Detailed Instructions: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : Kane Allen Brown (born October 21, 1993) is an American country music singer and songwriter. He first came to the attention of the public through social media. He released his first EP, titled "Closer", in June 2015. A new single "Used to Love You Sober" was released in October 2015. After Brown signed with RCA Nashville in early 2016, the actual song was included on his EP "Chapter 1", which was released in March 2016. He released his first full-length album, the self-titled "Kane Brown" on December 2, 2016. Context_2 : On the Downside is an EP by the San Diego, California band Counterfit, released by Alphabet Records in 2000. It was the band's first EP, recorded shortly after the members had relocated to San Diego from Fairfield County, Connecticut. It was recorded in their rehearsal space and was mixed and mastered at the Mira Mesa Epicentre, a youth cafeteria which had been converted into an all-ages music venue. The EP is considered to be a demo, since it was so cheaply recorded and the songs are all in rough form. Two of its songs would be re-recorded the following year for the band's first proper studio EP. Original guitarist James Dennis left the band shortly after the release of "On the Downside", and was soon replaced by Daniel Reed. Context_3 : Ho ( , Phoenix ) is the first EP from Japanese nu metal/hardcore punk band Maximum the Hormone. This was the second record and first EP of the band to feature the current lineup. The EP also commonly goes by the title "Ootori". Context_4 : Maktesls is the first EP by the Norwegian unblack metal band Frosthardr released in 2004. The EP mixes the rawness of punkish old school black metal and the complicated song structures of progressive black metal. "Death - My Relief" is often cited as the highlight of the EP. The title track is an industrial music style intro, and the last song "Vandret" is an outro of the same style. The cover art was designed by Samuel Durling, depicting a negative of a black and white graveyard photo, and a logo that contains a crossbow element. Morten Magery of Vaakevandring and Antestor fame contributed some keyboards for the EP. Collin of "Metal Storm" wrote about the album that "This first EP (that's also their first official release ever) proves that contrary to all expectations [that they were just another black metal band from Norway], Frosthardr is one of the most innovative and inventive bands I've heard this year (2005)." Context_5 : Troubles of the Brain is the first EP by The Veils, out on 24 January 2011 on Pitch Beast Records. Finn Andrews set up his own label to release The Veils first EP after leaving Rough Trade after almost 9 years. It was recorded at Finn Andrews home studio in London, and produced by Andrews and Bernard Butler. The first single from the E.P was for The Stars Came Out Once the Lights Went Out. Context_6 : "What Ifs" is a song recorded by American country music singer Kane Brown for his self-titled debut album, with Lauren Alaina featuring. The song was released with the album through RCA Nashville and was released on February 6, 2017. Context_7 : Mr lab! is a French rock group, founded in Paris in 2002, by a French musician Yves Labbe, in whose honor and named group. The first EP "And now it time to go..." was recorded and released in 2005. The first EP is now released in Germany, Austria, Switzerland too, and the band had a lot of touring in France, Germany and Hungary. In 2007, the band began recording their second album "Post Industrial Ceremony", which included the group's most popular song "Anyway." This song later was heard in advertising for Nescafe. This album also featured the songs "Gravy machine" and "Would You like?". Context_8 : The Ghetto Blaster EP is the first EP from the rap rock supergroup Street Sweeper Social Club, released on August 10, 2010. It features covers of "Paper Planes" by M.I.A. and "Mama Said Knock You Out" by LL Cool J as well as a remix of the band's second single "Promenade." They also cover The Coup song "Everythang". It has also been confirmed that the full touring band has recorded on the album. Tom Morello spoke about the EP in a press release, saying that they shot for an interesting combination of groups. "On The Ghetto Blaster EP we were shooting for a combo of the first Clash record and the Ohio Players greatest hits, interwoven with tractor trailer size riffs of course. This record definitely has more of a 'band' feel than the first, and Boots' lyrics and delivery have never been sharper." Boots Riley has also said of the EP "We got a new EP that's going to come out called The Ghetto Blaster EP. [You can expect] hard, hard, hard music and some raw as lyrics on top." Context_9 : The Discocks are a punk rock band formed in 1989 with Peter (Ohashi) and bass, Naka-chin on guitar and early D.S.B. drummer Hiroichi on drums. In 1994 the band released their first EP "Voice Of Youth" on their own New Age Records. The EP was re-released with a different cover on Helen Of Oi! Records. The band continued to play shows in Japan before in 1995 releasing The "Class Of '94" EP on Knock Out Records. This EP contained two covers of English Oi!/Punk band The Ejected. They also released the split EP with Tom And Boot Boys on Knock Out Records which contained three songs from Tom And Boot Boys and two from the Discocks (one of which was a cover of Menace's "Last Year's Youth"). New Age Records also released a compilation LP in 1995 called "Noise For The Boys" with the bands Raise A Flag, Taisho as well as five new songs from The Discocks. In 1997 the band went to North America with Tom And Boot Boys to record their first full length Long Live Oi! During their time they toured the east coast with The Unseen, The Casualties and Blanks 77. The Unseen members Mark and Paul also contributed to the choruses on Long Live Oi!. After returning to Japan in late 1997 the band recorded a two track EP on Overthrow Records called "Bootboys Anthem". Soon saw the departure of longtime members Naka-Chin and Hiroishi, however they were quickly replaced with YAS and Ben from fellow Oi! band Blockbuster this lineup recorded the O.P.D.L. demo and appeared on the 7" compilation "Transition Period" alongside The Dick Spikie and Youth Anthem. Context_10 : Alive is an EP released by American Hard Rock band Adler's Appetite on April 2, 2012. It is a sequel to the band's first EP, the self-titled "Adler's Appetite" that was released in February 2005. In 2010 the band released their single "Alive" on iTunes from their upcoming "Alive" EP that was slated to be released in 2011. Also a radio edit of the Alder's Appetite's album's single "Alive" was released on July 29, 2010 in conjunction with Steven Adler's tell-all autobiography, "My Appetite for Destruction: Sex, and Drugs, and Guns N' Roses", and the band began recording the album in November 2011 in North Hollywood, California, and unlike the bands first EP which the band produced itself, "Alive" was produced by Cinderella band member and drummer Fred Coury, and was also recorded in a different studio as well. The album was mixed by Adler's long time friend Anthony Focx, and was released under the record label "Down Boys Records". There is a digital as well as a limited-edition physical release, as "Alive" is available in both CD and digital music formats. fact_1 : "What Ifs" is a song recorded by American country music singer Kane Brown for his self-titled debut album, with Lauren Alaina featuring. fact_2 : He released his first EP, titled "Closer", in June 2015. Answer: "Closer"
Solution:
What was the first EP of the singer who recorded What Ifs?