Background: Paul Franklin Watson (born December 2, 1950) is a Canadian marine wildlife conservation and environmental activist, who founded the Sea Shepherd Conservation Society, an anti-poaching and direct action group focused on marine conservation and marine conservation activism. He is a citizen of Canada and the United States. The Toronto native joined a Sierra Club protest against nuclear testing in 1969. He was an early and influential member of Greenpeace, crewed and skippered for it and a founding board member in 1972.
Context: Watson was a field correspondent for Defenders of Wildlife from 1976 to 1980 and a field representative for the Fund for Animals from 1978 to 1981. Watson also was a co-founder of Friends of the Wolf and Earthforce Environmental Society. During the 1980s, Watson declared his support for Earth First! and cultivated friendships with David Foreman and Edward Abbey. He proclaimed Sea Shepherd to be the "navy" of Earth First! According to The New Yorker, Watson revived the 19th-century practice of tree spiking. Watson ran as an independent candidate in the 1980 Canadian Federal election in Vancouver Centre, proclaiming he wasn't a politician but an environmentalist. He received less than 100 votes. Watson did work with the Green Party of British Columbia in Vancouver in the 1980s and 90s. He ran for mayor in 1996, placing fourth. In April 2003, Watson was elected to the board of directors of the Sierra Club for a three-year term. In 2006, he did not seek re-election. He resigned from the board a month before his term ended, in protest against the organization's sponsorship of a "Why I Hunt" essay contest. Watson feels that "no human community should be larger than 20,000 people," human populations need to be reduced radically to "fewer than one billion," and only those who are "completely dedicated to the responsibility" of caring for the biosphere should have children, which is a "very small percentage of humans." He likens humankind to a virus or a cancer. The biosphere needs to get cured from this cancer with a "radical and invasive approach." In January 2008, Paul Watson was named by The Guardian as one of its "50 people who could save the planet" for the work of the Sea Shepherd Conservation Society.
Question: What did he do there?
Answer: He resigned from the board a month before his term ended, in protest against the organization's sponsorship of a "Why I Hunt" essay contest.

Background: P. D. Q. Bach is a fictitious composer invented by musical satirist "Professor" Peter Schickele. Schickele developed a five-decade-long career, performing the "discovered" works of the "only forgotten son" of the Bach family. Schickele's music combines parodies of musicological scholarship, the conventions of Baroque and classical music, and slapstick. The name "P. D. Q." is a parody of the three-part names given to some members of the Bach family that are commonly reduced to initials, such as C. P. E., for Carl Philipp Emanuel Bach.
Context: Schickele's works attributed to P. D. Q. Bach often incorporate comical rearrangements of well-known works of other composers. The works use instruments not normally used in orchestras, such as the bagpipes, slide whistle, kazoo, and fictional or experimental instruments such as the pastaphone (made of uncooked manicotti), tromboon, hardart, lasso d'amore, and left-handed sewer flute. There is often a startling juxtaposition of styles within a single P. D. Q. Bach piece. The Prelude to Einstein on the Fritz, which alludes to Philip Glass' opera Einstein on the Beach, provides an example. The underlying music is J.S. Bach's first prelude from The Well-Tempered Clavier, but at double the normal speed, with each phrase repeated interminably in a minimalist manner that parodies Glass's. On top of this mind-numbing structure is added everything from jazz phrases to snoring to heavily harmonized versions of "Three Blind Mice" to the chanting of a meaningless phrase ("Koy Hotsy-Totsy," alluding to the art film Koyaanisqatsi for which Glass wrote the score). Through all these mutilations, the piece never deviates from Bach's original harmonic structure. The humor in P. D. Q. Bach music often derives from violation of audience expectations, such as repeating a tune more than the usual number of times, resolving a musical chord later than usual or not at all, unusual key changes, excessive dissonance, or sudden switches from high art to low art. Further humor is obtained by replacing parts of certain classical pieces with similar common songs, such as the opening of Brahms' Symphony No. 2 with "Beautiful Dreamer", or rewriting Tchaikovsky's 1812 Overture as the 1712 Overture, with "Yankee Doodle" replacing Tchaikovsky's melody, and "Pop Goes the Weasel" replacing "La Marseillaise".
Question: How did he make his music funny?
Answer: The humor in P. D. Q. Bach music often derives from violation of audience expectations, such as repeating a tune more than the usual number of times,

Background: DeVito was born in Neptune Township, New Jersey, the son of Daniel DeVito, Sr., a small business owner, and Julia DeVito (nee Moccello). He grew up in a family of five, with his parents and two older sisters. He is of Italian descent; his family is originally from San Fele, Basilicata. He was raised in Asbury Park, New Jersey.
Context: DeVito played Martini in the 1975 film One Flew Over the Cuckoo's Nest, reprising his role from the 1971 off-Broadway play of the same title. He gained fame in 1978 playing Louie De Palma, the short but domineering dispatcher for the fictional Sunshine Cab Company, on the hit TV show Taxi. After Taxi ended, DeVito began a successful film career, starting with roles in 1983's Terms of Endearment, as the comic rogue in the romantic adventure Romancing the Stone, starring Michael Douglas and Kathleen Turner, and its 1985 sequel, The Jewel of the Nile. In 1986, DeVito starred in Ruthless People with Bette Midler and Judge Reinhold, and in 1987, he made his feature-directing debut with the dark comedy Throw Momma from the Train, in which he starred with Billy Crystal and Anne Ramsey. Two years later, DeVito reunited with Douglas and Turner in The War of the Roses, which he directed and in which he co-starred. DeVito's work during this time includes Other People's Money with Gregory Peck, director Barry Levinson's Tin Men as a competitive rival salesman to Richard Dreyfuss' character, two co-starring vehicles with Arnold Schwarzenegger (the comedies Twins and Junior), and playing The Penguin as a deformed sociopath in director Tim Burton's Batman Returns (1992) as well in the 1996 film adaptation Matilda in which he played the villainous car dealer and Matilda's father Harry Wormwood. Although generally a comic actor, DeVito expanded into dramatic roles with The Rainmaker (1997), Hoffa (1992), which he directed and in which he co-starred with Jack Nicholson, Jack the Bear (1993), L.A. Confidential, The Big Kahuna, and Heist (2001), as a gangster nemesis of Joe Moore (Gene Hackman). DeVito has an interest in documentaries: In 2006, he began a partnership with Morgan Freeman's company ClickStar, on which he hosts a documentary channel called Jersey Docs. He was also interviewed in the documentary Revenge of the Electric Car, about his interest in and ownership of electric vehicles.
Question: What other film roles did he have?
Answer:
in 1983's Terms of Endearment, as the comic rogue in the romantic adventure Romancing the Stone, starring Michael Douglas and Kathleen Turner,