In one sentence, describe what the following article is about: Before you begin, you will want to make sure that whatever distance you are working with is either in miles (if using Imperial units) or in kilometers if working with metric. It doesn't make much sense to convert smaller distances into light years, but you can if you're curious. To convert feet into miles, remember that there are 5,280 feet in a mile: x ft (1 mile/5280 ft) = miles. To convert meters into kilometers, simply divide by 1000: x m (1 km/1000 m) = km. You need to identify the units for the distance that you're converting to light years. If you're converting from kilometers to light years, you will use a different conversion factor than if you're converting from miles. To convert from kilometers to light years, you will use: 1 light year/(9.46 x 1012 km). To convert from miles to light years, you will use: 1 light year/(5.88 x 1012 miles). Once you have determined the proper conversion factor, you can multiply by the original distance to obtain the distance in light years. When numbers are large, it is best to use scientific notation. For example: If you knew that an object was approximately 14.2 x 1014 miles away from Earth, how many light years would that be? Use the miles conversion factor: 1/(5.88 x 1012) Multiply: (14.2 x 1014) x (1/(5.88 x 1012)) = 2.41 x 102 = 241 light years. The object is 241 light years away. You can always ask for assistance from your teacher and fellow students. There are also many resources online and in your text book to help you when converting to light years. Don't hesitate to ask for extra help if you need it. Remember, there are always multiple ways to get help when looking for an answer.
Summary: Identify the distance you want to convert. Determine the correct conversion factor. Multiply the original distance by the conversion factor. Find help.

to keep it out of your face. Keep an elastic hairband on your wrist. Pull your hair back so you can hold it all in one hand. Take the hairband off your wrist, pull it over your hair, and twist. Pull the band back around your hair to make a bun. You might opt for the "man bun," which is higher on your head, or a low bun if you prefer. Use a shoelace instead of an elastic band to control the tightness of the bun. Put in bobby pins to secure the bun in place if you're wearing it looser. Squeeze pomade into your hand the size of a quarter and rub it in your hands. Use your fingers to lather it into your hair as you would shampoo. Make sure to work it from the ends of your hair all the way down to the scalp for maximum coverage. Thicker and coarser hair will require more pomade. Use a wide-toothed comb to work your hair into the style that you want. This helps pull hair away from your face for a more slicked back look. Run your fingers through your hair to further accentuate any curls. Use a dime-sized amount of pomade and rub it into the hair on the sides and on top of your face to give it extra hold. This ensures your hair will stay controlled throughout the day. Let the pomade air dry for the best hold and shine.
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One-sentence summary -- Tie your hair up in a bun Work a liquid pomade into your damp hair with your fingers. Use a comb to smooth your hair back and distribute the pomade. Add extra pomade on the hair near your face.

Q: Apply for jobs in production online using sites like Craigslist, Indeed and Monster. Craigslist may be the best bet for finding small projects in your area that need short-term help. Job sites like Indeed and Monster usually post long-term jobs, which are harder to get but are more permanent. Don't send the same general resume and cover letter on all your applications. You want to make sure that you express why you as a candidate admire that studio or company and how you would fit into the environment there. For example, you could include a sentence in your cover letter that says, "I am particularly excited to have the opportunity to apply to Red Crown Productions because I admire the work they have done to bring national attention to smaller, independent filmmakers." Don't apply for an Executive Director position if you have no experience in the industry. Look for Production Assistant, also known as PA, roles. These are the entry-level positions in film and video production, and are where many start off when getting into production. Unfortunately, this is an almost inevitable part of starting out in film or video production. Almost everyone in the industry has to pay their dues and do unpaid work as assistants or runners. If a studio or company is interesting, fetching coffee may be worth it for the connections that you can make. You have already researched studios and companies in your area. Make a list of the ones that most interest you and call their production office . You will likely reach the Production Assistant on the phone. Ask them if there are any openings and if you can send a resume. Just because a studio doesn't list jobs, it doesn't mean they don't exist. Many studios hire through word of mouth or through references, which is why pursuing them is a good tactic. Create a LinkedIn profile and post your resume. Get in touch with any recruiters that you can find that are in the industry. LinkedIn is fast becoming one of the most vital ways to find jobs in the digital age. If you get an interview with a studio or company, do thorough research. Make sure you know things like their size, where they usually work and what projects they have been doing. Their website is always a great place to start. You can also find information on them by doing a Google search. If you get an interview, do your best to communicate your own skills and assets. Bring each question back to your strengths and the ways that you can contribute effectively to the company or project. Stay positive and down to earth. The last thing any film crew needs is someone who will bring drama to the table. Present yourself as someone who is grounded and is willing to follow directions. After the interview, send an email thanking the interviewer for their time. It is a polite gesture that is almost standard interviewing procedure now. It will also make sure that the employer will keep you in mind as he or she is interviewing other candidates.
A: Apply to jobs positions online. Customize your resume and cover letter for each job that you apply to. Apply to jobs you're qualified for. Don't be above internships or unpaid positions. Contact studios or companies that interest you. Use LinkedIn to apply for jobs. Research the company or studio before the interview. Show yourself in the best light during the interview. Always follow up on an interview.

Problem: Article: The hand not holding your leg should be closed into a fist. Pulling the other arm into the "High-V" is the correct way to do the move stylistically, but it also helps you keep your balance. Your knee should be unlocked but straight, and your body should be tight. Locking your knee can be dangerous. Keep it very slightly bent to avoid injury. Keeping your core tight will help you maintain your balance while holding the heel stretch. Focus on the muscles in your lower body and the posture of your upper body in order to stay balanced. The foot on the floor should be firmly planted. Your body weight should be evenly distributed through the heel, ball, inner, and outer sides of the foot. The thigh and calf muscles in your standing leg should be held firm and straight. Tighten these muscles to keep from wobbling or jutting your hip out. Your back should be straight with your chest and chin held up. Keeping the upper body strong and lifted will help you stay balanced. When done properly, the heel stretch should look easy and graceful.
Summary:
Bring your other arm into a "High-V". Keep your core muscles engaged and your base leg straight. Stay balanced using your entire body. Remember to smile.