Paul Reynolds crisscrossed his sketchbook with furious strokes, filling the pages with images of the vengeance he would take on his former coworkers at Fear and Loading Games. He'd founded the company three years back and, just a few hours ago, his partners and erstwhile friends had fired him without cause or warning. He concentrated hard as his pen brought to life demonic figures from one of the best-selling comics he'd created, scythe wielding cyber-men called Myrmidons who tore into surprised computer programmers with fangs and claws. Elsewhere on the page, computers assembled themselves into 21st century Golems, rising up against traitorous CEO's and producers to crush them to bloody pulp as they cowered beneath their desks. Sitting at the bar in Senor Goldstein's Mexican Restaurant in San Jose, California, Paul's own artwork engaged him for the first time in months, maybe years. Under other circumstances, that would have made him happy. But today's circumstances allowed only two emotions: despair and a burning desire for revenge. Not wanting to succumb to the former, and not quite wanting to find a gun and go back to the office, he instead drew. He had turned to a fresh page and begun to sketch his most elaborate revenge-scheme yet when a woman walked into his line of vision. There were four or five other women in the restaurant already (most of them employees), but this one stood out. This one would've stood out anywhere. Her hair, cut short and spiky, was dyed a magenta so bright it nearly glowed. She wore a tight black t-shirt, baggy olive drab shorts that hung on shapely hips, and heavy black boots with two inch thick soles. She had a faded black messenger bag slung across her chest, the strap pressing between her breasts. If Paul had to guess, she wasn't wearing a bra. She definitely wasn't your average Silicon Valley techie on an early lunch break, and certainly not a restaurant employee. Question: Paul thinks that the woman: Options: - works at the restaurant - is not a regular in town - not enough information - is boring === The correct answer is
is not a regular in town

It will come as no surprise to those working in the UK's higher education (HE) sector that universities are currently suffused with anxiety. The University and College Union (UCU) has recently been in dispute with employers over proposed changes to the USS pension scheme, and the most sustained period of industrial action in the sector's history has highlighted the fears staff have for the security of their futures post-retirement. Such unprecedented strike action needs to be situated within the wider context of a public sector undergoing transformation: while the concept remains contested, the influence of "neoliberal" ideas on universities can most clearly be seen in Success as a Knowledge Economy the government white paper that preceded the 2017 Higher Education and Research Act which states: "Competition between providers in any market incentivises them to raise their game, offering consumers a greater choice of more innovative and better quality products and services at lower cost. Higher education is no exception." Yet what might "raising our game" mean for academic staff? The university has been described as an "anxiety machine": the creeping marketisation of the sector along with pressure to recruit students (now "consumers"), increasing managerialism, and the implementation of processes of audit such as the REF and TEF to evaluate performance have arguably contributed to a progressively anxious landscape in which to labour. In 2016/17, 34% of academic staff were employed on fixed-term contracts a figure likely to be disputed by the UCU, since in 2016 it estimated the extent of casualisation in the sector to be closer to 54% once atypical contracts had been taken into consideration. In addition to pressures facing many staff in universities such as time-management, meeting growing employer expectations, and the evaluation of performance "casualised" contracts present particular challenges for those facing employment uncertainty: in a material sense, this can be a case of keeping up with... Question: After the end of the text, how do the professors probably feel about their retirements? Options: - not enough information - excited about them - worried about them - hopeful about them === The correct answer is
worried about them

Q: Paul Reynolds crisscrossed his sketchbook with furious strokes, filling the pages with images of the vengeance he would take on his former coworkers at Fear and Loading Games. He'd founded the company three years back and, just a few hours ago, his partners and erstwhile friends had fired him without cause or warning. He concentrated hard as his pen brought to life demonic figures from one of the best-selling comics he'd created, scythe wielding cyber-men called Myrmidons who tore into surprised computer programmers with fangs and claws. Elsewhere on the page, computers assembled themselves into 21st century Golems, rising up against traitorous CEO's and producers to crush them to bloody pulp as they cowered beneath their desks. Sitting at the bar in Senor Goldstein's Mexican Restaurant in San Jose, California, Paul's own artwork engaged him for the first time in months, maybe years. Under other circumstances, that would have made him happy. But today's circumstances allowed only two emotions: despair and a burning desire for revenge. Not wanting to succumb to the former, and not quite wanting to find a gun and go back to the office, he instead drew. He had turned to a fresh page and begun to sketch his most elaborate revenge-scheme yet when a woman walked into his line of vision. There were four or five other women in the restaurant already (most of them employees), but this one stood out. This one would've stood out anywhere. Her hair, cut short and spiky, was dyed a magenta so bright it nearly glowed. She wore a tight black t-shirt, baggy olive drab shorts that hung on shapely hips, and heavy black boots with two inch thick soles. She had a faded black messenger bag slung across her chest, the strap pressing between her breasts. If Paul had to guess, she wasn't wearing a bra. She definitely wasn't your average Silicon Valley techie on an early lunch break, and certainly not a restaurant employee. Question: How long Paul worked at the company? Options: - He just started - Few month - not enough information - About 3 years === The correct answer is
A: About 3 years