[Q]: Found the following article online, use it to answer the question: What were the two locations of the houses that were split into upper and lowers flats and each flat had a separate front door onto the street? Plumbe designed the estate with five classes of houses. Although the houses were built to the same five basic designs, each street was given a distinct style of design and ornamentation. Varying mixes of red and yellow bricks, and variations in window design and ornamental motifs, were used to give each street a distinct identity. All were designed with front and back gardens. Corner houses were given distinctive designs and turrets. The distribution of houses followed the traditional Victorian model of town planning. The larger first- and second-class houses were built in the centre, close to the church and school, while the more numerous third-, fourth-, and fifth-class houses were built in the estate's outskirts. Welch (2006) speculates that this segregation of housing was not Plumbe's intention; Plumbe himself was quoted in 1896 as saying that "I regret that it is necessary to separate the richer and more cultured classes from the poorer, owing to the prejudices which exist; and these prejudices exist on the part of the poor as well as on the part of the other class".Except for the corner houses, the houses were built in pairs, each sharing a porch with its neighbour. For many of the smaller fourth- and fifth-class houses, the doors were aligned at right angles to the facade of the house, so as not to open directly adjacently to their neighbours. All houses were designed with at least one parlour and with the kitchen, scullery, and toilet in separate rooms at the rear of the house; the first-class houses also had toilets upstairs. In line with the design principles of the time, the downstairs toilets were accessible only from the back gardens, and the houses were not fitted with separate bathrooms; baths were taken in a moveable bath located in the kitchen. All houses were built with marble-mantelpieced fireplaces and flues. All houses were supplied with running water supplied from the New River, which flowed through Wood Green. However, not all houses were supplied with gas or mains electricity from the...
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[A]: Queen's Park

[Q]: Found the following article online, use it to answer the question: What is the name of the person that began performing in local clubs and coffee houses around London? On returning to England, Drake moved into his sister's flat in Hampstead, London, before enrolling at Fitzwilliam College, Cambridge University that October to study English Literature. His tutors found him bright but unenthusiastic and unwilling to apply himself. His biographer, Trevor Dann, notes that he had difficulty connecting with staff and fellow students, and that matriculation photographs from this time portray a sullen young man. Cambridge placed emphasis on its rugby and cricket teams, yet by this time Drake had lost interest in sport, preferring to stay in his college room smoking cannabis, and listening to and playing music. According to fellow student Brian Wells, "they were the rugger buggers and we were the cool people smoking dope".In September 1967, Drake met Robert Kirby, a music student who went on to orchestrate many of the string and woodwind arrangements for Drake's first two albums. By this time, Drake had discovered the British and American folk music scenes, and was influenced by performers such as Bob Dylan, Donovan, Van Morrison, Josh White and Phil Ochs. He began performing in local clubs and coffee houses around London, and in February 1968, while playing support to Country Joe and the Fish at the Roundhouse in Camden Town, made an impression on Ashley Hutchings, bass player with Fairport Convention. Hutchings recalls being impressed by Drake's guitar skill, but even more so by his image: "He looked like a star. He looked wonderful, he seemed to be 7 ft [tall]." Hutchings introduced Drake to the 25-year-old American producer Joe Boyd, owner of the production and management company Witchseason Productions. The company was, at the time, licensed to Island Records, and Boyd, who had discovered Fairport Convention and introduced John Martyn and the Incredible String Band to a mainstream audience, was a significant and respected figure on the UK folk scene. He and Drake formed an immediate bond, and Boyd acted as a mentor to Drake throughout his career. Impressed by a four-track demo...
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[A]: Drake

[Q]: Found the following article online, use it to answer the question: What is the last name of the person who believed a sea turtle was responsible for the attack? After the second incident, scientists and the public presented theories to explain which species of shark was responsible for the Jersey Shore attacks or whether multiple sharks were involved. Lucas and Nichols proposed that a northward-swimming rogue shark was responsible. They believed it would eventually arrive along New York's coast: "Unless the shark came through the Harbor and went through the north through Hell Gate and Long Island Sound, it was presumed it would swim along the South Shore of Long Island and the first deep water inlet it reaches will be the Jamaica Bay." Witnesses of the Beach Haven fatality estimated that the shark was 9 feet (3 m) long. A sea captain who saw the event believed it was a Spanish shark driven from the Caribbean Sea decades earlier by bombings during the SpanishAmerican War. Several fishermen claimed to have caught the "Jersey man-eater" in the days following the attacks. A blue shark was captured on July 14 near Long Branch, and four days later the same Thomas Cottrell who had seen the shark in Matawan Creek claimed to have captured a sandbar shark with a gillnet near the mouth of the creek.On July 14, Harlem taxidermist and Barnum and Bailey lion tamer Michael Schleisser caught a 7.5 foot (2.3 m), 325 pound (147 kg) shark while fishing in Raritan Bay only a few miles from the mouth of Matawan Creek. The shark nearly sank the boat before Schleisser killed it with a broken oar. When he opened the shark's belly, he removed a "suspicious fleshy material and bones" that took up "about two-thirds of a milk crate" and "together weighed fifteen pounds." Scientists identified the shark as a young great white and the ingested remains as human. Schleisser mounted the shark and placed it on display in the window of a Manhattan shop on Broadway but it was later lost. The only surviving photograph appeared in the Bronx Home News.No further attacks were reported along the Jersey Shore in the summer of 1916 after the capture of Schleisser's shark. Murphy and Lucas declared the great...
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[A]:
Smith