In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: steve soderbergh 's " sex , lies , and videotape , " which won the grand prize at the cannes film festival in 1989 , arguably began the resurgence of independent films .
made on a shoestring budget of $ 1 . 2 million , with then relatively unknown actors , it is a provocative , thoroughly original drama .
the film mostly focuses on the four central characters , all in their late 20's - early 30 's .
ann ( andie macdowell ) , an unfulfilled housewife , is married to john ( peter gallagher ) , an insensitive lawyer , who , unbeknownst to her , is having an affair with her younger sister , cynthia ( laura san giacomo ) .
complicating matters even worse is graham ( james spader , who won best actor at cannes ) , john 's old college buddy , who comes to stay at their house .
ann is absolutely won over by him , even though she clearly has stated that she has very little interest in sex .
that is the set - up for the last hour of the picture , and since the film is entitled , " sex , lies , and videotape , " it is best to keep the rest of the story developments at bay so that they will come as a genuine surprise .
director steven soderbergh has proven to be a wildly offbeat filmmaker , ranging from the independent , to the mainstream ( 1998 's " out of sight " ) , to the downright kafkaesque ( 1997 's " schizopolis " ) .
he is the type of director who obviously takes a lot of chances , and believes in the work that he does , and , " sex , lies , and videotape , " is probably his most confident , and maybe even best , to date .
the performances are superb from all four leads , but macdowell stands out in what is probably the main character .
she is always a very winning actress , but this is probably her most three - dimensional role that she has had ( with a close second being altman 's 1993 mosaic , " short cuts " ) .
the other parts are perfectly cast as well , from spader 's ominous graham , to gallagher 's self - involved john , to giacomo 's outspoken cynthia .
the final act of the film , especially , comes right out of left field , and turns out to be both shocking and oddly touching , and it would be criminal to give away the film 's secrets .
suffice to say that , through one powerful sequence , ann is able to somewhat come out of her shell , and john learns a valuable lesson about honesty , as well as deception .
the film has one fault , however .
the characters are almost all emotionally cold and isolated from one another , and often unlikable .
if there had been a few extra scenes with gallagher , it probably would have helped , since his relationship with macdowell is n't quite as explored as i would have liked .
"
sex , lies , and videotape , " although minorly flawed , is still easily a brave and adult motion picture that is far more mature and honest about its subject matter than the usual film .
soderbergh clearly knew what he was doing while he was making it , and the final product certainly proves this .
Example Output: P

Example Input: the one question that eats at me after seeing corky romano is why touchstone spent so much money marketing this throwaway film .
since june , i have n't been able to turn on the tv or go to the movies without getting hit by some ad depicting chris kattan as the spastic corky , shrieking out a - ha 's " take on me " in his yellow miata .
why would disney sink so much cash into the corky hype machine ?
honestly , i was hoping that all the goofball ads were actually a front for a decently funny movie .
man , was i wrong .
corky romano is one of those throwaway , clich ?
-ridden
tv - star - to - film vehicles built upon the most rickety of plots .
fortunately for chris kattan 's precariously positioned career , corky does have some good laughs , even if most of them are of the lowest - brow variety
.
kattan plays the title character , the unsinkable assistant veterinarian corky who has a penchant for sunshiny ' 80s tunes , bright ties , and banal coffee mug slogans ( " you do n't have to be crazy to work here , but it sure helps . " ) .
when his mob boss dad ( peter falk ) is about to be put away on murder charges , his bungling , lughead brothers ( peter berg and chris penn ) rope in innocent , black sheep corky to infiltrate the fbi as an agent and steal the evidence .
predictably , hijinks ensue .
if the basic plot sounds bad , wait until you get into the inner - workings of this clunker .
the writers will amaze you with the depth of their inanity .
corky 's fbi agent identity is named corky pissant ( " that 's pronounced pees - ahn .
it 's french . " ) .
he becomes a first - rate agent by accidentally stumbling mr .
magoo - style onto the proper clues and talking his way in and out of situations , which plays like something out of a sitcom .
and not a good sitcom , i mean .
the romano family brothers even insult each other by farting in each other 's face .
and in a scene taken straight from there 's something about mary ,
corky gives a dachshund mouth - to - mouth resuscitation .
but it 's not a complete disaster .
the manic kattan does occasionally rescue some comic moments , including a bit featuring a cat in a fat suit named jesus and another involving schoolchildren , a german shephard , and a kilo of cocaine .
plus , berg -- whose career has obviously gone downhill since the last seduction and chicago hope -- gives a great turn as the illiterate brother paulie .
and , it 's nice to see that richard roundtree of shaft fame is getting work .
unfortunately for those out there who ca n't truly appreciate animal or fart jokes , corky wo n't have much to offer you .
so the next time one of those pesky ads appears on your tv , asking , " who is corky ?
"
you can simply reply , " who cares ? "
Example Output: N

Example Input: martin scorsese 's triumphant adaptation of edith wharton 's the age of innocence is a stunning film for the quintessential new york filmmaker , the man who brought the streets of taxi driver and mean streets to life .
it seems like an odd choice for scorsese to do a period piece in the early 1900 's , but the fact that he pulls it off so brilliantly is a wonder , and a testament to the greatness of scorsese as a filmmaker .
this is a gorgeous visual experience that it surely one of scorsese 's finest .
newland archer ( day - lewis ) is a prestigious lawyer who is engaged to may welland ( ryder ) , a somewhat empty and shallow new yorker , who belongs to a prestigious family and is quite beautiful .
the marriage is one which will unite two very prestigious families , in a society where nothing is more important than the opinions of others .
on the day that archer is to announce his engagement to may , countess ellen olenska ( pfeiffer ) , cousin of may , walks into archer 's life .
archer is immediately captivated , and finds himself in love with ellen .
archer is also bound by the limits of new york society , which is an intrusive as any other in the world .
archer finds himself having a secret love affair in his mind with countess olenska , attempting to keep her in his mind while trying not to lose his social status .
the film 's subject matter may seem alien to scorsese , but the theme is definitely not .
it is a theme of forbidden romance , guilty pleasures , and the consequences causes because of those actions .
there is a painstakingly flawed hero , and his choice between the life he wants , and the life he is destined for .
in truth , it is a film about a society the audience does n't know about , but wants to find out more , much like the society of goodfellas or even kundun .
the performances are absolutely breathtaking .
day - lewis portrays more mental anguish in his face than one man should be forced to take .
pfeiffer is marvelous as countess olenska , a mix of passion and beauty that the audience would die for as
well .
ryder is probably the gem of the group
, for it is her quiet presence that overwhelms the plot , and slowly pushes day - lewis closer and closer to his eventual ending .
the supporting cast is also wonderful , with several characters so singular that they are indelible in one 's memory .
scorsese definitely has a passion for filmmaking .
his lavish and sumptuous set design and marvelous recreation of new york is a wondrous sight .
he literally transports the viewer to another world with incredible imagery .
his script is also excellent , slow in buildup , with a rapid conclusion and a fantastic ending that has to be seen to be believed .
it is difficult to make a period piece gripping : scorsese , however , does it beautifully .
the famous cameras of the legendary director are also everywhere .
he is patient , but he films everything and anything remotely important .
the cameras sweep , pan , track , and do more than they 've ever done , but they are so subtle , one does n't realize he 's watching all the scorsese hallmarks until a 2nd viewing .
the central tracking shot is probably longer and more complex than the famous goodfellas shot , but the viewer does n't notice it , because we want to see more of this gorgeous world .
there are a few deft touches of filmmaking that are simply outstanding , and joanne woodward '
narration is exquisite .
not a fast film like goodfellas , this shares more in common with kundun than anything else .
and like kundun , this is a slow - starting film that truly shines , when given the chance to fully breathe and bloom in the end .
a beautiful film by a director continuing to challenge himself year after year .
Example Output:
P