Answer the question at the end by quoting:

Kim was born Han Jae-joon (hanjaejun; Han Zai Jun ) in Gongju, Chungcheongnam-do, South Korea. His real birthday, as revealed by his biological mother, was on 4 February, instead of 26 January. At a young age, he was given up for adoption by his biological mother to the Kim family, and his name was changed to Kim Jae-joong. When Kim was fifteen, he moved to Seoul by himself in order to take part in the auditions held by SM Entertainment.
Apart from TVXQ and JYJ, Kim has worked on solo activities as a singer. He sang "Insa" (insa lit. Greeting) for the soundtrack of A Millionaire's First Love. Kim collaborated with label-mates The Grace for the Japanese version of their song "Just for One Day", which was featured on their fifth Japanese single and their debut album, Graceful 4. Kim also sang the solo track "Maze" for the fifth and final single of the Trick Project, "Keyword/Maze". Jaejoong wrote and composed "Wasurenaide" (Wang renaide, lit. Don't Forget) which was included on Tohoshinki's twenty-fifth single "Bolero/Kiss the Baby Sky/Wasurenaide." The song was also on their fourth Japanese album The Secret Code, along with the songs "9095" and "9096" which were also composed by Kim. The song, "Wang renaide" was used in an television advertisement for cosmetics in Japan. On 30 September 2009, Kim and bandmate Yoochun released a self-composed single "Colors (Melody and Harmony)/Shelter." The A-side track, Colors (Melody and Harmony), was used as the image song for Hello Kitty's thirty-fifth anniversary. Jaejoong and Yoochun also participated in m-flo's album m-flo TRIBUTE -maison de m-flo, singing the track "Been So Long". Kim sang "Love" for the soundtrack of the film Heaven's Postman in which he starred as the male lead. He also sang "Found You" and "For you It's Separation, For me It's Waiting" for the soundtrack of the television drama Sungkyunkwan Scandal, "I'll Protect You" for Protect the Boss, and "Living Like A Dream" for Dr. Jin. "Living Like a Dream" was awarded the Best Hallyu Drama OST at the Seoul International Drama Awards.

Was his solo career successful?

"Living Like a Dream" was awarded the Best Hallyu Drama OST at the Seoul International Drama Awards.

Answer the question at the end by quoting:

Francis was born in Oklahoma City, Oklahoma Territory (present-day Oklahoma) in 1905. Her parents, Joseph Sprague Gibbs and his actress wife Katharine Clinton Francis, had been married in 1903; however, by the time their daughter was four, Joseph had left the family. Francis inherited her unusual height from her father, who stood 6 feet 4 inches. She was to become Hollywood's tallest leading lady (5 ft 9 in) in the 1930s.
In the spring of 1925, Francis went to Paris to get a divorce. While there, she was courted by a former Harvard athlete and member of the Boston Bar Association, Bill Gaston. Kay and Bill saw each other only on occasion; he was in Boston and Kay had decided to follow her mother's footsteps and go on the stage in New York. She made her Broadway debut as the Player Queen in a modern-dress version of Shakespeare's Hamlet in November 1925. Francis claimed she got the part by "lying a lot, to the right people". One of the "right" people was producer Stuart Walker, who hired Kay to join his Portmanteau Theatre Company, and she soon found herself commuting between Dayton, Indianapolis, and Cincinnati, playing wisecracking secretaries, saucy French floozies, walk-ons, bit parts, and heavies. By February 1927, Francis returned to Broadway in the play Crime. Sylvia Sidney, although a teenager at the time, had the lead in Crime but would later say that Kay stole the show. After Kay's divorce from Gaston, she became engaged to a society playboy, Alan Ryan Jr. She promised Alan's family that she would not return to the stage - a promise that lasted only a few months before she was back on Broadway as an aviator in a Rachel Crothers play, Venus. Francis was to appear in only one other Broadway production, a play called Elmer the Great in 1928. Written by Ring Lardner and produced by George M. Cohan, the play starred Walter Huston. He was so impressed by Francis that he encouraged her to take a screen test for the Paramount Pictures film Gentlemen of the Press (1929). Francis made this film and the Marx Brothers film The Cocoanuts (1929) at Paramount's Astoria Studios in Astoria, Queens, New York.

Was this her only appearance on Broadway?

Francis was to appear in only one other Broadway production, a play called Elmer the Great in 1928.

Answer the question at the end by quoting:

Alfred Adler was born at Mariahilfer Strasse 208 in Rudolfsheim, then a village on the western fringes of Vienna, and today part of Rudolfsheim-Funfhaus, the 15th district of the city. He was second of the seven children of a Hungarian-born, Jewish grain merchant and his wife. Alfred's younger brother died in the bed next to him, when Alfred was only three years old. Alfred was an active, popular child and an average student who was also known for his competitive attitude toward his older brother, Sigmund.
In a late work, Social Interest: A Challenge to Mankind (1938), Adler turns to the subject of metaphysics, where he integrates Jan Smuts' evolutionary holism with the ideas of teleology and community: "sub specie aeternitatis". Unabashedly, he argues his vision of society: "Social feeling means above all a struggle for a communal form that must be thought of as eternally applicable... when humanity has attained its goal of perfection... an ideal society amongst all mankind, the ultimate fulfillment of evolution." Adler follows this pronouncement with a defense of metaphysics: I see no reason to be afraid of metaphysics; it has had a great influence on human life and development. We are not blessed with the possession of absolute truth; on that account we are compelled to form theories for ourselves about our future, about the results of our actions, etc. Our idea of social feeling as the final form of humanity - of an imagined state in which all the problems of life are solved and all our relations to the external world rightly adjusted - is a regulative ideal, a goal that gives our direction. This goal of perfection must bear within it the goal of an ideal community, because all that we value in life, all that endures and continues to endure, is eternally the product of this social feeling. This social feeling for Adler is Gemeinschaftsgefuhl, a community feeling whereby one feels he or she belongs with others and has also developed an ecological connection with nature (plants, animals, the crust of this earth) and the cosmos as a whole, sub specie aeternitatis. Clearly, Adler himself had little problem with adopting a metaphysical and spiritual point of view to support his theories. Yet his overall theoretical yield provides ample room for the dialectical humanist (modernist) and the postmodernist to explain the significance of community and ecology through differing lenses (even if Adlerians have not fully considered how deeply divisive and contradictory these three threads of metaphysics, modernism, and post modernism are).

Are there any other interesting aspects about this article?
This social feeling for Adler is Gemeinschaftsgefuhl, a community feeling whereby one feels he or she belongs with