Question:
The Royal Philharmonic Orchestra (RPO), based in London, was formed by Sir Thomas Beecham in 1946. In its early days the orchestra secured profitable recording contracts and important engagements including the Glyndebourne Festival Opera and the concerts of the Royal Philharmonic Society. After Beecham's death in 1961 the orchestra's fortunes declined steeply; it battled for survival until the mid-1960s, when its future was secured after an Arts Council report recommended that it should receive public subsidy; a further crisis arose in the same era when it seemed that the orchestra's right to call itself "Royal" could be withdrawn. Since Beecham's death the RPO has had seven chief conductors, including Rudolf Kempe, Antal Dorati, Andre Previn and Vladimir Ashkenazy, and most recently Charles Dutoit.
In 1932 the conductor Sir Thomas Beecham had founded the London Philharmonic Orchestra (LPO), which, with the backing of rich supporters, he ran until 1940, when finances dried up in wartime. Beecham left to conduct in Australia and then the US; the orchestra continued without him after reorganising itself as a self-governing body. On Beecham's return to England in September 1944 the LPO welcomed him back, and in October they gave a concert together that drew superlatives from the critics. Over the next months Beecham and the orchestra gave further concerts with considerable success, but the LPO players, now their own employers, declined to give him the unfettered control he had exercised in the 1930s. If he were to become chief conductor again it would be as a paid employee of the orchestra. Beecham responded, "I emphatically refuse to be wagged by any orchestra ... I am going to found one more great orchestra to round off my career." In 1945 he conducted the first concert of Walter Legge's new Philharmonia Orchestra, but was not disposed to accept a salaried position from Legge, his former assistant, any more than from his former players in the LPO. His new orchestra to rival the Philharmonia would, he told Legge, be launched in "the most auspicious circumstances and eclat". In 1946 Beecham reached an agreement with the Royal Philharmonic Society: his new orchestra would replace the LPO at all the Society's concerts. He thus gained the right to name the new ensemble the "Royal Philharmonic Orchestra", an arrangement approved by George VI. Beecham arranged with the Glyndebourne Festival that the RPO should be the resident orchestra at Glyndebourne seasons. He secured backing, including that of record companies in the US as well as Britain, with whom lucrative recording contracts were negotiated. The music critic Lyndon Jenkins writes: Naturally, it quickly became known that he was planning another orchestra, at which the cry "He'll never get the players!" went up just as it had done in 1932. Beecham was unmoved: "I always get the players," he retorted. "Among other considerations, they are so good they refuse to play under anybody but me".
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When was it founded?

Answer:
In 1932

Question:
The Plastic Ono Band is a band formed by John Lennon and Yoko Ono in 1969 as a vehicle for their collaborative and solo projects. Lennon and Ono had begun a personal and artistic relationship in 1968, collaborating on several experimental releases. Following their marriage in 1969, they decided that all of their future endeavours would be credited to a conceptual and collaborative vehicle, Plastic Ono Band. The band would go on to feature a rotating lineup of many musicians, including Eric Clapton, Klaus Voormann, Alan White, Billy Preston, Jim Keltner, Delaney & Bonnie and Friends, and Lennon's former Beatles bandmates George Harrison and Ringo Starr.
Lennon and Ono left the UK to settle in New York City during the fall of 1971. In Greenwich Village, the couple became more politically active and began writing protest songs. These songs became the basis for their next album, Some Time in New York City. As backing, they enlisted the help of New York band Elephant's Memory, consisting of guitarist Wayne 'Tex' Gabriel, bassist Gary Van Scyoc, saxophonist Stan Bronstein, keyboardist Adam Ippolito, keyboardist John La Boosca, and drummer Richard Frank, Jr. Phil Spector produced, and Jim Keltner also played on the album. The album was released on 12 June 1972, credited to "John & Yoko/Plastic Ono Band with Elephant's Memory plus Invisible Strings". Some Time in New York City included a second disc, entitled Live Jam, which included the recordings from the 1969 Peace for Christmas concert and the 1971 performance with Frank Zappa. Ono and Lennon continued their work with Elephant's Memory throughout 1972, performing as the Plastic Ono Elephant's Memory Band (which also included Jim Keltner). On 30 August, they performed a pair of benefit concerts at Madison Square Garden. The benefit, entitled "One to One", was organised by Geraldo Rivera to raise money for children with mental challenges. By this time, La Boosca had departed the band, and the concert saw the addition of John Ward on bass. The concert was filmed and recorded, later released in February 1986 as the album Live In New York City. They also performed at the Jerry Lewis MDA Labor Day Telethon. The last collaboration of the Plastic Ono Elephant's Memory Band was Ono's double album Approximately Infinite Universe. It was recorded throughout the fall of 1972, and was released in January 1973.
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Where did they move from

Answer:
Lennon and Ono left the UK to settle in New York City during the fall of 1971.

Question:
James Black was born in Hackensack, New Jersey on 1 May 1800. James' mother died when he was very young and he had difficulty getting along with his stepmother. Black ran away from home to Philadelphia, Pennsylvania at age 8 and was apprenticed to a silversmith. At age 18 he migrated westward and took jobs on the Ohio and Mississippi rivers.
During his travels, Black had befriended Elijah Stuart. Stuart opened a tavern at Washington and Black was hired by a local blacksmith named William Shaw. Black, due to his previous training, worked on firearms and knives while Shaw concentrated on horse shoes, wagon wheels, and the like. Black would later become a partner in the business with Shaw. Stuart's tavern would become famous as the place where Davy Crockett, Jim Bowie, and William B. Travis created the plan for an independent Texas and Black would go on to create some of the world's finest knives. Black fell in love with his partner's daughter, Anne Shaw, and was forced out of the partnership when Shaw would not allow the marriage. Backed by the note he had received from the dissolved partnership Black purchased some land along the Cossatot River and established a blacksmith's shop, dam, and mill. Black's endeavor came to an end when he was thrown off of his land. Local officials claimed that the land was Indian treaty land and that Black could not legally inhabit it. Black then discovered that the note he had received from William Shaw for his share of the partnership was actually worthless. Black set up his own blacksmithy in competition with Shaw's and married Shaw's daughter in 1828 despite Shaw's objections and also convinced Shaw's son to join him in his business. Black was soon recognized as the best blacksmith in the area which had a bad effect on his father-in-law's competing shop. Black and his wife had three sons and a daughter during this period: William Jefferson in 1829, Grandison Deroyston in 1830, Sarah Jane in 1832, John Colbert in 1834, and Sydinham James in 1835. Black became a respected member of the community and served in local government posts.
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What was the tavern famous for?

Answer:
where Davy Crockett, Jim Bowie, and William B. Travis created the plan for an independent Texas and Black would go on to create some of the world's finest knives.