Input: Sexual orientation
In the paper "Who's Gay? Does It Matter?", Ritch Savin-Williams proposes two different approaches to assessing sexual orientation until well positioned and psychometrically sound and tested definitions are developed that would allow research to reliably identify the prevalence, causes, and consequences of homosexuality. He first suggests that greater priority should be given to sexual arousal and attraction over behaviour and identity because it is less prone to self- and other-deception, social conditions and variable meanings. To measure attraction and arousal he proposed that biological measures should be developed and used. There are numerous biological/physiological measures that exist that can measure sexual orientation such as sexual arousal, brain scans, eye tracking, body odour preference, and anatomical variations such as digit-length ratio and right or left handedness. Secondly, Savin-Williams suggests that researchers should forsake the general notion of sexual orientation altogether and assess only those components that are relevant for the research question being investigated. For example:

Who wrote the paper "Whos Gay? Does It Matter?
Output: Ritch Savin-Williams

Input: Frederic Chopin
At the funeral of the tenor Adolphe Nourrit in Paris in 1839, Chopin made a rare appearance at the organ, playing a transcription of Franz Schubert's lied Die Gestirne. On 26 July 1840 Chopin and Sand were present at the dress rehearsal of Berlioz's Grande symphonie funebre et triomphale, composed to commemorate the tenth anniversary of the July Revolution. Chopin was reportedly unimpressed with the composition.

What event were Chopin and Sand at on 26 July 1840?
Output: Berlioz's Grande symphonie funebre et triomphale

Input: Apollo
Homer illustrated Paeon the god, and the song both of apotropaic thanksgiving or triumph.[citation needed] Such songs were originally addressed to Apollo, and afterwards to other gods: to Dionysus, to Apollo Helios, to Apollo's son Asclepius the healer. About the 4th century BCE, the paean became merely a formula of adulation; its object was either to implore protection against disease and misfortune, or to offer thanks after such protection had been rendered. It was in this way that Apollo had become recognised as the god of music. Apollo's role as the slayer of the Python led to his association with battle and victory; hence it became the Roman custom for a paean to be sung by an army on the march and before entering into battle, when a fleet left the harbour, and also after a victory had been won.

About the 4th Century BCE, what was the object of paean?
Output: to implore protection against disease and misfortune

Input: Santa Monica, California
There were 46,917 households, out of which 7,835 (16.7%) had children under the age of 18 living in them, 13,092 (27.9%) were opposite-sex married couples living together, 3,510 (7.5%) had a female householder with no husband present, 1,327 (2.8%) had a male householder with no wife present. There were 2,867 (6.1%) unmarried opposite-sex partnerships, and 416 (0.9%) same-sex married couples or partnerships. 22,716 households (48.4%) were made up of individuals and 5,551 (11.8%) had someone living alone who was 65 years of age or older. The average household size was 1.87. There were 17,929 families (38.2% of all households); the average family size was 2.79.

Roughly how many same-sex couples were there?
Output:
416