An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: Man, what a scam this turned out to be! Not because it wasn't any good (as I wasn't really expecting anything from it) but because I was misled by the DVD sleeve which ignorantly paraded its "stars" as being Stuart Whitman, Stella Stevens and Tony Bill. Sure enough, their names did not appear in the film's opening credits, much less themselves in the rest of it!! As it turned out, the only movie which connects those three actors together is the equally obscure LAS VEGAS LADY (1975) but what that one has to do with THE CRATER LAKE MONSTER is anybody's guess

Even so, since I paid $1.50 for its rental and I was in a monster-movie mood anyhow, I elected to watch the movie regardless and, yup, it stunk! Apart from the fact that it had a no-name cast and an anonymous crew, an unmistakably amateurish air was visible from miles away and the most I could do with it is laugh at the JAWS-like pretensions and, intentionally so, at the resistible antics of two moronic layabouts-cum-boat owners who frequently squabble among themselves with the bemused local sheriff looking on. The creature itself a plesiosaur i.e. half-dinosaur/half-fish is imperfectly realized (naturally) but, as had been the case with THE GIANT CLAW (1957) which I've also just seen, this didn't seem to bother the film-makers none as they flaunt it as much as they can, especially during the movie's second half!
Q: What's an example of a movie review?
An example of a movie review is here: Eglimata (= Crimes) is a story about little crimes everyday people commit that in a crazy scenario could lead to the absolute disaster.One of the smartest Greek series ever!Actors like Ketty Konstadinou and Maria Kavogianni showed a whole new dimension of themselves and talent and gave us moments of incredible 'guilty' laughing.Every viewer seemed to recognise the bad side of their self in one of the characters or at least a side of their self they wish they had. Actors of every age that played bigger and smaller parts gained an equally big space in Greek audience's heart.My personal favourites (apart the first two i mentioned)are Vassilis Haralambopoulos, Athinodoros Prousalis and Stavros Nikolaidis but so many amazing actors passed by some episodes from time to time. Whoever around the world understands Greek should find a way to watch this series,even though it's been more than 5 years that it was on TV.In Greece they keep repeating the series (ANT1) in every chance there is like summertime or early afternoon zones.We'll never forget Eglimata or any of the casting crew!
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: There is one really good scene in Faat Kine. The title character gets in an argument with another woman and after being threatened, Faat Kine sprays her in the face. The scene works because the act is so unexpected, bizarre, and rather funny at the same time. In that one instance, writer/director Ousmane Sembene gives the audience a character that is easy to root for, an interesting film character that could be worth watching for two hours. In the scene, he presents a brave woman who is bold in her actions. For the rest of the movie, the only other thing he seems to present is conflicting tones.

The tone is all over the place. It's true not all movies have to clearly fit within a specific genre, but I don't think Faat Kine fits into any genre. Supposedly, it's a drama, though there are moments of such broad comedy (the aforementioned spraying in the face) that it cannot be taken seriously. On the other hand, the film is certainly not a comedy with the abundant amount of serious topics Sembene has crammed into the picture. There is a way to successfully mix comedy and drama together. Unfortunately, Semebene doesn't find that balance. Instead, one scene after another just drift into each other without much rhyme or reason, leaving two different tones hanging in the wind.

Faat Kine also has the problem of running two hours long with an extremely drawn out finale. The film ends with a big party where all the characters' conflicts are resolved, only they aren't resolved quickly. The scene lasts longer than any other scene, going on for probably twenty minutes. Because the rest of the scenes up until this point have been meandering, the finale is particularly hard to endure with repetition beginning early on in the scene, making for a frustrating viewing experience.

Perhaps I am being too hard on Faat Kine. I am not the right audience for it. I felt nothing towards the characters and had no connection to any part of the story. There are people who will probably find something meaningful in the story and see strong characters. However, I was unable to do so and thus cannot recommend it.
Problem: OPTIONS:
- negative
- positive negative
=++++=
Answer: I guess I am coming late to the party. I just saw this 1995 version of Bye Bye Birdy on Sky TV. I didn't know it existed and was fully prepared to see the 1963 film version when I turned it on.

I played Albert a long time ago and I am thinking of putting on an amateur production of the show because I remembered it as being so much fun to do. I was not impressed with this newer version. It just wasn't enough fun. It was not colorful. It lacked the exuberance of youth. The lighting was bad. No one seemed to mention this fact. This is not a moody musical, it is bright and up beat. The lighting decision was a poor creative choice.

Bye Bye Birdy is a farce, a comedy of errors. I got no sense of that in this version. The lighting was awful and it dulled the overall performances. The dance numbers seemed anemic as well. We do have music videos these day. At least the dance numbers should have measured up to some of the best of those, or how about some of the best of Broadway. The choreographer was asleep at the wheel it seemed.

Although all the actors were supremely talented, there were some really bad casting choices. Vanessa Williams is not Latin, and with so many talented Latin performers out there, wouldn't it have been more correct to cast one of them in the role of Rosie. Vanessa is African American, lovely and talented, but bad casting. Jason Alexander's effort was astounding, he always does intelligent work, but he just wasn't Albert. He was miscast and I think that is obvious to most people who see this version.

The medium of film is not the medium of stage. There needs to be translation from one medium to another. The exuberance and the flash of stage musical must be TRANSLATED to film. There is no merit being faithful to a stage script when it is being filmed. The spirit, the essence of the production must be brought forth. To me the 1963 film production of Bye Bye Birdy was bright and lively, while the 1995 production was as gloomy as the lighting and as lackluster as the dance numbers. It turned out to be an unfortunate waste of effort by many really talented people.
An example of a movie review. negative (OPTIONS:
- negative
- positive).

A:
This movie is just not worth your time. Its reliance upon New-Age mysticism serves as its only semi-interesting distraction. The plot is one that has been re-cycled countless times.

I was only prompted to even spend the time to put in a comment when I noted that some have tried to prop-up the reputation of this drivel. Their motivation & objectivity is dubious, since they encourage you not to look at the movies faults, but at its well intentioned message of New Age consciousness.

So would it be alright for some twenty to thirty Evangelical Christians, or Islamic Fundamentalists to pour in positive ratings about movies/television that support their views? In spite of the poor qualities of production, or the lack of truth in any of its supposed historic basis? I hope not.

I am sure the followers will come right behind me to say flowery things about this movie, in spite of the truth.