Problem: The CIA's senior management saw problems with the armed Predator as well, problems that Clarke and even Black and Allen were inclined to minimize. One (which also applied to reconnaissance flights) was money. A Predator cost about $3 million. If the CIA flew Predators for its own reconnaissance or covert action purposes, it might be able to borrow them from the Air Force, but it was not clear that the Air Force would bear the cost if a vehicle went down. Deputy Secretary of Defense Wolfowitz took the position that the CIA should have to pay for it; the CIA disagreed. Second, Tenet in particular questioned whether he, as Director of Central Intelligence, should operate an armed Predator." This was new ground,"he told us. Tenet ticked off key questions: What is the chain of command? Who takes the shot? Are America's leaders comfortable with the CIA doing this, going outside of normal military command and control? Charlie Allen told us that when these questions were discussed at the CIA, he and the Agency's executive director, A. B." Buzzy" Krongard, had said that either one of them would be happy to pull the trigger, but Tenet was appalled, telling them that they had no authority to do it, nor did he. Third, the Hellfire warhead carried by the Predator needed work. It had been built to hit tanks, not people. It needed to be designed to explode in a different way, and even then had to be targeted with extreme precision. In the configuration planned by the Air Force through mid-2001, the Predator's missile would not be able to hit a moving vehicle. White House officials had seen the Predator video of the "man in white." On July 11, Hadley tried to hurry along preparation of the armed system. He directed McLaughlin, Wolfowitz, and Joint Chiefs Vice Chairman Richard Myers to deploy Predators capable of being armed no later than September 1.

Question: "What was first problem the CIA's senior management saw with the armed Predator?"

Answer: "The cost"

OPTIONS:
- no
- yes
Answer: yes

Question:
The rally took place on October 17, the shooting on February 29. Again, standard filmmaking techniques are interpreted as smooth distortion: "Moore works by depriving you of context and guiding your mind to fill the vacuum -- with completely false ideas. It is brilliantly, if unethically, done." As noted above, the "from my cold dead hands" part is simply Moore's way to introduce Heston. Did anyone but Moore's critics view it as anything else? He certainly does not "attribute it to a speech where it was not uttered" and, as noted above, doing so twice would make no sense whatsoever if Moore was the mastermind deceiver that his critics claim he is. Concerning the Georgetown Hoya interview where Heston was asked about Rolland, you write: "There is no indication that [Heston] recognized Kayla Rolland's case." This is naive to the extreme -- Heston would not be president of the NRA if he was not kept up to date on the most prominent cases of gun violence. Even if he did not respond to that part of the interview, he certainly knew about the case at that point. Regarding the NRA website excerpt about the case and the highlighting of the phrase "48 hours after Kayla Rolland is pronounced dead": This is one valid criticism, but far from the deliberate distortion you make it out to be; rather, it is an example for how the facts can sometimes be easy to miss with Moore's fast pace editing. The reason the sentence is highlighted is not to deceive the viewer into believing that Heston hurried to Flint to immediately hold a rally there (as will become quite obvious), but simply to highlight the first mention of the name "Kayla Rolland" in the text, which is in this paragraph. After reading the above, is "Georgetown Hoya" the correct answer to the question "What organization had a rally in Flint on October 17?"? OPTIONS:
- no
- yes

Answer:
no

Input: Porky is looking all over the big city for a hotel room , but due to a convention there are no vacancies . Porky takes the only available vacancy at one hotel , but will have to share with Daffy Duck , who is a very loud , obnoxious and annoying sort . Daffy introduces his invisible kangaroo friend '' Hymie '' , but Porky wo n't believe that . Daffy spends the rest of the night annoying Porky : pestering him with questions , shaking the bed , spilling water from a glass , hogging the blanket and finally literally sending the both of them flying off the bed when Daffy kicks , and startles , Porky with his literally frozen feet . Fed up with his antics , Porky stuffs Daffy in a pillow case and drops him out of the window . As Porky goes back to bed , Daffy returns bandaged , but shakes them off and prepares to get revenge . Daffy tricks the half-asleep pig into stepping out of a window thinking he 's boarding a train . Daffy hides the window saying it 's '' too gruesome '' to watch . Suddenly he hears train noises , and behind the shade , sees the still-drowsy Porky pulling away on an actual train and waving at Daffy . Daffy finds this silly . Then he bounces all around the room , '' Hoo-Hoo ! '' - ing wildly .
"Why is Porky having some difficulty with getting a room?" is "Duck migration"?

OPTIONS:
- no
- yes
Output: no

Input: (CNN) -- Horror-meister, Stephen King calls George Pelecanos "perhaps the greatest living American crime writer." His stories are set in Pelecanos' hometown of Washington, D.C., but this is not the side of the U.S. capitol that you see portrayed on TV with white marble monuments, lawyers and lobbyists. Pelecanos is more interested in working families struggling to get by, the racial tensions in its ethnic neighborhoods and the low-lifes on the edges. His crime-writing peers call Pelecanos the "undisputed poet" of Washington's gritty side. The best-selling and award-winning author is out this week with his 17th and latest novel, "The Cut." It's the first in a new series featuring Iraq war veteran and private investigator Spero Lucas. When he's not working for a Washington defense attorney, Lucas recovers stolen property for a 40% cut. Now, a high-profile crime boss hires Lucas to find out who's been stealing from him, and it could turn out to be Lucas' biggest payday or an untimely end. While Pelecanos made his bones in the noir tradition, there's a definite "Western" feel to "The Cut." The new novel takes place in a morally gray and often violent world. It's peppered with pitch-perfect dialogue and captures the sights, sounds and taste of Washington in rich detail. In short, Pelecanos reads like the real deal. Pelecanos knows a thing or two about capturing the authenticity of urban America with an ethnically and socially diverse cast. In addition to his success as a novelist, Pelecanos is a producer and writer for HBO's New Orleans-set, "Treme." He was previously a producer and Emmy-nominated writer on the hit series "The Wire" and the miniseries "The Pacific." Read an excerpt from "The Cut" CNN recently spoke to Pelecanos about his new novel. The following is an edited transcript. CNN: Tell me more about your new character, Spero Lucas.
"George Pelecanos has been involved as a writer and producer for which television shows?" is "Game of thrones"?

OPTIONS:
- no
- yes
Output:
no