Problem: Background: Herbert Sutcliffe (24 November 1894 - 22 January 1978) was an English professional cricketer who represented Yorkshire and England as an opening batsman. Apart from one match in 1945, his first-class career spanned the period between the two world wars. His first-class debut was delayed by the First World War until 1919 and his career was effectively terminated in August 1939 when he was called up for military service in the imminent Second World War. He was the first cricketer to score 16 centuries in Test match cricket.
Context: Sutcliffe and Len Hutton opened the Yorkshire innings in one championship match in 1934 and then, with Sutcliffe's Test career ending the following year, became the regular Yorkshire pairing until 1939 when the outbreak of war effectively ended Sutcliffe's career. Especially given that he was from Pudsey, Hutton was often portrayed as Sutcliffe's protege but Hutton maintained that it was the coaching of George Hirst that did most to develop his career. He said of Sutcliffe: "You do learn a lot from watching a player of Herbert's class. It was an enriching and invaluable experience to bat with him". Sutcliffe's view of Hutton was that he was "a marvel - the discovery of a generation". Hutton said that his shyness and the fact that he was twenty years younger than Sutcliffe made it difficult for him to approach his partner when he needed help, which he more readily got from Bill Bowes and Hedley Verity. About Sutcliffe he said: "I did not find it easy to talk to him". The master-apprentice relationship changed after Hutton scored a world record 364 for England against Australia at The Oval in 1938. Future Yorkshire captain Ronnie Burnet reckoned that Sutcliffe had been the dominant partner until then and their scores would be something like 60 to 40 in Sutcliffe's favour. After Hutton made his record, his confidence increased and Burnet said the ratio was reversed "to 70:30 in Len's favour". Burnet said that Hutton was "tearing attacks apart in 1939 and Herbert was by then playing second fiddle". Comparisons of the two Pudsey masters have been inevitable but there were essential differences in style. Bill Bowes said that Sutcliffe readily acknowledged the superior ability of Jack Hobbs, Wally Hammond and Len Hutton but what Sutcliffe did have were the concentration and willpower to make the best of his abilities in any given situation. Hutton pinpointed the key difference by explaining that, when Sutcliffe was taking guard, "his weight was on the (front) left foot, enabling him to play the hook shot so well" whereas Hutton put his weight onto his (back) right foot. Hence Sutcliffe more easily moved back while Hutton developed a forward style. Another view, expressed by Sutcliffe's son Billy, who also played with Hutton for Yorkshire, was that Sutcliffe was "probably better in a crisis", as his numerous successes on bad or "sticky" wickets would suggest. Sutcliffe and Hutton made 16 century opening partnerships together, 15 of them for Yorkshire. Their highest was 315, which they achieved twice.
Question: Did he win any awards
Answer:

Problem: Background: The Corrs are an Irish band that combine pop rock with traditional Irish themes within their music. The group consists of the Corr siblings; Andrea (lead vocals, tin whistle, ukulele); Sharon (violin, vocals); Caroline (drums, percussion, piano, bodhran, vocals) and Jim (guitar, piano, keyboards, vocals). They are from Dundalk, County Louth, Ireland. The Corrs have released seven studio albums and numerous singles, which have reached Platinum in many countries, and have sold 40 million albums worldwide.
Context: When asked to describe their genre, Caroline Corr said it was a "blend of modern rhythms and technology with acoustic instruments, violin, tin whistle, drums and of course the voices, the marrying of these instruments is our sound". The Corrs' music is typically categorised as folk rock. This is evident in their first two albums, Forgiven, Not Forgotten and Talk on Corners, although Andrea described the genre of Talk on Corners by saying "it [has] got more of an edgy feel, a little bit more guitar-orientated and also an Irish sound, which is in Forgiven, Not Forgotten." In Blue moved towards mainstream pop, placing heavy emphasis on synthesizers. The move attracted criticism from many; one Entertainment Weekly critic called it "a disheartening example of musical ethnic cleansing". A USA Today critic called it "the best mainstream pop album you're likely to come across". Borrowed Heaven placed heavier emphasis on guitars, while retaining the original folk rock genre. Home is a traditional Irish album, where the band covered many traditional Irish songs. The album contained songs from different eras of Irish music, including a 1982 song written by Phil Lynott ("Old Town") while the 1,000-year-old "Return to Fingal" featured as a bonus track on the Japanese, limited German and Spanish editions. The Corrs' main influences were their parents who were musicians and encouraged them to learn instruments. They drew inspiration from musicians such as The Eagles, The Police, The Carpenters, Simon and Garfunkel and Fleetwood Mac, which Sharon said in an interview with CNN is the reason "our songs are very, very melodic and [harmonious]".
Question: What in particular about the voices was unique?
Answer:
the marrying of these instruments is our sound". The Corrs' music is typically categorised as folk rock.