In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
A: 1874May
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : Carmen Tanase (born January 18, 1961) is a Romanian actress. After graduating The Drama and Film Institute from Bucharest, in 1984, she joined the company of "Vasile Alecsandri" National Theatre in Iasi (between 1984-1990) and then moved back to the capital city of Romania. Since 1990, she is a member of the Odeon Theatre company from Bucharest. As a student, she played in Dostoevsky's "The Possessed" (a dramatization of the great Russian novel), in John Steinbeck's "Sweet Thursday", in "Butterflies, Butterflies" by the Italian playwright Aldo Nicolaj (at The Very Small Theatre in Bucharest, having the legendary Romanian actress Olga Tudorache and Radu Duda, the would-be Prince of Hohenzollern-Veringen, as partners) etc. Following the fall of the Romanian communist regime, in 1989 (the end of Nicolae Ceausescu's dictatorship), she also involved herself in the independent artistic movements that flourished after these events. She toured the world with Radu Duda, the two of them playing in "A Report to an Academy", the adaptation of a short story by Franz Kafka, directed by Cristina Iovita (the play was produced by the first Romanian independent theatrical group formed after the 1989 Revolution). Context_2 : A Burlesque on Carmen is Charlie Chaplin's thirteenth film for Essanay Studios, released as "Carmen" on December 18, 1915. Chaplin played the leading man and Edna Purviance played Carmen. The film is a parody of the overacted Cecil B. DeMille "Carmen" of 1915 which was itself an interpretation of the popular novella "Carmen" by Prosper Merimee. Composer Hugo Riesenfeld wrote the music for both the DeMille and the Chaplin films, based on George Bizet's opera "Carmen". Context_3 : "Carmen Ohio" (Latin: Song of Ohio) is the oldest school song still used by The Ohio State University. The song was composed by freshman athlete and Men's Glee Club member Fred Cornell in 1902 or 1903. According to some accounts, he composed it on the train ride home from Ann Arbor, Michigan after Ohio State suffered an 86-0 loss to the Michigan Wolverines. Set to the tune "Spanish Hymn", or "Spanish Chant", the Men's Glee Club first performed the song in 1903; however, it did not gain popularity until after its October 10, 1906 publication in "The Lantern". At the following Ohio State-Michigan football game on October 20, 1906, "Carmen Ohio" was published in the program. In 1915, Cornell recalled that he wrote the song in 1903 at the request of the Men's Glee Club, and other family members later stated that the train story might be an exaggeration or outright fabrication. Context_4 : The Sisterhood of the Traveling Pants is a series of four bestselling young adult novels by Ann Brashares. Released by Random House, the novels tell the continuing story of four young girls who acquire a pair of jeans that fit all four of them perfectly, even though they are all different shapes and sizes. The four main characters are Lena Kaligaris, Tabitha "Tibby" Rollins, Bridget "Bee" Vreeland, and Carmen Lowell. Carmen delivers the opening prologue and epilogue in first person and tends to play the role throughout the series of keeping the group of friends together. Context_5 : Tatiana Troyanos (September 12, 1938 August 21, 1993) was an American mezzo-soprano of Greek and German descent, remembered as "one of the defining singers of her generation" ("Boston Globe"). Her voice, "a paradoxical voicelarger than life yet intensely human, brilliant yet warm, lyric yet dramatic""was the kind you recognize after one bar, and never forget," wrote Cori Ellison in "Opera News". Troyanos' performances "covered the full range of operatic history" ("New York Times") in an international career of three decades which also produced a variety of memorable operatic recordings, among them "Carmen" (co-starring Placido Domingo and conducted by Georg Solti), cited by "Classicalite" almost four decades later as "the finest of all "Carmen"s." After ten years based at the Hamburg State Opera, Troyanos became widely known for her work with the Metropolitan Opera beginning in 1976, with over 270 performances (several dozen of them broadcast or televised) spanning twenty-two major roles. "She was extraordinarily intense, beautiful, and stylish in roles as diverse as Eboli, Santuzza, Geschwitz, Venus, Kundry, Jocasta, Carmen, and Giulietta, in addition to her great 'trouser' roles," said the Met's longtime Music Director, James Levine. The Met's live telecasts of her "signature" trouser roles, Octavian in "Der Rosenkavalier" and the Composer in "Ariadne auf Naxos", have been preserved on DVD, along with her portrayals of Eboli (in "Don Carlo"), Santuzza (in "Cavalleria rusticana"), Venus (in "Tannhauser"), and Didon (in "Les Troyens"). Context_6 : "All by Myself" is a power ballad by American artist Eric Carmen released in 1975. The verse is based on the second movement ("Adagio sostenuto") of Sergei Rachmaninoff's "Piano Concerto No. 2 in C minor", Opus 18. The chorus is borrowed from the song "Let's Pretend", which Carmen wrote and recorded with the Raspberries in 1972. Context_7 : Carmen Jones is a 1954 American musical film starring Dorothy Dandridge and Harry Belafonte, produced and directed by Otto Preminger. The screenplay by Harry Kleiner is based on the libretto for the 1943 stage production of the same name by Oscar Hammerstein II, which was inspired by an adaptation of the 1845 Prosper Merimee novella "Carmen" by Henri Meilhac and Ludovic Halevy. Hammerstein also wrote the lyrics to music composed by Georges Bizet for his 1875 opera "Carmen". Context_8 : The Possessed (in French Les Possedes) is a play written by Albert Camus in 1959. The piece is a theatrical adaptation of Fyodor Dostoyevsky's novel "The Possessed", later renamed "Demons". Camus despised nihilism and viewed Dostoyevsky's work as a prophecy about nihilism's devastating effects. He directed a production of the play at the Theatre Antoine in 1959, the year before he died, which he financed in part with the money he received with his Nobel Prize. It was a critical success as well as an artistic and technical tour de force: 33 actors, 4 hours long, 7 sets, 24 scenes. The walls could move sideways to reduce the size of each location and the whole stage rotated to allow for immediate set transformations. Camus put the painter and set decorator Mayo, who had already illustrated several of his novels (L'Etranger - 1948 Ed.), in charge of the demanding task of designing these multiple and complex theater sets Context_9 : Georgette Leblanc (8 February 1869 Rouen, 27 October 1941 Le Cannet, near Cannes) was a French operatic soprano, actress, author, and the sister of novelist Maurice Leblanc. She became particularly associated with the works of Jules Massenet and was an admired interpreter of the title role in Bizet's "Carmen". For many years Leblanc was the lover of Belgian playwright and writer Maurice Maeterlinck, and he wrote several parts for her within his stage plays. She portrayed the role of Ariane in "Ariane et Barbe-bleue", both in the original 1899 stage play by Maeterlinck and in the 1907 opera adaptation by Paul Dukas. Leblanc also appeared in a couple of French films, most notably "L'Inhumaine" in 1924. In the last few decades of her life she turned to writing, producing two commercially successful autobiographies and several children's books and travelogues. Context_10 : Cyprianus Gallus (fl. c. 397430) was a fifth-century poet who wrote a Late Latin epic versification of the historical books of the Vetus Latina, though only the Heptateuch ("Heptateuchos") has survived to the present day. He, along with his namesake Cyprian of Carthage and Tertullian, has been credited the authorship of the two poems "Carmen de Sodoma" and "Carmen de Iona", but neither fits his style and language. fact_1 : As a student, she played in Dostoevsky's "The Possessed" (a dramatization of the great Russian novel), in John Steinbeck's "Sweet Thursday", in "Butterflies, Butterflies" by the Italian playwright Aldo Nicolaj (at The Very Small Theatre in Bucharest, having the legendary Romanian actress Olga Tudorache and Radu Duda, the would-be Prince of Hohenzollern-Veringen, as partners) etc. fact_2 : The Possessed (in French Les Possedes) is a play written by Albert Camus in 1959. Question: Who wrote the play which Carmen Tanase in
A:
Albert Camus