You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Input: Consider Input: The story follows the unnamed protagonist and his irrational hatred of John Claverhouse, a man with a "moon-face". The protagonist clearly states that his hatred of him is irrational, saying: "Why do we not like him? Ah, we do not know why; we know only that we do not. We have taken a dislike, that is all. And so I with John Claverhouse." The protagonist becomes obsessed with Claverhouse, hating his face, his laugh, his entire life. The protagonist observes that Claverhouse engages in illegal fishing with dynamite and hatches a scheme to kill Claverhouse.
The protagonist teaches a dog, Bellona, to do one thing and one thing only, retrieval, with emphasis on water retrieving and taking the stick back to the thrower no matter where they were. Claverhouse is presented with Bellona before his upcoming trout fishing trip. The protagonist observes from a distance with glee as Claverhouse lights a stick of dynamite and throws it into the water. Bellona, trained to retrieve, fetches the explosive. Claverhouse runs from the dog in futility until "just as she caught up, he in full stride, and she leaping with nose at his knee, there was a sudden flash, a burst of smoke, a terrific detonation, and where man and dog had been the instant before there was naught to be seen but a big hole in the ground."
The death is ruled an accident while engaged in illegal fishing. The protagonist takes pride in killing Claverhouse with no mess or brutality and lives in peace.

Output: What is the name of the protagonist?

Input: Consider Input: The story begins with a song which serves as prologue; and then prose takes up the narrative, telling how Aucassin, son of Count Garin of Beaucaire, so loved Nicolette, a Saracen maiden, who had been sold to the Viscount of Beaucaire, baptized and adopted by him, that he had forsaken knighthood and chivalry and even refused to defend his father's territories from enemies. Accordingly, his father ordered the Viscount to send Nicolette away, but the Viscount locked her in a tower of his palace instead. Aucassin is imprisoned by his father to prevent him from going after his beloved Nicolette. But Nicolette escapes, hears Aucassin lamenting in his cell, and comforts him with sweet words. She flees to the forest outside the gates, and there, in order to test Aucassin's fidelity, builds a rustic home to await his arrival. When he is released from prison, Aucassin hears from shepherd lads of Nicolette's hiding-place, and seeks her bower. The lovers, united, resolve to leave the country. They board a ship and are driven to the (fictional) kingdom of "Torelore", whose king they find in child-bed, while the queen is with the army. After a three years' stay in Torelore they are captured by Saracen pirates and separated. Contrary winds blow Aucassin's boat back to Beaucaire, where he succeeds to Garin's estate, while Nicolette is carried to "Cartage" (perhaps a play on Carthage or Cartagena). The sight of the city reminds her that she is the daughter of its king, and a royal marriage is planned for her. But she avoids this by disguising herself in a minstrel's garb and sets sail for Beaucaire to rejoin her beloved Aucassin. There, before Aucassin who does not immediately recognize her, she sings of her own adventures, and in due time makes herself known to him.

Output: How does Nicolette escape this wedding?

Input: Consider Input: The dramatists chose to portray only the beginning of the story of Caesar and Cleopatra in their play; they concentrate on the events of 48 BC. The play is set in Egypt; at its start, the Pharaoh Ptolemy XIII has sequestered his sister/wife/queen Cleopatra and has assumed sole rule of the kingdom, and the Battle of Pharsalia has not yet occurred. By the play's end, Caesar has deposed Ptolemy and placed Cleopatra in sole possession of the Egyptian crown. The play's Prologue specifically states that the work shows a virginal "Young Cleopatra...and her great Mind / Express'd to the height...." Some of the famous aspects of the story are reproduced in the play: Cleopatra has herself delivered to Caesar in Act III, though enclosed in a "packet" rather than rolled up in a rug.
The playwrights chose to concentrate much of their attention on the figure of Lucius Septimius, the Roman officer who betrayed, murdered, and decapitated Pompey the Great when Pompey landed in Egypt after his Pharsalia defeat (events depicted in Act II). Septimius is the "false one" of the title, and his prominence comes close to turning the work into a "villain play." Yet Septimius is portrayed as lacking any redeeming or sympathetic quality, making him a weak prop on which to mount a drama. The authors' choice in this matter may have been dictated by their desire to comment on contemporaneous political events; in this interpretation, the Pompey of the play represents Sir Walter Raleigh, executed in 1618, while the loathsome reprobate Septimius stands for Raleigh's primary accuser, Sir Lewis Stukeley.
Critics have seen the influence of Shakespeare's Antony and Cleopatra in The False One, and have suggested that the portrayal of Septimius was partially modelled on Shakespeare's Enobarbus. The False One is heavily dominated by political material, rather than dramatic realisations of its characters; for some critics, the split in the play's focus among Cleopatra, Caesar, and Septimius prevents the play from cohering into an effective dramatic whole.
Output: How does material in The False One differ from that in Antony and Cleopatra?