Q: If you're using the same container you shampooed the hair in, dump out the soapy mixture and clean the tub. Then, fill it up with enough cool or lukewarm water to cover the hair completely. Using conditioner will prevent the hair from tangling while helping it stay soft and shiny. Fabric softener will make the hair significantly softer, but it will not address tangling, clumping, or similar issues. If you're using conditioner, look for products labeled as 'synthetic safe' or something similar. Fully stretch out the synthetic hair, then set it in the solution. Press the hair down until it is fully submerged, then leave it in the water for at least 10 minutes. For damaged hair, try soaking it for 30 minutes, an hour, or even a full night. Just like when you shampooed it, move the hair up and down and from side to side, making sure every strand gets covered with conditioner or fabric softener. To avoid unnecessary damage, do not rub the hair or handle it harshly. If you're letting the hair sit for a long time, you only need to agitate it for the first 5 to 10 minutes. When you're ready to dry the hair, remove it from the tub. Leave any remaining conditioner or fabric softener in, that way the hair can continue to absorb it.
A: Fill a tub with cool water. Mix in .5 cups (120ml) of conditioner or fabric softener. Place the hair in the tub for at least 10 minutes. Agitate the hair by swishing it around in the water. Remove the hair but do not rinse out the conditioner or fabric softener.

Q: This is especially important when it's the last performance. Compliment your actors, production crew and technicians on the good work they did. Either before or after you do this, talk to the audience to find out what they thought. After all, they are the people you are communicating with. They can provide you with insights that you had not thought of and that will enrich the next performance. When advice given to you from your audience is worthwhile, tell your actors about it. Particularly if your production has multiple performances, this is useful to both you and them. Make sure everyone arrives in a timely fashion before the next performance so that you can go over the various scenes with them and tell them what went well and what did not. A production is a learning process for all involved and no two performances are the same. Audiences differ each night, and things that work well one night may not get the same feedback from the audience another night. This does not mean that they are bad things, it is merely a matter of audience dynamics: some audiences just prefer physical action while other prefer verbal sparring. Now that you are done with this production it is time to start thinking about the future. If you're lucky, you've found some time to network or someone who saw your play wishes to hire you for a project they are financing. If you're not lucky, the cycle starts all over again or you end up without a project. Make sure, therefore, that every production you direct is one you support fully. That way, there are no regrets and you can look back fondly on the work you did, no matter how small or amateur the production.
A: When a performance is over, congratulate everyone on a job well done. Pass on constructive feedback. Start something new.

Q: These are the numbers outside of the radical sign. To simplify them, divide or reduce, ignoring the square roots for now. For example, if you are calculating 432616{\displaystyle {
rac {4{\sqrt {32}}}{6{\sqrt {16}}}}}, you would first simplify 46{\displaystyle {
rac {4}{6}}}. The numerator and denominator can both be divided by a factor of 2. So, you can reduce: 46=23{\displaystyle {
rac {4}{6}}={
rac {2}{3}}}. . If the numerator is evenly divisible by the denominator, simply divide the radicands. If not, simplify each square root as you would any square root. For example, since 32 is evenly divisible by 16, you can divide the square roots:3216=2{\displaystyle {\sqrt {
rac {32}{16}}}={\sqrt {2}}}. Remember that you cannot have a square root in a denominator, so when multiplying a fraction by a square root, place the square root in the numerator. For example, 232=223{\displaystyle {
rac {2}{3}} imes {\sqrt {2}}={
rac {2{\sqrt {2}}}{3}}}. This is called rationalizing the denominator. As a rule, an expression cannot have a square root in the denominator. To rationalize the denominator, multiply the numerator and denominator by the square root you need to cancel. For example, if your expression is 4327{\displaystyle {
rac {4{\sqrt {3}}}{2{\sqrt {7}}}}}, you need to multiply the numerator and denominator by 7{\displaystyle {\sqrt {7}}} to cancel the square root in the denominator:43777{\displaystyle {
rac {4{\sqrt {3}}}{\sqrt {7}}} imes {
rac {\sqrt {7}}{\sqrt {7}}}}=43777{\displaystyle ={
rac {4{\sqrt {3}} imes {\sqrt {7}}}{{\sqrt {7}} imes {\sqrt {7}}}}}=42149{\displaystyle ={
rac {4{\sqrt {21}}}{\sqrt {49}}}}=4217{\displaystyle ={
rac {4{\sqrt {21}}}{7}}}
A:
Simplify the coefficients. Simplify the square roots Multiply the simplified coefficient(s) by the simplified square root. Cancel the square root in the denominator, if necessary.