Problem: Background: Samuel Luther "Big Sam" Thompson (March 5, 1860 - November 7, 1922) was an American professional baseball player from 1884 to 1898 and with a brief comeback in 1906. At 6 feet, 2 inches, the Indiana native was one of the larger players of his day and was known for his prominent handlebar mustache. He played as a right fielder in Major League Baseball for the Detroit Wolverines (1885-88), Philadelphia Phillies (1889-1898) and Detroit Tigers (1906). He was inducted into the Baseball Hall of Fame in 1974.
Context: At age 36, Thompson played his last full season of professional baseball in 1896. His average dipped to .298, but he still managed to collect 100 RBIs. Thompson's throwing remained strong as he turned in one of the finest defensive performances of his career. Despite appearing in only 119 games in the outfield, he led the league in outfield fielding percentage (.974), outfield assists (28), and double plays from the outfield (11). One sports writer noted that, even at age 38, Thompson "possessed an arm that the fastest sprinters in the big league had a lot of respect for." As a team, however, the Phillies fell to eighth place in the National League with a 62-68 record. In 1897, at age 37, Thompson was sidelined by pain and appeared in only three games. Some accounts suggest that Thompson's absence from the lineup may have also been the result of his not getting along with Philadelphia's new manager George Stallings. Without Thompson, the 1897 Phillies dropped to 10th place with a 55-77 record. Before the 1898 season began, Thompson gave an interview in which he questioned the Phillies chances to compete in 1898: "What are the Phillies' chances this season? Six clubs, Cincinnati Baltimore, Boston, New York, Cleveland and Brooklyn are bound to beat them, and they will have to fight hard to lead the second division, and I very much doubt if they can do that." Though his loyalty to the Phillies was questioned, Thompson did return in 1898 and was batting .349 with 15 RBIs, five doubles, three triples, a home run after 14 games. However, Thompson opted to leave the team in May 1898 and return to his home in Detroit. His sudden retirement has been attributed to a "combination of homesickness and chronic back pain." Other accounts indicate that continued tension with manager Stallings contributed to Thompson's decision to retire.
Question: Are there any other interesting aspects about this article?
Answer: One sports writer noted that, even at age 38, Thompson "possessed an arm that the fastest sprinters in the big league had a lot of respect for."

Problem: Background: The Osmonds are an American family music group with a long and varied career. The Osmond Brothers began as a barbershop quartet consisting of brothers Alan, Wayne, Merrill and Jay Osmond. They were later joined by younger siblings Donny and Jimmy, both of whom enjoyed success as solo artists as well. With the addition of Donny, the group became known as The Osmonds, and enjoyed its greatest success as both a boy band and a hard rock ensemble.
Context: By 1976, though, the group's record sales were softening; Osmondmania had long faded and been replaced by "Rollermania", as the Bay City Rollers became the hot pop band of choice in the mid-1970s. Their 1975 album The Proud One sold poorly (despite the title track providing a chart-topping easy listening hit and the group's last U.S. top-40 hit to date), and MGM Records was sold to Polydor Records. Their first album under Polydor was the album Brainstorm; that album sold only slightly better than its predecessor, and its lead single, "I Can't Live a Dream," fell short of the top 40. Polydor would release two more albums from the family (a Christmas album that included all of the performing family members, and a greatest hits compilation). The Osmonds poured themselves into a new venture: the older brothers began producing The Donny & Marie Show which was a hit on ABC from 1976-1979. But the success came at a cost. The family built and operated at great expense a first-class television studio in Orem, Utah, where the show was produced beginning in 1977. As a result, the Osmonds as a performing band became a lower priority to Donny and Marie. The older brothers deferred or gave up their dreams of being a rock-and-roll band. Donny experienced stage anxiety and Marie had a brief bout with an eating disorder after a network executive told her she looked heavy. When the show was cancelled in 1979, the Osmonds were taken by surprise, as they had believed that the show would be renewed, and found themselves in debt and without a clear direction. The group left Polydor and attempted another album for Mercury Records, Steppin' Out, which was a major failure with neither the album nor any of its singles charting anywhere; it would be their only album on that label. Steppin' Out was a transitional album for the Osmonds and was produced under the auspices of Maurice Gibb; among its tracks was the first recorded version of "Rest Your Love on Me," a country song that would become a hit for Gibb's own band, the Bee Gees, and topped the country charts in a cover version by Conway Twitty. They produced two unsuccessful projects for Marie, a sitcom pilot that never aired and a variety show revival that lasted seven episodes in 1980 and 1981. They recovered and eventually paid their debts and re-established their careers. Rather than go into bankruptcy, they resolved to honor all of their financial obligations. But the Osmond artists and enterprises began operating separately.
Question: Was there anything notable about the show?
Answer:
The family built and operated at great expense a first-class television studio in Orem, Utah, where the show was produced beginning in 1977.