input question: Build a movie plot around this: where do Thornhill and Kendall realize they are ? Top of Mt. Rushmore monument???
output answer: At the end of an ordinary work day, advertising executive Roger O. Thornhill (Cary Grant) hurries from a Madison Avenue office building to a business meeting at the Oak Room bar of the Plaza Hotel. After asking his secretary to phone his mother, he realizes that she won't be able to reach her by telephone, so he will need to send a telegram instead. When a hotel pageboy passes by calling for a Mr. George Kaplan, Thornhill flags him down, to inquire about sending a telegram. Unfortunately, this also draws the attention of two henchmen, names Valerian (Adam Williams) and Licht (Robert Ellenstein), who mistake Roger for Kaplan because from the vantage point they are standing at, he appears to be answering the page. As Roger steps into the corridor to send his wire, the henchmen abduct Roger at gunpoint and force him into a waiting car.Wordlessly, they drive him out of Manhattan to a Long Island country estate displaying the name "Townsend" at its entrance. The car snakes up a long winding driveway to the front entrance. A maid lets them in the front door, and Roger is locked inside the library of the mansion. Left alone, he finds a newspaper on the desk addressed to "Mr. Lester Townsend, 169 Baywood, Glen Cove, N.Y."Shortly, the library door opens and there enters an urbane English-accented gentleman (James Mason), evidently none other than Townsend himself, followed soon after by his personal secretary, Leonard (Martin Landau). The gentleman addresses his captive as "Kaplan," and by his questions, Roger can only assume that the real Kaplan must be some sort of secret agent on this man's trail. Roger tries to convince him that his name is Thornhill and has never been anything else, but his skeptic captor will not hear of it. To "prove" his point, the man proceeds to recite the elusive Kaplan's recent itinerary of hotels, cities, and ever-changing hometowns, including Kaplan's present occupancy of room 796 at the Plaza Hotel, and his future stops in the next few days in Chicago and Rapid City, South Dakota. To...
Build a movie plot around this: Where does Costello escape the police? The Metro
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Answer: Hitman Jef Costello (Delon) lives in a single-room Parisian apartment whose spartan furnishings include a little bird in a cage. A long opening shot shows him lying on his bed, smoking, when the following text appears on-screen:There is no greater solitude than that of the samurai unless it is that of the tiger in the jungle... Perhaps...Bushido (Book of the Samurai)Costello's methodical modus operandi includes airtight alibis involving his lover, Jane (Nathalie Delon). Having carried out a murder contract on a nightclub owner, he is seen leaving the scene by several witnesses, including piano player Valerie (Cathy Rosier). Their statements are inconsistent but the investigating officer (Francois Perier) believes Costello is his man based on the witnesses who viewed Costello and his alibi that he was with Jane the whole time.Costello loses a police tail and gets to a meeting point on a subway overpass to get paid by his employers. However, instead of getting money, he is shot and wounded by a man sent by his employers. Having bandaged his wound and rested, he returns to the nightclub and goes for a car drive with the piano player. He is grateful to her, but does not understand why she protected him from the police even though she was the key witness to the murder. In the meantime, police officers bug his room, which agitates the bird in its cage. Upon returning, Costello notices some loose feathers scattered around the cage and the bird acting strangely. Suspecting an intrusion, he searches his room, finds the bug and deactivates it.In the meantime, the police ransack Jane's apartment and offer her a deal: withdraw your alibi for Jef and we will leave you alone. Jane rejects the offer and shows them the door. Back in his apartment Costello finds himself held at gunpoint by the overpass shooter who gives him money and offers him a new contract (the intended target is not revealed to the audience at this point). Costello overpowers him and forces him to disclose the identity of his boss, a man by...
Q: Build a movie plot around this: What is name of the producer Buddy found? Ross Turner
A: The film opens at The Buddy Holly Hayride presented by radio station KDAV in Lubbock, Texas in 1956. During the opening credits, Holly (Charles Hardin Buddy Holley's last name was misspelled on his recording contract, so he simply adopted the misspelling as his last name) and his fellow band members (The Crickets' names were changed to avoid legal action from Jerry Allison and Joe B. Mauldin. The group's rhythm guitarist, Niki Sullivan, was ignored by the film, as was the groups manager, Norman Petty), drummer Jesse Charles (Don Stroud) and bass player Ray Bob Simmons (Charles Martin Smith), set up their music instruments and test their sound equipment at Parker's Roller Rink.As the radio station prepares to broadcast live, a recording of country artist Lefty Frizzell singing "If You've Got the Money, Honey (I've Got the Time)" is heard on the radio. Holly's first number is a cover version of Les Paul and Mary Ford's recording of "Mockingbird Hill." During a commercial break, some of the younger members of the audience beg Buddy to play some bop. After the commercial Buddy Holly (Gary Busey) announces they will be performing the next number for the boppers ("Rock Around with Ollie Vee"). The youngsters enjoy it, but the older audience members cover their ears from the loud tone and one of the radio station's sponsors demands that Buddy be taken off the air or he will pull his advertising. The station's owner/disk jockey, Riley Randolph (Bill Jordan), actually thinks they sound pretty good and he likes the response from the youngsters. So, the guys perform another of their numbers, "That'll Be the Day."The next scene is in a church where the choir is sings "When the Roll Is Called Up Yonder." Buddy, his girlfriend, Cindy or Cindy Lou (Amy Johnston), and his parents are in the congregation. The minister comments on what took place the previous night at the roller rink. He declares that this new "jungle rhythm" music is un-Christian and un-American. As the pastor's harangue against music that he considers a...
Problem: Given the question: Build a movie plot around this: How many days are in Tom and Summer's relationship? 500
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The answer is:
(500) Days of Summer is presented in a non-chronological format, each scene being introduced by which of the 500 days it is. The plot as given here has been rearranged in chronological order. It is important to note cinematographically that the film opens with day 488, the scene where Tom and Summer are seated at a bench and the audience sees Summer's ringed finger as the two hold hands.Tom (Joseph Gordon-Levitt) works at a greeting card company as a card writer. He has a few friends and is seemingly happy with his life. One day at a meeting, Tom's boss (Clark Gregg) introduces the board room to Summer (Zooey Deschanel), his new assistant. He is immediately taken by Summer's beauty.Tom talks to his friends about how much he likes Summer. While at first he plays things cool, he is convinced she is "the one" after an exchange in the elevator over their mutual love of the Smiths. He spends two weeks pining over her and executing awkward attempts to initiate conversation, but can't hit a chord. An opportunity arises when Tom's best friend tells him that the entire office is going to a karaoke bar the following evening.Tom arrives at the bar as his best friend is singing. He sees Summer and she seems happy to see him. Summer goes up and sings while Tom drinks with his friend and watches Summer. Summer then gets Tom a little drunk and has him sing karaoke. Afterwards, the three sit together and talk about relationships and love, during which Tom and Summer argue over whether or not love is real, with Summer saying it isn't while Tom says it is. The two agree to disagree.While helping Tom's friend to a cab, Tom's friend blurts out that Tom likes Summer and the two are left on the sidewalk. Summer asks if it is true and Tom, after some coaxing from Summer, says that he likes her (but adds "as friends"). Summer calls him "very interesting" and leaves Tom standing there on the sidewalk. The next day at work, she kisses him in the copy room. Once Summer's copies are finished, she simply ignores Tom and leaves the copy...