input: A photo of a dazed Tittle in the end zone taken by Morris Berman of the Pittsburgh Post-Gazette on September 20, 1964, is regarded among the most iconic images in the history of American sports and journalism. Tittle, in his 17th and final season, was photographed helmet-less, bloodied and kneeling immediately after having been knocked to the ground by John Baker of the Pittsburgh Steelers and throwing an interception that was returned for a touchdown at the old Pitt Stadium. He suffered a concussion and cracked sternum on the play, but went on to play the rest of the season. Post-Gazette editors declined to publish the photo, looking for "action shots" instead, but Berman entered the image into contests where it took on a life of its own, winning a National Headliner Award. The photo was published in the October 2, 1964, issue of Life magazine. It is regarded as having changed the way that photographers look at sports, having shown the power of capturing a moment of reaction. It became one of three photos to hang in the lobby of the National Press Photographers Association headquarters, alongside Raising the Flag on Iwo Jima and the Hindenburg disaster. A copy now hangs in the Pro Football Hall of Fame. After at first having failed to see the appeal of the image, Tittle eventually grew to embrace it, putting it on the back cover of his 2009 autobiography. "That was the end of the road," he told the Los Angeles Times in 2008. "It was the end of my dream. It was over." Pittsburgh player John Baker, who hit Tittle right before the picture was taken, ran for sheriff in his native Wake County, North Carolina in 1978, and used the photo as a campaign tool. He was elected and went on to serve for 24 years. Tittle also held a fundraiser to assist Baker in his bid for a fourth term in 1989.

Answer this question "did he become famous?"
output: Berman entered the image into contests where it took on a life of its own, winning a National Headliner Award.

input: Simultaneously with his work in the theatre, Welles worked extensively in radio as an actor, writer, director and producer, often without credit. Between 1935 and 1937 he was earning as much as $2,000 a week, shuttling between radio studios at such a pace that he would arrive barely in time for a quick scan of his lines before he was on the air. While he was directing the Voodoo Macbeth Welles was dashing between Harlem and midtown Manhattan three times a day to meet his radio commitments. In addition to continuing as a repertory player on The March of Time, in the fall of 1936 Welles adapted and performed Hamlet in an early two-part episode of CBS Radio's Columbia Workshop. His performance as the announcer in the series' April 1937 presentation of Archibald MacLeish's verse drama The Fall of the City was an important development in his radio career and made the 21-year-old Welles an overnight star. In July 1937, the Mutual Network gave Welles a seven-week series to adapt Les Miserables. It was his first job as a writer-director for radio, the radio debut of the Mercury Theatre, and one of Welles's earliest and finest achievements. He invented the use of narration in radio. "By making himself the center of the storytelling process, Welles fostered the impression of self-adulation that was to haunt his career to his dying day," wrote critic Andrew Sarris. "For the most part, however, Welles was singularly generous to the other members of his cast and inspired loyalty from them above and beyond the call of professionalism." That September, Mutual chose Welles to play Lamont Cranston, also known as The Shadow. He performed the role anonymously through mid-September 1938.

Answer this question "What was the name of one show he did?"
output: Welles adapted and performed Hamlet in an early two-part episode of CBS Radio's Columbia Workshop.

input: Glenn Lee Beck was born in Everett, Washington, the son of Mary Clara (nee Janssen) and William Beck, who lived in Mountlake Terrace, Washington, at the time of their son's birth. The family later moved to Mount Vernon, Washington, where they owned and operated City Bakery in the downtown area. He is descended from German immigrants who came to the United States in the 19th century. Beck was raised as a Roman Catholic and attended Immaculate Conception Catholic School in Mount Vernon. Glenn and his older sister moved with their mother to Sumner, Washington, attending a Jesuit school in Puyallup. On May 15, 1979, while out on a small boat with a male companion, Beck's mother drowned just west of Tacoma, Washington, in Puget Sound. The man who had taken her out in the boat also drowned. A Tacoma police report stated that Mary Beck "appeared to be a classic drowning victim", but a Coast Guard investigator speculated that she could have intentionally jumped overboard. Beck has described his mother's death as a suicide in interviews during television and radio broadcasts. After their mother's death, Beck and his older sister moved to their father's home in Bellingham, Washington, where Beck graduated from Sehome High School in June 1982. Beck also regularly vacationed with his maternal grandparents, Ed and Clara Janssen, in Iowa. In the aftermath of his mother's death and subsequent suicide of his stepbrother, Beck has said he used "Dr. Jack Daniel's" to cope. At 18, following his high school graduation, Beck relocated to Provo, Utah, and worked at radio station KAYK. Feeling he "didn't fit in", Beck left Utah after six months, taking a job at Washington, D.C.'s WPGC in February 1983.

Answer this question "Wha did this help with"
output:
Ed and Clara Janssen, in Iowa. In the aftermath of his mother's death and subsequent suicide of his stepbrother,