Answer the question at the end by quoting:

Leonardo, nicknamed Leo, is a fictional character and one of the four main characters in Teenage Mutant Ninja Turtles comics and all related media. He is often depicted wearing a blue eye mask. His signature weapons are two katanas. Leonardo is the most serious, the most spiritual, the most disciplined, and the most in-line with Splinter's teachings and thoughts, and is the leader of the Turtles.
In Teenage Mutant Ninja Turtles, Leonardo was fairly modest and sensitive, rarely issuing direct commands and seemingly much more relaxed around his brothers thinking of himself as more of an equal than a leader. It was he who first communicated telepathically with a kidnapped Splinter and seems the most anxious about Raphael's health after his ambush by the Foot Clan. He fought alongside his brothers against The Shredder in the climatic battle and was the only one of the four to actually injure The Shredder, but, like his brothers, could not defeat him. Due to the focus on Raphael in the film's plot, Leonardo's personality was rarely explored and his leader position in the team took a back seat. Leonardo was portrayed by David Forman and voiced by Brian Tochi. In The Secret of the Ooze, Leonardo was much more prominent and his leader position was brought to focus. He is seen on many occasions bickering with Raphael as their sibling rivalry begins to become much more serious. He, like his brothers, was astonished at the return of the Foot but he found that their current homelessness due to their last battle was a more pressing issue and soon he convinced his brothers that they needed to move. Leonardo is once again sensitive, caring, and humorous in this adaption but he now appears much more bossy and controlling. In Teenage Mutant Ninja Turtles III, after traveling back in time to feudal Japan, Leonardo leads his brothers to help a village in trouble from the villainous weapons trader, Walker, and to return home.

Who were the original three ninja turtles?

Some context: William Randolph Hearst Sr. (; April 29, 1863 - August 14, 1951) was an American businessman, politician, and newspaper publisher who built the nation's largest newspaper chain and media company Hearst Communications and whose flamboyant methods of yellow journalism influenced the nation's popular media by emphasizing sensationalism and human interest stories. Hearst entered the publishing business in 1887 after being given control of The San Francisco Examiner by his wealthy father.
Beginning in 1919, Hearst began to build Hearst Castle, which he never completed, on a 240,000 acres (97,000 hectares) ranch at San Simeon, California, which he furnished with art, antiques and entire rooms brought from the great houses of Europe. He also used the ranch for an Arabian horse breeding operation. San Simeon was also used in the 1960 film Spartacus as the estate of Marcus Licinius Crassus (played by Laurence Olivier). He also had a property on the McCloud River in Siskiyou County, in far northern California, called Wyntoon. Wyntoon was designed by famed architect Julia Morgan, who also designed Hearst Castle and worked in collaboration with William J. Dodd on a number of other projects. In 1947, Hearst paid $120,000 for an H-shaped Beverly Hills mansion, (located at 1011 N Beverly Dr, Beverly Hills CA 90210) on 3.7 acres three blocks from Sunset Boulevard. This home, known as Beverly House, was once perhaps the "most expensive" private home in the U.S., valued at $165 million (PS81.4 million). It has 29 bedrooms, three swimming pools, tennis courts, its own cinema and a nightclub. Lawyer and investor Leonard Ross has owned it since 1976. The estate went on the market for $95 million at the end of 2010. The property had not sold by 2012 but was then listed at a significantly increased asking price of $135 million. The Beverly House, as it has come to be known, has some cinematic connections. It was the setting for the gruesome scene in the film The Godfather depicting a horse's severed head in the bed of film-producer, Jack Woltz. The character was head of a film company called International, the name of Hearst's early film company. According to Hearst Over Hollywood, John and Jacqueline Kennedy stayed at the house for part of their honeymoon. They watched their first film together as a married couple in the mansion's cinema. It was a Hearst-produced film from the 1920s. In the early 1890s, Hearst began building a mansion on the hills overlooking Pleasanton, California on land purchased by his father a decade earlier. Hearst's mother took over the project, hired Julia Morgan to finish it as her home, and named it Hacienda del Pozo de Verona. After her death, it served as the clubhouse for Castlewood Country Club from 1925 to 1969, when it was destroyed in a massive fire.
where was it located
A: John and Jacqueline Kennedy stayed at the house for part of their honeymoon. They watched their first film together as a married couple in the mansion's cinema.

IN: Murray Bookchin (January 14, 1921 - July 30, 2006) was an American social theorist, author, orator, historian, and political philosopher. A pioneer in the ecology movement, Bookchin formulated and developed the theory of social ecology within anarchist, libertarian socialist, and ecological thought. He was the author of two dozen books covering topics in politics, philosophy, history, urban affairs, and ecology. Among the most important were Our Synthetic Environment (1962), Post-Scarcity Anarchism (1971) and The Ecology of Freedom (1982).

Bookchin was critical of class-centered analysis of Marxism and simplistic anti-state forms of libertarianism and liberalism and wished to present what he saw as a more complex view of societies. In The Ecology of Freedom: The Emergence and Dissolution of Hierarchy, he says that: My use of the word hierarchy in the subtitle of this work is meant to be provocative. There is a strong theoretical need to contrast hierarchy with the more widespread use of the words class and State; careless use of these terms can produce a dangerous simplification of social reality. To use the words hierarchy, class, and State interchangeably, as many social theorists do, is insidious and obscurantist. This practice, in the name of a "classless" or "libertarian" society, could easily conceal the existence of hierarchical relationships and a hierarchical sensibility, both of which-even in the absence of economic exploitation or political coercion-would serve to perpetuate unfreedom. Bookchin also points to an accumulation of hierarchical systems throughout history that has occurred up to contemporary societies which tends to determine the human collective and individual psyche: The objective history of the social structure becomes internalized as a subjective history of the psychic structure. Heinous as my view may be to modern Freudians, it is not the discipline of work but the discipline of rule that demands the repression of internal nature. This repression then extends outward to external nature as a mere object of rule and later of exploitation. This mentality permeates our individual psyches in a cumulative form up to the present day-not merely as capitalism but as the vast history of hierarchical society from its inception.

was this a book he had written?

OUT:
In The Ecology of Freedom: The Emergence and Dissolution of Hierarchy, he says that: