Teacher: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
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Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this instance: Context_1 : John Joseph Montgomery (February 15, 1858 October 31, 1911) was an American inventor, physicist, engineer, and professor at Santa Clara University in Santa Clara, California who is best known for his invention of controlled heavier-than-air flying machines. Context_2 : The Art of the Theremin is the first official album by theremin virtuoso Clara Rockmore, and the only one released in her lifetime. It was produced by Robert Moog and his first wife, Shirleigh Moog, and was released as an LP in 1977 by Delos International Records. As with most of her live performances, she was accompanied minimally by her older sister, Nadia Reisenberg, on piano. The 1977 Delos LP and 1981 Japanese Delos LP release were entitled "Theremin". The 1987 Delos CD was titled "The Art of the Theremin". Context_3 : Zip-cord is a type of electrical cable with two or more conductors held together by an insulating jacket that can be easily separated simply by pulling apart. The term is also used with optical fiber cables consisting of two optical fibers joined in a similar manner. The design of zip-cord makes it easy to keep conductors that carry related electrical or optical signals together and helps avoid tangling of cables. Typical uses include lamp cord and speaker wire. Conductors may be identified by a color tracer on the insulation, or by a ridge molded into the insulation of one wire, or by a colored tracer thread inside the insulation. Zip cords are intended for use on portable equipment, and the US and Canadian electrical codes do not permit their use for permanently installed wiring of line-voltage circuits. Context_4 : Patents are legal instruments intended to encourage innovation by providing a limited monopoly to the inventor (or their assignee) in return for the disclosure of the invention. The underlying assumption is that innovation is encouraged because an inventor can secure exclusive rights, and therefore a higher probability of financial rewards in the market place. The publication of the invention is mandatory to get a patent. Keeping the same invention as a trade secret, rather than disclose by publication, could prove valuable well beyond the time of any limited patent term, but at the risk of congenial invention through third party. Context_5 : Stanley Hart White was a professor of Landscape Architecture at the University of Illinois from 1922 until 1959 and the inventor of the green wall. White called his invention "Botanical Bricks" and developed prototypes in his backyard in Urbana, Illinois. Stanley's brother E.B. White documents the invention in his 1937 letter to Katherine S. White: "I guess everyone has crazy brothers and sisters. I know I have. Stan, by the way, has taken out a patent on an invention of his called 'Botanical Bricks,' which are simply plant units capable of being built up to any height, for quick landscape effects, the vertical surfaces covered with flowering vines, or the like. He thinks that the idea has great possibilities for such things as world fairs, city yards, indoor gardens, and many other projects. I think perhaps he has got hold of something, and have written him for more information. He certainly deserves a break." Stanley refined the vertical garden typology with his patent for the "vegetation-Bearing Architectonic Structure and System (1938)" in which he outlines the scope for a new field of vegetation-bearing architecture. The impact of this invention has still unrealized provocations on this history of gardens and designed landscapes, establishing precedent for verdant modernism in the prewar Middle West. The wall was reconstructed in 2012-13 as part of a Graham Foundation Research Award. Stanley Hart White is also known for his innovative teaching style and his influence on the work of Richard Haag, Hideo Sasaki, Peter Walker, Stu Dawson, Philip H. Lewis Jr., and numerous others Stanley Hart White married Blanche Bigney; they had one daughter, Janice Hart White, an accomplished artist. As E. B. White's niece, Janice was an inspiration for the title character in Stuart Little, Harper and Brothers, 1945. Context_6 : Clara Rockmore (nee Reisenberg, March 9, 1911 May 10, 1998) was a classical violin prodigy and a virtuoso performer of the theremin, an electronic musical instrument. She was the sister of pianist Nadia Reisenberg. Context_7 : Lev Sergeyevich Termen (Russian: ) (27 August [O.S. 15 August] 1896 3 November 1993), or Leon Theremin in the United States, was a Russian and Soviet inventor, most famous for his invention of the theremin, one of the first electronic musical instruments and the first to be mass-produced. He also devised the interlace technique for improving the quality of a video signal, still widely used in video and television technology. His listening device, "The Thing", hung for seven years in plain view in the United States Ambassador's Moscow office and enabled Soviet agents to eavesdrop on secret conversations. Context_8 : Public disclosure is any non-confidential communication which an inventor or invention owner makes available to one or more members of the public, revealing the existence of the invention and enabling an appropriately experienced individual ("person having ordinary skill in the art") to reproduce the invention. In the U.S., public disclosure of an invention results in the loss of patentability of the invention after a period of one year. In other countries, public disclosure may result in the immediate loss of invention patentability unless a patent application has already been filed, and disclosure may be considered to include oral as well as written communication. Context_9 : Us Conductors is a debut novel by Canadian writer Sean Michaels. Published in 2014 by Random House in Canada and Tin House in the United States, the novel is a fictionalized account of the relationship between Leon Theremin (also known as Lev Termen), the inventor of the theremin, and Clara Rockmore, the musician regarded as the instrument's first virtuoso player. Context_10 : Sir William Snow Harris (1 April 1791 22 January 1867) was an English physician and electrical researcher, nicknamed Thunder-and-Lightning Harris, and noted for his invention of a successful system of lightning conductors for ships. It took many years of campaigning, research and successful testing before the British Royal Navy changed to Harris's conductors from their previous less effective system. One of the successful test vessels was which survived lightning strikes unharmed on her famous voyage with Charles Darwin. fact_1 : Published in 2014 by Random House in Canada and Tin House in the United States, the novel is a fictionalized account of the relationship between Leon Theremin (also known as Lev Termen), the inventor of the theremin, and Clara Rockmore, the musician regarded as the instrument's first virtuoso player. fact_2 : Lev Sergeyevich Termen (Russian: ) (27 August [O.S. 15 August] 1896 3 November 1993), or Leon Theremin in the United States, was a Russian and Soviet inventor, most famous for his invention of the theremin, one of the first electronic musical instruments and the first to be mass-produced. Question: Us Conductors accounts the relationship between Clara Rockmore and this inventor who is most famous for his invention of what?
Student:
theremin