Some context: Although the date and place of her birth are not documented, scholars believe that Phillis Wheatley was born in 1753 in West Africa, most likely in present-day Gambia or Senegal. Wheatley was sold by a local chief to a visiting trader, who took her to Boston in the British colony of Massachusetts, on July 11, 1761, on a ship called The Phillis. It was owned by Timothy Fitch and captained by Peter Gwinn. On arrival she was re-sold to the wealthy Boston merchant and tailor John Wheatley, who bought the young girl as a servant for his wife Susanna.
In 1773, at the age of 20, Phillis accompanied Nathaniel Wheatley to London in part for her health, but also because Susanna believed she would have a better chance publishing her book of poems there. She had an audience with the Lord Mayor of London (an audience with George III was arranged, but Phillis returned home beforehand), as well as with other significant members of British society. Unfortunately, she was never able to personally meet Selina Hastings, the Countess of Huntingdon, who served as the patron of Wheatley's volume of poems, which was published in the summer of 1773. In 1774, Phillis Wheatley wrote a letter to Reverend Samson Occom, commending him on his ideas and beliefs of how the slaves should be given their natural born rights in America. Wheatley also exchanged letters with the British philanthropist John Thornton, who in turn discussed Wheatley and her poetry in his correspondence with John Newton. Along with her poetry, she was able to express her thoughts, comments and concerns to others. In 1775, Phillis Wheatley sent a copy of a poem entitled, "To His Excellency, George Washington" to him. In 1776, Washington invited Wheatley to visit him at his headquarters in Cambridge, Massachusetts, which she did in March 1776. Thomas Paine republished the poem in the Pennsylvania Gazette in April 1776. In 1773, sometime between July and October, Wheatley was emancipated by the Wheatley family shortly after her book, Poems on Subjects Religious and Moral, was published in London. Susanna Wheatley died in the spring of 1774. John Wheatley's death followed in 1778. Shortly after, Phillis Wheatley met and married John Peters, a free black grocer. They struggled with poor living conditions and the deaths of two babies. In 1779, Wheatley submitted a proposal for a second volume of poems, but was unable to publish it because of her financial circumstances, the loss of patrons after her emancipation (often publication of books was based on gaining subscriptions for guaranteed sales beforehand), and the Revolutionary War. However, some of her poems that were to be published in that volume were later published in pamphlets and newspapers. Her husband John Peters was improvident, and imprisoned for debt in 1784, leaving an impoverished Wheatley with a sickly infant son. She went to work as a scullery maid at a boarding house to support them, a kind of domestic labor that she had not been accustomed to, even before becoming a free person. Wheatley died on December 5, 1784, at the age of 31.
Can you elaborate on how she was emancipated by family?
A:

Question: SNFU is a Canadian hardcore punk band. They formed in 1981 in Edmonton, and relocated to Vancouver in 1992. They have released ten full-length albums and have been a formative influence on the skate punk subgenre. Their work has on occasion been included in rankings of the best Canadian music.

Ken Chinn met twin brothers Brent and Marc Belke in Edmonton in the late 1970s. The three were teenagers who shared interests in the skateboarding subculture and burgeoning punk rock movement. In 1981, they formed the punk band Live Sex Shows with drummer Ed Dobek and bassist Phil Larson. The band broke up later that year after a few gigs. Chinn and the Belkes began a new group, Society's No Fucking Use, shortened to Society's NFU. The initial lineup was completed by bassist Warren Bidlock and drummer Evan C. Jones. After a few months of gigging, Bidlock departed due to stage fright. The group recorded their debut, two-song demo cassette "Life of a Bag Lady", with Scott Juskiw playing bass as a studio guest. Bassist Jimmy Schmitz replaced Bidlock late in 1982, and the group adopted the SNFU moniker. Two studio tracks on the It Came From Inner Space compilation LP on Rubber Records followed early in 1983. (These recordings were later re-released on the Real Men Don't Watch Quincy bootleg 7" in 1990.) SNFU gradually built an audience throughout North America on the strength of their aggressive live set, their support for touring acts such as Youth Brigade, the Dead Kennedys, and GBH, and their track "Victims of the Womanizer" on the Something to Believe In compilation LP released on the American label BYO Records. SNFU's debut album, ...And No One Else Wanted to Play, was recorded in Los Angeles and released via BYO in 1985. The album made an immediate impact in the underground punk scene, with noted artist Pushead writing in Maximumrocknroll that the album's "[r]igorous energy push[es] the limits of power with knocking flurry and extreme excitement." Pushead concluded that the album was "a scorcher."

Using a quote from the above article, answer the following question: Did they go on tour?
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Answer:

Some context: Broken Social Scene is a Canadian indie rock band, a musical collective including as few as six and as many as nineteen members, formed by Kevin Drew and Brendan Canning. Most of its members play in various other groups and solo projects, mainly in the city of Toronto. These associated acts include Metric, Feist, Stars, Apostle of Hustle, Do Make Say Think, KC Accidental, Emily Haines & The Soft Skeleton, Amy Millan, and Jason Collett.
In June 2009, the band played a short set to launch This Book Is Broken at the North by Northeast festival. They played a mix of new songs from their then-upcoming album and old favourites, and were joined by Feist, who also joined them on their second visit to Mexico City in October. During the band's free performance at the Harbourfront Centre on July 11, 2009, they were joined by nearly all past contributors, including Feist, Emily Haines and James Shaw, Amy Millan and Evan Cranley, John Crossingham, Jason Collett and Julie Penner. This revue-like show celebrated other projects by members as well as including material from the then-upcoming album. Emcee Bruce McDonald announced the filming of a documentary directed by him and written by Don McKellar, Titled This Movie Is Broken, it includes concert footage and a fictional romance. Although McDonald announced at the concert that film submitted by fans would be used in the movie, the final cut of the movie included only one submission, a front-row recording of "Major Label Debut". Broken Social Scene released their fourth full-length album on May 4, 2010. Entitled Forgiveness Rock Record, it was recorded at Soma in Chicago, with John McEntire producing, and in Toronto at the studio of Sebastian Grainger and James Shaw. For the first time, Amy Millan, Emily Haines, and Leslie Feist recorded a track together (albeit at different times). This album was short-listed for the 2010 Polaris Music Prize. In August 2010, Broken Social Scene initiated their "All to All" remix series, which included seven different versions of the track from Forgiveness Rock Record. Every Monday a new remix was released and available for 24 hours via a different online partner. The first version, "All to All (Sebastien Sexy Legs Grainger Remix)", by Sebastien Grainger, was released August 9 via Pitchfork.
What record company produced the album ?
A:
John McEntire producing, and in Toronto at the studio of Sebastian Grainger and James Shaw.