input: Dawkins is a prominent critic of creationism, a religious belief that humanity, life, and the universe were created by a deity without recourse to evolution. He has described the Young Earth creationist view that the Earth is only a few thousand years old as "a preposterous, mind-shrinking falsehood"; and his 1986 book, The Blind Watchmaker, contains a sustained critique of the argument from design, an important creationist argument. In the book, Dawkins argues against the watchmaker analogy made famous by the eighteenth-century English theologian William Paley via his book Natural Theology, in which Paley argues that just as a watch is too complicated and too functional to have sprung into existence merely by accident, so too must all living things--with their far greater complexity--be purposefully designed. Dawkins shares the view generally held by scientists that natural selection is sufficient to explain the apparent functionality and non-random complexity of the biological world, and can be said to play the role of watchmaker in nature, albeit as an automatic, unguided by any designer, nonintelligent, blind watchmaker. In 1986, Dawkins and biologist John Maynard Smith participated in an Oxford Union debate against A. E. Wilder-Smith (a Young Earth creationist) and Edgar Andrews (president of the Biblical Creation Society). In general, however, Dawkins has followed the advice of his late colleague Stephen Jay Gould and refused to participate in formal debates with creationists because "what they seek is the oxygen of respectability", and doing so would "give them this oxygen by the mere act of engaging with them at all". He suggests that creationists "don't mind being beaten in an argument. What matters is that we give them recognition by bothering to argue with them in public." In a December 2004 interview with American journalist Bill Moyers, Dawkins said that "among the things that science does know, evolution is about as certain as anything we know." When Moyers questioned him on the use of the word theory, Dawkins stated that "evolution has been observed. It's just that it hasn't been observed while it's happening." He added that "it is rather like a detective coming on a murder after the scene... the detective hasn't actually seen the murder take place, of course. But what you do see is a massive clue... Huge quantities of circumstantial evidence. It might as well be spelled out in words of English." Dawkins has opposed the inclusion of intelligent design in science education, describing it as "not a scientific argument at all, but a religious one". He has been referred to in the media as "Darwin's Rottweiler", a reference to English biologist T. H. Huxley, who was known as "Darwin's Bulldog" for his advocacy of Charles Darwin's evolutionary ideas. (The contrasting sobriquet of "God's Rottweiler" was given to Pope Benedict XVI while he was a cardinal working for the Congregation for the Doctrine of the Faith.) He has been a strong critic of the British organisation Truth in Science, which promotes the teaching of creationism in state schools, and whose work Dawkins has described as an "educational scandal". He plans to subsidise schools through the Richard Dawkins Foundation for Reason and Science with the delivery of books, DVDs, and pamphlets that counteract their work.

Answer this question "Did Dawkins work with any other scientists?"
output:

input: In 1970, Reasoner was hired away from CBS by ABC to become an anchor on the network's newly revamped nightly newscast. At the time of his hire, the network's New York-based broadcast, ABC News, was anchored by Howard K. Smith and Frank Reynolds, both former colleagues of Reasoner at CBS. Beginning in December 1970, Reasoner was moved into Reynolds' position (Reynolds thus became the network's chief Washington correspondent), and the newscast became known as ABC Evening News. Reasoner anchored the news alongside Smith until 1975, when he took the sole anchor position while Smith moved into a commentary role. The next year, however, ABC decided to pair Reasoner with a new co-anchor, former Today Show co-host Barbara Walters; ABC had gone to great lengths to hire her away from NBC. Walters and Reasoner did not enjoy a close relationship; Reasoner did not like sharing the spotlight with a co-anchor and also was uncomfortable with Walters' celebrity status. It was also widely believed that Reasoner disliked the idea of a woman anchoring the network news, which he himself denied: "I am trying to keep an open mind about it." In another interview, Reasoner said, "I've worked in journalism for women and with women for years. For two years I did a CBS morning news program with a woman. I feel they're no worse than men are." After two years of co-anchoring ABC Evening News with Walters, Reasoner departed the network after nearly eight years in June 1978 and returned to CBS, where he resumed his duties on 60 Minutes. Shortly after his departure ABC elected to scrap ABC Evening News altogether and reworked the newscast into World News Tonight. Reasoner stayed with 60 Minutes until his retirement, on May 19, 1991.

Answer this question "What was his job there?"
output: an anchor on the network's newly revamped nightly newscast.

input: Bennett was born Michael Bennett DiFiglia in Buffalo, New York, the son of Helen (nee Ternoff), a secretary, and Salvatore Joseph DiFiglia, a factory worker. His father was Roman Catholic and Italian American and his mother was Jewish. He studied dance and choreography in his teens and staged a number of shows in his local high school before dropping out to accept the role of Baby John in the US and European tours of West Side Story. Bennett's career as a Broadway dancer began in the 1961 Betty Comden-Adolph Green-Jule Styne musical Subways Are for Sleeping, after which he appeared in Meredith Willson's Here's Love and the short-lived Bajour. In the mid-1960s he was a featured dancer on the NBC pop music series Hullabaloo, where he met fellow dancer Donna McKechnie. Bennett made his choreographic debut with A Joyful Noise (1966), which lasted only twelve performances, and in 1967 followed it with another failure, Henry, Sweet Henry (based on the Peter Sellers film The World of Henry Orient). Success finally arrived in 1968, when he choreographed the hit musical Promises, Promises on Broadway. With a contemporary pop score by Burt Bacharach and Hal David, a wisecracking book by Neil Simon and Bennett's well-received production numbers, including "Turkey Lurkey Time", the show ran for 1,281 performances. Over the next few years, he earned praise for his work on the straight play Twigs with Sada Thompson and the musical Coco with Katharine Hepburn. These were followed by two Stephen Sondheim productions, Company and Follies co-directed with Hal Prince. In 1973, Bennett was asked by producers Joseph Kipness and Larry Kasha to take over the ailing Cy Coleman-Dorothy Fields musical Seesaw. In replacing the director Ed Sherin and choreographer Grover Dale, he asked for absolute control over the production as director and choreographer and received credit as "having written, directed, and choreographed" the show.

Answer this question "Did he ever choreograph ?"
output:
Bennett made his choreographic debut with A Joyful Noise (1966), which lasted only twelve performances,