IN: The Osmonds are an American family music group with a long and varied career. The Osmond Brothers began as a barbershop quartet consisting of brothers Alan, Wayne, Merrill and Jay Osmond. They were later joined by younger siblings Donny and Jimmy, both of whom enjoyed success as solo artists as well. With the addition of Donny, the group became known as The Osmonds, and enjoyed its greatest success as both a boy band and a hard rock ensemble.

Donny, and to a lesser extent, Marie and Jimmy, soon began to emerge as solo artists. Jimmy was becoming "big in Japan", and in 1972 had a #1 hit in the United Kingdom with "Long Haired Lover from Liverpool". Marie, then 13 years old, hit #1 on the US country chart in 1973 with "Paper Roses" (a song originally recorded by Anita Bryant a decade prior). Donny had a string of pop hits with a string of covers of earlier teen-pop songs, including "Go Away Little Girl" (#1, originally by Steve Lawrence), "Puppy Love" (#3, a Paul Anka composition) and "The Twelfth of Never" (#8, originally recorded by Johnny Mathis). From 1971 to 1976, he had 12 Top 40 hits, including 5 in the Top 10; for most of these, the Osmonds were still performing as a full band, but backing and giving star billing to Donny for songs on which he sang lead. Donny's popularity, and his numerous solo hits, have led many to assume he was the group's lead. Merrill was nevertheless the usual lead singer; Donny would usually sing the choruses on songs billed to The Osmonds, thus being a "co-lead". (The family resemblance between Donny and Merrill at the time likely made the confusion worse; in later years, Merrill grew out his beard and let his hair go gray to distinguish the two.) Donny's emergence as a solo star and the record company's desire to appeal to the teen-girl audience often thrust Donny out in front of the group. By now the family was touring, recording, creating and producing for five technically separate artists: The Osmonds, Donny Osmond, Marie Osmond and Jimmy Osmond -- plus Donny and Marie had begun recording duets and had hits with "I'm Leaving It Up to You" (#4) and "Morning Side of the Mountain" (#8). Through all the stress and pressures created by these many efforts, the family hung together. The 2001 ABC-TV movie Inside the Osmonds depicts the family mottoes as being "It doesn't matter who's out front, as long as it's an Osmond" family, faith, and career. In that order". The original Osmonds as a group still produced hits. In 1974, "Love Me for a Reason" reached #10 in the US and #1 in the UK. The Irish boy band Boyzone took the song to #2 in the UK in 1994.

What about the other members of the band?

OUT: Marie, then 13 years old, hit #1 on the US country chart in 1973 with "Paper Roses" (

IN: Aeschylus (UK: , US: ; Greek: Aiskhulos Aiskhulos; Ancient Greek: [ais.khy.los]; c. 525/524 - c. 456/455 BC) was an ancient Greek tragedian. He is often described as the father of tragedy. Academics' knowledge of the genre begins with his work, and understanding of earlier tragedies is largely based on inferences from his surviving plays.

One hallmark of Aeschylean dramaturgy appears to have been his tendency to write connected trilogies, in which each play serves as a chapter in a continuous dramatic narrative. The Oresteia is the only extant example of this type of connected trilogy, but there is evidence that Aeschylus often wrote such trilogies. The comic satyr plays that follow his trilogies also drew upon stories derived from myths. For example, the Oresteia's satyr play Proteus treated the story of Menelaus' detour in Egypt on his way home from the Trojan War. Based on the evidence provided by a catalogue of Aeschylean play titles, scholia, and play fragments recorded by later authors, it is assumed that three other of his extant plays were components of connected trilogies: Seven against Thebes being the final play in an Oedipus trilogy, and The Suppliants and Prometheus Bound each being the first play in a Danaid trilogy and Prometheus trilogy, respectively (see below). Scholars have moreover suggested several completely lost trilogies derived from known play titles. A number of these trilogies treated myths surrounding the Trojan War. One, collectively called the Achilleis, comprised the titles Myrmidons, Nereids and Phrygians (alternately, The Ransoming of Hector). Another trilogy apparently recounts the entry of the Trojan ally Memnon into the war, and his death at the hands of Achilles (Memnon and The Weighing of Souls being two components of the trilogy); The Award of the Arms, The Phrygian Women, and The Salaminian Women suggest a trilogy about the madness and subsequent suicide of the Greek hero Ajax; Aeschylus also seems to have written about Odysseus' return to Ithaca after the war (including his killing of his wife Penelope's suitors and its consequences) in a trilogy consisting of The Soul-raisers, Penelope and The Bone-gatherers. Other suggested trilogies touched on the myth of Jason and the Argonauts (Argo, Lemnian Women, Hypsipyle); the life of Perseus (The Net-draggers, Polydektes, Phorkides); the birth and exploits of Dionysus (Semele, Bacchae, Pentheus); and the aftermath of the war portrayed in Seven against Thebes (Eleusinians, Argives (or Argive Women), Sons of the Seven).

What happen in Oedipus

OUT:
seems to have written about Odysseus' return to Ithaca after the war (including his killing of his wife Penelope's suitors