input: In April 1995, the long-awaited single "River of Love" was released, the first from Price's album Tamborine Mountain, which was later released in July. "It was quite difficult", Price reveals, "because I knew it was going to be a different album to Heaven Knows. I made that album as pop as I could make it, I wanted to be certain of airplay and all those kind of things. After the first album was released, I went out and played a lot of acoustic gigs. My audience tripled and people really liked it, which surprised me because I thought it would be a bit too internal, a bit too self conscious. But it worked, which gave me a lot of encouragement and the confidence to write more like that, just simple little stories. And that's the kind of music I've always been drawn to - people like James Taylor and Carole King, great songwriters who have the ability to say something really simple". The album was produced by Price and American Ben Wisch, who Price was drawn to as a result of his production of Marc Cohn's "Walking in Memphis". Special guests on the album include Tommy Emmanuel on guitar and Tina Arena on backing vocals and the duet "Trust Me This Is Love". After the success of the first single "River of Love", a second single "Bridge Building Man" was released. The song is a standout track for Price, written for his father and grandfather. The album title itself is a reference to a small town near Beaudesert where Price grew up. In November and December 1995, following the release of the album, Price then toured with Australia's legendary guitarist Tommy Emmanuel. The tour, Rick Price & Tommy Emmanuel - Together & Alone, was a sell-out. It received rave reviews from critics and the public alike. In conjunction with the tour, a third single "To Be with You" was released in Australia. Price performed at several Carols by Candlelight shows around the country and continued to tour during early 1996. "You're Never Alone", a song Price wrote for his son, was released in Australia while he travelled the country on further promotional tours throughout the remainder of the year.

Answer this question "Did he say anything else about the album?"
output: My audience tripled and people really liked it, which surprised me because I thought it would be a bit too internal, a bit too self conscious.

input: After graduating from university, Ban received the top score on Korea's foreign service exam. He joined the Ministry of Foreign Affairs in May 1970 and worked his way up the career ladder during the years of the Yusin Constitution. Ban's first overseas posting was to New Delhi, India, where he served as vice consul and impressed many of his superiors in the foreign ministry with his competence. Ban reportedly accepted a posting to India rather than the United States, because in India he would be able to save more money to send to his family. In 1974 he received his first posting to the United Nations, as First Secretary of the South Permanent Observer Mission (South Korea became a full UN member-state on 17 September 1991). After Park Chung-hee's 1979 assassination, Ban assumed the post of Director of the United Nations Division. In 1980 Ban became director of the United Nations' International Organizations and Treaties Bureau, headquartered in Seoul. He has been posted twice to the South Korean embassy in Washington, D.C. Between these two assignments he served as Director-General for American Affairs in 1990-92. In 1992, he became Vice Chairman of the South-North Joint Nuclear Control Commission, following the adoption by South and North Korea of the Joint Declaration of the Denuclearization of the Korean Peninsula. From 1993 to 1994 Ban was Korea's deputy ambassador to the United States. He was promoted to the position of Deputy Minister for Policy Planning and International Organizations in 1995 and then appointed National Security Advisor to the President in 1996. Ban's lengthy career overseas has been credited with helping him avoid South Korea's unforgiving political environment. Ban was appointed Ambassador to Austria and Slovenia in 1998, and a year later he was also elected as Chairman of the Preparatory Commission for the Comprehensive Nuclear-Test-Ban Treaty Organization (CTBTO PrepCom). During the negotiations, in what Ban considers the biggest blunder of his career, he included in a public letter a positive statement about the Anti-Ballistic Missile Treaty in 2001, not long after the United States had decided to abandon the treaty. To avoid anger from the United States, Ban was fired by President Kim Dae-jung, who also issued a public apology for Ban's statement. Ban was unemployed for the only time in his career and was expecting to receive an assignment to work in a remote and unimportant embassy. In 2001, during the 56th Session of the United Nations General Assembly, South Korea held the rotating presidency, and to Ban's surprise, he was selected to be the chief of staff to general assembly president Han Seung-soo. In 2003, incoming president Roh Moo-hyun selected Ban as one of his foreign policy advisors.

Answer this question "What did he do there?"
output: he served as vice consul

input: Gleason worked his way up to a job at New York's Club 18, where insulting its patrons was the order of the day. Gleason greeted noted skater Sonja Henie by handing her an ice cube and saying, "Okay, now do something." It was here that Jack L. Warner first saw Gleason, signing him to a film contract for $250 a week. By age 24, Gleason was appearing in movies: first for Warner Brothers (as Jackie C. Gleason) in such films as Navy Blues (1941) with Ann Sheridan and Martha Raye and All Through the Night (1941) with Humphrey Bogart, for Columbia Pictures for the B military comedy Tramp, Tramp, Tramp (1942) and finally for Twentieth Century-Fox, where Gleason played Glenn Miller Orchestra bassist Ben Beck in Orchestra Wives (1942). He also had a small part as a soda shop clerk in Larceny, Inc. (1942), with Edward G. Robinson, and a modest part as an actor's agent in the 1942 Betty Grable-Harry James musical Springtime in the Rockies. During World War II, Gleason was initially exempt from military service, since he was a father of two. However, in 1943 the US started drafting men with children. Gleason reported to his induction where the doctors discovered that his broken left arm had healed crooked, the area between his thumb and forefinger was nerveless and numb, a pilonidal cyst existed at the end of his coccyx, and that he was 100 pounds overweight. Gleason was therefore classified 4-F and rejected for military service. Gleason did not make a strong impression on Hollywood at first; at the time he developed a nightclub act that included comedy and music. At the end of 1942, Gleason and Lew Parker led a large cast of entertainers in the road show production of Olsen and Johnson's New 1943 Hellzapoppin. He also became known for hosting all-night parties in his hotel suite; the hotel soundproofed his suite out of consideration for its other guests. "Anyone who knew Jackie Gleason in the 1940s", wrote CBS historian Robert Metz, "would tell you The Fat Man would never make it. His pals at Lindy's watched him spend money as fast as he soaked up the booze." Gleason's first significant recognition as an entertainer came on Broadway when he appeared in the hit musical Follow the Girls (1944). While working in films in California, Gleason also worked at former boxer Maxie Rosenbloom's nightclub (Slapsy Maxie's, on Wilshire Boulevard).

Answer this question "who else was in the movie"
output:
Ann Sheridan and Martha Raye