Problem: Background: Jewel was born May 23, 1974 in Payson, Utah, the second child of Attila Kuno "Atz" Kilcher and Lenedra Jewel Kilcher (nee Carroll). At the time of her birth, her parents had been living in Utah with her elder brother, Shane; her father was attending Brigham Young University. She is a first cousin once removed of actress Q'orianka Kilcher. Her father, originally from Alaska, was a Mormon, though the family stopped attending The Church of Jesus Christ of Latter-day Saints after her parents' divorce when she was eight years old.
Context: For a time, Kilcher lived in her car while traveling around the country doing street performances and small gigs, mainly in Southern California. She gained recognition by singing at The Inner Change Cafe and Java Joe's in San Diego; she would later make her debut record at Java Joe's when it was in Poway, where she had worked as a barista. Her friend Steve Poltz's band, The Rugburns, played the same venues. She later collaborated with Poltz on some of her songs, including "You Were Meant for Me". (He also appeared in the song's second, better-known video.) The Rugburns opened for Jewel on her Tiny Lights tour in 1997. Poltz appeared in Jewel's band on the Spirit World Tour 1999 playing guitar. Kilcher was discovered by Inga Vainshtein in August 1993 when John Hogan, lead singer from the local San Diego band Rust, whom Vainshtein was managing, called to tell her about a girl surfer who sang at a local coffee shop on Thursdays. Vainshtein drove to The Inner Change with a representative from Atlantic Records, and after the show they called Danny Goldberg, the head of Atlantic Record's West Coast operations, and asked him to pay for her demo, since at the time she was living in a van and lacked the means to record any of her own music. Vainshtein, who at the time was working as a film executive at Paramount, eventually became her manager and was instrumental in creating a major bidding war that led to her deal with Atlantic Records. She continued to manage Jewel until the end of the first album cycle. Her debut album Pieces of You was released the eponym of Jewel, in 1995 when she was 21 years old. Recorded in a studio on singer Neil Young's ranch, it included Young's backing band, The Stray Gators, who played on his Harvest and Harvest Moon albums. Part of the album was recorded live at The Inner Change Cafe in San Diego, where she had risen to local fame. The album stayed on the Billboard 200 for two years, reaching number four at its peak. The album spawned the Top 10 hits "You Were Meant for Me", "Who Will Save Your Soul", and "Foolish Games". The album eventually sold over 12 million copies in the United States alone. In the late 1990s, Mike Connell created an electronic mailing list for fans, known as "Everyday Angels". Although Jewel herself does not subscribe to this mailing list, she maintained communication with her EA fans. On July 18 and 19, 1996, she gave a two-day concert known as "JewelStock" at the Bearsville Theatre. Jewel allowed the concert to be taped, and fans circulated the concert without profit.
Question: Did the album do well?
Answer: The album stayed on the Billboard 200 for two years,

Problem: Background: The Three Stooges were an American vaudeville and comedy team active from 1922 until 1970, best known for their 190 short subject films by Columbia Pictures that have been regularly airing on television since 1958. Their hallmark was physical farce and slapstick. In films, the stooges were commonly known by their actual first names. There were a total of six stooges over the act's run (with only three active at any given time), but Moe Howard and Larry Fine were the mainstays throughout the ensemble's nearly fifty-year run and the pivotal "third Stooge" was played by (in order of appearance)
Context: Over half a century since their last short film was released, the Three Stooges remain popular with audiences. Their films have never left American television since first appearing in 1958, and they continue to delight old fans while attracting new admirers. They were a hard-working group of comedians who were never the critics' darlings, a durable act who endured several personnel changes in their careers that would have permanently sidelined a less persistent act. The Stooges would not have lasted as long as they did as a unit without Moe Howard's guiding hand. The Ted Okuda and Edward Watz book The Columbia Comedy Shorts puts the Stooges' legacy in critical perspective: Many scholarly studies of motion picture comedy have overlooked the Three Stooges entirely - and not without valid reasoning. Aesthetically, the Stooges violated every rule that constitutes "good" comedic style. Their characters lacked the emotional depth of Charlie Chaplin and Harry Langdon; they were never as witty or subtle as Buster Keaton. They were not disciplined enough to sustain lengthy comic sequences; far too often, they were willing to suspend what little narrative structure their pictures possessed in order to insert a number of gratuitous jokes. Nearly every premise they have employed (spoofs of westerns, horror films, costume melodramas) has been done to better effect by other comedians. And yet, in spite of the overwhelming artistic odds against them, they were responsible for some of the finest comedies ever made. Their humor was the most undistilled form of low comedy; they were not great innovators, but as quick laugh practitioners, they place second to none. If public taste is any criterion, the Stooges have been the reigning kings of comedy for over fifty years. Beginning in the 1980s, the Stooges finally began to receive critical recognition. The release of nearly all their films on DVD by 2010 has allowed critics of Joe Besser and Joe DeRita - often the recipients of significant fan backlash - to appreciate the unique style of comedy that both men brought to the Stooges. In addition, the DVD market has allowed fans to view the entire Stooge film corpus as distinct periods in their long, distinguished career rather than unfairly comparing one Stooge to another (the Curly vs. Shemp debate continues to this day). The team appeared in 220 films, but it is the durability of the 190 short films the Stooges made at Columbia Pictures that acts as an enduring tribute to the comedy team. American television personality Steve Allen went on record in 1984 saying, "Although they never achieved widespread critical acclaim, they did succeed in accomplishing what they had always intended to do: they made people laugh."
Question: What else was they legacy known for
Answer:
"Although they never achieved widespread critical acclaim, they did succeed in accomplishing what they had always intended to do: they made people laugh.