Background: Marie Charlotte Carmichael Stopes (15 October 1880 - 2 October 1958) was a British author, palaeobotanist and campaigner for eugenics and women's rights. She made significant contributions to plant palaeontology and coal classification, and was the first female academic on the faculty of the University of Manchester. With her second husband, Humphrey Verdon Roe, Stopes founded the first birth control clinic in Britain. Stopes edited the newsletter Birth Control News, which gave explicit practical advice.
Context: During Stopes's time at Manchester, she studied coal and coal balls and researched the collection of Glossopteris (Permian seed ferns). This was an attempt to prove the theory of Eduard Suess concerning the existence of Gondwana or Pangaea. A chance meeting with Antarctic explorer Robert Falcon Scott during one of his fund-raising lectures in 1904 brought a possibility of proving Suess's theory. Stopes's passion to prove Suess's theory led her to discuss the possibility of joining Scott's next expedition to Antarctica. She did not join the expedition, but Scott promised to bring back samples of fossils to provide evidence for the theory. Scott died during the 1912 Terra Nova Expedition, but fossils of plants from the Queen Maud Mountains found near Scott's and his companions' bodies provided this evidence. In 1907, Stopes went to Japan on a scientific mission. She spent eighteen months at the Imperial University, Tokyo and explored coal mines on Hokkaido for fossilised plants. She published her Japanese experiences as a diary, called "Journal from Japan: a daily record of life as seen by a scientist", in 1910. In 1910, the Geological Survey of Canada commissioned Stopes to determine the age of the Fern Ledges, a geological structure at Saint John, New Brunswick. It is part of the Early Pennsylvanian epoch Lancaster Formation. Canadian scholars were divided between dating it to the Devonian period or to the Pennsylvanian/Upper Carboniferous period. Stopes arrived in North America before Christmas to start her research. On 29 December, she met the Canadian researcher Reginald Ruggles Gates in St. Louis, Missouri; they became engaged two days later. Starting her work on the Fern Ledges in earnest in February 1911, she did geological field work and researched at geological collections in museums, and shipped specimens to England for further investigation. The couple married in March and returned to England on 1 April that year. Stopes continued her research. In mid-1912 she delivered her results, finding for the Pennsylvanian period of the Carboniferous. The Government of Canada published her results in 1914. Later the same year, her marriage to Gates was annulled.[1] During the First World War, Stopes was engaged in studies of coal for the British government, which culminated in the writing of "Monograph on the constitution of coal" with R.V. Wheeler in 1918. The success of Stopes' work on marriage issues and birth control led her to reduce her scholarly work; her last scientific publications were in 1935. According to W. G. Chaloner (2005), "between 1903 and 1935 she published a series of palaeobotanical papers that placed her among the leading half-dozen British palaeobotanists of her time". Stopes made major contributions to knowledge of the earliest angiosperms, the formation of coal balls and the nature of coal macerals. The classification scheme and terminology she devised for coal are still being used. Stopes also wrote a popular book on palaeobotany, "Ancient Plants" (1910; Blackie, London), in what was called a successful pioneering effort to introduce the subject to non-scientists.
Question: Are there any other interesting aspects about this article?
Answer: During the First World War, Stopes was engaged in studies of coal for the British government, which culminated in the writing of "Monograph on the constitution of coal"

Problem: Background: Orci was born in Mexico City on July 20, 1973, to a Mexican father and a Cuban mother. His mother immigrated to the United States with her parents after Fidel Castro came to power. Orci grew up in Mexico, and moved with his family to the United States at the age of 10. He was raised in Texas, Los Angeles and Canada.
Context: Orci's first credit solely as a producer came with the film Eagle Eye, where he worked once again alongside Kurtzman. He said in an interview with the magazine Extra that he had previously been involved in productions where the producers had writing backgrounds and had looked to them for help, and he was happy to provide that same support to the writers on Eagle Eye. The director of the film, D. J. Caruso, praised the duo saying that "What's unusually cool about them is that they have maintained the producer-writer power that they earned in television and carried that over into the feature film area, and that is extremely rare." Following their work on Eagle Eye, they were executive producers on the Sandra Bullock film, The Proposal. Despite their film careers, Orci and Kurtzman continued to create television series. These included Sleepy Hollow, which they developed alongside Phillip Iscove. They pitched the series to a number of networks, and it was picked up by Fox. Orci took five years to bring the series Matador to television, with it originating from a conversation with his cousin Andrew. It was created for Robert Rodriguez's El Rey Network, and Rodriguez's one demand of the show was that he could direct the pilot episode. Orci later explained in an interview that it was an easy decision, and he needed to pretend to consider it. Orci and Kurtzman also worked together as executive producers on the animated television series, Transformers: Prime, due to their involvement with the live action movies. Following the end of the series they were hopeful to be involved in a future animated series based on the premise, which Orci saw less like a reboot of the show and more of a continuation in a different guise. He felt that while Prime was sophisticated, there were concerns that it was leaving younger viewers behind because of its complexity and intensity.
Question: Was it a success
Answer:
The director of the film, D. J. Caruso, praised the duo saying that "What's unusually cool about them is that they have maintained the producer-writer power that