Question: Build a movie plot around this: Does Humbert marry Charlotte? Yes
Answer: The film begins in a quarrell between two men at a remote mansion. Humbert Humbert (James Mason) a 40-something British professor of French literature, arrives at the masion which is ramsacked from an apparently wild party the night before and finds the insane and debauched Clare Quilty (Peter Sellers), whom is not only suffering from some kind of severe dementia, but is also clearly drunk, as he babbles on incoherently and does not seem to remember Humbert from a time ago. Quilty goes mad when Humbert points a gun at him. After a mutually exhausting struggle for it, Quilty, now insane with fear, merely responds politely as Humbert repeatedly shoots him. He finally dies with a comical lack of interest, expressing his slight concern in an affected English accent. Humbert is left exhausted and disoriented.The film then turns to events four years earlier and goes forward as Humbert travels to Ramsdale, New Hampshire, a small town where he will spend the summer before his professorship begins at Beardsley College, Ohio. He searches across the town for room to let, being tempted by widowed, sexually famished mother, Charlotte Haze (Shelley Winters) to stay at her house. He declines until seeing her beautiful 14-year-old daughter, Dolores Haze (Sue Lyon), affectionately called Lolita (hence the title). Lolita is a soda-pop drinking, gum-chewing, overtly flirtatious teenager, with whom Humbert falls hopelessly in love.In order to become close to Lolita, Humbert accepts Charlotte's offer and becomes a lodger in the Haze household. Soon, however, Charlotte announces that she will be sending Lolita to an all-girl sleep-away camp for the summer. On the morning of departure, Humbert receives a love confession note from Charlotte, asking Humbert to leave at once. The note says that if Humbert is still in the house when Charlotte returns from driving Lolita to camp, then he must join Charlotte in marriage. Humbert willingly marries Charlotte days later. After the wedding and honeymoon, Charlotte discovers Humberts diary...
[Q]: Build a movie plot around this: Who is a sergeant now? Cowboy
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[A]: It's the late 1960s at Parris Island, South Carolina, the U.S. Marine Corps Training Camp, where a group of young Marine recruits, after having their heads shaved, are being prepped for basic training by the brutal Gunnery Sergeant Hartman (R. Lee Ermey), whose orders are to "weed out all non-hackers". Hartman gives each of the Marines nicknames; one pragmatic recruit who talks behind his back becomes "Joker" (Matthew Modine); a Texas recruit becomes "Cowboy" (Arliss Howard). And finally Leonard Lawrence, a 6-foot 3-inch, 280 pound, slow-witted recruit with low intelligence and ambition becomes "Gomer Pyle" (Vincent D'Onofrio), and the focus of Hartman's brutality, because the overweight boy cannot keep up with the other more physically fit recruits in the grueling obstacle courses.One morning during muster, Hartman asks Joker if he believes in the Virgin Mary. Joker responds that he doesn't, angering the Catholic drill instructor. The clearly religious Hartman continues to ask Joker if he believes in the Virgin Mary, and Joker continues to resist, confirming that he doesn't because he's an atheist. Despite Hartman's slapping him in the face, Joker stubbornly refuses to change his answer, stating that he belives that Hartman will only "beat him harder if he reverses himself." Hartman immediately promotes Joker to squad leader for having the courage to stand up to his drill instructor. However, Hartman also gives Joker the difficult job of being Pyle's personal instructor. Off on the sidelines over the next few days, Joker helps Pyle through the obstacle courses, shows him how to operate and clean a rifle, and how to make his bed. But all of this effort is later proven to be a waste.One evening during a routine inspection, Hartman, noticing that Pyle's foot locker is unlocked, searches it and finds a jelly doughnut; food is strictly forbidden in the barracks (and Pyle is not permitted to eat donuts because he's overweight). Enraged, Hartman decides that from then on instead of punishing Pyle, he'll punish all...
input: Please answer the following: Build a movie plot around this: In what year did Ken Castle unveil self-replicating nanites that allow one person to completely sense the environment and interact with it using another person's body? 2034
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output: The film begins some years in the future from this exact moment. We see ads everywhere (buildings, walls, bus stops, e.t.c) for the hit game Slayers, and how the star character Kable (Gerard Butler) has four battles left before he earns his freedom. We are then shown a battle in progress: a massive shootout inside a factory. Everyone in the game is controlled by players elsewhere. Characters get points for each kill and for saving a teammate. Some characters are shown to be doing menial tasks in the battlefield, seemingly unaware of all the violence around them. 17-year-old Simon (Logan Lerman) plays/controls Kable and leads him around the factory. After slaughtering most everyone in his way, Kable gets blasted outside of the factory. Kable manages to run to the safe point to win the battle. Afterward, the surviving characters are transported elsewhere. The other characters congratulate Kable on winning, since he now only has three battles left until freedom. Some of the other characters don't believe that anyone will be released from the game.The producer (Michael Weston) and Chief of Staff, Bob, (John de Lancie) for the Gina Parker Smith Show discuss their next guest for the show - genius recluse Ken Castle, the creator of Slayers. On the show, Gina (Kyra Sedgwick) talks about the achievements of Ken Castle (Michael C. Hall). He first created a game called Society, which is basically a Sims game but instead of controlling a fake character, the players control a real person and can make them do whatever they want. You can pay to control someone else, or you can get paid to be controlled. Society quickly became extremely popular and profitable, making Castle the richest person in the universe. Nine months ago Castle created Slayers, a controversial game which is supported by the federal government. Castle defends Slayers by stating that each character in the game, though they are real people, are all death row inmates who chose to sign up for the game instead of doing their prison sentence. If a convict can...
input: Please answer the following: Build a movie plot around this: Do they try to retrace their steps? Yes. They turn around but get lost.
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output:
We are driving a flat, winding, dry and isolated road through desert brush. Everything is quiet. Two young men in a car say nothing to each other. They arrive at a marked "wilderness" trail and head off without anything but the clothes on their back and an extra shirt. With energy and boundlessness they go and go and go. They mention the "thing" that they're apparently going to and how it should be there somewhere. They have no map. The landscape changes, they run, they smoke cigarettes and finally they decide they don't really want to go to this "thing" and they turn around. The shots are very long and tedious. We realize they're lost. The brush disappears and it is mountains, then it is rocks, then it is desert. Then it is night and they sit by a fire. The next day goes on and on and it is unclear how many days are now passing, though the landscape still keeps changing: a lunar surface, and crags of jagged rocks. Their clothes and faces dirty, their clipped exchanges almost indecipherable. They separate and then find each other again, Gerry stuck at the top of a huge rock formation. They discuss him jumping down and the other Gerry makes him a "dirt mattress", which is successful and they keep going. Finally flat white salt is all that's beneath them. They are both barely moving, shuffling their feet like broken-down machines. Gerry, who was falling behind, drops to his knees and lays down. Gerry stops and walks back to him, lying on the ground beside him. After a while, Gerry says that he's leaving and slowly, painfully, reaches over to Gerry as if to find comfort in holding his hand as he draws his last breath. Gerry shakes him off and, his movements stilting and awkward, he rolls on top of him, struggling, not with a hug but with a fraughtful busrt of energy to strangle him. He then lays still. After a while he gets up and walks in another direction, leaving dead Gerry, seeing moving forms on the horizon. We see the vast unbearable landscape move by quickly, no longer within it we are safely on the...