Problem: Background: The son of a physician, Kunstler was born in New York City and attended DeWitt Clinton High School. He was educated at Yale College, graduating Phi Beta Kappa in 1941, and Columbia University Law School from which he graduated in 1948. While in school, Kunstler was an avid poet and represented Yale in the Glascock Prize competition at Mount Holyoke College. Kunstler served in the U.S. Army during World War II in the Pacific theater, attaining the rank of Major, and received the Bronze Star.
Context: In 1974-1975, Kunstler defended a prisoner charged with killing a guard during the Attica Prison riot. Under cross-examination, Kunstler forced Correction Officer Donald Melven to retract his sworn identification of John Hill, Kunstler's client, and Charles Pernasilice (defended by Richard Miller), admitting he still retained "slight" doubts that he confessed to investigators at the time of the incident. Kunstler focused on pointing out that all the other prosecution witnesses were testifying under reduced-sentencing agreements and called five prison inmates as defense witnesses (Miller called none), who testified that other prisoners hit the guard. Despite Justice King's repeated warnings to Kunstler to "be careful, sir", Kunstler quickly became "the star of the trial, the man the jurors watch most attentively, and the lawyer whose voice carries most forcefully". Although the prosecution was careful to avoid personal confrontation with Kunstler, who frequently charmed the jury with jokes, on one occasion Kunstler provoked a shouting match with the lead prosecutor, allegedly to wake up a sleeping jury member. The jury convicted Hill of murder and Pernasilice of attempted assault. When Kunstler protested that the defendants would risk being murdered due to the judges remanding them, King threatened to send Kunstler with them. New York Governor Hugh Carey granted executive clemency to Hill and the other inmates in 1976, even though Hill's name was not on the recommended list of pardons delivered to the governor and his appeals were still pending. In June, Kunstler and Barbara Handshu, representing another inmate at Attica, Mariano Gonzales, asked for a new hearing on the role of FBI informant Mary Jo Cook.
Question: Was the prisoner found guilty?
Answer: The jury convicted Hill of murder and Pernasilice of attempted assault.

Problem: Background: White Lies are an English post-punk band from Ealing, London. Formerly known as Fear of Flying, the core band members are Harry McVeigh (lead vocals, guitar), Charles Cave (bass guitar and backing vocals), and Jack Lawrence-Brown (drums). The band perform live as a five-piece, when sidemen Tommy Bowen and Rob Lee join the line up. White Lies' musical style has been described as dark yet uplifting by the media, drawing comparisons to Editors, Interpol, Joy Division, and The Killers.
Context: In an interview with NME in January 2013, bassist Charles Cave revealed that the band's third album is intended to be released in late summer, with one of the tracks promoting the record being called "Getting Even". On 4 June 2013 it was revealed that the album, which was produced by Ed Buller and recorded earlier this year, will be titled Big TV. Also, the track list for the album was published and "Getting Even" was released as a free download. The first official single from the album, "There Goes Our Love Again", was released on 5 August 2013, with the album being released in the UK and Europe a week later, on 12 August 2013 through Fiction Records. It was released on 20 August 2013 in the US (through Harvest Records), and in Canada (Universal Music). On 23/24/25 July 2013, White Lies played 3 intimate shows at Hoxton Square Bar & Kitchen in London, celebrating the 5 year anniversary of the band's first ever gig at the same venue. They played tracks from Big TV and some of their earlier songs in front of 300 fans each night. During their Summer/Fall 2013 tour, the band is scheduled to play more than thirty concerts in Europe and North America. In August 2013 they made their Main Stage debut at Reading and Leeds Festivals. On 6 November 2013, the band released a limited edition EP to celebrate their tour, called Small TV. The five-track EP released on Fiction Records was limited to 1000 copies and features covers from Lana Del Rey and Prince in addition to new versions of their own tracks.
Question: When was the single "There Goes Our Love Again" released?
Answer: 5 August 2013,

Problem: Background: James Whale (22 July 1889 - 29 May 1957) was an English film director, theater director and actor. He is best remembered for his four classic horror films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935). Whale also directed films in other genres, including what is considered the definitive film version of the musical Show Boat (1936). He became increasingly disenchanted with his association with horror, but many of his non-horror films have fallen into obscurity.
Context: After the armistice he returned to Birmingham and tried to find work as a cartoonist. He sold two cartoons to the Bystander in 1919 but was unable to secure a permanent position. Later that year he embarked on a professional stage career. Under the tutelage of actor-manager Nigel Playfair, he worked as an actor, set designer and builder, "stage director" (akin to a stage manager) and director. In 1922, while with Playfair, he met Doris Zinkeisen. They were considered a couple for some two years, despite Whale's living as an openly gay man. They were reportedly engaged in 1924, but by 1925 the engagement was off. In 1928 Whale was offered the opportunity to direct two private performances of R.C. Sherriff's then-unknown play Journey's End for the Incorporated Stage Society, a theatre society that mounted private Sunday performances of plays. Set over a four-day period in March 1918 in the trenches at Saint-Quentin, France, Journey's End gives a glimpse into the experiences of the officers of a British infantry company in World War I. The key conflict is between Capt. Stanhope, the company commander, and Lt. Raleigh, the brother of Stanhope's fiancee. Whale offered the part of Stanhope to the then barely known Laurence Olivier. Olivier initially declined the role, but after meeting the playwright agreed to take it on. Maurice Evans was cast as Raleigh. The play was well received and transferred to the Savoy Theatre in London's West End, opening on 21 January 1929. A young Colin Clive was now in the lead role, Olivier having accepted an offer to take the lead in a production of Beau Geste. The play was a tremendous success, with critics uniform and effusive in their praise and with audiences sometimes sitting in stunned silence following its conclusion only to burst into thunderous ovations. As Whale biographer James Curtis wrote, the play "managed to coalesce, at the right time and in the right manner, the impressions of a whole generation of men who were in the war and who had found it impossible, through words or deeds, to adequately express to their friends and families what the trenches had been like". After three weeks at the Savoy, Journey's End transferred to the Prince of Wales Theatre, where it ran for the next two years. With the success of Journey's End at home, Broadway producer Gilbert Miller acquired the rights to mount a New York production with an all-British cast headed by Colin Keith-Johnston as Stanhope and Derek Williams as Raleigh. Whale also directed this version, which premiered at Henry Miller's Theatre on 22 March 1929. The play ran for over a year and cemented its reputation as the greatest play about World War I.
Question: How did the public take his directorng?
Answer:
The play was a tremendous success, with critics uniform and effusive in their praise and with audiences sometimes sitting in stunned silence following its conclusion