I have a test where I am given the following article, what is an answer for the question: What are the names of the three habitats that are designated as a red-zone area? ? The 7.7 million day visitors and 5.5 million who made overnight stays on the Norfolk coast in 1999 are estimated to have spent 122 million, and secured the equivalent of 2,325 full-time jobs in that area. A 2005 survey at six North Norfolk coastal sites, including Blakeney, Cley and Morston found that 39 per cent of visitors gave birdwatching as the main purpose of their visit. The villages nearest to the Point, Blakeney and Cley, had the highest per capita spend per visitor of those surveyed, and Cley was one of the two sites with the highest proportion of pre-planned visits. The equivalent of 52 full-time jobs in the Cley and Blakeney area are estimated to result from the 2.45 million spent locally by the visiting public. In addition to birdwatching and boat trips to see the seals, sailing and walking are the other significant tourist activities in the area.The large number of visitors at coastal sites sometimes has negative effects. Wildlife may be disturbed, a frequent difficulty for species that breed in exposed areas such as ringed plovers and little terns, and also for wintering geese. During the breeding season, the main breeding areas for terns and seals are fenced off and signposted. Plants can be trampled, which is a particular problem in sensitive habitats such as sand dunes and vegetated shingle. A boardwalk made from recycled plastic crosses the large sand dunes near the end of the Point, which helps to reduce erosion. It was installed in 2009 at a cost of 35,000 to replace its much less durable wooden predecessor. Dogs are not allowed from April to mid-August because of the risk to ground-nesting birds, and must be on a lead or closely controlled at other times.The Norfolk Coast Partnership, a grouping of conservation and environmental bodies, divide the coast and its hinterland into three zones for tourism development purposes. Blakeney Point, along with Holme Dunes and Holkham dunes, is considered to be a sensitive habitat already suffering from visitor pressure, and therefore designated...
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Answer: Holkham dunes

Q: I have a test where I am given the following article, what is an answer for the question: What is the last name of the person that played at Melbourne's Royal Exhibition Building? ? Except for three months' formal schooling as a 12-year-old, during which he was bullied and ridiculed by his classmates, Percy was educated at home. Rose, an autodidact with a dominating presence, supervised his music and literature studies and engaged other tutors for languages, art and drama. From his earliest lessons, Percy developed a lifelong fascination with Nordic culture; writing late in life, he said that the Icelandic Saga of Grettir the Strong was "the strongest single artistic influence on my life". As well as showing precocious musical talents, he displayed considerable early gifts as an artist, to the extent that his tutors thought his future might lie in art rather than music. At the age of 10 he began studying piano under Louis Pabst, a German immigrant then considered to be Melbourne's leading piano teacher. Grainger's first known composition, "A Birthday Gift to Mother", is dated 1893. Pabst arranged Grainger's first public concert appearances, at Melbourne's Masonic Hall in July and September 1894. The boy played works by Bach, Beethoven, Schumann and Scarlatti, and was warmly complimented in the Melbourne press.After Pabst returned to Europe in the autumn of 1894, Grainger's new piano tutor, Adelaide Burkitt, arranged for his appearances at a series of concerts in October 1894, at Melbourne's Royal Exhibition Building. The size of this enormous venue horrified the young pianist; nevertheless, his performance delighted the Melbourne critics, who dubbed him "the flaxen-haired phenomenon who plays like a master". This public acclaim helped Rose to decide that her son should continue his studies at the Hoch Conservatory in Frankfurt, Germany, an institution recommended by William Laver, head of piano studies at Melbourne's Conservatorium of music. Financial assistance was secured through a fund-raising benefit concert in Melbourne and a final recital in Adelaide, after which mother and son left Australia for Europe on 29 May 1895. Although Grainger never returned permanently to Australia, he...
A: Grainger

I have a test where I am given the following article, what is an answer for the question: What building did Giovanni Battista Barbirolli make his cello concerto debut at? ? Giovanni Battista Barbirolli was born in Southampton Row, Holborn, London, the second child and eldest son of an Italian father and a French mother. He was a British national from birth, and as Southampton Row is within the sound of Bow Bells, Barbirolli always regarded himself as a Cockney. His father, Lorenzo Barbirolli (18641929), was a Venetian violinist who had settled in London with his wife, Louise Marie, nee Ribeyrol (18701962). Lorenzo and his father had played in the orchestra at La Scala, Milan, where they had taken part in the premiere of Otello in 1887. In London they played in West End theatre orchestras, principally that of the Empire, Leicester Square. The young Barbirolli began to play the violin when he was four, but soon changed to the cello. He later said that this was at the instigation of his grandfather who, exasperated at the child's habit of wandering around while practising the violin, bought him a small cello to stop him from "getting in everybody's way". His education at St. Clement Danes Grammar School overlapped, from 1910, with a scholarship at Trinity College of Music. As a Trinity student, he made his concert debut in a cello concerto in the Queen's Hall in 1911. The following year he won a scholarship to the Royal Academy of Music, which he attended from 1912 to 1916, studying harmony, counterpoint and theory under Dr. J. B. McEwen and the cello with Herbert Walenn. In 1914 he was joint winner of the academy's Charles Rube Prize for ensemble playing, and in 1916 The Musical Times singled him out as "that excellent young 'cello player, Mr Giovanni Barbirolli." The principal of the Academy, Sir Alexander Mackenzie, had forbidden students to play the chamber music of Ravel, which he regarded as "a pernicious influence". Barbirolli was keenly interested in modern music, and he and three colleagues secretly rehearsed Ravel's String Quartet in the privacy of a men's lavatory in the Academy.From 1916 to 1918 Barbirolli was a freelance cellist in London. He recalled, "My first...
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Answer:
Queen's Hall