Q: What's an example of a movie review?
An example of a movie review is here: I have seen this movie when I was about 7 years old - which was 33 years ago - and I never forgot this movie! I was deeply touched and moved by the brave little boy and the beautiful eagle. And I just couldn't believe it when he turned into an eagle just when everyone in the theater thought he was going to die...

My sister was in the movie with me and I asked her recently if she remembered the movie we saw with the boy and the eagle and she said she remembered it like we saw it only yesterday. So it isn't just me.

This movie is a MUST SEE !!!

You will never forget it - just like my sister and me...

Q: What's an example of a movie review?
An example of a movie review is here: After I got done watching this movie I was so upset that I had wasted 2 hours of my life. That's 2 hours I'll never get back. Ugh. When you start this you might think "Wow this is really good!" But rest assured that first impressions mean NOTHING. I was so excited about this movie until the dumbest ending I have ever seen. This movie is simply pathetic. The acting is bland, the story line is anything but original and there's nothing especially unique about this except that it's the WORST MOVIE EVER!!! DO NOT WATCH THIS MOVIE!!! WARNING!! DUMBEST MOVIE EVER YOU WILL BE SORRY IF YOU WASTE 2 HOURS OF YOUR LIFE ON THIS!!! 1/10

Q: What's an example of a movie review?
An example of a movie review is here: Over the past year, Uwe Boll has shown marginal improvement as a filmmaker, cranking out the competent "In the Name of the King" (a "Lord of the Rings" clone) and the proudly vulgar, post-9/11 satire "Postal." But then came "Seed," and the counter was reset to Zero, keeping his bid for legitimacy and respect that much further out of reach. And I'm a fan of the guyhis films exhibit a uniquely screwball vision, and are never dull.

Spawned from his frustration over the savage notices his early films received, "Seed" is a colossally misguided attempt at social commentary, and an even worse jab at creating an iconic slasher mythology (Boll often seems to be taking a page from Rob Zombie's successful reboot of "Halloween"). The antagonist is Maxwell Seed (Will Sanderson), a mute, hulking brute who's slain 666 people and sits on death row, awaiting execution; after unsuccessfully frying the beast, he rises from the grave to seek revenge on those who put him there...and so begins a string of wholly gratuitous mayhem.

Trying to create a new-millennium slasher in the vein of Michael Myers or Jason Voorhees, Max Seed is too nondescript and boring to leave an impression, ultimately resembling a washed-up pro wrestler doing "The Toolbox Murders" on a succession of equally boring victims. Furthermore, Seed's character and Boll's "message" run contrary to one another: the death penalty is wrong, sure, but are we really expected to sympathize with a soulless killer who's left a couple hundred corpses in his wake? I think not.

Meanwhile, Michael Pare acts like a listless, long-lost brother to James Remar's character on "Dexter": a cop who sits at his desk a lot, thumbing through newspaper clippings, and watching pointless stop-motion scenes of decomposing animals and people trapped in Seed's lair. By the time he and a bunch of cardboard cops storm Seed's hideout, the sequence is so drawn-out, ill-conceived (the lighting is almost non-existent), and unexciting (despite a healthy dose of gore) that it almost put me to sleep.

The shoddy film-making isn't limited to just that sequence: "Seed" appears to have been shot by a drunken cinematographer, since the camera bobs and weaves endlessly, a technique that's more stomach-turning than the gore itself; these protracted takes of very little happening only draw attention to the meandering, almost non-existent narrative. At 90 minutes, the film is distended enough to be considered a form of torture, which might have been Boll's intent all along.

Pure genius...I guess the joke's on me.

Q: What's an example of a movie review?
An example of a movie review is here:
i'm gonna give it to ya straight...this movie is amazing. foreign gay films are so fast surpassing American gay films in production quality acting and story. while so many American indie gay films are grainy, bad sound, amateur acting, trite story lines, and a surprising lack of any nudity or erotica, top-quality foreign gay films have been popping up like this one from France. the cinematography is beautiful, thought out, meaningful. the story is adult and complex (but not difficult for anyone to follow), the acting is intense and professional. both leads are fantastic, as well as the entire cast. the boys are more than just good-looking and there's plenty of full frontal nudity. you follow the entire year of these boys, from their meeting to the end. all the little nuances of a relationship's, the details of falling in, and out, of love are there beautifully performed. it left me wanting more. check it out!