Problem: Write an article based on this summary: Sketch your design on scrap paper. Shade the areas of your design that you will cut out. Make bridges as necessary in your design. Simplify complex parts of your design. Copy the final design onto cardstock. Create multiple boards if doing a design with more than one color.

Answer: If you are particularly artistic, you may decide to use your own design as a basis for your stencil rather than referring to a photograph. Before you outline your design on cardstock, it's a good idea to flesh out your design and make sure that it would work as a stencil. Draw your design on scrap paper using a pencil so that you will be able to adjust it. Be aware that if you are just beginning, you may find it easier to use a photograph as the basis for your stencil rather than trying to make a compelling stencil from a freehand drawing. Use a pencil to lightly shade the areas of the design you will be cutting out and spraying. If you are using multiple colors, color your design accordingly using different colored markers When you are done, the shaded or colored areas will be the parts of the design that you will cut out and spray paint through. The other areas of your design won't be painted, and will be the color of the wall or canvas that you are working on. There are several important factors to consider when fleshing out your design, the most important being the concept of bridges. You may need to make bridges in certain areas of your design to ensure that it will look correct and hold up when you cut out the stencil. The easiest way to understand bridges is to think of the letter O. If you are creating a stencil containing a shape like an O, you may try to cut a black loop out of the paper. However, if you cut out a loop that goes all the way around, the white middle section of the O will fall away as well as the loop you cut out, leaving you with a large black circle instead of the letter O. To stop the white middle section from falling away, you have to create bridges in your design, which are vertical sections that connect the space surrounding the O with the white middle part of the O. This will make the black part of the O that you will cut away look like a pair of parenthesis, rather than a black loop. Look at your design with a critical eye. If you see any sections that need bridges to keep the elements inside the cut out areas intact, erase parts of the shaded in sections to make bridges in the design. When you are just beginning making stencils, it can be hard to tell what makes for a good design. Many times, unifying sections of your design looks better than having complex areas that don't translate as well. For instance, if you are making a design of a face, you may first make a black outline of the face, then outline each facial feature. A more compelling way to create a face is to shade and cut out a shadow, which extends from the jaw, up the cheeks and over to the mouth, then goes up the side of the face until it reaches the eye. This shadow that you made not only unites the features and makes a more interesting design, it also adds dimension to the face. When you are finished with your design, copy the design onto a piece of cardstock, poster paper or acetate. Shade in the areas of the design you are cutting out, and leave a border of at least 2 inches (5.08 cm) to give the stencil stability. If you are using multiple colors in your design, use as many sheets of cardstock as you have colors in the design. Create the outline of your design on the exact same spot on each sheet of cardstock, then assign one color to each sheet of cardstock. Use a marker to add the color where it should be on each sheet, so that if you were to overlap them, you would have the full color image. For instance, say you were making a cherry design with three colors: black, red and green. You would draw the thin outline of the cherry on the same spot on each page of cardstock. On one sheet of cardstock you would use black marker to thicken the outline of the cherry, making bridges as necessary. On another, you would color in the red fruit of the cherry. On the last sheet, you would color in the green stem and leaves.

Problem: Write an article based on this summary: Get comfortable. Build your muscles and get in good shape. Get a coach or lessons. Practice, practice, practice.

Answer: You'll want to work to be comfortable with all of the basic skating movements. Every time you learn a new motion, take a lot of time to do it before moving on to a new motion. This will let your muscles form "memories" about how to move that way, making it easier for you to make those motions without thinking about it. This is necessary for doing many complex tricks, since you can't always think about every little motion you make. You'll need to be strong and healthy if you want to be good and feel comfortable when you figure skate. Get lots of exercise, try not to sit around and watch television all day, and eat plenty of healthy food. Your body will need lots of protein in order to work well while you skate. Try to eat protein that doesn't have a lot of fat, like turkey, fish, or nuts, so that your body doesn't feel weighed down. A coach or lessons might seem expensive, but it makes a huge difference in getting your skills built up. A coach will be able to see what you do wrong and help you fix your mistakes. They'll also be able to teach you new skills and tricks, helping you to become the best figure skater you can be. Practice. And then practice some more. Figure skating is a hard skill to learn. If it was easy, everyone would do it. That means that if you want to get good, or even just be okay, you'll need to figure skate a lot. It will take time to get to where you want to be and there are no tricks around it. You just have to work hard. You can do it! With weekly practice lasting several hours, you can get good enough to do basic figure skating in about a year or two. Daily practice over many years is needed to reach a competition-level of skill.

Problem: Write an article based on this summary: Use a CPAP machine. Wear a mouthpiece. Elevate the head of your bed or use a foam wedge.

Answer: Constant positive air pressure (CPAP) machines are meant to keep you breathing normally throughout the night. CPAP machines send a puff of positive pressure into your airway at the end of each breath in order to keep the airway open throughout the breathing cycle. as a result, apneas due to the airway collapsing as occurs in OSA are prevented. Talk to your doctor if you are having problems using your CPAP machine. Do not stop using your CPAP machine without your doctor's permission. Using your CPAP machine may improve daytime sleepiness, blood pressure, glucose levels, and quality of life. If you do not use the CPAP machine regularly or use it for a while and then stop, you will lose any positive gains you made (such as improving your blood pressure). A dentist or orthodontist can make you a custom-made mouthpiece to keep your jaw aligned and your airways open as you sleep. While studies are very clear that CPAP is more effective than oral appliances, there is still strong evidence that oral appliances provide a significant treatment effect compared to nothing at all. Many patients find CPAP intolerable to use regularly but are able to wear oral appliances, and for these patients an oral appliance would be appropriate. Keep in mind that mouthpieces require regular adjustments by your dentist or orthodontist or they may stop working. Keep track of adjustments and change every three months or so. If you do not like sleeping on your side, then try sleeping on your back in a slightly upright position. You can use a foam wedge to prop yourself up while you sleep, raise your mattress if you have an adjustable bed, or use bricks to elevate the head of your bed. Only a slight elevation of 2 3 inches is needed. To use bricks to elevate the head of your bed, place them under the feet at the head of your bed. You can also use sturdy pieces of wood.

Problem: Write an article based on this summary: Watch out for his chakram attacks. Watch out for his sneak attack. Watch out for his fiery barricade and floor.

Answer:
Axel throws his chakrams at Sora; this can easily be blocked with Guard (). Axel will disappear behind the fiery barricade, then charge at Sora with a physical attack. This attack also leads to a Reaction command (). Although technically it's a stage element, both the floor and walls will damage Sora if he gets too close (wall) or constantly stands on the floor. Although Axel has more attacks, you only have to watch for the three listed above.