input: Please answer the following: Please answer the following question about this movie plot. If it's un-answerable, please output "No answer". Question: What was Ric's occupation? Movie plot title: The Cove Movie plot: The film follows former dolphin trainer and activist Ric O'Barry's quest to document the dolphin hunting operations in Taiji, Wakayama, Japan. In the 1960s, O'Barry helped capture and train the five wild dolphins who shared the role of "Flipper" in the hit television series of the same name. The show, very popular, fueled widespread public adoration of dolphins, influencing the development of marine parks that included dolphins in their attractions. After one of the dolphins, in O'Barry's opinion, committed a form of suicide in his arms by closing her blowhole voluntarily in order to suffocate, O'Barry came to see the dolphin's captivity and the dolphin capture industry as a curse, not a blessing. Days later, he was arrested off the island of Bimini, attempting to cut a hole in the sea pen in order to set free a captured dolphin.[7] Since then, according to the film, O'Barry has dedicated himself full-time as an advocate on behalf of dolphins around the world. After meeting with O'Barry, Psihoyos and his crew travel to Taiji, Japan, a town that appears to be devoted to dolphins and whales. In a nearby, isolated cove, however, surrounded by wire fences and "Keep Out" signs, an activity takes place that the townspeople attempt to hide from the public. In the cove, a group of Taiji fishermen engage in dolphin drive hunting. The film states that the dolphin hunt is, in large part, motivated by the tremendous revenue generated for the town by selling some of the captured dolphins, female bottlenose dolphins, to aquariums and marine parks and killing the majority of the rest. The dolphins that are not sold into captivity are then slaughtered in the cove and the meat is sold in supermarkets. According to the evidence presented in the film, the local Japanese government officials are involved in the hiding of the hunting, and the Japanese public is not fully aware of the hunt and the marketing of dolphin meat. The film states that the dolphin meat contains dangerously high levels of mercury and interviews two local...
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output: Dolphin Trainer

input: Please answer the following: Please answer the following question about this movie plot. If it's un-answerable, please output "No answer". Question: Who has been poaching on Hazell's land? Movie plot title: Danny, the Champion of the World Movie plot: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (August 2016) (Learn how and when to remove this template message) In 1955, William Smith (Jeremy Irons), a widower, lives with his nine-year-old son, Danny (Samuel Irons), in a vardo behind the filling station and garage where he works in the English countryside. The land that the station and garage is built upon is coveted by businessman Victor Hazell (Robbie Coltrane), who owns the surrounding land and lives in a large mansion several miles away. He attempts to buy the Smiths' land, but William turns down his offers. Used to getting his own way, he begins a campaign of harassment, trying to force them off their land. Several inspectors from the local council come and assess William's property, and it becomes obvious that Hazell has sent them there by alerting them with false stories. William decides to poach Hazell's prized game pheasants in retribution, using raisins to lure them out, but comes home empty handed; Danny had detected his absence and was relieved to see him return. Afterwards, he reveals that he was out poaching. A while afterwards, William informs Danny that he will be going out poaching again at night. Danny wakes up during the night, detects his absence (he had promised to be back three hours before), and decides to go and look for him. He heads for the forest at the wheel of a vintage Austin Seven that William had been repairing, but on the way there he passes a police car, which turns around to pursue him after the officers realized that the car was being driven by an underage driver. He manages to shake them off by darting through a gap in the roadside hedges and driving along a country lane until he reaches the forest. He then spots two gamekeepers and hides from them, but then he hears them talking to someone in a deep hole in the ground; when they walk off to tell Hazell, Danny goes over and finds that the man in the hole is William,...
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output: William

input: Please answer the following: Please answer the following question about this movie plot. If it's un-answerable, please output "No answer". Question: Where was Stella from? Movie plot title: A Streetcar Named Desire Movie plot: Elia Kazan,who directed the Broadway play on which the black and white film is based, invited Marlon Brando, the male lead, and Kim Hunter and Karl Malden, his supporting cast, to repeat their Broadway triumphs in the film remake.Brando plays Stanley, a poor boy who grew up tainted by ethnic slurs, made financially stable by the fortunes of the second world war. He does well as a blue collar travelling salesman, moves to New Orleans and marries Stella (Hunter), daughter of an Aristocratic MIssissippi family anxious to escape the war;s invitable destruction of her family's land, wealth, property and social status. Stanley has never met his sister-in-law Blanche, the female lead of the play ,Vivien Leigh in the movie remake. Blanche arranges a visit to see her sister in New Orleans and shows up on Stanley's doorstop obviously annoyed that there is neither a guest bedroom for herself nor a master bedroom for her sister and brother-in-law, in their cramped, dingy apartment in a bustling quarter of the city. The tensions of wartime emergency cohabitation of family members somehow forced to move in with each other in tight, cramped quarters because of the fortunes of war are noted when it is obvious that Blanche and Stanley immediately get on each others' nerves, especially when Blanche, who passes herself off as the only Aristocrat in her new neighborhood, is the only one in her new neighborhood who actually resorts to tough bar language and ethnic slurs in passing conversation. This becomes no ordinary domestic quarrel when their tensions escalate beyond a war of words to hurtful, spiteful deeds and then to climatic physical violence. Hollywood icons Marlon Brando and Vivien Leigh are given close, tight photography in their lengthy scenes of escalating conflict, played with such deep insight and such technical brilliance that the audience is given pause, from moment to moment. to decide whether one really has a point and the other should really be apprehended by the authorities. Stanley first wants to know why...
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output:
Mississippi