Q: I am trying to decide whether it's worth it to invest in this film proposal. Can you help me answer a few questions? If you can't, please say "No I can't". Question: What does Najaf beg Memar to lend him? Movie title: Baran Movie plot: It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide. As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds. From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers. Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard...
A: Money

Q: I am trying to decide whether it's worth it to invest in this film proposal. Can you help me answer a few questions? If you can't, please say "No I can't". Question: Who does Frank leave Candice with? Movie title: The Brood Movie plot: At the Somafree Institute, Dr. Hal Raglan humiliates his patient Mike by saying: "you're just a weak person. You must have got that from your mother. It probably would have been better for you if you had been born a girl!" On the dimly lit stage, Raglan demands a demonstration of anger, and Mike reveals angry red blotches covering his torso. The audience gasps. Raglan announces that this is psychoplasmcis; the physical manifestation of mental rage by the appearance of the welts on one's body.Meanwhile, Frank Carveth collects his nine-year-old daughter Candy from a 'Private Guest Room'. Candy wears a red coat with fur trim and hood. Bathing her, Frank finds bruises and scratches on her back. He drives to the Somafree Institute to confront Raglan and demands to see his wife Nola, whom has been committed there. Raglan refuses. Frank accuses Nola of abusing their daughter and says he will stop Candy's next visit. Raglan threatens legal action if Frank withholds a vital part of Nola's treatment. Frank then goes to his lawyer, Al Resnikoff, who tells him that Nola has a stronger legal position despite the fact that she is committed to a mental hospital. Frank says that he will do what he has to. He takes Candy to her maternal grandmother, Juliana, who seems highly strung out.Back at the institute, Raglan goes into Nola's room (play-acting as Candy) and he asks her why she hurt her daughter Candice. Raglan/Candice says: "Mummies don't hurt their own children". Nola sobs that they do. She tells Raglan that her own mother was "fucked up and bad". Raglan encourages her anger by telling her: "Go all the way through it, right to the end."That evening at Juliana's house, she investigates a noise in the kitchen. Food, juice, glasses and dishes are thrown all over the floor. She is bludgeoned by what appears to be a small child wearing a red hooded raincoat with fur trim. As Candy watches from behind a door, small claw-like hands leaves bloodstains on the banisters. The next morning at his workplace, Frank is informed of...
A: Juliana

Q: I am trying to decide whether it's worth it to invest in this film proposal. Can you help me answer a few questions? If you can't, please say "No I can't". Question: What does The Duke warn Zidler with ? Movie title: Moulin Rouge! Movie plot: In the year 1900, a British writer suffering from depression named Christian (Ewan McGregor) begins writing on his typewriter ("Nature Boy"). As Christian narrates, the film flashes back to one year earlier upon Christian's move to the Montmartre district of Paris to become a writer among members of the area's Bohemian movement. He soon encounters that his neighbours are a loose troupe of performers led by Henri de Toulouse-Lautrec (John Leguizamo). Toulouse-Lautrec and the others ask for Christian's help, and his writing skills allow them to finish their proposed show, "Spectacular Spectacular", that they wish to sell to the owner of the Moulin Rouge, Harold Zidler (Jim Broadbent). The group arrives at the Moulin Rouge as Zidler and his "Diamond Dog Dancers" perform for the audience ("Zidler's Rap Medley"). Toulouse arranges for Christian to see Satine (Nicole Kidman), the star courtesan, in her private quarters to present the work, unaware that Zidler is promising Satine to the wealthy and unscrupulous Duke of Monroth (Richard Roxburgh), a potential investor in the cabaret ("Sparkling Diamonds"). Satine mistakes Christian for the Duke, and dances with him before retiring to her private chamber with him to discuss things privately ("Rhythm of the Night", "Meet Me in the Red Room"), but soon learns he is just a writer ("Your Song"). The Duke interrupts them; Christian and Satine claim they were practicing lines for "Spectacular Spectacular". With Zidler's help, Toulouse and the rest of the troupe pitch the show to the Duke with an improvised plot about an evil maharajah attempting to woo an Indian courtesan who loves a poor sitar player ("The Pitch (Spectacular Spectacular)"). The Duke backs the show on the condition that only he may see Satine. Satine contemplates on Christian and her longing to leave the Moulin Rouge to become "a real actress" ("One Day I'll Fly Away"). Christian goes back to Satine to convince her that they should be together, she eventually falls for him ("Elephant Love Medley"). As the...
A:
Stop financing