input: The Blockheads briefly reformed in June 1987 to play a short tour of Japan and then disbanded again. In September 1990, following the death from cancer of drummer Charlie Charles, they reunited for two benefit concerts in aid of Charles' family, held at The Forum, Kentish Town, with Steven Monti on drums. In December 1990, augmented by Merlin Rhys-Jones on guitar and Will Parnell on percussion, they recorded the live album Warts & Audience at the Brixton Academy. The Blockheads (without Jankel, who returned to California) toured Spain in January 1991, then disbanded again until August 1994 when, following Jankel's return to England, they were invited to reform for the Madstock Festival in Finsbury Park; this was followed by sporadic gigs in Europe, Ireland, the UK and Japan through late 1994 and 1995. In the early 1990s, Dury appeared with English band Curve on the benefit compilation album Peace Together. Dury and Curve singer Toni Halliday shared vocals on a cover of the Blockheads' track "What a Waste". In March 1996, Dury was diagnosed with cancer. After his recovery from surgery, he set about writing another album. In early 1998 he reunited with the Blockheads to record the well-received Mr. Love Pants. In May, Ian Dury and the Blockheads toured again, with Dylan Howe replacing Steven Monti on drums. Davey Payne left the group in August and was replaced by Gilad Atzmon. This amended line-up gigged throughout 1999 and performances culminated in their last performance with Dury on 6 February 2000 at the London Palladium. Dury died six weeks later on 27 March 2000.

Answer this question "Are there any other interesting aspects about this article?"
output: The Blockheads (without Jankel, who returned to California) toured Spain in January 1991, then disbanded again until August 1994 when,

input: Buffon has represented Italy at all youth levels, from the under-16 side to the under-23 side, as well as the Olympic side in 1996. With the Italy under-16 side, he reached the final of the 1993 UEFA European Under-16 Championship, saving two penalties and even scoring one himself in the quarter-final shootout victory over Spain, and subsequently saving three penalties - but also missing one himself - in the semi-final shootout victory over Czechoslovakia. With the Italy U-17 side he took part at the 1993 FIFA U-17 World Championship in Japan. In 1995, he reached the final of the UEFA European Under-19 Championship with the Italian U-19 side. He was most notably a member of Italy's 1996 UEFA European Under-21 Championship-winning squad. Buffon was a member of the Italy squad that won the gold medal for football at the 1997 Mediterranean Games in Bari, on home soil. Buffon currently holds the record for the most clean sheets with the Italian national side. Buffon was awarded his first cap for Italy's senior team under Cesare Maldini on 29 October 1997, at the age of 19 years and 9 months, as an injury replacement for Gianluca Pagliuca during the first leg of the 1998 World Cup qualification play-off against Russia, in Moscow; with this cap, Buffon became the youngest goalkeeper to feature for Italy post-World War II. This record was beaten by Gianluigi Donnarumma on 1 September 2016. Buffon came on in the 31st minute and made notable saves under snowy conditions in a 1-1 away draw, including an important stop from a Dmitri Alenichev shot, only being beaten by a Fabio Cannavaro own goal. The result helped Italy to qualify for the upcoming World Cup 2-1 on aggregate. He was a member of the squad for the 1998 World Cup finals, initially as the third choice goalkeeper; after an injury to starting goalkeeper Angelo Peruzzi, however, Buffon was promoted to second-choice goalkeeper behind Pagliuca, with Francesco Toldo being called up as third-choice, but Buffon did not play a single game in the tournament. Italy were eliminated in the quarter-finals on penalties to hosts and eventual 1998 World Cup champions France. Buffon became the first choice goalkeeper during the Euro 2000 qualifying campaign and was due to start in goal during the finals under manager and former Italy goalkeeping legend Dino Zoff, but he broke his hand while attempting to stop John Carew's goal in a 1-0 defeat against Norway in a warm up game just a few days before Italy's opening match of the tournament against Turkey. His starting place was taken by backup goalkeeper Francesco Toldo, and Christian Abbiati was called up as a replacement third keeper, with Francesco Antonioli being promoted to second goalkeeper. Italy reached the final of the tournament, losing once again to France.

Answer this question "How did he qual for the Euro 2000"
output: Buffon became the first choice goalkeeper during the Euro 2000 qualifying campaign

input: The word first appears in a title in Francesco Berni's Opere burlesche of the early 16th century, works that had circulated widely in manuscript before they were printed. For a time, burlesque verses were known as poesie bernesca in his honour. 'Burlesque' as a literary term became widespread in 17th century Italy and France, and subsequently England, where it referred to a grotesque imitation of the dignified or pathetic. Shakespeare's Pyramus and Thisbe scene in Midsummer Night's Dream and the general mocking of romance in Beaumont and Fletcher's The Knight of the Burning Pestle were early examples of such imitation. In 17th century Spain, playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works. Among Cervantes' works are Exemplary Novels and the Eight Comedies and Eight New Interludes published in 1615. The term burlesque has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics. Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". Burlesque depended on the reader's (or listener's) knowledge of the subject to make its intended effect, and a high degree of literacy was taken for granted. 17th and 18th century burlesque was divided into two types: High burlesque refers to a burlesque imitation where a literary, elevated manner was applied to a commonplace or comically inappropriate subject matter as, for example, in the literary parody and the mock-heroic. One of the most commonly cited examples of high burlesque is Alexander Pope's "sly, knowing and courtly" The Rape of the Lock. Low burlesque applied an irreverent, mocking style to a serious subject; an example is Samuel Butler's poem Hudibras, which described the misadventures of a Puritan knight in satiric doggerel verse, using a colloquial idiom. Butler's addition to his comic poem of an ethical subtext made his caricatures into satire. In more recent times, burlesque true to its literary origins is still performed in revues and sketches. Tom Stoppard's 1974 play Travesties is an example of a full-length play drawing on the burlesque tradition.

Answer this question "What else did you see that stood out in this article"
output:
Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions.