In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Example Input: This is the 2nd time I've seen this movie in about 12 years. These remarks come from someone who finds Kane and Ambersons to be amazing, worthy films. But the remainder of Welles career is, unfortunately, squandered on material unworthy of his talent and too flimsy to withstand his filmic embroidering. And when he makes a potboiler like Shanghai, the lack of anything substantial to hang his filmic tricks on, is just kind of sad. I couldn't tell you what he was exploring here. It's all as mannered as Welle's godawful Irish brogue; which takes a lot of effort, but adds absolutely zero to the film. Several Welles projects became this overdeveloped and baroque. Mr Arkadin (pick a version, any version) is a similarly belabored project. The material is inconsequential. It just can't bear the weight of all this noodling. For a director trafficking in reality-based drama (as here), he never feels any pull to tie his bundle of conceits back to reality; or to a coherent story. The murder-for-hire scheme is ridiculous. Kudos to Welles though, for having Hayworth cut her hair, and getting that performance out of her. The camera loves her. She's the classiest, most upscale, sultry and ravishing femme fatale ever put on film. But her treachery comes so late in the film it feels like some desperate decision, made so the movie will have some genre it fits into. The movie can't be saved by a noir convention deployed in the last 60 seconds.When all is said and done in L.F.S., the convolutions are all for what?; to convince you you've seen something thoughtful? to give Welles more to do? to make you roll your eyes? Welles has no sensitivity to the scale of a story, or to telling a story directly. One wonders what Shanghai has to say to anyone who isn't a crippled billionaire, arranging a quadruple-cross murder-for-hire scheme, or a fanboy in love with filmic conceits devoid of meaning or substance. Overwrought, preposterous, unengaging.
Example Output: negative

Example Input: Burt Reynolds came to a point in his career where he appeared to just be going thru the motions. He'd show up, party with his friends on film, and take home a big paycheck. It didn't seem to matter to him that the product he was representing was pure crap.No film epitomized this more than "Stroker Ace" which makes "Cannonball Run" look like a classic and "Cannonball Run II" look watchable. Save for a few race scenes there is absolutely NOTHING worth seeing here. Even the beautiful Loni Anderson hams it up so bad as a dumb blonde it's embarrassing.If the thought of Burt hamming it up with Jim Nabors and dressing like a chicken sounds funny then this is your movie. Otherwise pick almost any other film comedy and it won't be any worse.
Example Output: negative

Example Input: I'm dumbfounded. Yes that's right. I'm really caught here. No way did I find it awful, but on the other hand it was a frustrating experience in macabre hysterical and murky incoherency. The idea behind such a trim, minimal low-budget Indie production isn't bad, but it's a confused muddle and in the end didn't do anything for me. It's amateurish and simple; it wants to exploit beyond reasoning and do so in that of-late fashionably rapid filming style. We have the documentary laced (hand-held) camera moving everywhere (despite never leaving the van), and sometimes feeling unfocused and blurry making certain details hard to figure out. Lately you kind of get use to it, but there are times when it does become too distracting and even nauseating. Keeping it still will help. The context has little groundwork (which has five teenage girls on their way home from a football game late at night and becoming lost on the back roads. At a road-side store they become involved in a minor accident which smashes an unoccupied SUV headlight. Scared, they flee and not too long that one-light SUV appears behind them. Soon to make their night an unforgettable ordeal in terror) spending most of the time playing out a drawn out, noisy and relentless cat and mouse game. As for being disturbing I guess that depends. Some moments can make you squirm with its attention to pain, desperation and demented brutality (with good use of piercing sound FX that seem to be more favoured over the imagery and not forgetting the alienating background sound effects), but also I found myself snickering too. In passages it can be repellent and intense with a real gradual rush, but hardly believable. The injuries of random characters never seem as serious like you were to believe, despite obviously they should be. Watch how blood runs freely, but it's not entirely convincing and can get dull. The constant nocturnal car chase could only do so much before getting repetitive. We get screaming, spewing, bleeding, running, cursing, body fluids and so on. Quite unpleasant details followed too. With little really to do, it needed a much stronger script than the measly forced one that was penned up. Too many cringe-moments arose from it, and there was not much in the way of depth for the characters and situation they were in. It was about set-pieces, waiting for next torturous encounter and it drew it out long enough. Helping out is it had an unpredictable pattern. The performances; Jennifer Barnett, Angela Brunda, Danielle Lilley, Sandra Paduch and Mia Yi are workman-like with their distraught characters and draw an authentic chemistry to make up for the script's weaknesses in its character-foundation . Veronica Garcia's flipped-out, bug-eyed intensity as the loony driver of the SUV was something yeah something. Her character's real motivation for terrorising the girls and her unstable state of mind is virtually non-existent. I guess being psychotic was good enough. Now probably the most unnerving thing I came across in the feature was that hideous soundtrack. Terrible techno music, to cheesy hard-rock and an overwrought closing score. It never felt overdone or got in the way, but it did stick out like a sore thumb. Co-directors Greg Swinson and Ryan Thiessen try to get the most out of their slight resources, but even with it edgy spirit it ends up being something quite ramshackle. Maybe it was enjoyable to make, but watching it just wasn't the case.
Example Output:
negative