Please answer this: A friend asked me to answer this question: While Nigel's mom has asthma, what makes his dad ill?, using the article: The Slaters of Wolverhampton are plagued with Mrs. Slater's chronic debilitating asthma and her cooking limited to what comes in canned goods that she can heat in boiling water. Mr. Alan Slater is sick with worry and has a cantankerous personality. Nigel longs for a life that is more than a succession of canned-food dinners made from what can be heated in boiling water. When dinner is burnt, the standard substitute of toast is always served. He loves toast, with the crunchy outside giving way to buttery softness inside. Despite her infrequent forays into cooking meals from scratch, his mother's attempts to improve her cooking change nothing before or after her death. His father continues in widowhood with the same cooking style and frequent dinners of toast. The experience brings Nigel to conclude that he is not liked. Nigel learns from a friend that the way in which he could attempt a better relationship with his father is to cook a meal for him. His cooking efforts are thwarted by the new housekeeper, the married and "common" Mrs. Joan Potter, who seduces Alan with her apple pie and array of gourmet meals. The two start to spend time together: at one point, she exiting her council house through an upstairs window so as not to be found out by her husband. Without announcement, the Slaters move to the Herefordshire countryside along with Mrs. Potter. Nigel co-exists with her but never accepts her. She makes a competition of cooking when the teenaged Nigel's shows an emerging interest in developing his skills at school home economics class cookery lessons. Mrs. Potter's lemon meringue pie becomes Nigel's quest to learn the secret recipe., what would be the answer ?
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Answer: worry
Problem: A friend asked me to answer this question: Who tells the bounty hunters where the outlaws are headed?, using the article: In Cuchillo, New Mexico, 1887, a group of five Outlaws, led by Henry, are robbing the town bank, which culminates in a shoot-out with the residents of the town. A posse of bounty hunters, led by Josiah, is formed and are in hot pursuit, "only being a half-day behind them". The outlaws are now down to four after one of the men was shot dead after the robbery. They are met on the path by a couple, who are the aunt and uncle of Charlie, and brought them supplies. They find out that there is a bounty of 8000 dollars on their heads. They shoot the couple so they cannot turn them in for the reward money. The posse comes upon the scene of the dead couple, and Josiah talks to the couples' granddaughter Lulu, who hid in the bushes when her grandparents were shot. She tells them that they are headed East through White Sands, to make them more difficult to track. The outlaws are down to three, when one passes out and they shoot him to put him out of his misery. They spot the Tildon farm, where Preacher George and Ada live with their teenage daughters, Charlotte and Florence, and make plan to descend on them at dark. They burst in to the house, and start eating and drinking whiskey and intend to have relations with the women. Florence catches Henry's eye and he calls her to sit on his lap. Ada and George plead with the men because she is only 15, but both are brutally subdued by Charlie and Little Joe. George says he is the preacher of the chapel on the property, but nobody attends now because the town was ravaged by consumption., what would be the answer ?

A: Lulu
Q: A friend asked me to answer this question: What is the full name of the person in whose view the operatic scores of Saint-Saens have, in general, the strengths and weaknesses of the rest of his music?, using the article: Discounting his collaboration with Dukas in the completion of Guiraud's unfinished Fredegonde, Saint-Saens wrote twelve operas, two of which are operas comiques. During the composer's lifetime his Henry VIII became a repertory piece; since his death only Samson et Dalila has been regularly staged, although according to Schonberg, Ascanio (1890) is considered by experts to be a much finer work. The critic Ronald Crichton writes that for all his experience and musical skill, Saint-Saens "lacked the 'nose' of the theatre animal granted, for example, to Massenet who in other forms of music was his inferior". In a 2005 study, the musical scholar Steven Huebner contrasts the two composers: "Saint-Saens obviously had no time for Massenet's histrionics". Saint-Saens's biographer James Harding comments that it is regrettable that the composer did not attempt more works of a light-hearted nature, on the lines of La princesse jaune, which Harding describes as like Sullivan "with a light French touch".Although most of Saint-Saens's operas have remained neglected, Crichton rates them as important in the history of French opera, as "a bridge between Meyerbeer and the serious French operas of the early 1890s". In his view, the operatic scores of Saint-Saens have, in general, the strengths and weaknesses of the rest of his music "lucid Mozartian transparency, greater care for form than for content ... There is a certain emotional dryness; invention is sometimes thin, but the workmanship is impeccable." Stylistically, Saint-Saens drew on a range of models. From Meyerbeer he drew the effective use of the chorus in the action of a piece; for Henry VIII he included Tudor music he had researched in London; in La princesse jaune he used an oriental pentatonic scale; from Wagner he derived the use of leitmotifs, which, like Massenet, he used sparingly. Huebner observes that Saint-Saens was more conventional than Massenet so far as through composition is concerned, more often favouring discrete arias and ensembles, with less..., what would be the answer ?
A:
Ronald Crichton