Article: Traditional morphology-based or appearance-based systematics have usually given the Hexapoda the rank of superclass,:180 and identified four groups within it: insects (Ectognatha), springtails (Collembola), Protura, and Diplura, the latter three being grouped together as the Entognatha on the basis of internalized mouth parts. Supraordinal relationships have undergone numerous changes with the advent of methods based on evolutionary history and genetic data. A recent theory is that the Hexapoda are polyphyletic (where the last common ancestor was not a member of the group), with the entognath classes having separate evolutionary histories from the Insecta. Many of the traditional appearance-based taxa have been shown to be paraphyletic, so rather than using ranks like subclass, superorder, and infraorder, it has proved better to use monophyletic groupings (in which the last common ancestor is a member of the group). The following represents the best-supported monophyletic groupings for the Insecta.

Question: What class is the Hexapoda ranked?
Ans: superclass

Article: The relative pitches of individual notes in a scale may be determined by one of a number of tuning systems. In the west, the twelve-note chromatic scale is the most common method of organization, with equal temperament now the most widely used method of tuning that scale. In it, the pitch ratio between any two successive notes of the scale is exactly the twelfth root of two (or about 1.05946). In well-tempered systems (as used in the time of Johann Sebastian Bach, for example), different methods of musical tuning were used. Almost all of these systems have one interval in common, the octave, where the pitch of one note is double the frequency of another. For example, if the A above middle C is 440 Hz, the A an octave above that is 880 Hz (info).

Question: The pitch ratio between any two successive notes is?
Ans: the twelfth root of two

Article: The two mature piano sonatas (No. 2, Op. 35, written in 1839 and No. 3, Op. 58, written in 1844) are in four movements. In Op. 35, Chopin was able to combine within a formal large musical structure many elements of his virtuosic piano technique"a kind of dialogue between the public pianism of the brilliant style and the German sonata principle". The last movement, a brief (75-bar) perpetuum mobile in which the hands play in unmodified octave unison throughout, was found shocking and unmusical by contemporaries, including Schumann. The Op. 58 sonata is closer to the German tradition, including many passages of complex counterpoint, "worthy of Brahms" according to the music historians Kornel Michaowski and Jim Samson.

Question: How many movements are No. 2, Op. 35 and No. 3, Op 58 in?
Ans: four

Article: Murdoch has responded to some of the arguments against the newspaper by saying that critics are "snobs" who want to "impose their tastes on everyone else", while MacKenzie claims the same critics are people who, if they ever had a "popular idea", would have to "go and lie down in a dark room for half an hour". Both have pointed to the huge commercial success of the Sun in this period and its establishment as Britain's top-selling newspaper, claiming that they are "giving the public what they want". This conclusion is disputed by critics. John Pilger has said that a late-1970s edition of the Daily Mirror, which replaced the usual celebrity and domestic political news items with an entire issue devoted to his own front-line reporting of the genocide in Pol Pot's Cambodia, not only outsold The Sun on the day it was issued but became the only edition of the Daily Mirror to ever sell every single copy issued throughout the country, something never achieved by The Sun.

Question: What distinction does one single edition of The Daily Mirror hold?
Ans:
the only edition of the Daily Mirror to ever sell every single copy issued throughout the country