input: William McKinley Jr. was born in 1843 in Niles, Ohio, the seventh child of William McKinley Sr. and Nancy (nee Allison) McKinley (1809-1897). The McKinleys were of English and Scots-Irish descent and had settled in western Pennsylvania in the 18th century, tracing back to a David McKinley who was born in Dervock, County Antrim, in present-day Northern Ireland. There, the elder McKinley was born in Pine Township, Mercer County. The family moved to Ohio when the senior McKinley was a boy, settling in New Lisbon (now Lisbon). He met Nancy Allison there, and married her later. The Allison family was of mostly English descent and among Pennsylvania's earliest settlers. The family trade on both sides was iron-making, and McKinley senior operated foundries throughout Ohio, in New Lisbon, Niles, Poland, and finally Canton. The McKinley household was, like many from Ohio's Western Reserve, steeped in Whiggish and abolitionist sentiment, the latter based on the family's staunch Methodist beliefs. William followed in the Methodist tradition, becoming active in the local Methodist church at the age of sixteen. He was a lifelong pious Methodist. In 1852, the family moved from Niles to Poland, Ohio so that their children could attend the better schools there. Graduating from Poland Seminary in 1859, he enrolled the following year at Allegheny College in Meadville, Pennsylvania. He remained at Allegheny for only one year, returning home in 1860 after becoming ill and depressed. He also spent time at Mount Union College in Alliance, Ohio as a board member. Although his health recovered, family finances declined and McKinley was unable to return to Allegheny, first working as a postal clerk and later taking a job teaching at a school near Poland, Ohio.

Answer this question "Where did McKinley grow up?"
output: Poland, Ohio

input: See also (Economy of Hong Kong) and (Education in Hong Kong) The implementation of compulsory universal education in 1971, following with an extension to nine years in 1978, give rises to an increased number of women elites. Besides, the transform of social environment in Hong Kong also contribute to the rise of women education. In the past, if a family does not have enough money to send both their son and daughter to school, they will choose to educate the son over the daughter. Nonetheless, owing to the economic growth since 1960s, Hong Kong has become a wealthy society with a significant change in population at the same time. The birth rate in Hong Kong steadily decreased from 16.8% in 1981 to 8.6% in 2014. It reveals that the nuclear family structure nurturing only one to two children in a family is common, in which girls could receive better education due to the more concentrated resources within the family. According to the report of Hong Kong Annual Digest of Statistics by Census and Statistics Department of Hong Kong, a trend of universalism for boys and girls could be observed since the 1970s; and girls' enrolment rate in general was higher than the boys' since the 1980s. The gap between male and female enrollment in post-secondary education has narrowed down and female students even outnumber male students in entering University Grants Committee (UGC) funded programmes in recent decades. The percentage of females and male students enrolled in UGC-funded programmes was 53.7% and 46.3% in 2014, which is quite different from 32.9% and 67.1% respectively in 1987. However, when specifically comes to research postgraduate programmes, more male students were recorded since the programmes are largely related to sciences, technology, engineering and mathematics (STEM). People in Hong Kong have gender bias in STEM fields, perceiving women as less capable of mastering the STEM knowledge and pursuing related careers. Half of the teenage girls in Hong Kong were discouraged to focus on mathematics and sciences during secondary school, which lead to their lessened self-concept in STEM. Thus, the sex ratio of students enrolled in UGC-funded engineering and technology programmes is imbalance, which is 29.5% for female and 70.5% for male in 2016. The situation is not much improved as compared with 14.1% for female and 85.9% for male in 1996.

Answer this question "Are women happy they can further their education?"
output:

input: Lanza returned to an active film career in 1955 in Serenade, released by Warner Bros. However the film was not as successful as his previous films, despite its strong musical content, including arias from Der Rosenkavalier, Fedora, L'arlesiana, and Otello, as well as the Act I duet from Otello with soprano Licia Albanese. Ms. Albanese said of Lanza in 1980: I had heard all sorts of stories about Mario [Lanza]. That his voice was too small for the stage, that he couldn't learn a score, that he couldn't sustain a full opera; in fact, that he couldn't even sing a full aria, that his recordings were made by splicing together various portions of an aria. None of it is true! He had the most beautiful lirico spinto voice. It was a gorgeous, beautiful, powerful voice. I should know because I sang with so many tenors. He had everything that one needs. The voice, the temperament, perfect diction. ... Vocally he was very secure. All he needed was coaching. Everything was so easy for him. He was fantastic! He then moved to Rome, Italy in May 1957, where he worked on the film Seven Hills of Rome, and returned to live performing in November of that year, singing for Queen Elizabeth II at the Royal Variety Show at the London Palladium. From January to April 1958, Lanza gave a concert tour of the UK, Belgium, the Netherlands, France and Germany. He gave a total of 22 concerts on this tour, receiving mostly positive reviews for his singing. Despite a number of cancellations, which resulted from his failing health during this period, Lanza continued to receive offers for operatic appearances, concerts, and films. In September 1958, he made a number of operatic recordings at the Rome Opera House for the soundtrack of what would turn out to be his final film, For the First Time. It was then that he came to the attention of that opera house's artistic director, Riccardo Vitale, who promptly offered the tenor carte blanche in his choice of operatic roles. Lanza also received offers to sing in any opera of his choosing from the San Carlo in Naples. At the same time, however, his health continued to decline, with the tenor suffering from a variety of ailments, including phlebitis and acute high blood pressure. His old habits of overeating and crash dieting, coupled with binge drinking, compounded his problems.

Answer this question "what was one of the stories she heard about him?"
output:
That his voice was too small for the stage, that he couldn't learn a score, that he couldn't sustain a full opera;