Q: CHAPTER XXXII.

MR. GILMORE'S SUCCESS.

Harry Gilmore, the prosperous country gentleman, the county magistrate, the man of acres, the nephew of Mr. Chamberlaine, respected by all who knew him,--with the single exception of the Marquis of Trowbridge,--was now so much reduced that he felt himself to be an inferior being to Mr. Cockey, with whom he breakfasted. He had come to Loring, and now he was there he did not know what to do with himself. He had come there, in truth, not because he really thought he could do any good, but driven out of his home by sheer misery. He was a man altogether upset, and verging on to a species of insanity. He was so uneasy in his mind that he could read nothing. He was half-ashamed of being looked at by those who knew him; and had felt some relief in the society of Mr. Cockey till Mr. Cockey had become jovial with wine, simply because Mr. Cockey was so poor a creature that he felt no fear of him. But as he had come to Loring, it was necessary that he should do something. He could not come to Loring and go back again without saying a word to anybody. Fenwick would ask him questions, and the truth would come out. There came upon him this morning an idea that he would not go back home;--that he would leave Loring and go away without giving any reason to any one. He was his own master. No one would be injured by anything that he might do. He had a right to spend his income as he pleased. Everything was distasteful that reminded him of Bullhampton. But still he knew that this was no more than a madman's idea;--that it would ill become him so to act. He had duties to perform, and he must perform them, let them be ever so distasteful. It was only an idea, made to be rejected; but, nevertheless, he thought of it.

1. Harry Gilmore
2. unknown
3. Yes
4. No
5. the Marquis of Trowbridge
6. Loring
7. magistrate
8. Mr. Cockey
9. Yes
10. wine
11. because Mr. Cockey was so poor a creature that he felt no fear of him
12. sheer misery
13. Fenwick
14. the truth would come out
15. master
16. Everything

Numbered questions:
1. Who is this passage about?
2. How many names was he known by?
3. Was he respected ?
4. By everyone?
5. Who didn't respect him?
6. Where is he?
7. What was he to the county?
8. Who did he eat with?
9. Was Cockey a little too happy with something?
10. With what?
11. Why?
12. Why did he leave his home?
13. Who would ask questions?
14. What would these questions cause?
15. He was his own what?
16. What reminded him of Bullhampton?

(CNN) -- Winston Churchill, glaring, resolute, combative, left hand on hip, stares straight off the page -- a moment, and an image, like no other.

(How did the photographer, Yousuf Karsh, get that iconic pose from Churchill, Britain's prime minister, in 1941? Churchill told Karsh that he had very little time for the session. Karsh reached over and took Churchill's cigar from him -- then, as Churchill reacted, snapped the photo.)

Marilyn Monroe, at her most beautiful in 1953, leans back, wearing white slacks and a black sweater, and gazes off dreamily to her right. Somehow, even though being photographed for a national magazine, she appears supremely relaxed and right at home. Why? She was at home -- she knew that the photographer, Alfred Eisenstaedt, and the magazine, Life, would do right by her, and she had invited them in.

Prisoners at the Buchenwald concentration camp in 1945, their faces haunted, their bodies gaunt, their eyes showing nothing and everything, look out from behind the wire fence that imprisons them, just before they are liberated. How did Margaret Bourke-White happen to be there to shoot that photo? Gen. George Patton wanted the world to see why his soldiers were fighting. Patton understood that Bourke-White and her magazine -- Life -- were the best way for the world to witness and understand.

All these photos and hundreds more are in a book called "75 Years: The Very Best of Life." It was published just before the holidays; I bought copies for friends around the country, and all of them have told me the same thing: They are spending hours with it, looking for long minutes at individual photos, treasuring the talent of the photographers, many long dead. What are the answers to this following set of questions: 1. What color pants was Marilyn Monroe wearing?
2. Which concentration camp were the prisoners at?
3. Who was photographing them?
4. What magazine was she shooting for?
5. Which photographer took the 1941 photo of Churchill?
6. How did he get the pose that he wanted?
7. What year was Monroe being photographed in?
8. Was she in a red sweater?
9. What color was her top?
10. What did George Patton want the world to see?
11. Did Churchill have his right hand on his hip?
12. Where can you find all these photos?
13. Are all of the photographers still alive?
14. When was the book published?
15. In the Buchenwald photo, the prisoners were looking from behind a fence just before what?
16. Who photographed Marilyn Monroe?
17. Did he take the photos in a park?
18. Where was she?
19. Who was Churchill?
20. How long did friend say they spent with the book?
Answer:
1. white
2. Buchenwald
3. Margaret Bourke-White
4. Life
5. Yousuf Karsh
6. he took the cigar from him
7. 1953
8. no
9. black
10. he wanted the world to see why his soldiers were fighting.
11. no
12. in a book called "75 Years: The Very Best of Life."
13. no
14. just before the holidays;
15. before they are liberated
16. Alfred Eisenstaedt
17. sno
18. at home
19. Britain's prime minister
20. hours