Question: Buena Vista Social Club is an ensemble of Cuban musicians established in 1996 to revive the music of pre-revolutionary Cuba. The project was organized by World Circuit executive Nick Gold, produced by American guitarist Ry Cooder and directed by Juan de Marcos Gonzalez. They named the group after the homonymous members' club in the Buenavista quarter of Havana, a popular music venue in the 1940s. To showcase the popular styles of the time, such as son, bolero and danzon, they recruited a dozen veteran musicians, many of whom had been retired for years.

The Buenavista Social Club was a members-only club originally located in Buenavista (literally good view), a quarter in the current neighbourhood of Playa (before 1976 part of Marianao), one of the 15 municipalities in Cuba's capital, Havana. The original club was founded in 1932 in a small wooden venue at calle Consulado y paisaje "A" (currently calle 29, n. 6007). In 1939, due to lack of space the club relocated to number 4610 on Avenue 31, between calles 46 and 48, in Almendares, Marianao. This location is recalled by Juan Cruz, former director of the Marianao Social Club and master of ceremonies at the Salon Rosado de la Tropical (other nightclubs in Havana). As seen in the Buena Vista Social Club documentary, when musicians Ry Cooder, Compay Segundo and a film crew attempted to identify the location of the club in the 1990s, local people could not agree on where it had stood. At the time, clubs in Cuba were segregated; there were sociedades del blancos (white societies), sociedades de negros (black societies), etc. The Buenavista Social Club operated as a black society, which was rooted in a cabildo. Cabildos were fraternities organized during the 19th century by African slaves. The existence of many other black societies such as Marianao Social Club, Union Fraternal, Club Atenas (whose members included doctors and engineers), and Buenavista Social Club, exemplified the remnants of institutionalized racial discrimination against Afro-Cubans. These societies operated as recreational centers were workers went to drink, play games, dance and listen to music. In the words of Ry Cooder, Society in Cuba and in the Caribbean including New Orleans, as far as I know, was organized around these fraternal social clubs. There were clubs of cigar wrappers, clubs for baseball players and they'd play sports and cards--whatever it is they did in their club--and they had mascots, like dogs. At the Buena Vista Social Club, musicians went there to hang out with each other, like they used to do at musicians' unions in the U.S., and they'd have dances and activities. As a music venue, the Buenavista Social Club experienced the peak of Havana's nightclub life, when charangas and conjuntos, played several sets every night, going from club to club over the course of a week. Often, bands would dedicate songs to the clubs were the played. In the case of the Buenavista Social Club, an eponymous danzon was composed by Israel Lopez "Cachao" in 1938, and performed with Arcano y sus Maravillas. In addition, Arsenio Rodriguez dedicated "Buenavista en guaguanco" to the same place. Together with Orquesta Melodias del 40, the Maravillas and Arsenio's conjunto were known as Los Tres Grandes (The Big Three), drawing the largest audiences wherever they played. These vibrant times in Havana were described by pianist Ruben Gonzalez, who played in Arsenio's conjunto, as "an era of real musical life in Cuba, when there was very little money to earn, but everyone played because they really wanted to".

Using a quote from the above article, answer the following question: Did performances take place there?
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Answer: These societies operated as recreational centers were workers went to drink, play games, dance and listen to music.

Question: Stevens was born in Detroit, Michigan, and lived there until the age of nine, when his family moved to Petoskey, in the northern part of the Lower Peninsula of Michigan. He was raised by his father Rasjid and his stepmother Pat, only occasionally visiting his mother, Carrie, in Oregon after she married her second husband Lowell Brams. His mother is deceased. Brams later became the head of Stevens' record label Asthmatic Kitty.

In 2010, Stevens was featured on The National's album High Violet, released in May, and sang backing vocals for the band on the Late Show with David Letterman. Following the release of High Violet, band frontman Matt Berninger mentioned that Stevens was recording a new album in the band's studio and that The National would appear on some of the tracks. In early August, Stevens announced North American tour dates across dozens of cities. On August 20, 2010, Stevens suddenly and unexpectedly released a new collection of tracks, the All Delighted People EP, for digital download. The EP is built around two versions of the title track, "All Delighted People." The EP surprisingly rose to #27 on the Billboard 200 albums solely through its digital sales. On August 26, Asthmatic Kitty announced that Stevens would release his newest full-length album, The Age of Adz, on October 12. NPR streamed the album until it was released on October 12, 2010. The two albums featured a wide range of arrangements, from orchestral to electronic. Song lengths were also extended; the track "Djohariah" from All Delighted People is 17 minutes long, while "Impossible Soul" from The Age of Adz is 25 minutes long. The albums also feature many styles from disco to folk. Stevens has stated in interviews that in 2009/10, he suffered from a mysterious debilitating virus infection that affected his nervous system. He experienced chronic pain and was forced to stop working on music for several months. He said: "The Age of Adz, is, in some ways, a result of that process of working through health issues and getting much more in touch with my physical self. That's why I think the record's really obsessed with sensation and has a hysterical melodrama to it." On October 12, 2010, Stevens began his North American tour in Montreal, featuring virtually all new material. The tour lasted just over a month and ended on November 15, 2010 in New York City. Stevens toured Australia and New Zealand in early 2011, featured as part of the Sydney Festival, and appeared on-stage with The National during the last of three sold-out Auckland shows. He also toured Europe and the United Kingdom in April and May 2011, playing there for the first time in five years. His shows mostly consisted of new material, but he did play many older tracks from Seven Swans and Illinois. Stevens ended the Age of Adz tour with two shows in Prospect Park, Brooklyn, New York.

Using a quote from the above article, answer the following question: What was The Age of Adz?
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Answer:
On August 26, Asthmatic Kitty announced that Stevens would release his newest full-length album, The Age of Adz,