Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:', and the follow-up question has a prefix 'FOLLOWUP_Q:'.

Q: CONTEXT: The answer to that question is; no one will ever know. David Lynch knew he was onto something ethereal, so he prohibited any promotional photos of the baby and forced his SE crew to sign a release saying they could never talk about it. Lynch, himself, has always been elusive at best. All anyone will ever have is speculation, until Lynch decides to spill the beans. I want to add that the idea that the baby was living tissue has 2 main roadblocks; decomposition and Rigor Mortis. It is highly unlikely the baby was actually living tissue, though it may have been modeled on such. I have seen mention that it somewhat resembles a sheep fetus, so that may have been the vision Lynch worked from. Lynch would have needed several such fetuses for multiple days of filming, which just doesn't seem plausable. <sep> Q: What is the Eraserhead baby? A: The answer to that question is; no one will ever know Q: Where was the baby born? A: It is highly unlikely the baby was actually living tissue Q: How was the baby created? A: it somewhat resembles a sheep fetus, so that may have been the vision Lynch worked from <sep> FOLLOWUP_Q: What was the baby made out of?

A: No
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Q: CONTEXT: In some cases the original delay involved the time required for licensing (music), appropriate copyrights, ratings, and in some cases the redubbing of the film into other languages. The latter of which can not typically begin until the final edit is determined. In some major films (especially action films) the final edit may not be complete until the film initially releases. As film companies see better returns internationally, they try to shorten this process or build it in for a world-wide release. In the cases of American film releases outside the US first; there are a number of reasons. One can be to build US expectation; to assess general reaction before domestic release in the event the film needs to be reedited, or in some cases the delays above (such as rating or licensing) may cause a delay. <sep> Q: What's with the trend of releasing movies outside the US first? A: In the cases of American film releases outside the US first; there are a number of reasons Q: Why are movies being released this way? A: One can be to build US expectation; to assess general reaction before domestic release in the event the film needs to be reedited Q: I think the films should be released in the US first as intended. What are the other reasons why? A: in some cases the delays above (such as rating or licensing) may cause a delay Q: what kind of rating or licensing issue cause delays? A: n some cases the original delay involved the time required for licensing (music), appropriate copyrights, ratings, and in some cases the redubbing of the film into other languages <sep> FOLLOWUP_Q: How long does it usually take to do this before official release?

A: Yes
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Q: CONTEXT: The people of Dark City are kept in the city in darkness. Part of the way the Strangers keep the human populous from suspecting they are part of an experiment is to keep them from realizing that fact. So, they implant them with memories of being outside the city, in the daylight, to keep them docile. Shell Beach, in particular, represents hope. Without the belief that there is something better just outside the city, the humans would likely go mad with the realization that they are stuck in an elaborate prison. Of course, since there is no actual Shell Beach, they keep the memories vague, so that everyone thinks they know where it is, but can't give clear directions. Nobody questions this because they've all been programmed by the Strangers not to -- until John Murdock comes along. John Murdock knows there's something wrong with the city, and his partial memory implant gives him glimpses of Shell Beach, which he latches onto as a means of unraveling the mysteries of the city. John lacks the programming to accept things as they are, and his questions eventually lead Bumstead, who has been programmed to be a detective, to join him. He is, in essence, looking for hope, and in the end, he must create it himself. <sep> Q: Why did the Strangers make up Shell Beach in human's heads when they were not even supposed to go there? A: they are part of an experiment is to keep them from realizing that fact. So, they implant them with memories of being outside the city, in the daylight, to keep them docile <sep> FOLLOWUP_Q: do you this this is dangerous?

A:
Yes
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