input: On January 4, 2000, Cuban purchased a majority stake in the NBA's Dallas Mavericks for $285 million from H. Ross Perot, Jr. In the 20 years before Cuban bought the team, the Mavericks won only 40% of their games, and a playoff record of 21-32. In the 10 years following, the team won 69 percent of their regular season games and reached the playoffs in each of those seasons except for one. The Mavericks' playoff record with Cuban is 49 wins and 57 losses, including their first trip to the NBA Finals in 2006, where they lost to the Miami Heat. On June 12, 2011, the Mavericks defeated the Heat to win the NBA Finals. Historically, NBA team owners publicly play more passive roles and watch basketball games from skyboxes; Cuban sits alongside fans while donning team jerseys. Cuban travels in his private airplane--a Gulfstream V--to attend road games. In May 2010, H. Ross Perot, Jr., who retained 5% ownership, filed a lawsuit against Cuban, alleging the franchise was insolvent or in imminent danger of insolvency. In June 2010, Cuban responded in a court filing maintaining Perot is wrongly seeking money to offset some $100 million in losses on the Victory Park real estate development. The lawsuit was dismissed in 2011, due in part to Cuban asserting proper management of the team due to its recent victory in the 2011 NBA Finals. In 2014, the 5th Circuit Court affirmed that decision on appeal. Following his initial defeat, Perot attempted to shut out Mavericks fans from use of the parking lots he controlled near the American Airlines Center. In January 2018, Cuban announced the Mavericks would be accepting Bitcoin as payment for tickets in the following season.

Answer this question "Did Perot win the suit?"
output: The lawsuit was dismissed in 2011, due in part to Cuban asserting proper management of the team due to its recent victory in the 2011 NBA Finals.

input: Diplo was born on November 10, 1978, in Tupelo, Mississippi, the son of Barbara Jean (nee Cox) and Thomas Pentz. He is of German and English descent. The influence of home-grown rap played a key role in helping shape his production style. He spent the majority of his youth in Miami, where he got a taste for the characteristic Miami bass. He began attending the University of Central Florida in 1997, and then moved to Philadelphia to continue his studies at Temple University, where he first garnered attention as a DJ. After frequently running into fellow DJ Low Budget, the two began throwing parties under the Hooked on Hollertronix moniker in 2003 as a way of maintaining control of what they were able to play during DJ gigs in Philadelphia. The success of these parties allowed the two to release mixtapes, both separate and together, gathering acclaim across the country. One such mixtape, Never Scared, was named one of the New York Times top ten albums of 2003, and the Hollertronix name became synonymous with parties featuring guests like Maluca Mala, Bun B, Spank Rock, M.I.A., among others. Hollertronix's sound has been described as "disparate genres to be smashed together for maximum attention-grabbing impact" an aesthetic which takes from the "organic, cohesive, whole" aesthetic of acts such as Bun B, Lil Jon, Drama, M.I.A., Bjork, Busta Rhymes, and others. Diplo accentuated the club aesthetic of his Hollertronix music for a more reflective sound on his solo debut, Florida, which was released on the Ninja Tune imprint, Big Dada Records. The album Florida was pressed twice, first with a CD and the second with a CD and DVD. The DVD was created by System D-128, another artist who has collaborated with Diplo on some audio and video projects. Before Florida's DVD accompaniment, another DVD surfaced called Diplo: "Banned in Libya" which was released by Money Studies, the first label to release a solo project by Diplo under his original DJ name Diplodocus. It was a 45 rpm record called "Thingamajawn" for which there is also a music video System D-128 directed. Similar to the Florida DVD, "Banned in Libya" is an experimental audio and video mix of some of Diplo's original music blended with a number of other unidentified sources. His particular affinity for one genre of music called baile funk, or favela funk, would spawn a series of mixtapes (Favela on Blast, Favela Strikes Back), which served to bring the Brazilian dance music of the ghettos to the United States. It was not long before his Hooked on Hollertronix parties would provide him the success necessary to move to the next logical step and build a studio where music would become his full-time focus. With this goal in mind, Diplo built "The Mausoleum," a video studio, recording studio, record label office, gallery, and event space in Philadelphia. Since its inception, The Mausoleum has become the home to recordings by artists like Christina Aguilera, Shakira, M.I.A., Santigold, Spank Rock, Plastic Little, Blaqstarr, Paper Route Gangstaz, and hosted concerts by Glass Candy, Skream, Boys Noize, Nicos Gun, and more.

Answer this question "When did he break into music?"
output: then moved to Philadelphia to continue his studies at Temple University, where he first garnered attention as a DJ. After frequently running into fellow DJ Low

input: Price claimed to have attended a private seance on 15 December 1937 in which a small six-year-old girl called Rosalie appeared. Price wrote he controlled the room by placing starch powder over the floor, locking the door and taping the windows before the seance. However, the identity of the sitters, or the locality where the seance was held was not revealed due to the alleged request of the mother of the child. During the seance Price claimed a small girl emerged, she spoke and he took her pulse. Price was suspicious that the supposed spirit of the child was no different than a human being but after the seance had finished the starch powder was undisturbed and none of the seals had been removed on the window. Price was convinced no one had entered the room via door or window during the seance. Price's Fifty Years of Psychical Research (1939) describes his experiences at the sitting and includes a diagram of the seance room. Eric Dingwall and Trevor Hall wrote the Rosalie seance was fictitious and Price had lied about the whole affair but had based some of the details on the description of the house from a sitting he attended at a much earlier time in Brockley, South London where he used to live. K. M. Goldney who had criticized Price over his investigation into Borley Rectory wrote after the morning of the Rosalie sitting she found Price "shaken to the core by his experience." Goldney believed Price had told the truth about the seance and informed the Two Worlds spiritualist weekly newspaper that she believed the Rosalie sitting to be genuine. In 1985, Peter Underwood published a photograph of part of an anonymous letter that was sent to the SPR member David Cohen in the 1960s which claimed to be from a seance sitter who attended the seance. The letter confessed to having impersonated the Rosalie child in the sitting by the request of the father who had owed the mother of the child money. In 2017, Paul Adams published details of the location of the Rosalie seance and identities of the family involved.

Answer this question "Who was Rosalie?"
output:
Price claimed to have attended a private seance on 15 December 1937 in which a small six-year-old girl called Rosalie appeared.