Background: The Sami people (also known as the Sami or the Saami) are a Finno-Ugric people inhabiting Sapmi, which today encompasses large parts of Norway and Sweden, northern parts of Finland, and the Murmansk Oblast of Russia. The Sami have historically been known in English as the Lapps or the Laplanders, but these terms can be perceived as derogatory. Sami ancestral lands are not well-defined. Their traditional languages are the Sami languages and are classified as a branch of the Uralic language family.
Context: The word Lapp can be traced to Old Swedish lapper, Icelandic lappir (plural), probably of Finnish origin; compare Finnish lappalainen "Lapp", Lappi "Lapland" (possibly meaning "wilderness in the north"), the original meaning being unknown. It is unknown how the word Lapp came into the Norse language, but one of the first written mentions of the term is in the Gesta Danorum by 12th-century Danish historian Saxo Grammaticus, who referred to the two Lappias, although he still referred to the Sami as (Skrid-)Finns. In fact, Saxo never explicitly connects the Sami with the "two Laplands". The term "Lapp" was popularized and became the standard terminology by the work of Johannes Schefferus, Acta Lapponica (1673), but was also used earlier by Olaus Magnus in his Description of the Northern people (1555). There is another suggestion that it originally meant "wilds". The Sami are often known in other languages by the exonyms Lap, Lapp, or Laplanders, although these are considered as derogatory terms. while others accept at least the name Lappland. Variants of the name Lapp were originally used in Sweden and Finland and, through Swedish, adopted by many major European languages: English: Lapps; German, Dutch: Lappen; French: Lapons; Greek: Lapones (Lapones); Hungarian: lappok; Italian: Lapponi; Polish: Laponczycy; Portuguese: Lapoes; Spanish: Lapones; Romanian: laponi; Turkish: Lapon. In Russian the corresponding term is lopari (lopari) and in Ukrainian lopari (lopari). In Finland and Sweden, Lapp is common in place names, such as Lappi (Satakunta), Lappeenranta (South Karelia) and Lapinlahti (North Savo) in Finland; and Lapp (Stockholm County), Lappe (Sodermanland) and Lappabo (Smaland) in Sweden. As already mentioned, Finn is a common element in Norwegian (particularly Northern Norwegian) place names, whereas Lapp is exceedingly rare. In the North Sami language, lahppon olmmos means a person who is lost (from the verb lahppot, to get lost). Terminological issues in Finnish are somewhat different. Finns living in Finnish Lapland generally call themselves lappilainen, whereas the similar word for the Sami people is lappalainen. This can be confusing for foreign visitors because of the similar lives Finns and Sami people live today in Lapland. Lappalainen is also a common family name in Finland. As in the Scandinavian languages, lappalainen is often considered archaic or pejorative, and saamelainen is used instead, at least in official contexts.
Question: Ca you tell me more about the terminology?
Answer: In Finland and Sweden, Lapp is common in place names, such as Lappi (Satakunta), Lappeenranta (South Karelia) and Lapinlahti (North Savo)

Background: Kaki King (born Katherine Elizabeth King, August 24, 1979) is an American guitarist and composer. King is known for her percussive and jazz-tinged melodies, energetic live shows, use of multiple tunings on acoustic and lap steel guitar, and her diverse range in different genres. In February 2006, Rolling Stone released a list of "The New Guitar Gods", on which King was the sole woman and youngest artist (beating Derek Trucks in age by two months as the youngest on the list). In addition to a 10-year career that includes six LP and two EP albums, King has also scored music for television and film.
Context: At the end of her tour for Legs to Make Us Longer in 2005, King departed from her previous musical direction out of a desire to escape being pigeonholed as a solo instrumental artist. She amicably parted ways with major label Sony/Epic and returned to her original label, Velour, to begin work on her third album ...Until We Felt Red. Released August 8, 2006, on Velour Records, the album features production work by Tortoise's John McEntire. With the prominence of electric guitar shoegazing and effect boxes on the new record, and the addition of a full band, the music website, The A.V. Club, called the sound a "post-rock makeover." She supported the album by going on tour with Sarah Bettens from K's Choice. In early 2007, Dave Grohl invited King to appear as a guitarist on the track "Ballad of the Beaconsfield Miners", a song penned by Grohl for an upcoming studio album by the Foo Fighters. King agreed and is credited on the album, entitled Echoes, Silence, Patience & Grace, released on September 25, 2007. On November 18, 2007, she joined Dave Grohl on stage to perform the track at the O2 arena in London. Grohl highly praised King's performance: "There are some guitar players that are good and there are some guitar players that are really fucking good. And then there's Kaki King." King toured with the Foo Fighters on the Australian leg of the Echoes, Silence, Patience and Grace tour. While on tour, King finished recording what became the Day Sleeper (Australian tour EP). It was released in late 2007 after King had finished working on August Rush, and with Eddie Vedder and Sean Penn on Into The Wild.
Question: How did this affect her sound?
Answer:
the album features production work by Tortoise's John McEntire. With the prominence of electric guitar shoegazing and effect boxes on the new record,