Appended to the last book, however, is a self-contained essay on aesthetics, which Durer worked on between 1512 and 1528, and it is here that we learn of his theories concerning 'ideal beauty'. Durer rejected Alberti's concept of an objective beauty, proposing a relativist notion of beauty based on variety. Nonetheless, Durer still believed that truth was hidden within nature, and that there were rules which ordered beauty, even though he found it difficult to define the criteria for such a code. In 1512/13 his three criteria were function ('Nutz'), naive approval ('Wohlgefallen') and the happy medium ('Mittelmass'). However, unlike Alberti and Leonardo, Durer was most troubled by understanding not just the abstract notions of beauty but also as to how an artist can create beautiful images. Between 1512 and the final draft in 1528, Durer's belief developed from an understanding of human creativity as spontaneous or inspired to a concept of 'selective inward synthesis'. In other words, that an artist builds on a wealth of visual experiences in order to imagine beautiful things. Durer's belief in the abilities of a single artist over inspiration prompted him to assert that "one man may sketch something with his pen on half a sheet of paper in one day, or may cut it into a tiny piece of wood with his little iron, and it turns out to be better and more artistic than another's work at which its author labours with the utmost diligence for a whole year."

Question: "What was Durer's concept of 'selective inward synthesis?'"

Response: "His concept was that an artist builds on a wealth of visual experiences in order to imagine beautiful things"

A: yes

What a time of it Dawson's Landing was having! All its life it had been asleep, but now it hardly got a chance for a nod, so swiftly did big events and crashing surprises come along in one another's wake: Friday morning, first glimpse of Real Nobility, also grand reception at Aunt Patsy Cooper's, also great robber raid; Friday evening, dramatic kicking of the heir of the chief citizen in presence of four hundred people; Saturday morning, emergence as practicing lawyer of the long-submerged Pudd'nhead Wilson; Saturday night, duel between chief citizen and titled stranger. The people took more pride in the duel than in all the other events put together, perhaps. It was a glory to their town to have such a thing happen there. In their eyes the principals had reached the summit of human honor. Everybody paid homage to their names; their praises were in all mouths. Even the duelists' subordinates came in for a handsome share of the public approbation: wherefore Pudd'nhead Wilson was suddenly become a man of consequence. When asked to run for the mayoralty Saturday night, he was risking defeat, but Sunday morning found him a made man and his success assured.

Question: "How long did it take for Pudd'nhead Wilson's chances to be elected mayor to change?"

Response: "One night"

A: yes

Dr. Alex Cross is a psychiatrist and police lieutenant who lives in Detroit with his wife , Maria , their children , Damon and Janelle , and his grandmother , Nana Mama . Upon learning that Maria is pregnant with their third child , Cross considers accepting a job as an FBI profiler , but fears Maria's reaction , as it 'd require them to relocate to Washington , D.C. Meanwhile , a man called Picasso attends to an illegal underground Mixed Martial Arts fighting ring , where he flirts with businesswoman Fan Yau . After brutally beating his opponent , Picasso is invited to Fan Yau's house , where he sedates her while they 're having sex , tortures and kills her . Police Captain Richard Brookwell calls Cross and his partner , Tommy Kane , to the crime scene . On the way there , Cross tells Kane about Maria's pregnancy and the the FBI's offer , and Kane reveals that he is secretly dating their colleague , Monica Ashe . Cross deduces that Picasso is a professional assassin , and finds a sketch made behind by Picasso , revealing that his next target is businessman Erich Nunemarcher . Cross , Kane and Ashe go to Nunemarcher's office , but Nunemarcher ignores their claims . Picasso manages to enter the building , but is prevented from killing Nunemarcher by Cross , and escapes after being shot by Kane . Cross analyzes a drop of Picasso's blood and learns that he is a psychotic former member of the Special Forces and that his real target is billionaire CEO Leon Mercier . Cross informs Mercier that Picasso might be trying to kill him .

Question: "Who does Cross talk with during this story?"

Response: "Tommy Kane, Monica Ashe, Erich Nunemarcher, Leon Mercier"

A:
yes