Problem: Given the question: The following article contains an answer for the question: What is the name of the person that chooses the man captured by the pygmies to be her religious official? , can you please find it? Adventurer Johnny Weissmuller is roped in by Egyptian archaeologist Ellen Marsten to traverse the African jungle of Baku. They seek to rescue an acquaintance, Marro, from his captors, pygmies known as the "Moon Men". The Moon Men are devoted to a "Moon Goddess" Oma, who is apparently an immortal whose only weakness is sunlight. Marro is chosen to be Oma's chief religious official. After being joined by Marsten's friend Bob Prentice, the team of Weissmuller, Marstern, and Prentice, set off for Baku. They find Marro and urge him to escape. However, he dies the moment he steps outside the parameters of the jungle. Interrogating a pygmy Damu, Weissmuller learns that Marro was fed a voodoo potion that would kill him once he tried to escape Baku. Just then, the Moon Men overpower the team and capture them. Prentice is selected to take over Marro's position, while Weissmuller and Marstern are brought to Oma's temple. There, they are stopped by Santo and his right-hand man Max (Frank Sully). The evil duo command Weissmuller to lead them into the temple. They meet Oma and also find loads of precious stones in the building. Knowing that not everybody can leave Baku, Weissmuller sacrifices himself for the rest. He asks Prentice to contact the police as soon as he gets to the mainland. Santo pockets a large amount of the jewels and turns to flee. The Moon Men stop him, letting loose a pride of vicious lions. Santo and Max are gorily killed, while the rest manage to escape.
++++++++++++++++++++++++++++++++
The answer is:
Oma
input question: The following article contains an answer for the question: What are the initials for the group that designed several drills using side-mill cutters? , can you please find it? In the 1970s, the Japanese Antarctic Research Expedition (JARE) group designed several drills using side-mill cutters. These are toothed gears that are driven from the rotation of the main drill motor via 45 spiral gears; their axis of rotation is horizontal, and they are placed so that the teeth cut four vertical slots in the borehole wall. Guide fins higher on the sonde travel in these slots and provide the antitorque. The design was effective at preventing rotation of the sonde, but it proved to be almost impossible to realign the guide fins with the existing slots when tripping in. Misalignment increased the chance of the drill getting stuck in the borehole; and there was also a risk of ice cuttings from the mill cutters jamming in between the drill and the borehole wall, causing the drill to get stuck. The system was used again in a drill developed in China in the 1980s and 1990s, but the problems inherent in the design are now considered insuperable and it is no longer in use.The most recent anti-torque system design is the use of U-shaped blades, made of steel and fixed vertically to the sides of the sonde. Initial implementations ran into problems with thin blades bending too easily, and thick blades providing too much resistance to vertical movement of the sonde, but the final design can generate strong resistance to torque in both firn and ice.Drills may be designed with more than one anti-torque system in order to take advantage of the different performance of the different designs in different kinds of snow and ice. For example, a drill may have skates to be used in hard firn or ice, but also have a leaf-spring system, which will be more effective in soft firn.???
output answer: JARE
The following article contains an answer for the question: In what year did the photographer who was important for recording events and views estimate that half of all visitors to Yokohama were amateur photographers? , can you please find it? Farsari and other 19th-century commercial photographers generally concentrated on two types of subject matter: the scenery of Japan and the "manners and customs" of its inhabitants. Such subjects, and the ways in which they were literally and figuratively framed, were chosen to appeal to foreign taste; and the reason for this, apart from the photographer's individual aesthetics, vision and preconceptions, had much to do with economics. Photographs were expensive to make and accordingly expensive to buy. In 1870s Japan, a portrait photograph usually cost half a ryo "per head", about a month's pay for an artisan. Given such pricing, few Japanese could afford photographs and a photographer's clientele was largely drawn from the foreign residents of the European and American enclaves: colonial administrators, missionaries, merchants and the military. By the early 1870s, tourists had joined their number. To appeal to this clientele, photographers often staged and contrived the scenes they photographed, particularly the portraits depicting "manners and customs".In 1885, Charles J. S. Makin used some of Farsari's views to illustrate his travel account Land of the Rising Sun, Being a Short Account of Japan and the Japanese. As photomechanical printing was still in its infancy, it was common for artists and illustrators to create works derived from photographs. For example, Charles Wirgman's numerous engravings for the Illustrated London News were made from views by Wirgman's friend and sometime partner Felice Beato. Occasionally the link between a work of art and its photographic source material was less overt: Louis-Jules Dumoulin's 1888 oil painting Boys' Festival from the Bluff, Yokohama [sic] (now called Carp Banners in Kyoto) draws heavily from Farsari's photograph Gionmachi, Kioto (now often called View of Shijo-dori, Kyoto); although the painted image strongly resembles the photographic source, the location of the subject has been changed in the title. During the era of the collodion process, before the...
----
Answer: 1889
Please answer this: The following article contains an answer for the question: What should Scott win in order to get bigger payouts? , can you please find it? Former Division I collegiate wrestler Scott Voss is a 42-year-old bored and disillusioned biology teacher at the failing Wilkinson High School. Budget cutbacks at the school jeopardize the continuation of its music program, which would result in its teacher, Marty Streb, being laid off. Concerned for both his colleague and his students, Scott attempts to raise the $48,000 necessary to keep the music program alive. He moonlights as a night instructor for an adult citizenship class, where student Niko asks him for outside tutoring. When Scott arrives at Niko's apartment, he learns that Niko was a former mixed martial arts fighter. While watching the UFC at Niko's apartment, Scott learns that the loser of a fight receives $10,000, which gives him the idea of raising the money by fighting and losing in MMA. Scott, helped by Niko and Marty, begins with small unsanctioned bouts paying only $750 to the loser. Niko begins training him in defense, later adding trainer Mark to teach offense, after Scott knocks out an opponent and realizes that wins give larger payouts, needing fewer fights to achieve his $48,000 goal. While Mark trains with Scott, Malia De La Cruz, one of Scott's students and a band member, helps Niko study for his citizenship test by putting the information into songs. Scott then begins fighting in small MMA fights and gradually gaining higher amounts of money for the school.
++++++++
Answer:
fights