In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Example Input: The Ring was made from the only screenplay Hitchcock wrote himself and it deals, as many of his earliest pictures do, with a love triangle. At first glance, it looks like a more cynical update of the infidelity-themed morality comedies of Cecil B. De Mille, but more than that it is the first really competent Hitchcock picture. Even if he was not yet using the ideas and motifs of suspenseful thrillers, he was at least developing the tools with which to create suspense.As well as being a student of the German Expressionist style, the rhythmic editing style of Sergei Eisenstein had had its impact upon Hitchcock. But here he keeps tempo not just with the edits but with the content of the imagery. This is apparent from the opening shots, where spinning fairground rides brilliantly establish a smooth tempo. And like Eisenstein, the editing style seems to suggest sound for example when a split-second shot of the bell being rung is flashed in, we almost subconsciously hear the sound because the image is so jarring.There is also a contrast, particularly with silent films from the US, in that The Ring is not cluttered up with too many title cards. As much as possible is conveyed by imagery, and Hitch has enough faith in the audience to either lip-read or at least infer the meaning of the bulk of the characters' speech. And it's not done by contrived symbolism or overacting, it's all done by getting the right angles and the right timing, particularly with point-of-view shots, as well as some strong yet subtle performances. There are unfortunately a few too many obvious expressionist devices (particularly double exposures), many of which were unnecessary, but there is far less of this than there is in The Lodger.Let's make a few honourable mentions for the aforementioned actors. First up, the stunningly handsome and very talented Carl Brisson in the lead role. In spite of his talent I was at first a bit confused as to why he got the role, as to be honest he looks more like a ballet dancer than a pugilist! But that just goes to show how much I know, as it turns out Brisson was in fact a former professional boxer and inexperienced in acting. Playing his rival is the competent Ian Hunter, who would go on to have a lengthy career in supporting roles right up to the 60s. The most demanding role in The Ring has to be that given to Lillian Hall-Davis, torn between two lovers. She pulls it off very well however with an emotive, understated performance, and it's a shame her career never lasted in the sound era. And last but not least the great Gordon Harker provides some comic relief in what is probably his best ever role.The Ring's climactic fight scene is among the most impressive moments of silent-era Hitchcock. Martin Scorcese may have had his eye on The Ring when he directed the fight scenes in Raging Bull, as his watchword for these scenes was "Stay inside the ring". The fight in The Ring starts off with some fairly regular long shots, but when the action intensifies Hitchcock drops us right in the middle of it, with close-ups and point-of-view shots. Hitchcock's aim always seems to have been to involve his audience, and this was crucial in his later career where the secret of his success was often in immersing the viewer in the character's fear or paranoia.The Ring really deserves more recognition than the inferior but better known The Lodger. It's a much more polished and professional work than the earlier picture, and probably the best of all his silent features.
Example Output: positive

Example Input: There are many adaptations of Charlotte Bronte's classic novel "Jane Eyre", and taking into consideration the numerous reviews written about them there is also a lively discussion on which of them is the best. The short film adaptations all suffer from the fact that it is simply not possible to cram the whole plot of the novel into a movie of about a 100 min. length, consequently these movies only show few parts of the novel. The TV series have proved to be a more suitable format to render all the different episodes of the heroine's life.There are three TV mini series, released in '73, '83 and 2006. The 2006 version is not only the worst of these three, but the worst of all Jane Eyre adaptations and a striking example of a completely overrated film. The novel's beautiful lines are substituted by insipid and trivial ones, and crucial scenes are either deleted or replaced by scenes which have nothing whatever to do with the novel. What it all leads to then is that the characters portrayed have not only nothing in common with the Rochester and Jane of the novel and behave in exactly the opposite way as described in the book, but that also their behaviour and language is absolutely not consistent with the behaviour of the period in which the novel is set. It is a silly soap opera, in which the actors look and act as if they had been put in the costumes of the 1850ies by mistake. This "Jane Eyre" (as it dares to call itself) is indeed a slap in the face of Charlotte Bronte.The 1973 version is very faithful to the novel in that the long dialogues between Mr. Rochester and Jane are rendered in nearly their full length. But what works beautifully in the novel does not necessarily work beautifully on the screen. At times the language of the novel is too complex and convoluted as to appear natural when spoken on screen, and the constant interruptions of the dialogues by Jane's voice-overs add to the impression of artificiality and staginess. And despite the faithfulness to the novel the essence of the scenes is not captured. Another problem is the casting of the main characters. Sorcha Cusack's portrayal of Jane as a bold, self-confident, worldly-wise young woman is totally at odds with the literary model, and Michael Jayston, although a good actor, does simply not possess the commanding physical presence nor the charisma necessary to play Rochester. Although a decent adaptation it simply fails to convey the passion and intensity of the novel and never really captivates the audience.All the faults of the '73 version stand corrected in the TV mini series of '83 with Timothy Dalton and Zelah Clarke. Although from a purist's point of view Timothy Dalton is too handsome, tall and lean to be Rochester, he possesses the essential qualities for the role: He has an imposing physical presence, great magnetism and an air of self-assurance and authority. And despite his undeniable handsomeness he looks grim and stern enough to play the gloomy master of Thornfield convincingly. But the excellence of his performance lies in the way he renders all the facets of Rochester's character. Of all the actors who have played Rochester he is the only one to capture them all: Rochester's harshness, nearly insolence, his moodiness and abruptness, as well as his humorous side, his tenderness, his solicitude and deep, frantic love. Dalton's handling of Charlotte Bronte's language is equally superb. Even Rochester's most far-fetched and complicated thoughts ring absolutely true and natural when Dalton delivers them. He is the definitive Rochester, unsurpassed and unsurpassable, and after watching him in this role it is impossible to imagine Rochester to be played in any other way or by any other actor.Zelah Clarke delivers an equally excellent performance in a role that is possibly even more difficult to play well than the one of Rochester. She portrays exactly the Jane of the novel, an outwardly shy, reserved and guarded young woman, but who possesses a great depth of feeling and an equally great strength of will. She catches beautifully the duality in Jane's character: her modesty and respectfulness on the one hand, and her fire and passion on the other, her seeming frailty and her indomitable sense of right and wrong. She and Dalton have wonderful chemistry and their scenes together are pure delight.As regards faithfulness to the literary model this version also quotes verbatim from the novel as does the '73 version, but with one important difference: The dialogues are shortened in this version, but the core lines which are essential for the characterisation of the protagonists and the development of the plot are rendered unchanged. Thus the scriptwriter avoided any artificiality of speech, while still fully preserving the beauty and originality of Charlotte Bronte's language. And in contrast to the earlier BBC version the essence of each scene is perfectly captured.The plot of the novel is followed with even greater accuracy than in the '73 series. It is nearly a scene for scene enactment of the novel, where equal time and emphasis is given to each episode of Jane's life. It is the only Jane Eyre adaptation that has a gypsy scene worthy of the novel, and the only one which does full justice to the novel's pivotal and most heartrending scene when Jane and Rochester meet after the aborted wedding. Timothy Dalton in particular plays that scene with superb skill. He renders with almost painful intensity Rochester's anguish as he realizes Jane's resolution to leave him, his frantic attempts to make her stay and his final despair as she indeed leaves him. It is a heartbreaking, almost devastating, scene, which will stay with the viewer for a long time.With even the smaller roles perfectly cast, an excellent script and two ideal leading actors this is the definitive and only true "Jane Eyre".
Example Output: positive

Example Input: Just got through watching this version of "Samhain", and even though I still like it, it's nothing like the "rough cut" version I have. If you check the message board, you'll see an apology from the director for this cut down version, 79 minutes., and he says he had nothing to do with this R-rated trimmed down edit with a completely new screwed up ending. Christian really doesn't need to distant himself that much, because the basic gore elements still stand up, even though highly trimmed down. This is a damn shame, because this had the potential of being one of the goriest and best gore films in years. It still has the porn stars, and the inbreds, and some of the extreme gore can at least be partially seen. I'm just glad I have that "rough cut", because to me, it's a jewel for any gorehounds library. Christian Viel definitely has the skill and vision to deliver the goods, and hopefully his next project will be better produced. The idiots had a near classic in their hands, and screwed it up for everybody. "Samhain" may be one of the most controversial and mishandled horror movies ever, and too bad gorehounds didn't get to see what the director intended.********************************************* Just so you know what you missed, this is my review based upon the "work print" of SAMHAIN.The movie runs a little over 90 minutes and has no chapter stops. There is absolutely NO music soundtrack, and some of the scenes have no audio on the dialog, because I think they are meant to be looped in later. However, most of the movie does have audio with sound affects, and when an effect or scene is missing, a message appears as a cue for insertion when the movie is completed. It's exactly as it says, a "Rough Cut", BUT the only uncut version of "Samhain" you are ever likely to see. Reason, because the gore is extremely graphic, much more than even an NC-17 would allow. Yes there are a few porn stars, but they are just there for the killing, and to add a little sugar and spice. The story is pretty standard, American tourists on a vacation in Ireland and end up staying in a home in the middle of the woods. An area that is heavy on folklore, involving the ancient Druids and the celebration of Samhain, or as we call it Halloween. (spooky)The movie starts off with a HUGE dose of gore, as a camping couple is attacked by one of the local inbred mutants. This is a great gore scene, as the guy find his girl hanging from a cliff, with her crying for help. All he sees is her head, arms, and shoulders hanging in front of him and when he pulls her up, she has been completely sliced in two. This is what I would call EXTREME GORE, with entrails, blood, and severed limbs all over the place. We are in Herschell Gordon Lewis territory here folks, except the effects look much more realistic. I'm going to just skip the story, because it's your standard stalk and kill plot.The next gore scene is something to behold, as the boyfriend from the first killing is taken to a cave like location (TCM-2 stuff), and bound to a table. This geek then cuts all of his limbs off (off camera, with a cue to insert a scene), and then we see his torso on a barbecue pit, turning slowly over a fire, and the torso has a hard-on (if you can believe that). Yes, very bad taste, gross, gruesome, you find the right word, and it will probably fit too.Then later Jenna Jameson, her beautiful body and all, is cut from neck to crotch, and all her entrails are pulled out in graphic glee, and her blood drains into a pot. Yummy, a real turn on huh?But the best gore scene happens inside the house, and I have to admit, this is one of the best gore scenes I have seen. This guy (doesn't matter who) is caught from behind from a geek, and cut open at the ass hole. The geek then puts his hands in and rips out all the guys entrails, intestines, and what the hell ever else there is, right from his asshole. This goes on FOREVER, as the guy is screaming and more and more innards are pulled out laying all over the bathroom floor. This is so extreme, so over the top, that I found myself laughing all to hell. Obviously, you will NEVER EVER see this scene on a proper DVD, IMO, along with most of the other really extreme gore scenes.So, what to think of all of this. Well, first of all, even though I doubt this movie would ever be released in this totally uncut presentation, it makes this "Rough Cut" a rare jewel for gorehounds. Yes, it's a little difficult at first, with no soundtrack, a few scenes to still be inserted, and credits that have missing names all over the place. But that's what makes this so unique, and I wouldn't trade it for anything right now. Extreme gore, yes yes, extreme extreme gore. This makes "Haute Tension" look like a Disney movie.
Example Output:
positive