input: Please answer the following: The following article contains an answer for the question: In what years were flints and an axe found at Bedwell Hey Farm? , can you please find it? There is evidence of human settlement at Little Thetford since the Neolithic Age. A 1996 search along the Anglian Water pipeline at Little ThetfordCawdle Fen uncovered an important and unusually dense concentration of late Neolithic (30002201 BC) remains. This is unusual because, although the fenland basin was dry and forested during the Mesolithic era, the area was sometimes subject to marine incursions, and at other times, fresh-water flooding. This led to marshes and open water areas which may have been difficult to settle onexcept perhaps for seasonal activity. A Neolithic polished flint axe (40002201 BC) was found in the village in 1984 at Bedwell Hey Farm. Fourteen pre-Roman flints of various finishes were also discovered in 1998 at the same site.A more substantial Bronze Age settlement is known to have existed; the remains of what may have been a causeway were discovered in 1934, in the form of wooden piles unearthed by a farmer between Little Thetford and nearby Barway. A Bronze Age ring and a late Bronze Age sherd were excavated nearby. There have been a number of Bronze Age finds in the area, including a pre701 BC palstave at nearby Fordey farm, Barway, and at Little Thetford, a middle Bronze Age (16001001 BC) rapier in 1953, and a late Bronze Age flesh-hook in 1929.A Romano-British farm around 200 AD, largely built upon a previous Iron Age settlement dating from 200100 BC, was discovered during the Watson's Lane development in 1994. Pre-Roman Iron Age and Romano-British pottery was found on the site, as well as human skeletal remains. A single-flue-chamber tile kiln was also uncovered. Roofing tile fragments were found near the kiln, including tegulae, imbrices, lydions, pedales and sesquipedales. The Roman road Akeman Street is three-quarters of a mile (1.2 km) due west of the village.
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output: 1998

input: Please answer the following: The following article contains an answer for the question: What is the first name of the person who studied the history of the Boydell edition, and was "at first an ardent advocate of the plan?" , can you please find it? The "magnificent and accurate" Shakespeare edition which Boydell began in 1786 was to be the focus of his enterprisehe viewed the print folio and the gallery as offshoots of the main project. In an advertisement prefacing the first volume of the edition, Nicol wrote that "splendor and magnificence, united with correctness of text were the great objects of this Edition". The volumes themselves were handsome, with gilded pages that, unlike those in previous scholarly editions, were unencumbered by footnotes. Each play had its own title page followed by a list of "Persons in the Drama". Boydell spared no expense. He hired the typography experts William Bulmer and William Martin to develop and cut a new typeface specifically for the edition. Nicol explains in the preface that they "established a printing-house ... [and] a foundry to cast the types; and even a manufactory to make the ink". Boydell also chose to use high-quality wove Whatman paper. The illustrations were printed independently and could be inserted and removed as the purchaser desired. The first volumes of the Dramatic Works were published in 1791 and the last in 1805. Boydell was responsible for the "splendor", and George Steevens, the general editor, was responsible for the "correctness of text". Steevens, according to Evelyn Wenner, who has studied the history of the Boydell edition, was "at first an ardent advocate of the plan" but "soon realized that the editor of this text must in the very scheme of things give way to painters, publishers and engravers". He was also ultimately disappointed in the quality of the prints, but he said nothing to jeopardize the edition's sales. Steevens, who had already edited two complete Shakespeare editions, was not asked to edit the text anew; instead, he picked which version of the text to reprint. Wenner describes the resulting hybrid edition: The thirty-six plays, printed from the texts of Reed and Malone, divide into the following three groups: (1) five plays of the first three numbers printed from...
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output: George

input: Please answer the following: The following article contains an answer for the question: What was the original performance venue for theatre groups such as the Canberra Repertory Society? , can you please find it? Canberra is home to many national monuments and institutions such as the Australian War Memorial, the National Gallery of Australia, the National Portrait Gallery, the National Library, the National Archives, the Australian Academy of Science, the National Film and Sound Archive and the National Museum. Many Commonwealth government buildings in Canberra are open to the public, including Parliament House, the High Court and the Royal Australian Mint.Lake Burley Griffin is the site of the Captain James Cook Memorial and the National Carillon. Other sites of interest include the Telstra Tower, the Australian National Botanic Gardens, the National Zoo and Aquarium, the National Dinosaur Museum and Questacon the National Science and Technology Centre. The Canberra Museum and Gallery in the city is a repository of local history and art, housing a permanent collection and visiting exhibitions. Several historic homes are open to the public: Lanyon and Tuggeranong Homesteads in the Tuggeranong Valley, Mugga-Mugga in Symonston, and Blundells' Cottage in Parkes all display the lifestyle of the early European settlers. Calthorpes' House in Red Hill is a well-preserved example of a 1920s house from Canberra's very early days. Canberra has many venues for live music and theatre: the Canberra Theatre and Playhouse which hosts many major concerts and productions; and Llewellyn Hall (within the ANU School of Music), a world-class concert hall are two of the most notable. The Street Theatre is a venue with less mainstream offerings. The Albert Hall was the city's first performing arts venue, opened in 1928. It was the original performance venue for theatre groups such as the Canberra Repertory Society.Stonefest was a large annual festival, for some years one of the biggest festivals in Canberra. It was downsized and rebranded as Stone Day in 2012. There are numerous bars and nightclubs which also offer live entertainment, particularly concentrated in the areas of Dickson, Kingston and the city. Most town centres have...
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output:
The Albert Hall