Problem: Background: The Roots is an American hip hop band, formed in 1987 by Tariq "Black Thought" Trotter and Ahmir "Questlove" Thompson in Philadelphia, Pennsylvania, United States. The Roots are known for a jazzy and eclectic approach to hip-hop featuring live musical instruments. Malik B., Leonard "Hub" Hubbard, and Josh Abrams were added to the band (formerly named "The Square Roots"). Since its first independent album-length release the band has released 10 studio albums, two EPs, two collaboration albums (with other artists), and also collaborated on recordings and in live shows with a wide variety of artists in many musical genres.
Context: The Roots originated in Philadelphia with Ahmir "Questlove" Thompson and Tariq "Black Thought" Trotter while they were both attending the Philadelphia High School for the Creative and Performing Arts. They would busk out on the street corners with Questlove playing bucket drums and Tariq rapping over his rhythms. Their first organized gig was a talent show in 1989 at the school where they used the name Radio Activity, which began a series of name changes that progressed through Black to the Future and then The Square Roots. In 1992, they dropped the "Square" because a local folk group had claim to the name. Organix was the band's first album, released and sold independently in 1993. It drew offers from music labels, and the band signed with DGC/Geffen. The Roots' first album for DGC, Do You Want More?!!!??!, was released in 1994. It was a moderate hit among alternative music fans, boosted by the group's appearance at Lollapalooza. The band performed at the Montreux Jazz Festival that year. Touring guests, beatboxer Rahzel and producer Scott Storch, joined The Roots. The 1996 release Illadelph Halflife was the group's first album to break the Top 40 on the Billboard 200 chart, spurred in part by MTV's airplay of the video for "What They Do" (a parody of rap video cliches) and "Clones", which was their first single to reach the top five on the rap charts. "What They Do" was also the group's first single to hit the Top 40 of Billboard's charts, reaching a peak of #34. While continuing on the path of live instrumentation, the album's sound was somewhat darker.
Question: what was their playing style?
Answer: playing bucket drums and Tariq rapping over his rhythms.

Problem: Background: Kaline was born and raised in Baltimore, Maryland. His family was poor. Several relatives played semi-pro baseball, but no one in his family had graduated from high school. When he was eight years old, Kaline developed osteomyelitis and had a segment of bone removed from his left foot.
Context: In 1970 Kaline was nearly a victim of a freak accident on the baseball field. On May 30, 1970, in a game at Milwaukee's County Stadium, Kaline collided with center fielder Jim Northrup as they both pursued a flyball. Kaline fell to the warning track injured. Alertly, left fielder Willie Horton rushed over and quickly recognized that Kaline was turning blue. Horton reached in and cleared Kaline's airway, saving his life. After hitting .294 in 1971, Kaline became the first Tiger to sign a $100,000 ($604,273 in today's dollars) contract. He had turned down a pay raise from $95,000 to $100,000 the previous year, saying he did not feel like he deserved it after hitting .278 with 21 home runs in 1970. Detroit contended all season for the 1972 pennant, trailing the Red Sox by a half-game before a series against them to end the regular season. Kaline batted eight times in two games, registering five hits and three runs scored. Detroit won those first two games and clinched the AL East pennant. They lost the ALCS to the Oakland Athletics that year after Reggie Jackson stole home in the final game of the series. In March 1973, Kaline won the Roberto Clemente Award in recognition of the honor he brought to baseball on and off the field. On September 24, 1974, Kaline became the 12th player in MLB history to reach the 3000 hit plateau, when he hit a double off the Orioles' Dave McNally. After reaching the milestone, he announced that he would retire. "I'm glad it's over. I really am. I don't think I'll miss it. I may miss spring training", Kaline said after his last game on October 3. He finished his career with 3,007 hits (25th on the all-time list), 399 home runs (a Tigers record and 43rd on the all-time list), 1,622 runs scored, and 1,582 RBIs. He batted over .300 nine times in his career to finish with a lifetime batting average of .297 and hit 25 or more home runs seven times in his career. He also holds Tiger career records for games played (2,834), walks (1,277) and sacrifice flies (104).
Question: What were his plans after his final season?
Answer: he hit a double off the Orioles' Dave McNally. After reaching the milestone, he announced that he would retire. "

Problem: Background: Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.
Context: Tiomkin received his first break from Columbia director Frank Capra, who picked him to write and perform the score for Lost Horizon (1937). The film gained significant recognition for Tiomkin in Hollywood. It was released the same year that he became a naturalized U.S. citizen. In his autobiography, Please Don't Hate Me! (1959), Tiomkin recalls how the assignment by Capra forced him to first confront a director in a matter of music style: [H]e gave me the job without reservation. I could write the score without interference, and he would hear it when it was done. Lost Horizon offered me a superb chance to do something big... I thought I might be going a little too far in the matter of expense, and went to Frank one day as he sat in the projection room [and explained the score.]... He looked shocked. "No, Dimi, the lama is a simple man. His greatness is in being simple. For his death the music should be simple, nothing more than the muttering rhythm of a drum." "But Frank, death of lama is not ending one man, but is death of idea. Is tragedy applying to whole human race. I must be honest. Music should rise high, high. Should give symbolism of immense loss. Please don't hate me." He worked on other Capra films during the following decade, including the comedy You Can't Take It With You (1938), Mr. Smith Goes to Washington (1939), Meet John Doe (1941), and It's a Wonderful Life (1946). During World War II, he continued his close collaboration with Capra by composing scores for his Why We Fight series. These seven films were commissioned by the U.S. government to show American soldiers the reason for United States participation in the war. They were later released to the general U.S. public to generate support for American involvement. Tiomkin credited Capra for broadening his musical horizons by shifting them away from a purely Eurocentric and romantic style to a more American style based on subject matter and story.
Question: Did he write the scores for those movies?
Answer:
He worked on other Capra films during the following decade,