In this task, you're given an article and an answer. Your task is to generate the question for the answer based on the given article.

Ex Input:
Article: No opera smells of the sea quite like Britten's Peter Grimes. The music makes us constantly aware of the sea's immensity, it's potential for threat, and the play of light on its waves. But the sea isn't just a special background, it weighs on the lives of the characters, offering them a living, but at a price. In the first act the laboured sound of the strings evokes the complete heaviness of the sailor's work, as they haul the boats up the shingle . Then a storm gathers which rages through the scene at the Inn, and stirs up an orchestral hurricane. Even when it's calm and favorable, the sea is inescapable. In the comfortable enclosed world of the opera house, this can only be suggested. In the production of Peter Grimes about to open at the Aldeburgh Festival, it will be really present, because the opera is taking place on the beach, the setting for much of the narrative of Britten's opera, and also the poem by the Suffolk poet George Crabbe that inspired it. This won't be the first opera production to be set in the actual landscape in which the action takes place. There's a well-known filmed production of Tosca shot in Castel Gandolfo in Rome, and a production of Donizetti's Anna Bolena was once mounted in the moat surrounding the Tower of London. But those were manageable urban landscapes, with comfortingly solid buildings to act as wind shields and acoustic blocks. On the Aldeburgh beach there's actually nothing, apart from a few boats, some whole, some wrecked. Here anything more complicated than walking the dog is hard to solve. The wind blows away one's words, so conversation is hard, and anything not tied down tends to blow away. The sliding shingle turns one's steps into a drunken stagger. The idea of performing an opera in these conditions seems quite _ -- an accusation Aldeburgh director Jonathan Reakie takes cheerfully on the chin. Why has he done it? "Well, Grimes is the opera of Britten's that's most associated with Aldeburgh, but it's never been produced at the Festival which he founded. There just isn't the space for it. In his anniversary year we wanted to focus on Britten's connection with Suffolk, and this seemed the boldest way to do it." Having had the mad idea, Reakie found his colleagues were not just accepting, but enthusiastic. "We spent a long time thinking about ways to do it. One idea we had was to do all the scenes at the right time of day. There's one scene at dawn, another at midday, and a lot of action at night, but that was too complicated. Then we thought about doing a few scenes on the beach. But in the end, we thought hell, let's just do the whole thing."
Answer: Hard.

Ex Output:
Which of the following can best describe the sailor's work in the first act?

Ex Input:
Article: A few days ago we - that's me and the husband - took a cab to the station. Chat with the driver fell to the wrong of cyclists, and the misunderstanding of the road rules. So far as the rules of the road go, there seems to be one basic principle: when you are driving a car you hate bikes, when you are riding a bike you hate cars (and I guess walkers hate everyone). There is an obvious difference of viewpoint built in here. It wasn't until I started to drive a car (almost 20years after I had first rode a bike) that I actually realized that you could not see a cyclist at night without lights. In fact I now want to shout at late night cyclists without lights(like motortists once did at me): "You'll get killed, sunshine, I can't see you." The problem is that cyclists do ride headlong into danger. It's not just not having lights. It's biking on pavements (and so threatening to injure a load of innocent walkers in the process) and biking down one-way streets the wrong way. I admit that I do bike the wrong way down a one-way street sometimes. My feeble defense is that I try always to do it as if I know I was doing wrong. That is slowly, with an apologetic look on the face, and ready to get off at any minute. I can't bear the guys (usually, but not always it is guys) who do it as if they owned the place, and at high speed. So cyclists are not entirely innocent. But they are among the disadvantaged groups, because the bottom line is that a car or a lorry can kill a cyclist and not the other way around.
Answer: Not until she became a driver herself.

Ex Output:
When did the writer realize the danger for late night cyclists without lights?

Ex Input:
Article: The rise of multinational corporations , global marketing, new communications technologies, and shrinking cultural differences have led to an unparalleled increase in global public relations or PR. Surprisingly, since modern PR was largely an American invention, America's relations is being threatened by PR efforts in other countries. Ten years ago, for example, the world's top five public relations agencies were American-owned. In 1991, only one was. The British in particular are becoming more sophisticated and creative. A recent survey found that more than half of all British companies include PR as part of their corporate planning activities, compared to about one-third of U.S. companies.It may not be long before London replaces New York as the capital of PR. Why is America lagging behind in the global PR race? Firstly, Americans as a whole tend to be fairly provincial and take more of an interest in local affairs. Knowledge of world geography, for example, has never been strong in this country. Secondly, Americans lag behind their European and Asian counterparts in knowing a second language. Less than 5 percent of Burson--Marshall's U.S.employees know two languages. Ogilvy and Mather have about the same percentage. Conversely, some European firms have half or more of their employees fluent in a second language. Finally, people involved in PR abroad tend to keep a closer eye on international affairs. In the financial PR area, for instance, most Americans read the Wall Street Journal. Overseas, their counterparts read the Journal as well as the Financial Times of London and The Economist, publications not often read in this country. Perhaps the PR industry might take a lesson from Ted Turner of CNN (Cable News Network). Turner recently announced that the word "foreign" would no longer be used on CNN news broadcasts. According to Turner, global communications have made the nations of the world so interdependent that there is no longer any such thing as foreign.
Answer: Other countries have increased their efforts in public relations.

Ex Output:
What is the immediate cause of the downfall of America's public relations?