Problem: Cabaret is a 1972 American musical drama film which was directed by Bob Fosse and which starred Liza Minnelli, Michael York, and Joel Grey. Situated in Berlin during the Weimar Republic in 1931, under the presence of the growing Nazi Party, the film is loosely based on the 1966 Broadway musical Cabaret by Kander and Ebb, which was adapted from the novel The Berlin Stories / Goodbye to Berlin (1939) by Christopher Isherwood and the 1951 play I Am a Camera adapted from the same book. Only a few numbers from the stage score were used for the film; Kander and Ebb wrote new ones to replace those that were discarded. In the traditional manner of musical theater, called an "integrated musical", every significant character in the stage version sings to express his or her own emotion and to advance the plot.

Roger Ebert gave a positive review, saying: "This is no ordinary musical. Part of its success comes because it doesn't fall for the old cliche that musicals have to make you happy. Instead of cheapening the movie version by lightening its load of despair, director Bob Fosse has gone right to the bleak heart of the material and stayed there well enough to win an Academy Award for Best Director." Variety says: "The film version of the 1966 John Kander-Fred Ebb Broadway musical Cabaret is most unusual: it is literate, bawdy, sophisticated, sensual, cynical, heart-warming, and disturbingly thought-provoking. Liza Minnelli heads a strong cast. Bob Fosse's generally excellent direction recreates the milieu of Germany some 40 years ago." Jamie Russel from BBC.com reviewed: "The first musical ever to be given an X certificate, Bob Fosse's 'Cabaret' launched Liza Minnelli into Hollywood superstardom and reinvented the musical for the Age of Aquarius." Pauline Kael wrote a review applauding the film: "A great movie musical. Taking its form from political cabaret, it's a satire of temptations. In a prodigious balancing act, Bob Fosse, the choreographer-director, keeps the period--Berlin, 1931--at a cool distance. We see the decadence as garish and sleazy; yet we also see the animal energy in it--everything seems to become sexualized. The movie does not exploit decadence; rather, it gives it its due. With Joel Grey as our devil-doll host--the master of ceremonies--and Liza Minnelli (in her first singing role on the screen) as exuberant, corruptible Sally Bowles, chasing after the life of a headliner no matter what; Minnelli has such gaiety and electricity that she becomes a star before our eyes." In 2013, film critic Peter Bradshaw listed Cabaret at number one on his list of "Top 10 musicals", describing it as "satanically catchy, terrifyingly seductive ... directed and choreographed with electric style by Bob Fosse ... Cabaret is drenched in the sexiest kind of cynicism and decadent despair."

What was the critics take on the movie?

Answer with quotes: In 2013, film critic Peter Bradshaw listed Cabaret at number one on his list of "Top 10 musicals",

Problem: Born in Selma, Alabama, Mia was the fourth of six children of Bill and Stephanie Hamm. She wore corrective shoes as a toddler after being born with a club foot. Hamm spent her childhood on various United States Air Force bases around the world with her family. While living in Florence, Italy, Hamm first played soccer, which was hugely popular there; her entire family quickly became involved in the sport.

In 2001, Hamm was a founding player in the first professional women's soccer league in the United States, the Women's United Soccer Association (WUSA), and played for the Washington Freedom from 2001-2003. Throughout the league's history, Hamm was hailed as the star of the league and used heavily in marketing and promotion. In a poll of 1,000 advertising executives conducted in 2001, she was voted "the most appealing female athlete", garnering almost twice as many votes as the runner-up Anna Kournikova. During the league's inaugural match between the Freedom and Bay Area CyberRays at RFK Stadium in Washington, D.C., Hamm was fouled in the penalty area resulting in a penalty kick that her teammate Pretinha converted to mark the first goal scored in the league. The Freedom won 1-0. In addition to the 34,148 fans in attendance being greater than any MLS game that weekend, the Turner Network Television (TNT) broadcast reached 393,087 households: more than two MLS games broadcast on ESPN and ESPN2. Playing as a midfielder and forward, Hamm played in 19 of the Freedom's 21 matches during the 2001 season. She led the team in goals (6) and assists (4). The Freedom finished in seventh place during the regular season with a 6-12-3 record. Hamm suffered a knee injury in November 2001 that kept her off the pitch for several months of early 2002. Despite playing only half the 2002 season with the Freedom, she finished the season with eight goals. The team finished in third place during the 2002 season with a 11-5-5 record and advanced to the playoffs. After winning the semi-final against the Philadelphia Charge 1-0, the team was defeated 3-2 by the Carolina Courage in the 2002 WUSA Founders Cup. Hamm scored the Freedom's second goal in the 64th minute. During the 2003 season, Hamm started in 16 of the 19 games in which she played. Her 11 goals ranked second on the team behind Abby Wambach's 13 while her 11 assists ranked first. The Freedom finished in fourth place during the regular season with a 9-8-4 record and secured a berth in the playoffs. Hamm finished her club career as a WUSA champion when the Freedom defeated the Atlanta Beat 2-1 in overtime to win the Founders Cup on August 24, 2003.

Which game was this that season?

Answer with quotes: the semi-final against the Philadelphia Charge 1-0, the team was defeated 3-2 by the Carolina Courage in the 2002 WUSA Founders Cup.

Problem: Clemens was born in Dayton, Ohio, the fifth child of Bill and Bess (Lee) Clemens. He is of German descent, his great-grandfather Joseph Clemens having immigrated in the 1880s. Clemens's parents separated when he was an infant. His mother soon married Woody Booher, whom Clemens considers his father.

In the 1986 American League Championship Series, Clemens pitched poorly in the opening game, watched the Boston bullpen blow his 3-0 lead in the bottom of the ninth inning of Game 4, and then pitched a strong Game 7 to wrap up the series for Boston. The 1986 ALCS clincher was Clemens' first postseason career victory. He did not win his second until 13 years later. After a bad start in Game 2 of the 1986 World Series, Clemens returned to the mound for Game 6, which would have clinched the World Series for the Boston Red Sox. Clemens left the game after 7 innings leading 3-2, but the Red Sox went on to lose the game in the 10th inning, and subsequently, the championship. Clemens' departure was highly debated and remains a bone of contention among the participants. Red Sox manager John McNamara claimed Clemens took himself out due to a blister, though Clemens strongly denies that. Clemens greatest postseason failure came in the second inning of the final game of the 1990 ALCS against the Oakland Athletics, when he was ejected for arguing balls and strikes with umpire Terry Cooney, accentuating the A's three-game sweep of the Red Sox. He was suspended for the first five games of the 1991 season and fined $10,000. Clemens had two other playoff no-decisions, in 1988 and 1995, both occurring while Boston was being swept. Clemens' overall postseason record with Boston was 1-2 with a 3.88 ERA, and 45 strikeouts and 19 walks in 56 innings.

Are there any other interesting aspects about this article?

Answer with quotes:
he was ejected for arguing balls and strikes with umpire Terry Cooney,