Given the task definition, example input & output, solve the new input case.
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Output: 1874May
From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input case for you: Context_1 : Francesco D'Isa is an Italian artist, writer, journalist and art curator. He studied philosophy in Florence, Italy. He's self-taught as an artist: his fascination with visual imagery has driven him to master the required skills. He's a pioneer of digital art in Italy, but his drawing abilities let him work with traditional media as well. He was the co-founder of the Italian art & literature magazine "Mostro", where he published his first artworks. After that, his digital and traditional artworks were featured in many magazines around the world, like "Expose III", Ballistic Publishing (US); "Pixel Surgeons: Extreme manipulation of the figure in Photography", Mitchell Beazley Art & Design, Octopus ed. (UK); "Black magic, White Noise" ed "Illusive 3", Die Gestalten Verlag (Germany); "Design 360", SanDu Culture ed. (China), GQ magazine (Italy), Inside Art (Italy). His accolade in contemporary art practice has been recognised with several art prizes. He has exhibited internationally from Italy, Germany, Holland, Switzerland, England, US, Australia, Russia, South America. His theory and practice has been extended as a workshop leader and lecturer in multimedia. In 2007 he became "Pornpope" founding the porn-artistic collective Pornsaints. He organized for Pornsaints international art exhibitions and parties in art galleries and erotic festivals, both in Europe and USA. Moreover, through his work as "Pornpope" many international porn stars like Kylie Ireland, Stoya, Madison Young, Sasha Grey and Ariel Rebel acted for him as muses, models and working partners. In 2009 his art has been chosen for the image of the Italian fashion brand bigfatfanny and featured at the fashion fair "Pitti Immagine" 2010. In 2010, his comic "I., a comic drawn by everyone" become a regular blog of the Italian online newspaper "Il Post"; in November 2011 "I." has been published as an illustrated book by Nottempo (Italy). In 2013, his short stories has been published in "Selezione Naturale", Effequ (Italy) and "Toscani Maledetti", Piano B (Italy) and his short comic "Liebe macht nicht frei, baby!" as ebook for Retina Comics. His first novel, "Anna - storia di un palindromo" has been published in 2014 by Effequ (Italy), his second novel, "Ultimo piano (o porno totale)", by Imprimatur (Italy) in 2015, the third "La Stanza di Therese", by Tunue (Italy) in 2017. He regularly writes for "Il Post" (Italy) and RT Book Reviews (USA). Since 2015, he's head editor of the Italian magazine L'INDISCRETO. Context_2 : Born in Rome, at ten years old Artegiani learned to play banjo and guitar. In 1972 he joined the jprogressive rock group Semiramis, and after the band disbanded he worked several years as a music therapist. In the late 1970s he founded the pop band I Carillon, and in the early 1980s he started a solo career as a singer-songwriter. In 1983 he won Un disco per l'estate with the song "Storia di un buffone". Context_3 : Storia di un minuto (""Story of a Minute"") is the first album of the Italian progressive rock band Premiata Forneria Marconi. It was released by the Numero Uno division of RCA Records in Italy. The album topped the Italian album charts after only one week and was the first album by an Italian rock group to achieve this kind of success. Context_4 : "The Story of a Soldier" ("La Storia Di un Soldato" in Italian) is a song from Sergio Leone's 1966 Western "The Good, The Bad, and The Ugly". Like the rest of the film's score, it was composed by Ennio Morricone, and it is the only song in the score accompanied by lyrics. The lyrics were written by Tommie Connor. Context_5 : Galilei Donna: "Storia di tre sorelle a caccia di un mistero" ( , Garireidonna , lit. "Galilei Donna: the story of three sisters in the search of a mystery") is an original anime television series produced by A-1 Pictures and directed by Yasuomi Umetsu. Episode 1 was previewed at a screening in Tokyo on October 5, 2013. Regular broadcasting began on October 10, 2013. Context_6 : The Talking Cricket (Italian: "Il Grillo Parlante" ) is a fictional character that appears in Carlo Collodi's 1883 book "The Adventures of Pinocchio" ("Le avventure di Pinocchio"). Context_7 : The Adventures of Pinocchio ( ; Italian: "Le avventure di Pinocchio" ] ) is a novel for children by Italian author Carlo Collodi, written in Pescia. The first half was originally a serial in 1881 and 1882, published as "La storia di un burattino" (literally ""The tale of a puppet""), and then later completed as a book for children in February 1883. It is about the mischievous adventures of an animated marionette named Pinocchio and his father, a poor woodcarver named Geppetto. Context_8 : Blessed Cecilia Eusepi (17 February 1910 1 October 1928) was an Italian Roman Catholic and a professed member from the Secular Servites. Eusepi died of tuberculosis but her confessor advised her to keep a journal of her own life dubbed "Storia di un pagliaccio" for she considered herself to be a "little clown" and "a half-stupid clown good for nothing"; she wrote that it must be her extreme weakness that appealed to God. Context_9 : Storia di un impiegato ("Story of a white-collar worker") is an album released by Fabrizio De Andre. It was issued in 1973 by Produttori Associati and reissued several times by Ricordi and BMG. Context_10 : La storia di un peccato is a 1918 silent Italian drama film directed by Carmine Gallone. fact_1 : The Talking Cricket (Italian: "Il Grillo Parlante" ) is a fictional character that appears in Carlo Collodi's 1883 book "The Adventures of Pinocchio" ("Le avventure di Pinocchio"). fact_2 : The Adventures of Pinocchio ( ; Italian: "Le avventure di Pinocchio" ] ) is a novel for children by Italian author Carlo Collodi, written in Pescia. fact_3 : The first half was originally a serial in 1881 and 1882, published as "La storia di un burattino" (literally ""The tale of a puppet""), and then later completed as a book for children in February 1883. Question: What fictional character appears in a novel where the first half was originally a serial in 1881 and 1882, published as "La storia di un burattino"?
Output:
The Talking Cricket