[Q]: Generate a question that has the following answer: He doesn't for the following movie plot: The opening close-up shot shows a knife slicing lemons. The camera pans out to Sally (Susan Sarandon) washing herself with the lemon juice in front of the window at her kitchen sink in an apartment building in Atlantic City. She is listening to the operatic soprano aria Casta Diva from Norma. From the next apartment, an older man, Lou (Burt Lancaster), is spying on Sally as she bathes.We then cut to a phone booth. A young long-haired man goes in, pretending to make a call, then grabs something in tin foil. This is Dave. Another, tough looking guy with bleach blond hair goes in the same phone booth, obviously to get what was in the tin foil, but can't find it.We then see Dave hitchhiking with a young pregnant woman, Chrissie. They are both dressed like gypsies or hippies. in the background are the marshes of New Jersey and industrial smoke stacks. The two hippies walk through Atlantic City's boardwalk and go into a casino where they find Sally, who works in one of the casino's seafood restaurants. We learn the hippies are Sally's estranged husband, Dave, and her sister, Chrissie. The two had run off together. Sally says she's not going to let them stay with her, but relents.Lou passes them as they enter Sally's apartment. He goes downstairs to Grace's apartment, a woman about his own age who lives in an apartment with girlish pink decor. We find that Lou does errands for her for cash and that they have a combative co-dependent relationship.Back upstairs, Dave tries to kiss his estranged wife, Sally, who gives him the cold shoulder, telling him he ruined her chances of making a life in Las Vegas. He leaves angrily, but sees her purse and steals her wallet from it on the way out.Lou argues with Grace over five dollars. She tells him to steal it. Calling him king of the crooks. He takes the abuse calmly. He takes Grace's dog Peppie for grooming, and while there he asks the proprietress if she has any bets. We see Lou make his rounds as a small-time bookie.Sally is taking classes to be a blackjack dealer. We learn...
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[A]: WHY DID LOU TAKE THE PHONE?

[Q]: Generate a question that has the following answer: in the woods for the following movie plot: During the opening credits, like the Broadway production, the studio orchestra plays a potpourri overture that features the "Camelot March" and the title song. The action begins in early morning darkness as a chorus sings a few lines from "Guenevere." Arthur (Richard Harris) talks to his unseen teacher, Merlyn (Laurence Naismith), asking him why everything that has happened to them happened. Before a battle begins at dawn with Lancelot (Franco Nero) and his Joyous Gard knights, Arthur, talking as much to himself as to Merlyn, tries to determine where he went wrong. Merlyn appears and urges the mighty King to think back to one of the most important days of his life. Almost all of the rest of the film is a flashback. It first flashes back to Arthur as a youngster (Nicholas Beauvy); he is walking in the woods in the early morning when he encounters Merlyn, who calls Arthur "Wart." Then suddenly, Merlyn interrupts to chide Arthur for going too far back in his memory. The important day Arthur is supposed to remember, Merlyn says, is the day he met Guenevere (Vanessa Redgrave).The following scene shows Arthur in a large snow-laden tree watching people pass on the road beneath. From his perch, Arthur sings "I Wonder What the King Is Doing Tonight?" He imagines that his subjects are pondering what he is doing in the final hours before his arranged marriage. Arthur admits that even though he has faced battle bravely, he's terrified of facing his bride-to-be. As the song ends, a procession approaches ("Camelot March") carrying Guenevere. She is not at all thrilled that her wedding is an inconvenient marriage of convenience. In despair, Guenevere sings "The Simple Joys of Maidenhood." The lyrics question how she missed the normal life of a maiden and all its simple pleasures like knights tilting for her and "kith not kill their kin" for her. The procession halts for a rest so the royal hairdresser can prepare Guenevere to meet her mate. While everyone is busy, Guenevere sneaks away into the woods. She kneels in the snow...
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[A]: How did they meet?

[Q]: Generate a question that has the following answer: Athos for the following movie plot: D'Artagnan (Michael York) and his father (Joss Ackland) engage in an exhausting sparring duel. The father shows his son a signature move, which ends with the point of the sword at his son's chest, and advises to use it in a fight only as a last resort. He gives the boy 15 crowns and a letter to the commander of the King's musketeers, then presents him a sword he and his own father used in the King's service. The young Gascon leaves home on a huge yellow workhorse with his few belongings and a salve his mother advises him to rub into any wounds, and he strikes out for Paris to take his place as a musketeer.As D'Artagnan arrives in Paris he comes upon Rochefort (Christopher Lee), a tall man with a patch over one eye, who makes an offhanded remark to some companions about the newcomer's horse. Anxious to fight at any opportunity, as his father suggested, the young Gascon challenges Rochefort, only to have his sword struck in two. He is knocked out as his new enemy goes to meet an approaching carriage. Rochefort greets the passenger inside--Milady DeWinter (Faye Dunaway)-- and tells her she must go to England to report on the Duke of Buckingham (Simon Ward). The pair are spies for Cardinal Richelieu (Charlton Heston). D'Artagnan again tries to pick a fight but ends up falling in the mud.Finding the musketeers' headquarters, D'Artagnan awaits an appointment with their commander M. Treville (Georges Wilson). As he makes his way through the indoor training ground, he sees Porthos (Frank Finlay) having his portrait done while Aramis (Richard Chamberlain) watches; outside Treville's office, Athos (Oliver Reed) has a shoulder wound attended to. Treville reads D'Artagnan's letter and asks to see the familiar sword, which D'Artagnan sheepishly produces; the commander knows the weapon, realizes what has happened and lets him borrow a new one. Unfortunately there is no place in the musketeers for him, Treville says, until he has established his reputation on campaign or in killing, but a place in the guard might be suited...
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[A]:
Who confronts the Cardinal?