You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

[Q]: The novel begins in Manchester, where we are introduced to the Bartons and the Wilsons, two working-class families. John Barton is a questioner of the distribution of wealth and the relations between rich and poor. Soon his wife dies he blames it on her grief over the disappearance of her sister Esther. Having already lost his son Tom at a young age, Barton is left to raise his daughter, Mary, alone and now falls into depression and begins to involve himself in the Chartist, trade-union movement.
Chapter 1 takes place in countryside where Moss Side is now.
Mary takes up work at a dressmaker's (her father having objected to her working in a factory) and becomes subject to the affections of hard-working Jem Wilson and Harry Carson, son of a wealthy mill owner. She fondly hopes, by marrying Carson, to secure a comfortable life for herself and her father, but immediately after refusing Jem's offer of marriage she realises that she truly loves him. She therefore decides to evade Carson, planning to show her feelings to Jem in the course of time. Jem believes her decision to be final, though this does not change his feelings for her.
Meanwhile, Esther, a "street-walker," returns to warn John Barton that he must save Mary from becoming like her. He simply pushes her away, however, and she's sent to jail for a month on the charge of vagrancy. Upon her release she talks to Jem with the same purpose. He promises that he will protect Mary and confronts Carson, eventually entering into a fight with him, which is witnessed by a policeman passing by.
Not long afterwards, Carson is shot dead, and Jem is arrested for the crime, his gun having been found at the scene. Esther decides to investigate the matter further and discovers that the wadding for the gun was a piece of paper on which is written Mary's name.
She visits her niece to warn her to save the one she loves, and after she leaves Mary realises that the murderer is not Jem but her father. She is now faced with having to save her lover without giving away her father. With the help of Job Legh (the intelligent grandfather of her blind friend Margaret), Mary travels to Liverpool to find the only person who could provide an alibi for Jem Will Wilson, Jem's cousin and a sailor, who was with him on the night of the murder. Unfortunately, Will's ship is already departing, so that, after Mary chases after the ship in a small boat, the only thing Will can do is promise to return in the pilot ship and testify the next day.
During the trial, Jem learns of Mary's great love for him. Will arrives in court to testify, and Jem is found "not guilty". Mary has fallen ill during the trial and is nursed by Mr Sturgis, an old sailor, and his wife. When she finally returns to Manchester she has to face her father, who is crushed by his remorse. He summons John Carson, Harry's father, to confess to him that he is the murderer. Carson is still set on justice, but after turning to the Bible he forgives Barton, who dies soon afterwards in Carson's arms. Not long after this Esther comes back to Mary's home, where she, too, soon dies.
Jem decides to leave England, where, his reputation damaged, it would be difficult for him to find a new job. The novel ends with the wedded Mary and Jem, their little child, and Mrs Wilson living happily in Canada. News comes that Margaret has regained her sight and that she and Will, soon to be married, will visit.
[A]: Who helped Mary to track down Will?

[Q]: In this adaptation of Jane Austen's Emma, Alicia Silverstone plays Cherilyn "Cher" Horowitz, a late-20th-century version of Austen's protagonist Emma Woodhouse. Like Emma, Cher is a well-intentioned but somewhat superficial girl who is attractive, popular and extremely wealthy. A few months shy of her sixteenth birthday, she has risen to the top of the high school social scene. She lives in a Beverly Hills mansion with her father Mel, a ferocious $500-an-hour litigator; her mother died from a freak accident during a routine liposuction procedure when Cher was a baby. Cher's best friend is Dionne Davenport, who is also rich, pretty, and hip, and understands what it's like to be envied. Though Dionne has a long-term relationship with popular student Murray, Cher claims that this is a pointless endeavor on Dionne's part.
Among the few people to find fault with Cher is Josh, her socially-conscious stepbrother, who visits her during a break from college. Josh and Cher spar continually but without malice; she mocks his scruffy idealism, while he teases her for being selfish, vain, and superficial, and says that her only direction in life is "toward the mall". Cher plays matchmaker for two lonely, nerdy, hard-grading teachers, Mr. Hall and Miss Geist. She achieves her ostensible purpose, to make them relax their grading standards so she can renegotiate a bad report card; but when she sees their newfound happiness, she realizes she enjoys doing good deeds. Cher decides to give back to the community by "adopting" a "tragically unhip" new girl at school, Tai Frasier. Cher and Dionne give Tai a makeover and initiate her into the mysteries of popularity. Cher also tries to extinguish the attraction between Tai and Travis Birkenstock, an amiable skateboarding slacker, and to steer her toward Elton, a popular rich snob.
Her second matchmaking scheme backfires when Elton rejects Tai and attempts to seduce Cher. When a handsome new student named Christian arrives at their school, Cher takes a shine to him and attempts to secure him as her boyfriend. Eventually, Murray spells it out to her and Dionne that Christian is not interested in her because he is gay.
Despite the failure of this endeavor, Cher remains on good terms with Christian, primarily due to her admiration of his taste in art and fashion. Matters take a turn for the worse when Cher's "project" works too well, and Tai's popularity surpasses her own. The situation reaches crisis stage after Cher fails her driver's test and can't "renegotiate" the result. When she returns home, crushed, Tai confides that she's taken a fancy to Josh and wants Cher to help her "get" him. Cher says she doesn't think Josh is right for Tai, and they quarrel. Feeling "totally clueless", Cher reflects on her priorities and her repeated failures to understand or appreciate the people in her life.
After much soul searching, Cher realizes she is romantically interested in Josh. She begins making awkward but sincere efforts to live a more purposeful life, including captaining the school's Pismo Beach disaster relief effort. Cher and Josh eventually admit their feelings for one another, culminating in a tender kiss.
In the end, Mr. Hall and Miss Geist wed; Cher's friendships with Tai and Dionne are solidified; Tai and Travis are in love; and Cher wins a $200 bet for catching the bouquet at the wedding. She embraces Josh, and they kiss as the film closes.
[A]: Why do Cher and Tai fight?

[Q]: The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, n e Yule, who cannot accept her husband's inflexibly high standards and consequent poverty.
The Yule family includes Amy's two uncles John, a wealthy invalid, and Alfred, a species of critic and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of 5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere 1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of 10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard.
[A]:
Who was Mirian?