instruction:
Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:', and the follow-up question has a prefix 'FOLLOWUP_Q:'.
question:
CONTEXT: Yes. This Doral is amongst the Cylons who want the genocide of humanity. This is much before the Cylons vote to give humanity a chance, ending their all out attacks for alternative motives. Doral is doing everything he can to ensure that the humans are in-fighting so that the Cylons can get an upper hand. <sep> Q: Why was Doral opposing Roslin? A: Doral is doing everything he can to ensure that the humans are in-fighting so that the Cylons can get an upper hand Q: Why does Roslin try to take charge on the ship she is on? A: This Doral is amongst the Cylons who want the genocide of humanity <sep> FOLLOWUP_Q: Why do they want the genocide of humanity?
answer:
No

question:
CONTEXT: Of course this changes from country to country, but generally speaking it's not illegal to film on the streets, since it's a public area. Most car scenes are recorded with chroma just for pratical reasons. In a professional production you look for "quality" and you can achieve it only if you have control. It's all about control. With a studio setting you get full control of the lights, the movements, etc. in one word, the scene. And of course, you minimize the hitches that can occurs in the real world (also safety concers). However you should film outdoor shots to enrich and give credibility to your scene. <sep> Q: Why are most scenes in a car recorded with chroma? A: Most car scenes are recorded with chroma just for pratical reasons Q: What reasons are those? A: In a professional production you look for "quality" and you can achieve it only if you have control. It's all about control Q: Is it illegal to film while driving in a public place? A: Of course this changes from country to country, but generally speaking it's not illegal to film on the streets, since it's a public area Q: Are there any safety concerns when filming? A: you minimize the hitches that can occurs in the real world (also safety concers <sep> FOLLOWUP_Q: Is there anything else you can tell me on this subject?
answer:
Yes

question:
CONTEXT: This is one aspect of what is called the Anti-Hero. In Juno, he's just a "normal guy" and, potentially chosen because he is not someone people expect a fictional teenage girl in a movie would fantasize about. Also, they were going for a semblance of reality here rather than some weird hyper-perfect version we often see in a teenage movie. In action movies the anti-hero is quickly relatable, makes the danger seem even more dangerous. The anti-hero has a potential for growth, which is crucial for building a character. It is tiresome to see the perfect person become even more perfectly perfecter. As far as identifying with them etc. that's in the casting, writing and delivery. I am certain you can find more examples of failure in this regard. <sep> Q: What makes the nervous and anxious character model of Michael Cera, Jesse Eisenerg etc... so successful? A: This is one aspect of what is called the Anti-Hero Q: Why do we view these characters as non-masculine? A: he is not someone people expect a fictional teenage girl in a movie would fantasize about <sep> FOLLOWUP_Q: Like Eisenberg in Adventureland?
answer:
No