Problem: Odissi (Odia: odd'ishii Odisi), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha - an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism (Vishnu as Jagannath). Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism, Buddhism and Jainism.

The Buddhist, Jain and Hindu archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses - such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanas mentioned in NatyaShastra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakasha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannath temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services.

Anything else interesting?

Answer with quotes: Actual sculptures that have survived into the modern era and panel reliefs in Odia temples,

Problem: Bipasha Basu (born 7 January 1979), also known by her married name Bipasha Basu Singh Grover, is an Indian film actress and model. Primarily known for her work in Hindi films, she has also appeared in Tamil, Telugu, Bengali and English language films. One of the most popular and highest-paid actresses in India, Basu is the recipient of numerous accolades, including one Filmfare Award, among six nominations. Particularly known for her work in the thriller and horror film genres, she is frequently cited in the media as a sex symbol.

Bipasha Basu was born on 7 January 1979 to a Bengali family in Delhi. Her father, Hirak, is a civil engineer, and her mother, Mamta, is a homemaker. She has one elder sister, Bidisha, and one younger sister, Vijayeta. According to Basu, her name means "dark deep desire", and is also a river's name. She added "Due to my dusky skin, I was considered ugly in my younger years." In Delhi, Basu lived at Pamposh Enclave, Nehru Place, till the age of eight and studied at Apeejay High School. Her family then shifted to Kolkata, where she attended Bhavan's Gangabux Kanoria Vidyamandir, located in Bidhannagar. In her school, Basu was appointed as the head girl and was fondly called 'Lady Goonda' due to her short and commanding personality. She remarked "As a child, I was a tomboy and I was pampered a lot, due to which I became very naughty. I used to keep a stick in my hand and straighten out all the colony boys if they acted smart. I used to be very short as a child and I was the monitor in school. When the tall boys would be up to mischief, I'd jump on their back during breaks and pull their hair and beat them up". Basu was enrolled in medical science studies until twelfth standard, but switched to commerce thereafter. In 1996, Basu was spotted at a hotel in Kolkata by the model Mehr Jesia Rampal, who suggested she take up modelling. That year, she participated in and eventually won the Godrej Cinthol Supermodel Contest (organised by Ford), thereby representing India at Ford Models Supermodel of the World contest in Miami. She later appeared in the Calida commercial with her then-boyfriend Dino Morea, which was controversial for picturing them sultrily; she had some protesters outside her house after that. With appearance on several magazine covers, Basu continued to pursue a career in fashion modeling during her late teens, until she became an actress.

What did she do in her early life?

Answer with quotes:
In Delhi, Basu lived at Pamposh Enclave, Nehru Place, till the age of eight and studied at Apeejay High School.