Given the task definition, example input & output, solve the new input case.
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Output: 1874May
From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input case for you: Context_1 : Karnataka were formed in 1997 by founding members, Ian Jones (bass/acoustic guitar), Jonathan Edwards (keyboards) and Rachel Jones (vocals). The band started as a project to record songs in Ian's home studio, that had been written and performed by Jonathan, Rachel and Ian in earlier bands. The project was augmented by additional musicians, Paul Davies (electric guitars) and Gavin Griffiths (drums), who had played with other members of Karnataka in earlier bands. At the end of the recording the decision was made to continue the project as a band. The name Karnataka was chosen by the band, from a suggestion by Ian, following his trips to that state of India. Context_2 : Ian Moore (born August 8, 1968 in Berkeley, California, USA) is a guitarist and singer-songwriter from Austin, Texas. He studied violin as a child but later switched to guitar. His music contains elements of psychedelic rock, soul, folk, rock and roll, world music and blues, with deep literary influences. After playing guitar in Joe Ely's touring band and appearing on one studio album, he spent time in Austin with his own groups, first Ian Moore and Moment's Notice, then The Ian Moore Band. While attending The University of Texas at Austin, Moore played in Austin regularly, quickly developing into one of Austin's largest draws This led to his debut album which was released by Capricorn Records in 1993. The success of this album spawned multiple radio hits, tv appearances, and tours with artists such as Bob Dylan, ZZ Top, Paul Weller, and the Rolling Stones. His second record, Modernday Folklore, was voted one of the greatest art moments in Art of America, and led to more high level touring through the US and Europe, as well as his top charting song, Muddy Jesus, which made it into the top 5 AOR rock radio charts. Context_3 : Tony Niemisto (born 10 February 1963 in Danderyd, Stockholm County) is a semi-retired Swedish musician, best known as Tony Reno, the original drummer in the rock band Europe. He played on Europe's first two albums, "Europe" and "Wings of Tomorrow". He parted company from the band before the second leg of the "Wings of Tomorrow" tour in 1984. He was replaced by Ian Haugland. Context_4 : Neo is a 1979 debut solo album by the American punk musician Ian North. It was recorded in 1978 in Ian Gillan's studio and released in 1979 by Aura Records. Although the album was released as a solo work of Ian North, he recorded it with three session musicians: Steve Byrd on guitar, John McCoy on drums and Bryson Graham on drums and they later formed Neo, as a "semi-band", because they were paid by North. Many songs were written by North while the band comprised him and the brothers Robin and Paul Simon. This line-up, the band's first played a gig during 1977. In early 1978, Robin Simon left to join Ultravox and, shortly afterwards, his brother Paul was sacked by North and joined Cowboys International. Context_5 : Jan-Hakan "Ian" Haugland (born 13 August 1964 in Nordreisa, Norway) is the drummer in the Swedish rock band Europe. When he was eight months old, he and his family moved to the Stockholm suburb of Marsta, Sweden. He joined Europe in the summer of 1984, replacing Tony Reno. Previously Haugland had played in a number of bands, including Trilogy, where Candlemass bassist Leif Edling sang, and Yngwie J. Malmsteen's band Rising Force. Context_6 : The 2010 Charleston Battery season marked the club's seventeenth year of professional soccer. The team played in the USL Second Division (USL-2), the third tier of the American Soccer Pyramid, having voluntarily self-relegated from the USL First Division at the end of the 2009 season. Charleston played its home games at Blackbaud Stadium on Daniel Island. The team was coached by Michael Anhaeuser, in his sixth year as head coach, and was assisted by former Battery player Ian Fuller. The Battery finished the regular season in first place with a record of 1145, 38 points, and hosted the USL-2 championship match at Blackbaud Stadium on August 28, 2010. Charleston finished the regular season without a home defeat. The Battery defeated the Richmond Kickers 21 to win their third league title. Lamar Neagle led the USL-2 in scoring with 13 league goals and was named the league MVP. Battery manager Mike Anhaeuser was named the league's manager of the year. This is he has been named coach of the year while at managing the Battery. Context_7 : The Ian Fowler Executive of the Year Award is an annual National Basketball League of Canada (NBL) award given since the 201112 season. It is awarded to the top member of the NBL Canada's executive committee, including the owners of the teams. The recipient is chosen by the league commissioner. It is one of two business awards given by the NBL, the other being New Franchise of the Year. Since its inception, the London Lightning have had two executives that have been selected, owner Vito Frijia in and general manager Taylor Brown in . London is the only team in the league that has had more than one of its front office members win the award. Kimo Blanco of the Moncton Miracles was the first and is the only woman to be honored. The award is named after the late Ian R. Fowler, a Moncton city employee that played a major role in developing sport teams in the city, including the Miracles. Context_8 : Ian Date (born 1960 approx.) is an Australian acoustic and electric guitarist most associated with the Gypsy jazz and bebop genres. He achieved success in the 1980s in the band "Sweet Atmosphere" co-led with Australian violinist George Washingmachine, playing repertoire of the 1930s and 1940s. He is also an accomplished electric jazz guitarist, as well as featuring plectrum banjo, trumpet, and vocals in concert and on recordings. Melbourne's "Jazz Ramble" states: "(Ian) has played all over the world, has made numerous television, radio, festival and concert performances, and is regarded as one of Australia's great guitar players.". Speaking of Ian Date and George Washingmachine's 2001 album release "The String Band", Jim McLeod, of ABC Classic FM's long running "Jazztrack" programme, said: "They ...are individually the most entertaining musicians in Australian jazz... This album is the latest and clearest evidence of their enormous talent." Context_9 : Europe is a Swedish rock band formed in Upplands Vasby, by vocalist Joey Tempest, guitarist John Norum, bass guitarist Peter Olsson, and drummer Tony Reno. They got a major breakthrough in Sweden in 1982 by winning the televised competition ""Rock-SM"" (Swedish Rock Championships) It was the first time this competition was held, and Europe became a larger success than the competition itself. As heavy-metal musicians they could play their instruments far better than any of their fellow competitors and their victory in the final was far from unanticipated (the competition was held in several stages). The competition continued for some years longer, but never reached any other heights. Context_10 : Striker Ian Muir scored 21 goals as Tranmere Rovers F.C. won promotion in the 198889 season. John King's side failed to win any of their opening four league games, but lost just two of their next eleven matches, whilst also reaching the fourth round of the Littlewoods Cup. The 10 victory at Scunthorpe United on New Year's Even started a run of only two defeats in 21 games that took Tranmere to the top of the Fourth Division with four matches remaining. Ian Muir and Steve Vickers were ever-present as the team finished runners-up. fact_1 : Jan-Hakan "Ian" Haugland (born 13 August 1964 in Nordreisa, Norway) is the drummer in the Swedish rock band Europe. fact_2 : They got a major breakthrough in Sweden in 1982 by winning the televised competition ""Rock-SM"" (Swedish Rock Championships) It was the first time this competition was held, and Europe became a larger success than the competition itself. Question: What year did the band that Ian Haugland played in win Rock-SM
Output:
1982