Part 1. Definition
In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Part 2. Example
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Answer: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Part 3. Exercise
Context_1 : Naturen (English: The Nature ) is a Norwegian popular science magazine, which has been published since 1877 in Bergen, Norway. It is the earliest still running popular science magazine of the country. Context_2 : The mutilated chessboard problem is a tiling puzzle proposed by philosopher Max Black in his book "Critical Thinking" (1946). It was later discussed by Solomon W. Golomb (1954), and by Martin Gardner in his "Scientific American" column "Mathematical Games". The problem is as follows: Context_3 : Scientific American (informally abbreviated SciAm) is an American popular science magazine. Many famous scientists, including Albert Einstein, have contributed articles in the past 170 years. It is the oldest continuously published monthly magazine in the United States(though it only became monthly in 1921). Context_4 : Graham's number is an enormous number that arises as an upper bound on the answer of a problem in the mathematical field of Ramsey theory. It is named after mathematician Ronald Graham, who used the number as a simplified explanation of the upper bounds of the problem he was working on in conversations with popular science writer Martin Gardner. Gardner later described the number in "Scientific American" in 1977, introducing it to the general public. At the time of its introduction, it was the largest specific positive integer ever to have been used in a published mathematical proof. The number was published in the 1980 "Guinness Book of World Records", adding to its popular interest. Other specific integers (such as TREE(3)) known to be far larger than Graham's number have since appeared in many serious mathematical proofs, for example in connection with Harvey Friedman's various finite forms of Kruskal's theorem. Additionally, smaller upper bounds on the Ramsey theory problem from which Graham's number derived have since been proven to be valid. Context_5 : In the geometry of tessellations, a rep-tile or reptile is a shape that can be dissected into smaller copies of the same shape. The term was coined as a pun on animal reptiles by the American mathematician Solomon W. Golomb, who used it to describe self-replicating tilings. In 2012 a generalization of rep-tiles called self-tiling tile sets was introduced by Lee Sallows in "Mathematics Magazine". Context_6 : Martin Gardner (October 21, 1914May 22, 2010) was an American popular mathematics and popular science writer, with interests also encompassing scientific skepticism, micromagic, philosophy, religion, and literatureespecially the writings of Lewis Carroll, L. Frank Baum, and G. K. Chesterton. He was considered a leading authority on Lewis Carroll. "The Annotated Alice", which incorporated the text of Carroll's two Alice books, was his most successful work and sold over a million copies. He had a lifelong interest in magic and illusion and was regarded as one of the most important magicians of the twentieth century. He was considered the dean of American puzzlers. He was a prolific and versatile author, publishing more than 100 books. Context_7 : Solomon W. Butler (March 3, 1895 December 1, 1954) was a multi-talented athlete who competed in American football and track and field. He finished seventh in the long jump competition at the 1920 Summer Olympics. He also played in the National Football League for the Hammond Pros, Akron Pros, Canton Bulldogs, Buffalo Bisons, and Rock Island Independents. Butler is buried at Maple Grove Cemetery in Wichita, Kansas. Referenced sometimes as Edward Solomon Butler, was a name used by alternate people to gain notoriety off the exploits of Solomon W. Butler in various parts of the country. Context_8 : Golomb coding is a lossless data compression method using a family of data compression codes invented by Solomon W. Golomb in the 1960s. Alphabets following a geometric distribution will have a Golomb code as an optimal prefix code, making Golomb coding highly suitable for situations in which the occurrence of small values in the input stream is significantly more likely than large values. Context_9 : In mathematics, the Golomb sequence, named after Solomon W. Golomb (but also called Silverman's sequence), is a non-decreasing integer sequence where "a" is the number of times that "n" occurs in the sequence, starting with "a" = 1, and with the property that for "n" > 1 each "a" is the unique integer which makes it possible to satisfy the condition. For example, "a" = 1 says that 1 only occurs once in the sequence, so "a" cannot be 1 too, but it can be, and therefore must be, 2. The first few values are Context_10 : A powerful number is a positive integer "m" such that for every prime number "p" dividing "m", "p" also divides "m". Equivalently, a powerful number is the product of a square and a cube, that is, a number "m" of the form "m" = "a""b", where "a" and "b" are positive integers. Powerful numbers are also known as squareful, square-full, or 2-full. Paul Erdos and George Szekeres studied such numbers and Solomon W. Golomb named such numbers "powerful". fact_1 : The mutilated chessboard problem is a tiling puzzle proposed by philosopher Max Black in his book "Critical Thinking" (1946). fact_2 : It was later discussed by Solomon W. Golomb (1954), and by Martin Gardner in his "Scientific American" column "Mathematical Games". fact_3 : Scientific American (informally abbreviated SciAm) is an American popular science magazine. Answer: Scientific American
Answer:
What is the name of an American popular science magazine that included a discussion by Solomon W. Golomb and Martin Gardner on mutilated chessboard problem?