IN: Nicholas Culpeper (probably born at Ockley, Surrey, 18 October 1616 - died at Spitalfields, London, 10 January 1654) was an English botanist, herbalist, physician, and astrologer. His published books includes The English Physitian (1652), i. e. the Complete Herbal (1653 ff), which contains a rich store of pharmaceutical and herbal knowledge, and Astrological Judgement of Diseases from the Decumbiture of the Sick (1655), which is one of the most detailed documents known on the practice of medical astrology in Early Modern Europe. Culpeper spent the greater part of his life in the English outdoors cataloguing hundreds of medicinal herbs. He criticized what he considered the unnatural methods of his contemporaries, writing: "This not being pleasing, and less profitable to me, I consulted with my two brothers, Dr. Reason and Dr. Experience, and took a voyage to visit my mother Nature, by whose advice, together with the help of Dr. Diligence, I at last obtained my desire; and, being warned by Mr. Honesty, a stranger in our days, to publish it to the world, I have done it."

Influenced during his apprenticeship by the radical preacher John Goodwin, who said no authority was above question, Culpeper became a radical republican and opposed the "closed shop" of medicine enforced by the censors of the College of Physicians. In his youth, Culpeper translated medical and herbal texts such as the 'London Pharmacopaeia' from the Latin for his master. It was during the political turmoil of the English civil war, when the College of Physicians was unable to enforce their ban on the publication of medical texts, that Culpeper deliberately chose to publish his translations in vernacular English as self-help medical guides for use by the poor who could not afford the medical help of expensive physicians. Follow-up publications included a manual on childbirth and his main work, 'The English Physician', which was deliberately sold very cheaply, eventually becoming available as far afield as colonial America. It has been in print continuously since the 17th century. Culpeper believed medicine was a public asset rather than a commercial secret, and the prices physicians charged were far too expensive compared to the cheap and universal availability of nature's medicine. He felt the use of Latin and expensive fees charged by doctors, lawyers and priests worked to keep power and freedom from the general public. Three kinds of people mainly disease the people - priests, physicians and lawyers - priests disease matters belonging to their souls, physicians disease matters belonging to their bodies, and lawyers disease matters belonging to their estate. Culpeper was a radical in his time, angering his fellow physicians by condemning their greed, unwillingness to stray from Galen and their use of harmful practices such as toxic remedies and bloodletting. The Society of Apothecaries were similarly incensed by the fact that he suggested cheap herbal remedies as opposed to their expensive concoctions.
QUESTION: did he have a lot of followers?
IN: Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836-1911) and the composer Arthur Sullivan (1842-1900) and to the works they jointly created. The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S. Pinafore, The Pirates of Penzance and The Mikado are among the best known. Gilbert, who wrote the libretti for these operas, created fanciful "topsy-turvy" worlds where each absurdity is taken to its logical conclusion--fairies rub elbows with British lords, flirting is a capital offence, gondoliers ascend to the monarchy, and pirates emerge as noblemen who have gone astray. Sullivan, six years Gilbert's junior, composed the music, contributing memorable melodies that could convey both humour and pathos.

Gilbert was born in London on 18 November 1836. His father, William, was a naval surgeon who later wrote novels and short stories, some of which included illustrations by his son. In 1861, to supplement his income, the younger Gilbert began writing illustrated stories, poems and articles of his own, many of which would later be mined as inspiration for his plays and operas, particularly Gilbert's series of illustrated poems, the Bab Ballads. In the Bab Ballads and his early plays, Gilbert developed a unique "topsy-turvy" style in which humour was derived by setting up a ridiculous premise and working out its logical consequences, however absurd. Director and playwright Mike Leigh described the "Gilbertian" style as follows: With great fluidity and freedom, [Gilbert] continually challenges our natural expectations. First, within the framework of the story, he makes bizarre things happen, and turns the world on its head. Thus the Learned Judge marries the Plaintiff, the soldiers metamorphose into aesthetes, and so on, and nearly every opera is resolved by a deft moving of the goalposts... His genius is to fuse opposites with an imperceptible sleight of hand, to blend the surreal with the real, and the caricature with the natural. In other words, to tell a perfectly outrageous story in a completely deadpan way. Gilbert developed his innovative theories on the art of stage direction, following theatrical reformer Tom Robertson. At the time Gilbert began writing, theatre in Britain was in disrepute. Gilbert helped to reform and elevate the respectability of the theatre, especially beginning with his six short family-friendly comic operas, or "entertainments", for Thomas German Reed. At a rehearsal for one of these entertainments, Ages Ago, in 1870, the composer Frederic Clay introduced Gilbert to his friend, the young composer Arthur Sullivan. Over the next year, before the two first collaborated, Gilbert continued to write humorous verse, stories and plays, including the comic operas Our Island Home (1870) and A Sensation Novel (1871), and the blank verse comedies The Princess (1870), The Palace of Truth (1870) and Pygmalion and Galatea (1871).
QUESTION:
Where was Gilbert born?