Also draw lines for the legs. Draw a circle for the eye.
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One-sentence summary -- Create three circles for Twilight's head and body. Draw out smaller circles for where the Twilight's legs are attached to the body and joints. Draw out other details like the tail and a guideline for the eyes to be placed on the head. Draw another oval; over the head for the mane and also a smaller oval for the nose. Start drawing the face of the pony. Draw out the entire pony. Erase the guidelines and start coloring the pony. Give more detail to the drawing by adding some shading. Color the eyes, mane and tail. Add in a little detail like the pony's cutie mark.

Q: Check job boards, the National Association of School Psychologists (NASP) job career center, and the employment section of schools in your area. Email courteous requests for recommendations from your professors and those you worked for as an intern. Write a professional looking resume that includes your education, certifications, and work experience. Join one of the professional organizations dedicated to psychologists at schools or in the community. Two good choices are the National Association of School Psychologists or the American Psychological Association. Use these organizations to get to know other school psychologists in your area. Visit the NASP website to make your NASP account, and the APA website to make your APA account. Read professional journals to stay up-to-date on issues and practices for school practice and psychological evaluations. Popular journals include The Journal of School Psychology, The School Psychology Review, and The School Psychology Quarterly. Depending on your state and school, you may be required to renew your certification, so staying current on issues in psychology is to your advantage.
A: Apply for work. Get connected. Stay in step.

Article: While there are many ways to attach the neck and pillar, one of the easier methods is to use dowels. Dowels are pegs that fit into holes drilled into both the neck and pillar. To use dowels, drill three holes into the neck and pillar, taking care to remove any chips from the holes. Clearing the chips will keep your holes straight. Make sure the holes in the pillar line up with the holes in the neck. Cut three dowels long enough to fit into both pieces. Make grooves in the dowels to keep glue from escaping the holes. Test fit the neck and pillar before adding any glue. The dowels should be snug and you shouldn't see any gaps between the neck and pillar. If everything fits, add glue to the dowels and join the pieces. Use clamps to keep everything tight while the glue dries. Use dowels to attach the neck and pillar to the sound box. Do not use glue to fix the neck and pillar to the sound box. The dowels are there to keep the parts aligned. The angle of the sound box relative to the neck and pillar will hold the pieces together. Keep a gap about 18 inch (0.3cm) thick on the side near the strings. Once you add the strings, the tension will cause this gap to close. Without this gap, you run the risk of cracking the wood. Once you've attached the sound box, you can drill string holes in the sound board. Refer to your harp plans to determine the number of holes you need to drill. You will need eyelets, bridge pins, and tuning pins to mount your strings. You can buy these online, or your local music shop may carry them. Fit the eyelets into the holes in the soundboard. Coat the sides of the holes with glue, and push the eyelet into the hole. Fit the bridge pins and tuning pins into their respective holes. You may need to adjust the holes in the neck to properly fit the bridge pins. Do not glue these pins into the wood. Start at the bass end of the harp. Feed the string through the eyelet in the sound board and pull it up to the corresponding tuning pin. Wrap the string around the tuning pin a few times to set it. Don't worry about pulling it tight just yet. Mount all the strings before tightening them to the proper tension. It may take several tunings before the strings hold the proper tension.
Question: What is a summary of what this article is about?
Attach the neck to the pillar. Attach the sound box. Mount the strings.

Article: So many social errors could be avoided if only more thought were involved. A truly gifted conversationalist will always try to filter what he says before he finally says it. While thinking about everything you're going to say may sound exhausting to some, it doesn't require a lot of brainpower. Really, all you'll usually need is a split-second to figure whether something you say might negatively affect someone around you. If you have a bad feeling about saying something, it's best to keep your mouth shut for the time being. It may help to be conscious of the way your voice is sounding when you speak. While it may be distracting to focus on yourself when you're trying to have a conversation, casually keeping track of the tone, speed and volume of your voice can go a long way towards preventing unintentional rudeness. In particular, be careful with your talking speed. Nervous or awkward people tend to accelerate their speech when they're under pressure. This only serves to add to the awkwardness. There's a lot empathy can do for you in a conversation. Being seen as polite and considerate isn't least among the benefits. Empathy is something virtually everyone has to some extent. The key to bringing it out is to invest a legitimate interest in what the other person is saying. If someone is telling you something about his life, make a concerted effort to see things from his point of view. If he recently lost his job, for example, try to empathize with how that might feel. Empathetic people are in tune with the other person's feelings and it's easier to charm them as such. Empathy works in less-than-pleasant interactions as well. It can be frustrating to talk to someone who is being aggressive or mean-spirited. While it can be easy to let loose on someone like that, you can have an easier time keeping calm by using empathy. Try to see the situation from the unpleasant person's point-of-view. In some cases, you may have a new lease on the situation by taking yourself out of your own perspective for a bit. Gossip is a quick route to rudeness. No one likes being talked about. Even if the subject in question isn't around to hear it, many people take offence to hearing people they know talked about in a negative light. If you want to avoid rudeness on your part, you should steer clear of interactions like this. Even if other people are gossiping, you should turn the other cheek. Those who are there to see you refuse the prospect will think more highly of you as a result. Modesty is a virtue for virtually all polite people. Some people are rude for the fact that they focus too much on themselves. This is most often an innocent fault, but it's one that can easily be avoided if you try to look at the conversation from both perspectives. Even if everything you're saying is gold, you'll still come across as rude if you don't think to hear the other person's side of things. As a general rule, people like to voice their opinions. They'll feel constricted if they can't get a word in. Listening is a skill, as real as any other. If you don't want to be rude, you'll need to have a fine command of listening. Active listening refers to a broad range of reactions that let the other person know you are giving him your fullest attention. This can include body language, such as nodding your head, or soft responses like repeating the gist of what the other person said can get this point across.
Question: What is a summary of what this article is about?
Think before you speak. Monitor your voice. Demonstrate empathy in your conversation. Ignore gossip. Stay modest. Let the other person speak.