IN: Jean was born in Croix-des-Bouquets, Haiti. In 1982, he immigrated with his family as a thirteen-year-old boy to the United States; after living in Brooklyn, New York, they settled in East Orange and Newark, New Jersey. He began to make music as a child and has cited reggae artist Bigga Haitian as one of his early influences, as well as neighborhood heroes MC Tiger Paw Raw and producer Lobster v. Crab. His mother recognized his musical talent and bought him a guitar when he was in his teens; he played music to earn respect.

Jean announced plans to begin a solo career with 1997's Wyclef Jean Presents the Carnival Featuring the Refugee All-Stars (generally called The Carnival). The album's guests included Lauryn Hill and Pras along with Jean's siblings' group Melky Sedeck; the I Threes (back-up vocals for Bob Marley); The Neville Brothers and Celia Cruz. The album was a hit, as were two singles: "We Trying to Stay Alive" (adapted from the Bee Gees' "Stayin' Alive") and "Gone Till November" (recorded with the New York Philharmonic Orchestra). Released in 2000, Jean's second solo album The Ecleftic: 2 Sides II a Book was recorded with guests including Youssou N'Dour; Earth, Wind & Fire; Kenny Rogers; The Rock; and Mary J. Blige. With Blige he released "911" as a single. He was nominated for Best Hip-Hop Act at the 2000 MTV Europe Music Awards. Following the terrorist attacks of September 11, 2001, Jean participated in the benefit concert America: A Tribute to Heroes contributing a cover of the Bob Marley song "Redemption Song". His third album, Masquerade, was released in 2002. His fourth album, The Preacher's Son, was released in November 2003 as the follow-up to his first solo album, The Carnival. In 2004, he released his fifth album, Sak Pase Presents: Welcome to Haiti (Creole 101) (released in the United States by Koch Records). Most of its songs are in his native language of Haitian Creole like "Fanm Kreyol" with the French Caribbean Admiral T. He also figured on the album Mozaik Kreyol of this one in the song "Secret Lover". Then he covered Creedence Clearwater Revival's song "Fortunate Son" for the soundtrack of the 2004 film remake of The Manchurian Candidate and wrote the song "Million Voices" for the film Hotel Rwanda. Jean also produced and wrote songs for the soundtrack to Jonathan Demme's 2003 documentary The Agronomist, about the Haitian activist and radio personality Jean Dominique. With Jerry 'Wonder' Duplessis, Jean also composed the score of the documentary Ghosts of Cite Soleil, He helped produce the film and he appears briefly onscreen speaking by telephone in 2004 to a "chimere" gang-leader and aspiring rapper, Winston "2Pac" Jean.
QUESTION: What happened after Jean released his first solo album?
IN: The Golden Hill Paugussett is a state-recognized Native American tribe in Connecticut. Granted reservations in a number of towns in the 17th century, their land base was whittled away until they were forced to reacquire a small amount of territory in the 19th century. Today they retain a state-recognized reservation in the town of Trumbull, and have an additional reservation acquired in 1978 and 1980 in Colchester, Connecticut. They descend from the historic Paugussett, an Algonguian-speaking nation who historically occupied much of western Connecticut prior to the arrival of European colonists.

According to Bridgeport City Historian Charles Brilvitch's history of the Golden Hill tribe, beginning in the 1820s a number of Paugussett, under the leadership of Joel Freeman, a Turkey Hill Indian from Derby, relocated to Bridgeport. They settled in the city's South End. The area became known as Ethiope or Liberia. While this community consisted substantially of residents who identified as Paugussett, it included Natives from the Mahican, Shinnecock, Nehantic, and Munsee-Delaware nations as well. Freeman was followed by two of his sisters, Mary and Eliza, who built houses in 1848 that are still standing. They have been listed in the National Register of Historic Places. During the antebellum period, the Paugussett and other Native Americans achieved a substantial degree of economic success. Many of the men worked on whaling ships and West Indies trading vessels, while many women residents worked as cooks and waitstaff on the steamboats plying Long Island Sound and the Hudson River. Two churches, a Masonic lodge, resort hotel, school and other community institutions were built in the village. Only one individual named "Joel Freeman" was recorded in Census and vital records of the state of Connecticut during this period. Nevertheless, the Bureau of Indian Affairs disputed whether the man who led the Ethiope-Liberia community was the same individual listed as a signatory on Turkey Hill Indian deeds. Because the National Register of Historic Places nomination for the Mary and Eliza Freeman Houses identified the builders as African Americans, the BIA disputed whether the sisters and Joel Freeman could be considered members of the Paugusset community. However, Charles Brilvitch, who ironically had authored the 1998 nomination, maintains that his African American identification was merely a mistaken attempt to interpret the term "colored" used in documents of the period The confusion about cultural identification as Native Americans has affected other communities that have worked to demonstrate cultural continuity. Native American nations were used to absorbing people of other ethnicities and intermarried with neighbors. There has been disagreement among groups over an interpretation of the term "mulatto," which has a primary association of African-European mixed race but has frequently been applied to other people of color.
QUESTION:
Which area is this?