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Birth of the Cool is a compilation album by American jazz musician Miles Davis, released in 1957 on Capitol Records. It compiles eleven tracks recorded by Davis's nonet for the label over the course of three sessions during 1949 and 1950. Featuring unusual instrumentation and several notable musicians, the music consisted of innovative arrangements influenced by classical music techniques such as polyphony, and marked a major development in post-bebop jazz. As the title suggests, these recordings are considered seminal in the history of cool jazz.
In 1947, Miles Davis was playing in Charlie Parker's quintet, replacing Dizzy Gillespie, who had left in 1945 due to Parker's growing alcohol and drug problems. Davis recorded several albums worth of material with Parker at this time, including Parker's Sessions for the Savoy and Dial labels. Davis' first records sold under his own name were recorded with Parker's band, in 1947, and were more arranged and rehearsed than Parker's usual approach to recording. By 1948, Davis had three years of bebop playing under his belt, but he struggled to match the speed and ranges of the likes of Gillespie and Parker, choosing instead to play in the mid range of his instrument. In 1948, Davis, becoming increasingly concerned about growing tensions within the Parker quintet, left the group and began looking for a new band to work with. At the same time, arranger Gil Evans began hosting informal salons at his apartment, located on 55th Street in Manhattan, three blocks away from the jazz nightclubs of 52nd Street. Evans had gained a reputation in the jazz world for his orchestration of bebop tunes for the Claude Thornhill orchestra in the mid-1940s. Keeping an open door policy, Evans' apartment came to host many of the young jazz artists of late-1940s New York. The salon featured discussions about the future of jazz, including a proposed group with a new sound. According to jazz historian Ted Gioia: [The salon members] were developing a range of tools that would change the sound of contemporary music. In their work together, they relied on a rich palette of harmonies, many of them drawn from European impressionist composers. They explored new instrumental textures, preferring to blend the voices of the horns like a choir rather than pit them against each other as the big bands had traditionally done with their thrusting and parrying sections. They brought down the tempos of their music . . . they adopted a more lyrical approach to improvisation . . .
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Did any if the albums have great success?

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Charles Michael "Chuck" Schuldiner (May 13, 1967 - December 13, 2001) was an American singer, songwriter, and guitarist. He founded the pioneering band Death in 1983. Schuldiner is often referred to as "The Godfather of death metal", and his obituary in the January 5, 2002 issue of UK's Kerrang! magazine said that "Chuck Schuldiner was one of the most significant figures in the history of metal."
Schuldiner was born on May 13, 1967, on Long Island, New York to a Jewish father of Austrian descent and a mother from the American South, a convert to Judaism. Both of his parents were teachers. In 1968, his family moved to Florida. Schuldiner was the youngest of three children: he had an older brother named Frank and an older sister named Bethann. He started playing guitar at the age of 9; his 16-year-old brother had died and his parents bought him a guitar, thinking it would help with his grief. He took classical lessons for less than a year in which his teacher taught him "Mary had a Little Lamb", which he did not like very much, and almost stopped completely, until his parents saw an electric guitar at a yard sale and bought it for him. The young Schuldiner immediately took to the instrument. After getting amps, he never stopped playing, writing and teaching himself. Schuldiner was known to spend the weekend in the garage or his room playing his guitar, but was limited to three hours on weekdays when school was in session. Schuldiner first played in public in his early teens. Schuldiner was originally inspired by Metallica, Iron Maiden, Kiss and classical jazz, among others. He was particularly interested in the metal movement known as NWOBHM - New Wave of British Heavy Metal - and cited bands of that genre among his favorites. He frequently cited French band Sortilege as his personal favorite metal group. Slayer, Celtic Frost, Possessed, Mercyful Fate/King Diamond and Metallica were later influences he would apply more to his own band. Later in his career, Schuldiner frequently cited progressive metal bands such as Watchtower, Coroner and Queensryche as influences. The official Schuldiner website, Empty Words, quotes Schuldiner's mother making the claim that he enjoyed all forms of music except country and rap. He also enjoyed jazz and classical music in addition to metal and British alternative acts such as Lush. Schuldiner performed well in school before becoming bored with education, and eventually dropped out. He later regretted this decision. He has stated that if he had not become a musician, he would have liked to have become a veterinarian or a cook.
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Are there any other interesting aspects about this article?

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Schuldiner was originally inspired by Metallica, Iron Maiden, Kiss and classical jazz, among others.

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Ai Otsuka (Da Zhong Ai , Otsuka Ai, born September 9, 1982) is a Japanese singer-songwriter from Suminoe-ku, Osaka, Japan. She is a popular artist on the Avex Trax label and is best known for her 2003 hit "Sakuranbo," which stayed in the Top 200 Oricon Weekly Singles Chart for 103 weeks. A piano player since age four, Otsuka composes and co-produces her own songs, as well as writes her own lyrics. Her music ranges from upbeat pop/rock music to ballads.
"Smily/Biidama" was her first single to be released after Love Jam. Both songs from the single were used for commercials. "Smily/Biidama" sold 110,512 copies during its debut week and charted at first place. "Smily/Biidama" sold a total of 308,338 copies in 2005, placing it as the twenty-sixth single of that year. It was during this time, in June 2005, that Otsuka made her acting debut with the drama Tokyo Friends. Unlike most dramas, the series was directly released on DVD and never aired on TV. The drama used three songs as its theme song, Boo Bee Benz's "To Me" and "Kimi to Iu Hana," as well the coupling song to her sixth single, "Friends: Sabakan Ver." All three tracks would eventually be included in the soundtrack for the drama's movie sequel. Otsuka released her tenth single in 2005, "Neko ni Fusen" in middle of the year in July. "Neko ni Fusen" was her lowest single that year, only reaching third on the chart and selling 111,324 copies. It placed ninety-second on the 2005 yearly charts. Otsuka's single "Planetarium", was released on September 20, 2005. This was her last single of that year. "Planetarium" sales of 315,669 was her second highest single second only to "Sakuranbo," before her third studio album was released. "Planetarium" was used as the insert song for the live action version of the drama Hana Yori Dango. Love Cook, her third studio album, came out on December 14, 2005. In its first week, it sold 335,000 copies. The promotional videos for this album were filmed as mini-dramas. She also hosts a radio show on JOQR Recomen!! AM1134hHz called Otsuka Ai no ai-r jack.
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What is love cook?

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Love Cook, her third studio album,