Problem: Background: Oklahoma! is the first musical written by the team of composer Richard Rodgers and librettist Oscar Hammerstein II. The musical is based on Lynn Riggs' 1931 play, Green Grow the Lilacs. Set in Oklahoma Territory outside the town of Claremore in 1906, it tells the story of farm girl Laurey Williams and her courtship by two rival suitors, cowboy Curly McLain and the sinister and frightening farmhand Jud Fry. A secondary romance concerns cowboy Will Parker and his flirtatious fiancee, Ado Annie.
Context: The original production of Oklahoma! was an unprecedented critical and popular success. John Anderson of the New York Journal American pronounced the musical "a beautiful and delightful show, fresh and imaginative, as enchanting to the eye as Richard Rodgers's music is to the ear. It has, at a rough estimate, practically everything". In the New York Herald Tribune, Howard Barnes wrote, "Songs, dances, and a story have been triumphantly blended.... The Richard Rodgers score is one of his best, and that is saying plenty. Oscar Hammerstein 2nd has written a dramatically imaginative libretto and a string of catchy lyrics; Agnes de Mille has worked small miracles in devising original dances to fit the story and the tunes, while Rouben Mamoulian has directed an excellent company with great taste and craftsmanship." Louis Kronenberger of PM opined that "Mr. Hammerstein's lyrics have less crispness and wit than Lorenz Hart's at their best, but the songs in Oklahoma! call for less sophisticated words, and Mr. Hammerstein has found very likeable ones." In the New York Daily News, Burns Mantle declared that "Oklahoma! really is different - beautifully different. With the songs that Richard Rodgers has fitted to a collection of unusually atmospheric and intelligible lyrics by Oscar Hammerstein 2nd, Oklahoma! seems to me to be the most thoroughly and attractively American musical comedy since Edna Ferber's Show Boat". New York World-Telegram critic Burton Rascoe particularly emphasized the groundbreaking choreography, stating that "Richard Rodgers has written for the show one of the finest musical scores any musical play ever had. Next to Mr. Rodgers, however, must stand the amazing Agnes de Mille, whose choreography, carried out to perfection by her ballet [corps], is actually the biggest hit of the show. The "Out of My Dreams" and "All Er Nuthin'" dances are such supreme aesthetic delights.... They are spinetingling, out of this world." In The New York Sun, Ward Morehouse commented that "Oklahoma! is charming and leisurely. And tunely. And certainly not topical," as other shows had been in the early years of World War II. "It reveals Mr. Rodgers, shorn only for the moment of Larry Hart, in good form indeed. And nobody in last night's audience seemed to have a better time than Mr. Hart himself, who applauded the proceedings from a seat in Row B." Lorenz Hart himself "pushed his way through the crowd at the after-show party in Sardi's restaurant and threw his arms around his ex-partner, grinning from ear to ear. He told Rodgers he had never had a better evening at the theater in his life." The only negative review of the musical appeared in the New York Post: The critic wrote that "it all seemed just a trifle too cute", stating that the score consisted of "a flock of Mr. Rodgers's songs that are pleasant enough, but still manage to sound quite a bit alike ... without much variety in the presentation." She concluded that the show was "very picturesque in a studied fashion, reminding us that life on a farm is apt to become a little tiresome."
Question: Who else reviewed the production?
Answer: In The New York Sun, Ward Morehouse commented that "Oklahoma! is charming and leisurely.

Problem: Background: Samuel Luther "Big Sam" Thompson (March 5, 1860 - November 7, 1922) was an American professional baseball player from 1884 to 1898 and with a brief comeback in 1906. At 6 feet, 2 inches, the Indiana native was one of the larger players of his day and was known for his prominent handlebar mustache. He played as a right fielder in Major League Baseball for the Detroit Wolverines (1885-88), Philadelphia Phillies (1889-1898) and Detroit Tigers (1906). He was inducted into the Baseball Hall of Fame in 1974.
Context: In 15 major league seasons, Thompson compiled a .331 batting average with 1,988 hits, 343 doubles, 161 triples, 126 home runs, 1,305 RBIs, and 232 stolen bases. He was inducted into the Baseball Hall of Fame in 1974. Thompson was one of the most prolific run producers in baseball history. His career RBI to games played ratio of .923 (1,305 RBIs in 1,410 games) remains the highest in major league history, higher even than Lou Gehrig (.921), Hank Greenberg (.915), Joe DiMaggio (.885), and Babe Ruth (.884). In 1895, Thompson averaged 1.44 RBIs per game (147 RBIs in 102 games), still a major league record. His 166 RBIs in 1887 (in only 127 games) was 62 more than anyone else in the league that year, and it stood as the major league record until 1921 when Babe Ruth collected 168 (albeit in 152 games). Thompson still holds the major league record for most RBIs in a single month with 61 in August 1894 while playing for the Phillies. Thompson was also one of the best power hitters of the era before Babe Ruth. At the end of the 19th century, Thompson's 126 career home runs ranked second only to Roger Connor. Defensively, Thompson still ranks among the all-time major league leaders with 61 double plays from the outfield (16th all time) and 283 outfield assists (12th all time). Thompson has also been credited by baseball historians with perfecting "the art of throwing the ball to the plate on one bounce, which catchers found easier to handle than the usual throw on the fly." Bill Watkins, who managed Thompson in Detroit, recalled: "He was a fine fielder and had a cannon arm and will live in my memory as the greatest natural hitter of all time." In a 1913 story on Thompson, Detroit sports writer Maclean Kennedy noted that Thompson's drives "were the direct cause of more hats being smashed, more backs that were thumped til they were black and blue by some wild-eyed fan sitting in the seat behind, more outbursts of frenzied shrieks and howls of glee, than those of any other player who ever wore a Detroit uniform", barring only the two great stars of the day, Ty Cobb and Sam Crawford.
Question: How many seasons did he play?
Answer:
In 15 major league seasons,