Build a movie plot around this: Who invites sugar to spring training? Bishop
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Answer: Based on true events experienced by Rotimi Rainwater, Sugar is the story of a young girl named Sugar with a troubled past trying to survive on the streets of Venice Beach. Sugar suffers from PTSD after losing her entire family in a horrific car crash. She survives with her group of outcast friends on the streets of Venice Beach, trying to find their own place in the world. Like so many homeless youth, Sugar is running from the pain of her past and will do anything to escape it. However, with the help of Bishop, her counselor in the youth shelter, she is able to reconnect with her uncle who has been searching for her. Sugar's new world starts to crumble when forced to confront the demons she's run from for the last two years. Sugar is an all too common story of a troubled youth learning how to stop hiding, and to start healing.
Q: Build a movie plot around this: Maya hacks off her long hair, symbolizing what? That she will be Jai's widow
A: Set in 16th century India, this movie depicts the story of two girls who were raised together, though they came from different social classes. Tara (Sarita Choudhury) is an upper-caste princess while Maya (Indira Varma) is her beautiful servant. The two girls are best friends, but an undercurrent of jealousy and resentment is caused by Tara's haughtiness, symbolized by the fact that Maya is given Tara's hand-me-down clothes and never anything new to wear. As the girls approach marriageable age, Tara resents that Maya is a better classical dancer than she is, and that her parents and hunchback brother, Prince Bikram (aka "Viki") show affection for her servant.Tara is prepared to marry Prince Raj Singh (Naveen Andrews), and Maya is forced into the role of the inferior servant at their wedding festival. When the prince comes to view his future wife, he is instantly infatuated with Maya instead. Noticing this, Tara spits in Maya's face, sending her from the wedding in tears. Maya decides to take revenge when she chances on Raj sleeping alone, before he has completed the marriage rites with Tara. Maya has her first sexual experience with Raj, but unknown to both, Tara's brother, Prince "Viki", hides and watches the two of them together. Viki is crushed that his childhood infatuation has slept with his future brother-in-law, but at first keeps the knowledge to himself, and the wedding rites are completed the next day.As Tara is leaving home as a newly-wedded bride to Raj, Maya tells her that just as Maya wore the princess's used clothes all her life, Tara will now have something Maya has used. During her wedding night, Tara, a sheltered virgin full of romantic dreams, is hesitant to consummate their relationship. This angers and sexually frustrates Raj, who rapes his horrified bride, setting a tone of violence and humiliation for the marriage. Despite this, Tara still yearns for a loving relationship with her indifferent husband.To save Maya's honor, Viki sends a marriage proposal for her. When she refuses, he...
Question: Build a movie plot around this: Who stalked Alice? Paul
Answer: Irena Gallier (Natassia Kinski) is a young woman whom was raised by adoptive parents and is, for the firsttime since childhood, meeting her older brother Paul living in New Orleans. Paul (Malcolm McDowell) meets Irene when she arrives at the airport and drives her home to his apartment. Paul lives by himself with only his housekeeper Female (pronounced Fee-MAL-ee) (Ruby Dee) to look after him. Irena and Paul are descended from a line of 'cat people,' people who turn into panthers after mating and who must then kill in order to take human form again.Irena knows nothing about this side of her ancestry. She is still a virgin, so she has no idea what sex will do to her. On the other hand, Paul has been living with this knowledge for years and has worked out a system whereby he uses hookers as his prey. In fact, on Irena's first night in New Orleans, Paul arranges for a hooker (Lynn Lowry) to meet with him at a cheap hotel. Unfortunately (for Paul) but fortunately (for the hooker), the hooker escapes with her life and Paul is left in his panther form, trapped in a hotel room. Curator OliverYates (John Heard) and his assistants, Alice Perrin (Annette O'Toole) and Joe Creigh (Ed Begley Jr), from the New Orleans Zoo, are called to capture the black panther and put him behind bars.With Paul gone, Irena decides to spend her first full day in New Orleans by seeing the sights. First, a taxi ride through the French Quarter; then a stop at the zoo where she is fascinated by the new panther, so fascinated that she is still there sketching him 1-1/2 hours after the zoo has closed. When Oliver startles Irena, she drops her sketch pad and runs for the trees, winding up on top of one. Oliver coaxes her down. After noticing that Irena feels excessively warm, Oliver takes her inside and puts a cool cloth on her forehead. Thinking her exhaustion might be due to hunger, they decide to get something to eat. During the dinner conversation, Oliver learns that Irena is looking for a job and hires her to work in the zoo's gift...
[Q]: Build a movie plot around this: What animal does the girl's affections tame? Rabbit
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[A]: The film begins in medias res as Chief Inspector Uhl (Paul Giamatti) recounts the history of Eisenheim for Crown Prince Leopold (Rufus Sewell), following Uhl's visit to the theatre to arrest Eisenheim during what appears to be necromancy passed off as a magic show.Eisenheim was born the son of a cabinetmaker (Andreas Grothusen) in Austria-Hungary. One day when he was a teenager, Eisenheim (played as young man by Aaron Johnson) meets a traveling magician (David Forest) along a road. The magician performs several tricks for him and then, according to various accounts, both the magician and the tree he was sitting under vanish. Eisenheim becomes obsessed with magic tricks after this.He also falls in love with Sophie, the Duchess von Teschen (Biel, played as a young lady by Eleanor Tomlinson ), a noblewoman well above his social class; her parents have hired Eisenheim's father as a cabinetmaker. Young Eisenheim makes Young Sophie a unique marquetry puzzle locket, which if twisted correctly reveals a small, hidden photograph of Eisenheim. Although the two are forbidden to see each other, they meet in a secret hideout chamber in the woods, where Eisenheim tells of his plans to go to China to learn more magic and Sophie promises to go with him. On the day that they are going to leave, however, the police come looking for Sophie. The two hide in the secret room and Sophie begs Eisenheim to make them both disappear. He is unable to fulfill this request and the two are separated.Eisenheim leaves his village to travel the world; he perfects his magic and returns 15 years later as a master illusionist. He meets Sophie at one of his performances, when she is volunteered by the ruthless Crown Prince Leopold as a reluctant participant in a trick. He soon learns that Sophie is expected to marry the Crown Prince, who purportedly has a history of abuse towards women. Eisenheim and Sophie, having recognized each other, meet privately, whereupon it is revealed that Sophie still has the locket he made for her years ago. After...
Build a movie plot around this: Who is seen and the end of the movie? Miss Dupree
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Answer:
Illusions depicts a fictional 1940s Hollywood studio and defines film as a powerful historian, however, one that omits many cultures from its history. The protagonist Mignon Dupree expresses the need for "films that give the public situations and characters that they can recognize as part of their own lives." Illusions is a candidly self-aware film because it takes place in a fictional studio, and its characters discuss Hollywood's film production directly. The films title refers to the faults in cinemas portrayal of reality. Furthermore, Illusions also points to its own artificiality, identifying itself as a film object. Illusions features two invisible blacks: Mignon Dupree, invisible as an African American studio executive passing for white, and Esther Jeeter, as the invisible singer hired to dub the singing parts for white film star Leila Grant.Self-reflexive films identify themselves as cinematic objects by calling attention to the filmmaking process. Using editing techniques that depart from realism and/or film content that portrays features of the filmmaking process indicate to the viewer that, in addition to a central narrative, this is a film about a film. This film begins with a slow-zoom on a rotating Oscar and the following voice-over which is a quotation from Ralph Ellison's 1949 essay The Shadow and the Act: "To direct an attack upon Hollywood would indeed be to confuse portrayal with action, image with reality. In the beginning was not the shadow, but the act, and the province of Hollywood is not action, but illusion."Parallel instances of self-reflexive images appear, that apply to the medium of film then to the film itself. Illusions begins with an aged "3-2-1" film-leader-countdown. This exact footage is repeated within the film, in the studio, when the filmmakers are reviewing the movie of Leila Grant singing. The film of the white starlet plays on a screen alongside Esther as she sings in the dark studio. This juxtaposition implies Hollywood's institutional racism and highlights an...