Do you have a dream, something you always see yourself doing? Perhaps you see yourself as a lawyer, businessman, or even a scientist. Whatever it is, don't let it die. A dream is a wonderful thing. It can give your hope for your future and encourage you to try when all odds are against you. However, there are dream killers that want to kill your dream. People who don't want to see your dream fulfilled can destroy your dream. They may tell you that it is impossible for you, that you are not smart enough or that it's never been done before. However, many times the biggest dream killer is you. Don't let fear, doubt or lack of finances prevent you from fulfilling your dream. Talk back to these killers, " I can and will fulfill my dream." You may have to do this every day. The more you instill within your heart that you can do it, the more safely your dream will be held within you. It is very important to take steps towards fulfilling your dream. For me, in order to fulfill my dream of one-day owning my own magazine, I needed to go back to school and finish my college degree. For you, it may be something different you know deep inside what the voice of your dream calls for. Don't be afraid and just do it. Try not to let too much time go by. Time is another one of those dream killers. Think about the words of a song by Yolanda Adams, " Keep the dream alive, don't let it die, if something deep inside keeps inspiring you to try, don't stop. And never give up, don't ever give up on you. Sometimes, life can place a stumbling block in you way. But you gotta to keep the faith. When you dream, dream big and never give up. Your dream is just yours. Never let anyone tell you that your dream can't happen--- it can! Nurture your dream. Keep seeing yourself do what's never been done before. As you continue to feed your dream and protect it, not only will you keep it alive, but it will come true. To hold fast your dream, you should _ . A) seek some support B) encourage yourself C) neglect difficulties D) resist negative thinking
B
(Question)
Once I invited a group of friends round to my house, telling them that I was going to record their speech. I said I was interested in their regional accents, and that it would take only a few minutes. Thus, on one evening, three people turned up at my house and were shown into my front room. When they saw the room they were a bit alarmed, for it was laid out as a studio. In front of each easy chair there was a microphone at head height, with wires leading to a tape-recorder in the middle of the floor. I explained that all I wanted was for them to count from one to twenty. Then we could relax and have a drink. I turned on the tape-recorder and each in turn seriously counted from one to twenty in their best accent. When it was over, I turned the tape-recorder off and brought round the drinks, and for the rest of the evening there was general cheerful conversation--interrupted only by the fact that I had to take a telephone call in another room, which unfortunately lasted some time. Or at least that was how it would appear. For, of course, the microphones were not connected to the tape-recorder in the middle of the room at all but to another one, which was turning happily away in the kitchen. The participants, having seen the visible tape-recorder turned off, paid no more attention to the microphones which stayed in front of their chairs, only a few inches from their mouths, thus giving excellent sound quality. And my lengthy absence meant that I was able to obtain as natural a piece of conversation as it would be possible to find. I should add, perhaps, that I did tell my friends what had happened to them, after the event was over, and gave them the choice of destroying the tape. None of them wanted to--though for some years afterwards it always seemed to be my round when it came to the buying of drinks. Linguistic research can be a very expensive business. The writer asked his friends to count from one to twenty because _ . A) he wanted to record the numbers for his research B) he wanted to find out whether the tape recorder was working C) he wanted to make his friends relax before real recording started D) he wanted his friends to think that was all he wanted to record
(Answer)
D
57-year-old Mo Yan has become the first Chinese to win the Nobel Prize in Literature. "I grew up in an environment immersed with folk culture, which inevitably comes in to my novels when I pick up a pen to write. This has definitely affected, even decided, my works' artistic style," Mo told a group of reporters in his hometown of Gaomi, Shandong Province, shortly after he won the award. Gaomi county is where most of Mo's stories happen. It's a place that has inspired him throughout his 31-year writing career. "I really didn't see this coming," Lu Jiande, director of the Institute of Literature at the Chinese Academy of Social Sciences, told 21st Century. "I know Mo Yan pretty well and one thing a lot of people don't know is how good he is with words." "His calligraphy is surprisingly beautiful. In his writing, he can make words live and breathe," Lu said. Mo created a cast of colorful characters and said that if there was a prototype , it would be the abandoned "black boy" who first appeared in the 1985 novel Red Transparent Radish, which bears imprints of the author's childhood. Mo dropped out of school during the Cultural Revolution when he was 12 and began to work, first in agriculture, later in a factory. At 20, he joined the People's Liberation Army and during this time he began to study literature and write. His first short story was published in a literary journal in 1981. His breakthrough came a few years later with the novel Red Transparent Radish. Many got to know of Mo through director Zhang Yimou's film, Red Sorghum. It was adapted from his 1986 novel of the same name, bringing to life a visual landscape of red sorghum fields and a fiery setting sun. Mo left the army in 1997 and gradually developed a writing style all of his own. History, family sagas, blood and violence are frequent elements in his most famous works, such as Big Breasts and Wide Hips or Sandalwood Penalty. On August 20, 2011, Mo's full-length novel The Frog won the eighth Mao Dun Literature Prize. Some critics point out that... By saying, "I really didn't see this coming", Lu Jiande probably means that _ . A) He can't believe Mo has an ability to win the Nobel Prize in Literature. B) He can't expect Mo could win the Nobel Prize in Literature. C) He can't understand why Mo could win the Nobel Prize in Literature D) He is doubtful about Mo's great honor.
B