input: Mantle was invited to the Yankees instructional camp before the 1951 season. After an impressive spring training, Yankees manager Casey Stengel decided to promote Mantle to the majors as a right fielder instead of sending him to the minors. Mickey Mantle's salary for the 1951 season was $7,500. Mantle was assigned uniform #6, signifying the expectation that he would become the next Yankees star, following Babe Ruth (#3), Lou Gehrig (#4) and Joe DiMaggio (#5). Stengel, speaking to SPORT, stated "He's got more natural power from both sides than anybody I ever saw." Bill Dickey called Mantle "the greatest prospect [he's] seen in [his] time." After a brief slump, Mantle was sent down to the Yankees' top farm team, the Kansas City Blues. However, he was not able to find the power he once had in the lower minors. Out of frustration, he called his father one day and told him, "I don't think I can play baseball anymore." Mutt drove up to Kansas City that day. When he arrived, he started packing his son's clothes and, according to Mantle's memory, said "I thought I raised a man. I see I raised a coward instead. You can come back to Oklahoma and work the mines with me." Mantle immediately broke out of his slump, going on to hit .361 with 11 homers and 50 RBIs during his stay in Kansas City. Mantle was called up to the Yankees after 40 games with Kansas City, this time wearing uniform #7. He hit .267 with 13 home runs and 65 RBI in 96 games. In the second game of the 1951 World Series, New York Giants rookie Willie Mays hit a fly ball to right-center field. Mantle, playing right field, raced for the ball together with center fielder Joe DiMaggio, who called for the ball (and made the catch). In getting out of DiMaggio's way, Mantle tripped over an exposed drain pipe and severely injured his right knee. This was the first of numerous injuries that plagued his 18-year career with the Yankees. He played the rest of his career with a torn ACL.

Answer this question "Did he get injured any other time"
output: This was the first of numerous injuries that plagued his 18-year career with the Yankees.

input: In the mid-1950s, MacDonald toured in summer stock productions of Bitter Sweet and The King and I. She opened in Bitter Sweet at the Iroquois Amphitheater, Louisville, Kentucky, on July 19, 1954. Her production of The King and I opened August 20, 1956, at the Starlight Theatre. While performing there, she collapsed. Officially, it was announced as heat prostration, but in fact it was a heart seizure. She began limiting her appearances and a reprisal of Bitter Sweet in 1959 was her last professional appearance. MacDonald and her husband, Gene Raymond, toured in Ferenc Molnar's The Guardsman. The production opened at the Erlanger Theater, Buffalo, New York, on January 25, 1951, and played in 23 northeastern and midwestern cities until June 2, 1951. Despite less than enthusiastic comments from critics, the show played to full houses for virtually every performance. The leading role of "The Actress" was changed to "The Singer" to allow MacDonald to add some songs. While this pleased her fans, the show still closed before reaching Broadway. In the 1950s, talks with respect to a Broadway return occurred. In the 1960s, MacDonald was approached about starring on Broadway in a musical version of Sunset Boulevard. Harold Prince recounts in his autobiography, visiting MacDonald at her home in Bel Air to discuss the proposed project. Composer Hugh Martin also wrote a song for the musical entitled, "Wasn't It Romantic?". MacDonald also made a few nightclub appearances. She sang and danced at The Sands and The Sahara in Las Vegas in 1953, The Coconut Grove in Los Angeles in 1954, and again at The Sahara in 1957, but she never felt entirely comfortable in the smoky atmosphere.

Answer this question "Did she win any awards?"
output:

input: Harrison was born in Rugby, Warwickshire, in 1945 to an engineering family. His father died when he was a teenager and he found himself "bored, alienated, resentful and entrapped", playing truant from Dunsmore School (now Ashlawn School). An English teacher introduced him to George Bernard Shaw which resulted in an interest in polemic. He ended school during 1963 at age 18; he worked at various times as a groom (for the Atherstone Hunt), a student teacher (1963-65), and a clerk for the Royal Masonic Charity Institute, London (1966). His hobbies included electric guitars and writing pastiches of H. H. Munro. His first short story was published during 1966 by Kyril Bonfiglioli at Science Fantasy magazine, on the strength of which he relocated to London. He there met Michael Moorcock, who was editing New Worlds magazine. He began writing reviews and short fiction for New Worlds, and by 1968 he was appointed books editor. Harrison was critical of what he perceived as the complacency of much genre fiction of the time. During 1970, Harrison scripted comic stories illustrated by R.G. Jones for such forums as Cyclops and Finger. An illustration by Jones appears in the first edition of Harrison's The Committed Men (1971). In an interview with Zone magazine, Harrison says "I liked anything bizarre, from being about four years old. I started on Dan Dare and worked up to the Absurdists. At 15 you could catch me with a pile of books that contained an Alfred Bester, a Samuel Beckett, a Charles Williams, the two or three available J. G. Ballards, On the Road by Jack Kerouac, some Keats, some Allen Ginsberg, maybe a Thorne Smith. I've always been pick 'n' mix: now it's a philosophy."

Answer this question "When did he bein writing?"
output:
His hobbies included electric guitars and writing pastiches of H. H. Munro.