input: Please answer the following: Build a movie plot around this: Who is attracted to Lucy? Birdmann
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output: Lucy (Emily Browning) is a university student who holds a number of odd jobs: she volunteers as a test subject at the university medical research lab, works at a coffee shop, and makes photocopies at an office. Her roommates dislike her, and she spends her time visiting Birdmann (Ewen Leslie), who is attracted to her, but very respectful. Although she does not appear to return his affection, she appears to be happier when with him.Lucy responds to an ad and is invited to meet Clara (Rachael Blake), who offers her a job: freelance silver service in lingerie. Lucy agrees, and Clara tells her that she will never be penetrated during these encounters. Clara and Thomas inspect her body. Clara says she will call Lucy by the name Sarah. Lucy gets beauty treatments before arriving for the event. She is the only girl dressed in white lingerie; the other women seem to be much older, wear severe makeup, and have black lingerie designed to reveal much more than to conceal. The event is a formal dinner party at an elegant home. Lucy serves drinks for the party and goes home with the money she made from it.After one other session as a serving girl, Lucy gets a call from Clara's assistant Thomas (Eden Falk) for a different request. Lucy is driven to a country mansion, where Clara offers Lucy a new role with the clients, wherein she will drink some tea and then fall into a deep sleep. Lucy is seen lying in a large bed, sedated, as Clara leads in the man who hosted the first dinner party. After Clara reminds the man of the no-penetration rule, he tells Clara about a book his brother gave him on his thirtieth birthday, and she leaves. He strips, caresses Lucy's body, and cuddles up next to her.Lucy is evicted from her apartment by her roommates. She instead rents a much more expensive apartment. After two more sleeping sessions at Clara's house, Birdmann calls her. He has overdosed on painkillers, and she visits him as he dies. She takes off her shirt and gets in bed with him, sobbing but making no effort to help him. At...
Please answer this: Build a movie plot around this: WHO IS RIDING THE ELEVATOR ALONG WITH TOMMY? KARL AND CLAUDIA.
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Answer: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (November 2015) (Learn how and when to remove this template message)Three strangers (two men and a woman) are riding in an elevator when a power outage leaves them stranded. It is slowly revealed that one of the men is suffering from losing his wife. The other man had just experienced a domestic disturbance with his girlfriend's father. The woman, covered in blood, just left the hospital after visiting her grandmother.The movie opens with Karl visiting his wife's grave. His young daughter shows up with Karl's sister-in-law and they play Marco Polo for a while. He asks his sister-in-law to care for his daughter so he can take care of something. He drives home where the blackout traps him. During flashbacks we see him taking photos of a woman whom he later buys a drink and takes to his car.Claudia is a student who lives with her grandmother. Her grandmother advises to relax and enjoy life. The story opens with Claudia covered in blood, leaving a hospital for home. She enters the elevator, which she notices is making weird noises.Tommy at first appears tough. He is first shown leaving his girlfriend's house on his motorcycle, then entering the elevator along with Karl and Claudia. When Karl takes Tommy's picture, claiming to have captured the perfect picture of angst, Tommy freaks out and demands he delete it. During a flashback we learn he is a former drug addict and fought with his girlfriend's alcoholic father. When he and Claudia start arguing, Karl urges them to remain calm. Tommy is then shown playing with a butterfly knife, which they subsequently use to keep the elevator's door open for ventilation. Tommy eventually climbs out the top of the elevator, looking for help.As Tommy is climbing up the elevator shaft Claudia flashes back to earlier that day. As she and her grandmother are leaving the building, a homeless man asks her for money. Her...
Problem: Build a movie plot around this: Who Free's Sweet Pea? busdriver

A: In the 1960s,[9] a young woman[9] nicknamed Babydoll (Emily Browning) is institutionalized by her abusive widowed stepfather (Gerard Plunkett) at the fictional Lennox House for the Mentally Insane in Brattleboro, Vermont, after she is blamed for her younger sister's death. The stepfather bribes Blue Jones (Oscar Isaac), an asylum orderly, into forging the signature of the asylum's psychiatrist, Dr. Vera Gorski (Carla Gugino), to have Babydoll lobotomized so she cannot inform the authorities of the true circumstances leading to her sister's death. During her admission to the institution, Babydoll takes note of four items that she would need to attempt an escape.Babydoll slips into a fantasy world in which she is newly arrived in a brothel owned by Blue, whom she envisions as a mobster, where she and the other patients are sex slaves. In this realm, she befriends four other dancers Amber (Jamie Chung), Blondie (Vanessa Hudgens), Rocket (Jena Malone), and Rocket's sister and "star of the show", Sweet Pea (Abbie Cornish). Dr. Gorski is envisioned as the girls' dance instructor. Blue informs Babydoll that her virginity will be sold to a client known as the High Roller (Jon Hamm), who is actually the doctor scheduled to perform the lobotomy. Gorski encourages Babydoll to perform an erotic dance, during which Babydoll further fantasizes she is in feudal Japan, meeting the Wise Man (Scott Glenn). After she expresses her desire to "escape", the Wise Man presents Babydoll with weapons and tells her that she would need to collect five items: a map, fire, a knife, a key, and a fifth, unrevealed item that would require "a deep sacrifice" but bring a "perfect victory". She then fights three samurai giants. As her fantasy ends, she finds herself back in the brothel, her dance having impressed Blue and other onlookers.Babydoll convinces the four girls to join her in preparing an escape. She plans to use her dances as a distraction while the other girls obtain the necessary tools. During her dances, she imagines...
input question: Build a movie plot around this: What is Anna Jurin's secret? She is pregnant???
output answer:
One of the tensions of this film set in France, is between the film's present (1958) and the past (1946). This tension is introduced when Marie (Marie Herry) mentions the scary children. Soon thereafter a child dies at the orphanage; resulting in it being closed down, save for a single orphan. Alluded to early in the movie, things have gone terribly wrong in the past at the orphanage. The film leaves unresolved what happened in the past. This is because it was nothing unusual. An overworked, under resourced institution in the shadow of World War II that was inundated with 300 children, was unable to cope. Franchard poses the question, "How many do you think we could save?" This tension is not what drives the film; it provides context but not momentum.The introduction of the character Anna (Virginie Ledoyen) starts the build up of this tension. What she sees and hears at the orphanage drives her to look and pry. She is primed for this by a brief, single sentence exchange with Marie, the orphan who is leaving the grounds. Anna is reinforced in her prying by her exchanges with Judith (Lou Doillon) who also sees and hears things unaccountable by normal means, despite the daily drug routine enforced by Helenka (Dorina Lazar) the cook and only other staff member on the grounds full time. Helenka does not appear to hear or see anything out of the ordinary and discourages Anna in her prying as does Franchard (Catriona MacColl) the director of the orphanage. This discouragement is simply that - discouragement. Franchard and Helenka do not resort to subterfuge or violence to prevent Anna's nosing about. They see the past as a painful and sorrowful thing best left in the past. They show no sign of hiding anything criminal or otherwise odious. For them, leaving the past alone is about moving on and forgetting the misery that was unavoidable.Judith, Franchard, and Helenka, were all present at the orphanage in 1946. The latter two discourage Anna; the former encourages Anna and assists in her looking about. This sets up...