Question: Suggest a movie title for the following movie plot: New Orleans, Louisiana. While attending the funeral of his father, Melvin Devereux (John Savage), meets a beautiful young woman (Sandi Schultz) who addresses him by name, although he cannot remember having met her before. After an enigmatic exchange of casual words, Devereux drives away, motoring aimlessly around New Orleans. Devereux decides to ignore warning barriers and drives onto a closed freeway. But the police follow him and he is forced to turn aside. His car breaks down in a decapitated area of the city. But the mysterious young woman again appears, suggesting that he try a mechanic located nearby to fix his car. After helping Devereux push his car to the garage, the young woman again refuses to explain how she knows him or tell him her name. While waiting, the woman suggests they go to a motel nearby, apparently for sex. After checking into a room, and getting ready in the bathroom, Devereux exits and discovers that she is gone, leaving behind a message written on a mirror in red lipstick which says that the time is not yet right.Having collected his repaired vehicle, Devereux encounters a hearse driving on the road ahead. When he attempts to overtake it, the driver (Richard Castleman) deliberately swerves to prevent him. Turning off onto more treacherous country roads, Devereux nearly gets stranded when his car gets stuck in muddy terrain, and he barely negotiates a rickety wooden bridge.At last finding his way back to the main road, he stops off at a local roadside bar for a drink where the hearse is also parked outside. In a drunken altercation, Deveveux challenges the driver to reveal whose body he is transporting. The folded ribbon adorning the casket seen inside the hearse bears a name tantalizingly similar to Devereux's own. The confused, now frightened man follows the hearse to a church where an all-black congregation is mourning at another funeral. Devereux drunkenly disrupts the proceedings, attempting to look inside the closed casket. He gets thrown out of the church by the angry...
Answer: Door to Silence

[Q]: Suggest a movie title for the following movie plot: "The Duellists" is based on a story written by Joseph Conrad, which, according to the author, was itself based on a true story whose origins sprang from a ten-line paragraph in a small Southern France local newspaper. That brief paragraph reported the fatal ending of a duel between two officers in Napoleon's Grand Army. The two officers had fought a series of duels in the midst of great wars on some futile pretext. As the pretext was never disclosed, Conrad invented one.We are in 1800, in the garrison town of Strasbourg, on the Rhine. There is a lull in the Napoleonic wars, and the French soldiers are enjoying a moment of peace before resuming the slaughters. As the film opens, a young girl driving a gaggle of geese happens upon two men dueling in a meadow. Lieutenant Gabriel Feraud (Harvey Keitel), from the 7th Hussar Regiment, is in the process of settling a score with an unknown man who soon ends up skewered on the Lieutenant's epee. We learn that this man is the nephew of the Mayor of Strasbourg, and is seriously wounded, when General Treillard (Robert Stephens), Commandant of the garrison, enters his officers quarters and makes inquiries about this Lieutenant Feraud. Lieutenant Armand d'Hubert (Keith Carradine), from the 4th Hussar Regiment, admits to vaguely knowing the gentleman, and he is immediately "volunteered" by his Commandant to find him and bring him back to the barracks, where he will be put under house arrest. General Treillard, who must see that his soldiers obey the Emperors rules prohibiting combat with civilians, needs to investigate what happened in the meadow. It is somewhat ironical that Bonaparte, who spent a large part of his life dueling with the rest of Europe on a rather grand scale, involving tens of thousand of participants on both sides (but was somewhat of a dilettante when judged by present day's standards), had little respect for the same tradition on an individual level.D'Hubert, after looking all over town, ends up at Feraud's private quarters, where he learns that the...
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[A]: The Duellists

input: Please answer the following: Suggest a movie title for the following movie plot: The opening scene is a brutal, muddy melee. At close quarters in that wet place, the men on whom the camera closes in are attacking one another with bayonets, swords, fists, or even by holding an enemy's face in the mud to drown him. Many of the combatants are black. A voice-over says that the rebels (Confederates, or rebs) "killed every negro soldier they captured at Poison Springs... so at Jenkins Ferry, we decided we weren't taking no reb prisoners." The camera cuts to show the speaker, a black soldier in an army camp talking to someone who after a few seconds is revealed to be President Abraham Lincoln (Daniel Day-Lewis). The soldier (Private Harold Green, Colman Domingo) and his comrade (Corporal Ira Clark, David Oyelowo) tell Lincoln their names, ranks, and where they're headed next (Wilmington). They're pleased that they're finally being paid as much as the white soldiers, but Clark complains about the lack of commissioned negro officers and sarcastically predicts that whites might be able to tolerate a negro colonel in 50 years -- and "in 100 years, the vote." A couple of white soldiers who heard Lincoln speak at Gettysburg come up; one repeats the beginning of the Gettysburg address and his friend recites the next lines. They're called away, but Corporal Clark finishes the speech as he walks off.In January 1865, the recently reelected Lincoln notes the imminence of the Civil War's end, wondering out loud what will become of the former slaves. He finds insufficiency, even hypocrisy, in his Emancipation Proclamation of 1863, which had freed most slaves as a war measure but had not made slavery illegal. Only a constitutional amendment illegalizing slavery, he realizes, will spell its permanent end in America.Debate rages even within his own cabinet, but as Lincoln sees it, the passage of the constitutional amendment cannot wait until the end of the war, for Southern slaves who had been freed as a war measure might fall into forced servitude once again. In an interview with a white couple from Missouri,...
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output:
Lincoln