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In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

New input: Context_1 : Desilu Productions ( ) was an American production company founded and co-owned by husband and wife Desi Arnaz and Lucille Ball, best known for shows such as "I Love Lucy", "", and "The Untouchables". Until 1962, Desilu was the second-largest independent television production company in the U.S. behind MCA's Revue Productions until MCA bought Universal Pictures, and Desilu became and remained the number-one independent production company until being sold in 1967. Ball and Arnaz jointly owned the majority stake in Desilu from its inception until 1962, when Ball bought out Arnaz and ran the company by herself for several years. Ball had succeeded in making Desilu profitable again by 1967, when she sold her shares of Desilu to Gulf+Western for $17 million ($ in 2016 dollars). Gulf+Western then transformed Desilu into the television production arm of Paramount Pictures, rebranding the company as the original Paramount Television. Context_2 : Parufamet was the name of the distribution company founded between the American film studios Paramount Pictures and Metro Goldwyn Mayer who together loaned $4 Million (US) to Universum Film AG (Ufa) in December 1925. The German studio Ufa financed the production of several expensive silent films including Metropolis (1927), and had gone bankrupt as a result. In return for the loan, Ufa had to reserve 75% of its cinema capacity for American productions and was obliged to distribute 20 films from each partner per year in Germany. Context_3 : Regarded as the last successful pirate of the Caribbean during the 19th century's suppression era, the life of Roberto Cofresi has been romanticized in his native Puerto Rico and neighboring nations. Already possessing a reputation as hard to capture in life, the freebooter became a symbol for an archipelago immersed in the political unrest caused by its status as a colony within the struggling Spanish Empire. Under theses circumstances, Cofresi was soon characterized as a benign and generous thief. In a similar trend, he was also associated with the Puerto Rican independence movement of the era. During the late 19th and early 20th century, the abundant oral tradition led to a subgenre of folk hero literature which depicted Cofresi as a benevolent force and contradicted the other pirate-related works of the time, including the well known "Treasure Island" and "Peter Pan". A century later, this contrast became the subject of sociological study. Research to uncover the historical figure behind these myths has also been published by authors linked to the Puerto Rican Genealogical Society, which creates a parallel to this narrative. Context_4 : William Bernard (fl. 1849+) was a 19th-century sailor, miner and resident of San Francisco, better known as the notorious "Barnacle Bill" of American yore whose fictional exploits are chronicled in the ribald drinking song "Barnacle Bill the Sailor" itself adapted from "Bollocky Bill the Sailor", a traditional folk song originally titled "Abraham Brown". (Neither MGM comedy titled "Barnacle Bill" has anything to do with Bernard.) Context_5 : Mary Parent (born 1968) is an American film producer, and former studio executive. In February 2011 she co-founded Disruption Entertainment, a company with a first-look deal at Paramount Pictures. She was formerly the Chairperson of Metro Goldwyn Mayer's Worldwide Motion Picture Group. She was a former President of Production for Universal Studios. There, she was responsible for "Meet the Fockers", "The Bourne Supremacy", "Serenity", and other films. In 2004, Parent and Scott Stuber were named Vice Chairman of Worldwide Production for Universal Pictures. In 2005, Universal inked a production deal with the duo under the shingle Stuber/Parent Productions. Under Stuber/Parent, she has produced such films as "Role Models" (2008), "Welcome Home, Roscoe Jenkins" (2008), "The Kingdom" (2007), and "You, Me and Dupree" (2006). She produced Guillermo del Toro's "Pacific Rim", the Darren Aronofsky epic "Noah" and "" (2015). Parent worked at New Line Cinema in the 1990s. Context_6 : Colenso Parade were an alternative rock band from Belfast, Northern Ireland formed in 1984. Taking their name from a street in the Stranmillis area of their native city, the original line-up was Oscar (Thomas) Askin (vocals), Linda Clandinning (keyboards), Neil Lawson (bass guitar), Jackie Forgie (guitar) and Robert Wakeman (drums). After releasing two singles on their own "Goliath" label, they moved to London and signed to their manager Dave Bedford's Fire Records, with Forgie being replaced by future The House of Love/Levitation guitarist Terry Bickers. After an EP on Fire Records ("Hallelujah Chorus and Other Coyote Yelps") and a subsequent LP, Bickers departed to join The House of Love, to be replaced by John Watt (previously of Kissed Air and currently composer for BBC's Dragons' Den). Wakeman also left, his replacement being ex-Big Self drummer Owen Howell. Their next release, "Fontana Eyes" was arguably their best, receiving heavy airplay, although they split soon after, in 1986. Singer Oscar was offered the job of replacing Ian McCulloch in Echo & the Bunnymen but declined, and went on to work in corporate events as MD of the Technical Production company Metro Ecosse. Drummer Wakeman later resurfaced in the band Salad. Context_7 : Jackhole Productions, also credited as "Jackhole Industries," is an American production company started by Jimmy Kimmel, Daniel Kellison and Adam Carolla. It has produced several comedy shows on television. Jackhole Productions has worked on several projects with production company DiGa. The company's name is an amalgam of Carolla and Kellison's company Jackhouse, and Kimmel's company Cashhole. The mascot is a donkey wearing a sombrero. Context_8 : Madame Ching or Ching Shih (17751844) (; Cantonese: Jehng Sih; "widow of Zheng"), also known as Cheng I Sao (; "wife of Zheng Yi"), was a prominent pirate in middle Qing China, who terrorized the China Sea in the early 19th century. She personally commanded over 300 junks manned by 20,000 to 40,000 pirates men, women, and even children. She entered into conflict with the existing empires of the time, such as the British Empire, the Portuguese Empire, and the Qing dynasty. She was one of the few pirate captains to retire from piracy and is considered to be the most successful pirate in history. Context_9 : Metro-Goldwyn-Mayer Studios Inc. (abbreviated as MGM or M-G-M, also known as Metro-Goldwyn-Mayer Pictures, Metro-Goldwyn-Mayer or simply Metro, and for a former interval known as Metro-Goldwyn-Mayer/United Artists, or MGM/UA) is an American media company, involved primarily in the production and distribution of feature films and television programs. Context_10 : A homeland for the Jewish people is an idea rooted in Jewish culture and religion. In the early 19th century, the Napoleonic Wars led to the idea of Jewish emancipation. This unleashed a number of religious and secular cultural streams and political philosophies among the Jews in Europe, covering everything from Marxism to Chassidism. Among these movements was Zionism as promoted by Theodore Herzl. In the late 19th century, Herzl set out his vision of a Jewish state and homeland for the Jewish people in his book "Der Judenstaat". Herzl was later hailed by the Zionist political parties as the founding father of the State of Israel. In the Balfour Declaration of 1917, the United Kingdom became the first world power to endorse the establishment in Palestine of a "national home for the Jewish people." The British government confirmed this commitment by accepting the British Mandate for Palestine in 1922 (along with their colonial control of the Pirate Coast, Southern Coast of Persia, Iraq and from 1922 a separate area called Transjordan, all of the Middle-Eastern territory except the French territory). The European powers mandated the creation of a Jewish homeland at the San Remo conference of 1926 April 1920. In 1948, the State of Israel was established. fact_1 : 1849+) was a 19th-century sailor, miner and resident of San Francisco, better known as the notorious "Barnacle Bill" of American yore whose fictional exploits are chronicled in the ribald drinking song "Barnacle Bill the Sailor" itself adapted from "Bollocky Bill the Sailor", a traditional folk song originally titled "Abraham Brown". fact_2 : (Neither MGM comedy titled "Barnacle Bill" has anything to do with Bernard.) fact_3 : Metro-Goldwyn-Mayer Studios Inc. (abbreviated as MGM or M-G-M, also known as Metro-Goldwyn-Mayer Pictures, Metro-Goldwyn-Mayer or simply Metro, and for a former interval known as Metro-Goldwyn-Mayer/United Artists, or MGM/UA) is an American media company, involved primarily in the production and distribution of feature films and television programs. Answer: Barnacle Bill
Solution:
What comedy title by american production company Metro Goldwyn Meyer shares a name with a 19th century pirate?