Problem: Han dynasty:

In Han government, the emperor was the supreme judge and lawgiver, the commander-in-chief of the armed forces and sole designator of official nominees appointed to the top posts in central and local administrations; those who earned a 600-dan salary-rank or higher. Theoretically, there were no limits to his power. However, state organs with competing interests and institutions such as the court conference (tingyi )where ministers were convened to reach majority consensus on an issuepressured the emperor to accept the advice of his ministers on policy decisions. If the emperor rejected a court conference decision, he risked alienating his high ministers. Nevertheless, emperors sometimes did reject the majority opinion reached at court conferences.

Who was considered to be the supreme judge in Han government?
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A: the emperor

Problem: Cubism:

Cubism was relevant to an architecture seeking a style that needed not refer to the past. Thus, what had become a revolution in both painting and sculpture was applied as part of "a profound reorientation towards a changed world". The Cubo-Futurist ideas of Filippo Tommaso Marinetti influenced attitudes in avant-garde architecture. The influential De Stijl movement embraced the aesthetic principles of Neo-plasticism developed by Piet Mondrian under the influence of Cubism in Paris. De Stijl was also linked by Gino Severini to Cubist theory through the writings of Albert Gleizes. However, the linking of basic geometric forms with inherent beauty and ease of industrial applicationwhich had been prefigured by Marcel Duchamp from 1914was left to the founders of Purism, Amedee Ozenfant and Charles-Edouard Jeanneret (better known as Le Corbusier,) who exhibited paintings together in Paris and published Apres le cubisme in 1918. Le Corbusier's ambition had been to translate the properties of his own style of Cubism to architecture. Between 1918 and 1922, Le Corbusier concentrated his efforts on Purist theory and painting. In 1922, Le Corbusier and his cousin Jeanneret opened a studio in Paris at 35 rue de Sevres. His theoretical studies soon advanced into many different architectural projects.

Who developed Neo Plasticism?
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A: Piet Mondrian

Problem: Slavs:

As of 1878, there were only three free Slavic states in the world: the Russian Empire, Serbia and Montenegro. Bulgaria was also free but was de jure vassal to the Ottoman Empire until official independence was declared in 1908. In the entire Austro-Hungarian Empire of approximately 50 million people, about 23 million were Slavs. The Slavic peoples who were, for the most part, denied a voice in the affairs of the Austro-Hungarian Empire, were calling for national self-determination. During World War I, representatives of the Czechs, Slovaks, Poles, Serbs, Croats, and Slovenes set up organizations in the Allied countries to gain sympathy and recognition. In 1918, after World War I ended, the Slavs established such independent states as Czechoslovakia, the Second Polish Republic, and the State of Slovenes, Croats and Serbs.

How many Slavs lived in Czechoslovakia?
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A: unanswerable

Problem: Neoclassical architecture:

The first phase of neoclassicism in France is expressed in the "Louis XVI style" of architects like Ange-Jacques Gabriel (Petit Trianon, 176268); the second phase, in the styles called Directoire and "Empire", might be characterized by Jean Chalgrin's severe astylar Arc de Triomphe (designed in 1806). In England the two phases might be characterized first by the structures of Robert Adam, the second by those of Sir John Soane. The interior style in France was initially a Parisian style, the "Gout grec" ("Greek style") not a court style. Only when the young king acceded to the throne in 1771 did Marie Antoinette, his fashion-loving Queen, bring the "Louis XVI" style to court.

France's second phase of neoclassic is known as what?
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A:
Directoire and "Empire"