input: On April 20, 2002, McMahon sued his insurance company for more than $20 million, alleging that he was sickened by toxic mold that spread through his Beverly Hills house after contractors failed to properly clean up water damage from a broken pipe. McMahon and his wife, Pamela, became ill from the mold, as did members of their household staff, according to the Los Angeles County Superior Court suit. The McMahons blamed the mold for the death of the family dog, Muffin. Their suit, the latest of many in recent years over toxic mold, was filed against American Equity Insurance Co., a pair of insurance adjusters, and several environmental cleanup contractors. It sought monetary damages for alleged breach of contract, negligence, and intentional infliction of emotional distress. On March 21, 2003, the long legal battle ended with McMahon being awarded $7.2 million from several companies who were negligent for allowing toxic mold into his home, sickening him and his wife and killing their dog. McMahon was injured in 2007 in a fall and, in March 2008, it was announced he was recovering from a broken neck and two subsequent surgeries. He later sued Cedars-Sinai Medical Center and two doctors claiming fraud, battery, elder abuse, and emotional distress, and accused them of discharging him with a broken neck after his fall in 2007 and later botching two neck surgeries. On February 27, 2009 it was reported that McMahon had been in an undisclosed Los Angeles hospital (later confirmed as Ronald Reagan UCLA Medical Center) for almost a month. He was listed in serious condition and was in the intensive care unit. His publicist told reporters that he was admitted for pneumonia at the time, but could not confirm nor deny reports that McMahon had been diagnosed with bone cancer.

Answer this question "What happened after the mold?"
output: McMahon sued his insurance company for more than $20 million, alleging that he was sickened by toxic mold

input: During the day, Steranko made his living as an artist for a printing company in his hometown of Reading, designing and drawing pamphlets and flyers for local dance clubs and the like. He moved on after five years to join an advertising agency, where he designed ads and drew products ranging from "baby carriages to beer cans". Interested in writing and drawing for comic books, he visited DC Comics as a fan and was treated to a tour of the office by editor Julius Schwartz, who gave Steranko a copy of a script featuring the science-fiction adventurer Adam Strange. Steranko recalled in 2003, "It was the first full script I'd ever seen, complete with panel descriptions and dialogue. I learned a lot from it and eventually went on to create a few comics of my own." He initially entered the comics industry in 1957, not long out of high school, working for a short time inking pencil art by Vince Colletta and Matt Baker in Colletta's New York City studio before returning to Reading. In 1966, he landed assignments at Harvey Comics under editor Joe Simon, who as one writer described was "trying to create a line of super heroes within a publishing company that had specialized in anthropomorphic animals." Here Steranko created and wrote the characters Spyman, Magicmaster and the Gladiator for the company's short-lived superhero line, Harvey Thriller. His first published comics art came in Spyman #1 (Sept. 1966), for which he wrote the 20-page story "The Birth of a Hero" and penciled the first page, which included a diagram of a robotic hand that was reprinted as an inset on artist George Tuska's cover. Steranko also approached Marvel Comics in 1966. He met with editor Stan Lee, who had Steranko ink a two-page Jack Kirby sample of typical art for the superspy feature "Nick Fury Agent of S.H.I.E.L.D.". Steranko self-published it in 1970 in the limited-edition "Steranko Portfolio One"; it appeared again 30 years later in slightly altered form in the 2000 trade-paperback collection Nick Fury, Agent of S.H.I.E.L.D. This led to Lee's assigning him the Nick Fury feature in Strange Tales, a "split book" that shared each issue with another feature. Future Marvel editor-in-chief Roy Thomas, then a staff writer, recalled, [H]e came up to the office ... and I was sent out by Sol [Brodsky] to look at his work and basically brush him off. Stan was busy and didn't want to be bothered that day. But when I saw Jim's work, ... on an impulse I took it in to Sol and said, 'I think Stan should see this'. Sol agreed, and took it in to Stan. Stan brought Steranko into his office, and Jim left with the 'S.H.I.E.L.D.' assignment. ... I think Jim's legacy to Marvel was demonstrating that there were ways in which the Kirby style could be mutated, and many artists went off increasingly in their own directions after that.

Answer this question "Did he find success with the comic industry?"
output: working for a short time inking pencil art by Vince Colletta and Matt Baker in Colletta's New York City studio before returning to Reading.

input: Flutie played football for Boston College, the only Division I-A school to recruit him, from 1981 to 1984, and won the Heisman Trophy, Maxwell Award, and the Davey O'Brien National Quarterback Award in his senior year (1984). Flutie became the first quarterback to win the Heisman since Pat Sullivan in 1971. Flutie left school as the NCAA's all-time passing yardage leader with 10,579 yards and was a consensus All-American as a senior. He earned Player of the Year awards from UPI, Kodak, The Sporting News, and the Maxwell Football Club. The quarterback coach for Boston College from 1981 - 1983 was Tom Coughlin. Flutie gained national attention in 1984 when he led the Eagles to victory in a high-scoring, back-and-forth game against the Miami Hurricanes (led by QB Bernie Kosar). The game was nationally televised on CBS the day after Thanksgiving and thus had a huge audience. Miami staged a dramatic drive to take the lead, 45-41, in the closing minute of the game. Boston College then took possession at its own 22-yard line with 28 seconds to go. After two passes moved the ball another 30 yards, only 6 seconds remained. On the last play of the game, Flutie scrambled away from the defense and threw a "Hail Mary pass" that was caught in the end zone by Gerard Phelan, giving BC a 47-45 win. Flutie won the Heisman trophy a week later, but the voting had finished before the game; Flutie said, however, that "without the Hail Mary pass I think I could have been very easily forgotten". The subsequent rise in applications for admission to Boston College after Flutie's "Hail Mary" gave rise to the admissions phenomenon known as the "Flutie Effect". This idea essentially states that a winning sports team can increase the recognition value of a school enough to make it more attractive to potential applicants. In addition to his collegiate athletic achievement, Flutie maintained a distinguished academic record at Boston College. He was a candidate for a Rhodes Scholarship, for which he was named a finalist in 1984. Upon graduating, Flutie won a National Football Foundation post-graduate scholarship. In November 2008, Flutie was honored by Boston College with a statue of him throwing his famous "Hail Mary" pass outside of Alumni Stadium. His number, 22, has been retired by the Boston College football program.

Answer this question "What are other plays he was known for?"
output:
NCAA's all-time passing yardage leader