In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

Input: Consider Input: Question: How old is the producer of Viewtiful Joe? Passage:Viewtiful Joe is a 2.5D side-scrolling action-platformer, released on June 26, 2003. The title character is a parody of tokusatsu superheroes and is trying to save his girlfriend, who has been trapped in "Movieland" by a group of supervillains known as Jadow. To complete his quest, Joe must use his Viewtiful Effects Powers, which are based on camera tricks and special effects used in films. These include "Slow", which simulates bullet time; "Mach Speed", allowing Joe to attack all enemies with his afterimages; and "Zoom In", which triggers a camera close-up and unlocks special attacks. Internally, Capcom treated the game as a "staff-focused project" with the goal of increasing the skills of director Hideki Kamiya. The game achieved a Metacritic score of 93 and won GameCube Game of the Year awards from numerous publications including IGN, GMR, and USA Today. The game sold out its initial shipment of 100,000 to achieve a lifetime total of 275,000 units. Producer Atsushi Inaba considered the game a success, achieving his goals of training staff, keeping a small budget, and selling well. However, these numbers were lower than Capcom expected, prompting the publisher to port Viewtiful Joe to PlayStation 2 in 2004, with expanded features. This version sold 46,000 copies with a slightly lower Metacritic score of 90 owing to the lack of progressive scan and frame rate slowdown generated by the porting process.
Links: a. Frame rate b. Hideki Kamiya c. Hideki Kamiya d. Atsushi Inaba

Output: d

Input: Consider Input: Question: Which single from the album Hearsay was released last? Passage:On release, the album was received favourably by the majority of music critics. O'Neal's most commercially successful solo album, in the United States it went on to peak at number 29 on the Billboard 200 and number two on Top R&B/Hip-Hop Albums. The album was even more successful in the United Kingdom, peaking at number four and producing seven charting singles, including five top 40 hits. "Fake" peaked at number 33 on the UK Singles Chart; "Criticize" peaked at number four; "Never Knew Love Like This" at number 26; "The Lovers" at number 28; "(What Can I Say) To Make You Love Me" at number 27; "Sunshine" at number 72. Several remixes of the album's songs also charted: "Fake '88", (No. 16); "Hearsay '89", (No. 56). Two of the tracks, "Fake" and "Criticize", were also popular anthems in UK dance clubs. The album went on to be certified gold by the RIAA on October 20, 1987. In the UK, it sold more than 900,000 copies, being certified 3 Platinum by the BPI.
Links: a. UK Singles Chart b. Criticize (song) c. Never Knew Love Like This d. Fake (Alexander O'Neal song)

Output: d

Input: Consider Input: Question: In what year was the opera written that Kozlowska stunned public and press in the title role at the Atlanta Opera? Passage:She first gained international attention by winning the first prize at the Benson and Hedges International Voice Competition in London, which was followed by winning second prize at the International Vocal Competition in Rio de Janeiro. Early on she got a long-term contract with The Grand Theatre in her home town Poznan to which she was closely linked from 1984 to 1998. Already in January 1986 her international career started and she debuted as Liu at the Royal Opera House, Covent Garden, and thereafter sung at the most prestigious opera houses of Europa and America. In Italy she performed at Teatro alla Scala in Milan, at Teatro La Fenice in Venice and at the Maggio Musicale Fiorentino, in Austria at the Graz Opera and at the Vienna State Opera, in Germany at the Bavarian State Opera of Munich, at the Hamburg State Opera and at the Deutsche Oper in Berlin, in Paris at the Theatre du Chatelet, in Geneva at the Grand Theatre, in Brussels at the Theatre de la Monnaie and in Buenos Aires at the Teatro Colon. In the United States she earned high acclaim as Sandrina in Mozart's La finta giardiniera at the Brooklyn Academy of Music, as Donna Elvira at the Los Angeles Opera and as Alice Ford in a concert version with the Minnesota Orchestra under Jeffrey Tate. At the Atlanta Opera she stunned public and press in the title role of Puccini's Madama Butterfly.
Links: a. Atlanta Opera b. Madama Butterfly c. Minnesota Orchestra d. La Scala
Output: b