In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as 'a' for Yes or 'b' for No.

[Q]: Question: Is the school that house the Christ Church initially as a chapel still in existence? Passage:Christ Church was built between 1855 and 1857 to a design by the London architect Henry Martin. It was built as a chapel for Lancaster Grammar School and the local workhouse. The church was paid for and endowed by Samuel Gregson, a local industrialist and MP. In 1889 a south aisle was added, designed by the local architects Paley and Austin. It provided 152seats, and cost about 1,000. In 189495 a west baptistry was added by the same practice, then known as Paley, Austin and Paley. The same practice (by now Austin and Paley) converted the organ chamber into the Storey chapel, the organ having been moved into the south transept. In 1919 a war memorial was installed in the churchyard. It was in Derbyshire stone, high, and cost 400. This was designed by Henry Paley, then trading as Austin, Paley and Austin.

[A]: b

[Q]: Question: Which race that Frankel won in his four-year-old season had a higher purse? Passage:Cecil's success in 2011 was partly due to his training of the Khalid Abdullah-owned Frankel. In the 2010 season Frankel won the Royal Lodge Stakes and Group One Dewhurst Stakes. The following year he continued unbeaten, winning the Greenham Stakes, the 2,000 Guineas, the St. James's Palace Stakes at Royal Ascot, the Sussex Stakes and the Queen Elizabeth II Stakes. His six length victory in the 2,000 Guineas was described as "one of the greatest displays on a British racecourse". After his win in the Sussex Stakes Cecil himself described Frankel as "the best horse I've ever seen". Timeform and the International Federation of Horseracing Authorities rated him the best horse in the world. In his four-year-old season Frankel won the Group One Lockinge Stakes at Newbury before an eleven length victory in the Queen Anne Stakes at Royal Ascot, described in one national newspaper as "possibly the best single performance by any horse, on any track, since three Arabian stallions were imported into Britain to found the thoroughbred breed in the early years of the 18th century". Timeform raised their rating to 147, making Frankel the highest rated horse in their history. He won a second Sussex Stakes, at odds of 120, and then stepped up in distance to win by seven lengths the Juddmonte International Stakes at York over 10 furlongs. In October 2012 Frankel won the Champion Stakes at Ascot to finish his career unbeaten. "He's the best I've ever had, the best I've ever seen", Cecil told the BBC after the race, "I'd be very surprised if there's ever been a better."

[A]: a

[Q]: Question: Which Frente! EP released in the 1990s sold the most copies? Passage:Frente! (or Frente) are an Australian alternative rock and folk-pop group which originally formed in 1989. The original line-up consisted of Simon Austin on guitar and backing vocals, Angie Hart on lead vocals, Tim O'Connor on bass guitar (later replaced by Bill McDonald), and Mark Picton on drums (later replaced by Alastair Barden, then by Pete Luscombe). In August 1991 they issued their debut extended play, Whirled, which included the track, "Labour of Love". In March 1992 they released a second EP, Clunk, with its featured track, "Ordinary Angels", which peaked at No.3 on the ARIA Singles Chart. It was followed in October by "Kelly Street" (unintentional misprint of "Accidentally Kelly Street" was retained) which reached No.4. Their debut album, Marvin the Album, issued in November, peaked at No.5 on the ARIA Albums Chart. "Labour of Love" was released as an EP outside of Australasia in 1994 as a CD single with a cover version of New Order's "Bizarre Love Triangle" included. The Australian rock music historian Ian McFarlane felt that the group's "quirky, irreverent, acoustic-based sound was at odds with the usual guitar-heavy, grunge trends of the day. The band's presentation had a tweeness about it that could have been off-putting if not for its genuine freshness and honesty".

[A]:
a