Some context: Swans () are an American experimental rock band formed in 1982 by singer, songwriter and multi-instrumentalist Michael Gira. One of few acts to emerge from the New York City-based no wave scene and stay intact into the next decade, Swans have become recognized for a unique, ever-changing sound which has contributed to the development of genres such as noise rock, post-punk, industrial and post-rock. Initially, their music was known for its sonic brutality and misanthropic lyrics. Following the addition of singer, songwriter and keyboardist Jarboe, who first appeared on the 1986 single "Time Is Money (Bastard)" and debuted as a songwriter on the 1987 album Children of God, Swans began to incorporate more melody and intricacy into their music.
Kane compares Swans to blues icon Chester Burnett, a.k.a. Howlin' Wolf. Some similarities worth noting--the music of early Swans was often based on a single riff, played repeatedly to hypnotic effect. Some of Burnett's songs--especially the songs penned by Burnett himself--have a similar structure and quality. Their early music was typified by slow and grinding guitar noise, and pounding drums, punctuated by Gira's morbid and violent lyrics (inspired by Jean Genet and Marquis de Sade), usually barked or shouted. Critics have described Swans' early recordings as "aggressive beyond words". Their first full-length release, Filth (1983), featured driving, choppy rhythms and abrasive drums. The whole is reminiscent of earlier no wave bands, such as Mars, and the work of Swans' contemporaries, like Sonic Youth's Confusion Is Sex and Kill Yr Idols; but critic Ned Raggett contends that "early Swans really is like little else on the planet before or since". Filth was the first album to feature guitarist Norman Westberg, who would play a vital role in much of Swans' music and would feature on every subsequent studio album apart from Love of Life. Cop (1984) and the originally untitled Young God EP were both released in 1984 and re-released together on CD in 1992. Young God has been known by several names, usually by one of its two A-sides, such as "I Crawled" or, notoriously, as "Raping a Slave". This release is often confused with their self-titled debut. The music continues in the same vein as Filth, and is again vaguely reminiscent of heavy metal music played in extreme slow motion. Swans were, in this era, Gira on vocals, Westberg on guitar, Harry Crosby on bass guitar and Roli Mosimann on drums. Gira's vocals had changed slightly, becoming slowly more melodic, although the snarl still remained. Some of the songs on the EP, particularly "Young God" and "I Crawled", have an actual vocal melody, if rudimentary, hinting at the sounds of future releases. Young God is considered by many to be the best of their early releases for this reason. Justin Broadrick shared this impression of the group:
What were some other comparisions?
A: earlier no wave bands, such as Mars, and the work of Swans' contemporaries, like Sonic Youth's Confusion Is Sex and Kill Yr Idols;
Some context: Robert Dale Owen (November 7, 1801 - June 24, 1877) was a Scottish-born social reformer who immigrated to the United States in 1825, became a U.S. citizen, and was active in Indiana politics as member of the Democratic Party in the Indiana House of Representatives (1835-39 and 1851-53) and represented Indiana in the U.S. House of Representatives (1843-47). As a member of Congress, Owen successfully pushed through the bill that established Smithsonian Institution and served on the Institution's first Board of Regents. Owen also served as a delegate to the Indiana Constitutional Convention in 1850 and was appointed as U.S. charge d'affaires (1853-58) to Naples. Owen was a knowledgeable exponent of the socialist doctrines of his father, Robert Owen, and managed the day-to-day operation of New Harmony, Indiana, the socialistic utopian community he helped establish with his father in 1825.
After his first term in the Indiana legislature and two unsuccessful campaigns for election to the U.S. Congress in 1838 and in 1840, Owen was elected as a Democrat to the U.S. House of Representatives in 1842. He served from 1843 to 1847 in the Twenty-eighth and Twenty-ninth Congresses. Owen was chairman of the Committee on Roads and Canals during the Twenty-eighth Congress. He was also involved in the debates about the annexation of Texas and an Oregon boundary dispute in 1844 that led to the establishment of the U.S-British boundary at the 49th parallel north, the result of the Oregon Treaty (1846). While serving as a member of Congress, Owen introduced and helped to secure passage of the bill that founded the Smithsonian Institution in 1846. Owen was appointed to the Smithsonian Institution's first Board of Regents and chaired its Building Committee, which oversaw the construction of the Smithsonian Institution Building in Washington, D.C., and recommended James Renwick, Jr. as architect, James Dixson and Gilbert Cameron as the contractors, and the Seneca Quarry for its distinct, dark-red sandstone. Owen, his brother David Dale Owen, and architect Robert Mills, were involved in developing preliminary plans for the Smithsonian Building. These early plans influenced Renwick's choice of the Romanesque Revival architectural style (sometimes referred to as Norman-style architecture) and his three-story design for the building, which was finally selected, although not without controversy. Owen's book Hints on Public Architecture (1849) argued the case for the suitability of Renwick's Romanesque Revival (Norman) architectural style for public buildings such as the Smithsonian "Castle," which he discussed in detail. Seven full-page illustrations and details of the building's architectural elements were prominently featured in the book, leading some to criticize Owen for his bias toward Renwick and his preference for Norman-style architecture over other popular styles.
What did he do on the Smithsonian Board of Regents?
A:
recommended James Renwick, Jr. as architect, James Dixson and Gilbert Cameron as the contractors, and the Seneca Quarry for its distinct, dark-red sandstone.