Problem: Background: Native women in Hong Kong used to be situated within the context of Chinese family and society, in which they were treated the same as Mainland women or Taiwanese women. Under the traditional Chinese patriarchy structure, the society was male-dominated, and women had a relatively subordinate familial role. However, there are cultural differences between Mainland Chinese citizens and citizens of Hong Kong. During the British colonial period the emergence of Western culture (i.e. "Westernization") created a mix of traditional Chinese culture and Western values.
Context: Women were in the workforce as early as the 1920s, but the small population of them often had to fight vigorously for equality of work rights. With the shift of Hong Kong's economy from manufacturing industry to services industry since the 1980s, there is a growing demand for white collar workers. Abundant job opportunities are hence available for both men and women. Employment in Hong Kong can be enjoyed by women, who possess rights, such as maternity protection and sick leave. Nevertheless, women in Hong Kong are aware of the difficulties they face in being a woman in the workforce. For example, when surveyed, both men and women working in Hong Kong stated that they preferred to have a male supervisor over a woman supervisor. In 2016, there are 49.3% females and 50.8% males in the employed population. In spite of the open-minded and relatively westernised culture in Hong Kong, the seemingly equal and fair workplace still poses obstacles on the way of women's career paths. 61.8% of females and 51.6% of males agreed that women have to sacrifice more than men for career success. Interestingly, 72.1% of females agreed that an increasing number of successful women is a positive social phenomenon, while only 59.6% of males shared the same view. The data showed that men, having the invisible privilege obtained from unequal gender perceptions, are content with the current situation and are slightly reluctant to the rising status of women, which might pose a threat to their career prospects. The Hong Kong media clearly reflects the social stereotypes and norms. Performers of authority roles are mostly men, with commentaries and voice overs mainly heard in male voices as well, whereas women are chiefly depicted in domestic roles and gender-specific professions, for example, secretaries and nurses. Despite the high education level and prospective vision women possess, it is uncommon to see women working on Hong Kong corporate boards and in senior management roles. Women account for only 11% of total director pool of Hong Kong's listed issuers and 33% of senior management roles, while the number of female participating in the labor force, which is 54% of the entire female population, lags behind many developed countries (67.6% in the US and 71% in the UK). The number of women in politics is also worryingly small. In the legislative council, there are only 12 female members among the 70 elected members. Comparing to 10 female members among the 60 elected members in 1998, women are clearly under-represented in the legislative stage of the city and such inadequacy will lead to prolonged suppression in women's rights and gender inequality.
Question: Is this still true in the 2000's?
Answer: In 2016, there are 49.3% females and 50.8% males in the employed population.

Problem: Background: Patti Ann LuPone (born April 21, 1949) is an American actress and singer, best known for her work in stage musicals. She is a two-time Grammy Award winner and a two-time Tony Award winner. She is also a 2006 American Theater Hall of Fame inductee. LuPone began her professional career with The Acting Company in 1972 and made her Broadway debut in Three Sisters in 1973.
Context: Among LuPone's film credits are Fighting Back, Witness, Just Looking, The Victim, Summer of Sam, Driving Miss Daisy, King of the Gypsies, 1941, Wise Guys, Nancy Savoca's The 24 Hour Woman and Savoca's Union Square (in post-production, late 2010), Family Prayers, and City by the Sea. She has also worked with playwright David Mamet on The Water Engine, the critically acclaimed State and Main, and Heist. In 2011, the feature film Union Square, co-written and directed by the Sundance Film Festival's Grand Jury Award Winner, Nancy Savoca, was premiered at the Toronto International Film Festival. In it, LuPone co-starred with Mira Sorvino, Tammy Blanchard, Mike Doyle, Michael Rispoli and Daphne Rubin-Vega. She played Lady Bird Johnson in the TV movie, LBJ: The Early Years (1987). LuPone played Libby Thatcher on the television drama Life Goes On, which ran on ABC from 1989 to 1993. In the 1990s she had a recurring role as defense attorney Ruth Miller on Law & Order. She has twice been nominated for an Emmy Award: for the TV movie The Song Spinner (1995, Daytime Emmy Award nominee), and for Outstanding Guest Actress in a Comedy Series on Frasier in 1998. She had a cameo as herself that year on an episode of Saturday Night Live hosted by Kelsey Grammer. LuPone's TV work also included a recurring role on her cousin Tom Fontana's HBO series in its final season, Oz (2003). She appeared as herself on a February 2005 episode of Will & Grace. She also appeared on the series Ugly Betty in March 2007 as the mother of Marc St. James (played by Michael Urie). LuPone had a recurring guest role as Frank Rossitano's mother on 30 Rock. LuPone appeared as herself in the season two finale of the television series Glee. LuPone guest starred on Army Wives on July 8, 2012. She reunited with fellow guest star Kellie Martin as her mother once again. LuPone appeared in the 2013 film Parker, an action-thriller. In 2013, LuPone was cast in the third season of the FX series American Horror Story as Joan Ramsey, a religious mother with a hidden past, and played herself in the third season of HBO's Girls. In 2015, she appeared in several episodes of the Showtime horror series Penny Dreadful as a cantankerous yet powerful white witch. She returned to the show in 2016 in the role of Dr. Seward, an alienist aiding Eva Green's character. Seward is an adaptation of John Seward from Bram Stoker's Dracula, and claims to be a descendant of Joan Clayton, the character LuPone portrayed in the second season. Also in 2016, she began appearing in Steven Universe as the voice of Yellow Diamond.
Question: In what show was that?
Answer:
LuPone guest starred on Army Wives