Q: Given the following context: The core of the site covers about 6.5 square kilometres (2.5 sq mi) and includes remains of some 70 monumental structures positioned around a dozen plazas. Takalik Abaj has 2 ballcourts and over 239 known stone monuments, including impressive stelae and altars. The granite used to make monuments in Olmec and early Maya styles is much different from the soft limestone used in the Peten cities. The site is also noted for its hydraulic systems, including a temazcal or sauna bath with a subterranean drainage, and Preclassic tombs found in excavations from the late 1990s onwards by Drs. Marion Popenoe de Hatch, Christa Schieber de Lavarreda and Miguel Orrego, from the Ministerio de Cultura y Deportes. The structures at Takalik Abaj are spread among four groups; the Central, North and West Groups are clustered together but the South Group is located about 5 km (3.1 mi) to the south. The site is naturally defensible, being bordered by steep ravines. The site is spread over a series of nine terraces, which vary in width from 140 to 220 metres (460 to 720 ft) and have faces varying in height from 4.6 to 9.4 metres (15 to 31 ft). These terraces are not uniformly oriented, instead the direction of their retaining faces depends upon the lie of the local terrain. The three main terraces supporting the city are artificial, with over 10 metres (33 ft) of fill being used in places.When Takalik Abaj was at its greatest extent, major architecture in the city covered an area of approximately 2 by 4 kilometres (1.2 by 2.5 mi), although the area occupied by residential construction has not been determined. The Central Group occupies Terraces 1 to 5, which were artificially levelled. The group contains 39 structures arranged around plazas that are open on the north and south sides. The Central Group was first occupied in the Middle Preclassic and contains a concentration of more than 100 stone monuments. The West Group consists of 21 structures on Terrace 6, which was also artificially levelled. The structures are arranged around... answer the following question: What is the name of the group that contains 21 structures?
A: The West Group

Q: Given the following context: In October, MacDonald introduced Thomson to Dr. James MacCallum. A frequent visitor to the Ontario Society of Artists' (OSA) exhibitions, MacCallum was admitted to the Arts and Letters Club in January 1912. There, he met artists such as John William Beatty, Arthur Heming, MacDonald and Harris. MacCallum eventually persuaded Thomson to leave Rous and Mann and start a painting career. In October 1913, MacCallum introduced Thomson to A. Y. Jackson, later a founder of the Group of Seven. MacCallum recognized Thomson's and Jackson's talents and offered to cover their expenses for one year if they committed themselves to painting full time. MacCallum and Jackson both encouraged Thomson to "take up painting seriously, [but] he showed no enthusiasm. The chances of earning a livelihood by it did not appear to him promising. He was sensitive and independent, and feared he might become an object of patronage." MacCallum wrote that when he first saw Thomson's sketches, he recognized their "truthfulness, their feeling and their sympathy with the grim fascinating northland ... they made me feel that the North had gripped Thomson as it had gripped me since I was eleven when I first sailed and paddled through its silent places." He described Thomson's paintings as "dark, muddy in colour, tight and not wanting in technical defects". After Thomson's death, MacCallum helped preserve and advocate for his work.Thomson accepted MacCallum's offer under the same terms offered to Jackson. He travelled around Ontario with his colleagues, especially to the wilderness of Ontario, which was to become a major source of inspiration. Regarding Algonquin Park, he wrote in a letter to MacCallum: "The best I can do does not do the place much justice in the way of beauty." He ventured to rural areas near Toronto and tried to capture the surrounding nature. He may have worked as a fire ranger on the Mattagami reserve. Addison and Little suggest that he guided fishing tours, although Hill finds this unlikely since Thomson had only spent a few... answer the following question: What is the name of the person that Addison and Little suggest that he guided fishing tours?
A: Thomson

Q: Given the following context: Perhaps influenced by van Eyck's Madonna in the Church, Lochner closely detailed the fall and gradient of light. According to the art historian Brigitte Corley, the clothes of "protagonists change their hues in delicate reaction to the influx of light, reds being transformed through a symphony of pink tonalities to a dusty greyish white, greens to a warm pale yellow, and lemon shading through oranges to a saturated red". Lochner employed the notion of supernatural illumination not just from van Eyck, but also from von Soest's Crucifixion, where light emanating from Christ dissolves around John's red robe, as yellows rays eventually become white. There is a real possibility that a number of the faces of saints are modelled on historical persons, i.e. as donor portraits of the commissioners and their wives. Figures fitting this theory include St Ursula and St Gereon panels from the City Saints altarpiece.Unlike the painters in the Low Countries, Lochner was not so concerned with delineating perspective; his pictures are often set in shallow space, while his backgrounds give little indication of distance and often dissolve into solid gold. Thus, and given his harmonious colour schemes, Lochner is usually described as one of the last exponents of the International Gothic. This is not to say his paintings lack contemporary northern sophistication; his arrangements are often innovative. The worlds he paints are hushed, according to Snyder, achieved with the symmetry of subdued use of colour and the often repeated stylistic element of circles. Angels form circles around the heavenly figures; the heavenly figures' heads are highly circular and they wear round haloes. According to Snyder, the viewer is slowly "drawn into empathy with the revolving forms".Because of the paucity of surviving attributed works, it is difficult to detect any evolution in Lochner's style. Art historians are unsure if his style became progressively more or less influenced by Netherlandish art. Recent dendrochronological examination of... answer the following question: What is the name of the person who paints worlds that are hushed, according to Snyder?
A: Lochner

Q: Given the following context: After seeing several patients, Travis, a troubled psychiatrist, is contacted at home by a patient, Rachel. Travis invites her into his apartment, though he acknowledges this is unorthodox. As they talk, Rachel sees Travis take several pills, which he explains are to help him deal with the mounting stresses in his life. After they kiss, Rachel offers to help him, and Travis laughs derisively. Hurt, Rachel leaves his apartment and goes to the top of the apartment building, where she phones him. When he realises she means to commit suicide, he races upstairs, only to see her leap to her death. After one of his patients taunts him over this rumor, Travis reacts violently and is put on leave, though he angrily quits instead. Grace, a young woman, hands out pamphlets on a train and invites Travis to a support group. Though dismissive, Travis takes one of her pamphlets. After drinking heavily and becoming depressed over his life, Travis attends the meeting. Travis is disgusted when the group's leader, Father Jay, a military veteran and former drug addict, forces a young member, Marcus, to confront difficult personal issues in public. As Travis leaves, Grace urges him to seek the group's support. After a suicide attempt in which he overdoses on pills, Travis calls the group before slipping into unconsciousness. Father Jay, Grace, and another member, Tom, arrive and induce vomiting, saving his life. answer the following question: Who angrily quits their job?
A:
Travis