In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example solution: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : Techno Army featuring Gary Numan is a remix album by English musician Gary Numan. It was released in April 1996 and consists of remixes of various Numan tracks from 1979 to 1994 with newly recorded vocals by Numan. The artwork and booklet do not confirm who remixed the tracks, though it is likely to be Nick Smith and Miles Seabrook (with the definite exception of "Cars" (Talla 2XLC Remix). Context_2 : Jeff Scott Soto (born November 4, 1965) is an American rock singer of Puerto Rican descent. He is best known for being the vocalist on Yngwie Malmsteen's first two albums, and the lead vocalist for Journey on their 20062007 tours. He also had a long tenure as the frontman of hard rock band Talisman. Currently he works as solo artist, with his self-named band SOTO and as the vocalist of supergroups W.E.T., Sons of Apollo and Trans Siberian Orchestra. Context_3 : Kipper (born Mark Eldridge) is a Grammy-winning guitarist, keyboardist and music producer, known mostly from his cooperation with Gary Numan and Sting. Kipper had his own band, One Nation. After releasing two albums with One Nation he joined the Gary Numan band playing guitar. After realizing his own music was going in a similar direction as Kipper's previous work, Numan asked him to co-produce his 1992 LP "Machine and Soul". The album was a mix of funk, rock and dance pop featuring guitar playing from Kipper. Kipper also contributed to Numan's 1994 album "Sacrifice" although to a much lesser extent. Years later, Kipper helped produce and played keyboards on two of Sting's studio albums "Brand New Day" and "Sacred Love". Both albums have been critically acclaimed and feature a modern fusion of jazz, rock, and electronic and sounds. Context_4 : Essential Ballads is a compilation album by Jeff Scott Soto. It consists ballads from Soto's solo albums. Context_5 : Axel Rudi Pell (born 27 June 1960) is a German heavy metal guitar player and his eponymous band. He started off with the band Steeler (198488) before leaving to start his solo career in 1989. During this time, he has played with such drummers as Jorg Michael and Mike Terrana, and singers Johnny Gioeli, Jeff Scott Soto, and Rob Rock. Context_6 : Believe in Me is a 2006 EP by Jeff Scott Soto and the only EP released by Frontiers Records. Believe in Me name was derived from a song on Soto's "Lost in the Translation" album. Four other cuts were taken from the "Essential Ballads" CD and were issued in the EP as a sneak preview. "Believe in Me" was considered to be a single. but Jeff Scott Soto instead released Believe in Me as an EP. Context_7 : Gary Anthony James Webb (born 8 March 1958), known professionally as Gary Numan, is an English singer, songwriter, composer, musician and record producer. Born in Hammersmith, West London, he first entered the music industry as lead singer of the new wave band Tubeway Army. After releasing two studio albums with the band, Numan released his debut solo album "The Pleasure Principle" in 1979. Context_8 : Jorge Salan (born April 4, 1982) is a Spanish rock lead guitarist, singer, producer and songwriter. He is most well known for being the lead guitar for the metal rock solo singer Jeff Scott Soto (leading voice of Journey, Yngwie Malmsteen) and the Jeff Scott Soto Band (now SOTO) from 2009 till today, the lead guitar on Robin Beck's European Tour 2013, and for having collaborated with a long list of legendary rock musicians such as Fiona Flanagan or bass guitar player Bob Daisley. Context_9 : Live at the Gods is a live album by Hardline which was released on DVD and CD in 2003. It was recorded at the Gods Festival in Bradford, England on 2 June 2002, where Hardline was the headliner for this festival. The concert was an all day festival which featured eight other bands, such as Jeff Scott Soto, whom marked his first live performance as a solo artist, and Harem Scarem. Hardline was the last band to play at 2 a.m. and during the first couple of songs on the show, the band was suffering from technical and sound problems on stage. The microphones and equipment were worn out after being on all day. This also affected the back up singer's microphones the most, causing them to not hear their own voices over the loud music. While performing the ballad "Face the Night", an angry Johnny Gioeli storms off stage to talk to the Tech Staff to fix the microphones, but keeps his cool and comes back on stage to perform the rest of the show. Three back up singers were used (two female, one male) at the concert. The female backup singers, Gudi Laos and Katja Kutz also toured with Johnny's other band Axel Rudi Pell on their 2002 Shadow Zone tour. The line up for the band members in the show is the same as Hardline's second album, with the exception of bass player Christopher Maloney's replacement by producer Bob Burch. Context_10 : The Best of Gary Numan 19781983 is a double disc compilation album of Gary Numan's singles and selected album tracks released on the Beggars Banquet Records label. The album peaked at #70 on the UK Album Chart, and was promoted by a remixed re-release of Numan's 1979 hit "Cars" ('93 Sprint). Both the original version and the remixed version appear on the album. fact_1 : Gary Anthony James Webb (born 8 March 1958), known professionally as Gary Numan, is an English singer, songwriter, composer, musician and record producer. fact_2 : Jeff Scott Soto (born November 4, 1965) is an American rock singer of Puerto Rican descent. Question: Are Gary Numan and Jeff Scott Soto both singers?
Solution: yes