In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: "
when you get out of jail , you can kill him .
" starring ashley judd , tommy lee jones , bruce greenwood .
rated r. double jeopardy is a lurid , prepostrous thriller that 's also one of the year 's most enjoyable .
it 's an uncompromisingly brutal , cheerfully anarchic , hyperactive actioner
that has a mission and never diverts from it .
there is not a moment here when the events on screen do n't have a direct bearing on the plot ; once the film gets going it never stops .
it has been branded as the female version of the fugitive and that 's probably a correct assessment of the plot , but the film itself has little in common with the 1993 andrew davis / harrison ford collaboration besides the presence of star tommy lee jones .
not even bothering with character introduction , director bruce beresford floors the gas pedal from the get - go and never finds the brake .
we meet , rather hastily , libby and nick parsons ( ashley judd and bruce greenwood , respectively ) a seemingly happy married couple , with a son matty , age 4 .
they go out on a sailboat one night , and after a period of some rockin ' sex , they go to sleep .
libby hears a strange noise , wakes up and discovers that she is covered with blood .
she follows a red trail to the upper deck , where she finds a knife and , out of astonishment , picks it up .
at that convenient moment , the coast guard shows up and libby is arrested .
her lawyer , a friend , puts up a defense in court , but though we know she is innocent , the evidence against her is too compelling .
her friend adopts her son and she goes to prison .
once in prison , she makes a phone call to her friend .
her friend gives her son the phone .
nick walks in the room .
little matty screams " daddy !
"
the phone goes dead .
libby realizes that the man she is imprisoned for killing is n't even dead .
she gets some advice from a prisoner / former lawyer , who tells her that since the state already convicted her of killing her husband , they ca n't convict her of the same crime again , meaning that when she gets paroled she can kill him and they ca n't touch her .
after a weirdly short amount of time , she gets out of parole .
she is sent to live at a house with other recent parolees , under the command of parole officer travis lehman ( tommy lee jones ) .
she sets out on a mission to find her husband and get her son back , which turns out to be much more difficult than anticipated .
she winds up tracking him all the way to new orleans where she finds out that he has long killed his girlfriend and her son 's " adopter " .
double jeopardy is based on an assumption that is legally false .
the law stating that nobody can be convicted twice for the same crime assumes that it is the same crime : same time , same place , same circumstances .
it 's not like it matters .
this is a rollickingly good thriller ; intense , exciting , fast and furious .
it 's silly alright , but this is the kind of film you just do n't question .
in some films , plausibility is everything .
double jeopardy , however , is not concerned with making sense : its sole purpose is to entertain , and it does .
judd helps the film tremendously in a difficult role .
this is her breakout box - office performance , and she is terrific .
she brings some emotion to what could have been a one - dimensional role , giving the movie a little soul to go along with its effective chase scenes and action set pieces .
tommy lee jones basically just reprises the role for which he won an oscar in the fugitive , but the movie makes good use of his stone - faced wit .
thankfully , too , double jeopardy refrains from developing a romance between libby and travis ; a subplot which doubtlessly would have interfered with the film 's story .
this is one of those movies where cops are the bad guys , and i took a sort of sick pleasure in that .
the sheer anarchy of the proceedings was nothing short of wonderful , as ashley judd kicks the crap out of every authority figure in the book .
after all the idealistic hollywood features featuring hero cops , deft fbi agents and the virtues of the american legal system , it 's great to see a movie that does n't so much demonstrate their fallacy as it delights in their failure .
double jeopardy is really good , but it is n't the kind of good that is remembered or recognized with awards .
it 's one of those movies better viewed with the brain turned off , otherwise , your brain will be busy ruining your experience .
this is a thriller that is n't concerned with being smart or plausible .
instead it diverts all attention to the action , which , this year , is second to none .
[EX A]: P

[EX Q]: " dangerous beauty " is a really nothing more than a grandiose soap opera set in venice circa 1583 .
it is beautifully filmed , wonderfully acted , and certainly nothing short of entertaining
,
but it lacks any true fundamental seriousness .
dealing with themes of forbidden love , religious intolerance , subordination of women , sexual freedom , and the roles of pleasure and sin in a high - cultured society , it still feels like brightly lit fluff .
the director , marshall herskovitz , does n't want to follow the dark and dangerous trail this story could lead down , so he opts for a more genial , livelier , and relatively shallow interpretation .
the film takes place during the renaissance , a time when venice was the pleasure capital of europe .
at this time , venice was its own republic , and it thrived on being the central juncture of east - west commerce .
the film is told almost entirely through the viewpoint of the aristocracy and the bourgeoisie of venice , so we rarely get to see how the rest of the society lived .
however , there is an abundance of detail concerning the lives and livelihoods of the upper classes , their hedonistic lifestyles and constant merriment .
the story centers on veronica franco ( catherine mccormack ) , a lower class woman who falls in love with marco venier ( rufus sewell ) , the son of wealthy aristocratic parents ( jeroen krabb ? and joanna cassidy ) .
unfortunately , the culture of that time period did not view marriage as an act of love -- rather , it was more like a business transaction , where rich families married their sons and daughters to each other in order to secure power , wealth , and ensure that outsiders could n't get in .
veronica , despite her charm and good looks , is certainly an outsider .
after a short love affair , marco breaks her heart with the news that he can not marry her . however , because she is beautiful and intelligent , veronica has a chance to enter marco 's world , albeit not as his wife .
she decides to become a courtesan -- a class of women who were as well - educated as they were ravishing , and sold their sexuality to wealthy men for the privilege of wining and dining with the elite .
a courtesan was not a mere prostitute ; they were afforded a special place in society , and they were greatly revered , respected , and often envied .
at one point , a character mentions that some rulers obtain more political advice from their courtesans than from their lieutenants .
veronica goes through the transformation with the help of her mother , paola ( jacqueline bisset ) , who was once a famed courtesan herself .
once she enters the lifestyle , veronica finds that it suits her quite well .
she is allowed to read all the books she wants , she is given the opportunity to publish her poetry , and she has the richest and most powerful men in the republic throwing themselves at her feet , including the awestruck marco .
their relationship develops into a playful bantering , with veronica utilizing her newfound power by constantly rejecting marco 's advances .
in many ways , their relationship is sad because marco is married to a women he is unable to love , and veronica is consumed by multiple relationships with men she is unwilling to love .
" love the love , not the man , " as her mother told her . " dangerous beauty , " which was based on a factual book by margaret rosenthal ,
flows along as smoothly and serenely
as the grand canal running through the heart of venice .
it has multiple plot lines -- including veronica 's adversarial relationship with a court poet ( oliver platt ) , her role in obtaining france 's military assistance in venice 's battle against the turks , and even the dreaded shadow of the plague and the encroachment of the spanish inquisition -- yet it is never confusing or overbearing .
much of the film 's success is due to the glowing performance by catherine mccormack in the lead role .
known chiefly for the small part she played as the lover whose murder raised mel gibson 's ire in " braveheart " ( 1995 )
, mccormack shows the true gifts and inarguable talent of a leading lady .
she has the kind of exquisite classical beauty that would be treasured in a courtesan ; her character is intelligent , witty , and both sensual and vulnerable , all of which mccormack easily transmits with a single flash of her eyes .
the rest of the roles are also filled well , including rufus sewell whose performance here and earlier this month in " dark city " have assured him a solid place in hollywood .
he has the same kind of unusual good looks and charm of ray liotta , and he seems perfectly at home in period dramas .
oliver platt plays a variation of the comic relief role that he has come to inhabit like a second skin , although the film deals his character a cheap blow at the end by having him improbably join the inquisition and turn into the bad guy .
platt is a good actor , but he 's just too hard to hate .
jacqueline bisset proves that she is every bit as stirring as she ever was , and even fred ward turns up in a small , but moving performance as marco 's uncle .
" dangerous beauty " is marshall herskovitz 's sophomore directorial effort , after the overlooked 1993 film " jack the bear .
" partnered with edward zwick , herskovitz has spent most of his time as a producer on television ( " thirtysomething , " " my so - called life " ) and in the movies ( " legends of the fall " ) .
his directing style can be best described as transparent -- it never gets in the way of the story , yet it has no discernible flourish or particular distinctions .
he could have approached the film in any number of ways , including overdosing on the sexual aspect , which he wisely avoids .
" dangerous beauty " contains just enough bare flesh and ribald sex to make it appropriately erotic , but not so much that it seems exploitative .
herskovitz is also aided by a strong supporting crew , including the luscious photography by bojan bazelli , whose previous efforts include the highly - stylized thriller " kalifornia " ( 1993 ) and abel ferrara 's dark sci - fi film " body snatchers " ( 1994 ) .
bazelli captures the film in strong , bold colors , and be brings sixteenth - century venice to life in wide , panoramic shots that are often enhanced with digital imagery .
however , the real details are found in the production design by norman garwood ( " brazil , " " the princess bride " ) and the costumes by gabriella pescucci ( " the age of innocence " ) .
the only problem with " dangerous beauty " is that it does n't stick with you .
it 's a good story well - told with interesting characters , but it 's easy to shrug off once you 've left the theater .
the only sequence that has the chance to be truly indelible is veronica being pulled in front of the hypocrisy of the inquisition and threatened with the death penalty for her transgressions , but it never quite comes off because it 's simply too melodramatic and conventional .
herskovitz tries with all his might to make it a nailbiter , but somehow its outcome is a foregone conclusion , and like the rest of the film , it carries no real weight , despite the potential severity of the subject matter .
[EX A]: P

[EX Q]: this summer , one of the most racially charged novels in john grisham 's series , a time to kill , was made into a major motion picture .
on january 3 of this year , director rob reiner basically re - released the film under the title of ghosts of mississippi .
based on the true story of 1963 civil rights leader medgar evars ' assassination , ghosts of mississippi revolves around the 25-year legal battle faced by myrlie evars ( whoopi goldberg , sister act ) and her quest to have her husband 's obvious assassin and racist byron
de la beckwith ( james woods , casino ) jailed .
so she turns to assistant district attorney and prosecutor bobby delaughter ( alec baldwin , heaven 's prisoners ) to imprison the former kkk member .
ghosts sets its tone with an opening montage of images from african - american history , from slave - ship miseries to life in the racist south of the 1960 's .
but all too soon , the white folks take over , intoning lines like " what 's america got to do with anything ?
this is mississippi !
" as beckwith , james woods , with his head larded with latex most of the time as an old man , teeters between portraying evil and its character .
meanwhile , goldberg turns in a very serious and weepy performance as the wife who would n't let her husband 's death rest until she got the conviction .
both deserve serious oscar - consideration .
this brings us to the dull performance of baldwin .
let 's face it , trying to match matthew mcconaughey 's wonderful acting in a time to kill is basically impossible .
and baldwin is living proof of this , as no emotions could be felt .
it seemed as if he actually had to struggle to shed a single tear .
either poor acting or poor directing , but something definitely went wrong .
another strange mishap was the fact that goldberg 's facial features did n't change , as she looked the same in the courtroom as she did holding her husband 's dead body 25-years earlier .
yet woods ' was plastered with enough make up to make him look like goldberg 's father .
at least the make - up was realistic .
with some emotional moments in the poorly written script , ghosts of mississippi lacked in heart , when its predecessor , a time to kill , brought tears to everyone 's eyes .
do n't get me wrong , the movie was n't all that bad , but if you 've seen grisham 's masterpiece , then do n't expect this one to be an excellent film . ,
[EX A]:
P