry Wayne Gatlin (born May 2, 1948) is an American country and Southern gospel singer and songwriter. As part of a trio with his younger brothers Steve and Rudy, he achieved considerable success within the country music genre, performing on thirty-three Top 40 singles (combining his solo recordings and those with his brothers). As their fame grew, the band became known as Larry Gatlin & the Gatlin Brothers. Larry Gatlin is known for his rich falsetto singing style and for the unique pop-inflected songs he wrote and recorded in the 1970s and 1980s.
Gatlin was born in Seminole in Gaines County, Texas, next to the New Mexico border. His father was an oilfield worker, and the family lived in several locations while he was a youth, including Abilene and Odessa. He was reared listening to country and southern gospel music. He and his brothers, Steve and Rudy, have performed together since childhood; when they were younger, they often sang in their local church. They sometimes performed on local radio stations, and occasionally on television shows. They also recorded a gospel music album for the Gospel label Sword and Shield. The brothers even managed to beat out the legendary Roy Orbison in a local talent contest. In 1964, Gatlin was a quarterback at Odessa High School. After graduation in 1966, Gatlin was eligible to serve in the Vietnam War; however, he did not, instead choosing to attend the University of Houston. As a wide receiver on the football team, he caught a touchdown pass in a 1968 game in which his team, the Cougars, scored 100 points. He later auditioned for and joined the gospel music group The Imperials. The Imperials went on to perform in Las Vegas, Nevada in January 1971 at Jimmy Dean's Las Vegas Revue. While walking through the showroom, he caught country singer Dottie West's attention, who thought he looked like Mickey Newbury. West soon met Gatlin and was impressed with his songwriting skills. She was so impressed, in fact, that she recorded two of Gatlin's compositions, "You're the Other Half of Me" and "Once You Were Mine." West also passed one of Gatlin's demo tapes around Nashville, Tennessee, and even arranged for him to relocate there, purchasing a plane ticket for him--a story he related on the 11/12/2009 episode of "Larry's Country Diner" on RFD-TV. West later recorded other compositions by Gatlin that would later become hits for him, including "Broken Lady", which was put on West's 1978 album, Dottie.

How did he get his start?

he caught country singer Dottie West's attention, who thought he looked like Mickey Newbury.

Answer the question at the end by quoting:

Charles-Edouard Jeanneret, known as Le Corbusier (French: [l@ koRby'zje]; 6 October 1887 - 27 August 1965), was a Swiss-French architect, designer, painter, urban planner, writer, and one of the pioneers of what is now called modern architecture. He was born in Switzerland and became a French citizen in 1930. His career spanned five decades and he designed buildings in Europe, Japan, India, and North and South America.
An important early work of Le Corbusier was the Esprit Nouveau Pavilion, built for the 1925 Paris International Exhibition of Modern Decorative and Industrial Arts, the event which later gave Art Deco its name. Le Corbusier built the pavilion in collaboration with Amedee Ozenfant and with his cousin Pierre Jeanneret. Le Corbusier and Ozenfant had broken with Cubism and formed the Purism movement in 1918 and in 1920 founded their journal L'Esprit Nouveau in 1920. In his new journal, Le Corbusier vividly denounced the decorative arts: "Decorative Art, as opposed to the machine phenomenon, is the final twitch of the old manual modes, a dying thing." To illustrate his ideas, he and Ozenfant decided to create small pavilion at the Exposition, representing his idea of the future urban housing unit. A house, he wrote, "is a cell within the body of a city. The cell is made up of the vital elements which are the mechanics of a house...Decorative art is antistandarizational. Our pavilion will contain only standard things created by industry in factories and mass produced, objects truly of the style of today...my pavilion will therefore be a cell extracted from a huge apartment building.". Le Corbusier and his collaborators were given a plot of land located behind the Grand Palais in the center of the Exposition. The plot was forested, and exhibitors could not cut down trees, so Le Corbusier built his pavilion with a tree in the center, emerging through a hole in the roof. The building was a stark white box with an interior terrace and square glass windows. The interior was decorated with a few cubist paintings and with a few pieces of mass-produced commercially available furniture, entirely different from the expensive, one-of-a-kind pieces in the other pavilions. The chief organizers of the Exposition were furious, and built a fence to partially hide the pavilion. Le Corbusier had to appeal to the Ministry of Fine Arts, which ordered that fence be taken down. Besides the furniture, the pavilion exhibited a model of his "Plan Voisin" his provocative plan for rebuilding a large part of the centre of Paris. He proposed to bulldoze a large area north of the Seine and replace the narrow streets, monuments and houses with giant sixty-story cruciform towers placed within an orthogonal street grid and park-like green space. His scheme was met with criticism and scorn from French politicians and industrialists, although they were favorable to the ideas of Taylorism and Fordism underlying his designs. The plan was never seriously considered, but it provoked discussion concerning how to deal with the overcrowded poor working-class neighborhoods of Paris, and it later saw partial realization in the housing developments built in the Paris suburbs in the 1950s and 1960s. The Pavilion was ridiculed by many critics, but Le Corbusier, undaunted, wrote: "Right now one thing is sure. 1925 marks the decisive turning point in the quarrel between the old and new. After 1925, the antique-lovers will have virtually ended their lives...Progress is achieved through experimentation; the decision will be awarded on the field of battle of the "new".

What was the Pavilion?
An important early work of Le Corbusier was the Esprit Nouveau Pavilion,