input question: Select the correct sentiment of the following review: this is what i call a great movie. it lives trough the fantastic actor skills and a simple but human story. there are real characters which can be funny and dramatic. but the main theme is very cruel, like live is.the bus driver and his son are collecting people trough the country (jugoslavia) on their way to the capital Belgrad. the funny and cruel situations that happens on the way, connect the people and the pigs that travel together.

watch it and you gonna remember it for life... its filled with Slavic humor and lifestyle.

and another reason for its magic : it is hard to get!!
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output answer: positive

input question: Select the correct sentiment of the following review: This is still the benchmark to judge all Golden Age whodunnits by, and taking into account the limited technology and dubious ethical standards of the authorities (on screen) bears up well against all generations of similar attempts since on film and TV. Fast and furious with plenty of Warner Bros wipes, and thankfully no time for a love interest it gallops along, taking the splendid cast with it to the violent end. I never understood why the DA had to trail Vance around everywhere, I always thought they were deskbound. Palette as the detective but especially Girardot as the doctor are delightfully eccentric and un-PC - when glancing over the second murder victim he sniffs that there were too many people in the world anyway. Of course it is William Powell as Philo Vance (and Michael Curtiz as director) that makes the film what it is - when did Powell ever make a dud?

The army of cops at the crime scene didn't really do a very good job in finding the second dead body and unconscious dog did they! The best bit is where Vance narrates to us all the sequence of events surrounding the murders - dodgy model sets combine with fantastic roving camera angles to produce a very modern feel, and startling with what has gone before. The only problem is as usual the conclusion can't match the overall deductive processes displayed throughout and a somewhat contrived ending is invoked; some Chan's, Moto's and many others of course could only be concluded this way too. But because it happens so fast and is ... slightly dubious morally it doesn't lessen my opinion of KMC's status as a classic!

All the prints I've ever seen of KMC are (at worst) like looking into a goldfish bowl, so if you're interested in seeing it bear with it until you're sucked in.
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output answer: positive

input question: Select the correct sentiment of the following review: My first impression would be this is Beowulf only with all the good bits of fighting Grendel and dragons intact, making it one thrill ride from start to end. Written by Frederic Lanoir and Arthur Qwak, the two of them had created a fantastical landscape that becomes a character in itself within their story, with its ever changing environment made up of small spheres of land floating around, which can either be wastelands, or globes of greenery.

The story's a simple one, which tells of a land which is cowering in the expectation of a mighty dragon's unwanted visit to plunder and destroy, and the resident knights have all but been annihilated. Enter the king's granddaughter Zoe (Marie Drion) who gathers Lian-Chu (Vincent Lindon), a huge brute with immense strength but truly a gentle giant, and his partner-in-arms Gwizdo (Patrick Timsit), who balances the partnership with his cunning brain. Lian-Chu and Gwizdo (together with their pet creature which too proudly spews incipient fires) share a common dream of owning a farm land and spending idyllic days tending to their farm animals in retirement, but in order to do that comes the requirement of being financially free, hence their career in monster-extermination which doesn't exactly pay off.

That's basically the whole gist of it, but what makes this film a spectacle, is its CG graphics, which is solidly rich, detailed, and an eye-popping marvel to behold. It has some wonderfully crafted set action pieces that were painstakingly designed to draw you into the thick of the action,, and during those fight sequences, there's nary a boring moment. Photo-realistic moments of non-existent landscapes make you put aside the fantasy of make-belief, and it's easy to be in awe of the landscape which goes beyond the usual three-suns and a kaleidoscope of flying thingamajigs (here's having at you George!) And I couldn't get enough of the finale battle as well, though the usual brick-bats will find some fault at the indestructibility of the principle characters.

I guess this film had opened my eyes that there are many more computer-animated companies out there around the world that have quality in their product to match that of Pixar's. And this is definitely a movie that the local filmmakers of Zodiac: The Race Begins and Legend of the Sea can learn from to keep the story effectively simple, and let your moving artwork do all the talking. Definitely highly recommended!
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output answer:
positive