[Q]: Generate a question that has the following answer: a director for the following movie plot: A young samurai, Shojuro Sako, travels on the Tokaido to Edo with his two servants, Genta and Gonpachi. Gonpachi has been told by Shojuro's mother to prevent his Master from drinking... The road is not safe. On the way, they meet young orphan boy, Jiro, and many other travellers: A team of great directors, including Yasujrio Ozu, Hirochi Shimizu and Daisuko Ito, assisted Uchida with his remarkable post-war comeback film. It's an affable samurai road movie with a focus on unglamorus characters, as a dim-witted samurai and his servants traverse the Tokaido highway. Much of the film is played as comedy, making the brilliantly staged violent climax all the more shocking.
****
[A]: Who was Yasujrio Ozo

input: Please answer the following: Generate a question that has the following answer: Tae-Soo for the following movie plot: The film tells the parallel love stories of a mother and daughter. The story of the mother is told partially in flashbacks. The movie starts in the present day. The daughter, Ji-hye (Son Ye-jin), is cleaning-up around her house when she comes across a box full of old letters and a diary that detail the story of her mother, Joo-hee (who is also played by Son Ye-jin). Periodically in the movie, Ji-hye reads one of these letters, which starts a flashback scene in which the story of the mother is told. These flashbacks are intertwined with Ji-hye's own story, in which she falls for a fellow student, Sang-min (Jo In-sung), who is involved with the school theater. The movie tells the story of both relationships. The mother, Joo-hee, visits the countryside as a student one summer and meets Joon-ha (Jo Seung-woo). Together they explore the countryside, playing near a river which they both will always remember as their special place. When a storm starts they take shelter together under a tree, but not before Joo-hee twists her ankle and is rendered helpless. Joon-ha carries her on his back and they struggle home, only to be confronted by her angry parents. Before they separate, Joo-hee gives him a necklace, which he keeps close as a precious reminder of their time together. Unfortunately, as often happens in affairs of the heart, a third party prevents any deepening of their relationship. Joo-hee has been promised by her parents as a bride to Tae-soo, Joon-ha's friend. But Tae-soo, a noble friend, finds out about Joo-hee and Joon-ha's attraction for each other and helps the two communicate secretly by letting them use his own name in place of Joon-ha's in their letters. When Tae-soo's father finds this out, however, he beats Tae-soo. Tae-soo tries unsuccessfully to commit suicide so that his two friends can be together. Meanwhile, in the present, Ji-hye falls for Sang-min in whom her friend Soo-kyeong is also very interested, but he seems not to notice. Then, in a sweet scene, they take shelter from the rain together...
++++++++++
output: What is that name of Joon-Ha's friend who Joo-Hee marries?

Please answer this: Generate a question that has the following answer: Latex cat suit for the following movie plot: Cheung is employed to play the film-within-the-film's heroine, Irma Vep (an anagram for vampire), a burglar, who spends most of the film dressed in a tight, black, latex rubber catsuit, defending her director's odd choices to hostile crew members and journalists. As the film progresses, the plot mirrors the disorientation felt by the film's director. Cheung the character is in many ways seen by other characters as an exotic sex object dressed in a latex catsuit; both the director and Cheung's costume designer Zoe (Nathalie Richard) have crushes on her. The film makes reference to iconic figures in French film history: Louis Feuillade, Musidora, Arletty, Francois Truffaut, the Groupe SLON, Alain Delon, and Catherine Deneuve. Thematically, the film questions the place of French cinema today. It is not a "mourning for cinema with the romantic nostalgia" but "more like the Mexican Day of the Dead: remembrance as an act of celebration,"[3] so that "It is less a film about re-presenting the past, than it is a film about addressing the present, specifically the place of France within the global economy."[4]
++++++++
Answer: What is the main character dressed in?

Problem: Generate a question that has the following answer: One of the teenagers for the following movie plot: A 13-year-old boy named Billy runs from home as his parents forget his birthday. Making his way through thick woods, he encounters a drifter who is violently slashed to death after Billy leaves. Billy stumbles on an old mansion where a room is decorated for birthday celebrations. Thinking it is a surprise by his parents, he opens a present to discover a severed head. Running away, he is attacked by the drifter's killer, a werecat with a hook on one hand, and subsequently buried alive. Meanwhile, a group of teenagers and some older adults come across the mansion intending to have a party, believing the mansion to be abandoned. However, a sorcerer named Kreon resides there, keeping watch over his bride who he has kept preserved for over 70 years using an unrevealed method, but it is known that he needs human victims in order to do it. He possesses one of teenagers in the group to use a Ouija board and summons a variety of monsters to pick off the group one by one. These include muck-men, small reptilian demons, giant spiders, an arachnid woman, an octopus-like creature with electric tentacles, a skeletal witch, a Grim Reaper statue, a vampiric boy in a monk's habit, and a large group of zombies. Eventually, the entire group is killed by the monsters and Kreon hopes to preserve his bride for longer, but she escapes by killing him and trying to outrun the zombie horde around the mansion. The bride eventually is saved by a man who drives her away in his car. Kreon regenerates out of a coffin as it is revealed the man in the car is actually the werecat. The camera pans on Kreon's laughing face and the credits roll.

A:
Who does Kreon possess?