In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

[EX Q]: Question: What was one of the poems that Francois' poet descendant wrote? Passage 1:Francois Paul Etienne Azema (born 15 January 1778, and died 28 August 1851 in Saint-Denis, Reunion, on the island of Reunion) was a French poet, playwright, and writer of fables. He was a magistrate, delegated to the island by the Ministre de la Marine, and as a writer was well known for his play Medee. He was a descendant of Jean-Baptiste Azema, a former governor of the island; he was the father of Georges Azema, a historian, and Mazae Azema, a doctor. His grandson was the doctor Henri Azema; other descendants include the poet Jean-Henri Azema and the historian Jean-Pierre Azema. He was made Chevalier of the Legion of Honour in 1850.
Passage 2:The Danish People's Party (DPP) (, DF) is a political party in Denmark that is generally described as right-wing populist by academics and far-right by international media. It has also been described in academia and the media as a nativist and anti-immigrant party. The party was founded in 1995 by Pia Kjrsgaard, who was the leader of the party until 2012, when she passed the leadership on to Kristian Thulesen Dahl. The DPP lent its support to the Liberal-Conservative government that ruled from the general election of 2001 until the 2011 election defeat. While not part of the cabinet, DPP cooperated closely with the governing coalition on most issues and received support for key political stances in return, to the point that the government was commonly referred to as the "VKO-government" (O being DPP's election symbol). It also provided parliamentary support to Lars Lkke Rasmussen's cabinets from 2016-2019, again without participating in it.
Passage 3:In the preface, Fisher considers some general points, including that there must be an understanding of natural selection distinct from that of evolution, and that the then-recent advances in the field of genetics (see history of genetics) now allowed this. In the first chapter, Fisher considers the nature of inheritance, rejecting blending inheritance, because it would eliminate genetic variance, in favour of particulate inheritance. The second chapter introduces Fisher's fundamental theorem of natural selection. The third considers the evolution of dominance, which Fisher believed was strongly influenced by modifiers. Other chapters discuss parental investment, Fisher's geometric model, concerning how spontaneous mutations affect biological fitness, Fisher's principle which explains why the sex ratio between males and females is almost always 1:1, reproductive value, examining the demography of having girl children. Using his knowledge of statistics, the Fisherian runaway, which explores how sexual selection can lead to a positive feedback runaway loop, producing features such as the peacock's plumage. He also wrote about the evolution of dominance, which explores genetic dominance. The last five chapters (8-12) include Fisher's more idiosyncratic views on eugenics.

[EX A]: 1

[EX Q]: Question: Who was the host of the Olympics where Henry Littlewort won a gold medal? Passage 1:Due to a double election of Francois Louis, Prince of Conti and the Frederick Augustus I, Elector of Saxony (elected King of Poland as Augustus II) in 1697, the two claimants to the Polish throne had serious troubles with obtaining approval of the nobility for their coronation. The most difficult situation was of Elector of Saxony, who had no support of the primate Micha Stefan Radziejowski and most of the senators holding the custody of the Wawel Castle Crown Treasury. Therefore, expecting obstacles in obtaining the royal insignia, he ordered to prepare replacements before his arrival to Krakow. On the eve of the ceremony, some of the gathered decided to find a way to obtain the original regalia. Two monks Aleksander Wyhowski, prior of Czerwinsk and Mikoaj Wyzycki, prior of the Holy Cross made a hole in the castle's wall and got to the vault from which they stole the crown, scepter, sword and orb. The Dresden regalia become unnecessary, Augustus II the Strong, however, treated them as a private insignia.
Passage 2:Crystal Palace started their second season in a new division, having gained promotion from the Southern League Division Two the previous season. There were a number of personnel changes this season, with Archie Grant and captain Ted Birnie moving to Chelsea and George Walker going to New Brompton. Palace's hat-trick hero in their FA Cup exploits of last season, Walter Watkins, also moved on to Northampton Town. In their places Palace brought in a number of new faces. Charles Ryan joined from Nunhead, Thomas Wills from Newcastle, Bill Forster from Sheffield United and Bill Ledger from Pryhope Villa. Wilf Innerd was made captain and played in all but one of the club's League and Cup matches. The club struggled to find their feet on the new division, and failed to score in 13 of their matches, finishing the season in 19th position, one place off the bottom. This was enough to ensure safety though, as for this season there was no relegation. Palace again called on a number of amateurs from the local area and beyond, including Henry Littlewort. Littlewort, who made his only appearance for the club this season, would go on to win a gold medal with the British Football team in the 1912 Olympics.
Passage 3:Bingham began his professional racing career when he made four Indy Lights starts in 1997 with a best finish of 11th at Nazareth Speedway. He also participated in the 24 Hours of Daytona in a GT3-class Porsche. He returned to Daytona and made his 12 Hours of Sebring debut in 1998. In 1999 and 2000 Bingham was the #2 driver for the Hybrid R&D Riley & Scott-Ford Le Mans Prototype team in the American Le Mans Series. He also passed his Indy Racing League rookie test with Mid-America Motorsports but decided not to pursue an entry into the IRL. In 2001 and 2002 Bingham drove the works Saleen S7R in the Grand-Am Series' GTS class to back to back championships, including 11 class victories.

[EX A]: 2

[EX Q]: Question: When was the critic who coined the term "rockumentaries" born? Passage 1:Payton's big break came when she was cast as Harriet Winslow, the elevator operator on the ABC sitcom 'Perfect Strangers in 1987. Her performance was so well received by audiences that she was given her own sitcom, Family Matters, in 1989. Continuing her character Harriette Winslow from Perfect Strangers, she played a mother in an African-American middle-class family living in Chicago, Illinois. Payton left Family Matters partway through its final season, appearing for the last time on December 19, 1997. Payton's character was played by Judyann Elder in the show's remaining eight episodes. In 2002, Payton appeared on the "TV Moms" episode of the Anne Robinson version of The Weakest Link, and was the third one voted off. In 2003, Payton and her daughter appeared on a Mother's Day episode of Lingo, playing against fellow TV mom Meredith Baxter and her daughter. Baxter and her daughter won. In 2005, Jo Marie Payton provided the voice of Suga Mama in The Proud Family Movie. Her other television credits include Desperate Housewives, Reba, Girlfriends, Wanda at Large, Judging Amy, The Parkers, Will & Grace, The Hughleys, 7th Heaven, Moesha, The Jamie Foxx Show, 227, Silver Spoons, Small Wonder and The New Odd Couple. She also appeared in the Canadian TV mini series The Rev as Mama. In 2005, Payton co-hosted the 15th Annual NAACP Theatre Awards with Glynn Turman. In August 2009, Payton appeared on Meet the Browns as Shirley Van Owen. Payton recently hosted her own show on the Hometeam Network, Second Chance with Jomarie Payton. In 2012, Payton was in the GMC TV movie special From This Day Forward.
Passage 2:In 1543, Europeans reached Japan for the first time when a junk belonging to the Chinese wokou pirate lord Wang Zhi carrying Portuguese traders shipwrecked on Tanegashima. The Portuguese introduced the arquebus to the Japanese during this chance encounter, which gave the Japanese, undergoing the bloody Sengoku period at the time, a powerful weapon with which they conducted their internecine wars. The discovery of Japan was attractive to Portuguese merchants and missionaries alike, for it gave the merchants a new market to trade their goods, and the Jesuit missionaries eyed Japan for new converts into Christianity. The warlords of Kyushu vied to get the Portuguese carrack (called the black ship by the Japanese) into their harbours, since the ship also brought considerable wealth to their fiefdoms in addition to the guns.
Passage 3:Roger Ebert of the Chicago Sun-Times gave the film three stars out of four and wrote that "the musical scenes are the best rock coverage since 'Woodstock.' The sound is first rate, for one thing, and director Pierre Adidge has some idea of why Cocker electrifies a crowd." Vincent Canby of The New York Times called the film a "most satisfying, record-album of a movie" which "patronizes neither its audience nor its stars ... It is uncluttered, one of the best concert films so far." A review in Variety said, "Considerable technical expertise has gone into this production, and though the objective may be clear, it just hasn't turned out to be another 'Woodstock,' possibly because Joe Cocker's personality isn't all that endearing." Gene Siskel of the Chicago Tribune rated the film three stars out of four and wrote, "'Mad Dogs' is distinguishable from other 'rockumentaries' because it deals almost exclusively with the musician and his music. There are few side trips to cultural comments." Robert Hilburn of the Los Angeles Times stated, "As a film, 'Mad Dogs and Englishmen' is a good concert. For much of the picture's 114 minutes, the camera is on Joe Cocker, by most standards the best and most exciting singer in rock music ... But 'Mad Dogs and Englishmen,' unfortunately, fails in the end to rise above this interesting, but clearly limited historical summary of the Cocker tour. As a film, it doesn't establish its own importance." A negative review by Tom Zito of The Washington Post advised readers to "Forget the film and try the record," explaining, "What emerges from all this is roughly two hours of footage that looks terrible on the screen and sounds almost as bad. The film is projected in an annoying square format, except for the moments when the screen area is broken up into some poorly coordinated split-screen effects. The camerawork is often sloppy ... the whole thing winds up looking and sounding like a cheap, imitation (indoor) 'Woodstock.'" James D. White of The Monthly Film Bulletin declared that "The music itself is excellent," but "The film's information content is minimal; and one's heart sinks as the screen is split into a double image for the first number and as the mandatory shotsof excited fans, of joint-rolling in a hotel bedroom, of an interview with a vacuous groupieare inevitably wheeled out."

[EX A]:
3