Detailed Instructions: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : A vanity label (see related topic on vanity press) is an informal name given sometimes to a record label founded as a wholly or partially owned subsidiary of another, larger and better established (at least at the time of the vanity label's founding) record label, where the subsidiary label is (at least nominally) controlled by a successful recording artist, designed to allow this artist to release music by other artists they admire. The parent label handles the production and distribution and funding of the vanity label, but the album is usually released with the vanity label brand name prominent. Usually, the artist/head of the vanity label is signed to the parent label, and this artist's own recordings will be released under the vanity label's brand name. Creating a vanity label can be an attractive idea for the parent label primarily as a "perk" to keep a successful artist on the label's roster happy and a venue to bring fellow artists to the public's attention. Context_2 : The Synthesis Tour is a concert tour by American rock band Evanescence, in support of their fourth album "Synthesis". This will be the first tour where the band includes an orchestra. The tour includes 28 concerts in different cities across North-America in 2017 and 15 concerts in Europe in 2018. Context_3 : Heartbeat Records is an independent record label based in Burlington (formerly Cambridge), Massachusetts. The label specializes in Jamaican music. Founded by reggae music enthusiasts Bill Nowlin and Duncan Brown, the label's first release was a vinyl LP reissue of Linton Kwesi Johnson's "Dread Beat an' Blood" (1981). In 1983, Chris Wilson was hired as VP of A&R and the label began their association with Studio One label founder Clement Dodd and released "Best of Studio One", a compilation of Dodd-produced music by artists including Dennis Brown, Alton Ellis, The Gladiators, Marcia Griffiths, The Heptones, Slim Smith, Sugar Minott, and Johnny Osbourne, among others. Heartbeat has released over 60 Studio One albums. The label licensed music from a number of different Jamaican producers including Lee "Scratch" Perry, Joe Gibbs, Sonia Pottinger, Clancy Eccles, Alvin Ranglin, Duke Reid, Niney the Observer, Sly & Robbie, Steely & Clevie, and Lloyd Daley. The label financed and booked the Heartbeat Culture Splash Tour, consisting of Michael Rose, Sister Carol, the Meditations, Derrick Morgan, and the S.A.N.E. band, that toured the United States in 1996. In 2000, Heartbeat Records received a Grammy Award for Burning Spear's Heartbeat album entitled "Calling Rastafari" (1999) which has since been deleted from the catalog. Heartbeat Records won Boston magazine's Best of Boston 2000 award for Best Record Label. In January 2007, Heartbeat relocated to Burlington, Massachusetts. The same year, Heartbeat launched the web site and podcast entitled the Heartbeat Reggae Podcast. Context_4 : Hysterics is the second studio album released by British post-punk band The Nightingales. It was released in 1983 through the Red Flame record label and was distributed by Pinnacle. In 2004, it was re-released by the Cherry Red record label. The album spent several weeks in the top 20 in the UK Indie Chart. Context_5 : The IBCT is an independent record label owned by Kris J. Kraus, based in Southern California and started in 2009 by Walter Adam "Dirty Walt" Kibby, II, of Fishbone, and Roderick Byron "Rodcore" Palmer of the band Year Of The Dragon along with their then manager, Kraus, an attorney, who previously was the road manager for The Incredible Lance Diamond and manager of Rick James's Original Stone City Band, among others. The label released the first full-length by YOTD, Blunt Force Karma (Produced by Darryl Swann with Kraus and Kibby as Executive Producers), and the sophomore release by Dirty Walt And The Columbus Sanatation (produced by Kibby with Kraus as Executive Producer). Subsequently, the label reissued the debut of Seattle's experimental jazz quartet Uncle Pooch, Conduct Unbecoming. The label showcased at South By Southwest in 2009, 2010, and 2011. Kibby and Palmer left the label in 2010 after YOTD's tour in support of Blunt Force Karma (to date BFK is YOTD's only full-length release and most likely will remain so as Palmer left the band in 2015), leaving Kraus as the sole owner and operator. Kraus then commissioned Uncle Pooch's bassist Shane Smith as the label's Musical Director. With Smith providing all musical content and Kraus providing lyrics, artwork, and production the two of the have teamed up to guide the label through its second phase focusing exclusively on underground and uncompromising artists who defy categorization. Two more releases by Uncle Pooch, Oneiroprenia (with production by Scott Colburn, Darryl Swann, and Kraus and graphic design by Mike Sparrow) and Sonarchy (produced by Smith and Kraus graphic design by Sparrow) in 2012. After a hiatus while Kraus pursued a career as a law professor and Smith worked on demos with various artists the label returned with Smith and Los Angeles underground icon Blackbird contributing a song to the Black Rock Coalition's 25 Year Anniversary Compilation in 2016 at Kraus' urging. Smith's band Shane Smith's Karmic Unrest released their debut "The Ambivalence Of The Scared" (produced by R. L. Heyer and Kraus and mastered by Peter A. Barker) in 2017. Uncle Pooch's final album, "The Comfort Of Violence", and two releases by Headlock are scheduled for release in late 2017. The label plans on re-issuing the debut EP by unsung pioneering black rockers Sky Church originally released in 1993 by Kraus and guitarist Mytch Meadows and remastered by Barker in 2018 for the releases 25th anniversary. Context_6 : Jarren Giovanni Benton (born October 26, 1981) is an American rapper from Decatur, Georgia. In early 2012, he signed to rapper Hopsin's independent record label Funk Volume and released a mixtape called "Freebasing with Kevin Bacon" in June 2012. A year later, on June 11, 2013 he released his debut studio album "My Grandma's Basement", which received positive critical reviews and debuted at number 152 on the "Billboard" 200. On January 4, 2016, Jarren Benton posted a prank on Instagram, saying that he dropped his current label, "Funk Volume," for a label no longer in existence entitled "No Limits." Fans and news outlets alike took the prank seriously, and spread the joke as truth on the internet because they refused to find solid evidence and verify confirmation of fact to the joke. Both Funk Volume and Jarren Benton have disproved truth to the prank in the same night. However, it has been officially confirmed the Funk Volume label has split up. After the Funk Volume split up, Jarren has created his own record label under the name Benton Enterprises, choosing to go in his own direction to get his own brand out to the public, and to release his new album Slow Motion Vol. 2. The album originally was scheduled to be released on July 15th, but Jarren posted on social media on July 3rd, 2016 "Due to technical difficulties, we will be releasing Slow Motion Vol. 2 on July 22nd." The album will be released on his new website and will be his first album release under his label Benton Enterprises, his first album release since the Funk Volume departure, and his first album released on his new website. Context_7 : Overgrown Eden is the debut album from Essex alternative metal band InMe. The album was released in the UK on 30 January 2003. The album produced four singles before and after the album's release. The singles released were "Underdose", "Firefly", "Crushed like Fruit" and "Neptune". The album was re-released in its original format on 5 June 2006. This was due to getting the rights for "Overgrown Eden" from the now defunct record label Music for Nations. Due to the demise of MFN, this was the first and last album released by InMe on this record label. Context_8 : Synthesis is the upcoming fourth studio album by American rock band Evanescence. It is set to be released on November 10, 2017, by BMG Rights Management. The album includes reworked versions of the band's previous material with an orchestral arrangement and electronica music elements, in addition to two new songs. David Campbell was responsible for the arrangement, along with Amy Lee and producer William B. Hunt. In order to promote the new material, Evanescence will embark on the Synthesis Tour, which begins on October 14, 2017, in Las Vegas and visits cities across the US and Canada until December. Context_9 : The Kill 'Em All Tour was the first major concert tour by American thrash metal band Metallica. The tour, which was sponsored by their record label, Megaforce Records, was in support of their debut album, "Kill 'Em All", released two days before the start of the tour. Metallica supported Raven, Venom and Twisted Sister while supporting acts for Metallica included Anthrax and Armored Saint. Tour setlists consisted of songs off their debut album, cover songs including Diamond Head's "Am I Evil?" and Blitzkrieg's self-titled song, and songs that would be released on "Ride the Lightning." Context_10 : Uncle B is the debut studio album released by N-Dubz. The album is dedicated to former N-Dubz manager and father of Dappy, Byron Contostavlos, who died shortly before the band were signed to their second record label All Around the World. It entered the official UK Albums Chart at number 11. On January 6, 2009, it was announced on the official All Around the World website that the album had gone platinum. Seven singles have been released from the album, with the first three being released by LRC, and the last four being released by All Around the World. The album was not released until in 2008, despite recording starting in 2006. This was due to the group changing record label from LRC to All Around the World. fact_1 : The Synthesis Tour is a concert tour by American rock band Evanescence, in support of their fourth album "Synthesis". fact_2 : It is set to be released on November 10, 2017, by BMG Rights Management. Question: The Synthesis Tour was in support of an album released under which record label ?
Solution:
BMG Rights Management