input question: Select the correct sentiment of the following review: It wasn't notable enough to be truly horrible, it was just incredibly lame. The story was not half bad, but the execution was just horrendous.

To start with, it moved too fast for us to emotionally get involved with what was going on. It was just paced badly. The dialog was so utterly un-sparkling, just flat and boring.

And the characters, cripes almightly, they made Deadpool boring. How the hell do you make Deadpool boring? He wasn't even funny. He wasn't crazy. He was just an annoying guy with a couple of swords he did not even know how to use properly.

Gambit was boring. And since when did he have telekenisis to make the cards just float and fly around, or super strength to leap hundreds of feet into the air? And what the heck was up with all the stupid helicopter moves? I mean, we know they are mutants, but they still exist within the realm of physics. A round bo staff is not a helicopter blade, you cannot fly by twirling super-duper fast. Which Gambit wouldn't be able to do anyway. Nor Deadpool, especially when using it as a replacement for real fight choreography.

And this film stands as proof that wire work should only be used by fight coordinators who know WTH they are doing, and know better than to use it in every. single. shot. as a replacement for real fight choreography.

Three of the most physical fighters in Marvel comics (Logan, Creed, and Wilson), and some of the worst fight choreography I have ever seen in recent film memory. It was as if the stunt coordinator just shrugged his shoulders and left it all up to the special effects guys.

And then you had the break out, with all these mutants who did nothing. Even mutants who had been shown in their cells to have powers (nice to see a Quicksilver nod), did f-all when they got out. Only Emma-really-lame-for-this-film-Frost and Cyclops did something.

And since when was Logan so pretty? And the stupid, "The bullet will take his memory away." Don't you think Xavier and the X-Men would have noticed the big freaking bullet holes in his adamantium skull when they X-rayed him in X1? I felt sorry for Liev Schrieber man, he actually brought in a good Sabretooth considering the script. He made one of Marvel's more simple super villains feel real. But he could not save the film from it's own epic lameness.

Seriously, this was "Daredevil" level of suck. Decent story, good actors, absolutely horrible execution.
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output answer: negative

input question: Select the correct sentiment of the following review: I only saw it once. This happened in 1952, I was seven, the movie 13.

We were so young... But I kept in mind, forever, the strong moments of Gunga's sacrifice.

I realized that time how much a people can be hardly submitted and used by a foreign nation. Under these historical circumstances, in the movie, the personal relation of friendship, a kind of friendship that ignores itself, the one raised between people who share daily life, who see each other faces, who knows each other names, but belong to different worlds, can only make appears. Then, in the most critical moments a troubling question emerges: "Whom are we, in first, supposed to be loyal?", which People, family, motherland, the person you know close to you?. You do not have time to give a perfect answer, urgency is there, and it is for life or death. Gunga-Din gives his answer with sacrifice of himself. Somewhere, in a confuse manner, a problem remains unsolved, the emotion grows with the rhythm of the movie until somebody dies, just one life, nothing compared to so many other fictions or realities we can see today, because this death, this unique vanishing life I lived it, I shared with my child unconditional friendship. It was lived by the spectator I was. That day I loose Gunga-Din for ever. As I left behind, later, my pretty childhood, as I left from then so many worlds I lived in. I left all that for good and these lines are today a short visit I didn't expect to do this morning when getting up.
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output answer: positive

input question: Select the correct sentiment of the following review: A flying saucer manned (literally) by a crew of about 20 male space explorers travels hundreds of millions of light years from earth to check in on a colony founded some 25 years ago on a 'forbidden planet.' What they find is a robot more advanced than anything imaginable on earth, a beautiful and totally socially inept young woman, and her father, a hermit philologist haunted by more than the demons of the ancient civilization he has immersed himself in.

On the surface, this story is a pulp scifi murder mystery. Some compare it to Shakespeare's Tempest, but this is a stretch, and, in some ways, an insult to the scifi genre. Stripped of what makes it a scifi film, sure, its The Tempest, but how many hundreds of films can you say something similar about?

Underneath, this is a cautionary tale about progress and technology and the social evolution necessary for its appropriate and safe use. Yet the film still proceeds with all the hopefulness for our future that we have come to expect from shows like Star Trek.

Anne Francis is not the only reason why this film is best described as beautiful. The special effects, and even the aesthetics of the backdrops are powerful enough to make the uninspired directing and uneven acting almost unnoticeable. If it were not for the goofy retro-art-deco-ness of 1950s sci-fi props, you might think you were watching a 1960s piece.

This is a classic of that very special sub-genre of sci fi I like to call 1950s sci-fi, and, though not, in my opinion, the best it is certainly a must see for anybody interested in sci-fi film and special effects. The clever plot, now rendered trite by its reuse in six or seven episodes of Star Trek, Lost in Space, and even Farscape, is worth paying attention to, and will sustain the interest of most scifi fans. Trekkers will be particularly interested in the various aspects of the film which seem to have inspired themes of Star Trek's original series aired about 12 years later, though they may find themselves disappointed by the (relatively mild) 1950s sexism and the lack of any kind of racial integration. While I do not mean to nitpick, the lack of social progress manifest in this film was the one major problem I had with it.

Some will probably see this film simply to catch a glimpse of young, good-looking Leslie Nielsen in one of his first starring roles. Unfortunately, Nielsen's performance is only average, and at times down-right poor (especially at the climax of the film). Walter Pigeon, though quite excellent in other films, over-acts his role as well. Ms Francis, Earl Holliman, and the amazing Robby the Robot are the stand-out actors in this crowd, though on the whole the character actors filling in the ensemble do a good job. The problems with the featured performances, I think, are as much the fault of the director and the editor, as anything. Though they certainly got most of the film quite right.
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output answer:
positive