Background: Tilak was born in a Marathi Chitpavan Brahmin family in Ratnagiri as Keshav Gangadhar Tilak, as mentioned above. In headquarters of the eponymous district of present-day Maharashtra (then British India) on 23 July 1856. His ancestral village was Chikhali. His father, Gangadhar Tilak was a school teacher and a Sanskrit scholar who died when Tilak was sixteen.
Context: Tilak joined the Indian National Congress in 1890. He opposed its moderate attitude, especially towards the fight for self-government. He was one of the most-eminent radicals at the time. In fact, it was the Swadeshi movement of 1905-1907 that resulted in the split within the Indian National Congress into the Moderates and the Extremists Despite being personally opposed to early marriage, Tilak was against the 1891 Age of Consent bill, seeing it as interference with Hinduism and a dangerous precedent. The act raised the age at which a girl could get married from 10 to 12 years. During late 1896, a bubonic plague spread from Bombay to Pune, and by January 1897, it reached epidemic proportions. British troops were brought in to deal with the emergency and harsh measures were employed including forced entry into private houses, examination of occupants, evacuation to hospitals and segregation camps, removing and destroying personal possessions, and preventing patients from entering or leaving the city. By the end of May, the epidemic was under control. Though the British authorities' measures were well-meant, they were widely regarded as acts of tyranny and oppression. Tilak took up this issue by publishing inflammatory articles in his paper Kesari (Kesari was written in Marathi, and Maratha" was written in English), quoting the Hindu scripture, the Bhagavad Gita, to say that no blame could be attached to anyone who killed an oppressor without any thought of reward. Following this, on 22 June 1897, Commissioner Rand and another British officer, Lt. Ayerst were shot and killed by the Chapekar brothers and their other associates. According to Barbara and Thomas R. Metcalf, Tilak "almost surely concealed the identities of the perpetrators". Tilak was charged with incitement to murder and sentenced to 18 months imprisonment. When he emerged from prison in present-day Mumbai, he was revered as a martyr and a national hero. He adopted a new slogan coined by his associate Kaka Baptista, "Swaraj (self-rule) is my birthright and I shall have it." Following the Partition of Bengal, which was a strategy set out by Lord Curzon to weaken the nationalist movement, Tilak encouraged the Swadeshi movement and the Boycott movement. The movement consisted of the boycott of foreign goods and also the social boycott of any Indian who used foreign goods. The Swadeshi movement consisted of the usage of natively produced goods. Once foreign goods were boycotted, there was a gap which had to be filled by the production of those goods in India itself. Tilak said that the Swadeshi and Boycott movements are two sides of the same coin. Tilak opposed the moderate views of Gopal Krishna Gokhale, and was supported by fellow Indian nationalists Bipin Chandra Pal in Bengal and Lala Lajpat Rai in Punjab. They were referred to as the "Lal-Bal-Pal triumvirate". In 1907, the annual session of the Congress Party was held at Surat, Gujarat. Trouble broke out over the selection of the new president of the Congress between the moderate and the radical sections of the party . The party split into the radicals faction, led by Tilak, Pal and Lajpat Rai, and the moderate faction. Nationalists like Aurobindo Ghose, V. O. Chidambaram Pillai were Tilak supporters.
Question: How was the plague dealt with?
Answer: British troops were brought in to deal with the emergency and harsh measures were employed including forced entry into private houses, examination of occupants,

Background: Aeschylus (UK: , US: ; Greek: Aiskhulos Aiskhulos; Ancient Greek: [ais.khy.los]; c. 525/524 - c. 456/455 BC) was an ancient Greek tragedian. He is often described as the father of tragedy. Academics' knowledge of the genre begins with his work, and understanding of earlier tragedies is largely based on inferences from his surviving plays.
Context: One hallmark of Aeschylean dramaturgy appears to have been his tendency to write connected trilogies, in which each play serves as a chapter in a continuous dramatic narrative. The Oresteia is the only extant example of this type of connected trilogy, but there is evidence that Aeschylus often wrote such trilogies. The comic satyr plays that follow his trilogies also drew upon stories derived from myths. For example, the Oresteia's satyr play Proteus treated the story of Menelaus' detour in Egypt on his way home from the Trojan War. Based on the evidence provided by a catalogue of Aeschylean play titles, scholia, and play fragments recorded by later authors, it is assumed that three other of his extant plays were components of connected trilogies: Seven against Thebes being the final play in an Oedipus trilogy, and The Suppliants and Prometheus Bound each being the first play in a Danaid trilogy and Prometheus trilogy, respectively (see below). Scholars have moreover suggested several completely lost trilogies derived from known play titles. A number of these trilogies treated myths surrounding the Trojan War. One, collectively called the Achilleis, comprised the titles Myrmidons, Nereids and Phrygians (alternately, The Ransoming of Hector). Another trilogy apparently recounts the entry of the Trojan ally Memnon into the war, and his death at the hands of Achilles (Memnon and The Weighing of Souls being two components of the trilogy); The Award of the Arms, The Phrygian Women, and The Salaminian Women suggest a trilogy about the madness and subsequent suicide of the Greek hero Ajax; Aeschylus also seems to have written about Odysseus' return to Ithaca after the war (including his killing of his wife Penelope's suitors and its consequences) in a trilogy consisting of The Soul-raisers, Penelope and The Bone-gatherers. Other suggested trilogies touched on the myth of Jason and the Argonauts (Argo, Lemnian Women, Hypsipyle); the life of Perseus (The Net-draggers, Polydektes, Phorkides); the birth and exploits of Dionysus (Semele, Bacchae, Pentheus); and the aftermath of the war portrayed in Seven against Thebes (Eleusinians, Argives (or Argive Women), Sons of the Seven).
Question: What happened in The Salaminian Women
Answer:
suggest a trilogy about the madness and subsequent suicide of the Greek hero Ajax;