IN: Shinedown is an American rock band from Jacksonville, Florida formed by singer Brent Smith in 2001 after the dissolution of his previous band. Smith, still under contract with record label Atlantic Records, recruited the band's original lineup of Jasin Todd as guitarist, Brad Stewart on bass, and Barry Kerch on drums. Consistent for the first two album cycles, a few lineup changes followed in the late 2000s, eventually stabilizing with Smith and Kerch alongside Zach Myers on guitar and Eric Bass on bass. The group has released five studio albums:

Work on a fourth studio album began in February 2011, with the band spending the first half of the year writing and demoing over 33 songs. The band again decided to work with Cavallo as a producer, but moved into a new sound and lyrical direction on the album, capturing a more of a message of "empowerment, perseverance, and inspiration", inspired by Smith's then-recent change of getting sober and living a healthier lifestyle, and the new band members contributing to the writing process for the first time on an album. The recording process wrapped up about a year later in February 2012, and the album, Amaryllis, was released the next month, on March 27, 2012, in 30 countries simultaneously, through a joint release between Atlantic and Roadrunner Records in countries Atlantic did not distribute into. Amaryllis debuted at number four on the Billboard 200 charts, selling 106,000 copies in its opening week. While the opening sales doubled the debut of The Sound of Madness, overall sales fell well short, with the album only being certified Gold, indicating a half million copies sold. Five singles were released from the album: "Bully", "Unity", "Enemies", "I'll Follow You", and "Adrenaline". The band's singles once again fared well, albeit it slightly below The Sound of Madness singles; "Bully" and "Unity" topped the Billboard Mainstream Rock Charts, "Enemies" and "I'll Follow You" peaked at number 2, and "Adrenaline" peaked at number 4. Additionally, only "Bully" managed to have any cross-over success, break into the Billboard Top 100 chart, at number 94. and eventually being certified Gold as well. Shinedown also contributed the non-album song titled "I'm Alive" to the soundtrack of the 2012 film The Avengers. In November 2012, Smith announced in an NME interview that a follow up Shinedown album had already been recorded. Smith stated "We've actually, we have another record of material. It's actually recorded...It's still very massive, it still has an epic feel to it all, but the tempo is a little slower, and the subject matter is a little different. I would say it's actually a bit darker, a little bit more mischievous." Despite the announcement, the band proceeded to move continue on with the Amaryllis touring cycle, touring through 2013 to complete another two year touring cycle. Shinedown and Three Days Grace embarked on a co-headlined tour beginning in February 2013, and went on another iteration of the yearly "Carnival of Madness" tour with Papa Roach in later 2013. In April 2013, Smith and Myers recorded ten acoustic cover songs, selected out of a pool of over 4,000 fan requests, selecting a variety of different types of songs, from Metallica's "Nothing Else Matters" to Adele's "Someone Like You". The tracks were released across two separate EPs, Acoustic Sessions on January 28, 2014, and Acoustic Sessions Pt. 2 on March 28, 2014, with performance videos created for every track on the first EP. The band took much of 2014 off, a rarity for the band, which had pretty consistently moved back and forth between recording and touring for each album cycle. The time off was for the band to rest, specifically Smith, who had damaged his vocal chords and contracted oral thrush from the constant years of touring prior.
QUESTION: were the singles hits?
IN: Odissi (Odia: odd'ishii Odisi), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha - an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism (Vishnu as Jagannath). Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism, Buddhism and Jainism.

The Buddhist, Jain and Hindu archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses - such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanas mentioned in NatyaShastra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakasha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannath temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services.
QUESTION:
In what arenas were you able to witness the Odissi performers in the Medieval era?