Detailed Instructions: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : Birker Fell, also known as "Birker Moor", is an upland wilderness area in the western portion of the Lake District National Park, in Cumbria, England. Rather than being formed of one single high peak, the fell is a broad, undulating area, approximately 6km square, with numerous crags and prominences scattered across its area. The highest point of the fell is at Green Crag (489m, grid reference [ SD200983] ). The fell is bordered by the Duddon Valley to the south-east, Ulpha Fell to the south-west, Harter Fell to the north-east, and Eskdale to the north-west. Context_2 : Keswick ( ) is an English market town and civil parish, historically in Cumberland, and since 1974 in the Borough of Allerdale in Cumbria. The town, in the Lake District National Park, just north of Derwentwater, and 4 mi from Bassenthwaite, had a population of 4,821 at the time of the 2011 census. Context_3 : Muncaster Fell is a fell at the far western edge of the Lake District National Park, in Cumbria, England. Muncaster Fell is a long, narrow ridge of land, approximately 1.2km wide and 6km long, lying between the River Mite to the north, and River Esk to the south. The fell rises from the coast near Ravenglass village to its highest point at Hooker Crag (231m). The ridge then continues to the north-east, dropping gently to its furthest prominence at "Silver Knott" (174m). The fell then falls away rapidly to the village of Eskdale Green at its north-eastern tip. Context_4 : Blindcrake is a village and civil parish within the Isel Valley, in the Lake District National Park and in the Allerdale district of Cumbria, England. According to the 2001 census it had a population of 287, increasing to 348 at the 2011 Census. The parish includes Blindcrake village and the hamlets of Redmain, Isel and Sunderland, The whole parish lies within the Lake District National Park and, since 2001, Blindcrake village is one of 23 designated conservation areas of the National Park Planning Authority. This status is largely based on its mediaeval strip field pattern which is described as "undoubtedly the finest example of its type in the Lake District". The parish boundary is approximately defined by the Lake District National Park boundary in the north and west, by a line 2km to the west of the A591 in the east and by the River Derwent in the south. It is one of the smallest parishes within the Allerdale district of Cumbria. The parish has a website providing local information and lists of events. Context_5 : Skiddaw is a mountain in the Lake District National Park in England. Its 931 m summit is the sixth-highest in England. It lies just north of the town of Keswick, Cumbria, and dominates the skyline in this part of the northern lakes. It is the simplest of the Lake District mountains of this height to ascend (as there is a well-trodden tourist track from a car park to the north-east of Keswick, near the summit of Latrigg) and, as such, many walking guides recommend it to the occasional walker wishing to climb a mountain. This is the first summit of the fell running challenge known as the Bob Graham Round when undertaken in a clockwise direction. Context_6 : Causey Pike is a fell in the English Lake District. It is situated in the Newlands Valley, 5 km south-west of the town of Keswick. Even though it has a modest height of 637 metres (2,090 ft) it is one of the most distinctive fells when viewed from the Derwent Water and Keswick area due to its distinguishing summit "knobble" which catches the eye. The fell is one of 214 fells described by Alfred Wainwright in his series of "Pictorial Guides to the Lakeland Fells": Causey Pike features in Book Six, "The North Western Fells". Context_7 : The Windermere Way is a 45-mile circuit of Windermere, a lake in the English Lake District. The route is wholly within the Lake District National Park and takes in the summits of Wansfell, Loughrigg Fell and Gummer's How as well as passing through the towns of Ambleside and Windermere. Context_8 : Slate Fell is a low hill in the North Western part of the English Lake District. It lies only about a mile from the busy market town of Cockermouth, and as such is a popular walk for local dog walkers, the amount of climb being only about 80metres (250feet). A public right of way passes over the summit. It is an outlier of the Marilyn Watch Hill, and gives good views of the Lord's Seat group of hills, although it is too low to afford views towards the central Lake District. It lies just inside the boundary of the Lake District National Park. Context_9 : Dent is a small fell on the fringe of the English Lake District near the towns of Cleator Moor and Egremont. Sometimes known as Long Barrow, it is traditionally the first fell encountered by hikers following Wainwright's Coast to Coast Walk. It slopes from the westerly point of the Lake District National Park. Context_10 : Melmerby is a village in Cumbria, England. It is a small village with a population of around 200. The village is 9 miles to the east of Penrith, a thriving community with immediate access to Junction 40 of the M6 motorway and a main line railway station serving London, Manchester, Edinburgh and Glasgow. Melmerby is a quiet backwater with excellent links to other parts of the UK. Surrounded by beautiful countryside it sits between the North Pennines with its highest point, Cross Fell to the east and the World Heritage Lake District National Park 10 miles to the west. It is relatively quiet because the area is not as popular with tourists as other parts of Cumbria. It has ample facilities to support visitors who choose to travel outside the Lake District National Park which can sometimes become congested in high season. The River Eden is bridged about 4 mi away at Langwathby, and Long Meg and Her Daughters, the 3,500-year-old stone circlethe second largest in the countryis nearby at Little Salkeld. fact_1 : Causey Pike is a fell in the English Lake District. fact_2 : Even though it has a modest height of 637 metres (2,090 ft) it is one of the most distinctive fells when viewed from the Derwent Water and Keswick area due to its distinguishing summit "knobble" which catches the eye. fact_3 : The town, in the Lake District National Park, just north of Derwentwater, and 4 mi from Bassenthwaite, had a population of 4,821 at the time of the 2011 census. Answer: 637 metres
Solution:
What is the height of the distinctive fell in Lake District National Park