input: There are many great movie directors of all time and the following are five of those who have largely impressed audience with their body of work.

As a member of the New Hollywood gang, Francis Coppola is best remembered for The God Father series. His decision to cast Marlon Brando in the lead also met with fierce opposition from the studio bosses. Good sense became popular, and The God Father went on to become one of the most memorable movies ever. Critics may point out that he has become less creative after his seventies, but try as one might, no one can possibly take the place of this great director's work.

Stanley Kubrick's movies focus on the themes like sci-fi, horror, dark humor and war. He used symbolism in most of his movies, giving us some wonderful screen visuals, as shown in 2001: A Space Odyssey. His actors in Hollywood complained about the endless number of retakes, but they appreciated the performance he milked out of them. People argue about films like Lolita, A Clockwork Orange and Paths of Glory, but these are now seen as classics.

Steven Spielberg is a great success at the box office, and he is one of the world's most popular filmmakers today. As the creator of classics like Schindler's List, Jurassic Park, ET, Indiana Jones series, Jaws, Saving Private Ryan, no one can win his hold over the audience. His critics accuse him of being emotional and over the top, _

Woody Allen is a director who directs movies full of crime and hate. This comic genius has given us Annie Hall, Hannah and Her Sisters and Midnight in Paris, which have also become classical. His movies constantly include characters who arouse the audience's sympathy and laughter at the same time, as they set out on a journey of self-discovery. Hollywood star power has never fazed Allen. Thankfully, awards and honors do not interest him, which results in creativity that is original. 1. Who is remembered for the Godfather?
2. What was his occupation?
3. What was met with fierce opposition?
4. Did it work?
5. Does he continue to be creative?
6. Who is considered to be emotional?
7. Who directed ET?
8. and Space Odyssey?
9. What does he use in many of his movies?
10. Did his actors complain about him?
11. why?
12. but how did they feel at the end?
13. Who does movies about crime?
14. and what other types?
15. Has star power fazed him?
16. A clockwork orange was made by who?
17. Does he do romantic comedies?
18. The article states it will talk about how many directors?
19. how many does it talk about?
20. Who does war movies? Return numbered answers in your output.

output: 1. Francis Coppola
2. Movie director
3. His decision to cast Marlon Brando in the lead
4. No
5. No
6. Woody Allen
7. Steven Spielberg
8. Stanley Kubrick
9. Symbolism
10. Yes
11. The endless number of retakes
12. They appreciated the performance he milked out of them
13. Woody Allen
14. Also hate.
15. No
16. Stanley Kubrick
17. No
18. Five
19. Four
20. Stanley Kubrick

input: Washington (CNN) -- A late evening meeting between President Barack Obama and the leaders of the House and Senate failed to reach agreement Wednesday on a spending plan to avert a government shutdown, but all the participants said progress was made and talks would continue.

If there is no deal by midnight Friday, when the current spending authorization measure expires, parts of the government will close down.

Obama called the 90-minute talks with House Speaker John Boehner, R-Ohio, and Senate Majority Leader Harry Reid, D-Nevada, "constructive" and he said they narrowed and clarified the outstanding issues.

"I remain confident that if we're serious about getting something done, we should be able to complete a deal and get it passed and avert a shutdown," Obama said in brief remarks to reporters. "But it's going to require a sufficient sense of urgency from all parties involved" to prevent a shutdown that "could have real effects on everyday Americans."

Both Reid and Boehner told reporters in their own brief comments that the meeting made progress in narrowing their differences, and that their staffs would work through the night to try to reach further consensus.

"I have confidence we can get this done," said Reid, who criticized Boehner and Republicans earlier in the day for intransigence. "We're not there yet."

Boehner, standing next to Reid, said "we do have some honest differences," and he emphasized there was no agreement on either a specific figure for spending cuts for the rest of the current fiscal year or on policy issues that the Republicans want included in the measure, such as specifically prohibiting funding for abortions. 1. Was an agreement reached? Return numbered answers in your output.

output: 1. failed to reach agreement

input: CHAPTER SIX.

KENNETH INDULGES IN SUSPICIONS AND SURMISES.

"Will you walk or ride?" said Kenneth Stuart as he and Gildart issued from Seaside Villa, and sauntered down the avenue that led to the principal gate.

"Ride, by all means," said Gildart, "if you have a respectable horse. I love to ride, not only on the 'bursting tide,' but on the back of a thoroughbred, if he's not too tough in the mouth, and don't incline to shy."

Kenneth replied that he had a mount to give him, which, although not quite thoroughbred, was nevertheless a good animal, and not addicted to the bad qualities objected to.

As he spoke Daniel Horsey walked up, and, touching his hat, asked if the horses would be required.

"Yes, Dan. Is Bucephalus none the worse of last night's work?"

"Niver a taste, sur. He's like a lark this mornin'."

"Well, saddle him, and also the brown horse. Bring them both over to Captain Bingley's as soon as you can."

"Yis, sur." Dan touched his cap, and walked smartly away.

"Why to my father's?" asked Gildart.

"Because, after your father and Miss Gordon were exposed to such unwonted fatigue, I wish to inquire for them personally."

"Humph! you're not satisfied with my assurance that they are well?"

"Not quite, my boy," said Kenneth, with a smile; "I wish to have the assurance from the lips of your sweet cousin."

"Whew! in love!" exclaimed Gildart.

"No; not in love _yet_," replied the other; "but, to change the subject, did you observe the manner in which my father received the news of the arrival of the 'Hawk?'" 1. Did Kenneth have a mount for Gildart?
2. What was the name of the one he had in mind?
3. What was he like this morning?
4. Did he apparently do a lot of work the previous night?
5. Who was the source that gave Bucephalus' status?
6. Who asked if horses would be required?
7. Who touched his hate when he walked up to Kenneth?
8. Is it known if anyone bullied him as a child for having such a silly name?
9. Where did Ken and Gildart issue from?
10. What did they saunter down together?
11. What did Gildart decide he wanted to do?
12. But only if Kenneth had what?
13. Does he like to swing underneath a horse?
14. Where does he like to be?
15. Is he a bit of a snob about the horse's breeding?
16. Whose father are they going to see?
17. Other than Gildart's father, who was exposed to unwonted fatique?
18. What does Kenneth wish to do to them first-hand?
19. Did Kenneth trust Gildart's assurances?
20. Does it sound like Kenneth wants to perve on Gildart's cousin?
21. Is Kenneth in love? Return numbered answers in your output.

output:
1. yes
2. Bucephalus
3. a lark
4. yes
5. Captain Bingley
6. Gildart
7. Daniel
8. unknown
9. seaside villa
10. the avenue
11. to ride
12. a respectable horse.
13. NO
14. the back
15. YES
16. Gildart.
17. Miss Gordon
18. hear their assurance
19. no
20. yes
21. Not yet