In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.
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Question: go 's is a gloriously slick hip machine .
director liman ( who also photographed go ) and screenwriter august celebrate the drug / rave scene in l .
a .
, preferring to take ( comedic ) snapshots of troubled youth rather than critique them .
after more than ninety minutes of pill - popping , tantric sex , car chases , and attempted murder , go even has a happy ending .
this is the sort of film that gives members of the dove foundation splitting headaches ; as go wound down , i anticipated an anti - pill - popping - casual - tantric - sex - car - chase - attempted - murder sermon that ( blessedly ) did n't arrive .
a la tarantino 's pulp fiction , go is comprised of three separate but related stories .
the basics are as follows :
ronna ( polley ) is a bitter grocery store clerk facing eviction who turns to drug dealing for extra dough .
her co - worker , simon ( the improbably named askew ) , is a clubber from britain ecstatic about his first trip to vegas .
zack ( mohr ) and adam ( wolf ) are soap opera stars escaping a career - threatening conviction by assisting a peculiar cop ( fichtner ) in a drug bust .
perhaps because the innovative structure of tarantino 's non - linear masterwork is by now old hat , the id - fueled go delighted me but rarely surprised me ( with the exception of that mind - reading cat ! ) ; pulp fiction zigzagged down roads unforeseen , but we see go 's wheels turning from its first flash frame to the last .
torontonian polley ( of the sweet hereafter ) refused to do publicity for this picture on the basis that she was " not pleased with " her turn as the ill - fated cashier .
in go , she delivers , hands - down , her best performance to date .
here 's an ( overrated ) actress who agreed to appear on the poster , but not support her team at the junket or in interviews ; this sort of arrogance is commonplace for ms .
polley , as anyone who has read of her political agenda in the canadian press will tell you .
if she does n't want to be the ingenue of the moment , she should have said " no , " not go .
but i digress .
go is a fun film , so chipperly depraved one ca n't help but turn off his moral judgment for its duration and enjoy the ride .
in that sense , it 's a departure from liman 's last film , swingers , which at least lectured against self - absorption in the form of vince vaughan 's trent and his subtle comeuppance in the story 's clever epilogue ( which has been aped by mcdonald 's for their latest commercial ) .
i wish i cared more about go 's characters : like the techno music they listen to , the bands of anarchists on display here are at once absorbing and vacuous .
when the lights came up and stung my eyes , it was difficult to recall what about it entertained me . yet
entertain me it did
.
go is light and frothy , featuring compelling if not endearing work by polley , timothy olyphant ( scream 2 ) , and especially fichtner , whose homoerotic behavior is milked for effective laughs .
fichtner is a character actor best known for playing backstabbers ( in heat , armageddon , and others ) ; his previously untapped comic abilities shine in go .
unlike much of the film , fichtner is unpredictable .

Answer: P

Question: carry on at your convenience is all about the goings - on in the factory of a toilet manufacturer , wc boggs ( kenneth williams ) .
once they have won an order to manufacture 1000 bidets in two months and charles coote ( charles hawtrey ) has designed a suitable model , the factory employees set to work but are interrupted by union representative vic spanner ( kenneth cope ) and friend bernie hulke ( bernard bresslaw ) who call them out on strikes on the slightest pretext .
meanwhile , chief foreman sid plummer ( sid james ) is growing tired of his wife beattie ( hattie jacques ) and her budgie .
he would much rather live next door with fellow boggs worker chloe moore ( joan sims )
but once he discovers that the budgie can predict the winners of horse races , he is over the moon and flush with money .
his daughter , myrtle plummer ( jacki piper ) , is going out with wc 's son lewis boggs ( richard o'callaghan ) and this causes conflict on the staff day out to the seaside when vic spanner vies for her attentions .
in the end , if the strike does not cease , boggs will have to close down his factory , but the support of a group of women led by coote 's wife - to - be and spanner 's mother , agatha spanner ( renee houston ) , try to resolve the situation .
also , sid realises that his budgie has caused him nothing but trouble since it started predicting horse race winners .
there are some good performances , as usual , from sid james and kenneth williams in their standard roles .
charles hawtrey is third billing but only appears in a few scenes .
his part is mildly amusing .
richard o'callaghan is appealing as bogg 's stuck - up son , patsy rowlands is funny as miss withering , bogg 's assistant , and renee houston is terrific in her small part as agatha .
however , sole acting honours go to hattie jacques as beattie plummer .
although her character is not directly involved with the main storyline , she manages to input a great deal of pathos and feeling into her character .
a marvellous performance from a marvellous actress .
the film suffers from annoying performances by bernard bresslaw and especially kenneth cope .
in his carry on debut , cope
overdoes his role as spanner making him so annoying as to be unfunny .
joan sims returns as the love interest ( instead of barbara windsor ) .
sims ' ' usual ' part as the downtrodden wife was taken by hattie jacques .
additionally , bill maynard as fred moore is very poor .
this carry on movie tries it best to entertain the viewer : - the locations and wealth of characters are appealing . however ,
the toilet humour becomes tiresome very quickly and some of the performances leave a lot to be desired .
this movie does not know where it is going .
it was made in 1971 and talbot rothwell the scriptwriter seems to be in two minds whether to go for ' bluer ' jokes or to maintain the ' innocent ' jokes success of most of its predecessors .
that is why this film suffers .
a minor carry on film whose major asset is the performance by hattie jacques .
the new ' minor - regulars ' such as o'callaghan and piper are not able to enliven the movie and the toilet humour becomes humourless after a while .

Answer: N

Question: in 1994 , an insider 's look at a scandal - ridden run for the democratic presidential nomination ( closely based on clinton 's 1992 campaign ) was written anonymously ( former newsweek writer joe klein later claimed true authorship ) .
now , the book , primary colors , has been made into a movie , directed by mike nichols , and , in light of recent presidential scandals , seems to be more relevant than ever .
but the film is more than a diatribe against , or a paean in praise of , the president .
it is a fascinating look at the political machinery , and the ethical quagmire , that surround modern politics .
jack stanton ( john travolta ) is the governor of a small southern state running for the democratic presidential nomination .
he is charismatic , but has several flaws which threaten to doom his campaign , and strains his relationship with his wife , susan ( emma thompson ) .
the film is told from the point of view of henry burton ( adrian lester ) , grandson of a civil rights leader , who is swept away by stanton 's ideals and helps to organize the campaign .
he joins political strategist richard jemmons ( billy bob thornton , looking an awful lot like james carville ) , and campaign advisor daisy green ( maura tierney ) .
governor stanton 's past repeatedly pops up to haunt him , a fact that his chief rival , lawrence harris ( kevin cooney ) , consistently uses to his advantage .
to help clean up the stanton campaign , jack and susan bring in an old friend , libby " the dustbuster " holden ( kathy bates ) .
the acting throughout primary colors is superb .
it would be worth seeing the movie for bates ' wild performance alone .
she enlivens the atmosphere with energy in a truly boisterous performance .
travolta does a fair clinton impersonation as governor stanton , although his accent does stray a little .
emma thompson delivers a strong performance as his suffering wife who ca n't let anything show that might hurt the presidential run .
the problem with political movies is that they tend to alienate over half of their audience by promoting one side or the other , or else the movie is vague to the point of boredom .
primary colors treads lightly on this issue .
though stanton is clearly portrayed as a democrat , and there are a few minor barbs thrown in the way of republicans , the movie touches on few actual political issues .
in fact , most of the " bad guys " are fellow democrats on the same road to the white house . rather than issues , the film is primarily concerned about scandals and spin control .
although the film strays into some obviously non - clinton territory , it is difficult to completely separate it from reality ( particularly when certain scenes seem to highlight the president 's current troubles ) .
primary colors ' chief problem is its length .
it runs about 15 minutes too long .
there are some scenes which could have easily been cut .
for example , midway through the film , the candidate gives a speech to an assembly of laid off machinists .
the scene 's only apparent purpose is to establish stanton 's character , which has already been done in similar scenes earlier in the film .
the extra length is n't long enough nor tiring enough to be annoying , but it mars an otherwise excellent film .
republicans , democrats , and political agnostics should all be able to find something to like in primary colors .
it 's a funny , and at some times shocking , look at the modern political process .

Answer:
P