Problem: This review is like what?
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Review:Imagine that I was about to miss this great cultural event on Swedish TV last night, and it was only because my girlfriend insisted on keeping the TV on (to make it easier for her to fall asleep!) that I came across it (yes I had seen an advert for it previously but of course forgotten about it and looked forward to an 'early night'...).

Anyway - this must surely be a rather unusual idea - to base a film documentary on an interview made with sound only more than 30 years ago. But with animated and other documentary film material it adds up to a really good and insightful portrait of one of the 20th centuries' most appreciated literary artists - Georges Remy a.k.a Herge.

I for sure will read my Tintin albums with a different eye after having seen this film, which makes it easier to connect the variations in style as well as content with the different periods in Herge's life (and I can tell you that I will a.s.a.p get the few that I don't have). Of course my perception of the albums has changed over the more than 25 years that I have already been reading them, as has my view about what albums are my favourites, but this adds (at least) one more dimension to them.
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A: positive

Problem: This review is like what?
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Review:I think you would have to be from the USA to get a lot of the jokes. But if you liked Princess Bride and Forest Gump, You would like this movie. You can't compare the quality of the filming to those of course, but having the cameraman trip was obviously done on purpose. Killer Tomatoes is a hundred times better than Nepolean Dynamite. Just my opinion. I'm sure that people from France would not appreciate the caricatures of the French. So this film isn't for a world audience. And while I am not a trained film critic, I know what I like. I couldn't stop laughing through the whole movie. My sides and my jaws were hurting at the end of the movie.
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A: positive

Problem: This review is like what?
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Review:I just saw this film on DVD last night, and decided to check out the reviews this morning. It seems that "I, Robot" has polarized the critical viewing community here on IMDb (and given rise to a lot of insults and name-calling, too).

I find this somewhat surprising, as this film is not great (or even good), but neither is it terrible (or even really bad). What this film really is, is...depressing. Depressing that the US film-goer population is so ready to lap up insipid, cliched re-heats, and acclaim them as spectacular new works. This film as "retread" written all over it, from the plot line (an uneasy mix of Asimov and modern-day uber-action) to Smith's character (a smart-mouthed cynic with a backbone of titanium), to the special effects (that borrowed from Matrix and a few others).

"I, Robot" is, sadly, quite possibly the perfect action movie for today's audience: superficial plot, insipidly snappy dialog, and lots and lots of adrenaline. Smith is mediocre, but we already knew that (he seems to be Hollywood's latest unsuccessful attempt to create a black Bruce Willis). The story has lots of holes in it, of all sizes, but I don't think most people drawn to this film are critically-minded enough to notice. Perhaps a blockbuster by today's standards, but very B-movie compared to true winners.
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A: negative

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Review:This could have been the gay counterpart to Gone With The Wind given its epic lenght, but instead it satisfied itself by being a huge chain of empty episodes in which absolutely nothing occurs. The characters are uni-dimensional and have no other development in the story (there's actually no story either) than looking for each other and kissing. It's a shame that an interesting aesthetic proposition like having almost no dialog is completely wasted in a film than makes no effort in examining the psychology of its characters with some dignity, and achieving true emotional resonance. On top of that, it pretends to be an "art" film by using the worst naive cliches of the cinematic snobbery. But anyway, if someone can identify with its heavy banality, I guess that's fine.
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A:
negative