input: Gilmour was responsible for bringing Kate Bush to public attention. While she was still at school, her family produced a demo tape with over 50 of her compositions, which was turned down by record labels. Gilmour received a copy of the demo from Ricky Hopper, a mutual friend of Gilmour and the Bush family. Impressed with what he heard, Gilmour helped the sixteen-year-old Bush get a more professional-sounding demo tape recorded that would be more saleable to the record companies. Three tracks in total were recorded and paid for by Gilmour. The tape was produced by Gilmour's friend Andrew Powell (who would go on to produce Bush's first two albums) and sound engineer Geoff Emerick. Gilmour then arranged for EMI executive Terry Slater to hear the tape. Slater was impressed by the tape and signed her. Gilmour is credited as executive producer on two tracks on her debut album The Kick Inside, including her second single "The Man with the Child in His Eyes". He performs backing vocals on "Pull Out the Pin", on her fourth album, The Dreaming, and plays guitar on "Love and Anger" and "Rocket's Tail" on her sixth, The Sensual World. In March 1987, Bush, notorious for the rarity of her live performances, sang "Running Up That Hill" at The Secret Policeman's Third Ball with Gilmour on guitar. A three DVD set of The Secret Policeman's Balls benefit concerts that includes their performance was released in 2009. In 2002, she performed "Comfortably Numb", singing the part of the doctor, at Gilmour's concert at the Royal Festival Hall in London.

Answer this question "What else has she done?"
output: A three DVD set of The Secret Policeman's Balls benefit concerts that includes their performance was released in 2009.

input: Preminger decided to release the finished film prior to submitting it for a Code seal of approval. He contended that his film would not entice any viewers to take drugs, since drug use was depicted as having severely negative consequences. The black-and-white film was also the first to portray heroin use as a serious literary topic, rejecting the standard "dope fiend" approach of the time. United Artists, which had invested $1 million in the film's production, opted to distribute the film, even though doing so could result in the company being fined $25,000 by the Motion Picture Association of America (MPAA). The president of United Artists, Arthur Krim, expressed the company's hope that the PCA would make an exception to its usual rules and grant the film approval because of the film's "immense potential for public service." The film received several advance bookings in November and early December 1955, before the PCA had made a decision on whether to grant a Code seal. However, in early December 1955, the PCA denied the film a Code seal, and the decision was upheld upon appeal to the MPAA. As a result, United Artists resigned from the MPAA that same month (although the company re-joined a few years later). The National Legion of Decency also showed disagreement with the PCA ruling by rating the film as a "B" meaning "morally objectionable in part for all", instead of a "C" meaning "condemned", which was the rating normally given to films that were denied a Code seal. Large theater circuits including Loews also refused to ban the film and instead showed it despite the lack of a Code seal. As a result of the controversy, the MPAA investigated and revised production codes, allowing later movies more freedom to deeply explore hitherto taboo subjects such as drug abuse, kidnapping, miscegenation, abortion, and prostitution. In the end, The Man With The Golden Arm finally received the Production Code seal number 17011 in June 1961, which permitted the film to be reissued and sold for television broadcast.

Answer this question "Did they ever resolve all the issues with the movie?"
output: In the end, The Man With The Golden Arm finally received the Production Code seal number 17011 in June 1961,

input: There were some subtle changes between the UK and US versions, with references to the names of British celebrities often being changed to American celebrities for the US edition. In Season 2, episode 1, Keith Chegwin's anti-gay tirade includes the sentence "Men have knobs, women have fannies. Pop knob in fanny. Not up the arse." In British English "fanny" is a euphemism for vagina, while in American English "fanny" is a term for buttocks. A scene was shot, and aired in the US, in which Chegwin says "Men have dicks. Women have vaginas. Pop dick in vagina. Not up the bum." In Season 2, episode 3, in the scene where Darren Lamb tells Andy Millman about an offer that has come in for Andy to play a supporting role in a film, Lamb mistakenly says the film stars Billie Piper. For the American broadcast, an alternate take was used where Merchant's character says, "How do you fancy three days with Halle Berry?" In each case, Piper and Berry's names are mistaken for the name Harry Potter (actor Daniel Radcliffe guest stars in the episode). In Season 2, episode 4, a scene featuring UK TV presenter Moira Stuart was completely excised from the US version and a song by Coldplay frontman Chris Martin replaced it; the latter was featured as a deleted scene on the DVD releases. In the Christmas special the talking "Jade Goody" doll was replaced by a talking "Kramer" doll. (Both dolls parodied incidents where each celebrity said things publicly that were generally seen as racist.) The T-shirt in the studio audience depicting Victoria Wood and Asda is replaced in the US version by a T-shirt depicting Sigourney Weaver and DirectTV. A scene with George Michael was also truncated to remove references to UK celebrities Richard and Judy and Catherine Tate. A scene set in the Carphone Warehouse was edited to remove jokes referring to the long running BBC soap opera EastEnders.

Answer this question "Are there any other interesting aspects of this article>"
output:
In British English "fanny" is a euphemism for vagina, while in American English "fanny" is a term for buttocks.