Question:
"Trapped in the Closet" is the twelfth episode in the ninth season of the American animated television series South Park. The 137th episode of the series overall, it originally aired on Comedy Central in the United States on November 16, 2005. In the episode, Stan joins Scientology in an attempt to find something "fun and free". After the discovery of his surprisingly high "thetan levels", he is recognized as the reincarnation of L. Ron Hubbard, the founder of the church.
Saving for a bicycle and not wanting to spend money on entertainment, Stan takes a free "personality test" being offered by Scientologists on the street. After answering a long questionnaire, Stan is informed that he is extremely depressed and therefore a perfect candidate for Scientology. They offer to help him out for $240. Back home, Stan asks his parents for the money. His father suggests that he use the money he had been saving. Stan pays and is taken into an auditing room where an attendant reads his "thetan levels" using an "E-meter". Stan has such a high reading that the Scientology headquarters in Los Angeles is notified. There, the president of Scientology determines that, because his reading is so high, Stan must be a reincarnation of L. Ron Hubbard, Scientology's founder and prophet. Later that night, a large group of Scientologists, including John Travolta, gather outside the Marsh house to celebrate Hubbard's "second coming". The president of Scientology arrives in a helicopter and talks with Stan's parents. They are opposed to Stan's participation, but the president informs them that "we're not asking him to join us; we're asking him to lead us". Randy sends Stan to his room, where he finds Tom Cruise waiting. Cruise, believing that Stan is genuinely Hubbard's reincarnation, asks him whether he has enjoyed his acting. When "Hubbard" replies that his acting is okay but not as good as others' such as Leonardo DiCaprio or the Napoleon Dynamite guy, Tom hears that he is "a failure in the eyes of the prophet" and locks himself in Stan's closet. He refuses to come out, despite the entreaties of Randy, Nicole Kidman, the police, Travolta and R. Kelly to "come out of the closet". Travolta and Kelly eventually join Cruise in the closet. Downstairs, the church president tries to convince Stan's parents to allow their son to participate. He tells to Stan the great secret behind the church -- a condensed version of the story of Xenu, based directly on the Scientology Operating Thetan III document, and accompanied by an onscreen caption reading "This is what Scientologists actually believe". He then begs Stan to continue writing where "L. Ron" left off. Stan, impressed by the story, does so. He shows his writings to the Scientology president, who initially approves of the work, but when Stan says "to really be a church, you can't charge money to help", the president reveals to Stan that the church is in reality a global money-making scam. He asks that Stan continue with that in mind. Stan appears to agree and keeps writing. Outside the house, the president introduces Stan to his followers, to whom he will read parts of his new doctrine. However, instead of presenting it to them, Stan states that he is not the reincarnation of L. Ron Hubbard, and that "Scientology is just a big fat global scam". The Scientologists grow angry and threaten to sue him. The celebrities in the closet appear, threatening to sue Stan as well. The last shot is Stan daring them to do so. However, that shot is followed immediately by the closing credits naming only "John Smith" and "Jane Smith", a reference to Tom Cruise and the Church of Scientology's reputation for litigiousness.
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What other famous actors are depicted?

Answer:
He refuses to come out, despite the entreaties of Randy, Nicole Kidman, the police, Travolta and R. Kelly

Question:
The Beach Boys are an American rock band formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis, and Carl Wilson; their cousin Mike Love; and their friend Al Jardine. Distinguished by their vocal harmonies and early surf songs, they are one of the most influential acts of the rock era. The band drew on the music of jazz-based vocal groups, 1950s rock and roll, and black R&B to create their unique sound, and with Brian as composer, arranger, producer, and de facto leader, often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.
Recorded in the wake of California Music's demise, a supergroup that would have involved Brian Wilson, Bruce Johnston, and record producer Terry Melcher, 15 Big Ones (1976) marked Brian's return as a major force in the group. The album included new songs by Brian, as well as cover versions of oldies such as "Rock and Roll Music", "Blueberry Hill", and "In the Still of the Night". "Rock and Roll Music" peaked at No. 5 in the U.S. Brian and Love's "It's O.K." was in the vein of their early sixties style, and was a moderate hit. The album was publicized by an August 1976 NBC-TV special, simply titled The Beach Boys. The special, produced by Saturday Night Live (SNL) creator Lorne Michaels, featured appearances by SNL cast members John Belushi and Dan Aykroyd. The album was generally disliked by fans and critics upon release. During its sessions, Brian's production role was belittled as group members overdubbed and remixed tracks to fight against his desire for a rough, unfinished sound. Carl and Dennis disparaged the album to the press while Brian admitted, "[Undoubtedly] the new album is nothing too deep", but remained hopeful that their next release would be on par with the group's "Good Vibrations". For the remainder of 1976 to early 1977, Brian spent his time making sporadic public appearances and producing the band's next album The Beach Boys Love You (1977), a quirky collection of 14 songs mostly written, arranged and produced by Brian. Brian later called Love You one of his favorite Beach Boys releases, saying that "That's when it all happened for me. That's where my heart lies." Jardine credited Carl and Dennis with having "the most to do with that album ... [they were] paying tribute to their brother." Love You peaked at No. 28 in the UK and No. 53 in the US and developed a cult following; regarded as one of the band's best albums by fans and critics alike, and an early work of synthpop. Referring to "naysayers" of the album, the underground fanzine Scram wrote, "Fuck [them] ... [the album showcases] a truly original mix of humor and sadness. The original numbers always dance just a step away from the cliche, dealing with simple lyrical themes that make you wonder why they had never been explored before." The A.V. Club - considering the album in "the same vein" as Tonight's the Night (1975), Pussy Cats (1974), The Madcap Laughs (1970), and Barrett (1970) - described Love You as: "something almost desperately optimistic ... Wilson sings frayed songs about roller-skating, road-tripping, and Johnny Carson - like a frazzled man sitting in a corner chanting 'calm blue ocean' over and over. It's a beautiful, noisy, funny, heartbreaking work of art - one not for everybody, yet vital for anyone who wants to understand Wilson's overall worldview."
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what is 15 big ones?

Answer:
The album