input: Stephanie "Stevie" Nicks was born at Good Samaritan Hospital in Phoenix, Arizona, to Jess Nicks (July 2, 1925 - August 10, 2005), former president of Greyhound's Armour-Dial, and Barbara Nicks (November 12, 1927 - December 29, 2011), a homemaker. Nicks's grandfather, Aaron Jess "A.J." Nicks, Sr. (May 18, 1892 - August 1, 1974), a struggling country music singer, taught Nicks to sing duets with him by the time she was four years old. Nicks's mother was so protective that she kept her at home "more than most people" and during that time fostered in her daughter a love of fairy tales. The infant Stephanie could pronounce her own name only as "tee-dee," which led to her nickname of "Stevie". Her father's frequent relocation as a food business executive had the family living in Phoenix, Albuquerque, El Paso, Salt Lake City, Los Angeles, and San Francisco during Nicks's youth. With the Goya guitar that she received for her 16th birthday, Nicks wrote her first song, "I've Loved and I've Lost, and I'm Sad But Not Blue". She spent her adolescence playing records constantly, and lived in her "own little musical world." While attending Arcadia High School in Arcadia, California, she joined her first band, the Changing Times, a folk rock group focused on vocal harmonies. Nicks first met her future musical and romantic partner, Lindsey Buckingham, during her senior year at Menlo-Atherton High School. When she saw Buckingham playing "California Dreamin'" at Young Life club, she joined him in harmony. She later recalled, "I was a senior in high school and Lindsey was a junior. And we went to a Young Life meeting - which was a religious meeting that simply got you out of the house on Wednesday nights - and um, he was there and I was there and we sat down and played California Dreaming. I thought he was a darling. I didn't see him again for two years and he called me up and asked if I wanted to be in a band... And so, I was in this band with him for three and a half years - a band called Fritz." Buckingham was in a psychedelic rock band named Fritz, but two of its musicians were leaving for college. He asked Nicks in mid-1967 to replace the lead singer, a guitarist named Jody Moreing. For the next three years Fritz was composed of Nicks on lead vocals, Buckingham on bass and vocals, Brian Kane on lead guitar, Javier Pacheco on keyboards, and Bob Aguirre on drums. Pacheco was the main songwriter in the group, with a psychedelic bent, but Nicks's own compositions brought a country rock flair to the group. Fritz became popular as a live act when it opened for both Jimi Hendrix and Janis Joplin from 1968 until 1971. Nicks credits each of those acts as having inspired her own stage intensity and performance. Both Nicks and Buckingham attended San Jose State University, where Nicks majored in speech communication and planned to become an English teacher. Nicks dropped out of college the semester before graduation.

Answer this question "Did she stay in Fritz until 1971?"
output:

input: Jay Underwood played Johnny Storm in the unreleased Fantastic Four film produced by Roger Corman. The Human Torch/Johnny Storm is played by Chris Evans in the big budget 2005 movie Fantastic Four. In the film, he is an intelligent, but arrogant, young man in his early twenties who loves extreme sports. He is the younger brother of Susan Storm, who works within Von Doom Industries as Victor von Doom's chief of the Science Department. Chris Evans reprises his role as Johnny Storm in Fantastic Four: Rise of the Silver Surfer. When his older sister's wedding is interrupted by the Silver Surfer, Johnny pursues the Surfer and loses the subsequent confrontation. Due to his contact with the Surfer, Johnny is thereafter able to switch powers with any of his teammates through physical contact. This change thwarts their attempt to trap the Silver Surfer when he accidentally switches powers with Reed. However, when Doom steals the Surfer's board and powers, Johnny uses his change to absorb the powers of the entire team, using Sue's invisibility and his own flame powers to sneak up on Doom before overpowering him with the Thing's strength and Reed's elasticity. He loses the ability to switch powers when he makes contact with the Surfer for a second time. Simon Rex portrayed the Human Torch in the spoof film Superhero Movie (2008). Michael B. Jordan portrayed Johnny Storm in the 2015 film Fantastic Four. While Johnny Storm is still the son of Franklin Storm, Susan Storm is his adoptive sister. He gains his powers following a visit to Planet Zero. Since the incident, the scientists working with Franklin Storm designed a special suit that helped Johnny to master his powers. After Victor von Doom returned from Planet Zero and was making his way back to the Quantum Gate to further his goals, Johnny was devastated when Victor killed Franklin Storm. Johnny later helped Reed, Susan, and Ben fight Victor.

Answer this question "Who directed the movie?"
output:

input: Evans' career began just before the rock explosion in the 1960s. During this decade, jazz was swept in a corner, and most new talents had few opportunities to gain recognition, especially in America. However, Evans believed he had been lucky to gain some exposure before this profound change in the music world, and never had problems finding employers and recording opportunities. Evans never embraced new music movements; he kept his style intact. For example, he lamented watching Davis shift his style towards jazz fusion, and blamed the change on considerations of commerce. Evans commented "I would like to hear more of the consummate melodic master [Davis], but I feel that big business and his record company have had a corrupting influence on his material. The rock and pop thing certainly draws a wider audience. It happens more and more these days, that unqualified people with executive positions try to tell musicians what is good and what is bad music." However, Evans and Davis kept in touch throughout their lives. While Evans considered himself an acoustic pianist, from the 1970 album From Left to Right on, he also released some material with Fender-Rhodes piano intermissions. However, unlike other jazz players (e.g. Herbie Hancock) he never fully embraced the new instrument, and invariably ended up returning to the acoustic sound. "I don't think too much about the electronic thing, except that it's kind of fun to have it as an alternate voice. (...) [It's] merely an alternate keyboard instrument, that offers a certain kind of sound that's appropriate sometimes. I find that it's a refreshing auxiliary to the piano--but I don't need it (...) I don't enjoy spending a lot of time with the electric piano. I play it for a period of time, then I quickly tire of it, and I want to get back to the acoustic piano." He commented that electronic music: "just doesn't attract me. I'm of a certain period, a certain evolution. I hear music differently. For me, comparing electric bass to acoustic bass is sacrilege."

Answer this question "How was he influenced by this?"
output:
Evans believed he had been lucky to gain some exposure before this profound change in the music world, and never had problems finding employers and recording opportunities.