IN: Robert Maynard Hutchins (also Maynard Hutchins) (January 17, 1899 - May 14, 1977), was an American educational philosopher, dean of Yale Law School (1927-1929), and president (1929-1945) and chancellor (1945-1951) of the University of Chicago. He was the husband of novelist Maude Hutchins. Although his father and grandfather were both Presbyterian ministers, Hutchins became one of the most influential members of the school of secular perennialism.

Robert Maynard Hutchins was born in Brooklyn in 1899, the second of three sons of William James Hutchins, a Presbyterian minister and future Berea College president. Eight years later, the family moved to Oberlin, Ohio, site of Oberlin College, where William Hutchins became an instructor. Oberlin was a small community dedicated to evangelical ideals of righteousness and hard work, which had a lifelong influence on Hutchins. Hutchins studied at Oberlin Academy and subsequently Oberlin College from 1915 to 1917. At age 18 in 1917, shortly after the United States entered World War I, Hutchins joined the ambulance service of the United States Army, together with his brother William. The Hutchins brothers served in an all-Oberlin unit, Section 587, which for much of the war was stationed at the Allentown Fair Grounds, where they were tasked with creating a barracks. Upon subsequent deployment to Italy, Hutchins was awarded the Croce di Guerra. Returning from the war in 1919, Hutchins went to Yale University (B.A. 1921). At Yale he encountered a very different society from what he had known before at Oberlin; the tone was set by preparatory school graduates who defied Prohibition. However, Hutchins did not enjoy the same level of financial support, and in his junior and senior years, he worked menial jobs for up to six hours per day to cover living expenses. In his senior year, he was tapped for the Wolf's Head Society. Having already fulfilled his graduation requirements, he also enrolled in Yale Law School. Fascinated by the case method, Hutchins subsequently regarded this as the beginning of his true education. Shortly after his graduation in 1921, Hutchins married Maude Phelps McVeigh. They would have three daughters together, the first born in 1925. After spending a year teaching high school History and English in Lake Placid, New York, he was hired to become the Secretary of the Yale Corporation. In this position he was the principal assistant to the president of Yale, with responsibility for alumni relations and fundraising. Returning to New Haven, he also resumed his studies at Yale Law School (LL.B 1925). Upon completing his LL.B., graduating at the top of his class, he was invited to join the Yale Law faculty, teaching courses on evidence and utility law. He became acting Dean of Yale Law School in 1927, and full Dean in 1928. It was at this point, when he was the Dean of Yale Law while still in his 20s, that Hutchins became a national figure. At the time, Yale Law School was dominated by the Legal Realists and Hutchins sought to promote Legal Realism during his time as dean. Skeptical of the received rules of evidence that he had taught as a professor, he worked to integrate the findings of psychology, sociology and logic with the law. His supporters in this enterprise included William O. Douglas, who left Columbia School of Law to work under Hutchins at Yale. Hutchins played a key role in convincing the Rockefeller Foundation to fund an Institute of Human Relations at Yale, to foster partnerships between the social sciences and law and medicine.
QUESTION: Did robert pull any sports out of the schools agenda?
IN: Hermione Ferdinanda Gingold (9 December 1897 - 24 May 1987) was an English actress known for her sharp-tongued, eccentric persona. Her signature drawling, deep voice was a result of nodes on her vocal cords she developed in the 1920s and early 1930s. After a successful career as a child actress, she later established herself on the stage as an adult, playing in comedy, drama and experimental theatre, and broadcasting on the radio. She found her milieu in revue, which she played from the 1930s to the 1950s, co-starring several times with Hermione Baddeley.

Gingold's adult stage career was slow to take off. She played Liza in If at the Ambassador's in May 1921, and the Old Woman in Ben Travers's farcical comedy The Dippers produced by Sir Charles Hawtrey at the Criterion in August 1922. In 1926 Gingold divorced from Joseph. Later in the same year she married the writer and lyricist Eric Maschwitz, whom she divorced in 1945. She underwent a vocal crisis in the late 1920s and early 1930s: she had hitherto described herself as "Shakespearian and soprano", but nodules on her vocal cords brought a drastic drop in pitch, about which she commented, "One morning it was Mozart and the next 'Old Man River'". The critic J. C. Trewin described her voice as "powdered glass in deep syrup". During this period she broadcast frequently for the BBC and established herself at the experimental theatre-club the Gate Theatre Studio in London, first as a serious actress and later in the genre for which she became famous, revue. According to The Times it was in Spread It Abroad (1936) a revue at another theatre, the Saville, with material by Herbert Farjeon that she truly found her milieu. In the ten years from 1938 Gingold concentrated on revue, appearing in nine different productions in the West End. The first four were The Gate Revue (transferred from the Gate to the Ambassador's, 1939), Swinging the Gate (1940), Rise Above It (1941) and Sky High (1942). During this period she and Hermione Baddeley established a stage partnership of what The Times called "briskly sustained mock-rivalry". In June 1943 she opened in a revue at the Ambassadors, Sweet and Low, which was continually revised and refreshed over a run of almost six years, first as Sweeter and Lower and then Sweetest and Lowest. In her sketches she tended, as the writer of the shows, Alan Melville, recalled, to portray "grotesque and usually unfortunate ladies of dubious age and occasionally, morals; the unhappy female painted by Picasso who found herself lumberered with an extra limb or two ... the even less fortunate female who, after years of playing the cello in Palm Court orchestras, ended up bow-legged beyond belief." In a biographical sketch, Ned Sherrin writes, "Gingold became a special attraction for American soldiers and 'Thanks, Yanks' was one of her most appropriate numbers. During the astringent, name-dropping 'Sweet' series, she played 1,676 performances, before 800,000 people, negotiating 17,010 costume changes."
QUESTION:
What song was a popular song?