input: Performing the "Doughnut Dunkers" routine led to Skelton's first appearance on Rudy Vallee's The Fleischmann's Yeast Hour on August 12, 1937. Vallee's program had a talent show segment and those who were searching for stardom were eager to be heard on it. Vallee also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton. The two Hoosiers proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year. On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name. She developed a system for working with the show's writers: selecting material from them, adding her own and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939. Skelton's work in films led to a new regular radio show offer; between films, he promoted himself and MGM by appearing without charge at Los Angeles area banquets. A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients. Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits.

Answer this question "When did that take place?"
output: August 12, 1937.

input: Dream Theater's debut studio album was 1989's When Dream and Day Unite, which earned the group comparisons to well-known progressive rock bands such as Rush and Queensryche. Their big breakthrough, however, came in 1992 with the album Images and Words, featuring the band's highest charting single to date, "Pull Me Under". The song, which included lyrics by Moore, reached #10 on the Billboard Mainstream Rock Tracks chart. Following their relentless touring in support of the second album, the band also went on to release a live album, Live at the Marquee, and a video, Images and Words: Live In Tokyo. The video's extensive documentary footage would subsequently introduce many fans to Moore's ironic sense of humor. In 1994, the band released its third studio album, Awake, which was the band's highest charting album to date with Moore, reaching #32. The album featured Moore's signature song, a haunting piano-driven ballad called "Space-Dye Vest." Shortly before the album was mixed, though, Moore announced to the rest of the band that he wished to concentrate on his own musical interests and would be quitting Dream Theater. According to Portnoy, Moore became interested in the independence of working on his own as opposed to the compromise of a band environment. Although Dream Theater has since invited him to play reunion shows, Moore has said he prefers to move forward as opposed to looking back. He also declined to take part in the official Dream Theater biography titled Lifting Shadows. During his time in Dream Theater, Moore wrote the lyrics to songs on each of the band's albums and also to some of the band's demos and b-sides. On When Dream and Day Unite, he wrote "Light Fuse and Get Away" and "Only a Matter of Time." On Images and Words, he penned "Pull Me Under", "Surrounded", "Wait for Sleep", and parts of "Take the Time." On Awake, the songs "6:00", "Lie", and "Space-Dye Vest" all featured his lyrics. Demos with his lyrics include "Don't Look Past Me," the final verse of "To Live Forever '94," "A Vision," "Vital Star," and "Two Far."

Answer this question "What bands influenced Dream Theater's style?"
output: Rush and Queensryche.

input: An American version was on NBC, initially as a pilot episode on 10 November 1963, then as a series from 10 January 1964 to May 1965. The pilot featured Henry Fonda and Henry Morgan, guests Mike Nichols and Elaine May, and supporting performers including Gene Hackman. The recurring cast included Frost, Morgan, Buck Henry and Alan Alda, with Nancy Ames singing the opening song and Stanley Grover and Ames performing solos and duets; regular contributors included Gloria Steinem, William F. Brown, Tom Lehrer and Calvin Trillin. The announcer was Jerry Damon. Also a guest was Woody Allen, performing stand-up comedy; the guest star on the final broadcast was Steve Allen. A running gag was a mock feud with Jack Paar, whose own programme followed TW3 on the NBC Friday schedule; Paar repeatedly referred to TW3 as "Henry Morgan's Amateur Hour." The American version is largely a lost program, although the pilot survives and was donated to the Library of Congress by a collector. Amateur audio recordings of most episodes also survive. After the series' cancellation, Lehrer recorded a collection of his songs used on the show, That Was The Year That Was, released by Reprise Records in September 1965. In the American version, an episode showed a smiling U.S. President Lyndon B. Johnson contemplating an easy 1964 campaign against the Republican nominee, U.S. Senator Barry M. Goldwater of Arizona. The satirists sang that Goldwater could not win because he "does not know the dance of the liberal Republicans", then a substantial component of the GOP, many of whose members had supported Governor Nelson A. Rockefeller of New York for the Republican nomination. On April 21, 1985 in the United States, the ABC network aired That Was The Week That Was as a special, hosted by David Frost (also serving as an executive producer) and Anne Bancroft, and featuring future Saturday Night Live cast members Jan Hooks and A. Whitney Brown and puppetry from Spitting Image. Kristy Glass and Kevin Ruf starred in a remake of TW3 for ABC's Primetime Live in the fall of 2004. Soon after its premiere, Shelley Ross, the executive producer, was fired and TW3 ended with her dismissal.

Answer this question "Anything memorable or notable?"
output:
In the American version, an episode showed a smiling U.S. President Lyndon B. Johnson contemplating an easy 1964 campaign against the Republican nominee,