In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
A: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : A memoir (from French: "memoire": "memoria", meaning "memory" or "reminiscence") is a collection of memories that an individual writes about moments or events, both public or private, that took place in the subject's life. The assertions made in the work are understood to be factual. While memoir has historically been defined as a subcategory of biography or autobiography since the late 20th century, the genre is differentiated in form, presenting a narrowed focus. A biography or autobiography tells the story "of a life", while a memoir often tells "a story from a life", such as touchstone events and turning points from the author's life. The author of a memoir may be referred to as a "memoirist" or a "memorialist". Context_2 : Auguries of Innocence is a poetry collection by Patti Smith, published in 2005. This collection of poetry includes exactly twenty-six recent poems penned by the active, contemporary poet. Drawing on some of her many influences such as William Blake and Arthur Rimbaud, Smith's collection here demonstrates over and over again her knack for detail. Obviously William Blake is a dominant influence on the poet herself, since it shares its title, Auguries of Innocence, with one of William Blake's poems. Upon reviewing both collections it is clearly obvious that both collections share more commonalities than just similar titles. One commonality between this collection and that by Blake's, in regard to the content, is that the poems collected here exhibit subtle nods to Blake. For example, in one of her poems, "The Long Road", by the end of the very first verse the reader has already been exposed to such suggestive visuals as the speaker of the poem sleeping in chimneys and chewing on bulbs, as well as the speaker "sweeping time". Such visuals of Smith's conjure up recollections in the seasoned and experienced reader's mind of Blake's "The Chimney Sweeper" and "The Blossom". While the majority of the twenty-six collected poems have some type of stanza-like arrangement the poet also incorporates several free-verse style poems into the collection, such as Mummer Love, Eve of All Saints, Our Jargon Muffles The Drum, and Written By A Lake. Context_3 : Pierrot lunaire: rondels bergamasques ("Moonstruck Pierrot: bergamask rondels") is a collection of fifty poems published in 1884 by the Belgian poet Albert Giraud (born Emile Albert Kayenburgh), who is usually associated with the Symbolist Movement. The protagonist of the cycle is Pierrot, the comic servant of the French Commedia dell'Arte and, later, of Parisian boulevard pantomime. The early 19th-century Romantics, Theophile Gautier most notably, had been drawn to the figure by his Chaplinesque pluckiness and pathos, and by the end of the century, especially in the hands of the Symbolists and Decadents, Pierrot had evolved into an alter-ego of the artist, particularly of the so-called poete maudit. He became the subject of numerous compositions, theatrical, literary, musical, and graphic. Context_4 : George Albert Flynn (May 24, 1871 December 28, 1901) was a professional baseball player who was an outfielder in the Major Leagues in 1896. He would play for the Chicago Colts. Context_5 : Nick Flynn (born January 26, 1960) is an American writer, playwright, and poet. His most recent publication is "The Reenactments," which chronicles Flynn's experience during the making of Being Flynn, a film based on his acclaimed 2004 memoir, "Another Bullshit Night in Suck City." Flynn is also the author of three collections of poetry, including "Some Ether," which won the inaugural PEN/Joyce Osterweil Award for Poetry in 1999, and was a finalist for the "Los Angeles Times" Book Prize. Context_6 : Dreimal sieben Gedichte aus Albert Girauds "Pierrot lunaire" ("Three times Seven Poems from Albert Giraud's 'Pierrot lunaire), commonly known simply as "Pierrot Lunaire", Op. 21 ("Moonstruck Pierrot" or "Pierrot in the Moonlight"), is a melodrama by Arnold Schoenberg. It is a setting of 21 selected poems from Otto Erich Hartleben's German translation of the Belgian poet Albert Giraud's cycle of French poems of the same name. The premiere of the work, which is between 35 and 40 minutes in length, was at the Berlin Choralion-Saal on October 16, 1912, with Albertine Zehme as the vocalist. Context_7 : Seth ""Fingers"" Flynn Barkan (born July 20, 1980) is an American poet, musician and journalist. He grew up and still currently resides in Las Vegas, Nevada, which has an evidently strong influence on the content and mood of his poetry. His first volume of poetry, "A Cacophony of Near-Fatal Mistakes", was published in 2001 when he was only nineteen years old, and was described in an interview with Barkan as ""collection of poems about booze, jazz and his "propensity towards disastrous relationships."" Context_8 : Ellen Bryant Voigt (born 1943) is an American poet. She has published six collections of poetry and a collection of craft essays. Her poetry collection "Shadow of Heaven" (2002) was a finalist for the National Book Award and "Kyrie" (1995) was a finalist for the National Book Critics Circle Award. Her collection "Messenger" (2008) was a finalist for the Pulitzer Prize. Her poetry has been published in several national publications. She served as the Poet Laureate of Vermont for four years and in 2003 was elected a Chancellor of the Academy of American Poets. In 2015 Voigt was awarded a MacArthur Fellowship. Context_9 : Albert Flynn DeSilver is an American poet, memoirist, novelist, meditation teacher, speaker, and workshop leader. He received a BFA in photography from the University of Colorado in 1991 and an MFA in New Genres from the San Francisco Art Institute in 1995. Albert served as Marin County California's very first Poet Laureate from 2008-2010. His work has appeared in more than one hundred literary journals worldwide including "ZYZZYVA", "New American Writing", "Hanging Loose", "Jubilat", "Exquisite Corpse", "Jacket" (Australia), "Poetry Kanto" (Japan), "Van Gogh's Ear" (France), and many others. Albert Flynn DeSilver has also taught for many years in the Teen and Family Program at Spirit Rock Meditation Center. He is the author of several books of poems and the memoir "Beamish Boy," (2012) which Kirkus Reviews called "a beautifully written memoir, poignant and inspirational." Context_10 : Albert DeSilver (August 27, 1888 December 7, 1924) was a founding member of the American Civil Liberties Union (ACLU). fact_1 : Albert Flynn DeSilver is an American poet, memoirist, novelist, meditation teacher, speaker, and workshop leader. fact_2 : A memoir (from French: "memoire": "memoria", meaning "memory" or "reminiscence") is a collection of memories that an individual writes about moments or events, both public or private, that took place in the subject's life. Answer: memoir
A:
What type of collection is the American poet Albert Flynn DeSilver known for?