Input: Cyprus
In modern times Cypriot art history begins with the painter Vassilis Vryonides (18831958) who studied at the Academy of Fine Arts in Venice. Arguably the two founding fathers of modern Cypriot art were Adamantios Diamantis (19001994) who studied at London's Royal College of Art and Christopheros Savva (19241968) who also studied in London, at Saint Martin's School of Art. In many ways these two artists set the template for subsequent Cypriot art and both their artistic styles and the patterns of their education remain influential to this day. In particular the majority of Cypriot artists still train in England while others train at art schools in Greece and local art institutions such as the Cyprus College of Art, University of Nicosia and the Frederick Institute of Technology.

Where do many Cypriot artists train?
Output: England

Input: Capital punishment in the United States
Four states in the modern era, Nebraska in 2008, New York and Kansas in 2004, and Massachusetts in 1984, had their statutes ruled unconstitutional by state courts. The death rows of New York and Massachusetts were disestablished, and attempts to restore the death penalty were unsuccessful. Kansas successfully appealed State v. Kleypas, the Kansas Supreme Court decision that declared the state's death penalty statute unconstitutional, to the United States Supreme Court. Nebraska's death penalty statute was rendered ineffective on February 8, 2008 when the required method, electrocution, was ruled unconstitutional by the Nebraska Supreme Court. In 2009, Nebraska enacted a bill that changed its method of execution to lethal injection.

What method of execution did the Nebraska Supreme Court rule unconstitutional?
Output: electrocution

Input: Cyprus
In 1994, cinematographic production received a boost with the establishment of the Cinema Advisory Committee. As of the year 2000, the annual amount set aside in the national budget stands at Cy Pounds 500,000 (about 850,000 Euros). In addition to government grants, Cypriot co-productions are eligible for funding from the Council of Europe's Eurimages Fund, which finances European film co-productions. To date, four feature-length films in which a Cypriot was executive producer have received funding from Eurimages. The first was I Sphagi tou Kokora (1992), completed in 1996, Hellados (And the Trains Fly to the Sky, 1995), which is currently in post-production, and Costas Demetriou's O Dromos gia tin Ithaki (The Road to Ithaka, 1997) which premiered in March 2000. The theme song to The Road to Ithaka was composed by Costas Cacoyannis and sung by Alexia Vassiliou. In September 1999, To Tama (The Promise) by Andreas Pantzis also received funding from the Eurimages Fund. In 2009 the Greek director, writer and producer Vassilis Mazomenos filmed in Cyprus Guilt. The film was awarded in 2012 with the Best Screenwriting and Best Photography award in London Greek Film Festival (UK) and was official selection in Montreal World Film Festival, Cairo International Film Festival, India International Film Festival, Tallinn Black Nights Film Festival, Fantasporto and opening film in the Panorama of European Cinema in Athens. In 2010 the film was Nominated for the best film from the Hellenic Film Academy.

Which film was awarded the Best Screenwriting and Best Photography at the London Greek Film Festival?
Output: Cyprus Guilt

Input: LaserDisc
Sound could be stored in either analog or digital format and in a variety of surround sound formats; NTSC discs could carry two analog audio tracks, plus two uncompressed PCM digital audio tracks, which were (EFM, CIRC, 16-bit and 44.056 kHz sample rate). PAL discs could carry one pair of audio tracks, either analog or digital and the digital tracks on a PAL disc were 16-bit 44.1 kHz as on a CD; in the UK, the term "LaserVision" is used to refer to discs with analog sound, while "LaserDisc" is used for those with digital audio. The digital sound signal in both formats are EFM-encoded as in CD. Dolby Digital (also called AC-3) and DTSwhich are now common on DVD titlesfirst became available on LaserDisc, and Star Wars: Episode I The Phantom Menace (1999) which was released on LaserDisc in Japan, is among the first home video releases ever to include 6.1 channel Dolby Digital EX Surround. Unlike DVDs, which carry Dolby Digital audio in digital form, LaserDiscs store Dolby Digital in a frequency modulated form within a track normally used for analog audio. Extracting Dolby Digital from a LaserDisc required a player equipped with a special "AC-3 RF" output and an external demodulator in addition to an AC-3 decoder. The demodulator was necessary to convert the 2.88 MHz modulated AC-3 information on the disc into a 384 kbit/s signal that the decoder could handle. DTS audio, when available on a disc, replaced the digital audio tracks; hearing DTS sound required only an S/PDIF compliant digital connection to a DTS decoder.

What was the difference between LaserDisc and LaserVision in the UK?
Output:
"LaserVision" is used to refer to discs with analog sound, while "LaserDisc" is used for those with digital audio