In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: in arguably the most anticipated movie this century , george lucas has achieved a very mixed reaction to a sure blockbuster .
despite the fact the script and plot is a bit of a let down , the entire movie on the whole can be considered a milestone in technical excellence , in the sound and special effects department .
in terms of characters , by far the most outstanding and interesting is queen amidala ( natalie portman ) , whose mature performance far exceeds
her tender 14 years of age .
she is one ?
hot ' babe who defines true ? woman leadership ' .
she not only has a presence , but knows how to take command of the situation and save her planet from ruination .
no thanks to the jedi knights who although led by the force , lack leadership qualities in terms of thinking up a plan to do anything .
the young obi - wan kenobi ( ewan mcgregor ) who has a bad hair day in every scene , gets to kill a bad guy in the end , but lacks a love interest to make him a desirable sort of hero .
in fact all the jedi knight are a bit asexual - there must be something about the force which makes them all hermits and loners .
i mean it would be interesting to see yoda 's girlfriend for a change , if he has one .
not much better is qui - gon jinn ( liam neeson ) who mostly broods , and
has a better hair do than obi - wan , but only to find the young anakin skywalker and make the biggest mistake of his life .
also fascinating is george lucas ?
metoclorian ' theory , which claims that micro - organisms live within our cells and tie us to the fabric of the universe .
and it is the high concentrations of these organisms in an individual which make them particularly powerful in the force .
more humerous are the claims to the immaculate conception of darth vader , no doubt a concept stolen from the christian faith , except there will be no christmas to celebrate the birth of this dark emissary of the force .
overall
an experience which is not to be missed because of the very fact that it 's predecessor almost command a viewing of this inferior successor .
by all means not the pinnacle of the star wars phenomena but an adequate addition to the clan . watch out for the next one , it should be one steamy encounter between queen amidala and anakin skywalker - who i believe should be portrayed by ?
leonardo di caprio .
Example Output: P

Example Input: according to the publicity material , with this movie the directors " hope to restore good old - fashioned bowling to its rightful place in the mainstream of american consciousness .
" hmm .
you never know , they just might be on to something .
what with the rise of geek chic , lounge music and seventies fashion , the ever - contrary kids of the nineties might just latch on to bowling as another terminally unhip bastion of tackyana to claim as their own .
but then , i doubt if kingpin will have anything to do with it .
it 's cheesy all right , but connoisseurs of bad taste will find this film exudes that bland smell of stale jokes rather than the invigorating stink of true kitsch .
that 's a shame , because , in the first ten minutes
or so the film promises to be a lot more .
woody harrelson plays the hotshot bowler on the rise , roy munson .
the movie opens in the fifties with roy 's dad dishing out the reader 's digest / gumpian wisdom in scoopfuls , shifting to the 70s for a hilarious spoof of saturday night fever .
the sardonic tone of the proceedings is much enhanced by the presence of bill murray , as the delectably slimy big ern mcracken .
it 's thanks to murray that the first quarter of kingpin seems so good
- he gives the wry , derisive edge to this otherwise rather unfocused comedy .
mccracken dupes munson into a hustling job , then abandons him to an angry mob who mangle roy 's hand .
then it 's fast forward 17 years later when munson is a fat , balding loser with a prosthetic rubber hand .
he 's hopeless until he meets ishmael ( randy quaid ) ,
an amish amateur bowler that munson takes on as protege .
so together they set out for the million dollar bowling tournament in reno , picking up pretty hustler claudia ( vanessa angel ) on the way .
with the exit of bill murray , the filmmakers seem to have only one direction to go , and that 's . . .
dumb and dumber .
yes , indeed , kingpin is brought to you by those modern proponents of laxative humour , peter and bobby farrelly , the directors of the aforementioned jim carrey vehicle .
so , prepare for much slaparound comedy with flying rubber hands , distended nipples , ridiculous hair and bull semen .
get set for stock fish - out - of - water situations when city - boy roy puts on a beard and tries to blend in with the amish community , or when suaku straitlaced ishmael takes on smoking , striptease and unchristian neighbour - socking .
now , do n't get me wrong , there 's nothing wrong with cheap humour , and i had my fair share of lavatorial laughs with woody and randy .
the trouble is that these jokes are n't bold or funny enough to drive a movie that bumbles along without much sense of direction .
it lurches from sports movie to amish - mocking to road - trip to sentimental melodrama , ( pausing for a broadside spoof of indecent proposal , and many shameless plugs for the accompanying pop soundtrack ) , never quite getting it all together .
some gags fall flat from a lack of build - up , while there are bits and pieces in the movie that simply do n't do anything .
why the long , unfunny fight in the car park ?
why two of these ?
why does that guy wear mascara , or that guy have a glass bowling ball with a rose in it ?
the film is full of these half - thought - through ideas that give the impression of any old gaffer , grip or makeup artist throwing in random stuff and saying , " would n't that be funny ? " .
well , no , actually .
the actors do n't do the movie much favours either .
woody harrelson comes off okay , plausibly acting dumb , smart , cynical or innocent when the implausible script calls for it , but randy quaid is a ceaseless ham , and vanessa angel has no talent ( like schwarzenegger , she seems more convincing playing a computer - creation than a human -- take the tv series weird science . . .
please ) .
even murray hams it up when he reappears in the movie 's climax .
all in all , a fairly useless attempt at comedy , and a certified no - hoper at kickstarting the bowling renaissance .
we 'll have to look to a reinspired john waters , or perhaps somebody from down under ( " strictly bowling " , anyone ? ) for the definitive bowling comedy .
the flying inkpot 's rating system :
* wait for the video .
*
* a little creaky , but still better than staying at home with gotcha !
*
* * pretty good , bring a friend .
*
*
* * amazing , potent stuff .
*
*
*
* * perfection . see it twice .
Example Output: N

Example Input: whenever writer / director robert altman works in a specific genre , he has the tendency to rewrite it on his own terms .
he made the west dirty in " mccabe and mrs .
miller " ( 1971 ) , he parodied hard - boiled detective stories in " the long goodbye " ( 1973 ) , and he transformed a cartoon into flesh and blood with " popeye " ( 1980 ) .
the same holds true for his most recent film , " the gingerbread man , " which reinvents a genre that has developed at an exponential rate over the last five years : the john grisham movie .
by the time " the gingerbread man " was completed , there was very little evidence that it was ever based on a story by grisham .
there 's no idealist young lawyer ala tom cruise , matthew mcconaughey , chris o'donnell or matt damon , and it does n't feature a great showdown in a courtroom .
instead of being a grand ode to the powers of the legal profession , " the gingerbread man " is a rain - soaked , southern gothic noir thriller with wildly eccentric characters , a twisting plot line , black humor , a somewhat bleak ending , and even altman 's trademark full - frontal female nudity .
the central character of the film is rick magruder , who is unlike any of grisham 's other lawyer heroes .
he is older , experienced , and rich ; he drives a cherry - red $ 80 , 000 mercedes that never gets dirty , even in the incessantly pouring rain of savannah , georgia , where the story unfolds .
rick is in the midst of an ugly divorce with his wife , leeanne ( famke janssen ) , and he rarely gets to see his two children , jeff ( jesse james ) and libby ( mae whitman ) .
a reason is never given for the divorce , but it is n't hard to surmise that rick 's womanizing had a large part in it .
whenever he 's late to pick up the kids on his visitation days , leeanne always assumes it 's because he 's been " screwing around .
"
after an office party celebrating another of his court victories ( he has n't lost in eight years ) , rick becomes involved with mallory doss ( embeth davidtz ) , one of the catering waitresses .
he drives her home because her car has been stolen , and they end up in bed together .
rick finds out that mallory is being terrorized and stalked by her slightly psychotic father , dixon doss ( robert duvall ) , a grungy , stringy , bare - footed old man who leads a commune of other greasy old codgers .
it was actually dixon who stole her car that night , and when rick asks why , mallory replies that he always does " weird " stuff like that .
as another character puts it , dixon is " a few beers short of six - pack .
" rick ends up convincing mallory to have dixon brought to court and tried for competency .
he succeeds with information dug up by clyde pell , a private investigator friend ( robert downey jr . ) , and testimony from mallory 's begrudging ex - husband , pete randle ( tom berenger ) .
dixon is put in a mental hospital , but his commune buddies succeed in breaking him out .
from there , the story delves into kidnapping , murder , double - crossing , and even a hurricane that adds an ominous cloud of constant violence to the action .
altman 's cinematographer , changwei gu , gives the film a dark , soaked look .
if it is n't night - time , at least it 's raining .
gu shoots the interiors , which are almost all dark wood paneling , with a minimum of light .
a great deal of the action takes place in the leafy georgia backwoods , which altman uses to create an acute sense of dread and vulnerability .
in the city there is danger enough , but when rick has to venture into the woods , you can almost feel him leaving all hope of civilization behind as he literally enters another world .
altman has worked in just about every conceivable genre , from westerns to epic dramas to comedies .
but , no matter what the genre , he is always sure to give it the altman stamp , which usually consists of all kinds of idiosyncratic quirks and little details that are often missed without repeat viewings .
"
the gingerbread man " is no different , although his style is much more restrained here .
however , without those little touches , the film could have easily slumped into a routine action / thriller .
a great deal of the credit for the film 's success can be given to the actors , especially branagh , who rarely works outside of period pieces and his own direction .
here , the british actor consistently maintains a serviceable southern drawl , while making an essentially contemptible character interesting and sympathetic .
rick is an extremely flawed man , but branaugh brings real humanity to his character . without it , the entire film would fall flat because so much of it is reliant on the audience feeling rick 's pain and frustration .
the supporting actors also put in fine performances , including embeth davidtz , who is probably best known for her heart - breaking role as the jewish maid in " schindler 's list " ( 1993 ) .
tom berenger provides some gruff comic relief , and robert duvall spends most of his on - screen time just looking weird .
it does n't seem like he does much because he has very little spoken dialogue , but watch him closely during the film 's one courtroom scene : his entire performance is in his eyes and his body language , and few actors could have pulled it off without being either silly or overbearing .
while " the gingerbread man " is n't in league with altman 's greatest works like " nashville " ( 1975 ) or " the player " ( 1992 ) , it is nonetheless a solid piece of genre filmmaking , which may prove a successful vehicle to restart his somewhat lagging career .
some critics love to stamp films like this as " commercial , " as if altman can only maintain artistic integrity if his films are aimed at a tiny audience and do n't make money .
altman has done something much better : he took what could have been a generic movie , and by investing artistry and effort , he made it into something more .
Example Output:
P