Detailed Instructions: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : "Frodo Lives!" was a popular counterculture slogan in the 1960s and 1970s, referring to the character Frodo Baggins from J. R. R. Tolkien's fantasy novel "The Lord of the Rings". The term was used frequently in graffiti, buttons, bumper-stickers, T-shirts, and other materials. It was commonly associated with the hippie movement. Other examples of use include a "Frodo Lives" album released by Smash Records and merchandising items for the New Line Cinema "The Lord of the Rings" film trilogy. The phrase was also displayed during the activation of a computer virus in the early 1990s, in which the text 'Frodo Lives!' was displayed in large letters with a moving border. Context_2 : Glorfindel () is a fictional character in J.R.R. Tolkien's Middle-earth legendarium. He is introduced in various material relating to the First Age of Middle-earth, including "The Silmarillion". The name is also used for a character in "The Lord of the Rings", which takes place in Middle-earth's Third Age. In late writings, Tolkien works out how the two characters were one and the same, though this is not evident from the published versions of "The Silmarillion" and "The Lord of the Rings". Context_3 : Aragorn II, son of Arathorn is a fictional character from J. R. R. Tolkien's legendarium. He is one of the main protagonists of "The Lord of the Rings". Aragorn was a Ranger of the North, first introduced with the name Strider at Bree, as the Hobbits continued to call him throughout "The Lord of the Rings". He was eventually discovered to be the heir of Isildur and rightful claimant to the thrones of Arnor and Gondor. He was also a confidant of Gandalf and an integral part of the quest to destroy the One Ring and defeat the Dark Lord Sauron. Context_4 : Frodo Baggins is a fictional character in J. R. R. Tolkien's legendarium, and one of the main protagonists of "The Lord of the Rings". Frodo is a hobbit of the Shire who inherits the One Ring from his cousin (referred to as his uncle) Bilbo Baggins and undertakes the quest to destroy it in the fires of Mount Doom. He is also mentioned in Tolkien's posthumously published works, "The Silmarillion" and "Unfinished Tales". Context_5 : The Lord of the Rings: A Reader's Companion (2005) is a nonfiction book written by scholars Wayne G. Hammond and Christina Scull. It is an annotated reference to J. R. R. Tolkien's "The Lord of the Rings". Hammond and Scull proceed chapter-by-chapter from the original foreword through to the end of "The Lord of the Rings". Appendices, examining the evolution of the text, changes, inconsistencies, and errors, often using comments from Tolkien's own notes and letters. Other sections cover the numerous maps of Middle-earth, chronologies of the story and its writing, and notes on the book and jacket design of the first editions of 1954-55. The book includes some previously unpublished material by Tolkien. It also reprints part of a 1951 letter in which Tolkien explicates, at some length, his conception and vision of "The Lord of the Rings". Reprinted for the first time since 1980, and corrected and expanded, is Tolkien's "Nomenclature of The Lord of the Rings" (previously referred to as "Guide to the Names in The Lord of the Rings"), an index of persons, places, and things designed to aid the translator in rendering Tolkien's work into foreign languages. It is available in both hardcover and paperback. Context_6 : Isildur is a fictional character in J. R. R. Tolkien's legendarium. He appears in the author's books "The Lord of the Rings", "The Silmarillion", and "Unfinished Tales". Context_7 : Since the publications of J. R. R. Tolkien's The Lord of the Rings, The Hobbit and The Silmarillion, a wealth of secondary literature has been published discussing the literary themes and archetypes present in the stories. Tolkien also wrote about the themes of his books in letters to friends, family and fans, and often within the books themselves. In his Foreword to the Second Edition of "The Lord of the Rings", Tolkien said that he "disliked allegory in all its forms" (using the word "applicability" instead), and told those claiming the story was a metaphor for World War II to remember that he had lost "all but one" of his close friends in World War I. Context_8 : In the literary works of J. R. R. Tolkien, the House of Isildur was the Royal House of Arnor, Arthedain, Cardolan, Rhudaur and, much later, Gondor The house was descended from Isildur, elder son and heir of Elendil the Faithful. Although the North-Kingdom was ended in the year 1975 of the Third Age, the House of Isildur was maintained as the Chieftains of the Dunedain, the wandering folk that the Dunedain of Arnor became, until the time of Aragorn II and the War of the Ring, after which, Aragorn claimed the Crown of Gondor as the direct descendant of Elendil. After Aragorn, the House of Isildur became the House of Telcontar and ruled the Reunited Kingdom for generations. Context_9 : Luthien Tinuviel (Y.T. 1200Y.S. 503; died aged 3377) is a fictional character in the fantasy-world Middle-earth of the English author J. R. R. Tolkien. She is an elf, daughter of Thingol and Melian. She appears in "The Silmarillion", the epic poem "The Lay of Leithian", the Grey Annals section of "The War of the Jewels", and in other texts in Tolkien's legendarium. Her story is told to Frodo by Aragorn in "The Lord of the Rings". Context_10 : The Tale of Beren and Luthien, told in several works by J. R. R. Tolkien, is the story of the love and adventures of the mortal Man Beren and the immortal Elf-maiden Luthien. (Early versions of the story, published in the standalone book in 2017, described Beren as a Noldorin elf.) Tolkien wrote several versions of their story, the latest in "The Silmarillion", and the tale is also mentioned in "The Lord of the Rings". The story takes place during the First Age of Middle-earth, about 6500 years before the events of "The Lord of the Rings". fact_1 : Luthien Tinuviel (Y.T. 1200Y.S. 503; died aged 3377) is a fictional character in the fantasy-world Middle-earth of the English author J. R. R. Tolkien. fact_2 : Her story is told to Frodo by Aragorn in "The Lord of the Rings". fact_3 : Aragorn II, son of Arathorn is a fictional character from J. R. R. Tolkien's legendarium. fact_4 : Aragorn was a Ranger of the North, first introduced with the name Strider at Bree, as the Hobbits continued to call him throughout "The Lord of the Rings". Answer: Strider at Bree
Solution:
Luthien, who appears in Tolkiens companion to The Lord of the Rings, The Silmarillion, has her story told to Frodo by the heir of Isildur, who was first introduced by what name?