In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Let me give you an example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
The answer to this example can be: 1874May
Here is why: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

OK. solve this:
Context_1 : Navarretia is a genus of about 30 species of flowering plants related to the phloxes and the gilias. This is one genus of plants, among others, which are sometimes called pincushionplants. The inflorescence which bears the flowers is surrounded by frilly green bracts bearing soft spines, giving it the appearance of a pincushion. Several species are members of the vernal pool ecosystem. Context_2 : Glinus is a genus of tropical and subtropical plants in the family Molluginaceae. Plants of this genus are sometimes called sweetjuice. They are squat annual herbs with fuzzy to hairy green herbage. The fruit is a capsule containing many kidney-shaped seeds. Some species are used as herbal remedies and some are eaten as food. Context_3 : Dracophyllum is a genus of plants belonging to the family Ericaceae, formerly Epacridaceae. There are some one hundred or so species in the genus, mostly shrubs but also cushion plants and trees, found in New Zealand, Australia and New Caledonia. The name, "Dracophyllum" or dragon-leaf refers to their strong similarity to the unrelated "Dracaena", sometimes known as dragon tree. Although dicotyledonous, they resemble primitive monocots with their slender leaves concentrated in clumps at the ends of the branches; they are sometimes called grass-trees. Context_4 : Chateau Bay (sometimes called Chateaux Bay) is a settlement and bay in Labrador, Canada. Historically it is also sometimes called York Harbour, a name given by James Webb in 1760 when he claimed the harbour for the English. It was surveyed by James Cook in 1763, during his survey of the Strait of Belle Isle aboard HMS "Grenville". In August 1766 Joseph Banks arrived in Chateau Bay as a part of a partially scientific journey to study and collect the plants and animals. One of the specimens collected there was the now extinct great auk. Context_5 : Brassica ( ) is a genus of plants in the mustard family (Brassicaceae). The members of the genus are informally known as cruciferous vegetables, cabbages, or mustard plants. Crops from this genus are sometimes called "cole crops"derived from the Latin "caulis", denoting the stem or stalk of a plant. Context_6 : Enceliopsis is a small genus of flowering plants in the daisy family. They are sometimes called sunrays. They are similar to the daisylike plants in the related genus "Encelia". These three shrubs are native to the western United States and Canada. Context_7 : Chrysanthemum boreale (or "Dendranthema boreale") is a flowering plant within the Asteraceae family and "Chrysanthemum" genus. It used to be in the compositae family and many books still contain as such. It is a perennial flowering plant that is often noted because of its yellow flowers. It has 18 chromosomes at the diploid stage. Context_8 : A sheepgoat hybrid (sometimes called a geep or shoat in popular media) is the hybrid offspring of a sheep and a goat. Although sheep and goats seem similar and can be mated, they belong to different genera in the subfamily Caprinae of the family Bovidae. Sheep belong to the genus "Ovis" and have 54 chromosomes, while goats belong to the genus "Capra" and have 60 chromosomes. The offspring of a sheep-goat pairing is generally stillborn. Despite widespread shared pasturing of goats and sheep, hybrids are very rare, indicating the genetic distance between the two species. Though sometimes called "geep", they are not to be confused with sheepgoat chimera, which are artificially created. Context_9 : Chrysanthemums ( ), sometimes called mums or chrysanths, are flowering plants of the genus Chrysanthemum in the family Asteraceae. They are native to Asia and northeastern Europe. Most species originate from East Asia and the center of diversity is in China. There are countless horticultural varieties and cultivars. Context_10 : The systemic acquired resistance (SAR) is a "whole-plant" resistance response that occurs following an earlier localized exposure to a pathogen. SAR is analogous to the innate immune system found in animals, and there is evidence that SAR in plants and innate immunity in animals may be evolutionarily conserved. Plants use pattern-recognition receptors to recognize conserved microbial signatures. This recognition triggers an immune response. The first plant receptors of conserved microbial signatures were identified in rice (XA21, 1995) and in Arabidopsis (FLS2, 2000). Plants also carry immune receptors that recognize highly variable pathogen effectors. These include the NBS-LRR class of proteins. SAR is important for plants to resist disease, as well as to recover from disease once formed. SAR can be induced by a wide range of pathogens, especially (but not only) those that cause tissue necrosis, and the resistance observed following induction of SAR is effective against a wide range of pathogens, which is why SAR resistance is sometimes called "broad spectrum." SAR is associated with the induction of a wide range of genes (so called PR or "pathogenesis-related" genes), and the activation of SAR requires the accumulation of endogenous salicylic acid (SA). The pathogen-induced SA signal activates a molecular signal transduction pathway that is identified by a gene called "NIM1", "NPR1" or "SAI1" (three names for the same gene) in the model genetic system "Arabidopsis thaliana". SAR has been observed in a wide range of flowering plants, including dicotyledon and monocotyledon species. SAR can be activated in corn, however, widely adapted commercial like Benzothiadiazole may not be efficient against "P. sorghi" causing common rust. fact_1 : Chrysanthemum boreale (or "Dendranthema boreale") is a flowering plant within the Asteraceae family and "Chrysanthemum" genus. fact_2 : Chrysanthemums ( ), sometimes called mums or chrysanths, are flowering plants of the genus Chrysanthemum in the family Asteraceae. Question: What are the plants in the same genus as the Dendranthema boreale sometimes called?
Answer:
mums or chrysanths