Some context: Cable (Nathan Summers) is a fictional character appearing in American comic books published by Marvel Comics, commonly in association with X-Force and the X-Men. The character first appeared as a newborn infant in Uncanny X-Men #201 (Jan. 1986) created by writer Chris Claremont, while Cable's adult identity was created by writer Louise Simonson and artist/co-writer Rob Liefeld, and first appeared in The New Mutants #87 (March 1990). Nathan Summers is the biological son of the X-Men member Cyclops (Scott Summers) and Madelyne Pryor (Jean Grey's clone), the "half" brother of Rachel Summers and Nate Grey, and the genetic template for Stryfe. He is from a possible future timeline, having been transported as an infant to the future, where he grew into a warrior, before returning to the present.
Nathan Christopher Charles Summers is the son of Scott Summers (aka Cyclops), and Madeline Pryor (who was later revealed to be a clone of Jean Grey). Writer Chris Claremont, who had written the series since issue #94 (August 1975), revealed Madeline to be pregnant in X-Men/Alpha Flight #1 (December 1985). The next depiction of her pregnancy was in The Uncanny X-Men #200, when she goes into premature labor. In the following issue, #201 (January 1986), Nathan first appears as a newborn infant. The character's first appearance as the adult warrior Cable was at the end of The New Mutants #86 (Feb. 1990). He does not appear anywhere in the issue's story, but the "next issue" teaser. This was followed by a full appearance in The New Mutants #87 (March 1990). At first, Cable was not intended to be the adult version of Nathan Summers, but was created as a result of unrelated editorial concerns. Editor Bob Harras wanted to "shake things up" for the book, and felt a new leader was needed, one distinct from the perennial X-Men leader and the New Mutants' first mentor, Professor X. The book's writer, Louise Simonson, thought a military leader would be a good idea, and Harras tasked the book's artist, Rob Liefeld, to conceptualize the character. Harras may also have suggested the character's bionic eye. Both Simonson and Liefeld each separately conceived of the leader being a time traveler from the future. Liefeld chose the name Cable for the character. Liefeld explains the creation of the character: I was given a directive to create a new leader for the New Mutants. There was no name, no description besides a 'man of action', the opposite of Xavier. I created the look, the name, much of the history of the character. After I named him Cable, Bob suggested Quinn and Louise had Commander X. Harras and writer/artists Jim Lee and Whilce Portacio, who were writing the X-Men spinoff X-Factor that starred Cyclops and the other four original X-Men, decided that Nathan would be sent into the future and grow up to become Cable. Liefeld, who conceived of Cable and his archenemy Stryfe were one and the same, disliked this idea. (Eventually Stryfe was revealed to be a clone of Cable.) In the 1991 X-Factor storyline, Nathan is infected by the villain Apocalypse with a techno-organic virus. Because he can only be saved by the technology of the far-future, Scott reluctantly allows Sister Askani, a member of a clan of warriors dedicated to opposing Apocalypse, to take Nathan into the future so that he can be cured, a one-way trip from which she tells him she and Nathan will be unable to return.
who created it?
A: Writer Chris Claremont,
Some context: Bill Laswell (born February 12, 1955, Salem, Illinois, and raised in Albion, Michigan) is an American bassist, producer and record label owner. Laswell has been involved in hundreds of recordings with many collaborators from all over the world. Laswell's music draws upon many different genres, most notably funk, various world music, jazz, dub and ambient styles. He has also played or produced music from the noisier, more aggressive end of the rock spectrum, such as hardcore punk and metal.
Always one to be courting controversy due to his alleged radical treatment of music, Laswell released two albums of remixes from dead artists - Bob Marley's Dreams of Freedom on Axiom and Miles Davis Panthalassa. The first contained airy, ambient dub translations of some of Marley's Island catalog, largely sans Marley's voice. Chris Blackwell, largely the man responsible for bringing Marley to the masses in the 1970s, requested the album as part of a planned series of remix albums by various producers who were rooted in the reggae/dub tradition. Blackwell's departure from Island killed any further albums. For Panthalassa, Laswell took the tapes from Miles' "electric period" and re-imagined them, the impetus for the project being that the original releases were just mixes made by Teo Macero from long in-studio sessions. Nothing originally released was necessarily exactly what was done in the studio, but rather a cut-up and remix to begin with. Needless to say, critic and fan responses varied wildly, with Laswell and Macero conducting a public feud in the media. The late 1990s saw two other major changes. As noted before, Chris Blackwell left Island Records. Although he took the Axiom imprint with him to his new Palm Pictures label, the back catalog stayed with Island. Many of the albums are now out of print, and efforts to obtain master recordings and new distribution have been unsuccessful. The other change came in the form of studio space. Laswell, seeing that Greenpoint had turned into a sort of living space for hangers-on, moved his studio to West Orange, New Jersey, calling it Orange Music Sound Studios.
what happened after they moved?
A:
calling it Orange Music Sound Studios.