In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.
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Question: I sincerely consider this movie as another poor effort of Dominican Movie Industry. The first 30 minutes of the movie are a little funny but then when they switch their role in the society (men doing what women usually do and women doing what men usually do) the movie falls. Becoming boring and not funny at all. They let many things without explanation and the end of the movie is predictable. I didn't like the way as a Roberto Angel played his character and his little either. I went to the movies theater hoping to see a good work but I went out really disappointed.I don't recommend this movie.

Answer: negative

Question: I knew that 'Evening' was a girlie film, so I was expecting to be bored. A wicked tease on IMDb had said that it was a 'chick flick' but that your companion would survive.Survive? Yes. I am still here, but when the two of us came out we were amazed to find that it had only lasted two hours - it seemed a much longer evening than that! I suppose that, for Yanks, it is supposed to be elevating or fascinating because it is about rich people living on the beach - well, next to the beach, in a house with a wide verandah and a lawn but no apparent lawnmower. If that sort of thing impresses you it might seem quite a short film.There's a Monty Python film about a Knight who just won't die. He ends up a wriggling (why do Yanks add an third syllable to this word I wonder) torso in the road still shouting threats at his nemesis. This film is also about a sort of living dead. Vanessa Redgrave (inappropriate name for the grave dodger shown here) goes on and on dying whilst having inappropriate guilt. She's not worried about having been a wide-eyed, breathless bimbo, but imagines herself a murderess.Obviously, being a girlie film, there's a chap who is supposed to be the Mr Darcy/Heathcliff character. I'm not a woofter, so I can't claim to be a good judge of such things, but the tedious wimp who is wheeled out for this role seems only to have the title of servant in his favour. He's a bloodless cypher.As you might gather, the main characters aren't much cop, but the minor ones manage, amazingly to be much worse. There's a fellow whose only job is to react to the news that his girlfriend is preggers. Fair enough, but it isn't the role of Hamlet - why ham it up so badly? Forgetting that it was a girlie film, I thought he was going to be thrown out because any decent girl-friend would have told him that face-fungus didn't flatter him, but then I realised that she must have encouraged him to grow a 'beard' because he looked worse without it.I kept awake by noticing which actors and actresses had their earlobes attached or free and noting interesting bits of scenery - if you're dragged along to it, see if you can spot the stuffed buffalo head, just the sort of thing you'd expect in a beach cottage.Apart from the obligatory wedding, there is only one piece of action. You'd have thought that they'd have got it right. Sadly, though, the hit and run accident is carried out by a car that couldn't be there. When the accident is discovered the cast wander about shouting for a character that they can't know is nearby (but we do as the audience). If they don't have any clue that the person is within a couple of miles of the place, then why do they wander about aimlessly shouting for him? I suppose that the director's excuse is that it is supposed to be a half-remembered dream sequence...Another scenery item that caught my attention was a copper bottomed saucepan. I didn't think that the technology to do this was developed until the fifties.

Answer: negative

Question: What we have here is a film about how the pursuit of money & revenge can corrupt your soul... or something like that. Guy Ritchie, a director known for his reworking of the gangster genre, bites off more than he can chew with this one.His use of modern film noir to tackle the theme of a man setting himself free by swallowing his pride, being nice to his enemy & giving away all his money falls flat on it's face. When Jason Statham's character no longer fears Ray Liotta, it apparently drives Liotta crazy enough to blow his head off in the final scene. Why? Basically you cannot set up a mafiosi like the Liotta character, who has presumably got to his station in life by displaying the kind of ruthless behaviour evident throughout the film, only then to have him driven to suicide by nothing more than a pitying smile on the face of Statham's character.Before anyone starts to say I'm missing the point... I'm not. I get it OK? Opt out of the quest for riches & you'll find true happiness and inner peace. Be nice to your enemy and this will confuse him into self-destruction. This seems to be the gist of the movie and in itself this is not a bad premise for a story, although hardly original. The problem is that Ritchie simply doesn't have the skill as a movie maker to carry it off. At the moment when even Guy Ritchie realises this, he appears to get bored with the story and begins to insert red-herrings: The scene when Statham gets knocked over by a car - Why? The shooting of some scenes as Marvel comic animations... again, why?There are so many loose threads & unanswered questions left at the end of the movie you could get all 2001-ish about it and try figuring them out, or simply accept that there are no answers & each viewer will interpret things in their own way. Myself? I was so bored with the pompous tone of the film that I simply didn't care. Frankly the ending couldn't come too soon so that I didn't have to sit through any more of this pretentious psychobabble.A waste of two hours of my life.

Answer:
negative