input question: Select the correct sentiment of the following review: This movie appears to have been made by someone with some good ideas but who also never had made a movie before nor had they considered that a script should be edited or even funny. When I saw this film, I saw it for John Candy and assumed, incorrectly, that it would be hilarious. Instead, there was a stupid plot about mind control and so many flat, unfunny moments. And, to top it off, Candy delivered some of the crudest lines I had ever heard up to that time. So, despite a potentially funny cast and story idea, we are left with an amateurish and crude movie that will probably be too stupid for the average adult, though teens will probably find a few laughs. It's really a shame--it could have been so much better. I mean, with Eugene Levy, Joe Flaherty and John Candy it SHOULD have been wonderful.
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output answer: negative

input question: Select the correct sentiment of the following review: If anyone is wondering why no one makes movies like they used to, with conversation, character and a simple theme of friendship struggling to evolve into something new, better and different, those folks need to take in this film and see top notch writing, directing, and acting that melds into a wonderful evening of observation on how things used to be in Italy and England. Other days, other times funneled into a terrific comedy of entertainment, made in 1992 with Alfred Molina, Joan Plowright, Polly Walker, Josie Lawrence, Jim Broadbent, Miranda Richardson, and Michael Kitchens in the major roles. Under the brush stroke direction of Mike Newell, these actors accomplish vividly memorable performances that are photographed with a sublimely subtle painter's eye. Reminiscent of the theatrical bedroom farce of the turn of the century, this film might be called a friendship farce that becomes a worthwhile experience in the growth of the romantic nature within each character, and the viewer, too. An artistic telegram on the importance of caring about those around us.
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output answer: positive

input question: Select the correct sentiment of the following review: Rohmer strays from his usual portraits of french middle class to tell this costume drama about the difficulties of an aristocrat lady during the french revolution. What's more attractive about "La Anglaise..." (apart from the story itself) is the fabulous aesthetics that Rohmer has achieved. The images have been digitally decorated too make them look like baroque pictures. In some moments you can't really say whether your watching a movie or a series of pictures in Louvre Musseum. Every shot is like a piece of art.

*My rate: 7.5/10

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output answer:
positive