Problem: The 50th anniversary of the novel's release was met with celebrations and reflections on its impact. Eric Zorn of the Chicago Tribune praises Lee's "rich use of language" but writes that the central lesson is that "courage isn't always flashy, isn't always enough, but is always in style". Jane Sullivan in the Sydney Morning Herald agrees, stating that the book "still rouses fresh and horrified indignation" as it examines morality, a topic that has recently become unfashionable. Chimamanda Ngozi Adichie writing in The Guardian states that Lee, rare among American novelists, writes with "a fiercely progressive ink, in which there is nothing inevitable about racism and its very foundation is open to question", comparing her to William Faulkner, who wrote about racism as an inevitability. Literary critic Rosemary Goring in Scotland's The Herald notes the connections between Lee and Jane Austen, stating the book's central theme, that "one's moral convictions are worth fighting for, even at the risk of being reviled" is eloquently discussed.
Chimamanda Ngozi Adichie vompared Lee to whom?
The answer is the following: William Faulkner

Problem: The National Historical Publications and Records Commission (NHPRC)the agency's grant-making armawards funds to state and local governments, public and private archives, colleges and universities, and other nonprofit organizations to preserve and publish historical records. Since 1964, the NHPRC has awarded some 4,500 grants.
Which arm of NARA handles grants?
The answer is the following: The National Historical Publications and Records Commission

Problem: TCM's film content has remained mostly uncut and uncolorized (with films natively filmed or post-produced in the format being those only ones presented in color), depending upon the original content of movies, particularly movies released after the 1968 implementation of the Motion Picture Association of America's ratings system and the concurrent disestablishment of the Motion Picture Production Code. Because of this, TCM is formatted similarly to a premium channel with certain films particularly those made from the 1960s onward sometimes featuring nudity, sexual content, violence and/or strong profanity; the network also features rating bumpers prior to the start of a program (most programs on TCM, especially films, are rated for content using the TV Parental Guidelines, in lieu of the MPAA's rating system).
In what year did the Motion Picture Production Code cease?
The answer is the following: 1968

Problem: The root schism was between the Sthaviras and the Mahasanghikas. The fortunate survival of accounts from both sides of the dispute reveals disparate traditions. The Sthavira group offers two quite distinct reasons for the schism. The Dipavamsa of the Theravada says that the losing party in the Second Council dispute broke away in protest and formed the Mahasanghika. This contradicts the Mahasanghikas' own vinaya, which shows them as on the same, winning side. The Mahasanghikas argued that the Sthaviras were trying to expand the vinaya and may also have challenged what they perceived were excessive claims or inhumanly high criteria for arhatship. Both parties, therefore, appealed to tradition.
The Dipavamsa says that the losing party broke away in protest and formed what?
The answer is the following:
Mahasanghika