Here is a question about this article: Since the latewood of a growth ring is usually darker in color than the earlywood, this fact may be used in judging the density, and therefore the hardness and strength of the material. This is particularly the case with coniferous woods. In ring-porous woods the vessels of the early wood not infrequently appear on a finished surface as darker than the denser latewood, though on cross sections of heartwood the reverse is commonly true. Except in the manner just stated the color of wood is no indication of strength.
What is the answer to this question: With the exception of earlywood/latewood difference in some types of trees, how much of an indication of strength is a wood's color?
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So... no indication

Here is a question about this article: The style of Georgian buildings is very variable, but marked by a taste for symmetry and proportion based on the classical architecture of Greece and Rome, as revived in Renaissance architecture. Ornament is also normally in the classical tradition, but typically rather restrained, and sometimes almost completely absent on the exterior. The period brought the vocabulary of classical architecture to smaller and more modest buildings than had been the case before, replacing English vernacular architecture (or becoming the new vernacular style) for almost all new middle-class homes and public buildings by the end of the period.
What is the answer to this question: What classical architecture is Georgian architecture based on?
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So... Greece and Rome

Here is a question about this article: Internal courtyards became more rare, except beside the stables, and the functional parts of the building were placed at the sides, or in separate buildings nearby hidden by trees. The views to and from the front and rear of the main block were concentrated on, with the side approaches usually much less important. The roof was typically invisible from the ground, though domes were sometimes visible in grander buildings. The roofline was generally clear of ornament except for a balustrade or the top of a pediment. Columns or pilasters, often topped by a pediment, were popular for ornament inside and out, and other ornament was generally geometrical or plant-based, rather than using the human figure.
What is the answer to this question: What often topped pilasters of columns?
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So...
pediment