Question: Please answer the following question about this movie plot. If it's un-answerable, please output "No answer". Question: Who rousts Tango and Cash from their bunks and tortures them? Movie plot title: Tango & Cash Movie plot: The film begins as Tango drives a late-model Cadillac convertible in pursuit of a tanker truck. His hair is neatly styled, and he is dressed in a three-piece suit. He cleverly stops the truck, and when the LA County authorities find only gasoline in the tank, he shoots the tank and cocaine pours out of the bullet hole. Meanwhile, Cash arrives at his apartment driving an old Corvette. His hair is long and shaggy, and he is dressed in jeans, a T-shirt, and a waist-length jacket. He is shot by an intruder, but is protected by a bullet-proof vest, and captures the shooter in a parking garage after a car chase. At the police station, Cash forces the shooter to tell him about a deal scheduled to take place that night.However, the "deal" is really a plan by Perret to frame Tango and Cash for murder. Tango and Cash separately go to an empty building, preceded by a man who is revealed later in the film to be Requin (Brion James), Perret's lead henchman. After surprising each other, the two detectives find a dead man with audio equipment hidden under his clothing, and a team of FBI agents swarms in. Wyler, the agent in charge, finds Cash's pistol on the floor and arrests both Cash and Tango.At their murder trial, the detectives are incriminated by an audio tape, secretly given to Wyler by Requin and verified in court by an audio expert, which appears to reveal them shooting the FBI agent after discussing a drug purchase. They plead "no contest" to a lesser charge in exchange for reduced sentences in a minimum-security prison, but are transported to a maximum-security prison to be housed with many of the criminals they arrested in the past.Once in prison, Tango and Cash are rousted from their bunks and tortured by Perret, Requin, and a gang of prisoners until Matt Sokowski, the assistant warden, rescues them. Sokowski recommends that they escape, and provides them with a plan, but Tango refuses to go along with it. When Cash tries to escape, he finds Sokowski murdered and is attacked by prisoners. Tango rescues him, and...
Answer: Perret, Requin, and a gang of prisoners

[Q]: Please answer the following question about this movie plot. If it's un-answerable, please output "No answer". Question: How does Jude try to murder her mother? Movie plot title: Mother's Boys Movie plot: Jude Madigan (Curtis) suddenly and inexplicably leaves her husband, Robert (Gallagher), and three sons. Three years later, when Robert finally files for divorce, Jude returns and tries to reclaim her former life. Robert refuses and insists on the divorce. Jude does not accept Robert's decision. She tries, unsuccessfully, to seduce him and harasses Robert's new girlfriend, Callie (Whalley). Eventually, Jude manipulates and convinces her eldest son, Kes (Luke Edwards), that Callie is the only person standing in the way of their reunited family. Influenced by Jude, Kes details a plan to his two brothers, Michael and Ben (Colin Ward and Joey Zimmerman), to scare off Callie, convincing them that it is just a game. As the boys debate the plan, Jude's estranged mother, Lydia (Redgrave) overhears and confronts Kes and threatens to tell their father. Kes tries unsuccessfully to convince his grandmother that it was just a "game" and tries to stop her from calling his dad. A brief struggle ensues and Lydia accidentally falls down the stairs. While in the hospital, Lydia tells Jude she is not about to let her go through with her plans. In a fit of rage, Jude tries to murder her mother by asphyxiation but is interrupted by a nurse, Jude flees the hospital. Meanwhile, the boys, under the guise of playing the game, handcuff Callie and put her on "trial" for destroying their family. They tie her to a chair but when Ben cuts himself on a broken glass, Callie convinces Michael to free her before his brother dies. She runs with him in an attempt to find a hospital. Kes and Michael get in Callie's car and chase them, but the brakes have been cut by Jude and they go over a cliff, leaving them perched precariously on a tree on the side of the cliff. Callie manages to rescue Michael, but as she tries to rescue Kes, she slips and is left dangling from the car. Jude rushes to "help" by grabbing Callie's hand from Kes. Jude intentionally lets go of Callie's hand, who still manages to hang onto the car with her other hand. However,...
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[A]: Asphyxiation

input: Please answer the following: Please answer the following question about this movie plot. If it's un-answerable, please output "No answer". Question: Why do we not see the end of the scene? Movie plot title: Monty Python and the Holy Grail Movie plot: The credits are rolled to deeply ominous music with several false starts, interlaced with apologies for the inadequacies of each, during which numerous titlers are fired en masse. In the end, credits that are heavily laced with references to moose, llamas and other furry animals roll to highly festive Latin music.Little is to be seen but fog over a grassland while the sound of a galloping horsea sound that could only be made on cobblestone, but not grassis heard. From the fog emerge two pedestrians: King Arthur (Graham Chapman), dressed in chain mail, a tunic and a crown; and Patsy (Terry Gilliam), who appears to be fulfilling the role of beast of burden, and is using two half-coconuts percussively.They approach a castle and Patsy perfectly mimics the sound of a galloping horse coming to a stop. Two guards become barely visible atop the castle wall. Arthur announces that he is looking for knights to join him at Camelot, and wishes to recruit the master of the castle. Unfortunately, the two guards are immediately distracted by Patsy's half-coconuts. Arthur tries to return the conversation to the quest, but the guards are unable to turn their attentions from the possible causes for coconuts appearing in Mercia (England), as Arthur claims that they found them there, or how a bird, or a set of birds, might have brought one up from the tropics. Frustrated, Arthur and Patsy emulate riding off.The scene changes to a plague village. A cart is being drawn through the streets, and is attended by a disheveled man (Eric Idle) who strikes a triangle and calls for the residents to "bring out your dead." A peasant (John Cleese) tries to lay a decrepit man on the cart, without calling attention to the fact that he is still alive. The attendant refuses to accept living cargo (citing regulations). When the peasant tries to abstractly request a favour, the attendant looks up and down the street to make sure there are no witnesses, and strikes the elderly subject a deadly blow to the head, solving the problem. The cart and the...
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output:
confiscate people an offensive weapon