Question:
Thomas Nast (; German: [nast]; September 27, 1840 - December 7, 1902) was a German-born American caricaturist and editorial cartoonist considered to be the "Father of the American Cartoon". He was the scourge of Democratic Representative "Boss" Tweed and the Tammany Hall Democratic party political machine.
In February 1860, he went to England for the New York Illustrated News to depict one of the major sporting events of the era, the prize fight between the American John C. Heenan and the English Thomas Sayers sponsored by George Wilkes, publisher of Wilkes' Spirit of the Times. A few months later, as artist for The Illustrated London News, he joined Garibaldi in Italy. Nast's cartoons and articles about the Garibaldi military campaign to unify Italy captured the popular imagination in the U.S. In February 1861, he arrived back in New York. In September of that year, he married Sarah Edwards, whom he had met two years earlier. He left the New York Illustrated News to work again, briefly, for Frank Leslie's Illustrated News. In 1862, he became a staff illustrator for Harper's Weekly. In his first years with Harper's, Nast became known especially for compositions that appealed to the sentiment of the viewer. An example is "Christmas Eve" (1862), in which a wreath frames a scene of a soldier's praying wife and sleeping children at home; a second wreath frames the soldier seated by a campfire, gazing longingly at small pictures of his loved ones. One of his most celebrated cartoons was "Compromise with the South" (1864), directed against those in the North who opposed the prosecution of the American Civil War. He was known for drawing battlefields in border and southern states. These attracted great attention, and Nast was called by President Abraham Lincoln "our best recruiting sergeant". After the war, Nast strongly opposed the Reconstruction policy of President Andrew Johnson, whom he depicted in a series of trenchant cartoons that marked "Nast's great beginning in the field of caricature".
Answer this question using a quote from the text above:

What did he do in England?

Answer:
depict one of the major sporting events of the era,

input: In 1984 he rode in the Olympic Games at Los Angeles and then turned professional on 4 September for Reynolds. He won his first professional race a week later, a time trial in the Tour de l'Avenir. In 1985 he started the Vuelta a Espana and came second in the prologue, behind Bert Oosterbosch. Oosterbosch lost time on the second stage and Indurain became leader, the youngest rider to do it. He rode the Tour de France later that year, as he would do in each of the next 11 years, but dropped out in the fourth stage. In 1986, Indurain again rode the Tour, dropping out on the 12th stage. He started the 1987 Vuelta a Espana with bronchitis from the Tour of Belgium. He rode the 1988 Tour de France as teammate of the winner Pedro Delgado. In 1989, he escaped during the ninth stage of the Tour de France. He won the stage and became leader of the mountains classification, wearing the polkadot jersey the next stage, the only time in his career. In 1990, Indurain rode the Tour de France again for Delgado, but Delgado could not win. Indurain finished 10th place, sacrificing several places by waiting for Delgado. Indurain was a strong time trialist, gaining on rivals and riding defensively in the climbing stages. Indurain won only two Tour stages that were not individual time trials: mountain stages to Cauterets (1989) and Luz Ardiden (1990) in the Pyrenees. During his five consecutive Tour de France wins he never won a stage that was not a time trial. These superior abilities in the discipline fit perfectly with the TT heavy Tours of the era, with many featuring between 150 and 200 km of time trialling vs the more common 50-80 km today.

Answer this question "what made him turn professional?"
output: He won his first professional race a week later, a time trial in the Tour de l'Avenir. In

Answer the question at the end by quoting:

"Pride (In the Name of Love)" is a song by Irish rock band U2. The second track on the band's 1984 album, The Unforgettable Fire, it was released as the album's lead single in September 1984. Written about Martin Luther King Jr., the song received mixed critical reviews at the time, but it was a major commercial success for the band and has since become one of the band's most popular songs. "Pride" appeared on the compilation
The melody and the chords were worked up in a November 1983 War Tour sound check in Hawaii and completed in Windmill Lane Studios during The Unforgettable Fire recording sessions. The guitar part is subtly varied through each verse, chorus, and melody, such that no riff is exactly repeated. The song had been intended to be based on Ronald Reagan's pride in America's military power, but Stephen B. Oates's book Let The Trumpet Sound: A Life of Martin Luther King, Jr. and a biography of Malcolm X caused the lyricist Bono to ponder the different sides of the civil rights campaigns, the violent and the non-violent. In subsequent years, Bono has expressed his dissatisfaction with the lyrics, which he describes, along with another Unforgettable Fire song "Bad", as being "left as simple sketches". He says that he was swayed by the Edge and producers Brian Eno and Daniel Lanois, who played down the need to develop the lyrics as they thought their impressionistic nature would give added forcefulness to the song's feeling, particularly when heard by non-English speakers. In U2 by U2, Bono said: "I looked at how glorious that song was and thought: 'What the fuck is that all about?' It's just a load of vowel sounds ganging up on a great man. It is emotionally very articulate - if you didn't speak English." The song contains the erroneous reference to King's shooting as "Early morning, April 4," when it actually occurred after 6 p.m. Bono acknowledges the error and in live performances he occasionally changes the lyric to "Early evening..." Chrissie Hynde of the Pretenders sang backing vocals on the recording. She was married to Jim Kerr of Simple Minds at the time and she is credited as "Christine Kerr".

What about the lyrics?
In subsequent years, Bono has expressed his dissatisfaction with the lyrics, which he describes, along with another Unforgettable Fire song "Bad", as being "left as simple sketches".