Input: Read this: To improve the efficiency of the lamp, the filament usually consists of multiple coils of coiled fine wire, also known as a 'coiled coil'. For a 60-watt 120-volt lamp, the uncoiled length of the tungsten filament is usually 22.8 inches (580 mm), and the filament diameter is 0.0018 inches (0.046 mm). The advantage of the coiled coil is that evaporation of the tungsten filament is at the rate of a tungsten cylinder having a diameter equal to that of the coiled coil. The coiled-coil filament evaporates more slowly than a straight filament of the same surface area and light-emitting power. As a result, the filament can then run hotter, which results in a more efficient light source, while reducing the evaporation so that the filament will last longer than a straight filament at the same temperature.
Question: What is the typical diameter of the filament on a 60-watt bulb?

Output: 0.0018 inches

QUES: The earliest surviving written work on the subject of architecture is De architectura, by the Roman architect Vitruvius in the early 1st century AD. According to Vitruvius, a good building should satisfy the three principles of firmitas, utilitas, venustas, commonly known by the original translation firmness, commodity and delight. An equivalent in modern English would be:

What was Vitruvius' fourth principles for a well made building?
What is the answer?
ANS: unanswerable

QUES: The polyphony of Christian a cappella music began to develop in Europe around the late 15th century, with compositions by Josquin des Prez. The early a cappella polyphonies may have had an accompanying instrument, although this instrument would merely double the singers' parts and was not independent. By the 16th century, a cappella polyphony had further developed, but gradually, the cantata began to take the place of a cappella forms. 16th century a cappella polyphony, nonetheless, continued to influence church composers throughout this period and to the present day. Recent evidence has shown that some of the early pieces by Palestrina, such as what was written for the Sistine Chapel was intended to be accompanied by an organ "doubling" some or all of the voices. Such is seen in the life of Palestrina becoming a major influence on Bach, most notably in the aforementioned Mass in B Minor. Other composers that utilized the a cappella style, if only for the occasional piece, were Claudio Monteverdi and his masterpiece, Lagrime d'amante al sepolcro dell'amata (A lover's tears at his beloved's grave), which was composed in 1610, and Andrea Gabrieli when upon his death it was discovered many choral pieces, one of which was in the unaccompanied style. Learning from the preceding two composeres, Heinrich Schutz utilized the a cappella style in numerous pieces, chief among these were the pieces in the oratorio style, which were traditionally performed during the Easter week and dealt with the religious subject matter of that week, such as Christ's suffering and the Passion. Five of Schutz's Historien were Easter pieces, and of these the latter three, which dealt with the passion from three different viewpoints, those of Matthew, Luke and John, were all done a cappella style. This was a near requirement for this type of piece, and the parts of the crowd were sung while the solo parts which were the quoted parts from either Christ or the authors were performed in a plainchant.
Some compositions were found after which composer's death?

ANS: Andrea Gabrieli

The style of Georgian buildings is very variable, but marked by a taste for symmetry and proportion based on the classical architecture of Greece and Rome, as revived in Renaissance architecture. Ornament is also normally in the classical tradition, but typically rather restrained, and sometimes almost completely absent on the exterior. The period brought the vocabulary of classical architecture to smaller and more modest buildings than had been the case before, replacing English vernacular architecture (or becoming the new vernacular style) for almost all new middle-class homes and public buildings by the end of the period.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What classical architecture is Georgian architecture based on?
Ah, so.. Greece and Rome

Question: The owner, tenant or manager (licensee) of a pub is properly known as the "pub landlord". The term publican (in historical Roman usage a public contractor or tax farmer) has come into use since Victorian times to designate the pub landlord. Known as "locals" to regulars, pubs are typically chosen for their proximity to home or work, the availability of a particular beer, as a place to smoke (or avoid it), hosting a darts team, having a pool or snooker table, or appealing to friends.
Try to answer this question if possible: What are pubs called by those who regularly visit there?
Answer: locals

Problem: In the Roman era, copper was principally mined on Cyprus, the origin of the name of the metal from aes yprium (metal of Cyprus), later corrupted to uprum, from which the words copper (English), cuivre (French), Koper (Dutch) and Kupfer (German) are all derived. Its compounds are commonly encountered as copper(II) salts, which often impart blue or green colors to minerals such as azurite, malachite and turquoise and have been widely used historically as pigments. Architectural structures built with copper corrode to give green verdigris (or patina). Decorative art prominently features copper, both by itself and in the form of pigments.
What is the name of the color pigment on building structures that are made using copper.
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Answer:
green verdigris