"Whereas their Majesties have been Graciously Pleased to grant Letters patent to John Lofting of London Merchant for a New Invented Engine for Extinguishing Fires which said Engine have found every great encouragement. The said Patentee hath also projected a Very Useful Engine for starting of beer and other liquors which will deliver from 20 to 30 barrels an hour which are completely fixed with Brass Joints and Screws at Reasonable Rates. Any Person that hath occasion for the said Engines may apply themselves to the Patentee at his house near St Thomas Apostle London or to Mr. Nicholas Wall at the Workshoppe near Saddlers Wells at Islington or to Mr. William Tillcar, Turner, his agent at his house in Woodtree next door to the Sun Tavern London."
What location did John Lofting live near?
St Thomas Apostle London

The city also had a large class of free people of color. By 1860, 3,785 free people of color were in Charleston, nearly 18% of the city's black population, and 8% of the total population. Free people of color were far more likely to be of mixed racial background than slaves. Many were educated, practiced skilled crafts, and some even owned substantial property, including slaves. In 1790, they established the Brown Fellowship Society for mutual aid, initially as a burial society. It continued until 1945.
What percentage of Charleston's black population were free people of color?
18%

By 1976, Queen were back in the studio recording A Day at the Races, which is often regarded as a sequel album to A Night at the Opera. It again borrowed the name of a Marx Brothers movie, and its cover was similar to that of A Night at the Opera, a variation on the same Queen Crest. The most recognisable of the Marx Brothers, Groucho Marx, invited Queen to visit him in his Los Angeles home in March 1977; there the band thanked him in person, and performed "'39" a cappella. Musically, A Day at the Races was by both fans' and critics' standards a strong effort, reaching number one in the UK and Japan, and number five in the US. The major hit on the album was "Somebody to Love", a gospel-inspired song in which Mercury, May, and Taylor multi-tracked their voices to create a 100-voice gospel choir. The song went to number two in the UK, and number thirteen in the US. The album also featured one of the band's heaviest songs, May's "Tie Your Mother Down", which became a staple of their live shows.
Which heavy Queen song is a favorite at live shows?
Tie Your Mother Down