input: Even though the band members were exhausted from two long years of international promotion, they could hardly believe how successful they had become. In April 1994, an obsessed German fan broke into the Berggren family home, brandishing a knife. After managing to restrain her, the band decided they needed bodyguards. However, they were unable to take time to reflect before starting work on a second album because their record companies all over the world were demanding a swift follow-up. To speed up the process, instead of Jonas and Ulf writing the bulk of the album, each member was encouraged to submit their own tracks for consideration. In the end, 17 tracks made the cut of the second album, titled The Bridge. It marked a considerable change of direction in sound; out were the reggae and club sounds that made the group so popular in favor of a more experimental sound and several ballads. The lead single, "Lucky Love", however, was a mainstream pop record, and upon its release in October 1995, it became the band's first No. 1 single in Sweden. This came as a pleasant surprise to the members, as they had found that their fellow Swedes had been their harshest critics. It charted at a more modest No. 13 in Germany, No. 20 in the United Kingdom and No. 30 in Australia. Arista Records instead opted for the pulsating dance beat of "Beautiful Life" for the first single in the US, where it peaked at No. 15. "Beautiful Life" was released as the second single from the album in most countries, reaching No. 15 in the UK and No. 11 in Australia, while "Lucky Love" was remixed in a new acoustic form along with a new video for the second US single from the album, peaking at No. 30. The Bridge was certified platinum in 14 countries, but the phenomenal success of the band's first album proved difficult to follow. "Never Gonna Say I'm Sorry" was released as the third single from the album and achieved moderate success in Europe, but it failed to chart on the Hot 100 in the US. In February 1996, the band performed at the Vina del Mar Festival de la Cancion in Chile, topping the bill alongside 2 Unlimited.

Answer this question "What other songs were there?"
output: Arista Records instead opted for the pulsating dance beat of "Beautiful Life" for the first single in the US, where it peaked at No. 15.

Question: The Beach Boys are an American rock band formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis, and Carl Wilson; their cousin Mike Love; and their friend Al Jardine. Distinguished by their vocal harmonies and early surf songs, they are one of the most influential acts of the rock era. The band drew on the music of jazz-based vocal groups, 1950s rock and roll, and black R&B to create their unique sound, and with Brian as composer, arranger, producer, and de facto leader, often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.

Recorded in the wake of California Music's demise, a supergroup that would have involved Brian Wilson, Bruce Johnston, and record producer Terry Melcher, 15 Big Ones (1976) marked Brian's return as a major force in the group. The album included new songs by Brian, as well as cover versions of oldies such as "Rock and Roll Music", "Blueberry Hill", and "In the Still of the Night". "Rock and Roll Music" peaked at No. 5 in the U.S. Brian and Love's "It's O.K." was in the vein of their early sixties style, and was a moderate hit. The album was publicized by an August 1976 NBC-TV special, simply titled The Beach Boys. The special, produced by Saturday Night Live (SNL) creator Lorne Michaels, featured appearances by SNL cast members John Belushi and Dan Aykroyd. The album was generally disliked by fans and critics upon release. During its sessions, Brian's production role was belittled as group members overdubbed and remixed tracks to fight against his desire for a rough, unfinished sound. Carl and Dennis disparaged the album to the press while Brian admitted, "[Undoubtedly] the new album is nothing too deep", but remained hopeful that their next release would be on par with the group's "Good Vibrations". For the remainder of 1976 to early 1977, Brian spent his time making sporadic public appearances and producing the band's next album The Beach Boys Love You (1977), a quirky collection of 14 songs mostly written, arranged and produced by Brian. Brian later called Love You one of his favorite Beach Boys releases, saying that "That's when it all happened for me. That's where my heart lies." Jardine credited Carl and Dennis with having "the most to do with that album ... [they were] paying tribute to their brother." Love You peaked at No. 28 in the UK and No. 53 in the US and developed a cult following; regarded as one of the band's best albums by fans and critics alike, and an early work of synthpop. Referring to "naysayers" of the album, the underground fanzine Scram wrote, "Fuck [them] ... [the album showcases] a truly original mix of humor and sadness. The original numbers always dance just a step away from the cliche, dealing with simple lyrical themes that make you wonder why they had never been explored before." The A.V. Club - considering the album in "the same vein" as Tonight's the Night (1975), Pussy Cats (1974), The Madcap Laughs (1970), and Barrett (1970) - described Love You as: "something almost desperately optimistic ... Wilson sings frayed songs about roller-skating, road-tripping, and Johnny Carson - like a frazzled man sitting in a corner chanting 'calm blue ocean' over and over. It's a beautiful, noisy, funny, heartbreaking work of art - one not for everybody, yet vital for anyone who wants to understand Wilson's overall worldview."

Using a quote from the above article, answer the following question: what is 15 big ones?
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Answer:
The album