Background: Paul Klee (German: [paUl 'kle:]; 18 December 1879 - 29 June 1940) was a Swiss German artist. His highly individual style was influenced by movements in art that included Expressionism, Cubism, and Surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures Writings on Form and Design Theory (Schriften zur Form und Gestaltungslehre), published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci's A Treatise on Painting for the Renaissance. He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture.
Context: In 1919, Klee applied for a teaching post at the Academy of Art in Stuttgart. This attempt failed but he had a major success in securing a three-year contract (with a minimum annual income) with dealer Hans Goltz, whose influential gallery gave Klee major exposure, and some commercial success. A retrospective of over 300 works in 1920 was also notable. Klee taught at the Bauhaus from January 1921 to April 1931. He was a "Form" master in the bookbinding, stained glass, and mural painting workshops and was provided with two studios. In 1922, Kandinsky joined the staff and resumed his friendship with Klee. Later that year the first Bauhaus exhibition and festival was held, for which Klee created several of the advertising materials. Klee welcomed that there were many conflicting theories and opinions within the Bauhaus: "I also approve of these forces competing one with the other if the result is achievement." Klee was also a member of Die Blaue Vier (The Blue Four), with Kandinsky, Lyonel Feininger, and Alexej von Jawlensky; formed in 1923, they lectured and exhibited together in the USA in 1925. That same year, Klee had his first exhibits in Paris, and he became a hit with the French Surrealists. Klee visited Egypt in 1928, which impressed him less than Tunisia. In 1929, the first major monograph on Klee's work was published, written by Will Grohmann. Klee also taught at the Dusseldorf Academy from 1931 to 1933, and was singled out by a Nazi newspaper, "Then that great fellow Klee comes onto the scene, already famed as a Bauhaus teacher in Dessau. He tells everyone he's a thoroughbred Arab, but he's a typical Galician Jew." His home was searched by the Gestapo and he was fired from his job. His self-portrait Struck from the List (1933) commemorates the sad occasion. In 1933-4, Klee had shows in London and Paris, and finally met Pablo Picasso, whom he greatly admired. The Klee family emigrated to Switzerland in late 1933. Klee was at the peak of his creative output. His Ad Parnassum (1932) is considered his masterpiece and the best example of his pointillist style; it is also one of his largest, most finely worked paintings. He produced nearly 500 works in 1933 during his last year in Germany. However, in 1933, Klee began experiencing the symptoms of what was diagnosed as scleroderma after his death. The progression of his fatal disease, which made swallowing very difficult, can be followed through the art he created in his last years. His output in 1936 was only 25 pictures. In the later 1930s, his health recovered somewhat and he was encouraged by a visit from Kandinsky and Picasso. Klee's simpler and larger designs enabled him to keep up his output in his final years, and in 1939 he created over 1,200 works, a career high for one year. He used heavier lines and mainly geometric forms with fewer but larger blocks of color. His varied color palettes, some with bright colors and others sober, perhaps reflected his alternating moods of optimism and pessimism. Back in Germany in 1937, seventeen of Klee's pictures were included in an exhibition of "Degenerate art" and 102 of his works in public collections were seized by the Nazis.
Question: Was there anyone he was working with or influenced by during this period?
Answer: he was encouraged by a visit from Kandinsky and Picasso.

Background: Thalia was born on 26 August 1971, in Mexico City, Mexico. She is the youngest of five daughters of Yolanda Miranda Mange (d. 2011), a painter who was Thalia's manager from 1980 to 1999; and Ernesto Sodi Pallares (d. 1977), a scientist, doctor of pathology, criminologist, and writer. Her four sisters are Laura Zapata (daughter of Guillermo Zapata Perez de Utrera), Federica, Gabriela, and Ernestina Sodi. When she turned one, Thalia appeared in her first TV commercial in Mexico.
Context: In 1990, Thalia returned to Mexico and released her first studio album as a solo artist, self-titled Thalia, which was produced by Alfredo Diaz Ordaz, and published by Fonovisa, Televisa's record label. From that album, she released a total of four singles that became huge radio hits : "Amarillo Azul", "Pienso en Ti", "Un Pacto Entre Los Dos" and "Saliva". The last two tracks were co-written by her and Diaz Ordaz and they were considered as provocative at the time ("Un Pacto Entre Los Dos" was even labeled as a song with occult Satan-worship lyrics by various far-right parties). In September 1991, Thalia released her second studio album, Mundo de cristal, which marks Thalia's last project in collaboration with Alfredo Diaz Ordaz. Four songs became radio singles from the album, and all of them had big radio impact in Mexico. Due to the success of the singles, the album was certified as double gold in Thalia's native country, Mexico. In the same year, Thalia was co-presenter of the late Spanish show VIP Noche, along with Spanish presenter Emilio Aragon, produced by Telecinco. In October 1992, she released her third studio album and her last under the same label, entitled Love, which was recorded in Spain and it was produced by Luis Carlos Esteban. The album spread six singles, that had huge radio impact: "Sangre", "Love", "No Trates de Enganarme", "Flor de Juventud", "Maria Mercedes" (official theme of the TV series), and "La Vida en Rosa" (La vie en rose), the last one being a Spanish-French cover of the classic French song originally performed by Edith Piaf. Thalia wrote the song "Sangre" inspired in Diaz Ordaz, with whom she had broken up her sentimental relation. The album was praised by the critics, as it was an artistic evolution for Thalia, who experimented for the first time in different music genres, especially electronic music. The album reached number 15 on Billboard's Latin Pop Albums in 1993. In Mexico, it sold over 200,000 copies in the first month upon its release and very soon it reached the platinum and gold certification, while it was a commercial success all over Latin America.
Question: Did the album contain any hits?
Answer:
From that album, she released a total of four singles that became huge radio hits : "Amarillo Azul", "Pienso en Ti", "Un Pacto Entre Los Dos" and "Saliva".