input: In 2011, DC Comics relaunched all titles, deemed the New 52, which rebooted the DC Universe continuity. Catwoman's monthly title now focused on Selina's earlier days as Catwoman, but not her origins. The series begins with Selina frantically escaping from unknown masked men who are invading her apartment. After flitting from rooftop to rooftop, Selina looks back just in time to see her apartment blown apart by explosives. She turns to her informant, Lola, who often supplies Catwoman with information and various jobs. In this instance, Lola tips Selina off to an unoccupied penthouse where Selina can lay low for a few weeks, as well as a job stealing a painting from Russian mobsters. For this job, Selina infiltrates a Russian club by posing as the bartender. There, she recognizes a man who murdered a friend of hers, and she takes her revenge. Once her cover is blown, Selina dons her Catwoman outfit and fights her way out of the club. It is revealed through Selina's inner monologue that she and Batman are lovers, and the premiere issue ends with the first sex scene between the two. Her revised origin in Catwoman #0 draws from Batman Returns. Catwoman is later confronted by Steve Trevor, who offers her a spot on Amanda Waller's new Justice League of America. Selina initially refuses, but accepts the offer after Trevor promises to help her track down a woman who has apparently been posing as Selina. It is later revealed that Catwoman was chosen specifically to take down Batman should the JLA ever need to defeat the original Justice League. The teams eventually come into conflict in the publisher's "Trinity War" crossover. In the Earth-Two continuity, Selina Kyle and Bruce Wayne are married, and their daughter, Helena Wayne, is that universe's Robin. In this universe, either Selina has reformed or was never a supervillain in the first place. It is revealed in issue #0 of Worlds' Finest that this Selina was killed while trying to stop what she believed was a human trafficking ring.

Answer this question "Are there any other interesting aspects about this article?"
output: The series begins with Selina frantically escaping from unknown masked men who are invading her apartment.

input: Brooks' third album, Ropin' the Wind, was released in September 1991. It had advance orders of 4 million copies and entered the Billboard 200 at No. 1, a first for a country artist. The album's musical content was a melange of pop country and honky tonk; singles included "The River", "What She's Doing Now", and a cover of Billy Joel's "Shameless". It would become Brooks' second-best selling album, after No Fences. The success of Ropin' the Wind further propelled the sales of Brooks' first two albums, enabling Brooks to become the first country artist with three albums listed in the Billboard 200's top 20 in one week. After spending time in Los Angeles during the 1992 riots, Brooks co-wrote a gospel-country-rock hybrid single, "We Shall Be Free", to express his desire for tolerance. The song became the first single off his fourth album The Chase. The album only reached No. 12 on the Billboard Top Country Albums chart, Brooks' first song in three years to fail to make the top 10. Nonetheless, "We Shall Be Free" peaked at No. 22 on the Billboard Christian Songs charts through a marketing deal with Rick Hendrix Company, and earned Brooks a 1993 GLAAD Media Award. The next single released from The Chase was "Somewhere Other Than the Night", followed by "Learning to Live Again", which peaked at numbers one and two on the Hot Country Songs chart, respectively. The album's final single, "That Summer", would go on to be the most successful single from the album, reaching No. 1 in July 1993. Brooks released his first Christmas album, "Beyond the Season" on August 25, 1992. The album included classics such as "White Christmas" and "Silent Night" as well as an original tune "The Old Man's Back in Town." "Beyond the Season" was the best selling Christmas album in 1992, peaking at No. 2 on the Billboard 200 chart.

Answer this question "Was this his most successful album in the time period of 1991-1993?"
output: Ropin' the Wind,

input: From the RPO's earliest days to the end of Beecham's life, they made numerous recordings for His Master's Voice, CBS and RCA. Among the works they recorded EMI chose several to be reissued at the end of the twentieth century in its "Great Recordings of the Century" series. They included a Delius programme; a Grieg programme; French ballet music; short works by Bizet, Chabrier, Faure and Saint-Saens; Tchaikovsky's Symphony No 4 and Nutcracker Suite; Mozart's Jupiter Symphony, Clarinet Concerto (Brymer) and Bassoon Concerto (Brooke); and Schubert's 3rd, 5th and 6th Symphonies. After Beecham's death the orchestra made many recordings for Decca, sometimes under pseudonyms such as the "Beecham Symphony Orchestra", the "London Festival Orchestra" and the "Metropolitan Symphony Orchestra". Among the conductors with whom the RPO recorded in the 1960s were Sir John Barbirolli, Fritz Reiner, Charles Munch, Georges Pretre, Kempe, Previn and Stokowski. Soloists included Earl Wild, Shura Cherkassky, Alan Civil and Luciano Pavarotti. Igor Stravinsky recorded his opera The Rake's Progress with the RPO in 1964. Colin Davis made some of his earliest recordings with the orchestra, including Mozart and Rossini overtures, Beethoven's Seventh Symphony, and Stravinsky's Oedipus rex. From 1964 to 1979 the RPO was engaged by Decca to record Gilbert and Sullivan operas with the D'Oyly Carte Opera Company. The orchestra has also recorded for Deutsche Grammophon, Lyrita, Philips, Pye and Unicorn-Kanchana. In 1986, the orchestra launched RPO Records, claimed to be "the world's first record label to be owned by a symphony orchestra". Recordings available on the RPO label in 2013 ranged from core symphonic repertoire and Tchaikovsky ballet scores to film music by various composers, light music by Burt Bacharach and Richard Rodgers, and an album called "Symphonic Rock", described as "Over 3 hours of classic rock anthems and pop tracks with an orchestral twist".

Answer this question "Was there any other details that the RPO was responsible for or did?"
output:
From 1964 to 1979 the RPO was engaged by Decca to record Gilbert and Sullivan operas