input question: Select the correct sentiment of the following review: Well it's not often that we in the UK have a film made about inner city life from the perspective of the Afro Caribbean community, the last example that I can remember was the underrated Babylon way back in 1980. So I had high expectations when I heard about Bullet Boy, a film that has been touted as the British version of La Haine! Well La Haine it is not! I agree that the use of dialogue and environment gives this film an authenticity that has been missed in other British films of late, but my concern is that this film predictably ends sadly.

The film intelligently deals with the escalating problem of black on black violence that is sadly all to common in London, but I'm concerned that film makers now use type-casting in plot as opposed to characters which is equally as damaging. Saul Dibb had a great opportunity to make a film that could be both entertaining and inspirational to us all, but sadly missed and created a film that only reinforces the idea that to be a young black male in London the only future is violence & tragedy
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output answer: negative

input question: Select the correct sentiment of the following review: Ever watched a movie that lost the plot? Well, this didn't even really have one to begin with.

Where to begin? The achingly tedious scenes of our heroine sitting around the house with actually no sense of menace or even foreboding created even during the apparently constant thunderstorms (that are strangely never actually heard in the house-great double glazing)? The house that is apparently only a few miles from a town yet is several hours walk away(?) or the third girl who serves no purpose to the plot except to provide a surprisingly quick gory murder just as the tedium becomes unbearable? Or even the beginning which suggests a spate of 20+ killings throughout the area even though it is apparent the killer never ventures far from the house? Or the bizarre ritual with the salt & pepper that pretty much sums up most of the films inherent lack of direction.

Add a lead actress who can't act but at least is willing to do some completely irrelevant nude shower scenes and this video is truly nasty, but not in the way you hope.

Given a following simply for being banned in the UK in the 80's (mostly because of a final surprisingly over extended murder) it offers nothing but curiosity value- and one classic 'daft' murder (don't worry-its telegraphed at least ten minutes before).

After a walk in the woods our victim comes to a rather steep upward slope which they obviously struggle up. Halfway through they see a figure at the top dressed in black and brandishing a large scythe. What do they do? Slide down and run like the rest of us? No, of course not- they struggle to the top and stand conveniently nice and upright in front of the murder weapon.

It really IS only a movie as they say..
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output answer: negative

input question: Select the correct sentiment of the following review: Sogo Ishii has taken the old myth of Musashibo Benkei and stood it on its head to produce a dark, gory, spellbinding and terrific-looking movie. Those unfamiliar with the legend won't need to be; the story explains itself nicely as it goes along. Well worth seeking out even though there are no English-language home video versions.
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output answer:
positive