input: Please answer the following: A friend asked me to answer this question: Who does the commander of the Sacred guard fall in love with?, using the article: The story is set in 490 BC, the time of the Medic Wars, during which Persian armies sweep through the Ancient world. Having brought home to Athens the Olympic victor's laurel crown, Phillippides becomes commander of the Sacred Guard, which is expected to defend the city-state's liberty, a year after the expulsion of the tyrant Hippias. Athenian supporters of Hippias conspire, hoping to sideline Phillippides with a marriage to Theocrites' expensive servant Charis, and thus neutralize the guard. She fails to seduce him, as his heart is already taken by a young girl before he learns her name is Andromeda, daughter of Creuso. Everything personal is likely to be put on hold when the news breaks that the vast army of Darius, the Persian King of Kings, is marching on Greece, hoping that its internal division will make its conquest a walk-over. Theocrites instructs Miltiades to hold back the Sacred Guard to defend the temple of Pallas after a likely defeat, and proposes instead to negotiate terms with Darius, but is told an alliance with Sparta could save the Hellenic nation. Phillippides makes the journey and survives an attempt on his life by conspirators; he returns with Sparta's engagement during the Persian attack in far greater numbers on Militiades valiant troops. Charis, left for dead after overhearing Darius's orders, reaches the camp to tell that the Persian fleet, now commanded by the traitor Theocrites, is heading for the Piraeus to take Athens. Miltiades sends Phillippides ahead to hold out with the Sacred Guard until his hopefully victorious troops arrive, and after his perilous journey back they successfully beat back the Persians., what would be the answer ?
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output: Andromeda

input: Please answer the following: A friend asked me to answer this question: What is the last name of the person who gifts Judy a doll?, using the article: A violent thunderstorm strands a couple and child in the gothic English countryside: little Judy, who is traveling with her selfish, uncaring father, David and her rich, callous, arrogant stepmother Rosemary. David only has Judy due to a court order and barely tolerates her presence. After their car is stuck in mud and the rain begins, they find a mansion. After breaking in, they are found by the owners, a kindly older couple, Gabriel and Hilary Hartwicke. Rosemary threw Judy's beloved teddy bear into the bushes while out in the rain, so Gabriel gifts her a new doll, Mr. Punch. They are invited to stay and while eating, Isabel and Enid (two British punk rocker hitchhikers) barge in with the person who picked them up, Ralph. Gabriel reveals himself to be a talented toy maker; their house is filled with dolls, puppets, and many other beautifully detailed and handmade toys. The Hartwickes invite the stranded travelers to join them to stay as guests until the storm ends and show them to their rooms., what would be the answer ?
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output: Hartwicke

input: Please answer the following: A friend asked me to answer this question: What is the full name of the person who campaigned to remove the inscription from the Monument to the Great Fire of London?, using the article: Radical rebuilding schemes poured in for the gutted City and were encouraged by Charles. If it had been rebuilt under some of these plans, London would have rivalled Paris in Baroque magnificence (see Evelyn's plan on the right). The Crown and the City authorities attempted to establish "to whom all the houses and ground did in truth belong" to negotiate with their owners about compensation for the large-scale remodelling that these plans entailed, but that unrealistic idea had to be abandoned. Exhortations to bring workmen and measure the plots on which the houses had stood were mostly ignored by people worried about day-to-day survival, as well as by those who had left the capital; for one thing, with the shortage of labour following the fire, it was impossible to secure workmen for the purpose. Apart from Wren and Evelyn, it is known that Robert Hooke, Valentine Knight, and Richard Newcourt proposed rebuilding plans. With the complexities of ownership unresolved, none of the grand Baroque schemes could be realised for a City of piazzas and avenues; there was nobody to negotiate with, and no means of calculating how much compensation should be paid. Instead, much of the old street plan was recreated in the new City, with improvements in hygiene and fire safety: wider streets, open and accessible wharves along the length of the Thames, with no houses obstructing access to the river, and, most importantly, buildings constructed of brick and stone, not wood. New public buildings were created on their predecessors' sites; perhaps the most famous is St Paul's Cathedral and its smaller cousins, Christopher Wren's 50 new churches. On Charles' initiative, a Monument to the Great Fire of London was erected near Pudding Lane, designed by Christopher Wren and Robert Hooke, standing 61 metres (200 ft) tall and known simply as "The Monument". It is a familiar London landmark which has since given its name to a tube station. In 1668, accusations against the Catholics were added to the inscription on the Monument which..., what would be the answer ?
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output: Charles Pearson

input: Please answer the following: A friend asked me to answer this question: What is the full name of person who intentionally used symbolism not traditionally associated with hope to make the painting's meaning ambiguous?, using the article: Hope is a Symbolist oil painting by the English painter George Frederic Watts, who completed the first two versions in 1886. Radically different from previous treatments of the subject, it shows a lone blindfolded female figure sitting on a globe, playing a lyre that has only a single string remaining. The background is almost blank, its only visible feature a single star. Watts intentionally used symbolism not traditionally associated with hope to make the painting's meaning ambiguous. While his use of colour in Hope was greatly admired, at the time of its exhibition many critics disliked the painting. Hope proved popular with the Aesthetic Movement, who considered beauty the primary purpose of art and were unconcerned by the ambiguity of its message. Reproductions in platinotype, and later cheap carbon prints, soon began to be sold. Although Watts received many offers to buy the painting, he had agreed to donate his most important works to the nation and felt it would be inappropriate not to include Hope. Consequently, later in 1886 Watts and his assistant Cecil Schott painted a second version. On its completion Watts sold the original and donated the copy to the South Kensington Museum (now the Victoria and Albert Museum); thus, this second version is better known than the original. He painted at least two further versions for private sale. As cheap reproductions of Hope, and from 1908 high-quality prints, began to circulate in large quantities, it became a widely popular image. President Theodore Roosevelt displayed a copy at his Sagamore Hill home in New York; reproductions circulated worldwide; and a 1922 film depicted Watts's creation of the painting and an imagined story behind it. By this time Hope was coming to seem outdated and sentimental, and Watts was rapidly falling out of fashion. In 1938 the Tate Gallery ceased to keep their collection of Watts's works on permanent display. Despite the decline in Watts's popularity, Hope remained influential. Martin Luther King Jr. based a 1959 sermon, now..., what would be the answer ?
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output:
George Frederic Watts