Problem: OPTIONS:
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Answer: "A Guy Thing" may not be a classic, but it sure is a good, funny comedy. The plot focuses on Paul (Jason Lee), who wakes up the morning after his bachelor party with no memory and Becky (Julia Stiles) lying naked in his bed. Before he can figure out what happened, he rushes Becky out of his apartment because his fiance Karen (Selma Blair) is coming. After that, as you could imagine, chaos ensues.

Almost every single scene in "A Guy Thing" delivers loud laughs. The funniest moments come from when Paul imagines what could happen if he tells Karen. Selma Blair is a truly talented comedian, and the worst thing about this film is that she goes underused. Although, she turns out to be more funny than Stiles' character, who actually isn't that interesting. Of course, not every comedy is perfect.

As I said, "A Guy Thing" is no classic, but it's not bad either, 7/10.
An example of a movie review. negative (OPTIONS:
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A: I've just visited Russian forum of our TV-channel that had showed this film. Well... 99 per cent of active Russian audience is disappointed. We wanted to see more true facts of our space achievements in this film. But authors had in mind something else... :( We are big and beautiful country with intelligent people living here. We are proud of all our space dreams, real achievements on the one hand in this field and in science on the other hand. So I'd like to ask authors: Where is our LUNOHOD? And where, the Hell our MIR station? Ah? I'm quite sure, that LUNOHOD events took place much earlier Armstrong's "walk on Moon". And to comment numerous technical and science mistakes - I really have no time and enough space here! Se our constructive critics in Russian forum on www.1tv.ru
Q: What's an example of a movie review?
An example of a movie review is here: For the big thinkers among us, "The Intruder" is a maddeningly incoherent movie from France that gives so-called "art films" a bad name. The story is something about a bitter old coot, Louis Trebor (Michel Subor), who goes searching in Tahiti for a heart transplant, but beyond that, I have no idea who any of the people in the movie were or why they were doing what they were doing. With no coherent storyline to boast of, the movie loses us early on, though I'm perfectly willing to admit that there might be SOMEBODY out there who actually gets some deep message out of this film.

This muddled, snail-paced drama runs a full two hours and five minutes - though I seriously doubt anyone with any kind of a life will still be hanging around by the closing credits.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: Pleasant story of the community of Pimlico in London who, after an unexploded WW2 bomb explodes, find a Royal Charter stating that the area they live in forms part of Burgundy.

This movie works because it appeals to the fantasy a lot of us have about making up our own rules and not having to listen to THEM. A solid cast of British stalwarts, especially Stanley Holloway, makes this more believable.

There are some very nice moments in the film, such as when the people have ran out of supplies and other Londoners on the other side of the barricade start throwing food and other things over to them.

Even though you always knew Pimlico would become part of the UK again, the people of PImlico and as a consequence the viewer doesn't mind when this happens, leaving a nice happy feeling.

It's amazing to think that these low budget movies from a small studio in London still remain so popular over fifty years later. The producers must have got something right.
Problem: OPTIONS:
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Answer: There is no story! The plot is hopeless! A filmed based on a car with a stuck accelerator, no brakes, and a stuck automatic transmission gear lever cannot be good! I would have stopped that car within one minute whether I was in it or in the police car constantly following it. I feel sorry for the actors that had to put up with such a poor script. The few scenes that some similarity to action was heavily over-dramatized, and as far from reality you can get. In addition, there were a lot of blunders, for instance the hood of the runaway car, which was popped doing 100mph. At first it just folded over the windshield, like it would in reality, but then, afterwards, it blew off. The car was later in the movie observed with the hood on....

This film was nothing but annoying, stay away from it!
Problem: OPTIONS:
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Answer:
At the beginning of the film, you might double-check the DVD cover and re-read the synopsis a couple of times, but no worries. It's NOT "Memoirs of a Geisha" that you purchased; just a movie with an intro that is much more classy and stylish than it has any right to be. Still, the opening is by far the best thing about the entire movie, as it shows how in the year 1840 a Samurai sword master catches his wife committing adultery. He decapitates the two lovers before doing some hara-kiri (ritual suicide through disembowelment). Cut to present day, when the American Ambassador in Japan welcomes a befriended family and drives them up to the same house where the aforementioned slaughter took place nearly one and a half century ago. From then onwards, this becomes a seemingly routine haunted house flick yet the utterly retarded and implausible script still makes it somewhat exceptional. Let's start with the good aspects, namely the original Japanese setting and the presence of the delicious Susan George who is my all-time favorite British horror wench (well, together with Britt Eckland, Linda Hayden and Ingrid Pitt). The bad aspects simply include that the screenplay is incoherent, imbecilic beyond repair and full of supposedly unsettling twists that only evoke laughter. The restless spirits of the house soon begin to entertain themselves by perpetrating into the bodies of the new tenants and causing them to do and say all sorts of crazy stuff. The spirit of the massacred adulterous woman particularly enjoys squeezing into Susan's ravishing booty and transforming her into a lewd seductress! In this "possessed" state, she even lures the American ambassador outside to have sex in the garden of a high society diner party full of prominent guests. So, strictly spoken, it's not really "evil" that dwells in the house; just a trio of sleazy ghosts with dirty minds and far too much free time on their long-dead hands! Obviously these scenes are more comical than frightening, especially since the light-blue and transparent shapes remind you of the cute ghost effects that were later popularized in "Ghostbusters". "The House Where Evil Dwells" is probably the least scary ghost movie ever. Throughout most of the running time, you'll be wondering whether director Kevin Connor (who nevertheless made the excellent horror films "Motel Hell" and "From Beyond the Grave") intentionally wanted to make his movie funny and over-the-top, like "Motel Hell" maybe. But then again, everyone in the cast continues to speak his/her lines with a straight and sincere face, so I guess we are nevertheless supposed to take everything seriously and feel disturbed. "The House Where Evil Dwells" is never suspenseful or even remotely exciting and it doesn't even contain any grisly images apart from the massacre at the beginning. I am fully aware of how shallow it sounds, but the two scenes in which Susan George goes topless are the only true highlights. Well, those and maybe also the invasion of cheesy and ridiculously over-sized spiders (or are they crabs?) in the daughter's bedroom. How totally random and irrelevant was that? If you ever decide to give this movie a chance notwithstanding its bad reputation, make sure you leave your common sense and reasoning at the doorstep.

Trivia note for horror buffs: keep an eye open for the demon-mask that was also a pivot piece of scenery in the brilliant Japanese horror classic Onibaba.