IN: Spring Awakening is a rock musical with music by Duncan Sheik and a book and lyrics by Steven Sater. It is based on the German play Spring Awakening (1891) by Frank Wedekind. Set in late-19th-century Germany, the musical tells the story of teenagers discovering the inner and outer tumult of teenage sexuality. In the musical, alternative rock is employed as part of the folk-infused rock score.

The European premiere took place on August 30, 2008, at Varmlandsoperan in Karlstad, Sweden, closing in March 2009. A second Swedish language production opened in Helsingborg on March 20, 2009. The Finnish production opened in Helsinki on 5 February 2009 and closed in November 2009. The first Hungarian-language (first non-replica) production premiered on February 7, 2009 in Budapest at the Nyugati Teatrum, with the title Tavaszebredes. This production ran until May 26, 2009. The German-language premiere opened in Vienna, Austria on March 21, 2009, and closed on May 30, 2009. A live cast recording was released. There was also Slovenian production in the Ljubljana City Theatre in 2009. An English-language production opened in Valletta, Malta at the St. James Cavalier Theatre on April 17, 2009, irected by Wesley Ellul, Choreographed by Fiona Barthet and Musical Direction by Alex Vella Gregory featured Davide Tucci as Georg Zirschnitz And Daniel Casingena as Otto Lammermeier. This was produced by the MADC and staged to rave reviews. The run was extended after it sold out. The Japanese-language production opened in Tokyo at the Shiki Theatre Jiyu May 2, 2009. The Brazilian production in Rio de Janeiro ran with the title O Despertar da Primavera from August 21, 2009 to January 31, 2010. It then transferred to Sao Paulo. A cast recording was released in January. The Philippine production opened in Manila in the Carlos P. Roumolo Auditorium, RCBC Plaza, on September 25 until the October 17, 2009. It was performed in English and was directed by Chari Arespachochaga. The Czech-language premiere opened in Brno, Czech Republic at the City Theatre Brno on November 21, 2009. Sydney Theatre Company staged the first Australian non-replica production, which opened on 4 February 2010 at the Sydney Theatre and closed on 7 March. The Argentine production with the Spanish title Despertar de Primavera - Un Musical Diferente opened in Buenos Aires on March 19, 2010. A production played at the Griffin Theatre, Chicago, running from December 4 to January 8, 2011. A Welsh language production toured Wales from the beginning of March 2011 visiting 8 different locations, with Theatr Genedlaethol Cymru (Welsh National Theatre). The first UK national tour of Spring Awakening took place in May and June 2011, produced by Sell a Door Theatre Company

how many shows did it run altoghether

OUT:

IN: Paul Vaughn Butterfield (December 17, 1942 - May 4, 1987) was an American blues harmonica player and singer. After early training as a classical flautist, he developed an interest in blues harmonica. He explored the blues scene in his native Chicago, where he met Muddy Waters and other blues greats, who provided encouragement and opportunities for him to join in jam sessions. He soon began performing with fellow blues enthusiasts Nick Gravenites and Elvin Bishop.

Butterfield was born in Chicago and raised in the city's Hyde Park neighborhood. The son of a lawyer and a painter, he attended the University of Chicago Laboratory Schools, a private school associated with the University of Chicago. Exposed to music at an early age, he studied classical flute with Walfrid Kujala, of the Chicago Symphony Orchestra. Butterfield was also athletic and was offered a track scholarship to Brown University. However, a knee injury and a growing interest in blues music sent him in a different direction. He met guitarist and singer songwriter Nick Gravenites, who shared an interest in authentic blues music. By the late 1950s, they were visiting blues clubs in Chicago, where musicians such as Muddy Waters, Howlin' Wolf, Little Walter, and Otis Rush, encouraged them and occasionally let them sit in on jam sessions. The pair were soon performing as Nick and Paul in college-area coffee houses. In the early 1960s, Butterfield met aspiring blues guitarist Elvin Bishop. Bishop recalled: He [Butterfield] was playing more guitar than harp when I first met him. But in about six months he became serious about the harp, and he seemed to get about as good as he got in that six months. He was just a natural genius. This was in 1960 or 1961. By this time Butter had been hanging out in the ghetto for a couple of years, and he was part of the scene and getting accepted. Eventually, Butterfield, on vocals and harmoica, and Bishop, accompanying him on guitar, were offered a regular gig at Big John's, a folk club in the Old Town district on Chicago's North Side. With this booking, they persuaded bassist Jerome Arnold and drummer Sam Lay (both from Howlin' Wolf's touring band) to form a group with them in 1963. Their engagement at the club was highly successful and brought the group to the attention of record producer Paul A. Rothchild.

Which University did he end up going to since he could not join Brown University for his injury ?

OUT: he attended the University of Chicago Laboratory Schools,

IN: Nathan Charles Buckley (born 26 July 1972) is a former professional Australian rules football player, commentator and coach, best known for his time as captain of the Collingwood Football Club in the Australian Football League (AFL). He is currently the senior coach of the Collingwood Football Club. He is listed by journalist Mike Sheahan as one of the top 50 players of all time. Buckley won the inaugural Rising Star Award, in 1993, then went on to become one of the game's elite, captaining Collingwood between 1999 and 2007, winning the Norm Smith Medal for best player afield in the 2002 Grand Final despite playing in the losing team, only the third player in history to do so, the Brownlow Medal in 2003, winning Collingwood's Best and Fairest award, the Copeland Trophy, six times and named in the Collingwood Team of the Century.

After months of speculation, Buckley signed a 5-year deal with the Collingwood Football Club. He was the assistant coach for the seasons of 2010 and 2011; he then became head coach in 2012, having taken over from Mick Malthouse, initially signing for a period of three years. Collingwood began the 2012 season shakily, losing to Hawthorn in round 1 and being thrashed by Carlton in round 3. However they recovered to win their next ten matches and finish the home-and-away season in fourth place with a record of 16-6. They were defeated by Hawthorn in the Qualifying Final before bouncing back to defeat West Coast in the Semi Final. However they lost comfortably to eventual premier Sydney in the Preliminary Final at ANZ Stadium to bring an end to the 2012 season. 2013 started poorly for the Magpies, slumping to a 5-4 record after 9 games. They couldn't quite find the consistency of previous seasons and finished the year in sixth place with a 14-8 record. They played Port Adelaide in their Elimination Final at the MCG and slumped to a shock 24-point loss, which caused Buckley to call into question the club's culture. Buckley's contract was extended until the end of 2016 by Collingwood in early March 2014, however Collingwood produced a poor performance in round 1 and lost to 2013 grand finalists Fremantle by 70 points. They ended up missing the finals to finish 12th partly due to an injury crisis. Collingwood started the 2015 season at 3-1 as of Round 4 and a gutsy win against Essendon on Anzac Day in 100th centenary of Gallipoli landing. At the end of Collingwood's 2017 season on 28 August 2017, Buckley was given a two-year contract extension by the club after it undertook a review of the entire football club.

How was his time as assistant coach?

OUT:
Buckley's contract was extended until the end of 2016 by Collingwood in early March 2014, however Collingwood produced a poor performance in round 1 and lost to 2013 grand finalists