In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Q: What brings best friends together? For Daphne, Velma, Fred, Shaggy and Shaggy's spunky pup Scooby-Doo, it's a mystery! The feature-length live-action Scooby-Doo: The Mystery Begins original movie takes you back to when four teenage sleuths (plus one dog detective) first met. Unjustly accused of staging a spooky practical joke complete with ghosts, the kids are suspended from Coolsville High. To clear their names, they team to solve the supernatural mystery... and head straight into nonstop laughs and adventure. Special fun, special friends and extra-special effects make this "how-it-all-began" story - from boy-meets-dog to the first trip in the Mystery Machine and more - a doggone great time! [D-Man2010]

A: Question: What is the dog's name?, Answer: Scooby-Do
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Q: In 1947, the movie's narrator, Stingo (Peter MacNicol), a young writer from the American South, travels to post-WW II Brooklyn. He is befriended by Sophie Zawistowski (Meryl Streep), a beautiful Polish immigrant, and her lover, Nathan Landau (Kevin Kline). It is clear to Stingo from the serial number tattooed into Sophie's forearm that she is no stranger to pain, as she is a Holocaust survivor.One evening, Stingo talks with Sophie and learns some more about her past: that she was married but her husband and her father were killed in a German work camp. When Stingo notices scars on Sophie's wrists, Sophie explains that after being rescued from Auschwitz she was taken to a refugee camp in Sweden, but whilst there she went to a church, broke a glass, and cut her wrists. Sophie goes into another room where Nathan spends a lot of his time and finds another wine bottle. The walls are covered in images of the Holocaust, prompting Sophie to explain that it is Nathan's obsession.Sophie and Nathan's relationship is endangered both by Sophie's ghosts and Nathan's obsession with the Holocaust, as well as his violent temper and increasingly apparent mental illness. When Stingo visits a man who knew Sophie's father, he discovers she's been lying to him. He learns that Sophie's father, a Polish college professor, hated Jews. Later, when Stingo talks to Sophie about this, she explains, with more about her past emerging through a series of harrowing flashbacks.Something makes Sophie go to the Jewish ghetto, where she looks at all the people her father has condemned to death. She suddenly remembers that her father is waiting for his speech and hurries home to finish the typing. In her haste, Sophie makes a lot of mistakes and hurries to the university. Her father (Ivica Pajer) reads the speech in front of a large crowd of people and becomes very angry.Later, Sophie has a lover, Jozef (Nedim Prohic), who lives with his half-sister, Wanda (Katharina Thalbach), a leader in the Resistance. Wanda tries to convince Sophie to translate some stolen Gestapo documents, but fearing she may endanger her children (Jennifer Lawn & Adrian Kalitka), she declines. Two weeks later, Jozef is murdered by the Gestapo, and a short time later Sophie is arrested and sent to Auschwitz with her children. Upon arrival, the Germans decide who will live and who will die. Jan, Sophie's son, is sent to the children's camp, and her daughter, Eva, is sent to her death in Crematorium Two.Sophie later learns of an epidemic in the children's camp, and becomes concerned for her son's well-being. She convinces the Commandant to let him into the Lebensborn programme. He relents and tells Sophie she will see him the next day. However, the Commandant breaks his promise about letting Sophie see her son. She never finds out what happened to him.Back in the present, Nathan asks Sophie to marry him and she accepts. Stingo feels betrayed, as he is falling in love with Sophie, but agrees to be Nathan's best man. When Nathan goes into another of his violent moods, Sophie runs to Stingo. At this point, Nathan makes a threatening phone-call which ends with the sound of a gun firing, and Nathan making more threats.Stingo and Sophie flee and check into a hotel. Stingo insists that they start a family, but Sophie has yet to tell him her final secret - her choice. She recounts the night she arrived at Auschwitz with her children, and of how a Nazi officer forced her to choose life for one child, and death for the other.Despite her plea of "Don't make me choose. I can't choose", Sophie's words fall on deaf ears. When a young Nazi is told to take both children away, she releases her daughter, shouting "Take my little girl!". Sophie can only watch as the screaming little girl is carried away to die, her guilt and despair all too clear. Once she has told him, Sophie asks Stingo not to talk about marriage and children.They sleep together that night, but Stingo wakes up alone. Sophie has left him a note, saying she has gone back to Nathan, but that Stingo is a great lover. Stingo later goes back to the building where he met Sophie and Nathan, only to find everybody in a state of shock. Stingo is led up to Sophie and Nathan's room where he finds they have committed suicide. Picking up Nathan's book of Emily Dickinson poems, Stingo recites "Ample Make This Bed", as if he were delivering a eulogy at a funeral.The film ends with Stingo leaving Brooklyn, the screen going misty, and an image of Sophie's face fading into view.

A: Question: Which child would be chosen to be sent to their death?, Answer: Eva
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Q: During the First World War, two French aviators, aristocratic Captain de Boeldieu (played by Pierre Fresnay) and working-class Lieutenant Marechal (Jean Gabin), embark on a flight to examine the site of a blurred spot on photos from an earlier air reconnaissance mission. They are shot down by a German aviator and aristocrat, Rittmeister (Cavalry Captain) von Rauffenstein (Erich von Stroheim). Von Rauffenstein, upon returning to base, sends a subordinate to find out if the aviators are officers and, if so, to invite them to lunch. During the meal, von Rauffenstein and de Boeldieu discover they have mutual acquaintancesa depiction of the familiarity, if not solidarity, within the upper classes that crosses national boundaries.De Boeldieu and Marechal are then taken to a prisoner-of-war camp, where they meet a colorful group of fellow French prisoners and stage a vaudeville-type performance just after the Germans have taken Fort Douaumont in the epic battle of Verdun. During the performance, word arrives that the French have recaptured the fort. Marechal interrupts the show, and the French prisoners spontaneously burst into "La Marseillaise". As a result of the disruption, Marechal is placed in solitary confinement, where he suffers badly from lack of human contact and hunger; ironically, the fort changes hands once more while he is imprisoned. De Boeldieu and Marechal also help their fellow prisoners finish digging an escape tunnel. However, just before it is completed, everyone is transferred to other camps. Because of the language barrier, Marechal is unable to pass word of the tunnel to an incoming British prisoner.De Boeldieu and Marechal are moved from camp to camp, finally arriving in Wintersborn, a mountain fortress prison commanded by Von Rauffenstein, who has been so badly injured in battle that he has been promoted, but reassigned, much to his regret. Von Rauffenstein tells them that Wintersborn is escape-proof.At Wintersborn, the pair are reunited with a fellow prisoner, Rosenthal (Marcel Dalio), from the original camp. Rosenthal is a wealthy French Jew, a naturalized French citizen, son of a Polish father and Danish mother, who generously shares the food parcels he receives. De Boeldieu comes up with an idea, after carefully observing how the German guards respond to an emergency. De Boeldieu volunteers to distract the guards for the few minutes needed for Marechal and Rosenthal to escape. After a commotion staged by the prisoners, the guards are ordered to assemble them in the fortress courtyard. During the roll call, it is discovered that de Boeldieu is missing. He makes his presence known high up in the fortress, drawing the German guards away in pursuit. Marechal and Rosenthal take the opportunity to lower themselves from a window by a homemade rope and flee.Von Rauffenstein has the guards stop shooting at de Boeldieu and pleads with his fellow aristocrat to give himself up. De Boeldieu refuses, and von Rauffenstein reluctantly shoots him in the stomach (though he was aiming for the legs). Nursed in his final moments by a remorseful von Rauffenstein, de Boeldieu laments that their usefulness to society (as aristocrats) will end with this war and that unlike the working class or the middle class, for the nobility, dying in war is a honorable way out. He also pities von Rauffenstein, who will have to find a new purpose in the emerging social order.Marechal and Rosenthal journey across the German countryside, trying to get to nearby Switzerland. Rosenthal injures his foot, slowing Marechal down. They quarrel and part, but then Marechal returns to help his comrade. They take refuge in the modest farmhouse of a German woman, Elsa (Dita Parlo), who has lost her husband at Verdun, along with three brothers, at battles which, with quiet irony, she describes as "our greatest victories." She generously takes them in, and doesn't betray them to a passing German army patrol. Marechal begins to fall in love with her, and she with him, but he and Rosenthal eventually leave from a sense of duty to the war effort after Rosenthal recovers from his injury. Marechal declares his intention to come back for Elsa and her daughter, Lotte, after the war.A German patrol sights the two fugitives crossing a snow-covered valley. The soldiers fire a few rounds, but then an officer orders them to cease fire, saying the pair have crossed into Switzerland. We last glimpse the pair from a distance, trudging through deep snow, their future uncertain.

A:
Question: Where are De Boeldieu and Marchal taken?, Answer: To a prisoner-of-war camp.
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