instruction:
In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.
question:
Question: How tall is the artist that Ingram made the duet "The Day I Fall in Love" with? Passage:In the 1990s, Ingram's highest-profile team-up came again with Quincy Jones, on the song "The Secret Garden". This song also featured vocals by Barry White, El DeBarge, and Al B. Sure!. Soundtrack songs were popular for Ingram in the 1990s. From the movie Sarafina! came "One More Time", and from City Slickers came "Where Did My Heart Go?" In 1991, he and Melissa Manchester performed the song "The Brightest Star" in the animated Christmas film Precious Moments Timmy's Gift. In 1993, they performed the song again in the film's sequel Precious Moments Timmy's Special Delivery. Ingram's 1994 composition "The Day I Fall in Love", a duet with Dolly Parton, was the theme song for the movie Beethoven's 2nd and was nominated for an Academy Award for Best Original Song. Ingram and Parton performed the song live on the Oscar broadcast. In 1997, he and Carnie Wilson co-wrote the song "Our Time Has Come" and lent it to the animated film Cats Don't Dance.
Links: a. Melissa Manchester b. Dolly Parton c. Sarafina! (film) d. Cats Don't Dance
answer:
b

question:
Question: How old was Norimasa kaeriyama when he directed The Glow of Life? Passage:Among intellectuals, critiques of Japanese cinema grew in the 1910s and eventually developed into a movement that transformed Japanese film. Film criticism began with early film magazines such as Katsudo shashinkai (begun in 1909) and a full-length book written by Yasunosuke Gonda in 1914, but many early film critics often focused on chastising the work of studios like Nikkatsu and Tenkatsu for being too theatrical (using, for instance, elements from kabuki and shinpa such as onnagata) and for not utilizing what were considered more cinematic techniques to tell stories, instead relying on benshi. In what was later named the Pure Film Movement, writers in magazines such as Kinema Record called for a broader use of such cinematic techniques. Some of these critics, such as Norimasa Kaeriyama, went on to put their ideas into practice by directing such films as The Glow of Life (1918), which was one of the first films to use actresses (in this case, Harumi Hanayagi). There were parallel efforts elsewhere in the film industry. In his 1917 film The Captain's Daughter, Masao Inoue started using techniques new to the silent film era, such as the close-up and cut back. The Pure Film Movement was central in the development of the gendaigeki and scriptwriting.
Links: a. Pure Film Movement b. Kabuki c. Norimasa Kaeriyama d. The Glow of Life
answer:
c

question:
Question: What was the highest chart position of the song in which Jenner's voice can be heard at the start? Passage:Pink Floyd, then an unknown band, began to receive paid bookings including at the Marquee Club in March 1966 where they were watched by Jenner. The band played mostly rhythm and blues songs, but Jenner was impressed with the strange acoustic effects that Barrett and Wright created during their performance. Jenner traced Waters and Mason to their flat, and with his business partner and friend Andrew King was subsequently invited to become their manager. Although the pair had little experience of the music industry, they shared an appreciation of music, as well as a childhood history. Using inherited money they set up Blackhill Enterprises and purchased new instruments for the band, as well as equipment which included a Selmer PA system. Under their guidance, Pink Floyd began performing on London's underground music scene, notably at a venue booked by the London Free School in Notting Hill, as well as the notorious "Games For May" concert at London's Queen Elizabeth Hall on 12 May 1967, an event set up by both Jenner and King. Jenner and King's diverse array of social connections were meritorious, gaining the band important coverage in The Financial Times and The Sunday Times. Jenner's voice can be heard at the start of Pink Floyd's 1967 "Astronomy Domine", the opening track on the album The Piper at the Gates of Dawn (UK edition).
Links: a. Astronomy Domine b. The Piper at the Gates of Dawn c. Notting Hill d. Andrew King (music manager)
answer:
a