Question: I've learnt a great amount throughout this studio, first and foremost I was taught: how the art world functions, how specific galleries such as Gertrude St Contemporary run and how artists earn a living. The studio also provided me with basic filmmaking skills such as how to: create a shooting schedule, write a shooting script, set up three-point lighting, conduct an interview, utilise visual storytelling and edit a short film. Throughout the shooting process with my artist I also developed my abilities regarding how to use a: Sony Zoom H2N (and other such handy recorders), a lapel mic, my own Canon EOS 60D and Adobe Premiere Pro editing software. Overall I think the studio functioned quite successfully, it was great to be in a studio with nineteen people who all were interested in the same topics as you. I felt that overall, the studios had a very happy and supportive environment, and you walked away knowing a great deal about the art world and how to make short documentaries. The project itself taught me a great deal about how to work with talent, as well as my group members. Having to work independently forced me to be completely all over every aspect of the shoot, whether that be choosing which questions to ask, deciding what to focus on, where I wanted the shoot to happen, deciding what gear to use, getting to the shoot, carrying all the gear, what I wanted to shoot, managing the audio, managing the lighting, managing the camera set-ups, managing the talent, editing the film, and finding a great soundtrack for it. I'm a pretty self-conscious person and I often doubt the decisions I make or ask someone else for their opinion (should I shoot this angle, or what do you think of this question etc.). Working independently pushed me to go with my gut instincts, to make decisions and to not seek others approval. It forced me to develop my aesthetic as a filmmaker and to own the work that I ended up producing, so ultimately I was really glad with how everything panned out. When did the narrator learn to trust himself and really own his film work? Pick the correct answer from the following options: - Before the studio class - During the film-making project - A few weeks after the class - not enough information
Answer: Before the studio class

Question: As Julie kept asking question after question, all I could think of was how desperately I needed a normal, healthy relationship. As far as most of my relationships went, mine with Julie was great. But it was great in all the wrong places. There really wasn't much more to it than sex. Even though it was a mind-numbing, bathe-in-gasoline-to-slough-the-shame-from-my-soul kind of sex, it didn't matter. At the end of the day we were just objects to each other. We couldn't talk about anything else. We'd tried before, but it had usually led to an afternoon of power-fucking in every changing room on Rodeo Drive. It was a fun ride, but nothing more. And like every great ride, Julie was beautiful, fast, and could turn on a dime in the blink of an eye. "I don't understand, Dingo." I couldn't tell if it was the 12 stitches over my eye giving me the headache or Julie's prattling. I bit off a stretch of red tape and put it over the empty socket where my taillight should have been while I balanced the phone between my shoulder and swollen cheek. "Julie, I told you. Darby took the box." "I get that, but--." "The box my dad hand-carved just before he died." I could feel the two edges of skin stitched together pull at each other every time my jaw moved. "Yes, yes, and the box protects your family's dirty little secret or your mother's pride and joy or whatever the hell it is you're calling it this week." "Hey, I told you not to go digging--. " "I don't care what it is, Dingo! I couldn't give a shit about that damn box or what's inside. The only thing I want to know is what the fuck your ex-wife was doing there." So there it was. And I thought she was jealous just because somebody else got to beat the living crap out of me for a change. "Julie, I didn't even know she was in town until after I was in the hospital." After the end of this story, Dingo is Pick the correct answer from the following options: - irritable - content - happy - not enough information
Answer: irritable

Question: Yes I definitely have. It was over ten years ago now I was diagnosed as Borderline Personality Disorder but presenting with symptoms of Bi Polar Mania. I was in hospital for treatment and of course the psychiatrist wanted to medicate me until the manic phase subsided so as to better stabilize me and get the right diagnosis, etc. It is an art, Psychiatry, as far as I'm concerned. I do not have the education to elaborate on say, Pharmaceuticals or Cognitive Science (other than a few college courses on Behavioral Psychology) nor can I comprehend these fields of reference as clearly as I'd like to, but what I experienced was GETTING THE WRONG MEDICATION!! for my presenting psychological manifestations. I was put on Seroquil; too sedating even in minute doses. Prozac. Sent me over the edge, and a complete 180 to the point where I was extremely delusional and dangerously suicidal. These mind-altering medications can be fatal. It was scary and literally ruined my life for a time I was worse than minorly-depressed or hypo-manic (conditions much more manageable than what I previously described) for a long time when I first started a regime with Zoloft, but it did wind up being the best drug to manage my depressive state and enable me to function in a more socially adaptive manner. Then they added Lamictal, which has truly kept me stable ever since. But yes, it is a trial and error method as far as I can tell... My Mother never wanted me to try any medication because she said "They" were using me like a guinea pig, but when the benefit outweighs the risk, they take the risk. You can't always trust medicine but if you have an experienced doctor you should trust them especially if you want to get better, whatever your ailment may be. I have osteoarthritis, DSP, and Sciatica also, so am familiar with drugs used to treat physical health issues too but no huge issues with these medications, not like psychiatric drugs that's for sure. What will the psychiatrist do now Pick the correct answer from the following options: - not enough information - The psychiatrist will stop prescribing medication for the writer - The psychiatrist will insist on seeing the mother - The psychiatrist will continued to monitor the writer's health
Answer:
The psychiatrist will continued to monitor the writer's health