Background: Brown grew up in Massillon, Ohio, where he moved with his family from Norwalk when he was nine years of age. His father, Lester, was a dispatcher for the Wheeling and Lake Erie Railroad. Massillon was a shipping and steel town obsessed with its high school and professional football teams, both called the Tigers. Massillon's main rival at both levels was nearby Canton, at the time a bigger and richer town.
Context: Brown returned to Massillon in 1932, when he was 24 years old and barely two years out of college. His assignment was to turn around a Tigers team that had fallen into mediocrity over the six seasons since the departure of Stewart, Brown's old coach. In 1931, the year before Brown arrived, the Tigers finished with a 2-6-2 record. Brown's strategy was to build up a disciplined, hard-working team. He fired an assistant early on for arriving at a practice late because he had to work on his farm. No Tigers player was allowed to sit on the bench during a game; Brown made them stand. At Massillon, Brown put in an offense and blocking scheme he learned from Duke's Jimmy DeHart and Purdue's Noble Kizer. He emphasized quickness over strength. In his first season at Massillon, Brown's team posted a 5-4-1 record, better than the previous year but far from Brown's exacting standards. The Tigers improved again in 1933, ending with an 8-2 record but losing to their chief rivals, the Canton McKinley High School Bulldogs. In 1934, Massillon won all of its games until a 21-6 defeat to Canton in the final game of the season. As the pressure on Brown grew to turn the tables on Canton, Massillon finally accomplished the feat the following year in an undefeated season, the first of several with Brown at the helm. By then, Brown had put his system into place: a strict, systematic approach to coaching combined with a well-organized recruitment network that drew promising young players from Massillon's junior high school football program. He paid no attention to race, and brought several African-American players onto the team at a time when many northern schools excluded them. In the ensuing five seasons, Massillon lost only one game, a 7-0 defeat at New Castle, Pennsylvania in 1937 after several players came down with the flu. As the Tigers' prestige grew, Brown in 1936 convinced the school to build a new stadium almost triple the size of the existing 7,000-seat facility. The stadium was finished in 1939, and is now named after Brown. The pinnacle of Brown's career at Massillon was a victory in the 1940 season against Toledo's Waite High School. The Tigers and Waite both went undefeated in the 1939 season, and both claimed the state championship. The teams decided to settle the score the following year, and Brown's team won 28-0. The Massillon 1940 squad is still regarded by historians as one of the best in the history of state high school football. During his nine years at Massillon, Brown invented the playbook, a detailed listing of formations and set plays, and tested his players on their knowledge of it. He also originated the practice of sending in plays to his quarterback from the sideline using hand signals. His overall record at the school was 80-8-2, including a 35-game winning streak. Between 1935 and 1940, the team won the state football championship six times and won the High School Football National Championship four times, outscoring opponents by 2,393 points to 168 over that span. After the early losses to Canton, the Tigers beat the Bulldogs six straight times.
Question: Who were the Massillon Tigers?
Answer: a Tigers team that had fallen into mediocrity over the six seasons since the departure of Stewart, Brown's old coach.

Background: Joseph Conrad (Polish pronunciation: ['juzef ,kon.rad]; born Jozef Teodor Konrad Korzeniowski; 3 December 1857 - 3 August 1924) was a Polish-British writer regarded as one of the greatest novelists to write in the English language. He joined the British merchant marine in 1878, and was granted British citizenship in 1886. Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature. He wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of an impassive, inscrutable universe.
Context: After the publication of Chance in 1913, Conrad was the subject of more discussion and praise than any other English writer of the time. He had a genius for companionship, and his circle of friends, which he had begun assembling even prior to his first publications, included authors and other leading lights in the arts, such as Henry James, Robert Bontine Cunninghame Graham, John Galsworthy, Edward Garnett, Garnett's wife Constance Garnett (translator of Russian literature), Stephen Crane, Hugh Walpole, George Bernard Shaw, H. G. Wells, Arnold Bennett, Norman Douglas, Jacob Epstein, T. E. Lawrence, Andre Gide, Paul Valery, Maurice Ravel, Valery Larbaud, Saint-John Perse, Edith Wharton, James Huneker, anthropologist Bronislaw Malinowski, Jozef Retinger (later a founder of the European Movement, which led to the European Union, and author of Conrad and His Contemporaries). Conrad encouraged and mentored younger writers. In the early 1900s he composed a short series of novels in collaboration with Ford Madox Ford. In 1919 and 1922 Conrad's growing renown and prestige among writers and critics in continental Europe fostered his hopes for a Nobel Prize in Literature. Interestingly, it was apparently the French and Swedes - not the English - who favoured Conrad's candidacy. In April 1924 Conrad, who possessed a hereditary Polish status of nobility and coat-of-arms (Nalecz), declined a (non-hereditary) British knighthood offered by Labour Party Prime Minister Ramsay MacDonald. Conrad kept a distance from official structures -- he never voted in British national elections -- and seems to have been averse to public honours generally; he had already refused honorary degrees from Cambridge, Durham, Edinburgh, Liverpool, and Yale universities. In the Polish People's Republic, translations of Conrad's works were openly published, except for Under Western Eyes, which in the 1980s was published as an underground "bibula". Conrad's narrative style and anti-heroic characters have influenced many authors, including T. S. Eliot, Maria Dabrowska, F. Scott Fitzgerald, William Faulkner, Gerald Basil Edwards, Ernest Hemingway, Antoine de Saint-Exupery, Andre Malraux, George Orwell, Graham Greene, William Golding, William Burroughs, Saul Bellow, Gabriel Garcia Marquez, Peter Matthiessen, John le Carre, V. S. Naipaul, Philip Roth, Joan Didion, Thomas Pynchon J. M. Coetzee, and Salman Rushdie. Many films have been adapted from, or inspired by, Conrad's works.
Question: did he have more friends
Answer:
Garnett's wife Constance Garnett (translator of Russian literature), Stephen Crane,