Some context: Sydney Francis Barnes (19 April 1873 - 26 December 1967) was an English professional cricketer who is generally regarded as one of the greatest ever bowlers. He was right-handed and bowled at a pace that varied from medium to fast-medium with the ability to make the ball both swing and break from off or leg. He is the quickest bowler to achieve 150 Test wickets in history. Barnes was unusual in that, despite a very long career as a top-class player, he spent little more than two seasons in first-class cricket, representing Warwickshire and Lancashire.
Barnes' career began in 1888 when he was fifteen and played for a small club which had a ground behind the Galton Hotel in Smethwick. Soon afterwards, he joined Smethwick Cricket Club and played for its third team. He was taught to bowl off spin by Billy Bird, the Smethwick professional who had played for Warwickshire, and then taught himself to bowl leg spin. In due course, he was selected for the second team and had earned a place in the first team, playing in the Birmingham and District Premier League, at the start of the 1893 season. In 1894, when Barnes was a 21-year-old fast bowler, he was asked to join the ground staff of Staffordshire County Cricket Club but he found the terms unattractive. Instead, he joined Rishton Cricket Club in the Lancashire League where the pay was better than in any form of county cricket, largely because of match bonuses and collections. Wilfrid S. White commented that Barnes' career in league cricket "stands out unparalleled, unapproached, by any other player". Later in the 1894 season, Barnes was invited to play for Warwickshire, who were due to enter the County Championship in 1895. His debut was in a minor match against Cheshire at Edgbaston on 20-21 August. Barnes bowled only 8 overs, taking none for 27, and the match was drawn. On 23 August, Barnes made his first-class debut for Warwickshire against Gloucestershire at Clifton College Close Ground, except that he did not take the field as play was restricted by bad weather to just 72 overs of his team's first innings, in which they reached 102-2.
What was he doing in 1894?
A: In 1894, when Barnes was a 21-year-old fast bowler, he was asked to join the ground staff of Staffordshire County Cricket Club
Some context: Hanson is an American pop rock band from Tulsa, Oklahoma, United States, formed by brothers Isaac (guitar, bass, piano, vocals), Taylor (keyboards, piano, guitar, drums, vocals), and Zac (drums, piano, guitar, vocals). Supporting members include Dimitrius Collins (keyboards, guitar), and Andrew Perusi (bass) who have toured and performed live with the band since 2007. They are best known for the 1997 hit song "MMMBop" from their debut album released through Mercury, Polygram, Middle of Nowhere, which earned three Grammy nominations. Despite the enormous commercial success of Middle of Nowhere, the band suffered from the merger that eliminated their label, Mercury Records .
In the early to mid-1990s, Isaac, Taylor and Zac sang a cappella and recorded such classic songs as "Rockin' Robin", "Splish Splash" and "Johnny B. Goode", as well as their own material. Their first performance as a professional group took place in 1992 at the Mayfest Arts Festival in Tulsa. They were known as the Hanson Brothers, before shortening the name to Hanson in 1993. Hanson also appeared on Carman's Yo! Kidz: The Vidz, which cast Taylor as a young Biblical David facing Goliath, Isaac as an event announcer, and Zac and other members of the family in the stands cheering on this "sporting event". All three boys started their musical careers as pianists, but Isaac eventually started playing guitar and Zac started playing drums, while Taylor continued as the keyboard player. The band recorded two independent albums in their hometown of Tulsa, Boomerang (recorded in autumn 1994, released in 1995) and MMMBop (released in 1996). The latter featured the original version of the song "MMMBop", which would later become the runaway single on their debut commercial record Middle of Nowhere. The boys then found themselves at the South By Southwest (aka SXSW) music festival in Austin, Texas. There, they were promptly signed by manager Christopher Sabec. He shopped them to several record companies, most of which dismissed the band as either a novelty or fraud before Steve Greenberg, an A&R representative for Mercury Records, heard them play a set at the Wisconsin State Fair. After this performance, they were signed almost immediately by Mercury. They soon became a worldwide sensation with the release of their first major-label album, Middle of Nowhere, which was produced by Stephen Lironi and the Dust Brothers.
Where was this at
A: Mayfest Arts Festival in Tulsa.
Some context: The phonograph is a device for the mechanical recording and reproduction of sound. In its later forms, it is also called a gramophone (as a trademark since 1887, as a generic name in the UK since 1910), or, since the 1940s, a record player. The sound vibration waveforms are recorded as corresponding physical deviations of a spiral groove engraved, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a "record" or "vinyl". To recreate the sound, the surface is similarly rotated while a playback stylus traces the groove and is therefore vibrated by it, very faintly reproducing the recorded sound.
Usage of terminology is not uniform across the English-speaking world (see below). In more modern usage, the playback device is often called a "turntable", "record player", or "record changer". When used in conjunction with a mixer as part of a DJ setup, turntables are often colloquially called "decks". In later electric phonographs (more often known since the 1940s as record players or, most recently, turntables), the motions of the stylus are converted into an analogous electrical signal by a transducer, then converted back into sound by a loudspeaker. The term phonograph ("sound writing") was derived from the Greek words phone (phone, "sound" or "voice") and graphe (graphe, "writing"). The similar related terms gramophone (from the Greek gramma gramma "letter" and phone phone "voice") and graphophone have similar root meanings. The roots were already familiar from existing 19th-century words such as photograph ("light writing"), telegraph ("distant writing"), and telephone ("distant sound"). The new term may have been influenced by the existing words phonographic and phonography, which referred to a system of phonetic shorthand; in 1852 The New York Times carried an advertisement for "Professor Webster's phonographic class", and in 1859 the New York State Teachers Association tabled a motion to "employ a phonographic recorder" to record its meetings. Arguably, any device used to record sound or reproduce recorded sound could be called a type of "phonograph", but in common practice the word has come to mean historic technologies of sound recording, involving audio-frequency modulations of a physical trace or groove. In the late-19th and early-20th centuries, "Phonograph", "Gramophone", "Graphophone", "Zonophone" and the like were still brand names specific to various makers of sometimes very different (i.e. cylinder and disc) machines; so considerable use was made of the generic term "talking machine", especially in print. "Talking machine" had earlier been used to refer to complicated devices which produced a crude imitation of speech, by simulating the workings of the vocal cords, tongue, and lips - a potential source of confusion both then and now.
Was it referred to by any other names?
A:
In more modern usage, the playback device is often called a "turntable", "record player", or "record changer".