Some context: Audra Ann McDonald (born July 3, 1970) is an American actress and singer. Primarily known for her work on the Broadway stage, she has won six Tony Awards, more performance wins than any other actor, and is the only person to win all four acting categories. She has performed in musicals, operas, and dramas such as A Moon for the Misbegotten, 110 in the Shade, Carousel, Ragtime, Master Class and Porgy and Bess. As a classical soprano, she has performed in staged operas with the Houston Grand Opera and the Los Angeles Opera and in concerts with symphony orchestras like the Berlin Philharmonic and New York Philharmonic.
McDonald has also made many television appearances, both musical and dramatic. In 2001, she received her first Emmy Award nomination for Outstanding Supporting Actress in a Miniseries or Movie for the HBO film Wit, starring Emma Thompson and directed by Mike Nichols. She also has appeared on Homicide: Life on the Street (1999), Law & Order: Special Victims Unit (2000), Having Our Say: The Delany Sisters' First 100 Years (1999), the short-lived Mister Sterling (2003), The Bedford Diaries (2006), and Kidnapped (2006-2007), and in the 1999 television remake of Annie as Daddy Warbucks' secretary & soon-to-be wife, Miss Farrell. She sang with the New York Philharmonic in the annual New Year's Eve gala concert on December 31, 2006, featuring music from the movies; it was televised on Live from Lincoln Center by PBS. In 2013, she appeared in the HBO documentary Six by Sondheim. McDonald appeared as Naomi Bennett in Private Practice, a spinoff of Grey's Anatomy. She replaced Merrin Dungey, who played the role in the series pilot. McDonald left Private Practice at the end of season four, but returned for the series finale at the end of season six to bring closure to Naomi's storyline. In films, McDonald has appeared in Beauty and the Beast (2017), Ricki and the Flash (2015), Best Thief in the World (2004), It Runs in the Family (2003), Cradle Will Rock (1999), The Object of My Affection (1998), and Seven Servants by Daryush Shokof which was her film acting debut in (1996). McDonald played Mother Abbess in the 2013 NBC live television production of The Sound of Music Live!. Since 2012, McDonald has served as host for the PBS series Live From Lincoln Center, for which she shared an Emmy Award for Outstanding Special Class Program with the show's producers. On August 1, 2017, it was announced that she had been added to the main cast for the second season of The Good Fight, reprising her role as Liz Lawrence from The Good Wife season 4.
What was Audra McDonald's second biggest hit?
A:
Some context: Madhva Acharya (mdhvaacaaryru)(Sanskrit pronunciation: [m@dhva:'tSa:rj@]; CE 1238-1317 ), also known as Purna Prajna and Ananda Teertha, was a Hindu philosopher and the chief proponent of the Dvaita (dualism) school of Vedanta. Madhva called his philosophy Tatva-vaada meaning "the tattva or realist viewpoint". Madhvacarya was born on the west coast of Karnataka state in 13th-century India. As a teenager, he became a Sanyasi (monk) joining Brahma-sampradaya guru Achyutapreksha, of the Ekadandi order.
Madhvacharya was a fierce critic of competing Vedanta schools, and other schools of Indian philosophies such as Buddhism and Jainism. He wrote up arguments against twenty one ancient and medieval era Indian scholars to help establish the foundations of his own school of thought. Madhvacharya was fiercest critic of Advaita Vedanta, accusing Shankara and Advaitins for example, as "deceitful demons" teaching Buddhism under the cover of Vedanta. Advaita's nondualism asserts that Atman (soul) and Brahman are blissful and identical, unchanging transcendent Reality, there is interconnected oneness of all souls and Brahman, and there are no pluralities. Madhva in contrast asserts that Atman (soul) and Brahman are different, only Vishnu is the Lord (Brahman), individual souls are also different and depend on Vishnu, and there are pluralities. Madhva criticized Advaita as being a version of Mahayana Buddhism, which he regarded as nihilistic. Of all schools, Madhva focussed his criticism on Advaita most, and he wrote four major texts, including Upadhikhandana and Tattvadyota, primarily dedicated to criticizing Advaita. Madhvacharya disagreed with aspects of Ramanuja's Vishishtadvaita. Vishishtadvaita school, a realist system of thought like Madhvacharya's Dvaita school, also asserts that Jiva (human souls) and Brahman (as Vishnu) are different, a difference that is never transcended. God Vishnu alone is independent, all other gods and beings are dependent on Him, according to both Madhvacharya and Ramanuja. However, in contrast to Madhvacharya's views, Vishishtadvaita school asserts "qualified non-dualism", that souls share the same essential nature of Brahman, and that there is a universal sameness in the quality and degree of bliss possible for human souls, and every soul can reach the bliss state of God Himself. While the older school of Vishishtadvaita asserted "qualitative monism and quantitative pluralism of souls", states Sharma, Madhvacharya asserted both "qualitative and quantitative pluralism of souls". Shankara's Advaita school and Ramanuja's Vishishtadvaita school are premised on the assumption that all souls can hope for and achieve the state of blissful liberation; in contrast, Madhvacharya believed that some souls are eternally doomed and damned. Madhvacharya's style of criticism of other schools of Indian philosophy was part of the ancient and medieval Indian tradition. He was part of the Vedanta school, which emerged in post-Vedic period as the most influential of the six schools of Hindu philosophy, and his targeting of Advaita tradition, states Bryant, reflects it being the most influential of Vedanta schools.
Why did he oppose them?
A:
accusing Shankara and Advaitins for example, as "deceitful demons" teaching Buddhism under the cover of Vedanta.