Problem: Given the below context: Following growing pressure from the anti-apartheid movement both domestically and internationally, in 1990 State President Frederik Willem de Klerk reversed the ban on the African National Congress and other anti-apartheid organisations, and announced that Mandela would shortly be released from prison. Mandela was released in February 1990. He persuaded Makeba to return to South Africa, which she did, using her French passport, on 10 June 1990. Makeba, Gillespie, Simone, and Masekela recorded and released her studio album, Eyes on Tomorrow, in 1991. It combined jazz, R&B, pop, and traditional African music, and was a hit across Africa. Makeba and Gillespie then toured the world together to promote it. In November she made a guest appearance on a US sitcom, The Cosby Show. In 1992, she starred in the film Sarafina!, which centred on students involved in the 1976 Soweto uprising. Makeba portrayed the title character's mother, Angelina, a role which The New York Times described as having been performed with "immense dignity".On 16 October 1999, Makeba was named a Goodwill Ambassador of the Food and Agriculture Organization of the United Nations. In January 2000, her album, Homeland, produced by the New York City based record label Putumayo World Music, was nominated for a Grammy Award in the Best World Music Album category. She worked closely with Graca Machel-Mandela, the South African first lady, advocating for children suffering from HIV/AIDS, child soldiers, and the physically handicapped. She established the Makeba Centre for Girls, a home for orphans, described in an obituary as her most personal project. She also took part in the 2002 documentary Amandla!: A Revolution in Four-Part Harmony, which examined the struggles of black South Africans against apartheid through the music of the period. Makeba's second autobiography, Makeba: The Miriam Makeba Story, was published in 2004. In 2005 she announced that she would retire and began a farewell tour, but despite having osteoarthritis, continued to perform... Guess a valid title for it!

A: Miriam Makeba
Problem: Given the question: Given the below context: The film begins with a U.S. Army commander dictating a report. Held prisoner in the commander's office, in a fort that has been almost totally destroyed, is the Arapaho Indian war chief, Hanu. He says very little. Within the fort's ruins have been found a single grave and a Colt pistol once owned by a gunman Hanu describes as a "quiet, lonely man..." At this point the action of the movie commences. A wandering gunman, Chuka, rides into an Arapaho camp. It is winter and everyone in the camp is starving, so he gives them some food. Shortly afterwards Chuka crosses paths with a stagecoach taking Mexican passengers Senora Veronica Kleitz and her niece Senorita Helena Chavez through the territory. Chuka and Kleitz look hard at each other. Suddenly mounted Arapaho warriors, led by Hanu, surround the coach. Everyone connected to the stagecoach expects to be killed, but Hanu recognizes Chuka and the braves simply ride on. Chuka accompanies the coach to a nearby U.S. Army fort. The outpost's commander, Colonel Stuart Valois, is worried the Arapahos may have ambushed his overdue patrol and refuses to allow the civilians to leave. He sends out his scout Lou Trent to reconnoiter, but the horse returns without the rider. Guess a valid title for it!
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The answer is:
Chuka (film)
[Q]: Given the below context: "Caught in a Dream" was released as a single backed with "Hallowed Be My Name" on April 27, 1971; it peaked in the US at No.94. The group supported the album with extensive touring. "Ballad of Dwight Fry" was a dramatized set piece in the live show, featuring an actress dressed as a nurse who dragged Cooper offstage and brought him back on straitjacketed in time for the second verse's "Sleepin' don't come very easy / In a strait white vest". At the song's climax, Cooper would break free of the straitjacket and hurl it into the audience. The Love It to Death tour of 1971 featured an electric chair in the earliest staged executions of the singer. These executions were to become an attraction of the band's shows, which became progressively more flamboyant; the shows in the Billion Dollar Babies tour of 1973 concluded with Cooper's execution by prop guillotine. The Love It to Death tour grossed so much the band bought a forty-two room mansion from Ann-Margret in Greenwich, Connecticut, which was to be its home base for the next few years.The album garnered mixed reviews. Billboard called the album "artfully absurd third-generation rock" and the group "the first stars of future rock". John Mendelsohn gave the album a favorable review in Rolling Stone, writing that it "represents at least a modest oasis in the desert of dreary blue-jeaned aloofness served up in concert by most American rock-and-rollers". However, referring to "Black Juju" he also said that "the one bummer on this album is so loud a bummer that it may threaten to neutralize the ingratiating effect" of the other tracks. Robert Christgau wrote in The Village Voice, "The singles ('Caught in a Dream' and 'I'm Eighteen') are fantastic, but the album is freighted with post-psychedelic garbage, the kind of thing that's done better by the heavy metal kids down the block."The band saw its popularity rise over the next several albums. Killer followed in November 1971 and reached No.21 on the US charts, and the band finally topped those charts in... Guess a valid title for it!
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[A]:
Love It to Death 5