Problem: Mario Lanza (born Alfredo Arnold Cocozza; January 31, 1921 - October 7, 1959) was an American tenor of Italian ancestry, and an actor and Hollywood film star of the late 1940s and the 1950s. Lanza began studying to be a professional singer at the age of 16. After appearing at the Hollywood Bowl in 1947, Lanza signed a seven-year film contract with Louis B. Mayer, the head of Metro-Goldwyn-Mayer, who saw his performance and was impressed by his singing.

Lanza returned to an active film career in 1955 in Serenade, released by Warner Bros. However the film was not as successful as his previous films, despite its strong musical content, including arias from Der Rosenkavalier, Fedora, L'arlesiana, and Otello, as well as the Act I duet from Otello with soprano Licia Albanese. Ms. Albanese said of Lanza in 1980: I had heard all sorts of stories about Mario [Lanza]. That his voice was too small for the stage, that he couldn't learn a score, that he couldn't sustain a full opera; in fact, that he couldn't even sing a full aria, that his recordings were made by splicing together various portions of an aria. None of it is true! He had the most beautiful lirico spinto voice. It was a gorgeous, beautiful, powerful voice. I should know because I sang with so many tenors. He had everything that one needs. The voice, the temperament, perfect diction. ... Vocally he was very secure. All he needed was coaching. Everything was so easy for him. He was fantastic! He then moved to Rome, Italy in May 1957, where he worked on the film Seven Hills of Rome, and returned to live performing in November of that year, singing for Queen Elizabeth II at the Royal Variety Show at the London Palladium. From January to April 1958, Lanza gave a concert tour of the UK, Belgium, the Netherlands, France and Germany. He gave a total of 22 concerts on this tour, receiving mostly positive reviews for his singing. Despite a number of cancellations, which resulted from his failing health during this period, Lanza continued to receive offers for operatic appearances, concerts, and films. In September 1958, he made a number of operatic recordings at the Rome Opera House for the soundtrack of what would turn out to be his final film, For the First Time. It was then that he came to the attention of that opera house's artistic director, Riccardo Vitale, who promptly offered the tenor carte blanche in his choice of operatic roles. Lanza also received offers to sing in any opera of his choosing from the San Carlo in Naples. At the same time, however, his health continued to decline, with the tenor suffering from a variety of ailments, including phlebitis and acute high blood pressure. His old habits of overeating and crash dieting, coupled with binge drinking, compounded his problems.

did it win awards?

Answer with quotes: the film was not as successful as his previous films,

Problem: X is an American punk rock band, formed in Los Angeles in 1977, among the first wave of American punk. The original members are vocalist Exene Cervenka, vocalist/bassist John Doe, guitarist Billy Zoom and drummer D.J. Bonebrake. The band released seven studio albums from 1980 to 1993. After a period of inactivity during the mid to late 1990s, X reunited in the early 2000s, and currently tours.

X then signed to Elektra in 1982 to release Under the Big Black Sun, which marked a slight departure from their trademark sound. While still fast and loud, with raw punk guitars, the album displayed evolving country leanings. The album was heavily influenced by the death of Cervenka's elder sister Mirielle (Mary) in a 1980 automobile accident. Three songs on the album ("Riding with Mary", "Come Back to Me" and the title track) all directly related to the tragedy. A fourth, a high-speed version of Al Dubin and Joe Burke's "Dancing with Tears in My Eyes", was, years later, indirectly attributed to Cervenka's mournful state of mind. The stark black-and-white cover art and title were also a reflection of the somber mood of the band during this time. Cervenka has said it is her favorite X album "You know, my favorite record is Under the Big Black Sun, so everything else is kind of . . . I'm saying if I had to sit down in a room and put on an X record--which I don't generally do--I have recently listened to some X records but I generally don't listen to myself--the record I would pick to listen to would be Under the Big Black Sun. In 1983, the band slightly redefined their sound with the release of the More Fun in the New World album, making X somewhat more polished, eclectic and radio-ready than on previous albums. With the sound moving away from punk rock, the band's rockabilly influence became even more noticeable, along with some new elements: funk on the track "True Love Pt. II", and Woody Guthrie-influenced folk protest songs like "The New World" and "I Must Not Think Bad Thoughts". The record received critical praise from Rolling Stone and Playboy, which had long been stalwart supporters of X and their sound. The Knitters, a side project, were composed of X minus Zoom, plus Alvin on guitar and Johnny Ray Bartel (of the Red Devils) on double bass, and released the Poor Little Critter on the Road album in 1985. The Knitters were devoted to folk and country music; their take on Merle Haggard's "Silver Wings" "may be the definitive version".

What was the sound of the album "More Fun in the New World"?

Answer with quotes:
making X somewhat more polished, eclectic and radio-ready than on previous albums.