Problem: Mojo is a fictional character, a supervillain appearing in American comic books published by Marvel Comics, usually those featuring the X-Men family of characters. Created by writer Ann Nocenti and artist Arthur Adams, Mojo first appeared in Longshot #4 (December 1985), as the titular hero's archenemy, and subsequently a villain to the X-Men and their various sub-groups as well. Mojo is one of the "Spineless Ones," an alien race that is immobile without advanced technology.

At the time she wrote the Longshot miniseries, writer Ann Nocenti was pursuing her Master's degree at the School of International and Public Affairs, Columbia University, working at the magazine Lies of Our Times, and reading the work of writers like Marshall McLuhan, Noam Chomsky, Edward S. Herman and Walter Lippmann. Mojo, a slaver and dictator who rules his dimension through the television programs he produces, was created as a direct result of these influences. (A character named Manufactured Consent after the Chomsky book of the same name, who appeared in Nocenti's 1990 book The New Mutants Summer Special, was also born of these works.) Artist Art Adams designed the character per Nocenti's instructions that he be disgusting and unpleasant, and also tried to make him look frightening. The wires that hold Mojo's eyelids open, thus preventing him from blinking, were inspired by an interview with actor Malcolm McDowell on Late Night with David Letterman, in which McDowell revealed that the similar apparatus he had to wear for the Ludovico technique scene in A Clockwork Orange had scarred his corneas. The rest of the equipment attached to Mojo's head controls his mechanized chair. Mojo first appeared in Longshot #4 (December 1985), and was the main villain of the miniseries, appearing in the subsequent three issues. The character subsequently appeared in The New Mutants Annual #2 (1986). That same year, in The Uncanny X-Men Annual #10, Mojo appeared as the villain in the story, which saw Longshot join the X-Men. In 1988, Mojo appeared in a backup story in The Uncanny X-Men Annual #12. He was the main villain of the one-shot special Excalibur: Mojo Mayhem (December 1989). Subsequent appearances include Marvel Comics Presents #89 (1991), The Uncanny X-Men Annual #15 (1991), Wolverine #52 (March 1992), X-Men #6 (March 1992), Wolverine #53 (April 1992), X-Men #7 (April 1992), #10-11 (July-August 1992), The Uncanny X-Men Annual 16 (Annual 1992), Marvel Comics Presents #119 (1993), What If? #59 (March 1994), X-Men Adventures: Season Two #11 (December 1994), Marvel: Portraits of the Universe #1 (March 1995), X-Men: Mutations #1 (1996), Youngblood/X-Force #1 (July 1996), X-Force/Youngblood #1 (August 1996), X-Force #60-61 (November-December 1996), The Adventures of the X-Men #9-10 (1996-January 1997), X-Babies: Murderama #1 (January 1998), X-Force #76 (April 1998), X-Babies Reborn #1 (January 2000), X-Men Unlimited #32 (September 2001), Exiles #18-19 (December 2002-January 2003), The Uncanny X-Men #460-461 (August 2005), and Exiles #73-74 (February 2006). Mojo was featured in an entry in the Official Handbook of the Marvel Universe Deluxe Edition #8, and in the All-New Official Handbook of the Marvel Universe A-Z #7 (2006).

What happened in Longshot

Answer with quotes: was the main villain of the miniseries, appearing in the subsequent three issues.

Problem: Cary Grant (born Archibald Alec Leach; January 18, 1904 - November 29, 1986) was an English-American actor, known as one of classic Hollywood's definitive leading men. He began a career in Hollywood in the early 1930s, and became known for his transatlantic accent, debonair demeanor, and light-hearted approach to acting and sense of comic timing. He became an American citizen in 1942. Born in Horfield, Bristol, Grant became attracted to theatre at a young age, and began performing with a troupe known as "The Penders" from the age of six.

Stirling refers to Grant as "one of the shrewdest businessmen ever to operate in Hollywood". His long-term friendship with Howard Hughes from the 1930s onward saw him invited into the most glamorous circles in Hollywood and their lavish parties. Biographers Morecambe and Stirling state that Hughes played a major role in the development of Grant's business interests, so that by 1939, he was "already an astute operator with various commercial interests". Scott also played a role, encouraging Grant to invest his money in shares, making him a wealthy man by the end of the 1930s. In the 1940s, Grant and Barbara Hutton invested heavily in real estate development in Acapulco at a time when it was little more than a fishing village, and teamed with Richard Widmark, Roy Rogers, and Red Skelton to buy a hotel there. Behind his business interests was a particularly intelligent mind, to the point that his friend David Niven once said: "Before computers went into general release, Cary had one in his brain". Film critic David Thomson believes that Grant's intelligence came across on screen, and stated that "no one else looked so good and so intelligent at the same time". After Grant retired from the screen, he became more active in business. He accepted a position on the board of directors at Faberge. This position was not honorary, as some had assumed; Grant regularly attended meetings and travelled internationally to support them. His pay was modest in comparison to the millions of his film career, a salary of a reported $15,000 a year. Such was Grant's influence on the company that George Barrie once claimed that Grant had played a role in the growth of the firm to annual revenues of about $50 million in 1968, a growth of nearly 80% since the inaugural year in 1964. The position also permitted use of a private plane, which Grant could use to fly to see his daughter wherever her mother, Dyan Cannon, was working. In 1975, Grant was an appointed director of MGM. In 1980, he sat on the board of MGM Films and MGM Grand Hotels following the division of the parent company. He played an active role in the promotion of MGM Grand Hotel in Las Vegas when opened in 1973, and he continued to promote the city throughout the 1970s. When Allan Warren met Grant for a photo shoot that year he noticed how tired Grant looked, and his "slightly melancholic air". Grant later joined the boards of Hollywood Park, the Academy of Magical Arts (The Magic Castle, Hollywood, California), and Western Airlines (acquired by Delta Air Lines in 1987).

where would he travel?

Answer with quotes:
The position also permitted use of a private plane, which Grant could use to fly to see his daughter