What is the answer for the question: What affected Holst's breathing? from the following article ? In June 1911 Holst and his Morley College students gave the first performance since the seventeenth century of Purcell's The Fairy-Queen. The full score had been lost soon after Purcell's death in 1695, and had only recently been found. Twenty-eight Morley students copied out the complete vocal and orchestral parts. There were 1,500 pages of music and it took the students almost eighteen months to copy them out in their spare time. A concert performance of the work was given at The Old Vic, preceded by an introductory talk by Vaughan Williams. The Times praised Holst and his forces for "a most interesting and artistic performance of this very important work".After this success, Holst was disappointed the following year by the lukewarm reception of his choral work The Cloud Messenger. He again went travelling, accepting an invitation from H. Balfour Gardiner to join him and the brothers Clifford and Arnold Bax in Spain. During this holiday Clifford Bax introduced Holst to astrology, an interest that later inspired his suite The Planets. Holst cast his friends' horoscopes for the rest of his life and referred to astrology as his "pet vice".In 1913, St Paul's Girls' School opened a new music wing, and Holst composed St Paul's Suite for the occasion. The new building contained a sound-proof room, handsomely equipped, where he could work undisturbed. Holst and his family moved to a house in Brook Green, very close to the school. For the previous six years they had lived in a pretty house overlooking the Thames at Barnes, but the river air, frequently foggy, affected his breathing. For use at weekends and during school holidays, Holst and his wife bought a cottage in Thaxted, Essex, surrounded by mediaeval buildings and ample rambling opportunities. In 1917 they moved to a house in the centre of the town, where they stayed until 1925.
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Answer: the river air

What is the answer for the question: What is the work that was received well by the first-night audience at the Theatre Lyrique? from the following article ? The premiere, originally planned for 14 September 1863, was postponed to the 30th because of the illness of the soprano lead, Leontine de Maesen. The first-night audience at the Theatre Lyrique received the work well, and called for Bizet at the conclusion. The writer Louis Gallet, who later would provide several librettos for Bizet, described the composer on this occasion as "a little dazed ... a forest of thick curly hair above a round, still rather childish face, enlivened by the quick brown eyes..." The audience's appreciation was not reflected in the majority of the press reviews, which generally castigated both the work and what they considered Bizet's lack of modesty in appearing on stage. Gustave Bertrand in Le Menestrel wrote that "this sort of exhibition is admissible only for a most extraordinary success, and even then we prefer to have the composer dragged on in spite of himself, or at least pretending to be". Another critic surmised that the calls for the composer had been orchestrated by a "claque" of Bizet's friends, strategically distributed.Of the opera itself, Benjamin Jouvin of Le Figaro wrote: "There were neither fishermen in the libretto nor pearls in the music". He considered that on every page the score displayed "the bias of the school to which [Bizet] belongs, that of Richard Wagner". Bertrand compared the work unfavourably with those of contemporary French composers such as Charles Gounod and Felicien David. "Nevertheless", he wrote, "there is a talent floating in the midst of all these regrettable imitations". Hector Berlioz was a voice apart in the general critical hostility; his review of the work in Journal des Debats praised the music's originality and subtlety: "The score of Les pecheurs de perles does M. Bizet the greatest honour", he wrote. Among Bizet's contemporaries, the dramatist Ludovic Halevy wrote that this early work announced Bizet as a composer of quality: "I persist in finding in [the score] the rarest virtues". The youthful composer Emile Paladilhe told his father...
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Answer: Les pecheurs de perles

What is the answer for the question: What project did the Federal Highway Administration manage? from the following article ? Glacier National Park is managed by the National Park Service, with the park's headquarters in West Glacier, Montana. Visitation to Glacier National Park averaged about 2.2 million visitors annually over the ten-year period from 2007 to 2016, though relatively few of those visitors ventured far from the roadways, hotels and campgrounds. Glacier National Park finished with a budget of $13,803,000 in 2016, with a planned budget of $13,777,000 for 2017. In anticipation of the 100th anniversary of the park in 2010, major reconstruction of the Going-to-the-Sun Road was completed. The Federal Highway Administration managed the reconstruction project in cooperation with the National Park Service. Some rehabilitation of major structures such as visitor centers and historic hotels, as well as improvements in wastewater treatment facilities and campgrounds, are expected to be completed by the anniversary date. Also planned are fishery studies for Lake McDonald, updates of the historical archives, and restoration of trails. The mandate of the National Park Service is to "... preserve and protect natural and cultural resources". The Organic Act of August 25, 1916 established the National Park Service as a federal agency. One major section of the Act has often been summarized as the "Mission", "... to promote and regulate the use of the ... national parks ... which purpose is to conserve the scenery and the natural and historic objects and the wild life therein and to provide for the enjoyment of the same in such manner and by such means as will leave them unimpaired for the enjoyment of future generations." In keeping with this mandate, hunting is illegal in the park, as are mining, logging, and the removal of natural or cultural resources. Additionally, oil and gas exploration and extraction are not permitted. These restrictions, however, caused a lot of conflict with the adjoining Blackfeet Indian Reservation. When they sold the land to the United States government, it was with the stipulation of being able to...
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Answer:
reconstruction of the Going-to-the-Sun Road