Question: Read the following context and answer the question. Context: A confession: I quietly love flying. This year, I've done 163,581 miles of it. I love that when you fly a lot, the airport social media staff say 'hello' on Twitter when you arrive and the cabin crew on your home route (or even on the Brisbane-Dubai non-stop route) recognise you from last time. I like getting great service, and see so many things about systems-thinking that work well in airlines, that I'm happy to forgive small indiscrepancies when they occur. All that said, flying strangles our planet as much as eating too much red meat, and for many, many reasons, I've wanted to stop flying quite so much, while not restricting the spread and growth of the ideas from our firm, NoTosh. I'm quite sure that nobody reading this blog really cares about how much I travel, but keeping an annual count on it has become a new year habit. When I started working at Channel 4, and then continuing when I created NoTosh, I wanted to keep track of what seemed like an interminable number of miles on the road and in the air. By 2012, 2013 and last year, I was beginning to wonder if I'd ever be able to get the number of miles down when they seemed to represent even more trips to the moon and back each and every year. When you run a company based in Edinburgh with a great team living in Melbourne, you could easily spend your life on a plane - one flying to Melbourne feels better than two or more flying to Edinburgh. Indeed, in 2012, 2013 and 2014 it felt like I really did spend my life on a plane, as I went to the moon and back in my annual travel, with anything up to seven trips a year to Australia. Question: How long did it take for the author to create NoTosh? Answer:
OPTIONS:
- not enough information
- less than a day
- a few months
- about five minutes
Answer: a few months

input with options: Read the following context and answer the question. Context: Ironically, J. Paul Getty never saw the Getty Villa. He died two years after his museum opened to the public in January 1974 in a new building modeled on an ancient Roman luxury home. It was not until after Getty's death in June 1976 that he returned from his estate in England to his "ranch" on the Pacific Coast: he is buried there at the edge of the property on a private plot overlooking the ocean, alongside his eldest and youngest sons, George and Timothy, both of whom predeceased him. Following a renovation and reinstallation of the galleries, the Getty Villa opens a new chapter in its history. Although Getty never set eyes on his creation, the story of how he built the Villa and assembled his collection pervades the galleries even today. A suite of revamped roomsGalleries 105 to 108share this history. Featuring ancient works of art Getty bought himself along with archival documents, the new displays place the objects in their cultural contexts and shed light on Getty's personal relationship to his museum and final resting place. From a Ranch House to an Ancient Villa Getty bought the 64-acre ranchonce part of the Rancho Boca de Santa Monica, an early-nineteenth-century 6,656-acre Mexican land grantjust after the end of World War II, intending it as a weekend retreat where his fifth wife Theodora ("Teddy") could ride horses and he could display his growing art collection. He knew the area well, for he already owned a small house on the beach in nearby Santa Monica, just steps from the sprawling complex his friend and rival collector William Randolph Hearst had built for the actress Marion Davies. (The Davies estate is now the Annenberg Community Beach House, while Getty's beach house has been replaced by a large modern condo complex, 270 Palisades Beach Road.) Question: What did Getty buy that was part of a Mexican land grant just after WWII? Answer:
OPTIONS:
- a 64 acre ranch once part of Rancho Boca De Santa Monica
- a 24 acre farm in Venice
- a 2 acre farmhouse in New Mexico
- not enough information
output: a 64 acre ranch once part of Rancho Boca De Santa Monica

Q: Read the following context and answer the question. Context: Jason had been sitting alone at his table, staring at the tall, platinum blonde for an hour. His imagination ran wild with thoughts of kissing her full lips while his hands explored her lean, muscled body. Tonight he didn't need the whiskey to warm him up. But he kept drinking it anyway. She stepped away from the mike, sat her acoustic guitar on its stand, and walked down from the small stage. Jason beat all the other losers to the bar and sat down beside her. "You must be pretty thirsty after all that beautiful singing." How many times had she heard that line? But at age 33, she'd probably heard every pickup line known to man. "Yeah," she said, giving him a quick glance. He wasn't a bad looking guy. Probably a couple of inches shorter than her. At six-foot-two, she was accustomed to that. But a lot of men couldn't deal with her height. They liked to be the tall one in the relationship. Not that she'd had many relationships. Mostly one-nighters. Without her saying a word, the bartender sat a glass of ice down in front of her, and poured her a can of Diet Coke. "Thanks, Joe." She took a sip as he walked away. "I'm Jason." "Sondra," she said, looking straight ahead as she took another sip. "I really enjoyed your music--especially that last song. Did you write it yourself?" "Yeah." "Wow. It was sad, but moving. You've got talent." Here we go, she thought. And I suppose you're a talent agent or a record producer, or you've got a friend in the business. And you'd be more than happy to get me a record deal--assuming I'd be willing to go with you right now to some sleazy motel. "I'm sick of this business. In fact, you just heard my last performance. First thing Monday morning I'm going out to find me a real job. One that will pay the bills." Question: Sondra talked to Jason: Answer:

OPTIONS:
- after she left the stage
- not enough information
- while on stage
- before getting on stage

A:
before getting on stage