Background: Hayworth was born in Brooklyn, New York, in 1918 as Margarita Carmen Cansino, the oldest child of two dancers. Her father, Eduardo Cansino Sr., was from Castilleja de la Cuesta, a little town near Seville, Spain. Her mother, Volga Hayworth, was an American of Irish-English descent who had performed with the Ziegfeld Follies. The couple married in 1917.
Context: After the collapse of her marriage to Khan, Rita Hayworth was forced to return to Hollywood to star in her "comeback" picture, Affair in Trinidad (1952) which again paired her with Glenn Ford. Director Vincent Sherman recalled that Hayworth seemed "rather frightened at the approach of doing another picture". She continued to clash with Columbia boss Harry Cohn, and was placed on suspension during filming. Nevertheless, the picture was highly publicized. The picture ended up grossing $1 million more than her previous blockbuster, Gilda. She continued to star in a string of successful pictures. In 1953, she had two films released: Salome with Charles Laughton and Stewart Granger, and Miss Sadie Thompson with Jose Ferrer and Aldo Ray. She was off the big screen for another four years, mainly because of a tumultuous marriage to the singer Dick Haymes. During her marriage to Haymes, she was involved in much negative publicity, which significantly lessened her appeal. By the time she returned to the screen for Fire Down Below (1957), Kim Novak had become Columbia's top female star. Her last musical was Pal Joey (1957). After this film, Hayworth left Columbia for good. She received good reviews for her performance in Separate Tables (1958), with Burt Lancaster and David Niven, and The Story on Page One (1960). She continued working throughout the 1960s. In 1962, her planned Broadway debut in Step on a Crack was cancelled for undisclosed health reasons. The Money Trap (1964) paired her, for the last time, with good friend Glenn Ford. She continued to act in films until the early 1970s. She made comedic television appearances on Laugh In and The Carol Burnett Show in the 1970s. Her last film was The Wrath of God (1972).
Question: Why did she return to Columbia?
Answer:

Background: Terrance Dicks (born 14 April 1935) is an English author and former television screenwriter, script editor and producer. In television, Dicks had a long association with the BBC science-fiction series Doctor Who, working as a writer and also serving as the programme's script editor from 1968 to 1974. The Doctor Who News Page described him as "arguably the most prolific contributor to Doctor
Context: In 1968, Dicks was hired as assistant script editor on the popular BBC science-fiction TV series Doctor Who. He was appointed head script editor the following year, and earned his first writing credit for the programme when he and Hulke co-wrote the 10-part serial The War Games, which concluded the series' sixth season and the Second Doctor's (Patrick Troughton) tenure. Dicks had, however, been the uncredited co-writer of the earlier serial The Seeds of Death, having extensively re-written Brian Hayles' original scripts. Dicks went on to form a highly productive working relationship with incoming Doctor Who producer Barry Letts, serving as script editor on all of Letts' five seasons as head of the programme from 1970 to 1974. In 1972, Dicks embarked on a parallel career as an author with the publication of his first book, The Making of Doctor Who (a history of the production of the TV series), which was co-written by Hulke. After stepping down as script editor, Dicks continued his association with Doctor Who, writing four scripts for his successor, Robert Holmes: these were Robot (1975, Tom Baker's first outing as the Fourth Doctor), The Brain of Morbius (1976, for which Dicks was credited under the pseudonym "Robin Bland" after his displeasure at Holmes' re-writes prompted him to request that it be shown "under some bland pseudonym"), Horror of Fang Rock (1977) and State of Decay (1980). State of Decay was in fact a re-written version of a story originally titled The Vampire Mutations, which had been due for production during season 15 until the BBC decided that the vampiric theme would clash with the plot of its new adaptation of Bram Stoker's Count Dracula, which was due for transmission at roughly the same time, and replaced it with Horror of Fang Rock. Dicks penned his final Doctor Who script in 1983, when he wrote the programme's 20th anniversary special episode, The Five Doctors. Dicks' other work for Doctor Who includes two stage plays, Doctor Who and the Daleks in the Seven Keys to Doomsday (1974) and Doctor Who - The Ultimate Adventure (1989), and an audio drama for Big Finish Productions titled Comeback (2002), which was the first to feature former Doctor's companion Sarah Jane Smith in a significant capacity.
Question: The section is entitled Doctor Who. I am askin what is Doctor Who.
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Background: Toni Morrison (born Chloe Ardelia Wofford; February 18, 1931) is an American novelist, essayist, editor, teacher, and professor emeritus at Princeton University. Morrison won the Pulitzer Prize and the American Book Award in 1988 for Beloved. The novel was adapted into a film of the same name (starring Oprah Winfrey and Danny Glover) in 1998. Morrison was awarded the Nobel Prize in Literature in 1993.
Context: In 1949 she enrolled at the historically black Howard University, seeking the company of fellow black intellectuals. The school is in Washington, D.C., where she encountered racially segregated restaurants and buses for the first time. She graduated in 1953 with a B.A. in English and went on to earn a Master of Arts from Cornell University in 1955. Her Master's thesis was Virginia Woolf's and William Faulkner's Treatment of the Alienated. She taught English, first at Texas Southern University in Houston for two years, then at Howard for seven years. While teaching at Howard, she met Harold Morrison, a Jamaican architect, whom she married in 1958. She was pregnant with their second son when she and Harold divorced in 1964. After the breakup of her marriage, she began working as an editor in 1965 for L. W. Singer, a textbook division of Random House, in Syracuse, New York. Two years later she transferred to Random House in New York City, where she became their first black woman senior editor in the fiction department. In that capacity, Morrison played a vital role in bringing black literature into the mainstream. One of the first books she worked on was the groundbreaking Contemporary African Literature (1972), a collection that included work by Nigerian writers Wole Soyinka and Chinua Achebe and South African playwright Athol Fugard. She fostered a new generation of African-American authors, including Toni Cade Bambara, Angela Davis, and Gayl Jones, whose writing Morrison discovered, and she brought out the autobiography of boxer Muhammad Ali, The Greatest. She also published and publicized the work of Henry Dumas, a little-known novelist and poet who was shot to death by a transit officer in the New York City subway in 1968. Among other books Morrison developed and edited is The Black Book (1974), an anthology of photographs, illustrations, essays, and other documents of black life in the United States from the time of slavery to the 1970s. Random House had been uncertain about the project, but it got good reviews. Alvin Beam reviewed it for the Cleveland Plain Dealer, writing, "Editors, like novelists, have brain children--books they think up and bring to life without putting their own names on the title page. Mrs. Morrison has one of these in the stores now, and magazines and newsletters in the publishing trade are ecstatic, saying it will go like hotcakes."
Question: Did she enjoy being an editor?
Answer:
Two years later she transferred to Random House in New York City, where she became their first black woman senior editor in the fiction department.