Background: Sydney Francis Barnes (19 April 1873 - 26 December 1967) was an English professional cricketer who is generally regarded as one of the greatest ever bowlers. He was right-handed and bowled at a pace that varied from medium to fast-medium with the ability to make the ball both swing and break from off or leg. He is the quickest bowler to achieve 150 Test wickets in history. Barnes was unusual in that, despite a very long career as a top-class player, he spent little more than two seasons in first-class cricket, representing Warwickshire and Lancashire.
Context: Barnes' career began in 1888 when he was fifteen and played for a small club which had a ground behind the Galton Hotel in Smethwick. Soon afterwards, he joined Smethwick Cricket Club and played for its third team. He was taught to bowl off spin by Billy Bird, the Smethwick professional who had played for Warwickshire, and then taught himself to bowl leg spin. In due course, he was selected for the second team and had earned a place in the first team, playing in the Birmingham and District Premier League, at the start of the 1893 season. In 1894, when Barnes was a 21-year-old fast bowler, he was asked to join the ground staff of Staffordshire County Cricket Club but he found the terms unattractive. Instead, he joined Rishton Cricket Club in the Lancashire League where the pay was better than in any form of county cricket, largely because of match bonuses and collections. Wilfrid S. White commented that Barnes' career in league cricket "stands out unparalleled, unapproached, by any other player". Later in the 1894 season, Barnes was invited to play for Warwickshire, who were due to enter the County Championship in 1895. His debut was in a minor match against Cheshire at Edgbaston on 20-21 August. Barnes bowled only 8 overs, taking none for 27, and the match was drawn. On 23 August, Barnes made his first-class debut for Warwickshire against Gloucestershire at Clifton College Close Ground, except that he did not take the field as play was restricted by bad weather to just 72 overs of his team's first innings, in which they reached 102-2.
Question: What did he attempt next
Answer: Soon afterwards, he joined Smethwick Cricket Club and played for its third team.

Question:
William Hogarth was born at Bartholomew Close in London to Richard Hogarth, a poor Latin school teacher and textbook writer, and Anne Gibbons. In his youth he was apprenticed to the engraver Ellis Gamble in Leicester Fields, where he learned to engrave trade cards and similar products. Young Hogarth also took a lively interest in the street life of the metropolis and the London fairs, and amused himself by sketching the characters he saw. Around the same time, his father, who had opened an unsuccessful Latin-speaking coffee house at St John's Gate, was imprisoned for debt in Fleet Prison for five years.
In 1731 Hogarth completed the earliest of his series of moral works, a body of work that led to significant recognition. The collection of six scenes was entitled A Harlot's Progress and appeared first as paintings (now lost) before being published as engravings. A Harlot's Progress depicts the fate of a country girl who begins prostituting - the six scenes are chronological, starting with a meeting with a bawd and ending with a funeral ceremony that follows the character's death from venereal disease. The inaugural series was an immediate success and was followed in 1733-1735 by the sequel A Rake's Progress. The second instalment consisted of eight pictures that depicted the reckless life of Tom Rakewell, the son of a rich merchant, who spends all of his money on luxurious living, services from prostitutes, and gambling - the character's life ultimately ends in Bethlem Royal Hospital. The original paintings of A Harlot's Progress were destroyed in the fire at Fonthill House in 1755; the oil paintings of A Rake's Progress (1733-34) are displayed in the gallery room at Sir John Soane's Museum, London, UK. When the success of A Harlot's Progress and A Rake's Progress resulted in numerous pirated reproductions by unscrupulous printsellers, Hogarth lobbied in parliament for greater legal control over the reproduction of his and other artists' work. The result was the Engravers' Copyright Act (known as 'Hogarth's Act'), which became law on 25 June 1735 and was the first copyright law to deal with visual works as well as the first to recognize the authorial rights of an individual artist.
Answer this question using a quote from the text above:

What is a Rake's Progress?

Answer:
the sequel

Problem: Background: Yagan (; c. 1795 - 11 July 1833) was an Indigenous Australian warrior from the Noongar people. He played a key part in early resistance to British colonial settlement and rule in the area surrounding what is now Perth, Western Australia. Yagan was pursued by the local authorities after he killed a servant of Archibald Butler in an act of retaliation after Smedley, another servant of Butler, shot at a group of Noongar people taking potatoes and fowls, killing one of them. The government offered a bounty for Yagan's capture, dead or alive, and a young settler, William Keats, subsequently shot and killed him.
Context: On 11 July 1833, two teenage brothers named William and James Keates were herding cattle along the Swan River north of Guildford when a group of Noongar approached while en route to collect flour rations from Henry Bull's house. The Keates brothers suggested Yagan remain with them to avoid arrest. While he was staying with them during the morning, the brothers decided to kill the warrior and claim the reward. When the natives were ready to depart, the Keateses took their last opportunity. William Keates shot Yagan, and James shot Heegan, another native, in the act of throwing his spear. The brothers ran away, but other Noongar overtook William and speared him to death. James escaped by swimming the river. Shortly afterward he returned with a party of armed settlers from Bull's estate. When the party of settlers arrived, they found Yagan dead and Heegan dying. Heegan "was groaning and his brains were partly out when the party came, and whether humanity or brutality, a man put a gun to his head and blew it to pieces." The settlers cut Yagan's head from his body, and skinned his back to obtain his tribal markings as a trophy. They buried the bodies a short distance away. James Keates claimed the reward, but his conduct was widely criticised. The Perth Gazette referred to Yagan's killing as "a wild and treacherous act ... it is revolting to hear this lauded as a meritorious deed." However, Daisy Bates understood that "he was killed in self-defence by the young lad." Keates left the colony the following month; it is possible that he left from fear of being murdered in tribal retaliation.
Question: did heegan die as well?
Answer:
whether humanity or brutality, a man put a gun to his head and blew it to pieces."