input: In January 1844, Alcott moved his family to Still River, a village within Harvard but, on March 1, 1845, the family returned to Concord to live in a home they named "The Hillside" (later renamed "The Wayside" by Nathaniel Hawthorne). Both Emerson and Sam May assisted in securing the home for the Alcotts. While living in the home, Louisa began writing in earnest and was given her own room. She later said her years at the home "were the happiest years" of her life; many of the incidents in her novel Little Women (1868) are based on this period. Alcott renovated the property, moving a barn and painting the home a rusty olive color, as well as tending to over six acres of land. On May 23, 1845, Abby May was granted a sum from her father's estate which was put into a trust fund, granting minor financial security. That summer, Bronson Alcott let Henry David Thoreau borrow his ax to prepare his home at Walden Pond. The Alcotts hosted a steady stream of visitors at The Hillside, including fugitive slaves, which they hosted in secret as a station of the Underground Railroad. Alcott's opposition to slavery also fueled his opposition to the Mexican-American War which began in 1846. He considered the war a blatant attempt to extend slavery and asked if the country was made up of "a people bent on conquest, on getting the golden treasures of Mexico into our hands, and of subjugating foreign peoples?" In 1848, Abby May insisted they leave Concord, which she called "cold, heartless, brainless, soulless". The Alcott family put The Hillside up for rent and moved to Boston. There, next door to Peabody's book store on West Street, Bronson Alcott hosted a series based on the "Conversations" model by Margaret Fuller called "A Course on the Conversations on Man--his History, Resources, and Expectations". Participants, both men and women, were charged three dollars to attend or five dollars for all seven lectures. In March 1853, Alcott was invited to teach fifteen students at Harvard Divinity School in an extracurricular, non-credit course. Alcott and his family moved back to Concord after 1857, where he and his family lived in the Orchard House until 1877. In 1860, Alcott was named superintendent of Concord Schools.

Answer this question "When did Alcott return to Concord?"
output: on March 1, 1845, the family returned to Concord to live in a home they named "The Hillside" (

input: In addition to the daily luncheons, members of the Round Table worked and associated with each other almost constantly. The group was devoted to games, including cribbage and poker. The group had its own poker club, the Thanatopsis Literary and Inside Straight Club, which met at the hotel on Saturday nights. Regulars at the game included Kaufman, Adams, Broun, Ross and Woollcott, with non-Round Tablers Herbert Bayard Swope, silk merchant Paul Hyde Bonner, baking heir Raoul Fleischmann, actor Harpo Marx, and writer Ring Lardner sometimes sitting in. The group also played charades (which they called simply "The Game") and the "I can give you a sentence" game, which spawned Dorothy Parker's memorable sentence using the word horticulture: "You can lead a horticulture but you can't make her think." Members often visited Neshobe Island, a private island co-owned by several "Algonks"--but governed by Woollcott as a "benevolent tyrant", as his biographer Samuel Hopkins Adams charitably put it--located on several acres in the middle of Lake Bomoseen in Vermont. There they would engage in their usual array of games including Wink murder, which they called simply "Murder", plus croquet. A number of Round Tablers were inveterate practical jokers, constantly pulling pranks on one another. As time went on the jokes became ever more elaborate. Harold Ross and Jane Grant once spent weeks playing a particularly memorable joke on Woollcott involving a prized portrait of himself. They had several copies made, each slightly more askew than the last, and would periodically secretly swap them out and then later comment to Woollcott "What on earth is wrong with your portrait?" until Woollcott was beside himself. Eventually they returned the original portrait.

Answer this question "What is the activity of the Round table?"
output: The group was devoted to games, including cribbage and poker.

input: In 1928, a white impresario, Lew Leslie, produced Blackbirds of 1928 on Broadway, a black revue for white audiences starring Adelaide Hall and Bill Robinson along with Aida Ward, Tim Moore and other black stars. The show was a huge success on Broadway, where it ran for over one year to sell-out performances. On stage, Adelaide Hall and Robinson danced and sang a duet together, which captivated the audiences. From then on, Robinson's public role was that of a dapper, smiling, plaid-suited ambassador to the white world, maintaining a connection with the black show-business circles through his continuing patronage of the Hoofers Club, an entertainer's haven in Harlem. So successful was Adelaide Hall's collaboration with Bojangles, they even appeared together on stage at the prestigious Palace Theatre (Broadway) before they were teamed up together again by Marty Forkins (Robinson's manager) to star in another Broadway musical titled, "Brown Buddies", that opened in 1930 at the Liberty Theatre, where it ran for four months before commencing a road tour of the States. In 1939, Robinson returned to the stage in The Hot Mikado, a jazz version of the Gilbert and Sullivan operetta. The show opened at the Broadhurst Theatre, with Robinson cast in the role of the Emperor. His rendition of My Object All Sublime stopped the show and produced eight encores. After Broadway, the show moved to the 1939 New York World's Fair, and was one of the greatest hits of the fair. August 25, 1939, was named Bill Robinson Day at the fair. Robinson's next Broadway show, All in Fun (1940), was with an all-white cast. Despite having Imogene Coca, Pert Kelton, and other stars, the show received poor reviews at out-of-town tryouts in New Haven and Boston. When the white stars and co-producers, Phil Baker and Leonard Sillman, withdrew, Robinson became the star, the first time an African-American headlined an otherwise all-white production. Although the reviewers were enthusiastic about Robinson, they panned the show, and it failed to attract audiences. All in Fun closed after four performances.

Answer this question "Did he also have a fifth show?"
output:
When the white stars and co-producers, Phil Baker and Leonard Sillman, withdrew, Robinson became the star, the first time an African-American headlined an otherwise all-white production.