Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:', and the follow-up question has a prefix 'FOLLOWUP_Q:'.

Example Input: CONTEXT: No, it does not mean that all dialog is sung, have a look at Phantom of the Opera, Wicked, West Side Story, etc. The reason that the movie has all dialog rhyming etc. (known as 'sung through') is because the West End musical that it is based on is sung through (although there are versions where Valjean speaks a normal line to Javert when he gives him his address but this is less usual). How much of the musical is sung and how much is spoken is down to the taste of the director and his colleagues. Usually the main scenes and emotive moments are conveyed via song (like in Rock of Ages or the Phantom of the Opera) but sometimes everything is in song (like in Les Mis). <sep> Q: Why is the whole movie Les Miserables sung? A: The reason that the movie has all dialog rhyming etc. (known as 'sung through') is because the West End musical that it is based on is sung through <sep> FOLLOWUP_Q: What language is it generally sung in?
Example Output: No

Example Input: CONTEXT: For a perfect clone, down to the quantum level, both would be the real Angier. That is the essence of his fear. The real Angier will be killed every time. When you download a movie what you are doing is actually making a perfect copy of the movie. Which is the real movie? They all are. This is very different from making copies of film reels where only the original have the quality of the original (each copy adds a little imperfection). Now, the question The Prestige asks is what if you can make a perfect clone of a person the way you can perfectly copy digital data? In one sense, if we don't want to get too uncomfortable we can always say the remaining copy is now the real data and the deleted copy is not real anymore. But if you really think about it and get out of your comfort zone you will realize that both people are real and what you have done is murdered yourself. In The Prestige this point is much more clearly made as the old copied Angier becomes the one who is killed. Not the newly created clone. Every time the clone will have only the memory of the surviving Angier. But every time Angier experiences death, only the Angier that experienced death has no way of passing that memory to the surviving Angier so the survivor can never know what dying feels like. <sep> Q: How does it work that the clones are sentient paradox?
Example Output: Yes

Example Input: CONTEXT: The rights issue is still fairly murky. If a program or film is deemed 'newsworthy' (ie documentary) then less rights need to be secured (although privacy copyrights are still in effect and do need to cleared before presentation). Biopics like Ed Wood, despite being based on a real person, are considered 'fictional entertainment' and thus do not require clearance from the family unless real photos/sounds are used. In some cases, biopics can be halted - for example, the Amy Winehouse project that has been stalled because her father has refused to release the rights to her music. <sep> Q: Do the biopic-ized people get paid for being represented in their respective biopic movies?
Example Output:
No