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In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input: Context_1 : The Oregon City Transit Center is a TriMet transit center located at McLoughlin Blvd. and 11th Street in Oregon City, Oregon. The northwest end of the center is at McLoughlin Blvd. and the southeast end is at Main Street, while Moss Street and 11th Street run through the center and are restricted to buses only. Context_2 : I, Tonya is a 2017 American biographical sports black comedy-drama film directed by Craig Gillespie and written by Steven Rogers. The film stars Margot Robbie as figure skater Tonya Harding, along with others including Sebastian Stan, Allison Janney, Paul Walter Hauser, Julianne Nicholson, Caitlin Carver, Bojana Novakovic and Bobby Cannavale. Context_3 : Tonya Maxene Harding (born November 12, 1970) is a former American figure skater. She was a two-time Olympian and a two-time Skate America Champion. In 1991, she won the U.S. Figure Skating Championships and placed second in the World Championships. Harding was the second woman (and the first American woman) to complete a triple axel jump in competition. In 1994, she was banned for life from the U.S. Figure Skating Association after pleading guilty to hindering the prosecution following the attack on fellow skater Nancy Kerrigan. Context_4 : Oregon City Service Learning Academy is a public high school focused on service learning in Oregon City, Oregon, United States. Until the end of the 2011-2012 school year, the school was located on the campus of the Oregon City High School. It is currently located at the King Campus (formerly King Elementary School). Context_5 : Tom Keele (born c. 1933) is a former American football coach. He served as the head football coach at California State University, Northridge from 1979 to 1985, compiling a record of 31421. Keele graduated from Jefferson High School in Portland Oregon in 1951. He attended the University of Oregon, where he played football for the Oregon Webfoots as a tackle from 1957 to 1959. Keele began his coaching career in 1960 at North Eugene High School in Eugene, Oregon, working two years as an assistant football coach and sophomore basketball coach. He moved to Oregon City High School in Oregon City, Oregon in 1962, serving as head football coach and leading his team to a 911 record. The following year, he was hired as head football coach at the newly-formed Sheldon High School in Eugene. Context_6 : The postal history of Oregon began in 1847, a year before the Oregon Territory was established, when the United States Post Office contracted delivery of postal items from the east coast of the United States to west coast locations via Panama. Post offices in Astoria and Oregon City were authorized. These were the first offices authorized west of the Rocky Mountains. It was not until 1849 that the Pacific Mail Steamship Company opened routes from Panama along the west coast. The earliest postmarked items from the offices in Astoria and Oregon City were in 1849. There is a significant amount of philatelic information published about Oregon. "Oregon Post Offices" by Richard W. Helbock provides a list of post offices. Charles A. Whittlesey and Richard W. Helbock have also written "Oregon Postmarks", a catalog of postmarks through the 1800s. There is also "A Checklist Of Oregon Post Offices, 1847-1988" by Helbock. This text provides a more condensed guide to the post offices. Context_7 : USS "Oregon City" (CA-122), the lead ship of the "Oregon City" class of heavy cruisers, was laid down 8 April 1944 by Bethlehem Steel Company, Quincy, Massachusetts; launched 9 June 1945; sponsored by Mrs. Raymond P. Canfield, wife of the City Commissioner of Oregon City, Oregon. Newspapers showed pictures of celebrated radio, film and television personality Bing Crosby adding a bit of glamor to the launching. The "Oregon City" was commissioned 16 February 1946 with Captain Burtnett Kent Culver in command. Context_8 : The Oregon City Bridge is a steel through arch bridge spanning the Willamette River between Oregon City and West Linn, Oregon, United States. Completed in 1922, it is listed on the National Register of Historic Places. It was built and is owned by the Oregon Department of Transportation (ODOT) as part of Oregon Route 43 and is the third southernmost Willamette bridge in the Portland metropolitan area, after the Boone Bridge in Wilsonville and the Oregon 219 bridge near Newberg. Context_9 : The Pioneer Base Ball Club, known also as the Oregon Pioneers and the Portland Pioneers, was an American amateur baseball team that represented East Portland and Portland, Oregon in the mid-to-late 1860s. It was the first baseball team organized in the state of Oregon. The first mention of the team came on August 3, 1866 when the Pioneer Club played an intra-squad game at their home field in East Portland. The Pioneers attempted to construct a full season in 1867. They played against other amateur teams from Vancouver, Washington, Portland and Oregon City, Oregon. In September 1867, the Pioneers issued a challenge to any amateur team in Oregon and Washington Territory to square-off at the Oregon State Fair. Two teams, the Willamettes of Portland and Clackamas of Oregon City, accepted the challenge. Context_10 : Lloyd Center is a shopping mall in the Lloyd District of Portland, Oregon, United States, just northeast of downtown. It is owned by Arrow Retail of Dallas and anchored by Macy's, Sears, and Marshalls. The mall features three floors of shopping with the third level serving mostly as professional office spaces, a food court, and U.S. Education Corporation's Carrington College. A Regal Cinemas multiplex is located across the street. The mall includes the Lloyd Center Ice Rink where Olympian Tonya Harding first learned to skate. fact_1 : Lloyd Center is a shopping mall in the Lloyd District of Portland, Oregon, United States, just northeast of downtown. fact_2 : The mall includes the Lloyd Center Ice Rink where Olympian Tonya Harding first learned to skate. fact_3 : Tonya Maxene Harding (born November 12, 1970) is a former American figure skater. Question: Tonya Harding learned to skate in the Lloyd Center in which Oregon city?
Solution:
Portland