In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as 'a' for Yes or 'b' for No.

Question: What country did Kubrat attend the University of Navarra in? Passage:After completing his primary and secondary education at the Lycee Francais in Madrid, Kubrat studied between 1984 and 1990 at the University of Navarra in Pamplona, where he obtained a Licentiate in Medicine and Surgery. After his graduation, he worked for five years as a resident physician at Puerta de Hierro Clinic in Madrid, where he made his expertise as a general surgeon. Subsequently he worked for a year at the St Mark's Hospital and Northwick Park Hospital and further specialized as a surgeon in proctology. Kubrat worked between 1997 and 2003 as a colorectal surgeon at the Ruber International Clinic in Madrid and was in charge of the Ambulatory Surgery Unit. Since September 2003, he became Head of the Colorectal Unit at the San Camillo Hospital in Madrid, where he also acts as Director of the Team Care Management since June 2006. He was director of Shared Medical Systems between 1999 and 2000, and is currently also part of the advisory board of Tokuda Hospital (Sofia, Bulgaria) and a Consultant for Mensor Health Care, S.L in Madrid.

b

Question: When was the town Ottwalt lived in while writing for an exile magazine founded? Passage:In 1933, Ottwalt and his wife, Waltraut, left Germany and went into exile in Denmark, then, by way of Czechoslovakia, ended up in the Soviet Union. Living in Moscow, Ottwalt wrote for the German exile magazine Internationale Literatur (published by Johannes R. Becher) and was an editor at Vegaar Bibliothek. He also wrote for the Deutsche Zentral Zeitung. In 1936, he and his wife were ensnared in the Stalinist purges and arrested by the Soviet secret police, the NKVD. He was charged with suspicion of espionage, sentenced to forced labor and deported to a gulag near Archangelsk. His wife was sentenced to forced labor in Kotlas. She was deported back to Germany in January 1941 and didn't learn about his death until January 1958, when the Soviet Red Cross informed her that her husband had died on 24 August 1943.

b

Question: Is African-American studies still taught at the University of Oklahoma? Passage:The Birth of a Nation is written, produced, and directed by Nate Parker, who also stars as Nat Turner. Parker wrote the screenplay, which was based on a story he co-wrote with Jean McGianni Celestin. Parker learned about Turner from an African-American studies course at the University of Oklahoma. He began writing the screenplay for a Nat Turner film in 2009 and had a fellowship at a lab under the Sundance Institute. While he got writing feedback from filmmakers like James Mangold, he was told that a Nat Turner film could not be produced. The Hollywood Reporter said:But what he heard instead were all the reasons a movie about Nat Turner wouldn't work: Movies with black leads don't play internationally; a period film with big fight scenes would be too expensive; it was too violent; it wouldn't work without a big box-office star leading it; Turner was too controversialafter all, he was responsible for the deaths of dozens of well-off white landowners.After Parker finished his acting role in Beyond the Lights in late 2013, he told his agents he would not continue acting until he had played Nat Turner in a film. He invested $100,000 of his money to hire a production designer and to pay for location scouting in Savannah, Georgia. He met with multiple financiers, and the first to invest in the film were retired basketball player Michael Finley (who had previously invested in the film The Butler) and active basketball player Tony Parker (no relation). Parker eventually brought together 11 groups of investors to finance 60% of the production budget, and producer Aaron L. Gilbert of Bron Studios joined to cover the remaining financing.
a