Background: Rahul Bose was born to Rupen and Kumud Bose on 27 July 1967. He describes himself as "...half Bengali; one-fourth Punjabi and one-fourth Maharashtrian." Bose's first acting role was at age six when he played the lead in a school play, Tom, the Piper's Son.
Context: Bose assisted in the relief efforts in the Andaman and Nicobar Islands after the 2004 Boxing Day tsunami. As a result of this work, Bose launched the Andaman and Nicobar Scholarship Initiative through his NGO, The Foundation. The scholarship program provides for the education of underprivileged children from the Andaman and Nicobar Islands. Bose is associated with several charitable organizations such as Teach for India, Akshara Centre, Breakthrough, Citizens for Justice and Peace and the Spastics Society of India. He is closely associated with the Teach For India movement to eradicate inequity in education. In addition, he became the first Indian Oxfam global ambassador in 2007. He is the founder and chairman of The Group of Groups, an umbrella organisation for 51 Mumbai charitable organisations and NGOs. He is also an ambassador for the American India Foundation, the World Youth Peace Movement and Planet Alert. He was also a vocal proponent of Narmada Bachao Andolan and its efforts to halt the construction of the Narmada dam. He also recorded the Terre des hommes audio book Goodgoodi karna, gale lagana; Sparsh ke niyam sikhiye (English: Tickle and hugs: Learning the touching rules), which is designed to give children resources against sexual abuse. Bose has given lectures on gender equality and human rights at Oxford and during the 2004 World Youth Peace Summit. In 2009, he toured Canada lecturing on global climate change under the auspices of Climate Action Network and demonstrated with protesters at the Copenhagen Climate Change Summit. In 2011, he worked in conjunction with Bhaichung Bhutia to raise funds for victims of the Sikkim earthquake. At the 8th convocation of BRAC University Bangladesh on 17 February 2013, Bose delivered the convocation speech.
Question: When did the foundation come to be?
Answer: after the 2004 Boxing Day tsunami.

Background: Clarence White (born Clarence Joseph LeBlanc; June 7, 1944 - July 14, 1973), was an American bluegrass and country guitarist and singer. He is best known as a member of the bluegrass ensemble the Kentucky Colonels and the rock band the Byrds, as well as for being a pioneer of the musical genre of country rock during the late 1960s. White also worked extensively as a session musician, appearing on recordings by the Everly Brothers, Joe Cocker, Ricky Nelson, Pat Boone, the Monkees, Randy Newman, Gene Clark, Linda Ronstadt, Arlo Guthrie, and Jackson Browne amongst others. Together with frequent collaborator Gene Parsons, he invented the B-Bender, a guitar accessory that enables a player to mechanically bend the B-string up a whole tone and emulate the sound of a pedal steel guitar.
Context: Clarence White helped popularize the acoustic guitar as a lead instrument in bluegrass music, building on the work of guitarists such as Doc Watson. Prior to the advent of the more aggressive flatpicking style pioneered by guitarists like Watson and White, the guitar was strictly a rhythm instrument, save for a few exceptions (such as the occasional guitar track by banjoist Don Reno). Many of the most influential flatpickers of the 20th century cite White as a primary influence, including Dan Crary, Norman Blake, and Tony Rice. Rice owns and plays White's highly modified 1935 Martin D-28. David Grier and Russ Barenberg are two other acoustic guitarists who were heavily influenced by White's guitar work. White's bluegrass playing with the Kentucky Colonels was also a considerable influence on Jerry Garcia of the Grateful Dead, who traveled with the band during 1964. On the electric side of the guitar spectrum, White was similarly influential. Together with fellow Byrds bandmember Gene Parsons, White invented the B-Bender device. This device raises the B-string (second string) of the guitar a whole step by the use of pulleys and levers attached to both the upper strap knob and the second string on the guitar. It is activated by pushing down on the neck, and produces a "pedal steel" type sound. Arlen Roth, heavily influenced by this style, did not at the time know that White and Parsons had invented a B-bender, so instead developed his own unique all-finger bending version of this technique. This was heavily documented in his ground-breaking book, "Nashville Guitar", all of his recordings, as well as his book "Masters of the Telecaster". Subsequently, his Telecaster sound became as notable as his bluegrass playing. Marty Stuart, another guitarist influenced by White's playing, now owns and regularly plays White's 1954 Fender Telecaster with the prototype B-Bender. Music archivist and writer Alec Palao has called White "one of a handful of true greats amongst the instrumentalists of 20th century popular music", before adding that "the waves created by the guitarist's idiosyncratic style are still forming ripples within bluegrass, country and rock 'n' roll." In 2003, White was ranked No. 41 on Rolling Stone magazine's list of the 100 Greatest Guitarists of All Time. In 2010, guitar manufacturer Gibson ranked White at No. 42 on their Top 50 Guitarists of All Time list.
Question: did he have other top rankings?
Answer: Gibson ranked White at No. 42 on their Top 50 Guitarists of All Time list.

Background: Howard Duane Allman (November 20, 1946 - October 29, 1971) was an American guitarist, session musician, and co-founder and leader of the Allman Brothers Band until his death following a motorcycle crash in 1971, at the age of 24. The Allman Brothers Band was formed in Jacksonville, Florida, in 1969. The band had great success in the early 1970s. Allman is best remembered for his brief but influential tenure in the band and in particular for his expressive slide guitar playing and inventive improvisational skills.
Context: The limits of full-time session playing frustrated Allman. The few months in Muscle Shoals were by no means a waste, however; besides meeting the great artists and other industry professionals with whom he was working, Allman had rented a small, secluded cabin on a lake and spent many solitary hours there refining his playing. Perhaps most significantly, Allman got together with R&B and jazz drummer Jaimoe Johanson, who came to meet Allman at the urging of Otis Redding's manager, Phil Walden, who by then was managing Allman and wanted to build a three-piece band around him. Allman and Jaimoe got Chicago-born bassist Berry Oakley to come up from Florida and jam as a trio, but Oakley was committed to his rock band with guitarist Dickey Betts, the Second Coming, and returned south. When asked how the band came together Duane responded with an astounding answer. "Very slowly, I was in Muscle Shoals and I went down to Jacksonville and was jamming with Berry and Dicky. Jaimoe came with me from Muscle Shoals, he's originally from Macon. Greg was in California and Butch was in Jacksonville where we all got together and jammed for a couple of months putting together songs and stuff. After that we went up to New York and recorded there. We never played a gig before we cut our first album." While living in Macon, Allman met Donna Roosman, who bore his second child, Galadrielle. The couple's relationship soon ended. He had an earlier relationship with Patti Chandlee which resulted in the birth of a daughter who was born deaf.
Question: Anything else interesting?
Answer:
While living in Macon, Allman met Donna Roosman, who bore his second child, Galadrielle.