Problem: Nehemiah Curtis "Skip" James (June 9, 1902 - October 3, 1969) was an American Delta blues singer, guitarist, pianist and songwriter. His guitar playing is noted for its dark, minor-key sound, played in an open D-minor tuning with an intricate fingerpicking technique. James first recorded for Paramount Records in 1931, but these recordings sold poorly, having been released during the Great Depression, and he drifted into obscurity. After a long absence from the public eye, James was "rediscovered" in 1964 by blues enthusiasts, helping further the blues and folk music revival of the 1950s and early 1960s.

In early 1931, James auditioned for the record shop owner and talent scout H. C. Speir in Jackson, Mississippi. Speir placed blues performers with various record labels, including Paramount Records. On the strength of this audition, James traveled to Grafton, Wisconsin, to record for Paramount. His 1931 records are considered idiosyncratic among prewar blues recordings and formed the basis of his reputation as a musician. As was typical of his era, James recorded various styles of music - blues, spirituals, cover versions and original compositions - frequently blurring the lines between genres and sources. For example, "I'm So Glad" was derived from a 1927 song, "So Tired", by Art Sizemore and George A. Little, recorded in 1928 by Gene Austin and by Lonnie Johnson (Johnson's version was entitled "I'm So Tired of Livin' All Alone"). James's biographer Stephen Calt, echoing the opinion of several music critics, considered the finished product totally original, "one of the most extraordinary examples of fingerpicking found in guitar music". Several other recordings from the Grafton session, such as "Hard Time Killing Floor Blues", "Devil Got My Woman", "Jesus Is a Mighty Good Leader", and "22-20 Blues" (the basis of Robert Johnson's better-known "32-20 Blues"), have been similarly influential. Very few original copies of James's Paramount 78 rpm records have survived. The Great Depression struck just as James's recordings were hitting the market. Sales were poor as a result, and he gave up performing the blues to become the choir director in his father's church. James was later an ordained minister in Baptist and Methodist churches, but the extent of his involvement in religious activities is unknown.

How was this received by audiences?

Answer with quotes: "). James's biographer Stephen Calt, echoing the opinion of several music critics, considered the finished product totally original, "one of the most extraordinary examples of fingerpicking found in guitar music".

Question:
Redd Foxx was born John Elroy Sanford on December 9, 1922, in St. Louis, Missouri and raised on Chicago's South Side. His father, Fred Sanford, an electrician and auto mechanic from Hickman, Kentucky, left his family when Foxx was four years old. He was raised by his half-Seminole Indian mother, Mary Hughes from Ellisville, Mississippi, his grandmother and his minister. Foxx attended DuSable High School in Chicago's Bronzeville neighborhood with future Chicago mayor Harold Washington.
Foxx achieved his most widespread fame starring in the television sitcom Sanford and Son, an adaptation of the BBC series Steptoe and Son. He used his starring role on Sanford and Son to help get jobs for his acquaintances such as LaWanda Page, Slappy White, Gregory Sierra, Don Bexley, Beah Richards, Stymie Beard, Leroy Daniels, Ernest Mayhand and Noriyuki "Pat" Morita. The series premiered on the NBC television network on January 14, 1972 and was broadcast for six seasons. The final episode aired on March 25, 1977. Foxx played the role of Fred G. Sanford ("Fred Sanford" was actually Foxx's father's and brother's name), while Foxx's co-star Demond Wilson played the role of his son Lamont. In this sitcom, Fred and Lamont were owners of a junk/salvage store in Watts who dealt with many humorous situations that would arise. The series was notable for its racial humor and overt prejudices which helped redefine the genre of black situation comedy. The show also had several running gags. When angry with Lamont, Fred would often say "You big dummy" or would often fake heart attacks by putting his hand on his chest and saying (usually while looking up at the sky) "It's the big one, I'm coming to join ya honey/Elizabeth" (referring to his late wife). Fred would also complain about having "arthur-itis" to get out of working by showing Lamont his cramped hand. Foxx depicted a character in his 60s, although in real-life he was a decade younger. Demond Wilson had responded if he kept in touch with everybody from Sanford & Son; esp. the series' star, himself, after the series was canceled: "No. I saw Redd Foxx once before he died, circa 1983, and I never saw him again. At the time I was playing tennis at the Malibu Racquet Club and I was approached by some producers about doing a Redd Foxx 50th Anniversary Special. I hadn't spoken to him since 1977, and I called the club where (Redd) was playing. And we met at Redd's office, but he was less than affable. I told those guys it was a bad idea. I never had a cross word with him. People say I'm protective of Redd Foxx in my book (Second Banana, Wilson's memoir of the Sanford years). I had no animosity toward Foxx for (quitting the show in 1977) because I had a million dollar contract at CBS to do Baby I'm Back. My hurt was that he didn't come to me about throwing the towel in - I found out in the hallway at NBC from a newscaster. I forgave him and I loved Redd, but I never forgot that. The love was there. You can watch any episode and see that."
Answer this question using a quote from the text above:

was elizabeth his wife?

Answer:
Elizabeth" (referring to his late wife).