Input: Read this: Matisse was also one of the first 20th-century artists to make color the central element of the painting, chosen to evoke emotions. "A certain blue penetrates your soul", he wrote. "A certain red affects your blood pressure." He also was familiar with the way that complementary colors, such as red and green, strengthened each other when they were placed next to each other. He wrote, "My choice of colors is not based on scientific theory; it is based on observation, upon feelings, upon the real nature of each experience ... I just try to find a color which corresponds to my feelings."
Question: Who was the first 20th century artist to use color for feelings?

Output: unanswerable

Input: Read this: Organisms inherit their genes from their parents. Asexual organisms simply inherit a complete copy of their parent's genome. Sexual organisms have two copies of each chromosome because they inherit one complete set from each parent.:1
Question: How many copies of each chromosome does a sexual organism have?

Output: two copies of each chromosome

Input: Read this: Chivalry and the ethos of courtly love developed in royal and noble courts. This culture was expressed in the vernacular languages rather than Latin, and comprised poems, stories, legends, and popular songs spread by troubadours, or wandering minstrels. Often the stories were written down in the chansons de geste, or "songs of great deeds", such as The Song of Roland or The Song of Hildebrand. Secular and religious histories were also produced. Geoffrey of Monmouth (d. c. 1155) composed his Historia Regum Britanniae, a collection of stories and legends about Arthur. Other works were more clearly history, such as Otto von Freising's (d. 1158) Gesta Friderici Imperatoris detailing the deeds of Emperor Frederick Barbarossa, or William of Malmesbury's (d. c. 1143) Gesta Regum on the kings of England.
Question: Who was the subject of Gesta Friderici Imperatoris?

Output: Emperor Frederick Barbarossa

Input: Read this: In 1897, Victoria had written instructions for her funeral, which was to be military as befitting a soldier's daughter and the head of the army, and white instead of black. On 25 January, Edward VII, the Kaiser and Prince Arthur, Duke of Connaught, helped lift her body into the coffin. She was dressed in a white dress and her wedding veil. An array of mementos commemorating her extended family, friends and servants were laid in the coffin with her, at her request, by her doctor and dressers. One of Albert's dressing gowns was placed by her side, with a plaster cast of his hand, while a lock of John Brown's hair, along with a picture of him, was placed in her left hand concealed from the view of the family by a carefully positioned bunch of flowers. Items of jewellery placed on Victoria included the wedding ring of John Brown's mother, given to her by Brown in 1883. Her funeral was held on Saturday, 2 February, in St George's Chapel, Windsor Castle, and after two days of lying-in-state, she was interred beside Prince Albert in Frogmore Mausoleum at Windsor Great Park. As she was laid to rest at the mausoleum, it began to snow.
Question: Who's dressing gown was placed outside?

Output:
unanswerable