Answer the question at the end by quoting:

Randy Evan Barnett (born February 5, 1952, in Chicago) is an American lawyer, law professor at Georgetown University Law Center, where he teaches constitutional law and contracts, and legal theorist. He writes about the libertarian theory of law and contract theory, constitutional law, and jurisprudence. After attending Northwestern University in Evanston, Illinois, and Harvard Law School in Cambridge, Massachusetts, Barnett worked as a prosecutor in Chicago, Illinois. Barnett's first academic position was at the Chicago-Kent College of Law of the Illinois Institute of Technology.
Section 1. All persons are equally free and independent, and have certain natural, inherent and unalienable rights which they retain when forming any government, amongst which are the enjoying, defending and preserving of their life and liberty, acquiring, possessing and protecting real and personal property, making binding contracts of their choosing, and pursuing their happiness and safety.Section 2. The due process of law shall be construed to provide the opportunity to introduce evidence or otherwise show that a law, regulation or order is an infringement of such rights of any citizen or legal resident of the United States, and the party defending the challenged law, regulation, or order shall have the burden of establishing the basis in law and fact of its conformity with this Constitution. The amendment is a direct cousin of the Tenth Amendment, but it applies to the people of the U.S. and not the states. Section 1 puts the Declaration of Independence into coded law. That includes its preamble, which allows for people to live their lives the way they see fit. The proposed right of "making binding contracts of their choosing" would appear to resurrect the legal doctrine of economic due process, which during the Lochner era, was used by the Supreme Court to strike down a wide variety of state and federal laws affecting business, including child-labor and minimum-wage laws. Section 2 allows all legal persons of the United States to challenge any law that restricts their rights, and puts the burden of proof (fact) on federal, state, and local governments to argue otherwise. Any attempt to establish the constitutionality of any law is thus rested within the government.

What is the most important part of that?

The proposed right of "making binding contracts of their choosing"

Some context: Meat Beat Manifesto, often shortened as Meat Beat, Manifesto or MBM, is an electronic music group originally consisting of Jack Dangers and Jonny Stephens, and formed in 1987 in Swindon, United Kingdom. The band, fronted by Dangers (the only permanent member), has proven versatile over the years, experimenting with techno, dubstep, drum and bass, IDM, industrial, dub and jazz fusion while touring the world and influencing major acts such as Nine Inch Nails, The Chemical Brothers and The Prodigy. Some of the band's earlier work has been credited with influencing the rise of the trip hop, big beat, and drum and bass genres.
Dangers and Stephens had formed the English pop group Perennial Divide in 1986 with Paul Freeguard and released the first few Meat Beat Manifesto singles as a side project. They left Perennial Divide in 1988 to record a full Meat Beat album. The tapes of what would have been the debut MBM album were claimed to have been destroyed in a studio fire before it could be released (detailed in a publicity statement). The former founder of Sweat Box Records (Rob Deacon) said that the fire never happened. Jack Dangers confirmed the story of the fire in a 2010 interview. The pair then recorded the LP Storm The Studio, which got them pigeonholed as an industrial act because Sweat Box Records sold the rights to the LP to Wax Trax Records for release in the United States. In response, they released 99%, which was more techno-influenced, in May 1990. In August they released Armed Audio Warfare, which was an effort to re-create the lost tracks of the would-be debut album. The band's live show was conceived as an intense audio-visual experience, with dancers, led by choreographer Marcus Adams, in costumes and sets designed by artist Craig Morrison and video clips accompanying live instruments, sequenced electronic instruments, and live DJing. In the United States, they opened for Nine Inch Nails on their debut national tour in 1990. In 1991, they performed at The Limelight in Manhattan. Despite his contributions being nonmusical in nature, Adams was credited as a full band member and appeared in many of the band's record sleeves and promo photos until the release of Satyricon in 1992. Adams also appeared in several of MBM's early videos, such as "Strapdown" and "Psyche-Out". 1992's Satyricon continued to show Meat Beat adopting a more mainstream electronic sound, crediting influences of such newly popular dance bands as Orbital, The Shamen, and The Orb, all of whom had either remixed or been remixed by MBM. The album produced the hits "Mindstream" and "Circles". "Original Control (Version 2)", renamed "I Am Electro" in later compilations, is the best-known track from the album, featuring samples of recordings from the 1939 World's Fair exhibit Elektro The Robot, and was the opening song in MBM's 2005-2006 tour.
Did they have any other live performances?
A: MBM's 2005-2006 tour.

IN: William James Dixon (July 1, 1915 - January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar and was a capable singer, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post-World War II sound of the Chicago blues. Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated.

Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others. Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others. In December 1964, the Rolling Stones reached number one on the UK Singles Chart with their cover of Dixon's "Little Red Rooster". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones.

Did any of the albums he produced go Gold?

OUT:
". In the same year, the group also covered "I Just Want To Make Love To You" on their debut album, The Rolling Stones.