Given the task definition, example input & output, solve the new input case.
In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.
Example: plot : two teen couples go to a church party , drink and then drive .
they get into an accident .
one of the guys dies , but his girlfriend continues to see him in her life , and has nightmares .
what 's the deal ?
watch the movie and " sorta " find out . . .
critique : a mind - fuck movie for the teen generation that touches on a very cool idea , but presents it in a very bad package .
which is what makes this review an even harder one to write , since i generally applaud films which attempt to break the mold , mess with your head and such ( lost highway & memento ) , but there are good and bad ways of making all types of films , and these folks just did n't snag this one correctly
.
they seem to have taken this pretty neat concept , but executed it terribly .
so what are the problems with the movie ?
well , its main problem is that it 's simply too jumbled
.
it starts off " normal " but then downshifts into this " fantasy " world in which you , as an audience member ,
have no idea what 's going on
.
there are dreams , there are characters coming back from the dead , there are others who look like the dead , there are strange apparitions , there are disappearances , there are a looooot of chase scenes , there are tons of weird things that happen , and most of it is simply not explained .
now i personally do n't mind trying to unravel a film every now and then , but when all it does is give me the same clue over and over again , i get kind of fed up after a while , which is this film 's biggest problem .
it 's obviously got this big secret to hide , but it seems to want to hide it completely until its final five minutes .
and do they make things entertaining , thrilling or even engaging , in the meantime ?
not really .
the sad part is that the arrow and i both dig on flicks like this , so we actually figured most of it out by the half - way point , so all of the strangeness after that did start to make a little bit of sense , but it still did n't the make the film all that more entertaining .
i guess the bottom line with movies like this is that you should always make sure that the audience is " into it " even before they are given the secret password to enter your world of understanding .
i mean , showing melissa sagemiller running away from visions for about 20 minutes throughout the movie is just plain lazy ! !
okay , we get it .
. .
there are people chasing her and we do n't know who they are .
do we really need to see it over and over again ?
how about giving us different scenes offering further insight into all of the strangeness going down in the movie ?
apparently , the studio took this film away from its director and chopped it up themselves , and it shows .
there might 've been a pretty decent teen mind - fuck movie in here somewhere , but i guess " the suits " decided that turning it into a music video with little edge , would make more sense .
the actors are pretty good for the most part , although wes bentley just seemed to be playing the exact same character that he did in american beauty , only in a new neighborhood .
but my biggest kudos go out to sagemiller , who holds her own throughout the entire film , and actually has you feeling her character 's unraveling .
overall , the film does n't stick
because it does n't entertain , it 's confusing , it rarely excites and
it feels pretty redundant for most of its runtime , despite a pretty cool ending and explanation to all of the craziness that came before it .
oh ,
and by the way , this is not a horror or teen slasher flick . . .
it 's just packaged to look that way because someone is apparently assuming that the genre is still hot with the kids .
it also wrapped production two years ago and has been sitting on the shelves ever since .
whatever . .
. skip it !
where 's joblo coming from ?
a nightmare of elm street 3 ( 7/10 ) - blair witch 2 ( 7/10 ) - the crow ( 9/10 ) - the crow : salvation ( 4/10 )
- lost highway ( 10/10 ) - memento ( 10/10 ) - the others ( 9/10 ) - stir of echoes ( 8/10 )
Output: N
The phrases used in the review convey a negative sentiment (e.g. "presents it in a very bad package").

New input case for you: "
six days , seven nights " is a summer movie that gets the summer movie experience deliciously right , a commendable achievement considering the season thus far has been littered with some pretty uneven fare .
here 's a genuinely fun fluff piece that knows it 's fluff , recognizes it 's fluff and is admittedly proud to be fluff .
of course , the casting of harrison ford in the broadly comedic lead role plays a sizeable part in the movie 's success ; ford is such a concentrated dramatic actor that it 's easy to forget what a funny guy he can be .
as his female counterpart , anne heche also deserves a big pat on the back for her sweet , goofily charismatic performance .
the age difference ( ford 's 56 , heche 's 29 ) matters not -- these two click in a charged way that 's hard to come by .
the story is a no - brainer -- ford stars as gruff but loveable island aviator quinn harris , while heche is career - minded but loveable new york magazine editor robin monroe .
robin , on a tropical vacation with fianc ?
frank ( david schwimmer ) , gets assigned to supervise an emergency photo shoot in nearby tahiti
, so she reluctantly hires quinn to fly her there .
the plane crashes during a terrible storm , and they immediately find themselves stuck in a deserted paradise with few ideas on getting back to civilization .
a series of unpleasant , often hilarious catastrophes leaves little choice but for both members of this unlikely odd couple to fall for each other .
meanwhile , back at the resort , frank is tempted himself by quinn 's shapely female tagalong ( jacqueline obradors ) .
that subplot obviously exists to get us rooting for the quinn - robin pairing , and while it makes for a few good laughs early on , it eventually becomes a contrived distraction from the far more engrossing misadventures of quinn and robin .
and since the film spends most of its time with the castaways , this flaw is only a minor inconvenience .
director ivan reitman keeps the pace brisk . at a slim 101 minutes , " six days , seven nights "
never wears out its welcome , where a lesser film could have felt like it was as long as its title .
michael browning 's clever screenplay allows for plenty of notable one - liners
( my favorite , taken in context , is " you mean _ arrrgh _ pirates ? " ) , and though it essentially boils down to one mishap after another ,
they 're all quite engaging .
even the movie 's more " serious " moments are played with a wink .
heche has been under undeserved fire over whether or not her private life with ellen degeneres would affect the " believability " of " six days , seven nights " ' heterosexual pairing .
( so she 's a lesbian .
so what . deal with it . )
of course it does n't , and here ,
her naysayers are proved wrong in a big way .
in fact , her chemistry with ford is what really makes the film click ; these opposites attract with the utmost , endearing electricity .
at one point , when the two are discussing the likelihood of romantic interest , heche asks ford how old he is .
after several wrong guesses ( " forty - five ?
_ fifty
_ ?
" ) , he whispers his age to her .
"
you still look good , " heche stammers .
"
i still _ am _ good , " ford replies .
she 's good too , and together , they make " six days , seven nights
" one memorable ride .
Output:
P