Question:
Buffalo Springfield was a Canadian-American rock band active from 1966 to 1968 whose most prominent members were Stephen Stills, Neil Young, and Richie Furay. The band released three albums and several singles, including "For What It's Worth". The band combined elements of folk and country music with British invasion and psychedelic-rock influences, and, along with the Byrds, were part of the early development of folk-rock. With a name taken from a brand of steamroller, Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Dewey Martin (drums, vocals), Bruce Palmer (electric bass), Furay (guitar, vocals), and Young (guitar, harmonica, piano, vocals).
Neil Young and Stephen Stills met in 1965, at the Fourth Dimension in Thunder Bay, Ontario. Young was there with the Squires, a Winnipeg group he had been leading since February 1963, and Stills was on tour with The Company, a spin-off from the Au Go Go Singers. When Stills' band broke up at the end of that tour, he moved to the West Coast, where he worked as a session musician and auditioned unsuccessfully for, among other bands, the Monkees. Told by record producer Barry Friedman there would be work available if he could assemble a band, Stills invited fellow Au Go Go Singers alumnus Richie Furay and former Squires bass player Ken Koblun to come join him in California. Both agreed, although Koblun chose to leave before very long and joined the group 3's a Crowd. In early 1966 in Toronto, Young met Bruce Palmer, a Canadian who was playing bass for a group called the Mynah Birds. In need of a lead guitarist, Palmer invited Young to join the group, and Young accepted. The Mynah Birds were set to record an album for Motown Records when their singer Ricky James Matthews--James Ambrose Johnson, Jr., later known as Rick James--was tracked down and arrested by the U.S. Navy for being AWOL. With their record deal canceled, Young and Palmer headed for Los Angeles, where they encountered Stills. Drummer Dewey Martin, who had played with garage rock group the Standells and country artists such as Patsy Cline and the Dillards, joined at the suggestion of the Byrds' manager, Jim Dickson. The group's name was taken from a brand of steamroller made by the Buffalo-Springfield Roller Company. The new group debuted on April 11, 1966, at The Troubadour in Hollywood. A few days later, they began a short tour of California as the opening act for the Dillards and the Byrds.
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How long did they do the California tour?

Answer:
short tour

input: Ronstadt's early family life was filled with music and tradition, which influenced the stylistic and musical choices she later made in her career. Growing up, she listened to many types of music, including Mexican music, which was sung by her entire family and was a staple in her childhood. Ronstadt has remarked that everything she has recorded on her own records - rock 'n' roll, jazz, rhythm and blues, gospel, opera, country, choral, and mariachi - is all music she heard her family sing in their living room, or heard played on the radio, by the age of 10. She credits her mother for her appreciation of Gilbert and Sullivan and her father for introducing her to the traditional pop and Great American Songbook repertoire that she would, in turn, help reintroduce to an entire generation. Early on, her singing style had been influenced by singers such as Lola Beltran and Edith Piaf; she has called their singing and rhythms "more like Greek music ... It's sort of like 6/8 time signature ... very hard driving and very intense." She also drew influence from country singer Hank Williams. She has said that "all girl singers" eventually "have to curtsy to Ella Fitzgerald and Billie Holiday". Of Maria Callas, Ronstadt says, "There's no one in her league. That's it. Period. I learn more ... about singing rock n roll from listening to Maria Callas records than I ever would from listening to pop music for a month of Sundays. ... She's the greatest chick singer ever." She admires Callas for her musicianship and her attempts to push 20th-century singing, particularly opera, back into the bel canto "natural style of singing". A self-described product of American radio of the 1950s and 1960s, Ronstadt is a fan of its eclectic and diverse music programming.

Answer this question "what genres were influential?"
output: Ronstadt is a fan of its eclectic and diverse music programming.

Answer the question at the end by quoting:

Bernard Hinault (pronounced [beR.naR i.no]; born 14 November 1954) is a French former professional cyclist who won the Tour de France five times. He is one of only six cyclists to have won all three Grand Tours, and one of two cyclists to have won each more than once (the other being Alberto Contador). He won the Tour de France in 1978, 1979, 1981, 1982 and 1985. He came second in 1984 and 1986 and won 28 stages, of which 13 were individual time trials.
To prepare for the 1978 Tour de France, Hinault rode his first grand tour, the Vuelta a Espana. He won and felt ready for his first Tour de France. Before the Tour, he won the national championship, which allowed him to wear the tricolour. This tour became a battle with Joop Zoetemelk, Hinault taking the yellow jersey after the final time trial. He was hailed as the next great French cyclist and won the Tour again in 1979. Once again this Tour proved to be a two man battle between Hinault and Zoetemelk as amazingly they finished nearly a half hour ahead of the rest of the field. In fact the 79 Tour is the only time the Yellow Jersey was challenged on the final stage into Paris as Zoetemelk, trailing Hinault by about three minutes launched an attack early in the stage. Hinault answered and the two riders stayed away from the main field all the way to the finish. In the end Hinault won the stage and the Tour while Zoetemelk was given a ten minute doping penalty. At the start of the 1980 season Hinault and Guimard's aim for the season was to win cycling's Triple Crown - the Giro d'Italia, the Tour de France and the world championships, which had previously only been won in the same year by Eddy Merckx. Hinault won that year's Giro, clinching the race with an attack on the Stelvio Pass. In the 1980 Tour de France he abandoned the race while wearing the yellow jersey as leader of the general classification because of a knee injury but he returned to win the world championship in Sallanches that year. The following year, 1981, wearing the rainbow jersey, he won Paris-Roubaix and returned to victory in the 1981 Tour and then again in 1982. He missed the Tour in 1983, again because of knee problems. The organiser, Jacques Goddet, said in his autobiography L'Equipee Belle that Hinault's problems came from pushing gears that were too high. During Hinault's absence, his teammate Laurent Fignon rose to prominence by winning the Tour in 1983.

What happened in 1978?
To prepare for the 1978 Tour de France, Hinault rode his first grand tour, the Vuelta a Espana.