input: With the band having broken up, Pop met David Bowie on 7 September 1971 at Max's Kansas City, and the pair instantly became good friends. The next day, on the advice of Bowie, Pop signed a recording contract with pop music manager Tony DeFries' company, MainMan. A few months later, Tony DeFries and Pop met Clive Davis from CBS/Columbia Records and got a two-album recording deal. In March 1972, DeFries brought Pop and Williamson to the UK, and the pair attempted to reconstitute the Stooges with British musicians, but finding no suitable additions, brought the Asheton brothers back into the band (this "second choice" decision rankled Ron Asheton, as did his change from guitar to bass). This line-up, billed as Iggy & the Stooges, recorded their third album, the influential Raw Power, which was released in 1973. At the time, the album (which showcased Williamson's intensely melodic solos and chromatic riffs, in contrast to Asheton's minimalistic, groove-oriented approach) was criticized by diehard fans who said that Bowie had mixed it poorly (in subsequent years, various unofficial fan recordings were assembled and released as the album Rough Power; in 1997, the album was re-mixed by Iggy Pop and re-released). Although the album sold rather poorly and was regarded as a commercial failure at the time of its release, Raw Power would go on to become one of the cornerstones of early punk rock. With the addition of a piano player (briefly Bob Sheff and then Scott Thurston), the Stooges toured for several months, starting in February 1973. Around this time they also made a number of recordings that became known as the Detroit Rehearsal Tapes, including a number of new songs that might have been included on a fourth studio album had the band not been dropped by Columbia soon after the release of Raw Power. In 1973, James Williamson was briefly dismissed due to criticism from the band's management company (likely pertaining to his tempestuous relationship with Cyrinda Foxe, a close friend of road manager Leee Black Childers); guitarist Tornado Turner replaced him for a single gig (on 15 June 1973 at the Aragon Ballroom, Chicago, Illinois), but Williamson soon returned to the group. The Stooges disbanded in February 1974 as a result of dwindling professional opportunities; this factor was compounded by Pop's ever-present heroin addiction and erratic off-stage behavior. The last half of the band's last performance of this era (on 9 February 1974 in Detroit, Michigan) was captured and was released later (in 1976) as the live album Metallic K.O. (along with the first half of an earlier show on 6 October 1973 at the same venue). A 1988 expanded release of the album with the title Metallic 2X K.O. included the two halves of each show. In 1998, the album was re-released under the original title with the order of the shows reversed, (mostly) expanded tracks and more complete set-lists.

Answer this question "Are there any other interesting aspects about this article?"
output: this factor was compounded by Pop's ever-present heroin addiction and erratic off-stage behavior. The last half of the band's last performance of this era

input: After retiring as a player, Cousy published his autobiography Basketball Is My Life in 1963, and in the same year became coach at Boston College. In the 1965 ECAC Holiday Basketball Festival at Madison Square Garden, Providence defeated Boston College 91-86 in the title game, when the Friars were led by Tourney MVP and All-American Jimmy Walker. Providence was coached by Joe Mullaney, who was Cousy's teammate at Holy Cross when the two men were players there in 1947. In his six seasons there, he had a record of 117 wins and 38 losses and was named New England Coach of the Year for 1968 and 1969. Cousy led the Eagles to three NIT appearances, including a berth in the 1969 NIT Championship and two National Collegiate Athletic Association tournaments, including the 1967 Eastern Regional Finals. Cousy grew bored with college basketball and returned to the NBA as coach of the Cincinnati Royals, team of fellow Hall-of-Fame point guard Oscar Robertson. He later said about this engagement, "I did it for the money. I was made an offer I couldn't refuse." In 1970, the 41-year-old Cousy even made a late-season comeback as a player to boost ticket sales. Despite his meager output of 5 points in 34 minutes of playing time in seven games, ticket sales jumped by 77 percent. He continued as coach of the team after it moved from Cincinnati to Kansas City/Omaha, but stepped down as the Kings' coach early in the 1973-74 NBA season with a 141-209 record. In later life, Cousy was Commissioner of the American Soccer League from 1974 to 1979. He has been a color analyst on Celtics telecasts since the 1980s." In addition, Cousy had a role in the basketball film Blue Chips in 1993, in which he played a college athletic director. Today he is a marketing consultant for the Celtics, and occasionally makes broadcast appearances with Mike Gorman and ex-Celtic teammate Tom Heinsohn.

Answer this question "did he win any awards?"
output: New England Coach of the Year

input: When she was eighteen, Dickinson's family befriended a young attorney by the name of Benjamin Franklin Newton. According to a letter written by Dickinson after Newton's death, he had been "with my Father two years, before going to Worcester - in pursuing his studies, and was much in our family." Although their relationship was probably not romantic, Newton was a formative influence and would become the second in a series of older men (after Humphrey) that Dickinson referred to, variously, as her tutor, preceptor or master. Newton likely introduced her to the writings of William Wordsworth, and his gift to her of Ralph Waldo Emerson's first book of collected poems had a liberating effect. She wrote later that he, "whose name my Father's Law Student taught me, has touched the secret Spring". Newton held her in high regard, believing in and recognizing her as a poet. When he was dying of tuberculosis, he wrote to her, saying that he would like to live until she achieved the greatness he foresaw. Biographers believe that Dickinson's statement of 1862--"When a little Girl, I had a friend, who taught me Immortality - but venturing too near, himself - he never returned"--refers to Newton. Dickinson was familiar not only with the Bible but also with contemporary popular literature. She was probably influenced by Lydia Maria Child's Letters from New York, another gift from Newton (after reading it, she gushed "This then is a book! And there are more of them!"). Her brother smuggled a copy of Henry Wadsworth Longfellow's Kavanagh into the house for her (because her father might disapprove) and a friend lent her Charlotte Bronte's Jane Eyre in late 1849. Jane Eyre's influence cannot be measured, but when Dickinson acquired her first and only dog, a Newfoundland, she named him "Carlo" after the character St. John Rivers' dog. William Shakespeare was also a potent influence in her life. Referring to his plays, she wrote to one friend, "Why clasp any hand but this?" and to another, "Why is any other book needed?"

Answer this question "What were some of her early writings?"
output:
She wrote later that he, "whose name my Father's Law Student taught me, has touched the secret Spring".