Answer the question at the end by quoting:

"Hound Dog" is a twelve-bar blues song written by Jerry Leiber and Mike Stoller. Recorded originally by Willie Mae "Big Mama" Thornton on August 13, 1952, in Los Angeles and released by Peacock Records in late February 1953, "Hound Dog" was Thornton's only hit record, selling over 500,000 copies, spending 14 weeks in the R&B charts, including seven weeks at number one. Thornton's recording of "Hound Dog" is listed as one of the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll", and was inducted into the Grammy Hall of Fame in February 2013. "Hound Dog" has been recorded more than 250 times. The best-known version is the July 1956 recording by Elvis Presley, which is ranked number 19 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time; it is also one of the best-selling singles of all time.
Two records were released that were neither cover versions of nor answers to Thornton's release, yet used a similar melody without any attribution to Leiber and Stoller. The first was Smiley Lewis's "Play Girl", credited to D. Bartholomew and released by the Imperial Records label (Imperial 45-5234) by the end of March 1953. Described as a "stomping uptempo boogie rocker", it began: "You ain't nothin' but a Play Girl / Staying out all night long". In April 1955, female impersonator Jesse "Big 'Tiny'" Kennedy recorded "Country Boy" accompanied by His Orchestra that was released by RCA's Groove Records (Groove 4G-0106) by May 21. While credited solely to Kennedy, this song has a similar melody to "Hound Dog": "'Country Boy' has a deceptively slouching flip on the 'Hound Dog' motif - this time with Tiny proclaiming proudly that he 'ain't nothing but a country boy'". In the early 1970s Robert Loers, owner of Dutch label Redita Records, found a song with the same melody as "Hound Dog" called "(You Ain't Nuttin' But a) Juicehead" on an anonymous acetate at Select-o-Hits, the Memphis distributorship owned by Sam Phillips' brother, Tom, where Sun artifacts were stored. When Juice Head first appeared on a Redita Records LP [in 1974], it was credited to Rosco Gordon. But it's not Rosco. It simply is not him. Really. Even Rosco confirmed that. It might not even be a Memphis Recording Service demo. Just substitute the words "Hound Dog" for "Juice Head" and what have you got? Of course the inspiration for this song came from Big Mama Thornton's "Hound Dog" or perhaps even from Rufus Thomas' "Bear Cat". But the song's other parent is Eddie Vinson's slowed down "Juicehead Blues" which harks to the previous decade...If indeed this originated from Sam Phillips' studio, it was nothing that Phillips needed to touch because it was another lawsuit waiting to happen." Philip H. Ennis sees "Two Hound Dogs", which was recorded on May 10, 1955, by Bill Haley & His Comets (Decca 29552), as a response to Thornton's recording. While not an answer record in the traditional sense, the lyric characterized "Rhythm" and "Blues" as the titular "Two Hound Dogs," an apparent testament to the stature of "Hound Dog."

What was the result of this?

the Memphis distributorship owned by Sam Phillips' brother, Tom, where Sun artifacts were stored.

Answer the question at the end by quoting:

Mojo is a fictional character, a supervillain appearing in American comic books published by Marvel Comics, usually those featuring the X-Men family of characters. Created by writer Ann Nocenti and artist Arthur Adams, Mojo first appeared in Longshot #4 (December 1985), as the titular hero's archenemy, and subsequently a villain to the X-Men and their various sub-groups as well. Mojo is one of the "Spineless Ones," an alien race that is immobile without advanced technology.
At the time she wrote the Longshot miniseries, writer Ann Nocenti was pursuing her Master's degree at the School of International and Public Affairs, Columbia University, working at the magazine Lies of Our Times, and reading the work of writers like Marshall McLuhan, Noam Chomsky, Edward S. Herman and Walter Lippmann. Mojo, a slaver and dictator who rules his dimension through the television programs he produces, was created as a direct result of these influences. (A character named Manufactured Consent after the Chomsky book of the same name, who appeared in Nocenti's 1990 book The New Mutants Summer Special, was also born of these works.) Artist Art Adams designed the character per Nocenti's instructions that he be disgusting and unpleasant, and also tried to make him look frightening. The wires that hold Mojo's eyelids open, thus preventing him from blinking, were inspired by an interview with actor Malcolm McDowell on Late Night with David Letterman, in which McDowell revealed that the similar apparatus he had to wear for the Ludovico technique scene in A Clockwork Orange had scarred his corneas. The rest of the equipment attached to Mojo's head controls his mechanized chair. Mojo first appeared in Longshot #4 (December 1985), and was the main villain of the miniseries, appearing in the subsequent three issues. The character subsequently appeared in The New Mutants Annual #2 (1986). That same year, in The Uncanny X-Men Annual #10, Mojo appeared as the villain in the story, which saw Longshot join the X-Men. In 1988, Mojo appeared in a backup story in The Uncanny X-Men Annual #12. He was the main villain of the one-shot special Excalibur: Mojo Mayhem (December 1989). Subsequent appearances include Marvel Comics Presents #89 (1991), The Uncanny X-Men Annual #15 (1991), Wolverine #52 (March 1992), X-Men #6 (March 1992), Wolverine #53 (April 1992), X-Men #7 (April 1992), #10-11 (July-August 1992), The Uncanny X-Men Annual 16 (Annual 1992), Marvel Comics Presents #119 (1993), What If? #59 (March 1994), X-Men Adventures: Season Two #11 (December 1994), Marvel: Portraits of the Universe #1 (March 1995), X-Men: Mutations #1 (1996), Youngblood/X-Force #1 (July 1996), X-Force/Youngblood #1 (August 1996), X-Force #60-61 (November-December 1996), The Adventures of the X-Men #9-10 (1996-January 1997), X-Babies: Murderama #1 (January 1998), X-Force #76 (April 1998), X-Babies Reborn #1 (January 2000), X-Men Unlimited #32 (September 2001), Exiles #18-19 (December 2002-January 2003), The Uncanny X-Men #460-461 (August 2005), and Exiles #73-74 (February 2006). Mojo was featured in an entry in the Official Handbook of the Marvel Universe Deluxe Edition #8, and in the All-New Official Handbook of the Marvel Universe A-Z #7 (2006).

-Has a recent comic book of Mojo been published in the last few years?
All-New Official Handbook of the Marvel Universe A-Z #7 (2006).