Problem: Cheri Honkala was born in Minneapolis, Minnesota, in 1963. Her father, Maynard Duane Honkala, was of Finnish ancestry, and her mother had Cheyenne Native American ancestry. She grew up watching her mother suffer from domestic violence. Honkala's mother quietly endured this abuse for fear of losing her kids.

Honkala was one of two women profiled in Pulitzer Prize-winning journalist David Zucchino's book, The Myth of the Welfare Queen (1999). According to one review, Honkala, as depicted in the book, "helps create a tent city to protest welfare cuts, joins the occupation of an abandoned church and the takeover by protesters of empty houses owned by HUD. She tirelessly seeks publicity for her cause, battles with bureaucrats, and rallies and comforts fellow protesters." She was the subject of Chapter 6, "Using Economic Human Rights in the Movement to End Poverty: The Kensington Welfare Rights Union and the Poor People's Economic Human Right Campaign" by Mary Bricker-Jenkins, Carrie Young and Honkala, in the book Challenges in Human Rights: A Social Work Perspective, edited by Elizabeth Reichert (2007). She was also briefly profiled in Katherine Martin's book Women of Courage: Inspiring Stories from the Women who Lived Them (1999). Since the mid-1990s Honkala has been extensively documented by photographer Harvey Finkle. A YouTube video was created consisting of many of Finkle's photos of Honkala and of other poor people. She also wrote the introduction to Finkle's book of photographs of the urban poor, Urban Nomads: A Poor People's Movement (1997). One of the last photos taken by the late photographer Richard Avedon (1923-2004) was a portrait of Honkala for the series Democracy 2004, which appeared in an October 2004 issue of The New Yorker magazine. Interviews and articles on Honkala have appeared in numerous print and online publications, including The Village Voice, The Philadelphia Inquirer, Philadelphia Weekly, Yes! magazine, Salon, Truthdig and The Nation.

How does David Zucchino describe Cheri Honkala in his book ?

Answer with quotes: She tirelessly seeks publicity for her cause, battles with bureaucrats, and rallies and comforts fellow protesters."

Problem: Oklahoma! is the first musical written by the team of composer Richard Rodgers and librettist Oscar Hammerstein II. The musical is based on Lynn Riggs' 1931 play, Green Grow the Lilacs. Set in Oklahoma Territory outside the town of Claremore in 1906, it tells the story of farm girl Laurey Williams and her courtship by two rival suitors, cowboy Curly McLain and the sinister and frightening farmhand Jud Fry. A secondary romance concerns cowboy Will Parker and his flirtatious fiancee, Ado Annie.

The following year, James Hammerstein directed a production at the Haymarket Theatre, Leicester, in January 1980, produced by Cameron Mackintosh. The De Mille choreography was again adapted by de Lappe. A UK tour followed, and it eventually settled in the West End, opening at the Palace Theatre, London, on September 17, 1980, and running until September 19, 1981. This production starred John Diedrich as Curly and Alfred Molina as Jud Fry, both of whom were nominated for Olivier Awards. Rosamund Shelley played Laurey, and Madge Ryan was Aunt Eller. The production was Maria Friedman's debut in the West End, initially in the chorus role of Doris, but she was eventually promoted to the leading role. John Owen Edwards was the musical director. He would later reprise his work for Mackintosh's 1998 London revival. A cast recording of this production was issued by JAY Records and on the Showtime! label. A new production of the musical was presented by the National Theatre in London at the Olivier Theatre, opening on July 15, 1998. The production team included Trevor Nunn (director), Susan Stroman (choreographer) and William David Brohn (orchestrator). The international cast included Hugh Jackman as Curly, Maureen Lipman as Aunt Eller, Josefina Gabrielle as Laurey, Shuler Hensley as Jud Fry, Vicki Simon as Ado Annie, Peter Polycarpou as Ali Hakim and Jimmy Johnston as Will Parker. Musical director John Owen Edwards, Brohn and dance arranger David Krane adapted Robert Russell Bennett's original orchestrations and extended some of the dance sequences. A brand new Dream Ballet was composed for Susan Stroman's new choreography and the dances to "Kansas City", "Many a New Day" and "The Farmer and the Cowman" were all radically redesigned. The overture was also altered, at the request of Nunn. The production received numerous Olivier Award nominations, winning for Outstanding Musical Production, supporting actor (Hensley), set design (Anthony Ward) and choreography (Stroman). According to the Rodgers & Hammerstein Organization, the limited engagement was a sell-out and broke all previous box office records, and so the show was transferred to the Lyceum Theatre in the West End for a six-month run. Plans to transfer to Broadway with the London cast were thwarted by Actors' Equity, which insisted that American actors must be cast. Eventually a U.S. cast was selected. The production was filmed and issued on DVD, as well as being broadcast on U.S. Public Television in November 2003.

what happened in 1998?

Answer with quotes: A new production of the musical was presented by the National Theatre in London at the Olivier Theatre,

Problem: Hooper was born on August 24, 1887, in Bell Station, California. His family had migrated to California as many other families from the United States due to the California Gold Rush. His father, Joseph "Joe" Hooper, was born in Morrell, Prince Edward Island in Canada. Joe was the fourth child and second boy born to English-born William Hooper, Harry's grandfather, and his Portuguese wife Louisa.

Before the 1921 season, the media questioned whether Hooper would re-sign with the Red Sox for the coming season, saying that Hooper may have been disappointed not to be given an opportunity at manager. Since 1919, Red Sox owner Harry Frazee had been getting rid of expensive veteran players in what has been called a "fire-sale". Hooper was traded to the Chicago White Sox in March 1921 in exchange for Shano Collins and Nemo Leibold. Newspaper accounts said that Hooper had not been warned about the trade, that he would demand a higher salary from the White Sox and that he was prepared not to play unless the team met his demands. Hooper had some of his best offensive production with the White Sox. He hit over .300 in three out of the five seasons he spent with the team and he hit a career-high 11 home runs and 80 runs batted in during the 1922 season. In 1922 and again in 1924, Hooper was involved in eight double plays, which led the league for outfielders in both of those seasons. In 1925, Hooper asked for his release from Chicago so that he could pursue a position as a manager. Hooper was a career .281 hitter with 75 home runs, 817 RBI, 1429 runs, 2466 hits, 389 doubles, 160 triples, and 375 stolen bases in 2309 games. He holds the Red Sox franchise records for most triples (130) and stolen bases (300), as well as Fenway Park records for triples (63) and stolen bases(107). Hooper is only one of two players (Heinie Wagner being the other) to be a part of four Red Sox World Series championships. He hit better than .300 five times in his career and compiled a .293 batting average (27-92) in four World Series appearances.

Are there any other interesting aspects about this article?

Answer with quotes:
Hooper was a career .281 hitter with 75 home runs,