Question: Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes.

Henry Molaison was born on February 26, 1926, and experienced intractable epilepsy that has sometimes been attributed to a bicycle accident at the age of seven. (This accident was initially reported to have occurred at age nine, but was corrected by the patient's mother at a later stage.) He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday. In 1953, he was referred to William Beecher Scoville, a neurosurgeon at Hartford Hospital, for treatment. Scoville localized Molaison's epilepsy to his left and right medial temporal lobes (MTLs) and suggested surgical resection of the MTLs as a treatment. On September 1, 1953, at the age of 27, Molaison's bilateral medial temporal lobe resection included the removal of the hippocampal formation and adjacent structures, including most of the amygdaloid complex and entorhinal cortex. His hippocampi appeared entirely nonfunctional because the remaining 2 cm of hippocampal tissue appeared to have atrophied and because the entire entorhinal cortex, which forms the major sensory input to the hippocampus, was destroyed. Some of his anterolateral temporal cortex was also destroyed. After the surgery, which was partially successful in its primary goal of controlling his epilepsy, Molaison developed severe anterograde amnesia: although his working memory and procedural memory were intact, he could not commit new events to his explicit memory. According to some scientists, he was impaired in his ability to form new semantic knowledge, but researchers argue over the extent of this impairment. He also had moderate retrograde amnesia, and could not remember most events in the one- to two-year period before surgery, nor some events up to 11 years before, meaning that his amnesia was temporally graded. However, his ability to form long-term procedural memories was intact; thus he could, for example, learn new motor skills, despite not being able to remember learning them. The case was first reported in a paper by Scoville and Brenda Milner in 1957. Near the end of his life, Molaison regularly filled in crossword puzzles. He was able to fill in answers to clues that referred to pre-1953 knowledge. For post-1953 information he was able to modify old memories with new information. For instance, he could add a memory about Jonas Salk by modifying his memory of polio. He died on December 2, 2008.

Using a quote from the above article, answer the following question: What can you tell me about his childhood?
HHHHHH
Answer: experienced intractable epilepsy that has sometimes been attributed to a bicycle accident at the age of seven.

Question: Eric Garth Hudson (born August 2, 1937) is a Canadian multi-instrumentalist. As the organist, keyboardist and saxophonist for Canadian-American rock group the Band, he was a principal architect of the group's unique sound. Hudson has been called "the most brilliant organist in the rock world" by Keyboard magazine. As of 2018, Hudson and fellow musician Robbie Robertson are the last original members of The Band who are still alive.

Under the strict supervision of Hawkins, the Hawks became an accomplished band. They split from Hawkins in 1963, recorded two singles and toured almost continually, playing in bars and clubs, usually billed as Levon and the Hawks. Hudson started work as a session musician in 1965, playing on John Hammond, Jr.'s So Many Roads along with Robertson (guitar) and Helm (drums). In August 1965, they were introduced to Bob Dylan by manager Albert Grossman's assistant, Mary Martin. In October, Dylan and the Hawks recorded the single "Can You Please Crawl Out Your Window?", and in January 1966 they recorded material with Dylan for what would turn into the Blonde on Blonde album. Dylan recruited the band to accompany him on his controversial 1966 "electric" tour of the United States, Australia and Europe. (An album of Dylan's 1966 performance with his band, The "Royal Albert Hall" Concert, was finally released in 1998.) Subsequent to Bob Dylan's motorcycle accident in July 1966, the group settled in a pink house in West Saugerties, New York, near Woodstock. Dylan was a frequent visitor, and Hudson's recordings of their collaborations resulted in The Basement Tapes. By 1968, the group recorded its debut album, Music from Big Pink. The album was recorded in Los Angeles (at Capitol) and New York (at A&R Studio). Capitol originally announced that the group would be called the Crackers, but when Music From Big Pink was released they were officially named the Band. The album includes Hudson's organ showcase, "Chest Fever", a song that in the Band's live shows would be vastly expanded by a solo organ introduction, entitled "The Genetic Method", an improvisational work that would be played differently at each performance. An example can be heard on the live album Rock of Ages. Hudson is also adept at the accordion, which he played on some of the group's recordings, such as "Rockin Chair", from "The Band"; the traditional "Ain't No More Cane", from "The Basement Tapes"; Dylan's "When I Paint My Masterpiece"; and Bobby Charles's "Down South in New Orleans" during the Last Waltz. His saxophone solo work can be heard on such songs as "Tears of Rage" (from Big Pink) and "Unfaithful Servant" (from The Band). Hudson is credited with playing all of the brass and woodwinds on the studio version of "Ophelia", from the 1975 album Northern Lights - Southern Cross as well. This album, the first to be recorded in the Band's Shangri-La recording studio in Malibu, California, also saw Hudson adding synthesizers to his arsenal of instruments. Hudson provided innovative accompaniment. For example, the song "Up on Cripple Creek" features Hudson playing a clavinet through a wah-wah pedal to create a swampy sound reminiscent of a Jew's harp or the croak of a frog. This clavinet-wah wah pedal configuration was later adopted by many funk musicians. After years of continuous touring, the Band made its final bow as a touring band with a lavish final concert on Thanksgiving Day 1976 at the Winterland Ballroom in San Francisco, an all-star tribute concert documented in The Last Waltz.

Using a quote from the above article, answer the following question: What albums was he on?
HHHHHH
Answer:
Rock of Ages.