Q: What's an example of a movie review?
An example of a movie review is here: A great ensemble cast! A fond remembrance of younger carefree days. This movie takes me back to when I went to summer camp. Indian Summer, while full of practical jokes and pranks, is about growing up and coming to terms with life with middle-age life. My family & I thoroughly enjoyed this movie.

Q: What's an example of a movie review?
An example of a movie review is here: This movie is nothing short of a dark, gritty masterpiece. I may be bias, as the Apartheid era is an area I've always felt for. But I'd say it ranks right up with Cry Freedom and Cry the Beloved Country. Sadly up until a few days ago I'd never even heard of this movie. Inside is one of the most underrated films of all time, probably because it was a small film company, I'd never even heard of it before. Eric Stoltz, one of my favorite actors anyway, is believable and dramatic, Nigel Hawthorne plays his dastardly role well. Do not look for humor in this film, there is none. It is real, savage and gritty to the last, and to the sensitive I'd say bring a box of tissues. But movies as great as this make you wonder, why is it that the greatest films are often never heard of?

Q: What's an example of a movie review?
An example of a movie review is here: Deliverance is the fascinating, haunting and sometimes even disturbing tale by James Dickey, turned into a brilliant movie by John Boorman. It's about four businessmen, driven by manhood and macho-behavior, who're spending a canoeing weekend high up in the mountains. Up there, they're faced with every darkest side of man and every worst form of human misery...poverty, buggery and even physical harassment! These four men intended to travel down the river for adventure and excitement but their trip soon changes into an odyssey through a violent and lurking mountain-land, completely estranged from all forms of civilisation. All these elements actually make Deliverance one of the most nightmarish films I've ever seen. Just about everything that happens to these men, you pray that you'll never find yourself to be in a similar situation. Pure talking cinema, Deliverance is a very important movie as well. John Boorman's best (closely followed by Zardoz and Excalibur) was - and still is - a very influential film and it contains several memorable scenes that already featured in numberless other movies. Just think about the terrific "Duelling banjos" musical score and, of course, the unforgettable homosexual "squeal like a pig" rape scene. All the actors deliver (haha) perfect acting performances. Especially Jon Voight. A must see motion picture!!

Q: What's an example of a movie review?
An example of a movie review is here:
I disagree with much that has been written and said about this supposed "masterpiece" of the German New Wave:

1) There are major flaws in simple exposition, in the basic communication of critical plot points, as relating to Maria's abortion and the secret contract between Oswald and her husband. How many viewers understood that the husband agreed, in exchange for substantial financial remuneration, not to return to and reclaim his wife until Oswald was dead?

2) The ending is highly unsatisfying because arbitrary and accidental. The original screenplay called for Maria to commit suicide after the reading of Oswald's will, on finding out that her husband had in effect sold their marriage to Oswald. In the final version, however, Maria only runs water from a faucet across her wrist in a gesture of suicide. Maria is then summarily blown up, rather than having to confront and live with the consequences of her self-delusion and moral compromise.

3) Fassbinder seeks to forcibly superimpose the public on the private, the political on the personal. Contrary to what the critics and "experts" assert, I don't think it works. Merely intruding historic radio news or the sound of the jackhammers of German reconstruction in the soundtrack on the dramatic events of the movie does not make those historical events integral to the drama.

The selfish ambition of Maria's rise from poverty to prosperity is meant to parallel the so-called economic miracle of postwar Germany. Maria is thus intended to be a woman specific to and reflective of her time and place, but is in reality unoriginal and nonspecific. Women have been asserting their independence by using sex for self-advancement for ages.

4) Lastly, there are several instances of inexcusable sloppiness and amateurishness -- Fassbinder's drug addiction and consequent impatience and inattention have had their effect. Unknown people talk off screen without ever being seen; music is clumsily intrusive in places; and melodramatic posturing sporadically substitutes for acting.

Strangely, for a movie condemning a country for willful collective amnesia of the holocaust, it itself never mentions it once.