An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: This movie awed me so much that I watch it at least once a year. At times I find it uncomfortable. At times I find it empowering. And I always find the characters human and real. It is a movie that shows you the gritty reality of life in LA, starting with the recurring helicopter search lights scanning for the dangers lurking so close to the ordinary lives being carried on by the characters. It is also a movie that shows you how the kindness of a stranger can change your life and empower you to make a difference. Grand Canyon reminds you that every action you take, whether intended or not, has powerful repercussions. I found this movie to be similar in many ways to Robert Altman's film Short Cuts. Both had a star-studded roster of perfectly cast actors & actresses and both movies allowed you to gradually see how the the characters interrelated with one another and affected each other, for better or worse. Grand Canyon did a better job of providing a cohesive message, (hope in the face of despairing reality), than Altman's film, although I found them both intriguing in their own way. This film is a definite must see!!!
Q: What's an example of a movie review?
An example of a movie review is here: Over the past year, Uwe Boll has shown marginal improvement as a filmmaker, cranking out the competent "In the Name of the King" (a "Lord of the Rings" clone) and the proudly vulgar, post-9/11 satire "Postal." But then came "Seed," and the counter was reset to Zero, keeping his bid for legitimacy and respect that much further out of reach. And I'm a fan of the guyhis films exhibit a uniquely screwball vision, and are never dull.

Spawned from his frustration over the savage notices his early films received, "Seed" is a colossally misguided attempt at social commentary, and an even worse jab at creating an iconic slasher mythology (Boll often seems to be taking a page from Rob Zombie's successful reboot of "Halloween"). The antagonist is Maxwell Seed (Will Sanderson), a mute, hulking brute who's slain 666 people and sits on death row, awaiting execution; after unsuccessfully frying the beast, he rises from the grave to seek revenge on those who put him there...and so begins a string of wholly gratuitous mayhem.

Trying to create a new-millennium slasher in the vein of Michael Myers or Jason Voorhees, Max Seed is too nondescript and boring to leave an impression, ultimately resembling a washed-up pro wrestler doing "The Toolbox Murders" on a succession of equally boring victims. Furthermore, Seed's character and Boll's "message" run contrary to one another: the death penalty is wrong, sure, but are we really expected to sympathize with a soulless killer who's left a couple hundred corpses in his wake? I think not.

Meanwhile, Michael Pare acts like a listless, long-lost brother to James Remar's character on "Dexter": a cop who sits at his desk a lot, thumbing through newspaper clippings, and watching pointless stop-motion scenes of decomposing animals and people trapped in Seed's lair. By the time he and a bunch of cardboard cops storm Seed's hideout, the sequence is so drawn-out, ill-conceived (the lighting is almost non-existent), and unexciting (despite a healthy dose of gore) that it almost put me to sleep.

The shoddy film-making isn't limited to just that sequence: "Seed" appears to have been shot by a drunken cinematographer, since the camera bobs and weaves endlessly, a technique that's more stomach-turning than the gore itself; these protracted takes of very little happening only draw attention to the meandering, almost non-existent narrative. At 90 minutes, the film is distended enough to be considered a form of torture, which might have been Boll's intent all along.

Pure genius...I guess the joke's on me.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: This is another great movie I had the good fortune to see for the first time on the big screen (thanks to Rick Baker et al). Back in the late 80's I was a relative newcomer to the genre and only really new about the big three JC, SH & YB. I wasn't sure what to expect when I payed my hard earned money to see this in a "Triple bill of Classics" at the old Scala. I need not have worried, I was left breathless by this movie. If you're a fan of Hong Kong Action / Kung Fu movies and haven't seen this movie, do so NOW!
Problem: OPTIONS:
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- positive positive
=++++=
Answer: I was very impressed with this small, independently made picture. The story, about a pair of social outcasts who meet, become friends, and provide each other with a support system both seemed to lack as children, is at times hilarious, at times sad, but always provocative. Music, mostly by underground bands, was used to great effect, as was the experimentation with camera angles, filters, and slow or fast motion techniques. The performances (the leads are played by the writers and directors of the film) are some of the best I've seen in the last couple of years. If you ever felt like a square peg being forced into a round slot, I really believe you'll appreciate "By Hook or By Crook".
An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: Drew Barrymore keeps seeing her alter-ego all over town and it's really starting to become a pain in the butt.

After Dee rents a flat from a hack writer, her encounters with 'the other Drew' become more frequent. Writer-dude feels that it's his responsibility to snap 'the real Drew' out of her stupor, so he does what he can to help including seducing her as soon as he has some free time. Not very interesting, and even less scary, but Drew is sexy as usual, especially when she gives a group of rude construction workers the finger... yeah Drew, that's hot!

Best scene just might be where Drew stabs her real-life Mom, Jaid, with a big kitchen knife... hmmm... and how was your day?
An example of a movie review. negative (OPTIONS:
- negative
- positive).

A:
I like monster movies, generally. Even if they are implausible and silly. But its hard to like this movie when its so implausible and silly AND tries to take itself seriously all at the same time. Like in a really posh kind of way.

While the idea is somewhat factual, like Orcas are known for killing Great White Sharks, its really hard to find it scary when I can't help but just see an angry Shamoo destroying stuff. Especially that one scene where some building exploded cause of the Orca's doing...and while it explodes, the thing jumps out of the water and it felt like I was watching a show at Sea World with fireworks. Plus they kill a lot of the scary moments before they even hint that they're going to happen. On top of that, it takes a few jabs at JAWS. Its like "hey look, we're being factual and we can come up with BETTER reasons why the Orca is attacking".

Yes you are, ignoring your outrageous **** ups in logic of course. But JAWS had one thing your movie doesn't. Its scary. Yes its implausible. Yes its somewhat outrageous. But quite frankly, factual or not, a Killer Shark is not close to being as scary as a Great White. And the poor attempt at character development and writing just hurts it more. Even JAWS the Revenge is scarier than this.