IN: Rabbitt was born to Irish immigrants Mae (nee Joyce) and Thomas Michael Rabbitt in Brooklyn, New York in 1941, and was raised in the nearby community of East Orange, New Jersey. His father was an oil-refinery refrigeration worker, and a skilled fiddle and accordion player, who often entertained in local New York City dance halls. By age twelve Rabbitt was a proficient guitar player, having been taught by his scoutmaster, Bob Scwickrath. During his childhood Rabbitt became a self-proclaimed "walking encyclopedia of country music".

While he was still relatively unknown, Rabbitt toured with and opened for crossover star Kenny Rogers, and also opened for Dolly Parton on a number of dates during her 1978 tour, but soon Rabbitt would himself break through on other charts. Following the 1978 release of Variations, which included two more No. 1 hits, Rabbitt released his first compilation album, The Best of Eddie Rabbitt. The album produced Rabbitt's first crossover single of his career, "Every Which Way But Loose", which topped Country charts and reached the top 30 on both the Billboard Hot 100 and Adult Contemporary, and was featured in a 1978 Clint Eastwood movie of the same name. The song also broke the record for highest chart debut, entering at No. 18. Rabbitt held this record until it was shared with Garth Brooks at the debut of Brooks' 2005 single "Good Ride Cowboy." The record was broken in 2006 upon the No. 17 chart entrance of Keith Urban's "Once in a Lifetime." Rabbitt's next single, the R&B flavored "Suspicions" from his 1979 album Loveline, was an even greater crossover success, again reaching number one on Country charts and the top 15 on the Billboard Hot 100 and Adult Contemporary. He was given his own television special on NBC, first airing on July 10, 1980, which included appearances by such performers as Emmylou Harris and Jerry Lee Lewis. By this point in his career Rabbitt had been compared to a "young Elvis Presley." Rabbitt's next album Horizon, which reached platinum status, contained the biggest crossover hits of his career including "I Love a Rainy Night" and "Drivin' My Life Away." Rabbitt developed "Rainy Night" from a song fragment that he penned during a 1960s thunderstorm. "Driving" recalled Rabbitt's tenure as a truck driver, and was inspired by Bob Dylan's song "Subterranean Homesick Blues" from Dylan's 1965 album Bringing It All Back Home. His popularity was so strong at this point that he was offered his own variety television show, which he went on to respectfully decline stating "It's not worth the gamble." The release of his 1981 Step by Step album continued Rabbitt's crossover success as all three singles reached the top 10 on both Country and Adult Contemporary charts. The title track became Rabbitt's third straight single to reach the top 5 on Country, Adult Contemporary and the Billboard Hot 100 charts. The album ultimately reached gold status, Rabbitt's final album to do so. He teamed up with another country pop crossover star, Crystal Gayle, to record "You and I", which was included in his 1982 album Radio Romance. The duet reached No. 1 on the Billboard Country chart and eventually became a large pop smash, peaking at No. 7 and No. 2 respectively on the Billboard Hot 100 and Adult Contemporary chart. The song's popularity reached the point where it was used as a love theme for a couple on the soap opera All My Children. The song "You Put the Beat in My Heart" from Rabbitt's second Greatest Hits compilation in 1983 was his final crossover hit, reaching No. 15 on the Adult Contemporary chart.
QUESTION: when did he die
IN: Clinton Richard Dawkins (born 26 March 1941) is an English ethologist, evolutionary biologist, and author. He is an emeritus fellow of New College, Oxford, and was the University of Oxford's Professor for Public Understanding of Science from 1995 until 2008. Dawkins first came to prominence with his 1976 book The Selfish Gene, which popularised the gene-centred view of evolution and introduced the term, meme. With his book The Extended Phenotype (1982), he introduced into evolutionary biology the influential concept that the phenotypic effects of a gene are not necessarily limited to an organism's body, but can stretch far into the environment.

In his book, The Selfish Gene, Dawkins coined the word meme (the behavioural equivalent of a gene) as a way to encourage readers to think about how Darwinian principles might be extended beyond the realm of genes. It was intended as an extension of his "replicators" argument, but it took on a life of its own in the hands of other authors, such as Daniel Dennett and Susan Blackmore. These popularisations then led to the emergence of memetics, a field from which Dawkins has distanced himself. Dawkins's meme refers to any cultural entity that an observer might consider a replicator of a certain idea or set of ideas. He hypothesised that people could view many cultural entities as capable of such replication, generally through communication and contact with humans, who have evolved as efficient (although not perfect) copiers of information and behaviour. Because memes are not always copied perfectly, they might become refined, combined, or otherwise modified with other ideas; this results in new memes, which may themselves prove more or less efficient replicators than their predecessors, thus providing a framework for a hypothesis of cultural evolution based on memes, a notion that is analogous to the theory of biological evolution based on genes. Although Dawkins invented the term meme, he has not claimed that the idea was entirely novel, and there have been other expressions for similar ideas in the past. For instance, John Laurent has suggested that the term may have derived from the work of the little-known German biologist Richard Semon. In 1904, Semon published Die Mneme (which appeared in English in 1924 as The Mneme). This book discusses the cultural transmission of experiences, with insights parallel to those of Dawkins. Laurent also found the term, mneme, used in Maurice Maeterlinck's The Life of the White Ant (1926), and has highlighted the similarities to Dawkins's concept. James Gleick describes Dawkins's concept of the meme as "his most famous memorable invention, far more influential than his selfish genes or his later proselytising against religiosity".
QUESTION:
when did he father the meme?