IN: Robert James Fitzsimmons was born on 26 May 1863 in Helston, Cornwall, England, the youngest of seven boys and five girls born to James and Jane (nee Strongman) Fitzsimmons. Not long before his birth, his parents had moved from his father's native Ireland to Cornwall, where his mother came from, in order for his father to find work as a policeman. Fitzsimmons received his early education at the National school in Helston. In 1873, the family moved again; James, Jane and their youngest five children sailed on the Adamant for the 93 day journey to Lyttelton, New Zealand.

In 1896, Fitzsimmons won a disputed version of the World Heavyweight Championship in a fight in Langtry, Texas, against the Irish fighter Peter Maher. On 17 March 1897, in Carson City, Nevada, he knocked out American Jim Corbett, generally recognised as the legitimate World Heavyweight Champion (having won the title from John L. Sullivan in 1892) in round 14. This constituted a remarkable achievement, as Jim Corbett, a skilled boxer, weighed one stone 3 pounds (17 lb) more than Fitzsimmons. He out-boxed Fitzsimmons for several rounds, knocked him down in the sixth round and badly damaged his face with his jab, left hook and right hand, but Fitzsimmons kept coming and Corbett began to tire. In the 14th round, Fitzsimmons won the title with his "solar plexus" punch. Corbett collapsed in agony. Fitzsimmons' "solar plexus" punch became legendary, although he himself may never have used the phrase. The entire fight was filmed by Enoch J. Rector and released to cinemas as The Corbett-Fitzsimmons Fight, the longest film ever released at the time. Using her maiden name, it was covered by Nellie Verrill Mighels Davis, the first woman to report a prize fight. Fitzsimmons spent the rest of 1897 and 1898 doing stage tours. In 1899, Fitzsimmons fought James J. Jeffries at the Coney Island Athletic Club near Brooklyn, New York. Most people gave Jeffries little chance, even though at over 15 stones (95 kg) he massively outweighed his opponent and was far younger, but Jeffries lifted the World Heavyweight Champion from Fitzsimmons with an 11th-round knockout. In June 1901 Fitzsimmons took part in a wrestling match against Gus Ruhlin. He lost and went back to boxing. He then enjoyed legitimate boxing knockouts of leading contenders Ruhlin and Tom Sharkey. In 1901 he published a book Physical Culture and Self-Defense (Philadelphia: D. Biddle). In 1902, he and Jeffries had a rematch, once again with the World Heavyweight Champion at stake. Fitzsimmons battered Jeffries, who suffered horrible punishment. With his nose and cheek bones broken, most would have sympathized with Jeffries had he quit, but he kept going until his enormous strength and youth wore down Bob and he knocked him out cold in round eight.

After loosing that title did he ever regain it back?

OUT: In 1902, he and Jeffries had a rematch, once again with the World Heavyweight Champion at stake. Fitzsimmons battered Jeffries,

IN: Eric Garth Hudson (born August 2, 1937) is a Canadian multi-instrumentalist. As the organist, keyboardist and saxophonist for Canadian-American rock group the Band, he was a principal architect of the group's unique sound. Hudson has been called "the most brilliant organist in the rock world" by Keyboard magazine. As of 2018, Hudson and fellow musician Robbie Robertson are the last original members of The Band who are still alive.

Under the strict supervision of Hawkins, the Hawks became an accomplished band. They split from Hawkins in 1963, recorded two singles and toured almost continually, playing in bars and clubs, usually billed as Levon and the Hawks. Hudson started work as a session musician in 1965, playing on John Hammond, Jr.'s So Many Roads along with Robertson (guitar) and Helm (drums). In August 1965, they were introduced to Bob Dylan by manager Albert Grossman's assistant, Mary Martin. In October, Dylan and the Hawks recorded the single "Can You Please Crawl Out Your Window?", and in January 1966 they recorded material with Dylan for what would turn into the Blonde on Blonde album. Dylan recruited the band to accompany him on his controversial 1966 "electric" tour of the United States, Australia and Europe. (An album of Dylan's 1966 performance with his band, The "Royal Albert Hall" Concert, was finally released in 1998.) Subsequent to Bob Dylan's motorcycle accident in July 1966, the group settled in a pink house in West Saugerties, New York, near Woodstock. Dylan was a frequent visitor, and Hudson's recordings of their collaborations resulted in The Basement Tapes. By 1968, the group recorded its debut album, Music from Big Pink. The album was recorded in Los Angeles (at Capitol) and New York (at A&R Studio). Capitol originally announced that the group would be called the Crackers, but when Music From Big Pink was released they were officially named the Band. The album includes Hudson's organ showcase, "Chest Fever", a song that in the Band's live shows would be vastly expanded by a solo organ introduction, entitled "The Genetic Method", an improvisational work that would be played differently at each performance. An example can be heard on the live album Rock of Ages. Hudson is also adept at the accordion, which he played on some of the group's recordings, such as "Rockin Chair", from "The Band"; the traditional "Ain't No More Cane", from "The Basement Tapes"; Dylan's "When I Paint My Masterpiece"; and Bobby Charles's "Down South in New Orleans" during the Last Waltz. His saxophone solo work can be heard on such songs as "Tears of Rage" (from Big Pink) and "Unfaithful Servant" (from The Band). Hudson is credited with playing all of the brass and woodwinds on the studio version of "Ophelia", from the 1975 album Northern Lights - Southern Cross as well. This album, the first to be recorded in the Band's Shangri-La recording studio in Malibu, California, also saw Hudson adding synthesizers to his arsenal of instruments. Hudson provided innovative accompaniment. For example, the song "Up on Cripple Creek" features Hudson playing a clavinet through a wah-wah pedal to create a swampy sound reminiscent of a Jew's harp or the croak of a frog. This clavinet-wah wah pedal configuration was later adopted by many funk musicians. After years of continuous touring, the Band made its final bow as a touring band with a lavish final concert on Thanksgiving Day 1976 at the Winterland Ballroom in San Francisco, an all-star tribute concert documented in The Last Waltz.

Who were members of the band?

OUT:
Robertson (guitar) and Helm (drums).