input question: Select the correct sentiment of the following review: This is a strange, cerebral, surreal, esoteric film. If there is such a thing as "intellectual horror" cinema, this film is it. I started to get scared and wish there was someone else watching it with me, and it barely has a plot! I'm going to have to see this film again multiple times before I feel I really understand it. If you're the kind of person who likes "My Dinner With Andre" and films by Godard, or if you do a lot of mind-altering drugs, you will probably enjoy this film. Wow.
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output answer: positive

input question: Select the correct sentiment of the following review: I very much enjoyed "The Revolution Will Not Be Televised". It gave me, once again, a positive feeling about the power of people to decide for themselves how they wish to be governed.

It is unfortunate that in Venezuela the twenty percent of wealthy citizens have made all of the decisions for the eighty percent of the poor for decades, if not centuries. However, when their coup failed; after the interim government dissolved the Supreme Court, and The Constitution, and the Ombudsman, and the Electoral Boards, and all Civil Rights, no one took the plotters out behind a barn somewhere and shot them. They haven't even gone to jail. The major plotters are living in Florida, carrying on. And the protection that they had was the "Bolivarian Constitution" passed by a large majority of the Venezuelan People. It is not only History that Bites. Democracy can give you one hell of a nip if you let it loose. And in Venezuela it is loose.
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output answer: positive

input question: Select the correct sentiment of the following review: The "Confidential" part was meant to piggy-back on the popular appeal of the lurid magazine of the same name, while the labor racketeering theme tied in with headline Congressional investigations of the day. However, despite the A-grade B-movie cast and some good script ideas, the movie plods along for some 73 minutes. It's a cheap-jack production all the way. What's needed to off-set the poor production values is some imagination, especially from uninspired director Sidney Salkow. A few daylight location shots, for example, would have helped relieve the succession of dreary studio sets. A stylish helmsman like Anthony Mann might have done something with the thick-ear material, but Salkow treats it as just another pay-day exercise. Too bad that Brian Keith's typical low-key style doesn't work here, coming across as merely wooden and lethargic, at the same time cult figure Elisha Cook Jr. goes over the top as a wild-eyed drunk. Clearly, Salkow is no actor's director. But, you've got to hand it to that saucy little number Beverly Garland who treats her role with characteristic verve and dedication. Too bad, she wasn't in charge. My advice-- skip it, unless you're into ridiculous bar-girls who do nothing else but knock back whiskeys in typical strait-jacketed 50's fashion.
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output answer:
negative