Q: I am trying to decide whether it's worth it to invest in this film proposal. Can you help me answer a few questions? If you can't, please say "No I can't". Question: What is Natasha's real name? Movie title: Room in Rome Movie plot: Alba (Elena Anaya), a 30-something Spanish tourist in Rome, brings a younger Russian woman Natasha (Natasha Yarovenko) to her hotel room during their last night of vacation in Rome. The details of how they met in a club are left vague. Natasha is at first quite reluctant, insisting she's straight, but the clearly more experienced Alba handles deftly around Natasha's hesitance. Flattered and tempted by Alba, Natasha responds to her sexual advances, but continues to maintain that she is straight and has never had sex with a woman. Alba counters by claiming that she is a lesbian and has never had sex with a man. Alba and Natasha first get undressed and into bed, but Natasha is still very nervous. Alba suggests that they first lay side by side and only casually touch each other's faces. They do so until Alba becomes so relaxed that she falls asleep. Natasha quietly gets out of bed, gets dressed and leaves the room, wondering what would have happened if she stayed and consummated her curiosity and attraction to Alba. In her rush to leave, Natasha leaves her cell phone behind, and the ring-tone wakes up Alba. Natasha soon returns and asks Alba for her cell phone, but is reluctant to enter the room again. When a passing night-shift waiter named Max passes by, Alba grabs Natasha and takes her back into the room. While talking about the location of Natasha's hotel and looking at an old map of Rome from the 1st century, Alba continues to flirt with Natasha with her naked body. Natasha soon succumbs to her attraction and curiosity towards Alba, leading her to quickly get undressed once again and into bed where she and Alba have sex for the first time. Over the next 10 hours, Alba and Natasha grow closer to each other as Natasha becomes more relaxed and comfortable around Alba with their lovemaking. Alba and Natasha share stories, periodically stopping to illustrate their points with pictures on the Internet, talk about the artwork in the hotel room, and explore each other's nude bodies through sex. Alba first tells a...
A: Dasha

Question: I am trying to decide whether it's worth it to invest in this film proposal. Can you help me answer a few questions? If you can't, please say "No I can't". Question: What does Matthew do to Rod? Movie title: 100 Girls Movie plot: After leaving a party at a women's dormitory (aka the "virgin vault"), Matthew (Jonathan Tucker) is trapped in an elevator with an unknown, and unseen, woman when the power goes out. Matthew and this unknown woman have sex in the dark. When Matthew wakes up in the morningstill in the elevatorhe finds himself alone with a pair of her panties.[1] On a mission to find his mystery maiden by finding a matching bra for the panties, Matthew becomes the maintenance man of the virgin vault. After releasing mice, he goes room to room, setting traps. He convinces the panicked women to leave their rooms and then starts to look for a match. When he is unsuccessful, he continues to break things (such as the air conditioning) in an effort to find his woman. He also fixes the television set, which is greatly received by women he refers to as "Jane-ites", as they have a great interest in films adapted from books by Jane Austen. He doesn't get much help from his roommate Rod (James DeBello), who keeps telling him to give up, and together they philosophize about men and women. Rod tells him that he doesn't need a girlfriend and that it's futile to try to find the "bra matching the panties", and Matthew accuses him of being too machismo. Rod introduces Matthew to the "penile power", which involves the use of weights attached to his penis as a means of increasing the organ's size. He does this and insults women to make himself feel better about the problem he has with his manhood; he suffers from hypospadias. Early on, Matthew watches as a woman named Patty (Emmanuelle Chriqui) and her boyfriend Crick (Johnny Green) fight. Crick is the epitome of the macho man stereotype, with his big pectorals, conceited attitude, and abusiveness. He wears a pony-tail, a manicured goatee, "male make-up", and chews nicotine gum, much to Matthew's dismay. Matthew tries to save Patty, but is hurt by Crick. Crick leaves, and Patty tries to help Matthew, but Matthew can't help but think of Patty's reputation as a "slut." While searching one...
Answer: He adds another weight onto Rod's "penile power" device, hurting him

Question: I am trying to decide whether it's worth it to invest in this film proposal. Can you help me answer a few questions? If you can't, please say "No I can't". Question: Chandni and Amit set out on a journey as what? Movie title: Silsila Movie plot: Far away from suspicions and self-love, somewhere close, very close to trust. Heart woke up with a mirage that she loves me.Is it love or a dream?Amit's dream - the sequence of dreams, the sequence of love. One face, one hope, one smile. A search, a poignancy, a happiness, the world, a voice, a song. One dream, one illusion, one faith.Everything merged into a face - a face called Chandni. Chandni and Amit, between them flowered an eloquent love - the music vibrated. Both set out step by step on a journey as co-travellers, but the idyll did not last.Amit approached Shobha to wipe her tears, gave up all his happiness. Now he had nothing except live embers of memories. Every heart beat of Amit was coaxing him to remember some and forget the others. Shobha had stepped into his life. Shobha - silence personified, a summit, a worship. She was not a dream but a reality - truth, a faith.Amit, Shobha and Chandni were not just three names - but three directions, three human beings bound by love - three facets of love. Dreams of these three were scattered by the mists of life.What does it matter if some dream ends in a calamity?Time cannot minimise the intensity of feelings, distance does not strangle self-awareness. Down memory lane, the happenings of the past, on deserted paths, the forgotten promises. How can one recall?The sequence of memories began pulsating in one's veins. Each one now lived a cloistered life - some for himself, some for others. Their decisions were dwarfed by high walls of rumination. Society imposed its own barriers. Time brooding between the past and future stood up on uncertain legs and the three of them became aware of man's insignificance- in keeping with the world's negation from beginning to end.Only love implies mutual trust.It is a never-ending sequence
Answer:
Co-travellers