Question: Generate a question that has the following answer: Coalhouse Walker for the following movie plot: The film begins with a newsreel montage, depicting celebrities of the turn of the 20th century such as Harry Houdini, Theodore Roosevelt and the architect Stanford White (Norman Mailer), as well as life in New York City. The newsreel is accompanied by ragtime pianist Coalhouse Walker, Jr. (Howard E. Rollins, Jr.).The millionaire industrialist Harry Kendall Thaw (Robert Joy) makes a scene when White's latest creation, a nude statue on the roof of Madison Square Garden, is unveiled. The model for the statue is Evelyn Nesbit (Elizabeth McGovern), a former chorus girl who is now Thaw's wife. Thaw becomes convinced White has corrupted Evelyn and humiliated him. On the evening of June 25, 1906, Thaw confronts and publicly shoots White during a show at Madison Square Garden, killing him in cold blood before several witnesses. Thaw surrenders to the police without attempting to run.Meanwhile, an unnamed family resides in a comfortable suburban home in New Rochelle. The family's Father (James Olson) owns a factory, where his wife's Younger Brother (Brad Dourif) is employed as a fireworks maker. Their passive, sheltered existence is disturbed when an abandoned African American baby is found in their garden. The child's mother, an unmarried washerwoman named Sarah (Debbie Allen), is discovered, and brought to their home. When she learns that the police intend to charge Sarah with child abandonment and attempted murder, Mother (Mary Steenburgen) intervenes and takes Sarah and her child into the home, despite Father's objections. Some time later, Coalhouse Walker arrives at the house in search of Sarah, driving a new model T-Ford and acting in a brash manner unlike the subservient attitude expected of the African American community at the time. Realizing that he is the baby's father, he announces to a skeptical Father that he intends to marry Sarah.Younger Brother witnesses White's murder and becomes obsessed with Evelyn, leaving home for long periods of time to follow her throughout the city. Thaw's lawyer, Delphin (Pat...
Answer: Who sends a letter to the police and newspapers?
[Q]: Generate a question that has the following answer: buddy, partner in crime for the following movie plot: In an introductory scene, Leonardo da Vinci is in his studio, working on a variety of projects. The largest, a complex mechanical machine which focuses the sun's rays, is intended to turn lead into steel, but when activated, it turns out that the machine has turned the lead into something far more valuable: gold. Realizing the danger such a machine could wreak, he decides to hide the essential gemstone component, made of three pieces, by hiding them amongst his various works.In the present, Eddie "Hudson Hawk" Hawkins (Bruce Willis) is being released from Sing Sing Prison after doing 10 years, presumably for burglary. As he is checking out of prison, he is met by his corrupt parole officer, Gates, who offers to excuse him from community service in exchange for pulling off an art heist. Hudson declines, and meets his buddy (and presumable partner-in-crime) Tommy Five-Tone (Danny Aiello), who offers him his favorite drink, a cappuccino, but spills it when he slams on the brakes.The pair return to their old haunt: their co-owned bar Five-Tone in Hoboken, but when Hudson enters, he finds it converted from a comfortable hole in the wall full of working-class regulars, to an elite, upscale urban professional bistro. While attempting to enjoy a fresh cappuccino, he is interrupted by local crime bosses Cesar Mario (Frank Stallone) and Antony Mario (Carmine Zozzora), who reveal they are behind the art heist proposed by Gates, and try to pressure Hudson into doing it.Hudson decides to go through with the heist, and plans the job with Tommy, while his desires to live a straight life fight against it. Sneaking into an auction house, the duo mislead the guards by rewinding the security camera recorders, playing back earlier footage of a quiet building, while Hudson cracks the safe, retrieving a bronze statue of a horse. All the while, the duo are singing a song -- "Swinging On A Star" -- to themselves, separately, in order to keep time with each other. As they reach the end of the song, the guards discover them, but the...
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[A]: What was the relationship between Hudson Hawk and Tommy Messina?
input: Please answer the following: Generate a question that has the following answer: the much mythologized Australian film renaissance of the 1970s for the following movie plot: NOT QUITE HOLLYWOOD SynopsisThe much mythologized Australian film renaissance of the 1970s has been well documented. It was an era that produced such seminal films as Sunday Too Far Away, Picnic At Hanging Rock and My Brilliant Career.But do we know the whole story?This film looks at a period when a lifetime of savage-censorship suddenly ended. Australian cinema broke the shackles of a staid, highly conservative society and started producing films dedicated to entertaining a mass audience.An abundance of free-wheelin sex romps, blood-soaked terror tales and high-octane action extravaganzas were released and found enthusiastic audiences around the World.It was a time when Australias cinematic heroes were possessed with white-line fever, their heroines were well-stacked and sexually liberated, and the death-defying stuntwork was indeed truly death-defying!Welcome to NOT QUITE HOLLYWOOD" - the wild, wonderful, untold story of OZPLOITATION cinema a time when Australian cinema got its gear off and showed the world a full-frontal explosion of sex, violence, horror and foot-to-the-floor, full bore action!This is not your usual documentary full of boring anecdotes by dull historians, instead these are the real stories from the people who were there - wild, trail-blazing cinematic mavericks who snubbed their nose at authority, made their own rules and in the process introduced the car chase, karate kick, BMX bikes and water-bed to Oz cinema.Jam packed full of outrageous anecdotes, lessons in guerrilla-style filmmaking, a smattering of International names (including Ozploitation devotee Quentin Tarantino) and a genuine, infectious love of Australian cinema, NOT QUITE HOLLYWOOD is a pacy, entertaining, journey through a forgotten cinematic era unashamedly packed full of boobs, pubes, tubes and a little kung fu.
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output:
What does the film document?