Problem: "Cross Road Blues" (also known as "Crossroads") is a blues song written and recorded by American blues artist Robert Johnson in 1936. Johnson performed it as a solo piece with his vocal and acoustic slide guitar in the Delta blues-style. The song has become part of the Robert Johnson mythology as referring to the place where he supposedly sold his soul to the Devil in exchange for his musical talents, although the lyrics do not contain any specific references. Bluesman Elmore James revived the song with recordings in 1954 and 1960-1961.

Little is known about Johnson's life and musical career, although his recordings are well documented. In October 1936, Johnson auditioned for music store owner and sometime talent scout H. C. Speir in Jackson, Mississippi; Speir passed on Johnson's contact information to Ernie Oertle, who was a representative for ARC Records. After a second audition, Oertle arranged for Johnson to travel to San Antonio, Texas, for a recording session. Johnson recorded 22 songs for ARC over three days from November 23 to 27, 1936. During the first session, he recorded his most commercially appealing songs. They mostly represented his original pieces and reflected current, piano-influenced musical trends. The songs include "Terraplane Blues" (his first single and most popular record) along with "Sweet Home Chicago" and "I Believe I'll Dust My Broom", which became blues standards after others recorded them. A second and third recording date took place in San Antonio after a two-day break. Johnson reached back into his long-standing repertoire for songs to record. The material reflects the styles of country blues performers Charley Patton and Son House, who influenced Johnson in his youth. The songs are among Johnson's most heartfelt and forceful, and music historian Ted Gioia sees a shift in the lyrical themes: At the close of the San Antonio session, the darker, more apocalyptic side of Johnson's work emerges ... [he] evokes the themes of damnation and redemption, darkness and light ... glimpses into the musician's inner life, and all its attendant turmoils. "Cross Road Blues" was recorded during Johnson's third session in San Antonio, on Friday November 27, 1936. The sessions continued at an improvised studio in Room 414 at the Gunter Hotel. ARC producers Art Satherley and Don Law supervised the recording and used a portable disc cutting machine. It is unknown what input, if any, they had into Johnson's selection of material to record or how to present it. Two similar takes of the song were recorded.

What was his number one hit?

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Problem: Tiaina Baul Seau Jr. (; SAY-ow; January 19, 1969 - May 2, 2012), better known as Junior Seau, was a linebacker in the National Football League (NFL). Known for his passionate play, he was a 10-time All-Pro, 12-time Pro Bowl selection, and named to the NFL 1990s All-Decade Team.

After three years as a Trojan, Seau entered the NFL draft after his junior season and was chosen in the first round of the 1990 NFL Draft by Bobby Beathard's San Diego Chargers as the fifth overall draft selection. Seau quickly became one of the most popular players on the Chargers, receiving the nickname "Tasmanian Devil", after the wild antics of the cartoon character. He became the face of the Chargers franchise and a San Diego sports icon. Seau started 15 of the 16 games he played in during his rookie season, and was named an alternate to the 1991 Pro Bowl after recording 85 tackles. In 1991, he picked up 129 tackles and seven sacks and was named to the 1992 Pro Bowl, the first of 12 consecutive Pro Bowls for Seau. He was also voted NFL's Defensive MVP by the Newspaper Enterprise Association AFC Defensive Player of the Year by United Press International, as well as the NFL Alumni Linebacker of the Year and the NFLPA AFC Linebacker of the Year. He started no fewer than 13 games for the Chargers over each of the ensuing 11 seasons, registering a career high with 155 tackles in 1994. That year, Seau was named NFL Defensive Player of the Year by United Press International, and he led his team to a championship appearance in Super Bowl XXIX. In one of the greatest games in his career, he recorded 16 tackles in the 1994 AFC Championship Game while playing with a pinched nerve in his neck in a 17-13 victory over the Pittsburgh Steelers. In 2002, his final year with the Chargers, he logged a then-career low 83 tackles and missed his final Pro Bowl with an ankle injury.

How many seasons did he play for San Diego?

Answer with quotes: He started no fewer than 13 games for the Chargers over each of the ensuing 11 seasons, registering a career high with 155 tackles in 1994.

Problem: Clemens was born in Dayton, Ohio, the fifth child of Bill and Bess (Lee) Clemens. He is of German descent, his great-grandfather Joseph Clemens having immigrated in the 1880s. Clemens's parents separated when he was an infant. His mother soon married Woody Booher, whom Clemens considers his father.

Clemens unexpectedly appeared in the owner's box at Yankee Stadium on May 6, 2007, during the seventh-inning stretch of a game against the Seattle Mariners, and made a brief statement: "Thank y'all. Well they came and got me out of Texas, and uhh, I can tell you it's a privilege to be back. I'll be talkin' to y'all soon." It was simultaneously announced that Clemens had rejoined the Yankees roster, agreeing to a pro-rated one-year deal worth $28,000,022, or about $4.7 million per month. Over the contract life, he would make $18.7 million. This equated to just over $1 million per start that season. Clemens made his 2007 return on June 9, defeating the Pittsburgh Pirates by pitching six innings with seven strikeouts and 3 runs allowed. On June 21, with a single in the 5th inning against the Colorado Rockies, Clemens became the oldest New York Yankee to record a hit (44 years, 321 days). On June 24, Clemens pitched an inning in relief against the San Francisco Giants. It had been 22 years and 341 days since his previous regular-season relief appearance, the longest such gap in major league history. On July 2, Clemens collected his 350th win against the Minnesota Twins at Yankee Stadium, giving up just two hits and one run over eight innings. Clemens is one of only three pitchers to pitch his entire career in the live-ball era and reach 350 wins. The other two are Warren Spahn (whose catcher for his 350th win was Joe Torre, Clemens's manager for his 350th), and Greg Maddux, who earned his 350th win in 2008. His final regular season appearance was a start against the Red Sox at Fenway Park, in which he allowed 2 hits and 1 unearned run in 6 innings, and received a no-decision. Clemens finished the 2007 regular season with a record of 6-6 and a 4.18 ERA. Clemens was forced to leave Game 3 of the 2007 ALDS in the third inning after aggravating a hamstring injury. He struck out Victor Martinez of the Cleveland Indians with his final pitch, and was replaced by right-hander Phil Hughes. Yankees manager Joe Torre removed Clemens from the roster due to his injury, and replaced him with left-hander Ron Villone.

Why did he return to the Yankess?

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Clemens unexpectedly appeared in the owner's box at Yankee Stadium on May 6, 2007,