Problem: Antoine Dominique "Fats" Domino Jr. (February 26, 1928 - October 24, 2017) was an American pianist and singer-songwriter. One of the pioneers of rock and roll music, Domino sold more than 65 million records. Between 1955 and 1960, he had eleven Top 10 hits. His humility and shyness may be one reason his contribution to the genre has been overlooked.

Domino moved to ABC-Paramount Records in 1963. The label dictated that he record in Nashville, Tennessee, rather than New Orleans. He was assigned a new producer (Felton Jarvis) and a new arranger (Bill Justis). Domino's long-term collaboration with the producer, arranger, and frequent co-writer Dave Bartholomew, who oversaw virtually all of his Imperial hits, was seemingly at an end. Jarvis and Justis changed the Domino sound somewhat, notably by adding the backing of a countrypolitan-style vocal chorus to most of his new recordings. He released 11 singles for ABC-Paramount, several which hit the Top 100 but just once entering the Top 40 ("Red Sails in the Sunset", 1963). By the end of 1964 the British Invasion had changed the tastes of the record-buying public, and Domino's chart run was over. Despite the lack of chart success, Domino continued to record steadily until about 1970, leaving ABC-Paramount in mid-1965 and recording for Mercury Records, where he delivered a live album and two singles. A studio album was planned but stalled with just four tracks recorded . Dave Bartholomew's small Broadmoor label (reuniting with Bartholomew along the way), featured many contemporary Soul infused sides but an album was released overseas in 1971 to fulfill his Reprise Records contract. He shifted to that label after Broadmoor and had a Top 100 single, a cover of the Beatles' "Lady Madonna". Domino appeared in the Monkees' television special 33 1/3 Revolutions per Monkee in 1969. He continued to be popular as a performer for several decades. He made a cameo appearance in Clint Eastwood's movie Any Which Way You Can, filmed in 1979 and released in 1980 singing the country song "Whiskey Heaven" which later became a minor hit. His life and career were showcased in Joe Lauro's 2015 documentary The Big Beat: Fats Domino and the Birth of Rock 'n' Roll.

What is interesting about this time ?

Answer with quotes: Domino appeared in the Monkees' television special 33 1/3 Revolutions per Monkee in 1969. He continued to be popular as a performer for several decades.

Question:
Popol Vuh (also Popol Wuj) is a cultural narrative that recounts the mythology and history of the K'iche' people who inhabit the Guatemalan Highlands northwest of present-day Guatemala City. The Popol Vuh is a creation narrative written by the K'iche' people before the Spanish conquest of Guatemala, originally preserved through oral tradition until approximately 1550 when it was written down. The survival of the Popol Vuh is credited to the 18th century Dominican friar Francisco Ximenez who made a copy of the original text in Spanish The name "Popol Vuh" translates as "Book of the Community", "Book of Counsel", or more literally as "Book of the People". The Popol Vuh includes the Mayan creation myth, beginning with the exploits of the Hero Twins Hunahpu and Xbalanque.
Since its rediscovery by Europeans in the 19th century, the Popol Vuh has attracted the attention of many authors. For example, the myths and legends included in Louis L'Amour's novel The Haunted Mesa are largely based on the Popol Vuh. The planet of Camazotz in Madeleine L'Engle's A Wrinkle in Time is named for the bat-god of the hero-twins story. The text was also used by German film director Werner Herzog as extensive narration for the first chapter of his movie Fata Morgana (released 1972). Mexican painter Diego Rivera did a series of watercolors in 1931, as illustrations for the book. In 1934, the Franco-American early avant-garde composer Edgard Varese wrote his Ecuatorial - a setting of words from the Popol Vuh for bass soloist and various instruments. The Argentinian composer Alberto Ginastera began writing his opus 44 symphonic work Popol Vuh in 1975, but left the work incomplete at his death in 1983. In Munich, Germany in 1969, keyboardist Florian Fricke--at the time ensconced in Mayan myth--formed a band named Popol Vuh with synth player Frank Fiedler and percussionist Holger Trulzsch. Their 1970 debut album, Affenstunde, reflected this spiritual connection. The band is notable especially for its extremely early experimentation with forms that became popularized through the modern electronic, new age/ambient music that was to follow years later. They also worked together with Werner Herzog for 5 of his movies. Another band by the same name, this one of Norwegian descent, formed around the same time, its name also inspired by the K'iche' writings.
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What did the authors said about him ?

Answer:
the myths and legends included in Louis L'Amour's novel The Haunted Mesa are largely based on the Popol Vuh.