Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:', and the follow-up question has a prefix 'FOLLOWUP_Q:'.

[Q]: CONTEXT: I have a friend who owns a (very) small theater... so some of this probably isn't "official" (I know they bend the rules a bit at times). Also, they operate only on film, I'm not for sure about digital Anyway, one thing a lot of people don't realize is that film is usually shipped on 6 or so small reels. The movie theater then tapes together these reels into usually 1 or 2 big reels(depending on what's capable of the projector and the size of the movie). During this time, they add on small preview reels. From what I can tell, usually 2 or 3 previews are shipped with a particular movie. It's not mandatory that theaters put them on, but they are usually the latest, so it gives theaters a good incentive. Unlike movie reels which must be returned, preview reels can be kept by the movie theater. So the movie theater can of course add on more previews if they wish as well. I believe it's allowed for them to add no previews on as well. Of course, with digital there is much less choice. I believe the previews with digital movies are completely fixed.. So, it's completely up to the studios.. As for how they select which previews are shipped with blockbuster movies, see the other answers <sep> Q: What factors go into determining what trailers are played before movies? A: one thing a lot of people don't realize is that film is usually shipped on 6 or so small reels Q: What do the 6 or so small reels have to do with trailers? A: The movie theater then tapes together these reels into usually 1 or 2 big reels(depending on what's capable of the projector and the size of the movie <sep> FOLLOWUP_Q: What happens after the reels are taped together?
[A]: Yes

[Q]: CONTEXT: The purpose of the end scene of the movie is to have the Narrator finally conquer his 'problems' in the form of killing Tyler. He cannot simply shoot at him as he is just a hallucination of his own mind and the bullet would just fly off into nothing. While before beating him up would have worked, it was just a physical representation of a mental battle. By bringing in an actual object into the fray, his attempts at Tyler's life are pointless. We see the Narrator finally realize that he has been in control all along and this is why he is presented able to take the gun from Tyler, because he is the one actually holding the gun. It is then he realizes that he must follow Tyler's own advice and "hit bottom". Only by doing so, is he able to control his own body and "kill" Tyler. To hit bottom he realizes he must do something life-threatening and plain insane. Whereas the bullet only blew a hole in his cheek, it was his mental F--- You to Tyler, showing him that he can take care of himself now, which is why the bullet is shown to have gone through the back of Tyler's head, killing him. <sep> Q: How/Why did Tyler Durden got shot in the head? A: The purpose of the end scene of the movie is to have the Narrator finally conquer his 'problems' in the form of killing Tyler <sep> FOLLOWUP_Q: So, that is the reason he was shot in the head?
[A]: Yes

[Q]: CONTEXT: You're kind of focusing on the wrong end of the sentiment. It's not so much that they did what Freddie wanted, it's that they never stood up to him or offered any critiques. What Freddie's trying to concede here is that he did his best work when Brian, Roger, and John were giving their input. The Munich guys were either unable or unwilling to stand up to Freddie's creativity, and so his work wasn't as good. In short, Freddie found out he is not the perfect musical force he believed he was before he went to Munich, he recognizes that he needs the rest of the band, and he's explaining why he was wrong in abandoning Queen. <sep> Q: Why is it a problem for Freddie if the guys from Munich did what he wanted? A: You're kind of focusing on the wrong end of the sentiment. It's not so much that they did what Freddie wanted <sep> FOLLOWUP_Q: Why is their pushback that it was done?
[A]:
Yes