Problem: OPTIONS:
- negative
- positive negative
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Answer: I cannot see why filmmakers remade this movie.

The 1972 movie with McQueen and McGraw is almost a classic. Steve McQueen was an outstanding actor and Baldwin is only an inadequate actor. He has no passion in his play.Also the action in the original "Getaway" was fantastic. But the remake has no action! It is almost boring despite the fact that the film-making in 1972 was more difficult than in 1994.

I don't understand the way that Baldwin imprisoned from Mexico. I think this is a mistake in the story.

So i think that there was no need to remake it, or if they decided to remake a classic, they must choose an excellent actor for the first role, like Johnny Depp or Brad Pitt...
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: This movie was a classic. I would have to say that this movie caught the best of a working man who learns from his mistakes. if we could all get along and learn the way everyone in this movie did. It had an important part of showing how family is an important part of life, and how pride can cause you to lose something important in life if we can not find a "BIG THROAT" and swallow are pride.
Q: What's an example of a movie review?
An example of a movie review is here: Green Eyes is a great movie. In todays context of supporting our troops, it is interesting this movie showed the lack of respect soldiers received from doing their duty, during this period. From a historical view, the end of the Vietnam war left all of us with something to remember and learn from. Gene was very proud of this movie, and he deserved the credits he received from writing "Green Eyes". I agree, I do not understand why this movie is not shown more often, or at all. This movie is the kind of movie that should be shown on TV every year, much like the Wizard of Oz. The dedication of one man towards his lost son is entirely moving. I was a friend of Gene Logans and I was proud to know him. Rocky
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: The third installment of the "Carnosaur" trilogy features a bunch of Keystone Kops-quality military commandos trying to kill two Velociraptors and a T-Rex. I give it a 4 out of sheer sympathy and my affinity for dinosaurs. The movie is definitely the worst of the trilogy, it really can't be taken seriously. More significantly, however, watching this movie I can't help but notice some interesting parallels between the "Carnosaur" and "Xtro" trilogies. The first installment in both franchises is a dark, disturbing film that has become a cult classic, the second is an "Alien" ripoff, and the third is a tongue-in-cheek, almost slapstick (whether intentional or not) movie that has you rolling on the floor laughing. Also, like the "Xtro" franchise, all the "Carnosaur" movies are completely unrelated to one another. They they only carry the franchise name to drum up interest in the "sequels," I guess. Obviously "Carnosaur" and "Xtro" have two different production groups at work here, but if you've seen all three movies of both franchises you find yourself referring back and forth between the two.
Problem: OPTIONS:
- negative
- positive negative
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Answer: I wasted 5.75 to see this crappy movie so I just want to know a few things:

What was the point of the dog being split in half at the beginning of the movie, the disease had nothing to do with being split in half.

What was the point of dragging Karen into the shed, she already totally infected her room, they could have just locked her in there where she would have been safer.

Why would the Hermit be running around the forest asking strangers to help him when he could have just asked his relative, the hog lady, to take him to the hospital?

Why didn't any of the characters bother to walk into town to get help when things started getting bad, are they all really that lazy?

Even if Paul was threatened by the guy w/ the shotgun for peeping on his wife, Paul could have just sent Jeff or Bert back to the house to ask for help. the girl he loves is deteriorating.

What was the point of the box?

Why did Jeff go back to the cabin after he left when everyone else was getting infected, if he was that big of a jerk to leave in the first place wouldn't he have just gone back home?

If the police went to all the trouble of gathering up the kids and burning them on the fire pit, why did they throw Paul halfway into the river, it wasn't even necessary for the plot because the water was already contaminated.

Who makes lemonade out of river water, that crap has dirt leaves and bugs in it. Why couldn't the two kids have just use the tap water, it was contaminated too, so the stupid ending would still work.
Problem: OPTIONS:
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- positive positive
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Answer:
1958. The sleepy small Southern town of Clarksburg. Evil Sheriff Roy Childress (the almighty Vic Morrow in peak nasty form) cracks down super hard on speeders by forcing said offenders off a cliff to their untimely deaths on an especially dangerous stretch of road. Childress meets his match when cool young hot rod driver Michael McCord (a splendidly smooth and brooding portrayal by Martin Sheen) shows up in town in his souped-up automobile with the specific intention of avenging the death of his brother (Sheen's real-life sibling Joe Estevez in a brief cameo). Director Richard T. Heffron, working from a taut and intriguing script by Richard Compton (the same guy who directed the 70's drive-in movie gems "Welcome Home, Soldier Boys" and "Macon County Line"), relates the gripping story at a brisk pace, neatly creates a flavorsome 50's period setting, and ably milks plenty of suspense out the tense game of wit and wills between Childress and McCord. The uniformly fine cast helps a lot: Sheen radiates a brash James Deanesque rebellious vibe in the lead, Morrow makes the most out of his meaty bad guy part, plus there are excellent supporting performances by Michelle Phillips as sweet diner waitress Maggie, Stuart Margolin as a folksy deputy, Nick Nolte as amiable gas station attendant Buzz Stafford, Gary Morgan as Buzz's endearingly gawky younger brother Lyle, Janit Baldwin as sassy local tart Sissy, Britt Leach as stingy cab driver Johnny, and Frederic Downs as the stern Judge J.A. Hooker. The climactic vehicular confrontation between Childress and McCord is a real pulse-pounding white-knuckle thrilling doozy. Terry K. Meade's sharp cinematography, the well-drawn characters (for example, Childress became obsessed with busting speeders after his wife and kid were killed in a fatal hit and run incident), the groovy, syncopated score by Luchi De Jesus, and the beautiful mountainside scenery all further enhance the overall sound quality of this superior made-for-TV winner.