The answer to the question: Which church featured an L-shaped narthex? is inside the article: The existence of 400 churches has been recorded throughout the kingdom; most have yet to be located. Only seven have been identified so far, given the simple names of church "A", "B", "C", "E", the "Mound C" church in Soba, the church in Saqadi and the temple-church in Musawwarat as-Sufra. Churches "A""C" as well as the "Mound C" church were basilicas comparable to the largest Makurian churches. The Saqadi church was an insertion into a pre-existing structure. Church "E" and the church of Musawwarat es-Sufra were "normal" churches. Thus, the known Alodian houses of worship can be categorized into three classes. On "Mound B" in Soba lay the standalone complex of the three churches "A", "B" and "C". Churches "A" and "B", both probably built in the mid-9th century, were large buildings, the first measuring 28 m 24.5 m (92 ft 80 ft) and the second 27 m 22.5 m (89 ft 74 ft). Church "C" was much smaller and built after the other two churches, probably after c. 900. The three churches had many similarities, including having a narthex, wide entrances on the main east-west axis and a pulpit along the north side of the nave. Differences are evident in the thickness of the bricks used. Church "C" lacked outer aisles. It seems probable that the complex was the ecclesiastical center of Soba, if not the entire kingdom. Church "E", on a natural mount, was 16.4 m 10.6 m (54 ft 35 ft) in size (and like all red brick structures in Soba heavily robbed). Its layout was unusual, such as its L-shaped narthex. The roof was supported by wooden beams resting on stone pedestals. The internal walls used to be covered by painted whitewashed mud; the external walls were rendered in white lime mortar.The "Mound C" church, perhaps the oldest of the churches of Soba, was around 13.5 m (44 ft) in length. It was the only Alodian church known to have incorporated stone columns. Very little remains of it and its walls, probably made of red bricks, have completely disappeared. Five capitals have been noted, belonging to a style..., can you guess it ?
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Answer: Church "E"

The answer to the question: What is the full name of the person who shocked Barbirolli with his levity? is inside the article: Barbirolli is remembered as an interpreter of Elgar, Vaughan Williams and Mahler, as well as Schubert, Beethoven, Sibelius, Verdi and Puccini, and as a staunch supporter of new works by British composers. Vaughan Williams dedicated his Seventh and Eighth Symphonies to Barbirolli, whose nickname, "Glorious John", comes from the inscription Vaughan Williams wrote at the head of the score of the Eighth: "For glorious John, with love and admiration from Ralph." Barbirolli did not disdain lighter repertoire. The music critic Richard Osborne wrote that, if all Barbirolli's recordings were to be lost except that of Lehar's Gold and Silver Waltz, "there would be reason enough to say, 'Now, there was a conductor!'"Barbirolli's repertoire was not as wide as that of many of his colleagues because he insisted on exhaustive preparation for any work he conducted. His colleague Sir Adrian Boult liked and admired Barbirolli but teased him for his meticulousness: "We can't all be like you and spend months studying these things and then have days of rehearsals before we conduct them. For some of us they're only sporting events." Barbirolli was shocked by such levity. His approach was illustrated by the care he took with Mahler's symphonies. His biographer Michael Kennedy commented, "it is ironical that the effort of composing the symphonies shortened Mahler's life; interpreting them certainly put an enormous strain on Barbirolli in his last decade." He found that mastering a Mahler symphony took between 18 months and two years, and he would spend hours meticulously bowing all the string parts in preparation for his performances. His first performance of Mahler's Ninth took nearly 50 hours of rehearsal., can you guess it ?
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Answer: Sir Adrian Boult

The answer to the question: What is the name of the daughter of the benefit organizer? is inside the article: When the children of American astronauts choose "Herman's Hermits" as the "good luck name" of the next Gemini space capsule, NASA scientist Edward Lindquist is sent by U.S. State Department official Colby Grant to shadow the band on tour. His orders are to find out all he can about them to stave off a "P.R. nightmare". (Grant fears that putting the band's name on the rocket will make the world think the U.S. is "still a colony of Great Britain".) Aspiring starlet Cecilie Bannister hires a publicity agent and photographer to take photos of her with Herman and the band, sure that this publicity boost will get her a new contract with a movie studio. They take an unflattering picture during a riot of teenage girls at Los Angeles International Airport but the misleading story in the newspapers leads Lindquist to believe that Bannister is an "old friend" of Herman's. Likewise, Bannister believes that Lindquist is a writer and part of the band's entourage as they pump each other for information about the band that neither of them really has. Herman and his bandmates, mobbed wherever they appear, are sequestered in their rooms at the Miramar Hotel by their manager, Dudley, in advance of a charity benefit performance. Herman sees teens playing on the beach and wishes he could be one of them, meet the girl of his dreams, and fall in love. Mrs. Page, the benefit organizer, introduces Herman to her daughter, Louisa, who offers to show him the sights of Los Angeles. Denied by Dudley, Herman and the Hermits sneak off to Pacific Ocean Park where they split up, reasoning correctly that if they don't stick together, nobody will recognize them. Herman finds Louisa and falls in love while the other band members explore the park. Believing that the boys have been kidnapped, Dudley calls in the police., can you guess it ?
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Answer:
Louisa