In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
romeo is bleeding wants to carry the unusual flavor of reservoir dogs or bad lieutenant .
with director peter medak , whose previous credits include the good films let him have it and the krays , and top - notch character actors gary oldman and lena olin , they seemed likely to be a successful combination .
those mentioned films , however , brought something to the screen that romeo is bleeding
did not : a solid , well - written screenplay .
call me cynical , but the jobs of writer and producer do n't seem to mix well .
gary oldman plays jack grimaldi , a good cop turned bad , selling information to the mob and cheating on his wife .
his cheating is obvious enough to obtain his nickname , although the name does n't provide any insight or analogy to the shakespearean character .
jack has become addicted to " feeding the hole " , a hole in the ground where he stores his payoff money .
when he realizes his colleagues are being shot , he feebly attempts to get out .
gary oldman 's performance is disappointingly weak ; he seems nearly bored .
in the process , he also gets tangled - up with mona demarkov , a russian mobsterette who wants to take over the territory from top boss falcone , played adequately by roy scheider .
demarkov , played by lena olin , is a tough but tremendously sexy woman with seemingly no problems maneuvering within the mob world .
this character is combination of both linda hamilton and arnold schwarznegger from terminator 2 .
i ca n't remember seeing a character quite like her .
after being shot , handcuffed , and thrown in the back seat of a car , she still manages to cause an accident , kick out the windshield with her legs , grab a suitcase full of money ( plus some important documentation ) , climb through the rubble , land on her shot leg , and still succeed at running for safety .
what a woman ! lena olin 's performance is the only glimmer in this dismal film .
anabella sciorra is wasted in her role as romeo 's wife .
there is little insight into her character .
she 's depressed , she makes obvious references , she mopes around the house .
juliette lewis , as romeo 's girlfriend , is treated with the same cliche attitudes , although ms .
lewis ' portrayal certainly did n't improve it .
both women were anything but sexy or attractive .
poorly developed characters aside , the screenplay also suffers from several logistical problems .
it is so discouraging to watch a film and want to shout at the main character ( not ) to do something .
for example , jack and his friends attend a funeral to hang in the background to scope - out the mob scene .
fine .
jack spots the big boss with his goons by the gravesite .
fine .
what does jack proceed to do ?
he brushes his friends off by telling them he is n't feeling well , then strolls over to the boss .
why ?
the boss had all ready threatened him ; falcone simply takes the opportunity to issue more threats by ordering his goons to take off some of jack 's toes by the gravesite .
i guess they were n't worried about any federal agents lingering around after the funeral . . .
.
or here 's another : demarkov set - up her own death by cutting off her arm with a circular saw .
she proceeded to set the place on fire .
would n't the flames burn off the fingerprints ?
are n't dental records more important ?
as bright and resourceful as she was supposed to be , could n't she come up with a better plot ?
( and it took her no time at all to get a good - fitting , functional prosthesis . ) lack of attention to detail
certainly adds up in a film .
this film does n't even add up the large details .
there is little or no consistency in the story - line .
not much makes sense .
the direction lacks cohesion , surprising from a director whose previous credits are impeccable .
the moods shift , the styles shift , and no one can seem to decide if it is a serious film or satire of one .
so while it certainly is n't reservoir dogs , it certainly is n't diva .
there 's plenty more to tear apart in this film .
my advice to someone who has n't seen it to to wait until it comes on video .
there are some quotable lines that would provide a campy evening if not taken seriously .
it 's not a boring film ,
just not a good one . or an intelligent one .

Ex Output:
N

Ex Input:
an unhappy italian housewife , a lonely waiter , a goofy masseuse , lots of love , and gorgeous scenery all come together in bread and tulips , which proves charming despite its covering of predictable , well - worn material .
the story concerns the aforementioned housewife , rosalba barletta ( licia maglietta ) who accidentally becomes separated from her immediate family while on vacation .
instead of waiting for a ride home , rosalba opts not to go home to her italian town , but to instead hitchhike to venice . upon arriving , she tells her self - centered husband , mimmo ( an excellent antonio catania ) that she 'll be home in a few days .
of course , that does n't happen , as rosalba quickly gains a level of independence that has been unattainable in her past life of scrubbing floors and buying groceries .
in what seems like days , she moves in with lonely , suicidal waiter fernando ( bruno ganz ) , gets a job as a florist , learns the accordion , and befriends her neighbor -- a wacky holistic masseuse named grazia ( marina massironi ) .
rosalba , who is first seen wearing a gaudy stretch pants outfit , starts wearing sexy dresses and getting closer to fernando .
i can think of at least five other ( american ) movies ( including fried green tomatoes and an unmarried woman ) that are more than similar to bread and tulips .
but maglietta and ganz , who act with restraint and care , help bread and tulips from becoming a tired retread .
ganz plays the suicidal waiter role with a solemn , sometimes playful dignity that is a joy to watch , while maglietta never overreacts to her growing comfort with the outside world .
throughout the movie , maglietta has an easygoing , confident demeanor , which makes it very easy to root for her and her growing attraction for ganz 's character .
the gorgeous scenery of moonlit town squares and sparkling rivers provides a perfect love story backdrop
-- you just might want to ask the attractive stranger in the seat behind you for coffee after the lights come up .
director and co - writer silvio soldini must get credit for sprinkling the movie with effective goofy humor .
the cheap mimmo , desperate to find his wife ( after all , he needs his shirts ironed and his mistress wo n't do it ) , hires a job applicant ( giuseppe battiston ) at his bathroom supply firm to do the job .
the reason ?
mimmo discovers that the prospective plumber loves detective stories .
the novice detective 's various misfortunes , including him saying goodbye to his weepy mother , are very funny .
unfortunately , there are flaws that somewhat spoil bread and tulips ' cheery tone .
rosalba is bothered by several surreal dreams during her time in venice , which bring the movie to a halt .
it 's like putting a gunfight in a nora ephron movie .
several details in fernando 's life also never get proper closure , including his suicidal tendencies .
early in the movie , he nearly hangs himself before rosalba knocks on his apartment door .
after that , fernando 's step towards death is never made reference to , probably because soldini wanted to include a lukewarm , underdeveloped subplot about fernando 's stormy past .
it seems more like a desperate attempt to pump up the drama in a plot that does n't need any .
but there are n't a lot of overwhelming negatives in bread and tulips .
the movie is fun and romantic , with beautiful scenery and characters whose lives we 'd like to live if we had the nerve . . .
or if our passports were n't missing .

Ex Output:
P

Ex Input:
i can see a decent sports movie struggling to break free of oliver stone 's ' any given sunday ' .
it 's an entertaining movie that offers both insight and excitement into the rock - em , sock - em profession of pro football .
unfortunately , the director seems to have only one priority on his mind : sprucing up the film with an assortment of fancy camera maneuvers .
in altering each frame with quick - flash photography and dizzying , in - your - face editing , stone appears to have completely ignored the matter of plausible character development and football politics .
we see glimpses of greatness , but ' any given sunday ' has its agenda all tangled in technical gobbledy - gook .
it grows tiresome and monotonous
.
yes , stone has pulled a brian depalma .
matters of importance are pushed aside right from the get - go .
tony d'amato ( al pacino ) , coach of the struggling miami sharks , finds his team stuck in a losing rut .
aging quarterback cap rooney ( dennis quaid ) appears to be losing his touch , and d'amato ca n't seem to ignite any passion in his squad .
when cap is injured on the field , and after a patch of unlikely events occur , third - string qb willie beaman ( jamie foxx ) is brought into the game .
once in the huddle ( and this becomes an in - game ritual ) , beaman horks all over the field .
nerves , you see .
eventually though , the ancy youngster wins the game for his teammates , sparking his rise to fame in the football world - the endorsements , the music videos , etc .
- and stone straps us in for the jolting ride of behind - the - scenes stress and fury that the business is apparently like .
and i believe it .
there is some intriguing insight posed , but in the big scheme of things , stone fumbles the ball .
the problem with the director 's visual approach is this : he uses extravagant editing devices when a more conventional approach would have been appropriate .
football is an exciting game to watch , but stone seems to think dizzying the audience with an assault on the senses will only add to the adrenaline rush .
i guess he is mistaken .
' any given sunday ' is a visual kaleidoscope that leaves the audience in a frustrated stupor more frequently than it excites them .
many football fans ( including one i attended with ) are liable to be disappointed with the ' ultra - stylish ' way stone has decided to present the game .
in return , a three - star film becomes unfortunately degraded
due to the director 's tampering .
in welcome scenes when the visual pummeling comes to a break , this actually shows decent character development and interaction .
for instance , heated returns between d'amato and feisty young owner christina pagniacci ( cameron diaz ) are enjoyable to watch .
there is also a solid performance from jamie foxx , who experiments with great success in his first trek into dramatic territory .
the stellar supporting cast includes matthew modine , aaron eckhart , lauren holly , ann - margret and charlton heston ( in an extraordinarily brief appearance ) .
unfortunately , too many big names are wasted - a typical demise for a film with such a large and experienced cast .
pacino makes some interesting progress with his character .
you begin to identify with coach d'amato and the morals he is striving for . . . .
but i often felt he was just another play thing stone could weave in and out of his editing dynamics .
' any given sunday ' is a watchable but disappointing sports film in which plot and characters take a back seat to excessive filmmaking technique .
and a very distant back seat , at that .

Ex Output:
N