Tito visited India from December 22, 1954 through January 8, 1955. After his return, he removed many restrictions on churches and spiritual institutions in Yugoslavia.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): After returning from India, Tito removed restrictions on what type of institutions?
Ah, so.. spiritual

The Arabian oryx, a species of large antelope, once inhabited much of the desert areas of the Middle East. However, the species' striking appearance made it (along with the closely related scimitar-horned oryx and addax) a popular quarry for sport hunters, especially foreign executives of oil companies working in the region.[citation needed] The use of automobiles and high-powered rifles destroyed their only advantage: speed, and they became extinct in the wild exclusively due to sport hunting in 1972. The scimitar-horned oryx followed suit, while the addax became critically endangered. However, the Arabian oryx has now made a comeback and been upgraded from "extinct in the wild" to "vulnerable" due to conservation efforts like captive breeding
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What contributed to the Arabian oryx rise from extinct to vulnerable?
Ah, so.. conservation efforts

British post-punk entered the 1980s with support from members of the critical communityAmerican critic Greil Marcus characterised "Britain's postpunk pop avant-garde" in a 1980 Rolling Stone article as "sparked by a tension, humour and sense of paradox plainly unique in present day pop music"as well as media figures such as BBC DJ John Peel, while several groups, such as PiL and Joy Division, achieved some success in the popular charts. The network of supportive record labels that included Industrial, Fast, E.G., Mute, Axis/4AD and Glass continued to facilitate a large output of music, by artists such as the Raincoats, Essential Logic, Killing Joke, the Teardrop Explodes, and the Psychedelic Furs.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Which record labels really supported the British post-punk movement?
Ah, so..
Industrial, Fast, E.G., Mute, Axis/4AD and Glass