Background: Jacques-Yves Cousteau (French: [Zak iv kusto]; commonly known in English as Jacques Cousteau; 11 June 1910 - 25 June 1997) was a French naval officer, explorer, conservationist, filmmaker, innovator, scientist, photographer, author and researcher who studied the sea and all forms of life in water. He co-developed the Aqua-lung, pioneered marine conservation and was a member of the Academie francaise. Cousteau described his underwater world research in a series of books, perhaps the most successful being his first book, The Silent World: A Story of Undersea Discovery and Adventure, published in 1953.
Context: The years of World War II were decisive for the history of diving. After the armistice of 1940, the family of Simone and Jacques-Yves Cousteau took refuge in Megeve, where he became a friend of the Ichac family who also lived there. Jacques-Yves Cousteau and Marcel Ichac shared the same desire to reveal to the general public unknown and inaccessible places -- for Cousteau the underwater world and for Ichac the high mountains. The two neighbors took the first ex-aequo prize of the Congress of Documentary Film in 1943, for the first French underwater film: Par dix-huit metres de fond (18 meters deep), made without breathing apparatus the previous year in the Embiez islands (Var) with Philippe Tailliez and Frederic Dumas, using a depth-pressure-proof camera case developed by mechanical engineer Leon Veche (engineer of Arts and Metiers and the Naval College). In 1943, they made the film Epaves (Shipwrecks), in which they used two of the very first Aqua-Lung prototypes. These prototypes were made in Boulogne-Billancourt by the Air Liquide company, following instructions from Cousteau and Emile Gagnan. When making Epaves, Cousteau could not find the necessary blank reels of movie film, but had to buy hundreds of small still camera film reels the same width, intended for a make of child's camera, and cemented them together to make long reels. Having kept bonds with the English speakers (he spent part of his childhood in the United States and usually spoke English) and with French soldiers in North Africa (under Admiral Lemonnier), Jacques-Yves Cousteau (whose villa "Baobab" at Sanary (Var) was opposite Admiral Darlan's villa "Reine"), helped the French Navy to join again with the Allies; he assembled a commando operation against the Italian espionage services in France, and received several military decorations for his deeds. At that time, he kept his distance from his brother Pierre-Antoine Cousteau, a "pen anti-semite" who wrote the collaborationist newspaper Je suis partout (I am everywhere) and who received the death sentence in 1946. However, this was later commuted to a life sentence, and Pierre-Antoine was released in 1954. During the 1940s, Cousteau is credited with improving the aqua-lung design which gave birth to the open-circuit scuba technology used today. According to his first book, The Silent World: A Story of Undersea Discovery and Adventure (1953), Cousteau started diving with Fernez goggles in 1936, and in 1939 used the self-contained underwater breathing apparatus invented in 1926 by Commander Yves le Prieur. Cousteau was not satisfied with the length of time he could spend underwater with the Le Prieur apparatus so he improved it to extend underwater duration by adding a demand regulator, invented in 1942 by Emile Gagnan. In 1943 Cousteau tried out the first prototype aqua-lung which finally made extended underwater exploration possible.
Question: Did he have any influence over the diving equipment designs?
Answer: following instructions from Cousteau and Emile Gagnan.

Background: Born Florence Annie Bridgwood in Hamilton, Ontario, she was youngest of three children of George Bridgwood, an English-born carriage builder and Charlotte "Lotta" Bridgwood (nee Dunn), a vaudeville actress. Charlotte Bridgwood had emigrated to Canada from Ireland after the Great Famine with her family as a child. She was known professionally as Lotta Lawrence and was the leading lady and director of the Lawrence Dramatic Company. At the age of three, Lawrence made her debut onstage with her mother in a song and dance routine.
Context: Also at Vitagraph was a young actor, Harry Solter, who was looking for "a young, beautiful equestrian girl" to star in a film to be produced by the Biograph Studios under the direction of D.W. Griffith. Griffith, the most prominent producer-director at Biograph Studios, had noticed the beautiful blonde-haired woman in one of Vitagraph's films. Because the film's actors received no mention, Griffith had to make discreet inquiries to learn she was Florence Lawrence and to arrange a meeting. Griffith had intended to give the part to Biograph's leading lady, Florence Turner, but Lawrence managed to convince Solter and Griffith that she was the best suited for the starring role in The Girl and the Outlaw. With the Vitagraph Company, she had been earning $20 a week, working also as a costume seamstress over and above acting. Griffith offered her a job, acting only, for $25 a week. After her success in this role, she appeared as a society belle in Betrayed by a Handprint and as an Indian in The Red Girl. In total, she had parts in most of the 60 films directed by Griffith in 1908. Toward the end of 1908 Lawrence married Harry Solter. Lawrence gained much popularity, but because her name was never publicized, fans began writing the studio asking for it. Even after she had gained wide recognition, particularly after starring in the highly successful Resurrection, Biograph Studios refused to publicly announce her name and fans simply called her "The Biograph Girl". During cinema's formative years, silent screen actors were not named, because studio owners feared that fame might lead to demands for higher wages. She continued to work for Biograph in 1909. Her demand to be paid by the week rather than daily was met, and she received double the normal rate. She achieved great popularity in the "Jones" series, filmdom's first comedy series, in which she played Mrs. Jones in around a dozen films. More popular still were the dramatic love stories in which she co-starred with John R. Cumpson, as Mr. Jones, and Arthur Johnson. The two played husband and wife in The Ingrate, and the adulterous lovers in Resurrection. Lawrence and Solter began to look elsewhere for work, writing to the Essanay Company to offer their services as leading lady and director. Rather than accepting this offer, however, Essanay reported the offer to Biograph's head office, and they were promptly fired.
Question: any awards or recognition for these roles?
Answer:
Even after she had gained wide recognition, particularly after starring in the highly successful Resurrection, Biograph Studios refused to publicly announce her name