input: After the Secret of the Runes tour, the band had amassed 55 unreleased songs which included the ones Johnsson had shelved as well as contributions from the Niemann brothers. Johnsson remarked that "we went through the songs and realized that we had enough good material for three albums. Recording one after the other, promoting, and touring each one separately would have taken several years and would have been a bad idea; and being so productive, we would have had another 55 songs waiting when we finally came to the end of it." In 2004, the band released 21 tracks on two albums: Lemuria and Sirius B. The albums were released simultaneously and were available as separate albums or a twin-pack. 171 musicians participated, including the City of Prague Philharmonic Orchestra and a 32-member choir. Contributing to lead vocals were Mats Leven and a returning Piotr Wawrzeniuk. In July 2005, the band released Atlantis Lucid Dreaming, which is a compilation of the 1997 tracks that were not part of The Golden Embrace soundtrack (not including its Iron Maiden cover of "Children of the Damned"), and seven tracks from its 1999 album Crowning of Atlantis. It included a bonus live version of "Black Sun". The band toured Lemuria / Sirius B over two years and 106 shows, with its final performance at the ProgPower Festival in Cheltenham, UK on March 21, 2006. The last gig marked Johnsson's final vocal stage performance. Therion released their first DVD set, Celebrators of Becoming, on May 2006. The set contains four DVDs which include concert footage from its 2004 visit to Mexico City, documentaries of its 2004-2006 World Tour, Johnsson's art movie The Golden Embrace, the band's music video singles, bootlegs and commentaries, and two audio CDs from its Mexico City concert.

Answer this question "Did the band go on tour with these albums?"
output: The band toured Lemuria / Sirius B over two years and 106 shows, with its final performance at the ProgPower Festival in Cheltenham, UK on March 21, 2006.

input: Janis Lyn Joplin was born in Port Arthur, Texas, on (1943-01-19)January 19, 1943, to Dorothy Bonita East (1913-1998), a registrar at a business college, and her husband, Seth Ward Joplin (1910-1987), an engineer at Texaco. She had two younger siblings, Michael and Laura. The family belonged to the Churches of Christ denomination. Her parents felt that Janis needed more attention than their other children. As a teenager, Joplin befriended a group of outcasts, one of whom had albums by blues artists Bessie Smith, Ma Rainey, and Lead Belly, whom Joplin later credited with influencing her decision to become a singer. She began singing blues and folk music with friends at Thomas Jefferson High School. Joplin stated that she was ostracised and bullied in high school. As a teen, she became overweight and suffered with acne, leaving her with deep scars that required dermabrasion. Other kids at high school would routinely taunt her and call her names like "pig", "freak", "nigger lover", or "creep". She stated, "I was a misfit. I read, I painted, I thought. I didn't hate niggers." Joplin graduated from high school in 1960 and attended Lamar State College of Technology in Beaumont, Texas, during the summer and later the University of Texas at Austin (UT), though she did not complete her college studies. The campus newspaper, The Daily Texan, ran a profile of her in the issue dated July 27, 1962, headlined "She Dares to Be Different." The article began, "She goes barefooted when she feels like it, wears Levis to class because they're more comfortable, and carries her autoharp with her everywhere she goes so that in case she gets the urge to break into song, it will be handy. Her name is Janis Joplin." While at UT she performed with a folk trio called the Waller Creek Boys and frequently socialized with the staff of the campus humor magazine The Texas Ranger.

Answer this question "Did she go to college?"
output: attended Lamar State College of Technology in Beaumont, Texas,

input: Common lyrical themes include technology and a resistance to change. Adrien Begrand, writing for PopMatters, described the lyrics on The Sophtware Slump as "one's attempt to transcend the glut of technology in today's urban lifestyle, in search of something more real, more natural, more pastoral". Ben Sisario of The New York Times stated that the band "provided the soundtrack to dot-com-era alienation, singing in a cracked yet still innocent voice of life spent staring into a computer screen". Ross Raihala, reviewing Sumday for Spin, identified what he called Lytle's "geeky identification with technology". On The Sophtware Slump, CMJ writer Richard A. Martin commented on Lytle's "sympathy for the lost souls and machines of the high-tech dot-com landscape". Lytle described his empathy with machines in 2003, stating "I find it easier dealing with certain things by living through inanimate objects" and how the song "I'm on Standby" is about Lytle relating to a mobile phone: "I was spending so much time learning the art of turning off, while still being 'on'". Lytle said of the tracks on Excerpts from the Diary of Todd Zilla: "For some reason, they are tied together by the idea of being fed up with your environment." He stated in 2001: "I have a growing appreciation for that which is simple and natural. I get that from the outdoors, and seeing the accumulation of clutter and waste and not being too happy about it." There is also much humor in Lytle's songwriting, including the band's promotional Christmas single released in 2000, "Alan Parsons in a Winter Wonderland", which was also included on the charity compilation It's a Cool Cool Christmas, described by AllMusic's Tim DiGravina as possibly "the funniest song from 2000".

Answer this question "Anything else interesting about their lyrical themes?"
output:
how the song "I'm on Standby" is about Lytle relating to a mobile phone: "I was spending so much time learning the art of turning off, while still being 'on'".