INPUT ARTICLE: Article: This classification method considers articular involvement, as well as radio-carpal and radio-ulnar joints and the presence of absence of an ulnar fracture. There are six varieties of distal radius fractures under the Frykman classification system. Under this classification system, "Type I" refers to an extra-articular and transverse metaphyseal fracture. "Type II" refers to a "Type I" fracture that also includes a distal ulnar fracture. "Type III" refers to an intra-articular fracture that involves the radio-carpal joint. "Type IV" refers to a "Type III" fracture that also includes a distal ulnar fracture. "Type V" refers to a severe fracture that includes the distal radio-ulnar and radio-carpal joints. "Type VI" refers to a "Type V" fracture that also includes a distal ulnar fracture. This classification method is used for intra-articular fractures only. It considers the shaft, radial styloid, and dorsal medial and palmar medial parts. There are four varieties of distal radius fractures under the Melone classification system. Under this classification system, "Type I" refers to a fracture that is stable and minimally displaced. "Type II" refers to a die punch fracture of the radioscaphoid joint, which is unstable and moderately to severely displaced. This kind of fracture involved backward angulation and a shortening of the radius, and percutaneous pins are typically used to maintain reduction. In "Type IIb" fractures, there is a double die punch fracture, with fragmentation of both the inner and rear piece. This type of fracture is typically treated surgically, with internal fixation and iliac bone grafting. "Type III" refers to a die punch or lunate load fracture, which also includes a radial shaft fracture that projects forward. The lunate bones puts pressure on the lower end of the radius. The surgical placement of small screws or wires is typically necessary to stabilize the joint. "Type IV" refers to a severe fracture that involves all the major joint articular surfaces, including the radioscaphoid and lunate joints. Broken fragments may be separated widely or rotated. In almost all cases, a "Type IV" fracture needs surgical treatment: open reduction and internal fixation. This classification method is the simplest; it considers only articular involvement and displacement. It also differentiates stable from unstable fractures. There are four varieties of distal radial fractures under the Melone classification system. Under this classification system, "Type I" refers to an extra-articular and undisplaced fracture. "Type II" refers to an extra-articular but displaced fracture. "Type III" refers to an intra-articular and undisplaced fracture. "Type IV" refers to an intra-articular and displaced fracture.

SUMMARY: Understand the Frykman classification. Know the Melone classification. Consider the universal classification.

INPUT ARTICLE: Article: Lay your fabric flat (or folded in half, if the pattern directs you to do so) and place your pattern over the top. Follow your traced lines and the guide to cut out your fabric in the matching shapes. If you are using a dress for the pattern use your traced outline of half the dress, drawn after being folded in half and placed along the folded edge. Cut along this line, and unfold the fabric to expose a complete front of your dress. Add inch of extra fabric around the edges of the dress for seam allowances. Most patterns already have this included in their measurements, but you will need to keep this in mind if you are tracing a dress for your pattern. If you want to add sleeves to your dress, these will need to be cut as separate pieces from the body of the dress. Cut your dress fabric in a tank-style top and then sew your sleeves on later. Be sure to cut the fabric for the back of this dress as well at this point, using the same method as you did to cut the front. Follow the sewing directions on your pattern. Typically the sides of the dress will be sewn first. Turn your fabric inside-out and fold of an inch over on either side, using an iron to flatten it out. Then, use a zigzag stitch to sew the front and back together, and a top stitch to attach your newly formed seam to the body of the dress. The top stitch will help the fabric to lay flat along the seam and add a more professional look to your dress. Follow any specific directions on your pattern for sewing additional sections of your dress. If your pattern directs you to sew something other than the sides first, do so. For a simple neckline, fold over inch of fabric along the edge and iron it flat. Use a straight stitch along the collar to sew the edges in place and keep them from fraying. You can adjust how deep the neckline plunges by measuring the distance from your waist to the desired area on your bust, and adjusting your fabric accordingly. On the bottom of the dress, fold over of an inch of fabric and iron it down flat. If you have one available, use a serger to secure the ends and keep them from unraveling. Then, use a straight stitch to attach the folded edge to the bottom of the dress, holding it in place. So you won't make a mistake. If you want, add a zipper to the side or back of your dress to allow for easier opening/closure. You can also choose to add a lace overlay, ruffles, trim, or beading to your dress for an added touch. It's your dress, and your opportunity to show your style! Do so as you please.

SUMMARY: Cut your fabric. Begin sewing. Sew the neckline. Add the hem. Finish off your dress.

INPUT ARTICLE: Article: This displays a pop-up menu to the right. It's in the pop-up menu that displays when you right-click on the project name. This displays a sub-menu to the right. The project properties window will appear showing your build path configurations. It's at the top of the project properties window. It's on the right side of the project properties window. The JARs will now appear in the list of libraries in the build path. The JARs will now be in Referenced Libraries instead of lib.

SUMMARY: Right-click the project name. Navigate to Build Path. Click Configure Build Path. Select the Libraries tab. Click Add JARs. Select the JARs you want and click OK. Click OK to close the properties window.

INPUT ARTICLE: Article: If you're cutting the rigid foam for a specific project, measure the length and width you will need it to be. Compare these dimensions to the length and width that your rigid foam insulation currently has to make sure it's long and wide enough. For more precise measurements, check the length and width 2-3 times. Place your straightedge ruler on the rigid foam insulation and use it as a guide while you make the mark. Draw a line with your permanent marker along the side of your straightedge, then check the marking to make sure it's precise. It's better for your markings to be a few inches or centimeters too large at first than too small. You can always cut more foam later, if necessary. Keeping the board flat while you cut will help you make a precise cut. If you don't have a work table, find a flat and smooth surface for cutting your foam insulation. Do not cut rigid foam insulation on decorative tables unless you lay out a protective barrier, like a knife block. You risk accidentally scratching the table. Use rubber clamps to secure both sides of the insulation to the work surface. Secure the straightedge alongside the cutting line to help you make a precise incision. This will keep the rigid foam insulation from shifting or sliding while you cut it.

SUMMARY:
Measure your cut with a straightedge ruler. Mark your cutting line on the foam with a permanent marker. Lay the rigid foam insulation on a flat surface. Clamp the rigid foam to the flat surface.