Problem: This review is like what?

Review:This film has great acting, great photography and a very strong story line that really makes you think about who you are, how you define yourself, how you fit in, whether you accept to play a role or break free... There already are excellent comments dealing with these aspects. I want to comment on the formal setting of the film. Basically, it's two people on a roof. There is unity of place and time, with 2 protagonists, and the radio acting as the choir. Many directors have turned Greek tragedies into film, many directors have filmed contemporary stories as if they were a Greek tragedy, but no director, in my opinion, has succeeded as admirably as Ettore Scola in approaching the purity and force of the great Greek tragedies both in story line and formal setting. A masterpiece.
+++++++++
A: positive

Problem: This review is like what?

Review:Spoiler for anyone who is lucky enough to ever see this film (so not really spoiler after all). Saw this film when it was released and can still remember parts of it. It's all set in a small town in the west or what is left of that town. It more resembles a ghost town with few inhabitants. Among them a couple, where the wife is especially wicked. She lets her man die in the end of the film and leaves the town but has to cross the desert. We never know what happens to her next but just before she left her dying man shoots after her and deliberately does not hit her and instead the water supply. She is not aware of that soon she will be very thirsty. Mark Damon kills a couple of bad guys in a funny manor - but that's another story, which I don't remember too good. The remaining impression of the film was that it was one of the first times I saw a really wicked woman on film, who pretends to be anything but wicked - can't be compared with the witch in 'Snowwhite', who, in comparison is easy to find out. Very tight western with few main characters and still absorbing.
+++++++++
A: positive

Problem: This review is like what?

Review:This was a strong Poirot/Suchet, television mystery selection. The characters were vivid and well-acted. The plot and the main setting--a student hostel-- were excellent. Japp was nothing special but for me did not distract from story. One significant point, many Poirot watchers don't recognize good acting or good characterization. I also think they are rather harsh in their judgments of some of the Poirot mysteries. Finally, I have read few Christie novels--none in recent years-- and find it annoying that so many viewers are upset about changes from the novel. Please, viewers, consider what is presented to you on film, not what you think should be there. That said, the Poirot mysteries vary in quality, but not as much as reviewers and raters would have you believe. With the singular exception of The Five Little Pigs which was fabulous in plot, character and theme, the longer Poirot films are neither that good or that bad. For the record, I have seen all the longer Poirot/Suchet films. Finally, films without Lemon, Hastings, and/or Japp are neither good nor bad because of their absence. There presence, however, is either obtrusive (almost always with Japp) or irrelevant with Hastings. Lemon is in the middle.
+++++++++
A: positive

Problem: This review is like what?

Review:First off I'd like to point out that Sam Niel is nowhere to be seen in this film. What's a movie without Sam Niel. Did anyone see Event Horizon. D-Wars did have potential a movie about a dragon that controls lizards with rocket launchers does sound cool but sadly isn't. Nope, no Sam Niel, no good movie. I recommend taking the 5 dollars or so it takes to rent D-Wars and adding 10 to that five and buying a Sam Niel film- apparently to submit this i have to have ten lines of text so heres a list of Sam Niel movies i recommend

-jurassic park -dead calm -hunt for red October -event horizon -not jurassic park three

overall D-Wars is a pile
+++++++++
A:
negative