In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Review: I had never read Gary Paulsen's novel, Hatchet, for which 'A Cry in the Wild' is the adaptation of, so I can't make any comparisons to the book. I will, however, say that as a film on its own, adaptation or no adaptation, it was an underdeveloped adventure that provides no major explanation of its few characters.Think of 'A Cry in the Wild' as a less luxurious, teenage mountaineer (was Quincy, California the only place this was filmed?) version of 'Cast Away.' Jared Rushton is 13-year-old Brian Roebson, a kid headed on a small plane to visit his father, until the craft crashes over some deserted mountain terrain, leaving the kid stranded for quite a while and having to defend himself.There are basically three parts to the film. The obvious being the ten or fifteen minute introduction of the characters, namely Brian and his mom. The next third of the movie (which really consumes nearly all of the film) is that of Brian "roughing it." These scenes contain no particularly amazing action, nothing spectacular other than lots of beautiful cinematography of a beautiful Yukon landscape. Nothing to put you on edge, no real encounters (except a brisk confrontation with a cub), and no major dilemmas to initiate some sort of enjoyment or connection with the character on the screen. You might even feel briefly bored with the passage of time as we witness Brian dealing with his situation through first, primitive means, and then more improved ones (using tools, etc) for his survival. It is more like the ordinary time that passes if you were actually stuck in the situation, and that is pretty much about it. In other words, they put no meat on the Paulsen's words when they translated them into a visual media.And, of course, the third part of the movie is his rescue.There is a subplot that continuously seeks to make itself known during this time, however. Some conflict between Brian and his parents that created a rocky, awkward relationship between them. However, for the most part, it is only explained in brief, intermittent, minimal dialog flashbacks that look more like a back story for a music video. Any minute, the singer from Jefferson Starship, should chime in an start singing 'Sara.' Other than what the viewer can draw from the implications, or guess for his own need to fill the gaps in the narrative, we get a very underdeveloped back story which was probably necessary to enjoy at least part of this film and create a connection to the characters, whether or not it really had anything to do with Brian's survival adventure in the third part of the movie. These are the flaws in the narrative that through the viewer into a stupor as he struggles to find out what the heck those people there on the screen are doing and, for me, almost done to the point of screaming at the television to say something and tell me more! It certainly was not, for me, a good adventure tale. But, for fans of Jared Rushton, it was one of the last few movies he made. So, watch it purely for nostalgia, if nothing else. Question: is it a positive review?
no

Review: ****Don't read this review if you want the shocking conclusion of "The Crater Lake Monster" to be a total surprise****A claymation plesiosaur rises from the depths of Crater Lake to wreak havoc on a group of local rednecks, not to mention your fast forward button. To call "The Crater Lake Monster" amateurish is to overstate the obvious. If you aren't a fan of low budget drive-in films, you probably wouldn't be looking here in the first place.The problem with the movie is that when there's no monster action going on, it really sucks and goes nowhere. The script is very Ed Wood-ish, in that it's utterly contrived in the way it sets up the main action sequences. Nothing is too outlandish for "The Crater Lake Monster". It explains its dinosaur by having a meteor crash into Crater Lake, 'superheating' the water to the point where it incubates a dinosaur egg that has apparently been resting at the bottom of the lake for millennia. Even if we could accept that the egg could have been lying there for so long and remained uncovered and viable, wouldn't "superheating" the water to such a high temperature cause most of the lake to evaporate? Other than some token fog in one or two scenes, we see no evidence of the water being hot, other than a few lines in the script.The script is padded rather obviously in a few sequences, and it will do anything to get the characters near the lake so that they can be menaced by the claymation dino. A couple just passing through experiences car trouble and while their automobile is being serviced, they decide to rent a boat and head out into Crater Lake. Hmmmm...do you think these strangers in the story could be there so they would run into our title monstrosity? In a sequence that's just plain bizarre, a drunk robs a liquor store and decides to murder the cashier and a bystander instead of paying four dollars for a bottle of booze. A car chase ensues, and wouldn't ya know it...they end up right by the lake. Snack time for Cratey! Yeah, it's not hard to figure out, and you're so far ahead of the script that you're irritated when it takes another ten minutes for these scenes to unfold.The shamelessness of it all is endearing, and I really want to like "The Crater Lake Monster". I just can't do it. There's not enough here to go on, and this is more of a movie to put on during a party, because you could talk right over it and it wouldn't matter. The film has a slim list of the things going for it, the most important being the dinosaur itself, which appears in three forms: a shadow puppet, a large model head that is dragged woodenly through the water, and a fully realized claymation insert that actually looks pretty good. There are also a pair of lovable hicks in it, and they carry the majority of the intentional humor in the movie. A downbeat ending leaves us mourning the death of both the monster AND one of our beloved hicks, so every good thing about this film is dead by the end of it. Why was I so affected by this conclusion? Was it the mournful song played over the closing credits? Or was I just weeping inwardly for the time that I waste watching films like this? Question: is it a positive review?
no

Review: In what is arguably the best outdoor adventure film of all time, four city guys confront nature's wrath, in a story of survival. The setting is backwoods Georgia, with its forests, mountains, and wild rivers.The director, John Boorman, chose to use local people, not actors, to portray secondary characters. These locals imbue the film with a depth of characterization unequaled in film history. No central casting "actors" could ever come close to these people's remarkable faces, voices, or actions. I don't recall a film wherein the secondary characters are so realistic and colorful. As much as anything else, it is this gritty realism that makes this film so amazing.Another strength is the film's theme. Nature, in the wild, can be violent. How appropriate that the setting should be the American South. Very few places in the U.S. are, or have been, as violent as redneck country. In a story about Darwinian survival of the fittest, the film conveys the idea that humans are part of nature, not separate from it."Deliverance" is very much a product of its time when, unlike today, Americans expressed concern over a vanishing wilderness. The film's magnificent scenery, the sounds of birds, frogs, crickets, and the roar of the river rapids, combined with the absence of civilization, all convey an environmental message. And that is another strength of the film.At an entertainment level, the tension gradually escalates, as the plot proceeds. Not even half way into the film the tension becomes extreme, and then never lets up, not until the final credits roll. Very few films can sustain that level of intensity over such a long span of plot.Finally, the film's technical quality is topnotch. Direction and editing are flawless. Cinematography is excellent. Dialogue is interesting. And the acting is terrific. Burt Reynolds has never been better. Ned Beatty is perfectly cast and does a fine job. And Jon Voight should have been nominated for an Oscar. If there is a weak link in the film, it is the music, which strikes me as timid.Overall, "Deliverance" almost certainly will appeal to viewers who like outdoor adventure. Even for those who don't, the gritty characterizations, the acting, and the plot tension are reasons enough to watch this film, one of the finest in cinema history. Question: is it a negative review?
no