Review: I watched "Elephant Walk" for the first time in about 30 years and was struck by how similar the story line is to the greatly superior "Rebecca." As others have said, you have the sweet young thing swept off her feet by the alternately charming and brooding lord of the manor, only to find her marriage threatened by the inescapable memory of a larger-than-life yet deeply flawed relative. You have the stern and disapproving servant, a crisis that will either bind the couple together or tear them irreparably apart, climaxed by the fiery destruction of the lavish homestead.

Meanwhile, "Elephant Walk" also owes some of its creepy jungle atmosphere to "The Letter," the Bette Davis love triangle set on a Singapore rubber plantation rather than a Sri Lankan tea plantation.

Maltin gives "Elephant Walk" just two stars, and IMDb readers aren't much kinder, but I enjoyed it despite its predictability. Elizabeth Taylor never looked lovelier, and Peter Finch does a credible job as the basically good man unable to shake off the influence of his overbearing father. Dana Andrews -- a favorite in "Laura" and "The Best Year of Our Lives" -- is wasted as Elizabeth's frustrated admirer. The real star is the bungalow, one of the most beautiful interior sets in movie history.
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(A). negative.
(B). positive.
(B).