input: After becoming musically inspired by Jay Z and Clipse, Drake self-released his debut mixtape, Room for Improvement, in 2006. The mixtape featured Trey Songz and Lupe Fiasco, and included vast production from Canadian producers Boi-1da, and Frank Dukes. When asked about the mixtape, Drake described the project as "pretty straightforward, radio friendly, [and] not much content to it." The mixtape was released for sale only, and confirmed to have sold over 6,000 copies. In 2007, he released his second mixtape, Comeback Season. Released from his recently founded October's Very Own label, it spawned the single "Replacement Girl", featuring Trey Songz. The song made Drake become the first ever unsigned Canadian rapper to have his music video featured on BET, with "Replacement Girl" being featured on the channel's "New Joint of the Day" segment on April 30, 2007. The song also saw Drake sample "Man of the Year" by Brisco, Flo Rida and Lil Wayne, retaining Lil Wayne's verse, and adjoined his own to the song's earlier half. This caused Jas Prince to gift Lil Wayne the song, which prompted the rapper to invite Drake to Houston in order to join his Tha Carter III tour. Throughout the duration of the tour, Drake and Lil Wayne recorded multiple songs together, including "Ransom", "I Want This Forever", and a remix to "Brand New". Despite the collaborations between the duo, Drake was yet to be signed by Young Money Entertainment. In 2009, Drake released his third mixtape, So Far Gone. It was made available for free download through his OVO blog website, and featured Lil Wayne, Trey Songz, Omarion, Lloyd, and Bun B. It received over 2,000 downloads in the first 2 hours of release, finding mainstream commercial success due to the singles "Best I Ever Had" and "Successful", both gaining Gold certification by the Recording Industry Association of America (RIAA), with the former also peaking at number two on the Billboard Hot 100. This prompted the mixtape's re-release as an EP, featuring only four songs from the original, as well as the additions of the songs "I'm Goin' In" and "Fear". It debuted at number six on the Billboard 200, and won the Rap Recording of the Year at the 2010 Juno Awards. Due to the success of the mixtape, Drake was the subject of a bidding war from various labels, often reported as "one of the biggest bidding wars ever". Despite this, Drake was rumoured to have secured a recording contract with Young Money Entertainment on June 29, 2009. This was later confirmed following a planned lawsuit from Young Money, in conjunction with Drake, against an unauthorized album entitled The Girls Love Drake, which was released on iTunes under dubious means. Drake then joined the rest of the label's roster the America's Most Wanted Tour in July 2009. However, during a performance of "Best I Ever Had" in Camden, New Jersey, Drake fell on stage, and tore the anterior cruciate ligament in his right knee. He later underwent surgery on September 8, 2009.

Answer this question "When was Thank Me Later released?"
output:

input: After his release, in 2006 El-Masri wrote in the Los Angeles Times that, while held by the CIA in Afghanistan, he was beaten and repeatedly interrogated. He also said that his custodians forcibly inserted an object into his anus. He was kept in a bare, squalid cell, given only meager rations to eat and putrid water to drink. According to a report by the inspector general of the CIA, El-Masri's German passport was not examined for authenticity until three months into his detention. Upon examination, the CIA's Office of Technical Services swiftly concluded it was genuine and that his continued detention would be unjustified. Discussion over what to do with El-Masri included secretly transporting him back to Macedonia and dumping him there without informing German authorities, and denying any claims he made. In March 2004, El-Masri took part in a hunger strike, demanding that his captors afford him due process or watch him die. After 27 days without eating, he forced a meeting with the prison director and a CIA officer known as "The Boss". They conceded he should not be imprisoned but refused to release him. El-Masri continued his hunger strike for 10 more days until he was force-fed and given medical attention. He had lost more than 60 pounds (27 kg) since his abduction in Skopje. While imprisoned in Afghanistan, Masri befriended several other detainees. The men memorized each other's telephone numbers so that if one was released, he could contact the families of the others. According to the New York Times, Laid Saidi, an Algerian who was a former detainee, was released in 2006. His description of his abduction and detention closely matched that of El-Masri. El-Masri reports that Majid Khan, characterized by the Bush administration as a high-value detainee, was held in the Salt Pit at the same time as he was. Khan, a former resident of Catonsville, Maryland, was held by the CIA for an additional three and a half years prior to being transferred to US military custody and Guantanamo on September 5, 2006.

Answer this question "WHen was he transferred to Afghanistan?"
output:

input: Gingold's adult stage career was slow to take off. She played Liza in If at the Ambassador's in May 1921, and the Old Woman in Ben Travers's farcical comedy The Dippers produced by Sir Charles Hawtrey at the Criterion in August 1922. In 1926 Gingold divorced from Joseph. Later in the same year she married the writer and lyricist Eric Maschwitz, whom she divorced in 1945. She underwent a vocal crisis in the late 1920s and early 1930s: she had hitherto described herself as "Shakespearian and soprano", but nodules on her vocal cords brought a drastic drop in pitch, about which she commented, "One morning it was Mozart and the next 'Old Man River'". The critic J. C. Trewin described her voice as "powdered glass in deep syrup". During this period she broadcast frequently for the BBC and established herself at the experimental theatre-club the Gate Theatre Studio in London, first as a serious actress and later in the genre for which she became famous, revue. According to The Times it was in Spread It Abroad (1936) a revue at another theatre, the Saville, with material by Herbert Farjeon that she truly found her milieu. In the ten years from 1938 Gingold concentrated on revue, appearing in nine different productions in the West End. The first four were The Gate Revue (transferred from the Gate to the Ambassador's, 1939), Swinging the Gate (1940), Rise Above It (1941) and Sky High (1942). During this period she and Hermione Baddeley established a stage partnership of what The Times called "briskly sustained mock-rivalry". In June 1943 she opened in a revue at the Ambassadors, Sweet and Low, which was continually revised and refreshed over a run of almost six years, first as Sweeter and Lower and then Sweetest and Lowest. In her sketches she tended, as the writer of the shows, Alan Melville, recalled, to portray "grotesque and usually unfortunate ladies of dubious age and occasionally, morals; the unhappy female painted by Picasso who found herself lumberered with an extra limb or two ... the even less fortunate female who, after years of playing the cello in Palm Court orchestras, ended up bow-legged beyond belief." In a biographical sketch, Ned Sherrin writes, "Gingold became a special attraction for American soldiers and 'Thanks, Yanks' was one of her most appropriate numbers. During the astringent, name-dropping 'Sweet' series, she played 1,676 performances, before 800,000 people, negotiating 17,010 costume changes."

Answer this question "Did she appear in more than one play?"
output:
Criterion in August 1922.