Q: Anything else is wasting your time, because this is the only thing you actually need to know, you can not create a bad person without knowing what is good then bad is the opposite. Turn to the news and history books to see examples of how real people can do terrible things. If your villain is a non-human creature, things can a bit different. Maybe your non-human creature actually has no concept of good and evil and though may be evil in some way, is more amoral than actually malevolent. Evil isn't simply something that someone is, it's something that a person chooses. Give your reader a sense of why this character is evil and not good. Have the villain personally do evil acts (not just order them to happen). To make it more effective, have the evil acts happen to a person that the reader cares about. To write an interesting character, you'll want to avoid the overused tropes and shortcuts. This includes writing villains who have very little motive. Sadism isn't a real motivation. Your character needs a good reason to do evil acts instead of eating dessert in front of their TV. It's boring, and not very believable, to have a villain who does evil acts "because it's fun." Don't superficially rip off Nazis. Use literal Nazis as villains, or if you use Nazis as an inspiration, do some detailed research about their rationales and how they worked. A person or group shouldn't just seem "bad" because they look like Nazis, but because they are nuanced in their evil beliefs and actions. Mental illness and disabilities don't make people evil. "They're evil because they have a mental condition" is lazy writing that is deeply insulting to the many good people with real emotional and developmental disabilities. (Disabled people aren't more violent than anyone else, but they are much more likely to be victims of violence.> Don't support discrimination by caricaturing them as evil.) Avoid cheesy, academic language. This is pretty overdone. Avoid the lazy writing of simply having a villain cackle at actions they think are depraved. Even if your villain knows what he is doing is morally indefensible, there still should exist some form of justification in their mind. It may make sense for them alone based on his experiences and beliefs he has formed from them. Here are some justifications a villain might have: "I will do anything to earn the acceptance of _____/become a true _____." "The world is full of moral failings, and I am one of the few that is truly virtuous. I must correct others' immorality. If bad things happen to people, it is because they deserve it." "People of group X are monsters/in need of controlling/a waste of space." "Only the strong survive. Losing is a sign of weakness. The weak deserve to lose." "People who X deserve to be put back in their place." "I will stop at nothing to achieve my goal, because it is the greatest good. If other people get in my way, I will stop them. If I happen to hurt others, it doesn't matter, because it is for the greater good." "Members of Minority X are scary and bad. I will do anything to protect my home/town/country from them." Evil for the pleasure of evil itself is harder to write well. It's chilling to make their evil look like something a human being would do given the right circumstances and mindset (and/or in case of the most of us, enough push). How does he behave towards them? How differently? Is he patient towards his second-in-command, but can impulsively, without a second thought, kill an underling, who has failed a mission? Does he treat his trusted lieutenant as almost his equal, but sneer at his generals when the latter try to question him? Does he perceive his elite warriors as the ideal kind of soldiers superior to everything but himself, but view his lesser footmen as mere cannon fodder? Why? What do his interactions tell about his character? No well written character has been for all their life purely evil. Your villain should of had some neutral or good traits as well. Who did your villain care about? Which people or animals are special to them? Consider what the villain won't do. For example, maybe he is willing to kill people, but considers torture and rape to be unnecessarily cruel. Or she will steal, threaten, and cheat, but she won't kill unless absolutely necessary. You've a lot of licence here with someone who is purely evil. Give your villain hobbies. What purely evil things do they do in their spare time? Do they play chess with live rodents pinned to the pieces, practice shooting, knit itchy sweaters for Fluffy, write their autobiography? Is it fear? Do they have same goals? Do they need the villain's help to advance their own goals? Are they after the same thing as the villain, but plan on turning against him at the crucial moment? Do they secretly plan vengeance against the villain while maintaining a false identity and pretending to be their ally? Do they follow the villain out of respect, admiration and/or worship and why? Do they secretly want something that the villain possesses or has access to? This helps to give both the villain and lesser bad guys more depth than just flat cardboard cut-outs. Do they find the main hero irritating, because the latter never gives up? Or amusing, because she's much more persistent and less easy to kill than anyone who's resisted them in the past? One good way of creating suspense is having other characters talk about your villain, show some of his deeds and give the audience sense of him. Later he may come out of the dark with a frightening entrance.
A: Consider what it means to be good. Look at evil acts that people have actually done. Consider if your is villain human or non-human? Make them evil because of their choices or actions, not their identity. Skip lazy shortcuts. Consider how your villain justifies their actions. Give the villain understandable and/or compelling motivations and goals. Examine the villain's interactions with allies or minions. Consider the parts of the villain that weren't always evil. Give minions, followers and even the lieutenants reasons to follow the villain. Examine the villain's feelings and interactions with the heroes. Consider how you are going to introduce him into the story.

Article: Avoid using soap, as it will flavor the sauce later. The purpose of washing is to remove dirt, leaves, etc from the fruit. Don't bother to peel or remove stems, cores, seeds etc. Your colander will handle all of that later and the peel not only contains many nutrients, but (if using red apples) also will add a nice color to your sauce that will be very different from that jar you just bought at the grocers. For now, just concentrate on cutting the apples into uniform chunks for steaming. This prevents the possibility of burning the apples instead of just steaming them. Some apples are juicier than others and you can skip the water... but you'll need to experiment with your variety of apple to know how much water to add to get the finished consistency you want.
Question: What is a summary of what this article is about?
Wash the apples in clean water. Quarter the apples. Place half a cup of water in the bottom of the kettle you are using to cook the apples. Place the kettle on the stove, place the lid on the kettle and turn the burner on high.

Q: You don't have to lean backwards to do a spiderman kiss, especially if you're uncomfortable doing so. You can pull off the maneuver by stretching out on your bed or another flat surface like a couch. Your partner should stand near your head. They should be hovering above you slightly for this part of the gesture. Reach forward with your hands and gently take your partner's face. With your hands, gently pull their face downward towards your lips. After your partner's face is near yours, you can do the Spiderman kiss. Give your partner a sensual kiss on the lips. This will be reminiscent of the scene from the movie.
A:
Lie down on a flat surface. Have the other person stand above you. Pull the other person's face down gently. Kiss.