input question: Select the correct sentiment of the following review: This is truly terrible: painfully irritating stylised performers screech and mug gratingly incoherent dialogues which take place in scenes which seem to have no purpose, no beginning, middle or end, cut together without any apparent narrative or even cognitive intention, all in the service of some entirely uninteresting and almost undetectable "story". What makes it worse is the film's pretentions to "style": suddenly a remote-head crane shot spirals downwards, and, without any apparent reason there are sudden whip-pans or wobblyhand-held sections: all this "style" merely serves to magnify the almost unbelievably huge misconception of the project and the almost offensive vacuity of the material. Definitely a candidate for the worst film ever made.
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output answer: negative

input question: Select the correct sentiment of the following review: This has to be some of the worst direction I've seen. The close-up can be a very powerful shot, but when every scene consists of nothing but close-ups, it loses all its impact.

Tony Scott has some very beautiful scenery to work with, the backdrops of Mexico, the cantinas, the beautiful estate where Anthony Quinn lives, and the dusty towns Costner rolls through on his journey for revenge. Unfortunately we only catch quick glimpses of these places before the camera cuts to a picture of a big, giant head. Even the transition scenes where Costner is driving alone across Mexico quickly cut to a close-up.

The score is over-dramatic and intrusive, dictating every emotion we should feel. The story itself should have been handled much better. Among other things, too many people pop up out of nowhere to help Costner along - it's just bad writing.

It's a typical thriller storyline, but many others have taken the same premise and done outstanding things with it. Costner's No Way Out had a somewhat similar storyline, but it was a much better movie.

The ending was completely anticlimactic and suffered from the most melodramatic scoring of the film. This movie was never going to be great, but if we saw more of Mexico and less of giant heads this film might have been watchable.
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output answer: negative

input question: Select the correct sentiment of the following review: I cannot believe that I wasted five hours of my life on this rubbish. The previous five day offering by this author was highly enjoyable and I was really looking forward to this. But most of the dialogue was completely incomprehensible. Suranne Jones was the principal culprit since she either mumbled or gabbled her lines, but most of the rest of the cast followed her example. Notable exceptions were Bernard Hill and Anne Reid, old stagers whose diction was exemplary. Do producers not listen to productions before they are aired to make sure the dialogue is audible? As a result I suppose I lost track of what was going on, and since the original plot line seemed to metamorphose into to the standard them-and-us thing between Muslims and the rest I soon lost interest. The ending was a complete anti-climax. A complete dud.
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output answer:
negative