Background: Anquetil was the son of a builder in Mont-Saint-Aignan, in the hills above Rouen in Normandy, north-west France. He lived there with his parents, Ernest and Marie, and his brother Philippe and then at Boisguillaume in a two-storey house, "one of those houses with exposed beams that tourists think are pretty but those who live there find uncomfortable." In 1941, his father refused contracts to work on military installations for the German occupiers and his work dried up. Other members of the family worked in strawberry farming and Anquetil's father followed them, moving to the hamlet of Bourguet, near Quincampoix.
Context: Anquetil unfailingly beat Raymond Poulidor in the Tour de France and yet Poulidor remained the more popular. Divisions between their fans became marked, which two sociologists studying the impact of the Tour on French society say became emblematic of France old and new. The extent of those divisions is shown in a story, perhaps apocryphal, told by Pierre Chany, who was close to Anquetil: The Tour de France has the major fault of dividing the country, right down to the smallest hamlet, even families, into two rival camps. I know a man who grabbed his wife and held her on the grill of a heated stove, seated and with her skirts held up, for favouring Jacques Anquetil when he preferred Raymond Poulidor. The following year, the woman became a Poulidor-iste. But it was too late. The husband had switched his allegiance to Gimondi. The last I heard they were digging in their heels and the neighbours were complaining. Jean-Luc Boeuf and Yves Leonard, in their study, wrote: Those who recognised themselves in Jacques Anquetil liked his priority of style and elegance in the way he rode. Behind this fluidity and the appearance of ease was the image of France winning and those who took risks identified with him. Humble people saw themselves in Raymond Poulidor, whose face - lined with effort - represented the life they led on land they worked without rest or respite. His declarations, full of good sense, delighted the crowds: a race, even a difficult one, lasts less time than a day bringing in the harvest. A big part of the public therefore finished by identifying with the one who symbolised bad luck and the eternal position of runner-up, an image that was far from true for Poulidor, whose record was particularly rich. Even today, the expression of the eternal second and of a Poulidor Complex is associated with a hard life, as an article by Jacques Marseille showed in Le Figaro when it was headlined "This country is suffering from a Poulidor Complex".
Question: What is the Anquetil-Poulidor?
Answer: Those who recognised themselves in Jacques Anquetil liked his priority of style and elegance in the way he rode.

Background: Giulio Andreotti (Italian: ['dZu:ljo andre'otti]; 14 January 1919 - 6 May 2013) was an Italian politician and statesman who served as the 41st Prime Minister of Italy and leader of the Christian Democracy party; he was the sixth longest-serving Prime Minister since the Italian Unification and the second longest-serving post-war Prime Minister, after Silvio Berlusconi. Andreotti is widely considered the most powerful and prominent politician of the so-called First Republic. Beginning as a protege of Alcide De Gasperi, Andreotti achieved cabinet rank at a young age and occupied all the major offices of state over the course of a forty-year political career, being seen as a reassuring figure by the civil service, business community, and Vatican. In foreign policy, he guided Italy's European Union integration, and established closer relations with the Arab world.
Context: Giulio Andreotti, the youngest of three children, was born on 14 January 1919 in Rome. His father was a primary school teacher from Segni, a small town in Lazio, who died when Giulio was two; after a few years his sister Elena also died. Andreotti attended the Liceo Torquato Tasso in Rome and graduated in Law at the University of Rome, with the vote of 110/110. He showed some ferocity as a youth, once stubbing out a lit taper in the eye of another altar boy who was ridiculing him. His mother was described as not very affectionate, and an aunt is said to have advised him to remember that few things in life are important, and never to over-dramatise difficulties. As an adult he was described as having a somewhat unusual demeanor for an Italian politician, being mild-mannered and unassuming. Andreotti did not use his influence to advance his children to prominence, despite being widely considered the most powerful person in the country for decades. "See all, tolerate much, and correct one thing at a time," was a quote that emphasised what has been called his 'art of the possible' view of politics. Andreotti was known for his discretion and retentive memory, and also a sense of humour, often placing things in perspective with a sardonic quip. Andreotti's personal support within the Christian Democrats was limited, but he had the ability to see where the mutual advantage for apparently conflicting interests lay, and put himself at the centre of events as mediator.
Question: did he win any awards?
Answer:

Background: Abdul was born in San Fernando, California, to Jewish parents. Abdul's father, Harry Abdul, was born into the Syrian Jewish community in Aleppo, Syria, was raised in Brazil, and subsequently immigrated to the United States. Her mother, the concert pianist Lorraine M. Rykiss, grew up in one of the two Jewish families in Minnedosa, Manitoba, and has Ashkenazi Jewish ancestors from Ukraine. She has a sister named Wendy.
Context: Abdul was discovered by The Jacksons, after a few of the band members had watched her while attending a Los Angeles Lakers game. She was signed to do the choreography for the video to their single "Torture". "My only problem was how to tell the Jacksons how to dance," Abdul later recalled. "Imagine me telling them what routines to do. I was young, I was scared. I'm not quite sure how I got through that." The success of the choreography in the video led to Abdul's career of choreographer in music videos. It was also due to the success of the video that Abdul was chosen to be the choreographer for the Jacksons' Victory tour. Abdul choreographed videos for several singers throughout the 1980s, including many videos for Janet Jackson during her Control era. In 1995, Abdul released a dance workout video entitled Paula Abdul's Get Up and Dance! (re-released on DVD in 2003), a fast-paced, hip-hop style workout. In 1998, she released a second video called Cardio Dance (re-released on DVD in 2000). In December 2005, Abdul launched a cheerleading/fitness/dance DVD series called Cardio Cheer, which is marketed to children and teenage girls involved with cheerleading and dance. In film, Abdul choreographed sequences for the giant keyboard scene involving Tom Hanks's character in Big. Other credits include appearances in Coming to America, Action Jackson, Jerry Maguire, The Running Man, American Beauty, Can't Buy Me Love, and Oliver Stone's The Doors. Her television appearances include The Tracey Ullman Show, American Music Awards, the Academy Awards, and several commercials, such as The King's touchdown celebration, as seen in a string of popular Burger King television commercials that aired during the 2005-06 NFL season.
Question: Who was this for
Answer:
The Jacksons,