Problem: Given the question: Build a movie plot around this: What does the man use to drive away a cougar? two warning shots from a revolver he retrieved inside the car
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The answer is:
A man, referred to in the movie only as "Man" (Adrien Brody), wakes up, severely injured, in a wrecked car in the bottom of a ravine with his right leg stuck between the dashboard and the door. He has a broken leg and is suffering from amnesia. He hallucinates about a woman (Caroline Dhavernas) finding him. He also drives away a cougar after giving two warning shots from a revolver he retrieved inside the car. After a few days of being stuck in that position, he manages to escape the car by prying out the car door with a shifter lever.In the car, he finds bags of money and hears on the car radio about an armed robbery by a man named Raymond Plazzy. Finding a credit card under the passenger seat in the name of Raymond Plazzy, The Man assumes that he is Raymond Plazzy and that he committed the robbery. A man (Adrian Holmes) wearing hunting gear emerges from the woods and starts to loot the wrecked car. The Man tries to get help from the hunter, who just runs away with some of the stolen money. A dog appears, and The Man follows it into the woods. He finds a working cell phone inside a cave, discovering the tragic fate of the hunter who was possibly attacked by the cougar. The Man cannot obtain a signal in the woods.Frequently hallucinating about the woman, he finally shoots her with the revolver after realizing the hallucination led him back to the car. He then decides to get out of the ravine. After crawling for days, he finds a road and a dead body with a driver's license that says Raymond Plazzy. He then pieces together what happened to him: He was running errands with his wife (the Woman) when he witnessed an armed robbery and was taken hostage by Plazzy. They were driving down the road, arguing about the situation; and he used the moment to grab the wheel, causing the car to crash. Suddenly, the cougar appears; the man gives the dead body to the cougar to eat. The man now has a cell phone signal and calls for help.The man is picked up by a forest ranger. He gets into the truck; and, when he clicks his...
input question: Build a movie plot around this: Who beats Granny to the door? Roger???
output answer: The film begins with Larry, Michael Gambon's character, walking up to a theatre door on an empty wet side street in what appears to be the West End of London. He sits by the door, passing the time, but is soon joined by a younger man, Simon (William Ash), also interested in waiting by the door. It soon becomes apparent that the two men are very early patrons for a show by "The Man of a Thousand Faces". As both sit waiting for the time to slowly pass, their attention gets diverted by the stunning Maria, played by Mary Elizabeth Mastrantonio. After much gawking at her beauty, the men decide to have a game of chess, during which Roger (Hugh Jackman) exits a taxi and starts to make his way to the group, as Granny (Andy Serkis) turns a corner heading the same way. Determined not to be left in the cold, Granny all but runs to the forming line, nearly stepping on her dog. Alas, Roger beats her. Dismayed at her defeat, she scares away the newly advancing woman, who would be the last one in line. Having scared away the Granny and her dog, and seen the show, the trio regroups by the stage door, and Simon lines the group for a picture, which one of the performers offers to take for them. After the smiles and laughing fade from the picture taking, the dog reappears and follows the cast member down the street, and the patrons put two and two together about Hunter Jackson, the 'Man of a Thousand Faces'.
Build a movie plot around this: Who loves Tomas? Marta
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Answer: Ingmar Bergman's "Winter Light," also known by the more appropriate British title "The Communicants," is the second installment in a film trilogy, preceded by "Through a Glass Darkly" and followed by "The Silence." This association was not intentional when Bergman made "Winter Light." Instead, the coda of "Through a Glass Darkly," "God is Love and Love is God," forms the nucleus from which he developed the central theme of "Winter Light. " The films of the trilogy are laid out like pieces of chamber music.First Movement. The film opens on a gray November Sunday, at noon. Pastor Tomas Ericsson (Gunnar Bjornstrand) is celebrating the liturgy of the Eucharist in a little church at Mittsunda. In the almost empty church, only seven parishioners are in attendance. Four of them are the usual attendees, and the other three are present with ulterior motives: the village school teacher and Eriskson's mistress, Marta Lundberg (Ingrid Thulin); the fisherman, Jonas Persson (Max von Sydow) and his pregnant wife Karin (Gunnel Lindblom). All three will communicate, together with the hunchback sexton of Frostnas, Algot Frovik (Allan Edwall), and an old woman from Hol (Elsa Ebbesen). Following the end of the service, flu-ridden Tomas returns to the vestry, where Mittsunda's sexton, Knut Aronsson (Kolbjorn Knudsen), is counting the meager collection. He advises the sickly Tomas to forgo the afternoon vespers service at the nearby village of. Frostnas. Tomas contemptuously refuses: he must dutifully keep his service to the parish. Frovik comes in to talk to Tomas about a personal problem, but Tomas dismisses him somewhat summarily, advising him to come to him later in the afternoon, before the vespers. Enter Mrs. Persson with her husband in tow, wanting to discuss a very urgent and private matter with the pastor. Jonas is silent and Karin must herself explain that her husband has been extremely depressed by a recent news article he read. According to the article, the Chinese, who are raised to hate, will soon possess the atomic...
Please answer this: Build a movie plot around this: What profession is John Calvert Founder of the Access Research Network and a member of the Kansas school board.
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Answer:
Flock of Dodos examines the disagreements that proponents of intelligent design have with the scientific consensus position of evolution.[1]The evolutionarily famous dodo (Raphus cucullatus) is a now-extinct bird that lived on the island of Mauritius. Due to its lack of fear of humans and inability to fly, the dodo was easy prey, and thus became known for its apparent stupidity.The film attempts to determine who the real "dodos" are in a constantly evolving world: the scientists who are failing to effectively promote evolution as a scientifically accepted fact, the intelligent design advocates, or the American public who get fooled by the "salesmanship" of evolution critics. The film gives equal air time to both sides of the argument, including intelligent design proponent Michael Behe and several of his colleagues.While Randy Olson ultimately sides with the scientists who accept evolution, the scientists are criticized for their elitism and inability to efficiently present science to the general public, which ultimately contributes to the spread of misconceptions.[2]The film begins by going over the history of intelligent design thought from Plato and Paley to the present-day incarnation promoted by the Discovery Institute. Olson mixes in humorous cartoons of squawking dodos with commentary from his mother and interviews with proponents on both sides of the intelligent design/evolution debate.On the intelligent design side, Olson interviews Behe, John Calvart (founder of the Access Research Network) and a member of the Kansas school board.[3] Olson also unsuccessfully tries to interview Kansas Board of Education member Connie Morris (associated with Kansas evolution hearings) and members of the Discovery Institute.