input: Born in Rotterdam, Van Persie joined the youth squad of local side SBV Excelsior when he was five, but left for Feyenoord at the age of 16 after falling out with the Excelsior coaching staff over his "petulant" attitude. An injury crisis at Feyenoord meant he was quickly promoted into the first team, and made his debut for the club at 17, the first of 15 total starts during the 2001-02 season. After starting for Feyenoord in the final of the UEFA Cup, Van Persie received the KNVB Best Young Talent award. The following season, Van Persie signed a three-and-a-half-year professional contract with Feyenoord, and scored five goals in a 6-1 KNVB Cup thrashing of AGOVV Apeldoorn on 6 February 2003. However, clashes with his manager Bert van Marwijk saw Van Persie demoted to the reserve squad, and an irate Van Marwijk told reporters, "His behaviour made it impossible for him to remain in the squad any longer so he will join the reserve side for the time being." During a match featuring the Feyenoord and Ajax reserves, he was one of several Feyenoord players assaulted by hooligans who had invaded the pitch. Van Persie's rift with Van Marwijk continued when he was sent home on the eve of the 2002 UEFA Super Cup final against Real Madrid after the coach was displeased with Van Persie's body language after being asked to warm up for a Champions League qualifier. Van Persie finished his tumultuous first full season with the first team having scored eight goals in a total of 28 appearances, in addition to finishing runner-up in the KNVB Cup. Feyenoord unsuccessfully attempted to extend Van Persie's contract during the off-season, and his deteriorating relationship with Van Marwijk led to his spending most of the 2003-04 season on the bench. He again played 28 matches, but finished with two fewer goals than the previous season. Feyenoord shopped him at the end of the campaign but found few takers due to Van Persie's past disciplinary issues. During the January transfer window, the Eredivisie club opened negotiations with Arsenal, who were seeking a long-term replacement for aging veteran Dennis Bergkamp, but both parties could not agree to terms.

Answer this question "What year did he sign the 3 year contract?"
output: The following season,

input: Supported by Guggenheim and university grants, Partch took up residence at the University of Wisconsin from 1944 until 1947. This was a productive period, in which he lectured, trained an ensemble, staged performances, released his first recordings, and completed his book, now called Genesis of a Music. Genesis was completed in 1947 and published in 1949 by the University of Wisconsin Press. He left the university, as it never accepted him as a member of the permanent staff, and there was little space for his growing stock of instruments. In 1949, pianist Gunnar Johansen allowed Partch to convert a smithy on his ranch to a studio. Partch worked there with support from the Guggenheim Foundation, and did recordings, primarily of his Eleven Intrusions (1949-1950). He was assisted for six months by composer Ben Johnston, who performed on Partch's recordings. In spring 1951, Partch moved to Oakland for health reasons, and prepared for a production of King Oedipus at Mills College, with the support of designer Arch Lauterer. Performances of King Oedipus in March were extensively reviewed, but a planned recording was blocked by the Yeats estate, which refused to grant permission to use Yeats's translation. In February 1953, Partch founded the studio Gate 5 in an abandoned shipyard in Sausalito, California, where he composed, built instruments and staged performances. Subscriptions to raise money for recordings were organized by the Harry Partch Trust Fund, an organization put together by friends and supporters. The recordings were sold via mail order, as were later releases on the Gate 5 Records label. The money raised from these recordings became his main source of income. Partch's three Plectra and Percussion Dances, Ring Around the Moon (1949-1950), Castor and Pollux, and Even Wild Horses, premiered on Berkeley's KPFA radio in November 1953. After completing The Bewitched in January 1955, Partch tried to find the means to put on a production of it. Ben Johnston introduced Danlee Mitchell to Partch at the University of Illinois; Mitchell later became Partch's heir. In March 1957, with the help of Johnston and the Fromm Foundation, The Bewitched was performed at the University of Illinois, and later at Washington University in St. Louis, though Partch was displeased with choreographer Alwin Nikolais's interpretation. Later in 1957, Partch provided the music for Madeline Tourtelot's film Windsong, the first of six film collaborations between the two. From 1959 to 1962, Partch received further appointments from the University of Illinois, and staged productions of Revelation in the Courthouse Park in 1961 and Water! Water! in 1962. Though these two works were based, as King Oedipus had been, on Greek mythology, they modernized the settings and incorporated elements of popular music. Partch had support from several departments and organizations at the university, but continuing hostility from the music department convinced him to leave and return to California.

Answer this question "what university did he work for?"
output: Supported by Guggenheim and university grants, Partch took up residence at the University of Wisconsin from 1944 until 1947.

input: On 28 December 2007 the Pakistan government claimed that it had strong evidence regarding Baitullah Mehsud as the man behind the assassination of former Prime Minister Benazir Bhutto on 27 December 2007. The Pakistani government released a transcript it asserted was from a conversation between Baitullah Mehsud and Maulvi Sahib (literally "Mr. Cleric"). According to the transcript Maulvi Sahib claimed credit for the attack, Baitullah Mehsud asked who carried it out, and was told, "There were Saeed, the second was Badarwala Bilal and Ikramullah was also there." The translation released from Agence France Presse differed slightly from the translation from the Associated Press. According to the transcripts Baitullah Mehsud says he is at, "Anwar Shah's house", in Makeen or Makin. The Agence France Presse transcript identifies Makeen as a town in South Waziristan. Subsequently, both Agence France Presse and NDTV released an official denial by Mehsud's spokesman in which he said that Mehsud had no involvement in the attack, that the transcript was "a drama", that it would have been "impossible" for militants to penetrate the security cordon around Bhutto, and that her death was a "tragedy" which had left Mehsud "shocked". Mehsud's spokesman was quoted as saying: "I strongly deny it. Tribal people have their own customs. We don't strike women." In an address to the nation on 2 January 2008, Pakistani President Pervez Musharraf said that he believed Maulana Fazlullah and Baitullah Mehsud were prime suspects in the assassination of Bhutto. On 18 January 2008, The Washington Post reported that the CIA has concluded that Mehsud was behind the Bhutto assassination. "Offering the most definitive public assessment by a U.S. intelligence official, Michael V. Hayden said Bhutto was killed by fighters allied with Mehsud, a tribal leader in northwestern Pakistan, with support from al-Qaeda's terrorist network." U.S. President George W. Bush then placed Mr. Mehsud on "a classified list of militant leaders whom the C.I.A. and American commandos were authorized to capture or kill."

Answer this question "What else can you tell me about the assassination"
output:
the transcript was "a drama",