input question: Given the below context: In 1930, entertainer Bill Miller believes that he has the ability to become a solo performer. He and his partner Ben Bailey split up and go their separate ways. Miller fails miserably, and his manager Leo Lyman thinks it would be a good idea to perform with a "stooge." Enter Ted Rogers, who plays an accident-prone foil for Miller. Soon afterwards, Miller's act is a hit. Along the way, Rogers is unaware that he is the real reason the act is a success and becomes very loyal to Miller. Even though he receives no billing, he defends his "partner" when others suggest he is being taken advantage of by Miller. Eventually, even Miller's wife Mary is ashamed of his treatment of Rogers, going so far as to threaten him with divorce. Miller is more determined than ever to prove he can make it as a single and fires Rogers, but promptly regrets his decision as his first performance as a true solo artist flops. He addresses the audience, apologizing and admitting that the "stooge" was the true heart and soul of the act. Rogers, who is sitting in the audience, comes to his rescue by joining him onstage and the two finally become true partners. Guess a valid title for it!???
output answer: The Stooge

input question: Given the below context: Jesse W. Haywood graduates from dental school in Philadelphia in 1870 and goes west to become a frontier dentist. As a "city slicker", he finds himself bungling in a new environment. On his way west, the stagecoach is held up and robbed by two masked bandits. A posse catches one of them, Penelope "Bad Penny" Cushing. Facing prison, Penelope is offered a pardon if she will track down a ring of gun smugglers that also involves a local Indian tribe. Because the wagon train she plans to accompany will not permit single women to join, she tricks Haywood into a sham marriage as a disguise. Jesse, excited for his wedding night and not realizing the sham of his marriage, looks for Penelope who is investigating the crates of "bibles" the preacher and his minion have in their tent. Jesse startled Penelope who alerts the camp. Her investigation foiled, she goes to bed dragging along her bungling husband. As the wagon train draws near the town, Indians attack. As Jesse fumbles with his six shooter, Penelope expertly shoots the attackers. Jesse, believing he was responsible is proud of his accomplishment and is treated as a hero by the wagon train and the entire town that hears of his deeds. The Preacher and his minion, believing Jesse to be the undercover federal agent, hires the local outlaw Arnold the Kid to challenge Jesse to a gunfight. In the yard as Jesse practices for his gunfight, Penelope meets with her contact in town. Around the corner, Arnold listens for Jesse to use up his rounds and after the sixth shot challenges Jesse, even offering him the first shot. Penelope, feeling pity for Jesse, kills Arnold from the window. Haywood inadvertently becomes the legendary "Doc the Heywood" after he guns down "Arnold the Kid" and performs other exploits (all with covert assistance from Penny). Guess a valid title for it!???
output answer: The Shakiest Gun in the West

input question: Given the below context: Caspar David Friedrich (5 September 1774 7 May 1840) was a 19th-century German Romantic landscape painter, generally considered the most important German artist of his generation. He is best known for his mid-period allegorical landscapes which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees or Gothic or megalithic ruins. His primary interest as an artist was the contemplation of nature, and his often symbolic and anti-classical work seeks to convey a subjective, emotional response to the natural world. Friedrich's paintings characteristically set a human presence in diminished perspective amid expansive landscapes, reducing the figures to a scale that, according to the art historian Christopher John Murray, directs "the viewer's gaze towards their metaphysical dimension".Friedrich was born in the town of Greifswald on the Baltic Sea in what was at the time Swedish Pomerania. He studied in Copenhagen until 1798, before settling in Dresden. He came of age during a period when, across Europe, a growing disillusionment with materialistic society was giving rise to a new appreciation of spirituality. This shift in ideals was often expressed through a reevaluation of the natural world, as artists such as Friedrich, J. M. W. Turner and John Constable sought to depict nature as a "divine creation, to be set against the artifice of human civilization".Friedrich's work brought him renown early in his career, and contemporaries such as the French sculptor David d'Angers spoke of him as a man who had discovered "the tragedy of landscape". Nevertheless, his work fell from favour during his later years, and he died in obscurity. As Germany moved towards modernisation in the late 19th century, a new sense of urgency characterised its art, and Friedrich's contemplative depictions of stillness came to be seen as the products of a bygone age. The early 20th century brought a renewed appreciation of his work, beginning in 1906 with an exhibition of thirty-two of his... Guess a valid title for it!???
output answer: Caspar David Friedrich

input question: Given the below context: Middle-class Princeton student Tom Townsend, an admirer of Charles Fourier, attends a debutante dress ball one evening on a whim. After the ball, a mix-up leads to his meeting a small group of young Upper East Side socialites known as the Sally Fowler Rat Pack, after the girl whose apartment they use for after-hours parties. Believing that they accidentally stole a taxi from Tom, they decide to invite him to their after-hours party, to prevent ill feelings. Tom decides to attend the party, and befriends several other attendees, including Nick Smith, a cynic who takes Tom under his wing; Audrey, a shy girl who enjoys Regency era literature and has a crush on Tom; and Charlie, an overly philosophical friend with an unrequited love for Audrey. Tom learns that he and the Rat Pack have some common friends, including his ex-girlfriend Serena Slocumb, with whom he remains infatuated. Under Nick's tutelage, Tom ingratiates himself to the Rat Pack and soon becomes a full-fledged member. Much of the film is composed of dialogues in which Tom and the Rat Pack discuss the nebulous social scene they occupy, including how they are coming of age just as the culture in which they were raised is ending, leaving them with uncertain social futures. During these discussions, Tom reveals that he, too, was raised wealthy, but that his father abandoned the family to marry another woman, leaving Tom and his mother with limited financial resources. As a result, Tom harbors a love-hate relationship with wealth and the upper class. Guess a valid title for it!???
output answer:
Metropolitan (1990 film)