In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

[EX Q]: Question: How old was First King Carol when the Romanian War of Independence began? Passage 1: is the best-known of Sanrio's fictional characters, created in 1974. Hello Kitty is drawn simply with a trademark red bow. Registered in 1975, Hello Kitty is now a globally known trademark. Hello Kitty has been marketed in the United States from the beginning and has held the position of U.S. children's ambassador for UNICEF since 1983. The brand rose to greater prominence during the late 1990s when several celebrities such as Mariah Carey adopted Hello Kitty as a fashion statement. New products featuring the character can be found in virtually any American department store and Hello Kitty was once featured in an advertising campaign of the retail chain Target. The character got her first Massively Multiplayer Online Game produced by Sanrio Digital and Typhoon Games entitled Hello Kitty Online which was released worldwide, including the United States, Singapore, Indonesia and the Philippines.
Passage 2:The idea of a national cathedral first emerged following the Romanian War of Independence (18771878), which was mainly fought between the Russian and Ottoman Empires. The church was to symbolise the victory of Orthodox Christians over the Ottoman Muslims. The idea was shelved for lack of consensus on design, location and funding. The Unification of the Romanian Principalities in 1859, entailed a unitary organization of church structures in Moldavia and Wallachia within the Holy Synod (1872), thus the assembly of hierarchs increased to 12 members, including: the Primate Metropolitan (chairman), the Metropolitan of Moldavia and their suffragan bishops of Ramnic, Buzau, Arges, Roman, Husi and Lower Danube (Galati) and one auxiliary vicar-bishop for every diocese. The old Metropolitan Cathedral had proved overcrowded, especially during the national holidays, such as the Proclamation of the Kingdom of Romania and the crowning of the First King Carol I (10 May 1881), when none of the over one hundred churches in Bucharest were able to receive those who would have wanted to participate in the official service. Therefore, at King Carol I's desire, Romania's Assembly of Deputies and the Senate voted in favour of the Law no.1750 on the construction of the Cathedral Church in Bucharest, promulgated by King Carol I on 5 June 1884.
Passage 3:Born Shirley Fishman in Brooklyn, New York, she attended Abraham Lincoln High School. Her teacher, Leon Friend, arranged for guest lectures by commercial and fine artists. Shirley Fishman had the opportunity to study with three of them: Chaim Gross, Moses Soyer, and Raphael Soyer. Gross influenced her early sculptural work, which features squat figures with thick limbs. While attending Brooklyn College, where she earned her B.A. in 1944, she met Leonard Gorelick (19222011), a fellow student. They married in 1944 and shared an enthusiasm for art and culture. Leonard Gorelick was an orthodontist and later a collector of cylinder seals. He combined his interests by investigating the authenticity of cylinder seals through the use of dental technology, especially electronmicroscopy. Shirley Gorelick earned an M.A. at Teachers College, Columbia University in 1947. That year, she studied for several weeks with Hans Hofmann in Provincetown. For a short time in the late 1950s, she was a student of the painter Betty Holliday and, in the early 1960s, learned printmaking in the Long Island studio of Ruth Leaf.

[EX A]: 2

[EX Q]: Question: Which of the two units held in reserve had more soldiers? Passage 1:As designed in 1931, the He 46 was a two-seat sesquiplane of mixed construction. The upper wing was swept back 10. This is a common trick when a change in an aircraft's design moves the center of gravity to the rear; rather than moving the whole wing back to counter for the shift, it is easier to simply angle the wings back slightly, which requires very little change to the basic design, or even the overall structure of the wing. (The similarly angled wings on the Fairey Swordfish are due to just such a mid-program change to the weight distribution of the aircraft.) The tailplane was mounted high and braced by struts. The undercarriage was fixed, and the tail was fitted with a skid rather than a wheel. The He 46 prototype first flew in late 1931; its flight characteristics were good, but design improvements were incorporated. The small lower wing was removed, while the mainplane was increased in area by 22% and braced to the fuselage, transforming the He 46 into a parasol-wing monoplane. A more powerful engine was added to the second prototype, and a single 7.92mm (.312in) MG 15 machine gun for the rear seat was added to the third prototype.
Passage 2:In planning for the actual attack, Manteuffel had divided his 5th Panzer Army into three corps composed of infantry, tanks, and supporting artillery. The main effort, or schwerpunkt, would consist of XLVII Panzer Corps and LVIII Panzer Corps advancing west across the River Our at Ouren from the south or left flank of the German army front. They would then occupy the transportation center of Bastogne, before crossing the Meuse River at Namur. The third group, LXVI Corps, would advance west on either side of the Schnee Eifel. This northernmost, or right wing, element would flank and begin an envelopment of the American forces occupying fortifications on the Schnee Eifel and then converge on the town of Winterspelt. From there, LXVI Corps would cross the Our river and occupy St. Vith on the first day of the attack. LXVI Corps was the weakest of the three corps, with no attached tank division or motor transport, but did include an attached assault gun battalion. The Panzer Lehr Division (Armor Demonstration Division) and the Fuhrer Begleit Brigade (Fuhrer Escort Brigade) were to be held in reserve, with the Fuhrer Begleit only usable with Model's express permission. Manteuffel's preference for the "little slam", or limited solution, was reflected in the absence of planning beyond reaching the Meuse River.
Passage 3:On 7 October 1593, the superintendent of the Venetian Republic founded a revolutionary new kind of settlement: Palmanova. The city's founding date commemorated the victory of the Christian forces (supplied primarily by the Italian states and the Spanish kingdom) over the Ottoman Turks in the Battle of Lepanto in 1571, during the War of Cyprus. Also honored on 7 October was Saint Justina, chosen as the city's patron saint. Using all the latest military innovations of the 16th century, this small town was a fortress in the shape of a nine-pointed star, designed by Vincenzo Scamozzi. Between the points of the star, ramparts protruded so that the points could defend each other. A moat surrounded the town, and three large, guarded gates allowed entry. The construction of the first circle, with a total circumference of , took 30 years. Marcantonio Barbaro headed a group of Venetian noblemen in charge of building the town, Marcantonio Martinego was in charge of construction, and Giulio Savorgnan acted as an adviser. A second phase of construction took place between 1658 and 1690, and the outer line of fortifications was completed between 1806 and 1813 under the Napoleonic domination. The final fortress consists of: 9 ravelins, 9 bastions, 9 lunettes, and 18 cavaliers.

[EX A]: 2

[EX Q]: Question: Which UK designer in the 1970s influenced by punk fashion was older? Passage 1:In the United Kingdom, 1970s punk fashion influenced the designs of Vivienne Westwood and Malcolm McLaren and the Bromley Contingent. Mainstream punk style was influenced by clothes sold in Malcolm McLaren's shop, artdesigncafe. McLaren has credited this style to his first impressions of Richard Hell, while McLaren was in New York City working with New York Dolls. Deliberately offensive T-shirts were popular in the early punk scene, such as the DESTROY T-shirt sold at SEX, which featured an inverted crucifix and a Nazi Swastika. Another offensive T-shirt that is still occasionally seen in punk is called Snow White and the Sir Punks, and features Snow White being held down and raped by five of the seven dwarfs, whilst the other two engage in anal sex. The image's origin is as part of The Realist magazine's Disneyland Memorial Orgy poster in May 1967, although the T-shirts made the scene more explicit. These T-shirts, like other punk clothing items, were often torn on purpose. Other items in early British punk fashion included: leather jackets; customised blazers; and dress shirts randomly covered in slogans (such as "Only Anarchists are pretty"), blood, patches and controversial images.
Passage 2:Like its Nintendo 64 (N64) predecessors Banjo-Kazooie (1998) and Banjo-Tooie (2000), Banjo-Kazooie: Grunty's Revenge is an adventure platformer with a strong emphasis on collecting items. The player must control the player characters, the bear Banjo and his bird friend Kazooie, through several levels. The story takes place between the events of the N64 Banjo games and employs time travel as a key plot device. In the story, the evil witch and antagonist of the previous games, Gruntilda, transfers her spirit into a mechanical body before kidnapping Kazooie and going back in time to prevent her from meeting Banjo, thus preventing the events of Banjo-Kazooie. The shaman Mumbo Jumbo sends Banjo back in time to stop Gruntilda. At the start of the game, the player controls just Banjo, who can walk, jump, crouch, and attack enemies with his backpack. Collecting golden musical notes scattered around levels will enable Banjo to purchase three additional abilities from a mole named Bozzeye. Eventually, Banjo rescues Kazooie, who rides in his backpack for the remainder of the game. With Kazooie, the player can purchase seven new abilities, such as temporary flight. While Grunty's Revenges game mechanics are largely the same as those from the N64 games, it is presented in 2D from an overhead perspective with pre-rendered graphics, rather than the 3D presentation of its predecessors.
Passage 3:Storm Thorgerson, who had done the majority of album covers for Pink Floyd, did the Echoes art which features recursive windows in an infinite regression as a nod to his own cover for 1969's Ummagumma, and the objects on each landscape refer to the Pink Floyd discography. For instance, there's the man on fire from Wish You Were Here, another wearing the Delicate Sound of Thunder lightbulb suit, dolls of the Atom Heart Mother cow and the Animals pig, a bike and both a brick wall and the hammers from The Wall. Eventually Thorgerson opted to make two images, with another used for the back cover. To create the idea on a photograph, various walls - which had varied measurements and angles to ensure that "nothing seemed to fit other than by eye through the lens." - were built and put in a country landscape in Sussex. Actors, props and fittings were set in and between those walls. The original design was one of two sketches submitted for Dream Theater's 1997 album Falling into Infinity, with the original being framed and hanging in the home of former Dream Theater drummer Mike Portnoy and is pointed out by Portnoy in his Hudson Music instructional drum DVD In Constant Motion.

[EX A]:
1