Q: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Context_1 : Marina Kamen (aka MARINA), is a Director/Producer/Casting Director/Vocalist/Choreographer & Musician best known for her music in the advertising industry & fitness/health/dance music communities and has a large online catalogue of workout music, treadmill workouts and audio workouts including 50 albums, 450 Original Songs and 1,200 Online Musical Audio Programs. Marina's EBook entitled "I'mSteppin' Out!"confessions of a Food-a-Holic has sold around the globe for the past 15 years and is available on Iamplifi, Audible and on Amazon. Kamen won the 2005 People's Choice Award in Podcasting . MARINA's High-nrg Fitness Brand includes Radio and Television Broadcasts, Music, albums, and a Live Show currently playing in NYC called MARINA's High-nrg Fitness LIVE!an Interactive Musical Theatre WORKOUT Experience. MARINA's lifelong work merging the worlds of vocalisation and dance has brought her to work with Celebrity artists including Patti Labelle, Carnie Wilson, James Earl Jones, Mandy Patinkin, Gloria Gaynor, Britney Spears, Liza Minnelli and countless others. In 1987, Kamen and her husband, Roy Kamen, opened Kamen Entertainment Group, Inc. Kamen's credits in Radio and television advertising have included thousands of campaigns working for Starburst, PopTarts, Mercedes, Exxon Mobile, CocaCola, Dairy Queen, and Febreeze in the 1990s, in 2004, Marina Diretcted, Produced, Cast & Choreographed Britney Spears' Twister Dance Rave Global Television Campaign for Hasbro. Kamen also Cast, Directed,Choreographed & Produced Television spots for Jenga Tetris & Bop It. Kamen performs a series of live performance concerts around the country. In the late 90s, it seemed impossible because she had three young children and was over 215 pounds. Nonetheless, Kamen started to write and produce music aimed at the dance market. High energy shows won awards, such as her "Silent Night" performance at Webster Hall in New York City. Kamen taught aerobics classes in the 70's and 80's, and through her performances she began using dance music to drive her workout routines. By singing, dancing, and eating well-portioned meals, she lost over 100 pounds. Kamen released her debut album, "Um-Lotty-Da" in 1997. Kamen quickly earned a reputation in the New York City club scene. Her albums and performances garnered the attention of the Dance Organization of America. This committee steered Kamen towards positions as a director and choreographer for Atlantic Records, Columbia Records, The Naras Foundation which Hosts The Grammy Awards.By the year 2000, Kamen had combined her previous experiences and started to sell her fitness music within the fitness community. With her innovative approach and inspirational message, Kamen became a well-known persona in the world of Musical Fitness. Kamen has produced material and live presentations for clients including QVC/Direct, Dynamix, Equinox Gyms, Jazzercise, Strive Enterprise with Bill Kazmier (ESPN), and Jackie Chan's CableFlex. She has appeared on British TV on "Reborn in the USA," produced and televised from New York City by the producers of "American Idol." Kamen has been covered in the NY Times, Daily News and Family Circle Magazine. She can be seen on programing from The Discovery Health Network, PBS and Nickelodeon (The N), ShopNBC, The Tyra Banks Show & ABC NEWS. Marina is also Hosting a Web Broadcast show entitled "MARINA's High-nrg Fitness Musical Health Talk". Ms. Kamen attended The Manhattan School of Music & Interlochen Arts Academy majoring in voice, violin, and composition. Marina trained in dance with The American Ballet Theatre, Luigi & Frank Hatchett. Marina also thanks her longtime friend in dance Francis Roach for his openness and dance talent over the years in addition to carrying out the teachings of dance Icon Luigi. His work has helped to train thousands of dancers around the world. Context_2 : Pantomime (informally panto), is a type of musical comedy stage production, designed for family entertainment. It was developed in England and is still performed throughout the United Kingdom, generally during the Christmas and New Year season and, to a lesser extent, in other English-speaking countries. Modern pantomime includes songs, gags, slapstick comedy and dancing, employs gender-crossing actors, and combines topical humour with a story loosely based on a well-known fairy tale, fable or folk tale. It is a participatory form of theatre, in which the audience is expected to sing along with certain parts of the music and shout out phrases to the performers. Context_3 : The City of New York, often called New York City or simply New York, is the most populous city in the United States. With an estimated 2016 population of 8,537,673 distributed over a land area of about 302.6 sqmi , New York City is also the most densely populated major city in the United States. Located at the southern tip of the state of New York, the city is the center of the New York metropolitan area, one of the most populous urban agglomerations in the world. A global power city, New York City exerts a significant impact upon commerce, finance, media and entertainment, art, fashion, research, technology, education, politics, and sports, its fast pace defining the term "New York minute". Home to the headquarters of the United Nations, New York is an important center for international diplomacy and has been described as the cultural, financial, and media capital of the world. Context_4 : Revolt of the Beavers was a children's play put on by the Federal Theater Project by Oscar Saul and Louis Lantz. One critic described the play as "Marxism a la Mother Goose". The show ran at the Adelphi Theatre in New York City from May 20, 1937, to June 19 of that year. Jules Dassin and John Randolph were among the play's cast. Context_5 : The Unconquered is a play for four actors by Torben Betts which premiered at the Byre Theatre, St Andrews in February 2007 before touring the United Kingdom (venues including the Tron Theatre in Glasgow, the Traverse Theatre in Edinburgh and London's Arcola Theatre.) It received critical acclaim and won the award for Best New Play at the Critics Awards for Theatre in Scotland, 2007. Keith McIntyre's cartoon-like design was nominated for an award at the same time. The production was remounted in 2008, and toured the country again before taking part in the Brits-off-Broadway Season in New York City followed by Trap Door Theatre's production in Chicago. Context_6 : The Fair Play for Cuba Committee (FPCC) was an activist group set up in New York City in April 1960. The FPCC's purpose was to provide grassroots support for the Cuban Revolution against attacks by the United States government, once Fidel Castro began openly admitting his commitment to Marxism and began the expropriation and nationalization of Cuban assets belonging to U.S. corporations. The FPCC opposed the Bay of Pigs invasion of 1961, the imposition of the United States embargo against Cuba, and was sympathetic to the Cuban view during the Cuban Missile Crisis of 1962. Context_7 : Aylesbury Waterside Theatre is a 47 million theatre in Aylesbury, England, United Kingdom presenting a range of West End and touring musicals and plays, along with performances of opera and ballet and a Christmas pantomime. Context_8 : The figure of Mother Goose is the imaginary author of a collection of fairy tales and nursery rhymes often published as "Old Mother Goose's Rhymes", as illustrated by Arthur Rackham in 1913. As a character, she appears in one nursery rhyme. A Christmas pantomime called "Mother Goose" is often performed in the United Kingdom. The so-called "Mother Goose" rhymes and stories have formed the basis for many classic British pantomimes. Mother Goose is generally depicted in literature and book illustration as an elderly country woman in a tall hat and shawl, a costume identical to the peasant costume worn in Wales in the early 20th century, but is sometimes depicted as a goose (usually wearing a bonnet). Context_9 : A combination company was a theatrical touring company which performed only one play. Unlike repertory companies, which performed multiple plays in rotation, combination companies used more elaborate and specialized scenery in their productions. Repertory theatre had been popular in the United States through the 19th century, and it is not clear how the combination system originated. Combination companies contributed to the early success of Broadway theatre, as most combination companies began their tours in New York City. Combination companies were fueled by stars. The Star agenda or star system that had been set in place in mid 19th century America helped greatly in the development of the combination company. The idea of celebrity was at full force and people would flock to theater houses to see their favorite stars perform. Stars made famous in New York would travel to stock theaters and perform limited engagements there. "The engagements of the first important stars were rare and special events"(Poggi 4). Audiences would come in from all over to sold out performances at playhouses and see their favorite stars. The Stock companies would cancel their normal repertory programs for a few nights to allow for the show of the star. The star would be supported by the local company of actors in the play, which proved to be very frustrating to them (Poggi 5). After the star left, the company returned to its repertory schedule as per usual. Yet annoyed by the lack of talent from regional companies, the stars began to search for companies to tour with them. They began to tour with two or three actors, and then eventually whole companies would tour with them and they would perform a repertory of plays (Wilmeth 200-201). This switch to companies that support the stars for the whole tour was one more step in the transition from stock companies to combination companies. Context_10 : The Selkirk Hurdle is the term used by urban planners, railroad employees, politicians, and others to describe the route that must be taken by freight trains traveling between New York City and other points in downstate New York that are east of the Hudson River, and locations in the United States to the south and west. There are no rail freight bridges or tunnels that cross the Hudson River south of Selkirk, which is 10 miles (16km) south of Albany and the home of Selkirk Yard, a major CSX classification yard. As a result, trains from Long Island and New York City (except for the borough of Staten Island which has a rail bridge to New Jersey) must travel 140 mi north to cross at Selkirk before continuing on their way. Advocates claim that this detour and the inefficiencies that result force New York City to rely more heavily on relatively inefficient trucks than most parts of the United States, where freight trains are more common. However, at least for traffic to and from the west, this route was touted for its efficiency as the "Water Level Route" by the New York Central Railroad because trains using it did not have to climb over the Appalachian Mountains, and it is still used by the New York Central's successor, CSX, for traffic to both sides of the Hudson River. fact_1 : Revolt of the Beavers was a children's play put on by the Federal Theater Project by Oscar Saul and Louis Lantz. fact_2 : One critic described the play as "Marxism a la Mother Goose". fact_3 : The show ran at the Adelphi Theatre in New York City from May 20, 1937, to June 19 of that year. fact_4 : The figure of Mother Goose is the imaginary author of a collection of fairy tales and nursery rhymes often published as "Old Mother Goose's Rhymes", as illustrated by Arthur Rackham in 1913. fact_5 : A Christmas pantomime called "Mother Goose" is often performed in the United Kingdom. Question: In which theatre of New York City did a play, described as Marxism but using the figure from a Christmas pantomime in the United Kingdom, perform?
A:
Adelphi Theatre