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In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input: Context_1 : Dame Barbara Windsor, DBE (born Barbara Ann Deeks; 6 August 1937) is an English actress, known for her appearances in the "Carry On" films and for playing Peggy Mitchell in the BBC One soap opera "EastEnders". She joined the cast of "EastEnders" in 1994 and won the 1999 British Soap Award for Best Actress. She left the show in 2010, before returning for three episodes between 2013 and 2015. Her character's final appearances were broadcast in June 2016. Context_2 : That's Carry On! is a compilation of the highlights of the "Carry On" films and is the 29th entry in the series. The film features series regulars Kenneth Williams and Barbara Windsor who co-present. This was Windsor's 10th and final appearance in the series. The idea for the film was inspired by Metro-Goldwyn-Mayer's popular That's Entertainment! series of documentaries. It was released in 1977 as a supporting feature to the Richard Harris film, "Golden Rendezvous". The film was followed by "Carry On Emmannuelle" in 1978. Context_3 : Samantha Margaret Priscilla "Sam" Mitchell (also Butcher and Hunter) is a fictional character from the BBC soap opera "EastEnders". The third member of the Mitchell family to be introduced, Sam enters as a 15-year-old school girl in July 1990, played by Danniella Westbrook. Westbrook quit in 1993, but Sam was reintroduced from 19951996 and from 19992000. In both her 1996 and 2000 exits, Sam was written out earlier than the producers intended due to off-screen controversies surrounding Westbrook and her cocaine addiction. In 2002, the character was reintroduced for a fourth time, but the role was recast to another actress, Kim Medcalf. Medcalf left the role in 2005. In an interview with Paul O'Grady, Medcalf said she would 'never say never' to a comeback. However, when executive producer Diederick Santer decided to reintroduce the character for a brief stint in 2009, he opted to bring Westbrook back. On 27 February 2016, it was announced that Westbrook would reprise the role of Sam Mitchell for her on-screen mother, Peggy Mitchell's (Barbara Windsor) funeral, for a brief stint, starting on 30 June 2016 and concluding after four episodes on 8 July 2016. Context_4 : Margaret Ann "Peggy" Mitchell (also Butcher) is a fictional character from the BBC soap opera "EastEnders". Peggy was initially played by Jo Warne when she first appeared in the episode broadcast on 30 April 1991, featuring in 10 episodes. Peggy was reintroduced in 1994, recast to Barbara Windsor, who made her first appearance in the episode broadcast on 7 November 1994. Peggy became a regular character, and Windsor played the role until she was forced to take a long break due to poor health and departed on 23 May 2003. She returned for two episodes broadcast on 16 and 17 September 2004, before rejoining as a regular character on 8 September 2005. Windsor announced in October 2009 that she would be leaving the show and departed on 10 September 2010. Windsor returned to the show for guest appearances on 20 September 2013, 25 September 2014, 17 February 2015 (as part of the show's 30th anniversary celebrations; see EastEnders Live Week) and 15 January 2016. She then appeared in six episodes between 9 and 17 May 2016 and the character was killed off. Her voice is last heard in the following episode, on 19 May 2016. Peggy's funeral aired on 4 July 2016. Context_5 : Philip James "Phil" Mitchell is a long-standing fictional character from the BBC soap opera "EastEnders", played by Steve McFadden. Phil was introduced to the soap opera on 20 February 1990, and was followed by his brother, Grant (Ross Kemp), sister Sam (Danniella Westbrook/Kim Medcalf) and mother Peggy (Jo Warne/Barbara Windsor). Phil is one of the major introductions made by executive producer Michael Ferguson, who wanted to bring in some macho, male leads. Phil and his brother Grant became popularly known as the Mitchell brothers in the British media with Phil initially portrayed as the more level-headed of the two thugs. Storylines featuring the Mitchell family dominated the soap opera throughout the 1990s, with Phil becoming a popular and long-running male protagonist into the 2000s and the 2010s. McFadden temporarily left the series in late 2003 then returned in March 2005 for a short stint, before making a permanent return in October 2005. McFadden took a hiatus from the series at the end of Phil's liver cirrhosis storyline with the character departing on 6 February 2017. He returned on 24 July. Context_6 : Barbara Emile is a British television producer. Emile contributed to the BBC soap opera "EastEnders" for several years. She first started working on the serial as script editor underneath producer Leonard Lewis, and she began producing the programme in 1992. Following the departure of Lewis in 1994, Emile was promoted to Executive Producer. Storylines that aired under her tenure included Sharongate, Nigel and Debbie Bates' wedding (an on-screen celebration that aired to mark the show's 1000th episode), and Ricky Butcher's love triangle with best friends Bianca Jackson and Natalie Price. Barbara cast actress Barbara Windsor as Peggy Mitchell. Innovating the writing talent, Emile introduced a pioneering structure to develop writing talent, led by Tony Jordan, Tony McHale, Ashley Pharaoh and Matthew Graham. In 1994 Emile took the programme from twice a week to three times per week. Under Emile's stewardship she led the series onto achieve ratings of 23 million viewers. Characters introduced included Tiffany Raymond, Roy and Barry Evans. She remained with "EastEnders" til early 1995 and was succeeded by Corinne Hollingworth. Context_7 : Samantha Spiro (born 20 June 1968) is a double Olivier Award-winning English actress. She is best known for portraying Barbara Windsor in the stage play "Cleo, Camping, Emmanuelle and Dick" and the television film "Cor, Blimey!", DI Vivien Friend in "", and Melessa Tarly in the HBO series "Game of Thrones". Context_8 : Cor, Blimey! is a 2000 TV film that follows the relationship between "Carry On" film actors Sid James (played by Geoffrey Hutchings) and Barbara Windsor (played by Samantha Spiro). Context_9 : Carry On Henry is the 21st in the series of "Carry On" films to be made and was released in 1971. It tells a fictionalised story involving Sid James as Henry VIII, who chases after Barbara Windsor's character Bettina. James and Windsor feature alongside other regulars Kenneth Williams, Charles Hawtrey, Joan Sims, Terry Scott and Kenneth Connor. This was the first time that Williams and Connor appeared together since Carry On Cleo seven years previously. The original alternative title was to be "Anne of a Thousand Lays", a pun on the Richard Burton film "Anne of the Thousand Days", and Sid James wears exactly the same cloak that Burton wore in that film. Context_10 : Babs is a BBC biopic about the life of British actress Barbara Windsor. Details of the film were announced by Charlotte Moore, the BBC's Acting Director of Television, on 26 May 2016, a week after Windsor made her final appearance in "EastEnders" as the long-running character Peggy Mitchell. The film, written by "EastEnders" scriptwriter Tony Jordan, shows Windsor in the 1990s as she prepares to go on stage and recalls events from her life, including her childhood and marriage to gangster Ronnie Knight, as well as her rise to fame as part of the "Carry On" cast. It was broadcast on 7 May 2017, to coincide with Windsor's 80th birthday. Upon the announcement of the project, Windsor spoke of her delight that Jordan had been chosen to write the screenplay: "Tony knows the real me and what makes me tick and I was particularly taken by the way he wants to tell my tale which is not in the way people will expect it to be. [...] I am honoured and excited that Tony and the BBC have commissioned this." fact_1 : is a 2000 TV film that follows the relationship between "Carry On" film actors Sid James (played by Geoffrey Hutchings) and Barbara Windsor (played by Samantha Spiro). fact_2 : She is best known for portraying Barbara Windsor in the stage play "Cleo, Camping, Emmanuelle and Dick" and the television film "Cor, Blimey! Question: Who played Barbara Windsor in the film "Cor, Blimey!"?
Solution:
Samantha Spiro