Question: Freddie King (September 3, 1934 - December 28, 1976) was an American blues guitarist and singer. He has been described as one of the "Three Kings" of electric blues guitar, along with Albert King and B.B. King. He was an influential guitarist with hits for Federal Records in the early 1960s. His soulful and powerful voice and distinctive guitar style inspired countless musicians, particularly guitarists (Eric Clapton is a notable example).

According to his birth certificate he was named Fred King, and his parents were Ella Mae King and J. T. Christian. When Freddie was six years old, his mother and his uncle began teaching him to play the guitar. In autumn 1949, he and his family moved from Dallas to the South Side of Chicago. In 1952 King started working in a steel mill. In the same year he married another Texas native, Jessie Burnett. They had seven children. Almost as soon as he had moved to Chicago, King started sneaking into South Side nightclubs, where he heard blues performed by Muddy Waters, Howlin' Wolf, T-Bone Walker, Elmore James, and Sonny Boy Williamson. King formed his first band, the Every Hour Blues Boys, with the guitarist Jimmie Lee Robinson and the drummer Frank "Sonny" Scott. In 1952, while employed at a steel mill, the eighteen-year-old King occasionally worked as a sideman with such bands as the Little Sonny Cooper Band and Earl Payton's Blues Cats. In 1953 he recorded with the latter for Parrot Records, but these recordings were never released. As the 1950s progressed, King played with several of Muddy Waters's sidemen and other Chicago mainstays, including the guitarists Jimmy Rogers, Robert Lockwood Jr., Eddie Taylor, and Hound Dog Taylor; the bassist Willie Dixon; the pianist Memphis Slim; and the harmonicist Little Walter. In 1956 he cut his first record as a leader, for El-Bee Records. The A-side was "Country Boy", a duet with Margaret Whitfield. The B-side was a King vocal. Both tracks feature the guitar of Robert Lockwood, Jr., who during these years was also adding rhythm backing and fills to Little Walter's records. King was repeatedly rejected in auditions for the South Side's Chess Records, the premier blues label, which was the home of Muddy Waters, Howlin' Wolf, and Little Walter. The complaint was that King sang too much like B.B. King. A newer blues scene, lively with nightclubs and upstart record companies, was burgeoning on the West Side, though. The bassist and producer Willie Dixon, during a period of estrangement from Chess in the late 1950s, asked King to come to Cobra Records for a session, but the results have never been heard. Meanwhile, King established himself as perhaps the biggest musical force on the West Side. He played along with Magic Sam and reputedly played backing guitar, uncredited, on some of Sam's tracks for Mel London's Chief and Age labels, though King does not stand out on them.

Using a quote from the above article, answer the following question: Where did he attend school?
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Answer: In 1952 King started working in a steel mill. In the same year he married another Texas native, Jessie Burnett. They had seven children.

Question: Project 86 is an American rock band from Orange County, California, formed in 1996. The band has released eight albums, which have collectively sold nearly 500,000 units worldwide, two EPs, two DVDs, and one live album. Their music is considered by most to be a rock/post-hardcore/alternative style. Frontman Andrew Schwab's poetic and introspective lyrics have addressed a wide variety of topics such as conformity and emptiness.

The group worked on their sophomore record with producer Garth "GGGarth" Richardson. in Vancouver, BC. Schwab wrote lyrics about a wider variety of issues, rather than just focusing on personal expression with their sophomore release: "The new album deals a lot less with me, and more with the world around us; Issues in people, society, culture". The sound was heavier and more progressive, with more hints of melody as well. As soon as the album was finished it garnered interest from several major labels, and Atlantic records licensed the album for co-release with Tooth and Nail/BEC in March 2000. Drawing Black Lines peaked at No. 37 on Heatseekers, and was well received by critics. By this time, listeners in the band had begun to amass a sizable fanbase. Despite heavy reliance on tour dates and word of mouth to inform people of its release, the album experienced some commercial success when it eventually sold nearly 120,000 copies. The band added Cory Edelmann, previously of No Innocent Victim, after the album was finished. Project 86 traveled nationwide with P.O.D., Hed PE, and Linkin Park on the "Kings of the Game" tour in October 2000. They also played a string of shows with Queensryche. In 2002, Project 86 teamed with Slayer producer Matt Hyde to record their next album. The record was envisioned as a critique of post-9/11 America and the music industry. Formatted as a concept album, it told the story of a character attempting to find fulfillment in modern culture. "Songs were written and assembled with a certain ebb and flow in mind," said Schwab, "I approached the album like writing chapters in a book." The group spent over 14 months recording demos for Atlantic, which invested nearly $1,000,000 in the project when it was all said and done. Because of the pressure to produce radio singles, the sound of the album was quite different from its previous releases, as was Schwab's cryptic lyrics, which represented the frustrations of being stifled creatively and feeling powerless in the process. Truthless Heroes was released in September 2002 and peaked at No. 146 on the Billboard 200. Their first and only single, "Hollow Again", peaked at No. 35 on Mainstream Rock Tracks. Atlantic refused to release the second single because they claimed the lyrics conflicted with the Iraq War effort. While lauded by critics for its pounding criticism of the media and entertainment industry, the album proved to be controversial, particularly the promotional website. The group performed with Taproot on their self-titled tour in fall 2002. In addition, they played shows with Thirty Seconds to Mars, Trapt, Blindside, Trust Company, Sevendust, and Finger Eleven.

Using a quote from the above article, answer the following question: Was Truthless Heroes also a success?
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Answer:
peaked at No. 146 on the Billboard 200.