Question: Luis Antonio Gokim Tagle (Tagalog: [lU'wis an'tonIo 'tagle]; born June 21, 1957) is the 32nd Archbishop of Manila. He has been Archbishop since December 12, 2011, and a cardinal since November 24, 2012. He also serves as President of Caritas International, a federation of Catholic relief, development, and social service organizations, and of the Catholic Biblical Federation. Tagle has become involved in many social issues in the Philippines with emphasis on helping the poor while maintaining opposition against what he terms "practical atheism", abortion, and contraception (equated with abortion in the Philippines).

In 2001, Tagle was appointed Bishop of Imus on October 22 and consecrated on December 12 after previously serving as parish priest of the Cathedral-parish of Imus. During his ten years in Imus, he made a point of living simply, owned no car, and invited the destitute to join him for a meal. At the first gathering of bishops under Pope Benedict XVI in 2005, the General Assembly of the Synod of Bishops, he spoke from the floor about the inadequacy of the number of priests in the Philippines. He said: To respond to the hunger for the Eucharist, priests say many masses, accept multiple intentions and send lay ministers for the service of the Word with communion.... The faithful know the difference between a bible service and Eucharist, a priest and a lay minister. Many communities wait for the gift of the priesthood and the Eucharist with humility. To the concept that priestly vocation are a gift from God he countered: "we should also ask whether the Church is a good steward of the gift." He told a news conference that "The first Sunday after my ordination as a priest, I said nine Masses, and that is regular in the Philippines." Discussing priestly celibacy, Cardinal Angelo Scola, the synod moderator, expressed reservations about modifications to the Church's requirement of celibacy for the priesthood. In response, Tagle suggested that the Church should consider such a change to combat the shortage of priests. At the 2008 International Eucharistic Congress in Quebec, Canada, he delivered a talk on the importance of the Eucharist that, by one report, moved the audience to tears. He contrasted Christian worship with false forms of adoration: It is sad that those who worship idols sacrifice other people while preserving themselves and their interests. How many factory workers are being denied the right wages for the god of profit? How many women are being sacrificed to the god of domination? How many children are being sacrificed to the god of lust? How many trees, rivers, hills are being sacrificed to the god of "progress"? How many poor people are being sacrificed to the god of greed? How many defenseless people are being sacrificed to the god of national security?

Using a quote from the above article, answer the following question: Did that end up becoming a controversy?
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Question: Rosemary's Baby is a 1968 American psychological horror film written and directed by Roman Polanski, based on the bestselling 1967 novel of the same name by Ira Levin. The cast features Mia Farrow, John Cassavetes, Ruth Gordon, Sidney Blackmer, Maurice Evans, Ralph Bellamy, Angela Dorian, Clay Tanner, and, in his feature film debut, Charles Grodin. The film chronicles the story of a pregnant woman who suspects that an evil cult wants to take her baby for use in their rituals. Rosemary's Baby earned almost universal acclaim from film critics and won numerous nominations and awards.

In Rosemary's Baby: A Retrospective, a featurette on the DVD release of the film, screenwriter/director Roman Polanski, Paramount Pictures executive Robert Evans, and production designer Richard Sylbert reminisce at length about the production. Evans recalled William Castle brought him the galley proofs of the book and asked him to purchase the film rights even before Random House released the publication. The studio head recognized the commercial potential of the project and agreed with the stipulation that Castle, who had a reputation for low-budget horror films, could produce but not direct the film adaptation. He makes a cameo appearance as the man at the phone booth waiting for Mia Farrow to finish her call. Evans admired Polanski's European films and hoped he could convince him to make his American debut with Rosemary's Baby. He knew the director was a ski buff who was anxious to make a film with the sport as its basis, so he sent him the script for Downhill Racer along with the galleys for Rosemary. Polanski read the latter book non-stop through the night and called Evans the following morning to tell him he thought Rosemary was the more interesting project, and would like the opportunity to write as well as direct it. The script was modeled very closely on the original novel and incorporated large sections of the novel's dialogue and details, so much so that nearly every line of dialogue was taken from the novel's text. Author Ira Levin claimed that during a scene in which Guy mentions wanting to buy a particular shirt advertised in The New Yorker, Polanski was unable to find the specific issue with the shirt advertised and phoned Levin for help. Levin, who had assumed while writing that any given issue of The New Yorker would contain an ad for men's shirts, admitted that he had made it up.

Using a quote from the above article, answer the following question: What was his inspiration for the story?
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The script was modeled very closely on the original novel and incorporated large sections of the novel's dialogue and details,