Given the task definition, example input & output, solve the new input case.
In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Output: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

New input case for you: Context_1 : "Feel This Moment" is a song by the American rapper Pitbull, the recording of which features the American singer Christina Aguilera. It is taken from Pitbull's seventh studio album, "Global Warming," which he released in 2012. The song was released on February 22, 2013 as the fourth single from the album by Mr. 305, Polo Grounds Music and RCA Records. It is a dance-pop number that talks about stopping to take a moment to appreciate life. "Feel This Moment" was written by Nasri Atweh, Chantal Kreviazuk, Adam Messinger, Sir Nolan, DJ Buddha, Pitbull, and Aguilera, while production was handled by Adam Messinger, Sir Nolan, Nasri Atweh, and DJ Buddha. The song takes the main melody from "Take On Me" by A-ha, which, in turn, was written and composed by Morten Harket, Paul Waaktaar-Savoy, and Magne Furuholmen. Context_2 : "Time of Our Lives" is a song recorded by American rapper Pitbull and American R&B singer Ne-Yo for the former's eighth studio album "Globalization". It also appears on Ne-Yo's album, "Non-Fiction". It was released on November 17, 2014 as the third single from the album by RCA Records. It was produced by Dr. Luke, Cirkut, Michael "Freakin" Everett and Lifted. The song marks the second coming for Pitbull by Ne-Yo, following the smash-hit "Give Me Everything" (2011); co-producers Dr. Luke and Cirkut also mark their fourth joint production for Pitbull (after "Timber", "Wild Wild Love", and "We Are One (Ole Ola)") and third for Ne-Yo (after "She Knows" and T-Pain's "Turn All the Lights On"). It became Pitbull's most successful single from "Globalization", reaching number 9 on the "Billboard" Hot 100. "Time of Our Lives" also went to number one on the US Rhythmic chart. Context_3 : "Fresh Out the Oven" is a song recorded by American singer Jennifer Lopez, featuring American rapper Pitbull. The mid-tempo electro-R&B song was written by Amanda Ghost, Lopez, Pitbull and Pharrell Williams, while production was handled by The Neptunes. Ghost brought the song to Lopez, who although loved it, didn't think it matched the sound of the music she had been recording at the time. Lopez eventually decided to record the song and release it as a promotional single in anticipation of her seventh studio album "Love?" (2011). The song premiered online on October 7, 2009 and was promoted to clubs in the United States by Epic Records. Context_4 : Global Warming is the seventh studio album recorded by American rapper Pitbull. It was released on November 16, 2012. A teaser to accompany the release of "Global Warming" was first released onto Pitbull's official Facebook and YouTube channel on September 17, 2012. Context_5 : "Get It Started" is a song recorded by American rapper Pitbull for his seventh studio album "Global Warming". It was released on June 28, 2012 as the second single from the album by RCA Records. The song features guest vocals from Colombian singer-songwriter Shakira, marking the fourth time they have collaborated on a song together, the others being an official remix to the Spanish version of "Did it Again", "Lo Hecho Esta Hecho", and the English version of "Rabiosa". The artists co-wrote the song with its producers, DJ Buddha, Sidney Samson, Marc Kinchen, Develop, with additional writing from Durrell "Tank" Babbs and Kris Stephens. It is a dance-pop song that "blends a dance beat and up-tempo verses with a slowed-down, piano-driven pop chorus". Context_6 : "Back in Time" is a song by the American rapper Pitbull. While originally released as the lead single from the soundtrack of sci-fi film "Men in Black 3", it is not featured on the album; instead, it was released as the lead single from Pitbull's seventh studio album, "Global Warming". The single was released via download on March 27, 2012, before being issued physically in Germany on May 25, 2012. The single to date has sold over 1.3 million copies digitally.<ref name="Hip Hop Digital Singles Sales: The Week Ending 7/29/2012"> </ref> The song contains a sample from "Love Is Strange", written by Mickey Baker, Sylvia Robinson, and Ellas McDaniel, as performed by Mickey & Sylvia, which was also used in the song Rinky Dink by Bill Justis. Context_7 : "On the Floor" is a song recorded by American singer Jennifer Lopez for her seventh studio album, "Love?" (2011). Featuring American rapper Pitbull, it was released by Island Records on February 8, 2011 as the lead single from the album. "On the Floor" was written by Kinda "Kee" Hamid, AJ Junior, Teddy Sky, Bilal "The Chef" Hajji, Pitbull, Gonzalo Hermosa, Ulises Hermosa, along with the song's producer RedOne. It is an up-tempo electro-house dance and Euro R&B song with a common time tempo of 130 beats per minute. "On the Floor" incorporates elements of electro house and draws further musical influences from eurodance, Latin music and techno music. Lopez recorded a Spanish-language version of the song titled "Ven a Bailar" (English: "Come to Dance" ), which includes additional lyrical contributions from Julio Reyes Copello and Jimena Romero. Context_8 : "Wild Wild Love" is a song by American rapper Pitbull featuring American recording artist group G.R.L. The song was released February 25, 2014 and serves as the lead single off of Pitbull's eighth studio album Globalization. It was written by Pitbull, Ammar Malik, Dr. Luke, Max Martin, Alexander Castillo Vasquez, Michael Everett (co-composer) and Henry Walter with the production handled by the latter five. Coincidentally, G.R.L. member Natasha Slayton is the daughter of world renowned comedian Bobby Slayton, known as the "Pitbull of Comedy". Context_9 : "Don't Stop the Party" is a song recorded by American rapper Pitbull for his seventh studio album, "Global Warming". The song features TJR and includes samples of the song "Funky Kingston" by Toots and the Maytals replayed by Mark Summers at Scorccio Sample Replays. It was released on September 25, 2012 as the album's third single by RCA Records. Context_10 : "Everybody Fucks" is a song recorded by American rapper Pitbull from his seventh studio album, "Global Warming". The song features guest vocals from Akon & David Rush. It is included in the "Global Warming" album's Deluxe edition as one of the additional bonus tracks. The track was written by Armando C. Perez, Gregor Salto, Danny Mercer, Jackson Morgan, Jencarlos Canela, Aliaune Thaim, Urales Vargas, Tzvetin Todorov, Kizzo and produced by Gregor Salto, Tzvetin Todorov and DJ Buddha. The instrumental of the song is sampled on Romainian singer, INNA's 2013 single More than Friends. fact_1 : "Don't Stop the Party" is a song recorded by American rapper Pitbull for his seventh studio album, "Global Warming". fact_2 : Global Warming is the seventh studio album recorded by American rapper Pitbull. Answer: Global Warming
Output:
What seventh studio album is recorded by American rapper Pitbull.