In 2001, Jeff Foley published War on the Floor: An Average Guy Plays in the Arena Football League and Lives to Write About It. The book details a journalist's two preseasons (1999 and 2000) as an offensive specialist/writer with the now-defunct Albany Firebirds. The 5-foot-6 (170 cm), self-described "unathletic writer" played in three preseason games and had one catch for 2 yards.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What team did Jeff Foley play for?
Ah, so.. Albany Firebirds

A cappella has been used as the sole orchestration for original works of musical theater that have had commercial runs Off-Broadway (theaters in New York City with 99 to 500 seats) only four times. The first was Avenue X which opened on 28 January 1994 and ran for 77 performances. It was produced by Playwrights Horizons with book by John Jiler, music and lyrics by Ray Leslee. The musical style of the show's score was primarily Doo-Wop as the plot revolved around Doo-Wop group singers of the 1960s.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): How many works of a cappella in musical theater have been successful in Off-Broadway productions?
Ah, so.. four

Soul and disco influenced house music, plus mixing and editing techniques earlier explored by disco, garage music and post-disco DJs, producers, and audio engineers such as Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M, and others who produced longer, more repetitive, and percussive arrangements of existing disco recordings. Early house producers such as Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What did Larry Levan use to create his composition?
Ah, so..
unanswerable