In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution is here: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this: Context_1 : The Luma Tower is a residential building and former factory in the Greater Govan area of Glasgow, Scotland. It is famous as one of the best preserved examples of Art Deco architecture in the city. It has been protected as a category B listed building since 1988. Designed by Scottish architect Cornelius Armour, who was the in-house architect of the Scottish Co-operative Wholesale Society, the style is known as Streamline Moderne which was the last phase of the Art Deco era in the 1930s. Context_2 : The Winslow House is a Frank Lloyd Wright-designed house located at 515 Auvergne Place in River Forest, Illinois. A landmark building in Wright's career, the Winslow house, built in 1893-94, was his first major commission as an independent architect. While the design owes a tremendous debt to the earlier James Charnley House, Wright always considered the Winslow house extremely important to his career. Looking back on it in 1936, he described it as "the first 'prairie house'." Context_3 : The Madison County Courthouse is a courthouse in Huntsville, Arkansas, the county seat of Madison County, built in 1939 by the Federal Emergency Administration of Public Works (FEA). It is a three story masonry structure, its exterior finished in glazed brick with limestone trim. It has restrained Art Deco styling, including pilasters between its central window bays, and blocky limestone archways framing its entrances. It was built in 1939 with funding from the Federal Emergency Administration, and is the city's finest example of Art Deco architecture. Located within the Huntsville Commercial Historic District, the courthouse is a culturally significant landmark for both its architectural style and historical importance because of its association with the FEA. It was because of this dual significance that the property was listed on the National Register of Historic Places in 1993. Context_4 : Earle Micajah Winslow House is a historic home located at Arlington County, Virginia. It was built in 1940, and is a two-story, concrete block structure veneered in brick and covered in a smooth stucco finish that is painted white. It has a shallow-pitched, side-gabled roof. A square projecting bay has a flat roof and a curved bay is crowned by a conical roof and a shallow hipped roof. The house features smooth walls, flat and shallow-pitched roofs, bands of wrapping windows, rounded corners, and a complete lack of applied ornamentation in the Streamline Moderne style. Context_5 : The Miller County Courthouse is a historic county courthouse at 400 Laurel Street in Texarkana, Arkansas, the county seat of Miller County. The four-story Art Deco building was designed by E. C. Seibert and built in 1939 with funding from the Works Progress Administration. It is the second courthouse built for the county, and is an excellent local example of the WPA Moderne style of Art Deco architecture. The lower floors of the building are occupied by county offices and court facilities, and the fourth floor houses the county jail. Context_6 : Streamline Moderne, or Art Moderne, is a late type of the Art Deco architecture and design that emerged in the 1930s. Its architectural style emphasized curving forms, long horizontal lines, and sometimes nautical elements. Context_7 : The Pellissier Building and adjoining Wiltern Theatre is a 12-story, 155 ft Art Deco landmark at the corner of Wilshire Boulevard and Western Avenue in Los Angeles, California. The entire complex is commonly referred to as the Wiltern Center. Clad in a blue-green glazed architectural terra-cotta tile and situated diagonal to the street corner, the complex is considered one of the finest examples of Art Deco architecture in the United States. The Wiltern building is owned privately, and the Wiltern Theatre is operated by Live Nation's Los Angeles division. Context_8 : The Union Station, at 801 South 10th Street in Omaha, Nebraska, known also as Union Passenger Terminal, is "one of the finest examples of Art Deco architecture in the Midwest." Designated an Omaha Landmark in 1978, it was listed as "Union Passenger Terminal" on the National Register of Historic Places in 1971, and was designated a National Historic Landmark in 2016. The Union Station is also a contributing property to the Omaha Rail and Commerce Historic District. It was the Union Pacific's first Art Deco railroad station, and the completion of the terminal "firmly established Omaha as an important railroad terminus in the Midwest." Context_9 : Saint Anthony's Hospital is a historic hospital building at 202 East Green Street in Morrilton, Arkansas. Built in 1935 to a design by A. N. McAninch, it is an Art Deco building, finished in brick and stone. It served as the local hospital until 1970, and is now a senior living facility. It is Morrilton's best example of Art Deco architecture. It has two splayed wings, with a central projecting entry pavilion. Context_10 : Pueblo Deco is an American regional architectural style, popular in the early 20th century. Pueblo Deco fused elements of Art Deco and Pueblo Revival design. Early Pueblo Deco design was influenced by architect Mary Colter's work, which incorporated Native American elements. The term was popularized by author Carla Breeze, whose 1984 "Pueblo Deco: The Art Deco Architecture of the Southwest " (written with Marcus Whiffen) and 1990 "Pueblo Deco" books described the fusion of southwestern motifs with the popular Deco style. Notable examples of buildings incorporating Pueblo Deco elements include the KiMo Theater in Albuquerque, New Mexico and the Arizona Biltmore Hotel in Phoenix, Arizona. fact_1 : The house features smooth walls, flat and shallow-pitched roofs, bands of wrapping windows, rounded corners, and a complete lack of applied ornamentation in the Streamline Moderne style. fact_2 : Streamline Moderne, or Art Moderne, is a late type of the Art Deco architecture and design that emerged in the 1930s. Question: What decade that is type of Art Deco architecture that is the style of the Earle Micajah Winslow House emerge?
Solution:
1930s