I have a test where I am given the following article, what is an answer for the question: What is the name of the person who Ross claims was "subtly changing the landscape of contemporary R&B lyricism"? ? Upon its release, Pru received positive feedback from music critics. Ed Hogan praised Pru's experimentation with musical genres. In discussing its many influences, Colin Ross wrote that the album never sounded uneven or disjointed. He commended the singer for communicating a range of emotions, by turns seeming "innocent, self-assured, uncertain, elated and vulnerable", praising in particular the album's instrumentation and lyrics. A Billboard writer described Pru as "sparkl[ing] with colorfully imaged songs about love won, lost and anticipated". USA Today's Steve Jones praised the performer for the "remarkable depth in her poetics about joy and heartbreak". Jones wrote that the album demonstrated that Pru had a clear sense of what she wanted to achieve for her career and sound. Ebony's Lynn Norment described her as possessing a "rich, earthy voice and lyrical talent", responding positively to the artist's influences from scripture and poetry. A writer for Sister 2 Sister commended Pru for her ability to convey emotion to the listener, and identified "Prophecy of a Flower" as their favorite track from the album. The Houston Press' Craig D. Lindsey praised Pru's music and live performances, describing her songs as "soulful, earthy and organic" and the antithesis to music such as Destiny's Child's 1999 single "Bills, Bills, Bills". The album was called "[a]rtful ... stunning ... sexy" by a reviewer from People.Several media outlets compared Pru to other artists, with a Billboard reviewer attributing the singer as writing in the same style as contemporary neo soul performers. The singer's voice was compared to Lauryn Hill, Macy Gray, and Erykah Badu by AllMusic's Stacia Proefrock. She was classified as part of an "emerging school of poetics" by Ross, who said that she was "subtly changing the landscape of contemporary R&B lyricism". A Billboard reviewer also placed the singer as a member of "the new soul movement", and compared her work to that of Angie Stone, Amel Larrieux, Jill Scott, and Badu. A writer from...
Ans: Pru

I have a test where I am given the following article, what is an answer for the question: What is the first name of the person who stopped himself from punching someone? ? The cartoon begins with the Narrator introducing the three bears Papa Bear, Mama Bear And Junyer Bear. Junyer Bear is reading a Bugs Bunny comic on Papa Bear's newspaper and begins tickling him. Papa Bear manages to punch Junyer and slaps him in the face hard causing Junyer Bear to land on his bowl of oatmeal. Papa Bear then yells him "Eat your oatmeal!" and continues reading his newspaper. Junyer Bear cries with oatmeal on his face remarking "Pop! What I do?! What I do?!". Papa Bear notices something in the newspaper saying, "Wanted Trick bear act, Apply at Mingling Bros. Circus" and tells Mama and Junyer about it telling to need a little practice. Mama Bear tries to protest but Papa Bear yells, "Shut up and let's get going". Junyer is delighted and wants to be a trick bear act and grabs him and makes Henry spin like a beach ball. Mama Bear, who at first was hesitant, joins in singing wearing a sport outfit and Junyer Bear lands Papa bear on Mama Bear's finger still upside down. He tries to punch her but misses, (or stopped himself from punching her) spins and makes an angry face at Junyer knowing it's really his fault, so Papa kicks him in the butt and he shakes in rage.
Ans: Papa

I have a test where I am given the following article, what is an answer for the question: What is the name of the person who continued to contribute lead guitar to albums, and collaborated with Charles Douglas on his 2004 album Statecraft? ? After the breakup of the Pixies, Santiago went into a depression for the first couple of years but remained on good terms with bandmate Black Francis (who soon adopted the name Frank Black). Black, who was recording his 1993 debut album, Frank Black, contacted Santiago to ask whether he would contribute lead guitar. Santiago agreed, and he and Mallari drove from their home in Florida to Los Angeles. The couple ended up moving into Black's old apartment in L.A. on a whim. Santiago played lead guitar on a number of Frank Black's solo albums, including Teenager of the Year (1994), and contributed lead guitar to Steve Westfield's 1994 album Mangled. He also formed The Martinis a year later with Mallari. Their recorded output by the end of the 1990s comprised a single song, the self-recorded "Free" (1995), which appeared on the film soundtrack of Empire Records. The band played live only occasionally until 2001.In the mid-1990s, Santiago began to explore audio editing software. After composing for several independent films, including Crime and Punishment in Suburbia in 2000 (where he collaborated again with Black), Santiago co-scored the Fox Network TV series Undeclared with Michael Andrews. He continued to contribute lead guitar to albums, collaborating with Charles Douglas on his 2004 album Statecraft. He scored the 2003 film The Low Budget Time Machine and wrote two songs, "Birthday Video" and "Fake Purse," for the Showtime television series Weeds in 2005. Mallari and Santiago continued to write new material as part of the Martinis, but no longer played live. Their debut album, Smitten, took two years to write and was released in 2004; the pair collaborated with a number of musicians, including drummer Josh Freese, during the recording. Santiago described the album as "a lot poppier and quirkier" than the band's previous material. The band simultaneously released The Smitten Sessions, a limited edition EP.
Ans: Santiago