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In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

New input: Context_1 : Kh (Russian: ) was the class of double axled high-floor tramcars, which were built in Soviet Union in interbellum period. First vehicles were built in 1927 and delivered to Kharkov, Ukraine. First letter of city name, Cyrillic "" (usually transliterated as "Kh"), was selected as a designation of whole series. After Kharkiv, tramcars of this type were supplied to many Soviet cities and became most numerous in the fleets of many municipalities. In 1941, after the onset of Operation Barbarossa, their production was stopped for maximizing war efforts. The Kh-class tramcars were finally withdrawn from the city service in the mid-1960s as morally obsolete vehicles, their sturdy construction allowed them to be used much more. The small number of survived cars are preserved for museum purposes in Moscow, Nizhniy Novgorod, Saratov and few other cities. Context_2 : Combat Mission II: Barbarossa to Berlin (also known in the Windows version as simply Combat Mission: Barbarossa to Berlin) is a turn-based computer game about tactical battles in World War II. It is part of the "Combat Mission" series. The game has been described as the "reigning champ of east front tactical warfare for the PC." Context_3 : Karma: Operation Barbarossa (Korean: 2, and also known as Karma 2) is a free online First Person Shooter game developed by Dragonfly, Futureport, and Blueside, and it is distributed by Dragonfly. It is the sequel to Karma Online, which was the first online First Person Shooter game in South Korea. Karma: Operation Barbarossa was planned to be published in North America by free-to-play publisher ijji, but has recently been officially canceled. However, on March 2011, Joymax picked up the rights to publish the game globally under the name, Karma Online: Prisoners Of The Dead. Context_4 : In the Dungeons & Dragons fantasy role-playing game, the Ambush drake is a type of Dragon. Unlike traditional D&D Dragons, which are somewhat feline, Ambush drakes are lupine (wolf-like). Ambush drakes are short, squat and compact compared to normal Dragons, but still grow to be at least as large as an adult human. They have muscular limbs, and short spines on their necks and ugly heads. Their wings are disproportionate. Ambush drakes have grey bodies and back legs, with dark orangey-red heads, front legs and wings. They are far less intelligent than regular Dragons. Context_5 : Ambush! is a man-to-man wargame developed by Avalon Hill. It was released under Avalon's Victory Games label and was developed by Eric Lee Smith and John Butterfield. In 1984, "Ambush!" won the Origins Award for "Best 20th Century Boardgame of 1983". It has been out of print since Avalon Hill was disbanded in 1998. Context_6 : A withdrawal is a type of military operation, generally meaning retreating forces back while maintaining contact with the enemy. A withdrawal may be undertaken as part of a general retreat, to consolidate forces, to occupy ground that is more easily defended, or to lead the enemy into an ambush. It is considered a relatively risky operation, requiring discipline to keep from turning into a disorganized rout or at the very least doing severe damage to the military's morale. Context_7 : Barbarossa ( , Barubarossa ) is a 1992 Japan-exclusive Super Famicom strategy video game that revolves around Nazi Germany's involvement in the World War II campaign called "Operation Barbarossa". Context_8 : Barbarossa is a plasticine-shaping German-style board game for 3 to 6 players, designed by Klaus Teuber in and published in 1988 by Kosmos in German and by Rio Grande Games in English. "Barbarossa" won the 1988 Spiel des Jahres award. Context_9 : Company of Heroes 2 is a real-time strategy video game developed by Relic Entertainment and published by Sega for Microsoft Windows, OS X, and Linux. It is the sequel to the critically acclaimed 2006 game "Company of Heroes". As with the original "Company of Heroes", the game is set in World War II but with the focus on the Eastern Front, with players primarily controlling the side of the Soviet Red Army during various stages of the Eastern Front, from Operation Barbarossa to the Battle of Berlin. "Company of Heroes 2" runs on Relic Entertainment's proprietary Essence 3.0 game engine Context_10 : Yoshi is an extinct genus of machairodontine sabertooth cat in the tribe Metailurini. Its fossils were described from Turolian deposits from the Miocene epoch of the Balkan Peninsula in 2014 and specimens from china once thought to belong to "Metailurus". It has been described as potentially being synonymous with "Metailurus", though this is difficult to confirm at present. The type specimen is a skull that bears remarkable similarities with the modern cheetah. "Yoshi" is intermediate in size between a lynx and cougar, and based on several as-yet unpublished skeletons, may have had a similar lifestyle to the cheetah, being better built for speed and fast pursuit than most other machairodonts, which were more suited to ambush and hunting large, relatively slow moving animals. fact_1 : Barbarossa is a plasticine-shaping German-style board game for 3 to 6 players, designed by Klaus Teuber in and published in 1988 by Kosmos in German and by Rio Grande Games in English. fact_2 : won the Origins Award for "Best 20th Century Boardgame of 1983". Answer: board
Solution:
Barbarossa and Ambush!, are which type of game?