Problem: Background: A synthesizer (often abbreviated as synth, also spelled synthesiser) is an electronic musical instrument that generates electric signals that are converted to sound through instrument amplifiers and loudspeakers or headphones. Synthesizers may either imitate traditional musical instruments like piano, Hammond organ, flute, vocals; natural sounds like ocean waves, etc.; or generate novel electronic timbres. They are often played with a musical keyboard, but they can be controlled via a variety of other input devices, including music sequencers, instrument controllers, fingerboards, guitar synthesizers, wind controllers, and electronic drums. Synthesizers without built-in controllers are often called sound modules, and are controlled via USB, MIDI or CV/gate using a controller device, often a MIDI keyboard or other controller.
Context: A ribbon controller or other violin-like user interface may be used to control synthesizer parameters. The idea dates to Leon Theremin's 1922 first concept and his 1932 Fingerboard Theremin and Keyboard Theremin, Maurice Martenot's 1928 Ondes Martenot (sliding a metal ring), Friedrich Trautwein's 1929 Trautonium (finger pressure), and was also later utilized by Robert Moog. The ribbon controller has no moving parts. Instead, a finger pressed down and moved along it creates an electrical contact at some point along a pair of thin, flexible longitudinal strips whose electric potential varies from one end to the other. Older fingerboards used a long wire pressed to a resistive plate. A ribbon controller is similar to a touchpad, but a ribbon controller only registers linear motion. Although it may be used to operate any parameter that is affected by control voltages, a ribbon controller is most commonly associated with pitch bending. Fingerboard-controlled instruments include the Trautonium (1929), Hellertion (1929) and Heliophon (1936), Electro-Theremin (Tannerin, late 1950s), Persephone (2004), and the Swarmatron (2004). A ribbon controller is used as an additional controller in the Yamaha CS-80 and CS-60, the Korg Prophecy and Korg Trinity series, the Kurzweil synthesizers, Moog synthesizers, and others. Rock musician Keith Emerson used it with the Moog modular synthesizer from 1970 onward. In the late 1980s, keyboards in the synth lab at Berklee College of Music were equipped with membrane thin ribbon style controllers that output MIDI. They functioned as MIDI managers, with their programming language printed on their surface, and as expression/performance tools. Designed by Jeff Tripp of Perfect Fretworks Co., they were known as Tripp Strips. Such ribbon controllers can serve as a main MIDI controller instead of a keyboard, as with the Continuum instrument.
Question: Are they used a lot in the music industry?
Answer: Rock musician Keith Emerson used it with the Moog modular synthesizer from 1970 onward.

Problem: Background: Namath was born and raised in Beaver Falls, Pennsylvania (30 miles (50 km) northwest of Pittsburgh), and grew up in its Lower End neighborhood. He is the son of Catholic parents, Rose (nee Juhasz) and Janos "John" Andrew Namath, a steelworker. His parents were of Hungarian descent. His Hungarian-born grandfather, Andras "Andrew" Nemeth, known as "A.J." to his family and friends, came to Ellis Island on the steamer Pannonia in 1911, and worked in the coal and steel industries of the greater Pittsburgh area.
Context: The high point of Namath's career was his performance in the Jets' 16-7 win over the Baltimore Colts in Super Bowl III in January 1969, shortly before the AFL-NFL merger. The first two interleague championship games had resulted in blowout victories for the NFL's Green Bay Packers, and sports writers from NFL cities insisted the AFL would take several more years to be truly competitive. The 1968 Colts were touted as "the greatest football team in history", and former NFL star and Atlanta Falcons head coach Norm Van Brocklin ridiculed the AFL before the game, saying "This will be Namath's first professional football game." Three days before the game, Namath was tired of addressing the issue in the press, and he responded to a heckler at a sports banquet in Miami with the line: "We're going to win the game. I guarantee it." Namath backed up his boast, which became legendary. The Colts' vaunted defense (highlighted by Bubba Smith) was unable to contain either the Jets' running or passing game, while the ineffective offense gave up four interceptions to the Jets. Namath was the Super Bowl MVP, completing eight passes to George Sauer alone for 133 yards. The win made him the first quarterback to start and win a national championship game in college, a major professional league championship, and in a Super Bowl. The Jets' win gave the AFL instant legitimacy even to skeptics. When he was asked by reporters after the game whether the Colts' defense was the "toughest he had ever faced", Namath responded, "That would be the Buffalo Bills' defense." The AFL-worst Bills had intercepted Namath five times, three for touchdowns, in their only win in 1968 in late September.
Question: What was his answer to the reporters about the Colt's?
Answer:
"That would be the Buffalo Bills' defense.