Given the task definition, example input & output, solve the new input case.
In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Output: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

New input case for you: Context_1 : Mayhem is a Norwegian black metal band formed in 1984 in Oslo. They were one of the founders of the Norwegian black metal scene and their music has strongly influenced the black metal genre. Mayhem's early career was highly controversial, primarily due to their notorious live performances, the 1991 suicide of vocalist Per Yngve Ohlin ("Dead") and the 1993 murder of guitarist ystein Aarseth ("Euronymous") by former member Varg Vikernes ("Count Grishnackh"), of Burzum. Context_2 : Lars Goran Petrov (born 17 February 1972), often abbreviated to LG Petrov, is a Swedish singer of Macedonian origin. He is best known for his work with the band Entombed. In 1991 he was forced to quit Entombed, due to Petrov "making an ill-advised pass" at the girlfriend of Entombed drummer Nicke Andersson. He contributed the vocals for fellow Swedish death metal band Comecon's debut album "Megatrends in Brutality". In 1992, he returned to Entombed. He also played drums in Morbid, which featured Mayhem vocalist Per Yngve "Dead" Ohlin in its original line up. Context_3 : The Survivors were a Brisbane punk rock band that originally formed in 1976 as Rat Salad, a party band, The Survivors attained cult status in Australia by their acknowledged popular live performances and contribution to the "Lethal Weapons" punk compilation album. Original band members were Greg Williamson on guitar and vocals, Jim Dickson on bass guitar and vocals, Bruce Anthon on drums and vocals. David Nichols, from the "Mess And Noise" website, commented that, "The Survivors were legends in their home town of Brisbane, a highly popular and adept band whose sets were mainly cool '60s covers." Context_4 : Illud Divinum Insanus is the eighth studio album by American death metal band Morbid Angel. It was released on June 7, 2011, by independent French record label Season of Mist. It is Morbid Angel's first album since "Heretic" (2003), the band's longest gap to date between studio albums. This is the only Morbid Angel album to feature guitarist Destructhor and drummer Tim Yeung, making it their first not to feature Pete Sandoval, who was recovering from surgery. It is also the band's only album to feature bassist/vocalist David Vincent since he rejoined in 2004. Context_5 : Jag Star (just a girl singing to a radio) is an alternative rock/pop band from Knoxville, Tennessee. Originally formed in late 1998, the band has released four independent records, and have a number of singles on a compilation album. The band has seen several line up changes and has toured extensivley since 2000. Of the original line up listed on the band's first EP "The Beginning", only Sarah and J Lewis remain. Erin (Tipton) Archer, violist, was an original member but left the band in 2003 shortly after she married. The current line up includes Sarah Lewis (lead vocals, songwriter, keys), Brad Williams (drums), Just J (guitar), Drew Gilch (Bass) and Jay Daniel (Bass). Although listed as a current member, Jay Daniel has not performed with the band in recent months. Sarah is a signed songwriter to a publishing company and has had many songs featured all over television, including NBC, ABC Family, FOX, Lifetime, Disney, MTV, A & E, Travel, etc. The band is currently (as of April 2009) in the studio finishing up album number five. Context_6 : The Angie Pepper Band was a band formed in Sydney, Australia, which centralised around the artist Angie Pepper. Angie Pepper first came to notice as vocalist for the post punk independent Sydney band the Passengers, who produced one single ("Face With No Name") on the Phantom label. She married Radio Birdman co-founder Deniz Tek, and they played together in the short lived Angie Pepper Band whose ranks included a future Hoodoo Guru in Clyde Bramley and a former Saints drummer in Ivor Hay. Context_7 : A ghost band is, in the case of big band jazz, a band that performs under the original name of a deceased leader. In the case of rock, under a relaxed definition, it is a band that performs under the name of the original band whose founders are either deceased or have left the band. Use of the phrase may refer to a repertory jazz ensemble, such as a Dixieland band, with a longstanding, historic name. But in the strictest sense, a ghost band is connected in some way to a deceased leader. Context_8 : Halfway to Gone is an American heavy metal band from New Jersey. The band formed in 1999 when bassist and founding member of Solarized, Lou Gorra got together with Lee Stuart (Solarized's touring guitarist), and drummer Danny Gollin. Chuck Dukehart from Sixty Watt Shaman played drums in the band for a year before being replaced by Kenny Wagner, also of Sixty Watt Shaman & Honky, who toured with them and played on "Second Season". The band did U.S. tours & played shows with Clutch, Nashville Pussy, Nebula, CKY, Suplecs, and many others. The band's style has been described as a mixture of Stoner rock, Southern rock and Heavy metal, inspired by Lynyrd Skynyrd and Black Sabbath, among others. They released an album with Alabama Thunderpussy in 2000 and their own debut early the next year. They have released two more albums since. They went on extended hiatus in 2004 but are rumored to be doing another album in 2012 with original line up of Stu, Danny, & Lou on Smallstone Records. Context_9 : A cover band (or covers band), is a band that plays mostly or exclusively cover songs. New or unknown bands often find the format marketable for smaller venues, such as pubs, clubs, or parks. The bands also perform at private events, for example, weddings and birthday parties and may be known as a wedding band, party band, function band or band-for-hire. A band whose covers consist mainly of songs that were chart hits is often called a top 40 band. Some bands, however, start as cover bands, then grow to perform original material. For example, The Rolling Stones released three albums consisting primarily of covers before recording one with their own original material. Context_10 : Adema is a nu metal band from Bakersfield, California. The band formed in 2000 with members lead vocalist Mark Chavez, vocalist/guitarist Tim Fluckey, guitarist Mike Ransom, bassist Dave DeRoo, and drummer Kris Kohls. After their first two albums, "Adema", and "Unstable", the band was plagued with years of conflict and lineup changes. Ransom left the band in 2003 due to conflicts with Chavez followed by Chavez later in 2004 due to conflicts with the rest of the band. Luke Caraccioli replaced Chavez in early 2005 for one album, "Planets", but then left a few months later in late 2005. Vocalist Bobby Reeves and guitarist Ed Farris, both from the band Level, were recruited to join as well, but only released one album, "Kill the Headlights" in 2007, before entering a hiatus. The band's original line up reformed in late 2009 and toured, but both Ransom and Chavez left again before any new music would be recorded. Fluckey took over lead vocals from 2011 to 2017. The lineup released an EP, "Topple the Giants." In 2013 Ransom returned once again; Chavez rejoined the band again in March 2017, solidifying the current line-up. fact_1 : He also played drums in Morbid, which featured Mayhem vocalist Per Yngve "Dead" Ohlin in its original line up. fact_2 : Mayhem is a Norwegian black metal band formed in 1984 in Oslo. Answer: 1984
Output:
In what year was the band whose vocalist was in the original line up of the band Morbid formed?