Problem: Given the question: Read the following paragraph and extract the answer for the question: What is causing several raised islands to become lost to the sea? Realignment of the River Glaven means the ruins are now to the north of the river embankment, and essentially unprotected from coastal erosion, since the advancing shingle will no longer be swept away by the stream. The chapel will be buried by a ridge of shingle as the spit continues to move south, and then lost to the sea, perhaps within 2030 years.The ridge of shingle runs west from Weybourne along the Norfolk coast, before becoming a spit extending into the sea at Blakeney. Saltmarshes can develop behind the ridge, but the sea attacks the spit through tidal and storm action. The amount of shingle moved by a single storm can be "spectacular"; the spit has sometimes been breached, becoming an island for a time, and this may happen again. The northernmost part of Snitterley village was lost to the sea in the early Middle Ages, probably due to a storm.In the last two hundred years, the maps have been accurate enough for the distance from the ruins to the sea to be measured. The 400 m (440 yd) in 1817 had become 320 m (350 yd) by 1835, 275 m (300 yd) in 1907, and 195 m (215 yd) by the end of the 20th century. The spit is moving towards the mainland at about 1 m (1 yd) per year; and several raised islands or "eyes" have already been lost to the sea as the beach has rolled over the saltmarsh. Landward movement of the shingle meant that the channel of the Glaven, itself excavated in 1922 because an earlier, more northerly course was overwhelmed between Blakeney and Cley, was becoming blocked increasingly often. This led to flooding of Cley village and the environmentally important freshwater marshes. The Environment Agency considered a number of remedial options. Attempting to hold back the shingle or breaching the spit to create a new outlet for the Glaven would be expensive and probably ineffective, and doing nothing would be environmentally damaging. The Agency decided to create a new route for the river to the south of its original line, and work to realign a 550 m (600 yd) stretch of river 200 m (220 yd)...
++++++++++++++++++++++++++++++++
The answer is:
The spit is moving towards the mainland
input question: Read the following paragraph and extract the answer for the question: What was the name of the album that McCartney said was not a pleasant one to make? In the interim came The Beatles, a double LP commonly known as the White Album for its virtually featureless cover. Creative inspiration for the album came from a new direction: without Epstein's guiding presence, the group had briefly turned to Maharishi Mahesh Yogi as their guru. At his ashram in Rishikesh, India, a "Guide Course" scheduled for three months marked one of their most prolific periods, yielding numerous songs including a majority of the 30 included on the album. However, Starr left after only ten days, likening it to Butlins, and McCartney eventually grew bored and departed a month later. For Lennon and Harrison, creativity turned to questioning when an electronics technician known as Magic Alex suggested that the Maharishi was attempting to manipulate them. When he alleged that the Maharishi had made sexual advances to women attendees, a persuaded Lennon left abruptly just two months into the course, bringing an unconvinced Harrison and the remainder of the group's entourage with him. In anger, Lennon wrote a scathing song titled "Maharishi", renamed "Sexy Sadie" to avoid potential legal issues. McCartney said, "We made a mistake. We thought there was more to him than there was."During recording sessions for the White Album, which stretched from late May to mid-October 1968, relations between the Beatles grew openly divisive. Starr quit for two weeks, and McCartney took over the drum kit for "Back in the U.S.S.R." (on which Harrison and Lennon drummed as well) and "Dear Prudence". Lennon had lost interest in collaborating with McCartney, whose contribution "Ob-La-Di, Ob-La-Da" he scorned as "granny music shit". Tensions were further aggravated by Lennon's romantic preoccupation with avant-garde artist Yoko Ono, whom he insisted on bringing to the sessions despite the group's well-established understanding that girlfriends were not allowed in the studio. Describing the double album, Lennon later said: "Every track is an individual track; there isn't any Beatle music on it. [It's] John and the...???
output answer: the White Album
Please answer this: Read the following paragraph and extract the answer for the question: What is the full name that is inscribed on a tablet below his enthroned effigy? The Catacombs of Rome contain most of the surviving Christian art of the Early Christian period, mainly in the form of frescos and sculpted sarcophagi. They show a Christian iconography emerging, initially from Roman popular decorative art, but later borrowing from official imperial and pagan motifs. Initially, Christians avoided iconic images of religious figures, and sarcophagi were decorated with ornaments, Christian symbols like the Chi Rho monogram and, later, narrative religious scenes. The Early Christians' habit, after the end of their persecution, of building churches (most famously St Peter's, Rome) over the burial places of martyrs who had originally been buried discreetly or in a mass grave perhaps led to the most distinctive feature of Christian funerary art, the church monument, or tomb inside a church. The beliefs of many cultures, including Judaism and Hinduism as well as classical paganism, consider the dead ritually impure and avoid mixing temples and cemeteries (though see above for Moche, and below for Islamic culture). In the late Middle Ages, influenced by the Black Death and devotional writers, explicit memento mori imagery of death in the forms of skulls or skeletons, or even decomposing corpses overrun with worms in the transi tomb, became common in northern Europe, and may be found in some funerary art, as well as motifs like the Dance of Death and works like the Ars moriendi, or "Art of Dying". It took until the Baroque period for such imagery to become popular in Italy, in works like the tomb of Pope Urban VIII by Bernini (16281647), where a bronze winged skeleton inscribes the Pope's name on a tablet below his enthroned effigy. As cities became more crowded, bones were sometimes recovered after a period, and placed in ossuaries where they might be arranged for artistic effect, as at the Capuchin Crypt in Rome or the Czech Sedlec Ossuary, which has a chandelier made of skulls and bones.
++++++++
Answer:
Pope Urban VIII