Background: Charles Mingus Jr. (April 22, 1922 - January 5, 1979) was an American jazz double bassist, pianist, composer and bandleader. His compositions retained the hot and soulful feel of hard bop, drawing heavily from black gospel music and blues, while sometimes containing elements of Third Stream, free jazz, and classical music. He once cited Duke Ellington and church as his main influences. Mingus espoused collective improvisation, similar to the old New Orleans jazz parades, paying particular attention to how each band member interacted with the group as a whole.
Context: In 1952 Mingus co-founded Debut Records with Max Roach so he could conduct his recording career as he saw fit. The name originated from his desire to document unrecorded young musicians. Despite this, the best-known recording the company issued was of the most prominent figures in bebop. On May 15, 1953, Mingus joined Dizzy Gillespie, Parker, Bud Powell, and Roach for a concert at Massey Hall in Toronto, which is the last recorded documentation of Gillespie and Parker playing together. After the event, Mingus chose to overdub his barely audible bass part back in New York; the original version was issued later. The two 10" albums of the Massey Hall concert (one featured the trio of Powell, Mingus and Roach) were among Debut Records' earliest releases. Mingus may have objected to the way the major record companies treated musicians, but Gillespie once commented that he did not receive any royalties "for years and years" for his Massey Hall appearance. The records, however, are often regarded as among the finest live jazz recordings. One story has it that Mingus was involved in a notorious incident while playing a 1955 club date billed as a "reunion" with Parker, Powell, and Roach. Powell, who suffered from alcoholism and mental illness (possibly exacerbated by a severe police beating and electroshock treatments), had to be helped from the stage, unable to play or speak coherently. As Powell's incapacitation became apparent, Parker stood in one spot at a microphone, chanting "Bud Powell...Bud Powell..." as if beseeching Powell's return. Allegedly, Parker continued this incantation for several minutes after Powell's departure, to his own amusement and Mingus's exasperation. Mingus took another microphone and announced to the crowd, "Ladies and Gentleman, please don't associate me with any of this. This is not jazz. These are sick people." This was Parker's last public performance; about a week later he died after years of substance abuse. Mingus often worked with a mid-sized ensemble (around 8-10 members) of rotating musicians known as the Jazz Workshop. Mingus broke new ground, constantly demanding that his musicians be able to explore and develop their perceptions on the spot. Those who joined the Workshop (or Sweatshops as they were colorfully dubbed by the musicians) included Pepper Adams, Jaki Byard, Booker Ervin, John Handy, Jimmy Knepper, Charles McPherson and Horace Parlan. Mingus shaped these musicians into a cohesive improvisational machine that in many ways anticipated free jazz. Some musicians dubbed the workshop a "university" for jazz.
Question: What type of recordings did he do?
Answer: jazz.

Background: Poffo was born in Columbus, Ohio, the elder son of Judy and Angelo Poffo. His father was Italian American and his mother was Jewish; Poffo was raised Roman Catholic. Angelo was a well-known wrestler in the 1950s and 1960s, who was featured in Ripley's Believe It or Not! for his ability to do sit-ups for hours on end.
Context: In June 1985, Savage signed with Vince McMahon. Billed as "the top free agent in pro wrestling", Savage's first appearances on Tuesday Night Titans featured several established managers (including Bobby Heenan, Jimmy Hart, and "Classy" Freddie Blassie) offering their services to Savage. He eventually declined their offers and chose Miss Elizabeth as his new manager. His gimmick was a crazed, ego-maniacal bully who mistreated Miss Elizabeth and threatened anyone who even looked at her. He made his pay-per-view (PPV) debut at The Wrestling Classic on November 7, 1985, participating in a 16-man tournament. He defeated Ivan Putski, Ricky "The Dragon" Steamboat, and the Dynamite Kid before losing by a countout in the finals to Junkyard Dog. In late 1985, Savage started a feud with then Intercontinental Heavyweight Champion Tito Santana over that title. Santana beat him on October 19, 1985 at San Juan, Puerto Rico. The November 2, 1985 episode of Saturday Night's Main Event, he unsuccessfully challenged Santana for the title (Savage won the match by countout, but not the title because the title did not change hands by countout). In a rematch on the February 24, 1986 (taped February 8) episode of Prime Time Wrestling, he won the WWF Intercontinental Heavyweight Championship at the Boston Garden by using an illegal steel object stashed in his tights to knock out Santana. Early in his WWF career, Savage also won three countout victories (the first at the Spectrum in Philadelphia and the other two at Madison Square Garden) over his future tag team partner WWF World Heavyweight Champion Hulk Hogan (although the belt did not change hands due to the countout) as well as engaging in feuds with Bruno Sammartino and George "The Animal" Steele. During this time, Savage also formed a tag-team with semi-retired wrestler come color commentator Jesse "The Body" Ventura, who would remain a vocal supporter of Savage until Ventura left the WWF in mid-1990, except during Savage's period as a face. Savage's feud with Steele began on the January 4, 1986 episode of Saturday Night's Main Event, when Steele developed a crush on Miss Elizabeth. At WrestleMania 2, Savage defeated Steele in a match to retain his Intercontinental Heavyweight Title. He resumed his feud with Steele in early 1987, culminating in two Intercontinental Heavyweight title matches, both won by Savage. Savage wrestled Ricky Steamboat at WrestleMania III in the Pontiac Silverdome. After 19 two-counts, Steamboat pinned Savage (with help from George Steele, who pushed Savage from the top rope seconds before he was pinned) to end his near 14-month reign as Intercontinental Heavyweight Champion. The match was extremely choreographed, as opposed to the "on the fly" nature of most wrestling matches at the time. Savage was a stickler for detail, and he and Steamboat laid out and rehearsed every spot in the match prior to WrestleMania, at his home in Florida. The match was named 1987's Match of the Year by both Pro Wrestling Illustrated and the Wrestling Observer. Steamboat and Savage were seen cheering with and hugging other wrestlers after the match.
Question: who did he wrestle?
Answer:
He defeated Ivan Putski, Ricky "The Dragon" Steamboat, and the Dynamite Kid