Problem: Background: Frenzal Rhomb is an Australian punk rock band that formed in 1992, with Jason Whalley on lead vocals and rhythm guitar during this entire period. In 1996, Lindsay McDougall joined the line-up on lead guitar and backing vocals. Three of the group's albums have entered the top 20 on the ARIA Albums Chart: A Man's Not a Camel (1999),
Context: In July 1996, Frenzal Rhomb released their second album, Not So Tough Now, which was produced by Tony Cohen (Nick Cave and the Bad Seeds, TISM, Dave Graney), Kalju Tonuma (Nick Barker, The Mavis's) and Frenzal Rhomb. Just after its appearance, Costello was replaced by Lindsay McDougall on lead guitar and backing vocals - Costello left to attend university and become an animal rights activist. In November, the group issued a CD EP, Punch in the Face and, in January 1997, performed at Big Day Out. Late that year they toured the US supporting Blink-182. In September 1997, their third LP, Meet the Family, was released, which reached the top 40 on the ARIA Albums Chart and became their first certified gold album by ARIA. It spawned three singles, "Mr Charisma" (June), "There's Your Dad" (September), and "Mum Changed the Locks" (April 1998). The latter title refers to McDougall telling his mother he was going out to a movie when leaving for an interstate tour and returning to find his key no longer opened the front door. Also in April, Gordon "Gordy" Forman replaced Nykyruj on drums, and they toured Australia with US ska band Blue Meanies. Frenzal Rhomb were the head-liners for the Australian leg of the 1998 Vans Warped Tour and they were recruited for the US edition. A 1998 version of Meet the Family contained a bonus disc, Mongrel, that was recorded live on this US leg. In March 1999, they released their next album, A Man's Not a Camel, which was produced by Eddie Ashworth and was supported by a nationwide tour. As from November 2011, it remains Frenzal Rhomb's highest charting album, reaching No. 11. It spawned their highest charting single, "You Are Not My Friend" (August), which reached No. 49. Allmusic's album reviewer Mike DaRonco felt "the first two songs are great in that catchy, playful pop-punk sort of way, but the rest ... fall under the trap of having all their tracks sounding like one big, long song". The album also features fan favourites "We're Going Out Tonight" and "Never Had So Much Fun". According to the band's website, US gigs were dropped after Whalley suffered a heart attack in late 1999 and the group spent the first few months of 2000 inactive. Whalley later denied that he had had a heart attack with "a lot of things on our Web site are greatly exaggerated. There was also a thing about my having trench rot, the World War I disease, but that's not true either".
Question: What was included on Frenzal Rhomb's 3rd LP?
Answer: It spawned three singles, "Mr Charisma" (June), "There's Your Dad" (September), and "Mum Changed the Locks" (April 1998).

Problem: Background: Clarence White (born Clarence Joseph LeBlanc; June 7, 1944 - July 14, 1973), was an American bluegrass and country guitarist and singer. He is best known as a member of the bluegrass ensemble the Kentucky Colonels and the rock band the Byrds, as well as for being a pioneer of the musical genre of country rock during the late 1960s. White also worked extensively as a session musician, appearing on recordings by the Everly Brothers, Joe Cocker, Ricky Nelson, Pat Boone, the Monkees, Randy Newman, Gene Clark, Linda Ronstadt, Arlo Guthrie, and Jackson Browne amongst others. Together with frequent collaborator Gene Parsons, he invented the B-Bender, a guitar accessory that enables a player to mechanically bend the B-string up a whole tone and emulate the sound of a pedal steel guitar.
Context: Clarence White helped popularize the acoustic guitar as a lead instrument in bluegrass music, building on the work of guitarists such as Doc Watson. Prior to the advent of the more aggressive flatpicking style pioneered by guitarists like Watson and White, the guitar was strictly a rhythm instrument, save for a few exceptions (such as the occasional guitar track by banjoist Don Reno). Many of the most influential flatpickers of the 20th century cite White as a primary influence, including Dan Crary, Norman Blake, and Tony Rice. Rice owns and plays White's highly modified 1935 Martin D-28. David Grier and Russ Barenberg are two other acoustic guitarists who were heavily influenced by White's guitar work. White's bluegrass playing with the Kentucky Colonels was also a considerable influence on Jerry Garcia of the Grateful Dead, who traveled with the band during 1964. On the electric side of the guitar spectrum, White was similarly influential. Together with fellow Byrds bandmember Gene Parsons, White invented the B-Bender device. This device raises the B-string (second string) of the guitar a whole step by the use of pulleys and levers attached to both the upper strap knob and the second string on the guitar. It is activated by pushing down on the neck, and produces a "pedal steel" type sound. Arlen Roth, heavily influenced by this style, did not at the time know that White and Parsons had invented a B-bender, so instead developed his own unique all-finger bending version of this technique. This was heavily documented in his ground-breaking book, "Nashville Guitar", all of his recordings, as well as his book "Masters of the Telecaster". Subsequently, his Telecaster sound became as notable as his bluegrass playing. Marty Stuart, another guitarist influenced by White's playing, now owns and regularly plays White's 1954 Fender Telecaster with the prototype B-Bender. Music archivist and writer Alec Palao has called White "one of a handful of true greats amongst the instrumentalists of 20th century popular music", before adding that "the waves created by the guitarist's idiosyncratic style are still forming ripples within bluegrass, country and rock 'n' roll." In 2003, White was ranked No. 41 on Rolling Stone magazine's list of the 100 Greatest Guitarists of All Time. In 2010, guitar manufacturer Gibson ranked White at No. 42 on their Top 50 Guitarists of All Time list.
Question: What influence did he have?
Answer:
On the electric side of the guitar spectrum, White was similarly influential.