Problem: This article: In February 1828, shortly before his 41st birthday, Etty soundly defeated John Constable by 18 votes to five to become a full Royal Academician, at the time the highest honour available to an artist. By this time, complaints about his supposed indecency were beginning to resurface. All but one of the 15 paintings Etty exhibited at the Royal Academy in the 1820s had included at least one nude figure, and Etty was acquiring a reputation for using respectable themes as a pretext for nudity.For the 1828 Summer Exhibition Etty exhibited three pictures; The World Before the Flood, Venus, the Evening Star and Guardian Cherubs. (The latter was a portrait of the children of Welbore Ellis Agar, 2nd Earl of Normanton, and was the only non-nude painting exhibited by Etty at the RA in the 1820s.) Although similar to his earlier works, they were technically more accomplished. Both The World Before the Flood and Venus attracted positive reviews in the press and were sold during their exhibition for substantial sums, although the purchase by the Marquess of Stafford of The World Before the Flooda work containing scantily clad figures of both sexesdrew a pointed comment in The Gentleman's Magazine that it "will serve to accompany the private Titians of that nobleman". Despite the increasing number of complaints in the press about his use of nudity, respect for Etty from his fellow artists continued to rise, and in 1828 the British Institution awarded him 100 in recognition of his talent. As soon as the 1828 Summer Exhibition was over, Etty stopped work on other projects to concentrate on a diploma piece, without which he could not become a Royal Academician. This piece, Sleeping Nymph and Satyrs, was presented to the Academy in October, and in December 1828 Etty became a Royal Academician. It appears to me then that virtuous happiness being our lawful aim in life, that having Academic Rank and Fame the next thing to be considered (if God approve) is to seek that Decent Competency which shall make my latter days comfortable... contains an answer for the question: What is the exact title of the diploma piece without which Etty could not become a Royal Academician?, what is it ?

A: Sleeping Nymph and Satyrs

Problem: Given the question: This article: Like Green, who made particular mention of Beiderbecke's "amount of teaching," the jazz historian Ted Gioia also has emphasized Beiderbecke's lack of formal instruction, suggesting that it caused him to adopt "an unusual, dry embouchure" and "unconventional fingerings," which he retained for the rest of his life. Gioia points to "a characteristic streak of obstinacy" in Beiderbecke that provokes "this chronic disregard of the tried-and-true." He argues that this stubbornness was behind Beiderbecke's decision not to switch from cornet to trumpet when many other musicians, including Armstrong, did so. In addition, Gioia highlights Beiderbecke's precise timing, relaxed delivery, and pure tone, which contrasted with "the dirty, rough-edged sound" of King Oliver and his protege Armstrong, whose playing was often more energetic and whose style held more sway early in the 1920s than Beiderbecke's. Beiderbecke's playing - both as a cornetist and a pianist - had a profound effect on a number of his contemporaries. Eddie Condon, for instance, described Beiderbecke's cornet playing as "like a girl saying yes" and also wrote of being amazed by Beiderbecke's piano playing: "All my life I had been listening to music [] But I had never heard anything remotely like what Beiderbecke played. For the first time I realized music isn't all the same, it had become an entirely new set of sounds" "I tried to explain Bix to the gang," Hoagy Carmichael wrote, but "[i]t was no good, like the telling of a vivid, personal dream [] the emotion couldn't be transmitted."Mezz Mezzrow described Beiderbecke's tone as being "pickled in alcohol [] I have never heard a tone like he got before or since. He played mostly open horn, every note full, big, rich and round, standing out like a pearl, loud but never irritating or jangling, with a powerful drive that few white musicians had in those days."Some critics have highlighted "Jazz Me Blues", recorded with the Wolverines on February 18, 1924, as being particularly important to understanding... contains an answer for the question: What is the first name of the person who said he never heard a tone like Beiderbecke's before or since?, what is it ?
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The answer is:
Mezz

[Q]: This article: After seeing several patients, Travis, a troubled psychiatrist, is contacted at home by a patient, Rachel. Travis invites her into his apartment, though he acknowledges this is unorthodox. As they talk, Rachel sees Travis take several pills, which he explains are to help him deal with the mounting stresses in his life. After they kiss, Rachel offers to help him, and Travis laughs derisively. Hurt, Rachel leaves his apartment and goes to the top of the apartment building, where she phones him. When he realises she means to commit suicide, he races upstairs, only to see her leap to her death. After one of his patients taunts him over this rumor, Travis reacts violently and is put on leave, though he angrily quits instead. Grace, a young woman, hands out pamphlets on a train and invites Travis to a support group. Though dismissive, Travis takes one of her pamphlets. After drinking heavily and becoming depressed over his life, Travis attends the meeting. Travis is disgusted when the group's leader, Father Jay, a military veteran and former drug addict, forces a young member, Marcus, to confront difficult personal issues in public. As Travis leaves, Grace urges him to seek the group's support. After a suicide attempt in which he overdoses on pills, Travis calls the group before slipping into unconsciousness. Father Jay, Grace, and another member, Tom, arrive and induce vomiting, saving his life. contains an answer for the question: What are the names of the people who kiss?, what is it ?
****
[A]:
Travis