TASK DEFINITION: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.
PROBLEM: Passage: Conversely, another rock genre, Britpop, emerged in part as a reaction against the dominance of grunge in the United Kingdom. In contrast to the dourness of grunge, Britpop was defined by "youthful exuberance and desire for recognition". The leading Britpop bands, "Blur and Oasis[,] exist[ed] as reactionary forces to [grunge's] eternal downcast glare." Britpop artists' new approach was inspired by Blur's tour of the United States in the spring of 1992. Justine Frischmann, formerly of Suede and leader of Elastica (and at the time in a relationship with Damon Albarn) explained, "Damon and I felt like we were in the thick of it at that point ... it occurred to us that Nirvana were out there, and people were very interested in American music, and there should be some sort of manifesto for the return of Britishness."Britpop artists were vocal about their disdain for grunge. In a 1993 NME interview, Damon Albarn of Britpop band Blur agreed with interviewer John Harris' assertion that Blur was an "anti-grunge band", and said, "Well, that's good. If punk was about getting rid of hippies, then I'm getting rid of grunge" (ironically Kurt Cobain once cited Blur as his favorite band). Noel Gallagher of Oasis, while a fan of Nirvana, wrote music that refuted the pessimistic nature of grunge. Gallagher noted in 2006 that the 1994 Oasis single "Live Forever" "was written in the middle of grunge and all that, and I remember Nirvana had a tune called 'I Hate Myself and I Want to Die,' and I was like ... 'Well, I'm not fucking having that.' As much as I fucking like him [Cobain] and all that shit, I'm not having that. I can't have people like that coming over here, on smack [heroin], fucking saying that they hate themselves and they wanna die. That's fucking rubbish.".

SOLUTION: What was the full name of the person that said "there should be some sort of manifesto for the return of Britishness"?

PROBLEM: Passage: Bach is believed to have written Christ lag in Todes Banden in 1707. He was a professional organist aged 22, employed from 1703 in Arnstadt as the organist of the New Church (which replaced the burned Bonifatiuskirche, today known as the Bach Church). At age 18, he had inspected the new organ built by Johann Friedrich Wender, was invited to play one Sunday, and was hired. The organ was built on the third tier of a theatre-like church. Bach's duties as a church musician involved some responsibility for choral music, but the exact year he began composing cantatas is unknown. Christ lag in Todes Banden is one of a small group of cantatas that survive from his early years. According to the musicologist Martin Geck, many details of the score reflect "organistic practice".In Arnstadt, the Kantor (church musician) Heindorff was responsible for church music in the Upper Church (Liebfrauenkirche), and the New Church where Bach was the organist. He typically conducted music in the Upper Church and would appoint a choir prefect for vocal music in the New Church. Wolff notes that "subjecting his works to the questionable leadership of a prefect" was not what Bach would have done. Therefore, most cantatas of the period are not for Sunday occasions, but restricted to special occasions such as weddings and funerals. Christ lag in Todes Banden is the only exception, but was most likely composed not for Arnstadt but for an application to a more important post at the Divi Blasii church in Muhlhausen.

SOLUTION: What was the name of the Bach Church when Bach was the organist?

PROBLEM: Passage: Julia, a young woman in her mid 20s who makes money as a thief in seedy nightclubs, is abducted from her home and wakes up imprisoned in a jail cell with a glowing implant in the back of her neck. Two other subjects are with her. After multiple sessions of psychological torture, she destroys the cell and adjacent lab in an escape attempt. The two other subjects are killed by a robot, Aries, run by an artificial intelligence named Tau. Aries is about to kill Julia when Alex, the man who has been torturing her arrives and stops it.
Alex reveals that the electrical implant is collecting Julia's neural activity for an AI project. Destroying the lab has set his research back. In the face of a two-week deadline, Alex keeps Julia a prisoner in his house and insists that she complete puzzles and cognitive tests. While Alex is away at work each day, Julia converses with Tau about the world outside the house. It is clear that, although intelligent in its own ways, Tau is extremely naive and ignorant of how people feel or the world at large. While Tau begins to understand the harm in Julia's situation, its programming prevents it from releasing her. In exchange for information about the outside world, Tau slowly reveals more information about the house, as well as Alex's experiments.
Julia sneaks a look at Alex's tablet and discovers that 10 other subjects have died in his experiments. Seeing her fingerprint on the tablet, Alex assumes that Tau has slipped up in its cleaning duties and punishes it by erasing code or "memories" with a button on a small remote, delivering a form of pain to the AI. Julia notices that Tau's monitoring of her shuts down during its punishment and so she hides a steak knife on the floor next to the kitchen table.

SOLUTION:
What is the name of the person who hides a steak knife?