Problem: Background: Marian Anderson (February 27, 1897 - April 8, 1993) was an African-American contralto and one of the most celebrated singers of the twentieth century. Music critic Alan Blyth said: "Her voice was a rich, vibrant contralto of intrinsic beauty." Most of her singing career was spent performing in concert and recital in major music venues and with famous orchestras throughout the United States and Europe between 1925 and 1965. Although offered roles with many important European opera companies, Anderson declined, as she had no training in acting.
Context: In 1933, Anderson made her European debut in a concert at Wigmore Hall in London, where she was received enthusiastically. She spent the early 1930s touring throughout Europe where she did not encounter the racial prejudices she had experienced in America. In the summer of 1930, she went to Scandinavia, where she met the Finnish pianist Kosti Vehanen who became her regular accompanist and her vocal coach for many years. She also met Jean Sibelius through Vehanen after he had heard her in a concert in Helsinki. Moved by her performance, Sibelius invited them to his home and asked his wife to bring champagne in place of the traditional coffee. Sibelius commented to Anderson of her performance that he felt that she had been able to penetrate the Nordic soul. The two struck up an immediate friendship, which further blossomed into a professional partnership, and for many years Sibelius altered and composed songs for Anderson to perform. He created a new arrangement of the song "Solitude" and dedicated it to Anderson in 1939. Originally The Jewish Girl's Song from his 1906 incidental music to Belshazzar's Feast, it later became the "Solitude" section of the orchestral suite derived from the incidental music. In 1934, impresario Sol Hurok offered Anderson a better contract than she previously had with Arthur Judson. He became her manager for the rest of her performing career and through his persuasion she came back to perform in America. In 1935, Anderson made her first recital appearance in New York at Town Hall, which received highly favorable reviews by music critics. She spent the next four years touring throughout the United States and Europe. She was offered opera roles by several European houses but, due to her lack of acting experience, Anderson declined all of those offers. She did, however, record a number of opera arias in the studio, which became bestsellers. Anderson, accompanied by Vehanen, continued to tour throughout Europe during the mid-1930s. She visited Eastern European capitals and Russia and returned again to Scandinavia, where "Marian fever" had spread to small towns and villages where she had thousands of fans. She quickly became a favorite of many conductors and composers of major European orchestras. During a 1935 tour in Salzburg, the conductor Arturo Toscanini told her she had a voice "heard once in a hundred years". In the late 1930s, Anderson gave about 70 recitals a year in the United States. Although by then quite famous, her stature did not completely end the prejudice she confronted as a young black singer touring the United States. She was still denied rooms in certain American hotels and was not allowed to eat in certain American restaurants. Because of this discrimination, Albert Einstein, a champion of racial tolerance, hosted Anderson on many occasions, the first being in 1937 when she was denied a hotel before performing at Princeton University. She last stayed with him months before he died in 1955.
Question: Did she ever stand up to the racial injustice she faced?
Answer: Albert Einstein, a champion of racial tolerance, hosted Anderson on many occasions,

Problem: Background: James Butler Hickok was born May 27, 1837, in Homer, Illinois (present-day Troy Grove, Illinois) to William Alonzo Hickok, a farmer and abolitionist, and his wife Polly Butler. His father was said to have used the family house, now demolished, as a station on the Underground Railroad. He was the fourth of six children.
Context: In 1873, Buffalo Bill Cody and Texas Jack Omohundro invited Hickok to join their troupe after their earlier success. Hickok did not enjoy acting, often hiding behind scenery, and in one show shot the spotlight when it focused on him. He was released from the group after a few months. In 1876, Hickok was diagnosed by a doctor in Kansas City, Missouri, with glaucoma and ophthalmia. Though he was just 39, his marksmanship and health were apparently in decline, as he had been arrested several times for vagrancy, despite earning a good income from gambling and displays of showmanship only a few years earlier. On March 5, 1876, Hickok married Agnes Thatcher Lake, a 50-year-old circus proprietor in Cheyenne, Wyoming Territory. Hickok left his new bride a few months later, joining Charlie Utter's wagon train to seek his fortune in the goldfields of South Dakota. Martha Jane Cannary, known popularly as Calamity Jane, claimed in her autobiography that she was married to Hickok and had divorced him so he could be free to marry Agnes Lake, but no records have been found that support her account. The two possibly met for the first time after Jane was released from the guardhouse in Fort Laramie and joined the wagon train in which Hickok was traveling. The wagon train arrived in Deadwood in July 1876. Jane confirmed this account in an 1896 newspaper interview, although she claimed she had been hospitalized with illness rather than in the guardhouse. Shortly before Hickok's death, he wrote a letter to his new wife, which read in part, "Agnes Darling, if such should be we never meet again, while firing my last shot, I will gently breathe the name of my wife--Agnes--and with wishes even for my enemies I will make the plunge and try to swim to the other shore."
Question: What did he do after joining Charlie's wagon train ?
Answer:
The wagon train arrived in Deadwood in July 1876.