IN: Hugh Redwald Trevor-Roper, Baron Dacre of Glanton, FBA (15 January 1914 - 26 January 2003), was a British historian of early modern Britain and Nazi Germany. He was Regius Professor of Modern History at the University of Oxford. Trevor-Roper was made a life peer in 1979 on the recommendation of Prime Minister Margaret Thatcher, choosing the title Baron Dacre of Glanton. Trevor-Roper was a polemicist and essayist on a wide range of historical topics, but particularly England in the 16th and 17th centuries and Nazi Germany.

A notable thesis propagated by Trevor-Roper was the "general crisis of the 17th century". He argued that the middle years of the 17th century in Western Europe saw a widespread break-down in politics, economics and society caused by demographic, social, religious, economic and political problems. In this "general crisis," various events, such as the English Civil War, the Fronde in France, the climax of the Thirty Years' War in Germany, troubles in the Netherlands, and revolts against the Spanish Crown in Portugal, Naples and Catalonia, were all manifestations of the same problems. The most important causes of the "general crisis" in Trevor-Roper's opinion were conflicts between "Court" and "Country"; that is between the increasingly powerful centralizing, bureaucratic, sovereign princely states, represented by the Court, and the traditional, regional, land-based aristocracy and gentry, representing the country. In addition, he said that the religious and intellectual changes introduced by the Reformation and the Renaissance were important secondary causes of the "general crisis." The "general crisis" thesis generated controversy between supporters of this theory, and those, such as the Marxist historian Eric Hobsbawm, who agreed with him that there was a "general crisis," but saw the problems of 17th century Europe as more economic in origin than Trevor-Roper would allow. A third faction denied that there was any "general crisis," for example the Dutch historian Ivo Schoffer, the Danish historian Niels Steengsgaard, and the Soviet historian A. D. Lublinskaya. Trevor-Roper's "general crisis" thesis provoked much discussion, and led experts in 17th century history such as Roland Mousnier, J. H. Elliott, Lawrence Stone, E. H. Kossmann, Eric Hobsbawm and J. H. Hexter to become advocates of the pros and cons of the theory. At times the discussion became quite heated; the Italian Marxist historian Rosario Villari, speaking of the work of Trevor-Roper and Mousnier, claimed that: "The hypothesis of imbalance between bureaucratic expansion and the needs of the state is too vague to be plausible, and rests on inflated rhetoric, typical of a certain type of political conservative, rather than on effective analysis." Villari accused Trevor-Roper of downgrading the importance of what Villari called the English Revolution (the usual Marxist term for the English Civil War), and insisted that the "general crisis" was part of a Europe-wide revolutionary movement. Another Marxist critic of Trevor-Roper the Soviet historian A. D. Lublinskaya attacked the concept of a conflict between "Court" and "Country" as fiction, arguing there was no "general crisis;" instead she maintained that the so-called "general crisis" was merely the emergence of capitalism.

Are there any other interesting aspects about this article?

OUT: The "general crisis" thesis generated controversy between supporters of this theory, and those, such as the Marxist historian Eric Hobsbawm,

IN: Hubert Neal McGaughey Jr. was born on July 30, 1958, in Jacksonville, Texas, to a Filipina American mother and Irish-American father. Inspired by the variety of music that his parents listened to, which included country, rock, disco and R&B, McGaughey first sang in his church choir before founding an R&B band. He later switched his focus to country music, performing in various bars and clubs in Texas. McGaughey, after attending junior college near his hometown, found work selling shoes at a shopping mall.

You Gotta Love That, his fourth album, also received a platinum certification and producing four singles: "For a Change", "They're Playin' Our Song" and the title track (respectively the first, second, and fourth singles) all peaked at No. 3, while "If I Was a Drinkin' Man" reached No. 16. McCoy's self-titled fifth studio album began a decline in his chart momentum. Although it was certified gold, Neal McCoy accounted for only one Top Ten hit in a cover of The Casinos' 1967 doo-wop single "Then You Can Tell Me Goodbye". The next two singles -- "Going, Going, Gone" and "That Woman of Mine" -- both peaked at No. 35. Also in 1996, he sang guest vocals on the multi-artist charity single "Hope", the proceeds of which went to the T. J. Martell Foundation's cancer research. After "That Woman of Mine", he reached No. 5 with "The Shake", the only new song on his first Greatest Hits package, which reprised nine of his greatest hits to that point and also earned platinum certification. Be Good at It, his sixth studio release, followed in 1998. This was his first album since Where Forever Begins not to include a Top Ten hit. The title track, "If You Can't Be Good, Be Good at It", was the highest-peaking single release from it at No. 22, followed by "Party On", which became his first single since 1992 to miss Top 40 entirely. After it came the No. 29 "Love Happens Like That." McCoy made a second appearance on a multi-artist charity single that same year, as one of several collaborators on "One Heart at a Time", a song written by Victoria Shaw to benefit cystic fibrosis research. In 1999, McCoy released his final album for Atlantic, The Life of the Party. It only accounted for two singles: the Phil Vassar co-write "I Was" at No. 37 and "The Girls of Summer" at No. 42. He, Tracy Byrd, and T. Graham Brown also sang guest vocals on "Now That's Awesome", a song featuring snippets of a Bill Engvall comedy sketch, found on Engvall's Now That's Awesome album. This single peaked at No. 59.

did anything else interesting happen in mid-late 1990s?

OUT:
35. Also in 1996, he sang guest vocals on the multi-artist charity single "Hope", the proceeds of which went to the T. J. Martell Foundation's cancer research.