An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: I find it very intriguing that Lee Radziwill, Jackie Kennedy's sister and the cousin of these women, would encourage the Maysles' to make "Big Edie" and "Little Edie" the subject of a film. They certainly could be considered the "skeletons" in the family closet. The extra features on the DVD include several contemporary fashion designers crediting some of their ideas to these oddball women. I'd say that anyone interested in fashion would find the discussion by these designers fascinating. (i.e. "Are they nuts? Or am I missing something?"). This movie is hard to come by. Netflix does not have it. Facets does, though.
Q: What's an example of a movie review?
An example of a movie review is here: Disney goes to the well one too many times as anybody who has seen the original LITTLE MERMAID will feel blatantly ripped off. Celebrating the birth of their daughter Melody, Ariel and Eric plan on introducing her to King Triton. The celebration is quickly crashed by Ursula 's sister, Morgana who plans to use Melody as a defense tool to get the King 's trident. Stopping the attack, Ariel and Eric build a wall around the ocean while Melody grows up wondering why she cannot go in there.

Awful and terrible is what describes this direct to video sequel. LITTLE MERMAID 2 gives you that feeling everything you watch seemed to have come straight other Disney movies. I guess Disney can only plagiarize itself! Do not tell me that the penguin and walrus does not remind you of another duo from the LION KING!

Other disappointing moments include the rematch between Sebastien and Louie, the royal chef. They terribly under played it! The climax between Morgana and EVERYONE seemed to be another disappointment.

I will not give anything away, but in 75 minutes, everything seemed incredibly cramped and too much to handle. An embarrassment to Disney, LITTLE MERMAID 2 is better left to rent and laugh at. Then you can prepare for the rest of the other sequels Disney is going to drown you in later on.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: Wow, what a waste of acting talent. My husband and I sat there, both thinking, this has to get better, these actresses are too good to have wasted their time on this crap. Unattractive characters, hackneyed script, and listless pacing make for a long two hours. I actually couldn't hack it and left to do the grocery shopping (cat litter being more appealing than this film). The husband stayed and confirmed that it didn't get better--by the time Buddy is killed, you were wishing they all would get hit by a car and end their miserable lives. It would be infinitely more entertaining. Beautiful scenery and costumes can't keep this one alive.
Problem: OPTIONS:
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Answer: By some happy coincidence the same year that Jimmy Stewart and Kim Novak made Alfred Hitchcock's haunting masterpiece "Vertigo", they also made this light comedy. Perhaps the two actors needed to do it after undergoing the heaviness of the Hitchcock film . At any rate this a great companion piece to "Vertigo" as it again explores a very un-likely but powerful romance. In fact the film can be seen as the flip side of "Vertigo" with it's happy ending. Here again Novak undergoes a transformation, in Vertigo she essentially plays two women and here she 'transforms' from witch to mortal. Stewart is again bewitched and for awhile tormented by his love for her. Unlike Vertigo the two come together in "Bell Book and Candle" , a perfect antidote for the Hitcock movie. Again the dynamics of love and attraction are examined but in an altogether different vein. The cast is terrific. Lemmon hilarious as Novak's warlock brother and Elsa Lancaster giving a classic performance as the Aunt. Ernie Kovacs as the alcoholic cult writer and of course Hermoine Gingold playing Novak's competitor are all great. The scene with Stewart drinking the potion is comedy at it's best. Anyone who has seen Vertigo or even if you haven't should see this memorable light comedy.
An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: I'm not going to bother with a plot synopsis since you know what the movie is about and there's almost no plot, anyway. I've seen several reviewers call ISOYG an 'anti-rape' film or even a feminist statement, and I just have to chime in on the galling hypocrisy of these claims.

First of all, what do we see on the cover of this movie? That's right: a shapely woman's behind. Whether it was Zarchi's attempt to make an anti-rape statement - and I absolutely don't believe it was - is entirely beside the point. The film is marketing sex and the titillation of sexual assault and the material is so graphic (everything but actual penetration is shown) that NO ONE but the hard core exploitation crowd will enjoy it.

The rape(s) in the film is uncomfortable, brutal and hard to watch. There's something to be said for presenting a horrible crime in such a brutal light, but there was no reason for this scene to go on for seemingly 30 minutes, none. There was also little character development of the victim and only one of the rapists is slightly developed (mere moments before he's murdered) so the scene isn't at all engaging on an emotional level. Really, it's just presented for the sake of showing extreme sexual violence and you can tell by the movies ISOYG is associated with on IMDb (Caligula, Cannibal Ferox, etc.) that it attracts only the exploitation crowd.

Finally, a few reviewers have commended Zarchi's so-called documentary style and lack of a soundtrack. But considering how inept everything else in the film is (acting, script, etc.) I suspect these were financial decisions and the film looks like a documentary because he literally stationed a camera and let his porn-caliber actors do their thing.

I'm not going to get all up on my high horse talking about the content of ISOYG. I'm all for exploitation / horror and love video nasties. In fact, I'm giving this movie three stars only because it truly does push the envelope so much further than some other films. However, it's also poorly made and after the rape occurs, just downright boring for the rest of the film as we watch a bunch of ho-hum, mostly gore-less murders and wait for the credits to roll.

This is probably worth watching once if you're a hardcore 70s exploitation fan but I'm telling you, the movie is overall pretty bad and not really worth its notorious reputation.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A:
Kim (Patricia Clarkson), George (Jake Weber) and son Miles (Erik Per Sullivan) are headed to the country for winter weekend relief from Manhattan's bustling metropolis. On the way, they hit a buck and end up stuck in the snow. A group of hunters who were tracking the buck come along. Rather than helping, at least one of the hunters, Otis (John Speredakos), is mad because the accident cracked the buck's antlers. George, Kim and Miles are disturbed by Otis, and even worse, we quickly learn that Otis has learned where they're staying. Meanwhile, Miles is given a wendigo (a kind of Indian shape-shifting spirit/monster) token by an Indian whom only he has seen. Is Otis a psycho out to get our heroes? Are there wendigos in the woods?

I can see where Wendigo would have a number of problems appealing to viewers. It is a fairly low budget film, with technical limitations frequently showing through. Much of the film, and maybe all of it, is not really about the titular creature. And perhaps the fatal blow for many people, it has a very ambiguous ending, with a number of questions left unanswered. If you are discouraged by such endings, and you do not like films that have an aim of making you think about and discuss what everything meant, do yourself a favor and avoid Wendigo.

Personally, I like films like that. I usually prefer some ambiguity. The marketing of Wendigo is geared towards those who want a quick, scary creature flick, where they'd expect a grand battle with some supernatural monster who is defeated in the end, and everything is tied up neatly except for an opening for Wendigo 2: The Monster Returns, but that's not what this film is. Wendigo is much more thoughtful and poetic than the surface of such a creature flick would suggest to most people. Heck, writer/director Larry Fessenden even has a character, George, reciting Robert Frost. The Frost poem, and George's comment that Frost can evoke complex imagery and atmosphere out of seemingly simple things, is the key to the film.

One of the best things about the film is its complexity. In a way, there are four different films occurring at the same time, a thread from each character. In George's thread, he isn't exactly the happiest or most pleasant guy in the world, and he has some parenting problems. For him, the film is a realistic, horrific descent of his life going from bad to worse. In Patricia's thread, she's looking for rejuvenation of her life and family. She's a psychologist mostly denying the problems around her, hoping that they'll go away and get better. In Otis' thread, he's even more down on his luck than George, and George's arrival into his life symbolizes the final "crack" in his psychological armor. And in Miles' thread, which is probably the most important of the film, life is like a grand poem due to his youthful innocence and interpretation of the world. But this is a horror story, after all, albeit one with a glimmer of hope, and the events in the film give Miles' poetic interpretations a dark turn. Still, when everything is said and done, he seems to be the only one retaining his composure, due to the poetic outlook.

Even though the film is low budget, there are a lot of well-executed higher budget ambitions. Fessenden and director of photography Terry Stacey find some great shots in beautiful locations, and created some interesting slide show like montages (such as the cards, or the Indian wendigo images from the book). There are also interesting more traditional montages, such as Miles' nightmare. Wendigo is better shot and edited than many big budget films.

Other technical aspects are good for the budget. The "Wendigo" appearance at the end worked for me and was appropriately ambiguous. The lighting was usually good--there were a few times that dark scenes weren't as clear as they could have been, but it seemed to be more of a problem with the film stock (it could have been digital instead) or transfer. I thought the performances were good and far more realistic (if you value that) than the majority of films. Although I didn't really notice the score, it must have been okay, or I would have noticed it with a negative judgment.

Overall, Wendigo is a very good film that deserves to be watched without preconceptions, as long as you don't mind having to think about the movies you watch.