In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: Before the year 2000, which of the films NikhilVinay's had the highest grossing box office sales? Passage 1:AlbanySumner Avenues was a station on the demolished BMT Fulton Street Line. It had 2 tracks and 2 side platforms. It was served by trains of the BMT Fulton Street Line. The station was opened on May 30, 1888, and had connections to the Sumner Avenue Line streetcars. Eastbound trains stopped at Albany Avenue, while westbound trains stopped at Sumner Avenue (now Marcus Garvey Boulevard). The next stop to the east was Troy Avenue. The next stop to the west was Tompkins Avenue. During 1912 and 1924, the Dual Contracts program installed a third track on the Fulton El between Nostrand Avenue and the new Hinsdale Street station. Albany-Sumner Avenues stations were closed during that time. In 1936 the Independent Subway System built an underground Fulton Street Subway station at KingstonThroop Avenues between here and the nearby BrooklynTompkins Avenues Station. The el station became obsolete.
Passage 2:Nikhil and Vinay are both trained in classical music. Singer Anuradha Paudwal discovered the duo and recommended them to Gulshan Kumar, owner of T-Series music company, and director Chandra Barot, who signed them for the 1991 romantic film Pyar Bhara Dil. The song "Banke Kitab Teri" from the film became popular. The duo then went on to compose music for over 20 films. Their initial successes included Bewafa Sanam (1995), a film which was breakthrough for playback singer Sonu Nigam, English Babu Desi Mem (1996), Uff Yeh Mohabbat (1997) and Papa The Great (2000). The duo composed music for two of Sonu Nigam's successful music albums, Jaan (1999) and Yaad (2001). They went on to score music for Anubhav Sinha's box office success Tum Bin which included hit songs such as "Koi Fariyaad", "Chhoti Choti Raatein" and "Tumhare Siva". Some of their other successful ventures include Hum Tumhare Hain Sanam, Aapko Pehle Bhi Kahin Dekha Hai, Muskaan and Kuch Dil Ne Kaha. The duo have also been accused of plagiarism by Pakistani singer Faisal Latif.
Passage 3:Moore met Kim Gordon in 1980 at the final gig of The Coachmen, the band he was in with J.D. King, Daniel Walworth (replaced by Dave Keay), and Bob Pullin. Moore, with Gordon, Anne Demarinis and Dave Keay formed a band, appearing under names like Male Bonding and Red Milk and the Arcadians, before settling on Moore's choice of Sonic Youth just before June 1981. The band played Noise Fest in June 1981 at New York's White Columns gallery, where Lee Ranaldo was playing as a member of Glenn Branca's electric guitar ensemble as well as in duo with David Linton as Avoidance Behavior. Moore invited Ranaldo, who he had known when The Coachmen shared a CBGB stage with Ranaldo's 1970s band The Flux, to join the band. The new threesome played three songs at the festival later in the week without a drummer. Each band member took turns playing the drums, until they met drummer Richard Edson. The band signed to Neutral Records, then to Homestead Records, and then to SST Records.

2

Question: What other artists collaborated on the soundtrack DJ Quik worked on shortly before his friend Mausberg died? Passage 1:"Hurricane!" (episode: 1616 (308)) is a Nova episode that aired on November 7, 1989 on PBS. The episode describes the fury of a hurricane and the history of hurricane forecasting. The episode features footage of Hurricane Camille of 1969 and Hurricane Gilbert of 1988 and behind the scenes footage at the National Hurricane Center as forecasters tracked Hurricane Gilbert from its formation to its landfall in northern Mexico. Meteorologists Hugh Willoughby, Bob Sheets (then director of the National Hurricane Center) and Jeff Masters were shown in the episode. The episode was released on VHS home video under the same episode title and distributed by WGBH Boston video. In 2004, the Nova episode was released on DVD and featured a different cover picture and title style. In 1997, UAV Corp. also distributed the Nova episode under the title "Deadly Hurricanes" which contains additional footage of Hurricane Andrew and Hurricane Iniki of 1992. The UAV version of the episode has since been discontinued.
Passage 2:In 1998 Quik released Rhythm-al-ism his fourth studio album on Profile Records. This record was certified Gold in 1999, and contained the singles "Hand in Hand (featuring 2nd II None and El Debarge) and "You'z A Ganxta." It featured guest appearances by Nate Dogg, Snoop Dogg, AMG and Suga Free. That year he went on to produce for The Luniz, Shaquille O'Neal, Deborah Cox and Jermaine Dupri. He also produced on The Kingdom Come by rapper King Tee which ultimately never came out due to label problems. He also faced personal and professional tragedy when his nephew murdered his close friend and protege Darryl Cortez Reed in 1998. In 1999, there was the release of Classic 220 by 2nd II None, in which Quik played a huge part. Production on Gap Band's Y2K: Funkin' Till 2000 Comz album, Snoop Dogg's No Limit Top Dogg, and Deep Blue Sea (soundtrack). This was compounded by the death of another friend and rapper Mausberg, subsequently murdered in 2000. That year, saw the release of rapper Mausberg's album, and DJ Quik's Balance & Options. Also production with Whitney Houston, Erick Sermon, 8Ball & MJG, Xzibit and AMG.
Passage 3:William Briwere was granted the lordship of the Manor of Bridgwater by John of England in 1201, and founded Bridgwater Friary. Through Briwere's influence, King John granted three charters in 1200; for the construction of Bridgwater Castle, for the creation of a borough, and for a market. Bridgwater Castle was a substantial structure built in Old Red Sandstone, covering a site of 8 or 9acres (32,000 to 36,000m). A tidal moat, up to wide in places, flowed about along the line of the modern thoroughfares of Fore Street and Castle Moat, and between Northgate and Chandos Street. The main entrance opposite the Cornhill was built with a pair of adjacent gates and drawbridges. In addition to a keep, located at the south-east corner of what is now King Square, documents show that the complex included a dungeon, chapel, stables and a bell tower. Built on the only raised ground in the town, the castle controlled the crossing of the town bridge. A thick portion of the castle wall and water gate can still be seen on West Quay, and the remains of a wall of a building that was probably built within the castle can be viewed in Queen Street. The foundations of the tower forming the north-east corner of the castle are buried beneath Homecastle House. William Briwere also founded St John's hospital which, by the time of the Dissolution of the Monasteries under Henry VIII, was worth the substantial sum of almost 121 pounds, as well as starting the construction of the town's first stone bridge. William Briwere also went on to found the Franciscan Bridgwater Friary in the town.

2

Question: How many years passed between the Reformation and the early modern period? Passage 1:The early modern period in Britain saw religious conflict resulting from the Reformation and the recusancy that emerged in opposition to it. The Gunpowder Plot of 1605 was a failed attempt by a group of English Catholics to assassinate the Protestant King James I, and to blow up the Palace of Westminster, the English seat of government. Although the modern concept of religious terrorism, or indeed terrorism at all, had not yet come into use in the seventeenth century, David C. Rapoport and Lindsay Clutterbuck point out that the Plot, with its use of explosives, was an early precursor of nineteenth century anarchist terrorism. Sue Mahan and Pamala L. Griset classify the plot as an act of religious terrorism, writing that "Fawkes and his colleagues justified their actions in terms of religion." Peter Steinfels also characterizes this plot as a notable case of religious terrorism.
Passage 2:The Book of Joshua, sometimes called the Samaritan Chronicle, is a Samaritan chronicle so called because the greater part of it is devoted to the history of Joshua. It is extant in two divergent recensions, one in Samaritan Hebrew and the other in Arabic. The editio princeps is a published an Arabic manuscript written in the Samaritan alphabet, with a Latin translation and a long preface by T. W. Juynboll (Leyden, 1848). The Samaritan Hebrew version was published in 1908 by Moses Gaster. Though based on the Hebrew canonical Book of Joshua, it differs greatly from the latter in both form and content and the Samaritans ascribe no canonical authority to it. The author, who was of a much later period, amplified the Biblical narratives by weaving into them legends of a later date and developing the narratives themselves, at the same time altering certain statements in accordance with Samaritan views on history. Alterations that emphasize the Samaritan belief in the sanctity of Mount Gerizim, the site of the Samaritan temple, appear throughout the text; for example, an expanded passage calls Gerizim "the chosen place" and a description of the temple being built there follows the conclusion of the conquest of Canaan. It is divided into fifty chapters, and contains, after the account of Joshua, a brief description of the period following Joshua, agreeing to that extent with the Book of Judges. Then follow histories of Nebuchadnezzar, Alexander the Great, and the revolt against Hadrian; it ends with an incomplete account of Baba Rabba.
Passage 3:"Secret Love" is a song composed by Sammy Fain (music) and Paul Francis Webster (lyrics) for Calamity Jane, a 1953 musical film in which it was introduced by Doris Day in the title role. Ranked as a number 1 hit for Day on both the Billboard and Cash Box, the song also afforded Day a number 1 hit in the UK. "Secret Love" has subsequently been recorded by a wide range of artists, becoming a C&W hit firstly for Slim Whitman and later for Freddy Fender, with the song also becoming an R&B hit for Billy Stewart, whose version also reached the Top 40 as did Freddy Fender's. In the U.K., "Secret Love" would become the career record of Kathy Kirby via her 1963 remake of the song. The melody bears a slight resemblance to the opening theme of Schubert's A-major piano sonata, D.664.
1