Teacher: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
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Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this instance: Context_1 : "Respect" is a song written and originally released by American recording artist Otis Redding in 1965. The song became a 1967 hit and signature song for R&B singer Aretha Franklin. The music in the two versions is significantly different, and through a few minor changes in the lyrics, the stories told by the songs have a different flavor. Redding's version is a plea from a desperate man, who will give his woman anything she wants. He won't care if she does him wrong, as long as he gets his due respect, when he brings money home . However, Franklin's version is a declaration from a strong, confident woman, who knows that she has everything her man wants. She never does him wrong, and demands his "respect". Franklin's version adds the "R-E-S-P-E-C-T" chorus and the backup singers' refrain of "Sock it to me, sock it to me, sock it to me..." Context_2 : Thomas Day Singleton (Birth date unknown November 25, 1833) was a United States Representative from South Carolina. He was born near Kingstree, South Carolina but his birth date is unknown. Context_3 : Ruler X (also Governor X) is the designation given by archaeologists to a pre-Columbian Maya ruler at the site of Rio Azul, whose name glyphs have otherwise not been satisfactorily deciphered. Ruler X is associated with Tomb 1 located in Structure C-1, where a mural inscription on the walls of the tomb carries the Long Count date of 8.19.1.9.13. This date, equivalent to September 27, 417 CE in the proleptic Gregorian calendar, has been interpreted as the birth date of this ruler. Context_4 : Smith was born in Macon, Georgia, likely into slavery, and he and his mother moved north in 1865. His birth date is given as 3 May 1860, but since he supposedly did not begin boxing until he was 19 and claimed the title in 1876, the birth year likely is spurious. Some sources cite 1869 as the year his boxing career began, and others 1879, which would have been three years after he claimed the championship. Context_5 : In Costa Rica, in recent years, a cedula de identidad, has been a credit card-sized plastic card. On one side, it includes a photo of the person, a personal identification number, and the card's owner personal information (complete name, gender, birth date, and others), and the user's signature. On the reverse, it may include additional information such as the date when the ID card was granted, expiration date of the ID card, and other such as their fingerprints, and all the owner's information in matrix code. Every Costa Rican citizen must carry an ID card immediately after turning 18. Context_6 : Astro Boy ( , Asutoro Boi: Tetsuwan Atomu , lit. "Astro Boy: Mighty Atom") is a remake of the 1960s anime series of the same name created by Osamu Tezuka, which was produced by his company, Tezuka Productions, Sony Pictures Entertainment Japan, Dentsu, and Fuji Television network. It was also shown on Animax, who have broadcast the series across its respective networks worldwide, including Japan, Southeast Asia, South Asia, East Asia, and other regions. It was created to celebrate the birth date of Atom/Astro Boy (as well as the 40th anniversary of the original TV series). Under the original English name (instead of "Mighty Atom"), it kept the same classic art style as the original manga and anime, but was revisioned and modernized with more lush, high-quality, near-theatrical animation and visuals. It combined the playfulness of the early anime with the darker, more serious and dramatic Science fiction themes of the manga and the 1980 series. The anime broadcast in Japan on the same date as Atom's/Astro's birth in the manga (April 6, 2003) across Animax and Fuji Television. It was directed by Kazuya Konaka and written by Chiaki J. Konaka at the beginning of the series. Other writers included were Keiichi Hasegawa, Sadayuki Murai, Ai Ohta, Hirotoshi Kobayashi, Kenji Konuta, and Marc Handler, who was also executive story editor. Context_7 : Akhund Mullah Mohammad Kashani, known as lunar tiles in 1833 was born in Kashan. In place of his birth date and age of his birth is not mentioned during the 84 years of his life, to guess. According to Syed Jalaluddin Homai, he, along with Jahangir Khan Qashqai as two distinguished professor in philosophy and jurisprudence, literature and jurisprudence have. He taught for fifty years and foster outstanding students in the fields of intellectual and traditional sciences. He died in 1914 in Isfahan and was buried in Takht-e Foulad. Context_8 : Hippolytus or Hipolit (died c. 1027) was an early medieval archbishop of Gniezno. His place and date of birth date are unknown but the medieval historian Jan Dugosz claims that he was of noble birth and a Roman citizen. Modern scholars generally agree that he was not Polish. Context_9 : Aretha Louise Franklin (born March 25, 1942) is an American singer and songwriter. Franklin began her career as a child singing gospel at the church of her father, minister C. L. Franklin's church. In 1960, at the age of 18, Franklin embarked on a secular career, recording for Columbia Records but only achieving modest success. Following her signing to Atlantic Records in 1967, Franklin achieved commercial acclaim and success with songs such as "Respect", "(You Make Me Feel Like) A Natural Woman", "Spanish Harlem" and "Think". By the end of the 1960s decade she had gained the title "The Queen of Soul". Context_10 : Saint David (Welsh: Dewi Sant , Latin: "Davidus" ; 500 c. 589) was a Welsh bishop of Mynyw (now St Davids) during the 6th century; he was later regarded as a saint. He is the patron saint of Wales. David was a native of Wales, and a relatively large amount of information is known about his life. However, his birth date is uncertain: suggestions range from 462 to 512. He is traditionally believed to be the son of Saint Non and the grandson of Ceredig ap Cunedda, king of Ceredigion. The Welsh annals placed his death 569 years after the birth of Christ, but Phillimore's dating revised this to 601. fact_1 : The song became a 1967 hit and signature song for R&B singer Aretha Franklin. fact_2 : Aretha Louise Franklin (born March 25, 1942) is an American singer and songwriter. Question: What is the birth date of the singer of the song Respect?
Student:
March 25, 1942