Background: Emilie Autumn Liddell (born on September 22, 1979), better known by her stage name Emilie Autumn, is an American singer-songwriter, poet, violinist, and actress. Autumn's musical style has been described by her as "Fairy Pop", "Fantasy Rock" or "Victoriandustrial". It is influenced by glam rock and from plays, novels, and history, particularly the Victorian era. Performing with her all-female backup dancers
Context: Emilie Autumn was born in Los Angeles, California, on September 22, 1979. Autumn grew up in Malibu, California, and according to her, "being surrounded by nature and sea had a lot to do with [her] development as a 'free spirit.'" Her mother worked as a seamstress, and she has said that her father was a German immigrant with whom she did not share a close relationship. While not musicians, her family enjoyed various genres of music. When she was four years old, she started learning the violin, and later commented: "I remember asking for a violin, but I don't remember knowing what one was. I might have thought it was a kind of pony for all I know, but I don't remember being disappointed." Four years later, Autumn made her musical debut as a solo violinist performing with an orchestra, and won a competition. At the age of nine or ten, she left regular school with the goal of becoming a world-class violinist. On her time at the school, she remarked, "I hated it anyway, what with the status as 'weird,' 'antisocial,' and the physical threats, there seemed to be no reason to go anymore, so I just didn't." She practiced eight or nine hours a day, had lessons, read a wide range of literature, participated in orchestra practice, and was home-schooled. Growing up, she owned a large CD collection of "violin concertos, symphonies, chamber music, opera, and a little jazz". She began writing her own music and poetry at age thirteen or fourteen, though she never planned to sing any of her songs. She studied under various teachers and attended Indiana University in Bloomington, but left after two years there, because she disagreed with the prevailing views on individuality and classical music. She believed that neither the audience nor the original composer would be insulted by the clothing and appearance of the performer. While convinced that she would only play violin, eighteen-year-old Autumn decided to sing on one of her songs as a way of demonstrating to a major music producer, who wanted to sign her on a label, how it should sound. She became unhappy with the changes done to her songs, and decided to break away from the label and create her own independent record label, Traitor Records. Through it, she debuted with her classical album On a Day: Music for Violin & Continuo, which she recorded in 1997 when she was seventeen years old; its title refers to the fact that the album took only a day to record. It consists of her performing works for the baroque violin accompanied by Roger Lebow on the baroque cello, Edward Murray on harpsichord, and Michael Egan on lute. She considered it "more of a demo despite its length", and released it as "a saleable album" after fans who enjoyed her "rock performances starting asking for a classical album so that they could hear more of the violin." She also debuted with her poetry book Across the Sky & Other Poems in 2000, later re-released in 2005 as Your Sugar Sits Untouched with a music-accompanied audiobook.
Question: What did her father do?
Answer: she has said that her father was a German immigrant with whom she did not share a close relationship.

Background: Rabindranath Tagore FRAS ( ( listen); Bengali: [robindronath thakur]), also written Ravindranatha Thakura (7 May 1861 - 7 August 1941), sobriquet Gurudev, was a Bengali polymath who reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of Gitanjali and its "profoundly sensitive, fresh and beautiful verse", he became in 1913 the first non-European to win the Nobel Prize in Literature. Tagore's poetic songs were viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal.
Context: In 1901 Tagore moved to Santiniketan to found an ashram with a marble-floored prayer hall--The Mandir--an experimental school, groves of trees, gardens, a library. There his wife and two of his children died. His father died in 1905. He received monthly payments as part of his inheritance and income from the Maharaja of Tripura, sales of his family's jewellery, his seaside bungalow in Puri, and a derisory 2,000 rupees in book royalties. He gained Bengali and foreign readers alike; he published Naivedya (1901) and Kheya (1906) and translated poems into free verse. In November 1913, Tagore learned he had won that year's Nobel Prize in Literature: the Swedish Academy appreciated the idealistic--and for Westerners--accessible nature of a small body of his translated material focused on the 1912 Gitanjali: Song Offerings. He was awarded a knighthood by King George V in the 1915 Birthday Honours, but renounced it after the 1919 Jallianwala Bagh massacre. In 1921, Tagore and agricultural economist Leonard Elmhirst set up the "Institute for Rural Reconstruction", later renamed Shriniketan or "Abode of Welfare", in Surul, a village near the ashram. With it, Tagore sought to moderate Gandhi's Swaraj protests, which he occasionally blamed for British India's perceived mental -- and thus ultimately colonial -- decline. He sought aid from donors, officials, and scholars worldwide to "free village[s] from the shackles of helplessness and ignorance" by "vitalis[ing] knowledge". In the early 1930s he targeted ambient "abnormal caste consciousness" and untouchability. He lectured against these, he penned Dalit heroes for his poems and his dramas, and he campaigned--successfully--to open Guruvayoor Temple to Dalits.
Question: What was he doing in 1901?
Answer:
In 1901 Tagore moved to Santiniketan to found an ashram with a marble-floored prayer hall