Summarize the following:
You are now at the point where you have to choose who will be on your cast. This can be a difficult choice, either because you have too few good actors or too many. In case of the former, you will have to spend a lot of rehearsal time improving their acting; in case of the latter, you simply have a luxury problem with the downside that some of the actors may sulk a bit because they wanted a bigger part and could have handled one well. At moments like that, it would be a good idea to remind those who are sulking that they are good actors but that your word is final. This is a direct mode of address and can be considered as rather rude, but when carried off gracefully you can earn the respect of your actors by being honest. When you hold auditions, be sure to keep a weather eye open for chemistry between certain actors. You can benefit from casting them in roles that require them to be on stage together a lot both physically and verbally. Once you finally start rehearsing, it is important to first explain your rules and how you work to your cast. Some of them may have only had one director prior to working with you and are used to a certain modus operandi. Be clear from the start that you have a certain method by which you work and that there are certain rules. Preferably, those rules are simple. For example: the actors are not allowed to speak during concentration exercises. Though this may seem obvious, it may sometimes happen that you have an excitable group to work with. For such a group, keeping a tight ship could be beneficial. It also shows that you take your part in the production seriously, which gains you some extra respect. If you are working with inexperienced actors, organising other activities such as a rehearsal camp or some evenings out together could be very beneficial to both you and the cast. You get to know them a little better and, engaging in pleasant conversation, they find out that you're not the Bogart they may have believed you were. It also allows your actors to get to know each other in an environment that doesn't involve them being focused. Make sure your production manager is present at most, if not all, rehearsals. They need to know about the props you need in a timely fashion so they can arrange for them to be there when your production is ready to hit the theatres. At the beginning of each rehearsal, have your actors do some concentration exercises. It will get them focused on the work that lies ahead of them. next to concentration exercises, vocal and physical exercises are also very useful as a warm-up. For example, before each scene, tell the actors what you want to see them do. This will prevent an endless quest through various different approaches while you are trying to figure out which one you prefer. Of course, this is a style of directing that may not suit everyone. A production can also greatly benefit from experimentation. In the end, it depends on the type of play you're working on and the actors you're working with as well as personal preference. At the end of the scene, give general comments concerning blocking, missed lines or things proceeding too slow or too fast. Give each actor individual comments after they have done a scene, possibly concerning their body language or the way they interact with the other actors on stage. Once you've done that, give the actors who are not in the scene a chance to speak their minds. They are your extra eyes and ears and they may spot something you have missed.

summary: Run auditions. Organize rehearsals. Consider your approach to directing.

Summarize the following:
Do this by hitting CTR + ALT + DEL on the keyboard. You can also summon the Task Manager by right-clicking the taskbar and clicking "Start Task Manager." The "Applications" tab is the first tab present on the Task Manager. The button is located on the lower part of the Task Manager. Clicking it will close IE.

summary: Open the Task Manager. Go to the "Applications" tab. Click on the "End Task" button.

Summarize the following:
For this rocket, you will need one water bottle, one pen, one foam football, duct tape or hot glue, and cardboard. You can really use any type of water or soda bottle. For a larger rocket use a two-liter soda bottle. Remove label (if applicable) and discard. Take the cap off, but save it. You will need it later. At this point, you may want to consider decorations like paint, stickers, colored duct tape and the like. (You can decorate later, but it may be easiest at this stage). Bic Pens work great. Remove all parts and set them aside. Use caution when handling these components of the pen. It is easy for the ink cartridge to explode. Don't try this with the clear plastic pens because they will typically crumble. The white plastic cased pens work the best. If you don't have a saw or find it dangerous, you could use a kitchen knife. Take the cap of your bottle and outline the size of the pen barrel onto the cap. Hold the halved pen barrel and trace it with the pen cartridge. Take a drill the size of the pen barrel and drill into the center of the cap. You could also try to use a knife if you don't have an accessible power drill. Take a piece of cardboard or similar material and cut out 3-6 large fins. You will want these to be fairly large because they will hold and support the rocket before take-off. Look online at rockets for inspiration. You can either use duct tape or use a hot glue gun. Do not use "Crazy Glue" or similar adhesive, as it will chemically dissolve the plastic. Evenly attach the fins so that they are facing down from the water bottle's cap. Treat the fins like feet for the rocket. The rocket's tip, or the bottom of the water bottle, should be facing the sky. If the fins are uneven, the rocket will not shoot straight into the air. It may veer off course. Typically, the goal is to fly high, not sideways. Take the pen barrel and insert it into the hole of the cap. If there are any gaps you should seal it with used gum or another malleable adhesive.
summary: Gather the supplies. Prepare the water bottle. Take apart a disposable pen. Saw the pen's barrel in half. Prepare the cap. Cut out the outline. Create fins out of cardboard. Attach your components. Connect the pen.