Part 1. Definition
In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Part 2. Example
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Answer: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Part 3. Exercise
Context_1 : The Only Place is the second studio album by American indie rock duo Best Coast, released on May 15, 2012 by Mexican Summer. Produced by Jon Brion, the album was recorded at Capitol Studios in Los Angeles, California. The album was primarily inspired by the upheaval following the unexpected success of "Crazy for You". To this end, the duo attempted to distance themselves from the lo-fi aesthetic of their first release by working with producer Jon Brion. Recorded at Capitol Studios in Los Angeles, "The Only Place" was inspired by 1960s country music and Fleetwood Mac. Context_2 : Nasty is a live album released by the funk/R&B group Cameo in 1996. In addition to the live material, two new studio tracks were included: "Come Fly With Me" and the album's title track, both written by Larry Blackmon. The "Mega-Mix" is a remix of the album's live tracks. The new studio tracks on this release were the only newly written material released by the band for the next five albums. Context_3 : iTunes Live from Las Vegas at the Palms is the first live album by American rock band Yellowcard, released January 22, 2008, and the final Yellowcard album to be released through Capitol Records. It is an iTunes exclusive album. The album was recorded in October 2007, while Yellowcard were on the Blue October tour, at the Palms Casino Resort's Pearl Concert Theater. "Live from Las Vegas at the Palms" was the last official Yellowcard album until the band announced their reformation. Bass player Peter Mosely left the band in 2007 before the album was recorded. Current bassist, Josh Portman, was filling in at the time and is featured on the recording. Context_4 : Inside Out is the second live album by American rock band Bon Jovi, and was released on November 27, 2012. It includes songs from shows at O2 Arena, MetLife Stadium, and Madison Square Garden, recorded during the band's Lost Highway Tour in 2008 and the Circle Tour in 2010. The album was first shown at movie theaters, with screenings preceded by a question-and-answer session with Jon Bon Jovi, Richie Sambora, David Bryan and Tico Torres streamed live from a theater in New York, and was subsequently made available for purchase on iTunes. Context_5 : "The Yabba" is a song by American experimental rock group Battles. It was released on August 13, 2015 on Warp Records as the lead single from their third studio album, "La Di Da Di". Preceding its commercial release, the song was performed during a live session along with four other songs from "La Di Da Di" on June 26, 2015. The performance was streamed live online in a 24-hour loop on the band's website and was directed by David Raboy. Context_6 : iTunes Live from Capitol Studios is a live album by Paul McCartney recorded on none }} at the legendary Capitol Studios. This performance was streamed live on video on iTunes, to celebrate McCartney's new studio album "Kisses on the Bottom". Highlights from the performance were released as this album on none }} , exclusively on the iTunes Store. Context_7 : Kisses on the Bottom is the fifteenth post-Beatles studio album by Paul McCartney (discounting his Wings-era discography, his orchestral works and his output as the Fireman), consisting primarily of covers of traditional pop music and jazz. Released in February 2012 on Starbucks' Hear Music label, it was McCartney's first studio album since "Memory Almost Full" in 2007. The album was produced by Tommy LiPuma and includes just two original compositions by McCartney: "My Valentine" and "Only Our Hearts". The former features Eric Clapton on guitar, while the latter features Stevie Wonder on harmonica. "Kisses on the Bottom" peaked at number 3 on the UK Albums Chart and number 5 on the US "Billboard" 200, while also topping "Billboard" magazine's Jazz Albums chart. Context_8 : iTunes Live: London Sessions is an EP released by the singer Jason Mraz comprising five songs performed live at Air Studios in London on February 28, 2008, made exclusively for the UK iTunes Store. Several of the songs were later released on Mraz's album, "We Sing. We Dance. We Steal Things.". Context_9 : Walking in Avalon, Christopher Cross' seventh album released in 1998, is a double album package that contains Christopher's latest new studio album and Greatest Hits Live album together. In late 1999, CMC re-released the package as two single-album releases. The studio album is entitled "Red Room", and the hits live release is "Christopher Cross - Greatest Hits Live". Context_10 : "The Queen of Starting Over" is the third single released from British singer-songwriter Beverley Knight's fifth studio album, "Music City Soul". "The Queen of Starting Over" was a download only release, Knight's first single in her career that was not be released on a CD single format. The single was the second of a two-part digital single to be released containing tracks from her live performances at the iTunes live festival from July, 2007 (the first part was a live EP release of "No Man's Land") . The release date for the single was 15 October 2007, a week prior to her UK tour supporing the "Music City Soul" album. fact_1 : This performance was streamed live on video on iTunes, to celebrate McCartney's new studio album "Kisses on the Bottom". fact_2 : Released in February 2012 on Starbucks' Hear Music label, it was McCartney's first studio album since "Memory Almost Full" in 2007. Answer: February 2012
Answer:
ITunes Live from Capitol Studios was streamed live to celebrate the release of Paul McCartneys new studio album, When was this album released ?