(Q).
WHITE HOUSE/BROWNSVILLE, TEXAS A day after U.S. President Donald Trump reversed a policy of separating migrant families at the U.S.-Mexico border, Department of Homeland Security Secretary Kirstjen Nielsen said there is a plan to reunite the more than 2,000 children who have been detained apart from their parents. "We have a plan to do that," the secretary told reporters at an event in Washington Thursday morning. Shortly before she spoke, a VOA reporter at an immigration court hearing in Brownsville, Texas, said prosecutors dropped misdemeanor charges against 17 migrants. The migrants, who were separated from their children remain detained, but dropping the charges could be a means to reunite them and allow the families to be detained as units. David Bier, an Immigration Policy Analyst at the libertarian Cato Institute, said if government prosecutors are dropping criminal charges in similar cases across the immigration court system, it calls into question the Trump Administration's 'Zero Tolerance' policy towards immigration. It's "an even more clear signal that the whole purpose of bringing these prosecutions is to separate parents from children and not about enforcing the law." he told VOA. The administration's policy requires that anyone who crosses the border illegally face criminal charges. "If it continues to be the case that some of these cases or many of them are dismissed by courts that should be the end of the policy," Bier added. The moves come as the House of Representatives prepares to vote Thursday on a pair of immigration bills that address the separations, as well as other issues that have divided the country's major political parties. Nielsen repeated her calls for lawmakers to act. "I want to be very clear on this. Congress has the authority and responsibility to make the law of the land and to fix the immigration system," the secretary said. "We have done everything we can do in the executive branch." The outcome of the votes is uncertain. One measure is more hard-line, while the other... According to the above context, choose the correct option to answer the following question. Question: How long are children separated from their parents? Options: - 2 weeks - 10 years - not enough information - 2 years
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2 weeks

(Q).
Light dappled through the trees in the family courtyard, painting shadows on the paving stones. Li Reiko knelt by her son to look at his scraped knee. "I just scratched it." Nawi squirmed under her hands. Her daughter, Aya, leaned over her shoulder studying the healing. "Maybe Mama will show you her armor after she heals you." Nawi stopped wiggling. "Really?" Reiko shot Aya a warning look, but her little boy's dark eyes shone with excitement. Reiko smiled. "Really." What did tradition matter? "Now let me heal your knee." She laid her hand on the shallow wound. "Ow." "Shush." Reiko closed her eyes and rose in the dark space within her mind. In her mind's eye, Reiko took her time with the ritual, knowing it took less time than it appeared. In a heartbeat, green fire flared out to the walls of her mind. She dissolved into it as she focused on healing her son. When the wound closed beneath her hand, she sank to the surface of her mind. "There." She tousled Nawi's hair. "That wasn't bad, was it?" "It tickled." He wrinkled his nose. "Will you show me your armor now?" She sighed. She should not encourage his interest in the martial arts. His work would be with the histories that men kept, and yet... "Watch." Pulling the smooth black surface out of the ether, she manifested her armor. It sheathed her like silence in the night. Aya watched with obvious anticipation for the day when she earned her own armor. Nawi's face, full of sharp yearning for something he would never have, cut Reiko's heart like a new blade. "Can I see your sword?" She let her armor vanish back into thought. "No." Reiko brushed his hair from his eyes. "It's my turn to hide, right?" According to the above context, choose the correct option to answer the following question. Question: Why did Reiko showed Nawi her armor? Options: - because Nawi is supposed to learn about it - not enough information - because he was excited and curious about it - because she does that all the time
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because he was excited and curious about it

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Think outside the box, whilst inside the box (studio): As this studio is about working with constraints, I thought i'd google 'constraints in filmmaking' and see what comes up. One of the first links was to a journal article by Heidi Philipsen entitled 'Constraints in Film Making Processes Offer an Exercise to the Imagination'. Interestingly enough the first sentence of her article states: "I would like filmmakers interested in thinking "outside the box" to recognize that they can benefit from being placed "inside a box." I wonder if Paul had contemplated this whilst choosing the name for this studio. Throughout her article Philipsen challenges the notion that creativity is an intangible innate quality, existing within the mind of one source, but rather creativity arises from a multitude of sources. Alike all things shared she suggests that creativity is easier to enhance by changing environmental conditions, rather than encouraging people to 'think more creatively'. Perceiving creativity in this way allows you to see it as an organisationally influenced phenomenon, rather than a psychological and individual phenomenon. Which enables you to have more control over creativity and to encourage creativity once being aware of how it can be environmentally enhanced. As Csikzentmihalyi (1996) states "a genuinely creative accomplishment is almost never the result of a sudden insight, a lightbulb flashing on in the dark, but comes after years of hard work". Constraints, as Philipsen suggests is one such way to manipulate the environment to enhance creativity. Students who attended The Film School in Denmark, who were forced into working with constraints for their projects eventually considered constraints to be both useful and inspirational. Such constraints included: making a scene with a specific theme, within a specific deadline and with other specific conditions concerning the use of camera, sound, actors etc. Students stated that these constraints ultimately made them feel secure, inspired and focused and... According to the above context, choose the correct option to answer the following question. Question: After the end of this story, John is probably: Options: - annoyed - married - not enough information - hungry
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married