IN: Canadian comics refers to comics and cartooning by citizens of Canada or permanent residents of Canada regardless of residence. Canada has two official languages, and distinct comics cultures have developed in English and French Canada. The English tends to follow American trends, and the French Franco-Belgian ones, with little crossover between the two cultures. Canadian comics run the gamut of comics forms, including editorial cartooning, comic strips, comic books, graphic novels, and webcomics, and are published in newspapers, magazines, books, and online.

Brigadier-General George Townshend's cartoons lampooning General James Wolfe in 1759 are recognized as the first examples of political cartooning in Canadian history. Cartoons did not have a regular forum in Canada until John Henry Walker's short-lived weekly Punch in Canada debuted in Montreal in 1849. The magazine was a Canadian version of Britain's humorous Punch and featured cartoons by Walker. It paved the way for a number of similar short-lived publications, until the success of the more straight-laced Canadian Illustrated News, published by George-Edouard Desbarats beginning in 1869, soon after Canadian Confederation. In 1873, John Wilson Bengough founded Grip, a humour magazine in the style of Punch and the American Harper's Weekly. It featured a large number of cartoons, especially Bengough's own. The cartoons tended to be political, and Prime Minister John A. Macdonald and Metis rebel leader Louis Riel were favourite targets. The Pacific Scandal in the early 1870s gave Bengough much fodder to raise his reputation as a political caricaturist. According to historian John Bell, while Bengough was probably the most significant pre-20th-century Canadian cartoonist, Henri Julien was likely the most accomplished. Published widely both at home and abroad, Julien's cartoons appeared in periodicals such as Harper's Weekly and Le Monde illustre. In 1888, he gained employment at the Montreal Star and became the first full-time newspaper cartoonist in Canada. Palmer Cox, a Canadian expatriate in the United States, at this time created The Brownies, a popular, widely merchandised phenomenon whose first book collection sold over a million copies. Cox began a Brownies comic strip in 1898 that was one of the earliest English-language strips, and had begun to use speech balloons by the time it ended in 1907.

What happened during the early years?

OUT: Townshend's cartoons lampooning General James Wolfe in 1759 are recognized as the first examples of political cartooning in Canadian history.

Answer the question at the end by quoting:

Andrew Johnson (December 29, 1808 - July 31, 1875) was the 17th President of the United States, serving from 1865 to 1869. Johnson became president as he was vice president at the time of the assassination of Abraham Lincoln. A Democrat who ran with Lincoln on the National Union ticket, Johnson came to office as the Civil War concluded. The new president favored quick restoration of the seceded states to the Union.
Johnson left North Carolina for Tennessee, traveling mostly on foot. After a brief period in Knoxville, he moved to Mooresville, Alabama. He then worked as a tailor in Columbia, Tennessee, but was called back to Raleigh by his mother and stepfather, who saw limited opportunities there and who wished to emigrate west. Johnson and his party traveled through the Blue Ridge Mountains to Greeneville, Tennessee. Andrew Johnson fell in love with the town at first sight, and when he became prosperous purchased the land where he had first camped and planted a tree in commemoration. In Greeneville, Johnson established a successful tailoring business in the front of his home. In 1827, at the age of 18, he married 16-year-old Eliza McCardle, the daughter of a local shoemaker. The pair were married by Justice of the Peace Mordecai Lincoln, first cousin of Thomas Lincoln, whose son would become president. The Johnsons were married for almost 50 years and had five children: Martha (1828), Charles (1830), Mary (1832), Robert (1834), and Andrew Jr. (1852). Though she suffered from Tuberculosis, Eliza supported her husband's endeavors. She taught him mathematics skills and tutored him to improve his writing. Shy and retiring by nature, Eliza Johnson usually remained in Greeneville during Johnson's political rise. She was not often seen during her husband's presidency; their daughter Martha usually served as official hostess. Johnson's tailoring business prospered during the early years of the marriage, enabling him to hire help and giving him the funds to invest profitably in real estate. He later boasted of his talents as a tailor, "my work never ripped or gave way." He was a voracious reader. Books about famous orators aroused his interest in political dialogue, and he had private debates on the issues of the day with customers who held opposing views. He also took part in debates at Greeneville College.

Why did he move to TN?

input: The initial release as New Order was the single "Ceremony", backed with "In a Lonely Place". These two songs were written in the weeks before Curtis took his own life. With the release of Movement in November 1981, New Order initially started on a similar route as their previous incarnation, performing dark, melodic songs, albeit with an increased use of synthesisers. The band viewed the period as a low point, as they were still reeling from Curtis' death. Hook commented that the only positive thing to come out of the Movement sessions was that producer Martin Hannett had showed the band how to use a mixing board, which allowed them to produce records by themselves from then on. More recently, Hook indicated a change of heart: "I think Movement gets a raw deal in general really - for me, when you consider the circumstances in which it was written, it is a fantastic record." New Order visited New York City again in 1981, where the band were introduced to post-disco, freestyle and electro. The band had taken to listening to Italian disco to cheer themselves up, while Morris taught himself drum programming. The singles that followed, "Everything's Gone Green" and "Temptation", saw a change in direction toward dance music. The Hacienda, Factory Records' own nightclub (largely funded by New Order) opened in May 1982 in Manchester and was even issued a Factory catalogue number: FAC51. The opening of UK's first ever superclub was marked by a nearly 23-minute instrumental piece originally entitled "Prime 5 8 6", but released 15 years later as "Video 5 8 6". Composed primarily by Sumner and Morris, "Prime 5 8 6"/"Video 5 8 6" was an early version of "5 8 6" that contained rhythm elements that would later surface on "Blue Monday" and "Ultraviolence".

Answer this question "Are there any other interesting aspects about this article?"
output:
The band had taken to listening to Italian disco to cheer themselves up, while Morris taught himself drum programming.