In this task, you're expected to write answers to questions involving multiple references to the same entity. The answer to the question should be unambiguous and a phrase in the paragraph. Most questions can have only one correct answer.

Input: Consider Input: Passage: This movie was inspired by a true story, following the life of a thug being released from prison after an 8 year prison sentence. In the beginning of the movie "G," who is played by The Game, leaves prison determined to not be locked up again. It doesn't take long for the streets to pull G in again, and he meets a lady named Alexis. However, both are hiding their secret lives (G being a hustler, Alexis being an undercover cop), who discusses 150 kilos of cocaine that G and Tone stole, which belonged to drug lord Tito Costa.
Coleman kidnaps Alexis and takes her to Costa. Coleman calls G to let him know his girlfriend has been kidnapped. G then gathers up his men and heads to Costa's garage, where a gun battle ensues. After the fight is over, all of G's and Tito's men are dead or injured. G's right hand man kill Tito,Coleman shoot G's right hand man, G kill Coleman and then finds out that Alexis is an undercover cop. He then kills her. G walk off and want to start a new life in a good path and G's men who survived also want to start a new life too after they come out of the hospital.
Question: What is the name of the last person killed in the passage?

Output: Alexis.

Input: Consider Input: Passage: The Steptoes have retired their horse - because the horse is lame, after having to pull the cart (and Harold) home from York, after the horse walked into the back of a removal van which then drove off - and plan to buy a new one with Albert's life savings of 80, putting 9 away for "emergencies". Harold sends Albert home and returns several hours later drunk and introduces Hercules the Second, a short sighted racing greyhound. Harold reveals to Albert that he purchased this from local gangster and loan shark Frankie Barrow for the 80 plus a further 200 owing on top. Furthermore, he plans to pay a small fortune to keep it fed on egg and steak.
They eventually have to sell all of their possessions to have one final bet on their dog at the races to try to pay off the money they owe. When their dog loses, they just about lose hope when Albert brings up that he had saved 1,000 in a life insurance policy. Harold then schemes to get the money from his father by faking his death. They find an old mannequin among their collection of junk and fit it around Albert's body. They then call Dr. Popplewell, a known alcoholic doctor, who's drunk at the time of seeing Albert and he announces that Albert has died. Harold then brings home a coffin that he has been saving for the inevitable day that his father would actually die.
Question: What is the name of the entity that Harold plans to feed eggs and steak?

Output: Hercules the Second.

Input: Consider Input: Passage: Among his fellow musicians, Szigeti was widely admired and respected. Violinist Nathan Milstein wrote that Szigeti... was an incredibly cultured musician. Actually his talent grew out of his culture ... I always admired him, and he was respected by musicians ... in his late years, he finally got the appreciation he deserved from the general public as well.
In his memoirs, published in 2004, cellist Janos Starker asserts that Szigeti was one of the giants among the violinists I had heard from childhood on, and my admiration for him is undiminished up to this day.
Starker then describes a recital he attended late in Szigeti's career, illustrating both the extent to which Szigeti was suffering from arthritis and his ability to still communicate his musical ideas effectively:
"He invited me to his recital in Town Hall ... the first few minutes were excruciating: as I saw later, his fingers had deteriorated to the point that he had almost no flesh on them. But once he loosened up a bit he produced heart-rending beauty.
Violinist Yehudi Menuhin comments at length about Szigeti in his own memoirs, remarking as many others did on Szigeti's intellectual approach to music, but in a somewhat more critical fashion:
Apart from Enesco, he was the most cultivated violinist I have ever known but while Enesco was a force of nature, Szigeti, slender, small, anxious, was a beautifully fashioned piece of porcelain, a priceless Sevres vase. Curiously for a Hungarian, from whom one expects wild, energetic, spontaneous qualities, Szigeti travelled even farther up a one-way road of deliberate intellectualism. A young accompanist who worked with Szigeti told me that two hours concentration wouldn't get them beyond the first three bars of a sonata--so much analysis and ratiocination went into his practice ... A similar persnicketiness marked his adjudication. Shortly before he died in 1973, he was a member of our jury at the City of London Carl Flesch Concours ... I was struck not only by the sharpness of his intellect but also by what seemed to me the perversity of his opinions. Some particular aspect of a competitor's playing would hold his attention, and he would take violent issue with it, to the exclusion of everything else. For him a violinist was made or broken, a prize awarded or withheld, on details that to me scarcely mattered.
Nevertheless, Menuhin too referred to Szigeti as "a violinist whom I much admired and a man of whom I was very fond".
Question: What jury was the respected musician a part of before his death in 1973?
Output: City of London Carl Flesch Concours.