Generate an explanation for the given claim using the provided supporting material from the paragraph. Please consider the following points while generating an output. 1) The claim will always have supporting proof in the paragraph, and the paragraph will have a clear point of view supporting the claim. 2) There can be instances where direct correlation to the claim is not available. Make use of the sentences in the paragraph to provide a corresponding output supporting the claim. 3) The explanation should be at least one and at most twelve sentences long.

[EX Q]: Paragraph: The release makes no mention of the cost of the drug in question, Tenofovir. A web search found that the cost for a month's supply of the antiviral drug averages just over $1,000. For some patients, that cost may be prohibitive. The cost is an issue of particular concern for developing countries, but it is also true that the price may be much lower for them than in the United States. Many pharmaceutical companies offer their drugs at steeply discounted rates in poorer countries to expand access to life-saving medicines. The release clearly says that 68 percent of women receiving the drug reduced their viral load while only 2 percent of the women in the control group had that success. It also says that the transmission of hepatitis B from mother to newborn dropped from 18 percent to 5 percent, an important clinical outcome. The release includes a discussion of harms. It states that "tenofovir was well tolerated; only one participant treated with tenofovir voluntarily withdrew from the study due to nausea." It also says that researchers "found no significant differences between the tenofovir-treated group and the control group with regard to fetal development and infant growth." Lastly, it calls for longer term, observational studies to confirm the safety of fetal exposure to tenofovir treatment. The release provides a good overview of the randomized, placebo-controlled trial which was undertaken to gauge the efficacy of the drug in both reducing the viral load of hepatitis-B-positive mothers and reducing the rate of transmission of the disease from mother to newborn. It offers solid, numerical evidence of both outcomes. It describes the number of patients (200 pregnant women), defined what constituted a "high" viral load, and described the approximate length of treatment. It did omit a mention of whether the trial was blinded. This release does not commit disease mongering. The release notes that the research is funded by Gilead Sciences. It should also have mentioned that a corresponding author disclosed speaking and advising fees from Gilead, according to the published study. The release is comparing the use of an antiviral drug given to pregnant women versus the normal procedure of giving both a vaccine and immune globulin. The release doesn't mention that tenofovir (marketed as Viread), the drug being tested, is already an FDA approved drug so many readers may not know that it's available. It was approved by the FDA in 2001 for HIV and in 2008 for chronic hepatitis B. The release just barely implies novelty with this statement which suggests a change in treating infected women who are pregnant: "Based on the findings, the investigators recommend that women be tested for HBV viral load at week 28 of pregnancy. Those with a high viral load should receive tenofovir treatment starting at gestational week 30 until delivery to reduce the risk of transmission to their infants." While the drug itself isn't novel, positive outcomes from a controlled trial on pregnant women carrying the virus does seem to introduce a new treatment approach. This release does not use any unjustifiable language. Claim: Antiviral Treatment During Pregnancy Reduces Mother-to-Child Transmission of Hepatitis B
[EX A]: This news release describes a clinical trial testing whether an antiviral drug given to pregnant women in their third trimester reduces their hepatitis B viral load. The study also examined whether the drug limits the transmission of the virus from mother to baby. The answers to both questions are yes, suggesting a new strategy for dealing with the spread of this disease. The release does a good job describing harms, quantifying benefits and describing the study protocol. Because the cost of hepatitis drugs has been widely debated for the past few years, a mention of the drug's cost would have made the release stronger. Almost 240 million people are infected with hepatitis B virus and about 780,000 die each year from the disease, according to the World Health Organization. The hepatitis B virus infects the liver and while many recover with treatment, it can become a chronic infection. Babies and young children infected with the virus are more likely to develop chronic hepatitis B. If administering a drug to infected mothers reduces the proportion of newborns getting the disease, it would be a considerable improvement in public health.

[EX Q]: Paragraph: The unveiling of former President Barack Obama's official portrait on 12 February 2018 also introduced many Americans to artist Kehinde Wiley for the first time as well, as opening the door to late-breaking controversy over some of Wiley's earlier work. Wiley, who has described his own visual style as "bombastic, syrupy, and garish," is celebrated in the contemporary art world for his large-scale portraits of black and brown men and women striking heroic poses modeled on those of aristocrats in classic European paintings. Two portraits in particular, both of them modern takes on the biblical story ofJudith beheading Holofernes and featuring elegantly-dressed black women brandishing the severed heads of white women, suddenly turned controversial in the context of Wiley's new role as a presidential portraitist. Images of the paintings were shared on social media with comments stating or implying that their content is racist: This what is confusing to me you can't have Confederate flags you take down historical statues because they are racist but the 44th POTUS picks the guy who painted these pictures to paint his presidential portrait and that's just fine? Maybe I'm missing something? #tcot pic.twitter.com/9RhYCGPQK7 Jeannie-ology (@jeanniology) February 12, 2018 So a racist ex-President selects a racist artist to paint his picture. Anyone surprised? Artist Who Painted Obama's Official Portrait Known For Painting Blacks Beheading Whites https://t.co/JarXVYUQ27 American Real News (@USArealnews) February 13, 2018 In a post on right-wing blog TheGatewayPundit.com, Kehinde Wiley was described as being "known for" and "having a great fondness for" painting black people beheading white people: Both beheading pieces are titled "Judith beheading Holofernes", referencing a story in the Book of Judith, which involves a beautiful woman who seduces an invading general before he is able to destroy their land, gets him drunk, and then decapitates him. Typical artists from the Rennaissance [sic] era have placed Judith in the role of a scriptural savior, "a type of the praying Virgin or the church or as a figure who tramples Satan and harrows Hell." Given the historical context and how Wiley recreated it in his works, is hard to interpret his use of this theme as anything other than a blatant statement of racism; black women are the powerful angels of the earth, conquering the white devils. Can you imagine for a second if George W. Bush, or any other former president, decided on a painter who was famous for depicting white people killing black people to paint his official portrait? It's hard to imagine, right? Yea, that's because it's disgusting and backward. It is not the case, however, that Wiley was "famous for depicting black people killing white people" before politically motivated commentators chose to make it so. Far from it. Of the scores of paintings the artist has produced, only the two based on the biblical beheading story depict such a scene. They generated very little controversy before Wiley's portrait of Obama was publicly unveiled. That the strong, couture-clad black females in the paintings are depicted in the immediate aftermath of decapitating white women is not incidental. As with many works of art, this was meant to be provocative ("I think at its best what art is doing is setting up a set of provocations," Wiley said in a 2015 interview). A 2012article on the web site of the North Carolina Museum of Art (NCMA) supplies some needed context: Known for his monumental portraits of young black men, placed in historical poses and settings appropriated from Old Master paintings, Kehinde Wiley critiques the racism of art history while also commenting on contemporary street culture and masculine identity. Reinventing classical portraiture and questioning who is represented in the portraits found in museums worldwide, Wiley states, "The whole conversation of my work has to do with power and who has it." Judith and Holofernes is from Wiley's most recent body of work and his first series of paintings to feature female subjects. Wiley uses "street casting" to find his models walking city streets and asking ordinary people if they would pose for a portrait. He met the model for this painting, Treisha Lowe, at Fulton Mall, a pedestrian shopping street in downtown Brooklyn. This painting references a specific art-historical work, a 17th-century painting by Giovanni Baglione, Judith and the Head of Holofernes (1608). The subject is taken from the apocryphal Old Testament Book of Judith, in which a Jewish town is under attack by the Assyrian army led by the general Holofernes. Judith, a widow from the town, goes to Holofernes under the pretense of helping him defeat the Jews. After he falls asleep, she cuts his head off with his own sword, and the town defeats the army. Wiley translates this image of a courageous, powerful woman into a contemporary version that resonates with fury and righteousness. "It's sort of a play on the 'kill whitey' thing," Wiley said in a 2012 interview with New York Magazine. The operative word is "play." What is all too easy to miss on a cursory glance is the deeply conceptual nature of these works. We turn again to the NCMA's commentary: Wiley takes obvious artistic license with the story Holofernes is represented by a woman's head, and Judith wears a gown designed by Riccardo Tisci of Givenchy. This new rendition can be interpreted on many different levels, including racial and gender identity and inequity, the representation of women throughout art history, and society's ideals for beauty. In Wiley's words, "I am painting women in order to come to terms with the depictions of gender within the context of art history. One has to broaden the conversation . . . This series of works attempts to reconcile the presence of black female stereotypes that surrounds their presence and/or absence in art history, and the notions of beauty, spectacle, and the 'grand' in painting." In contrast to the blunt literalism of those who prefer to interpret these paintings as a celebration of racial violence, art critic Walter Robinson writes that Wiley's take on Judith and Holofernes "suggests, with a jovial brutality, that Judith would prefer to be done with white standards of beauty." If, as Wiley has said, his intent as an artist is to be provocative, he can consider himself successful. Claim: Kehinde Wiley, the artist who painted former President Barack Obama's official portrait, also produced a pair of paintings depicting black women decapitating white people.
[EX A]: We reached out to Mr. Wiley for comment, but did not receive a reply.

[EX Q]: Paragraph: Distressed travelers who were trapped in capital Bogota during an obligatory isolation drill over the long weekend were unsuccessfully looking for seats on buses out of the city so they could spend the quarantine at home. "I'm scared because I need to get home," said Fernando Lopez, 50-year-old disabled man who traveled to Bogota from his home in Palmira for a medical appointment. "I don't know anyone, what will happen to me if we can't travel? My family is waiting for me." The quarantine will run until April 13. So far the country has reported 306 cases of the disease and three deaths. The government of President Ivan Duque has ordered Colombians to stay in their homes, blocked international and national flights and restricted the use of long-distance public transport. People are allowed out under 34 exceptions which include travel for medical staff and delivery workers. One person per household is allowed to go buy food and medicine. Violation of the measures can mean up to eight years in prison and large fines. "I have to look for a way to get out because everything I do is for them," said 22-year-old Venezuelan migrant Gabriela Martinez, gesturing at her two young children. Martinez, who fled her country two years ago, recently lost her job in Bogota and was evicted from her home. She was searching for a bus to Tocancipa, where she has family. She had the equivalent of $8 in her pocket. Some have already begun to protest the measures. In the central Plaza Bolivar, hundreds of street sellers, migrants and some homeless people gathered to demand the government honor promises to help the most needy. Duque has promised to make extra payments to welfare programs this week. The military is ready to help patrol streets in large cities to ensure compliance with the quarantine, Defense Minister Carlos Holmes Trujillo said. Operations against leftist guerrillas and criminal gangs will continue, he said. Outside a Bogota bank dozens of people waited in a drizzle to withdraw money. "I came out to get a bank card so I can withdraw cash," said a visibly annoyed Jose Romero, 57. "What I've actually probably got is the disease." Claim: Colombians scramble to get ready for coronavirus quarantine.
[EX A]:
Thousands of Colombians were rushing to return to their home cities on Tuesday while others hurried to banks, supermarkets and other shops before the late-night start of a mandatory 19-day national quarantine meant to curb the spread of coronavirus.