In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: in 1990 , the surprise success an unheralded little movie called ghost instantly rescued the moribund careers of its trio of above - the - title stars , patrick swayze , demi moore , and whoopi goldberg .
eight years later , moore and goldberg 's careers are n't exactly thriving , but they have had their share of screen successes since ; the same ca n't be said of swayze , who has just added yet another turkey to his resume with the aptly named black dog .
forget the mortal kombat movies -- this trucksploitation flick is the closest the movies has come to video games .
good truck driver jack crews ( swayze ) must drive a cargo of illegal firearms from atlanta to new jersey .
along the way , jack and his crew of three run into a number of obstacles -- such as a highway weigh station , evil truckers , and deadly uzi - firing motorcyclists .
every so often , like at the end of a video game " level " or " stage , " the main baddie pops up : red ( meat loaf , fresh from the triumph of spice world ) , who wants to steal the cache of guns .
just in
case you forget his name or have trouble keeping track of who 's driving what , all of red 's vehicles , be it a pickup or a big rig , are painted -- you guessed it --
red .
i could go into more of the plot specifics ( such as jack 's dream of having a nice home with his family , the past trauma that sent him to prison and cost him his trucking license , the fbi / atf crew tracking the cargo ) , but they are of little importance .
all that matters to director kevin hooks and writers william mickelberry and dan vining are the obstacles jack confronts in his drive from point a to point b .
but they fail at even this modest goal , for none of the highway chaos , as credibly staged as it is , is terribly interesting , let alone exciting .
once you 've seen a couple of trucks bang against each other or a big rig explode the first time
, you 've seen it every time .
as dreary as black dog is as an entertainment ,
the saddest part about the film has nothing to do with what shows up onscreen ; it 's that swayze has to reduce himself to such work .
while far from the best of actors , he is certainly not horrible , and he is a charismatic presence .
i do n't know if it 's his judgment or the dearth of quality job offers that leads him to involve himself with bombs such as black dog .
regardless , if he continues on this career track , could a tv series be far behind ?
Example Output: N

Example Input: james l . brooks , one of the developers of the simpsons and director of broadcast news , returns to the big screen with this entertaining , if slightly flawed comedy .
nicholson plays melvin udall , probably the most horrible person ever on the screen .
he 's racist , homophobic , and never has a good word to say to anyone .
so , nobody talks to him , except waitress carol conelly ( t .
v sitcom star hunt , who was last seen in twister , 1996 ) .
naturally , udall , conelly and gay neighbor simon bishop ( kinnear ) who nicholson hates , all hit it off in the end .
like good will hunting ( 1997 ) and titanic ( 1997 ) , even though the outcome is completely obvious , as good as it gets is an enjoyable , funny and warm comedy .
nicholson is hilarious as melvin , churning out insults with superb relish .
only nicholson could get away with the lines that melvin delivers .
hunt is also good as waitress carol , and easily rises to the challenge of nicholson .
there 's also ( thankfully ) a bit of chemistry between them .
kinnear , as the gay neighbor , seems to have a slightly underwritten role , he 's more of a plot convience than a character .
although his performance is good , his character just seems to exist to help melvin and carol come together .
in fact , the scene stealer is simon 's dog , who is funnier than nicholson .
but then again , pets are always cute on screen .
providing solid support is cuba gooding , jnr ( jerry maguire , 1996 ) and yeardly smith ( who is the voice of lisa simpsons in the simpsons ) although gooding is n't as good as is character in maguire , he is still fun .
he overacts a little , but not so much as to be annoying .
smith is also good , although she has a fairly small role .
even director lawrence kasdan ( body heat , 1981 ) makes an appearance as a doctor .
but this is primarily nicholsons film , and
every scene he 's in , he 's steals it .
he 's character is so hateful , though
, it 's amazing that anyone talks to him at all , especially carol .
and this is the films main problem .
it 's totally unbelievable that carol would ever consider liking melvin .
she does n't fall in love with him naturally , the film forces her to fall in love with him .
also , melvins character seems to go too nice , too quickly .
i would doubt anyone with a character like melvins would be able to turn back to a nice , loving person .
it would take a helluva long time , much longer than this film would like to make out .
brooks direction is good , though , if a bit average , but he usually manages to get an emotion out of the audience .
he handles the comedy scenes better than the sentimental ones ( he tends to pile on to much schmaltz ) but
generally he 's good .
there 's also a nice soundtrack by veteran composer hans zimmer .
but , generally , as good as it gets achieves what it sets out to do , which is to make the audience feel good by the end of the movie .
the movie is a bit overlong , but nicholson is such good fun that the running time passes by pretty quickly .
overall , as good as it gets is a fun movie , even though it may be unbelivable , and certainly worth seeing
( if just for jack nicholsons performance . ) not quite as good as it gets ( pardon the bad joke ) , but still good fun .
Example Output: P

Example Input: in the james bond film " diamonds are forever , " tiffany case asks 007 whether he prefers brunettes to redheads .
bond 's response is that it does n't really matter , as long as collars and cuffs match .
well , collars and cuffs do n't match in " the real blonde .
"
what might have sounded good on paper ends up as
a largely unfunny , meandering comedy on screen .
the film , supposedly a satire of the superficiality of soap operas and the modeling business , is wafer thin .
it plays like an " ally mcbeal " episode dragged out to the nth degree , replete with a few unnecessary " fantasy " sequences .
writer / director tom dicillo manages the material as if poking fun at daytime dramas is a fresh idea .
it is n't .
the only surprise here is that the talented dicillo could make familiar terrain so dreary .
matthew modine plays joe , a struggling actor waiting tables in order to pay the rent .
he 's 35 with no agent and no credits since he 's too proud to take on roles in commercials or soap operas .
"
that 's not really acting " he tells his girlfriend of six years , mary ( catherine keener ) , with whom he bickers constantly about sex .
but they need the money , so joe finally agrees to take a part in a madonna video .
but it 's not really madonna starring in the video but a lookalike ( played by elizabeth berkley , still trying to jump
- start her career after " showgirls " ) .
this points out how artificial this whole business is , one supposes .
dicillo has referred to " the real blonde " as " off - kilter , but an interesting combination of all sorts of stuff . . .
"
the film , which wanders all over the place without getting anywhere , is remarkably * on
* -kilter
and , with perhaps the single exception of the always - likable modine ( who 's not afraid to stand around in a very unattractive bathing suit surrounded by hunks ) , the entire cast is vague and uninteresting .
catherine keener , who 's appeared in dicillo 's previous three films ( including the brilliant " living in oblivion " )
, is at her most annoying in " the real blonde .
" look at her closely ; she really ca n't act at all .
her reactions are all wrong , almost always out of sync with her co - stars .
she reacts too soon , or too late , to lines and situations .
she moves her eyes , or her mouth , far too much .
she frowns
, she yells , she babbles --
she blows chunks .
maxwell caulfield plays joe 's actor / waiter buddy bob , the one obsessed with dating a " natural " blonde .
bob 's personality ( not to mention caulfield 's acting ability ) parallels that of the character he plays on the soap opera " passion crest " -- stiff and uninteresting .
maybe that 's the point .
daryl hannah is dim and uninteresting
as the real blonde of the title , a soap dish who beds bob both on- and off - camera .
hannah looks about fifty in this movie ( she 's only 37 ) .
why is that ? almost all the women in the film wear tops that show their nipples .
why is that ! ?
marlo thomas plays an uninteresting fashion photographer .
kathleen turner plays an uninteresting talent agent .
buck henry plays an uninteresting shrink .
christopher lloyd plays an uninteresting caterer .
and so on .
the best parts of the " the real blonde " are the beginning and the end , brief scenes of an elderly woman losing and then finding her dog .
there 's more depth and sincerity in a single close - up of her expressive face than in the entire film .
while this contrast is supposedly meant to highlight the shallowness of the other characters ' lives , the only thing that makes shallow and superficial interesting is if it 's funny .
Example Output:
N