IN: Ambrose was born in Lovington, Illinois, to Rosepha Trippe Ambrose and Stephen Hedges Ambrose. His father was a physician who served in the U.S. Navy during World War II.

In 2002, Ambrose was accused of plagiarizing several passages in his book The Wild Blue. Fred Barnes reported in The Weekly Standard that Ambrose had taken passages from Wings of Morning: The Story of the Last American Bomber Shot Down over Germany in World War II, by Thomas Childers, a history professor at the University of Pennsylvania. Ambrose had footnoted sources, but had not enclosed in quotation marks numerous passages from Childers's book. Ambrose asserted that only a few sentences in all his numerous books were the work of other authors. He offered this defense: I tell stories. I don't discuss my documents. I discuss the story. It almost gets to the point where, how much is the reader going to take? I am not writing a Ph.D. dissertation. I wish I had put the quotation marks in, but I didn't. I am not out there stealing other people's writings. If I am writing up a passage and it is a story I want to tell and this story fits and a part of it is from other people's writing, I just type it up that way and put it in a footnote. I just want to know where the hell it came from. A Forbes investigation of his work found cases of plagiarism involving passages in at least six books, with a similar pattern going all the way back to his doctoral dissertation. The History News Network lists seven of Ambrose's more than 40 works--The Wild Blue, Undaunted Courage, Nothing Like It In the World, Nixon: Ruin and Recovery, Citizen Soldiers, The Supreme Commander, and Crazy Horse and Custer--contained content from twelve authors without appropriate attribution from Ambrose.

Was he accused of plagiarism any other time?

OUT: I tell stories. I don't discuss my documents. I discuss the story. It almost gets to the point where, how much is the reader going to take?

IN: Grace Barnett Wing was born October 30, 1939, in the Chicago suburb of Highland Park, Illinois, to Ivan W. Wing (1907-1987), of Norwegian and Swedish descent, and Virginia (nee Barnett; 1910-1984), a lineal descendant of passengers of the Mayflower. Her parents met while they were both students at the University of Washington, and later married. In 1949, her brother Chris was born. Her father, working in the investment banking sector for Weeden and Company, was transferred several times when she was a child, and in addition to Chicagoland, she lived in Los Angeles and San Francisco, before her family finally settled in the San Francisco suburb of Palo Alto, California in the early 1950s.

After retiring, and after a house fire, divorce, and breakup, Slick began drawing and painting animals, mainly to amuse herself and because doing so made her happy during a difficult period in her life. Soon thereafter, she was approached about writing her memoir, which ultimately became Somebody to Love? A Rock-and-Roll Memoir. Her agent saw her artwork and asked her to do some portraits of some of her various contemporaries from the rock-and-roll genre to be included in the autobiography. Hesitant at first (because she thought "it was way too cute. Rock-n-Roll draws Rock-n-Roll"), she eventually agreed because she found she enjoyed it, and color renditions of Janis Joplin, Jimi Hendrix, and Jerry Garcia appeared in the completed autobiography. An "Alice in Wonderland"-themed painting and various other sketches are scattered throughout the book. Her paintings of Jorma Kaukonen and Jack Casady were used for the cover art of the album The Best of Hot Tuna. Though Slick has been drawing and painting since she was a child, she admits to not being able to multitask, so did not do much of it while she was focusing on her musical career. A notable exception is the cover art of her first solo album, Manhole, which she signed "Child Type Odd Art by Grace." Slick is not bound by any specific style or medium in her production of visual art and has no interest in developing one. She uses acrylic paints, saying oil takes too long to dry, canvas, pen, ink, scratchboard, pastels, and pencil. Many of her works are mixed media. Her styles range from the children's bookish "Alice in Wonderland" themes to the realism of the rock and roll portraits and scratchboards of animals to the minimalist ink wash styled nudes to a variety of other subjects and styles. The best-selling prints and originals are her various renditions of the white rabbit and the portraits of her colleagues in the music industry. In 2006, the popularity of her "Alice in Wonderland" works led to a partnership with Dark Horse Comics, Inc. that resulted in the release of stationery and journals with the "Wonderland" motif. While critics have variously panned and praised her work, Slick seems indifferent to the criticism. She views her visual artistry as just another extension of the artistic temperament that landed her in the music scene in the first place, as it allows her to continue to produce art in a way that does not require the physical demands of appearing on a stage nightly or traveling with a large group of people. Slick attends many of her art gallery shows across the United States, sometimes attending over 30 shows in a year. While she says she enjoys talking with the people who come to her art shows, she is not a fan of the traveling involved, particularly the flying. At most of her art shows, those who purchase a piece of her art get a photo with Slick, an opportunity to chat, and a personalized autograph on the back of the piece that has been purchased.

Did she do another other artwork?

OUT: An "Alice in Wonderland"-themed painting and various other sketches are scattered throughout the book.

IN: Orrin Grant Hatch (born March 22, 1934) is an American attorney and politician serving as the senior United States Senator for Utah who has been the President pro tempore of the United States Senate since 2015. Having been a senator since 1977, Hatch is the longest-serving Republican Senator in U.S. history. Hatch served as either the chair or ranking minority member of the Senate Judiciary Committee from 1993 to 2005. He previously served as chairman of the Senate Committee on Health, Education, Labor, and Pensions from 1981 to 1987 and currently serves as Chairman of the Senate Finance Committee as well as serving on the board of directors for the United States Holocaust Memorial Museum.

Hatch has long been a proponent of expanding intellectual property rights, and introduced the Senate version of the Copyright Term Extension Act in 1997. Hatch believes intellectual property laws should, in general, more closely mirror real property laws, and offer greater protections to authors and creators. Hatch caused an overnight controversy on June 17, 2003 by proposing that copyright owners should be able to destroy the computer equipment and information of those suspected of copyright infringement, including file sharing, he stated that "This may be the only way you can teach somebody about copyrights." In the face of criticism, especially from technology and privacy advocates, Hatch withdrew his suggestion days later, after it was discovered that Sen. Hatch's official website was using an unlicensed JavaScript menu from United Kingdom-based software developer Milonic Solutions. Milonic founder Andy Woolley stated that "We've had no contact with them. They are in breach of our licensing terms." Shortly after the publication of that story in Wired magazine, the company that runs Hatch's website contacted Milonic to start registration. One year later, he proposed the controversial INDUCE Act that attempted to make illegal all tools that could be used for copyright infringement if said tools were intentionally used for illegal copyright infringement. On September 20, 2010, Hatch once again attempted to outlaw websites which could be used for trademark and copyright infringement through the Combating Online Infringement and Counterfeits Act (COICA). This bill would authorize the United States Department of Justice to blacklist and censor all websites that the department deemed to be dedicated to "infringing activities".

Has HAtch introduced legislation about intellectual property?

OUT:
Hatch has long been a proponent of expanding intellectual property rights, and introduced the Senate version of the Copyright Term Extension Act in