Given the task definition, example input & output, solve the new input case.
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Output: 1874May
From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input case for you: Context_1 : The relations between Pope Pius XI and Judaism during his reign from 1922 to 1939 are generally regarded as good. The pontiff was particularly opposed to antisemitism, an important issue at the time when Nazi Germany was rising. Certain favourable opinions of Pius XI were subsequently used to attack the perceived silence of Pope Pius XII. Context_2 : Pietro Gasparri, GCTE (5 May 1852 18 November 1934) was a Roman Catholic cardinal, diplomat and politician in the Roman Curia and the signatory of the Lateran Pacts. He served also as the Cardinal Secretary of State under Pope Benedict XV and Pope Pius XI. Context_3 : The Pope and Mussolini: The Secret History of Pius XI and the Rise of Fascism in Europe is a 2014 Pulitzer Prize winner biography of Pope Pius XI about his relations with Benito Mussolini and rise of Fascism in Europe by David Kertzer. The book examined documentary evidence from the Vatican archives, arguing that Pope Pius XI played a significant role in supporting the rise of Fascism and Benito Mussolini in Italy, but not of Nazism in Germany. Context_4 : Manuel Goncalves Cerejeira, (29 November 1888, Lousado, Vila Nova de Famalicao, Portugal 2 August 1977, Buraca, Amadora, Portugal) was a Portuguese cardinal who served as cardinal-patriarch of Lisbon from 1929 to 1971. He was the last surviving cardinal elevated by Pope Pius XI, and his cardinalate of forty-eight years was the longest since the fifty-eight-year cardinalate of Henry Benedict Mary Clement Stuart of York which lasted from 1747 to 1805. He took part in three conclaves: in 1939, 1958 and 1963. Although there were seven other cardinals elevated by Pius XI who participated in the 1963 conclave, Cerejeira was the longest-serving living cardinal from the death of Jozef-Ernest van Roey on 6 August 1961 until his own death almost exactly sixteen years later. Context_5 : The Reichskonkordat ("Concordat between the Holy See and the German Reich") is a treaty negotiated between the Vatican and the emergent Nazi Germany. It was signed on 20 July 1933 by Cardinal Secretary of State Eugenio Pacelli, who later became Pope Pius XII, on behalf of Pope Pius XI and Vice Chancellor Franz von Papen on behalf of President Paul von Hindenburg and the German government. It was ratified September 10, 1933 and it has been in force from that date onward. The treaty guarantees the rights of the Roman Catholic Church in Germany. When bishops take office Article 16 states they are required to take an oath of loyalty to the Governor or President of the German Reich established according to the constitution. The treaty also requires all clergy to abstain from working in and for political parties. Nazi breaches of the agreement began almost as soon as it had been signed and intensified afterwards leading to protest from the Church including in the 1937 "Mit brennender Sorge" encyclical of Pope Pius XI. The Nazis planned to eliminate the Church's influence by restricting its organizations to purely religious activities. Context_6 : Francesco Pacelli (February 1, 1872 April 22, 1935) was an Italian lawyer and the elder brother of Eugenio Pacelli, who would later become Pope Pius XII. He acted as a legal advisor to Pope Pius XI; in this capacity, he assisted Cardinal Secretary of State Pietro Gasparri in the negotiation of the Lateran Treaty, which established the independence of Vatican City. Context_7 : Franz von Papen (] ; 29 October 18792 May 1969) was a German nobleman, General Staff officer and politician. He served as Chancellor of Germany in 1932 and as Vice-Chancellor under Adolf Hitler in 193334. He belonged to the group of close advisers to President Paul von Hindenburg in the late Weimar Republic. It was largely Papen, believing that Hitler could be controlled once he was in the government, who persuaded Hindenburg to appoint Hitler as Chancellor in a cabinet not under Nazi Party domination. However, Papen and his allies were quickly marginalized by Hitler and he left the government after the Night of the Long Knives, during which the Nazis killed some of his confidantes. Context_8 : Hitler's Pope is a book published in 1999 by the British journalist and author John Cornwell that examines the actions of Eugenio Pacelli, who became Pope Pius XII, before and during the Nazi era, and explores the charge that he assisted in the legitimization of Adolf Hitler's Nazi regime in Germany, through the pursuit of a Reichskonkordat in 1933. The book is critical of Pius' conduct during the Second World War, arguing that he did not do enough, or speak out enough, against the Holocaust. Cornwell argued that Pius's entire career as the nuncio to Germany, Cardinal Secretary of State, and pope was characterized by a desire to increase and centralize the power of the Papacy, and that he subordinated opposition to the Nazis to that goal. He further argued that Pius was antisemitic and that this stance prevented him from caring about the European Jews. Context_9 : The following is a list of the feast days of the General Roman Calendar as it was in 1954. It is thus basically that established by Pope Pius X (19031914), but it also incorporates changes that were made by Pope Pius XI (19221939), such as the institution of the Feast of Christ the King, while not including those made in 1955 by Pope Pius XII (19391958). Context_10 : Pope Pius XII (Italian: "Pio XII" ), born Eugenio Maria Giuseppe Giovanni Pacelli (] ; 2March 18769 October 1958), was head of the Catholic Church from 2 March 1939 to his death in 1958. Before his election to the papacy, Pacelli served as secretary of the Department of Extraordinary Ecclesiastical Affairs, papal nuncio to Germany (19171929), and Cardinal Secretary of State, in which capacity he worked to conclude treaties with European and Latin American nations, most notably the "Reichskonkordat" with Nazi Germany, with which most historians believe the Vatican sought to protect the Church in Germany while Adolf Hitler sought the destruction of "political Catholicism". A pre-war critic of Nazism, Pius XII lobbied world leaders to avoid war and, as Pope at the outbreak of war, issued "Summi Pontificatus", expressing dismay at the invasion of Poland, reiterating Church teaching against racial persecution and calling for love, compassion and charity to prevail over war. fact_1 : It was signed on 20 July 1933 by Cardinal Secretary of State Eugenio Pacelli, who later became Pope Pius XII, on behalf of Pope Pius XI and Vice Chancellor Franz von Papen on behalf of President Paul von Hindenburg and the German government. fact_2 : He served as Chancellor of Germany in 1932 and as Vice-Chancellor under Adolf Hitler in 193334. Question: The Reichskonkordat was signed by the Cardinal Secretary of State under Pope Pius XI and the Vice Chancellor under which leader?
Output:
Adolf Hitler