Given a question and a context passage, generate the answer having the word or phrase from the context passage. Here, the answer should be a shortest continous span from the passage.

Input: Consider Input: Context: The film opens with Soichi Negishi (Kenichi Matsuama) walking along side his mother to a small country train station. Negishi hopes to move to Japan, and realize his musical dreams, as a pop singer. As he rides away in the train, he sees his younger brother wave to him from a field.Now we are taken to a dark alleyway, where many alternative Japanese youths are entering a club called "Hell's Gate." Inside we see a death metal band(in rather flamboyant attire, and black and white make-up) preforming for a large crowd. This band, is Detroit Metal City. The singer, is then revealed to be Negashi, and why crowd surfing he narrates of his dislike of what he has become.The opening credits roll.We now see Negashi removing his makeup with a rag, and talking a fellow band mate, which is his lazy, bloomer obsessed drummer Terumichi Nishida . He begs Nishida to return a video-game he had let him borrow, out of fear of him losing it. Now the band's bassist Masayuki Wada speaks to Negashi about how well he believed the show had done.The dressing room door bursts open, and with a wild laugh the President Of Death Records(who also seems to be the band's manager) enters, and tosses a cigarette into a ash tray that Wada held, but it simply bounced out and went out of frame. She told them of how well they did, but in remorse Negashi played for her a tape of the pop music he wishes to make. Displeased, she kicked him.Now with a swollen mouth, Negashi leaves the dressing room in his normal attire, and pushes his way through the crowd of oblivious screaming fans, hoping to get a look at the band. He is hit, and begins to bleed from the nose. As he made his way up the stairs, he heard the fans talk of rumors they had heard about the lead singer Krauser, such as his ability to rape many women.Negashi is now on the street, and he is playing his pop music on an acoustic guitar, with people only stoping to glance at him, and then walk away. He stops playing and hears some pop music being played around the corner. As he goes to investigate he sees that the lead singer of the band was an old college friend, and then that a woman standing near him was his college crush Yuri Aikawa.He reflects on the old days, of them all sitting around playing music together, and of his quote "No music, No dream."He is soon at a record store, looking at the latest fashionable cd covers, when he sees Aikawa, and they began to chat, and make plans to meet later at a cafe. Then a blast of near-by music startles him, and he walks to the next isle to investigate. Several DMC fans had gathered to celebrate the release of a new single with head-banging, and loud music. Negashi dislikes the album cover, and complains about a quote that was in his name, that he never said. Aikawa then tells him of her distaste for metal, and how unfashionable she finds Detroit Metal City.Negashi is now in full attire with his band, doing an interview about the new single. His mind is off daydreaming about Aikawa when he realizes it is time for their date and he runs out of the interview to meet her. Negashi is now constantly going back and forth between the date, and the interview, each time forgetting to remove more and more of his DMC attire. With a feeling that negashi was going into the near-by club, she enters in hopes of finding him, but meets Krauser crowd surfing. Negashi in fear, tries to get the crowd to move him away from her, but the get him closer and closer, until he felt his wig began to slip off. The only thing he could do to cover himself, was to lift up her dress, showing her underwear. She calls him a pig, and walks out.Now Negashi is outside of a cafe, and is banging on the wall in
Question: Who disapproves of Negishi's cheesy pop songs?

Output: the band's manager and president of death records.

Input: Consider Input: Context: Defects in DNA mismatch repair have been associated with both hereditary and sporadic forms of cancer. Recently, it has been shown that human cell lines deficient in mismatch repair were also defective in the transcription-coupled repair (TCR) of UV-induced DNA damage. We examined whether TCR of ionizing radiation-induced DNA damage also requires the genes involved in DNA mismatch repair. Cells defective in the hMSH2 gene were deficient in the removal of oxidative damage, including thymine glycols, from the transcribed strand of an active gene. However, an hMLH1 mutant showed normal levels of TCR. By comparison, defects in either hMSH2 or hMLH1 resulted in reduced TCR of UV damage. Introducing chromosomes carrying either hMSH2 or hMLH1 into these cell lines restored their ability to carry out TCR. Deficiencies in either hMSH2 or hMLH1 did not result in decreased overall genomic levels of repair or lead to an increased sensitivity to either UV or ionizing radiation. Our results provide the first evidence for a protein that is absolutely required for the preferential removal of UV-induced DNA damage but not oxidative DNA damage from the transcribed strand of an active human gene.
Question: Which gene strand is targeted by transcription-coupled repair (TCR)?

Output: the transcribed strand

Input: Consider Input: Context: A personal journey into the heart of the Killing FieldsOne of the most harrowing and compelling personal documentaries of our time, ENEMIES OF THE PEOPLE exposes for the first time the truth about the Killing Fields and the Khmer Rouge who were behind Cambodias horrific genocide. More than simply an inquiry into Cambodias experience, however, ENEMIES OF THE PEOPLE is a profound meditation on the nature of good and evil, shedding light on the capacity of some people to do terrible things and for others to forgive them.Winner of a dozen top documentary festival awards, including a Special Jury Prize at Sundance and the Grand Jury Award at the Full Frame Documentary Festival, this is a riveting film that takes audiences as close to witnessing evil as they are ever likely to get. It is also a personal journey into the heart of darkness by journalist/filmmaker Thet Sambath, whose family was wiped out in the Killing Fields, but whose patience and discipline elicits unprecedented on-camera confessions from perpetrators at all levels of the Khmer Rouge hierarchy. This is investigative journalism of the highest order.In 1974, Thet Sambaths father became one of the nearly two million people who were murdered by the Khmer Rouge when he refused to give them his buffalo. Sambaths mother was forced to marry a Khmer Rouge militiaman and died in childbirth in 1976, while his eldest brother disappeared in 1977. Sambath himself escaped Cambodia at age 10 when the Khmer Rouge fell in 1979.Fast forward to 1998, and Sambath, now a journalist, got to know the children of some senior Khmer Rouge cadre and gradually earned their trust. Then, for a decade, he spent weekends visiting the home of the most senior surviving leader, Nuon Chea, aka Brother Number Two under Pol Pot. But he never used to say anything different from what he told Western journalists, says Sambath, I was low-ranking, I knew nothing, I am not a killer. Then one day he said to me Sambath, I trust you, you are the person I would like to tell my story to. Ask me what you want to know. For the next five years he told me the truth, as he saw it, including all the details of killing.Sambath also won the confidence of lower-level Khmer Rouge soldiers, now ordinary fathers and grandfathers, who demonstrated to him how they slit peoples throats. For these murderers, it was the first time they admitted what they had done. He taped their interactions and discussions about the killings, and together with British documentarian Rob Lemkin they created this landmark film.For Sambath, it has been an ongoing, lifelong personal journey to discover what was behind such horror; he neglected both his family and his own happiness in the search for truth with hope of reconciliation. ENEMIES OF THE PEOPLE is at once a cinematically beautiful, chillingly insightful, and deeply personal piece of documentary filmmaking.
Question: Who interviewed Nuon Chea?
Output: thet sambath