Just minutes after Donald Trump fired Rex Tillerson on Tuesday, the president was blunt about his long-standing differences with his former secretary of state. "We disagreed on things," Trump told reporters outside the White House, specifically pointing to friction over the Iran nuclear agreement. "I wanted to either break it or do something, and he felt a little bit differently," Trump said. "We were really not thinking the same." Trump reportedly had considered firing Tillerson for months. But the decision - and the abrupt way it was executed - represents a dramatic end to a strained relationship. Tillerson learned of his firing by an early-morning Trump tweet, according to Steve Goldstein, undersecretary of state. White House officials disputed that notion, and promptly fired Goldstein. The move left some of Trump's staunchest defenders with mixed feelings. "It's all very Trumpian," said James Carafano of the conservative Heritage Foundation, who helped staff the State Department as a member of Trump's transition team. "When the president makes changes, he just abruptly makes them." During his 14 months at the State Department, Tillerson had numerous policy differences with Trump - and the friction frequently played out in public. The animosity peaked in October, when news surfaced that Tillerson reportedly called Trump a "moron" following a July Pentagon meeting. Tillerson never explicitly denied the account. Tillerson also publicly disagreed with Trump's decision to pull out of the Paris climate accord. He reportedly opposed Trump's decision to move the U.S. embassy from Tel Aviv to Jerusalem. And Tillerson sometimes took a tougher stance than Trump on Russia including this week, when he blamed Moscow for a suspected nerve agent attack in Britain. In return, Trump on numerous occasions publicly undermined his top diplomat, including in October when he tweeted Tillerson was "wasting his time" trying to negotiate with North Korean leader Kim Jong Un. When Trump ultimately made his decision last week to... How long after Trump fired Tillerson, did he explain why? - under ten minutes - a few days after - not enough information - a few hours after
under ten minutes

(Question)
What would you do you're driving past hundreds of citrus trees. With a better look, they're mandarins, or, more precisely clementines. On the roadside is a truck selling crates of them for 1 euro a kilo. You stop, right? And buy a crate of 10 kilos. Even though you have to get on a plane the next day. I couldn't help myself. Marco, who I had already made turn 180 degrees to drive back to the truck, gave me that look of disapproval when I want to do something totally unreasonable like impulse buy citrus fruit that we can't keep. "What are we going to do with these?" He questioned. I wasn't sure. I wanted to taste them, I wanted to photograph them. And maybe I could even squeeze some of them into our tiny bag to take home. "It won't be a waste, I'll give the rest away!" I reasoned. He just shook his head, giving in. I bought them, a big grin on my face. We were just outside the port city of Taranto, on the western coast of Puglia in Italy's deep south, where we spent a long weekend recently and where clementines have special IGP (Protected Geographical Indication) status. These clementines a hybrid of oranges and mandarins grow in the fertile soil around the gulf of Taranto, particularly around the town of Palagiano (also known as "the city of clementines" they celebrate the symbol of their city with a sagra, a food festival, every December) and the delicate fruit is harvested by hand. We don't get these in Florence, it was my only chance to taste them they are small with very few, if any, seeds, and they are very sweet. How long did it probably take Marco to get to the roadside seller? - One hour - The long weekend - A few minutes - not enough information
(Answer)
A few minutes

Thank you for the a2a! I have a habit of making mental errors; some funny, some not. This one just happens to be funny. We had "open critiques" in art school. The idea was A- to point out how we could do it better, and B- to toughen us up for the advertising world. It's brutal, cruel, and cutthroat, and get ready for your stupid clients to ruin your tasteful design and fuck it all kinds of up to put a picture of their ugly-ass crotch dropping on there, or a huge starburst that says "SALE SALE SALE!". You had to learn not to care, and do your fulfilling artwork on the side. It's just a job; nothing personal. We were in the middle of a critique, and it was turning ugly. The only time our professor would jump in was if it turned personal. It had. He laid back and let us fight it out, until someone told the girl we were critiquing that "with your taste from growing up in a trailer park, looks like you'll be working for the Auto Trader" (a shitty, newsprint magazine that people sell used cars in- the worst of the worst design jobs). Before our professor could comment, I blurted out "For fuck's sake, Mom." I was about to say "tell them to break it the fuck up!" until the laughter started. Then I realized I'd called my professor, who had an MFA and spent 20 years in advertising at Saatchi and Saatchi, "Mom". He responded with such amazing, quick wit; "Ms. Hood, I admire your devotion to your mother; just remember she stays home while you come to class." I caught hell for it that entire semester. Luckily, we (almost) all had pretty tough skins, so it was amusing, even to our somewhat staid professor. He wrote on my end of semester assessment "Respectfully, Not Your Mom." I still keep that assessment to remind me to wear life like a loose garment. We all say stupid shit sometimes; just laugh at yourself and enjoy the silly moment. What kind of job does the narrator likely work for at the end of the story? - As a professor at an art school. - not enough information - As a sale representative in retail. - As a graphic designer in advertising.
As a graphic designer in advertising.