Problem: Background: Parliament-Funkadelic (abbreviated as P-Funk) is an American funk music collective of rotating musicians headed by George Clinton, primarily consisting of the individual bands Parliament and Funkadelic, both active since the 1960s. Their distinctive funk style drew on psychedelic culture, outlandish fashion, science-fiction, and surreal humor; it would have an influential effect on subsequent funk, post-punk, hip-hop, and post-disco artists of the 1980s and 1990s, while their collective mythology would help pioneer Afrofuturism. The collective's origins date back to the doo-wop group the Parliaments, formed by Clinton in the late 1950s in Plainfield, New Jersey. Under the influence of late-1960s artists such as Jimi Hendrix, Sly Stone, and Frank Zappa, Clinton later relocated to Detroit and began the sister groups Parliament and Funkadelic, with the former playing an eclectic and more commercial form of funk, and the latter incorporating more influence from psychedelic rock.
Context: In the early 1980s George Clinton continued to record while battling with financial problems and well-publicized drug problems. The remaining members of Parliament-Funkadelic recorded the 1982 hit album Computer Games, which was released as a George Clinton solo album. Included on this release was the much-sampled #1 hit single "Atomic Dog". The following year, Clinton formed the P-Funk All Stars, who went on to record Urban Dancefloor Guerillas in 1983. The P-Funk All Stars included many of the same members as the late-1970s version of the Parliament-Funkadelic collective, and was so named because of various legal issues concerning use of the names Parliament and Funkadelic after 1980. The name P-Funk All Stars is still in use to the current day, and group has included a mix of former Parliament-Funkadelic members as well as guests and new musicians. As the 1980s continued, P-Funk did not meet with great commercial success as the band continued to produce albums under the name of George Clinton as solo artist. P-Funk retired from touring from 1984 until 1989, except for extremely sporadic performances and TV appearances. It was at this time that Hip hop music began to extensively sample P-Funk music, so remnants of the music were still heard regularly, now among fans of Hip hop. By 1993, most of the Parliament and Funkadelic back catalog had been reissued. The same year saw the return of a reconstituted P-Funk All Stars, with the re-release of Urban Dancefloor Guerrillas under the title Hydraulic Funk, and a new hip hop influenced album Dope Dogs. In 1994, the group toured with the Lollapalooza festival and appeared in the film PCU. The 1996 album T.A.P.O.A.F.O.M. (The Awesome Power of a Fully Operational Mothership), released under the name George Clinton & the P-Funk All Stars, served as a reunion album featuring contributions from the band's most noteworthy songwriters from the earlier eras, such as Bootsy Collins, Bernie Worrell, and Junie Morrison. It would be ten years before another album would be released. In the intervening time, successive tours would slowly restore some of the broken ties between the original band members, together with an accumulation of new talent. On July 23, 1999, George Clinton and Parliament-Funkadelic, including noteworthy former members Bootsy and Catfish Collins and Bernie Worrell, performed on stage at Woodstock '99. The collective continued to tour sporadically in to the 2000s, with participation from some of the children and grandchildren of the original members.
Question: What was modern day like?
Answer: In the early 1980s George Clinton continued to record while battling with financial problems and well-publicized drug problems.

Problem: Background: Bela Fleck and the Flecktones is an American band that combines jazz and bluegrass music. The band's name is a play on 1960s rock band Dick Dale and the Del-Tones. The Flecktones formed in 1988 when Bela Fleck was invited to perform on the PBS TV series The Lonesome Pine Specials. The original members were Fleck on banjo, Victor Wooten on bass guitar, his brother Roy Wooten on Drumitar, and Howard Levy on harmonica and keyboards.
Context: Their debut album, Bela Fleck and the Flecktones (Warner Bros, 1989), received a Grammy nomination for Best Contemporary Jazz Album, as did their second album, Flight of the Cosmic Hippo (Warner Bros., 1991), which also received a nomination for Best Instrumental Composition for the song "Blu-Blop". Their second album contained the Flecktones's version of "The Star Spangled Banner". Their next album had another cartoon cover and the palindromic title UFO TOFU (Warner Bros., 1992). The song "Bonnie & Slyde" had Fleck playing banjo atypically with a slide, an idea suggested to him by slide guitarist Bonnie Raitt. UFO Tofu would be the last album the Flecktones recorded with their original lineup until Rocket Science in 2011. Howard Levy left the band in December 1992. While the departure of Levy was tough for the band, it was not unexpected. During their 1992 tour it became evident to the band that Levy was not happy with the rigors of touring and wanted to spend more time with his wife and children. The remaining trio, consisting of Fleck and the Wooten brothers, recorded their fourth album, Three Flew Over the Cuckoo's Nest. "'Once we started rehearsing, everything was fine,' said Fleck. 'We started finding ways to sound good, and it was real exciting.'" Without Levy, the Flecktones as usual spent most of 1993 on the road and released Three Flew Over the Cuckoo's Nest in September of that year. In July 1996 the Flecktones released their fifth album, and first live album, Live Art. Devoted fans who had been seeing the band for several years were clamoring for an album to capture the experience of live Flecktones, and this album fit the bill. The trio took home a Grammy for Best Pop Instrumental Performance in 1997 for the track "Sinister Minister".
Question: how did this album perform?
Answer:
The trio took home a Grammy for Best Pop Instrumental Performance