IN: Timbiriche (also known for a brief time as La Banda Timbiriche) was a Mexican pop music group. The group started as a children's group in 1982 and managed to evolve successfully into adulthood. Timbiriche is considered one of the most iconic Latin Pop acts of the 1980s and the early 1990s. It was the seed of numerous figures in the Latin American entertainment world, including successful singers like Thalia, Paulina Rubio and Edith Marquez, as well as actors, composers and conductors.

After a few months of preparation, Timbiriche made its official debut on April 30, 1982 on the Mexican television show Siempre en Domingo, featuring Spanish singer Miguel Bose as its godfather. The group launches their first record production titled Timbiriche, which included the hit singles Amor para ti, Hoy tengo que decirte Papa, Y la fiesta comenzo and Somos amigos. Due to the success obtained, and in order to have a wider repertoire in their presentations, the group recorded a second album titled La Banda Timbiriche, which included the hit singles La Banda Timbiriche, La vida es mejor cantando, Mexico and Mama . The group is also chosen to interpret the musical theme of the children's telenovela Chispita. In that same year, the group participates in a special of television where it shares scene with the group Parchis. In 1983, the group released the album La Banda Timbiriche: En Concierto an album that was released under the concept of being a live album, although in fact the sound effects of the public were added in the recording studio. The album includes covers of songs in English and of musicals famous at that time like Time Warp of The Rocky Horror Picture Show, One Step (cover of Liza Minnelli and Goldie Hawn' song), Summer Nights (from the musical Grease) and Mickey (cover by Toni Basil). In this third album, the group already enjoyed a great acceptance in Mexico, receiving several disks of gold by the high sales of its albums. At that moment of the group, the voices of the only two male members of the group were confused with those of the female members due to their young age. Because of this, the producers considered the idea of integrating a third male member into the group. The chosen one was Erik Rubin, who joins the band in December 1983. The band launches its fourth disc, titled Timbiriche Disco Ruido. The album was the first big challenge of the band, because it was not known what the public reaction would be to the new member, who had to go through many conflicts to adapt with his peers. However, the album had a good reception and contained hits such as Disco ruido and Adios a la escuela.

what followed this?

OUT: In this third album, the group already enjoyed a great acceptance in Mexico,

IN: Although Price claimed his birth was in Shropshire he was actually born in London in Red Lion Square on the site of the South Place Ethical Society's Conway Hall. He was educated in New Cross, first at Waller Road Infants School and then Haberdashers' Aske's Hatcham Boys School. At 15, Price founded the Carlton Dramatic Society and wrote plays, including a drama, about his early experience with a poltergeist which he said took place at a haunted manor house in Shropshire. According to Richard Morris, in his recent biography Harry Price:

Price claimed to have attended a private seance on 15 December 1937 in which a small six-year-old girl called Rosalie appeared. Price wrote he controlled the room by placing starch powder over the floor, locking the door and taping the windows before the seance. However, the identity of the sitters, or the locality where the seance was held was not revealed due to the alleged request of the mother of the child. During the seance Price claimed a small girl emerged, she spoke and he took her pulse. Price was suspicious that the supposed spirit of the child was no different than a human being but after the seance had finished the starch powder was undisturbed and none of the seals had been removed on the window. Price was convinced no one had entered the room via door or window during the seance. Price's Fifty Years of Psychical Research (1939) describes his experiences at the sitting and includes a diagram of the seance room. Eric Dingwall and Trevor Hall wrote the Rosalie seance was fictitious and Price had lied about the whole affair but had based some of the details on the description of the house from a sitting he attended at a much earlier time in Brockley, South London where he used to live. K. M. Goldney who had criticized Price over his investigation into Borley Rectory wrote after the morning of the Rosalie sitting she found Price "shaken to the core by his experience." Goldney believed Price had told the truth about the seance and informed the Two Worlds spiritualist weekly newspaper that she believed the Rosalie sitting to be genuine. In 1985, Peter Underwood published a photograph of part of an anonymous letter that was sent to the SPR member David Cohen in the 1960s which claimed to be from a seance sitter who attended the seance. The letter confessed to having impersonated the Rosalie child in the sitting by the request of the father who had owed the mother of the child money. In 2017, Paul Adams published details of the location of the Rosalie seance and identities of the family involved.

Did he receive any awards or honors for his work?

OUT:

IN: A phonograph record (also known as a gramophone record, especially in British English, or record) is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac; starting in the 1950s polyvinyl chloride became common. In recent decades, records have sometimes been called vinyl records, or simply vinyl, although this would exclude most records made until after World War II.

78 rpm records were normally sold individually in brown paper or cardboard sleeves that were plain, or sometimes printed to show the producer or the retailer's name. Generally the sleeves had a circular cut-out exposing the record label to view. Records could be laid on a shelf horizontally or stood on an edge, but because of their fragility, breakage was common. German record company Odeon is often said to have pioneered the album in 1909 when it released the Nutcracker Suite by Tchaikovsky on 4 double-sided discs in a specially designed package. However, the previous year Deutsche Grammophon had produced an album for its complete recording of the opera Carmen. The practice of issuing albums was not adopted by other record companies for many years. One exception, HMV, produced an album with a pictorial cover for its 1917 recording of The Mikado (Gilbert & Sullivan). By about 1910, bound collections of empty sleeves with a paperboard or leather cover, similar to a photograph album, were sold as record albums that customers could use to store their records (the term "record album" was printed on some covers). These albums came in both 10-inch and 12-inch sizes. The covers of these bound books were wider and taller than the records inside, allowing the record album to be placed on a shelf upright, like a book, suspending the fragile records above the shelf and protecting them. In the 1930s, record companies began issuing collections of 78 rpm records by one performer or of one type of music in specially assembled albums, typically with artwork on the front cover and liner notes on the back or inside cover. Most albums included three or four records, with two sides each, making six or eight tunes per album. When the 12-inch vinyl LP era began in 1948, each disc could hold a similar number of tunes as a typical album of 78s, so they were still referred to as an "album", as they are today.

Any more interesting info?

OUT:
By about 1910, bound collections of empty sleeves with a paperboard or leather cover, similar to a photograph album, were sold as record albums