Teacher: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
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Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this instance: Context_1 : Prittlewell Priory is a medieval priory in the Prittlewell area of Southend, Essex, England. It was founded in the 12th century, by monks from the Cluniac Priory of St Pancras and passed into private hands at the time of the dissolution of the monasteries under Henry VIII. The last private owner, R. A. Jones, gave the priory and the grounds to the local council. The grounds now form a public park, Priory Park, and the Grade I listed building is open to the public. Priory Park is located adjacent to the priory. Context_2 : Edward II (25 April 1284 21 September 1327), also called Edward of Caernarfon, was King of England from 1307 until he was deposed in January 1327. The fourth son of Edward I, Edward became the heir to the throne following the death of his older brother Alphonso. Beginning in 1300, Edward accompanied his father on campaigns to pacify Scotland, and in 1306 he was knighted in a grand ceremony at Westminster Abbey. Edward succeeded to the throne in 1307, following his father's death. In 1308, he married Isabella of France, the daughter of the powerful King Philip IV, as part of a long-running effort to resolve the tensions between the English and French crowns. Context_3 : Prince of Orange is a title originally associated with the sovereign Principality of Orange, in what is now southern France. Under the Treaty of Utrecht of 1713, Frederick William I of Prussia ceded the Principality of Orange to King Louis XIV of France (while retaining the title as part of his dynastic titulature). After William III of England died without children, a dispute arose between Johan Willem Friso and Frederick I of Prussia, which was settled in the Treaty of Partition (1732); consequently, Friso's son, William IV had to share use of the title "Prince of Orange" (which had accumulated prestige in the Netherlands and throughout the Protestant world) with Frederick William I of Prussia. The title is traditionally borne by the heir apparent of the Dutch monarch. The title descends via absolute primogeniture since 1983, meaning that its holder can be either Prince or Princess of Orange. Context_4 : The Mark was the currency of German South West Africa between 1885 and 1915. Until 1914, the German Mark circulated. Within days of the outbreak of the First World War, an issue of paper money titled "Deutsch-Sudwestafrikanische Mark" was authorized in denominations of 5, 10, 20, 50 and 100 Marks. Context_5 : The ruins of Kirkham Priory are situated on the banks of the River Derwent, at Kirkham, North Yorkshire, England. The Augustinian priory was founded in the 1120s by Walter l'Espec, lord of nearby Helmsley, who also built Rievaulx Abbey. The priory was surrendered in 8 December 1539 during the Dissolution of the Monasteries. Legend has it that Kirkham was founded in remembrance of l'Espec's only son who had died nearby as a consequence of his horse being startled by a boar. Context_6 : Eleanor de Bohun, Countess of Ormond (17 October 1304 7 October 1363) was an English noblewoman born in Knaresborough Castle to Humphrey de Bohun, 4th Earl of Hereford, and Elizabeth, daughter of King Edward I of England and Eleanor of Castile. After the deaths of her parents, she was placed in the care of her aunt Mary Plantagenet and brought up at Amesbury Priory alongside various cousins including Joan Gaveston, Isabel of Lancaster and Joan de Monthermer. Edward II of England gave the priory a generous allowance of 100 marks annually for the upkeep of Eleanor and her younger cousin, Joan Gaveston. Context_7 : Ruislip Priory was a priory in Middlesex, England. In 1086 or 1087 the manor of Ruislip was given to Bec Abbey by Ernulf de Hesdin. An administrative centre, it had a priory before 1200. In the early 13th century the administration of Bec's manors (over 20) was shared with Ogbourne Priory in Wiltshire. As one of the alien priories, Ruislip shared their varying fortunes. Ruislip was always a manor-house rather than having conventual buildings. After 1404 the manors were reallocated, Ruislip going to St Nicolas College, Cambridge. St Nicolas College was later renamed King's College. Context_8 : Gisborough Priory is a ruined Augustinian priory in Guisborough in the borough of Redcar and Cleveland and ceremonial county of North Yorkshire, England. It was founded in 1119 as the Priory of St Mary by the Norman feudal magnate Robert de Brus, also an ancestor of the Scottish king, Robert the Bruce. It became one of the richest monastic foundations in England with grants from the crown and bequests from de Brus, other nobles and gentry and local people of more modest means. Much of the Romanesque Norman priory was destroyed in a fire in 1289. It was rebuilt in the Gothic style on a grander scale over the following century. Its remains are regarded as among the finest surviving examples of early Gothic architecture in England. Context_9 : John de Brantingham was an English Christian clergyman of the early fourteenth century and a member of the Brantingham family. He held a prebend of Derby Cathedral, value 5 marks a year, and the rectory of Askeby, worth 20 marks annually. In June 1318, Pope John XXII empowered de Brantingham to hold, in addition to his existing posts, the rectory of Huggate in the diocese of York, worth 40 pounds per annum. Later, de Brantingham also served as vicar of Otley in Yorkshire. Context_10 : The Barony of Denboig (alias's Dunbog and Dunboig) is a Scottish feudal barony Parish in the county of Fife in Scotland. In the medieval period the church and parish of Dunbog originally belonged to the Abbey of Arbroath in Angus. Arbroath or Aberbrothock Abbey was initially a Cluniac Priory founded by King William the Lion in 1178, later, around 1233, it was taken over by Tironsian monks from Kelso Abbey. Arbroath Abbey is famed as the site of the signing of the Declaration of Independence in 1320. Within the parish of Dunbog stood the Cistercian Priory of Cadvan, a cell of nearby Balmerino Abbey. Balmerino Abbey which lies on the shores of the River Tay, across from Dundee, was founded as a Cistercian house by the widow of King William the Lion in 1236. The only building of historical significance in modern Dunbog is Dunbog Mansion house which is built on the site of Cadvan Priory. At one point it was occupied by Cardinal David Beaton [born 1494- died 1546]. fact_1 : Edward II of England gave the priory a generous allowance of 100 marks annually for the upkeep of Eleanor and her younger cousin, Joan Gaveston. fact_2 : Edward II (25 April 1284 21 September 1327), also called Edward of Caernarfon, was King of England from 1307 until he was deposed in January 1327. Question: When was the King of England died who gave the priory a generous allowance of 100 marks annually for the upkeep of Eleanor?
Student:
21 September 1327