input: In 1981, Blitz Club regular Boy George occasionally sang with the group Bow Wow Wow under the stage name Lieutenant Lush. After his tenure with the group ended, George decided to start his own band and enlisted bassist Mikey Craig, drummer Jon Moss, and finally guitarist Roy Hay. Realising they had an Irish gay man as the lead singer, a black Briton on bass, a blond Englishman on guitar and keyboards, and a Jewish drummer, they eventually decided to call themselves Culture Club. The group recorded demos, which were paid for by EMI Records, but the label was unimpressed and decided not to sign the group. Virgin Records heard the demos and signed the group in the UK, releasing their albums in Europe, while Epic Records released their albums in the United States and much of the rest of the world since Virgin did not have a US presence at the time. George began sporting a look inspired by Siouxsie Sioux with "heavy make-up and swaggy hair". The band released two singles in May and June 1982, "White Boy" and "I'm Afraid of Me", though both failed to chart. In August the single "Mystery Boy" was released in Japan. In September of that year, the group released their third single, "Do You Really Want to Hurt Me", a reggae-influenced number, which became one of their biggest hits. The song went to No. 1 in the UK in late 1982 and became an international smash, peaking at No. 1 in over a dozen countries (No. 2 in the US), this track sold up to 6.5 million copies worldwide. The band's 1982 debut on Top of the Pops created tabloid headlines, which focused on George's androgynous style of dress and sexual ambiguity. Magazines began to feature George prominently on their covers. Pete Burns, lead singer of the new wave band Dead or Alive, would later claim he was the first to wear braids, big hats, and colourful costumes, but George would cut back with a sharp-tongued remark, "It's not who did it first, it's who did it better." The band's debut album, Kissing to Be Clever (UK No. 5, US No. 14) was released in October 1982, and the follow-up single, "Time (Clock of the Heart)", became another Top 10 hit in the US (Number 2) and UK (Number 3). "I'll Tumble 4 Ya" also became a Top Ten hit in the US (Number 9) and in Canada. This gave Culture Club the distinction of being the first group since The Beatles to have three Top Ten hits in America from a debut album. Kissing to Be Clever sold over 1.5 million copies in the US, being certified platinum, and sold another 3 million worldwide at the time of its release.

Answer this question "What label did then end up signing with?"
output: Virgin Records heard the demos and signed the group in the UK,

input: During rehearsals, a dance routine was devised for the song which went on to become famous for the moment where the girls' skirts are ripped off halfway through - only to reveal shorter skirts underneath. The routine itself was choreographed by Chrissie Wickham, a former member of dance troupe Hot Gossip, although Martin, Baker and Aston have all since laid claim to the skirt-rip idea. On 11 March, A Song for Europe took place with the then unknown Bucks Fizz competing against well-known act Liquid Gold, as well as Hill and Martin's own group, Gem. "Making Your Mind Up" became an easy winner and the group recorded the song with Hill as producer. Later in the month it was released as a single and entered the charts at No.24. By the time the contest was staged, the single had risen to No.2. On 4 April, Bucks Fizz represented United Kingdom in the 1981 Eurovision Song Contest, which was held in Dublin. Although they were favourites to win, the song faced stiff competition and after a vocally unsound rendition, the early votes were poor. Halfway through the voting process, Bucks Fizz took the lead, although they remained close throughout. Ultimately, Bucks Fizz won the contest by a margin of four points, beating Germany into second place. "Making Your Mind Up" became a major hit around the continent, reaching No.1 in the UK as well as eight other countries. It charted highly in other countries such as Australia, eventually selling four million copies worldwide.

Answer this question "Did this cause any problems?"
output: although Martin, Baker and Aston have all since laid claim to the skirt-rip idea.

input: She starred in Vidhu Vinod Chopra's love saga 1942: A Love Story (1994) and Mani Ratnam's Tamil drama Bombay (1995). Her performance in the film Bombay was a milestone in her career which won her the Filmfare Award for Best Tamil Actress and Filmfare Critics Award for Best Performance. She was seriously noticed by Bollywood after the release of 1942: A Love Story which was a year earlier than the release of Bombay. She also starred in Mansoor Khan's romantic musical Akele Hum Akele Tum (1995) as the ignored wife who leaves her husband and child to fulfill her singing talent and subsequently becomes a popular star. In 1996, she received positive reviews for her performance in the drama Agni Sakshi, as a battered wife on the run from her mentally ill husband. The film became one of the biggest hits of that year at the Indian box office. Later that year, she acted in Sanjay Leela Bhansali's directorial debut Khamoshi: The Musical, where she played the role of Annie, a caring daughter to deaf and mute parents. A critic from Channel 4 wrote: "Koirala... demonstrates the full range of her acting ability, rather than playing against it as she has had to do in more traditional films. The scene where she shouts at her father through the door, screaming and using sign language even though she knows he can neither see nor hear her, is extremely powerful." Filmfare magazine later included her performance in the film on its "80 Iconic Performances" list. In 1997, she played the leading role alongside Kajol and Bobby Deol in the thriller Gupt: The Hidden Truth, which was one of the biggest hits that year.

Answer this question "What character was she playing?"
output:
The Musical, where she played the role of Annie, a caring daughter to deaf and mute parents.