Question:
Read the text and answer the questions.
CHAPTER XI

Thus William Wetherell became established in Coniston, and was started at last--poor man--upon a life that was fairly tranquil. Lem Hallowell had once covered him with blushes by unfolding a newspaper in the store and reading an editorial beginning: "We publish today a new and attractive feature of the Guardian, a weekly contribution from a correspondent whose modesty is to be compared only with his genius as a writer. We are confident that the readers of our Raper will appreciate the letter in another column signed 'W. W.'" And from that day William was accorded much of the deference due to a litterateur which the fates had hitherto denied him. Indeed, during the six years which we are about to skip over so lightly, he became a marked man in Coniston, and it was voted in towns meeting that he be intrusted with that most important of literary labors, the Town History of Coniston.

During this period, too, there sprang up the strangest of intimacies between him and Jethro Bass. Surely no more dissimilar men than these have ever been friends, and that the friendship was sometimes misjudged was one of the clouds on William Wetherell's horizon. As the years went on he was still unable to pay off the mortgage; and sometimes, indeed, he could not even meet the interest, in spite of the princely sum he received from Mr. Willard of the Guardian. This was one of the clouds on Jethro's horizon, too, if men had but known it, and he took such moneys as Wetherell insisted upon giving him grudgingly enough. It is needless to say that he refrained from making use of Mr. Wetherell politically, although no poorer vessel for political purposes was ever constructed. It is quite as needless to say, perhaps, that Chester Perkins never got to be Chairman of the Board of Selectmen.
1. who was established in Coniston ?
2. who covered him ?
3. how ?
4. was the Guardian a yearly contribution ?
5. what was the column signed by ?
6. who became a marked man ?
7. what is the most important of literary labors ?
8. who was unable to pay the mortgage ?
9. Who paid him a large sum of money ?
10. of where ?

Numbered answers:
1. William Wetherell
2. Lem Hallowell
3. reading an editorial
4. unknown
5. W. W.'"
6. William
7. the Town History of Coniston
8. William Wetherell
9. Mr. Willard
10. the Guardian

Question:
Read the text and answer the questions.
Integrated Services Digital Network (ISDN) is a set of communication standards for simultaneous digital transmission of voice, video, data, and other network services over the traditional circuits of the public switched telephone network. It was first defined in 1988 in the CCITT red book. Prior to ISDN, the telephone system was viewed as a way to transport voice, with some special services available for data. The key feature of ISDN is that it integrates speech and data on the same lines, adding features that were not available in the classic telephone system. The ISDN standards define several kinds of access interfaces, such as Basic Rate Interface (BRI), Primary Rate Interface (PRI), Narrowband ISDN (N-ISDN), and Broadband ISDN (B-ISDN).

ISDN is a circuit-switched telephone network system, which also provides access to packet switched networks, designed to allow digital transmission of voice and data over ordinary telephone copper wires, resulting in potentially better voice quality than an analog phone can provide. It offers circuit-switched connections (for either voice or data), and packet-switched connections (for data), in increments of 64 kilobit/s. In some countries, ISDN found major market application for Internet access, in which ISDN typically provides a maximum of 128 kbit/s bandwidth in both upstream and downstream directions. Channel bonding can achieve a greater data rate; typically the ISDN B-channels of three or four BRIs (six to eight 64 kbit/s channels) are bonded.
1. When was ISDN first defined?
2. Where?
3. What does it stand for?
4. Does it support video?
5. What else?
6. What is its key feature?
7. was this available before?
8. What does BRI stand for?
9. What kind of interface is BRI?
10. Can you name other kinds?
11. What are the name of two others?
12. What kind of switches does ISDN use?
13. Can you utilize any others?
14. Which one?
15. What does that do?
16. What kind of wire is used?
17. Does this lead to better or worse quality?
18. How many kilobits are utilized?
19. Whats the max bandwidth?
20. Is that for both directions?
21. What can result in a higher rate?
22. How many are bonded?

Numbered answers:
1. 1988
2. in the CCITT red book
3. Integrated Services Digital Network
4. yes
5. speech
6. it integrates speech and data on the same lines
7. no
8. Basic Rate Interface
9. access interface
10. Yes
11. Narrowband ISDN (N-ISDN), and Broadband ISDN (B-ISDN)
12. circuit-switches
13. Yes
14. packet-switched
15. carries data
16. copper
17. Better
18. 64 kilobit/s
19. 128 kbit/s
20. yes
21. Channel bonding
22. three or four

Question:
Read the text and answer the questions.
A parody (; also called a spoof, send-up, take-off, or lampoon) is a work created to imitate, make fun of, or comment on an original workits subject, author, style, or some other targetby means of satiric or ironic imitation. As the literary theorist Linda Hutcheon puts it, "parody is imitation, not always at the expense of the parodied text." Another critic, Simon Dentith, defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice." Parody may be found in art or culture, including literature, music (although "parody" in music has an earlier, somewhat different meaning than for other art forms), animation, gaming, and film.

The writer and critic John Gross observes in his "Oxford Book of Parodies", that parody seems to flourish on territory somewhere between pastiche ("a composition in another artist's manner, without satirical intent") and burlesque (which "fools around with the material of high literature and adapts it to low ends"). Meanwhile, the "Encyclopedie" of Denis Diderot distinguishes between the parody and the burlesque, "A good parody is a fine amusement, capable of amusing and instructing the most sensible and polished minds; the burlesque is a miserable buffoonery which can only please the populace." Historically, when a formula grows tired, as in the case of the moralistic melodramas in the 1910s, it retains value only as a parody, as demonstrated by the Buster Keaton shorts that mocked that genre.
1. Who wrote "Oxford Book of Parodies?"
2. What Is his profession?
3. He said parody flourishes somewhere between what and what?
4. What's another word for a parody?
5. What else?
6. Does a parody make fun of someone or something?
7. By what means?
8. Who is Linda Hutcheon?
9. Who wrote "Encyclopedie"
10. Does he think a good parody is funny, even to scholars?
11. What does he call burlesque?
12. Who mocked melodramas?
13. What was basically wrong with those melodramas?
14. Who did Diderot think enjoyed burlesque?
Numbered answers:
1. John Gross
2. he is a writer
3. pastiche and burlesque
4. a spoof
5. a send-up
6. it can
7. imitation
8. a literary theorist
9. Denis Diderot
10. Yes
11. a miserable buffoonery
12. Buster Keaton
13. the formula grew tired
14. the populace