input: On 29 April 1977, Polydor released The Jam's debut single, "In the City", which charted in the Top 40 in England. On 20 May, the band released their debut album of the same name. The album, like those of The Clash and the Sex Pistols, featured fast, loud and pointed songs. What set it apart from the records of those two bands was its more prevalent 1960s rock influences. The Jam covered Larry Williams's "Slow Down" (also covered by The Beatles) and the theme song of the 1960s TV series Batman, which was somewhat of a standard for 1960s rock bands. Their originals revealed the influence of Motown Records, The Beatles and The Who. The Jam had political lyrics, condemning police brutality ("In the City") and expansionist development ("Bricks And Mortar"). However, one of their most openly political songs, "Time For Truth", bemoaned the decline of the British Empire and expressed disparaging sentiments about "Uncle Jimmy" (the Prime Minister, James Callaghan) in no uncertain terms ("Whatever happened to the great Empire?" / "I think it's time for truth, and the truth is you lost, Uncle Jimmy"). These pro-Empire sentiments and ostentatious displays of the Union Flag began to earn the group the tag of "Conservative". Misunderstandings in the music press about The Jam's political or social stance are usually attributed to Weller's lyrical perspective. Even as he pointed out what he saw as wrong and demanded change, Weller's lyrics reflected a deep affection for an idealised vision of England, much in the style of The Kinks' Ray Davies. This contrasted with the Sex Pistols' calls for destruction, or The Clash's calls for revolutionary change. After the non-LP single "All Around the World" nearly reached the UK Top 10, The Jam, having achieved a notable and loyal following in such a short time, were pressed to produce more material quickly. Their second album, This Is the Modern World, was released later in 1977. Bruce Foxton, generally considered a lesser songwriter than Weller, contributed two songs to the LP ("Don't Tell Them You're Sane" and "London Traffic"), both of which attracted criticism. His composing output gradually decreased, leaving Weller firmly established as the band's chief songwriter. Despite displaying more stylistic variety than before, including some ventures into introspective pop, This Is The Modern World was not widely praised. However, when John Peel first heard the album, he played it in its entirety on one show, one song after the other.

Answer this question "where did they record their songs"
output:

input: Culkin rose to fame with his lead role of Kevin McCallister in the highly successful blockbuster Christmas film, Home Alone (1990), where he was reunited with Uncle Buck writer and director John Hughes and Uncle Buck co-star John Candy, who played the role of Polka band member, Gus Polinski. He was nominated for a Golden Globe Award, and won an American Comedy Award and a Young Artist Award for his role as Kevin McCallister. In 1991, Culkin starred in an animated Saturday morning cartoon television series, Wish Kid, hosted Saturday Night Live and starred in Michael Jackson's "Black or White" music video. He starred as Thomas J. Sennett in the film, My Girl (1991), for which he was nominated for Best On-Screen Duo and won Best Kiss at the MTV Movie Awards, with Anna Chlumsky. He reprised his role of Kevin McCallister in the sequel, Home Alone 2: Lost in New York (1992), for which he was nominated for a Kids' Choice Award. He played the role of Henry in the drama-thriller film, The Good Son (1993), which only did reasonably well (although he was nominated for MTV Movie Award in the category for Best Villain for his performance). He also appeared, while a student at the School of American Ballet, in a filmed version of The Nutcracker as the title role in 1993, which was staged by Peter Martins from the 1954 George Balanchine New York City Ballet version of the work. He was in the films, Getting Even with Dad (1994), The Pagemaster (1994) and Richie Rich (1994), which were all only mildly successful at the box office.

Answer this question "Are there any other interesting aspects about this article?"
output: He played the role of Henry in the drama-thriller film, The Good Son (1993),

input: Bennett was born Michael Bennett DiFiglia in Buffalo, New York, the son of Helen (nee Ternoff), a secretary, and Salvatore Joseph DiFiglia, a factory worker. His father was Roman Catholic and Italian American and his mother was Jewish. He studied dance and choreography in his teens and staged a number of shows in his local high school before dropping out to accept the role of Baby John in the US and European tours of West Side Story. Bennett's career as a Broadway dancer began in the 1961 Betty Comden-Adolph Green-Jule Styne musical Subways Are for Sleeping, after which he appeared in Meredith Willson's Here's Love and the short-lived Bajour. In the mid-1960s he was a featured dancer on the NBC pop music series Hullabaloo, where he met fellow dancer Donna McKechnie. Bennett made his choreographic debut with A Joyful Noise (1966), which lasted only twelve performances, and in 1967 followed it with another failure, Henry, Sweet Henry (based on the Peter Sellers film The World of Henry Orient). Success finally arrived in 1968, when he choreographed the hit musical Promises, Promises on Broadway. With a contemporary pop score by Burt Bacharach and Hal David, a wisecracking book by Neil Simon and Bennett's well-received production numbers, including "Turkey Lurkey Time", the show ran for 1,281 performances. Over the next few years, he earned praise for his work on the straight play Twigs with Sada Thompson and the musical Coco with Katharine Hepburn. These were followed by two Stephen Sondheim productions, Company and Follies co-directed with Hal Prince. In 1973, Bennett was asked by producers Joseph Kipness and Larry Kasha to take over the ailing Cy Coleman-Dorothy Fields musical Seesaw. In replacing the director Ed Sherin and choreographer Grover Dale, he asked for absolute control over the production as director and choreographer and received credit as "having written, directed, and choreographed" the show.

Answer this question "Did he ever choreograph ?"
output:
Bennett made his choreographic debut with A Joyful Noise (1966), which lasted only twelve performances,