In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: if you want some hearty laughs , then rat race is the movie for you .
this unpretentious little comedy , which sneaks into theaters today with very little hype ,
will have you bouncing in your theater seat .
and while the film fits neatly into the low - brow , slapstick school of comedy , one refreshing aspect is its lack of mean - spiritedness .
the plot follows a group of people chosen at random by an eccentric las vegas casino owner ( john cleese ) who must race from vegas to a bus station locker 700 miles away in silver city , n .
m .
inside the locker is a duffel bag containing $ 2 million .
the first one to open the locker , gets the bag and the money .
what the group of participants does n't know is that cleese 's donald sinclair ( " i can do anything i want -
i 'm eccentric ! " ) is staging the race as a betting game for a group of high rollers at the hotel .
the participants include vera ( whoopi goldberg ) and merrill ( lanai chapman ) , a newly reunited mother and daughter ; disgraced pro football referee owen templeton ( cuba gooding jr . ) ; italian tourist mr .
pollini ( rowan atkinson ) ; randy pear ( jon lovitz ) and his family ; the bumbling con men duane and blaine cody ( seth green and vince vieluf ) ; and cynical young lawyer nick shaffer ( breckin meyer ) .
various amusing encounters and mishaps befall the participants en route to silver city .
screenwriter andy breckman adds a nice touch by not having the racers try to sabotage one another .
the most side - splitting situations involve vera and merrill 's encounter with the squirrel lady , a nice nutsy cameo by kathy bates ; owen 's commandeering a charter bus full of lucille ball look - alikes on their way to a lucy convention ; the cody brothers misadventures with a hot - air balloon , a flying cow and a monster truck ; and the pear family 's stopover at a barbie museum , which turns out not to be what they think it is .
the pear family situation is a fine example of the way breckman 's script builds the laughs .
without going into detail , this bit segues from the museum to hitler 's touring car , to eva braun 's dark lipstick , to lovitz burning his tongue , culminating at a ceremony honoring world war ii veterans .
rat race 's cast is first rate .
cleese is wonderfully devilish and madcap ; lovitz is , at first , a bit whiny , but his character grows on you ; gooding is having a fine romp ; and dave thomas almost steals the show as cleese 's deadpan assistant , a man " born without a personality .
"
the film is directed by jerry zucker , who knows something about comedy
.
along with his brother , david , and friend jim abrahams , he was responsible for such hits as airplane ! and ruthless people .
a throwaway subplot , which is good for some laughs , features cleese and his buddies , betting on a series of outlandish situations , including one dealing with a hooker and pepto - bismol .
this is a fun little feature .
the only letdown comes at the finale , which is too touchy - feely and sweet , almost negating what came before it .
rat race is a summer sleeper , but it will keep you awake , as will the laughter of those watching around you .
Example Output: P

Example Input: i am starting to write this review before going to see strawberry and chocolate , cuba 's oscar nominee for best foreign film , directed by tomas gutierrez alea ( who also directed the sometimes and in some circles critically acclaimed memorias del subdesarrollo-- " memories of underdevelopment " .
i saw memorias as part of a cuban cinema class back in the late ' 70s ; it merged the politics of the cuban revolution with mundane elements of the human condition .
i knew then that memorias was probably a state - sanctioned political missive , and now expect strawberry will follow suit .
fellow internetters , primarily in the newsgroup dedicated to cuba ( soc . culture .
cuba ) , have mentioned that strawberry is a harsh criticism of the revolution and its current state of affairs .
i have jumped to the conclusion that strawberry is nothing more than a veiled attempt at espousing the party line -- it probably looks like political criticism , but it ai n't so .
having some first hand and extensive anecdotal knowledge of castro 's repressiveness , i ca n't conceive of his tolerating honest and adversarial criticism of the revolution , and i ca n't imagine his letting anyone even suggest his failure as a leader of a failed movement .
as kids say these days , duh ! , the revolution 's current state needs no criticism ; its physical and spiritual crumbling is self evident .
the proper questions to put relate to castro 's legitimacy .
i bet the film takes castro 's power for granted , and that this or any other movie , produced under cuba 's state control , can not question his right to run cuba 's political show ( ongoing now for more than 36 years ) .
that 's why i just ca n't believe strawberry is an honest criticism of the regime .
let 's see what happens after the room goes dark and the screen lights up .
i saw the film -- twice .
i was right ; castro remained intact .
strawberry negotiates the relationship between a young " dialectic materialist , " as he describes himself , and a homosexual photographer ( diego ) in 1979 cuba .
the young man ( david ) is the son of peasants ; a symbol of the revolution 's reason for being .
grateful to the revolution for the opportunity to receive a university education , he studies political science instead of literature , his avocation , because he perceives it is his duty .
therein lies a likely unintended irony , since cuba has no need for political theoreticians .
cuba 's government is castro .
diego 's lifestyle is the antithesis of revolutionary life .
he enjoys the finer things -- tea , opera , art .
he does not do " voluntary work " for the revolution .
his small apartment is a sensual oasis .
the moniker " bourgeois " figuratively hangs over his head during the early parts of the movie .
however , he is a " revolucionario " in his own way .
the supporting roles are filled by : an aging busybody with a heart of gold and a troubled psyche ; david 's roommate , who rally takes the communist party line to its expected extreme ;
david 's ex - girlfriend , who dumped him for another guy , yet wants to bed him before she leaves for italy with her husband ; german , a gay sculptor whose work diego is attempting to exhibit , and who strikes a faustian pact with the government .
gutierrez alea and co - director
juan carlos tabio
do a fine job at almost showing that homosexuals can be revolutionaries too .
heck , towards the end of the film you begin to think the guy deserves a medal for his patriotic fervor .
he really loves the revolution ( as supposedly does everybody else in cuba ) and wants to make it better by exposing and correcting some of its flaws .
real criticism is missing though .
this movie is political window dressing .
luis aguilar leon 's op .
ed .
piece on fresa in the miami herald ( 10 march 1995 , at 21a ) did not color my judgment ; it presaged my intuition .
aguilar leon expressed my sentiment about this film 's political angle best : like many artistic manifestations in cuba , strawberry and chocolate sprang from a totally manipulated environment .
as art critic ivan de la nuez well states in the latest issue of the magazine postmodern notes , the silenced artists are those who refuse to accept " the charade in which artists can provoke up to a point , while the institutions legitimize themselves by forbidding them to go beyond that point .
" although terrible propaganda , this is otherwise a fine film .
Example Output: P

Example Input: the characters in " palmetto " collectively sweat enough to fill lake erie , and it 's just the right way to capture the film 's ripe atmosphere of sensuality , tension and even farce .
this humid florida - set thriller nurtures a modestly absurd edginess that often winks at itself , which is very much a good thing since the actors and director are in on the joke . as far as set - up is concerned , the movie is nothing we have n't seen before , but be patient -- " palmetto " spins some pretty wicked story twists that we really do n't see coming .
it 's not a classic by any means , but it sure is quite an engaging surprise .
harry barber ( woody harrelson ) is fresh out of prison , where he 's served a couple of years for a crime he did n't commit .
even though he harbors animosity towards the obtuse local officials , harry 's first order of business is to return to his home town of palmetto to be with his sculptor girlfriend nina ( gina gershon ) .
while searching for work , he catches the eye of rhea malroux ( elisabeth shue ) , the mysterious sexbomb wife of a palmetto millionaire .
rhea proposes a scheme that 'll get harry $ 50 , 000 easy -- to play a small part in the staged kidnaping of her jailbait stepdaughter odette ( chloe sevigny ) .
"
you do like risks , do n't you , mr .
barber ?
" rhea alluringly coos .
boys , form a line behind me .
part of " palmetto " 's success can be attributed to the performance of elisabeth shue , who demonstrates here that her oscar - nominated turn in " leaving las vegas " might merely be foreshadowing great things to come .
shue 's a seductive , campy delight , and pulls off a barbara stanwyck - gloria swanson combo with admirable relish .
the other actors form a solid ensemble around her , including sevigny ( " kids " ) , tantalizingly slutty as a teen tease , as well as the ever - likeable gershon , cast a far cry from her extreme roles in " bound " and " showgirls .
" harrelson is still doing fine follow - up work to " the people vs .
larry flynt .
"
" palmetto " does have its share of grievances .
harrelson 's narration is needless , i suppose , and gershon 's nina cries to be meatier than she ultimately is .
one of the plot 's unexpected angles -- that harry is asked by the police to become the press liaison for the very crime in which he 's involved -- could have been played a little better .
there are moments when you question the tone , but it 's never so unstable that it deserves the reproach it 's been receiving from most other critics .
if " palmetto " did n't want to be laughed at , would it really have tacked on a climax that plays like a live - action " who framed roger rabbit " ?
although a few elements can be questioned , the movie works well on its own terms .
thanks to a juicy cast -- especially shue -- and the nifty material approach from director volker schlondorff ( you remember him from last summer 's suddenly re - popular " the tin drum , " right ? )
, everything runs smoothly .
and for fans of revelation - heavy endings , this film 's got a few shocks in store that i wo n't even dream of revealing .
" palmetto " is a generous amount of fun to watch , and that 's all you need to know .
Example Output:
P