IN: Edward Leo Peter McMahon Jr. (March 6, 1923 - June 23, 2009) was an American announcer, game show host, comedian, actor and singer. McMahon and Johnny Carson began their long association in their first TV series, the ABC game show Who Do You Trust?, running from 1957 to 1962. Then afterwards, McMahon would make his famous thirty-year mark as Carson's sidekick, announcer and second banana on NBC's highly successfully The Tonight Show Starring Johnny Carson from 1962 to 1992.

On April 20, 2002, McMahon sued his insurance company for more than $20 million, alleging that he was sickened by toxic mold that spread through his Beverly Hills house after contractors failed to properly clean up water damage from a broken pipe. McMahon and his wife, Pamela, became ill from the mold, as did members of their household staff, according to the Los Angeles County Superior Court suit. The McMahons blamed the mold for the death of the family dog, Muffin. Their suit, the latest of many in recent years over toxic mold, was filed against American Equity Insurance Co., a pair of insurance adjusters, and several environmental cleanup contractors. It sought monetary damages for alleged breach of contract, negligence, and intentional infliction of emotional distress. On March 21, 2003, the long legal battle ended with McMahon being awarded $7.2 million from several companies who were negligent for allowing toxic mold into his home, sickening him and his wife and killing their dog. McMahon was injured in 2007 in a fall and, in March 2008, it was announced he was recovering from a broken neck and two subsequent surgeries. He later sued Cedars-Sinai Medical Center and two doctors claiming fraud, battery, elder abuse, and emotional distress, and accused them of discharging him with a broken neck after his fall in 2007 and later botching two neck surgeries. On February 27, 2009 it was reported that McMahon had been in an undisclosed Los Angeles hospital (later confirmed as Ronald Reagan UCLA Medical Center) for almost a month. He was listed in serious condition and was in the intensive care unit. His publicist told reporters that he was admitted for pneumonia at the time, but could not confirm nor deny reports that McMahon had been diagnosed with bone cancer.

How did that work out for his family

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input: Shortly after his release from Gorlitz in May 1941, Messiaen was appointed a professor of harmony at the Paris Conservatoire, where he taught until his retirement in 1978. He compiled his Technique de mon langage musical ("Technique of my musical language") published in 1944, in which he quotes many examples from his music, particularly the Quartet. Although only in his mid-thirties, his students described him as an outstanding teacher. Among his early students were the composers Pierre Boulez and Karel Goeyvaerts. Other pupils included Karlheinz Stockhausen in 1952, Alexander Goehr in 1956-57, Tristan Murail in 1967-72 and George Benjamin during the late 1970s. The Greek composer Iannis Xenakis was referred to him in 1951; Messiaen urged Xenakis to take advantage of his background in mathematics and architecture in his music. In 1943, Messiaen wrote Visions de l'Amen ("Visions of the Amen") for two pianos for Yvonne Loriod and himself to perform. Shortly thereafter he composed the enormous solo piano cycle Vingt regards sur l'enfant-Jesus ("Twenty gazes upon the child Jesus") for her. Again for Loriod, he wrote Trois petites liturgies de la presence divine ("Three small liturgies of the Divine Presence") for female chorus and orchestra, which includes a difficult solo piano part. Two years after Visions de l'Amen, Messiaen composed the song cycle Harawi, the first of three works inspired by the legend of Tristan and Isolde. The second of these works about human (as opposed to divine) love was the result of a commission from Serge Koussevitzky. Messiaen stated that the commission did not specify the length of the work or the size of the orchestra. This was the ten-movement Turangalila-Symphonie. It is not a conventional symphony, but rather an extended meditation on the joy of human union and love. It does not contain the sexual guilt inherent in Richard Wagner's Tristan und Isolde because Messiaen believed that sexual love is a divine gift. The third piece inspired by the Tristan myth was Cinq rechants for twelve unaccompanied singers, described by Messiaen as influenced by the alba of the troubadours. Messiaen visited the United States in 1949, where his music was conducted by Koussevitsky and Leopold Stokowski. His Turangalila-Symphonie was first performed in the US in 1949, conducted by Leonard Bernstein. Messiaen taught an analysis class at the Paris Conservatoire. In 1947 he taught (and performed with Loriod) for two weeks in Budapest. In 1949 he taught at Tanglewood. Beginning in summer 1949 he taught in the new music summer school classes at Darmstadt. While he did not employ the twelve-tone technique, after three years teaching analysis of twelve-tone scores, including works by Arnold Schoenberg, he experimented with ways of making scales of other elements (including duration, articulation and dynamics) analogous to the chromatic pitch scale. The results of these innovations was the "Mode de valeurs et d'intensites" for piano (from the Quatre etudes de rythme) which has been misleadingly described as the first work of "total serialism". It had a large influence on the earliest European serial composers, including Pierre Boulez and Karlheinz Stockhausen. During this period he also experimented with musique concrete, music for recorded sounds.

Answer this question "What else is notable about this time?"
output:
It had a large influence on the earliest European serial composers,