Question:
Mihail Sadoveanu (Romanian: [miha'il sado'veanu]; occasionally referred to as Mihai Sadoveanu; November 5, 1880 - October 19, 1961) was a Romanian novelist, short story writer, journalist and political figure, who twice served as acting head of state for the communist republic (1947-1948 and 1958). One of the most prolific Romanian-language writers, he is remembered mostly for his historical and adventure novels, as well as for his nature writing. An author whose career spanned five decades, Sadoveanu was an early associate of the traditionalist magazine Samanatorul, before becoming known as a Realist writer and an adherent to the Poporanist current represented by Viata Romaneasca journal. His books, critically acclaimed for their vision of age-old solitude and natural abundance, are generally set in the historical region of Moldavia, building on themes from Romania's medieval and early modern history.
In 1896, when he was aged sixteen, Sadoveanu gave thought to writing a monograph on Moldavian Prince Stephen the Great, but his first literary attempts date from the following year. It was in 1897 that a sketch story, titled Domnisoara M din Falticeni ("Miss M from Falticeni") and signed Mihai din Pascani ("Mihai from Pascani"), was successfully submitted for publishing to the Bucharest-based satirical magazine Dracu. He started writing for Ovid Densusianu's journal Vieata Noua in 1898. His contributions, featured alongside those of Gala Galaction, N. D. Cocea, and Tudor Arghezi, include another sketch story and a lyric poem. Sadoveanu was however dissatisfied with Densusianu's agenda, and critical of the entire Romanian Symbolist movement for which the review spoke. He ultimately began writing pieces for non-Symbolist magazines such as Opinia and Pagini Literare. In parallel, he founded and printed by hand a short-lived journal, known to researches as either Aurora or Lumea. Sadoveanu left for Bucharest in 1900, intending to study Law at the University's Faculty of Law, but withdrew soon after, deciding to dedicate himself to literature. He began frequenting the bohemian society in the capital, but, following a sudden change in outlook, abandoned poetry and focused his work entirely on Realist prose. In 1901, Sadoveanu married Ecaterina Balu, with whom he settled in Falticeni, where he began work on his first novellas and decided to make his living as a professional writer. His first draft for a novel, Fratii Potcoava ("The Potcoava Brothers"), came out in 1902, when fragments were published by Pagini Alese magazine under the pseudonym M. S. Cobuz. The following year, Sadoveanu was drafted into the Romanian Land Forces, stationed as a guard near Targu Ocna, and inspired by the experience to write some of his first social criticism narratives. After that time, he spent much of his home in the country, where he raised a large family. Initially, the Sadoveanus lived in a house previously owned by celebrated Moldavian raconteur Ion Creanga, before they commissioned a new building, famed for its surrounding Gradina Linistii ("Garden of Quietude"). He was the father of eleven, among whom were three daughters: Despina, Teodora and Profira Sadoveanu, the latter of whom was a poet and a novelist. Of his sons, Dimitrie Sadoveanu became a painter, while Paul-Mihu, the youngest (born 1920), was author of the novel Ca floarea campului... ("Like the Flower of the Field...") which was published posthumously.
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Where did they get married?

Answer:
settled in Falticeni,

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Martin was born on June 7, 1917, in Steubenville, Ohio, to an Italian father, Gaetano Alfonso Crocetti (1894-1967), and an Italian-American mother, Angela Crocetti (nee Barra; 1899-1966). They were married in 1914. His father, who was a barber, was originally from Montesilvano, in Abruzzo, and his maternal grandparents' origins are believed to be also from Abruzzo, although they are not clearly known.
Martin attracted the attention of Metro-Goldwyn-Mayer and Columbia Pictures, but a Hollywood contract was not forthcoming. He met comic Jerry Lewis at the Glass Hat Club in New York, where both were performing. Martin and Lewis formed a fast friendship which led to their participation in each other's acts and the formation of a music-comedy team. Martin and Lewis's debut together occurred at Atlantic City's 500 Club on July 24, 1946, and they were not well received. The owner, Skinny D'Amato, warned them that if they did not come up with a better act for their second show that night, they would be fired. Huddling in the alley behind the club, Lewis and Martin agreed to "go for broke", they divided their act between songs, skits, and ad-libbed material. Martin sang and Lewis dressed as a busboy, dropping plates and making a shambles of Martin's performance and the club's decorum until Lewis was chased from the room as Martin pelted him with breadrolls. They did slapstick, reeled off old vaudeville jokes, and did whatever else popped into their heads. The audience laughed. This success led to a series of well-paying engagements on the Eastern seaboard, culminating in a run at New York's Copacabana. The act consisted of Lewis interrupting and heckling Martin while he was trying to sing, with the two ultimately chasing each other around the stage. The secret, both said, is that they ignored the audience and played to each other. The team made its TV debut on the first broadcast of CBS-TV network's The Ed Sullivan Show (then called "The Toast Of The Town) on June 20, 1948, with composers Rodgers and Hammerstein also appearing. Hoping to improve their act, the two hired young comedy writers Norman Lear and Ed Simmons to write their bits. With the assistance of both Lear and Simmons, the two would take their act beyond nightclubs. A radio series began in 1949, the year Martin and Lewis signed with Paramount producer Hal B. Wallis as comedy relief for the movie My Friend Irma. Their agent, Abby Greshler, negotiated one of Hollywood's best deals: although they received only $75,000 between them for their films with Wallis, Martin and Lewis were free to do one outside film a year, which they would co-produce through their own York Productions. They also controlled their club, record, radio, and television appearances, and through these they earned millions of dollars. In Dean & Me, Lewis calls Martin one of the great comic geniuses of all time. They were friends, as well, with Lewis acting as best man when Martin remarried in 1949. But harsh comments from critics, as well as frustration with the similarity of Martin and Lewis movies, which producer Hal Wallis refused to change, led to Martin's dissatisfaction. He put less enthusiasm into the work, leading to escalating arguments with Lewis. Martin told his partner he was "nothing to me but a dollar sign". The act broke up in 1956, 10 years to the day from the first teaming.
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What happened after they met?

Answer:
Martin and Lewis's debut together occurred at Atlantic City's 500 Club on July 24, 1946, and they were not well received.