Answer the question at the end by quoting:

Eddie James "Son" House, Jr. (March 21, 1902 - October 19, 1988) was an American delta blues singer and guitarist, noted for his highly emotional style of singing and slide guitar playing. After years of hostility to secular music, as a preacher and for a few years also as a church pastor, he turned to blues performance at the age of 25. He quickly developed a unique style by applying the rhythmic drive, vocal power and emotional intensity of his preaching to the newly learned idiom. In a short career interrupted by a spell in Parchman Farm penitentiary, he developed to the point that Charley Patton, the foremost blues artist of the Mississippi Delta region, invited him to share engagements and to accompany him to a 1930 recording session for Paramount Records.
In 1927, at the age of 25, House underwent a change of musical perspective as rapid and dramatic as a religious conversion. In a hamlet south of Clarksdale, he heard one of his drinking companions, either James McCoy or Willie Wilson (his recollections differed), playing bottleneck guitar, a style he had never heard before. He immediately changed his attitude about the blues, bought a guitar from a musician called Frank Hoskins, and within weeks was playing with Hoskins, McCoy and Wilson. Two songs he learned from McCoy would later be among his best known: "My Black Mama" and "Preachin' the Blues". Another source of inspiration was Rube Lacey, a much better known performer who had recorded for Columbia Records in 1927 (no titles were released) and for Paramount Records in 1928 (two titles were released). In an astonishingly short time, with only these four musicians as models, House developed to a professional standard a blues style based on his religious singing and simple bottleneck guitar style. Around 1927 or 1928, he had been playing in a juke joint when a man went on a shooting spree, wounding House in the leg, and he allegedly shot the man dead. House received a 15-year sentence at the Mississippi State Penitentiary (Parchman Farm), of which he served two years between 1928 and 1929. He credited his re-examination and release to an appeal by his family, but also spoke of the intervention by the influential white planter for whom they worked. The date of the killing and the duration of his sentence are unclear; House gave different accounts to different interviewers, and searches by his biographer Daniel Beaumont found no details in the court records of Coahoma County or in the archive of the Mississippi Department of Corrections. Upon his release in 1929 or early 1930, House was strongly advised to leave Clarksdale and stay away. He walked to Jonestown and caught a train to the small town of Lula, Mississippi, sixteen miles north of Clarksdale and eight miles from the blues hub of Helena, Arkansas. Coincidentally, the great star of Delta blues, Charley Patton, was also in virtual exile in Lula, having been expelled from his base on the Dockery Plantation. With his partner Willie Brown, Patton dominated the local market for professional blues performance. Patton watched House busking when he arrived penniless at Lula station, but did not approach him. He observed House's showmanship attracting a crowd to the cafe and bootleg whiskey business of a woman called Sara Knight. Patton invited House to be a regular musical partner with him and Brown. House formed a liaison with Knight, and both musicians profited from association with her bootlegging activities. The musical partnership is disputed by Patton's biographers Stephen Calt and Gayle Dean Wardlow. They consider that House's musicianship was too limited to play with Patton and Brown, who were also rumoured to be estranged at the time. They also cite one statement by House that he did not play for dances in Lula. Beaumont concluded that House became a friend of Patton's, traveling with him to gigs but playing separately.

Who was Rube Lacey?

a much better known performer who had recorded for Columbia Records in 1927

Answer the question at the end by quoting:

Louis-Dreyfus was born in New York City. Her American-born mother, Judith (nee LeFever), was a writer and special needs tutor, and her French-born father, Gerard Louis-Dreyfus, chaired Louis Dreyfus Energy Services. She is a great-great-granddaughter of Leopold Louis-Dreyfus, who in 1851 founded the Louis Dreyfus Group, a French commodities and shipping conglomerate, which members of her family control into the 21st century. Her paternal grandfather, Pierre Louis-Dreyfus, was president of the Louis Dreyfus Group.
As part of her comedic training, Louis-Dreyfus appeared in The Second City, one of Chicago's best-known improvisation theatre groups (whose alumni include Alan Arkin, Steve Carell, Stephen Colbert, Tina Fey, Amy Poehler, and Shelley Long). It was her performance with The Practical Theatre Company at their "Golden 50th Anniversary Jubilee" that led to her being asked to join the cast of NBC's Saturday Night Live at the age of 21. Louis-Dreyfus was subsequently made into a cast member on Saturday Night Live from 1982 to 1985, becoming the youngest female cast member in the history of the program at that time. During her time on SNL, she appeared alongside several actors who would later rise to prominence, such as Eddie Murphy, Jim Belushi, Billy Crystal, and Martin Short. It was during her third and final year on SNL that she met writer Larry David during his only year on the show, who would later co-create Seinfeld. Louis-Dreyfus has commented that her casting on SNL was a "Cinderella-getting-to-go-to-the-ball kind of experience"; however, she has also admitted that at times it was often quite tense, stating that she "didn't know how to navigate the waters of show business in general and specifically doing a live sketch-comedy show". Following her 1985 departure from SNL, Louis-Dreyfus appeared in several films, including the Woody Allen-directed Hannah and Her Sisters (1986); Soul Man (1986), starring C. Thomas Howell; and National Lampoon's Christmas Vacation (1989), in which she starred alongside fellow SNL alum Chevy Chase. In 1987, Louis-Dreyfus appeared in the NBC sitcom pilot The Art of Being Nick, an intended spin-off from Family Ties starring Scott Valentine. When the pilot did not make it to series, Louis-Dreyfus was retained by producer Gary David Goldberg for a role on his new sitcom Day by Day, as the sarcastic and materialistic neighbor, Eileen Swift. Premiering in early 1988, Day by Day aired for two seasons on NBC before being cancelled.

Did she do any other work in the 80's
Following her 1985 departure from SNL, Louis-Dreyfus appeared in several films,