Input: Radio Televizioni Shqiptar (RTSH) is the public radio and TV broadcaster of Albania, founded by King Zog in 1938. RTSH runs three analogue television stations as TVSH Televizioni Shqiptar, four digital thematic stations as RTSH, and three radio stations using the name Radio Tirana. In addition, 4 regional radio stations serve in the four extremities of Albania. The international service broadcasts radio programmes in Albanian and seven other languages via medium wave (AM) and short wave (SW). The international service has used the theme from the song "Keputa nje gjethe dafine" as its signature tune. The international television service via satellite was launched since 1993 and aims at Albanian communities in Kosovo, Serbia, Macedonia, Montenegro and northern Greece, plus the Albanian diaspora in the rest of Europe. RTSH has a past of being heavily influenced by the ruling party in its reporting, whether that party be left or right wing. According to the Albanian Media Authority, AMA, Albania has an estimated 257 media outlets, including 66 radio stations and 67 television stations, with three national, 62 local and more than 50 cable TV stations. Last years Albania has organized several shows as a part of worldwide series like Dancing with the Stars, Big Brother Albania, Albanians Got Talent, The Voice of Albania, and X Factor Albania.

Does the response "4" correctly answer the question "How many analogue television stations does Radio Televizioni Shqiptar run as TVSH Televizioni Shqiptar?"?

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Output: no

Input: We waited for half an hour, watching the smoke curling over the house, and then, judging that the Indians had made off for fear of being ambushed, we crossed the clearing. It took but a glance to read the story. The women had been washing by the little brook before the cabin, with the children playing about them, when the Indians had come up and with a single volley killed them all except the child we had heard crying. They had swooped down upon their victims, torn the scalps from their heads, looted the house, and set fire to it. We dragged out the body of the woman which had been thrown within, in the hope that a spark of life might yet remain, but she was quite dead. Beneath the warrior Spiltdorph had shot we found the child. It was a boy of some six or seven years, and so covered with blood that it seemed it must be dead. But we stripped it and washed it in the brook, and found no wounds upon it except in the head, where it had been struck with a hatchet before its scalp had been stripped off. The cold water brought it back to life and it began to cry again, whereat Spiltdorph took off his coat and wrapped it tenderly about it.

Does the response "Spiltdorph" correctly answer the question "Who shot a warrior and wrapped a child in his coat?"?

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Output: yes

Input: Captured Moments by Will Shetterly I remember Papa's stopbox, a teal blue Tiempo Capturado that Mama brought home for his birthday. It was huge and inefficient, and she should never have spent so many pesos on a toy, but Papa would not let her return it. He used it to preserve baby tomatoes, cucumbers, and strawberries in translucent cubes that he stored in the pantry for spring-time meals in the middle of winter. Mama kept her mink jacket, a family hand-me-down, safe from time in a stopbox, and lent the capturador to my uncle for his stamp collection. Sometimes they would let us little ones to seal a treasured toy or a last piece of birthday cake until we begged them for its release, usually a few hours after enclosing it. When my father died, a year after my mother, my sisters and I cleaned out their apartment. We found our baby shoes protected in stopboxes. I took mine home, where they sat above my computer while I worked on my first play. One night when I did not believe love had ever existed for anyone, I used my own capturador, a sleek titanium Sanyo Tardar Ahora, to undo the stopbox. Bringing my face close to the shoes, I breathed deeply of air that my parents had trapped while closing up that symbol of their love for me. The instant would have been improved had my baby shoes been cleaned before they were encased. But as soon as I coughed, I laughed, and I did not try to kill myself that night.

Does the response "Our baby shoes" correctly answer the question "The item found by the author and their siblings in their Papa's stopbox after his death were stored where in the author's home?"?

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Output: no

Input: Dick was enraged to see how contentedly the men bore the irksome confinement, the meager food, and harsh peremptoriness of the beardless boys set over them as guards. Most of the prisoners passed the time in cards, playing for buttons, trinkets, or what not that formed their scanty possessions. Dick learned that all the commissioned officers of the company with Wesley Boone had been wounded or killed in the charge near the stone bridge. Wesley had been with the prisoners at first. He had been struck on the head, and was in a raging fever when his father and sister came to the prison to take him away. No one could tell where he was now, but Dick knew that he must be in the city, since there were no exchanges, the Confederates allowing no one to leave the lines except women with the dead, or those who came from the North on special permits. Then he visited the provost headquarters, and was shown the complete list of names recorded in the books there; but Barney's was not among them. At the Spottswood Hotel, the day after his coming, he met Elisha Boone, haggard, depressed, almost despairing. Dick had no love for the hard-headed plutocrat, but he couldn't resist making himself known.

Does the response "Spottswood Hotel" correctly answer the question "Where did Dick visit after his stop at the provost headquarters?"?

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- yes
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Output:
yes