Problem: From the 1990s onwards, the predominant approach to constructing phylogenies for living plants has been molecular phylogenetics, which uses molecular characters, particularly DNA sequences, rather than morphological characters like the presence or absence of spines and areoles. The difference is that the genetic code itself is used to decide evolutionary relationships, instead of being used indirectly via the characters it gives rise to. Clive Stace describes this as having "direct access to the genetic basis of evolution." As a simple example, prior to the use of genetic evidence, fungi were thought either to be plants or to be more closely related to plants than animals. Genetic evidence suggests that the true evolutionary relationship of multicelled organisms is as shown in the cladogram below fungi are more closely related to animals than to plants.
Are fungi more like plants or animals?
The answer is the following: closely related to animals

Problem: Popular representations of John first began to emerge during the Tudor period, mirroring the revisionist histories of the time. The anonymous play The Troublesome Reign of King John portrayed the king as a "proto-Protestant martyr", similar to that shown in John Bale's morality play Kynge Johan, in which John attempts to save England from the "evil agents of the Roman Church". By contrast, Shakespeare's King John, a relatively anti-Catholic play that draws on The Troublesome Reign for its source material, offers a more "balanced, dual view of a complex monarch as both a proto-Protestant victim of Rome's machinations and as a weak, selfishly motivated ruler". Anthony Munday's play The Downfall and The Death of Robert Earl of Huntington portrays many of John's negative traits, but adopts a positive interpretation of the king's stand against the Roman Catholic Church, in line with the contemporary views of the Tudor monarchs. By the middle of the 17th century, plays such as Robert Davenport's King John and Matilda, although based largely on the earlier Elizabethan works, were transferring the role of Protestant champion to the barons and focusing more on the tyrannical aspects of John's behaviour.
What was Anthony Munday's play?
The answer is the following: The Downfall and The Death of Robert Earl of Huntington

Problem: Mandolin awareness in the United States blossomed in the 1880s, as the instrument became part of a fad that continued into the mid-1920s. According to Clarence L. Partee, the first mandolin made in the United States was made in 1883 or 1884 by Joseph Bohmann, who was an established maker of violins in Chicago. Partee characterized the early instrument as being larger than the European instruments he was used to, with a "peculiar shape" and "crude construction," and said that the quality improved, until American instruments were "superior" to imported instruments. At the time, Partee was using an imported French-made mandolin.
Who made the first US mandolin?
The answer is the following: Joseph Bohm

Problem: By about 6000 BC, a Neolithic culture rooted in the Nile Valley. During the Neolithic era, several predynastic cultures developed independently in Upper and Lower Egypt. The Badarian culture and the successor Naqada series are generally regarded as precursors to dynastic Egypt. The earliest known Lower Egyptian site, Merimda, predates the Badarian by about seven hundred years. Contemporaneous Lower Egyptian communities coexisted with their southern counterparts for more than two thousand years, remaining culturally distinct, but maintaining frequent contact through trade. The earliest known evidence of Egyptian hieroglyphic inscriptions appeared during the predynastic period on Naqada III pottery vessels, dated to about 3200 BC.
When is the earliest hieroglyghics date back?
The answer is the following:
3200 BC