Background: Matthew Paris, known as Matthew of Paris (Latin: Matthaeus Parisiensis, lit. "Matthew the Parisian"; c. 1200 - 1259), was a Benedictine monk, English chronicler, artist in illuminated manuscripts and cartographer, based at St Albans Abbey in Hertfordshire. He wrote a number of works, mostly historical, which he scribed and illuminated himself, typically in drawings partly coloured with watercolour washes, sometimes called "tinted drawings". Some were written in Latin, some in Anglo-Norman or French verse.
Context: In some of Paris' manuscripts, a framed miniature occupies the upper half of the page, and in others they are "marginal" - unframed and occupying the bottom quarter (approximately) of the page. Tinted drawings were an established style well before Paris, and became especially popular in the first half of the 13th century. They were certainly much cheaper and quicker than fully painted illuminations. The tradition of tinted drawings or outline drawings with ink supplemented by coloured wash was distinctively English, dating back to the Anglo-Saxon art of the mid-10th century, and connected with the English Benedictine Reform of the period. A strong influence on one branch of the style was the Carolingian Utrecht Psalter, which was at Canterbury from about 1000 to 1640. This was copied in the 1020s in the Harley Psalter, and in the Eadwine Psalter of the mid-12th century. Recent scholarship, notably that of Nigel Morgan, suggests that Paris' influence on other artists of the period has been exaggerated. This is likely because so much more is known about him than other English illuminators of the period, who are mostly anonymous. Most manuscripts seem to have been produced by lay artists in this period. William de Brailes is shown with a clerical tonsure, but he was married, which suggests he had minor orders only. The manuscripts produced by Paris show few signs of collaboration, but art historians detect a School of St Albans' surviving after Paris' death, influenced by him. Paris' style suggests that it was formed by works from around 1200. He was somewhat old-fashioned in retaining a roundness in his figures, rather than adopting the thin angularity of most of his artist contemporaries, especially those in London. His compositions are very inventive; his position as a well-connected monk may have given him more confidence in creating new compositions, whereas a lay artist would prefer to stick to traditional formulae. It may also reflect the lack of full training in the art of the period. His colouring emphasises green and blue, and together with his characteristic layout of a picture in the top half of a page, is relatively distinctive. What are probably his final sketches are found in Vitae duorum Offarum in BL MS Cotton Nero D I.
Question: What did he draw?
Answer: His compositions are very inventive; his position as a well-connected monk may have given him more confidence in creating new compositions,

Background: The Twilight Sad are a Scottish post-punk/indie rock band, comprising James Graham (vocals) and Andy MacFarlane (guitar). The band are currently signed to Fat Cat Records and have released four full-length albums, as well as several EPs and singles. Their 2007 debut album, Fourteen Autumns & Fifteen Winters, drew widespread acclaim from critics, who noted Graham's thick Scottish accent and MacFarlane's dense sonic walls of shoegazing guitar and wheezing accordion. The Twilight Sad's notoriously loud live performances have been described as "completely ear-splitting," and the band toured for the album across Europe and the United States throughout 2007 and 2008.
Context: The Twilight Sad performed their debut album Fourteen Autumns & Fifteen Winters in its entirety for the first time in December 2013, with further UK dates performing the full album in April and May 2014. The tour dates coincided with the release of a deluxe edition reissue of the debut album, with bonus tracks including demos and rarities, released on Record Store Day 2014. The band began working on tracks for their fourth album in late 2012, with recording sessions at Mogwai's Castle of Doom Studios in Glasgow beginning in January 2014. On 12 August 2014, the band announced via their official website, Facebook, and Instagram pages that the new album, entitled Nobody Wants to Be Here and Nobody Wants to Leave, would be released on 27 October 2014. The announcement was accompanied by a 1-minute teaser video trailer on the band's website, followed by a posting of the album's opening track "There's a Girl in the Corner" on Vice magazine's Noisey blog on 18 August 2014. In an interview with Contactmusic.com, guitarist/producer Andy MacFarlane explained that with Nobody Wants to Be Here and Nobody Wants to Leave, the band aimed to capture all the different forms their music has taken over the years, from "full on noise/feedback, to a sparse, synth led sound, to a stripped back set up with just keys, drum machine and guitar, to playing with an orchestra, and to just an acoustic with vocal." The album produced three singles; the first single, "Last January", was released as a digital download on 15 September 2014; second single "I Could Give You All That You Don't Want" was released as a double A-side 7" vinyl single with the exclusive track "The Airport" on 9 February 2015; and third single "It Never Was the Same" was released on 29 June 2015 as a 7" vinyl single, featuring the exclusive version of "There's a Girl in the Corner" as covered by Robert Smith of The Cure. Additionally, a limited edition 6-song EP entitled Oran Mor Session, featuring stripped-down versions of songs from Nobody Wants to Be Here and Nobody Wants to Leave, was self-released by the band in October 2014, then expanded to 9 songs and given a wider release by Fat Cat Records in October 2015. The band embarked on a North American tour supporting We Were Promised Jetpacks in October and November 2014, with two dates performing Fourteen Autumns & Fifteen Winters in its entirety at Rough Trade in New York City and The Empty Bottle in Chicago. The band toured the United Kingdom in December 2014 and January 2015, including a date performing at Edinburgh's Hogmanay Celebration on New Year's Eve, then returned to the United States in February/March 2015. Further tour dates across Europe and festival appearances followed throughout summer 2015, culminating with UK and European tour dates as the supporting act for Editors in October and November 2015, and a headlining performance at Barrowland Ballroom in mid-December.
Question: Were there any singles released from the album?
Answer:
the first single, "Last January