Question: Dench was born in Heworth, North Riding of Yorkshire. Her mother, Eleanora Olive (nee Jones), was born in Dublin, Ireland. Her father, Reginald Arthur Dench, a doctor, was born in Dorset, England, and later moved to Dublin, where he was brought up. He met Dench's mother while he was studying medicine at Trinity College, Dublin.

On 5 February 1971, Dench married British actor Michael Williams. They had their only child, Tara Cressida Frances Williams, an actress known professionally as Finty Williams, on 24 September 1972. Dench and her husband starred together in several stage productions and on the Bob Larbey British television sitcom, A Fine Romance (1981-84). Michael Williams died from lung cancer in 2001, aged 65. They have one grandchild, Finty's son Sam Williams (born in 1997). Dench has been in a relationship with conservationist David Mills since 2010. During a 2014 interview with The Times magazine, she discussed how she never expected to find love again after her husband's death, "I wasn't even prepared to be ready for it. It was very, very gradual and grown up ... It's just wonderful." In early 2012, Dench discussed her macular degeneration, with one eye "dry" and the other "wet", for which she has been treated with injections into the eye. She said that she needs someone to read scripts to her. She also underwent knee surgery in 2013, but stated that she recovered from the procedure well and "It's not an issue for me." Dench has been critical of prejudice in the movie industry against older actresses. She stated in 2014, "I'm tired of being told I'm too old to try something. I should be able to decide for myself if I can't do things and not have someone tell me I'll forget my lines or I'll trip and fall on the set"; and "Age is a number. It's something imposed on you ... It drives me absolutely spare when people say, 'Are you going to retire? Isn't it time you put your feet up?' Or tell me [my] age." In 2013, she spoke about her personal religious faith. Dench, a Quaker, said "I think it informs everything I do ... I couldn't be without it".

Using a quote from the above article, answer the following question: Who was her second husband?
HHHHHH
Answer:

Question: Douglas Clare Fischer (October 22, 1928 - January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from which, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa".

Fischer next lived in Detroit, Michigan, whereupon, after first hearing the vocal quartet The Hi-Lo's in a live performance, he promptly offered his services. Over the next five years, Fischer recorded several albums with the group, serving as pianist and, on occasion, arranger. In addition, he contributed several vocal arrangements, making his debut in that capacity; it was these arrangements that Herbie Hancock would later point to as a major influence: [T]hat's when I really learned some much farther-out voicings - like the harmonies I used on Speak Like a Child - just being able to do that. I really got that from Clare Fischer's arrangements for the Hi-Lo's. Clare Fischer was a major influence on my harmonic concept... I heard some of his last records, and he was still doing amazing harmonic stuff. And, of course, he was a wonderful pianist, too. But it was those vocal harmonies that were the first thing I heard. I was in awe of him. When Fischer moved to Hollywood in 1958, he went to East L.A. to play and learn more about Latin-Jazz. He started in a charanga group with Modesto Duran as leader and played with many different groups. On November 2, 1959, he made a particularly fruitful connection within this genre when he appeared with the Hi-lo's at the First Annual Los Angeles Jazz Festival on the same bill with the already popular Latin jazz group led by vibraphonist Cal Tjader. Both his playing and arranging made an immediate impression on Tjader, who went on to employ Fischer in both capacities on several recordings over the next three years; the two would reunite in the mid-seventies, leading eventually to the formation of Fischer's own Latin jazz unit, Salsa Picante. In 1961, Fischer became interested in Brazilian music through the recordings of Elizete Cardoso and Joao Gilberto. This discovery, coupled with his introduction to the music of Mexican composer Mario Ruiz Armengol, led to Fischer's subsequent collaboration with Cal Tjader, a 1962 LP devoted jointly to Armengol's music and that of assorted contemporary Brazilian composers. Over the following year, Fischer collaborated on two Bossa Nova-themed LPs with saxophonist Bud Shank, and arranged another for pianist George Shearing. While with The Hi-Lo's, Fischer arranged a record by trumpeter Donald Byrd, which, by virtue of Fischer's use of strings and harps, imbued well-known standards with an unaccustomed, melancholic quality. Although it would be twenty-five years before the album was finally released, September Afternoon paid immediate dividends when Byrd played a copy for Dizzy Gillespie. In turn, Gillespie hired Fischer to write arrangements for a small ensemble featuring brass and woodwinds for his own album, A Portrait of Duke Ellington, which was well received. In 1960 albums for vibraphonist Cal Tjader and pianist George Shearing followed, as did an eight-year career of writing music for commercials, as well as the signing of Fischer's first record contract.

Using a quote from the above article, answer the following question: Is there anything of interest I should know?
HHHHHH
Answer:
While with The Hi-Lo's, Fischer arranged a record by trumpeter Donald Byrd,