In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as 'a' for Yes or 'b' for No.

Question: How many years were there between the release of the Super Famicom and the beginning of Mother 3 development? Passage:Mother 3 was originally developed for the Super Famicom (Super Nintendo Entertainment System) beginning in 1994. Shigeru Miyamoto, head of Nintendo Entertainment Analysis & Development and Mother 3 producer, said that Mother 3 was "a commercial decision", since Mother 2 (EarthBound outside Japan) had sold well. By this point, Mother series creator Shigesato Itoi had worked on the series' earlier games and Itoi Shigesato no Bass Tsuri No. 1 and was experienced at pitching video games, so Miyamoto provided a team willingly. The Mother 2 development team carried over to the new game's development, though several people left and the team grew in size. They forewent the usual prototyping phase and went straight into development expecting to create something unprecedented. Itoi said he wanted to make the game like a Hollywood film. In September 1994, he predicted that Mother 3 development would end around 1996 with a release on Nintendo's then-upcoming console. The team was inspired by Super Mario 64 and felt that they too could creatively flourish by making a 3D world without restrictions. Their early technical specifications exceeded the capabilities and memory limits of the platform. About halfway through development, the team attempted to scale back its large scope and changed its development platform to the 64DD, a Nintendo 64 expansion peripheral. At E3 in June 1997, Miyamoto speculated that Mother 3 would be one of the four titles for the then-expected 1998 launch of the Japan-only peripheral, but the game was instead converted to a Nintendo 64 cartridge-only format upon the commercial failure of the repeatedly delayed 64DD.

b

Question: How many novels are included in Lund's historical fiction series? Passage:Mormon fiction is fiction by or about members of The Church of Jesus Christ of Latter-day Saints, also called Mormons or Latter-day Saints (LDS). Its history is commonly divided into four sections as first organized by Eugene England. During the first fifty years of the church's existence, 18301880, fiction was not popular, though Parley P. Pratt wrote a fictional Dialogue between Joseph Smith and the Devil. With the emergence of the novel and short stories as popular reading material, Orson F. Whitney called on fellow members to write inspirational stories. During the home literature movement, church-published magazines published many didactic stories and Nephi Anderson wrote the novel Added Upon. The generation of writers after the home literature movement produced fiction that was recognized nationally but was seen as rebelling against home literature's outward moralization. Vardis Fisher's Children of God and Maurine Whipple's The Giant Joshua were prominent novels from this time period. In the 1970s and 1980s, authors starting writing realistic fiction as faithful Mormons. Acclaimed examples include Levi S. Peterson's The Backslider and Linda Sillitoe's Sideways to the Sun. Home literature experienced a resurgence in popularity in the 1980s and 1990s when church-owned Deseret Book started to publish more fiction, including Gerald Lund's historical fiction series The Work and the Glory and Jack Weyland's novels.

b

Question: How long after Ernesto Burzagli's arrival in Tokyo did the naval bombardment of Port Arthur occur? Passage:Burzagli was from a noble family of Montevarchi, but was born in Modena, as his father had relocated there to assume a position as a professor of physics at the Military Academy of Modena. Burzagli graduated from the Accademia Navale di Livorno in 1892, and after serving on a number of ships in the Royal Italian Navy, he was assigned as a military attache to Tokyo, Japan in May 1904. He arrived just in time to become an official foreign observer of the Imperial Japanese Navy in the Russo-Japanese War, and witnessed first-hand the naval bombardment of Port Arthur. After the end of the war, in April 1906, he was received by Emperor Meiji of Japan, and received the Order of the Rising Sun before his return to Italy.
a