Background: Seattle Slew (February 15, 1974 - May 7, 2002) was an American Thoroughbred race horse who won the Triple Crown in 1977--the tenth of twelve horses to accomplish the feat. He is the only horse to have won the Triple Crown while having been undefeated in any race previous. Honored as the 1977 Horse of the Year, he was also a champion at age two, three and four. In the Blood-Horse magazine List of the Top 100 U.S. Racehorses of the 20th Century Seattle Slew was ranked ninth.
Context: Seattle Slew was a dark brown colt with a small white patch of hair by his left rear hoof bred by Ben S. Castleman. He was sired by Bold Reasoning who won the Jersey Derby and Withers Stakes in 1971. His dam My Charmer went on to produce the 2000 Guineas winner Lomond and Seattle Dancer. Horse owners since the early 1970s, Karen Taylor was a former flight attendant, and her husband, Mickey Taylor, was a lumberman. They lived in White Swan, Washington. Their friend Dr. Jim Hill, a veterinarian, recommended that they buy Seattle Slew, a son of Bold Reasoning out of the mare My Charmer, at a 1975 Fasig-Tipton yearling auction. Seattle Slew was foaled at Ben Castleman's White Horse Acres Farm near Lexington, Kentucky. Hill and his wife, Sally, had met the Taylors through the horse business. In partnership, they bought 13 prospects, including Seattle Slew, who was sold for $17,500 (equivalent to $80,000 in 2017). They named him for the city of Seattle and the sloughs which loggers once used to transport heavy logs. Karen felt that the spelling of slough--a slow-moving channel of the Pacific Northwest--would be too hard for people to remember, so the spelling was changed to Slew. A later co-owner was Glenn Rasmussen, the accountant for the equine partnerships. Seattle Slew's owners sent the colt to Billy Turner, a friend and former steeplechase rider who had trained horses seasonally in Maryland since the early 1960s. Based at Belmont Park in the mid-1970s, Turner accepted Seattle Slew and another Taylor-Hill purchase and sent them to Andor Farm in Monkton, where his wife at the time, Paula, taught yearlings to be ridden. At maturity, he reached 16 hands (64 inches, 163 cm) high.
Question: Who were his parents?
Answer: He was sired by Bold Reasoning who won the Jersey Derby and Withers Stakes in 1971.

Background: Nomeansno (sometimes stylized as NoMeansNo or spelled No Means No) was a Canadian punk rock band formed in Victoria, British Columbia and later relocated to Vancouver. They issued ten LPs, one collaborative LP, numerous EPs and singles, and gained an international audience following extensive touring. Critic Martin Popoff described their music as "the mightiest merger between the hateful aggression of punk and the discipline of heavy metal."
Context: The Infamous Scientists disbanded, and their guitarist and vocalist Andy Kerr joined Nomeansno in 1983. Kerr brought a distinct hardcore punk edge to Nomeansno's sound, creating a buzz-saw guitar tone by playing through a Fender Bassman amplifier and a P.A. speaker. Nomeansno became a fixture in the British Columbia punk scene despite playing music which did not always conform to punk rock standards. The You Kill Me EP in 1985 on the Undergrowth Records imprint exhibited their experimental sound on dark and ponderous songs like "Body Bag" and a "tuneless" cover of "Manic Depression" by Jimi Hendrix. The three also began performing Ramones covers and more traditional punk music as The Hanson Brothers, a side project which would later receive more of their attention. Issued initially by the Montreal punk label Psyche Industry, the band released Sex Mad, their second LP and first with Kerr. The album further expanded the band's experimental and progressive punk sound, yielding the single "Dad". The song was a minor college radio hit, which AllMusic reviewer Adam Bregman called "a bit chilling, even though it's spit out at slam-pit's pace". Kerr, the song's lead vocalist, increasingly became responsible for lead vocals as Rob Wright suffered from nodules on his vocal cords. They soon signed with the seminal punk rock label Alternative Tentacles, run by Jello Biafra of the Dead Kennedys. This, along with frequent touring in North America and Europe, helped the band to garner a larger audience. In 1988, the group issued two releases which were recorded with producer Cecil English: The Day Everything Became Nothing, an EP, and the Small Parts Isolated and Destroyed album. Alternative Tentacles compiled the two together on a single CD, The Day Everything Became Isolated and Destroyed. AllMusic reviewer Sean Carruthers called the experimental recordings "less aggressive" than, but nonetheless worthy of, the band's previous efforts.
Question: Are there any other interesting aspects about this article?
Answer: Nomeansno became a fixture in the British Columbia punk scene despite playing music which did not always conform to punk rock standards.

Background: David Lee Marks (born August 22, 1948) is an American guitarist, singer and songwriter. He is best known as a member of the American rock band The Beach Boys, with whom he recorded four studio albums, and of whom he was a member from 1962 until 1963, again from 1997 until 1999, and lastly in 2012. Following his initial departure from the band, Marks fronted the Marksmen and performed and recorded as a session musician. A neighbor of the Wilson family - Brian, Dennis, and Carl Wilson - and a frequent participant at the Wilson family's Sunday night singalongs, Marks officially joined the Beach Boys in February 1962 as its rhythm guitarist.
Context: In February 1963, Dennis Wilson was injured in a car accident and his replacement was Mark Groseclose, who went to high school with Carl Wilson. Marks and Groseclose became friends and Marks eventually took over Groseclose's garage band, the Jaguars, which he renamed the Marksmen. The band was initially a side project for the aspiring songwriter, who was growing tired of his songs being passed over for Beach Boys records by Murry Wilson. After Marks left the Beach Boys, the Marksmen became his full-time focus, becoming one of the first acts to be signed to Herb Alpert's A&M Records in 1964. Murry Wilson reportedly threatened radio deejays in order to keep them from playing the Marksmen's records. Later, the group signed with (and released a single on) Warner Bros. Records, but in spite of packed concert venues up and down the state of California, lack of air play precluded any further releases. The 2009 release of Marks & the Marksmen Ultimate Collector's Edition 1963-1965 marks the first-time the entire Marksmen catalog was made available to the public. In 1966, Marks played with Casey Kasem's Band Without a Name. He then worked with the late 1960s psychedelic pop band, The Moon, along with Matt Moore, Larry Brown, and David Jackson. The band signed a production deal with producer Mike Curb and released two under-promoted albums on the Imperial label. He also performed with Delaney and Bonnie, Colours (recording lead guitar on their second album), and Warren Zevon. By the time Marks was 21 years old, he had been signed to five label deals and had grown disillusioned with the Los Angeles music scene. In 1969, he relocated to Boston, where he studied jazz and classical guitar as a private student at the Berklee College of Music and the New England Conservatory of Music in 1970-71.
Question: What is the name of a song from the album?
Answer:
Ultimate Collector's Edition