Problem: Background: Douglas Clare Fischer (October 22, 1928 - January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from which, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa".
Context: Fischer next lived in Detroit, Michigan, whereupon, after first hearing the vocal quartet The Hi-Lo's in a live performance, he promptly offered his services. Over the next five years, Fischer recorded several albums with the group, serving as pianist and, on occasion, arranger. In addition, he contributed several vocal arrangements, making his debut in that capacity; it was these arrangements that Herbie Hancock would later point to as a major influence: [T]hat's when I really learned some much farther-out voicings - like the harmonies I used on Speak Like a Child - just being able to do that. I really got that from Clare Fischer's arrangements for the Hi-Lo's. Clare Fischer was a major influence on my harmonic concept... I heard some of his last records, and he was still doing amazing harmonic stuff. And, of course, he was a wonderful pianist, too. But it was those vocal harmonies that were the first thing I heard. I was in awe of him. When Fischer moved to Hollywood in 1958, he went to East L.A. to play and learn more about Latin-Jazz. He started in a charanga group with Modesto Duran as leader and played with many different groups. On November 2, 1959, he made a particularly fruitful connection within this genre when he appeared with the Hi-lo's at the First Annual Los Angeles Jazz Festival on the same bill with the already popular Latin jazz group led by vibraphonist Cal Tjader. Both his playing and arranging made an immediate impression on Tjader, who went on to employ Fischer in both capacities on several recordings over the next three years; the two would reunite in the mid-seventies, leading eventually to the formation of Fischer's own Latin jazz unit, Salsa Picante. In 1961, Fischer became interested in Brazilian music through the recordings of Elizete Cardoso and Joao Gilberto. This discovery, coupled with his introduction to the music of Mexican composer Mario Ruiz Armengol, led to Fischer's subsequent collaboration with Cal Tjader, a 1962 LP devoted jointly to Armengol's music and that of assorted contemporary Brazilian composers. Over the following year, Fischer collaborated on two Bossa Nova-themed LPs with saxophonist Bud Shank, and arranged another for pianist George Shearing. While with The Hi-Lo's, Fischer arranged a record by trumpeter Donald Byrd, which, by virtue of Fischer's use of strings and harps, imbued well-known standards with an unaccustomed, melancholic quality. Although it would be twenty-five years before the album was finally released, September Afternoon paid immediate dividends when Byrd played a copy for Dizzy Gillespie. In turn, Gillespie hired Fischer to write arrangements for a small ensemble featuring brass and woodwinds for his own album, A Portrait of Duke Ellington, which was well received. In 1960 albums for vibraphonist Cal Tjader and pianist George Shearing followed, as did an eight-year career of writing music for commercials, as well as the signing of Fischer's first record contract.
Question: What did he do after Dizz Gillespie?
Answer: Gillespie hired Fischer to write arrangements for a small ensemble featuring brass and woodwinds for his own album, A Portrait of Duke Ellington, which was well received.

Background: Man o' War (March 29, 1917 - November 1, 1947) was an American Thoroughbred who is widely considered one of the greatest racehorses of all time. During his career just after World War I, he won 20 of 21 races and $249,465 (equal to $3,047,451 today) in purses. He was the unofficial 1920 American horse of the year and was honored with Babe Ruth as the outstanding athlete of the year by The New York Times. He was inducted into the National Museum of Racing and Hall of Fame in 1957.
Context: Man o' War was a chestnut horse with a white star and stripe on his forehead. He was foaled at Nursery Stud near Lexington, Kentucky. He was bred by August Belmont, Jr., whose father's accomplishments were recognized through the naming of the Belmont Stakes in 1867. Belmont Jr. was an equally notable horseman who served as the chairman of The Jockey Club from 1895 until his death in 1924. Belmont Park was named in the family's honor when it opened in 1905. Man o' War was sired by Fair Play, a multiple stakes winner who finished second in the 1908 Belmont Stakes to the undefeated Colin. Man o' War was the second foal out of Mahubah, a lightly raced mare by English Triple Crown Champion Rock Sand. Not long after the colt was foaled on March 29, 1917, Belmont Jr. joined the United States Army at age 65 to serve in France during World War I. While he was overseas, his wife named the foal "Man o' War" in honor of her husband. Originally, the Belmonts intended to race Man o' War themselves. However, in the summer of 1918 with the ongoing war effort, they decided to liquidate their racing stable. At the Saratoga yearling sale, Man o' War was sold at a final bid of $5,000 (equivalent to $81,000 in 2017) to Samuel D. Riddle, who brought him to his Glen Riddle Farm near Berlin, Maryland. The underbidder at the auction was Robert L. Gerry, Sr., who is reported to have said to his wife, "Forty-five hundred is enough to spend for any yearling." Two years later in 1920, Riddle declined an offer of $400,000 for the horse. At maturity, Man o' War stood 16.2 1/2 hands (66.5 inches, 169 cm), with prominent withers and a high croup, but was sometimes faulted for a dipped back that grew more pronounced with age. He had virtually flawless legs and solid bone, traits he passed on to his offspring. He had a slightly Roman nose and notably high head carriage. His nickname was "Big Red", though his coat had tinges of yellow and gold. An energetic, spirited horse, he is often pictured standing very still and gazing off into the distance, described as the "look of eagles". His stride was measured at 28 feet, believed to be the longest of all time.
Question: Did it have famous parents?
Answer:
Belmont Jr. was an equally notable horseman who served as the chairman of The Jockey Club from 1895