input: Make use of the article to answer the questions. Adult contemporary music (AC) is a style of music, ranging from 1960s vocal and 1970s soft rock music to predominantly ballad-heavy music of the present day, with varying degrees of easy listening, pop, soul, rhythm and blues, quiet storm, and rock influence. Adult contemporary is rather a continuation of the easy listening and soft rock style that became popular in the 1960s and 1970s with some adjustments that reflect the evolution of pop/rock music.

Adult contemporary tends to have lush, soothing and highly polished qualities where emphasis on melody and harmonies is accentuated. It is usually melodic enough to get a listener's attention, and is inoffensive and pleasurable enough to work well as background music. Like most of pop music, its songs tend to be written in a basic format employing a versechorus structure.

Adult contemporary is heavy on romantic sentimental ballads which mostly use acoustic instruments (though bass guitar is usually used) such as acoustic guitars, pianos, saxophones, and sometimes an orchestral set. The electric guitars are normally faint and high-pitched. However, recent adult contemporary music may usually feature synthesizers (and other electronics, such as drum machines). 1. What type is the article about?
2. How can it be abbreviated?
3. What kinds of instruments does it use?
4. With what characteristics?
5. What is it based on?
6. From what years?
7. Is it hard to listen to?
numbered_answers: 1. Adult contemporary music
2. AC
3. acoustic instruments
4. versechorus structure.
5. easy listening and soft rock
6. 1960s and 1970s
7. no

input: Make use of the article to answer the questions. (CNN) -- A line of angry protesters waving signs and wearing scows formed a ring around the front entrance of the Daily News' headquarters.

They took turns at the bullhorn accusing the paper of everything from libel to genocide. They didn't bring a list of demands; they weren't looking to negotiate. They had one goal: to shut the paper down forever.

"We're going to march until the walls come down," one shouted.

Employees who would normally head out the revolving door to one of the lunch trucks along Broad street developed a taste for cafeteria food that day.

Not Chuck Stone.

Stone, senior editor of the newspaper they had pledged to kill, walked out the front entrance and met their scows with a broad smile. Picketers committed to the complete destruction of the Daily News returned his smile or nodded in recognition as they passed him. A few even shook his hand.

I'll never forget that scene. It was, at once, improbable yet typical of a man who was as comfortable in the salons of power as he was in the embrace of the disadvantaged.

Chuck was the last man you'd pick out of a lineup of guys suspected of aiding and abetting dangerous felons. In his horn-rimmed glasses, hand-tied, silk bowties and graying crew cut, he looked like a grown-up version of the nerds that tough guys used to beat up to burnish their reps.

But fugitives who were wanted for vicious assaults and heinous crimes would call Chuck before they called their lawyers. In a town where some cops were known to administer curbside justice, surrendering to Chuck Stone was a way to keep from having their faces rearranged on the way to jail. At least 75 fugitives did just that over Stone's 19-year career. 1. At what location is the mob?
2. What did most take a turn holding?
3. Who was not deterred by the mob?
numbered_answers: 1. the entrance of the daily news
2. the bullhorn
3. Chuck Stone

input: Make use of the article to answer the questions. CHAPTER ITHE SCHOOLBOY CHUMS

"Come on, fellows, if you are going! It's a good six-mile skate to Squirrel Island, and we've got to hustle if we want to get there in time for lunch."

"Wait till I fix my right skate, Dave," returned Phil Lawrence. "I don't want to lose it on the way."

"Say, that puts me in mind of a story," came from another of the group of schoolboys who were adjusting their skates. "Once a man asked for a pair of skates for"

"Stow it, Shadow!" interrupted Dave Porter. "We haven't any time now to listen to stories. You can tell them while we are resting up at the island."

"Shadow can tell stories while we put away the lunch," observed Roger Morr, with a grin.

"Not much!" cried the lad mentioned. "I guess that skate will make me as hungry as anybodyand the stories will keep."

"I thought Ben Basswood was going, too?" came from another of the schoolboys.

"Here he comes, Lazy," answered Dave, and as he spoke he pointed to a path across the snow-covered campus, along which another boy was hurrying, skates in hand.

"Co-couldn't get here an-any so-sooner!" panted Ben, as he dropped on a bench to adjust his skates. "Old Haskers made me do some extra work in Latin! Wow, but don't I love that man!"

"We all do," answered Phil. "We are going to get up a testimonial to him. A silver-mounted"

"Slice of punk, with an ancient lemon on top," finished Dave. "It's just what he's been waiting for." And at this sally there was a general laugh. 1. what chapter is this ?
2. and the name ?
3. who said slice of punk ?
4. with what on top ?
5. how long is it to Squirrel Island ?
6. six mile what ?
7. are they trying to get there for dinner ?
8. what was it for ?
9. who had a broken skate ?
10. phil who ?
11. who did he tell that to ?
12. what would happen if he di not fix it ?
13. who inturrupted the story ?
14. why ?
15. who was telling the story ?
16. when is a good time for stories ?
17. who was late ?
18. who called him lazy ?
19. who had extra latin work ?
20. the skate will make them what ?
21. as who ?
numbered_answers:
1. I
2. THE SCHOOLBOY CHUMS
3. Dave
4. ancient lemon
5. six-mile
6. skate
7. no
8. lunch
9. Phil
10. Lawrence
11. Dave
12. lose it
13. Dave Porter
14. haven't any time
15. group of schoolboy
16. t the island
17. Ben Basswood
18. Dave
19. Ben
20. hungry
21. anybody