Background: Augusta Ada King-Noel, Countess of Lovelace (nee Byron; 10 December 1815 - 27 November 1852) was an English mathematician and writer, chiefly known for her work on Charles Babbage's proposed mechanical general-purpose computer, the Analytical Engine. She was the first to recognise that the machine had applications beyond pure calculation, and published the first algorithm intended to be carried out by such a machine. As a result, she is sometimes regarded as the first to recognise the full potential of a "computing machine" and the first computer programmer. Ada Lovelace was the only legitimate child of the poet Lord Byron, and his wife Anne Isabella "Annabella" Milbanke, Lady Wentworth.
Context: Throughout her illnesses, she continued her education. Her mother's obsession with rooting out any of the insanity of which she accused Byron was one of the reasons that Ada was taught mathematics from an early age. She was privately schooled in mathematics and science by William Frend, William King, and Mary Somerville, the noted researcher and scientific author of the 19th century. One of her later tutors was the mathematician and logician Augustus De Morgan. From 1832, when she was seventeen, her mathematical abilities began to emerge, and her interest in mathematics dominated the majority of her adult life. In a letter to Lady Byron, De Morgan suggested that her daughter's skill in mathematics could lead her to become "an original mathematical investigator, perhaps of first-rate eminence". Lovelace often questioned basic assumptions by integrating poetry and science. While studying differential calculus, she wrote to De Morgan: I may remark that the curious transformations many formulae can undergo, the unsuspected and to a beginner apparently impossible identity of forms exceedingly dissimilar at first sight, is I think one of the chief difficulties in the early part of mathematical studies. I am often reminded of certain sprites and fairies one reads of, who are at one's elbows in one shape now, and the next minute in a form most dissimilar Lovelace believed that intuition and imagination were critical to effectively applying mathematical and scientific concepts. She valued metaphysics as much as mathematics, viewing both as tools for exploring "the unseen worlds around us".
Question: Did she ever become popular and known for her way of learning?
Answer: She valued metaphysics as much as mathematics, viewing both as tools for exploring "the unseen worlds around us".

Background: Raitt was born in Burbank, California. She is the daughter of the Broadway musical star John Raitt and his first wife, the pianist Marjorie Haydock, and was raised in the Quaker tradition. She began playing guitar at Camp Regis-Apple Jack in Paul Smiths, NY, at an early age. Later she gained notice for her bottleneck-style guitar playing.
Context: In the fall of 1970, She played with her brother David on stand up Bass with Mississippi Fred McDowell at the Philly Folk Festival as well as Opening for John Hammond at the Gaslight Cafe in New York, she was seen by a reporter from Newsweek, who began to spread the word about her performance. Scouts from major record companies were soon attending her shows to watch her play. She eventually accepted an offer from Warner Bros., who soon released her debut album, Bonnie Raitt, in 1971. The album was warmly received by the music press, with many writers praising her skills as an interpreter and as a bottleneck guitarist; at the time, few women in popular music had strong reputations as guitarists. While admired by those who saw her perform, and respected by her peers, Raitt gained little public acclaim for her work. Her critical stature continued to grow but record sales remained modest. Her second album, Give It Up, was released in 1972 to universal "acclaim"; though many critics still regard it as her best work, it did not change her commercial fortunes. 1973's Takin' My Time was also met with critical acclaim, but these notices were not matched by the sales. Raitt was beginning to receive greater press coverage, including a 1975 cover story for Rolling Stone, but with 1974's Streetlights, reviews for her work were becoming increasingly mixed. By now, Raitt was already experimenting with different producers and different styles, and she began to adopt a more mainstream sound that continued through 1975's Home Plate. In 1976, Raitt made an appearance on Warren Zevon's eponymous album with his friend Jackson Browne and Fleetwood Mac's Lindsey Buckingham and Stevie Nicks.
Question: Who did she play with at that time ?
Answer: She played with her brother David on stand up Bass with Mississippi Fred McDowell

Background: Future Islands is an American synthpop band based in Baltimore, Maryland, and signed to 4AD, currently comprising Gerrit Welmers (keyboards and programming), William Cashion (bass, acoustic and electric guitars), and Samuel T. Herring (lyrics and vocals). The band was formed in January 2006 by Welmers, Cashion and Herring--the remaining members of the performance art college band Art Lord & the Self-Portraits--and drummer Erick Murillo. Murillo left in November 2007, after which the band relocated to Baltimore, MD, and released the debut album Wave Like Home through British label
Context: When Art Lord & the Self Portraits disbanded in late 2005, its members forgot they had discussed with alt-country band The Texas Governor the possibility of touring together. Future Islands was formed in early 2006 to keep that commitment, with an original line-up consisting of Cashion, Herring, Welmers and Erick Murillo--bassist for The Kickass --who played an electronic drum kit. Already as Art Lord & the Self-Portraits, the band wanted to change their image and took this opportunity to do so. William Cashion stated: "Me and Gerrit had been talking for a while about how we wanted to get rid of the gimmick. We wanted to be taken seriously. Our songs had outgrown the gimmick that the band was made on. The songs were starting to deal with bigger, personal, universal themes. We wanted to be taken seriously." The band played their first show on February 12, 2006 at an anti-Valentine's Day party in a venue called the Turducken house, opening for about a dozen bands. After writing 6-7 songs in only one week, they had to come up with a new name quickly, narrowing it down to two choices--Future Shoes and Already Islands--and combining them into one. Future Islands self-released the EP Little Advances on April 28, 2006 which they recorded in March 2006. A couple of months later, Herring dropped out college and left Greenville to deal with a substance abuse problem he had acquired: In June, I left town and didn't come back. It was just drug problems, man. I got sucked into the darkness of partying and shit college kids do. I came clean to my parents and said, 'Look, I have a problem and need your help.' I stayed at my parent's for about a month and then moved across the state to Asheville, North Carolina. It took about a year for me to get my act together. The band still continued and on January 6, 2007 they self-released a split CD with Welmers' solo project Moss of Aura, recorded in December 2006.
Question: When was Future Islands formed?
Answer:
The band played their first show on February 12, 2006 at an anti-Valentine's Day party in a venue called the Turducken house,