In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.

[Q]: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (June 2015) (Learn how and when to remove this template message)Anna Quarrels (Rhonda Griffin), librarian in the Rare Books Room, is approached by Mr. Jamison from the University of Chicago who wishes to study Mary Shelley's original manuscript for "Frankenstein; or, The Modern Prometheus". After he's finished, Anna is about to return the manuscript to the stacks when she discovers that Jamison has switched blank paper for the manuscript and walked out of the library with it. Investigating, she learns he used a fake I.D. to access the Rare Books Room and so hires Private Detective, David Raleigh (Justin Lauer) to track him down. David finds fingerprints on the sign-in sheet and discovers the man claiming to be Jamison is really Dr. Winston Berber, an unscrupulous scholar with doctorates in Physics, Mathematics, Folklore, and Philosophy. Berber (Bill Moynihan) is meanwhile gloating over his collection of rare manuscripts; along with the Shelley manuscript, he has obtained the originals of Guy Endore's "The Werewolf of Paris" (1933) and James Putnam's "Mummy" (1993). He now seeks the first edition of Bram Stoker's "Dracula" (1897) to complete his collection. Berber has invented an "Archetype Inducer" and plans to use the manuscripts to bring the four greatest monsters from horror history to life to do his bidding.David has been so busy at the video store he runs that he has not yet located Berber, but when Berber returns to the library looking for the first edition of "Dracula", Anna recognizes him, holds him at bay with a pair of scissors, and phones David and tells him to hurry over. Before David can arrive, Berber zaps Anna with a taser, steals the "Dracula" manuscript, and takes both the book and Anna to his laboratory. She regains consciousness and finds herself handcuffed to a table. Berber informs her that she is just what he needs: a virgin between the ages of 20 and 35 to be sacrificed naked in order to make the Archetype Inducer work. David breaks into the lab, having found Berber's address with an internet search. He overcomes Berber and releases Anna. She grabs the manuscripts, and the two hurriedly leave the lab. Unfortunately, Berber had already turned on the Archetype Inducer, and while David and Anna are making their escape, the four monsters step out of the machine. But strangely, The Mummy (Joe Smith), Frankenstein's monster (Thomas Wellington), the Wolfman (Jon Simanton), and Dracula (Phil Fondacaro) are all midgets. Dracula is unhappy that he has been brought to life three feet tall, but Berber assures him that he and the other monsters can be increased in stature if he can recapture Anna. The monsters offer to get her for him.Anna isn't too happy either about the $6200 invoice presented by David for his services, and Anna's supervisor, Miss Christina (Kristin Norton), is herself unhappy because Anna keeps dodging her romantic advances. When her advances are again dodged, Christina stays late at the library in order to make love to the first edition of "Jane Eyre" in the Rare Book Reading Room. She hears a noise out on the floor, and in investigating falls prey to Dracula's net. Back at the lab, Berber is unhappy because Christina was not Anna, and insists he needs Anna. Dracula forces him to try the procedure anyway, and when it does not work, the antagonists set out again to find Anna.At David's house, Dracula is unable to get Anna's address from David, and tries to bite his neck. David exposes his crucifix and races out the door. Assuming that he will lead them to Anna, the monsters and Berber follow as David leads them to the library. When the monsters attempt to capture Anna, David grabs Berber and threatens to break his neck if they don't leave Anna alone. David pulls out Berber's taser to threaten Dracula, who simply zaps it and causes it to explode. Anna and David are taken back to the lab and Berber prepares for the procedure. Dracula asks for assurance that it will work this time, but Berber won't guarantee it because Anna is not a virgin. Dracula suggests that they find another virgin in order to go through the procedure, but Berber says that will unbalance things. The only way to keep everything balanced is to find a male virgin opposite of Anna. After asking, Dracula is assured that David is indeed a virgin, and the preparations continue while David tries to come up with an idea. But at the last minute, it is Anna who has an idea. She points out to the monsters that, if they stay in the real world they will eventually die like all humans do. But if they return to the pages of the novels from whence they came, they will live on forever as the legends they are. Berber pushes the red button to start his machine, and David and Anna escape from their cuffs. Rather than the two being sucked into the machine, Christina reappears as a Viking, grabs Berber, and they both disappear. Anna and David conclude that the machine turned the two into archetypes of a Viking and a mad scientist. Having had a little time to ponder Anna's idea, Dracula tells David to press the red button again, as the monsters have chosen to return to their own lands as the legends they are rather than to die in the real world. Before the four are sucked back into the pages of their respective novels, Dracula tells Anna that she is wise "for someone who has not yet lived a single lifetime. But do not fear," he adds, "we will always be with you... in your nightmares."Anna later shows up at David's video store, gives him a check for $6200 and informs him that Berber's lab has been torn down. She also gives him a book, the first English language edition of "Venus in Furs". David thanks her and admits that he saw the movie in "1970, directed by Jess Franco (Jesus Franco), starring Klaus Kinski. Actually, there was an earlier version directed by Larry Buchanan, the guy who did Zontar: The Thing from Venus (1966). Actually, I think there's a '94 version but it's all in Dutch...," he drones on. Anna interrupts him with a kiss., Question: What happened after David zapped the taser?
[A]: Answer: It exploded.

[Q]: A group of children are playing an elimination game in the courtyard of an apartment building in Berlin[5] using a chant about a murderer of children. A woman sets the table for dinner, waiting for her daughter to come home from school. A wanted poster warns of a serial killer preying on children, as anxious parents wait outside a school.Little Elsie Beckmann leaves school, bouncing a ball on her way home. She is approached by Hans Beckert, who is whistling "In the Hall of the Mountain King" by Edvard Grieg. He offers to buy her a balloon from a blind street-vendor and walks and talks with her. Elsie's place at the dinner table remains empty, her ball is shown rolling away across a patch of grass and her balloon is lost in the telephone lines overhead.In the wake of Elsie's death, Beckert sends an angry letter about his crimes to the newspapers, from which the police extract clues using the new techniques of fingerprinting and handwriting analysis. Under mounting pressure from city leaders, the police work around the clock. Inspector Karl Lohmann instructs his men to intensify their search and to check the records of recently released psychiatric patients, to look for those with a history of violence against children. They stage frequent raids to question known criminals, disrupting underworld business so badly that Der Schranker (The Safecracker) calls a meeting of the city's crime lords. They decide to organize their own manhunt, using beggars to watch the children.The police discover two clues corresponding to the killer's letter in Beckert's rented rooms. They wait there to arrest him.Beckert sees a young girl in the reflection of a shop window. Following her, he is thwarted when the girl meets her mother. When he encounters another young girl, he succeeds in befriending her but the blind beggar recognizes his whistling. The blind man tells one of his friends, who tails the killer with assistance from other beggars he alerts along the way. Afraid of losing him, one young man chalks a large M (for Morder, murderer in German) on his hand, pretends to trip and bumps into Beckert, marking the back of his clothing.The beggars close in. When Beckert realizes he is being followed, he hides inside a large office building just before the workers leave for the evening. The beggars call Der Schranker and a team of criminals arrives. They tie up and torture a guard for information and after capturing the remaining watchmen, they search the building from coal cellar to attic, finally catching Beckert. When a watchman manages to trip the silent alarm, the crooks narrowly escape with their prisoner before the police arrive. One man is captured and tricked into revealing the purpose of the break-in (nothing was stolen) and where Beckert would be taken.The criminals drag Beckert to an abandoned distillery to face a kangaroo court. He finds a large, silent crowd awaiting him. Beckert is given a "lawyer", who gamely argues in his defense but fails to win any sympathy from the "jury". Beckert delivers an impassioned monologue, saying that his urges compel him to commit murders that he later regrets, while the other criminals present break the law by choice. His "lawyer" points out that the presiding "judge" is wanted on three counts of totschlag (a form of homicide in German law). Beckert pleads to be handed over to the police, asking, "Who knows what it's like to be me?" Just as the enraged mob is about to kill him, the police arrive to arrest both Beckert and the criminals.As the real trial passes, five judges prepare to pass judgement on Beckert. Before the sentence is announced, the shot cuts to three of the victims' mothers crying. Elsie's mother says no sentence would bring back the dead children and "One has to keep closer watch over the children"; the screen goes black as she adds, "All of you".[6], Question: Who sends an angry letter to the newspapers?
[A]: Answer: Beckert

[Q]: The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girl's television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billy's wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in odz during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced she's being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelganger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsencompassing some of the subplots of the filmbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: Who is carrying a bag of groceries?
[A]:
Answer: Nikki