Detailed Instructions: In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.
See one example below:
Problem: Question: When did the operation during which the 704th dropped supplies to allied troops near Nijmegen begin? Passage: The group was occasionally diverted from strategic missions to carry out air support and interdiction missions. It supported Operation Overlord, the invasion of Normandy by attacking transportation targets, including bridges, along with airfields and strong points in France. On D Day, the squadron and the rest of the 446th Group led the first heavy bomber mission of the day. The 446th aided ground forces at Caen and Saint-Lo during July by hitting bridges, gun batteries, and enemy troops. During Operation Market Garden, the attempt to seize a bridgehead across the Rhine in the Netherlands, the 704th dropped supplies to allied troops near Nijmegen. It struck lines of communications during the Battle of the Bulge. During Operation Varsity in March 1945, it supplied ground and airborne troops near Wesel. The squadron flew its last combat mission on 25 April 1945 against Salzburg, Austria. The group had flown 273 missions and had lost 58 aircraft during the war,
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Solution: During Operation Market Garden, the attempt to seize a bridgehead across the Rhine in the Netherlands, the 704th dropped supplies to allied troops near Nijmegen.
Explanation: The passage describes the 704th's actions during Operation Market Garden.

Problem: Question: When did Janet Maslin write about Kasdan in The New York Times? Passage:Critic Janet Maslin, writing in The New York Times, said of director Kasdan, "he creates the film's most satisfying moments by communicating his own sheer enjoyment in revitalizing scenes and images that are so well-loved." Impressed, she exclaimed, "Silverado is a sweeping, glorious-looking western that's at least a full generation removed from the classic films it brings to mind." Roger Ebert in the Chicago Sun-Times called it "sophisticated" while remarking, "This is a story, you will agree, that has been told before. What distinguishes Kasdan's telling of it is the style and energy he brings to the project." In the San Francisco Chronicle, Peter Stack wrote that the film "delivers elaborate gun-fighting scenes, legions of galloping horses, stampeding cattle, a box canyon, covered wagons, tons of creaking leather and even a High Noonish duel." He openly mused, "How it manages to run the gamut of cowboy movie elements without getting smart-alecky is intriguing." In a mixed review, Gene Siskel of the Chicago Tribune, said the film was "a completely successful physical attempt at reviving the western, but its script would need a complete rewrite for it to become more than just a small step in a full-scale western revival." Another ambivalent review came from Jay Carr of The Boston Globe. He noted that Silverado "plays like a big-budget regurgitation of old Westerns. What keeps it going is the generosity that flows between Kasdan and his actors. It's got benevolent energies, but not the more primal kind needed to renew the standard Western images and archetypes." In an entirely negative critique, film critic Jay Scott of The Globe and Mail said the all too familiar "manipulative Star Wars-style score is the only novelty on tap in Silverado, which has a plot too drearily complicated and arid to summarize". Left equally unimpressed was Dave Kehr of the Chicago Reader. Commenting on director Kasdan's style, he said his "considerable skills as a plot carpenter seem to desert him as soon as the story moves to the town of the title." As far as the supporting cast was concerned, he dryly noted, "none of them assumes enough authority to carry the moral and dramatic center of the film." Giving Silverado 4 out of 5 stars, author Ian Freer of Empire, thought the film was the "kind of picture that makes you want to play cowboys the moment it is over." He exclaimed, "Whereas many of the westerns from the '70s try a revisionist take on the genre, Silverado offers a wholehearted embracing of western traditions."

Solution:
Critic Janet Maslin, writing in The New York Times, said of director Kasdan, "he creates the film's most satisfying moments by communicating his own sheer enjoyment in revitalizing scenes and images that are so well-loved