Albert Camus (French: [albeR kamy]; 7 November 1913 - 4 January 1960) was a French Nobel Prize winning author, journalist, and philosopher. His views contributed to the rise of the philosophy known as absurdism. He wrote in his essay The Rebel that his whole life was devoted to opposing the philosophy of nihilism while still delving deeply into individual freedom. Camus did not consider himself to be an existentialist despite usually being classified as one, even in his lifetime. In a 1945 interview, Camus rejected any ideological associations: "No, I am not an existentialist. Sartre and I are always surprised to see our names linked...". Camus was born in Algeria to a Pied-Noir family, and studied at the University of Algiers. In 1949, Camus founded the Group for International Liaisons to "denounce two ideologies found in both the USSR and the USA".

Question: "What clues are we given that Camus believed nihilism was a problem in the USA and USSR?"

Response: "In 1949, Camus founded the Group for International Liaisons to "denounce two ideologies found in both the USSR and the USA""

A: yes

Static electricity is like a teeter-totter. What happens if a teeter-totter is balanced? Correct! It does not move. What about when its not balanced? Yes, it will now begin to move. Charges move when they are not balanced. Charges can build up by friction. Maybe you rub your feet on a wool mat or carpet. Rubber soled shoes readily gain charges. The wool carpet easily gives up charges. The two items become unbalanced. One item has a positive charge. The other has a negative charge. The difference in charge is called static electricity. Just like the teeter-totter, something is going to move. Positive charges build up on the mat. Negative charges build up on you.

Question: "How are electrical charges similar to a teeter-totter?"

Response: "Charges move when they are not balanced, just like a teeter-totter moves when it is not balanced"

A: yes

The first rule is parental. The primitive monarchy is in the home. A young baby cries. The trained nurse turns on the light, lifts the baby, hushes it, sings to it, rocks it, and stills its weeping by caresses and song. When next the baby is put down to sleep, more cries, more soothing and disturbance, and the setting of a tiny instinct which shall some day be will--the power of control. The grandmother arrives on the scene. When baby cries, she plants the little one firmly in its crib, turns down the light, pats and soothes the tiny restless hands that fight the air, watches, waits. From the crib come whimpers, angry cries, yells, sobs, baby snarls and sniffles that die away in a sleepy infant growl. Silence, sleep, repose, and the building of life and nerve and muscle in the quiet and the darkness. The baby has been put in harmony with the laws of nature--the invigoration of fresh air, sleep, stillness--and the little one wakens and grows like a fresh, sweet rose. The mother, looking on, learns of the ways of God with men.

Question: "How does the grandmother quiet the baby compared to the nurse?"

Response: "The nurse picks up the baby and rocks the baby, sings to her, and caresses it. The Grandmother puts the baby back in the crib, pats it, and allows it to cry itself out"

A:
yes