Problem: This review is like what?

Review:An unusually straight-faced actioner played by a cast and filmed by a director who obviously took the material seriously. Imperfect, as is to be expected from a film clearly shot on a tight budget, but the drama is involving-- it's one of those films that when it gets repeated ad nauseum on Cinemax 2 or More Max or whatever they call it, you end up watching 40 minute blocks when you're supposed to be going to work. Along W/ "Deathstalker 2", "Chopping Mall", and "The Assault", a reminder that Wynorski is a much more talented director than many of his fellow low-budget brethern, who has a real ability to pace a genre film, when he actually's interested in the material (i.e., don't bother watching any of his Shannon Tweed flicks with a 3 or a 4 after the title!) Actors who've had too little to do recently (Mancuso, Ford, even Gary Sandy for chrissakes) really put their all into some of their best roles in years -- as for Grieco, he has the right look, although his acting is a bit one-note -- it's clear his character is supposed to be self-destructing throughout the film, but Grieco doesn't quite convey it. I checked IMDB and I see the writer also wrote "Sorority House Massacre 2" & "Dinosaur Island" for the director -- both minor classics in their own rights, but obviously "silly" Roger Cormon-like Cinema -- this one's more like some of the better Jonathan Demme and Jonathan Kaplan B-pictures of the 70's -- giving you the exploitation element but offering involving drama at the same time -- a real step forward. Not "Citizen Kane," and the comic final moments are a bit disruptive, but a well-written, character-driven above-average straight-to-video actioner. Small achievements like this should not be overlooked when they come along, which is rare enough (as I was reminded as I tried to sit through an Albert Pyun monstrosity called "Heatseeker" the other night -- this low-budget stuff isn't as easy as it looks -- but that's another story!)
+++++++++
A: positive

Problem: This review is like what?

Review:I'm going to review the 2 films as a whole because I feel that is how it should be considered, and watched. When I talk about 'the film' I am talking about parts 1 & 2 together when watched one after the other, as they should be.

Thank you Jon Anderson, Steven Soderbergh & Benicio Del Toro.

This film is a refreshing, bold, gritty and true film. And, it hearkens a new style of film making. No Faux drama. No Swelling sound track. Not Faux Documentary style. Just clean shots and an attempt to stick to the facts. I have been reading Jon Anderson's "Che Guevara: A Revolutionary Life" and recently finished Fidel's Auto biography, and this had helped my ability to soak this film in properly. But I have to say that it is Jon Anderson's exhaustive, penultimate and wonderful biography that has given this film the proper historical back bone. Anderson was consultant on this film (or these 2 films). What makes this film a true thing is that it is clean. No swelling music or slow-motion photography to heighten drama, and even more importantly; no fake documentary shaky camera. Just square shots and straight forward shooting style. The type of camera used makes you feel right there in the jungle. Benicio Del Toro should be given full honors for this, I never doubted him as Che throughout the film... not once. He did a wonderful job and I will respect him for ever for this. Some people complain that the film only deals with 2 slices of his life and not the whole. But I think this is one of the true beautiful aspects of this film: it doesn't try to be everything. It doesn't try to 'tell the story'. A person's life is too multifaceted to try and tell in 2, 4, 8, 16 or 32 hours. This is one of the subtle beauties of this film, it resists that temptation, and stays focused on the intent of letting us GET A FEEL FOR CHE, HIS DEVELOPING MILITARISTIC MIND AND THE FORCES AROUND HIM. It focuses on 3 slices of time: The Battle to over throw Batista, Che's U.N. speech and the Gorilla preparations in Bolivia. "Motorcycle Diaries" already told his young man side, and I applaud S. Soderbergh for focusing on other aspects instead. I keep referring to Jon Anderson's book and the film stays true. The only weak link for me are the casting (not the performance) of Matt Damon. In a film so loaded with true to life performances, an American, (Matt Damon) playing a Bolivian is a clunky stretch - he does well, but after so much care in the casting, this was an over-site. Small and completely forgiven. The reality that the rest of the casting gives you, and most notably Benicio Del Toro's amazing job, put's this film at the top of my list.

The fact that this film went almost straight to video say's something about how the cold war ethics that would never allow the 'revolutionized Cuba' to become what it might have, are still at work keeping it's story quiet. If not out of clandestine muffling, then out of the effects of properly done propaganda that has prejudiced this topic.

This is a must see film, and Jon Anderson's "Che Guevara: A Revolutionary Life" is a must read if you want to start to get a grasp of the early effects on the global mind set regarding the expansion of international / political financial chess moves of the 40's, 50's & 60's that placed unfair pressure on our South American neighbors, and the effects it fostered.
+++++++++
A: positive

Problem: This review is like what?

Review:This is very nearly a perfect film. The ideas would be repeated by Mamet, but never told so succinctly. This is really about the failure of trust, of the human condition. The film weaves the idea that we are all criminals, no one is innocent. Is there anyone alive today who hasn't seen this play out in our own society, every single day? The film is very much structured like a Hitchcock thriller. Except, there are no more innocent characters. The world is now completely polluted, ruined and everyone is participating in the con. Could anything be more true?

Don't miss the soundtrack. It is wonderful.
+++++++++
A: positive

Problem: This review is like what?

Review:This is a great movie that everyone should see. It plays like a Dean Koontz book.

Bill Paxton's performance was great in that it really seems like he believes in what he is saying and doing.

I don't know why viewers have to read in some kind of advocacy for religious murder in to the film. It is fiction. The ending is surprising, but fictional. So what? I think that is what makes this movie so good. SPOILER DO NOT READ FURTHER IF YOU HAVENT SEEN THE MOVIE. Throughout the movie, the viewer is continually shocked at the sickness of Paxton's character, the impact on the children, and the way the children handle this outrageous conduct. And then at the end, it turns out to be true. God has put him on a mission to rid the world of demons. Paxton is not clairvoyant as other viewers suggest. Sure, he is given info that he couldn't have known otherwise, but the movie goes further to show how God is "protecting" Adam through the convenient video quality problem and the complete lack of memory of the second FBI agent. The film isn't advocating Christian murder, it is merely taking the viewer on a very unexpected ride.
+++++++++
A:
positive