Question:
Miguel Indurain Larraya (Spanish pronunciation: [mi'gel indu'rain la'raja]; born 16 July 1964) is a retired Spanish road racing cyclist. Indurain won five consecutive Tours de France from 1991 to 1995, the fourth, and last, to win five times.
In 1984 he rode in the Olympic Games at Los Angeles and then turned professional on 4 September for Reynolds. He won his first professional race a week later, a time trial in the Tour de l'Avenir. In 1985 he started the Vuelta a Espana and came second in the prologue, behind Bert Oosterbosch. Oosterbosch lost time on the second stage and Indurain became leader, the youngest rider to do it. He rode the Tour de France later that year, as he would do in each of the next 11 years, but dropped out in the fourth stage. In 1986, Indurain again rode the Tour, dropping out on the 12th stage. He started the 1987 Vuelta a Espana with bronchitis from the Tour of Belgium. He rode the 1988 Tour de France as teammate of the winner Pedro Delgado. In 1989, he escaped during the ninth stage of the Tour de France. He won the stage and became leader of the mountains classification, wearing the polkadot jersey the next stage, the only time in his career. In 1990, Indurain rode the Tour de France again for Delgado, but Delgado could not win. Indurain finished 10th place, sacrificing several places by waiting for Delgado. Indurain was a strong time trialist, gaining on rivals and riding defensively in the climbing stages. Indurain won only two Tour stages that were not individual time trials: mountain stages to Cauterets (1989) and Luz Ardiden (1990) in the Pyrenees. During his five consecutive Tour de France wins he never won a stage that was not a time trial. These superior abilities in the discipline fit perfectly with the TT heavy Tours of the era, with many featuring between 150 and 200 km of time trialling vs the more common 50-80 km today.
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What was his first major race?

Answer:
He won his first professional race a week later, a time trial in the Tour de l'Avenir.

Question:
"Mr. Tambourine Man" is a song written, composed, and performed by Bob Dylan, who released his original version of it on his 1965 album Bringing It All Back Home. The Byrds also recorded a version of the song that they released in the same year as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success.
William Ruhlmann, writing for the AllMusic Web site, has suggested the following interpretation of the song's lyrics: "The time seems to be early morning following a night when the narrator has not slept. Still unable to sleep, though amazed by his weariness, he is available and open to Mr. Tambourine Man's song, and says he will follow him. In the course of four verses studded with internal rhymes, he expounds on this situation, his meaning often heavily embroidered with imagery, though the desire to be freed by the tambourine man's song remains clear." While there has been speculation that the song is about drugs such as LSD or marijuana, particularly with lines such as "take me on a trip upon your magic swirling ship" and "the smoke rings of my mind", Dylan has always denied the song is about drugs. Though he was using marijuana at the time the song was written, Dylan was not introduced to LSD until a few months later. Other commentators have interpreted the song as a call to the singer's spirit or muse, or the singer's search for transcendence. In particular, biographer John Hinchey has suggested in his book Like a Complete Unknown that the singer is praying to his muse for inspiration; Hinchey notes that ironically the song itself is evidence the muse has already provided the sought-after inspiration. Mr. Tambourine Man has also been interpreted as a symbol for Jesus Christ and for the Pied Piper of Hamelin. The song may also reference gospel music, with Mr. Tambourine Man being the bringer of religious salvation. Dylan has cited the influence of Federico Fellini's movie La Strada on the song, while other commentators have found echoes of the poetry of Arthur Rimbaud. Author Howard Sounes has identified the lyrics "in the jingle jangle morning I'll come following you" as having been taken from a Lord Buckley recording. Bruce Langhorne, who performs guitar on the track, has been cited by Dylan as the inspiration for the tambourine man image in the song. Langhorne used to play a giant, four-inch-deep "tambourine" (actually a Turkish frame drum), and had brought the instrument to a previous Dylan recording session.
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What is being interpreted?

Answer:
Mr. Tambourine Man's