Please answer this: What is the last name of the person who named Winnipeg the Bear after the regiment's home town of Winnipeg? Answer the above question based on the context below: Winnipeg was named the Cultural Capital of Canada in 2010 by Canadian Heritage. As of 2012, there are 26 National Historic Sites of Canada in Winnipeg. One of these, The Forks, attracts four million visitors a year. It is home to the City television studio, Manitoba Theatre for Young People, the Winnipeg International Children's Festival, and the Manitoba Children's Museum. It also features a 30,000-square-foot (2,800 m2) skate plaza, a 8,500-square-foot (790 m2) bowl complex, the Esplanade Riel bridge, a river walkway, Shaw Park, and the Canadian Museum for Human Rights. The Winnipeg Public Library is a public library network with 20 branches throughout the city, including the main Millennium Library.Winnipeg the Bear, which would become the inspiration for part of the name of Winnie-the-Pooh, was purchased in Ontario by Lieutenant Harry Colebourn of the Fort Garry Horse. He named the bear after the regiment's home town of Winnipeg. A. A. Milne later wrote a series of books featuring the fictional Winnie-the-Pooh. The series' illustrator, Ernest H. Shepard, created the only known oil painting of Winnipeg's adopted fictional bear, displayed in Assiniboine Park.The city has developed many distinct dishes and cooking styles, notably in the areas of confectionery and hot-smoked fish. Both the First Nations and more recent Eastern Canadian, European, and Asian immigrants have helped shape Winnipeg's dining scene, giving birth to dishes such as the desserts schmoo torte and wafer pie.The Winnipeg Art Gallery is Western Canada's oldest public art gallery, founded in 1912. It is the sixth-largest in the country and includes the world's largest public collection of contemporary Inuit art. Since the late 1970s Winnipeg has also had an active artist run centre culture.
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Answer: Colebourn

Please answer this: What is the first name of the person who accepted that his illness made it necessary to return to his parent's home, though he resented the regression? Answer the above question based on the context below: In the months following Pink Moon's release, Drake became increasingly asocial and distant. He returned to live at his parents' home in Tanworth-in-Arden, and while he resented the regression, he accepted that his illness made it necessary. "I don't like it at home," he told his mother, "but I can't bear it anywhere else." His return was often difficult for his family; Gabrielle said, "good days in my parents' home were good days for Nick, and bad days were bad days for Nick. And that was what their life revolved around, really."Drake lived a frugal existence; his only income was a 20-a-week retainer he received from Island Records (equivalent to 238 in 2018). At one point he could not afford a new pair of shoes. He would disappear for days, sometimes arriving unannounced at friends' houses, uncommunicative and withdrawn. Robert Kirby described a typical visit: "He would arrive and not talk, sit down, listen to music, have a smoke, have a drink, sleep there the night, and two or three days later he wasn't there, he'd be gone. And three months later he'd be back." Nick's supervision partner at Cambridge, John Venning, saw him on a tube train in London and felt he was seriously depressed: "There was something about him which suggested that he would have looked straight through me and not registered me at all. So I turned around."John Martyn (who in 1973 wrote the title song of his album Solid Air about Drake) described Drake in this period as the most withdrawn person he had ever met. He would borrow his mother's car and drive for hours without purpose, until he ran out of petrol and had to ring his parents to ask to be collected. Friends recalled the extent to which his appearance had changed. During particularly bleak periods, he refused to wash his hair or cut his nails. Early in 1972, Drake had a nervous breakdown, and was hospitalized for five weeks. He was initially believed to suffer from major depression, although his former therapist suggested he was suffering from schizophrenia. His health problems...
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Answer: Nick

Please answer this: What were the items that some of which may have been fraudulent creations by Reinhold Vasters? Answer the above question based on the context below: In a collection of Renaissance metalwork Benvenuto Cellini (150071) represents the ultimate attribution, as his genuine works as a goldsmith are rarer than paintings by Giorgione. In his 1902 catalogue Charles Hercules Read mentions that many of the pendants had been attributed to Cellini, but refrains from endorsing the attributions. A small silver hand-bell (WB.95) had belonged to Horace Walpole, who praised it extravagantly in a letter as "the uniquest thing in the world, a silver bell for an inkstand made by Benvenuto Cellini. It makes one believe all the extravagant encomiums he bestows on himself; indeed so does his Perseus. Well, my bell is in the finest taste, and is swarmed by caterpillars, lizards, grasshoppers, flies, and masques, that you would take it for one of the plagues of Egypt. They are all in altissimo, nay in out-issimo relievo and yet almost invisible but with a glass. Such foliage, such fruitage!" However Baron Ferdinand had realized that it was more likely to be by Wenzel Jamnitzer, goldsmith to the Emperor Rudolf II, to whom it is still attributed. Another piece no longer attributed to Cellini is a large bronze door-knocker, with a figure of Neptune, 40 cm high, and weighing over 11 kilos.One category of the bequest that has seen several demotions is the 16 pieces and sets of highly decorated cutlery (WB.201216). Read dated none of these later than the 17th century, but on the British Museum database in 2014 several were dated to the 19th century, and were recent fraudulent creations when they entered the collection, some made by Reinhold Vasters. Doubts have also been raised over a glass cup and cover bearing the date 1518 (WB.59), which might in fact be 19th-century. Eight pieces of silver plate were redated to the 19th century by Hugh Tait, and some of the jewellery.
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Answer:
highly decorated cutlery