Alexander II's death caused a great setback for the reform movement. One of his last ideas was to draft plans for an elected parliament, or Duma, which were completed the day before he died but not yet released to the Russian people. In a matter of 48 hours, Alexander II planned to release his plan for the duma to the Russian people. Had he lived, Russia might have followed a path to constitutional monarchy instead of the long road of oppression that defined his successor's reign. The first action Alexander III took after his father's death was to tear up those plans. A Duma would not come into fruition until 1905, when Alexander II's grandson, Nicholas II, commissioned the Duma following extreme pressure on the monarchy as a result of the Russian Revolution of 1905. The assassination triggered major suppression of civil liberties in Russia, and police brutality burst back in full force after experiencing some restraint under the reign of Alexander II, whose death was witnessed first-hand by his son, Alexander III, and his grandson, Nicholas II, both future emperors who vowed not to have the same fate befall them. Both of them used the Okhrana to arrest protestors and uproot suspected rebel groups, creating further suppression of personal freedom for the Russian people. A series of anti-Jewish pogroms and antisemitic legislation, the May Laws, were yet another result. Finally, the tsar's assassination also inspired anarchists to advocate "'propaganda by deed'--the use of a spectacular act of violence to incite revolution." With construction starting in 1883, the Church of the Savior on Blood was built on the site of Alexander's assassination and dedicated in his memory.
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QUESTION: The Okhrana were utilized by which two tsars in an attempt to not befall the same fate as Alexandar II?

Hotel California My first thought: I was going crazy. Twenty-four hours of silence (vacuum, remember); was I hallucinating noises now? I heard it again. It was a fine bell, reminiscent of ancient stone churches and the towering cathedrals I'd seen in documentaries. And accompanying the bell, I saw a light. Now, there were two things here that made ridiculously small amounts of sense. First, the whole in-a-vacuum why's-there-a-bell thing. Second, I was floating in the dark remnants of my broken ship, and any conceivable light sources were not within view; starlight is a distinctly different color and significantly less bright. These signals were the heralds of my saviors. The first words they said to me meant nothing. I wasn't listening; I didn't care; I was going to live; I was going to keep breathing. Next to those, nothing else mattered. The recycled air tasted sweet in my mouth, and all thoughts that crossed my mind were cheap metaphors about life-giving substances and how breathing was like sex, only better. (I reserved the right to revise this opinion later.) When I was done mentally exclaiming over my impossible rescue, I looked around. The ship, it was odd and old, either so outdated or so heavily modified that I couldn't tell what make it was, and somehow, the crew standing around me fit the same description, a singularly atypical amalgamation of folk. And me, I guess I was one more piece in their puzzle. I was one more scrap to weld onto the rest, one more stranded survivor who was found. I was now one of them.
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QUESTION: Why did the writer think he was going crazy?

Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.
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QUESTION: Durer secured his reputation in Northern Europe by the knowledge of what specific artists?

The letterhead on correspondence still bears the Bexar County Legal Aid name, even though the organization is no longer. Texas Rural Legal Aid - known for its fearless and sometimes controversial advocacy of the poorest of the poor - last week took over four other corporations serving the legal needs of the indigent in Southwest Texas, including the one in Bexar County. The new 68-county legal aid organization has yet to be named and stretches from El Paso to Corpus Christi, Harlingen to Austin. The leader for the super-sized law firm has big plans. "I'm more interested in looking at what we as advocates can do to address the serious problems of poverty than the number of cases we close," said David Hall, the TRLA executive director. In the Rio Grande Valley, Hall's attorneys set up separate groups to assist small-business owners and residents with low-interest loans and legal representation. They also operate a legal arm that assists migrant workers from Texas to Kentucky. Now, Hall said, he wants to make services to the poor more efficient by working with law students who will handle less complicated legal matters, allowing licensed attorneys to take more "high impact" cases to court. "What we need to do is handle cases as efficiently as we can, leveraging the amount of time of the lawyer that goes in there and maximizing the number of people that they can help at one time," Hall said. His plan is to place the 110 attorneys on staff in teams working on specialized legal issues. He wants to expand the law clinic it already has with St. Mary's University Law School to involve students at the University of Texas Law School. The law students at St. Mary's interview potential clients, assist them with filling out legal documents and answer the telephones for the legal hotline, freeing up TRLA lawyers to handle the complicated cases, Hall said. By the end of September, Hall said all the attorneys working with the poor in the 68county area will be placed on the same computer network so they can pass cases to the best available attorneys. Last year, board members on the former Legal Aid of Central Texas and Bexar County Legal Aid resisted the merger, saying that the mergers were done illegally and without the input of board members. They also argued that Hall's litigious style hampered their ability to garner funds from Congress. TRLA generated controversy in 1996, when its attorneys challenged the rights of 800 military personnel to vote in Val Verde County elections by absentee ballot after a former Ku Klux Klan member won a county commissioner post. Brendan Gill, the former executive director of the Bexar County group, said he has since come to see the merger as a positive move for South Texas. "I always knew there were good points to merging, just as I knew that there were bad points," Gill said.
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QUESTION:
What are the functions of Hall's firms in the Rio Grand Valley?