[Q]: I have a test where I am given the following article, what is an answer for the question: Who is the partner of the man Catherine Foley is working with? ? Russian company Sukhoi has developed a fifth-generation jet fighter, the Sukhoi Su-XX, nicknamed Sabretooth, flown by test pilot Alexei Kedrov, from a remote Russian airbase. Recently suspected of being a traitor due to his love affair with American ecologist Catherine Foley, Alexei is patriotic and is unaware that Catherine is not who she claims and is working with London-based arms dealer Dick Murdoch. A mystery man also appears to control the effort to steal the Sabretooth. Murdoch and his new partner Aziza, want to steal the Russian jet and employing numerous mercenaries and clandestine agents, puts the entire flight test unit in jeopardy. Worried about his family, pilot Boris Korin helps Murdoch steal Sabretooth. When Catherine is seen to be falling for Alexei, she is eliminated along with other assassinations and an audacious attack on a former Russian outpost. Alexei and other pilots in his team have to contend with not only the Russian FSB, but also agents from the CIA and British special services. When Air Force One on the way to Moscow, is threatened, the McDonnell Douglas F-15 Eagle escorts try to shoot down Sabretooth but Alexei uses the extraordinary capability of his top-secret aircraft to outfly the American attack and bring his aircraft home safely. Murdoch, however, with help from the mystery man behind the efforts to steal Sabretooth, is still at large.
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[A]: Aziza

[Q]: I have a test where I am given the following article, what is an answer for the question: What are the full names of the people who completed the 11-story Rookery building? ? The Monadnock was commissioned by Boston real estate developers Peter and Shepherd Brooks in the building boom following the Depression of 187379. The Brooks family, which had amassed a fortune in the shipping insurance business and had been investing in Chicago real estate since 1863, had retained Chicago property manager Owen F. Aldis to manage the construction of the seven-story Grannis Block on Dearborn Street in 1880. It was Aldis, one of two men Louis Sullivan credited with being "responsible for the modern office building", who convinced investors such as the Brooks brothers to build new skyscrapers in Chicago. By the end of the century, Aldis would create over 1,000,000 square feet (93,000 m2) of new office space and manage nearly one fifth of the office space in the Loop.Daniel Burnham and John Wellborn Root met as young draftsmen in the Chicago firm of Carter, Drake, and Wight in 1872 and left to form Burnham & Root the following year. At Aldis's urging, the Brooks brothers had retained the then-fledgling firm to design the Grannis Block, which was their first major commission. Burnham and Root would become the architects of choice for the Brooks family, for whom they would complete the first high-rise building in Chicago, the 10-story Montauk Building, in 1883, and the 11-story Rookery Building in 1888.
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[A]: John Wellborn Root

[Q]: I have a test where I am given the following article, what is an answer for the question: What is the name of the person that led the Mexican Army? ? The Runaway Scrape events took place mainly between September 1835 and April 1836, and were the evacuations by Texas residents fleeing the Mexican Army of Operations during the Texas Revolution, from the Battle of the Alamo through the decisive Battle of San Jacinto. The ad interim government of the new Republic of Texas and much of the civilian population fled eastward ahead of the Mexican forces. The conflict arose after Antonio Lopez de Santa Anna abrogated the 1824 constitution of Mexico and established martial law in Coahuila y Tejas. The Texians resisted and declared their independence. It was Sam Houston's responsibility, as the appointed commander-in-chief of the Provisional Army of Texas (before such an army actually existed), to recruit and train a military force to defend the population against troops led by Santa Anna. Residents on the Gulf Coast and at San Antonio de Bexar began evacuating in January upon learning of the Mexican army's troop movements into their area, an event that was ultimately replayed across Texas. During early skirmishes, some Texian soldiers surrendered, believing that they would become prisoners of war but Santa Anna demanded their executions. The news of the Battle of the Alamo and the Goliad massacre instilled fear in the population and resulted in the mass exodus of the civilian population of Gonzales, where the opening battle of the Texian revolution had begun and where, only days before the fall of the Alamo, they had sent a militia to reinforce the defenders at the mission. The civilian refugees were accompanied by the newly forming provisional army, as Houston bought time to train soldiers and create a military structure that could oppose Santa Anna's greater forces. Houston's actions were viewed as cowardice by the ad interim government, as well as by some of his own troops. As he and the refugees from Gonzales escaped first to the Colorado River and then to the Brazos, evacuees from other areas trickled in and new militia groups arrived to join with Houston's...
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[A]: Santa Anna

[Q]: I have a test where I am given the following article, what is an answer for the question: What is the first name of the person whose size represents her embodiment as the church ? ? Van Eyck gives Mary three roles: Mother of Christ, the personification of the "Ecclesia Triumphans" and Queen of Heaven, the latter apparent from her jewel-studded crown. The painting's near miniature size contrasts with Mary's unrealistically large stature compared with her setting. She physically dominates the cathedral; her head is almost level with the approximately sixty feet high gallery. This distortion of scale is found in a number of other van Eyck's Madonna paintings, where the arches of the mostly gothic interior do not allow headroom for the virgin. Pacht describes the interior as a "throne room", which envelopes her as if a "carrying case". Her monumental stature reflects a tradition reaching back to an Italo-Byzantine type perhaps best known through Giotto's Ognissanti Madonna (c. 1310) and emphasises her identification with the cathedral itself. Till-Holger Borchert says that van Eyck did not paint her as "the Madonna in a church", but instead as metaphor, presenting Mary "as the Church". This idea that her size represents her embodiment as the church was first suggested by Erwin Panofsky in 1941. Art historians in the 19th century, who thought the work was executed early in van Eyck's career, attributed her scale as the mistake of a relatively immature painter.The composition is today seen as deliberate, and opposite to both his Madonna of Chancellor Rolin and Arnolfini Portrait. These works show interiors seemingly too small to contain the figures, a device van Eyck used to create and emphasise an intimate space shared by donor and saint. The Virgin's height recalls his Annunciation of 143436, although in that composition there are no architectural fittings to give a clear scale to the building. Perhaps reflecting the view of a "relatively immature painter", a copy of the Annunciation by Joos van Cleve shows Mary at a more realistic proportion scale to her surroundings.Mary is presented as a Marian apparition; in this case she probably appears before a donor, who would have been kneeling...
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[A]:
Mary