Problem: The Story of the Kelly Gang, the world's first feature film, was shot in Melbourne in 1906. Melbourne filmmakers continued to produce bushranger films until they were banned by Victorian politicians in 1912 for the perceived promotion of crime, thus contributing to the decline of one of the silent film era's most productive industries. A notable film shot and set in Melbourne during Australia's cinematic lull is On the Beach (1959). The 1970s saw the rise of the Australian New Wave and its Ozploitation offshoot, instigated by Melbourne-based productions Stork and Alvin Purple. Picnic at Hanging Rock and Mad Max, both shot in and around Melbourne, achieved worldwide acclaim. 2004 saw the construction of Melbourne's largest film and television studio complex, Docklands Studios Melbourne, which has hosted many domestic productions, as well as international features. Melbourne is also home to the headquarters of Village Roadshow Pictures, Australia's largest film production company. Famous modern day actors from Melbourne include Cate Blanchett, Rachel Griffiths, Guy Pearce, Geoffrey Rush and Eric Bana.
What was the world's first feature film?
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Answer: The Story of the Kelly Gang

Problem: In 1852, Elisha Otis introduced the safety elevator, which prevented the fall of the cab if the cable broke. The design of the Otis safety elevator is somewhat similar to one type still used today. A governor device engages knurled roller(s), locking the elevator to its guides should the elevator descend at excessive speed. He demonstrated it at the New York exposition in the Crystal Palace in a dramatic, death-defying presentation in 1854, and the first such passenger elevator was installed at 488 Broadway in New York City on March 23, 1857.
What feature did the safety elevator display?
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Answer: prevented the fall of the cab if the cable broke

Problem: In response to Cusumano's perspective, Screen Producers Australia executive director Matt Deaner clarified the motivation of the film industry: "Distributors are usually wanting to encourage cinema-going as part of this process [monetizing through returns] and restrict the immediate access to online so as to encourage the maximum number of people to go to the cinema." Deaner further explained the matter in terms of the Australian film industry, stating: "there are currently restrictions on quantities of tax support that a film can receive unless the film has a traditional cinema release."
Who made unclear the motivations of the filmmakers?
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Answer:
unanswerable