IN: Take That are an English pop group formed in Manchester, in 1989. The group currently consists of Gary Barlow, Howard Donald and Mark Owen. The original line-up also featured Jason Orange and Robbie Williams. Barlow acts as the group's lead singer and primary songwriter, with Owen and Williams initially providing backing vocals and Donald and Orange serving primarily as dancers.

In May 2013, Owen announced that Take That were to begin recording their seventh studio album in 2014 and On 14 January 2014, Donald and Barlow both tweeted that Take That had entered the studio to begin recording the album, although it was not initially clear if Williams was present at these recording sessions. On 28 April 2014, Williams announced on Twitter he was to become a dad for a second time, and consequently suggested he would be unable to join Take That on their album and tour. Barlow later confirmed that Williams had left the band for a second time, although the departure was amicable and that Williams was welcome to rejoin the band in the future. Williams has since collaborated with Barlow on several projects and duet performances and indicated his interest in reuniting with the band for potential 25th anniversary commemorative events. On 24 September 2014, it was announced that Jason Orange had left the band. He said: 'At a band meeting last week I confirmed to Mark, Gary and Howard that I do not wish to commit to recording and promoting a new album. 'At the end of The Progress Tour I began to question whether it might be the right time for me to not continue on with Take That,' he continued. 'There have been no fallings out, only a decision on my part that I no longer wish to do this,' he added. Barlow, Donald and Owen issued a joint statement about Orange's decision which said: "This is a sad day for us. Jason leaving is a huge loss both professionally and even more so personally ... Jason's energy and belief in what this band could achieve has made it what it is today, and we'll forever be grateful for his enthusiasm, dedication and inspiration over the years." On 10 October 2014, Take That unveiled the lead single from the album. Titled "These Days", it was released on 23 November 2014 and went to No. 1 in the UK Singles Chart, knocking Band Aid 30 off the top spot and becoming their 12th number one single. The album itself, called III, was released on 28 November 2014 and became the band's seventh No. 1 album. It was then followed by a sell-out arena tour entitled Take That Live. On 14 October 2015, the band announced their new single "Hey Boy", released on 16 October, which is the first single from the 2015 re-release of III. The 2015 edition of the album was released on 20 November. In December 2015, British media buzzed about the group embarking on a stint in Las Vegas, starting 2017. Reports indicated the group impressed U.S. promoters and would headline their own residency show. Many venues circulated, including The AXIS at the Planet Hollywood Resort & Casino, The Foundry at SLS Las Vegas and the Linq Theater at The LINQ Hotel & Casino. Local newspaper, the Las Vegas Sun writes that everything is still unconfirmed, despite Barlow confirming the rumour on Twitter.
QUESTION: what year was this?
IN: Modern Sounds in Country and Western Music is a studio album by American R&B singer-songwriter and musician Ray Charles. It was recorded by Charles in February 1962 at Capitol Studios in New York City and at United Recording Studios in Hollywood, then released in April of that year by ABC-Paramount Records. The album departed stylistically from the singer's previous rhythm and blues music. It featured country, folk, and Western music standards reworked by Charles in popular song forms of the time, including R&B, pop, and jazz.

Following his blues fusion with gospel and jazz influences on his earlier Atlantic material, which had brought him much fame and controversy, Charles sought to experiment with country music. As noted by himself in the liner notes for What'd I Say (1959), Charles was influenced by the genre in his youth, stating that he "used to play piano in a hillbilly band" and that he believed that he "could do a good job with the right hillbilly song today." At Atlantic, he attempted to incorporate this style and influence with his cover of country singer Hank Snow's "I'm Movin' On". Charles later said about the song, "When I heard Hank Snow sing 'Moving On', I loved it. And the lyrics. Keep in mind, I'm a singer, so I like lyrics. Those lyrics are great, so that's what made me want to do it." The "I'm Movin' On" sessions were his last for Atlantic. Charles's recording of his acclaimed studio effort The Genius of Ray Charles (1959) brought him closer to expressing his jazz and pop crossover ambitions. Described by one music critic as "the most important of his albums for Atlantic", the record was the first to introduce Charles's musical approach of blending his brassy R&B sound with the more middle of the road, pop-oriented style, while performing in the presence of a big band ensemble. Recording of the album, as well his ABC-Paramount debut, The Genius Hits the Road (1960), a collection of place-name songs devoted to parts of the United States, expanded on Charles's thematic and conceptually-organized approach to albums rather than commercially successful singles production. Inspired by this approach and his recording of "I'm Movin' On", Charles originally made plans for a single-less concept album. When Charles had announced that he wanted to work on an album of country music in 1961, during a period of racial segregation and tension in the United States, he received generally negative commentary and feedback from his peers, including fellow R&B musicians and ABC-Paramount executives. The country album concept, however, meant more to Charles as a test of his record label's faith in him and respect for his artistic freedom than as a test of social tolerance among listeners amid racial distinctions of country and R&B. Fueled by his esteem for creative control, Charles pitched the idea of a country album to ABC representatives. Following the successful lobby of the concept and a contract renewal in early 1962, which was linked to the launching of his own Tangerine label, Charles prepared his band for the recording sessions that produced Modern Sounds in Country and Western Music.
QUESTION:
did it work out well for him ?