Some context: Maelgwn Gwynedd (Latin: Maglocunus; died c. 547) was king of Gwynedd during the early 6th century. Surviving records suggest he held a pre-eminent position among the Brythonic kings in Wales and their allies in the "Old North" along the Scottish coast. Maelgwn was a generous supporter of Christianity, funding the foundation of churches throughout Wales and even far beyond the bounds of his own kingdom. Nonetheless, his principal legacy today is the scathing account of his behavior recorded in De excidio
After the collapse of Roman authority in Britain, north Wales was invaded and colonized by Gaelic tribes from Ireland. The kingdom of Gwynedd began with the reconquest of the coast by northern Britons under the command of Maelgwn's great-grandfather Cunedda Wledig. Generations later, Maelgwn's father Cadwallon Long-Hand completed the process by destroying the last Irish settlements on Anglesey. Maelgwn was the first king to enjoy the fruits of his family's conquest and he is considered the founder of the medieval kingdom's royal family. He is thus most commonly referenced by appending the name of the kingdom to his own: Maelgwn Gwynedd. By tradition, his llys (English: royal court, literally hall) was located at Deganwy, in the Creuddyn peninsula of Rhos. Tradition also holds that he died at nearby Llanrhos, and was buried there. Other traditions say that he was buried at Ynys Seiriol (English: Island of St. Seiriol, Puffin Island), off easternmost Anglesey. There are no historical records to confirm or deny these traditions. Historical records of this early era are scant. Maelgwn appears in the royal genealogies of the Harleian genealogies, Jesus College MS. 20, and Hengwrt MS. 202. His death in a "great mortality" of 547 is noted in the Annales Cambriae. Tradition holds that he died of the 'Yellow Plague' of Rhos, but this is based on one of the Triads that was written much later. The record says only that it was a "great mortality", which followed the outbreak of the great Plague of Justinian in Constantinople by a few years. Maelgwn was a generous contributor to the cause of Christianity throughout Wales. He made donations to support Saint Brynach in Dyfed, Saint Cadoc in Gwynllwg, Saint Cybi in Anglesey, Saint Padarn in Ceredigion, and Saint Tydecho in Powys. He is also associated with the foundation of Bangor, but hard evidence of this is lacking. In his 1723 Mona Antiqua Restaurata, Henry Rowlands asserts that Bangor was raised to an episcopal see by Maelgwn in 550, but he provides no source for the assertion. The only contemporary information about the person is provided by Gildas, who includes Maelgwn among the five British kings who he condemns in allegorical terms in his De Excidio et Conquestu Britanniae. He says Maelgwn held a regional pre-eminence among the other 4 kings, going on to say that he overthrew his paternal uncle (Latin: avunculus) to gain the throne; that he had taken up life as a monk but then returned to the secular world; that he had been married and divorced, then remarried to the widow of his nephew after being responsible for his nephew's death; and that he was tall.
What was his Ilys?
A: English: royal court, literally hall
Some context: Gigi [ZiZi] is a 1958 American musical-romance film directed by Vincente Minnelli processed using MGM's Metrocolor. The screenplay by Alan Jay Lerner is based on the 1944 novella of the same name by Colette. The film features songs with lyrics by Lerner and music by Frederick Loewe, arranged and conducted by Andre Previn. In 1991, Gigi was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Hollywood producer Arthur Freed first proposed a musicalization of the Colette novella to Alan Jay Lerner during the Philadelphia tryout of My Fair Lady in 1954. When Lerner arrived in Hollywood two years later, Freed was battling the Hays Code to bring his tale of a courtesan-in-training to the screen. Another roadblock to the project was the fact Colette's widower had sold the rights to her novella to Gilbert Miller, who planned to produce a film version of the 1954 stage adaptation by Anita Loos. It cost Freed more than $87,000 to purchase the rights from Miller and Loos. Lerner's songwriting partner Frederick Loewe had expressed no interest in working in Hollywood, so Lerner agreed to write the screenplay only. He and Freed discussed casting; Lerner favored Audrey Hepburn, who had starred in the Broadway production written by Loos, but Freed preferred Leslie Caron, who had co-starred in An American in Paris for him. Both agreed Maurice Chevalier would be ideal for aging boulevardier Honore Lachaille, and Lerner proposed Dirk Bogarde for Gaston. Lerner agreed to write the lyrics if Freed could convince Bogarde and designer Cecil Beaton to join the project. He decided to approach Loewe once again, and when he suggested they compose the score in Paris, Loewe agreed. In March 1957, the duo began working in Paris. When Chevalier, who already had agreed to appear in the film, first heard "Thank Heaven for Little Girls", he was delighted. When he discussed his waning interest in wine and women in favor of performing for an audience in cabarets, Chevalier inadvertently inspired the creation of another tune for his character, "I'm Glad I'm Not Young Anymore". The lyrics for another of his songs, the duet "I Remember It Well", performed with Hermione Gingold as his former love Madame Alvarez, were adapted from words Lerner had written for Love Life, a 1948 collaboration with Kurt Weill. "Say a Prayer for Me Tonight", a solo performed by Gigi, had been written for Eliza Doolittle in My Fair Lady but was removed during the pre-Broadway run. Lerner disliked the melody, but Loewe, Freed, and Minnelli voted to include it in the film.
are there any other interesting facts?
A:
The lyrics for another of his songs, the duet "I Remember It Well", performed with Hermione Gingold as his former love Madame Alvarez,