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Read the following context and choose the correct option to answer the question. Context: I was lucky enough to get three acne skincare packs from Aphelia Cosmetology for guest reviewers with acne to trial for me. I think that this is important because the treatment of acne is such a personalised journey that it is good to hear about the results of the skincare from a variety of people. In the third review of this series, Nalini from The Made Up Maiden has reviewed this acne set for me. Nalini is 30 and has troublesome skin. She has tried many products to fix it without a lot of luck. Here is Nalini's review: I've always thought the journey to clear skin can be quite a complicated one. There are just so many things that affect the condition of your skin; genetics, skincare, diet, hormones, weather, stress...the list is endless. In my case, both parents had acne when they were younger, and I had hopes that my acne would fade once I left my teens. My skin isn't completely horrendous, but I do have some minimal scarring on my cheeks (which goes away after a little while), and the odd large pimple on my chin during those hormonal times, which goes away after a while but is still really frustrating when it happens! I'm 30 years old, so it looks like these problems are here to stay. I have contemplated taking hormonal pills or medication aimed at reducing acne, but decided that the possible side effects haven't really been worth the benefit. As a result, I was really keen to explore the Aphelia Cosmetology range and see if it lives up to the promise of helping with acne troubled skin. I would classify my skin as combination, the t-zone gets a little oily towards midday, while the rest of my skin is pretty much classified as 'normal'. I received the following items. Question: Where did she get the products from? Options: A. her parents B. Aphelia Cosmetology C. Nalini D. not enough information
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B

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Read the following context and choose the correct option to answer the question. Context: As a mother, I'm right now navigating the hardest moment with my two daughters and my son I was raped at 15 and molested by a teacher from 1516 it took 13 years of fighting before I saw any justice for those crimes and it paled in comparison to having to live with that trauma for the last 25 years. I thought I had moved past it for the most part, thanks to supportive family and lots of counseling and medication to treat my treatment resistant depression I've struggled over the last 25 years. I will be 40 this year. My son, the oldest, turned 15 this year the same age I was when it began. I see how young he is and recognized for the first time just how young I had been when I was abused. That was really hard for me, emotionally. Now, I look at my two girls, ages 9 and 3, and worry for their safety - probably more than I should, but understandable given what I went through. We have had lots of "body safety" talks and my older daughter understands the very basics of what I went through, mainly because I have spent a great part of this past year writing a memoir about my experiences and have begun speaking publicly about what I went through and what it means to be a survivor. This is challenging because it's hard to talk about and explain to a child in a way that they understand without making them fear the world. I struggle with this often. I've chosen to use it as an opportunity to teach them about activism and the power of speaking the truth, what it means to be a survivor instead of a victim. I hope they grow up and see just how strong their mother is and how she has worked in the community to raise awareness and help others. Question: What are some truths about the author? Options: A. she has overcome trauma. B. not enough information C. she's an excellent role model. D. She is strong and very brave.
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D

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Read the following context and choose the correct option to answer the question. Context: Bryan C. Keene and Alexandra Kaczenski of the Getty Museum's Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of "green spaces" such as gardens, vistas, and their relation to the divine. In particular, Bryan and Alexandra focus on the ways in which artists during the European Middle Ages and Renaissance embedded the pages of illuminated manuscripts with depictions of the natural world so that nature could guide prayer, chant, and meditation. For Bryan, this project represents a continuation of his interest in sacred gardens that began with his graduate work on the garden imagery that influenced Botticelli's Agony in the Garden painting. In 2013 he curated the exhibition and authored the accompanying book Gardens of the Renaissance. For Alexandra, interest in this subject stems from her scholarly focus on Flemish manuscripts and their relation to Flemish landscape paintings. She brought to the project a complementary interest in issues of environmental and landscape destruction, which also were themes of the exhibition and publication. Though floral and nature studies of the Renaissance and Early Modern periods have been extensively investigatedthe scientific notebooks of Leonardo da Vinci, for example, are well documentedthis exhibition turns its focus on landscape and the divine. Curatorial research has shed new light on subjects such as the seemingly "scattered" floral arrangements represented within the pages of these books and their relationship to humoral theory and religion. Bryan adds, "The tension that we find in these borders is, on the one hand, intricately rendered leaf and petal structures of plants or flowers, and on the other, hidden whimsical elements, all of which combine to create a rich tapestry of meaning, both symbolic and scientific. Alex and I will continue to explore the potential meaning within this botanical and arboreal chaos." Sacred... Question: Who spent the last few years preparing for an exhibition titled Sacred Landscapes? Options: A. Bryan Kaceiki B. Bryan C. Keene and Alexandra Kaczenski C. Giovanni Bellini D. not enough information
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B