Some context: Henry Jaynes Fonda (May 16, 1905 - August 12, 1982) was an American film and stage actor with a career spanning five decades. Fonda made his mark early as a Broadway actor. He also appeared in 1938 in plays performed in White Plains, New York, with Joan Tompkins. He made his Hollywood debut in 1935, and his career gained momentum after his Academy Award-nominated performance as Tom Joad in The Grapes of Wrath, a 1940 adaptation of John Steinbeck's novel about an Oklahoma family who moved west during the Dust Bowl.
At age 20, Fonda started his acting career at the Omaha Community Playhouse, when his mother's friend Dodie Brando (mother of Marlon Brando) recommended that he try out for a juvenile part in You and I, in which he was cast as Ricky. He was fascinated by the stage, learning everything from set construction to stage production, and embarrassed by his acting ability. When he received the lead in Merton of the Movies, he realized the beauty of acting as a profession, as it allowed him to deflect attention from his own tongue-tied personality and create stage characters relying on someone else's scripted words. Fonda decided to quit his job and go east in 1928 to seek his fortune. He arrived on Cape Cod and played a minor role at the Cape Playhouse in Dennis, Massachusetts. A friend took him to Falmouth, MA where he joined and quickly became a valued member of the University Players, an intercollegiate summer stock company. There he worked with Margaret Sullavan, his future wife. James Stewart joined the Players a few months after Fonda left, though they were soon to become lifelong friends. Fonda left the Players at the end of their 1931-1932 season after appearing in his first professional role in The Jest, by Sem Benelli. Joshua Logan, a young sophomore at Princeton who had been double-cast in the show, gave Fonda the part of Tornaquinci, "an elderly Italian man with a long white beard and even longer hair." Also in the cast of The Jest with Fonda and Logan were Bretaigne Windust, Kent Smith, and Eleanor Phelps. The tall (6 ft, 1.5 in) Fonda headed for New York City, to be with his then wife, Margaret Sullavan. The marriage was brief, but when James Stewart came to New York his luck changed. Getting contact information from Joshua Logan, Jimmy, as he was called, found Hank Fonda and these small town boys found they had a lot in common, as long as they didn't discuss politics. The two men became roommates and honed their skills on Broadway. Fonda appeared in theatrical productions from 1926 to 1934. They fared no better than many Americans in and out of work during the Great Depression, sometimes lacking enough money to take the subway.
How long did they work together?
A:

Some context: Richard Alan Enberg (January 9, 1935 - December 21, 2017) was an American sportscaster. Over the course of an approximately 60-year career, he provided play-by-play for various sports on numerous radio and television networks, including NBC (1975-1999), CBS (2000-2014), and ESPN (2004-2011), as well for individual teams, such as UCLA Bruins basketball, Los Angeles Rams, California Angels and San Diego Padres. Enberg was well known for his signature on-air catchphrases "Touch 'em all" (for home runs) and "Oh, my!" (for particularly exciting and outstanding athletic plays).
In the late 1960s, Enberg began a full-time sportscasting career in Los Angeles, working for KTLA television (anchoring a nightly sports report and calling UCLA Bruins basketball) and KMPC radio (calling Los Angeles Rams football and California Angels baseball). After every Angels victory, he would wrap up his broadcast with, "And the halo shines tonight," in reference to the "Big A" scoreboard at Anaheim Stadium and the halo at the top, which would light up for everyone in the area to see, particularly from the adjacent freeway. Enberg was named California Sportscaster of the Year four times during this period. In the 1960s, Enberg announced boxing matches at L.A.'s Olympic Auditorium. In 1968, Enberg was recommended by UCLA athletic director J.D. Morgan to be the national broadcaster for the syndicated TVS Television Network to cover the "Game of the Century" between the Houston Cougars, led by Elvin Hayes and the UCLA Bruins, led by Lew Alcindor (later Kareem Abdul-Jabbar). The "Prime Time" nationally televised game demonstrated that college basketball had a national "Prime Time" audience and stands as a seminal contest in the evolution of nationally televised evening college basketball broadcasts. Enberg continued to call the occasional UCLA game for TVS through the early 1970s, usually teaming with Rod Hundley. In 1973, Enberg traveled to Beijing, China to host the groundbreaking TVS Television Network telecast of the USA vs. China basketball game. It was the first team sporting event ever played between China and the USA. In the 1970s, Enberg called the 1979 NCAA Championship game between Michigan State, led by Magic Johnson, and Indiana State, led by Larry Bird. He also hosted the syndicated television game show Sports Challenge, and co-produced the Emmy Award-winning sports-history series The Way It Was for PBS. In the 1970 opening conference game in Pauley Pavilion, Oregon went into a stall against the UCLA Bruins. Enberg had run out of statistics and began to fill his radio broadcast with small talk. The movie Butch Cassidy and the Sundance Kid had just been released, and Enberg was humming the tune to "Raindrops Keep Fallin' on My Head", but did not know the words. Two nights later, in a home game against Oregon State, many UCLA students brought the lyrics to the song. Enberg promised that he would sing the song if UCLA won the conference championship. He sang the song following the final game of the season. The event was recorded in the Los Angeles Times and was later recounted in the book Pauley Pavilion: College Basketball's Showplace by David Smale. During the 2006 NCAA Men's Basketball Championship broadcast, there was a short feature on the event.
Did he have any signature phrases while working at the radio station in Los Angeles?
A:
The "Prime Time" nationally televised game demonstrated that college basketball had a national "Prime Time" audience