Teacher: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Teacher: Now, understand the problem? If you are still confused, see the following example:
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this instance: Context_1 : E.F. Band was a Swedish band that sometimes were mixed up with the New wave of British heavy metal movement, even though they were Swedish. The band was formed in 1978 by bassist/vocalist Par Ericsson and guitarist Bengt Fischer, two former members of the progressive rock band Epizootic, who were initially joined by Tommy Lager on drums. The "E.F." portion of the band's name was derived from the first letter of Ericsson and Fischer's last names. After recording their first (split) single, the band hired British drummer Dave Dufort, who had played with Mike Oldfield and Screaming Lord Sutch to solidify the line-up. Context_2 : Joe Cocker, OBE (20 May 1944 22 December 2014), born as John Robert Cocker, was an English singer and musician. He was known for his gritty voice, spasmodic body movement in performance and definitive versions of popular songs of varying genre. Context_3 : This Joe Cocker discography lists the recordings plus live appearances of John Robert "Joe" Cocker, OBE (20 May 1944 - 22 December 2014), the English rock/blues musician, composer and actor who came to popularity in the 1960s, and was most known for his gritty voice, his idiosyncratic arm movements while performing, and his cover versions of popular songs, particularly those of The Beatles. Context_4 : Jeremy Stacey (born September 27, 1963) is a British drummer. His early work included the 1990s band, The Lemon Trees (with twin brother Paul Stacey on guitars, Guy Chambers and others) and Denzil. He has also played with Sheryl Crow, the Finn Brothers, Nick Harper, Noel Gallagher, The Waterboys, Thomas Anders, Echo & the Bunnymen, Eurythmics, Joe Cocker, Chris Robinson of the Black Crowes, Adam F, Andrea Bocelli, Patricia Kaas, Susanna Hoffs, Mike Scott, Robbie Williams, Aztec Camera, Charlotte Gainsbourg, Nerina Pallot, Claire Martin (drums on "Take 1My Heart", 1999), Mark Wingfield, Iain Ballamy, Chris Squire ("Chris Squire's Swiss Choir"), The Syn ("Syndestructible", 2005, again with Paul Stacey), Sia Furler ("Colour the Small One"), Laurence Cottle, Jason Rebello, Zero 7, Malcolm McLaren, Boris Grebenshikov and Steve Hackett. Context_5 : King Crimson are an English rock band formed in London in 1968. The band has undergone numerous formations throughout its history of which 21 musicians have been members; since January 2017 it has consisted of Robert Fripp, Jakko Jakszyk, Tony Levin, Mel Collins, Pat Mastelotto, Gavin Harrison, Bill Rieflin and Jeremy Stacey. Fripp is the only consistent member of the group, and is considered the band's leader and driving force. The band has earned a large cult following. They were ranked No. 87 on VH1's "100 Greatest Artists of Hard Rock". Context_6 : Silver Liner is the third studio album by English multi-instrumentalist and record producer Ethan Johns, released on November 27, 2015 on Johns' own label, Three Crows Records. Produced by drummer Jeremy Stacey, Johns was accompanied on the album by The Black Eyed Dogs; a backing band includeding Stacey, pedal steel guitarist B. J. Cole and bass guitarist Nick Pini. Context_7 : Kathleen S. Dunn is a certified dialect coach, accent reduction coach, voice and body movement instructor, and professional actress. Context_8 : Philip Kinorra (born Robert Cromwell Anson, also known by his other stage names, Julian Covey, Julien Covey and Philamore Lincoln) is a British drummer and singer who performed with Brian Auger and the Trinity, Graham Bond and Don Rendell, as well as with his own band, Julian Covey & The Machine, for which he sang and played drums. He also played as a replacement drummer for The Who's Keith Moon after he hurt himself in 1967. However, he only played one concert with the band before being replaced by Chris Townson, who continued filling in for Moon for four more concerts. Context_9 : John Warner Nicholas Anthony Howard Szecsi (Stacey), known as Nicholas Stacey, (5 December 1920 19 January 1997) was a financial journalist, writer, entrepreneur and patron of the arts. He was born in Debrecen, Hungary but in 1939, came to England to study in the Faculty of Commerce at Birmingham University. In 1945 Stacey joined the editorial staff of the London Financial Times. In 1946, he became a member of the post-war reconstruction committee, working with Nicholas Kaldor, Leonard Woolf and Christopher Mayhew. In 1951 Stacey won a Fulbright Scholarship to the Graduate Business School of Columbia University, where he lectured on economic history. In 1962 Stacey was a co-founding Chairman of Chesham Amalgamations in London, an innovative mergers and acquisitions company, which played a role in the reorganization of British industry in the Sixties and Seventies. After selling Chesham Amalgamations in 1984, Stacey became Chairman of the "Cel-Sci Corporation", Virginia, a US company engaged in cancer and AIDS research. He was also a financier at this time of research programmes at the Chelsea and Westminster Hospital, London. In 1969 Stacey became Chairman of Trustees of the Society for the Promotion of New Music at which he reconstructed the trust and successfully reorganized its financial structure. He also chaired the Appeals Committee of the Byam Shaw School of Art, London, and was a founding trustee of the Bankside Gallery and Chairman of the Council of the Divertimenti Orchestra. Context_10 : The Feldenkrais Method is a type of exercise therapy devised by Moshe Feldenkrais (19041984). The method is claimed to reorganize connections between the brain and body and so improve body movement and psychological state. fact_1 : Jeremy Stacey (born September 27, 1963) is a British drummer. fact_2 : He has also played with Sheryl Crow, the Finn Brothers, Nick Harper, Noel Gallagher, The Waterboys, Thomas Anders, Echo & the Bunnymen, Eurythmics, Joe Cocker, Chris Robinson of the Black Crowes, Adam F, Andrea Bocelli, Patricia Kaas, Susanna Hoffs, Mike Scott, Robbie Williams, Aztec Camera, Charlotte Gainsbourg, Nerina Pallot, Claire Martin (drums on "Take 1My Heart", 1999), Mark Wingfield, Iain Ballamy, Chris Squire ("Chris Squire's Swiss Choir"), The Syn ("Syndestructible", 2005, again with Paul Stacey), Sia Furler ("Colour the Small One"), Laurence Cottle, Jason Rebello, Zero 7, Malcolm McLaren, Boris Grebenshikov and Steve Hackett. fact_3 : Joe Cocker, OBE (20 May 1944 22 December 2014), born as John Robert Cocker, was an English singer and musician. fact_4 : He was known for his gritty voice, spasmodic body movement in performance and definitive versions of popular songs of varying genre. Question: Jeremy Stacey is a british drummer who has played with an English singer who is known for his gritty voice and what type of body movement?
Student:
spasmodic