Problem: Generate a question that has the following answer: Salieri. for the following movie plot: The story begins in 1823 as the elderly Salieri attempts suicide by slitting his throat while loudly begging forgiveness for having killed Mozart in 1791. Placed in a lunatic asylum for the act, Salieri is visited by a young priest who seeks to take his confession. Salieri is sullen and uninterested but eventually warms to the priest and launches into a long "confession" about his relationship with Mozart.Salieri's tale goes on through the night and into the next day. He reminisces about his youth, particularly about his devotion to God and his love for music and how he pledges to God to remain celibate as a sacrifice if he can somehow devote his life to music. He describes how his father's plans for him were to go into commerce, but suggests that the sudden death of his father, who choked to death during a meal, was "a miracle" that allowed him to pursue a career in music. In his narrative, he is suddenly an adult joining the 18th century cultural elite in Vienna, the "city of musicians." Salieri begins his career as a devout, God-fearing man who believes his success and talent as a composer are Gods rewards for his piety. He is content as the court composer for Holy Roman Emperor Joseph II.Mozart arrives in Vienna with his patron, Count Hieronymus von Colloredo, the Prince-Archbishop of Salzburg. Salieri secretly observes Mozart at the Archbishop's palace, but they are not properly introduced. Salieri sees that offstage, Mozart is irreverent and lewd. He also first recognizes the immense talent displayed in the adult works of Mozart. In 1781, when Mozart meets the Emperor, Salieri presents Mozart with a "March of Welcome," which he toiled to create. After hearing the march only once, Mozart plays it from memory, critiques it, and effortlessly improvises a variation, transforming Salieri's "trifle" into the "Non piu andrai" march from his 1786 opera The Marriage of Figaro.Salieri reels at the notion of God speaking through the childish, petulant Mozart: nevertheless, he regards his music as miraculous....

A: Who commits suicide?

Problem: Generate a question that has the following answer: Torchie's. for the following movie plot: In an unnamed city in a time period that resembles the 1950s (referred to within the film as 'another time, another place'), Ellen Aim (Diane Lane), lead singer of Ellen Aim and The Attackers, has returned home to give a concert. The Bombers, a biker gang, led by Raven Shaddock (Willem Dafoe), kidnap Ellen. Witnessing this is Reva Cody (Deborah Van Valkenburgh), who hires her brother Tom (Michael Pare), an ex-soldier and Ellen's ex-boyfriend, to rescue her. Tom returns and checks out the local tavern, the Blackhawk. He is annoyed by a tomboyish ex-soldier named McCoy (Amy Madigan), a mechanic who "could drive anything" and who is good with her fists. They leave the bar and later Tom hires McCoy to be his driver. That night, Tom and Reva plan to rescue Ellen; Reva contacts Billy Fish (Rick Moranis), Ellen's manager and current boyfriend. While Reva and McCoy go to a diner to wait for Billy, Tom acquires a cache of weapons, including a pump action shotgun, a revolver, and a lever action rifle. Tom and Billy meet at the diner and Tom agrees to the rescue for $10,000, and that Billy goes with Tom back into "the Battery" to get Ellen. In the Battery, they visit Torchie's, where Billy used to book bands. They wait until nightfall under an overpass, watching bikers come and go. Raven has Ellen tied up in an upstairs bedroom. As Tom, Billy, and McCoy approach, Tom directs Billy to get the car and be out front in fifteen minutes. McCoy enters and is stopped by one of the "Bombers". McCoy, pretending to like him, follows him to his special "party room," close to where Raven is playing poker. McCoy knocks him out. Tom finds a window and, as a distraction, starts shooting the gas tanks on the gang's motorcycles; he then reaches Ellen's room, cuts her free and, with McCoy's help, escapes just as Billy arrives at the front door. Riding in the convertible, Tom sends his crew off to meet at the Grant Street Overpass,and leaves to blow up the gas pumps outside a bar. Raven appears out of the flames and chaos to confront Tom....

A: Where did Billy previously work booking bands?

Problem: Generate a question that has the following answer: yes for the following movie plot: Brotherhood. Religions. Faith. Martyrdom. Love. French monks are living, working and praying in a catholic monastery in Algeria in the '90s (civil war). It starts of showing how the islamic locals and the christian priests coexist in harmony. The situation with the Algerian muslim-terrorists becomes worse. They will have to decide whether to stay or go back to France. They are forced to question themselves and their mission very profoundly. Their sense of fraternity with the locals and amongst themselves is challenged. They are very much appreciated by the local islamic population, especially the medic-priest, but very much in danger. This becomes clear after some croation volunteers of the monastery are brutally killed by the guerrilla-fighters. Threatened and unwanted by both guerrilla-forces and the government their presence becomes less and less obvious. At some point after intense confrontations with eachother, the terrorists and the locals, they all decide to stay. In the end they are all taken away, except for two who have hidden themselves well, abducted by the terrorists to swap them for their own prisoners in France. As we see them struggling in a snowblizzard in the Atlas mountains, we will not explicitly see what their final fate is...

A:
Do the islamic locals and the christian priests get along?