Experiment with various tunes until you find a couple that spark your interest. Then explore those tunes, and expand them into complementary melodies that you can use as the foundations for the score's central musical elements. Reflect on the film's overall feel as you play around with tunes on your instrument or music software. Create a simple, memorable tune that captures the film's mood. Then decide which instruments should present the tune to the audience at various points in the movie. Consider how some action and science fiction movies start off big and bold with the main theme played by a full orchestra. On the other hand, scores for romantic dramas, suspense films, and other more subtle genres often begin with a simple tune played by just a few instruments. Typically, the theme introduces the film in the opening credits and recurs throughout the story. The right instrumental choices depend on the tone of a specific scene. For instance, a woodwind soloist may play the theme throughout most of the film. Then, in the most climactic scene, it recurs with a full orchestra and choir. If you have trouble coming up with a tune, listen to themes of films that are similar to the one you're scoring. Try imagining that you're the main character, and channel their emotions as you hum or play around with tunes on your instrument. Main characters typically have a signature theme that accompanies moments where they're central to the action. Use these themes to convey a character's traits, foreshadow their development, and hint at how they contribute to the plot. For instance, if a character will ultimately become a villain, a deep, slow, and foreboding melody in a minor key can foreshadow at their eventual demise. A good theme for the protagonist, on the other hand, is bold, uptempo, and is built on major chords. A good film composer is economical. Once you have your core themes, vary them to fit specific moments in the plot. Change keys, switch up instrumentation choices, and slow or quicken tempos so a theme fits the plot at specific points in the film. For instance, during a chase scene or battle, you could increase the main theme's tempo, raise its key, and double down on orchestration. When a film's lead characters share a quiet, intimate moment, you could slow the score's romantic theme to convey gravitas. When they're ripped from each other's arms, you can convey passion by recurring their theme with full orchestration. While the score's task is to bring focus, absence of music is sometimes the best way to frame a scene. Here and there, pause dramatically to enhance an important act or piece of dialogue. Tense, fast-paced music could build up the suspense prior to the dramatic pause. Then the music could cut out when, for example, one lover confesses their feelings for the other.
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One-sentence summary -- Play with melodies on your instrument of choice. Compose a main theme that communicates the film's tone. Come up with themes for main characters and key plot events. Look for opportunities to reprise themes throughout the film. Use sudden silence in moderation to bring focus to a scene.

Q: To get a better sense of how you can approach your poem for your boyfriend, you may want to read a few examples, such as: "I Loved You First: But Afterwards Your Love..." by Christina Rossetti. "Flirtation" by Rita Dove. "I Love You" by Ella Wheeler Wilcox. "Having a Coke with You" by Frank O'Hara. Look at how each example addresses a romantic relationship and love. Compare and contrast the examples to determine which ones you may prefer or feel will fit best with your subject matter. Ask yourself, How does the author approach love and what being in love means to them? Do they use imagery, description, and detail to illuminate their sense of love and romance? What type of form does the writer chose for the poem and how does this contribute to the poem overall? One of the more popular forms in poetry is free verse. This form is easy to learn and can be freeing, especially if you are new to writing poetry. Free verse has no set meter, structure, or rhyme scheme. But a free verse poem should still feel cohesive and express its ideas clearly. In the free verse form, you can play around with the length of each line and the descriptions and images you insert in the poem. For example, the poem "Flirtation" by Rita Dove uses two line stanzas and breaks up the text so one stanza flows into another. She uses the free verse form to show how flirtation happens in small, short bursts, much like blocks of text broken up on the page. Another popular form for romance poetry is to use rhyming or a rhyming form. Many traditional and modern love poems are written with rhyme. There are several popular rhyming forms you may want to try for your poem, including: An alternate rhyme: Often, this rhyme follows the pattern ABAB, where the first and third line rhyme (A) and the second and fourth line rhyme (B). This rhyming pattern may then be repeated in each stanza or section of the poem. Rhyming couplet: This form has two line stanzas that rhyme and may be placed in pairs or added at the end of a stanza. The rhyme scheme could be "A,A,B,B,C,C,..." Ballade: This form has three stanzas with a rhyme scheme of "ABABBBCBC", followed by "BCBC". You may want to make the poem feel more personal by using images of you and your boyfriend in the text of the poem or at the beginning or end of the poem. You could also break up the text so it looks visually interesting on the page, similar to Rita Dove's approach in "Flirtation". Another simple visual form is to make an acrostic poem, where a row of vertical letters going down the page spell out a word, phrase, or maybe your boyfriend's name. You would then use each letter as the first letter of a line or phrase in the poem.
A: Read examples of love poems. Examine the examples. Try the free verse form. Go for a rhyming form. Choose a more visual form.

Article: Wireless service providers are required by law to unlock your phone for free, as long as your account is in good standing and you've fulfilled all contract terms. The FCC is responsible for enforcing policies associated with unlocking your phone, and will escalate your situation as needed to unlock your device. File a complaint online at https://consumercomplaints.fcc.gov/hc/en-us, or call the FCC at 1-888-225-5322. This occurs when your wireless carrier provides the phone manufacturer with the incorrect IMEI number.
Question: What is a summary of what this article is about?
Ask your wireless carrier what you can do to bring your account into good standing if it refuses to unlock your phone. Contact the FCC if you experience problems unlocking your phone for free with your wireless carrier. Contact your wireless carrier and confirm the IMEI on file matches the IMEI number of your phone if the unlock code fails to work.