Problem: Background: Victor Jara was born in 1932 in Lonquen, near Santiago, to two peasants, Manuel Jara and Amanda Martinez. His father was illiterate and encouraged his children to work from an early age to help the family survive, rather than attend school. By the age of 6, Jara was already working on the land. His father could not support the family on his earnings as a peasant at the Ruiz-Tagle estate, nor was he able to find stable work.
Context: After joining the choir at the University of Chile in Santiago, Jara was convinced by a choir-mate to pursue a career in theater. He subsequently joined the university's theater program and earned a scholarship for talent. He appeared in several of the university's plays, gravitating toward those with social themes, such as Russian playwright Maxim Gorky's The Lower Depths, a depiction of the hardships of lower-class life. In 1957, he met Violeta Parra, a singer who had steered folk music in Chile away from the rote reproduction of rural materials toward modern song composition rooted in traditional forms, and who had established musical community centers called penas to incorporate folk music into the everyday life of modern Chileans. Jara absorbed these lessons and began singing with a group called Cuncumen, with whom he continued his explorations of Chile's traditional music. He was deeply influenced by the folk music of Chile and other Latin American countries, and by artists such as Parra, Atahualpa Yupanqui, and the poet Pablo Neruda. In the 1960s, Jara started specializing in folk music and sang at Santiago's La Pena de Los Parra, owned by Angel Parra. Through these activities, he became involved in the Nueva Cancion movement of Latin American folk music. He released his first album, Canto a lo humano, in 1966, and by 1970, he had left his theater work in favor of a career in music. His songs were inspired by a combination of traditional folk music and left-wing political activism. From this period, some of his best-known songs are "Plegaria a un Labrador" ("Prayer to a Worker") and "Te Recuerdo Amanda" ("I Remember You Amanda").
Question: What did Jara's artistic work consist of?
Answer:

Problem: Background: A big band is a type of musical ensemble that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music. One problem with this usage is that it overlooks the variety of music played by these bands.
Context: Before 1914, social dance in America was dominated by steps such as the waltz and polka. As jazz migrated from its New Orleans origin to Chicago and New York City, energetic, suggestive dances traveled with it. During the next decades, ballrooms filled with people doing the jitterbug and Lindy Hop. The dance duo Vernon and Irene Castle popularized the foxtrot while accompanied by the orchestra of James Reese Europe. One of the first bands to accompany the new rhythms was led by a drummer, Art Hickman, in San Francisco in 1916. Hickman's arranger, Ferde Grofe, wrote arrangements in which he divided the jazz orchestra into sections that combined in various ways. This intermingling of sections became a defining characteristic of big bands. In 1919, Paul Whiteman hired Grofe to use similar techniques for his band. Whiteman was educated in classical music, and he called his new band's music symphonic jazz. The methods of dance bands marked a step away from New Orleans jazz. With the exception of Jelly Roll Morton, who continued playing in the New Orleans style, bandleaders paid attention to the demand for dance music and created their own big bands. They incorporated elements of Broadway, Tin Pan Alley, ragtime, and vaudeville. Duke Ellington led his band at the Cotton Club in Harlem. Fletcher Henderson's career started when he was persuaded to audition for a job at Club Alabam in New York City, which eventually turned into a job as bandleader at the Roseland Ballroom. At these venues, which themselves gained notoriety, bandleaders and arrangers played a greater role than they had before. Hickman relied on Ferde Grofe, Whiteman on Bill Challis. Henderson and arranger Don Redman followed the template of King Oliver, but as the 1920s progressed they moved away from the New Orleans format and transformed jazz. They were assisted by a band full of talent: Coleman Hawkins on tenor saxophone, Louis Armstrong on cornet, and multi-instrumentalist Benny Carter, whose career lasted into the 1990s.
Question: What year did it become more prominent?
Answer: the 1990s.

Problem: Background: Bullet for My Valentine, often abbreviated as BFMV, are a Welsh heavy metal band from Bridgend, formed in 1998. The band is currently composed of Matthew Tuck (lead vocals, rhythm guitar), Michael Paget (lead guitar, backing vocals), Jason Bowld (drums) and Jamie Mathias (bass guitar). Former members include Michael Thomas, Jason James and Nick Crandle; the latter were on bass. They were formed under the name Jeff Killed John and started their music career by covering songs by Metallica and Nirvana.
Context: In an interview, Matt Tuck said that Bullet for My Valentine were going to start work on a new album before the Rule Britannia Tour which took place between 1 December 2013 till the 6 December 2013 in which the band played arenas in Britain supported by Young Guns and Asking Alexandria. In the interview Matt also said that they were strongly considering working with Terry Date, who has worked with bands such as Pantera and Deftones. He also said the band would bring back the thrash metal elements from Scream Aim Fire. In November 2013, Bullet for My Valentine revealed though their Facebook page they were working on a new song. A short snippet of the song, titled "Raising Hell," was released on Matt Tuck's Vine profile on the 15th. The song was first played three days later via BBC Radio 1's Rock Show. It was made available for streaming and a music video for the song was released a week later. In 2014, Matt announced on Twitter that the band were entering the studio to record a fifth album. On August 28th, the band appeared on paranormal television show Most Haunted for an investigation at the Newton House in Llandeilo, Carmarthenshire. In an interview with Kerrang! on 21 January 2015, Matt revealed that Bullet for My Valentine will be hitting the studio next month with producer Colin Richardson who produced both The Poison and Scream Aim Fire, rather than Terry Date, who was the suggested producer initially. Tuck also said that their fifth album will be their heaviest album yet. On 9 February 2015, Bullet for My Valentine announced the departure of bassist Jason James, adding that they would announce a replacement when they felt "the time was right." They went on to say that until the announcement, they'd be busy and focused on recording their new record. It was announced on the band's Facebook page in 2015 that a new song, "No Way Out," would debut on BBC Radio 1 on 17 May 2015. The band also revealed their fifth studio album to be titled Venom and their new bassist was going to be Jamie Mathias, formerly of metal band Revoker. Venom was set for release on 14 August 2015, the same day an expansive UK tour was announced. It was also revealed that Bullet For My Valentine will headline London's Camden Rocks festival which takes place on 30 May 2015.
Question: What was the release date of Venom?
Answer:
on 14 August 2015,