In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Q: Context_1 : Industrial music is a genre of experimental and electronic music that draws on transgressive or provocative sounds and themes. The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza; on Throbbing Gristle's debut album "The Second Annual Report", they coined the slogan "industrial music for industrial people". In general, the style is harsh and challenging. AllMusic defines industrial as the "most abrasive and aggressive fusion of rock and electronic music"; "initially a blend of avant-garde electronics experiments (tape music, musique concrete, white noise, synthesizers, sequencers, etc.) and punk provocation". Context_2 : The following is an incomplete list of industrial music festivals, which encapsulates music festivals focused on industrial music. The list may have some overlap with list of electronic music festivals, list of gothic festivals, and list of heavy metal festivals. Industrial music is a genre of experimental music that draws on transgressive and provocative themes. The term was coined in the mid-1970s, and precursors included acts such as electronic group Kraftwerk, experimental rock acts such as The Velvet Underground and Frank Zappa, psychedelic rock artists such as Jimi Hendrix, and composers such as John Cage. AllMusic defines industrial as the "most abrasive and aggressive fusion of rock and electronic music"; "initially a blend of avant-garde electronics experiments (tape music, musique concrete, white noise, synthesizers, sequencers, etc.) and punk provocation". Context_3 : Kekal (sometimes stylized as KEKAL) is a heavy metal and electronic music band formed in 1995 in Jakarta, Indonesia. According to AllMusic, Kekal was one of the first heavy metal bands from Indonesia to make international inroads, and according to sociologist of heavy metal, Keith Kahn-Harris, was one of the few extreme metal bands from Southeast Asia to ever make more than a minimal impression on the global scene. Founded by two musicians known simply Yeris and Newbabe, the band underwent some shifts in lineup in its early years, but emerged with a consistent lineup of three key-members, guitarist/vocalist Jeff Arwadi, bassist Azhar Levi Sianturi, and guitarist Leo Setiawan. Frequently labeled as black metal, progressive metal, and avant-garde metal, Kekal plays a very diverse range of music styles within the frame of metal and rock, incorporating many other music genres such as ambient, electronic, jazz fusion, and progressive rock. Over the course of its career, Kekal has transitioned from a heavy metal-based style to a more experimental and electronic sound. Context_4 : The White Room is the fourth and final studio album by British electronic music group The KLF, released in March 1991. Originally scheduled for 1989 as the soundtrack to a film of the same name, the album's direction was changed after both the film and the original soundtrack LP were cancelled. Most tracks on the original album version are present in the final release, though in significantly remixed form. Context_5 : I Dreamt of a Dragon (album) is the sixth official studio album of Serbian industrial group dreDDup. dreDDup called Nautilus (album) their final studio record but eventually decided to make another one. I Dreamt of a Dragon came as a surprise to their fans, having the band abandon their aggressive style of music and going to more electronic and commercial sound. It was recorded during the period 2013-2014 in DURU studio. The complete production and studio mastering/mixing was done by miKKa. The story about this album goes around new beginning after Nautilus story finished. The light after darkness is the main motive for dreDDup. Album cover was created by artists Blanka Pavlovic and Bojana Jarosenko. This album also concluded some guest musicians such as Mar2tA of Zbogom Brus Li , Dario Seraval of Borghesia and actress Ljuma Penov. Album is still waiting for a record deal. Context_6 : Shaking the Habitual is the fourth and final studio album by Swedish electronic music duo The Knife, released on 5 April 2013 by Rabid Records. The album was released as a double CD and triple LP, and as a digital download. The album was lauded by critics at the time of its release and was featured on several year end best lists. Context_7 : In Utero is the third and final studio album by American rock band Nirvana, released on September 21, 1993, by DGC Records. Nirvana intended the record to diverge significantly from the polished production of its previous album, "Nevermind" (1991). To capture a more abrasive and natural sound, the group hired engineer Steve Albini to record "In Utero" during a two-week period in February 1993 at Pachyderm Studio in Cannon Falls, Minnesota. The music was recorded quickly with few studio embellishments, and the song lyrics and album packaging incorporated medical imagery that conveyed frontman Kurt Cobain's outlook on his publicized personal life and his band's newfound fame. Context_8 : Dust is the sixth studio album by the Scottish Celtic fusion band Peatbog Faeries, released on 8 August 2011 on Peatbog Records, although pre-release copies were released on 20 July 2011 through the band's online shop. Following the band's 2008 tour and subsequent live album, the band's fiddle player Adam Sutherland and drummer Iain Copeland left the band, replaced by Peter Tickell and Stu Haikney respectively whose experience helped stir the band in a new direction. The band set to record "Dust" in 2011 with longtime producer Calum MacLean, beginning work in Orbost and concluding work at Cumbernauld College. Haikney brought experimental fiddle techniques to the band, and similarly experimental production techniques, whilst the entire band experimented with various genres of music including African music, funk, reggae, ambient music and electronic music alongside the band's traditional Celtic fusion sound. The brass sound of previous albums also returned. The album was also an attempt to translate the band's live sound to studio work. Context_9 : Call to Preserve was an American Christian and straight edge crossover thrash band who played a fusion hardcore punk and metalcore group. They come from Rockledge, Florida. The band started making music in 2003, and disbanded in 2011. Their membership was vocalist, John Ellis, guitarists, Duke Ahrens, Matt Aviles, and Harbor Partin, bass guitarist, Kyle Bowen, and drummer, Mike Aviles. The band released one independently made extended play, "Call to Preserve", in 2003. Their first studio album, "Unsinkable", was released by Strike First Records, in 2006. The subsequent studio album, "From Isolation", was released by Facedown Records, in 2008. They released, "Life of Defiance", with Facedown Records, in 2010, and this was final studio album. Their last release, an extended play, "Validation", was released by Facedown Records, in 2011, marking this as their final musical recording. Context_10 : Tenements (of the Anointed Flesh) is the fourth and final studio album by British industrial black metal band The Axis of Perdition. It was released on May 2, 2011, on Code666 Records. Dan "Storm" Mullins could not play drums on this album due to a broken arm so drums were programmed. fact_1 : Tenements (of the Anointed Flesh) is the fourth and final studio album by British industrial black metal band The Axis of Perdition. fact_2 : Industrial music is a genre of experimental and electronic music that draws on transgressive or provocative sounds and themes. Answer: Industrial music
A:
What is the genre that AllMusic defines as the most abrasive and aggressive fusion of rock and electronic music and is used in the fourth and final studio album by The Axis of Perdition?