IN: John Michael Stipe (born January 4, 1960) is an American musician and singer-songwriter. He is best known as the lead singer and main lyricist of the alternative rock band R.E.M. from their formation in 1980 until their dissolution in 2011. Possessing a distinctive voice, Stipe is noted for the "mumbling" style of his early career as well as for his social and political activism. He was in charge of R.E.M.'s visual aspect, often selecting album artwork and directing many of the band's music videos.

While attending college at the University of Georgia in Athens, Stipe frequented the Wuxtry record shop, where he met store clerk Peter Buck in 1980. "He was a striking-looking guy and he also bought weird records, which not everyone in the store did", Buck recalled. The two became friends and eventually decided to form a band. Buck and Stipe started writing music together; at the time Stipe also spent time in a local group named Gangster. The pair were soon joined by Bill Berry and Mike Mills and named themselves R.E.M., a name Stipe selected at random from a dictionary. All four members of R.E.M. dropped out of school in 1980 to focus on the band. Stipe was the last to do so. The band issued its debut single, "Radio Free Europe", on Hib-Tone, which was a college radio success. The band signed to I.R.S. Records for the release of the Chronic Town EP one year later. R.E.M. released its debut album Murmur in 1983, which was acclaimed by critics. Stipe's vocals and lyrics received particular attention from listeners. Murmur went on to win the Rolling Stone Critics Poll Album of the Year over Michael Jackson's Thriller. Their second album, Reckoning, followed in 1984. In 1985, R.E.M. traveled to England to record their third album Fables of the Reconstruction, a difficult process that brought the band to the verge of a break up. After the album was released, relationships in the band remained tense. Gaining weight and acting eccentrically (such as by shaving his hair into a monk's tonsure), Stipe later said of the period, "I was well on my way to losing my mind". They toured in Canada and throughout Europe that year; Stipe had bleached his hair blond during this time.

What was REM?

OUT: The pair were soon joined by Bill Berry and Mike Mills and named themselves R.E.M., a name Stipe selected at random from a dictionary.

Answer the question at the end by quoting:

Jack William Nicklaus (born January 21, 1940), nicknamed The Golden Bear, is an American retired professional golfer. He is widely regarded as the greatest golfer of all time, winning a record 18 career major championships, while producing 19 second-place and 9 third-place finishes, over a span of 25 years. Nicklaus focused on the major championships--Masters Tournament, U.S. Open, Open Championship and PGA Championship--and played a selective schedule of regular PGA Tour events, yet still finished with 73 victories, third on the all-time list behind Sam Snead (82) and Tiger Woods (79).
Between 1981 and 1985, Nicklaus accumulated seven more top-10 placements in major championships, including three runner-up performances. He won only twice on the PGA Tour during this period, the Colonial National Invitation in 1982 and his own Memorial Tournament in 1984 for the second time, defeating Andy Bean in a sudden-death playoff to become the tournament's first repeat champion. In 1983, Nicklaus closed out the PGA Championship and World Series of Golf with brilliant final rounds in the mid-60's, and passed many players to move into contention, but finished runner-up in each to Player of the Year Hal Sutton and Nick Price, respectively, who dominated the tournaments from start to finish. Despite not winning a PGA Tour event in 1983, Nicklaus finished 10th on the PGA Tour money list, and passed a significant milestone by becoming the first player to eclipse the $4 million level in career earnings. In 1985, Nicklaus finished second to Curtis Strange in the Canadian Open, which marked his seventh and final second-place finish in that tournament; this is a record for that event. These seven runner-up finishes came over the course of 21 events--or one second-place finish for every three tournaments played--and does not include a third-place finish in 1983, one shot out of the playoff between John Cook and Johnny Miller. During the five-year period between 1981 and 1985, the Ryder Cup matches provided Nicklaus with two bright spots. He completed his competition as a player in style by contributing a perfect 4-0-0 record (inclusive of a 5 & 3 anchor singles match win over Eamonn Darcy) in 1981, and captained the United States team in 1983 to a one-point win over Europe.

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He completed his competition as a player in style by contributing a perfect 4-0-0 record

input: After 12th-century, Odia temples, monasteries and nearby institutions such as the Nalanda in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (1360-1361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khurda. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannath temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations". Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were dehumanized and stigmatized as prostitutes during the British period. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma.

Answer this question "What role did the Odissi dancers play during the British rule?"
output:
the temple dancers were moved to entertain the Sultan's family and courts.