In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Input: Consider Input: After the mayor of the fictional village San Pedro de los Saguaros is lynched by angry villagers, a petty PRI party member named Juan Vargas (Damian Alcazar) is appointed temporary mayor by the state governor. At first, the new mayor attempts to do good, but a lack of funds, the fact that the majority of the villagers don't speak Spanish, and the opposition of both the local doctor (an obstreperous PAN mayoral candidate) and Dona Lupe (the brothel owner) cripple his efforts. Seeking help from his superior, Lopez, the secretary to the PRI governor, he is given a copy of the constitution of Mexico and a revolver and is told that the only law is Herod's law: literally translated: "either you get screwed or you get fucked" ("o te chingas o te jodes"). On his way back, he meets a gringo on the road when his car breaks down; the gringo looks under the hood, reconnects a wire and then asks Vargas for hundreds of dollars. He says that he is the mayor of San Pedro and that he is good for the money, then laughing it off as he drives away. Returning to the town, a bribe from Dona Lupe sets him on the path to corruption.When Vargas thus has become the executive, legislature and judiciary of the village all in one person he soon becomes corrupt, first accepting the bribes from Dona Lupe (which he extends into paying free visits to the brothel's girls), and soon moving on to extort the local store owner and all of the villagers for even the smallest infractions. When questioned, he declares that he is funding a new project to bring electricity to the village with the help of an American engineer (in reality, the gringo he met earlier, having shown up in San Pedro wanting his money)a farce which is obvious when only one utility pole is raised; still, the villagers are oblivious to this, except for the doctor. Vargas becomes progressively more corrupt, and when Dona Lupe's new bodyguard severely beats him after she resists his authoritarianism, he kills them both in retaliation. He incriminates Filemon, the local drunk, for the crime, and on the way to deliver him to the state's authorities he kills Filemon in the middle of the road. When he returns to the town, he discovers that his wife (not blind about his visits to the brothel) and the gringo have an affair, and the gringo flees. Meanwhile, Vargas levies false accusations against the local doctor, assigning him the role of intellectual author in Dona Lupe's murder; nonetheless, it is also revealed that the doctor has been sexually abusing the teenage girl that serves as his maid, and Vargas uses this to blackmail him into leaving the town or face incarceration. Having gotten rid of his enemies, Vargas becomes obsessed with power to the point where the whole town despises him, leving absurd taxes for everything, incarcerating those who refuse to pay, seizing their possessions (including animals), and rewritting several laws to his own absurd and tyrannical whims.It is in the middle of this that Lopez and his henchman, Tiburon, arrive to San Pedro, on the run after Lopez's men tried to shoot his rival for the governorship of the state, who is also president Aleman's nephew. Seeing that the town had riches after all, Lopez demands all the money Vargas has extorted from the villagers. Discovering that his wife has escaped with the gringo, taking all of the fortune with them, Vargas becomes mad and kills both Lopez and Tiburon. Then, Vargas seems to meet his demise when he is surrounded by a crowd of torch-wielding villagers, but unlike the previous mayor, he avoids this fate by climbing up the sole pole he raised, and is saved when several police cars arrive, hot on the trail of Lopez. Vargas reappears at the very end of the film delivering a speech to the Mexican National Congress, a spot he earned as prize for killing Lopez. As Vargas says in his speech that the PRI must stay in power forever, the film cuts to the scene of a new mayor coming to San Pedro de los Saguaros in exactly the same way that Vargas did at the beginning.

Output: Question: what is stands for PAN?, Answer: president Aleman's nephew

Input: Consider Input: The film begins with an introductory sequence involving the main characters and images from space and introducing many of the film's visual leitmotifs. These are virtually still images revealing the key elements of the film: Justine (Kirsten Dunst) the bride in deep melancholy with birds falling behind her; of a lawn with trees and a sundial with two different shadows; Pieter Breughel's Hunters in the Snow (often used as interpretation of an idealised nostalgia) the non existent 19th hole (limbo) and the Black Horse collapsing catastrophically in slow motion (id/ego battle); Justine as a bride being swept along by a river; and her being held back by her wedding dress; and finally Justine and her nephew building their magic cave before the earth crashes into Melancholia becoming one.The film continues in two parts.Part One: "Justine" is of an ideal and perfect wedding that sweeps bride Justine along and which clashes with Justines fragile world.This act begins with an clumsy, oversized wedding vehicle unable to negotiate a curve in the road.Newlyweds Justine and Michael (Alexander Skarsgard) arrive two hours late to their own reception at the family estate where Justine's sister Claire and her husband John reside. Justine happens to notice a particularly bright red star in the twilight sky which John identifies as Antares.During the course of the wedding we realise that each of the characters represent a metaphor. These metaphors are developed during the night of the wedding reception.Her brother-in-law, John, represents sacrifice (cost of the wedding) and social conformity.Her dad is hedonistic and selfish therefore unable to connect at a meaningful level with Justine. Her mother ,Gaby (honesty) is brutally; ruthlessly and pathologically honest which gets her thrown out of the wedding. However Justines sister ,Claire, who represents order urges Justine to dishonestly hide her debilitating melancholy from her bland, gormless, doting husband, Michael, (This is highlighted by his wedding speech) and anyway who would be incapable of handling such honesty.Her boss represents ruthless greed and gluttony during the most personal part of the wedding speech he is hustling her to promote a vacuous spiritually empty campaign based on a modern facsimile of Bruegels The Land of Cockaigne (mythical land of excess) she later opens a book at this picture.During the critical part of the wedding, cake cutting, Justine and her mother independently escape to have bath, to cleanse themselves of the social deception of the wedding.Later again Justine escapes the wedding and whist watching Melancholias approach to earth squats and urinates on the 18th hole (ultimate success).Her bosses nephew (ambition) is given the opportunity to exploit the opportunity to get the tag line at all costs, to promote his career, a similar task to what Justine was previously so successful at. He is later fired for his failure at absolute ruthlessness. Justine recognising her complicity aggressively resigns. She cannot consummate her wedding with her gormless husband and goes out on a sand trap and copulates with her bosss nephew, a professional kindred spirit. He later suggests due to their similarity they form a business together, Justine curtly declines. Her gormless husband leaves.At dawn the next day, Justine reluctantly goes horseback riding with her sister Claire when she notices that the bright red star has disappeared.Part Two: "Claire" deals with Justines relationship with her sister, Claire It also follows Justines mental decay and reawakening as the inevitable Melancholia collision approaches.During Justine deepest almost catatonic depression her sister is unable to cleanse her in the bath, expressive of her inability to submit to any more social deception. Justine is so numb that even her favourite dish tastes of ash.Before the reception Justine proudly claims to be only one to ride the Black Horse(id); her brother-in-law under his breath says that he the horse is also loyal to him.As Justine decays her connection to the Black Horse (id) becomes more remote and frustrated. on two occasions the horse refuses to cross a bridge over a river possibly to the non existent 19th hole (limbo) as Justine disintegrates she get more brutal with her frustration with the horses refusal, finally, mercilessly whipping it to the ground.John explains that the reason for Antares' disappearance was the rogue planet Melancholia blocking the star from view. Melancholia, a large blue planet that had formerly been hidden behind the sun, becomes visible in the sky as it approaches ever closer to Earth. John is excited about the planet and looks forward to the "fly-by" predicted by scientists.Melancholia's first approach and final collision with Earth, as described (and shown briefly in a similar diagram) in the filmClaire becomes very fearful that the end of the world is imminent in spite of her husband's reassurances that everyone will be safe. She searches the Internet and finds an article predicting that the movements of Melancholia around the Earth will bring the two planets into a full-on collision soon afterward.Justine tells her sister that she has the ability to predict with certainty events such as the number of beans in a bottle and she confident that Melancholia will meet with Earth, this being a good thing as life itself is evil, which from her tortured battle would be valid.The certainty that Melancholia is making its terminal rotation back to earth is at odds with the certainty of a safe fly-by her brother-in law has had, a fact that always been a reality for Justine.On realising his fallibility Justines brother-in-law the only other person to ride the horse fatally poisons himself in the Black Horses stable the horse calms down. His wife on finding him dead releases the horse to be free.In this adversity Justine becomes the spiritually the strongest person. She has a bath stating that she is now all clean.The sister tries to escape the golf course but the golf cart shuts down on the same bridge frustrating her. She returns to the lodge as the world begins its demiseHer young nephew being scared is reassured by Justine who says that they can be safe in a magic cave something she has promised several times in the film to make.The three sit in the magic cave (a wood tepee) Justine is stoic and strong at the as the world beautifully comes to a catastrophic end, and at one with Melancholia

Output: Question: Where does Justine say they will be safe?, Answer: In the magic cave

Input: Consider Input: The United States has lost the war on drugs. Substance D, a powerful and dangerous drug that causes bizarre hallucinations, has swept the country. Approximately 20% of the total population is addicted. In response, the government has developed an invasive, high-tech surveillance system and a network of undercover officers and informants.Bob Arctor is one of these undercover agents, assigned to immerse himself in the drug's underworld and infiltrate the supply chain. Sometime in the past, Arctor was abandoned by his wife and two children, leaving him alone in a now-rundown suburban house in Anaheim, California; the house has since been repopulated by Arctor's two drug-addicted, layabout housemates: Luckman and Barris. The three spend their days intoxicated and having long, paranoiac conversations. At the police station, Arctor maintains privacy by wearing a "scramble suit" that constantly changes every aspect of his appearance and he is known only by the code name "Fred." Arctor's senior officer, "Hank", and all other undercover officers, also wear scramble suits, protecting their identities even from each other.Since going undercover, Arctor himself has become addicted to Substance D and he has befriended the main woman he has been spying on: a cocaine addict and Substance D supplier named Donna. Arctor hopes to purchase large enough quantities of Substance D from Donna that she is forced to introduce him to her own supplier, but he has also developed seemingly unrequited romantic feelings towards her.At work, Hank orders Arctor to step up surveillance on Donna and her associates; however, Arctor's house is now at the center of his own investigation, since this is where Donna and the other addicts in her and Arctor's life now spend most of their time. Hank names Bob Arctor as the suspected ringleader, and thus orders Arctor to spy on himself. Arctor, therefore, has to even more carefully plan his double life, though his prolonged use of Substance D is damaging his brain, causing him to sometimes forget his own identity. Meanwhile, the justified paranoia of Arctor's housemates reaches extreme levels, and Barris secretly communicates to the police his exaggerated belief that Donna and Arctor are terrorists; Barris unknowingly conveys this information in the presence of Arctor himself, whose identity at the time is hidden behind his scramble suit.After Barris supplies the police with a faked recording allegedly proving his claims about Donna and Arctor, Hank orders that Barris be held on charges of providing false information. After Barris's arrest, Hank reveals to Arctor that he has deduced him to be the true identity of "Fred" by a process of elimination. Arctor seems legitimately surprised and repeats his own name in a disoriented, unfamiliar tone. Hank informs him that the real purpose of the surveillance was to catch Barris, not Arctor, and that the police were deliberately increasing Barris's paranoia until he attempted to cover his tracks. Hank reprimands Arctor for becoming addicted to Substance D, and warns him that he will be disciplined, likely with just a fine but possibly a few months of penal labor. Hank "phones" Donna, asks her to take Arctor to New-Path, a corporation that runs a series of rehabilitation clinics, and Arctor, who is rapidly becoming more disoriented, leaves Hank's office, cursing Hank aloud. Afterwards, Hank enters the locker room and removes his scramble suit, revealing his true identity to the audience: Donna. At the New-Path clinic, Arctor experiences the symptoms of Substance D withdrawal, including more severe brain damage. He mindlessly repeats what others tell him and utters mostly simplistic responses.Some time later, Donna (revealed to be another false name) converses with a fellow police officer, Mike, and the audience learns that New-Path is responsible for the manufacture and distribution of Substance D; ironically they use victims of the drug to tend their crops, since (being nearly mindless) they can be trusted not to reveal New-Path's secret. Donna expresses her growing ethical aversion to their police work, in which they deliberately selected Arctorwithout his knowledgeto become addicted to Substance D all along; his health was sacrificed so that he might eventually enter a New-Path rehabilitation center unnoticed as a genuine addict and collect incriminating evidence of New-Path's Substance D farms. Donna and Mike debate whether Arctor's mind will recover enough so that he grasps the situation and returns from serving his sentence with substantial evidence to shut down New-Path.In the final scene, New-Path gives Arctor a new name and sends him from the clinic to a labor camp at an isolated New-Path farm, where he spots rows of blue flowers hidden between rows of corn. These flowers, referenced throughout the film, are the source of Substance D. As the film ends, Arctor hides a blue flower in his boot, apparently prepared to hand it over to the authorities during his upcoming Thanksgiving respite, though it is not at all clear whether he has recovered enough of his mental faculties to do so.End credits[edit]The end credits feature an abridged version of the afterword of Philip K. Dick's novel, in which Dick lists people he knew who have suffered serious permanent physical or mental damage (brain damage, psychosis, pancreatic trauma, etc.) or death as a result of drug use. Dick includes his own name on the list, as "Phil", a victim of permanent pancreatic damage.Linklater adds another name to the credits and dedicates the film to the memory of Louis H. Mackey, an influential philosophy professor at the University of Texas at Austin; he had appeared in two of Linklater's previous films. Mackey died in 2004.
Output: Question: Who does Hank name as the suspected ringleader?, Answer: Bob Arctor