IN: Annie Get Your Gun is a musical with lyrics and music by Irving Berlin and a book by Dorothy Fields and her brother Herbert Fields. The story is a fictionalized version of the life of Annie Oakley (1860-1926), a sharpshooter who starred in Buffalo Bill's Wild West, and her romance with sharpshooter Frank E. Butler (1847-1926). The 1946 Broadway production was a hit, and the musical had long runs in both New York (1,147 performances) and London, spawning revivals, a 1950 film version and television versions. Songs that became hits include "There's No Business Like Show Business", "Doin' What Comes Natur'lly", "You Can't Get a Man with a Gun",

In 1999, a new production had its pre-Broadway engagement at the Kennedy Center, Washington, D.C., from December 29, 1998 to January 24, 1999. Previews began on Broadway on February 2, 1999 at the Marquis Theatre, with an official opening on March 4, 1999, and closed on September 1, 2001 after 35 previews and 1,045 performances. This revival starred Bernadette Peters as Annie and Tom Wopat as Frank, and Ron Holgate as Buffalo Bill, with direction by Graciela Daniele, choreographey by Jeff Calhoun, and music arrangements by John McDaniel. Peters won the 1999 Tony Award for Best Leading Actress in a Musical and the production won the Tony for Best Revival of a Musical. This production had a revised book by Peter Stone and new orchestrations, and was structured as a "show-within-a-show", set as a Big Top travelling circus. "Frank Butler" is alone on stage and Buffalo Bill introduces the main characters, singing "There's No Business Like Show Business", which is reprised when "Annie" agrees to join the traveling Wild West show. The production dropped several songs (including "Colonel Buffalo Bill", "I'm A Bad, Bad Man", and "I'm an Indian Too"), but included "An Old-Fashioned Wedding". There were several major dance numbers added, including a ballroom scene. A sub-plot which had been dropped from the 1966 revival, the romance between Winnie and Tommy, her part-Native-American boyfriend, was also included. In the 1946 production, Winnie was Dolly's daughter, but the 1966 &1999 productions she is Dolly's younger sister. In this version, the final shooting match between Annie and Frank ends in a tie.

when do they used to have the show

OUT:

IN: James Travis Tritt was born on February 9, 1963 in Marietta, Georgia, to James and Gwen Tritt. He first took interest in singing after his church's Sunday school choir performed "Everything Is Beautiful." He received his first guitar at age eight and taught himself how to play it; in the fourth grade, he performed "Annie's Song" and "King of the Road" for his class, and later got invited to play for other classrooms in his school. At age fourteen, his parents bought him another guitar, and he learned more songs from his uncle, Sam Lockhart.

In early 1994, after "Worth Every Mile" fell from the charts, Tritt charted at number 21 with a cover of the Eagles' "Take It Easy". He recorded this song for the tribute album Common Thread: The Songs of the Eagles (released through Warner Bros.' Giant Records division), which featured country music artists' renditions of Eagles songs. When filming the music video for this song, Tritt requested that the band, which was on hiatus at the time, appear in it. This reunion inspired the Eagles' Hell Freezes Over Tour, which began that year. His fourth album, Ten Feet Tall and Bulletproof, was released that May. Its lead-off single, "Foolish Pride", went to number one, and the fourth single, "Tell Me I Was Dreaming", reached number two. In between these songs were the title track at number 22 and "Between an Old Memory and Me" (originally recorded by Keith Whitley) at number 11. The album included two co-writes with Gary Rossington of Lynyrd Skynyrd, and guest vocals from Waylon Jennings and Hank Williams, Jr. on the cut "Outlaws Like Us". The album achieved platinum certification in December of that year, and later became his third double-platinum album. Allmusic reviewer Brian Mansfield said that Tritt was "most comfortable with his Southern rock/outlaw mantle" on it, comparing "Foolish Pride" favorably to "Anymore" and the work of Bob Seger. Alanna Nash praised the title track and "Tell Me I Was Dreaming" in her review for Entertainment Weekly, but thought that the other songs were still too similar in sound to his previous works. 1995's Greatest Hits: From the Beginning included most of his singles to that point, as well as two new cuts: the Steve Earle composition "Sometimes She Forgets" and a cover of the pop standard "Only You (And You Alone)". The former was a top ten hit at number seven, while the latter spent only eight weeks on the country charts and peaked at number 51. Greatest Hits was certified platinum.

Can you name a song from the album Ten Feet Tall and Bulletproof ?

OUT: Its lead-off single, "Foolish Pride", went to number one,

IN: Stephen Edelston Toulmin (; 25 March 1922 - 4 December 2009) was a British philosopher, author, and educator. Influenced by Ludwig Wittgenstein, Toulmin devoted his works to the analysis of moral reasoning. Throughout his writings, he sought to develop practical arguments which can be used effectively in evaluating the ethics behind moral issues.

By reviving casuistry (also known as case ethics), Toulmin sought to find the middle ground between the extremes of absolutism and relativism. Casuistry was practiced widely during the Middle Ages and the Renaissance to resolve moral issues. Although casuistry largely fell silent during the modern period, in The Abuse of Casuistry: A History of Moral Reasoning (1988), Toulmin collaborated with Albert R. Jonsen to demonstrate the effectiveness of casuistry in practical argumentation during the Middle Ages and the Renaissance, effectively reviving it as a permissible method of argument. Casuistry employs absolutist principles, called "type cases" or "paradigm cases," without resorting to absolutism. It uses the standard principles (for example, sanctity of life) as referential markers in moral arguments. An individual case is then compared and contrasted with the type case. Given an individual case that is completely identical to the type case, moral judgments can be made immediately using the standard moral principles advocated in the type case. If the individual case differs from the type case, the differences will be critically assessed in order to arrive at a rational claim. Through the procedure of casuistry, Toulmin and Jonsen identified three problematic situations in moral reasoning: first, the type case fits the individual case only ambiguously; second, two type cases apply to the same individual case in conflicting ways; third, an unprecedented individual case occurs, which cannot be compared or contrasted to any type case. Through the use of casuistry, Toulmin demonstrated and reinforced his previous emphasis on the significance of comparison to moral arguments, a significance not addressed in theories of absolutism or relativism.

what was the revival of casuistry?

OUT:
By reviving casuistry (also known as case ethics), Toulmin sought to find the middle ground between the extremes of absolutism and relativism.