In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : Y Kant Tori Read was a 1980s synthpop band, fronted by singer-songwriter Tori Amos. The band released one album, also called "Y Kant Tori Read", which was largely unsuccessful; Atlantic Records abandoned promoting the record completely after only two months of release. The band originally consisted of Amos, Steve Caton, Matt Sorum (later of Guns N' Roses), and bassist Brad Cobb. They worked with record producer Joe Chiccarelli, and Kim Bullard, later of Kajagoogoo. The name comes from an incident in Amos's childhood where she was asked to leave the Peabody Conservatory because she refused to read sheet music. Context_2 : Midwinter Graces is the eleventh solo studio album by singer-songwriter Tori Amos released on November 10, 2009 (November 16, 2009 in the UK), through Universal Republic Records. It is the first seasonal album by Amos, and is also notable for marking her return to a more classical, stripped-down, baroque sound with various synths, string-instruments, the harpsichord and Amos's own signature "Bosendorfer" piano at center stage, once more. The album, like previous releases from Amos, is available in a single form CD or a Deluxe edition which includes 3 bonus tracks, a 20-page photo book, and a DVD containing an interview with Amos. The standard edition was not released in the US or Canada. Context_3 : Tori Amos: The Complete Videos 19911998 is a VHS cassette of all of Tori Amos's videos from "Little Earthquakes" through "From the Choirgirl Hotel", with the exception of "Professional Widow". The video collection was released in a standard-size hard plastic VHS case and a large soft plastic VHS case (with the same catalogue number). The video collection runs approximately 75 minutes and was released by Atlantic Records Context_4 : Tori Amos is an American pianist and singer-songwriter whose musical career began in 1980, at the age of seventeen, when she and her brother co-wrote the song "Baltimore". The song was selected as the winning song in a contest for the Baltimore Orioles and was recorded and pressed locally as a 7" single. From 198489, Amos fronted the synthpop band Y Kant Tori Read, which released one self-titled album with Atlantic Records in 1988 before breaking up. Shortly thereafter, Amos began writing and recording material that would serve as the debut of her solo career. Still signed with Atlantic, and its UK counterpart East West, Amos' initial solo material was rejected by the label in 1990. Under the guidance of co-producers Eric Rosse, Davitt Sigerson and Ian Stanley, a second version of the album was created and accepted by the label the following year. Context_5 : Fade to Red: Tori Amos Video Collection is a double DVD set from recording artist and musician Tori Amos and was released by Rhino Entertainment on February 14, 2006. It featured music videos spanning 1992 to 2005, including the singles "Silent All These Years," "Crucify," "Cornflake Girl," and "A Sorta Fairytale", which co-stars Oscar winner Adrien Brody. The DVD features digitally re-mastered 5.1 audio and included a comprehensive audio commentary by Amos herself on each video. The collection omits the following music videos: "Glory of the 80's," "Strange Little Girl," and "Mary (Tales Version)." Context_6 : Tori Amos (born Myra Ellen Amos, August 22, 1963 ) is an American singer-songwriter, pianist and composer. She is a classically trained musician with a mezzo-soprano vocal range. Context_7 : "Datura" or "Datura" is a song written and recorded by American singer Tori Amos. It is the ninth song of Amos's fifth record "To Venus and Back", which was released in September 1999. It is included in the first disc of the double album subtitled "Orbiting" that contains eleven original studio recordings. The song lists the names of the plants found in Amos's garden and was created during the recording sessions of "To Venus and Back". The song's title refers to datura, a plant known for its toxic and hallucinogenic properties. Amos has never performed the song live due to its complex structure and time signatures which makes it hard to reproduce with a live band. However, in 2011 Amos incorporated the "room in my heart" bridge when performing "Take to the Sky" during her concert in Brussels on October 29, 2011 Video on YouTube . She also performed the song in a similar fashion throughout the Unrepentant Geraldines Tour. Context_8 : Tori Amos: Live from New York is a benefit concert performed by American singer and songwriter Tori Amos on January 23, 1997. The concert was performed at the Madison Square Garden Theater in New York to launch "Unlock the Silence", a year-long promotional and fund-raising campaign sponsored by cK Calvin Klein to raise awareness of the work undertaken by RAINN, the Rape, Abuse and Incest National Network, a non-profit organization offering support and counseling to survivors of sexual assault. The performance included compositions from her first three albums, including "Silent All These Years" from her debut album "Little Earthquakes" (1992), which served as the touchstone track for the "Unlock the Silence" campaign. Context_9 : Stian Thoresen (born 18 November 1970) is a Norwegian musician best known as the vocalist, founding member and multi instrumentalist of Dimmu Borgir. Context_10 : Tales of a Librarian (complete title: "A Tori Amos Collection: Tales of a Librarian") is the first retrospective compilation album by singer/songwriter Tori Amos. Given the option to be involved in the project, Amos elected to take a central role in the production of the collection, released in 2003 on her former label Atlantic Records. fact_1 : Stian Thoresen (born 18 November 1970) is a Norwegian musician best known as the vocalist, founding member and multi instrumentalist of Dimmu Borgir. fact_2 : Tori Amos (born Myra Ellen Amos, August 22, 1963 ) is an American singer-songwriter, pianist and composer. Answer: Tori Amos
Solution: Who has a wider scope of profession, Tori Amos or Shagrath?