input: Paul Henning recalls his reason for choosing Ebsen to play Clampett: "I had seen him on TV and I couldn't imagine anyone else doing the role," he says. "I was fortunate to have him, because he became the cornerstone of the show." Ebsen became famous as Jed Clampett, an easygoing backwoods mountaineer who strikes oil and moves with his family to Beverly Hills, California, in the long-running, fish-out-of-water CBS sitcom The Beverly Hillbillies. Aside from the top-billed Ebsen, principal cast members included Irene Ryan as Jed's mother-in-law, Daisy Moses, also known as Granny; Max Baer Jr. as Jed's dimwitted nephew Jethro Bodine; Donna Douglas as Jed's only child, the curvaceous, critter-loving Elly May Clampett; Raymond Bailey as Milburn Drysdale, a bank president who oversees the Clampett fortune; and Nancy Kulp as Jane Hathaway, Drysdale's secretary. Although scorned by critics, The Beverly Hillbillies attracted as many as 60 million viewers between 1962 and 1971 and was several times the highest-rated series on television. The show also spawned similar Paul Henning-produced rural sitcoms such as Green Acres and Petticoat Junction, which were eventually linked in crossover episode arcs. The Beverly Hillbillies was still earning good ratings when it was cancelled by CBS (because programmers began shunning shows that attracted a rural audience). One episode, "The Giant Jack Rabbit", was the highest-rated half-hour on television to that time and remains the most-watched half-hour sitcom episode. Not all was harmonious among cast members on The Beverly Hillbillies set, especially between the politically conservative Ebsen and the more liberal Kulp. Said Douglas, "They had a different view, so they had some heated discussions about that. They would go at it for weeks." In 1984, Kulp unsuccessfully ran for the U.S. House of Representatives as a Democrat from Pennsylvania. To her dismay, Ebsen supported her Republican opponent, incumbent Representative Bud Shuster, going so far as to tape an ad for Shuster that labeled Kulp as "too liberal". Ebsen claimed she was exploiting her celebrity status and did not know the issues.

Answer this question "what was the character of Jed Clampett like?"
output: an easygoing backwoods mountaineer who strikes oil and moves with his family to Beverly Hills,

input: In 2001, Jowell was widely criticized for 'interfering' in Independent Television Commission (ITC) rulings on complaints regarding Brass Eye. The Guardian newspaper suggested that "for the Culture Secretary to speak directly to the head of a TV network about a specific programme smacks of the Soviet commissar and the state broadcaster". The ITC reminded Jowell that she should not be interfering in their processes, resulting in a Channel Four interviewer suggesting Jowell and her colleagues "must feel like idiots". In 2006, Jowell was criticised for projected cost over-runs on the London 2012 Summer Olympics project, which came under the supervision of her former department. She was also among a number of ministers accused of hypocrisy for opposing Post Office closures in their own constituencies while supporting the government's closure strategy at the national level. Jowell was Secretary of State for Culture, Media and Sport during the News of the World newspaper phone-hacking scandal (pre-2007). In January 2007, Clive Goodman, the News of the World's 'royal editor', was jailed for four months, and Glenn Mulcaire, a private investigator employed by the News of the World, was jailed for six months. In May 2014 a temporary personal assistant to Richard Scudamore, chief executive of England's Premier League, read private emails between Scudamore and colleagues and friends. These included comments about women's football, which the assistant felt to be inappropriate. She passed them on to a national newspaper, the Daily Mirror. Jowell defended the reading and passing-on of the emails, declaring that, "in the world of social media and email, there is no public and private".

Answer this question "Why did she interfere?"
output:

input: Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness. This obsessive idea is above all a child of giant cities, of the intersecting of their myriad relations. Baudelaire is one of the major innovators in French literature. His poetry is influenced by the French romantic poets of the earlier 19th century, although its attention to the formal features of verse connects it more closely to the work of the contemporary "Parnassians". As for theme and tone, in his works we see the rejection of the belief in the supremacy of nature and the fundamental goodness of man as typically espoused by the romantics and expressed by them in rhetorical, effusive and public voice in favor of a new urban sensibility, an awareness of individual moral complexity, an interest in vice (linked with decadence) and refined sensual and aesthetic pleasures, and the use of urban subject matter, such as the city, the crowd, individual passers-by, all expressed in highly ordered verse, sometimes through a cynical and ironic voice. Formally, the use of sound to create atmosphere, and of "symbols" (images that take on an expanded function within the poem), betray a move towards considering the poem as a self-referential object, an idea further developed by the Symbolists Verlaine and Mallarme, who acknowledge Baudelaire as a pioneer in this regard. Beyond his innovations in versification and the theories of symbolism and "correspondences", an awareness of which is essential to any appreciation of the literary value of his work, aspects of his work that regularly receive much critical discussion include the role of women, the theological direction of his work and his alleged advocacy of "satanism", his experience of drug-induced states of mind, the figure of the dandy, his stance regarding democracy and its implications for the individual, his response to the spiritual uncertainties of the time, his criticisms of the bourgeois, and his advocacy of modern music and painting (e.g., Wagner, Delacroix). He made Paris the subject of modern poetry. He would bring the city's details to life in the eyes and hearts of his readers.

Answer this question "What did this lead too"
output:
This obsessive idea is above all a child of giant cities, of the intersecting of their myriad relations.