Question: Staind ( STAYND) is an American rock band formed in 1995. The original lineup consisted of lead vocalist and rhythm guitarist Aaron Lewis, lead guitarist Mike Mushok, bassist and backing vocalist Johnny April, and drummer Jon Wysocki. The lineup has been stable outside of Wysocki's departure in 2011, who was replaced by Sal Giancarelli. The band has recorded seven studio albums: Tormented (1996), Dysfunction (1999), Break the Cycle (2001), 14 Shades of Grey (2003), Chapter V (2005), The Illusion of Progress (2008), and Staind (2011).

In March 2010, Aaron Lewis stated the band would start working on their seventh studio album by the end of the year. Lewis had finished recording his country-tinged solo EP and had started a nonprofit organization to reopen his daughter's elementary school in Worthington, Massachusetts. Guitarist Mike Mushok stated in a question and answer session with fans that the band was looking to make a heavy record, but still "explore some of the things we did on the last record and take them somewhere new for us". In a webisode posted on the band's website, Lewis stated that eight songs were written and that "every one of them is as heavy or heavier than the heaviest song on the last record". In December 2010, Staind posted three webisodes from the studio, which featured the band members discussing the writing and recording process of their new album. They announced that as of April 20, the band had completed the recording of their untitled seventh album and would release it later that year. On May 20, 2011, Staind announced that original drummer Jon Wysocki had left the band. Drummer Will Hunt filled in for a few dates, while Wysocki's drum tech Sal Giancarelli filled in for the rest of the tour. Three days later, it was reported that Staind's new album was originally called Seven, but was renamed Staind. It was released on September 13, 2011. The first single "Not Again" was released to active radio stations on July 18. The song "The Bottom" appeared on the Transformers: Dark of the Moon soundtrack. On June 30, Staind released a song called "Eyes Wide Open" from their new record. "Eyes Wide Open" would later be released on November 29 as the album's second single. On July 12, Staind released the first single "Not Again" through YouTube and was officially released/available on July 26. In November 2011, the band announced through their YouTube page that Sal Giancarelli was now an official member. The band continued to tour heavily into 2012; embarking on an April and May touring with Godsmack and Halestorm, and the Uproar Festival in August and Setpember with Shinedown and a number of other artists.

Using a quote from the above article, answer the following question: What was happening in 2010?
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Answer: In March 2010, Aaron Lewis stated the band would start working on their seventh studio album by the end of the year.

Problem: A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.

Victorian burlesque, sometimes known as "travesty" or "extravaganza", was popular in London theatres between the 1830s and the 1890s. It took the form of musical theatre parody in which a well-known opera, play or ballet was adapted into a broad comic play, usually a musical play, often risque in style, mocking the theatrical and musical conventions and styles of the original work, and quoting or pastiching text or music from the original work. The comedy often stemmed from the incongruity and absurdity of the classical subjects, with realistic historical dress and settings, being juxtaposed with the modern activities portrayed by the actors. Madame Vestris produced burlesques at the Olympic Theatre beginning in 1831 with Olympic Revels by J. R. Planche. Other authors of burlesques included H. J. Byron, G. R. Sims, F. C. Burnand, W. S. Gilbert and Fred Leslie. Victorian burlesque related to and in part derived from traditional English pantomime "with the addition of gags and 'turns'." In the early burlesques, following the example of ballad opera, the words of the songs were written to popular music; later burlesques mixed the music of opera, operetta, music hall and revue, and some of the more ambitious shows had original music composed for them. This English style of burlesque was successfully introduced to New York in the 1840s. Some of the most frequent subjects for burlesque were the plays of Shakespeare and grand opera. The dialogue was generally written in rhyming couplets, liberally peppered with bad puns. A typical example from a burlesque of Macbeth: Macbeth and Banquo enter under an umbrella, and the witches greet them with "Hail! hail! hail!" Macbeth asks Banquo, "What mean these salutations, noble thane?" and is told, "These showers of 'Hail' anticipate your 'reign'". A staple of burlesque was the display of attractive women in travesty roles, dressed in tights to show off their legs, but the plays themselves were seldom more than modestly risque. Burlesque became the speciality of certain London theatres, including the Gaiety and Royal Strand Theatre from the 1860s to the early 1890s. Until the 1870s, burlesques were often one-act pieces running less than an hour and using pastiches and parodies of popular songs, opera arias and other music that the audience would readily recognize. The house stars included Nellie Farren, John D'Auban, Edward Terry and Fred Leslie. From about 1880, Victorian burlesques grew longer, until they were a whole evening's entertainment rather than part of a double- or triple-bill. In the early 1890s, these burlesques went out of fashion in London, and the focus of the Gaiety and other burlesque theatres changed to the new more wholesome but less literary genre of Edwardian musical comedy.

what were some play titles?

Answer with quotes:
Olympic Revels by J. R. Planche.