In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution is here: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this: Context_1 : The Lena O. Smith House is a house in Minneapolis, Minnesota, United States. Its owner, Lena O. Smith, was a prominent civil rights attorney. She was born in 1885 in Lawrence, Kansas and moved with her family to Minneapolis in 1906. She enrolled at William Mitchell College of Law (then the Northwestern College of Law) and graduated in 1921. Afterward, she opened her own law firm and became the first African-American attorney in Minneapolis. In her practice, she fought for issues such as equal protection under the law, equal access to housing, and the right to join labor unions. As an activist, she was a founder of the Minneapolis Urban League, and the first woman president of the Minneapolis chapter of the National Association for the Advancement of Colored People from 1935 through 1939. Her house is listed on the National Register of Historic Places and designated as a local landmark in recognition to the African-American community in Minneapolis. Context_2 : The Alabama Register of Landmarks and Heritage, commonly referred to as the Alabama Register, is an official listing of buildings, sites, structures, objects, and districts deemed worthy of preservation in the U.S. state of Alabama. These properties, which may be of national, state, and local significance, are designated by the Alabama Historical Commission. The designation is honorary and carries no direct restrictions or incentives. The register includes properties such as cemeteries, churches, moved properties, reconstructed properties, and properties at least 40 years old which may not normally qualify for listing in the National Register of Historic Places. There are approximately 1421 properties and districts listed on the Alabama Register. Of these, approximately 196 are also listed on the National Register of Historic Places and 5 are designated as National Historic Landmarks. Context_3 : The Theodore Wirth House is a house in Minneapolis, Minnesota, United States, that was home to Theodore Wirth, an influential architect of the Minneapolis park system. Wirth was superintendent of the Minneapolis park system from 1906 through 1935, when he retired, and he continued to serve as superintendent emeritus until his death in 1949. The house was listed on the National Register of Historic Places in 2002. The house was recognized for Wirth's status as an international figure in the field of park design, for its role in bringing Wirth to Minneapolis, and for the work he did in the offices where he designed or redesigned the Minneapolis parks. Context_4 : The Pence Automobile Company Building is a building in downtown Minneapolis, Minnesota, United States, listed on the National Register of Historic Places. It was designed in the Classical Revival style by the Minneapolis architectural practice of Long and Long and built in 1909. The building housed sales showrooms and offices, automobile repair and service, and storage for parts, accessories, and finished vehicles. It was listed on the National Register as a commemoration of the extraordinary growth of the auto industry during the early 20th century. Context_5 : The Renaissance Providence Hotel (historically known as the Mason Building, and listed on the National Register of Historic Places under Masonic Temple) is one of two monumental buildings in central Providence, Rhode Island, USA, that remained unfinished and were then abandoned for decades. Originally intended as a meeting hall for the Freemasons, construction work began in 1927, but was halted in 1929 as a result of the financial crisis of that year. With the outbreak of World War II, construction was halted permanently. It was added (under the name "Masonic Temple") to the National Register of Historic Places in 1993, along with the adjacent Veterans Memorial Auditorium. Context_6 : The Minneapolis Armory is located in downtown Minneapolis, Minnesota, United States. The armory was built for the Minnesota National Guard in 193536 and was listed on the National Register of Historic Places in 1985. Context_7 : Minneapolis Auditorium was an indoor arena in Minneapolis, Minnesota. It hosted the NBA's Minneapolis Lakers from 1947 until they moved to the Minneapolis Armory in 1959. The arena held 10,000 people and was built in 1927. The building fell into obscurity after the opening of the Met Center in suburban Bloomington. It was demolished in 1989 to make way for the Minneapolis Convention Center. Context_8 : Butler Square (originally the Butler Brothers Company building) is a former warehouse and office building in Minneapolis, Minnesota, United States. The building is located within the Minneapolis warehouse district and was listed on the National Register of Historic Places in 1971. It is significant for its restrained Chicago School design by major Minneapolis architect Harry Wild Jones, and as a leading example of the older warehouse/office buildings in MinneapolisSaint Paul. Jones designed other buildings in Minneapolis such as the Minneapolis Scottish Rite Temple, Calvary Baptist Church, the Lakewood Cemetery Chapel, and the Washburn Park Water Tower. Context_9 : Fire Station No. 19, now the site of a Buffalo Wild Wings, and the architectural firm Station 19 Architects in Minneapolis, Minnesota, United States is centered in the University of Minnesota, Minneapolis campus. The former Fire Station is listed on the National Register of Historic Places. It was built in 1893 in an era when Minneapolis was growing rapidly. Rapid development was bringing prosperity to Minneapolis, but it was also starting to tax the city's infrastructure. Residents and businesses on the east bank of the Mississippi River were demanding better fire protection, especially after the fire that consumed the University of Minnesota Old Main building in 1892 along with some grain elevators nearby. Fire Station No. 19 was built in a simple utilitarian style (unique to Minneapolis), yet it contained some touches of ornamentation. It was built with a bell tower that was later removed. The fire station was one of the last to house horse-drawn equipment, as late as 1922. A newer Fire Station 19 was occupied in 1976 one block to the south. Context_10 : St. Olaf Auditorium, also known as the St. Olaf Opera House and Auditorium, is a historic building located in St. Olaf, Iowa, United States. The city was able to complete the auditorium in 1939 with the assistance of the Public Works Administration (PWA) and labor provided under the aegis of the Works Progress Administration (WPA). Both are New Deal programs that sought to relieve the economic effects of the Great Depression. The building is a two-story structure composed of native rubble limestone that follows the PWA Moderne style. It has served as a community center that has hosted a variety of social activities, including recreational, athletic, cultural, educational, and civic functions. The auditorium was used occasionally for vaudeville and minstrel shows. It was listed on the National Register of Historic Places in 1994. fact_1 : It hosted the NBA's Minneapolis Lakers from 1947 until they moved to the Minneapolis Armory in 1959. fact_2 : The armory was built for the Minnesota National Guard in 193536 and was listed on the National Register of Historic Places in 1985. Question: Minneapolis Auditorium hosted the NBA's Minneapolis Lakers from 1947 until they moved to this place which was listed on the National Register of Historic Places in what year
Solution:
1985