input: In 2006, Quaid, who acted in Brokeback Mountain, sued the producers for misrepresenting the film as "a low-budget, art house film with no prospect of making money" in order to secure Quaid's professional acting services at below-market rates. In 2009, Quaid and his wife were arrested for allegedly defrauding an innkeeper in Santa Barbara by using an invalid credit card to pay a $10,000 bill. The two were released on bail that evening and subsequently paid most of the bill. However, they repeatedly failed to appear in court and warrants were issued for their arrest. They eventually appeared in court the following year where the case was dismissed against Randy Quaid for lack of evidence. His wife, Evi, pleaded no contest to a misdemeanor count of fraud and was placed on probation for three years in addition to having to spend 240 hours in community service. In September 2010 Quaid and his wife were charged with burglary after they spent five days occupying the guest house in a vacant home they once owned in Santa Barbara. The Quaids claimed that the home was wrongfully transferred to a third party by the use of the forged signature. Warrants for their arrest were issued after they failed to appear in court, and as a result, they also forfeited their bail. In October 2010, Quaid and his wife moved to Vancouver, Canada, where they were arrested for their outstanding warrants in the U.S. They then sought protection under the Canadian Immigration and Refugee Protection Act, stating that they feared for their lives in the United States. They were granted bail, after which Quaid gave a press interview. In January 2013, however, Canada denied his request for permanent resident status. Quaid lived in Montreal since 2013 and was briefly arrested for not checking in as a non-resident. He then crossed the Canadian border into Vermont, but was detained by U.S. Customs. A few days later Quaid was released and allowed to remain in Vermont without conditions, though still subject to arrest should he travel to another state. He and his wife planned to make Vermont their permanent home since his wife grew up there.

Answer this question "Were there any other issues?"
output: In September 2010 Quaid and his wife were charged with burglary after they spent five days occupying the guest house in a vacant home they once owned

input: The character of Daphne was introduced to Neighbours as a "saucy stripper with a heart of gold." In their 1989 book, The Neighbours Factfile, Neil Wallis and Dave Hogan wrote that Daphne came from a rich, but uncaring family. They were rarely mentioned on-screen, making her past somewhat of a mystery. Daphne had received a good education and worked in an office as a secretary, until she told her sexist boss to "jump in a lake." Daphne then chose to become a stripper rather than ask her mother, Tina (Beverley Dunn), for a loan. Of Daphne's profession as a stripper, Smith explained "The whole point of Daphne being a stripper is that she's completely counter to the black stockings and garters cliche. She's a bright girl from a good background who gets fed up with being ogled and pinched by men in her secretarial job and says, right I might as well make some money out of it." With her spiky hair and bright clothing, Daphne stood out from other female characters on television at the time. She was portrayed as a strong, smart and independent woman. She was often shrewd and "a warm friend" to those around her. Tony Johnston, author of Neighbours: 20 years of Ramsay Street stated that Daphne had "an appealing mix of cheek, savvy and the-girl-next-door." She was a woman in charge of her own life, which helped her to become the serial's first "sweetheart." Smith told Kingsley that her favourite aspects of Daphne's personality were her confidence and stubborn streak. Smith also commented that Daphne wore "zanier clothes" than she did and was more outgoing. The fact that she embodied a "no-nonsense approach" to life and was not embarrassed by her profession as a stripper, meant Daphne became an immediate favourite with viewers. The way she treated the serial's teenagers as adults also endeared her to the younger viewers. Daphne gave up her career as a stripper to run the coffee shop, which her grandfather Harry Henderson (Johnny Lockwood) gave to her, after he won it in a poker game. Kingsley commented that Daphne ran the business like "a pro". Daphne's position in the coffee shop meant that customers often confided in her and she helped mediate between several parents and their children. She also gained the trust and affection of the teenage characters, most notably Mike Young (Guy Pearce), who she took under her wing, later becoming his legal guardian.

Answer this question "Is she well-liked by the other characters on the program?"
output: The way she treated the serial's teenagers as adults also endeared her to the younger viewers.

input: Gingold's adult stage career was slow to take off. She played Liza in If at the Ambassador's in May 1921, and the Old Woman in Ben Travers's farcical comedy The Dippers produced by Sir Charles Hawtrey at the Criterion in August 1922. In 1926 Gingold divorced from Joseph. Later in the same year she married the writer and lyricist Eric Maschwitz, whom she divorced in 1945. She underwent a vocal crisis in the late 1920s and early 1930s: she had hitherto described herself as "Shakespearian and soprano", but nodules on her vocal cords brought a drastic drop in pitch, about which she commented, "One morning it was Mozart and the next 'Old Man River'". The critic J. C. Trewin described her voice as "powdered glass in deep syrup". During this period she broadcast frequently for the BBC and established herself at the experimental theatre-club the Gate Theatre Studio in London, first as a serious actress and later in the genre for which she became famous, revue. According to The Times it was in Spread It Abroad (1936) a revue at another theatre, the Saville, with material by Herbert Farjeon that she truly found her milieu. In the ten years from 1938 Gingold concentrated on revue, appearing in nine different productions in the West End. The first four were The Gate Revue (transferred from the Gate to the Ambassador's, 1939), Swinging the Gate (1940), Rise Above It (1941) and Sky High (1942). During this period she and Hermione Baddeley established a stage partnership of what The Times called "briskly sustained mock-rivalry". In June 1943 she opened in a revue at the Ambassadors, Sweet and Low, which was continually revised and refreshed over a run of almost six years, first as Sweeter and Lower and then Sweetest and Lowest. In her sketches she tended, as the writer of the shows, Alan Melville, recalled, to portray "grotesque and usually unfortunate ladies of dubious age and occasionally, morals; the unhappy female painted by Picasso who found herself lumberered with an extra limb or two ... the even less fortunate female who, after years of playing the cello in Palm Court orchestras, ended up bow-legged beyond belief." In a biographical sketch, Ned Sherrin writes, "Gingold became a special attraction for American soldiers and 'Thanks, Yanks' was one of her most appropriate numbers. During the astringent, name-dropping 'Sweet' series, she played 1,676 performances, before 800,000 people, negotiating 17,010 costume changes."

Answer this question "Did she appear in more than one play?"
output:
Criterion in August 1922.