TASK DEFINITION: Given scene/plot descriptions from movies or TV shows, and given a specific question about the scene, summarize the question into a title
PROBLEM: In Interstellar, after Cooper arrives in the Tesseract, Cooper tries to send the message STAY to his daughter in the past so she won't let him go on the mission. If that was his intention then why did he send the coordinates of NASA afterwards? If he didn't send the coordinates, he wouldn't have found NASA or go into space, he would have stayed.

SOLUTION: If Cooper wanted to stay, why did he send the NASA Coordinates?

PROBLEM: I have watched many movies such as Sixth Sense, where there is a major twist that if known prior to watching the movie can potentially spoil the enjoyment of viewing. I tend not to watch this type of movies again, or certainly no more than once, and wondered if this is a common reaction. Is there any evidence that would suggest that comparatively, this type of films, whilst they may do well at cinema, have relatively poor post-cinema sales (I am thinking of the ratio between box-office and DVD/BluRay sales). So, for any budding directors, is this the type of movie to shy away from?

SOLUTION: Is there any evidence of "Big Twist" movies having poor post-cinema sales?

PROBLEM: From the Zombieland (2009) score, there is a track "Estasi Dell Anima", from when Tallahassee locks himself in the booth at Pacific Playland to distract all the zombies. Does anyone know, is this piece based on a classical piece, or some other piece? It is a musically gorgeous track, but it is all of 1m54s long. I'd love to get a longer or extended version of this song. Or was it a new piece composed for the movie, and no longer rendition exists?

SOLUTION:
Was the track "Estasi Dell Anima" newly composed for "Zombieland"?