Translation of sung texts is generally much more restrictive than translation of poetry, because in the former there is little or no freedom to choose between a versified translation and a translation that dispenses with verse structure. One might modify or omit rhyme in a singing translation, but the assignment of syllables to specific notes in the original musical setting places great challenges on the translator. There is the option in prose sung texts, less so in verse, of adding or deleting a syllable here and there by subdividing or combining notes, respectively, but even with prose the process is almost like strict verse translation because of the need to stick as closely as possible to the original prosody of the sung melodic line.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): How is translation of sung texts the exact same as translations of poetry?
Ah, so.. unanswerable

Southeastern Pennsylvania was assigned the 215 area code in 1947 when the North American Numbering Plan of the "Bell System" went into effect. The geographic area covered by the code was split nearly in half in 1994 when area code 610 was created, with the city and its northern suburbs retaining 215. Overlay area code 267 was added to the 215 service area in 1997, and 484 was added to the 610 area in 1999. A plan in 2001 to introduce a third overlay code to both service areas (area code 445 to 215, area code 835 to 610) was delayed and later rescinded.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): When was the 610 area code added?
Ah, so.. 1994

The English term comics is used as a singular noun when it refers to the medium and a plural when referring to particular instances, such as individual strips or comic books. Though the term derives from the humorous (or comic) work that predominated in early American newspaper comic strips, it has become standard also for non-humorous works. It is common in English to refer to the comics of different cultures by the terms used in their original languages, such as manga for Japanese comics, or bandes dessinees for French-language comics. There is no consensus amongst theorists and historians on a definition of comics; some emphasize the combination of images and text, some sequentiality or other image relations, and others historical aspects such as mass reproduction or the use of recurring characters. The increasing cross-pollination of concepts from different comics cultures and eras has further made definition difficult.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): The non-historical aspect of cartooning can be applied to mass reproduction or what?
Ah, so..
unanswerable