In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example output: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : Kelly Kip is a retired American Thoroughbred racehorse and active stallion. In a five-year racing career which was interrupted on several occasions by sickness and injury, he ran thirty-one times and won fifteen races, most of them over a distance of six furlongs. Although won he only once at Grade I level and never won a Breeders' Cup race or an Eclipse Award, he set track records at several major racetracks and was regarded as one of the leading North American sprinters of the late 1990s. His trainer H. Allen Jerkens called Kelly Kip "the fastest horse I have been around". Context_2 : Sightseek (foaled 1999 in Kentucky) is a retired American Thoroughbred racehorse and current broodmare. She was bred and raced by Khalid Abdullah's Juddmonte Farms and was trained by Bobby Frankel. Sightseek is a full-sister to Quest to Peak, who produced the 1000 Guineas winner Special Duty. Context_3 : Jerry Hollendorfer (born June 18, 1946 in Akron, Ohio) is an American Thoroughbred racehorse trainer whose notable horses include Eclipse Award winners Blind Luck, Shared Belief and Songbird. He has the most wins in the history of Northern California race horse trainers. In 2011, he was inducted into the US Racing Hall of Fame. Context_4 : Mucho Macho Man (foaled June 15, 2008) is a retired American Thoroughbred racehorse notable as the winner of the 2013 Breeders' Cup Classic. He was foaled in Florida and named after the Village People song "Macho Man". His breeders were Carole and John Rio of Florida, who owned his dam. His foalhood nickname was "Lazarus" because he appeared lifeless at birth, but spontaneously revived. He grew to be a very large horse, standing over hands high. Throughout most of his racing career, Mucho Macho Man was primarily owned by Dean and Patti Reeves of Reeves Thoroughbred Racing of Suwanee, Georgia. They purchased a majority interest in him after his first race in 2010, and in 2012 became his sole owners. In February 2014, Frank Stronach purchased an undisclosed share in the horse on behalf of his Adena Springs Farms, owner of Mucho Macho Man's sire, Macho Uno. The stallion now lives at Adena Springs and began to stand at stud in the 2015 breeding season. Context_5 : Mystery Giver (foaled April 29, 1998 in Illinois) is a retired American Thoroughbred racehorse best known for winning three consecutive editions of the Fair Grounds Handicap at the Fair Grounds Race Course in New Orleans, Louisiana. Trained by longtime trainer Richard Scherer, Mystery Giver set the track record at the Fair Grounds in the Mervin H. Muniz Jr. Memorial Handicap. Scherer continues to race horses at the Fair Grounds during the winter, while spending the rest of the year in Chicago at Arlington Park and Hawthorne Race Course. Context_6 : Charles Edward Whittingham (April 13, 1913 April 20, 1999) was an American Thoroughbred race horse trainer who is one of the most acclaimed trainers in U.S. racing history. Context_7 : Rajiv Maragh (born July 9, 1985, in Jamaica) is a jockey in American Thoroughbred horse racing. An Indo-Jamaican, he is the son of a jockey who rode in Jamaica before relocating to Florida where he began a career as a horse trainer. Context_8 : William I. "Bill" Mott (born July 29, 1953, in Mobridge, South Dakota) is an American horse trainer, most notable for his work with Cigar. Mott earned the Eclipse Award for Outstanding Trainer in 1995 and 1996. He was inducted into the National Museum of Racing and Hall of Fame in 1998 at the age of 45, becoming the youngest thoroughbred trainer ever inducted. Mott started training thoroughbreds at age 15 and won the South Dakota Futurity with Kosmic Tour before he was out of high school. He worked his way up the ranks by becoming first an exercise rider, then an assistant trainer for Hall of Fame Trainer Jack Van Berg. In 1976, Mott, trainer Frank Brothers (who was also Van Berg's assistant trainer), and a stable crew guided Van Berg's horses through the wins at Sportsman's, Hawthorne and Arlington Park race tracks in Chicago. They were so successful that Van Berg was named leading trainer at Arlington Park and leading trainer in the Nation with 496 wins in 1976, a record that stood until Steve Asmussen broke it in 2003 with 555 wins. Asmussen broke his own record in 2008 and 2009. Mott worked as an assistant trainer for Van Berg for three years before striking out on his own in 1978. Context_9 : Robert Julian Frankel (July 9, 1941 November 16, 2009) was an American thoroughbred race horse trainer whom ESPN called "one of the most successful and respected trainers in the history of thoroughbred racing." He was inducted into the National Museum of Racing and Hall of Fame in 1995, and was a five-time winner of the Eclipse Award for Outstanding Trainer. Often referred to as "Bobby" by others, he preferred and always used "Robert." Frankel set the single-season world record for most Grade/Group I victories in 2003 with 25 Grade I wins, a record he still holds. Context_10 : Kelso (April 4, 1957 October 16, 1983) was an American thoroughbred race horse considered among the best racehorses in history. In the list of the top 100 U.S. thoroughbred champions of the 20th Century by The Blood-Horse magazine, Kelso ranks 4th, behind only Man o' War (1st), Secretariat (2nd) and Citation (3rd). In his long career, Kelso defeated many leading Thorougbred racehorses including Carry Back, Gun Bow, Bald Eagle, Tompion, Never Bend, Beau Purple, Quadrangle, Roman Brother, Crimson Satan, Jaipur, Ridan and Pia Star, as well as other top thoroughbreds, often conceding weight under handicap conditions. In doing so, Kelso beat more champions and Hall of Fame horses than any other thoroughbred racehorse in the 20th Century. fact_1 : Sightseek (foaled 1999 in Kentucky) is a retired American Thoroughbred racehorse and current broodmare. fact_2 : Sightseek is a full-sister to Quest to Peak, who produced the 1000 Guineas winner Special Duty. fact_3 : Robert Julian Frankel (July 9, 1941 November 16, 2009) was an American thoroughbred race horse trainer whom ESPN called "one of the most successful and respected trainers in the history of thoroughbred racing." Question: Who is the full-sister to the retired American Thoroughbred racehorse that was raised by a race horse trainer born July 9, 1941?
A:
Quest to Peak