input: Touring internationally in June and July, the Beatles staged 37 shows over 27 days in Denmark, the Netherlands, Hong Kong, Australia and New Zealand. In August and September they returned to the US, with a 30-concert tour of 23 cities. Generating intense interest once again, the month-long tour attracted between 10,000 and 20,000 fans to each 30-minute performance in cities from San Francisco to New York. In August, journalist Al Aronowitz arranged for the Beatles to meet Bob Dylan. Visiting the band in their New York hotel suite, Dylan introduced them to cannabis. Gould points out the musical and cultural significance of this meeting, before which the musicians' respective fanbases were "perceived as inhabiting two separate subcultural worlds": Dylan's audience of "college kids with artistic or intellectual leanings, a dawning political and social idealism, and a mildly bohemian style" contrasted with their fans, "veritable 'teenyboppers' - kids in high school or grade school whose lives were totally wrapped up in the commercialised popular culture of television, radio, pop records, fan magazines, and teen fashion. To many of Dylan's followers in the folk music scene, the Beatles were seen as idolaters, not idealists." Within six months of the meeting, according to Gould, "Lennon would be making records on which he openly imitated Dylan's nasal drone, brittle strum, and introspective vocal persona"; and six months after that, Dylan began performing with a backing band and electric instrumentation, and "dressed in the height of Mod fashion". As a result, Gould continues, the traditional division between folk and rock enthusiasts "nearly evaporated", as the Beatles' fans began to mature in their outlook and Dylan's audience embraced the new, youth-driven pop culture. During the 1964 US tour, the group were confronted with the reality of racial segregation in the country at the time, particularly in the South. When informed that the 11 September show at the Gator Bowl in Jacksonville, Florida was to be held at a segregated venue, the Beatles expressed astonishment and announced that they would refuse to perform unless the show become integrated. Lennon stated: "We never play to segregated audiences and we aren't going to start now ... I'd sooner lose our appearance money." The group's stand drew controversy in the local media, but city officials relented and agreed to allow an integrated show. On the tour the group also refused to stay in segregated hotels. Documents reveal that for their subsequent US tours in 1965 and 1966, the Beatles included clauses in contracts stipulating that shows be integrated.

Answer this question "Was the show a success?"
output:

input: With Dick Best no longer England head coach, the RFU appointed well-known and highly successful Bath coach Jack Rowell as his replacement. There was much speculation amongst many established England players as to what changes the new coach would bring to the England setup, particularly one with such close ties to a successful Bath Rugby Club. Rowell claimed he would rid England of the cautious, forward-dominated 10-man game which had done so well for them earlier in the decade, and play running rugby more similar to Bath's. Leonard kept his place in the England team, which now included several new players such as Mike Catt, Ben Clarke, Victor Ubogu, Steve Ojomoh (all Bath players) and Tim Rodber. In the 1995 Five Nations, Leonard won a record (for a prop) 38th cap for England, playing against Scotland, and the victory meant his third Grand Slam. England held high hopes for the upcoming Rugby World Cup in South Africa. At the World Cup, England were drawn in Pool B, generally regarded as one of the easier groups in the competition. However, England experienced setbacks, gaining only narrow victories over Argentina (24-18) and Italy (27-20). In England's final pool match against Western Samoa, Leonard was rested and his record of 40 consecutive England caps ended. England won that match 44-22 and also won the subsequent quarter-final against Australia 25-22, before losing the semi-final to New Zealand 29-45 and finishing the tournament in fourth place. In November 1996, Leonard skippered England for the first time, against Argentina at Twickenham. The game was very close, with Argentina taking a narrow lead close to full-time. From a rolling maul, Leonard scored a try to level the scores, and a Mike Catt penalty won the game 20-18. The try remains Leonard's only score for England. In the 1996-1997 season, Leonard began to play for England at tighthead prop (number 3) to make room for Leicester Tigers loosehead prop (number 1), Graham Rowntree, and in 1997, Leonard was selected for his second British and Irish Lions tour, this time to South Africa. In September 1997, the RFU appointed Clive Woodward as head coach. The Autumn internationals saw England playing Australia, South Africa and New Zealand. Against Australia, Leonard found himself selected at loosehead prop again, with Wasps' Will Green winning his first cap at tighthead. For the remaining two tests, Leonard was moved back to tighthead. The ability to scrummage effectively on either side of the scrum proved to be one of Leonard's great assets.

Answer this question "Are there any other interesting aspects about this article?"
output: England held high hopes for the upcoming Rugby World Cup in South Africa.

input: After strenuous years of touring and recording (Eurythmics had released eight studio albums in eight years), a rift had developed between the duo and Eurythmics disbanded, although no formal notice was given. Stewart began writing film soundtracks and had a big international hit in 1990 with the instrumental track "Lily Was Here" (featuring saxophonist Candy Dulfer). The single reached no.6 in the UK and the Top 20 throughout much of Europe, as well as in Australia and the US. He also formed a band called The Spiritual Cowboys, releasing two albums with this group in the early 1990s. Lennox took time off from her career to have a baby and to consider a life after Eurythmics. Accordingly, the duo had very little communication with each other from 1991 to 1998. In 1991, Eurythmics' Greatest Hits collection was released, entering the UK album chart at No. 1 and spending a total of 10 weeks at that position, as well as becoming a massive worldwide seller. New remixes of "Sweet Dreams" and "Love Is a Stranger" were also released as singles at this time. During 1993, a live album entitled Live 1983-1989 featuring recordings from various years throughout Eurythmics' career was also released. In 1992, Lennox released her first solo album, Diva. The album was a critical and popular success, entering the UK album chart at no.1 and achieving quadruple platinum status (more than any Eurythmics studio album had done), as well as producing a string of five hit singles. She followed this up in 1995 with her second album, Medusa, an album of cover versions. It became her second number one album in the UK, reaching double platinum status both there and in the US. Stewart, meanwhile, released the solo albums Greetings from the Gutter (1995), and Sly-Fi (1998), but neither was commercially successful.

Answer this question "Did he stay with the band?"
output:
Lennox took time off from her career to have a baby and to consider a life after Eurythmics.