An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: Saw this movie when it first came out in the 1970's and hated, hated, hated it! Easily the most booooring movie I have ever seen in my life. Don't know where Leigh got his inspiration but this is one of those movies where you want to shake the characters to get them to open their mouths and communicate. The title says it all because there are no saving moments in this movie, just long, long silences with people unable to articulate what they are (presumably) feeling. If you want to watch something that will drive you to drink then this is the one for you. If you have nothing better to do for two hours then stick a fork in a toaster: the experience will be infinitely more pleasurable than anything you will get from this! Yes, Leigh came up with a lot of really worthwhile stuff much later in his career but give this one a miss.
Q: What's an example of a movie review?
An example of a movie review is here: I had heard this film was a study of a landscape photographer's art by presenting the beauty in man's deconstructing the natural landscape. It certainly showed the laborious activities to find locations, setup shots, and capture stark images whose final destinations were art studios worldwide. Put together in moving pictures it is truly a horror show.

This film oozes by you supplanting the shock of ghastly images with gentle waves of a wonderful industrial soundtrack that guides you like on slow moving river. Each sequence stands on its own, but in combination you get deeper and deeper into the feeling of overwhelming inevitability. There are few words, this allowing the grandeur in what is shown to preach in its own way. An awful, massive factory filled with human automata who live in hopelessly lifeless dormitories. Individuals dying early while rummaging for recyclable scraps in mountains of our E-waste. The birthing of gigantic ships and their destruction by hand in giant graveyards. The construction of the Three Gorges Dam, the largest industrial project in human history and likely for all time. The time lapse as a city dies and is simultaneously reborn into a replica of modernity that purposefully destroys all relics of the culture that was.

The most terrifying image for me was a dam engineer explaining that the most important function of the dam was flood control. The shot shifts to the orchard behind the spokesperson where you witness the level of the last flood by the toxic water having eaten the bark from the trees, demonstrating that nothing but the most hideous vermin could be living in the waters.

The obvious not being stated is far more powerful than your normal preachy Save the Earth documentaries. The artist Edward Burtynsky explains the method wonderfully. 'By not saying what you should see many people today sit in an uncomfortable spot where you don't necessarily want to give up what we have but we realize what we're doing is creating problems that run deep. It is not a simple right or wrong. It needs a whole new way of thinking'. The subtlety of this descends into an either/or proposition, but the film images scream that the decision has very much been made in favor of the dark side.

Though never stated directly in any way, as the waves of what you witness wash away from your awareness and you contemplate, there is only one conclusion possible we are doomed. The progress of mankind that is inexorable from our natures leaves behind carnage that this artist finds terrifying beauty in. What he is actually capturing are the tracks of we the lemmings rushing unconsciously toward our own demise. Unlike most films with environmental themes, this one ends with no call to arms. It argues basically what's the point, but makes certain you place the blame properly on all of us equally.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: The Marquis De Sade, Egypt, ancient Gnostic cults, Robert Englund in a dual role, gratuitous sex and nudity, murder and mayhem... on paper Tobe Hopper's Night Terrors sounds like it should be at least a fun, entertaining flick given the ingredients. It's not. It is a plot less, incoherent shambles that brings little entertainment. There is basically no plot beyond some vague stuff about a cult that follows the work of De Sade who for some unclear reason feel the need to seduce the daughter of a local Christian archaeologist and kill her. That is pretty much it- I think it has something to with the Gnostics but who knows what the writers were thinking. Most of the movie is a meandering mess as the heroine is exposed to various weirdness, dream sequences and erotic encounters, intercut with scenes of Englund as the imprisoned De Sade in the 19th century chewing the scenery. It seems like the makers were trying for something serious but whatever their pretensions were they are buried in the cheesiness, bad acting, sleaze and fake looking decapitated heads.

There aren't too many good points. Robert Englund is fun to watch, as always and the lead actress, Zoe Trilling, whilst not very talented, is attractive and in various stages of undress through the movie but watching Night Terrors is a chore. At least I got to see the movie from which the "When you're as criminal as I" bit from the Australian film certification ratings guide that was on the front of so many VHS tapes from the nineties came from.
Problem: OPTIONS:
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- positive positive
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Answer: One of my favorite movies which has been overlooked by too many movie goers, an observation which mystifies me. Not only directed by the acclaimed Ang Lee,it had many young actors who were to become major stars, e.g., Tobey Maguire (before Spiderman), Skeet Ulrich (before Jericho), Jonathan Rhys Meyers (before Tudors), James Caviezel, Simon Baker, Mark Ruffalo, Jeffrey Wright, Tom Wilkinson, and Jewel. All of the acting was superb and each of the actors mentioned gave memorable performances, especially Meyers who portrayed an evil villain who killed for the sake of killing.

When the biographies and accomplishments of the director ( even when he won an academy award) and the actors are listed, this film is usually omitted from their past performances. I discovered the film on DVD by accident and it became one of my most often watched films. However, it is seldom every seen on cable. I look forward to reading what others suggest are the reasons this film is not well known.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A:
i chose to see the this film on the day it opened nationally in france, as a personal way for myself to reflect on what had happened a year previous; the collection works as intended: it provokes a whirlwind of thoughts and emotions, working as an intellectual hommage, never stooping to cheap sentimentality nor knee-jerk reactionism.

there have been many allegations made that the film is anti-american: while i cannot speak for everyone in this regard, i am one american who found such statements to be completely untrue. people make much noise about the egyptian segment, by Chahine, because it voices perspectives of palestinian suicide bombers asserting that civilians in a democracy are "fair targets" for they elect the governments the bombers are seeking to attack, but this ignores much else in the piece: several perspectives are discussed, no one being held up as the truth, and critics--if they even saw the piece--seem to forget the fondness and warm dialogue that takes place between the director and the ghost of the american dialogue, and the director's intense sadness upon hearing of the tragedy.

pretty much all of the films are beautiful, thoughtful & inspiring, in particular the brilliant work by Mahkmalbaf, Tanovic, Loach & Inarritu. Nair, good as usual, effectively tells a true story of an injustice committed against a muslim family in the wake of anti-islam hysteria that swept--and still sweeps--the states. i did find Gitai's piece a bit vulgarly loud and simple in it's critic of media hysteria in the face of terrorism, and Penn's piece was too impressionistic and elliptical for my tastes, though i had expected to like it. Borgnine is very good and brave in it. SPOILER WARNING: one reviewer below incorrectly read the falling of the towers as being a happy moment for the character; my read is rather that the falling of the towers is what, because light floods his room, keys him into the loss in his life that he refused to recognize. again this is a sort of impressionistic piece, for we know that if the towers were really blocking the light to this man's flat, then there would have been nothing but smoke and ash, not light, flooding through his window.