In the early 1980s, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), electro funk tracks by artists such as Afrika Bambaataa, newer Italo disco, B-Boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker, and John Robie, and electronic pop music by Kraftwerk and Yellow Magic Orchestra. Some made and played their own edits of their favorite songs on reel-to-reel tape, and sometimes mixed in effects, drum machines, and other rhythmic electronic instrumentation. In this era,
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): what style of music did man parrish play?
Ah, so.. B-Boy hip hop music

Western commentators post-9/11 often perceive madaris as places of radical revivalism with a connotation of anti-Americanism and radical extremism, frequently associated in the Western press with Wahhabi attitudes toward non-Muslims. In Arabic the word madrasa simply means "school" and does not imply a political or religious affiliation, radical or otherwise. Madaris have varied curricula, and are not all religious. Some madaris in India, for example, have a secularised identity. Although early madaris were founded primarily to gain "knowledge of God" they also taught subjects such as mathematics and poetry. For example, in the Ottoman Empire, "Madrasahs had seven categories of sciences that were taught, such as: styles of writing, oral sciences like the Arabic language, grammar, rhetoric, and history and intellectual sciences, such as logic." This is similar to the Western world, in which universities began as institutions of the Catholic church.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What is the common northern perception of the teaching received at madaris?
Ah, so.. unanswerable

Louis XIV distrusted the Parisians and moved his court to Versailles in 1682, but his reign also saw an unprecedented flourishing of the arts and sciences in Paris. The Comedie-Francaise, the Academy of Painting, and the French Academy of Sciences were founded and made their headquarters in the city. To show that the city was safe against attack, he had the city walls demolished, replacing them with Grands Boulevards. To leave monuments to his reign, he built the College des Quatre-Nations, Place Vendome, Place des Victoires, and began Les Invalides.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What was the reason behind demolishing the city walls?
Ah, so..
To show that the city was safe against attack