Teacher: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Teacher: Now, understand the problem? If you are still confused, see the following example:
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this instance: Context_1 : The AACTA Award for Best Documentary Under One Hour, is a non-feature film award presented by the Australian Academy of Cinema and Television Arts (AACTA) to the producer of an Australian documentary that is "a self-contained non-fiction film or Television Program equal to or less than 60 minutes in duration that is a creative treatment of actuality other than a news, current affairs, sports coverage, magazine, infotainment or light entertainment program." Prior to the establishment of the Academy in 2011, the award was presented by the Australian Film Institute (AFI) at the annual Australian Film Institute Awards (more commonly known as the AFI Awards) from 20092010. A single award for Best Documentary was handed out from 19582008, before it was split into three categories: Best Feature Length Documentary, Best Documentary Under One Hour and Best Documentary Series. The award is presented at the AACTA Awards Luncheon, a black tie event which celebrates achievements in film production, television, documentaries and short films. Context_2 : Ready Steady Go! (or RSG!) was a British rock/pop music television programme broadcast every Friday evening from 9 August 1963 until 23 December 1966. It was conceived by Elkan Allan, head of Rediffusion TV. Allan wanted a light entertainment programme different from the low-brow style of light entertainment transmitted by ATV. The programme was produced without scenery or costumes and with a minimum of choreography and make-up. Allan recruited a fellow journalist, Francis Hitching, as producer. Hitching became a major figure in light entertainment in the 1960s. Robert Fleming was the first director, followed by the documentary director Rollo Gamble, then Michael Lindsay-Hogg, Daphne Shadwell and Peter Croft. Context_3 : The Condor is an animated superhero film about a new character created by Stan Lee. It features the voices of Wilmer Valderrama, Maria Conchita Alonso, Kathleen Barr, Michael Dobson, Mary Elizabeth McGlynn, and Cusse Mankuma. Originally titled "El Lobo", it was released under the "Stan Lee Presents" banner, which is a series of direct-to-DVD animated films distributed by POW Entertainment with Anchor Bay Entertainment. The story was by Stan Lee, with the script by former "The New Teen Titans" writer Marv Wolfman. It is set in the same world as "Mosaic", a prior "Stan Lee Presents" film. "The Condor" was released on DVD on March 20, 2007 and had its television premiere on Cartoon Network on March 24, 2007. Since then, the film has been poorly received. Context_4 : Mosaic is an animated superhero film about a new character created by Stan Lee. It features the voice of Anna Paquin as Maggie Nelson with supporting roles done by Kirby Morrow, Cam Clarke, Garry Chalk, Ron Halder, and Nicole Oliver. It was released under the "Stan Lee Presents" banner, which is a series of direct-to-DVD animated films distributed by POW Entertainment with Anchor Bay Entertainment. The story was by Stan Lee, with the script by former X-Men writer Scott Lobdell. Context_5 : Stan Lee Media (SLM) was an Internet-based creation, production and marketing company that was founded in 1998, filed for Chapter 11 bankruptcy protection in 2000, and ultimately dismissed from bankruptcy in November 2006. In its early years, the company created Stan Lee branded super hero franchises for applications in all media. Its 165-man animation production studio was based in Los Angeles from 19982001. It won the 2000 Web Award for the best Entertainment Portal on the World Wide Web, but the company failed in the same year and the corporate shell has been involved in numerous lawsuits in the years since. The company has been characterized as "a sleazy Internet start-up that could function as the poster child for the excesses of the turn-of-the-century era." Stan Lee himself has long since cut ties with the company. Context_6 : The AACTA Award for Best Documentary Series, is a non-feature film award presented by the Australian Academy of Cinema and Television Arts (AACTA) to the producer of an Australian documentary series that is "a Television Program consisting of a potentially unlimited number of episodes but not less than 2 that is a creative treatment of actuality other than a news, current affairs, sports coverage, magazine, infotainment or light entertainment program." Prior to the establishment of the Academy in 2011, the award was presented by the Australian Film Institute (AFI) at the annual Australian Film Institute Awards (more commonly known as the AFI Awards) from 20092010. A single award for Best Documentary was handed out from 19582008, before it was split into three categories: Best Feature Length Documentary, Best Documentary Under One Hour and Best Documentary Series. The award is presented at the AACTA Awards Luncheon, a black tie event which celebrates achievements in film production, television, documentaries and short films. Context_7 : The AACTA Award for Best Feature Length Documentary, is a non-feature film award presented by the Australian Academy of Cinema and Television Arts (AACTA) to an Australian documentary that is longer than sixty minutes in duration and "is a creative treatment of actuality other than a news, current affairs, sports coverage, magazine, infotainment or light entertainment program. Prior to the establishment of the Academy in 2011, the award was presented by the Australian Film Institute (AFI) at the annual Australian Film Institute Awards (more commonly known as the AFI Awards) from 20092010. A single award for Best Documentary was handed out from 19582008, before it was split into three categories: Best Feature Length Documentary, Best Documentary Under One Hour and Best Documentary Series. The award is presented at the AACTA Awards Luncheon, a black tie event which celebrates achievements in film production, television, documentaries and short films. Context_8 : Stan Lee's Mutants, Monsters & Marvels is a 2002 American documentary film produced by Creative Light Entertainment consisting of an interview of Marvel Comics publisher Stan Lee by film director Kevin Smith. The two talk about Lee's life, his marriage with Joan Lee, the 2002 "Spider-Man" film, and Spider-Man comics. Lee refers to Marvel Comics character J. Jonah Jameson as "the version so many people had of me." The interview was filmed in February 2002 in Santa Monica, California at a comic book store. The result was a nearly two-hour-long film. The documentary was included in a four-disc release of the 2002 "Spider-Man" film. Context_9 : Joan Lee (nee Boocock; 5 February 1922 6 July 2017) was a British-American hat model and voice actress. She was also notable for her nearly 70-year marriage to comic book writer Stan Lee. She met him in New York City in the 1940s, while working as a hat model. In her later years, she became a voice actress and provided her voice in "Spider-Man" and "Fantastic Four" both in the 1990s. Context_10 : Monsters University is a 2013 American 3D computer-animated comedy film produced by Pixar Animation Studios for Walt Disney Pictures. It was directed by Dan Scanlon and produced by Kori Rae, with John Lasseter, Pete Docter, Andrew Stanton and Lee Unkrich as executive producers. The music for the film was composed by Randy Newman, marking his seventh collaboration with Pixar. It was the fourteenth feature film produced by Pixar, and is a prequel to 2001's "Monsters, Inc.", marking the first time Pixar has made a prequel film. "Monsters University" tells the story of two monsters, Mike and Sulley, and their time studying at college, where they start off as rivals, but slowly become best friends. John Goodman, Billy Crystal, Steve Buscemi, Bob Peterson, and John Ratzenberger reprise their roles as James P. Sullivan, Mike Wazowski, Randall Boggs, Roz, and the Abominable Snowman, respectively. Bonnie Hunt, who played Ms. Flint in the first film, voices Mike's grade school teacher Ms. Karen Graves. fact_1 : Stan Lee's Mutants, Monsters & Marvels is a 2002 American documentary film produced by Creative Light Entertainment consisting of an interview of Marvel Comics publisher Stan Lee by film director Kevin Smith. fact_2 : Joan Lee (nee Boocock; 5 February 1922 6 July 2017) was a British-American hat model and voice actress. Answer: 2002
Student:
Stan Lees Mutants, Monsters Marvels, released in which year, is an American documentary film produced by Creative Light Entertainment, the two talk about Lees life, his marriage with Joan Boocock Lee, was a BritishAmerican hat model and voice actress?