Teacher: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
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Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this instance: Context_1 : Shaykh Sharaf ad-Din ibn al-Hasan, known also by the Yazidi name " Sherfeddin", was a descendant of Umayyad Caliph Marwan ibn al-Hakam. He was the son and religious heir of al-Hasan ibn 'Adi and thus head of the 'Adawiyya Sufi Order. He died in battle against the Mongols in 1258 and was succeeded by his uncle, Fakhr ad-Din ibn 'Adi. Context_2 : The burial place of Fatimah is a disputed issue among different sects of Muslims. Fatimah was a daughter of the Islamic prophet (Arabic: ) Muhammad and Khadijah (therefore, a member of Muhammad's "Bayt" (Arabic: , 'Household')), wife of 'Ali ibn Abi Taleb, and mother of Al-Hasan and Al-Husain, It is said that 'Ali buried his wife in an unknown location, according to Fatimah's decision with the aim of expressing her anger towards the caliph of the time. Different locations have been mentioned as the possible burial place of Fatimah. Some of them are said to be nearer to fact: Al-Baqi', her house and between the Muhammad's tomb and his minbar. Context_3 : This article is about the family tree of the Islamic prophet, Muhammad. He was known as a member of the family of Hashim and the Quraysh tribe which is 'Adnani. Context_4 : 'Ali ibn Muhammad ibn 'Ali ibn al-Husayn was the son of the fifth imam of Twelver Shii Muslims and fourth imam of Ismaili Shii Muslims, Muhammad al-Baqir. Born in Medina, 'Ali, known in Iran as "Sultan 'Ali," was dispatched by his father to the areas of Kashan and Qom, where he served as a Friday prayer leader and teacher; his popularity and his preaching of Shii Islam proved threatening to the local representative of the Umayyad dynasty. The Umayyad representative's forces cornered and killed Sultan 'Ali and a band of his supporters, after a prolonged battle, and before a larger group of supporters could arrive, in Ardahal, a village roughly 45 kilometers east of Kashan on August 7, 734 CE (27 Jamadi II, 116 AH). He is still revered by Shii Muslims, especially in Iran, where his burial placewhich has undergone repeated renovations but dates, in part, to the Saljuq periodhas become a site of visitation. The shrine is known for a distinctive annual carpet-washing ritual ("qali-shuyan") that occurs on the seventeenth day of autumn to commemorate the day of Sultan 'Ali's martyrdom, a ritual that might have its origins in Sultan 'Ali's body having been wrapped in a carpet and brought to the site of his burial after his murder. Context_5 : 'Abdullah 'Ali al-Asghar ibn Al-Husayn (09 Rajab 60 AH 10 Muharram 61 AH (10 October 680 CE)), or simply 'Ali Asghar ("Younger 'Ali"), was the youngest child of Al-Husayn (son of 'Ali, grandson of the Islamic Prophet Muhammad and the third Shia Imam) and Rubab bint Imra' al-Qays. He was martyred during the Battle of Karbala', and is commemorated in Shi'ism as the "personified quintessence of the innocent victim." Context_6 : Al-Hakim I (Arabic: ) Abu al-'Abbas Ahmad ibn Abi 'Ali al-Hasan held the position of the Abbasid Caliph of Cairo, Mamluk Egypt for the Mamluk Sultans between 1262 and 1302. He was an alleged great-great-great grandson of the Abbasid Caliph al-Mustarshid, who had died in 1135. When Baghdad fell to the Mongols in 1258, al-Hakim I escaped to Damascus where he befriended the Arab tribal chief 'Isa ibn al-Muhanna, who tried to set him up as caliph, but in the confusion surrounding the Mongol invasion of Syria in 1259-1260, he ended up in Aleppo, where he was proclaimed. However, the much closer and probably genuine uncle of the last Abbasid caliph al-Musta'sim, al-Mustansir II, was proclaimed caliph in Cairo in 1261. Al-Hakim I joined al-Mustansir II's invasion of Iraq, also submitting to al-Mustansir II as caliph, but the latter was slain with most of the invaders near Hit in Iraq by the Mongols. Only about fifty troops escaped with al-Hakim, who, making his way back to Cairo and after a careful scrutiny of his genealogical claim to be an Abbasid, was proclaimed caliph in succession to al-Mustansir in 1262. Since al-Hakim's connection with the Abbasids is distant and faint, it cannot now be known whether he was really from that family as he claimed or not. In any case, al-Hakim I had no further adventures, served as a legitimating and ceremonial functionary for the Mamluk sultans in Cairo, reigned for thirty-nine years, and became the progenitor of all the subsequent Abbasid caliphs of Cairo, whether he was really an Abbasid or not. Although he was kept in office after 1262, the Mamluk sultans kept him as a virtual prisoner in the citadel, until Sultan Lajin released him in December 1296, allowing him to live in a house in the city and giving him a bigger financial emolument. Context_7 : Shaykh Fakhr ad-Din ibn al-Hasan, known also by the Yazidi name "Sex Fexreddin", was a descendant of Umayyad Caliph Marwan ibn al-Hakam. He was the son and religious heir of al-Hasan ibn 'Adi after the death of al-Hasan's son. Sex Fexreddin was the seventh and last known 'Adawi shaykh, leaving the Lalish area (and the historical record) for the Yazidish-founded Ayyubid Egypt in 1276. Context_8 : 'Ali al-Akbar ibn Al-Husayn (Arabic: ), or simply "Ali al-Akbar," was the son of Al-Husayn ibn 'Ali, the third Shi'ite Imam, and Umme Layla. He was killed at the age of 18, 19 or 25 on the day of 'Ashura', in Karbala'. 'Ali Al-Akbar is also highly respected by Sunni Muslims. According to Jean Calmard writing in Iranica, 'Ali al-Akbar's reputation as a valiant warrior of the Household of Muhammad might have preceded that of Al-'Abbas ibn 'Ali. Context_9 : Al-Mujtaba (Arabic: ) is an Arabic word which means "The Selected One" or "The Chosen One among many." It is a title of the Islamic "Nabi" (Arabic: , Prophet) Muhammad, and his grandson, the Caliph Al-Hasan ibn 'Ali. Context_10 : Sayyidah Zaynab bint 'Ali (Arabic: , Also: 'Zainab') was one of the daughters of the fourth Sunni caliph and the first Shia imam, 'Ali and his first wife Fatimah. The Islamic "Nabi" (Arabic: , Prophet) Muhammad was her maternal grandfather, and thus she is a member of his "Bayt" (Arabic: , Household). Therefore, she is often revered not only for her admirable characteristics and actions, but also for her membership in, and continuation of, the biological line of Muhammad. Like other members of her family she became a great figure of sacrifice, strength, and piety in Islam in the Sunni and Shi'i sects of the religion. Zaynab married 'Abdullah ibn Ja'far, and had three sons and two daughters with him. When her brother, Imam Al-Husain, stood up against Yazid ibn Mu'awiyah in 680 CE (61 AH), Zaynab accompanied him. She played an important role in protecting the life of her nephew, Imam 'Ali ibn Al-Husayn, and because of her sacrifice and heroism, she became known as the "Heroine of Karbala'". Zaynab died in 681 CE, and her Masjid is located in Damascus, Syria, Ash-Sham. fact_1 : It is a title of the Islamic "Nabi" (Arabic: , Prophet) Muhammad, and his grandson, the Caliph Al-Hasan ibn 'Ali. fact_2 : This article is about the family tree of the Islamic prophet, Muhammad. Answer: Muhammad
Student:
Caliph AlHasan ibn 'Ali is the grandson of which Islamic prophet?