In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example output: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : Selma Urfer (born 30 March 1928 in Bern, Switzerland; died 2 May 2013 in Munich) was a Swiss author, translator and actress. She graduated from the Zurich School of Drama in 1948. In addition to acting and studio recordings, she published numerous short stories, radio and TV plays, translations from French/English and two novels. She joined the Gruppe Olten in 1970. She was married to the German actor Robert Graf, had three children, including German film director , and lived in Munich. Context_2 : "The Mathematics of Magic" is a fantasy novella by American writers L. Sprague de Camp and Fletcher Pratt, the second story in their Harold Shea series. It was first published in the August 1940 issue of the fantasy pulp magazine "Unknown". It first appeared in book form, together with the preceding novella, "The Roaring Trumpet", in the collection "The Incomplete Enchanter", issued in hardcover by Henry Holt and Company in 1941, and in paperback by Pyramid Books in 1960. It has since been reprinted in various collections by numerous other publishers, including "The Compleat Enchanter" (1975), "The Incompleat Enchanter" (1979), "The Complete Compleat Enchanter" (1989), and "" (2007). It has been translated into Dutch and Italian. In 2016, the story was shortlisted for the Retro Hugo Award for Best Novella. Context_3 : Tarzan and the Castaways is a collection of stories by American writer Edgar Rice Burroughs, the twenty-fourth in his series of books about the title character Tarzan. In addition to the title novella, it includes two Tarzan short stories. Of the three pieces, "Tarzan and the Jungle Murders", was written first, in January 1939. It was first published in the magazine "Thrilling Adventures" in the issue for June 1940. "Tarzan and the Champion" was written in July 1939, and first published in "Blue Book Magazine" in the issue for April 1940. "The Quest of Tarzan" was begun in November 1940 and first published in the magazine "Argosy Weekly" as a three-part serial in the issues for August 23, August 30, and September 6, 1941. The three stories were gathered together and first published in book form in hardcover by Canaveral Press in 1965. At that time "The Quest of Tarzan" was retitled "Tarzan and the Castaways" to avoid confusion with the earlier Tarzan novel "Tarzan's Quest". The first paperback edition was issued by Ballantine Books in July 1965. Context_4 : The Snow Goose: A Story of Dunkirk is a short novella by the American author Paul Gallico. It was first published in 1940 as a short story in "The Saturday Evening Post", then he expanded it to create a short novella which was first published on April 7, 1941. Context_5 : The Free Workers' Union of Germany (German: "" ; FAUD) was an anarcho-syndicalist trade union in Germany. It stemmed from the Free Association of German Trade Unions (FDVG) which combined with the Ruhr region's Freie Arbeiter Union on September 15, 1919. The FAUD was involved in the revolution in Germany from 19181923, and continued to be involved in the German labor movement after the FAUD began to decline in 1923. After 1921, the FAUD added an "AS" to their name, signifying a full transition from simple syndicalism to anarcho-syndicalism. This also led to further difficulties between the intellectual elites of the FAUD (AS), such as Rudolf Rocker, and the rank and file workers, mostly in the Ruhr, who were more worried about "bread and butter" issues than anarchist political activities. These workers, the majority of the FAUD-(AS) members, formed the :Gelsenkircherichtung (Gelsenkirche tendency) within the movement, and given the movements federalist structure, began to drift away from the FAUD-(AS) intellectually and organizationally. Eventually, those workers who had joined during the revolution left the movement and the remaining FAUD-(AS) members came from the FDVG's original constituencies of the building trades and specialized textile workers. The Nazis suppressed the FAUD in January 1933 after coming to power. However, many of its members continued to do political work illegally and organized resistance against the Nazi regime, both in Germany and elsewhere (see: Gruppe DAS and the revolution in Spain, 19361939). The International Workers Association, of which the FAUD was a member, was founded upon the initiative of the German organization in 1922. The Free Workers' Union (FAU), which was founded in 1977, sees itself in the tradition of the FAUD. At its peak, the FAUD had 150,000 members. The primary organ of the FAUD was the newspaper "Der Syndikalist", which was first published in December 1918, and continued until the groups suppression by the Nazis. Context_6 : Triton is a collection of fantasy short stories by author L. Ron Hubbard. It was first published in 1949 by Fantasy Publishing Company, Inc. in an edition of 1,200 copies. The title novella first appeared in the April 1940 issue of the magazine "Unknown" under the title "The Indigestible Triton" and under Hubbard's pseudonym "Rene Lafayette". The other story first appeared in the magazine "Fantasy Book". Context_7 : Max Rudolf Frisch (May 15, 1911 April 4, 1991) was a Swiss playwright and novelist. Frisch's works focused on problems of identity, individuality, responsibility, morality, and political commitment. His use of irony is a significant feature of his post-war publications. Frisch was one of the founders of Gruppe Olten. He was awarded the Neustadt International Prize for Literature in 1986. Context_8 : Man in the Holocene (1979) is a novella by Swiss author Max Frisch, originally published in German in 1979, and in English in "The New Yorker" on May 19, 1980 (trans. Geoffrey Skelton). A distinctive feature of this book's style is the use of reprinted cutouts which the protagonist, Mr. Geiser, removes from several encyclopedias, the bible and other books. It contains some autobiographical elements: Frisch at the time of the writing is about the same age as the protagonist, Mr. Geiser, and Frisch also had a house in the Tessin valley where the story is set. Context_9 : The Castle of Iron is the title of a fantasy novella by American authors L. Sprague de Camp and Fletcher Pratt, and of the novel into which it was later expanded by the same authors. It was the third story (and afterwards the second volume) in their Harold Shea series. As a 35,000 word novella it was first published in the fantasy magazine "Unknown" for April, 1941. The revised and expanded novel version was first published in hardcover by Gnome Press in 1950, and in paperback by Pyramid Books in 1962. The book has been reprinted by a number of other publishers since its first appearance. An E-book edition was published by Gollancz's SF Gateway imprint on September 29, 2011 as part of a general release of de Camp's works in electronic form. The novel has been combined with other books in the series in the omnibus editions "The Compleat Enchanter" (1975), "The Complete Compleat Enchanter" (1989) and "" (2007). It has also been translated into Italian. Context_10 : The Nebula Award for Best Novella is given each year by the Science Fiction and Fantasy Writers of America (SFWA) for science fiction or fantasy novellas. A work of fiction is defined by the organization as a novella if it is between 17,500 and 40,000 words; awards are also given out for pieces of longer lengths in the novel category, and for shorter lengths in the short story and novelette categories. To be eligible for Nebula Award consideration a novella must be published in English in the United States. Works published in English elsewhere in the world are also eligible provided they are released on either a website or in an electronic edition. The Nebula Award for Best Novella has been awarded annually since 1966. Novellas published by themselves are eligible for the novel award instead if the author requests them to be considered as such. The award has been described as one of "the most important of the American science fiction awards" and "the science-fiction and fantasy equivalent" of the Emmy Awards. fact_1 : Man in the Holocene (1979) is a novella by Swiss author Max Frisch, originally published in German in 1979, and in English in "The New Yorker" on May 19, 1980 (trans. fact_2 : Frisch was one of the founders of Gruppe Olten. Question: Where was one of the founder's of Gruppe Olten's novella first published in English?
A:
The New Yorker