Problem: Coming off their come-from-behind win over the Dolphins, the Broncos traveled to Arrowhead Stadium for an AFC West rematch with the Kansas City Chiefs. The Broncos jumped out to a 14-0 lead on their first two possessions in the first quarter, with quarterback Peyton Manning throwing a pair of touchdown passes a 23-yarder to wide receiver Demaryius Thomas and a 15-yarder to running back C. J. Anderson. A 22-yard field goal by placekicker Connor Barth increased the Broncos' lead to 17-0 early in the second quarter. The scoring play occurred after the Broncos' special teams fooled the Chiefs with a fake punt run by safety David Bruton and a fourth-down conversion by Anderson. The Chiefs got on the scoreboard later in the second quarter, with quarterback Alex Smith connecting on a 20-yard touchdown pass to tight end Anthony Fasano. The Broncos' offense subsequently marched down the field, but had to settle on a 24-yard field goal by Barth just before halftime. The Chiefs' defense forced a fumble off Manning deep in Broncos' territory on the Broncos' first possession of the second half, but had to settle on a 39-yard field goal by placekicker Cairo Santos. Barth added two more field goals a 30-yarder midway through the third quarter and a 33-yarder early in the fourth quarter to increase the Broncos' lead to 26-10. The first field goal came after a DeMarcus Ware interception of Smith on a deflected pass, while the second field goal came after Chiefs' cornerback Marcus Cooper muffed a punt. The Chiefs narrowed the Broncos' lead, with Smith throwing a 12-yard touchdown pass to running back Jamaal Charles. However, Broncos' safety T. J. Ward knocked away a two-point conversion pass from Smith intended for Fasano that would have brought the Chiefs to within a one-score deficit. Barth added one more field goal a 37-yarder midway through the fourth quarter. The Broncos' defense subdued the Chiefs for the remainder of the game. With the win, the Broncos swept the Chiefs for a third consecutive season. Peyton Manning improved his personal record to 11-1 all-time in games against the Chiefs.
Answer this question based on the article: Which quarterback had more passing yards?
A: Peyton Manning

Problem: Franz Claasen, a loyal slave of the van Stell family, was deeded the Mary Point Estate for alerting the family to the rebellion and assisting in their escape to St. Thomas. Franz Claasen's land deed was recorded August 20, 1738, by Jacob van Stell, making Claasen the first 'Free Colored' landowner on St. John. Denmark ended the African slave trade in the Danish West Indies on January 1, 1803, but slavery continued on the islands. When the British emancipated their slaves in the British West Indies in 1838, slaves on St. John began escaping to nearby Tortola and other British islands. On May 24, 1840, eleven slaves from St. John stole a boat and escaped to Tortola during the night. The eight men , and three women were from the Annaberg plantation and ten Leinster Bay estates. Brother Schmitz, the local Moravian missionary, was sent to Tortola by the St. John police to persuade the slaves to return. After meeting with the Tortola officials and the runaway slaves, Schmitz returned to St. John to relay the slaves' resolve to stay away because of abusive treatment by the overseers on the plantations. After planters replaced those overseers, Charles Bryan, his wife Katurah, and James Jacobs returned to work at Leinster Bay. Kitty, Paulus, David, and Adam moved to St. Thomas. Henry Law, Petrus, and Polly stayed on Tortola. John Curry relocated to Trinidad. None of the runaway slaves were punished. Slaves and free blacks petitioned the colonial government and Denmark to abolish slavery. On July 3, 1848, 114 years after the slave insurrection, enslaved Afro-Caribbeans of St. Croix held a non-violent, mass demonstration seeking abolition of slavery. The Governor-General da:Peter von Scholten declared emancipation throughout the Danish West Indies.
Answer this question based on the article: How was Franz Claasen rewarded?
A: deeded the Mary Point Estate

Problem: Beginning from the early 1920s composers of both contemporary and popular music wrote for the musical saw. Probably the first was Dmitri Shostakovich. He included the musical saw, e.g., in the film music for The New Babylon (1929), in The Nose (opera) (1928), and in Lady Macbeth of the Mtsensk District (opera) (1934). Shostakovich and other composers of his time used the term "Flexaton" to mark the musical saw. "Flexaton" just means "to flex a tone"the saw is flexed to change the pitch. Unfortunately, there exists another instrument called Flexatone, so there has been confusion for a long time. Aram Khachaturian, who knew Shostakovichs music included the musical saw in his Piano Concerto (Khachaturian) (1936) in the second movement. Another composer was the Swiss Arthur Honegger, who included the saw in his opera Antigone (Honegger) in 1924 . The Romanian composer George Enescu used the musical saw at the end of the second act of his opera dipe (opera) (1931) to show in an extensive glissandowhich begins with the mezzo-soprano and is continued by the sawthe death and ascension of the sphinx killed by Oedipus. The Italian composer Giacinto Scelsi wrote a part for the saw in his quarter-tone piece Quattro pezzi per orchestra (1959). German composer Hans Werner Henze took the saw to characterize the mean hero of his tragical opera Elegy for young lovers (1961). Other composers were Krysztof Penderecki with Fluorescences (1961), De natura sonoris Nr. 2 (1971) and the opera Ubu Rex (1990), Bernd Alois Zimmermann with Stille und Umkehr (1970), George Crumb with Ancient voices of children (1970), John Corigliano with The Mannheim Rocket (2001). Chaya Czernowin used the saw in her opera "PNIMA...Ins Innere" (2000) to represent the character of the grandfather, who is traumatized by the Holocaust. There are Further Leif Segerstam, Hans Zender (orchestration of "5 preludes" by Claude Debussy), Franz Schreker (opera Christophorus) and Oscar Strasnoy (opera Le bal). Russian composer Lera Auerbach wrote for the saw in her ballet The Little Mermaid (2005), in her symphonic poem Dreams and Whispers of Poseidon (2005), in her oratorio "Requiem Dresden Ode to Peace" (2012), in her Piano Concerto No.1 (2015), in her comic oratorio The Infant Minstrel and His Peculiar Menagerie (2016) and in her violin concerto Nr.4 "NyX Fractured dreams" (2017).
Answer this question based on the article: How many films did Dmitri Shostakovich include the musical saw in?
A:
3