input: NBC kept Letterman under contract to try him in a different time slot. Late Night with David Letterman debuted February 1, 1982; the first guest on the first show was Bill Murray. Murray later went on to become one of Letterman's most recurrent guests, guesting on the show's 30th anniversary episode, which aired January 31, 2012 and on the very last show, which aired May 20, 2015. The show ran Monday through Thursday at 12:30 a.m. Eastern Time, immediately following The Tonight Show Starring Johnny Carson (a Friday night broadcast was added in June 1987). It was seen as being edgy and unpredictable, and soon developed a cult following (particularly among college students). Letterman's reputation as an acerbic interviewer was borne out in verbal sparring matches with Cher (who even called him an asshole on the show), Shirley MacLaine, Charles Grodin, and Madonna. The show also featured comedy segments and running characters, in a style heavily influenced by the 1950s and 1960s programs of Steve Allen. The show often featured quirky, genre-mocking regular features, including "Stupid Pet Tricks" (which had its origins on Letterman's morning show), Stupid Human Tricks, dropping various objects off the roof of a five-story building, demonstrations of unorthodox clothing (such as suits made of Alka-Seltzer, Velcro and suet), a recurring Top 10 list, the Monkey-Cam (and the Audience Cam), a facetious letter-answering segment, several "Film[s] by My Dog Bob" in which a camera was mounted on Letterman's own dog (often with comic results) and Small Town News, all of which would eventually move with Letterman to CBS. Other memorable moments included Letterman using a bullhorn to interrupt a live interview on The Today Show, announcing that he was the NBC News president and that he was not wearing any pants; walking across the hall to Studio 6B, at the time the news studio for WNBC-TV, and interrupting Al Roker's weather segments during Live at Five; and staging "elevator races", complete with commentary by NBC Sports' Bob Costas. In one infamous appearance, in 1982, Andy Kaufman (who was already wearing a neck brace) appeared with professional wrestler Jerry Lawler, who slapped and knocked the comedian to the ground (though Lawler and Kaufman's friend Bob Zmuda later revealed that the event was staged).

Answer this question "Did he get in trouble?"
output:

input: When Stephen Carpenter was 15 years old, he was hit by a car while skateboarding. Confined to a wheelchair for several months, he began teaching himself guitar by playing along to bands such as Anthrax, Stormtroopers of Death and Metallica. The driver supposedly paid Carpenter a cash settlement that allowed the band to purchase equipment, but Abe Cunningham commented in a 2007 interview that the story about the settlement was simply "a myth about how our band was started". Carpenter, Cunningham and Chino Moreno were friends from their childhood. All three went to McClatchy High School in Sacramento and remained friends through the city's skateboarding scene. While Carpenter was a fan of heavy metal, Moreno was also interested in hardcore punk bands such as Bad Brains and post-punk and new wave bands such as Depeche Mode. When Moreno found out that Carpenter played guitar, he set up a jam session with Cunningham, who played drums, and the three began playing regularly in Carpenter's garage around 1988. They recruited bassist Dominic Garcia some time after, and the band became a four-piece. When Cunningham left Deftones to join Phallucy, another band from Sacramento, Garcia switched to drums. The band acquired Cheng to play bass, and recorded a four-track demo soon afterwards. John Taylor replaced Cunningham on drums in 1991, until Cunningham's return in 1993. Within two years, the band began playing club shows and later expanded their gigging territory to San Francisco and Los Angeles, where they played shows alongside bands such as Korn. While closing for another band in L.A., after the majority of the audience had left, the band impressed a Maverick Records representative. They were signed to the label after performing three of their songs for Freddy DeMann and Guy Oseary. The name "Deftones" was created by Carpenter, who wanted to pick "something that would just stand out but you know, not be all cheese-ball at the same time." Carpenter combined the hip hop slang term "def," which was used by artists such as LL Cool J and Public Enemy, with the suffix "-tones," which was popular among 1950s bands (e.g., Dick Dale and the Del-Tones, The Quin-Tones, The Delltones, The Monotones, The Cleftones and The Harptones). Carpenter said the name is intentionally vague to reflect the band's tendency to not focus on just one style of music. The name is also a pun on the term "tone deaf."

Answer this question "were they successful?"
output: Within two years, the band began playing club shows and later expanded their gigging territory to San Francisco and Los Angeles,

input: At his mother's house, Ellison saw an advertisement on Adult Swim/Cartoon Network asking for song submissions. He sent some in, under the name Flying Lotus (a moniker inspired by lucid dreaming) and was accepted. Around this time, he was interning at the pioneering hip hop label Stones Throw Records. Days were spent in their offices, and nights were spent at his grandmothers, working on the music that would become his debut album: 1983. The record (released on LA indie label Plug Research) was an early touchstone for Ellison's eclectic creative mission, forging compressed, spacey and Eastern sounding hip-hop beats, that summoned Madlib as much as Dntel, while sampling as far back as 70s Japanese proto-synthpop and 60s jazz harp. It would also feature Laura Darlington, who went on to become a vocal fixture of future albums. In 2006, Ellison participated in that year's annual Red Bull Music Academy, which took place in Melbourne, Australia. In 2007, he announced on CSU-Fullerton's Titan Radio that he signed with Warp Records (home to Prefuse 73, Autechre, Boards of Canada, and Aphex Twin). Following his Warp debut, the six-track Reset EP, he quickly became one of the label's cornerstone artists and released his second studio album, titled Los Angeles, on June 10, 2008. His first release on Warp, Reset EP, gave his new audience a taste of the steady grooves and darker breaks that had earned him the move. As Ellison's profile rose, he decided to commandeer the limelight by launching his own label, Brainfeeder, to house his friends (Samiyam, Ras G, etc.) and unite a large section of the LA beat scene under one label.

Answer this question "and what went on with warp records"
output:
His first release on Warp, Reset EP, gave his new audience a taste of the steady grooves and darker breaks that had earned him the move.