Part 1. Definition
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Part 2. Example
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Answer: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Part 3. Exercise
Context_1 : The Harvard Psilocybin Project was a series of experiments in psychology conducted by Dr. Timothy Leary and Dr. Richard Alpert. The founding board of the project consisted of Leary, Aldous Huxley, David McClelland (Leary's superior at Harvard University), Frank Barron, Ralph Metzner, and two graduate students who were working on a project with mescaline. The experiments began some time in 1960 and lasted until March 1962, when other professors in the Harvard Center for Research in Personality raised concerns about the legitimacy and safety of the experiments in an internal meeting. Context_2 : Leary v. United States, 395 U.S. 6 (1969) , is a U.S. Supreme Court case dealing with the constitutionality of the Marihuana Tax Act of 1937. Timothy Leary, a professor and activist, was arrested for the possession of marijuana in violation of the Marihuana Tax Act. Leary challenged the act on the ground that the act required self-incrimination, which violated the Fifth Amendment. The unanimous opinion of the court was penned by Justice John Marshall Harlan II and declared the Marihuana Tax Act unconstitutional. Thus, Leary's conviction was overturned. Congress responded shortly thereafter by replacing the Marihuana Tax Act with the newly written Controlled Substances Act while continuing the prohibition of certain drugs in the United States. Context_3 : Timothy Francis Leary (October 22, 1920 May 31, 1996) was an American psychologist and writer known for advocating the exploration of the therapeutic potential of psychedelic drugs under controlled conditions. Leary conducted experiments under the Harvard Psilocybin Project during American legality of LSD and psilocybin, resulting in the Concord Prison Experiment and the Marsh Chapel Experiment. Leary's colleague, Richard Alpert (Ram Dass), was fired from Harvard University on May 27, 1963 for giving psilocybin to an undergraduate student. Leary was planning to leave Harvard when his teaching contract expired in June, the following month. He was fired, for "failure to keep classroom appointments", with his pay docked on April 30. National illumination as to the effects of psychedelics did not occur until after the Harvard scandal. Context_4 : The League for Spiritual Discovery was a spiritual organization inspired by the works of Timothy Leary, and strove for legal use of lysergic acid diethylamide (LSD) for the purpose of meditation, insight, and spiritual understanding. It was in existence during the mid-to-late 1960s, and eventually closed by Leary. The New York Center for the League of Spiritual Discovery, in existence for around a year, was co-founded by Timothy Leary and Nina Graboi in 1966. The center was the first LSD-based meditation center in Manhattan. Context_5 : You Can Be Anyone This Time Around is an album by Timothy Leary released in 1970. The disc features three "raps" by Leary backed with psychedelic music. The purpose of the album was to raise funds for Leary's political candidacy for Governor of California. Context_6 : H. P. Lovecraft is the debut album by the American psychedelic rock band H. P. Lovecraft and was released in October 1967 by Philips Records. It blended psychedelic and folk rock influences and was marked by the haunting, eerie ambiance of the band's music, which itself was often inspired by the literary works of horror writer H. P. Lovecraft, after whom the band had named themselves. Although most of the album comprises interpretations of traditional and contemporary folk songs, it also features the self-penned compositions "That's How Much I Love You, Baby (More or Less)", "The Time Machine", and arguably the band's best known song, "The White Ship". The traditional song "Wayfaring Stranger" was released as a single just ahead of the album in September 1967 and "The White Ship" was issued shortly after the album appeared, although neither single reached the charts. Like its attendant singles, "H. P. Lovecraft" was also somewhat commercially unsuccessful and failed to reach the "Billboard" Top LPs chart or the UK Albums Chart, although it did sell reasonably well over time. Context_7 : Howard Phillips Lovecraft ( ; August 20, 1890 March 15, 1937) was an American author who achieved posthumous fame through his influential works of horror fiction. He was virtually unknown and published only in pulp magazines before he died in poverty, but he is now regarded as one of the most significant 20th-century authors in his genre. Lovecraft was born in Providence, Rhode Island, where he spent most of his life. Among his most celebrated tales are "The Call of Cthulhu" and "The Shadow over Innsmouth", both canonical to the Cthulhu Mythos. Lovecraft was never able to support himself from earnings as author and editor. He saw commercial success increasingly elude him in this latter period, partly because he lacked the confidence and drive to promote himself. He subsisted in progressively strained circumstances in his last years; an inheritance was completely spent by the time that he died at age 46. Context_8 : "Turn on, tune in, drop out" is a counterculture-era phrase popularized by Timothy Leary in 1966. In 1967 Leary spoke at the Human Be-In, a gathering of 30,000 hippies in Golden Gate Park in San Francisco and phrased the famous words, "Turn on, tune in, drop out". It was also the title of his spoken word album "Turn On, Tune In, Drop Out" recorded in 1966. On this lengthy album one can hear Leary speaking in a monotone, soft-spoken voice on his views about the world and humanity and describing nature, Indian symbols, "the meaning of inner life", the LSD experience, peace and many other issues. Context_9 : "The White Ship" is a song released by the American psychedelic rock band, H. P. Lovecraft, in November 1967. The songwriting is credited to band members George Edwards, Dave Michaels, and Tony Cavallari. Acting as the opening song on the second side of their debut LP, "H. P. Lovecraft", it was the album's longest track, and an edited version was also released as the band's second single. The name and theme of the song derive directly from author H. P. Lovecraft's short story, "The White Ship". Despite its failure to chart nationally, it is widely considered to be H. P. Lovecraft's most accomplished piece, and helped establish the group, who were originally from Chicago, in the West Coast music scene. Context_10 : Dying to Know: Ram Dass & Timothy Leary is a 2014 documentary film about Ram Dass and Timothy Leary. fact_1 : Howard Phillips Lovecraft ( ; August 20, 1890 March 15, 1937) was an American author who achieved posthumous fame through his influential works of horror fiction. fact_2 : Timothy Francis Leary (October 22, 1920 May 31, 1996) was an American psychologist and writer known for advocating the exploration of the therapeutic potential of psychedelic drugs under controlled conditions. Question: Who died at an earlier date, H. P. Lovecraft or Timothy Leary?
Answer:
Howard Phillips Lovecraft