[Q]: Read the following paragraph and extract the answer for the question: Who captures Arthur? At his country estate, Arthur Hilton is regaling his dinner guests of his exploits as a police officer decades earlier in Africa. He keys in a case where he had to track down a gang of three men who were suspected of a series of murders. He does stumble on them, but they actually end up capturing him. Fortunately, he was able to talk his way out of that predicament, and later on tracked them down again and captured them. One was hanged for his crimes, while the other two were sentenced to twenty years in prison. Little does Hilton know that two of his dinner guests, Edward Laverick and Edward Carter, are the two men who he sent to prison. They have vowed revenge, and prior to dinner, they exact it, killing Hilton. However, they have planned it to look like a suicide on the part of the elderly aristocrat. Initially, their plot seems successful, as the local constables who arrive to investigate the incident buy into the suicide scenario. Hilton's nephew, Jimmy Hilton, and his girlfriend Mollie, who also happens to be the ward of the elder Hilton, become suspicious of the story told by the two men, and begin their own investigation. Their questioning leads them to arrive at the truth, and the two murderers are apprehended.
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[A]: gang of three men
input: Please answer the following: Read the following paragraph and extract the answer for the question: What does the man who teaches Shawn to survive in the wilderness stop doing when he makes his peace with dying? Patrick Foley is dying of cancer and decides to return to the outback where he was born. He has stopped taking his medicine and is at peace with his decision to die alone in the woods. On his journey, he notices a family camping. From a neighbouring peak, Foley watches as Shawn, a 10-year-old boy, begins collecting firewood. The father attempts to move the camper away from the edge. Unfortunately, the camper rolls off the cliff and crashes to the bottom of the cliff with Shawn's parents inside. Shawn climbs down from the cliff finding the camper crushed upside down and realizes his parents are dead. Foley has an ethical dilemma: take the stranded ten-year-old back to civilization, and lose his own wish to die where he was born, or continue his personal mission and let the boy die alone in the wilderness. He decides to take the boy with him, and teaches him along the way how to survive in the wilderness. A striking moment is teaching the boy to tickle trout in a stream with your fingers, to lull them to be caught. A strong bond grows between the two, and when Foley finally dies, Shawn is equipped to travel out of the outback alone.
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output: taking his medicine
Please answer this: Read the following paragraph and extract the answer for the question: What were the names of the two brothers? The 1951 Festival production, by Siegfried's and Winifred's son Wieland, broke with tradition and featured an austere staging which replaced scenery and props with skilful lighting effects. The Rhinemaidens, along with all the other characters, were plainly dressed in simple robes, and sang their roles without histrionics. Thus the music and the words became the main focus of attention. Wieland was influenced by Adolphe Appia, whose Notes sur l'Anneau du Nibelungen (192425) had been dismissed by Cosima: "Appia seems to be unaware that the Ring was performed here in 1876. It follows that the staging is definitive and sacrosanct." However, Wieland and his brother Wolfgang praised Appia: "... the stylised stage, inspired by the music and the realisation of three-dimensional space constitute the initial impulses for a reform of operatic stagings which led quite logically to the 'New Bayreuth' style."The innovative centenary Bayreuth Ring, directed by Patrice Chereau, did away altogether with the underwater concept by setting the Rhinemaiden scenes in the lee of a large hydro-electric dam, as part of a 19th-century Industrial Revolution setting for the operas. For the scene with Siegfried in Gotterdammerung, Chereau altered the perpetual youth aspect of the Rhine Maidens by depicting them as "no longer young girls merrily disporting themselves; they have become tired, grey, careworn, and ungainly". Since this production "the assumption of unrestricted interpretive license has become the norm". For example, Nikolaus Lehnhoff, in his 1987 Bayerische Staatsoper production, placed the Rhinemaidens in a salon and had their lament at the end of Rheingold played on a gramophone by Loge.
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Answer: Wieland
Problem: Read the following paragraph and extract the answer for the question: What is the first name of the person who pretends to be Curtis' evil master? Elliot Hopper is a workaholic widower who is about to land the deal of a lifetime at work, which he hopes will win him a promotion and a company car. After he forgets his daughter Diane's birthday, he attempts to make it up to her by promising her she can have his car when he secures the deal at work on the coming Thursday. After being persuaded to give the car to his daughter early, Elliot must hail a taxi from work, which is driven by Satanist Curtis Burch, who drives erratically and is of control. Attempting to get the taxi stopped, Elliot announces that he is Satan and commands him to stop the taxi, and also attempts to give him his wallet. Shocked to see his "Evil Master", Burch drives off a bridge and into the river. Elliot emerges from the accident scene, only to learn that he is a ghost when a police officer fails to notice him and a speeding bus goes straight through him. When he gets home he discovers that his three children can see him, but only in a totally dark room, and they can't hear him at times. He struggles to tell them what happened when he is whisked away to London by paranormal researcher Sir Edith, who tells him he is a ghost who has yet to enter the afterlife because "they screwed up"; his soul will not cross over until Thursday. The pressures of work and family life lead to many comedic events, as Elliot attempts to renew his life insurance policy and complete his company's merger, so his family will be provided for once he crosses over. One day, he must choose between staying in an important work meeting and helping his son with a magic trick at school. He eventually decides that his family's happiness is more important and walks out on his furious boss, Mr. Collins, who later smugly fires him. Dejected, Elliot reveals himself as a ghost to his love interest, Joan, whose initial shock soon turns to sympathy.

A:
Elliot