input: In 1898, the influential critic Joseph Victor Widmann published a series of poems by Walser in the Bernese newspaper Der Bund. This came to the attention of Franz Blei, and he introduced Walser to the Art Nouveau people around the magazine Die Insel, including Frank Wedekind, Max Dauthendey and Otto Julius Bierbaum. Numerous short stories and poems by Walser appeared in Die Insel. Until 1905, Walser lived mainly in Zurich, though he often changed lodgings and also lived for a time in Thun, Solothurn, Winterthur and Munich. In 1903, he fulfilled his military service obligation and, beginning that summer, was the "aide" of an engineer and inventor in Wadenswil near Zurich. This episode became the basis of his 1908 novel Der Gehulfe (The Assistant). In 1904, his first book, Fritz Kochers Aufsatze, appeared in the Insel Verlag. At the end of 1905 he attended a course in order to become a servant at the castle of Dambrau in Upper Silesia. The theme of serving would characterize his work in the following years, especially in the novel Jakob von Gunten (1909). In 1905, he went to live in Berlin, where his brother Karl Walser, who was working as a theater painter, introduced him to other figures in literature, publishing, and the theater. Occasionally, Walser worked as secretary for the artists' corporation Berliner Secession. In Berlin, Walser wrote the novels Geschwister Tanner, Der Gehulfe and Jakob von Gunten. They were issued by the publishing house of Bruno Cassirer, where Christian Morgenstern worked as editor. Apart from the novels, he wrote many short stories, sketching popular bars from the point of view of a poor "flaneur" in a very playful and subjective language. There was a very positive echo to his writings. Robert Musil and Kurt Tucholsky, among others, stated their admiration for Walser's prose, and authors like Hermann Hesse and Franz Kafka counted him among their favorite writers. Walser published numerous short stories in newspapers and magazines, many for instance in the Schaubuhne. They became his trademark. The larger part of his work is composed of short stories - literary sketches that elude a ready categorization. Selections of these short stories were published in the volumes Aufsatze (1913) and Geschichten (1914).

Answer this question "How was that book received?"
output: poor

input: On 14 November 1987, Tendulkar was selected to represent Bombay in the Ranji Trophy, India's premier domestic First-class cricket tournament, for the 1987-88 season. However, he was not selected for the final eleven in any of the matches, though he was often used as a substitute fielder. He narrowly missed out on playing alongside his idol Gavaskar, who had retired from all forms of cricket after the 1987 Cricket World Cup. A year later, on 11 December 1988, aged 15 years and 232 days, Tendulkar made his debut for Bombay against Gujarat at home and scored 100 not out in that match, making him the youngest Indian to score a century on debut in first-class cricket. He was handpicked to play for the team by the then Bombay captain Dilip Vengsarkar after watching him easily negotiating India's best fast bowler at the time, Kapil Dev, in the Wankhede Stadium nets, where the Indian team had come to play against the touring New Zealand team. He followed this by scoring a century in his first Deodhar and Duleep Trophies, which are also Indian domestic tournaments. Tendulkar finished the 1988-89 Raji Trophy season as Bombay's highest run-scorer. He scored 583 runs at an average of 67.77, and was the eighth highest run-scorer overall. He also made an unbeaten century in the Irani Trophy match against Delhi at the start of the 1989-90 season, playing for the Rest of India. Sachin was picked for a young Indian team to tour England twice, under the Star Cricket Club banner in 1988 and 1989. In the famous 1990-91 Ranji Trophy final, in which Haryana defeated Bombay by two runs after leading in the first innings, Tendulkar's 96 from 75 deliveries was a key to giving Bombay a chance of victory as it attempted to chase 355 from only 70 overs on the final day. His first double century (204*) was for Mumbai while playing against the visiting Australian team at the Brabourne Stadium in 1998. He is the only player to score a century on debut in all three of his domestic first-class tournaments (the Ranji, Irani, and Duleep Trophies). Another double century was an innings of 233* against Tamil Nadu in the semi-finals of the 2000 Ranji Trophy, which he regards as one of the best innings of his career.

Answer this question "when did he first join a team?"
output: On 14 November 1987, Tendulkar was selected to represent Bombay in the Ranji Trophy,

input: On October 4, 1986, while walking along Park Avenue to his apartment in Manhattan, Rather was attacked and punched from behind by a man who demanded to know "Kenneth, what is the frequency?" while a second assailant chased and beat him. As the assailant pummeled and kicked Rather, he kept repeating the question. In describing the incident, Rather said, "I got mugged. Who understands these things? I didn't and I don't now. I didn't make a lot of it at the time and I don't now. I wish I knew who did it and why, but I have no idea." Until the crime was resolved years later, Rather's description of the bizarre crime led some to doubt the veracity of his account, although the doorman and building supervisor who rescued Rather fully confirmed his version of events. The assault remained unsolved for some time, and was referenced multiple times in popular culture. The phrase "What's the frequency, Kenneth?" became a popular-culture reference over the years, such as in a scene in the graphic novel Like a Velvet Glove Cast in Iron by cartoonist Daniel Clowes. In 1994, the band R.E.M. released the song "What's the Frequency, Kenneth?" on their album Monster. Rather later sang with R.E.M. during a sound check prior to a gig at New York's Madison Square Garden, which was shown the following night on the Late Show with David Letterman before their performance of "Crush with Eyeliner". In 1997, a TV critic writing in the New York Daily News solved the mystery, publishing a photo of the alleged assailant, William Tager, who received a 12 1/2 -to-25-year prison sentence for killing NBC stagehand Campbell Montgomery outside The Today Show studio in 1994. Rather confirmed the story: "There's no doubt in my mind that this is the person." New York District Attorney Robert M. Morgenthau said, "William Tager's identity as the man who attacked Mr. Rather was established in the course of an investigation by my office." Tager claimed he thought television networks were beaming signals into his brain. When he murdered the stagehand, Tager was trying to force his way into an NBC studio with a weapon, in order to find out the frequency the networks were using to attack him, so that he could block it. Tager was paroled in October 2010 and is believed to be living in New York City.

Answer this question "Why did he do that?"
output:
Tager was trying to force his way into an NBC studio