Input: Read this: All armies soon deployed AA guns often based on their smaller field pieces, notably the French 75 mm and Russian 76.2 mm, typically simply propped up on some sort of embankment to get the muzzle pointed skyward. The British Army adopted the 13-pounder quickly producing new mountings suitable for AA use, the 13-pdr QF 6 cwt Mk III was issued in 1915. It remained in service throughout the war but 18-pdr guns were lined down to take the 13-pdr shell with a larger cartridge producing the 13-pr QF 9 cwt and these proved much more satisfactory. However, in general, these ad-hoc solutions proved largely useless. With little experience in the role, no means of measuring target, range, height or speed the difficulty of observing their shell bursts relative to the target gunners proved unable to get their fuse setting correct and most rounds burst well below their targets. The exception to this rule was the guns protecting spotting balloons, in which case the altitude could be accurately measured from the length of the cable holding the balloon.
Question: What was difficult to get set right on the new guns?

Output: get their fuse setting correct

QUES: When aspirated consonants are doubled or geminated, the stop is held longer and then has an aspirated release. An aspirated affricate consists of a stop, fricative, and aspirated release. A doubled aspirated affricate has a longer hold in the stop portion and then has a release consisting of the fricative and aspiration.

A tripled aspirated affricate has a longer what?
What is the answer?
ANS: unanswerable

QUES: Hunter-gatherers tend to have an egalitarian social ethos, although settled hunter-gatherers (for example, those inhabiting the Northwest Coast of North America) are an exception to this rule. Nearly all African hunter-gatherers are egalitarian, with women roughly as influential and powerful as men.
Women are not at all influential and powerful in what culture?

ANS: unanswerable

In the midst of the European sovereign-debt crisis, Radek Sikorski, Poland's Foreign Minister, stated in November 2011, "I will probably be the first Polish foreign minister in history to say so, but here it is: I fear German power less than I am beginning to fear German inactivity. You have become Europe's indispensable nation." According to Jacob Heilbrunn, a senior editor at The National Interest, such a statement is unprecedented when taking into consideration Germany's history. "This was an extraordinary statement from a top official of a nation that was ravaged by Germany during World War II. And it reflects a profound shift taking place throughout Germany and Europe about Berlin's position at the center of the Continent." Heilbrunn believes that the adage, "what was good for Germany was bad for the European Union" has been supplanted by a new mentalitywhat is in the interest of Germany is also in the interest of its neighbors. The evolution in Germany's national identity stems from focusing less on its Nazi past and more on its Prussian history, which many Germans believe was betrayedand not representedby Nazism. The evolution is further precipitated by Germany's conspicuous position as Europe's strongest economy. Indeed, this German sphere of influence has been welcomed by the countries that border it, as demonstrated by Polish foreign minister Radek Sikorski's effusive praise for his country's western neighbor. This shift in thinking is boosted by a newer generation of Germans who see World War II as a distant memory.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What war do many Germans still remember?
Ah, so.. unanswerable

Question: Dante Alighieri's Divine Comedy, derived features of and episodes about Bolgia from Arabic works on Islamic eschatology: the Hadith and the Kitab al-Miraj (translated into Latin in 1264 or shortly before as Liber Scale Machometi) concerning the ascension to Heaven of Muhammad, and the spiritual writings of Ibn Arabi. The Moors also had a noticeable influence on the works of George Peele and William Shakespeare. Some of their works featured Moorish characters, such as Peele's The Battle of Alcazar and Shakespeare's The Merchant of Venice, Titus Andronicus and Othello, which featured a Moorish Othello as its title character. These works are said to have been inspired by several Moorish delegations from Morocco to Elizabethan England at the beginning of the 17th century.
Try to answer this question if possible: What aspects from Islamic works did the Divine Comedy feature?
Answer: episodes about Bolgia from Arabic works on Islamic eschatology

Context and question: This technique of representing simultaneity, multiple viewpoints (or relative motion) is pushed to a high degree of complexity in Gleizes' monumental Le Depiquage des Moissons (Harvest Threshing), exhibited at the 1912 Salon de la Section d'Or, Le Fauconnier's Abundance shown at the Independants of 1911, and Delaunay's City of Paris, shown at the Independants in 1912. These ambitious works are some of the largest paintings in the history of Cubism. Leger's The Wedding, also shown at the Salon des Independants in 1912, gave form to the notion of simultaneity by presenting different motifs as occurring within a single temporal frame, where responses to the past and present interpenetrate with collective force. The conjunction of such subject matter with simultaneity aligns Salon Cubism with early Futurist paintings by Umberto Boccioni, Gino Severini and Carlo Carra; themselves made in response to early Cubism.
Which of Gliezes pieces was not featured at Salon de la Section d'Or?
Answer:
unanswerable