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In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

New input: Context_1 : Park Slope is a neighborhood in northwest Brooklyn, New York City. Park Slope is roughly bounded by Prospect Park and Prospect Park West to the east, Fourth Avenue to the west, Flatbush Avenue to the north, and Prospect Expressway to the south. Generally, the section from Flatbush Avenue to Garfield Place (the "named streets") is considered the "North Slope", the section from 1st through 9th Streets is considered the "Center Slope", and south of 10th Street, the "South Slope". The neighborhood takes its name from its location on the western slope of neighboring Prospect Park. Fifth Avenue and Seventh Avenue are its primary commercial streets, while its east-west side streets are lined with brownstones and apartment buildings. Context_2 : The Prospect Park Water Tower, sometimes referred to as the "Witch's Hat Water Tower" or just "The Tower", is a historic water tower in the Prospect Park neighborhood of Minneapolis, Minnesota, United States. It was built in 1913 on Tower Hill Park, a hilltop park established in 1906. The water tower has become the neighborhood's architectural mascot for its singular design by Frederick William Cappelen. The tower is rumored to be the inspiration for Bob Dylan's song "All Along the Watchtower," as the tower was clearly visible from Dylan's home in nearby Dinkytown. Context_3 : Prospect Park is a 526-acre (213 hectare) public park in the New York City borough of Brooklyn, and the second largest public park in Brooklyn. The park is situated between the neighborhoods of Park Slope, Prospect Lefferts Gardens, Ditmas Park and Windsor Terrace, as well as Flatbush Avenue, Grand Army Plaza and the Brooklyn Botanic Garden. Prospect Park is run and operated by the Prospect Park Alliance and New York City Department of Parks and Recreation. It is part of the Brooklyn-Queens Greenway. Context_4 : "All Along the Watchtower" is a song written and recorded by American singer-songwriter Bob Dylan. The song initially appeared on his 1967 album "John Wesley Harding", and it has been included on most of Dylan's subsequent greatest hits compilations. Since the late 1970s, he has performed it in concert more than any of his other songs. Different versions appear on four of Dylan's live albums. Context_5 : Coney Island Avenue is a roadway in the New York City borough of Brooklyn that runs north-south for a distance of roughly five miles, almost parallel to Ocean Parkway and Ocean Avenue. It begins at Brighton Beach Avenue in Coney Island and goes north to Park Circle at the southwest corner of Prospect Park, where it becomes Prospect Park Southwest. Near-parallel Ocean Parkway terminates five blocks south and three blocks west of that intersection, becoming the Prospect Expressway (New York State Route 27). Ocean Parkway originally extended north to Park Circle, where Coney Island Avenue meets Prospect Park, until construction of the Prospect Expressway replaced the northern half-mile of Ocean Parkway but included ramps to the edge of Prospect Park. Context_6 : Grand Army Plaza, originally known as Prospect Park Plaza, is a public plaza that comprises the northern corner and the main entrance of Prospect Park in the New York City borough of Brooklyn. It consists of concentric oval rings arranged as streets, with the namesake Plaza Street comprising the outer ring. The inner ring is arranged as an ovoid roadway that carries the main street Flatbush Avenue with eight radial roads connecting: Vanderbilt Avenue; Butler Place; Saint John's Place (twice); Lincoln Place; Eastern Parkway; Prospect Park West; Union Street; and Berkeley Place. The only streets that penetrate to the inner ring are Flatbush Avenue, Vanderbilt Avenue, Prospect Park West, Eastern Parkway, and Union Street. Context_7 : Prospect Park station is a station along the SEPTA Wilmington/Newark Line and Amtrak Northeast Corridor. Amtrak does not stop here; only SEPTA serves this station. The station, located at Lincoln and Maryland Avenues in Prospect Park, Pennsylvania, includes a 44-space parking lot. Like the nearby Norwood Station, Prospect Park Station is located right next to the town's library, in this case the Prospect Park Public Library. It is also located near the Borough Hall. Context_8 : The Kenwood Park Water Tower is an octagonal brick and stone water tower in the Kenwood neighborhood of Minneapolis, Minnesota, United States. It was built in 1910 and designed by Frederick William Cappelen, the city of Minneapolis engineer at the time. The tower is 110 feet tall, making it the tallest structure in Kenwood. The tower has not been used to store water since 1954. The tower was built to alleviate water pressure and storage problems in the Lowry Hill area. Although the tower is not the work of a master architect or representative of a specific architectural style, its design is distinctive. It is ornamented with projecting ribs, narrow rectangular windows, and Lombard bands, suggesting a medieval fortress. The tower serves as a distinct visual focus within the neighborhood. Context_9 : The Highland Park Water Tower is a water tower in the Highland Park area of Saint Paul, Minnesota. It was designed by Clarence W. Wigington, the nation's first African-American municipal architect. The tower was listed on the National Register of Historic Places in 1986. It was completed in 1928 at a cost of $69,483. Context_10 : Prospect Park is a historic neighborhood within the University community of the U.S. city of Minneapolis, Minnesota. The area is bounded by the Mississippi River to the south, the City of Saint Paul, Minnesota to the east, the Burlington Northern railroad yard to the north, and the Stadium Village commercial district of the University of Minnesota to the west. The neighborhood is composed of several districts which include the East River Road area. The 1913 Prospect Park Water Tower is a landmark and neighborhood icon. fact_1 : The Prospect Park Water Tower, sometimes referred to as the "Witch's Hat Water Tower" or just "The Tower", is a historic water tower in the Prospect Park neighborhood of Minneapolis, Minnesota, United States. fact_2 : The tower is rumored to be the inspiration for Bob Dylan's song "All Along the Watchtower," as the tower was clearly visible from Dylan's home in nearby Dinkytown. fact_3 : "All Along the Watchtower" is a song written and recorded by American singer-songwriter Bob Dylan. fact_4 : The song initially appeared on his 1967 album "John Wesley Harding", and it has been included on most of Dylan's subsequent greatest hits compilations. Answer: John Wesley Harding
Solution:
What album did the song rumored to be inspired by The Prospect Park Water Tower appear on?