Problem: OPTIONS:
- negative
- positive positive
=++++=
Answer: I watched the un-aired episodes online and I was so sad that the show won't be back. It had the best cast of mature, talented actors and an amazing chemistry. It seemed like all the actors are personal friends in real life. Towards the end the show became engaging, sexy and highly watchable. Of course, some of the story lines are not realistic, so what... The characters are all likable and you root for them. The show reminded me a cross between 2 other favorites: "Sex and the City" and "Felicity". Big kudos to all the cast. Note to ABC execs: Nielsen ratings reports do not show you true results. The show audience will mostly record it. I've been very disappointed with major networks for flooding us with reality-TV or teenage oriented shows. Why to get a mature, thoughtful, well-acted material we have to switch to HBO or FX? I can only thank the network for putting the rest of the episodes online. The new stream media will gain more and more popularity among viewers.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: A nicely done thriller with plenty of sex in it. I saw it on late night TV. There are two hardcore stars in it, Lauen Montgomery and Venus. Thankfully, Gabriella Hall has just a small part.
Q: What's an example of a movie review?
An example of a movie review is here: A definite no. A resounding NO. This movie is an absolute dud.

Having been recommended to me by a friend very much into "that sort of thing," I watched this movie with some anticipation of being informed, changed, moved, altered, uplifted, and all the other positive mystical things that could happen to me when I suddenly see The Truth. Now this may sound like someone who is already predisposed to poo-pooing anything dealing with the metaphysical, the metaphysical/physical boundaries of existence. Believe me, I am not such a person. I try to be open about any presentation and then decide accordingly.

In terms of content, the only thing I found mildly interesting and informative, was the bit about peptides, emotions, addiction, and cellular receptors. That was the only "unifying" element I could find in the documentary part of this film. The rest of the documentary rambled around several topics and never seemed to unify and cohere, try to tie up and conclude to a point. And what was all that stuff about native Americans not being able to see the ships that Columbus came in? Who told the "authorities" in this film that that was what happened in 1492? Where they there too? Had they compared this to scientific work being done in visual cognition (the famous gorilla video, for example, visit the Visual Cognition Lab at the University of Illinois site) there may have been a more convincing point made. Here, however, it seemed like unsupported mystical mumbo-jumbo.

As a film: this wasn't one film, it was two. I found the documentary part mildly interesting, just to hear the people talking about what they were talking about (I was annoyed that their credentials weren't presented at the bottom of the screen when they spoke, at least initially!) But I found the "story" part of the movie with Matlin in it annoying, disjointed, intrusive, non-related and downright stupid. That bit about the Polish wedding with that dance was not in the least bit funny. It was laughable, ludicrous, sophomoric, and stupid. And I found the use of the word "Pollack" offensive. It just seemed so out of place and wrong. Is such usage okay because a member of the group uses a pejorative term to refer to the group because he or she is a member of the group? That may be okay to make a point, but it didn't seem to be used that way here. And in any case, I don't care what the reason, it offended me, a Pole. I never call myself or refer to my ethnic background as "Pollack." And I certainly don't like like it when others do. Can I watch or listen to a bigoted conversation in which this term is used? You betcha! But again this didn't seem to be the case here. It just seemed so out of place. Unprovocked, unmitigated.

The acting was abysmal. Elaine Hendrix's performance was totally unbelievable. At times, it seemed like she was just reading her lines that had just been given to her. Marlee Matlin for the most part seemed to be sleep walking through this whole thing. Perhaps she was baffled by the material. I know I was. If she was supposed to be portraying a disillusioned drugged-up anxiety-prone malcontent, it just didn't seem to click. But by far, the world's worst was Hendrix! All in all, I found this a disjointed, poorly acted piece of clap-trap.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: One is tempted to define the genre of Gert de Graaff's movie as 'event of the thought' following the example of Merab Mamardashvili. The nominal storyline is a certain Bart Klever's torturous quest for that ephemeral substance which constitutes the essence of personality. The script for his new movie is taking shape simultaneously on his computer and in his own imagination. This film-monologue originated as a response to Fellini's '8 ' and cost Gert de Graaff 13 years of work. Excitedly playing with real and fictional characters as well as with the audience, it reveals the whimsical interconnection of the real and imaginary, the paradoxical co-existence in two different galaxies: that of Guttenberg and that of MacLhuen. For some time we are apt to side with the script writer, who believes that the cause of all misfortune is the damned stereotypes of mass mentality ('man', 'catholic', 'window washer'). And together with him we fall into a trap when the author-creator is finally faced with the insoluble dilemma: how can one eliminate from the future movie. Bart Klever? Just five minutes before the finale thanks to the common petty reproaches of the wife of the creator, who is deeply immersed in work, we realize that together with the main character we have again been 'framed'. Really, what is the price of the art for the sake of which it is acceptable to renounce one's own name and the day-to-day care for the young daughter?

So who is he, this Bart Klever? Is he a brilliant prophet or someone possessed like Frenhoffer from Balzac's masterpiece (just like the latter the script writer in the end erases from the computer memory everything has written)? Gert de Graaff suggests that we answer this question ourselves.

Problem: OPTIONS:
- negative
- positive positive
=++++=
Answer:
I caught this movie about 8 years ago, and have never had it of my mind. surely someone out there will release it on Video, or hey why not DVD! The ford coupe is the star.......if you have any head for cars WATCH THIS and be blown away.