In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

This movie is Damian Szifron's second immersion in movies after his excellent character study in "El Fondo del Mar". With "Tiempo De Valientes" he creates extremely well done characters, far away from prototypes and with an unprecedented chemistry between them. I've seen Szifron's talent to present every character in a lighthearted way but just enough to involve us emotionally with them. His control over them is magnificent, so he restores on the movie a great direction and an overall brilliantly polished script, the characters laugh and cry with real sentiment and invite the viewer to join them in their emotions and their evolution on screen.The Spanish takes over the English, the Buenos Aires urban landscape at night replaces Hollywood sets and the premise is just as interesting as any other, so we have a film daring to compete over Hollywood's Machinery.But I want you to see the movie mainly because I've never dealt with such endearing characters, all of them. It seems the script suits perfectly to the actors and vice versa. I really believe with a film making like this Argentina is really up to the Competition.
positive

Tom Wolfe's sprawling, brilliantly observed satiric novel of life among New York snobbery gets a glossy look here but is nevertheless not well served. The film suffers not merely from the miscasting of everyman Tom Hanks as an uncaring Yuppie, Kewpie-doll Melanie Griffith as a manipulative southern belle and Bruce Willis (?!) as the darling of New York's literati. The most serious miscasting was in the director's chair. Robert Altman might have breathed life into these unlikeable characters and made them interesting, but Brian De Palma, for all of his visual sophistication, has never had an eye for the nuances of the human experience. The resulting film looks good but seems blah toward its subject of dehumanization in favor of status. Honestly, if a satire does not make the viewer angry, what is the point?
negative

No mention if Ann Rivers Siddons adapted the material for "The House Next Door" from her 1970s novel of the same title, or someone else did it. This Lifetime-like movie was directed by Canadian director Jeff Woolnough. Having read the book a long time ago, we decided to take a chance when the film showed on a cable version of what was clearly a movie made for television. You know that when the critical moments precede the commercials, which of course, one can't find in this version we watched.The film's star is Lara Flynn Boyle who sports a new look that threw this viewer a curve because of the cosmetic transformation this actress has gone through. From the new eyebrows to other parts of her body, Ms. Boyle is hardly recognizable as Col Kennedy, the character at the center of the mystery. This was not one of the actress better moments in front of the camera. That goes for the rest of the mainly Canadian actors that deserved better.The film has a feeling of a cross between "Desperate Houswives" with "The Stepford Wives" and other better known features, combined with a mild dose of creepiness. The best thing about the movie was the house which serves as the setting.
negative