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As white settlers began populating Montana from the 1850s through the 1870s, disputes with Native Americans ensued, primarily over land ownership and control. In 1855, Washington Territorial Governor Isaac Stevens negotiated the Hellgate treaty between the United States Government and the Salish, Pend d'Oreille, and the Kootenai people of western Montana, which established boundaries for the tribal nations. The treaty was ratified in 1859. While the treaty established what later became the Flathead Indian Reservation, trouble with interpreters and confusion over the terms of the treaty led whites to believe that the Bitterroot Valley was opened to settlement, but the tribal nations disputed those provisions. The Salish remained in the Bitterroot Valley until 1891.

What year was the Hellgate treaty formed?
Answer: 1855
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The distinctive characteristic of French cathedrals, and those in Germany and Belgium that were strongly influenced by them, is their height and their impression of verticality. Each French cathedral tends to be stylistically unified in appearance when compared with an English cathedral where there is great diversity in almost every building. They are compact, with slight or no projection of the transepts and subsidiary chapels. The west fronts are highly consistent, having three portals surmounted by a rose window, and two large towers. Sometimes there are additional towers on the transept ends. The east end is polygonal with ambulatory and sometimes a chevette of radiating chapels. In the south of France, many of the major churches are without transepts and some are without aisles.

How many towers are typically found on the west front of French cathedrals?
Answer: two large towers
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The "standard complement" of double winds and brass in the orchestra from the first half of the 19th century is generally attributed to Beethoven. The exceptions to this are his Symphony No. 4, Violin Concerto, and Piano Concerto No. 4, which each specify a single flute. The composer's instrumentation usually included paired flutes, oboes, clarinets, bassoons, horns and trumpets. Beethoven carefully calculated the expansion of this particular timbral "palette" in Symphonies 3, 5, 6, and 9 for an innovative effect. The third horn in the "Eroica" Symphony arrives to provide not only some harmonic flexibility, but also the effect of "choral" brass in the Trio. Piccolo, contrabassoon, and trombones add to the triumphal finale of his Symphony No. 5. A piccolo and a pair of trombones help deliver "storm" and "sunshine" in the Sixth. The Ninth asks for a second pair of horns, for reasons similar to the "Eroica" (four horns has since become standard); Beethoven's use of piccolo, contrabassoon, trombones, and untuned percussionplus chorus and vocal soloistsin his finale, are his earliest suggestion that the timbral boundaries of symphony should be expanded. For several decades after he died, symphonic instrumentation was faithful to Beethoven's well-established model, with few exceptions.

PIccolo, contrabassoon, and trombones add to the triumphal finales of what piece by Beethoven?
Answer:
Symphony No. 5