Problem: Florence Leontine Mary Welch was born in Camberwell, London on 28 August 1986. Her father is Nick Russell Welch, an advertising executive. Her mother, Evelyn Welch (nee Evelyn Kathleen Samuels), is an American emigrant from New York City who was educated at Harvard University and the Warburg Institute, University of London. Evelyn is currently Professor of Renaissance Studies and Vice-Principal for Arts and Sciences at King's College London.

During interviews, Welch has cited Grace Slick and Alanis Morissette as influences and "heroes." She listed in her early influences the likes of John Cale, Siouxsie, David Byrne, Lou Reed, In a review of Ceremonials, Jody Rosen of Rolling Stone described Florence and the Machine's style as "dark, robust and romantic", deeming the ballad "Only If for a Night" as a mix of "classic soul and midnight-on-the-moors English art rock". Welch stated that her lyrics related to Renaissance artists : "We're dealing with all of the same things they did : love and death, time and pain, heaven and hell". Welch has used religious imagery in her music and performances, though she has stated "I'm not a religious person. Sex, violence, love, death, are the topics that I'm constantly wrestling with, it's all connected back to religion." Nick Welch, her father, contributed a "rock and roll element to the family mix"; in his twenties, he lived in a West End squat and attended the Squatters' Ball organised by Heathcote Williams where The 101ers played regularly. A self-confessed "frustrated performer", if Nick, as he put it, "nudged Flo in any way, it's only been to listen to the Ramones rather than Green Day". Evelyn had an equally strong yet completely different influence on her daughter. A visit to one of her mother's lectures left teenage Florence deeply impressed. She explained, "I aspire to something like that but with music. I hope that my music has some of the big themes--sex, death, love, violence--that will still be part of the human story in 200 years' time". Welch has stated she is an avid reader, and has been influenced by authors such as Gwendoline Riley, Kirsten Reed and David Vann. The art of literature is important to her. She actively participates in a fan run book club, 'Between Two Books'. Every few months, she will recommend a book to the club which they will read collectively. Welch enjoys poetry, and has mentioned that the poet Ted Hughes was a big influence on her first album, 'Lungs'.

What was said in reviews

Answer with quotes: In a review of Ceremonials, Jody Rosen of Rolling Stone described Florence and the Machine's style as "dark, robust and romantic", deeming the ballad

Problem: William Thomson, 1st Baron Kelvin, (26 June 1824 - 17 December 1907) was a Scots-Irish mathematical physicist and engineer who was born in Belfast in 1824. At the University of Glasgow he did important work in the mathematical analysis of electricity and formulation of the first and second laws of thermodynamics, and did much to unify the emerging discipline of physics in its modern form. He worked closely with mathematics professor Hugh Blackburn in his work.

Though now eminent in the academic field, Thomson was obscure to the general public. In September 1852, he married childhood sweetheart Margaret Crum, daughter of Walter Crum; but her health broke down on their honeymoon and, over the next seventeen years, Thomson was distracted by her suffering. On 16 October 1854, George Gabriel Stokes wrote to Thomson to try to re-interest him in work by asking his opinion on some experiments of Michael Faraday on the proposed transatlantic telegraph cable. Faraday had demonstrated how the construction of a cable would limit the rate at which messages could be sent - in modern terms, the bandwidth. Thomson jumped at the problem and published his response that month. He expressed his results in terms of the data rate that could be achieved and the economic consequences in terms of the potential revenue of the transatlantic undertaking. In a further 1855 analysis, Thomson stressed the impact that the design of the cable would have on its profitability. Thomson contended that the signalling speed through a given cable was inversely proportional to the square of the length of the cable. Thomson's results were disputed at a meeting of the British Association in 1856 by Wildman Whitehouse, the electrician of the Atlantic Telegraph Company. Whitehouse had possibly misinterpreted the results of his own experiments but was doubtless feeling financial pressure as plans for the cable were already well under way. He believed that Thomson's calculations implied that the cable must be "abandoned as being practically and commercially impossible." Thomson attacked Whitehouse's contention in a letter to the popular Athenaeum magazine, pitching himself into the public eye. Thomson recommended a larger conductor with a larger cross section of insulation. However, he thought Whitehouse no fool and suspected that he might have the practical skill to make the existing design work. Thomson's work had, however, caught the eye of the project's undertakers and in December 1856, he was elected to the board of directors of the Atlantic Telegraph Company.

How did the public react to this letter?

Answer with quotes:
caught the eye of the project's undertakers and in December 1856, he was elected to the board of directors of the Atlantic Telegraph Company.