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Albert Ayler (; July 13, 1936 - November 25, 1970) was an American avant-garde jazz saxophonist, singer and composer. After early experience playing R&B and bebop, Ayler began recording music during the free jazz era of the 1960s. However, some critics argue that while Ayler's style is undeniably original and unorthodox, it does not adhere to the generally accepted critical understanding of free jazz. In fact, Ayler's style is difficult to categorize in any way, and it evoked incredibly strong and disparate reactions from critics and fans alike.
Ayler routinely showcased his highly untraditional personal saxophone style in very conventional musical contexts, including children's songs, march melodies, and gospel hymns. However, Ayler's wild energy and intense improvisations transformed them into something nearly unrecognizable. Ayler took a deconstructive approach to his music, which was characteristic of the free jazz era. Phil Hardy says that Ayler "dismantled" melody and harmony in order to more deeply explore "the physical properties" of his saxophone. Ayler wished to free himself and his bandmates to improvise, relate to one another, and relate to their instruments on a more raw, "primal" level. The intensely spiritual aspect of Ayler's music was clearly aligned with the beliefs of jazz saxophonist John Coltrane, who was profoundly affected by the "otherworldly" sounds of Ayler's music. This effect is especially evident in Coltrane's albums Meditations and Stellar Regions. Coltrane served as a mentor throughout Ayler's life, providing financial and professional support. This intensity, the extremes to which Ayler took his tenor saxophone, is the most defining aspect of his sound. His style is characterized by timbre variations, including squeaks, honks, and improvisation in very high and very low registers. He possessed a deep blistering tone--achieved by using the stiff plastic Fibrecane no. 4 reeds on his tenor saxophone--and used a broad, pathos-filled vibrato. Ayler experimented with microtonality in his improvisations, seeking to explore the sounds that fall between the notes in a traditional scale. This technique was best showcased when he played, as he often did, without a piano, backed only by bass and drums. Ayler also resisted the standard swing beat, and instead built momentum through the frenetic speed of his improvisatory lines, which he forcefully overblew from his saxophone. Jazz historian Ted Gioia describes Ayler as a "virtuoso of the coarse and anomalous," and claims that Ayler aimed to break away from the constraints of playing notes and instead to "enter into a new realm in which the saxophone created "sound"." Ayler undeniably succeeded in doing this; he produced sounds that were unlike any made by jazz saxophonists before him. However, while some found a powerful artistic voice, even musical genius, in these sounds, others found only noise.
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What other things made his music sound different?

Answer:
Phil Hardy says that Ayler "dismantled" melody and harmony in order to more deeply explore "the physical properties" of his saxophone.

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The Houston Livestock Show and Rodeo, also called RodeoHouston or abbreviated HLSR, is the largest livestock exhibitions and rodeo in the world. It also includes one of the richest regular-season rodeo events. It has been held at NRG Stadium in Houston, Texas, since 2003. It was previously held in the Astrodome.
One of the largest draws for the Houston Livestock Show and Rodeo is the 20 consecutive evenings of rodeo and concert, held in NRG Stadium. Tickets are relatively inexpensive, averaging about $29 in 2016, and also grant admission to the livestock show and fairgrounds. More than 43,000 season tickets are sold every year, with the remaining seats 30,000 seats available for individual-show sale. Members of the HLSR are given an opportunity to buy individual tickets before the general public. RodeoHouston is run independently of the Professional Rodeo Cowboys Association (PRCA). It offers one of the largest prize purses in North America, over $2 million, but the winnings do not count towards the competitors' qualification for the PRCA National Finals Rodeo. RodeoHouston is an invitational, featuring 280 of the top professional cowboys. They compete in a playoff format, with the ultimate champion in each event earning $50,000. On the final evening, the rodeo hosts the Cinch SuperShootout. Champions from each of the top 10 rodeos in North America are invited to compete as teams in a subset of rodeo events. The finals and the SuperShoot are televised on Fox Sports. After the professional rodeo concludes, children are given an opportunity to compete. Each evening, 30 high school students from across the state compete in the calf scramble. They are given the opportunity to chase down (on foot) and catch one of 15 calves, put a halter on them, and drag them back to the center of the stadium. Winners are given money to purchase their own heifer or steer to show the following year. Immediately following the calf scramble is mutton busting. Five- and six-year-olds wearing protective gear try to ride a sheep across a portion of the arena. On the last night of the rodeo, the winners from each of the previous evenings compete again to see who will become grand champion. A rotating stage is then brought into the arena for the nightly concert. The majority of evenings are performances by country music singers, although several nights are dedicated to pop or rock music. The annual Tejano music night generally draws the largest crowds. The winner of the annual Mariachi Invitational competition is invited to perform onstage with the Tejano acts.
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What else can they do at the rodeo and concert

Answer:
Each evening, 30 high school students from across the state compete in the calf scramble.