Problem: Background: Carlos Santana audio (born July 20, 1947) is a Mexican and American musician who first became famous in the late 1960s and early 1970s with his band, Santana, which pioneered a fusion of rock and Latin American jazz. The band's sound featured his melodic, blues-based guitar lines set against Latin and African rhythms featuring percussion instruments such as timbales and congas not generally heard in rock music. Santana continued to work in these forms over the following decades. He experienced a resurgence of popularity and critical acclaim in the late 1990s.
Context: Carlos Santana's distinctive guitar tone is produced by PRS Santana signature guitars plugged into multiple amplifiers. The amps consist of a Mesa Boogie Mark I, Dumble Overdrive Reverb and more recently a Bludotone amplifier. Santana compares the tonal qualities of each amplifier to that of a singer producing head/nasal tones, chest tones, and belly tones. A three-way amp switcher is employed on Carlos's pedal board to enable him to switch between amps. Often the unique tones of each amplifier are blended together, complementing each other producing a richer tone. He also put the "Boogie" in Mesa Boogie. Santana is credited with coining the popular Mesa amplifier name when he tried one and exclaimed, "That little thing really Boogies!" Specifically, Santana combines a Mesa/Boogie Mark I head running through a Boogie cabinet with Altec 417-8H (or recently JBL E120s) speakers, and a Dumble Overdrive Reverb and/or a Dumble Overdrive Special running through a Brown or Marshall 4x12 cabinet with Celestion G12M "Greenback" speakers, depending on the desired sound. Shure KSM-32 microphones are used to pick up the sound, going to the PA. Additionally, a Fender Cyber-Twin Amp is mostly used at home. During his early career Santana used a GMT transistor amplifier stack and a silverface Fender Twin. The GMT 226A rig was used at the Woodstock concert as well as during recording Santana's debut album. During this era Santana had also begun to use the Fender Twin, which was also used on the debut and proceedingly at the recording sessions of Abraxas.
Question: What is Amplifiers?
Answer: Carlos Santana's distinctive guitar tone is produced by PRS Santana signature guitars plugged into multiple amplifiers.

Problem: Background: Hed PE (also known as (hed) Planet Earth and stylized as (h@d) p.e.) is an American rock/hip hop band from Huntington Beach, California. Formed in 1994, the band is known for its eclectic genre-crossing style, predominately in the fusion of gangsta rap and punk it has termed "G-punk", but also for its reggae-fused music. The band's cross-genre mix of styles has been cited by journalists as having a considerable impact on rap rock and nu metal, though no firsthand accounts of the band influencing bands in either genre exists and the band itself has denied being a part of these styles, identifying more as a punk rock band utilizing rap vocals in conjunction with other vocal styles (melodic reggae singing, screaming and death growls) rather than being a rap rock band in of itself. One reviewer described the "nu metal" categorization as being a mistaken association.
Context: Hed PE performs a style of music which they have referred to as "G-punk", a phrase inspired by the term "G-funk". Hed PE has also described its music as "schizophrenic". Hed PE's music is a fusion of styles ranging from hip hop, reggae, and ska to hard rock, punk, and heavy metal. Other elements that have been incorporated into this style include blues, funk, jazz and industrial. Jared Gomes' vocal style ranges from melodic singing to rapping, screaming, and death growls. The band's lyrics draw from a number of subjects, including social justice, the existence of extraterrestrial life, criticism of organized religion, the 9/11 Truth movement, cannabis use and sexual intercourse. The band has disassociated itself from nu metal and rap rock, with former guitarist Jaxon stating that "I wouldn't call our band nu metal" and Gomes noting that his vocal style is wider ranging than simply rapping. Regarding the band's association with nu metal, Kik Axe described the band as being "mistakenly lumped" into the genre, while Beatdust described the band's sound as helping shape nu metal, listing Linkin Park and Limp Bizkit as bands it believes were influenced by Hed PE. Hed PE itself claims that Linkin Park was influenced by Hed PE's music and that Fred Durst listened to Hed PE frequently while recording Limp Bizkit's debut album; these claims, however, have not been backed up by either Durst or Linkin Park. Gomes, in addition to the 9/11 Truth movement, has expressed support for social liberal politicians such as Nancy Pelosi and president Barack Obama. Previously however, Gomes' 2004 lyrics for Only in Amerika expressed support for nationalism, and called for retaliation against Al Qaeda for the 9/11 terrorist attacks.
Question: Were they at one time called nu metal?
Answer: Kik Axe described the band as being "mistakenly lumped" into the genre,

Problem: Background: Samuel Luther "Big Sam" Thompson (March 5, 1860 - November 7, 1922) was an American professional baseball player from 1884 to 1898 and with a brief comeback in 1906. At 6 feet, 2 inches, the Indiana native was one of the larger players of his day and was known for his prominent handlebar mustache. He played as a right fielder in Major League Baseball for the Detroit Wolverines (1885-88), Philadelphia Phillies (1889-1898) and Detroit Tigers (1906). He was inducted into the Baseball Hall of Fame in 1974.
Context: At age 36, Thompson played his last full season of professional baseball in 1896. His average dipped to .298, but he still managed to collect 100 RBIs. Thompson's throwing remained strong as he turned in one of the finest defensive performances of his career. Despite appearing in only 119 games in the outfield, he led the league in outfield fielding percentage (.974), outfield assists (28), and double plays from the outfield (11). One sports writer noted that, even at age 38, Thompson "possessed an arm that the fastest sprinters in the big league had a lot of respect for." As a team, however, the Phillies fell to eighth place in the National League with a 62-68 record. In 1897, at age 37, Thompson was sidelined by pain and appeared in only three games. Some accounts suggest that Thompson's absence from the lineup may have also been the result of his not getting along with Philadelphia's new manager George Stallings. Without Thompson, the 1897 Phillies dropped to 10th place with a 55-77 record. Before the 1898 season began, Thompson gave an interview in which he questioned the Phillies chances to compete in 1898: "What are the Phillies' chances this season? Six clubs, Cincinnati Baltimore, Boston, New York, Cleveland and Brooklyn are bound to beat them, and they will have to fight hard to lead the second division, and I very much doubt if they can do that." Though his loyalty to the Phillies was questioned, Thompson did return in 1898 and was batting .349 with 15 RBIs, five doubles, three triples, a home run after 14 games. However, Thompson opted to leave the team in May 1898 and return to his home in Detroit. His sudden retirement has been attributed to a "combination of homesickness and chronic back pain." Other accounts indicate that continued tension with manager Stallings contributed to Thompson's decision to retire.
Question: How many games did he play?
Answer:
" As a team, however, the Phillies fell to eighth place in the National League with a 62-68 record.