IN: Rosenberg was born on 12 January 1893 in Tallinn in the Russian Empire, the capital of modern Estonia, to a family of Baltic Germans. His father, Waldemar Wilhelm Rosenberg, was a wealthy merchant from Latvia, and his mother, Elfriede (nee Sire), was a teacher of French language in Tallinn. The Hungarian-Jewish journalist Franz Szell, who was apparently residing in Tilsit, Lithuania, spent a year researching in Latvian and Estonian archives before publishing in 1936 an open letter, with copies to Hermann Goring, Joseph Goebbels, German foreign minister Konstantin von Neurath, and others, accusing Rosenberg of having "no drop of German blood" flowing in his veins. Szell wrote that among Rosenberg's ancestors were only "Latvians, Jews, Mongols, and French."

Since the invasion of the Soviet Union intended to impose the New Order, it was essentially a war of conquest. German propaganda efforts designed to win over Russian opinion were, at best, patchy and inconsistent. Alfred Rosenberg was one of the few in the Nazi hierarchy who advocated a policy designed to encourage anti-Communist opinion among the population of the occupied territories. His interest here was mainly in the non-Russian areas such as the Ukraine and the Baltic States; however, supporters of the Russian Liberation Army were somewhat able to win him over. Amongst other things, Rosenberg issued a series of posters announcing the end of the Soviet collective farms (kolkhoz). He also issued an Agrarian Law in February 1942, annulling all Soviet legislation on farming and restoring family farms for those willing to collaborate with the occupiers. But decollectivisation conflicted with the wider demands of wartime food production, and Hermann Goring demanded that the collective farms be retained, save for a change of name. Hitler himself denounced the redistribution of land as "stupid". There were numerous German armed forces (Wehrmacht) posters asking for assistance in the Bandenkrieg, the war against the Soviet partisans, though, once again, German policy had the effect of adding to their problems. Posters for "volunteer" labour, with inscriptions like "Come work with us to shorten the war", hid the appalling realities faced by Russian workers in Germany. Many people joined the partisans rather than risk being sent to an unknown fate in the west. Another of Rosenberg's initiatives, the "Free Caucasus" campaign, was rather more successful, attracting various nationalities into the so-called Eastern Legion (Ostlegionen), though in the end this made little difference in the outcome of the war on the Eastern Front.

What made it more successful than his other campaigns?

OUT: attracting various nationalities into the so-called Eastern Legion (Ostlegionen), though in the end this made little difference in the outcome of the war on the Eastern Front.

IN: King Crimson are an English progressive rock band formed in London in 1968. King Crimson have been influential both on the early 1970s progressive rock movement and numerous contemporary artists. The band has undergone numerous formations throughout its history of which 21 musicians have been members; since October 2017 it has consisted of Robert Fripp, Jakko Jakszyk, Tony Levin, Mel Collins, Pat Mastelotto, Gavin Harrison, Jeremy Stacey and Bill Rieflin. Fripp is the only consistent member of the group and is considered the band's leader and driving force.

After their first US tour, King Crimson was in a state of flux with various line-up changes, thwarted tour plans, and difficulties in finding a satisfactory musical direction. This period has subsequently been referred to as the "interregnum" - a nickname implying that the "King" (King Crimson) was not properly in place during this time. Fripp became the only remaining musician in the band, with Sinfield expanding his creative role to playing synthesizers. Fripp and Sinfield recorded the second King Crimson album, In the Wake of Poseidon, in 1970 with the Giles brothers hired back as the session rhythm section, and with jazz pianist Keith Tippett and Circus saxophonist Mel Collins as guest musicians. The group considered hiring Elton John to be the singer, but decided against the idea. Lake then agreed to sing on the album in exchange for receiving King Crimson's PA equipment, except on "Cadence and Cascade", which is sung by Fripp's friend Gordon Haskell. Though Tippett was offered band membership, he preferred to remain as a studio collaborator, performing with the band for a single gig. Upon its release in May 1970, In the Wake of Poseidon reached No. 4 in the UK and No. 31 in the US. It received some criticism from those who thought it sounded too similar to their first album. With no musicians to perform material from their new album, Fripp and Sinfield persuaded Haskell to join as singer and bassist and recruited Andy McCulloch as drummer, retaining Collins as saxophonist, flautist and occasional keyboard player. During the writing sessions for the third album, Lizard, Haskell and McCulloch had no say in the direction of the material, since Fripp and Sinfield wrote the album themselves, bringing in Tippett, Mark Charig on cornet, Nick Evans on trombone, and Robin Miller on oboe and cor anglais as additional musicians. Haskell sang and played bass. Jon Anderson of Yes was also brought in to sing the first part of the album's title track, "Prince Rupert Awakes", which Fripp and Sinfield considered to be outside Haskell's range and style. Lizard featured stronger avant-garde jazz and chamber-classical influences than previous albums, as well as Sinfield's upfront experiments with processing and distorting sound through the EMS VCS 3 synthesiser. It also featured complex lyrics from Sinfield, including a coded song about the break-up of the Beatles, with almost the entire second side taken up by a predominantly instrumental chamber suite describing a medieval battle and its outcome. Released in December 1970, Lizard reached No. 29 in the UK and No. 113 in the US. Described retrospectively as an "acquired taste"., Lizard was certainly not to the taste of the more rhythm-and-blues-oriented Haskell and McCulloch, both of whom found the music difficult to relate to. As a result, Haskell quit the band acrimoniously after refusing to sing live with distortion and electronic effects. McCulloch also departed, leaving Fripp and Sinfield to recruit new members once more.

Was that album successful?

OUT:
Lizard reached No. 29 in the UK and No. 113 in the US.