Problem: Given the question: Build a movie plot around this: What are the names of the two angels Damiel and Cassiel,
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The answer is:
Note: This film was shot in black/white and color. The Angels cannot see color. Therefore, when the shot is from the angels' point of view, the shot is black and white, and when the shot is from a human point of view, it is in color. There is much poetic language used in this film that simply cannot be properly conveyed.Damiel (Bruno Ganz) is writing on a paper, When the child was a child. He goes through a series of statements about when children were children: what they thought, how they acted, etc. Then, the opening credits appear. It fades to a scene of the sky, then a close-up of a human eye, then a bird's eye view of Berlin.Damiel is looking over the city from atop a large statue. He has wings, but they disappear only a few seconds into the scene. He can hear the people below, but only the children can see him. There is a quick shot of a flapping wing, and then we see one man walking with a baby. While we see this, Damiel speaks about wanting to see color and feel alive.We hear the thoughts of a woman on a bicycle. Damiel is on an airplane, passing through the aisle. He stops to see a little girl. Then, he focuses on Peter Falk (as himself). People's voices are heard.Peter talks to himself about the writer's block he is having over his script. Peter speaks in English. A shot of Berlin is shown from the airplane's view. We hear various radio stations as we see the radio tower over Berlin. The camera pans into an apartment, and we hear various people's thoughts. Many of the things we hear are typical thoughts, or people's problems.Again, Damiel starts to think, When the child was a child. This time he is wondering what children think about. We follow Damiel around his daily routine. First, we fly once more over the city, listening to an ambulance. Then we see the pregnant woman inside the ambulance. We hear the pregnant woman's thoughts. Then, we hear the thoughts of the people in the cars around the ambulance.Damiel sits in a car with Cassiel (Otto Sander). They discuss their log books for the day. As...
input question: Build a movie plot around this: Who catches the boys to take them back to the base? General Nelec and Military Officers???
output answer: The film starts in February of 1979, at a steel plant in Lillian, Ohio. Elizabeth Lamb (Caitriona Balfe) has been killed in an accident. Though their family and friends are sad for her husband, Deputy Jackson Lamb (Kyle Chandler), their main concern is Joe Lamb (Joel Courtney), Elizabeth and Jackson's son. Joe was more attached to his Mom than his Dad, who was never really been there for his son.Later at the Lamb's house, Louis Dainard (Ron Eldard) pays a visit. Jackson blames Louis for his wife's death, and forces him out of the house and puts him in his squad car. As Joe watches his father take Louis away, his gaze shifts to a silver locket in his hand.Four months later, the local Middle School lets out for the summer. Joe's friend Charles (Riley Griffiths) has been shooting a Super 8 film for a film festival in Cleveland. Charles has rewritten the the story so that the detective now has a wife. Joe is unsure about this last-minute rewrite, but when Charles tells him that he has gotten Alice Dainard for the part (Elle Fanning), he becomes less-concerned. The two then promise to rendezvous later that night to film their scene, with plans for Alice to drive them.Arriving home, Joe meets up with his Dad who takes him out for dinner. Jackson Lamb wants his son to attend a baseball camp for the summer, but Joe explains that he wants to help Charles finish his film. Both reach a impasse, having little more to say on the matter.Later that evening, Joe goes to meet Charles and the rest of their crew: Cary (Ryan Lee), Preston (Zach Mills), and Martin (Gabriel Basso). When Alice shows up in her Dad's Buick Skylark, she's concerned that 'the Deputy's Son' knows she's driving without a license. Joe promises not to tell, and Alice reluctantly allows him along for the ride.The group arrives at the Lillian Train Station, where Charles intends to shoot a scene with Martin as the detective of his story, trying to get his wife (aka Alice) to leave because of a zombie infection.Joe is smitten with Alice, who shocks the guys...
Build a movie plot around this: Where is the body of Joe Gillis? Swimming Pool
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Answer: The film opens with the camera tracking down Sunset Boulevard in Los Angeles, California as police cars begin racing down it. The lifeless body of a young man, Joe Gillis (Holden) floats in the swimming pool of a palatial mansion. As the police begin converging on the house Joe's voice narrates, in flashback style, the events leading up to his own murder.Six months earlier, Joe was down on his luck, unable to find work as a screenwriter, having only made a few undistinguished films in his short career. Broke and on the verge of having his car repossessed, with no other options except a low-paying newspaper job in Ohio, Joe tries to persuade Paramount Pictures producer Sheldrake (Clark) to buy his most recent script, but fails after script reader Betty Schaefer (Olson) gives Sheldrake a harsh critique of the script in her summation. Joe then tries unsuccessfully to borrow money from his friends. Fleeing from repossession men in his car, one of Joe's tires blows out in front of a large and seemingly deserted mansion on Sunset. Hiding the car in the garage, he sets out to explore the decaying house, when a woman inside calls to him. Mistaken for the undertaker to a recently deceased pet chimpanzee, he is ushered in by the mysterious butler, Max Von Mayerling (Von Stroheim). Meeting the woman who owns the house, he recognizes her as long-forgotten silent-film star Norma Desmond (Swanson). When she learns that he is a writer, she invites him in and asks for his opinion on an immense script she has written for a film about Salome that she hopes will revive her faded acting career. Although Joe finds the script awful, he flatters Norma into hiring him as an editor.Joe is put up in her guest room. The next morning he objects when he sees that Max has moved his belongings to the mansion on Norma's orders, and that she has paid his overdue rent. Though he hates being dependent on her, he accepts the situation and begins living at the mansion, first in a room over the garage, then in the mansion itself. As he works on...
Please answer this: Build a movie plot around this: Who is Cashril Plus' father? Faith47
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Answer:
What happens when a nation, ravaged by government-enforced oppression, breaks loose from its shackles and takes hold of its own destiny? Is the transition from tyranny to democracy smooth? Are inequities ameliorated? When neighbors fenced within barbed wire security gates fear neighbors living in shack huts, how does a shattered society congeal? How does one look a passing stranger in the eye?The Creators introduces the intricate reality of modern day South Africa through the eyes of its artists. Weaving through the lives of Faith47 (street art), Warongx (afro-blues), Emile Jansen (hip hop), Sweat.X (performance art), Blaq Pearl (spoken word) and Mthetho Mapoyi (opera), the film culminates in an intertwined story exploring the lives of its creators. Born into separate areas of the formerly-segregated country, the artists recraft history -- and the impacts of apartheid -- in their own artistic languages.The story begins in the mind of Cashril Plus, an eleven year old animator and son of graffiti artist Faith47. Through Cashril's eyes, we see his mother paint in the streets and forgotten townships haloing Cape Town.We soon enter the townships with Ongx, an afro-blues artist and the first place winner of a national music competition with Africa's largest music production company, Gallo Records. When Ongx realizes that his award will not turn out as expected, he is forced to play music in the streets and wash dishes in order to make ends meet. In a country where nearly one in four people is unemployed, Ongx lives within a devastating framework for creative possibility. While Ongx's consciously sings in his first language, Xhosa, the township around him turns increasingly towards English-language pop music. Demonstrating pride in traditional African culture, Ongx himself is a microcosm representing the schism between his peoples roots and an increasingly westernized media landscape.Ongx's perspective transitions to that of Mthetho, an AIDS orphan who grew up mimicking the opera CD his father left behind. Now a...