Problem: Given the question: A friend asked me to answer this question: What is the first name of the person who noted, "Our music was, like, [the Doors'], but trying to be classical?, using the article: In 1997, the Strokes consisted of singer Julian Casablancas, guitarist Nick Valensi, bassist Nikolai Fraiture, and drummer Fabrizio Moretti. Casablancas's stepfather and Moretti's and Fraiture's older brothers introduced the quartet to the music of reggae artist Bob Marley, protopunk group the Velvet Underground, and alternative rock band Jane's Addiction. Discussing the formative stages of the group, Moretti noted, "Our music was, like, [the Doors'], but trying to be classical. We all took music classes and tried writing songs, and when we put them together they were this crazy amalgam of insane ideas that we thought was really cool." In 1998, Albert Hammond, Jr., who Casablancas knew from his time at a Swiss boarding school, moved to New York City to attend film school and joined The Strokes as a second guitarist. His arrival provided the catalyst for the band's musical and emotional evolution.By 2000, all band members had part-time jobs and were practicing new material several nights a week in a small hired recording space. In the fall of that year, their demo caught the attention of Ryan Gentles, a talent booker at New York City's Mercury Lounge. He scheduled the Strokes for four December gigs. With support from personal mentor JP Bowersock and producer Gordon Raphael, the band recorded three tracks which later appeared on Is This It: "The Modern Age", "Last Nite", and "Barely Legal". British label Rough Trade Records was impressed by the songs and released them as a January 2001 extended play titled The Modern Age. Music press reaction was very positive and the Strokes embarked on a sold-out UK tour, followed by US support slots for alternative rock groups Doves and Guided by Voices. Gentles quit his job to manage the band full-time and, in March 2001, the Strokes signed to RCA Records after a protracted bidding war., what would be the answer ?
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The answer is:
Fabrizio

Problem: Given the question: A friend asked me to answer this question: What is the full name of the person Jackson said wanted to "get my ass, dead or alive"?, using the article: In Bad, Jackson's concept of the predatory lover is seen on the rock song "Dirty Diana". The lead single "I Just Can't Stop Loving You" is a traditional love ballad, and "Man in the Mirror" is a ballad of confession and resolution. "Smooth Criminal" is an evocation of bloody assault, rape and likely murder. AllMusic's Stephen Thomas Erlewine states that Dangerous presents Jackson as a paradoxical person. The first half of the record is dedicated to new jack swing, including songs like "Jam" and "Remember the Time". It was the first Jackson album in which social ills became a primary theme; "Why You Wanna Trip on Me", for example, protests world hunger, AIDS, homelessness and drugs. Dangerous contains sexually charged songs such as "In the Closet". The title track continues the theme of the predatory lover and compulsive desire. The second half includes introspective, pop-gospel anthems such as "Will You Be There", "Heal the World" and "Keep the Faith". In the ballad "Gone Too Soon", Jackson gives tribute to Ryan White and the plight of those with AIDS.HIStory creates an atmosphere of paranoia. In the new jack swing-funk rock tracks "Scream" and "Tabloid Junkie", and the R&B ballad "You Are Not Alone", Jackson retaliates against the injustice and isolation he feels, and directs his anger at the media. In the introspective ballad "Stranger in Moscow", Jackson laments his "fall from grace"; "Earth Song", "Childhood", "Little Susie" and "Smile" are operatic pop songs. In the "D.S.", Jackson launched a verbal attack against the lawyer Tom Sneddon, who had prosecuted him in both child sexual abuse cases. He describes Sneddon as an antisocial white supremacist who wanted to "get my ass, dead or alive". Sneddon said he had not listened to the song. Invincible was produced by Rodney Jerkins. It includes urban soul tracks such as "Cry" and "The Lost Children", ballads such as "Speechless", "Break of Dawn", and "Butterflies" and mixes hip hop, pop, and R&B in "2000 Watts", "Heartbreaker" and "Invincible"., what would be the answer ?
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The answer is:
Tom Sneddon

Problem: Given the question: A friend asked me to answer this question: What are the last name of the people who are trying to drive Sonia insane?, using the article: Former resident Sonia Freeman (Lynn Rainbow, who filmed all of her scenes in just one day) returns to Number 96 after her release from a mental asylum. Sonia is now married to newspaper journalist Duncan Hunter. Her forgetful episodes and hallucinations become increasingly erratic and deranged. This worries Duncan, Sonia's good friend Jack Sellars and Jack's new girlfriend, flight attendant Diana Moore, who has moved into flat 6. It is revealed that Diana and Duncan are secretly scheming to drive Sonia insane. Jack and the police arrive just in time before Diana and Duncan can persuade Sonia to kill herself. Aldo has been withholding cash takings from the deli to avoid paying income tax on it, but loses the money in a fire. He takes a night job at the Connaught Rooms function hall to recoup the losses. Many of the residents become embroiled in the major plans for Dorrie and husband Herb's (Ron Shand) Ruby Wedding celebrations. After looking at her marriage certificate, Dorrie discovers that the best man Horace Deerman signed where the groom should have. Believing this means Dorrie is married to Horace, Dorrie, Herb and Flo track him down. Horace is revealed as a derelict alcoholic. Much to her dismay, Horace takes a fancy to Dorrie. Les enlists Herb and Alf to assist in his new business venture: a sauna in the building's basement, unbeknownst to wife Norma., what would be the answer ?
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The answer is:
Moore