Problem: Background: Gnarls Barkley is an American soul duo, composed of singer-songwriter CeeLo Green and producer Danger Mouse. They have released two studio albums, St. Elsewhere (2006) and The Odd Couple (2008). St. Elsewhere was recorded on the Warner Music UK label, and contained their hit single "Crazy" which topped at number two on the US Hot 100, and topped the charts in the UK. It was also nominated at the 2007 Grammy Awards for Record of the Year, and was platinum certified for shipping over 1,000,000 records.
Context: In 2006, Sanjiv Bhattacharya interviewed the duo for The Guardian and asked about where their band name came from, to which Green replied: "You ask me why we're called Gnarls Barkley and I'm asking you 'why not?'...The name Gnarls Barkley isn't anchored down. It's a drifter. A High Plains drifter, I might add". Danger Mouse said: "There's no story behind it...The name doesn't have anything to do with anything". Although many people believe that their name has something to do with former NBA player Charles Barkley, the duo dismiss that idea. Sanjiv asked them about it, saying "Not even Charles Barkley, the basketball player?", to which Danger Mouse replied: "Nope. It's just like everything else on this record. There was no conscious decision about stuff". According to a Billboard article: "Burton and CeeLo have been cagey about what the name of the act means, and each live performance is an opportunity to play dress-up as tennis players, astronauts and chefs, among many other get-ups. The costuming extends to photo shoots, as Burton and Cee Lo would rather impersonate characters from such films as Back to the Future or Wayne's World. They also have dressed up as characters from films A Clockwork Orange and Napoleon Dynamite. About Gnarls Barkley, Green said in an interview: That is that electric industrial Euro soul, that's what I call it... if I can call it anything. It truly is shapeless and formless. My style and my approach is still water, and it runs so deep. So, with that project I got a chance to be a lil' zany, of course a continuation of eccentricity, abstract and vague, and all of those wonderful things that make art exactly what it is. And that's subject to interpretation. As far as the artiste himself, it does cater to and extend the legacy of Cee Lo Green, and showcase the diversity and range and intention of Cee Lo Green. It is a great project that I'm very, very proud of.
Question: Are there any other interesting aspects about this article?
Answer: Although many people believe that their name has something to do with former NBA player Charles Barkley, the duo dismiss that idea.

Problem: Background: Baudelaire was born in Paris, France, on April 9, 1821, and baptized two months later at Saint-Sulpice Roman Catholic Church. His father, Francois Baudelaire, a senior civil servant and amateur artist, was 34 years older than Baudelaire's mother, Caroline. Francois died during Baudelaire's childhood, in 1827. The following year, Caroline married Lieutenant Colonel Jacques Aupick, who later became a French ambassador to various noble courts.
Context: Baudelaire next worked on a translation and adaptation of Thomas De Quincey's Confessions of an English Opium Eater. Other works in the years that followed included Petits Poemes en prose (Small Prose poems); a series of art reviews published in the Pays, Exposition universelle (Country, World Fair); studies on Gustave Flaubert (in L'Artiste, October 18, 1857); on Theophile Gautier (Revue contemporaine, September 1858); various articles contributed to Eugene Crepet's Poetes francais; Les Paradis artificiels: opium et haschisch (French poets; Artificial Paradises: opium and hashish) (1860); and Un Dernier Chapitre de l'histoire des oeuvres de Balzac (A Final Chapter of the history of works of Balzac) (1880), originally an article "Comment on paye ses dettes quand on a du genie" ("How one pays one's debts when one has genius"), in which his criticism turns against his friends Honore de Balzac, Theophile Gautier, and Gerard de Nerval. By 1859, his illnesses, his long-term use of laudanum, his life of stress, and his poverty had taken a toll and Baudelaire had aged noticeably. But at last, his mother relented and agreed to let him live with her for a while at Honfleur. Baudelaire was productive and at peace in the seaside town, his poem Le Voyage being one example of his efforts during that time. In 1860, he became an ardent supporter of Richard Wagner. His financial difficulties increased again, however, particularly after his publisher Poulet Malassis went bankrupt in 1861. In 1864, he left Paris for Belgium, partly in the hope of selling the rights to his works and also to give lectures. His long-standing relationship with Jeanne Duval continued on-and-off, and he helped her to the end of his life. Baudelaire's relationships with actress Marie Daubrun and with courtesan Apollonie Sabatier, though the source of much inspiration, never produced any lasting satisfaction. He smoked opium, and in Brussels he began to drink to excess. Baudelaire suffered a massive stroke in 1866 and paralysis followed. After more than a year of aphasia, he received the last rites of the Catholic Church. The last two years of his life were spent, in a semi-paralyzed state, in "maisons de sante" in Brussels and in Paris, where he died on August 31, 1867. Baudelaire is buried in the Cimetiere du Montparnasse, Paris. Many of Baudelaire's works were published posthumously. After his death, his mother paid off his substantial debts, and at last she found some comfort in Baudelaire's emerging fame. "I see that my son, for all his faults, has his place in literature." She lived another four years.
Question: What was his next challange
Answer:
Other works in the years that followed included Petits Poemes en prose (Small Prose poems); a series of art reviews published in the Pays, Exposition universelle