input: Paul Brown, the coach of the Cleveland Browns in the All-America Football Conference (AAFC), met Humble while vacationing in Florida in 1946. Brown came to watch the Orange Bowl on New Year's Day, and was staying in the same hotel as the Rice team. He saw Humble and his wife Lorraine, whom Humble had met while in training at Southwestern, on a dance floor at the hotel. "He appeared to be the sort of fellow we like to have on our team," Brown said later in 1947. "Then I watched him in that Tennessee game and after that made up my mind he'd be with my club if I ever had the chance to make a deal for him." The AAFC's Baltimore Colts selected Humble in the league's draft, but Brown got his chance in August. He engineered a trade that sent four players including quarterback Steve Nemeth and guard George Cheroke to the Colts, plus two players to be named later. Before joining the Browns, Humble played in the College All-Star Game, a now-defunct annual matchup between the National Football League (NFL) champion and a selection of the best college players from around the country. The college all-stars won the game, defeating the Chicago Bears 16-0. In Cleveland, Humble was part of an offensive line that included Lin Houston, Ed Ulinski and Bob Gaudio. Their job was to protect quarterback Otto Graham from opposing defenders and open up running room for fullback Marion Motley. They chanted "nobody touches Graham" when they broke the huddle. Helped by strong line play, Graham, Motley and Cleveland ends Dante Lavelli and Mac Speedie led a potent offense that dominated the AAFC for three years. The Browns won the AAFC championship in 1947, 1948 and 1949 before the league disbanded and Cleveland was absorbed by the more established NFL. Humble was a consensus second-team All-Pro selection in 1948, when Cleveland won all of its games. Cleveland's success continued in the NFL in 1950, when Humble was used on occasion as a linebacker on defense. The Browns finished the season with a 10-2 record and beat the Los Angeles Rams in the NFL championship game. Humble was selected to play in the first-ever Pro Bowl, the NFL's all-star game. Humble continued as a member of the Marine Reserves as his professional career continued, and in 1951 he was in danger of being called up for service in the Korean War. He re-enlisted in the summer and played for a military team at Marine Corps Base Quantico later in the year. After the season, he was named the best service player in the country by the Washington Touchdown Club. Humble was expected to return to the Browns after his discharge from the military in 1952. In a surprise move, however, Brown traded him before the season to the Dallas Texans for fullback Sherman Howard. The trade was unexpected because Cleveland's other guards, including Gaudio and Alex Agase, were getting older and nearing retirement. "I'm sure we'll be all right at the guard position," Brown said at the time. "But we do have a definite fullback problem." Humble played one season for the Texans before retiring. Dallas had a 1-11 record in 1952.

Answer this question "Did he have to go to Korea?"
output: he was in danger of being called up for service in the Korean War.

input: Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music; this is evidenced by anecdotes, correspondence, extant recordings of Schubert's Deutsche Tanze (arr. Webern) and Berg's Violin Concerto under his direction, many such detailed markings in his scores, and finally by his compositional process as both publicly stated and later revealed in the musical and extramusical metaphors and associations everywhere throughout his sketches. As both a composer and conductor he was one of many (e.g., Wilhelm Furtwangler, Dimitri Mitropoulos, Hermann Scherchen) in a contemporaneous tradition of conscientiously and non-literally handling notated musical figures, phrases, and even entire scores so as to maximize expressivity in performance and to cultivate audience engagement and understanding. This aspect of Webern's work had been typically missed in his immediate post-war reception, however, even as it may radically affect the music's reception. For example, Boulez's "complete" recording of Webern's music yielded more to this aesthetic the second time after largely missing it the first; but Eliahu Inbal's rendition of Webern's symphony with the hr-Sinfonieorchester is still far more within the spirit of the late Romantic performance tradition (which Webern seemingly intended for his music), nearly slowing to half-tempo for the whole of first movement and taking care to delineate and shape each melodic strand and expressive gesture throughout the entirety of the work. Gunter Wand's 1966 recording of the Cantata No. 1 (1938-40), op. 29, with the Symphonieorchester des Bayerischen Rundfunks et al., may likewise be contrasted with both of Boulez's renditions.

Answer this question "Where he from?"
output:

input: If Smackout proved the Jordan-Quinn union's viability, their next creation proved their most enduring. Amplifying Luke Grey's tall talesmanship to Midwestern braggadocio, Quinn developed Fibber McGee and Molly with Jim as the foible-prone Fibber and Marian playing his patient, common sense, honey-natured wife. The show premiered on NBC April 16, 1935, and though it took three seasons to become an irrevocable hit, it became the country's top-rated radio series. In 1935, Jim Jordan won the Burlington Liars' Club championship with a story about catching an elusive rat. Existing in a kind of Neverland where money never came in, schemes never stayed out for very long, yet no one living or visiting went wanting, 79 Wistful Vista (the McGees' address from show #20, August 1935 onward) became the home Depression-exhausted Americans visited to remind themselves that they were not the only ones finding cheer in the middle of struggle and doing their best not to make it overt. The McGees won their house in a raffle from Mr. Hagglemeyer's Wistful Vista Development Company, with lottery ticket #131,313, happened upon by chance while on a pleasure drive in their car. With blowhard McGee wavering between mundane tasks and hare-brained schemes (like digging an oil well in the back yard), antagonizing as many people as possible, and patient Molly indulging his foibles and providing loving support, not to mention a tireless parade of neighbors and friends in and out of the quiet home, Fibber McGee and Molly built its audience steadily, but once it found the full volume of that audience in 1940, they rarely let go of it. Marian Jordan took a protracted absence from the show from November 1937 to April 1939 to deal with a lifelong battle with alcoholism, although this was attributed to "fatigue" in public statements at the time. The show was retitled Fibber McGee and Company during this interregnum, with scripts cleverly working around Molly's absence (Fibber making a speech at a convention, etc.). Comedian ZaSu Pitts appeared on the Fibber McGee and Company show, as did singer Donald Novis. While his wife was ill, Jim Jordan had been closing his radio shows by saying "Goodnight, Molly." In early 1938, the Federal Communications Commission ordered him to stop, claiming it violated a rule about using public airwaves for personal communications. After a few weeks' deliberation, the Commission found that no regulations had been broken, because Molly was the name of Marian Jordan's radio character. Jordan was then able to resume his "Goodnight, Molly" signoff. In January 1939, the show moved from NBC Chicago to the new NBC West Coast Radio City in Hollywood.

Answer this question "was this successful?"
output:
The show premiered on NBC April 16, 1935, and though it took three seasons to become an irrevocable hit, it became the country's top-rated radio series.