Read the article and select the best answer. Article: How much empathy do you feel towards other people? If you saw someone fall off their bike in traffic,would you stop and help--or just walk away? Many people would give in to coldness,go about their business and just do nothing.So it was a big surprise when about 100 bystanders got together recently to move a bus in east London to help a cyclist trapped under it.A video of the incident went viral on social media. According to Zoheb,a driver who stopped his car to take part in the rescue,about five people gathered to move the bus.He says:"There was no chance we could do it,it was more an invitation for other people to help,really." The initiative paid off.Diners from nearby restaurants joined in.There wasn't much coordination but it didn't take long to develop a collective understanding of what the objective was. Spontaneous cooperation among strangers doesn't happen often.People in a crowd are not sure what to do--they don't have a plan.It's one of the reasons bystanders often do nothing,according to Dr Mark Levine,professor of social psychology at Exeter University in Britain."The presence of others can prevent you from helping",he says. The key to positive group behaviour,Levine explains,"is building a sense of shared identity".Action has to be decided quickly,Levine says."The longer you leave it,the harder it is to make a decision.If you don't immediately act then you kind of think'Well,actually I probably couldn't have done anything anyway'." But the people who took the initiative like Zoheb might make a difference.The cyclist ended up in hospital and the images of the collective effort might inspire others to more acts of unity. Question: What can we learn from the text? Options: A: The sense of shared identity makes no difference. B: It's not necessary to make a quick decision. C: It's impossible for strangers to cooperate. D: Collective effort is inspiring.
D

Read the article and select the best answer. Article: Last year, Jin Yucheng'sFanHuawas taken to Salon du livre, France's largest book fair, along with other contemporary Chinese literary works such as Bi Feiyu'sSubeiYouth"DonQuixote". The two books attracted the attention of Editions Philippe Picquier, a French publisher that specializes in translating books from China, Japan, South Korea, India, Vietnam and other countries in Asia. This publisher reportedly purchased the copyright ofSubeiYouth"DonQuixote", a non-fiction work about the writer's childhood in East China's Jiangsu province, for 130,000 euros ($143,000). Editions Philippe Picquier was also interested inFanHua, but didn't follow up owing to translation issues. The book is Jin's debut novel, which is set in Shanghai and tells stories of two decades: the 1960s and the 1990s. There are no major plots, but excerpts from the lives of its different characters, threaded by dialogues. There are detailed depictions of streets, entertainment activities and relationships in the representative times in Shanghai, covering the"Cultural Revolution"(1966-1976) and the"Reform&Opening Up"phases. As Hong Kong-based film director Karwai Wong put it, the novel is full of a"rich and strong"flavor of local people's lives. In May 2011, when Jin, then an editor at a literary magazine in Shanghai, started to post interesting stories he heard about Shanghai on the local website longdang.org, little did he realize that it would become more than just fun. His stories soon attracted more readers whose comments urged him to post more. In five months, Jin, then 59, wrote more than 330,000 characters online. The novel was first titledShanghaiAbaoafter its major character Abao. The following year, Jin started serializing his novel inHarvest, one of China's leading literary magazines. Finally, Jin's efforts resulted in a book in 2013, and with it came lots of awards, including the 9th prestigious Mao Dun Literature Prize. Some critics compare it with fellow Shanghai-based author Eileen Chang's novels andDreamoftheRedChamber, calling... Question: How did Jin feel about his success in the local website longdang.org? Options: A: Surprised. B: Reasonable. C: Temporary. D: Challenging.
A

*Question*
Read the article and select the best answer. Article: The values of artistic works, according to cultural relativism , are simply reflections of local social and economic conditions. Such a view, however, fails to explain the ability of some works of art to excite the human mind across cultures and through centuries. History has witnessed the endless productions of Shakespearean plays in every major language of the world. It is never rare to find that Mozart packs Japanese concert halls, as Japanese painter Hiroshige does Paris galleries, Unique works of this kind are different from today's popular art, even if they began as works of popular art. They have set themselves apart in their timeless appeal and will probably be enjoyed for centuries into the future. In a 1757 essay, the philosopher David Hume argued that because"the general principles of taste are uniform in human nature,"the value of some works of art might be essentially permanent. He observed that Homer was still admired after two thousand years. Works of this type, he believed, spoke to deep and unvarying features of human nature and could continue to exist over centuries. Now researchers are applying scientific methods to the study of the universality of art. For example, evolutionary psychology is being used by literary scholars to explain the long-lasting themes and plot devices in fiction. The structures of musical pieces are now open to experimental analysis as never before. Research findings seem to indicate that the creation by a great artist is as permanent an achievement as the discovery by a great scientist. Question: According to Hume, some works of art can exist for centuries because _ . Options: A: they are results of scientific study B: they establish some general principles of art C: they are created by the world's greatest artists D: they appeal to unchanging features of human nature
**Answer**
D