Input: Dwight D. Eisenhower
In the general election, against the advice of his advisors, Eisenhower insisted on campaigning in the South, refusing to surrender the region to the Democratic Party. The campaign strategy, dubbed "K1C2", was to focus on attacking the Truman and Roosevelt administrations on three issues: Korea, Communism and corruption. In an effort to accommodate the right, he stressed that the liberation of Eastern Europe should be by peaceful means only; he also distanced himself from his former boss President Truman.

Along with Korea and Communism, what issue did Eisenhower attack Truman on?
Output: corruption

Input: Textual criticism
In the English language, the works of Shakespeare have been a particularly fertile ground for textual criticismboth because the texts, as transmitted, contain a considerable amount of variation, and because the effort and expense of producing superior editions of his works have always been widely viewed as worthwhile. The principles of textual criticism, although originally developed and refined for works of antiquity, the Bible, and Shakespeare, have been applied to many works, extending backwards from the present to the earliest known written documents, in Mesopotamia and Egypta period of about five millennia. However, the application of textual criticism to non-religious works does not antedate the invention of printing. While Christianity has been relatively receptive to textual criticism, application of it to the Jewish (Masoretic) Torah and the Qur'an is, to the devout, taboo.[citation needed]

Over approximately what expanse of time can textual criticism be applied to written works?
Output: a period of about five millennia

Input: Post-punk
Though the music varied widely between regions and artists, the post-punk movement has been characterized by its "conceptual assault" on rock conventions and rejection of aesthetics perceived of as traditionalist, hegemonic or rockist in favor of experimentation with production techniques and non-rock musical styles such as dub, electronic music, disco, noise, jazz, krautrock, world music and the avant-garde. While post-punk musicians often avoided or intentionally obscured conventional influences, previous musical styles did serve as touchstones for the movement, including particular brands of glam, art rock and "[the] dark undercurrent of '60s music".[nb 1] According to Reynolds, artists once again approached the studio as an instrument, using new recording methods and pursuing novel sonic territories. Author Matthew Bannister wrote that post-punk artists rejected the high cultural references of 1960s rock artists like the Beatles and Bob Dylan as well as paradigms that defined "rock as progressive, as art, as 'sterile' studio perfectionism ... by adopting an avant-garde aesthetic".

How did post-punk artists once again approach the studio?
Output: as an instrument

Input: Religion in ancient Rome
The impressive, costly, and centralised rites to the deities of the Roman state were vastly outnumbered in everyday life by commonplace religious observances pertaining to an individual's domestic and personal deities, the patron divinities of Rome's various neighborhoods and communities, and the often idiosyncratic blends of official, unofficial, local and personal cults that characterised lawful Roman religion. In this spirit, a provincial Roman citizen who made the long journey from Bordeaux to Italy to consult the Sibyl at Tibur did not neglect his devotion to his own goddess from home:

What type of religious practices outnumbered the state observances?
Output:
commonplace