Problem: Born into a Bosniak family near Tuzla, SR Bosnia and Herzegovina, she grew up in Brcko, the youngest child of Abid Jahic (c. 1928 - 22 October 2010) and Ifeta (nee Smajlovic; 15 April 1934 - 21 November 2014). Both of her parents are originally from villages near Srebrenik; her father was born in Jezinac and her maternal family hailed from Cehaje. Fahreta grew up in a Muslim home with sister Faketa and brother Faruk. At the start of the Bosnian War in 1992, her sister Faketa escaped to Canada, where she lives today, while Brena stayed in Belgrade where she had been living since 1980.

1984 saw Brena and her band begin a cooperation with a new manager and producer, Raka Dokic. Bato, Bato, their third album, was released the same year. A new provocative image was accompanied by a new musical style, different from the one fostered by Popovic. Later that year, they held a concert in neighboring Romania, at the stadium in Timisoara to an audience of 65,000, what was at time among the most successful concerts of a Yugoslav musician outside their home country. Their next three albums, Pile moje (1985) and Voli me, voli and Uske pantalone (both 1986) would propel her to the throne of the Yugoslav music scene. Along with these albums, Brena established a cooperation with Serbian folk star Miroslav Ilic and recorded a collaborative extended play Jedan dan zivota, which featured four songs, including a romantic duet called "Jedan dan zivota", and the song "Zivela Jugoslavija", which was received with a mixed response. The latter song was in line with Brena's only official political stance: an uncompromising support of a united Yugoslavia, with her becoming a symbol of this view. By the end of 1986, Lepa Brena had become the star of Belgrade social jet-set, and the most successful public figure in Yugoslavia. Brena's manager Raka Dokic came up with the idea that her seventh studio album should be followed by a movie in which she would play the lead role. This idea was successfully implemented in 1987 when the motion picture Hajde da se volimo was filmed. The movie had the same name as the album. Many then-popular Yugoslav actors co-starred in the film, including Dragomir Gidra Bojanic, Milutin Karadzic, Velimir Bata Zivojinovic, Milan Strljic, etc. During the premiere of the film on 24 October 1987, Brena met her future husband, Serbian tennis star Slobodan Zivojinovic. Based on the success of the original, two sequels were produced: Hajde da se volimo 2 (1989) and Hajde da se volimo 3 (1990), which was followed by the studio album Boli me uvo za sve. Boli me uvo za sve also had multiple hit songs including "Cik pogodi", "Bice belaja", "Tamba Lamba", and the title track. Their eighth studio album Cetiri godine was released on 1 October 1989 and contained the controversial song Jugoslovenka with Bosnian rock musician Alen Islamovic. The music video for the pop-folk song Cuvala me mama was filmed on the Croatian island Lopud. Lepa Brena and Slati Greh held more than 350 concerts yearly, and would often hold two concerts in one day. They set a record by holding thirty-one concerts consecutively at Dom Sindikata, and seventeen concerts consecutively at the Sava Center. On 24 July 1990, Brena was lowered with a helicopter at Levski stadium in Sofia, Bulgaria, and held her then-most-attended concert with an audience of 110,000 people. While she was in Bulgaria in July 1990, she met with the Bulgarian mystic Baba Vanga.

Who is Slati Greh?

Answer with quotes: her band

Question:
Sherman was born in Chicago, to Percy Copelon and Rose Sherman. Percy was an auto mechanic and race car driver who, like his son, suffered from obesity (he weighed over 350 pounds), and died while attempting a 100-day diet. His family was Jewish. Sherman's parents divorced when he was in grade school, and the son adopted his mother's maiden name.
One track from My Son, the Nut, a spoof of summer camp entitled "Hello Muddah, Hello Fadduh", became a surprise novelty hit, reaching No. 2 on the national Billboard Hot 100 chart for three weeks in late summer 1963. The lyrics were sung to the tune of one segment of Ponchielli's Dance of the Hours, familiar to the public because of its use in the Walt Disney film Fantasia. That December, Sherman's "The Twelve Gifts of Christmas" single appeared on Billboard's separate Christmas chart. Sherman had one other Top 40 hit, a 1965 take-off on the Petula Clark hit "Downtown" called "Crazy Downtown", which spent one week at #40. Two other Sherman singles charted in the lower regions of the Billboard 100: an updated "Hello Mudduh, Hello Fadduh" (#59 in 1964), and "The Drinking Man's Diet" (#98 in 1965). Sherman's "The End of a Symphony", spotlighting Arthur Fiedler's Boston Pops Orchestra, reached #113 on the "Bubbling Under" chart in 1964, but did not make the Hot 100. The songs on Sherman's next album My Name Is Allan (1965) were thematically connected: except for a couple of original novelty songs with music by Sherman and Busch, all the songs on the album are parodies of songs that had won, or were nominated for, the Academy Award for Best Song. They included "That Old Black Magic", "Secret Love", "The Continental", "Chim Chim Cher-ee" and "Call Me Irresponsible". The cover of the album bore a childhood photograph of Sherman. That, and the album's title, were references to Barbra Streisand's album My Name Is Barbra, released earlier that year, which featured a cover photograph of the singer as a young girl. During his brief heyday, Sherman's parodies were so popular that he had at least one contemporary imitator: My Son the Copycat was an album of song parodies performed by Stanley Ralph Ross, co-written by Ross and Bob Arbogast. Lest there be any doubt of whom Ross is copying, his album's cover bears a crossed-out photo of Sherman. One of the songs on this album is a fat man's lament, "I'm Called Little Butterball", parodying "I'm Called Little Buttercup" from Gilbert and Sullivan's operetta HMS Pinafore. Sherman would later parody this same song as "Little Butterball" - with the same subject matter - on his album Allan in Wonderland. The song may have had more poignancy for Sherman, as he, unlike Stanley Ross, was genuinely overweight. Sherman also parodied Gilbert and Sullivan's "Titwillow" from The Mikado, in the song "The Bronx Bird-Watcher" (on My Son, the Celebrity), as well as several other Gilbert and Sullivan songs.
Answer this question using a quote from the text above:

What songs were released?

Answer:
One track from My Son, the Nut, a spoof of summer camp entitled "Hello Muddah, Hello Fadduh", became a surprise novelty hit,