Some context: Buffalo Springfield was a Canadian-American rock band active from 1966 to 1968 whose most prominent members were Stephen Stills, Neil Young, and Richie Furay. The band released three albums and several singles, including "For What It's Worth". The band combined elements of folk and country music with British invasion and psychedelic-rock influences, and, along with the Byrds, were part of the early development of folk-rock. With a name taken from a brand of steamroller, Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Dewey Martin (drums, vocals), Bruce Palmer (electric bass), Furay (guitar, vocals), and Young (guitar, harmonica, piano, vocals).
Chris Hillman of the Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood. The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year. In November 1966, Stills composed "For What It's Worth" in response to a protest that had turned into a riot following the closing of a nightclub called Pandora's Box on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc.,
What was their first album name?
A: Nowadays Clancy Can't Even Sing
Some context: Sir Donald George Bradman, AC (27 August 1908 - 25 February 2001), often referred to as "The Don", was an Australian international cricketer, widely acknowledged as the greatest batsman of all time. Bradman's career Test batting average of 99.94 has been cited as the greatest achievement by any sportsman in any major sport. The story that the young Bradman practised alone with a cricket stump and a golf ball is part of Australian folklore. Bradman's meteoric rise from bush cricket to the Australian Test team took just over two years.
In 1930-31, against the first West Indian side to visit Australia, Bradman's scoring was more sedate than in England--although he did make 223 in 297 minutes in the Third Test at Brisbane and 152 in 154 minutes in the following Test at Melbourne. However, he scored quickly in a very successful sequence of innings against the South Africans in the Australian summer of 1931-32. For NSW against the tourists, he made 30, 135 and 219. In the Test matches, he scored 226 (277 minutes), 112 (155 minutes), 2 and 167 (183 minutes); his 299 not out in the Fourth Test, at Adelaide, set a new record for the highest score in a Test in Australia. Australia won nine of the ten Tests played over the two series. At this point, Bradman had played 15 Test matches since the beginning of 1930, scoring 2,227 runs at an average of 131. He had played 18 innings, scoring 10 centuries, six of which had extended beyond 200. His overall scoring rate was 42 runs per hour, with 856 (or 38.5% of his tally) scored in boundaries. Significantly, he had not hit a six, which typified Bradman's attitude: if he hit the ball along the ground, then it could not be caught. During this phase of his career, his youth and natural fitness allowed him to adopt a "machine-like" approach to batting. The South African fast bowler Sandy Bell described bowling to him as, "heart-breaking ... with his sort of cynical grin, which rather reminds one of the Sphinx ... he never seems to perspire". Between these two seasons, Bradman seriously contemplated playing professional cricket in England with the Lancashire League club Accrington, a move that, according to the rules of the day, would have ended his Test career. A consortium of three Sydney businesses offered an alternative. They devised a two-year contract whereby Bradman wrote for Associated Newspapers, broadcast on Radio 2UE and promoted the menswear retailing chain FJ Palmer and Son. However, the contract increased Bradman's dependence on his public profile, making it more difficult to maintain the privacy that he ardently desired. Bradman's chaotic wedding to Jessie Menzies in April 1932 epitomised these new and unwelcome intrusions into his private life. The church "was under siege all throughout the day ... uninvited guests stood on chairs and pews to get a better view"; police erected barriers that were broken down and many of those invited could not get a seat. Just weeks later, Bradman joined a private team organised by Arthur Mailey to tour the United States and Canada. He travelled with his wife, and the couple treated the trip as a honeymoon. Playing 51 games in 75 days, Bradman scored 3,779 runs at 102.1, with 18 centuries. Although the standard of play was not high, the effects of the amount of cricket Bradman had played in the three previous years, together with the strains of his celebrity status, began to show on his return home.
What is the Reluctant hero about?
A:
making it more difficult to maintain the privacy