input: In August 1941, Alan Lomax went to Stovall, Mississippi, on behalf of the Library of Congress to record various country blues musicians. "He brought his stuff down and recorded me right in my house," Muddy recalled for Rolling Stone magazine, "and when he played back the first song I sounded just like anybody's records. Man, you don't know how I felt that Saturday afternoon when I heard that voice and it was my own voice. Later on he sent me two copies of the pressing and a check for twenty bucks, and I carried that record up to the corner and put it on the jukebox. Just played it and played it and said, 'I can do it, I can do it.'" Lomax came back in July 1942 to record him again. Both sessions were eventually released by Testament Records as Down on Stovall's Plantation. The complete recordings were reissued by Chess Records on CD as Muddy Waters: The Complete Plantation Recordings. The Historic 1941-42 Library of Congress Field Recordings in 1993 and remastered in 1997. In 1943, Muddy Waters headed to Chicago with the hope of becoming a full-time professional musician. He lived with a relative for a short period while driving a truck and working in a factory by day and performing at night. Big Bill Broonzy, then one of the leading bluesmen in Chicago, had Muddy Waters open his shows in the rowdy clubs where Broonzy played. This gave Muddy Waters the opportunity to play in front of a large audience. In 1944, he bought his first electric guitar and then formed his first electric combo. He felt obliged to electrify his sound in Chicago because, he said, "When I went into the clubs, the first thing I wanted was an amplifier. Couldn't nobody hear you with an acoustic." His sound reflected the optimism of postwar African Americans. Willie Dixon said that "There was quite a few people around singing the blues but most of them was singing all sad blues. Muddy was giving his blues a little pep." Three years later, in 1946, he recorded some songs for Mayo Williams at Columbia Records, with an old-fashioned combo consisting of clarinet, saxophone and piano; they were released a year later with Ivan Ballen's Philadelphia-based 20th Century label, billed as James "Sweet Lucy" Carter and his Orchestra - Muddy Waters' name was not mentioned on the label. Later that year, he began recording for Aristocrat Records, a newly formed label run by the brothers Leonard and Phil Chess. In 1947, he played guitar with Sunnyland Slim on piano on the cuts "Gypsy Woman" and "Little Anna Mae". These were also shelved, but in 1948, "I Can't Be Satisfied" and "I Feel Like Going Home" became hits, and his popularity in clubs began to take off. Soon after, Aristocrat changed its name to Chess Records. Muddy Waters's signature tune "Rollin' Stone" also became a hit that year.

Answer this question "what instruments did he play?"
output: clarinet, saxophone and piano;

input: Molitor began as a shortstop, then moved to second base when Robin Yount returned from a brief injury. He made his MLB debut in 1978, playing in 125 games and hitting .273 with 6 home runs, 45 RBIs and 30 stolen bases. In 1981, he spent time at center field and right field to avoid the injuries associated with infield play. Molitor was moved to third base before the 1982 season. Molitor was part of a young Milwaukee Brewers team that lost the 1982 World Series in seven games to the St. Louis Cardinals. Molitor batted .355 during the series. In Game 1, he had five hits, a World Series record. During the 1982 season, he hit .302 and led the American League (AL) with 136 runs scored. On May 12, he hit three home runs against the Royals in a 9-7 loss. Molitor struggled with injuries for much of his early career, being placed on the disabled list six times between 1980 and 1986. In 1984, Molitor struggled with elbow problems, played in only 13 games and ultimately underwent surgery in an attempt to salvage his career. He played in 140 games in 1985, hitting .297 with 10 home runs and 48 RBIs. He followed that with a .281 average, 9 home runs and 55 RBI in 1986. That year he suffered a hamstring injury, returned for a few days, then reinjured it. He played in 105 games that season. Molitor attracted national media attention in 1987 during his 39-game hitting streak. Near the end of the streak, columnist Mike Downey wrote that "the amazing thing about Paul Molitor's recent bat-o-rama is not that he has hit in 33 straight games but that he has played in 33 straight games." The streak ended with Molitor in the on-deck circle when Rick Manning got a game-ending hit to beat the Cleveland Indians on August 26, 1987. Fans booed Manning for driving in the winning run and thus depriving Molitor of one last chance to reach 40 games. The streak stands as the fifth-longest in modern-day baseball history, and remains the longest since Pete Rose's 44-game hit streak in 1978.

Answer this question "Where was he before?"
output: He made his MLB debut in 1978,

input: Manning was the second overall pick in the 1971 NFL Draft and played for the Saints for ten full seasons. During his tenure in New Orleans, the Saints had nine losing seasons. They only managed to get to .500 once, in 1979, which was also the only season they finished higher than third in their division. Nevertheless, he was well respected by NFL peers. For example, he was sacked 337 times during his Saints career. According to Sports Illustrated senior writer Paul Zimmerman, it should have been much more than that. However, Zimmerman wrote, opposing defensive linemen, "Jack Youngblood in particular", were known to take it easy on the poorly protected Manning and not hit him as hard. For his part Manning seemed to appreciate Youngblood's kindness, telling the Los Angeles Times, on September 23, 1974, "The Rams front four is the best I ever faced . . . I've got to say that Youngblood was nice enough to pick me up every time he knocked my ass off." Today, Manning jokes that Youngblood's career would not have been as successful without him. He even suggested that Youngblood should have let him be his presenter when he was inducted into the Pro Football Hall of Fame in 2001, saying, "He wouldn't have gotten in without having me to sack." In 1972, he led the league in pass attempts and completions and led the National Football Conference in passing yards, though the team's record was only 2-11-1. Archie sat out the entire 1976 season after corrective surgery on his right shoulder, spending the second half of that season in the team's radio booth after Dick Butkus abruptly quit his position as color commentator. In 1978, he was named the NFC Player of the Year by UPI after leading the Saints to a 7-9 record. That same year, Archie was also named All-NFC by both the UPI and The Sporting News. Manning was selected to the Pro Bowl in 1978 and 1979. He went on to conclude his career with the Houston Oilers (1982-1983), and the Minnesota Vikings (1983-1984). He ended his 13-year career having completed 2,011 of 3,642 passes for 23,911 yards and 125 touchdowns, with 173 interceptions. He also rushed for 2,197 yards and 18 touchdowns. His 2,011 completions ranked 17th in NFL history upon his retirement. His record as a starter was 35-101-3 (26.3%), the worst in NFL history among QBs with at least 100 starts. He retired having never played on a team that notched a winning record nor made the playoffs. The Saints have not reissued Manning's No. 8 since he left the team midway through the 1982 season.

Answer this question "Why did he retire?"
output:
He retired having never played on a team that notched a winning record nor made the playoffs.