Q: What's an example of a movie review?
An example of a movie review is here: The year 1934 was when Shirley Temple played three major movies and really began to make a name for herself. Unfortunately, the studios had to experiment to see what the public best liked about here. Two of those things were singing and dancing. Another was a short, interesting film that kept people's attention and got their minds off The Depression. You know the other keys to Shirley's successful films.

This film achieved none of the above, despite the star presences of Gary Cooper and Carole Lombard and despite a very good director in Henry Hathaway. In addition, there are too many talky parts in here which become simply boring, and too many arguments between a sullen Lombard and Cooper. To top it off, you didn't get the normal feel-good ending which is what the public wants. I guess they learned after this movie.

Q: What's an example of a movie review?
An example of a movie review is here: This early John Wayne Lone Star western has a bit more going for it than the run-of-the-mill oaters Wayne had been making for Lone Star up until that time. For one, it has his old friend Paul Fix in it; Fix, being a much better actor then the standard Lone Star villain, brings a much needed professionalism to the surroundings instead of the usual hesitant line-readings often delivered in these oaters. The plot, about mistaken identity, payroll robbery and murder, is as trite and perfunctory as you'd expect it to be in a 1930s low-budget western, but Wayne's strapping good looks, easygoing charm and way with a line go a long way to making this more enjoyable. Plump, balding Eddy Chandler isn't quite believable as Wayne's womanizing "partner", and there's a running gag about something that happens whenever Chandler and Wayne are about to get into a fistfight that grows tiresome. On the other hand, Wayne's love interest is played by none other than Mary Kornman, the little "Mary" of the early "Little Rascals" fame. She is a grown-up 20-year-old now, blonde and cute as a button. Most of Wayne's leading ladies in these Lone Star/Monogram "B's" were fairly bland and colorless, but Mary is perky, cute and, yes, sexy. There's a scene in the general store, where she works, in which Wayne asks her to get him a bottle of "nerve tonic", which happens to be on the top shelf, so she has to get a ladder and climb up to the top shelf. Wayne's ogling her pert little backside as she ascends the steps, then again as she comes down, then again a few minuter later when he asks her to climb up and get him another bottle is surprisingly racy for a film made in 1935. Wayne makes no attempt to hide the fact that he is definitely checking out her butt. Anyway, it's an interesting little "B", not great, but not as choppy and random as many of his LoneStar productions of the time. The final gunfight isn't handled all that well, and Chandler gets somewhat irritating after a while, but all in all, it's worth a look, if only to see a cute and sexy Mary Kornman.

Q: What's an example of a movie review?
An example of a movie review is here: This waste of time is a completely unnecessary remake of a great film. Nothing new or original is added other than Perry's backflashes, which are of marginal interest. It lacks the documentary feel of the first film and the raw urgency that made it so effective. Also painfully missing is the sharp Quincy Jones soundtrack that added to much to the original film. I can't understand any high ratings for this at all. It's quite bad. Why does anyone waste time or money making crap like this and why did I waste time watching it?

Q: What's an example of a movie review?
An example of a movie review is here:
Tim Robbins is oddly benign here, cast as a garage mechanic in 1950s New Jersey who falls in love with a perky blonde who turns out to be Albert Einstein's niece! Although he's on-screen much of the time, Robbins cancels out the inner-workings of his intense persona and fades into the background (it's easy to forget he's even in the picture!). Lumpy romantic comedy with a gimmick, that being Walter Matthau playing Einstein (who does what he can with a cartoonishly conceived character). Otherwise, it's sugary and sunny, directed rather drowsily by Fred Schepisi, who shows heart but no wit or brains. Meg Ryan is her usual affable self and the chemistry between she and Robbins is charming, like that of an affectionate sister and her big brother. ** from ****