input: CHAPTER THIRTY-SIX

BETH'S SECRET

When Jo came home that spring, she had been struck with the change in Beth. No one spoke of it or seemed aware of it, for it had come too gradually to startle those who saw her daily, but to eyes sharpened by absence, it was very plain and a heavy weight fell on Jo's heart as she saw her sister's face. It was no paler and but littler thinner than in the autumn, yet there was a strange, transparent look about it, as if the mortal was being slowly refined away, and the immortal shining through the frail flesh with an indescribably pathetic beauty. Jo saw and felt it, but said nothing at the time, and soon the first impression lost much of its power, for Beth seemed happy, no one appeared to doubt that she was better, and presently in other cares Jo for a time forgot her fear.

But when Laurie was gone, and peace prevailed again, the vague anxiety returned and haunted her. She had confessed her sins and been forgiven, but when she showed her savings and proposed a mountain trip, Beth had thanked her heartily, but begged not to go so far away from home. Another little visit to the seashore would suit her better, and as Grandma could not be prevailed upon to leave the babies, Jo took Beth down to the quiet place, where she could live much in the open air, and let the fresh sea breezes blow a little color into her pale cheeks. 1. When did someone's fears return?
2. Who admitted their sins?
3. Where did someone want to go on a vacation?
4. Who pleaded not to go to the mountains?
5. Would the grandmother leave the infants?
6. Who looked very different?
7. To whom?
8. Did everyone think so?
9. What made Jo notice it?
10. Had she gotten heavier?
11. Did Jo talk about it?
12. Did the initial feeling stick around?
13. How did Beth's mood seem?
14. Did people think she was getting worse?
15. When did things become peaceful again?
16. What complexion did Jo have? Return numbered answers in your output.

output: 1. spring
2. Laurie
3. seashore
4. Beth
5. no
6. Beth
7. Jo
8. No
9. absence
10. no
11. no
12. no
13. happy
14. no
15. when Laurie was gone
16. pale

question: CHAPTER LXXV

In the meantime, Lady Roehampton was paying her farewell visit to her former pupil. They were alone, and Adriana was hanging on her neck and weeping.

"We were so happy," she murmured.

"And are so happy, and will be," said Myra.

"I feel I shall never be happy again," sighed Adriana.

"You deserve to be the happiest of human beings, and you will be."

"Never, never!"

Lady Roehampton could say no more; she pressed her friend to her heart, and left the room in silence.

When she arrived at her hotel, her brother was leaving the house. His countenance was disquieted; he did not greet her with that mantling sunniness of aspect which was natural to him when they met.

"I have made all my farewells," she said; "and how have you been getting on?" And she invited him to re-enter the hotel.

"I am ready to depart at this moment," he said somewhat fiercely, "and was only thinking how I could extricate myself from that horrible dinner to-day at the Count of Ferroll's."

"Well, that is not difficult," said Myra; "you can write a note here if you like, at once. I think you must have seen quite enough of the Count of Ferroll and his friends."

Endymion sat down at the table, and announced his intended non-appearance at the Count's dinner, for it could not be called an excuse. When he had finished, his sister said--

"Do you know, we were nearly having a travelling companion to-morrow?"
1. Who was saying goodbye?
2. To who?
3. What was the pupil's name?
4. Were there a lot of people around?
5. Does it seem like Adriana is excited to leave?
6. What does she say about leaving?
7. Who was leaving as the Lady was arriving home?
8. Was he happy to see her?
9. What is the Lady's first name?
10. Where did he sit down?
****
answer: 1. Lady Roehampton
2. To her former pupil.
3. Adriana
4. No
5. No
6. She will never be happy again
7. Her brother
8. No
9. Myra
10. At the table

Question: The Getty Research Institute (GRI), located at the Getty Center in Los Angeles, California, is "dedicated to furthering knowledge and advancing understanding of the visual arts".

A program of the J. Paul Getty Trust, GRI maintains a research library, organizes exhibitions and other events, sponsors a residential scholars program, publishes books, and produces electronic databases (Getty Publications).

The GRI was originally called the "Getty Center for the History of Art and the Humanities", and was first discussed in 1983. Located in Santa Monica, its first director (beginning in 1985) was Kurt W. Forster. GRI's library had 30,000 volumes in 1983, but grew to 450,000 volumes by 1986.

In a statement upon his departure in 1992, Forster summarized his tenure as "Beginning with the rudiments of a small museum library... the center grew... to become one of the nation's preeminent research centers for arts and culture...". In 1994, Salvatore Settis, a professor of the history of classical art and archeology in Italy, became the director of the Center. By 1996, the Center's name had been changed to "Getty Research Institute for the History of Art and the Humanities", and by 1999 it was known simply as "Getty Research Institute".

Among GRI's special projects was "L.A. as Subject: The Transformative Culture of Los Angeles Communities" conducted between 1995 and 1999, whose purposes included "enhanc[ing] existing resources and develop new resources that support new research scholarship on LA and also encourag[ing] the preservation, conservation, and display of local material culture". 1. Where is GRI?
2. Where at?
3. What does GRI stand for?
4. What kind of art does it deal with?
5. Did it have a different name?
6. Was it the Getty Center for the History of Art and the Humanities?
7. Where was it?
8. When was the idea first talked about?
9. When did it get it's first director?
10. Who was it?
11. When did he retire?
12. How many volumes did it start with?
13. How large was it in 1986?
14. What group is this a program of?
15. What kind of library does it have?
16. Who started as director in 1994?
17. What was his profession
18. Where was he working?
19. When was the name Getty Research Institute? Provide a numbered list of answers.
****
A numbered of answers:
1. Los Angeles, California
2. at the Getty Center
3. Getty Research Institute
4. visual arts
5. Yes
6. Yes
7. Santa Monica
8. 1983
9. 1985
10. Kurt W. Forster.
11. 1992
12. 30,000
13. 450,000 volumes
14. the J. Paul Getty Trust
15. research library
16. Salvatore Settis
17. professor of the history of classical art and archeology
18. Italy
19. by 1999