Teacher: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Teacher: Now, understand the problem? If you are still confused, see the following example:
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this instance: Context_1 : Chinese folklore features a rich variety of ghosts, monsters, and other supernatural creatures. According to traditional beliefs a ghost is the spirit form of a person who has died. Ghosts are typically malevolent and will cause harm to the living if provoked. Many Chinese folk beliefs about ghosts have been adopted into the mythologies and folklore of neighboring cultures, notably Korea, Japan and Southeast Asia. Beliefs about ghosts are closely associated with Chinese ancestor worship, where much have been incorporated into Taoism. Later beliefs were influenced by Buddhism and in turn influenced and created uniquely Chinese Buddhist beliefs about the supernatural. Context_2 : A House Divided is a strategic level board wargame about the American Civil War for two players, featuring point-to-point movement, low-complexity rules, and relatively few counters to maneuver. It was designed by Frank Chadwick and released in 1981 by Game Designers Workshop. "A House Divided" won the Charles S. Roberts/Origins Awards for "Best Pre-20th Century Boardgame of 1981" and "Best Pre-20th Century Boardgame of 1989". Context_3 : Ghosts 'n Goblins: Gold Knights and Ghosts 'n Goblins: Gold Knights II, released in Japan as Makaimura Kishi Retsuden ( , lit. Demon World Village: Knight Chronicles ) and Makaimura Kishi Retsuden II (II , lit. Demon World Village: Knight Chronicles II ) respectively, are a pair of run and gun platformer video games developed and published by Capcom for iOS and are the latest games in the "Ghosts 'n Goblins" franchise. Context_4 : Ghosts (Finnish: "Kummituspeli" , Swedish: "Spokspelet" ) is a board game designed by Alex Randolph for two players, released in 1982 by Milton Bradley. Context_5 : Thirteen Ghosts (also known as 13 Ghosts and stylized as THIR13EN Ghosts) is a 2001 Canadian-American supernatural horror film directed by Steve Beck. It is a remake of the 1960 film "13 Ghosts" by William Castle. It follows the remake of another one of Castle's films, "House on Haunted Hill", and was shot entirely around Lower Mainland, British Columbia. Context_6 : The Social Network is a dark ambient soundtrack by Trent Reznor and Atticus Ross for David Fincher's film of the same name. It was released on September 28, 2010. On September 17, a five-track sampler was also made available for free. The film's score bears a similar sound to the previous Reznor/Ross 2008 collaboration, "Ghosts I-IV", and even features two slightly reworked tracks from "Ghosts ": the track "Magnetic" (reworked from "14 Ghosts II") and "A Familiar Taste" (a remixed version of "35 Ghosts IV"). Context_7 : Ghosts are an important part of the folklore, and form an integral part of the socio-cultural beliefs of the people living in the geographical and ethno-linguistic region of Bengal, which today consists of the independent nation of Bangladesh, and the Indian states of West Bengal. Fairy tales, both old and new, often use the concept of ghosts. In modern-day Bengali literature, cinema and also in radio & television media, the references to ghosts are often found. There are also many alleged haunted sites in this region. It is believed that the spirits of those who cannot find peace in the afterlife or die unnatural deaths remain on Earth. The common word for ghosts in Bengali is "bhoot" or "bhut" (Bengali: ). This word has an alternative meaning: 'past' in Bengali. Also, the word "Pret" (derived from Sanskrit 'Preta') is used in Bengali to mean ghost. In Bengal, ghosts are believed to be the spirit after death of an unsatisfied human being or a soul of a person who dies in unnatural or abnormal circumstances (like murder, suicide or accident). Even it is believed that other animals and creatures can also be turned into ghost after their death. Context_8 : Dalds [dal'd<nowiki>s</nowiki>] is a running-fight board game only known from a few coastal locations in Scandinavia, where its history can be traced back to around 1800. The game is notable for its unusual four-sided dice (stick or long dice). In Denmark it is known as dalds in Northern and Western Jutland (Mors, Thisted and Fan), and possibly as daldos on Bornholm. In Norway it is known under the name of daldsa from Jren, where, unlike in Denmark, a continuous tradition of the dalds game exists. A rather similar game called sahkku, using virtually identical dice, is known in a number of variants from the Sea Sami in Northern Norway, Finland and Russia. Otherwise, the closest relatives of this game appear to be the tab games from Northern Africa and South-western Asia, possibly apart from one unlabelled diagram in a codex from Southern England. Context_9 : Sahkku is a board game among the Sami people. The game is particularly traditional among the Coast Sami of northern Norway and Russia, but is also known to have been played in other parts of Sapmi. Context_10 : Babylon 5: A Call to Arms (ACtA) is a tabletop miniatures boardgame released in September 2004 by Mongoose Publishing, designed initially as an expansion to their "", it is a complete game in its own right. "Babylon 5: A Call to Arms" is based upon the sci-fi television series "Babylon 5" and draws heavily on material from the television show and the boardgame "Babylon 5 Wars". The game's popularity exceeded Mongoose Publishing's initial expectations and has expanded to include new rules supplements and new miniatures; a second edition of the game was released in August 2007. Mongoose Publishing announced on their website in February 2008 that all production of miniatures for the line would cease as of March 2008. Mongoose have indicated they will continue to support the game however through supplements and articles in their in-house magazine Signs and Portents. fact_1 : Ghosts (Finnish: "Kummituspeli" , Swedish: "Spokspelet" ) is a board game designed by Alex Randolph for two players, released in 1982 by Milton Bradley. fact_2 : Sahkku is a board game among the Sami people. Answer: no
Student:
Are Ghosts and Sahkku the same boardgame?