Generate a question that has the following answer: Her neck for the following movie plot: On a dark evening, a person wearing a hood and dark cloak approaches a large rural villa which has been converted into an asylum. The person admires some antique weapons on a wall, selects an axe and heads upstairs. In one room, an apparently agitated Cheryl is tossing and turning in her bed. She presses the buzzer for the attendants, the lights come on and the person runs away.The next morning, Ruth is being driven to the clinic. Ruth's husband, who is driving, her tells her to think of her stay there as a vacation and that she can be back with the children. Ruth in an apparent suicide attempt, grabs the wheel and tries to run them off the road.At the clinic, as a few attendants an patients play croquet in the front yard, Helen, a nurse, talks to resident Mara and tells her that she seems to be improving, She says she is there to help Mara, like a friend.Ruth is dropped off as a man leads her into the building. She tries to whack him with a heavy stick but is stopped.Meanwhile, Dr. Francis Clay asks Dr. Austin about the possibility of Cheryl being cured. Outside, Anne tries to follow the gardener, who is walking away from the clinic, but she is called back by Austin, who talks to her of her "impulsive" and "excessive" sexual desires.Mr. Hume, Cheryl's husband, talks of a company needing Cheryl back and of her return in one week. Francis says that Cheryl's suicidal urges may relapse, but Hume thinks that his wife only needs some rest.Meanwhile, Anne talks to Peter; he has been told by the doctors that she is getting better. Anne says that no one can calm her "passions" like Peter, but Peter is evidently not as sexually interested in the way that Anne seems to remember.Later that evening, as the attendants and patents sit in a room to mingle and play cards and board games, Anne sneaks out the front door and runs to the greenhouse. The hooded and cloaked person is outside, and after nurse walks by (seeing and ignoring the person), she is beheaded with a scythe.Anne sees the gardener, takes off all her clothes,...
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Answer: Where does the arrow hit Mara?

Generate a question that has the following answer: Madeleine for the following movie plot: Set in South Africa in the year 1952 during the Apartheid era, a story of true love against all odds takes place.The story opens as Amina (Sheetal Sheth), a young Indian woman, is outside of her cafe on a ladder. A crash is heard as someone runs over their flower pot outside. Amina is the exact opposite of what a woman is supposed to be, wearing trousers, a button down shirt, and a worn hat, with her hair down and unkempt. She owns her own cafe, serves blacks and whites in the same area, and stands up to men of all sorts; In short, Amina is by no means typical. She runs her cafe with Jacob (David Dennis), an older black man who is very timid, and very quick to follow the rules. But when two policemen come to threaten the cafe for serving blacks along with whites, he bravely shields Madeleine (Grethe Fox), the white postmistress, from their unrestrained violent behavior. Madeleine thanks Jacob, and the first romance is kindled.Meanwhile, Miriam (Lisa Ray), is a typical Indian housewife having recently emigrated from India. She performs her duty of caring for her two children, and one on the way, while also taking dismissive comments and abusive tendencies from men, including her husband Omar (Parvin Dabas). They live with Farah (Natalie Becker), a housewife who is really a steamy temptress, and her husband, the dolt, Sadru (Rajesh Gopie) in Cape Town. One day, the men allow Miriam and Farah to go to a cafe. Both women dress in their traditional clothing, and find themselves at the Location Cafe. Amina's cafe. A waitress spills a tray of something, and Miriam bends over to help her pick it up, but the waitress is quickly excused by Amina, who also kneels to pick up. Miriam and Amina's eyes meet, and there is this long glace between them as if its love-at-first-sight. The timid Miriam curiously steals glances at the trouser wearing Amina, who is dismissed by Farah as a worthless rebel, but Miriam is accepting.Omar finds a house in the middle of nowhere, where they then move out to be on their own. They make...
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Answer: Who is Jacob attracted to?

Generate a question that has the following answer: the much mythologized Australian film renaissance of the 1970s for the following movie plot: NOT QUITE HOLLYWOOD SynopsisThe much mythologized Australian film renaissance of the 1970s has been well documented. It was an era that produced such seminal films as Sunday Too Far Away, Picnic At Hanging Rock and My Brilliant Career.But do we know the whole story?This film looks at a period when a lifetime of savage-censorship suddenly ended. Australian cinema broke the shackles of a staid, highly conservative society and started producing films dedicated to entertaining a mass audience.An abundance of free-wheelin sex romps, blood-soaked terror tales and high-octane action extravaganzas were released and found enthusiastic audiences around the World.It was a time when Australias cinematic heroes were possessed with white-line fever, their heroines were well-stacked and sexually liberated, and the death-defying stuntwork was indeed truly death-defying!Welcome to NOT QUITE HOLLYWOOD" - the wild, wonderful, untold story of OZPLOITATION cinema a time when Australian cinema got its gear off and showed the world a full-frontal explosion of sex, violence, horror and foot-to-the-floor, full bore action!This is not your usual documentary full of boring anecdotes by dull historians, instead these are the real stories from the people who were there - wild, trail-blazing cinematic mavericks who snubbed their nose at authority, made their own rules and in the process introduced the car chase, karate kick, BMX bikes and water-bed to Oz cinema.Jam packed full of outrageous anecdotes, lessons in guerrilla-style filmmaking, a smattering of International names (including Ozploitation devotee Quentin Tarantino) and a genuine, infectious love of Australian cinema, NOT QUITE HOLLYWOOD is a pacy, entertaining, journey through a forgotten cinematic era unashamedly packed full of boobs, pubes, tubes and a little kung fu.
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Answer:
What does the film document?