In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.
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Question: Question: What's an instrument strongly associated with the traditional music found in the album's sixth track? Passage:It opens with two club-driven tracks: an interlude titled "Bridge to the Sky", and the promotional titular song. "Disco-munication" is the second interlude on the album, blending "sophisticated" electric guitars with electronic music. "Energize" is another electronic track, and is one of the only numbers on the album that include English phases ("Put your hands up together, keep your heads up forever, let me sing forever,"). The fifth track "Sparkle" was noted as a club song with an electronic arrangement, similar to the follow-up song "Rollin'". Both tracks feature autotune and vocoder pro-tools, a first for Hamasaki. The album's sixth track, "Green", shows a departure from the album's earlier electronic style; it focuses more on older traditional Japanese sound, alongside instrumentation of electric guitars and drums. The album's third interlude, "Load of the Shugyo", was described as an "atmospheric" number with heavy rock instruments in its composition. Rock music is then influenced on the following tracks "Identity"a song that discusses about self-confidencethe single "Rule", and the tune "Love 'n' Hate", which talks about the effects of lust. The album's fourth and final interlude "Pieces of Seven" was noted for its "atmospheric" sounds of an ocean, until the second half of the track diverges into a harder rock style. "Days" is the album's first pop ballad, and is described as a love song. It closes with the ballad "Curtain Call", which features a choir and piano riffs throughout its composition.

Answer: The album's sixth track, "Green", shows a departure from the album's earlier electronic style; it focuses more on older traditional Japanese sound, alongside instrumentation of electric guitars and drums

Question: Question: Which of the empires that succeeded the Achaemenid Empire had the smallest number of people? Passage:Iran is home to one of the world's oldest continuous major civilizations, with historical and urban settlements dating back to 7000 BC. The south-western and western part of the Iranian Plateau participated in the traditional Ancient Near East with Elam, from the Early Bronze Age, and later with various other peoples, such as the Kassites, Mannaeans, and Gutians. Georg Wilhelm Friedrich Hegel calls the Persians the "first Historical People". The Medes unified Iran as a nation and empire in 625 BC. The Achaemenid Empire (550330 BC), founded by Cyrus the Great, was the first true global superpower state and it ruled from the Balkans to North Africa and also Central Asia, spanning three continents, from their seat of power in Persis (Persepolis). It was the largest empire yet seen and the first world empire. The Achaemenid Empire was the only civilization in all of history to connect over 40% of the global population, accounting for approximately 49.4 million of the world's 112.4 million people in around 480 BC. They were succeeded by the Seleucid, Parthian, and Sasanian Empires, who successively governed Iran for almost 1,000 years and made Iran once again as a leading power in the world. Persia's arch-rival was the Roman Empire and its successor, the Byzantine Empire.

Answer: They were succeeded by the Seleucid, Parthian, and Sasanian Empires, who successively governed Iran for almost 1,000 years and made Iran once again as a leading power in the world

Question: Question: Has the reviewer for the New York Times who wrote The Divine was "a too rare example of artists getting top billing" written reviews for other periodicals? Passage:The Divine was published in the U.S. by First Second Books, featuring a blurb by author Yann Martel, best known for the international bestseller Life of Pi. It was released in July 2015 and has hit the New York Times Best Sellers list. It has since received highly positive reviews. Publishers Weekly had chosen The Divine for "top ten graphic novel for spring 2015", describing it later on as: "Heady, hellacious, and phantasmagoric". Jesse Karp on his Booklist review wrote: "Stunning artwork and creeping dread weave together in this satisfying and moving page-turner". Douglas Wolk from The New York Times described it as "a too rare example of artists getting top billing", referring to the artwork by Asaf and Tomer Hanuka. Joshua Rivera from GQ wrote: "The Divine's story is unflinching and raw, and its art is quite possibly the most beautiful of any comic this year". Michael Mechanic from Mother Jones called it "beautifully rendered", while io9 defined it as "Your next comics obsession". Rich Barrett from Mental Floss chose it for "The most interesting comics of the week" and praised it for being "stunning, cohesive combination [of elements]". Terry Hong, from The Smithsonian Asian Pacific American Center blog, wrote: "can't-turn-away riveting [...] Unrelenting and uninterruptible", and the Eisner nominated comics blog Comics & Cola dubbed it "superb" and chose it for its pick of the month.

Answer:
Douglas Wolk from The New York Times described it as "a too rare example of artists getting top billing", referring to the artwork by Asaf and Tomer Hanuka