Write an article based on this "Circle the set of dots representing the ones place. Circle the two sets of dots representing the tens place. Circle the set of dots representing the hundreds place. Add up the dots in the ones place. Add up the dots in the tens place. Add up the dots in the hundreds place. Determine your final answer."
article: These are the dots formed at the intersection where the ones lines for each number intersect. Think, "A one times a one equals a one." For example, for 3412{\displaystyle 34 imes 12}, you would circle the dots formed where the 4 lines intersect with the 2 lines, which are in the set on the right side of the diagram. These are the dots formed when the ones digit of either number intersects with the tens digit of the other number. Think, "A one times a ten equals a ten." For example, for 3412{\displaystyle 34 imes 12}, you would circle the dots formed where the 1 line intersects with the 4 lines, and where the 2 lines intersect with the 3 lines, which are in the middle of the diagram. These are the dots formed at the intersection where the tens lines for each number intersect. Think, "A ten times a ten equals a hundred." For example, for 3412{\displaystyle 34 imes 12}, you would circle the dots formed where the 3 lines intersect with the 1 line, which is on the left side of the diagram. These are the dots you circled on the right side of the diagram. This number will be in the ones place of your answer. For 3412{\displaystyle 34 imes 12}, you should count 8 dots. So 8{\displaystyle 8} will be the digit in the ones place of your final answer. These are the two sets of dots in the middle of the diagram. This number will be in the tens place of your answer. For 3412{\displaystyle 34 imes 12}, you should count 10 dots. Just like any time you add or multiply, once a digit in any place value reaches 10, you need to carry. So, if you count 10 for the tens place, you would place a 0{\displaystyle 0} in the tens place, and carry the 1 over to the hundreds place. These are the dots you circled on the left side of the diagram. This number will be hundreds place of your answer. For 3412{\displaystyle 34 imes 12}, you should count 3 dots. Don't forget to add any amount you carried over. For 3412{\displaystyle 34 imes 12}, you carried over a 1 from the tens place, so calculate 3+1=4{\displaystyle 3+1=4}. So 4{\displaystyle 4} will be the digit in the hundreds place of your final answer. Put together all the digits you found for each place value. For example, for 3412{\displaystyle 34 imes 12}, you determine an 8{\displaystyle 8} goes in the ones place, a 0{\displaystyle 0} goes in the tens place, and a 4{\displaystyle 4} goes in the hundreds place. So your final answer is 408{\displaystyle 408}.

Write an article based on this "Get anecdotal. Make it funny. Have good banter. Play with words."
article: Everyone enjoys a funny story. But it's hard to elicit laughs from a meandering or vague anecdote. Instead, you should strive to have several crisp, well-worded stories ready to tell at parties and other social events. Think of the most amusing or odd stories from your life. These should be your go-to stories in conversations. Consider the likely audience for your anecdotes. If your goal is to see witty in conversations at an accounting convention, stories related to accounting might be appropriate. However, if you're looking for witty stories you can tell anywhere, using common experiences such as school or parents or pets or children are best, since more people will be able to relate to them. The same basic story can either be confusing, boring, or gut-busting. In order to make sure your story brings the laughs, you'll need to polish it. To get an idea of what makes a story funny, study the humorous phrasing and selective exaggeration employed by autobiographical humorists like David Sedaris. Begin outlining your story. Try to remember details. Revise your anecdote crisp, clear, and humorous. Then work on memorizing and fine-tuning your verbal delivery so that it comes across as funny in person as it does on the page. If other people join the conversation, feel free to make fun of them. Make fun of celebrities, singers or politicians. Just make sure that the other person is not a great fan of the celebrity your choosing to pick on. Don't go over the top. Don't make fun of someone's appearance, family situations, sexuality or disabilities (if any) unless you know it is something they are quite open about. Even then, even though they make self-deprecating jokes, they might not want to hear it from other people. Few things come across as wittier in a conversation than clever wordplay. Even if wordplay doesn't come naturally to you, you can improve with practice. Know your vocabulary. Most wordplay depends on having a wide vocabulary. Consider vocabulary-building books, smartphone apps, and games, like crossword puzzles, to improve your command of words. Know the types of wordplay. Spoonerisms ("It's roaring with pain" instead of "It's pouring with rain"), malapropisms ("dance a flamingo" instead of "dance a flamenco"), puns ("She had a photographic memory but never developed it"), and portmanteaus ("Chrismukkah," a combination of "Christmas" and "Hanukkah") can all be wittily inserted into conversation if used well. Study examples of good wordplay. Everyone from Shakespeare to George Carlin to Kanye West employs wordplay in their writing and performances. Keeping your audience in mind, consume examples of good wordplay to help you understand how to employ it yourself.

Write an article based on this "Wear bolder-looking makeup for parties, dates, or just for fun around the house. Apply foundation all over your face to mask any problem areas and even out color. Experiment with highlighting and contouring. Make your eyes pop with a bright-colored eyeshadow. Create show-stopping eyes with dark eyeliner. Be bold with a deep-colored lipstick."
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Try glamming up your look at night by wearing more of it and wearing bolder colors. Or, have fun makeover parties with friends (or by yourself) where you try out bolder and more vivid colors that you might be too timid to wear during the day. All-over foundation can look very caked-on and unnatural in the sun's harsh light. At night, under artificial lights, you can feel a little more free to apply foundation all over for more complete coverage. Apply it the same as you would concealer or BB cream. Dab it all over your face, and blend it gently with your fingers or a blending sponge. If you put on too much at this point, don't worry. Just wash your face and start again. Highlight your face by applying a highlighting powder on the areas of your face that light from above would naturally illuminateyour forehead, your nose, the tops of your cheekbones, and your chin. To [Apply Contour Makeup|Contour]], on the other hand, apply dark makeup under your cheekbones or jawline to create shadows that add definition to these areas. It takes some practice to get really good at highlighting and contouring, but once you have it down, you will be able to create some dramatic looks. Instead of the neutral and nude eyeshadows that you'd use for a natural look, try out some bright colors or sparkly shadows. Try out some bright blues, purples, or even rainbow-colored. Or, apply a glittery shadow to your eyelid for a really fun look. Use a dark eyeliner pencil to make your eyes really stand out. To apply basic eyeliner, draw a line from the inner part of your top eyelid, just above your lashes, all the way to the outer edge of your eye. You can stop there, or you can apply it to your lower lid as well, just below the lashes. Or, practice creating a dramatic look like a cat's eye style or winged style. Instead of your clear lip gloss, experiment with bold and dark colors. Try on some reds, purples, or even bolder shades like black or orange.