input: Stewart was an important factor in the unionization of the Comedy Central writers. The Daily Show writers were the first of Comedy Central's writers to be able to join the guild, after which other shows followed. Stewart supported the 2007-08 Writers Guild of America strike. On The Daily Show episode just before the strike, he sarcastically commented about how Comedy Central had made available all episodes for free on their website, but without advertising, and said, "go support our advertisers". The show went on hiatus when the strike began, as did other late night talk shows. Upon Stewart's return to the show on January 7, 2008, he refused to use the title The Daily Show, stating that The Daily Show was the show made with all of the people responsible for the broadcast, including his writers. During the strike, he referred to his show as A Daily Show with Jon Stewart until the strike ended on February 13, 2008. Stewart's choice to return to the air did bring criticism that he was undermining the writers of his show. Seth MacFarlane wrote an inside joke into an episode of Family Guy about this, causing Stewart to respond with an hour-long call in which he questioned how MacFarlane could consider himself the "moral arbiter" of Hollywood. Other former writers of The Daily Show such as David Feldman have also indicated that Stewart was anti-union at the time and punished his writers for their decision to unionize. The Writers Guild Strike of 2007-08 was also responsible for a notable mock feud between Stewart, Stephen Colbert, and Conan O'Brien in early 2008. Without writers to help fuel their banter, the three comedians concocted a crossover/rivalry in order to garner more viewers during the ratings slump. Colbert made the claim that because of "the Colbert bump", he was responsible for Mike Huckabee's success in the 2008 presidential race. O'Brien claimed that he was responsible for Huckabee's success because not only had he mentioned Huckabee on his show, but also that he was responsible for Chuck Norris's success (Norris backed Huckabee). In response, Stewart claimed that he was responsible for the success of O'Brien, since Stewart had featured him on The Jon Stewart Show, and in turn the success of Huckabee. This resulted in a three-part comedic battle between the three pundits, with all three appearing on each other's shows. The feud ended on Late Night with Conan O'Brien with a mock brawl involving the three hosts.

Answer this question "What was Stewart's involvement in the strike?"
output: On The Daily Show episode just before the strike, he sarcastically commented about how Comedy Central had made available all episodes for free on their website,

input: In 1993, Povenmire and Marsh conceived the series Phineas and Ferb, based on their similar experiences of childhood summers spent outdoors. Povenmire spent 14-16 years pitching Phineas and Ferb to several networks. Most rejected it as unfeasible for the complexity of its plots, but Povenmire persevered, later observing "It was really the show we wanted to see: if this was on the air, I'd watch it, and I don't always feel that about every show I work on." Even the Walt Disney Company initially rejected Povenmire's pitch, but asked to keep the proposal packet: "Usually that means they throw it in the trash later," Povenmire recalled. Eventually Disney called Povenmire back with an acceptance, on the condition that he would produce an 11-minute pilot. He called Marsh, who was living in England, to ask him if he would like to work on the pilot; Marsh accepted immediately and moved back to the United States. Instead of a conventional script, the pair pitched the pilot by recording reels of its storyboard, which Povenmire then mixed and dubbed to produce action and vocals. The network approved the show for a 26-episode season. Povenmire left Family Guy to create the series. Povenmire and Marsh wanted to incorporate into Phineas and Ferb the kind of humor they had developed in their work on Rocko's Modern Life. They included action sequences and, with Disney's encouragement, featured musical numbers in every episode subsequent to "Flop Starz". Povenmire described the songs as his and Marsh's "jab at immortality", but the pair have earned two Emmy nominations for Phineas and Ferb songs to-date. A third Emmy nomination, for the episode "The Monster of Phineas-n-Ferbenstein" (2008), pitted the show against SpongeBob SquarePants, although neither nominee received the award due to a technicality. In 2010, Povenmire was nominated amongst several other Phineas and Ferb crew members for the Daytime Emmy Award for both "Outstanding Writing in Animation" and "Outstanding Original Song - Children's and Animation" for their work on the show, winning for "Outstanding Writing in Animation". The distinctive style of the animation legend Tex Avery influenced the show's artistic look. Like Avery, Povermire employed geometric shapes to build both the characters and the background. The style developed almost accidentally, with Povenmire's first sketch of title character, Phineas Flynn, which he produced while eating dinner with his family in a restaurant in South Pasadena, California. He doodled a triangle-shaped child on the butcher paper covering the table. He was so taken with sketch he tore it out, kept it, and used it as the prototype for Phineas and as the stylistic blueprint for the entire show.

Answer this question "Did any of their songs win any awards?"
output: "Outstanding Writing in Animation" and "Outstanding Original Song - Children's and Animation"

input: Mantle was invited to the Yankees instructional camp before the 1951 season. After an impressive spring training, Yankees manager Casey Stengel decided to promote Mantle to the majors as a right fielder instead of sending him to the minors. Mickey Mantle's salary for the 1951 season was $7,500. Mantle was assigned uniform #6, signifying the expectation that he would become the next Yankees star, following Babe Ruth (#3), Lou Gehrig (#4) and Joe DiMaggio (#5). Stengel, speaking to SPORT, stated "He's got more natural power from both sides than anybody I ever saw." Bill Dickey called Mantle "the greatest prospect [he's] seen in [his] time." After a brief slump, Mantle was sent down to the Yankees' top farm team, the Kansas City Blues. However, he was not able to find the power he once had in the lower minors. Out of frustration, he called his father one day and told him, "I don't think I can play baseball anymore." Mutt drove up to Kansas City that day. When he arrived, he started packing his son's clothes and, according to Mantle's memory, said "I thought I raised a man. I see I raised a coward instead. You can come back to Oklahoma and work the mines with me." Mantle immediately broke out of his slump, going on to hit .361 with 11 homers and 50 RBIs during his stay in Kansas City. Mantle was called up to the Yankees after 40 games with Kansas City, this time wearing uniform #7. He hit .267 with 13 home runs and 65 RBI in 96 games. In the second game of the 1951 World Series, New York Giants rookie Willie Mays hit a fly ball to right-center field. Mantle, playing right field, raced for the ball together with center fielder Joe DiMaggio, who called for the ball (and made the catch). In getting out of DiMaggio's way, Mantle tripped over an exposed drain pipe and severely injured his right knee. This was the first of numerous injuries that plagued his 18-year career with the Yankees. He played the rest of his career with a torn ACL.

Answer this question "Did it keep him from playing?"
output:
He played the rest of his career with a torn ACL.