Q: Make sure there is NO hardware inside, and that it is completely taken apart. BE ABSOLUTELY SURE that you cover up the interior of the case so you don't paint it! Also, for safety, make sure there are no drive bays inside (metal things that hold the drives in). If you haven't removed those, remove them now. ). Then paint the sides that came off, then the top that came off. No need to paint the bottom, and you probably shouldn't paint that either. Allow them to dry in the sun.
A: Take your computer case and place it on newspaper outside. Cover up the parts you don't want to paint with painter's tape and paper that paint won't bleed through. Paint the main case first (DON'T PAINT THE BACK! Wait a few hours, preferably 24, before moving on to the next step.

Q: Once you've gotten the hang of playing open slap notes, you can start controlling the length and tones of the notes by using your left hand to dampen the strings after they've hit the fretboard. After you strike a note with your right thumb, practice damping the note by lightly pressing the fleshy part of your left fingers over the open note. Start with a simple, repetitive rhythm, starting with one note at a time to get used to slapping and damping at the same time. For example, if you're playing a rhythm with four beats, try slapping notes with your right thumb on beats one and three, and damping those notes with the fingers of your left hand on beats two and four. Popping is the final component of slap bass playing technique, and involves pulling up on the strings to produce twangy sounds that compliment your slaps. While slapping the strings with your thumb, keep your fingers underneath the strings to add popping to your licks. Think about using the side of your index/middle finger to pull the string up and away from the bass. When you release the string, it will strike and reverberate off the fretboard, producing a popping noise. Eventually, you'll want to incorporate slapping, damping, and popping into the same musical phrases. Start with short, slow licks where you can focus on creating consistent slapping and popping sounds while damping the strings in between notes. When you get comfortable incorporating all three techniques at once, you can move on to faster, more complicated licks.
A: Use your left hand to dampen notes on the fretboard. Practice slapping and damping to create a rhythm. Position your right index and/or middle fingers under the strings. Pull the strings away from the fretboard to create the popping sound. Practice putting all three techniques together.

Q: Use your browser to navigate to Vehiclehistory.com. If your car was manufactured after 1980, your VIN should be 17 digits long. It will never contain the letters I, O, or Q, so as to avoid confusion with the numbers 1 and 0. If your car was manufactured prior to 1980, you will not be able to secure a vehicle history report. Once you've entered the VIN, you may view the report.
A: Go to VehicleHistory.com. Enter the VIN in the search box in the middle of the page. Get your report.

Q: The underlying functionality of Prezi means that you do not have to think in linear slides as you would PowerPoint. You are free to move the frame around your presentation landscape however you feel is best. This means, however, that a Prezi that is not planned properly from the beginning can quickly become a jumbled mess with no sense of direction. Draw out an overarching design of the Prezi. Think of how the presentation would look if it was completely zoomed out. Some of the most successful Prezis have a structure that the path of frames will follow. Use the main points of your presentation as the anchors for the path your Prezi will take. Think of these main points as "focal" points; you will be focusing on these and using the surrounding landscape to build on them frame by frame. The path is how the presentation transitions from frame to frame. Instead of going in a linear motion, the path can be set in any order, and the "camera" will move around the presentation as it follow the path. When you are planning out your Prezi, think about how you will be moving the camera over your landscape. Because Prezi allows for full zooming and rotations, there is a temptation to change the perspective often during a presentation. This can lead to motion sickness in the viewer, and distracts from the content of the presentation. Try to layout out your landscape so that the camera moves in a relatively linear fashion, either horizontally or vertically. Avoid rotating as much as possible unless it significantly enhances the message Save the zoom in and out feature for transitions between large sections. Zooming too much can be disorienting and distracting. Use the special features of Prezi sparingly to emphasize their effect on the audience. Because you have an essentially limitless canvas, make your focal points big to begin with. Then, as you add more details, you can add smaller objects and use small amounts of zoom to focus on them.
A:
Sketch out your concept. Set the foundations with your main points. Think of your Prezi in terms of the "path". Keep your paths steady. Start big.