IN: Charles Taze Russell was born to Scottish-Irish parents, immigrant Joseph Lytel Russell (d. December 17, 1897) and Ann Eliza Birney (d. January 25, 1861), on February 16, 1852 in Allegheny, Pennsylvania. Russell was the second of five children, of whom two survived into adulthood. His mother died when he was 9 years old. The Russells lived for a time in Philadelphia before moving to Pittsburgh, where they became members of the Presbyterian Church.

In 1897 Russell's wife, Maria, left him after a disagreement over the management of Zion's Watch Tower magazine. According to Russell's successor Joseph Franklin Rutherford, she believed that, as his wife, she should have equal control over its administration and equal privilege in writing articles, preaching, and traveling abroad as his representative. In 1903 she filed for legal separation on the grounds of mental cruelty, referring to forced celibacy and frequent cold, indifferent treatment by him. The separation was granted in 1906, with Russell charged to pay alimony. During the trial Mrs. Russell's attorney alleged that in 1894 Mr. Russell had engaged in "improper intimacy" with Rose Ball, by then a 25-year-old woman. The Russells had cared for her as a foster daughter said to be an orphan. Mrs. Russell alleged that Ball had told her Mr. Russell claimed to be an amorous "jellyfish floating around" to different women until someone responded to his advances. Mr. Russell denied the accusations and said he had never used such language to describe himself. When the judge asked Mrs. Russell if she was accusing her husband of adultery, she replied, "No". The Washington Post and the Mission Friend of Chicago reprinted the "jellyfish" story while also accusing Russell of immoral conduct. Russell sued the papers for libel; the jury decided in his favor, awarding him one dollar. Following an appeal, Russell received a cash settlement of $15,000 (current value $409,000) plus court costs, and an agreement that the two papers publish his weekly syndicated sermons as well as a retraction defending his character. Rose Ball later married and lived in Australia. As Rose Ball Henninges, she died November 22, 1950 at the age of 81 in Melbourne, Australia. For several years she had written articles for The People's Paper and was associated with the Bible Students in Australia until her death.

what more is known about this allegation?

OUT: When the judge asked Mrs. Russell if she was accusing her husband of adultery, she replied, "No".

IN: La Strada (lit. "The Road") is a 1954 Italian drama film directed by Federico Fellini from his own screenplay co-written with Tullio Pinelli and Ennio Flaiano. The film portrays a naive young woman (Giulietta Masina) bought from her mother by a brutish strongman (Anthony Quinn) who takes her with him on the road. Fellini has called La Strada "a complete catalogue of my entire mythological world, a dangerous representation of my identity that was undertaken with no precedent whatsoever."

Fellini secured financing through the producers Dino De Laurentiis and Carlo Ponti, who wanted to cast Silvana Mangano (De Laurentiis' wife) as Gelsomina and Burt Lancaster as Zampano, but Fellini refused these choices. Giulietta Masina had been the inspiration for the entire project, so Fellini was determined never to accept an alternative to her. For Zampano, Fellini had hoped to cast a nonprofessional and, to that end, he tested a number of circus strongmen, to no avail. He also had trouble finding the right person for the role of Il Matto. His first choice was the actor Moraldo Rossi, who was a member of Fellini's social circle and had the right type of personality and athletic physique, but Rossi wanted to be the assistant director, not a performer. Alberto Sordi, the star of Fellini's earlier films The White Sheik and I Vitelloni, was eager to take the role, and was bitterly disappointed when Fellini rejected him after a tryout in costume. Ultimately, Fellini drew his three leading players from people associated with the 1954 film Donne Proibite (Angels of Darkness), directed by Giuseppe Amato, in which Masina played the very different role of a madam. Anthony Quinn was also acting in the film, while Richard Basehart was often on the set visiting his wife, actress Valentina Cortese. When Masina introduced Quinn to her husband, the actor was disconcerted by Fellini's insistence that the director had found his Zampano, later remembering: "I thought he was a little bit crazy, and I told him I wasn't interested in the picture, but he kept hounding me for days." Not long afterwards, Quinn spent the evening with Roberto Rossellini and Ingrid Bergman, and after dinner they watched Fellini's 1953 Italian comedy-drama I Vitelloni. According to Quinn: "I was thunderstruck by it. I told them the film was a masterpiece, and that the same director was the man who had been chasing me for weeks." Fellini was particularly taken with Basehart, who reminded the director of Charlie Chaplin. Upon being introduced to Basehart by Cortese, Fellini invited the actor to lunch, at which he was offered the role of Il Matto. When asked why by the surprised Basehart, who had never before played the part of a clown, Fellini responded: "Because, if you did what you did in Fourteen Hours you can do anything." A great success in Italy, the 1951 Hollywood drama starred Basehart as a would-be suicide on a hotel balcony. Basehart, too, had been greatly impressed by I Vitelloni, and agreed to take the role for much less than his usual salary, in part because he was very attracted by Fellini's personality, saying: "It was his zest for living, and his humor."

Who was the director?

OUT:
Fellini