IN: The Corrs are an Irish band that combine pop rock with traditional Irish themes within their music. The group consists of the Corr siblings; Andrea (lead vocals, tin whistle, ukulele); Sharon (violin, vocals); Caroline (drums, percussion, piano, bodhran, vocals) and Jim (guitar, piano, keyboards, vocals). They are from Dundalk, County Louth, Ireland. The Corrs have released seven studio albums and numerous singles, which have reached Platinum in many countries, and have sold 40 million albums worldwide.

Jason Flom, Atlantic Records's head of A&R, recommended that they meet David Foster, a Canadian musician, producer, composer and arranger. The Corrs played live for Foster and he agreed to sign them to Atlantic Records. They extended their stay in the US for over five months to record their debut album, Forgiven, Not Forgotten. It featured six instrumental selections among its Celtic-influenced tracks. The album sold well in Ireland, Australia, Japan, Norway and Spain. Major success in the US and the UK, however, was not immediately forthcoming. Eventually, the album reached Platinum status in the UK and Australia, and 4x Platinum in Ireland, making it one of the most successful debuts by an Irish group. The Corrs' next album, 1997's Talk on Corners, was produced by Glen Ballard, who was respected for his collaboration with Alanis Morissette. The Corrs also collaborated with Carole Bayer Sager, Oliver Leiber, Rick Nowels and Billy Steinberg. The album met with lukewarm response. It was successful in Ireland and entered the Australian album charts at number 3. After the band recorded a version of Dreams for a Fleetwood Mac tribute album, they re-released Talk on Corners, with new remixes of "What Can I Do?", "So Young" and "Runaway". The special edition topped the charts worldwide and again reached multi-Platinum status in the UK and Australia. In June 1998, The Corrs participated in the Pavarotti and Friends for the Children of Liberia charity concert. The concert was held in Modena, Italy and was hosted by Luciano Pavarotti. Other performers included Jon Bon Jovi, Celine Dion, Spice Girls and Stevie Wonder. The concert aimed to raise money to build the Pavarotti and Friends Liberian Children's Village, to provide refuge for children in Liberia. The following year, The Corrs received a BRIT Award for Best International Band. They performed live on MTV's Unplugged on 5 October 1999 at Ardmore Studios, Co. Wicklow, Ireland. The resulting CD and DVD sold 2.7 million copies and featured live performances of previously released songs, plus a new song, "Radio", later featured on their third album, In Blue.

Did any of them reached top charts?

OUT:

Answer the question at the end by quoting:

George Galloway (born 16 August 1954) is a British politician, broadcaster, and writer. Between 1987 and 2015, with a gap in 2010-12, he represented four constituencies as a Member of Parliament, elected as a candidate for the Labour Party and later the Respect Party. After becoming the youngest ever Chairman of the Scottish Labour Party in 1981, he became General Secretary of the London-based charity War on Want in 1983, remaining in the post until elected as MP for Glasgow Hillhead (later Glasgow Kelvin) at the 1987 general election. In 2003, Galloway was expelled from the Labour Party, having been found guilty by the party's national constitutional committee of four of the five charges of bringing the party into disrepute, including having called on Arabs to fight British troops.
In January 1994, Galloway faced some of his strongest criticism on his return from a Middle Eastern visit during which he had met Saddam Hussein. At his meeting with the Iraqi leader, he reported the support given to Saddam by the people of the Gaza Strip which he had just visited: "I can honestly tell you that there was not a single person to whom I told I was coming to Iraq and hoping to meet with yourself who did not wish me to convey their heartfelt, fraternal greetings and support." He ended his speech with the statement "Sir, I salute your courage, your strength, your indefatigability." Galloway has asserted that he was saluting the Iraqi people rather than Saddam Hussein in the speech, which was translated for the Iraqi leader. As news of the incident reached the UK, Labour leader John Smith, in a statement, said: "I deeply deplore the foolish statement made in Iraq by Mr. George Galloway. In no way did he speak for the Labour Party and I wholly reject his comments." Shortly after his return, Galloway was given a "severe reprimand" by the Labour Chief Whip, Derek Foster, for his unauthorised trip to Iraq. The MP apologised for his conduct and undertook to follow future instruction from the whips. For his visit with Saddam, Galloway was dubbed the "MP for Baghdad North". Galloway said, when he spoke before the U.S. Senate on 17 May 2005, that he had "met Saddam Hussein exactly the same number of times as Donald Rumsfeld met him." Whereas "Rumsfeld met him to sell him guns", Galloway had "met him to try to bring about an end to sanctions, suffering and war."

What foolish statement did Galloway make?

" He ended his speech with the statement "Sir, I salute your courage, your strength, your indefatigability."

input: In Icons of Rock: An Encyclopedia of the Legends Who Changed Music Forever, Scott Schinder and Andy Schwartz describe the Beatles' musical evolution: In their initial incarnation as cheerful, wisecracking moptops, the Fab Four revolutionised the sound, style, and attitude of popular music and opened rock and roll's doors to a tidal wave of British rock acts. Their initial impact would have been enough to establish the Beatles as one of their era's most influential cultural forces, but they didn't stop there. Although their initial style was a highly original, irresistibly catchy synthesis of early American rock and roll and R&B, the Beatles spent the rest of the 1960s expanding rock's stylistic frontiers, consistently staking out new musical territory on each release. The band's increasingly sophisticated experimentation encompassed a variety of genres, including folk-rock, country, psychedelia, and baroque pop, without sacrificing the effortless mass appeal of their early work. In The Beatles as Musicians, Walter Everett describes Lennon and McCartney's contrasting motivations and approaches to composition: "McCartney may be said to have constantly developed - as a means to entertain - a focused musical talent with an ear for counterpoint and other aspects of craft in the demonstration of a universally agreed-upon common language that he did much to enrich. Conversely, Lennon's mature music is best appreciated as the daring product of a largely unconscious, searching but undisciplined artistic sensibility." Ian MacDonald describes McCartney as "a natural melodist - a creator of tunes capable of existing apart from their harmony". His melody lines are characterised as primarily "vertical", employing wide, consonant intervals which express his "extrovert energy and optimism". Conversely, Lennon's "sedentary, ironic personality" is reflected in a "horizontal" approach featuring minimal, dissonant intervals and repetitive melodies which rely on their harmonic accompaniment for interest: "Basically a realist, he instinctively kept his melodies close to the rhythms and cadences of speech, colouring his lyrics with bluesy tone and harmony rather than creating tunes that made striking shapes of their own." MacDonald praises Harrison's lead guitar work for the role his "characterful lines and textural colourings" play in supporting Lennon and McCartney's parts, and describes Starr as "the father of modern pop/rock drumming".

Answer this question "Who were the members of the band ?"
output:
Lennon and McCartney's