Please answer this: Read the following paragraph and extract the answer for the question: What is the first name of the person whose name was required to be listed in the liner notes of future French releases of "Don't Stop the Music?" "Don't Stop the Music" was written and produced by the Norwegian production duo StarGate, with additional songwriting by Tawanna Dabney. Michael Jackson received a songwriting credit for the sampling of the line "Mama-say, mama-sa, ma-ma-ko-ssa" from his 1983 single "Wanna Be Startin' Somethin'". Tim Sturges and Phillip Ramos provided additional production for the song. It was recorded at Battery Studios in New York City and Westlake Recording Studios in Los Angeles by Mikkel S. Eriksen and Al Hemberger. Phil Tan and Josh Houghkirk mixed the single, and StarGate provided vocal production and instrumentation.In February 2009, Cameroonian musician Manu Dibango filed a lawsuit claiming that "Don't Stop the Music" and "Wanna Be Startin' Somethin'" used the "Mama-say, mama-sa, ma-ma-ko-ssa" hook without his permission. According to Dibango, the line is from his 1972 single "Soul Makossa". Agence France-Presse reported that Jackson admitted that he borrowed the line for "Wanna Be Startin' Somethin'" and settled out of court. When Rihanna asked Jackson in 2007 for permission to sample the line, he allegedly approved the request without contacting Dibango beforehand. Dibango's attorneys brought the case before a court in Paris, demanding 500,000 in damages and asking for Sony BMG, EMI and Warner Music to be "barred from receiving 'mama-say mama-sa'-related income until the matter is resolved". The judge ruled that Dibango's claim was inadmissible: a year earlier, a different Paris-area judge had required Universal Music to include Dibango's name in the liner notes of future French releases of "Don't Stop the Music", and at the time of this earlier court appearance, Dibango had withdrawn legal action, thereby waiving his moral right to seek further damages."Don't Stop the Music" was the fourth single from Rihanna's third album, Good Girl Gone Bad (2007). Before its release, two promotional remixes of the song (Solitaire's More Drama and the Wideboys Club Mix) were added to digital outlets in Canada and the United...
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Answer: Manu

Please answer this: Read the following paragraph and extract the answer for the question: What is the first name of the person who has been trying to assemble the skeleton of a Brontosaurus? David Huxley is a mild-mannered paleontologist. For the past four years, he has been trying to assemble the skeleton of a Brontosaurus but is missing one bone: the "intercostal clavicle". Adding to his stress is his impending marriage to the dour Alice Swallow and the need to impress Elizabeth Random, who is considering a million-dollar donation to his museum. The day before his wedding, David meets Susan Vance by chance on a golf course when she plays his ball. She is a free-spirited, somewhat scatterbrained young lady unfettered by logic. These qualities soon embroil David in several frustrating incidents. Susan's brother Mark has sent her a tame leopard named Baby from Brazil. Its tameness is helped by hearing "I Can't Give You Anything But Love". Susan thinks David is a zoologist, and manipulates him into accompanying her in taking Baby to her farm in Connecticut. Complications arise when Susan falls in love with him and tries to keep him at her house as long as possible, even hiding his clothes, to prevent his imminent marriage. David's prized intercostal clavicle is delivered, but Susan's aunt's dog George takes it and buries it somewhere. When Susan's aunt arrives, she discovers David in a negligee. To David's dismay, she turns out to be potential donor Elizabeth Random. A second message from Mark makes clear the leopard is for Elizabeth, as she always wanted one. Baby and George run off. The zoo is called to help capture Baby. Susan and David race to find Baby before the zoo and, mistaking a dangerous leopard (also portrayed by Nissa) from a nearby circus for Baby, let it out of its cage.
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Answer: David

Please answer this: Read the following paragraph and extract the answer for the question: What was the last name of the person who said Nuffield was a hodge-podge from the start? Writing in 1952, after the first section of the buildings was complete, J. M. Richards, the editor of the Architectural Review, said that Nuffield was "a large-scale example of period-style architecture which has no justification whatever on grounds of consideration for the neighbours and represents missed opportunity of a really tragic kind". As the site was away from the "ancient colleges" of the city centre and in an area of "undistinguished nineteenth century commercial building", there had been a "rare opportunity" of building something "belonging ... to the twentieth century, and of showing that Oxford does not live only in the past". He said that the "compromise between contemporary needs and what is imagined to be the English collegiate tradition is quite unworthy of the educational enterprise the new foundation represents". He was, however, "thankful" that the building used smooth-faced stone "in the proper Oxford style" rather than rubble facing, which he said had been used elsewhere in Oxford "with extraordinarily unpleasing results".The architectural correspondent of The Times wrote that the architecture of the college was incongruous it was "remarkable" that a college with connections to modern industry should be looking backwards in this way. "That a college devoted to modern scientific studies should be dressed up [in the style of an antique Cotswold manor house] has already been the subject of puzzled comment by many foreign visitors to Oxford." Writing in The Observer, Patience Gray also disliked the college's design, referring to the "Cotswold dementia" of the architecture, and the college's "pokey windows and grotesque sugarloaf tower." The chapel was described by the travel writer Jan Morris as "one of the sweetest little sanctuaries in Oxford"; "very simple, almost stern" with a contrast between the black and white pews and the "rich colour" of the stained glass. However, she said that whilst Oxford colleges change in style over time as buildings are added or altered, "Nuffield was a...
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Answer:
Morris