Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:', and the follow-up question has a prefix 'FOLLOWUP_Q:'.

Ex Input:
CONTEXT: I'd guess the movie's motive for not introducing the McKee subplot is because that was only a minor subplot of the book. And re-telling a book story in movie form, when you've got to get all the key details on screen in just 2 or 3 hours, means you have to omit many minor details. The core story of The Great Gatsby is about Gatsby and the world he lived in, not about Nick or Nick's potential attraction to Gatsby. In book form, there is plenty of room for the subplot suggestion that Nick is gay -- and the author Fitzgerald introduced the suggestion so subtly that most readers miss it. In the movie, however, throwing "Nick might be gay" at viewers along with everything else, in just 2 or 3 hours, could overwhelm them and/or distract from the core story -- and I'm not sure how it could be done as subtly on-screen as Fitzgerald pulled it off in the prose. <sep> Q: Why did the Great Gasby (2013) movie erase the hints of Nick Carraway's homosexuality?

Ex Output:
Yes

Ex Input:
CONTEXT: It's unlikely they made any money from the sales of "Man of Constant Sorrow" that happened during the movie. When they recorded the song originally, they were asked to sign papers, and paid $10 each for the work. Most likely they were signing the rights to the recording over to the station owner in exchange for a quick payment. The "band" themselves had no idea they were popular until they sang at Stoke's fund raiser, as evidence by the claim that "no one will believe we're a real band", and the shock at the crowd's reaction to their song. We don't have any idea what happened to them after the end of the movie, but it would be reasonable to expect they eventually got signed to a record contract. The governor would probably have wanted them to keep recording music, if nothing else, so he could continue to ride their popularity. That contract would have covered any future recordings; it's also possible they could negotiate royalties for future sales of their hit song, and the station owner would cave in to keep them happy. But that's just speculation, since the last we know of the boys they're going to go work for the governor. <sep> Q: Who is the radio owner? A: Stoke Q: Did the actual band ever get a contract signed? A: When they recorded the song originally, they were asked to sign papers, and paid $10 each for the work Q: What was the name of the song? A: Man of Constant Sorrow <sep> FOLLOWUP_Q: What was the name of the movie?

Ex Output:
No

Ex Input:
CONTEXT: Adaline ran away from Ellis at the end for the same reason she ran away from William. She knows she doesn't age and that is her secret. First, she doesn't want anyone to know and second, what kind of life would it be to watch your spouse, the person you love dearly, fade away with age while you remain static in time. She has already done that with her daughter. Keep in mind while William did reveal that he knew it was her, Ellis still did not know. Throughout the movie it was clear that Adaline avoided personal relationships, especially love interests. She was falling in love with Ellis and she knew it. When she realized who William was, she was reminded of what would happen and also realized that she was letting herself get too attached to Ellis, thus breaking her own rules. <sep> Q: Why did Adaline run away? A: Adaline ran away from Ellis at the end for the same reason she ran away from William. She knows she doesn't age and that is her secret <sep> FOLLOWUP_Q: Are you refering to the scene at the end of the movie?

Ex Output:
Yes