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Answer: Just saw this movie on TV and I have to admit, I was a bit surprised it was even on. There were so many goofs, mess-ups, and bad editing that an old episode of Sesame Street would have been better to watch. The acting was OK, but please, you can really feel the "Straight to Video" feeling. The cast/crew made this movie a bad melodrama. Yes, there is a message in the movie, but just wait until ten minutes before the ending to hear it. Trust me, you wouldn't even tell the difference.
An example of a movie review. positive (OPTIONS:
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A: i have just finished watching this film in my GCSE history class. it was thrilling and was a brilliant insight to what actually happened to Steve Biko during the time of the Apartheid law. How anybody can say that this film was the most boring or dull 2 and a half hours of their lives i don't know because it had me hooked from start to finish. it was great how Denzel Washington portrayed him and showed how he was fighting against the Apartheid law and to get equal rights for black people. In one part Steve Biko says to a policeman we are just as weak and human as you are, this is to show them that he and all of the other black people in south Africa were no different to the whites. Donald Woods inspired me because he fort for what he believed in and did not believe totally in apartheid. He and Steve Biko formed a very strong friendship that shook south Africa and went on to awaken the world. i very much enjoyed this film and strongly recommend this to people. it helped me see that racism is not right and that everybody is equal, their fate should not be determined by the colour of somebody's skin. n
Q: What's an example of a movie review?
An example of a movie review is here: I thought this movie was LOL funny. It's a fun, not to be taken seriously, movie about one man's twisted views on life, love, and... well, ladies "from the lowly bus station skank, to the high-class debutante... bus station skank." Tim meadows plays a guy (Leon Phelps) who was raised by in a Playboy-style mansion by a Hugh Hefner-esquire father figure, surrounded constantly by beautiful porn models and actresses. When his "father" kicks him out on the street he must learn to fend for himself with nothing but the chauvinistic outlook on life that his youth has taught him... that and an unfathomable, nearly mystical level of charm and dumb luck. And so the hijinx begin! If you haven't seen this movie and you enjoy a light-hearted, semi-mindless, comedy/love story, then I highly recommend renting "the Ladies' Man".
Problem: Write a positive (OPTIONS:
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Answer: I went to see Antone Fisher not knowing what to expect and was most pleasantly surprised. The acting job by Derek Luke was outstanding and the story line was excellent. Of course Denzel Washington did his usual fine job of acting as well as directing. It makes you realized that people with mental problems CAN be helped and this movie is a perfect example of this. Don't miss this one.
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Answer: ...I saw this on cable back in the late 1980's as I was a big wrestling fan since 1986. I saw this on VHS in a 'for sale' bin and bought it.

In 1998, I started training as a wrestler after the Air Force and would always go back to watching this to see how it was a very accurate portrayal of people that are involved with wrestling ( families and friends that wouldn't understand us, the travel, the heartbreak, etc. ). Henry Winkler is funny and sometimes sad to watch as nobody else can understand what a genius he is creatively. A great way to separate himself The Fonz character he played on Happy Days at the time. Plus, look at the cast...William Daniels ( Knight Rider ), Polly Holiday ( Alice ), and wrestlers Roddy Piper and Chavo Guerrero Sr. If you get a chance, watch it.
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Answer:
Robert Altman shouldn't make a movie like this, but the fact that he did- and that it turns out to be a reasonably good and tightly-wound thriller in that paperback-tradition of Grisham thrillers- shows a versatility that is commendable. In the Gingerbread Man he actually has to work with something that, unfortunately, he isn't always very successful at, or at least it's not the first thing on his checklist as director: plot. There's one of those big, juicy almost pot-boiler plots where a sleazy lawyer gets caught up with a desperate low-class woman and then a nefarious figure whom the woman is related with enters their lives in the most staggering ways, twists and plot ensues, yada yada. And it's surprising that Altman would really want to take on one of these "I saw that coming from back there!" endings, or just a such a semi-conventional thriller.

But it's a surprise that pays off because, oddly enough, Altman is able to catch some of that very fine behavior, or rather is able to unintentionally coax it out of a very well-cast ensemble, of a small-town Georgian environment. The film drips with atmosphere (if not total superlative craftsmanship, sometimes it's good and sometimes just decent for Altman), as Savannah is possibly going to be hit by a big hurricane and the swamp and marshes and rain keep things soaked and muggy and humid. So the atmosphere is really potent, but so are performances from (sometimes) hysterical Kenneth Branaugh, Embeth Davitz as the 'woman' who lawyer Branaugh gets caught up with, and Robert Downey Jr (when is he *not* good?) as the private detective in Branaugh's employ. Did I neglect Robert Duvall, who in just five minutes of screen time makes such an indelible impression to hang the bad-vibes of the picture on?

As said, some of the plot is a little weak, or just kind of standard (lawyer is divorced, bitter custody battle looms, innocent and goofy kids), but at the same time I think Altman saw something captivating in the material, something darker than some of the other Grisham works that has this standing out somehow. If it's not entirely masterful, it still works on its limited terms as a what-will-happen-next mystery-Southern-noir.