Background: Douglas Richard Flutie (born October 23, 1962) is a former quarterback in the National Football League (NFL), Canadian Football League (CFL), and United States Football League (USFL). Flutie first rose to prominence during his college football career at Boston College, where he received the Heisman Trophy and the Davey O'Brien National Quarterback Award in 1984. His "Hail Flutie" touchdown pass in a game against Miami on November 23, 1984 (dubbed "The Pass") is considered among the greatest moments in college football and American sports history. Flutie was selected as the 285th pick in the 11th round of the 1985 NFL Draft by the Los Angeles Rams, making him the lowest drafted Heisman Award winner among those who were drafted.
Context: Despite his successful college achievements, whether Flutie was too small to play professional football was uncertain. When asked on television "Can a guy who's five-foot-nine, 175 pounds make it in the pros?", he answered "Yes, he can. But it's a matter of ability and not size. I feel I can play; I don't know for sure, and those questions will be answered in the future." Flutie was seen as extremely attractive to the USFL, which was desperate for a star to reinvigorate the league as it was in financial difficulty. Meanwhile, the Buffalo Bills, who had the first pick of the 1985 NFL Draft, still had the rights to Jim Kelly (who had earlier spurned them to go to the USFL) and also had concerns about Flutie's height. He was selected by the USFL's New Jersey Generals (owned by Donald Trump) in the 1985 territorial draft, which took place in January, months before the 1985 NFL Draft. Flutie went through negotiations with Trump and agreed on a deal that would make him the highest paid pro football player and highest paid rookie in any sport with $7 million over 5 years; Flutie was officially signed on February 4, 1985. Having already signed with the USFL, Flutie was not selected in the NFL Draft until the 11th round, and the 285th overall pick by the Los Angeles Rams. Flutie entered the USFL with much hype and fanfare. However, many began to wonder if the scouts who said Flutie could not compete on the pro level were right. In February 1985, Flutie made his USFL debut against the Orlando Renegades. His debut was not impressive, as his first two professional passes were intercepted by Renegades line backer Jeff Gabrielsen. The only two touchdowns that New Jersey scored came from turnovers by Orlando quarterback Jerry Golsteyn. By the time Flutie's debut was over, he completed only 7 of 18 passes, for a total of 174 yards, while running for 51 yards. Flutie completed 134 of 281 passes for 2,109 yards and 13 touchdowns with the Generals in 1985 in 15 games. He suffered an injury late in the season that saw him turn over the reins to reserve quarterback Ron Reeves. The Generals went on to sport an 11-7 record and a 2nd-place finish in the USFL's Eastern Conference. The USFL folded in 1986, and Flutie and punter Sean Landeta were the league's last active players in the NFL.
Question: how much was he getting paid?
Answer: $7 million over 5 years;

Background: Anna May Wong (January 3, 1905 - February 3, 1961) was an American actress. She is considered to be the first Chinese American movie star, as well as the first Chinese American actress to gain international recognition. Her long and varied career spanned silent film, sound film, television, stage, and radio.
Context: After the major disappointment of losing the role in The Good Earth, Wong announced plans for a year-long tour of China, to visit her father and his family in Taishan. Wong's father had returned to his hometown in China with her younger brothers and sister in 1934. Aside from Mei Lanfang's offer to teach her, she wanted to learn more about the Chinese theater and through English translations to better perform some Chinese plays before international audiences. She told the San Francisco Chronicle on her departure, "... for a year, I shall study the land of my fathers. Perhaps upon my arrival, I shall feel like an outsider. Perhaps instead, I shall find my past life assuming a dreamlike quality of unreality." Embarking in January 1936, she chronicled her experiences in a series of articles printed in U.S. newspapers such as the New York Herald Tribune, the Los Angeles Examiner, the Los Angeles Times, and Photoplay. In a stopover in Tokyo on the way to Shanghai, local reporters, ever curious about her romantic life, asked if she had marriage plans, to which Wong replied, "No, I am wedded to my art." The following day, however, Japanese newspapers reported that Wong was married to a wealthy Cantonese man named Art. During her travels in China, Wong continued to be strongly criticized by the Nationalist government and the film community. She had difficulty communicating in many areas of China because she was raised with the Taishan dialect rather than Mandarin. She later commented that some of the varieties of Chinese sounded "as strange to me as Gaelic. I thus had the strange experience of talking to my own people through an interpreter." The toll of international celebrity on Wong's personal life manifested itself in bouts of depression and sudden anger, as well as excessive smoking and drinking. Feeling irritable when she disembarked in Hong Kong, Wong was uncharacteristically rude to the awaiting crowd, which then quickly turned hostile. One person shouted: "Down with Huang Liu Tsong - the stooge that disgraces China. Don't let her go ashore." Wong began crying and a stampede ensued. After she left for a short trip to the Philippines, the situation cooled and Wong joined her family in Hong Kong. With her father and her siblings, Wong visited his family and his first wife at the family's ancestral home near Taishan. Conflicting reports claim that she was either warmly welcomed or met with hostility by the villagers. She spent over 10 days in the family's village and some time in neighboring villages before continuing her tour of China. After returning to Hollywood, Wong reflected on her year in China and her career in Hollywood: "I am convinced that I could never play in the Chinese Theatre. I have no feeling for it. It's a pretty sad situation to be rejected by Chinese because I'm 'too American' and by American producers because they prefer other races to act Chinese parts." Wong's father returned to Los Angeles in 1938.
Question: Why did she tour China?
Answer:
to visit her father and his family in Taishan.