Some context: Paul Klee (German: [paUl 'kle:]; 18 December 1879 - 29 June 1940) was a Swiss German artist. His highly individual style was influenced by movements in art that included Expressionism, Cubism, and Surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures Writings on Form and Design Theory (Schriften zur Form und Gestaltungslehre), published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci's A Treatise on Painting for the Renaissance. He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture.
During his twelve-day educational trip to Tunis in April 1914 Klee produced with Macke and Moilliet watercolor paintings, which implement the strong light and color stimulus of the North African countryside in the fashion of Paul Cezanne and Robert Delaunays' cubistic form concepts. The aim was not to imitate nature, but to create compositions analogous to nature's formative principle, as in the works In den Hausern von Saint-Germain (In the Houses of Saint-Germain) and Strassencafe (Streetcafe). Klee conveyed the scenery in a grid, so that it dissolves into colored harmony. He also created abstract works in that period such as Abstract and Farbige Kreise durch Farbbander verbunden (Colored Circles Tied Through Inked Ribbons). He never abandoned the object; a permanent segregation never took place. It took over ten years that Klee worked on experiments and analysis of the color, resulting to an independent artificial work, whereby his design ideas were based on the colorful oriental world. Fohn im Marc'schen Garten (Foehn at Marc's Garden) was made after the Turin trip. It indicates the relations between color and the stimulus of Macke and Delaunay. Although elements of the garden are clearly visible, a further steering towards abstraction is noticeable. In his diary Klee wrote the following note at that time: In the large molding pit are lying ruins, on which one partially hangs. They provide the material for the abstraction. [...] The terrible the world, the abstract the art, while a happy world produces secularistic art. Under the impression of his military service he created the painting Trauerblumen (Velvetbells) in 1917, which, with its graphical signs, vegetal and phantastic shapes, is a forerunner of his future works, harmonically combining graphic, color and object. For the first time birds appear in the pictures, such as in Blumenmythos (Flower Myth) from 1918, mirroring the flying and falling planes he saw in Gersthofen, and the photographed plane crashes. In the 1918 watercolor painting Einst dem Grau der Nacht enttaucht, a compositional implemented poem, possible written by Klee, he incorporated letters in small, in terms of color separated squares, cutting off the first verse from the second one with silver paper. At the top of the cardboard, which carries the picture, the verses are inscribed in manuscript form. Here, Klee did not lean on Delaunay's colors, but on Marc's, although the picture content of both painters does not correspond with each other. Herwarth Walden, Klee's art dealer, saw in them a "Wachablosung" (changing of the guard) of his art. Since 1919 he often used oil colors, with which he combined watercolors and colored pencil. The Villa R (Kunstmuseum Basel) from 1919 unites visible realities such as sun, moon, mountains, trees and architectures, as well as surreal pledges and sentiment readings.
What is a good example of strong light and color stimulus?
A: works In den Hausern von Saint-Germain (In the Houses of Saint-Germain) and Strassencafe (Streetcafe).

Some context: Stephanie Lynn Nicks (born May 26, 1948) is an American singer-songwriter who is often referred to as the Queen of Rock and Roll. Nicks is best known for her work with Fleetwood Mac, and for her chart-topping solo career. She is known for her distinctive voice, mystical stage persona and poetic, symbolic lyrics. Collectively, her work both as a member of Fleetwood Mac and as a solo artist has produced over 40
Stephanie "Stevie" Nicks was born at Good Samaritan Hospital in Phoenix, Arizona, to Jess Nicks (July 2, 1925 - August 10, 2005), former president of Greyhound's Armour-Dial, and Barbara Nicks (November 12, 1927 - December 29, 2011), a homemaker. Nicks's grandfather, Aaron Jess "A.J." Nicks, Sr. (May 18, 1892 - August 1, 1974), a struggling country music singer, taught Nicks to sing duets with him by the time she was four years old. Nicks's mother was so protective that she kept her at home "more than most people" and during that time fostered in her daughter a love of fairy tales. The infant Stephanie could pronounce her own name only as "tee-dee," which led to her nickname of "Stevie". Her father's frequent relocation as a food business executive had the family living in Phoenix, Albuquerque, El Paso, Salt Lake City, Los Angeles, and San Francisco during Nicks's youth. With the Goya guitar that she received for her 16th birthday, Nicks wrote her first song, "I've Loved and I've Lost, and I'm Sad But Not Blue". She spent her adolescence playing records constantly, and lived in her "own little musical world." While attending Arcadia High School in Arcadia, California, she joined her first band, the Changing Times, a folk rock group focused on vocal harmonies. Nicks first met her future musical and romantic partner, Lindsey Buckingham, during her senior year at Menlo-Atherton High School. When she saw Buckingham playing "California Dreamin'" at Young Life club, she joined him in harmony. She later recalled, "I was a senior in high school and Lindsey was a junior. And we went to a Young Life meeting - which was a religious meeting that simply got you out of the house on Wednesday nights - and um, he was there and I was there and we sat down and played California Dreaming. I thought he was a darling. I didn't see him again for two years and he called me up and asked if I wanted to be in a band... And so, I was in this band with him for three and a half years - a band called Fritz." Buckingham was in a psychedelic rock band named Fritz, but two of its musicians were leaving for college. He asked Nicks in mid-1967 to replace the lead singer, a guitarist named Jody Moreing. For the next three years Fritz was composed of Nicks on lead vocals, Buckingham on bass and vocals, Brian Kane on lead guitar, Javier Pacheco on keyboards, and Bob Aguirre on drums. Pacheco was the main songwriter in the group, with a psychedelic bent, but Nicks's own compositions brought a country rock flair to the group. Fritz became popular as a live act when it opened for both Jimi Hendrix and Janis Joplin from 1968 until 1971. Nicks credits each of those acts as having inspired her own stage intensity and performance. Both Nicks and Buckingham attended San Jose State University, where Nicks majored in speech communication and planned to become an English teacher. Nicks dropped out of college the semester before graduation.
What was the first band that she joined?
A:
she joined her first band, the Changing Times, a folk rock group focused on vocal harmonies.