input: "Let's Get It On" features soulful, passionate lead vocals and multi-tracked background singing, both by Gaye. It has a 1950s-styled melody and begins with three wah-wah guitar notes and centers on simple chord changes, while its arrangements are centered on an eccentric rhythm pattern. Its signature guitar line is played by session musician Don Peake. Music journalist Jon Landau dubs the song "a classic Motown single, endlessly repeatable and always enjoyable". The song is reprised on the fourth track, "Keep Gettin' It On". It expands on the title track's sensual theme with political overtones: "won't you rather make love, children / as opposed to war, like you know you should." "Distant Lover" has Gaye crooning over serene instrumentation, leading to soulful screams near the end; from a heartbroken croon to an impassioned wail. The song's lyrics chronicled the yearning its narrator feels for a lover who is "so many miles away", as he pleads for her return and laments the emptiness he feels without her. Music writer Donarld A. Guarisco later wrote of the song's sound, in that "Marvin Gaye's studio recording enhances the dreamy style of the song with stately horn and strings, tumbling drum fills that gently nudge the song along, and mellow, doo wop-styled background vocals that echo "love her, you love her" under his romantic pleas. The song later became a concert favorite for Gaye and a live concert version, featuring female fans screaming in the background, was released as a single from his Marvin Gaye Live! album in 1974. "You Sure Love to Ball" is one of Gaye's most sexually overt and controversial singles, with its intro and outro featuring moaning sounds made by a man and woman engaged in sex. The sexual-explicit and risque nature of the album's content were, at the time, controversial, and the recording of such an album was deemed as a commercial risk by Motown A&R's (Artists and Repertoire) and label executives.

Answer this question "Did he write his lyrics with a partner?"
output:

input: In 1977, Phillips released her first and only solo album, Victim of Romance, produced by Jack Nitzsche for A&M Records. Commenting on the record, she said: "I didn't do it earlier because I never felt secure enough as a vocalist. I'm good, but Cass was always better." Phillips also commented on her involvement in its production, saying that she had been involved in "every aspect, from mixing to putting together the package and cover myself." Her first two solo singles from the album failed to make the U.S. music charts. The same year, she sang backup vocals with former stepdaughter Mackenzie Phillips on Zulu Warrior, for her ex-husband's second solo album, Pay Pack & Follow. The same year, she starred as Rudolph Valentino's second wife Natacha Rambova in Ken Russell's film Valentino (1977). The film received mixed reviews, with Time Out London saying: "Structured as a series of flashbacks from Valentino's funeral to his early years in America, the first hour or so of this biopic is Russell's sanest and most controlled work in several years, despite its hollow cynicism." In 1979, she appeared in the film adaptation of the Sidney Sheldon novel Bloodline (1979), a thriller starring Audrey Hepburn and Ben Gazzara. Released in June 1979, Bloodline received negative reviews from critics, and Phillips's performance (along with those of James Mason and Maurice Ronet) was criticized by Variety as being "drab." The same year, she recorded the song Forever for the movie soundtrack of California Dreaming the same year, a surf film that had nothing to do with her former group. Her other film credits during this period include roles in The Man with Bogart's Face (1980), Savage Harvest (1981) and American Anthem (1986). On television, Phillips played the mermaid princess Nyah in three episodes of Fantasy Island, and Leora Van Treas in Mike Hammer: Murder Takes All starring Stacy Keach in the title role, and appeared in TV miniseries such as Aspen (1977) and The French Atlantic Affair (1979). She has made guest appearances on series such as Spin City and Star Trek: The Next Generation (where she appeared in the episode We'll Always Have Paris as a former love-interest of Jean-Luc Picard). From 1983-1986 she joined the cast of Hotel as the concierge, the daughter of hotel owner Victoria Cabot's rival, who plants his daughter as a spy to further his aim of acquiring control of the St. Gregory.

Answer this question "was she in any other tv shows?"
output: From 1983-1986 she joined the cast of Hotel as the concierge, the daughter of hotel owner Victoria Cabot's rival,

input: Before the 1921 season, the media questioned whether Hooper would re-sign with the Red Sox for the coming season, saying that Hooper may have been disappointed not to be given an opportunity at manager. Since 1919, Red Sox owner Harry Frazee had been getting rid of expensive veteran players in what has been called a "fire-sale". Hooper was traded to the Chicago White Sox in March 1921 in exchange for Shano Collins and Nemo Leibold. Newspaper accounts said that Hooper had not been warned about the trade, that he would demand a higher salary from the White Sox and that he was prepared not to play unless the team met his demands. Hooper had some of his best offensive production with the White Sox. He hit over .300 in three out of the five seasons he spent with the team and he hit a career-high 11 home runs and 80 runs batted in during the 1922 season. In 1922 and again in 1924, Hooper was involved in eight double plays, which led the league for outfielders in both of those seasons. In 1925, Hooper asked for his release from Chicago so that he could pursue a position as a manager. Hooper was a career .281 hitter with 75 home runs, 817 RBI, 1429 runs, 2466 hits, 389 doubles, 160 triples, and 375 stolen bases in 2309 games. He holds the Red Sox franchise records for most triples (130) and stolen bases (300), as well as Fenway Park records for triples (63) and stolen bases(107). Hooper is only one of two players (Heinie Wagner being the other) to be a part of four Red Sox World Series championships. He hit better than .300 five times in his career and compiled a .293 batting average (27-92) in four World Series appearances.

Answer this question "Was Harry Hooper a good White Sox player?"
output:
Hooper was traded to the Chicago White Sox in March 1921 in exchange for Shano Collins and Nemo Leibold.