IN: Review: From the director of movies 'Last Seduction' and 'Kill me again', comes another movie in the noir style. John Dahl created a niche for himself by making movies on the themes of adultery, blackmailing in the early 90s. Though I did not have much of an opinion in regards to last seduction. But nowadays Mr Dahl has resorted to directing television shows.Its a shame since the man had talent.

***SPOILERS** This is quite an impressive movie which revolves around a drifter Cage) that comes in to the town of Wyoming for a job. However he does not prove lucky and becomes mistaken for a hit-man from Texas by bar owner J.T Walsh. He is given the task to kill his wife (Boyle). But Cage decides to split after taking the upfront payment without doing it. On the way out of town he accidentally hits a guy on the road, who he then takes back to the local hospital. At that point Cage coincidently meets Walsh again, who also appears to be the local sheriff. After that Cage escapes from his clutches but meets in to the real hit-man that happens to be Dennis Hopper.

John Dahl has co-written and directed this movie. Therefore it goes to show that a project can turn out decent when a director puts his thoughts on screen. The direction is of good standard, however while watching the movie I got a made for TV movie feeling. There were too many close up frames. However this does not deter the movie from being an enjoyable experience. The movie had good pace and the structure was perfect. Dahl written the script with good duration of lenght.

Cage portrayed the role as a drifter realistically, though to me his performance seemed somewhat restrained. His facial expressions were on the mark. Lara Flynn Boyle was hot and handled her part perfectly as the femme fatale. Her hairstyle was far out and can make any guy go on his knees. Hopper played his part well. But I feel he was miscast for this role. He did not convince me that he had the qualities of a hit-man. The role was not written keeping his personality in mind.

While viewing one will get deja vu of previous movies like 'The Hot Spot' and 'A Perfect Murder'. Due to the fact that some sub plots are similar. Overall if you are a fan of noir movies, then this one is for you. Worth recommending. 7/10
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IN: Review: If you want to see a mystery, don't watch this. Though there are elements straight out of Elmore Leonard territory, this comes closer to an episode of "Dynasty", since the filmmaker focuses on "character development" - i.e. long, boring talks between stupid, un-involving characters. Some people can make fascinating movies without real action (see "Exotica"), but not this one. Avoid it, especially if you like the actors involved in this one.
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IN: Review: And I'm serious! Truly one of the most fantastic films I have ever had the pleasure of watching. What's so wonderful is that very rarely does a good book turn into a movie that is not only good, but if possible better than the novel it was based on. Perhaps in the case of Lord of the Rings and Trainspotting, but it is a rare occurrence indeed. But I think that the fact that Louis Sachar was involved from the beginning helped masses, so that the film sticks close to the story but takes it even further. This film has many elements that make it what it is:

1. A unique, original story with a good mix of fun and humour, but a mature edge. 2. Brilliant actors. Adults and kids alike, these actors know how to bring the story to life and deliver their lines with enthusiasm and style without going overboard, as sometimes happen with kids movies. 3. Breathtaking scenery. And it doesn't matter if it's real or CGI, the setting in itself is a masterpiece. I especially love the image of the holes from a birds eye view. 4. A talented director who breathes life into the book and turns it into technicolour genius. The transitions in time work well and capture the steady climax from the book, leading up to the twists throughout the film. 5. Louis Sachar! The guy who had me reading a book nonstop from start to finish so that I couldn't put it down. He makes sure that the script sticks to the book, with new bits added in to make it even better. 6. And speaking of the script! The one-liners in this are smart, funny and unpatronising. But there are also parts to make you smile, make you cry, and tug at your heartstrings to make you love this story all the more. 7. Beautiful soundtrack. There's not a song in this film that I haven't fallen for, and that's something considering I'm supposed to be a punk-rocker. The songs link to the story well and add extra jazz to the overall style of the film. If you're going to buy the film, I recommend you buy the soundtrack too, especially for "If Only", which centres around the story and contains the chorus from the book.

I do not work for the people who made Holes, by the way, I'm just a fan, plugging my favourite film and giving it the review it deserves. If you haven't seen it, do it. Now. This very instant. Go!
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IN: Review: Want a great recipe for failure? Take a s****y plot, add in some weak, completely undeveloped characters and than throw in the worst special effects a horror movie has known. Let stew for a week (the amount of time probably spent making this trash). The result is Corpse Grinders, a movie that takes bad movies to dangerous and exotically low places.

The movie utterly blew. My words cannot convey how painful it was to watch. This is not one of those bad movies that you and your friends can sit around and make fun of. This is not Plan 9 From Outer Space. This is a long, boring, sad waste of time. Corpse Grinders II is the biggest waste of energy and talent I have ever seen. I depresses me when I realize that people actually took time out of their lives to act in this shit, if you can call it acting. But than again, when you have poor direction, poor storywriting, poor everything, acting is the last thing to criticize.

This movie is like a huge, disgusting turd that you yearn to quickly flush out of existence, fearful that a friend or loved one might somehow see it. I really with I could somehow destroy every copy of this film, so it will not pollute the minds of aspiring filmmakers. Thank you, Ted V. Mikels, for giving me new found respect for every movie I have ever seen. You have shown me what is truly awful, and why I should appreciate all those movies that are merely crappy or boring.
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negative