input: Duke married twice, the first time in 1935 to James H. R. Cromwell, the son of Palm Beach society doyenne Eva Stotesbury. Cromwell, a New Deal advocate like his wife, used her fortune to finance his political career. In 1940 he served several months as U.S. Ambassador to Canada and ran unsuccessfully for the U.S. Senate. The couple had a daughter, Arden, who died one day after her birth. They divorced in 1943. On September 1, 1947, while in Paris, Duke became the third wife of Porfirio Rubirosa, a diplomat from the Dominican Republic. She reportedly paid his second wife, actress Danielle Darrieux, $1 million to agree to an uncontested divorce. Because of her great wealth, Duke's marriage to Rubirosa attracted the attention of the U.S. State Department, which cautioned her against using her money to promote political agenda. Further, there was concern that in the event of her death, a foreign government could gain too much leverage. Therefore, Rubirosa had to sign a pre-nuptial agreement; during the marriage, though, she gave Rubirosa several million dollars in gifts, including a stable of polo ponies, sports cars, a converted B-25 bomber, and, in the divorce settlement, a 17th-century house in Paris. One of Doris Duke's best friends was Brazilian socialite and "jetsetter" Aimee de Heeren. She reportedly had numerous affairs, with, among others, Duke Kahanamoku, Errol Flynn, Alec Cunningham-Reid, General George S. Patton, Joe Castro, and Louis Bromfield. Duke posted a bail of $5,000,000 for her friend, former Philippine First Lady Imelda Marcos after the latter was arrested for racketeering.

Answer this question "What else is notable about her personal life?"
output: Duke married twice,

input: Palmer was married to the former Winnie Walzer (1934-1999) for 45 years; the couple had two daughters. She died at age 65 on November 20, 1999, from complications due to ovarian cancer. His grandson, Sam Saunders, is a professional golfer who grew up playing at Bay Hill, where he won the club championship at age 15. He attended Clemson University in South Carolina on a golf scholarship and turned pro in 2008. Saunders stated that Palmer's family nickname is "Dumpy". He married his second wife, Kathleen Gawthrop, in 2005 in Hawaii. During the spring and summer months, Palmer resided in Latrobe, and he spent winters in Orlando and La Quinta, California. He first visited Orlando in 1948 during a college match. When he took up residence in Orlando, Palmer helped the city become a recreation destination, "turning the entire state of Florida into a golfing paradise". That included building one of the premier events on the PGA Tour there along with his contributing to new hospitals. On hearing about Palmer's death, Tiger Woods said, "My kids were born at the Winnie Palmer Hospital for Women & Babies, and his philanthropic work will be remembered along with his accomplishments in golf." Arnold Palmer Boulevard is named in his honor. Palmer had supported Scottish football club Rangers F.C. since his boyhood. He was a member of the Freemasons since 1958. Palmer created the Arnie's Army Charitable Foundation to help children and youth. The Foundation saw the creation of the Winnie Palmer Hospital for Women & Babies Center, The Howard Philips Center for Children & Families, the Arnold Palmer Hospital for Children, and the Winnie Palmer Nature Reserve. He was also a spokesman for Hertz Rent-a-Car with O. J. Simpson. During his playing career, Arnold Palmer smoked cigarettes, which caused him to battle an addiction to nicotine. He noted that many of his colleagues smoked, and he even endorsed the product in television commercials. Later in life, Palmer made a complete about-face and urged the public to give up smoking. He said that cigarette smoking has a negative effect on every organ in the body.

Answer this question "Did Palmers daughters grow up to help him?"
output:

input: Victorian burlesque, sometimes known as "travesty" or "extravaganza", was popular in London theatres between the 1830s and the 1890s. It took the form of musical theatre parody in which a well-known opera, play or ballet was adapted into a broad comic play, usually a musical play, often risque in style, mocking the theatrical and musical conventions and styles of the original work, and quoting or pastiching text or music from the original work. The comedy often stemmed from the incongruity and absurdity of the classical subjects, with realistic historical dress and settings, being juxtaposed with the modern activities portrayed by the actors. Madame Vestris produced burlesques at the Olympic Theatre beginning in 1831 with Olympic Revels by J. R. Planche. Other authors of burlesques included H. J. Byron, G. R. Sims, F. C. Burnand, W. S. Gilbert and Fred Leslie. Victorian burlesque related to and in part derived from traditional English pantomime "with the addition of gags and 'turns'." In the early burlesques, following the example of ballad opera, the words of the songs were written to popular music; later burlesques mixed the music of opera, operetta, music hall and revue, and some of the more ambitious shows had original music composed for them. This English style of burlesque was successfully introduced to New York in the 1840s. Some of the most frequent subjects for burlesque were the plays of Shakespeare and grand opera. The dialogue was generally written in rhyming couplets, liberally peppered with bad puns. A typical example from a burlesque of Macbeth: Macbeth and Banquo enter under an umbrella, and the witches greet them with "Hail! hail! hail!" Macbeth asks Banquo, "What mean these salutations, noble thane?" and is told, "These showers of 'Hail' anticipate your 'reign'". A staple of burlesque was the display of attractive women in travesty roles, dressed in tights to show off their legs, but the plays themselves were seldom more than modestly risque. Burlesque became the speciality of certain London theatres, including the Gaiety and Royal Strand Theatre from the 1860s to the early 1890s. Until the 1870s, burlesques were often one-act pieces running less than an hour and using pastiches and parodies of popular songs, opera arias and other music that the audience would readily recognize. The house stars included Nellie Farren, John D'Auban, Edward Terry and Fred Leslie. From about 1880, Victorian burlesques grew longer, until they were a whole evening's entertainment rather than part of a double- or triple-bill. In the early 1890s, these burlesques went out of fashion in London, and the focus of the Gaiety and other burlesque theatres changed to the new more wholesome but less literary genre of Edwardian musical comedy.

Answer this question "what were some play titles?"
output:
Olympic Revels by J. R. Planche.