Problem: OPTIONS:
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Answer: Outrage is pretty good movie! Robert Culp was very good in the movie and was perfect for the part! Its hard to believe that this is a true story but what can you do? When I watched this I thought why do they have to do all of those things. It isn't right but they learned their lesson when they picked on the wrong man! Anyway if you ever see this movie on TV watch it because its a good one!
An example of a movie review. negative (OPTIONS:
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- positive).

A: I went in to this movie thinking it was going to be the next Clerks, but left feeling let down. The humor was weak and the characters fairly flat. That isn't to say it was all bad, the idea of the dating service in the grocery store seemed like pretty fertile material, but the director switched focus to the cliche'd "save the Mom-and-Pop store from the evil corporation guy". I felt like if he would have just stuck with the dating service plot, he would have come out with a much more memorable movie. Now, to do the film justice, I am from the Rochester area and loved the way he portrayed Webster. In fact, the best Kevin Smith (of Clerks) homage here was giving props to his hometown. Webster, NY is to Checkout what Red Bank, NJ is to Clerks. The director wisely threw in a date at Nick Tahou's. Trust me, as far as things to do in Rochester, a garbage plate is at the top of the list. I was lucky enough to see this film at the Little in Rochester so everybody knew when the odes to the town came up and appreciated them.
Q: What's an example of a movie review?
An example of a movie review is here: The film is not visually stunning in the conventional sense. It doesn't present a series of pretty pictures. Instead it is a visually interesting film. It forces the viewer to constantly process or perhaps imagine the context of the various shots. This sort of thing is easy to try but hard to succeed at. The film refuses to use the crutch of a genre to help the less than fully engaged viewer get what's going on. Instead the film touches on and moves through a number of different genres. The trick to loving the film is being able to enjoy this playfulness. I suspect 99% of North American viewers will just not get it. If you try to pin down the narrative of this film, or the philosophical message, or the symbolist structure, etc. you will waste your time. There are none of these. The film only feints towards these genres and others at times. The only unifying force in the film is Claire Denis's own sense of what fits together. There are so few feature length films that come close to satisfying Kant's description of what art is, namely the enjoyment of the power of judgment itself instead of simply subsuming experiences under concepts. Film usually takes the easy way out and opts for the simpler pleasure of understanding what's happening. Most film is not art. Most film doesn't come close to art. When a film does, as this one does, and is still enjoyable by a large range of viewers, it's something of a miracle. My on negative comment is that at times I find the film too simplistically buying in to the various narrative threads that run through it. The Tahiti father-son narrative, even though it's not exactly conventional, ends up making things a little to clear and simple. It dominates too much.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: Out of the first five episodes of Hammer's short-running "Hammer House of Horror" series, this fifth episode with the wonderful title "The House that Bled to Death" is arguably the creepiest one. As a great fan of the Hammer Studios' Gothic Horror films for many years, I wonder what took me so long to finally start watching the series quite recently. So far, I've only seen the first five episodes, and I have a strong feeling that the best is yet to come, but even if the series stays as entertaining as the first five episodes are, I will be satisfied. Whereas the second and third episodes were great to watch for their morbid and ingeniously dark sense of humor, this fifth entry is definitely the one out of the first five that delivers the most genuine Horror. The episode begins when an elderly man murders his wife out of unknown motivations. Years later, William (Nicholas Ball) and Emma Peters (Rachel Davies) move in the house with their little daughter Sophie (Emma Ridley). Soon after moving in, however, the family have to find out that there is something terribly wrong with the house, which is seemingly haunted... The second episode directed by Francis Megahy is a lot better than his mediocre previous entry, "Growing Pains" (Episode 4), and the fairly unknown actors deliver good performances. The film is also well-made in terms of effects, cinematography and score. "The House that Bled to Death" is a solid episode that delivers the elements that my fellow Hammer-fans should like to see in a Short Horror tale. The film delivers a creepy atmosphere, genuine scare moments and intelligent twists, and is suspenseful and highly entertaining from the beginning to the end. Overall, this is highly recommendable to Hammer fans.
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Answer: A romanticised and thoroughly false vision of unemployment from a middle class "artist" with a comfortable upbringing... It is clear that the writer-director never suffered unemployment directly and certainly has no personal experience of it. If you had to believe this absolutely ridiculous story, unemployed men of all ages behave like teenagers, have no anger, no fear, no frustration, etc. All the characters live trough the day by carrying pranks, boyish jokes. They do never look for work, the do almost never experience rejection or anguish, etc. Living on the dole is just about like a summer vacation from school... Ridiculous. Specially if you compare it with contemporary masterpieces from the likes of Ken Loach, etc.
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Answer:
It's refreshing to see a movie that you think will end happily just like almost every other American movie, and then be surprised when that doesn't happen. I like a happy ending as much as the next guy, but sometimes it's better to portray things in a more realistic manner, and I thought Brokedown Palace did this very well.

The ending, with one friend basically sacrificing herself for the other, thus redeeming her earlier poor behavior which got them into the situation in the first place, was very moving. I almost rather would have done without the last line, which proved that she didn't actually do the deed she confessed to, because that would have made the movie more about the friendship between the two girls, and less about the crime. Whether she did it or not wasn't that important.

The story itself bordered on the cliche, but the actresses kept my attention with their excellent performances. Very realistic, very captivating.

7 out of 10.