input: Please answer the following: Given the below context: Van Eyck gives Mary three roles: Mother of Christ, the personification of the "Ecclesia Triumphans" and Queen of Heaven, the latter apparent from her jewel-studded crown. The painting's near miniature size contrasts with Mary's unrealistically large stature compared with her setting. She physically dominates the cathedral; her head is almost level with the approximately sixty feet high gallery. This distortion of scale is found in a number of other van Eyck's Madonna paintings, where the arches of the mostly gothic interior do not allow headroom for the virgin. Pacht describes the interior as a "throne room", which envelopes her as if a "carrying case". Her monumental stature reflects a tradition reaching back to an Italo-Byzantine type perhaps best known through Giotto's Ognissanti Madonna (c. 1310) and emphasises her identification with the cathedral itself. Till-Holger Borchert says that van Eyck did not paint her as "the Madonna in a church", but instead as metaphor, presenting Mary "as the Church". This idea that her size represents her embodiment as the church was first suggested by Erwin Panofsky in 1941. Art historians in the 19th century, who thought the work was executed early in van Eyck's career, attributed her scale as the mistake of a relatively immature painter.The composition is today seen as deliberate, and opposite to both his Madonna of Chancellor Rolin and Arnolfini Portrait. These works show interiors seemingly too small to contain the figures, a device van Eyck used to create and emphasise an intimate space shared by donor and saint. The Virgin's height recalls his Annunciation of 143436, although in that composition there are no architectural fittings to give a clear scale to the building. Perhaps reflecting the view of a "relatively immature painter", a copy of the Annunciation by Joos van Cleve shows Mary at a more realistic proportion scale to her surroundings.Mary is presented as a Marian apparition; in this case she probably appears before a donor, who would have been kneeling... Guess a valid title for it!
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output: Madonna in the Church
Please answer this: Given the below context: The village government is led by a mayor and four trustees, all unpaid officials elected at-large for two-year terms. The current mayor is Steven A. Vescio, elected in 2019. A full-time, appointed village manager handles day-to-day community affairs; the first was Max Vogel in 1967. Briarcliff Manor's government operates from the village hall, which houses the Justice Court and offices of the mayor and village manager. As of February 2014, there are 5,531 registered voters in Briarcliff Manor. As of 2017 the village's government employed 69 people full-time, including their building department, planning board, department of public works, the recreation department, the police department, the architectural review advisory committee, and the conservation advisory council. The village government administered a 201718 operating budget of approximately $28 million which predominantly went towards public works, police protection, debt service, and recreational facilities and services.Briarcliff Manor maintains a voting custom that dates to at least around 1905. In addition to its customary general election, held at the same day in every municipality in New York, the village has a nonpartisan caucus, a town meeting-style forum to determine officeholders. The system of the People's Caucus is largely unique to the village, and has been described as an extension of the New England town hall concept. The People's Caucus, officially formed in 1946, chooses candidates by majority vote two months before the village election, where the candidates usually run unopposed, turning the election into a formality. The caucus is open to citizens of 18 years or over who have lived in the village for at least a month; voter registration is not required. Voters and candidates do not declare party affiliations, instead candidates present their platforms in early January of each year, and weeks later the caucus meets again to vote.In the Westchester County Board of Legislators, the western portion of Briarcliff Manor (in Ossining) is... Guess a valid title for it!
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Answer: Briarcliff Manor, New York
Problem: Given the below context: "Climbing over rocky mountain" is the best known piece from Thespis, as it was transplanted in 1879 into one of Gilbert and Sullivan's most successful operas, The Pirates of Penzance. In 1902, Gilbert told a correspondent that this had happened accidentally. He and Sullivan had arrived in New York to produce the new opera, but the composer discovered that he had left his sketches behind in England. Fortunately, the entrance chorus from Thespis fitted the situation almost exactly, so it was substituted instead.Several scholars have doubted that explanation. In Sullivan's autograph score for the later work, the first part of "Climbing over rocky mountain" is actually taken from a Thespis copyist score, with the Thespis words cancelled and the new words written in, which raises the question of why Sullivan had a Thespis score to hand, if not for that purpose.Some suggest that other music from Thespis could have been used in Pirates. Goldberg suggests that "It is reasonable to believe that Sullivan made generous use of his Thespis music in other operettas: perhaps owing to the circumstances under which The Pirates of Penzance was written, it contains more than one unacknowledged borrowing from the unlucky firstling of the lucky pair." Reginald Allen says that "it seems certain" from its "rhythmic structure" that part of the Act I finale of Thespis, "Here's a pretty tale for future Iliads and Odysseys" became the original Act II finale in Pirates, "At length we are provided with unusual felicity", which was later deleted. Tillett and Spencer propose that most of Act I of Pirates was taken from Thespis. However, there is only circumstantial evidence for these suggestions. Except for "Climbing over rocky mountain", neither author admitted to borrowing from Thespis for later works. Guess a valid title for it!

A: Thespis (opera)
input question: Given the below context: Hetty was abandoned at the Foundling Hospital as a newborn baby. Children abandoned at the Hospital are in Foster care or fostered until the age of five, at the nearest date when they turn five they will be returned to the hospital to start their education. Hetty spends her earlier life as a foster child under the care of Peg and John Cotton who she knows as her mother and her father. She is very unaware that she will one day have to leave the Cottons. There are other foster children in her home as well as Peg and John's own children. At one point, she attends a circus, where she meets Madame Adeline, whom she believes to be her mother because of her bright red hair, which is similar to Hetty's own. A few weeks later, the time comes for Hetty and Gideon to be sent back to the Foundling Hospital. Everyone in the family is devastated, and Jem and Hetty promise to find each other again. Hetty finds her time in the hospital miserable and oppressive, and often rebels or otherwise talks back in an environment where she's expected to be meek and obedient. This earns her the animosity of the hospital's Matrons, who punish her severely. Despite that, she manages to make friends among fellow foundlings and even staff, including Ida, a kind kitchen maid. Guess a valid title for it!???
output answer:
Hetty Feather