Problem: The Maronites are a Christian group who adhere to the Syriac Maronite Church with the largest population around Mount Lebanon in Lebanon. The Maronite Church is an Eastern Catholic sui iuris particular church in full communion with the Pope and the Catholic Church, with self-governance under the Code of Canons of the Eastern Churches, one of more than a dozen individual churches in full communion with the Holy See. They derive their name from the Syriac Christian saint Maron, whose followers migrated to the area of Mount Lebanon from their previous location of residence around the area of Antioch, establishing the nucleus of the Syriac Maronite Church. Some Maronites argue that they are of Mardaite ancestry, but most historians reject such claims.

Lebanese Maronites are known to be specifically linked to the root of Lebanese Nationalism and opposition to Pan-Arabism in Lebanon, this being the case during 1958 Lebanon crisis. When Muslim Arab nationalists backed by Gamel Abdel Nasser tried to overthrow the then Maronite dominated government in power, due to displeasure at the government's pro-western policies and their lack of commitment and duty to the so-called "Arab brotherhood" by preferring keep Lebanon away from the Arab League and the political confrontations of the Middle East. A more hard-nosed nationalism among some Maronites leaders, who saw Lebanese nationalism more in terms of its confessional roots and failed to be carried away by Chiha's vision, clung to a more security-minded view of Lebanon. They regarded the national project as mainly a program for the security of Maronites and a bulwark against threats from Muslims and their hinterland. The right-wing yet secular Guardians of the Cedars, with its exiled Leader and founder Etienne Saqr (also the father of singers Karol Sakr and Pascale Sakr) took no sectarian stance and even had Muslim members who joined in their radical stance against Arabism and Palestinian forces in Lebanon. Saqr summarized his party's view on the Arab Identity on their official ideological manifesto by stating; On an Al Jazeera special dedicated to the political Christian clans of Lebanon and their struggle for power in the 2009 election entitled, Lebanon: The Family Business the issue of identity was brought up on several occasions, by various politicians including Druze leader Walid Jumblatt, who claimed that all Lebanese lack somewhat of a real identity and the country is yet to discover one everybody could agree on. Sami Gemayel, of the Gemayel clan and son of former president Amin Gemayel, stated he did not consider himself an Arab but instead identified himself as a Syriac Christian, going on to explain that to him and many Lebanese the "acceptance" of Lebanon's "Arab identity" according to the Taef Agreement wasn't something that they "accepted" but instead were forced into signing through pressure. In a speech in 2009 to a crowd of Christian Kataeb supporters Gemayel declared that he felt there was importance in Christians in Lebanon finding an identity and went on to state what he finds identification with as a Lebanese Christian, concluding with a purposeful exclusion of Arabism in the segment. The speech met with an applause afterward from the audience; Etienne Sakr, of the Guardians of the Cedars Lebanese party, in an interview responded "We are not Arabs" to an interview question about the Guardians of the Cedars' ideology of Lebanon being Lebanese. He continued by talking about how describing Lebanon as being not Arab was a crime in present-day Lebanon, about the Lebanese Civil War, and about Arabism as being first step towards Islamism, claiming that "the Arabs want to annex Lebanon" and in order to do this "to push the Christians out (out of Lebanon)", this being "the plan since 1975", among other issues.

What is the history of that?

Answer with quotes: this being the case during 1958 Lebanon crisis.

Problem: The Moody Blues are an English rock band formed in Birmingham, England in 1964. They first came to prominence playing rhythm and blues music, but their second album, Days of Future Passed, which was released in 1967, was a fusion of rock with classical music and established them as pioneers in the development of art rock and progressive rock. It has been described as a "landmark" and "one of the first successful concept albums". The band became known internationally with singles including "Go Now", "Nights in White Satin", "Tuesday Afternoon", and "Question".

In the spring of 1974, after completing a vast world tour that culminated with a tour of Asia, the group took an extended break, erroneously reported as a break-up at the time, because of the other band members feeling exhausted and overshadowed (this was said by Hayward in the final issue of Higher & Higher magazine 2006). Although the band had typically featured four lead vocalists (with Edge also contributing vocally), Hayward was the principal guitarist/vocalist whilst Pinder was considered to be the person most responsible for their symphonic sound, arrangements, and overall conceptual direction. Pinder and Thomas also doubled as the Moodies' onstage MCs (as the 1969 "Caught Live + 5" album displayed). Before the band's 1973-74 world tour (their last with Pinder), Hayward wrote a song called "Island" with the intention of including it on a potential follow-up album, which the Moodies recorded in 1973 before ultimately going their separate ways. An additional cause of the hiatus were the long tours that had by this time strained Pinder, who needed a rest. In 1974 the band oversaw preparation of the compilation album This Is The Moody Blues which was released that year. Hayward and Lodge released a duo album, the very successful Blue Jays (1975), and a UK chart single, "Blue Guitar" (no. 8), which was credited to Hayward and Lodge even though it was just Hayward with 10cc backing him. The album had originally been a projected liaison between Hayward and Pinder, but after Pinder dropped out, John Lodge stepped in. (Tony Clarke produced it.) The members then released solo albums. Pinder said he hoped to get the band back together that year. "Having moved to California in 1974, I returned to Britain for a visit in summer 1975. I was trying to get the band to do an album, but the response was so weak I returned to California with my two new Mk5 mellotrons and began work on my solo album The Promise." Edge produced two albums with guitarist Adrian Gurvitz, Kick Off Your Muddy Boots (1975) and Paradise Ballroom (1976); Hayward composed the acoustically textured Songwriter (1977), which was followed up in later years by Night Flight (1980), Moving Mountains (1985), (which Hayward dedicated to Peter Knight) Classic Blue (1989), The View From The Hill (1996) and Live in San Juan Capistrano (1998); Lodge released Natural Avenue (1977); Pinder produced The Promise (1976); and Thomas collaborated on two projects with songwriter Nicky James, producing From Mighty Oaks (1975) and Hopes, Wishes and Dreams (1976).

Why did they take an extended break?

Answer with quotes:
band members feeling exhausted and overshadowed