input: Hecht was born in New York City, the son of Russian Jewish immigrants. His father, Joseph Hecht, worked in the garment industry. His father and mother, Sarah Swernofsky Hecht, had immigrated to New York from Minsk, Belarus. The Hechts married in 1892. The family moved to Racine, Wisconsin, where Ben attended high school. When Hecht was in his early teens, he would spend the summers with an uncle in Chicago. On the road much of the time, his father did not have much effect on Hecht's childhood, and his mother was busy managing the store outlet in downtown Racine. Film author Scott Siegal wrote, "He was considered a child prodigy at age ten, seemingly on his way to a career as a concert violinist, but two years later was performing as a circus acrobat." After graduating from Racine High School in 1910, at age sixteen Hecht moved to Chicago, running away to live there permanently. He lived with relatives, and started a career in journalism. He found work as a reporter, first for the Chicago Journal, and later with the Chicago Daily News. He was an excellent reporter who worked on several Chicago papers. After World War I, Hecht was sent to cover Berlin for the Daily News. There he wrote his first and most successful novel, Erik Dorn (1921). It was a sensational debut for Hecht as a serious writer. The 1969 movie, Gaily, Gaily, directed by Norman Jewison and starring Beau Bridges as "Ben Harvey", was based on Hecht's life during his early years working as a reporter in Chicago. The film was nominated for three Oscars. The story was taken from a portion of his autobiography, A Child of the Century.

Answer this question "did he go to college?"
output: He found work as a reporter,

input: In 1983 he moved to Corpus Christi, Texas, to work at radio station KZFM. In mid-1985, Beck was hired away from KZFM to be the lead DJ for the morning-drive radio broadcast by WRKA in Louisville, Kentucky. His four-hour weekday show was called Captain Beck and the A-Team. Beck had a reputation as a "young up-and-comer". The show was not political and included the usual off-color antics of the genre: juvenile jokes, pranks, and impersonations. The show slipped to third in the market and Beck left abruptly in 1987 amid a dispute with WRKA management. Months later, Beck was hired by Phoenix Top-40 station KOY-FM, then known as Y-95. Beck was partnered with Arizona native Tim Hattrick to co-host a local "morning zoo" program. During his time at Y-95, Beck cultivated a rivalry with local pop radio station KZZP and that station's morning host Bruce Kelly. Through practical jokes and publicity stunts, Beck drew criticism from the staff at Y-95 when the rivalry culminated in Beck telephoning Kelly's wife on-the-air, mocking her recent miscarriage. In 1989, Beck resigned from Y-95 to accept a job in Houston at KRBE, known as Power 104. Beck was subsequently fired in 1990 due to poor ratings. Beck then moved on to Baltimore, Maryland, and the city's leading Top-40 station, WBSB, known as B104. There, he partnered with Pat Gray, a morning DJ. During his tenure at B104, Beck was arrested and jailed for speeding in his DeLorean. According to a former associate, Beck was "completely out of it" when a station manager went to bail him out. When Gray, then Beck were fired, the two men spent six months in Baltimore, planning their next move. In early 1992, Beck and Gray both moved to WKCI-FM (KC101), a Top-40 radio station in New Haven, Connecticut. In 1995, WKCI apologized after Beck and Gray mocked a Chinese-American caller on air who felt offended by a comedy segment by playing a gong sound effect and having executive producer Alf Gagineau mock a Chinese accent. That incident led to protests by activist groups. When Gray left the show to move to Salt Lake City, Beck continued with co-host Vinnie Penn. At the end of 1998, Beck was informed that his contract would not be renewed at the end of 1999. The Glenn Beck Program first aired in 2000 on WFLA (AM) in Tampa, and took their afternoon time slot from eighteenth to first place within a year. In January 2002, Premiere Radio Networks launched the show nationwide on 47 stations. The show then moved to Philadelphia, Pennsylvania, broadcasting from new flagship station WPHT. On November 5, 2007, The New York Times reported that Premiere Radio Networks was extending Beck's contract. By May 2008, it had reached over 280 terrestrial stations as well as XM Satellite. It was ranked 4th in the nation with over six and a half million listeners. As of July 2013, Beck was tied for number four in the ratings behind Rush Limbaugh, Sean Hannity, and Dave Ramsey.

Answer this question "What did he do next"
output: mid-1985, Beck was hired away from KZFM to be the lead DJ for the morning-drive radio broadcast by WRKA in Louisville, Kentucky.

input: Unlike Lully, who collaborated with Philippe Quinault on almost all his operas, Rameau rarely worked with the same librettist twice. He was highly demanding and bad-tempered, unable to maintain longstanding partnerships with his librettists, with the exception of Louis de Cahusac, who collaborated with him on several operas, including Les fetes de l'Hymen et de l'Amour (1747), Zais (1748), Nais (1749), Zoroastre (1749; revised 1756), La naissance d'Osiris (1754), and Anacreon (the first of Rameau's operas by that name, 1754). He is also credited with writing the libretto of Rameau's final work, Les Boreades (c. 1763). Many Rameau specialists have regretted that the collaboration with Houdar de la Motte never took place, and that the Samson project with Voltaire came to nothing because the librettists Rameau did work with were second-rate. He made his acquaintance of most of them at La Poupliniere's salon, at the Societe du Caveau, or at the house of the Comte de Livry, all meeting places for leading cultural figures of the day. Not one of his librettists managed to produce a libretto on the same artistic level as Rameau's music: the plots were often overly complex or unconvincing. But this was standard for the genre, and is probably part of its charm. The versification, too, was mediocre, and Rameau often had to have the libretto modified and rewrite the music after the premiere because of the ensuing criticism. This is why we have two versions of Castor et Pollux (1737 and 1754) and three of Dardanus (1739, 1744, and 1760).

Answer this question "What else is interesting?"
output:
Not one of his librettists managed to produce a libretto on the same artistic level as Rameau's music: