Detailed Instructions: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : Live ( , often typeset as LIVE or +LIVE+) is an American rock band from York, Pennsylvania, consisting of Ed Kowalczyk (lead vocals, rhythm guitar), Chad Taylor (lead guitar, backing vocals), Patrick Dahlheimer (bass), and Chad Gracey (drums). Kowalczyk left the band in 2009 and was replaced by Chris Shinn, but rejoined in December 2016. Context_2 : Richard Stuverud (born September 26, 1964) is an American drummer from Seattle, Washington, United States. Known for playing in several bands in the Seattle scene, his first, in the early 80s, was the punk rock band The Fastbacks. Through the mid-90s, Stuverud played in the bands Three Fish and Tres Mts., both side projects of Pearl Jam bassist, Jeff Ament. Three Fish released the albums "Three Fish" (1996) and "The Quiet Table" (1999), through Epic Records. The album "Tres Mts. (Three Mountains)," with Doug Pinnick of King's X and guest guitarist Mike McCready, was released in 2011. Context_3 : Three Fish was an American rock band formed in 1994 by Pearl Jam's Jeff Ament. The lineup featured Ament, Robbi Robb of Tribe after Tribe, and Richard Stuverud of the Fastbacks and War Babies. Context_4 : Three Fish is the debut studio album by the American rock band Three Fish. It was released on June 11, 1996 through Epic Records. Context_5 : "Where Is My Mind?" is a song by the American alternative rock band Pixies. It is the seventh track on their 1988 debut album "Surfer Rosa". The song was written by frontman Black Francis while he attended the University of Massachusetts Amherst, inspired by his experiences while scuba diving in the Caribbean. He later said he had "this very small fish trying to chase me. I don't know whyI don't know too much about fish behavior." Although the song was never released as a single, it is one of the band's signature songs. A live version of the song recorded at 2004's Coachella was released free through BitTorrent. Context_6 : The Quiet Table is the second studio album by the American rock band Three Fish. It was released on June 1, 1999 through Epic Records. Context_7 : Live in Cuba is the first live DVD of the American rock supergroup Audioslave, containing footage of the free concert that the band performed in Cuba in front of over 70,000 people. The concert itself is considered to be a historical event, as it marks the second time (following The Fabulous Titans in 1981) in Cuban history that an American rock band has been permitted to perform within the country. The DVD features the show itself, and also a 37-minute documentary based on the band and their time spent in Cuba. According to Chris Cornell (said during the concert), at the time the concert was performed it was the longest one that Audioslave had played. Context_8 : On Your Feet or on Your Knees is the first live album by the American rock band Blue Oyster Cult released on February 27, 1975 by Columbia Records. Each of the band's first three studio albums is represented by three songs each, two other songs are covers ("I Ain't Got You", albeit with modified lyrics, and "Born to Be Wild"), and one ("Buck's Boogie") is an original instrumental that remains a staple of the band's live shows to this day. The 12 songs include performances at the Academy of Music in New York City, the Paramount Theatre in Portland, the Paramount Theatre in Seattle, the Show Palace in Phoenix, the Long Beach Arena, the P.N.E. Coliseum in Vancouver and the Capitol Theatre in New Jersey, though it is not clear which songs came from which venues and on what dates. Context_9 : Live in Phoenix (stylized as **** Live in Phoenix) is the first live CD/DVD by American rock band Fall Out Boy. It was released on April 1, 2008 in the United States by Island Records, available as a CD/DVD set or CD and DVD separately. The CD is a live recording of the band's 2007 Honda Civic Tour, recorded on June 22, 2007 at Phoenix's Cricket Pavilion. The DVD features the entire live performance, most of Fall Out Boy's music videos to date (with the exceptions being the three from their "Take This to Your Grave" album and their 2008 cover of Michael Jackson's "Beat It" which was released as a single from this album), a wealth of behind-the-scenes footage, and a making-of segment for the "I'm Like a Lawyer with the Way I'm Always Trying to Get You Off (Me & You)" video, which was filmed in Uganda. Beyond the band's own hits ("Sugar, We're Goin Down", "Thnks fr th Mmrs", "This Ain't a Scene, It's an Arms Race"), a wide array of covers are included, such as Akon's "Don't Matter" Timbaland's "One and Only" and fellow labelmate Panic! at the Disco's "I Write Sins Not Tragedies". Context_10 : Nine Tonight is a live album by American rock band Bob Seger & The Silver Bullet Band, released in 1981 (see 1981 in music). The album was recorded at Cobo Hall in Detroit, Michigan, in June 1980 and at the Boston Garden in Boston, Massachusetts in October 1980. With the exception of three tracks - "Nine Tonight", "Tryin' To Live My Life Without You" and "Let It Rock" - the album is composed entirely of songs drawn from Seger's three previous studio albums. Only "Let It Rock" was repeated from the previous live album "Live Bullet". "Tryin' to Live My Life Without You" was a U.S. top 5 pop hit, peaking at #5. The album's title track was originally recorded for the "Urban Cowboy" soundtrack album. fact_1 : Three Fish was an American rock band formed in 1994 by Pearl Jam's Jeff Ament. fact_2 : Live ( , often typeset as LIVE or +LIVE+) is an American rock band from York, Pennsylvania, consisting of Ed Kowalczyk (lead vocals, rhythm guitar), Chad Taylor (lead guitar, backing vocals), Patrick Dahlheimer (bass), and Chad Gracey (drums). Answer: Live
Solution:
In between Three Fish and Live which one is from American rock band from York?