TASK DEFINITION: In this task, you're expected to write answers to questions involving multiple references to the same entity. The answer to the question should be unambiguous and a phrase in the paragraph. Most questions can have only one correct answer.
PROBLEM: Passage: By the time Etty exhibited Musidora, the theme was becoming something of a cliche, such that by 1850 it was described by The Literary Gazette as "a favourite subject for a dip of the brush". As interest in studies of Musidora waned, its role as a pretext for nude paintings by English artists was replaced by Lady Godiva, who had become a topic of increased interest owing to Alfred, Lord Tennyson's poem Godiva. After the death of William Wordsworth in 1850, James Thomson ceased to be a major influence on writers. From the 1870s his popularity with readers waned, and by the end of the 20th century his works other than Rule, Britannia! were little known.When Etty died in 1849, despite having worked and exhibited until his death, he was still regarded by many as a pornographer. Charles Robert Leslie observed shortly after Etty's death that "[Etty] himself, thinking and meaning no evil, was not aware of the manner in which his works were regarded by grosser minds". Interest in him declined as new movements came to characterise painting in Britain, and by the end of the 19th century the value of his paintings had fallen.
It is likely that the composition and style of John Everett Millais's controversial The Knight Errant was influenced by Musidora, but other than Millais, and Etty's admirer and imitator William Edward Frost, few other artists were directly influenced by Etty's work. In 1882 Vanity Fair commented on Musidora that "I know only too well how the rough and his female companion behave in front of pictures such as Etty's bather. I have seen the gangs of workmen strolling round, and I know that their artistic interest in studies of the nude is emphatically embarrassing." By the early 20th century Victorian styles of art and literature fell dramatically out of fashion in Britain, and by 1915 the word "Victorian" had become a derogatory term. Frederick Mentone's The Human Form in Art (1944) was one of the few 20th-century academic works to favourably view Musidora.
Question: What was the name of the work that was likely influenced by Musidora?

SOLUTION: The Knight Errant.

PROBLEM: Passage: There are over 20 miles (32 km) of hiking trails at Worlds End State Park. Most of the trails are rocky and steep, so hikers are encouraged to wear proper footgear and to be prepared for icy conditions during the cold winter months. As John Young writes in Hike Pennsylvania, "If you want to do some hiking in the Worlds End region, you should know that hiking here means climbing". Worlds End State Park is open during the winter months for snow mobiling and cross-country skiing. Most of the trails are too steep or rugged for either activity, but the park roads are open, as are trails on surrounding state forest lands.
Loyalsock Trail, often abbreviated LT, is a rugged 59.28-mile (95.40 km) hiking trail that stretches from near Loyalsockville, in Lycoming County on Pennsylvania Route 87 to north of Laporte in Sullivan County, just off U.S. Route 220. This trail follows the ridges and streams of the Loyalsock Creek watershed. The trail is primarily within the boundaries of Loyalsock State Forest and uses some old logging roads and abandoned railroad grades. The Loyalsock Trail was originally blazed in a yellow rectangle with a red stripe, and red can lids with a yellow "LT". Recently, the trail markers have been changed to a yellow disc with a red "LT".
Link Trail is a moderate 8.5-mile (13.7 km) trail marked with a red X on a yellow circle blaze. The trail starts at the Cabin Bridge in the park and follows Loyalsock Creek before it branches off and follows Double Run. The trail then ascends to Canyon Vista and heads out into Loyalsock State Forest where it links up with the Loyalsock Trail at the 55.33-mile (89.05 km) post. The Loyalsock Trail can be followed back for a 17.62 miles (28.36 km) long loop.
Canyon Vista Trail is a 3.5-mile (5.6 km) loop trail with blue blazes that passes through the eastern portion of the park and a stand of ash, sugar maple, and black cherry trees. This trail passes a maze-like jumble of blocky Pottsville Formation rocks known as the Rock Garden, adjacent to Canyon Vista. The vista is at an elevation of 1,750 feet (530 m) and "rewards the hiker with a spectacular view of the Loyalsock Creek gorge".
Worlds End Trail is a 3.25-mile (5.23 km) trail with yellow blazes that begins at the park office and ascends to an overlook of the swimming area. It then crosses the old Pioneer Road, which was used by some of the first settlers to the area, and enters the Loyalsock State Forest, ending at the 37.77-mile (60.78 km) post of the Loyalsock Trail, which can be followed back to the park office to make a loop 11.5 miles (18.5 km) long.
Butternut Trail is a 2.5-mile (4.0 km) trail marked with orange blazes that loops through a hardwood forest and crosses over Butternut Run. Two side trails connect Butternut Trail with the Loyalsock Trail.
Question: What is the name of the trail that crosses Pioneer Rock?

SOLUTION: Worlds End Trail.

PROBLEM: Passage: Discounting his collaboration with Dukas in the completion of Guiraud's unfinished Fredegonde, Saint-Saens wrote twelve operas, two of which are operas comiques. During the composer's lifetime his Henry VIII became a repertory piece; since his death only Samson et Dalila has been regularly staged, although according to Schonberg, Ascanio (1890) is considered by experts to be a much finer work. The critic Ronald Crichton writes that for all his experience and musical skill, Saint-Saens "lacked the 'nose' of the theatre animal granted, for example, to Massenet who in other forms of music was his inferior". In a 2005 study, the musical scholar Steven Huebner contrasts the two composers: "Saint-Saens obviously had no time for Massenet's histrionics". Saint-Saens's biographer James Harding comments that it is regrettable that the composer did not attempt more works of a light-hearted nature, on the lines of La princesse jaune, which Harding describes as like Sullivan "with a light French touch".Although most of Saint-Saens's operas have remained neglected, Crichton rates them as important in the history of French opera, as "a bridge between Meyerbeer and the serious French operas of the early 1890s". In his view, the operatic scores of Saint-Saens have, in general, the strengths and weaknesses of the rest of his music "lucid Mozartian transparency, greater care for form than for content ... There is a certain emotional dryness; invention is sometimes thin, but the workmanship is impeccable." Stylistically, Saint-Saens drew on a range of models. From Meyerbeer he drew the effective use of the chorus in the action of a piece; for Henry VIII he included Tudor music he had researched in London; in La princesse jaune he used an oriental pentatonic scale; from Wagner he derived the use of leitmotifs, which, like Massenet, he used sparingly. Huebner observes that Saint-Saens was more conventional than Massenet so far as through composition is concerned, more often favouring discrete arias and ensembles, with less variety of tempo within individual numbers. In a survey of recorded opera Alan Blyth writes that Saint-Saens "certainly learned much from Handel, Gluck, Berlioz, the Verdi of Aida, and Wagner, but from these excellent models he forged his own style.".
Question: What is the name of the person who included Tudor music he had researched in London for Henry VIII?

SOLUTION:
Saint-Saens.