Question: The CJK ideographs currently have codes only for their precomposed form. Still, most of those ideographs comprise simpler elements (often called radicals in English), so in principle, Unicode could have decomposed them, as it did with Hangul. This would have greatly reduced the number of required code points, while allowing the display of virtually every conceivable ideograph (which might do away with some of the problems caused by Han unification). A similar idea is used by some input methods, such as Cangjie and Wubi. However, attempts to do this for character encoding have stumbled over the fact that ideographs do not decompose as simply or as regularly as Hangul does.
Is there an answer to this question: What decomposes regularly in Wubi?

Answer: unanswerable

Question: Gautama first went to study with famous religious teachers of the day, and mastered the meditative attainments they taught. But he found that they did not provide a permanent end to suffering, so he continued his quest. He next attempted an extreme asceticism, which was a religious pursuit common among the sramanas, a religious culture distinct from the Vedic one. Gautama underwent prolonged fasting, breath-holding, and exposure to pain. He almost starved himself to death in the process. He realized that he had taken this kind of practice to its limit, and had not put an end to suffering. So in a pivotal moment he accepted milk and rice from a village girl and changed his approach. He devoted himself to anapanasati meditation, through which he discovered what Buddhists call the Middle Way (Skt. madhyama-pratipad): a path of moderation between the extremes of self-indulgence and self-mortification.[web 2][web 3]
Is there an answer to this question: What did Gautama accept from a village girl?

Answer: milk and rice

Question: However, the collapsing Ottoman economy could not sustain the fleet's strength for too long. Sultan Abdulhamid II distrusted the admirals who sided with the reformist Midhat Pasha, and claimed that the large and expensive fleet was of no use against the Russians during the Russo-Turkish War. He locked most of the fleet inside the Golden Horn, where the ships decayed for the next 30 years. Following the Young Turk Revolution in 1908, the Committee of Union and Progress sought to develop a strong Ottoman naval force. The Ottoman Navy Foundation was established in 1910 to buy new ships through public donations.
Is there an answer to this question: Who was the reformist that had the backing of Ottoman admirals during the Russo-Turkish war?

Answer: Midhat Pasha

Question: The polyphony of Christian a cappella music began to develop in Europe around the late 15th century, with compositions by Josquin des Prez. The early a cappella polyphonies may have had an accompanying instrument, although this instrument would merely double the singers' parts and was not independent. By the 16th century, a cappella polyphony had further developed, but gradually, the cantata began to take the place of a cappella forms. 16th century a cappella polyphony, nonetheless, continued to influence church composers throughout this period and to the present day. Recent evidence has shown that some of the early pieces by Palestrina, such as what was written for the Sistine Chapel was intended to be accompanied by an organ "doubling" some or all of the voices. Such is seen in the life of Palestrina becoming a major influence on Bach, most notably in the aforementioned Mass in B Minor. Other composers that utilized the a cappella style, if only for the occasional piece, were Claudio Monteverdi and his masterpiece, Lagrime d'amante al sepolcro dell'amata (A lover's tears at his beloved's grave), which was composed in 1610, and Andrea Gabrieli when upon his death it was discovered many choral pieces, one of which was in the unaccompanied style. Learning from the preceding two composeres, Heinrich Schutz utilized the a cappella style in numerous pieces, chief among these were the pieces in the oratorio style, which were traditionally performed during the Easter week and dealt with the religious subject matter of that week, such as Christ's suffering and the Passion. Five of Schutz's Historien were Easter pieces, and of these the latter three, which dealt with the passion from three different viewpoints, those of Matthew, Luke and John, were all done a cappella style. This was a near requirement for this type of piece, and the parts of the crowd were sung while the solo parts which were the quoted parts from either Christ or the authors were performed in a plainchant.
Is there an answer to this question: What piece was heavily influenced by Bach's Mass in B MInor?

Answer:
unanswerable