IN: David Lee Marks (born August 22, 1948) is an American guitarist, singer and songwriter. He is best known as a member of the American rock band The Beach Boys, with whom he recorded four studio albums, and of whom he was a member from 1962 until 1963, again from 1997 until 1999, and lastly in 2012. Following his initial departure from the band, Marks fronted the Marksmen and performed and recorded as a session musician. A neighbor of the Wilson family - Brian, Dennis, and Carl Wilson - and a frequent participant at the Wilson family's Sunday night singalongs, Marks officially joined the Beach Boys in February 1962 as its rhythm guitarist.

At age seven, David Lee Marks moved into a house across the street from the family home of the three Wilson brothers, Brian, Dennis, and Carl Wilson, later to become the founding members of The Beach Boys. Describing the neighborhood, Marks noted, "It was run down. There were no sidewalks. The houses were older and the Wilsons lived in a pretty small, modest two-bedroom home. The boys all shared a bedroom. When they got older, Brian started sleeping in the den more and more, which was a converted garage they had turned into a music room. They had a Hammond B-3 organ, an upright piano and a little hi-fi in there." As the 1950s progressed Marks sang and played music with the Wilson family at their Sunday night singalongs. Inspired by a 1958 performance by guitarist John Maus (later of the 1960s Walker Brothers), Marks asked his parents to buy him a guitar, which they did on Christmas Eve, 1958. He began taking lessons from Maus, who had been a student of Ritchie Valens. In 1959, Marks and Brian Wilson's youngest brother Carl had begun to develop their own style of playing electric guitars. Brian realized that the combination of Carl and Marks' playing brought a rock guitar sound to his original compositions, and the two teenagers participated in Brian's first songwriting efforts that led to the band's 1963 hit single "Surfer Girl". Marks was not on the Beach Boys first recording, "Surfin'" for Candix Records on October 16, 1961; this roster included Al Jardine, a high school classmate of Brian Wilson's who had been singing and playing stand-up bass with the Wilson brothers and their cousin Mike Love. Over the next couple of months, Brian experimented with various combinations of musicians, including his mother Audree Wilson, but was not able to secure interest from a major label.
QUESTION: Who were the three wilson brothers
IN: Michael Anthony Sobolewski (born June 20, 1954 and legally shortened his name to Michael Anthony in 1978), is an American musician who is currently the bass player in the rock supergroup Chickenfoot and the Circle. Anthony is best known as the former bass player for the hard rock band Van Halen. Anthony is known for his stage antics, his effects-laden live solos, his number of custom-made bass guitars, including a Jack Daniel's model shaped like a whiskey bottle, and his background vocals in Van Halen. He also has a signature Schecter Guitar Research bass-guitar series.

While Anthony was a promising catcher in baseball, he also competed on the Dana Junior High School track team (long jump) and played in the marching band there from 1967-1969. He took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums. Anthony's friend Mike Hershey gave him a Fender Mustang electric guitar that Anthony converted by removing the two highest strings and playing it as a bass guitar. Eventually, his father bought him a Victoria copy of a Fender Precision Bass and a Gibson amplifier. Anthony mostly modelled his bass playing after Jack Bruce of Cream, but also admired Led Zeppelin's John Paul Jones and Harvey Brooks of Electric Flag. His first band was called Poverty's Children. Other bands he played in included Black Opal, Balls, and Snake. Although Anthony is naturally left-handed, he plays right-handed. Snake, a three-piece group featuring Anthony on lead vocals and bass guitar, was the last band in which Anthony played before joining Van Halen. Snake played covers of ZZ Top, Lynyrd Skynyrd, and Foghat, along with some original songs. They played several of the same types of gigs as did the Van Halen brothers' band Mammoth. Snake even once opened for Mammoth at a show at Pasadena High School. Mammoth's PA failed that night, so Anthony lent them Snake's PA. While attending Pasadena City College, Anthony pursued a degree in music. Eddie Van Halen also took classes there and they would often see each other on campus. During this time, bass player Mark Stone parted ways with Mammoth and the Van Halens decided to audition Anthony as a replacement. Anthony was impressed by their skill during subsequent jam sessions even though he had seen the brothers play before. After the session, the Van Halen brothers asked Anthony to join their band. One story claims that he said he had to think about it and consulted Snake guitarist Tony Caggiano who advised Anthony to join Van Halen. However, according to Michael Anthony's web site, when asked if he wanted to join Mammoth, Anthony immediately said yes. This has become the accepted version of events.
QUESTION: is there anything else interesting?
IN: Bill Laswell (born February 12, 1955, Salem, Illinois, and raised in Albion, Michigan) is an American bassist, producer and record label owner. Laswell has been involved in hundreds of recordings with many collaborators from all over the world. Laswell's music draws upon many different genres, most notably funk, various world music, jazz, dub and ambient styles. He has also played or produced music from the noisier, more aggressive end of the rock spectrum, such as hardcore punk and metal.

Always one to be courting controversy due to his alleged radical treatment of music, Laswell released two albums of remixes from dead artists - Bob Marley's Dreams of Freedom on Axiom and Miles Davis Panthalassa. The first contained airy, ambient dub translations of some of Marley's Island catalog, largely sans Marley's voice. Chris Blackwell, largely the man responsible for bringing Marley to the masses in the 1970s, requested the album as part of a planned series of remix albums by various producers who were rooted in the reggae/dub tradition. Blackwell's departure from Island killed any further albums. For Panthalassa, Laswell took the tapes from Miles' "electric period" and re-imagined them, the impetus for the project being that the original releases were just mixes made by Teo Macero from long in-studio sessions. Nothing originally released was necessarily exactly what was done in the studio, but rather a cut-up and remix to begin with. Needless to say, critic and fan responses varied wildly, with Laswell and Macero conducting a public feud in the media. The late 1990s saw two other major changes. As noted before, Chris Blackwell left Island Records. Although he took the Axiom imprint with him to his new Palm Pictures label, the back catalog stayed with Island. Many of the albums are now out of print, and efforts to obtain master recordings and new distribution have been unsuccessful. The other change came in the form of studio space. Laswell, seeing that Greenpoint had turned into a sort of living space for hangers-on, moved his studio to West Orange, New Jersey, calling it Orange Music Sound Studios.
QUESTION:
What album did he release?