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CBC Radio 3 is a radio network that consists of two parts devoted to Canadian arts and music: a radio service which is available on Sirius XM Satellite Radio and streaming audio, and several daily and weekly podcasts from the CBC Radio 3 website. The audio stream is available from both CBC Music and from iTunes Radio, but geographical restrictions are in place to prevent access outside of Canada. The network evolved out of programming on CBC Radio 2, which also simulcasted the satellite network on Saturday and Sunday nights from its debut in December 2005 until March 17, 2007. Radio 3 is no longer heard on terrestrial radio, but is still available through its satellite radio and Internet operations.
On April 20, 2007, as part of CBC Radio 3's 100th podcast, a weekly video podcast was introduced. The new video-based podcast, R3TV, revolved around the personalities at CBC Radio 3 and featured a particular artist each week, who provided commentary for the podcast and had their music videos featured in the show. R3TV was also available as a channel on Internet television services such as Joost, YouTube and Miro Media Player. In 2011, CBC Radio 3 sponsored its first documentary movie, Winning America, about Canadian band Said the Whale. The movie was directed by Brent Hodge and Thomas Buchan, and produced by Jon Siddall, Brent Hodge and Sheila Peacock. It first aired on July 23, 2011 on CBC Television in British Columbia, and then nationally on April 2, 2012. After the success of the first film, Radio 3 decided to do a second documentary movie called What Happens Next? about Canadian musician Dan Mangan. This movie was produced and directed by Brent Hodge and Jon Siddall. It aired on CBC on August 25, 2012 in BC, and then again nationally on October 20, 2012. Radio 3's next foray into video was in 2013, with the web series The Beetle Roadtrip Sessions. It followed host Grant Lawrence across Canada visiting various musicians and other personalities along the way, including The Darcys, Hollerado, Sam Roberts, Theo Fleury, Hawksley Workman and others. It was also directed by Brent Hodge. The Beetle Roadtrip Sessions won the award for Best Original Program or Series produced for Digital Media - Non-Fiction at the 2nd Canadian Screen Awards.
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Did they release any other movies?

Answer:
What Happens Next?

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Born in Prague, Czech Republic (then part of the Austro Hungarian empire) Friml showed aptitude for music at an early age. He entered the Prague Conservatory in 1895, where he studied the piano and composition with Antonin Dvorak. Friml was expelled from the conservatory in 1901 for performing without permission.
One of the most popular theatrical forms in the early decades of the 20th century in America was the operetta, and its most famous composer was Irish-born Victor Herbert. It was announced in 1912 that operetta diva Emma Trentini would be starring in a new operetta on Broadway by Herbert with lyricist Otto Harbach entitled The Firefly. Shortly before the writing of the operetta, Trentini appeared in a special performance of Herbert's Naughty Marietta conducted by Herbert himself. When Trentini refused to sing "Italian Street Song" for the encore, an enraged Herbert stormed out of the orchestra pit refusing any further work with Trentini. Arthur Hammerstein, the operetta's sponsor, frantically began to search for another composer. Not finding any other theatre composer who could compose as well as Herbert, Hammerstein settled on the almost unknown Friml because of his classical training. After a month of work, Friml produced the score for what would be his first theatrical success. After tryouts in Syracuse, New York, The Firefly opened at the Lyric Theatre on December 2, 1912 to a warm reception by both the audience and the critics. The production moved to the Casino Theatre after Christmas, where it ran until March 15, 1913, for a total of 120 performances. After The Firefly, Friml produced three more operettas that each had longer runs than The Firefly, although they are not as enduringly successful. These were High Jinks (1913), Katinka (1915) and You're in Love (1917). He also contributed songs to a musical in 1915 entitled The Peasant Girl. Trentini was named as a co-respondent in Friml's divorce from his first wife in 1915, and evidence was introduced that they were having an affair. Another show, Sometime, written with Rida Johnson Young and starring Ed Wynn and Mae West, ran well on Broadway in 1918-1919.
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Are there any other interesting aspects about this article?

Answer:
Arthur Hammerstein, the operetta's sponsor, frantically began to search for another composer. Not finding any other theatre composer who could compose as well as Herbert,

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Hattie McDaniel (June 10, 1895 - October 26, 1952) was an American stage actress, professional singer-songwriter, and comedian. She is best known for her role as "Mammy" in Gone with the Wind (1939), for which she won the Academy Award for Best Supporting Actress, the first Academy Award won by an African American entertainer. In addition to acting in many films, McDaniel was a radio performer and television star; she was the first black woman to sing on radio in the United States. She appeared in over 300 films, although she received screen credits for only 80 or so.
The whereabouts of McDaniel's Oscar are currently unknown. In 1992, Jet magazine reported that Howard University could not find it and alleged that it had disappeared during protests in the 1960s. In 1998, Howard University stated that it could find no written record of the Oscar having arrived at Howard. In 2007, an article in the Huffington Post repeated rumors that the Oscar had been cast into the Potomac River by angry civil rights protesters in the 1960s. The assertion reappeared in the Huffington Post under the same byline in 2009. In 2010, Mo'Nique, the winner of the Academy Award for Best Supporting Actress, wearing a blue dress and gardenias in her hair, as McDaniel had at the ceremony in 1940, in her acceptance speech thanked McDaniel "for enduring all that she had to so that I would not have to". Her speech revived interest in the whereabouts of McDaniel's plaque. In 2011, J. Freedom duLac reported in the Washington Post that the plaque had disappeared in the 1960s. In November 2011, W. B. Carter, of the George Washington University Law School, published the results of her year-and-a-half-long investigation into the Oscar's fate. Carter rejected claims that students had stolen the Oscar (and thrown it in the Potomac River) as wild speculation or fabrication that traded on long-perpetuated stereotypes of blacks. She questioned the sourcing of the Huffington Post stories. Instead, she argued that the Oscar was likely returned to Howard University's Channing Pollack Theater Collection between the spring of 1971 and the summer of 1973 or had possibly been boxed and stored in the drama department at that time. The reason for its removal, she argued, was not civil rights unrest but rather efforts to make room for a new generation of black performers. If neither the Oscar nor any paper trail of its ultimate destiny can be found at Howard today, she suggested, inadequate storage or record-keeping in a time of financial constraints and national turbulence may be blamed. She also suggested that a new generation of caretakers may have failed to realize the historic significance of the 5 1/2" x 6" plaque.
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what happened after the interest arrised?

Answer:
In 2011, J. Freedom duLac reported in the Washington Post that the plaque had disappeared in the 1960s.