input: Hornsby played more than 100 shows with the Grateful Dead from 1988 until Jerry Garcia's death in 1995. At some shows in 1988 and 1989, he joined the band as a special guest and played accordion or synthesizer. Starting in the fall of 1990, he played piano (and frequently accordion) at many gigs following the death of longtime Grateful Dead keyboardist Brent Mydland, who died suddenly in July 1990. Mydland's place was filled in September 1990 by Vince Welnick, who became the sole keyboardist by March 1992, although Hornsby still sat in with the band on occasion. Hornsby's own music evolved significantly during this time period. Critics have suggested that the Dead's vibrant tradition of melding folk music and the blues with psychedelic rock in "loose-knit expressions" and extended jamming "further pushed [Hornsby] outside the confines of mainstream pop." Critics have also commented upon the "close musical connection" formed between Hornsby and Jerry Garcia, suggesting that Hornsby's particular style of jazz-fueled improvisation added to the band's repertoire, and helped to revitalize and refocus Jerry Garcia's guitar solos in the band's sound. Hornsby's friendship with Garcia continued, both inside and outside the band, as the two "challenged" each other to expand their musicianship through several other album and live collaborations. Above all, Hornsby's musical versatility and ability to slip in and out of extended freeform jams won over longtime Grateful Dead fans. Since his first involvement with the Grateful Dead, Hornsby's live shows have drawn Deadheads and Hornsby has commented: "I've always liked the group of fans that we've drawn from the Grateful Dead time, because those fans are often adventurous music listeners." He has performed a number of their songs at his concerts and as homages on studio and live albums, while Hornsby originals "The Valley Road," and "Stander on the Mountain," appeared several times in the Dead's setlists. Hornsby also co-performed the improvisation "Silver Apples of the Moon" for the Grateful Dead's Infrared Roses. Hornsby was the presenter when the Grateful Dead were inducted into the Rock and Roll Hall of Fame in 1994 and in 2005 he participated in "Comes a Time", a tribute concert to Jerry Garcia. He continues to work with Dead-related projects, such as Bob Weir's Ratdog, Mickey Hart's solo projects. He performed as part of The Other Ones in 1998 and 2000, and on occasion sat in with The Dead. Hornsby continues to be involved in the Grateful Dead and Furthur community, having opened All Good Music Festival in 2012 featured with Bob Weir on rhythm guitar. In mid-2013, Hornsby performed with Grateful Dead-influenced bluegrass group Railroad Earth. Hornsby reunited with surviving members of the Grateful Dead along with Trey Anastasio from Phish and Jeff Chimenti at Levi's Stadium in Santa Clara, California, and later at Soldier Field in Chicago, Illinois, in July 2015.

Answer this question "Are there any other interesting aspects about this article?"
output: Hornsby was the presenter when the Grateful Dead were inducted into the Rock and Roll Hall of Fame

input: In his 1972 play, Sakharam Binder (Sakharam, the Binder), Tendulkar dealt with the topic of domination of the male gender over the female. The main character, Sakharam, is a man devoid of ethics and morality, and professes not to believe in "outdated" social codes and conventional marriage. He accordingly uses the society for his own pleasure. He regularly gives "shelter" to abandoned wives and uses them for his sexual gratification while remaining oblivious to the emotional and moral implications of his exploits. He justifies all his acts through claims of modern, unconventional thinking, and comes up with hollow arguments meant in fact to enslave women. Paradoxically, some of the women which Sakharam had enslaved buy into his arguments and simultaneously badly want freedom from their enslavement. In 1972, Tendulkar wrote another, even much more acclaimed play, Ghashiram Kotwal ("Officer Ghashiram"), which dealt with political violence. The play is a political satire created as a musical drama set in 18th century Pune. It combined traditional Marathi folk music and drama with contemporary theatre techniques, creating a new paradigm for Marathi theatre. The play demonstrates Tendulkar's deep study of group psychology, and it brought him a Jawaharlal Nehru Fellowship (1974-75) for a project titled, "An Enquiry into the Pattern of Growing Violence in Society and Its Relevance to Contemporary Theatre". With over 6,000 performances thus far in its original and translated versions, Ghashiram Kotwal remains one of the longest-running plays in the history of Indian theatre. Tendulkar wrote screenplays for the movies Nishant (1974), Akrosh (The Cry) (1980), and Ardh Satya (The Half-Truth) (1984) which established him as an important "Chronicler of Violence" of the present. He has written eleven movies in Hindi and eight movies in Marathi. The latter include Samana ("Confrontation") (1975), Simhaasan ("Throne") (1979), and Umbartha ("The Threshold") (1981). The last one is a groundbreaking feature film on women's activism in India. It was directed by Jabbar Patel and stars Smita Patil and Girish Karnad.

Answer this question "did he win any awards for it"
output:

input: The members branched out to solo activities once again. Starting with Miryo, releasing her self- produced solo album, MIRYO a.k.a. JOHONEY on February 1. She had a rocky start with two of the songs from her album banned in broadcasting stations. Namely, "Revenger," which according to SBS officials has lyrics depicting violence and the title track "Dirty" for the lyrics of the song, containing the word, "cross-eyed" which could be perceived as a derogatory term for the disabled thus forcing Miryo to change the lyrics to be able to perform on music shows. On TV, Narsha made her acting debut with MBC's drama "Light and Shadow" playing the role of an aspiring singer Lee Jung Ja and followed by Ooh La La Couple as a goddess. The other members participated on reality programs. Gain became a CEO of a public relations company called 'Mental Breakdown' particularly for the show, "OnStyle's Launch My Life - Ga In's Fashion King." While Miryo was included in Mnet's hiphop program Show me the Money, collaborating with a rookie rapper to compete against other contestants for the top spot. Jea also became a fixed member of Immortal Songs 2 but she later left the show due to her solo album promotions and was replaced by Narsha which later on left the show also due to her musical "When A Man Loves." On July 17, BEG released their digital single "The Original" of the hybrid soul genre - the genre the girls have originally debuted with. It has two tracks Come with me and the title track "A Midsummer Night's Dream" meant to be a gift to the fans who are still supporting the group despite it not being active at the moment. It was produced and composed by JeA. No promotional activities were done. Gain dropped her second mini-album on October 5 "Talk About S" with the title track Bloom. The title track and won the top spot in M! Countdown. JeA also pre-released the track "Let's Hug" on December 28 from her upcoming solo album. Before the year ended, fans of Brown Eyed Girls were finally able to see all four members up on stage together once again for their 19+ Rated 'Tonight 37.2 degC' concert.

Answer this question "Did Gain have her own projects?"
output:
Gain became a CEO of a public relations company called 'Mental Breakdown'