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Review:Robot Jox doesn't suffer from story or bad effects. I mean, this was 1990 if you know what I'm talking about. RoboCop 2 still used the stop animation as most of the movies did throughout the '80s. If you look at your biggest blockbusters during this period, most of them did what they could with the special effects shots that was available to them at the time. It wasn't until Terminator 2: Judgment Day was released the following year that a breakthrough in technology was realized, and story boarders began to use that motive. But you'll have fond memories of Transformers, Gundam Wing, even Power Rangers, if you watch this film. The enemy robot is very menacing. It makes you not want to face the man without a really good back-up plan. And there are some great moments within this film. A traitor/spy is working within their midsts. Who you think is on your side, backing you up all the way, could be the person you didn't expect him/her to be. And that's very troublesome to think so, don't you agree?
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A: positive

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Review:THE GIRL FROM MISSOURI arrives in New York City knowing exactly what she wants: to amount to something solid by marrying a millionaire - without losing her virginity. With her knockout good looks she quickly catches the eye of the playboy son of a tycoon, but by staying true to her virtue will she also discover true love?

Jean Harlow sizzles in this excellent little comedy. With her platinum hair & gorgeous accouterments, she is a dazzler. But her beauty should not obscure the fact that she was also a very good actress. She has rightfully earned her spot at the very top of the Hollywood pantheon.

An excellent cast gives Harlow fine support: Lionel Barrymore as the wily old tycoon, wise to Harlow's ways; handsome Franchot Tone as his son, smitten with love; raucous Patsy Kelly, stealing her scenes as Harlow's sidekick; debonair Alan Mowbray, as a well-mannered English Lord; elderly Clara Blandick as Barrymore's feisty secretary; hearty Hale Hamilton as a rich man with an eye for the ladies; muscular Nat Pendleton as a lifeguard who catches Kelly's flirtatious eye; and Lewis Stone, unforgettable in a small role as a bankrupted businessman.

It should be noted that this film was produced soon after Hollywood's Production Code was instituted. A comparison with RED-HEADED WOMAN, made two years earlier, would be fascinating - in which Harlow's character goes after the same ends, but uses very different means.
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A: positive

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Review:This was just plain terrible. I read this book for school, i made As on all of the tests, and to see it like this! My teacher forced me and 20 other people to watch it, and it was worse than Leonard Part 6, Plan 9 from Outer Space, and Hudson Hawk put together. The thing that made this film so terrible was enough reasons to want to kill yourself over. First of all, it was made on Hallmark. Second, the acting was terrible. Third, it was like completely different from the book. Literally, it was so bad I asked myself to be excused. Basically, I would rather watch Basic Instinct 2 than watch this. Take my advice, don't watch this film. No one would want to watch this. It was horrible. HORRIBLE!
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A: negative

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Review:Radio was not a 24 hour 7days a week happening when I grew up in the 1930s England, so Children's Hour was a treat for me when we had batteries and an accumulator to spare for the power. The few programmes I heard therefore made a great impression on my young mind, and the 3 that I recall still are "Toytown", one about all the animals at the Zoo, and --- Grey Owl, talking about the animals he knew, which he called his "brothers". It was only in recently that I learnt that Grey Owl wasn't a genuine "Indian", but the tribute paid by the Sioux Chief makes great sense to me "A man becomes what he dreams". Would that we could all dream as world changing and beneficial as Archie Grey Owl Belaney. Would that a new Grey Owl could influence world leaders to clean up the environment.
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positive