input: Architects have been referred to as being "pumped with both controlled rage and unhindered heart, accessible and ambitious, aggressive and beautiful". Considered alongside Enter Shikari as offering metalcore style to more mainstream audiences they have been described as metalcore, technical metal and progressive metalcore. Their music is characterised by choppy, complex guitar riffs, the use of obscure time signatures and rhythmic breakdowns, and for their guitarists alternating between a "down-tuned rumble" and "melodic punk" during songs. However the band's music isn't solely based upon technical proficiency and does use catchy riffs and choruses. Architects have made various stylistic transitions and evolutions throughout their career, with the band citing their belief that each album should be distinct. On their second album Ruin, the band's sound was heavier and darker sound than on Nightmares. Hollow Crown maintains the aggression and technical proficiency of Ruin while incorporating more melody, catchy riffs and use of singing. The band also used synthesised instruments such as keyboards and drum machines. The guitars were tuned to Drop B with the lowest string at Ab, giving the "ability to create a really heavy low end sound on the bottom but still give a comfortable degree of tension on the higher strings." A prime example of their signature style is the song 'We're All Alone', with its technical, progressive guitar riffs and heavy, hardcore punk-influenced rhythmic breakdowns. Their fourth album 'The Here and Now' represented a stylistic shift from their previous work considered "ultimately subjective" and "their most diverse". Described as going in a "clean-cut post-hardcore" direction, The Here and Now favours singing over screaming, anthemic choruses and hooks. The album still retains elements of their previous albums, however, including "tortured howls, frenzied riffs, and earth-shattering rhythms, albeit with a slightly more mainstream edge." The album includes the melancholy, glitchy electronica-based 'An Open Letter To Myself' and the rock ballad 'Heartburn' both lead into "rousing, fist-pumping choruses". The band's fifth album Daybreaker featured something of a return to the heavier, more aggressive style of their previous albums, balancing this with the melody and hooks of The Here and Now. Daybreaker also features even more melodic, atmospheric tracks than usual, such as 'Truth Be Told, 'Behind The Throne' and 'Unbeliever'. After the release of Daybreaker the band grew confident in playing much heavier music again, and cited that the key influence on the heavier style of their sixth album was to create the best songs for live shows. The album also incorporates blastbeats, which have not been used in any of the band's recordings since Hollow Crown.

Answer this question "What are the musical influences of the band Architects?"
output: down-tuned rumble" and "melodic punk

Question: Keith was born in Clinton, Oklahoma, to Carolyn Joan (nee Ross) and Hubert K. Covel, Jr. and is of English ancestry. He has a sister and a brother. The family lived in Fort Smith, Arkansas, for a few years when Keith was in grade school, but moved to Moore, Oklahoma (a suburb of Oklahoma City) when he was still young. Before the family moved to Moore, he visited his grandmother in Fort Smith during the summers.

In 2002, he released the Unleashed album which included four singles. First was "Courtesy of the Red, White, & Blue (The Angry American)", which Keith wrote in 20 minutes as a response to the September 11, 2001 attacks. The song references Keith's father, a United States Army veteran who died that March in a car accident. Both this song and "Who's Your Daddy?" were number 1 hits, with "Rock You Baby" reaching number 13. The last single was "Beer for My Horses", a duet with Willie Nelson which six weeks at the top of the country charts. At the time, it was also Keith's highest entry on the Hot 100, at number 22. In July 2003, Keith made a guest appearance on Scotty Emerick's debut single "I Can't Take You Anywhere", which was previously recorded by Keith on Pull My Chain. Emerick's version of the song was his only top 40 country hit, at number 27. Shock'n Y'all, his eighth studio album, was released in November 2003. The album's title is a pun on the military term "shock and awe". It became his second album from which all singles went to number 1: "I Love This Bar", "American Soldier", and "Whiskey Girl". Also included on the disc were "The Taliban Song" and "Weed with Willie", two live songs recorded with Emerick. The album was followed in late 2004 by Greatest Hits 2, which included three new songs: "Stays in Mexico", "Go with Her", and a cover of Inez and Charlie Foxx's "Mockingbird", recorded as a duet with his daughter, Krystal Keith. "Stays in Mexico" was a number 3 hit on the country charts, while "Mockingbird" peaked at number 27. Keith's final DreamWorks album was Honkytonk University in early 2005. Lead-off single "Honkytonk U" peaked at number 8, followed by "As Good as I Once Was", which spent six weeks at number 1, and "Big Blue Note" at number 5. After the release of the latter, DreamWorks Records ceased operations.

Using a quote from the above article, answer the following question: was there another?
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Answer:
Both this song and "Who's Your Daddy?" were number 1 hits, with "Rock You Baby" reaching number 13.