Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:', and the follow-up question has a prefix 'FOLLOWUP_Q:'.

[Q]: CONTEXT: Because this is the most natural and comfortable way of reading a vertical list of credits. While the major credited actors/film crew can enjoy fancy transforms on their listings, it would become exhausting to see the names of rest of the bazillion film crew members to be similarly displayed. Horizontal scrolling won't really work because someone's name/role will invariably scroll off one side before you have a chance to read it (especially when there's a full screen-full of names). Generally, producers want you to see the full list as quickly as reasonably possible (especially as all of these people worked hard for you to enjoy that movie). <sep> Q: Why do movie credits scroll from the bottom to the top of the screen? A: Because this is the most natural and comfortable way of reading a vertical list of credits Q: Couldn't they be scrolled from left to right? A: Horizontal scrolling won't really work because someone's name/role will invariably scroll off one side before you have a chance to read it (especially when there's a full screen-full of names <sep> FOLLOWUP_Q: Do you think before computers the screen was done manually or by machine?
[A]: No

[Q]: CONTEXT: Elgar's Enigma variations - and Nimrod, in particular - have long been a part of the British consciousness. Interestingly, Elgar ended up writing 14 variations (Nimrod being number 9). Zimmer is trying to instil the patriotism that the variations have done for the British over the past century. Calling his own composition Variation 15 implies a continuation of Elgar's original works. <sep> Q: What is the significance of Nimrod to Dunkirk's original score? A: Elgar's Enigma variations - and Nimrod, in particular - have long been a part of the British consciousness <sep> FOLLOWUP_Q: What do you mean by part of British conciousness?
[A]: Yes

[Q]: CONTEXT: Neo was killing two birds with one stone by going to the Machine City. First, he needed to parley with Deus Ex Machina for peace. Secondly, he knew that by being directly connected to the mainframe, he could ensure that Smith would be destroyed no matter what. As it happened, Smith proved to be unbeatable, so Neo allowed Smith to absorb him, which directly connected Smith to the mainframe, allowing Deus Ex Machina to delete the Smith virus. If Neo had simply been beaten to a pulp and killed, Deus Ex Machina would have ordered the sentries to finish off Zion. However, as Neo ensured that Smith was given access to by Deus Ex Machina, their agreement was fulfilled. <sep> Q: End of The Matrix Revolutions A: to by D Q: Why is Neo connected to all the machines in the Matrix? A: he needed to parley with Deus Ex Machina for peace. Secondly, he knew that by being directly connected to the mainframe, he could ensure that Smith would be destroyed no matter what Q: Why does Neo want to destroy Smith? A: Smith proved to be unbeatable, so Neo allowed Smith to absorb him, which directly connected Smith to the mainframe, allowing Deus Ex Machina to delete the Smith virus <sep> FOLLOWUP_Q: Did Neo destroy the Matrix?
[A]:
No