IN: Jusuf Kalla was born on 15 May 1942 in Watampone, the capital of the Bone Regency in South Sulawesi. His parents were Hadji Kalla, a local businessman and Athirah, a woman who sold Buginese silk for a living. He was the second of 10 children. After completing school, Kalla attended Hasanuddin University in Makassar.

Kalla has been often mentioned as a possible nominee of the Golkar Party in the 2014 presidential race. In 2009 Kalla ran in the Indonesian presidential election with former Armed Forces Chief of Staff Wiranto as his running mate, finishing third with 12.4% of the vote. During a dedication ceremony of the Indonesian Red Cross headquarters in the Riau province on 3 February 2012 Kalla stated his willingness to run in the presidential election in 2014 should he receive sufficient public support. By May 2012 however, Kalla stated that he had no intention of running in the 2014 Presidential election. Kalla said he had no hard feelings about party chairman Aburizal Bakrie's upcoming inauguration as presidential candidate for the Golkar Party and that he had no intention of competing with him despite surveys that showed that Kalla was likely to be more electable than Bakrie. During Golkar's National Leadership meeting in Bogor on 29 June 2012, Bakrie was officially declared the Golkar Party's 2014 Presidential candidate. Nevertheless, in the changeable political scene in Indonesia the situation can be expected to evolve in the preparations for the 2014 presidential election. In late 2012 Jusuf Kalla indicated that he would be prepared to move away from Golkar and join a ticket sponsored by the Indonesian Democratic Party of Struggle (PDI-P) with former president Megawati as candidate for president and him as the vice-presidential candidate. "If I am not representing Golkar Party, then I have no objection ... Everything is possible in politics," Kalla said.

What caused Kalla to lose?

OUT:

Answer the question at the end by quoting:

Lucy Stone (August 13, 1818 - October 18, 1893) was a prominent U.S. orator, abolitionist, and suffragist, and a vocal advocate and organizer promoting rights for women. In 1847, Stone became the first woman from Massachusetts to earn a college degree. She spoke out for women's rights and against slavery at a time when women were discouraged and prevented from public speaking. Stone was known for using her birth name after marriage, the custom at the time being for women to take their husband's surname.
In 1892, Stone was convinced to sit for a portrait in sculpture, rendered by Anne Whitney, sculptor and poet. Stone had previously protested the proposed portrait for more than a year, saying that the funds to engage an artist would be better spent on suffrage work. Stone finally yielded to pressure from Frances Willard, the New England Women's Club and some of her friends and neighbors in the Boston area, and sat while Whitney produced a bust. In February 1893, Stone invited her brother Frank and his wife Sarah to come see the bust, before it was shipped to Chicago for display at the upcoming World's Columbian Exposition. Stone went with her daughter to Chicago in May, 1893 and gave her last public speeches at the World's Congress of Representative Women where she saw a strong international involvement in women's congresses, with almost 500 women from 27 countries speaking at 81 meetings, and attendance topping 150,000 at the week-long event. Stone's immediate focus was on state referenda under consideration in New York and Nebraska. Stone presented a speech she had prepared entitled "The Progress of Fifty Years" wherein she described the milestones of change, and said "I think, with never-ending gratitude, that the young women of today do not and can never know at what price their right to free speech and to speak at all in public has been earned." Stone met with Carrie Chapman Catt and Abigail Scott Duniway to form a plan for organizing in Colorado, and Stone attended two days of meetings about getting a woman suffrage drive restarted in Kansas. Stone and her daughter returned home to Pope's Hill on May 28. Those who knew Stone well thought her voice was lacking strength. In August when she and her husband Harry wanted to take part in more meetings at the Exposition, she was too weak to go. Stone was diagnosed as suffering from advanced stomach cancer in September. She wrote final letters to friends and relatives. Having "prepared for death with serenity and an unwavering concern for the women's cause," Lucy Stone died on October 18, 1893, at the age of 75. At her funeral three days later, 1,100 people crowded the church, and hundreds more stood silently outside. Six women and six men served as pallbearers, including sculptor Anne Whitney, and Stone's old abolitionist friends Thomas Wentworth Higginson and Samuel Joseph May. Mourners lined the streets for a sight of the funeral procession, and front-page banner headlines ran in news accounts. Stone's death was the most widely reported of any American woman's up to that time. According to her wishes, her body was cremated, making her the first person cremated in Massachusetts, though a wait of over two months was undertaken while the crematorium at Forest Hills Cemetery could be completed. Stone's remains are inurned at Forest Hills; a chapel there is named after her.

where was the final appearance?

at the World's Congress of Representative Women

input: A rapid series of rhythmic and harmonic changes introduces a pseudo-operatic midsection, which contains the bulk of the elaborate vocal multi-tracking, depicting the narrator's descent into hell. While the underlying pulse of the song is maintained, the dynamics vary greatly from bar to bar, from only Mercury's voice accompanied by a piano to a multi-voice choir supported by drums, bass, piano and Timpani. The choir effect was created by having May, Mercury, and Taylor repeatedly sing their vocal parts, resulting in 180 separate overdubs. These overdubs were then combined into successive submixes. According to Roger Taylor, the voices of May, Mercury and himself combined created a wide vocal range: "Brian could get down quite low, Freddie had a powerful voice through the middle, and I was good at the high stuff." The band wanted to create "a wall of sound, that starts down and goes all the way up". The band used the bell effect for lyrics "Magnifico" and "Let me go". Also, on "Let him go", Taylor singing the top section carries his note on further after the rest of the "choir" have stopped singing. Lyrical references in this passage include Scaramouche, the fandango, Galileo Galilei, Figaro, Beelzebub and Bismillah, as rival factions fight over the narrator's soul. The section concludes with a full choral treatment of the lyric "Beelzebub has a devil put aside for me!", on a block B major chord. Roger Taylor tops the final chord with a falsetto B in the fifth octave (B5). Using the 24-track technology available at the time, the "opera" section took about three weeks to finish. Producer Roy Thomas Baker said "Every time Freddie came up with another 'Galileo', I would add another piece of tape to the reel." Baker recalls that they kept wearing out the tape, which meant having to do transfers.

Answer this question "What was the meaning of the lyrics?"
output:
Lyrical references in this passage include Scaramouche, the fandango, Galileo Galilei, Figaro, Beelzebub and Bismillah,