input with options: Read the following context and answer the question. Context: My old roommate's cats, Clise and Monkey, were about as different as cats could be. Clise, rescued as an emaciated kitten from a local park, grew up to be morbidly obese. His interests mainly involved eating food, begging for food, or going around the neighborhood scrounging for food. He could hear a can opener from a mile away. Monkey was a more active cat. He liked to chase the laser pointer and was the first to run to the door when someone arrived. But he could also be lazy, lounging in a sunbeam or stretched out on the couch. Both of them liked to watch TV. Soon after I moved in, I started having health issues which necessitated a lot of time lounging around myself. This was the era of reality TV, back when much of it was actually good. The cats, Monkey especially, watched with me. Monkey definitely had his preferences. His favorite shows were The Girls Next Door and Dallas Cowboys Cheerleaders: Making The Team. Notice a theme here? Playboy Playmates and professional cheerleaders. Monkey liked his T & A (tits and ass). If one of these shows was on, and I turned it to Project Runway or something, Monkey would march off. But as soon as I turned it back, and he could hear the high-pitched giggling, he'd come running back. Clise's favorite shows were Top Chef, Iron Chef, and Rachael Ray. Food porn. If there was something he especially craved, like a shrimp stir-fry, he'd assume a begging pose, right in front of the TV, as if Rachael might take pity on him and throw him a scrap or two. I moved out about a year later. A few months previous, Monkey ended up catching some wasting disease and dying, but Clise, as far as I know, is still there, begging for scraps from anyone he can in real life or televised. Question: When exactly did John start to experience health issues? Answer:
OPTIONS:
- Three months before moving in
- Soon after moving in
- not enough information
- Before moving in
output: Soon after moving in

Q: Read the following context and answer the question. Context: Think outside the box, whilst inside the box (studio): As this studio is about working with constraints, I thought i'd google 'constraints in filmmaking' and see what comes up. One of the first links was to a journal article by Heidi Philipsen entitled 'Constraints in Film Making Processes Offer an Exercise to the Imagination'. Interestingly enough the first sentence of her article states: "I would like filmmakers interested in thinking "outside the box" to recognize that they can benefit from being placed "inside a box." I wonder if Paul had contemplated this whilst choosing the name for this studio. Throughout her article Philipsen challenges the notion that creativity is an intangible innate quality, existing within the mind of one source, but rather creativity arises from a multitude of sources. Alike all things shared she suggests that creativity is easier to enhance by changing environmental conditions, rather than encouraging people to 'think more creatively'. Perceiving creativity in this way allows you to see it as an organisationally influenced phenomenon, rather than a psychological and individual phenomenon. Which enables you to have more control over creativity and to encourage creativity once being aware of how it can be environmentally enhanced. As Csikzentmihalyi (1996) states "a genuinely creative accomplishment is almost never the result of a sudden insight, a lightbulb flashing on in the dark, but comes after years of hard work". Constraints, as Philipsen suggests is one such way to manipulate the environment to enhance creativity. Students who attended The Film School in Denmark, who were forced into working with constraints for their projects eventually considered constraints to be both useful and inspirational. Such constraints included: making a scene with a specific theme, within a specific deadline and with other specific conditions concerning the use of camera, sound, actors etc. Students stated that these constraints ultimately made them feel secure, inspired and focused and... Question: The writer believes that Answer:

OPTIONS:
- researching is good
- not enough information
- Changing environment can inspire thought
- thinking outside the box is good

A: Changing environment can inspire thought

Read the following context and answer the question. Context: Cerberus just stared at me. The dog didn't blink, he didn't pant, he didn't move. He just sat in the passenger seat as I drove, relaxed, mouth hanging slightly open, looking at me the way someone examines a menu but can't decide on the chicken or the veal. The desert sky was on fire when the city came into view. Cerberus turned away from me and stuck his head out from the side of the jeep, his giant tongue flapping in the eighty mile an hour wind while I dialed Luna's number. The dog pulled his head back in, then rested his chin on top of the overhead roll-bar, his fur blowing back along his head like the spines of a porcupine. "Hello?" "Hey, Luna." "Dingo! Are you there yet?" "No, not yet. I'm just outside the city." Vegas flashed and blinked under the starless sky. "You get in touch with Mr. Waciejowski?" "Sure did. He's at the Denny's near the Excalibur. He's trying to stay away from the blackjack tables." "Yeah, good for him. He has the box?" I could hear Luna stuffing something disgustingly healthy in her mouth. "Mmm hmm." "He hasn't opened it, has he?" She swallowed. "Nah. I told him it was filled with old photos." Cerberus shifted in the seat and scratched behind his neck with such force that the whole Jeep shook; a rather unsettling motion at 80 miles an hour. "Hey Luna, I've got a question for you." I looked over to see the dog's nostrils flared out in the wind while his lips blew back and revealed his frightening set of teeth. "This, uh, this animal spirit guide you had me try to find. Do they ever show up, you know, in person?" Question: Who is Luna? Answer:

OPTIONS:
- Ana animal spirit guide
- The writer's sister
- not enough information
- the writer's girlfriend

Answer:
not enough information