Answer the question at the end by quoting:

Feeder are a Welsh rock band formed in Newport, Wales. They have released ten studio albums, twelve compilations, four EPs, and 40 singles. They have spent a total of 182 weeks on the singles and albums charts combined as of 2017, and have accumulated 25 top 75 singles between 1997 and 2012. At their peak of commercial success, Feeder won two Kerrang!
For 1999's Yesterday Went Too Soon, the band decided to self-produce the album, brought in Matt Sime for engineering duties and had the album mixed in New York by Andy Wallace. "Dry" was re-recorded as a full band version after the original acoustic version appeared on "Suffocate" as a b-side. That single's b-sides featured tracks from the sessions for that album, therefore revealing what sort of direction it would take on. The working title for the album was originally A Life Through Headphones, and was originally set to be a double album. The name change was due to former Take That singer Robbie Williams releasing his solo debut album Life Thru a Lens, with the band not wanting to be compared to him. When the album was released, the band's reputation was on the rise and it entered the UK albums chart at number eight, which was at the time an unexpected chart position for the band. Before that, the band had released the album's first single, "Day In Day Out", in March 1999 which charted at #31 followed by "Insomnia" at #22, resulting in their first appearance on Top of the Pops. A week before the album's release, the band played the main stage of the Reading and Leeds festivals, while the title track from the album was at #20 in the singles chart. The album was then released on 30 August 1999. Only one single was lifted from the album after its release, in which a re-recorded version of "Paperfaces" charted at #41. Some of the album's lyrical themes were derived from Grant's personal perspective of working in a menial supermarket job on a daily basis ("Day in Day Out"), his experiences after gigs on their US tour ("Insomnia" and "You're My Evergreen"), past relationships (the title track and "Dry"), the music industry ("Hole in My Head") and "fear of commitment in relationships" ("Anaesthetic") amongst others. Musically, the album employed an indie rock feel to it, which also featured extended appearances of an acoustic guitar on some of its tracks. The album was due for release in June, but this was delayed until August to include material written after its completion which the band felt was too good to leave off. Upon its release, the UK music press immediately warmed to the album, which also received Melody Maker 's Album of the Week accolade. The year ended with the band providing support for the Red Hot Chili Peppers at Wembley Arena and Manic Street Preachers at the Millennium Stadium. As of March 2003, the album has been certified gold shipping 100,000 units in the UK, with total counter sales standing at 110,000 as of February 2005. The album was Melody Maker's #24 album of 1999, while Metal Hammer placed the album in at #6 and Kerrang! ranked it at #16.

Who produced the album?

the band decided to self-produce the album,

Answer the question at the end by quoting:

New Order are an English rock band formed in 1980 by vocalist and guitarist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris. New Order were formed in the demise of their previous post-punk band Joy Division, following the suicide of vocalist Ian Curtis. They were joined by Gillian Gilbert on keyboards later that year. Their integration of post-punk with electronic and dance music made them one of the most critically acclaimed and influential bands of the 1980s.
The initial release as New Order was the single "Ceremony", backed with "In a Lonely Place". These two songs were written in the weeks before Curtis took his own life. With the release of Movement in November 1981, New Order initially started on a similar route as their previous incarnation, performing dark, melodic songs, albeit with an increased use of synthesisers. The band viewed the period as a low point, as they were still reeling from Curtis' death. Hook commented that the only positive thing to come out of the Movement sessions was that producer Martin Hannett had showed the band how to use a mixing board, which allowed them to produce records by themselves from then on. More recently, Hook indicated a change of heart: "I think Movement gets a raw deal in general really - for me, when you consider the circumstances in which it was written, it is a fantastic record." New Order visited New York City again in 1981, where the band were introduced to post-disco, freestyle and electro. The band had taken to listening to Italian disco to cheer themselves up, while Morris taught himself drum programming. The singles that followed, "Everything's Gone Green" and "Temptation", saw a change in direction toward dance music. The Hacienda, Factory Records' own nightclub (largely funded by New Order) opened in May 1982 in Manchester and was even issued a Factory catalogue number: FAC51. The opening of UK's first ever superclub was marked by a nearly 23-minute instrumental piece originally entitled "Prime 5 8 6", but released 15 years later as "Video 5 8 6". Composed primarily by Sumner and Morris, "Prime 5 8 6"/"Video 5 8 6" was an early version of "5 8 6" that contained rhythm elements that would later surface on "Blue Monday" and "Ultraviolence".

who was one of the singers on the album?

Answer the question at the end by quoting:

David Hume (; born David Home; 7 May 1711 NS (26 April 1711 OS) - 25 August 1776) was a Scottish philosopher, historian, economist, and essayist, who is best known today for his highly influential system of philosophical empiricism, skepticism, and naturalism. Hume's empiricist approach to philosophy places him with John Locke, Francis Bacon and Thomas Hobbes as a British Empiricist.
In the introduction to A Treatise of Human Nature, Hume wrote, "'Tis evident, that all the sciences have a relation, more or less, to human nature ... Even Mathematics, Natural Philosophy, and Natural Religion, are in some measure dependent on the science of Man." He also wrote that the science of man is the "only solid foundation for the other sciences" and that the method for this science requires both experience and observation as the foundations of a logical argument. On this aspect of Hume's thought, philosophical historian Frederick Copleston wrote that it was Hume's aim to apply to the science of man the method of experimental philosophy (the term that was current at the time to imply Natural philosophy), and that "Hume's plan is to extend to philosophy in general the methodological limitations of Newtonian physics". Until recently, Hume was seen as a forerunner of logical positivism; a form of anti-metaphysical empiricism. According to the logical positivists, unless a statement could be verified by experience, or else was true or false by definition (i.e. either tautological or contradictory), then it was meaningless (this is a summary statement of their verification principle). Hume, on this view, was a proto-positivist, who, in his philosophical writings, attempted to demonstrate how ordinary propositions about objects, causal relations, the self, and so on, are semantically equivalent to propositions about one's experiences. Many commentators have since rejected this understanding of Humean empiricism, stressing an epistemological (rather than a semantic) reading of his project. According to this opposing view, Hume's empiricism consisted in the idea that it is our knowledge, and not our ability to conceive, that is restricted to what can be experienced. Hume thought that we can form beliefs about that which extends beyond any possible experience, through the operation of faculties such as custom and the imagination, but he was sceptical about claims to knowledge on this basis.

How did people view his writings?
Hume was seen as a forerunner of logical positivism; a form of anti-metaphysical empiricism.