Problem: Background: Field Marshal Jan Christiaan Smuts (24 May 1870 - 11 September 1950) was a prominent South African and British Commonwealth statesman, military leader and philosopher. In addition to holding various cabinet posts, he served as prime minister of the Union of South Africa from 1919 until 1924 and from 1939 until 1948. Although Smuts had originally advocated racial segregation and opposed the enfranchisement of black Africans, his views changed and he backed the Fagan Commission's findings that complete segregation was impossible. Smuts subsequently lost the 1948 election to hard-line Afrikaners who created apartheid.
Context: The Union of South Africa was born, and the Afrikaners held the key to political power, as the majority of the electorate. Although Botha was appointed prime minister of the new country, Smuts was given three key ministries: Interior, Mines, and Defence. Undeniably, Smuts was the second most powerful man in South Africa. To solidify their dominance of South African politics, the Afrikaners united to form the South African Party, a new pan-South African Afrikaner party. The harmony and cooperation soon ended. Smuts was criticised for his overarching powers, and the cabinet was reshuffled. Smuts lost Interior and Mines, but gained control of Finance. This was still too much for Smuts' opponents, who decried his possession of both Defence and Finance: two departments that were usually at loggerheads. At the 1913 South African Party conference, the Old Boers (Hertzog, Steyn, De Wet), called for Botha and Smuts to step down. The two narrowly survived a confidence vote, and the troublesome triumvirate stormed out, leaving the party for good. With the schism in internal party politics came a new threat to the mines that brought South Africa its wealth. A small-scale miners' dispute flared into a full-blown strike, and rioting broke out in Johannesburg after Smuts intervened heavy-handedly. After police shot dead twenty-one strikers, Smuts and Botha headed unaccompanied to Johannesburg to resolve the situation personally. Facing down threats to their own lives, they negotiated a cease-fire. But the cease-fire did not hold, and in 1914, a railway strike turned into a general strike. Threats of a revolution caused Smuts to declare martial law. Smuts acted ruthlessly, deporting union leaders without trial and using Parliament to absolve him and the government of any blame retroactively. This was too much for the Old Boers, who set up their own National Party to fight the all-powerful Botha-Smuts partnership.
Question: Did Africa gain wealth?
Answer: Smuts lost Interior and Mines, but gained control of Finance.

Background: Monty Python (also collectively known as The Pythons) were a British surreal comedy group who created their sketch comedy show Monty Python's Flying Circus, which first aired on the BBC in 1969. Forty-five episodes were made over four series. The Python phenomenon developed from the television series into something larger in scope and impact, including touring stage shows, films, numerous albums, several books, and musicals. The Pythons' influence on comedy has been compared to the Beatles' influence on music.
Context: Several people have been accorded unofficial "Associate Python" status over the years. Occasionally such people have been referred to as the 'seventh Python', in a style reminiscent of George Martin (or other associates of the Beatles) being dubbed "the Fifth Beatle". The two collaborators with the most meaningful and plentiful contributions have been Neil Innes and Carol Cleveland. Both were present and presented as Associate Pythons at the official Monty Python 25th-anniversary celebrations held in Los Angeles in July 1994. Neil Innes is the only non-Python besides Douglas Adams to be credited with writing material for Flying Circus. He appeared in sketches and the Python films, as well as performing some of his songs in Monty Python Live at the Hollywood Bowl. He was also a regular stand-in for absent team members on the rare occasions when they recreated sketches. For example, he took the place of Cleese at the Concert for George. Gilliam once noted that if anyone qualified for the title of the seventh Python, it would certainly be Innes. He was one of the creative talents in the off-beat Bonzo Dog Band. He would later portray Ron Nasty of the Rutles and write all of the Rutles' compositions for All You Need Is Cash (1978). By 2005, a falling out had occurred between Idle and Innes over additional Rutles projects, the results being Innes' critically acclaimed Rutles "reunion" album The Rutles: Archaeology and Idle's straight-to-DVD The Rutles 2: Can't Buy Me Lunch, each undertaken without the other's participation. According to an interview with Idle in the Chicago Tribune in May 2005, his attitude is that Innes and he go back "too far. And no further." Innes has remained silent on the dispute. Carol Cleveland was the most important female performer in the Monty Python ensemble, commonly referred to as "the female Python". She was originally hired by producer/director John Howard Davies for just the first five episodes of the Flying Circus. The Pythons then pushed to make Cleveland a permanent recurring performer after producer/director Ian MacNaughton brought in several other actresses who were not as good as she was. Cleveland went on to appear in about two-thirds of the episodes, as well as in all of the Python films, and in most of their stage shows, as well. Her common portrayal as the stereotypical "blonde bimbo" eventually earned her the sobriquet "Carol Cleavage" from the other Pythons, but she felt that the variety of her roles should not be described in such a pejorative way.
Question: Who are the associate pythons?
Answer:
Neil Innes and Carol Cleveland.