Some context: Stewart Armstrong Copeland was born in Alexandria, Virginia on July 16, 1952, the youngest of four children of CIA officer Miles Copeland, Jr. and Scottish archaeologist Lorraine Adie. The family moved to Cairo, Egypt, a few months after his birth, and Copeland spent his formative years in the Middle East. In 1957, his family moved to Beirut, Lebanon, and Copeland attended the American Community School there. He started taking drum lessons at age 12 and was playing drums for school dances within a year.
In late 1976, Copeland founded the Police with lead singer-bass guitarist Sting and guitarist Henry Padovani (who was soon replaced by Andy Summers), and they became one of the top bands of the 1980s. The Police's early track list was mostly made of Copeland's compositions, including the band's first single "Fall Out" (Illegal Records, 1977) and the B side "Nothing Achieving". Though Copeland's songwriting contribution was reduced to a couple of songs per album as Sting started writing more material, he continued to co-arrange all the Police's songs with his two bandmates. Amongst Copeland's most notable songs are "On Any Other Day" (where he sang lead vocals too), "Does Everyone Stare" (later to be used as the title of his documentary on the band Everyone Stares: The Police Inside Out), "Contact", "Bombs Away", "Darkness" and "Miss Gradenko". Copeland also co-wrote a number of songs with Sting, including "Peanuts", "Landlord", "It's Alright for You" and "Re-Humanize Yourself". Copeland also recorded under the pseudonym Klark Kent, releasing several UK singles in 1978 with one ("Don't Care") entering the UK Singles Chart that year, along with an eponymously titled 10-inch album on green vinyl released in 1980. Recorded at Nigel Gray's Surrey Sound Studio, Copeland played all the instruments and sang the lead vocals himself. Kent's "Don't Care", which peaked at #48 UK in August 1978, actually predates the first chart single by the Police by several months ("Can't Stand Losing You", issued in October 1978) as "Don't Care" was released in early June 1978. In 1982 Copeland was involved in the production of a WOMAD benefit album called Music and Rhythm. Copeland's score for Rumble Fish secured him a Golden Globe nomination in 1983. The film, directed and produced by Francis Ford Coppola from the S. E. Hinton novel, also had a song released to radio on A&M Records "Don't Box Me In" (UK Singles Chart n. 91)--a collaboration between Copeland and singer/songwriter Stan Ridgway, leader of the band Wall of Voodoo--that received significant airplay upon release of the film that year. The Police stopped touring in 1984, and during this brief hiatus he released a solo album, The Rhythmatist. The record was the result of a pilgrimage to Africa and its people, and it features local drums and percussion, with more drums, percussion, other musical instruments and occasional lead vocals added by Copeland. The album was the official soundtrack to the movie of the same name, which was co-written by Stewart. He also starred in the film, which is "A musical odyssey through the heart of Africa in search of the roots of rock & roll." (Copeland is seen playing the drums in a cage with lions surrounding him.) The band attempted a reunion in 1986, but the project fell apart.
Who else wrote music for The Police?
A: Though Copeland's songwriting contribution was reduced to a couple of songs per album as Sting started writing more
Some context: ZZ Top is an American rock band formed in 1969 in Houston, Texas. The band has, since 1970, consisted of bassist and lead vocalist Dusty Hill, guitarist and lead vocalist Billy Gibbons (the band's leader, main lyricist and musical arranger), and drummer Frank Beard. "As genuine roots musicians, they have few peers", according to former musician, critic and collector Michael "Cub" Koda. "Gibbons is one of America's finest blues guitarists working in the arena rock idiom [...] while Hill and Beard provide the ultimate rhythm section support."
ZZ Top's next album was even more successful. Eliminator, released in March 1983, featured two top 40 singles ("Gimme All Your Lovin'" and "Legs"), and two additional Top Rock hits ("Got Me Under Pressure" and "Sharp Dressed Man"), with "Legs" peaking at no. 13 on the Club Play Singles chart. Eliminator was a critical and commercial success, selling more than 10 million copies, and several music videos were in regular rotation on MTV. The band also won their first MTV Video Music Awards in the categories of Best Group Video for "Legs", and Best Direction for "Sharp Dressed Man". The music videos were included in their Greatest Hits video, which was later released on DVD and quickly went multiple-platinum. However, the Eliminator album was not without controversy. According to former stage manager David Blayney in his book "Sharp Dressed Men", sound engineer Linden Hudson co-wrote much of the material on the album while serving as a live-in high-tech music teacher to Beard and Gibbons. Despite continued denials by the band, it settled a five-year legal battle with Hudson, paying him $600,000 after he proved he held the copyright to the song "Thug". Despite not selling as many copies as Eliminator, 1985's Afterburner became the band's highest-charting album, racking up sales of five million units. All of the singles from Afterburner were Top 40 hits, with two ("Sleeping Bag" and "Stages") hitting no. 1 on the Mainstream Rock chart. The music video for "Velcro Fly" was choreographed by pop singer Paula Abdul. ZZ Top's grueling Afterburner World Tour lasted well into 1987, which also saw the release of The ZZ Top Sixpack, a three-disc collection of ZZ Top's albums from 1970 to 1981, with the exception of Deguello. The albums ZZ Top's First Album, Rio Grande Mud, Tres Hombres, Fandango, and Tejas were remixed to have a more contemporary sound. Recycler, released in 1990, was ZZ Top's last studio album under contract with Warner Records. Recycler was also the last of a distinct sonic trilogy in the ZZ Top catalogue, marking a return towards a simpler guitar-driven blues sound with less synthesizer and pop bounce than the previous two albums. This move did not entirely suit the fan base that Eliminator and Afterburner had built up, and while Recycler did achieve platinum status, it never matched the sales of those albums.
what song did they release
A:
("Gimme All Your Lovin'" and "Legs"),