In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

Input: Consider Input: Question: Were there any famous performers at the music festival McCollum often performed at? Passage:During the mid-1950s McCollum was highly busy performing as a concert soloist and performed with some frequency in operas with the New England Opera Theatre (NEOT). He sang frequently with the Boston Symphony Orchestra under conductor Charles Munch, often at the Tanglewood Music Festival, performing works like the role of the evangelist in Bach's Johannes Passion (1956). He was also a regular performer with the Dessoff Choirs under conductor Paul Boepple, performing as a tenor soloist in oratorios like Handel's Messiah (1956) and Handel's Israel in Egypt (1957). One work which he performed with frequency during these years was J.S. Bach's Mass in B Minor, which he first performed in February 1955 with the Chicago Symphony Orchestra under conductor Margaret Hillis. He later performed the work with the Boston Symphony Orchestra at Tanglewood in the summer of 1955 and with the Philadelphia Orchestra at the Bethlehem Bach Festival in 1956. In March 1955 he sang Helenus in a lauded production of Berlioz's Les Troyens with the New England Opera Theater opposite Eunice Alberts as Cassandre, Marriquita Moll as Dido, and Arthur Schoep as Aeneas.
Links: a. Tanglewood Music Festival b. George Frideric Handel c. Johann Sebastian Bach d. Mass in B minor

Output: a

Input: Consider Input: Question: In what state did McAtee play professional hockey in the NHL? Passage:Norman Joseph McAtee (June 28, 1921 August 25, 2010) was a professional ice hockey player who played 13 games in the National Hockey League with the Boston Bruins. Born in Stratford, Ontario, he and his brother Jud played together in junior ice hockey with the Oshawa Generals during the years when the Generals dominated the Ontario Hockey League, winning championships with them in 193839. 193940 and 194041. At the end of the 1941 season, Norm joined his brother by signing as a free agent with the Detroit Red Wings in the NHL. However, beginning in 1942 and lasting throughout World War II, Norm became a flying officer in the Royal Canadian Air Force. After his discharge in 1945, he teamed with his brother in the Red Wings farm system before the two of them were traded to the Chicago Blackhawks for Doug McCaig in December 1945. Just over a month later, Chicago traded him to Boston for Bill Jennings, and Norm joined the Bruins for 13 games, recording one assist. After that, he finished his career in the minor leagues, ending as player-coach with the Troy Bruins in Troy, Ohio from 1951 to 1954.
Links: a. Troy, Ohio b. Doug McCaig c. Royal Canadian Air Force d. National Hockey League

Output: d

Input: Consider Input: Question: When did Canby begin working for the New York Times? Passage:Vincent Canby of The New York Times wrote, "As an attempt to elevate pornography ... into art, it is often witty and funny but it fails for several reasons, including Ginsberg's self-imposed limitations on form (to which he's not completely faithful)." He elaborated that "the screenplay, like the film, eventually drifts in a horizontal direction into a kind of foggy confusion." Variety stated, "The problem with 'Coming Apart' is that while it suggests some interesting ideas, it can't deliver any of them in cogent form. If Torn is supposed to be some form of saint in the 20th Century religion of psychiatry, prepared to accept the truth of his perceptions with detached irony, this only adds to the deadness of the film as public entertainment." Gene Siskel of the Chicago Tribune gave the film 3.5 stars out of 4 and praised Rip Torn for "a brilliantly controlled performance. He never appears to be acting." Kevin Thomas of the Los Angeles Times wrote, "In this dreary study of the disintegration of a New York psychologist (Rip Torn), Ginsberg made the mistake of placing professional actors in improvised Warhol-like situations ... What we're left with, consequently, is scarcely more than some mild but mainly tedious pornography for intellectuals." Gary Arnold of The Washington Post wrote, "Compared to the erotic satire, the film's serious pretensions seem so uninspired and derivative that it's only natural to find that your interest dwindles once the characters start sorting out their souls ... the breakdowns turn morbidly sentimental and theatrically pat." Life reviewer Richard Schickel praised Torn's performance, Ginsberg's inventive use of camera and sound, and the "illuminating" portrayal of a schizophrenic breakdown. Andrew Sarris of The Village Voice gave it a less favorable review, however, and the film was a commercial failure.
Links: a. Vincent Canby b. Andrew Sarris c. Richard Schickel d. Vincent Canby
Output: a