Some context: Albano's parents, Carmen Louis Albano and Eleanor Albano nee Morrone, were of Italian heritage but both born in the United States. Eleanor was a classical concert pianist who had performed at Carnegie Hall and later became a registered nurse. Her brother, a physician, introduced her to Carmen in the 1930s, who was training to be an obstetrician. After marrying, they temporarily relocated to Italy while Carmen pursued his medical degree at the University of Bari.
In January 1971, Albano was the manager when Ivan Koloff ended Sammartino's seven-year reign as champion. Koloff's title reign was a transitional one, lasting just three weeks. Koloff had a typical heel run against Sammartino in 1969, but Albano spent months claiming that his previous manager had trained him incorrectly, and that Koloff would beat Sammartino under Albano's expert tutelage. The shock of Koloff's victory was such that the crowd fell totally silent, and Sammartino momentarily feared that he'd lost his hearing. Koloff and Albano were quickly rushed out of the ring by security without the championship belt as the crowd began to riot. Albano, his wife, and a family friend, who were both in attendance, escaped to a taxi outside the Garden. The mob surrounded the cab and began breaking windows, so the trio ran to a nearby bar, followed by the crowd who were pelting them with mud and objects. The mob was beginning to destroy the bar as the police finally arrived. Vince McMahon received a bill for damages totalling $27,000 (over $167,000 in 2017 dollars), cementing Albano's unparalleled ability to "draw heat" (arouse anger in the audience). Albano then resumed his role as the mastermind trying to lead his latest bad guy protege to the gold. For the remainder of the 1970s and into the mid-1980s, Albano's cadre of loyal henchmen were unable to re-secure the heavyweight championship, held by either Sammartino, Pedro Morales, Bob Backlund or Hulk Hogan. However, Albano guided singles wrestlers Don Muraco and Greg Valentine to the Intercontinental Heavyweight Championship. Furthermore, Albano guided fifteen teams to the WWF World Tag Team Championships, including The Valiant Brothers, The Wild Samoans, The Yukon Lumberjacks, The Blackjacks, The Moondogs, The Masked Executioners, and after becoming a face (short for babyface, a wrestling term for a good guy/heroic character), the U.S. Express and the British Bulldogs. It was during his stewardship of the Valiant Brothers that Albano picked up his "Captain" nickname, as the act was promoted as "Captain Lou and the Valiants too." By the end of his career, Albano had managed over 50 different wrestlers who won two dozen championships. Albano could also help elevate wrestlers by splitting from them. In 1982, despite being managed by the villainous Albano, Jimmy Snuka was unexpectedly becoming a fan favorite due to his high-flying ring style. An interview segment revealed that Snuka had no legal contract with Albano, and thus was able to leave his manager. Shortly thereafter, a bloody beatdown by Albano, Freddie Blassie and Ray Stevens, helped transform Snuka into a sympathetic figure, and triggered the most successful period of his career. Albano had previously helped turn the villainous Intercontinental Champion Pat Patterson into a fan favorite, by "purchasing" Patterson's contract against his will. He also managed the U.S. Express at WrestleMania.
who did he manage first?
A: Ivan Koloff
Some context: Anna May Wong (January 3, 1905 - February 3, 1961) was an American actress. She is considered to be the first Chinese American movie star, as well as the first Chinese American actress to gain international recognition. Her long and varied career spanned silent film, sound film, television, stage, and radio.
After the major disappointment of losing the role in The Good Earth, Wong announced plans for a year-long tour of China, to visit her father and his family in Taishan. Wong's father had returned to his hometown in China with her younger brothers and sister in 1934. Aside from Mei Lanfang's offer to teach her, she wanted to learn more about the Chinese theater and through English translations to better perform some Chinese plays before international audiences. She told the San Francisco Chronicle on her departure, "... for a year, I shall study the land of my fathers. Perhaps upon my arrival, I shall feel like an outsider. Perhaps instead, I shall find my past life assuming a dreamlike quality of unreality." Embarking in January 1936, she chronicled her experiences in a series of articles printed in U.S. newspapers such as the New York Herald Tribune, the Los Angeles Examiner, the Los Angeles Times, and Photoplay. In a stopover in Tokyo on the way to Shanghai, local reporters, ever curious about her romantic life, asked if she had marriage plans, to which Wong replied, "No, I am wedded to my art." The following day, however, Japanese newspapers reported that Wong was married to a wealthy Cantonese man named Art. During her travels in China, Wong continued to be strongly criticized by the Nationalist government and the film community. She had difficulty communicating in many areas of China because she was raised with the Taishan dialect rather than Mandarin. She later commented that some of the varieties of Chinese sounded "as strange to me as Gaelic. I thus had the strange experience of talking to my own people through an interpreter." The toll of international celebrity on Wong's personal life manifested itself in bouts of depression and sudden anger, as well as excessive smoking and drinking. Feeling irritable when she disembarked in Hong Kong, Wong was uncharacteristically rude to the awaiting crowd, which then quickly turned hostile. One person shouted: "Down with Huang Liu Tsong - the stooge that disgraces China. Don't let her go ashore." Wong began crying and a stampede ensued. After she left for a short trip to the Philippines, the situation cooled and Wong joined her family in Hong Kong. With her father and her siblings, Wong visited his family and his first wife at the family's ancestral home near Taishan. Conflicting reports claim that she was either warmly welcomed or met with hostility by the villagers. She spent over 10 days in the family's village and some time in neighboring villages before continuing her tour of China. After returning to Hollywood, Wong reflected on her year in China and her career in Hollywood: "I am convinced that I could never play in the Chinese Theatre. I have no feeling for it. It's a pretty sad situation to be rejected by Chinese because I'm 'too American' and by American producers because they prefer other races to act Chinese parts." Wong's father returned to Los Angeles in 1938.
How long was her tour of China?
A:
a year-long tour of China,