Problem: OPTIONS:
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Answer: Strange... I like all this movie crew and dark humor movies; but didn't like this one at all! It's awful, horrible and surely not funny at all. Pity cannot do a whole movie plot, disgust either. And it was really boring. Long empty moments fills the movie; it could have been removed. It should have been in another shorter format, surely. Maybe i expected too much from the crew - like saving the movie lol -. It's also filled with overused cliches of characters and situations... I don't get it why people liked it... "Poetry", "hope"; nope 'mam, didn't see anything like that! ^^ All in all, it's empty and crude, pitiful and hopeless. Oh darn this one........
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: I found The FBI Story considerably entertaining and suitably upbeat for my New Years Day holiday viewing. Its drama and action-packed episodes were thrilling. The Hardesty character was well drawn and admirable. Overall the photography, script and direction was perfectly creditable. Rather than taking the film to be a repugnant piece of propaganda, as some might, I enjoyed it as a well mounted portrayal of the necessity of ingenious minds and brave bodies in the fight against crime. Again, the depiction of a family holding together even under the strain of the husband's commitment to his (arguably) important work, I did not find to be a twee representation but an ideal and exemplary one.
Q: What's an example of a movie review?
An example of a movie review is here: The title above is used to introduce the film "Gen" to its audience. Gen is about a young doctor(Doga Rutkay) with an ill mother. The film starts with her leaving her mother behind to start her new job. While she drives, we realise that she is not that close home as the hospital is in a remote area. As soon as she steps into the garden of the hospital, she sees the death body of a patient. This is the beginning of a nightmare for the next few days.

Two policemen comes to the hospital so as to investigate the suicide. In fact, they will have to stay in the hospital because all roads are cut off due to bad weather conditions. All their communication with outside world is cut off too. There is no way out!! In those few days, there will be more nasty murders. Now everybody suspects from each other.

In my opinion, the idea is brilliant. It could have been very scary indeed. There are positive sides of the movie of course. I really like the beginning of the movie. Especially, when she drives to the hospital and her first moments in the hospital. Actings are okay. Some of them are trying too hard to be mysterious and scary though. I think the final shock should have been spread into the through out of the movie. What I am saying is, it was a good twist but instead of showing it as a parody in the end, we should have realised that was coming when we see what is happening. The director needed to explain it altogether which I think didn't work well. Also the most dangerous patient in the movie is supposed to be at least 48 years old but his body looks so young and fit for someone who spends most of his life in this hospital. Lastly, I would like to say a few things about the director. I am sure he will improve. This is his first attempt. I have recently found out that he is only 21 years old. That made me feel more positive about him and his future films. I am not going to rate this film * out of ***** though.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: Cecil B. deMille really knew how to create a classic, and after 7 decades his western comes across as the Real McCoy, engrossing, entertaining, spectacular; in no way outdated.

As a real fan of TV's DEADWOOD, I'll tell you the performances of Gary Cooper as Wild Bill Hickock and Jean Arthor as Calamity Jane are far more on-target.

We don't have any giants in Hollywood anymore. PLAINSMAN is just one of dozens of classics from the 1936-1945 decade that have seen enduring commercial life decade after decade: released, re-issued, re-issued all over again. Filmmakers like today's Spielberg, Jackson, Bruckheimer are like kids playing in a sandbox. None of today's movies will be sought out in 7 months let alone 70 years.
Problem: OPTIONS:
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Answer: "What is love? What is this longing in our hearts for togetherness? Is it not the sweetest flower? Does not this flower of love have the fragrant aroma of fine, fine diamonds? Does not the wind love the dirt? Is not love not unlike the unlikely not it is unlikened to? Are you with someone tonight? Do not question your love. Take your lover by the hand. Release the power within yourself. Your heard me, release the power. Tame the wild cosmos with a whisper. Conquer heaven with one intimate caress. That's right don't be shy. Whip out everything you got and do it in the butt. By Leon Phelps" When Tim Meadows created his quintessential SNL playboy, Leon Phelps, I cringed. Hearing his smarmy lisp and salacious comments made my remote tremble with outrage. I employed the click feature more than once, dear readers.

So When the film version of "The Ladies Man" came on cable, I mumbled a few comments of my own and clicked yet again. But there comes the day, gray and forlorn, when "nothing is on" any of the 100+ channels...sigh. Yes I was faced with every cable subscribers torment watch it or turn my TV off! There he was, Leon Phelps, smirking and ...making me laugh! What had happened? Had I succumbed to Hollywood's 'dumb-down' sit-com humor? Was I that desperate to avoid abdicating my sacred throne? The truth of the matter is I like "The Ladies Man" more than I should. A story about a vulgar playboy sipping cognac while leering at every female form goes against my feminist sensibilities.

What began as a crude SNL skit blossomed before my eyes into a tale about Leon and his playboy philosophy, going through life "helping people" solve their sexual conflicts. "I am the Mother Teresa of Boning", he solemnly informs Julie (Karyn Parsons), his friend and long-suffering producer of his radio show, "The Ladies Man". And he's not kidding. Leaving a string of broken hearts and angry spirits, Leon manages to bed and breakfast just about all of Chicago. That he does so with such genuine good-will is his calling-card through life.

Our self-proclaimed, "Expert in the Ways of Love", manages to get himself into a lot of trouble with husbands and boyfriends. One such maligned spouse, Lance (Will Ferrell), forms a "Victims of the Smiling Ass, USA" club, vowing to catch our lovable Don Juan. "Oh yes, we will have our revenge", he croons to his cohorts, in a show-stopping dance number.

Plus it's such a total delight to see Billy Dee Williams as Lester, the tavern owner and smooth narrator of Leon's odyssey to find his "sweet thing" and a pile of cash. (Where has he been hiding?) But would I choose this movie as my Valentine's Day choice? Leon's search for the easy life changes him in so many profound ways - that I had to give the nod to our "Ladies Man". That he can, at the movie's close, find true happiness with one woman, while still offering his outlandish advice, is the stuff of dreams!
Problem: OPTIONS:
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Answer:
After reading the other tepid reviews and comments, I felt I had to come to bat for this movie.

Roeg's films tend to have little to do with one another, and expecting this one to be like one of his you liked is probably off the mark.

What this film is is a thoughtful and unabashed look at religious faith. The only other film like it-in terms of its religious message-would have to be Tolkin's 'The Rapture.'

I am astonished that anyone could say the story is muddled or supernatural. It is a simple movie about Catholic faith, miracles, and redemption--though you would never guess it till the end. It is also the only movie I can think of whose resolution turns, literally, on a pun.

As a (happily) fallen Catholic myself, I know what the movie is about, and I find a sort of fondness in its ultimate innocence about the relation between God and man. But if you are not familiar with the kind of theology on which the film is based, then it will go right over you head.

As a film-as opposed to a story-'Cold Heaven' it is not ground-breaking. While 'The Rapture' is heavy with pictorial significance and cinematic imagery, 'Cold Heaven' downplays its own cinematic qualities. There are no striking shots, no edgy effects, no attempts to fit the content to the form. It is workmanlike shooting, but subdued. Nor does it have dialogue or acting to put it in a class of high drama. It is a simple story that unfolds simply. It may seem odd; but at the end the mystery is revealed. It looks ambiguous; but with a single line the ambiguity vanishes in a puff of Catholic dogma.

In this regard, 'Cold Heaven' has at its heart exactly the same sort of thing that drives a movie like 'The Sting,' or 'The Sixth Sense,' or 'Final Descent,' or Polanski's 'A Pure Formality.' All of these are films with a trick up their sleeves. They may frustrate you along the way, but they have a point-an obvious one, indeed--but the fun is, at least in part, in having been taken in.

Still, even if it seems like little more than a shaggy dog story with a punch line, it is worth watching for way it directs-and misdirects-you. Try it-especially if you are, or have ever been, a Catholic.