Ques:Rain, the young man is thinking. Of course it would be raining. Not a heavy, cleansing rain that leaves the streets steaming and the neatly sculptured yards lush and fragrant. This is a gray drizzling rain. A rain that makes him think of places like England and Scotland as they appear in those disturbing late night films on cable, the ones in black and white that weren't particularly memorable when they were made and are even less so now. Still, it rains and the air is cool. All he has to shelter him is a think nylon jacket. The jacket is soaked. It feels both chilly and coarse against his skin. His hair hangs in flat and sodden wings, falling into his eyes. It's long in the back, almost to his shoulders, and he thinks that the cars that pass him on the street, the occupants of those cars, might look at him and see only that he is wet and not that he is dirty as well. Can they tell that his hair has been unwashed for days? That his clothes are the same ones he's worn for more than a week? It doesn't matter. He's invisible to them as soon as they pass, taking any assumptions they might make with them. They might just mistake him for one of those hoity-toity college kids, one of those clean limbed and beaming have's who has happened to find himself caught out without his umbrella. He makes a desultory attempt to straighten his shoulders, to lift his eyes from the buckled sidewalk. To look like he might have a purpose or a destination. It doesn't help. He has become the day. He has internalized the environment. He did that years ago, in fact. That's all I can do. Not his words, of course, but he understands them. He is intimately acquainted with his limitations. Why is the young man walking in the rain? - His friend never picked him up - not enough information - He was unable to find his umbrella - He forgot his car

Ans:not enough information
-----
Ques:Marnie Sleightholme was well chuffed when she got the chance to be carnival queen, and she couldn't give a shit if it was true what folk were saying about her only getting picked because she'd had her right arm ripped off. Ever since the accident, Deborah Bullock had been using twice as much make-up to disguise her rage. Marnie being picked as carnival queen had only made her pile it on even thicker. Deborah Bullock told anyone who would listen how it was a complete piss-take to give the job to a cripple. 'Imagine getting a wedding cake covered in frosty decorations and shit like that, but it's already got a big chunk bitten out of it. Well, that's exactly how it is.' Deborah Bullock had dreamed of being carnival queen since more or less the start of primary school. She used to tear their pictures out of the newspaper and dress up to look like them, and tell Marnie she never could because she was too fat and ugly even to pretend. It was Deborah Bullock's on-off boyfriend who'd been driving the car Marnie had been sitting in when it veered off the road and crashed into a tree halfway down Back South Lane. It was pointless trying to hide the truth. There was only one reason anybody went down Back South Lane at that time of night, and the flashing blue lights illuminated the exact location for the whole town to see. When Marnie came round in a hospital bed, the first face she saw was Deborah Bullock's. She felt an ache in her side and blinked her eyes. The room was bare and cold. There was an empty chair in the corner. Deborah Bullock slapped some cheap flowers down on the bed and leaned in. She smelled of talcum powder and nicotine. 'Do you want the good news or the bad news? The good news is you've finally lost some weight. The bad news is, they've chopped your right arm off. So you're still a fat bitch.' Deborah gave Marnie flowers: - after the car accident - before the car accident - not enough information - after Marnie was crowned carnival queen

Ans:after the car accident
-----
Ques:Today, many academics feel stuck between a rock and a hard place. They're under huge pressure to write and publish but an ever-growing mountain of teaching and admin is stopping them doing just that. Our research finds that whilst nobody is immune to these pressures, some academics cope better than others and that's because over the years, they've developed personal "systems" to help them write. We recently carried out in-depth interviews with 23 scholars across the UK, Europe and the US. We deliberately chose a diverse group so as to not make any assumptions based on age, seniority, or research background. Academic experience ranged from six months to 27 years and subject fields ranged from social sciences, economics, business, and arts. We did this as part of our user research to inform the development of Prolifiko a digital coaching tool for writers. Whilst every academic had developed a writing productivity system personal to them, we found there were six common "habits" that the most prolific (and generally least stressed) academics tended to use. 1. They "time-block" their writing in advance Scheduling booking in time to write in advance was the single most common habit of our writers. It didn't appear to matter what type of time-blocking method a scholar chose to use or how lengthy a writing session was. Some blocked out long periods of time on sabbatical, whilst others preferred to block out short, regular times throughout the day or across a week. What seemed to matter far more was the act of planning, as this mentally prepared the individual for writing and so made the process easier and less stressful. "When I need to write I block out time. I'm lucky in that I can work from home I block out a couple of straight days to do the writing and I plan it in beforehand. I couldn't really write in any other way than blocking out that time." How does the author probably feel about time blocking from home? - it puts someone under huge pressure - It is useful as long as you are able to schedule time each day - not enough information - it's a lengthy process

Ans:
It is useful as long as you are able to schedule time each day
-----