Background: AFI (abbreviation for A Fire Inside) is an American rock band from Ukiah, California, formed in 1991. The band has had the same lineup since 1998: lead vocalist Davey Havok, drummer and backing vocalist Adam Carson, with bassist Hunter Burgan and guitarist Jade Puget, who both play keyboard and contribute programming and backing vocals. Of the current lineup, Havok and Carson are the two remaining original members. AFI has released ten studio albums, ten EPs, one live album and one DVD.
Context: After recording the A Fire Inside EP (1998), Stopholese left the band and was replaced by Jade Puget, former member of Influence 13 and vocalist Havok's close friend. The band then recorded Black Sails in the Sunset (1999), a musical turning point which introduced AFI fans to a much darker sound, mixing the band's original hardcore roots with dark romantic influences (a poem by Charles Baudelaire, "De profundis clamavi," is present in the hidden track "Midnight Sun") and an emphasis on a more somber atmosphere and lyrics. The New York Times later referred to this as the point where Havok "developed into a singer and songwriter of substance". The influence of the deathrock and goth rock scenes was also apparent. During this period, AFI's style was considered the band's gothic punk rock style. Offspring frontman Dexter Holland was featured as a backing vocalist on two tracks: "Clove Smoke Catharsis" and "The Prayer Position". The All Hallow's E.P. (October 5, 1999) further explored the horror punk genre, featuring artwork and lyrics containing Halloween themes. The EP spawned the single "Totalimmortal", a track later covered by The Offspring for the Me, Myself and Irene soundtrack. It received a fair amount of radio play and exposed AFI to larger audiences. "The Boy Who Destroyed the World" from the All Hallows EP was featured in the Tony Hawk's Pro Skater 3 video game. All Hallow's also featured a cover of the Misfits song "Halloween". On September 19, 2000, AFI released The Art of Drowning, which debuted on the Billboard Charts at number 174, and peaked at number 9 on the Heatseekers chart. It continued to touch base with the horror punk genre, but expanded into styles that were a departure from previous works. The album featured slower, more melodic songs that were more reminiscent of alternative rock, such as "Ever and a Day" and "6 to 8". Still, the presence of hardcore influences was imminent in most of the album, flaunted most on tracks like "Smile", "The Lost Souls", and "Catch a Hot One". The album brought the band unprecedented success in the underground scene, selling in excess of 100,000 copies. "The Days of the Phoenix" was released as a single and video and, like "Totalimmortal," had some moderate mainstream success, garnering the band more TV and radio airplay. The song even managed to reach the UK Singles Chart with its titular EP in 2001, peaking at number 152. The success of The Art of Drowning helped to encourage the band to pursue higher mainstream notoriety.
Question: Did the band members stay the same throughout these years?
Answer: Stopholese left the band and was replaced by Jade Puget, former member of Influence 13 and vocalist Havok's close friend.

Problem: Background: Once is a 2007 Irish romantic musical drama film written and directed by John Carney. The film stars Glen Hansard and Marketa Irglova as two struggling musicians in Dublin, Ireland. Hansard and Irglova had previously performed music as the Swell Season, and composed and performed the film's original songs. Once spent years in development with the Irish Film Board and was made for a budget of EUR112,000.
Context: Once was met with extremely positive reviews from critics. Upon its March 2007 release in Ireland, RTE's Caroline Hennessy gave the film 4 out of 5 stars and termed it "an unexpected treasure". About the acting, this Irish reviewer commented, "Once has wonderfully natural performances from the two leads. Although musicians first and actors second, they acquit themselves well in both areas. Irglova, a largely unknown quantity alongside the well-known and either loved or loathed Hansard, is luminous." Michael Dwyer of The Irish Times gave the film the same rating, calling it "irresistibly appealing" and noting that "Carney makes the point - without ever labouring it - that his protagonists are living in a changing city where the economic boom has passed them by. His keen eye for authentic locations is ... evident". In May, on Ebert & Roeper, both Richard Roeper and guest critic Michael Phillips of the Chicago Tribune gave enthusiastic reviews. Phillips called it, "the most charming thing I've seen all year", "the Brief Encounter for the 21st century", his favorite music film since 1984's Stop Making Sense and said, "It may well be the best music film of our generation". Roeper referred to the film's recording studio scene as "more inspirational and uplifting than almost any number of Dreamgirls or Chicago or any of those multi-zillion dollar musical showstopping films. In its own way, it will blow you away." Once won very high marks from U.S. critics; it is rated 97% "fresh" by the film review aggregation site Rotten Tomatoes and scored a grade of 88 ("universal acclaim") according to Metacritic. In late 2007, Amy Simmons of Time Out London wrote, "Carney's highly charged, urban mise-en-scene with its blinking street lamps, vacant shops and dishevelled bed-sits provides ample poetic backdrop for the film's lengthy tracking shots, epitomised in a sequence where the Girl walks to the corner shop in pyjamas and slippers while listening to one of the Guy's songs on her personal stereo. With outstanding performances from Hansard and new-comer Irglova, Carney has created a sublime, visual album of unassuming and self-assured eloquence." The Telegraph's Sukhdev Sandhu said, "Not since Before Sunset has a romantic film managed to be as touching, funny or as hard to forget as Once. Like Before Sunset, it never outstays its welcome, climaxing on a note of rare charm and unexpectedness." The film appeared on many North American critics' top ten lists of the best films of 2007: In 2008, the film placed third on Entertainment Weekly's "25 Best Romantic Movies of the Past 25 Years".
Question: Anything else interesting about the critic's responses to the film?
Answer:
Carney's highly charged, urban mise-en-scene with its blinking street lamps, vacant shops and dishevelled bed-sits provides ample poetic backdrop