IN: The Clark Sisters are an American gospel vocal group consisting of five sisters: Jacky Clark Chisholm (b. 1948), Denise Clark Bradford (b. 1953), Elbernita "Twinkie" Clark-Terrell (b. 1954), Dorinda Clark-Cole (b. 1957), and Karen Clark Sheard (b. 1960). The Clark Sisters are the daughters of gospel musician and choral director Mattie Moss Clark. They are credited for helping to bring gospel music to the mainstream and are considered as pioneers of contemporary gospel.

The Clark Sisters were born and raised in Detroit, Michigan. They each began singing at an early age, and by the late 1960s they were all performing together in church services, usually singing songs written and arranged by their mother. A few years later, Dr. Mattie Moss Clark turned over control of the group to Twinkie, who would then go on to write, arrange, conduct, and produce all of the Clark Sisters' recordings. In 1973, the sisters recorded their first album, Jesus Has A Lot To Give, on their uncle's local label Billesse Records. The following year, Dr. Mattie Moss Clark Presents The Clark Sisters was released and people around Detroit began to take notice of the group. The Clark Sisters signed to Sound of Gospel Records in 1974. Under this association, the group released albums such as Unworthy, Count It All Joy, and He Gave Me Nothing to Lose. It was not until the early 1980s that The Clark Sisters began to become more widely known. Their popularity soared with the release of the live recording Is My Living In Vain. The first live recording by The Clark Sisters spent an entire year at number one on Billboard's Gospel Music chart. Opening with the bluesy title track, each sister vocally declares that their dedication to Christ is not a useless effort. The innovative "Hi ya" was funky enough to find its way into a Tonex produced track over two decades later. Karen Clark's lead on "Speak Lord" expresses deep faith while the call to worship is raised on "Now Is The Time". Another hit from this release, "Expect Your Miracle", is still a staple in black churches across the country. Their next release You Brought the Sunshine would prove to be a monster hit via the title track. Reminiscent of Stevie Wonder's "Master Blaster (Jammin')," the song became a hit in church houses and on dance floors, including New York's Studio 54. "Sunshine" was picked up from its original independent gospel record label Sounds of Gospel and distributed by both Westbound Records and Elektra Records. In 1983, the song peaked at #16 on the Black Singles chart, #27 on the Club Play Charts, and #80 on the Hot R&B Charts driving the album to Gold sales. This album continues to display Twinkie's signature blend of scripture with unprecedented vocal and musical arrangements on biblically based songs like "Psalms 31." The album's other songs include the sincere prayer found within the lyrics of both "Center of Thy Will" and "Endow Me," featuring a young but already vocally mature Karen, as well as "Overdose of the Holy Ghost", showcasing Dorinda's vocal dexterity. The disco-inspired "He Keeps Me Company" is noted for its bubbly syncopation. The sisters delivered another progressive effort in 1982, Sincerely, which included "Name It And Claim It" and the politically charged "World." Though its success was overshadowed by the previous hit "You Brought The Sunshine", the album received a Grammy nomination.
QUESTION: Where were they born?
IN: George Michael Cohan (July 3, 1878 - November 5, 1942), known professionally as George M. Cohan, was an American entertainer, playwright, composer, lyricist, actor, singer, dancer and producer. Cohan began his career as a child, performing with his parents and sister in a vaudeville act known as "The Four Cohans." Beginning with Little Johnny Jones in 1904, he wrote, composed, produced, and appeared in more than three dozen Broadway musicals. Cohan published more than 300 songs during his lifetime, including the standards "Over There", "Give My Regards to Broadway", "The Yankee Doodle Boy" and "You're a Grand Old Flag".

Cohan began writing original skits (over 150 of them) and songs for the family act in both vaudeville and minstrel shows while in his teens. Soon he was writing professionally, selling his first songs to a national publisher in 1893. In 1901 he wrote, directed and produced his first Broadway musical, The Governor's Son, for The Four Cohans. His first big Broadway hit in 1904 was the show Little Johnny Jones, which introduced his tunes "Give My Regards to Broadway" and "The Yankee Doodle Boy." Cohan became one of the leading Tin Pan Alley songwriters, publishing upwards of 300 original songs noted for their catchy melodies and clever lyrics. His major hit songs included "You're a Grand Old Flag," "Forty-Five Minutes from Broadway," "Mary Is a Grand Old Name," "The Warmest Baby in the Bunch," "Life's a Funny Proposition After All," "I Want To Hear a Yankee Doodle Tune," "You Won't Do Any Business If You Haven't Got a Band," "The Small Town Gal," "I'm Mighty Glad I'm Living, That's All," "That Haunting Melody," "Always Leave Them Laughing When You Say Goodbye", and America's most popular World War I song "Over There", which was recorded by Enrico Caruso among others. The latter song reached such currency among troops and shipyard workers that a ship was named "Costigan" after Cohan's grandfather, Dennis Costigan. During the christening, "Over There" was played. From 1904 to 1920, Cohan created and produced over 50 musicals, plays and revues on Broadway together with his friend Sam H. Harris, including Give My Regards to Broadway and the successful Going Up in 1917, which became a smash hit in London the following year. His shows ran simultaneously in as many as five theatres. One of Cohan's most innovative plays was a dramatization of the mystery Seven Keys to Baldpate in 1913, which baffled some audiences and critics but became a hit. Cohan further adapted it as a film in 1917, and it was adapted for film six more times, as well as for TV and radio. He dropped out of acting for some years after his 1919 dispute with Actors' Equity Association. In 1925, he published his autobiography, Twenty Years on Broadway and the Years It Took To Get There.
QUESTION:
what was it made for