Problem: Build a movie plot around this: Whose house does Tsotsi return to? mariams house

A: Tsotsi (Presley Chweneyagae) is a petty-crime gang leader. He and his friends Boston, Aap and Butcher (Mothusi Magano, Kenneth Nkosi, Zenzo Ngqobe) rob a older man on a crowded subway then Butcher stabs him quietly and they flee once the subway is empty. Boston is sick afterwards.The gang goes to the local bar for a drink and Tsotsi mocks Boston for getting sick. Boston asks Tsosti what his real name is and a antagonizes him about what happened to him that made him this way. Boston pushes Tsotsi too far and Tsotsi hits him, pushing him to the floor. He continues the beating on the floor, hitting him numerous times in the face and kicking him in the side. Tsotsi then walks out of the bar.Tsotsi walks through the rain and makes his way towards a upper class house where a car just pulled up to the gate. A woman, Pumla (Nambitha Mpumlwana) gets out and rings the bell and speaks to someone asking him to open the gate. Tsotsi runs up, draws his gun and points it at her. He gets in the car and she tries to stop him from leaving. As Tsotsi shifts from reverse to drive he's stopped for a moment and Pumla manages to get the car door open and tries to tell him to stop but Tsotsi shoots her and drives off.Suddenly he hears a soft crying: it's a baby. He swerves and hits a sign, almost running off the road. The car is smoking as Tsotsi runs around to the back door to look at the baby. He considers leaving on his own but finally, he puts the baby in a paper shopping bag and leaves the car.Tsotsi brings the baby to his small home. He wakes up the next morning and triess to change the baby but doesn't have anything to properly take care of it. He feeds the baby with some milk but is interrupted by his friends at the door. They make plans to meet later at the subway station.Tsotsi bumps into a handicapped man, Morris (Jerry Mofokeng) at the subway station before meeting his friends and he yells at him. Tsotsi just stares at him when Morris spits on his shoe. The man leaves and Tsotsi follows him all the way to a quiet spot....
Problem: Given the question: Build a movie plot around this: Who is Barlam's boss? Oscar
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The answer is:
Barlam and Natalia are siblings separated by what would seem to be only a few years. The family home, in a sprawling, yucca-studded 1950s-style subdivision on the far end of El Paso, is cluttered with Catholic ephemera and serves as the de facto crash pad for a host of chain-smoking, Guitar Hero-addicted deadbeats. Chief among them is Natalia's bedwetting other half, Zack, a slovenly gringo all too happy to take advantage of the lackadaisical lifestyle afforded by the girl's mysterious addiction and rent-free accommodations. Despite what seems to be something of a preoccupation with their parents' apparent divorce (at least on the part of Barlam), their mother is curiously absent. Barlam, when not on the receiving end of abuse at the hands of his grocery co-workers, spends his time cycling around the city, paying visits to his therapist father (Angel Marcelo Rodriguez Chevrez) to quiz him on details of the ancient divorce (not to mention taking advantage of some presumably off-the-clock advice), and obsessively stock-piling multiples of the only model car for which he has any penchant: the '67 Mercury Cougar which had been the family car during happier times. He soon discovers a look-alike teenager and, convinced that the boy (Rikardo Rodriguez Lopez) must be the product of some unknown indiscretion on his mother's part, coerces his sister into virtually abducting the youngster in order to glean the key to the apparent mystery. As the chaos of his life accelerates, Barlam is pressured into a liaison with an indifferent prostitute (Becky Vigil), the disastrous results of which may or may not spell doom for the deluded pushover. Subsequently, he embarks on a disorienting series of ill-advised trysts, descending into a shadowy murk of unprovoked violence, transgendered experimentation and mirage-like anomaly.Much of The Sentimental Engine Slayer straddles the line between fantasy and reality, as much a puzzle for the viewer to decipher as it seems to be for Barlam. Indeed, his life appears to be a contradictory...
input question: Build a movie plot around this: what name does gov. breck allow the chimpanzee to name himself after the chimp picks the name randomly out of a book? Caesar???
output answer: In 1983 (several years after the end of 'Escape from the Planet of the Apes'), an interstellar disease kills the world's cats and dogs, leaving humans with no pet animals. To replace them, humans began keeping monkeys and apes as household pets. In time, humans notice the apes' capacity to learn and adapt; thus they train them to perform menial household tasks. By 1991, the former United States of America and most of the North American continent has become an oppressive and fascist police superstate culture of uniformed classes and castes, based upon ape slave labor. The different apes are divided into similar caste systems; gorillas wear red jumpsuits; chimpanzees wear green jumpsuits; and orangutans wear orange jumpsuits.In the opening scene, Armando (Ricardo Montalban) and Caesar (Roddy McDowall), a young chimpanzee horseback rider in Armando's circus, visit a large city to distribute flyers advertising the circus' arrival to town. Armando warns the chimpanzee to be careful; should anyone learn his identity as the child of the late Cornelius and Zira, it would mean their deaths. Walking the streets, they see apes cleaning streets, delivering packages, et cetera, and are shocked by what is done to disobedient apes. Seeing an ape being beaten and drugged by black-uniformed neo-Gestapo police units, Caesar shouts: "Lousy human bastards!". Quickly, Armando takes responsibility for the exclamation, explaining to the policemen that it was he who shouted, not his chimpanzee. The surrounding crowd become agitated, and Caesar runs away.Hiding in a stairway, Armando says he will go to the authorities and settle the matter by bluffing. Meantime, Caesar must hide among his own kind (in a cage of orangutans from Borneo), and soon finds himself being trained for slavery through violent conditioning. He then is sold at auction to the neo-Fascist Governor Breck (Don Murray). Gov. Breck allows the ape to name himself by randomly pointing to a word in a book handed to him and the chimpanzee's finger rests upon the name...
[Q]: Build a movie plot around this: What attracts the policeman to the burning house? The dog.
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[A]:
It's 1927 and we meet silent movie star George Valentin (Jean Dujardin) on top of the world. He's behind the screen; in front of it an ecstatic audience is enthralled by his latest starring role. As the credits roll, Valentin takes the stage for what a virtuosic display of bowing, his canine sidekick performing some cute tricks too.Outside the theatre, adoring fans and press push and surge to breathe the same air as their hero. A pretty young girl at the front of the crowd drops her wallet, and makes the most of picking it up to slip under the security cordon. There's silence as Valentin looks shocked, confused, angry even - but it's all his joke and, laughing at his own power to create such confusion, he gamely poses for photos with the young lady to the delight of the assembled press, and to the chagrin of his stern, world-weary wife who reads of the escapade in the papers the next day.The young girl - one Peppy Miller (Berenice Bejo), we learn - having shared a moment with her hero is inspired to follow his path, and turns up at the studio to audition, successfully, as an extra. Valentin himself arrives at the same studio where he is again the star, this time of 'A German Affair'. On entering the studio the star is enthralled by a pair of legs he sees rehearsing on the other side of a screen. He joins the dance from his side of the screen, and beckons to the set builders to remove the screen, hoping to surprise the girl. It's he, though, who is surprised to discover the legs belong to the same Peppy Miller from last night's crowd and this morning's papers.Years pass, one presumes in a similar fashion. One day though, Al Zimmer, the immaculately stereotyped cigar-chomping, braces-pinging studio boss (John Goodman) calls Valentin in to see the latest technological innovation - a primitive attempt to record sound with motion pictures. Valentin scoffs at the footage, but is clearly ruffled by it. He dreams a nightmare where everyday sounds are exaggerated (for the first time here the film takes on a diegetic...