In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.
Q: Question: Which city had a greater population the year that Van der Lans stopped attending Catholic primary school in Amsterdam: Amsterdam or The Hague? Passage 1:The son of Margaret Mellis and Adrian Stokes, he was born in St Ives and studied at the Slade School of Fine Art. He pursued postgraduate studies at the Brooklyn Museum Art School after being awarded a Beckmann Fellowship. He taught at Reading Art School and the Bath Academy in Corsham and exhibited his paintings in London, including a show at the Serpentine Gallery. In 1971, Stokes founded publishing firm Weproductions, which produced artist's books; from 1974, he operated in partnership with Helen Douglas. In 2002, Stokes moved to East Anglia to care for his mother. He redirected his focus to sculpture, which he exhibited at the Kettle's Yard open house in 2008 and at shows in various galleries.
Passage 2:Van der Lans has a Catholic background. Between 1960 and 1967 he attended a Catholic primary school in Amsterdam (until 1964) and The Hague. Between 1967 and 1973 he attended a Catholic secondary school in The Hague. He attended the atheneum and specialized in sciences. Between 1973 and 1981 he studied psychology at the Catholic University Nijmegen. In 1977 he received his candidate's exam (roughly equivalent to a bachelor's degree) and in 1981 he received his doctoral exam (roughly equivalent to a master's degree. Van der Lans specialized in cultural psychology and Psychology of religion. He also took additional courses in communication studies and education studies. He wrote his doctoral thesis about "Youth Culture, Provo and the Youth Movement" . Between 1979 and 1981 he attended courses to become a teacher in civics and science education. Between 1977 and 1981 he worked as a student-assistant on the faculty of social sciences at different departments. Between 1977 and 1983 he worked as a journalist for the quarterly magazine Psychologie & Maatschappij (Psychology and Society).
Passage 3:Peter Jackson and partner/co-writer Fran Walsh conceived the idea for The Frighteners in 1992, during the script-writing phase of Heavenly Creatures. Together, they wrote a three-page film treatment and sent it to their talent agent in Hollywood. Robert Zemeckis viewed their treatment with the intention of directing The Frighteners as a spin-off film of the television series, Tales from the Crypt (which he helped produce). Zemeckis hired Jackson and Walsh to turn their treatment into a full-length screenplay in January 1993. The husband and wife duo completed their first draft for The Frighteners in early-January 1994. Zemeckis was so impressed with their script, he decided The Frighteners would work better directed by Jackson, executive produced by Zemeckis and funded/distributed by Universal Pictures. Universal green-lighted the film to commence pre-production on a $26 million budget in April 1994. The studio also granted Jackson and Zemeckis total artistic control and the right of final cut privilege.

A:
2