IN: Hedwig and the Angry Inch is a rock musical about a fictional rock and roll band fronted by a transgender East German singer, Hedwig Robinson. The book is by John Cameron Mitchell, and the music and lyrics are by Stephen Trask. The story draws on Mitchell's life as the son of a U.S. Army Major General who once commanded the U.S. sector of occupied West Berlin. The character of Hedwig was inspired by a German divorced U.S. Army wife who was a Mitchell family babysitter and moonlighted as a prostitute at her Junction City, Kansas, trailer park home.

The character of Hedwig was originally a supporting character in the piece. She was loosely inspired by a German female babysitter/prostitute who worked for Mitchell's family when he was a teenager in Junction City, Kansas. The character of Tommy, originally conceived as the main character, was based on Mitchell himself: both were gay, the sons of an army general, deeply Roman Catholic, and fascinated with mythology. Hedwig became the story's protagonist when Trask encouraged Mitchell to showcase their earliest material in 1994 at NYC's drag-punk club Squeezebox, where Trask headed the house band and Mitchell's boyfriend, Jack Steeb, played bass. They agreed the piece should be developed through band gigs in clubs rather than in a theater setting in order to preserve a rock energy. Mitchell was deeply influenced by Squeezebox's roster of drag performers who performed rock covers. The setlists of Hedwig's first gigs included many covers with lyrics rewritten by Mitchell to tell Hedwig's story: Fleetwood Mac's "Oh Well"; Television's "See No Evil"; Wreckless Eric's "Whole Wide World"; Yoko Ono's "Death of Samantha"; Pere Ubu's "Non-Alignment Pact"; Cher's "Half Breed"; David Bowie's "Boys Keep Swinging"; Mott the Hoople's "All the Young Dudes"; and the Velvet Underground's "Femme Fatale." A German glam rendition of Debby Boone's "You Light Up My Life" once served as the musical's finale. Mitchell's second gig was as fill-in host at Squeezebox on a bill featuring singer Deborah Harry of Blondie. It was for this occasion that Mike Potter first designed Hedwig's trademark wig, which was initially constructed from toilet paper rolls wrapped with synthetic blond hair. Mitchell, Trask, and the band Cheater (Jack Steeb, Chris Wielding, Dave McKinley, and Scott Bilbrey) continued to workshop material at venues such as Fez Nightclub and Westbeth Theater Center for four years before premiering the completed musical Off-Broadway in 1998. Mitchell has explained that Hedwig is not a trans woman, but a genderqueer character. "She's more than a woman or a man," he has said. "She's a gender of one and that is accidentally so beautiful."
QUESTION: Who was in the musical?
IN: Curved Air are a pioneering English progressive rock group formed in 1970 by musicians from mixed artistic backgrounds, including classical, folk, and electronic sound. The resulting sound of the band was a mixture of progressive rock, folk rock, and fusion with classical elements. Along with High Tide and East of Eden, Curved Air were one of the first rock bands after It's a Beautiful Day and the United States of America to feature a violin. Curved Air released eight studio albums, the first three of which broke the UK Top 20, and had a hit single with "Back Street Luv" (1971) which reached number 4 in the UK Singles Chart.

Having retained a good working relationship, Sonja Kristina and Mike Wedgwood formed a new band with Kirby Gregory (electric guitar), Eddie Jobson (keyboards, violin), and Jim Russell (drums). Jobson had come from a band called Fat Grapple, who had been one of Curved Air's support acts on tour. This new band played a much more conventional brand of rock than the former Curved Air, with almost none of the classical influences of that group. However, on the suggestion of manager Clifford Davis, they continued using the name Curved Air so as to give them a commercial leg up. Kristina later commented: What I wanted to do with the band at the time was get more of a rock edge to it, and Kirby's guitar playing really excited me - he was just really wild. And Jim was the same way, a very solid rock drummer. Mike and I really wanted to continue, and it was our manager Clifford Davis who said we would do a better business continuing to call the band Curved Air. So we kept the name and followed along the same pattern as before, as a writer's band. Everybody in the new band contributed material except for Jim Russell, who really wasn't a writer. Before it had mainly been Darryl and Francis, but I had managed to get some of my compositions in. The use of the Curved Air name was not enough, however. Whereas all three of the original Curved Air's albums had broken the UK top 20, the new band's sole album, Air Cut, failed to even chart. Due to artistic differences with Jobson, Kirby Gregory and Jim Russell both left the group to form Stretch. Warner Brothers realized that the current Curved Air was in essence not the same band they had signed, and so the remaining trio recorded a demo tape for the label. The demos failed to convince Warner Brothers, and they discontinued the contract. (These demos were later issued as part of the Lovechild record.) With no contract and only half a lineup, in summer 1973 Curved Air broke up. Jobson replaced Eno in Roxy Music, while Wedgwood joined Caravan.
QUESTION:
What is the new curved air