Teacher: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Teacher: Now, understand the problem? If you are still confused, see the following example:
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this instance: Context_1 : Protestantism originated from work of several theologians starting in the 12th century, although there could have been earlier cases of which there is no surviving evidence. Their opinions were subject to persecution by the Roman Catholic Church, and thus were kept isolated or effectively eradicated up to the 16th century. One of the early Protestant reformers was John Wycliffe, a theologian and an early proponent of reform in the 14th century. He influenced Jan Hus, a Czech priest from Prague, whose followers soon dominated the Kingdom of Bohemia. Hus in turn influenced German monk Martin Luther, who spread the Protestant Reformation. Originally, both Hus and Luther intended to reform the Roman Catholic Church rather than break it up. Context_2 : Luigi Tripepi (21 June 1836 29 December 1906) was an Italian Roman Catholic cardinal and poet. He was one of the most important Roman Catholic apologists of the 19th century. Context_3 : Monsignor Joseph Clifford Fenton (January 16, 1906 - July 7, 1969), a priest of the diocese of Springfield, Massachusetts, was professor of fundamental dogmatic theology at the Catholic University of America and editor of the "American Ecclesiastical Review" (19431963). He is considered one of the most outstanding American Catholic theologians of the 20th century, serving as a "peritus" for Cardinal Ottaviani at the Second Vatican Council. He was also Secretary of the Catholic Theological Society of America. Context_4 : Karl Rahner, S.J. (5 March 1904 30 March 1984), was a German Jesuit priest and theologian who, alongside Henri de Lubac, Hans Urs von Balthasar, and Yves Congar, is considered one of the most influential Catholic theologians of the 20th century. He was the brother of Hugo Rahner, also a Jesuit scholar. Context_5 : Mysterium Paschale. The Mystery of Easter (German: "Theologie der Drei Tage" ) is a 1970 book by the Swiss theologian and Catholic priest Hans Urs von Balthasar. It offers an account of the death and resurrection of Christ, and their significance for the Christian life. Balthasar discusses the "bodiliness" of the Resurrection from the "radical" death of Jesus, involving his descent into the place of the dead on Holy Saturday. Balthasar's willingness to assume the nature and the consequence of his sin makes him, as well as the reader, extrapolate that God can endure and conquer godlessness, abandonment, and death. In the "Preface to the Second Edition", Balthasar takes a cue from Revelation (Vulgate: "agni qui occisus est ab origine mundi", NIV: "the Lamb who was slain from the creation of the world") to explore the idea that, from the "immanent Trinity" up to the "economic" One, "God is love" consists in an "eternal super-kenosis". Context_6 : The Roman Catholic Diocese of Wocawek Latin: "Vladislavien(sis)" , until the 20th century known as the Roman Catholic Diocese of Kujawy, is a suffragan diocese of the Latin Rite of the Roman Catholic Church in the Ecclesiastical province of the Metropolitan Roman Catholic Archdiocese of Gniezno in western Poland. Context_7 : Hans Urs von Balthasar (12 August 1905 26 June 1988) was a Swiss theologian and Catholic priest who was to be created a cardinal of the Catholic Church but died before the ceremony. He is considered one of the most important Roman Catholic theologians of the 20th century. Context_8 : The Temple of Divine Providence (Polish: "Swiatynia Opatrznosci Bozej" ), in southern Warsaw's Wilanow district, is one of the most important Roman Catholic buildings in Poland. The story of its construction began in the 18th century The Temple is meant to be a national and religious symbol for Poland. The Divine Providence complex comprises a Church of Divine Providence, a Museum of John Paul II and Primate Wyszynski, and a Pantheon of Great Poles. Context_9 : Preston is a city in Lancashire, England, that contains about 340listed buildings. Its recorded history goes back to the Roman era, and in the medieval period it was a market town and a port, its first charter being granted in 1179. The city stands at the lowest crossing point of the River Ribble, which has given it great strategic importance. From the 16thcentury it was a centre for the spinning and weaving industries, and its greatest growth came from the 1770s with the development of steam power. By 1835 (when it was still a town) it contained 40factories, and this had grown to 77factories in 1869. Its population rose from about 12,000 in 1801 to about 69,000 in 1851, and one reflection of this was and this resulted in poor housing and social conditions. As a consequence of this there was fear of riots and other disturbances from the Chartists, the response to this being the building of Fulwood Barracks in the 1840s. There was much church building in the 19thcentury, including a number of notable Roman Catholic churches, reflecting the importance of Catholicism in the town and area. Later in the century and in the early 20thcentury the rise of civic pride and prosperity resulted in a number of notable civic buildings, particularly Fulwood Barracks. During the 20thcentury there was much clearing of slum properties, and of many other older buildings. The port closed in the 1980s. Few of the 20th-century buildings have been listed, with the exception of the Central bus station and car park, which was opened in 1969 and had been threatened with demolition. Context_10 : Elizabeth A. Johnson (born December 6, 1941) is a Roman Catholic feminist theologian. She is a Distinguished Professor of Theology at Fordham University, a Jesuit institution in New York City. She is a member of the Sisters of St. Joseph of Brentwood. Johnson has served as president of the Catholic Theological Society of America and is "one of its most well known members." "The New York Times" has described Johnson as "a highly respected theologian whose books are widely used in theology classes." Johnson's controversial "Quest for the Living God" was hailed for expounding on "new ways to think and speak about God within the framework of traditional Catholic beliefs and motifs." It became popular in churches and was adopted as a text for many university religion courses, but in 2011 the United States Conference of Catholic Bishops' (USCCB) Committee on Doctrine issued a doctrinal evaluation of the book that concluded it did not correspond with "authentic Catholic teaching." The public criticism by the bishops created "a substantial boon in sales of Quest," and frayed already strained relations between the church hierarchy and Catholic theologians. "The New York Times" notes that Johnson has been criticized by some Catholic groups, such as the Cardinal Newman Society, because of her support for giving women greater authority in the church and her willingness to speak at meetings of Catholics who disagree with the church on such issues as the church's condemnation of same-sex marriage. fact_1 : The Mystery of Easter (German: "Theologie der Drei Tage" ) is a 1970 book by the Swiss theologian and Catholic priest Hans Urs von Balthasar. fact_2 : He is considered one of the most important Roman Catholic theologians of the 20th century. Answer: Hans Urs von Balthasar
Student:
Which author of a 1970 book about Easter is considered one of the most important Roman Catholic theologians of the 20th century?