IN: Marc Alexander Hunter was born in Taumarunui on 7 September 1953. In the late 1950s his family performed publicly where his father, Stuart, played saxophone, his mother, Voi, on piano and his older brother, Todd Hunter (born 1951), on guitar with Marc providing drums. He also grew up with two younger brothers, Ross and Brett. Hunter remembered, "We got guitars for Christmas one year, I broke mine but Todd played his.

Marc Hunter travelled overseas to recuperate, he visited Morocco and London. Back in Australia he signed a recording deal with CBS, which issued his debut solo album, Fiji Bitter, in November 1979. For the sessions he used Todd on bass guitar, John Annas on drums (ex-Kevin Borich Express), Harvey James on guitar (from Sherbet), and Terry Wilson on guitar (ex-Original Batter-sea Heroes, Wasted Daze). Fiji Bitter was recorded at Studio 301, Sydney with Richard Lush producing and engineering - Hunter wrote or co-wrote most of its tracks. The album's lead single, "Island Nights" (July), peaked at No. 20. He formed Marc Hunter and the Romantics, with Annas and James, to promote the album. Two more singles, "Don't Take Me" (November) and "When You Walk in the Room" (January 1980), appeared - neither reached the top 50. In 1980 Hunter, on lead vocals, formed an R&B group in Sydney, the Headhunters, with Todd on bass guitar (by then ex-Dragon), Kevin Borich on guitar, Mick Cocks on guitar (ex-Rose Tattoo), John Watson on drums (ex-Kevin Borich Express). Australian musicologist, Ian McFarlane, described them as "an ad hoc aggregation of musicians who were drawn together by a love of playing raucous R&B". Hunter resumed his solo career with his second album, Big City Talk, which appeared in August 1981 on PolyGram/Mercury labels. It was co-produced by Hunter and Todd. Debbie Muir of The Canberra Times, felt it "covered a wide range of material that bore some resemblance to his last album, Fiji Bitter, but was totally different to his old, Dragon days." He had used session musicians: Borich, Dave Mason (of The Reels) and Mark Punch (ex-Renee Geyer Band). Muir's fellow journalist at The Canberra Times, Garry Raffaele, opined that it "is flat, directionless, unexciting, effete rock and roll. It is devoid of feeling." On working as a solo artist, he declared, "I am happier now on my own. I was in a wretched state of mind when I was in the band... I miss the camaraderie involved but then I prefer to make my own decisions." The title track, "Big City Talk", was released as a single in July and reached No. 25. Follow up singles, "(Rock'n'Roll is) a Loser's Game" (September), "Side Show" (November) and "Nothing but a Lie" (May 1982) did not chart. In 1981 he formed the Marc Hunter Band and in October they toured Australia with Renee Geyer; the set included a duet by Hunter and Geyer. During 1982 Hunter was working with US-born keyboardist and record producer, Alan Mansfield. In March of that year he was arrested for "$4500 in unpaid parking fines", he described his jail cell as "unbelievably filthy."
QUESTION: Were there any singles released from Fiji Bitter?
IN: Tristano was born in Chicago on March 19, 1919. His mother, Rose Tristano (nee Malano), was also born in Chicago. His father, Michael Joseph Tristano, was born in Italy and moved to the United States as a child. Lennie was the second of four brothers.

Tristano's second album for Atlantic was recorded in 1961 and released the following year. The New Tristano, as was stressed on the album cover, consisted entirely of piano solos and no overdubbing or tape-speed manipulation was employed. The tracks contain left-hand bass lines that provide structure to each performance as well as counterpoint for the right-hand playing; block chords, unclear harmonies and contrasting rhythms also appear. Other solo piano recordings that Tristano made in 1961 were not released until the 1970s. Tristano and his wife formally divorced in 1962. Their son, Steve, who was born in 1952, met his father only once after their initial 1956 separation. Tristano married again in the early 1960s. His second wife was Carol Miller, one of his students. They had a son, Bud, and two daughters, Tania and Carol. The couple divorced in 1964, and Tristano later lost a custody battle with his ex-wife over the children. In 1964 the pianist reformed his quintet with Konitz and Marsh for a two-month engagement at the Half Note and more performances in Canada. The quartet, missing Konitz, played in Toronto again in the following year. Tristano played on occasion at the Half Note Club until the mid-1960s, and toured Europe in 1965. His European tour was mainly as a solo pianist, and the playing was in the style of his The New Tristano recordings. He performed with Ind and others in concerts in the UK in 1968; they were well received, and Tristano returned the following year. His last public performance in the US was in 1968. Tristano declined offers to perform in the 1970s; he explained that he did not like to travel, and that the requirement for a career-minded musician to play concerts was not something that he wanted to follow. He continued teaching, and helped to organize concerts for some of his students. Another album, Descent into the Maelstrom, was released in the 1970s; it consisted of recordings made between 1951 and 1966. Tristano had a series of illnesses in the 1970s, including eye pain and emphysema (he smoked for most of his life). On November 18, 1978 he died of a heart attack at home in Jamaica, New York.
QUESTION:
How where his other piano recordings