Input: Read this: During the 1988 presidential election, George H. W. Bush (Yale '48) derided Michael Dukakis for having "foreign-policy views born in Harvard Yard's boutique". When challenged on the distinction between Dukakis's Harvard connection and his own Yale background, he said that, unlike Harvard, Yale's reputation was "so diffuse, there isn't a symbol, I don't think, in the Yale situation, any symbolism in it" and said Yale did not share Harvard's reputation for "liberalism and elitism". In 2004 Howard Dean stated, "In some ways, I consider myself separate from the other three (Yale) candidates of 2004. Yale changed so much between the class of '68 and the class of '71. My class was the first class to have women in it; it was the first class to have a significant effort to recruit African Americans. It was an extraordinary time, and in that span of time is the change of an entire generation".
Question: How did George W. Bush describe Yale's reputation?

Output: unanswerable

QUES: In 1899, the memorial, by the Berlin sculptor Ernst Gustav Herter (18461917), finally came to rest, although subject to repeated vandalism, in the Bronx, at 164th Street and the Grand Concourse, or Joyce Kilmer Park near today's Yankee Stadium. (In 1999, it was moved to 161st Street and the Concourse.) In 2007, Christopher Gray of The New York Times described it as "a writhing composition in white Tyrolean marble depicting Lorelei, the mythical German figure, surrounded by mermaids, dolphins and seashells."

When was Herter born?
What is the answer?
ANS: 1846

QUES: The almost constant wars among the Sumerian city-states for 2000 years helped to develop the military technology and techniques of Sumer to a high level. The first war recorded in any detail was between Lagash and Umma in c. 2525 BC on a stele called the Stele of the Vultures. It shows the king of Lagash leading a Sumerian army consisting mostly of infantry. The infantrymen carried spears, wore copper helmets, and carried rectangular shields. The spearmen are shown arranged in what resembles the phalanx formation, which requires training and discipline; this implies that the Sumerians may have made use of professional soldiers.
How many years were the Sumerian city-states at war?

ANS: 2000 years

Sunlight is also captured by plants as chemical potential energy in photosynthesis, when carbon dioxide and water (two low-energy compounds) are converted into the high-energy compounds carbohydrates, lipids, and proteins. Plants also release oxygen during photosynthesis, which is utilized by living organisms as an electron acceptor, to release the energy of carbohydrates, lipids, and proteins. Release of the energy stored during photosynthesis as heat or light may be triggered suddenly by a spark, in a forest fire, or it may be made available more slowly for animal or human metabolism, when these molecules are ingested, and catabolism is triggered by enzyme action.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What is also captured by plants as chemical potential energy in photosynthesis?
Ah, so.. Sunlight

Question: The canon law of the Eastern Catholic Churches, which had developed some different disciplines and practices, underwent its own process of codification, resulting in the Code of Canons of the Eastern Churches promulgated in 1990 by Pope John Paul II.
Try to answer this question if possible: Who sponsored the promulgation of Eastern Catholic Church laws?
Answer: Pope John Paul II

Question: From the 19th century, there was a revival in many ancient glass-making techniques including cameo glass, achieved for the first time since the Roman Empire and initially mostly used for pieces in a neo-classical style. The Art Nouveau movement made great use of glass, with Rene Lalique, Emile Galle, and Daum of Nancy producing colored vases and similar pieces, often in cameo glass, and also using luster techniques. Louis Comfort Tiffany in America specialized in stained glass, both secular and religious, and his famous lamps. The early 20th-century saw the large-scale factory production of glass art by firms such as Waterford and Lalique. From about 1960 onwards there have been an increasing number of small studios hand-producing glass artworks, and glass artists began to class themselves as in effect sculptors working in glass, and their works as part fine arts.
Try to answer this question if possible: When did glassworkers begin to consider their products fine art?
Answer:
1960