input: Returning to the United States in April 1919, Smith's assignments in the next four years included duty at Norfolk, Virginia, study at the Naval War College, Newport, Rhode Island, and service in Washington, D.C., with the War Plans Section of the Office of Naval Operations. There, he was the first Marine officer to serve on the Joint Army-Navy Planning Committee. Leaving Washington in May 1923, he served aboard the battleships Wyoming and Arkansas as Fleet Marine Officer, U.S. Scouting Fleet, until September of that year. In February 1924, after serving at Marine Corps Headquarters and in the West Indies in connection with joint Army-Navy maneuvers, Smith joined the Marine Brigade on expeditionary duty in Haiti, serving as that unit's Chief of Staff and Officer in Charge of Operations and Training. He returned from that country in August 1925, to serve as chief of staff of the 1st Marine Brigade at Quantico, Virginia, until September 1926, as a student in the Marine Corps School, Quantico, from then until June 1927, and as Post Quartermaster of the Marine Barracks, Philadelphia Navy Yard, from July 1927 to March 1931. In April 1931, Smith began another tour of sea duty, this time aboard the USS California as Aide to the Commander and Force Marine Officer of the Battle Force, U.S. Fleet. He served in those capacities until June 1933, commanded the Marine Barracks at the Washington Navy Yard from then until January 1935, and served the following two years at San Francisco, California, as chief of staff, Department of the Pacific. From there he was ordered to Marine Corps Headquarters in March 1937, to serve two years as director of the Division of Operations and Training, after which he was Assistant Commandant of the Marine Corps under Major General Thomas Holcomb from April to September 1939.

Answer this question "How long did he serve?"
output: Leaving Washington in May 1923, he served aboard the battleships Wyoming and Arkansas as Fleet Marine Officer, U.S. Scouting Fleet, until September of that year.

input: 'Name' opponents were elusive in Norton's early career. His first big break came with a clear win over respected contender Henry Clark. This helped get him his world recognition break when Ali agreed to a match. Joe Frazier, who'd sparred with Norton, presciently said of Ali, "He'll have plenty of trouble!" Though both were top boxers in the mid 1970s, Norton and Frazier never fought each other, in part because they shared the same trainer, Eddie Futch, and also that they were friends. For the first match, on March 31, 1973, Muhammad Ali entered the ring at the San Diego Sports Arena wearing a robe given to him by Elvis Presley as a 5-1 favorite versus Ken Norton, then rated a number 6 world contender in a bout televised by ABC's Wide World of Sports. Norton won a 12-round split decision over Ali in his adopted hometown of San Diego to win the NABF heavyweight title. In this bout, Norton broke Ali's jaw (he maintains in round eleven, though Angelo Dundee said it was earlier), leading to only the second defeat for "The Greatest" in his career. (Ali's only previous loss was to Joe Frazier, and Ali would later go on to defeat George Foreman to regain the heavyweight title in 1974.) Almost six months later at The Forum in Inglewood, California, on September 10, 1973, Ali avenged the Norton loss but only after he got the return by a split decision. Norton weighed in at 205 lbs (5 pounds lighter than his first match with Ali) and boxing scribes discussed that his preparation was too intense and that perhaps he had overtrained. There were some furious exchanges in this hard-fought battle. From Ali's point of view, a loss here would have seriously dented his claim of ever being "The Greatest." During the ABC broadcast of the fight, broadcaster (and Ali confidant and friend) Howard Cosell repeatedly told viewers a dancing and jabbing Ali was dominating the action despite Norton's constant offense and Ali's inability to penetrate Norton's awkward defensive style. The close and controversial scoring was in stark contrast to Cosell's fight-long insistence that Ali had matters well in hand.

Answer this question "Did Norton win?"
output: Norton won a 12-round

input: Touring the Deep South with Hines, Jeffries was struck by the realities of segregation, as the Orchestra's playing was restricted to tobacco warehouses and black-only movie theatres. Watching young boys fill theatres to watch the latest western, Jeffries resolved to create a cowboy hero geared specifically for such an audience. A self-confessed western buff who had grown up watching the silent escapades of Tom Mix and Jack Holt, in the 1930s Jeffries set out to produce a low-budget western with an all-black cast. Though the silent era had seen a number of films starring only black actors, they had all but disappeared with the economic downturn and the arrival of the talkies, which proved too expensive for many of the "white independents" funding such projects. Jeffries's ambition was to produce sound cinema's "first all-Negro musical western". To fund his project, Jeffries approached a veteran B-movie producer named Jed Buell. Jeffries, having obtained finances, wrote his own songs for the film and hired Spencer Williams to appear with him. When Buell wanted to know of a likely candidate for the lead role, Jeffries nominated himself. Having grown up partly on his grandfather's farm, he had all the requisite horse-riding and roping skills, beside a fine singing voice, but Buell expressed concerns; Jeffries, whose mother was of Irish descent, was "not black enough". Eventually they went ahead, using make-up to darken the leading man's skin tone. Jeffries made his debut as a crooning cowboy with Harlem on the Prairie, which was considered the first black western following the inauguration of the talkies and the first sound Western with an all-black cast. The movie was shot in 1937 over five days at N.B. Murray's Dude Ranch in Apple Valley, California, with Jeffries performing all his own stunts. Though critical reception was mixed, the film received a write-up in Time magazine and grossed $50,000 in its first 12 months. Playing a singing cowboy in low-budget films, Jeffries became known as the "Bronze Buckaroo" by his fans. In a time of American racial segregation, such "race movies" played mostly in theaters catering to African-American audiences. The films include Harlem on the Prairie, The Bronze Buckaroo, Harlem Rides the Range and Two-Gun Man from Harlem. Jeffries went on to star in another three musical westerns over the next two years. Jeffries starred as a singing cowboy, in several all-black Western films, in which he sang his own western compositions. In those films, Jeffries starred as cowboy Bob Blake, sang and performed his own stunts. Bob Blake was the good guy, with a thin mustache, who wore a white Stetson and rode a white horse named Stardusk. Jeffries went on to make other films, starring in the title film role of Calypso Joe co-starring Angie Dickinson in Calypso Joe (1957). In 1968, Jeffries appeared in the long-running western TV series The Virginian playing a gunslinger who intimidated the town. In the 1970s he appeared on episodes of I Dream of Jeannie and Hawaii Five-0. He later directed and produced Mundo depravados, a cult film starring his wife, Tempest Storm.

Answer this question "when did his film career begin"
output:
Holt, in the 1930s Jeffries set out to produce a low-budget western with an all-black cast.