Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: Flavia(Florinda Bolkan of "Don't Torture a Duckling" fame)is locked away in a convent of carnal desires by her father.Tired of all of the sadism she sees around her(rape of a young woman in a pigsty,sexual cravings,horse castration)Flavia decides to run from the convent with her Jewish friend from the outside,Abraham.The two don't get very far before they are captured and then brought back to be tortured and forced to repent.After punishment she joins up with a band of Muslims called the Tarantulas,who had invaded the convent prior and leads a crusade that turns into nothing short of a bloody battle behind the convent walls."Flavia the Heretic" is a well-directed and fairly notorious piece of Italian nunsploitation.The film is slightly gruesome and sleazy at times.The acting is great and the characters are well-developed.Overall,"Flavia the Heretic" is a genuinely moving and intelligent movie with plenty of nudity and gore.You can't go wrong with it.8 out of 10.
Problem: OPTIONS:
- negative
- positive positive
=++++=
Answer: higher learning is a slap in the face for those of us that have been in the closet too long regardless of ethnic background. it's a subject most of us would like to ignore but we cannot afford to if there is to be a real progressive change in the way we HAVE TO be able embrace and understand diversity.some have criticized this film as hateful or dumb but the fact of the matter is, ignorance reigns supreme in the world and several continue to help it dominate our society.everyone involved in this film has done a good deed in showing what steps must continue to be done in order to not have to make anymore films like higher learning.sure it sounds like a pipe dream but we have to start somewhere and this helps.
An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: The two things are are good about this film are it's two unknown celebrities.

First, Daphne Zuniga, in her first appearance in a film, young and supple, with looks that still encompass her body today, steals the very beginning, which is all she is in, and that is that. She is obviously just starting out because her acting improved with her next projects.

Second, the score by then known composer Christopher(Chris) Young is what keeps this stinker from getting a one star...yeah, I know one star more is not much, but in this movie's case, it is a lot.

The rest is just stupid senseless horror of a couple a college students who try to clean out a dorm that is due for being torn down, getting offed one by one by an unsuspecting killer, blah, blah, blah...we all know where this is going.

Watch the first eighteen minutes with Daphne Zuniga, then turn it off.
Q: What's an example of a movie review?
An example of a movie review is here: Another American Pie movie has been shoved down our throats and this one is the worst one of them all. It doesn't deserve the name American Pie. They should have stopped at "The Wedding".

This movie feels like just a stupid porn movie which they slapped the title American Pie on. When i was watching this i felt like i was watching a different series. It doesn't fell like American Pie at all. It has different humor and it is much more rude and has many more sex scenes then the other American Pie movies.

I don't recommend it ever. Actually i don't recommend any of the "American Pie Presents" movies. Just stick with the nice original trilogy.

2/10
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: With a cast of stalwart British character actors and pleasing photography of 1950s Britain, I had hoped and expected to be more entertained by this film. Unfortunately I found myself glued to it for the wrong reasons - I couldn't quite believe how awful it was. I must have watched thousands of old films and am always ready to make allowances for them being products of their time, but this was really hard going.

As others have noted, a major problem is that it doesn't seem to know what it wants to be: a gentle romantic comedy, a slapstick comedy or a musical. I was a bit gobsmacked when Jeannie Carson suddenly broke into song about 15 minutes in! It's not believable on any level, either the storyline itself or the fact that Daisy never appears to have an ounce of menace in her at any time. Other aspects which defied credibility included the casting of suave Donald Sinden as a songwriter (a songwriter for God's sake!), the fact he has Diana Dors for a fiancee and doesn't appear to have the slightest interest in her (I mean, Diana Dors! Come on!) and a ludicrous scene in a song publisher's office. The whole thing's silly in the worst possible way.

If I had to pick a favourite scene it would be the one at the very beginning with that wonderful actor Wilfred Lawson - after that everything went downhill in a big way.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer:
Samuel Fuller brings his customary playful and stylish direction to this seedy, pulpy story and manages to create one of the undiscovered gems of 1950s cinema.

Richard Widmark plays a petty thief tough guy (a role he perfected over the course of many movies), who snatches a young lady's (Jean Peters) wallet on a New York subway and with it a piece of much-wanted microfilm. This is 1953, so of course the microfilm is property of Commie spies who will stop at nothing to get it back. When the girl shows up at Widmark's waterfront shack, sent by an abusive boyfriend to reclaim the film, Widmark senses the opportunity to shake her and her "comrades" down for big money. The plot thickens, people start dying, and Widmark and Peters fall in love.

Fuller handles the love story clumsily, but more from a sense of indifference than bad writing or direction. It's as if he included a love story under duress, and so made it intentionally unbelievable, as love stories so frequently were and still are in Hollywood films. Peters gives a remarkable performance as a tough New Yawk cookie, part gangster moll and part damsel in distress. When violence occurs against her, we genuinely care about her well being, and it's typical of Fuller's renegade, ahead-of-his-time style that a happy ending is not necessarily a foregone conclusion.

But the ultimate success of "Pickup on South Street" rests squarely on the world-weary shoulders of Thelma Ritter, who plays Moe, a feisty lady who makes money any way she can, whether that be selling neckties or acting as a police informant. Ritter gives the performance of her career; in a breathtaking monologue, she conveys without ever directly addressing it the entire sad trajectory of her character's life, and the hopelessness she feels waking up every morning to a world of struggle, crime and hardship. It's as if every character Ritter ever played converges for one brief instant to give vent to all of the emotions they weren't given a chance to vent in those other movies. The scene is the highlight of Fuller's film, and a highlight of 50s cinema, period.

Grade: A+