input question: Select the correct sentiment of the following review: A film starring Salma Hayek and Colin Farrell, two respected and talented actors, sounds like a great idea. An independent film sounds even better. The studios will control less of the content allowing the actors and writers and director more creativity.

But then why is this movie so bland? Ask the dust.

This film assumes right off the bat that we are deeply invested in the characters. No one is given a proper back story, so we don't ever know why the characters act the way they do.

Explanations for physical and emotional scars are left to our imagination, if you still have one left at the end of this movie.

I told a friend that I went to see this film, and that I thought it was awful.

Her question: "Not even Colin Farrell could save it?" My response: "Not even Colin Farrell's ass could save it."
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output answer: negative

input question: Select the correct sentiment of the following review: Immediately after renting and watching this movie several years ago, a friend and I decided that it defined the absolute zero on the movie scale. There was nothing about the movie that could have been done worse than it was. To this day we still rate movies, even very bad ones, by how much better than "The Lonely Lady" they are.

A long time ago I saw an interview with Eleanor Perry, who wrote the screenplays for, among other things, "Last Summer" and "Diary of a Mad Housewife," and she related that she had been asked to write a screenplay for the Harold Robbins' book "The Lonely Lady." She said that she sent in a treatment and it was rejected because they didn't think she understood the difficulties of a female screenwriter in Hollywood. She then said "I think they got someone else to write it." The interview was filmed before the movie was released. She died in 1981, and I bet the first thing she did on arrival in heaven was personally thank God for saving her from involvement in the result.
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output answer: negative

input question: Select the correct sentiment of the following review: Bette Midler is again Divine! Raunchily humorous. In love with Burlesque. Capable of bringing you down to tears either with old jokes with new dresses or merely with old songs with more power & punch than ever. All in All Singing new ballads, power-singing the good old/perennial ones such as "The Rose"; "Stay With Me" and yes, even "Wind Beneath My Wings". The best way to appreciate the Divine Miss M has always been libe - since this is the next best thing to it, I strongly recommended to all with a mixture of adult wide-eyed enchantment and appreciation and a child's mischievous wish for pushing all boundaries!
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output answer:
positive