If you have a wood surface that is covered in many small scratches, you can touch them up using paste wax, which is sometimes sold as "finishing wax." The wax is best applied using No. 0000 steel wool. Place a small dab of the wax onto the steel wool and apply it in smooth, circular motions. Aim to apply as thin a layer of wax as possible to avoid a finished appearance that is hazy or splotchy. After applying the wax, give it about 30 minutes to dry. Longer times may be required in cold or humid rooms. Use a soft cloth to buff the wood surface, removing excess wax and lending a lustrous sheen to the wood. The small surface scratches will be filled in with the wax and will be minimized in appearance.
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One-sentence summary -- Obtain some paste wax and steel wool. Apply the paste wax across the entire wood surface. Allow the wax to dry onto the wood furniture. Buff the paste wax into the wood.

Instead of lime juice, use 18 cup (30ml) of fresh or frozen strawberry puree. Blend it with 1 cup (217 g) of ice cubes, 14 cup (59ml) of tequila, and 1.5 tablespoons (22ml) of orange liqueur. Make strawberry puree by placing strawberries in a food processor and processing them until smooth. For kids or adults who don't want an alcoholic beverage, substitute plain sparkling water for the tequila. Then, instead of orange liqueur, pour in orange juice. Blend it all together with ice and frozen limeade concentrate. Keep in mind that without alcohol, the frozen margarita will melt faster. Store bought mixes come in all different flavors, from mango to pineapple, and usually only require you to add tequila and ice. Follow the instructions on the back of the bottle for making frozen margaritas with that specific type and brand. You can find pre-made margarita mixes at a liquor store, grocery store, or online retailer.
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One-sentence summary -- Swap pureed strawberries for lime juice to make a strawberry frozen margarita. Opt for sparkling water and orange juice if you want a virgin frozen margarita. Use pre-made margarita mix if you want an easier option.

This will help you determine how long it is going to take you to write a draft of the book. If you are working under a deadline, you may make your schedule more tight than if you have the luxury of more time to write. Try to organize your schedule around word count or page count. So, if you normally write about 750 words an hour, factor this in on your schedule. Or if you feel you may actually write two pages an hour, use this as an estimate in your schedule. Determine how long it will take you on average to compose a set number of words, or number of pages, per a day. If you are working towards a final word count goal, like 50,000 words or 200 pages, focus on how many hours per a week it will take you to reach this goal. You may feel pressure to write and rewrite every sentence you put down. But part of writing a memoir is writing an honest account of a pivotal event, in your own words and with your own style. Avoid putting on a "writer" voice. Instead, don't be afraid to write like you speak or talk. Include slang and any regional vernacular. Make your story sound like it is coming directly from you. Use your plot outline to get a general sense of where your writing might be heading. But let yourself explore scenes in your rough draft. Don't worry about writing perfect sentences or scenes. Instead, use your memory to create moments that feel true to you. When you use the passive voice, your writing will end feeling long winded and dull. Look for signs of the passive voice by circling all the "is" "was" and other passive verbs like "begin" "have" "seems" and "appears" in the manuscript. Use your grammar check (or an app like Hemingway app) to count the number of passive sentences in your manuscript. Aim for 2-4% maximum. Instead of "utilize" you can just put "use". Focus on simple language, with one or two syllable words. The only time you should be using higher level language is if you are using scientific terms or describing a technical process. Even then, you should be writing for the average reader. It may help to identify the reading level of the ideal reader of your book. You can determine the reading level based on the grade level of your ideal reader. If you account for ESL readers, you should aim for a grade 6 or 7 reading level. If you are writing for a higher education audience, you may write at a grade 8 or 9 level. You can use the Hemingway app to determine the reading level of your draft, or other online reading level tools. Engage your reader by showing them a specific process or scene, rather than narrate directly to them. For example, write a scene that shows the reader how you discovered your mother's letters from her family in Poland after her death. This will give the reader key information to help move the story forward, without telling them in a long, uneventful passage. Find a few sympathetic ears (friends, colleagues, a writing group) and read sections of the manuscript out loud. Good writing should engage readers as listeners, with details and description that create visceral images and a strong narrative. Don't try to impress your listeners or put on a "reading voice". Just read a natural, slow way. Ask for a reaction from your listeners after you finish reading. Note if there were sections that felt confusing or unclear to your listeners. If you are planning to send out your memoir to publishers, you need to edit the manuscript. You may want to hire a professional proof reader to give the book a good once over for common errors or mistakes. Don't be afraid to cut at least 20% of the material. You can likely get rid of certain sections that go on for a bit too long and cause the reader to tune out. Don't be shy about cutting chapter sections or pages that may be deadweight. Note if each scene in your book uses the power of the senses. Are you engaging at least one of the reader's senses in each scene? The power of enhancement through the senses (taste, touch, smell, sight, and hearing) is a trick both nonfiction and fiction writers can use to keep the reader interested. Check the timeline of the book. Did you follow your desire line all the way through to the end of your book? Does the ending of your book leave the reader with a sense of closure or achievement? The sentence level. Check for the transitions between paragraphs, are they smooth or jumpy? Look for any overused adverbs or terms and replace them so the sentences don't start to feel redundant.
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One-sentence summary --
Make a writing schedule. Write a rough first draft. Avoid the passive voice. Stick to informal language, unless it's absolutely necessary to use formal terms. Show, don't tell. Read the manuscript out loud. Revise the manuscript.