Question: This article: "Sad Eyed Lady of the Lowlands"Written in the CBS recording studio in Nashville over the space of eight hours on the night of February 1516, "Sad Eyed Lady" eventually occupied the whole of side four of Blonde On Blonde. Critics have observed that "Lowlands" hints at "Lownds", and Dylan biographer Robert Shelton wrote that this was a "wedding song" for Sara Lownds, whom Dylan had married just three months earlier. In his paean to his wife, "Sara", written in 1975, Dylan amends history slightly to claim that he stayed "up for days in the Chelsea Hotel/ Writin' 'Sad-Eyed Lady of the Lowlands' for you".When Dylan played Shelton the song, shortly after recording it, he claimed, "This is the best song I've ever written." Around the same time, Dylan enthused to journalist Jules Siegel, "Just listen to that! That's old-time religious carnival music!" However, in 1969, Dylan confessed to Rolling Stone's editor, Jann Wenner, "I just sat down at a table and started writing ... And I just got carried away with the whole thing ... I just started writing and I couldn't stop. After a period of time, I forgot what it was all about, and I started trying to get back to the beginning [laughs]."Heard by some listeners as a hymn to an other-worldly woman, for Shelton "her travails seem beyond endurance, yet she radiates an inner strength, an ability to be reborn. This is Dylan at his most romantic." Wilentz comments that Dylan's writing had shifted from the days when he asked questions and supplied answers. Like the verses of William Blake's "Tyger", Dylan asks a series of questions about the "Sad Eyed Lady" but never supplies any answers. contains an answer for the question: What was the last name of the person Dylan married?, what is it ?
Answer: Lownds

[Q]: This article: The only known recording made by Massenet is an excerpt from Sapho, "Pendant un an je fus ta femme", in which he plays a piano accompaniment for the soprano Georgette Leblanc. It was recorded in 1903, and was not intended for publication. It has been released on compact disc (2008), together with contemporary recordings by Grieg, Saint-Saens, Debussy and others.In Massenet's later years, and in the decade after his death, many of his songs and opera extracts were recorded. Some of the performers were the original creators of the roles, such as Ernest van Dyck (Werther), Emma Calve (Sapho), Hector Dufranne (Griselidis), and Vanni Marcoux (Panurge). Complete French recordings of Manon and Werther, conducted by Elie Cohen, were issued in 1932 and 1933 and have been republished on CD. The critic Alan Blyth comments that they embody the original, intimate Opera-Comique style of performing Massenet.Of Massenet's operas, the two best known, Manon and Werther, have been recorded many times, and studio or live recordings have been issued of many of the others, including Cendrillon, Le Cid, Don Quichotte, Esclarmonde, Herodiade, Le jongleur de Notre-Dame, Le mage, La Navarraise and Thais. Conductors on these discs include Sir Thomas Beecham, Richard Bonynge, Riccardo Chailly, Sir Colin Davis, Patrick Fournillier, Sir Charles Mackerras, Pierre Monteux, Sir Antonio Pappano and Michel Plasson. Among the sopranos and mezzos are Dame Janet Baker, Victoria de los Angeles, Natalie Dessay, Renee Fleming, Angela Gheorghiu and Dame Joan Sutherland. Leading men in recordings of Massenet operas include Roberto Alagna, Gabriel Bacquier, Placido Domingo, Thomas Hampson, Jonas Kaufmann, Jose van Dam, Alain Vanzo and Rolando Villazon.In addition to the operas, recordings have been issued of several orchestral works, including the ballet Le carillon, the piano concerto in E, the Fantaisie for cello and orchestra, and orchestral suites. Many individual melodies by Massenet were included in mixed recitals on record during the 20th... contains an answer for the question: Who plays a piano accompaniment in "Pendant un an je fus ta femme"?, what is it ?
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[A]: Massenet

input: Please answer the following: This article: Following the Pixies' breakup, Lovering drummed with several artists, including Nitzer Ebb, but turned down an invitation to join the Foo Fighters. Lovering then joined Santiago's band The Martinis, appearing on their song "Free" on the soundtrack of Empire Records. However, he soon left the band to become a touring drummer for Cracker. Lovering moved from band to band, drumming with Tanya Donelly's group on 1997's Lovesongs for Underdogs and with Boston band Eeenie Meenie. After facing difficulty finding new work, Lovering gave up the drums and moved into a rented house that banned drumming.Towards the end of the 1990s, Lovering's friend Grant-Lee Phillips took him to a magic convention. Lovering was very impressed by some of the illusions, and later said "I had to learn how to do it". Mutual friend Carl Grasso invited them to a show at the Magic Castle, a magic-oriented nightclub in Los Angeles. There Lovering met Possum Dixon frontman Rob Zabrecky, and the pair soon became friends. Zabrecky convinced Lovering to apply for a performers' membership to the Magic Castle. After gaining his membership, Lovering reinvented himself as "The Scientific Phenomenalist". His act combined his electrical engineering knowledge with his stage performance experience. His decision to pursue a career in magic was influenced by the fact that as a musician, he "couldn't top the Pixies".As the Scientific Phenomentalist, Lovering performs science and physics experiments in a lab coat while on stage. He shuns traditional magic tricks, and prefers "things that are more mental, using mental powers". He later explained: "It's all kind of upbeat, really weird physics experiments that you'll never see. [...] I'd rather have them [the audience] going 'Is it [magic] or isn't it?' rather than 'It's all science' or 'It's all magic'. So I do kinda weird things that other magicians don't do". Lovering cites sleight-of-hand artist Ricky Jay, mind reader Max Maven and Eugene Burger as influences on his technique. His performances often involve... contains an answer for the question: What was the name of the last album that Lovering appeared on?, what is it ?
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output:
The Smitten Sessions