Some context: Bill Laswell (born February 12, 1955, Salem, Illinois, and raised in Albion, Michigan) is an American bassist, producer and record label owner. Laswell has been involved in hundreds of recordings with many collaborators from all over the world. Laswell's music draws upon many different genres, most notably funk, various world music, jazz, dub and ambient styles. He has also played or produced music from the noisier, more aggressive end of the rock spectrum, such as hardcore punk and metal.
Within a few years of moving to New York, Laswell founded a recording studio with producer/engineer Martin Bisi (of later indie rock renown) and hooked up with Jean Karakos and his fledgling label Celluloid Records. Under the Material moniker (now also a production unit consisting of Laswell and Beinhorn - Maher being long gone - and by 1984 consisting solely of Laswell) Laswell became the de facto house producer for Celluloid until the sale of the label in the later 1980s. During this time in the early to mid-1980s, Laswell was able to record some of his Material excursions (which ran the gamut from experimental jazz/funk to pop and R&B, featuring everyone from avant-jazz figures Henry Threadgill and Sonny Sharrock to Archie Shepp and pop star Whitney Houston) as well as projects such as Massacre, with Fred Frith and Fred Maher. His association with Celluloid allowed some of his first forays into this so-called "collision music" - the term was coined for Laswell by the British writer Chris May, then editor of Black Music & Jazz Review and later a Celluloid staff member - and forays into world music. Recordings with the Golden Palominos and production on albums by Shango, Toure Kunda and Fela Kuti all appeared on the label. Celluloid also released a slew of 12" devoted to Hip-Hop, becoming a precursor to the popularity the form enjoyed starting in the mid-1980s. Fab 5 Freddy, Phase II and Afrika Bambaataa all appeared on the label. Criminally forgotten, Laswell also put together the very successful 12" World Destruction which paired PiL's John Lydon with Afrika Bambaataa - years before the Run-D.M.C./Aerosmith collaboration broke down the rock/hip-hop barrier. 1982 also saw Laswell's solo debut, Baselines. Also recording a Laswell-helmed solo album for Celluloid was Ginger Baker, whom Laswell coaxed out of semi-retirement, giving the drummer's career a new boost. He likewise brought Sonny Sharrock out of semi-retirement and produced some of the guitarist's most acclaimed recordings, starting with the solo LP Guitar.
What is Celluloid Records?
A: Laswell founded a recording studio with producer/engineer Martin Bisi (of later indie rock renown) and hooked up with Jean Karakos and his fledgling label Celluloid Records.
Some context: Daniel Irvin Rather, Jr. was born on October 31, 1931, in Wharton County, Texas, the son of Daniel Irvin Rather, Sr., a ditch digger, and the former Byrl Veda Page. The Rathers moved to Houston, where Dan attended Love Elementary School and Hamilton Middle School. He graduated in 1950 from John H. Reagan High School in Houston. In 1953, he earned a bachelor's degree in journalism from Sam Houston State University where he was editor of the school newspaper, The Houstonian.
On September 8, 2004, Rather reported on 60 Minutes Wednesday that a series of memos critical of President George W. Bush's Texas Air National Guard service record had been discovered in the personal files of Lt. Bush's former commanding officer, Lt. Col. Jerry B. Killian. Once copies of the documents were made available on the Internet, their authenticity was quickly called into question. Much of this was based on the fact that the documents were proportionally printed and displayed using other modern typographic conventions usually unavailable on military typewriters of the 1970s. The font used on the documents has characteristics that exactly match standard font features of Microsoft Word. This led to claims that the memos were forgeries. The accusations then spread over the following days into mainstream media outlets including The Washington Post, The New York Times, and the Chicago Sun-Times. Rather and CBS initially defended the story, insisting that the documents had been authenticated by experts. CBS was contradicted by some of the experts it originally cited, and later reported that its source for the documents - former Texas Army National Guard officer Lt. Col. Bill Burkett - had misled the network about how he had obtained them. On September 20, CBS retracted the story. Rather stated, "If I knew then what I know now, I would not have gone ahead with the story as it was aired, and I certainly would not have used the documents in question." The controversy has been referred to by some as "Memogate" and "Rathergate." Following an investigation commissioned by CBS, CBS fired story producer Mary Mapes and asked three other producers connected with the story to resign. Many believe Rather's retirement was hastened by this incident. On September 20, 2007, Rather was interviewed on Larry King Live commenting "Nobody has proved that they were fraudulent, much less a forgery. ... The truth of this story stands up to this day."
did he work anywhere else?
A: Rather was interviewed on Larry King Live commenting "Nobody has proved that they were fraudulent, much less a forgery. ... The truth of this story stands up to this day."
Some context: Jonas Edward Salk (; October 28, 1914 - June 23, 1995) was an American medical researcher and virologist. He discovered and developed one of the first successful polio vaccines. Born in New York City, he attended New York University School of Medicine, later choosing to do medical research instead of becoming a practicing physician. In 1939, after earning his medical degree, Salk began an internship as a physician scientist at Mount Sinai Hospital.
In 1947, Salk became ambitious for his own lab and was granted one at the University of Pittsburgh, but the lab was smaller than he had hoped and he found the rules imposed by the university restrictive. In 1948, Harry Weaver, the director of research at the National Foundation for Infantile Paralysis, contacted Salk. He asked Salk to find out if there were more types of polio than the three then known, offering additional space, equipment and researchers. For the first year he gathered supplies and researchers including Julius Youngner, Byron Bennett, L. James Lewis, and secretary Lorraine Friedman joined Salk's team, as well. As time went on, Salk began securing grants from the Mellon family and was able to build a working virology laboratory. He later joined the National Foundation for Infantile Paralysis's polio project established by President Franklin D. Roosevelt. Extensive publicity and fear of polio led to much increased funding, $67 million by 1955, but research continued on dangerous live vaccines. Salk decided to use the safer 'killed' virus, instead of weakened forms of strains of polio viruses like the ones used contemporarily by Albert Sabin, who was developing an oral vaccine. After successful tests on laboratory animals, on July 2, 1952, assisted by the staff at the D.T. Watson Home for Crippled Children, Salk injected 43 children with his killed-virus vaccine. A few weeks later, Salk injected children at the Polk State School for the retarded and feeble-minded. In 1954 he tested the vaccine on about one million children, known as the polio pioneers. The vaccine was announced as safe on April 12, 1955. The project became large, involving 100 million contributors to the March of Dimes, and 7 million volunteers. The foundation allowed itself to go into debt to finance the final research required to develop the Salk vaccine. Salk worked incessantly for two and a half years. Salk's inactivated polio vaccine was the first vaccine for the disease; it came into use in 1955. It is on the World Health Organization's List of Essential Medicines, the most effective and safe medicines needed in a health system.
Was the vaccine used?
A:
Salk injected children at the Polk State School for the retarded and feeble-minded.