Article: The High Middle Ages was the formative period in the history of the modern Western state. Kings in France, England, and Spain consolidated their power, and set up lasting governing institutions. New kingdoms such as Hungary and Poland, after their conversion to Christianity, became Central European powers. The Magyars settled Hungary around 900 under King Arpad (d. c. 907) after a series of invasions in the 9th century. The papacy, long attached to an ideology of independence from secular kings, first asserted its claim to temporal authority over the entire Christian world; the Papal Monarchy reached its apogee in the early 13th century under the pontificate of Innocent III (pope 11981216). Northern Crusades and the advance of Christian kingdoms and military orders into previously pagan regions in the Baltic and Finnic north-east brought the forced assimilation of numerous native peoples into European culture.

Question: Along with Poland, what Central European kingdom was formed during the High Middle Ages?
Ans: Hungary

Article: Improvisation stands at the centre of Chopin's creative processes. However, this does not imply impulsive rambling: Nicholas Temperley writes that "improvisation is designed for an audience, and its starting-point is that audience's expectations, which include the current conventions of musical form." The works for piano and orchestra, including the two concertos, are held by Temperley to be "merely vehicles for brilliant piano playing ... formally longwinded and extremely conservative". After the piano concertos (which are both early, dating from 1830), Chopin made no attempts at large-scale multi-movement forms, save for his late sonatas for piano and for cello; "instead he achieved near-perfection in pieces of simple general design but subtle and complex cell-structure." Rosen suggests that an important aspect of Chopin's individuality is his flexible handling of the four-bar phrase as a structural unit.

Question: What is central to Chopin's creativeness?
Ans: Improvisation

Article: Initially the existing 5:3 aspect ratio had been the main candidate but, due to the influence of widescreen cinema, the aspect ratio 16:9 (1.78) eventually emerged as being a reasonable compromise between 5:3 (1.67) and the common 1.85 widescreen cinema format. An aspect ratio of 16:9 was duly agreed upon at the first meeting of the IWP11/6 working party at the BBC's Research and Development establishment in Kingswood Warren. The resulting ITU-R Recommendation ITU-R BT.709-2 ("Rec. 709") includes the 16:9 aspect ratio, a specified colorimetry, and the scan modes 1080i (1,080 actively interlaced lines of resolution) and 1080p (1,080 progressively scanned lines). The British Freeview HD trials used MBAFF, which contains both progressive and interlaced content in the same encoding.

Question: Who agreed upon the 16:9 aspect ratio?
Ans: the IWP11/6 working party

Article: On 3 May 1966 it resumed printing news on the front page - previously the front page featured small advertisements, usually of interest to the moneyed classes in British society. In 1967, members of the Astor family sold the paper to Canadian publishing magnate Roy Thomson. His Thomson Corporation brought it under the same ownership as The Sunday Times to form Times Newspapers Limited.

Question: In 1967, which Canadian publishing magnate bought The Times?
Ans:
Roy Thomson