IN: James Whale (22 July 1889 - 29 May 1957) was an English film director, theater director and actor. He is best remembered for his four classic horror films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935). Whale also directed films in other genres, including what is considered the definitive film version of the musical Show Boat (1936). He became increasingly disenchanted with his association with horror, but many of his non-horror films have fallen into obscurity.

After the armistice he returned to Birmingham and tried to find work as a cartoonist. He sold two cartoons to the Bystander in 1919 but was unable to secure a permanent position. Later that year he embarked on a professional stage career. Under the tutelage of actor-manager Nigel Playfair, he worked as an actor, set designer and builder, "stage director" (akin to a stage manager) and director. In 1922, while with Playfair, he met Doris Zinkeisen. They were considered a couple for some two years, despite Whale's living as an openly gay man. They were reportedly engaged in 1924, but by 1925 the engagement was off. In 1928 Whale was offered the opportunity to direct two private performances of R.C. Sherriff's then-unknown play Journey's End for the Incorporated Stage Society, a theatre society that mounted private Sunday performances of plays. Set over a four-day period in March 1918 in the trenches at Saint-Quentin, France, Journey's End gives a glimpse into the experiences of the officers of a British infantry company in World War I. The key conflict is between Capt. Stanhope, the company commander, and Lt. Raleigh, the brother of Stanhope's fiancee. Whale offered the part of Stanhope to the then barely known Laurence Olivier. Olivier initially declined the role, but after meeting the playwright agreed to take it on. Maurice Evans was cast as Raleigh. The play was well received and transferred to the Savoy Theatre in London's West End, opening on 21 January 1929. A young Colin Clive was now in the lead role, Olivier having accepted an offer to take the lead in a production of Beau Geste. The play was a tremendous success, with critics uniform and effusive in their praise and with audiences sometimes sitting in stunned silence following its conclusion only to burst into thunderous ovations. As Whale biographer James Curtis wrote, the play "managed to coalesce, at the right time and in the right manner, the impressions of a whole generation of men who were in the war and who had found it impossible, through words or deeds, to adequately express to their friends and families what the trenches had been like". After three weeks at the Savoy, Journey's End transferred to the Prince of Wales Theatre, where it ran for the next two years. With the success of Journey's End at home, Broadway producer Gilbert Miller acquired the rights to mount a New York production with an all-British cast headed by Colin Keith-Johnston as Stanhope and Derek Williams as Raleigh. Whale also directed this version, which premiered at Henry Miller's Theatre on 22 March 1929. The play ran for over a year and cemented its reputation as the greatest play about World War I.
QUESTION: Did he continue to direct?
IN: Eleanor Rosalynn Smith was born on August 18, 1927 in Plains, Georgia. She was the eldest of four children of Wilburn Edgar Smith, an auto mechanic and farmer, and Allethea "Allie" Murray Smith, a dressmaker. Her brothers were William Jerrold "Jerry" Smith (1929-2003), an engineer, and Murray Lee Smith (1932-2003), a teacher and minister. Her sister, Lillian Allethea (Smith) Wall (born 1936), is a real estate broker.

When her husband's gubernatorial term ended in January 1975, Rosalynn, Jimmy and Amy Carter returned to Plains. Jimmy had already announced his plans to run for President of the United States. Rosalynn returned to the campaign trail, this time on a national quest to gather support for her husband. She campaigned alone on his behalf in 41 states. Because of her husband's obscurity at the time, she often had to answer the question, "Jimmy who?" She promoted the establishment of additional daycare facilities and adjustments to "Social Security and so many other things to help the elderly." During the months when she was campaigning across the country, she was elected to the board of directors of the National Association of Mental Health, honored by the National Organization for Women with an Award of Merit for her vigorous support for the Equal Rights Amendment, and received the Volunteer of the Year Award from the Southwestern Association of Volunteer Services. Rosalynn sat in the balcony at Madison Square Garden with friends and family the night of the nomination while her husband was with his mother and daughter. She had "butterflies in her stomach," until the Ohio delegation announced its votes were for her husband. Rosalynn wished she could have been with him at that time. The Carters met with all the potential running mates, and instantly gained affinity for Walter Mondale after meeting with him and his wife Joan. Following the election, the Carters traveled to the White House and met with President Ford and First Lady Betty Ford, the latter becoming a role model for Rosalynn.
QUESTION:
was her husband elected president?