IN: Eraserheads (sometimes stylized as ERAS3RHEADS) is a Filipino rock band formed in 1989. Consisting of Ely Buendia, Marcus Adoro, Buddy Zabala, and Raimund Marasigan, the band became one of the most successful, most influential, critically acclaimed, and significant bands in the history of Philippine music, leaving a legacy that resulted to them being the most commercially successful Filipino music artists of all time. Often dubbed as "The Beatles of the Philippines", they are credited for spearheading a second wave of Manila band invasions, paving the way for a host of Philippine alternative rock bands. The band released several singles, albums, and EPs that reached number one and achieved commercial success with their third album Cutterpillow, which achieved platinum status several times.

In 1989, two college bands from the University of the Philippines, Diliman were both in search of new members for a new group. Curfew, which consisted of Buddy Zabala on bass, Raimund Marasigan on drums and Marcus Adoro on guitars met up with Sunday School, which consisted of Ely Buendia on vocals and Raimund Marasigan as session drummer in December of the same year. Ely's first two college bands, Bluidie Tryste and Sunday School, were too unstable, so he posted an audition notice on a university message board. Only Raimund, Buddy, and Marcus showed up at the audition. According to an interview with myx, Raimund said he first auditioned as bassist while Buddy as drummer. But they noticed that it did not sound right, the two switched places. The four formed a new group and called themselves Eraserheads, taking inspiration from the film Eraserhead by surrealist director David Lynch. They played mostly covers, doing gigs in schools, and playing at Manila's rock club circuit, achieving little success. The band found that they were not good at playing covers, so they concentrated on writing their own material. Their new, original songs, played live, soon earned them a cult following in the university, which gradually spread outside the campus. One of the songs, a pop song entitled, "Pare Ko", became popular, partly because of lyrics that included a few obscenities. The band recorded a nine-song demo tape in the garage of Marasigan's provincial home (in Candelaria, Quezon) on January 6, 1991. They then shopped the demo cassette around record labels, clubs and radio stations, hoping to have their songs reach the public. However, they were rejected at every turn, with one recording label deeming that their demo was "not pop enough". In May 1991, a professor-friend teaching Humanities, Robin Rivera, helped them re-record and mix better versions of the demo songs on a four-track DAT recorder. The new demo was named Pop-U!, titled as an irreverent response to those who turned them down. Meanwhile, Buendia became employed as a student copywriter by BMG Records (Pilipinas) Inc. (now part of Sony BMG Music Entertainment). He worked with BMG during the day and wrote songs with the band during the night. Eventually, the songs of Buendia and the band caught the attention of BMG A&R director Vic Valenciano. Valenciano listened to the songs and then commented that they were very raw technically, but that there was something promising in them. Subsequently, BMG gave Eraserheads' songs a try. In 1992, BMG signed up the band for a three-year record deal.
QUESTION: How was the band formed?
IN: Sir Wesley Winfield Hall (born 12 September 1937) is a Barbadian former cricketer and politician. A tall, strong and powerfully built man, Hall was a genuine fast bowler and despite his very long run up, he was renowned for his ability to bowl long spells. Hall played 48 Test matches for the West Indies from 1958 to 1969. Hall's opening bowling partnership with fellow Barbadian Charlie Griffith was a feature of the strong West Indies teams throughout the 1960s.

Hall had a magnificent, bounding approach, eyes bulging, teeth glinting, crucifix flying, climaxing in a classical cartwheel action and intimidating followthrough. Hall was a tall and muscular cricketer, 6 feet 5 inches (196 cm) tall and bearing the "physique and strength of a bodybuilder." He had a graceful, classical action and one of the longest run-ups in Test cricket. A genuinely fast bowler, he was timed at 91 miles per hour (146 km/h). Hall was able to sustain pace and hostility for very long spells--during the Test against England at Lord's in 1963 he bowled unchanged for over three hours on the final day. While Hall was an aggressive fast bowler, he was not one to set out to injure the batsman. The England cricketer Ted Dexter--himself hit several times by Hall--said "there was never a hint of malice in [Hall] or in his bowling". Hall himself said after one of his deliveries fractured Australian cricketer Wally Grout's jaw "It made me sick to see Wal leaving and it made me sicker to hear some jokers in the crowd ranting on as though I had intentionally hurt [Grout]". While Hall could never be described as an all-rounder, on occasions he was an effective batsman. His one century in first-class cricket was against Cambridge University Cricket Club at Fenners--scored in 65 minutes, the fastest century of the 1963 English season. Wisden said of this innings, "[Hall's] batting promised so much ... [he] made his runs in the classic mould, not in the unorthodox manner usually adopted by fast bowlers." With his characteristic humour, Hall said of this innings, "Ah, but it wasn't any old hundred, it was against the intelligentsia." Hall was one of the most popular cricketers of his day. The Australian commentator Johnnie Moyes described Hall as "a rare box-office attraction, a man who caught and held the affections of the paying public." Hall was particularly popular in Australia. When invited back to play for Queensland in the Sheffield Shield in 1961-62, Hall arrived in Brisbane to "scenes more in keeping with the arrival of a pop star, a thousand people jamming the old terminal building at Eagle Farm airport to welcome him." Hall was fond of a bet and was a keen follower of horseracing. Hall is known as a good humoured man; C. L. R. James observed "Hall simply exudes good nature at every pore." Tony Cozier states "[Hall] is renowned for his entertaining, if prolonged oratory, as well as for his tardiness."
QUESTION:
What else was distinctive about his style?