[Q]: Suggest a movie title for the following movie plot: The film opens with an airplane flying straight at the audience. Its propeller spins into the films title frame. During the opening credits each of the principal characters is introduced in a film clip from the movie that includes their real name and the character they portray. Then, the same airplane shot is seen; this time its propeller spins into a distant shot of the Hotel Hibiscus in Miami. A sign appears: Hotel Hibiscus, Roger Bond and His Yankee Clipper Band Now Playing in the Date Grove. Mr. Hammerstein (Franklin Pangborn) inspects the hotels chefs, the bellboys and maids. Hammerstein, who has been brought from Switzerland to shape up the hotels staff, seems uncomfortable with one of the buxom maids and isn't pleased with anothers shoe heels that are terribly worn. Next, he wants to inspect the band. The head waiter (Eric Blore) points to the opposite side of the room where the band members are lounging. Honey Hale (Ginger Rogers), the bands female vocalist, greets Hammerstein with, Good morning, Popeye. He reprimands her for speaking before he has asked her a question. Then, he tells the band members that he has had several complaints about them; he is particularly upset that they have been too familiar with the guests. Hammerstein asks where Roger Bond (Gene Raymond), the bands leader, and Bonds assistant, Fred Ayres (Fred Astaire), are. Honey says, Coming right down. The scene switches to a small single engine airplane doing a loop-de-loop before it lands. Once it stops, Fred is the first out; he has to hold on to the struts to keep from falling. There is a small piano in the plane right behind the front seats; Roger uses the instrument to write songs during his flights. Fred and Roger rush to the hotel for a scheduled radio program. At the hotel, Hammerstein is pacing, the band is waiting on the bandstand and everybody is looking at their watches. At the last possible moment, Roger and Fred sneak in from the back of the bandstand, Roger welcomes the radio listeners and introduces their first song,...
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[A]: Flying Down to Rio

[Q]: Suggest a movie title for the following movie plot: Anna, a modern day Parisian psychologist, is researching the cases of women who committed suicide in the 20th Century. She becomes fascinated by the story of Antonieta Rivas Mercado, a Mexican writer and social activist who committed suicide inside Notre Dame Cathedral in Paris. To find more about Antonieta's story, Anna travels to Mexico and interviews people who knew her. She receives her first clues about Antonieta's life from Juana, a Mexican librarian who frames the live of Antonieta Rivas Mercado within a stormy period of Mexico's history, the political turmoil of the 1910s-1920s. Antonieta's personal life was as dark and dramatic as that of her era. She was a daughter of a famous architect and as a child she posed for the golden angel atop the famous column of Independence in Mexico City. Vargas, a poet, now a middle-aged man, recounts for Ana the life of Antonieta when he met her and they were friends. The story moves back and forth between present and past. As a young woman, Antonieta married but left her husband and fell madly in love with the painter Manuel Rodriguez Lozano. The painter was married and Antonieta's feelings remained unrequited because Manuel was homosexual. Their Platonic relationship lasted for several years during which she wrote him many lover letters, later published in a book. Leon, a Mexican historian, further illustrates Antonieta's life for Anna. Still in love with the painter, Antonieta meets Jose Vasconcelos, a Mexican intellectual who is running for president of the country on the platform of offering education to the masses. Antonieta, is drawn into the idealist politician, becoming Vasconcelos' lover and prime advisory. After Vasconcelos is politically defeated, she accompanies him in exile to Paris. They have lost their political idealism. She begs him to tell her if he still needs her. He replies that, really no one needs anyone, only God. Antonieta commits her last dramatic act, by pressing a pistol to her heart in the pews of Notre Dame.
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[A]: Antonieta

[Q]: Suggest a movie title for the following movie plot: It's 1927 and we meet silent movie star George Valentin (Jean Dujardin) on top of the world. He's behind the screen; in front of it an ecstatic audience is enthralled by his latest starring role. As the credits roll, Valentin takes the stage for what a virtuosic display of bowing, his canine sidekick performing some cute tricks too.Outside the theatre, adoring fans and press push and surge to breathe the same air as their hero. A pretty young girl at the front of the crowd drops her wallet, and makes the most of picking it up to slip under the security cordon. There's silence as Valentin looks shocked, confused, angry even - but it's all his joke and, laughing at his own power to create such confusion, he gamely poses for photos with the young lady to the delight of the assembled press, and to the chagrin of his stern, world-weary wife who reads of the escapade in the papers the next day.The young girl - one Peppy Miller (Berenice Bejo), we learn - having shared a moment with her hero is inspired to follow his path, and turns up at the studio to audition, successfully, as an extra. Valentin himself arrives at the same studio where he is again the star, this time of 'A German Affair'. On entering the studio the star is enthralled by a pair of legs he sees rehearsing on the other side of a screen. He joins the dance from his side of the screen, and beckons to the set builders to remove the screen, hoping to surprise the girl. It's he, though, who is surprised to discover the legs belong to the same Peppy Miller from last night's crowd and this morning's papers.Years pass, one presumes in a similar fashion. One day though, Al Zimmer, the immaculately stereotyped cigar-chomping, braces-pinging studio boss (John Goodman) calls Valentin in to see the latest technological innovation - a primitive attempt to record sound with motion pictures. Valentin scoffs at the footage, but is clearly ruffled by it. He dreams a nightmare where everyday sounds are exaggerated (for the first time here the film takes on a diegetic...
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[A]:
The Artist