input: In August 2007, reports emerged that My Bloody Valentine would reunite for the 2008 Coachella Valley Music and Arts Festival in Indio, California, United States; this was later confirmed by Shields, along with the announcement that the band's third studio album (which he had begun recording in 1996) was near completion. In June 2008, My Bloody Valentine played two live rehearsals at the Institute of Contemporary Arts in London, their first public performances in 16 years. They began an extensive worldwide tour in summer 2008 (their first since their 1992 tour in support of Loveless) including appearances at Oyafestivalen in Oslo, Norway, Electric Picnic in Stradbally, Ireland, and the Fuji Rock Festival in Niigata, Japan. The band reportedly spent PS200,000 on equipment for their world tour. In October 2011, Shields launched the independent record label Pickpocket together with Le Volume Courbe frontwoman Charlotte Marionneau, and considered releasing a collaborative "ten minutes of noise" single on the imprint. In May 2012 remastered versions of Isn't Anything and Loveless were released as well as the EP's 1988-1991 collection, which featured the band's Shields-remastered Creation Records extended plays, singles and unreleased tracks. In November, Shields announced plans to release My Bloody Valentine's third album online before the end of the year, before announcing during a warm-up show at Electric Brixton in London on 27 January 2013 that the album "might be out in two or three days." The m b v album was eventually released through the band's official website on 2 February 2013, crashing the site on its launch due to high traffic. According to Metacritic, m b v received "universal acclaim", and the band began a worldwide tour upon its release. Shields has since announced intentions to release remastered analogue cuts of My Bloody Valentine's back catalogue and a My Bloody Valentine EP "of all-new material", which will be followed by a fourth studio album.

Answer this question "What is My Buddy Valentine?"
output: In August 2007, reports emerged that My Bloody Valentine would reunite for the 2008 Coachella Valley Music and Arts Festival in Indio, California, United States;

input: Victorian burlesque, sometimes known as "travesty" or "extravaganza", was popular in London theatres between the 1830s and the 1890s. It took the form of musical theatre parody in which a well-known opera, play or ballet was adapted into a broad comic play, usually a musical play, often risque in style, mocking the theatrical and musical conventions and styles of the original work, and quoting or pastiching text or music from the original work. The comedy often stemmed from the incongruity and absurdity of the classical subjects, with realistic historical dress and settings, being juxtaposed with the modern activities portrayed by the actors. Madame Vestris produced burlesques at the Olympic Theatre beginning in 1831 with Olympic Revels by J. R. Planche. Other authors of burlesques included H. J. Byron, G. R. Sims, F. C. Burnand, W. S. Gilbert and Fred Leslie. Victorian burlesque related to and in part derived from traditional English pantomime "with the addition of gags and 'turns'." In the early burlesques, following the example of ballad opera, the words of the songs were written to popular music; later burlesques mixed the music of opera, operetta, music hall and revue, and some of the more ambitious shows had original music composed for them. This English style of burlesque was successfully introduced to New York in the 1840s. Some of the most frequent subjects for burlesque were the plays of Shakespeare and grand opera. The dialogue was generally written in rhyming couplets, liberally peppered with bad puns. A typical example from a burlesque of Macbeth: Macbeth and Banquo enter under an umbrella, and the witches greet them with "Hail! hail! hail!" Macbeth asks Banquo, "What mean these salutations, noble thane?" and is told, "These showers of 'Hail' anticipate your 'reign'". A staple of burlesque was the display of attractive women in travesty roles, dressed in tights to show off their legs, but the plays themselves were seldom more than modestly risque. Burlesque became the speciality of certain London theatres, including the Gaiety and Royal Strand Theatre from the 1860s to the early 1890s. Until the 1870s, burlesques were often one-act pieces running less than an hour and using pastiches and parodies of popular songs, opera arias and other music that the audience would readily recognize. The house stars included Nellie Farren, John D'Auban, Edward Terry and Fred Leslie. From about 1880, Victorian burlesques grew longer, until they were a whole evening's entertainment rather than part of a double- or triple-bill. In the early 1890s, these burlesques went out of fashion in London, and the focus of the Gaiety and other burlesque theatres changed to the new more wholesome but less literary genre of Edwardian musical comedy.

Answer this question "did it spread to other places?"
output: This English style of burlesque was successfully introduced to New York in the 1840s.

input: Pendulum once again toured Europe in 2009. During this tour they announced that they were working on their third studio album, Immersion. It was announced in December 2009 that Pendulum would be touring for their new album in May 2010. The release date of the album was announced to be sometime "in May" during the live preview party at Matter, and was then announced to be released on 24 May. Pendulum previewed their album Immersion at the Ear Storm night at London's Matter nightclub on Friday 22 January. "Salt in the Wounds", a track from their new album, was Zane Lowe's Hottest Record in the World on BBC Radio 1 on 25 January 2010. On Zane Lowe's show, it was also announced that he wanted to join the band and the first single from the new album would be called "Watercolour". This single also received its first play on Zane Lowe's BBC Radio 1 show on 8 March 2010, and was his Single of the Week for that week. In December 2010, "Watercolour" was found to be featured in the soundtrack of the 2010 hit game "Need for Speed: Hot Pursuit". On 1 April, the music video for "Salt in the Wounds" was released. The video is unique in that it is, according to the band's website, "...the world's first 360deg interactive music video." "Watercolour" claimed the No.4 spot in the UK Singles Chart, making it their biggest hit to date. On 21 May 2010, the band headlined the annual Radio 1's Big Weekend festival which was held at the Vaynol Estate, Bangor, Gwynedd. The second single from the album, "Witchcraft", was released on 18 July and charted at No.29 in the UK Singles chart, making it their third highest charted single in the UK. The third single from Immersion was "The Island", and just missed the UK Top 40 at No. 41. Rob Swire had stated that if it had achieved greater success than "Witchcraft", he would have released a song entitled "Ransom", which was taken off Immersion before the album's release. Swire revealed the original files for "Ransom" were corrupted, and that he has no plans to recreate them, therefore it will not be released. However, on 6 April 2011, Pendulum released "Ransom" as a single via their website with all proceeds going to the Help for Japan fund after the tsunami. "Crush" was released as the fourth single in January 2011. In January 2011, Pendulum released a Deluxe Edition of Immersion via iTunes which contained the album's original 15 tracks and a collection of remixes of "Watercolour", "Witchcraft" and "The Island" by other artists including deadmau5, Tiesto and Chuckie. Both the UK and US store were also given the music videos of those three tracks in the release.

Answer this question "What were some of the singles in the album?"
output:
Salt in the Wounds",