Teacher: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Teacher: Now, understand the problem? If you are still confused, see the following example:
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this instance: Context_1 : Chersiphron ( ; Greek: ; fl. 6th century BC), an architect of Knossos in ancient Crete, was the builder of the Temple of Artemis at Ephesus, on the Ionian coast. The original temple was destroyed in the 7th century BC, and about 550 BC Chersiphron and his son Metagenes began a new temple, the "Artemision", which became one of the Seven Wonders of the Ancient World in each of its three manifestations. It was burned by Herostratus in July 356 BC and rebuilt again. Context_2 : Herostratus (Ancient Greek: ) or Erostratus was a 4th-century BC Greek arsonist, who sought notoriety by destroying the Temple of Artemis, one of the Seven Wonders of the Ancient World. His acts prompted the creation of a "damnatio memoriae" law, forbidding anyone to mention his name. Nevertheless, his name has become a metonym for someone who commits a criminal act in order to become noted. Context_3 : Ernakulam Shiva Temple, also known as Ernakulathappan Temple is one of the major temples of Kerala, located in heart of Ernakulam, the downtown area of the city of Kochi. The temple, dedicated to Lord Shiva, is considered as the city temple, with the presiding deity as the protector of the city, as per local Hindu faiths and traditions. As per the common practice in Kerala, the deity is reverently called Ernakulathappan, which means "Lord of Ernakulam". The temple is located within the Durbar Hall Ground. The temple history itself has deep association with history of the city and was one of the 7 royal temples of Kochi Maharajas. The temple is now under administration of Cochin Devasom Board. The temple in its current form was built under active patronage of Diwan Sri Edakkunni Sankara Warrier in year 1846 and raised it level of a Royal temple in the Kochi Kingdom. The temple is built on 1 acre land. The temple is one of the major Shiva temples in Kerala counted along with the Ettumanoor Mahadevar Temple, Kaduthruthy Mahadeva Temple, Vaikom Temple, Chengannur Mahadeva Temple and Vadakkunathan temple. Context_4 : Luxor Temple is a large Ancient Egyptian temple complex located on the east bank of the Nile River in the city today known as Luxor (ancient Thebes) and was constructed approximately 1400 BCE. In the Egyptian language it is known as "ipet resyt", "the southern sanctuary". In Luxor there are several great temples on the east and west banks. Four of the major mortuary temples visited by early travelers and tourists include the Temple of Seti I at Gurnah, the Temple of Hatshepsut at Deir el Bahri, the Temple of Ramesses II (a.k.a. Ramesseum), and the Temple of Ramesses III at Medinet Habu; and the two primary cults temples on the east bank are known as the Karnak and Luxor. Unlike the other temples in Thebes, Luxor temple is not dedicated to a cult god or a deified version of the king in death. Instead Luxor temple is dedicated to the rejuvenation of kingship; it may have been where many of the kings of Egypt were crowned in reality or conceptually (as in the case of Alexander the Great who claimed he was crowned at Luxor but may never have traveled south of Memphis, near modern Cairo.) Context_5 : Srivaikuntanathan Perumal Temple (also called Srivaikuntam temple and Kallapiran temple) in Srivaikuntam, a town in Thoothukudi district in the South Indian state of Tamil Nadu, is dedicated to the Hindu god Vishnu. It is located 22km from Tirunelveli. Constructed in the Dravidian style of architecture, the temple is glorified in the "Divya Prabandha", the early medieval Tamil canon of the Azhwar saints from the 6th9th centuries AD. It is one of the 108 "Divyadesam" dedicated to Vishnu, who is worshipped as Vaikuntanathar and his consort Lakshmi as Vaikuntavalli. The temple is also classified as a Navatirupathi, the nine temples revered by Nammazhwar located in the banks of Tamiraparani river. The temple is next only to Alwarthirunagari Temple in terms of importance among the nine Navatirupathi temple. The temple is one of the Navagraha temples in Vaishnavism, associated with Surya, the Sun god. Context_6 : The Rexburg Idaho Temple is the 125th operating temple of The Church of Jesus Christ of Latter-day Saints (LDS Church). Announced in late 2003, the temple was dedicated on February 10, 2008 and was the first temple dedicated by Thomas S. Monson as the church's new president. The Rexburg Idaho Temple was the third LDS temple in Idaho. (Later in 2008, a fourth Idaho temple was dedicated in Twin Falls.) The temple sits south of the Brigham Young UniversityIdaho (BYUIdaho) campus on the south side of Rexburg. Prior to its completion, BYUIdaho had been the only LDS Church-owned university without a temple adjacent to its campus. Context_7 : Abimukeswarar Temple is a Hindu temple dedicated to Shiva located at Kumbakonam in Thanjavur district, Tamil Nadu, India. This is one of the 12 Shiva temples connected with Mahamaham festival which happens once in 12 years in Kumbakonam. Other temples are Kasi Viswanathar Temple, Kumbeswarar Temple, Nageswara Temple, Someswarar Temple, Koteeswarar Temple, Kahahasteeswarar Temple, Gowthameswarar Temple, Amirthakalasanathar Temple, Banapuriswarar Temple, Kambatta Visvanathar Temple and Ekambareswarar Temple. Context_8 : Manakula Vinayagar Temple (Tamil: ) is a Hindu temple in the Union Territory of Puducherry, India. Dedicated to the god Ganesa, it is a popular pilgrimage site and tourist destination in Puducherry. The temple is of considerable antiquity and predates French occupation of the territory. During the tenure of Dupleix, there were attempts to destroy the temple but the temple was finally spared owing to strong protests from the Hindu population and the threat of British and Maratha invasion of the territory. Context_9 : The Temple of Artemis or Artemision (, Turkish: "Artemis Tapnag" ), also known less precisely as the Temple of Diana, was a Greek temple dedicated to the goddess Artemis. It was located in Ephesus (near the modern town of Selcuk in present-day Turkey). One of the Seven Wonders of the Ancient World, it was completely rebuilt three times before its final destruction in 401 AD. Only foundations and sculptural fragments of the latest of the temples at the site remain. Context_10 : Thyagaraja Temple ( also called as Vadivudai Amman Temple ) is a Hindu temple dedicated to Hindu god Shiva. It is located in Tiruvottiyur in the northern part of Chennai, Tamil Nadu, India. The temple is revered by the "Tevaram" hymns of Saiva nayanars, the 7th century Tamil saint poets and classified as Paadal Petra Sthalam. The temple is closely associated with the saint poet Sundarar and Pattinathar. The temple has been in vogue from the Pallava times of the 7th century and widely expanded by Chola kings during the 11th century. The temple has a seven tiered gateway tower, a tank, with the overall temple area covering 1 acre. The temple is administered by the Hindu Religious and Endowment Board of the Government of Tamil Nadu. The temple draws parallel with the Thygaraja temple in Tiruvarur as both the temples were expanded by Rajendra Chola I and both have the same dance poses of Shiva. fact_1 : Herostratus (Ancient Greek: ) or Erostratus was a 4th-century BC Greek arsonist, who sought notoriety by destroying the Temple of Artemis, one of the Seven Wonders of the Ancient World. fact_2 : The Temple of Artemis or Artemision (, Turkish: "Artemis Tapnag" ), also known less precisely as the Temple of Diana, was a Greek temple dedicated to the goddess Artemis. Answer: goddess Artemis
Student:
Who was the temple that Herostratus sought to destroy dedicated to?