Question:
Hiatt was born in 1952 to Ruth and Robert Hiatt, the sixth of seven children in a Roman Catholic family from Indianapolis. When he was nine years old, Hiatt's 21-year-old brother Michael committed suicide. Only two years later, his father died after a long illness. To escape from the stress of his early life, Hiatt watched IndyCar racing and listened to Elvis Presley, Bob Dylan, and the blues.
Hiatt was picked up by the MCA label in 1979. He released two albums for the label - Slug Line (1979) and Two Bit Monsters (1980) - neither of which met with commercial success. He received a few good reviews for these albums by critics in the Netherlands. He performed at Paradiso in Amsterdam for the first time in 1979 (opening for Southside Johnny & The Asbury Jukes) and came back often and built a solid fan base. In 1982, "Across the Borderline", written by Hiatt with Ry Cooder and Jim Dickinson, appeared on the soundtrack to the motion picture "The Border", sung by country star Freddy Fender. The song would later be covered on albums by Willie Nelson, Paul Young, Ruben Blades and Willy DeVille, among others, as well as by Bruce Springsteen and Bob Dylan in concert. Hiatt was signed to Geffen (which would later absorb MCA) in 1982, where he recorded three diverse albums from 1982 to 1985. The first, All of a Sudden, was produced by Tony Visconti, and featured use of keyboards and synthesizers; his future albums combined country and soul influences. Riding With the King appeared in 1983, produced by Scott Mathews, Ron Nagle and Nick Lowe. Hiatt began making "critics choice" lists and building a large European following. The title track of Riding With the King (taken from an odd dream Scott Mathews had) was re-recorded two decades later by Eric Clapton and B.B. King and went double platinum. During this period, Rosanne Cash covered several Hiatt compositions, taking "It Hasn't Happened Yet" to the Top 20 on the country charts. In 1983, Cash would duet with Hiatt on his "The Way We Make a Broken Heart" produced by Mathews and Nagle. When Geffen failed to release the single, Cash re-recorded it in 1987 and it went to No. 1 on the US country charts. It was during this time that Asleep At The Wheel also covered the song. Ricky Nelson also covered "It Hasn't Happened Yet" on his 1981 album Playing to Win. Hiatt recorded a duet with Elvis Costello, a cover version of the Spinners' song, "Living A Little, Laughing A Little", which appeared on Warming Up to the Ice Age. Shortly after its release, Bob Dylan covered Hiatt's song "The Usual", which had appeared on the soundtrack to the film, Hearts of Fire. However, Geffen dropped Hiatt from the label after Ice Age failed to chart.
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Did he go on tour for any of these albums?

Answer:

Question:
The North American fur trade was the industry and activities related to the acquisition, trade, exchange, and sale of animal furs in North America. Aboriginal peoples in Canada and Native Americans in the United States of different regions traded among themselves in the Pre-Columbian Era, but Europeans participated in the trade beginning from the time of their arrival in the New World and extended its reach to Europe. The French started trading in the 16th century, the English established trading posts on Hudson Bay in present-day Canada in the 17th century, and the Dutch had trade by the same time in New Netherland. The 19th-century North American fur trade, when the industry was at its peak of economic importance, involved the development of elaborate trade networks.
Deerskin trade was at its most profitable in the mid-18th century. The Creeks rose up as the largest deerskin supplier, and the increase in supply only intensified European demand for deerskins. Native Americans continued to negotiate the most lucrative trade deals by forcing England, France, and Spain to compete for their supply of deerskins. In the 1750s and 1760s, the Seven Years' War disrupted France's ability to provide manufactures goods to its allies, the Choctaws and Chickasaw. The French and Indian War further disrupted trade, as the British blockaded French goods. The Cherokees allied themselves with France, who were driven out from the southeast in accordance with the Treaty of Paris in 1763. The British were now the dominant trading power in the southeast. While both the Cherokee and the Creek were the main trading partners of the British, their relationships with the British were different. The Creeks adapted to the new economic trade system, and managed to hold onto their old social structures. Originally Cherokee land was divided into five districts; however, the number soon grew to thirteen districts with 200 hunters assigned per district due to deerskin demand. Charleston and Savannah were the main trading ports for the export of deerskins. Deerskins became the most popular export, and monetarily supported the colonies with the revenue produced by taxes on deerskins. Charleston's trade was regulated by the Indian Trade Commission, composed of traders who monopolized the market and profited off the sale of deerskins. From the beginning of the 18th century to mid-century, the deerskin exports of Charleston more than doubled in exports. Charleston received tobacco and sugar from the West Indies and rum from the North in exchange for deerskins. In return for deerskins, Great Britain sent woolens, guns, ammunition, iron tools, clothing, and other manufactured goods that were traded to the Native Americans.
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What other wars or conflicts disrupted the fur trade during this time?

Answer:
The French and Indian War

Question:
Antoine Dominique "Fats" Domino Jr. (February 26, 1928 - October 24, 2017) was an American pianist and singer-songwriter. One of the pioneers of rock and roll music, Domino sold more than 65 million records. Between 1955 and 1960, he had eleven Top 10 hits. His humility and shyness may be one reason his contribution to the genre has been overlooked.
Domino moved to ABC-Paramount Records in 1963. The label dictated that he record in Nashville, Tennessee, rather than New Orleans. He was assigned a new producer (Felton Jarvis) and a new arranger (Bill Justis). Domino's long-term collaboration with the producer, arranger, and frequent co-writer Dave Bartholomew, who oversaw virtually all of his Imperial hits, was seemingly at an end. Jarvis and Justis changed the Domino sound somewhat, notably by adding the backing of a countrypolitan-style vocal chorus to most of his new recordings. He released 11 singles for ABC-Paramount, several which hit the Top 100 but just once entering the Top 40 ("Red Sails in the Sunset", 1963). By the end of 1964 the British Invasion had changed the tastes of the record-buying public, and Domino's chart run was over. Despite the lack of chart success, Domino continued to record steadily until about 1970, leaving ABC-Paramount in mid-1965 and recording for Mercury Records, where he delivered a live album and two singles. A studio album was planned but stalled with just four tracks recorded . Dave Bartholomew's small Broadmoor label (reuniting with Bartholomew along the way), featured many contemporary Soul infused sides but an album was released overseas in 1971 to fulfill his Reprise Records contract. He shifted to that label after Broadmoor and had a Top 100 single, a cover of the Beatles' "Lady Madonna". Domino appeared in the Monkees' television special 33 1/3 Revolutions per Monkee in 1969. He continued to be popular as a performer for several decades. He made a cameo appearance in Clint Eastwood's movie Any Which Way You Can, filmed in 1979 and released in 1980 singing the country song "Whiskey Heaven" which later became a minor hit. His life and career were showcased in Joe Lauro's 2015 documentary The Big Beat: Fats Domino and the Birth of Rock 'n' Roll.
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What did he do in the 70s?

Answer:
Domino continued to record steadily until about 1970,