IN: Vladimir Tismaneanu (Romanian pronunciation: [vladi'mir tism@'neanu]; born July 4, 1951) is a Romanian and American political scientist, political analyst, sociologist, and professor at the University of Maryland, College Park. A specialist in political systems and comparative politics, he is director of the University of Maryland's Center for the Study of Post-Communist Societies, having served as chairman of the editorial committee (2004-2008) and editor (1998-2004) of the East European Politics and Societies academic review. Over the years, Tismaneanu has been a contributor to several periodicals, including Studia Politica, Journal of Democracy, Sfera Politicii, Revista 22, Evenimentul Zilei, Idei in Dialog and Cotidianul. He has also worked with the international radio stations Radio Free Europe and Deutsche Welle, and authored programs for the Romanian Television Company.

Outside the realms of history, political science and political analysis, Vladimir Tismaneanu is a noted author of memoirs. This part of his work is centered on the volume Ghilotina de scrum ("The Ashen Guillotine"), also written on the basis of interviews with Mihaies. The book offers an account of his complicating relationship with Leonte Tismaneanu, postulating a difference between the everyday father, who has earned his son's admiration for being marginalized by his political adversaries, and a "political father", whose attitudes and public actions are rejected by Vladimir Tismaneanu. This approach earned praise from two influential intellectual figures of the Romanian diaspora, critics Monica Lovinescu and Virgil Ierunca, whose letter to the author read: "the distances you take from your own background are of most-rare authenticity and tact. You accomplish a radical break, being at the same time participative, negating things only after you have understood them, being dissociated from both roles of judge and defense counsel." Cioroianu also notes: "He is not the only son of (relatively) well-known communists; but he is one of the few to have reached the level of detachment needed in order to X-ray, in a cold and precise way, a political system. Does this seem easy to you? I do not know how many of us would be capable of introspecting with such lucidity our own parents' utopias, phantasms and disappointments". The historian opposes Tismaneanu's approach to that of Petre Roman, Romania-s first post-1989 Premier, whose attempts at discussing the public image of his father, the communist politico Valter Roman, are argued by Cioroianu to have "failed". Tismaneanu has contributed the screenplay for Dinu Tanase's documentary film Condamnati la fericire ("Sentenced to Happiness"), released in 1992. With Octavian Serban, he has also authored a series about Communist Romania, which was showcased by the Romanian Television Company.

When was the film released?

OUT: "), released in 1992.

input: One hallmark of Aeschylean dramaturgy appears to have been his tendency to write connected trilogies, in which each play serves as a chapter in a continuous dramatic narrative. The Oresteia is the only extant example of this type of connected trilogy, but there is evidence that Aeschylus often wrote such trilogies. The comic satyr plays that follow his trilogies also drew upon stories derived from myths. For example, the Oresteia's satyr play Proteus treated the story of Menelaus' detour in Egypt on his way home from the Trojan War. Based on the evidence provided by a catalogue of Aeschylean play titles, scholia, and play fragments recorded by later authors, it is assumed that three other of his extant plays were components of connected trilogies: Seven against Thebes being the final play in an Oedipus trilogy, and The Suppliants and Prometheus Bound each being the first play in a Danaid trilogy and Prometheus trilogy, respectively (see below). Scholars have moreover suggested several completely lost trilogies derived from known play titles. A number of these trilogies treated myths surrounding the Trojan War. One, collectively called the Achilleis, comprised the titles Myrmidons, Nereids and Phrygians (alternately, The Ransoming of Hector). Another trilogy apparently recounts the entry of the Trojan ally Memnon into the war, and his death at the hands of Achilles (Memnon and The Weighing of Souls being two components of the trilogy); The Award of the Arms, The Phrygian Women, and The Salaminian Women suggest a trilogy about the madness and subsequent suicide of the Greek hero Ajax; Aeschylus also seems to have written about Odysseus' return to Ithaca after the war (including his killing of his wife Penelope's suitors and its consequences) in a trilogy consisting of The Soul-raisers, Penelope and The Bone-gatherers. Other suggested trilogies touched on the myth of Jason and the Argonauts (Argo, Lemnian Women, Hypsipyle); the life of Perseus (The Net-draggers, Polydektes, Phorkides); the birth and exploits of Dionysus (Semele, Bacchae, Pentheus); and the aftermath of the war portrayed in Seven against Thebes (Eleusinians, Argives (or Argive Women), Sons of the Seven).

Answer this question "What happened in The Salaminian Women"
output:
suggest a trilogy about the madness and subsequent suicide of the Greek hero Ajax;