Problem: Given the question: Read the following paragraph and extract the answer for the question: What is the full name of the critic that did not like the album of rerecorded hits? The concert and recordings were positively received by music critics. Stephen Holden praised the performance in The New York Times the day after the concert; he subsequently praised the live album in Rolling Stone magazine. He wrote that Simon and Garfunkel were successful in reviving their sound, that the backing band was "one of the finest groups of musicians ever to play together at a New York rock concert", and the rearrangements of Simon's solo material were improvements over the originals. Despite the risks in performing so many acoustic ballads in an open-air concert on a cool night, the songs "were beautifully articulated, in near-perfect harmony."An October 1981 review in Rolling Stone called the concert "one of the finest performances of [1981]", one that "vividly recaptured another time, an era when well-crafted, melodic pop bore meanings that stretched beyond the musical sphere and into the realms of culture and politics." This reviewer noted that Garfunkel's voice was noticeably restrained in high passages, though still harmonious, and that the evening's only weak spot was the "Kodachrome"/"Maybellene" medley, because neither singer could raise the right level of emotion for the rock songs. A Billboard reviewer wrote in March 1982, "This 19 song, two record set gloriously recaptures the past with sterling renditions of most of the duo's classics as well as a few of Simon's solo compositions filled out by Garfunkel's harmony." However, Robert Christgau of The Village Voice dismissed the album as "a corporate boondogglea classy way for Warner Bros. artist Simon to rerecord, rerelease, and resell the catalogue CBS is sitting on." He felt Simon had been better off without Garfunkel since 1971 and quipped, "live doubles are live doubles, nostalgia is nostalgia, wimps are wimps, and who needs any of 'em?"
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The answer is:
Robert Christgau

Problem: Given the question: Read the following paragraph and extract the answer for the question: What is the name of the album of whose final mix Albini was critical? Soon afterward, in April 1993, Albini remarked to the Chicago Tribune that he doubted Geffen would release the completed album. Albini commented years later that in a sense he felt he spoke about the situation "from a position of ignorance, because I wasn't there when the band was having their discussions with the record label. All I know is ... we made a record, everybody was happy with it. A few weeks later I hear that it's unreleasable and it's all got to be redone". While Albini's remarks in the article drew no immediate reply from the group or its label, Newsweek ran a similar article soon afterwards that did. Nirvana denied there was any pressure from its label to change the album's sound, sending a letter to Newsweek that said that the article's author "ridiculed our relationship with our label based on totally erronous [sic] information"; the band also reprinted the letter in a full-page ad in Billboard. Rosenblatt insisted in a press release that Geffen would release anything the band submitted, and label founder David Geffen made the unusual move of personally calling Newsweek to complain about the article.Nirvana wanted to do further work on the recorded tracks, and considered working with producer Scott Litt and remixing some tracks with Andy Wallace (who had mixed Nevermind). Albini vehemently disagreed, and claimed he had an agreement with the band that it would not modify the tracks without his involvement. Albini initially refused to give the album master tapes to Gold Mountain, but relented after a phone call from Novoselic. The band decided against working with Wallace and chose to remix and augment the songs "Heart-Shaped Box" and "All Apologies" with Litt at Seattle's Bad Animals Studio in May 1993. Furthermore, a remix of "Pennyroyal Tea" by Scott Litt (at Bad Animals on November 22, 1993) appears on the censored Wal-Mart and Kmart versions of In Utero; this remix is also available on the band's 2002 best-of compilation, Nirvana, and is the same mix that appeared on the single....
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The answer is:
In Utero

Problem: Given the question: Read the following paragraph and extract the answer for the question: What is the full name of the person that played drums on Iggy Pop's album Lust for Life? Bowie shelved his solo career in 1989, retreating to the relative anonymity of band membership for the first time since the early 1970s. A hard-rocking quartet, Tin Machine came into being after Bowie began to work experimentally with guitarist Reeves Gabrels. The line-up was completed by Tony and Hunt Sales, whom Bowie had known since the late 1970s for their contribution, on bass and drums respectively, to Iggy Pop's 1977 album Lust for Life. Although he intended Tin Machine to operate as a democracy, Bowie dominated, both in songwriting and in decision-making. The band's album debut, Tin Machine (1989), was initially popular, though its politicised lyrics did not find universal approval: Bowie described one song as "a simplistic, naive, radical, laying-it-down about the emergence of Neo-Nazis"; in the view of biographer Christopher Sandford, "It took nerve to denounce drugs, fascism and TV ... in terms that reached the literary level of a comic book." EMI complained of "lyrics that preach" as well as "repetitive tunes" and "minimalist or no production". The album nevertheless reached No. 3 and went gold in the UK.Tin Machine's first world tour was a commercial success, but there was growing reluctanceamong fans and critics aliketo accept Bowie's presentation as merely a band member. A series of Tin Machine singles failed to chart, and Bowie, after a disagreement with EMI, left the label. Like his audience and his critics, Bowie himself became increasingly disaffected with his role as just one member of a band. Tin Machine began work on a second album, but Bowie put the venture on hold and made a return to solo work. Performing his early hits during the seven-month Sound+Vision Tour, he found commercial success and acclaim once again.In October 1990, a decade after his divorce from Angie, Bowie and Somali-born supermodel Iman were introduced by a mutual friend. Bowie recalled, "I was naming the children the night we met ... it was absolutely immediate." They married in 1992. Tin Machine resumed work the...
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The answer is:
Hunt Sales