Kadin loved the desert. Many creatures lived in the desert. Some learned to survive within her harsh burning grip. Some even learned to thrive in her, building stone monuments to themselves and living their lives surrounded in the lavish luxuries of Gods. How puny their monuments were compared to the desert herself. Where they had castles surrounded by dry moats, the desert had mountains surrounded by thousand year sandstorms. Where they had silks and the most beautiful slaves serving their every greatest desire, she had dunes that stretched for a thousand leagues and a sun that burned huge and deep crimson in the violet sky. Where desert kings, the Danken, dined on the finest food and drank the finest wine, the desert drank every drop of water from the air itself and feasted on men. Kadin knew the desert. He knew her voice whispering in the dark of night like a dangerous lover. The sound he heard now was not her voice but a cry from one trapped within the desert's teeth. It was the cry of a woman. Kadin rose from his makeshift bed in the dip of two dunes. He stood quickly, tying the leather straps of his knife belt around his waist. He pulled on his boots and silently mounted White Ash. THe mare felt his soft touch and made no sound. Kadin listened and heard the cry again. He studied the dunes in the darkness of night. THe blood moon painted the desert a deep red. He felt the echos and turned White Ash towards their origin. He rode quietly into the night. Kadin saw the glow of torchlight long before cresting the hill. He guessed four riders from the sound of their horses and confirmed it when he rose above them. Three men, now on foot, chased a woman in black across the dune. Their horses stood back, panting from a hard ride. The woman's own stallion lay dead, a black arrow buried in its flank. Question: Why did Kadin mount White Ash? Options: - To exercise the horse. - To ride toward the sounds of a woman's distress. - To ride to a Danken's castle - not enough information === The correct answer is
To ride toward the sounds of a woman's distress.

My then-teenage daughter and I went to a new restaurant. It was empty apart from the manager. We were told to find ourselves a table, so we sat in an attractive area sort of like a small stage. No waitress came by for 10 minutes, so we decided to visit the restroom; there was just one, with one toilet. But a woman rushed in ahead of us, carrying a bundle of clothes. Several minutes later, when she reappeared, we realized this was our waitressarriving late and pushing us customers out of the way so she could change. OK We each used the restroom and returned to our table. But it was not our table anymore. Along came the manager to explain she needed to set aside the stage-like area for a very special group. My daughter and I had already been debating whether to stay or leave. We stayed only because we were very hungry and worried that we'd have to start waiting all over again if we tried a different place. We were led to our new table: a lonely little table in the hall leading to the toilet. I was ready to get out of there, pronto, but my daughter spotted her favorite meal on the menu. But after another 15 minutes, with the lone waitress not appearing, we both shook our heads and got up Oh, here's the waitress! We ordered. Fifteen minutes later, no food. We got up again and exited past the stage-like area, which was just as empty as it had been when we were ejected. The very special people had not arrivedso (had we been served) we could have enjoyed our meal right there. We did find food elsewhere. The first place closed in less than a month. Good riddance! Question: how long did they probably stay in the restaurant? Options: - 3 hours - 15 minutes - one hour - not enough information === The correct answer is
one hour

Kurt Vonnegut, writer and famous speech giver at US university graduation ceremonies, made this point to one group of soon-to-be-non-students: If this isn't nice, I don't know what is. It is the end of a story about his grandpa who, on a summer's afternoon, would find the shade of a tree under which he could rest with a glass of homemade lemonade. The family didn't have a lot of cash, the grandpa worked hard every day of his life, but no matter how relentless the day-to-day was, he would always repeat this phrase as a reminder to those around him that, at the end of the day, this is all still amazing to be part of. This kind of optimism, as you might call it, can often disappear in a flash in the busy-ness of business or school. Things become impossible, hardgoing, relentless(ly difficult). And the reasons we give for that busyness nearly always involve someone or something else - the system, the job, the weather... For many years, people would ask the salutary "how are you?" and my answer was a stock one: "I'm tired." It was my wife who pointed it out to me, presumably because everyone else was too polite to express their boredom with my reply. The fact is, most people feel tired most of the time, until they make a switch in their life. That switch is deciding that the only person who can turn that frown upside down, who can make crazy stuff happen (or attempt to, and enjoy the process), is you. And in Vonnegut's case, that switch came from saying out loud the one phrase that brings us back to the good elements in what we or our team or our family is doing at any given moment: If this isn't nice, I don't know what is. Question: What would Kurt's grandpa do after a hard days work? Options: - not enough information - watch tv on the couch - eat dinner with his family - sit under a tree with a glass of lemonade === The correct answer is
sit under a tree with a glass of lemonade