input: Mark made the leap from DJ to producer after Nikka Costa's manager heard one of his sets and introduced the musicians. Ronson produced Costa's song "Everybody Got Their Something," and Ronson soon signed a record contract with Elektra Records. He had already produced tracks for Hilfiger ads and, in 2001, used the connection to have Costa's single "Like a Feather" used in an advertisement. Ronson's debut album, Here Comes the Fuzz, was released in 2003. Despite poor initial sales it was well received by critics. As well as writing the songs on the album, Ronson created the beats, played guitar, keyboards, and bass. The album featured performances from artists from diverse genres, including Mos Def, Jack White, Sean Paul, Nikka Costa, Nappy Roots and Rivers Cuomo. The best known song from the album, "Ooh Wee," samples "Sunny" by Boney M and features Nate Dogg, Ghostface Killah, Trife Da God, and Saigon. It was featured that year in the movie Honey and its soundtrack. The song was later used in the movies Hitch and Harold & Kumar Escape from Guantanamo Bay. Two weeks after releasing Here Comes the Fuzz, Elektra Records dropped him. Ronson has since produced multiple songs on the albums of singers Lamya, Macy Gray, Christina Aguilera, Amy Winehouse, Lily Allen, and Robbie Williams. In 2004, Ronson formed his own record label, Allido Records, a subsidiary of Sony BMG's J Records, along with his longtime manager Rich Kleiman. The first artist he signed to Allido was rapper Saigon, who later left to sign with Just Blaze's Fort Knox Entertainment. He has signed Rhymefest, most well known for winning the Grammy for co-writing Kanye West's "Jesus Walks."

Answer this question "What else interesting happened during these years?"
output: The first artist he signed to Allido was rapper Saigon,

input: In 1998, Bacharach co-wrote and recorded a Grammy-winning album with Elvis Costello, Painted from Memory, on which the compositions began to take on the sound of his earlier work. In 2003, he teamed with singer Ronald Isley to release the album Here I Am, which revisited a number of his 1960s compositions in Isley's signature R&B style. Bacharach's 2005 solo album At This Time was a departure from past works in that Bacharach penned his own lyrics, some of which dealt with political themes. Guest stars on the album included Elvis Costello, Rufus Wainwright, and hip-hop producer Dr. Dre. In 2008, Bacharach opened the BBC Electric Proms at The Roundhouse in London, performing with the BBC Concert Orchestra accompanied by guest vocalists Adele, Beth Rowley and Jamie Cullum. The concert was a retrospective look back at his six-decade career. In early 2009, Bacharach worked with Italian soul singer Karima Ammar and produced her debut single Come In Ogni Ora, which became a #4 hit. In June, 2015, Bacharach performed in the UK at the Glastonbury Festival, and a few weeks later appeared on stage at the Menier Chocolate Factory to launch 'What's It All About? Bacharach Reimagined', a 90-minute live arrangement of his hits. In 2016, Bacharach, at 88 years old, composed and arranged his first original score in 16 years for the film A Boy Called Po (along with composer Joseph Bauer). The score was released on September 1, 2017. The entire 30-minute score was recorded in just two days at Capitol Studios. The theme song Dancing With Your Shadow, was composed by Bacharach, with lyrics by Billy Mann, and performed by Sheryl Crow. After seeing the film, a true story about a child with Autism, Bacharach decided he wanted to write a score for it, as well as a theme song, in tribute to his daughter Nikki -- who had gone undiagnosed with Asperger syndrome, and who committed suicide at the age of 40. Bacharach asked Director John Asher to see the film and offered to score it. "It touched me very much," the composer says. "I had gone through this with Nikki. Sometimes you do things that make you feel. It's not about money or rewards."

Answer this question "Did he work with anyone else?"
output: In 2003, he teamed with singer Ronald Isley to release the album Here I Am, which revisited a number of his 1960s compositions in Isley's signature R&B style.

input: In 1892, Stone was convinced to sit for a portrait in sculpture, rendered by Anne Whitney, sculptor and poet. Stone had previously protested the proposed portrait for more than a year, saying that the funds to engage an artist would be better spent on suffrage work. Stone finally yielded to pressure from Frances Willard, the New England Women's Club and some of her friends and neighbors in the Boston area, and sat while Whitney produced a bust. In February 1893, Stone invited her brother Frank and his wife Sarah to come see the bust, before it was shipped to Chicago for display at the upcoming World's Columbian Exposition. Stone went with her daughter to Chicago in May, 1893 and gave her last public speeches at the World's Congress of Representative Women where she saw a strong international involvement in women's congresses, with almost 500 women from 27 countries speaking at 81 meetings, and attendance topping 150,000 at the week-long event. Stone's immediate focus was on state referenda under consideration in New York and Nebraska. Stone presented a speech she had prepared entitled "The Progress of Fifty Years" wherein she described the milestones of change, and said "I think, with never-ending gratitude, that the young women of today do not and can never know at what price their right to free speech and to speak at all in public has been earned." Stone met with Carrie Chapman Catt and Abigail Scott Duniway to form a plan for organizing in Colorado, and Stone attended two days of meetings about getting a woman suffrage drive restarted in Kansas. Stone and her daughter returned home to Pope's Hill on May 28. Those who knew Stone well thought her voice was lacking strength. In August when she and her husband Harry wanted to take part in more meetings at the Exposition, she was too weak to go. Stone was diagnosed as suffering from advanced stomach cancer in September. She wrote final letters to friends and relatives. Having "prepared for death with serenity and an unwavering concern for the women's cause," Lucy Stone died on October 18, 1893, at the age of 75. At her funeral three days later, 1,100 people crowded the church, and hundreds more stood silently outside. Six women and six men served as pallbearers, including sculptor Anne Whitney, and Stone's old abolitionist friends Thomas Wentworth Higginson and Samuel Joseph May. Mourners lined the streets for a sight of the funeral procession, and front-page banner headlines ran in news accounts. Stone's death was the most widely reported of any American woman's up to that time. According to her wishes, her body was cremated, making her the first person cremated in Massachusetts, though a wait of over two months was undertaken while the crematorium at Forest Hills Cemetery could be completed. Stone's remains are inurned at Forest Hills; a chapel there is named after her.

Answer this question "what happened after the final appearance?"
output:
She wrote final letters to friends and relatives. Having "prepared for death with serenity and an unwavering concern for the women's cause,"