Problem: Background: Mel Brooks (born Melvin Kaminsky; June 28, 1926) is an American actor, writer, producer, director, comedian, and composer. He is known as a creator of broad film farces and comic parodies. Brooks began his career as a comic and a writer for the early TV variety show Your Show of Shows. He created, with Buck Henry, the hit television comedy series Get Smart, which ran from 1965 to 1970.
Context: For several years, Brooks had been toying with a bizarre and unconventional idea about a musical comedy of Adolf Hitler. Brooks explored the idea as a novel and a play before finally writing a script. Eventually, he was able to find two producers to fund the show, Joseph E. Levine and Sidney Glazier, and made his first feature film, The Producers, in 1967. The Producers was so brazen in its satire that major studios would not touch it, nor would many exhibitors. Brooks finally found an independent distributor who released it as an art film, a specialized attraction. In 1968, Brooks received an Oscar for Best Original Screenplay for the film, beating such writers as Stanley Kubrick and John Cassavetes. The Producers became a smash underground hit, first on the nationwide college circuit, then in revivals and on home video. Brooks later turned it into a musical, which became hugely successful on Broadway, receiving an unprecedented twelve Tony awards. With the moderate financial success of the film The Producers, Glazier financed Brooks' next film in 1970, The Twelve Chairs. Loosely based on a Russian 1928 novel The Twelve Chairs by Ilf and Petrov about greedy materialism in post-revolutionary Russia, the film stars Ron Moody, Frank Langella, and Dom DeLuise as three men individually searching for a fortune in diamonds hidden in a set of 12 antique chairs. Brooks makes a cameo appearance as an alcoholic ex-serf who "yearns for the regular beatings of yesteryear." The film was shot in Yugoslavia with a budget of $1.5 million. The film received poor reviews and was not financially successful.
Question: What was his inspiration for the film?
Answer: musical comedy of Adolf Hitler.

IN: Titas (Portuguese pronunciation: [tSi'tas]) are a rock band from Sao Paulo, Brazil. Though they basically play pop/alternative rock, their music has touched a number of other styles throughout their 30-year career, such as new wave, punk rock, grunge, MPB and electronic music. They are one of the most successful rock bands in Brazil, having sold more than 6,3 million albums as of 2005 and having been covered by several well-known Brazilian artists and a couple of international singers. They were awarded a Latin Grammy in 2009 and have won the Imprensa Trophy for Best Band a record four times.

In November 1985, Tony Bellotto and Arnaldo Antunes were arrested for heroin traffic and transportation. It This considered by the band as the climax of their first crisis, started with the first two albums low sales. Also, the episode made so much of an impact in the band, the next album, Cabeca Dinossauro, released in June 1986, contained a lot of tracks criticizing the public institutions ("Estado Violencia" and "Policia"), as well as other "pillars" of the Brazilian society and indeed society in general ("Igreja" and "Familia"). The heavy and punk-influenced rhythms and the forceful lyrics, characteristic of the band in this phase, are fully represented in this album which is considered by the critics one of the best works of the group and one of the landmarks of the Brazilian rock. Jesus Nao Tem Dentes No Pais Dos Banguelas, released at the end of 1987, continued in the same vein as the previous album in tracks like "Nome aos Bois", "Lugar Nenhum" and "Desordem", however adding samplers in tracks like "Coracoes e Mentes", "Todo Mundo quer Amor", "Comida" and "Diversao". After some international performances, the band recorded some of their hits in live Montreux Festival and released Go Back in 1988. The biggest hit to come out of Go Back was a live version of the song "Marvin" which is a re-invented version of "Patches" by Clarence Carter made famous by Elvis. The producer Liminha (a former adjunct member of Os Mutantes) was always an important associate of the band since Cabeca Dinossauro, and this association arrived to its climax in O Blesq Blom, one of the most popular productions of the band by that time. Some of the prominence tracks: "Miseria", "Flores", "O Pulso" and "32 Dentes". One of the prominent features of this work was the special guest appearance of a couple of improvisors, called Mauro and Quiteria, discovered by the band in a beach in Recife.

What is the song connection to the into the spotlight ?

OUT:

Background: Bernard Lewis, FBA (born 31 May 1916) is a British American historian specializing in oriental studies. He is also known as a public intellectual and political commentator. Lewis is the Cleveland E. Dodge Professor Emeritus of Near Eastern Studies at Princeton University. Lewis' expertise is in the history of Islam and the interaction between Islam and the West.
Context: In 1936, Lewis graduated from the School of Oriental Studies (now School of Oriental and African Studies, SOAS) at the University of London with a BA in history with special reference to the Near and Middle East. He earned his PhD three years later, also from SOAS, specializing in the history of Islam. Lewis also studied law, going part of the way toward becoming a solicitor, but returned to study Middle Eastern history. He undertook post-graduate studies at the University of Paris, where he studied with the orientalist Louis Massignon and earned the "Diplome des Etudes Semitiques" in 1937. He returned to SOAS in 1938 as an assistant lecturer in Islamic History. During the Second World War, Lewis served in the British Army in the Royal Armoured Corps and as a Corporal in the Intelligence Corps in 1940-41 before being seconded to the Foreign Office. After the war, he returned to SOAS. In 1949, at the age of 33, he was appointed to the new chair in Near and Middle Eastern History. In 1974, aged 57, Lewis accepted a joint position at Princeton University and the Institute for Advanced Study, also located in Princeton, New Jersey. The terms of his appointment were such that Lewis taught only one semester per year, and being free from administrative responsibilities, he could devote more time to research than previously. Consequently, Lewis's arrival at Princeton marked the beginning of the most prolific period in his research career during which he published numerous books and articles based on previously accumulated materials. After retiring from Princeton in 1986, Lewis served at Cornell University until 1990. In 1966, Lewis was a founding member of the learned society, Middle East Studies Association of North America (MESA), but in 2007 he broke away and founded Association for the Study of the Middle East and Africa (ASMEA) to challenge MESA, which the New York Sun noted as "dominated by academics who have been critical of Israel and of America's role in the Middle East." The organization was formed as an academic society dedicated to promoting high standards of research and teaching in Middle Eastern and African studies and other related fields, with Lewis as Chairman of its academic council. In 1990, the National Endowment for the Humanities selected Lewis for the Jefferson Lecture, the U.S. federal government's highest honor for achievement in the humanities. His lecture, entitled "Western Civilization: A View from the East", was revised and reprinted in The Atlantic Monthly under the title "The Roots of Muslim Rage." His 2007 Irving Kristol Lecture, given to the American Enterprise Institute, was published as Europe and Islam.
Question: Are there any other interesting aspects about this article?
Answer:
During the Second World War, Lewis served in the British Army in the Royal Armoured Corps and as a Corporal in the Intelligence Corps in 1940-41