In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: what do you get when you rip - off good movies like woody allen 's bananas and martin scorsese 's after hours ?
you 'd think you 'd get the best of both films .
instead you get woo .
falling in somewhere between def jam 's how to be a player ( which was awful ) and booty call ( which was ok ) , woo is yet another in the embarassing genre of showing african - americans to be nothing more than sexual buffoons .
the whole film plays out as a black version of after hours , as wild woman woo ( jada pinkett smith ) goes out on a blind date with straight - laced tim ( tommy davidson ) .
mayhem follows them .
for some unknown reason ( read :
contrived screenplay ) davidson puts up with all of woo 's antics for the entire night , which include her destroying his bathroom mirror , stealing things from his house , violently questioning him ( accusing and belittling him actually ) about previous girlfriends , causing a riot in an elegant restaurant , and other various infuriating things that any normal person would n't tolerate .
but for the sake of this bad movie ?
sure , why not ?
there are a few chuckles in the film , the best being the scene swiped directly from bananas .
in this case , davidson is running from thugs , gets into a subway car as the doors are closing , starts to taunt the thugs , then the doors open back up again .
a good joke , but a stolen one .
another chuckle is provided by billy dee williams ' cameo as himself .
movies like woo are seemingly released every three months or so , and not one of them has ever been a hit .
woo wo n't be one either .
so
why was it made ?
and more importantly , is n't there anyone else besides me who thinks these films are offensive ?
everyone involved should really reconsider their careers at this point .
[ r ]

Output: N

Input: Consider Input: "
when you get out of jail , you can kill him .
" starring ashley judd , tommy lee jones , bruce greenwood .
rated r. double jeopardy is a lurid , prepostrous thriller that 's also one of the year 's most enjoyable .
it 's an uncompromisingly brutal , cheerfully anarchic , hyperactive actioner
that has a mission and never diverts from it .
there is not a moment here when the events on screen do n't have a direct bearing on the plot ; once the film gets going it never stops .
it has been branded as the female version of the fugitive and that 's probably a correct assessment of the plot , but the film itself has little in common with the 1993 andrew davis / harrison ford collaboration besides the presence of star tommy lee jones .
not even bothering with character introduction , director bruce beresford floors the gas pedal from the get - go and never finds the brake .
we meet , rather hastily , libby and nick parsons ( ashley judd and bruce greenwood , respectively ) a seemingly happy married couple , with a son matty , age 4 .
they go out on a sailboat one night , and after a period of some rockin ' sex , they go to sleep .
libby hears a strange noise , wakes up and discovers that she is covered with blood .
she follows a red trail to the upper deck , where she finds a knife and , out of astonishment , picks it up .
at that convenient moment , the coast guard shows up and libby is arrested .
her lawyer , a friend , puts up a defense in court , but though we know she is innocent , the evidence against her is too compelling .
her friend adopts her son and she goes to prison .
once in prison , she makes a phone call to her friend .
her friend gives her son the phone .
nick walks in the room .
little matty screams " daddy !
"
the phone goes dead .
libby realizes that the man she is imprisoned for killing is n't even dead .
she gets some advice from a prisoner / former lawyer , who tells her that since the state already convicted her of killing her husband , they ca n't convict her of the same crime again , meaning that when she gets paroled she can kill him and they ca n't touch her .
after a weirdly short amount of time , she gets out of parole .
she is sent to live at a house with other recent parolees , under the command of parole officer travis lehman ( tommy lee jones ) .
she sets out on a mission to find her husband and get her son back , which turns out to be much more difficult than anticipated .
she winds up tracking him all the way to new orleans where she finds out that he has long killed his girlfriend and her son 's " adopter " .
double jeopardy is based on an assumption that is legally false .
the law stating that nobody can be convicted twice for the same crime assumes that it is the same crime : same time , same place , same circumstances .
it 's not like it matters .
this is a rollickingly good thriller ; intense , exciting , fast and furious .
it 's silly alright , but this is the kind of film you just do n't question .
in some films , plausibility is everything .
double jeopardy , however , is not concerned with making sense : its sole purpose is to entertain , and it does .
judd helps the film tremendously in a difficult role .
this is her breakout box - office performance , and she is terrific .
she brings some emotion to what could have been a one - dimensional role , giving the movie a little soul to go along with its effective chase scenes and action set pieces .
tommy lee jones basically just reprises the role for which he won an oscar in the fugitive , but the movie makes good use of his stone - faced wit .
thankfully , too , double jeopardy refrains from developing a romance between libby and travis ; a subplot which doubtlessly would have interfered with the film 's story .
this is one of those movies where cops are the bad guys , and i took a sort of sick pleasure in that .
the sheer anarchy of the proceedings was nothing short of wonderful , as ashley judd kicks the crap out of every authority figure in the book .
after all the idealistic hollywood features featuring hero cops , deft fbi agents and the virtues of the american legal system , it 's great to see a movie that does n't so much demonstrate their fallacy as it delights in their failure .
double jeopardy is really good , but it is n't the kind of good that is remembered or recognized with awards .
it 's one of those movies better viewed with the brain turned off , otherwise , your brain will be busy ruining your experience .
this is a thriller that is n't concerned with being smart or plausible .
instead it diverts all attention to the action , which , this year , is second to none .

Output: P

Input: Consider Input: in tim burton 's ' sleepy hollow ' , there is a mysterious headless horseman who decapitates residents of the small town of the same name .
he rides a beautiful black steed and carries an imposing sword that cauterizes the wound of his victims with an immediate swipe .
burton 's update on washington irving 's classic tale of ' the legend of sleepy hollow ' offers us the mystery of the horseman , when the screenplay should have merely settled on the aspect of the horror .
writer andrew kevin walker ( ' seven ' )
throws in perhaps too healthy a dosage of sherlock holmes , but the visual treatment of the film is absolutely entrancing , as burton offers foggy locales and detailed costumes that are gorgeous and stirring to examine
.
as ' sleepy hollow ' opens , we 're greeted with a juicy cameo from martin landau , who won an oscar in burton 's ' ed wood ' .
landau plays a prominent citizen of sleepy hollow , who , on a fateful carriage ride through the forest , is decapitated by an unseen horseback rider .
after two more murders haunt the residents of the quaint little town , constable ichabod crane ( johnny depp ) is sent in to investigate .
landlord baltus von tassel ( michael gambon ) explains to crane that the heads have been severed from the carcass and mysteriously taken in each separate case , and that they believe the murderer is a dead hessian trooper ( played briefly by a wonderfully jarring christopher walken ) who has risen from the grave after being decapitated in the western woods .
crane is not a man of great superstition , and is determined to root out the human culprit with his assortment of gizmos and gadgets ( things i was not surprised to find in a tim burton movie ) .
first and foremost , ' sleepy hollow ' is a fun horror film .
as with virtually all burton movies , we are treated to a wonderful score by composer danny elfman , who has once again poured excitement and imagination into an atmospheric soundtrack that accentuates the gothic mood perfectly .
the horseman f / x are stylish and impressive , particularly in perfectly blended battle sequences involving actual actors .
but why did i enjoy ' sleepy hollow ' as much as i did ?
although enjoyable , it was not the numerous beheadings and the plentiful gore that spurted
left and right . .
it was the light comic touch that burton applied .
the film has the sweetness of a candy apple , usually channeled through depp 's wonderful performance as the lovable geek ichabod crane , who is no longer a mild - mannered school teacher but still attains his cowardly qualities .
this is certainly not the only alteration that 's been made .
as the film progresses , it becomes apparent that walker is more concerned with the mystery of the murders than the murders themselves .
the momentum is slowed considerably once crane begins piecing the mystery together , because for the audience , it 's not an issue we particularly wish to be solved .
it 's more effective for the headless horseman to be an elusive demon than an elusive demon with an ulterior motive .
still , we are still captivated by the breathtaking technical detail and burton 's keen eye to capture our attention .
the costuming is exceptional , and the dialogue is crisp and effective throughout
( it 's recognizable that the script was refined by award - winning playwright tom stoppard ) .
the supporting cast exhibits more color and playfulness than many . a blonde christina ricci is in fine form as von tassel 's daughter katrina , and an unlikely romance between she and ichabod is surprisingly consistent .
walken , michael gough ( who appeared in burton 's ' batman ' films ) and miranda richardson are all enjoyable in tackling their separate roles .
i suppose the strengths behind ' sleepy hollow ' lie within the central trio : director burton , constable depp and the headless horseman who hunts him down with ruthless accuracy .
all of this is not to be taken seriously , of course .
' sleepy hollow ' is a lavish , frightening and altogether amusing reworking of a classic tale that many people cherished as children .
if you 've got a decent head on your shoulders , you 'll have the good sense to gallop off to the theater and enjoy it one last time .
Output: P