Some context: Katherine Anne "Kitty" Pryde is a fictional superhero appearing in American comic books published by Marvel Comics, commonly in association with the X-Men. The character first appeared in Uncanny X-Men #129 (January 1980) and was co-created by writer-artist John Byrne and Chris Claremont. A mutant, Pryde possesses a "phasing" ability that allows her, as well as objects or people she is in contact with, to become intangible. This power also disrupts any electrical field she passes through, and lets her simulate levitation.
Kitty Pryde was introduced into the X-Men title as the result of an editorial dictate that the book was supposed to depict a school for mutants. Uncanny X-Men artist John Byrne named Kitty Pryde after a classmate he met in art school, Alberta College of Art and Design in Calgary in 1973. He had told Pryde he liked her name and asked for permission to use it, promising to name his first original comics character after her. Byrne drew the character to slightly resemble an adolescent Sigourney Weaver. The fictional Kitty Pryde first appeared in Uncanny X-Men #129 (January 1980), by writer Chris Claremont and artist Byrne, as a highly intelligent 13-year-old girl. Claremont said several elements of the character's personality were derived from those of X-Men editor Louise Simonson's daughter, Julie. Claremont and Byrne made the new character a full-fledged X-Man in issue #139, where she was codenamed "Sprite". She was the main character in issues #141-142, the "Days of Future Past" storyline, where she is possessed by her older self, whose consciousness time travels to the past to prevent a mass extermination of mutants. The six-issue miniseries Kitty Pryde and Wolverine (1984-1985), written by Claremont, is a coming-of-age storyline in which she matures from a girl to a young woman, adopting the new name "Shadowcat". In the late '80s, she joined the British-based super team, Excalibur, where she remained for roughly ten years before coming back to the X-Men. In the early 2000s, she disappeared from the spotlight after semi-retiring from superhero work. She was featured in the 2002 mini-series Mekanix and came back to the main X-Men books in 2004 under the pen of Joss Whedon in Astonishing X-Men. She remained a part of the X-Men books until 2008 when she left again for roughly 2 years. After coming back, she was featured in Jason Aaron's Wolverine and the X-Men and Brian Michael Bendis' All-New X-Men books. In early 2015, she joined the Guardians of the Galaxy. After the Secret Wars event, she adopted her new alias, Star-Lord (first believed to be Star-Lady). Shadowcat's popularity had a profound effect on the real-life Kitty Pryde: the latter became so overwhelmed by attention from Shadowcat fans, she abbreviated her name to K.D. Pryde to avoid association with her fictional counterpart. She has since stated she has mixed feelings about her fame, saying she values Byrne's comics for their entertainment and artistic value, but wishes more people would appreciate her as more than just Shadowcat's namesake.
How long was the publication?
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Question: John F. Stossel was born on March 6, 1947, in Chicago Heights, Illinois, the younger of two sons, to Jewish parents who left Germany before Hitler rose to power. They joined a Congregationalist church in the U.S., and Stossel was raised Protestant. He grew up on Chicago's affluent North Shore and graduated from New Trier High School. Stossel characterizes his older brother, Tom, as "the superstar of the family", commenting, "While I partied and played poker, he studied hard, got top grades, and went to Harvard Medical School."

Stossel has written three books. Give Me a Break: How I Exposed Hucksters, Cheats, and Scam Artists and Became the Scourge of the Liberal Media is a 2005 autobiography from Harper Perennial documenting his career and philosophical transition from liberalism to libertarianism. It describes his opposition to government regulation, his belief in free market and private enterprise, support for tort reform, and advocacy for shifting social services from the government to private charities. It was a New York Times bestseller for 11 weeks. Myths, Lies, and Downright Stupidity: Get Out the Shovel - Why Everything You Know Is Wrong, which was published in 2007 by Hyperion, questions the validity of various conventional wisdoms, and argues that the belief he is conservative is untrue. On April 10, 2012, Threshold Editions, an imprint of Simon & Schuster, published Stossel's third book No, They Can't: Why Government Fails - But Individuals Succeed. It argues that government policies meant to solve problems instead produce new ones, and that free individuals and the private sector perform tasks more efficiently than the government does. With financial support from the libertarian Palmer R. Chitester Fund, Stossel and ABC News launched a series of educational materials for public schools in 1999 entitled "Stossel in the Classroom". It was taken over in 2006 by the Center for Independent Thought and releases a new DVD of teaching materials annually. In 2006, Stossel and ABC released Teaching Tools for Economics, a video series based on the National Council of Economics Education standards. Since February 2011, Stossel has written a weekly newspaper column for Creators Syndicate. His articles appear in such online publications as Newsmax, Reason, and Townhall.

Using a quote from the above article, answer the following question: Was it well received?
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Answer: ". It was taken over in 2006 by the Center for Independent Thought and releases a new DVD of teaching materials annually.

Some context: Ambrose was born in Lovington, Illinois, to Rosepha Trippe Ambrose and Stephen Hedges Ambrose. His father was a physician who served in the U.S. Navy during World War II.
In 2002, Ambrose was accused of plagiarizing several passages in his book The Wild Blue. Fred Barnes reported in The Weekly Standard that Ambrose had taken passages from Wings of Morning: The Story of the Last American Bomber Shot Down over Germany in World War II, by Thomas Childers, a history professor at the University of Pennsylvania. Ambrose had footnoted sources, but had not enclosed in quotation marks numerous passages from Childers's book. Ambrose asserted that only a few sentences in all his numerous books were the work of other authors. He offered this defense: I tell stories. I don't discuss my documents. I discuss the story. It almost gets to the point where, how much is the reader going to take? I am not writing a Ph.D. dissertation. I wish I had put the quotation marks in, but I didn't. I am not out there stealing other people's writings. If I am writing up a passage and it is a story I want to tell and this story fits and a part of it is from other people's writing, I just type it up that way and put it in a footnote. I just want to know where the hell it came from. A Forbes investigation of his work found cases of plagiarism involving passages in at least six books, with a similar pattern going all the way back to his doctoral dissertation. The History News Network lists seven of Ambrose's more than 40 works--The Wild Blue, Undaunted Courage, Nothing Like It In the World, Nixon: Ruin and Recovery, Citizen Soldiers, The Supreme Commander, and Crazy Horse and Custer--contained content from twelve authors without appropriate attribution from Ambrose.
Did he commit plagiarism?
A:
In 2002, Ambrose was accused of plagiarizing several passages in his book The Wild Blue.