In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: since 1990 , the dramatic picture has undergone a certain change of style .
now , instead of emphasizing feel - good stories replete with characters of noble virtues , the screenplays and direction point toward human struggle and sorrow .
this realist tendancy can be inspiring at times , as 1993 's schindler 's list shows .
most of today 's mainstream drama , however , creates an overabundance of emoting that can turn off members of the audience .
that 's why pictures like october sky , which are a throwback to the good ol' dramas of yesteryear , are such a welcome relief in contemporary cinema .
the movie is based on the true story of homer hickam ( jake gyllenhaal ) , a teenager in the 1950 's company town of coalwood , west virginia .
it 's a well - known fact that the only boys to make a name for themselves are the ones that get out of the town on football scholarships ; the rest grow up to work in the coal mine .
the mine , which is run by homer 's father ( chris cooper ) , is not the place for homer , however .
after watching the soviet satellite sputnik shoot across the october sky in 1957 , homer feels a connection with the outside world -- as he puts it , " anyone in the world could look up and see the same thing i did .
" drafting two of his best friends and the brainiac outcast , homer begins to construct rockets .
with the help of their history teacher , miss riley ( laura dern ) , and several mine workers , the four are soon bound for great things .
october sky is a skillfully crafted film , and most of that credit must go to director joe johnston .
johnston -- whose career in the film industry includes everything from directing well - known titles like jumanji and the rocketeer down to an uncredited role as a death star trooper in star wars -- certainly knows what he 's doing here .
he molds characters which are true to life and also fun to watch into a plot that is straightforward and robust
.
he does not push any barriers , but instead adopts a conservative style of filmmaking which enhances the film 's charm .
his finesse brings out elements which might otherwise be lost -- such as the relationships between homer and various mine workers , or the silent struggle between homer 's mother and father .
the cast is well chosen , although the true bright spots are the supporting roles
.
laura dern ( jurassic park ) lends a strong performance in the role of the history teacher , giving the boys the support and guidance they need .
her role is instantly likeable .
chris cooper ( the horse whisperer ) , as homer 's father , is less likeable -- even downright despicable at times -- but his turn here gives gravity to the movie .
he 's definitely a driving force in homer 's life , and his more humane moments give the piece a certain dynamic that is commendable .
the script is generally cheerful , projecting the boys ' endeavors in a lighthearted manner .
there are moments when it becomes predictable -- such as the train tracks scene -- and there are moments when it sacrifices orginality for the need to come up with an emotional plot twist .
it highlights the essence of youth , however , and for its exceptional job at this it can be forgiven other missteps .
october sky
should be a success with audiences .
although it does n't have the appeal of current teen flicks like varsity blues or she 's all that ,
it certainly holds an undeniable quality that older crowds will lean towards .
it 's a welcome change to the dramatic genre , and one that everyone should see .

Output: P

Input: Consider Input: it is always refreshing to see a superstar actor who gets paid more than enough to forget about working for a living to want to take a chance and play a less - than - savoury character as mel gibson does in payback .
of course , if i was being paid $ 25 million for one month 's work , i 'd probably be willing to take risks as well , but that 's neither here nor there .
payback is based on a novel by richard stark ( apparently actually donald e. westlake , author of the grifters , itself a fine crime film ) which was also filmed in the 1960s as point blank starring one of the toughest of tough guys , lee marvin .
the film opens with gibson having recovered from being shot several times in the back , by whom we do n't know yet .
all we know is that gibson , as porter , is n't a happy chappy and is hellbent on getting the money stolen from him back , and getting even in the process , no matter what the consequences .
it turns out that the man he 's after is val ( gregg henry ) , his sometime partner with whom he stole a briefcase full of cash from a gang of chinese mobsters .
obviously not having much of a crisis of the soul , val figures porter is dead and goes about using his share of the money to pay off a debt to his employers .
porter , however , is the sort of man who holds a grudge and once on his feet , goes about exacting revenge on the double - crossing val .
gibson gives a terrific performance in the sort of role which he was born to play , that of a slightly unhinged guy who does n't mind beating up or shooting people to get what he wants .
you probably would n't see other actors in his salary range take such an offbeat , out - of - character role such as porter ( jim carrey wo n't be doing anything like this in a hurry after what happened the last time he tried - the cable guy , anyone ? ) .
harrison ford 's idea of playing an unsympathetic character is presumed innocent ; the last time schwarzenegger played a villain was batman and robin , which we wo n't mention further ; and has stallone ever really played a villain at all ?
this is not to say that porter is a villain , per se .
while he is n't the sort of character you would n't want to get on the wrong side of , he 's nothing compared to some of the ones we are forced to watch in countless bad thrillers and action films where they kill innocent people in the blink of an eye or execute their right - hand men just to prove how mean they are .
porter is only trying to get back what is not - so - rightfully his , which in a way is almost understandable .
payback is an enjoyable dramatic black comedy - thriller which wo n't be remembered as being among gibson 's most important work , but is still one of the finer films he 's done .
the only real problem with it is that , while everything seems to work out in the end , i was left feeling something was lacking ; was that all ?
the ending looks as if it was tacked on at the last minute , and the final voice - over does n't ring true , even though it was used to good effect elsewhere in the film - noir style the rest of the film embodies .
the film just ends far too suddenly , after a huge build - up in the penultimate scenes .
a fine film , even though it needs just a little something more to be the kind of a film that can be recommended without hesitation .
just be ready for a possible letdown of an ending .

Output: P

Input: Consider Input: surrounded by hype , high hopes , and the promise of an over - the - top performance by clueless 's brittany murphy , do n't say a word looked full of promise .
hell , when i hear that " i 'll never tell " whisper on the tv commercial , goose bumps run up my spine .
alas , word is filled with little but disappointment , a kooky mix of girl , interrupted and ransom , with michael douglas and company collecting a paycheck to plod through a vapid and dull kidnapping thriller .
douglas stars as nathan conrad , renowned new york psychologist , devoted father of jessie conrad ( skye mccole bartusiak ) , and loving husband to aggie conrad ( famke janssen ) .
after a gang of jewel thieves , headed by sean bean 's koster , kidnaps his daughter , nathan is forced to extract from his new patient , the catatonic and violent elisabeth burrows ( murphy ) , the location of some hidden bank job booty that her father hid from the koster gang a decade ago .
but with hard - nosed detective sandra cassidy ( jennifer esposito , doing her best
j .
lo impression ) tracking down koster and his gang of hoodlums , the stakes are raised as nathan races against the clock to crack the mystery of elisabeth 's head in order to get the goods inside .
the catch - nathan only has until five o'clock to solve the puzzle !
whoa , the suspense is almost too much .
do n't say a word loses the audience inside of 15 minutes .
murphy looks and acts like linda blair from the exorcist during the first part of the movie , then turns around and reprises like her role from girl , interrupted .
and the only real " crazy " to be found in the film is director gary fleder 's ( things to do in denver when you 're dead ) staggering use of flashback sequences .
oliver platt , famke janssen , and even sean bean are decent actors , but the stuff they are given here -- such as a bedridden wife fighting off the token black guy with her crutch -- is insulting and demeaning .
additionally , the use of the surveillance cameras and laptops to track nathan 's every move is downright unbelievable .
how do ex - cons fresh out of the big house afford all this equipment ? despite its flaws ,
do n't say a word is surprisingly some of the best mainstream film you 'll find this month -- and audiences will lap it up .
americans love
lukewarm , half - baked thrillers starring big names and accompanied by cheap thrills .
someone get me my lithium !
Output: N