After you have selected the appropriate attachment for the job, attach the piece to your deburring tool. You may need to consult your user's manual to determine how to attach the piece. Make sure that the attachment is locked securely in place before you switch it on. While some larger objects might stay put on their own, it will be difficult (and unsafe) to deburr a smaller item that is not secured in place. For example, a piece of furniture may not need to be secured, but a piece of wood or a pipe will need to be secured in place. Try using a vice to secure smaller items and prevent them from moving around as you deburr them. Next, pick up your deburring tool and hold it firmly by the handle. Then, switch on your deburring tool when you are ready to use it. You may want to start out by using the lowest setting and then increase the speed if necessary. Hold the tool so that it is right up against the edge you wish to deburr. For example, if you are deburring the edge of a piece of wood, then place the tool right up against the edge. You do not need to press hard to deburr the item, just ensure that the tool makes contact with the edge of the object you are deburring. To ensure that the edge is completely deburred, it may be necessary to go over it with the deburring tool two or three times. Start at one end and move all the way to the end, or select a starting point if you are deburring a circular item. If you are deburring a pipe or other circular area, then you may just have to let the deburring tool rotate two or three times. If you are deburring an edge, then you will need to drag the tool back and forth across the area two or three times. After you have finished deburring the item, remove the tool and turn it off. Then, check the edges of the area you just deburred to ensure that you got all of the larger burrs. If there are still some burrs left, then you can always go over it again. You can also sand the edges of the area you just deburred to ensure that it is nice and smooth. Use a fine grit sandpaper to sand away any minor imperfections.
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One-sentence summary -- Secure your attachment. Make sure that the object you are deburring is locked in place. Turn on the deburring tool. Place the deburring tool against the edge. Go over the area two or three times. Check the edges to ensure all burrs have been removed.

When you mix baking soda with warm water, you will create a great exfoliating treatment that is safe and gentle on your skin. All you do is mix equal parts of baking soda and water and rub it on your face using circular motions. Keep massaging for about one minute and then wash it off with warm water. Finish the process with a great face moisturizer to hydrate you skin. Skin can become dry after you cleanse or exfoliate it, so be sure to replace any moisture lost back into your skin. There are certain times when it is impossible not to touch your face, but it is important to limit how much contact actually happens. Every time you put your chin in your palm, pop a pimple, or even rub your tired eyes after a long day, you are damaging your skin. Our hands clog our pores with dirt and oil and all of those rubs and tugs create fine lines, wrinkles, and micro tears on our faces. If you leave your skin exposed and unprotected for too long, it can cause irreversible damage because of the UV rays that come from the sun. The sun causes wrinkles, dark spots, and skin cancer that will slowly develop over time. An easy way to wear sunscreen every day is to buy a face lotion that also has sunscreen in it. Look for lightweight lotions that use natural ingredients. Lotions that contain sunscreen are easy to wear underneath your regular makeup and will give you the protection you need.
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One-sentence summary -- Use baking soda to exfoliate for extra soft skin. Stop touching and tugging at your face. Wear sunscreen every day.

Your dance solo should be geared towards your audience. For example, if you're auditioning for a highly technical dance company, the goal of your dance solo may be to present your advanced technical ability. On the other hand, a dance solo for a community event may be geared solely towards entertaining others. The music and movement needs to reflect the aim of your solo. For example, if you choreograph a fun and easy solo, it might not be the best choice to perform for an audition that requires displaying your technical ability. If you choreograph and highly technical and difficult solo, it might not be appreciated as much by an audience that is just looking to be entertained and doesn't have knowledge about the technicalities of dance. For example, choose a ballet, jazz, modern, or tap routine. Some choreographic pieces are intended to dazzle through high-energy movements. Others dancers are meant to move others through awe-inspiring gracefulness. With the goal of your solo in mind, consider the type of dance and movement that would be beftyou're your dance ability and audience. If you've never had ballet training, but want a slower, awe-inspiring routine, you may want to try modern or contemporary dance. If you want a fun, high-energy solo, go for tap, jazz, or hip hop. When auditioning for a traditional ballet company, select classical music or a piece that you would commonly dance to in your ballet classes. If you will perform the dance solo at a social or community event, choose music that will appeal to audience members. Try to pick a song that you would enjoy listening and dancing to. Some contemporary dances are performed to recitation of words, or in the case of a step dance, you would create your own music through clapping and stomping. Choreographing and then practicing a dance solo will take time and effort. Set aside an amount of time to work on your routine. You can practice for an hour five days or just a few days a week. Begin working on your routine early enough so that you will feel comfortable with your solo by performance time. Beginning your solo a couple of months ahead of performance time is ideal. The best place to practice is at a dance studio. If you are a member of a dance studio, ask if you can use the space for practice time. Some studios will allow you to rent the space for practice even if you aren't a member. Practicing in a place with clean, hard floors is okay if you don't have a studio available to you. You should only practice on vinyl or hardwood floors if you are dancing in pointe shoes. If you're not dancing in a studio space, make sure the floor will not damage your dancing shoes.
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One-sentence summary --
Adjust the solo to your intended audience. Choose your form of dance. Select appropriate music. Plan practice time. Designate a place to practice.