At the centre of this wing is the famous balcony with the Centre Room behind its glass doors. This is a Chinese-style saloon enhanced by Queen Mary, who, working with the designer Sir Charles Allom, created a more "binding" Chinese theme in the late 1920s, although the lacquer doors were brought from Brighton in 1873. Running the length of the piano nobile of the east wing is the great gallery, modestly known as the Principal Corridor, which runs the length of the eastern side of the quadrangle. It has mirrored doors, and mirrored cross walls reflecting porcelain pagodas and other oriental furniture from Brighton. The Chinese Luncheon Room and Yellow Drawing Room are situated at each end of this gallery, with the Centre Room obviously placed in the centre.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Which Queen ruined the Chinese theme of the Centre Room in the 1930s?
Ah, so.. unanswerable

Early Presbyterians were careful to distinguish between the "church," which referred the members, and the "meeting house," which was the building in which the church met. Until the late 19th century, very few Presbyterians ever referred to their buildings as "churches." Presbyterians believed that meeting-houses (now called churches) are buildings to support the worship of God. The decor in some instances was austere so as not to detract from worship. Early Presbyterian meeting-houses were extremely plain. No stained glass, no elaborate furnishings, and no images were to be found in the meeting-house. The pulpit, often raised so as only to be accessible by a staircase, was the centerpiece of the building.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Early churches were extremely plain, what did most churches not have in them?
Ah, so.. No stained glass, no elaborate furnishings, and no images

Director Sima Urale is an award-winning filmmaker. Urale's short film O Tamaiti won the prestigious Best Short Film at the Venice Film Festival in 1996. Her first feature film Apron Strings opened the 2008 NZ International Film Festival. The feature film Siones Wedding, co-written by Oscar Kightley, was financially successful following premieres in Auckland and Apia. The 2011 film The Orator was the first ever fully Samoan film, shot in Samoa in the Samoan language with a Samoan cast telling a uniquely Samoan story. Written and directed by Tusi Tamasese, it received much critical acclaim and attention at film festivals throughout the world.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What movie was the first ever all-Samoan production?
Ah, so..
The Orator