Teacher: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
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Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this instance: Context_1 : La Grande Illusion (also known as Grand Illusion) is a 1937 French war film directed by Jean Renoir, who co-wrote the screenplay with Charles Spaak. The story concerns class relationships among a small group of French officers who are prisoners of war during World War I and are plotting an escape. The title of the film comes from the book "The Great Illusion" by British journalist Norman Angell, which argued that war is futile because of the common economic interests of all European nations. The perspective of the film is generously humanistic to its characters of various nationalities. Context_2 : Jose Luis Garci (born as "Jose Luis Garcia Munoz"; 20 January 1944) is a Spanish director, producer, critic, TV presenter, screenwriter and author. He earned worldwide acclaim and his country's first Best Foreign Language Film Academy Award for "Begin the Beguine" (1982). Four of his films, including also "Sesion continua" (1984), "Asignatura aprobada" (1987) and "El abuelo" (1998), have been nominated for the Academy Award for Best Foreign Language Film, more than any other Spanish director. His films are characterized for his classical style and the underlying sentimentality of their plots. Context_3 : Deepa Mehta, {'1': ", '2': ", '3': ", '4': "} ( born 15 September 1950) is an Indo-Canadian film director and screenwriter, most known for her Elements Trilogy, "Fire" (1996), "Earth" (1998), and "Water" (2005); among which "Earth" was sent by India as its official entry for the Academy Award for Best Foreign Language Film, and "Water" was Canada's official entry for Academy Award for Best Foreign Language Film, making it only the third non-French-language Canadian film submitted in that category after Attila Bertalan's 1990 invented-language film "A Bullet to the Head" and Zacharias Kunuk's 2001 Inuktitut-language feature "", and the first to receive an Oscar nomination. Context_4 : Berit Nesheim (born 28 January 1945) is Norwegian film director. Nesheim graduated from the University of Oslo in foreign languages, literature and psychology to go on to a career as a director of television films. Her first feature-film was Frida Straight from the Heart in 1991, which was the Norwegian entry to the Academy Award for Best Foreign Language Film in 1992. Her next feature film was Beyond the Sky (1994, starring with Swedish actress Harriet Anderson. Her film The Other Side of Sunday was nominated to Academy Award for Best Foreign Language Film in 1997. She directed the miniseries "An Immortal Man" (2006) on Henrik Ibsen's life. Context_5 : The Road a Year Long (Italian: "La strada lunga un anno" , ) is a 1958 film directed by Giuseppe De Santis. A Yugoslavian-Italian co-production, it was Yugoslavia's first ever submission for the Academy Award for Best Foreign Language Film and was nominated for the award at the 31st Academy Awards in April 1959. It won the Golden Globe Award for Best Foreign Language Film. For his performance Massimo Girotti was awarded best actor at the San Francisco International Film Festival. Context_6 : Like Water for Chocolate (Spanish: "Como Agua Para Chocolate") is a 1992 Mexican film in the style of magical realism based on the popular novel, published in 1989 by first-time Mexican novelist Laura Esquivel. It earned ten Ariel Awards including the Best Picture and was nominated for a Golden Globe Award for Best Foreign Language Film. The film became the highest grossing Spanish-language film ever released in the United States at the time. The film was selected as the Mexican entry for the Best Foreign Language Film at the 65th Academy Awards, but was not accepted as a nominee. Context_7 : The cinema of Japan ( , Nihon eiga , also known domestically as "hoga", "domestic cinema") has a history that spans more than 100 years. Japan has one of the oldest and largest film industries in the world; as of 2010, it was the fourth largest by number of feature films produced. In 2011 Japan produced 411 feature films that earned 54.9% of a box office total of US$2.338 billion. Movies have been produced in Japan since 1897, when the first foreign cameramen arrived. In a "Sight & Sound" list of the best films produced in Asia, Japanese works made up eight of the top 12, with "Tokyo Story" (1953) ranked number one. Japan has won the Academy Award for the Best Foreign Language Film four times, once again more than any other Asian country. Context_8 : The Academy Award for Best Film Editing is one of the annual awards of the Academy of Motion Picture Arts and Sciences (AMPAS). Nominations for this award are closely correlated with the Academy Award for Best Picture. For 33 consecutive years, 1981 to 2013, every Best Picture winner had also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. Only the principal, "above the line" editor(s) as listed in the film's credits are named on the award; additional editors, supervising editors, etc. are not currently eligible. The nominations for this Academy Award are determined by a ballot of the voting members of the Editing Branch of the Academy; there were 220 members of the Editing Branch in 2012. The members may vote for up to five of the eligible films in the order of their preference; the five films with the largest vote totals are selected as nominees. The Academy Award itself is selected from the nominated films by a subsequent ballot of all active and life members of the Academy. This process is essentially the reverse of that of the British Academy of Film and Television Arts (BAFTA); nominations for the BAFTA Award for Best Editing are done by a general ballot of Academy voters, and the winner is selected by members of the editing chapter. Context_9 : The 11th Academy Awards were held on February 23, 1939, at the Biltmore Hotel in Los Angeles, California. It was the first Academy Awards show without any official host. This was also the first ceremony in which a foreign language film (Jean Renoir's "Grand Illusion") was nominated for Best Picture. Context_10 : During the 29th Academy Awards, the regular competitive category of Best Foreign Language Film was introduced, instead of only being recognized as a Special Achievement Award or as a Best Picture nominee (as in 1938). The first winner in this new category was Federico Fellini's "La strada" with Anthony Quinn and a second nomination for Best Original Screenplay. Its win would help spur an interest in foreign-language films. Another Fellini film, "Nights of Cabiria" would win the Best Foreign Language Film Oscar in the following year. fact_1 : This was also the first ceremony in which a foreign language film (Jean Renoir's "Grand Illusion") was nominated for Best Picture. fact_2 : The title of the film comes from the book "The Great Illusion" by British journalist Norman Angell, which argued that war is futile because of the common economic interests of all European nations. Question: What book was the first foreign language film to be nominated for an Academy Award for Best Picture based on?
Student:
The Great Illusion