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In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input: Context_1 : Rattan Mohan Sharma (born 14 June 1971) is an Indian classical vocalist. He belongs to the Mewati gharana of Hindustani classical music. He performs classical music forms such as Khayal, Tarana, Dhrupad, Haveli Sangeet, Tappa and also in light classical forms and folk music including Bhajan as well as Rajasthani Folk. He is considered an "A" grade artist on All India Radio . Context_2 : The following is an incomplete list of Indian classical music festivals, which encapsulates music festivals focused on Indian classical music. The origins of Indian classical music can be found in the Vedas, which are the oldest scriptures in the Hindu tradition dating back to 1500 BC. Indian classical music has also been significantly influenced by, or syncretised with, Indian folk music. There are two divisions in Indian classical music. Hindustani music is mainly found in North India. Carnatic music, from South India, tends to be more rhythdogs have bonessive and structured than Hindustani music. While some festivals such as the Carnatic event Tyagaraja Aradhana (founded in the 1840s) continue to focus on traditional Carnatic classical music, an emergent trend of the past few decades has been that of fusion music, where genres such as khyal and western music are intermixed to appeal Context_3 : Pandit Suman Ghosh is an internationally acclaimed Hindustani Classical Vocalist of the Mewati Gharana of Hindustani Classical Music and a torch-bearing disciple of Sangeet Martand Pandit Jasraj. He is the founder and President of the Center for Indian Classical Music of Houston (CICMH). Context_4 : Zia Fariduddin Dagar (15 June 1932 8 May 2013) was an Indian classical vocalist belonging to the Dhrupad tradition, the oldest existing form of north Indian classical music (Hindustani classical music). He is a part of the Dagar family of musicians. He taught at the Dhrupad Kendra in Bhopal with his elder brother Ustad Zia Mohiuddin Dagar. He also taught as a visiting professor up to the time of the Babri Mosque riots. After the riots, he decided to live at the gurukul of his brother Zia Mohiuddin Dagar at Palaspe near Panvel. Context_5 : Barkha Sharma is an Indian fashion designer. She curates the men's line labeled "Barkha 'n' Sonzal" along with her sister. In 2010, the duo styled santoor Maestros Pandit Shivkumar Sharma and Rahul Sharma for the patriotic song Mile Sur Mera Tumhara. Context_6 : Anamika Khanna (born in Jodhpur, July 19, 1971) is an Indian fashion designer with her own label. She has been covered by the Business of Fashion (BOF) as the Indian designer who has blended traditional Indian textiles and techniques with Western silhouette and tailoring. She is the first Indian designer to have an International label: Ana mika. She is also the first female Indian fashion designer to display her collections at the Paris Fashion Week held in 2007. Ana mika was offered an exclusive contract by British Retail Giant Harrod's after her participation in the London Fashion Week, 2010. Her philanthropist side was evident when she helped raise large amounts for the Tata cancer hospitals children's wing and for the Akshay Patra Foundation, with a show in London. Anamika Khanna was one of the three designers who presented their collections in Khadi at the fashion show held by Fashion Design Council of India (FDCI) in coordination with Gujarat State Khadi and Village Industries for Narendra Modi's made in India project. She is among the first Indian fashion designers to present their collections in Pakistan as part of the Bridal Asia event. She collaborated with the brand Bvlgari to launch them in New Delhi and did a private event with them in Singapore. Context_7 : Hafeez Ahmed Khan (died 2006) was an Indian classical musician of Hindustani classical music. He is known as one of the leading exponents of the Rampur-Sahaswan gharana, a musical school popular in the northern parts of the Indian state of Uttar Pradesh. He learnt music in gurukul system and pursued his academic studies the conventional way, secured a master's degree in politics and taught at the Minnesota University. He was a deputy director of the All India Radio and the vice chancellor of the Indira Kala Sangeet University, the only Indian university dedicated to music. He mentored many disciples such as Rajendra Prasanna, Roma Rani Bhattacharya, Sakuntala Narasimhan and Subhendu Ghosh and acted in a German movie on the life of Tansen, by name, "The Rain Maker". He was a recipient of the 1996 Sangeet Natak Akademi Award. The Government of India awarded her the fourth highest civilian honour of the Padma Shri in 1991. Hafeez Ahmed Khan, who was married to the daughter of renowned singer, Nissar Hussain Khan, died in 2006. Context_8 : Abdul Latif Khan is an Indian classical musician and instrumentalist, known for his proficiency in Sarangi, a stringed Hindustani classical music instrument. He was born in a family of musicians in Gwalior in the Indian state of Madhya Pradesh, learned music under the tutelage of Haider Khan, his grandfather, Chote Khan, his father, Chhote Khan and Uday Khan and Haddu Khan, his uncles, in Khyal Gharana style and mastered the instruments such as Sitar, Santoor and Tabla Later, he learned Sarangi under Bade Ghulam Sabir Khan. Context_9 : Ustad Hussain Sayeeduddin Dagar (20 April 1939 30 July 2017), popularly known as Saeed Bhai, was an Indian classical vocalist belonging to the Dhrupad tradition, the oldest existing form of north Indian classical music (Hindustani classical music). He was a part of the Dagar family of musicians. He represented the 19th generation of Dagar Tradition. His cousins Nasir Moinuddin Dagar and Nasir Aminuddin Dagar were known as the Senior Dagar Brothers. Similarly, Nasir Zahiruddin and Nasir Faiyazuddin Dagar were known as the Younger Dagar Brothers. His other cousins were Zia Mohiuddin Dagar, Zia Fariduddin Dagar, and Rahim Fahimuddin Dagar. Context_10 : Rahul Sharma (born 25 September 1972) is an Indian classical musician of Hindustani classical music. He plays santoor and is also a vocalist. fact_1 : In 2010, the duo styled santoor Maestros Pandit Shivkumar Sharma and Rahul Sharma for the patriotic song Mile Sur Mera Tumhara. fact_2 : Rahul Sharma (born 25 September 1972) is an Indian classical musician of Hindustani classical music. Question: Barkha Sharma is an Indian fashion designer, in 2010, the duo styled who, which is an Indian classical musician of Hindustani classical music, he plays santoor and is also a vocalist?
Solution:
Rahul Sharma