Problem: What is the name of the mother of girl who is dating a rebellious teen? Answer the above question based on the context below: Deena Marten is a 15-year-old who has become a rebel since dating Garret Lexau, another rebellious teen who was suspended from school for hitting a teacher. Deena no longer keeps any of her promises, skips school and leaves the family home whenever she pleases. Her newfound harsh attitude upsets her mother, Cynthia, who once enjoyed a close relationship with her daughter. Cynthia is frustrated because the lines of communication have broken down between mother and daughter. Cynthia's relationship with her own mother is not entirely pleasant. Although Cynthia's alcoholic mother advises her daughter to be stricter with Deena, Cynthia does not heed the advice. For example, she tidies Deena's bedroom, a chore which Cynthia has consistently and politely reminded her daughter to do. When Deena discovers what Cynthia has done, she is less than grateful and reacts violently and ends up pushing her mother. Adam, Deena's younger brother notices the impact that Deena's behavior has upon his mother and drinks alcohol in order to forget about the family problems. At one point, Cynthia and Deena's relationship seems to improve, until Cynthia finds out that she has been skipping school. Her confrontation leads to an argument, during which Deena slaps her. Although she admits to Garret that she liked hitting her, Deena later apologizes to her mother, only to ask her to cover for her absence at school.

A: Cynthia
Problem: Given the question: What is the title of the work that reaches its triumphant ending in the key of D major? Answer the above question based on the context below: Handel's music for Messiah is distinguished from most of his other oratorios by an orchestral restrainta quality which the musicologist Percy M. Young observes was not adopted by Mozart and other later arrangers of the music. The work begins quietly, with instrumental and solo movements preceding the first appearance of the chorus, whose entry in the low alto register is muted. A particular aspect of Handel's restraint is his limited use of trumpets throughout the work. After their introduction in the Part I chorus "Glory to God", apart from the solo in "The trumpet shall sound" they are heard only in "Hallelujah" and the final chorus "Worthy is the Lamb". It is this rarity, says Young, that makes these brass interpolations particularly effective: "Increase them and the thrill is diminished". In "Glory to God", Handel marked the entry of the trumpets as da lontano e un poco piano, meaning "quietly, from afar"; his original intention had been to place the brass offstage (in disparte) at this point, to highlight the effect of distance. In this initial appearance the trumpets lack the expected drum accompaniment, "a deliberate withholding of effect, leaving something in reserve for Parts II and III" according to Luckett.Although Messiah is not in any particular key, Handel's tonal scheme has been summarised by the musicologist Anthony Hicks as "an aspiration towards D major", the key musically associated with light and glory. As the oratorio moves forward with various shifts in key to reflect changes in mood, D major emerges at significant points, primarily the "trumpet" movements with their uplifting messages. It is the key in which the work reaches its triumphant ending. In the absence of a predominant key, other integrating elements have been proposed. For example, the musicologist Rudolf Steglich has suggested that Handel used the device of the "ascending fourth" as a unifying motif; this device most noticeably occurs in the first two notes of "I know that my Redeemer liveth" and on numerous other...
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The answer is:
Messiah
[Q]: What are the last names of the people who arrive at the estate? Answer the above question based on the context below: Laurel and Hardy are seated at a dockside where Stan is fishing. Ollie sees a notice in a newspaper which says one Ebeneezer Laurel has died and left a large estate. Parties interested in the estate should go to the Laurel mansion for the reading of the will. Stan can't remember if Ebeneezer is a relative or not but they decide to go to the mansion anyway. They arrive during a thunderstorm and discover that Ebeneezer had been murdered and that the police had placed the notice in the newspaper to draw all of the relatives together to find out who committed the crime. Stan and Ollie are shown to a bedroom to sleep overnight, which is the room in which Ebeneezer was murdered. They hear a strange noise and in the darkness see a pair of eyes which turns out to be a cat. They then hear a scream and decide to investigate. Meanwhile, the butler is calling all of the relatives to a study telling them they have a phone call. After sitting in a chair and lifting the handset of the phone, the lights go out, there is a scream and a sound like a door slamming, and the relative is never seen again. Stan and Ollie return to their bedroom and get into the bed but a bat has flown into their room and is under their covers, which causes them to panic and run downstairs. All of the other relatives have now disappeared and the butler calls Stan and Ollie to take a telephone call in the study. Ollie sits in the chair to take the call. This time, however, the lights stay on and it is revealed that the chair is affixed to a trapdoor into which each of the other relatives vanished. Ollie falls through the trapdoor, but is saved due to his having become wedged in the chair. The murderer (a man dressed in drag) appears through a secret door with a knife. A fight ensues, but then Stan and Ollie both wake up from a dream, fighting over Stan's fishing line at the dockside and then falling into the water.
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[A]:
Hardy