input: At the age of 17, Roussimoff moved to Paris and was taught professional wrestling by a local promoter who recognised the earning potential of Roussimoff's size. He trained at night and worked as a mover during the day to pay living expenses. Roussimoff was billed as "Geant Ferre", a name based on the French folk hero Grand Ferre, and began wrestling in Paris and nearby areas. Canadian promoter and wrestler Frank Valois met Roussimoff in 1966, becoming his business manager and adviser. Roussimoff began making a name for himself wrestling in the United Kingdom, Germany, Australia, New Zealand, and Africa. He made his Japanese debut in 1970, billed as "Monster Roussimoff", wrestling for the International Wrestling Enterprise. Wrestling as both a singles and tag-team competitor, he quickly was made the company's tag-team champion alongside Michael Nador. During his time in Japan, doctors first informed Roussimoff that he suffered from acromegaly. Roussimoff next moved to Montreal, Canada, where he became an immediate success, regularly selling out the Montreal Forum. However, promoters eventually ran out of plausible opponents for him and, as the novelty of his size wore off, the gate receipts dwindled. Roussimoff was defeated by Adnan Al-Kaissie in Baghdad in 1971, and wrestled numerous times in 1972 for Verne Gagne's American Wrestling Association (AWA) as a special attraction until Valois appealed to Vince McMahon Sr., founder of the World Wide Wrestling Federation (WWWF), for advice. McMahon suggested several changes. He felt Roussimoff should be portrayed as a large, immovable monster, and to enhance the perception of his size, McMahon discouraged Roussimoff from performing maneuvers such as dropkicks (although he was capable of performing such agile maneuvers before his health deteriorated in later life). He also began billing Roussimoff as "Andre the Giant" and set up a travel-intensive schedule, lending him to wrestling associations around the world, to keep him from becoming overexposed in any area. Promoters had to guarantee Roussimoff a certain amount of money as well as pay McMahon's WWWF booking fee.

Answer this question "When did he find success?"
output: Roussimoff next moved to Montreal, Canada, where he became an immediate success,

input: On February 21, 2007, Cute's first official single "Sakura Chirari" was released. On the first day it ranked 3rd in the Oricon Daily Singles Chart. With their debut single, they became the youngest group (with the average age of 13) to rank in the top 10. On December 30, 2007, Cute received the Japan Record Award for Best New Artist. The girls were too young to appear on stage at the awards ceremony, broadcast live late at night, so Tsunku accepted the award for them. The year ended with the group's debut at the 58th NHK Kohaku Uta Gassen, an annual music show broadcast on December 31. They performed a number together with Morning Musume and Berryz Kobo. At the end of 2008, Cute was nominated for the main Japan Record Award, the Grand Prix, for the song "Edo no Temari Uta II", which was chosen as one of the best works of the year. Losing to the boyband Exile, that year they had to be content with a Gold Award, which is given to all main prize nominees. The prizewinning song was originally written for veteran enka singer Hiroshi Itsuki, who was planning to release it on his end-of-2008 album. Tsunku, however, heard the song, and said, "I want the girls to sing it as a modern fairytale." So Itsuki let him use the song. For Cute, it was rearranged from enka into boogie and the lyrics were slightly modified. In what was called a collaboration by Tsunku and a rivalry between two performers by Sankei Sports, they both released the song as CD singles, Cute on July 30 and Itsuki as his 132nd single later in the year.

Answer this question "Which label did Cute work with in 2007-08?"
output: On February 21, 2007, Cute's first official single "Sakura Chirari" was released. On the first day it ranked 3rd in the Oricon Daily Singles Chart.

input: One of Swift's earliest musical memories is listening to her maternal grandmother, Marjorie Finlay, sing in church. As a child, she enjoyed Disney film soundtracks: "My parents noticed that, once I had run out of words, I would just make up my own". Swift has said she owes her confidence to her mother, who helped her prepare for class presentations as a child. She also attributes her "fascination with writing and storytelling" to her mother. Swift was drawn to the storytelling of country music, and was introduced to the genre by "the great female country artists of the '90s"--Shania Twain, Faith Hill and the Dixie Chicks. Twain, both as a songwriter and performer, was her biggest musical influence. Hill was Swift's childhood role model: "Everything she said, did, wore, I tried to copy it". She admired the Dixie Chicks' defiant attitude and their ability to play their own instruments. The band's "Cowboy Take Me Away" was the first song Swift learned to play on the guitar. Swift also explored the music of older country stars, including Patsy Cline, Loretta Lynn, Dolly Parton and Tammy Wynette. She believes Parton is "an amazing example to every female songwriter out there". Alt-country artists such as Ryan Adams, Patty Griffin and Lori McKenna have inspired Swift. Swift lists Paul McCartney, The Rolling Stones, Bruce Springsteen, Emmylou Harris, Kris Kristofferson, and Carly Simon as her career role models: "They've taken chances, but they've also been the same artist for their entire careers". McCartney, both as a Beatle and a solo artist, makes Swift feel "as if I've been let into his heart and his mind ... Any musician could only dream of a legacy like that". She admires Springsteen for being "so musically relevant after such a long period of time". She aspires to be like Harris as she grows older: "It's not about fame for her, it's about music". "[Kristofferson] shines in songwriting ... He's just one of those people who has been in this business for years but you can tell it hasn't chewed him up and spat him out", Swift says. She admires Simon's "songwriting and honesty ... She's known as an emotional person but a strong person". Swift has also been influenced by many artists outside the country genre. As a pre-teen, she enjoyed bubblegum pop acts including Hanson and Britney Spears; Swift has said she has "unwavering devotion" for Spears. In her high school years, Swift listened to rock bands such as Dashboard Confessional, Fall Out Boy, and Jimmy Eat World. She has also spoken fondly of singers and songwriters like Michelle Branch, Alanis Morissette, Ashlee Simpson, Fefe Dobson and Justin Timberlake; and the 1960s acts The Shirelles, Doris Troy, and The Beach Boys. Swift's fifth album, the pop-focused 1989, was influenced by some of her favorite 1980s pop acts, including Annie Lennox, Phil Collins and "Like a Prayer-era Madonna".

Answer this question "Did her mother do anything else for her?"
output:
She also attributes her "fascination with writing and storytelling" to her mother.