Some context: Kenneth Duva Burke (May 5, 1897 - November 19, 1993) was an American literary theorist, as well as poet, essayist, and novelist, who wrote on 20th-century philosophy, aesthetics, criticism, and rhetorical theory. As a literary theorist, Burke was best known for his analyses based on the nature of knowledge. Furthermore, he was one of the first individuals to stray away from more traditional rhetoric and view literature as "symbolic action." Burke was unorthodox, concerning himself not only with literary texts, but with the elements of the text that interacted with the audience: social, historical, political background, author biography, etc.
Burke called the social and political rhetorical analysis "dramatism" and believed that such an approach to language analysis and language usage could help us understand the basis of conflict, the virtues and dangers of cooperation, and the opportunities of identification and consubstantiality. Burke defined the rhetorical function of language as "a symbolic means of inducing cooperation in beings that by nature respond to symbols." His definition of humanity states that "man" is "the symbol using, making, and mis-using animal, inventor of the negative, separated from his natural condition by instruments of his own making, goaded by the spirit of hierarchy, and rotten with perfection." For Burke, some of the most significant problems in human behavior resulted from instances of symbols using human beings rather than human beings using symbols. Burke proposed that when we attribute motives to others, we tend to rely on ratios between five elements: act, scene, agent, agency, and purpose. This has become known as the dramatistic pentad. The pentad is grounded in his dramatistic method, which considers human communication as a form of action. Dramatism "invites one to consider the matter of motives in a perspective that, being developed from the analysis of drama, treats language and thought primarily as modes of action" (Grammar of Motives xxii). Burke pursued literary criticism not as a formalistic enterprise but rather as an enterprise with significant sociological impact; he saw literature as "equipment for living," offering folk wisdom and common sense to people and thus guiding the way they lived their lives.
How are the values of the five elements determined?
A: Dramatism "invites one to consider the matter of motives in a perspective that, being developed from the analysis of drama, treats language and thought primarily as modes of action" (
Some context: Corey Todd Taylor (born December 8, 1973) is an American musician, singer, songwriter, actor, and author, best known as the lead singer and lyricist of the bands Slipknot and Stone Sour. Taylor formed Stone Sour in 1992, playing in the Des Moines area, and working on a demo. He joined Slipknot in 1997 to replace their original vocalist and has subsequently released five studio albums with them. After the first two Slipknot albums went Platinum, Taylor revived Stone Sour to record an album and tour in 2002.
Corey Todd Taylor was born on December 8, 1973 in Des Moines, Iowa. He was mostly raised by his single mother in Waterloo, Iowa, a place described by Taylor as a "hole in the ground with buildings around it". He is of Irish, German and Native American descent on his father's side, and Dutch and Irish on his mother's side. In 1979, Taylor and his mother saw the sci-fi series Buck Rogers in the 25th Century. Before the series, there was a trailer for the 1978 horror film Halloween. Taylor said this "developed some sense of Slipknot in [himself]". While Halloween introduced Taylor to masks and horror themes, Taylor's grandmother introduced him to rock music, showing him a collection of Elvis Presley records from the 1950s to 1970s. He especially found songs like "Teddy Bear", "In the Ghetto", and "Suspicious Minds" to appeal to his interests the most, describing them as "good times". Taylor also began listening to Black Sabbath at a young age, beginning with their early work. Taylor, along with his mother and sister, lived at one point in an "old dilapidated farmhouse" which on days in late autumn would "look like Black Sabbath album covers". By age 15, he had developed a drug addiction and had overdosed on cocaine twice. By this time, he was living in Waterloo, but later set out on his own and ended up at his grandmother's house in Des Moines. She took legal custody of him so that he could continue going to school, and she helped him buy musical equipment. When Taylor was 18, he left his grandmother's house and went to various places in Iowa, Des Moines being a place to which he frequently returned. In 2017, on an episode of Viceland's The Therapist, Taylor revealed that he was sexually assaulted at the age of 10 by a 16-year-old friend. Taylor stated that he never told anyone about the incident until he was "probably 18" because his abuser "threatened to hurt [him] and threatened to hurt [his] mom". At age 18, when Taylor was living with his grandmother, he attempted suicide by way of overdose. His ex-girlfriend's mother drove him to the hospital in Des Moines and doctors were able to resuscitate him. He describes this as the lowest point in his life. Taylor first met his father when he was 30 years old, and now has a relationship with him, although he said their paths do not cross that often.
where is he from
A: Des Moines, Iowa.
Some context: Daniel Lee Dierdorf (born June 29, 1949) is a former American football offensive lineman and current sportscaster. A native of Canton, Ohio, Dierdorf played college football for the University of Michigan from 1968 to 1970 and was selected as a consensus first-team All-American in 1970 and a first-team All-Big Ten Conference player in 1969 and 1970. He was inducted into the University of Michigan Athletic Hall of Honor in 1996 and the College Football Hall of Fame in 2000. Dierdorf played professional football in National Football League (NFL) with the St. Louis Cardinals for 13 seasons from 1971 to 1983.
From 1974 to 1976, Dierdorf started every game at right tackle for the Cardinals during a three-year span in which the team compiled records of 10-4, 11-3, and 10-4 under head coach Don Coryell. In 1977, Dierdorf sustained a broken jaw and missed two games to injury as the Cardinals fell to 7-7. In 1978, Dierdorf started all 16 games at right tackle for the Cardinals. During his peak years from 1974 to 1978, Dierdorf was regarded as one of the best offensive lineman in the NFL. He was selected by the National Football League Players Association as the Offensive Lineman of the Year for three consecutive years from 1976 to 1978. The Cardinals' offensive line, led by Dierdorf, Conrad Dobler, and Tom Banks, led the NFL with the fewest sacks allowed for three years (and the National Football Conference for five years) in the mid-1970s. In 1975, the group set an NFL record, allowing only eight sacks in 14 games. Dierdorf did not allow a sack during the entire 1976 and 1977 seasons. His streak ended in the first game of the 1978 season when Chicago Bears defensive end Tommy Hart tallied two sacks against Dierdorf. Dierdorf had not given up a sack since the 1975 NFC Divisional playoff game when Jack Youngblood sacked Jim Hart. Dierdorf was selected to play in the Pro Bowl for five consecutive years from 1974 to 1978. Dierdorf also received first-team All-NFL honors as follows: in 1975 from the Pro Football Writers Association (PFWA); in 1976 from the Associated Press (AP), PFWA, Newspaper Enterprise Association (NEA), and Pro Football Weekly (PFW); in 1977 from AP, PFWA, NEA, and PFW; and in 1978 from AP, PFWA, NEA, PFW. He was named as the NFC choice for the NFLPA/Coca-Cola Offensive Lineman of the Year Award three straight years (1976-78) and was the Seagram's Seven Crowns of Sports Offensive Lineman of the Year in 1975. He also won the Forrest Gregg Award for NFL Offensive Lineman of the Year in 1975.
Who did he play for during this time?
A:
the Cardinals