In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : "I Put a Spell on You" is a 1956 song written by Jay Hawkins, whose recording was selected as one of the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. It was also ranked No. 313 on "Rolling Stone" magazine's list of The 500 Greatest Songs of All Time. The track became a classic cult song covered by a variety of artists and was his greatest commercial success, reportedly surpassing a million copies in sales, although it failed to make the "Billboard" pop or R&B charts. Context_2 : "Lonely Teardrops" is a song recorded and released as a single in 1958 by R&B, Soul, and Rock n Roll singer Jackie Wilson on the Brunswick label. It is a 1999 Grammy Hall of Fame Inductee. The song became an across-the-board national Top 10 Pop smash (# 7),a # 1 hit on the R&B charts, and is ranked #315 on "Rolling Stone" magazine's list of The 500 Greatest Songs of All Time. It is ranked as the 57th biggest U.S. hit of 1959. "Lonely Teardrops" is also listed on the "Rock and Roll Hall of Fame's" list of ""The 500 Songs that Shaped Rock and Roll"". Context_3 : "Ziggy Stardust" is a song written and recorded by David Bowie for his 1972 concept album "The Rise and Fall of Ziggy Stardust and the Spiders from Mars". The song describes Bowie's alter ego Ziggy Stardust, a rock star who acts as a messenger for extraterrestrial beings. In 2010 the song ranked at No. 282 on "Rolling Stone" Magazine's list of "The 500 Greatest Songs of All Time". The song is one of four of Bowie's songs included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. Context_4 : "Jim Dandy" (sometimes known as "Jim Dandy to the Rescue") is a song written by Lincoln Chase, and was first recorded by American R&B singer LaVern Baker in 1956. It reached the top of the R&B chart and #17 on the pop charts in the United States. It was named one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll and was ranked #352 on Rolling Stone's 500 Greatest Songs of All Time. Context_5 : "All the Young Dudes" is a song written by David Bowie, originally recorded and released as a single by Mott the Hoople in 1972. In 2004, "Rolling Stone" rated "All the Young Dudes" No. 253 in its list of The 500 Greatest Songs of All Time and on its 2010 update was ranked at number 256. It is also one of the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. Context_6 : "The Weight" is a song originally by the Canadian-American group The Band that was released as Capitol Records single 2269 in 1968 and on the group's debut album "Music from Big Pink". Written by Band member Robbie Robertson, the song is about a visitor's experiences in a town mentioned in the lyric's first line as Nazareth. "The Weight" has significantly influenced American popular music, having been listed as #41 on "Rolling Stone"'s 500 Greatest Songs of All Time published in 2004. Pitchfork Media named it the 13th best song of the Sixties, and the Rock and Roll Hall of Fame named it one of the 500 Songs that Shaped Rock and Roll. PBS, which broadcast performances of the song in "Ramble at the Ryman" (2011), "Austin City Limits" (2012), and "Quick Hits" (2012), describes it as "a masterpiece of Biblical allusions, enigmatic lines and iconic characters" and notes its enduring popularity as "an essential part of the American songbook." Context_7 : "My Generation" is a song by the English rock band The Who, which became a hit and one of their most recognisable songs. The song was named the 11th greatest song by "Rolling Stone" "Magazine" on its list of the 500 Greatest Songs of All Time and 13th on VH1's list of the 100 Greatest Songs of Rock & Roll. It is also part of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll and is inducted into the Grammy Hall of Fame for "historical, artistic and significant" value. In 2009 it was named the 37th Greatest Hard Rock Song by VH1. Context_8 : Hear My Cry is the debut studio album by British singer Sonique, released on February 15, 2000. It features the singles "It Feels So Good", which reached number one in the UK Singles Chart, "I Put a Spell on You" and "Sky". The album has sold over half a million copies in the UK alone. Context_9 : "Whipping Post" is a song by The Allman Brothers Band. Written by Gregg Allman, the five-minute studio version first appeared on their 1969 debut album "The Allman Brothers Band". The song's full power manifested itself in concert, when it was the basis for much longer and more intense performances. This was captured in the Allman Brothers' classic 1971 double live album "At Fillmore East", where a 22-minute rendition of the song takes up the entire final side. It was this recording that garnered "Whipping Post" spots on both the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list and "Rolling Stone"' s list of "The 500 Greatest Songs of All Time". Context_10 : "The Spirit of Radio" is a song released in 1980 by the Canadian rock band Rush from their album "Permanent Waves". The song's name was inspired by Toronto radio station CFNY-FM's slogan. The song was significant in the growing popularity of the band. The band had grazed the UK Top 40 two years earlier with "Closer to the Heart", but when issued as a single in March 1980, "The Spirit of Radio" soon reached #13 on the UK singles chart. It remains their biggest UK hit to date (the 7" single was a 3:00 edited version which has never appeared on CD to date). In the US, the single peaked at #51 on the "Billboard" Hot 100 in 1980, and in 1998 a live version of the song reached #27 on the Mainstream Rock Charts. "The Spirit of Radio" was named one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll and was among five Rush songs inducted into the Canadian Songwriters Hall of Fame on March 28, 2010. fact_1 : Hear My Cry is the debut studio album by British singer Sonique, released on February 15, 2000. fact_2 : "I Put a Spell on You" is a 1956 song written by Jay Hawkins, whose recording was selected as one of the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. Answer: Jay Hawkins
Solution: Who wrote the song, originally recorded in 1956 and one of the Rock and Roll Hall of Fames 500 Songs that Shaped Rock and Roll, I Put a Spell on You that appeared on British singer Soniques debu studiot album?