Question:
At Fillmore East is the first live album by American rock band the Allman Brothers Band, and their third release overall. Produced by Tom Dowd, the album was released in July 1971 in the United States by Capricorn Records. As the title indicates, the recording took place at the New York City music venue Fillmore East, which was run by concert promoter Bill Graham. It was recorded over the course of three nights in March 1971 and features the band performing extended jam versions of songs such as "Whipping Post", "
The band devised the cover idea for At Fillmore East rather than leaving it in the hands of Atlantic executives (Allman was particularly disgusted with the artwork for Sam & Dave's Hold On, I'm Comin' album). Initially, the album cover was to be shots of the band taken in front of the Fillmore East with their names on the marquee above them, but no one was satisfied with the results. The band's main purpose for the cover was that it be as "meat and potatoes" as the band's ethos and performing, and someone suggested the band make it a photograph of the band in an alley waiting with their gear to go onstage. The image was shot by photographer Jim Marshall one morning in the band's home of Macon, Georgia. The group were not very happy about being woken up early to shoot ("we figured it didn't make a damn bit of difference what the cover was or what time we took it," said guitarist Dickey Betts). Normally the band hated being photographed; the cover of later retrospective release The Fillmore Concerts shows them displaying terminal boredom. However, during the session, Duane spotted a dealer friend, raced over and grabbed a bag of contraband, then returned to his seat, discreetly clutching the stash in his lap. This made the whole band laugh, resulting in a memorable image. Marshall stenciled the album title on one of the road cases, which were stacked in front of the wall. The back cover shows their road crew gathered in the same spot with 16 oz cans of Pabst Blue Ribbon beer provided by the photographer as a reward to the roadies for lugging out and stacking the band's heavy equipment for the shoot. Among the crew on the back cover are Joseph "Red Dog" Campbell, Kim Payne, Mike Callahan, Joe Dan Petty and Willie Perkins (the last two the newest additions to the crew at the time). The idea to have the crew on the back cover was Duane Allman's idea, as all involved viewed them the "unsung heroes" in the operation. A photo of Lyndon, then in jail awaiting his trial, was superimposed to the wall behind the crew.
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What did the artwork on the front cover consist of?

Answer:
band make it a photograph of the band in an alley waiting with their gear to go onstage.

Question:
Robert Wilson "Robb" Royer (born December 6, 1942 in Los Angeles, California) is an American musician and songwriter, best known as a founding member of Bread from 1968 to 1971. While he was with the band, they had a #5 UK/#1 US hit single with "Make It With You". He was replaced by Larry Knechtel in 1971.
In 1982 Royer wrote the song "Quittin' Time" (co-written with Roger Linn) which eight years later was recorded by Mary Chapin Carpenter and won an ASCAP Airplay award. Royer traveled to Nashville to receive the award and stayed with Griffin, who had previously relocated from L.A. to Nashville. Larry Knechtel had also been living and working as a session musician in Nashville. Royer relocated to Nashville in 1994. Todd Cerney was already a grammy-nominated songwriter when Royer met him in 1994 at Jim Della Croce's house. Cerney had written two top-forty songs (Loverboy's "Notorious" and Restless Heart's "I'll Still Be Loving You," which reached number one on the Country charts). Cerney had established a private recording studio in his home where he engineered a number of other singer-songwriters' albums. Griffin, Royer and Cerney first collaborated by co-writing the song "Kyrie" in 1994. Knechtel later joined the trio and together they performed and co-wrote songs (including the 1995 song "Slow Train") under the band name "Toast". Toast performed at various Nashville venues including the Bluebird, Third and Lindsley, and 12th & Porter. They wrote and performed their own songs including such titles as "Road Kill," "Knechtelodeon," "No More Smokin'," "Grenadine," "Magdelena," and "Radio Dixie." The group used session drummers for their recordings and performances. The group would later be known as Radio Dixie in 1998. The name change was intended to help with promotion of the group, but the group disbanded by the end of 1998. Royer and Cerney continued to write together, generating additional titles including "Hurtin' Cowboy," "New Orleans Prayer," "I Believe I Kissed an Angel," and "Beside Myself."
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Are there any other interesting aspects about this article?

Answer:
Royer and Cerney continued to write together, generating additional titles including "Hurtin' Cowboy," "New Orleans Prayer," "I Believe I Kissed an Angel," and "Beside Myself."