input: In the late 1960s, Enberg began a full-time sportscasting career in Los Angeles, working for KTLA television (anchoring a nightly sports report and calling UCLA Bruins basketball) and KMPC radio (calling Los Angeles Rams football and California Angels baseball). After every Angels victory, he would wrap up his broadcast with, "And the halo shines tonight," in reference to the "Big A" scoreboard at Anaheim Stadium and the halo at the top, which would light up for everyone in the area to see, particularly from the adjacent freeway. Enberg was named California Sportscaster of the Year four times during this period. In the 1960s, Enberg announced boxing matches at L.A.'s Olympic Auditorium. In 1968, Enberg was recommended by UCLA athletic director J.D. Morgan to be the national broadcaster for the syndicated TVS Television Network to cover the "Game of the Century" between the Houston Cougars, led by Elvin Hayes and the UCLA Bruins, led by Lew Alcindor (later Kareem Abdul-Jabbar). The "Prime Time" nationally televised game demonstrated that college basketball had a national "Prime Time" audience and stands as a seminal contest in the evolution of nationally televised evening college basketball broadcasts. Enberg continued to call the occasional UCLA game for TVS through the early 1970s, usually teaming with Rod Hundley. In 1973, Enberg traveled to Beijing, China to host the groundbreaking TVS Television Network telecast of the USA vs. China basketball game. It was the first team sporting event ever played between China and the USA. In the 1970s, Enberg called the 1979 NCAA Championship game between Michigan State, led by Magic Johnson, and Indiana State, led by Larry Bird. He also hosted the syndicated television game show Sports Challenge, and co-produced the Emmy Award-winning sports-history series The Way It Was for PBS. In the 1970 opening conference game in Pauley Pavilion, Oregon went into a stall against the UCLA Bruins. Enberg had run out of statistics and began to fill his radio broadcast with small talk. The movie Butch Cassidy and the Sundance Kid had just been released, and Enberg was humming the tune to "Raindrops Keep Fallin' on My Head", but did not know the words. Two nights later, in a home game against Oregon State, many UCLA students brought the lyrics to the song. Enberg promised that he would sing the song if UCLA won the conference championship. He sang the song following the final game of the season. The event was recorded in the Los Angeles Times and was later recounted in the book Pauley Pavilion: College Basketball's Showplace by David Smale. During the 2006 NCAA Men's Basketball Championship broadcast, there was a short feature on the event.

Answer this question "Did he do any other work while in Los Angeles?"
output: In the 1960s, Enberg announced boxing matches at L.A.'s Olympic Auditorium.

input: In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was 19 September 2010 and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson albums on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the track listing for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste.

Answer this question "Were there any other successes/"
output: He provided the score for the 2011 film Arthur.

input: During the Renaissance, sacred choral music was the principal type of formally notated music in Western Europe. Throughout the era, hundreds of masses and motets (as well as various other forms) were composed for a cappella choir, though there is some dispute over the role of instruments during certain periods and in certain areas. Some of the better-known composers of this time include Guillaume Dufay, Josquin des Prez, Giovanni Pierluigi da Palestrina, John Dunstable, and William Byrd; the glories of Renaissance polyphony were choral, sung by choirs of great skill and distinction all over Europe. Choral music from this period continues to be popular with many choirs throughout the world today. The madrigal, a partsong conceived for amateurs to sing in a chamber setting, originated at this period. Although madrigals were initially dramatic settings of unrequited-love poetry or mythological stories in Italy, they were imported into England and merged with the more dancelike balletto, celebrating carefree songs of the seasons, or eating and drinking. To most English speakers, the word madrigal now refers to the latter, rather than to madrigals proper, which refers to a poetic form of lines consisting of seven and eleven syllables each. The interaction of sung voices in Renaissance polyphony influenced Western music for centuries. Composers are routinely trained in the "Palestrina style" to this day, especially as codified by the 18c music theorist Johann Joseph Fux. Composers of the early 20th century also wrote in Renaissance-inspired styles. Herbert Howells wrote a Mass in the Dorian mode entirely in strict Renaissance style, and Ralph Vaughan Williams's Mass in G minor is an extension of this style. Anton von Webern wrote his dissertation on the Choralis Constantinus of Heinrich Isaac and the contrapuntal techniques of his serial music may be informed by this study.

Answer this question "What else can you tell me about the Choir music of this time?"
output:
The interaction of sung voices in Renaissance polyphony influenced Western music for centuries. Composers are routinely trained in the "Palestrina style"