input: Diamond was born in Brooklyn, New York, to a Jewish family descended from Russian and Polish immigrants. His parents were Rose (nee Rapaport) and Akeeba "Kieve" Diamond, a dry-goods merchant. He grew up in several homes in Brooklyn, having also spent four years in Cheyenne, Wyoming, where his father was stationed in the army. In Brooklyn he attended Erasmus Hall High School and was a member of the Freshman Chorus and Choral Club, along with classmate Barbra Streisand. They were not close friends at the time, Diamond recalls: "We were two poor kids in Brooklyn. We hung out in the front of Erasmus High and smoked cigarettes." After his family moved he then attended Abraham Lincoln High School, and was a member of the fencing team. Also on the team was his best friend, future Olympic fencer Herb Cohen. For his 16th birthday, he received his first guitar. When he was 16, and still in high school, Diamond spent a number of weeks at Surprise Lake Camp, a camp for Jewish children in upstate New York, when folk singer Pete Seeger performed a small concert. Seeing the widely recognized singer perform, and watching other children singing songs for Seeger that they wrote themselves, had an immediate effect on Diamond, who then became aware of the possibility of writing his own songs. "And the next thing, I got a guitar when we got back to Brooklyn, started to take lessons and almost immediately began to write songs," he said. He adds that his attraction to songwriting was the "first real interest" he had growing up, besides helping him release his youthful "frustrations". Diamond also used his newly developing skill to write poetry. By writing poems for girls he was attracted to in school, he soon learned it often won their hearts. His male classmates took note and began asking him to write poems for them which they would sing and use with equal success. He spent the summer following his graduation as a waiter in the Catskills resort area. There he first met Jaye Posner, who would years later become his wife. Diamond next attended New York University as a pre-med major on a fencing scholarship, again on the fencing team with Herb Cohen. He was a member of the 1960 NCAA men's championship fencing team. Often bored in class, he found writing song lyrics more to his liking. He began cutting classes and taking the train up to Tin Pan Alley, where he tried to get some of his songs heard by local music publishers. In his senior year, when he was just 10 units short of graduation, Sunbeam Music Publishing offered him a 16-week job writing songs for $50 a week (equivalent to about US$405 per week, in 2017 dollars), and he dropped out of college to accept it.

Answer this question "What were his parents' occupation?"
output: His parents were Rose (nee Rapaport) and Akeeba "Kieve" Diamond, a dry-goods merchant.

input: On the B-side to the group's first single, Johnson explained that the group's name derived from a page from The New Yorker magazine, featuring the headline "Frankie Goes Hollywood" and a picture of Frank Sinatra, although the magazine page Johnson referred to was actually a pop art poster by Guy Peellaert. The original group named "Frankie Goes to Hollywood" dates from 1980. The nucleus of the group emerged from the late 1970s Liverpool punk scene. Lead singer Johnson had played bass with Big in Japan and had also released two solo singles. Local musicians Peter Gill (drums), Jed O'Toole (bass), and O'Toole's cousin Brian Nash (guitar) initially joined Johnson, calling themselves the Sons of Egypt. This line-up secured a number of small local gigs before disbanding. The group was reprised when Johnson joined Mark O'Toole (bass) and Peter "Ped" Gill to form FGTH. During a particularly fluid period of personnel changes, Jed O'Toole joined FGTH on guitar, and a female vocalist, Sonia Mazumder, was also a band member for the first Frankie gig at the Leeds nightclub "The Warehouse", supporting Hambi & The Dance. Paul Rutherford - a member of the headline act who had also sung in seminal Liverpool punk band The Spitfire Boys - apparently got so caught up in Frankie's performance that he effectively replaced Mazumder that very night. The new all-male musical line-up subsequently toured locally with a leather-clad female duo known as "The Leatherpets" and managed to fund promotional videos and demos, despite being eventually turned down by both Arista Records and Phonogram Inc. In October 1982, the group recorded a John Peel Session for BBC Radio 1, comprising the originals "Krisco Kisses", "Two Tribes", "Disneyland", and "The World Is My Oyster". Around this time Jed O'Toole left the group, to be replaced by the returning Brian Nash. In February 1983, the group was invited to record a video for "Relax" by the Channel 4 show The Tube at the Liverpool State Ballroom. After the broadcast, the Peel session was repeated on radio, and a new session recorded for the BBC, comprising "Welcome to the Pleasuredome", "The Only Star in Heaven" and "Relax". These performances, along with a repeat of the Tube video, convinced Trevor Horn to sign the group for his new label, ZTT Records, in May 1983.

Answer this question "when was the bad formed?"
output: The original group named "Frankie Goes to Hollywood" dates from 1980.

input: Cronje's form in 1991/92 was impressive especially in the one-day format where he averaged 61.40. He earned an international call up for the 1992 World Cup, making his One Day International debut against Australia at Sydney. During the tournament he played in eight of the team's nine games, averaging 34.00 with the bat, while his medium pace was used in bowling 20 overs. After the World Cup Cronje was part of the tour to the West Indies; he featured in the three ODI's, and in the Test match at Bridgetown that followed, he made his Test debut. This was South Africa's first Test since readmission and they came close to beating a strong West Indian side, going into the final day at 122/2 chasing 200 they collapsed to 148. India toured South Africa in 1992/93. In the first one-day international, he hit the famous six when his team needed 6 runs off only 4 balls, and was awarded Man of the match for his bowling. In the one-day series, Cronje managed just one fifty but with the ball he was economical and took his career best figures of 5/32, becoming the second South African to take five wickets in an ODI. In the Test series that followed he scored his maiden test century, 135 off 411 balls, after coming in at 0-1 in the second over he was last man out, after eight and three-quarter hours, in a total of 275. This contributed to South Africa's first Test win since readmission. At the end of the season in a triangular tournament with Pakistan and West Indies he scored 81 off 70 balls against Pakistan. In South Africa's next Test series against Sri Lanka, Cronje scored his second Test century, 122 in the second Test in Colombo; the victory margin of an innings and 208 runs is a South African record. He finished the series with 237 runs at 59.25 after scoring 73* in the drawn third Test.

Answer this question "Are there any other interesting aspects about this article?"
output:
India toured South Africa in 1992/93. In the first one-day international, he hit the famous six when his team needed 6 runs off only 4 balls,