In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : Ida Elizabeth Stover Eisenhower (May 1, 1862 September 11, 1946) was the mother of U.S. President Dwight David Eisenhower (18901969), university president Milton Stover Eisenhower (18991985), Edgar N. Eisenhower (18891971), and Earl D. Eisenhower (18981968). Context_2 : Christian O. Musser (18631950) was born in Lancaster County, Pennsylvania and moved to Dickinson County, Kansas, in March 1884. In November 1884 he married Amanda Eisenhower (18611951), whose brother David J. Eisenhower was the father of President Dwight D. Eisenhower. Musser farmed briefly near Abilene but in December 1889 took a job at the Belle Springs Creamery in Abilene, Kansas where he worked for 38 years. In 1892, when the Eisenhower family was living in Texas, Musser made it possible for the family to move to Abilene (now the site of the Eisenhower Presidential Center) by obtaining a job for David J. Eisenhower at the Creamery. Musser was active in the Brethren in Christ Church, and invested in real estate in the Abilene area. Context_3 : Dwight David Eisenhower High School ( ) is located in Yakima, Washington, United States. It is named after U.S. President Dwight Eisenhower. It is one of four high schools in the Yakima School District, the others being Davis High School, Stanton Academy and O.I.C. Alternative. Students of Eisenhower and other schools refer to the school as Ike. Context_4 : Milton Stover Eisenhower (September 15, 1899 May 2, 1985) was an American educational administrator. He served as president of three major American universities: Kansas State University, the Pennsylvania State University, and the Johns Hopkins University. He was the younger brother of U.S. President Dwight D. Eisenhower. Context_5 : Emmett John Hughes (December 26, 1920 September 18, 1982) was a foreign bureau chief for and article editor for Time-Life and an aide and speechwriter for U.S. President Dwight D. Eisenhower. His is also known for his 1962 memoir "The Ordeal of Power", a scathing review that questioned Eisenhower's political smarts and depicted Eisenhower as ill-suited for the White House. Context_6 : The Chance for Peace speech, also known as the Cross of Iron speech, was an address given by U.S. President Dwight D. Eisenhower on April 16, 1953, shortly after the death of Soviet dictator Joseph Stalin. Speaking only three months into his presidency, Eisenhower likened arms spending to stealing from the people, and evoked William Jennings Bryan in describing "humanity hanging from a cross of iron." Although Eisenhower, a former military man, spoke against increased military spending, the Cold War deepened during his administration and political pressures for increased military spending mounted. By the time he left office in 1961, he felt it necessary to warn of the military-industrial complex. Context_7 : Edgar N. Eisenhower (19 January 1889 12 July 1971) was a lawyer, and an older brother of President Dwight D. Eisenhower. He was born in Hope, Kansas and graduated from the University of Michigan in 1914. He began practicing law in 1915 in Tacoma, Washington and was known as a "shoot from the hip ultraconservative." Context_8 : The Eisenhower Home in Abilene, Kansas at the Eisenhower Presidential Center, was the house where U.S. President Dwight D. Eisenhower lived with his five brothers from 1898 to 1911, when he entered the U.S. Military Academy at West Point at age 20. In 1898 Eisenhower's father, David Jacob Eisenhower, and his wife Ida Elizabeth Stover Eisenhower, bought the house from David's uncle Abraham. David and Ida lived in the house until their deaths in 1942 and 1946. Context_9 : The U.S. President's Commission on Foreign Economic Policy (the Randall Commission) was established on August 7, 1953 by Public Law 215 entitled "Trade Agreements Extension Act of 1953" which extended the Trade Agreements Extension Act of 1951 for one year. On April 7, 1953 President Dwight D. Eisenhower requested that Congress extend for one year the Reciprocal Trade Agreements Act, a measure which had originally been passed in 1934. Under this act and its subsequent extensions, the President was authorized to negotiate agreements with other countries for tariff reduction. In his message of April 7, the President called for a commission to study U.S. foreign economic policy in general. Section 301 of this Act provided for a bipartisan commission which consisted of seventeen members: seven appointed by the President, five appointed from the Senate by the Vice President, and five from the United States House of Representatives by the Speaker. President Eisenhower appointed Clarence B. Randall, Chairman of the Board of Inland Steel Company, as Chairman of the Commission. The Commission was directed to examine and report on the subjects of international trade, foreign economic policy, and the trade aspects of national security and total foreign policy. It was to recommend appropriate policies, measures, and practices, based on its findings, in a report to Congress. Context_10 : "And I don't care what it is" is a phrase attributed to U.S. President Dwight Eisenhower, and often misquoted. For example, one encyclopedia says: "Eisenhower once remarked that 'America makes no sense without a deeply held faith in Godand I don't care what it is.'" Some commentators, such as Will Herberg, argued that Eisenhower favored a generic, watered-down religion, or ridiculed Eisenhower's banality. What Eisenhower actually said, when he was President-elect, was that the American form of government since 1776 was based on Judeo-Christian moral values. Speaking extemporaneously on December 22, 1952, a month before his inauguration, Eisenhower actually said: fact_1 : Ida Elizabeth Stover Eisenhower (May 1, 1862 September 11, 1946) was the mother of U.S. President Dwight David Eisenhower (18901969), university president Milton Stover Eisenhower (18991985), Edgar N. Eisenhower (18891971), and Earl D. Eisenhower (18981968). fact_2 : Edgar N. Eisenhower (19 January 1889 12 July 1971) was a lawyer, and an older brother of President Dwight D. Eisenhower. Answer: mother
Solution:
What relationship was Ida Stover Eisenhower to U.S. President Dwight D. Eisenhower and the lawyer Edgar N. Eisenhower?