In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
A: 1874May
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : Mesopotamia is an EP by new wave band the B-52's. It was produced by David Byrne of Talking Heads and was originally planned to be the band's third studio album. Due to conflicts with Byrne and record label pressure, recording sessions were aborted prematurely and only six of ten songs to be completed were released as a shorter than originally intended LP. The record was distributed as a 12" EP by Warner Bros. in the US and by Island Records on both CD and vinyl in the UK and other non-US markets. Context_2 : True Stories is a 1986 American film that spans the genres of musical, art, and comedy, directed by and starring David Byrne of the band Talking Heads. It co-stars John Goodman, Swoosie Kurtz, and Spalding Gray. Byrne has described the film as, "A project with songs based on true stories from tabloid newspapers. It's like "60 Minutes" on acid." Context_3 : Love This Giant is a studio album made in collaboration between David Byrne and St. Vincent, released on 4AD and Todo Mundo on September 10, 2012, in the United Kingdom and a day later in the United States. Byrne and Annie Clark began working together in late 2009, using a writing and promotion process that Byrne had previously used on his 2008 collaboration with Brian Eno "Everything That Happens Will Happen Today". The duo had previously played together live at a St. Vincent show and on the album "Here Lies Love". The performers enlisted a variety of brass musicians to augment their songwriting and toured over the following year to promote the album. Context_4 : Jamie Dalglish (born 1947 in Bryn Mawr, Pennsylvania) is an American painter. He attended the Cincinnati Academy of Art and Rhode Island School of Design and received a 20062007 Pollock-Krasner Foundation grant. He has exhibited in galleries including O.K. Harris, Match artspace, Barbara Braathen, and Florence Lynch. Dalglish's morphoglyphs have been cited by art writer Lee Klein, among the works of Jackson Pollock and David Reed, as part of the trans-filmic lead into the art of Hyper-texture. He was included in the exhibition "I colori del rock," which ran in 2009, from January 29 through March 3, at Pavesi Fine Arts in Milan, Italy. When Dalglish first moved to New York City, he was a housemate of David Byrne, the former Talking Heads lead singer, solo musical artist, and visual practitioner. Byrne moved to New York in May 1974. Context_5 : Whammy! is the third studio album by American new wave band the B-52's. It was recorded at Compass Point Studios in Nassau, Bahamas, in December 1982 and was produced by Steven Stanley. The record was refined and mastered at Sterling Sound, New York City. It was released on April 27, 1983 in the United States, with Warner Bros. Records as the primary label. Sales for "Whammy!" were generally weaker than their previous album, but overall successful, spawning the popular singles "Legal Tender," "Whammy Kiss," and "Song for a Future Generation." The album entered the "Billboard" 200 twice in 1983, reaching both number 29 and 171 throughout the year, while "Legal Tender" reached the "Billboard" Hot 100 chart, as well as the "Billboard" Hot Dance Club Play Singles chart alongside its two respective singles. Context_6 : Talking Heads were an American rock band formed in 1975 in New York City and active until 1991. The band comprised David Byrne (lead vocals, guitar), Chris Frantz (drums), Tina Weymouth (bass), and Jerry Harrison (keyboards, guitar). Described by critic Stephen Thomas Erlewine as "one of the most critically acclaimed bands of the '80s," the group helped to pioneer new wave music by integrating elements of punk, art rock, funk, and world music with avant-garde sensibilities and an anxious, clean-cut image. Context_7 : Close to the Bone is an album by the Tom Tom Club that was released in 1983. The Tom Tom Club's musicians were: Wally Badarou, Tyrone Downie, Chris Frantz, Roddy Frantz, Rupert Hine, Raymond Jones, Steve Scales, Steven Stanley, Alex Weir; and sisters Lani, Laura and Tina Weymouth. The album was released on compact disc for the first time on May 19, 2009, as a part of a two-CD deluxe package with the band's first album, "Tom Tom Club", as part of Universal Music's deluxe editions series. Context_8 : Art of Dying is a Canadian rock band fronted by Jonny Hetherington. The band is currently signed to Better Noise Records. Bassist Cale Gontier is the cousin of Adam Gontier, the lead singer of Saint Asonia and former lead singer of Three Days Grace. Prior to joining the band, Gontier and guitarist Tavis Stanley played in another band, Thornley. Context_9 : Steven J. C. Stanley (born July 11, 1958), is a Jamaican audio engineer, record producer and keyboardist who has worked in the reggae, dub and rock music genres since 1975, most notably with Talking Heads, Tom Tom Club and Black Uhuru. Context_10 : "This Must Be the Place (Naive Melody)" is a song by new wave band Talking Heads, released in November 1983 as the second single from their fifth album "Speaking in Tongues". The lyrics were written by David Byrne, and the music was written by Byrne and the other members of the band, Chris Frantz, Tina Weymouth and Jerry Harrison. fact_1 : Steven J. C. Stanley (born July 11, 1958), is a Jamaican audio engineer, record producer and keyboardist who has worked in the reggae, dub and rock music genres since 1975, most notably with Talking Heads, Tom Tom Club and Black Uhuru. fact_2 : Talking Heads were an American rock band formed in 1975 in New York City and active until 1991. fact_3 : The band comprised David Byrne (lead vocals, guitar), Chris Frantz (drums), Tina Weymouth (bass), and Jerry Harrison (keyboards, guitar). Question: In which city was the band formed in which Steven Stanley played with David Byrne?
A:
New York City