input: On June 20, 2011, at around 3:30 a.m. EDT, Dunn and Zachary Hartwell, a production assistant on Jackass Number Two, were killed when Dunn's Porsche 911 GT3 veered off the road, hit a tree, and burst into flames in West Goshen Township, Chester County, Pennsylvania. Dunn turned 34 nine days prior. He was buried at Highland Drive Cemetery, Brecksville, Ohio. Hours before the crash, Dunn had posted a photo to his Twitter account of himself and Hartwell drinking at a West Chester bar. Dunn was identified in the police report as the vehicle's driver, and a subsequent toxicology report showed Dunn had a blood alcohol level of 0.196 g/dL - more than twice the state's maximum legal limit of 0.08%. The police report stated "speed may have been a contributing factor in the crash" and preliminary investigations suggested the car had been traveling between 132 and 140 miles per hour (212 and 225 km/h) in a 55 miles per hour (89 km/h) zone. In August 2012, the parents of Zachary Hartwell filed a civil suit in the Court of Common Pleas of Philadelphia County, naming the co-administrators of Dunn's estate as defendants, along with Barnaby's West Chester, the Pennsylvania bar where Dunn drank prior to the fatal crash. The suit claims negligence and recklessness, as well as wrongful death in the incident that killed 30-year-old Hartwell. The plaintiffs claim that Mr. Dunn displayed negligence and recklessness in failing to have his vehicle under adequate and proper control, operating his vehicle under the influence of alcohol, operating his vehicle at an excessive speed and violently veering off a road and into a tree, among other alleged transgressions. They are seeking unspecified punitive and compensatory damages, as well as interest, court costs and "delay damages as the law may allow."

Answer this question "What were the circumstances?"
output: Dunn's Porsche 911 GT3 veered off the road, hit a tree, and burst into flames in West Goshen Township,

input: Minnie continued to record into the 1950s, but her health began to decline. With public interest in her music waning, she retired from her musical career, and in 1957 she and Lawlars returned to Memphis. Periodically, she appeared on Memphis radio stations to encourage young blues musicians. In 1958 she played at a memorial concert for Big Bill Broonzy. As the Garons wrote in Woman with Guitar, "She never laid her guitar down, until she could literally no longer pick it up." She suffered a stroke in 1960, which left her confined to a wheelchair. Lawlars died the following year, and Minnie had another stroke a short while after. She could no longer survive on her Social Security income. Magazines wrote about her plight, and readers sent her money for assistance. She spent her last years in the Jell Nursing Home, in Memphis, where she died of a stroke in 1973. She is buried at the New Hope Baptist Church Cemetery, in Walls, DeSoto County, Mississippi. A headstone paid for by Bonnie Raitt was erected by the Mount Zion Memorial Fund on October 13, 1996, with 34 family members in attendance, including her sister Daisy. The ceremony was taped for broadcast by the BBC. Her headstone is inscribed: Lizzie "Kid" Douglas Lawlers aka Memphis Minnie The inscription on the back of her gravestone reads: The hundreds of sides Minnie recorded are the perfect material to teach us about the blues. For the blues are at once general, and particular, speaking for millions, but in a highly singular, individual voice. Listening to Minnie's songs we hear her fantasies, her dreams, her desires, but we will hear them as if they were our own.

Answer this question "What songs did she release in her later years ?"
output:

input: In 1907, Tucker made her first theater appearance, singing at an amateur night in a vaudeville establishment. It was here that she was first made to wear blackface during performance, as her producers thought that the crowd would tease her for being "so big and ugly." By 1908, she had joined a burlesque show in Pittsburgh but was ashamed to tell her family that she was performing in a deep southern accent wearing burnt cork on her face. While touring later that year, luggage including her makeup kit was lost, and Tucker was allowed to go on stage without the blackface. She then stunned the crowd by saying, "You all can see I'm a white girl. Well, I'll tell you something more: I'm not Southern. I'm a Jewish girl and I just learned this Southern accent doing a blackface act for two years. And now, Mr. Leader, please play my song." Tucker also began integrating "fat girl" humor, which became a common thread in her acts. Her songs included "I Don't Want to Get Thin" and "Nobody Loves a Fat Girl, But Oh How a Fat Girl Can Love." In 1909, at the age of 22, Tucker performed with the Ziegfeld Follies. Though she was a hit, the other female stars refused to share the spotlight with her, and the company was forced to let her go. This caught the attention of William Morris, a theater owner and future founder of the William Morris Agency, which would become one of the largest and most powerful talent agencies of the era. Two years later, Tucker released "Some of These Days" on Edison Records, written by Shelton Brooks. The title of the song was later used as the title of Tucker's 1945 biography. In 1921, Tucker hired pianist and songwriter Ted Shapiro as her accompanist and musical director, a position he would keep throughout her career. Besides writing a number of songs for her, Shapiro became part of her stage act, playing piano on stage while she sang, and exchanging banter and wisecracks with her in between numbers. Tucker remained a popular singer through the 1920s and became friends with stars such as Mamie Smith and Ethel Waters, who introduced her to jazz. Tucker learned from these talented women and became one of the first performers to introduce jazz to white vaudeville audiences. In 1925, Jack Yellen wrote one of her most famous songs, "My Yiddishe Momme". The song was performed in large American cities where there were sizable Jewish audiences. Tucker explained, "Even though I loved the song and it was a sensational hit every time I sang it, I was always careful to use it only when I knew the majority of the house would understand Yiddish. However, you didn't have to be a Jew to be moved by My Yiddishe Momme." During the Hitler regime, the song was banned by the German government for evoking Jewish culture.

Answer this question "Are there any other interesting aspects about this article?"
output:
In 1921, Tucker hired pianist and songwriter Ted Shapiro as her accompanist and musical director,