IN: O'Neal was born on March 6, 1972, in Newark, New Jersey, to Lucille O'Neal and Joe Toney, who played high school basketball (he was an All-State guard) and was offered a basketball scholarship to play at Seton Hall. Toney struggled with drug addiction and was imprisoned for drug possession when O'Neal was an infant. Upon his release, he did not resume a place in O'Neal's life and instead agreed to relinquish his parental rights to O'Neal's stepfather, Phillip A. Harrison, a career Army sergeant. O'Neal remained estranged from his biological father for decades; O'Neal had not spoken with Toney or expressed an interest in establishing a relationship.

O'Neal missed the first 12 games of the 2002-2003 season recovering from toe surgery. He was sidelined with hallux rigidus, a degenerative arthritis in his toe. He waited the whole summer until just before training camp for the surgery and explained, "I got hurt on company time, so I'll heal on company time." O'Neal debated whether to have a more invasive surgery that would have kept him out an additional three months, but he opted against the more involved procedure. The Lakers started the season with a record of 11-19. At the end of the season, the Lakers had fallen to the fifth seed and failed to reach the Finals in 2003. For the 2003-04 season, the team made a concerted off-season effort to improve its roster. They sought the free-agent services of forward Karl Malone and aging guard Gary Payton, but due to salary cap restrictions, could not offer either one nearly as much money as they could have made with some other teams. O'Neal assisted in the recruitment efforts and personally persuaded both men to join the squad. Ultimately, both signed, each forgoing larger salaries in favor of a chance to win an NBA championship, which neither had accomplished in his career (and which neither would achieve with the Lakers). At the beginning of the 2003-04 season, O'Neal wanted a contract extension with a pay raise on his remaining three years for $30 million. The Lakers had hoped O'Neal would take less money due to his age, physical conditioning, and games missed due to injuries. During a preseason game, O'Neal had yelled at Lakers owner Jerry Buss, "Pay me." There had been increasing tension between O'Neal and Bryant. The feud climaxed during training camp prior to the 2003-2004 season when Bryant, in an interview with ESPN journalist Jim Gray, criticized O'Neal for being out of shape, a poor leader, and putting his salary demands over the best interest of the Lakers. The Lakers made the playoffs in 2004 and lost to the Detroit Pistons in the 2004 NBA Finals. Lakers assistant coach Tex Winter said, "Shaq defeated himself against Detroit. He played way too passively. He had one big game ... He's always interested in being a scorer, but he hasn't had nearly enough concentration on defense and rebounding." After the series, O'Neal was angered by comments made by Lakers general manager Mitch Kupchak regarding O'Neal's future with the club, as well as by the departure of Lakers coach Phil Jackson at the request of Buss. O'Neal made comments indicating that he felt the team's decisions were centered on a desire to appease Bryant to the exclusion of all other concerns, and O'Neal promptly demanded a trade. Kupchak wanted the Dallas Mavericks' Dirk Nowitzki in return but Mavericks owner Mark Cuban refused to let his 7-footer go. However, Miami showed interest, and eventually the two clubs agreed. Winter said, "[O'Neal] left because he couldn't get what he wanted--a huge pay raise. There was no way ownership could give him what he wanted. Shaq's demands held the franchise hostage, and the way he went about it didn't please the owner too much."

did he lose his toe in the surgery?

OUT: O'Neal debated whether to have a more invasive surgery that would have kept him out an additional three months, but he opted against the more involved procedure.

IN: Masami Akita (Qiu Tian Chang Mei , Akita Masami, born December 19, 1956), better known by his stage name Merzbow (merutsubau, Merutsubau), is a Japanese noise musician. He is best known for his style of harsh, confrontational noise exemplified on his 1996 release, Pulse Demon. Since 1980, he has released over 400 recordings, and has collaborated with various artists.

Since 1999, Akita has used computers in his recordings, having first acquired a Macintosh to work on art for the Merzbox. Also at this time he began referring to his home studio as "Bedroom, Tokyo". At live performances, Akita has produced noise music from either two laptop computers or combination of a laptop and analog synthesizers/guitar pedals. Reiko A. and Bara left Merzbow during this time, Reiko Azuma now has a solo career. Since 2001, Jenny Akita (nee Kawabata) started being credited for artwork on various releases. Since 2001, Akita started utilising samples of animal sounds in various releases starting with Frog. Around 2002, Akita became a vegan, he stated how it began: I started raising four bantams, the little ornamental chickens. With this experience as a start, I gradually started to be concerned and care about chickens and all the barn animals I used to eat without giving it a second thought before. So I started reading books and researching on the internet about Animal Rights and that triggered an awareness of "evil" that human society has done. During this period, Akita also became a supporter of PETA which is reflected in his animal-themed releases. An example of this is Minazo Vol. 1 and Vol. 2, dedicated to an elephant seal he visited often at the zoo and Bloody Sea, a protest against Japanese whaling. He has also produced several works centered around recordings of his pet chickens (notably Animal Magnetism and Turmeric). Also in 2002, Akita released Merzbeat, which was seen as a significant departure from his trademark abstract style in that it contains beat-oriented pieces. This has sparked some controversy among fans, though some reviewers pointed out that it sounded very similar to Aqua Necromancer (1998) which features samples of progressive rock drumming. Merzbird (2004) and Merzbuddha (2005) followed in a similar vein with sampled beats combined with Merzbow's signature harsh noise.

What was the critical reception of his work?

OUT:
This has sparked some controversy among fans, though some reviewers pointed out that it sounded very similar to Aqua Necromancer