In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: jerry springer has got nothing on " wild things .
"
john mcnaughton 's new thriller tackles more tawdry themes in less than two hours than springer 's notoriously sleazy talk show broadcasts in two weeks -- bisexuality
, threesomes , poolside catfights , slutty rich bimbos , even redneck gator - wrestling , they 're all part of the movie 's raucous , complex storyline .
but even trash
tv topicality ca n't drag " wild things " down -- this crazy campfest
plays like something you 'd find late - night on the usa network , only infinitely more palatable and with a solid ensemble cast .
despite a smattering of needless scenes ( most of them sexual in nature ) , there 's wicked fun to be had here .
" wild things " would be a guilty pleasure , only there 's no guilty feeling involved in having a good time with it .
high school guidance counselor sam lombardo ( matt dillon ) is well - liked in the town of blue bay , especially by pretty , popular kelly van ryan ( denise richards ) , whose family name is among the florida yachting enclave 's most financially prominent .
hoping to take her crush to a physical level , kelly seductively slinks into lombardo 's house after washing his jeep for a fundraiser , but , the very next day , tearfully admits to her trollop mother ( theresa russell ) that she was raped .
before long , blue bay detectives ray duquette ( kevin bacon ) and gloria perez ( daphne rubin - vega ) are listening to similar allegations from kelly 's rebel classmate suzie toller ( neve campbell ) .
lombardo , who maintains his innocence , hires neck brace - sporting , opportunistic lawyer ken
bowden ( bill murray ) to defend him in court .
the previews give away the following revelations , so if you have n't seen any of the movie 's spots on the television or in the theater , you might want to skip to the next paragraph .
while cross - examining suzie on the witness stand , bowden gets her to break down and admit that the alleged rapes never took place -- that kelly had concocted this entire scheme because she was angry that lombardo was sleeping with her mother and not with her .
to pay lombardo for the damages , kelly 's mother breaks her daughter 's trust fund and gives him $ 8 . 5 million .
but lombardo , kelly and suzie are actually all working together , and plan to take the money and run as fast as they can .
duquette and perez , however , begin to suspect that there 's more afoot to the case than just false accusations .
if there 's a major drawback to " wild things , " it 's that it 's oversexed to a fault .
the much - talked - about hotel room menage - a - trois between dillon , campbell and richards is a turn - off .
it 's also cut short ( sorry , guys ) , and should have been cut shorter -- the movie grinds to a halt for pure titillation once too often .
what we do n't see is far more effective than what we do .
another example of this is kevin bacon needlessly going the full monty in a shower scene .
er , no thanks .
also , bacon 's duquette feels simultaneously underdeveloped and overwritten .
daphne rubin - vega , from broadway 's " rent , " tries to compensate for a superfluous character .
theresa russell is just plain wooden .
and when , in the end , all is out in the open , ask yourself if certain scenes involving these three were really necessary .
but what keeps the movie from being
throwaway junk is an engaging chain of surprises
( some predictable , some not ) that never seems to end .
" wild things " has more twists than a crate full of corkscrews , and most are so gleefully , over - the - top nasty that you ca n't help but be charmed by their absurd showmanship .
a great deal of amusement also comes from watching bill murray in a supporting part that appears to have been written for his sly comedic talent ;
murray 's a stitch , especially when pulling up beside the van ryan limo after winning lombardo 's case and flipping them off .
and do n't leave when the closing credits hit the screen , or you 'll miss the film 's best part -- four bonus flashbacks that smooth over plot holes while offering a few more tiny turns , plus a final scene that caps everything off with a great stunner of a bombshell .
speaking of bombshells , denise richards , who plays almost every scene in a blue bikini top , does the teen tease thing with a malicious allure that she was never allowed to flaunt in " starship troopers .
"
matt dillon flexes
his sleepy - voiced sex appeal , and pulls off personality changes with chameleonic precision .
neve campbell ,
lovely as ever except when sporting a blond wig , gives suzie a vengeful vulnerability that makes her the most interesting member of the conspiring trio .
re - edited and toned down a bit , the dynamics between these three actors could have carried the film to greater lengths .
but what we 're given works well enough .
" wild things " is highly entertaining and , indeed , very wild .
[EX A]: P

[EX Q]: robert altman 's cookie 's fortune is that rare movie that does not depend on sentimentality to be uplifting and to make its viewers feel good .
it is a sunny , delightful , dreamy comedy , filled with lovely performances , skillful direction and topped off with an understated , clever , extraordinary script .
as this is an ensemble piece , it is forced to start of slowly as it introduces us to its characters , all of them residing in a southern town called holly springs .
first we meet willie ( charles s. dutton ) , an honest man with a slight drinking habit .
we then see that willie takes care of an elderly lady nicknamed cookie , who is slowly losing her grip on sanity and is being filled with loneliness , despair , and want of her dead husband .
we cut to camille ( glenn close ) who is obsessively directing a play with her sister cora ( julianne moore ) .
then we briefly get acquainted with emma ( liv tyler ) , an apparent relative of cookie , who is a down - but - not - out teen outcast , still full of love and hope even though she has no real place to live .
we also fleetingly see emma 's lover jason ( chris o'donnell ) , an ambitious but far too excitable young cop .
we are now about one quarter through the two hour picture , and robert altman decides that it is time to set the plot in motion .
we see the ecstatic cookie stare hopefully at a picture of her husband .
she exclaims " here i come ! " and then puts a pillow to her face and shoots herself .
soon after , her niece camille stops by to get a fruit salad bowl , comes upstairs , finds cookie dead and flips out .
convinced that suicide is a disgrace and that she will have none of that in her family , she eats the suicide note and convinces her slightly slow ( yet sweet ) sister that it was a murder .
she makes sure that she stages it like a murder as well ; scattering jewelry all over the floor , breaking a few cabinets , windows and doors , and then throwing the gun out in the back yard .
the only reasonable suspect is willie , who immediately gets taken into custody , and put in a jail cell
( they all know he did n't do it , so the cell stays open and he plays scrabble with the sheriff and the faithful emma ) .
meanwhile , the unperturbed camille continues her none - too - subtle manipulations trying to further cover up for the murder while at the same time making her easter play a success .
so begins cookie 's fortune , a film aptly described by critic scott renshaw as " a southern spin on fargo , " except that this one is far funnier and much more enjoyable than the coen brothers ' darker , somewhat disturbing and slightly overrated escapade .
robert altman 's slight picture is in some ways reminiscent of something like midnight in the garden of good and evil as well , in that both films focus ( on and off ) on the eccentricities of the residents in a southern us town .
indeed , most of the characters in cookie 's fortune are loads of fun to observe , and a portion of them are fascinating and surprisingly multi- dimensional .
glenn close turns in an insubstantial ( in terms of her career ) but magnificent performance
as the conniving camille and is also the source of a good portion of the many laughs that we enjoy in this movie , and she is perfectly cast as the prolific " aunt alexandria " character , endlessly obsessed with family dignity .
the equally essential role of willie is handled with an intangible grace by veteran thespian charles
s. dutton
( mimic , a time to kill ) there is nothing like a movie which leaves you feeling all warm and fuzzy
inside hours , even days after the film ends .
cookie 's fortune is such a movie .
i loved the light , kindhearted approach altman ( whose last project was the dark , intense drama the gingerbread man ) took towards the tricky subject matter .
i enjoyed the talented ensemble cast .
i even liked the trite " in the south everybody is related to everybody " cliche that is inevitably employed by the time this movie draws to a close .
i 'm not sure
why cookie 's fortune had such an all - around pleasing effect on me .
perhaps it 's that good ol' southern charm .
[EX A]: P

[EX Q]: before the remake of psycho appears , we 've got to suffer through this remake of an earlier hitchcock film , dial m for murder .
as usual , hollywood has filled it with glitz and big name stars , and it all amounts to a loud sounding nothing .
the film opens with emily ( paltrow ) and david ( viggo mortensen ) '
having fun ' in an loft apartment .
the problem is , paltrow is married to stephen ( douglas ) , who is not too happy when he discovers this affair .
if i was paltrow , though , i 'd definitely go with mortensen .
less wrinkles .
anyhow , stephen approaches david with an interesting proposition : he 'll pay him to kill his lovely wife .
mortensen agrees , but the murder goes awry , and the twists keep on coming as the film progresses .
unfortunately , the film dosen't progress very fast . in fact , it moves like a tortoise with arthritis ( read : very , very s - l - o - w . )
the plot moves nowhere fast , and only becomes exciting in very short bursts .
not too good for a ' thriller . '
also , the performances , apart from douglas , are below par .
paltrow , showing immense talent in se7en ( 1995 ) and sliding doors ( 1997 ) is strangely stilted , even unconvincing , in this movie .
mortensen is a little bit better , coming across as a younger douglas , but his role is n't meaty enough to show all his talent . which leaves douglas to waltz away with the film , which is does .
however , i doubt douglas finds it very hard to play a stogie smoking , drinking womanizer with a creepy underside .
also popping up in the film is david suchet , playing a shifty looking detective .
again , it 's not a character we 're seeing on the screen , it 's david suchet .
the director , who bought us the fugitive , piles on all the flash techniques , such as zoom - in 's , quick cuts , etc .
the lighting is also interesting . however , looks ca n't save this film from the depths of mediocre , and the film seemed to work better in a single set anyway .
the screenplay is o .
k ,
but there 's some hackneyed sub - plot about douglas being a ruthless player on wall street ( again ) and
the ending is surprisingly stupid and cliched .
the characters also make incredibly dumb moves , especially paltrow , and stephen appears to lose all intelligence in the last reel .
with a combination of no tension , drama , or decent characters , a perfect murder is a failure all round , and an incredible disappointment .
there are a few bright moments , but they are far and few between .
the last thing a thriller should be is boring , and although the film just barely manages to keep your interest thanks to michael douglas , you would n't be missing anything if you decided not to watch a perfect murder .
overall rating= review by david wilcock ?
1998
" you know , for kids " - norville barnes
[EX A]:
N