Question:
Haydn Austin Bunton (born 5 April 1937) is a former Australian rules footballer and coach. The son of the legendary Haydn Bunton Sr., Bunton Jr. played for North Adelaide and Norwood in the South Australian National Football League (SANFL), as well as Swan Districts and Subiaco in the Western Australian National Football League (WANFL). Bunton was regarded as a tough and skilful player in both South Australia and Western Australia, but it was as a coach that he cemented a reputation alongside his father as one of Australian football's greatest identities. Bunton was inducted into the coaches section of the Australian Football Hall of Fame in 1996, as well as the Western Australian Institute of Sport Hall of Champions in 2003 and was made an inaugural member of the WA Football Hall of Fame in 2004 and the SA Football Hall of Fame in 2002.
In 1984, Bunton junior returned to his former haunt of Subiaco, who as a result of the loss of such players as Mike Fitzpatrick had endured another bleak era over the previous nine seasons. The Lions had not participated in the finals since 1974 and had finished dead last in 1976, 1979, 1980 and 1982, when they were in danger of a winless season before beating East Fremantle in the seventeenth round. Since 1975 Subiaco had recorded only 44 wins from 189 games and had lost its "average" game over these nine seasons by a margin of 36 points. However, under Bunton and aided by a powerful country zone, the Lions improved rapidly: from four wins and a percentage of 70 in 1983 they went to nine wins and a percentage of 100 in 1984 and fifteen wins and a percentage of 124.5 in 1985. Despite being in their first finals series since 1974, the Lions only just failed to beat East Fremantle in the grand final and gained ample revenge against the Sharks the following year by eleven and a half goals. Their team was sufficiently good to be competitive against VFL premiers Hawthorn in a post-season "challenge" match - ironically Hawthorn's win was led by Subiaco's one star of the bleak late 1970s and early 1980s in Gary Buckenara. An irrepressible Claremont outfit under the innovative coaching of Gerard Neesham halted Subiaco in 1987, but the following year after losing the second semi to the Tigers and being unconvincing in the preliminary against East Fremantle, the Lions, playing a much more traditional game than Claremont and aided by the controversial inclusion of West Coast Eagle Laurie Keene, ran away to win by 62 points after an even first half. The massive drain of players to the VFL meant Subiaco could not keep up this standard, and they won only six games each in 1989 and 1990 before returning to the Grand Final in 1991 only for Claremont to have its revenge. A thrashing by East Perth in the first week of the 1992 WAFL finals saw Bunton resign at the end of the season after having coached Subiaco's most successful era since before World War II.
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Why did he resign?

Answer:
The massive drain of players to the VFL meant Subiaco could not keep up this standard,

Question:
Philip Chapman Lesh (born March 15, 1940) is a musician and a founding member of the Grateful Dead, with whom he played bass guitar throughout their 30-year career. After the band's disbanding in 1995, Lesh continued the tradition of Grateful Dead family music with side project Phil Lesh and Friends, which paid homage to the Dead's music by playing their originals, common covers, and the songs of the members of his band. Lesh operates a music venue called Terrapin Crossroads. He scaled back his touring regimen in 2014 but continues to perform with Phil Lesh & Friends at select venues.
Lesh was born in Berkeley, California, and started out as a violin player. While enrolled at Berkeley High School, he switched to trumpet and participated in all of the school's music-related extracurricular activities. Studying the instrument under Bob Hansen, conductor of the symphonic Golden Gate Park Band, he developed a keen interest in avant-garde classical music and free jazz. After attending San Francisco State University for a semester, Lesh was unable to secure a favorable position in the school's band or orchestra and determined that he was not ready to pursue a higher education. Upon dropping out, he successfully auditioned for the renowned Sixth Army Band (then stationed at the Presidio of San Francisco) with the assistance of Hansen but was ultimately determined to be unfit for military service. Shortly thereafter, he enrolled at the College of San Mateo, where he wrote charts for the community college's well-regarded big band and ascended to the first trumpet chair. (A snippet of tape of Lesh on trumpet at CSM can be heard on "Born Cross-Eyed" from the Grateful Dead's 1968 release Anthem of the Sun.) After transferring with sophomore standing to the University of California, Berkeley in 1961, he befriended future Grateful Dead keyboardist Tom Constanten before dropping out again after less than a semester. At the behest of Constanten, he studied under the Italian modernist Luciano Berio in a graduate-level course at Mills College in the spring of 1962; their classmates included Steve Reich and Stanford University cross-registrant John Chowning. While volunteering for KPFA as a recording engineer during this period, he met bluegrass banjo player Jerry Garcia. Despite seemingly opposite musical interests, they soon formed a friendship. Following a brief period as a Post Office Department employee and keno marker in Las Vegas (initially rooming with Constanten, who soon departed to study under Berio and other members of the Darmstadt School in Europe); a second stint with the Post Office in San Francisco; and a collaboration with the likes of Reich, Jon Gibson and Constanten upon the latter's return from Europe under the auspices of the San Francisco Mime Troupe, Lesh was talked into becoming the bassist for Garcia's new rock group (then known as The Warlocks) in the fall of 1964. This was a peculiar turn of events, as Lesh had never played bass before. According to Lesh, the first song he rehearsed with the band was "I Know You Rider". He joined them for their third or fourth gig (memories vary) and stayed until the end. Since Lesh had never played bass, it meant that to a great extent he learned "on the job", yet it also meant he had no preconceived attitudes about the instrument's traditional rhythm section role. In his autobiography, he credits Jack Casady (who was playing with Jefferson Airplane) as a confirming influence on the direction his instincts were leading him into. He has said that his playing style was influenced more by Bach counterpoint than by contemporaneous rock and soul bass players--although one can also hear the fluidity and power of a jazz bassist such as Charles Mingus or Jimmy Garrison in Lesh's work, along with stylistic allusions to Casady. Lesh has also cited Jack Bruce of Cream as an influence.
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Are there any other interesting aspects about this article?

Answer:
Lesh was unable to secure a favorable position in the school's band or orchestra and determined that he was not ready to pursue a higher education.