In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
linda fiorentino disappeared off the radar after a deservedly heralded turn in the cable pic the last seduction , and her being cast as dogma 's lead is nothing short of inexplicable .
she 's still in fine form
as bethany , an abortion clinic worker who 's lost her faith .
one night , a visitor from heaven makes a fiery entrance in bethany 's bedroom .
he is metatron ( alan rickman ) , the voice of god , and he needs her help : she must stop two fallen angels from entering a new jersey church - the fate of the universe depends on it .
god would do it him / herself , but he /
she is . . .
missing , having taken up human form somewhere on earth never to be heard from again .
bethany is joined on her road trip to the garden state by the " prophets " jay ( jason mewes ) and silent bob ( kevin smith , doing double - duty ) , the slacker minstrels who have appeared in all of smith 's films thus far .
at some point , rock drops naked out of the sky as rufus , the undocumented ( and very black ) " thirteenth apostle " , and offers his assistance , as does divine stripper serendipity ( salma hayek ) .
it 's a wild ride .
they 're in pursuit of loki and bartleby ( damon and affleck , respectively - this is probably the sharpest either has ever been ) , who were banished from heaven to wisconsin and have discovered a dogmatic loophole that will enable their return .
loki decides to wreak havoc along the way with the knowledge that his sins will be absolved at the pearly gates .
at one point , he terrorizes a boardroom full of suits with an angry combination of words and bullets .
it 's a nasty , guiltily enjoyable little scene that asks , " how corrupt are you ? " .
wings of desire
this ai n't .
since debuting with clerks , smith has grown as a director , particularly in terms of working with actors .
( chris rock is this film 's only weak link - between jokes , he 's wooden . )
his no - frills visual style has n't changed much over the years , though ( dogma 's widescreen compositions at least have blockbuster affectations ) , nor has his writing - his characters still sit around delivering one caustic , hilarious speech after another .
dogma chips away at big religious issues - namely , the hypocrisy that accompanies any organized system of beliefs - eloquently and articulately , but a few of the monologues sound too much like blatant exposition .
as well , the verbal introduction of each new person seems to take forever .
any movie with this much weighty talk would have a hard time maintaining momentum ( hurlyburly , anyone ? ) , and eventually dogma 's pacing goes slack .
a long diatribe from bartleby late in the game , in which he laments the destiny of celestial beings , comes at a point when we 've heard enough .
because his change of heart ( bartleby is initially the good cop to loki 's bad ) drives the climax , said rant is given a great deal of screen time .
sure , affleck deserved a big moment ( damon steals their scenes together prior ) , but it ultimately makes the film and us feel bloated .
like tarantino , smith was a video - age sponge who became a sample - mad indie filmmaker .
dogma pays welcome homage to an eclectic batch of movies , including indiana jones and the last crusade , with silent bob doing his best harrison ford , and weird science - a shit demon attacks our heroes !
smith also has a kitchen sink brand of humour : his dexterous maneuvering between the satirical ( a cardinal played by george carlin attempts to mount a publicity campaign with the slogan " catholicism
wow ! " )
and the scatalogical ensures that no lover of comedy will leave
dogma feeling malnourished .
i bust
( ed ? )
a gut on several occasions .
proceedings also get off on the right foot with the opening with
the funniest disclaimer ever .
it 's a disclaimer unlikely to put protestors at ease , for to read it , one actually has to see dogma .
the prerelease ballyhoo is in the tradition of the last temptation of christ 's , martin scorsese 's 1988 adaptation of nikos kazantzakis ' controversial novel , in that it is not directly linked to the picture 's content but to rumours and heresy .
there 's a famous anecdote about fletch director michael ritchie inviting picketers of the last temptation of christ into a screening on his dime , just so they could know for certain what they were rallying against .
( not one of them had watched it . )
every single person refused .
smith and scorsese have a lot in common , and so do the two films in question , because both smith 's bethany and scorsese 's jesus are hollow shells without their faith .
in fact , dogma 's denouement ( which follows a thrilling showdown that 's worth the wait ) is a catholic love - in , a veritable recruitment poster .
( i felt sentimental about a religion i do n't belong to .
now that 's powerful filmmaking . )
smith is nothing if not sincere about his own devotion to god , and that spirituality shines through
.
it 's enough to make me forgive dogma for its editorial sins .
my religion is movies .
when the catholic league beats on dogma for imaginary crimes against a doctrine , in a roundabout way they 're attacking what i live for : freedom of expression through celluloid .
i therefore feel that , although i 'm no bible - thumper , i 'm at least as qualified to criticize dogma as william donohue and his followers .

Ex Output:
P

Ex Input:
wow !
what a movie .
it 's everything a movie can be : funny , dramatic , interesting , weird , funny , weird and strikingly original .
yep that pretty much describes this movie .
it starts out like a regular movie and ends up being one of the weirdest , funniest most original movies i have ever seen .
it boggles the mind and some have to wonder why we can not get movies like this more often .
besides being one of the best films of the year , being john malkovich may as well be one of the best movies ever .
period .
then again there are so many good movies , that one can not pick an all time favorite .
john cusack plays
a puppeteer craig schwartz a man out of a job , in search of a job .
his wife lotte schwartz who is played by a completely un - noticeable cameron diaz who looks like something off the streets is an animal lover and has about every kind of animal you could think of .
craig finds a job as a file at the 7 ? floor of a business building .
.. you have to pry open the elevator doors open before it reaches floor eight , the 7 ? floor is just a floor between 7 and 8 .
he is hired by his 105 year old boss ( orsen bean ) to be a filer .
in his office , he discovers a little door , to which was boarded up and hidden .
to his curiosity he opens it and starts to crawl toward it , he then gets sucked to the end and ends up in john malkovich 's mind .
fifteen minutes later he is shot out onto the side of the new jersey turnpike .
he returns to tell his co - worker maxine ( catherine keener ) that he has found a portal that will lead him into john malkovich 's mind , she does n't believe him but after she sees it it changes her mind .
lotte also finds out about the portal and discovers that being someone else is good after all .
john malkovich of course has no idea what is going on , and by the end of this bizarre film there are so many twists and turns , that we do n't know what really happened .
john cusack is outstanding and utterly believeable in a role only he himself could play .
he fits the role perfectly and to me was brilliantly cast .
cameron diaz is outstanding and utterly one of the world 's most prettiest women , is made up here unnoticeable and very unattractive .
she however gives a very comic performance and this could easily be her best role to date .
catherine keener is very funny and sexy as maxine and of course the best thing of the movie is the magic himself john malkovich who is very brilliant and this movie plays big time homage
?
to the master himself .
the whole group combined gives us a wonderfully funny movie that is also smart and clever .
spike jonze ( three kings ) makes his fabulous directing debut , and did a fantastic job of directing this new classic film .
he lets the viewer go on the trip as well as let the viewer know they are watching a movie .
by the time the ending rolled around my head was spinning from disbelief of how good this film was .
the screenplay written by charlie kaufman was hilarious and often thought - provoking .
the film also had a soft side to it and even though the ending is very surprising it is also a little sad and heart - warming .
the whole movie was fantastic and had me rolling in the isles . from cameron diaz 's appearence to john malkovich 's explorations i laughed very hard , and it may as well be as funny as as good as it gets ( the funniest ! ) .
there is n't a slow point in the movie , or an overused idea .
there are no cliches except for the fact that this is the most original , inventie , witty , and smart movie i 've seen in a long time .
i found myself amazed by everything : the direction , acting , writing and the whole idea of the movie .
by the end i had to wonder why hollywood does n't want to make movies like this anymore .
or why they do n't .
all filmmakers watch this movie and get some ideas of movies to come out .
this was a surprise hit as was american beauty . ' being john malkovich '
is in the top 5 movies of the year , and in the top 10 best films ever made .
it has something that no other movies playing now has .
in fact it may as well be the best movie out right now .
i highly recommend ' being john malkovich ' and have no doubts you will be disappointed .

Ex Output:
P

Ex Input:
any movie about the underground music scene is a difficult beast to master .
any meaning found in the underground is usually lost by the dumbing - down of the experience to make it " more accessible " to the general public .
or the film is produced and directed by people that have about enough understanding of the subject matter
that they ought to work as production assistants for vh1 . human traffic , a new film exploring the british underground party / rave scene and the people immersed in the world of clubbing , pubbing , drugs , sex , and the beautiful , beautiful music , is an example of how it really ought to be done .
the film follows five brits in their young twenties during a wild weekend of parties , drugs , dancing , sex , pop culture discussions , relationships , and wanking off in front of a mirror while mum interrupts .
the cast of character consists of jip ( john simm ) , our narrator , who has a bit of a problem with his willy , known as mr .
floppy .
koop ( shaun parkes ) ,
our black dj maestro , who has insecurity issues , afraid his girlfriend nina ( nicola reynolds ) is shagging other men .
nina herself ca n't stand her mcjob and longs for the freedom of the weekends .
lulu ( lorraine pilkington ) , jip 's best mate , is tired of her cheating boyfriends .
and moff ( danny dyer ) ca n't seem to escape the black hole of his awful life .
the film follows these five individuals during one weekend as each of them discovers love , friendship , and self - fulfillment , all against the raging party background .
human traffic is proof that cinema can still tell us deep stories while being visually alive , as director justin kerrigan 's subtle use of the camera lets the audience become part of the action .
the use of direct communication to the audience by the collection of characters works well , making the viewer the subconscious mind for the characters .
dialogue is crisp and moves with an even pace , and the acting is confident .
however , the two females leads tend to promote their relationships and dialogue with a bit of unneeded urgency that shows through when poignancy is needed .
human traffic does not try to explain the rave scene .
instead , it gives the audience the ability to listen to the people inside it , letting you choose your own convictions about this powerful musical movement that brings together strangers , friends , and lovers for one blissful night of music and peace .

Ex Output:
P