Question: The city of Nanjing was razed after the Sui dynasty took over it. It renamed Shengzhou () in Tang dynasty and resuscitated during the late Tang. It was chosen as the capital and called Jinling () during the Southern Tang (937976), a state that succeeded Wu state. It renamed Jiangning () in Northern Song dynasty and renamed Jiankang in Southern Song dynasty. Jiankang's textile industry burgeoned and thrived during the Song dynasty despite the constant threat of foreign invasions from the north by the Jurchen-led Jin dynasty. The court of Da Chu, a short-lived puppet state established by the Jurchens, and the court of Song were once in the city. Song was eventually exterminated by the Mongol empire under the name Yuan and in Yuan dynasty the city's status as a hub of the textile industry was further consolidated.
Try to answer this question if possible: During what dynasty did Nanjing become a thriving textile city?
Answer: the Song dynasty
Question: Seabird migration is similar in pattern to those of the waders and waterfowl. Some, such as the black guillemot Cepphus grylle and some gulls, are quite sedentary; others, such as most terns and auks breeding in the temperate northern hemisphere, move varying distances south in the northern winter. The Arctic tern Sterna paradisaea has the longest-distance migration of any bird, and sees more daylight than any other, moving from its Arctic breeding grounds to the Antarctic non-breeding areas. One Arctic tern, ringed (banded) as a chick on the Farne Islands off the British east coast, reached Melbourne, Australia in just three months from fledging, a sea journey of over 22,000 km (14,000 mi). Many tubenosed birds breed in the southern hemisphere and migrate north in the southern winter.
Try to answer this question if possible: How long did one Arctic tern take to migrate?
Answer: three months
Question: The propagation of universities was not necessarily a steady progression, as the 17th century was rife with events that adversely affected university expansion. Many wars, and especially the Thirty Years' War, disrupted the university landscape throughout Europe at different times. War, plague, famine, regicide, and changes in religious power and structure often adversely affected the societies that provided support for universities. Internal strife within the universities themselves, such as student brawling and absentee professors, acted to destabilize these institutions as well. Universities were also reluctant to give up older curricula, and the continued reliance on the works of Aristotle defied contemporary advancements in science and the arts. This era was also affected by the rise of the nation-state. As universities increasingly came under state control, or formed under the auspices of the state, the faculty governance model (begun by the University of Paris) became more and more prominent. Although the older student-controlled universities still existed, they slowly started to move toward this structural organization. Control of universities still tended to be independent, although university leadership was increasingly appointed by the state.
Try to answer this question if possible: What spread across Europe at a steady pace?
Answer: unanswerable
Question: The biographical tradition asserts that Virgil began the hexameter Eclogues (or Bucolics) in 42 BC and it is thought that the collection was published around 3938 BC, although this is controversial. The Eclogues (from the Greek for "selections") are a group of ten poems roughly modeled on the bucolic hexameter poetry ("pastoral poetry") of the Hellenistic poet Theocritus. After his victory in the Battle of Philippi in 42 BC, fought against the army led by the assassins of Julius Caesar, Octavian tried to pay off his veterans with land expropriated from towns in northern Italy, supposedly including, according to the tradition, an estate near Mantua belonging to Virgil. The loss of his family farm and the attempt through poetic petitions to regain his property have traditionally been seen as Virgil's motives in the composition of the Eclogues. This is now thought to be an unsupported inference from interpretations of the Eclogues. In Eclogues 1 and 9, Virgil indeed dramatizes the contrasting feelings caused by the brutality of the land expropriations through pastoral idiom, but offers no indisputable evidence of the supposed biographic incident. While some readers have identified the poet himself with various characters and their vicissitudes, whether gratitude by an old rustic to a new god (Ecl. 1), frustrated love by a rustic singer for a distant boy (his master's pet, Ecl. 2), or a master singer's claim to have composed several eclogues (Ecl. 5), modern scholars largely reject such efforts to garner biographical details from works of fiction, preferring to interpret an author's characters and themes as illustrations of contemporary life and thought. The ten Eclogues present traditional pastoral themes with a fresh perspective. Eclogues 1 and 9 address the land confiscations and their effects on the Italian countryside. 2 and 3 are pastoral and erotic, discussing both homosexual love (Ecl. 2) and attraction toward people of any gender (Ecl. 3). Eclogue 4, addressed to Asinius Pollio, the so-called "Messianic Eclogue" uses the imagery of the golden age in connection with the birth of a child (who the child was meant to be has been subject to debate). 5 and 8 describe the myth of Daphnis in a song contest, 6, the cosmic and mythological song of Silenus; 7, a heated poetic contest, and 10 the sufferings of the contemporary elegiac poet Cornelius Gallus. Virgil is credited[by whom?] in the Eclogues with establishing Arcadia as a poetic ideal that still resonates in Western literature and visual arts and setting the stage for the development of Latin pastoral by Calpurnius Siculus, Nemesianus, and later writers.
Try to answer this question if possible: Virgil's loss of his famiyl farm and the attempt to regain his property though poetry was the inferred motive for which work?
Answer:
Eclogues