Q: What's an example of a movie review?
An example of a movie review is here: This was the best movie I've ever seen about Bulimia. It hit the exact spot of what Bulimia is really about and how it's not always about being skinny and dieting. It showed how people with Bulimia tend to think about things such as their outlook on life, friends and themselves. The best line and the part that really shows what the problem with Bulimia is, is when Beth says,"It's not about you!" That line really showed a lot about the character and others with the same problem. It showed that people with Bulimia don't have this problem because of anything that has to do with anyone else. It has to do with them and them only. It shows that it's time to talk about the person with the problem instead of putting the attention all on themselves. It showed that Beth needed to call out for attention at that moment and she needed her mom's attention at that time the most.

Q: What's an example of a movie review?
An example of a movie review is here: I really liked this version of 'Vanishing Point' as opposed to the 1971 version. I found the 1971 version quite boring. If I can get up in the middle of a movie a few times(as I did with the 1971 version) than to me, it is not all that great. Of course, this could be due to the fact that I was only nine at the time the 1971 version was brought out. However, I have seen many remakes, where I have liked the original and older one better. I found that the plot of the 1997 version was more understandable and had basically kept true to the original without undermining the meaning of the 1971 version. In my opinion, I felt the 1997 version had more excitement and wasn't so "blase".(Boring)

Q: What's an example of a movie review?
An example of a movie review is here: If this movie should be renamed, it should be "The Jackasses of Hazzard." To sum it up, this movie is nothing but 88 minutes of two immature country punks joyriding the famed 1968 Dodge Charger around town and in the country, chasing the girls and eluding the law.

I have been a fan of the "Dukes" and what tarnishes the movie is the characters are out of key. The overindulgence of profanity, sexual references, and drug use, has made the good name of the "Dukes" into trailer trash.

Side from comparing it to the television show, the acting was horrible. The only actor that got it right was the famed 1969 Dodge Charger named General Lee. The others have exaggerated the character's role which tarnished the movie.

The "Dukes" have been another casualty of the 21-st century Hollywood television-to-big screen transition tragedy. Skip this movie and just buy the television series on DVD.

My grade: F

Q: What's an example of a movie review?
An example of a movie review is here:
Claire Denis's movies seem to fall into one of two categories: the violent and bloody or the quiet and intimate. "L'Intrus" definitely falls into the first category, but it's not so awful as "Trouble Every Day" or "J'ai pas sommeil."

Now, ever since I saw "Chocolat," I've made it a point to see every new movie Denis makes. And I have always been disappointed. "L'Intrus" was no exception. She has yet to make a movie as personal and as moving as her first one.

You get a lot of the Denis regulars: an older but still magnificent Beatrice Dalle who seems to be in the movie only to show off her full lips, the gap between her teeth, her ample cleavage, and a couple of nice coats; the black guy from "Trouble Every Day" and "J'ai pas sommeil," Gregoire Colin, and that Lithuanian or Russian girl. Michel Subor's character was interesting enough, but the camera lingered on him at such length that I got annoyed by that curly forelock of hair hanging over his forehead and was relieved when, somewhere in Korea, I think, he finally got it cut.

There was certainly some action--gruesome murders, a man's search for a son--and there may even have been a plot, but one viewing wasn't enough to figure it out, and two viewings are, I fear, out of the question. For one thing, the score was jarring and obtrusive (as in "Beau Travail"). For another, the seasons changed too abruptly, leaving you even more confused about what was going on. Oh, there were a few pretty shots, and if you liked "Friday Evening" with its shots of the folds in heavy drapes and bedsheets, you might appreciate the aesthetics of "L'Intrus." Otherwise, steer clear.

I saw this movie in French and it's possible I missed something crucial. But the dialogue in a Denis movie rarely amounts to more than five pages, double spaced and with ample margins. In "Chocolat" the silence is sublime; in "L'Intrus," it's just dull.