Problem: negative
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Answer: This film is just a shame. Orlando, Florida seems to becoming a more recognized filmmaking area (like Vancouver's rise to prominance). The Brothers was shot in Central Florida and this short film is a bit of a setback for the area (which made great strides with the Indie film Walking Across Africa and the great HBO miniseries From Earth To The Moon).

I will try to be as honest as possible. I think Orlando was the perfect place to film The Brothers. It had the potential to give a new spin on the 'Boy Band' craze. After all, both N'Sync and the Backstreet Boys come from this area. But, The Brothers falls short probably because of a weak script. Both lead characters are flat with almost no development (part of this could be the amatuer actors, but some of it is certainly the way the script was written).

Also a problem is the choice of jokes. Many of the jokes are too repetitive (they do come off funny the first time, but it does grow to be a bit boring). Some of the 'concert' scenes are staged poorly (and many of these scenes also don't seem to move the story along in any way).

I had high hopes for this one, but alas its a disappointing effort. I also hope the best for the upcoming feature based on this short. But I think the best thing for filmmaker John Figg is to move to different genres (quickly). Comedy isn't his strong suit. But, its indisputable that he definitely is one of the more prominant filmmakers in the Orlando area (its just a shame that right now he's infamous, not famous).

Problem: positive
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Answer: Unfortunately many consumers who write reviews for IMDb equate low budget with not good. Whatever else this movie might need, more budget really isn't part of it. Big sets and lots of special effects would have turned it into another Lara Croft movie. What we have here is a step or two better than that.

The nearly unknown Alexandra Staden is captivating as the enigmatic Modesty, and this is crucial for this movie to work. Her wise little smiles and knowing looks are formidable, and you find yourself wishing that the camera won't leaver her face. It makes it workable that the bad guy Nikolai, played by also little known (in the U.S. at least) Nikolaj Coaster-Waldau might take an unusually cerebral interest in her, something Modesty can exploit. She is able to divert his raping her with just a shove and spitting out "stop wasting my time!" then storming off between his heavily armed yet suddenly diffident henchmen. Making a scene like that plausible doesn't happen by accident.

Probably the biggest problem I have with the rail-thin Staden playing Modesty is it just isn't very believable for her to go hand to hand with an athletic and muscled looking guy like Coaster-Waldau and beat him. She just ain't a Peta Wilson or a pumped-up Hilary Swank type actress who can throw a convincing punch. Coaster-Waldau letting himself be overpowered by Staden looks like he's just roughhousing with his little sister.

Since this is not really an action film, this isn't a big flaw. I just hope they do better on that if and when they make sequels.

Problem: negative
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Answer:
The next time you are at a party and someone asks, "The other day I heard the expression 'Author's will'. Does anyone know what it means?" Tell them to sit through 'Head Above Water'. The only way Diaz could possibly have survived this movie was by means of this literary device commonly used by bad writers. There are some comic scenes and you will have a few laughs. However the film does not stand up to the most minor logical analysis. Why does Keitel tie Diaz's hand in front of her instead of behind? Why so she can do the chainsaw gag of course. For me the best part of this movie was that I saw it on a cable channel instead of spending four bucks at the video shop.