In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Let me give you an example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
The answer to this example can be: 1874May
Here is why: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

OK. solve this:
Context_1 : Teen Queens were an Australian pop music girl group, formed in 1992 by three model-singer-actresses: Roxanne Clarke, Kelly Hoggart (later known as Kellie Crawford) and Liza Witt. In 1992 they scored three hit singles on the ARIA Charts with cover versions of "Be My Baby" (No.6, May), "I Can't Help Myself" (No.28, July) and "Love How You Love Me" (No.14, September). The group's debut album, "Get Happy!", appeared in November, which peaked at No.36. The group disbanded in 1993. From 1998 to 2008 Crawford was a member of Hi-5, a children's music group aligned with a TV series of the same name. Context_2 : Dawn's New Ragtime Follies is a 1973 album by the American pop group Tony Orlando and Dawn. This release was a concept album that successfully combined Vaudevillian ragtime flavors with pop and disco music. With multi-generational appeal, and aided by Tony Orlando & Dawn's highly successful weekly TV variety show on CBS, DAWN'S NEW RAGTIME FOLLIES sold millions and became Tony Orlando & Dawn's best selling LP. NEW RAGTIME FOLLIES spawned the best-selling singles "Say, Has Anybody Seen My Sweet Gypsy Rose," "Who's in the Strawberry Patch With Sally" and "Steppin' Out (Gonna Boogie Tonight.") Telma Hopkins is featured on lead vocals for a cover of John Sebastian's "Daydream", which was a hit for the Lovin' Spoonful in 1966. A recent compact disc reissue of the album contains four bonus tracks, "Jolie", "Personality", Come Back Billie Jo", and a slightly varied single version of "Steppin' Out." Context_3 : Bellepop were a Spanish pop music girl group, who formed from five contestants from the 2002 Spanish TV show, "Popstars". The group consisted of Elisabeth Jordan, Norma Alvarez, Davinia Arquero, Marta Mansilla and Carmen Miriam Jimenez. Context_4 : The Dixie Cups are an American pop music girl group of the 1960s. They are best known for a string of hits including their 1964 million-selling record "Chapel of Love", "People Say", and "Iko Iko". Context_5 : "People Say" is a hit single written by the Jeff Barry and Ellie Greenwich songwriting team and made popular by the American pop girl group The Dixie Cups. It was originally released in July 1964 on the Red Bird Records label. The song was arranged by Mike Stoller. "Billboard" named the song #53 on their list of 100 Greatest Girl Group Songs of All Time. Context_6 : "Iko Iko" ( ) is a much-covered New Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released as a single in 1953 by Sugar Boy and his Cane Cutters that failed to make the charts. The song first became popular in 1965 by the girl group, The Dixie Cups, who scored an international hit with "Iko Iko". In 1967 as part of a lawsuit settlement between "Sugar Boy" James Crawford and the Dixie Cups, the trio were given part songwriting credit to the song. In 1972, Dr. John had a minor hit with his version of "Iko Iko". The most successful charting version in the UK was recorded by Scottish singer Natasha England who took her 1982 version into the top 10. "Iko Iko" became an international hit again twice more, the first being the Belle Stars in June 1982 and again with Captain Jack in 2001. Context_7 : Rear Admiral Richard Hetherington "Dick" O'Kane (February 2, 1911 February 16, 1994) was a United States Navy submarine commander in World War II, who received a Medal of Honor for his service on the "Tang" , leading "Tang" to the most successful record of any U.S. submarine ever. He also received three Navy Crosses and three Silver Stars, for a total of seven awards of the United States military's three highest decorations for valor in combat. Before commanding "Tang", O'Kane served in the highly successful "Wahoo" as executive officer and approach officer under noted Lieutenant Commander Dudley "Mush" Morton. In his ten combat patrols, five in "Wahoo" and five commanding "Tang", O'Kane participated in more successful attacks on Japanese shipping than any other submarine officer during the war. Context_8 : British pop music is popular music, produced commercially in the United Kingdom. It emerged in the mid-to late 1950s as a softer alternative to rock 'n' roll and later to rock music. Like American pop music it has a focus on commercial recording, often orientated towards a youth market, as well as that of the Singles Chart usually through the medium of relatively short and simple love songs. While these basic elements of the genre have remained fairly constant, pop music has absorbed influences from most other forms of popular music, particularly borrowing from the development of rock music, and utilising key technological innovations to produce new variations on existing themes. From the British Invasion of the 1960s, led by The Beatles, British pop music has alternated between acts and genres with national appeal and those with international success that have had a considerable impact on the development of the wider genre and on popular music in general. Context_9 : The Goodees (Kay Evans, Sandra Jackson and Judy Williams) were an American pop music girl group who enjoyed brief popularity in the late 1960s. Formed in Memphis, Tennessee, the group is best known for the minor hit "Condition Red", a teen melodrama that bore a striking resemblance to the Shangri-Las hit "Leader of the Pack". Context_10 : "Don't Say Goodnight (It's Time for Love)" is a 1980 quiet storm soul record by The Isley Brothers, released on their T-Neck imprint. The song, which was released as an answer of sorts to Teddy Pendergrass' hit, "Turn Off the Lights", was an ode to love sung by Ronald Isley, who begs his lady in his trademark falsetto to give him her love, stating if "people say that love is for the giving/so lemme love you, girl". Released as the first single off their 1980 platinum album, "Go All the Way", the song was also their last Top 40 pop hit in 16 years, peaking at number 39 pop while reaching number one on the R&B singles chart. In 2006, the 7" single's instrumental B-side was sampled by J Dilla on the instrumental album "Donuts". fact_1 : The Dixie Cups are an American pop music girl group of the 1960s. fact_2 : They are best known for a string of hits including their 1964 million-selling record "Chapel of Love", "People Say", and "Iko Iko". fact_3 : The song, under the original title "Jock-A-Mo", was written and released as a single in 1953 by Sugar Boy and his Cane Cutters that failed to make the charts. Question: The American pop music girl group of the 1960s known for "People Say" has which highly successful record that was originally called "Jock-A-Mo?"
Answer:
Iko Iko