Given the task definition, example input & output, solve the new input case.
In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.
Example: plot : two teen couples go to a church party , drink and then drive .
they get into an accident .
one of the guys dies , but his girlfriend continues to see him in her life , and has nightmares .
what 's the deal ?
watch the movie and " sorta " find out . . .
critique : a mind - fuck movie for the teen generation that touches on a very cool idea , but presents it in a very bad package .
which is what makes this review an even harder one to write , since i generally applaud films which attempt to break the mold , mess with your head and such ( lost highway & memento ) , but there are good and bad ways of making all types of films , and these folks just did n't snag this one correctly
.
they seem to have taken this pretty neat concept , but executed it terribly .
so what are the problems with the movie ?
well , its main problem is that it 's simply too jumbled
.
it starts off " normal " but then downshifts into this " fantasy " world in which you , as an audience member ,
have no idea what 's going on
.
there are dreams , there are characters coming back from the dead , there are others who look like the dead , there are strange apparitions , there are disappearances , there are a looooot of chase scenes , there are tons of weird things that happen , and most of it is simply not explained .
now i personally do n't mind trying to unravel a film every now and then , but when all it does is give me the same clue over and over again , i get kind of fed up after a while , which is this film 's biggest problem .
it 's obviously got this big secret to hide , but it seems to want to hide it completely until its final five minutes .
and do they make things entertaining , thrilling or even engaging , in the meantime ?
not really .
the sad part is that the arrow and i both dig on flicks like this , so we actually figured most of it out by the half - way point , so all of the strangeness after that did start to make a little bit of sense , but it still did n't the make the film all that more entertaining .
i guess the bottom line with movies like this is that you should always make sure that the audience is " into it " even before they are given the secret password to enter your world of understanding .
i mean , showing melissa sagemiller running away from visions for about 20 minutes throughout the movie is just plain lazy ! !
okay , we get it .
. .
there are people chasing her and we do n't know who they are .
do we really need to see it over and over again ?
how about giving us different scenes offering further insight into all of the strangeness going down in the movie ?
apparently , the studio took this film away from its director and chopped it up themselves , and it shows .
there might 've been a pretty decent teen mind - fuck movie in here somewhere , but i guess " the suits " decided that turning it into a music video with little edge , would make more sense .
the actors are pretty good for the most part , although wes bentley just seemed to be playing the exact same character that he did in american beauty , only in a new neighborhood .
but my biggest kudos go out to sagemiller , who holds her own throughout the entire film , and actually has you feeling her character 's unraveling .
overall , the film does n't stick
because it does n't entertain , it 's confusing , it rarely excites and
it feels pretty redundant for most of its runtime , despite a pretty cool ending and explanation to all of the craziness that came before it .
oh ,
and by the way , this is not a horror or teen slasher flick . . .
it 's just packaged to look that way because someone is apparently assuming that the genre is still hot with the kids .
it also wrapped production two years ago and has been sitting on the shelves ever since .
whatever . .
. skip it !
where 's joblo coming from ?
a nightmare of elm street 3 ( 7/10 ) - blair witch 2 ( 7/10 ) - the crow ( 9/10 ) - the crow : salvation ( 4/10 )
- lost highway ( 10/10 ) - memento ( 10/10 ) - the others ( 9/10 ) - stir of echoes ( 8/10 )
Output: N
The phrases used in the review convey a negative sentiment (e.g. "presents it in a very bad package").

New input case for you: it 's almost amusing to watch 21-year old christina ricci get drastically overshadowed in sally potter 's follow - up to 1997 's the tango lesson , the man who cried .
the gen - y actress , with her cold stare and big , black eyes , has appeared in an impressive range of films ; but she does n't even come close to being the bold heroine the film , set against the historical backdrop of world war 2 , requires her to be .
ricci , whose character is shockingly silent and blank , showing only the occasional smile or hint of concern , shares most of her scenes with the astounding cate blanchett : quite an amusing sight to behold .
blanchett 's lola , a paris dwelling dancer who befriends the aspiring singer suzie , is bold , interesting and layered ?
everything our heroine lacks .
co - star of the upcoming lord of the rings trilogy , blanchett has a good seven inches on ricci , sports twice the makeup and dons a flashy wardrobe .
the actress inhabits the role ?
as she always so remarkably does ?
with a fervor and life that makes you want her to hold the screen as the film 's lead rather than her dull companion .
important historical events involving hitler and his nazis scatter themselves across the film ; these landmarks serve as the film 's little conflict .
obviously , the tables are turned in the life of suzie by these events , whose jewish origin is unknown among her parisian colleagues .
the man who cried has many aspirations , none of which come full circle by the film 's close .
there are forced messages here and there
: " go forward ; always go forward , " lola preaches to suzie ; there 's romance between suzie and a fellow target of hitler 's nazis , the gypsy cesar ( johnny depp , who , like ricci , barely gets to speak ) ; lola struggles with her character that desires above all things wealth and men who have it ; and at the core of all these devices lies suzie 's desire to travel to america , where her father journeyed after leaving her and her mother years ago .
the film 's main problem is that potter is n't skilled enough to tell the epic - sized story of suzie .
the time period 's instability , the conflicting social classes , the prejudice against suzie from all those around her in her new life : serving as both writer and director , potter throws in some of each , but hardly an inch of depth is to be found in any .
by the time the sigh - inducing climax hits , the believability and complete absence of focus leave one ready to leave the theater .
the film 's falling action is weirdly unsatisfying and unlikely ; are we really meant to believe any of this could happen ?
contrastingly , in its moving final scene , the man who cried strikes a note that is made effective in its ties to the emotional beginning of the film .
although it 's apparent that potter ca n't grasp what she reaches , i 'm puzzled as to why she reaches for so much in the first place .
ricci 's suzie is meant to be the film 's core : from the extended flashback at the film 's beginning to the quickly drawn ending , everything seen in the film , in some way , relates to her .
so why then does potter spend so much time on subplots involving other individuals ?
the character of suzie is too present for the man who cried to work as an ensemble , but not present enough for the film to be ricci 's .
the almost constant lack of flow and one - note tone with which potter depicts the man who cried are somewhat improved upon by sacha vierny 's beautiful cinematography that renders the film 's various locations wonderfully .
also worthy of note are lindy hemming 's costumes that help to depict the area quite nicely .
and then there 's the music .
from minute one to minute ninety - seven , there 's hardly a moment when the wavering , skilled voice of an opera singer or the rhythms of the gypsy music do n't undercut the action ; the notes stricken both overwhelm ( particularly john turturro , portraying fictional opera singer dante dominio , whose money and reputation catch lola 's interest ) and accompany ( oftentimes ,
the perfect chords are captured to undermine the state of the film 's characters and reinforce that state ) .
potter obviously cares much about each and every musical note ; unfortunately , the same effort is n't given towards ( almost ) everything else .
Output:
N