Q: What begins as a fairly clever farce about a somewhat shady security monitoring company turns, almost instantaneously, into an uninteresting and completely inane murder mystery. David Arquette and the great Stanley Tucci try mightily to make this train wreck watchable, but some things are just not humanly possible.

What, for instance, causes Gale to turn suddenly from a sweet motherly figure into a drunken shrew at Tommy's parents house? Why would Heinrich, although admittedly a sleezebag, want to destroy the business to which he devotes his life, by robbing and possibly murdering his customers? Why does the seemingly sensible Tommy believe that Heinrich could be a murderer (based almost entirely on a dream), and even if that were believable, why wouldn't he go to the police? And why didn't Gale activate the alarm when she got home, especially after scolding Howie about it being off? Of course, all of these events are necessary for the plot (and I use the term very, very loosely) to unfold. And it might be forgivable if it resulted in even the slightest bit of comedy. But everything, from Howie's description of his date rape, to the coroner's misidentification of Gale, to the final "joke" about Gale and Howie still being dead, is more tasteless and pathetic than anything else.

I checked the box indicating that my comments contained "spoilers", but there's nothing more I or anyone else could do to spoil this thing that already stinks to high heaven.
A: negative
Q: SWING! is an important film because it's one of the remaining Black-produced and acted films from the 1930s. Many of these films have simply deteriorated so badly that they are unwatchable, but this one is in fairly good shape. It's also a nice chance to see many of the talented Black performers of the period just after the heyday of the old Cotton Club--a time all but forgotten today.

Unfortunately, while the film is historically important and has some lovely performances, it's also a mess. The main plot is very similar to the Hollywood musicals of the era--including a prima donna who is going to ruin the show and the surprise unknown who appears from no where to save the day. However, the writing is just god-awful and a bit trashy at times--and projects images of Black America that some might find a bit demeaning. This is because before the plot really gets going, you are treated to a no-account bum who lives off his hard working wife (a popular stereotype of the time) and when he is caught with a hussy (who, by the way, totally overplays this role), they have a fight which looks like a scene from WWE Smackdown! And, the one lady wants to cut the other lady with a straight razor--a trashy scene indeed! Later in the film, when the prima donna is behaving abominably, her husband punches her in the face and everyone applauds him! It seems like the film, at times, wants to appeal to the lowest common denominator in the audience PLUS they can't even do this well--with some of the worst acting I've seen in a very long time.

Still, if you can look past a lousy production in just about every way (with trashy characters, bad acting and direction and poor writing), this one might be worth a peek so you can see excellent singing and tap dancing--as well as to catch a glimpse of forgotten Black culture. Just don't say I didn't warn you about the acting--it's really, really bad!
A: negative
Q: Iam a Big fan of Mr Ram Gopal Varma but i could not believe that he made this movie. i was really disappointed.

Ram Gopal Varma Ki Aag doesn't come anywhere close to the real Sholay. It does not leave a lasting impression on a viewer. Ram Gopal Varma fails to create chemistry between the characters . There is no camaraderie between Heero(Ajay Devgan) and Raj(Prashant raj). There are hardly any scenes with more than two people in the frame together. The sequence outside the courtroom with Amitabh Bachchan and Mohanlal face off is remarkable. Amitabh Bachchan should not have done this movie. Ajay and Sushmita sen was trying their best but no use. Rajpal Yadav's voice modulation - ineffective and rather pointless. Mohanlal did full justice and proved it again that acting is all about facial expression and body language. Rest of the cast was below expectation. The comedy situation which was adapted from the original sholay fall flat in this movie.

Ram Gopal Varma could have worked upon the script but because of the controversies surrounded against the movie he messed up and just for the sake of making he made this Aag. But there is no fire.
A: negative
Q: ....CAUSE IT'S CRAP! The kind of movie that makes you want to go and smack the movie maker and say "WHY?". Horrible camera work...count the times the camera tries to remain steady on one person and can't. The dialog is ridiculous. The acting is comical. It looks like they took over a ghost town in the west to see if they could make a movie on the least amount of money possible. I'd bet $10 they used home video cameras to make this. Either that, or most of the cameramen were drunk. Truly the trailers are more entertaining than the movie. If you ever want to host a "Worst Movie Party", bring this one. Want more entertainment...stare at a wall.
A: negative