In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Q: This is a bad movie. Not one of the funny bad ones either. This is a lousy bad one. It was actually painful to watch. The direction was awful,with lots of jumping around and the green and yellow hues used throughout the movie makes the characters look sickly. Keira Knightly was not convincing as a tough chick at all,and I cannot believe Lucy Liu and Mickey Rourke signed on for this criminal waste of celluloid. The script was terrible and the acting was like fingernails across a chalkboard. If you haven't seen it,don't. You are not missing anything and will only waste two hours of your life watching this drivel .I have seen bad movies before and even enjoyed them due to their faults. This one is just a waste of time.

A: negative
****
Q: A superb and compelling drama about the hunt for the notorious Russian serial killer Andrea Chikatilo. Magnificent performance from Stephen Rea as the forensic scientist put in charge of the investigation, who finds the biggest obstacle to his progress is the Russian government, in particular the old communist party members who want to maintain a closed society.The film is has an underlying theme about the decline of the communist society, and progress in the hunt for the killer is reflected by progress in social and political change in Russia, which is subtly put across. There is a conflict of old ways and new ways, and these are represented by the two viewpoints of Rea's superior (played by Donald Sutherland), and Rea himself . These are at first polarised, with Sutherland 'high' in system looking down, and Rea 'low' on the ground, looking up. However, they have a common cause to catch the serial killer.Throughout the film the relationship between these two develops, and the tension gradually eases until at the end of the movie Rea and Sutherland and Rea and Sutherland have mutual respect for each other, the killer is caught, and Glasnost symbolically comes. Excellent script.Further credits go to Sutherland's performance, which is superb and sympathetic, Jeffrey DeMunn as the killer whom we despise but can't hate, and Max Von Sydow, who is thoroughly convincing as the humble psychologist who risks his reputation to help.

A: positive
****
Q: A man and his wife get in a horrible car accident. When the wife is left in a persistent vegetative state, the man must choose between pulling the plug and letting her live. The decision is made even harder when he realizes her ghost wants to extract revenge on him and those around him.This comes to us from director Rob Schmidt, who made "Wrong Turn" (a film I have not seen). With only one horror film under his belt, and not a particularly notorious one at that, I was a bit reluctant to watch this episode, expecting Schmidt to be a "Master of Horror" in only the most liberal sense. My apologies to him for my underestimation. As of episode 10 in a 13 episode season, this was actually the best one yet.The issue of the "right to die" is dealt with and covered in enough detail to be a solid plot device. However, this is only the foundation on which the story revolves. Once the horror elements show up, the film goes from "decent" to "spectacular". Great acting, great plot, great dialogue, great suspense. I was a little creeped out at times (which is good) and most of all: the gore is in extreme abundance! I read a review of this episode prior to watching it, where the reviewer said there is a strong hint of "Hellraiser" in this. Through the first part of the show, I had no idea what they were talking about. Then there is a bit later where some images do remind me of "Hellraiser 2". However, I in no way wish to say that this takes away from the film. I can see no other way to create the effect that was created, and in my opinion this looks remarkably better than "Hellraiser 2".Some plot twists show up later on, and might invite the viewer to give the film a second look. I didn't watch it a second time, but I think the beginning would make more sense if I had (not that it's confusing). The subplot with the dental hygienist is also nice, and I found myself going back and forth about whether I disliked the main character for his relationship with her or if I felt bad for him. He's somewhat of an anti-hero to the whole story, if you will. I feel inclined to cheer for him as the protagonist, but he's completely unlovable.While the Stuart Gordon episode may be better and I'm excited about the "Washingtonians" episode, I think I could safely bet that this is the key episode of the season and by far the saving grace of what was otherwise lackluster and routine. When legends like John Carpenter let me down (again) I get a bit worried about the genre's future, but then a fresh face like Rob Schmidt comes along and gives me hope. This one is a keeper, and please bring Schmidt back for season 3!

A:
positive
****