Q: What's an example of a movie review?
An example of a movie review is here: Dane tries to hard and is to extreme with all of his yelling and going crazy, spilling water on himself and rolling on the floor. To much. Calm down, get yourself together and make us laugh. I didn't quite understand his comparison toward comics and rock stars. Just because there both up on stage or something? He said that every comedian wants to be a rock star. I'm sure Rodney Dangerfield was really into that when he was alive. He had a few good jokes like the Burger King joke where people yell at the drive thru. I also liked the Reese's Pieces joke. If Dane just didn't act so mental he might be funnier and I might have given this a higher rating, as high as maybe an eight.

Q: What's an example of a movie review?
An example of a movie review is here: I'm not kidding about that summary and vote! The video distributors have packaged this as just another typical '80s werewolf movie, but it is in fact the greatest parody of the horror genre that you can imagine, having done for the horror movie what "Blazing Saddles" did for the western. I have seen plenty of comedies - good, bad, stupid, weird, etc. (usually walking away unimpressed), and I think that comedy must be the most difficult genre for filmmakers and actors to work in - it takes just the right kind of touch to make things successful, and part of that is having good ideas. "Full Moon High" is bulging with good ideas - so many, in fact, that it can easily put the Zucker/Abrams team of "Airplane" and "Naked Gun" to shame. One of the best of these is the very presence of Ed McMahon in a starring role as a John Birch-style right-wing crackpot. The jokes, non-sequiturs, wisecracks and word-play are literally non-stop and everything, including the kitchen sink, has been thrown in. The ironic tone is very similar to that of "Back to the Future."

Some people (i.e. almost every reviewer here) must have been turned off by the spirit of anarchy here, but I almost died of laughter, and this is one of those movies in which you never know what kind of insane situation will transpire next. Since B-movie extraordinaire Larry Cohen had not made a straight comedy before this, one gets the sense that he was making up for lost time by including any joke he or his collaborators could think of. If Mel Brooks had made this, the critics would have labelled it a comic masterpiece, but because it was made by Cohen, it has been dismissed as schlock. Critical reviews have called this movie too "silly." SILLY? What is a comedy supposed to be - serious?! Anyway, I laughed out loud more for this movie than any other I can think of. Cohen makes fun of everyone - himself included, with plenty of references to his usual brand of low-rent film-making; he and the actors must have had a complete blast making this.

The humor is very Mel Brooks-ish, and anyone who loves Jewish humor or watches a lot of B-movies (especially horror) will love this. Trust me: the movie isn't too hard to find, and as long as you accept it for what it is - a roller-coaster of belly laughs with no pretense of social value whatsoever - then you'll truly enjoy it!!

One sidenote: this movie should somehow go down in history as the one thing Bob Saget ever starred in (albeit briefly) that was actually funny.

Q: What's an example of a movie review?
An example of a movie review is here: In my opinion this has to be one of Barbara Stanwyck's best performances. She was one of only a handful of actors, then and now, who could say more with a single look than an entire page of dialogue. And I was lucky enough to see the original and uncensored movie, with the extra 4 minutes of additional footage. Too bad the movie is so short. Lily is a young woman barely holding it together working for her father in his illegal speakeasy. Her only link to anything is her good friend, Chico, played wonderfully by Theresa Harris. Though Chico is African American (and having a white woman be best friends with a black woman back in the 30s was as controversial as the subject matter of this movie), and Lily is not, they have a special bond. And it is not sexual. Just 2 women stuck, or shoved, into a situation beyond their control. After Lily's father dies, and she does not know what she will do, she is told that she has the power to get out and to get what she wants. Yes, it's immoral, but that's the entire point of this movie. Then "they" had to go and ruin the last few minutes. So, up until the last few minutes of the movie, it's a superb film and worth watching. The "lesson" of the movie is still as valid today as it was back then, and I'm sure will be a 100 years from now. Women, it's awful what Lily does in order to get what she wants, but it works. Men, take note.

Q: What's an example of a movie review?
An example of a movie review is here:
Knowing what to expect (on the whole) from a Denzel Washington performance - quality, integrity, gravitas, wry humour - will prepare you for what to expect from his directorial debut. Much like Robert De Niro's A Bronx Tale, Antwone Fisher delivers the moving drama of the life of a young man and the effects of key figures in his life. Much as in A Bronx Tale De Niro played one of these key figures to the lead character (himself a character was born to play but was too old too) Washington takes a similar role in this as the fatherly councellor to the titular character - a character that seems like he should be played by a Washington from 20 years ago. Be thankful Washington is too old to play Antwone because if he had we would firstly be deprived of the wonderfully measured and intelligently nuanced performance he gives as the Navy councellor. However more importantly we wouldn't get to see the superb, we can only hope star making, turn from Derek Luke in the title role. Inevitably the character comes across as moulded in Washington's shape, however you get the impression this is not just because Washington directed it, not that Luke was trying to copy him, but that Luke is as genuinely powerful and thought provoking an actor as Washington. It took far too long for Washington to receive the Academy award he deserved for Malcolm X, Philadelphia, Devil In A Blue Dress and The Hurricane, let us hope that Luke does not have to wait so long. Also a great piece of casting was Joy Bryant as Fisher's girlfriend, Cheryl. While the part could have been a forgettable support or a standard 'girlfriend' role Bryant imbues it with life. Tender and intelligent the role transcends stereotyping with Bryant inhabiting it, and she makes the part significant and interesting. It doesn't hurt either that Bryant is possibly the most attractive woman you'll see on celluloid this year - the smile alone could thaw the coldest heart. Acting ability and looks - why isn't this woman in everything being made right now. Providing good support in a small role in Salli Richardson as Washington's wife Berta. Saying more with a silence or look than many Hollywood actresses can manage in an entire film she informs the audience of the entire storylines long before any exposition occurs. As for Washington's directing, as I said, it is the directing equivalent of his acting. Taking the story of a man few viewers will have heard of and making it genuinely interesting is a difficult feat which Washington achieves with aplomb. The film is neither rushed nor showy, but it never feels slow or dull. It is measured and nuanced, balancing the humour and drama perfectly. Antwone Fisher may not blow you away if you like big, explosive, plotless Hollywood films but for those who appreciate a finely crafted character piece, with excellent performances and steady well handled direction, this is for you.