IN: Jean-Christophe Lafaille (31 March 1965 - 27 January 2006 [presumed]) was a French mountaineer noted for a number of difficult ascents in the Alps and Himalaya, and for what has been described as "perhaps the finest self-rescue ever performed in the Himalaya", when he was forced to descend the mile-high south face of Annapurna alone with a broken arm, after his climbing partner had been killed in a fall. He climbed eleven of the fourteen eight-thousand-metre peaks, many of them alone or by previously unclimbed routes, but disappeared during a solo attempt to make the first winter ascent of Makalu, the world's fifth highest mountain.

After Annapurna, Lafaille resolved never to climb again, but during his long physical and psychological recovery he began scrambling in the foothills of the Alps, and eventually returned to extreme climbing. In the Alps he carried out an enchainment of nine north faces in fifteen days, skiing from mountain to mountain, and made the first ascent of the Lafaille Route on the Petit Dru, which at the time was considered the hardest route in the Alps, but his most important climbs were in the Himalaya. A year after his accident on Annapurna, he climbed Cho Oyu, and then in 1994 he climbed a new route, solo, on the north face of Shishapangma. It was the first of many solo ascents of 8000 meter peaks, including consecutive ascents of Gasherbrum I and Gasherbrum II in four days in 1996, and Manaslu in 2001. Annapurna remained an obsession for Lafaille, and he would later call his autobiography Prisoner of Annapurna. He returned to the mountain three times. The first time he made a solo attempt on the British line on the South Face, which failed due to poor snow conditions. In 1998 he returned to the same route with a larger team, but the expedition was abandoned when a team member was killed in an avalanche. He finally reached the summit in 2002 with Alberto Inurrategi via the long, committing east ridge. By 2003 Lafaille had decided to try to climb all fourteen 8000-metre peaks; but unlike many of the mountaineers who take on this goal, he had no desire simply to climb them by well established routes, in large expeditions and with bottled oxygen. He preferred to continue trying to achieve new routes or solo ascents, or to climb in the more demanding winter season. In 2003 he climbed Nanga Parbat, Dhaulagiri (solo) and Broad Peak in a two-month period. The last of these nearly killed him when he fell into a crevasse and then developed high altitude pulmonary edema. He was rescued by Ed Viesturs and Denis Urubko. In December 2004 he made a solo ascent of Shishapangma. It was intended to be the first winter ascent of the mountain, but he reached the summit on 11 December which was seen as too early to be classed as a true winter ascent. By this point he had completed eleven of the fourteen peaks, and needed Everest, Kanchenjunga and Makalu to complete his goal.

Did he climb anywhere after that?

OUT: A year after his accident on Annapurna, he climbed Cho Oyu, and then in 1994 he climbed a new route, solo,

IN: "(I Can't Get No) Satisfaction" is a song by the English rock band the Rolling Stones, released in 1965. It was written by Mick Jagger and Keith Richards and produced by Andrew Loog Oldham. Richards' three-note guitar riff--intended to be replaced by horns--opens and drives the song. The lyrics refer to sexual frustration and commercialism.

Richards recorded the rough version of the riff in a hotel room at the Fort Harrison Hotel in Clearwater, Florida. He ran through it once before falling asleep. He said when he listened to the recording in the morning, there was about two minutes of acoustic guitar before you could hear him drop the pick and "then me snoring for the next forty minutes". The Rolling Stones first recorded the track on 10 May 1965 at Chess Studios in Chicago, Illinois, which included Brian Jones on harmonica. The Stones lip-synched to a dub of this version the first time they debuted the song on the American music variety television programme Shindig! The group re-recorded it two days later at RCA Studios in Hollywood, California, with a different beat and the Maestro fuzzbox adding sustain to the sound of the guitar riff. Richards envisioned redoing the track later with a horn section playing the riff: "this was just a little sketch, because, to my mind, the fuzz tone was really there to denote what the horns would be doing." The other Rolling Stones, as well as producer and manager Andrew Loog Oldham and sound engineer David Hassinger eventually outvoted Richards and Jagger so the track was selected for release as a single. The song's success boosted sales of the Gibson fuzzbox so that the entire available stock sold out by the end of 1965. Author Gary West cites a different source for the release of "Satisfaction" in interviewing WTRY radio (Troy, NY) DJ Joe Condon. In the interview, Condon clearly states that his radio station began playing "Satisfaction" on 29 April 1965, making the above recording date impossible. It can be assumed that "Satisfaction" was probably recorded earlier in April, and that WTRY was playing a test pressing. Like most of the Stones' pre-1966 recordings, "Satisfaction" was originally released in mono only. In the mid-1980s, a true stereo version of the song was released on German and Japanese editions of the CD reissue of Hot Rocks 1964-1971. The stereo mix features a piano (played by session player Jack Nitzsche, who also provides the song's iconic tambourine) and acoustic guitar that are barely audible in the original mono release (both instruments are also audible on a bootleg recording of the instrumental track). This stereo mix of "Satisfaction" also appeared on a radio-promo CD of rare stereo tracks provided to US radio stations in the mid-1980s, but has not yet been featured on a worldwide commercial CD; even later pressings of the German and Japanese Hot Rocks CDs feature the mono mix, making the earlier releases with the stereo mix collectors' items. For the worldwide 2002 reissue of Hot Rocks, an alternative quasi-stereo mix was used featuring the lead guitar, bass, drums, and vocals in the center channel and the acoustic guitar and piano "split" left and right via a delay effect.

Was the single successful?

OUT:
The song's success boosted sales of the Gibson fuzzbox so that the entire available stock sold out by the end of 1965.