IN: Wales was born in Huntsville, Alabama, shortly before midnight on August 7, 1966; however, his birth certificate lists his date of birth as the 8th. His father, Jimmy, worked as a grocery store manager, while his mother, Doris Ann (nee Dudley), and his grandmother, Erma, ran the House of Learning, a small private school in the tradition of the one-room schoolhouse, where Wales and his three siblings received their early education. As a child, Wales was a keen reader with an acute intellectual curiosity. When he was three, his mother bought a World Book Encyclopedia from a door-to-door salesman.

On May 14, 2014, Wales strongly reacted to the European Court of Justice (ECJ)'s ruling on the right of individuals to request the removal of information from Google's search results. He stated to the BBC that the ruling was "one of the most wide-sweeping internet censorship rulings that I've ever seen". In early June 2014, the TechCrunch media outlet interviewed Wales on the subject, as he had been invited by Google to join an advisory committee that the corporation had formed as an addition to the formal process that the ECJ requested from Google to manage such requests. The May 2014 ECJ ruling required swift action from Google to implement a process that allowed people to directly contact the corporation about the removal of information that they believe is outdated or irrelevant. Google's Larry Page revealed that 30 percent of requests received by Google since the ruling was made were categorized as "other". Wales explained in email responses that he was contacted by Google on May 28, 2014, and "The remit of the committee is to hold public hearings and issue recommendations--not just to Google but to legislators and the public." When asked about his view on the ECJ's "right to be forgotten" ruling, Wales replied: I think the decision will have no impact on people's right to privacy, because I don't regard truthful information in court records published by court order in a newspaper to be private information. If anything, the decision is likely to simply muddle the interesting philosophical questions and make it more difficult to make real progress on privacy issues. In the case of truthful, non-defamatory information obtained legally, I think there is no possibility of any defensible "right" to censor what other people are saying. It is important to avoid language like "data" because we aren't talking about "data"--we are talking about the suppression of knowledge. Wales then provided further explanation, drawing a comparison with Wikipedia: "You do not have a right to use the law to prevent Wikipedia editors from writing truthful information, nor do you have a right to use the law to prevent Google from publishing truthful information." Wales concluded with an indication of his ideal outcome: "A part of the outcome should be the very strong implementation of a right to free speech in Europe--essentially the language of the First Amendment in the U.S."
QUESTION: When was the European Court of Justice Google ruling?
IN: Modern Sounds in Country and Western Music is a studio album by American R&B singer-songwriter and musician Ray Charles. It was recorded by Charles in February 1962 at Capitol Studios in New York City and at United Recording Studios in Hollywood, then released in April of that year by ABC-Paramount Records. The album departed stylistically from the singer's previous rhythm and blues music. It featured country, folk, and Western music standards reworked by Charles in popular song forms of the time, including R&B, pop, and jazz.

Following his blues fusion with gospel and jazz influences on his earlier Atlantic material, which had brought him much fame and controversy, Charles sought to experiment with country music. As noted by himself in the liner notes for What'd I Say (1959), Charles was influenced by the genre in his youth, stating that he "used to play piano in a hillbilly band" and that he believed that he "could do a good job with the right hillbilly song today." At Atlantic, he attempted to incorporate this style and influence with his cover of country singer Hank Snow's "I'm Movin' On". Charles later said about the song, "When I heard Hank Snow sing 'Moving On', I loved it. And the lyrics. Keep in mind, I'm a singer, so I like lyrics. Those lyrics are great, so that's what made me want to do it." The "I'm Movin' On" sessions were his last for Atlantic. Charles's recording of his acclaimed studio effort The Genius of Ray Charles (1959) brought him closer to expressing his jazz and pop crossover ambitions. Described by one music critic as "the most important of his albums for Atlantic", the record was the first to introduce Charles's musical approach of blending his brassy R&B sound with the more middle of the road, pop-oriented style, while performing in the presence of a big band ensemble. Recording of the album, as well his ABC-Paramount debut, The Genius Hits the Road (1960), a collection of place-name songs devoted to parts of the United States, expanded on Charles's thematic and conceptually-organized approach to albums rather than commercially successful singles production. Inspired by this approach and his recording of "I'm Movin' On", Charles originally made plans for a single-less concept album. When Charles had announced that he wanted to work on an album of country music in 1961, during a period of racial segregation and tension in the United States, he received generally negative commentary and feedback from his peers, including fellow R&B musicians and ABC-Paramount executives. The country album concept, however, meant more to Charles as a test of his record label's faith in him and respect for his artistic freedom than as a test of social tolerance among listeners amid racial distinctions of country and R&B. Fueled by his esteem for creative control, Charles pitched the idea of a country album to ABC representatives. Following the successful lobby of the concept and a contract renewal in early 1962, which was linked to the launching of his own Tangerine label, Charles prepared his band for the recording sessions that produced Modern Sounds in Country and Western Music.
QUESTION:
WHat dd he do after that?