Q: Most Windows Phones should have a remote tracking and disabling service automatically enabled, as long as they were linked to a Microsoft account. Start by visiting account.microsoft.com/devices on any computer. You can try accessing the site from another smartphone or tablet, but there is no mobile website available, so the site may not be easy to use. Enter your Microsoft account information to log in or click "Can't sign in to your account?" if you've forgotten your password. Do not try to sign in with a one-use code, as this code will be texted to your stolen phone. Hover over the words "Explore My Phone" and the image of a smartphone. A small box of menu items should appear. Select "Find my Phone" from these options. A map should appear showing the location of your phone, if it is turned on and has location data enabled. Several options should be available if the phone is turned on: Ring causes the device to ring even if the volume is turned off. This is mostly helpful for locating lost phones, not stolen ones. Lock will protect the phone with a new password. Erase will permanently wipe all personal data from your phone.
A: Visit https://account.microsoft.com/devices/. Log in to your Microsoft account. Click Find my Phone in the top right. Disable the phone or try other options.

Q: Even if you have no plans to write a full screenplay, a basic outline of your story not only allows you to develop an effective pitch but gives you written material that you can protect through copyright. Your outline can be as detailed or as skeletal as you like. Keep in mind that just because you include a particular fact or detail doesn't necessarily mean it will make it into a feature or television movie, if you end up selling your story. While your life is chronological, it may not follow the same lines a story would. Think about a story you've heard or a movie you've seen that had a good story line, and map your life story out along similar lines. A standard movie is broken into three acts, with the characters in the story following a similar trajectory. You may not think of the people in your life as characters, but in the movie of your life story they would be. Pull out episodes or events from your memory that will serve as a build-up to the ultimate climactic event. Those will make up the first act of your story. The climax will be the pivotal moment or event that provoked some sort of change, or from which you learned some sort of lesson. The third act of your story will encompass those events that draw together the climax and provide closure to the entire story. Once you have your outline, you're ready to write your synopsis, which is a one- or two- page document that you'll give to any producer who wants more information about your story after hearing your pitch. Think about a summation of the life story you want to tell in terms of how you would tell it to a friend with whom you were having a cup of coffee or a drink. The synopsis includes the entire story the beginning, the middle, and the end in a very brief way without a lot of details. Don't worry if you're not a strong writer it's not as though the synopsis is going to be published. Simply focus on using active language to describe what happens in the story of your life. Write your synopsis in the third person, and strive to take yourself out of the story as much as possible and look at it from the standpoint of someone else who doesn't know you. Think about the aspects of your life that would be interesting or gripping to other people those are the points you want to highlight in your synopsis. A logline is a two- or three-sentence summary of your story that entices the person who hears it to hear the whole story and find out what happens. Writing a logline is something of an art, but there are some techniques you can use to create a strong logline that will sell your story. One way to think of a logline is as the punchline to a joke only without the joke. This is a sentence or two that's going to tell the producers to whom you pitch what your story is about and what viewers ultimately should get out of it. Imagine if you overheard a punchline but never heard the joke itself. A good punchline would intrigue you and make you want to hear the joke so you could laugh along with everybody else. This is the same thing you're striving to do with your logline: make the producers want to see (meaning make) the whole movie. You can find examples of these sorts of summaries on many of the film sites online, such as IMDB or Rotten Tomatoes. Read the short summaries of movies you know to get a feel for the type of logline you can use for your life story. It can help to think about the genre of the story you're trying to tell would it be a thriller, an adventure, or a romantic comedy? Your logline should be angled toward that genre. Keep in mind that some stories have elements of several genres, which would lend themselves to several loglines that emphasize each of those themes in turn. If you can't sell your story as a romantic comedy, for example, you might be able to sell it as a drama.
A: Create a basic outline. Draft a synopsis. Come up with a few loglines.

Q: You are about to enjoy a physical connection with someone you like, and who likes you. There's no need to be nervous, because there's no right way or wrong way to kiss. Relaxing will help you feel more comfortable about the kiss. Trust that the two of you will figure it out together. Seeing each other will help you both remember that you're going to enjoy sharing this moment with one another. Eye contact also lets your partner know that you are attentive and interested, which can help them feel more comfortable. It's okay for your first kiss to be brief and simple. There's no need to set high expectations of a lingering embrace. A long, heavy kiss can be intimidating. Sharing a quick moment of intimacy can still tell you a lot about your compatibility. Dissecting every part of the kiss will lead to more nervousness. Remember that a first kiss is just a first attempt. Additional kisses with the same partner, as well as kisses with others over the course of time, will give you a chance to learn what you like and what you don't.
A:
Take a deep breath and relax. Maintain eye contact before the kiss. Start small with light lip-to-lip contact. Don't over analyze the moment.