input: Sullivan, like Marshall Kirk, Hunter Madsen, and Bruce Bawer, has been described by Urvashi Vaid as a proponent of "legitimation", seeing the objective of the gay rights movement as being "mainstreaming gay and lesbian people" rather than "radical social change". Sullivan wrote the first major article in the United States advocating for gay people to be given the right to marry, published in The New Republic in 1989. Many gay rights organisations attacked him for the stance at the time. Many on "the gay left" believed that he was promoting "assimilation" into "straight culture", when the aim of most at that time was to alter codes of sexuality and society as a whole, rather than fitting gays into it. However, his arguments eventually became widely accepted and formed the basis of the modern movement to allow same-sex marriage. In the wake of the United States Supreme Court rulings on same-sex marriage in 2013 (Hollingsworth v. Perry and United States v. Windsor), New York Times op-ed columnist Ross Douthat suggested that Sullivan might be the most influential political writer of his generation, writing, "No intellectual that I can think of, writing on a fraught and controversial topic, has seen their once-crankish, outlandish-seeming idea become the conventional wisdom so quickly, and be instantantiated so rapidly in law and custom." Sullivan opposes hate crime laws, arguing that they undermine freedom of speech and equal protection. He also opposes the Employment Non-Discrimination Act, arguing that it would "not make much of a difference" and that the "gay rights establishment" was wrong to oppose a version of the bill that did not include protections for gender identity. Sullivan opposed calls to remove Brendan Eich as CEO of Mozilla and argued that "old-fashioned liberalism brought gay equality to America far, far faster than identity politics leftism." In 2006, Sullivan was named as an LGBT History Month icon.

Answer this question "What was Sullivan's involvement in LGBT issues?"
output: movement as being "mainstreaming gay and lesbian people" rather than "radical social change".

input: In 2006, Sanjiv Bhattacharya interviewed the duo for The Guardian and asked about where their band name came from, to which Green replied: "You ask me why we're called Gnarls Barkley and I'm asking you 'why not?'...The name Gnarls Barkley isn't anchored down. It's a drifter. A High Plains drifter, I might add". Danger Mouse said: "There's no story behind it...The name doesn't have anything to do with anything". Although many people believe that their name has something to do with former NBA player Charles Barkley, the duo dismiss that idea. Sanjiv asked them about it, saying "Not even Charles Barkley, the basketball player?", to which Danger Mouse replied: "Nope. It's just like everything else on this record. There was no conscious decision about stuff". According to a Billboard article: "Burton and CeeLo have been cagey about what the name of the act means, and each live performance is an opportunity to play dress-up as tennis players, astronauts and chefs, among many other get-ups. The costuming extends to photo shoots, as Burton and Cee Lo would rather impersonate characters from such films as Back to the Future or Wayne's World. They also have dressed up as characters from films A Clockwork Orange and Napoleon Dynamite. About Gnarls Barkley, Green said in an interview: That is that electric industrial Euro soul, that's what I call it... if I can call it anything. It truly is shapeless and formless. My style and my approach is still water, and it runs so deep. So, with that project I got a chance to be a lil' zany, of course a continuation of eccentricity, abstract and vague, and all of those wonderful things that make art exactly what it is. And that's subject to interpretation. As far as the artiste himself, it does cater to and extend the legacy of Cee Lo Green, and showcase the diversity and range and intention of Cee Lo Green. It is a great project that I'm very, very proud of.

Answer this question "What else is significant about the band's name?"
output: ". Danger Mouse said: "There's no story behind it...The name doesn't have anything to do with anything".

input: Carradine's first notable film appearance was in director Robert Altman's McCabe & Mrs. Miller (1971). His next film, Emperor of the North Pole (1973), was re-released with a shorter title Emperor of the North. Carradine played a young aspiring hobo. The film was directed by Robert Aldrich and also starred Lee Marvin and Ernest Borgnine. Carradine then starred in Altman's film Thieves Like Us (1974), then played a principal character, a callow, womanizing folk singer, Tom Frank, in Altman's critically acclaimed film Nashville (1975; see "Music and song writing"). He had difficulty shaking the image of Tom Frank following the popularity of the film. He felt the role gave him the reputation of being "a cad." In 1977, Carradine starred opposite Harvey Keitel in Ridley Scott's The Duellists. Pretty Baby followed in 1978. He has acted in several offbeat films of Altman's protege Alan Rudolph, playing a disarmingly candid madman in Choose Me (1984), an incompetent petty criminal in Trouble in Mind (1985), and an American artist in 1930s Paris in The Moderns (1988). He appeared with brothers David and Robert as the Younger brothers in Walter Hill's film The Long Riders (1980). Keith played Jim Younger in that film. In 1981, he appeared again under Hill's direction in Southern Comfort. In 1994, he had a cameo role as Will Rogers in Rudolph's film about Dorothy Parker, Mrs. Parker and the Vicious Circle. He co-starred with Daryl Hannah as homicidal sociopath John Netherwood in the thriller The Tie That Binds (1995). In 2011, he starred in Cowboys and Aliens, an American science fiction western film directed by Jon Favreau also starring Daniel Craig, Harrison Ford, and Olivia Wilde. Carradine traveled to Tuscany in 2012 to executive produce and star in John Charles Jopson's Edgar Allan Poe inspired film 'Terroir'. In 2013, he starred in Ain't Them Bodies Saints, which won the 2013 Sundance Film Festival award for cinematography. In 2016 Keith played Edward Dickinson father of Emily Dickinson in A Quiet Passion the biographical film directed and written by Terence Davies about the life of the American poet. In 2016 Carradine returned to star in his fourth Alan Rudolph film Ray Meets Helen alongside actress Sondra Locke.

Answer this question "What was his biggest film?"
output:
Carradine then starred in Altman's film Thieves Like Us (1974),