Please answer the following question: Information: - Sculpture is the branch of the visual arts that operates in three dimensions. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or molded, or cast. - School of Paris refers to a group of French and non-French artists who worked in Paris before World War I, and also to a group of French and non-French artists who lived in Paris between the two world wars and beyond. - Georges-Pierre Seurat (2 December 1859 29 March 1891) was a French post-Impressionist painter and draftsman. He is noted for his innovative use of drawing media and for devising the painting techniques known as chromoluminarism and pointillism. Seurat's artistic personality was compounded of qualities which are usually supposed to be opposed and incompatible: on the one hand, his extreme and delicate sensibility; on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work, "A Sunday Afternoon on the Island of La Grande Jatte" (18841886), altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of late 19th-century painting. - Felix Feneon (22 June 1861, Turin, Italy 29 February 1944, Chatenay-Malabry) was a Parisian anarchist and art critic during the late 19th century. He coined the term "Neo-Impressionism" in 1886 to identify a group of artists led by Georges Seurat, and ardently promoted them. - Jean Dominique Antony Metzinger ( June 24 , 1883 -- November 3 , 1956 ) was a major 20th - century French painter , theorist , writer , critic and poet , who along with Albert Gleizes , developed the theoretical foundations of Cubism . His earliest works , from 1900 to 1904 , were influenced by the Neo-impressionism of Georges Seurat and Henri - Edmond Cross . Between 1904 and 1907 Metzinger worked in the Divisionist and Fauvist styles with a strong Cezannian component , leading to some of the first proto - Cubist works . From 1908 Metzinger experimented with the faceting of form , a style that would soon become known as Cubism . His early involvement in Cubism saw him both as an influential artist and principal theorist of the movement . The idea of moving around an object in order to see it from different view - points is treated , for the first time , in Metzinger 's Note sur la Peinture , published in 1910 . Before the emergence of Cubism , painters worked from the limiting factor of a single view - point . Metzinger , for the first time , in Note sur la peinture , enunciated the interest in representing objects as remembered from successive and subjective experiences within the context of both space and time . Jean Metzinger and Albert Gleizes wrote the first major treatise on Cubism in 1912 , entitled Du '' Cubisme '' . Metzinger was a founding member of the Section d'Or group of artists . Metzinger was at the center of Cubism both because of his participation and identification of the movement when it first emerged , because of his role as intermediary among the Bateau - Lavoir group and the Section d'Or Cubists , and above all because of his artistic personality . During the First World War Metzinger furthered his role as a leading Cubist with his co-founding of the second phase of the movement , referred to as Crystal Cubism . He recognized the importance of mathematics in art , through a radical geometrization of form as an underlying architectural basis for his wartime compositions . The... - Literature, in its broadest sense, is any single body of written works. More restrictively, it is writing considered as an art form, or any single writing deemed to have artistic or intellectual value, often due to deploying language in ways that differ from ordinary usage. Its Latin root "literatura"/"litteratura" (derived itself from "littera": "letter" or "handwriting") was used to refer to all written accounts, though contemporary definitions extend the term to include texts that are spoken or sung (oral literature). Literature can be classified according to whether it is fiction or non-fiction and whether it is poetry or prose; it can be further distinguished according to major forms such as the novel, short story or drama; and works are often categorized according to historical periods or their adherence to certain aesthetic features or expectations (genre). - Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the style and philosophy of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic for the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or postmodern art. - The Section d'Or ("Golden Section"), also known as Groupe de Puteaux (or Puteaux Group), was a collective of painters, sculptors, poets and critics associated with Cubism and Orphism. Based in the Parisian suburbs, the group held regular meetings at the home of the Duchamp brothers in Puteaux and at the studio of Albert Gleizes in Courbevoie. Active from 1911 to around 1914, members of the collective came to prominence in the wake of their controversial showing at the Salon des Independants in the spring of 1911. This showing by Albert Gleizes, Jean Metzinger, Robert Delaunay, Henri le Fauconnier, Fernand Leger and Marie Laurencin (at the request of Apollinaire), created a scandal that brought Cubism to the attention of the general public for the first time. - An art movement is a tendency or style in art with a specific common philosophy or goal, followed by a group of artists during a restricted period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each consecutive movement was considered as a new avant-garde. - Henri-Edmond Cross, born Henri-Edmond-Joseph Delacroix, (20 May 1856 16 May 1910) was a French painter and printmaker. He is most acclaimed as a master of Neo-Impressionism and he played an important role in shaping the second phase of that movement. He was a significant influence on Henri Matisse and many other artists. His work was instrumental in the development of Fauvism. - A Sunday Afternoon on the Island of La Grande Jatte painted in 1884, is one of Georges Seurat's most famous works. It is a leading example of pointillism technique, executed on a large canvas. Seurat's composition includes a number of Parisians at a park on the banks of the River Seine. - Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. Cubism has been considered the most influential art movement of the 20th century. The term is broadly used in association with a wide variety of art produced in Paris (Montmartre, Montparnasse and Puteaux) during the 1910s and extending through the 1920s. - Neo-Impressionism is a term coined by French art critic Felix Feneon in 1886 to describe an art movement founded by Georges Seurat. Seurats greatest masterpiece, "A Sunday Afternoon on the Island of La Grande Jatte", marked the beginning of this movement when it first made its appearance at an exhibition of the Societe des Artistes Independants (Salon des Independants) in Paris. Around this time, the peak of Frances modern era emerged and many painters were in search of new methods. Followers of Neo-Impressionism, in particular, were drawn to modern urban scenes as well as landscapes and seashores. Science-based interpretation of lines and colors influenced Neo-Impressionists' characterization of their own contemporary art. The Pointillist and Divisionist techniques are often mentioned in this context, because it was the dominant technique in the beginning of the Neo-impressionist movement. - Der Sturm was a German art and literary magazine covering Expressionism, Cubism, Dada and Surrealism, among other artistic movements. It was published between 1910 and 1932. - Pointillism is a technique of painting in which small, distinct dots of color are applied in patterns to form an image. Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism. The term "Pointillism" was first coined by art critics in the late 1880s to ridicule the works of these artists, and is now used without its earlier mocking connotation. The movement Seurat began with this technique is known as Neo-Impressionism. The Divisionists, too, used a similar technique of patterns to form images, though with larger cube-like brushstrokes. - Impressionism is a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, inclusion of "movement" as a crucial element of human perception and experience, and unusual visual angles. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. - Staatliches Bauhaus, commonly known simply as Bauhaus, was a German art school operational from 1919 to 1933 that combined crafts and the fine arts, and was famous for the approach to design that it publicised and taught. - Albert Gleizes (8 December 1881 23 June 1953) was a French artist, theoretician, philosopher, a self-proclaimed founder of Cubism and an influence on the School of Paris. Albert Gleizes and Jean Metzinger wrote the first major treatise on Cubism, "Du "Cubisme"", 1912. Gleizes was a founding member of the Section d'Or group of artists. He was also a member of Der Sturm, and his many theoretical writings were originally most appreciated in Germany, where especially at the Bauhaus his ideas were given thoughtful consideration. Gleizes spent four crucial years in New York, and played an important role in making America aware of modern art. He was a member of the Society of Independent Artists, founder of the Ernest-Renan Association, and both a founder and participant in the Abbaye de Creteil. Gleizes exhibited regularly at Leonce Rosenbergs "Galerie de lEffort Moderne" in Paris; he was also a founder, organizer and director of Abstraction-Creation. From the mid-1920s to the late 1930s much of his energy went into writing, e.g., "La Peinture et ses lois" (Paris, 1923), "Vers une conscience plastique: La Forme et lhistoire" (Paris, 1932) and "Homocentrisme" (Sablons, 1937). Given the paragraphs above, decide what entity has the relation 'movement' with 'pointillism'.
Answer:
jean metzinger