Article: 19 Recordings, a recording label owned by 19 Entertainment, currently hold the rights to phonographic material recorded by all the contestants. 19 originally partnered with Bertelsmann Music Group (BMG) to promote and distribute the recordings through its labels RCA Records, Arista Records, J Records, Jive Records. In 2005-2007, BMG partnered with Sony Music Entertainment to form a joint venture known as Sony BMG Music Entertainment. From 2008-2010, Sony Music handled the distribution following their acquisition of BMG. Sony Music was partnered with American Idol and distribute its music, and In 2010, Sony was replaced by as the music label for American Idol by UMG's Interscope-Geffen-A&M Records.

Question: What company took over as American Idols music label in 2010?
Ans: UMG

Article: The city struck fortune in the late 18th century with the inventions and industrial activity of Eli Whitney, a Yale graduate who remained in New Haven to develop the cotton gin and establish a gun-manufacturing factory in the northern part of the city near the Hamden town line. That area is still known as Whitneyville, and the main road through both towns is known as Whitney Avenue. The factory is now the Eli Whitney Museum, which has a particular emphasis on activities for children and exhibits pertaining to the A. C. Gilbert Company. His factory, along with that of Simeon North, and the lively clock-making and brass hardware sectors, contributed to making early Connecticut a powerful manufacturing economy; so many arms manufacturers sprang up that the state became known as "The Arsenal of America". It was in Whitney's gun-manufacturing plant that Samuel Colt invented the automatic revolver in 1836. The Farmington Canal, created in the early 19th century, was a short-lived transporter of goods into the interior regions of Connecticut and Massachusetts, and ran from New Haven to Northampton, Massachusetts.

Question: What is the area near Hamden that was renamed for Eli Whitney?
Ans: Whitneyville

Article: Just as Lee explores Jem's development in coming to grips with a racist and unjust society, Scout realizes what being female means, and several female characters influence her development. Scout's primary identification with her father and older brother allows her to describe the variety and depth of female characters in the novel both as one of them and as an outsider. Scout's primary female models are Calpurnia and her neighbor Miss Maudie, both of whom are strong willed, independent, and protective. Mayella Ewell also has an influence; Scout watches her destroy an innocent man in order to hide her desire for him. The female characters who comment the most on Scout's lack of willingness to adhere to a more feminine role are also those who promote the most racist and classist points of view. For example, Mrs. Dubose chastises Scout for not wearing a dress and camisole, and indicates she is ruining the family name by not doing so, in addition to insulting Atticus' intentions to defend Tom Robinson. By balancing the masculine influences of Atticus and Jem with the feminine influences of Calpurnia and Miss Maudie, one scholar writes, "Lee gradually demonstrates that Scout is becoming a feminist in the South, for with the use of first-person narration, she indicates that Scout/ Jean Louise still maintains the ambivalence about being a Southern lady she possessed as a child."

Question: Tomboy Scout grows up tto become what?
Ans: feminist

Article: Jonathan Bellman writes that modern concert performance styleset in the "conservatory" tradition of late 19th- and 20th-century music schools, and suitable for large auditoria or recordingsmilitates against what is known of Chopin's more intimate performance technique. The composer himself said to a pupil that "concerts are never real music, you have to give up the idea of hearing in them all the most beautiful things of art." Contemporary accounts indicate that in performance, Chopin avoided rigid procedures sometimes incorrectly attributed to him, such as "always crescendo to a high note", but that he was concerned with expressive phrasing, rhythmic consistency and sensitive colouring. Berlioz wrote in 1853 that Chopin "has created a kind of chromatic embroidery ... whose effect is so strange and piquant as to be impossible to describe ... virtually nobody but Chopin himself can play this music and give it this unusual turn". Hiller wrote that "What in the hands of others was elegant embellishment, in his hands became a colourful wreath of flowers."

Question: Who wrote that Chopin's music, when played by him, became a "colorful wreath of flowers"?
Ans:
Hiller