Teacher: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Teacher: Now, understand the problem? If you are still confused, see the following example:
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this instance: Context_1 : 383 Madison Avenue is an office building owned and occupied by JP Morgan Chase in New York City on a full block bound by Madison Avenue and Vanderbilt Avenue between East 46th and 47th Streets. Formerly known as the Bear Stearns Building, it housed the world headquarters of the now-defunct Bear Stearns from the building's completion until Bear's collapse and sale to JPMorgan Chase in 2008. The building now houses the New York offices for J.P. Morgan's investment banking division, which formerly occupied 277 Park Avenue. Both 383 Madison and 277 Park are adjacent to JPMorgan Chase's world headquarters at 270 Park Avenue. Context_2 : 655 Park Avenue is a Georgian-style co-op residential building on Manhattan's Upper East Side, located on Park Avenue between 67th Street and 68th Street, adjacent to the Park Avenue Armory. It was developed in 1924 by Dwight P. Robinson & Company. The building at 655 Park Avenue was designed by architects James Edwin Ruthven Carpenter, Jr., often referred to by the initials "J.E.R. Carpenter", and Mott B. Schmidt. Carpenter is considered the leading architect for luxury residential high-rise buildings in New York City in the early 1900s, while Schmidt is known for his buildings in the American Georgian Classical style, including Sutton Place and houses for New York City's society figures and business elite. Context_3 : 245 Park Avenue (formerly American Tobacco Company Building, American Brands Building and Bear Stearns Building) is a 648-ft (198 m) tall skyscraper in New York City, New York. It was completed in 1967 and has 48 floors (1.7 million square feet). Shreve, Lamb and Harmon designed the building. The Building Owners and Managers Association awarded the 2000/2001 Pinnacle Award to 245 Park Avenue. The site used to be occupied by the second Grand Central Palace exhibition hall, which was demolished in 1964 to make way for 245 Park Avenue. Context_4 : 277 Park Avenue is an office building in the Midtown Manhattan neighborhood of New York City. It stands on the east side of Park Avenue between East 47th and 48th Streets; it is 687 ft tall, with 50 floors. Context_5 : 55 Water Street is a 687 ft skyscraper in the Financial District of Lower Manhattan, New York City, on the East River. The 53-story, 3.5 e6sqft structure was completed in 1972. Emery Roth & Sons designed the building, which is tied with 277 Park Avenue as the 40th-tallest building in New York City. When it was completed it was the largest office building in the world, and is still the largest in New York by floor area. In an arrangement with the Office of Lower Manhattan Development, it was built on a superblock created from four adjoining city blocks, suppressing the western part of Front Street. Context_6 : Calvary Church is an Episcopal church located at 277 Park Avenue South on the corner of East 21st Street in the Gramercy Park neighborhood of Manhattan, New York City, on the border of the Flatiron District. It was designed by James Renwick, Jr., the architect who designed St. Patrick's Cathedral and Grace Church, and was completed in 1848. The church complex is located within the Gramercy Park Historic District and Extension. It is one of the two sanctuaries of the Calvary-St. George's Parish. Context_7 : The Park Avenue House is a high rise residential building located at 2305 Park Avenue in the Park Avenue Historic District in Downtown Detroit, Michigan. It was listed on the National Register of Historic Places in 1996. It should not be confused with the nearby Park Avenue Hotel, which was demolished in 2015. Context_8 : The Church of St. Ignatius of Loyola is a Roman Catholic parish church located on the Upper East Side of Manhattan, New York City, administered by the Society of Jesus (Jesuits). The parish is under the authority of the Archdiocese of New York, and was established in 1851 as St. Lawrence O'Toole's Church. In 1898, permission to change the patron saint of the parish from St. Lawrence O'Toole to St. Ignatius of Loyola was granted by Rome. The address is 980 Park Avenue, New York City, New York 10028. The church on the southwest corner of Park Avenue and 84th Street is part of a Jesuit complex on the block that includes Wallace Hall, the parish hall, beneath the church, the rectory at the midblock location on Park Avenue, the grade school of St. Ignatius's School on the north midblock location of 84th Street behind the church and the high school of Loyola School (also 980 Park Avenue) at the northwest corner of Park Avenue and 83rd Street. In addition, another Jesuit high school, Regis High School (55 E 84th Street), occupies the midblock location on the north side of 84th Street. The church was added to the National Register of Historic Places on July 24, 1980. Context_9 : Tinley Park Station (also known as Tinley Park-Oak Park Avenue Station) is an elaborate commuter railroad station along Metra's Rock Island District line in Tinley Park, Illinois. The station is officially located at 6700 South Street between Oak Park Avenue and 66th Court, however parking is also available on the opposite side of the station along North Street between Oak Park Avenue and 67th Avenue, as well as the center of the block of Oak Park Avenue, 173rd Street, 67th Court and 172nd Street. Another parking area exists along South Street opposite the main parking lot at the station. The station itself is lies 23.5 mi away from LaSalle Street, the northern terminus of the line. Context_10 : The Solow Building, located at 9 West 57th Street, is a Manhattan skyscraper built in 1974 and designed by Gordon Bunshaft of Skidmore, Owings and Merrill. It is located just west of Fifth Avenue between the 57th and 58th Street, next to the Bergdorf Goodman department store and the Plaza Hotel. At 50 stories and 689 ft in height, the building's only nearby competitor by height is the GM Building, located one block north and east. Floors above the 23rd floor offer an unobstructed view of northern Manhattan and a complete view of Central Park and The Plaza Hotel. fact_1 : It stands on the east side of Park Avenue between East 47th and 48th Streets; it is 687 ft tall, with 50 floors. fact_2 : The Solow Building, located at 9 West 57th Street, is a Manhattan skyscraper built in 1974 and designed by Gordon Bunshaft of Skidmore, Owings and Merrill. fact_3 : At 50 stories and 689 ft in height, the building's only nearby competitor by height is the GM Building, located one block north and east. Question: 277 Park Avenue and Solow Building are almost the same height, but which is heighest?
Student:
Solow Building