Q: What was the full name of Don Vincenzo Gonzaga's brother? Answer the above question based on the context below: Monteverdi's next commission from Mantua came early in 1618, when he was asked to provide the music for Andromeda, an opera based on the ancient Greek myth of the princess chained to a rock. The libretto was written by Duke Ferdinando's chancellor, Ercole Marigliani, and the project was sponsored by the duke's younger brother, Don Vincenzo Gonzaga. It is probable that the work was intended for performance at the Mantua Carnival of March 1618, but as Carter records, Monteverdi's approach to his Mantua commissions was often dilatory and half-hearted; his inability or unwillingness to work on Andromeda delayed its performance, first to 1619 and then to 1620.Monteverdi's letters during the 161820 period, mainly to Striggio but occasionally to Don Vincenzo or Marigliani, offer various excuses for his lack of progress on Andromeda, including his duties at St Mark's, his health, and his obligations to provide ceremonial music for the Doge (ruler) of Venice. In February 1619, Monteverdi had started work on another Mantuan project, a ballo (dance with sung parts) to Striggio's libretto entitled Apollo. On 9 January 1620, still with 400 lines of the Andromeda libretto to set to music, Monteverdi proposed to Striggio that the entire opera project be abandoned and the ballo substituted. This idea was rapidly quashed; Don Vincenzo ordered that the remaining Andromeda music be sent to him forthwith. The final segment of Andromeda, an eight-part song, was delivered to Marigliani on 15 February 1620.None of Monteverdi's music for Andromeda has survived. The libretto was also thought to have been lost, until its rediscovery in 1984. As was customary in Monteverdi's time, the manuscript makes no mention of the composer's namelibrettos were often the subject of numerous settings by different composers. The libretto's frontispiece confirms that Andromeda was performed during Mantua's Carnival, 13 March 1620. An analysis of its contents reveals some influence from Rinuccini's libretto for Arianna, such as use of identical...
A: Duke Ferdinando

Q: What was the last name of the person who was inspired to write an allegory of the Holy Grail? Answer the above question based on the context below: In the early 19th century, medievalism, Romanticism, and the Gothic Revival reawakened interest in Arthur and the medieval romances. A new code of ethics for 19th-century gentlemen was shaped around the chivalric ideals embodied in the "Arthur of romance". This renewed interest first made itself felt in 1816, when Malory's Le Morte d'Arthur was reprinted for the first time since 1634. Initially, the medieval Arthurian legends were of particular interest to poets, inspiring, for example, William Wordsworth to write "The Egyptian Maid" (1835), an allegory of the Holy Grail. Pre-eminent among these was Alfred Tennyson, whose first Arthurian poem "The Lady of Shalott" was published in 1832. Arthur himself played a minor role in some of these works, following in the medieval romance tradition. Tennyson's Arthurian work reached its peak of popularity with Idylls of the King, however, which reworked the entire narrative of Arthur's life for the Victorian era. It was first published in 1859 and sold 10,000 copies within the first week. In the Idylls, Arthur became a symbol of ideal manhood who ultimately failed, through human weakness, to establish a perfect kingdom on earth. Tennyson's works prompted a large number of imitators, generated considerable public interest in the legends of Arthur and the character himself, and brought Malory's tales to a wider audience. Indeed, the first modernisation of Malory's great compilation of Arthur's tales was published in 1862, shortly after Idylls appeared, and there were six further editions and five competitors before the century ended.
A: Wordsworth

Q: Who does the man who volunteers to infiltrate the gang shoot? Answer the above question based on the context below: The story begins in Harlem, 1986, and Nino Brown and his gang, the Cash Money Brothers, become the dominant drug ring in New York City once crack cocaine is introduced to the streets. His gang consists of his best friend, Gee Money; enforcer Duh Duh Duh Man; gun moll Keisha; Nino's girlfriend, Selina, and her tech-savvy cousin, Kareem. Nino converts the Carter, an apartment complex, into a crack house. Gee Money and Keisha kill rival Fat Smitty, the CMB throws out the tenants, and Nino forces the landlord out onto the streets naked. Meanwhile, Undercover detective Scotty Appleton attempts to make a deal with stick-up kid Pookie, but Pookie runs off with the money. Scotty chases Pookie and shoots him in the leg, but the police let him go. Nino's gang successfully run the streets of Harlem over the next three years. When Det. Stone comes under pressure, Scotty volunteers to infiltrate Nino's gang and is partnered with loose-cannon Nick Peretti. Elsewhere, mobster Frankie Needles attempts to collect taxes from Nino, who refuses to pay. While Scotty and Nick spy on Nino and his gang as they hand out Thanksgiving turkeys to the poor, Scotty spots Pookie, now a crack addict, as Pookie beats his junkie girlfriend. Instead of arresting him, Scotty puts Pookie in rehab, and, later, Pookie offers to help bring down Nino. Against his better judgment and the disapproval of Stone and Peretti, Scotty recruits Pookie as an informant in the Carter.
A:
Pookie