input question: Select the correct sentiment of the following review: This was another obscure Christmas-related title, a low-budget Mexican production from exploitation film-maker Cardona (NIGHT OF THE BLOODY APES [1969], TINTORERA! [1977]), which like many a genre effort from this country was acquired for release in the U.S. by K. Gordon Murray. Judging by those two efforts already mentioned, Cardona was no visionary and, this one having already received its share of flak over here, is certainly no better! The film, in fact, is quite redolent of the weirdness which characterized Mexican horror outings from the era, but given an added dimension by virtue of the garish color (which, in view of the prominence of reds apart from St. Nick himself, the Devil plays a major role in the proceedings throughout, was essential). Anyway, in a nutshell, the plot involves Satan's efforts to stall Santa Claus' Christmas Eve rendezvous with the Earth's children; there is, however, plenty more wackiness along the way: to begin with, our portly, white-bearded and chronically merry man-in-red lives in a celestial palace who, apart from accompanying toy-maker kids from all over the world on his piano as they sing (laboriously for the whole first reel!) in their native tongue, visits Merlin the famed magician at King Arthur's court, here bafflingly but amusingly prone to child-like hopping and mumbling gibberish! once every year to acquire potions which would bring somnolence to the young and render himself invisible (by the way, the Wizard's anachronistic presence here is no less unlikely than his being a cohort of Dr. Frankenstein in SON OF Dracula [1974]!!); incidentally, by this time, he always seems to have gained some excess weightso Santa has to work out in order to be able to fit into each proverbial chimney! The Devil's antics (enthusiastically rubbing his hands together at every turn and generally hamming it up) to hold up St. Nick's delivery program, then, is perfectly puerile: indeed, their tit-for-tat shenanigans resemble an old Laurel & Hardy routine more than anything! To pad out the running-time, we focus on three sets of children: one, the lonely son of a rich couple who wants nothing more for Christmas than their company (projected as a wish-fulfillment fantasy where the boy finds his parents wrapped in extra-large packages!), a girl from a poor family who yearns to own a doll of her own (the horned one first tempts her to steal one, then invades the little one's dreams to no avail) and a trio of brats who, egged on once again by Satan, think of nothing but causing mischief and eventually fall out amongst themselves. There is definitely imagination at work here, but it is applied with little rhyme or reason, while the overall juvenile approach keeps entertainment (unless one counts the film as a guilty pleasure) well at bay!
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output answer: negative

input question: Select the correct sentiment of the following review: Don't let my constructive criticism stop you from buying and watching this Romy Schneider classic. This movie was shot in a lower budget ,probably against the will of Ernest Marishka, so he had to make due.For example england is portrayed as bordering on Germany.BY a will of the wisp Victoria and her mom are taking a vacation to Germany by buggy ride alone.They arrived their too quick. This probably could not be helped but the castle they rented, for the movie, was Austrian. When she's told that she's queen she goes to the royal room where the members of the court bow to her, where are the British citizens out side from the castle cheering for their new queen? Why ISBN't she showing her self up to the balcony to greet her subjects ?Low budget!Where the audience back then aware of these imperfection? I wonder how the critics felt?Durring the inn scene she meets prince Albert but ISBN't excited about it. Durring the meeting in the eating side of the inn your hear music from famous old American civil war songs like " My old Kentucky home" , and "Old black Joe". What? civil war songs in the 1830's? Is Romy Schneider being portrayed as Scarlet?Where's Mammy? Is Magna Shnieder playing her too? Is Adrian Hoven Rhett or Ashley? What was in Marishka mind?Well this add to the camp.It's unintentionally satirizing Queen Victoria'a story. This is the only reason you should collect it or see it 03 11 09 correction Germany and england are connected
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output answer: positive

input question: Select the correct sentiment of the following review: This movie masquerades as a social commentary, when in fact it is every bit as ridiculous as the very racism it condemns. The premise of this movie: African-American = Strong... any other race = weak. The worst part is when Rapaport pulls a gun on Omar Epps and a Jewish guy. The Jewish guy, in stereotypical fashion, crumbles in fear and starts pleading for his life... but the big, strong, defiant Omar Epps stands strong with no fear. We also have the condemnation of every fraternity member as being a arrogant preppie drunk or rapist. The raped white girl, of course, begins considering lesbianism since she's just a weak white girl after all. When the nerdy white guy is rejected by the fraternity members he of course must fall in with the skinheads, who are incredible cowards; especially the big muscular guy who is beaten down quickly by the strong black men. Wait... BUSTA RHYMES BEAT UP A GUY TWICE HIS SIZE??? Yeah, right.

Of course the black men NEVER reject their own people and Omar Epps moves in with them easily. The scenes where Ice Cube threatens his white roommates and keeps them in line are just stupid -- of course he is the dominating one while his weak white roommates sit in fear of him and eventually move out. This movie was just terrible and the ending made me actually laugh out loud. The overly long slow-motion between Epps and Banks gets hilarious with the faces they make -- it's like watching my nephew and cousins making faces at each other (and they're all under 5). Do yourself a favor and skip this crapfest.
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output answer:
negative