Question:
Lyman Frank Baum (May 15, 1856 - May 6, 1919), better known as L. Frank Baum, was an American author chiefly famous for his children's books, particularly The Wonderful Wizard of Oz and its sequels. He wrote a total of 14 novels in the Oz series, plus 41 other novels, 83 short stories, over 200 poems, and at least 42 scripts. He made numerous attempts to bring his works to the stage and the nascent medium of film; the 1939 adaptation of the first Oz book would become a landmark of 20th century cinema. His works anticipated such century-later commonplaces as television, augmented reality, laptop computers (The Master Key), wireless telephones (Tik-Tok of Oz), women in high-risk and action-heavy occupations (Mary Louise in the Country), police corruption and false evidence (Phoebe Daring), and the ubiquity of advertising on clothing (Aunt Jane's Nieces at Work).
Baum embarked on his lifetime infatuation--and wavering financial success--with the theater. A local theatrical company duped him into replenishing their stock of costumes on the promise of leading roles coming his way. Disillusioned, Baum left the theater -- temporarily -- and went to work as a clerk in his brother-in-law's dry goods company in Syracuse. This experience may have influenced his story "The Suicide of Kiaros", first published in the literary journal The White Elephant. A fellow clerk one day was found locked in a store room dead, probably from suicide. Baum could never stay away long from the stage. He performed in plays under the stage names of Louis F. Baum and George Brooks. In 1880, his father built him a theater in Richburg, New York, and Baum set about writing plays and gathering a company to act in them. The Maid of Arran proved a modest success, a melodrama with songs based on William Black's novel A Princess of Thule. Baum wrote the play and composed songs for it (making it a prototypical musical, as its songs relate to the narrative), and acted in the leading role. His aunt Katharine Gray played his character's aunt. She was the founder of Syracuse Oratory School, and Baum advertised his services in her catalog to teach theater, including stage business, play writing, directing, translating (French, German, and Italian), revision, and operettas. On November 9, 1882, Baum married Maud Gage, a daughter of Matilda Joslyn Gage, a famous women's suffrage and feminist activist. While Baum was touring with The Maid of Arran, the theater in Richburg caught fire during a production of Baum's ironically titled parlor drama Matches, destroying the theater as well as the only known copies of many of Baum's scripts, including Matches, as well as costumes.
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What other leading roles did he have?

Answer:

Question:
Mays was born in 1931 in Westfield, Alabama. His father, Cat Mays, was a talented baseball player with the Negro team for the local iron plant. His mother, Annie Satterwhite, was a gifted basketball and track star in high school. His parents never married.
Mays began his major league career on a sour note, with no hits in his first 12 at bats. On his 13th at-bat, however, he hit a towering home run over the left field roof of the Polo Grounds off of future Hall of Famer Warren Spahn. Spahn later joked, "I'll never forgive myself. We might have gotten rid of Willie forever if I'd only struck him out." Mays's batting average improved steadily throughout the rest of the season. Although his .274 average, 68 RBI and 20 homers (in 121 games) were among the lowest of his career, he still won the 1951 Rookie of the Year Award. During the Giants' comeback in August and September 1951 to tie the Dodgers in the pennant race, Mays' fielding and strong throwing arm were instrumental to several important Giants victories. Mays was in the on-deck circle when Bobby Thomson hit the Shot Heard 'Round the World against Ralph Branca and the Brooklyn Dodgers to win the three-game playoff 2-1 after the teams were tied at the end of the regular season. The Giants went on to meet the New York Yankees in the 1951 World Series. In Game 1, Mays, Hank Thompson and Hall of Famer Monte Irvin comprised the first all-African-American outfield in major league history four years after the color line was broken. Mays hit poorly while the Giants lost the series 4-2. The six-game set was the only time that Mays and retiring Yankee ace Joe DiMaggio would compete against each other. Mays was a popular figure in Harlem. Magazine photographers were fond of chronicling his participation in local stickball games with kids. It was said that in the urban game of hitting a rubber ball with an adapted broomstick handle, Mays could hit a shot that measured "six sewers" (the distance of six consecutive New York City manhole covers, nearly 300 feet).
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When did he play for the NY Giants?

Answer:
1951

Question:
Dorothy Day, Obl.S.B. (November 8, 1897 - November 29, 1980) was an American journalist, social activist, and Catholic convert. Day initially lived a bohemian lifestyle before gaining fame as a social activist after her conversion. She later became a key figure in the Catholic Worker Movement and earned a national reputation as a political radical, perhaps the most famous radical in American Catholic Church history.
Dorothy Day was born on November 8, 1897, in the Brooklyn Heights neighborhood of Brooklyn, New York. She was born into a family described by one biographer as "solid, patriotic, and middle class". Her father, John Day, was a Tennessee native of Irish heritage, while her mother, Grace Satterlee, a native of upstate New York, was of English ancestry. Her parents were married in an Episcopal church in Greenwich Village. She had three brothers and a sister. In 1904, her father, who was a sports writer devoted to horse racing, took a position with a newspaper in San Francisco. The family lived in Oakland, California, until the San Francisco Earthquake of 1906 destroyed the newspaper's facilities and her father lost his job. From the spontaneous response to the earthquake's devastation, the self-sacrifice of neighbors in a time of crisis, Day drew a lesson about individual action and Christian community. The family relocated to Chicago. Day's parents were nominal Christians who rarely attended church. As a young child, she showed a marked religious streak, reading the Bible frequently. When she was ten she started to attend Church of Our Saviour, an Episcopal church in the Lincoln Park neighborhood of Chicago, after its rector convinced her mother to let Day's brothers join the church choir. She was taken with the liturgy and its music. She studied the catechism and was baptized and confirmed in that church in 1911. Day was an avid reader in her teens, particularly fond of Upton Sinclair's The Jungle. She worked from one book to another, noting Jack London's mention of Herbert Spencer in Martin Eden, and then from Spencer to Darwin and Huxley. She learned about anarchy and extreme poverty from Peter Kropotkin, who promoted a belief in cooperation in contrast to Darwin's competition for survival. She also enjoyed Russian literature in university, especially Dostoevsky, Tolstoy, and Gorky. Day read a lot of socially conscious work, which gave her a background for her future; it helped bolster her support for and involvement in social activism. In 1914, Day attended the University of Illinois at Urbana-Champaign on a scholarship. She was a reluctant scholar. Her reading was chiefly in a Christian radical social direction. She avoided campus social life and supported herself rather than rely on money from her father, buying all her clothing and shoes from discount stores. She left the university after two years and moved to New York City.
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who were her parents?

Answer:
Her father, John Day, was a Tennessee native of Irish heritage, while her mother, Grace Satterlee, a native of upstate New York,