input: Kidd was traded to the Phoenix Suns with Tony Dumas and Loren Meyer for Michael Finley, A. C. Green, and Sam Cassell during the 1996-97 season. In his first full season with the Suns in 1997-98, the team's win total improved by 16 games. The Suns, who finished the season with a 56-26 record, had been recognized for their fast-paced style of play with Kidd frequently leading a small lineup of four guards (Kidd, Kevin Johnson, Rex Chapman and Steve Nash) being on the floor at the same time together with Antonio McDyess playing at center. In the 1998-99 season, Kidd averaged 10.8 assists per game to dethrone Washington's Rod Strickland as the league's assists leader. He also led the NBA with seven triple-doubles (the rest of the league had just 11) and was second in the NBA with 41.2 minutes per game (behind Allen Iverson's 41.5 mpg). Kidd averaged career highs in points (16.9 ppg), field goal percentage (.444), rebounds (6.8 rpg, best among NBA guards) and steals (2.28 spg, fourth in the NBA) and was the only player to be ranked among the top 50 in the NBA in 10 different statistical categories. The Suns won all seven of the games in which he had triple-doubles. The Suns acquired Penny Hardaway from the Orlando Magic before the start of the 1999-00 season in hope of creating the best backcourt duo in the league. Combination of Kidd and Hardaway in the starting lineup was often labeled as the BackCourt 2000. Despite a decent 53-29 record, the Suns' season was spoiled by injuries to both of their superstars. Kidd, who broke his ankle late in the regular season, returned during the playoffs to help his team to beat the defending champion San Antonio Spurs and advance to the second round for the first time in his career. The 2000-01 season was affected by Kidd's personal problems as he was charged with domestic abuse of his wife. The Suns, who struggled in the middle part of the season, finished strongly with a 15-6 record to secure another 50-win season. Kidd took on more of the offensive load after his teammates encouraged him to be more selfish. He recorded 30-plus points six times on the year and five times in the last 19 games. In one particular hot stretch, he scored 36, 32 and 31 in three consecutive games in mid-March, prior to which he had never recorded consecutive 30-point games. During his stay in Phoenix, Kidd made the All-Star Game in 1998, 2000, and 2001 (in 1999 it was not held because of a lockout) and led the NBA in assists for three consecutive years (1999-2001). It was also with the Suns that Kidd rose to the status of the league's best playmaker as he was voted to the All-NBA First Team three years in a row (1999-2001). On June 28, 2001, after five seasons in Phoenix in which the team made the playoffs each year, he was traded, along with Chris Dudley, to the New Jersey Nets for Stephon Marbury, Johnny Newman, and Soumaila Samake.

Answer this question "Are there any other interesting aspects about this article?"
output: in 1998, 2000, and 2001 (in 1999 it was not held because of a lockout) and led the NBA in assists for three consecutive years (1999-2001).

input: At his mother's house, Ellison saw an advertisement on Adult Swim/Cartoon Network asking for song submissions. He sent some in, under the name Flying Lotus (a moniker inspired by lucid dreaming) and was accepted. Around this time, he was interning at the pioneering hip hop label Stones Throw Records. Days were spent in their offices, and nights were spent at his grandmothers, working on the music that would become his debut album: 1983. The record (released on LA indie label Plug Research) was an early touchstone for Ellison's eclectic creative mission, forging compressed, spacey and Eastern sounding hip-hop beats, that summoned Madlib as much as Dntel, while sampling as far back as 70s Japanese proto-synthpop and 60s jazz harp. It would also feature Laura Darlington, who went on to become a vocal fixture of future albums. In 2006, Ellison participated in that year's annual Red Bull Music Academy, which took place in Melbourne, Australia. In 2007, he announced on CSU-Fullerton's Titan Radio that he signed with Warp Records (home to Prefuse 73, Autechre, Boards of Canada, and Aphex Twin). Following his Warp debut, the six-track Reset EP, he quickly became one of the label's cornerstone artists and released his second studio album, titled Los Angeles, on June 10, 2008. His first release on Warp, Reset EP, gave his new audience a taste of the steady grooves and darker breaks that had earned him the move. As Ellison's profile rose, he decided to commandeer the limelight by launching his own label, Brainfeeder, to house his friends (Samiyam, Ras G, etc.) and unite a large section of the LA beat scene under one label.

Answer this question "what was this adult swim they speak of?"
output: At his mother's house, Ellison saw an advertisement on Adult Swim/Cartoon Network asking for song submissions.

input: Described by Doug Bradley as stronger than Jason Voorhees and Michael Myers, Pinhead is an extremely powerful being, and as such, has several supernatural abilities. His preferred method of attack is by summoning hooks and chains to mutilate victims, often pulling said victims in several directions to tear them apart. These chains are subject to his total mental control and he may direct them at will. The chains may even change shape after having attached to a victim. Pinhead is highly resistant to damage and direct assault, being able to resist both gunshots and futuristic energy weapons. His magic is also used for creating objects out of thin air, teleporting, creating explosions at distances and deceiving opponents with illusions. He is capable of creating other cenobites from both living and dead victims. In order to act in the physical world, Pinhead needs to have been purposely summoned through the Lament Configuration, though this in itself is not usually enough for Pinhead to target the puzzle-solver: in Hellbound: Hellraiser II, Pinhead stops the Cenobites from torturing an emotionally traumatised girl who was manipulated as a proxy into opening the Configuration, remarking "...it is not hands that call us, it is desire." In Hell on Earth, he temporarily eliminates these restraints when he is separated from the part of him that is Elliot Spencer, wreaking havoc indiscriminately upon every human subject he encounters until he is finally defeated when Spencer willingly merges with Pinhead once again, the combination binding Pinhead as Spencer keeps his extremes in check. During this incident his powers were apparently expanded beyond their normal limits allowing him to physically warp reality to his will. Pinhead at first has no memory of his human past, though is reminded of it in Hellbound: Hellraiser II, which results in what screenwriter Peter Atkins described as him being "spiritually weakened" and subsequently killed by the Chanard Cenobite.

Answer this question "What are his powers?"
output:
His preferred method of attack is by summoning hooks and chains to mutilate victims,