You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
WHAT DID THE SYMBOLIC VICES DISGUISE THEMSELVES TO BE?

In 1989, seventeen-year-old Mike O'Donnell (Zac Efron) learns during the start of his high school championship basketball game that his girlfriend Scarlet Porter (Allison Miller) is pregnant. Moments after the game begins, he leaves the game and goes after Scarlet, abandoning his hopes of going to college and becoming a professional basketball player.
Two decades later, Mike (Matthew Perry), now thirty-seven years old, finds his life stalled. Scarlet (Leslie Mann), now his wife and mother of their two children, has separated from him due to his blaming her for his regrets about abandoning his future, forcing him to move in with his geeky, yet extremely wealthy, best friend since high school, Ned Gold (Thomas Lennon). At his job, there comes another reason for his frustration: due to his lack of higher education and since he is significantly older than most of his co-workers, he is passed over for a promotion he deserves in favor of a much younger worker. He quits his job and his high school-age children, seventeen-year-old Maggie (Michelle Trachtenberg) and sixteen-year-old Alex (Sterling Knight) want nothing to do with him. Later, while visiting his high school to reminisce, an encounter with a mysterious janitor (Brian Doyle-Murray) transforms Mike back into his seventeen-year-old self.
Mike then enrolls in high school posing as Mark Gold, Ned's son, and plans to go to college with a basketball scholarship. As he befriends his bullied son and discovers that his daughter has a boyfriend, Stan (Hunter Parrish), who does not respect her and frequently torments Alex, Mike comes to believe that his mission is to help them. He meets Stan, the captain of the basketball team, and embarrasses him in front of the whole school after Stan insults Alex. Later, in Sex Education class while the teacher is handing out condoms to the students in a basket, Stan turns to Mike and refuses to give him any, saying that he does not need them, causing quiet laughter among the class. Mike then makes a speech about love and sex in front of the whole class for Maggie's benefit, causing all of the girls to give back their condoms. Stan then takes the condoms claiming that he is stocked up for the weekend and kisses Maggie passionately. Because of this, Mike loses his temper and starts a fight with Stan on the floor, which is being taped by other students and eventually goes viral within a matter of minutes. Mike loses the fight and Ned is called up to the school.
Mike comforts Maggie when Stan dumps her after she refuses to sleep with him. With Mike's help, Alex overcomes Stan's bullying to obtain a place with Mike on the basketball team and the girlfriend he desires.
Through their children, Mike spends time with Scarlet, who is attracted to his remarkable resemblance to her husband in high school. Mike has difficulty resisting his desire for her despite the relationship's clear inappropriateness. Mostly Scarlett usually turns down his attractions, because of his youthful appearances. At the same time, he must fend off Maggie's sexual advances.
Mike soon realizes that Scarlet is the best thing that ever happened to him and finally realizes that his own selfishness has driven his family away. He tries to re-unite with her, briefly forgetting his young form and kisses her during a party, in front of Maggie and other girls, and unsuccessfully explains to her that he is actually her husband. On the day of the court hearing to finalize Scarlet and Mike's divorce, Mike makes one last attempt to win her back (as Mark) by reading a supposed letter from Mike. He states that although he couldn't set things right in the beginning of his life, it doesn't extinguish the fact that he still loves her. He also explains that even though he still wants to be with her, he should let her move on. After he exits, Scarlet notices that the "letter" is actually the directions to the courtroom and she begins to grow curious. As a result, she postpones the divorce by a month. During a high school basketball game, Mike reveals himself to Scarlet. As Scarlet once again runs away down the hall, Mike decides to chase her down once more, but not before handing the ball off to his son. Mike is then transformed back into his thirty-seven-year-old self, and reunites with Scarlet.
The film ends with Mike receiving the gift of a whistle from Ned in celebration of his new job as the high school's basketball coach after Coach Murphy.
What did he discover before his championship game?

In 1961, the financially strapped author Pamela "P. L." Travers reluctantly travels from her home in London to Los Angeles to work with Walt Disney at the urging of her agent, Diarmuid Russell. Disney has pursued the film rights to her Mary Poppins stories for twenty years, having promised his daughters that he would produce a film based on them. Travers has steadfastly resisted Disney's efforts because she fears what he would do to her character. However, she has not written anything in a while and her book royalties have dwindled to nothing, so she risks losing her house. Still, Russell has to remind her that Disney has agreed to two major stipulations no animation and unprecedented script approval before she agrees to go.
Travers' difficult childhood in Allora, Queensland, Australia, is depicted through flashbacks, and is the inspiration for much of Mary Poppins. Travers idolized her loving, imaginative father, Travers Robert Goff, but his chronic alcoholism resulted in his repeated firings, strained her parents' marriage, and caused her distressed mother to attempt suicide. Goff died at an early age from tuberculosis when Travers was seven years old.
In Los Angeles, Travers is irritated by what she perceives as the city's unreality and the inhabitants' intrusive friendliness, personified by her limousine driver, Ralph. At the Walt Disney Studios in Burbank, Travers meets the creative team that are developing Mary Poppins for the screen: screenwriter Don DaGradi, and music composers Richard and Robert Sherman. She finds their presumptions and casual manners highly improper, a view she also holds of the jocular Disney.
Travers' working relationship with Disney and his team is difficult from the outset, with her insistence that Mary Poppins is the enemy of sentiment and whimsy. Disney and his people are puzzled by Travers' disdain for fantasy, given the nature of the Mary Poppins story, as well as Travers' own rich imagination. She particularly objects to how the character George Banks, the estranged father of the children in Mary Poppins' charge, is depicted, insisting that he is neither cold nor cruel. Gradually, they grasp how deeply personal the Mary Poppins stories are to her and how many of the characters were inspired by her past.
The team realize Travers has valid criticisms and make changes, though she becomes increasingly disengaged as painful childhood memories resurface. Seeking to understand what troubles her, Disney invites Travers to Disneyland, which, along with her developing friendship with Ralph, the creative team's revisions to the George Banks character, and the addition of a new song and a different ending, help dissolve Travers' opposition. Her creativity reawakens, and she begins working with the team; however, when Travers discovers that there is to be an animation sequence, she confronts Disney over his broken promise and returns home.
Disney learns that Travers is actually her pen name, taken from her father's given name. Her real name is Helen Goff, and she's actually Australian, not British. This gives Disney new insight into Travers, and he follows her to London. Arriving unexpectedly at her door, Disney tells her that he also had a less-than-ideal childhood, but stresses the healing value of his art. He urges Travers to not let deeply-rooted past disappointments dictate the present. Travers relents and grants Disney the film rights.
Three years later, in 1964, Mary Poppins is to have its world premiere at Grauman's Chinese Theatre in Hollywood. Disney has not invited Travers, fearing how she might react with the press watching. Prompted by Russell, Travers shows up unannounced at Disney's office; he reluctantly issues her an invitation. Initially, she watches Mary Poppins with a lack of enthusiasm, particularly during the animated sequences. She gradually warms to the rest of the film; however, becoming deeply moved by the depiction of George Banks' personal crisis and redemption.
What do Walt Disney and Pamela Travers have in common?