input: Courbet finished his prison sentence on 2 March 1872, but his problems caused by the destruction of the Vendome Column were still not over. In 1873, the newly elected president of the Republic, Patrice Mac-Mahon, announced plans to rebuild the column, with the cost to be paid by Courbet. Unable to pay, Courbet went into a self-imposed exile in Switzerland to avoid bankruptcy. In the following years, he participated in Swiss regional and national exhibitions. Surveilled by the Swiss intelligence service, he enjoyed in the small Swiss art world the reputation as head of the "realist school" and inspired younger artists such as Auguste Baud-Bovy and Ferdinand Hodler. Important works from this period include several paintings of trout, "hooked and bleeding from the gills", that have been interpreted as allegorical self-portraits of the exiled artist. In his final years, Courbet painted landscapes, including several scenes of water mysteriously emerging from the depths of the earth in the Jura Mountains of the France-Switzerland border. Courbet also worked on sculpture during his exile. Previously, in the early 1860s, he had produced a few sculptures, one of which--the Fisherman of Chavots (1862)--he donated to Ornans for a public fountain, but it was removed after Courbet's arrest. On 4 May 1877, Courbet was told the estimated cost of reconstructing the Vendome Column; 323,091 francs and 68 centimes. He was given the option paying the fine in yearly installments of 10,000 francs for the next 33 years, until his 91st birthday. On 31 December 1877, a day before the first installment was due, Courbet died, aged 58, in La Tour-de-Peilz, Switzerland, of a liver disease aggravated by heavy drinking.

Answer this question "When was Gustave Courbet sent into exile?"
output: Courbet went into a self-imposed exile

input: Despite playing at a lower level, he impressed England manager Alf Ramsey sufficiently to give him his debut against East Germany in November 1970. England won 3-1. Little more than six months later, Leicester were promoted back to the First Division. His second England cap came in a goalless draw against Wales at Wembley; and his first competitive match for his country was his third appearance as England drew 1-1 with Switzerland in a qualifying game for the 1972 European Championships. At this stage, Banks was still England's first choice keeper, but the remaining brace of back-ups from the 1970 World Cup, Peter Bonetti and Alex Stepney, had been cast aside by Ramsey so Shilton could begin to regard himself as his country's number two goalkeeper at the age of 22. Life with Leicester City continued uneventfully as Shilton's England career progressed. His fourth and fifth England caps came towards the end of 1972 (England had failed to qualify for the European Championship competition) before a tragic incident suddenly saw Shilton propelled into the limelight as England's number one keeper. In October 1972, Gordon Banks was involved in a car crash which resulted in the loss of the sight in one eye and thus ended his career. Liverpool goalkeeper Ray Clemence was called up to make his debut a month later for England's opening qualifier for the 1974 World Cup, (a 1-0 win over Wales). Shilton ended up with over 100 caps compared to Clemence's 61. Shilton in the summer of 1973 kept three clean sheets as England defeated Northern Ireland, Wales and Scotland. Against Scotland Shilton made a right handed save diving to his left from Kenny Dalglish's shot that Shilton considered among his best saves. While drawing with Czechoslovakia earned Shilton his tenth cap - as a warm-up to a crucial World Cup qualifier against Poland in Chorzow a week later. This went badly for England, with Shilton unable to stop both goals in a 2-0 defeat and therefore making victory in the final qualifier, against the same opposition at Wembley four months later, a necessity if England were to make the finals.

Answer this question "what was his biggest accomplishment?"
output: Shilton could begin to regard himself as his country's number two goalkeeper at the age of 22.

input: After two years of touring for ...And Out Come the Wolves, Rancid returned to the studio in 1997 to begin recording its fourth studio album, Life Won't Wait, which was released on June 30, 1998. The album branched out from Rancid's previous musical styles, and combined punk rock with elements of roots reggae, rockabilly, dub, hip-hop, and funk, drawing comparisons to the Clash's Sandinista!. Though the album did not achieve the success of ...And Out Come the Wolves, but has since garnered a strong cult following in recent times. In 1999, Rancid decided to end its seven-year relationship with Epitaph and signed with Armstrong's founded Hellcat Records (which is a sub-label of Epitaph). A second self-titled album was released on August 1, 2000 and would be its first album released through Hellcat. The album failed to achieve the success of Rancid's previous three albums and reached number 68 on the Billboard charts. On the album, the group largely abandoned its ska-punk influences, recording a more hardcore-influenced album. The three original members of Rancid released three songs under the name Devil's Brigade in 2002, one on the Give 'Em the Boot III compilation album, and two on a 12-inch vinyl record. In March of the same year, a split album with NOFX titled BYO Split Series Volume III was released, in which Rancid covered NOFX songs and NOFX covered Rancid songs. After a break from touring in 2001, Rancid returned to the studio with Gurewitz in 2002 to record its sixth studio album, Indestructible, which was released on August 19, 2003 and was their highest-charting album to date, reaching number 15. Unlike the band's previous albums, Indestructible was distributed by not only Epitaph/Hellcat but major record label, Warner Bros. Records, a move that received some backlash from the band's fans who questioned their loyalty to the independent scene. When released, the album didn't feature the Warner logo anywhere on the packaging, a move to ease tension among fans. The album was warmly received by most critics however met with mixed reviews from fans, some of which felt the album contained a "poppier" sound (some accusing Warner of having an influence on the music) while others felt it was a mixture of ..And Out Come the Wolves and Life Won't Wait. The album's music video for the first single, "Fall Back Down" was also met with some criticism from fans due to members of Good Charlotte and Kelly Osbourne making appearances.

Answer this question "What else did the band do interesting"
output:
returned to the studio in 1997 to begin recording its fourth studio album,