Problem: James is an English rock band from Manchester, which was formed in 1982 and enjoyed popularity throughout the 1990s. The band's best-known singles include "Come Home", "Sit Down", "She's a Star" and "Laid", which also became a hit on American college radio. Following the departure of lead singer Tim Booth in 2001, the band became inactive, but reunited in January 2007 and has gone on to produce a further three albums, cementing their reputation as one of the most iconic live British bands. James's hit single Come Home was voted the greatest ever Manchester anthem in a radio poll.

In November 1988, drummer Whelan became involved in an on-stage fight with Booth and was asked to leave the band. He was replaced by David Baynton-Power a few months later. During the following year James greatly expanded their lineup and sound palette by hiring three new members -- guitarist-violinist-percussionist Saul Davies (whom Gott recruited from an amateur blues night), keyboard player Mark Hunter and onetime Diagram Brothers/ Dislocation Dance / The Cotton Singers Pale Fountains trumpeter/percussionist Andy Diagram (the latter a noted avant-garde musician). This new seven-piece line-up went into the studio to record the third James album. New singles "Sit Down" and "Come Home" became strong hits in the independent charts, and the latter featured on the compilation album Happy Daze. The album Gold Mother was intended to be released on Rough Trade but the owner of the label, Geoff Travis, believed James could only reach an audience of 20,000 to 30,000. The band believed they had more potential than this and bought the rights to the album from Rough Trade. A successful winter tour in 1989 attracted a deal with Fontana Records, and the band ended a difficult decade on an optimistic note. Gold Mother was released in June 1990, just as the 'Madchester' movement, with its wave of popular Manchester-based indie bands, focused public attention on James and won them mainstream recognition. Singles "How Was It for You", the remixed "Come Home" and "Lose Control" all made the Top 40, and the band's newfound success was re-affirmed when they played two sell-out dates at the Manchester G-Mex at the end of the year. In March 1991, when the popularity of "Sit Down" led to a re-recorded version being released as a single, reaching number 2 in the UK Singles Chart. Gold Mother was re-released to include "Sit Down" and previous single "Lose Control", and the album sold ten times more copies than Travis originally predicted. The song became one of the biggest-selling singles of the year. The band members spent the rest of the year recording their next album, Seven, which was released in February 1992. It reached number 2 in the UK Albums Chart (its lead single, "Sound", had followed "Sit Down" into the top 10 a few months earlier) and earned the band some recognition in the US as they embarked on their first Stateside tour. The band's activities culminated in a sell-out show to 30,000 people at the Alton Towers theme park in July, broadcast live on BBC Radio 1, following which Andy Diagram left the group.

did they ever break up?

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Problem: Keith Jarrett (born May 8, 1945) is an American jazz and classical music pianist. Jarrett started his career with Art Blakey, moving on to play with Charles Lloyd and Miles Davis. Since the early 1970s he has enjoyed a great deal of success as a group leader and a solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, especially Western classical music, gospel, blues, and ethnic folk music.

From 1971 to 1976, Jarrett added saxophonist Dewey Redman to the existing trio with Haden and Motian (who produced one more album as a trio, called The Mourning of A Star for Atlantic Records in 1971). The so-called "American quartet" was often supplemented by an extra percussionist, such as Danny Johnson, Guilherme Franco, or Airto Moreira, and occasionally by guitarist Sam Brown. The quartet members played various instruments, with Jarrett often being heard on soprano saxophone and percussion as well as piano; Redman on musette, a Chinese double-reed instrument; and Motian and Haden on a variety of percussion. Haden also produced a variety of unusual plucked and percussive sounds with his acoustic bass, even running it through a wah-wah pedal for one track ("Mortgage on My Soul", on the album Birth). The group recorded two albums for Atlantic Records in 1971, El Juicio (The Judgement) and Birth; another on Columbia Records called Expectations (that included guitar by Sam Brown, plus string and brass arrangements and for which Jarrett's contract with the label was terminated within a month of its release); eight albums on Impulse! Records; and two on ECM. Byablue and Bop-Be, albums recorded for Impulse!, mainly feature the compositions of Haden, Motian and Redman, as opposed to Jarrett's own, which dominated the previous albums. Jarrett's compositions and the strong musical identities of the group members gave this ensemble a very distinctive sound. The quartet's music is an amalgam of free jazz, straight-ahead post-bop, gospel music, and exotic, Middle-Eastern-sounding improvisations. In the mid/late 1970s, concurrently with the American quartet, Jarrett led a "European quartet" which was recorded by ECM. This combo consisted of saxophonist Jan Garbarek, bassist Palle Danielsson, and drummer Jon Christensen. They played in a style similar to that of the American quartet, but with many of the avant-garde and Americana elements replaced by the European folk and classical music influences that characterized the work of ECM artists at the time. Jarrett became involved in a legal wrangle following the release of the album Gaucho in 1980 by the U.S. rock band Steely Dan. The album's title track, credited to Donald Fagen and Walter Becker, bore a resemblance to Jarrett's "Long As You Know You're Living Yours", from Jarrett's European quartet 1974 Belonging album. When a Musician magazine interviewer pointed out the similarity, Becker admitted that he loved the Jarrett composition and Fagen said they had been influenced by it. After their comments were published, Jarrett sued, and Becker and Fagen were forced to add his name to the credits and to include him in the royalties.

Was Expectations followed by other performances?

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plus string and brass arrangements and for which Jarrett's contract with the label was terminated within a month of its release);