input question: Select the correct sentiment of the following review: In his otherwise excellent book, Lincoln in American Memory, the historian Merrill Peterson calls Young Mr.Lincoln a "boring, dreadful, film". This amazingly wrongheaded analysis simply proves that great historians are rarely fine film critics. I am working on a doctoral dissertation on Abraham Lincoln and Frederick Douglass. As part of my preparation for writing the dissertation, I made a careful analysis of this film, and of Tag Gallaghers brilliant interpretation of it in his seminal book on Ford. Young Mr. Lincoln comes out that culminating year of the first phase of Ford's cinematic authorship, 1939.In that greatest of Hollywood years, Ford directed three superb, still not fully appreciated films: Drums Along the Mohawk, Stagecoach,and Young Mr.Lincoln. It might seem odd to say that Stagecoach is not fully appreciated, all but the most purblind of critics must perceive that it is one of of the greatest Westerns, and perhaps even one of the hundred greatest films of all time. However, what is NOT fully appreciated is that these three films work together as a kind of trilogy-a triptych, in fact. Ford is creating a sort of mythic history of America on screen. Drums Along the Mohawk is the Revolutionary War. Young Mr.Lincoln is pre-Civil War America.Finally, Stagecoach is Post Civil War America. What the three films have in common is that they are an extended meditation on the American Adam and his "errand into the Wilderness". What are the Psychic and social costs of American manifest destiny, as America strives to build a new human city in the wilderness?Lincoln symbolizes Americas journey, as he seeks to reconcile the civilizational inmpulse (law), with the freedom of the wilderness.Young Mr.Lincoln is not history, ( It is full of historical "howlers'-as both Ford and Trotti were well aware), but myth. This is Lincoln, the symbol of justice and mercy, Lincoln, the man of the wilderness, striving to found a civilization within himself, and to become the "remarkable lawgiver' of young America. Young Mr. Lincoln is not history-like James Agee's long forgotten teleplay about Lincoln, and like Sandburgs biography, it is an epic poem...a very beautiful epic poem.
OPTIONS:
- negative
- positive
....
output answer: positive

input question: Select the correct sentiment of the following review: Now, many would think to stay away from this movie just because of the title. If you do not have the stomach for gory movies, then what are you doing reading this review? Anyhow, I borrowed the video from a friend of mine and fell in love with this movie immediately. This movie is chock full of wonderful gore, plus the usual other ingredients that make up a b-movie add up to one hell of a viewing experience! If you're a lover of good quality experiences, then by all means, watch this great flick!
OPTIONS:
- negative
- positive
....
output answer: positive

input question: Select the correct sentiment of the following review: Yowza! If anyone who loves Laurel and Hardy can watch this movie and feel good about it, you're a better person than me! This movie, while a great attempt at 'imitating' Laurel and Hardy through appearance, sound and routine, falls very short of honoring them, or even being a movie of any substance. I blame Larry Harmon. Dialogue is torn from old L+H movies and planted in unrealistically, the plot is muddled with useless characterization of the other needless co-stars, Pinchot's accent was bizarre for Stan, and while Sartain did an excellent job with Ollie's accent, he tried too hard to create the wonderful mix that was Mr. Hardy. Where was a (good) musical number? Editing is choppy, acting is stiff, lines are horrid, physics are -implausable- (although perhaps they were TRYING to give it that feel of cheap sets?), and overall it's a terrible thing to witness. It's even more painful to watch than ATOLL K, where the legendary duo did their last film in awful 1950's era writing and photography. Do yourself a favor and watch as much of the ORIGINAL Laurel and Hardy films as you can, and learn how things WERE. You know what a MAGNATE is, don't you? Stan Laurel did not perpetually reply with semi-moronic quips at every sentence.

I pity anyone who thinks that THIS was a decent update/honor of the boys. Where was THE CLASSIC THEME SONG?!? Why ruin 'Here's another fine mess'? Why skip 'any the wiser'? Why was there a pointless gaggle of co-stars?! WHY MISS GULCH FROM THE WIZARD OF OZ???? WHY MUST LARRY HARMON BE IN IT? WHY BOZO!? And did THE LEARNING CHANNEL help fund the thing?

I mean, really. Fart jokes, for God's sake.

FART JOKES.
OPTIONS:
- negative
- positive
....
output answer:
negative