This task involves annotating the answer type to a given question that involve some kind of complex reasoning (including numerical reasoning). Note that the questions require looking at more than one part of the passage to answer. There are 3 possible answer types (i) spans, (ii) numbers and (iii) dates. If the answer can be found in the passage, label it as "span". If the answer is a number, label as "number". Similarly, label "date" if you think the answer to the given question is a date.

Passage: Coming off their overtime road win over the Titans, the Chargers went home for a Week 15 interconference duel with the Detroit Lions. In the first quarter, the 'Bolts struck first with RB LaDainian Tomlinson getting a 6-yard TD run, Kicker Nate Kaeding getting a 22-yard field goal, and Tomlinson getting a 2-yard TD run. In the second quarter, San Diego continued its domination with Kaeding getting a 22-yard field goal and LB Shaun Phillips returning an interception 18 yards for a touchdown. The Lions would get on the board with QB Jon Kitna completing a 9-yard TD pass to WR Brandon Middleton. The Chargers would end the half with QB Philip Rivers completing a 1-yard TD run to TE Brandon Manumaleuna. In the third quarter, San Diego continued its annihilation with RB Darren Sproles getting a 1-yard TD run and Kaeding nailing a 45-yard field goal. Detroit would get its final points of the game as Kitna completed a 17-yard TD pass to WR Shaun McDonald. In the fourth quarter, the Chargers ended its day with Sproles getting an 11-yard TD run. With the win, not only did the Chargers improve to 9-5, but they also clinched their second-straight AFC West title. For Darren Sproles (25 attempts for 122 yards and 2 touchdowns) and LaDainian Tomlinson (15 attempts for 116 yards and 2 touchdowns), they became the first RB duo in franchise history to both get 100 rushing yards in the same game. Also, Tomlinson ended this part of his career with 127 career touchdowns, surpassing Jim Brown for 7th All-Time.
Question: In which quarters did the Lions score?
span

Passage: Singapore did not have a native population in the true sense of the word as the population became dominated numerically by three main groups of immigrants after the British founded Singapore as a free port in the 19th century. It was estimated that when Raffles arrived in Singapore in January 1819, Singapore had about 120 Malays, 30 Chinese and some local tribes (the Orang Laut) under the rule of the Temenggung. Around 100 of these Malays had originally moved to Singapore from Johor in 1811 led by the Temenggung. Another estimate put the total population of the whole of Singapore at 1,000, mostly of various local tribes. Early census figures of Singapore show a long period of influx of migrant workers into the country, initially mostly Malays, quickly followed by the Chinese. By 1821, the population was estimated to have increased to 4,724 Malays and 1,150 Chinese. In the first census of 1824, 6,505 out of the 10,683 total were Malays and Bugis, constituting over 60% of the population. Large number of Chinese migrants started to enter Singapore just months after it became a British settlement, and they were predominantly male. In 1826, official census figures give a total population of 13,750, with 6,088 Chinese, 4,790 Malays, 1,242 Bugis, 1,021 Indians from Bengal (244) and the Coromandel Coast (777), smaller number of Javanese people (267), Europeans (87) and other peoples. The population total of Singapore increased to 16,000 in 1829, 26,000 five years later. By 1836, the Chinese at 13,749 had become the most populous ethnic group, overtaking the broad Malay grouping (12,538, including other groups such as the Bugis, Javanese, and Balinese). By the beginning of 1850, the population had reached 60,000, 24,790 of them Chinese.
Question: In what year did the Chinese population of Singapore surpass the Malay population?
date

Passage: Beginning from the early 1920s composers of both contemporary and popular music wrote for the musical saw. Probably the first was Dmitri Shostakovich. He included the musical saw, e.g., in the film music for The New Babylon (1929), in The Nose (opera) (1928), and in Lady Macbeth of the Mtsensk District (opera) (1934). Shostakovich and other composers of his time used the term "Flexaton" to mark the musical saw. "Flexaton" just means "to flex a tone"the saw is flexed to change the pitch. Unfortunately, there exists another instrument called Flexatone, so there has been confusion for a long time. Aram Khachaturian, who knew Shostakovichs music included the musical saw in his Piano Concerto (Khachaturian) (1936) in the second movement. Another composer was the Swiss Arthur Honegger, who included the saw in his opera Antigone (Honegger) in 1924 . The Romanian composer George Enescu used the musical saw at the end of the second act of his opera dipe (opera) (1931) to show in an extensive glissandowhich begins with the mezzo-soprano and is continued by the sawthe death and ascension of the sphinx killed by Oedipus. The Italian composer Giacinto Scelsi wrote a part for the saw in his quarter-tone piece Quattro pezzi per orchestra (1959). German composer Hans Werner Henze took the saw to characterize the mean hero of his tragical opera Elegy for young lovers (1961). Other composers were Krysztof Penderecki with Fluorescences (1961), De natura sonoris Nr. 2 (1971) and the opera Ubu Rex (1990), Bernd Alois Zimmermann with Stille und Umkehr (1970), George Crumb with Ancient voices of children (1970), John Corigliano with The Mannheim Rocket (2001). Chaya Czernowin used the saw in her opera "PNIMA...Ins Innere" (2000) to represent the character of the grandfather, who is traumatized by the Holocaust. There are Further Leif Segerstam, Hans Zender (orchestration of "5 preludes" by Claude Debussy), Franz Schreker (opera Christophorus) and Oscar Strasnoy (opera Le bal). Russian composer Lera Auerbach wrote for the saw in her ballet The Little Mermaid (2005), in her symphonic poem Dreams and Whispers of Poseidon (2005), in her oratorio "Requiem Dresden Ode to Peace" (2012), in her Piano Concerto No.1 (2015), in her comic oratorio The Infant Minstrel and His Peculiar Menagerie (2016) and in her violin concerto Nr.4 "NyX Fractured dreams" (2017).
Question: What was the last year that the saw was used in something?
date