In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : The American Philatelist, published by the American Philatelic Society, is one of the world's oldest philatelic magazines still in operation; its first issue having appeared in January 1887. Context_2 : Liberation Magazine (195677) was a bimonthly, later a monthly, magazine identified in the 1960s with the New Left. Context_3 : The Dragonlance Nexus is a Dragonlance fansite that was created in 1996 as "Dragon Realm". The site was overhauled and a new name was given to it as the "Dragonlance Nexus". Beginning on November 28, 2005, the site began publishing articles written by established authors starting with an article on Jaymes Markham by the author Douglas Niles. Other authors have contributed to the Lexicon, such as Nancy Varian Berberick, Mary H. Herbert, Kevin T. Stein, and more recently Jean Rabe. Some of the articles found in the site have been published in the Dragonlance Campaign Setting by Sovereign Press. The site won the gold ENnie for best fan site on August 16, 2007 at Gen Con. Context_4 : The Nexus Trilogy is a postcyberpunk thriller novel trilogy written by American author Ramez Naam and published between 2012-2015. The novel series follows the protagonist Kaden Lane, a scientist who works on an experimental nano-drug, Nexus, which allows the brain to be programmed and networked, connecting human minds together. As he pursues his work, he becomes entangled in government and corporate intrigue. The story takes place in the year 2040. Context_5 : Ratchet & Clank: Into the Nexus (known as Ratchet & Clank: Nexus in Europe) is a 2013 platform video game developed by Insomniac Games and published by Sony Computer Entertainment for the PlayStation 3. It is the fourth and final installment in the "Future" series. The series is noted for the inclusion of exotic and unique locations and over the top gadgets, a concept of the traditional "Ratchet & Clank experience", that returns in this game. Context_6 : Nexus is an Australian-based bi-monthly alternative news magazine. It covers geopolitics and conspiracy theories; health issues, including alternative medicine; future science; the unexplained, including UFOs; Big Brother; and historical revisionism. The magazine also publishes articles about freedom of speech and thought, and related issues. The magazine is or has been published in over 12 languages and is sold in over 20 countries. When including digital editions, Nexus has approximately 100,000 Australian readers and 1.1 million readers globally. It is owned and edited by Duncan Roads. Context_7 : Ultraman Nexus ( , Urutoraman Nekusasu ) is a PlayStation 2 video game based on the Ultraman Nexus TV series. It was published by Bandai and released in Japan on May 26, 2005. The game also includes characters two characters from the 2004 movie ULTRAMAN. Context_8 : Andrea Angiolino (born April 27, 1966 in Rome, Italy) is a game designer: among his last boardgames Dragon Ball - Alla ricerca delle sette sfere (Nexus Editrice 1998), Ulysses (Winning Moves 2001), Wings of War (Nexus Editrice 2004, then NG International, now published as Wings of Glory by Ares Games), Isla Dorada (FunForge 2010, English edition by Fantasy Flight Games), and the card game Obscura Tempora (Rose & Poison 2005). He wrote several role-playing games: among them Orlando Furioso, written with Gianluca Meluzzi, published by the City Council of Rome to be distributed in schools and public libraries. He also created games for radio and TV, magazines, training, advertising, festivals and shows. Context_9 : LPI Media (formerly Liberation Publications Inc.) was the largest gay and lesbian publisher in the United States. The company targeted LGBT communities and published such magazines, books, and web sites, with its magazines alone having more than 8.2 million copies distributed each year. "The Advocate" and "Out" magazines were the two largest circulation LGBT magazines in the United States, each with corresponding websites; Advocate.com and OUT.com, respectively. Context_10 : Nexus is a business management system is a software for recyclers developed by LOGIC NINE, formerly AEON Blue Software & Development. Nexus is used by recycling centers, scrap yards, metal recyclers and exporters, smelting plants and paper processors across the United States. The software is in its second generation and has been mentioned in industry magazines such as Recycling Today, Scrap, Waste Advantage and SDB Magazine. fact_1 : Nexus is an Australian-based bi-monthly alternative news magazine. fact_2 : Liberation Magazine (195677) was a bimonthly, later a monthly, magazine identified in the 1960s with the New Left. Answer: no
Solution:
Are both Nexus and Liberation magazines still being published?