The night when she thought she would finally be a star, Maria Isabella du'l Cielo struggled to calm the trembling of her hands, reached over to cut the tether that tied her to the ground, and thought of that morning many years before when she'd first caught a glimpse of Lorenzo du Vicenzio ei Salvadore: tall, thick-browed and handsome, his eyes closed, oblivious to the cacophony of the accident waiting to occur around him. Maria Isabella had just turned sixteen then, and each set of her padrinos had given her (along with the sequined brida du caballo, the dresses of rare tulle, organza, and seda, and the diadema floral du'l dama -- the requisite floral circlet of young womanhood) a purse filled with coins to spend on anything she wanted. And so she'd gone past the Calle du Leones (where sleek cats of various pedigrees sometimes allowed themselves to be purchased, though if so, only until they tired of their new owners), walked through the Avenida du'l Conquistadores (where the statues of the conquerors of Ciudad Meiora lined the entirety of the broad promenade) and made her way to the Encantu lu Caminata (that maze-like series of interconnected streets, each leading to some wonder or marvel for sale), where little musical conch shells from the islets near Palao'an could be found. Those she liked very much. In the vicinity of the Plaza Emperyal, she saw a young man dressed in a coat embroidered with stars walk almost surely to his death. In that instant, Maria Isabella knew two things with the conviction reserved only for the very young: first, that she almost certainly loved this reckless man; and second, that if she simply stepped on a dog's tail -- the very dog watching the same scene unfold right next to her -- she could avert the man's seemingly senseless death. Who gave Maria Isabella a purse filled with coins? - Lorenzo - The owners of the Calle du Leones. - Each set of her padrinos - not enough information
Each set of her padrinos

(Question)
I saw one last night on an episode of Designated Survivor. To qualify this, I'm not normally bothered by product placements. Sometimes they can even add to the scene. But this one was bad, really bad. Agent is busy hunting for baddies. Finishes questioning one naughty person who climbs in his Ford F150 and speeds off. So far, so good - it is the sort of vehicle a country-living billionaire bad-guy would drive. The agent then pulls out her phone and Move to close up of phone screen showing Ford app already loaded (and screen unlocked!). Agent slowly moves finger to app. Does something. Pause as app does fancy graphics. Cut to car interior. Shot of dash, showing Ford logo on steering wheel. It's bright blue - are they not normally grey or more subtle? Pause for a second Zoom in on dash. Dash light up. Car starts. Show pretty dash lights for a second or so. Cut to agent Agent walks to car, gets in drives off. Lingering shot of rear of car. It was just so clumsy. Massive halt to the flow of the scene to show it. In most films you never see anyone starting cars, putting on seatbelts or similar unless this is part of the plot because it's unnecessary and not interesting to watch. I sort of expected the remote start function to have some sort of relevance later but no, it was totally ignored. Added to that: There was no password or security on her phone - and this is an agent investigating super secret stuff. If you don't show her unlocking the phone, why show her lovingly prodding the app? They are as relevant. She unlocked and started the car while she was 2030 paces away, on the grounds of a suspect ranch. Someone could easily have jumped in the car. Not very security conscious. What is most likely true of the agent? - She is afraid to talk to people - She cannot drive a car - not enough information - she knows top secret info?
(Answer)
she knows top secret info?

Ques:It's always interesting to read back on why people do things, especially people who end up making a career or a fortune out of the seemingly benign choices they make. Thelma Schoonmaker, the film editor whom my previous post was about was one of those people; she got into editing after seeing an ad in the New York Times. I'm in no way suggesting I'm going to make a fortune, nor that I'm a Thelma Schoonmaker in the making, but I certainly do make a lot of benign choices. Art blogging, for me, was one of those benign choices. I made the decision to start an art blog very randomly, so randomly I'm not even sure where the idea came from. At the time I had been studying a bachelor of psychology for about two years and found myself interested in the subject, but underwhelmed with the lack of creative ideas and media I was being exposed to. I'd always been interested in art and most creative mediums, often recording music or taking photographs on the side. But the pages and pages of white and black scientific journal articles must have got to me, because I found myself yearning for splashes of colour, moving imagery, challenging concepts and undefinable ideas. The next thing I knew I had started an art blog aptly titled: Artistic Expansion and I began spending hours a day searching through the internet for content, often finding my best pieces in the most random places, often not even defined intentionally as 'art'. Over the last two years I must have blogged hundreds of multi-coloured, multi-textured and multi-layered images, accumulated over 2000 followers and consumed more art than I ever had in my entire life. I find it interesting not because of it's success, but because before I started my art blog, I really had no idea how much I did or could love art and once I had made my art blog I couldn't imagine how I ever functioned without it. When did te author started the art blog? - during college - before college - not enough information - after college

Ans:
during college