Problem: Brown was born in Mineola, a small segregated town in east Texas marked by racial tensions, to Minnie Collins Boyd and Lewis Brown. Brown was the fourth of five children. During Brown's childhood, mob violence periodically erupted in Mineola, keeping African- Americans from voting. His first job was a shoeshine boy in a whites-only barber shop.

One of Brown's central campaign promises was his "100-Day Plan for Muni," in which he boasted he would fix the city's municipal bus system in that many days. Brown supported the "Peer Pressure" Bus Patrol program, which paid former gang members and troubled youth to patrol Muni buses. Brown claimed the program helped reduce crime. He fired Muni chief Phil Adams and replaced him with his chief of staff Emilio Cruz. In 1998, Brown was Mayor during the summer of the Muni meltdown as Muni implemented the new ATC system and Brown promised riders there would be better times ahead. A voter approved initiative in the following year would help improve Muni services. Brown increased Muni's budget by tens of millions of dollars over his tenure. Brown later said he made a mistake in over promising with his 100-Day Plan. Brown helped mediate a settlement to the 1997 BART strike. During his first term as mayor, Brown quietly favored the demolition and abolition of the Transbay Terminal to accommodate the redevelopment of the site for market-rate housing. Centrally located at First and Mission Streets near the Financial District and South Beach, the terminal originally served as the San Francisco terminus for the electric commuter trains of the East Bay Electric Lines, the Key System of streetcars and the Sacramento Northern railroads which ran on the lower deck of the San Francisco-Oakland Bay Bridge. Following the termination of streetcar service in 1958, the terminal has seen continuous service as a major bus facility for East Bay commuters; AC Transit buses transport riders from the terminal directly into neighborhoods throughout the inner East Bay. The terminal also serves passengers traveling to San Mateo County and the North Bay aboard SamTrans and Golden Gate Transit buses respectively, and to tourists arriving by bus motorcoach. Today, the terminal is being planned for redevelopment as a region wide mass transit hub maintaining the current bus services, but with a new tunnel that would extend the Caltrain commuter rail line from its current terminus at Fourth and Townsend Streets to the site. Once completed, Caltrain riders would no longer need to transfer to Muni in order to reach the downtown financial district. Additionally, the heavy rail portion of the terminal would be designed to accommodate the planned High Speed Rail lines to Los Angeles. In 1998, The Berkeley, California-based Bicycle Civil Liberties Union, produced a two-hour documentary film in the muckraker journalism tradition, July 25: The Secret is Out, which gives evidence of Brown's designs for the Transbay Terminal site.

Were there any budget changes?

Answer with quotes: Brown increased Muni's budget by tens of millions of dollars over his tenure.

Question:
Alejandro Jodorowsky Prullansky (Spanish: [ale'xandro xodo'rofski]; born 17 February 1929) is a Chilean-French filmmaker. Active since 1948, in seventy years of his artistic career Jodorowsky has experienced it in almost all creative forms: writer (in his five facets: novelist, storyteller, poet, playwright and essayist), film director and producer, actor of cinema and theatre, playwright, theatre director, screenwriter, film editor, comics writer, musician, soundtrack composer, philosopher, puppeteer, mime, psychologist and psychoanalyst, draughtsman, painter, eventually sculptor and spiritual guru. Best known for his avant-garde films, he has been "venerated by cult cinema enthusiasts" for his work which "is filled with violently surreal images and a hybrid blend of mysticism and religious provocation". Born to Jewish-Ukrainian parents in Chile, Jodorowsky experienced an unhappy and alienated childhood, and so immersed himself in reading and writing poetry.
In 1982 Jodorowsky divorced his wife. In 1989, Jodorowsky completed the Mexican-Italian production Santa Sangre (Holy Blood). The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews. Santa Sangre was a surrealistic slasher film with a plot like a mix of Alfred Hitchcock's Psycho with Robert Wiene's "The Hands of Orlac". It featured a protagonist who, as a child, saw his mother lose both her arms, and as an adult let his own arms act as hers, and so was forced to commit murders at her whim. Several of Jodorowsky's sons were recruited as actors. He followed in 1990 with a very different film, The Rainbow Thief. Though it gave Jodorowsky a chance to work with the "movie stars" Peter O'Toole and Omar Sharif, the executive producer, Alexander Salkind, effectively curtailed most of Jodorowsky's artistic inclinations, threatening to fire him on the spot if anything in the script was changed (Salkind's wife, Berta Dominguez D., wrote the screenplay). That same year (1990), Jodorowsky and his family returned to live in France. In 1995, Alejandro's son, Teo, died in an accident while his father was busy preparing for a trip to Mexico City to promote his new book. Upon arriving in Mexico City, he gave a lecture at the Julio Castillo Theatre where once again he met Ejo Takata, who at this time had moved into a poor suburb of the city where he had continued to teach meditation and Zen. Takata would die two years later, and Jodorowsky would never get to see his old friend again.
Answer this question using a quote from the text above:

Did the film do well?

Answer:
The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews.