One of the more surprising objects in the Getty Villa's newly reinstalled gallery of later Roman sculpture is a marble bust of a youth leaning out of a circular frame, mounted high on the gallery wall. J. Paul Getty originally acquired this particular sculpture in 1973, but it has been off view for many years. The recent reinstallation of the Getty Museum's antiquities collection at the Villa provided the opportunity to resurrect many such objects from storage and put them on display. Bringing this strange object back to the public eye enabled us to askand answerseveral questions about it. Whoif anyonedoes it represent? When was it carved? Where was it made, and how did it end up in Los Angeles? In preparation for its display, we researched and reinterpreted the object, exploring both its ancient function and modern history. In its new display, this object is fittingly surrounded by other examples of late Roman sculpture from the third and fourth centuries. Its inclusion in this gallery was not always a given, however, as the figure was long misidentified as a portrait of young Caracalla, who at ten years old became joint emperor with his father in A.D. 198.(1) But recent scholarship questioned the Caracalla identification and the object's date, suggesting it was carved at least a hundred years later.(2) In light of this research, curator Jens Daehner pushed to reexamine the sculpture and consider including it in the reinstallation. In early 2015, the Antiquities Department brought this tondo and many other potential objects for the new galleries out of storage for viewing, providing curators, conservators, mount makers, preps, and registrars a chance to approve and prepare artworks for possible display. After the storage viewing and subsequent research, we updated the object record to conform with what scholars had suggested: this is not a second-century portrait of Caracalla but a fourth-century bust of a youth or divinity. To answer our next question of who the tondo represents, we then had to take a... Question: When was the tondo's official description rewritten? === The answer to the above question is
OPTIONS:
- While the Getty Museum was reinstalling late Roman antiquities
- Before the Getty Museum decided to reinstall late Roman antiquities
- After the Getty Museum reinstalled late Roman antiquities
- not enough information
While the Getty Museum was reinstalling late Roman antiquities

Diane's heart felt leaden as she prepared to leave. Each face she looked at, she knew she was seeing for the last time. As if she were dying and they all were going to live on. Oh, why must I leave? Now, when all of you are about to put on the martyr's crown, how can you cast me out? I want to die with you. I do not want to go on, stumbling through this world alone. For years these people had been her only family. When she was a child, her faith was preached and practiced openly all over the south of France. The crusade was already twenty years old then, but the perfecti still taught crowds of people in the streets of great cities like Toulouse and Beziers, still won converts away from the Church of Rome. From the lords and ladies in their castles to the peasants on the mountainsides, over half the people were Cathars. Now this year, one thousand two hundred forty-four, might come to be remembered as the year Catharism in France disappeared. From now on there would be nothing but a remnant in hiding, having to sneak about. No, she didn't want to live that way. She longed to throw herself down and beg Bishop Bertran once again to let her stay. But duty pressed down upon her like a mail shirt. It was burdensome, but it protected her from error. She quietly made ready. Before long, Diane and Roland were standing on the northeast wall amid a group of perfecti. From a family that had taken refuge on Mont Segur had come a red and green costume for Diane, the tunic and hose of a well-to-do boy, an equerry. They had cut her hair short and tucked it under a cap topped with a long partridge feather. They had sewn the red cross back on Roland's black surcoat, and had made one for Diane's tunic from a gentlewoman's crimson scarf. A rope to form a sling was tied around her waist and another around her knees. Roland was similarly tied. Question: Diane's feelings standing on the wall was: === The answer to the above question is
OPTIONS:
- happy and joyful
- not enough information
- sad and scared
- loud and wild

Answer: sad and scared

Television drama's whole point is to bring you through an often slow start, followed by a complex development to a point where there are two or three potential denouements before, "Cut!", it is the end of the episode and you will have to await the "right answer" in the following week's show. This post came to me at 10pm last night, on Day 16 of this challenge, after a day of holidaying in London and with my head (and feet) too weary to put finger to touchscreen. Mrs Mc and I had just watched another live instalment of Broadchurch, murder mystery extraordinaire, particularly since in the second series there is no actual fresh murder to investigate. The verdict is about to be given on the accused killer from Series 1 when the inevitable happens... Cue title music. This moment has even gained a moniker in British homes, based on the theme tune to the real masters of the four-times-a-week cliffhanger, London-based soap opera Eastenders. It's call a "ba...ba...ba...ba, ba, ba-ba-ba-ba" (YouTube will provide overseas readers with auditory explanation). Eastenders is such a master of writing in the perfect pace that every 28 minute episode ends with a tantalising screen freeze on the latest shocked face / smirking baddy / confused victim. For really big stories the cliffhanger can last significantly longer. This week, to celebrate the show's 30 year birthday, we will finally find out the answer to a question unanswered for the past 14 months: "Who killed Lucy Beale?" Now, most classrooms do not involve murder, incest, dodgy deals and danger, but "good teaching" encourages a type of pacing that totally ignores the ingredients that have millions in the edges of their seats every day: the good old cliffhanger. In fact, we see teachers giving away the punchline at the beginning: "Today we are learning this:..." Question: How long was the 30th year birthday episode of EastEnders? === The answer to the above question is
OPTIONS:
- probably 4 hours long
- Probably an hour long
- not enough information
- probably 1/2 hours long
Probably an hour long