Question:
Toru Takemitsu (Wu Man Che , Takemitsu Toru, October 8, 1930 - February 20, 1996) pronounced [takemitsW to:rW] was a Japanese composer and writer on aesthetics and music theory. Largely self-taught, Takemitsu possessed consummate skill in the subtle manipulation of instrumental and orchestral timbre. He is famed for combining elements of oriental and occidental philosophy to create a sound uniquely his own, and for fusing opposites together such as sound with silence and tradition with innovation. He composed several hundred independent works of music, scored more than ninety films and published twenty books.
In 1948, Takemitsu conceived the idea of electronic music technology, or in his own words, to "bring noise into tempered musical tones inside a busy small tube." During the 1950s, Takemitsu had learned that in 1948 "a French [engineer] Pierre Schaeffer invented the method(s) of musique concrete based on the same idea as mine. I was pleased with this coincidence." In 1951, Takemitsu was a founding member of the anti-academic Jikken Kobo (Shi Yan Gong Fang , "experimental workshop"): an artistic group established for multidisciplinary collaboration on mixed-media projects, who sought to avoid Japanese artistic tradition. The performances and works undertaken by the group introduced several contemporary Western composers to Japanese audiences. During this period he wrote Saegirarenai Kyusoku I ("Uninterrupted Rest I", 1952: a piano work, without a regular rhythmic pulse or barlines); and by 1955 Takemitsu had begun to use electronic tape-recording techniques in such works as Relief Statique (1955) and Vocalism A*I (1956). Takemitsu also studied in the early 1950s with the composer Fumio Hayasaka, perhaps best known for the scores he wrote for films by Kenji Mizoguchi and Akira Kurosawa, the latter of whom Takemitsu would collaborate with decades later. In the late 1950s chance brought Takemitsu international attention: his Requiem for string orchestra (1957 listen ), written as an homage to Hayasaka, was heard by Igor Stravinsky in 1958 during his visit to Japan. (The NHK had organised opportunities for Stravinsky to listen to some of the latest Japanese music; when Takemitsu's work was put on by mistake, Stravinsky insisted on hearing it to the end.) At a press conference later, Stravinsky expressed his admiration for the work, praising its "sincerity" and "passionate" writing. Stravinsky subsequently invited Takemitsu to lunch; and for Takemitsu this was an "unforgettable" experience. After Stravinsky returned to the U.S., Takemitsu soon received a commission for a new work from the Koussevitsky Foundation which, he assumed, had come as a suggestion from Stravinsky to Aaron Copland. For this he composed Dorian Horizon, (1966), which was premiered by the San Francisco Symphony Orchestra, conducted by Copland.
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did he win any rewards or recognition?

Answer:

input: Richard had already taken the cross as Count of Poitou in 1187. His father and Philip II had done so at Gisors on 21 January 1188 after receiving news of the fall of Jerusalem to Saladin. After Richard became king, he and Philip agreed to go on the Third Crusade, since each feared that during his absence the other might usurp his territories. Richard swore an oath to renounce his past wickedness in order to show himself worthy to take the cross. He started to raise and equip a new crusader army. He spent most of his father's treasury (filled with money raised by the Saladin tithe), raised taxes, and even agreed to free King William I of Scotland from his oath of subservience to Richard in exchange for 10,000 marks. To raise still more revenue he sold the right to hold official positions, lands, and other privileges to those interested in them. Those already appointed were forced to pay huge sums to retain their posts. William Longchamp, Bishop of Ely and the King's Chancellor, made a show of bidding PS3,000 to remain as Chancellor. He was apparently outbid by a certain Reginald the Italian, but that bid was refused. Richard made some final arrangements on the continent. He reconfirmed his father's appointment of William Fitz Ralph to the important post of seneschal of Normandy. In Anjou, Stephen of Tours was replaced as seneschal and temporarily imprisoned for fiscal mismanagement. Payn de Rochefort, an Angevin knight, was elevated to the post of seneschal of Anjou. In Poitou the ex-provost of Benon, Peter Bertin, was made seneschal, and finally in Gascony the household official Helie de La Celle was picked for the seneschalship there. After repositioning the part of his army he left behind to guard his French possessions, Richard finally set out on the crusade in summer 1190. (His delay was criticised by troubadours such as Bertran de Born.) He appointed as regents Hugh de Puiset, Bishop of Durham, and William de Mandeville, 3rd Earl of Essex--who soon died and was replaced by Richard's chancellor William Longchamp. Richard's brother John was not satisfied by this decision and started scheming against William. When Richard was raising funds for his crusade, he was said to declare, "I would have sold London if I could find a buyer".

Answer this question "what countries did they go to"
output: London if I

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Michael Andrew McKagan grew up in Seattle's largely working-class University District, the youngest of eight children born to Marie and Elmer "Mac" McKagan. He has been called "Duff" since toddlerhood, to which he once referred as "an Irish thing". Following his parents' divorce, his mother supported the family by taking a job as a medical stenographer. He was taught how to play bass by his brother Bruce, further developing his skills by playing along with the albums 1999 by Prince and Damaged by Black Flag.
In 1979, at the age of 15, McKagan formed the punk band the Vains, in which he played bass; they released the single "School Jerks" in 1980. During this time, he also played guitar in the punk band the Living, which opened shows for Husker Du and D.O.A., which developed a devoted following. In 1980, McKagan joined the pop-punk band the Fastbacks as their drummer. He appeared on their 1981 debut single "It's Your Birthday", which was issued on guitarist Kurt Bloch's label No Threes Records, and on the song "Someone Else's Room", which was included on the Seattle Syndrome Volume One compilation album, also released in 1981. In 1982, McKagan became the drummer for the hardcore punk band The Fartz, with whom he recorded several demos, five of which were included on their 1990 album You, We See You Crawling. After several line-up changes, The Fartz evolved into the post-punk band 10 Minute Warning, for which McKagan played guitar. In 1983, McKagan moved to Los Angeles, California, with one of his brothers where he found work as an appetizer server at a Black Angus restaurant in Northridge. Answering an ad for a bass guitarist in a local newspaper, he met guitarist Slash and drummer Steven Adler, with whom he formed the short-lived band Road Crew. They auditioned a number of singers, including one-time Black Flag vocalist Ron Reyes, and worked on material that included the main riff of what would become the Guns N' Roses song "Rocket Queen". Slash eventually disbanded the group due to them not being able to find a singer, as well as Adler's lack of work ethic compared to himself and McKagan.

what happened in 1979?
In 1979, at the age of 15, McKagan formed the punk band the Vains,