input: Please answer the following: Suggest a movie title for the following movie plot: Hercule Poirot is travelling on the Orient Express. While on the journey, Poirot meets a very close friend Bouc, who works for the Compagnie Internationale des Wagons-Lits. The train is stopped when a landslide blocks the line on the second night out from Istanbul, and American millionaire Samuel Edward Ratchett is found stabbed to death the next morning. Since no footprints are visible around the train and the doors to the other cars were locked, it seems that the murderer must still be among the passengers in Ratchett's car. Poirot and Bouc work together to solve the case. They are aided by Pierre Michel, the middle-aged French conductor of the car. A key to the solution is Ratchett's revealed involvement in the Armstrong tragedy in the United States several years earlier, in which a baby was kidnapped and then murdered. (The fictitious Armstrong case was apparently inspired by the real-life kidnapping of Charles Lindbergh's baby boy.)
++++++++++
output: Murder on the Orient Express

Please answer this: Suggest a movie title for the following movie plot: The film is based on the story of Erzsebet Bathory, a Hungarian countess in the 16th and 17th centuries. Her story takes place in a part of the Kingdom of Hungary that is now Slovakia. In this retelling, the Countess is a healer who conducts medical experiments and rudimentary autopsies in a "hospital" beneath her castle. She forms a relationship with a reputed witch, Darvulia, who saves her from poisoning. The witch promises Erzsebet a son and eternal beauty. In return, Erzsebet must sacrifice both love and her reputation. Darvulia becomes Erzsebet's companion. Meanwhile, maidens in the area have been dying of seemingly unrelated causes, and Erzsebet is seen bathing in a large tub of red liquid as the girls' now-mutilated corpses are buried nearby. Two monks later conclude that the water is not blood but is simply colored red by herbs. After her husband Ferenc Nadasdy's death, Erzsebet quarrels with his scheming friend Gyorgy Thurzo, who tries to proposition her at her husband's funeral. Thurzo's lover, who is gifted with herbs, offers to help him get revenge for the rejection. Soon afterward, Erzsebet begins to have surreal visions and episodes. In one of these, she stabs a woman to death with scissors. Afterwards, she confesses to Darvulia that she can no longer tell dreams from reality. Darvulia discovers that someone has been placing hallucinogenic mushrooms in Erzsebet's drinks; Erzsebet cannot remember clearly and believes Darvulia responsible. She has the woman thrown out. Thurzo and his wife then capture Darvulia and torture her, cutting out her tongue. Before she dies, she writes Thurzo's name in blood on her cell wall. Erzsebet swears vengeance on him. Thurzo enlists Erzsebet's sons-in-law and other allies to prosecute her for witchcraft. When their plans repeatedly fail, they nonetheless capture the Countess and torture members of her household to try to obtain incriminating information. The servants are then executed for their alleged crimes, and Erzsebet is imprisoned. Despairing...
++++++++
Answer: Bathory

Problem: Suggest a movie title for the following movie plot: Edward L. Cahn's "Laughter in Hell" (1933), a pre-code flick by a director I've loved since his Z-Grade but very affecting "Runaway Daughters" (1956), made specifically for Florida drive-ins and starring grrrls on the verge and their having-crossed-over parents (alcoholic, "inappropriate," cruel, deluded, unfeeling). Then there's Italian second cuz Fabbio, who envisions them 'daughters' as a stable of working girls. Laughter in Hell stars serial priest portrayer Pat O'Brien at an early, almost good-looking stage wearing suiting cut to the quick like it's 21st Century Japanese couture. Depths of the Depression, but everyone wore suits, especially the poor, with scads of material saved under a "trim" silhouette. Pat's tie looked like Lou Costello's in his 1950s TV show with Abbott. Remember waiting waiting waiting for the thing to get going at its MOMA screening and boy did it get going. I've rarely seen a murder scene more affecting as that of Pat's slutty wife and his childhood nemesis, who are making a sorry cuckold out of Pat. Still, the fast-cut edit (think "Psycho" shower scene) showed barely a punch, and none of the wife's demise. And yet it was all too horrible. The theme was within-and-without the pre-Code pix of the time, which often showed too much and which spurred the Breen commandments. But what Laughter in Hell didn't show, the unseen but feared, made more of a wallop than anything more clinical.

A: Laughter in Hell

input question: Suggest a movie title for the following movie plot: A prominent up-and-coming author Min-woo readies his new much anticipated follow-up novel while suffering from writer's block, as well as frequent nightmares and hallucinations. This unexplainable condition affects both his personal and professional life. Soon he can't differentiate reality from fantasy and continues to have feelings of being chased. His own paranoia leads him to a cafe in a dark, unassuming alley and encounters a charming young woman named Mimi. Min-woo starts to wonder how he and this girl in front of him are connected and traces long-forgotten memories of his first love.???
output answer:
M