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Cronin was born in Excelsior District of San Francisco, California. The 1906 San Francisco earthquake had cost his Irish Catholic parents almost all of their possessions. Cronin attended Sacred Heart High School. He played several sports as a child and he won a city tennis championship for his age group when he was 14.
At the end of the 1947 season, Cronin succeeded Eddie Collins as general manager of the Red Sox and held the post for over 11 years, through mid-January 1959. The Red Sox challenged for the AL pennant in 1948-49 (finishing second by a single game both seasons) thanks to Cronin's aggressive trades. In his first off-season, he acquired shortstop Vern Stephens and pitchers Ellis Kinder and Jack Kramer from the St. Louis Browns; all played major roles in Boston's contending 1948 season, and Kinder and Stephens were centerpieces of the Red Sox' 1949-50 contenders as well. But the Red Sox began a slow decline during the 1950s and did not seriously contend after 1950. With the exception of Ted Williams (who missed most of the 1952-53 seasons while serving in the Korean War), the 1946-50 core of the team aged quickly and the Red Sox faced a significant rebuilding job starting in 1952. Cronin's acquisition of future American League Most Valuable Player Jackie Jensen from Washington in 1954 represented a coup, but the club misfired on several "bonus babies" who never lived up to their potential. Most attention has been focused on Cronin and Yawkey's refusal to integrate the Red Sox roster; by January 1959, when Cronin's GM term ended, the Red Sox were the only team in the big leagues without an African-American or Afro-Caribbean player. Notably, Cronin once passed on signing a young Willie Mays and never traded for an African-American player. The Red Sox did not break the baseball color line until six months after Cronin's departure for the AL presidency, when they promoted Pumpsie Green, a utility infielder, from their Triple-A affiliate, the Minneapolis Millers, in July 1959.

What was the Red Sox record while he was general manager?

The Red Sox challenged for the AL pennant in 1948-49

Answer the question at the end by quoting:

Departures (Japanese: okuribito, Hepburn: Okuribito, "one who sends off") is a 2008 Japanese drama film directed by Yojiro Takita and starring Masahiro Motoki, Ryoko Hirosue, and Tsutomu Yamazaki. Loosely based on Coffinman, a memoir by Shinmon Aoki, the film follows a young man who returns to his hometown after a failed career as a cellist and stumbles across work as a nokanshi--a traditional Japanese ritual mortician. He is subjected to prejudice from those around him, including from his wife, because of strong social taboos against people who deal with death. Eventually he earns their respect and learns the importance of interpersonal connections through the beauty and dignity of his work.
Japanese funerals are highly ritualized affairs which are generally--though not always--conducted in accordance with Buddhist rites. In preparation for the funeral, the body is washed and the orifices are blocked with cotton or gauze. The encoffining ritual (called nokan), as depicted in Departures, is rarely performed, and even then only in rural areas. This ceremony is not standardized, but generally involves professional morticians (Na Guan Shi , nokanshi) ritually preparing the body, dressing the dead in white, and sometimes applying make-up. The body is then put on dry ice in a casket, along with personal possessions and items necessary for the trip to the afterlife. Despite the importance of death rituals, in traditional Japanese culture the subject is considered unclean as everything related to death is thought to be a source of kegare (defilement). After coming into contact with the dead, individuals must cleanse themselves through purifying rituals. People who work closely with the dead, such as morticians, are thus considered unclean, and during the feudal era those whose work was related to death became burakumin (untouchables), forced to live in their own hamlets and discriminated against by wider society. Despite a cultural shift since the Meiji Restoration of 1868, the stigma of death still has considerable force within Japanese society, and discrimination against the untouchables has continued. Until 1972, most deaths were dealt with by families, funeral homes, or nokanshi. As of 2014, about 80% of deaths occur in hospitals, and preparation of the bodies is frequently done by hospital staff; in such cases, the family often does not see the body until the funeral. A 1998 survey found that 29.5% of the Japanese population believed in an afterlife, and a further 40% wanted to believe; belief was highest among the young. Belief in the existence of a soul (54%) and a connection between the worlds of the living and the dead (64.9%) was likewise common.

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Despite the importance of death rituals, in traditional Japanese culture the subject is considered unclean as everything related to death is thought to be a source of kegare (defilement).