IN: Michael Stock (born 3 December 1951) is an English songwriter, record producer and musician, best known for being a member of the songwriting and production team Stock Aitken and Waterman that achieved success in the 1980s and 1990s. He has written or produced numerous worldwide hits including 18 No. 1 records in America and the UK, and over a hundred top-40 hits. Stock is one of the most successful songwriters of all time as recognised by the Guinness Book of Records. As part of Stock Aitken and Waterman, he is acknowledged as the most successful producer-songwriter in British chart history and holds the record for the most No. 1 records with different acts, with 11.

Stock was born in Margate, Kent, England in 1951 and grew up in Swanley, Kent. He attended White Oak primary school and Swanley comprehensive school. At Swanley school he was involved in several school variety productions. He was self-taught in playing the piano and guitar and began writing songs at the age of seven. Inspired by The Beatles he soon became fixated with pop music and put together his first band at age 13, playing bass guitar and singing. Fascinated by the popular songwriting styles of Rodgers and Hammerstein, and writers such as Irving Berlin and the energy and freshness of The Beatles, he established a deep love of pop music. Stock signed a publishing contract when he was nineteen after earning a reputation as a budding songwriter, although no one had suggested a full-time career in the music world was a possibility. In 1970 Stock earned a placement at the University of Hull to study Drama and Theology and formed a band with a fellow student, the later acclaimed Oscar-winning director, Anthony Minghella. Whilst at Hull, Stock met his wife Bobbie and left university when she graduated to concentrate his efforts in making it in music. In 1975 they married and soon after, sold their house in Bury, Lancashire to move back south Stock played his first paid, solo gig at Aveley Working Men's Club in Essex in 1976, earning twenty five pounds. By the late 1970s Stock, now living in Blackheath, South London, was performing up and down the country. Performing solo, in a duo or with bands Mirage and Nightwork, Stock gained a good reputation for his live performances and was regularly booked for venues like the Hilton Hotel, Grosvenor House and the Dorchester in Mayfair. Throughout 1979 to 1981 Stock was gigging every night of the week in various bands embracing pop, dance, old standards, rock or funk. Stock's band had gone through several guitar players before he was alerted to Matt Aitken; a guitarist who had been spotted by another member of his band working on a cruise ship. Stock contacted Aitken to offer him a role in the band. Playing on cruise ships and in various bands of his own, Aitken was an accomplished guitarist whose style could adapt to any type of music. In 1982 Stock moved to Abbey Wood, South London where, along with Matt Aitken he acquired a recording desk and tape machine and formed his first record label. During the break of one of Mirage's sets on New Year's Eve 1983, Stock informed the band he would be leaving and was going into the studio to pursue his career as a songwriter and producer. Matt Aitken agreed to join him and from January 1984 onwards the pair worked exclusively in recording studios.

What was his early life like?

OUT: At Swanley school he was involved in several school variety productions. He was self-taught in playing the piano and guitar and began writing songs at the age of seven.

Answer the question at the end by quoting:

Hatfield was born in Wiscasset, Maine, the daughter of Philip M. Hatfield, a radiologist, and Julie Hatfield, a former Boston Globe features, society, travel writer, and fashion critic who currently works as a freelance travel writer. Hatfield grew up in the Boston suburb of Duxbury. Although well known for the early 1990s hit, "My Sister", Hatfield has two brothers, but no sisters. Hatfield's father claimed his family were descendants of the West Virginia Hatfields of the Hatfield-McCoy feud following the Civil War.
In 2014 The Juliana Hatfield Three was reformed after two decades of hiatus, and Hatfield, drummer Todd Philips, and bassist Dean Fisher began practicing new material for an album. The album marked the band's first release in twenty two years, since their LP Become What You Are in 1993. Stated Hatfield about the new album, "We haven't totally reinvented the wheel or anything," and that the tracks exhibit the "stuff I am sort of known for, I guess. But I am a lot more confident now than I was then with the first album. And I had more fun recording this one." The twelve tracks for Whatever, My Love were recorded at Nuthouse Recording in Hoboken, New Jersey, with Beaujour and Hatfield co-producing the project. The lead single from the album, "If I Could," was released in December 2014, and was premiered in publications such as Rolling Stone. That month the album was made available for pre-order on American Laundromat Records, with an announced release date for Whatever, My Love on February 17, 2015. The band announced they would tour the United States in support of the album throughout February, hitting cities on both coasts and the midwest, as well as venues such as the Bowery Ballroom in New York city and The Roxy Theatre in Los Angeles in late March. In late December 2014, Stereogum named the album "one of their most anticipated albums of 2015," and on January 4, 2015, Consequence of Sound named it "one of the 50 most anticipated albums of 2015." On January 9, 2015, Hatfield was featured at Nylon.com, who wrote that the upcoming album came off as "unforced, and with its sly lyrics and mega-hooky coffeehouse-grunge aesthetic." The album's second single "Ordinary Guy" premiered on Consequence of Sound on January 14, 2015.

What happened to the next?

The band announced they would tour the United States in support of the album throughout February, hitting cities on both coasts and the midwest,

input: The Niitsitapi main source of food on the plains was the American bison (buffalo), the largest mammal in North America, standing about 6 1/2 feet (2.0 m) tall and weighing up to 2,000 pounds (910 kg). Before the introduction of horses, the Niitsitapi needed other ways to get in range. The buffalo jump was one of the most common ways. The hunters would round up the buffalo into V-shaped pens, and drive them over a cliff (they hunted pronghorn antelopes in the same way). Afterwords the hunters would go to the bottom and take as much meat as they could carry back to camp. They also used camouflage for hunting. The hunters would take buffalo skins from previous hunting trips and drape them over their bodies to blend in and mask their scent. By subtle moves, the hunters could get close to the herd. When close enough, the hunters would attack with arrows or spears to kill wounded animals. The people used virtually all parts of the body and skin. The women prepared the meat for food: by boiling, roasting or drying for jerky. This processed it to last a long time without spoiling, and they depended on bison meat to get through the winters. The winters were long, harsh, and cold due to the lack of trees in the Plains, so people stockpiled meat in summer. As a ritual, hunters often ate the bison heart minutes after the kill. The women tanned and prepared the skins to cover the tepees. These were made of log poles, with the skins draped over it. The tepee remained warm in the winter and cool in the summer, and was a great shield against the wind. The women also made clothing from the skins, such as robes and moccasins, and made soap from the fat. Both men and women made utensils, sewing needles and tools from the bones, using tendon for fastening and binding. The stomach and bladder were cleaned and prepared for use for storing liquids. Dried bison dung was fuel for the fires. The Niitsitapi considered the animal sacred and integral to their lives.

Answer this question "was the skins used for anything else?"
output:
robes and moccasins,