Q: A friend asked me to answer this question: What is the first name of the person who finally does manage to talk to Rosenbluth?, using the article: Kurtwood Smith plays Myron Castleman, an everyman stuck in a loop that forces him to constantly relive the same hour of his life over and over, being the only person aware of this. During one loop, he discovers that a scientist named Nathan Rosenbluth has predicted an event that matches his experience. Castleman calls him and explains what is going on, however, Rosenbluth is highly skeptical of his claims. Over the next loops, Myron struggles to get into contact with Rosenbluth again, and in the process becomes frustrated to the point of screaming at his secretary and throwing his suitcase into traffic. Eventually, he does manage to talk to Rosenbluth, who initially dismisses Myron as crazy until Myron describes the transition as the scientist had predicted (including the phrase "Consciousness is an independent variable," which is central to Rosenbluth's theories). The professor sadly informs Castleman that there is nothing that can be done, causing Myron to become hysterical and shoot himself. There is a brief pause until Myron finds himself back at the beginning of the loop, realizing that he is trapped for eternity., what would be the answer ?
A: Myron
Question: A friend asked me to answer this question: What is the specific musical key in which Messiah reaches its triumphant ending?, using the article: Handel's music for Messiah is distinguished from most of his other oratorios by an orchestral restrainta quality which the musicologist Percy M. Young observes was not adopted by Mozart and other later arrangers of the music. The work begins quietly, with instrumental and solo movements preceding the first appearance of the chorus, whose entry in the low alto register is muted. A particular aspect of Handel's restraint is his limited use of trumpets throughout the work. After their introduction in the Part I chorus "Glory to God", apart from the solo in "The trumpet shall sound" they are heard only in "Hallelujah" and the final chorus "Worthy is the Lamb". It is this rarity, says Young, that makes these brass interpolations particularly effective: "Increase them and the thrill is diminished". In "Glory to God", Handel marked the entry of the trumpets as da lontano e un poco piano, meaning "quietly, from afar"; his original intention had been to place the brass offstage (in disparte) at this point, to highlight the effect of distance. In this initial appearance the trumpets lack the expected drum accompaniment, "a deliberate withholding of effect, leaving something in reserve for Parts II and III" according to Luckett.Although Messiah is not in any particular key, Handel's tonal scheme has been summarised by the musicologist Anthony Hicks as "an aspiration towards D major", the key musically associated with light and glory. As the oratorio moves forward with various shifts in key to reflect changes in mood, D major emerges at significant points, primarily the "trumpet" movements with their uplifting messages. It is the key in which the work reaches its triumphant ending. In the absence of a predominant key, other integrating elements have been proposed. For example, the musicologist Rudolf Steglich has suggested that Handel used the device of the "ascending fourth" as a unifying motif; this device most noticeably occurs in the first two notes of "I know that my Redeemer liveth" and on numerous other..., what would be the answer ?
Answer: D major
[Q]: A friend asked me to answer this question: What is the full name of the person that said Kylie (Minogue) was the light force?, using the article: Minogue has been inspired by and compared to Madonna throughout her career. Her producer, Pete Waterman, recalled Minogue during the early years of her success with the observation: "She was setting her sights on becoming the new Prince or Madonna ... What I found amazing was that she was outselling Madonna four to one, but still wanted to be her." Minogue received negative comments that her Rhythm of Love tour in 1991 was too similar visually to Madonna's Blond Ambition World Tour, for which critics labelled her a Madonna wannabe. Rufus Wainwright wrote for the Observer Music Monthly, "Madonna subverts everything for her own gain. I went to see her London show and it was all so dour and humourless. She surpasses even Joan Crawford in terms of megalomania. Which in itself makes her a kind of dark, gay icon ... I love Kylie, she's the anti-Madonna. Self-knowledge is a truly beautiful thing and Kylie knows herself inside out. She is what she is and there is no attempt to make quasi-intellectual statements to substantiate it. She is the gay shorthand for joy." Kathy McCabe for The Telegraph noted that Minogue and Madonna follow similar styles in music and fashion, but concluded, "Where they truly diverge on the pop-culture scale is in shock value. Minogue's clips might draw a gasp from some but Madonna's ignite religious and political debate unlike any other artist on the planet ... Simply, Madonna is the dark force; Kylie is the light force." Rolling Stone commented that, with the exception of the US, Minogue is regarded throughout the world as "an icon to rival Madonna", saying, "Like Madonna, Minogue was not a virtuosic singer but a canny trend spotter." Minogue has said of Madonna, "Her huge influence on the world, in pop and fashion, meant that I wasn't immune to the trends she created. I admire Madonna greatly but in the beginning she made it difficult for artists like me, she had done everything there was to be done", and "Madonna's the Queen of Pop, I'm the princess. I'm quite happy with that."In January..., what would be the answer ?
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[A]: Kathy McCabe
Question: A friend asked me to answer this question: What is the last name of the person who is little seen or heard from by the family?, using the article: Jack Griffith, known as "Papa" to all, is a family man in a Texas town, but an irresponsibly eccentric one when he has had a drink too many. To impress his six-year-old daughter Corinne, he spends the family's savings to buy his own circus, simply so the little girl can have her own pony. His elder daughter Augusta becomes distraught as her father makes some questionable business deals under the influence of alcohol. This causes strife within the Griffith household and makes her beau's father (the local bank president) forbid his son to associate with the Griffith family. After his squandering leaves the Griffiths in debt, wife Ambolyn packs up Augusta and Corinne and moves to Texarkana, Texas, where her father, Anthony Ghio, is the mayor. Griffith attempts to use his circus to help Ghio's bid for reelection, but accidentally causes Ambolyn to end up with a broken hand. Despondent, he leaves for Louisiana and is little seen or heard from by the family. Talked into an attempt at reconciliation, Papa is reluctant, believing the Griffiths want nothing more to do with him, but he is welcomed back with open arms., what would be the answer ?
Answer:
Griffith