IN: William Taylor (July 24, 1921 - December 28, 2010) was an American jazz pianist, composer, broadcaster and educator. He was the Robert L. Jones Distinguished Professor of Music at East Carolina University in Greenville, and from 1994 was the artistic director for jazz at the John F. Kennedy Center for the Performing Arts in Washington, D.C. A jazz activist, Taylor sat on the Honorary Founders Board of The Jazz Foundation of America, an organisation he started in 1989, with Ann Ruckert, Herb Storfer and Phoebe Jacobs, to save the homes and the lives of America's elderly jazz and blues musicians, later including musicians who survived Hurricane Katrina. Taylor was also a jazz educator, who lectured in colleges, served on panels and travelled worldwide as a jazz ambassador.

In 1952 Taylor composed one of his most famous tunes, "I Wish I Knew How It Would Feel to Be Free", which achieved more popularity with the civil rights movement of the 1950s and 1960s. Nina Simone covered the song in her 1967 album Silk & Soul. The tune is widely known in the UK as a piano instrumental version, used for BBC Television's long-running Film... programme. He made dozens of recordings in the 1950s and 1960s, notably the album with Cuban percussionist Candido Camero, entitled Billy Taylor Trio with Candido, My Fair Lady Loves Jazz, Cross Section and Taylor Made Jazz. Taylor's broadcast career also thrived. In 1961, he founded New York's Jazzmobile, which provides an arts education program via workshops, master classes, lecture demonstrations, arts enrichment programs, outdoor summer mobile concerts, special indoor concerts and special projects. In 1958, he became the Musical Director of NBC's The Subject Is Jazz, the first ever television series focusing on jazz. The 13-part series was produced by the new National Educational Television Network (NET) and hosted guests including Ellington, Aaron Copland, Bill Evans, Cannonball Adderley, Jimmy Rushing and Langston Hughes. Taylor also worked as a DJ and program director on radio station WLIB in New York in the 1960s. During the 1960s, the Billy Taylor Trio was a regular feature of the Hickory House on West 55th Street in Manhattan. From 1969 to 1972, he served as the music director for The David Frost Show and was the first African American to lead a talk-show band. Louis Armstrong, Count Basie, Benny Goodman and Buddy Rich were just a few of the musicians who played on the show. In 1981, Jazzmobile produced a jazz special for National Public Radio, for which the program received the Peabody Award for Excellence in Broadcasting Programs. Jazzmobile's 1990 Tribute Concert to Dr. Taylor at Avery Fisher Hall, part of the JVC Jazz Festival, featured Nancy Wilson, Ahmad Jamal Trio and Terence Blanchard Quintet.

What did Taylor do mid-career

OUT: In 1952 Taylor composed one of his most famous tunes,

Answer the question at the end by quoting:

Clint Patrick Black was born in Long Branch, New Jersey, the youngest of four children born to G.A. and Ann Black, and lived in nearby Red Bank. The family moved back to Texas, where G.A. Black had been raised, before Clint was one year old. He was raised in Katy, Texas. Music was always present in the house.
In March 1992, Black sued his manager, Bill Ham, for breach of contract; Black sought $2 million in damages and requested that Ham return $4 million in royalties. Under the terms of their initial contract, Ham controlled all publishing royalties for any song that Black wrote or co-wrote for his first eight albums. Because Black wrote all of his own music, this amounted to a fee of 20 to 30 cents per album sold. Industry standards generally counseled songwriters to form their own publication companies, so they would be able to retain more of the royalties. Ham promptly countersued, blaming the initial lawsuit on poor advice Black received from his new personal assistant, his mother-in-law Jonni Hartman. His lawyer told the press that "Mr. Ham invested $1 million of his own money in Clint Black's career at a time when nobody else would do so. For that commitment, Mr. Black should show a little gratitude and honor his contracts". By mid-1992, Black's first two albums had sold a combined 5 million copies. The difficulties with Ham caused a delay in the release of Black's third album, The Hard Way, which was released on July 14. The album had been expected the year previously, and during the delay the country music scene changed. Both Alan Jackson and Travis Tritt achieved greater success, and Billy Ray Cyrus became a teen idol. The competition that Black faced was now much stiffer than with his earlier albums. According to Black, he and producer James Stroud spent more time putting this album together than either of those preceding and were "a lot more aggressive in the way we cut and mixed the album". Black was also more satisfied with the vocals on this album. Several of the songs on The Hard Way, including "Burn One Down", were initially reported to be Black's responses to his situation with Ham. Co writer Nicholas refuted the rumors, maintaining that most of those songs were written in the late 1980s. To promote the album, Black launched The Hard Way Tour on June 26, 1992. The tour ran for 11 months. Reviewers noticed that with this album Black presented a "new, sexier image", wearing tighter clothing and in many cases leaving behind his trademark hat. Black commented simply that he was bored wearing the hat all the time.

What did he have to learn The Hard Way?

The difficulties with Ham

input: The Bringing it All Back Home version of "Mr. Tambourine Man" was included on Bob Dylan's Greatest Hits in 1967 and several later Dylan compilation albums, including Biograph, Masterpieces, and The Essential Bob Dylan. The two June 1964 recordings, one with Ramblin' Jack Elliott and the other at Witmark Music, have been released on The Bootleg Series Vol. 7: No Direction Home and The Bootleg Series Vol. 9: The Witmark Demos 1962-1964, respectively. Outtakes from the January 15, 1965 recording session were released on The Bootleg Series Vol. 12: The Cutting Edge 1965-1966 in 2015. The song has been in Dylan's live concert repertoire ever since it was written, usually as a solo acoustic song, and live performances have appeared on various concert albums and DVDs. An early performance, recorded during a songs workshop at the Newport Folk Festival on July 24, 1964 is included in both Murray Lerner's film The Other Side of the Mirror and the DVD release of Martin Scorsese's documentary No Direction Home. A live performance at New York's Philharmonic Hall dating from October 31, 1964, appeared on The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall. During his appearance at the Newport Folk Festival on July 25, 1965, after he was heckled by acoustic folk music fans during his electric set, Dylan returned to play acoustic versions of "Mr. Tambourine Man" and "It's All Over Now, Baby Blue"; this performance of "Mr. Tambourine Man" is also included in The Other Side of the Mirror. A live version from Dylan's famous May 17, 1966, concert in Manchester, England (popularly but mistakenly known as the Royal Albert Hall Concert) is included on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert. Dylan's August 31, 1969 performance of the song at the Isle of Wight Festival appears on Isle of Wight Live, part of the 4-CD deluxe edition of The Bootleg Series Vol. 10: Another Self Portrait (1969-1971). Dylan also played the song as part of his evening set at the August 1, 1971, Concert for Bangladesh, a benefit concert organized by George Harrison and Ravi Shankar. That performance is included on The Concert For Bangladesh album, although it was excluded from the film of the concert. Another live version, from the Rolling Thunder Revue tour of 1975, is on The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue, while electric band versions from 1978 and 1981 appear, respectively, on Bob Dylan at Budokan and the Deluxe Edition of The Bootleg Series Vol. 13: Trouble No More 1979-1981.

Answer this question "Did he collaborate with George Harrison on any of his releases?"
output:
benefit concert organized by George Harrison and Ravi Shankar.