Problem: Generate a question about the following movie plot: Duncan McKaskel (Tom Conti) and his wife, Susanna (Kate Capshaw), a married couple who, along with their 12-year-old son, Tom (Kenny Morrison), are travelling West hoping to start a new life. They have left a cholera-stricken wagon train and, alone, arrive in a small dilapidated town. Here, they meet no-good Doc Shabbitt (Matt Clark) and ask for directions. He suggests they stay in a deserted local building, but McKaskel senses danger and they leave. Shabbit decides to steal two of their horses. Con Vallian (Sam Elliott) is chasing a half-breed Indian, the latest recruit to Shabbit's gang who, it transpires, Vallian has tracked for hundreds of miles for personal reasons. Vallian witnesses the homesteader's encounter with Shabbit and turns up at the McKaskel's wagon during supper. He advises them their horses have been stolen. Against Susanna's advice, Duncan rides into town and tries to reclaim the horses. An intense gunfight ensues when Vallian, who has secretly followed him, shoots some of the Shabbit gang. When Doc Shabbitt finds that his son, who was about to shoot McKaskel in the back, has been killed, he vows to pursue the family and seek revenge. Susanna, Duncan, and Tom flee in their covered wagon, trying to keep ahead of their pursuers. Vallian keeps arriving to help protect them from Shabbitt and his gang. As time passes, Vallian manages to kill the bandits one by one. The remaining four keep up their pursuit. Vallian is obviously attracted to Susanna, and she to him. Following a moment of high drama, she succumbs to his advances and they share a passionate kiss. McKaskel never learns of the kiss, but tells Vallian, who is critical of his apparent pacifism, to back off several times. In an encounter with Indians, Susanna learns that her brother, an army officer, has likely been killed at the Battle of the Little Bighorn. Out hunting, Vallian is shot. McKaskel removes the bullet, but Vallian runs a high fever and falls on the trail. He is rescued and nursed back to health by Susanna. Eventually, they...

A: Who chains and bears Cort?

Problem: Generate a question about the following movie plot: Erika Kohut (Isabelle Huppert) is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother (Annie Girardot); her father is a long-standing resident in a lunatic asylum. Throughout the film, the audience is gradually shown truths about Erika's private life. Behind her assured facade, she is a woman whose sexual repression verges into full-fledged desperation and is manifested in a long list of paraphilias, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.Upon meeting Walter Klemmer (Benoit Magimel), a charming 17-year-old engineering student from a bourgeois background, they begin to obsess one another. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted (if distinct) interpreter of Schumann and Schubert.She destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walter -- and also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of her coat pockets, permanently damaging Anna's hands and ruining her aspirations to play at the forthcoming jubilee concert. Erika is then wholly sympathetic when the girl's mother (Susanne Lothar) asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In what clearly qualifies, at that point of the film, as dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.Walter is increasingly insistent in his desire to start a relationship with her. But when she finally acquiesces, Walter is unwilling to indulge her violent fantasies, which repulse him. The film climaxes, however, when he finally does. He attacks her in her...

A: Who is an insecure but talented girl?

Problem: Generate a question about the following movie plot: Partially based on the book "Fire in the Valley: The Making of the Personal Computer" written by Paul Feiberger and Michael Swaine, the director Martyn Burke jump cuts through key moments in time for the two companies in telling the tale of Apple's rise, Steve Jobs' business relationship with Bill Gates, the schism between Jobs and Steve Wozniak, and Apple's fall as Gates out pirates the pirates, and leads Microsoft to dominate the computer industry.From the very beginning of the movie you are given the core of Steve Jobs' (played by Noah Wyle) personality. The open lines are him speaking to the camera and saying, "I don't want you to think of this as just a film - some process of converting electrons and magnetic impulses into shapes and figures and sounds - no. Listen to me. We're here to make a dent in the universe. Otherwise, why even be here? We're creating a completely new consciousness, like an artist or a poet. We're rewriting the history of human thought with what we're doing. That's how you have to think of this." His best friend, Steve "the Woz" Wozniak (played by Joey Slotnick), follows this with a narration describing how everything Steve Jobs ever did was something "between a religious experience and some sort of crusade."Both the opening lines and the narration are spoken over the back drop of the filming of Apples 1984 Super Bowl commercial. A commercial that was legendary even before it was aired, and set the standard for all other Super Bowl commercials. Directed by Ridley Scott, newly famous for directing Blade Runner, this commercial introduced Apple's Macintosh computer and, though it has never run again since that Super Bowl spot, few commercials have ever been more influential. It was even named the 1980s' Commercial of the Decade by Advertising Age magazine.The filming of the commercial fades to the actual ad as it opens on a gray network of futuristic tubes connecting non-descript oppressive buildings. Inside the tubes, we see the greyed-out downtrodden masses marching into an...

A:
What does the movie use to show Steve Jobs journey to form Apple?