input: According to the U.S. Securities and Exchange Commission (SEC), Stewart avoided a loss of $45,673 by selling all 3,928 shares of her ImClone Systems stock on December 27, 2001, after receiving material, nonpublic information from Peter Bacanovic, who was Stewart's broker at Merrill Lynch. The day following her sale, the stock value fell 16%. In the months that followed, Stewart drew heavy media scrutiny, including a Newsweek cover headlined "Martha's Mess". Notably, on June 25, 2002, CBS anchor Jane Clayson grilled Stewart on the air about ImClone during her regular segment on The Early Show. Stewart continued chopping cabbage and responded: "I want to focus on my salad." On October 3, 2002, Stewart resigned her position, held for four months, on the board of directors of the New York Stock Exchange, following a deal prosecutors had made with Douglas Faneuil, an assistant to Bacanovic. On June 4, 2003, Stewart was indicted by the government on nine counts, including charges of securities fraud and obstruction of justice. Stewart voluntarily stepped down as CEO and Chairwoman of MSLO, but stayed on as chief creative officer. She went on trial in January 2004. Prosecutors showed that Bacanovic had ordered his assistant to tell Stewart that the CEO of ImClone, Samuel D. Waksal, was selling all his shares in advance of an adverse Food and Drug Administration ruling. The FDA action was expected to cause ImClone shares to decline. Monica Beam, a shareholder of MSLO, also brought a derivative suit against Stewart and other directors and officers of the company. It came before the Supreme Court of Delaware in 2004 and was ultimately dismissed.

Answer this question "When was she indited?"
output: On June 4, 2003, Stewart was indicted

input: Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial. During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television. In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended. According to Koehler: [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month.

Answer this question "Was he ever jailed?"
output: At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days.

input: Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose, the same year that the Yellow Magic Orchestra was disbanded. Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun. Roddy Frame, who worked with Sakamoto as a member of Aztec Camera, explained in a 1993 interview preceding the release of Dreamland that he had had to wait a lengthy period of time before he was able to work with Sakamoto, who wrote two soundtracks, a solo album and the music for the opening ceremony at the Barcelona Olympics, prior to working with Frame over four weeks in a New York studio. Frame said that he was impressed by the work of YMO and the Merry Christmas Mr Lawrence soundtrack, explaining: "That's where you realise that the atmosphere around his compositions is actually in the writing - it's got nothing to do with synthesisers." Frame's decision to ask Sakamoto was finalized after he saw his performance at the Japan Festival that was held in London, United Kingdom. Of his experience recording with Sakamoto, Frame said: He's got this reputation as a boffin, a professor of music who sits in front of a computer screen. But he's more intuitive than that, and he's always trying to corrupt what he knows. Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds.

Answer this question "How did he get that reputation?"
output:
screen. But he's more intuitive than that, and he's always trying to corrupt what he knows.