input question: Select the correct sentiment of the following review: The movie is just as fun as staring at the sun.Sheriff Pataki is a total retard that loves nothing better to do than sit on his fat rear making a smoke ring from his puffy cigars and drinking booze while the doctor acts like a zombie version of Nicholas Cage sucking up all that so called "Blood" which in reality seemed like Fruit Punch.

Most of all the plotting seemed very horrid to even call this piece of crap a movie.The rest of the characters in this movie are total wastes of time, the ending was awful, the outlines were cheesy, and the scenes were terrible. What else more should I say to you viewers out there? My advice would be to get your Rabies shot if you've already watched the movie. This movie may give you the foam in the mouth if you didn't get your up-to-date shots.
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output answer: negative

input question: Select the correct sentiment of the following review: If the myth regarding broken mirrors would be accurate, everybody involved in this production would now face approximately 170 years of bad luck, because there are a lot of mirrors falling to little pieces here. If only the script was as shattering as the glass, then "The Broken" would have been a brilliant film. Now it's sadly just an overlong, derivative and dull movie with only just a handful of remarkable ideas and memorable sequences. Sean Ellis made a very stylish and elegantly photographed movie, but the story is lackluster and the total absence of logic and explanation is really frustrating. I got into a discussion with a friend regarding the basic concept and "meaning" of the film. He thinks Ellis found inspiration in an old legend claiming that spotting your doppelganger is a foreboding of how you're going to die. Interesting theory, but I'm not familiar with this legend and couldn't find anything on the Internet about this, neither. Personally, I just think "The Broken" is yet another umpteenth variation on the theme of "Invasion of the Body Snatchers" but without the alien interference. "The Broken" centers on the American McVey family living in London, and particularly Gina. When a mirror spontaneously breaks during a birthday celebration, this triggers a whole series of mysterious and seemingly supernatural events. Gina spots herself driving by in a car and follows her mirror image to an apartment building. Whilst driving home in a state of mental confusion, she causes a terrible car accident and ends up in the hospital. When dismissed, Gina feels like her whole surrounding is changing. She doesn't recognize her own boyfriend anymore and uncanny fragments of the accident keep flashing before her eyes. Does she suffer from mental traumas invoked by the accident or is there really a supernatural conspiracy happening all around her? Writer/director Sean Ellis definitely invokes feelings of curiosity and suspense in his script, but unfortunately he fails to properly elaborate them. "The Broken" is a truly atmospheric and stylish effort, but only after just half an hour of film, you come to the painful conclusion it shall just remain a beautiful but empty package. There's a frustratingly high amount of "fake" suspense in this film. This means building up tension, through ominous music and eerie camera angels, when absolutely nothing has even happened so far. By the time the actually mysteriousness kicks in, these tricks don't have any scary effect on you anymore. Some of my fellow reviewers around here compare the film and particularly Sean Ellis' style with the repertoires of David Lynch, Stanley Kubrick and even Alfred Hitchcock, but that is way, way WAY too much honor. PS: what is up with that alternate spelling; the one with the Scandinavian ""
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output answer: negative

input question: Select the correct sentiment of the following review: Imagine that I was about to miss this great cultural event on Swedish TV last night, and it was only because my girlfriend insisted on keeping the TV on (to make it easier for her to fall asleep!) that I came across it (yes I had seen an advert for it previously but of course forgotten about it and looked forward to an 'early night'...).

Anyway - this must surely be a rather unusual idea - to base a film documentary on an interview made with sound only more than 30 years ago. But with animated and other documentary film material it adds up to a really good and insightful portrait of one of the 20th centuries' most appreciated literary artists - Georges Remy a.k.a Herge.

I for sure will read my Tintin albums with a different eye after having seen this film, which makes it easier to connect the variations in style as well as content with the different periods in Herge's life (and I can tell you that I will a.s.a.p get the few that I don't have). Of course my perception of the albums has changed over the more than 25 years that I have already been reading them, as has my view about what albums are my favourites, but this adds (at least) one more dimension to them.
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output answer:
positive