Q: This article: Eccentric painter Gulley Jimson is released from a one-month jail sentence for telephone harassment of his sponsor, Mr Hickson. Nosey Barbon, who wants to be Jimson's protege, greets Jimson at HM Prison Wormwood Scrubs, but Jimson tries to discourage Nosey from pursuing painting for a living. Jimson goes to his houseboat, which his older lady friend Coker has been maintaining in his absence. Jimson tries to borrow money from Hickson and Coker. Jimson and Coker later visit Hickson to secure payment for Jimson's artwork. Jimson tries to steal works back from Hickson's place but Coker stops him. Hickson calls the police, but Jimson and Coker escape. Jimson responds to a note from A. W. Alabaster, secretary to Sir William and Lady , who are interested in acquiring Jimson's early artworks. Jimson and Coker try to secure one of those works from Sara Monday, Jimson's ex-wife, but she turns them down. When Jimson visits the Beeders, he sees a blank wall in their residence and is inspired to paint "The Raising of Lazarus". He learns that the Beeders are leaving for six weeks, and takes advantage of their absence to execute the painting. An old artistic rival, Abel, intrudes on Jimson to bring in a large block of marble to fulfil a sculpture commission for British Rail. Jimson pawns the Beeders' valuables, and Abel and Jimson accidentally destroy part of the Beeders' floor when the marble is dropped. After Jimson has completed the painting, the Beeders return. Shocked by the painting, they fall through the hole in the floor. contains an answer for the question: Who wants to learn from the man that Mr. Hickson sponsors?, what is it ?
A: Nosey Barbon

Question: This article: Jesus nahm zu sich die Zwolfe (Jesus gathered the twelve to Himself), BWV 22, is a church cantata by Johann Sebastian Bach composed for Quinquagesima, the last Sunday before Lent. Bach composed it as an audition piece for the position of Thomaskantor in Leipzig and first performed it there on 7 February 1723. The work, which is in five movements, begins with a scene from the Gospel reading in which Jesus predicts his suffering in Jerusalem. The unknown poet of the cantata text took the scene as a starting point for a sequence of aria, recitative, and aria, in which the contemporary Christian takes the place of the disciples, who do not understand what Jesus is telling them about the events soon to unfold, but follow him nevertheless. The closing chorale is a stanza from Elisabeth Cruciger's hymn "Herr Christ, der einig Gotts Sohn". The music is scored for three vocal soloists, a four-part choir, oboe, strings and continuo. The work shows that Bach had mastered the composition of a dramatic scene, an expressive aria with obbligato oboe, a recitative with strings, an exuberant dance, and a chorale in the style of his predecessor in the position as Thomaskantor, Johann Kuhnau. Bach directed the first performance of the cantata during a church service, together with another audition piece, Du wahrer Gott und Davids Sohn, BWV 23. He performed the cantata again on the last Sunday before Lent a year later, after he had taken up office. The cantata shows elements which became standards for Bach's Leipzig cantatas and even the Passions, including a "frame of biblical text and chorale around the operatic forms of aria and recitative", "the fugal setting of biblical words" and "the biblical narrative ... as a dramatic scena". contains an answer for the question: What scene takes as a starting point for a sequence of aria, recitative, and aria, in which the contemporary Christian takes the place of the disciples?, what is it ?
Answer: Gospel reading in which Jesus predicts his suffering in Jerusalem

[Q]: This article: Avery, who wears a Confederate Army uniform even though he didn't serve in the Civil War, demands that the men who work for rancher John Rutherford avenge him after Rutherford is killed trying to remove a squatter, Corey Everett, from his land. A passing family, the Ferbers, are traveling by wagon. They meet Corey, who explains that he is homesteading, not squatting, and entitled to the property. Corey defended himself alone with dynamite after Rutherford's men attacked, but Avery became convinced that Corey had many men fighting by his side. He insists his men, led by ranch foreman Hook, call him "General" and obey his orders to launch another attack. Hannah Ferber doesn't trust Corey at all. Her husband Louis is taken captive by Avery, who tortures and kills him, refusing to believe the truth that Corey is alone. Avery's men realize he is insane and intend to leave, so Avery destroys their water supply. Corey's water is now the only one within hundreds of miles. Hannah shoots Corey in the shoulder and flees with her son, but returns to nurse him back to health after Louis's body is found. Together they stave off Avery, whose men desert him. Avery dies, astounded to learn that Corey had no other men fighting with him. contains an answer for the question: Who insists his men obey his orders to launch another attack?, what is it ?
****
[A]: Corey

Question: This article: Stephen Thomas Erlewine of AllMusic said that releasing the Spanish-language Fijacion Oral, Vol. 1 after the success of the English-language Laundry Service was a "sharp move", complimenting the album for demonstrating that Shakira "can not only return to her roots, but expand upon them". He described "La Tortura" as a "natural for American radio", and felt that the parent album generated anticipation for the upcoming Oral Fixation, Vol. 2. Writing for PopMatters, Matt Cibula praised the album for its musical departure from Laundry Service, applauding the integration of subtle samples across several songs as "great nods to the sounds of the 1980s". Dave Simpson of The Guardian compared Shakira to a "Latin American Madonna", describing her vocals as reminiscent of "Cher and Hazel O'Connor, produced by Julio Iglesias".Jon Pareles of The New York Times found Shakira's "smart or ambitious" image to be uncharacteristic of a sex symbol. He praised the versatility of her multilingual lyrics and her experimentation in a number of genres, citing the "multiplicity" in "the arrangements, in the mixed emotions of the lyrics, [and] in Shakira's mercurial voice". Writing for Paste, Mark Kemp complimented Shakira for dispelling notions she is "the Latin Britney, the female Ricky Martin [and] the pretty pop tart who sings in Spanish and sounds like Alanis"; he compared the mix of musical elements in Fijacion Oral, Vol. 1 to a Pop-Tart with a "rich and nutritious filling". Tom Townsend of Yahoo! Music called her "the greatest pop star we have", comparing her "consuming artistry" to that of Madonna and Prince. He credited the album for inspiring a revival of pop music, saying that the release proved that the genre "wasn't dead, just sleeping".Shakira's international success was solidified with Fijacion Oral, Vol. 1's strong commercial performance. After it debuted at number 4 on the US Billboard 200 and became the highest-debuting full-length Spanish album in the country, her label Epic Records called her "the biggest female... contains an answer for the question: Who credited an album for inspiring a revival of pop music?, what is it ?
Answer:
Tom Townsend