input: Little is known about Johnson's life and musical career, although his recordings are well documented. In October 1936, Johnson auditioned for music store owner and sometime talent scout H. C. Speir in Jackson, Mississippi; Speir passed on Johnson's contact information to Ernie Oertle, who was a representative for ARC Records. After a second audition, Oertle arranged for Johnson to travel to San Antonio, Texas, for a recording session. Johnson recorded 22 songs for ARC over three days from November 23 to 27, 1936. During the first session, he recorded his most commercially appealing songs. They mostly represented his original pieces and reflected current, piano-influenced musical trends. The songs include "Terraplane Blues" (his first single and most popular record) along with "Sweet Home Chicago" and "I Believe I'll Dust My Broom", which became blues standards after others recorded them. A second and third recording date took place in San Antonio after a two-day break. Johnson reached back into his long-standing repertoire for songs to record. The material reflects the styles of country blues performers Charley Patton and Son House, who influenced Johnson in his youth. The songs are among Johnson's most heartfelt and forceful, and music historian Ted Gioia sees a shift in the lyrical themes: At the close of the San Antonio session, the darker, more apocalyptic side of Johnson's work emerges ... [he] evokes the themes of damnation and redemption, darkness and light ... glimpses into the musician's inner life, and all its attendant turmoils. "Cross Road Blues" was recorded during Johnson's third session in San Antonio, on Friday November 27, 1936. The sessions continued at an improvised studio in Room 414 at the Gunter Hotel. ARC producers Art Satherley and Don Law supervised the recording and used a portable disc cutting machine. It is unknown what input, if any, they had into Johnson's selection of material to record or how to present it. Two similar takes of the song were recorded.

Answer this question "Is this an album or a song?"
output: Two similar takes of the song were recorded.

input: Piquet was born in Rio de Janeiro, then the capital of Brazil, the son of Estacio Goncalves Souto Maior, a Brazilian physician. His father moved his family to the new capital, Brasilia, in 1960 and became Minister for Health in Joao Goulart's government (1961-64). Piquet had two brothers, Alexis, and Geraldo, and a sister Genusa. Piquet was the youngest of the children. Piquet started kart racing at the age of 14, but because his father did not approve of his racing career, he used his mother's maiden name Piquet (of French origin and pronounced as "Pee-Ke") misspelt as Piket to hide his identity. His father wanted Piquet to be a professional tennis player and was given a scholarship at a school in Atlanta. Piquet started playing tennis at the age of 11. He won tournaments in Brazil and eventually took a trip to California to test his skill against tougher American players. During his time, he had learned to speak English and greatly matured. His short tennis career saw Piquet to be prized as a good player but not thought sufficiently exciting for the sport, which led him to devote his career to motor racing. Piquet dropped out of a University two years into an engineering course in 1974. He was subsequently employed in a garage to finance his career, since he had no financial support from his family Upon returning to Brazil, Piquet and three friends brought a 20 hp cart and participated in Brazilian go-karting (1971 and 1972 national champion) and in the local Formula Super Vee 1976 championship, on the advice of Emerson Fittipaldi, the first Brazilian Formula One world champion who sold the chassis for the Brazilian Formula Vee champion car with his brother, he arrived in European motor sports hailed as a prodigy. In the 1978 British Formula 3 season he broke Jackie Stewart's record of the most wins in a season.

Answer this question "What did he do after the 1972 and 1972 national championship?"
output: and in the local Formula Super Vee 1976 championship,

input: Although Southern California and Mexico were considered for the main unit filming, the Hawaiian island of Kaua'i (where Stiller has a home) was selected for the majority of the shooting. Kaua'i was chosen over Mexico because a tax credit for in-state spending was negotiated with the Kaua'i Film Commission. John Toll, the cinematographer, stated the island was also selected for its similarity to Vietnam, based on its dense foliage, variety of terrains, and weather. Kaua'i was first scouted as a possible location to film Tropic Thunder in 2004. Stiller spent more than 25 hours over 6 weeks exploring the island, using all-terrain vehicles, boats, and helicopters. After the film was greenlit by DreamWorks in 2006, pre-production lasted for six months, most of this time spent on scouting additional locations for filming. Filming for the Los Angeles and interior scenes occurred on sets at Universal Studios in Hollywood. Tropic Thunder was the first major studio production on Kaua'i in five years. After filming was completed, it was deemed the largest production filmed on the island to date, and contributed more than $60 million to the local economy. Tim Ryan, the executive editor of Hawaii Film & Video Magazine, commented on the filming on the island: "I think Tropic Thunder will give Kaua'i much needed and long idled publicity in the production arena ... It should put Kaua'i back on the production consideration radar." Preliminary production crews were on the island starting in December 2006 and principal photography began in July 2007, with filming lasting thirteen weeks over seven separate locations on the island. Much of the filming took place on private land as well as conservation status designated areas. Casting calls on the island sought 500 residents to portray the villagers in the film. Two units shot simultaneously on the island from the ground, and an aerial unit shot from helicopters. Many of the sets and the bridge used for one of the final scenes were built in three months. The island's erratic weather hampered filming with rain and lighting issues. The crew also faced complications in moving the equipment and cast due to the difficult terrain. The film advising company Warriors Inc. was enlisted to ensure the war scenes, including the attire worn by the actors, looked authentic. Former members of the U.S. military taught the actors how to handle, fire, and reload their weapons, as well as perform various tactical movements. The opening war scene was filmed over three weeks and required fifty stuntmen. Animatics were used to map out the necessary camera angles for filming.

Answer this question "who was in it?"
output:
Stiller