IN: Innervisions is the 16th studio album by American musician Stevie Wonder, released August 3, 1973, on the Tamla label for Motown Records, a landmark recording of his "classic period". The nine tracks of Innervisions encompass a wide range of themes and issues: from drug abuse in "Too High", through inequality and systemic racism in "Living for the City", to love in the ballads "All in Love Is Fair" and "Golden Lady". The album's closer, "He's Misstra Know-It-All", is a scathing attack on then-US President Richard Nixon, similar to Wonder's song a year later, "You Haven't Done Nothin'".

Although Innervisions was recorded and released before Wonder's accident, most people associated it with the musician's fast recovery. As with both Music of My Mind and Talking Book the previous year, Innervisions was received warmly by music critics. Wonder's versatile musical skills were praised by critics. Billboard published that "the liner credits Stevie with playing all the instruments on seven of the nine tunes. So in essence this is a one-man band situation and it works. His skill on drums, piano, bass, and arp are outstanding, and all the tracks work within the thematic framework." The New York Times wrote, "Stevie identifies himself as a gang and a genius, producing, composing, arranging, singing, and, on several tracks, playing all the accompanying instruments. But Stevie Wonder, you see and want to know more. At the center of his music is the sound of what is real. Vocally, he remains inventive and unafraid, he sings all the things he hears: rock, folk, and all forms of Black music. The sum total of these varying components is an awesome knowledge, consumed and then shared by an artist who is free enough to do both." Many others also praised the variety of musical styles and themes present in the album. One reviewer from Playboy wrote, "Stevie Wonder's Innervisions is a beautiful fusion of the lyric and the didactic, telling us about the blind world that Stevie inhabits with a depth of musical insight that is awesome. It's a view that's basically optimistic, a constant search for the 'Higher Ground', but the path is full of snares: dope ('Too High'), lies ('Jesus Children of America') and the starkly rendered poison of the city ('Living for the City'). Wonder seems to say that all people delude themselves but have to be well to pay their dues and existentially accept the present. 'Today's not yesterday,/And all things have an ending' is the way he puts it in 'Visions,' the key tune of the album--pretty yet serious, harmonically vivid. There's a lot of varied music here--Latin, reggae, even a nod to Johnny Mathis ('All in Love is Fair')--but it's all Stevie, unmistakably." Some reviewers were less enthusiastic. Jon Tiven from Circus argued that there was a lack of memorable material: "Just when Stevie had some momentum going, he went and put together a concept album of homogeneous music and rather typical lyrics. Unlike his last two albums, there are no real low spots on this album, which I suppose is an improvement, but there are no songs on Innervisions which are truly outstanding either. There's no 'Superstition,' no 'I Believe (When I Fall in Love It Will Be Forever).' By constructing a solid ground from which to work, Stevie has lowered the ceiling, and put a damper on his talents." Musicians also showed consummate respect for the achievements of the album, with Roberta Flack saying to Newsweek that "It's the most sensitive of our decade ... it has tapped the pulse of the people." Innervisions won Grammy Awards for Album of the Year and Best Engineered Non-Classical Recording in 1974, while "Living for the City" won the Grammy for Best R&B Song.
QUESTION: Was it popular among the people around the world
IN: The Bangles are an American pop rock band formed in Los Angeles in 1981. They scored several hit singles as that decade continued. The band's hits include "Walk Like an Egyptian", Billboard magazine's number-one single of 1987, as well as two number-two hits, "Manic Monday" and "Hazy Shade of Winter", and their 1989 number-one single "Eternal Flame". Their classic line-up consisted of Michael Steele on bass and vocals, founding members Susanna Hoffs on vocals and rhythm guitar, Debbi Peterson on drums and vocals, and Vicki Peterson on lead guitar and vocals.

The band started drifting back together in 1998, and officially re-formed to record a song for the soundtrack of Austin Powers: The Spy Who Shagged Me, at the behest of the film's director Jay Roach. The song chosen for the album was "Get The Girl" and was released in 1999. The reunion continued with a tour in 2000. Later the same year, the group was also inducted into the Vocal Group Hall of Fame. From 2001-2002, they were in the studio recording the album Doll Revolution at Icon Recording Studios, Hollywood, California. The album, featuring such songs as "Stealing Rosemary", "Ride the Ride", "Nickel Romeo", and the single "Something That You Said", was released in early 2003. The title track, which was written by Elvis Costello, was originally recorded for his 2002 album When I Was Cruel. Doll Revolution was a solid comeback success in Germany after the Bangles had performed in Germany's biggest television show Wetten dass, but failed to make any impact in other markets such as the UK, the U.S. and Australia. In July 2004, Paul McCartney presented the Bangles with "honorary rock'n'roll diplomas" from his Liverpool Institute for Performing Arts. In 2005, The Bangles announced the departure of Michael Steele who left due to artistic disputes over touring and recording. Steele was replaced by touring bassist Abby Travis for live appearances. Eventually, Travis was fired. On December 31, 2005, the group performed "Hazy Shade of Winter" in front of Times Square and later "Eternal Flame" as part of Dick Clark's New Year's Rockin' Eve 2006. August 2007 saw the release of their first official live DVD, Return to Bangleonia - Live in Concert. In 2008, the band toured the US. Further dates included shows in Germany, the Netherlands, and at the popular Cornbury Festival in Oxfordshire, England. In the spring of 2009, the Bangles returned to the studio to begin work on a new album entitled Sweetheart of the Sun which was released on September 27, 2011. The band went on tour in late 2011 in support of it, with dates on the East Coast, Midwest, and West Coast. Openers for the various dates included rock band Antigone Rising and power pop band A Fragile Tomorrow. In December 2013, The Bangles played two nights with three other reunited Paisley Underground bands--The Dream Syndicate, The Three O'Clock, and Rain Parade--at The Fillmore in San Francisco and The Fonda Theatre in Los Angeles (benefit concert). Their set list focused on their early material, with remarks from the band at the beginning of the Fillmore show that they were going to be playing songs that they hadn't played in 30 years. In January 2014, they performed at the Whisky a Go Go in West Hollywood, California, in celebration of The Whisky's 50th anniversary. In January 2018, The Bangles played their first show since 2016 at Honda Center in Anaheim. It also was the first reunion with original bassist Annette Zilinskas since 1983.[2]
QUESTION:
Did the group stay together?