Once upon a time there a little girl named Ana. Ana was a smart girl. Everyone in Ana's school knew and liked her very much. She had a big dream of becoming spelling bee winner. Ana studied very hard to be the best she could be at spelling. Ana's best friend would help her study every day after school. By the time the spelling bee arrived Ana and her best friend were sure she would win. There were ten students in the spelling bee. This made Ana very nervous, but when she looked out and saw her dad cheering her on she knew she could do it. The spelling bee had five rounds and Ana made it through them all. She was now in the finals. During the final round James, the boy she was in the finals with, was given a really hard word and he spelled it wrong. All Ana had to do was spell this last word and she would be the winner. Ana stepped to the microphone, thought really hard and spelled the word. She waited and finally her teacher said "That is correct". Ana had won the spelling bee. Ana was so happy. She won a trophy. Ana also won a big yellow ribbon. The whole school was also happy, and everyone clapped for her. The whole school went outside. They had a picnic to celebrate Ana winning.

Question: "How many students didn't make it to the final round of the spelling bee?"

Response: "Everyone"

A: no

His famous series of sixteen great designs for the Apocalypse is dated 1498, as is his engraving of St. Michael Fighting the Dragon. He made the first seven scenes of the Great Passion in the same year, and a little later, a series of eleven on the Holy Family and saints. The Seven Sorrows Polyptych, commissioned by Frederick III of Saxony in 1496, was executed by Durer and his assistants c. Around 1503-1505 he produced the first seventeen of a set illustrating the Life of the Virgin, which he did not finish for some years. Neither these, nor the Great Passion, were published as sets until several years later, but prints were sold individually in considerable numbers. During the same period Durer trained himself in the difficult art of using the burin to make engravings. It is possible he had begun learning this skill during his early training with his father, as it was also an essential skill of the goldsmith. In 1496 he executed the Prodigal Son, which the Italian Renaissance art historian Giorgio Vasari singled out for praise some decades later, noting its Germanic quality. He was soon producing some spectacular and original images, notably Nemesis (1502), The Sea Monster (1498), and Saint Eustace (c. 1501), with a highly detailed landscape background and animals. His landscapes of this period, such as Pond in the Woods and Willow Mill, are quite different from his earlier watercolours. There is a much greater emphasis on capturing atmosphere, rather than depicting topography. He made a number of Madonnas, single religious figures, and small scenes with comic peasant figures. Prints are highly portable and these works made Durer famous throughout the main artistic centres of Europe within a very few years.

Question: "When did Durer first produce a set of seventeen prints illustrating the Life of the Virgin that was sold individually for several years?"

Response: "1496 - 1498"

A: no

Elettra stuck the little slip of paper, on which the recipe was written, into her shabby pocket-book without looking at it. She could read and write fairly well, and had been used to helping her husband the under-steward with his accounts at Muro, but even if she had looked at the recipe she would have understood nothing of the doctor's hieroglyphics and abbreviated Latin words. The prescription was for a preparation of arsenic, which Matilde had formerly taken for some time. The chemist would not make any difficulty about preparing twenty doses of it for the Countess Macomer, though the whole quantity of arsenic contained in so many would probably be sufficient to kill one not accustomed to the medicine, if taken all at once. But though Matilde was so anxious to have the stuff before luncheon, she had a number of doses of it put away in a drawer, which she took out and counted, after Elettra had gone. She opened one of the little folded papers and looked at the fine white powder it contained, took a little on the end of her finger and tasted it. Then, from the same drawer, she took a package done up in coarser paper, and opened it likewise, looked at it, smelt it, and touched it with the tip of her tongue very cautiously indeed. It was white, too, but coarser than the medicine. She was very careful in tasting it, and she immediately rinsed her mouth with water, before she tied up the package again, shut the drawer, and put the key into her pocket.

Question: "Who works as an under-steward?"

Response: "Elettra"

A:
no