input: When he ascended the throne, Gustaf V was, at least on paper, a near-autocrat. The 1809 Instrument of Government made the king both head of state and head of government, and ministers were solely responsible to him. However, his father had been forced to accept a government chosen by the majority in Parliament in 1905. Since then, prime ministers had been chosen according to parliamentary support. At first, Gustaf V seemed to be willing to accept parliamentary rule. After the Liberals won a massive landslide in 1911, Gustaf appointed Liberal leader Karl Staaff as Prime Minister. However, during the runup to World War I, the elites objected to Staaff's defence policy. In February 1914, a large crowd of farmers gathered at the royal palace and demanded that the country's defences be strengthened. In his reply, the so-called Courtyard Speech--which was actually written by explorer Sven Hedin, an ardent conservative--Gustaf promised to strengthen the country's defences. Staaff was outraged, telling the king parliamentary rule called for the Crown to stay out of partisan politics. He was also angered that he had not been consulted in advance of the speech. However, Gustaf retorted that he still had the right to "communicate freely with the Swedish people." The Staaff government resigned in protest, and Gustaf appointed a government of civil servants headed by Hjalmar Hammarskjold (father of Dag Hammarskjold) in its place. To date, it is the last time that a Swedish king directly intervened in the governing of the country. The 1917 elections showed a heavy gain for the Liberals and Social Democrats. Despite this, Gustaf initially tried to appoint a Conservative government headed by Johan Widen. However, Widen was unable to form a coalition. It was now apparent that Gustaf could no longer appoint a government entirely of his own choosing, nor could he keep a government in office against the will of Parliament. With no choice but to appoint a Liberal as prime minister, he appointed a Liberal-Social Democratic coalition government headed by Staaff's successor as Liberal leader, Nils Eden. The Eden government promptly arrogated most of the king's political powers to itself and enacted numerous reforms, most notably the institution of complete (male and female) universal suffrage in 1918-1919. While Gustaf still formally appointed the ministers, they now had to have the confidence of Parliament. He was now also bound to act on the ministers' advice. Although the provision in the Instrument of Government stating that "the King alone shall govern the realm" remained unchanged, for all intents and purposes the ministers did the actual governing. Gustaf accepted his reduced role, and reigned for the rest of his life as a model limited constitutional monarch. Parliamentarianism had become a de facto reality in Sweden, even if it would not be formalized until 1974. Gustaf V was considered to have German sympathies during World War I. His political stance during the war was highly influenced by his wife, who felt a strong connection to her German homeland. On 18 December 1914, he sponsored a meeting in Malmo with the other two kings of Scandinavia to demonstrate unity. Another of Gustaf V's objectives was to dispel suspicions that he wanted to bring Sweden into the war on Germany's side.

Answer this question "Was Gustaf not allowed to communicate with the public?"
output: The Staaff government resigned in protest, and Gustaf appointed a government of civil servants headed by Hjalmar Hammarskjold

Question: Povenmire was born in San Diego, California on September 18, 1963, and grew up in the city of Mobile, Alabama. A child prodigy, he began drawing at age two; by the time he was ten, his work was displayed in local art shows. His first efforts in animation included a series of flip books that he produced in his school text books. As a child, Povenmire considered animator Chuck Jones his hero; in a 2009 interview, he stated that "every drawing he [Jones] did was beautiful to look at and had so much energy in it".

Povenmire later became a director on Family Guy, starting with the season two episode, "Road to Rhode Island". Creator Seth MacFarlane granted Povenmire substantial creative freedom. Povenmire recalled that MacFarlane would tell him "We've got two minutes to fill. Give me some visual gags. Do whatever you want. I trust you." Povenmire praised MacFarlane's management style for letting him "have [...] fun." Povenmire brought realism and material from his own experiences to the visual direction of Family Guy. For "One if By Clam, Two if By Sea" (August 1, 2001), several characters demonstrate Fosse-like moves in prison. To correctly depict the moves, Povenmire asked color artist Cynthia MacIntosh, who had been a professional dancer, to strike poses so he could properly illustrate the sequence. In the episode "To Love and Die in Dixie" (November 15, 2001), Povenmire drew on his childhood in the Deep South to create and sequence a background scene in which the redneck character nonchalantly kicks a corpse into the nearby river. "Brian Wallows and Peter's Swallows" (January 17, 2002), a Family Guy episode which Povenmire directed, won the Emmy Award for Best Song. Creator MacFarlane, the recipient of the award, noted that Povenmire deserved to have received the award for the contribution the visuals made to the episode's win. Povenmire jokingly responded "That's a nice sentiment and all, but did he offer to give me his? No! And it's not like he doesn't already have two of his own just sitting in his house!" Povenmire was nominated for an Annie Award for Directing in an Animated Television Production for the episode "PTV" (November 6, 2005) but lost out to a fellow Family Guy director Peter Shin, who had directed the episode "North by North Quahog". Povenmire and several others were also nominated for their work on "PTV" in the Outstanding Animated Program (for Programming Less Than One Hour) category at the Primetime Emmy Awards. Povenmire also received the same nomination for "Road to Rhode Island." During Family Guy's brief cancellation, Povenmire was offered a job as storyboard director of the series SpongeBob SquarePants. He wrote various musical numbers for the series, including "The Campfire Song Song" in "The Camping Episode" (April 3, 2004).

Using a quote from the above article, answer the following question: Did he partner with anyone when producing for Family Guy?
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Answer:
Creator MacFarlane,