Problem: Suggest a movie title for the following movie plot: It's 1941, and newspaper tycoon Charles Foster Kane (Orson Welles, who also directed and co-wrote the script) is dead. The opening shots show Xanadu, Kane's vast, elaborate, and now unkempt estate in Florida. Interspersed with segments of his newsreel obituary are scenes from his life and death. Most puzzling are his last moments: clutching a snowglobe, he mutters the word "rosebud." Kane, whose life was news and whose newspapers not only reported but formed public opinion, was central to his time, a larger-than-life figure. The newsreel editor feels that until they know who or what Rosebud is they won't have the whole story on Kane. He assigns a reporter called Thompson (William Alland) to investigate Rosebud.Thompson digs into Kane's life and hears a lot of stories, but none of them reveal the meaning of Rosebud. The reporter sees Susan Alexander Kane (Dorothy Comingore), the tycoon's ex-wife; she's drunk and won't speak to him. Then he reads the unpublished memoirs of Mr. Thatcher (George Coulouris), Kane's early financial adviser and childhood guardian, who later became a prime target of the Kane newspapers' trust-busting attacks. In one of many flashbacks, the Thatcher memoir shows Kane's mother signing guardianship of the boy and his fortune over to Thatcher, despite his father's objections. When Charles objected violently to being sent away with Thatcher, Kane Sr. remarked, "what the kid needs is a good thrashing." Mrs. Kane responded, "That's why he's going to be brought up where you can't get at him." (Some present-day fans of the film interpret this to mean that Mr. Kane was abusive. 1940s audiences were more likely to have believed that Mrs. Kane was over-protective and that if Charles had been allowed to grow up enjoying the love and discipline of his parents, his life would have turned out better.)Years later, as he was about to get control of his business affairs, Kane's interest in newspapers was piqued when he noticed that he owned the struggling New York Daily Inquirer. Don't sell it, he...

A: Citizen Kane

Problem: Given the question: Suggest a movie title for the following movie plot: Partially based on the book "Fire in the Valley: The Making of the Personal Computer" written by Paul Feiberger and Michael Swaine, the director Martyn Burke jump cuts through key moments in time for the two companies in telling the tale of Apple's rise, Steve Jobs' business relationship with Bill Gates, the schism between Jobs and Steve Wozniak, and Apple's fall as Gates out pirates the pirates, and leads Microsoft to dominate the computer industry.From the very beginning of the movie you are given the core of Steve Jobs' (played by Noah Wyle) personality. The open lines are him speaking to the camera and saying, "I don't want you to think of this as just a film - some process of converting electrons and magnetic impulses into shapes and figures and sounds - no. Listen to me. We're here to make a dent in the universe. Otherwise, why even be here? We're creating a completely new consciousness, like an artist or a poet. We're rewriting the history of human thought with what we're doing. That's how you have to think of this." His best friend, Steve "the Woz" Wozniak (played by Joey Slotnick), follows this with a narration describing how everything Steve Jobs ever did was something "between a religious experience and some sort of crusade."Both the opening lines and the narration are spoken over the back drop of the filming of Apples 1984 Super Bowl commercial. A commercial that was legendary even before it was aired, and set the standard for all other Super Bowl commercials. Directed by Ridley Scott, newly famous for directing Blade Runner, this commercial introduced Apple's Macintosh computer and, though it has never run again since that Super Bowl spot, few commercials have ever been more influential. It was even named the 1980s' Commercial of the Decade by Advertising Age magazine.The filming of the commercial fades to the actual ad as it opens on a gray network of futuristic tubes connecting non-descript oppressive buildings. Inside the tubes, we see the greyed-out downtrodden masses marching into an...
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The answer is:
Pirates of Silicon Valley

[Q]: Suggest a movie title for the following movie plot: During the rage of Hurricane Katrina, Detective Andy Devereaux (Val Kilmer) discovers the body of his former partner in a close to underwater warehouse. Quickly forgetting about his discovery, he joins a newly transferred detective named Stan Johnson (Curtis "50 Cent" Jackson) trying to end a conflict involving looters. Post-Katrina, Andy and Stan are now partners. They work with corrupt detectives Pepe (Jose Pablo Cantillo) and Barney (Brian Presley), who are caught up in the murder of an undercover narcotics agent. Investigating the escalating police corruption in New Orleans is FBI Agent Brown (Michael Biehn). Brown brings up his thoughts to Police Captain Friendly (Barry Shabaka Henley) who insists he is doing his best to solve the problems in his department. Meanwhile, police therapist Nina Ferraro (Sharon Stone) tries to help the detectives with their struggles, with little avail. She is particularly interested in Andy, whose father, also a detective, was murdered in the line of duty. Things are complicated further with Agent Brown's investigation into Andy and his crew. Brown tells Andy that he has an informant who is leaking out the details, and Andy, disbelieving at first, begins to resign himself to the fact that one of his men is betraying him. After Captain Friendly is assassinated by a local gangster named Chamorro, Andy, Stan, Pepe, and Barney decide to take the law into their own hands and go after Chamorro. While interrogating Chamorro, they find out that Brown has been supplying the drug dealer with information about the police raids, to help his own investigation. In a violent shootout, Barney accidentally shoots and kills Pepe. Andy and Stan escape, only to return to the warehouse where they met. There Andy realizes that Stan is the informant. After the two start arguing, Brown shows up and there is another shootout, ending in Brown's death. Andy comforts a sobbing Stan, then Andy kills his partner, as he possibly did with his previous one. The film ends on a low note, leaving no premise...
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[A]:
Streets of Blood