input: Newhart became famous mostly on the strength of his audio releases, in which he played a solo "straight man". Newhart's routine was to portray one end of a conversation (usually a phone call), playing the comedic straight man and implying what the other person was saying. His 1960 comedy album, The Button-Down Mind of Bob Newhart, was the first comedy album to make number one on the Billboard charts. The album received the 1961 Grammy Award for Album of the Year. The album peaked at number two in the UK Albums Chart. Newhart also won Best New Artist. Newhart told a 2005 interviewer for PBS's American Masters that his favorite stand-up routine is "Abe Lincoln vs. Madison Avenue", which appears on this album. In the routine, a slick promoter has to deal with the reluctance of the eccentric President to agree to efforts to boost his image. The routine was suggested to Newhart by Chicago TV director and future comedian Bill Daily, who was Newhart's castmate on the 1970s The Bob Newhart Show for CBS. Newhart became known for using an intentional stammer, in service to his unique combination of politeness and disbelief at what he was supposedly hearing. Newhart has used the delivery throughout his career. The follow-up album, The Button-Down Mind Strikes Back, was released six months later and won Best Comedy Performance - Spoken Word that same year. Subsequent comedy albums include Behind the Button-Down Mind of Bob Newhart (1961), The Button-Down Mind on TV (1962), Bob Newhart Faces Bob Newhart (1964), The Windmills Are Weakening (1965), This Is It (1967), Best of Bob Newhart (1971), and Very Funny Bob Newhart (1973). Years later, he released Bob Newhart Off the Record (1992), The Button-Down Concert (1997), and Something Like This (2001), an anthology of his 1960s Warner Bros. albums. On December 10, 2015, it was revealed by publicist and comedy album collector Jeff Abraham that a "lost" Newhart track from 1965 about Paul Revere existed on a one-of-a-kind acetate, which he owns. The track made its world premiere on episode 163 of the Comedy On Vinyl podcast.

Answer this question "Were there any other famous people on any of his albums?"
output: Bob Newhart (

input: While still enrolled at the University of Oregon in 1957, Kesey wrote End of Autumn; according to Rick Dogson, the novel "focused on the exploitation of college athletes by telling the tale of a football lineman who was having second thoughts about the game." Although Kesey came to regard the unpublished work as juvenilia, an excerpt served as his Stanford Creative Writing Center application sample. During his Woodrow Wilson Fellowship year, Kesey wrote Zoo, a novel about the beatniks living in the North Beach community of San Francisco, but it was never published. The inspiration for One Flew Over the Cuckoo's Nest came while working on the night shift with Gordon Lish at the Menlo Park Veterans' Hospital. There, Kesey often spent time talking to the patients, sometimes under the influence of the hallucinogenic drugs with which he had volunteered to experiment. Kesey did not believe that these patients were insane, but rather that society had pushed them out because they did not fit the conventional ideas of how people were supposed to act and behave. Published under the guidance of Cowley in 1962, the novel was an immediate success; in 1963, it was adapted into a successful stage play by Dale Wasserman, and in 1975, Milos Forman directed a screen adaptation, which won the "Big Five" Academy Awards: Best Picture, Best Actor (Jack Nicholson), Best Actress (Louise Fletcher), Best Director (Forman) and Best Adapted Screenplay (Lawrence Hauben and Bo Goldman). Kesey originally was involved in creating the film, but left two weeks into production. He claimed never to have seen the movie because of a dispute over the $20,000 he was initially paid for the film rights. Kesey loathed the fact that, unlike the book, the film was not narrated by the Chief Bromden character, and he disagreed with Jack Nicholson's being cast as Randle McMurphy (he wanted Gene Hackman). Despite this, Faye Kesey has stated that her husband was generally supportive of the film and pleased that it was made.

Answer this question "What year was the novel written?"
output: 1962, the novel was an immediate success; in 1963, it was adapted into a successful stage play

input: The first of three sons born in Adelaide,Unley to Martin and Jeanne (nee Richardson), Chappell was steeped in the game from an early age. His father was a noted Adelaide grade cricketer who put a bat in his hands as soon as he could walk, and his maternal grandfather was famous all-round sportsman Vic Richardson, who captained Australia at the end of a nineteen-Test career. Chappell was given weekly batting lessons from the age of five, as were younger brothers Greg and Trevor, who both also went on to play for Australia. Chappell grew up in the beachside suburb of Glenelg and attended the local St Leonard's Primary School where he played his first competitive match at the age of seven. He was later selected for the South Australian state schoolboys team. He then enrolled at Prince Alfred College, a private secondary school noted for producing many Test cricketers, including the Australian captains Joe Darling and Clem Hill. His other sporting pursuits included Australian football and baseball: Chappell's performances for South Australia in the Claxton Shield won him All-Australian selection in 1964 and 1966 as a catcher. He credits Vic Richardson, who had represented both SA and Australia in baseball during the 1920s, for his love of the sport. At the age of 18, his form in grade cricket for Glenelg led to his first-class debut for South Australia (SA) against Tasmania in early 1962. Chappell replaced West Indian Gary Sobers who was selected for a Test match in the Caribbean. The aggressive style of Sobers and South-Australia captain Les Favell heavily influenced Chappell during his formative years in senior cricket. In 1962-63, Chappell made his initial first-class century against a New South Wales team led by Australian captain Richie Benaud, who was bemused by the young batsman's habit of gritting his teeth as he faced up; to Benaud, it looked as if he was grinning. Chappell spent the northern summer of 1963 as a professional in England's Lancashire League with Ramsbottom and played a single first-class match for Lancashire against Cambridge University.

Answer this question "Who was Ian's family?"
output:
Chappell was given weekly batting lessons from the age of five, as were younger brothers Greg and Trevor, who both also went on to play for Australia.