input: Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command. Kathie Bretches-Urban, co-founder of Metropolitan Educational Theatre Network (now MET2) where Lambert performed as a youth, said "He has invested his entire life in music and performing ... He'd just come out onstage, and it popped". Record producer Rob Cavallo once described Lambert as having an unlimited range, and able to sing every note on a guitar from the lowest to the highest. In a March 2012 interview, rock artist Meat Loaf rated Lambert's voice in the company of only two others, Whitney Houston and Aretha Franklin, based on "that jet pack quality to their voice that just lets it take off." Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones. In 2011, when he took the stage at the MTV Europe Music Awards, honoree Queen guitarist Brian May noted that Lambert's voice has "sensitivity, depth, maturity, and awesome range and power which will make jaws drop"; while Roger Taylor added that Lambert had "the best range I've ever heard" in a BBC interview in 2012. Pharrell Williams, after collaborating with Lambert on his Trespassing album, commented, "This kid has a voice like a siren - there's no guys singing in that Steve Winwood-Peter Cetera range." In October 2012, British tabloid the Sunday Mirror reported that Lambert had insured his voice for $48 million. A source told the newspaper: "Insurance for stars is a big deal in the US and Adam's voice is his bacon."

Answer this question "Is Adam's voice special?"
output: Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones.

input: From 1976 to 1990 Finkelstein taught at the Department of Land of Israel Studies, Bar-Ilan University, beginning as a teaching assistant. He spent the academic year of 1983-84 in a research group led by Prof. Yigael Yadin in the Institute of Advanced Studies in the Hebrew University, Jerusalem. In 1986-87 Finkelstein taught at the Department for Near Eastern Languages and Civilizations, University of Chicago. In 1987 he was appointed an associate professor with tenure at Bar-Ilan University and in 1990 moved to the Department of Archaeology and Ancient Near Eastern Civilizations at Tel Aviv University. In 1992/93 Finkelstein spent a sabbatical year as a visiting scholar at the Department of Near Eastern Languages and Civilizations, Harvard University. Since 1992, he has been a Full Professor at Tel Aviv University. He served as the chairperson of the Department of Archaeology and Near Eastern Studies (1994-98) and as Director of The Sonia and Marco Nadler Institute of Archaeology (1996-2003). In 1998-99 Finkelstein was a visiting scholar in the Centre de Recherche d'Archeologie Orientale and the Ecole Pratique des Hautes Etudes in the Sorbonne, Paris. Finkelstein delivered series of lectures on the history and archaeology of Ancient Israel at the Texas Christian University (2002), the University of Buenos Aires (2011), the College de France in Paris (2012) and the Methodist University of Sao Paulo (2015). He is scheduled to deliver similar lectures at the Tokyo Christian University (2017) and the Pontifical Biblical Institute in Rome (2017). Finkelstein has read over 100 papers in international conferences and given numerous talks in universities around the globe. Finkelstein has been the Editor of Tel Aviv, the journal of the Institute of Archaeology of Tel Aviv University, since 2008 and Executive Editor of the Monograph Series by the Institute of Archaeology, Tel Aviv University, since 2005. He is a member of editorial boards, including the Palestine Exploration Journal and the Archaeology and Biblical Studies series, the Society of Biblical Literature.

Answer this question "what did he teach?"
output: He spent the academic year of 1983-84 in a research group led by Prof. Yigael Yadin in the Institute of Advanced Studies in the Hebrew University, Jerusalem.

input: In March 2012, it was announced that Grandaddy had reformed and were to play a limited number of shows, including London on September 4, and headlining the End of the Road Festival in the UK. Grandaddy also played San Francisco's Outside Lands Music and Arts Festival and Paris's Rock en Seine Festival in August 2012. On August 7, 2012, to kick off their reunion tour, they played a "secret" show at the Partisan venue in Merced, California, but were billed as "The Arm of Roger". The next day they played as Grandaddy at the Henry Miller Library, Big Sur. Regarding the band's reunion, Lytle noted, "The bargain I made myself regarding the 'brief reunion and couple of shows' situation was that I wasn't gonna talk too much about it. I was just gonna stew on it, and then do it. That's the good thing about festivals. No need for me to sell anything here. Get in, rock out, get paid, get out. There are just going to be a few shows. Festival-type thingies. Perhaps the odd 'warm up gig' in someone's hair salon or something. Money was a motivating factor (resurfacing my indoor tennis court, oil change for my 4x4 Ferrari) but the idea of playing and hanging out with each other is something all of the guys are pretty stoked about." Lytle later noted, "It was actually Jim [Fairchild]'s fault. He suggested that we consider playing some shows, and I went, 'No', [but] he convinced me it might be a good idea. We talked about it for a little while. I didn't think anyone else in the band would be into it, [and] he checked around and it turns out they were all enthusiastic. I think I was the last one to say yes. ... I was actually blown away that they even wanted to. Once I found that out, I said 'OK, let's start doing the work, figure out how to play the songs.' The weird moment was when he had the first rehearsal; I had no idea how it was going to turn out. After five days of playing together it actually sounded really good. It was too easy, and we were actually really having a good time together." Lytle also noted that he was likely to record a new Grandaddy album, stating, "It's probably going to happen. ... If anyone knows anything about Grandaddy, they realise that my [solo] music and Grandaddy's music is slightly interchangeable. I think if I were to focus on making a Grandaddy record [it would be] a full-blown Grandaddy record, and I like the idea of that. I'd like to give it a shot." In early 2013, Lytle elaborated: "I love the idea of making another Grandaddy record, but I wouldn't want it hanging over my head like 'Okay, you made this record, now are you guys going to get out there and tour in support of it?' ... I'm hoping for this dream scenario where I can make Grandaddy records every so often and not have all this messy stuff that goes along with it. I already did that and it's just not appealing to me any more."

Answer this question "Did the band enjoy playing together again?"
output:
the idea of playing and hanging out with each other is something all of the guys are pretty stoked about."