Some context: Namdev, also transliterated as Namdeo and Namadeva, (traditionally, c. 1270 - c. 1350) was a poet-saint from Maharashtra, India who is significant to the Varkari sect of Hinduism. He is also venerated in Sikhism, as well as Hindu warrior-ascetic traditions such as the Dadupanthis and the Niranjani Sampraday that emerged in north India during the Islamic rule. The details of Namdev's life are unclear. He is the subject of many miracle-filled hagiographies composed centuries after he died.
Namdev's padas are not mere poems, according to Callewaert and Lath. Like other Bhakti movement sants, Namdev composed bhajans, that is songs meant to be sung to music. A Bhajan literally means "a thing enjoyed or shared". Namdev's songs were composed to be melodious and carry a spiritual message. They built on one among the many ancient Indian traditions for making music and singing. Namdev's bhajans, note Callewaert and Lath, deployed particular species of Raag, used Bhanita (or Chhap, a stamp of the composer's name inside the poem, in his case Nama), applied a Tek (or dhruva, repeated refrain) and a meter than helps harmonise the wording with the musical instrument, all according to Sangita manuals refined from the 8th to 13th centuries. The musical genre of Namdev's literary works was a form of Prabandha - itself a very large and rich genre that includes dhrupad, thumri, tappa, geet, bhajan and other species. In some species of Indian music, it is the music that dominates while words and their meaning are secondary. In contrast, in Namdev's bhajan the spiritual message in the words has a central role, and the structure resonates with the singing and music. The songs and music that went with Namdev's works, were usually transmitted verbally across generations, in a guru-sisya-parampara (teacher-student tradition), within singing gharanas (family-like musical units). Callewaert and Lath state that, "each single song of Namdev is a musical and textual unit and this unit is the basis for textual considerations". The unit contained Antaras, which are the smallest independent unit within that can be shifted around, dropped or added, without affecting the harmony or meaning, when a bhajan is being sung with music. In Namdev's songs, the dominant pattern is Caturasra, or an avarta with the 4x4 square pattern of musical matras (beat).
Did he have help composing the Bhajans?
A:
Some context: Born in Scotland on 15 June 1792, he was son of John Mitchell of Carron Works and was brought up from childhood by his uncle, Thomas Livingstone of Parkhall, Stirlingshire. On the death of his uncle, he joined the British army in Portugal as a volunteer, at the age of sixteen. On 24 June 1811, at the age of nineteen, he received his first commission as 2nd Lieutenant in the 1st Battalion 95th Rifles (later the Rifle Brigade / Royal Green Jackets). Utilising his skills as a draughtsman of outstanding ability, he was occasionally employed in the Quartermaster-General's department under Sir George Murray.
Mitchell's fourth expedition was into Queensland in 1845-46. He was convinced that a significant river must flow north-west into the Gulf of Carpentaria, this being the main thrust of the endeavour. On 15 December 1845 Mitchell started from Boree (Buree in Mitchell's journal) with a large party including Edmund Kennedy as second in command (later speared to death at Escape River near Cape York). He struck the Darling River above Fort Bourke then continued to the Narran River, the Balonne, and the Culgoa. On 12 April 1846 he came to a natural bridge of rocks on the main branch of the Balonne which he called St.George Bridge, now the site of the town of St George. Kennedy was left in charge of the main body here, and was instructed to follow on slowly while Mitchell pushed ahead with a few men. Mitchell followed the Balonne to the Maranoa, and the Cogoon (now called Muckadilla Creek, near Roma). This rivulet led him to a magnificent pastoral district in the midst of which stood a solitary hill that he named Mount Abundance. He then crossed a low watershed to the Maranoa and awaited Kennedy's arrival. Kennedy rejoined Mitchell on 1 June 1846. Leaving Kennedy for a second time, he set out on an extensive excursion of more than four months. Mitchell traversed the country at the head of the Maranoa and discovered the Warrago River. Keeping north over the watershed, he traversed the Claude and Nogoa rivers, then reached the Belyando River, an upper reach of the Burdekin River. This had already been discovered by Ludwig Leichhardt on his expedition to Port Essington on 2 April 1845. Intensely mortified to find that he was on a tributary of the Burdekin River, and approaching the ground already trodden by Leichhardt, he returned to the head of the Nogoa and struck west, after dividing his party and forming a stationary camp. He continued west, making a new discovery which he was certain was the fabled north-west river. In honour of the sovereign of the time he decided to call it Victoria River. Having run out of time, he turned back towards the main party. It was here that Mitchell first noticed the well known grass that bears his name. On the homeward journey he trekked along the Maranoa River to St.George Bridge, arriving in Sydney 20 January 1847. Later that year, Kennedy proved beyond doubt that the Victoria did not continue north-west, but turned south-west and joined Cooper Creek. He renamed the watercourse the Barcoo River from a name mentioned by local Aborigines.
Did anything interesting happen during his exploration?
A:
This rivulet led him to a magnificent pastoral district in the midst of which stood a solitary hill that he named Mount Abundance.