IN: Stallman was born to Alice Lippman, a school teacher, and Daniel Stallman, a printing press broker, in 1953 in New York City. Stallman had a difficult relationship with his parents, as his father had a drinking habit and verbally abused his stepmother. He later came to describe his parents as "tyrants". He was interested in computers at a young age; when Stallman was a pre-teen at a summer camp, he read manuals for the IBM 7094.

Stallman places great importance on the words and labels people use to talk about the world, including the relationship between software and freedom. He asks people to say free software and GNU/Linux, and to avoid the terms intellectual property and piracy (in relation to copyright). One of his criteria for giving an interview to a journalist is that the journalist agree to use his terminology throughout the article. He has been known to turn down speaking requests over some terminology issues. Stallman argues that the term "intellectual property" is designed to confuse people, and is used to prevent intelligent discussion on the specifics of copyright, patent, trademark, and other laws by lumping together areas of law that are more dissimilar than similar. He also argues that by referring to these laws as property laws, the term biases the discussion when thinking about how to treat these issues. These laws originated separately, evolved differently, cover different activities, have different rules, and raise different public policy issues. Copyright law was designed to promote authorship and art, and covers the details of a work of authorship or art. Patent law was intended to encourage publication of ideas, at the price of finite monopolies over these ideas - a price that may be worth paying in some fields and not in others. Trademark law was not intended to promote any business activity, but simply to enable buyers to know what they are buying. An example of cautioning others to avoid other terminology while also offering suggestions for possible alternatives is this sentence of an e-mail by Stallman to a public mailing list: I think it is ok for authors (please let's not call them creators, they are not gods) to ask for money for copies of their works (please let's not devalue these works by calling them content) in order to gain income (the term compensation falsely implies it is a matter of making up for some kind of damages).

What is the most interesting part of the article?

OUT: I think it is ok for authors (please let's not call them creators, they are not gods) to ask for money for copies of their works

Answer the question at the end by quoting:

Jean Paul Getty (; December 15, 1892 - June 6, 1976) was an American-British industrialist. He founded the Getty Oil Company, and in 1957 Fortune magazine named him the richest living American, while the 1966 Guinness Book of Records named him as the world's richest private citizen, worth an estimated $1.2 billion (approximately $9.05 billion in 2017). At his death, he was worth more than $6 billion (approximately $25.80 billion in 2017).
On July 10, 1973, in Rome, 'Ndrangheta kidnappers abducted Getty's 16-year-old grandson, John Paul Getty III, and demanded by telephone a $17 million payment (approximately $93.7 million in 2017) for the young man's safe return. However, "the family suspected a ploy by the rebellious teenager to extract money from his miserly grandfather." John Paul Getty Jr. asked his father for the money, but was refused. In November 1973, an envelope containing a lock of hair and a human ear arrived at a daily newspaper. The second demand had been delayed three weeks by an Italian postal strike. The demand threatened that Paul would be further mutilated unless the victims paid $3.2 million (approximately $17.6 million in 2017): "This is Paul's ear. If we don't get some money within 10 days, then the other ear will arrive. In other words, he will arrive in little bits." When the kidnappers finally reduced their demands to $3 million (approximately $16.5 million in 2017), Getty senior agreed to pay no more than $2.2 million (approximately $12.1 million in 2017) - the maximum that would be tax-deductible. He lent his son the remaining $800,000 (approximately $4.4 million in 2017) at 4% interest. Paul III was found alive in a Lauria filling station, in the province of Potenza, shortly after the ransom was paid. After his release Paul III called his grandfather to thank him for paying the ransom but, it is claimed, Getty refused to come to the phone. Nine people associated with 'Ndrangheta were later arrested for the kidnapping, but only two were convicted. Paul III was permanently affected by the trauma and became a drug addict. After a stroke brought on by a cocktail of drugs and alcohol in 1981, Paul III was rendered speechless, nearly blind and partially paralyzed for the rest of his life. He died 30 years later on February 5, 2011, at the age of 54. Getty defended his initial refusal to pay the ransom on two points. First, he argued that to submit to the kidnappers' demands would immediately place his other fourteen grandchildren at the risk of copy-cat kidnappers. He added: The second reason for my refusal was much broader-based. I contend that acceding to the demands of criminals and terrorists merely guarantees the continuing increase and spread of lawlessness, violence and such outrages as terror-bombings, "skyjackings" and the slaughter of hostages that plague our present-day world. (Getty, 1976, p. 139).

Are there any other interesting aspects about this article?

demanded by telephone a $17 million payment

input: At the end of her tour for Legs to Make Us Longer in 2005, King departed from her previous musical direction out of a desire to escape being pigeonholed as a solo instrumental artist. She amicably parted ways with major label Sony/Epic and returned to her original label, Velour, to begin work on her third album ...Until We Felt Red. Released August 8, 2006, on Velour Records, the album features production work by Tortoise's John McEntire. With the prominence of electric guitar shoegazing and effect boxes on the new record, and the addition of a full band, the music website, The A.V. Club, called the sound a "post-rock makeover." She supported the album by going on tour with Sarah Bettens from K's Choice. In early 2007, Dave Grohl invited King to appear as a guitarist on the track "Ballad of the Beaconsfield Miners", a song penned by Grohl for an upcoming studio album by the Foo Fighters. King agreed and is credited on the album, entitled Echoes, Silence, Patience & Grace, released on September 25, 2007. On November 18, 2007, she joined Dave Grohl on stage to perform the track at the O2 arena in London. Grohl highly praised King's performance: "There are some guitar players that are good and there are some guitar players that are really fucking good. And then there's Kaki King." King toured with the Foo Fighters on the Australian leg of the Echoes, Silence, Patience and Grace tour. While on tour, King finished recording what became the Day Sleeper (Australian tour EP). It was released in late 2007 after King had finished working on August Rush, and with Eddie Vedder and Sean Penn on Into The Wild.

Answer this question "What track was she asked to be on?"
output:
on the track "Ballad of the Beaconsfield Miners", a song penned by Grohl for an upcoming studio album by the Foo Fighters.