IN: Robert Joseph Cousy (born August 9, 1928) is an American retired professional basketball player. Cousy played point guard with the Boston Celtics from 1950 to 1963 and briefly with the Cincinnati Royals in the 1969-70 season. Making his high school varsity squad as a junior, he went on to earn a scholarship to the College of the Holy Cross, where he led the Crusaders to berths in the 1948 NCAA Tournament and 1950 NCAA Tournament and was named an NCAA All-American for 3 seasons. Cousy was initially drafted by the Tri-Cities Blackhawks as the third overall pick in the first round of the 1950 NBA draft, but after he refused to report, he was picked up by Boston.

Cousy took up basketball at the age of 13 as a student at St. Pascal's elementary school, and was "immediately hooked". The following year, he entered Andrew Jackson High School in St Albans. His basketball success was not immediate, and in fact he was cut from the school team in his first year. Later that year, he joined the St. Albans Lindens of the Press League, a basketball league sponsored by the Long Island Press, where he began to develop his basketball skills and gained much-needed experience. The next year, however, he was again cut during the tryouts for the school basketball team. That same year, he fell out of a tree and broke his right hand. The injury forced him to play left-handed until his hand healed, making him effectively ambidextrous. In retrospect, he described this accident as "a fortunate event" and cited it as a factor in making him more versatile on the court. During a Press League game, the high school basketball coach saw him play. He was impressed by the budding star's two-handed ability and invited Cousy to come to practice the following day to try out for the junior varsity team. He did well enough to become a permanent member of the JV squad. He continued to practice day and night, and by his junior year was sure he was going to be promoted to the varsity; but failing his citizenship course made him ineligible for the first semester. He joined the varsity squad midway through the season, however, scoring 28 points in his first game. He had no intention of attending college, but after he started to make a name for himself on the basketball court he started to focus on improving in both academics and basketball skills to make it easier for him to get into college. He again excelled in basketball his senior year, leading his team to the Queens divisional championship and amassing more points than any other New York City high school basketball player. He was even named captain of the Journal-American All-Scholastic team. He then began to plan for college. His family had wanted him to attend a Catholic school, and he wanted to go somewhere outside New York City. Boston College recruited him, and he considered accepting the BC offer, but it had no dormitories, and he was not interested in being a commuter student. Soon afterward, he received an offer from the College of the Holy Cross in Worcester, Massachusetts about forty miles (64 kilometers) west of Boston. He was impressed by the school, and accepted the basketball scholarship it offered him. He spent the summer before matriculating working at Tamarack Lodge in the Catskill Mountains and playing in a local basketball league along with a number of established college players.

What else can you tell me about the article?

OUT: City. Boston College recruited him, and he considered accepting the BC offer, but it had no dormitories, and he was not interested in being a commuter student.

IN: Devika Rani Chaudhuri, usually known as Devika Rani (30 March 1908 - 9 March 1994), was an actress in Indian films who was active during the 1930s and 1940s. Widely acknowledged as the first lady of Indian cinema, Devika Rani had a successful film career that spanned 10 years. Born into a wealthy, anglicized Indian family, Devika Rani was sent to boarding school in England at age nine and grew up in that country. In 1928, she met Himanshu Rai, an Indian film-producer, and married him the following year.

Najm-ul-Hassan was also Devika's co-star in the studio's next venture, Jeevan Naiya. The two co-stars developed a romantic relationship, and during the shooting schedule of Jeevan Naiya, Devika eloped with Hassan. Himanshu was both enraged and distraught. Since the leading pair were absent, production was stalled. A significant portion of the movie had been shot and a large sum of money, which had been taken as credit from financers, had been spent. The studio therefore suffered severe financial losses and a loss of credit among bankers in the city while the runaway couple made merry. Sashadhar Mukherjee, an assistant sound-engineer at the studio, had a brotherly bond with Devika Rani because both of them were Bengalis and spoke that language with each other. He established contact with the runaway couple and managed to convince Devika Rani to return to her husband. In the India of that era, divorce was legally almost impossible and women who eloped were regarded as no better than prostitutes and were shunned by their own families. In her heart of hearts, Devika Rani knew that she could not secure a divorce or marry Hassan under any circumstances. She negotiated with her husband through the auspices of Sashadhar Mukherjee, seeking the separation of her finances from those of her husband as a condition for her return. Henceforth, she would be paid separately for working in his films, but he would be required to single-handedly pay the household expenses for the home in which both of them would live. Himanshu agreed to this, in order to save face in society and to prevent his studio from going bankrupt. Devika Rani returned to her marital home. However, things would never be the same between husband and wife again, and it is said that thenceforth, their relationship was largely confined to work and little or no intimacy transpired between them after this episode. Despite the additional expense involved in re-shooting many portions of the film, Himanshu Rai replaced Najm-ul-Hassan with Ashok Kumar, who was the brother of Sashadhar Mukherjee's wife, as the hero of Jeevan Naiya. This marked the debut, improbable as it may seem, of Ashok Kumar's five-decade-long career in Hindi films. Najm-ul-Hassan was dismissed from his job at Bombay Talkies (this was the period in which actors and actresses were paid regular monthly salaries by one specific film studio and could not work in any other studio). His reputation as a dangerous cad established, he could not find work in any other studio. His career was ruined and he sank into obscurity.

Did they stay married?

OUT:
eloped