IN: Marilyn Manson is an American rock band formed by singer Marilyn Manson and guitarist Daisy Berkowitz in Fort Lauderdale, Florida, in 1989. Originally named Marilyn Manson & the Spooky Kids, they gained a local cult following in South Florida in the early 1990s with their theatrical live performances. In 1993, they were the first act signed to Trent Reznor's Nothing Records label. Until 1996, the name of each member was created by combining the first name of a female sex symbol and the last name of a serial killer, for example Marilyn Monroe and Charles Manson.

The band released the second part of their triptych, Mechanical Animals, on September 15, 1998. Co-produced by the band's lead singer with Sean Beavan and Michael Beinhorn, the album moved away from the industrial rock production of its predecessor and was strongly influenced by 1970s glam rock, particularly David Bowie's 1974 album Diamond Dogs. Billy Corgan served as an unofficial consultant to the band during the early development of the album. After playing a few songs for him, Corgan advised them that "This is definitely the right direction" but to "go all the way with it. Don't just hint at it", referring to its inclusion of glam influences. To suit their new musical style, the band also recast itself as a glam rock outfit, setting aside the "rotting-corpse chic" of the previous era in favor of attire more suited to the genre, incorporating leather, platform boots and brightly dyed hair. The band also relocated from New Orleans to Los Angeles, while Zim Zum was replaced by guitarist John Lowery of 2wo. who dubbed himself John 5. Interscope's promotion of the album was massive, with the label erecting enormous billboards of the lead singer as an androgynous extraterrestrial in both Times Square and Sunset Strip. Repeated appearances on MTV and other networks helped propel the album's lead single, "The Dope Show", to number twelve on Billboard's Mainstream Rock chart, becoming the band's highest-charting single yet. The song's music video was critically acclaimed, winning two awards at the 1998 Billboard Music Video Awards as well as the Best Cinematography award at the 1999 MTV VMA's; while the song was also nominated for Best Hard Rock Performance at the 41st Annual Grammy Awards. The album would go on to debut at number one on the Billboard 200, with first week sales of over 223,000. After a brief promotional campaign, the band set out on the "Beautiful Monsters Tour" with Hole. The tour would be a problematic one, and was marred by frequent on-and-off stage exchanges between Manson and Hole vocalist Courtney Love. Private disputes also arose over the tour's financial arrangements, with Hole unwittingly financing most of Manson's production costs, which were disproportionately high relative to Hole's. The tour was to include thirty-seven shows spanning over a two-month period, although Hole left after taking part in just nine of the scheduled dates. A broken ankle from Manson also forced the postponement of the next two shows, with the remainder of the tour being renamed "Rock Is Dead" and Jack Off Jill and Nashville Pussy taking over select opening slots. The final four dates of the tour were canceled out of respect for the victims of the Columbine High School massacre. The latter half of 1999 and much of 2000 was a period of relative silence for the band, who refused to take part in interviews and retreated from public life. They shelved plans for a proposed single and music video for their cover of AC/DC's "Highway to Hell", which appeared on the soundtrack to Detroit Rock City. They spent this period writing and recording in a secluded studio in Death Valley, with only the live album The Last Tour on Earth appearing during this time. A studio outtake from Antichrist Superstar, titled "Astonishing Panorama of the Endtimes", served as its only single.
QUESTION: what kind of music did this album have?
IN: Michael David "Mike" McCready (born April 5, 1966) is an American musician who serves as the lead guitarist for the American rock band Pearl Jam. Along with Jeff Ament, Stone Gossard and Eddie Vedder, he is one of the founding members of Pearl Jam. McCready was also a member of the side project bands Flight to Mars, Temple of the Dog, Mad Season and The Rockfords. He is also the proprietor of HockeyTalker Records.

McCready prefers to play "by ear" rather than from a technical standpoint. He stated, "I'm so ignorant of this technical stuff...I'm not into being a tech-head." McCready's guitar style is usually of an aggressive bluesy nature, and was described by Greg Prato of Allmusic as "feel-oriented" and "rootsy." McCready has cited Ace Frehley, BB King, Ronnie Montrose, Alex Lifeson, Muddy Waters, Michael Schenker, Jimi Hendrix, Pete Townshend, David Gilmour, George Harrison, Joe Perry, Stevie Ray Vaughan, Eddie Van Halen, Joe Satriani, Jeff Beck, Brian May, Angus Young, Ritchie Blackmore, Chuck Berry, Eric Clapton, Jimmy Page, Eddie Hazel, UFO, and Randy Rhoads among his influences. When Pearl Jam supported The Rolling Stones in 1997, Vedder made a joke that McCready is such a big fan of the Stones that he would count the number of lines on the band's vinyl records. McCready is known to use a Fender Stratocaster, a Gibson Les Paul, and a Gibson Les Paul Junior. When the band started, Gossard and McCready were clearly designated as rhythm and lead guitarists, respectively. The dynamic began to change when Vedder started to play more rhythm guitar during the Vitalogy era. McCready said in 2006, "Even though there are three guitars, I think there's maybe more room now. Stone will pull back and play a two-note line and Ed will do a power chord thing, and I fit into all that." Of his live performances, McCready has said, "I can kind of get into a meditative state when I'm playing, something I don't get any other way...You might see me staring up in the sky with my eyes closed. I'm not faking it. That just kind of happens." As time has gone on McCready has contributed more to Pearl Jam's songwriting process. McCready's first writing contribution for Pearl Jam was co-writing the music for the B-side "Yellow Ledbetter" (from the "Jeremy" single), which has since become a regular set closing song during Pearl Jam's live concerts. After co-writing material for Vs. and writing the music for the song "Present Tense" from the album No Code, he wrote the music for three of the tracks on the band's 1998 album, Yield, including one of the band's biggest hits, "Given to Fly". All but one ("Force of Nature", from Backspacer) of McCready's sole compositions for Pearl Jam use alternate tunings, such as open G on "Faithfull" (from Yield), a variation of open D on "Given to Fly", and a variation of open G on "Marker in the Sand" (from Pearl Jam). McCready made his first lyrical contribution for the band with the track "Inside Job", which closes the band's 2006 self-titled album. McCready also cites punk rock band Social Distortion as a major influence, claiming to have seen them live over fifteen times. He also states that he wrote the music to Pearl Jam B-side "Down" after seeing them in concert.
QUESTION:
Who has been known to play alongside them?