input: In April 1936 Gus Arnheim was reorganizing his band into the style of Benny Goodman's groups and Kenton was to take the piano chair. This is where Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of 1937. Once he departed from Gus Arnheim's group, Kenton went back to study with private teachers on both the piano and in composition. In 1938 Kenton would join Vido Musso in a short-lived band but a very educational experience for him. From the core of this group come the line up of the first Stan Kenton groups of the 1940s. Kenton would also go on to working with the NBC House Band and in various Hollywood studios and clubs. Producer George Avakian took notice of Kenton during this time while he worked as the pianist and Assistant Musical Director at the Earl Carroll Theatre Restaurant in Hollywood. Kenton started to get the idea of running his own band from this experience; he created a rehearsal band of his own which eventually become his group in the 1940s. In June 1941, Kenton formed his first orchestra. Kenton worked in the early days with his own groups as much more of an arranger than a featured pianist. Although there were no "name" musicians in his first band (with the possible exception of bassist Howard Rumsey and trumpeter Chico Alvarez), Kenton spent the summer of 1941 playing regularly before an audience at the Rendezvous Ballroom in Balboa Beach, CA. Influenced by Benny Carter and Jimmie Lunceford, the Stan Kenton Orchestra struggled for a time after its initial success. Its Decca recordings were not big sellers and a stint as Bob Hope's backup radio band during the 1943-44 season was an unhappy experience; Les Brown permanently took Kenton's place. Kenton's first appearance in New York was in February 1942 at the Roseland Ballroom, with the marquee featuring an endorsement by Fred Astaire. By late 1943, with a contract with the newly formed Capitol Records, a popular record in "Eager Beaver", and growing recognition, the Stan Kenton Orchestra was gradually catching on; it developed into one of the best-known West Coast ensembles of the 1940s. Its soloists during the war years included Art Pepper, briefly Stan Getz, altoist Boots Mussulli, and singer Anita O'Day. By 1945, the band had evolved. The songwriter Joe Greene provided the lyrics for hit songs like "And Her Tears Flowed Like Wine" and "Don't Let the Sun Catch You Cryin'". Pete Rugolo became the chief arranger (extending Kenton's ideas), Bob Cooper and Vido Musso offered very different tenor styles, and June Christy was Kenton's new singer; her hits (including "Tampico" and Greene's "Across the Alley from the Alamo") made it possible for Kenton to finance his more ambitious projects.

Answer this question "Tell me about Kenton's career?"
output: Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of 1937.

input: The Citadel (1937), a tale of a mining company doctor's struggle to balance scientific integrity with social obligations, helped to incite the establishment of the National Health Service (NHS) in the United Kingdom by exposing the inequity and incompetence of medical practice at the time. In the novel Cronin advocated a free public health service in order to defeat the wiles of those doctors who "raised guinea-snatching and the bamboozling of patients to an art form." Dr Cronin and Aneurin Bevan had both worked at the Tredegar Cottage Hospital in Wales, which served as one of the bases for the NHS. The author quickly made enemies in the medical profession, and there was a concerted effort by one group of specialists to get The Citadel banned. Cronin's novel, which was the highest-selling book ever published by Victor Gollancz, informed the public about corruption within the medical system, planting a seed that eventually led to reform. Not only were the author's pioneering ideas instrumental in the creation of the NHS, but the historian Raphael Samuel asserted in 1995 that the popularity of Cronin's novels played a substantial role in the Labour Party's landslide victory in 1945. By contrast, according to one of Cronin's biographers, Alan Davies, the book's reception was mixed. A few of the more vociferous medical practitioners of the day took exception to one of its many messages: that a few well-heeled doctors in fashionable practices were ripping off their equally well-off patients. Some pointed to the lack of balance between criticism and praise for hard-working doctors. The majority accepted it for what it was, a topical novel. The press attempted to incite passions within the profession in an attempt to sell copy, while Victor Gollancz followed suit in an attempt to promote the book, all overlooking the fact that it was a work of fiction, not a scientific piece of research, and not autobiographical. In the United States The Citadel won the National Book Award, Favorite Fiction of 1937, voted by members of the American Booksellers Association. According to a Gallup poll conducted in 1939, The Citadel was voted the most interesting book readers had ever read.

Answer this question "What did that group of people do to try and get it banned?"
output: made enemies in the medical profession,

input: Florence and the Machine won the Critic's Choice Award at the 2009 Brit Awards after coming third in the BBC's Sound of 2009 poll. As well as attention from the BBC, the band received significant support from NME magazine, who included them on their annual Shockwaves NME Awards Tour for 2009, along with Glasvegas, Friendly Fires and White Lies. The Sunday Times described Welch as "the most peculiar and most highly acclaimed female singer of the moment" and "the latest in a line of great English pop eccentrics". AllMusic referred to Lungs as "one of the most musically mature and emotionally mesmerising albums of 2009". Spin magazine rated Lungs eight out of ten and wrote, "You've gotta hand it to the girl: She always makes you feel something." The magazine named it the eighth best album of 2009. In December 2010, Florence and the Machine appeared on one of Spin's three holiday issue covers as Artist of the Year. Florence and the Machine won the MasterCard British Album award for Lungs at the 2010 Brit Awards, having also been nominated for British Female Solo Artist and British Breakthrough Act. On 19 February 2010, Florence and the Machine won Best International Band at the 2010 Meteor Awards. The group led the nominations for the 2010 MOJO Awards, with four nods. They received a nomination for Best New Artist at the 53rd Annual Grammy Awards. In April 2011, Florence and the Machine were ranked 50 in the 2011 Time 100 poll, which annually lists the 100 most influential people in the world. American recording artist Beyonce cited Florence and the Machine as an influence for her 2011 album 4.

Answer this question "Did they have any other feelings towards Florence and the machine?"
output:
were ranked 50 in the 2011 Time 100 poll, which annually lists the 100 most influential people in the world.