Problem: Background: Tamar Estine Herbert (nee Braxton, born March 17, 1977), professionally known as Tamar Braxton, is an American singer, television personality and actress. Braxton had her first big break in music in 1990 as a founding member of the American R&B singing group The Braxtons, formed with her sisters. The Braxtons released their debut album, So Many Ways, as a trio in 1996.
Context: On February 25, 2014, the remix of Robin Thicke's single "For the Rest of My Life" which features Braxton, was released as a digital single. Season 3 of Tamar & Vince premiered in October 2014, and it consisted of 10 episodes just like the previous seasons. On October 6, Braxton's new single "Let Me Know" featuring rapper Future peaked at #2 on the Billboard Trending 140 chart, less than an hour after its premiere on Braxton's official SoundCloud account and eventually reached #1 by 12:00 AM October 7. Billboard.com gave the song 4 out of 5 stars in its review of "The Best and Worst Singles of the Week" for the second week of October. At the same time, Braxton, and sisters Toni and Trina guest starred on their sister Traci's music video "Last Call". On May 27, 2015, the single "If I Don't Have You" was released. The song peaked at number 6 on the US Adult R&B Songs chart. Braxton's new album, Calling All Lovers, is set to be released October 2, 2015. On September 2, 2015, Braxton was revealed as one of the celebrities who will compete on the 21st season of Dancing with the Stars. She was paired with reigning champion, Valentin Chmerkovskiy. The single "Catfish" was released on September 10, 2015 along with the album Calling All Lovers available for pre-order on iTunes. On September 18, 2015, the single "Angels & Demons" was released. In October 2015, the group The Braxtons including Toni, Tamar, Traci, Trina and Towanda, will be releasing a new material titled Braxton Family Christmas as five members. The album was released on October 30 and pre-order on October 16th. On November 11, Braxton revealed that she would have to withdraw from the competition due to health problems. Braxton and Chmerkovskiy finished in fifth place overall. On November 21, Braxton Family Christmas debuted at number 27 on the US Billboard R&B/Hip-Hop Albums, number 10 on the US R&B Chart and number 12 on US Top Holiday Albums on November 21, 2015. The album charted at number 4 on the US Heatseekers Albums on December 12, 2015. On December 7, 2015, Braxton received one Grammy nomination for "If I Don't Have You" at the 58th Annual Grammy Awards; Best R&B Performance from her latest album titled Calling All Lovers. In parallel, she had made a cameo on the successful TV series Being Mary Jane.
Question: Was this a succesful album?
Answer:

Background: Judy Chicago (born Judith Sylvia Cohen, July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. By the 1970s, Chicago had founded the first feminist art program in the United States. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with labor-intensive skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.
Context: While at UCLA, she became politically active, designing posters for the UCLA NAACP chapter and eventually became its corresponding secretary. In June 1959, she met and became romantically linked with Jerry Gerowitz. She left school and moved in with him, for the first time having her own studio space. The couple hitch hiked to New York in 1959, just as Chicago's mother and brother moved to Los Angeles to be closer to her. The couple lived in Greenwich Village for a time, before returning in 1960 from Los Angeles to Chicago so she could finish her degree. Chicago married Gerowitz in 1961. She graduated with a Bachelor of Fine Arts in 1962 and was a member of the Phi Beta Kappa Society. Gerowitz died in a car crash in 1963, devastating Chicago and causing her to suffer from an identity crisis until later that decade. She received her Master of Fine Arts from UCLA in 1964. While in grad school, Chicago's created a series that was abstract, yet easily recognized as male and female sexual organs. These early works were called Bigamy, and represented the death of her husband. One depicted an abstract penis, which was "stopped in flight" before it could unite with a vaginal form. Her professors, who were mainly men, were dismayed over these works. Despite the use of sexual organs in her work, Chicago refrained from using gender politics or identity as themes. In 1965, Chicago displayed work in her first solo show, at the Rolf Nelson Gallery in Los Angeles; Chicago was one of only four female artists to take part in the show. In 1968, Chicago was asked why she did not participate in the "California Women in the Arts" exhibition at the Lytton Center, to which she answered, "I won't show in any group defined as Woman, Jewish, or California. Someday when we all grow up there will be no labels." Chicago began working in ice sculpture, which represented "a metaphor for the preciousness of life," another reference towards her husband's death. In 1969, the Pasadena Art Museum exhibited a series of Chicago's spherical acrylic plastic dome sculptures and drawings in an "experimental" gallery. Art in America noted that Chicago's work was at the forefront of the conceptual art movement, and the Los Angeles Times described the work as showing no signs of "theoretical New York type art." Chicago would describe her early artwork as minimalist and as her trying to be "one of the boys". Chicago would also experiment with performance art, using fireworks and pyrotechnics to create "atmospheres", which involved flashes of colored smoke being manipulated outdoors. Through this work she attempted to "feminize" and "soften" the landscape. During this time, Chicago also began exploring her own sexuality in her work. She created the Pasadena Lifesavers, which was a series of abstract paintings that placed acrylic paint on Plexiglas. The works blended colors to create an illusion that the shapes "turn, dissolve, open, close, vibrate, gesture, wiggle," representing her own discovery that "I was multi-orgasmic." Chicago credited Pasadena Lifesavers, as being the major turning point in her work in relation to women's sexuality and representation.
Question: When did she get married?
Answer:
Chicago married Gerowitz in 1961.