Background: Bill Shankly was born in a small Ayrshire coal mining village, called Glenbuck, whose population in 1913, the year of Shankly's birth, was around 700. People born there would often move to find work in larger coal mines. As a result, Glenbuck became largely derelict and by the time Shankly's ghost writer John Roberts visited it in 1976, there were only 12 houses left, including a cottage owned by Shankly's sister, Elizabeth, whom Roberts described as "the last of the children of Glenbuck". Shankly's parents, John and Barbara, lived in one of the Auchenstilloch Cottages with their 10 children; five boys and five girls.
Context: Shankly began his managerial career at the club where his professional playing career had started. Carlisle in the 1948-49 season were struggling in the bottom half of the Third Division North and finding it difficult to attract southern-based players because of the town's geographic remoteness in the far north of England. Shankly's work ethic transformed the team who finished 15th in 1948-49 after he had been in charge for only the last few matches. They improved to ninth in 1949-50 and then to third in 1950-51, almost gaining promotion. One of Shankly's players at Carlisle was Geoff Twentyman, then a promising young centre half, who was later transferred to Liverpool. After he retired from playing, Twentyman became chief scout at Liverpool, working with Shankly and finding several outstandingly talented players. Shankly used psychology to motivate his players, for example telling them that the opposition had had a very tiring journey and were not fit to play the match. He urged the local population to support the team and would use the public address system at matches to tell the crowd about his team changes and how his strategy was improving the team. Shankly recalled that Brunton Park was dilapidated, writing that "the main stand (was) falling to pieces and the terraces derelict". He even burned all the kit. When the team was travelling to Lincoln City, he saw a sportswear shop in Doncaster and stopped the coach to buy a full set of kit in which the team played at Lincoln. Season ticket sales in 1950-51 reached an all-time high and Carlisle challenged strongly for promotion as well as achieving a draw with Arsenal at Highbury in the FA Cup. But it ended badly because Shankly accused the club's board of reneging on a bonus promise for the players should the team finish in the top-three. Shankly resigned and took up an offer from Grimsby Town. Shankly's overall record in league football at Carlisle was 42 wins and 22 defeats from 95 matches.
Question: Did he make any big changes to the team?
Answer: Shankly used psychology to motivate his players,

Problem: Background: Paul Bruce Dickinson was born in Worksop, Nottinghamshire. His mother, Sonia, worked part-time in a shoe shop, and his father, Bruce, was a mechanic in the army. Dickinson's birth hurried the young couple, then just teenagers, into marriage. Initially, he was brought up by his grandparents; his grandfather was a coal-face worker at the local colliery and his grandmother was a housewife.
Context: After a six-month break, which Dickinson mostly spent practising fencing, Iron Maiden began writing their next album, Somewhere in Time. Dickinson was disappointed with the effort as he felt that the band needed a more dramatic stylistic departure from past records to remain relevant, despite its introduction of synthesised bass and guitars. He has no writing credits on the release, as his material, based on his own suggestion that the album should be more acoustic-focused, was rejected by the rest of the band. Steve Harris, on the other hand, stated that his material was rejected because it was not good enough, and that Dickinson "was probably more burnt out than anyone at the end of the last tour". After a subsequent tour, Iron Maiden started working on their next studio effort, Seventh Son of a Seventh Son, which featured more progressive rock elements than the band's previous records. Although it became their second release to top the UK charts, it was also Dickinson's first album with the band that did not achieve platinum status in the US. Unlike Somewhere in Time, Dickinson was much more enthusiastic about this album due to its concept and has several song-writing credits. After the following tour in 1988, the band decided to take a year off. During the next album's writing stage, Adrian Smith left Iron Maiden, and was replaced by Janick Gers. Iron Maiden's eighth studio release, 1990's No Prayer for the Dying, had a raw sound that, according to AllMusic, did not "hold up well" compared to past efforts, as it was recorded in a barn which Steve Harris owned, with a mobile studio owned by the Rolling Stones. The record featured Dickinson's "Bring Your Daughter... to the Slaughter", originally composed for a film soundtrack, which despite receiving a Golden Raspberry Award for worst original song in 1989, became the band's first and only single to top the UK Singles Chart. By 1992, Harris had converted his barn into a proper studio, and the new album, Fear of the Dark, was recorded there, resulting in a better overall sound than No Prayer for the Dying, although Dickinson still claims it had limitations due to its size. After the Fear of the Dark Tour, Dickinson decided to leave Iron Maiden to concentrate on his solo career. At that point the band had already booked a following tour in 1993, which Dickinson did not enjoy. Throughout the tour, Dickinson drew a lot of criticism from his bandmates, with Steve Harris in particular saying, "I really wanted to kill him." According to Harris, Dickinson would only perform when the press was there, whereas at other concerts he would only mumble his way through songs. Dickinson has since denied the accusations that he was deliberately under-performing, arguing that it was impossible to give a decent performance some nights because of the atmosphere. His last performance with the band was filmed by the BBC at Pinewood Studios and released as a live video, entitled Raising Hell.
Question: Did he mumble thru his songs?
Answer:
Dickinson has since denied the accusations that he was deliberately under-performing, arguing that it was impossible to give a decent performance some nights because of the atmosphere.