Background: Born in Goulburn, New South Wales, Poidevin played rugby at St Patrick's College (now Trinity Catholic College) in New South Wales, and made the Australian Schoolboy side. Upon finishing school he played a season with the Goulburn Rugby Union Football Club and then, in 1978, he moved to Sydney to study at the University of New South Wales, from which he graduated in 1983 with a Bachelor of Science (Hons). He made his first grade debut with the university's rugby union team in 1978. In 1982 he moved clubs to Randwick, the famous Galloping Greens, home of the Ella brothers and many other Wallabies.
Context: Poidevin played for Sydney against France in the third game France played for their 1981 France rugby union tour of Australia, won by Sydney 16-14. Poidevin then played for New South Wales against France for the fifth match of France's Australia tour, lost 12-21. Poidevin achieved national selection for the two-Test series against France, despite competition for backrow positions in the Australian team. The first Test against France marked the first time Poidevin played with Australian eightman Mark Loane and contained the first try Poidevin scored at international Test level. In his biography For Love Not Money, written with Jim Webster, Poidevin recalls that: The first France Test at Ballymore held special significance for me because I was playing alongside Loaney for the first time. In my eyes he was something of a god, and I guess my feeling was the same as a young actor getting a bit part in a movie with Dustin Hoffman. Loaney was a huge inspiration, and I tailed him around the field hoping to feed off him whenever he made one of those titanic bursts where he'd split the defence wide open with his unbelievable strength and speed. Sticking to him in that Test paid off handsomely, because Loaney splintered the Frenchmen in one charge, gave to me and I went for the line for all I was worth. I saw Blanco coming at me out of the corner of my eye, but was just fast enough to make the corner for my first Test try. I walked back with the whole of the grandstand yelling and cheering. God and Loaney had been good to me." Poidevin played in Australia's second Test against France in Sydney, won by Australia 24-14, giving Australia a 2-0 series victory.
Question: did they win the championship
Answer: Poidevin played in Australia's second Test against France in Sydney, won by Australia 24-14, giving Australia a 2-0 series victory.

Background: Born Florence Annie Bridgwood in Hamilton, Ontario, she was youngest of three children of George Bridgwood, an English-born carriage builder and Charlotte "Lotta" Bridgwood (nee Dunn), a vaudeville actress. Charlotte Bridgwood had emigrated to Canada from Ireland after the Great Famine with her family as a child. She was known professionally as Lotta Lawrence and was the leading lady and director of the Lawrence Dramatic Company. At the age of three, Lawrence made her debut onstage with her mother in a song and dance routine.
Context: Finding themselves "at liberty," Lawrence and Solter in 1909 were able to join the Independent Moving Pictures Company of America (IMP). The company, founded by Carl Laemmle, the owner of a film exchange (who later absorbed IMP into Universal Pictures, which he also founded and also the president), was looking for experienced filmmakers and actors. Needing a star, he lured Lawrence away from Biograph by promising to give her a marquee. First, Laemmle organized a publicity stunt by starting a rumor that Lawrence had been killed by a street car in New York City. Then, after gaining much media attention, he placed ads in the newspapers that announced, "We nail a lie", and included a photo of Lawrence. The ad declared she is alive and well and making The Broken Oath, a new movie for his IMP Film Company to be directed by Solter. Laemmle had Lawrence make a personal appearance in St. Louis, Missouri in March 1910 with her leading man to show her fans that she was very much alive, making her one of the first performers not already famous in another medium to be identified by name by her studio. Laemmle generated attention by falsely claiming that Lawrence's St. Louis fans were so excited to learn that she had not died that they rushed her in a frenzy and tore her clothes off. Partially due to Laemmle's ingenuity, the "star system" was born and before long, Florence Lawrence became a household name. However, her fame also proved that the studio executives who had concerns over wage demands soon had their fears proved correct. Laemmle managed to lure William Ranous, one of Vitagraph's best directors, over to IMP. Ranous introduced Laemmle to Lawrence and Solter, and they began to work together. Lawrence and Solter worked for IMP for eleven months, making fifty films. After this, they went on vacation in Europe. When they returned to the United States, they joined a film company headed by Siegmund Lubin, described as the "wisest and most democratic film producer in history". She once again teamed with Arthur Johnson, and the pair made 48 films together under Lubin's direction. At the time, the film industry was controlled by the Motion Picture Patents Company (MPPC), a trust formed by the major film companies. IMP was not a member of the MPPC, and hence operated outside its distribution system. Theaters found showing IMP films lost the right to screen MPPC films. IMP, therefore, had powerful enemies in the film industry. It managed to survive largely due to Lawrence's popularity.
Question: What happened after that?
Answer: due to Laemmle's ingenuity, the "star system" was born and before long, Florence Lawrence became a household name.

Background: The Tlingit language (English: , ; Tlingit: Lingit [linkit]) is spoken by the Tlingit people of Southeast Alaska and Western Canada. It is a branch of the Na-Dene language family. Extensive effort is being put into revitalization programs in Southeast Alaska to revive and preserve the Tlingit language and culture. Missionaries of the Russian Orthodox Church were the first to develop a written version of Tlingit, using the Cyrillic script to record and translate it, when the Russian Empire had contact with Alaska and the coast of North America down to Sonoma County, California.
Context: Tlingit has a complex system of pronominals, which vary depending on their relationship to the verb. The subject pronominals are incorporated into the verb in its subject slot. The object pronominals are also technically incorporated into the verb (i.e. the verb "complex"), but most are graphically independent. They are divided into three classes, the verbal object, nominal object, and postpositional object. There are also the independent pronominals which are completely separate from the verb and can be used in dependent clauses or in subject or object position. The pronominals all have related semantic values, and their organization can hence easily be visualized in a table. The numbers in the first column represent the usual concept of person, i.e. first, second, or third. Story and Naish identified a fourth person, but this term is inappropriate since they did not describe a clear separation between the so-called fourth person and the other impersonal pronominals. When analyzing a sentence, the pronominal type is given first, then the form (subject, object, independent) is given following a period. This uniquely represents the pronominal as a two dimensional unit. Thus 1SINGULAR SUBJECT is the first person singular subject pronominal, realized as xhat. The RECIPROCAL does not uniquely identify one of the two reciprocal pronominals, but since they are both phonetically identical as woosh, it is generally unnecessary to uniquely identify them. There is also a notional zeroth person which can be of subject, object, or independent form. This is not realized in Tlingit, instead it is an empty placeholder for analysis.
Question: What are the pronominals?
Answer:
The pronominals all have related semantic values, and their organization can hence easily be visualized in a table.