Some context: The Rise and Fall of Ziggy Stardust and the Spiders from Mars (often shortened to Ziggy Stardust) is the fifth studio album by English musician David Bowie, released on 16 June 1972 in the United Kingdom. It was produced by Bowie and Ken Scott and features contributions from the Spiders from Mars, Bowie's backing band - Mick Ronson, Trevor Bolder and Mick Woodmansey. The album was recorded in Trident Studios, London, like his previous album, Hunky Dory. Most of the album was recorded in November 1971 with further sessions in January and early February 1972.
Bowie started working on his fourth album, Hunky Dory on 8 June 1971 at Trident Studios, London. RCA Records in New York heard the tapes and signed him to a three-album deal on 9 September. Hunky Dory was released on 17 December to positive reviews and moderate commercial success. Hunky Dory and Ziggy Stardust were almost recorded back-to-back, but much of the material for Ziggy Stardust was recorded before Hunky Dory was released. His backing band realised that most of the songs on Hunky Dory were not suitable live material, so they needed a follow-up that could be toured behind. Ziggy Stardust's sessions also took place at Trident, using a 16-track 3M M56 tape recorder. The sessions started on 8 November 1971, with the bulk of the album recorded that month, and concluded on 4 February 1972. Bowie had recorded early versions of the songs "Moonage Daydream" and "Hang On to Yourself" in February 1971, for the Arnold Corns side project, and had taped demos of "Ziggy Stardust" and "Lady Stardust" around that time. The November 1971 sessions produced the final versions of those four songs, along with "Rock 'n' Roll Star" (later shortened to "Star"), "Soul Love", and "Five Years", as well as some unreleased tracks. In 2012, co-producer Ken Scott said that "95 percent of the vocals on the four albums I did with him as producer, they were first takes." Also recorded during the November sessions were five more songs: two covers, Chuck Berry's "Around and Around" (re-titled "Round and Round") and Jacques Brel's "Amsterdam" (re-titled "Port of Amsterdam"); and three original tracks: "Velvet Goldmine", "Bombers", and a re-recording of "Holy Holy". All these songs were initially slated for the album. Bowie also intended "All the Young Dudes", "Rebel Rebel" and "Rock 'n' Roll with Me" to be on a Ziggy Stardust musical, which was later aborted. After recording some of the new songs for radio presenter Bob Harris's Sounds of the 70s as the newly dubbed Spiders from Mars in January 1972, the band returned to Trident that month to begin work on "Suffragette City" and "Rock 'n' Roll Suicide". RCA executive Dennis Katz had complained that the album did not contain a single, so Bowie wrote "Starman", the last song to be written, which was completed on 4 February 1972. He handed the final tape to Katz, who convinced Bowie to release the song as a single and include it in the album, replacing "Round and Round". "Starman" was released as a single on 28 April 1972, and became a hit after a successful performance on the BBC television programme Top of the Pops. The Ron Davies cover "It Ain't Easy", recorded on 9 July 1971 during the Hunky Dory sessions, closed the first side of the album.
Did he release any more music?
A: "Suffragette City" and "Rock 'n' Roll Suicide".
Some context: LaBeouf was born in Los Angeles, California, as the only child of Shayna (nee Saide) and Jeffrey Craig LaBeouf. His mother is a dancer and ballerina turned visual artist and clothing jewelry designer. His father is a Vietnam War veteran who had numerous jobs. LaBeouf's mother is Jewish, and his father, who is of Cajun descent, is Christian.
On December 17, 2013, LaBeouf released his short film Howard Cantour.com to the Internet; shortly thereafter, several bloggers noted its close similarity to Justin M. Damiano, a 2007 comic by Ghost World creator Dan Clowes. Wired journalist Graeme McMillan noted at least three similarities in their article, one of which was that the opening monologue for the short and the comic were identical. LaBeouf would later remove the film and claim that he did not intend to copy Clowes but was instead "inspired" by him and "got lost in the creative process." He followed this up with several apologies via Twitter writing, "In my excitement and naivete as an amateur filmmaker, I got lost in the creative process and neglected to follow proper accreditation", and "I deeply regret the manner in which these events have unfolded and want @danielclowes to know that I have a great respect for his work". Clowes responded by saying "The first I ever heard of the film was this morning when someone sent me a link. I've never spoken to or met Mr. LaBeouf ... I actually can't imagine what was going through his mind." LaBeouf was criticized over his apology, with some sites such as The A.V. Club noting that the apology itself appeared to have been lifted from a 2010 post on Yahoo! Answers. Since the initial discovery of the plagiarism of Clowe's work, LaBeouf's other work has come under scrutiny. News outlets reported that LaBeouf's comic books, Let's Fucking Party and Stale N Mate, had been plagiarized from Benoit Duteurtre's The Little Girl and the Cigarette and Charles Bukowski's Assault. In January 2014, LaBeouf spoke about the plagiarism accusations with Bleeding Cool writer Rich Johnston, where he stated that he saw copyright laws as too restrictive and that it did not allow for ideas to flow freely. LaBeouf later tweeted a description of his next project, Daniel Boring (a reference to David Boring, another comic created by Clowes). The description of the project was also taken word-for-word from a description by Clowes of his comic. Clowes' attorney, Michael Kump, has since sent a cease-and-desist letter to LaBeouf's attorney, which LaBeouf posted on Twitter.
Did LaBeouf have an excuse for the similarities?
A:
he stated that he saw copyright laws as too restrictive and that it did not allow for ideas to flow freely.