Q: Read the following context and answer the question. Context: His eyes were open and his head bobbed around at an impossible angle. He was sitting in about forty feet of water, stone dead, one arm pinned between the rocks. As best I could tell, he had been dead when he landed there. The mud and ooze around him were as serene and smooth as he was. The cop who was assisting me swam over and made a palms up gesture. I shrugged back at him and began to work the body loose. The corpse had only one leg, and as I worked I wondered what he had been doing in the lake. I got the arm free and kicked toward the quicksilver surface above me. The body turned bloated and heavy when I broke water with it, and it took three of us to load it into the police launch. I dried off and got a coke out of the cooler. It was getting to be another Texas scorcher, and the sunlight bouncing off the surface of the lake felt like it had needles in it. My mouth was dry from breathing canned air and the carbonation burned like fire. Winslow, from the sheriff's office, sat down next to me. 'I appreciate this, Dan,' he said. 'No problem.' Sam Winslow and I had grown up together about twenty miles outside Austin in a little town called Coupland. We'd fought a lot as kids, and there were still plenty of differences in our politics and educations. But being on the police and fire rescue squad had brought me closer to him again, and I was glad of it. A private detective needs all the friends he can get. 'What do you make of it?' I asked him. 'Accidental drowning, looks like.' I raised an eyebrow but didn't say anything. 'He's got a bump on the head that could have come off a rock. We'll see what the coroner says.' 'Any idea who he is?' Winslow shook his head. He'd gained weight in his face recently and his jowls vibrated with the gesture. Question: How far was he sitting in the water? Answer:

OPTIONS:
- not enough information
- Fifty feet
- Thirty feet
- Forty feet

A: Forty feet

input: OPTIONS:
- To see who was at the front door.
- To get lunch.
- To turn on the television.
- not enough information Now, answer this question: Read the following context and answer the question. Context: "It's about to come on. Hurry." "I'm coming." Nurse Judy delivered Martha's tray just in time. It was a frozen dinner, but Judy always transferred it to a fancy plate and prepared a small salad and a bowl of applesauce to go alongside it. "Looks great, Judy. Now sit down and let's eat." Nurse Judy sat down in the recliner next to Martha's bed. The meal she made for herself was similar to Martha's. "Didn't we just see this one a few days ago?" "I don't remember. But you know it doesn't matter. I love Jessica Fletcher." It was the only good thing about her failing memory. She could watch reruns of Murder She Wrote over and over again. They were all new to her. The doorbell rang. "Whoever it is, just get rid of them. It couldn't be friends or family. They know better than to interrupt my show." Nurse Judy walked down the hallway to the front door. It was a nurse. "May I help you?" "The agency sent me." "No, there must be some mistake. I've been caring for Mrs. Mason for a couple of months now." "Oh, great. Why do they keep doing this to me? Mind if I come in and use the phone?" "Don't you have a cell phone?" "Yeah, but it's dead. I forgot to charge it last night." "I hate when I do that. Sure, come on in. What's your name?" "Carnie." "Good to meet you, Carnie. I'm Judy. You can use the house phone." Judy led her to the phone. Carnie picked up the receiver and began to dial. But as Judy turned to walk away, Carnie slammed the phone across the back of her head. Nurse Judy collapsed to the floor, unconscious. Martha's blaring TV masked the noise. Question: Why did Judy walk down the hall. Answer:
A:
output: To see who was at the front door.

Problem:OPTIONS:
- before Sharon called him a jackass
- after Sharon called him a jackass
- while Sharon called him a jackass
- not enough information

Read the following context and answer the question. Context: "Congratulations, jackass, you just got us sued." My editor, Sharon, was standing in front of my desk. She was apparently not happy. I shrugged, slouching further down in my chair, trying to hide from her gigantic crazy eyes behind my computer. It was a white laptop with a sticker that said "This Machine Kills Yuppies" slapped over the corporate logo on back. She reached out with one of her freakish man-hands and slammed the screen shut. "Let me try this again. You just got us sued six times over." Sharon Sinclair was a six-foot-tall beast of a woman with a huge mane of wiry black and gray hair pulled back in a pony tail. I had every confidence that she could tear me in two and use my bloody carcass in some kinky hedonistic lesbian cult ritual or something. So I usually tried to choose my words with the appropriate care around her. "Jesus-fucking-Christ, I haven't even had my morning coffee yet, and my head's still reeling from the Louisville Slugger that pummeled it last night. So I really don't feel like dealing with whatever annoying hormonal episode you have going on here." She glared at me silently, watching me squirm a little before asking, "Are you done?" "Probably." "Good," she said with a suppressed grin as she took a seat next to me. "Because I just let you publicly accuse the mayor and the valley's most powerful corporations of conspiring to defraud the taxpayers. So what's your plan for keeping my ass off the firing line?" I tilted back in my chair and met Sharon's gaze. "Look, we knew we'd get a strong reaction. Let them sue. We have e-mails to back us up." "These legal briefings say your e-mails were forged," she responded, waving a thick stack of papers in my face. "Of course they're gonna say that. That's why I made sure to get corroboration. Abrasax confirmed that the e-mails between Dylan Maxwell and City Hall are legit. But you know all this, so I don't know why we're wasting time going over it again." Question: The narrator slouched further into his chair: Answer:
****
A:
after Sharon called him a jackass