Problem: Van Halen is an American hard rock band formed in Pasadena, California, in 1972. From 1974 until 1985, the band consisted of guitarist Eddie Van Halen, vocalist David Lee Roth, drummer Alex Van Halen, and bassist Michael Anthony. The band went on to become major stars, and by the early 1980s they were one of the most successful rock acts of the time. 1984 was their most successful album.

David Lee Roth called Eddie to discuss what tracks would be included on a planned Van Halen compilation (work on which had actually begun before Hagar's departure). They got along well, and Eddie invited him up to his house/studio. Shortly afterwards, Roth re-entered the studio with the band and producer Glen Ballard. Two songs from those sessions were added to the band's Greatest Hits album and released as singles to promote it. In September, Van Halen was asked to present an award at the 1996 MTV Video Music Awards. They agreed, and on September 4, 1996, the four original members of Van Halen made their first public appearance together in over eleven years. This helped to bring the compilation to No. 1 on the U.S. album charts. However, unknown to Roth, Eddie and Alex were still auditioning other singers, including Mitch Malloy. The band's appearance on the 1996 MTV Video Music Awards fueled reunion speculation. But several weeks after the awards show, it was discovered that Roth was out of Van Halen again. Roth released a statement in which he apologized to the media and the fans, stating that he was an unwitting participant in a publicity stunt by Van Halen and manager Ray Danniels. The next day, Eddie and Alex released their own statement, claiming they had been completely honest with Roth and had never suggested he was guaranteed to be the next lead singer. Eddie Van Halen would later explain (in regard to the MTV Video Music Awards appearance) that he had initially been embarrassed by Roth's antics while on camera behind Beck, who was giving an acceptance speech for the award that Van Halen had presented to him. Immediately following this, the band had been taken to a backstage press conference where press queries about a reunion tour were met with Eddie Van Halen saying that he needed a hip replacement and would have to record an entire new studio album before any tour. In private Roth told Eddie to avoid talking about negative things like his hip and the two almost came to blows, thereby shattering any chance of a full-scale reunion.

Was his return short lived?

Answer with quotes: Eddie Van Halen would later explain (in regard to the MTV Video Music Awards appearance) that he had initially been embarrassed by Roth's antics

Question:
"Sympathy for the Devil" is a samba rock song by the Rolling Stones, written by Mick Jagger and Keith Richards. Sung by Jagger, the song refers to the Devil, written in the first-person narrative, recounting atrocities committed throughout the history of humanity as if they were somehow "inspired" (or at least witnessed) by him. Although it has been deemed by some as "a homage", in reality, no admiration (or even sympathy, for that matter) is declared for the Devil in the song -other than his "own" request. It is performed in a rock arrangement with a samba rhythm, first appearing as the opening track on their 1968 album Beggars Banquet.
The recording of "Sympathy for the Devil" began at London's Olympic Sound Studios on 4 June 1968 and continued into the next day; overdubs were done on 8, 9 and 10 June. Personnel included on the recording include Nicky Hopkins on piano, Rocky Dijon on congas and Bill Wyman on maracas. Marianne Faithfull, Anita Pallenberg, Brian Jones, Charlie Watts, producer Jimmy Miller, Wyman and Richards performed backup vocals, singing the "woo woos". Richards plays bass on the original recording, and also electric guitar. Brian Jones plays a mostly mixed out acoustic guitar, although in isolated tracks of the studio cut, it is audible playing along with the piano. In the 2003 book According to the Rolling Stones, Watts commented: "Sympathy" was one of those sort of songs where we tried everything. The first time I ever heard the song was when Mick was playing it at the front door of a house I lived at in Sussex ... He played it entirely on his own ... and it was fantastic. We had a go at loads of different ways of playing it; in the end I just played a jazz Latin feel in the style of Kenny Clarke would have played on "A Night in Tunisia" - not the actual rhythm he played, but the same styling. On the overall power of the song, Jagger continued in Rolling Stone: It has a very hypnotic groove, a samba, which has a tremendous hypnotic power, rather like good dance music. It doesn't speed up or slow down. It keeps this constant groove. Plus, the actual samba rhythm is a great one to sing on, but it is also got some other suggestions in it, an undercurrent of being primitive--because it is a primitive African, South American, Afro-whatever-you-call-that rhythm (candomble). So to white people, it has a very sinister thing about it. But forgetting the cultural colors, it is a very good vehicle for producing a powerful piece. It becomes less pretentious because it is a very unpretentious groove. If it had been done as a ballad, it wouldn't have been as good.
Answer this question using a quote from the text above:

Where was this song recorded?

Answer:
London's Olympic Sound Studios