Problem: Hooker's date of birth is a subject of debate; the years 1912, 1915, 1917, 1920, and 1923 have been suggested. Most sources give 1917, though at times Hooker stated he was born in 1920. Information in the 1920 and 1930 censuses indicates that he was born in 1912. In 2017, a series of events took place to celebrate the purported centenary of his birth.

Beginning in 1962, Hooker gained greater exposure when toured Europe in the annual American Folk Blues Festival. His "Dimples" became a successful single on the UK Singles Charts in 1964, eight years after its first US release. Hooker began to perform and record with rock musicians. One of his earliest collaborations was with British blues rock band the Groundhogs. In 1970, he recorded the joint album Hooker 'n Heat, with the American blues and boogie rock group Canned Heat, whose repertoire included adaptations of Hooker songs. It became the first of Hooker's albums to reach the Billboard charts, peaking at number 78 on the Billboard 200. Other collaboration albums soon followed, including Endless Boogie (1971) and Never Get Out of These Blues Alive (1972), which included Steve Miller, Elvin Bishop, Van Morrison, and others. Hooker appeared in the 1980 film The Blues Brothers. He performed "Boom Boom" in the role of a street musician. In 1989, he recorded the album The Healer with Carlos Santana, Bonnie Raitt, and others. The 1990s saw additional collaboration albums: Mr. Lucky (1991), Chill Out (1995), and Don't Look Back (1997) with Morrison, Santana, Los Lobos, and additional guest musicians. His re-recording of "Boom Boom" (the title track for his 1992 album) with guitarist Jimmie Vaughan became Hooker's highest charting single (number 16) in the UK. Come See About Me, a 2004 DVD, includes performances filmed between 1960 and 1994 and interviews with several of the musicians. Hooker died in his sleep on June 21, 2001, in Los Altos, California. He is interred at the Chapel of the Chimes in Oakland, California. He was survived by eight children, 19 grandchildren, and numerous great-grandchildren.

Where these albums successful?

Answer with quotes: One of his earliest collaborations was with British blues rock band the Groundhogs.

Problem: Marc Alexander Hunter was born in Taumarunui on 7 September 1953. In the late 1950s his family performed publicly where his father, Stuart, played saxophone, his mother, Voi, on piano and his older brother, Todd Hunter (born 1951), on guitar with Marc providing drums. He also grew up with two younger brothers, Ross and Brett. Hunter remembered, "We got guitars for Christmas one year, I broke mine but Todd played his.

In August 1982 Dragon reformed with the line-up of Marc, Todd, Hewson, Jacobsen and Robert Taylor on guitar (ex-Mammal) for a national Class Reunion tour. McFarlane noted that it was "Ostensibly run to pay off outstanding debts, the tour proved so successful that the band re-formed on a permanent basis." Their single, "Rain", was issued in July 1983, which peaked at No. 2. It was co-written by Marc, Todd and the latter's then-girlfriend, Johanna Pigott; and had Mansfield producing. Soon after Mansfield joined Dragon on keyboards and as a songwriter. In June 1984 the group's next album, Body and the Beat, which was produced by Mansfield and Carey Taylor, was released and peaked at No. 5. The group provided "a much fuller, more rock-oriented sound... [it] was a polished, contemporary sounding Adult Oriented Rock rock album." After a tour in support of the album, Hewson left to return to New Zealand, he died of a heroin overdose in January 1985. While on a break between Dragon tours Hunter joined the Party Boys, a "good-time rock'n'roll band" with a floating ensemble, for their Great Bars of Australia tour. The line-up of Hunter, Borich, Paul Christie on bass guitar (ex-Mondo Rock), Richard Harvey on drums (ex-Divinyls) and Joe Walsh on guitar and lead vocals (of the Eagles), recorded that group's fourth live album, You Need Professional Help (1985), during the tour. Hunter issued his third solo album, Communication, in September 1985 with various session musicians used: Jeff "Skunk" Baxter, Kirk Lorange, Mark Punch and Peter Walker on guitars, Todd Hunter and Phil Scorgie on bass guitar, Allan Mansfield and Don Walker on keyboards, and Mark Kennedy and Ricky Fataar on drums. Mansfield produced the album, which McFarlane described as "a polished set of Adult Oriented Rock (AOR) songs." Its title track had been released as a single in 1984. Hunter returned to his duties with Dragon and was recorded on two more studio albums by the end of the decade.

Were there any influences in creating these albums?

Answer with quotes:

Problem: Robert Walls (born 21 July 1950) is a former Australian rules footballer who represented Carlton and Fitzroy in the Victorian Football League (VFL) during the 1960s and 1970s. In a playing career that spanned three decades Robert played a combined 259 games and kicked a total of 444 goals. Throughout the 1980s and 1990s he continued to coach in the VFL/AFL for a total of 347 games across four different clubs. As a coach, his greatest achievement came in 1987 when he coached Carlton to the 1987 VFL premiership, the same club he won premierships with as player in 1968, 1970 and 1972.

Walls coached the Brisbane Bears from 1991-1995. It took until the early 2000s for Robert's style of coaching to surface as a method that had become outdated, and criticised in the football and wider community. Robert would coach Brisbane Bears for 109 games (30 wins - 78 losses - 1 draw). It was revealed in the video "Passion To Play" that in Walls first year as Bears coach in 1991, as disciplinary action Walls authorised his players to don boxing gloves and beat 21-year-old teammate Shane Strempel repetitively in the head until he was severely bashed and bloodied after which Strempel quit playing football. Walls' coaching style was criticised about the incident by Kevin Sheedy who has several times questioned his credibility as a football coach. In his last season, 1995, he had been told after Round 15 that with 4 wins and 11 losses for the season, he would not be re-appointed for 1996. But a major turning point in the season for the Bears soon came. In Round 16, against Hawthorn, Brisbane trailed by 45 points at 3-quarter time and ended up winning by 7, which remains a VFL/AFL record for the biggest 3-quarter time deficit turned into a win. From there, the Bears continued their run and won 6 of their next 7 games. They found themselves in eighth position, and qualifying for the finals, after being second-last just 7 weeks earlier. They faced Carlton, the top ranked side in week one of the finals, and went down by just 13 points, a monumental achievement considering Carlton won the next two weeks by more than 10 goals to claim the premiership. Despite this turnaround, a change of heart was not considered, and Walls moved to Richmond the following year to coach.

Are there any other interesting aspects about this article?

Answer with quotes:
as disciplinary action Walls authorised his players to don boxing gloves and beat 21-year-old teammate Shane Strempel repetitively in the head until he was severely bashed and bloodied