Question:
Darrell Lance Abbott (August 20, 1966 - December 8, 2004), also known as Dimebag Darrell and Diamond Darrell, was an American musician and songwriter who was a co-founder of Pantera alongside his brother Vinnie Paul, and founder of Damageplan. He was considered to be one of the driving forces behind groove metal. Abbott was shot and killed by a gunman while on stage during a performance with Damageplan on December 8, 2004, at the Alrosa Villa in Columbus, Ohio. He ranked No. 92 in Rolling Stone magazine's 100 Greatest Guitarists and No. 1 in the UK magazine Metal Hammer.
On December 8, 2004, during the Devastation Across The Nation tour, Abbott was shot on-stage while performing with Damageplan at the Alrosa Villa in Columbus, Ohio. A crowd of approximately 250 had watched four support acts (two local bands entitled Volume Dealer and 12 Gauge, and the tour support Shadows Fall and The Haunted). Moments into Damageplan's set, 25-year-old former Marine Nathan Gale shot Abbott five times in the head with a 9 mm Beretta 92F pistol. Some in attendance initially believed the shooting was part of the act, but as Gale continued shooting, the audience quickly came to the realization that the event was not staged. Firing a total of 15 shots, Gale killed three other people and wounded seven more. Jeff "Mayhem" Thompson, the band's head of security, was killed tackling Gale, as was Alrosa Villa employee Erin Halk. Audience member Nathan Bray was killed while trying to perform CPR on Abbott and Thompson. It was rumored that one crowd member leapt in front of the gunman, saving the lives of several band members. Damageplan's drum technician, John "Kat" Brooks, was shot three times as he attempted to disarm Gale, but was overpowered and taken hostage in a headlock hold. Tour manager Chris Paluska was also injured. Responding within three minutes to a dispatch call made at 10:15pm, seven police officers entered through the front entrance and moved toward the stage. Officer James Niggemeyer came in through the back door, behind the stage. Gale only saw the officers in front of the stage; he did not see Niggemeyer, who was armed with a 12 gauge Remington 870 shotgun. Niggemeyer approached Gale from the opposite side of the stage past a group of security guards, and saw Gale lift his gun to Brooks' head, and fired a single shot as Gale noticed him. Gale was struck in the face with eight of the nine buckshot pellets and was killed instantly. Gale was found to have had 35 rounds of ammunition remaining. Two fans, including Mindy Reece, a certified nurse, administered CPR on Abbott until paramedics arrived, but were unable to revive him and he was pronounced dead at the scene. Early speculation about motive suggested that Gale, who was a Pantera fan, might have turned to violence in response to the breakup of the band, or the public dispute between Abbott and Pantera singer Phil Anselmo, but these were later ruled out by investigators. In VH1's documentary, Behind the Music, Damageplan's sound engineer Aaron Barnes stated that the whole time, after shooting Dimebag, Gale was looking for Vinnie, possibly planning to murder him too. Another conjecture was that Gale believed Abbott had stolen a song that he had written. About six months prior to the shooting, Gale got into an altercation at a Damageplan concert in Cincinnati where he damaged $5,000 worth of equipment while being removed from the stage by security.
Answer this question using a quote from the text above:

Who shot Dimebag Darrell?

Answer:
25-year-old former Marine Nathan Gale shot Abbott five times in the head with a 9 mm Beretta 92F pistol.

Question:
Judy Chicago (born Judith Sylvia Cohen, July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. By the 1970s, Chicago had founded the first feminist art program in the United States. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with labor-intensive skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.
In 1970, Chicago decided to teach full-time at Fresno State College, hoping to teach women the skills needed to express the female perspective in their work. At Fresno, she planned a class that would consist only of women, and she decided to teach off campus to escape "the presence and hence, the expectations of men." She taught the first women's art class in the fall of 1970 at Fresno State College. It became the Feminist Art Program, a full 15-unit program, in the spring of 1971. This was the first feminist art program in the United States. Fifteen students studied under Chicago at Fresno State College: Dori Atlantis, Susan Boud, Gail Escola, Vanalyne Green, Suzanne Lacy, Cay Lang, Karen LeCocq, Jan Lester, Chris Rush, Judy Schaefer, Henrietta Sparkman, Faith Wilding, Shawnee Wollenman, Nancy Youdelman, and Cheryl Zurilgen. Together, as the Feminist Art Program, these women rented and refurbished an off-campus studio at 1275 Maple Avenue in downtown Fresno. Here they collaborated on art, held reading groups, and discussion groups about their life experiences which then influenced their art. All of the students and Chicago contributed $25 per month to rent the space and to pay for materials. Later, Judy Chicago and Miriam Schapiro reestablished the Feminist Art Program at California Institute of the Arts. After Chicago left for Cal Arts, the class at Fresno State College was continued by Rita Yokoi from 1971 to 1973, and then by Joyce Aiken in 1973, until her retirement in 1992. Chicago is considered one of the "first-generation feminist artists," a group that also includes Mary Beth Edelson, Carolee Schneeman, and Rachel Rosenthal. They were part of the Feminist art movement in Europe and the United States in the early 1970s to develop feminist writing and art. Chicago became a teacher at the California Institute for the Arts, and was a leader for their Feminist Art Program. In 1972, the program created Womanhouse, alongside Miriam Schapiro, which was the first art exhibition space to display a female point of view in art. With Arlene Raven and Sheila Levrant de Bretteville, Chicago co-founded the Los Angeles Woman's Building in 1973. This art school and exhibition space was in a structure named after a pavilion at the 1893 World's Colombian Exhibition that featured art made by women from around the world. This housed the Feminist Studio Workshop, described by the founders as "an experimental program in female education in the arts. Our purpose is to develop a new concept of art, a new kind of artist and a new art community built from the lives, feelings, and needs of women." During this period, Chicago began creating spray-painted canvas, primarily abstract, with geometric forms on them. These works evolved, using the same medium, to become more centered around the meaning of the "feminine". Chicago was strongly influenced by Gerda Lerner, whose writings convinced her that women who continued to be unaware and ignorant of women's history would continue to struggle independently and collectively.
Answer this question using a quote from the text above:

was chicago the leader of the feminist movement

Answer:
" She taught the first women's art class in the fall of 1970 at Fresno State College. It became the Feminist Art Program,