IN: Good Night, and Good Luck is a 2005 American historical drama film directed by George Clooney and starring David Strathairn, George Clooney, Robert Downey, Jr., Patricia Clarkson and Jeff Daniels. The movie was written by Clooney and Grant Heslov (both of whom also have acting roles in the film) and portrays the conflict between veteran radio and television journalist Edward R. Murrow and U.S. Senator Joseph McCarthy of Wisconsin, especially relating to the anti-Communist Senator's actions with the Senate Permanent Subcommittee on Investigations. Although released in black and white, Good Night, and Good Luck was filmed on color film stock but on a greyscale set, and was color corrected to black and white during post-production. It focuses on the theme of media responsibility, and also addresses what occurs when the media offer a voice of dissent from government policy.

The film was critically acclaimed upon release. It was named "Best Reviewed Film of 2005 in Limited Release" by Rotten Tomatoes, where it achieved a 93% positive review rating, based on reviews from 217 critics. The film received six Academy Award nominations, including Best Picture, Director (Clooney), and Actor (Strathairn). Roger Ebert, in his Chicago Sun-Times review, contends that "the movie is not really about the abuses of McCarthy, but about the process by which Murrow and his team eventually brought about his downfall (some would say his self-destruction). It is like a morality play, from which we learn how journalists should behave. It shows Murrow as fearless, but not flawless." Margaret Pomeranz and David Stratton from the ABC show At the Movies each gave the film five stars, making Good Night, and Good Luck the only other film besides Brokeback Mountain to receive such a score from the hosts in 2005. Both described the film as "beautiful" but also praised Clooney for the film's importance. Margaret commented that "[The film] is so important, because it's about things that are really vital today, like the responsibility of the press and examining the press' role in forming opinion." David noted "Though [the film] is in black-and-white, there's nothing monochromatic about Clooney's passion for his subject or the importance of his message." Jack Shafer, a libertarian-leaning columnist for the online magazine Slate, accused the film of continuing what he characterizes as the hagiography of Murrow. Clooney's film gives the impression that Murrow brought down McCarthy single-handedly, while Shafer notes that in reality much of the mainstream media, many Democrats and some of McCarthy's Republican peers were condemning him before Murrow. Furthermore, Shafer writes, evidence obtained via the declassified Venona espionage program confirmed that many Soviet agents and sympathizers were in fact in positions of influence in the U.S. government, a disclosure the film entirely overlooks: "Clooney and company ignore the material that might argue against their simple-minded thesis about Murrow, the era, and the press to produce an after-school special". One complaint about the film among test audiences was their belief that the actor playing McCarthy was too over the top, not realizing that the film used actual archive footage of McCarthy himself.
QUESTION: How did people perceive the film Good Night, and Good luck?
IN: Yao Ming (Chinese: Yao Ming ; born September 12, 1980) is a Chinese former professional basketball player who played for the Shanghai Sharks of the Chinese Basketball Association (CBA) and the Houston Rockets of the National Basketball Association (NBA). He was selected to start for the Western Conference in the NBA All-Star Game eight times, and was named to the All-NBA Team five times. At the time of his final season, he was the tallest active player in the NBA, at 2.29 m (7 ft 6 in). He is the only player outside of the United States to lead the NBA in All-Star voting.

Yao was pressured to enter the NBA draft in 1999 by Li Yaomin, the deputy general manager of the Shanghai Sharks. Li also influenced Yao to sign a contract for Evergreen Sports Inc. to serve as his agent. The agreement entitled Evergreen to 33% of Yao's earnings, but the contract was later determined to be invalid. When Yao decided to enter the 2002 NBA draft, a group of advisers was formed that came to be known as "Team Yao". The team consisted of Yao's negotiator, Erik Zhang; his NBA agent, Bill Duffy; his Chinese agent, Lu Hao; University of Chicago economics professor John Huizinga; and the vice president for marketing at BDA Sports Management, Bill Sanders. Yao was widely predicted to be picked number one overall. However, some teams were concerned about Yao's NBA eligibility because of uncertainty over whether the CBA would let Yao play in the United States. Shortly after Wang Zhizhi refused to return to China to play for the national team and was subsequently banned from playing for China, the CBA stipulated that Yao would have to return to play for the national team. They also said they would not let him go to the United States unless the Houston Rockets would take him first overall. After assurances from Team Yao that the Rockets would draft Yao with their number one pick, the CBA gave permission on the morning of the draft for Yao to play in the U.S. When the Rockets selected Yao with the first pick of the draft, he became the first international player ever to be selected first overall without having previously played U.S. college basketball.
QUESTION: What position did he play?
IN: Edgar Yipsel "Yip" Harburg (born Isidore Hochberg, Yiddish: ysydvr hvkbrg; April 8, 1896 - March 5, 1981) was an American popular song lyricist who worked with many well-known composers. He wrote the lyrics to the standards "Brother, Can You Spare a Dime?"

Harburg and Gorney were offered a contract with Paramount: in Hollywood, Harburg worked with composers Harold Arlen, Vernon Duke, Jerome Kern, Jule Styne, and Burton Lane, and later wrote the lyrics for The Wizard of Oz, one of the earliest known "integrated musicals," for which he won the Academy Award for Best Music, Original Song for "Over the Rainbow." Of his work on The Wizard of Oz, his son (and biographer) Ernie Harburg has said: So anyhow, Yip also wrote all the dialogue in that time and the setup to the songs and he also wrote the part where they give out the heart, the brains and the nerve, because he was the final script editor. And he--there were eleven screenwriters on that--and he pulled the whole thing together, wrote his own lines and gave the thing a coherence and unity which made it a work of art. But he doesn't get credit for that. He gets lyrics by E. Y. Harburg, you see. But nevertheless, he put his influence on the thing. Working in Hollywood did not stop Harburg's career on Broadway. In the 1940s, he wrote a series of "book" musicals with social messages, including the successful Bloomer Girl (1944), set during the Civil War, which was about temperance and women's rights activist Amelia Bloomer. Harburg's best known Broadway show, Finian's Rainbow (1947) was, in its original production, possibly the first Broadway musical with a racially integrated chorus line, and features his "When the Idle Poor Become the Idle Rich." It was made into a film in 1968 starring Fred Astaire and Petula Clark, directed by Francis Ford Coppola.
QUESTION:
What did they do on Broadway?