In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: as bad as " mimic " was , it definitly scared me .
" mimic " continued the frightening hollywood trend of taking a foreign director who shows a lot of creative ingenuity and style , and completely flushing it when he comes to america to make a movie .
director guillermo del toro was recently imported from mexico after he made the award winning and inventive horror film " cronos .
" that movie worked because it took an unconventional story , unique characters and well written plot and dialogue to create a truly scary movie .
in " mimic " , del toro does n't bother to give us anything original .
the plot is a stupid combination of " aliens " meets " species " meets " jurassic park .
"
the characters have been recycled from a few hundred other movies .
there 's nothing new in " mimic " .
it 's just a bunch of old tricks that rarely work .
at the end of the movie , you 're stuck wanting your money back .
maybe the worst thing about the movie is that del toro followed another annoying trend of recent movies
: he forgot to turn the lights on .
i do n't understand why suspense movies lately have to follow the " seven " trend and be set in dark , dank areas .
watching " mimic " i was tempted several times to yell at the screen " turn the lights on !
the switch is to your right !
use common sense !
just do it !
you 'll be able to see the monster in the corner !
"
there 's a scene where mira sorvino is standing in subway station while the lights are flickering on and off .
it looked like the light operator was having a seizure , and sorvino did n't even notice - she just stood there looking like she was having deep thoughts .
" hmmm . . . .
i think bean soup would be good for dinner tonight . "
" mimic " has a lot of incidental shock tactics ( boo !
just kidding ! ) and follows them up with the real scare , but nothing in this movie scares you .
the audience in the theater never jumped during suspenseful moments ; i think they were bored , too .
i should n't blame del toro .
he is n't the first successful foreign director to come to hollywood and make a bad movie .
hong kong director john woo made two of the best action films of all time , " the killer " and " hard boiled " then came to america to make the stupid " broken arrow .
" french directors luc besson ( " la femme nikita " ) and george sluizer ( " the vanishing " ) followed woo 's lead and made dumbed down versions of those movies .
robert rodriguez , who directed the terrific low budget
" el mariachi " came to hollywood and directed the horrible , high - budget " desperado .
"
i do n't know why a foreign director who shows such talent in his country ca n't make a good american movie .
woo finally broke through and made " face / off " , but it still is n't up to par with his earlier films .
i get the feeling a hollywood producer sits in his office , chews on a big smelly cigar and says to the director , " welcome to america !
i bet you must be tired after being on that boat for so long .
do you speak english ?
now , i know you think you 've made good movies in the past , but now you 're in america , so things are a little different here .
just remember what the american audience always wants , and you 'll be fine .
they want to see at least one big breasted woman , characters that they 've seen a thousand times before
( because change scares americans ) , and you always need a cheesy feel - good ending to wrap things up . if you do n't make that kind of movie , you 'll be shining my shoes in no time . "
Example Output: N

Example Input: studio expectations must not have been high for " great expectations " -- the film 's release date was pushed from late december to late january at what appeared to be the last minute , therefore putting any academy awards chances it has off until this time in 1999 .
it 's actually a smart move , because while this updated take on the charles dickens tale is n't quite oscar fodder , it * is * strong enough to be distinguished from the cinematic dumping ground that usually makes up the first five or six weeks of any given year .
" great expectations " also demonstrates how to modernize a classic story right , especially after the excruciatingly wretched excesses of baz luhrmann 's " william shakespeare 's romeo + juliet .
" " great expectations " opens somewhere in 1970s florida ( the original story is set in 19th - century england ) , as eight - year - old finn ( jeremy james kissner ) meets a trio of people who will have a profound effect on his life in the future .
there 's icy , 11-year - old estella ( raquel beaudene ) , a pseudo - playmate of finn 's ; ms .
dinsmoor ( anne bancroft ) , estella 's auntie who 's quite off - kilter over a past romance that never took off ; and a mysterious prisoner ( robert de niro ) whom finn saves the life of .
finn , who lives with his sister 's affable boyfriend ( lone star 's chris cooper ) , fancies himself an aspiring artist , and proves his prowess by whipping up an unusual portrait of estella using only ms .
dinsmoor 's lipstick , eyebrow pencil and the wallpaper from her dilapidating mansion .
flash forward into
the ' 90s ( after a brief stop in the ' 80s ) , and finn ( now played by ethan hawke ) , despondent over a strange hot - and - cold relationship with the elusive estella ( gwyneth paltrow ) , receives quite a bit of money from an unknown benefactor ; it 's enough cash to send him to new york to focus on a career in art .
there , finn seems to gain everything he could ever want -- wealth , prestige and a high place in the glamorous art world .
when estella resurfaces -- albeit with an aloof fianc ?
( hank azaria ) --
finn also sees the chance to renew their mutual attraction .
but she 's not the only ghost from finn 's past that 's going to be paying him a visit .
comparisons with the afore - mentioned " romeo + juliet " seem inevitable since these films are the only ones in recent memory to plop classic drama into a current setting .
" great expectations " is a much better venture , though , because it treats its source with even - handed respect , where " romeo " was never quite sure whether to be a spoof , a homage or both .
the movie is a visual banquet thanks to emmanuel lubezki 's sexy cinematography ; notably , he captures a revisited fountain kiss between the two leads with a luscious , erotic charge that 's steamier than the film 's ( surprisingly muted ) love scenes .
the eclectic rock soundtrack compliments the on - screen action beautifully , especially new songs by tori amos , mono and duncan sheik .
acting credits are first - rate , often hiding the screenplay 's occasional slip - ups .
hawke is sincere and solid as a leading man ( something we also learned from " gattaca " ) , and his finn is quite a likeable guy .
paltrow 's estella , on the other hand , is rather underdeveloped .
while the actress is at her icily seductive best , we 're not told very much about her character , and as a result , it 's often hard to understand why finn would appreciate her beyond a physical level ( but , oh , * what * a physical level ) ; sometimes , we root for finn although we do n't quite understand why she 's fueling his fire .
robert de niro is nice and sophisticated in the benevolent kind of role he rarely gets to play ; on the other end of the acting spectrum is bancroft , a macabre , throaty delight who mambos and sucks down cigarettes with an eerie enthusiasm that would make norma desmond jealous .
alfonso cuaron 's visually elegant direction helps to distract from the dry moments that pop up more frequently around the movie 's climax .
another problem is predictability ; you can guess your way through the plot even if you are n't familiar with the story .
despite its script flaws , though , " great expectations " is undeniably romantic without being corny or gloppy .
and frankly , it 's nice to see a film that embraces softened sensuality other than explicit sexuality .
perhaps that renovated release date , awfully close to valentine 's day , will end up helping " great expectations " ' seemingly average box office chances after all .
Example Output: P

Example Input: like the wonderful 1990 drama , " awakenings , " starring robin williams and robert de niro , " at first sight , " directed by irwin winkler , is inspired by a true story documented by physicfirst sight , " directed by irwin winkler , is inspired by a true story documented by physician oliver sacks .
since " awakenings " was so very good , and made my top ten list the year it was released , " at first sight " is not quite as strong since it is not directed with as sure a hand as penny marshall , but is still an intelligent and vibrantly - acted drama .
the film begins as amy ( mira sorvino ) , a stressed - out new york architect , decides to take some time off and travel upstate to the country .
at the hotel she is staying at , she makes a massage appointment and after a long , soothing session which ends with her crying as a release of emotions , she strikes up a conversation with the handsome masseur virgil ( val kilmer ) , only to find out later that he is actually blind .
amy does n't really care if he has a handicap or not , and begins to spend time with him more and more until they finally start to fall in love .
once she has returned to new york , amy begins to research on virgil 's certain type of retinal blindness , which he has had since three years of age , and out of a stroke of luck , comes into contact with a doctor ( bruce davison ) who believes he can repair virgil 's sight , even though there have only been thirty similar cases in history .
at first reluctant , virgil finally travels with amy to nyc and agrees to the surgery , much to the hesitance of his overbearing , but loving older sister ( kelly mcgillis ) .
ultimately , the surgery is a success , but problems arise since virgil can not relate to what he sees , since he has never visually seen anything before , only touched objects .
he moves into amy 's apartment
and she is eager to stand by him , but virgil 's maladjustment begins to put a strain on their relationship .
on the basis of the overall story , " at first sight " is indeed a film that has been done many times before , and owes a great deal to its predecessor , " awakenings .
"
what will happen throughout the film can also be easily telegraphed in advance .
however , what helps " at first sight " rise above this predictability is in the mature and intelligent relationship that develops between virgil and amy .
usually , romantic pictures are of the shameless puppy - dog sort ( the recent tom hanks / meg ryan - starrer " you 've got mail " immediately pops to mind ) , but with this film , i grew to care more about the characters and their plight .
the film starts off noticably well
as amy travels up
north and first meets virgil .
the massaging sequences were strangely erotic , maybe even more so than the later actual " love scenes , " and as their romantic involvement quickly developed , the film was both entertaining and sweet , and there was clearly a lot of chemistry between the two .
these joyous moments early on balanced out well with the later scenes in which their relationship is seriously tested due to a contrast in the life styles that they have always known , with virgil completely used to being blind and having a comforting , peaceful life in the country to amy 's eventful life in the " big city .
" the other major compliment that must be given to the film are the nearly flawless performances across the board .
val kilmer , usually cast in the " macho " type of role , was always believable as a blind person , and playing his character was probably a little more tricky than it appears .
it was up to kilmer to not come off as someone to pity , but to sympathize with , and he pulled it off .
mira sorvino , who made a spectacular debuting splash in 1995 's hilarious woody allen comedy , " mighty aphrodite ,
" for which she won a well - deserved oscar as a kind - hearted , but ditzy hooker , is a standout here .
although she has made some mediocre film choices since then ( 1997 's " mimic , " 1998 's " the replacement killers " ) ,
she always has managed to come out unscathed , and it is with " at first sight " that she finally has another juicy role to play .
in a truthful climactic scene set in amy 's apartment between she and virgil , sorvino proves to be one of the most gifted young actresses around today , and has a flare for both comedic and dramatic pieces .
kelly mcgillis , who could have easily come off as the " bad , " one - dimensional sister
, instead is also given an unexpectedly multifaceted character to play as a woman who may be overly protective but simply cares for her brother .
finally , nathan lane , who is usually a little too over - the - top , is appropriately restrained as a vision therapist .
the one misstep of " at first sight " is in its treatment of the medical procedure done on virgil .
very little is ever said or discussed concerning it , and when the surgery occurs , it is so briefly glimpsed at that it is impossible to see what is being done to his eyes .
perhaps the reason this aspect of the film was not more in - depth was that the makers were afraid it would gross out audiences , but i would personally take realism , even if it is graphic , any day over simply giving the explanation of the surgery the cold shoulder . in " awakenings , " the patients and illness were far more satisfyingly portrayed . because of how strong the screenplay , written by steve levitt , is in the way it deals with the main relationship , and because of the fabulous performances from kilmer and sorvino , the film 's few problems can be swept over to the side .
the adult way that the romance is depicted by director irwin winkler is , no doubt , in respect to the real - life couple that the film was inspired by , who are still together after many years ( even though the setting of the film was changed to new york ) .
since january is usually the time of year that is known as the dumping ground from bad movies , " at first sight " comes as a refreshing and sophisticated change of pace .
Example Output:
P