Question:
Renaissance are an English progressive rock band, best known for their 1978 UK top 10 hit "Northern Lights" and progressive rock classics like "Carpet of the Sun", "Mother Russia", and "Ashes Are Burning". They developed a unique sound, combining a female lead vocal with a fusion of classical, folk, rock, and jazz influences. Characteristic elements of the Renaissance sound are Annie Haslam's wide vocal range, prominent piano accompaniment, orchestral arrangements, vocal harmonies, acoustic guitar, bass guitar, synthesiser, and versatile drum work. The band created a significant following in the northeast United States in the 70s, and that region remains their strongest fan base.
Sometime in 1971, new manager Miles Copeland III decided to re-organise the band, focussing on what he felt were Renaissance's strong points - Haslam's voice and Tout's piano. Will Romano in Mountains come out of the sky explained that "unlike many of the artists to which they were compared Renaissance allowed the piano and female voice to come to the forefront". Until then Haslam had shared vocals with Terry Crowe, who was in effect the band's chief vocalist. Crowe and Korner went, the former unreplaced, the latter replaced by a succession of bass players, including John Wetton (later of King Crimson, UK, and Asia), Frank Farrell (later in Supertramp) and Danny McCulloch (formerly of The Animals and a former bandmate of Dunford and Crowe in The Plebs), until the position settled with the inclusion of Jon Camp. It was also decided that Dunford would now concentrate on composing, and a new guitar player, Mick Parsons, was brought in for live work. In 1972, shortly before recording sessions for the new band's debut LP, drummer Terence Sullivan joined after Slade's initial replacement, Ginger Dixon, was deemed unsuitable following a European tour. Parsons died in a car accident and was replaced at short notice by Rob Hendry. The resulting line-up entered the studio having played only a dozen gigs together. Prologue was released later in 1972 on EMI-Sovereign Records in the UK and on Capitol-Sovereign in North America. Prologue's music was, except for two songs by McCarty, composed by Dunford, with all lyrics by Thatcher-Newsinger. Rock radio stations (particularly in the northeast US and Cleveland) gave the song Spare Some Love significant airplay for a few months after the album's release, and fans of Yes and Emerson, Lake & Palmer in particular, took notice of the band. Francis Monkman, of the group Curved Air (another group managed by Copeland), was a guest on VCS3 synthesiser on the final track "Rajah Khan". Hendry was replaced for the Prologue tour by Peter Finberg, who in turn left the group shortly before the sessions for the next album. Michael Dunford then returned as (acoustic) guitarist, completing what most fans regard as the classic five-piece line-up, which would remain together through six studio albums. Ashes are Burning was released in 1973. Andy Powell, of the group Wishbone Ash, was brought in for a blistering electric guitar solo on the final track "Ashes are Burning", which became the band's anthem piece, extended to almost twenty minutes with a long bass solo and other instrumental workouts. (John Tout returned Powell's favour by playing organ on Wishbone Ash's 1972 album Argus.) The album became the band's first to chart in the US, where it reached No. 171 on the Billboard 200. The band played their first US concerts during that period, enjoying success on the East Coast in particular, which soon resulted in a special orchestral concert at New York's Academy of Music in May 1974. Soon Renaissance would choose to concentrate on the US market, as the UK press virtually ignored them.
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What singles were released from it?

Answer:
"Ashes are Burning",

Answer the question at the end by quoting:

Musial was born in Donora, Pennsylvania, the fifth of the six children (four girls and two boys) of Lukasz and Mary (Lancos) Musial (, MOO-show). His mother was of Carpatho-Rusyn descent and his father was a Polish immigrant who chose the name Stanislaw Franciszek for his first son, though his father always referred to Musial using the Polish nickname Stasiu, pronounced "Stashu". Musial frequently played baseball with his brother Ed and other friends during his childhood, and considered Lefty Grove his favorite ballplayer. Musial also had the benefit of learning about baseball from his neighbor Joe Barbao, a former minor league pitcher.
Musial began the 1950s by posting a .350 batting average before participating in the 1950 All-Star Game, where in fan balloting he was the NL's number two choice. He had the longest hitting streak of his career during the 1950 season--a 30-game stretch that ended on July 27. With the Cardinals falling 14 games out of first place by September, manager Dyer used him at first base and all three outfield positions. New Cardinals manager Marty Marion led the team to a third-place finish in 1951, while Musial was named The Sporting News Major League Player of the Year. National media attention inadvertently turned to Musial a month before the 1952 season began, after Ty Cobb wrote an article regarding modern baseball players that was published in Life magazine. Cobb singled out Musial and Phil Rizzuto as the only players "who can be mentioned in the same breath with the oldtime greats". Cobb went on to refer to Musial as "a better player than Joe DiMaggio was in his prime." In response, Musial displayed his characteristic modesty, saying, "Cobb is baseball's greatest. I don't want to contradict him, but I can't say that I was ever as good as Joe DiMaggio." The only major league pitching appearance of Musial's career occurred as a publicity stunt during the last Cardinals home game of the 1952 season. Manager Eddie Stanky had a reluctant Musial pitch to Frank Baumholtz, the runner-up to Musial for the best batting average in the NL that season. With Baumholtz batting right-handed for the first time in his career, Musial's first pitch was hit so hard it ricocheted off the shin of third baseman Solly Hemus and into the left field corner. The play was ruled an error, and Musial was embarrassed enough by his complicity in the gimmick to avoid pitching again for the remainder of his career. The Cardinals franchise was up for sale in early 1953, and Musial and Schoendienst advised their friend and fellow duck-hunter Gussie Busch to consider buying the team. Busch used the resources of the Anheuser-Busch company to purchase the Cardinals, keeping Musial in St. Louis by averting the possibility of a move by the team to another city. The 1953 season marked Musial's 10th NL All-Star selection, and the 12th consecutive time he finished a major league season with a batting average above .300. Musial accomplished another historical feat on May 2, 1954, in a doubleheader in St. Louis against the New York Giants: he hit three home runs in the first contest, then added two more in the second to become the first major leaguer to hit five home runs in a doubleheader. In addition to his five home runs, he also hit a single in the first game, setting a new record of 21 total bases for a doubleheader. The only player besides Musial to hit five home runs in a doubleheader is Nate Colbert, who achieved the feat in 1972.

What team was he playing for at this time?
Cardinals