Click the icon that resembles a paintbrush in the toolbar to the right or press "B" to select the Brush tool. Click and drag over your image to paint freehand over your image. Click and hold the Brush tool to view the Brush menu variants. The Brush menu is also home to the Pencil tool, the Color Replace tool, and the Mixer Brush. The Pencil tool draws lines of varying thicknesses, and while you can use different brushes, the Pencil tool features no antialiasing: everything is very bitmapped. The Color Replacement tool can be very useful for replacing one color (or range of colors) with another color. The Mixer Brush. This mixes together different colors, much the same way that an artists mixes colors on a palette. Pick a color for the brush. Click the colored square on top at the bottom of the toolbar to select the Foreground Color. A color picker dialog will appear. Use the panel to the left in the window to select a color. Use the small strip to the side of the color panel to select the color shade. Then click Ok to set the color. You can also do the same for the background color Pick a brush. The easiest way to pick a brush is with the brush picker at the top-left of the Photoshop window. Click the icon that resembles a circle (or selected brush) Pick any brush in the menu. Notice the Size and Hardness slider bars. Size sets the diameter of the brush, and Hardness refers to the edges: a 100% brush has a crisp edge, while a 0% brush is feathered for a soft edge. Set the Opacity for a brush. Opacity refers to how transparent (see-through) a color is. Type a number in the field next to "Opacity" to set the opacity. 0% is completely invisible. 100% is completely opaque. Set the Flow rate for the brush. Flow is similar to opacity, but it tries to similar ink or paint on a brush. Set flow to 1% for almost no paint. Set it to 100% to glob it on. Click and hold the icon that resembles a shape to display the different shape tools. By default, it is a rectangle. Then click the shape you want to use. Click and drag in the image to create your shape. Hold "Shift" as you drag to keep the shape proportional as you drag. The Shape menu (shown open) lets you choose Shape, Path, or Pixels. Choosing Shape will give you a shape with a filled color. Selecting Path will give you an outline of the shape with no color. Pixels creates a pixelized shape. The fill color of the shape is chosen using the Fill popup menu; the outline color (if any) is chosen using the Stroke popup menu; the stroke width is set with the stroke width menu. Use the stroke options menu to select a stroke style (i.e. dashed or solid lines and more). If you select the Polygon tool, you can select how many sides the polygon has in the box labeled "Sides". Click the icon that resembles a paintbucket in the toolbar to the left or press "G". The Paintbucket tool is paired with the Gradient tool. If it's not in the toolbar, click and hold icon that resembles a square with a black and white fade to display the paintbucket tool.Click a colored area to fill the area with the Foreground color. Photoshop lets you adjust the tolerance so that any pixel that falls within the range of the original click location will get filled. Increase the number next to "Tolorance" at the top of the menu to allow a wider range of colors to get filled with the Paintbucket tool. You can also adjust the opacity at the top. Lower the number next to "Opacity" to create a more transparent Paintbucket fill. Click the icon that resembles a square with a black and white fade, or press "G" to select the gradient tool. If the Paint Bucket Tool or 3D Material Drop tool is selected, press Shift-G until the Gradient tool is selected. The Gradient tool will let you fill an area with a smooth blending between 2 or more colors. Click and drag across the area you want to fill to create a gradient blend across the area. To edit a gradient, click on the gradient palette. The Gradient Editor will appear. Click on the colored tabs to choose a color for each point, and move the points to set the start and endpoints for each color. Click on the black tabs at top to assign opacity. Close the Gradient Editor.
++++++++++
One-sentence summary -- Use the Brush Tool. Use the Shape Tool. Use the Paint Bucket Tool. Select the Gradient Tool.

If you have a Mac, see Transferring and Removing Pictures (Mac). You can click the folder or Computer button in the Start menu, or press Win+E. The photos will begin copying to your computer, and will then be deleted from your device.
++++++++++
One-sentence summary -- Connect your Android device to your computer. Swipe down from the top of the Android screen. Tap the USB notification. Select File transfer or MTP. Open the Computer/This PC window. Right-click on your Android device. Click Import pictures and videos. Click the More options link. Check the Delete files after importing box. Click OK. Click the Import all items now radio button. Enter a name for the folder. Click Import. Disconnect your Android after the photos finish transferring. Open the Pictures folder on your computer to find the photos.

In this chapter, you can find 2,000 SP in a coffin near where you talk about Simmons and Ada. There are also 5,000 SP in a coffin near the spike trap. Kill the zombies you encounter for extra SP. When you fall into the next area after pulling the levers, let the game save, then quit the level and repeat as needed. For extra SP, try shooting the zombies in the head to make them Bloodshots, which are worth more. These chapters have lots of enemies that drop high amounts of SP. Each Ogroman enemy (the giant-like creatures with red organs on their backs) drops 4,000 SP. There are two Ogroman enemies in 2-3 avoid using the third AA gun to be able to get the SP from the second Ogroman. In 2-4, there are several Napad enemies (the ones with hard armor shells you need to break) worth 1,500 SP each and several Strelat enemies (the lizards that spit spines at you) worth 1,000 SP each. Try using the grenade launcher to kill all the Napads in the foyer to get about 10,000 in a very short time. In this chapter, you're in a race against Chris. If you're quick, you can rack up tons of SP in a short amount of time. Beating Chris to the elevator nets you 2,000 SP. After, when you're hacking the locks, use the shotgun to take down the drones effectively. If you do well, you'll beat Chris and win 14,000 SP. After the Simmons cutscene, the game will save and you can repeat this process for more SP. A good deal of SP is scattered through the entire chapter. Napads are worth 1,500 SP each, while Whoppers (the enormous fat zombies) are worth 2,500 each and Shriekers (the zombies with the large red growth on their chests) are worth 1,000 each. There are also lots of SP drops distributed in the various boxes, including a 4,000 SP drop in the treasure chest after the first Napad. Level 2-3 is especially lucrative killing the enemies in the underground lab can earn you about 25,000 SP in less than ten minutes. Jake has one of the easiest opportunities to farm SP in the entire game. The shopping district part of Chapter 4 has no enemies and two boxes containing a total of 7,000 SP. This section can be run through very quickly, so if you're willing to repeat it over and over again, you can earn tons of SP in a short time.
++++++++++
One-sentence summary --
Try Helena's Chapter 3. Try Chris's chapters 2-3 and 2-4. Try Leon's Chapter 4. Try Ada's Chapter 2. Try running through Jake's Chapter 4 as quick as possible.