In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as 'a' for Yes or 'b' for No.
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Question: Question: How old was Christabel Pankhurst when she lost her election? Passage:The United Kingdom's Representation of the People Act 1918 gave near-universal suffrage to men, and suffrage to women over 30. The Representation of the People Act 1928 extended equal suffrage to both men and women. It also shifted the socioeconomic makeup of the electorate towards the working class, favouring the Labour Party, which was more sympathetic to women's issues. The 1918 election gave Labour the most seats in the house to date. The electoral reforms also allowed women to run for Parliament. Specifically, the Parliament (Qualification of Women) Act 1918 gave women over 21 the right to stand for election as an MP. Christabel Pankhurst narrowly failed to win a seat in 1918, but in 1919 and 1920, both Lady Astor and Margaret Wintringham won seats for the Conservatives and Liberals respectively by succeeding their husband's seats. Labour swept to power in 1924. Constance Markievicz (Sinn Fein) was the first woman elected in Ireland in 1918, but as an Irish nationalist, refused to take her seat. Astor's proposal to form a women's party in 1929 was unsuccessful. Women gained considerable electoral experience over the next few years as a series of minority governments ensured almost annual elections, but there were 12 women in Parliament by 1940. Close affiliation with Labour also proved to be a problem for the National Union of Societies for Equal Citizenship (NUSEC), which had little support in the Conservative party. However, their persistence with Conservative Prime Minister Stanley Baldwin was rewarded with the passage of the Representation of the People (Equal Franchise) Act 1928.

Answer: b

Question: Question: How old was the architect who designed part of the Marienlyst Castle when it was built? Passage:Hans van Steenwinckel, the royal architect, designed and built the original pavilion and parterre garden in 1587, for King Frederick II of Denmark. The royal estate was then purchased in 1758 by Count Adam Gottlob Moltke, who completely changed the original pavilion and garden with the help of French architect Nicolas-Henri Jardin between 1759 and 1763. The additions led to its present-day architectural structure and facade. Jardin also redesigned the original parterre gardens, changing them to a larger, more modern garden a la francaise design, with symmetrical hedges, avenues, fountains and mirror ponds. Within the castle wall boundaries, these elegant garden grounds remain to a large extent intact, but outside, much of the garden has been lost, including the most renowned romantic landscape garden in Denmark, designed by Johan Ludvig Mansa in the 1790s. This was mostly due to the sale of much of the original property by the Helsingr municipality which had purchased the entire Marienlyst estate at auction in 1851. One of the lot purchasers was J.S. Nathanson, who in 1859 built Hotel Marienlyst, the first luxury hotel in Helsingr, named after the castle.

Answer: b

Question: Question: In which city was the painting before being moved to its final home? Passage:By 1627 the painting belonged to William Herbert, 3rd Earl of Pembroke (1580-1630), and was at Wilton House in Wiltshire. Either the 3rd or 4th earl presented it to King Charles I of England. After the English Civil War it was sold in one of the sales of the Royal Collection at Somerset House in London on 19 December 1651. Soon after it was in France. The painting was later a highlight of the Pierre Crozat collection which was acquired through Diderot's mediation by Catherine II of Russia in 1772. For a century and a half, the panel hung in the Imperial Hermitage Museum. It was one of the most popular paintings in the entire collection of the Tsars. In March 1931 it was part of the Soviet sale of Hermitage paintings, and bought by Andrew Mellon, as part of his founding donation to the National Gallery of Art in Washington D.C. This and other foundational artworks, including paintings by Jan van Eyck, Sandro Botticelli, and Titian, helped place the National Gallery among the most significant collections of Renaissance art.

Answer:
b