Problem: Background: Masami Akita (Qiu Tian Chang Mei , Akita Masami, born December 19, 1956), better known by his stage name Merzbow (merutsubau, Merutsubau), is a Japanese noise musician. He is best known for his style of harsh, confrontational noise exemplified on his 1996 release, Pulse Demon. Since 1980, he has released over 400 recordings, and has collaborated with various artists.
Context: During the European tour in September-October 1989, Merzbow could only bring simple and portable gear; this led to the harsh noise style Merzbow became known for in the 1990s. Cloud Cock OO Grand (1990) was the first example of this new style, Merzbow's first digital recording (on DAT), and the first recording made for the CD format. It also includes live material recorded during the tour. But when I started live in late 1980s I didn't like to use tape on stage. I like only live electronics. So, my studio works changed to more live composition style. I'm still using many tapes in studio works, but difference is I treat tapes and instruments. Before, I used tapes as overdubbing concept. But now tapes are crashing together, no static overdub. I found that style on Cloud Cock OO Grand. Beginning in the mid-1990s, Merzbow began to be influenced by death metal and grindcore. Recordings from this time are mostly recorded at extreme volume, some mastered at levels far beyond standard (Noisembryo, Pulse Demon). In 1994, Akita acquired a vintage EMS synthesizer. From 1996, plans were made to release a "10 (or maybe 12)" CD box set on Extreme Records. In 2000, Extreme Records released the Merzbox, a fifty CD set of Merzbow records, twenty of them not previously released. Throughout most of the 1990s, Merzbow live was a trio with Reiko A. on electronics and Bara on voice and dance. Masami Akita occasionally played drums for Hijokaidan during the early-mid 1990s. In the early 1990s, Masami Akita composed the soundtracks to numerous kinbaku videos by Fuji Planning (Bu Er Qi Hua , Fuji Kikaku) and seppuku-themed videos by their sub-label Right Brain. Akita also directed Lost Paradise (Shi Le Yuan Cheng Ma Fu Nu Fu Qie ri, Shitsurakuen: Jobafuku onna harakiri) for Right Brain. Some of this music was included on Music for Bondage Performance and Music for Bondage Performance 2, co-credited to Right Brain Audile. Director Ian Kerkhof would use a Merzbow track for his 1992 film La sequence des barres paralleles, and Akita composed original music for Kerhof's 1994 film The Dead Man 2: Return of the Dead Man. Kerkhof made the documentary Beyond Ultra Violence: Uneasy Listening by Merzbow in 1998. Akita also created music for Ilppo Pohjola's Asphalto (1998) and Routemaster (2000).
Question: What items did he use to create his music during this era?
Answer: Before, I used tapes as overdubbing concept. But now tapes are crashing together, no static overdub.

Problem: Background: Guttermouth is an American punk rock band formed in 1988 in Huntington Beach, California and currently recording for Rude Records/Bird Attack Records. They have released nine full-length studio albums and two live albums and have toured extensively, including performances on the Vans Warped Tour. They are infamous for their outrageous lyrics and behavior which are deliberately explicit, offensive and intended to shock, though usually in a humorous and sarcastic manner. This behavior has sometimes resulted in high-profile problems for the band, such as being banned from performing in Canada for eighteen months and leaving the 2004 Warped Tour amidst controversy over their political views and attitudes towards other performers.
Context: By 1994 Full Length had been available for almost four years and the members of Guttermouth were preparing to write a second album. They originally considered releasing the album themselves, but were soon approached with an offer from Offspring singer Dexter Holland, who in the wake of his own band's success was starting an independent record label and wanted to put out Guttermouth's next album as his first release. They agreed and recorded the album Friendly People as the first release on Holland's new label Nitro Records, and filmed an independent music video for the song "End on 9." Guttermouth would remain with Nitro over the next five years, releasing an album each year on the label. 1994 also found the band playing to a much larger audience. The success that year of The Offspring's album Smash and Green Day's Dookie had brought the southern California punk rock scene into the national spotlight. Thanks to their friendship with The Offspring and their new record deal with Nitro, Guttermouth found themselves embarking on their first national and world tours opening for larger punk bands. However, their typically outrageous behavior would often find them at odds with the other bands, audiences, and venues at which they played. After about six months of touring with this reputation the band found themselves banned from performing in numerous cities and clubs and blacklisted by many of the bands with whom they had hoped to tour. To the band, however, this behavior was typical and in keeping with the anarchic ideals that were at the core of the punk movement. At one point the band found themselves ejected from a tour while in South Carolina, where they booked themselves at a club and recorded a performance which would later be released as Live From the Pharmacy. Adkins was arrested and briefly jailed in 1995 on charges of inciting a riot during a Guttermouth show at the Glen Helen Blockbuster Pavilion in San Bernardino, but evidence was insufficient to file charges.
Question: What is Friendly people and tours?
Answer:
recorded the album Friendly People as the first release on Holland's new label Nitro Records,