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have all the suspense of a 20-car pileup , while the plot holes are big enough for a train car to drive through -- if kaos had n't blown them all up .
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despite the surface attractions -- conrad l. hall 's cinematography will likely be nominated for an oscar next year -- there 's something impressive and yet lacking about everything .
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even less capable trio
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, it works beautifully as a movie without sacrificing the integrity of the opera .