Question: Herb Jeffries (born Umberto Alexander Valentino; September 24, 1913 - May 25, 2014) was an African-American actor of film and television and popular music and jazz singer-songwriter, known of his baritone voice. He was of African descent and Hollywood's first singing black cowboy. In the 1940s and 1950s Jeffries recorded for a number of labels, including RCA Victor, Exclusive, Coral, Decca, Bethlehem, Columbia, Mercury and Trend. His album Jamaica, recorded by RKO, is a concept album of self-composed calypso songs.

From Detroit, at the urging of Louis Armstrong, Jeffries moved to Chicago where he performed in various clubs. One of his first gigs was in a club allegedly owned by Al Capone. Jeffries began his career working with Erskine Tate and his Vendome Orchestra. Tate signed the 19-year-old Jeffries to a contract with his Orchestra at the Savoy Ballroom in Chicago. His break came during the 1933 Chicago World's Fair A Century of Progress International Exposition singing with the Earl Hines Orchestra on Hines' national broadcasts live from the Grand Terrace Cafe. His first recordings were with Hines in 1934, including "Just to be in Carolina". By 1940, he was singing with the Duke Ellington Orchestra and then recorded with him from 1940 to 1942. His 1940 recording of "Flamingo" with Ellington, released in 1941, sold more than 14 million copies in its day. His name had been Herbert Jeffrey, but the credits on the record mistakenly called him Jeffries, so he renamed himself to match the typo. "Flamingo" was later covered by a white singer, the popular vocalist Tony Martin. During his time with the Duke Ellington Orchestra as a lead vocalist, Jeffries proved his talent as a mature singer, demonstrating his wide vocal range in such songs as "I Don't Know What Kind of Blues I've Got," "The Brownskin Gal," and "Jump for Joy" (all 1941). The 1944 single "My Little Brown Book" by Ellington and his Famous Orchestra, on which Jeffries provided vocals, reached No. 4 on Billboard R&B chart. Later on, Jeffries was replaced in the Ellington's band by Al Hibbler. In his teens, Jeffries had developed a fine voice, initially singing in higher registers. He started out his singing career as a lyrical tenor, but, on the advice of Duke Ellington's longtime music arranger, Billy Strayhorn, he lowered his range to mimic the vocal stylings of crooner Bing Crosby. Jeffries became a "silken, lusty baritone," according to music critic Jonny Whiteside. In 1945, Jeffries had a hit on the Billboard R&B chart with "Left A Good Deal In Mobile" (No. 2), on which he was accompanied by pianist Joe Liggins and his band Honeydrippers. Then, he moved to Europe and performed there for many years, including at nightclubs he owned. He was back in America by the 1950s, recording jazz records again, including 1957 collection of ballads, Say It Isn't So. In 1995, at age 81, he recorded The Bronze Buckaroo (Rides Again), a Nashville album of songs on the Warner Western label.

Using a quote from the above article, answer the following question: What did he gain with his big break?
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Answer: In 1945, Jeffries had a hit on the Billboard R&B chart with "Left A Good Deal In Mobile" (No. 2), on which he was accompanied by pianist Joe Liggins

Question: Travis are a Scottish rock band formed in Glasgow in 1990, composed of Fran Healy (lead vocals, rhythm guitar), Dougie Payne (bass guitar, backing vocals), Andy Dunlop (lead guitar, banjo, backing vocals) and Neil Primrose (drums, percussion). The band's name comes from the Harry Dean Stanton character Travis Henderson from the film Paris, Texas. The band is widely claimed by the media as having paved the way for other bands such as Keane and Coldplay to go onto achieve worldwide success throughout the 2000s, particularly through the band's The Man Who (1999) album. The band released their debut album, Good Feeling (1997) to moderate success where it debuted at number nine on the UK Albums Chart and went onto achieve a silver certification from the BPI in January 2000.

The band that would become Travis was formed by brothers Chris Martyn (bass) and Geoff Martyn (keyboards) along with Simon Jarvis (drums). Andy Dunlop, a school friend at Lenzie Academy, was drafted in on guitar. The line-up was completed by a female vocalist, Catherine Maxwell, and the band's name became "Glass Onion", after the Beatles song of the same name. Neil Primrose joined to replace Jarvis. Parting company with their singer in the spring of 1991, they auditioned for a new vocalist. Having met each other through Primrose pouring him a pint, an untrained art student, Fran Healy, then joined after being invited to audition by Primrose. Healy joined the band on the day he enrolled at The Glasgow School of Art, in the autumn of 1991. Two years later, with the option of music holding more appeal, Healy dropped out of art school, and inspired by songwriters such as Joni Mitchell, assumed songwriting responsibilities. With brothers Chris and Geoff Martyn on bass and keyboards, in 1993, the fivesome released a privately made CD, The Glass Onion EP, featuring the tracks "Dream On", "The Day Before", "Free Soul" and "Whenever She Comes Round". 500 copies of the EP were made and were recently valued at PS1000 each. Other songs they recorded but were left off are "She's So Strange" and "Not About to Change". The band won a talent contest organised by the Music in Scotland Trust, who promised PS2,000 so that Travis could deal-hunt at a new music seminar in New York. Two weeks before they were due to leave, however, the prize was instead given to the Music in Scotland Trust Directory. When sent a copy of the directory, the band noticed that it seemed to feature every single band in Scotland--except for them. The band showed promise but had yet to evolve into a decent line-up capable of fulfilling it and spent several years treading water. According to their publisher Charlie Pinder: "They were a band that everyone in the A&R community knew about and would go and see every now and then. But they weren't very good. They had quite good songs; Fran always did write good songs." While on a visit to Scotland, American engineer and producer Niko Bolas, a long-time Neil Young and Rolling Stones associate, tuned into a Travis session on Radio Scotland, and heard something in the band's music which instantly made him travel to Perth to see them. Healy: "He told us we were shit, took us in the studio for four days, and taught us how to play properly, like a band. He was ballsy, rude, and New York pushy. He didn't believe my lyrics and told me to write what I believed in and not tell lies. He was Mary Poppins, he sorted us out." The band recorded a five-song demo, which included the song "All I Want to Do Is Rock".

Using a quote from the above article, answer the following question: What was thier first record?
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Answer:
Dream On