IN: Kisan Baburao Hazare was born on 15 June 1937 (some sources say 15 January 1940) in Bhingar, near Ahmednagar. He was the eldest son of Baburao Hazare and Laxmi Bai. He has two sisters and four brothers. He later adopted the name Anna, which in Marathi means "elder person" or "father".

Hazare was drafted in the Indian Army in April 1960, where he initially worked as an army truck driver and was later attested as a soldier. He undertook army training at Aurangabad. During the Indo-Pakistani War of 1965, Hazare was posted at the border in the Khem Karan sector. He was the sole survivor of an enemy attack--variously claimed to have been a bomb, an aerial assault and an exchange of fire at the border--while he was driving a truck. The experiences of wartime, coupled with the poverty from which he had come, affected him. He considered suicide at one point but turned instead to pondering the meaning of life and death. He said of the truck attack, "[It] sent me thinking. I felt that God wanted me to stay alive for some reason. I was reborn in the battlefield of Khem Karan. And I decided to dedicate my new life to serving people." At a book stand in New Delhi railway station, he came across Swami Vivekananda's booklet "Call to the youth for nation building" which inspired him to think deeper. He spent his spare time reading the works of Swami Vivekananda, Gandhi, and Vinoba Bhave. In a blog post, Hazare expressed his views on Kashmir by saying that it was his "active conviction that Kashmir is an integral part of India" and that if required once again for service, he would remain "ready to take part in war against Pakistan." During his fifteen-year career in the army (1960-75), Anna Hazare was posted at several locations, including Punjab (Indo Pak war 1965), Nagaland, Bombay (1971) and Jammu (1974) During the Indo pak war, Hazare survived a road crash while driving for the army. He interpreted his survival as a further sign that his life was intended to be dedicated to service. He had another escape in Nagaland, where one night, underground Naga rebels attacked his post and killed all the inmates. He had a miraculous escape as he had gone out to return nature's call and hence turned out to be the lone survivor. Official records show that he was honourably discharged in 1975 after completing 12 years of service.
QUESTION: Are there any other interesting aspects about this article?
IN: Krishnan Nair (25 July 1939 - 16 November 1980), better known by his stage name Jayan, was an Indian film actor, naval officer, stunt performer and cultural icon of the 1970s. He starred in over 120 Malayalam films. During his film career, he was primarily an action star and was particularly famous for his macho image and unique style. He was reputed for his chauvinistic appeal and well known for performing stunts of a dangerous nature on his own.

In the late 1990s and early 21st century, there was a resurgence of Jayan's screen persona in Kerala and his old movie scenes came to prominence again. It was owed mostly to programs by popular mimicry stage artists in the State, whose imitations of the star's mannerisms caught on and soon became commonplace in college stage events, television programs and mimicry stage shows along with quotes of superhuman strength known as Jayan quotes. However, it has been pointed out that many grotesquely imitated screen dialogues of Jayan are not actually his, but that of dubbing artist Aleppey Ashraf, who dubbed for many of his characters after his death. The "comeback" of Jayan and his renewed popularity lately may be taken as an affirmation that Jayan has not been replaced even nearly three decades after his death. Today, Jayan is best remembered as the first and best action star of Malayalam cinema, so far, besides his trademark colourful attire, risky stunts, machismo mannerisms and unique speaking style. He has rightly won immortality in the hearts of the Malayalam film fans as a martyr in his yearning to thrill and entertain them even by putting his life at stake. Madhu, a famous actor prominent in the 1960s, once stated in an interview: "Jayan will forever be young and alive. No one can ever visualise him as an old man." A film titled Avatharam presently under production, is attempting to bring back his screen persona using advanced technologies. A documentary on Jayan's life and death Jayan - The Man behind the Legend is nearing completion for release in the near future.
QUESTION: Why did Jayan's films make a come back?
IN: Hermione Ferdinanda Gingold (9 December 1897 - 24 May 1987) was an English actress known for her sharp-tongued, eccentric persona. Her signature drawling, deep voice was a result of nodes on her vocal cords she developed in the 1920s and early 1930s. After a successful career as a child actress, she later established herself on the stage as an adult, playing in comedy, drama and experimental theatre, and broadcasting on the radio. She found her milieu in revue, which she played from the 1930s to the 1950s, co-starring several times with Hermione Baddeley.

Gingold was born in Carlton Hill, Maida Vale, London, the elder daughter of a prosperous Vienna-born Jewish stockbroker James Gingold and his wife, Kate (nee Walter). Her paternal grandparents were the Ottoman-born British subject, Moritz "Maurice" Gingold, a London stockbroker, and his Austrian-born wife, Hermine, after whom Hermione was named (Gingold mentions in her autobiography that her mother might have got Hermione from the Shakespeare's play The Winter's Tale, which she was reading shortly before her birth). On her father's side, she was descended from the celebrated Solomon Sulzer, a famous synagogue cantor and Jewish liturgical composer in Vienna. Her mother was from a "well-to-do Jewish family". James felt that religion was something children needed to decide on for themselves, and Gingold grew up with no particular religious beliefs. Gingold first appeared on stage in a kindergarten staging of Shakespeare's Henry VIII, in the role of Wolsey. Her professional debut was in 1908 when she had just turned eleven. She played the herald in Herbert Beerbohm Tree's production of Pinkie and the Fairies by W. Graham Robertson, in a cast including Ellen Terry, Frederick Volpe, Marie Lohr and Viola Tree. She was promoted to the leading role of Pinkie for a provincial tour. Tree cast her as Falstaff's page, Robin, in The Merry Wives of Windsor. She attended Rosina Filippi's stage school in London. In 1911 she was cast in the original production of Where the Rainbow Ends which opened to very good reviews on 21 December 1911. Among her colleagues as child-actors in "Where the Rainbow Ends" were Philip Tonge and Noel Coward. On 10 December 1912, the day after her fifteenth birthday, Gingold played Cassandra in William Poel's production of Troilus and Cressida at the King's Hall, Covent Garden, with Esme Percy as Troilus and Edith Evans as Cressida. The following year she appeared in a musical production, The Marriage Market, in a small role in a cast that included Tom Walls, W H Berry, and Gertie Millar. In 1914 she played Jessica in The Merchant of Venice at the Old Vic. In 1918 Gingold married the publisher Michael Joseph, with whom she had two sons, the younger of whom, Stephen, became a pioneer of theatre in the round in Britain.
QUESTION:
What was her next show after that?