input: By the reign of Archelaus I of Macedon, the Macedonian elite started importing significantly greater customs, artwork, and art traditions from other regions of Greece. However, they still retained more archaic, perhaps Homeric funerary rites connected with the symposium and drinking rites that were typified with items such as decorative metal kraters that held the ashes of deceased Macedonian nobility in their tombs. Among these is the large bronze Derveni Krater from a 4th-century BC tomb of Thessaloniki, decorated with scenes of the Greek god Dionysus and his entourage and belonging to an aristocrat who had a military career. Macedonian metalwork usually followed Athenian styles of vase shapes from the 6th century BC onward, with drinking vessels, jewellery, containers, crowns, diadems, and coins among the many metal objects found in Macedonian tombs. Surviving Macedonian painted artwork includes frescoes and murals on walls, but also decoration on sculpted artwork such as statues and reliefs. For instance, trace colors still exist on the bas-reliefs of the Alexander Sarcophagus. Macedonian paintings have allowed historians to investigate the clothing fashions as well as military gear worn by ancient Macedonians, such as the brightly-colored tomb paintings of Agios Athanasios, Thessaloniki showing figures wearing headgear ranging from feathered helmets to kausia and petasos caps. Aside from metalwork and painting, mosaics serve as another significant form of surviving Macedonian artwork, especially those discovered at Pella dating to the 4th century BC. The Stag Hunt Mosaic of Pella, with its three dimensional qualities and illusionist style, show clear influence from painted artwork and wider Hellenistic art trends, although the rustic theme of hunting was tailored for Macedonian tastes. The similar Lion Hunt Mosaic of Pella illustrates either a scene of Alexander the Great with his companion Craterus, or simply a conventional illustration of the generic royal diversion of hunting. Mosaics with mythological themes include scenes of Dionysus riding a panther and Helen of Troy being abducted by Theseus, the latter of which employs illusionist qualities and realistic shading similar to Macedonian paintings. Common themes of Macedonian paintings and mosaics include warfare, hunting and aggressive masculine sexuality (i.e. abduction of women for rape or marriage). In some instances these themes are combined within the same work, indicating a metaphorical connection that seems to be affirmed by later Byzantine Greek literature.

Answer this question "Are there any other interesting aspects about this article?"
output: some instances these themes are combined within the same work, indicating a metaphorical connection that seems to be affirmed by later Byzantine Greek literature.

Question: Joe Frazier was the 12th child born to Dolly Alston-Frazier and Rubin in Beaufort, South Carolina. He was raised in a rural community of Beaufort called Laurel Bay. Frazier said he was always close to his father, who carried him when he was a toddler "over the 10 acres of farmland" the Fraziers worked as sharecroppers "to the still where he made his bootleg corn liquor, and into town on Saturdays to buy the necessities that a family of 10 needed." Young Frazier was affectionately called "Billie Boy."

In 1964 heavyweight representative Buster Mathis qualified but was injured so Frazier was sent as a replacement. At the Heavyweight boxing event, Frazier knocked out George Oywello of Uganda in the first round, then knocked out Athol McQueen of Australia 40 seconds into the third round. He was then into the semi-final, as the only American boxer left, facing the 6 foot 2, 214 lb. Vadim Yemelyanov of the Soviet Union. "My left hook was a heat-seeking missile, careening off his face and body time and again. Twice in the second round I knocked him to the canvas. But as I pounded away, I felt a jolt of pain shoot through my left arm. Oh damn, the thumb." Joe would say. Joe knew immediately the thumb of his left hand was damaged, though he wasn't sure as to the extent. "In the midst of the fight, with your adrenaline pumping, it's hard to gauge such things. My mind was on more important matters. Like how I was going to deal with Yemelyanov for the rest of the fight." The match ended when the Soviet's handlers threw in the towel at 1:49 in the second round, and the referee raised Joe's injured hand in victory. Now that Joe was into the final, he didn't mention his broken thumb to anyone. He went back to his room and soaked his thumb in hot water and Epsom salts. "Pain or not, Joe Frazier of Beaufort, South Carolina, was going for gold." Joe proclaimed. Joe would fight a 30-year-old German mechanic named Hans Huber, who failed to make it on the German Olympic wrestling team. By now Joe was used to fighting bigger guys, but he was not used to doing it with a damaged left hand. When the opening bell sounded on fight night, Joe came out and started swinging punches, he threw his right hand more than usual that night. Every so often he'd used his left hook, but nothing landed with the kind of impact he managed in previous bouts. Under Olympic rules, 5 judges judge a bout, and that night three voted for Joe.

Using a quote from the above article, answer the following question: Did he win the semi-final?
HHHHHH
Answer:
The match ended when the Soviet's handlers threw in the towel at 1:49 in the second round, and the referee raised Joe's injured hand in victory.