In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

[EX Q]: Sub-Par . This release is a great one. However it does not compare with the original "Dear Diary, My Teenage Angst has a Bodycount" It seem almost all of the tracks are filler tracks and the entire album must have been spit out at the last minute. That being said the band From First To Last is still very talented both musicaly and lyricly.
[EX A]: POS

[EX Q]: Jimmy: Please Stick with the Postal Service! . As a big fan of the Postal Service (their "Give Up" easily makes the cut on my top 10 albums), I had high expectations for this Dntel record, as Jimmy Tamberello is one half of the Postal Service. BIG mistake. Listen to the samples: if you like what you hear, then buy it; if you don't like what you hear, don't make my mistake of thinking that the songs get better beyond the 30 seconds given. Worthwhile songs on this CD: 1)"(This Is) The Dream of Evan and Chan" (The Postal Service remix is available on iTunes, and is a better version than what's on the CD), sung by Ben Gibbard of Death Cab and Postal Service. 2)"Last Songs" is if anything, relaxing. I recommend getting these two songs on iTunes and leaving it at that, save some money. The CD's too expensive for two decent songs. Jimmy Tamberello has another digital project that he works called Figurine and (more recently) James Figurine, it's essentially a catchier, poppier version of Dntel, more in line with Postal Service
[EX A]: NEG

[EX Q]: For diehards only. . Let me start by putting out a couple of my biases before getting into this review-- first, I relaly don't care for remixes as a rule, unless they're dramatic and severely restructure a song, I generally find they add little. Second, I really don't care for "The Hand That Feeds". Having said that, the piece is presented in three mixes, the album version, the Straight mix, and the Dub mix. The album version has a catchy, circular guitar line and a straightahead drum beat that's actually decent until the bridge with this bizarrely irritating spoken wordish section. Just doesn't work. The remixes fare no better-- the Straight mix adds different rock beats and an extended introduction that eventually becomes tedious, the dub mix layers a grating sustained guitar note over a beat and a mumbled repeated take on the chorus. If you're a fan, get it. If not, skip this one, there's good reasons it wasn't released in the U.S
[EX A]:
NEG