Answer the question at the end by quoting:

William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.
In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade. His manager at the time was Jon Troy, an old friend from the New York neighborhood of Bedford-Stuyvesant; Troy would soon be replaced by Joel's wife Elizabeth. Streetlife Serenade contains references to suburbia and the inner city. It is perhaps best known for "The Entertainer", a No. 34 hit in the US. Upset that "Piano Man" had been significantly cut for radio play, Joel wrote "The Entertainer" as a sarcastic response: "If you're gonna have a hit, you gotta make it fit, so they cut it down to 3:05." Although Streetlife Serenade is often considered one of Joel's weaker albums (Joel dislikes it himself), it contains the notable songs "Los Angelenos" and "Root Beer Rag", an instrumental that was a staple of his live set in the 1970s. In late 1975, Joel played piano and organ on several tracks on Bo Diddley's The 20th Anniversary of Rock 'n' Roll all-star album. Disenchanted with Los Angeles, Joel returned to New York City in 1975 and recorded Turnstiles, the first album he recorded with the group of hand-picked musicians who became the Billy Joel Band. Produced by James William Guercio (then Chicago's producer), Turnstiles was first recorded at Caribou Ranch with members of Elton John's band. Dissatisfied with the result, Joel re-recorded the songs and produced the album himself. "Say Goodbye to Hollywood" was a minor hit; Ronnie Spector recorded a cover as did Nigel Olsson, then drummer with Elton John. In a 2008 radio interview, Joel said that he no longer performs the song because singing it in its high original key "shreds" his vocal cords; however, he did finally play it live for the first time since 1982 when he sang it at the Hollywood Bowl in May 2014. Though never released as a single, "New York State of Mind" became one of Joel's best-known songs; Barbra Streisand and Tony Bennett have each recorded covers (Bennett's a duet with Joel on Playing with My Friends: Bennett Sings the Blues). Other notable songs from the album include "Summer, Highland Falls", "Miami 2017 (Seen the Lights Go Out on Broadway)", "Say Goodbye to Hollywood", (a live version of which became a Top 40 hit), and "Prelude/Angry Young Man", a concert mainstay.

What was the album about

contains references to suburbia and the inner city.

Answer the question at the end by quoting:

Grahame was born Gloria Grahame Hallward in Los Angeles, California. She was raised a Methodist. Her father, Reginald Michael Bloxam Hallward, was an architect and author; her mother, Jeanne McDougall, who used the stage name Jean Grahame, was a British stage actress and acting teacher. The couple had an older daughter, Joy Hallward (1911-2003), an actress who married John Mitchum (the younger brother of actor Robert Mitchum).
In March, 1974, Grahame was diagnosed with breast cancer. She underwent radiation treatment, changed her diet, stopped smoking and drinking alcohol, and also sought homeopathic remedies. In less than a year the cancer went into remission. The cancer returned in 1980 but Grahame refused to acknowledge her diagnosis or seek radiation treatment. Despite her failing health, Grahame continued working in stage productions in the United States and the United Kingdom. In Autumn of 1981 while performing in Lancaster, England, Grahame was taken ill. The local hospital wanted to perform surgery immediately, which she refused. Contacting her former lover, actor Peter Turner, she requested to live in Liverpool, in the home of his mother. Grahame requested that Turner not contact medical people or her family but Turner did so, as he was concerned about her health. According to Turner's book, Film Stars Don't Die in Liverpool, his local family doctor told Grahame she had a cancerous tumor in her abdomen "the size of a football". Breast cancer is not mentioned in the book. Peter Turner informed two of Grahame's children, Timothy and Paulette, who were in the United States, of her illness. They travelled to Liverpool deciding to take their mother back to the United States against the wishes of the doctor, Grahame, Peter Turner and his family. After staying six days at the home of Peter Turner's mother, on 5 October 1981 Grahame was flown back to the United States by her two children where she was immediately admitted to St. Vincent's Hospital in New York City. She died in the hospital a few hours after admittance at the age of 57. Her remains were interred in Oakwood Memorial Park Cemetery in Chatsworth, Los Angeles. Grahame had kept an apartment at the New York City complex Manhattan Plaza. The community room at the complex is dedicated to Gloria, with her portrait hanging on the wall.

What other details about her death were important

In March, 1974, Grahame was diagnosed with breast cancer.

Answer the question at the end by quoting:

Born in Goulburn, New South Wales, Poidevin played rugby at St Patrick's College (now Trinity Catholic College) in New South Wales, and made the Australian Schoolboy side. Upon finishing school he played a season with the Goulburn Rugby Union Football Club and then, in 1978, he moved to Sydney to study at the University of New South Wales, from which he graduated in 1983 with a Bachelor of Science (Hons). He made his first grade debut with the university's rugby union team in 1978. In 1982 he moved clubs to Randwick, the famous Galloping Greens, home of the Ella brothers and many other Wallabies.
Poidevin played for Sydney against France in the third game France played for their 1981 France rugby union tour of Australia, won by Sydney 16-14. Poidevin then played for New South Wales against France for the fifth match of France's Australia tour, lost 12-21. Poidevin achieved national selection for the two-Test series against France, despite competition for backrow positions in the Australian team. The first Test against France marked the first time Poidevin played with Australian eightman Mark Loane and contained the first try Poidevin scored at international Test level. In his biography For Love Not Money, written with Jim Webster, Poidevin recalls that: The first France Test at Ballymore held special significance for me because I was playing alongside Loaney for the first time. In my eyes he was something of a god, and I guess my feeling was the same as a young actor getting a bit part in a movie with Dustin Hoffman. Loaney was a huge inspiration, and I tailed him around the field hoping to feed off him whenever he made one of those titanic bursts where he'd split the defence wide open with his unbelievable strength and speed. Sticking to him in that Test paid off handsomely, because Loaney splintered the Frenchmen in one charge, gave to me and I went for the line for all I was worth. I saw Blanco coming at me out of the corner of my eye, but was just fast enough to make the corner for my first Test try. I walked back with the whole of the grandstand yelling and cheering. God and Loaney had been good to me." Poidevin played in Australia's second Test against France in Sydney, won by Australia 24-14, giving Australia a 2-0 series victory.

Did he like playing with Loaney ?
Loaney was a huge inspiration, and I tailed him around the field hoping to feed off him