input: Despite unfortunately thinking itself to be (a) intelligent, (b) important and (c) interesting, fortunately this movie is over mercifully quickly. The script makes little sense, the whole idea of the sado-masochistic relationship between the two main characters is strangely trite, and John Lydon shows us all, in the space of one movie, why he should never have let himself out of music. His performance is one-note and irritating.

The only positive thing to be said is that Harvey Keitel manages to deliver a good turn. His later Bad Lieutenant would show just how badly good actors can act, but mercifully his performance here is restrained.

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pos/neg ans: negative

input: I'll admit I've only watched a handful of episodes, but each one seemed completely different from the next. It seems after the first season, the producers decided to completely retool the show, drop characters, introduce new ones, and rewrite the entire show dynamic.

As you have probably surmised already, the show is about quirky, unpredictable teenager Holly (Amanda Bynes) who moves in with her high strung sister Valerie (Jennie Garth) in New York City. Decent enough premise: odd couple + fish out of water + high jinx.

While I miss the sitcoms of yore, this show unfortunately misses the mark on funny repeatedly, and it's sad because they have some decent talent.

On top of everything, they insisted on changing the show (Val was living with a cast regular bf one season, then he was suddenly gone, so she opens a bakery? what?) When things change that drastically, you get the feeling that even the *show* knows it's bad. I mean, completely new sets, characters written off and new show regulars!

On a side note (this is just nitpicking), I know this is a television show and not real at all, but Val and Holly end up living in a HUGE loft duplex (there are stairs) with a terrace... in MANHATTAN! Are you serious!?

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pos/neg ans: negative

input: This move is slow, plodding, cold, dark, and without a plot or hope. It follows that tried and true European formula that they love to subsidize, that is never seen, but that the critics think makes an "important point".

The movie is valuable if nothing more than to show the huge difference in the thinking between Americans and Europeans regarding employment. In this movie the men are still nursing their wounds from years ago and feel it's the government's duty to provide them with work. Whereas in the U.S. we know we have to go out there and create value for someone.

Spain never looked so backward!

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pos/neg ans: negative

input: Nice, pleasant, and funny, but not earth-shattering. It does a good job of showing the "behind the scenes" world of theater groups and the lives of the actors. The three witches are great- both on- and off-stage. I would assume the movie works wonderfully (lots of apparent inside jokes) if one was involved in theater (which I'm not).

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pos/neg ans:
positive