[Q]: Suggest a movie title for the following movie plot: A young widow, Anne Gauthier (Anouk Aimee), is raising her daughter Francoise (Souad Amidou) alone following the death of her husband (Pierre Barouh) who worked as a stuntman and who died in a movie set accident that she witnessed. Still working as a film script supervisor, Anne divides her time between her home in Paris and Deauville in northern France where her daughter attends boarding school. A young widower, Jean-Louis (Jean-Louis Trintignant), is raising his son Antoine (Antoine Sire) alone following the death of his wife Valerie (Valerie Lagrange) who committed suicide after Jean-Louis was in a near fatal crash during the 24 Hours of Le Mans. Still working as a race car driver, Jean-Louis divides his time between Paris and Deauville where his son also attends boarding school. One day Anne and Jean-Louis meet at the Deauville boarding school after Anne misses the last train back to Paris. Jean-Louis offers her a lift and the two become acquainted during the drive home, enjoying each other's company. When he drops her off, he asks if she would like to drive up together the following weekend, and she gives him her phone number. After a busy week at the track preparing for the next race, Jean-Louis calls and they meet early Sunday morning and drive to Deauville in the rain. Clearly attracted to each other, they enjoy a pleasant Sunday lunch with their children who get along well. Later that afternoon they go for a boat ride followed by a walk on the beach at sunset. Jean-Louis spends the following week preparing for and driving in the Monte Carlo Rally in southeast France. Every day, Anne closely follows news reports of the race, which takes place in poor weather conditions along the icy roads of the French Riviera. Of the 273 cars that started the race, only 42 were able to finish, including Jean Louis's white Mustang, number 184. Watching the television coverage of the conclusion of the race, Anne sends Jean-Louis a telegram that reads, "Bravo! I love you. Anne." That night at a dinner for the drivers...
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[A]: A Man and a Woman

[Q]: Suggest a movie title for the following movie plot: Ivedik is a fearsome-looking uncultivated driver with a lot of aggression but a spark of goodness in him. Involved by accident in a street fight, he rescues the wallet of the owner of an Antalya luxury hotel and hitchhikes his way south to restore it to the rightful owner. Along the way he is made the object of an unlikely attempted seduction by a homosexual truck-driver, reacting with shock and innocence. Reaching the hotel to hand over the wallet, he begins his stay by shattering a porcelain vase in the hotel lobby and talks his way out of the situation in exactly the same way as earlier burlesque characters. After giving back the wallet, he is about to leave when he glimpses his childhood sweetheart Sibel (Fatma Toptas) among a party of arriving guests and decides to take up the owner's offer of a free stay in the hotel. Gokbakar then uses Ivedik to burlesque every aspect of five star hotel life. Unable to use the toilets, he pees in the ornamental flowers, drinks the hotel shampoo as well as the contents of the minibar, massages the foot of an amorous woman in mistake for Sibel's, gatecrashes women's morning fitness exercises on the beach in a ludicrous purple gown, and cuffs the heads of almost everyone who comes into contact with him. All the while he pours out a stream of inappropriate invective and obscenities. By the close of the film most middle class conventions have also been shattered, a high point being a burping contest between him and Sibel. Sibel, who is resisting her bourgeois mother's attempts to marry her off to a fiance she does not love, contains a very mild criticism of the middle class lifestyles and attitudes with which Ivedik is colliding. By making a sweet nice girl like Sibel belch at full volume, Gokbakar comes closest to an outright repudiation of middle class values. The film ends with Ivedik leaving the hotel. Has catharsis been achieved? No. Ivedik departs more or less exactly as he arrived, presumably en route to more adventures in his next film. Yet somehow he ends...
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[A]: Recep Avedik

[Q]: Suggest a movie title for the following movie plot: "The Loneliness Of The Long Distance Runner" begins with Colin Smith (Tom Courtenay) running, alone, along a bleak country road somewhere in rural England. In a brief voiceover, Colin tells us that running is the way his family has always coped with the world's troubles, but that in the end, the runner is always alone and cut off from spectators, left to deal with life on his own.Next, we see Colin in handcuffs with a group of other similarly encumbered young men. They are being taken to Ruxton Towers, what we would today term a medium security prison for young juvenile offenders. It is overseen by "The Governor" (Michael Redgrave), who believes that the hard work and discipline imposed on his charges will ultimately make them useful members of society. Colin, sullen and rebellious, immediately catches his eye as a test of his beliefs.An important part of The Governor's rehabilitation program is athletics, and he soon notices that Colin is a talented runner, able to easily outrun Ruxton's reigning long distance runner. As The Governor was once a runner himself, he is especially keen on Colin's abilities because for the first time, his charges have been invited to compete in a five-mile marathon against a nearby public school, Ranley, and its privileged students from upper class families. The Governor sees the invitation as an important way to demonstrate the success of his rehabilitation program.As the Governor takes Colin under his wing, offering him outdoor gardening work and eventually the freedom of practice runs outside Ruxton's barbed wire fences, we learn in a series of flashbacks how Colin came to be incarcerated. We see his difficult, economically strained family life in a lower-class workers' complex in industrial Nottingham. Without a job, Colin indulges in petty crimes in the company of his best friend, Mike (James Bolam). Meanwhile, at home, his father's long years of toil in a local factory have resulted in a terminal illness for which his father refuses treatment. Colin is angered by the...
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[A]:
The Loneliness of the Long Distance Runner