IN: Catwoman is a fictional character appearing in American comic books published by DC Comics, commonly in association with the superhero Batman. Created by Bill Finger and Bob Kane, the character made her debut as "the Cat" in Batman #1 (June 1940). Catwoman, whose real name is Selina Kyle, has been Batman's most enduring love interest and is known for her complex love-hate relationship with him. As a Gotham City burglar, Catwoman typically wears a tight, one-piece outfit and uses a bullwhip for a weapon.

In 2011, DC Comics relaunched all titles, deemed the New 52, which rebooted the DC Universe continuity. Catwoman's monthly title now focused on Selina's earlier days as Catwoman, but not her origins. The series begins with Selina frantically escaping from unknown masked men who are invading her apartment. After flitting from rooftop to rooftop, Selina looks back just in time to see her apartment blown apart by explosives. She turns to her informant, Lola, who often supplies Catwoman with information and various jobs. In this instance, Lola tips Selina off to an unoccupied penthouse where Selina can lay low for a few weeks, as well as a job stealing a painting from Russian mobsters. For this job, Selina infiltrates a Russian club by posing as the bartender. There, she recognizes a man who murdered a friend of hers, and she takes her revenge. Once her cover is blown, Selina dons her Catwoman outfit and fights her way out of the club. It is revealed through Selina's inner monologue that she and Batman are lovers, and the premiere issue ends with the first sex scene between the two. Her revised origin in Catwoman #0 draws from Batman Returns. Catwoman is later confronted by Steve Trevor, who offers her a spot on Amanda Waller's new Justice League of America. Selina initially refuses, but accepts the offer after Trevor promises to help her track down a woman who has apparently been posing as Selina. It is later revealed that Catwoman was chosen specifically to take down Batman should the JLA ever need to defeat the original Justice League. The teams eventually come into conflict in the publisher's "Trinity War" crossover. In the Earth-Two continuity, Selina Kyle and Bruce Wayne are married, and their daughter, Helena Wayne, is that universe's Robin. In this universe, either Selina has reformed or was never a supervillain in the first place. It is revealed in issue #0 of Worlds' Finest that this Selina was killed while trying to stop what she believed was a human trafficking ring.
QUESTION: How did this go over with fans?
IN: Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The 1945 work was adapted from Ferenc Molnar's 1909 play Liliom, transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He participates in a robbery to provide for Julie and their unborn child; after it goes tragically wrong, he is given a chance to make things right.

A film version of the musical was made in 1956, starring Gordon MacRae and Shirley Jones. It follows the musical's story fairly closely, although a prologue, set in the Starkeeper's heaven, was added. The film was released only a few months after the release of the film version of Oklahoma!. It garnered some good reviews, and the soundtrack recording was a best seller. As the same stars appeared in both pictures, however, the two films were often compared, generally to the disadvantage of Carousel. Thomas Hischak, in The Rodgers and Hammerstein Encyclopedia, later wondered "if the smaller number of Carousel stage revivals is the product of this often-lumbering [film] musical". There was also an abridged (100 minute) 1967 network television version that starred Robert Goulet, with choreography by Edward Villella. The New York Philharmonic presented a staged concert version of the musical from February 28 to March 2, 2013, at Avery Fisher Hall. Kelli O'Hara played Julie, with Nathan Gunn as Billy, Stephanie Blythe as Nettie, Jessie Mueller as Carrie, Jason Danieley as Enoch, Shuler Hensley as Jigger, John Cullum as the Starkeeper, and Kate Burton as Mrs. Mullin. Tiler Peck danced the role of Louise to choreography by Warren Carlyle. The production was directed by John Rando. Charles Isherwood of The New York Times wrote, "this is as gorgeously sung a production of this sublime 1945 Broadway musical as you are ever likely to hear." It was broadcast as part of the PBS Live from Lincoln Center series, premiering on April 26, 2013.
QUESTION: How was it received by the public?
IN: Robert Dennis Crumb (; born August 30, 1943) is an American cartoonist and musician who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contemporary American culture. Crumb is a prolific artist and contributed to many of the seminal works of the underground comix movement in the 1960s, including being a founder of the first successful underground comix publication, Zap Comix, contributing to all 16 issues. He was additionally contributing to the East Village Other and many other publications, including a variety of one-off and anthology comics.

Crumb's father gave him $40 when he left home after high school. His first job, in 1962, was drawing novelty greeting cards for American Greetings in Cleveland, Ohio. He stayed with the company for four years, producing hundreds of cards for the company's Hi-Brow line; his superiors had him draw in a cuter style that was to leave a footprint on his work throughout his career. In Cleveland he met a group of young bohemians such as Buzzy Linhart, Liz Johnston, and Harvey Pekar. Dissatisfied with greeting card work, he tried to sell cartoons to comic book companies, who showed little interest in his work. In 1965, cartoonist Harvey Kurtzman printed some of Crumb's work in the humor magazine he edited, Help!. Crumb moved to New York, intending to work with Kurtzman, but Help! ceased publication shortly after. Crumb briefly illustrated bubblegum cards for Topps before returning to Cleveland and American Greetings. Crumb married Dana Morgan in 1964. Nearly destitute, the couple traveled in Europe, during which Crumb continued to produce work for Kurtzman and American Greetings, and Dana stole food. The relationship was unstable as Crumb frequently went his own way, and he was not close to his son Jesse (b. 1965). In 1965 and 1966 Crumb had a number of Fritz the Cat strips published in the men's magazine Cavalier. Fritz had appeared in Crumb's work as early as the late 1950s; he was to become a hipster, scam artist, and bohemian until Crumb abandoned the character in 1969. Crumb was becoming increasingly uncomfortable with his job and marriage when in June 1965 he began taking LSD, a psychedelic drug that was then still legal. He had both good and bad trips. One bad trip left him in a muddled state for half a year, during which for a time he left Dana; the state ended when the two took a strong dose of the drug together in April 1966. Crumb created a number of his best-known characters during his years of LSD use, including Mr. Natural, Angelfood McSpade, and the Snoid.
QUESTION:
did he do any other work?