Question: Generate a question about the following movie plot: This article needs an improved plot summary. (November 2015) A small-town policeman works to uncover the truth behind two crimes: the disappearance of his son eight years earlier, and a fifty-year-old homicide of another boy.[1] In the opening scenes, a mummified corpse is unearthed at a construction site. At first the policeman fears and welcomes closure to the search for his son; however, pathology demonstrates that these are the remains from a much older crime. The film continues with parallel stories in flashback, showing the events leading to the crimes and the investigation. Work has become an obsession for Detective Tom Adkins (Jon Hamm) since the disappearance of his ten-year-old son, Tommy Jr. When an early morning phone call leads him to the mangled remains of a young boy who was brutally murdered 50 years ago, Adkins takes on the case in hopes of finding absolution. His investigation leads him to a man who lived in 1958 named Matthew Wakefield (Josh Lucas) and his mentally retarded son, John. The striking similarities in the cases pushes Adkins' obsession over the top. Barely holding onto his sanity and bound by redemption, Adkins unravels the unspeakable truth behind what happened to his son.
Answer: To whom does Tom's investigation lead to?

[Q]: Generate a question about the following movie plot: Dawn Davenport, a regular troublemaker at her all-girls school, receives a failing Geography grade and a sentence of writing lines for fighting, lying, cheating, and eating in class. Dawn runs away from home in a rage after her parents didn't get her the "cha-cha heels" she wanted for Christmas. She hitches a ride with Earl, and they have sex. Dawn falls pregnant but Earl refuses to support her and she gives birth to Taffy alone. Dawn works various jobs including waitress and stripper to support herself and Taffy, whom she tortures and beats mercilessly through her childhood. Dawn continues to act as a thief and a fence, in league with school friends Chicklet and Concetta. To raise her spirits, Dawn begins frequenting the Lipstick Beauty Salon to have her hair done by Gator Nelson, who is also her neighbor. The Lipstick Beauty Salon is an exclusive salon run by high fashion freaks Donna and Donald Dasher who believe that "crime and beauty are the same". Dawn marries Gator whose aunt Ida (Edith Massey) badly wishes that her nephew was gay (Gator is generally tolerant of homosexuality but is adamantly straight) and Ida therefore loathes Dawn. When the marriage fails Dawn has Gator fired and the Dashers enlist Dawn to model in their photographic exploration of "crime and beauty". Gator leaves to work in the auto industry. Ida blames Dawn and exacts revenge by throwing acid in Dawn's face. The thrilled Dashers continue to court the scarred Dawn discouraging her to have corrective cosmetic surgery and continue to use her as a grotesquely made-up model. The Dashers kidnap Ida, keeping her caged in Dawn's home as a gift to Dawn, encourage Dawn to chop off Ida's hand, and get Dawn hooked on the drug Liquid Eyeliner. Taffy is distraught over these events and finally convinces Dawn to reveal the identity of Taffy's father. Taffy finds her father living in a dilapidated house and drinking excessively. She stabs him to death with a butcher knife after he tries to sexually assault her. Taffy returns home and announces she...
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[A]: Dawn warns Taffy she will kill her if she joins what?

input: Please answer the following: Generate a question about the following movie plot: The film opens with Stanley (Judd Nelson) on his boat in the middle of Summit Lake. After speaking with his agent, Regan (Susan Gibney) over the phone, Stanley accesses a hidden room in his house revealing a young woman who is chained to the floor by her ankle. He greets the woman and calls her Kimberly (Daniella Evangelista) as he places a plate of food in front of her. When he leaves the room, Kimberly walks over to the mirror and begins to cry, unaware that Stanley is studying her on the other side. Afterwards, Stanley brings her a fresh change of clothes and instructs her to dress, before gagging her with an orange and binding her hands behind her back. He forcibly escorts her onto his boat and drives out to the middle of Summit Lake, where he ties a cement block around her ankles. Curious about her predicament, he asks Kimberly how she feels, but the terrified woman does not respond. Stanley then pushes her into the lake, but promptly pulls her back up by the hair to study her expression before letting her sink to the bottom. Later, Stanley returns home to resume working on his script using the details he had gleaned from his latest victim. The next morning, he dives to the bottom of Summit Lake to tend his "garden", which consists of several women kidnapped and drowned in a similar fashion. Seeking yet another victim, Stanley discovers Mallory (Hedy Buress), a young woman working at a movie theater. Intrigued by her self-confessed fear of water, Stanley follows Mallory after she leaves work and swerves in front of her, slamming the brakes on his van and forcing their vehicles to collide. After checking on Mallory, Stanley turns his attention to his dogs, which are heard barking from the van. Mallory follows him, but before she can react, Stanley throws the back doors wide and pushes her into the van, which is completely empty save for the recording of barking dogs, and an ominous message spelled out in yellow tape that reads, "I'm the person your mother warned you about." Stanley locks his new victim...
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output:
Who is actually burying victims in real life?