Article: There are several different types of enamel paint that will give you different final appearances. All of them will take some time to dry fully but should stay on your glass for a long time once they have set. Here are a few different types of enamel paint you could choose from: Gloss enamel paints will give you the thickest coat and result in a more opaque finish. Frosted glass enamel paints will give a much lighter coat for a slight hint of color. Crystal gloss enamels will provide you with something in between the two. Gesso is a combination of a binder and white powder that will make nearly any surface easily paintable. Use a base coat of gesso with top coats of acrylic paint for a totally opaque finished glass painting. Gesso and acrylic paints will work best on bottles, glasses, or other containers with interesting shapes. Painting with gesso and acrylic on a flat pane of glass will look very similar to a painted canvas. Glass liner or lead will give a dark, solid outline that you can fill with translucent and colorful paints. Building an outline and coloring it in sections will create some cool, see-through colors that look like a stained glass window. Trace the outline of your design onto the glass before you go over it with glass liner. It's much easier to paint over or wash off marker than it is getting rid of liner! While you can use any type of paintbrush or paint applicator when painting onto glass, they might change the overall look of your finished design. Here are a few different types of paintbrush to choose between: Brushes with synthetic bristles will leave visible brush marks, which can give your glass more homemade, rustic vibes. Use these for smaller, intricate designs. Natural bristle brushes will give you more smooth and even coverage. These will work great when painting base coats over the whole surface of your glass. Applicator sponges will provide an even, textured coat across the surface of the glass. Use sponges to cover the whole glass or to give a slightly frosted look. Make sure you use a paintbrush of the right size for your painting. Smaller, narrower paintbrushes will be better for delicate designs, whereas broader, flat brushes will work for overall coats.
Question: What is a summary of what this article is about?
Use enamel paint for long-lasting decoration. Choose acrylic paint and gesso for a finished, matte look. Use glass liner and water-based glass paints for a simple, stained glass look. Find the right paintbrush for your design.

Problem: Article: Feel around pipes and seals attached to the toilet and sinks in your bathroom for leaks. Make sure to do this regularly, because time makes all the difference when trying to prevent mold growth. If leaks are present, contact a plumber to repair them or take matters into your own hands by fixing them yourself. Shampoo, conditioner, body wash, washcloths and similar items can give mold a potential place to hide. Wipe these items dry or squeeze all of the water out after each use and store them in a towel closet or somewhere else dry between showers. After each shower, go over the walls of the shower in a vertical swiping motion with a squeegee so that you can quickly and easily get leftover water into the drain instead of allowing it to cling to the walls. Keeping shower walls dry contributes greatly to creating a low level of moisture in the bathroom. Apply a standard grout sealer to the spaces between your bathroom tiles each year to waterproof them. If at any point you have a particularly difficult time keeping your grout mold-free, you can also scrub it with bleach and a toothbrush or replace it completely by scraping it out with a flat screwdriver.
Summary: Find and fix leaks in your bathroom. Don't keep loofahs, bath toys, or bathing products in the bath tub or shower. Squeegee away excess water after showering. Seal grout lines in tile flooring annually.

INPUT ARTICLE: Article: Listen to how each sentence sounds, particularly the dialogue. Notice if the story flows well from paragraph to paragraph. Check for any awkward sentences or phrases and underline them so you can revise them later. Notice if your story follows your plot outline and that there is a clear conflict for your main character. Reading the story aloud can also help you catch any spelling, grammar, or punctuation errors. With short stories, the general rule is that shorter is usually better. Most short stories are between 1,000 to 7,000 words, or one to ten pages long. Be open to cutting scenes or removing sentences to shorten and tighten your story. Make sure you only include details or moments that are absolutely essential to the story you are trying to tell. Most editors, and readers, will check the title of the story first to determine if they want to continue reading. Pick a title that will intrigue or interest your reader and encourage them to read the actual story. Use a theme, image, or character name from the story as the title. For example, the title "Something I've Been Meaning to Tell You" by Alice Munro is a good one because it is a quote from a character in the story and it addresses the reader directly, where the "I" has something to share with readers. The title "Snow, Apple, Glass" by Neil Gaiman is also a good one because it presents three objects that are interesting on their own, but even more interesting when placed together in one story. Show the short story to friends, family members, and peers at school. Ask them if they find the story emotionally moving and engaging. Be open to constructive criticism from others, as it will only strengthen your story. You can also join a writing group and submit your short story for a workshop. Or you may start your own writing group with friends so you can all workshop each other's stories. Once you get feedback from others, you should then revise the short story again so it is at its best draft.

SUMMARY: Read the short story out loud. Revise the short story for clarity and flow. Come up with an interesting title. Let others read and critique the short story.

Weed barrier fabric works best if you reinstall it each year, so pick beds where you'll need to pull out plants and add new ones each year. That way, you can just pull up the barrier fabric with the plants and replace it. You obviously want water and nutrients to get through to your plants, so your fabric needs to be permeable. Check the label to see what it says. If you're not sure about your fabric, try pouring water on it. If it drips through, it's permeable. If it doesn't, it's not. Start by tacking down 1 end of the fabric at the edge of the bed with a stake or pin. Going lengthwise, pull the fabric along the whole length of the bed. Stake the end of the fabric at the other end of the bed, going over any barriers like rocks and plants. Don't worry about it overlapping the edge of the bed. Once you've staked down the fabric, go back and cut out around any barriers, such as plants or rocks. You can use regular scissors. Leave about 6 inches (15cm) of space all around the plants. Also, cut along the edge of the bed, making the fabric align with the bed. If you're installing it in a bed that doesn't have any plants yet, you'll need to cut out spots where you want the plants to go. If your bed is wider than one piece of fabric, lay a piece next to it. Use the same principles of staking and cutting to install the fabric. Drive in stakes around the edges of the barrier, so that it stays in place. Otherwise, the fabric will come up later, and it will look unsightly in your garden bed. Once you have the fabric barrier in place, you can add mulch on top. You only need enough to cover the fabric. You can use natural mulch or gravel, whatever your preference is. However, keep in mind that organic mulch can break down into soil, creating a space for weeds to grow.
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One-sentence summary --
Pick beds that house annuals instead of perennials. Ensure your fabric is permeable. Lay the fabric out in one long piece. Cut out the pieces around barriers. Apply the next piece alongside it. Anchor the edges down. Place mulch on top.