input: Please answer the following: What is the name of the person that was not disappointed more English people did not visit Venice? Answer the above question based on the context below: Feeling unsettled, Etty left Rome for Venice, intending to remain there for 10 days and then return to England. Evans preferred to remain in Rome, so Etty travelled alone, pausing briefly in Florence and in Ferrara (where he stopped to kiss the armchair of Ludovico Ariosto). The painter Charles Lock Eastlake, then resident in Rome, had provided Etty with a letter of introduction to Harry D'Orville, British Vice consul in Venice; D'Orville was so impressed with Etty that he arranged for him to stay in his own house, rather than in lodgings. Etty had long considered Venice his spiritual home and "the hope and idol of my professional life", and had often wondered why, given its artistic importance, so few English travellers visited the city. He was not disappointed. Throughout the remainder of his life, he looked back on his visit to Venice with great fondness, writing shortly before his death that "Venezia, cara Venezia! thy pictured glories haunt my fancy now!"Although Etty had only intended to stay for 10 days, he was so taken with Venice that he remained for over seven months. He fell into a routine of copying paintings in Venetian collections by day, and attending the life class of the Venetian Academy of Fine Arts by night, producing around 50 oil paintings in total as well as numerous pencil sketches. He was extremely impressed with the high quality of the Venetian Academy; the instructors in their turn were extremely impressed with the quality of Etty's work, in particular his flesh tones. He acquired the nickname of "Il Diavolo" owing to the high speed at which he was able to paint, and watching him at work became something of a spectacle in its own right; luminaries including Gioachino Rossini and Ladislaus Pyrker (then Patriarch of Venice) came to watch him paint. So devoted was Etty to his studies in Venice that he exhibited no original work in 1823, writing to his brother that "If one spent all the time in painting originals, one might as well, nay better, be at home". The members of the Venetian...
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output: Etty

input: Please answer the following: What is the first name of the person who commented that the song was "the only public statement that [Beyonce and Jay-Z had] ever made about marriage?" Answer the above question based on the context below: "Single Ladies (Put a Ring on It)" was written by Beyonce, Terius "The-Dream" Nash, Thaddis "Kuk" Harrell, and Christopher "Tricky" Stewart, and was produced by Nash and Stewart. Beyonce recorded the song in May 2008 at the Boom Boom Room Studio in Burbank, California, and it was mixed by Jaycen Joshua and Dave Pensado, with assistance from Randy Urbanski and Andrew Wuepper. Nash conceptualized "Single Ladies" after Beyonce's secret marriage to hip hop recording artist Jay-Z in April 2008. Stewart commented that the song was "the only public statement that [Beyonce and Jay-Z had] ever made about marriage", and that while in the studio recording the song Beyonce had remained tightlipped, even to the point of removing her wedding band. Beyonce's marriage inspired Nash to compose a song about an issue that affected many people's relationships: the fear or unwillingness of men to commit. In an interview with Billboard magazine, Beyonce added that she was drawn to the song because of the universality of the topic, an issue that "people are passionate about and want to talk about and debate". She stated that although "Single Ladies" is a playful uptempo song, it addresses an issue that women experience every day.In "Single Ladies", Beyonce portrays her alter ego Sasha Fierce, which appears on the second part of I Am... Sasha Fierce. The song was released simultaneously with "If I Were a Boy"; as lead singles, they were meant to demonstrate the concept of the dueling personalities of the singer. This reinforced the theme of the album, which was created by placing its ballads and uptempo tracks on separate discs. The singles debuted on US radio on October 8, 2008; "Single Ladies" did so on mainstream urban New York radio station Power 105.1. Both singles were added to rhythmic contemporary radio playlists on October 12, 2008; "Single Ladies" was sent to urban contemporary playlists the same day, while "If I Were a Boy" was instead classified for contemporary hit radio. The two songs were released as a double A-side...
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output: Christopher

input: Please answer the following: What is the full name of the person who considered that on every page the score displayed "the bias of the school to which [Bizet] belongs, that of Richard Wagner"? Answer the above question based on the context below: The premiere, originally planned for 14 September 1863, was postponed to the 30th because of the illness of the soprano lead, Leontine de Maesen. The first-night audience at the Theatre Lyrique received the work well, and called for Bizet at the conclusion. The writer Louis Gallet, who later would provide several librettos for Bizet, described the composer on this occasion as "a little dazed ... a forest of thick curly hair above a round, still rather childish face, enlivened by the quick brown eyes..." The audience's appreciation was not reflected in the majority of the press reviews, which generally castigated both the work and what they considered Bizet's lack of modesty in appearing on stage. Gustave Bertrand in Le Menestrel wrote that "this sort of exhibition is admissible only for a most extraordinary success, and even then we prefer to have the composer dragged on in spite of himself, or at least pretending to be". Another critic surmised that the calls for the composer had been orchestrated by a "claque" of Bizet's friends, strategically distributed.Of the opera itself, Benjamin Jouvin of Le Figaro wrote: "There were neither fishermen in the libretto nor pearls in the music". He considered that on every page the score displayed "the bias of the school to which [Bizet] belongs, that of Richard Wagner". Bertrand compared the work unfavourably with those of contemporary French composers such as Charles Gounod and Felicien David. "Nevertheless", he wrote, "there is a talent floating in the midst of all these regrettable imitations". Hector Berlioz was a voice apart in the general critical hostility; his review of the work in Journal des Debats praised the music's originality and subtlety: "The score of Les pecheurs de perles does M. Bizet the greatest honour", he wrote. Among Bizet's contemporaries, the dramatist Ludovic Halevy wrote that this early work announced Bizet as a composer of quality: "I persist in finding in [the score] the rarest virtues". The youthful composer Emile Paladilhe told his father...
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output:
Benjamin Jouvin