input: As a young child Carpentier was exposed to a great deal of music. Carpentier himself played the piano, as did his mother; his father played cello, studying under Pablo Casals, and his grandmother played the organ. Carpentier studied music theory at the Lycee Jeanson de Sailly when he lived in Paris for the first time. Carpentier's own compositions made him an important part of the contemporary Cuban musical landscape, but he also studied the origins and political nuances of Cuban music. His devotion to the adaptations of European artistic styles into Latin American music styles can also be seen in his admiration for Afro-Cuban musical themes. Early in his career Carpentier collaborated with other young musicians eager to explore Cuban musical roots. One such collaborator was Amadeo Roldan, a French musician of Cuban background. They helped to organize the Cuban premiere of popular orchestral music of the era Conciertos de musica nueva (Concerts of New Music), featuring composers such as Stravinsky, Milhaud, Ravel, Malipiero, Poulenc and Erik Satie. In regards to their own music, Carpentier and Roldan were far more interested in integrating African rhythms and melodies into their works and abandoned imitation of European musical styles. "!Abajo la lira, arriba el bongo!" (Down with the lyre, up with the bongo!) was the popular slogan for their style of music. Carpentier and Roldan collaborated on numerous works, including the 1925 orchestral piece Obertura sobre temas cubanos (Overture on Cuban Themes) which was regarded as scandalous for its betrayal of what was seen as the proper European-style symphony in favor of Afro-Cuban inspired music. Other well-known collaborations between the two included Tres pequenas poemas: Oriente, Pregon, Fiesta negra (Three little poems) produced in 1926, and two Afro-Cuban ballets: La Rebambaramba, a colonial ballet in two parts (1928) and El milagro de Anaquille (1929). Carpentier's interest in music had great influence on his prose writing. Navarro suggests that readers of Carpentier's works are more listeners than they are readers. Lyrical use of colloquial dialects, literary rhythms such as alliteration and assonance and the theme of music within the world of the narrative (drums, footsteps, etc.) are a few examples of music's influence over Carpentier's work. In an interview the author himself was quoted as saying "Music is present in all of my work." For Carpentier, analysis of Cuban identity was grounded in the analysis of Cuban music. As such, for Carpentier to better understand Cuban identity through his work, he eagerly integrated music into his writing.

Answer this question "Can these influences be found in his music?"
output: Early in his career Carpentier collaborated with other young musicians eager to explore Cuban musical roots.

input: While government officials denied that Chong was treated any differently from the other defendants, supporters felt his celebrity status was being used against him. Chong's publicist Brandie Knight said the Chong family was shocked by the raid. "We've done everything the right way, and the government is saying there is no right way," Knight said. Supporters started the "Free Tommy Chong!" movement that called for his release. They questioned why Chong was prosecuted rather than his son Paris Chong, who was CEO of the business. They also pointed to the disparity in sentences between Chong's and those of other defendants and the DEA tactics used in the investigation. Paris Chong had started Nice Dreams in 1999. He was never charged with his crimes in relation to the investigation as part of a plea bargain. When asked why the government had focused on Chong rather than his son the CEO, US Attorney Mary Beth Buchanan said that "Tommy Chong was the more responsible corporate officer because he financed and marketed the product." Of the 55 people who were subjects of the investigation, Chong was the only one without previous convictions who received jail time. When questioned on the sentencing, U.S. Attorney Mary Beth Buchanan noted that Chong had never gone to trial and made a plea bargain. She said, "He was a relatively new player, but he had the ability to market products like no other." During its investigation of Nice Dreams, federal agents posed as head-shop owners from Beaver County in western Pennsylvania. They asked Paris Chong to sell them pipes through the mail to a fictitious shop in the town of Beaver Falls, 31 miles (50 km) from Pittsburgh. Paris Chong had been prohibited from selling to Pittsburgh or anywhere in Western Pennsylvania because of the successful federal prosecution of Akhil Kumar Mishra and his wife, Rajeshwari, who had two head shops in the city. Accounts differ as to who in Nice Dreams went against Chong's prohibition, or even if it had been made up by the defense, but the sales did take place to the agents. This enabled the U.S. Attorney to show jurisdiction in Pennsylvania for Chong's illegal activities, as opposed to California, which was the base for Nice Dreams.

Answer this question "What investigation?"
output: During its investigation of Nice Dreams, federal agents posed as head-shop owners from Beaver County in western Pennsylvania.

input: Born into a working-class Catholic family in Youngstown, Ohio, Traficant was the son of Agnes (nee Farkas) and James Anthony Traficant Sr. He was of mostly Italian and Slovak ancestry. Traficant graduated from Cardinal Mooney High School in 1959 and the University of Pittsburgh in 1963. He played quarterback for Pitt's football team, and his teammates included Mike Ditka. Traficant was drafted in the NFL's twentieth round (276th overall) by the Pittsburgh Steelers in 1963, and tried out for the Steelers and the Oakland Raiders of the American Football League, but did not play professionally. He later obtained a master's degree from the University of Pittsburgh (1973) and another from Youngstown State University (1976). At the start of his career, Traficant worked as consumer finance director for the Youngstown Community Action Program. He taught courses on drug and alcohol dependency and recovery at Youngstown State University and Kent State University, as well as lecturing on drug and alcohol abuse for colleges and government agencies outside Ohio. In addition, Traficant taught at the Ohio Peace Officer Training Academy. He was the executive director of the Mahoning County Drug Program from 1971 to 1981, and Sheriff of Mahoning County from 1981 to 1985. While serving as sheriff, Traficant made national headlines by refusing to execute foreclosure orders on several unemployed homeowners, many of whom had been left out of work by the recent closures of steel mills. This endeared him to the local population, which was dealing with a declining economy following the closures and relocations of steel making and steel-associated businesses. In 1983, he was charged with racketeering for accepting bribes. Traficant, who represented himself in the criminal trial, argued that he accepted the bribes only as part of his own alleged secret undercover investigation into corruption. Traficant was acquitted of the charges, becoming the only person ever to win a Racketeer Influenced and Corrupt Organizations Act (RICO) case while representing himself. Publicity from the RICO trial increased Traficant's local visibility. He was elected as a Democrat to Congress from Ohio's 17th District, defeating Lyle Williams, a three-term Republican incumbent. He was reelected eight times without serious opposition.

Answer this question "What was his masters in?"
output:
At the start of his career, Traficant worked as consumer finance director for the Youngstown Community Action Program.