Lancome Juicy Tubes changed my life. Ok, well that's a slight exaggeration but it was the first high-end make-up item that I ever bought and it made me feel like I was really getting somewhere. I'd got a good job, was in the process of buying my own house and I could afford to buy premium beauty products. I chose a transparent lemon yellow gloss with tiny flecks of iridescent glitter in, and over the following months I treated myself to several other Juicy Tube variants including a shimmery nude gloss called Pamplemousse which I wore on nights out for years (incidentally Pamplemousse is still going!). Fast forward several (ahem) years and Juicy Tubes are still going strong, but there's a new member of the Juicy family vying for attention the Juicy Shaker.*. Another lip product, this one is a nourishing tinted lip oil which acts a bit like a gloss, and I was sent two of the new shades to try out Piece of Cake and Show Me The Honey. Juicy Shakers are a bi-phase nourishing lip oil, when the product is allowed to settle the pigment falls to the bottom and the oil rises to the top, giving a split effect. Then you need to shake the bottle to mix the two layers together, giving the product it's name. The ingredients include sweet almond oil, omega 3 and cranberry oil and really help care for your lips unlike most other glosses. Show Me The Honey is a nude coral shade, it looks rather orange and scary in the bottle but in reality it's much more of a gentle shade. Piece of Cake is a damson pink, and again looks much darker in the bottle. I found that Piece of Cake matches almost exactly with the natural colour of my lips so it's perfect for when I want my make-up to look really pared back with glossy supple natural looking lips. Question: Why was the author impressed with Lancome Juicy Tubes? Options: A. not enough information B. they were inexpensive C. they were probably used by her mother and brought back memories D. they probably made her feel beautiful === The correct answer is
D

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Defense Secretary Jim Mattis promised Thursday the Pentagon will "notify" Congress before any possible military action in Syria, where the U.S. is considering responding to a suspected chemical weapons attack. "There will be notification to leadership, of course, prior to the attack," Mattis said in his testimony at the House Armed Services Committee. "We will report to Congress. We will keep open lines of communication." But notably, Mattis did not indicate the Trump administration would seek congressional approval before the strike, which presumably would target the government of Syrian President Bashar al-Assad. Trump says the U.S. will soon launch "nice and new and smart" missiles in response to last week's suspected poison gas attack, which left scores dead in a rebel-held area. Trump blames Assad for the attack. A U.S. attack is likely to upset a small but growing number of U.S. lawmakers who demand President Donald Trump first ask Congress to authorize any hostilities, citing the War Powers Resolution of 1973, a federal law intended to check the president's ability to wage war. U.S. presidents, both Republican and Democrat, have long argued they have legal authority to order airstrikes and other short-term military campaigns if those engagements fall short of the "hostilities" mentioned in the War Powers Resolution. Additionally, U.S. presidents have cited a pair of authorizations by Congress following the Sept. 11, 2001 terror attacks as justification for the near-constant U.S. strikes on Islamic militants around the world. The Trump administration has used those authorizations as justification for its current war in Syria. The U.S. has 2,000 troops in Syria, and helps lead an international coalition against Islamic State in Syria and neighboring Iraq. The overwhelming majority of U.S. lawmakers have not publicly objected to the administration's legal rationale for those missions. But as Trump considers expanding the U.S. war to include attacks on Syrian government targets, some in Congress are... Question: What is probably true of Pres Trump Options: A. He is a patriot B. not enough information C. He is a peace lover D. He is a warmonger === The correct answer is
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A

Ques:One of the more surprising objects in the Getty Villa's newly reinstalled gallery of later Roman sculpture is a marble bust of a youth leaning out of a circular frame, mounted high on the gallery wall. J. Paul Getty originally acquired this particular sculpture in 1973, but it has been off view for many years. The recent reinstallation of the Getty Museum's antiquities collection at the Villa provided the opportunity to resurrect many such objects from storage and put them on display. Bringing this strange object back to the public eye enabled us to askand answerseveral questions about it. Whoif anyonedoes it represent? When was it carved? Where was it made, and how did it end up in Los Angeles? In preparation for its display, we researched and reinterpreted the object, exploring both its ancient function and modern history. In its new display, this object is fittingly surrounded by other examples of late Roman sculpture from the third and fourth centuries. Its inclusion in this gallery was not always a given, however, as the figure was long misidentified as a portrait of young Caracalla, who at ten years old became joint emperor with his father in A.D. 198.(1) But recent scholarship questioned the Caracalla identification and the object's date, suggesting it was carved at least a hundred years later.(2) In light of this research, curator Jens Daehner pushed to reexamine the sculpture and consider including it in the reinstallation. In early 2015, the Antiquities Department brought this tondo and many other potential objects for the new galleries out of storage for viewing, providing curators, conservators, mount makers, preps, and registrars a chance to approve and prepare artworks for possible display. After the storage viewing and subsequent research, we updated the object record to conform with what scholars had suggested: this is not a second-century portrait of Caracalla but a fourth-century bust of a youth or divinity. To answer our next question of who the tondo represents, we then had to take a... Question: Where was the marble portrait first displayed? Options: A. In second-century Rome B. With second-century Roman artwork C. In A.D. 198 D. not enough information === The correct answer is

Ans:
B