input: Ed spans a range of Brown's interests, from political skepticism to scatological humour to vampires and werewolves. The story is dark and surreal, desperate and humorous. Christian elements especially--largely sacriligeous--are prominent in the book. They are at first innocuous and unimportant: a zombie named Christian, another character who believes he has found Christ's face on a piece of adhesive tape. With the fourth issue of Yummy Fur, Brown's surreal take on Christianity becomes central: the cover depicts the Virgin Mary holding not just the infant Christ, but also a severed hand. Within is the story of Saint Justin, whose amputation becomes a key motif: Chet loses his own hand and finds another; his own appears mysteriously under Ed's pillow. Only by praying for forgiveness for his adultery and by murdering his lover is Chet's hand miraculously restored. According to the Lives of the Saints, the fictional Saint Justin severed his own hand, but in another version Brown presents, Justin's wife cuts it off with a woodaxe when she catches her husband masturbating after rejecting her advances. Despite Saint Justin's story's exposure to the reader as a fraud, Chet's faith in the official version restores his severed hand. The altered ending from 1992 has both Josie and Chet reunited in Hell, and the ghost of Chet's sister becomes a devil. As Brown mixes surreal sacrilege with the sort of moralism that compels him to condemn Josie for her bloody revenge, Brian Evenson calls Brown "deft at muddying the waters in a way that makes it very hard to pin him down as either belieever or satirist, as either anti-religionist or apologist". While not part of the Ed story, Brown had been serializing straight adaptations in Yummy Fur of the Gospels of Mark and of Matthew during most of Ed's run. R. Fiore called these adaptations "the best exploration of Christian mythology since Justin Green's Binky Brown", comparing Chet's excessive Christian guilt with the "almost childlike retelling" of Mark. Yummy Fur readers also found "I Live in the Bottomless Pit", a short strip in which a man discovers the Antichrist, who after millennia underground has forgotten his mission--a paradoxical one, as he states his orders were from God. Ed prominently features transgressive content including nudity, graphic violence, racist imagery, blasphemy, and profanity. Brown grew up in a strictly Baptist household in which he was not allowed to swear, as depicted in Brown's graphic novel I Never Liked You (1994). Brown challenged his own anxieties by tackling subjects such as scatological humour. Imagery such as the recurring Pygmy characters and their "ooga booga" language, Chris Lanier asserted, reinforce "old colonial imaging of 'third world natives' ".

Answer this question "Does one of the characters represent Jesus?"
output: Christ's face on a piece of adhesive tape.

input: Kennedy wanted his eldest son, Joe Jr., to become president, but after Joe Jr.'s death in August 1944, he became determined to make his second son, John, president. Kennedy was consigned to the political shadows after his remarks during World War II ("Democracy is finished"), and he remained an intensely controversial figure among U.S. citizens because of his suspect business credentials, his Roman Catholicism, his opposition to Roosevelt's foreign policy, and his support for Joseph McCarthy. As a result, his presence in John F. Kennedy's presidential campaign had to be downplayed. However, Kennedy still drove the campaign behind the scenes. He played a central role in planning strategy, fundraising, and coalition and alliance building. Kennedy almost oversaw the entire operation, supervising spending, helping to select advertising agencies, phoning local and state party leaders, newsmen, and business leaders. Kennedy connections and influence were turned directly into political capital for the senatorial and presidential campaigns of sons John, Robert and Ted. Historian Richard J. Whalen describes Kennedy's influence on John Kennedy's policy decisions in his biography of Joe. Joe was influential in creating the Kennedy Cabinet (Robert Kennedy as Attorney General although he had never argued or tried a case, for example). However, in 1961, Joe Kennedy suffered a stroke that placed even more limitations on his influence in his sons' political careers. Kennedy expanded the Kennedy Compound, which continues as a major center of family get-togethers. When John Kennedy was asked about the level of involvement and influence that his father had held in his razor-thin presidential victory over Richard Nixon, he would joke that on the eve before the election his father had asked him the exact number of votes he would need to win: there was no way he was paying "for a landslide". Kennedy was one of four fathers (the other three being George Tryon Harding, Nathaniel Fillmore, and George Herbert Walker Bush) to live through the entire presidency of a son.

Answer this question "Did he left office before he died ?"
output: Kennedy expanded the Kennedy Compound, which continues as a major center of family get-togethers.

input: A Canadian show, This Hour Has Seven Days, aired from 1964 to 1966 on CBC. Although partially inspired by That Was The Week That Was, the Canadian show mixed satirical aspects with more serious journalism. It proved controversial and was cancelled after two series amid allegations of political interference. This Hour Has 22 Minutes, created by Newfoundland comic Mary Walsh, has been running since 1992 although the two are not related. An Australian show, The Mavis Bramston Show, aired from 1964 to 1968 on the Seven Network. It grew out of the recent local theatrical tradition of topical satirical revue--most notably the popular revues staged at Sydney's Phillip Street Theatre in the 1950s and 1960s--but it was also strongly influenced by the British satire boom and especially TW3 and Not Only... But Also. The New Zealand show A Week Of It ran from 1977 to 1979, hosted by Ken Ellis, and featuring comedians David McPhail, Peter Rowley and Chris McVeigh and comedian/musicians Jon Gadsby and Annie Whittle. The series lampooned news and politics and featured songs, usually by McPhail and Gadsby, who continued with their own show, McPhail and Gadsby in similar vein. A Dutch version, Zo is het toevallig ook nog 's een keer, aired from November 1963 to 1966. It became controversial after the fourth edition, which included a parody of the Lord's Prayer ("Give us this day our daily television"). Angry viewers directed their protests especially against the most popular cast member: Mies Bouwman. After receiving several threats to her life she decided to quit the show. The show was praised as well: in 1966 it received the Gouden Televizier-ring, a prestigious audience award--though it turned out afterward that the election was rigged. An Indian version titled The Week That Wasn't was launched and hosted by Cyrus Broacha.

Answer this question "What was the show known for"
output:
The series lampooned news and politics and featured songs, usually by McPhail and Gadsby,