In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: i 'm not really sure what to think about " crash .
" on the surface , it 's a cold , boring , unerotic porn with name starts , a name director , and some cool camerawork .
i mean , it left me completely bored , unsatisfied , and generally kinda weirded out .
but then again , not every film 's supposed to leave you
entertained .
" crash " is structured to play like a porn flick , but with significantly more plot and dialogue .
while we see several extremely taboo scenes of weirdo sex , we also have a skimpy little plot going on ( mostly towards the beginning ) , and maybe just a hair of characterization .
not to mention the acting is generally pretty good , and we do n't really see a lot of the actors completely exposed .
but what makes it supremely different from a porn is the fact that this is not an erotic experience .
this film does not posess the erotic hypnotism of " henry and june " or the just plain horniness of , say , " deep throat " ( not that i 've seen it ) .
if one was to be made completely hot by this film , it would probably mean they were also into the whole " auto eroticism " thing .
the film leaves you cold erotically ( and maybe in many other ways ) , but what it does is present a group of people who live on the edge .
the film opens up on a woman , catherine ( deborah kara ungar , of " the game " ) , pressing her bare breast up against a car in a public air hangar .
suddenly , a man enters the frame and begins to take her from behind ( the film does nt ' show all this though , even if it is nc-17 ) .
the next scene has a film director , james ( james spader ) , having sex with a camera woman ( alice poon ) in an office on the highly - populated set of his movie .
the next scene has the two coming together , revealing to us that they 're husband and wife , and them sharing in one another 's escapades .
while the two are arguably freaky people , we at least know they love to live on the edge .
soon afterwards , james is driving down the road at night , reclessly of course
( he 's reading something ) , when he drifts into the other lane , and then hits another car face on .
james is not killed , but the passenger in the other car flies into his seat ( obviously dying ) , leaving the driver , helen remington ( holly hunter - in a porn ? ) , also alive .
the two go through therapy together , and when getting out , they run into eachother again .
when james gives her a ride home , they almost get into another accident , and immeadiately afterwards , they go to an unbusy parking lot , and have a little quickie , as they were aroused by the accident .
you would n't think there would be many people who shared this same kind of fetish , but they run into a freaky guy named vaughan ( elias kosteas ) and his crutch - carrying girlfriend , gabrielle ( rosanna arquette ) , who are also into it .
vaughan is into living on the edge as they are , but he takes it to another level : he loves to recreate famous car crashes .
in one scene , he and a friend , colin seagrave ( peter macneill ) recreate james dean 's car crash without any padding or safety belts , and suffer some concussions , but nevertheless get a rush ( and the attention of the police ) .
soon , these five are all having sex with one another , be it straight , gay , or lesbian sex .
while this is admittingly all a bit comical ( the film is almost like a black comedy ) , the film does do a pretty awesome portrayal of people who 's main fetish is living on the edge .
i 'm sure somewhere there are people who get aroused by car accidents , but i personally do n't see a connection between car crashes and sex .
the main connection cronenberg shows us that both give a definite rush .
his car crash scenes are quick and exciting mini - masterpieces
: we 're at first not sure if they 'll take place , but everytime it looks like it may occur , we gasp .
then when it happens , we hold our breath .
the same thing happens with sex , although not in the same fashion .
these people are merely taking it to another level .
the only problem with the film is that it 's a tad redundant .
a normal porn lasts from an hour to an hour and a half .
this goes on for about 100 minutes , and it just seems a little too long .
the sex and car crashes are far between one another , and the time between them are a tad on the boring side .
there 's no characterization , although it could definitely be argued , that hey , it 's a porn , and we 're not here to sympathize .
but still , they coulda cut it down a bit .
but the film is saved with its presentation , as well as some other elements .
the atmosphere is very dark and forboding , creating a kind of cool weird feeling .
and there are several scenes
are just amazing .
one scene has catherine and james having sex , while she softly asks him questions about being with a man , which sounds almost erotic the way she says it .
a sequence involving one character 's death is filled with all the edgy disjointment that the film needs .
and the final shot is shot perfectly , creating an image of a car crash , and a couple having sex in front of it , despite the fact that she 's wounded .
the acting is also pretty good , especially for what is almost a porn ( ousting linda lovelace as best actress in a porn ) . while james spader is pretty boring ( he 's usually pretty intense ) , deborah kara ungar is amazing .
she speaks all her words in almost zombie - like hushes , and when she 's having sex , she has a blank look on her face , not showing the viewer whether she 's enjoying it or not .
in one scene , she actually looks dead while someone is having sex with her .
holly hunter , who gets extra credit just for appearing in something like this , is pretty good , and so is rosanna arquette ( who adds a kinda cool kinkiness to her role ) .
but the film is stolen by elias kosteas who plays his character so intensely that he almost upstages everyone .
he often speaks as he is out of breath , showing a definite affinity for his way of life .
he has a great deal of energy in several scenes , especially one scene where he 's taking photographs of a picture , and a later scene where he 's getting a freaky tatoo .
he and spader share sexual chemistry in several scenes , foreshadowing a later scene .
kosteas is a little known actor ( his biggest role was casey jones in " teenage mutant ninja turtles " ) , but here
he shows a deniro - like presence , hinting that he 's capable of bigger roles .
while i hardly enjoyed " crash , " it 's still a pretty intriguing portrayal of a group of people who , if the exist , are some of the strangest and most bizarre people in the world .
these people are able to share a rush between two completely different entities , and the film , which does n't exactly pain them in a negative light , is sucessful in bringing them to light , even if it leaves the viewer unnerved and generally freaked out .
despite the hardcore nature of the film and the subsequent nc-17 rating ( there 's also an r - rated version , but i would n't even go near that thing ) , anyone looking for a quick turn - on should just rent a regular porno .

Output: P

Input: Consider Input: wonderland is a rather sugary romance film that is as subtle as a ton of bricks falling on you .
you can see its plot developing from a mile away .
you are lured into its benign story of a single 29-year - old girl looking for a soul mate in boston , as that city is depicted as a mini - wonderland for singles .
this is a star oriented film , and the star who carries the film is erin ( hope davis ) .
that this is a dating film , about singles who for reasons of fate or luck , or whatnot , have not had a successful match and are now putting most of their energy into fulfilling their careers , is nothing new , this type of film has been done often and better many times in contemporary films .
the fictionalized documentary unmade beds did it more provocatively and with more of a sense of urgency than this film .
the main quirk in the plot here , is that hope 's pushy mother ( hollan ) visits her in boston , sees her daughter 's live - in relationship with a radical protester ( hoffman ) breakup and decides to put a personal ad in the newspaper for her harvard medical school drop - out daughter , who works as a nurse .
this is done without her knowledge .
it is cornball sitcom stuff
, but , at least , it is handled as best it could be by the actors and director .
it is easy to like erin , she is bright , caring , and attractively blonde .
it is equally easy to care for the soul mate
she keeps missing contact with , the financially strapped , ruggedly handsome , intelligent 35-year - old alan ( alan ) , who no longer wants to work with his father as a plumber but is doing volunteer work at the aquarium and attending college to be a marine biologist .
of course , he comes across as being so good ( though , he does kill some fish in the aquarium ) , that it is hard to believe he 's for real , or just some cardboard shining knight put into the story to give it an ideal to shoot for .
the contrived story revolves around their near misses in meeting each other in such spots as , the subway , at a restaurant , or on the phone .
alan 's brother answers erin 's ad with a few of his pals , as they each try to respond to her ad in a phony way , making a bet that the first who gets to tongue kiss her , that the others witness , will win the bet .
this sub - plot was as obnoxious to see take place as it is to hear told .
that we have to see erin go through several dates to prove the point how ego sick these guys are , each one more annoying than the other , culminating in the most obnoxious one of all , that brazilian lover ( jose ) , who is about as charming as a snake - oil salesman , who is actually the one she nearly flies away with for a holiday in brazil , was not only incredulous but downright contrary to the rich presentation of her character that was the heart of the story .
anyway , as expected , all 's well that ends well , for this watchable piece of fluff
, that comes over on screen better than it does when relating its story - line .
the dialogue was actually not bad , those dating erin or trying to flirt with her seemed to be uttering authentic things they would actually say in their situation .
and , oh , by the way , wonderland refers to the stop on the boston metro
, it is where greyhound racing takes place .

Output: N

Input: Consider Input: roger ebert asks in his review of sexy beast , " who would have guessed that the most savage mad - dog frothing gangster in recent movies would be played by . . .
ben kingsley ?
"
my response would be that anyone who has seen alan arkin in wait until dark , henry fonda in once upon a time in the west , or anthony hopkins in the silence of the lambs should have guessed it .
they should know that the way for a film to create a really creepy sociopath is cast someone who generally plays mild , sympathetic , or even ineffectual character roles .
the same characteristics that make an actor seem gentle in most of his roles can work in his favor when a role calls for him to be fierce and vicious .
that is the principle that works for kingsley in sexy beast .
gary " gal " dove ( played by ray winstone ) has retired from a london career of crime and is living on a luxurious villa in spain .
life has become a routine of sunning himself and relaxing .
but his paradise is about to be shattered by a one - two - punch .
the first punch is a boulder that comes rolling down the hill next to the villa .
the second punch comes from gal 's past .
back in london
gang boss teddy bass
( ian mcshane , tv 's lovejoy ) is planning to break into a safety deposit room in a bank and he wants gal .
he sends his most rabid henchman don logan ( ben kingsley ) to fetch gal .
don will accept any decision gal makes from " yes " to " certainly .
" however , if gal says " no " don will do whatever it takes to turn it into a yes including threatening guy 's ex - porn- star wife deedee ( amanda redman ) . in the meantime don knows just how to get under everybody 's skin .
kingsley makes don a compact package of fury and nastiness .
there are some serious problems in louis mellis 's and david scinto 's script that should have been caught before filming .
when we see the actual crime we have no idea why gal was so important to its success .
beyond an ability to use skin - diving gear , no special talents are required of him .
any local hood could have done what gal is needed for .
additionally the crime involves digging from a swimming pool to the bank vault , flooding the vault .
no only
could they have let the water out of the pool and avoided the complication altogether , but there is by far too much water to be accounted for by what was in the pool .
in spite of the provocative title , the story is cliched and overly familiar .
i know i have seen all the plot elements of sexy beast in old westerns like the law and jake wade .
the story is usually of the reformed outlaw , a robert taylor type , who has hung up his guns and is trying for a life of peaceful respectability .
the old gang , however , wants to do one more job with their old buddy and sends a rabid richard widmark type to go and git ?
i m .
it is not a great plot .
in sexy beast even the plot twists have gray beards .
perhaps the film has a little more respectability because it was made not as a western but as a stylish british gangster film .
it is an old plot dressed up to look new .
if the plot is old , at least the style is creative .
this is director jonathan glazer 's first film , but he has reputedly done some notable tv ads for guinness stout .
his style does have some unexpected touches including some very odd dream sequences .
cinematographer ivan bird uses a lot of half lit scenes .
we see one side of a person 's faces .
but the other side fades into the darkness , a sort of metaphor for the half - world these characters in - habit .
half of everything that is happening is also kept hidden .
us yanks will have a hard time with some of the dialog .
at least in my theater it was difficult to make out the words with the quiet speaking , the heavy accents , and the cockney language .
sexy beast is a very and familiar minor plot lent respectability in the us by being done in what is here a still somewhat novel genre , the london crime film .
the plot may be new to british crime films , but it would be overly familiar as a western .
further respectability comes from ben kingsley 's high - powered performance .
i give it a 4 on the 0 to 10 scale and a 0 on the -4 to +4 scale .
Output: N