The doctors told me I would be placed on a seventy-two hour hold for observation. Knowing this was the only way out, I obeyed and diligently signed all the papers. I hated my parents but still felt the inescapable drive to prove to them that I was worth something. I had to show them I wasn't crazy. As the hours passed, I was shown to a blank room with plastic sheets and plastic pillows, which caused me to wonder what kind of distant confused souls had been imprisoned in this sterile place. There were bars on the windows and the only door out of the unit was locked 24/7. I knew my only refuge for the time being would be through the hour a day art therapy class and the smoke breaks I could take at will. They had given me a legal pad after my parents had told them of my affinity for writing. With it I set to work on the flow of words and the river of thoughts, both dark and hopeful that careened through my tired mind. Instead of sleep, I would write. I expressed my vicious frustration for the place and thought constantly of the passing hours, counting them down as they went. Because of this I was thankful for the eight to ten I would use up easily in my escapes to the world behind my eyelids. There I was free and could experience a life unhindered by limitations of ethics or gravity. When I'd awake I'd write what I could remember of my escapes on the obtrusive legal pad. I had the suspicion that the attendants would come in and read my thoughts as I was eating meals or watching TV and I wondered if this was hindering my ability to get out. I wondered what kind of opinions and judgments they were forming about me. I had bared my soul on those pages explaining desperately how the thoughts would not leave even in this place, where it mattered most that they were gone. The fuckers would never leave. Maybe I was crazy. According to the above context, answer the following question. The narrator is:
OPTIONS:
- not enough information
- A man
- An animal
- A woman

Answer: not enough information

Question: David Gauntlett makes a good point in his newest book (Making Media Studies: The Creativity Turn in Media and Communications Studies) and that is that traditional forms of media studies are no longer applicable. Gone are the days of massive institutions and production companies, gone are the traditional audiences and simplistic texts. In, is the new age media companies, the everyday media makers, the consistent consumers and the fantastical mess of The WWW. While universities are pumping out the same content areas since the 1980's (e.g. institutions, production, audiences and texts) that are only relevant to a handful of media forms (cinema, television, online broadcasting and publications), the rest of the world is moving on. David Gauntlett so rightly says that creativity in media, should also refer to thinking creatively about the subject. What are the new ways of running media and communication studies? How has the subject itself changed? What approaches and methods can help media and communications studies to become innovative and useful in spheres beyond itself? David Gauntlett encourages a kind of call to arms, an acquiescence of the incapacities of the old system and a redirected gaze to the future needs of media students and media studies programs. Inspired by Tim Ingold's book Making, David believes media studies should have making at it's front and centre. He also believes the ability to do things with media should be embraced over and above the ability to talk about what others do with media, or what media does to us. The notion is that media studies should be hands on, that it should be all about ideas and critical engagement and this should be expressed through actual making. To borrow three key distinctions from the anthropologist Tim Ingold: 1. It's about learning WITH media rather than ABOUT media. 2. There is an intent to move FORWARD rather than looking BACKWARDS at how things are. 3. It's aims are TRANSFORMATIONAL rather than DOCUMENTARY. According to the above context, answer the following question. David believes that
OPTIONS:
- Tim Ingold is a smart man
- Tim Ingold is not savvy
- not enough information
- Tim Ingold is stupid
Answer: Tim Ingold is a smart man

Question: Sondra arrived at 1:00 PM sharp. Billy-Eye's Arcade and Dance Barn was located on Highway 87, north of town. She was not impressed. It was nothing but a huge commercial metal building with the name painted in big lettering across the front. There were about fifteen cars in the small gravel parking lot--mostly older models like hers. She walked in, and saw a line of people standing at a closed office door. Clearly, they were band members waiting to register for an audition. A couple of the guys had their electric guitars strapped on their backs. Sondra was quite familiar with Billy-Eye and his two sons. She'd eaten her share of Buttard Biscuits growing up. And she still remembered the time in high school when Craig walked up to her in the hallway and asked her for a date. She had nearly laughed in his face. He was just a kid--three grades below her. A couple of years later, when she found out about his reputation as a stud, she wished she had accepted his offer. She would have given the little punk the ride of his life. While she was still thinking about Craig, the office door opened, and he walked out. He glanced at the long line of rockers. "Okay, we're about to get started, Guys." Then he spotted Sondra at the back of the line. The blonde six-footer was not easy to miss. "Sondra Crench? Is that you?" He walked up to her. "How are you, Craig?" "Well, I'm impressed that you remember me. So, you're here to sign up?" "Yeah." He checked out the young men standing in front of her. "Are these guys with you?" "No." "Well, where's your band?" "I'm working on it." "Follow me." She hesitated. There were at least thirty people in front of her in line. "Come on," he insisted. She followed him into the office. According to the above context, answer the following question. After Sondra follows Craig to the office, what probably happens?
OPTIONS:
- not enough information
- Craig shows her his guitar
- Craig asks her out on a date
- Craig helps hook her up with a gig
Answer:
Craig helps hook her up with a gig