In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
A: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : The 58th/59th Battalion was an infantry battalion of the Australian Army which served during the Second World War. Raised in 1942 as part of the Militia through the amalgamation of the 58th and 59th Battalions, it formed part of the 15th Brigade, assigned to the 3rd Division. Initially the battalion undertook defensive duties in Australia before being deployed to New Guinea where it took part in the fighting around Salamaua and Lae and then the Finisterre Range campaign. In 1945 they were sent to Bougainville where they took part in the fighting in the southern sector of the island. Following the end of the war, the battalion was disbanded in 1946. Context_2 : The 27th Division was an infantry division of the British Army raised during the Great War, formed in late 1914 by combining various Regular Army units that had been acting as garrisons about the British Empire. The division spent most of 1915 on the Western Front in France before moving to Salonika where it remained with the British Salonika Army for the duration of the war. In 1916 its commander Hurdis Ravenshaw was captured by an Austrian submarine whilst sailing to England. In 1918 in Salonika the division took part in the Battle of Doiran. It carried out occupation duties in the Caucasus in the post-war before being withdrawn from the region in 1919. Context_3 : The Capture of Wurst Farm was an attack by the British 58th (2/1st London) Division (58th Division) against the German 36th Division on 20 September 1917, near Ypres, Belgium, during the Battle of the Menin Road Ridge, part of the Third Battle of Ypres (Battle of Passchendaele). Wurst Farm was at the lower end of Gravenstafel Ridge and several British attacks in the area since 31 July had been repulsed by the Germans. The British began a desultory bombardment on 31 August and the shelling became intense from 13 September, to "soften" the German defences, except in the area of the Fifth Army (General Hubert Gough), where the slow bombardment continued until the last 24 hours, before a hurricane bombardment for surprise. Context_4 : The Hundred Days Offensive was the final period of the First World War, during which the Allies launched a series of offensives against the Central Powers on the Western Front from 8 August to 11 November 1918, beginning with the Battle of Amiens. The offensive essentially pushed the Germans out of France, forcing them to retreat beyond the Hindenburg Line, and was followed by an armistice. The term "Hundred Days Offensive" does not refer to a specific battle or unified strategy, but rather the rapid series of Allied victories starting with the Battle of Amiens. Context_5 : The 2/25th Battalion was an infantry battalion of the Australian Army which served during the Second World War. Raised in 1940, from volunteers drawn primarily from the state of Queensland, after completing its training the battalion undertook garrison duties in Darwin before deploying to the Middle East in mid-1941, as part of the 24th Brigade. There, it took part in more garrison duties in the Western Desert and in Palestine before it was reassigned from the 9th Division to the 7th Division and subsequently committed to the SyriaLebanon campaign against the Vichy French. In early 1942, the 2/25th was returned to Australia to fight against the Japanese. Following this it took part in the fighting in New Guinea, undertaking two deployments there, firstly in 194243 during which it took part the fighting along the Kokoda Track and around BunaGona, and then again in 194344 when it helped to secure Lae before advancing into Finisterre Ranges. The battalion's final involvement in the war came in mid-1945, when it took part in the Borneo campaign, landing at Balikpapan. The battalion was disbanded in early 1946. Context_6 : The 15th Infantry Division ("15. Infanterie-Division") was formed on 1 October 1934 in Wurzburg under the cover name "Artilleriefuhrer V" by Nazi Germany's Army. With the announcement of German rearmament the division was renamed on 15 October 1935. Mobilized on 25 August 1939 the division took part in the Invasion of Poland 1939 and the Battle of France in 1940. On 21 November 1940 one third of its personnel was used to create the 113th Infantry Division. The division was one of the units taking part in the Second Battle of Kharkov from February till March 1943. The division was destroyed in August 1944 during the Soviet JassyKishinev Offensive. In October 1944 a new "15. Infanterie-Division" was raised near Cluj-Napoca using the remainders of the old division and new recruits. On 5 May 1945 the division surrendered to the Red Army at Brod. Context_7 : The 58th (2/1st London) Division was an infantry division created in 1915 as part of the massive expansion of the British Army during World War I. It was a 2nd Line Territorial Force formation raised as a duplicate of the 56th (1/1st London) Division. After training in Britain, the division joined the British Expeditionary Force (BEF) on the Western Front in 1917. It saw action at the battles of Arras and Passchedaele in 1917 and the German Spring Offensive in 1918. It then took part in the Battle of Amiens and the final Allied Hundred Days Offensive of the war. The division was recreated during World War II as an imaginary 'deception' formation. Context_8 : The 2/13th Battalion was an infantry battalion of the Australian Army, which served during World War II. Formed in April 1940 from volunteers drawn primarily from New South Wales, as part of the 20th Brigade of the 7th Division, the battalion served in North Africa in 19411942, after being reassigned to the 9th Division. While most of the 9th Division was withdrawn from Tobruk, during October 1942, the battalion remained and fought alongside the new garrison built around the British 70th Division. Following the lifting of the siege, the battalion returned to Australia during 1943. It later took part in campaigns against the Japanese in New Guinea in 19431944 and Borneo in 1945, before being disbanded in 1946. Context_9 : The 164th Infantry Division (German: "164. Infanterie-Division" ) was an infantry division of the German Army during World War II. Formed in November 1939, the division took part in the invasion of Greece in April 1941. In January 1942, consolidating the Axis seizure of the island during the Battle of Crete, the 164th was reorganized as Fortress Division Kreta (FDK). In mid-1942 the division was transferred to North Africa and re-designated as 164th Light Afrika Division (German: "Leichte Afrika Division" ). It surrendered in May 1943 in Tunisia at the end of the North African Campaign. Context_10 : The 58th Division (58 , Dai-gojuhachi Shidan ) was an infantry division of the Imperial Japanese Army. Its call sign was the Wide Division ( , Kou Heidan ) . It was formed on 2 February 1942 at Hankou as a security (class C) division, simultaneously with 59th and 60th divisions. The nucleus for the formation was the 18th Independent Mixed Brigade. Also, many of the soldiers of the 136th Infantry Brigade of the 106th Division, demobilized in 1940, were re-employed in the 58th Division. As a security division, the 58th Division's backbone consisted of independent infantry battalions, and it did not include an artillery regiment. fact_1 : The 58th (2/1st London) Division was an infantry division created in 1915 as part of the massive expansion of the British Army during World War I. fact_2 : It was a 2nd Line Territorial Force formation raised as a duplicate of the 56th (1/1st London) Division. fact_3 : After training in Britain, the division joined the British Expeditionary Force (BEF) on the Western Front in 1917. fact_4 : It saw action at the battles of Arras and Passchedaele in 1917 and the German Spring Offensive in 1918. fact_5 : It then took part in the Battle of Amiens and the final Allied Hundred Days Offensive of the war. fact_6 : The division was recreated during World War II as an imaginary 'deception' formation. fact_7 : The Hundred Days Offensive was the final period of the First World War, during which the Allies launched a series of offensives against the Central Powers on the Western Front from 8 August to 11 November 1918, beginning with the Battle of Amiens. fact_8 : The term "Hundred Days Offensive" does not refer to a specific battle or unified strategy, but rather the rapid series of Allied victories starting with the Battle of Amiens. Answer: Battle of Amiens
A:
The 58th division took part in the last few allied victories, that are named as a set of victories beginning with what battle?