Some context: Jessica Hilda Mauboy was born on 4 August 1989 and raised in Darwin, Northern Territory. Her father, Ferdy, is an Indonesian born electrician who came from West Timor, and her mother, Therese, is an Indigenous Australian. Mauboy's mother is from the indigenous Kuku Yalanji people in the rainforest regions of Far North Queensland. Mauboy has three older sisters Sandra, Jenny and Catherine, and a younger sister Sophia.
Mauboy received two nominations at the 2013 Australian of the Year Awards for Young Australian of the Year and Northern Territory Young Australian of the Year; she won the latter award. In March 2013, she participated in a singing quiz segment for Ellen DeGeneres' two Australian shows in Sydney and Melbourne. In September 2013, she performed at the 65th Primetime Emmy Awards Governors Ball in Los Angeles. Mauboy's third studio album Beautiful was released on 4 October 2013; it debuted at number three and was certified platinum. The lead single "To the End of the Earth" peaked at number 21 and was certified gold, while the second single "Pop a Bottle (Fill Me Up)" debuted at number two and was certified platinum. "Pop a Bottle (Fill Me Up)" also reached number 33 in New Zealand and became Mauboy's third single to chart internationally. The following singles, "Beautiful" and "Never Be the Same", peaked at numbers 46 and six, respectively, with the latter single being certified platinum. At the 2013 NRL Grand Final on 6 October 2013, Mauboy performed the Australian national anthem, "Livin' la Vida Loca" with Ricky Martin, and a medley of "Something's Got a Hold on Me" and "Pop a Bottle (Fill Me Up)". At the 2013 ARIA Music Awards, Mauboy won Best Female Artist for "To the End of the Earth". She embarked on the To the End of the Earth Tour, her second headlining tour, from November 2013 to January 2014. To coincide with the 2014 Australia Day celebrations, Mauboy along with Dami Im, Justice Crew, Nathaniel Willemse, Samantha Jade and Taylor Henderson released a cover of "I Am Australian" which peaked at number 51. She appeared in an episode of Sesame Street on 20 March 2014, singing "Count the Kangaroos" in a clip which was filmed in Alice Springs with children from Yipirinya State Primary School. Mauboy was chosen by SBS to perform at the 2014 Eurovision Song Contest, in recognition of Australia's love affair with the annual event. She performed the single "Sea of Flags" during the second semi-final in Denmark. SBS screened the documentary, Jessica Mauboy's Road to Eurovision on 10 May 2014 before their coverage of the second semi-final. Mauboy's first extended play iTunes Session was released on 18 July 2014, and debuted at number 25. On 3 August 2014, she performed during the 2014 Commonwealth Games Flag Handover Ceremony at Hampden Park Stadium in Glasgow, Scotland to mark the official handover of the Commonwealth Games from Glasgow to the Gold Coast in 2018. Beautiful was re-released as a platinum edition on 21 November 2014, which included the singles "Can I Get a Moment?" and "The Day Before I Met You". The former single debuted at number five and was certified platinum. Mauboy received three nominations at the 2014 ARIA Music Awards, including Album of the Year and Best Female Artist for Beautiful, and Best Video for "Never Be the Same".
Was the EP released only on iTunes
A: Mauboy's first extended play iTunes Session was released on 18 July 2014, and debuted at number 25.
Some context: Roberto Mangabeira Unger (; born 24 March 1947) is a philosopher and politician. He has developed his views and positions across many fields, including social, political, and economic theory. In legal theory, he is best known by his work in the 1970s and 80s while at Harvard Law School as part of the Critical Legal Studies movement, which is held to have helped disrupt the methodological consensus in American law schools. His political activity helped the transition to democracy in Brazil in the aftermath of the military regime, and culminated with his appointment as Brazil's Minister of Strategic Affairs in 2007 and again in 2015.
Unger's critique of economics begins with the identification of a key moment in economic history, when the analysis of production and exchange turned away from social theory and engaged in a quest for scientific objectivity. In Unger's analysis, classical economics focused on the causal relations among social activities, which were connected with the production and distribution of wealth. Classical economists asked questions about the true basis of value, activities that contributed to national wealth, systems of rights, or about the forms of government under which people grow rich. In the late-nineteenth century, in response to attacks from socialist ideas and debates about how society works, and as a means to escape the conundrums of value theory and to answer how values could become prices, marginalist economics arose. This movement in economics disengaged economics from prescriptive and normative commitments to withdraw the study of economies from debates about how society worked and what kind of society we wanted to live in. For Unger, this moment in the history of economics robbed it of any analytical or practical value. Unger's critique of Marginalism begins with Walras' equilibrium theory, which attempted to achieve a certainty of economic analysis by putting aside normative controversies of social organization. Unger finds three weaknesses that crippled the theory: foremost, the theory claimed that equilibrium would be spontaneously generated in a market economy. In reality, a self-adjusting equilibrium fails to occur. Second, the theory puts forth a determinate image of the market. Historically, however, the market has been shown to be indeterminate with different market arrangements. Third, the polemical use of efficiency fails to account for the differences of distribution among individuals, classes, and generations. The consequences of the marginalist movement were profound for the study of economics, Unger says. The most immediate problem is that under this generalizing tendency of economics, there is no means by which to incorporate empirical evidence and thus to re-imagine the world and develop new theories and new directions. In this way, the discipline is always self-referential and theoretical. Furthermore, the lack of a normative view of the world curtails the ability to propose anything more than a policy prescription, which by definition always assumes a given context. The discipline can only rationalize the world and support a status quo. Lastly, Unger finds that this turn in economics ended up universalizing debates in macroeconomics and leaving the discipline without any historical perspective. A consequence, for example, was that Keynes' solution to a particular historical crisis was turned into a general theory when it should only be understood as a response to a particular situation.
What did Unger say about economics
A:
Unger's critique of economics begins with the identification of a key moment in economic history, when the analysis of production and exchange turned away