instruction:
In this task, you're expected to write answers to questions involving multiple references to the same entity. The answer to the question should be unambiguous and a phrase in the paragraph. Most questions can have only one correct answer.
question:
Passage: In the town of Red Rock, gun salesman Steve Farrell demonstrates the new Colt .45 repeating pistols to the sheriff who is impressed that the United States government just ordered two thousand of these powerful weapons for the army. The demonstration is interrupted when men arrive to transfer one of the prisoners to another jail. As he's being led away, prisoner Jason Brett grabs the pistols, shoots the sheriff, and escapes, pretending that Farrell was his partner. Convinced that Farrell was involved in the escape, the townspeople arrest the innocent gun salesman. In the coming days, Brett initiates a campaign of robberies and cold blooded murder, with regular guns being no match for his Colt .45 pistols.
Four months later, Farrell is released from jail due to a lack of evidence. The new sheriff offers him a letter clearing him of the charges if he reveals Brett's whereabouts. Reasserting his innocence, Farrell vows to go after Brett to retrieve his guns. Farrell tracks his prey into Texas and comes across a band of Indians whom Brett has killed to provide cover for a stagecoach robbery. The only survivor of the attack, Walking Bear, tells Steve about Brett's plan. As the stagecoach approaches, Steve jumps onto the stage from a rock outcropping just in time to fight off the attack by Brett's gang with his own set of Colt .45s. The only passenger on the stage, Beth Donovan, tries to prevent him from fighting off the robbers.
Question: Who uses the gun salesman?
answer:
Jason Brett.

question:
Passage: Discounting his collaboration with Dukas in the completion of Guiraud's unfinished Fredegonde, Saint-Saens wrote twelve operas, two of which are operas comiques. During the composer's lifetime his Henry VIII became a repertory piece; since his death only Samson et Dalila has been regularly staged, although according to Schonberg, Ascanio (1890) is considered by experts to be a much finer work. The critic Ronald Crichton writes that for all his experience and musical skill, Saint-Saens "lacked the 'nose' of the theatre animal granted, for example, to Massenet who in other forms of music was his inferior". In a 2005 study, the musical scholar Steven Huebner contrasts the two composers: "Saint-Saens obviously had no time for Massenet's histrionics". Saint-Saens's biographer James Harding comments that it is regrettable that the composer did not attempt more works of a light-hearted nature, on the lines of La princesse jaune, which Harding describes as like Sullivan "with a light French touch".Although most of Saint-Saens's operas have remained neglected, Crichton rates them as important in the history of French opera, as "a bridge between Meyerbeer and the serious French operas of the early 1890s". In his view, the operatic scores of Saint-Saens have, in general, the strengths and weaknesses of the rest of his music "lucid Mozartian transparency, greater care for form than for content ... There is a certain emotional dryness; invention is sometimes thin, but the workmanship is impeccable." Stylistically, Saint-Saens drew on a range of models. From Meyerbeer he drew the effective use of the chorus in the action of a piece; for Henry VIII he included Tudor music he had researched in London; in La princesse jaune he used an oriental pentatonic scale; from Wagner he derived the use of leitmotifs, which, like Massenet, he used sparingly. Huebner observes that Saint-Saens was more conventional than Massenet so far as through composition is concerned, more often favouring discrete arias and ensembles, with less variety of tempo within individual numbers. In a survey of recorded opera Alan Blyth writes that Saint-Saens "certainly learned much from Handel, Gluck, Berlioz, the Verdi of Aida, and Wagner, but from these excellent models he forged his own style.".
Question: What were the names of the five models Saint-Saens forged his own style from?
answer:
Handel.

question:
Passage: Spiderland received widespread critical acclaim from music critics, including Spin, NME, and The Village Voice. In a contemporary review for Melody Maker, Steve Albini, producer of Slint's 1989 album Tweez, gave the album ten stars and called it "a majestic album, sublime and strange, made more brilliant by its simplicity and quiet grace." Albini found its unadorned production impeccable and said that it vividly captures McMahan and Pajo's playing so well that their guitars "seem to hover in space directly past the listener's nose", while "the incredibly precise-yet-instinctive drumming has the same range and wallop it would in your living room." Select noted that the band's popularity in the college circuit was "probably due to the college circuit celebrity status of their drummer Shannon Doughton, aka Britt Walford, the only male member of the 'all-female' indie supergroup The Breeders". Their review noted the multiple listens it may take to appreciate it, acknowledging the album as "immediate as a snail trail to hell, 'Spiderland' needs several plays to burn its way into your consciousness, but when it does..."In a retrospective review for AllMusic, Mark Deming said that Spiderland is "one of the most important indie albums of the '90s" and a "singular achievement" which found the band "working with dynamics that made the silences every bit as much presence as the guitars and drums, manipulating space and time as they stretched out and juggled time signatures, and conjuring melodies that were as sparse and fragmented as they were beautiful". Robert Christgau was less enthusiastic and wrote that, despite their "sad-sack affect", Slint are actually "art-rockers without the courage of their pretensions" with poor lyrics. In The New Rolling Stone Album Guide, Rolling Stone journalist Mac Randall felt that the album's music lacks songform, even though it sounds more accessible than Tweez: "[t]he absence of anything resembling a tune continues to nag."In 2003, Pitchfork wrote of Spiderland: "a heady, chilling listen; the irregularity of its hypnotic melodies, fractured beats and mismatched lyrics demand a new kind of appreciation, independent of traditional notions of songcraft. With its half-mumbled, half-hollered vocals, deliberate percussion and drone-gone-aggressive guitars, Spiderland's urgency is almost traumatic to swallow: despondency never tasted so real." They named it the twelfth best album of the 1990s. In 2014, Spiderland was reissued as a box set, featuring 14 previously unreleased tracks, and received widespread critical acclaim; it holds an average score of 99 out of 100 at Metacritic, based on 11 reviews from mainstream publications.
Question: What was given ten stars?
answer:
Spiderland.