Temperate climates have moderate temperatures. These climates vary in how much rain they get and when the rain falls. You can see different types of temperate climates in Figure 2.40. Mediterranean climates are found on the western coasts of continents. The coast of California has a Mediterranean climate. Temperatures are mild and rainfall is moderate. Most of the rain falls in the winter, and summers are dry. To make it through the dry summers, short woody plants are common. Marine west coast climates are also found on the western coasts of continents. The coast of Washington State has this type of climate. Temperatures are mild and theres plenty of rainfall all year round. Dense fir forests grow in this climate. Humid subtropical climates are found on the eastern sides of continents. The southeastern U.S. has this type of climate. Summers are hot and humid, but winters are chilly. There is moderate rainfall throughout the year. Pine and oak forests grow in this climate.
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QUESTION: What is the Mediterranean's rainfall like?

Ace , a wannabe rock star , is on his way to a concert of the band Guitar Wolf when space aliens invade the Earth . As a result the dead rise to their feet in the countryside setting of Asahi , Japan , with an appetite for flesh . Enlisting the help of his rock 'n roll blood brother Guitar Wolf , Ace and the members of the band get entangled in many misadventures with crazy rock managers in very tight shorts , transsexuals , naked women shooting guns in the shower , and bloodthirsty zombies ready to tear them apart . Leather jackets , loud over-modulated music , laser guitar picks , motorcycles , guns , muscle cars , and fire abound . Guitar Wolf , a Japanese trio signed to Matador Records in the US and self-proclaimed coolest rock band in the world star as the well-coiffed heroes . It is also a love story , between Ace and Tobio , a trans woman . The music , in a garage punk vein , plays an important role in the film . It features music from Greg Cartwright of Reigning Sound and The Oblivians . His 1997 song '' Twice as Deep '' by Greg Oblivian & the Tip Tops is featured . This film is similar to another movie by a Spanish punk group , La matanza can bal de los garrulos lis rgicos produced by Siniestro Total
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QUESTION: Why and where do the dead rise?

Oscar-winning actress Joan Fontaine died Sunday, her longtime friend Noel Beutel said Monday. She was 96. Fontaine died "very peacefully" in her sleep of natural causes, Beutel said. She was in her Carmel, California, home. She is survived by her older sister, actress Olivia de Havilland -- with whom she had not spoken for decades. Fontaine was born Joan de Beauvoir de Havilland in 1916 in Tokyo, Japan, where her British father was a patent lawyer and teacher. She and her sister moved to Saratoga, California, with their mother in 1919 when her parents separated. Fontaine was a teenager when she began her acting career as Joan Burfield in the 1935 film "No More Ladies." She later adopted the stage name Fontaine -- the name of her mother's second husband. She wrote in her 1978 autobiography, "No Bed of Roses," that her mother, who was an actress, began encouraging the rivalry with her older sister at an early age. The feud extended to their careers when both sisters were nominated for best actress Oscars in 1942. Fontaine, who was nominated for Alfred Hitchcock's "Suspicion," beat her sister Olivia de Havilland, who was nominated for "Hold Back the Dawn." De Havilland won the first of her two Oscars in 1947 when she was given the best actress award for "To Each His Own." De Havilland and Fontaine remain the only sisters who have best-actress Academy Awards. The long-standing feud with de Havilland was at such a peak during one Oscar winners' reunion in 1979 that they had to be seated on opposite ends of the stage. "I was shocked and saddened to learn of the passing of my sister, Joan Fontaine ... and I appreciate the many kind expressions of sympathy that we have received," a statement released by Olivia de Havilland to CNN said.
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QUESTION: How old was Joan when she wrote an autobiography?

(CNN) -- As Iranian President Mahmoud Ahmadinejad visited the U.N. General Assembly in New York last month, the spotlight was once again on Iran. And true to form, the Iranian president made his fair share of provocative statements for the Western media. But while Ahmadinejad's mercurial rants captured our media's attention, back in Iran a coordinated strategy against the women's movement continued. On the eve of Ahmadinejad's arrival to New York, Shiva Nazar Ahari, a prominent young female defender of human rights, received a heavy sentence of six years in prison on charges including the vague crime of "waging war against God" -- a convenient catch-all offense for anyone who criticizes the regime and its human rights record. There's no denying it -- Iran's women have had a bad year. Nazar Ahari joins a steadily increasing number of other women's rights activists who are in prison for no greater crime than their attempt to fight for the rights of the women. Hengameh Shahidi, Alieh Eghdam Doust, Bahareh Hedayat and Mahdiyeh Golrou have all been sent to Tehran's notorious Evin Prison on trumped-up charges related to their activism. And while Nobel Peace Prize laureate Shirin Ebadi, arguably the most internationally recognized Iranian women's rights activist, remains unable to safely return to her country, the government is targeting those affiliated with her for arrest and imprisonment, including her lawyer Nasrin Sotoudeh and her former aide Jinous Sobhani. Since the 2009 disputed elections and associated government crackdown on the overall reform movement, the government has increasingly targeted women activists. The reasons behind this go well beyond the misogynist nature of Iran's religious leadership. Rather, it is more part of a deliberate and calculated strategy of the Iranian authorities to strike at the heart of the regime's greatest vulnerability -- internal legitimacy with its own people. See more CNN.com opinion articles Iran's government recognizes and fears the broader power of the women activists who have been on the front line of reform in Iran for more than a decade. One can roughly draw an analogy between the women's movement in Iran to movements of religious groups in Burma or Tibet, or the labor "solidarity" movements in the former Eastern bloc and associated labor-Roman Catholic solidarity in Poland -- all advocating initially for the freedoms of a specific group but which provoked government fears for their transformative power to promote broader human rights progress. While the outside world occasionally reacts to the most egregious manifestations of Iran's repression of women -- such as the international condemnation associated with Sakineh Mohammadi Ashtiani, an Iranian widow sentenced to stoning on charges of alleged adultery -- these events are often portrayed simply as a consequence of the regime's archaic viewpoint about gender.
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QUESTION:
How does the Iranian President speak to the Western media?