Q: What's an example of a movie review?
An example of a movie review is here: The only reason that I did not give this 10 stars was the DVD format-no menus, extras, etc. However, if you have ever had a dream to do something with your life, this film is for you. If you believe in yourself and your dream do not let anyone or anything stop you. This is one of the most life-affirming films that I have ever seen. And magical. The acting is superb, the plot serves the purpose, and the opening sequence is fantastic. This is one of those films that "cult" status used to be about. I have recommended this film to all of my friends. Some love it, some can't finish it. Whenever I think, or feel , that something is impossible I think about Alan Arkin's role in this film. Sure wish he'd make more films.

Q: What's an example of a movie review?
An example of a movie review is here: I went into this film thinking it would be a crappy b-rated movie. I came out surprised and very amused. Eva was good, but Lake Bell stole the show. She had amazing comedic timing. The jokes in this film were surprisingly original and really funny with one or two flat jokes in between. The plot was enough to tie it all together, a woman (Eva) dies on her wedding day and comes back to haunt the woman that is going out with her was-to-be husband, its sounds far-fetched but it actually works quite well.

7/10 - Overall its a worthwhile cinema watch, if not get it on DVD when it comes out.

Q: What's an example of a movie review?
An example of a movie review is here: and forget this. Completely. If you really need to see Madonna act, rent "Body of Evidence", at least Willem Defoe is in that one.

In this film, while the sets are beautiful, you may want to mute the dialog. You won't miss anything. Bruce Greenwood is wasted, Jeanne Tripplehorn is a prop, and Madonna is so awful, it becomes amusing. Why they had to butcher the original film into this mess, I will never know; guess they thought it was "bankable". Madonna, as an actress, certainly is NOT.

If you rent the original film from 1979, though, you will enjoy it, and the actors in it can actually act. 1/10.

Q: What's an example of a movie review?
An example of a movie review is here:
I came to watch Guerrilla, part two of Steven Soderbergh's biopic of Che Guevara, without having seen the preceding film and without more than a cursory knowledge of Che's life. At the same time I was rather apprehensive that this would be both a heavy-going history lesson and an unrepentant love-letter to the iconic revolutionary. As it turns out, this film far exceeded my expectations.

Guerrilla works remarkably well as a standalone film. The story of Che's failed attempt to lead a revolution in Bolivia, then under military rule, is a compelling tragedy. The initial impetus brought by Che's arrival incognito to lead the guerrilla war is lost as misfortune follows misfortune. The odds stack up against the revolutionaries. US backing for the Bolivian army, hostile conditions in the rainforest, suspicious locals and Che's failing health are just some of the difficulties which beset the nascent rebellion.

Soderbergh's portrayal of Che is largely uncritical, but this film is no hagiography. The style is refreshingly undramatic, with a subtle and effective soundtrack by Alberto Iglesias adding quiet drama to many scenes. Che is undoubtedly the centre of the film but there are very few close-ups of his face and we are encouraged to see the people fighting alongside him and sometimes against him too. Where Soderbergh wishes to demonstrate Che's virtues we see it in small episodes such as the loyal acolyte who upbraids two fellow guerrillas when they question Che's leadership, and emphasises the sacrifice that he has made in leaving behind Cuba to fight again for revolution.

The direction throughout is superb. Part two feels tightly edited despite its narrow focus and is able to communicate a great deal through images without the need for a narrator to spell things out for the audience. At the start of the film we see a few short clips of lavish parties in post-revolutionary Cuba, immediately furnishing us with ideas as to why Che would sacrifice his old life to fight again in another country. Later on, the portrayal of guerrillas marching through the unending rainforests stands out as a strikingly beautiful scene and helps to create a feeling of the enormity of the task before this tiny band of revolutionaries.

If there is a problem with the film it is the distance between the viewer and Che, which, though it does allow us to appreciate the context of the insurgency and the people around him, makes it hard for us to understand him better as a person. True, Benicio Del Toro is utterly convincing in the lead role so much so that it is difficult to remember that you are watching an actor and not the man himself. However, watching Guerrilla as a standalone film means that we are given precious little insight into what is shaping Che's thoughts, words and actions. It is to be hoped that this is more to the fore in the first part of Soderbergh's biopic (I cannot comment on that yet), and certainly the strength of part two is making me look forward eagerly to seeing the prequel.