Question: Cooper was born on May 7, 1901, in Helena, Montana to Alice (nee Brazier, 1873-1967) and Charles Henry Cooper (1865-1946). His father had emigrated from Houghton Regis, Bedfordshire and was a prominent lawyer, rancher, and (later) a Montana Supreme Court justice. His mother had emigrated from Gillingham, Kent and married Charles in Montana. In 1906, Charles purchased the 600-acre (240 ha) Seven-Bar-Nine cattle ranch about fifty miles (eighty kilometers) north of Helena near the town of Craig on the Missouri River.

In early 1925, Cooper began his film career in silent pictures such as The Thundering Herd and Wild Horse Mesa with Jack Holt, Riders of the Purple Sage and The Lucky Horseshoe with Tom Mix, and The Trail Rider with Buck Jones. He worked for several Poverty Row studios, including Famous Players-Lasky and Fox Film Corporation. While his skilled horsemanship led to steady work in Westerns, Cooper found the stunt work--which sometimes injured horses and riders--"tough and cruel". Hoping to move beyond the risky stunt work and obtain acting roles, Cooper paid for a screen test and hired casting director Nan Collins to work as his agent. Knowing that other actors were using the name "Frank Cooper", Collins suggested he change his first name to "Gary" after her hometown of Gary, Indiana. Cooper immediately liked the name. Cooper also found work in a variety of non-Western films, appearing, for example, as a masked Cossack in The Eagle (1925), as a Roman guard in Ben-Hur (1925), and as a flood survivor in The Johnstown Flood (1926). Gradually, he began to land credited roles that offered him more screen time, in films such as Tricks (1925), in which he played the film's antagonist, and the short film Lightnin' Wins (1926). As a featured player, he began to attract the attention of major film studios. On June 1, 1926, Cooper signed a contract with Samuel Goldwyn Productions for fifty dollars a week. Cooper's first important film role was in The Winning of Barbara Worth (1926) with Ronald Colman and Vilma Banky, in which he plays a young engineer who helps a rival suitor save the woman he loves and her town from an impending dam disaster. Cooper's experience living among the Montana cowboys gave his performance an "instinctive authenticity", according to biographer Jeffrey Meyers. The film was a major success. Critics singled out Cooper as a "dynamic new personality" and future star. Goldwyn rushed to offer Cooper a long-term contract, but he held out for a better deal--finally signing a five-year contract with Jesse L. Lasky at Paramount Pictures for $175 a week. In 1927, with help from Clara Bow, Cooper landed high-profile roles in Children of Divorce and Wings, the latter being the first film to win an Academy Award for Best Picture. That year, Cooper also appeared in his first starring roles in Arizona Bound and Nevada--both films directed by John Waters. In 1928, Paramount paired Cooper with a youthful Fay Wray in The Legion of the Condemned and The First Kiss--advertising them as the studio's "glorious young lovers". Their on-screen chemistry failed to generate much excitement with audiences. With each new film, Cooper's acting skills improved and his popularity continued to grow, especially among female movie-goers. During this time, he was earning as much as $2,750 per film and receiving a thousand fan letters a week. Looking to exploit Cooper's growing audience appeal, the studio placed him opposite popular leading ladies such as Evelyn Brent in Beau Sabreur, Florence Vidor in Doomsday, and Esther Ralston in Half a Bride. That year, Cooper also made Lilac Time with Colleen Moore for First National Pictures, his first movie with synchronized music and sound effects. It became one of the most commercially successful films of 1928.

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?
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Answer: During this time, he was earning as much as $2,750 per film

Question: Todd Bertuzzi (born February 2, 1975) is a Canadian retired professional ice hockey winger of the National Hockey League (NHL). Known as a power forward, he has played in the NHL for the New York Islanders, Vancouver Canucks, Florida Panthers, Anaheim Ducks, Calgary Flames and Detroit Red Wings. Selected 23rd overall by the New York Islanders in the 1993 NHL Entry Draft, he played at the junior level with the Guelph Storm of the Ontario Hockey League (OHL) for four seasons.

Two years after his draft, Bertuzzi and the Islanders had not yet been agreed to a contract. With Bertuzzi eligible to re-enter the draft if the Islanders did not sign him by July 7, 1995, general manager Don Maloney made it apparent that he would use the team's second overall pick in the 1995 NHL Entry Draft to select him again if a contract could not be agreed upon by the required date. Moments before the midnight deadline, the Islanders were able to sign Bertuzzi to a four-year, US$4.6 million contract. His agent, Pat Morris, had reportedly wanted a similar deal to that of fellow Islanders prospect Brett Lindros - a five-year, $6.7 million contract signed the previous summer. During training camp in September 1995, Islanders head coach Mike Milbury heralded Bertuzzi as the team's best performing forward. Making his NHL debut on October 7, 1995, he scored a wrap around goal against goaltender Blaine Lacher in a 4-4 tie with the Boston Bruins. Beginning the season on the team's top line with Zigmund Palffy and Travis Green, Bertuzzi finished his rookie year with 18 goals and 39 points over 76 games. The following season, Bertuzzi recorded 23 points in 64 games. The Islanders did not qualify for the playoffs in either of his two full seasons with the club, ranking second-last in the Eastern Conference in 1995-96 and 1996-97. Bertuzzi's playing style as a power forward resulted in comparisons to former Islander Clark Gillies. As a result, the club hired Gillies to personally mentor Bertuzzi. Failing to meet lofty expectations from the club, Gillies once said of Bertuzzi, "If you're built like a freight train, you can't drive around like a Volkswagen." Feeling burdened with the pressure of playing up to the club's expectations while his offensive production diminished, he requested to be traded away at one point during the 1996-97 season. In response, Milbury, who had also taken over general manager duties the previous season, demoted Bertuzzi to the Islanders' minor league affiliate, the Utah Grizzlies of the International Hockey League (IHL). Playing 13 games in the minors, he registered 10 points before being called back up to the NHL. During the 1997-98 campaign, he continued to score below his pace as a rookie. On February 6, 1998, he was traded along with defenceman Bryan McCabe and a third-round selection in the 1998 NHL Entry Draft (Jarkko Ruutu) to the Vancouver Canucks in exchange for veteran forward Trevor Linden. The deal was made prior to the NHL's roster freeze in preparation for the 1998 Winter Olympics. Bertuzzi and McCabe had both been widely regarded as the players of the future for New York after their respective drafts in 1993. While Milbury expressed regret at having to trade McCabe, relations between Bertuzzi and the club were strained. Welcoming the trade, Bertuzzi commented that "things weren't working out [in New York]."

Using a quote from the above article, answer the following question: What happened in 1995
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Answer:
Two years after his draft, Bertuzzi and the Islanders had not yet been agreed to a contract.