Background: Ambrose was born in Lovington, Illinois, to Rosepha Trippe Ambrose and Stephen Hedges Ambrose. His father was a physician who served in the U.S. Navy during World War II.
Context: In 2002, Ambrose was accused of plagiarizing several passages in his book The Wild Blue. Fred Barnes reported in The Weekly Standard that Ambrose had taken passages from Wings of Morning: The Story of the Last American Bomber Shot Down over Germany in World War II, by Thomas Childers, a history professor at the University of Pennsylvania. Ambrose had footnoted sources, but had not enclosed in quotation marks numerous passages from Childers's book. Ambrose asserted that only a few sentences in all his numerous books were the work of other authors. He offered this defense: I tell stories. I don't discuss my documents. I discuss the story. It almost gets to the point where, how much is the reader going to take? I am not writing a Ph.D. dissertation. I wish I had put the quotation marks in, but I didn't. I am not out there stealing other people's writings. If I am writing up a passage and it is a story I want to tell and this story fits and a part of it is from other people's writing, I just type it up that way and put it in a footnote. I just want to know where the hell it came from. A Forbes investigation of his work found cases of plagiarism involving passages in at least six books, with a similar pattern going all the way back to his doctoral dissertation. The History News Network lists seven of Ambrose's more than 40 works--The Wild Blue, Undaunted Courage, Nothing Like It In the World, Nixon: Ruin and Recovery, Citizen Soldiers, The Supreme Commander, and Crazy Horse and Custer--contained content from twelve authors without appropriate attribution from Ambrose.
Question: Are there any other interesting aspects about this article?
Answer: Fred Barnes reported in The Weekly Standard that Ambrose had taken passages from Wings of Morning:

Background: Franklin Joseph Lymon (September 30, 1942 - February 27, 1968), known professionally as Frankie Lymon, was an American rock and roll/rhythm and blues singer and songwriter, best known as the boy soprano lead singer of the New York City-based early rock and roll group The Teenagers. The group was composed of five boys, all in their early to mid-teens. The original lineup of the Teenagers, an integrated group, included three African-American members, Frankie Lymon, Jimmy Merchant, and Sherman Garnes; and two Puerto Rican members, Joe Negroni and Herman Santiago. The Teenagers' first single, 1956's "Why Do Fools Fall in Love," was also its biggest hit.
Context: Lymon's troubles extended to others after his death. After R&B singer Diana Ross returned "Why Do Fools Fall in Love" to the Top Ten in 1981, a major controversy concerning Lymon's estate ensued. Zola Taylor, Elizabeth Waters and Emira Eagle each approached Morris Levy, the music impresario who retained possession of Lymon's copyrights and his royalties, claiming to be Lymon's rightful widow; Lymon had neglected to divorce either of them. The complex issue resulted in lawsuits and counter-lawsuits, and in 1986 the first of several court cases concerning the ownership of Lymon's estate began. Trying to determine who was indeed the lawful Mrs. Frankie Lymon was complicated by more issues. Waters was already married when she married Lymon; she had separated from her first husband, but their divorce was finalized in 1965, after she had married Lymon. Taylor claimed to have married Lymon in Mexico in 1965, but could produce no acceptable evidence of their union. Lymon's marriage to Eagle, on the other hand, was properly documented as having taken place at Beulah Grove Baptist Church in Augusta, Georgia, in 1967; however, the singer was still apparently twice-married and never divorced when he married Eagle. The first decision was made in Waters' favor; Eagle appealed, and in 1989, the Appellate Division of the New York State Supreme Court reversed the original decision and awarded Lymon's estate to Eagle. However, the details of the case brought about another issue: whether Morris Levy was deserving of the songwriting co-credit on "Why Do Fools Fall in Love". Although early single releases of "Why Do Fools Fall in Love" credit Frankie Lymon, Herman Santiago and Jimmy Merchant as co-writers, later releases and cover versions were attributed to Lymon and George Goldner. When Goldner sold his music companies to Morris Levy in 1959, Levy's name began appearing as co-writer of "Why Do Fools Fall in Love" in place of Goldner's. Lymon was never paid his songwriting royalties during his lifetime; one result of Emira Eagle's legal victory was that Lymon's estate would finally begin receiving monetary compensation from his hit song's success. In 1987, Herman Santiago and Jimmy Merchant, both then poor, sued Morris Levy for their songwriting credits. In December 1992, the United States federal courts ruled that Santiago and Merchant were co-authors of "Why Do Fools Fall in Love". However, in 1996 the ruling was reversed by the Court of Appeals for the 2nd Circuit on the basis of the statute of limitations: copyright cases must be brought before a court within three years of the alleged civil violation, and Merchant and Santiago's lawsuit was not filed until 30 years later. Authorship of "Why Do Fools Fall in Love" currently remains in the names of Frankie Lymon and Morris Levy.
Question: what were his posthumous troubles?
Answer:
After R&B singer Diana Ross returned "Why Do Fools Fall in Love" to the Top Ten in 1981, a major controversy concerning Lymon's estate ensued.