Answer the question at the end by quoting:

At Fillmore East is the first live album by American rock band the Allman Brothers Band, and their third release overall. Produced by Tom Dowd, the album was released in July 1971 in the United States by Capricorn Records. As the title indicates, the recording took place at the New York City music venue Fillmore East, which was run by concert promoter Bill Graham. It was recorded over the course of three nights in March 1971 and features the band performing extended jam versions of songs such as "Whipping Post", "
Shortly after completing recording of their second album, Idlewild South (1970), band leader Duane Allman was contacted by guitarist Eric Clapton to contribute to his new project, Derek and the Dominos. Allman was a huge fan of his work with the band Cream, and likewise Clapton enjoyed Allman's session work on Wilson Pickett's "Hey Jude" some years prior. They met after a show one night in Miami and had a jam session together until the next afternoon, with the two guitarists regarding one another as "instant soulmates." Clapton invited Duane to join Derek and the Dominos, and according to band biographer Alan Paul he considered it; in the end, he declined and rejoined the Allman Brothers Band, returning after missing a string of several shows. The sessions were collected on the album Layla and Other Assorted Love Songs, issued that November. In the interim, Idlewild South had yet to achieve strong commercial success, but the band's popularity and reputation began to increase due to their live performances. The band played continuously in 1970, performing over 300 dates on the road traveling in a Ford Econoline van and later, a Winnebago, nicknamed the Wind Bag. During this time, the group began struggling with drug addictions. Everyone in the group, with the exception of the brothers, was also struggling to make a living (vocalist Gregg Allman received more money from royalty payments and Duane more from session work). In one incident, tour manager Twiggs Lyndon stabbed and killed a promoter for not paying the band; he later claimed temporary insanity. Their fortunes began to change over the course of 1971, where the band's average earnings doubled. The Allman Brothers Band had first played Fillmore East in December 1969, opening for Blood, Sweat & Tears for three nights. Promoter Bill Graham enjoyed the band and promised to have them back soon. In January 1970, the band opened for Buddy Guy and B.B. King at San Francisco's Fillmore West, and one month later at Fillmore East supporting the Grateful Dead. According to biographer Alan Paul, "these shows were crucial in establishing the band and exposing them to a wider, sympathetic audience on both coasts." Drummer Butch Trucks considered their performances at the Fillmore East to be the launching pad for their success. In 1970, Duane Allman told disc jockey Ed Shane, "You know, we get kind of frustrated doing the [studio] records, and I think, consequently, our next album will be ... a live recording, to get some of that natural fire on it." "We were not intentionally trying to buck the system, but keeping each song down to 3:14 just didn't work for us," remembered Gregg Allman. "And we realized that the audience was a big part of what we did, which couldn't be duplicated in a studio. A lightbulb finally went off; we needed to make a live album."

Was Lyndon convicted?

Answer the question at the end by quoting:

James was born in Holton, Kansas; his mother, died in 1954 when he was five. His father was a janitor and a handyman. After four years at the University of Kansas residing at Stephenson Scholarship hall, James joined the Army in 1971. He was the last person in Kansas to be sent to fight in the Vietnam War, although he never saw action there.
An aspiring writer and obsessive fan, James began writing baseball articles after leaving the United States Army in his mid-twenties. Many of his first baseball writings came while he was doing night shifts as a security guard at the Stokely-Van Camp's pork and beans cannery. Unlike most writers, his pieces did not recount games in epic terms or offer insights gleaned from interviews with players. A typical James piece posed a question (e.g., "Which pitchers and catchers allow runners to steal the most bases?"), and then presented data and analysis written in a lively, insightful, and witty style that offered an answer. Editors considered James's pieces so unusual that few believed them suitable for their readers. In an effort to reach a wider audience, James began self-publishing an annual book titled The Bill James Baseball Abstract beginning in 1977. The first edition, titled 1977 Baseball Abstract: Featuring 18 categories of statistical information that you just can't find anywhere else, presented 68 pages of in-depth statistics compiled from James's study of box scores from the preceding season and was offered for sale through a small advertisement in The Sporting News. Seventy-five people purchased the booklet. The 1978 edition, subtitled The 2nd annual edition of baseball's most informative and imaginative review, sold 250 copies. Beginning in 1979, James wrote an annual preview of the baseball season for Esquire, and continued to do so through 1984. The first three editions of the Baseball Abstract garnered respect for James's work, including a very favorable review by Daniel Okrent in Sports Illustrated. New annual editions added essays on teams and players. By 1982 sales had increased tenfold, and a media conglomerate agreed to publish and distribute future editions. While writers had published books about baseball statistics before (most notably Earnshaw Cook's Percentage Baseball, in the 1960s), few had ever reached a mass audience. Attempts to imitate James's work spawned a flood of books and articles that continues to this day.

When was the last abstract published?
James wrote an annual preview of the baseball season for Esquire, and continued to do so through 1984.