Please answer this: Question: "__ spawned the hit Summertime." Context: "As many as five bands were on tour during the 1920s. The Jenkins Orphanage Band played in the inaugural parades of Presidents Theodore Roosevelt and William Taft and toured the USA and Europe. The band also played on Broadway for the play "Porgy" by DuBose and Dorothy Heyward, a stage version of their novel of the same title. The story was based in Charleston and featured the Gullah community. The Heywards insisted on hiring the real Jenkins Orphanage Band to portray themselves on stage. Only a few years later, DuBose Heyward collaborated with George and Ira Gershwin to turn his novel into the now famous opera, Porgy and Bess (so named so as to distinguish it from the play). George Gershwin and Heyward spent the summer of 1934 at Folly Beach outside of Charleston writing this "folk opera", as Gershwin called it. Porgy and Bess is considered the Great American Opera[citation needed] and is widely performed." Answer:
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Answer: Porgy and Bess

Problem: Question: "What seems like but is not coal tar?" Context: "Asphalt/bitumen can sometimes be confused with "coal tar", which is a visually similar black, thermoplastic material produced by the destructive distillation of coal. During the early and mid-20th century when town gas was produced, coal tar was a readily available byproduct and extensively used as the binder for road aggregates. The addition of tar to macadam roads led to the word tarmac, which is now used in common parlance to refer to road-making materials. However, since the 1970s, when natural gas succeeded town gas, asphalt/bitumen has completely overtaken the use of coal tar in these applications. Other examples of this confusion include the La Brea Tar Pits and the Canadian oil sands, both of which actually contain natural bitumen rather than tar. Pitch is another term sometimes used at times to refer to asphalt/bitumen, as in Pitch Lake." Answer:

A: Asphalt

Problem: Given the question: Question: "What was acceptable as music from the 1960s?" Context: "Though the music varied widely between regions and artists, the post-punk movement has been characterized by its "conceptual assault" on rock conventions and rejection of aesthetics perceived of as traditionalist, hegemonic or rockist in favor of experimentation with production techniques and non-rock musical styles such as dub, electronic music, disco, noise, jazz, krautrock, world music and the avant-garde. While post-punk musicians often avoided or intentionally obscured conventional influences, previous musical styles did serve as touchstones for the movement, including particular brands of glam, art rock and "[the] dark undercurrent of '60s music".[nb 1] According to Reynolds, artists once again approached the studio as an instrument, using new recording methods and pursuing novel sonic territories. Author Matthew Bannister wrote that post-punk artists rejected the high cultural references of 1960s rock artists like the Beatles and Bob Dylan as well as paradigms that defined "rock as progressive, as art, as 'sterile' studio perfectionism ... by adopting an avant-garde aesthetic"." Answer:
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The answer is:
"[the] dark undercurrent of '60s music"

input question: Question: "Which is not a last name, McTaggart or Series?" Context: "The problem of the flow of time, as it has been treated in analytic philosophy, owes its beginning to a paper written by J. M. E. McTaggart. In this paper McTaggart proposes two "temporal series". The first series, which means to account for our intuitions about temporal becoming, or the moving Now, is called the A-series. The A-series orders events according to their being in the past, present or future, simpliciter and in comparison to each other. The B-series eliminates all reference to the present, and the associated temporal modalities of past and future, and orders all events by the temporal relations earlier than and later than." Answer:???
output answer: series

Question: "What was an indication of the time period of the standards?" Context: "In 1925, 78.26 rpm was chosen as the standard because of the introduction of the electrically powered synchronous turntable motor. This motor ran at 3600 rpm, such that a 46:1 gear ratio would produce 78.26 rpm. In parts of the world that used 50 Hz current, the standard was 77.92 rpm (3,000 rpm with a 77:2 ratio), which was also the speed at which a strobe disc with 77 lines would "stand still" in 50 Hz light (92 lines for 60 Hz). After World War II these records were retroactively known as 78s, to distinguish them from other newer disc record formats. Earlier they were just called records, or when there was a need to distinguish them from cylinders, disc records." Answer:
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Answer: After World War II these records were retroactively known as 78s

Q: Question: "Who was John's rival?" Context: "After his coronation, John moved south into France with military forces and adopted a defensive posture along the eastern and southern Normandy borders. Both sides paused for desultory negotiations before the war recommenced; John's position was now stronger, thanks to confirmation that the counts Baldwin IX of Flanders and Renaud of Boulogne had renewed the anti-French alliances they had previously agreed to with Richard. The powerful Anjou nobleman William des Roches was persuaded to switch sides from Arthur to John; suddenly the balance seemed to be tipping away from Philip and Arthur in favour of John. Neither side was keen to continue the conflict, and following a papal truce the two leaders met in January 1200 to negotiate possible terms for peace. From John's perspective, what then followed represented an opportunity to stabilise control over his continental possessions and produce a lasting peace with Philip in Paris. John and Philip negotiated the May 1200 Treaty of Le Goulet; by this treaty, Philip recognised John as the rightful heir to Richard in respect to his French possessions, temporarily abandoning the wider claims of his client, Arthur.[nb 4] John, in turn, abandoned Richard's former policy of containing Philip through alliances with Flanders and Boulogne, and accepted Philip's right as the legitimate feudal overlord of John's lands in France. John's policy earned him the disrespectful title of "John Softsword" from some English chroniclers, who contrasted his behaviour with his more aggressive brother, Richard." Answer:
A:
Arthur