In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Ex Input:
Those French and those Germans sure have a long history of not liking each other. It is interesting to note that Kamerdaschaft or Comradeship in translation takes place in 1931. Only a few years later, Hitler would siege Germany and begin his plans to take over the world, France being a casualty of his ambitions. But these are times of sereneness compared to the future. A group of miners at the border try to cross over to France to get work. They are spurned back and later at a nightclub by their French neighbors. Then a disaster happens in the mines of the French and a well-crafted and written scene, a troupe of German miners decide to come to the rescue. A simple story is it not? Pabst was a poet of silent cinema and I am not sure if this is his first sound movie or not, but his poetry is there to be discovered. He isn't fussy but brings a rugged realism to the ordeal. Ther is even a flashback to a WWII event that beckons the point of this story. Supposedly based on a real event, the movie does the events proudly with directness and terseness. Smetimes, that's what a movie needs to be.

Ex Output:
positive

Ex Input:
This dumb comedy really does a good job of wasting comedic talent. In particular, Dan Aykroyd and Howard Hesseman are misused badly here. I might have chuckled once or twice during this film, but in general, it's a boring movie, with a little bit of stupidity thrown in for good measure. The premise, although routine, still wasn't bad, but once the plot was set, the film went nowhere. Don't waste your time with this misfire.

Ex Output:
negative

Ex Input:
Red Rock West is one of those tight noir thrillers we rarely see anymore. It's well paced, well acted and doesn't leave us with loose ends or unanswered questions so typical in this genre.Nicolas Cage stars as Michael, an unemployed Texas roughneck, desperate enough for a job to drive all the way to Wyoming for potential employment. He is honest to a fault, but always on the dark side of fate.After failing to obtain gainful employment, Michael stumbles into the Red Rock bar where the owner Wayne (J.T.Walsh) mistakes him for a contract killer he summoned from Dallas, hired to do in his lovely but lethal wife Suzanne (Lara Flynn Boyle).Wayne gives Michael the necessary details and a down payment for the hit on the adulterous Suzie. With no intent on following through, Michael accepts the money and then sets out to warn Suzanne of her impending demise. He also mails a letter to the local sheriff exposing the plot and splits.As fate would dictate, Michael is not going to be rid of the situation that easy. While leaving in a violent rainstorm, he runs down Suzannes lover. Of course Michael being Michael, he takes him to the local hospital where it's discovered that he's also been shot.The sheriff is summoned and as luck would have it, Wayne is also the local law. Michael manages to escape while being taken on that last ride and is subsequently picked up by the real "Lyle from Dallas" played with murderous glee by the quirky Dennis Hopper. After discovering that they're fellow marines, Lyle insists that Michael join him for a drink at, where else, the Red Rock bar. There Wayne realizes his mistake and soon he and Lyle are in hot pursuit of Michael who falls willingly into Suzannes waiting arms.As the pace picks up we learn that Wayne and Suzanne are really wanted armed robbers, on the lam for a multi million dollar theft. Getting the money now becomes the films central focus with a series of betrayals, double crosses and murders.The film was very well cast. Nicolas Cage was typically low key, Dennis Hopper and Lara Flynn Bolye assumed their respective roles with more than ample ability. The best performance was by the late J.T. Walsh who was menacing without appearing to be. Walsh was a great character actor who left us much too soon.Marc Reshoskys photography utilized many unique angles which added to the suspense and plot development. The film was further enhanced by John Dahl's tight directorial style and Morris Chestnut's rapid fire editing.

Ex Output:
positive