input: Auchinleck continued as Commander-in-Chief of the Indian Army after the end of the war helping, though much against his own convictions, to prepare the future Indian and Pakistani armies for the Partition of India: in November 1945 he was forced to commute the more serious judicial sentences awarded against officers of the Indian National Army in face of growing unease and unrest both within the Indian population, and the British Indian Army. On 1 June 1946 he was promoted to field marshal, but he refused to accept a peerage, lest he be thought associated with a policy (i.e. Partition) that he thought fundamentally dishonourable. Sending a report to British Government on 28 September 1947 Auchinleck wrote: "I have no hesitation, whatever, in affirming that the present Indian Cabinet are implacably determined to do all in their power to prevent the establishment of the Dominion of Pakistan on firm basis." He stated in the second, political part of his assessment, "Since 15th August, the situation has steadily deteriorated and the Indian leaders, cabinet ministers, civil officials and others have persistently tried to obstruct the work of partition of the armed forces." When partition was effected in August 1947, Auchinleck was appointed Supreme Commander of all British forces remaining in India and Pakistan and remained in this role until the winding up and closure of the Supreme H.Q. at the end of November 1948. This marked his effective retirement from the army (although technically field marshals in the British Army never retire, remaining on the active list on half pay). He left India on 1 December. After a brief period in Italy in connection with an unsuccessful business project, Auchinleck retired to London, where he occupied himself with a number of charitable and business interests and became a respectably skilled watercolour painter. In 1960 he settled in Beccles in the county of Suffolk, remaining there for seven years until, at the age of eighty-four, he decided to emigrate and set up home in Marrakesh, where he died on 23 March 1981.

Answer this question "What did Auchinleck do during his later years?"
output: Auchinleck continued as Commander-in-Chief of the Indian Army after the end of the war

Question: Stephen Arthur Stills (born January 3, 1945) is an American singer, songwriter, and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. Beginning his professional career with Buffalo Springfield, he composed one of their few hits "For What It's Worth," which became one of the most recognizable songs of the 1960s. Other notable songs he contributed to the band were "Sit Down, I Think I Love You

Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse on the streets of LA and flagged him down, a meeting described in a recent solo track "Round the Bend." The band would release three albums: Buffalo Springfield, Buffalo Springfield Again, and Last Time Around, and enjoy only one hit single, the Stills-penned "For What It's Worth" before disbanding. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. During the disintegration of Buffalo Springfield, Stills played on the Super Session album with Al Kooper and joined up with David Crosby, who had recently been ejected from the Byrds in the autumn of 1967. At a party in Laurel Canyon, Crosby was introduced to Graham Nash by a mutual friend, Cass Elliot (formerly of the Mamas and the Papas), and Nash found himself soon joining in singing with Crosby and Stills. Renditions of the latter's "You Don't Have to Cry," led to the formation of Crosby, Stills & Nash. Several of Stills's songs, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry" on the debut album were inspired by his on-again-off-again relationship with singer Judy Collins. In a 1971 interview in Rolling Stone the interviewer noted, "so many of your songs seem to be about Judy Collins." Stills replied, "Well, there are three things men can do with women: love them, suffer for them, or turn them into literature. I've had my share of success and failure at all three." The cover photo pictured on the debut was taken on the back porch of a house in West Hollywood, which was torn down the next day. Wanting to be able to tour and needing additional musicians, the band invited Neil Young to join them for their subsequent tour and second album to make the group the quartet Crosby Stills Nash & Young. Having played at the Monterey Pop Festival with Buffalo Springfield, and both Woodstock and Altamont with CSNY, Stills performed at all three of the iconic U.S. rock festivals of the 1960s.

Using a quote from the above article, answer the following question: Did the group ever break up?
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Answer:
During the disintegration of Buffalo Springfield, Stills played on the Super Session album with Al Kooper and joined up with David Crosby, who had recently been