Problem: Background: Nobuo Uematsu (Zhi Song Shen Fu , Uematsu Nobuo, born March 21, 1959) is a Japanese video game composer, best known for scoring most of the titles in the Final Fantasy series by Square Enix. He is considered to be one of the most well known composers in the video game industry. Sometimes referred to as the "Beethoven of video games music", he appeared five times in the top 20 of the annual Classic FM Hall of Fame. Uematsu, a self-taught musician, began playing the piano at the age of twelve, with English singer-songwriter Elton John as his biggest influence.
Context: Uematsu left Square Enix in 2004 and formed his own production company, Smile Please. He later founded the music production company and record label Dog Ear Records in 2006. The reason for Uematsu's departure was that the company moved their office from Meguro to Shinjuku, Tokyo, and he was not comfortable with the new location. Also, he cites the fact that he had reached an age where he should gradually take his life into his own hands. He does, however, continue to compose music as a freelancer for Square Enix. In 2005, Uematsu and several members of The Black Mages created the score for the CGI film Final Fantasy VII Advent Children. Uematsu composed only the main theme for Final Fantasy XII (2006); he was originally offered the job of creating the full score, but Sakimoto was eventually assigned as the main composer instead. Uematsu was also initially going to create the theme song for Final Fantasy XIII (2010). However, after being assigned the task of creating the entire score of Final Fantasy XIV, Uematsu decided to hand the job over to the main Final Fantasy XIII composer, Hamauzu. Uematsu also works closely with Sakaguchi's development studio Mistwalker, and has composed for Blue Dragon (2006), Lost Odyssey (2007), Away: Shuffle Dungeon (2008); The Last Story (2011); and Terra Battle (2014). He also wrote music for the cancelled game Cry On. Uematsu created the main theme for the multi-composer game Super Smash Bros. Brawl in 2008. He then composed the music for the 2009 anime Guin Saga; this marked the first time he provided a full score for an animated series. Uematsu recently contributed music and storyline to an e-book titled called "Blik-0 1946". He is currently working on soundtracks for multiple games, including Project Phoenix. Uematsu appeared five times in the top 20 of the annual Classic FM Hall of Fame. In 2012, "Aerith's Theme", written by Uematsu for Final Fantasy VII, was voted into the number 16 position in the annual Classic FM (UK) "Hall of Fame" top 300 chart. It was the first time that a piece of music written for a video game had appeared in the chart. In 2013, music from the Final Fantasy series received even greater support and was voted into the third position on the Classic FM Hall of Fame. Uematsu and his Final Fantasy music subsequently appeared at number seven in 2014, number nine in 2015, and number 17 in 2016.
Question: Did he create anything else?
Answer: ). He also wrote music for the cancelled game Cry On.

Problem: Background: The Smiths were an English rock band formed in Manchester in 1982. The band consisted of vocalist Morrissey, guitarist Johnny Marr, bassist Andy Rourke and drummer Mike Joyce. Critics have called them one of the most important bands to emerge from the British independent music scene of the 1980s. NME named the Smiths the "most influential artist ever" in a 2002 poll.
Context: In early 1987 the single "Shoplifters of the World Unite" was released and reached number 12 on the UK Singles Chart. It was followed by a second compilation, The World Won't Listen. The title was Morrissey's comment on his frustration with the band's lack of mainstream recognition, although the album reached number two in the charts. This was followed by the single "Sheila Take a Bow", the band's second (and last during the band's lifetime) UK top-10 hit. Another compilation, Louder Than Bombs, was intended for the overseas market and covered much the same material as The World Won't Listen, with the addition of "Sheila Take a Bow" and material from Hatful of Hollow which was yet to be released in the US. Despite their continued success, tensions emerged within the band to threaten their split. Johnny Marr was exhausted and took a break from the band in June 1987, which he felt was negatively perceived by his bandmates. In July, Marr left the group because he erroneously thought an NME article entitled "Smiths to Split" was planted by Morrissey. That article, written by Danny Kelly, alleged that Morrissey disliked Marr working with other musicians, and that Marr and Morrissey's personal relationship had reached breaking point. Marr contacted NME to explain that he had not left the band due to personal tensions but because he wanted wider musical scope. Former Easterhouse guitarist Ivor Perry was brought in to replace Marr, and the band recorded some material with him which was never completed, including an early version of "Bengali in Platforms", originally intended as the B-side of "Stop Me If You Think You've Heard This One Before". Perry was uncomfortable with the situation, stating "it was like they wanted another Johnny Marr", and the sessions ended with (according to Perry) "Morrissey running out of the studio". By the time the group's fourth album Strangeways, Here We Come was released in September, the band had split. The breakdown in the relationship has been primarily attributed to Morrissey's irritation by Marr's work with other artists and Marr growing frustrated by Morrissey's musical inflexibility. Marr particularly hated Morrissey's obsession with covering 1960s pop artists such as Twinkle and Cilla Black. Marr recalled in 1992, "That was the last straw, really. I didn't form a group to perform Cilla Black songs." In a 1989 interview, Morrissey cited the lack of a managerial figure and business problems as reasons for the band's split. Strangeways, Here We Come peaked at number two in the UK and was their most successful album in the US, reaching number 55 on the Billboard 200. It received a lukewarm reception from critics, but both Morrissey and Marr name it as their favourite Smiths album. A couple of further singles from Strangeways were released with live, session and demo tracks as B-sides. The following year the live recording Rank, recorded in 1986 with Craig Gannon on rhythm guitar, repeated the UK chart success of previous albums.
Question: what other aspects of their story did you find interesting?
Answer:
Easterhouse guitarist Ivor Perry was brought in to replace Marr, and the band recorded some material with him which was never completed,