You will be given a definition of a task first, then an example. Follow the example to solve a new instance of the task.
In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

New input: Context_1 : Lorraine Wild was born in Ontario, Canada, but has lived in America for a greater part of her life. She is a graphic designer, published writer, art historian, and art instructor of design. In 1973, she entered the Cranbrook Academy of Art program which was, at the time, under the leadership of Michael and Katherine McCoy. In 1975, she received her BFA. Two years later, she moved to New York to work for Vignelli Associates from 1977-1978. During this time, she was researching the history of American graphic design post World War II. This personal interest of research led her to further studying at Yale University where she earned an MFA degree in 1982. While at Yale University, she designed "Perspecta 19", which was Yale's architectural journal. Along with "Perspecta 19", she also designed the Chamber Works and Theatrum Mundi portfolios for the architect Daniel Libeskind, and the book of architect John Hejduk entitled "Mask of Medusa" in 1985. Her work on the designs of these books helped launch her fast-growing reputation for thoughtful and distinctive design in books on architecture, art, and design. Her MFA thesis entitled "Trends in American Graphic Design: 1930-1955" was recognized as an important contribution to design scholarship and led to many commissions for essays. During the early 1980s, she taught in the University of Houston's architecture school. In 1983, she wrote "More Than A Few Questions About Graphic Design Education," which was regarded as a very influential essay. It was first published in "The Design Journal". In the article, she gives a provocative analysis which became the driving force for recharacterizing graphic design education in the United States. From here on, her reputation continued to soar and her work earned national recognition. Context_2 : Thomas Hill (Rotherham) Limited was a company which repaired and sold steam road vehicles, diesel and electric road vehicles and railway locomotives. It later made its name building and rebuilding diesel locomotives. Context_3 : Bashford Manor is a neighborhood in Louisville, Kentucky, United States. Its boundaries are I-264 to the north, Bardstown Road to the east, Bashford Manor Lane to the south, and Newburg Road to the west. Originally a part of Thomas Byrd's 1,000 acre (4km) land grant from Virginia in 1787, James Bennett Wilder bought the land in 1870 and built a home which he named Bashford Manor, after his family's home in England. He sold the property to George James Long in 1888, who turned it into a horse farm which produced three early Kentucky Derby winners: Azra, Manuel and Sir Huon. Context_4 : The Rover P4 series is a group of mid-size luxury saloon cars produced by the Rover Company from 1949 until 1964. They were designed by Gordon Bashford. Context_5 : High School is a tram stop on Nottingham Express Transit (NET) in the city of Nottingham suburb of the Arboretum. It takes its name from the nearby Nottingham High School, and is situated in Waverley Street at its intersection with Gedling Grove, an intersection that has been closed to road vehicles by the construction of the stop. The tram tracks here share the road with other traffic, and the stop has two side platforms on either side of the twin tracks, which are themselves separated by a traffic island intended to prevent road vehicles overtaking stationary trams. Context_6 : Ross Auto Engineering was a British manufacturer of milk floats and other battery electric road vehicles. The company was formed in 1949 by Victor Electrics, another manufacturer of milk floats. In 1955 they took over the production of Helecs battery electric road vehicles, and also introduced their own models. With the rapid demise of home milk deliveries, production of vehicles ceased in the 1980s, by which time the company had diversified into mobility services, and began trading as Ross Care. Context_7 : Gordon Cool Dennis Bashford (27 August 1916 21 September 1991) was a British car design engineer. Bashford played a significant part in the design of most post-war Rover cars, including the Land Rover . Context_8 : Vehicle registration plates of official road vehicles registered in Vatican City use the prefix "SCV" followed by a series of digits while vehicle registration plates of residential road vehicles registered in Vatican City use the prefix "CV" followed by a series of digits. The Pope's car carries the registration "SCV 1" in red lettering and the rest of the cars that the Pope can be inside, carry also red letters. Context_9 : The Land Rover Series I, II, and III (commonly referred to as "series" Land Rovers, to distinguish them from later models) are off-road vehicles produced by the British manufacturer Rover Company that were inspired by the US-built Willys Jeep. In 1992, Land Rover claimed that 70% of all the vehicles they had built were still in use. Context_10 : ISO 15118 "Road vehicles -- Vehicle to grid communication interface" is an international standard defining a vehicle to grid (V2G) communication interface for bi-directional charging/discharging of electric vehicles. ISO 15118 is one of the International Electrotechnical Commission's group of standards for electric road vehicles and electric industrial trucks, and is the responsibility of Joint Working Group 1 (JWG1 V2G) of IEC Technical Committee 69 (TC69) together with subcommittee 31 (SC31) of the International Organization for Standardization's Technical Committee 22 (TC22) on road vehicles. fact_1 : Gordon Cool Dennis Bashford (27 August 1916 21 September 1991) was a British car design engineer. fact_2 : The Land Rover Series I, II, and III (commonly referred to as "series" Land Rovers, to distinguish them from later models) are off-road vehicles produced by the British manufacturer Rover Company that were inspired by the US-built Willys Jeep. Answer: The Land Rover Series
Solution:
Which off road vehicles did Gordon Bashford play a part in the design post war?