The following article contains an answer for the question: What is the name of the orchestra to whose funds Bould always contributed his share of the recording fees? , can you please find it? In 1952 the LPO negotiated a five-year contract with Decca Records, which was unusually rewarding for the orchestra, giving it a 10 per cent commission on most sales. On top of this, Boult always contributed his share of the recording fees to the orchestra's funds. In the same year, the LPO survived a crisis when Russell was dismissed as its managing director. He was an avowed member of the Communist party; when the cold war began some influential members of the LPO felt that Russell's private political affiliations compromised the orchestra, and pressed for his dismissal. Boult, as the orchestra's chief conductor, stood up for Russell, but when matters came to a head Boult ceased to protect him. Deprived of that crucial support, Russell was forced out. Kennedy speculates that Boult's change of mind was due to a growing conviction that the orchestra would be "seriously jeopardized financially" if Russell remained in post. A later writer, Richard Witts, suggests that Boult sacrificed Russell because he believed doing so would enhance the LPO's chance of being appointed resident orchestra at the Royal Festival Hall.In 1953 Boult once again took charge of the orchestral music at a coronation, conducting an ensemble drawn from UK orchestras at the coronation of Elizabeth II. During the proceedings, he conducted the first performances of Bliss's Processional and Walton's march Orb and Sceptre. In the same year he returned to the Proms after a three-year absence, conducting the LPO. The notices were mixed: The Times found a Brahms symphony "rather colourless, imprecise and uninspiring", but praised Boult and the orchestra's performance of The Planets. In the same year the orchestra celebrated its 21st birthday, giving a series of concerts at the Festival Hall and the Royal Albert Hall in which Boult was joined by guest conductors including Paul Kletzki, Jean Martinon, Hans Schmidt-Isserstedt, Georg Solti, Walter Susskind and Vaughan Williams.In 1956 Boult and the LPO visited Russia. Boult had not wished to go on...
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Answer: LPO
Q: The following article contains an answer for the question: What is the last name of the person whose threat was thought to be a joke? , can you please find it? Sometime after 4 p.m. on December 6, 1989, Marc Lepine arrived at the building housing the Ecole Polytechnique, an engineering school affiliated with the Universite de Montreal, armed with a semi-automatic rifle and a hunting knife. Lepine purchased a rifle on November 21, 1989, in a Checkmate Sports store in Montreal. He had told the clerk that he was going to use it to hunt small game. Lepine had been in and around the Ecole Polytechnique building at least seven times in the weeks leading up to December 6. Lepine first sat in the office of the registrar on the second floor for a while. While there, he was seen rummaging through a plastic bag. He did not speak to anyone, even when a staff member asked if she could help him. Lepine left the office and was subsequently seen in other parts of the building before entering a second-floor mechanical engineering class of about sixty students at about 5:10 p.m. After approaching the student giving a presentation, he asked everyone to stop everything and ordered the women and men to opposite sides of the classroom. No one moved at first, believing it to be a joke until he fired a shot into the ceiling.Lepine then separated the nine women from the approximately fifty men and ordered the men to leave. He asked the remaining women whether they knew why they were there, and when one student replied "no," he answered: "I am fighting feminism." One of the students, Nathalie Provost, said, "Look, we are just women studying engineering, not necessarily feminists ready to march on the streets to shout we are against men, just students intent on leading a normal life." Lepine responded, "You're women, you're going to be engineers. You're all a bunch of feminists. I hate feminists." He then opened fire on the students from left to right, killing six, and wounding three others, including Provost. Before leaving the room, he wrote the word shit twice on a student project.Lepine continued into the second-floor corridor and wounded three students before entering another room where...
A: Lepine
The following article contains an answer for the question: Who was Dick Grayson's mentor? , can you please find it? While no cohesive plot is apparent from the vignette style of the trailer, it can be pieced together that Batman has been murdered, and his killer remains at large. Dick Grayson is long since retired from his superhero days and raising a family with to his wife Barbara Gordon. After his former mentor's death, however, he decides to resume his crime-fighting days as Robin. Remarkably, Grayson does not take up the Nightwing identity. The filmmakers said they chose this because many people outside the comic book community are unfamiliar with Nightwing and they wanted to appeal to a wider audience.Commissioner Gordon is aware of Grayson's secret identity and assists him by supplying official documents. In addition, Gordon provides the voiceover narration at the beginning of the trailer. The head of the investigation into Batman's death is indicated to be Chief O'Hara, a character from the 1960's Batman TV series, who apparently also knows Grayson's identity (noting that Grayson's "crimefighting days are over") His role is suspicious since he strongly wants Grayson to not become involved, even to the point of aligning with Selina Kyle/Catwoman to eliminate Robin and shouting at reporter Clark Kent that he wants "him [presumably Grayson] out of the equation!" O'Hara is also seen rolling up his sleeves, preparing to assault an angry captive Gordon. Grayson is aware of Superman's secret identity; he addresses him as "Clark". Superman apparently is also motivated (obviously from O'Hara) to discourage Grayson's return to crimefighting and three angry confrontations between the characters are shown, in and out of costume. Grayson is also angered to violence by the sight of a Superman comic book, suggesting a strongly negative history between the two. Other comic books also appear of characters from the film, including Wonder Woman and Catwoman. Fiorella used his own comic book collection for this scene.
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Answer:
Batman