Some context: Thomas Edward Lawrence was born on 16 August 1888 in Tremadog, Carnarvonshire (now Gwynedd), Wales in a house named Gorphwysfa, now known as Snowdon Lodge. His Anglo-Irish father Thomas Chapman had left his wife Edith after he fell in love and had a son with Sarah Junner, a young Scotswoman who had been engaged as governess to his daughters. Sarah was the daughter of Elizabeth Junner and John Lawrence, who worked as a ship's carpenter and was a son of the household in which Elizabeth had been a servant. She was dismissed four months before Sarah was born.
At the age of 15, Lawrence and his schoolfriend Cyril Beeson cycled around Berkshire, Buckinghamshire, and Oxfordshire, visited almost every village's parish church, studied their monuments and antiquities, and made rubbings of their monumental brasses. Lawrence and Beeson monitored building sites in Oxford and presented their finds to the Ashmolean Museum. The Ashmolean's Annual Report for 1906 said that the two teenage boys "by incessant watchfulness secured everything of antiquarian value which has been found." In the summers of 1906 and 1907, Lawrence and Beeson toured France by bicycle, collecting photographs, drawings, and measurements of medieval castles. In August 1907 Lawrence wrote home: "The Chaignons & the Lamballe people, complimented me on my wonderful French: I have been asked twice since I arrived what part of France I came from". From 1907 to 1910, Lawrence read History at Jesus College, Oxford. In the summer of 1909, he set out alone on a three-month walking tour of crusader castles in Ottoman Syria, during which he travelled 1,000 mi (1,600 km) on foot. Lawrence graduated with First Class Honours after submitting a thesis titled The Influence of the Crusades on European Military Architecture--to the End of the 12th Century, based on his field research with Beeson in France, notably in Chalus, and his solo research in the Middle East. Lawrence was fascinated by the Middle Ages with his brother Arnold writing in 1937 that for him "medieval researches" were a "dream way of escape from bourgeois England". In 1910 Lawrence was offered the opportunity to become a practising archaeologist in the Middle East, at Carchemish, in the expedition that D. G. Hogarth was setting up on behalf of the British Museum. Hogarth arranged a "Senior Demyship", a form of scholarship, for Lawrence at Magdalen College, Oxford, to fund Lawrence's work at PS100 a year. In December 1910, he sailed for Beirut and on his arrival went to Jbail (Byblos), where he studied Arabic. He then went to work on the excavations at Carchemish, near Jerablus in northern Syria, where he worked under Hogarth, R. Campbell Thompson of the British Museum, and Leonard Woolley, until 1914. He later stated that everything which he had accomplished he owed to Hogarth. While excavating at Carchemish, Lawrence met Gertrude Bell. In 1912 Lawrence worked briefly with Flinders Petrie at Kafr Ammar in Egypt.
What did he accomplish while in Syria?
A:
Some context: Lester Willis Young (August 27, 1909 - March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike". Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music.
In 1933 Young settled in Kansas City, where after playing briefly in several bands, he rose to prominence with Count Basie. His playing in the Basie band was characterized by a relaxed style which contrasted sharply with the more forceful approach of Coleman Hawkins, the dominant tenor sax player of the day. One of Young's key influences was Frank Trumbauer, who came to prominence in the 1920s with Paul Whiteman and played the C-melody saxophone (between the alto and tenor in pitch). Young left the Basie band to replace Hawkins in Fletcher Henderson's orchestra. He soon left Henderson to play in the Andy Kirk band (for six months) before returning to Basie. While with Basie, Young made small-group recordings for Milt Gabler's Commodore Records, The Kansas City Sessions. Although they were recorded in New York (in 1938, with a reunion in 1944), they are named after the group, the Kansas City Seven, and comprised Buck Clayton, Dicky Wells, Basie, Young, Freddie Green, Rodney Richardson, and Jo Jones. Young played clarinet as well as tenor in these sessions. Young is described as playing the clarinet in a "liquid, nervous style." As well as the Kansas City Sessions, his clarinet work from 1938-39 is documented on recordings with Basie, Billie Holiday, Basie small groups, and the organist Glenn Hardman. Billie and Lester met at a Harlem jam session in the early 30s and worked together in the Count Basie band and in nightclubs on New York's 52nd St. At one point Lester moved into the apartment Billie shared with her mother, Sadie Fagan. Holiday always insisted their relationship was strictly platonic. She gave Lester the nickname "Prez" after President Franklin Roosevelt, the "greatest man around" in Billie's mind. Playing on her name, he would call her "Lady Day." Their famously empathetic classic recordings with Teddy Wilson date from this era. After Young's clarinet was stolen in 1939, he abandoned the instrument until about 1957. That year Norman Granz gave him one and urged him to play it (with far different results at that stage in Young's life--see below).
What other bands was Billie in?
A:
the Kansas City Seven,