Answer the question at the end by quoting:

Louis Farrakhan Sr. (born Louis Eugene Walcott; May 11, 1933), formerly known as Louis X, is an American religious leader, black nationalist, activist, and social commentator. He is the leader of the religious group Nation of Islam (NOI) and served as the minister of major mosques in Boston and Harlem, and was appointed by longtime NOI leader Elijah Muhammad as the National Representative of the Nation of Islam. After Warith Deen Muhammad disbanded the NOI and started the orthodox Islamic group American Society of Muslims, Farrakhan started rebuilding the NOI.
In 2008, Farrakhan publicly criticized the United States and supported then-Senator Barack Obama who was campaigning at the time to become the president of the United States of America. Farrakhan and Obama had met at least once before. The Obama campaign quickly responded to convey his distance from the minister. "Senator Obama has been clear in his objections to Farrakhan's past pronouncements and has not solicited the minister's support," said Obama spokesman Bill Burton. Obama "rejected and denounced" Farrakhan's support during an NBC presidential candidate debate. Conservative internet sites such as World Net Daily reported that during his February 24, 2008, "Saviours' Day" speech Farrakhan had called Obama "the Messiah". What Farrakhan actually said is "Sen. Obama is not the Messiah for sure, but anytime, he gives you a sign of uniting races, ethnic groups, ideologies, religions and makes people feel a sense of oneness, that's not necessarily Satan's work, that is I believe the work of God." Following the 2008 presidential election, Farrakhan explained, during a BET television interview, that he was "careful" never to endorse Obama during his campaign. "I talked about him--but, in very beautiful and glowing terms, stopping short of endorsing him. And unfortunately, or fortunately, however we look at it, the media said I 'endorsed' him, so he renounced my so-called endorsement and support. But that didn't stop me from supporting him." As of 2012, Farrakhan no longer supports Obama, whom he has since called the "first Jewish president", due to Obama's support for the 2011 military intervention in Libya, which Farrakhan strongly opposed due to his own support for Muammar Gaddafi. At a March 31, 2011 press conference held at the Mosque Maryam, Farrakhan warned that the United States could be "facing a major earthquake as part of God's divine judgment against the country for her evil".

was he ever criticized for the remarks?

Answer the question at the end by quoting:

Anton Friedrich Wilhelm (von) Webern (German: ['anton 've:ban] ( listen); 3 December 1883 - 15 September 1945) was an Austrian composer and conductor. Along with his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was in the core of those in the circle of the Second Viennese School, including Ernst Krenek and Theodor W. Adorno. As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, Krenek, and even Schoenberg himself.
Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music; this is evidenced by anecdotes, correspondence, extant recordings of Schubert's Deutsche Tanze (arr. Webern) and Berg's Violin Concerto under his direction, many such detailed markings in his scores, and finally by his compositional process as both publicly stated and later revealed in the musical and extramusical metaphors and associations everywhere throughout his sketches. As both a composer and conductor he was one of many (e.g., Wilhelm Furtwangler, Dimitri Mitropoulos, Hermann Scherchen) in a contemporaneous tradition of conscientiously and non-literally handling notated musical figures, phrases, and even entire scores so as to maximize expressivity in performance and to cultivate audience engagement and understanding. This aspect of Webern's work had been typically missed in his immediate post-war reception, however, even as it may radically affect the music's reception. For example, Boulez's "complete" recording of Webern's music yielded more to this aesthetic the second time after largely missing it the first; but Eliahu Inbal's rendition of Webern's symphony with the hr-Sinfonieorchester is still far more within the spirit of the late Romantic performance tradition (which Webern seemingly intended for his music), nearly slowing to half-tempo for the whole of first movement and taking care to delineate and shape each melodic strand and expressive gesture throughout the entirety of the work. Gunter Wand's 1966 recording of the Cantata No. 1 (1938-40), op. 29, with the Symphonieorchester des Bayerischen Rundfunks et al., may likewise be contrasted with both of Boulez's renditions.

Did anyone else have a style similar to his?
Boulez's "complete" recording of Webern's music