Problem: Lillian Evelyn Moller Gilbreth (May 24, 1878 - January 2, 1972) was an American psychologist, industrial engineer, consultant, and educator who was an early pioneer in applying psychology to time-and-motion studies. She was described in the 1940s as "a genius in the art of living." Gilbreth, one of the first female engineers to earn a Ph.D., is considered to be the first industrial/organizational psychologist.

For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering. She also included her perspectives as a wife and mother in her research, writing, and consulting work. Gilbreth became a pioneer in what is now known as Industrial and organizational psychology. She helped industrial engineers recognized the importance of the psychological dimensions of work. In addition, she became the first American engineer ever to create a synthesis of psychology and scientific management. (Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.) In addition to jointly running Gilbreth Incorporated, their business and engineering consulting firm, Lillian and Frank wrote numerous publications as sole authors, as well as co-authoring multiple books and more than fifty papers on a variety of scientific topics. However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer. Althhough her credentials included a doctorate in psychology, she is less frequently credited in their joing publications than her husband, who did not attend college. The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful. The Gilbreths also believed that scientific management as formulated by Taylor fell short when it came to managing the human element on the shop floor. The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers.

Did she teach?

Answer with quotes: The Gilbreths helped formulate a constructive critique of Taylorism;

Problem: Tyler was born Liv Rundgren at Mount Sinai Hospital in East Harlem, New York. She is the only daughter of Bebe Buell, a model, singer, and former Playboy Playmate (Miss November 1974), and Steven Tyler, the lead singer of Aerosmith. Her mother named her after Norwegian actress Liv Ullmann, after seeing Ullmann on the cover of the March 5, 1977 issue of TV Guide. She is of Italian, German, Polish, English and African American ancestry on her father's side and German ancestry on her mother's side.

Tyler made her feature film debut in Silent Fall in 1994, where she played the elder sister of a boy with autism. In 1995, she starred in the comedy drama Empire Records. Tyler has described Empire Records as "one of the best experiences" she has ever had. Soon after, she landed a supporting role in James Mangold's 1996 drama Heavy as Callie, a naive young waitress. The film received favorable reviews; critic Janet Maslin noted: "Ms. Tyler ... gives a charmingly ingenuous performance, betraying no self-consciousness about her lush good looks." Tyler had her breakthrough role in the art house film Stealing Beauty (1996), in which she played Lucy Harmon, an innocent, romantic teenager who travels to Tuscany, Italy, intent on losing her virginity. The film received generally mixed reviews, but Tyler's performance was regarded favorably by the critics. Variety wrote: "Tyler is the perfect accomplice. At times sweetly awkward, at others composed and serene, the actress appears to respond effortlessly and intuitively to the camera, creating a rich sense of what Lucy is about that often is not explicit in the dialogue." Empire noted, "Liv Tyler (here radiantly resembling a ganglier young Ava Gardner) with a rare opportunity to enamour, a break she capitalizes on with composure." The film was directed by Bernardo Bertolucci, who chose Tyler for the role after meeting with a number of young girls in Los Angeles, including Tyler's music video co-star Alicia Silverstone. Bertolucci said "there was something missing in all of them". He later said that what he saw in Tyler was a gravitas he described as "a New York aura". During promotion of the film, Tyler said she wanted to separate herself from the character during production: "I tried my damnedest not to think of my own situation. But at one point, after a take, I just started to cry and cry. I remembered when I found out about my dad and how we just stared at each other from head to toe taking in every nook and cranny." She later appeared in That Thing You Do! (1996), a movie about a fictional one-hit wonder rock band called The Wonders, following their whirlwind rise to the top of the pop charts, and just as quickly, their plunge back to obscurity. The film was written and directed by Tom Hanks. It grossed over $25 million worldwide, and was met with favorable reviews. The following year, she appeared in Inventing the Abbotts in 1997, in which she played the daughter of Will Patton and Barbara Williams' characters. The movie is based on a short story by Sue Miller. Entertainment Weekly declared Tyler's performance as "lovely and pliant". That same year, Tyler was chosen by People magazine as one of the 50 Most Beautiful People.

anything else happen in 1994?

Answer with quotes: Tyler made her feature film debut in Silent Fall in 1994, where she played the elder sister of a boy with autism.

Problem: Randy Randall Rudy Quaid (born October 1, 1950) is an American film and television actor and Academy Award nominee known for his roles in both serious drama and light comedy. He was nominated for a Golden Globe Award, BAFTA Award and an Academy Award for his role in The Last Detail in 1973. In 1978 he co-starred as a prisoner in Midnight Express. Quaid also won a Golden Globe and was nominated for an Emmy Award for his portrayal of U.S. President Lyndon Johnson in LBJ:

In 2004, Quaid appeared on stage undertaking the starring role of Frank in the world premiere of Sam Shepard's The God of Hell, produced by the New School University at the Actors Studio Drama School in New York. In The God of Hell, Quaid's portrayal of Frank, a Wisconsin dairy farmer whose home is infiltrated by a dangerous government operative who wants to take over his farm, was well-received and -reviewed by New York City's top theatre critics. It marked the second time that Quaid starred in a Shepard play, the first being the long running Broadway hit True West. In February 2008, a five-member hearing committee of Actors' Equity Association, the labor union representing American stage actors, banned Quaid for life and fined him more than $81,000. The charges that brought the sanctions originated in a Seattle production of Lone Star Love, a Western-themed adaptation of Shakespeare's The Merry Wives of Windsor, in which Quaid played the lead role of Falstaff. The musical was scheduled to come to Broadway, but producers cancelled it. According to the New York Post, all 26 members of the musical cast brought charges that Quaid "physically and verbally abused his fellow performers" and that the show closed rather than continuing to Broadway because of Quaid's "oddball behavior". Quaid's lawyer, Mark Block, said the charges were false, and that one of the complaining actors had said the action was driven by "the producers who did not want to give Randy his contractual rights to creative approval ... or financial participation ..." Block said that Quaid had left the union before the musical started, making the ban moot, and that Quaid only participated in the hearing because he wanted due process. Quaid's statement on the charges was "I am guilty of only one thing: giving a performance that elicited a response so deeply felt by the actors and producers with little experience of my creative process that they actually think I am Falstaff."

What else can you tell me about his performance?

Answer with quotes:
In February 2008, a five-member hearing committee of Actors' Equity Association, the labor union representing American stage actors, banned Quaid for life and fined him