In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: in my review of there 's something about mary , i said something to the effect of " laughter is n't everything .
"
i now need to make a brief addendum to my postulate : laughter is n't everything , unless i 'm watching a jim abrahams film .
see , spoofs are easy with me .
i love movies , and i love movies that make fun of movies that i love .
sometimes i 'm the only one in the theater laughing .
sometimes i laugh so hard that i embarass myself because my laugh is so high - pitched in comparison to my speaking voice
( it cuts right through everyone else 's laughter ) .
sometimes i laugh so much that my cheekbones are sore by the end of the film .
abraham 's latest film , mafia !
, induced this kind of hysteria upon me .
it 's gotten some mediocre reviews , but , hey , i 'm the guy who laughs at everything .
there may be a lot of jokes that flop in this film , but there are far more that work , and i laughed so frequently that the failed jokes usually occurred as i was recovering from the previous bout of giddy madness .
i enjoy films like this because not one second of it is serious or thought - provoking .
most lighweight films that pose as comedies try to do other things , like develop characters , shape stories , and other such nonsense .
mafia !
has no pretentions about characters or story , and it exists for no other reason than to make people laugh .
the film begins on the perfect high note , with a mockery of the opening of casino .
our hero ( jay mohr ) is seen walking from a casino and getting into his car , which subsequently explodes and sends him flying through the air against a backdrop of flowing fire . to describe the story of mafia ! is absurd and pointless , but i will mention that it basically follows the framework of the godfather films , with a lot of casino references inserted throughout .
along the way , the parodies seem arbitrary , and rarely victimize mob films : pictures like the english patient , forrest gump , and jaws undergo severe and hilarious bashing .
movies like this rely on just a few things , but the most important element is direction .
abrahams has been down this path many times before ( hot shots ! , top secret ! , airplane ! , and any other film with an exclamation point in the title ) , and so i hold most of the success of mafia !
to his experience .
he takes just the right attitude in each scene , and manages to wring at least a bit laughter out of even the most oddly placed references ( one inexplicable moment seems like it wants to make fun of titanic , but it never develops ) .
the actors are all energetic , which helps a lot with the tone of the film .
mohr ( suicide kings , paulie ) , who is quickly becoming one of my favorite actors , is so good here .
he looks like he 's having so much fun that he 's containing his laughter in every scene ( watch his face in the sequence by the swimming pool ) .
he 's probably the only performer in the cast who manages to urge laughter without the help of the material .
lloyd bridges does a decent imitation of brando 's godfather , while pamela gidley is dead - on in a full - blown mockery of sharon stone .
the hard thing about writing reviews for comedies is that i 'm supposed to give examples of things and be specific .
unfortunately , i was so constantly blindsided by laughter during mafia ! that i ca n't remember a lot of what made me laugh .
but that 's a good sign : mafia !
is so funny that i was n't even given time to apply any of the scenes to memory .
i laughed so hard that it shut off my brain
.
i know that does n't sound particularly complimentary , but when watching a dumb comedy like this , the first thing i want to do is shut off my brain .
finally , a film that does this for me .

Output: P

Input: Consider Input: go 's is a gloriously slick hip machine .
director liman ( who also photographed go ) and screenwriter august celebrate the drug / rave scene in l .
a .
, preferring to take ( comedic ) snapshots of troubled youth rather than critique them .
after more than ninety minutes of pill - popping , tantric sex , car chases , and attempted murder , go even has a happy ending .
this is the sort of film that gives members of the dove foundation splitting headaches ; as go wound down , i anticipated an anti - pill - popping - casual - tantric - sex - car - chase - attempted - murder sermon that ( blessedly ) did n't arrive .
a la tarantino 's pulp fiction , go is comprised of three separate but related stories .
the basics are as follows :
ronna ( polley ) is a bitter grocery store clerk facing eviction who turns to drug dealing for extra dough .
her co - worker , simon ( the improbably named askew ) , is a clubber from britain ecstatic about his first trip to vegas .
zack ( mohr ) and adam ( wolf ) are soap opera stars escaping a career - threatening conviction by assisting a peculiar cop ( fichtner ) in a drug bust .
perhaps because the innovative structure of tarantino 's non - linear masterwork is by now old hat , the id - fueled go delighted me but rarely surprised me ( with the exception of that mind - reading cat ! ) ; pulp fiction zigzagged down roads unforeseen , but we see go 's wheels turning from its first flash frame to the last .
torontonian polley ( of the sweet hereafter ) refused to do publicity for this picture on the basis that she was " not pleased with " her turn as the ill - fated cashier .
in go , she delivers , hands - down , her best performance to date .
here 's an ( overrated ) actress who agreed to appear on the poster , but not support her team at the junket or in interviews ; this sort of arrogance is commonplace for ms .
polley , as anyone who has read of her political agenda in the canadian press will tell you .
if she does n't want to be the ingenue of the moment , she should have said " no , " not go .
but i digress .
go is a fun film , so chipperly depraved one ca n't help but turn off his moral judgment for its duration and enjoy the ride .
in that sense , it 's a departure from liman 's last film , swingers , which at least lectured against self - absorption in the form of vince vaughan 's trent and his subtle comeuppance in the story 's clever epilogue ( which has been aped by mcdonald 's for their latest commercial ) .
i wish i cared more about go 's characters : like the techno music they listen to , the bands of anarchists on display here are at once absorbing and vacuous .
when the lights came up and stung my eyes , it was difficult to recall what about it entertained me . yet
entertain me it did
.
go is light and frothy , featuring compelling if not endearing work by polley , timothy olyphant ( scream 2 ) , and especially fichtner , whose homoerotic behavior is milked for effective laughs .
fichtner is a character actor best known for playing backstabbers ( in heat , armageddon , and others ) ; his previously untapped comic abilities shine in go .
unlike much of the film , fichtner is unpredictable .

Output: P

Input: Consider Input: deuce bigalow ( rob schneider ) cleans fish tanks .
yeah ,
i did n't know that was a real job either .
one of his customers is antoine leconte ( oded fehr ) , a successful gigolo .
when antoine has to go to sweden for three weeks , he lets deuce use his house to look after an ailing $ 800 fish . fooling around , deuce sets fire to the kitchen and smashes a $ 6000 fish tank .
after taking a try at one of antoine 's clients and earning $ 10 , deuce decides to prostitute himself to raise the money to replace the fish tank before the fiery - tempered antoine returns .
enter t .
j .
( eddie griffin ) , a pimp for " man - whores , " who arranges for deuce to service an assortment of women whose imperfections keep them from dating .
there 's an enormous woman ( played by transvestite porn star chi chi la rue ) who hides food in her clothes .
there 's claire ( gail o'grady ) whose narcolepsy causes her to fall asleep every few minutes .
tina ( torsten voges ) is so tall her face does n't fit on the screen , and ruth ( amy poehler ) has tourette 's syndrome and shouts obscenities without warning .
finally there 's kate ( arija bareikis )
whose sorority sisters secretly paid her fare .
she seems perfect , and deuce quickly falls in love with her .
( she does , we discover later , have an imperfection , but deuce decides it is n't important . )
deuce 's life is complicated by a bothersome cop ( william forsythe ) looking for information on antoine and by kate 's discovery of his man - whoring . however , neither threat generates much suspense .
the formula is so familiar that we know how it will end from the start .
" deuce bigalow " is the first project from adam sandler 's company happy madison , the formation of which assures that we 'll be seeing the sandler style of comedy mass - produced at an increasing rate in years to come . be afraid .
be very afraid .
the good news is that sandler does n't actually appear in " deuce " and that rob schneider and eddie griffin are funnier than sandler .
schneider has a sweetness that makes the clueless but good - hearted deuce believable .
griffin 's delivery is dead - on , especially in the coining of " technical terms " for t .
j . 's profession , as in " do n't make me he - bitch man - slap you !
"
there 's the expected amount of toilet humor in " deuce .
"
( for one thing , deuce 's dad is a men 's room attendant ) .
does anyone over the age of eight actually find bowel movements that funny ?
for most of us , i think that childhood fascination with bodily functions disappears when we hit the far - side of puberty and discover how funny sex is .
i , for one , will be glad when the toilet trend is finally flushed .
bottom line : " deuce " does n't offer anything new but it is intermittently funny .
Output: N