In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : From Dusk till Dawn is a 1996 American action horror film directed by Robert Rodriguez and written by Quentin Tarantino. It stars George Clooney, Tarantino, Harvey Keitel and Juliette Lewis. After enjoying modest success at the box office, it has since become a cult film. The film was conceived by Robert Kurtzman who hired Tarantino to write the script as his first paid writing assignment. Context_2 : "" is an American action horror television series developed by Robert Rodriguez, using characters and story elements from the 1996 film of the same name written by Quentin Tarantino and Robert Kurtzman, which Rodriguez directed. The series premiered on Rodriguez's El Rey Network on March 11, 2014. Outside the United States and Latin America, the series is marketed as a Netflix original. Context_3 : Machete is a 2010 American action film written, produced, and directed by Robert Rodriguez and Ethan Maniquis. This film is an expansion of a fake trailer that was included in Rodriguez's and Quentin Tarantino's 2007 "Grindhouse" double-feature. "Machete" continues the B movie and exploitation style of "Grindhouse", and includes some of the footage. The film stars Danny Trejo in his first lead role as the title character, and co-stars Robert De Niro, Jessica Alba, Don Johnson, Michelle Rodriguez, Steven Seagal, Lindsay Lohan, Cheech Marin and Jeff Fahey. This was Steven Seagal's first theatrically released film in eight years since his starring role in 2002's "Half Past Dead". "Machete" was released in the United States by 20th Century Fox and Rodriguez's company, Troublemaker Studios, on September 3, 2010. A sequel, "Machete Kills", was released on October 11, 2013. Context_4 : Planet Terror is a 2007 American zombie film directed by Robert Rodriguez. It follows a group of people attempting to survive an onslaught of zombie-like creatures as they feud with a military unit. The film stars Rose McGowan, Freddy Rodriguez, Josh Brolin, Marley Shelton, Naveen Andrews, Michael Biehn, Jeff Fahey, Stacy Ferguson, and Bruce Willis. It was released theatrically in North America as part of a double feature with Quentin Tarantino's "Death Proof" under the title "Grindhouse", to emulate the experience of viewing exploitation films in a "grindhouse" theater. In addition to directing the film, Rodriguez wrote the script, directed the cinematography, wrote the musical score, co-edited, and produced it. Context_5 : A Band Apart Films was a production company created by Quentin Tarantino and Lawrence Bender, which was active from 1991 to 2006. Its name is a play on the French New Wave classic, "Bande a part" ("Band of Outsiders") by filmmaker Jean-Luc Godard, whose work was highly influential on the work of the company's members. Thanks in part to the popularity of Quentin Tarantino's and Robert Rodriguez's films, the company quickly gained cult-like status within Hollywood. Context_6 : Quentin Jerome Tarantino ( ; born March 27, 1963) is an American director, writer, and actor. His films are characterized by nonlinear storylines, satirical subject matter, an aestheticization of violence, extended scenes of dialogue, ensemble casts consisting of established and lesser-known performers, references to popular culture, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, and features of neo-noir film. He is widely considered one of the greatest filmmakers of his generation. Context_7 : Quentin Tarantino's Inglourious Basterds: Motion Picture Soundtrack is the soundtrack to Quentin Tarantino's motion picture "Inglourious Basterds". It was originally released on August 18, 2009. The soundtrack uses a variety of music genres, including spaghetti western soundtrack excerpts, R&B and a David Bowie song from the 1982 remake of "Cat People." "The Man with the Big Sombrero", a song from the 1943 screwball comedy "Hi Diddle Diddle", was rerecorded in French for the movie. This is the first soundtrack for a Quentin Tarantino film not to feature dialogue excerpts. The album was nominated for a Grammy Award for Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media, but lost to the "Slumdog Millionaire" soundtrack. Context_8 : Grindhouse is a 2007 American horror film double feature co-written, produced, and directed by Robert Rodriguez and Quentin Tarantino. The double feature consists of two feature-length segments, Rodriguez's "Planet Terror" and Tarantino's "Death Proof", and is bookended by fictional trailers for upcoming attractions (though two of the trailers, "Machete" and "Hobo with a Shotgun", have since been made into movies), advertisements, and in-theater announcements. The film's title derives from the U.S. film industry term "grindhouse", which refers to (now mostly defunct) movie theaters specializing in B movies, often exploitation films, shown in a multiple-feature format. The film stars Rose McGowan, Freddy Rodriguez, Marley Shelton, Michael Biehn, Jeff Fahey, Josh Brolin, Naveen Andrews, Fergie, Bruce Willis, Kurt Russell, Rosario Dawson, Tracie Thoms, Mary Elizabeth Winstead, and stuntwoman Zoe Bell, who plays herself. Context_9 : Earl McGraw and his son Edgar McGraw are two fictional characters played by Michael Parks and James Parks. They appear in several feature films by Robert Rodriguez and Quentin Tarantino, including the "From Dusk till Dawn" franchise, "", and in various works from the "Grindhouse" project. Despite being killed off in his first appearance in "From Dusk till Dawn", various characters named Earl and Edgar have returned in several other films from Rodriguez and Tarantino. Talking with a heavy Texas accent and delivering profanity laden dialogue, the Earl character often serves as comic relief. He and Edgar are consistently portrayed as Texas Rangers. Edgar is portrayed by James Parks, the real-life son of Michael Parks. Earl has a daughter who is introduced in the "Grindhouse" films, named Dakota, played by Marley Shelton, who plays a large role in "Planet Terror". Dakota also appears in the portrayed by Nicky Whelan. Context_10 : Robert Anthony Rodriguez (born June 20, 1968) is an American filmmaker, screenwriter, and musician. He shoots and produces many of his films in Mexico and his home state, Texas. Rodriguez directed the 1992 action film "El Mariachi", which was a commercial success after grossing $2 million against a budget of $7,000. The film spawned two sequels known collectively as the "Mexico Trilogy": "Desperado" and "Once Upon a Time in Mexico". He directed "From Dusk till Dawn" in 1996 and developed its (2014present). Rodriguez co-directed the 2005 neo-noir crime thriller anthology "Sin City" (adapted from the graphic novel of the same name) and the 2014 sequel, "". Rodriguez also directed the "Spy Kids" films, "The Faculty", as well as "The Adventures of Sharkboy and Lavagirl", "Planet Terror", and "Machete". He is a friend and frequent collaborator of filmmaker Quentin Tarantino, who founded the production company A Band Apart, which Rodriguez was a member of. In December 2013, Rodriguez launched his own cable television channel, El Rey. fact_1 : Rodriguez co-directed the 2005 neo-noir crime thriller anthology "Sin City" (adapted from the graphic novel of the same name) and the 2014 sequel, "". fact_2 : His films are characterized by nonlinear storylines, satirical subject matter, an aestheticization of violence, extended scenes of dialogue, ensemble casts consisting of established and lesser-known performers, references to popular culture, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, and features of neo-noir film. Answer: neo-noir
Solution: What genre of movie are both Quentin Tarantino and Robert Rodriguez known for featuring in their works?