In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Let me give you an example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
The answer to this example can be: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Here is why: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

OK. solve this:
Context_1 : Edmund Burke ( ; 12 January <nowiki>[</nowiki>NS<nowiki>]</nowiki> 17299 July 1797) was an Irish statesman born in Dublin, as well as an author, orator, political theorist, and philosopher who, after moving to London, served as a member of parliament (MP) for many years in the House of Commons with the Whig Party. Context_2 : Admiral Sir James Whitley Deans Dundas GCB (4 December 1785 3 October 1862) was a Royal Navy officer. He took part in the Napoleonic Wars, first as a junior officer when he took part in the Anglo-Russian invasion of Holland in Autumn 1799 and later as a commander when he was in action at Copenhagen Dockyard shortly after the capture of that City in August 1807. He also served as Whig Member of Parliament for Greenwich and then for Devizes and became First Naval Lord in the First Russell ministry in July 1847 and in that role his service was dominated by the needs of Whig party. He was appointed Commander-in-Chief in the Mediterranean in 1852 and led all naval operations in the Black Sea including the bombardment of Sevastopol in October 1854 during the Crimean War. Context_3 : John Russell, 1st Earl Russell, (18 August 1792 28 May 1878), known as Lord John Russell before 1861, was a leading Whig and Liberal politician who served as Prime Minister on two occasions during the mid-19th century. Scion of one of the most powerful aristocratic families, his great achievements, says A. J. P. Taylor, were based on his indefatigable battles in Parliament over the years on behalf of the expansion of liberty; after each loss he tried again and again, until finally his efforts were largely successful. E. L. Woodward, however, argued that he was too much the abstract theorist, so that "He was more concerned with the removal of obstacles to civil liberty than with the creation of a more reasonable and civilised society". Nevertheless Russell led his Whig Party into support for reform; he was the principal architect of the great Reform Act of 1832. As Prime Minister his luck ran out. He headed a government that failed to deal with a famine in Ireland that caused the loss of a quarter of its population. Taylor concludes that as prime minister, he was not a success. Indeed, his Government of 1846 to 1852 was the ruin of the Whig party: it never composed a Government again, and his Government of 1865 to 1866, which might be described as the first Liberal Government, was very nearly the ruin of the Liberal party also. Context_4 : Dennis Pennington (May 18, 1776 September 2, 1854) was a farmer and a stonemason who became known for his many years in public office as an early legislator in the Indiana Territory and in Indiana's General Assembly as a representative of Harrison County, Indiana. Pennington, a member of the Whig Party, became the first speaker of the Indiana territorial legislature's lower house in 1810, served as the territory's census enumerator in 1815, and represented Harrison County as one of its five delegates to the constitutional convention of 1816. Pennington was the first speaker of the Indiana Senate (1816 to 1818), and served in the state legislature for eighteen years, which included five years in the Indiana House of Representatives and thirteen years in the Indiana Senate. His major political contributions relate to his strong opposition to slavery. Pennington ran unsuccessfully for Indiana's Lieutenant Governor in 1825. In addition to his service in the state legislature, Penning was a Harrison County sheriff and a justice of the peace, a trustee of Indiana University, and a member of the Grand Lodge of Indiana. He also supervised construction of the limestone courthouse that served as Indiana's first state capitol building in Corydon, Indiana. The historic Old Capitol, the seat of state government from 1816 to 1825, is one of his most enduring legacies. Fondly remembered as "Old Uncle Dennis" or "Father Pennington," he was known for his common sense and strong character and became one of Harrison County's most influential citizens. Context_5 : Charles Anderson Wickliffe (June 8, 1788 October 31, 1869) was a U.S. Representative from Kentucky. He also served as Speaker of the Kentucky House of Representatives, the 14th Governor of Kentucky, and was appointed Postmaster General by President John Tyler. Though he consistently identified with the Whig Party, he was politically independent, and often had differences of opinion with Whig founder and fellow Kentuckian Henry Clay. Context_6 : The Patriot Whigs and, later Patriot Party, was a group within the Whig party in Great Britain from 1725 to 1803. The group was formed in opposition to the ministry of Robert Walpole in the House of Commons in 1725, when William Pulteney (later 1st Earl of Bath) and seventeen other Whigs joined with the Tory party in attacks against the ministry. By the middle of the 1730s, there were over one hundred opposition Whigs in the Commons, many of whom embraced the Patriot label. For many years they provided a more effective opposition to the Walpole administration than the Tories. Context_7 : The Annual Register (originally subtitled "A View of the History, Politicks and Literature of the Year ...") is a long-established reference work, written and published each year, which records and analyses the year's major events, developments and trends throughout the world. It was first written in 1758 under the editorship of Edmund Burke, and has been produced continuously since that date. In its current form the first half of the book comprises articles on each of the world's countries or regions, while the latter half contains articles on international organisations, economics, the environment, science, law, religion, the arts and sport, together with obituaries, a chronicle of major events and selected documents. In addition to being produced annually in hardback, the book is also published electronically, and its entire 250-year archive is available online from its publisher, ProQuest. Context_8 : The Canadian Parliamentary Guide, formerly known as the "Canadian Parliamentary Companion" and the "Canadian Parliamentary Companion and Annual Register", is a reference publication which lists the members of the Canadian House of Commons and the Senate of Canada as well as of the provincial and territorial legislatures. Context_9 : This is a list of the Leaders of the British Whig Party. It begins in 1830 as, in the words of J C Sainty, 'it would be misleading to convey the impression that there was in any precise sense a Leader of the Whig Party in the House of Lords before 1830'. Also, Cook & Stevenson, "British Historical Facts 1760-1830" have no section for party leaders in either House of Parliament. The section on 'Overall Leaders' gives details of those who were either the Prime Minister or a former Prime Minister who was still in Parliament and leading the Whig Party in the House in which he sat. Context_10 : The British general election, 1747, returned members to serve in the House of Commons of the 10th Parliament of Great Britain to be summoned, after the merger of the Parliament of England and the Parliament of Scotland in 1707. The election saw Henry Pelham's Whig government increase its majority and the Tories continue their decline. By 1747, thirty years of Whig oligarchy and systematic corruption had weakened party ties substantially; despite the fact that Walpole, the main reason for the split that led to the creation of the Patriot Whig faction, had resigned, there were still almost as many Whigs in opposition to the ministry as there were Tories, and the real struggle for power was between various feuding factions of Whig aristocrats rather than between the old parties. The Tories had become an irrelevant group of country gentlemen who had resigned themselves to permanent opposition. fact_1 : The Annual Register (originally subtitled "A View of the History, Politicks and Literature of the Year ...") is a long-established reference work, written and published each year, which records and analyses the year's major events, developments and trends throughout the world. fact_2 : Edmund Burke ( ; 12 January <nowiki>[</nowiki>NS<nowiki>]</nowiki> 17299 July 1797) was an Irish statesman born in Dublin, as well as an author, orator, political theorist, and philosopher who, after moving to London, served as a member of parliament (MP) for many years in the House of Commons with the Whig Party. Answer: Edmund Burke
Answer:
Who wrote The Annual Register and also served for many years in the House of Commons with the Whig Party?