IN: Wilbur Dorsey "Buck" Clayton (November 12, 1911 - December 8, 1991) was an American jazz trumpet player who was a leading member of Count Basie's "Old Testament" orchestra and a leader of mainstream-oriented jam session recordings in the 1950s. His principal influence was Louis Armstrong. The Penguin Guide to Jazz says that he "synthesi[zed] much of the history of jazz trumpet up to his own time, with a bright brassy tone and an apparently limitless facility for melodic improvisation". Clayton worked closely with Li Jinhui, father of Chinese popular music in Shanghai.

Clayton learned to play the piano from the age of six. His father was an amateur musician associated with the family's local church, who was responsible for teaching his son the scales on a trumpet which he did not take up until his teens. From the age of seventeen, Clayton was taught the trumpet by Bob Russell, a member of George E. Lee's band. In his early twenties he was based in California, and was briefly a member of Duke Ellington's Orchestra and worked with other leaders. Clayton was also taught at this time by trumpeter Mutt Carey, who later emerged as a prominent west-coast revivalist in the 1940s. After high school, he moved to Los Angeles. He later formed a band named "14 Gentlemen from Harlem" in which he was the leader of the 14-member orchestra. From there, there are multiple sources claiming different ways in which Clayton ended up in Shanghai. Some claimed that Clayton was picked by Teddy Weatherford for a job at the Canidrome ballroom in the French Concession in Shanghai. Others claimed he escaped the US temporarily to avoid racism. From 1934 or 1935 (depending on the sources), he was a leader of the "Harlem Gentlemen" in Shanghai. Some of the bureaucratic social groups he was with included Chiang Kai-shek's wife Soong Mei-ling and her sister Ai-ling, who were regulars at the Canidrome. Clayton would play a number of songs that were composed by Li Jinhui, while adopting the Chinese music scale into the American scale. Li learned a great deal from the American jazz influence brought over by Clayton. A 1935 guidebook in Shanghai listed Clayton and Teddy Weatherford as the main jazz attraction at the Canidrome. He would eventually leave Shanghai before the 1937 Second Sino-Japanese War. Clayton is credited for helping to close the gap between traditional Chinese music and shidaiqu/mandopop. Li is mostly remembered in China as a casualty of the Cultural Revolution.
QUESTION: Around what year did that happen?
IN: Timmons was born in Philadelphia, Pennsylvania, the son of a minister. He had a sister, Eleanor. Both of his parents, and several aunts and uncles, played the piano. From an early age Timmons studied music with an uncle, Robert Habershaw, who also taught McCoy Tyner.

Timmons left Blakey for the second time in June 1961, encouraged by the success of his compositions, including jukebox plays of "Dat Dere", which Oscar Brown had recorded after adding lyrics. Timmons then formed his own bands, initially with Ron Carter on bass and Tootie Heath on drums. They toured around the US, including the West Coast, but played most in and around New York. In the initial stages of this trio, Timmons liked the group sounds of the trios led by Red Garland and Ahmad Jamal. According to Tootie Heath, Timmons was at the peak of his fame at that point, but was addicted to heroin, and used a lot of the money that the band was paid maintaining his habit. In 1963 Timmons' playing, with Lewis Powers on bass and Ron McCurdy on drums, was described by a Washington Post reviewer as "flexible and adventuresome [...] Glossing over everything is an undeniable sheen of church music and spirituals." In 1965 the same reviewer commented that Timmons was employing musicians who were of much lower ability: "Timmons lacks a certain passion but I wonder if this is not the fault of his sidemen." Timmons started playing vibes in the mid-1960s. He occasionally played organ, but recorded only one track on that instrument - a 1964 version of "Moanin'" on From the Bottom. Recordings as a leader continued, usually as part of a trio or quartet, but, after joining Milestone Records around 1967, Timmons' album Got to Get It! featured him as part of a nonet, playing arrangements by Tom McIntosh. Timmons' career declined quickly in the 1960s, in part because of drug abuse and alcoholism and partly as a result of frustration at being typecast as a composer and player of seemingly simple pieces of music. In 1968 he made his second, final, recording for Milestone, Do You Know the Way? In the following year he played in a quartet led by Sonny Red, with Dexter Gordon on one of the saxophonist's temporary returns to the US from Europe, and in a trio backing vocalist Etta Jones. Timmons continued to play in the early 1970s, mostly in small groups or in combination with other pianists, and mainly in the New York area. According to saxophonist Jimmy Heath, Timmons joined Clark Terry's big band for a tour of Europe in 1974. He was unwell and drank on the plane to Sweden, and fell while drinking at the bar before the band's first concert, in Malmo. Susceptible to blood clotting, he was flown back to the US. On March 1, 1974, he died from cirrhosis, at the age of 38, at St Vincent's Hospital in New York. He had been in hospital for a month. He was buried in Philadelphia, and was survived by his wife, Estelle, and son, also Bobby.
QUESTION: What happened in 1961
IN: Kim was born Han Jae-joon (hanjaejun; Han Zai Jun ) in Gongju, Chungcheongnam-do, South Korea. His real birthday, as revealed by his biological mother, was on 4 February, instead of 26 January. At a young age, he was given up for adoption by his biological mother to the Kim family, and his name was changed to Kim Jae-joong. When Kim was fifteen, he moved to Seoul by himself in order to take part in the auditions held by SM Entertainment.

On 17 January 2013, Kim released his first solo EP titled I/MINE, a rock-themed album which Kim penned all the lyrics to. The album debuted at the top of both the Hanteo and Gaon weekly charts in Korea. It was also met with resounding success throughout Asia, topping Taiwan's Five Music's Korean and Japanese music chart, Japan's Shinseido weekly chart and Yin Yue Tai's V chart for K-pop. It also topped the iTunes rock charts in nine countries. Additionally, the pre-released single "One Kiss" and lead single "Mine" topped both domestic charts and foreign charts, including a German Asian music chart. On 26 and 27 January, Kim held two days of special concerts at the KINTEX Ilsan to celebrate the launch of the album, as well as his birthday. Kim then released a repackaged version of his album, titled Y which consists of contains two additional tracks: "Only Love" and "Kiss B" . The album was met with success and sold 50,000 copies upon release. His first full-length solo album, WWW was released on 29 October 2013. A single titled "Sunny Day" was released ahead of the album and topped the iTunes EP chart in Japan. A repackaged version of the album, WWW: Remove Makeup was subsequently released in January 2014 and included the title track "Heaven", a pop ballad with label-mate Gummy. To promote his first album, Kim embarked on his first Asia tour which traveled to regional countries like Japan, Taiwan and China. His second solo album, No.X was released on 12 February 2016. It topped iTunes charts of 39 countries around the world upon its release, and was named the most popular K-pop album in China for 2016.
QUESTION:
Where else did he have success?