Some context: The Menominee (also spelled Menomini, derived from the Ojibwe language word for "Wild Rice People;" known as Mamaceqtaw, "the people," in the Menominee language) are a federally recognized nation of Native Americans, with a 353.894 sq mi (916.581 km2) reservation in Wisconsin. Their historic territory originally included an estimated 10 million acres (40,000 km2) in present-day Wisconsin and the Upper Peninsula of Michigan. The tribe currently has about 8,700 members. The tribe was terminated in the 1950s under federal policy of the time which stressed assimilation.
In 1634, the Menominee and Ho-Chunk people (along with a band of Potawatomi who had recently moved into Wisconsin) witnessed the French explorer Jean Nicolet's approach and landing. Red Banks, near the present-day city of Green Bay, Wisconsin, later developed in this area. Nicolet, looking for a Northwest Passage to China, hoped to find and impress the Chinese. As the canoe approached the shore, Nicolet put on a silk Chinese ceremonial robe, stood up in the middle of the canoe and shot off two pistols. For at least forty years in the 20th century, this event was presented in a biased fashion to elementary school students studying Wisconsin history. The Native people were said to fear "the light-skinned man who could make thunder." John Boatman has said it was more likely the native people feared for the light-skinned man, as he had demonstrated questionable mental faculties. Anyone with local knowledge would know better than to stand up in a canoe on the choppy waters of Green Bay. Pierre Francois Xavier de Charlevoix (1682-1761), a French Catholic clergyman, professor, historian, author and explorer, kept a detailed journal of his travels through Wisconsin and Louisiana. In 1721 he came upon the Menominee, whom he referred to as Malhomines ("peuples d'avoines" or (Wild Oat Indians), which the French had adapted from an Ojibwe term: After we had advanced five or six leagues, we found ourselves abreast of a little island, which lies near the western side of the bay, and which concealed from our view, the mouth of a river, on which stands the village of the Malhomines Indians, called by our French "peuples d'avoines" or Wild Oat Indians, probably from their living chiefly on this sort of grain. The whole nation consists only of this village, and that too not very numerous. 'Tis really great pity, they being the finest and handsomest men in all Canada. They are even of a larger stature than the Potawatomi. I have been assured that they had the same original and nearly the same languages with the Noquets, and the Indians at the Falls.
What happened when he came upon them?
A: The whole nation consists only of this village, and that too not very numerous. 'Tis really great pity, they being the finest and handsomest men in all Canada.
Some context: The Man with the Golden Arm is a 1955 American drama film with elements of film noir, based on the novel of the same name by Nelson Algren, which tells the story of a drug addict who gets clean while in prison, but struggles to stay that way in the outside world. Although the addictive drug is never identified in the film, according to the American Film Institute "most contemporary and modern sources assume that it is heroin", in contrast to Algren's book which named the drug as morphine. The film stars Frank Sinatra, Eleanor Parker, Kim Novak, Arnold Stang and Darren McGavin. It was adapted for the screen by Walter Newman, Lewis Meltzer and Ben Hecht (uncredited), and directed by Otto Preminger.
Preminger decided to release the finished film prior to submitting it for a Code seal of approval. He contended that his film would not entice any viewers to take drugs, since drug use was depicted as having severely negative consequences. The black-and-white film was also the first to portray heroin use as a serious literary topic, rejecting the standard "dope fiend" approach of the time. United Artists, which had invested $1 million in the film's production, opted to distribute the film, even though doing so could result in the company being fined $25,000 by the Motion Picture Association of America (MPAA). The president of United Artists, Arthur Krim, expressed the company's hope that the PCA would make an exception to its usual rules and grant the film approval because of the film's "immense potential for public service." The film received several advance bookings in November and early December 1955, before the PCA had made a decision on whether to grant a Code seal. However, in early December 1955, the PCA denied the film a Code seal, and the decision was upheld upon appeal to the MPAA. As a result, United Artists resigned from the MPAA that same month (although the company re-joined a few years later). The National Legion of Decency also showed disagreement with the PCA ruling by rating the film as a "B" meaning "morally objectionable in part for all", instead of a "C" meaning "condemned", which was the rating normally given to films that were denied a Code seal. Large theater circuits including Loews also refused to ban the film and instead showed it despite the lack of a Code seal. As a result of the controversy, the MPAA investigated and revised production codes, allowing later movies more freedom to deeply explore hitherto taboo subjects such as drug abuse, kidnapping, miscegenation, abortion, and prostitution. In the end, The Man With The Golden Arm finally received the Production Code seal number 17011 in June 1961, which permitted the film to be reissued and sold for television broadcast.
What was the primary controversy with the film?
A:
Preminger decided to release the finished film prior to submitting it for a Code seal of approval.