Problem: Question: Who does the 1905 Winton Flyer belong to? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: The Reivers Context: Set in 1905, the film follows the exploits of the likable but raffish Boon Hoggenbeck (Steve McQueen), who takes an interest in a new car, a new 1905 Winton Flyer that is the property of a man named Boss (Will Geer), the patriarch of the McCaslin family, who live in the Mississippi area where Boon lives. When the taking of the car first by Boon and then by Ned (Rupert Crosse) (they show themselves to be reivers, or thieves, in the film's start, hence the title) leads to a public brawl, the local magistrate lets them off by a bond that Boss pays on the condition both men stay out of trouble and far away from the car while he is away with family to attend a funeral. That is soon changed by Boon, who takes the car again to go up to Memphis to see his woman Corrie (Sharon Farrell) and talks his young friend Lucius (Mitch Vogel) into going for the ride. Ned stows away as well, but Boon grudgingly allows him to come. Other characters include a horse that loves sardines and races for them, a friendly bordello madam and her amiable employees, and a man with a horse who lives near an impassable sinkhole full of mud for which he charges expensive rates to get both carts and cars through.

A: Boss

Problem: Question: Who witnesses them kissing? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: The Silence Context: Two emotionally estranged sisters, Ester (Ingrid Thulin) and Anna (Gunnel Lindblom), and Anna's son, Johan (Jorgen Lindstrom), a boy of 10, are on a night train journey back home. Ester, the older sister and a literary translator, is seriously ill. Anna coldly assists her, seemingly resenting the burden. They decide to interrupt the journey in the next town called "Timoka", located in a fictitious Central European country with an incomprehensible language and on the brink of war. The sisters rent a two-room-apartment in a once-grandiose hotel. Ester suffers in her room, self-medicating with vodka and cigarettes while trying to work. Johan soon begins wandering around the hotel's hallways, encountering the elderly hotel porter and a group of Spanish dwarves who are part of a traveling show. Meanwhile, Anna ventures into the city and is openly advanced upon by a waiter in a cafe. Later, she watches a show in an uncrowded theatre, and is both repelled and fascinated when a young couple begin to have sex in a seat nearby. Anna returns to the cafe, brushes past the waiter, and returns to the hotel in time. Left with Johan while his mother is out, Ester attempts to form a more intimate bond with him, but Johan avoids her attempts to stroke his hair and face. On Anna's return, Ester is eager for an account of what her sister has done after seeing her soiled dress. Provoked, Anna spitefully fabricates a sexual encounter with the waiter to her sister. Anna also reveals her intention to meet him again that evening, which Ester, not wanting to be left alone, begs her not to do. Anna meets the man in their hotel, and Johan witnesses them kissing and entering a room down an adjacent hall. Upon returning to the room, he asks Ester, why his mother dislikes being with them, as she always departs as soon as she gets the chance. Ester tells him that she has learned a few words of the local language, and she promises to write them down for him. Johan, instinctively knowing Ester is seriously ill, embraces her in a show of...

A: Johan

Problem: Question: What does the girl do when the boy becomes too aggressive while they're making out? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Night of the Ghouls Context: The prologue has Criswell rising from a coffin, leaving unclear if the "metaphysical" narrator is awaking from a a normal sleep, or whether he is actually a corpse returning to life. The latter implication can be seen as foreshadowing the final scenes of the film.One of the opening scenes features a montage of seemingly unrelated events, which seem to feature Ed Wood's view of the post-war era and its social problems. Juvenile delinquency, street fighting, and driving under the influence. A memorable sequence has a car driving off a cliff and crashing. The sequence ends with the bloody corpse of the drunk driver staring blankly at the camera. According to Crisell's narration, this is a rather typical end to "a drunken holiday weekend".The narrative properly begins with a teenaged couple kissing in a convertible convertible, parked at night in what is probably a lovers' lane. When the boy gets too aggressive, the girl ends the embrace with a slap and exits the car. At this point the narrative introduces the Black Ghost which lurks in the woods near them. In short order, first the girl and then the boy are attacked by the undead creature and die. According to Criswell's narration, the two murders received press attention but were thought to be the work of a maniac.In a police station in East Los Angeles, Inspector Robbins is waiting for Detective Bradford at his office. Bradford soon arrives, dressed in a top hat and formal evening wear. He was called to work while on his way to the opera, and he protests the idea of working an unexpected assignment. But Robbins informs him that the case involves the "old house on Willows lake", which played a part in an earlier case investigated by Bradford. (This is a reference to the events of Bride of the Monster). The house was destroyed by lightning, but someone rebuilt it. A flashback scene establishes that the elderly Edwards couple had a terrifying encounter with the White Ghost by this house. Having heard the story, Bradford accepts the assignment to investigate the...

A:
She ends the embrace with a slap and exits the car.