Input: Article: During the 1960s and 1970s, the city gained a reputation as an important center for liberal politics. Ann Arbor also became a locus for left-wing activism and served as a hub for the civil-rights movement and anti-Vietnam War movement, as well as the student movement. The first major meetings of the national left-wing campus group Students for a Democratic Society took place in Ann Arbor in 1960; in 1965, the city was home to the first U.S. teach-in against the Vietnam War. During the ensuing 15 years, many countercultural and New Left enterprises sprang up and developed large constituencies within the city. These influences washed into municipal politics during the early and mid-1970s when three members of the Human Rights Party (HRP) won city council seats on the strength of the student vote. During their time on the council, HRP representatives fought for measures including pioneering antidiscrimination ordinances, measures decriminalizing marijuana possession, and a rent-control ordinance; many of these remain in effect in modified form. Alongside these liberal and left-wing efforts, a small group of conservative institutions were born in Ann Arbor. These include Word of God (established in 1967), a charismatic inter-denominational movement; and the Thomas More Law Center (established in 1999), a religious-conservative advocacy group.

Now answer this question: What was the Thomas More law group?

Output: a religious-conservative advocacy group

Article: Oklahoma City is protected by the Oklahoma City Fire Department (OKCFD), which employs 1015 paid, professional firefighters. The current Chief of Department is G. Keith Bryant, the department is also commanded by three Deputy Chiefs, who along with the department chief oversee the Operational Services, Prevention Services, and Support Services bureaus. The OKCFD currently operates out of 37 fire stations, located throughout the city in six battalions. The OKCFD also operates a fire apparatus fleet of 36 engines (including 30 paramedic engines), 13 ladders, 16 brush patrol units, six water tankers, two hazardous materials units, one Technical Rescue Unit, one Air Supply Unit, six Arson Investigation Units, and one Rehabilitation Unit. Each engine is staffed with a driver, an officer, and one to two firefighters, while each ladder company is staffed with a driver, an officer, and one firefighter. Minimum staffing per shift is 213 personnel. The Oklahoma City Fire Department responds to over 70,000 emergency calls annually.

Question: How many people are paid to be employed by the Oklahoma City Fire department?
Ans: 1015

Here is a question about this article: At the 1912 Salon d'Automne an architectural installation was exhibited that quickly became known as Maison Cubiste (Cubist House), signed Raymond Duchamp-Villon and Andre Mare along with a group of collaborators. Metzinger and Gleizes in Du "Cubisme", written during the assemblage of the "Maison Cubiste", wrote about the autonomous nature of art, stressing the point that decorative considerations should not govern the spirit of art. Decorative work, to them, was the "antithesis of the picture". "The true picture" wrote Metzinger and Gleizes, "bears its raison d'etre within itself. It can be moved from a church to a drawing-room, from a museum to a study. Essentially independent, necessarily complete, it need not immediately satisfy the mind: on the contrary, it should lead it, little by little, towards the fictitious depths in which the coordinative light resides. It does not harmonize with this or that ensemble; it harmonizes with things in general, with the universe: it is an organism...". "Mare's ensembles were accepted as frames for Cubist works because they allowed paintings and sculptures their independence", writes Christopher Green, "creating a play of contrasts, hence the involvement not only of Gleizes and Metzinger themselves, but of Marie Laurencin, the Duchamp brothers (Raymond Duchamp-Villon designed the facade) and Mare's old friends Leger and Roger La Fresnaye". La Maison Cubiste was a fully furnished house, with a staircase, wrought iron banisters, a living roomthe Salon Bourgeois, where paintings by Marcel Duchamp, Metzinger (Woman with a Fan), Gleizes, Laurencin and Leger were hungand a bedroom. It was an example of L'art decoratif, a home within which Cubist art could be displayed in the comfort and style of modern, bourgeois life. Spectators at the Salon d'Automne passed through the full-scale 10-by-3-meter plaster model of the ground floor of the facade, designed by Duchamp-Villon. This architectural installation was subsequently exhibited at the 1913 Armory Show, New York, Chicago and Boston, listed in the catalogue of the New York exhibit as Raymond Duchamp-Villon, number 609, and entitled "Facade architectural, plaster" (Facade architecturale).
What is the answer to this question: What was La Maison Cubiste ?
****
So... a fully furnished house

The problem: Answer a question about this article:
In 1983, the International Telecommunication Union's radio telecommunications sector (ITU-R) set up a working party (IWP11/6) with the aim of setting a single international HDTV standard. One of the thornier issues concerned a suitable frame/field refresh rate, the world already having split into two camps, 25/50 Hz and 30/60 Hz, largely due to the differences in mains frequency. The IWP11/6 working party considered many views and throughout the 1980s served to encourage development in a number of video digital processing areas, not least conversion between the two main frame/field rates using motion vectors, which led to further developments in other areas. While a comprehensive HDTV standard was not in the end established, agreement on the aspect ratio was achieved.
What was one of the issues with setting a single HDTV standard?
****
The answer: a suitable frame/field refresh rate

Question: Read this and answer the question

Environmental sustainability has become a mainstream issue, with profound effect on the architectural profession. Many developers, those who support the financing of buildings, have become educated to encourage the facilitation of environmentally sustainable design, rather than solutions based primarily on immediate cost. Major examples of this can be found in Passive solar building design, greener roof designs, biodegradable materials, and more attention to a structure's energy usage. This major shift in architecture has also changed architecture schools to focus more on the environment. Sustainability in architecture was pioneered by Frank Lloyd Wright, in the 1960s by Buckminster Fuller and in the 1970s by architects such as Ian McHarg and Sim Van der Ryn in the US and Brenda and Robert Vale in the UK and New Zealand. There has been an acceleration in the number of buildings which seek to meet green building sustainable design principles. Sustainable practices that were at the core of vernacular architecture increasingly provide inspiration for environmentally and socially sustainable contemporary techniques. The U.S. Green Building Council's LEED (Leadership in Energy and Environmental Design) rating system has been instrumental in this.

What organization's rating system promotes sustainability?
Answer:
The U.S. Green Building Council