In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : Law Enforcement Action Partnership (LEAP), formerly Law Enforcement Against Prohibition, is a 501(c)3 non-profit, international, educational organization comprising former and current police officers, government agents and other law enforcement agents who oppose the current War on Drugs. LEAP was founded on March 16, 2002 by five police officers. It is modeled after Vietnam Veterans Against the War, an organization which earned its credibility by utilizing speakers who had been on the frontlines of the war they later denounced. LEAP now has more than 100,000 members and supporters, approximately 5,000 of whom are from law enforcement, though many choose to remain anonymous. There are 148 speakers living in thirty-five different states in the United States and sixteen other countries. As of January 2014 LEAP has members and supporters in 190 countries. In January 2017, while reaffirming their commitment to ending the War on Drugs, LEAP became the Law Enforcement Action Partnership in order to advocate for solutions across a broader range of drug policy and criminal justice issues. Context_2 : The War on Drugs is a film documentary on the War on Drugs. It shows how the War on Drugs is being fought on various fronts: In Colombia the film follows the efforts to eradicate the coca and poppy plants under Plan Colombia. In the United States the cases of Richard Paey and Sharanda Jones illustrate the effects for individuals and society. Above all hovers the Drug Enforcement Administration. Context_3 : The War on Drugs is a term for the actions taken and legislation enacted by the United States government, intended to reduce or eliminate the production, distribution, and use of illicit drugs. The War on Drugs began during the Nixon Administration, with the goal of reducing the supply of and demand for illegal drugs, though an ulterior, racial motivation has been proposed. The War on Drugs has led to controversial legislation and policies, including mandatory minimum penalties and stop-and-frisk searches, which have been suggested to be carried out disproportionately against minorities. The effects of the War on Drugs are contentious, with some suggesting that it has created racial disparities in arrests, prosecutions, imprisonment and rehabilitation. Others have criticized the methodology and conclusions of such studies. In addition to enforcement disparities, some claim that the collateral effects of the War on Drugs have established forms of structural violence, especially for minority communities. Context_4 : El Infierno (English: Hell ) is a 2010 Mexican black comedy crime film produced by Bandidos Films, directed by Luis Estrada and following the line of "La ley de Herodes". The film is a political satire about drug trafficking, organized crime, and the Mexican Drug War. It has been a critical and commercial success in Mexico and was nominated for the 25th Goya Awards for Best Spanish Language Foreign Film. Context_5 : CMLL Super Viernes was professional wrestling promotion Consejo Mundial de Lucha Libre's (CMLL) Friday night wrestling show that takes place in Arena Mexico every Friday night unless a Pay-Per-View or a major wrestling event is scheduled to take place on that night. CMLL began holding their weekly Friday night "Super Viernes" shows as far back as 1938 and continued the tradition through 2014 as well. Some of the matches from Super Viernes were taped for CMLL's weekly shows that air in Mexico and the United States on various channels in the weeks following the Super Viernes show. CMLL presented a total of 48 Super Viernes shows. The only Fridays in 2014 to not feature a Super Viernes show was when CMLL held one of their signature events instead, which in 2014 was their annual "Homenaje a Dos Leyendas", "Juicio Final", CMLL 81st Anniversary Show and "Infierno en el Ring". Super Viernes also hosted most of the major CMLL annual tournaments, which in 2014 included the finals of the 2013 "Leyenda de Plata", "Torneo Gran Alternativa", "Torneo De Parejas Increibles", "En Busca de un Idolo", "Leyenda de Azul", the Universal Championship and La Copa Junior VIP. The show also features a number of high profile championship matches, which so far in 2014 has included 4 championship matches, the CMLL World Trios Championship and the CMLL World Tag Team Championship changed hands and the CMLL World Tag Team Championship and CMLL World Middleweight Championship were successfully defended on the shows. Context_6 : The War on Drugs is an American term usually applied to the United States government's campaign of prohibition of drugs, military aid, and military intervention, with the stated aim being to reduce the illegal drug trade. This initiative includes a set of drug policies that are intended to discourage the production, distribution, and consumption of psychoactive drugs that the participating governments and the UN have made illegal. The term was popularized by the media shortly after a press conference given on June 18, 1971, by United States President Richard Nixonthe day after publication of a special message from President Nixon to the Congress on Drug Abuse Prevention and Controlduring which he declared drug abuse "public enemy number one". That message to the Congress included text about devoting more federal resources to the "prevention of new addicts, and the rehabilitation of those who are addicted", but that part did not receive the same public attention as the term "war on drugs". However, two years prior to this, Nixon had formally declared a "war on drugs" that would be directed toward eradication, interdiction, and incarceration. Today, the Drug Policy Alliance, which advocates for an end to the War on Drugs, estimates that the United States spends $51 billion annually on these initiatives. Context_7 : The Mexican Drug War (also known as the Mexican War on Drugs; Spanish: "guerra contra el narcotrafico en Mexico" ) is the Mexican theater of the United States' War on Drugs, involving an ongoing low-intensity asymmetric war between the Mexican Government and various drug trafficking syndicates. Since 2006, when the Mexican military began to intervene, the government's principal goal has been to reduce the drug-related violence. The Mexican government has asserted that their primary focus is on dismantling the powerful drug cartels, rather than on preventing drug trafficking, which is left to U.S. functionaries. Context_8 : El Capitan, United States Official Number 285587, was built in 1917 by the Newport News Shipbuilding and Drydock Company at Newport News, Virginia for the Southern Pacific Company's Atlantic Steamship Lines. In 1915 the line operated from the North River piers 4952 at the foot of 11th Street in New York to New Orleans under the flag and name of Morgan Line, which combined with the Southern Pacific's rail service from the Pacific Coast was known as the Sunset Gulf Route. During World War I the ship was purchased from the builder before delivery to the owner by the United States Shipping Board (USSB) which later turned the ship over to the United States Navy which placed her in commission as USS "El Capitan" (ID-1407) from 1918 to 1919. "El Capitan" was returned to commercial service by the Southern Pacific Company until just before the United States entry into World War II when the United States War Shipping Administration (WSA) acquired the ship, changed her registry to Panama and placed her in operation under its agent, United States Lines. "El Capitan" was in the Arctic convoy PQ-17 to the Soviet Union when she came under air attack on 9 July 1942, was damaged and abandoned to be sunk by torpedo just after midnight on 10 July. Context_9 : Several authors have put forth arguments concerning the legality of the War on Drugs. In his essay "The Drug War and the Constitution", Libertarian philosopher Paul Hager makes the case that the War on Drugs in the United States is an illegal form of prohibition, which violates the principles of a limited government embodied in the Constitution. Alcohol prohibition required amending the Constitution, because this was not a power granted to the federal government. Hager asserts if this is true, then marijuana prohibition should likewise require a Constitutional amendment. Context_10 : ColombiaUnited States relations are the bilateral relations between the Republic of Colombia and the United States of America. The relationship between the two states evolved from mutual cordiality during most of the 19th and early 20th centuries to a recent partnership that links the governments of both nations around several key issues; this includes fighting communism, the War on Drugs, and the threat of terrorism due to the September 11 attacks in 2001. During the last fifty years, different American governments and their representatives have become involved in Colombian affairs through the implementation of policies concerned with the issues already stated. Some critics of current US policies in Colombia, such as Law Professor John Barry, claim that US influences have catalyzed internal conflicts and substantially expanded the scope and nature of human rights abuses in Colombia. Supporters, such as Under Secretary of State Marc Grossman, defend the idea that the United States has promoted respect for human rights and the rule of law in Colombia; in addition, adding to the fight against drugs and terrorism. fact_1 : El Infierno (English: Hell ) is a 2010 Mexican black comedy crime film produced by Bandidos Films, directed by Luis Estrada and following the line of "La ley de Herodes". fact_2 : The film is a political satire about drug trafficking, organized crime, and the Mexican Drug War. fact_3 : The Mexican Drug War (also known as the Mexican War on Drugs; Spanish: "guerra contra el narcotrafico en Mexico" ) is the Mexican theater of the United States' War on Drugs, involving an ongoing low-intensity asymmetric war between the Mexican Government and various drug trafficking syndicates. Answer: The Mexican Drug War
Solution:
Which theater of the United States War on Drugs inspired the film El Infierno?