[Q]: The following article contains an answer for the question: Who finds someone acting disabled to be overlooked? , can you please find it? In 1973, Daniel and Lena, a young German couple, become entangled in a Chilean military coup at a time when supporters of deposed President Salvador Allende are getting rounded up by the military under General Augusto Pinochet. When Daniel is abducted by Pinochet's secret police DINA, Lena tries to find and save her boyfriend. She tracks him to a sealed-off organization called "Colonia Dignidad", which presents itself as a charitable mission run by a lay preacher, Paul Schafer. Lena joins the organization to rescue her boyfriend, only to learn it is a cult from which no one has ever escaped. She later finds Daniel, who acts disabled to be overlooked. Daniel discovers the organization is also an illegal operations center for DINA. Lena and Daniel attempt to escape from Colonia Dignidad along with Ursel, a pregnant nurse. Ursel is killed and both Lena and Daniel escape to the West German embassy. Staff from the embassy betray them but the lovers exit the country by air, with incriminating photographic evidence against Colonia Dignidad.
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[A]: Lena
input: Please answer the following: The following article contains an answer for the question: What is the names of the person who help take some cattle across the country? , can you please find it? In 1865 Australia, the two Marston brothers, bold Dick and sensitive Jim, are drawn into a life of crime by their ex-convict father Ben and his friend, the famous cattle thief Captain Starlight. They help take some cattle their father and Starlight have stolen across the country to Adelaide, where they are sold with Starlight impersonating an English gentleman claiming to own the rustled herd. The two brothers take their share of the money and go to Melbourne. On board ship they meet the Morrison sisters, greedy Kate and nice Jean, who are romanced by Dick and Jim respectively. They read that Starlight has been arrested, and return home, where they and their father narrowly escape arrest. The brothers are then reunited with Starlight, who has left prison, and join him and some other men in robbing a coach, in which a trooper is shot and killed. Dick and Jim go to the gold fields to make enough money to escape to America. There they are reunited with Kate, who is married but is still interested in Dick, and Jean, who Jim marries. Just as the brothers are about to leave to start a new life, Captain Starlight and his gang (including Ben Marston) arrive to rob the local bank. During the robbery several people are killed by Starlight's gang (although not by Starlight), including a mother protecting child. Jim Marston is captured by locals and is about to be lynched but rescued by a trooper who comes to arrest him. Dick rescues Jim from the trooper. but is killed in the attempt. Jim hides out with Starlight and his father but misses his wife too much and goes back to see her. Starlight and Ben Marston are killed in a shoot out with police. Jim Marston is arrested.
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output: Jim
Please answer this: The following article contains an answer for the question: What is the name of the subgenre of music that can range from soulful to minimalistic that is based around squelchy, deep electronic tones? , can you please find it? House music is a genre of electronic dance music created by club DJs and music producers in Chicago in the early 1980s. Early house music was generally characterized by repetitive 4/4 beats, rhythms provided by drum machines, off-beat hi-hat cymbals, and synthesized basslines. While house displayed several characteristics similar to disco music, which preceded and influenced it, as both were DJ and record producer-created dance music, house was more electronic and minimalistic. The mechanical, repetitive rhythm of house was one of its main components. Many house compositions were instrumental, with no vocals; some had singing throughout the song with lyrics; and some had singing but no actual words. House music developed in Chicago's underground dance club culture in the early 1980s, as DJs from the subculture began altering the pop-like disco dance tracks to give them a more mechanical beat and deeper basslines. As well, these DJs began to mix synth pop, rap, Latin, and even jazz into their tracks. Latin music, particularly salsa clave rhythm, became a dominating riff of house music. It was pioneered by Chicago DJs such as Chip E., and Steve Hurley. It was influenced by Chicago DJ and record producer Frankie Knuckles, the Chicago acid-house electronic music group Phuture, and the Tennessee DJ/producer Mr. Fingers. The genre was originally associated with the Black American LGBT subculture but has since spread to the mainstream. From its beginnings in the Chicago club and local radio scene, the genre spread internationally to London, then to American cities such as New York City and Detroit, and eventually globally.Chicago house music acts from the early to mid-1980s found success on the US dance charts on various Chicago independent record labels that were more open to sign local house music artists. These same acts also experienced some success in the United Kingdom, garnering hits in that country. Due to this success, by the late 1980s, Chicago house music acts suddenly found themselves being offered...
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Answer: acid house
Problem: The following article contains an answer for the question: What three tracks did Kaye single out from the Christ Illusion album? , can you please find it? "Jihad"alongside fellow Christ Illusion album tracks "Eyes of the Insane" and "Cult"was made available for streaming on June 26, 2006, via the Spanish website Rafabasa.com. The album was Slayer's ninth studio recording, and was released on August 8, 2006. During reviews "Jihad" received a mixed reception. Blabbermouth's Don Kaye gave the opinion that "a handful of songs" on Christ Illusion "are either too generic or the arrangements are too clumsy to work well", and specifically singled out the track: "I'm looking at you, 'Jihad' and 'Skeleton Christ'." Ben Ratliff of New York Times remarked that the song is "predictably tough stuff, but let's put it on a scale. It is tougher, and less reasoned, than Martin Amis's recent short story 'The Last Days of Muhammad Atta.' It is no tougher than a taped message from Al Qaeda." Peter Atkinson of KNAC.com was equally unimpressed, describing the group's choice of song climax as: ..the same sort of detached, matter-of-fact tactic Hanneman and Araya have employed for "difficult" subjects in the pastJosef Mengele's Nazi atrocities in "Angel of Death" or Jeffrey Dahmer/Ed Gein's ghoulish proclivities in "213" and "Dead Skin Mask"with great effect. But here it feels atypically crass and exploitative, as if it was done purely to get a rise out of people... And Slayer's usually a lot more clever than that. Not all reviews were so negative. Thom Jurek of Allmusic observed that "the band begins to enter and twist and turn looking for a place to create a new rhythmic thrash that's the most insane deconstruction of four/four time on tape." The Austin Chronicle's Marc Savlov asked readers to "listen to the eerie, stop-start cadence of lunacy in 'Jihad,' with Araya playing the role of a suicide bomber almost too convincingly."King would have appointed "Jihad" as the group's nomination in the "Best Metal Performance" award category at the 49th Grammy Awards, deeming the chosen track "Eyes of the Insane" "the poorest representations" of the group on ninth studio album Christ...

A:
Skeleton Christ