IN: Donald Montgomery Hutson (January 31, 1913 - June 26, 1997) was a professional American football player and assistant coach in the National Football League (NFL). He played as a split end and spent his entire eleven-year professional career with the Green Bay Packers. Under head coach Curly Lambeau, Hutson led the Packers to four NFL Championship Games, winning three: 1936, 1939, and 1944.

Hutson has been honored in a variety of ways. He was elected to the Wisconsin Athletic Hall of Fame as a charter member in 1951, and the Alabama Sports Hall of Fame in 1968, also as an initial member. His number 14 was the first number retired by the Packers, in a public ceremony at a game at City Stadium on December 2, 1951. Hutson Street in the Packerland Industrial Park in Green Bay is named for him, and in 1994 the Packers named their new state-of-the-art indoor practice facility across the street from Lambeau Field the "Don Hutson Center." Hutson was inducted as a charter member of both the College Football Hall of Fame in 1951, and Pro Football Hall of Fame in 1963. His college career made him a unanimous choice for the Associated Press Southeast Area All-Time football team 1920-1969 era. Hutson is a member of the Green Bay Packers Hall of Fame, inducted in 1972 along with his quarterbacks, Arnie Herber and Cecil Isbell. There is a park named after him in his hometown of Pine Bluff, Arkansas. On the occasion of his 75th birthday he performed the ceremonial coin toss of Super Bowl XXII to end the pregame ceremonies. Hutson was named to the NFL's 1930s All-Decade Team and 50th Anniversary Team in 1970, and in 1994 he was named to the NFL 75th Anniversary All-Time Team. In 1999, he was ranked sixth on The Sporting News list of the 100 Greatest Football Players, the highest-ranking Packer and the highest-ranking pre-World War II player. In 2012, the NFL Network named Hutson the greatest Green Bay Packer of all time. In 2005, the Flagstad family of Green Bay donated to the Green Bay Packers Hall of Fame an authentic Packers No. 14 jersey worn by Hutson. The jersey was found in a trunk of old uniforms in 1946 at the Rockwood Lodge, the Packers' summer training camp from 1946 to 1949, owned by Melvin and Helen Flagstad. The jersey, a rare NFL artifact valued at over $17,000, was donated by son Daniel Flagstad in memory of his parents. Hutson's most productive seasons were from 1942 to 1945, a time in which the NFL was severely depleted with many of its most talented players and prospective college athletes serving in the military during World War II. Hutson was classified I-A for the military draft, but had three daughters, so was able to avoid conscription. On the notion that Hutson exploited watered-down defenses, former Packers running back Paul Hornung responded as such: "I'm a believer. Am I a believer! You know what Hutson would do in this league today? The same things he did when he played."
QUESTION: Was he honored for anything else?
IN: Paul Frederic Bowles (; December 30, 1910 - November 18, 1999) was an American expatriate composer, author, and translator. He became associated with Tangier, where he settled in 1947 and lived for 52 years to the end of his life. Following a cultured middle-class upbringing in New York City, during which he displayed a talent for music and writing, Bowles pursued his education at the University of Virginia before making several trips to Paris in the 1930s. He studied music with Aaron Copland, and in New York wrote music for theatrical productions, as well as other compositions.

Paul Bowles is considered one of the artists to have shaped 20th-century literature and music. In his "Introduction" to Bowles' Collected Stories (1979,) Gore Vidal ranked the short stories as "among the best ever written by an American", writing: "the floor to this ramshackle civilization that we have built cannot bear much longer our weight. It was Bowles's genius to suggest the horrors which lie beneath that floor, as fragile, in its way, as the sky that shelters us from a devouring vastness". Critics have described his music, in contrast, "as full of light as the fiction [is] of dark...almost as if the composer were a totally different person from the writer." During the early 1930s, Bowles studied composition (intermittently) with Aaron Copland; his music from this period "is reminiscent of Satie and Poulenc." Returning to New York in the mid-30s, Bowles became one of the preeminent composers of American theater music, producing works for William Saroyan, Tennessee Williams, and others, "show[ing] exceptional skill and imagination in capturing the mood, emotion, and ambience of each play to which he was assigned." Bowles said that such incidental music allowed him to present "climaxless music, hypnotic music in one of the exact senses of the word, in that it makes its effect without the spectator being made aware of it." At the same time he continued to write concert music, assimilating some of the melodic, rhythmic, and other stylistic elements of African, Mexican, and Central American music. In 1991 Paul Bowles was awarded the annual Rea Award for the Short Story. The jury gave the following citation: "Paul Bowles is a storyteller of the utmost purity and integrity. He writes of a world before God became man; a world in which men and women in extremis are seen as components in a larger, more elemental drama. His prose is crystalline and his voice unique. Among living American masters of the short story, Paul Bowles is sui generis." The Library of America published Bowles' works in 2002. (It prepares scholarly editions of American literary classics and keeps them permanently in print.)
QUESTION:
How is his legacy assessed?