In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.

Question: How many games did the New York Giants win the year Schnellbacher was born? Passage:Otto Ole Schnellbacher (April 15, 1923 March 10, 2008) was an American football defensive back in the National Football League for the New York Giants. He was a 2-time Pro Bowler. Also a professional basketball player, Schnellbacher played for the Basketball Association of America's Providence Steamrollers and St. Louis Bombers in 194849. In college, Schnellbacher was a two-sport star at the University of Kansas, earning him the nickname "the double threat from Sublette". On the gridiron, Schnellbacher, along with teammate Ray Evans, was KU's first football All-American in 1947. That same season, Schnellbacher led the Jayhawks to a Big 6 conference title and an Orange Bowl berth. Schnellbacher also excelled in basketball, where he was a four-time first-team all-conference selection (one of only three Jayhawks to do so). He was a member of the 1943 Big Six conference championship team (which also featured All-American teammates Charles B. Black and the aforementioned Ray Evans) that is regarded as one of the program's greatest teams.

Otto Ole Schnellbacher (April 15, 1923 March 10, 2008) was an American football defensive back in the National Football League for the New York Giants

Question: In what year did Porter handle the sound duties for Ann-Margret? Passage:In December 1969, Presley called Porter to ask him to fix the sound for him in the main showroom at the International Hotel (renamed the Las Vegas Hilton two years later); he said he could not hear himself the last time he sang there, and a new run was scheduled for January. Porter went to see Presley's first rehearsal there, and found three stage monitors hanging high above the stage, with only one working. The hotel's engineers did not get the other two to work, so Porter had some of his own Shure Vocal Master loudspeakers brought over from the recording studio. He laid the column loudspeakers on their sides at the front lip of the stage and propped them up to aim at Presley, who was very happy with the result. Presley insisted upon having Porter mix his live show in January even though he was a recording engineer with no previous experience in live sound. Porter quickly learned about acoustic feedback during the first song, but backstage after the show, film stars and musical artists kept complimenting Presley, telling him that Porter's concert sound was "just like the album". Porter mixed Presley's live concerts from then on. Presley paid Porter well for a touring sound engineer; a 1974 contract for nearly two weeks of touring during SeptemberOctober netted Porter $2,600, an amount equivalent to $ in current value. Porter recorded several of these shows in the mid-1970s, released as albums, and witnessed firsthand Presley's physical decline from drug abuse. In 1975, Presley's doctors advised him to exercise more, so he had a racquetball court built at his mansion Graceland. Porter designed and supervised the installation of a powerful high-fidelity Electro-Voice loudspeaker sound system for the racquetball court and an adjoining lounge. On tour, Porter specified the best-sounding, most roadworthy equipment that existed: he used a Midas PRO4 mixing console and UREI equalizers. The tour was supported by Clair Brothers, who supplied all the audio gear and a monitor engineer, Bruce Jackson, who designed a powerful stage monitor system for Presley's show. In August 1977, Porter was changing planes in Boston to fly to Portland, Maine, to mix a Presley concert when he received a phone call informing him that the singer had died. He attended Presley's heavily guarded funeral ceremony at Graceland. Between Presley appearances, Porter also handled sound duties for Ann-Margret in Las Vegas and on the road, under the business name Captain Audio Productions. He consulted on television specials for Ann-Margret and for Bob Hope in 19721973.

Between Presley appearances, Porter also handled sound duties for Ann-Margret in Las Vegas and on the road, under the business name Captain Audio Productions

Question: How many readers did Architectural Forum have the year that it reviewed the renovation of 57 East 93rd Street? Passage:Jan Ruhtenberg (a.k.a. Alexander Gustaf Jan Ruhtenberg or Alexander Gustav Jan Ruhtenberg, born Alexander Gustaf Rutencrantz von Ruhtenberg, 28 February 1896 died, December 1975) was an architect who "made significant contributions in introducing modern architecture to the United States as a teacher and a modern architect". Ruhtenberg was involved in the Bauhaus movement in Germany, studying under Mies van der Rohe and worked with Philip Johnson. In The International Style: Architecture Since 1922 Johnson acknowledges Ruhtenberg as one of two "kind friends" who have read and criticized draft texts. Johnson and fellow author Henry-Russell Hitchcock included Ruhtenberg's 1930 Berlin apartment house interior among their illustrations of modern design. In his biography of Philip Johnson, architectural historian Franz Schulze refers to Ruhtenberg as Johnson's new friend during the latter's travels in Germany in 1929. The two visited the Bauhaus in Dessau together. At the time Ruhtenberg was a public relations aide to designer Bruno Paul. Johnson, working with Henry-Russell Hitchcock, was gathering material for The International Style: Architecture Since 1922. Ruhtenberg was traveling with them. Schulze cites Johnson's letter of 17 September 1930 to J. J. P. Oud, a Dutch modernist architect, in which Johnson called Ruhtenberg his best friend, describing him as a beginning architecture student. Three years later in another letter to Oud, Johnson tells him that he is building a house in Manhattan with his friend Jan Ruhtenberg. He was active in many areas of country such as New York City with both his architectural skills (the renovation of 57 East 93rd Street that was reviewed by Architectural Forum in 1937); He is "credited" with the interior design of Nelson Rockefeller's Penthouse at 810 Fifth Avenue (62nd Street) by the New York Times; and his opinions on the progressive housing movement which were recorded for the Library of Congress.
He was active in many areas of country such as New York City with both his architectural skills (the renovation of 57 East 93rd Street that was reviewed by Architectural Forum in 1937); He is "credited" with the interior design of Nelson Rockefeller's Penthouse at 810 Fifth Avenue (62nd Street) by the New York Times; and his opinions on the progressive housing movement which were recorded for the Library of Congress