In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : Emancipation Oak is a historic tree on the campus of Hampton University in what is now the City of Hampton, Virginia in the United States. The large sprawling oak is 98 feet (30 m) in diameter, with branches which extend upward as well as laterally. It is designated one of the 10 Great Trees of the World by the National Geographic Society and is part of the National Historic Landmark district of Hampton University. The tree is a southern live oak ("Quercus virginiana"). Context_2 : Cordell Jerome Taylor (born December 22, 1973) is a former American football player. Born in Norfolk, Virginia, Taylor attended Hampton University. During his short NFL career he was a member of the Jacksonville Jaguars, Seattle Seahawks, and Chicago Bears, though he never played for Chicago. He also played in the Canadian Football League. He is currently a defensive backs coach at his alma mater, Hampton University. Context_3 : Phenix High School was a school for African Americans. It was created by the Hampton Institute, now Hampton University, as a normal school near the town of Hampton and Fort Monroe in Elizabeth City County, Virginia in 1931. Context_4 : The Battle of the Bay between the Hampton Pirates and the Norfolk State State Spartans is a yearly rivalry match-up in football between two HBCUs in the state of Virginia. Private Hampton University and public Norfolk State University are both located in the Hampton Roads region of coastal Virginia. The two schools are located, respectively, in Hampton, Virginia and Norfolk, Virginia, across the James River from each other. As the name of the rivalry suggests, the James River empties into the Chesapeake Bay just downstream. Context_5 : Mikely Adam, better known by his stage name Mike Free, is an American record producer and songwriter from South Central, Los Angeles. While attending Hampton University in Virginia, Free began working with DJ Mustard, who introduced him to Los Angeles- based artists including YG and Ty Dolla $ign. Free's first success came via his production work on Tyga's "Rack City," which was certified 4 times platinum by the Recording Industry Association of America (RIAA). Context_6 : Dijon Isaiah McFarlane (born June 5, 1990), professionally known as DJ Mustard, is an American rapper, singer, songwriter, record producer, record executive, actor, and DJ from Los Angeles, California. He is a frequent collaborator of Compton-bred rapper YG, and has produced numerous singles for hip hop and R&B artists since his entrance into mainstream music in 2011. Mustard's production style has been described as an up-tempo, club oriented, catchy yet rudimentary melodic hip hop style. This style has snowballed into the contemporary production style of West Coast hip hop during the early 2010s, which he calls "ratchet music". Almost all of his productions begin or end with the tag "Mustard on the beat, hoe!", a voice sample of YG, who says it at the end of "I'm Good", one of their early collaborations, as well as claps and repetition of the word "hey". Mustard's debut album, "10 Summers", was released on August 26, 2014. Context_7 : The Hampton Pirates men's basketball team is the basketball team that represents Hampton University in Hampton, Virginia, United States. The school's team currently competes in the Mid-Eastern Athletic Conference. The 2001 Hampton team is one of seven 15th seeds to have upset a 2nd seed in the NCAA Men's Division I Basketball Championship after defeating Iowa State. Context_8 : Lloyd Carter (born 1958) is the Head Coach at Hampton University's Men's Lacrosse Program, retired Deputy Chief from the Baltimore City Fire Department and former president of the Vulcan Blazers, a black fraternal organization of firefighters in Baltimore, Maryland. He recently was made head coach of the Hampton University Lacrosse team which is now Division I. This is the only team playing in Division 1 at a HBCU. and is also a retired officer from the military reserve. Context_9 : Linguang Tang is a Professor of Physics at the School of Science at the Hampton University, Hampton, Virginia, holding a joint position as faculty at Hampton and as Staff Scientist at the Thomas Jefferson National Accelerator Facility. He completed his B.A. in 1977 from Beijing Polytechnic University, Beijing, China, M.S. 1981, from the Institute of High Energy Physics, the Chinese Academy of Science and Technology, Beijing, China, and PhD in 1987, from the University of Houston, Houston, TX, with Prof. Ed V. Hungerford III. His research group is one of the leading groups in the nation in the area of experimental Hypernuclear physics, with mostly retaining leadership (Spokesperson/co-Spokesperson) roles on virtually all hypernuclear experiments (eg E89-009, E01-011, E02-017, E05-115/E08-002) at the Hall C or (E08-012/PR10-001) to be conducted in Hall A at the CEBAF accelerator. Context_10 : Crenshaw is the eighth official mixtape by American rapper Nipsey Hussle. The mixtape was released as a free digital download on October 8, 2013, on mixtape hosting websites. It was also released in a limited first edition of 1,000 copies for $100 each including other incentives via his All Money In record label. The mixtape features production by The Futuristiks, 1500 or Nothin', 9th Wonder, DJ Dahi, Mike Free, Ralo, Wizzo and Jiggy Hendrix, among others. Guest appearances on the mixtape came from Rick Ross, Dom Kennedy, Slim Thug, James Fauntleroy II, Z-Ro, Skeme and Sade among others. The mixtape was supported by the singles "Checc Me Out" featuring Dom Kennedy and Cobby Supreme, "U See Us", "The Weather" featuring Rick Ross, "If U Were Mine" featuring Fauntleroy, and "1 of 1". fact_1 : While attending Hampton University in Virginia, Free began working with DJ Mustard, who introduced him to Los Angeles- based artists including YG and Ty Dolla $ign. fact_2 : He is a frequent collaborator of Compton-bred rapper YG, and has produced numerous singles for hip hop and R&B artists since his entrance into mainstream music in 2011. Answer: YG
Solution:
Mike Free worked with the collaborator of what Comptonbased rapper in his days at Hampton University?