In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : The New Generation poets is a list of 1994 British poets whose work was featured in a month-long nationwide festival, many of the writers going on to considerable popular success. The 20 poets were chosen by a panel of judges comprising Melvyn Bragg (non-voting chair), poets Michael Longley and Vicki Feaver, literary critic James Wood, Margaret Busby (publisher and author) and John Osborne (Professor of American Studies at Hull University and editor of the poetry magazine "Bete Noire"). Context_2 : The Poetry Book Society (PBS) was founded in 1953 by T. S. Eliot and friends, including Sir Basil Blackwell, "to propagate the art of poetry". Eric Walter White was secretary from December 1953 until 1971, and was subsequently the society's chairman. The PBS was chaired by Philip Larkin in the 1980s. Each quarter the Society selects one newly published collection of poetry as its "Choice" title for its members and makes four "Recommendations" for optional purchase. The Society also publishes the quarterly poetry journal, the "PBS Bulletin", and until 2016 administered the annual T. S. Eliot Prize for Poetry. Following the Poetry Society's instigation of its New Generation Poets promotion in 1994, the Poetry Book Society organised two subsequent "Next Generation Poets" promotions in 2004 and 2014. In 2016 the former Poetry Book Society charity which had managed the book club from 1953 had to be wound up, with its director Chris Holifield appointed as the new director of the T.S. Eliot Prize, and with its book club and company name taken over by book sales agency Inpress Ltd in Newcastle. Context_3 : "Confederation Poets" is the name given to a group of Canadian poets born in the decade of Canada's Confederation (the 1860s) who rose to prominence in Canada in the late 1880s and 1890s. The term was coined by Canadian professor and literary critic Malcolm Ross, who applied it to four poets Charles G.D. Roberts (18601943), Bliss Carman (18611929), Archibald Lampman (18611899), and Duncan Campbell Scott (18621947) in the Introduction to his 1960 anthology, "Poets of the Confederation", which began: "It is fair enough, I think, to call Roberts, Carman, Lampman, and Scott our 'Confederation poets.'" Context_4 : The Tangerinn is a bar in Tangier, Morocco, a place of nostalgia for fans of beat generation or beatnik poets. The bar is adjoined to the Hotel El Muniria where author William S. Burroughs wrote his famous novel Naked Lunch in room #9. Pictures of beat generation poets such as Allen Ginsberg and Jack Kerouac hang on the walls. Context_5 : The Next Generation poets are a list of young and middle-aged figures from British poetry, mostly British, compiled by a panel for the Poetry Book Society in 2004. This is a promotional exercise, and a sequel to the New Generation poets (1994). The "Next Generation" was followed by "Staple" magazine's "Alternative Generation" (2005), which selected a group of poets from the UK's small-press output. The Next Generation 2004 list comprises: Context_6 : James Douglas Graham Wood (born 1 November 1965 in Durham, England) is an English-American literary critic, essayist and novelist. s of 2014 , he is Professor of the Practice of Literary Criticism at Harvard University and a staff writer at "The New Yorker" magazine. Context_7 : Rebel Angels: 25 Poets of the New Formalism is an anthology of poets edited by Mark Jarman and David Mason, published by Story Line Press in 1996. The stated objective of this anthology was to showcase American poetry in traditional verse by poets born since 1940. Context_8 : Ignacio Lasso (1911 - 1943) was an Ecuadorian poet born in Quito. He was the mentor and founder of the magazine of the poets of Elan, a group integrated by Ecuadorian poets born between 1905 and 1920. He collaborated with several magazines of his time. Benjamin Carrion said of Lasso in 1937: "In spite of his brave incursions of high poetic value, Lasso is a poet with an American mind and European sensitivity. His legacy is more in line with the poets of ULISES in Mexico. We can clearly see the influence of the poet Jaime Torres Bodet". Context_9 : Ales Steger (born 31 May 1973) is a Slovene poet, writer, editor and literary critic. Ales belongs to a generation of writers that started to publish right after the fall of Yugoslavia. His first poetry collection Sahovnice ur (1995) was sold out in three weeks after publication and indicated a new generation of Slovenian artists and writers. Context_10 : Next Generation poets (2014) are a list of poets named in 2014 by a panel for the Poetry Book Society, which once every ten years selects 20 poets "expected to dominate the poetry landscape of the coming decade". The accolade highlights emerging poets in the UK and Ireland who published a first collection of poetry within the previous decade. fact_1 : The 20 poets were chosen by a panel of judges comprising Melvyn Bragg (non-voting chair), poets Michael Longley and Vicki Feaver, literary critic James Wood, Margaret Busby (publisher and author) and John Osborne (Professor of American Studies at Hull University and editor of the poetry magazine "Bete Noire"). fact_2 : James Douglas Graham Wood (born 1 November 1965 in Durham, England) is an English-American literary critic, essayist and novelist. Answer: 1 November 1965
Solution: When was the literary critic on the panel of judges for New Generation poets born?