input: As biographer Ben Proctor explains: During the 1920s he became an avowed Jeffersonian Democrat, warning his fellow citizens against the dangers of big government, of unchecked federal power that could infringe on the individual rights of Americans, especially if a charismatic leader was in charge....[After supporting FDR in 1932] Hearst soon became highly critical of the New Deal. With increasing frequency Hearst newspapers supported big business to the detriment of organized labor. With unabated vigor they condemned higher income tax legislation as a persecution of the "successful." Hearst broke with FDR in spring 1935 when the president vetoed the Patman Bonus Bill for veterans and tried to enter the World Court. Hearst's papers were his weapon. They carried the publisher's rambling, vitriolic, all-capital-letters editorials, but he no longer employed the energetic reporters, editors, and columnists who might have made a serious attack. He reached 20 million readers in the mid 1930s, but they included much of the working class that Roosevelt had swept by three-to-one margins in the 1936 election. The Hearst papers--like most major chains--had supported the Republican Alf Landon that year. In 1934, after checking with Jewish leaders to ensure a visit would be to their benefit, Hearst visited Berlin to interview Adolf Hitler. When Hitler asked why he was so misunderstood by the American press, Hearst retorted: "Because Americans believe in democracy, and are averse to dictatorship." Hearst's papers ran columns without rebuttal by Nazi leader Hermann Goring and Hitler himself, as well as Mussolini and other dictators in Europe and Latin America.

Answer this question "What else did he do in this time period"
output: In 1934, after checking with Jewish leaders to ensure a visit would be to their benefit, Hearst visited Berlin to interview Adolf Hitler.

Problem: Background: Lula Grace Johnson (born March 13, 1929), known professionally as Jan Howard, is an American country music singer and Grand Ole Opry star. She attained popular success as a country female vocalist during the 1960s and early 1970s and was twice nominated for the Best Female Country Vocal Performance Grammy award. Many of her hits were written by her husband at the time, Harlan Howard. Howard's biggest hit and signature song was the 1966 country hit "Evil on Your Mind", which peaked at number five on the Billboard country charts.
Context: In 1959, under the name Jan Howard, she released the single "Yankee Go Home", which failed to hit the country charts. In 1960, the Howards went to Nashville, Tennessee, where they appeared on The Prince Albert Show, the Grand Ole Opry segment carried nationally by NBC Radio. Howard then released her first single under her new record company, Challenge. Titled "The One You Slip Around With", the song was Howard's first significant country hit, hitting the top 15, peaking at number 13 on the Billboard country music chart and earning her several Most Promising Female Vocalist awards (over, among others, another newcomer, Loretta Lynn). Occasional appearances on the Grand Ole Opry led to friendships with several country singers, including Patsy Cline. According to Cline's 1980 biography, Honky Tonk Angel, Cline originally yelled at Howard after a performance on the Opry stage. Howard fought back, and Cline was shocked by her reply. Cline then said to Howard, "Anybody who stands up to Cline is all right, we're gonna be good friends." The two were good friends until Cline's death in 1963. Meanwhile, painfully shy Jan was suffering from the psychological scars of her youth, as well as the anxiety of beginning a new adventure. When her weight dropped below 97 pounds, Harlan hospitalized Jan and she went into therapy. Howard appeared on ABC-TV's Jubilee USA on February 6, 1960, and later that year she won Billboard magazine's Most Promising Female Country Award. In 1962, she charted successfully on the country charts at number 27 with, "I Wish I Was a Single Girl Again". However, none of Howard's follow-up singles was successful.
Question: Did anything else exciting to her happen in that time?
Answer: In 1962, she charted successfully on the country charts at number 27 with, "I Wish I Was a Single Girl Again".

Question: The Four Tops are a vocal quartet from Detroit, Michigan, USA, who helped to define the city's Motown sound of the 1960s. The group's repertoire has included soul music, R&B, disco, adult contemporary, doo-wop, jazz, and show tunes. Founded as the Four Aims, lead singer Levi Stubbs, Abdul "Duke" Fakir, Renaldo "Obie" Benson and Lawrence Payton remained together for over four decades, performing from 1953 until 1997 without a change in personnel. The Four Tops were among a number of groups, including the Miracles, the Marvelettes, Martha and the Vandellas, the Temptations, and the Supremes, who established the Motown Sound heard around the world during the 1960s.

Motown as a company began to change during the early 1970s. Older acts such as Martha and the Vandellas and The Marvelettes were slowly moved aside or dropped to focus on newer acts, such as Michael Jackson and The Jackson 5, Rare Earth, and the now-solo Diana Ross. In addition, the company moved its operations from Detroit to Los Angeles, California, where Berry Gordy planned to break into the motion picture and television industries. In 1972, it was announced that the entire company would move west and that all its artists had to move as well. Many of the older Motown acts, already neglected by the label, opted to stay in Detroit, including The Funk Brothers studio backing band, Martha Reeves, and the Four Tops. The Tops departed Motown for ABC-Dunhill, where they were assigned to writer-producers Dennis Lambert and Brian Potter and the label's head of A&R, Steve Barri as producer, with The Tops' own Lawrence Payton later also serving as a producer and writer. He also took over lead vocal duties on several tracks. The group's first release on the label, "Keeper of the Castle" was their first pop Top 10 hit since "Bernadette" in 1967. Follow-ups included the million-selling "Ain't No Woman (Like the One I've Got)", also a top 10 pop hit and their third R&B number 1, and the Top 20 hit, "Are You Man Enough", (from the movie "Shaft in Africa"). "Sweet Understanding Love"; "Midnight Flower"; and "One Chain Don't Make No Prison" all reached the R&B Top 10 between 1972 and 1974. Two ABC/Dunhill singles, 1974's "I Just Can't Get You Out of My Mind" and 1975's "Seven Lonely Nights" have become popular tunes in the southeast Beach/Shag Club Dance circuit. After the release of "Catfish" (a top 10 R&B hit) in 1976, the major hits started to dry up and the Tops left ABC after an album recorded in Philadelphia with the MFSB musicians resulted in only minor chart success in 1978. The group disappeared from the recording scene until the early 1980s. Signing a deal with Casablanca Records, the Tops made a comeback in 1981 with the #1 R&B hit "When She Was My Girl". Produced by David Wolfert, it just missed the Billboard pop Top 10, peaking at #11. The group also scored a UK Top 10 hit with the song and had another hit there with the follow-up, "Don't Walk Away".

Using a quote from the above article, answer the following question: Did any singles come from this album?
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Answer:
Follow-ups included the million-selling "Ain't No Woman (Like the One I've Got)", also a top 10 pop hit