Answer the question at the end by quoting:

Sir Henry Irving (6 February 1838 - 13 October 1905), born John Henry Brodribb, sometimes known as J. H. Irving, was an English stage actor in the Victorian era, known as an actor-manager because he took complete responsibility (supervision of sets, lighting, direction, casting, as well as playing the leading roles) for season after season at the Lyceum Theatre, establishing himself and his company as representative of English classical theatre. In 1895 he became the first actor to be awarded a knighthood, indicating full acceptance into the higher circles of British society. Irving is widely acknowledged to be one of the inspirations for Count Dracula, the title character of the 1897 novel Dracula whose author, Bram Stoker, was business manager of the theatre.
In 1878, Irving entered into a partnership with actress Ellen Terry and re-opened the Lyceum under his own management. With Terry as Ophelia and Portia, he revived Hamlet and produced The Merchant of Venice (1879). His Shylock was as much discussed as his Hamlet had been, the dignity with which he invested the vengeful Jewish merchant marking a departure from the traditional interpretation of the role. After the production of Tennyson's The Cup and revivals of Othello (in which Irving played Iago to Edwin Booth's title character) and Romeo and Juliet, there began a period at the Lyceum which had a potent effect on the English stage. Much Ado about Nothing (1882) was followed by Twelfth Night (1884); an adaptation of Goldsmith's Vicar of Wakefield by W. G. Wills (1885); Faust (1886); Macbeth (1888, with incidental music by Arthur Sullivan); The Dead Heart, by Watts Phillips (1889); Ravenswood by Herman, and Merivales' dramatic version of Scott's Bride of Lammermoor (1890). Portrayals in 1892 of the characters of Wolsey in Henry VIII and of the title character in King Lear were followed in 1893 by a performance of Becket in Tennyson's play of the same name. During these years, too, Irving, with the whole Lyceum company, paid several successful visits to the United States and Canada, which were repeated in succeeding years. As Terry aged, there seemed to be fewer opportunities for her in his company; that was one reason she eventually left, moving on into less steady but nonetheless beloved stage work, including solo performances of Shakespeare's women.

did he do anything else than revive hamlet?

Answer the question at the end by quoting:

Elena Vyacheslavovna Mukhina (Russian: Elena Viacheslavovna Mukhina; first name sometimes rendered "Yelena", last name sometimes rendered "Muchina"; June 1, 1960 - December 22, 2006) was a Soviet gymnast who won the all-around title at the 1978 World Championships in Strasbourg, France. Her career was on the rise and she was widely touted as the next great gymnastics star until in 1979 a broken leg left her out of several competitions, and the recovery from that injury combined with pressure to master a dangerous and difficult tumbling move (the Thomas salto) caused her to break her neck just two weeks before the opening of the 1980 Summer Olympics, leaving her permanently quadriplegic just one month past the age of 20.
Mukhina took an interest in gymnastics and figure skating at an early age. When an athletic scout visited her school, she eagerly volunteered to try out for gymnastics. She later joined the CSKA Moscow ("Central Red Army") sports club. In recognition of her accomplishments, Mukhina was inducted into the CSKA Hall of Fame. Up until 1975, Mukhina was an unremarkable gymnast, and Soviet coaches largely ignored her. Then, two separate incidents brought her skills to the forefront for the Soviet team: Romanian domination of the Soviet gymnastics machine at the 1976 Olympics (for which the director for Soviet women's gymnastics, Larisa Latynina, was blamed; Latynina's response was, "it's not my fault that Nadia Comaneci was born in Romania"); and Mukhina's transition to working with men's coach Mikhail Klimenko, who transformed her into one of the most show-stopping gymnasts of her time. She burst onto the scene at the 1978 World Championships in Strasbourg, France. In one of the most stunning all-around performances in history, she won the gold medal, beating out Olympic Champions Nadia Comaneci and top-ranked Soviet gymnast Nellie Kim, among others. She also tied for the gold medal in the floor exercise event final, as well as winning the silver in balance beam and uneven bars. She made history in this competition by unveiling her signature moves: a full-twisting layout Korbut Flip on bars; a tucked double back salto dismount on beam (a move that is still being used over three decades later); and a full-twisting double back somersault on floor (still an E-rated move in the Code of Points) dubbed the "Muchina". Yet, in spite of these innovations, Mukhina maintained the classic Soviet style, inspired by ballet movements and expressive lines. She quickly established herself as an athlete to watch for at the 1980 Summer Olympics in Moscow. A documentary film of the Soviet national team (1978) features Mukhina talking with her coach, Mikhail Klimenko, and footage of her rigorous training regimen.

had she won other competitions before the olympics?
World Championships in Strasbourg, France. In one of the most stunning all-around performances in history, she won the gold medal,