In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : Paul Kagame ( ; born 23 October 1957) is the current President of Rwanda having taken office in 2000 when his predecessor, Pasteur Bizimungu, resigned. Kagame previously commanded the rebel force that ended the 1994 Rwandan Genocide. He was considered Rwanda's "de facto" leader when he served as Vice President and Minister of Defence from 1994 to 2000. Context_2 : Ladislas Ntaganzwa (born 1962) is a Rwandan war criminal who was involved in the 1994 Rwandan Genocide. According to his indictment, Ntaganzwa, as mayor of Nyakizu, a commune of Butare, was instrumental in rallying Hutu Power fervor leading up to the genocide, and as the genocide began, distributed weapons, and directed and participated in killings. Context_3 : The CECAFA Club Cup is a football club tournament organised by CECAFA. It has been known as the Kagame Interclub Cup since 2002, when Rwandan President Paul Kagame began sponsoring the competition. It is contested by clubs from East and Central Africa. Context_4 : Charles Sikubwabo is a Rwandan fugitive war criminal wanted for his role in the 1994 Rwandan Genocide. He served as mayor of the Kibuye prefecture Gishyita from 1993 till July 1994. According to the indictment against him, Sikubwabo played an instrumental role in the murder of Tutsis in the Kibuye region during the genocide, including personally participating in killings. During this period, in contact with Clement Kayishema, Obed Ruzindana, and Aloys Ndimbati, amongst others, he facilitated the murders of Tutsis who sought refuge in the Bisesero hills. He is believed to be in the eastern Democratic Republic of Congo today. Context_5 : Segun Jegede is an international lawyer from Nigeria who has practiced law for over three decades at domestic and international level. A prolific writer and author, Jegede's career highlights comprise his extensive work of over 13 years at the United Nations International Criminal Tribunal for Rwanda (UNICTR), and advocacy work in international criminal law through the Legal Watch and Human Rights Initiative, a registered non-profit organization he co-founded. His work at the UNICTR mainly revolved around the investigation and prosecution of some of the known masterminds of the egregious crimes committed during the Rwandan genocide. His perspectives of the historical events which led to the Rwandan genocide and the ground breaking case law generated by the UNICTR established to prosecute those who bear the greatest responsibility for the genocide are documented in his book, "The Rwandan Genocide: Historical Background and Jurisprudence" . In the book, Jegede provides a riveting account of the pre-genocide history of Rwanda, including the often overlooked elements that make the Rwandan genocide one of the worst human tragedies of our time. Through the cases, in an engaging and candid style, the Author reveals several ground breaking decisions of the UNICTR such as the pronouncement of rape as genocide and the conviction of a woman for rape as a crime against humanity. Jegede serves as a consultant for the International Labour Organization (ILO) on human trafficking issues and the National Human Rights Commission. Context_6 : Rwandan genocide denial is the assertion that the Rwandan genocide did not occur in the manner or to the extent described by scholarship. The Rwandan genocide is widely acknowledged by genocide scholars to have been one of the biggest modern genocides, as many sources point to the sheer scale of the death toll as evidence for a systematic, organized plan to eliminate the victims. Context_7 : Jean-Baptiste Gatete (born 1953) is a Rwandan politician, convicted of conspiracy to commit genocide, genocide and extermination in the 1994 Rwandan Genocide. Context_8 : Association des Veuves du Genocide (AVEGA) or the "Association of the Widows of Genocide" is a Rwandan association formed to help widows, orphans and others who lost family members in the 1994 Rwandan genocide. AVEGA was founded in October 1995 by 50 women who had survived the killings but lost their husbands. One of the organization's founders has stated that she believes that "too much is expected of the victims" who, in her view, need first to be reconciled with themselves and their losses. Restitution and reparations are essential prerequisites before any consideration of reconciliation with the perpetrators. Context_9 : The Gacaca court (] ) is a system of community justice inspired by Rwandan tradition where "gacaca" can be loosely translated to "justice amongst the grass". This traditional, communal justice was adapted in 2001 to fit the needs of Rwanda in the wake of the 1994 Rwandan Genocide (also known as "Hutu vs Tutsi" ) where an estimated 800,000 people were killed, tortured and raped. After the genocide, the new Rwandan Patriotic Front's government struggled to pursue justice on such a massive scale, and therein to develop just means for the humane detention and prosecution of the more than 100,000 people accused of genocide, war crimes, and related crimes against humanity. By 2000, approximately 130,000 alleged genocide perpetrators populated Rwanda's prisons (Reyntjens & Vandeginste 2005, 110). Using the justice system Rwanda had in place, the trial of such massive numbers of alleged perpetrators would take well over 100 years during which Rwanda's economy would crumble as a massive amount of their population awaited trial in prison. For this reason they chose to adapt and create a large-scale justice system, which would work alongside the International Criminal Tribunal for Rwanda, in order to heal as a people and to thrive as a country. Context_10 : The CECAFA Club Cup is a football club tournament organised by CECAFA. It has been known as the Kagame Interclub Cup since 2002, when Rwandan President Paul Kagame began sponsoring the competition. It is contested by clubs from East and Central Africa. fact_1 : It has been known as the Kagame Interclub Cup since 2002, when Rwandan President Paul Kagame began sponsoring the competition. fact_2 : Kagame previously commanded the rebel force that ended the 1994 Rwandan Genocide. Answer: Paul Kagame
Solution:
Which world leader commanded the rebel force that ended the 1994 Rwandan Genocide, and today sponsors the CECAFA Club Cup?