Problem: Olivia Dunham is a fictional character and the main protagonist from the science fiction television series Fringe, which aired on the Fox Broadcasting Company in the United States from 2008 to 2013. The character was created by series' co-creator J. J. Abrams, and is portrayed by actress Anna Torv. Olivia is the series' protagonist, and was introduced as an FBI Special Agent, working for a multi-agency task force of the U.S. Department of Homeland Security called the Fringe Division, dealing with supernatural events that are linked to experimental occurrences. Having grown up with an abusive stepfather, Olivia struggles with the unexpected changes in her life, following her encounter with mentally unstable scientist Walter Bishop, and his son and an eventual love interest for her, Peter Bishop.

The character of Olivia has been described as "an incredibly driven, incredibly brilliant agent with her own complicated past that will be peel[ed] back over time." She is a loner and dedicates almost all of her time to her work. She has a strong sense of justice, which drives her to solve a case by any means necessary. It is this quality which both impresses and irritates Broyles, as it makes her a good agent but also makes her prone to biting off more than she can chew when it comes to pursuing suspects. Olivia had an abusive stepfather, and shot him several times in defense of her mother and herself. She was unable to finish him off, and so he recovered and disappeared, leaving her to blame herself for not exacting retribution against him, contributing to her determination to bring criminals to justice. She was nine years old when she shot her stepfather, and she states in an earlier episode that she knew what she wanted to do for a career "pretty much since [she] was nine", indicating a direct link between the childhood abuse and her job. In the reset timeline for the series' fourth season, Torv explained that "The Olivia we meet and know has known about Fringe Division and had all this time to get used to it and work out that this is her life," rather than becoming familiar with it after the attack on John Scott. Consequently, "when Lincoln comes in, she's a little more open to him [than she was with Peter] and working with someone again." Olivia has few close relationships. She has little family, as her mother died when she was in her early teenage years. Olivia's is close to her sister Rachel, and Rachel's daughter Ella. Olivia was involved in a serious relationship with fellow FBI agent John Scott, and his supposed betrayal and death was something she dealt with for much of the first season. In the second season finale, Olivia and Peter Bishop finally admit their feelings for each other and kiss. Fauxlivia was involved in a serious relationship with Frank Stanton and eventually became engaged, but the two broke up when he discovered she was pregnant by Peter. Olivia was in a relationship with Peter after they mended things in episode 6B But shortly after that Peter built a bridge wiping himself from existence, causing Olivia to forget who he was. But through the cortexiphan and the power of their love, she soon remembered her life with him. They were married and have a daughter. In episodes 4.19 Letters of Transit and 5.1 Transilience Thought Unifier Model-11, their daughter finds them and reunites them.

Who was she married to?

Answer with quotes: Olivia was in a relationship with Peter after they mended things in episode 6B

Question:
Born in Cherryvale, Kansas, Louise Brooks was the daughter of Leonard Porter Brooks, a lawyer, who was usually too busy with his practice to discipline his children, and Myra Rude, an artistic mother who determined that any "squalling brats she produced could take care of themselves". Rude was a talented pianist who played the latest Debussy and Ravel for her children, inspiring them with a love of books and music. When she was nine years old, a neighborhood predator sexually abused Louise. This event had a major influence on Brooks' life and career, causing her to say in later years that she was incapable of real love, and that this man "must have had a great deal to do with forming my attitude toward sexual pleasure....
Brooks made her screen debut in the silent The Street of Forgotten Men, in an uncredited role in 1925. Soon, however, she was playing the female lead in a number of silent light comedies and flapper films over the next few years, starring with Adolphe Menjou and W. C. Fields, among others. She was noticed in Europe for her pivotal vamp role in the Howard Hawks directed silent "buddy film", A Girl in Every Port in 1928. In an early sound film drama, Beggars of Life (1928), Brooks played an abused country girl who kills her foster father in a moment of desperation. A hobo, Richard Arlen, happens on the murder scene and convinces Brooks to disguise herself as a young boy and escape the law by "riding the rails" with him. In a hobo encampment, or "jungle," they meet another hobo, Wallace Beery. Brooks's disguise is soon uncovered and she finds herself the only female in a world of brutal, sex-hungry men. Much of this film was shot on location, and the boom microphone was invented for this film by the director William Wellman, who needed it for one of the first experimental talking scenes in the movies. By this time in her life, she was mixing with the rich and famous, and was a regular guest of William Randolph Hearst and his mistress, Marion Davies, at San Simeon, being close friends with Davies' niece, Pepi Lederer. Her distinctive bob haircut helped start a trend; many women styled their hair in imitation of her and fellow film star Colleen Moore. Soon after the film Beggars Of Life was made, Brooks, who loathed the Hollywood "scene", refused to stay on at Paramount after being denied a promised raise, and left for Europe to make films for G. W. Pabst, the prominent Austrian Expressionist director. Paramount attempted to use the coming of sound films to pressure the actress, but she called the studio's bluff. It was not until 30 years later that this rebellious move would come to be seen as arguably the most savvy of her career, securing her immortality as a silent film legend and independent spirit. Unfortunately, while her initial snubbing of Paramount alone would not have finished her in Hollywood altogether, her refusal after returning from Germany to come back to Paramount for sound retakes of The Canary Murder Case (1929) irrevocably placed her on an unofficial blacklist. Actress Margaret Livingston was hired to dub Brooks's voice for the film, as the studio claimed that Brooks' voice was unsuitable for sound pictures.
Answer this question using a quote from the text above:

What American films did Louise Brooks release?

Answer:
Brooks made her screen debut in the silent The Street of Forgotten Men, in an uncredited role in 1925.