Question: Generate a question that has the following answer: Emotive dogma for the following movie plot: The film can be seen as an allegory of post-World War II Eastern European political systems - told as a black-and-white cinematic poem with 39 long, single-camera takes. It examines the brutalization of a society, its political systems and ethics through the metaphor of a decaying circus whale and its star performer. It is set in a desolate, isolated small town in Hungary during Soviet times. The film starts with Janos Valuska, a simple person, conducting a poem and dance with drunken bar patrons. The dance is of the total eclipse of the sun, which disturbs, then silences the animals. It finishes with the grand return of the warm sunlight. One of the significant reoccurring characters in this plot is the subtle transitions between light and darkness. The first appearance of this motif is a lamp in the bar, moving to a door into the darkness. The circus arrives like a Trojan Horse in the darkness of night. A window is opened as a glimmer of hope and dressed to shut out the world. The antagonist is only ever seen as a shadow. Janos' uncle Gyorgy is a composer, and therefore one of the intelligentsia. Gyorgy observes the imperfection and compromise of the musical scale (as defined by Andreas Werckmeister a historical theorist). Gyorgy proposes changes to the scale to make it more harmonious. This utopian approach to music represents a flawed, naive idealism that never can be achieved; it is not developed any further in the film or the book. It is just a statement indicating that human governance will always be flawed. Gyorgy's estranged wife tries to leverage her political and social status by giving Gyorgy a list of names to recruit for the "clean up the town movement" (with the blessing of the police chief). However, a stuffed smelly circus whale and its star performer, Prince, come to town in the silence and darkness of night. This is a metaphor for a bloated political system and the unseen Prince who represents the power of politically inspired, emotive dogma. Janos philosophizes about God and the...
Answer: What kind of dogma does the metaphor describe?

[Q]: Generate a question that has the following answer: Their kids. for the following movie plot: The movie tells the story of Raj Malhotra (Amitabh Bachchan), his wife Pooja (Hema Malini), and their four sons Ajay (Aman Verma), Sanjay (Samir Soni), Rohit (Saahil Chadda), and Karan (Nasir Kazi). The couple have provided their children with everything, often at the cost of Raj's and Pooja's own requirements. The Malhotras have an adopted son Alok (Salman Khan), who is in love with Arpita (Mahima Chaudhry). Alok was an orphan and Raj provided him with money and education, bringing him up as his own son. Now a successful man, Alok worships Raj because of all his help and thinks him as his father. Raj has a flourishing job. But, once he retires, he is unable to support himself and has to vacate the house he and Pooja have shared for years. They decide to live with their kids to enjoy their love and affection. However, their kids do not want them: They think looking after their parents will be a hassle. The children decide to split the parents up, each parent going to live with one of the sons for the next six months. The children think the parents will refuse the offer and, therefore, they will remain in their home. However, the parents reluctantly accept the offer. The parents endure this separation as well as horrible treatment from their children after all they have sacrificed for them. Their grandson, Rahul, is the only one who gives Raj love and affection. Saddened by the treatment he has received from his children and their families, Raj writes down his feelings about how he fulfilled his children's dreams and, in return, how they treat him, as well as his love for his wife, and how much pain their separation has caused. His writing eventually becomes a novel. To pass time in the lonesome and angry house he temporarily lives in, he makes friends that admire him and regard him more than his sons. Pooja, meanwhile, endures abuse from her son and daughter-in-law, as well as her granddaughter, Payal. Payal, though, realizes her mistake when Pooja saves her from her boyfriend's sexual advances and nurtures...
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[A]: Who do Raj and Pooja decide to live with?

input: Please answer the following: Generate a question that has the following answer: Stella gains access to Windward House. for the following movie plot: In 1937, London music critic and composer Roderick "Rick" Fitzgerald (Ray Milland) and his sister Pamela (Ruth Hussey) fall in love with Windward House, an abandoned seaside house, during a holiday on Cornwall's rocky coast. They purchase it for an unusually low price from Commander Beech (Donald Crisp). Rick and Pamela meet Beech's 20-year-old granddaughter, Stella Meredith (Gail Russell), who lives with her grandfather in the nearby town of Biddlecombe. Stella is deeply upset by the sale because of her attachment to the house, despite its being where her mother died. The commander has forbidden Stella to enter the house or to see Rick. However, she gains access to Windward House through Rick, who has become infatuated with her. The Fitzgeralds' initial enchantment with the house diminishes when they unlock an artist's studio where they feel an inexplicable chill. Just before dawn, Rick hears the eerie sobs of an unseen woman, a phenomenon that Pamela investigates whilst awaiting her brother's return with their Irish housekeeper, Lizzie Flynn (Barbara Everest). The superstitious Lizzie notices a peculiar draft on the stairs. Rick and Pamela must face the obvious: Windward House is haunted. When Stella comes to Windward for dinner, she senses a spirit. Rather than fearing it, she associates the calming presence with her mother. Also, the strong scent of mimosa is that of her mother's favorite perfume. Suddenly she dashes out towards the very cliff from which her mother Mary fell to her death seventeen years earlier. Rick catches her just before she reaches the edge. Stella professes to have no recollection of the near-fatal incident. The Fitzgeralds and the town physician, Dr. Scott (Alan Napier), investigate. They learn that Stella's father, a painter, had had an affair with his model, a Spanish gypsy named Carmel. Stella's mother, Mary Meredith, from all accounts a beautiful and virtuous woman, found out and took Carmel to Paris, leaving her there. Subsequently Carmel returned to England, stole the infant...
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output:
Where does Stella gain access to ?