input: Susan Dominus of the New York Times wrote: "In "Heretic," Hirsi Ali forgoes autobiography for the most part in favor of an extended argument. But she has trouble making anyone else's religious history - even that of Muhammad himself, whose life story she recounts - as dramatic as she has made her own. And she loses the reader's trust with overblown rhetoric. ... She tries to warn Americans about their naivete in the face of encroaching Islamic influences, maintaining that officials and journalists, out of cultural sensitivity, sometimes play down the honor killings that occur in the West." The Economist wrote: "Unfortunately, very few Muslims will accept Ms Hirsi Ali's full-blown argument, which insists that Islam must change in at least five important ways. A moderate Muslim might be open to discussion of four of her suggestions if the question were framed sensitively. Muslims, she says, must stop prioritizing the afterlife over this life; they must "shackle sharia" and respect secular law; they must abandon the idea of telling others, including non-Muslims, how to behave, dress or drink; and they must abandon holy war. However, her biggest proposal is a show-stopper: she wants her old co-religionists to "ensure that Muhammad and the Koran are open to interpretation and criticism"." Clifford May of The Washington Times wrote: "The West is enmeshed in 'an ideological conflict' that cannot be won 'until the concept of jihad has itself been decommissioned.'" May goes on to suggest that if "American and Western leaders continue to refuse to comprehend who is fighting us and why, the consequences will be dire." In May 2015, Mehdi Hasan wrote an article in The Guardian arguing that Islam doesn't need a reformation and that she will never win any fans over from Muslims, regardless of whether they're liberal or conservative. Hasan wrote: "She's been popping up in TV studios and on op-ed pages to urge Muslims, both liberal and conservative, to abandon some of their core religious beliefs while uniting behind a Muslim Luther. Whether or not mainstream Muslims will respond positively to a call for reform from a woman who has described the Islamic faith as a 'destructive, nihilistic cult of death' that should be 'crushed' and also suggesting that Benjamin Netanyahu be given the Nobel Peace Prize, is another matter."

Answer this question "What is the third one"
output: they must abandon holy war.

input: In 2014 The Juliana Hatfield Three was reformed after two decades of hiatus, and Hatfield, drummer Todd Philips, and bassist Dean Fisher began practicing new material for an album. The album marked the band's first release in twenty two years, since their LP Become What You Are in 1993. Stated Hatfield about the new album, "We haven't totally reinvented the wheel or anything," and that the tracks exhibit the "stuff I am sort of known for, I guess. But I am a lot more confident now than I was then with the first album. And I had more fun recording this one." The twelve tracks for Whatever, My Love were recorded at Nuthouse Recording in Hoboken, New Jersey, with Beaujour and Hatfield co-producing the project. The lead single from the album, "If I Could," was released in December 2014, and was premiered in publications such as Rolling Stone. That month the album was made available for pre-order on American Laundromat Records, with an announced release date for Whatever, My Love on February 17, 2015. The band announced they would tour the United States in support of the album throughout February, hitting cities on both coasts and the midwest, as well as venues such as the Bowery Ballroom in New York city and The Roxy Theatre in Los Angeles in late March. In late December 2014, Stereogum named the album "one of their most anticipated albums of 2015," and on January 4, 2015, Consequence of Sound named it "one of the 50 most anticipated albums of 2015." On January 9, 2015, Hatfield was featured at Nylon.com, who wrote that the upcoming album came off as "unforced, and with its sly lyrics and mega-hooky coffeehouse-grunge aesthetic." The album's second single "Ordinary Guy" premiered on Consequence of Sound on January 14, 2015.

Answer this question "What happened to the next?"
output: The band announced they would tour the United States in support of the album throughout February, hitting cities on both coasts and the midwest,

input: Judas Priest were formed in 1969 in industrial West Bromwich, in the Black Country, by vocalist Al Atkins and bassist Brian "Bruno" Stapenhill, with John Perry on guitar and John "Fezza" Partridge on drums. Perry soon died in a road accident, and amongst the replacements the band auditioned were future Judas Priest guitarist Kenny "K. K." Downing; at the time, they turned him down in favour of 17-year-old multi-instrumentalist Ernest Chataway, who had played with Birmingham band Black Sabbath when they were still called Earth. Stapenhill came up with the name Judas Priest from Bob Dylan's song "The Ballad of Frankie Lee and Judas Priest" on the album John Wesley Harding. No member of that early lineup lasted long enough to play on the band's recordings, though several songs co-written by Atkins appeared on their first two albums. The band gained a three-album recording contract with the label Immediate in late 1969 after a gig in Walsall, but the label went out of business before an album could be recorded, and the band split in 1970. Late in the year, Atkins found a heavy rock band rehearsing without a singer called Freight, made up of K. K. Downing on guitar, his childhood friend Ian "Skull" Hill on bass, and drummer John Ellis. He joined them, and they took on Atkins' defunct band's name. Their first gig was on 6 March 1971. Ellis quit later that year and was replaced with Alan Moore. Early shows included Hendrix and Quatermass covers, and in 1972 the set list included the originals "Never Satisfied", "Winter", and the show-closer "Caviar and Meths". Moore left and was replaced with Christopher Louis "Congo" Campbell, and the band joined Black Sabbath guitarist Tony Iommi's management agency Iommi Management Agency. Atkins continued to write material for the band--including "Whiskey Woman", which became the base for the Judas Priest staple "Victim of Changes"--but as finances were tight and he had a family to support, he played his last gigs with the band in December 1972. Campbell left soon afterwards, and the band enlisted two members of the band Hiroshima: drummer John Hinch and vocalist Rob Halford, the brother of Hill's girlfriend. Judas Priest made their first tour of continental Europe in early 1974 and returned to England that April to sign a recording deal with the label Gull. Gull suggested adding a fifth member to fill out the band's sound; they took on as a second lead guitarist Glenn Tipton, whose group The Flying Hat Band were also managed by Iommi's agency.

Answer this question "Did they work with anyone else?"
output:
Perry soon died in a road accident, and amongst the replacements the band auditioned were future Judas Priest guitarist Kenny "K. K." Downing;