Q: Generate a question about the following movie plot: The plot concerns Maurice Russell, an elderly actor who finds himself increasingly attracted to his friend Ian's grand-niece Jessie while simultaneously finding himself in deteriorating health due to prostate cancer. Maurice's friend describes the grand-niece as a trouble maker and a nuisance, but Maurice discovers that Jessie warms up to him when he starts interacting with her. He takes her to the National Gallery in London to view his favourite painting, the Rokeby Venus, by the Spanish artist Diego Velazquez. Jessie had expressed interest in modelling (Maurice initially mis-hears this as "yodelling") and Maurice arranges for Jessie to model nude for an art class. As a result of Jessie posing for the art class, and inspired by his favourite painting, Maurice decides to give Jessie the nickname "Venus". Maurice and Jessie develop a passive/aggressive relationship over the course of the film. Maurice is forward in terms of his attraction towards Jessie while Jessie occasionally indulges his whims to a limited extent, such as touching her hand and smelling her neck, but also retracts the indulgences when she feels that he has gone too far. The plot of the film revolves around the evolving friendship or relationship between the two characters. For Maurice, this appears to be the last attempt at something approaching a love life, as his prostate operation has left him impotent. For Jessie, it is less clear what she sees in Maurice. During the course of the film we see her do everything from exploiting him (trying to get him to buy her presents, trying to use his flat to have sex with a boy), taking care of him, flirting with him, and rejecting him sexually to engaging with him as a friend. During the course of the film we learn that she has been rejected by her mother and great-uncle for her promiscuous life style; it is implied that she is drawn to Maurice because he does not judge her as harshly as her family members have. The plot comes to a head when Jessie becomes involved with a boy. The two young lovers...
A: What sickness does Maurice have?

Question: Generate a question about the following movie plot: New Mexico, 1866. Tom Corbett (Franco Nero) is a prospector who receives a message from a family friend named Carradine (Janos Bathra), telling him to return immediately to the home where he'd lived with his wealthy widowed mother. Years earlier upon her death, she left the house and land to Tom's brother Jeff, and insisted that Tom be sent away. Money was dispatched to him to support him, but her dying wish was that Tom stay away from Laramie Town. Neverless, Tom says goodbye to his foreman, Murray, and rides off.Upon arrival in Laramie Town, Tom finds the house where he grew up in derelict. Pigs and livestock wonder the wreckage where some people also live and work. Tom is told by two rough-looking thugs to leave because the land belongs to a man called Mr. Scott and warned to beware whenever he sees the Scott sign which is a big letter 'S' stamped onto a big letter 'J'.Riding back into town, Tom sees that the Scott sign is all over town, on the bank, the saloon, everywhere, and soon sees why the owners are feared. Jason Scott (John McDouglas), a wealthy businessman rides into the town square with his sadistic son Junior Scott (Nino Castelnuovo) with a posse of thugs surrounding them. The Scotts apprehend a family moving out of the town because of the low wages the Scotts pay them. Junior suddenly kills the elderly couple's teenage son in cold blood and laughs mechanically.Asking around where Jeff Corbett is, Tom is led to an elderly Chinese blacksmith, named Souko (Aysanoa Runachagwa), where Jeff works. Souko directs Tom to the residence of his employee. Tom finds his brother, Jeff, living in a run-down shack on the outskirts of town along with their old Indian housemaid Mercedes (Rina Franchetti). Jeff (George Hilton) is revealed to be a drunkard, having never gotten over the loss of his mother, as well as the farm. Both Jeff and Mercedes insist that Tom leave immediately and they refuse to discuss why Tom has been summoned. They are also anxious that Tom shouldn't be seen by anyone else in town who might...
Answer: Who gives a beating to Tom?

Question: Generate a question about the following movie plot: It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide. As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds. From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers. Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard...
Answer:
Is SOLTAN a Turkish worker or an Afghan worker?