IN: Irving Grant Thalberg (May 30, 1899 - September 14, 1936) was an American film producer during the early years of motion pictures. He was called "The Boy Wonder" for his youth and ability to select scripts, choose actors, gather production staff, and make profitable films, including Grand Hotel, China Seas, Camille, Mutiny on the Bounty, and The Good Earth. His films carved out an international market, "projecting a seductive image of American life brimming with vitality and rooted in democracy and personal freedom," states biographer Roland Flamini.

He found work as an office secretary at Universal Pictures' New York office, and later became personal secretary to the studio's founder and president, Carl Laemmle. Among Thalberg's duties were transcribing and editing notes that Laemmle had written during screenings of his films. He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle. Laemmle took Thalberg to see his Los Angeles production facility, where he spent a month watching how movie production worked. Before returning to New York, Laemmle told Thalberg to remain and "keep an eye on things for me." Two months later, Laemmle returned to California, partly to see how well Thalberg was able to handle the responsibilities he was given. Thalberg gave him suggestions, which impressed Laemmle by his ability to understand and explain problems. Thalberg suggested, "The first thing you should do is establish a new job of studio manager and give him the responsibility of watching day-to-day operations." Laemmle immediately agreed, "All right. You're it." In shock, Thalberg replied, "I'm what?" Laemmle told him to take charge of the Los Angeles studio, which he did in early 1919. At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions and nearly thirty scenarios then under development. In describing the rationale for this early appointment as studio manager, film historian David Thomson writes that his new job "owed nothing to nepotism, private wealth, or experience in the film industry." He reasons that despite "Thalberg's youth, modest education, and frail appearance . . . it is clear that he had the charm, insight, and ability, or the appearance of it, to captivate the film world." Thalberg was one among the majority of Hollywood film industry workers who migrated from the East Coast, primarily from New York. Some film actors, such as Conrad Nagel, did not like the 5-day train trip or the sudden warmth of the California climate. Neither did Marion Davies, who was not used to such "big wide spaces." Samuel Marx, a close friend of Thalberg's from New York, recalled how easily Thalberg adapted to Southern California, often standing outside his doorway during moments of contemplation to enjoy the scenery. "We were all young," said comedian Buster Keaton. "The air in California was like wine. Our business was also young--and growing like nothing ever seen before."

Where did he work?

OUT: Universal Pictures' New York office,

input: Gonzalez grew up in a rough area of Puerto Rico, where he learned to hit bottlecaps and corks with a broomstick handle in the Alto de Cuba barrio. In the Puerto Rico youth league, Gonzalez batted cleanup behind future Yankee center fielder Bernie Williams, where both competed against Gonzalez's future teammate Ivan Rodriguez. When the Yankees scouted Williams, eventually signing him, they declined to pursue Gonzalez, who they perceived as not serious about baseball. The Texas Rangers signed Gonzalez as an amateur free agent on May 30, 1986, at the age of 16. Gonzalez has always wanted to serve as a role model for the kids of Puerto Rico, as they are faced with the downfalls of drugs and prostitution frequently. Gonzalez avoided such temptations growing up. His father, a math teacher, and mother, a housewife, made sure Gonzalez and his two sisters behaved properly and stayed away from negative influences. Gonzalez moved his family out of the barrio early in his MLB career. He paid utility bills for down-on-their-luck friends and plans on working to construct recreation facilities and a baseball diamond in his home town. One of Juan's managers, Johnny Oates, believed that until you've walked where Juan Gonzalez has walked, you just won't understand. Speaking from experience, as Oates has walked the streets of Vega Baja, Puerto Rico, during visits multiple times, he had this to say: "I don't think you can appreciate how far he's come until you've been there", Oates said. "We might be making choices between going to the movies or going to the skating rink. But look at the choices the kids there were faced with growing up - do you want to do drugs or get beaten up? I think it says so much about him that he was able to rise above the peer pressure in Vega Baja. He had enough intelligence to say, 'I don't want to do that.'" In Puerto Rico he is known as "Igor", the nickname he has carried since he was a nine-year-old fascinated by the professional wrestler "Igor the Magnificent." "I watched wrestling all the time and I still like it", Gonzalez said. "One day when I was nine, I told another guy, 'I'm Igor.' And he said,'Okay, your name is Igor from now on.' And I've been Igor since then."

Answer this question "Where was Gonzalez born?"
output:
Gonzalez grew up in a rough area of Puerto Rico,