Problem: Background: Drescher was born in Kew Gardens Hills, New York, the daughter of Sylvia, a bridal consultant, and Morty Drescher, a naval systems analyst. Her family is from Southeast and Central Europe. Her maternal great-grandmother Yetta was born in Focsani, Romania, and emigrated to the United States, while her father's family came from Poland. She has an older sister, Nadine.
Context: In the 2000s, Drescher made a return to television both with leading and guest roles. In 2003, Drescher appeared in episodes of the short lived sitcom, Good Morning, Miami as Roberta Diaz. In 2005, she returned with the sitcom Living with Fran, in which she played Fran Reeves, a middle-aged mother of two, living with Riley Martin (Ryan McPartlin), a man half her age and not much older than her son. Former Nanny costar Charles Shaughnessy appeared as her philandering ex-husband, Ted. Living with Fran was cancelled on May 17, 2006, after two seasons. In 2006, Drescher guest starred in an episode of Law & Order: Criminal Intent; the episode, "The War at Home", aired on US television on November 14, 2006. She also appeared in an episode of Entourage and in the same year, gave her voice to the role of a female golem in The Simpsons episode "Treehouse of Horror XVII". In 2007, Drescher appeared in the US version of the Australian improvisational comedy series Thank God You're Here. In 2008, Drescher announced that she was developing a new sitcom entitled The New Thirty, also starring Rosie O'Donnell. A series about two old high school friends coping with midlife crises, Drescher described the premature plot of the show as "kind of Sex and the City but we ain't getting any! It'll probably be more like The Odd Couple." The sitcom failed to materialize however. In 2010, Drescher returned to television with her own daytime talk show, The Fran Drescher Tawk Show. While the program debuted to strong ratings, it ended its three-week test run to moderate success, resulting in its shelving. The following year, the sitcom Happily Divorced, created by Drescher and her ex-husband, Peter Marc Jacobson, was picked up by TV Land for a ten-episode order. It premiered there June 15, 2011. The show was renewed in July 2011 for a second season of 12 episodes, which aired in spring 2012. On May 1, 2012, TV Land extended the second season and picked up 12 additional episodes, taking the second season total to 24. The back-order of season two debuted later in 2012. Happily Divorced was cancelled in August 2013. To promote Happily Divorced, Drescher performed the weddings of three gay couples in New York City using the minister's license she received from the Universal Life Church. Drescher hand-picked the three couples, all of whom were entrants into "Fran Drescher's 'Love Is Love' Gay Marriage Contest" on Facebook, based on the stories the couples submitted about how they met, why their relationship illustrated that "love is love" and why they wanted to be married by her.
Question: Did she do anything after that sitcom failed to happen?
Answer: In 2010, Drescher returned to television with her own daytime talk show, The Fran Drescher Tawk Show.

Problem: Background: Take That are an English pop group formed in Manchester, in 1989. The group currently consists of Gary Barlow, Howard Donald and Mark Owen. The original line-up also featured Jason Orange and Robbie Williams. Barlow acts as the group's lead singer and primary songwriter, with Owen and Williams initially providing backing vocals and Donald and Orange serving primarily as dancers.
Context: 1993 saw the release of Everything Changes, based on Barlow's original material. It peaked at number one in the UK and spawned six singles, with four being consecutive UK number one singles - their first number one "Pray", "Relight My Fire", "Babe" and the title track "Everything Changes". The lead single "Why Can't I Wake Up with You" had narrowly missed the top spot in the UK peaking at number two and the sixth and final single "Love Ain't Here Anymore" taken from the album reached number three on the UK charts. Everything Changes saw the band gain international success with the album being nominated for the 1994 Mercury Prize, but it failed to crack the U.S. market, where an exclusive remix of "Love Ain't Here Anymore" (U.S. version) gained little success. By 1994, Take That had become radio and television stars across Europe and Asia, but it was not until 1995 that they did their first World Tour. It was during the years 1993-95 that the band fronted scores of magazine covers ranging from Smash Hits to GQ, becoming mass merchandised on all sorts of paraphernalia ranging from picture books, to posters, stickers, their own dolls, jewellery, caps, T-shirts, toothbrushes and even had their own annuals released. The band had also developed a large female teenage fanbase at the time. During this time, they performed at numerous music awards shows and chart shows such as the BRIT Awards and Top of the Pops, also winning the Best Live Act award in 1995 at the MTV Europe Music Awards, having been renowned for their breakdance routines, high energy and creative tour productions. In 1995, Take That released their third studio album Nobody Else, again based on Barlow's own material which reached number 1 in the UK and across Europe, capturing new audiences along the way, with Take That also able to make inroads in the adult audience in Britain through Barlow's melodic, sensitive ballads. For nearly five years, Take That's popularity was unsurpassed in Britain. The release of the first single from the album, "Sure", achieved yet another number one in the UK charts. It was not until their second release from that album, however, that they would experience what would become their biggest hit single, "Back for Good", which reached number one in 31 countries around the globe and to date has been covered 89 times the world over. It was also their only US hit, where it reached number seven. The song was initially unveiled for the first time via live performance while at the 1995 BRIT Awards, and based on the reception of that performance, the record pre-sold more records than expected and forced the record label to bring the release date forward by an unprecedented six weeks. The album was also noted for its cover which was a parody of the famed cover of The Beatles' Sgt. Pepper's Lonely Hearts Club Band cover sleeve.
Question: what was the best song on the album
Answer:
Why Can't I Wake Up with You