In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Example Input: Question: What year did Innocnet Oula participate in the Juba Peace Talks? Passage 1:NY104 begins at NY384 just east of the Rainbow Bridge in downtown Niagara Falls and heads north and east across the county on its way toward Rochester. From Niagara Falls, the route travels in north-northeasterly direction along the Niagara Gorge as it heads into Lewiston and connects to the Robert Moses State Parkway and serves the Niagara Power Visitors Center, known as the Power Vista. Just north of the Power Vista, NY104 meets I-190 at exit25 via Upper Mountain Road (unsigned NY954P). Continuing on, the highway has a junction with nearby NY265 before descending the Niagara Escarpment toward the village of Lewiston. As the road heads down the ridge, it intersects the western terminus of NY18 by way of an interchange.
Passage 2:Innocent Oula joined the National Resistance Army in 1986 at the rank of captain. He rose through the ranks and has served as a member of UPDF delegation during the ill-fated Juba Peace Talks, at the rank of lieutenant colonel. At the level of colonel, in 2009, he served at the director of training for the UPDF 2nd Division, based at Mbarara, in Western Uganda. From 2010 until 2011, he served as the Chief of Staff of AMISOM, based in Mogadishu, Somalia. On his return from Somalia, he was posted to the 4th UPDF Division headquarters in Gulu, as the commanding officer. He later was appointed chief of personnel and administration in the UPDF, based at the Mbuya Barracks. In January 2014, he was elected to the Parliament of Uganda, as a UPDF representative. In November 2014, he was promoted to the rank of brigadier, along with more than 1,300 UPDF officers who received promotions at the same time.
Passage 3:Around this time Gussow, a Princeton graduate and English M.A. student at Columbia University, first saw Magee and his trio performing on the corner of 114th Street and Broadway. (Gussow relates the story in his 1998 blues memoir, Mister Satan's Apprentice.) Gussow, a guitarist and harmonica player whose performing experience had previously been limited to a handful of high school and college bands, was galvanized by the encounter. After dropping out of grad school, Gussow spent several years as a part-time street performer in New York and Europe. Gussow's transformation from an academic to a blues player was facilitated by lessons he took from his mentor, New York harmonica virtuoso Nat Riddles, who had performed and recorded with Larry Johnson, Odetta, and others, and by his acculturation into the jam session life at Dan Lynch, a storied East Village juke joint.

Example Output: 2

Example Input: Question: Which children's TV series that English appeared in during the 1970s had the highest viewership? Passage 1:He had more likeable roles in two British children's TV series: The Ghosts of Motley Hall, which ran from 1976 to 1978 on ITV (produced by Granada Television), and as "Slugger" in Follyfoot, which ran from 1971 to 1973, also on ITV (produced by Yorkshire Television). He was in several other films and Everyday Maths (1978), a British TV schools programme starring Jack Wild as English's grandson. In 1978 he was the subject in This Is Your Life, while in May 1983 he was a guest on Desert Island Discs with Roy Plomley. Also in 1983 he played Frosch in Die Fliedermaus with English National Opera at the London Coliseum. In 1985 he appeared in an episode of the American TV series Magnum, P.I..
Passage 2:On 4 June 1799, the First Battle of Zurich was fought between Andre Massena's 45,000-strong Army of the Danube and a 53,000-man Austrian army led by Archduke Charles, Duke of Teschen. Austrian casualties numbered 2,400 and eight guns while the French lost 4,400 men and 28 guns. Though the French held their ground, Massena evacuated Zurich the next day and withdrew to a strong position overlooking the city. Altogether, Massena commanded 76,781 troops. In Switzerland were infantry divisions under Claude Lecourbe (1st), Joseph Chabran (2nd), Jean-de-Dieu Soult (3rd), Jean Thomas Guillaume Lorge (4th), Jean Victor Tharreau (5th), Francois Goullus (6th), Joseph Souham (7th) and Louis Marie Turreau (Valais), a cavalry division under Louis Klein and an infantry reserve under Jean Joseph Amable Humbert, plus occupation troops. The 6th and 7th Divisions were supervised by Pierre Marie Barthelemy Ferino while Lecourbe controlled the 1st and 2nd. Included in Massena's command were Claude Juste Alexandre Legrand with 6,186 men and Claude-Sylvestre Colaud with 5,106 men watching the Rhine north of Strasbourg. Opposed to the French were 85,000 troops led by Charles, including a force watching the French divisions on the Rhine to the north and eight battalions under Gottfried von Strauch near the Saint Gotthard Pass in the south.
Passage 3:Raffaello de Banfield attended the Swiss International "Lyceum Alpinum Zuoz", the "Dante Alighieri" Lyceum in Trieste, the University of Bologna and the Benedetto Marcello Conservatory in Venice led by Gian Francesco Malipiero. He studied composition from 1946 to 1949 at the National Conservatory (under the direction of Henri Busser) with Nadia Boulanger in Paris. In these years he met Herbert von Karajan with whom he had a lifelong friendship, and also with artists such as Pablo Picasso, Jean Cocteau and Francis Poulenc. In the United States he belonged to the intellectual circle surrounding the writer and composer Paul Bowles, through which he met Tennessee Williams and Leonard Bernstein. In 1949 through the painter Leonor Fini he was introduced to the choreographer and ballet dancer Roland Petit; out of this grew the ballet Le combat ("The Duel"), which had its first original production in London in 1949. This piece, based upon the Tancred and Clorinda episode in Torquato Tasso's poem Gerusalemme liberata, was performed 39 times at the Vienna State Opera in the choreography of Dimitrije Parlic between 1959 and 1973. Until 1958 he spent time between Paris and New York and maintained a friendship also with Maria Callas. After years abroad in Italy, France, England and the United States, where he lived for more than ten years, he was from 1972 to 1996 Director of the Giuseppe Verdi Theatre in Trieste and he comprehensively renovated and modernised the Opera House. From 1978 to 1986 he was Director of the "" ("Festival of the two worlds") in Spoleto, Italy.

Example Output: 1

Example Input: Question: How old was the prime minister of the puppet government installed by the Axis? Passage 1:Musicki was stationed in Slavonski Brod at the time of the Axis invasion of Yugoslavia in April 1941 and served as the Royal Yugoslav Army commander responsible for the railroad between Belgrade and Zagreb in the rank of colonel. He demonstrated his support for the Germans by helping their forces during the invasion. Yugoslavia was quickly conquered by the Axis powers and Musicki remained in Slavonski Brod for several months after the conquest. He attempted to join the Ustase Militia there, but was rejected. He went to Belgrade in mid-August, where he was received by Zbor leader Dimitrije Ljotic. On 6 October, Milan Nedic, the Prime Minister of the Axis-installed puppet Government of National Salvation, appointed Musicki to lead the Serbian Volunteer Command (, SDK). Musicki was involved in executing Serb civilians in the town of Cacak in December 1941. He and Milan Acimovic contacted Chetnik leader Draza Mihailovic on 5 December, possibly in an effort to warn him in advance of the assault the Germans had planned, codenamed Operation Mihailovic. This action prompted the Germans to question Musicki's loyalty. He was removed from command at the end of 1941 and imprisoned by the Germans, but was later freed at Nedic's intervention.
Passage 2:The Indians struck first off Marcus Stroman when Carlos Santana drew a leadoff walk in the first and scored on Mike Napoli's two out double, but their starter, Trevor Bauer had to leave the game in the bottom of the inning after allowing two walks and throwing 21 pitches due to a bloody pinkie finger as a result of being cut from a drone a few days earlier. Dan Otero in relief allowed a game-tying home run to Michael Saunders in the second. Napoli's home run in the fourth put the Indians back on top 21, but the Blue Jays tied it in the fifth off Zach McAllister when Ezequiel Carrera hit a leadoff triple and scored on Ryan Goins's groundout. Jason Kipnis's leadoff home run in the sixth gave the Indians a 32 lead. Stroman was taken out after walking Napoli with one out. Napoli moved to second on a wild pitch by reliever Joe Biagini and scored on Jose Ramirez's single to make it 42 Indians. Cody Allen and Andrew Miller combined to pitch three shutout innings, striking out five batters as the Indians took a 30 series lead.
Passage 3:In 1992 the band signed to Taang! Records and released the eight-song mini-album What To Do About Them culled from a mix of previously available and unreleased home and studio recordings. Musician/cartoonist Ron Rege, Jr. contributed artwork to the album's cover as well as lo-fi recordings that were woven into the record's sequence. The band also set to work recording their first LP, around which time shifts in Swirlies' personnel began to occur. Ben Drucker only drummed on a third of the new album's studio tracks, and for the remaining songs his parts were handed over to a pair of session drummers. Andy Bernick departed to pursue ornithology for the academic year and Damon's former roommate Morgan Andrews filled in on bass guitar and other noises. It was this line-up that toured to support the new album, Blonder Tongue Audio Baton, and appeared in the video for its lead track, "Bell". Named for an obscure piece of vintage musical equipment, Blonder Tongue Audio Baton made use of Mellotron, Moog, and other analogue artifacts that the group had unearthed in the studio. During sequencing the band threw in numerous lo-fi compositions, soundbites, and rants, and collaged together an album jacket from arrays of found images and objects that matched the album's eclectic aesthetics. Hailed for melding "the high waters of shoegaze creativity and the mounting currents of indie rock", Blonder Tongue Audio Baton quickly rose to prominence in the American noise pop canon.

Example Output:
1