input: Watt retired in 1800, the same year that his fundamental patent and partnership with Boulton expired. The famous partnership was transferred to the men's sons, Matthew Robinson Boulton and James Watt Jr. . Longtime firm engineer William Murdoch was soon made a partner and the firm prospered. Watt continued to invent other things before and during his semi-retirement. Within his home in Handsworth, Staffordshire, Watt made use of a garret room as a workshop, and it was here that he worked on many of his inventions. Among other things, he invented and constructed several machines for copying sculptures and medallions which worked very well, but which he never patented. One of the first sculptures he produced with the machine was a small head of his old professor friend Adam Smith. He maintained his interest in civil engineering and was a consultant on several significant projects. He proposed, for example, a method for constructing a flexible pipe to be used for pumping water under the Clyde at Glasgow. He and his second wife travelled to France and Germany, and he purchased an estate in mid-Wales at Doldowlod House, one mile south of Llanwrthwl, which he much improved. In 1816 he took a trip on the paddle-steamer Comet, a product of his inventions, to revisit his home town of Greenock. He died on 25 August 1819 at his home "Heathfield" in Handsworth, Staffordshire (now part of Birmingham) at the age of 83. He was buried on 2 September in the graveyard of St Mary's Church, Handsworth. The church has since been extended and his grave is now inside the church.

Answer this question "What were some of those projects?"
output: He proposed, for example, a method for constructing a flexible pipe to be used for pumping water

input: For the next thirty years, James recorded nothing and performed sporadically. He was virtually unknown to listeners until about 1960. In 1964, blues enthusiasts John Fahey, Bill Barth, and Henry Vestine found him in a hospital in Tunica, Mississippi. According to Calt, the "rediscovery" of both James and Son House at virtually the same time was the start of the blues revival in the United States. In July 1964 James and other rediscovered musicians appeared at the Newport Folk Festival. Several photographs by the blues promoter Dick Waterman captured this performance, James's first in over 30 years. After that James recorded for Takoma Records, Melodeon Records, and Vanguard Records and performed at various engagements until his death in 1969. More of James's recordings have been available since his death than were available during his lifetime. His 1931 recordings and several of his recordings and concerts from the 1960s have been reissued on numerous compact discs, in and out of print. His songs were not initially recorded as frequently as those of other rediscovered blues musicians. However, the British rock band Cream recorded "I'm So Glad", providing James with the only windfall of his career. Subsequently, Cream's adaptation was recorded by other groups. James' "22-20" inspired for the name for the English group 22-20s and the British post-rock band Hope of the States released a song partially about the life of James, entitled "Nehemiah", which reached number 30 on the UK Singles Chart. In 2004, Wim Wenders directed the film The Soul of a Man (the second part of The Blues, a series produced by Martin Scorsese), focusing on the music of Blind Willie Johnson, J.B. Lenoir and James. Because James had not been not filmed before the 1960s, Keith B. Brown played the part of the young James in the documentary.

Answer this question "did they make music after?"
output: In July 1964 James and other rediscovered musicians appeared at the Newport Folk Festival.

input: In 1991, Tritt received a second Horizon Award nomination, which he won that year. He also released his second album, It's All About to Change. The album went on to become his best-selling, with a triple-platinum certification from the RIAA for shipments of three million copies. All four of its singles reached the top five on the country music charts. "Here's a Quarter (Call Someone Who Cares)" and the Marty Stuart duet "The Whiskey Ain't Workin'," respectively the first and third singles, both reached number two, with the number-one "Anymore" in between. "Nothing Short of Dying" was the fourth single, with a peak at number four on Billboard; both it and "The Whiskey Ain't Working" went to Number One on Radio & Records. "Bible Belt," another cut from the album (recorded in collaboration with Little Feat), appeared in the 1992 film My Cousin Vinny (the lyrics for the song, however, were changed for the version played in the movie to match the story line). Although not released as a single, it peaked at number 72 country based on unsolicited airplay and was the b-side to "Nothing Short of Dying." "Bible Belt" was inspired by a youth pastor whom Tritt knew in his childhood. Stuart offered "The Whiskey Ain't Workin' Anymore" to Tritt backstage at the CMA awards show, and they recorded it as a duet through the suggestion of Tritt's record producer, Gregg Brown. The duet won both artists the next year's Grammy Award for Best Country Collaboration with Vocals. Tritt and Stuart charted a second duet, "This One's Gonna Hurt You (For a Long, Long Time)," which went to number seven in mid-1992 and appeared on Stuart's album This One's Gonna Hurt You. This song won the 1992 CMA award for Vocal Event of the Year. In June 1992, Tritt received media attention when he criticized Billy Ray Cyrus' "Achy Breaky Heart" at a Fan Fair interview, saying that he did not think that Cyrus' song made a "statement". The following January, Cyrus responded at the American Music Awards by making reference to Tritt's "Here's a Quarter". Tritt later apologized to Cyrus, but said that he defended his opinion on the song.

Answer this question "What songs were popular on this album?"
output:
All four of its singles reached the top five on the country music charts.