IN: Mark Anthony Taylor, AO (born 27 October 1964 in Leeton, New South Wales; nicknamed "Tubby" or "Tubs" is a former Australian cricket player; currently a Cricket Australia director and Nine Network commentator. He was Test opening batsman from 1988 to 1999, as well as captain from 1994 to 1999, succeeding Allan Border. His predominant fielding position was first slip. He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective.

The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982-83. Taylor made his Sheffield Shield debut in 1985-86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987-88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. He originally trained as a surveyor, and received a degree in surveying from the University of New South Wales in 1987.

Are there any other interesting aspects about this article?

OUT: Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga.

Answer the question at the end by quoting:

Frankie Goes to Hollywood (FGTH) were a British band formed in Liverpool, England, in 1980. The group was fronted by Holly Johnson (vocals), with Paul Rutherford (vocals), Peter Gill (drums, percussion), Mark O'Toole (bass guitar), and Brian Nash (guitar). The group's 1983 debut single "Relax" was banned by the BBC in 1984 while at number six in the charts and subsequently topped the UK Singles Chart for five consecutive weeks, going on to enjoy prolonged chart success throughout that year and ultimately becoming the seventh best-selling UK single of all time. It also won the 1985 Brit Award for Best British Single.
Johnson's solo career at MCA commenced in 1989, with a succession of high-placed singles and the number one album Blast. The remix collection Hollelujah followed, trailed by a second studio album, Dreams That Money Can't Buy. However, Johnson's relations with MCA cooled with this release, and he would ultimately become a reclusive but successful painter, after announcing in 1993 that he was HIV-positive. The following year, Johnson recounted his version of Frankie's history in his autobiography A Bone in My Flute. His self-issued 1999 album Soulstream included a re-recording of "The Power of Love", which was also released as a single. Paul Rutherford, the other openly gay member of the band, released the partially ABC produced album Oh World and a handful of singles before retiring with his New Zealander partner to Waiheke Island. The "other three", as Smash Hits labelled them, continued to work together in what turned out to be a vain attempt to resurrect "Frankie" with various singers including Dee Harris from Fashion and Grant Boult (Jeckyl Ice) from The Premise, who had opened the shows on the band's UK and European tours. Under the name Boss Dog, with Boult on vocals, the band were offered a major deal with Virgin Records but on condition they work as Frankie Goes to Hollywood. Johnson challenged the use of the name and the deal soured. Boult and Brian Nash continued with the material written by The Shuffle Brothers and under the name Low they released "Tearing My soul Apart" in 1992 on Swanyard Records. As "Nasher", Nash released a 2002 solo album entitled Ripe. Ped worked behind the scenes and scored a top ten hit with the group "Lovestation". Mark O'Toole moved to Florida and played with Punk outfit "Trapped by Mormons". The band's name lived on to the extent that re-issues of "Relax" and "The Power of Love" both returned to the UK Top 10 in 1993. Remixes of "The Power of Love" (which became a dance anthem from its original ballad format) and "Two Tribes" were Top 20 hits again in 2000, while "Welcome to the Pleasuredome" also got commercially successful remix treatment, to the extent of a Top 20 placing four years earlier. The group's first two singles appeared sixth and 22nd respectively in the official all-time UK best-selling singles list issued in 2002.

why did they fail to resurrect Frankie

the band were offered a major deal with Virgin Records but on condition they work as Frankie Goes to Hollywood. Johnson challenged the use of the name

input: James Tobin argued that the intellectual breakthroughs that marked the neoclassical revolution in economics occurred in Europe around 1870. The next two decades witnessed lively debates, which led to the new theory being more or less incorporated into the classical tradition that preceded it. In the 1890s, according to Joseph A. Schumpeter there emerged A large expanse of common ground and ... a feeling of repose, both of which created, in the superficial observer, an impression of finality - the finality of a Greek temple that spreads its perfect lines against a cloudless sky. Of course, Tobin argues, the temple was by no means complete. Its building and decoration continue to this day, even while its faithful throngs worship within. American economists were not present at the creation. To a considerable extent they built their own edifice independently, designing some new architecture in the process. They participated actively in the international controversies and syntheses of the period 1870-1914. At least two Americans were prominent builders of the "temple," John Bates Clark and Irving Fisher. They and others brought neoclassical theory into American journals, classrooms, and textbooks, and its analytical tools into the kits of researchers and practitioners. Eventually, for better or worse, their paradigm would dominate economic science in this country. In reviewing the history of utility theory, economist George Stigler wrote that Fisher's doctoral thesis had been "brilliant" and stressed that it contained "the first careful examination of the measurability of the utility function and its relevance to demand theory." While his published work exhibited an unusual degree of mathematical sophistication for an economist of his day, Fisher always sought to bring his analysis to life and to present his theories as lucidly as possible. For instance, to complement the arguments in his doctoral thesis, he built an elaborate hydraulic machine with pumps and levers, allowing him to demonstrate visually how the equilibrium prices in the market adjusted in response to changes in supply or demand.

Answer this question "When did he come up with utility theory?"
output:
James Tobin argued that the intellectual breakthroughs that marked the neoclassical revolution in economics occurred in Europe around 1870.