input: Geisel was born and raised in Springfield, Massachusetts, the son of Henrietta (nee Seuss) and Theodor Robert Geisel. His father managed the family brewery and was later appointed to supervise Springfield's public park system by Mayor John A. Denison after the brewery closed because of Prohibition. Mulberry Street in Springfield, made famous in Dr. Seuss' first children's book And to Think That I Saw It on Mulberry Street, is less than a mile southwest of his boyhood home on Fairfield Street. Geisel was raised a Lutheran. He enrolled at Springfield Central High School in 1917 and graduated in 1921. He took an art class as a freshman and later became manager of the school soccer team. Geisel attended Dartmouth College, graduating in 1925. At Dartmouth, he joined the Sigma Phi Epsilon fraternity and the humor magazine Dartmouth Jack-O-Lantern, eventually rising to the rank of editor-in-chief. While at Dartmouth, he was caught drinking gin with nine friends in his room. At the time, the possession and consumption of alcohol was illegal under Prohibition laws, which remained in place between 1920 and 1933. As a result of this infraction, Dean Craven Laycock insisted that Geisel resign from all extracurricular activities, including the college humor magazine. To continue work on the Jack-O-Lantern without the administration's knowledge, Geisel began signing his work with the pen name "Seuss". He was encouraged in his writing by professor of rhetoric W. Benfield Pressey, whom he described as his "big inspiration for writing" at Dartmouth. Upon graduating from Dartmouth, he entered Lincoln College, Oxford, intending to earn a PhD in English literature. At Oxford, he met Helen Palmer, who encouraged him to give up becoming an English teacher in favor of pursuing drawing as a career.

Answer this question "What happened when he was caught drinking ?"
output: was caught drinking gin with nine friends in his room. At the time, the possession and consumption of alcohol was illegal under Prohibition laws,

input: Reluctant to follow his parents' career, Barrymore appeared together with his formidable grandmother Louisa Lane Drew on tour and in a stage production of The Rivals at the age of 15. He later recounted that "I didn't want to act. I wanted to paint or draw. The theater was not in my blood, I was related to the theater by marriage only; it was merely a kind of in-law of mine I had to live with." Nevertheless, he soon found success on stage in character roles and continued to act, although he still wanted to become a painter and also to compose music. He appeared on Broadway in his early twenties with his uncle John Drew Jr. in such plays as The Second in Command (1901) and The Mummy and the Hummingbird (1902), the latter of which won him critical acclaim. Both were produced by Charles Frohman, who produced other plays for Barrymore and his siblings, John and Ethel. The Other Girl in 1903-04 was a long-running success for Barrymore. In 1905, he appeared with John and Ethel in a pantomime, starring as the title character in Pantaloon and playing another character in the other half of the bill, Alice Sit-by-the-Fire. In 1906, after a series of disappointing appearances in plays, Barrymore and his first wife, the actress Doris Rankin, left their stage careers and travelled to Paris, where he trained as an artist. He did not achieve success as a painter, and in 1909 he returned to the US. In December of that year, he returned to the stage in The Fires of Fate, in Chicago, but left the production later that month after suffering an attack of nerves about the forthcoming New York opening. The producers gave appendicitis as the reason for his sudden departure. Nevertheless, he was soon back on Broadway in The Jail Bird in 1910 and continued his stage career with several more plays. He also joined his family troupe, from 1910, in their vaudeville act, where he was happy not to worry as much about memorizing lines. From 1912 to 1917, Barrymore was away from the stage again while he established his film career, but after the First World War, he had several successes on Broadway, where he established his reputation as a dramatic and character actor, often performing together with his wife. He proved his talent in such plays as Peter Ibbetson (1917) (with brother John), The Copperhead (1918) (with Doris), The Jest (1919) (again with John) and The Letter of the Law (1920). Lionel gave a short-lived performance as MacBeth in 1921 opposite veteran actress Julia Arthur as Lady MacBeth, but the production encountered strongly negative criticism. His last stage success was in Laugh, Clown, Laugh, in 1923, with his second wife, Irene Fenwick; they met while acting together in The Claw the previous year, and after they fell in love he divorced his first wife. He also received negative notices in three productions in a row in 1925. After these, he never again appeared on stage.

Answer this question "How old was he when he started acting on stage?"
output: age of 15.

input: Whereas the poll tax of 1381 was the spark of the Peasants' Revolt, the root of the conflict lay in tensions between peasants and landowners precipitated by the economic and demographic consequences of the Black Death and subsequent outbreaks of the plague. The rebellion started in Kent and Essex in late May, and on 12 June, bands of peasants gathered at Blackheath near London under the leaders Wat Tyler, John Ball, and Jack Straw. John of Gaunt's Savoy Palace was burnt down. The Archbishop of Canterbury, Simon Sudbury, who was also Lord Chancellor, and the king's Lord High Treasurer, Robert Hales, were both killed by the rebels, who were demanding the complete abolition of serfdom. The king, sheltered within the Tower of London with his councillors, agreed that the Crown did not have the forces to disperse the rebels and that the only feasible option was to negotiate. It is unclear how much Richard, who was still only fourteen years old, was involved in these deliberations, although historians have suggested that he was among the proponents of negotiations. The king set out by the River Thames on 13 June, but the large number of people thronging the banks at Greenwich made it impossible for him to land, forcing him to return to the Tower. The next day, Friday, 14 June, he set out by horse and met the rebels at Mile End. The king agreed to the rebels' demands, but this move only emboldened them; they continued their looting and killings. Richard met Wat Tyler again the next day at Smithfield and reiterated that the demands would be met, but the rebel leader was not convinced of the king's sincerity. The king's men grew restive, an altercation broke out, and William Walworth, the mayor of London, pulled Tyler down from his horse and killed him. The situation became tense once the rebels realised what had happened, but the king acted with calm resolve and, saying "I am your captain, follow me!", he led the mob away from the scene. Walworth meanwhile gathered a force to surround the peasant army, but the king granted clemency and allowed the rebels to disperse and return to their homes. The king soon revoked the charters of freedom and pardon that he had granted, and as disturbances continued in other parts of the country, he personally went into Essex to suppress the rebellion. On 28 June at Billericay, he defeated the last rebels in a small skirmish and effectively ended the Peasants' Revolt. Despite his young age, Richard had shown great courage and determination in his handling of the rebellion. It is likely, though, that the events impressed upon him the dangers of disobedience and threats to royal authority, and helped shape the absolutist attitudes to kingship that would later prove fatal to his reign.

Answer this question "what did they do there?"
output:
John of Gaunt's Savoy Palace was burnt down.