input: Wang's contract with Decca Records was terminated after the release of his fourth album White Paper in the summer of 1997. After graduating with honors at Williams College, he released his first award-winning album Revolution under Sony Music Entertainment in August 1998. The album became his breakthrough album, immediately selling over 10,000 domestic units in the first week of release. Critics rated the album highly, and it won Wang two Golden Melody Awards--Best Producer and Best Mandarin Male Singer. He was the youngest artist to win in either of the two categories. Wang has been nominated the Best Mandarin Male Singer at the awards every year since the success of Revolution. The singles of Revolution also achieved similar success-"Revolution" became Wang Leehom's first No. 1 single, becoming one of the top 20 songs of the year on Channel V Taiwan. He continued his studies by attending Berklee College of Music's Professional Music program, with voice as his principal instrument. In 1999, Wang released his sixth album Impossible to Miss You, which combined the catchy pop melodies of Revolution with a quirky style of new-found dance-pop. It became his then best-selling album, selling over 1 million copies. All of the album's promotional singles topped KTV charts and yearly music charts, including the upbeat "Julia" and the ballad "Crying Palm". His album also attracted international attention-Wang won three Best Male Vocalist awards at three different award ceremonies and was also awarded for his musical merit in the album at the 1st annual Asia Chinese Music Awards. At the beginning of the millennium, Wang began filming for several Cantonese-language Hong Kong blockbusters, which inspired him to study the Cantonese language. He included a Cantonese track, "Love My Song," in the Hong Kong release of Forever's First Day (2000), his seventh album. Unlike his previous two albums, Forever's First Day consisted mainly of melodic R&B tunes. The album's eponymous single is a tragic romantic ballad, speaking of a separation of two individuals. Although raised in New York for most of his life, living in Taiwan made Wang realize the deep roots of his Chinese heritage. Forever's First Day yielded a cover of his uncle's signature song "Descendants of the Dragon"; Wang re-arranged the song with heavier rock and dance elements. The song also included a rap bridge that summarized experiences of his parents living as a Chinese American in New York.

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Question: The Bee Gees were a pop music group formed in 1958. Their lineup consisted of brothers Barry, Robin, and Maurice Gibb. The trio were successful for most of their decades of recording music, but they had two distinct periods of exceptional success: as a popular music act in the late 1960s and early 1970s, and as prominent performers of the disco music era in the mid-to-late 1970s. The group sang recognisable three-part tight harmonies; Robin's clear vibrato lead vocals were a hallmark of their earlier hits, while Barry's R&B falsetto became their signature sound during the mid-to-late 1970s and 1980s.

At Eric Clapton's suggestion, the brothers moved to Miami, Florida, early in 1975 to record. After starting off with ballads, they eventually heeded the urging of Mardin and Stigwood, and crafted more dance-oriented disco songs, including their second US No. 1, "Jive Talkin'", along with US No. 7 "Nights on Broadway". The band liked the resulting new sound. This time the public agreed by sending the LP Main Course up the charts. This album included the first Bee Gees songs wherein Barry used falsetto, something that would later become a trademark of the band. This was also the first Bee Gees album to have two US top-10 singles since 1968's Idea. Main Course also became their first charting R&B album. On the Bee Gees' appearance on The Midnight Special in 1975, to promote Main Course, they sang "To Love Somebody" with Helen Reddy. Around the same time, the Bee Gees recorded three Beatles covers--"Golden Slumbers/Carry That Weight", "She Came in Through the Bathroom Window" with Barry providing lead vocals, and "Sun King" with Maurice providing lead vocals, for the unsuccessful musical/documentary All This and World War II. The next album, Children of the World released in September 1976, was drenched in Barry's new-found falsetto and Weaver's synthesizer disco licks. Mardin was unavailable to produce, so the Bee Gees enlisted Albhy Galuten and Karl Richardson, who had worked with Mardin during the Main Course sessions. This production team would carry the Bee Gees through the rest of the 1970s. The first single from the album was "You Should Be Dancing" (which features percussion work by musician Stephen Stills). The song pushed the Bee Gees to a level of stardom they had not previously achieved in the US, though their new R&B/disco sound was not as popular with some die hard fans. The pop ballad "Love So Right" reached No. 3 in the US, and "Boogie Child" reached US No. 12 in January 1977. The album peaked at No. 8 in the US. A compilation Bee Gees Gold was released in November, containing the group's hits from 1967 to 1972.

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Barry used falsetto, something that would later become a trademark of the band.