input: If there was one true "breakthrough" year in the band's history, it would almost certainly be 1993. The release of the Shortsharpshock EP catapulted Therapy? into the Top 40, peaking at nine, featuring the lead track Screamager. The single led to the first of several appearances on the venerable UK music show Top of the Pops. Two more UK Top 40 EPs Face the Strange and Opal Mantra followed, as the band toured heavily on the European festival circuit, made two separate jaunts to the United States in support of Kings X initially, and then both Helmet and The Jesus Lizard, and played their debut shows in Japan. Compilations of the three EP's were released in the U.S. and Japan (Hats Off to the Insane), and in Europe (Born in a Crash). 1994 saw the release of the commercially successful Troublegum album in February which earned the band appearances at a string of rock and indie festivals, including Reading (third consecutive appearance), Donington and Phoenix in the UK alone, as well as a clutch of Top 40 singles. It achieved a string of nominations in end-of-year polls, including a Mercury Music Prize nomination, and success at the Kerrang! Awards. With impatience mounting for a new album, Infernal Love was released in June 1995. This time, the press reaction was lukewarm. The band had attempted to create a "cinematic" record with Belfast DJ David Holmes employed to link each track with "insanity", but in the eyes of many, had produced a disjointed piece over-subscribed with ballads. Despite a second consecutive Donington appearance at Metallica's request, and singles Stories and Loose charting in the UK earlier in the year, it was clear that Therapy? had changed direction. Although the string laden single Diane was a Top 10 hit in 15 European countries later in the year, much of the early momentum had gone.

Answer this question "Did they release any other albums during this time?"
output: 1994 saw the release of the commercially successful Troublegum album

input: In 1989, Brian Warner was a college student working towards a degree in journalism at Broward College, gaining experience by writing music articles for the South Florida lifestyle magazine 25th Parallel. It was in this capacity that he met several of the musicians to whom his own band would later be compared, including My Life with the Thrill Kill Kult and Trent Reznor of Nine Inch Nails. That December, he met Scott Putesky, who proposed that the two form a band together after reading some lyrics and poems written by Putesky, who wanted to be the vocalist of the proposed band. Warner, guitarist Putesky and bassist Brian Tutunick recorded their first demo tape as Marilyn Manson & the Spooky Kids in 1990, taking on the stage names of Marilyn Manson, Daisy Berkowitz and Olivia Newton Bundy, respectively. Bundy left the band soon after, and was replaced by Gidget Gein, born Brad Stewart. They were later joined on keyboard by Stephen Bier, who called himself Madonna Wayne Gacy. In 1991, drummer Fred Streithorst joined the band under the name Sara Lee Lucas. The stage names adopted by each member were representative of a concept the band considered central: the dichotomy of good and evil, and the existence of both, together, in every whole. "Marilyn Monroe had a dark side", explained Manson in his autobiography, "just as Charles Manson has a good, intelligent side." Over the next six years, all of the band's members would adopt names that combined the first name of a female sex symbol and the surname of a serial killer. Images of both Monroe and Manson, as well as of other famous and infamous figures, were common in the band's early promotional materials. The Spooky Kids' popularity in the area grew quickly and because of the band's highly visual concerts, which drew from performance art and used many shock techniques such as "naked women nailed to a cross, a child in a cage, or bloody animal body parts." Band members variously performed in women's clothing or bizarre costumes; and, for lack of a professional pyrotechnician, would set their own stage props on fire. The band would contrast these theatrics with elements drawn from their youth: characters from 1970s and '80s children's television made regular, often grotesquely altered, appearances on band flyers and newsletters, and were frequently sampled in their music. They continued to perform and release cassettes - shortening their name to Marilyn Manson in 1992 - until the summer of 1993, when they drew the attention of Reznor, who had just founded his own label, Nothing Records.

Answer this question "What was spooky kids?"
output: their first demo tape as Marilyn Manson & the Spooky Kids in 1990,

input: In February 2002, The Living End's line up changed as Demsey left and was replaced on drums in April by Andy Strachan (ex-Pollyanna). Dempsey wanted to spend more time with his family, and had a dislike of heavy touring; in August that year he joined Fez Perez, and later joined a punk, folk rock group, The Currency. The Living End developed a side project, The Longnecks, to test out Strachan and new material for their third album, Modern ARTillery, without attracting wide public attention. The name is a reference to longneck beer bottles. The Longnecks name was re-used by the band to try out potential material for later albums. They have also played under other names: Glen Waverley & The Mentones, The Dovetones, Roller Toasters, Doncaster & The Dandenongs and Redwings; at various venues in regional Victoria. In mid-2002 The Living End recorded four tracks, including "One Said to the Other", which were released as an EP in January the following year and reached the top 20 on the ARIA Singles Chart. Two of its tracks were re-recorded in Los Angeles with Mark Trombino (Blink-182, Jebediah) producing, together with new material for Modern ARTillery, which appeared on 28 October 2003. It peaked at No. 3 on the ARIA Albums Chart, top 50 in New Zealand, and top 40 on Billboard's Heatseekers Albums Chart. "Who's Gonna Save Us?" was issued a month earlier, as the lead single, which reached top 40 in Australia, top 30 in New Zealand and on Billboard's Alternative Songs Chart. They followed with heavy touring (including Big Day Out) promoting their releases. On 27 September 2004 the band released a compilation album, From Here on In: The Singles 1997-2004, early versions included a bonus disc, Under the Covers, which had six cover versions of other artist's tracks. The CD featured two new tracks: "I Can't Give You What I Haven't Got" and "Bringing It All Back Home". They also issued a compilation DVD, From Here on In: The DVD 1997-2004, which collated their music video clips and live performances of the groups at festivals: Splendour in the Grass and Big Day Out in Sydney, and from Summer Sonic in Japan. The DVD also documented the band's history by interviews and home footage.

Answer this question "What were those songs?"
output:
"One Said to the Other",