In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

[Q]: Question: What was one of the poems that Francois' poet descendant wrote? Passage 1:Francois Paul Etienne Azema (born 15 January 1778, and died 28 August 1851 in Saint-Denis, Reunion, on the island of Reunion) was a French poet, playwright, and writer of fables. He was a magistrate, delegated to the island by the Ministre de la Marine, and as a writer was well known for his play Medee. He was a descendant of Jean-Baptiste Azema, a former governor of the island; he was the father of Georges Azema, a historian, and Mazae Azema, a doctor. His grandson was the doctor Henri Azema; other descendants include the poet Jean-Henri Azema and the historian Jean-Pierre Azema. He was made Chevalier of the Legion of Honour in 1850.
Passage 2:The Danish People's Party (DPP) (, DF) is a political party in Denmark that is generally described as right-wing populist by academics and far-right by international media. It has also been described in academia and the media as a nativist and anti-immigrant party. The party was founded in 1995 by Pia Kjrsgaard, who was the leader of the party until 2012, when she passed the leadership on to Kristian Thulesen Dahl. The DPP lent its support to the Liberal-Conservative government that ruled from the general election of 2001 until the 2011 election defeat. While not part of the cabinet, DPP cooperated closely with the governing coalition on most issues and received support for key political stances in return, to the point that the government was commonly referred to as the "VKO-government" (O being DPP's election symbol). It also provided parliamentary support to Lars Lkke Rasmussen's cabinets from 2016-2019, again without participating in it.
Passage 3:In the preface, Fisher considers some general points, including that there must be an understanding of natural selection distinct from that of evolution, and that the then-recent advances in the field of genetics (see history of genetics) now allowed this. In the first chapter, Fisher considers the nature of inheritance, rejecting blending inheritance, because it would eliminate genetic variance, in favour of particulate inheritance. The second chapter introduces Fisher's fundamental theorem of natural selection. The third considers the evolution of dominance, which Fisher believed was strongly influenced by modifiers. Other chapters discuss parental investment, Fisher's geometric model, concerning how spontaneous mutations affect biological fitness, Fisher's principle which explains why the sex ratio between males and females is almost always 1:1, reproductive value, examining the demography of having girl children. Using his knowledge of statistics, the Fisherian runaway, which explores how sexual selection can lead to a positive feedback runaway loop, producing features such as the peacock's plumage. He also wrote about the evolution of dominance, which explores genetic dominance. The last five chapters (8-12) include Fisher's more idiosyncratic views on eugenics.

[A]: 1

[Q]: Question: When was the university founded that Van Houwelingen applied to in June 1962? Passage 1:Helped by his association with The Guardian, Cannon was able to contribute more substantial articles to the Los Angeles Times and the Chicago Sun-Times, and to underground magazines such as Creem. He wrote the 1970 documentary film London Rock, focusing on the UK's counterculture movement. He recalls that, together with Rolling Stone journalists David Dalton and Jonathan Cott, he joined Granada Television documentary-makers such as Jo Durden-Smith, John Sheppard and Michael Darlow in devising "prime-time networked shows designed as anthems of the revolution". Among these late-1960s projects, he says that the Johnny Cash at San Quentin TV special was his idea, and he "share[s] credit" for the ideas behind the concert films The Doors Are Open and The Stones in the Park. He also directed the film of Frank Zappa's performance at the 1970 Palermo Pop Festival, for RAI, Italy's national public broadcaster.
Passage 2:Van Houwelingen applied at the Utrecht University in June 1962 majoring in Chemistry and obtaining an Bachelor of Science degree in July 1964. Van Houwelingen served in the Royal Netherlands Army as a second lieutenant from November 1964 until November 1966. Van Houwelingen worked as a chemist and researcher in the private sector from November 1962 until March 1973. Van Houwelingen served on the Municipal Council of Leerdam from April 1968 until June 1974 and served on the Provincial-Council of Utrecht from June 1970 until June 1974. Van Houwelingen became a Member of the House of Representatives after the resignation of Barend Biesheuvel, taking office on 7 March 1973. After the election of 1977 the Christian Democratic Appeal and the People's Party for Freedom and Democracy (VVD) formed the Cabinet Van Agt-Wiegel, Van Houwelingen and several Christian Democratic Appeal Members of the House of Representatives were critical on the coalition agreement and formed an informal caucus in their own parliamentary group called the that followed the cabinet critically throughout the entire period. After the election of 1981 Van Houwelingen was appointed as State Secretary for Defence in the Cabinet Van Agt II, taking office on 14 September 1981. The Cabinet Van Agt II fell just seven months into its term on 12 May 1982 and continued to serve in a demissionary capacity until it was replaced by the caretaker Cabinet Van Agt III with Van Houwelingen continuing as State Secretary for Defence, taking office on 29 May 1982. After the election of 1982 Van Houwelingen returned as a Member of the House of Representatives, taking office on 16 September 1982. Following the cabinet formation of 1982 Van Houwelingen continued as State Secretary for Defence in the Cabinet Lubbers I, taking office on 4 November 1982. After the election of 1986 Van Houwelingen again returned as a Member of the House of Representatives, taking office on 3 June 1986. Following the cabinet formation of 1986 Van Houwelingen remained as State Secretary for Defence in the Cabinet Lubbers II, taking office on 14 July 1986. After the election of 1989 Van Houwelingen once again returned as a Member of the House of Representatives, taking office on 14 September 1989. Following the cabinet formation of 1989 Van Houwelingen was not giving a cabinet post in the new cabinet, the Cabinet Lubbers II was replaced by the Cabinet Lubbers III on 7 November 1989 and he continued to serve in the House of Representatives as a frontbencher chairing several . In December 1993 Van Houwelingen announced that he wouldn't not stand for the election of 1994 and continued to serve until the end of the parliamentary term on 17 May 1994. In May 1994 Van Houwelingen was nominated as Mayor of Haarlemmermeer, serving from 1 June 1994 until 1 January 2003.
Passage 3:Filmed in technicolor format, the music video for "Nobody's Perfect" was shot at Nu Boyana Film studios in Sofia, Bulgaria, on 24 March 2011 and was directed by Emil Nava. The music video premiered on 14 April 2011 in the United Kingdom through Jessie's Vevo channel. The music video is inspired by Lewis Carroll classic tale Alice's Adventures in Wonderland, Jessie J sits in a banquet table similar to the Mad Hatters' tea party. Jessie J is shown in a hall of doors that gives a resemblance to the curious hall in the first chapter of Alice in Wonderland. Jessie J also rolls in tar and appears dressed as the Roman goddess Libertas, who is better known as the robed female figure of the Statue of Liberty, what could be interpreted as Black-and-white dualism. After completing the filming sessions, Jessie J described the video as her favorite done so far.

[A]: 2

[Q]: Question: How many centuries had the region where Turner took a train journey in 1987-88 been part of USSR where the journey originated? Passage 1:Perhaps the reason for the appeal of Turner's work outside the art world is that it pushes the boundaries of both film and politics. Perestroika has been noted by academics and critical thinkers for both its artistic form and commentary on environmental and social issues, most notably featuring in the essay volumes Performing Authorship: Self inscription and corporeality in the cinema and Screening Nature: Cinema Beyond the Human. For Cecilia Sayad, the film's importance lies in its structures: its function in highlighting the act of authorship as performance, and how the film's structural devices serve to emphasise the fictionality of narration, how the retelling, even of truth or fact, always and necessarily involves an element of creation and thus fiction. Sayad comments that whilst Perestroika ostensibly interweaves footage of a 200708 reconstruction of a train journey across Siberia that Turner took in 198788 with that from the original journey in what was then the USSR, it is as much about the workings of memory and filmmaking itself. But Sophie Mayer has commented on how the work uses the idea of pollution as a function of retention, and weaves it through both the social/cultural and natural worlds. Mayer goes further in exploring the contextual importance of the work, comparing Perestroika with works of the filmmakers Lucrecia Martel and Apichatpong Weerasethakul, commenting that each offers a 'utopian possibility of a post-capitalist, post-industrial, postcolonial moment'. In a booklet of essays written to accompany the publication of Perestroika and perestroika:reconstructed in 2014, another academic, Paul Newland writes 'the artist explores the nature of representation and its problematical relationship to our experience of reality. By doing this the film travels the branch lines between cinematography, photography, and everyday life.'
Passage 2:Yonatan "Yoni" Jesner was a 19-year-old Scottish Jew who was killed by a Palestinian suicide bomber on September 19, 2002, in Tel Aviv. Yoni was one of 220 victims of the bombing attacks in 2002. He was killed in the Allenby Street bus bombing. Hamas took responsibility for the attack. Yoni, born in Glasgow, was named after Yoni Netanyahu, who was killed while leading Operation Entebbe to release hostages from Air France flight, hijacked by Palestinian terrorists. Jesner was planning to attend medical school at UCL in London. He was passionate about his Jewish heritage and came to Israel to study in a Jewish yeshiva for a year after finishing high school, where he would eventually decide to stay for a second year. Jesner was a senior counselor in the Bnei Akiva youth movement in Glasgow. After his death, Bnei Akiva raised money to buy an ambulance for Magen David Adom in his memory. Each year, on the eve of the Jewish festival of Sukkot, his Yahrzeit is commemorated by his family. Also, he is remembered at a learning programme run by Bnei Akiva on the Jewish festival of Hoshana Raba.
Passage 3:Following the bankruptcy of Dreamwave Productions in 2005, IDW picked up the Transformers comic book license and hired veteran writer Simon Furman to craft a rebooted continuity based on the toy line, similar to what Marvel Comics did through Ultimate Marvel. In May 2008, IDW obtained the G.I. Joe comic book license from Devil's Due Publishing. Over the years, both comics participated in several crossover events, like Infestation and Infestation 2. In 2016, IDW gained the rights of Rom, Micronauts, Action Man and M.A.S.K. from other publishers. That same year, IDW announced the Hasbro Reconstruction campaign, in order to converge those brands in the same continuity, starting with the crossover event Revolution. In 2017, IDW gained the rights of , with most of its characters debuting after the crossover event First Strike. In April 2018, IDW announced the HCBU would conclude with the limited series in November 2018.

[A]:
1