Question:
Harry Partch (June 24, 1901 - September 3, 1974) was an American composer, music theorist, and creator of musical instruments. He composed using scales of unequal intervals in just intonation, and was one of the first 20th-century composers in the West to work systematically with microtonal scales. He built custom-made instruments in these tunings on which to play his compositions, and described his theory and practice in his book Genesis of a Music (1947). Partch composed with scales dividing the octave into 43 unequal tones derived from the natural harmonic series; these scales allowed for more tones of smaller intervals than in standard Western tuning, which uses twelve equal intervals to the octave.
Supported by Guggenheim and university grants, Partch took up residence at the University of Wisconsin from 1944 until 1947. This was a productive period, in which he lectured, trained an ensemble, staged performances, released his first recordings, and completed his book, now called Genesis of a Music. Genesis was completed in 1947 and published in 1949 by the University of Wisconsin Press. He left the university, as it never accepted him as a member of the permanent staff, and there was little space for his growing stock of instruments. In 1949, pianist Gunnar Johansen allowed Partch to convert a smithy on his ranch to a studio. Partch worked there with support from the Guggenheim Foundation, and did recordings, primarily of his Eleven Intrusions (1949-1950). He was assisted for six months by composer Ben Johnston, who performed on Partch's recordings. In spring 1951, Partch moved to Oakland for health reasons, and prepared for a production of King Oedipus at Mills College, with the support of designer Arch Lauterer. Performances of King Oedipus in March were extensively reviewed, but a planned recording was blocked by the Yeats estate, which refused to grant permission to use Yeats's translation. In February 1953, Partch founded the studio Gate 5 in an abandoned shipyard in Sausalito, California, where he composed, built instruments and staged performances. Subscriptions to raise money for recordings were organized by the Harry Partch Trust Fund, an organization put together by friends and supporters. The recordings were sold via mail order, as were later releases on the Gate 5 Records label. The money raised from these recordings became his main source of income. Partch's three Plectra and Percussion Dances, Ring Around the Moon (1949-1950), Castor and Pollux, and Even Wild Horses, premiered on Berkeley's KPFA radio in November 1953. After completing The Bewitched in January 1955, Partch tried to find the means to put on a production of it. Ben Johnston introduced Danlee Mitchell to Partch at the University of Illinois; Mitchell later became Partch's heir. In March 1957, with the help of Johnston and the Fromm Foundation, The Bewitched was performed at the University of Illinois, and later at Washington University in St. Louis, though Partch was displeased with choreographer Alwin Nikolais's interpretation. Later in 1957, Partch provided the music for Madeline Tourtelot's film Windsong, the first of six film collaborations between the two. From 1959 to 1962, Partch received further appointments from the University of Illinois, and staged productions of Revelation in the Courthouse Park in 1961 and Water! Water! in 1962. Though these two works were based, as King Oedipus had been, on Greek mythology, they modernized the settings and incorporated elements of popular music. Partch had support from several departments and organizations at the university, but continuing hostility from the music department convinced him to leave and return to California.
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Were his compositions successful?

Answer:
The recordings were sold via mail order, as were later releases on the Gate 5 Records label.

Question:
Sven Anders Hedin, KNO1kl RVO, (19 February 1865 - 26 November 1952) was a Swedish geographer, topographer, explorer, photographer, travel writer, and illustrator of his own works. During four expeditions to Central Asia, he made the Transhimalaya known in the West and located sources of the Brahmaputra, Indus and Sutlej Rivers. He also mapped lake Lop Nur, and the remains of cities, grave sites and the Great Wall of China in the deserts of the Tarim Basin. In his book Fran pol till pol (From Pole to Pole), Hedin describes a journey through Asia and Europe between the late 1880s and the early 1900s.
Hedin's conservative and pro-German views eventually translated into sympathy for the Third Reich, and this would draw him into increasing controversy towards the end of his life. Adolf Hitler had been an early admirer of Hedin, who was in turn impressed with Hitler's nationalism. He saw the German leader's rise to power as a revival of German fortunes, and welcomed its challenge against Soviet Communism. He was not an entirely uncritical supporter of the Nazis, however. His own views were shaped by traditionalist, Christian and conservative values, while National Socialism was in part a modern revolutionary-populist movement. Hedin objected to some aspects of National Socialist rule, and occasionally attempted to convince the German government to relent in its anti-religious and anti-Semitic campaigns. Hedin met Adolf Hitler and other leading National Socialists repeatedly and was in regular correspondence with them. The politely-worded correspondence usually concerned scheduling matters, birthday congratulations, Hedin's planned or completed publications, and requests by Hedin for pardons for people condemned to death, and for mercy, release and permission to leave the country for people interned in prisons or concentration camps. In correspondence with Joseph Goebbels and Hans Drager, Hedin was able to achieve the printing of the Daily Watchwords year after year. The Nazis attempted to achieve a close connection to Hedin by bestowing awards upon him. They asked him to present an address on Sport as a Teacher at the 1936 Summer Olympics in Berlin's Olympic stadium. They made him an honorary member of the German-Swedish Union Berlin (German: Deutsch-Schwedischen Vereinigung Berlin e.V.) In 1938, they presented him with the City of Berlin's Badge of Honor (German: Ehrenplakette der Stadt Berlin). For his 75th birthday on 19 February 1940 they awarded him the Order of the German Eagle; shortly before that date it had been presented to Henry Ford and Charles Lindbergh. On New Year's Day 1943 they released the Oslo professor of philology and university rector Didrik Arup Seip from the Sachsenhausen concentration camp at Hedin's request in order to obtain Hedin's agreement to accept additional honors during the 470th anniversary of Munich University. On 15 January 1943, he received the Gold Medal of the Bavarian Academy of Sciences (Goldmedaille der Bayerischen Akademie der Wissenschaften). On 16 January 1943 he received an honorary doctorate from the faculty of natural sciences of Munich University. On the same day, the Nazis founded in his absence the Sven Hedin Institute for Inner Asian Research located at Mittersill Castle, which was supposed to serve the long-term advancement of the scientific legacy of Hedin and Wilhelm Filchner as Asian experts. However, it was instead misused by Heinrich Himmler as an institute of the Research Association for German Genealogical Inheritance (Forschungsgemeinschaft Deutsches Ahnenerbe e.V.). On 21 January 1943, he was requested to sign the Golden Book of the city of Munich. Hedin supported the Nazis in his journalistic activities. After the collapse of Nazi Germany, he did not regret his collaboration with the Nazis because this cooperation had made it possible to rescue numerous Nazi victims from execution, or death in extermination camps.
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Did he know Hitler?

Answer:
Hedin met Adolf Hitler and other leading National Socialists repeatedly and was in regular correspondence with them.