Question:
Francis Jean Marcel Poulenc (French: [fRasis Za maRsel pulek]; 7 January 1899 - 30 January 1963) was a French composer and pianist. His compositions include melodies, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite Trois mouvements perpetuels (1919), the ballet Les biches (1923), the Concert champetre (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera Dialogues des Carmelites (1957), and the Gloria (1959) for soprano, choir and orchestra.
See also: FP (Catalogue of compositions), List of compositions Poulenc's music is essentially diatonic. In Henri Hell's view, this is because the main feature of Poulenc's musical art is his melodic gift. In the words of Roger Nichols in the Grove dictionary, "For [Poulenc] the most important element of all was melody and he found his way to a vast treasury of undiscovered tunes within an area that had, according to the most up-to-date musical maps, been surveyed, worked and exhausted." The commentator George Keck writes, "His melodies are simple, pleasing, easily remembered, and most often emotionally expressive." Poulenc said that he was not inventive in his harmonic language. The composer Lennox Berkeley wrote of him, "All through his life, he was content to use conventional harmony, but his use of it was so individual, so immediately recognizable as his own, that it gave his music freshness and validity." Keck considers Poulenc's harmonic language "as beautiful, interesting and personal as his melodic writing ... clear, simple harmonies moving in obviously defined tonal areas with chromaticism that is rarely more than passing". Poulenc had no time for musical theories; in one of his many radio interviews he called for "a truce to composing by theory, doctrine, rule!" He was dismissive of what he saw as the dogmatism of latter-day adherents to dodecaphony, led by Rene Leibowitz, and greatly regretted that the adoption of a theoretical approach had affected the music of Olivier Messiaen, of whom he had earlier had high hopes. To Hell, almost all Poulenc's music is "directly or indirectly inspired by the purely melodic associations of the human voice". Poulenc was a painstaking craftsman, though a myth grew up - "la legende de facilite" - that his music came easily to him; he commented, "The myth is excusable, since I do everything to conceal my efforts." The pianist Pascal Roge commented in 1999 that both sides of Poulenc's musical nature were equally important: "You must accept him as a whole. If you take away either part, the serious or the non-serious, you destroy him. If one part is erased you get only a pale photocopy of what he really is." Poulenc recognised the dichotomy, but in all his works he wanted music that was "healthy, clear and robust - music as frankly French as Stravinsky's is Slav".
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What types of melodies did he create?

Answer:
Poulenc's music is "directly or indirectly inspired by the purely melodic associations of the human voice

Question:
Wilbur Charles "Weeb" Ewbank (May 6, 1907 - November 17, 1998) was an American professional football coach. He led the Baltimore Colts to NFL championships in 1958 and 1959 and the New York Jets to victory in Super Bowl III in 1969. He is the only coach to win a championship in both the National Football League (NFL) and American Football League (AFL).
Shortly after graduating from Miami in 1928, Ewbank took his first coaching job at Van Wert High School in Van Wert, Ohio, overseeing the football, basketball and baseball teams. He remained there until 1930, when he moved back to Oxford and took a position coaching football and basketball at McGuffey High School, a private institution run by Miami University. He also taught physical education at Miami. Ewbank took a break from coaching in 1932 to pursue a master's degree at Columbia University in New York City and filled in as Miami's basketball coach in 1939 after the previous coach left for another job, but otherwise held his coaching positions at McGuffey until 1943. Under his tutelage, the school's Green Devils football team had a win-loss record of 71-21 in thirteen seasons. This included a streak of three undefeated seasons between 1936 and 1939 and one season - 1936 - where the team did not allow any scoring by opponents. Ewbank joined the U.S. Navy in 1943 as American involvement in World War II intensified. He was assigned for training to Naval Station Great Lakes near Chicago, where Paul Brown, a former classmate who succeeded him as Miami's starting quarterback, was coaching the base football team. Brown had become a successful high school coach in Ohio before being named head football coach at Ohio State University in 1941. At Great Lakes, Ewbank was an assistant to Brown on the football team and coached the basketball team. Following his discharge from the Navy at the end of the war in 1945, Ewbank became the backfield coach under Charles "Rip" Engle at Brown University. He also was head coach of the basketball team in the 1946-47 season, his only one at Brown. Ewbank's next stop was as head football coach at Washington University in St. Louis for the 1947 and 1948 seasons. Ewbank guided the Washington University Bears to a 14-4 record in two seasons. The team had nine wins and just one loss in 1948.
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What did he coach?

Answer:
the football, basketball and baseball teams.