Question: Modern Sounds in Country and Western Music is a studio album by American R&B singer-songwriter and musician Ray Charles. It was recorded by Charles in February 1962 at Capitol Studios in New York City and at United Recording Studios in Hollywood, then released in April of that year by ABC-Paramount Records. The album departed stylistically from the singer's previous rhythm and blues music. It featured country, folk, and Western music standards reworked by Charles in popular song forms of the time, including R&B, pop, and jazz.

Following his blues fusion with gospel and jazz influences on his earlier Atlantic material, which had brought him much fame and controversy, Charles sought to experiment with country music. As noted by himself in the liner notes for What'd I Say (1959), Charles was influenced by the genre in his youth, stating that he "used to play piano in a hillbilly band" and that he believed that he "could do a good job with the right hillbilly song today." At Atlantic, he attempted to incorporate this style and influence with his cover of country singer Hank Snow's "I'm Movin' On". Charles later said about the song, "When I heard Hank Snow sing 'Moving On', I loved it. And the lyrics. Keep in mind, I'm a singer, so I like lyrics. Those lyrics are great, so that's what made me want to do it." The "I'm Movin' On" sessions were his last for Atlantic. Charles's recording of his acclaimed studio effort The Genius of Ray Charles (1959) brought him closer to expressing his jazz and pop crossover ambitions. Described by one music critic as "the most important of his albums for Atlantic", the record was the first to introduce Charles's musical approach of blending his brassy R&B sound with the more middle of the road, pop-oriented style, while performing in the presence of a big band ensemble. Recording of the album, as well his ABC-Paramount debut, The Genius Hits the Road (1960), a collection of place-name songs devoted to parts of the United States, expanded on Charles's thematic and conceptually-organized approach to albums rather than commercially successful singles production. Inspired by this approach and his recording of "I'm Movin' On", Charles originally made plans for a single-less concept album. When Charles had announced that he wanted to work on an album of country music in 1961, during a period of racial segregation and tension in the United States, he received generally negative commentary and feedback from his peers, including fellow R&B musicians and ABC-Paramount executives. The country album concept, however, meant more to Charles as a test of his record label's faith in him and respect for his artistic freedom than as a test of social tolerance among listeners amid racial distinctions of country and R&B. Fueled by his esteem for creative control, Charles pitched the idea of a country album to ABC representatives. Following the successful lobby of the concept and a contract renewal in early 1962, which was linked to the launching of his own Tangerine label, Charles prepared his band for the recording sessions that produced Modern Sounds in Country and Western Music.

Using a quote from the above article, answer the following question: Can you tell me a little about the Conception of the album?
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Answer: Charles sought to experiment with country music.

Problem: Todd Bertuzzi (born February 2, 1975) is a Canadian retired professional ice hockey winger of the National Hockey League (NHL). Known as a power forward, he has played in the NHL for the New York Islanders, Vancouver Canucks, Florida Panthers, Anaheim Ducks, Calgary Flames and Detroit Red Wings. Selected 23rd overall by the New York Islanders in the 1993 NHL Entry Draft, he played at the junior level with the Guelph Storm of the Ontario Hockey League (OHL) for four seasons.

Two years after his draft, Bertuzzi and the Islanders had not yet been agreed to a contract. With Bertuzzi eligible to re-enter the draft if the Islanders did not sign him by July 7, 1995, general manager Don Maloney made it apparent that he would use the team's second overall pick in the 1995 NHL Entry Draft to select him again if a contract could not be agreed upon by the required date. Moments before the midnight deadline, the Islanders were able to sign Bertuzzi to a four-year, US$4.6 million contract. His agent, Pat Morris, had reportedly wanted a similar deal to that of fellow Islanders prospect Brett Lindros - a five-year, $6.7 million contract signed the previous summer. During training camp in September 1995, Islanders head coach Mike Milbury heralded Bertuzzi as the team's best performing forward. Making his NHL debut on October 7, 1995, he scored a wrap around goal against goaltender Blaine Lacher in a 4-4 tie with the Boston Bruins. Beginning the season on the team's top line with Zigmund Palffy and Travis Green, Bertuzzi finished his rookie year with 18 goals and 39 points over 76 games. The following season, Bertuzzi recorded 23 points in 64 games. The Islanders did not qualify for the playoffs in either of his two full seasons with the club, ranking second-last in the Eastern Conference in 1995-96 and 1996-97. Bertuzzi's playing style as a power forward resulted in comparisons to former Islander Clark Gillies. As a result, the club hired Gillies to personally mentor Bertuzzi. Failing to meet lofty expectations from the club, Gillies once said of Bertuzzi, "If you're built like a freight train, you can't drive around like a Volkswagen." Feeling burdened with the pressure of playing up to the club's expectations while his offensive production diminished, he requested to be traded away at one point during the 1996-97 season. In response, Milbury, who had also taken over general manager duties the previous season, demoted Bertuzzi to the Islanders' minor league affiliate, the Utah Grizzlies of the International Hockey League (IHL). Playing 13 games in the minors, he registered 10 points before being called back up to the NHL. During the 1997-98 campaign, he continued to score below his pace as a rookie. On February 6, 1998, he was traded along with defenceman Bryan McCabe and a third-round selection in the 1998 NHL Entry Draft (Jarkko Ruutu) to the Vancouver Canucks in exchange for veteran forward Trevor Linden. The deal was made prior to the NHL's roster freeze in preparation for the 1998 Winter Olympics. Bertuzzi and McCabe had both been widely regarded as the players of the future for New York after their respective drafts in 1993. While Milbury expressed regret at having to trade McCabe, relations between Bertuzzi and the club were strained. Welcoming the trade, Bertuzzi commented that "things weren't working out [in New York]."

What happened in 1995

Answer with quotes:
Two years after his draft, Bertuzzi and the Islanders had not yet been agreed to a contract.