input: Victorian burlesque, sometimes known as "travesty" or "extravaganza", was popular in London theatres between the 1830s and the 1890s. It took the form of musical theatre parody in which a well-known opera, play or ballet was adapted into a broad comic play, usually a musical play, often risque in style, mocking the theatrical and musical conventions and styles of the original work, and quoting or pastiching text or music from the original work. The comedy often stemmed from the incongruity and absurdity of the classical subjects, with realistic historical dress and settings, being juxtaposed with the modern activities portrayed by the actors. Madame Vestris produced burlesques at the Olympic Theatre beginning in 1831 with Olympic Revels by J. R. Planche. Other authors of burlesques included H. J. Byron, G. R. Sims, F. C. Burnand, W. S. Gilbert and Fred Leslie. Victorian burlesque related to and in part derived from traditional English pantomime "with the addition of gags and 'turns'." In the early burlesques, following the example of ballad opera, the words of the songs were written to popular music; later burlesques mixed the music of opera, operetta, music hall and revue, and some of the more ambitious shows had original music composed for them. This English style of burlesque was successfully introduced to New York in the 1840s. Some of the most frequent subjects for burlesque were the plays of Shakespeare and grand opera. The dialogue was generally written in rhyming couplets, liberally peppered with bad puns. A typical example from a burlesque of Macbeth: Macbeth and Banquo enter under an umbrella, and the witches greet them with "Hail! hail! hail!" Macbeth asks Banquo, "What mean these salutations, noble thane?" and is told, "These showers of 'Hail' anticipate your 'reign'". A staple of burlesque was the display of attractive women in travesty roles, dressed in tights to show off their legs, but the plays themselves were seldom more than modestly risque. Burlesque became the speciality of certain London theatres, including the Gaiety and Royal Strand Theatre from the 1860s to the early 1890s. Until the 1870s, burlesques were often one-act pieces running less than an hour and using pastiches and parodies of popular songs, opera arias and other music that the audience would readily recognize. The house stars included Nellie Farren, John D'Auban, Edward Terry and Fred Leslie. From about 1880, Victorian burlesques grew longer, until they were a whole evening's entertainment rather than part of a double- or triple-bill. In the early 1890s, these burlesques went out of fashion in London, and the focus of the Gaiety and other burlesque theatres changed to the new more wholesome but less literary genre of Edwardian musical comedy.

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output: Victorian burlesque related to and in part derived from traditional English pantomime "with the addition of gags and 'turns'."

Question: Nancy Grace was born in Macon, Georgia, the youngest of three children, to factory worker Elizabeth Grace and Mac Grace, a freight agent for Southern Railway. Her older siblings are brother Mac Jr. and sister Ginny. The Graces are longtime members of Macon's Liberty United Methodist Church, where Elizabeth plays the organ and Mac Sr. was once a Sunday School teacher. Grace graduated from Macon's Windsor Academy in 1977.

After leaving the Fulton County prosecutors' office, Grace was approached by and accepted an offer from Court TV founder Steven Brill to do a legal commentary show alongside Johnnie Cochran. When Cochran left the show, Grace was moved to a solo trial coverage show on Court TV, she hosted Trial Heat from 1996-2004, then Closing Arguments from 2004-2007, replacing Lisa Bloom and James Curtis, both of whom were hosting Trial Heat at that point. In 2005, she began hosting a regular primetime legal analysis show called Nancy Grace on CNN Headline News (now HLN) in addition to her Court TV show. On May 9, 2007, Grace announced that she would be leaving Court TV to focus more on her CNN Headline News Program and charity work. She did her last show on Court TV on June 19, 2007. Grace has a distinctive interviewing style mixing vocal questions with multimedia stats displays. The Foundation of American Women in Radio & Television has presented Nancy Grace with two Gracie Awards for her Court TV show. Grace had been covering the Casey Anthony story for years. After the controversial verdict finding Casey Anthony not guilty, her show on HLN had its highest ratings ever in the 8 p.m. and 9 p.m. hour slots on Tuesday, July 5, 2011. Grace also hosted Swift Justice with Nancy Grace premiering September 13, 2010, and running until May 2011. Grace left the show due to productions moving from Atlanta to Los Angeles. In September 2011, Judge Jackie Glass, who is known for presiding over the O. J. Simpson robbery case, took over Grace's place. The show continued for one more season and ceased production in 2012.

Using a quote from the above article, answer the following question: Were these shows successful
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Answer:
After the controversial verdict finding Casey Anthony not guilty, her show on HLN had its highest ratings ever in the 8 p.m. and 9 p.m. hour slots