input: Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness. This obsessive idea is above all a child of giant cities, of the intersecting of their myriad relations. Baudelaire is one of the major innovators in French literature. His poetry is influenced by the French romantic poets of the earlier 19th century, although its attention to the formal features of verse connects it more closely to the work of the contemporary "Parnassians". As for theme and tone, in his works we see the rejection of the belief in the supremacy of nature and the fundamental goodness of man as typically espoused by the romantics and expressed by them in rhetorical, effusive and public voice in favor of a new urban sensibility, an awareness of individual moral complexity, an interest in vice (linked with decadence) and refined sensual and aesthetic pleasures, and the use of urban subject matter, such as the city, the crowd, individual passers-by, all expressed in highly ordered verse, sometimes through a cynical and ironic voice. Formally, the use of sound to create atmosphere, and of "symbols" (images that take on an expanded function within the poem), betray a move towards considering the poem as a self-referential object, an idea further developed by the Symbolists Verlaine and Mallarme, who acknowledge Baudelaire as a pioneer in this regard. Beyond his innovations in versification and the theories of symbolism and "correspondences", an awareness of which is essential to any appreciation of the literary value of his work, aspects of his work that regularly receive much critical discussion include the role of women, the theological direction of his work and his alleged advocacy of "satanism", his experience of drug-induced states of mind, the figure of the dandy, his stance regarding democracy and its implications for the individual, his response to the spiritual uncertainties of the time, his criticisms of the bourgeois, and his advocacy of modern music and painting (e.g., Wagner, Delacroix). He made Paris the subject of modern poetry. He would bring the city's details to life in the eyes and hearts of his readers.

Answer this question "What was the first poetry"
output: Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme,

Problem: Background: Dennis Coles (born May 9, 1970), better known by his stage name Ghostface Killah, is an American rapper and member of the Wu-Tang Clan. After the group achieved breakthrough success in the aftermath of Enter the Wu-Tang (36 Chambers), the members went on to pursue solo careers to varying levels of success. Ghostface Killah debuted his solo-career with Ironman in 1996, which was well received by music critics. He has continued his success over the following years with critically acclaimed albums such as Supreme Clientele (2000) and Fishscale (2006).
Context: A roommate of Wu-Tang founder RZA, Ghostface helped bring together the other seven members. In 1995, Ghostface guest-starred extensively on fellow Clan member Raekwon's debut album, Only Built 4 Cuban Linx..., appearing on almost every song and receiving nearly equal billing. He also contributed songs to the Sunset Park and Don't Be a Menace to South Central While Drinking Your Juice in the Hood soundtracks, which would be included on his first solo LP, Ironman, in 1996. The album, which debuted at #2 on the Billboard 200, had a more pronounced soul influence (particularly 1970s soul) than previous Wu-Tang releases, and Ghostface's future albums would continue to feature this stylistic trait. In 2000, he released his second studio album Supreme Clientele. The album was well received by critics and peaked #7 on the Billboard 200. It included "Apollo Kids", a popular single which featured Raekwon and had a sample of "Cool Breeze" by Solomon Burke. "Cherchez LaGhost", another single off the album, became a minor club hit. Supreme Clientele would be a turning point in RZA's influence on his sound, as only six songs are produced by the RZA, compared to Ironman, its predecessor where every song but one is produced by him. Though he contributed fewer beats to the project, RZA personally oversaw the mixing and production of the album as a whole, contributing to Supreme Clientele's unified sound. Ghostface wasted little time in recording his next album, the heavily R&B-influenced Bulletproof Wallets, released a year after Supreme Clientele. Its feature single, "Never Be the Same Again", featured Carl Thomas and Raekwon. He had another minor club hit with "Flowers", which featured guest vocals from fellow Wu-Tang members Method Man and Raekwon, and a popular single "Ghost Showers" which featured Madame Majestic, who also sung on the popular Wu-Tang track "Gravel Pit".
Question: Was supreme Clientele a hit?
Answer: The album was well received by critics and peaked #7 on the Billboard 200.

Question: Ventura was born James George Janos on July 15, 1951 in Minneapolis, Minnesota, the son of George William Janos and his wife, Bernice Martha (nee Lenz). Both of his parents were World War II veterans. Ventura has an older brother who served in the Vietnam War. Ventura has described himself as Slovak, since his father's parents were from what is now Slovakia; his mother was of German descent.

Ventura ran for Governor of Minnesota in 1998 as the nominee for the Reform Party of Minnesota (he later joined the Independence Party of Minnesota when the Reform Party broke from its association with the Reform Party of the United States of America). His campaign consisted of a combination of aggressive grassroots events organized in part by his campaign manager Doug Friedline and original television spots, designed by quirky adman Bill Hillsman, using the phrase "Don't vote for politics as usual." He spent considerably less than his opponents (about $300,000) and was a pioneer in his using the Internet as a medium of reaching out to voters in a political campaign. He won the election in November 1998, narrowly (and unexpectedly) defeating the major-party candidates, St. Paul mayor Norm Coleman (Republican) and Minnesota Attorney General Hubert H. "Skip" Humphrey III (Democratic-Farmer-Labor). During his victory speech, Ventura famously declared, "We shocked the world!" After his election, bumper stickers and T-shirts bearing the slogan "My governor can beat up your governor" appeared in Minnesota. The nickname "Jesse 'The Mind'" (from a last-minute Hillsman ad featuring Ventura posing as Rodin's Thinker) began to resurface sarcastically in reference to his frequently controversial remarks. Ventura's old stage name "Jesse 'The Body'" (sometimes adapted to "Jesse 'The Governing Body'") also continued to appear with some regularity. After a trade mission to China in 2002, Ventura announced that he would not run for a second term, stating that he no longer felt dedicated enough to his job to run again as well as what he viewed were constant attacks on his family by the media. Ventura accused the media of hounding him and his family for personal behavior and belief while neglecting coverage of important policy issues. He later told a reporter for The Boston Globe that he would have run for a second term if he had been single, citing the media's effect on his family life. Governor Ventura sparked media criticism when, nearing the end of his term, he suggested that he might resign from office early to allow his lieutenant governor, Mae Schunk, an opportunity to serve as governor. He further stated that he wanted her to be the state's first female governor and have her portrait painted and hung in the Capitol along with the other governors. Ventura quickly retreated from the comments, saying he was just floating an idea.

Using a quote from the above article, answer the following question: Did he wi?
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Answer:
He won the election in November 1998,