INPUT ARTICLE: Article: " You will now be logged out of your Gmail account. If you're accessing Gmail from Google Chrome, you can also sign out of Google Chrome completely.

SUMMARY: Click on your email address located at the top right corner of your Gmail session. Click on "Sign out.

In one sentence, describe what the following article is about: You may have tried to cover up pimples with layer after layer of foundation, concealer, and powder. Unfortunately, this strategy can actually make the blemish more visible. Instead, think about light-diffusing makeup, which will make your whole face look more luminous and will distract attention from pimples or other imperfections. For pimples that are begging for concealer, use a concealer brush to dab just a tiny bit right on top of the pimple, then set with powder. Remember what you learned in art class colors opposite each other on the color wheel can balance each other out. Today, this same logic has been applied to skincare products. The newest products will make you look balanced, not like an extra on Star Trek. If you're worried about a sallow complexion, look for purple-tinted primers. If redness is a problem, try a green-tinted product. These days, many makeup products pack a wallop in the skincare department, too. Find the product that addresses your particular issue. Acne sufferers will find products that contain skin-clearing salicylic acid, tea tree oil, and other compounds. Mineral makeup contains zinc oxide to treat acne and will sit on top of pores rather than clogging them. You'll also find products geared toward treating uneven skin tone, fine lines and wrinkles, and more. If you're applying makeup with dirty hands and/or brushes, you risk making acne and other conditions worse. Wash your hands before applying makeup (and touching your face in general). Wash your brushes every two weeks to avoid oil and bacteria buildup. There are a number of products on the market just for this purpose, but soap and water will also do. Your makeup becomes bacteria-ridden, too, so replace it every six months (three months for mascara). If you're wearing makeup every day, your skin doesn't have a chance to breathe. Take a break so you don't get caught in a cycle where you keep needing even more makeup!
Summary: Aim to diffuse rather than cover. Think about the color wheel. Don't just cover up your problemstreat them at the same time. Don't exacerbate the situation while you're trying to cover it up. Give yourself a day off.

INPUT ARTICLE: Article: When you've got a basic melody that you like, keep playing it to yourself and letting your mind wander. What kind of mood does the melody have? What does the song remind you of? Start brainstorming possible lyric topics. If you've written a whimsical or melancholy song, start thinking of images. What does the song remind you of? Who does it remind you of? What do you picture when you think of the song? Just start brainstorming on paper. Think of stories, think of characters, think of places, think of moods. Start writing little fragments and lines that illustrate those ideas. Alternatively, find a subject that complements the melody in a strange or interesting way. Warren Zevon's "Excitable Boy" sounds like an upbeat piano ballad, even though the lyrics are about a deranged serial killer. Once you've got your theme or subject in mind, write out a few lines that you think are good to start building around. You can start with a chorus line that makes the theme or subject obvious, or just start writing the verses and find the chorus later. Think of a powerful image or detail to start with: "Pistol shots rang out" starts Bob Dylan's "Hurricane," about a man falsely accused of murder." Or the iconic start to "Long Black Veil": "Ten years ago on a cold dark night / Someone was killed beneath the town hall light." It's also fine to just start sketching and free associating words. Because you'll eventually pair this with a melody, good lyrics don't have to make a whole lot of sense: "Wounded lover, got no time on hand / One last cycle, thrill freak Uncle Sam" as the Rolling Stones put it. There are lots of different ways to approach the chorus and make it fit the song, but usually you want the chorus to be the part where the theme or the subject is summed up in a tidy little phrase or sentence that sounds good to the ear. You might try writing for a while around a couple verses, then pick one that stands out to you as being the best to repeat, or try to write a chorus separately. Here are some good ones: "A few good federales say they could have had him any day / They only let him slip away out of kindness, I suppose" from "Pancho and Lefty" by Townes Van Zandt "How does it feel to be on your own / With no direction home / Like a complete unknown / Like a rolling stone" from "Like a Rolling Stone" by Bob Dylan "Let it be, let it be, let it be, let it be / Whisper words of wisdom, let it be" from "Let it Be" by the Beatles "Go, Johnny go! Go, Johnny go! Go, Johnny, go, go, go / Johnny B. Goode" from "Johnny B. Goode" by Chuck Berry . The hardest part about writing a good song is finding the right lyrics to match up with it. Most song lyrics include rhyming end words, but all songs don't have to rhyme. Learn a little about how to rhyme properly to get your song lyrics to match up with the music. Most lyrics aren't formally structured into a rhyme scheme, but it depends on the song. An ABAB rhyme-scheme might be perfect for the song you wrote. Avoid cliches. Just because words rhyme doesn't make them good for your song. If the rhymes seem obvious ("I love my baby / I don't mean maybe") it's best to look for something else. Many beginner lyricists write lyrics full of abstract ideas and not specific images. Give us something to see, don't tell us things. Avoid big concepts like "time" or "love" or "depression" in your lyrics, as well as mixed metaphors. If you're writing, "The bleak rage of my depression / Time is like a lesson" then try to make your lyrics more specific. If you tend to write in abstractions, write out your big abstracts and describe what specifically they make you think of. What does the "bleak rage of your depression" look like? Sitting alone at three am, drinking coffee? Stabbing out a cigarette into an ashtray already overfull? That's better. Use as few words as possible in your lyrics. Make them count. Unlike a poem, you don't have to fill your lines to the brim, because you'll have the addition of music. Use as simple a structure as possible in your lyric-writing. Look at the lyrics to a song you really like. Without the song, they probably won't look that great, but they'll probably be simple and specific. Do the same with your song. Keep revising words away from your lines as you try to sing them. If something gets stuck in the mouth, figure out a way to sing the song without it. Lots of songs are written in pairs. Jagger-Richards. Lennon-McCartney. Leiber-Stoller. If you've got a handle on the music-end of things, consider enlisting a lyric-writing partner to help give you a new perspective. If you're a better lyricist, hook up with someone who's a whiz with melodies. Lots of performers, from Elton John to Elvis, didn't actually write most of their own material on their own. Writing with a partner is a long-proven effective technique.

SUMMARY:
Find a subject that matches the melody. Write a few lines. Find a chorus to repeat. Use a variety of rhymes Make lyrics specific. Keep it simple. Consider writing with a partner.