Problem: Knievel was born on October 17, 1938, in Butte, Montana, the first of two children of Robert E. and Ann Marie Keough Knievel. His surname is of German origin; his paternal great-great-grandparents emigrated to the United States from Germany. His mother was of Irish ancestry. Robert and Ann divorced in 1940, after the 1939 birth of their second child, Nicolas, known as Nic.

Between 1972 and 1977, Ideal Toy Company released a series of Evel Knievel-related merchandise, designed initially by Joseph M. Burck of Marvin Glass and Associates. During the six years the toys were manufactured, Ideal claimed to have sold more than $125 million worth of Knievel toys. The toys included the original 1972 figures, which offered various outfits and accessories. In 1973, Ideal released the Evel Knievel Stunt Cycle. After the release of the Stunt Cycle, the Knievel toys were the best selling item for Ideal. During the next four years, Ideal Toys released various models relating to Evel Knievel's touring stunt show. The models included a Robbie Knievel doll, the Scramble Van, a Dragster, a Stunt Car, and the Evel Knievel The Stunt World. Additionally, Ideal released non-Knievel-touring toys, including a Chopper Motorcycle, a Trail Bike, and a female counterpart, Derry Daring. The last item before Ideal Toys discontinued the distribution of Knievel toys was the Strato-Cycle, based on the film, Viva Knievel!. In 1977, Bally marketed its Knievel pinball machine as the "first fully electronic commercial game"; it has elsewhere been described as one of the "last of the classic pre-digital games." (Both electromechanical and solid state versions were produced. The electromechanical version is extremely rare, with only 155 made). Knievel made several television appearances, including frequently as a guest on talk shows such as Dinah! and Johnny Carson's Tonight Show. In 1977, Evel made a guest spot on The Bionic Woman, where he played himself, getting inadvertently caught up in East German espionage while appearing in West Germany. Actual footage from Evel's L.A. Coliseum jump over crushed cars was used in the beginning of the episode, and an indoor jump over 11 cars and 1 van was used at the end of the film. Also in 1977, Warner Bros. released Viva Knievel!, a movie starring Knievel as himself and co-starring Lauren Hutton, Gene Kelly and Red Buttons. Similar to The Bionic Woman, actual footage from the Wembley jump was used in the movie. In addition, the 1999 children's TV series Hilltop Hospital featured a character based on Knievel called Weasel Kneasel, who was the focus of an episode of the same name.

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Answer with quotes: During the next four years, Ideal Toys released various models relating to Evel Knievel's touring stunt show. The models included a Robbie Knievel doll,

Problem: Sir Edward William Elgar, 1st Baronet (2 June 1857 - 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.

Elgar was contemptuous of folk music and had little interest in or respect for the early English composers, calling William Byrd and his contemporaries "museum pieces". Of later English composers, he regarded Purcell as the greatest, and he said that he had learned much of his own technique from studying Hubert Parry's writings. The continental composers who most influenced Elgar were Handel, Dvorak and, to some degree, Brahms. In Elgar's chromaticism, the influence of Wagner is apparent, but Elgar's individual style of orchestration owes much to the clarity of nineteenth-century French composers, Berlioz, Massenet, Saint-Saens and, particularly, Delibes, whose music Elgar played and conducted at Worcester and greatly admired. Elgar began composing when still a child, and all his life he drew on his early sketchbooks for themes and inspiration. The habit of assembling his compositions, even large-scale ones, from scraps of themes jotted down randomly remained throughout his life. His early adult works included violin and piano pieces, music for the wind quintet in which he and his brother played between 1878 and 1881, and music of many types for the Powick Asylum band. Diana McVeagh in Grove's Dictionary finds many embryonic Elgarian touches in these pieces, but few of them are regularly played, except Salut d'Amour and (as arranged decades later into The Wand of Youth Suites) some of the childhood sketches. Elgar's sole work of note during his first spell in London in 1889-91, the overture Froissart, was a romantic-bravura piece, influenced by Mendelssohn and Wagner, but also showing further Elgarian characteristics. Orchestral works composed during the subsequent years in Worcestershire include the Serenade for Strings and Three Bavarian Dances. In this period and later, Elgar wrote songs and partsongs. W. H. Reed expressed reservations about these pieces, but praised the partsong The Snow, for female voices, and Sea Pictures, a cycle of five songs for contralto and orchestra which remains in the repertory. Elgar's principal large-scale early works were for chorus and orchestra for the Three Choirs and other festivals. These were The Black Knight, King Olaf, The Light of Life, The Banner of St George and Caractacus. He also wrote a Te Deum and Benedictus for the Hereford Festival. Of these, McVeagh comments favourably on his lavish orchestration and innovative use of leitmotifs, but less favourably on the qualities of his chosen texts and the patchiness of his inspiration. McVeagh makes the point that, because these works of the 1890s were for many years little known (and performances remain rare), the mastery of his first great success, the Enigma Variations, appeared to be a sudden transformation from mediocrity to genius, but in fact his orchestral skills had been building up throughout the decade.

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Elgar's principal large-scale early works were for chorus and orchestra for the Three Choirs and other festivals.