Background: Arthur Asher Miller (October 17, 1915 - February 10, 2005) was an American playwright, essayist, and figure in twentieth-century American theater. Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953) and A View from the Bridge (1955, revised 1956). He also wrote several screenplays and was most noted for his work on The Misfits (1961). The drama Death of a Salesman has been numbered on the short list of finest American plays in the 20th century alongside Eugene O'Neill's Long Day's Journey into Night and Tennessee Williams's A Streetcar Named Desire.
Context: The Arthur Miller Foundation was founded to honor the legacy of Miller and his New York City Public School Education. The mission of the foundation is: "Promoting increased access and equity to theater arts education in our schools and increasing the number of students receiving theater arts education as an integral part of their academic curriculum." Other initiatives include certification of new theater teachers and their placement in public schools; increasing the number of theater teachers in the system from the current estimate of 180 teachers in 1800 schools; supporting professional development of all certified theater teachers; providing teaching artists, cultural partners, physical spaces, and theater ticket allocations for students. The foundation's primary purpose is to provide arts education in the New York City school system. The current chancellor of the foundation is Carmen Farina, a large proponent of the Common Core State Standards Initiative. Alec Baldwin, Ellen Barkin, Katori Hall, Dustin Hoffman, Scarlett Johansson, Tony Kushner, Michael Mayer, Jim McElhinney, Julianne Moore, Liam Neeson, Lynn Nottage, David O. Russell, Liev Schreiber all serve on the Master Arts Council. Son-in-law Daniel Day-Lewis serves on the current board of directors. The foundation celebrated Miller's 100th birthday with a one-night-only performance of Miller's seminal works in November 2015. The Arthur Miller Foundation currently supports a pilot program in theater and film at the public school Quest to Learn in partnership with the Institute of Play. The model is being used as an in-school elective theater class and lab. The objective is to create a sustainable theater education model to disseminate to teachers at professional development workshops.
Question: anyone else?
Answer: Alec Baldwin, Ellen Barkin, Katori Hall, Dustin Hoffman, Scarlett Johansson, Tony Kushner,

Problem: Background: Yelberton Abraham Tittle Jr. (October 24, 1926 - October 8, 2017), better known as Y. A. Tittle, was a professional American football quarterback. He played in the National Football League (NFL) for the San Francisco 49ers, New York Giants, and Baltimore Colts, after spending two seasons with the Colts in the All-America Football Conference (AAFC). Known for his competitiveness, leadership, and striking profile, Tittle was the centerpiece of several prolific offenses throughout his seventeen-year professional career from 1948 to 1964. Tittle played college football for Louisiana State University, where he was a two-time All-Southeastern Conference (SEC) quarterback for the LSU Tigers football team.
Context: Tittle threw the ball from a sidearm, almost underhand position, something novel at those times, though it was common practice in earlier decades. It was this seemingly underhand style that drew the curiosity and admiration of many fans. In tandem with his baldness--for which he was frequently referred to as the "Bald Eagle"--he made for a very striking personality. Despite his throwing motion, he had a very strong and accurate arm with a quick release. It was because of his quick release and ability to read defenses that he became one of the best screen passers in the NFL. He was a perfectionist and highly competitive, and he expected the same of his teammates. He possessed rare leadership and game-planning skills, and played with great enthusiasm even in his later years. "Tittle has the attitude of a high school kid, with the brain of a computer," said Giants teammate Frank Gifford. Baltimore Colts halfback Lenny Moore, when asked in 1963 to compare Tittle and Colts quarterback Johnny Unitas, said: I played with Tittle in the Pro Bowl two years ago, and I discovered he's quite a guy ... He and John, however, are entirely different types ... Tittle is a sort of 'con man' with his players ... he comes into a huddle and 'suggests' that maybe this or that will work on account of something he saw happen on a previous play ... The way he puts it, you're convinced it's a good idea and maybe it will work. John, now, he's a take-charge guy ... He tells you what the other guy's going to do, what he's going to do, and what he wants you to do. Tittle's most productive years came when he was well beyond his athletic prime. On his ability to improve with age, he credited a feel for the game that came from his years of experience in the league. "If you could learn it by studying movies, a good smart college quarterback could learn all you've got to learn in three weeks and then come in and be as good as the old heads," he told Sports Illustrated in 1963. "But they can't."
Question: what was the profile?
Answer:
Tittle threw the ball from a sidearm, almost underhand position, something novel at those times,