input: "Relax" was released by ZTT in October 1983 and got a modicum of airplay, allowing it steady progress into the UK Top 40. Following a debut on the BBC's Top of the Pops on 5 January 1984 while at number 35, the single rose to number six the following week. On 11 January 1984, BBC Radio 1 disc jockey Mike Read was playing the record on his show when he noticed the front cover design (by Yvonne Gilbert). Read apparently became outraged by the "overtly sexual" nature of both the record sleeve and the printed lyrics, which prompted him to remove the disc from the turntable live on air, branding it "obscene". Two days later - almost three months after the single's initial release, and just eight days after the group's Top of the Pops appearance - the BBC banned the record from all its TV and radio outlets, with the exception of its Top 40 show. "Relax" immediately shot to Number One in the UK charts and stayed there for five weeks, during which time the BBC could not feature the nation's best-selling single on Top of the Pops. The original video was directed by Bernard Rose and depicted a gay S&M parlour where the band members were admired by muscular leathermen, a bleached blonde drag queen, and a large-bodied man dressed as a Roman emperor. The video featured a scene where one of the band members wrestled a live tiger, to the admiration of the clubgoers, and ended where the "emperor" was so excited he shimmied out of his toga. Filmed in the unused East London theatre Wilton's Music Hall, it was promptly banned by both the BBC and MTV, resulting in the production of a substitute video directed by filmmaker Brian De Palma to coincide with the release of his film Body Double. The BBC lifted its ban on "Relax" at the end of 1984 to allow the band to perform it on the Christmas edition of Top of the Pops (it had been, aside from Band Aid of which Holly Johnson was a participant, the biggest-selling single of the year).

Answer this question "when was it released?"
output: in October 1983

input: At the 1964 Summer Olympics, in Tokyo, Hayes had his finest hour as a sprinter. First, he won the 100m and in doing so tied the then world record in the 100 m with a time of 10.06 seconds, even though he was running in lane 1 which had, the day before, been used for the 20 km racewalk and this badly chewed up the cinder track. He also was running in borrowed spikes because one of his shoes had been kicked under the bed when he was playing with some friends and he didn't realize until he got there. This was followed by a second gold medal in the 4x100 meter relay, which also produced a new World Record (39.06 seconds). His come-from-behind win for the US team in the relay was one of the most memorable Olympic moments. Hand-timed between 8.5 and 8.9 seconds, his relay leg is the fastest in history. Jocelyn Delecour, France's anchor leg runner, famously said to Paul Drayton before the relay final that, "You can't win, all you have is Bob Hayes." Drayton was able to reply afterwards, "That's all we need." The race was also Hayes' last as a track and field athlete, as he permanently switched to football after it, aged only 21. In some of the first meets to be timed with experimental fully automatic timing, Hayes was the first man to break ten seconds for the 100 meters, albeit with a 5.3 m/s wind assistance in the semi-finals of the 1964 Olympics. His time was recorded at 9.91 seconds. Jim Hines officially broke 10 seconds at the high altitude of Mexico City, Mexico in 1968 (and on a synthetic track) with a wind legal 9.95 which stood as the world record for almost 15 years. The next to surpass Hayes at a low altitude Olympics was Carl Lewis in 1984 when he won in 9.99, some 20 years later (though Hasely Crawford equaled the time in 1976). Until the Tokyo Olympics, world records were measured by officials with stopwatches, measured to the nearest tenth of a second. Although fully automatic timing was used in Tokyo, the times were given the appearance of manual timing. This was done by subtracting 0.05 seconds from the automatic time and rounding to the nearest tenth of a second, making Hayes' time of 10.06 seconds convert to 10.0 seconds, despite the fact that the officials with stopwatches had measured Hayes' time to be 9.9 seconds, and the average difference between manual and automatic times was typically 0.15 to 0.20 seconds. This unique method of determining the official time therefore denied Hayes the record of being the first to officially record 9.9 seconds for the 100 meters. The first official times of 9.9 seconds were recorded at the "Night of Speed" in 1968.

Answer this question "Why did the timing looked manual in Tokyo?"
output: This was done by subtracting 0.05 seconds from the automatic time and rounding to the nearest tenth of a second, making Hayes' time of 10.06 seconds convert to 10.0 seconds,

input: The B-52's were formed in 1976 when vocalist Cindy Wilson, her older brother and guitarist Ricky, keyboardist and vocalist Kate Pierson, original drummer and percussionist Keith Strickland and cowbell player, poet and lead vocalist Fred Schneider held an impromptu jam session after sharing a tropical Flaming volcano drink at a Chinese restaurant in Athens, Georgia. When they first jammed, Strickland played guitar and Ricky Wilson played congas. They later played their first concert (with Wilson playing guitar) in 1977 at a Valentine's Day party for their friends. The name B-52's comes from a particular beehive hairdo resembling the nose cone of the aircraft of the same name, which Pierson and Cindy Wilson became known for using in performances throughout the band's first decade. Other names the band considered were the "Tina-Trons" and "Fellini's Children." Strickland suggested the name after a dream he had had one night, of a band performing in a hotel lounge. In the dream he heard someone whisper in his ear that the name of the band was "the B-52s." The band's quirky take on the new wave sound of their era was a combination of dance and surf music set apart from their contemporaries by the unusual guitar tunings used by Ricky Wilson and thrift-store chic. Their first single, "Rock Lobster," recorded for DB Records in 1978, was an underground success, selling over 2,000 copies in total, that led to the B-52's performing at CBGB and Max's Kansas City in New York City. Both this version of "Rock Lobster" and its B-side "52 Girls" are different recordings from those on their first album, and the early version of "52 Girls" is in a different key. The re-recorded version of "Rock Lobster" was released as a single. In the UK and Germany it was backed with an instrumental version of "Running Around," a non-album track. (A vocal re-recording of this would appear on their second album, Wild Planet.) The buzz created by the record in the UK meant their first show in London at the Electric Ballroom, London, was packed in anticipation, with many UK pop stars such as Sandie Shaw, Green Gartside from Scritti Politti, Joe Jackson, and others in attendance. In Canada, released on the Warner Bros. label, the single went from cult hit to bona fide smash, eventually going on to reach the No. 1 position in the RPM-compiled national chart on May 24, 1980.

Answer this question "How were they discovered?"
output:
Their first single, "Rock Lobster," recorded for DB Records in 1978, was an underground success, selling over 2,000 copies in total,