IN: Thomas Wesley Pentz (born November 10, 1978), better known by his stage name Diplo, is an American DJ, record producer, rapper and songwriter based in Los Angeles, California. He is the co-creator and lead member of the electronic dancehall music project Major Lazer, and along with producer and DJ Skrillex, part of the electronic duo Jack U. He founded and manages record company Mad Decent, as well as co-founding the non-profit organization Heads Decent. Among other jobs, he has worked as a school teacher in Philadelphia.

Diplo was born on November 10, 1978, in Tupelo, Mississippi, the son of Barbara Jean (nee Cox) and Thomas Pentz. He is of German and English descent. The influence of home-grown rap played a key role in helping shape his production style. He spent the majority of his youth in Miami, where he got a taste for the characteristic Miami bass. He began attending the University of Central Florida in 1997, and then moved to Philadelphia to continue his studies at Temple University, where he first garnered attention as a DJ. After frequently running into fellow DJ Low Budget, the two began throwing parties under the Hooked on Hollertronix moniker in 2003 as a way of maintaining control of what they were able to play during DJ gigs in Philadelphia. The success of these parties allowed the two to release mixtapes, both separate and together, gathering acclaim across the country. One such mixtape, Never Scared, was named one of the New York Times top ten albums of 2003, and the Hollertronix name became synonymous with parties featuring guests like Maluca Mala, Bun B, Spank Rock, M.I.A., among others. Hollertronix's sound has been described as "disparate genres to be smashed together for maximum attention-grabbing impact" an aesthetic which takes from the "organic, cohesive, whole" aesthetic of acts such as Bun B, Lil Jon, Drama, M.I.A., Bjork, Busta Rhymes, and others. Diplo accentuated the club aesthetic of his Hollertronix music for a more reflective sound on his solo debut, Florida, which was released on the Ninja Tune imprint, Big Dada Records. The album Florida was pressed twice, first with a CD and the second with a CD and DVD. The DVD was created by System D-128, another artist who has collaborated with Diplo on some audio and video projects. Before Florida's DVD accompaniment, another DVD surfaced called Diplo: "Banned in Libya" which was released by Money Studies, the first label to release a solo project by Diplo under his original DJ name Diplodocus. It was a 45 rpm record called "Thingamajawn" for which there is also a music video System D-128 directed. Similar to the Florida DVD, "Banned in Libya" is an experimental audio and video mix of some of Diplo's original music blended with a number of other unidentified sources. His particular affinity for one genre of music called baile funk, or favela funk, would spawn a series of mixtapes (Favela on Blast, Favela Strikes Back), which served to bring the Brazilian dance music of the ghettos to the United States. It was not long before his Hooked on Hollertronix parties would provide him the success necessary to move to the next logical step and build a studio where music would become his full-time focus. With this goal in mind, Diplo built "The Mausoleum," a video studio, recording studio, record label office, gallery, and event space in Philadelphia. Since its inception, The Mausoleum has become the home to recordings by artists like Christina Aguilera, Shakira, M.I.A., Santigold, Spank Rock, Plastic Little, Blaqstarr, Paper Route Gangstaz, and hosted concerts by Glass Candy, Skream, Boys Noize, Nicos Gun, and more.

Where did he grow up?

OUT: He spent the majority of his youth in Miami,

input: Back in Berlin, Weill had an interview with Ferruccio Busoni in December 1920. After examining some of Weill's compositions, Busoni accepted him as one of five master students in composition at the Preussische Akademie der Kunste in Berlin. From January 1921 to December 1923, Weill studied music composition with him and also counterpoint with Philipp Jarnach in Berlin. During his first year he composed his first symphony, Sinfonie in einem Satz, as well as the lieder Die Bekehrte (Goethe) and two Rilkelieder for voice and piano. To support his family in Leipzig, he also worked as a pianist in a Bierkeller tavern. In 1922, Weill joined the November Group's music faction. That year he composed a psalm, a divertimento for orchestra, and Sinfonia Sacra: Fantasia, Passacaglia, and Hymnus for Orchestra. On November 18, 1922, his children's pantomime Die Zaubernacht (The Magic Night) premiered at the Theater am Kurfurstendamm; it was the first public performance of any of Weill's works in the field of musical theatre. Out of financial need, Weill taught music theory and composition to private students from 1923 to 1925. Among his students were Claudio Arrau, Maurice Abravanel, Heinz Jolles (later known as Henry Jolles), and Nikos Skalkottas. Arrau, Abravenel, and Jolles remained members of Weill's circle of friends thereafter, and Jolles's sole surviving composition predating the rise of the Nazi regime in 1933 is a fragment of a work for four pianos he and Weill wrote jointly. Weill's compositions during his last year of studies included Quodlibet, an orchestral suite version of Die Zaubernacht, Frauentanz, seven medieval poems for soprano, flute, viola, clarinet, French horn, and bassoon, and Recordare for choir and children's choir to words from the Book of Lamentations. Further premieres that year included a performance of his Divertimento for Orchestra by the Berlin Philharmonic under the direction of Heinz Unger on April 10, 1923, and the Hindemith-Amar Quartet's rendering of Weill's String Quartet, Op. 8, on June 24, 1923. In December 1923, Weill finished his studies with Busoni.

Answer this question "Who is Busoni?"
output:
Busoni accepted him as one of five master students in composition at the Preussische Akademie der Kunste in Berlin.