An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: The French film "Extension Du Domaine De La Lutte" directed by iconoclast film maker Philippe Harel is based on the book of the same name written by a controversial writer Michel Houellebecq.He has also worked on this film's scenario.According to British cinema magazine Sight and Sound,it is also known as "Whatever".This film has been hailed as a breath of fresh air for French cinema due to its not so common theme of sexual politics and its implications on two stupid information technology workers.The film is marred by its much too evident voice over which introduces us to the main character.This makes us viewers feel as if we are watching a book that is bring read. The basic premise of problems related to loneliness due to chronic sexual drought is fine but the film goes out of hand once the hero starts recounting the misery faced by him and his friend.Instead of sticking to its main topic the film veers in other directions leading to its downfall.Beware:some women viewers might find not only the film but even its two heroes as moronic misogynists.
Q: What's an example of a movie review?
An example of a movie review is here: Prolific and highly influential filmmaker Martin Scorsese examines a selection of his favorite American films grouped according to three different types of directors: the director as an illusionist: D.W. Griffith or F. W. Murnau, who created new editing techniques among other changes that made the appearance of sound and color later step forward; the director as a smuggler: filmmakers such as Douglas Sirk, Samuel Fuller, and mostly Vincente Minnelli, directors who used to disguise rebellious messages in their films; and the director as iconoclast: those filmmakers attacking civil observations and social hang-ups like Orson Welles, Erich von Stroheim, Charles Chaplin, Nicholas Ray, Stanley Kubrick, and Arthur Penn.

He shows us how the old studio system in Hollywood was, though oppressive, the way in which film directors found themselves progressing the medium because of how they were bound by political and financial limitations. During his clips from the movies he shows us, we not only discover films we've never seen before that pique our interest but we also are made to see what he sees. He evaluate his stylistic sensibilities along with the directors of the sequences themselves.

The idea of a film canon has been reputed as snobbish, hence some movie fans and critics favor to just make "lists." However, canon merely denotes "the best" and supporters of film canon argue that it is a valuable activity to identify and experience a select compilation of the "best" films, a lot like a greatest hits tape, if just as a beginning direction for film students. All in all, one's experience has shown that all writing about film, including reviews, function to construct a film canon. Some film canons can definitely be elitist, but others can be "populist." As an example, the Internet Movie Database's Top 250 Movies list includes many films included on several "elitist" film canons but also features recent Hollywood blockbusters at which many film "elitists" scoff, like The Dark Knight, which presently mingles in the top ten amidst the first two Godfather films, Schindler's List and One Flew Over the Cuckoo's Nest, and the fluctuation of similar productions further down such as Iron Man, Sin City, Die Hard, The Terminator and Kill Bill: Vol. 2. Writer Scorsese's Taxi Driver Paul Schrader has straightforwardly referred to his canon as "elitist" and contends that this is positive.

Scorsese is never particularly vocal at all about his social and political ideologies, but when we see this intense and admittedly obsessive history lesson on the birth and growth of American cinema in both ideological realms, we see that there is really no particular virtue in either elitism or populism. Elitism concentrates all attention, recognition and thus power on those deemed outstanding. That discrimination could easily lead to self-indulgence much in the vein of the condescending work of Jean-Luc Godard or the overrationalization of the production practices of a filmmaker like Michael Haneke. Yet populism invokes a belief of representative freedom as being only the assertion of the people's will. As has been previously asserted about the all-encompassing misconceptions the people have about cinema, populism could be the end of the potential power and impact of cinema. One can only continue seeing films, because it is a vital social and metaphysical practice. And that's what Martin Scorsese spends nearly four hours here trying to tell us, something which can't be told without being seen first-hand.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: First of all sorry for giving even a rating of 1 to this movie (nothing less than this available). The film fails in every department be it screenplay, direction, characterization or acting.

1) To start with, the name of the movie is really C class (though the movie itself match up to the name). 2) Amitabh Bachchan tries his best to live up to the character but the weak script coupled with pathetic direction ends up making him a humorous character. 3) In Sholay Gabbar Singh has reward of 50,000 on him (which was convincing). Here in Aag the figure was 100 crores for Babban (Amitabh Bachchan but poor man was beaten by our so called hero's and had only few men bikes to commute (with all automatic guns). Making a Sholay like movie in Mumbai type setup in modern time doesn't look convincing. 4) As for Nisha Kothari, somebody needs to tell her that she doesn't know acting. Why is Ram Gopal Verma casting her again and again ? 5) Mohanlal was good but there is hardly anything for him to do. 6) Sushant Singh and Rajpal Yadav who are great actors are wasted in the movie. 7) Legendry role played by Lila Misra (Mausi of Basanti) in Sholay is replaced cheaply in this movie by some Gangu Mummy. Ramu please grow up and understand that there needs to be some intellect in your movie. Enough of stupid characters in your movie like Shiva and Aag. 8) Should not say anything about modern Jai and Veeru..pathetic to the greatest extent.

To summarize, I was shocked to see this movie because it looks like a cheap and comic translation of original classic. Please don't waste money and time on this movie. I think watching Aap Ka Surror (which I thought was the worst movie possible) would be a better idea than to see this horrible package of stupid characters, bad songs and miserable direction.

Thanks, Saurabh
An example of a movie review. negative (OPTIONS:
- negative
- positive).

A:
here, let me wave my hands over the keyboard, i'll tell you what salad she's going to order. over and over, works like a charm: he's such a genius, omg how does he do it? my bullshit detector freaks if i even pass this show when i'm scanning channels, I have to be very careful (these days it's useful far too often, so I don't need it getting broken on idiotic crap like this...careful with that remote!). is this supposed to be some fascist propaganda to make people believe in some invisible realm of uberman control and mastery? or what? why does it exist??

this is THE most inane show, completely unbelievable and contrived, and I cannot understand why it's still on the air. so may geeks give SO much better shows such a hard time (Sarah Connor Chronicles, True Blood), but give this nonsensical drivel a pass. shows like Firefly (if there were any like that) fall away after a season, but mindless stuff like this that makes zero logical sense just keeps marching on. yeccch.