Input: On his return to Nuremberg in 1495, Durer opened his own workshop (being married was a requirement for this). Over the next five years his style increasingly integrated Italian influences into underlying Northern forms. Durer's father died in 1502, and his mother died in 1513. His best works in the first years of the workshop were his woodcut prints, mostly religious, but including secular scenes such as The Men's Bath House (ca. 1496). These were larger and more finely cut than the great majority of German woodcuts hitherto, and far more complex and balanced in composition. It is now thought unlikely that Durer cut any of the woodblocks himself; this task would have been performed by a specialist craftsman. However, his training in Wolgemut's studio, which made many carved and painted altarpieces and both designed and cut woodblocks for woodcut, evidently gave him great understanding of what the technique could be made to produce, and how to work with block cutters. Durer either drew his design directly onto the woodblock itself, or glued a paper drawing to the block. Either way, his drawings were destroyed during the cutting of the block.
"What studio did Durer train in?" is "Wolgemut"?
Output: yes
Input: Literary career During the war Camus joined the French Resistance cell Combat, which published an underground newspaper of the same name. This group worked against the Nazis, and in it Camus assumed the nom de guerre Beauchard. Camus became the paper's editor in 1943. He first met Sartre at the dress rehearsal of Sartre's play, The Flies, in June 1943. When the Ailies liberated Paris in August 1944, Camus witnessed and reported the last of the fighting. Soon after the event on 6 August 1945, he was one of the few French editors to publicly express opposition and disgust to the United States' dropping the atomic bomb in Hiroshima. He resigned from Combat in 1947 when it became a commercial paper. After the war, Camus began frequenting the Cafe de Flore on the Boulevard Saint-Germain in Paris with Sartre and others. He also toured the United States to lecture about French thought. Although he leaned left, politically, his strong criticisms of Communist doctrine did not win him any friends in the Communist parties and eventually alienated Sartre. In 1949, his tuberculosis returned, whereupon he lived in seclusion for two years. In 1951, he published The Rebel, a philosophical analysis of rebellion and revolution which expressed his rejection of communism. Upsetting many of his colleagues and contemporaries in France, the book brought about the final split with Sartre. The dour reception depressed Camus; he began to translate plays. Camus's first significant contribution to philosophy was his idea of the absurd. He saw it as the result of our desire for clarity and meaning within a world and condition that offers neither, which he expressed in The Myth of Sisyphus and incorporated into many of his other works, such as The Stranger and The Plague. Despite his split from his "study partner", Sartre, Camus was still categorized as an Existentialist. He specifically rejected that label in his essay "Enigma" and elsewhere.
"In what work does Camus primarily express his views of the absurd?" is "Camus's first significant contribution to philosophy"?
Output: no
Input: For much of the world, the Algarve is synonymous with Portugal, yet the Portuguese will tell you the exact opposite: the region has little in common with the rest of the country. The southern stretch of coast is more reminiscent of a North African landscape than a European one. It has no cosmopolitan cities, like Lisbon and Porto, which are farther north. Most of Portugal is known for quaint towns, medieval castles, and grand palaces. The Algarve is more recognizable for impenetrable blocks of tourist apartments, hotels, and meticulously manicured golf courses. And beaches. Think Algarve and the mind pictures long, glorious stretches of golden sands, secluded coves framed by odd ochre-colored rock formations, and deep green waters. With about 160 km (100 miles) of coastline, Portugal's southern province is one of Europe's premier beach destinations. The occasionally chilly ocean is the Atlantic, but the Algarve has a sultry Mediterranean feel. Its consistent climate is the best in Portugal, and one of the kindest in the world: more than 250 days of sunshine a yearmore than almost any other international resort area. The moderating effect of the Gulf Stream produces a fresh springtime breeze throughout winter, and in late January and February, white almond blossoms blanket the fields. In summer the heat is intense but rarely unbearable, and regardless, beautiful beaches and innumerable pools are always just a dive away. Magnificent year-round weather has made the Algarve a huge destination for sporting vacations. Superb golf facilities aboundseveral with tees dramatically clinging to cliffs and fairways just skirting the edge of the oceanand horseback riding, tennis, big-game fishing, sailing, and windsurfing are immensely popular. Sports, beaches and hospitable weathernot to mention easily organized package vacationsare surely the reasons the Algarve receives as many visitors as the rest of Portugal in its entirety. But it's not just international tourists that descend on the Algarve; many Portuguese from Lisbon and elsewhere in the north have holiday homes and spend their summer vacations here. The coast is neatly divided into the rugged Barlavento to the west and the flat beauty of Sotavento to the east. West is where you'll find the famous orange cliffs and surreal eroded rock stacks.
"Aside from tourist apartments, hotels, and meticulously manicured golf courses, Algarve is known for what among tourists?" is "Mountains"?
Output:
no