Cubism:

This technique of representing simultaneity, multiple viewpoints (or relative motion) is pushed to a high degree of complexity in Gleizes' monumental Le Depiquage des Moissons (Harvest Threshing), exhibited at the 1912 Salon de la Section d'Or, Le Fauconnier's Abundance shown at the Independants of 1911, and Delaunay's City of Paris, shown at the Independants in 1912. These ambitious works are some of the largest paintings in the history of Cubism. Leger's The Wedding, also shown at the Salon des Independants in 1912, gave form to the notion of simultaneity by presenting different motifs as occurring within a single temporal frame, where responses to the past and present interpenetrate with collective force. The conjunction of such subject matter with simultaneity aligns Salon Cubism with early Futurist paintings by Umberto Boccioni, Gino Severini and Carlo Carra; themselves made in response to early Cubism.

Please answer a question about this article. If the question is unanswerable, say "unanswerable". What did not give form to the notion of simultaneity?
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