Question: Dr. Victor Von Doom (commonly known as Doctor Doom, or simply Doom) is a fictional character appearing in American comic books published by Marvel Comics. The son of a Romani witch, Von Doom has been depicted as a supervillain, the archenemy of the Fantastic Four, and the leader of the fictional nation called Latveria. While his chief opponents have been the Fantastic Four, he has also come into conflict with Spider-Man, Iron Man, Black Panther, and multiple others. Von Doom has also been depicted as a superhero, being the third character to take up the mantle of Iron Man and joining the Avengers.

Rapper MF DOOM bases his persona on Victor von Doom. In the book Superhero: The Secret Origin of a Genre, Peter Coogan writes that Doom's original appearance was representative of a change in the portrayal of "mad scientists" to full-fledged villains, often with upgraded powers. These supervillains are genre-crossing villains who exist in adventures "in a world in which the ordinary laws of nature are slightly suspended"; characters such as Professor Moriarty, Count Dracula, Auric Goldfinger, Hannibal Lecter, Joker, Lex Luthor, and Darth Vader, also fit this description. Sanderson also found traces of William Shakespeare's characters Richard III and Iago in Doom; all of them "are descended from the 'vice' figure of medieval drama", who address the audience in monologues detailing their thoughts and ambitions. Described as "iconic", Doom is one of the most well-received characters of the Marvel Universe, as well as one of the most recurring; in his constant battles with other heroes and other villains, Doctor Doom has appeared more times than any other character. The comics site Panels of Awesome ranked Doctor Doom as the number one villain in their listing of the top ten villains in comics; Wizard Magazine went a step further by declaring Doctor Doom the fourth greatest villain of all time. Comic Book Resources ranks Victor von Doom as their fourth favorite Marvel character. Journalist Brent Ecenbarger cited him being able to "stand up against entities like Mephisto, the Beyonder, and Galactus and often comes out on top", as well as the tragedy of any "other number of circumstances could have led to Doctor Doom being a savior, but as it is, instead he remains Marvel's greatest villain.", a fact that later led to the character's redemption. Fellow journalist Jason Stanhope called his "master[ing] of sorcery and technology an unusual combination", and also felt "his inner sense of nobility sets him apart from lesser villains, in a similar manner to Magneto." Von Doom has also been favorably regarded by those who wrote for the character; Stan Lee declared Doom his favorite villain, saying that Doom "could come to the United States and he could do almost anything, and we could not arrest him because he has diplomatic immunity. Also, he wants to rule the world and if you think about it, wanting to rule the world is not a crime.", that Doom technically isn't a villain. Mark Waid echoed Lee's assessment of the character, stating that Doom "[has] got a great look, a great visual design [and] a dynamite origin." A ride called Doctor Doom's Fearfall is located at Islands of Adventure in the Universal Orlando Resort.

Using a quote from the above article, answer the following question: What did others say or think about him?
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Answer: Wizard Magazine went a step further by declaring Doctor Doom the fourth greatest villain of all time.

Question: Bradley Joseph (born 1965) is an American composer, arranger, and producer of contemporary instrumental music. His compositions include works for orchestra, quartet, and solo piano, while his musical style ranges from "quietly pensive mood music to a rich orchestration of classical depth and breadth". Active since 1983, Joseph has performed in front of millions of people around the world. He played various instruments in rock bands throughout the Midwest until 1989 when Greek composer Yanni hired him for his core band after hearing a tape of his original compositions.

In 1989, Joseph recorded his first demo tape and sent it off to Greek composer Yanni, who was looking for someone to replace keyboardist John Tesh, as Tesh was launching his own solo career. When Yanni heard Joseph's compositions and arrangements, he was hired over the phone to join his core band, without ever meeting. After moving to Los Angeles at age 23, he composed, arranged, and performed alongside Yanni for more than six years, performing in-concert with a number of notable symphony orchestras, touring throughout the U.S. and abroad as Yanni gained worldwide fame. His first show was at the Starplex in Dallas with the Dallas Symphony Orchestra filming a video project. "It was a real trial by fire for me", said Joseph. "First show + 10,000 people + TV cameras equals NERVOUS." He told Jane Fredericksen of the St. Croix Valley Press that "It was a big jump, you don't really realize it at the time, but there's no in-between -- going from playing nightclubs to arenas." Some of these early tours included the Reflections of Passion, Revolution in Sound, Dare to Dream, Yanni Live, The Symphony Concerts 1993 and 1994 concert tours, as well as a performance in Germany that was broadcast throughout Europe and seen by 30 to 40 million viewers. Joseph appears on the 1994 multi-platinum album and video, Live at the Acropolis. He recounts, "When I reflect back over the years, one of the high points that stand out include performing at the Acropolis with Yanni. Imagine all these different cultures coming together with the challenges of language, equipment, travel, and weather problems. I still picture the police running their dogs through the dressing rooms to sniff out any bomb possibilities right before the show. People still come up to me and comment how that show has affected their lives." In the band, Joseph covered a lot of the keyboard parts that Yanni could not for lack of hands in the shows. He assisted with the task of managing the 30 or more synthesizers onstage, and helped layer with the orchestra to create a "full-bodied, live-effect sound". He did have to adjust some parts that did not work well in a live situation and worked extensively on programming sounds for all keyboardists. Joseph said that "Yanni gave us musicians a great deal of freedom to expand the music as well. If you listen to the original recordings he did and what we ended up with in our live recordings, you can really hear the musician's input." He readily credits Yanni's role in his professional development, and for five years of irreplaceable experiences and memories. Between tours, Joseph worked extensively in recording studios on music ranging from rock and pop to rhythm and blues and orchestration with numerous artists from RCA, Epic, Warner Brothers, and Polygram Records, in addition to performing in an elaborate national keyboard show tour with various musicians. In 2003, he returned for the 60-city Ethnicity tour.

Using a quote from the above article, answer the following question: Did Bradley request to work with him?
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Answer:
Joseph recorded his first demo tape and sent it off