input: Hatch introduced the Ensuring Patient Access and Effective Drug Enforcement Act, narrowing the broad authority of the DEA to suspend drug "manufacturers, distributors, and dispensers". Hatch stated the bill was also written to protect patients from disruptions in the production and delivery of their prescription drugs: "The fact that prescription drugs can be abused should not prevent patients from receiving the medications they need. This bill takes a balanced approach to the problem of prescription drug abuse by clarifying penalties for manufacturing or dispensing outside approved procedures while helping to ensure that supply chains to legitimate users remain intact". The bill passed the Senate unanimously and Tom Marino passed a version of the bill in the House and was signed by President Barack Obama. Critics of the bill claim the new law fuels the opioid crisis by limiting the DEA's ability to halt production and distribution by predatory drug companies. DEA Chief Administrative Law Judge John J. Mulrooney II wrote in the Marquette Law Review: "At a time when, by all accounts, opioid abuse, addiction and deaths were increasing markedly, this new law imposed a dramatic diminution of the agency's authority. It is now all but logically impossible for the DEA to suspend a drug company's operations for failing to comply with federal law." Donald Trump's Attorney General Jeff Sessions called the law "dubious" and joined 44 state attorneys general calling for "repeal or amendment of the law to restore some of the DEA's authority." Jim Geldhof, a former DEA program manager whom spent 43 years with the DEA called the bill "outrageous. It basically takes any kind of action DEA was going to do with a distributor or manufacturer as far as an immediate suspension off the table. And then the other part of that really infuriates me is that corrective action plan." Mulrooney compared the corrective action plan to one that would "allow bank robbers to round up and return inkstained money and agree not to rob any more banks -- all before any of those wrongdoers actually admit fault and without any consequence that might deter such behavior in the future." Hatch responded to a Washington Post and 60 Minutes investigation into the bill by writing a Washington Post opinion article calling the investigation "misleading" and asking to "leave conspiracy theories to Netflix". Senator Sheldon Whitehouse, a co-sponsor of the senate bill, also defended the bill: "This bill was drafted in consultation with the DEA to offer better guidance for companies working to safely and responsibly supply prescription drugs to pharmacies, and to promote better communication and certainty between companies and regulators." Republican Pat Toomey Pat Toomey expressed doubts that a conspiracy existed, but still suggested amending the bill: "I'm a little surprised that it passed unanimously in both houses, was signed by President Obama and got no opposition from the DEA at the time. That's not the way controversial legislation usually ends up, but hey, if there's problems, then we ought to revisit them." Hatch received $177,000 in donations from the drug industry while pushing the bill through and has received $2,178,863 from the Pharmaceuticals/Health Products industry from 1989-2014 according to required filings by the Federal Election Commission.

Answer this question "How does the law affect the drug companies?"
output: It is now all but logically impossible for the DEA to suspend a drug company's operations for failing to comply with federal law."

Question: The Dark Side of the Moon is the eighth studio album by English rock band Pink Floyd, released on 1 March 1973 by Harvest Records. The album built on ideas explored in earlier recordings and live shows, but lacks the extended instrumental excursions that characterised their earlier work. Its themes explore conflict, greed, the passage of time, and mental illness, the latter partly inspired by the deteriorating mental state of founding member and principal contributor, Syd Barrett. Developed during live performances, an early version was premiered several months before recording began; new material was recorded in two sessions in 1972 and 1973 at Abbey Road in London.

The album features metronomic sound effects during "Speak to Me", and tape loops opening "Money". Mason created a rough version of "Speak to Me" at his home, before completing it in the studio. The track serves as an overture and contains cross-fades of elements from other pieces on the album. A piano chord, replayed backwards, serves to augment the build-up of effects, which are immediately followed by the opening of "Breathe". Mason received a rare solo composing credit for "Speak to Me". The sound effects on "Money" were created by splicing together Waters' recordings of clinking coins, tearing paper, a ringing cash register, and a clicking adding machine, which were used to create a 7-beat effects loop (later adapted to four tracks in order to create a "walk around the room" effect in quadraphonic presentations of the album). At times the degree of sonic experimentation on the album required the engineers and band to operate the mixing console's faders simultaneously, in order to mix down the intricately assembled multitrack recordings of several of the songs (particularly "On the Run"). Along with the conventional rock band instrumentation, Pink Floyd added prominent synthesizers to their sound. For example, the band experimented with an EMS VCS 3 on "Brain Damage" and "Any Colour You Like", and a Synthi A on "Time" and "On the Run". They also devised and recorded unconventional sounds, such as an assistant engineer running around the studio's echo chamber (during "On the Run"), and a specially treated bass drum made to simulate a human heartbeat (during "Speak to Me", "On the Run", "Time" and "Eclipse"). This heartbeat is most prominent as the intro and the outro to the album, but it can also be heard sporadically on "Time" and "On the Run". "Time" features assorted clocks ticking, then chiming simultaneously at the start of the song, accompanied by a series of Rototoms. The recordings were initially created as a quadraphonic test by Parsons, who recorded each timepiece at an antique clock shop. Although these recordings had not been created specifically for the album, elements of this material were eventually used in the track.

Using a quote from the above article, answer the following question: What other different techniques did they use?
HHHHHH
Answer:
The sound effects on "Money" were created by splicing together Waters' recordings of clinking coins, tearing paper, a ringing cash register, and a clicking adding machine,