In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
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Question: Review: The plot, character development, and gags in this movie are all extremely weak. Quite a waste of time. The conclusion of Saving Grace is supposed to make one feel warm and fuzzy as though the characters have grown through their struggles. There was no such development to make such warm fuzzy feelings possible. The drug gags are cliched and much of the movie doesn't ring true to life. The plot builds what is supposed to be tension but the characters aren't developed enough to care. Then it rushes through a resolution of all the outstanding problems in about a minute of screen time leaving the viewer feeling like they have just wasted their time. Question: is it a negative review?

Answer: yes

Question: Review: I suppose that today this film has relevance because it was an early Sofia Loren film. She was 19 years old when the film was made in 1953.I viewed this film because I wanted to see some of Sofia Loren's early work. I was surprised when she came on camera having had her skin bronzed over in brown makeup to resemble an Ethiopian princess. Surely, today, this would have been viewed as a slur and to be avoided in movie making. It actually became annoying watching Ms. Loren in skin color paint throughout the film.Yes, this film would have been better made if the real opera singers had made this movie. Then, the singing and the actual facial gestures of the real artists would have been apparent. I discount the comments by others about whether the real opera singers are older and heavier in weight.As beautiful as Ms. Loren was at age 19 and still is today, the film would have been better received as though it were being performed on the stage. After all, we don't see beautiful young people on stage with "old opera singers" back stage singing from behind the curtain! Do not discount the success of using heavy-weight opera singers. One only has to refer to the most artistically produced television commercial for the J. G. Wentworth Company with the opera singers on stage singing so professionally the praises of the company's product. This is one of the best and entertaining TV commercials produced to date.The quality of the movie print also makes this production of a somewhat lesser quality. The color ink has faded much and that can not be helped.To improve this film on DVD the production company should add English language subtitles so that we, who do not speak Italian, can know what the lyrics are saying. It would help the story and teach it more than the narrator giving 30 seconds of introduction to the scenes.Watch this film not because of the story of Aida nor the fact that this is an opera. Aside from Ms. Sofia Loren none of her co-actors are known nor remembered by this writer. Instead, watch this movie if you are a fan of Ms. Loren and wish to see her at age 19 -- no matter what the production is.Larry from Illinois Question: is it a positive review?

Answer: no

Question: Review: Undoubtedly one of the great John Ford's masterpieces, Young Mr. Lincoln went practically unnoticed at the time of its initial release, no wonder because the year was 1939 when many of the greatest movies of the whole cinema history had been released, including the most mythical Western in the history of the genre, John Ford's milestone Stagecoach and many others, such as Gone with the Wind, The Wizard of Oz, Mr. Smith Goes to Washington which took the Oscar in the only category Young Mr. Lincoln was nominated for, which is Original Screenplay. It continued to be the most underrated Ford's film for many years ahead destined to gradually fade away in the shadow of other John Ford's masterpieces, but by the end of the 1950s American and European film critics and historians took a hold of a note written by legendary Russian director Sergei Eisenstein about the Young Mr. Lincoln where he praised it and acknowledged that if he would only have had an opportunity to direct any American film ever made till then, it would be definitely John Ford's Young Mr. Lincoln. Impressed by such an undoubted preference from Eisenstein, critics began to see the film again but only with a bit different eyes and film's reputation has been increasing ever since. It was far not for the first time the life of one of the most legendary American presidents was brought to the screen. Right in the beginning of the 1930s Griffith did it in his Abraham Lincoln and the same year as Ford's film, MGM released John Cromwell's one called Abe Lincoln in Illinois. Curiously enough both of them were based on a very successful Broadway Stage Play released in 1938 and written by Robert Sherwood. As far as John Ford's films are concerned, we can easily find many references to the life and deeds and even death of mythical Lincoln's figure in several of director's works, such as 1924 The Iron Horse or 1936 The Prisoner of the Shark Island, the second one, just as Young Mr. Lincoln, utilizes as the main musical theme the favourite Lincoln's song - Dixie. The screenplay based on a previously mentioned Stage Play and Lincoln's biographies was written by Lamar Trotti in collaboration with John Ford himself, which was quite a rare thing for Ford to do but final result was simply superb - a script combining elements of the Play with several historical facts as well as myths and legends about the beginning of Abraham Lincoln's life and law practice culminating in a hilarious but mostly heartbreaking trial scene, which is the film's highest point and main laugh and tears generator, where Lincoln defends the two young brothers accused of a murder and have to devise a manner to help their mother too when she is brought before the court as a witness and where the prosecuting attorney (played by Donald Meek) demands her to indicate which one of her sons actually committed the murder obviously obliging her to the making of an impossible choice of condemning to death one and letting live the other. Overall it's a very touching, heart-warming and even funny film with simply magnificent performance from Henry Fonda in his supreme characterization of Abraham Lincoln and with overwhelming richness of other characters no matter how little or how big they are incarnated from the wonderful and intelligent screenplay and conducted by the ability of John Ford's genius at one of its best deliveries ever. A definite must see for everyone. 10/10 Question: is it a negative review?

Answer:
no