Article: Your reader doesn't need to read about every event that lead to the problem your character is dealing with. They only want to see a snapshot of your character's life. Pick an inciting incident that gets the reader into the plot quickly. This will help you ensure your story doesn't move too slowly. For example, starting with Esther walking to the hospital is a better place to start than when she enrolled in medical school. However, it might be even better to start when she arrives at the hospital. Dialogue breaks up your paragraphs, which helps your reader's eyes move down the page. Additionally, dialogue lets you present what your characters are thinking in their own words without having to include a lot of internal monologue. Use dialogue throughout your story to convey your character's thoughts. However, make sure each piece of dialogue is driving the plot. For example, this piece of dialogue shows us that Esther is frustrated: "But I'm the top student in my class," Esther pleaded. "Why should they get to examine patients but not me?" It's hard to do mean things to your characters, but your story will be boring if you don't. Give your characters obstacles or hardships that keep them away from what they want. That way, you'll have something to resolve in order for them to reach their desires. For example, Esther being denied entry to the hospital as a doctor is a horrible experience for her. Similarly, being grabbed by security would be frightening. Use the senses of sight, hearing, touch, smell, and taste to bring your reader into the story. Make your setting more dynamic by showing your reader what sounds they would hear, the smells they would notice, and the sensations they'd feel. This will make your story more engaging. For example, Esther could react to the smell of the hospital or the sound of beeping machines. Try to make your readers feel what your character is feeling. Do this by connecting what your character is going through to something universal. The emotions will draw readers into your story. For instance, Esther has worked really hard for something only to be denied it based on a technicality. Most people have experienced a failure like this before.
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Begin your story as close to the end as you can. Incorporate dialogue that reveals something about your characters. Build tension by having bad things happen to your characters. Stimulate the 5 senses by including sensual details. Use emotion to help the reader relate to your story.