input: Storm and the Hurricanes were the headlining group at the first "Beat Night", in the Orrell Park Ballroom, in March 1961. They were also invited for a season at the Butlins camp in Skegness in Lincolnshire. Sam Leach (a Liverpool promoter) arranged a series of dance nights at the Palais Ballroom in Aldershot, starting on 9 December 1961. The first Saturday featured The Beatles, but as the local newspaper forgot to run the advertisement only 18 people turned up. The second Saturday was arranged for Rory Storm and the Hurricanes to perform, and as it was advertised this time, 210 people paid to get in. Leach's idea was to attract London agents to watch the series of concerts, but when he realized they would never travel out of London he abandoned the idea. Starr considered leaving Storm at that time to join Derry and the Seniors, but accepted a job with Tony Sheridan at the Top Ten Club on 30 December 1961, as Sheridan's offer of more money, a flat and a car was too good to refuse. Starr's stay with Sheridan was short-lived, as he found Sheridan's habit of changing the set list without telling his backing group beforehand frustrating, so he rejoined the Hurricanes. On 5 February 1962, Best fell ill and the Beatles had to play a lunchtime concert at the Cavern and an evening concert at the Kingsway club in Southport. As the Hurricanes had no concert that day Starr played with them live on stage for the first time (although he had recorded with them in Hamburg). During a Hurricanes' residency at Butlins, Lennon and McCartney drove from Liverpool to Skegness, on 15 August 1962, to ask Starr to join the Beatles. Shortly before, Starr had agreed to join Kingsize Taylor in Hamburg, as Taylor was offering PS20 a week (equivalent to PS400 in 2018), but Lennon and McCartney offered PS25 a week (equivalent to PS500 in 2018), which Starr accepted. Lennon and McCartney offered Storm to swap drummers (with Best replacing Starr) but Best rejected the idea. According to Epstein in his autobiography, Storm was, "One of the liveliest and most likable young men on the scene ... was very annoyed when Ringo left and he complained to me. I apologized, and Rory, with immense good humor said, 'Okay. Forget it. The best of luck to the lot of you'". The Hurricanes then became known for having a succession of drummers, including Gibson Kemp, Brian Johnson, John Morrison, Keef Hartley (August 1963), Ian Broad and Trevor Morais, who all stayed with the group for a short period before leaving. Despite Starr joining the Beatles, both groups would perform on the same bill during 1962, and at many concerts thereafter. In 1962, both groups performed together at St Patrick's Night Rock Gala (Knotty Ash Village Hall) Queen's Hall (Widnes) and with Little Richard at the Tower Ballroom. In 1963, Storm and the Hurricanes were filmed as part of the "Beat City" documentary, which was broadcast by Associated-Rediffusion Television.

Answer this question "Who performed along with Storm and the Hurricanes at the first Beat Night?"
output:

input: Edwards resigned from coaching in 1969, when he was 63 years old, although he continued to work at Wittenberg as the school's athletic director. Dave Maurer, his long-time assistant, took over as the school's coach. By the end of his career, Edwards's 168-45-8 overall college record gave him the second-best winning percentage in the country among active coaches with at least 100 wins. Edwards was given a commendation by President Richard Nixon for his achievements as a coach and won a Football Writers Association of America award for contributions to the game. "His retirement is Wittenberg's loss, but more than that, it is college football's loss," University of Alabama coach Bear Bryant said at the time. Edwards retired in February 1973 after 39 years as a coach and administrator and said he would concentrate on hunting and fishing. He was inducted into the Ohio Football Coaches Association Hall of Fame in 1979, Wittenberg's Athletics Hall of Honor in 1985 and into the College Football Hall of Fame in 1986. He was also inducted into the Western Reserve Hall of Fame and the Vanderbilt Hall of Fame in 1986. Edwards died in 1987. He and his wife Dorothy had three children. The tough but compassionate approach to coaching Edwards espoused influenced many men who worked under him, including Maurer, who led Wittenberg to a 129-23-3 record between 1969 and 1983. Wittenberg's football stadium is named Edwards-Maurer Field in honor of both head coaches. The winner of the Wittenberg-Case Western Reserve football game receives the Bill Edwards Trophy. Edwards was also close with Steve Belichick, who played for him at Western Reserve and for the Detroit Lions and later served as an assistant under him at Vanderbilt and North Carolina. Belichick's son Bill was named after Edwards, who was also Bill's godfather. Bill Belichick later became an assistant coach in the NFL and is the head coach of the New England Patriots as of 2018. At what is now known as Case Western Reserve University, the football stadium, DiSanto Field, hosts its distinguished guests inside the Coach Bill Edwards President's Suite.

Answer this question "what was his impact while the school's athletic director?"
output: Wittenberg's Athletics Hall of Honor in 1985

input: Lanza returned to an active film career in 1955 in Serenade, released by Warner Bros. However the film was not as successful as his previous films, despite its strong musical content, including arias from Der Rosenkavalier, Fedora, L'arlesiana, and Otello, as well as the Act I duet from Otello with soprano Licia Albanese. Ms. Albanese said of Lanza in 1980: I had heard all sorts of stories about Mario [Lanza]. That his voice was too small for the stage, that he couldn't learn a score, that he couldn't sustain a full opera; in fact, that he couldn't even sing a full aria, that his recordings were made by splicing together various portions of an aria. None of it is true! He had the most beautiful lirico spinto voice. It was a gorgeous, beautiful, powerful voice. I should know because I sang with so many tenors. He had everything that one needs. The voice, the temperament, perfect diction. ... Vocally he was very secure. All he needed was coaching. Everything was so easy for him. He was fantastic! He then moved to Rome, Italy in May 1957, where he worked on the film Seven Hills of Rome, and returned to live performing in November of that year, singing for Queen Elizabeth II at the Royal Variety Show at the London Palladium. From January to April 1958, Lanza gave a concert tour of the UK, Belgium, the Netherlands, France and Germany. He gave a total of 22 concerts on this tour, receiving mostly positive reviews for his singing. Despite a number of cancellations, which resulted from his failing health during this period, Lanza continued to receive offers for operatic appearances, concerts, and films. In September 1958, he made a number of operatic recordings at the Rome Opera House for the soundtrack of what would turn out to be his final film, For the First Time. It was then that he came to the attention of that opera house's artistic director, Riccardo Vitale, who promptly offered the tenor carte blanche in his choice of operatic roles. Lanza also received offers to sing in any opera of his choosing from the San Carlo in Naples. At the same time, however, his health continued to decline, with the tenor suffering from a variety of ailments, including phlebitis and acute high blood pressure. His old habits of overeating and crash dieting, coupled with binge drinking, compounded his problems.

Answer this question "what was one of the stories she heard about him?"
output:
That his voice was too small for the stage, that he couldn't learn a score, that he couldn't sustain a full opera;