input question: I have a test where I am given the following article, what is an answer for the question: Which church incorporated stone columns? ? The existence of 400 churches has been recorded throughout the kingdom; most have yet to be located. Only seven have been identified so far, given the simple names of church "A", "B", "C", "E", the "Mound C" church in Soba, the church in Saqadi and the temple-church in Musawwarat as-Sufra. Churches "A""C" as well as the "Mound C" church were basilicas comparable to the largest Makurian churches. The Saqadi church was an insertion into a pre-existing structure. Church "E" and the church of Musawwarat es-Sufra were "normal" churches. Thus, the known Alodian houses of worship can be categorized into three classes. On "Mound B" in Soba lay the standalone complex of the three churches "A", "B" and "C". Churches "A" and "B", both probably built in the mid-9th century, were large buildings, the first measuring 28 m 24.5 m (92 ft 80 ft) and the second 27 m 22.5 m (89 ft 74 ft). Church "C" was much smaller and built after the other two churches, probably after c. 900. The three churches had many similarities, including having a narthex, wide entrances on the main east-west axis and a pulpit along the north side of the nave. Differences are evident in the thickness of the bricks used. Church "C" lacked outer aisles. It seems probable that the complex was the ecclesiastical center of Soba, if not the entire kingdom. Church "E", on a natural mount, was 16.4 m 10.6 m (54 ft 35 ft) in size (and like all red brick structures in Soba heavily robbed). Its layout was unusual, such as its L-shaped narthex. The roof was supported by wooden beams resting on stone pedestals. The internal walls used to be covered by painted whitewashed mud; the external walls were rendered in white lime mortar.The "Mound C" church, perhaps the oldest of the churches of Soba, was around 13.5 m (44 ft) in length. It was the only Alodian church known to have incorporated stone columns. Very little remains of it and its walls, probably made of red bricks, have completely disappeared. Five capitals have been noted, belonging to a style...???
output answer: Mound C" church

I have a test where I am given the following article, what is an answer for the question: What was the first name of the person who said Wheeler had contributed to South Asian archaelogy in various ways? ? Piggott claimed that Wheeler's appointment as Director-General of the Archaeological Survey of India represented "the most remarkable archaeological achievement of his career, an enormous challenge accepted and surmounted in the autocratic and authoritarian terms within which he could best deploy his powers as administrator and excavator. No other archaeologist of the time, it seems fair to remark, could have come near to attaining his command of incisive strategy and often ruthless tactics which won him the bewildered admiration and touching devotion of his Indian staff." The Indian archaeologist Dilip K. Chakrabarti later stated that Wheeler's accomplishments while in India were "considerable", particularly given the socio-political turmoil of independence and partition. Chakrabarti stated that Wheeler had contributed to South Asian archaeology in various ways: by establishing a "total view" of the region's development from the Palaeolithic onward, by introducing new archaeological techniques and methodologies to the subcontinent, and by encouraging Indian universities to begin archaeological research. Ultimately, Chakrabarti was of the opinion that Wheeler had "prepared the archaeology of the subcontinent for its transition to modernity in the post-Partition period." Similarly, Peter Johansen praised Wheeler for systematising and professionalising Indian archaeology and for "instituting a clearly defined body of techniques and methods for field and laboratory work and training."On Wheeler's death, H. D. Sankalia of Deccan College, Pune, described him as "well known among Old World archaeologists in the United States", particularly for his book Archaeology from the Earth and his studies of the Indus Valley Civilisation. In its 2013 obituary of the English archaeologist Mick Aston, British Archaeology magazine the publication of the Council for British Archaeology described Aston as "the Mortimer Wheeler of our times" because despite the strong differences between their personalities, both had done much...
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Answer: Dilip

Problem: Given the question: I have a test where I am given the following article, what is an answer for the question: What did Mozart hear in Mannheim? ? During the 1750s Messiah was performed increasingly at festivals and cathedrals throughout the country. Individual choruses and arias were occasionally extracted for use as anthems or motets in church services, or as concert pieces, a practice that grew in the 19th century and has continued ever since. After Handel's death, performances were given in Florence (1768), New York (excerpts, 1770), Hamburg (1772), and Mannheim (1777), where Mozart first heard it. For the performances in Handel's lifetime and in the decades following his death, the musical forces used in the Foundling Hospital performance of 1754 are thought by Burrows to be typical. A fashion for large-scale performances began in 1784, in a series of commemorative concerts of Handel's music given in Westminster Abbey under the patronage of King George III. A plaque on the Abbey wall records that "The Band consisting of DXXV [525] vocal & instrumental performers was conducted by Joah Bates Esqr." In a 1955 article, Sir Malcolm Sargent, a proponent of large-scale performances, wrote, "Mr Bates ... had known Handel well and respected his wishes. The orchestra employed was two hundred and fifty strong, including twelve horns, twelve trumpets, six trombones and three pairs of timpani (some made especially large)." In 1787 further performances were given at the Abbey; advertisements promised, "The Band will consist of Eight Hundred Performers".In continental Europe, performances of Messiah were departing from Handel's practices in a different way: his score was being drastically reorchestrated to suit contemporary tastes. In 1786, Johann Adam Hiller presented Messiah with updated scoring in Berlin Cathedral. In 1788 Hiller presented a performance of his revision with a choir of 259 and an orchestra of 87 strings, 10 bassoons, 11 oboes, 8 flutes, 8 horns, 4 clarinets, 4 trombones, 7 trumpets, timpani, harpsichord and organ. In 1789, Mozart was commissioned by Baron Gottfried van Swieten and the Gesellschaft der Associierten to re-orchestrate several...
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The answer is:
Messiah