Background: Theodor Seuss Geisel ( ( listen); March 2, 1904 - September 24, 1991) was an American author, political cartoonist, poet, animator, book publisher, and artist, best known for authoring more than 60 children's books under the pen name Doctor Seuss (abbreviated Dr. Seuss) (). His work includes several of the most popular children's books of all time, selling over 600 million copies and being translated into more than 20 languages by the time of his death. Geisel adopted the name "Dr. Seuss" as an undergraduate at Dartmouth College and a graduate student at the University of Oxford. He left Oxford in 1927 to begin his career as an illustrator and cartoonist for Vanity Fair, Life, and various other publications.
Context: Geisel's early artwork often employed the shaded texture of pencil drawings or watercolors, but in his children's books of the postwar period, he generally made use of a starker medium--pen and ink--normally using just black, white, and one or two colors. His later books, such as The Lorax, used more colors. Geisel's style was unique - his figures are often "rounded" and somewhat droopy. This is true, for instance, of the faces of the Grinch and the Cat in the Hat. Almost all his buildings and machinery were devoid of straight lines when they were drawn, even when he was representing real objects. For example, If I Ran the Circus shows a droopy hoisting crane and a droopy steam calliope. Geisel evidently enjoyed drawing architecturally elaborate objects. His endlessly varied but never rectilinear palaces, ramps, platforms, and free-standing stairways are among his most evocative creations. Geisel also drew complex imaginary machines, such as the Audio-Telly-O-Tally-O-Count, from Dr. Seuss's Sleep Book, or the "most peculiar machine" of Sylvester McMonkey McBean in The Sneetches. Geisel also liked drawing outlandish arrangements of feathers or fur: for example, the 500th hat of Bartholomew Cubbins, the tail of Gertrude McFuzz, and the pet for girls who like to brush and comb, in One Fish, Two Fish, Red Fish, Blue Fish. Geisel's illustrations often convey motion vividly. He was fond of a sort of "voila" gesture in which the hand flips outward and the fingers spread slightly backward with the thumb up. This motion is done by Ish in One Fish, Two Fish, Red Fish, Blue Fish when he creates fish (who perform the gesture with their fins), in the introduction of the various acts of If I Ran the Circus, and in the introduction of the "Little Cats" in The Cat in the Hat Comes Back. He was also fond of drawing hands with interlocked fingers, making it look as though his characters were twiddling their thumbs. Geisel also follows the cartoon tradition of showing motion with lines, like in the sweeping lines that accompany Sneelock's final dive in If I Ran the Circus. Cartoon lines are also used to illustrate the action of the senses--sight, smell, and hearing--in The Big Brag, and lines even illustrate "thought", as in the moment when the Grinch conceives his awful plan to ruin Christmas.
Question: whos Sneelock?
Answer:

Background: Nicholas Culpeper (probably born at Ockley, Surrey, 18 October 1616 - died at Spitalfields, London, 10 January 1654) was an English botanist, herbalist, physician, and astrologer. His published books includes The English Physitian (1652), i. e. the Complete Herbal (1653 ff), which contains a rich store of pharmaceutical and herbal knowledge, and Astrological Judgement of Diseases from the Decumbiture of the Sick (1655), which is one of the most detailed documents known on the practice of medical astrology in Early Modern Europe. Culpeper spent the greater part of his life in the English outdoors cataloguing hundreds of medicinal herbs. He criticized what he considered the unnatural methods of his contemporaries, writing: "This not being pleasing, and less profitable to me, I consulted with my two brothers, Dr. Reason and Dr. Experience, and took a voyage to visit my mother Nature, by whose advice, together with the help of Dr. Diligence, I at last obtained my desire; and, being warned by Mr. Honesty, a stranger in our days, to publish it to the world, I have done it."
Context: Influenced during his apprenticeship by the radical preacher John Goodwin, who said no authority was above question, Culpeper became a radical republican and opposed the "closed shop" of medicine enforced by the censors of the College of Physicians. In his youth, Culpeper translated medical and herbal texts such as the 'London Pharmacopaeia' from the Latin for his master. It was during the political turmoil of the English civil war, when the College of Physicians was unable to enforce their ban on the publication of medical texts, that Culpeper deliberately chose to publish his translations in vernacular English as self-help medical guides for use by the poor who could not afford the medical help of expensive physicians. Follow-up publications included a manual on childbirth and his main work, 'The English Physician', which was deliberately sold very cheaply, eventually becoming available as far afield as colonial America. It has been in print continuously since the 17th century. Culpeper believed medicine was a public asset rather than a commercial secret, and the prices physicians charged were far too expensive compared to the cheap and universal availability of nature's medicine. He felt the use of Latin and expensive fees charged by doctors, lawyers and priests worked to keep power and freedom from the general public. Three kinds of people mainly disease the people - priests, physicians and lawyers - priests disease matters belonging to their souls, physicians disease matters belonging to their bodies, and lawyers disease matters belonging to their estate. Culpeper was a radical in his time, angering his fellow physicians by condemning their greed, unwillingness to stray from Galen and their use of harmful practices such as toxic remedies and bloodletting. The Society of Apothecaries were similarly incensed by the fact that he suggested cheap herbal remedies as opposed to their expensive concoctions.
Question: what else did he politically believe?
Answer:
He felt the use of Latin and expensive fees charged by doctors, lawyers and priests worked to keep power and freedom from the general public.