Question: Build a movie plot around this: Who is the only juror not to change his vote to "not guilty?" Juror 3
Answer: In a New York City courthouse, an eighteen-year-old boy from a slum is on trial for allegedly stabbing his father to death. Final closing arguments having been presented, a visibly bored judge instructs the jury to decide whether the boy is guilty of murder. If there is any reasonable doubt of his guilt they are to return a verdict of not guilty. The judge further informs them that a guilty verdict will be accompanied by a mandatory death sentence.The jury retires to a private room, where the jurors spend a short while getting acquainted before they begin deliberating. It is immediately apparent that the jurors have already decided that the boy is guilty, and that they plan to return their verdict without taking time for discussion with the sole exception of Juror 8 (Henry Fonda), who is the only "not guilty" vote in a preliminary tally. He explains that there is too much at stake for him to go along with the verdict without at least talking about it first. His vote annoys the other jurors, especially Juror 7 (Jack Warden), who has tickets to a baseball game that evening; and Juror 10 (Ed Begley Sr.), who believes that people from slum backgrounds are liars, wild, and dangerous.The rest of the film's focus is the jury's difficulty in reaching a unanimous verdict. While several of the jurors harbor personal prejudices, Juror 8 maintains that the evidence presented in the case is circumstantial, and that the boy deserves a fair deliberation. He calls into question the accuracy and reliability of the only two witnesses to the murder, the "rarity" of the murder weapon (a common switchblade, of which he has an identical copy), and the overall questionable circumstances. He further argues that he cannot in good conscience vote "guilty" when he feels there is reasonable doubt of the boy's guilt.Having argued several points and gotten no favorable response from the others, Juror 8 reluctantly agrees that he has only succeeded in hanging the jury. Instead, he requests another vote, this time by secret ballot. He...
[Q]: Build a movie plot around this: Who does Don Pedro learns about Astree's plans and suspects is involved? Dr Nagel
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[A]: Act 1 La CorridaThe first opening shot is over the ocean as the camera pans over to the citizens of Puerto Rico on a mountaintop singing and dancing. Considerable amounts of people are watching a mariachi band play with the accompaniment of a women dancer. A man then begins to sing. The camera then pans to a shot of the main character Astree and her aunt as they watch the show. After the show has ended there is a big applause from the audience as flowers are thrown onto the performers. Astree thinks the show was wonderful while her aunt remains un-amused. They leave the show early due to the aunts displease and as a citizen informs them that the show is not yet over Astrees aunt states that she has had enough noise for her money. The Aunt refuses to see anymore and asks for a chuffer home while her nice is still intrigued with the music. As the women drive to their hotel the chuffer, with a flower placed in his hair begins to sing La Habanera pleasing Astree and annoying her aunt. The aunt finally demands for him to be quiet and the two women begin to exclaim their difference of opinion considering the city of Puerto Rico, Astree exclaiming its beauty and her want to stay while her aunt complains of the hot weather further stating that Astree is out of her mind for ever wanting to come much less stay. Astrees aunt refuses to let her niece stay and states that Astree will be going back to their home town of Stockholm whether she likes it or not. Astree claims that Stockholm is a cold place that knows nothing of true nature. The discussion ends with Astrees aunt stating that Astree is acting like a savage. The two women arrive at a small Puerto Rican town that Astree claims as paradise while gazing at the Riviera. Astrees aunt is displeased and states that the people residing in the town are un-civilized and not well bred to which Astree replies that she prefers savages. The two women then drive on to a bull show. On the way the chuffer runs into a Puerto Rican solider and they begin to get into a scuffle. The...
input: Please answer the following: Build a movie plot around this: Who does Maya try to convince to free Jai? Raj
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output: Set in 16th century India, this movie depicts the story of two girls who were raised together, though they came from different social classes. Tara (Sarita Choudhury) is an upper-caste princess while Maya (Indira Varma) is her beautiful servant. The two girls are best friends, but an undercurrent of jealousy and resentment is caused by Tara's haughtiness, symbolized by the fact that Maya is given Tara's hand-me-down clothes and never anything new to wear. As the girls approach marriageable age, Tara resents that Maya is a better classical dancer than she is, and that her parents and hunchback brother, Prince Bikram (aka "Viki") show affection for her servant.Tara is prepared to marry Prince Raj Singh (Naveen Andrews), and Maya is forced into the role of the inferior servant at their wedding festival. When the prince comes to view his future wife, he is instantly infatuated with Maya instead. Noticing this, Tara spits in Maya's face, sending her from the wedding in tears. Maya decides to take revenge when she chances on Raj sleeping alone, before he has completed the marriage rites with Tara. Maya has her first sexual experience with Raj, but unknown to both, Tara's brother, Prince "Viki", hides and watches the two of them together. Viki is crushed that his childhood infatuation has slept with his future brother-in-law, but at first keeps the knowledge to himself, and the wedding rites are completed the next day.As Tara is leaving home as a newly-wedded bride to Raj, Maya tells her that just as Maya wore the princess's used clothes all her life, Tara will now have something Maya has used. During her wedding night, Tara, a sheltered virgin full of romantic dreams, is hesitant to consummate their relationship. This angers and sexually frustrates Raj, who rapes his horrified bride, setting a tone of violence and humiliation for the marriage. Despite this, Tara still yearns for a loving relationship with her indifferent husband.To save Maya's honor, Viki sends a marriage proposal for her. When she refuses, he...
input: Please answer the following: Build a movie plot around this: is the protagonist living in the real world or a dream world? perpetual dream
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output:
Waking Life is about an unnamed[3] young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanity, the film theory of Andre Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker, though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to...