Question:
Cooper was born on May 7, 1901, in Helena, Montana to Alice (nee Brazier, 1873-1967) and Charles Henry Cooper (1865-1946). His father had emigrated from Houghton Regis, Bedfordshire and was a prominent lawyer, rancher, and (later) a Montana Supreme Court justice. His mother had emigrated from Gillingham, Kent and married Charles in Montana. In 1906, Charles purchased the 600-acre (240 ha) Seven-Bar-Nine cattle ranch about fifty miles (eighty kilometers) north of Helena near the town of Craig on the Missouri River.
In early 1925, Cooper began his film career in silent pictures such as The Thundering Herd and Wild Horse Mesa with Jack Holt, Riders of the Purple Sage and The Lucky Horseshoe with Tom Mix, and The Trail Rider with Buck Jones. He worked for several Poverty Row studios, including Famous Players-Lasky and Fox Film Corporation. While his skilled horsemanship led to steady work in Westerns, Cooper found the stunt work--which sometimes injured horses and riders--"tough and cruel". Hoping to move beyond the risky stunt work and obtain acting roles, Cooper paid for a screen test and hired casting director Nan Collins to work as his agent. Knowing that other actors were using the name "Frank Cooper", Collins suggested he change his first name to "Gary" after her hometown of Gary, Indiana. Cooper immediately liked the name. Cooper also found work in a variety of non-Western films, appearing, for example, as a masked Cossack in The Eagle (1925), as a Roman guard in Ben-Hur (1925), and as a flood survivor in The Johnstown Flood (1926). Gradually, he began to land credited roles that offered him more screen time, in films such as Tricks (1925), in which he played the film's antagonist, and the short film Lightnin' Wins (1926). As a featured player, he began to attract the attention of major film studios. On June 1, 1926, Cooper signed a contract with Samuel Goldwyn Productions for fifty dollars a week. Cooper's first important film role was in The Winning of Barbara Worth (1926) with Ronald Colman and Vilma Banky, in which he plays a young engineer who helps a rival suitor save the woman he loves and her town from an impending dam disaster. Cooper's experience living among the Montana cowboys gave his performance an "instinctive authenticity", according to biographer Jeffrey Meyers. The film was a major success. Critics singled out Cooper as a "dynamic new personality" and future star. Goldwyn rushed to offer Cooper a long-term contract, but he held out for a better deal--finally signing a five-year contract with Jesse L. Lasky at Paramount Pictures for $175 a week. In 1927, with help from Clara Bow, Cooper landed high-profile roles in Children of Divorce and Wings, the latter being the first film to win an Academy Award for Best Picture. That year, Cooper also appeared in his first starring roles in Arizona Bound and Nevada--both films directed by John Waters. In 1928, Paramount paired Cooper with a youthful Fay Wray in The Legion of the Condemned and The First Kiss--advertising them as the studio's "glorious young lovers". Their on-screen chemistry failed to generate much excitement with audiences. With each new film, Cooper's acting skills improved and his popularity continued to grow, especially among female movie-goers. During this time, he was earning as much as $2,750 per film and receiving a thousand fan letters a week. Looking to exploit Cooper's growing audience appeal, the studio placed him opposite popular leading ladies such as Evelyn Brent in Beau Sabreur, Florence Vidor in Doomsday, and Esther Ralston in Half a Bride. That year, Cooper also made Lilac Time with Colleen Moore for First National Pictures, his first movie with synchronized music and sound effects. It became one of the most commercially successful films of 1928.
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did Lilac Time succeed?

Answer:
It became one of the most commercially successful films of 1928.

Answer the question at the end by quoting:

Robert Gordon Orr, OC (born March 20, 1948) is a Canadian former professional ice hockey player, widely acknowledged as one of the greatest hockey players of all time. Orr used his ice skating speed, scoring, and play-making abilities to revolutionize the position of defenceman. He played in the National Hockey League (NHL) for 12 seasons, starting with 10 with the Boston Bruins followed by two with the Chicago Black Hawks. Orr remains the only defenceman to have won the league scoring title with two Art Ross Trophies.
Orr signed with Chicago, but his injuries limited him to only 26 games over the next three seasons. He sat out the entire 1977-78 season. By 1978, Orr had undergone over a dozen knee surgeries, was having trouble walking and barely skated anymore. However, in the summer of 1978, he decided to make a comeback. He played six games of the 1978-79 season and came to the conclusion that he could no longer play and informed the Black Hawks that he was retiring. He started a new role as an assistant to Chicago general manager Bob Pulford. He scored his last NHL goal and point against Detroit on October 28, 1978, at Detroit's Olympia Stadium. Orr retired having scored 270 goals and 645 assists for 915 points in 657 games, adding 953 penalty minutes. At the time of his retirement, he was the leading defenceman in league history in goals, assists and points, tenth overall in assists and 19th in points. As of 2013, the only retired players in league history to have averaged more points per game than Orr are Wayne Gretzky, Mario Lemieux and Mike Bossy, all of them forwards. "Losing Bobby", said Gordie Howe, "was the greatest blow the National Hockey League has ever suffered". The Hockey Hall of Fame waived the normal three-year waiting period for induction into the Hall and he was enshrined at age 31 - the youngest player living at the time of his induction in history. Orr was the eighth player to have the three-year period waived, the next two being Mario Lemieux (1997) and Wayne Gretzky (1999), after which the Hall decided that the waiting period would no longer be waived for any player except under "certain humanitarian circumstances". His number 4 jersey was retired by the Bruins on January 9, 1979. At the ceremony, the crowd at Boston Garden would not stop applauding and as a result, most of the evening's program had to be scrapped at the last second due to the constant cheering. The crowd did not allow Orr to say his thank you speech until he put on a Bruins jersey. The day was proclaimed "Bobby Orr Day" in Boston and the event raised thousands of dollars for charity. He attended the Massachusetts Senate and House of Representatives and was given a five-minute standing ovation. Boston Celtics basketball superstar Larry Bird said in his pre-game inspiration that he always looked up at the rafters of the Garden at Orr's retired No. 4, instead of the retired numbers of Celtics stars such as Bill Russell, Bob Cousy, or John Havlicek.

What else can you tell me about retirement?
The Hockey Hall of Fame waived the normal three-year waiting period for induction into the Hall and he was enshrined at age 31