Background: Journey is an American rock band that formed in San Francisco in 1973, composed of former members of Santana and Frumious Bandersnatch. The band has gone through several phases; its strongest commercial success occurred between 1978 and 1987. During that period, the band released a series of hit songs, including "Don't Stop Believin'" (1981), which in 2009 became the top-selling track in iTunes history among songs not released in the 21st century. Its parent studio album, Escape, the band's eighth and most successful, reached No. 1 on the Billboard 200 and yielded another of their most popular singles, "Open Arms".
Context: With Cain on board, the band began writing material that would eventually lead up to Journey's biggest studio album, "Escape". Recording sessions began in April 1981, and lasted until the middle of June. Escape was released on July 31, 1981, and immediately the album became a mainstream success. The album, which has thus far sold nine times platinum, went to number one on the album charts later that year, and included three top-ten hits: "Who's Cryin' Now", "Don't Stop Believin'" and "Open Arms". The last is Journey's highest-charting single to date, staying at No. 2 for six consecutive weeks and ranking at No.34 on Billboard's 1982 year-end Hot 100. MTV videotaped one of their two sold-out shows in Houston on November 6, 1981, in front of over 20,000 fans. Capitalizing on their success, the band recorded radio commercials for Budweiser and sold rights to their likenesses and music for use in two video games: the Journey arcade game by Bally/Midway and Journey Escape by Data Age for the Atari 2600. This success was met with criticism. The 1983 Rolling Stone Record Guide gave each of the band's albums only one star, with Dave Marsh writing that "Journey was a dead end for San Francisco area rock." Marsh later would anoint Escape as one of the worst number-one albums of all time. Journey's next album, Frontiers (1983), continued their commercial success, reaching No. 2 on the album charts, selling nearly six million copies. The album generated four Top 40 hits, "Separate Ways (Worlds Apart)", which reached No. 8, "Faithfully", which reached No. 12, "Send Her My Love" and "After the Fall", both of which reached No. 23. By this time, Journey had become one of the top touring and recording bands in the world. During the subsequent stadium tour, the band contracted with NFL Films to record a video documentary of their life on the road, Frontiers and Beyond. Scenes from the documentary were shot at JFK Stadium in Philadelphia, Pennsylvania with more than 80,000 fans in attendance.
Question: What singles were released?
Answer: "Who's Cryin' Now", "Don't Stop Believin'" and "Open Arms".

Background: Oystein Aarseth (Norwegian: ['oystein 'os@t]; 22 March 1968 - 10 August 1993), better known by his stage name Euronymous, was a Norwegian guitarist. Euronymous was a founder of and central figure in the early Norwegian black metal scene. He was a co-founder of the Norwegian black metal band Mayhem. He was also founder and owner of the extreme metal record label Deathlike Silence Productions and record shop Helvete.
Context: Euronymous said that the term black metal can apply to any kind of metal, so long as it is "Satanic" and "heavy". He said "If a band cultivates and worships Satan, it's black metal" and that "In a way, it can be ordinary heavy metal or just noise. What's important is that it's Satanic; that's what makes it black metal". He rejected bands like Immortal being called black metal, "as they are not Satanists", but supported the band nonetheless. As noted earlier, bands who had LaVeyan beliefs were also rejected. When it was pointed out that Venom (the band who coined the term 'black metal') only used 'Satanism' as a gimmick, Euronymous said that he and the 'Black Circle' "choose to believe otherwise". Likewise, Euronymous said that the term death metal can apply to any kind of metal, so long as the band "cultivates and worships death". Euronymous lamented the commercialization and loss of extremity within death metal. He said "Real Death Metal should be something normal people are afraid of, not something mothers can listen to" and "Death Metal is for brutal people who are capable of killing, it's not for idiotic children who want to have [a] funny hobby after school". Like many others in the black metal scene, Euronymous originally believed that black metal should stay underground. However, he later changed his mind and said the idea should be got rid of. He believed that the idea of staying underground came from hardcore punk and said "Those who scream most about being in 'underground' is also often those who make so bad music that they don't have a chance to get big themselves". He added: "I wouldn't mind making DSP big and earn a million, as long as I don't change my ways of thinking and being [...] If there were one million black metal fans in the world, most of them would be jerks, but there would be really many true and brutal people as well. The bigger we get, the more we can manipulate people into thinking like us".
Question: What were his feelings for bands if they were not "Satanists"?
Answer:
Euronymous lamented the commercialization and loss of extremity within death metal.