In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: robert altman 's cookie 's fortune is that rare movie that does not depend on sentimentality to be uplifting and to make its viewers feel good .
it is a sunny , delightful , dreamy comedy , filled with lovely performances , skillful direction and topped off with an understated , clever , extraordinary script .
as this is an ensemble piece , it is forced to start of slowly as it introduces us to its characters , all of them residing in a southern town called holly springs .
first we meet willie ( charles s. dutton ) , an honest man with a slight drinking habit .
we then see that willie takes care of an elderly lady nicknamed cookie , who is slowly losing her grip on sanity and is being filled with loneliness , despair , and want of her dead husband .
we cut to camille ( glenn close ) who is obsessively directing a play with her sister cora ( julianne moore ) .
then we briefly get acquainted with emma ( liv tyler ) , an apparent relative of cookie , who is a down - but - not - out teen outcast , still full of love and hope even though she has no real place to live .
we also fleetingly see emma 's lover jason ( chris o'donnell ) , an ambitious but far too excitable young cop .
we are now about one quarter through the two hour picture , and robert altman decides that it is time to set the plot in motion .
we see the ecstatic cookie stare hopefully at a picture of her husband .
she exclaims " here i come ! " and then puts a pillow to her face and shoots herself .
soon after , her niece camille stops by to get a fruit salad bowl , comes upstairs , finds cookie dead and flips out .
convinced that suicide is a disgrace and that she will have none of that in her family , she eats the suicide note and convinces her slightly slow ( yet sweet ) sister that it was a murder .
she makes sure that she stages it like a murder as well ; scattering jewelry all over the floor , breaking a few cabinets , windows and doors , and then throwing the gun out in the back yard .
the only reasonable suspect is willie , who immediately gets taken into custody , and put in a jail cell
( they all know he did n't do it , so the cell stays open and he plays scrabble with the sheriff and the faithful emma ) .
meanwhile , the unperturbed camille continues her none - too - subtle manipulations trying to further cover up for the murder while at the same time making her easter play a success .
so begins cookie 's fortune , a film aptly described by critic scott renshaw as " a southern spin on fargo , " except that this one is far funnier and much more enjoyable than the coen brothers ' darker , somewhat disturbing and slightly overrated escapade .
robert altman 's slight picture is in some ways reminiscent of something like midnight in the garden of good and evil as well , in that both films focus ( on and off ) on the eccentricities of the residents in a southern us town .
indeed , most of the characters in cookie 's fortune are loads of fun to observe , and a portion of them are fascinating and surprisingly multi- dimensional .
glenn close turns in an insubstantial ( in terms of her career ) but magnificent performance
as the conniving camille and is also the source of a good portion of the many laughs that we enjoy in this movie , and she is perfectly cast as the prolific " aunt alexandria " character , endlessly obsessed with family dignity .
the equally essential role of willie is handled with an intangible grace by veteran thespian charles
s. dutton
( mimic , a time to kill ) there is nothing like a movie which leaves you feeling all warm and fuzzy
inside hours , even days after the film ends .
cookie 's fortune is such a movie .
i loved the light , kindhearted approach altman ( whose last project was the dark , intense drama the gingerbread man ) took towards the tricky subject matter .
i enjoyed the talented ensemble cast .
i even liked the trite " in the south everybody is related to everybody " cliche that is inevitably employed by the time this movie draws to a close .
i 'm not sure
why cookie 's fortune had such an all - around pleasing effect on me .
perhaps it 's that good ol' southern charm .

Output: P

Input: Consider Input: here i sit at my computer about to write my review of the recent action comedy " bait " starring jamie foxx and david morse .
this is a review i do n't even want to write because i 'd just be laying the same criticisms on it that i would with any other so - generic - and - predictable - it's - beyond - ridiculous piece of hollywood fluff
.
if they 're not going to give us , the audience , just a little credit and put something together with half a brain , why should i waste my time and mental energy criticising it ?
last summer i took this same approach with my review of " the mummy , " in that review i just quoted phrases my reviews of other sub - par movies .
i think i shall do the same thing here but with a few less quotes ( not all are applicable ) .
i hope this goes to show you what i think of " bait " and why you can find out all you need to know about it without having to take a wild guess .
it 's genuinely unfunny
( i , and the other audience members only laughed once during the entire two hours ) , unoriginal and unthrilling .
it 's not so bad to the point where it 's fun to watch because of its badness
and it 's no so bad you absolute
loathe it and are pained by watching it
, it 's just such a cliche in and of itself , that , uhh . . .
lost my train of thought .
anyways , here 's those quotes , enjoy !
" getting an audience 's attention right from the beginning plays a major role in how today 's films work .
we want to have something exciting to watch , not a slow build - up of a story ( god forbid ! ) , and this film plays right into the mainstream 's hands . . .
" - review of " armageddon .
"
" it 's clear the film does n't want to waste time on reality and thus the attempt to establish plausability ( the most minimal amount necessary ) comes across as a half - assed effort
.
supporting characters and shady sup - plots are introduced , but as is the case with films made up of a large cast of characters , only a handful have any real significance . . .
there 's a fine line separating homage from plagiarism . . . , " - review of " godzilla " ( 1998 )
" unfortunately , as is the case with most modern thrillers , once the film showed potential for authenticity and intelligence , the cliches and action sequences take over , " - review of " the jackal .
" chad'z movie page is back after heavy renovation .
reviews of nearly all mainstream movies playing today !
get my reviews of everything playing at your local cineplex so you can better make an informed decision on what to see .
do n't forget to vote on my poll and sign the guestbook !

Output: N

Input: Consider Input: over 40 years ago , a japanese production company called toho introduced the land of the rising sun to gojira , a reptilian creature of immense proportions created by mankind 's nuclear testing .
partly flight of fancy , partly commentary on the exploitation of atomic power and weaponry , gojira emerged from the ocean to terrorize tokyo .
a year later , gojira was marketed to the united states by adding three things : a new name , a dubbed english track , and raymond burr .
as godzilla , the film took on the rest of the world .
thirty years later , toho remade the classic film and once again took it to the american market by adding the same three things ( yes , including raymond burr ) and called it godzilla 1985 .
now it 's 14 years after toho 's remake , and director roland emmerich has allowed the giant lizard to make an american first run .
in emmerich 's godzilla , matthew broderick plays dr .
niko tatopoulos , a biologist who is called in to join other scientists in the south pacific already studying the existence of a radiation - induced super mutant which leaves footprints the size of livingrooms .
when the mutant reptile suddenly appears out of the hudson river , tatopoulos and the rest of the team relocate themselves back to the states .
meanwhile , tatopoulos 's college girlfriend , audrey timmonds ( maria pitillo ) , works in new york city as an assistant to a big - time news reporter .
she 'd like to be a reporter herself , and when godzilla comes ashore , she figures this is her big break .
of course , with the big guy running amok in the city , niko and audrey are bound to cross paths , and are joined by victor " animal " palotti ( hank azaria ) , audrey 's trusty cameraman friend , and phillipe roche ( jean reno ) , an operative for the french government , whose nuclear testing started the whole problem in the first place .
together they attempt to find and destroy the surprisingly elusive godzilla .
with the resources of the most cutting edge special effects houses and the clout of one of the nation 's premiere movie production companies , one would think emmerich could make a film truly deserving of the name godzilla .
he did n't .
right up there with the lost world , godzilla is one of the biggest disappointments in recent cinematic history .
the plot is pretty much what we expect : the big dinosaur - like creature comes out of the water and starts smashing new york city , and it 's up to our heroes to figure out why this thing is on its rampage and how it can be stopped , while the military makes futile attempts to bring the creature down .
the script , however , is painfully bad .
it 's fraught with lines
so corny , they do n't even belong in b - movies , and includes many character actions which make you think , " you idiot , " or " you stupid girl .
"
i suppose when you 've got a movie with a giant lizard loose in new york , any other semblance of reality goes out the window as well .
why is it that godzilla topples some buildings by merely brushing against them , but is conveniently able to leap atop others ?
why do helicopters have to follow godzilla by flying dangerously between buildings where they can lose sight of him , when they could more easily keep track of him by flying a little higher and in a straight line ?
why do sidewinder missiles , which have small explosive warheads , blow up entire buildings when they miss godzilla ?
why is a mission to bomb madison square garden carried out by three f-18 fighter - bombers , when flights of such aircraft are always comprised of multiples of two ?
okay , maybe the last one was a bit nit - picky ,
but hey , i was on a roll .
broderick is usually a good actor , but in this film he 's weighed down by an unexciting character and an atrocious screenplay which seem to fight against him every step of the way .
hank azaria does what he can , but do n't expect to see development of any of the promise he showed in the birdcage .
like broderick 's , azaria 's character is quite simply lacking in color .
what really annoyed me was maria pitillo , who actually takes the bad script and makes it worse with her acting .
casting must have been asleep on this one .
the one bright spot here is jean reno , who oddly enough seems to fit well into a role which is often comedic , quite unlike what we 've seem him do in the past .
although his character is contradictory to the unfolding disaster , reno brings a style to the role of phillipe which makes him enjoyable .
unfortunately , the same can not be said of the other incongruities .
the entire feel of the movie is tongue - in - cheek , and seems to pay comical homage to a dozen or so films that have come before it .
this results in a significant amount of parody , which contrasts sharply with the threat of the monster , and ends up just producing a mess .
most of the characters seem to be there for comic relief , and almost none are smart enough for the audience to take seriously .
although emmerich obviously wanted to make a fun action picture , what good is it to sink millions into a cgi creature whose ferocity is undermined by the humans he threatens ? if we ca n't take the characters seriously , the threat they face is an empty one because we simply do n't care what happens to them .
godzilla simply pulls too many punches in its attempt to be a film more light - hearted than it should be .
far be it from me to want to see more carnage in the theaters , but here 's a behemoth running through the city !
there 's bound to be a lot of casualties , but instead godzilla is afflicted with the after - school g .
i .
joe cartoon syndrome , where almost everyone seems to get out of harm 's way just in time .
in a couple of scenes , godzilla briefly breathes fire .
none of the characters even remark upon this ability , nor is it used to any particular advantage by the filmmakers .
it 's as if the special effects people just wanted to show that yes , godzilla can do this , just like in the old movie . consider another punch pulled .
through creative script writing , you can make a sequel out of just about any movie , but the final scene in this one does n't just leave the door open , it opens into a hallway leading directly into a room where godzilla ii is waiting patiently .
it made me want to gag .
emmerich should have done away with 90 % of the humor and in - jokes and played this one as a straight action film .
with an intelligently written screenplay , godzilla could have been so much more . however , by confusing the viewer with a ton of add - ins and parodies , the movie ends up being something that just does n't work .
now if they only had raymond burr . . . .
Output: N