input: Matthews focused primarily on songwriting and performances with the Dave Matthews Band from 1990 to 2003. DMB is an artistic blend of acoustic guitar, bass, sax, drums and fiddle music. In 1994, DMB signed with RCA Records. Since that period, he has occasionally ventured outside the band in various solo performances and records. Matthews sang on the track "Sing Along" on Blue Man Group's second album The Complex in 2003. Later that year he released a solo album, "Some Devil", which went platinum; its single, "Gravedigger", won a Grammy Award in 2004. To support the album, Matthews toured with a group of musicians (many of whom performed on "Some Devil") under the name Dave Matthews & Friends. Dave has close friendship with banjoist Bela Fleck, the frontman and namesake of Bela Fleck and the Flecktones, and with whom Matthews appears as guest vocalist on their 1998 release, Left of Cool and both Fleck and the Flecktones' bassist Victor Wooten have made numerous appearances both live and in studio with the Dave Matthews Band. Wooten soloed in the second part of the Daniel Lanois song, "The Maker", and also in "#41" on the 1998 live album Live in Chicago. The Flecktones also opened for DMB on several tours. Matthews performed a duet with Emmylou Harris on "My Antonia" on her 2000 album, Red Dirt Girl. They also appeared together on the musical television show CMT Crossroads, where the two performed Matthews' "Gravedigger" and the folk song "Long Black Veil", a song popularized by The Band. Matthews played a cover of Neil Young's song, "The Needle and the Damage Done" at the 2010 tribute, MusiCares Person of the Year honoring Young on January 29, 2010. The Dave Matthews Band opened for The Rolling Stones on their Bridges to Babylon Tour-1997-1998, and Matthews sang "Wild Horses", and "Memory Motel" alongside vocalist Mick Jagger.

Answer this question "Was Dave Matthews an Actor?"
output:

input: "Hit 'Em Up" was written and recorded in Buena Vista Studios in Buena Vista, Virginia in May 1996. For the song, Shakur recruited the members of the former group Dramacydal whom he had worked with previously, and was eager to work with again. Together, the rappers (along with other associates) formed the original lineup of the Outlawz. The first and third verses are performed by Shakur, while the second verse is performed by Hussein Fatal, the fourth by Kadafi and the fifth by E.D.I. Mean. The ferocity of Shakur's raging vocals, as said by long-time collaborator and producer of "Hit 'Em Up" Johnny "J", was entirely authentic. He explained that Shakur was initially fueled by his anger against Biggie and Bad Boy Records for the belief that they had a role in the November 30, 1994 ambush and attack on Shakur. He claimed that Biggie and his crew knew of his shooting and wanted him dead. Shakur used this fury, which Johnny "J" described as "superhuman", to attack Biggie and other East Coast rappers. Johnny "J" also stated that he had never seen Shakur so angry and that the words he rapped were in no way an act, describing the recording process as the most "hard-core he had ever done." Although he was very happy with the work he had put into it and the resulting song, Johnny "J" went on to say that he had no desire to work on anything of that magnitude again. Shakur was also enraged by Biggie's release of "Who Shot Ya?" provocatively only months after the shooting incident, and although it did not directly involve Shakur's name, he believed it was directed towards him, but it was not. Shakur admitted to releasing "Hit 'Em Up" as a response to "Who Shot Ya?" In a Vibe interview, the rapper called out Sean "Puffy" Combs and Biggie Smalls and accused both of them for setting him up, or obtaining knowledge of the attack, and not cautioning him. He also singled out business men James Rosemond ("Jimmy Henchman"), and Jacques Agnant ("Haitian Jack") of orchestrating the assault. Shakur announced the names of his ostensible conspirators to Kevin Powell, a journalist for Vibe; however, to mask their true identities, Vibe referred to Henchman as "Booker," and Jack as "Nigel" in the published interview. Persons familiar with the interview say they used different names after the magazine received threats from Henchman. A former Vibe editor denied receiving threats, but neglected to explain why the magazine substituted aliases for Henchman and Haitian Jack. Henchman promised Shakur $7,000 to duo with Lil Shawn, a rapper whom the business man represented at that time. In a 2008 article by Philips, Henchman was implicated in organizing the assault, and in 2012 by his long-time friend Dexter Isaac, who confessed to attacking Shakur on Henchman's orders. He was confirmed as a source for Philip's earlier story and in Henchman's own confession according to prosecutors at his 2012 trial.

Answer this question "what were the origins?"
output: Hit 'Em Up" was written and recorded in Buena Vista Studios

input: The Undertones formed in Derry, Northern Ireland in 1974. The band members were five friends from Creggan and the Bogside, who originally drew inspiration from such artists as the Beatles, Small Faces and Lindisfarne. The band initially rehearsed cover versions at the home of the guitarists, brothers John and Vincent O'Neill, and in the shed of a neighbour. (In early 1976, before the band had played gigs at any venues, Vincent O'Neill left the band; being replaced by his younger brother Damian.) Beginning in February 1976 the group, at this stage still unnamed, began playing gigs at various minor local venues, including schools, parish halls and Scout huts, where the band's lead singer, Feargal Sharkey, was a local Scout leader. Sharkey was also responsible for giving the band their first name: at the introduction to a gig at Saint Joseph's Secondary School in Derry on 16 March 1976, Feargal Sharkey was asked the name of the band and quickly replied "The Hot Rods". At a later gig, Sharkey named the band "Little Feat": another name already used by another group. Later that year, drummer Billy Doherty proposed an alternate name for the group: The Undertones, which Doherty had discovered in a history book. The other members of the band agreed to the proposal. With the arrival of punk rock in late 1976, the artistic focus of the band changed. Artists such as the Adverts, Sex Pistols, the Buzzcocks and, particularly, the Ramones became major influences on the Undertones. In addition to being a scout leader, Feargal Sharkey worked as a television repairman and delivery man. The van which Sharkey drove in this employment was used by the Undertones to transport their equipment to and from various venues.

Answer this question "Are there any other interesting aspects about this article?"
output:
began playing gigs at various minor local venues, including schools, parish halls and Scout huts, where the band's lead singer, Feargal Sharkey, was a local Scout leader.