In department stores and closets all over the world, they are waiting. Their outward appearance seems rather appealing because they come in a variety of styles, patterns, materials, and color1s. But they are eventually the biggest deception that exists in the fashion industry today. What are they? They are high heels -- a woman's worst enemy (whether she knows it or not). High heel shoes are the downfall of modern society. Fashion myths have led women to believe that they are more beautiful or stylish for wearing heels, but in reality, heels succeed in creating short as well as long term troubles. Women should fight the high heel industry by refusing to use or purchase them in order to save the world from unnecessary physical and psychological suffering. For the sake of fairness, it must be noted that there is a positive side to high heels. First, heels are excellent for aerating lawns . Anyone who has ever worn heels on grass knows what I am talking about. A simple trip around the yard in a pair of those babiesgets rid of all the need to call for a lawn care specialist, and provides the perfect-sized holes to give any lawn oxygen without all those messy blocks of dirt lying around. Second, heels are quite functional for defending against oncoming enemies, who can easily be scared away by threatening them with a pair of these sharp, deadly fashion items. Regardless of such practical uses for heels, the fact remains that wearing high heels is harmful to one's physical health. Talk to any podiatrist , and you will hear that the majority of their business comes from high-heel-wearing women. High heels are known to cause problems such as misshapen feet and torn toenails. The risk of severe back problems and twisted or broken ankles is three times higher for a high heel wearer than for a flat shoe wearer. Wearing heels also creates the threat of getting a heel caught in a narrow sidewalk gap and being thrown to the ground--possibly breaking a nose, back, or neck. And of course, after wearing heels for a day,... It can be inferred from the passage that women should _ . A) see through the very nature of fashion myths B) refuse to buy the products of the fashion industry C) go to a podiatrist regularly for advice D) avoid following fashion too closely
A
Tomorrow would be Christmas Day, and Della had only one dollar and eighty-seven cents to buy her husband Jim a gift. She had been saving every penny she could for months, with this result. Now, Mister and Missus James Dillingham Young had two possessions which they valued. One was Jim's gold time piece, the watch that had been his father's and his grandfather's. The other was Della's hair. She put on her coat and her old brown hat. With a quick motion and brightness still in her eyes, she danced out the door and down the street. Where she stopped the sign read: "Madame Sofronie. Hair Goods of All Kinds." Della ran up the steps to the shop, out of breath. "Will you buy my hair?" asked Della. "Twenty dollars," said Madame, lifting the hair with an experienced hand. "Give it to me quick," said Della. The next two hours went by as if they had wings. Della found it at last. It surely had been made for Jim and no one else. It was a chain--- simple round rings of silver. She gave the shopkeeper twenty-one dollars and she hurried home with the remaining eighty-seven cents. ...... Jim was never late coming home from work. Della held the silver chain in her hand and sat near the door. Then she heard his step and she turned white for just a minute. She had a way of saying a little silent prayer about the simplest everyday things, and now she whispered: "Please God, make him think I am still pretty." The door opened and Jim stepped in. He stopped inside the door, as immovable as a dog smelling a bird. His eyes were fixed upon Della. There was an expression in them that she could not read, and it frightened her. It was not anger, nor surprise, nor fear, nor any of the feelings that she had been prepared for. He simply looked at her with a strange expression on his face. Della went to him. "Jim, my love," she cried, "do not look at me that way. I had my hair cut and sold because I could not have lived through Christmas without giving you a gift. My hair will grow out again. I just had to do it. My hair grows very fast.... What is most clearly the message of the story? A) Don't count your chickens before they are hatched. B) It is better to give than to receive. C) True unselfish love is greater than possessions. D) Make new friends, but keep the old.
C
Q: These are some signs that you can see on the roads of Great Britain. Number one is a sign with the number thirty on it. When drivers see this sign they must not go at more than thirty miles an hour. We see this sign when we get to parts of the country where there are many houses and other buildings, for example, when we are getting near a town. Thirty miles an hour is the speed limit. Number two is sign for the end of the speed limit. We are out of the town now and may go at more than thirty miles an hour. Number three is a sign that we are near a crossroads, that is, a place where two roads cross. We must drive carefully. Number four is a sign that there is a bend in the road. Again, we must drive slowly and carefully. Number five is a sign that there is a hill and number six is a sign that the roads get narrow. Drivers must go slowly and carefully. Number seven has the word "school" on it. This is a sign that there is a school at the side of a street or road. Perhaps there are children going to school or leaving school. So drivers must look carefully and go slowly until they are past the school building. Number eight is a sign with the letter P on it. The letter P is for "parking." A parking place is a place where drivers may leave their cars. If the driver of a car wants to leave his car and go to the shops, he looks for this sign. Then he knows that he may leave his or her car there. When a driver sees the sign number one, he must _ . A) always go at 30 miles an hour B) go at more that 30 miles an hour C) not go at more than 30 miles an hour D) stop
A: C