Q: Build a movie plot around this: WHO SPOTS THOMAS, JR. TURNER
A: South Texas Border, the 1850s. A poor man and his young son arrive exhausted at a small outpost. There, the man confronts Luke Fletcher (Donald O'Brien), a sneering crook in the employ of a rich and powerful landowner called Barret. The man tells Fletcher that Barret has swindled him and his son out of money for some non-existent land. The bitter altercation ends with the man shot dead right in front of his son. As the killer laughs sadistically, the little boy picks up his father's gun and shoots Fletcher dead. Impassively, the boy mounts Fletcher's horse, claiming it along with its ornate silver-trimmed saddle, and rides off.Several years later, the young boy has grown up into a rugged bounty hunter named Roy Blood (Giuliano Gemma) who rides into the Texan town of Cerriotts on his silver-saddled horse, accompanied by Two-Strike Snake (Geoffrey Lewis), an amusing but treacherous man he recently met. Snake tells Roy that many have heard the story of the Silver Saddle, and its owner, the boy who avenged his father. He also knows that Roy Blood seems to leave a trail of dead men in his wake. This is why he wants to tag along: Snake collects items of value from the frequent corpses encountered at every turn in the Wild West. Roy's arrival is also noted by Turner, a mysterious blond-haird cowboy (Gianni De Luigi).Roy meets with Shiba (Licinia Lentini), a well-to-do madam of the town's local whorehouse, who is also an old flame who wants more. She tells Roy that a man called Shep is extorting money from her, for a Mexican named Grenache (Aldo Sambrell). Her business will be ruined unless she pays up the following day. Roy obligingly shoots Shep and some of his cronies. Once again Snake turns up, shadowing Roy for spoils. The blond cowboy appears and makes a deal with Snake who offers it to Roy: $2,000 for a hit on one Thomas Barret, to be executed in a graveyard out of town. Roy is suspicious, but accepts the murder contract when he hears the name of Barret.At the graveyard, Roy is crouching with a rifle aiming at...
Question: Build a movie plot around this: Who beaks the glass panel? Kruvajan
Answer: In 1630 Russia, Princess Asa (Barbara Steele), a beautiful, dark-haired, young woman is condemned for practicing witchcraft. The grand inquisitor is none other then her estranged brother, Prince Vajda, who renounces his ties to his sister. As the executioner ties her down to the stake, Asa defiantly swears retribution by returning from the dead one day. The executioner positions a spike-lined metal mask over her face. On her brother's command, a swift hammer blow drives the mask into her skull, killing her instantly. She is then interred in the family crypt in a coffin equipped with a window, thought which the sign of the cross is visible. With the cross forever visible to her lifeless body, it is said that the witch will never return to life.200 years later, Doctors Kruvejan (Andrea Checchi) and Gorovek (John Richardson) are riding in a carriage from St. Petersburg to Moscow on their way to a medical conference. A wheel on the carriage slips out of its socket. Leaving the driver to repair the damage, the pair decide to investigate an old ruined chapel nearby, where they discover the witch's coffin in the crypt below. Kruvejan is suddenly attacked by a large bat, and when he beats it to death in his cane, he accidentally smashes the stone cross position over the window. The fragments from the cross smash the glass, enabling Kruvejan to pull away the witch's mask. Her face is sunken and decayed, but is otherwise intact. Gorovek convinces his friend to leave before the driver becomes overly anxious, but unbeknownst to both, blood from a small cut on Kruvejans hand is already working to revive Asa.Outside the chapel, the two doctors are startled by Princess Katia (Barbara Steele in a dual role), the daughter of Prince Vajda (Ivo Garrani). Gorovek is immediately smitten with her. The sad, seemingly fixed expression she wears tells of an unhappy nature, which is bourn out by her saying that the chapel is her father's property and he refuses to fix it up.The men continue their journey, stopping for the night at a...
[Q]: Build a movie plot around this: What does Alexander claim he is missing? Selim
****
[A]: "Eternity and a Day" (1998) is certainly the most accessible of Angelopoulos' work. The film opens with a shot of a majestic old house. We hear the beginning of the film's main musical theme, followed by a young boy in a voice-over calling young Alexander to join him to see "an ancient city under the sea." Alexander tiptoes past his parents' bedroom, from where emanate a woman's giggles. Once outside the back door of the house, he runs on a short wooden walkway that ends at the beach, where he joins his two friends. He drops his short pants and they all three run into the sea and start swimming toward the open waters.Cut to Alexander (Bruno Ganz) as an older man, sitting in an armchair. He has just been awakened by his housekeeper, Urania (Helene Gerasimidou). "This is the last day" she says, "Let me come with you to the hospital." Alexander, very philosophically, refuses and he thanks her for her three years of faithful service. She leaves the room, but promptly returns for an ultimate glance at Alexander, on the pretext of reminding him that his dog has eaten, before furtively leaving again. Alexander, now alone, finishes his cup of coffee. The camera moves to show the balcony, where the dog is lying down, and the sea panorama. Alexander turns on his record player which plays the film's theme for a moment. He turns it off, and looking through the window toward the harbor and then toward the adjacent building, he hears an echo of the same music coming from one of the apartments. Alexander says it happens every morning, and he wonders aloud who it might be and why.Alexander takes his dog for a walk along the harbor. As he walks, he reflects about "how it all started" with Anna (Isabelle Renauld), his dead wife, and how he had left so many of his projects unfinished. Alexander gets into his car and drives onto a main thoroughfare. At an intersection, street urchins take advantage of the red light to rush to the stopped cars and wash their windshields, hoping for tips. A young boy (Achileas Skevis) wearing an...
Question: Build a movie plot around this: Where is Arindam Mukherjee called to? The Capital
Answer:
A famous star of Bengali films, Arindam Mukherjee (Uttam Kumar), is invited to the capital to receive a prestigious award. All the flights are booked, which forces him to take the train. The morning newspaper arrives and carries with it a detailed article on an altercation he'd been involved in. In the restaurant car, he meets Aditi Sengupta (Sharmila Tagore), a young journalist who edits a modern women's magazine, Adhunika.[2] Filled with contempt for the likes of him, she secretly plans to interview him because she thinks it'd attract more readers. He soon starts to reveal his personality, and also brings to surface the inner insecurities and his consciousness of the limitations of his 'powers'. Aditi initially takes notes, surreptitiously, but later on, out of empathy almost bordering on pity,stops. However, critical of the star, she interrogates him, leading to further introspection on his part. Slowly, his guilt about the way things turned out is very visible.Arindam also mentions Shankar-da, his mentor, who had never wanted Arindam to join films, being a strong opposer of the medium. He talks about his first day in film, and on the different experiences in faced with other workers in the field and some of the things that happened to them.Toward the end of the train journey, Arindam is drunk and feels a need to confide his wrongdoings. He asks the conductor to fetch Aditi. He begins to reveal the reason behind the altercation he was a part of, but Aditi stops him, as she has already guessed. It was an affair he'd had with one of his co-actors, Promila. Afraid that he might commit suicide, Aditi makes sure he returns to his cubicle, before going back to her own.As the star re-lives and examines his life with Aditi, a bond develops between them. Aditi realizes that in spite of his fame and success, Arindam is a lonely man, in need of empathy. Out of respect for him, she chooses to suppress the story and tears up the notes she has written. She lets the hero preserve his public image.