You will be given a definition of a task first, then an example. Follow the example to solve a new instance of the task.
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input: Context_1 : Sir James Drummond Bone, FRSE, FRSA (born 11 July 1947), is a Byron scholar and current Master of Balliol College at the University of Oxford. He previously served as Vice-Chancellor of the University of Liverpool from 2002 to 2008, and Principal of Royal Holloway, University of London, from 2000 to 2002. Context_2 : Earl of Perth is a title in the Peerage of Scotland. It was created in 1605 for James Drummond, 4th Lord Drummond. The Drummond family claim descent from Maurice, son of George, a younger son of King Andrew I of Hungary. Maurice arrived in Scotland on the ship which brought Edgar Atheling, the Saxon claimant to the crown of England after the Norman Conquest, and his sister Margaret to Scotland in 1068. Maurice was given lands in Lennox (Dunbartonshire), together with the hereditary stewardship of the county. The Hungarian Prince theory has been discounted as no evidence of any relationships exists in written records. "The Red Book of the Menteiths" clearly discounts the Hungarian Prince as a myth likely formed to give status to the Drummond origins. The Drummonds in the 12th Century were allied to the Menteiths their early fortunes became through the relationship. Indeed, one "Johannes De Drumon", said to have died in 1301, was buried in Inchmahome Priory which was founded by the Menteiths. His successor John Drummond, the 7th Steward, was deprived of the lands and retired into Perthshire. Context_3 : Sir James Drummond Anderson KCIE (18861968) was Financial Commissioner of the Punjab from 1941 to 1946, and knighted in 1944. He was the eldest son of James Drummond Anderson, D.Litt., University Lecturer in Bengali at Cambridge; and his younger brother William Louis Anderson was Anglican Bishop of firstly Portsmouth and then Salisbury. Context_4 : The Abbot of Inchaffray, before 1221 Prior of Inchaffray, and then by the end of the 15th century, the Commendator of Inchaffray, was the head of the community of Augustinian canons of Inchaffray Abbey and their lands. Inchaffray is in Strathearn, in southern Perthshire, Scotland. The house was founded by Gille Brigte (Gilbert), mormaer of Strathearn in 1200 as a priory and was elevated to an abbey in 1221. By the late 15th century the monastery was becoming secularized. and after the resignation of Abbot George Mureff (Murray) in 1495, Laurence, Lord Oliphant, took over as commendator and thereafter it was held by commendators. It was turned into a secular lordship for Commendator James Drummond, Lord Maddertie, but the final formalization of the lordship did not come until 1669, when the it was given to William Drummond. Context_5 : Balliol College, Oxford, one of the constituent colleges of the University of Oxford, is run by the Master and Fellows of the college. The Master of the college must be "the person who is, in their [the Fellows] judgement, most fit for the government of the College as a place of religion, learning, and education". Although the rules in no way suggest there is a preference for an alumnus or Fellow of the college to be chosen there have been few who were not, only one in the 20th Century had no previous connection (David Lindsay Keir 1946-1964) and the previous non-member to hold the post before that was Theophilus Leigh elected in 1726. The current Master of Balliol was a post-graduate student there holding the Snell Exhibition (tied to a graduate of Glasgow University). This is Sir Drummond Bone, a scholar of the Romantic poet Lord Byron. He has held the post since October 2011, following his retirement as Vice-Chancellor of the University of Liverpool in 2008 and also President of Universities UK. Context_6 : The University of Liverpool is a public university based in the city of Liverpool, England. Founded as a college in 1881, it gained its royal charter in 1903 with the ability to award degrees and is also known to be one of the six original "red brick" civic universities. It comprises three faculties organised into 35 departments and schools. It is a founding member of the Russell Group, the N8 Group for research collaboration and the University Management school is AACSB accredited. Context_7 : Sir James Adam Louis Matheson KBE CMG (11 February 191227 March 2002) was a British engineer and university administrator, who served as the first Vice-Chancellor of Monash University in Melbourne, Australia. Context_8 : The British School of Milan (BSM), formerly "The Sir James Henderson School," is an English-language IB World School that was founded in 1969 by members of the British Community in Milan, with support from the British Chamber of Commerce. The school was named after Sir James Henderson, a Scottish businessman who opened Cucirini Cantoni Coats S.p.A. in 1911 in Milan. Henderson was also a founding member of the British Chamber of Commerce, of which he was president for many years, and the founder of Rotary in Italy. Context_9 : The Bussey Institute (1883-1936) was a respected biological institute at Harvard University. It was named for Benjamin Bussey, who, in 1835, endowed the establishment of an undergraduate school of agriculture and horticulture and donated land in Jamaica Plain, Massachusetts that became the Arnold Arboretum. Bussey, a silversmith, had bought the land from the Weld family in 1806, and built a mansion in 1815. When he died, he left 300 acre to Harvard, and by 1871 the Bussey Institute had been built.. James Drummond Dole obtained a bachelor in agriculture at the Bussey Institute before moving to Hawaii and developing pineapple growing and canning industry there. Alfred Kinsey, an American biologist who became famous for his work on human sexuality, studied at the Bussey Institute under famed entomologist William Morton Wheeler. Edward Murray East, a pioneer in plant genetics, also worked there when he studied Mendelian inheritance. The geneticist William E. Castle worked there from 1908 until it closed in 1936, first on the genetics of fruit flies and also on hooded rats, studying basic evolution. Context_10 : Sir James Alan Park KC (6 April 17638 December 1838) was a British judge. He was the son of James Park, a surgeon from Edinburgh, and was brought up in Edinburgh until his father's practice moved to Surrey. He was educated first at Northampton Grammar School and then at Lincoln's Inn. He was called to the bar on 18 June 1784 and in 1787 published a successful "Treatise on the Law of Marine Insurance", which was reprinted six times during his life. That brought him a good practice, although he was not noticed as a particularly distinguished advocate. In 1791, he was appointed Vice-Chancellor of the Duchy of Lancaster and in 1795 became a Recorder of Preston, seen as the first step towards becoming a judge. He became a King's Counsel in 1799, Recorder of Durham in 1802 and Attorney-General of Lancaster in 1811. He was made Second Justice of the Court of Common Pleas on 22 January 1816 and knighted at the same time. He received a DCL from Oxford University in 1834 and died on 8 December 1838, leaving two sons: James Allan Park, who became a priest, and Alexander Atherton Park, who became a barrister. fact_1 : He previously served as Vice-Chancellor of the University of Liverpool from 2002 to 2008, and Principal of Royal Holloway, University of London, from 2000 to 2002. fact_2 : Founded as a college in 1881, it gained its royal charter in 1903 with the ability to award degrees and is also known to be one of the six original "red brick" civic universities. Question: From 2002 to 2008 Sir James Drummond Bone served as Vice-Chancellor of a school founded in what year?
Solution:
1881