Question: What is the full name of the person who Robinson of Pop Matters said "doesn't blow but whispers"? Answer the above question based on the context below: Music critic J. D. Considine noted "on albums, Jackson's sound isn't defined by her voice so much as by the way her voice is framed by the lush, propulsive production of Jimmy Jam and Terry Lewis." Wendy Robinson of PopMatters said "the power of Janet Jackson's voice does not lie in her pipes. She doesn't blow, she whispers ... Jackson's confectionary vocals are masterfully complemented by gentle harmonies and balanced out by pulsing rhythms, so she's never unpleasant to listen to."Matthew Perpetus of Fluxblog suggested Jackson's vocal techniques as a study for indie rock music, considering it to possess "a somewhat subliminal effect on the listener, guiding and emphasizing dynamic shifts without distracting attention from its primal hooks." Perpetus added: "Her voice effortlessly transitions from a rhythmic toughness to soulful emoting to a flirty softness without overselling any aspect of her performance ... a continuum of emotions and attitudes that add up to the impression that we're listening to the expression of a fully-formed human being with contradictions and complexities."Jackson's music has encompassed a broad range of genres. Her records from the 1980s have been described as being influenced by Prince, as her producers are ex-members of the Time. Sal Cinquemani wrote that in addition to defining Top 40 radio, she "gave Prince's Minneapolis sound a distinctly feminineand, with songs like 'What Have You Done for Me Lately?,' 'Nasty,' 'Control,' and 'Let's Wait Awhile,' a distinctly feministspin."On Control, Richard J. Ripani documented that she, Jam and Lewis had "crafted a new sound that fuses the rhythmic elements of funk and disco, along with heavy doses of synthesizers, percussion, sound effects, and a rap music sensibility." Author Rickey Vincent stated that she has often been credited for redefining the standard of popular music with the industrial-strength beats of the album. She is considered a trendsetter in pop balladry, with Richard Rischar stating "the black pop ballad of the mid-1980s...
Answer: Janet Jackson

Question: What is the story that Jesus mentions in the New Testament of the Bible? Answer the above question based on the context below: Whales have also played a role in sacred texts such as the Bible. It mentions whales in Genesis 1:21, Job 7:12, and Ezekiel 32:2. The "leviathan" described at length in Job 41:1-34 is generally understood to refer to a whale. The "sea monsters" in Lamentations 4:3 have been taken by some to refer to marine mammals, in particular whales, although most modern versions use the word "jackals" instead. The story of Jonah being swallowed by a great fish is told both in the Qur'an and in the Bible. A medieval column capital sculpture depicting this was made in the 12th century in the abbey church in Mozac, France. The Old Testament contains the Book of Jonah and in the New Testament, Jesus mentions this story in Matthew 12:40.In 1585, Alessandro Farnese, 1585, and Francois, Duke of Anjou, 1582, were greeted on his ceremonial entry into the port city of Antwerp by floats including "Neptune and the Whale", indicating at least the city's dependence on the sea for its wealth.In 1896, an article in The Pall Mall Gazette popularised a practice of alternative medicine that probably began in the whaling town of Eden, Australia two or three years earlier. It was believed that climbing inside a whale carcass and remaining there for a few hours would relief symptoms of rheumatism.Whales continue to be prevalent in modern literature. For example, Herman Melville's Moby Dick features a "great white whale" as the main antagonist for Ahab, who eventually is killed by it. The whale is an albino sperm whale, considered by Melville to be the largest type of whale, and is partly based on the historically attested bull whale Mocha Dick. Rudyard Kipling's Just So Stories includes the story of "How the Whale got in his Throat". Niki Caro's film the Whale Rider has a Maori girl ride a whale in her journey to be a suitable heir to the chieftain-ship. Walt Disney's film Pinocchio features a giant whale named Monstro as the final antagonist. Alan Hovhaness' orchestra And God Created Great Whales included the recorded sounds of humpback and...
Answer: the Book of Jonah

Question: What is the first name of the person who used a Pepper's ghost illusion? Answer the above question based on the context below: Peter Hall directed the Bayreuth Ring after Chereau. His version, staged 198386, portrayed the natural innocence of the Rhinemaidens in the simplest of ways; they were naked. Keith Warner adapted this feature in his Ring production for the Royal Opera House Covent Garden, first staged 200406. A Covent Garden spokesman explained "The maidens are children of innocence, a vision of nature and as soon as someone appears they hastily throw on some clothes to protect their modesty." While Warner relies on lighting to achieve an underwater effect, Hall used a Pepper's ghost illusion: mirrors at a 45 angle made the Rhinemaidens appear to swim vertically when the performers were in fact swimming horizontally in a shallow basin.Although the roles of the Rhinemaidens are relatively small, they have been sung by notable singers better known for performing major roles in Wagnerian and other repertoire. The first person to sing the part of Woglinde in full was Lilli Lehmann at Bayreuth in 1876. In 1951, when the Bayreuth Festival re-opened after the Second World War, the same part was taken by Elisabeth Schwarzkopf. Other Bayreuth Rhinemaidens include Helga Dernesch who sang Wellgunde there between 1965 and 1967. Lotte Lehmann played Wellgunde at the Hamburg State Opera between 1912 and 1914 and the Vienna State Opera in 1916. Recorded Rhinemaidens have included Sena Jurinac for Furtwangler and RAI, Lucia Popp and Gwyneth Jones for Georg Solti, and Helen Donath and Edda Moser for Karajan.
Answer:
Peter