input: In the late 1960s, Ruth Buzzi appeared in every episode of The Steve Allen Show, a comedy-variety series starring Steve Allen. Her character parts in the Allen sketches led her to be cast for NBC's new show Rowan and Martin's Laugh-In. She was the only featured player to appear in every episode of Laugh-In including the pilot for the show and the Laugh-In television special. A versatile comedian and accomplished singer, Buzzi played everything from dowdy old women to tipsy drunks, from Southern belles to flashy hookers. Among her recurring characters on Laugh-In were Busy-Buzzi, a Hedda Hopper-type Hollywood gossip columnist; Doris Swizzler, a cocktail-lounge habituee who always got riotously smashed with husband Leonard (Dick Martin); and one of the Burbank Airlines Stewardesses, teaming with Debbie Reynolds as two totally inconsiderate flight attendants. Her most famous character was dowdy spinster Gladys Ormphby, clad in drab brown with her bun hairdo covered by a visible hairnet knotted in the middle of her forehead. Buzzi first used this look when she played Agnes Gooch in a school production of Auntie Mame. In most sketches, she used her lethal purse, with which she would flail away vigorously at anyone who incurred her wrath. On Laugh-In, Gladys most often appeared as the unwilling object of the advances of Arte Johnson's "dirty old man" character Tyrone F. Horneigh. In a typical exchange, Tyrone accosts Gladys and asks, "Do you believe in the hereafter?" "Of course I do!" Gladys retorts defensively. Delighted, Tyrone shoots back: "Then you know what I'm here after!" NBC collectively called these two characters The Nitwits when they went to animation in the mid-1970s as part of the series Baggy Pants and the Nitwits. Buzzi and Johnson both voiced their respective roles in the cartoon. Buzzi, as Gladys, was featured in most of the Dean Martin Roasts from the MGM Hotel in Las Vegas. Memorable shows included her intense comedic dialogue, ranting about notable roastees including Muhammad Ali, Frank Sinatra, and Lucille Ball, to name a few. In each case, Gladys Ormphby pugnaciously attacked the honoree with her flailing purse to the screams and howls of the Las Vegas audience. Martin would also suffer Gladys's purse assaults for his remarks about her unappealing looks and poor romantic prospects. In one such exchange, Gladys accusingly questioned Martin about who had been chasing her around a hotel room in the wee hours; Martin's response ("The exterminator!") earned him a beating as he broke up laughing along with the audience. Gladys then declared to the audience that, when Martin and other men looked at her, only one thing came to their minds. Martin, still laughing, could barely get out the answer: "Rabies!" This earned him an even fiercer beating from Gladys.

Answer this question "Did she receive any awards for her work?"
output: Her most famous character was dowdy spinster Gladys Ormphby, clad in drab brown with her bun hairdo covered by a visible hairnet knotted in the middle of her forehead.

input: Jones was signed by Island Records, who put her in the studio with disco record producer, Tom Moulton. Moulton worked at Sigma Sound Studios in Philadelphia, and Portfolio, was released in 1977. The album featured three songs from Broadway musicals, "Send in the Clowns" by Stephen Sondheim from A Little Night Music, "What I Did for Love" from A Chorus Line and "Tomorrow" from Annie. The second side of the album opens up with a seven-minute reinterpretation of Edith Piaf's "La Vie en rose" followed by three new recordings, two of which were co-written by Jones, "Sorry", and "That's the Trouble". The album finished with "I Need a Man", Jones' first club hit. The artwork to the album was designed by Richard Bernstein, an artist for Interview. In 1978, Jones and Moulton made Fame, an immediate follow-up to Portfolio, also recorded at Sigma Sound Studios. The album featured another reinterpretation of a French classic, "Autumn Leaves" by Jacques Prevert. The Canadian edition of the vinyl album included another French language track, "Comme un oiseau qui s'envole", which replaced "All on a Summers Night"; in most locations this song served as the B-side of the single "Do or Die". In the North American club scene, Fame was a hit album and the "Do or Die"/"Pride"/"Fame" side reached top 10 on both the US Hot Dance Club Play and Canadian Dance/Urban charts. The album was released on compact disc in the early 1990s, but soon went out of print. In 2011, it was released and remastered by Gold Legion, a record company that specialises in reissuing classic disco albums on CD. Jones' live shows were highly sexualized and flamboyant, leading her to be called "Queen of the Gay Discos." Muse was the last of Jones' disco albums. The album features a re-recorded version "I'll Find My Way to You", which Jones released three years prior to Muse. Originally appearing in the 1976 Italian film, Colt 38 Special Squad in which Jones had a role as a club singer, Jones also recorded a song called "Again and Again" that was featured in the film. Both songs were produced by composer Stelvio Cipriani. Icelandic keyboardist Thor Baldursson arranged most of the album and also sang duet with Jones on the track "Suffer". Like the last two albums, the cover art is by Richard Bernstein. Like Fame, Muse was later released by Gold Legion.

Answer this question "who was her producer?"
output:
producer, Tom Moulton.