Answer the question at the end by quoting:

White Lies are an English post-punk band from Ealing, London. Formerly known as Fear of Flying, the core band members are Harry McVeigh (lead vocals, guitar), Charles Cave (bass guitar and backing vocals), and Jack Lawrence-Brown (drums). The band perform live as a five-piece, when sidemen Tommy Bowen and Rob Lee join the line up. White Lies' musical style has been described as dark yet uplifting by the media, drawing comparisons to Editors, Interpol, Joy Division, and The Killers.
In an interview with the BBC's Newsbeat programme, McVeigh stated that due to the nature of the band's songwriting techniques clashing with their difficult touring schedules, there will be no new White Lies material until 2010. Despite this, McVeigh has mentioned that the ambitious recording of "Nothing to Give" and "The Price of Love" (from To Lose My Life...) act as a taster of the different sound to come on their sophomore release. In September 2009, the band released "Taxidermy" as a digital download through iTunes for the first time. A live favourite amongst fans, the track had previously only been released on the (now deleted) vinyl release of "To Lose My Life". During the same month, the band supported Kings of Leon's tour of the United States, and Coldplay's tour of the United Kingdom. As well as this, the band played their own headline tour across Europe during October--November 2009, including some of their biggest shows to date in the UK. A number of the tour dates were later cancelled, due to McVeigh falling ill during their concert in Munich, Germany. Having fully recovered in time for the beginning of their UK dates, the tour continued as normal, with cancelled dates being rescheduled for February 2010. On 13 February 2010, White Lies became the first high-profile artist to perform at the FAC251 music venue in Manchester. The band played there again on 14 February, with tickets for the second show made available exclusively through the band's website. The performances were the band's only scheduled headline performances of 2010. Both concerts sold out in a matter of minutes, with 38,000 people applying for the 400 tickets available. As well as this, the band showed their mutual love of Muse at a number of European stadium shows between June and September 2010, and played the 2010 V Festival in the United Kingdom. During November 2010, White Lies confirmed that their second album, Ritual, had been completed and would be released on 17 January 2011. Produced by Alan Moulder, the album's first single "Bigger than Us" was released on 3 January 2011. An eleven date tour of the United Kingdom was also announced for February 2011.

What was the good news

has mentioned that the ambitious recording of "Nothing to Give" and "The Price of Love" (from To Lose My Life...) act as a taster of the different

IN: Otaku (otaku/otaku) is a Japanese term for people with obsessive interests, commonly the anime and manga fandom. Its contemporary usage originated with Akio Nakamori's 1983 essay in Manga Burikko. Otaku may be used as a pejorative; its negativity stems from the stereotypical view of otaku and the media's reporting on Tsutomu Miyazaki, "The Otaku Murderer", in 1989. According to studies published in 2013, the term has become less negative, and an increasing number of people now self-identify as otaku, both in Japan and elsewhere.

Otaku is derived from a Japanese term for another person's house or family (oZhai , otaku). This word is often used metaphorically, as an honorific second-person pronoun. In this usage, its literal translation is "you". For example, early in the anime Macross, first aired in 1982, the characters Hikaru Ichijyo and Lynn Minmay use the term this way to address one another, until they get to know each other better. The modern slang form, which is distinguished from the older usage by being written only in hiragana (otaku), katakana (otaku or, less frequently, wotaku) or rarely in romaji, first appeared in public discourse in the 1980s, through the work of humorist and essayist Akio Nakamori. His 1983 series An Investigation of "Otaku" ({otaku} noYan Jiu , "Otaku" no Kenkyu), printed in the lolicon magazine Manga Burikko, applied the term to unpleasant fans in caricature. Animators Haruhiko Mikimoto and Shoji Kawamori had used the term between themselves as an honorific second-person pronoun since the late 1970s. Supposedly, some fans used it past the point in their relationships where others would have moved on to a less formal style. Because this misuse indicated social awkwardness, Nakamori chose the word itself to label the fans. Morikawa Kaichiro, an author and lecturer at Meiji University, identified this as the origin of its contemporary usage. Another claim for the origin of the term comes from the works of science fiction author Motoko Arai, who used the word in her novels as a second-person pronoun and the readers adopted the term for themselves. However, a different claim points to a 1981 Variety magazine essay. In 1989, the case of Tsutomu Miyazaki, "The Otaku Murderer", brought the fandom, very negatively, to national attention. Miyazaki, who randomly chose and murdered four girls, had a collection of 5,763 video tapes, some containing anime and slasher films that were found interspersed with videos and pictures of his victims. Later that year, the contemporary knowledge magazine Bessatsu Takarajima dedicated its 104th issue to the topic of otaku. It was called Otaku no Hon (otakunoBen , lit. The Book of Otaku) and delved into the subculture of otaku with 19 articles by otaku insiders, among them Akio Nakamori. This publication has been claimed by scholar Rudyard Pesimo to have popularized the term.

Are there negative connotations for the word?

OUT:
In 1989, the case of Tsutomu Miyazaki, "The Otaku Murderer", brought the fandom, very negatively, to national attention.