input: At first, Plunkett resolved to hold himself aloof from party politics, and he set himself to bring together people of all political views for the promotion of the material prosperity of the Irish people. In 1891 he was appointed to the newly established Congested Districts Board and learned at first hand about the wretched conditions of the rural population, especially west of the River Shannon. The experience hardened his conviction that the one remedy for social and economic ills was cooperative self-help. Around him he saw a troubled economy, racked with dissension, denuded by emigration, impoverished in its countryside and economically stagnant in its towns. He took a leading part in developing agricultural co-operation, of which he had learned from isolated American farmers, taking account of Scandinavian models of co-operation and the invention of the steam-powered cream separator. Working with a few colleagues, including two members of the clergy, and advocating self-reliance, he set his ideas into practice first among dairy farmers in the south of Ireland, who established Ireland's first cooperative at Doneraile, County Cork. He also opened the first creamery in Dromcollogher, County Limerick. In the setting up of creameries the cooperative movement experienced its greatest success. Plunkett got farmers to join together to establish units to process and market their own butter, milk and cheese to standards suitable for the profitable British market, rather than producing unhygienic, poor-quality output in their homes for local traders. This enabled farmers to deal directly with companies established by themselves, which guaranteed fair prices without middlemen absorbing the profits. Plunkett believed that the Industrial Revolution needed to be redressed by an agricultural revolution through co-operation, and proclaimed his ideals under the slogan "Better farming, better business, better living" (US president Theodore Roosevelt adopted the slogan for his conservation and country life policy).

Answer this question "Are there any other interesting aspects about this article?"
output: Plunkett resolved to hold himself aloof from party politics,

input: Many of Ligeti's very earliest works were written for chorus and included settings of folk songs. His largest work in this period was a graduation composition for the Budapest Academy, entitled Cantata for Youth Festival, for four vocal soloists, chorus and orchestra. One of his earliest pieces now in the repertoire is his Cello Sonata, a work in two contrasting movements that were written in 1948 and 1953 respectively. It was initially banned by the Soviet-run Composer's Union and had to wait a quarter of a century before its first public performance. Ligeti's earliest works are often an extension of the musical language of Bela Bartok. Even his piano cycle Musica ricercata (1953), though written according to Ligeti with a "Cartesian" approach in which he "regarded all the music I knew and loved as being... irrelevant", has been described by one biographer as inhabiting a world very close to Bartok's set of piano works, Mikrokosmos. Ligeti's set comprises eleven pieces in all. The work is based on a simple restriction: the first piece uses exclusively one pitch A, heard in multiple octaves, and only at the very end of the piece is a second note, D, heard. The second piece then uses three notes (E#, F#, and G), the third piece uses four, and so on, so that in the final piece all twelve notes of the chromatic scale are present. Shortly after its composition, Ligeti arranged six of the movements of Musica ricercata for wind quintet under the title 'Six Bagatelles for Wind Quintet'. The Bagatelles were performed first in 1956, but not in their entirety: the last movement was censored by the Soviets for being too 'dangerous'. Because of Soviet censorship, his most daring works from this period, including Musica ricercata and his String Quartet No. 1 Metamorphoses nocturnes (1953-1954), were written for the 'bottom drawer'. Composed of a single movement divided into seventeen contrasting sections linked motivically, the First String Quartet is Ligeti's first work to suggest a personal style of composition. The string quartet was not performed until 1958, after he had fled Hungary for Vienna.

Answer this question "Why are they daring?"
output: Bagatelles were performed first in 1956, but not in their entirety: the last movement was censored by the Soviets for being too 'dangerous'.

input: In May 2013, Badu announced she was writing her next project, but not placing a time constraint on it. In July 2014, Badu revealed she was still working on the album and had been recording in April in Africa where she was "laying down drum tracks". Badu also said that prior to her trip to Africa she would have meetings with her record label to set a deadline for the album. Later that year Badu expanded on the album, stating she was working with producer Flying Lotus, who she met via MySpace years ago; they later met in L.A. at guitarist Steve Wilson's house. In 2015 Badu appeared on "Rememory", a song from Donnie Trumpet & The Social Experiment's album Surf. In July 2015, Badu released a free mixtape of her favorite recordings, describing the set as "carefully and lovingly selected high frequency tones for the soul." The mixtape features mostly vintage funk, soul and jazz songs. On March 26, 2015, Erykah Badu performed at The Bomb Factory in her hometown, Dallas, Texas, for the Deep Ellum venue's grand opening. The sold-out show also featured fellow Dallas native, singer-songwriter Sarah Jaffe. In early October, Badu released a remix of Drake's single "Hotline Bling", and later released a mixtape, But You Caint Use My Phone, on November 27, 2015, making it available for digital download and streaming exclusively through Apple Music. After one week of exclusive release on iTunes, But You Caint Use My Phone was released to other digital retailers and streaming services on December 4, 2015. The mixtape was released without the knowledge of her label Universal, due to Badu sending the record straight to iTunes. It also marked Badu's first release under her own record label, Control Freaq. But You Caint Use My Phone received generally positive reviews from critics and debuted at number 14 on the Billboard 200, selling 35,000 equivalent album units in its first week. Badu also hosted the 2015, 2016 and the 2017 Soul Train Music Awards. Badu held her annual "Still Boomin'" sold-out birthday bash concert at The Bomb Factory on February 26, 2016, marking her second performance at the venue since its grand opening 11 months earlier. The event was hosted by Badu's close friend Dave Chappelle and featured a surprise appearance by Outkast frontman Andre 3000. Badu enlisted Dallas local hip hop acts -topic, Zach Witness, and Cameron McCloud as her supporting acts.

Answer this question "What else did she do in 2015?"
output:
After one week of exclusive release on iTunes, But You Caint Use My Phone was released to other digital retailers and streaming services on December 4, 2015.