IN: Review: I've always enjoyed Kenneth Branagh's versions of the Shakespeare classics, as he always does a very good job, but in this movie, the one who lifts the whole movie, is none other than "the-always-great-actor" Laurence Fishburne. Surely he has made some poor choices in films, even though he's a wonderful actor, but in this one we're truly given the real Othello: the passion, the intensity of jealousy as it grows stronger alongside with Fishburne's well portrayed paranoia and, furthermore, we're finally given a black Othello!

I don't think they could have chosen a better Othello. Who else could have given him that blend of sympathy/antipathy, love/hatred and, not to forget, those fiery eyes...? Branagh is good as always, but not at his peak, Irene Jacob's Desdemona is fairly good but a bit bleak, whilst Laurence Fishburne truly lifts it and makes it a very interesting and enjoyable movie. Do watch it.
What is this review like?
OUT: positive

IN: Review: I couldn't wait to see this movie. About half way through the movie, I couldn't wait for it to end. All of the (white) actors were delivering their lines like Woody Allen had just said, "Say it like this..." Then they said their lines on screen like they were trying to imitate Woody Allen. It was so annoying. We all know how Will Ferrell really talks, and he doesn't stumble over his words like Mr. Allen. The comedy portion of this film was just as boring as the tragedy and definitely never funny or even entertaining. I must admit that I have never been a major Woody Allen fan, and this movie definitely has not converted me. I think that his writing was just as bad as his direction. This movie will go down as one of the worst 10 movies I have ever seen.
What is this review like?
OUT: negative

IN: Review: After a few lean years, 1968 was a pretty swell time for Elvis: not only did he make that celebrated "Comeback" TV Special but he also became a father and starred in two pretty decent movies as well SPEEDWAY and LIVE A LITTLE, LOVE A LITTLE. Therefore, personally I can forgive him for the misstep that was STAY AWAY, JOE which, at best, emerges as an interesting misfire and is not all that bad considering. Sure, Burgess Meredith and Joan Blondell are indeed embarrassing as, respectively, a dopey Indian father to Elvis' character and a bawdy bartender who has her eye on Mr. Presley too - but one is glad to see Elvis surrounded by top veteran Hollywood talent like Katy Jurado (as Meredith's Mexican wife), the two Jones Henry and L.Q. - and Thomas Gomez who is particularly amusing as sarcastic Chief Thundercloud who is Meredith's stubborn father still donning his old chieftain clothes in the present day!

While there is a surprising (if not unwelcome given their usual blandness) lack of songs, there seems to be no shortage of free-for-all parties were the male Indians hit the bottle steadily while Presley practices his womanizing skills behind their backs! As can be expected, the typically 'Western' Arizona scenery is a major asset here and the sleepy, snoring bull gag is not only a good one but a major plot point. On the other hand, the climactic 'destruction of the house' episode is one we've seen too often since and doesn't work too well here...
What is this review like?
OUT: negative

IN: Review: This movie started out good, i felt like i was watching an adult version of Seinfeld. Much to quickly i started questioning the situations and actions of the main characters, and found no answers to why they were doing what they were doing. All the acting was superb but only a few scenes had brief moments where they were actually funny. Dan Cortese was amazing. I loved him in this role. His agent should show this movie to casting agents. Watch the first few scenes and then find something better, or else you will find yourself totally lost in this mess. I found this in a bin at a video store. It cost me two dollars and due to the rareness of this movie i feel like it was a good price.
What is this review like?
OUT:
negative