In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Based on the novel by Mika Waltari, Sinuhe the Egyptian, the film takes place during the reign on Akhnaton (around 1352 B.C.). The story, told in flashback, begins with an abandoned infant found in a reed basket on the Nile who is taken into the home of a talented physician, Senmut (Carl Benton Reid). Named Sinuhe, he grows into an idealistic young man. First he wants to become a soldier, but then his father talks him out of it, and Sinuhe undertakes studies to become a physician, just like his foster father.Sinuhe (Edmund Purdom) becomes best friends with the energetic and extroverted Horemheb (Victor Mature), who is training for the army at the same school run by the priests. Very different in character, the two friends go on an excursion hunting lions in the desert. They save the life of a strange lone man who they find worshiping a carved image of the sun. Unbeknownst to them, he is actually the new young Pharaoh Akhnaton (Michael Wilding), who is introducing a far less war-like type of rule into Egypt based on the worship of one god, the Aten.Akhnaton makes Sinuhe personal physician to the royal family and Horemheb a commander in his army. Enjoying the good life, Horemheb one night takes Sinuhe to the home of an infamous Babylonian courtesan Nefer (Bella Darvi), with whom Sinuhe becomes instantly infatuated. Nefer, however, only plays with men, and before too long, Sinuhe has sacrificed everything for her, only to be then cruelly rejected when she is tired of playing with him. Kaptah (Peter Ustinov) used to be a slave of Sinuhe's foster family, but he insisted in remaining with him, instead of going with Nefer. Kaptah and Sinuhe will remain in contact throughout the years, although they have a strange relationship based on equality; Kaptah will become a free man, a bar patron, and later, quite a rich merchant, with the help of Sinuhe, his initial investment, and his connections.Having neglected his duties, Sinuhe is a marked man and flees Egypt, spending many years in foreign countries practicing his medical genius. When he returns home, however, Egypt has slipped into serious trouble, as Akhnaton has lost the respect of the military, and his new religion is dividing the country. The fact that Queen Nefertiti (Anitra Stevens) has only been able to give birth to daughters is not helping either, but there may be other wives or a concubine who will finally succeed in having the heir the country needs so badly.Sinuhe finds Horemheb is plotting against the Pharaoh with the ambitious Princess Baketamon (Gene Tierney). In the rebellion that follows, Merit (Jean Simmons), who had always been a good friend of Sinuhe--and who may even be falling in love with him (and him with her)--is killed when Akhnaton's temple is sacked, and Sinuhe loses his young son Thoth (Tommy Rettig). When it is revealed he is actually the Pharoah's half brother, Sinuhe finally realizes how he has compromised all of his principles, and leaves to start a lonely existence on his own in the desert, bereft of family or love.
Question: What is the name of Sinuhe's young son?, Answer: Thoth

Several murders have taken place throughout Kolkata, for which a serial killer is believed responsible. The murderer strikes in accordance with verses of Bengali poetry, which he leaves next to the victims. The police are baffled; chief detective Abhijit Pakrashi (Parambrata Chatterjee) struggles to solve the case, which takes a toll on his relationship with girlfriend Amrita Mukherjee (Raima Sen). Pakrashi's superior (Rajesh Sharma) brings back an ex-cop, Prabir (Prosenjit Chatterjee), to help solve the case. Prabir, earlier suspended for his violent methods, is notoriously ill-tempered and foul-mouthed. Prabir and Pakrashi work together, while Amrita (a television journalist) and colleague Surya Sinha (Abir Chatterjee) research serial killers for a series whose thirteenthand finalepisode will be about a contemporary murderer. Meanwhile, eccentric poet Nibaron Chakraborty (Gautam Ghosh)who considers himself part of the Hungry Generationwanders Kolkata at night reciting poems.Researching serial killers, Amrita visits a prison where the warden remembers Rafique Ahmed and his only confidant in 18 years of imprisonment: Nibaron Chakraborty. She and Surya go to Nibaron's house to question him; after being greeted by his servant, Swapan, they are convinced he is insane when Nibaron says he has a meeting with "Rabindranath". They almost succeed in learning about Rafique when Surya angers him by mentioning the book-fair arson for which he was imprisoned.While investigating the case, Pakrashi sees Amrita and Surya together. Jealous and drunk, Abhijit goes to Prabir's house and pours out his heart; he tells Prabir that he lost his father at a young age, and tries to avoid alcohol because of what it did to his father. Prabir tells Pakrashi that he went to work the day after losing his wife and child, encouraging him to be strong. Surya takes Amrita to a cemetery, telling her he would propose in a few days. They end up in a police station after a police officer sees them (and is slapped by Amrita). Pakrashi, still tipsy, rescues them when the inspector recognises Amrita as his girlfriend and they reconcile.The next day, while randomly discussing poets and poems, Prabir and Pakrashi deduce that the killer strikes on the death anniversaries of well-known Bengali poets. When they search all possible days the killer could strike, they discover that the next date is 29 June: Michael Madhusudan Dutt's death anniversary.Amrita tells Pakrashi what she and Surya have been doing, including the interview with Nibaron. This convinces him that Nibaron is the killer, especially when Swapan tells Prabir he is now afraid of his employer.Pakrashi and Prabir watch Nibaron's house on the fateful night. A hooded figure comes out; it is Swapan, fleeing. In the house they discover that Nibaron has committed suicide, and the case is closed.After a month or so, Rabindranath Tagore's death anniversary (Baishe Srabon) arrives. Prabir invites Pakrashi to meet a man named Rabindranath, and Pakrashi is surprised that "Swapan" is Prabir's servant Kaanai. Prabir admits that he was the mastermind behind the murders, with Kaanai (an ex-convict) carrying them out. He wanted to avenge the police force for his suspension, which he considered an insult to his hard work despite the loss of his family. After saying that today's would be the final killing, he shoots himself.
Question: What does the murderer leave behind with his victims?, Answer: Verses of Bengali poetry.

Not Quite Hollywood documents the revival of Australian cinema during the Australian New Wave of the 1970s and '80s through B-movies including Alvin Purple, Barry McKenzie Holds His Own, Dead-End Drive In, Long Weekend, Mad Max, The Man from Hong Kong, Patrick, Razorback, Road Games, Stork and Turkey Shoot. From 1971 through to the late 1980s, Australian directors began to take advantage of the newly introduced R-rating which allowed more on-screen nudity, sex and violence for audiences restricted to age 18 and over.[1] "Ozploitation"writer-director Mark Hartley's own portmanteau of "Australian exploitation"was a subgenre of the New Wave which accounted for the critically panned "gross-out comedies, sex romps, action and road movies, teen films, westerns, thrillers and horror films" of the era, commonly overlooked in Australia's "official film history".[2] The film addresses three main categories of "Ozploitation" films: sex, horror and action.[3]
Question: What is another name for "Australian Exploitation"?, Answer: Ozploitation