IN: Kurtis Eugene Warner (born June 22, 1971) is a former American football quarterback. He played for three National Football League (NFL) teams: the St. Louis Rams, the New York Giants, and the Arizona Cardinals. He was originally signed by the Green Bay Packers as an undrafted free agent in 1994 after playing college football at Northern Iowa. Warner went on to be considered the best undrafted NFL player of all time, following a 12-year career regarded as one of the greatest stories in NFL history.

Warner announced his desire to return to the Cardinals for the 2009 season. The Cardinals offered him a two-year contract worth around $20 million but Warner was looking for a contract that would pay him about $14 million a year and the two sides could not come to an agreement. On February 27, 2009 Warner became a free agent and went on to have talks with the San Francisco 49ers. The 49ers offered Warner a contract worth more than that offered by the Cardinals. On March 4, Warner re-signed with the Cardinals to a two-year deal worth $23 million total, $4 million for each of the next two years, with a $15 million signing bonus, and $19 million guaranteed. Warner underwent arthroscopic hip surgery to repair a torn labrum on March 17, 2009. On September 20, 2009, Warner broke the NFL's single-game record for completion percentage in the regular season, completing 24 of 26 passing for 243 yards and two touchdowns. Warner's 92.3 percent completion rate broke the previous NFL record set by Vinny Testaverde in 1993. On November 1, 2009, Warner threw a career-high-equaling five interceptions during a loss to the Carolina Panthers. During the same game Warner became the first quarterback in the NFL to throw for over 14,000 yards with two different teams. On November 8, Warner equaled his career-high of five touchdown passes in a single game during a 41-21 victory over the Chicago Bears. This performance led to Warner being named both the NFC Offensive Player of the Week and the FedEx Air NFL Player of the Week. On November 15, 2009, Warner reached a career milestone with his 200th touchdown pass during a 31-20 win against the Seattle Seahawks. On November 22, 2009, during a 21-13 victory over the St. Louis Rams, Warner left the game after suffering a concussion. Warner continued to suffer from post-concussion symptoms and on November 29, 2009, he was deactivated against the Tennessee Titans, breaking his consecutive starts streak at 41 straight games. On December 6, 2009, Warner returned to action as the Cardinals defeated the Minnesota Vikings 30-17. Warner registered his fourth consecutive game with a passer rating of 120 or better, making him only the second quarterback in NFL history to accomplish the feat. After his three-touchdown performance, Warner was named both the NFC Offensive Player of the Week and the FedEx Air NFL Player of the Week. On December 27, 2009, Warner became only the second quarterback in NFL history to throw 100 touchdown passes with two different teams (Hall of Famer Fran Tarkenton is the other), in the Cardinals' 31-10 win over the St. Louis Rams. On December 29, 2009, Warner was named an alternate quarterback for the NFC team in the 2010 Pro Bowl.

what team was kurt in , in 2009?

OUT: return to the Cardinals for the 2009 season.

IN: Odissi (Odia: odd'ishii Odisi), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha - an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism (Vishnu as Jagannath). Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism, Buddhism and Jainism.

After 12th-century, Odia temples, monasteries and nearby institutions such as the Nalanda in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (1360-1361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khurda. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannath temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations". Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were dehumanized and stigmatized as prostitutes during the British period. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma.

What role did the Odissi dancers play during the British rule?

OUT:
the temple dancers were moved to entertain the Sultan's family and courts.