IN: David was born on 28 January 1858, in St. Fagans near Cardiff, Wales, the eldest son of the Rev. William David, a fellow of Jesus College, Oxford, a classical scholar and naturalist and his wife Margaret Harriette (nee Thomson). His mother's cousin, William A. E. Ussher of the Geological Survey, first interested David in what was to be his life work. At the age of 12, David went to Magdalen College School, Oxford in 1870. In 1876 he gained a classical scholarship to New College, Oxford.

In 1896 the Davids bought 26 acres (10.5 hectares) at Woodford, in the Blue Mountains, with an existing weatherboard cottage, two-roomed with two skillion rooms at the back. To emphasise his Welsh origins, Edgeworth David named the Woodford cottage 'Tyn-y-Coed', the 'house in the trees' (often mistranslated as 'the shack in the bush': 'ty' is a proper house in Welsh, not a mere hut). In 1915 the Davids offered their home to the Red Cross convalescent home for the rehabilitation of injured servicemen and the Woodford Academy boys erected a flagstaff for the Union Jack and Red Cross flags for the soldiers in residence. When the Cooee marchers trooped past in November 1915 some of the wounded soldiers were brought up to the main road to greet the marchers. Although they had work and commitments in Sydney, Woodford was the David's primary residence from 1899 until 1920. They retained the Woodford cottage as a favoured country retreat until Edgeworth's death in 1934. Tyn-y-Coed was destroyed by bushfire in 1944 with only a chimney stump remaining. Its grounds are now occupied by eight modern houses, their gardens and adjoining bush. In September 1920, David was created a Knight Commander of the Order of the British Empire for services during the war. Returning to Australia, David purchased Coringah, a cottage in the Sydney suburb of Hornsby. He also took up a long-cherished project, the writing of a definitive work, The Geology of the Commonwealth of Australia. In 1921-22 David helped set up the Australian National Research Council and served as its first President. In 1924 he retired as Professor of Geology at the University of Sydney, the chair passing to his student Leo Cotton, a neighbour in Hornsby, New South Wales, whose brother Max Cotton created Lisgar Gardens in Hornsby. In 1928 he discovered what he believed were Precambrian fossils, creating controversy which remained until his death. In 1931 he published the Geological Map of the Commonwealth and the accompanying Explanatory Notes, designed to be part of his Geology of the Commonwealth of Australia. He died in 1934 without being able to complete this work and was given a state funeral.

Did he live alone or was he married?

OUT:

IN: Florence Leontine Mary Welch was born in Camberwell, London on 28 August 1986. Her father is Nick Russell Welch, an advertising executive. Her mother, Evelyn Welch (nee Evelyn Kathleen Samuels), is an American emigrant from New York City who was educated at Harvard University and the Warburg Institute, University of London. Evelyn is currently Professor of Renaissance Studies and Vice-Principal for Arts and Sciences at King's College London.

According to Welch, the band name "Florence + the Machine" had "started off as a private joke that got out of hand. I made music with my friend, who we called Isabella Machine, to which I was Florence Robot. When I was about an hour away from my first gig, I still didn't have a name, so I thought 'Okay, I'll be Florence Robot/Isa Machine', before realising that name was so long it'd drive me mad". In 2006, Welch's performances with Isabella Summers in small London venues under the joint name Florence Robot/Isa Machine began to attract notice. In 2007, Welch recorded with a band named Ashok, who released an album titled Plans on the Filthy Lucre/About Records label. This album included the earliest version of her later hit "Kiss with a Fist", which at this point was titled "Happy Slap". Florence and the Machine released their debut album Lungs in the United Kingdom on 6 July 2009. The album was officially launched with a set at the Rivoli Ballroom in Brockley, South East London. It peaked at number one in the UK and number two in Ireland. As of 6 August 2009, the album had sold over 100,000 copies in the UK and by 10 August it had been at number two for five consecutive weeks. Following its 25 July 2009 release for download in the United States, the album debuted at number seventeen on the Billboard Heatseekers Albums chart, ultimately peaking at number one. The album was released physically in the US on 20 October by Universal Republic. The album was produced by James Ford, Paul Epworth, Steve Mackey and Charlie Hugall. Welch contributed vocals to David Byrne and Fatboy Slim's 2010 album Here Lies Love, an album about Imelda Marcos. As of January 2011, Welch was working with Drake on material slated for his upcoming album. On 27 February 2011, Welch replaced pregnant Dido and sang her portion of Best Original Song nominee "If I Rise" (from 127 Hours) with A. R. Rahman at the 83rd Academy Awards.

When did florence and the machine form?

OUT: In 2006, Welch's performances with Isabella Summers in small London venues under the joint name Florence Robot/Isa Machine began to attract notice.

IN: Jean Desire Gustave Courbet (French: [gystav kuRbe]; 10 June 1819 - 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work.

Courbet wrote a Realist manifesto for the introduction to the catalogue of this independent, personal exhibition, echoing the tone of the period's political manifestos. In it he asserts his goal as an artist "to translate the customs, the ideas, the appearance of my epoch according to my own estimation." The title of Realist was thrust upon me just as the title of Romantic was imposed upon the men of 1830. Titles have never given a true idea of things: if it were otherwise, the works would be unnecessary. Without expanding on the greater or lesser accuracy of a name which nobody, I should hope, can really be expected to understand, I will limit myself to a few words of elucidation in order to cut short the misunderstandings. I have studied the art of the ancients and the art of the moderns, avoiding any preconceived system and without prejudice. I no longer wanted to imitate the one than to copy the other; nor, furthermore, was it my intention to attain the trivial goal of "art for art's sake". No! I simply wanted to draw forth, from a complete acquaintance with tradition, the reasoned and independent consciousness of my own individuality. To know in order to do, that was my idea. To be in a position to translate the customs, the ideas, the appearance of my time, according to my own estimation; to be not only a painter, but a man as well; in short, to create living art - this is my goal. (Gustave Courbet, 1855)

What was included in the Realist Manifesto?

OUT:
translate the customs, the ideas, the appearance of my time, according to my own estimation;