IN: Charles-Edouard Jeanneret, known as Le Corbusier (French: [l@ koRby'zje]; 6 October 1887 - 27 August 1965), was a Swiss-French architect, designer, painter, urban planner, writer, and one of the pioneers of what is now called modern architecture. He was born in Switzerland and became a French citizen in 1930. His career spanned five decades and he designed buildings in Europe, Japan, India, and North and South America.

Le Corbusier moved to Paris definitively in 1917 and began his own architectural practice with his cousin, Pierre Jeanneret (1896-1967), a partnership that would last until the 1950s, with an interruption in the World War II years In 1918, Le Corbusier met the Cubist painter Amedee Ozenfant, in whom he recognised a kindred spirit. Ozenfant encouraged him to paint, and the two began a period of collaboration. Rejecting Cubism as irrational and "romantic", the pair jointly published their manifesto, Apres le cubisme and established a new artistic movement, Purism. Ozenfant and Le Corbusier began writing for a new journal, L'Esprit Nouveau, and promoted with energy and imagination his ideas of architecture. In the first issue of the journal, in 1920, Charles-Edouard Jeanneret adopted Le Corbusier (an altered form of his maternal grandfather's name, Lecorbesier) as a pseudonym, reflecting his belief that anyone could reinvent themselves. Adopting a single name to identify oneself was in vogue by artists in many fields during that era, especially in Paris. Between 1918 and 1922, Le Corbusier did not build anything, concentrating his efforts on Purist theory and painting. In 1922, he and his cousin Pierre Jeanneret opened a studio in Paris at 35 rue de Sevres. His theoretical studies soon advanced into several different single-family house models. Among these was the Maison "Citrohan", a pun on the name of the French Citroen automaker, for the modern industrial methods and materials Le Corbusier advocated using for the house. Here, Le Corbusier proposed a three-floor structure, with a double-height living room, bedrooms on the second floor, and a kitchen on the third floor. The roof would be occupied by a sun terrace. On the exterior Le Corbusier installed a stairway to provide second-floor access from ground level. Here, as in other projects from this period, he also designed the facades to include large uninterrupted banks of windows. The house used a rectangular plan, with exterior walls that were not filled by windows but left as white, stuccoed spaces. Le Corbusier and Jeanneret left the interior aesthetically spare, with any movable furniture made of tubular metal frames. Light fixtures usually comprised single, bare bulbs. Interior walls also were left white.
QUESTION: Did he exhibit with famous members of the Cubist movement?
IN: Roberto Mangabeira Unger (; born 24 March 1947) is a philosopher and politician. He has developed his views and positions across many fields, including social, political, and economic theory. In legal theory, he is best known by his work in the 1970s and 80s while at Harvard Law School as part of the Critical Legal Studies movement, which is held to have helped disrupt the methodological consensus in American law schools. His political activity helped the transition to democracy in Brazil in the aftermath of the military regime, and culminated with his appointment as Brazil's Minister of Strategic Affairs in 2007 and again in 2015.

The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society, published in 1975 and 1976 respectively. These works led to the co-founding of Critical Legal Studies (CLS) with Duncan Kennedy and Morton Horwitz. The movement stirred up controversy in legal schools across America as it challenged standard legal scholarship and made radical proposals for legal education. By the early 1980s, the CLS movement touched off a heated internal debate at Harvard, pitting the CLS scholars against the older, more traditional scholars. Throughout much of the 1980s, Unger worked on his magnum opus, Politics: A Work In Constructive Social Theory, a three volume work that assessed classical social theory and developed a political, social, and economic alternative. The series is based on the premise of society as an artifact, and rejects the necessity of certain institutional arrangements. Published in 1987, Politics was foremost a critique of contemporary social theory and politics; it developed a theory of structural and ideological change, and gave an alternative account of world history. By first attacking the idea that there is a necessary progression from one set of institutional arrangements to another, e.g. feudalism to capitalism, it then built an anti-necessitarian theory of social change, theorizing the transition from one set of institutional arrangements to another. Unger devoted much of the following decades to further elaborating on the insights developed in Politics by working out the political and social alternatives. What Should Legal Analysis Become? (Verso, 1996) developed tools to reimagine the organization of social life. Democracy Realized: The Progressive Alternative (Verso, 1998) and What Should the Left Propose? (Verso, 2005) put forth alternative institutional proposals.
QUESTION: Did he leave a legacy behind?
IN: Herbert Sutcliffe (24 November 1894 - 22 January 1978) was an English professional cricketer who represented Yorkshire and England as an opening batsman. Apart from one match in 1945, his first-class career spanned the period between the two world wars. His first-class debut was delayed by the First World War until 1919 and his career was effectively terminated in August 1939 when he was called up for military service in the imminent Second World War. He was the first cricketer to score 16 centuries in Test match cricket.

As a specialist opening batsman, Sutcliffe's rivals on the field were the opposing bowlers and especially fast bowlers, though he encountered many outstanding spin bowlers too on turning or sticky wickets. By the time Sutcliffe began his Test career, the formidable fast bowling partnership of Jack Gregory and Ted McDonald had ended, though Sutcliffe faced Gregory in Test matches and was opposed to McDonald in "Roses matches" between Yorkshire and Lancashire. Gregory by 1924-25 was no longer able to "frighten batsmen with sheer speed" but he still commanded respect and Jack Hobbs specifically told Sutcliffe to exercise caution against Gregory at the start of an innings. Sutcliffe regarded McDonald as "one of the best bowlers I ever met". He commented on McDonald's trick of "resting" by making himself seem tired and then "hurling himself into (a very fast delivery) like a demon". As Sutcliffe said, he never knew which ball would be the fast one and McDonald was a dangerous opponent. But Sutcliffe was quoted as saying that he had "never played finer fast bowling" than that of the West Indians Learie Constantine, George Francis, Herman Griffith and Manny Martindale. Among the best English bowlers he faced in county cricket were some of his colleagues in England teams, such as Harold Larwood, Maurice Tate and Tich Freeman. One of the toughest competitors he faced was the Australian leg spinner Clarrie Grimmett, "a tiny gnome of a man", who bowled with a roundarm action and made his Test debut at the age of 34, taking 11 wickets in his first match. Grimmett bowled "like a miser" and "begrudged every run", whereas his leg spin partner Arthur Mailey was the type of bowler who would "buy" his wickets by conceding runs and then, having boosted the batsman's confidence, snaring him with a "wrong 'un" (i.e., a googly). On Sutcliffe's first tour of Australia, he commented that he "was troubled most of the time by Arthur Mailey" but eventually he learned how to "differentiate between Mailey's leg breaks and his wrong 'uns".
QUESTION:
Has he ever lost a game?