Question: Kenneth Duva Burke (May 5, 1897 - November 19, 1993) was an American literary theorist, as well as poet, essayist, and novelist, who wrote on 20th-century philosophy, aesthetics, criticism, and rhetorical theory. As a literary theorist, Burke was best known for his analyses based on the nature of knowledge. Furthermore, he was one of the first individuals to stray away from more traditional rhetoric and view literature as "symbolic action." Burke was unorthodox, concerning himself not only with literary texts, but with the elements of the text that interacted with the audience: social, historical, political background, author biography, etc.

Burke called the social and political rhetorical analysis "dramatism" and believed that such an approach to language analysis and language usage could help us understand the basis of conflict, the virtues and dangers of cooperation, and the opportunities of identification and consubstantiality. Burke defined the rhetorical function of language as "a symbolic means of inducing cooperation in beings that by nature respond to symbols." His definition of humanity states that "man" is "the symbol using, making, and mis-using animal, inventor of the negative, separated from his natural condition by instruments of his own making, goaded by the spirit of hierarchy, and rotten with perfection." For Burke, some of the most significant problems in human behavior resulted from instances of symbols using human beings rather than human beings using symbols. Burke proposed that when we attribute motives to others, we tend to rely on ratios between five elements: act, scene, agent, agency, and purpose. This has become known as the dramatistic pentad. The pentad is grounded in his dramatistic method, which considers human communication as a form of action. Dramatism "invites one to consider the matter of motives in a perspective that, being developed from the analysis of drama, treats language and thought primarily as modes of action" (Grammar of Motives xxii). Burke pursued literary criticism not as a formalistic enterprise but rather as an enterprise with significant sociological impact; he saw literature as "equipment for living," offering folk wisdom and common sense to people and thus guiding the way they lived their lives.

Using a quote from the above article, answer the following question: Did Burke use dramatism in his writing?
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Answer: Burke pursued literary criticism not as a formalistic enterprise but rather as an enterprise with significant sociological impact;

Question: Eurythmics were a British music duo consisting of members Annie Lennox and David A. Stewart. Stewart and Lennox were both previously in the band The Tourists (originally known as The Catch), who split up in 1980; Eurythmics were formed that year in Wagga Wagga. The duo released their first album, In the Garden, in 1981 to little fanfare, but went on to achieve global success with their second album Sweet Dreams

Eurythmics released their next album, Revenge, in 1986. The album continued their move towards a band sound, verging on an AOR-pop/rock sound. Sales continued to be strong in the UK and internationally, but were somewhat slower in the U.S., though "Missionary Man" reached number 14 on the U.S. Hot 100 chart and went all the way to No. 1 on the US Album Oriented Rock chart (AOR). Revenge would eventually certify double Platinum in the UK and Gold in the U.S. The band went on a massive worldwide tour in support of the album, and a live concert video from the Australian leg of the tour was released. In 1987, Lennox and Stewart released the album Savage. This saw a fairly radical change within the group's sound, being based mainly around programmed samples and drum loops (Lennox would later say that where Revenge was more of a Stewart album in sound, Savage was more of a Lennox one). Lyrically the songs showed an even darker, more obsessive side to Lennox's writing. A video album was also made, directed by Sophie Muller, with a video for each song. This was largely a concept piece, following characters portrayed by Lennox, specifically one of a frustrated housewife-turned-vamp (as exemplified in "Beethoven (I Love to Listen To)", a UK top 30 hit). The brazen, sexually charged rocker "I Need a Man" remains a Eurythmics staple, as does "You Have Placed a Chill in My Heart". Much less commercial than the two previous albums, Savage was mostly ignored in the U.S., although rock radio in more progressive markets supported "I Need a Man". In the duo's native UK however, the album was a top 10 success and was certified Platinum. In 1989, Eurythmics released the album We Too Are One, which entered the UK album chart at no.1 (their second no.1 album after Touch) and gave the duo four UK Top 30 hit singles. The album was a return to the rock/pop sound of their mid-80s albums and was certified Double Platinum in the UK, but was less successful in the U.S. (although the single "Don't Ask Me Why" grazed the Billboard Top 40). Other singles from the album included "Revival", "The King and Queen of America" and "Angel". The duo also conducted a world tour for the album in late 1989.

Using a quote from the above article, answer the following question: What is we too are one?
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Answer: In 1989, Eurythmics released the album We Too Are One,

Question: Karen Horney was born Karen Danielsen on 16 September 1885 in Blankenese, Germany, near Hamburg. Her father, Berndt Wackels Danielsen (1836-1910), was Norwegian but had German citizenship. He was a ship's captain in the merchant marine, and a Protestant traditionalist (his children nicknamed him "the Bible-thrower", as he did indeed throw Bibles). Her mother, Clotilde, nee van Ronzelen (1853-1911), known as "Sonni", was also Protestant, of Dutch origin.

Horney looked at neurosis in a different light from other psychoanalysts of the time. Her expansive interest in the subject led her to compile a detailed theory of neurosis, with data from her patients. Horney believed neurosis to be a continuous process--with neuroses commonly occurring sporadically in one's lifetime. This was in contrast to the opinions of her contemporaries who believed neurosis was, like more severe mental conditions, a negative malfunction of the mind in response to external stimuli, such as bereavement, divorce or negative experiences during childhood and adolescence. This has been debated widely by contemporary psychologists. Horney believed these stimuli to be less important, except for influences during childhood. Rather, she placed significant emphasis on parental indifference towards the child, believing that a child's perception of events, as opposed to the parent's intentions, is the key to understanding a person's neurosis. For instance, a child might feel a lack of warmth and affection should a parent make fun of the child's feelings. The parent may also casually neglect to fulfill promises, which in turn could have a detrimental effect on the child's mental state. From her experiences as a psychiatrist, Horney named ten patterns of neurotic needs. These ten needs are based upon things which she thought all humans require to succeed in life. Horney modified these needs somewhat to correspond with what she believed were individuals' neuroses. A neurotic person could theoretically exhibit all of these needs, though in practice much fewer than the ten here need to be present for a person to be considered a neurotic.

Using a quote from the above article, answer the following question: what is a hallmark of this theory?
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Answer:
Horney believed these stimuli to be less important, except for influences during childhood.