[Q]: The following article contains an answer for the question: What is the nickname of the producer that some critics though gained valuable experience working with the R & B singer that had a burgeoning film career in 2001? , can you please find it? Along with Aaliyah's burgeoning film career, the album was a part of her rising mainstream success in 2001. In a retrospective review, Steve Huey from AllMusic called it her most consummate record and said it "completed the singer's image overhaul into a sensual yet sensitive adult". Erlewine, the website's senior editor, regarded the album as "a statement of maturity and a stunning artistic leap forward", while BBC Music's Daryl Easlea felt it made Aaliyah's two previous accomplished albums "look like exercises in juvenilia". According to PopMatters journalist Quentin B. Huff, she had never used her singing to complement her music's innovative production before with as much variety, conviction, and success as on Aaliyah, which he said was also known as "The Red Album" because of its red artwork. Huff believed the record showcased the growing rapport between the singer and her collaborators while disproving questions about how she would continue recording music while broadening her profile. In The Rolling Stone Album Guide (2004), Keith Harris wrote that "Aaliyah had grown from studio puppet to a powerful R&B archetypea more self-aware Ronnie Spector for a time that requires more self-awareness of its young adults."Aaliyah's re-emergence with the album in mid-2001 had coincided with a period of peak activity in contemporary R&B, as well as the popularity of neo soul. According to Erlewine, Aaliyah was "one of the strongest urban soul records of its time", while The Guardian cited it as the peak of R&B's golden age at the "turn of the century". Alexis Petridis, the newspaper's lead critic, believed Aaliyah had recorded her most engaging music in a year when R&B and hip hop demonstrated the most creativity in popular music. The Guardian's Rebecca Nicholson attributed Timbaland's subsequent commercial success with singers such as Justin Timberlake and Nelly Furtado to his experience producing Aaliyah, writing that he "hasn't come close to creating anything as sonically stunning since". Although Jon Caramanica...
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[A]: Timbaland

[Q]: The following article contains an answer for the question: What is the last name of the person who was auditioned by the choirmaster? , can you please find it? Johnston was born on 23 September 1994 in Dumfries, Scotland, the son of Andrew Johnston and Morag Brannock. He was given the extensive name Andrew Aaron Lewis Patrick Brannock John Grieve Michael Robert Oscar Schmidt Johnston. Johnston's parents separated when he was eight months old, and from that time he lived with his mother and three older siblings in Carlisle, Cumbria, in the north of England, where he attended Trinity School. Johnston tried out for Carlisle Cathedral Choir at the age of six at the recommendation of Kim Harris, a teacher at his primary school. He was auditioned by the choirmaster Jeremy Suter and accepted into the choir at the age of seven. Johnston's mother, who had no previous association with the cathedral, described her feelings of being overwhelmed by emotion at having her boy singing in such a "stunning building among those extraordinary voices". His mother also described Johnston's busy regimen of practice four times a week and all day Sundays, saying that it took up all of their spare time. However, she said that the cathedral staff became like a family to her son, and that "it was such a lovely, safe, close feeling for him". Johnston, who attended Trinity School, was subject to abuse and threats from bullies which drove him to contemplate quitting the choir, but he was helped through the ordeal by his choirmaster and the dean and canons of the cathedral. By the time of his participation in Britain's Got Talent, Johnston was head chorister.In September 2008, after his appearance on Britain's Got Talent but before the release of his first album, Johnston embarked on a tour of Norway with the choir, performing at Stavanger Cathedral and Utstein Abbey, among other places. The tour was conceived because the Diocese of Stavanger is connected with the Diocese of Carlisle through the Partnership for World Mission. This was Johnston's last tour with the choir. Johnston features as head chorister on one of the choir's albums, The Choral Music of F.W Wadely, released in November 2008.
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[A]: Johnston

[Q]: The following article contains an answer for the question: What is the first name of the person whose brother Paul was a revolutionary bomber that went under the nom de guerre "Strygia"? , can you please find it? Paul Helfeld (also given as Hefeld), aged 21 in 1909, and Jacob Lepidus (also reported as Lapidus), who was 25 the same year, were Jewish-Latvian immigrants. They had been members of the Latvian Socialist Party and, although they had not held positions of responsibility, they had smuggled revolutionary literature into Russia for the party. The pair had been living in Paris in 1907, along with Lepidus's brother Paul, a revolutionary bomber who went under the nom de guerre "Strygia"; Jacob was described in The Times as a "member of a notorious Russian revolutionary family". On 1 May 1907 Paul Lepidus was killed when a bomb he was carrying to assassinate Armand Fallieres, the President of France, exploded prematurely. Lepidus and Helfeld fled the country and lived in Scotland for a year, before moving to Tottenham.Both men joined a small group of Latvian agitators living in north London; according to other members of the group, the pair had criminal records and had joined as a cover for the robberies they carried out. Lepidus was employed, briefly, at a furniture factory, while Helfeld took a job at the Schnurmann rubber factory in Tottenham. Helfeld refused to give his name when he joined the company, so he was listed on the time sheets as "Elephant" in reference to his bulk. Situated on the corner of Tottenham High Road and Chesnut Road, the factory sat opposite Tottenham Police Station, which was under the control of the Metropolitan Police.Special Branch suspected another individual, the Russian revolutionary Christian Salnish, of having organised the robbery. Salnish, who often went under the name Jacob Fogel, had been an active revolutionary since the age of 13. He participated in the 1905 Russian Revolution and afterwards helped to build resistance groups in the Baltic states and Saint Petersburg, then the capital of Imperial Russia. Special Branch suspected a political element to the crime based on Salnish's involvement, but as both Helfeld and Lepidus died during the chase, the motivation for the crime...
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[A]:
Jacob