In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: " saving silverman " is a good example of a good comedy gone bad
.
as a love story it is good , however as a comedy
it falls flat on it 's face
.
i think throughout the short 90 minutes i laughed a total of seven times . . .
and those were just chuckles at the most !
the movie does n't have the oomph to make it a great movie , and does n't have the script to make it a funny movie .
wayne lefessier ( steven zahn ) ,
j .
d .
mcnugent
( jack black ) , and darren silverman ( jason biggs ) have grown up all their lives together , they have been best friends forever and vow to stay close till the end .
while in a bar after doing a show with their band , based on their love of neil diamond , darren meets a young woman named judith ( amanda peet ) whom he instantly falls for .
wayne and j .
d . however think differently and when judith tells darren that he can never see his friends again
, it 's up to wayne and
j . d . to try and begin saving silverman .
the performances are topnotch and
surprisingly , they are what keep the movie afloat .
jason biggs right off the flop " loser " does an ok job playing silverman , but he is stale and flat at times .
steve zahn is perfect in the role of wayne lefessier , and even though the movie is about silverman , lefessier is really the main character and the narrator of the movie itself .
jack black is well jack black , and he does an all right job as j .
d .
but he is n't as funny as he has been in the past .
amanda peet plays the ultimate bitch as judith , and neil diamond plays neil diamond ( he 's better at singing than acting ) .
anyway the performances in the film are good , but it 's too bad the script is n't .
speaking of script , hank nelkan 's choppy script is not only badly written , but not funny enough even for an episode of sesame street .
the trailer for the movie , as with most movies gives away everything that happens in the movie , especially the funniest parts .
somewhere " saving silverman " was meant to be a good movie , and it could have been , but alas in the end it was n't .
dennis dugan 's direction is all right , he adds a few directorial touches here
and there , nothing special being a simple comedy .
" saving silverman " is a perfectly bad movie in more ways than one .
it has a great cast , a good director and a sweet story .
. .
it 's just too bad
it has a bad script and is all together a bad movie .
Example Output: N

Example Input: in double jeopardy , the stakes are high .
think of the plot as a rehash of sleeping with the enemy , and then rearrange the details and the gender of the stalker .
the finished product , although able to maintain the viewer 's attention , is
a predictable and unexciting thriller with an idiotic script .
' alex , i 'll take homicide for $ 400 . . . '
libby parsons ( ashley judd ) is a happily married mom leading a normal life .
one night , her husband nick ( bruce greenwood ) takes her out for a romantic escape on a sailboat .
libby awakens in the middle of the night to find she is covered in blood and nick has strangely disappeared .
she follows a trail of bloody footprints up to the deck , where she handles a fallen knife ( like any stupid character ) and is spotted by the coast guard , who are responding to a distress signal sent earlier in the evening .
nick is presumed dead , and although she pleads her innocence , libby is tried and convicted for the murder of her husband .
now , please do n't think i 'm spoiling any vital plot details , because the informative trailer has already spilled most of the beans . if you have n't seen this preview , do n't read any further .
but seriously , the inane screenplay by douglas
weisberg and douglas s
.
cook is so elementary that the average viewer will be two or three steps ahead of the characters .
during the most vital scenes in the movie , i was anticipating every twist or ' surprise ' that eventually popped up on the screen .
i imagine the writers presume their core audience for double jeopardy is a very naive group of individuals .
most , unfortunately , will be too distracted by the moronic plot to appreciate the few positive aspects of the production .
one is tommy lee jones , who plays travis lehman , a parole officer given the tedious task of watching over libby after she serves her sentence in prison .
jones is always wonderful as an authority figure , and he 's certainly familiar with this sort of role ( as he played so well in the fugitive and us marshals ) .
judd , as a likable heroin with gusto , also has a chance to flex her acting abilities .
while emotionally unconvincing , the actress is tremendously fun in her juvenile role , perking up the movie like an injection of anti - depressant .
the actors , and their relationship together , present the one - two punch that prevents double jeopardy from derailing itself entirely .
and now , back to the plot .
while behind bars , libby learns an interesting little bit of information : a person ca n't be convicted of the same crime twice .
this law , called ' double jeopardy ' , could be her motive for hunting down her husband .
.
. who may still be alive .
yes , you heard right .
the movie degenerates into a cross - country chase , where everything you expect to happen . . .
does .
the final scenes , which could have redeemed the film , are poorly handled by director bruce beresford - whose previous work centers highly around drama ( driving miss daisy , paradise road ) .
ironically , it is those elements - like the driving force of libby to reunite with her son - that do n't quite work here .
at least double jeopardy is paced well enough to satisfy diehard fans of the two stars .
unfortunately , jones lacks some of the edge that he had as sam gerard in the fugitive , and the real depth of his character is only skin deep .
but he and ashley judd are more than welcome considering the material , and both have some memorable comic moments .
judd , in particular , has a hilarious scene in which she wards off an oncoming male by explaining she has to check in with her ' parole officer ' .
hmmm .
. .
perhaps this would have made a good comedy .
it is disappointing , because there are the makings of a competent action film here .
it 's nicely shot and choreographed in downtown vancouver , and will entertain those who are n't turned off by the woeful story - line .
?
tis a shame that double jeopardy is an adult thriller that would n't fool most children .
Example Output: N

Example Input: how could a g - rated disney film based on meg cabot 's novel " the princess diaries " be anything but cute , harmless fun ?
easy .
take all the cute , harmless fun out of it .
and while you 're at it make it borrr - ring .
that 's what director garry marshall , screenwriter gina wendkos and , not to be outdone , producer whitney houston have done with the g - rated disney film " the princess diaries .
"
you could n't tell it from the audience though , a braintree , mass .
of growing , glowing pre - pubescent girls ( and the odd parental , popcorn perched about their persons ) , who positively cheered when the end credits rolled ( ah the film had struck a lovely nerve with them but not with fuddy - duddy old me ) .
well , i might have cheered that the utter tripe was now well and truly over , but that would have been too obvious .
too obvious is the least of the problems with marshall 's film ( garry made a couple of other " princess " movies-- " pretty woman " and " runaway bride
" --but this one 's way without julia roberts
so maybe
*
that 's * its problem ) .
in addition to being predictable as molasses , " the princess diaries " has hardly got a laugh in it
( it 's a comedy ) , could bore the pants off an abyssinian for long , long stretches , and is so sloppily edited the principals refer to scenes we have n't even seen yet ( and probably never will except , perhaps , in the dvd edition ) .
marshall should take virtually all of the blame here , since he 's been at this for some time and should know when a scene or two is n't working . . .
and hardly
* any * of " the princess diaries " works ( " works , " alas , implies cleverness and there 's none of that here either ) .
newcomer anne hathaway stars as mia thermopolis , a bright but socially invisible san franciscan teen who learns that her single mom ( a wacky artist played by the likable caroline goodall ) had a bit of a fling with some royal member of some miniscule european country nobody ever heard of ( the filmmakers go out of their way
* not * to call it serbia , which is pretty much what all miniscule
european countries are called in the movies mark my words ) and now she , mia , is next in line to rule " genovia " ( hence the headphones / tiara combo in the print ads ) .
julie andrews , with the luminous factor cranked to 11 , plays mia 's grandmother ( aka queen clarisse renaldi ) , who shows up out of the royal blue and lends mia much advice and direction in the eating , talking , and looking like a princess department ( although mia 's big makeover simply transforms her from ugly duckling to ugly swan ) .
does queen julie lose her dignity for the sake of a good laugh ?
not really .
consuming a corn dog is about the worst that it gets .
also on stereotypical hand are a brainless jock , an evil cheerleader , a dorky - looking best friend ( " welcome to the dollhouse " 's heather matarazzo ) , a sensitive auto mechanic / musician , and marshall mainstay hector elizondo as joe the driver , imparting wit and wisdom from the front seat of mia 's chauffeur - driven limousine at every intersection .
a non - animated g - rated movie is a rarity these days but the rating here reflects the fact that all the guts , all the good stuff , has been exorcised from the finished product .
lame , labored , and lamentable
, " the princess diaries " is recommended for eight - and - a - half year olds of the feminine persuasion * only * ; all others would do well to avoid it
( like potholes , the plague , and " the perfect storm " ) .
Example Output:
N