input: The whereabouts of McDaniel's Oscar are currently unknown. In 1992, Jet magazine reported that Howard University could not find it and alleged that it had disappeared during protests in the 1960s. In 1998, Howard University stated that it could find no written record of the Oscar having arrived at Howard. In 2007, an article in the Huffington Post repeated rumors that the Oscar had been cast into the Potomac River by angry civil rights protesters in the 1960s. The assertion reappeared in the Huffington Post under the same byline in 2009. In 2010, Mo'Nique, the winner of the Academy Award for Best Supporting Actress, wearing a blue dress and gardenias in her hair, as McDaniel had at the ceremony in 1940, in her acceptance speech thanked McDaniel "for enduring all that she had to so that I would not have to". Her speech revived interest in the whereabouts of McDaniel's plaque. In 2011, J. Freedom duLac reported in the Washington Post that the plaque had disappeared in the 1960s. In November 2011, W. B. Carter, of the George Washington University Law School, published the results of her year-and-a-half-long investigation into the Oscar's fate. Carter rejected claims that students had stolen the Oscar (and thrown it in the Potomac River) as wild speculation or fabrication that traded on long-perpetuated stereotypes of blacks. She questioned the sourcing of the Huffington Post stories. Instead, she argued that the Oscar was likely returned to Howard University's Channing Pollack Theater Collection between the spring of 1971 and the summer of 1973 or had possibly been boxed and stored in the drama department at that time. The reason for its removal, she argued, was not civil rights unrest but rather efforts to make room for a new generation of black performers. If neither the Oscar nor any paper trail of its ultimate destiny can be found at Howard today, she suggested, inadequate storage or record-keeping in a time of financial constraints and national turbulence may be blamed. She also suggested that a new generation of caretakers may have failed to realize the historic significance of the 5 1/2" x 6" plaque.

Answer this question "WHat did this lead him to"
output: The whereabouts of McDaniel's Oscar are currently unknown.

input: Moore and Mero separated on the November 22 episode of Sunday Night Heat, and the jilted Moore formed a new alliance of women known as the Pretty Mean Sisters (PMS) with Terri Runnels, who was separated from her husband, Goldust. During a match between Mero and Goldust on the November 23 episode of Raw, Jacqueline and Terri entered the ring and low-blowed both men. They originally formed an alliance with D'Lo Brown and Mark Henry, accompanying them to the ring for a match against Val Venis and The Godfather in December at Rock Bottom: In Your House. In January, Terri claimed to have suffered a miscarriage after she was knocked off of the ring apron by Brown. The guilty Brown became a servant to PMS, who forced him to wrestle his friend, Mark Henry. The deception lasted until February 1, when the ringside doctor told Brown that Terri had not been pregnant. PMS then feuded with Brown by costing him matches and attacking his new manager, Ivory. Jacqueline returned to the women's division in March, and on the April 12 episode of Raw, she, Ivory, Tori, and Sable took part in a four-way match for the Women's Championship. The match was declared a no-contest after Sable's bodyguard Nicole Bass stormed the ring and chokeslammed the three challengers. In May, however, the women had switched their allegiance to a wrestler named Meat. That same month, the stable expanded once more to incorporate Ryan Shamrock, who had been spurned by the womanizing Val Venis. As part of the storyline, the three women used Meat for his body as a "love slave", forcing him to have sex with them and wear wrestling tights that resembled a pair of tight underwear. After Shamrock left the WWF, Terri and Jacqueline continued to assist Meat in his matches. However, tension began to grow between the two women as Terri, in storyline, exhausted Meat with hours of sex before his matches and then berated her fatigued lover when he lacked the energy to win matches and Moore finally end the alliance by July.

Answer this question "Who are the Pretty Mean Sisters?"
output: the jilted Moore formed a new alliance of women known as the Pretty Mean Sisters (PMS)

input: According to his birth certificate he was named Fred King, and his parents were Ella Mae King and J. T. Christian. When Freddie was six years old, his mother and his uncle began teaching him to play the guitar. In autumn 1949, he and his family moved from Dallas to the South Side of Chicago. In 1952 King started working in a steel mill. In the same year he married another Texas native, Jessie Burnett. They had seven children. Almost as soon as he had moved to Chicago, King started sneaking into South Side nightclubs, where he heard blues performed by Muddy Waters, Howlin' Wolf, T-Bone Walker, Elmore James, and Sonny Boy Williamson. King formed his first band, the Every Hour Blues Boys, with the guitarist Jimmie Lee Robinson and the drummer Frank "Sonny" Scott. In 1952, while employed at a steel mill, the eighteen-year-old King occasionally worked as a sideman with such bands as the Little Sonny Cooper Band and Earl Payton's Blues Cats. In 1953 he recorded with the latter for Parrot Records, but these recordings were never released. As the 1950s progressed, King played with several of Muddy Waters's sidemen and other Chicago mainstays, including the guitarists Jimmy Rogers, Robert Lockwood Jr., Eddie Taylor, and Hound Dog Taylor; the bassist Willie Dixon; the pianist Memphis Slim; and the harmonicist Little Walter. In 1956 he cut his first record as a leader, for El-Bee Records. The A-side was "Country Boy", a duet with Margaret Whitfield. The B-side was a King vocal. Both tracks feature the guitar of Robert Lockwood, Jr., who during these years was also adding rhythm backing and fills to Little Walter's records. King was repeatedly rejected in auditions for the South Side's Chess Records, the premier blues label, which was the home of Muddy Waters, Howlin' Wolf, and Little Walter. The complaint was that King sang too much like B.B. King. A newer blues scene, lively with nightclubs and upstart record companies, was burgeoning on the West Side, though. The bassist and producer Willie Dixon, during a period of estrangement from Chess in the late 1950s, asked King to come to Cobra Records for a session, but the results have never been heard. Meanwhile, King established himself as perhaps the biggest musical force on the West Side. He played along with Magic Sam and reputedly played backing guitar, uncredited, on some of Sam's tracks for Mel London's Chief and Age labels, though King does not stand out on them.

Answer this question "Did he ever marry?"
output:
In the same year he married another Texas native, Jessie Burnett.