Q: The following article contains an answer for the question: What are the full names of the two people who begin a romance together? , can you please find it? Race-car driver Gino Borgesa meets a ballerina, Nicole Laurent, whose pet poodle causes a crash at the track. She persuades an ex-lover to give Gino money for a new car. They begin a romance, although Gino warns her that his racing comes first. After winning a 1,000-mile race, Gino is hired by a successful racing team managed by Maglio, who is leery of Gino's reckless driving tactics but takes a chance on him at the urging of veteran driver Carlos Chavez. Nicole is troubled by Gino's unconcerned attitude about a mechanic accidentally killed at the track. A crash at a race in Brussels seriously injures Gino, whose leg is not amputated only because Nicole persuades doctors not to perform the operation. Once he recovers, Gino begins taking painkillers as well as unnecessary risks. His behavior, too, is out of control, causing him to insult Michel Caron, a young French driver who admires him. Nicole is offended, and the last straw comes when Gino relentlessly wins the final race of Carlos's career, even after Maglio instructed him to let Carlos have one last victory. In time, Gino's stature in racing begins to fall, and he is alone. He begs Nicole to return, but she is involved with Michel now. A contrite Gino returns to the track, where he willingly lets Michel speed past him.
A: Gino Borgesa
Question: The following article contains an answer for the question: What was the last name of the person who was an important figure of the Russian avant-garde? , can you please find it? Lazar Markovich Lissitzky (Russian: , listen ; November 23 [O.S. November 11] 1890 December 30, 1941), known as El Lissitzky (Russian: , Yiddish: ), was a Russian artist, designer, photographer, typographer, polemicist and architect. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. His work greatly influenced the Bauhaus and constructivist movements, and he experimented with production techniques and stylistic devices that would go on to dominate 20th-century graphic design.Lissitzky's entire career was laced with the belief that the artist could be an agent for change, later summarized with his edict, "das zielbewute Schaffen" (goal-oriented creation). Lissitzky, of Lithuanian Jewish rigin, began his career illustrating Yiddish children's books in an effort to promote Jewish culture in Russia. When only 15 he started teaching, a duty he would maintain for most of his life. Over the years, he taught in a variety of positions, schools, and artistic media, spreading and exchanging ideas. He took this ethic with him when he worked with Malevich in heading the suprematist art group UNOVIS, when he developed a variant suprematist series of his own, Proun, and further still in 1921, when he took up a job as the Russian cultural ambassador to Weimar Germany, working with and influencing important figures of the Bauhaus and De Stijl movements during his stay. In his remaining years he brought significant innovation and change to typography, exhibition design, photomontage, and book design, producing critically respected works and winning international acclaim for his exhibition design. This continued until his deathbed, where in 1941 he produced one of his last works a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany. In 2014, the heirs of the artist, in...
Answer: Lissitzky
Question: The following article contains an answer for the question: What is the full name of the person who thinks there was stuff that could have been resolved, and there was drama that was probably unnecessary, typical rock band stuff? , can you please find it? Morello and Cornell initially disagreed over the particulars of Cornell quitting the group, with Morello claiming that Cornell did not communicate directly with him about leaving, while Cornell countered: "Tom and I did have communications about the fact that I was gonna go make a record, and that I was tired of what ended up seeming like political negotiations toward how we were gonna do Audioslave business and getting nowhere with it." He also added that this process of "doing Audioslave business" led him to go solo. Cornell has said that the breakup was not about money, but that he was just not getting along with the other members during their later years. Said Cornell, "Getting along as people is one thing. Getting along as a group of people that can work together in a band situation...We weren't particularly getting along well, no. Bands work in a way where everyone at some point has to have a similar idea of how you do things...Three albums into it, it started to seem like our interests weren't as conjoined anymore."In 2011, Cornell revealed further information about the band's breakup; "Personally a lot of it was me trying to land on my feet again. I went through a lot of personal turmoil right around the time Audioslave formed and unfortunately I think that affected the band a little bit in terms of me not really being grounded.... I think there was stuff that could have been resolved, and there was drama that was probably unnecessary, typical rock band stuff. I certainly played a role in it. I definitely feel like I was part of a lot of unnecessary stuff. It didn't need to become what it became. You learn with experience."In 2012, Tom Morello said that unreleased material that was not on the three albums could be released in the future at an unspecified point. Chris Cornell and Tom Morello shared the stage together for the first time in seven years, among many musicians, at the 2013 Rock and Roll Hall of Fame concert. Cornell also joined Morello on stage on September 26, 2014, guesting on his solo...
Answer:
Chris Cornell