Q: Discuss the best direction with all of the passengers in the car and step towards the exit together. To prevent sudden movements, plan an exit line from the passengers nearest the cliff's edge to passengers nearest stable ground. If you have multiple passengers in the car, plan on moving at the same time. If you and your passengers can exit simultaneously (from side doors near your seat, for example), go through the exits at the same time if possible. Do not carry anything (except infants or small children) with you out of the vehicle. Carrying items with you can interfere with your balance and cause accidental movements. This will help the car maintain better balance as everyone exits the car. If you have any infants or small children in the car, wait until at least one adult passenger has exited the car. Pass them through the window or door to the adult to ensure that they exit safely from the car. If only one adult passenger is in the car, reach out the door or window to place the child on the car or carefully toss them towards a bush or patch of grass away from the cliff. Work slowly while helping small children and infants out of the car to prevent sudden vehicle shifts. Once you and all other passengers have exited the car, do not try to retrieve anything from the car. When emergency personnel arrives on the scene, they may be able to rescue any important items. Nothing, not even survival kits, cell phones, or IDs, are worth returning to the vehicle for. With your fellow passengers, step away from the car and find somewhere safe far from the cliff's edge. If you or another passenger has a cell phone, call emergency services for rescue.
A: Plan an exit route out of the vehicle with your fellow passengers. Move in unison with the other passengers. Help young passengers through the exits. Leave everything in the car behind. Move as far away from the cliff as possible.

Q: For example, a disco-themed party invitation could feature a large disco ball. People are likely to look at your invitation and make a quick first impression -- you want that first impression to be informative and fun. If your party doesn't have a theme, have the invitation mirror the formality of the party. If you're throwing a black tie soiree, keep it simple with a plain border, a fancy font, and to-the-point text. If you're throwing a rave, make your invitation as wild as you'd like. You can also send a mail to your friends and relatives to give an invitation for a party. That's usually the time and date of the party, location, where to call for more information, and whether or not the guest needs to RSVP are all important. And do they need to bring anything (food, swimsuit, etc.)? Does the party have a specific time it ends? You may want to include a few selling points if applicable. Will you be having awards for best dressed? Provide beer and wine? Will there be 50 varieties of European cheeses? Give your guests a slight clue as to what you have planned for the evening to whet their appetite. A formal party should require a more formal invitation, such as a letter. An informal party invitation is up to your discretion a phone call, email, or social media event would all work fine. Formal events generally require a bit of advanced notice -- preferably around 2 weeks. There are several things to consider when thinking about a party's size and attendance: How big is the space where your party will be? Can your apartment hold 10 people, 50 people, 200 people? Is it okay for the people you invite to bring friends? How many friends? Do you have a say over who those friends are? How many people can you feed and have drinks for at your party? Does this include friends of friends? If you're having your party at a club, bar, hotel, rented room, etc., does the owner have limits on the number of people that can be there?
A: Design your invitation to resemble the party theme. Include all important information guests will need to know. Respect the level of formality of your party. Decide how many people total you want at your party.

Q: Start at the farthest left column of the abacus. Say you're multiplying 34 and 12. You need to assign columns to "3", "4", "X", "1", "2", and "=". Leave the rest of the columns to the right open for your product. The "X" and "=" will be represented by blank columns. The abacus should have 3 beads up in the farthest column left, four up in the next farthest, a blank column, a column with one bead up, two beads up in the next, and another blank column. The rest of the columns are open. The order here is critical. You need to multiply the first column by the first column after the break, then the first column by the second column after the break. Next, you'll multiply the second column before the break by the first column after the break, then the second column before the break by the second column after the break. If you are multiplying larger numbers, keep the same pattern: start with the leftmost digits, and work to the right. Start recording in the first answer column, after the blank one for the "=" sign. You will keep moving beads on the right hand portion of the abacus as you multiply the individual digits. For the problem 34 x 12: First, multiply 3 and 1, recording their product in the first answer column. Push three beads up in that seventh column. Next, multiply the 3 and the 2, recording their product in the eighth column. Push one bead from the upper section down, and one bead from the lower section up. When you multiply the 4 and the 1, add that product (4) to the eighth column, the second of the answer columns. Since you're adding a 4 to a 6 in that column, carry one bead over to the first answer column, making a 4 in the seventh column (four beads from the bottom section pushed up to center bar) and a 0 in the eighth (all beads in their original starting position: the top section bead pushed up, bottom section beads pushed down). Record the product of the last two digits 4 and 2 (8), in the last of the answer columns. They should now read 4, blank, and 8, making your answer 408.
A: Record the problem on the abacus. Multiply by alternating columns. Record the products in the correct order.

Q: Place your pattern onto your chosen material and outline the edges of the panel. Before cutting any material, understand that the edges of each panel will need to be stuck together and then sewn. Once you have outlined your pattern onto your material, including battens and seams, you may now cut out your pattern. When creating a seam with shape, you want the shape to be about 35% from the luff. Move from panel to panel while leaving extra cloth at the external edges of the sail. It's best to trim and adjust the sail shape once all panels are sewn together. Stick and sew two panels at a time until the sail is all in one piece. You can now trim it to your design on the table and draw on the batten pockets. Using dacron tape or reinforced monofilm tape, reinforce the seams. You can also glue a layer of cloth on either side of the material for added strength. There will be a high degree of force applied to these areas so ensure that they can withstand that amount of tension. Depending on the type of sail, attach the luff once you have dealt with the batten pockets. Measure the width of existing sails and adjust your sail accordingly. Sleeves can either be a single piece or made from a number of pieces of material but ensure that the head is reinforced and capable to withstand the strain from the mast tip. Create your sleeve so it fits down to the foot batten. Create an adjustable head for your sleeve if this is your first attempt at a sail. Use pulleys from old sails or get them from a sail maker.
A:
Start with a central panel. Cut out your pattern. Stitch the materials. Reinforce the material. Fortify the foot and the batten pockets. Create the sleeve for the mast.