In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
A: 1874May
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : The Eurovision Young Musicians 1992 was the sixth edition of the Eurovision Young Musicians, held at Cirque Royal in Brussels, Belgium on 9 June 1992. Organised by the European Broadcasting Union (EBU) and host broadcaster Radio Television Belge Francophone (RTBF), musicians from eight countries participated in the televised final. A total of eleven countries took part in the competition. All participants performed a classical piece of their choice accompanied by the Belgian National Orchestra, conducted by Ronald Zollman. Poland and FR Yugoslavia made their debut, while France, West Germany, Greece, Netherlands, Ireland, Italy, Portugal, Sweden and Yugoslavia withdrew from the 1992 contest. Context_2 : The Eurovision Young Musicians 2002 was the eleventh edition of the Eurovision Young Musicians, held at Konzerthaus in Berlin, Germany on 19 June 2002. Organised by the European Broadcasting Union (EBU) and host broadcaster Zweites Deutsches Fernsehen (ZDF), musicians from seven countries participated in the televised final. A total of twenty countries took part in the competition. All participants performed a classical piece of their choice accompanied by the Deutsches Symphonie-Orchester Berlin, conducted by Marek Janowski. Czech Republic and Romania made their debut while seven countries returned to the contest, they were Belgium, Croatia, Cyprus, Denmark, Greece, Italy and Sweden. Context_3 : Cologne Cathedral (German: "Kolner Dom" , officially "Hohe Domkirche Sankt Petrus ", Latin: "Ecclesia Cathedralis Sanctorum Petri" , English: Cathedral Church of Saint Peter) is a Roman Catholic cathedral in Cologne, Germany. It is the seat of the Archbishop of Cologne and of the administration of the Archdiocese of Cologne. It is a renowned monument of German Catholicism and Gothic architecture and was declared a World Heritage Site in 1996. It is Germany's most visited landmark, attracting an average of 20,000 people a day and currently the tallest twin-spired church at 157 m tall. Context_4 : San Marino will make their Eurovision Young Musicians debut at the Eurovision Young Musicians 2016 in Cologne, Germany. Context_5 : The Eurovision Young Musicians 2000 was the tenth edition of the Eurovision Young Musicians, held at Grieg Hall in Bergen, Norway on 15 June 2000. Organised by the European Broadcasting Union (EBU) and host broadcaster Norsk rikskringkasting (NRK), musicians from eight countries participated in the televised final. A total of sixteen countries took part in the competition. All participants performed a classical piece of their choice accompanied by the Bergen Philharmonic Orchestra, conducted by Simone Young. Seven countries returned to the contest, while Croatia, Cyprus, Slovakia and Sweden withdrew from the 2000 contest. Context_6 : The Eurovision Young Musicians 1998 was the ninth edition of the Eurovision Young Musicians, held at Konzerthaus in Vienna, Austria on 4 June 1998. Organised by the European Broadcasting Union (EBU) and host broadcaster Osterreichischer Rundfunk (ORF), musicians from eight countries participated in the televised final. Austria and broadcaster ORF previously hosted the contest in 1990 . A total of thirteen countries took part in the competition. All participants performed a classical piece of their choice accompanied by the Vienna Radio Symphony Orchestra, conducted by Dennis Russell Davies. Slovakia made their debut, while Croatia and Sweden returned to the contest. Seven countries withdrew from the 1998 contest; they were Belgium, France, Germany, Greece, Poland, Portugal, and Switzerland. Context_7 : The Eurovision Young Musicians 1982 was the first edition of the Eurovision Young Musicians, a biennial event inspired by the success of the BBC Young Musician of the Year. The contest took place at the Free Trade Hall in Manchester, United Kingdom on 11 May 1982, and was organised by the European Broadcasting Union (EBU) and host broadcaster the British Broadcasting Corporation (BBC). Musicians from six participating countries took part in debut contest, which was televised across the Eurovision Network. Humphrey Burton was the host of the contest and welcomed all of the participants in English, French, and German. Context_8 : The Eurovision Young Musicians 1984 was the second edition of the Eurovision Young Musicians, held at the Victoria Hall in Geneva, Switzerland on 22 May 1984. Organised by the European Broadcasting Union (EBU) and host broadcaster the Swiss Broadcasting Corporation (SRG SSR), musicians who could be no older than 19 years of age, from seven countries participated in the televised final hosted by Georges Kleinmann. They were all accompanied by the Roman Swiss Orchestra, conducted by Horst Stein. Finland and Netherlands made their debut, while Norway withdrew from competition. Context_9 : The Eurovision Young Musicians 2016 was the eighteenth edition of the Eurovision Young Musicians contest, which took place on 3 September 2016, outside the Cologne Cathedral, in Cologne, Germany. For a second consecutive time, German public broadcaster Westdeutscher Rundfunk (WDR) was the host broadcaster for the event, with Daniel Hope and Tamina Kallert being the presenters for the show. Musicians representing eleven countries with European Broadcasting Union (EBU) membership, participated in the contest, with San Marino making their debut, while Greece , Moldova , Netherlands , and Portugal withdrew from participation. The candidates were accompanied by the WDR Symphony Orchestra Cologne, conducted by Clemens Schuldt. A five-person jury decided which of the participants would be awarded with the top-three prizes. ukasz Dyczko of Poland won the contest, with Czech Republic and Austria placing second and third respectively. Context_10 : The Eurovision Young Musicians 2014 was the seventeenth edition of the Eurovision Young Musicians, held outside the Cologne Cathedral in Cologne, Germany, on 31 May 2014. Organised by the European Broadcasting Union (EBU) and host broadcaster Westdeutscher Rundfunk (WDR), musicians from fourteen countries participated in the televised final. This was the fifth time that the competition was held on an open-air stage. Germany previously hosted the contest in 2002 . fact_1 : The Eurovision Young Musicians 2016 was the eighteenth edition of the Eurovision Young Musicians contest, which took place on 3 September 2016, outside the Cologne Cathedral, in Cologne, Germany. fact_2 : Cologne Cathedral (German: "Kolner Dom" , officially "Hohe Domkirche Sankt Petrus ", Latin: "Ecclesia Cathedralis Sanctorum Petri" , English: Cathedral Church of Saint Peter) is a Roman Catholic cathedral in Cologne, Germany. fact_3 : It is the seat of the Archbishop of Cologne and of the administration of the Archdiocese of Cologne. Question: Eurovision Young Musicians 2016 took place outside a Roman Catholic cathedral in Cologne, Germany, that is the seat of who?
A:
Archbishop of Cologne