Background: Mao Asada (Qian Tian Zhen Yang , Asada Mao, born September 25, 1990) is a former Japanese competitive figure skater. She is the 2010 Olympic silver medalist, a three-time World champion (2008, 2010, 2014), a three-time Four Continents champion (2008, 2010, 2013), and a four-time Grand Prix Final champion (2005-06, 2008-09, 2012-13, 2013-14). She is the only female figure skater who has landed three triple Axel jumps in one competition, which she achieved at the 2010 Winter Olympics.
Context: In September 2010, Nobuo Sato became Asada's new coach and Asada ended her relationship with coach Nagakubo. After the Vancouver Olympics, Asada decided to relearn all of her jumps from scratch by getting back to basics. This contributed to her slump in the 2010-11 and 2011-12 seasons. Under the guidance of her new coach Nobuo Sato, she stripped her triple jumps to their rudimentary parts and relearned each takeoff and landing, beginning with a single rotation. While reworking her jumps, Asada did not skip any competitions in the 2010-11 season. Asada was assigned to the 2010 NHK Trophy and the 2010 Trophee Eric Bompard ISU Grand Prix events. At the 2010 NHK Trophy, Asada placed 8th in both programs and finished 8th overall with a total of 133.40 points. At the 2010 Trophee Eric Bompard, Asada placed 7th in the short program, 5th in the free skating and 5th overall, scoring a combined 148.02 points. At the 2010-11 Japan national championships, Asada was first in the short program and second in the free skating. She obtained a total score of 193.69 points and won the silver medal behind Miki Ando. At the 2011 Four Continents Championships, Asada placed second in both programs and won the silver medal with a score of 196.30 points, 5.04 points behind gold medalist Miki Ando. Her triple axel jump in free skating was ratified for the first time since 2010 Worlds Championship, with +1.29 grade of execution. At the 2011 World Championships, Asada placed 7th in the short program, 6th in the free skating, and finished 6th overall with 172.79 points.
Question: Did she do anything other than skate this year
Answer: In September 2010, Nobuo Sato became Asada's new coach and Asada ended her relationship with coach Nagakubo.

Problem: Background: Judy Chicago (born Judith Sylvia Cohen, July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. By the 1970s, Chicago had founded the first feminist art program in the United States. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with labor-intensive skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.
Context: While at UCLA, she became politically active, designing posters for the UCLA NAACP chapter and eventually became its corresponding secretary. In June 1959, she met and became romantically linked with Jerry Gerowitz. She left school and moved in with him, for the first time having her own studio space. The couple hitch hiked to New York in 1959, just as Chicago's mother and brother moved to Los Angeles to be closer to her. The couple lived in Greenwich Village for a time, before returning in 1960 from Los Angeles to Chicago so she could finish her degree. Chicago married Gerowitz in 1961. She graduated with a Bachelor of Fine Arts in 1962 and was a member of the Phi Beta Kappa Society. Gerowitz died in a car crash in 1963, devastating Chicago and causing her to suffer from an identity crisis until later that decade. She received her Master of Fine Arts from UCLA in 1964. While in grad school, Chicago's created a series that was abstract, yet easily recognized as male and female sexual organs. These early works were called Bigamy, and represented the death of her husband. One depicted an abstract penis, which was "stopped in flight" before it could unite with a vaginal form. Her professors, who were mainly men, were dismayed over these works. Despite the use of sexual organs in her work, Chicago refrained from using gender politics or identity as themes. In 1965, Chicago displayed work in her first solo show, at the Rolf Nelson Gallery in Los Angeles; Chicago was one of only four female artists to take part in the show. In 1968, Chicago was asked why she did not participate in the "California Women in the Arts" exhibition at the Lytton Center, to which she answered, "I won't show in any group defined as Woman, Jewish, or California. Someday when we all grow up there will be no labels." Chicago began working in ice sculpture, which represented "a metaphor for the preciousness of life," another reference towards her husband's death. In 1969, the Pasadena Art Museum exhibited a series of Chicago's spherical acrylic plastic dome sculptures and drawings in an "experimental" gallery. Art in America noted that Chicago's work was at the forefront of the conceptual art movement, and the Los Angeles Times described the work as showing no signs of "theoretical New York type art." Chicago would describe her early artwork as minimalist and as her trying to be "one of the boys". Chicago would also experiment with performance art, using fireworks and pyrotechnics to create "atmospheres", which involved flashes of colored smoke being manipulated outdoors. Through this work she attempted to "feminize" and "soften" the landscape. During this time, Chicago also began exploring her own sexuality in her work. She created the Pasadena Lifesavers, which was a series of abstract paintings that placed acrylic paint on Plexiglas. The works blended colors to create an illusion that the shapes "turn, dissolve, open, close, vibrate, gesture, wiggle," representing her own discovery that "I was multi-orgasmic." Chicago credited Pasadena Lifesavers, as being the major turning point in her work in relation to women's sexuality and representation.
Question: Where did she start her career?
Answer:
While in grad school, Chicago's created a series that was abstract,