input question: Extract the answer to the question from the following context. Question: What led Japan to become Australia's largest trading partner? Context: Menzies continued the expanded immigration program established under Chifley, and took important steps towards dismantling the White Australia Policy. In the early 1950s, external affairs minister Percy Spender helped to establish the Colombo Plan for providing economic aid to underdeveloped nations in Australia's region. Under that scheme many future Asian leaders studied in Australia. In 1958 the government replaced the Immigration Act's arbitrarily applied European language dictation test with an entry permit system, that reflected economic and skills criteria. In 1962, Menzies' Commonwealth Electoral Act provided that all Indigenous Australians should have the right to enrol and vote at federal elections (prior to this, indigenous people in Queensland, Western Australia and some in the Northern Territory had been excluded from voting unless they were ex-servicemen). In 1949 the Liberals appointed Dame Enid Lyons as the first woman to serve in an Australian Cabinet. Menzies remained a staunch supporter of links to the monarchy and British Commonwealth but formalised an alliance with the United States and concluded the Agreement on Commerce between Australia and Japan which was signed in July 1957 and launched post-war trade with Japan, beginning a growth of Australian exports of coal, iron ore and mineral resources that would steadily climb until Japan became Australia's largest trading partner.???
output answer: the Agreement on Commerce between Australia and Japan
Extract the answer to the question from the following context. Question: Why were the sejmiks important? Context: In 1454 King Casimir IV granted the Nieszawa Statutes (Polish: "statuty cerkwicko-nieszawskie"), clarifying the legal basis of voivodship sejmiks (local parliaments). The king could promulgate new laws, raise taxes, or call for a levee en masse (pospolite ruszenie) only with the consent of the sejmiks, and the nobility were protected from judicial abuses. The Nieszawa Statutes also curbed the power of the magnates, as the Sejm (national parliament) received the right to elect many officials, including judges, voivods and castellans. These privileges were demanded by the szlachta as a compensation for their participation in the Thirteen Years' War.
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Answer: The king could promulgate new laws, raise taxes, or call for a levee en masse (pospolite ruszenie) only with the consent of the sejmiks
Q: Extract the answer to the question from the following context. Question: Why was vinyl eventually not preferred by radio programs? Context: In 1931, RCA Victor introduced their vinyl-based Victrolac compound as a material for some unusual-format and special-purpose records. By the end of the 1930s vinyl's advantages of light weight, relative unbreakability and low surface noise had made it the material of choice for prerecorded radio programming and other critical applications. When it came to ordinary 78 rpm records, however, the much higher cost of the raw material, as well as its vulnerability to the heavy pickups and crudely mass-produced steel needles still commonly used in home record players, made its general substitution for shellac impractical at that time. During the Second World War, the United States Armed Forces produced thousands of 12-inch vinyl 78 rpm V-Discs for use by the troops overseas. After the war, the wider use of vinyl became more practical as new record players with relatively lightweight crystal pickups and precision-ground styli made of sapphire or an exotic osmium alloy proliferated. In late 1945, RCA Victor began offering special transparent red vinyl De Luxe pressings of some classical 78s, at a de luxe price. Later, Decca Records introduced vinyl Deccalite 78s, while other record companies came up with vinyl concoctions such as Metrolite, Merco Plastic and Sav-o-flex, but these were mainly used to produce "unbreakable" children's records and special thin vinyl DJ pressings for shipment to radio stations.
A: higher cost of the raw material, as well as its vulnerability to the heavy pickups and crudely mass-produced steel needles
Question: Extract the answer to the question from the following context. Question: What was one thing that didn't exist in the music industry in the 1960s? Context: Established bands made something of a comeback in the mid-1980s. After an 8-year separation, Deep Purple returned with the classic Machine Head line-up to produce Perfect Strangers (1984), which reached number five in the UK, hit the top five in five other countries, and was a platinum-seller in the US. After somewhat slower sales of its fourth album, Fair Warning, Van Halen rebounded with the Top 3 album Diver Down in 1982, then reached their commercial pinnacle with 1984. It reached number two on the Billboard album chart and provided the track "Jump", which reached number one on the singles chart and remained there for several weeks. Heart, after floundering during the first half of the decade, made a comeback with their eponymous ninth studio album which hit number one and contained four Top 10 singles including their first number one hit. The new medium of video channels was used with considerable success by bands formed in previous decades. Among the first were ZZ Top, who mixed hard blues rock with new wave music to produce a series of highly successful singles, beginning with "Gimme All Your Lovin'" (1983), which helped their albums Eliminator (1983) and Afterburner (1985) achieve diamond and multi-platinum status respectively. Others found renewed success in the singles charts with power ballads, including REO Speedwagon with "Keep on Loving You" (1980) and "Can't Fight This Feeling" (1984), Journey with "Don't Stop Believin'" (1981) and "Open Arms" (1982), Foreigner's "I Want to Know What Love Is", Scorpions' "Still Loving You" (both from 1984), Heart's "What About Love" (1985) and "These Dreams" (1986), and Boston's "Amanda" (1986).
Answer: Van
[Q]: Extract the answer to the question from the following context. Question: People aged 18-49 are fully grown, which is another way to say what? Context: The show pushed Fox to become the number one U.S. TV network amongst adults 1849, the key demographic coveted by advertisers, for an unprecedented eight consecutive years by 2012. Its success also helped lift the ratings of other shows that were scheduled around it such as House and Bones, and Idol, for years, had become Fox's strongest platform primetime television program for promoting eventual hit shows of the 2010s (of the same network) such as Glee and New Girl. The show, its creator Simon Fuller claimed, "saved Fox".
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[A]: adults
Problem: Given the question: Extract the answer to the question from the following context. Question: what artistic piece of work is mentioned last? Context: Certain staples of classical music are often used commercially (either in advertising or in movie soundtracks). In television commercials, several passages have become cliched, particularly the opening of Richard Strauss' Also sprach Zarathustra (made famous in the film 2001: A Space Odyssey) and the opening section "O Fortuna" of Carl Orff's Carmina Burana, often used in the horror genre; other examples include the Dies Irae from the Verdi Requiem, Edvard Grieg's In the Hall of the Mountain King from Peer Gynt, the opening bars of Beethoven's Symphony No. 5, Wagner's Ride of the Valkyries from Die Walkure, Rimsky-Korsakov's Flight of the Bumblebee, and excerpts of Aaron Copland's Rodeo.
++++++++++++++++++++++++++++++++
The answer is:
Aaron Copland's Rodeo