IN: Guy Carleton, 1st Baron Dorchester, KB (3 September 1724 - 10 November 1808), known between 1776 and 1786 as Sir Guy Carleton, was an Anglo-Irish soldier and administrator. He twice served as Governor of the Province of Quebec, from 1768 to 1778, concurrently serving as Governor General of British North America in that time, and again from 1785 to 1795. The title Baron Dorchester was created on 21 August 1786. He commanded British troops in the American War of Independence, first leading the defence of Quebec during the 1775 rebel invasion and the 1776 counteroffensive that drove the rebels from the province.

Upon his return to England Carleton recommended the creation of a position of Governor General of all the provinces in British North America. Instead he was appointed "Governor-in-chief", with simultaneous appointments as governor of Quebec, New Brunswick, Nova Scotia, and St. John's Island (present-day Prince Edward Island). He arrived in Quebec on 23 October 1786. His position as Governor-in-chief was mostly ignored. He found quickly that his authority in any of the provinces other than Quebec was effective only while he was present in person. He was raised to the Peerage in August 1786 as Lord Dorchester, Baron of Dorchester in the County of Oxford. The Constitutional Act of 1791 split the large territory of Quebec into Upper and Lower Canada, corresponding roughly to areas settled by ethnic British and ethnic French, respectively. Sir Alured Clarke was named as the lieutenant governor of Lower Canada and John Graves Simcoe the lieutenant governor of Upper Canada. In August 1791 Carleton left for Britain and on 7 February 1792 took his seat in the House of Lords. He left for Canada again on 18 August 1793 to resume his duties there. His replacement, Robert Prescott, arrived in May 1796. On 9 July 1796 Carleton sailed from Canada to Britain, never to return. In retirement Carleton lived mostly at Greywell Hill, adjoining Nately Scures, in Hampshire. After about 1805 he moved to Stubbings House at Burchett's Green, near Maidenhead, in Berkshire. On 10 November 1808, he died suddenly at Stubbings. He was buried in the parish church of St Swithun's, Nately Scures.

any other person apart from robert

OUT:

IN: Chayefsky was born in The Bronx, New York City to Russian Jewish immigrants Harry and Gussie Stuchevsky Chayefsky who came from Moscow to New York in 1907. He had two older brothers, William and Isidor. He spent part of his youth in Mount Vernon, New York.

He moved into television with scripts for Danger, The Gulf Playhouse and Manhunt. Philco Television Playhouse producer Fred Coe saw the Danger and Manhunt episodes and enlisted Chayefsky to adapt the story It Happened on the Brooklyn Subway about a photographer on a New York subway train who reunites a concentration camp survivor with his long-lost wife. Chayefsky's first script to be telecast was a 1949 adaptation of Budd Schulberg's What Makes Sammy Run? for Philco. Since he had always wanted to use a synagogue as backdrop, he wrote Holiday Song, telecast in 1952 and also in 1954. He submitted more work to Philco, including Printer's Measure, The Bachelor Party (1953) and The Big Deal (1953). One of these teleplays, Mother (April 4, 1954), received a new production October 24, 1994 on Great Performances with Anne Bancroft in the title role. Curiously, original teleplays from the 1950s are almost never revived for new TV productions, so the 1994 production of Mother was a conspicuous rarity. In 1953, Chayefsky wrote Marty, which was premiered on The Philco Television Playhouse, with Rod Steiger and Nancy Marchand. Marty is about a decent, hard-working Bronx butcher, pining for the company of a woman in his life but despairing of ever finding true love in a relationship. Fate pairs him with a plain, shy schoolteacher named Clara whom he rescues from the embarrassment of being abandoned by her blind date in a local dance hall. The production, the actors and Chayefsky's naturalistic dialogue received much critical acclaim and influenced subsequent live television dramas. Chayefsky had a unique clause in his Marty contract that stated that only he could write the screenplay, which he did for the 1955 movie. Chayefsky's The Great American Hoax was broadcast May 15, 1957 during the second season of The 20th Century Fox Hour. This was actually a rewrite of his earlier Fox film, As Young as You Feel (1951) with Monty Woolley and Marilyn Monroe. The Great American Hoax was shown on the FX channel after Fox restored some The 20th Century Fox Hour episodes and telecast them under the new title Fox Hour of Stars beginning in 2002.

were any of the scripts played make it on TV?

OUT: Philco Television Playhouse producer Fred Coe saw the Danger and Manhunt episodes and enlisted Chayefsky to adapt the story

IN: James Whale (22 July 1889 - 29 May 1957) was an English film director, theater director and actor. He is best remembered for his four classic horror films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935). Whale also directed films in other genres, including what is considered the definitive film version of the musical Show Boat (1936). He became increasingly disenchanted with his association with horror, but many of his non-horror films have fallen into obscurity.

The success of the various productions of Journey's End brought Whale to the attention of movie producers. Coming at a time when motion pictures were making the transition from silent to talking, producers were interested in hiring actors and directors with experience with dialogue. Whale traveled to Hollywood in 1929 and signed a contract with Paramount Pictures. He was assigned as "dialogue director" for a film called The Love Doctor (1929). He completed work on the film in 15 days and his contract was allowed to expire. It was at around this time that he met David Lewis. Whale was hired by independent film producer and aviation pioneer Howard Hughes, who planned to turn the previously silent Hughes production Hell's Angels (1930) into a talkie. Whale directed the dialogue sequences. When his work for Hughes was completed, he headed to Chicago to direct another production of Journey's End. Having purchased the film rights to Journey's End, British producers Michael Balcon and Thomas Welsh agreed that Whale's experience directing the London and Broadway productions of the play made him the best choice to direct the film. The two partnered with a small American studio, Tiffany-Stahl, to shoot it in New York. Colin Clive reprised his role as Stanhope, and David Manners was cast as Raleigh. Filming got underway on 6 December 1929 and wrapped on 22 January 1930. Journey's End was released in Great Britain on 14 April and in the United States on 15 April. On both sides of the Atlantic the film was a tremendous critical and commercial success.

Where did he get his start in hollywood

OUT:
attention of movie producers.