input: Najm-ul-Hassan was also Devika's co-star in the studio's next venture, Jeevan Naiya. The two co-stars developed a romantic relationship, and during the shooting schedule of Jeevan Naiya, Devika eloped with Hassan. Himanshu was both enraged and distraught. Since the leading pair were absent, production was stalled. A significant portion of the movie had been shot and a large sum of money, which had been taken as credit from financers, had been spent. The studio therefore suffered severe financial losses and a loss of credit among bankers in the city while the runaway couple made merry. Sashadhar Mukherjee, an assistant sound-engineer at the studio, had a brotherly bond with Devika Rani because both of them were Bengalis and spoke that language with each other. He established contact with the runaway couple and managed to convince Devika Rani to return to her husband. In the India of that era, divorce was legally almost impossible and women who eloped were regarded as no better than prostitutes and were shunned by their own families. In her heart of hearts, Devika Rani knew that she could not secure a divorce or marry Hassan under any circumstances. She negotiated with her husband through the auspices of Sashadhar Mukherjee, seeking the separation of her finances from those of her husband as a condition for her return. Henceforth, she would be paid separately for working in his films, but he would be required to single-handedly pay the household expenses for the home in which both of them would live. Himanshu agreed to this, in order to save face in society and to prevent his studio from going bankrupt. Devika Rani returned to her marital home. However, things would never be the same between husband and wife again, and it is said that thenceforth, their relationship was largely confined to work and little or no intimacy transpired between them after this episode. Despite the additional expense involved in re-shooting many portions of the film, Himanshu Rai replaced Najm-ul-Hassan with Ashok Kumar, who was the brother of Sashadhar Mukherjee's wife, as the hero of Jeevan Naiya. This marked the debut, improbable as it may seem, of Ashok Kumar's five-decade-long career in Hindi films. Najm-ul-Hassan was dismissed from his job at Bombay Talkies (this was the period in which actors and actresses were paid regular monthly salaries by one specific film studio and could not work in any other studio). His reputation as a dangerous cad established, he could not find work in any other studio. His career was ruined and he sank into obscurity.

Answer this question "What was the agreement?"
output: Henceforth, she would be paid separately for working in his films, but he would be required to single-handedly pay the household expenses for the home

input: Following a brief stint touring with New Order in the summer , Corgan reunited with Chamberlin to form the band Zwan with Corgan's old friend Matt Sweeney in late 2001. According to Neil Strauss of New York Times, during his few live performances with the band, Corgan says "is still a work in progress." The lineup was completed with guitarist David Pajo and bassist Paz Lenchantin. The band had two distinct incarnations, the primary approach being an upbeat rock band with a three-guitar-driven sound, the second, a folk and gospel inspired acoustic side with live strings. The quintet performed throughout 2002, and their debut album, Mary Star of the Sea, was released in early 2003 to generally positive reviews. In the midst of their supporting tour for the album, mounting conflict between Corgan and Chamberlin, and the other band members led to the cancellation of the rest of the tour as the band entered an apparent hiatus, formally announcing a breakup in September 2003. In 2004 Corgan began writing revealing autobiographical posts on his website and his MySpace page, blaming Iha for the breakup of the Smashing Pumpkins, calling Wretzky "a mean spirited drug addict," and criticizing his former Zwan bandmates' fixation with "indie cred" and calling them "filthy", opportunistic, and selfish. On September 17, 2003, Billy first presented his poetry at the Art Institute of Chicago's Rubloff Auditorium. In late 2004, Corgan published Blinking with Fists, a book of poetry. Despite mixed reviews, the book debuted on the New York Times Best Seller list. Around this time, he began posting autobiographical writings online under the title The Confessions of Billy Corgan. Also in 2004, he began a solo music career, landing on an electronic/shoegaze/alternative rock sound for his first solo album, TheFutureEmbrace, co-produced and arranged by Bon Harris of Nitzer Ebb. Released on June 21, 2005, through Reprise Records, it garnered mixed reviews from the press and only sold 69,000 copies. Corgan toured behind his solo album with a touring band that included Linda Strawberry, Brian Liesegang and Matt Walker in 2005. This tour was not as extensive as previous Smashing Pumpkins or Zwan tours. Prior to recording TheFutureEmbrace, Corgan had recorded some 72 songs inspired by Chicago history for the largely acoustic ChicagoSongs project, which have yet to be released.

Answer this question "What was the name of his album"
output:
his first solo album, TheFutureEmbrace, co-produced and arranged by Bon Harris of Nitzer Ebb.