Some context: Anti-Flag are an American punk rock band from Pittsburgh, Pennsylvania, United States. The band is well known for politically charged lyrics and activism, focusing on anti-war activism, anti-imperialism, class struggle, human rights, and various sociopolitical sentiments. The line-up includes singer/guitarist Justin Sane and drummer Pat Thetic, who founded the band; later members are guitarist Chris Head, and singer/bassist Chris Barker (#2) who replaced Jamie "Cock" Towns, who had replaced original bassist Andy Flag in 1997 following his departure one year prior. Anti-Flag is known also for their advocacy of progressive political action groups such as Greenpeace and Amnesty International.
In 1996, the band released their first album, Die For the Government, on New Red Archives. Andy Flag left the band in the summer of 1996 because of personal disputes between himself and Justin. For a brief time after Andy's departure in 1996, Sean Whelan of Pittsburgh band the Bad Genes filled in on bass. It was during this time that Sean was also playing in another band (57 Defective) with guitarist Chris Head, whom he introduced to the band. In early 1997, Pittsburgh guitarist Chris Head began filling in on bass. In late 1997, Jamie Cock took over as the new bassist, moving Chris Head over to second guitar, which he preferred. The current line-up finalized in 1999 when Chris Barker, also known as Chris No. 2, replaced Jamie Cock on bass. In 1998, the band released their second full-length release, Their System Doesn't Work For You. The album contained all nine Anti-Flag songs from the 1996 Anti-Flag/d.b.s. split album North America Sucks, as well as 10 new unreleased songs. The band decided to release the album independently, and Their System Doesn't Work For You became the debut release for the band's own A-F Records. In 1999, Anti-Flag released the album A New Kind of Army on Go-Kart Records/A-F Records. The album addressed topics such as abortion, political corruption, racism, fascism, troubled youth, police brutality, and unity within the American youth. The cover art page unfolded into a poster featuring the phrase "Too smart to fight. Too smart to kill. Join now. A new kind of army." In addition to this, the band had a disclaimer at the bottom of its album cover saying,"Anti-Flag does not mean Anti-American. Anti-Flag means anti-war. Anti-Flag means unity."
What other records companies are associated with the group?
A: New Red Archives.
Some context: Dixy Lee Ray (September 3, 1914 - January 2, 1994) was an American scientist and politician who served as the 17th Governor of the U.S. state of Washington. Variously described as idiosyncratic, and "ridiculously smart," she was the state's first female governor and was governor during the 1980 eruption of Mount St. Helens. She was a supporter of atomic energy. A graduate of Mills College and Stanford University, where she earned a doctorate in biology, Ray became an associate professor at the University of Washington in 1957.
Intrigued by her reputation as a person who could "make science interesting," producers at KCTS-TV, Seattle's PBS affiliate, approached Ray about hosting a weekly television program on marine biology. The show, Animals of the Seashore, was a hit and helped propel her into the public eye beyond campus. Her growing popularity led to the Pacific Science Center extending an invitation to Ray to take over the nearly-bankrupt science museum for an annual salary of $20,000. Ray jumped at the opportunity and immediately began a top-to-bottom overhaul of the center, declaring "I'll be damned if I'm going to become a landlady to a hoary old museum." Under Ray's guidance, the Pacific Science Center was converted from a traditional, exhibit-oriented museum to an interactive learning center. Ray's hands-on approach to running the Pacific Science Center reflected at every level. She kept a police whistle in her desk that she would use to run off loitering hippies. Jim Anderson, who would eventually teach fisheries science at the University of Washington, recalled a typical encounter with Ray, for whom he worked at the Pacific Science Center in 1968: Her driving was infamous and my one ride with her, in a three-quarter-ton flatbed truck, was wholly memorable. Admittedly, it was an early Sunday morning, but sliding through stop signs, a few crosswise, was disconcerting at best. The ride went over the top when we reached the Science Center. The lot was full of cars without permits. Trying to fit in a very small space with a large flatbed truck, she dented two cars, broke the taillight off a third, and finally vaporized the rear window of a fourth. Ray led the Pacific Science Center back into financial solvency. Her aggressive fundraising for the center also helped introduce her to many of the city's most influential citizens, including Senator Warren Magnuson.
how was she involved with KCTS-TV?
A: producers at KCTS-TV, Seattle's PBS affiliate, approached Ray about hosting a weekly television program on marine biology.
Some context: Tallulah Brockman Bankhead (January 31, 1902 - December 12, 1968) was an American actress of the stage and screen. Bankhead was known for her husky voice, outrageous personality, and devastating wit. Originating some of the 20th century theater's preeminent roles in comedy and melodrama, she gained acclaim as an actress on both sides of the Atlantic.
In 1933, Bankhead nearly died following a five-hour emergency hysterectomy due to venereal disease, which she claimed she had contracted from George Raft. Only 70 lb (32 kg) when she left the hospital, she stoically said to her doctor, "Don't think this has taught me a lesson!" In 1934, after recuperating in Alabama, she returned to England. After only a short stay, she was called back to New York to play in The Little Foxes. Although Bette Davis played the leading character in the 1941 film version, she openly admitted in later years that she had emulated Bankhead in the role. Bankhead continued to play in various performances over the next few years, gaining excellent notices for her portrayal of Elizabeth in a revival of Somerset Maugham's The Circle. Returning to Broadway, Bankhead's career stalled at first in unmemorable plays. When she appeared in Shakespeare's Antony and Cleopatra with her then-husband, John Emery, the New York Evening Post critic John Mason Brown wrote, "Tallulah Bankhead barged down the Nile last night as Cleopatra - and sank." David O. Selznick, producer of Gone with the Wind (1939) called her the "first choice among established stars" to play Scarlett O'Hara. Although her screen test for the role in black-and-white was superb, she photographed poorly in Technicolor. Selznick also reportedly believed that at age 36, she was too old to play Scarlett, who is 16 at the beginning of the film (the role eventually went to Vivien Leigh). Selznick sent Kay Brown to Bankhead to discuss the possibility of Bankhead playing prostitute Belle Watling in the film, which she turned down. The search for Scarlett O'Hara was documented in "The Scarlet O'Hara Wars" episode of the miniseries Moviola, where the very similar Carrie Nye played Bankhead, being nominated for an Emmy Award.
why didnt she get that role?
A:
her screen test for the role in black-and-white was superb, she photographed poorly in Technicolor.