In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Input: Consider Input: Question: Which artist that MNEK worked with on their albums sold more records, Madonna or Kylie Minogue? Passage 1:The Great Game began on 12 January 1830 when Lord Ellenborough, the President of the Board of Control for India, tasked Lord William Bentinck, the Governor-General, to establish a new trade route to the Emirate of Bukhara. Britain intended to gain control over the Emirate of Afghanistan and make it a protectorate, and to use the Ottoman Empire, the Persian Empire, the Khanate of Khiva, and the Emirate of Bukhara as buffer states between both empires. This would protect India and also key British sea trade routes by stopping Russia from gaining a port on the Persian Gulf or the Indian Ocean. Russia proposed Afghanistan as the neutral zone. The results included the failed First Anglo-Afghan War of 1838, the First Anglo-Sikh War of 1845, the Second Anglo-Sikh War of 1848, the Second Anglo-Afghan War of 1878, and the annexation of Kokand by Russia.
Passage 2:Initially, Springsteen recorded demos for the album at his home with a 4-track cassette recorder. The demos were sparse, using only acoustic guitar, electric guitar (on "Open All Night"), harmonica, mandolin, glockenspiel, tambourine, organ, synthesizer (on "My Father's House") and Springsteen's voice. The songs also have sparse composition, and many are simple three chord songs. After he completed work on the demos, Springsteen brought the songs to the studio and worked with the E Street Band. in April 1982 on rock versions; these sessions are commonly referred to as "the Electric Nebraska Sessions." Only Springsteen and Jon Landau had any decision-making power in this process. They felt certain songs were too personal, and the raw, haunting folk essence present on the home tapes could not be duplicated or equaled in the band treatments; the tracks they felt this way about made up the album "Nebraska." However, eight of the 12 tracks that went on the 1984 album "Born in the U.S.A." were composed of "Electric Nebraska" success stories. They were led by "Born in the U.S.A.," which was completed on May 3, 1982; "Downbound Train," recorded April 28, 1982; "Cover Me," recorded at The Hit Factory, New York on Jan. 25, 1982; "I'm On Fire," recorded at The Power Station on May 11, 1982; "Glory Days," recorded at The Power Station on May 5, 1982; "Darlington County," recorded at The Power Station on May 13, 1982; "Working On the Highway," recorded April 30 and May 6, 1982, and "I'm Going Down," recorded on May 12 or 13, 1982.
Passage 3:In January 2014, he featured on Gorgon City's single "Ready for Your Love". The song peaked to number 4 on the UK Singles Chart. On 20 April 2014, he premiered "Every Little Word" on 1Xtra, the "buzz" single from his debut studio album. On 9 May 2014, the remix EP, featuring Joe Goddard and Fred V & Grafix among others was released. Emenike has said we can expect to hear collaborations with Moko, Snakehips and Jimmy Napes on the record. The lead single "Wrote a Song About You" premiered on Annie Mac's BBC Radio 1 show on 13 June 2014. In June 2014, Oliver Heldens' track "Gecko (Overdrive)", which MNEK wrote, debuted at number one on both the UK Dance Chart and the UK Singles Chart. In 2014, he also worked with Madonna on her album, Rebel Heart, and produced the song "Feels So Good" by Kylie Minogue, from her album Kiss Me Once. On 22 July 2014, MNEK released the promotional single "In Your Clouds" as part of an iTunes Ones to Watch campaign. The song will feature on his debut studio album. His debut extended play (EP) Small Talk was released on 20 March 2015. In March 2015, JoJo announced that she worked with MNEK on her new studio album.

Output: 3

Input: Consider Input: Question: Which Armored Regiment was based in a larger town? Passage 1:In March 1945, the 1st Tank Division with its 5th Armored Regiment was reassigned to the Japanese home islands in preparation for the expected invasion by Allied forces. It gained the IJA 1st Armored Regiment from the 3rd Tank Division, and formed part of the IJA 36th Army under the Japanese Twelfth Area Army. The headquarters unit and IJA 1st Armored Regiment were based in Sano, Tochigi, with the IJA 5th Armored Regiment stationed at Otawara, Tochigi (and later relocated to Kazo, Saitama, and the IJA 1st Mechanized Infantry Regiment and the Division's mechanized artillery stationed at Tochigi. Anticipating that Allied forces would land at Kujukuri Beach, the 1st Tank Division was to hold a defensive line stretching from Mount Tsukuba to the Tama River, with forward units deployed to Choshi, Chiba. The surrender of Japan came before the landing, and the 1st Armored Division did not see any combat on Japanese soil.
Passage 2:Fredell Lack was born in Tulsa, Oklahoma, the oldest of three children of Jewish Eastern European (Latvian) immigrants, Abram I. Lack and Sarah Stillman Lack (who was a sister of noted painter Ary Stillman). She began violin lessons at age six, studying with Tosca Berger. When Fredell was 10, she moved with her family to Houston, Texas. There she studied with Josephine Boudreaux, the concertmaster of the Houston Symphony. At age 11, she first soloed with orchestra, performing the Wieniawski Concerto No. 2 with the Tulsa Philharmonic. At 12, Lack was accepted into the New York City studio of the legendary violinist and pedagogue Louis Persinger, whose other students included such artists as Yehudi Menuhin, Isaac Stern, and Ruggiero Ricci. She moved to New York and completed her pre-college schooling at the Bentley School while continuing her violin lessons with Persinger. At 17, she made her professional solo debut, playing the Mendelssohn Violin Concerto with the St. Louis Symphony. Subsequently she received a full scholarship to the Juilliard School in New York. She continued studying violin with Persinger there and also was deeply influenced by her study of chamber music with Felix Salmond. She received the Diploma from Juilliard at age 21.
Passage 3:When the song was first released as a single in 1994, no remixes were commissioned. Carey re-released the song commercially in Japan in 2000, with a new remix known as the So So Def remix. The remix contains new vocals and is played over a harder, more urban beat that contains a sample of Afrika Bambaataa & the Soulsonic Force's "Planet Rock;" it features guest vocals by Jermaine Dupri and Bow Wow. The remix appears on Carey's compilation album Greatest Hits (2001) as a bonus track. A video was created for the So So Def remix, but it does not feature Carey or the hip-hop musicians that perform in the song. Instead, the video is animated and based on a scene in the video from Carey's "Heartbreaker" (1999). It features cartoon cameo appearances by Carey, Jermaine Dupri, Bow Wow, Luis Miguel (Carey's boyfriend at the time), Carey's dog Jack, and Santa Claus. In 2009 and 2010, the song was included in a music video accompanying ESPN's (and their sister station, ABC) Christmas Day coverage of the NBA.

Output: 1

Input: Consider Input: Question: Why Hercules tormented by the queen of the gods? Passage 1:Hero cults could be of the utmost political importance. When Cleisthenes divided the Athenians into new demes for voting, he consulted Delphi on what heroes he should name each division after. According to Herodotus, the Spartans attributed their conquest of Arcadia to their theft of the bones of Orestes from the Arcadian town of Tegea. Heroes in myth often had close but conflicted relationships with the gods. Thus Heracles's name means "the glory of Hera", even though he was tormented all his life by the queen of the gods. This was even truer in their cult appearances. Perhaps the most striking example is the Athenian king Erechtheus, whom Poseidon killed for choosing Athena over him as the city's patron god. When the Athenians worshiped Erechtheus on the Acropolis, they invoked him as Poseidon Erechtheus.
Passage 2:This paper caused some confusion. Mouat indicated that the oil was the product of a tree Chaulmoogra odorata, which had been described in 1815 by William Roxburgh, a surgeon and naturalist, while he was cataloging the plants in the East India Company's botanical garden in Calcutta. This tree is also known as Gynocardia odorata. For the rest of the 19th century, this tree was thought to be the source of the oil. In 1901, Sir David Prain identified the chaulmoogra seeds of the Calcutta bazaar and of the Paris and London apothecaries as coming from Taraktogenos kurzii, which is found in Burma and Northeast India. The oil mentioned in the Ayurvedic texts was determined to be from the tree Hydnocarpus wightiana, known as Tuvakara in Sanskrit and chaulmugra in Hindi and Persian.
Passage 3:In 2018, Williams directed Bertolt Brecht's The Resistible Rise of Arturo Ui, starring Hugo Weaving in the titular role. The production was nominated for six Helpmann Awards, including Best Production, Best Director for Williams, and winning Best Supporting Actress and Best Actor for Anita Hegh and Weaving respectively. It was nominated for a further nine Sydney Theatre Awards, again for Best Production and Best Director for Williams, and winning four awards including Best Actor for Weaving, Best Stage Design for Robert Cousins, and Best Supporting Actor for Mitchell Butel. Next Williams directed a 6 hour stage adaptation of The Harp in the South: Part One & Part Two by Kate Mulvany. The highly acclaimed production brought to life Ruth Park's celebrated trilogy of novels, Missus, The Harp in the South, and Poor Man's Orange, using an ensemble of 18 actors to perform the marathon work across two nights of theatre. The production was nominated for 11 Sydney Theatre Awards, winning Best Production, Best New Australian Work for Mulvany, and Best Direction for Williams. It was nominated for a further six Helpmann Awards, including Best Production of a Play, Best New Australian Work, and Best Director for Williams. Williams finished 2018 with an operatic take on Patrick White's classic play A Cheery Soul, featuring his signature use of live video. Staged at the Sydney Opera House, the production starred Sarah Peirse, with an ensemble including Anita Hegh, Shari Sebbens, and Tara Morice.
Output: 1