Answer the question at the end by quoting:

The Principalia or noble class was the ruling and usually educated upper class in the pueblos of the Spanish Philippines, comprising the gobernadorcillo (who had functions similar to a town mayor), and the cabezas de barangay (heads of the barangays) who governed the districts. The distinction or status of being part of the principalia was a hereditary right. However, it could also be acquired, as attested by the royal decree of 20 December 1863 (signed in the name of Queen Isabella II by the Minister of the Colonies, Jose de la Concha). This distinguished upper class was exempted from tribute (tax) to the Spanish crown during the colonial period.
From the beginning of the colonial period in the Philippine, the Spanish government built on the traditional pre-conquest socio-political organization of the barangay and co-opted the traditional indigenous princes and their nobles, thereby ruling indirectly. The barangays in some coastal places in Panay, Manila, Cebu, Jolo, and Butuan, with cosmopolitan cultures and trade relations with other countries in Asia, were already established principalities (Kinadatuan) before the coming of the Spaniards. In other regions, even though the majority of these barangays were not large settlements, yet they had organized societies dominated by the same type of recognized aristocracy and lordships (with birthright claim to allegiance from followers), as those found in more established, richer and more developed principalities. The aristocratic group in these pre-colonial societies was called the datu class. Its members were presumably the descendants of the first settlers on the land or, in the case of later arrivals, of those who were datus at the time of migration or conquest. The duty of the datus was to rule and govern their subjects and followers, and to assist them in their interests and necessities. What the chiefs received from their followers was: to be held by them in great veneration and respect; and they were served in their wars and voyages, and in their tilling, sowing, fishing, and the building of their houses. The natives attended to these duties very promptly, whenever summoned by their chief. They also paid their chief tribute (which they called buwis) in varying quantities, in the crops that they gathered. The descendants of such chiefs, and their relatives, even though they did not inherit the Lordship, were held in the same respect and consideration, and were all regarded as nobles and as persons exempt from the services rendered by the others, or the plebeians (timawas). The same right of nobility and chieftainship was preserved for the women, just as for the men. Some of these principalities and lordships have remained, even until the present, in unHispanicized and mostly Lumad and Muslim parts of the Philippines, in some regions of Mindanao.

Where did the natives attend?

attended to these duties very promptly, whenever summoned by their chief. They also paid their chief

Answer the question at the end by quoting:

Kumiko Koda (Shen Tian Lai Wei Zi , Koda Kumiko, born November 13, 1982), known professionally as Koda Kumi (Xing Tian Lai Wei , Koda Kumi), is a Japanese singer from Kyoto, known for her urban and R&B songs. Having debuted in 2000 with the single "Take Back", Koda gained fame for her seventh single, "Real Emotion/1000 no Kotoba", the songs of which were used as themes for the video game Final Fantasy X-2. Her popularity grew with the release of her fourth studio album Secret (2005), her sixteenth single "Butterfly" (2005), and her first greatest hits album Best:
Koda debuted on December 6, 2000, with the single "Take Back"; it was followed by "Trust Your Love", "Color of Soul" (both 2001), and "So into You" (2002). "Trust Your Love" and "Color of Soul" were both Top 30 singles; the former reached number 18 on the chart and became Koda's first Top Twenty single. Using the stage name Koda, Koda recorded "Take Back" and "Trust Your Love" in English and released the singles in the United States under Orpheus Records. "Take Back" peaked at number 18 on the Hot Dance Music/Maxi-Singles Sales chart; "Trust Your Love" had more success, reaching the top spot on the Hot Dance Music/Maxi-Singles Sales chart. The single also charted on the Hot Singles Sales chart and Hot Dance Club Play chart, at #19 and #35, respectively. After the September 11, 2001 attacks, Koda recorded the charity single "The Meaning of Peace" with Korean singer BoA as part of Avex's Song+Nation project to raise funds for charity. In March 2002, Koda released her debut album Affection under Rhythm Zone; it peaked at number 12 on the Oricon album chart. After the release of Affection, Koda released three singles. "Love Across the Ocean", "Maze" (both 2002), and "real Emotion/1000 no Kotoba" (2003). "Love Across the Ocean" and "Maze" peaked at the number 19 and 25 positions. Koda achieved minor success with "real Emotion/1000 no Kotoba", which peaked at number 3 after three weeks on the charts. The songs were used as the opening and ending themes, respectively, of the video game Final Fantasy X-2; in addition, Koda motion-acted the dance moves of one of the characters and voiced the character Lenne in the Japanese version of the game. She released her second album, Grow into One in March 2003. It debuted at number 11 on the charts, and peaked at number 8 in the fourth week of its run. From then on, Koda continued a string of Top Twenty singles with "Come with Me", "Gentle Words" (both 2003), and "Crazy 4 U" (2004). She then released her third album Feel My Mind (February 2004), which debuted at number 7. Koda also covered the theme song of the anime series Cutie Honey originally by Yoko Maekawa for the 2004 live-action film and Re: Cutie Honey. The song, which shared the same name as the show, was included as a bonus track on the album and became the title track of her eleventh single, "Love & Honey" (2004), after the album's release. At the end of the year, Koda released two more singles, "Chase" and "Kiseki". Although Koda had always been known for her changing fashions in her music videos, the video of "Crazy 4 U" marked the beginning of her incorporation of her sexy image into her music videos. During her image change, Koda stated her concern about what her parents would think. When they approved and supported her, she chose to keep the style that would become infamous with her name: "ero-kakkoi".

Was she in a band in 2000?
Koda debuted on December 6, 2000, with the single "Take Back