IN: Hugo Sanchez Marquez (born 11 July 1958) is a retired Mexican professional footballer and manager, who played as a forward. A prolific goalscorer known for his spectacular strikes and volleys, Sanchez is widely regarded as Mexico's greatest-ever footballer, and one of the greatest players of his generation. In 1999, the International Federation of Football History and Statistics voted Sanchez the 26th best footballer of the 20th century, and the best footballer from the CONCACAF region. In 2004 Sanchez was named in the FIFA 100 list of the world's greatest living players.

Nicknamed Hugol and Pentapichichi, Sanchez was a prolific goalscorer, who usually played as a centre-forward; he is widely regarded as Mexico's greatest-ever footballer, and one of the greatest players of his generation. A quick and mobile striker, with good skills and an eye for goal, he was known for his intelligence, positional sense, movement, and anticipation in the area, and was an accurate and efficient finisher, who was capable of scoring with few touches. Due to his athleticism, Sanchez was good in the air, despite his diminutive stature, and was also known for his ability to score acrobatic and flamboyant goals from spectacular strikes and volleys from any position on the pitch, both inside or outside the area; his mastery of the "Chilena", or "Bicycle kick", was a result of his own early training in gymnastics, and his goals scored in this manner were later dubbed Huguinas. His trademark was to perform a celebratory somersault followed by a fist pump after each goal he scored, in honour of his sister, who was a gymnast and participated in the Montreal Olympics. According to his FIFA profile, Sanchez is credited as the creator of the scorpion kick, which was later popularised by Colombian goalkeeper Rene Higuita. Though he regularly practised the trick in training, the Mexican striker never scored a goal with it in an official match. An accurate penalty taker, Sanchez held the record for most penalties scored in La Liga with 56, until Cristiano Ronaldo broke the record in 2017 after scoring his 57th penalty-kick.

Did he influence anyone else's style?

OUT: Colombian goalkeeper Rene Higuita.

Answer the question at the end by quoting:

Clarence White (born Clarence Joseph LeBlanc; June 7, 1944 - July 14, 1973), was an American bluegrass and country guitarist and singer. He is best known as a member of the bluegrass ensemble the Kentucky Colonels and the rock band the Byrds, as well as for being a pioneer of the musical genre of country rock during the late 1960s. White also worked extensively as a session musician, appearing on recordings by the Everly Brothers, Joe Cocker, Ricky Nelson, Pat Boone, the Monkees, Randy Newman, Gene Clark, Linda Ronstadt, Arlo Guthrie, and Jackson Browne amongst others. Together with frequent collaborator Gene Parsons, he invented the B-Bender, a guitar accessory that enables a player to mechanically bend the B-string up a whole tone and emulate the sound of a pedal steel guitar.
Clarence White helped popularize the acoustic guitar as a lead instrument in bluegrass music, building on the work of guitarists such as Doc Watson. Prior to the advent of the more aggressive flatpicking style pioneered by guitarists like Watson and White, the guitar was strictly a rhythm instrument, save for a few exceptions (such as the occasional guitar track by banjoist Don Reno). Many of the most influential flatpickers of the 20th century cite White as a primary influence, including Dan Crary, Norman Blake, and Tony Rice. Rice owns and plays White's highly modified 1935 Martin D-28. David Grier and Russ Barenberg are two other acoustic guitarists who were heavily influenced by White's guitar work. White's bluegrass playing with the Kentucky Colonels was also a considerable influence on Jerry Garcia of the Grateful Dead, who traveled with the band during 1964. On the electric side of the guitar spectrum, White was similarly influential. Together with fellow Byrds bandmember Gene Parsons, White invented the B-Bender device. This device raises the B-string (second string) of the guitar a whole step by the use of pulleys and levers attached to both the upper strap knob and the second string on the guitar. It is activated by pushing down on the neck, and produces a "pedal steel" type sound. Arlen Roth, heavily influenced by this style, did not at the time know that White and Parsons had invented a B-bender, so instead developed his own unique all-finger bending version of this technique. This was heavily documented in his ground-breaking book, "Nashville Guitar", all of his recordings, as well as his book "Masters of the Telecaster". Subsequently, his Telecaster sound became as notable as his bluegrass playing. Marty Stuart, another guitarist influenced by White's playing, now owns and regularly plays White's 1954 Fender Telecaster with the prototype B-Bender. Music archivist and writer Alec Palao has called White "one of a handful of true greats amongst the instrumentalists of 20th century popular music", before adding that "the waves created by the guitarist's idiosyncratic style are still forming ripples within bluegrass, country and rock 'n' roll." In 2003, White was ranked No. 41 on Rolling Stone magazine's list of the 100 Greatest Guitarists of All Time. In 2010, guitar manufacturer Gibson ranked White at No. 42 on their Top 50 Guitarists of All Time list.

what was the musical influence on white

input: Deerskin trade was at its most profitable in the mid-18th century. The Creeks rose up as the largest deerskin supplier, and the increase in supply only intensified European demand for deerskins. Native Americans continued to negotiate the most lucrative trade deals by forcing England, France, and Spain to compete for their supply of deerskins. In the 1750s and 1760s, the Seven Years' War disrupted France's ability to provide manufactures goods to its allies, the Choctaws and Chickasaw. The French and Indian War further disrupted trade, as the British blockaded French goods. The Cherokees allied themselves with France, who were driven out from the southeast in accordance with the Treaty of Paris in 1763. The British were now the dominant trading power in the southeast. While both the Cherokee and the Creek were the main trading partners of the British, their relationships with the British were different. The Creeks adapted to the new economic trade system, and managed to hold onto their old social structures. Originally Cherokee land was divided into five districts; however, the number soon grew to thirteen districts with 200 hunters assigned per district due to deerskin demand. Charleston and Savannah were the main trading ports for the export of deerskins. Deerskins became the most popular export, and monetarily supported the colonies with the revenue produced by taxes on deerskins. Charleston's trade was regulated by the Indian Trade Commission, composed of traders who monopolized the market and profited off the sale of deerskins. From the beginning of the 18th century to mid-century, the deerskin exports of Charleston more than doubled in exports. Charleston received tobacco and sugar from the West Indies and rum from the North in exchange for deerskins. In return for deerskins, Great Britain sent woolens, guns, ammunition, iron tools, clothing, and other manufactured goods that were traded to the Native Americans.

Answer this question "were there any disagreements?"
output:
The French and Indian War