An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: after seeing this film for the 3rd time now i think it is almost Adam's worst film PUNCH DRUNK LOVE IS POOR in comparison to this i must say at the end when Dickie gets thrown of the boat it is so funny (the hair is different to his and i like it when he flips everyone off. This film should only be brought if your a true Adam Sandler fan.

the characters are poor in comparison to his funny films like the Waterboy, which has the same people in it (Peter Dante) who is one of the assassins trying to kill the Australian bird.

this film lack depth and a decent story line and deserves to be in the bottom 100
Q: What's an example of a movie review?
An example of a movie review is here: The 1930s. Classy, elegant Adele (marvelously played with dignified resolve by Debbie Reynolds) and batty, frumpy Helen (the magnificent Shelley Winters going full-tilt wacko with her customary histrionic panache) are the mothers of two killers. They leave their seamy pasts in the Midwest behind and move to Hollywood to start their own dance school for aspiring kid starlets. Adele begins dating dashing millionaire Lincoln Palmer (the always fine Dennis Weaver). On the other hand, religious fanatic Helen soon sinks into despair and madness.

Director Curtis ("Night Tide," "Ruby") Harrington, working from a crafty script by Henry Farrell (who wrote the book "Whatever Happened to Baby Jane?" was based on and co-wrote the screenplay for "Hush ... Hush, Sweet Charlotte"), adeptly concocts a complex and compelling psychological horror thriller about guilt, fear, repression and religious fervor running dangerously amok. The super cast have a ball with their colorful roles: Michael MacLiammoir as a pompous elocution teacher, Agnes Moorehead as a stern fire-and-brimstone radio evangelist, Yvette Vickers as a snippy, overbearing mother of a bratty wannabe child star, Logan Ramsey as a snoopy detective, and Timothy Carey as a creepy bum. An elaborate talent recital set piece with Pamelyn Ferdin (the voice of Lucy in the "Peanuts" TV cartoon specials) serving as emcee and original "Friday the 13th" victim Robbi Morgan doing a wickedly bawdy dead-on Mae West impression qualifies as a definite highlight. David Raskin's spooky score, a fantastic scene with Reynolds performing an incredible tango at a posh restaurant, the flavorsome Depression-era period atmosphere, Lucien Ballard's handsome cinematography, and especially the startling macabre ending are all likewise on the money excellent and effective. MGM presents this terrific gem on a nifty DVD doublebill with "Whoever Slew Auntie Roo?;" both pictures are presented in crisp widescreen transfers along with their theatrical trailers.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: This was a complete disappointment. The acting isn't bad, but the production was just so bad that at times I felt I needed to stop it, but I sadly made it through and was able to finish it a bit embarrassed by the whole poor movie. It is o.k. if you are o.k. with cheesy moral plots and don't mind watching a movie that vastly misconstrues Whitman. If you want a cheesy fictional story go for it.
Problem: OPTIONS:
- negative
- positive negative
=++++=
Answer: This movie kinda let me down. It seemed a lot like the movie Jaws when the Hopper was telling the Mayor to close parks was like when Roy Shider was telling the Mayor to close the beaches. They both said no way its summer! But the box says Hopper has to get into the mind of a killer and think like one. But he really doesn't do anything too interesting or exciting. I'm not even a little convinced he and his partner have any experience doing police work when they are in the office wondering how they are gonna solve this case. They just say lets do police work and we'll solve it. And whats up with all the old men with pool cues. I didn't even begin to believe that they were mob bosses. And then the guy who was doubting the guy the mob picked to handle finding the killer. With his hundred dollar haircut and that he thinks his Di@k is the size of a schoolbus. Come on what cruddy lines. I thought he was gonna hit him with a baseball bat like in the other movies. I got this movie used and wouldn't buy it new. I suggest you skip this movie. Oh and it was funny seeing the microphone above the scene where hopper is going out to get coffee.
An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: Casting bone to pick: David Jannsen was 38 playing the father of Robert Drivas, who was then, 31 (yeah, I realize he's supposed to be just out of college, but clues in the script have him being a loafer and so he's probably 24-25 in the script--- that still puts Jannsen in parenting classes in Junior High). I assume the AMA wrote medical miracle up in their 1938 Year in Medicine. This movie hasn't aged very well at all and now it's main appeal is just to see a snap shot of Sin City, circa 1969 and all the incessant smoking, the weird hair (Drivas has an atomic comb over that makes him resemble a well-groomed hip Cousin It) and trendy fashions that went along with it. If anyone remembers, LV wasn't exactly London... the city coddled the mob and codger gamblers in those days. Drivas comes off as sexually ambiguous; his dad thinks he might be gay (in a sad irony, Drivas himself died of AIDS at 47) and the soapy conflict is from the generation gap issue (ahem, as if one may call 7 years a gap). Sonny boy wants to be his own man and dad wants to pull him into the casino (Caesar's Palace!), and plies him with girls (including the horny-for-money Edy Williams). Interestingly enough, the son doesn't seem to mind being thought of as gay--- unusual for the time and a cute Brenda Vaccarro is nearby to swoon platonically over him. What nudity there is is awfully lame--- just what was needed to pull the audience in for an 'R' rating in the early days of the MPAA rating system (which then was G-M-R[16]- and X). The editing is HORRIBLE and there's stupid-silly overdubs by The Committee (a late 60's neo-avante-garde comedy troupe that mercifully faded off the map within a couple of years). Don Rickles is on board as a blackjack dealer... seemingly preparing him for a role as a floor manager in the much better CASINO two decades later. Not to give anything away, but they would've dealt with Mr. Rickles' character with power tools and a hole in the desert back then. A curiosity at best, far from Joshua Logan's usual caliber of work. Dos/Dias. Now go watch CASINO again...
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A:
This is a poem on film, wonderfully presented and photographed with sensitive artistry. It captures the atmosphere of the time and place perfectly. (Italy's lake district in the twenties.) It's a love story with a twist. The characters are unique and believable. The settings are deliciously exotic. Some of the scenes --- the funeral boat in the fog --- the high long shot of the chess table in the centre of an intricately patterned tile floor --- are beautiful images. And rather than the mandatory happy ending, this story has a bitter sweet one. If film is an art, this is close to a masterpiece.