Background: Orci was born in Mexico City on July 20, 1973, to a Mexican father and a Cuban mother. His mother immigrated to the United States with her parents after Fidel Castro came to power. Orci grew up in Mexico, and moved with his family to the United States at the age of 10. He was raised in Texas, Los Angeles and Canada.
Context: Orci and Kurtzman were asked to write the script for a new Star Trek film, but initially turned it down despite Orci being a fan of the series. Orci suggested rebooting the timeline as seen previously in the films and television series, and adding the return of Leonard Nimoy as Spock from Star Trek: The Original Series. He considered the first two films in the reboot series to be the origin story for the crew, and that the third film would start where the crew was at the beginning of Star Trek: The Original Series. Orci felt that the relationship between the James T. Kirk and the younger Spock was reflective of the partnership of himself and Kurtzman, he said that "We didn't even realize we were writing about ourselves until we were halfway through the script, that was a little embarrassing. Star Trek was profitable at the domestic box-office, resulting in a sequel being greenlit by the studio and Kurtzman and Orci being asked to write it. The studio set aside a larger budget for the sequel, which was revealed by Orci in an interview with TrekMovie.com. Orci ruled out the "hero quitting" staple of a second movie, which had featured in the Transformers sequel, saying that the crew of the Enterprise were committed and that type of story does not have to apply to all sequels. During the buildup to the film, called Star Trek Into Darkness, Orci was one of the production team who didn't give much away about the villain in the film and denied that Benedict Cumberbatch was to play Khan Noonian Singh. The criticism of the sequel resulted in Orci posting controversial comments on a Star Trek fan site. In response to a fan upset over Into Darkness, Orci called him a "shitty fan". He later apologized and deactivated his Twitter account.
Question: What else did Orci do?
Answer: Orci suggested rebooting the timeline as seen previously in the films and television series,

Background: Harold Frederick Shipman (14 January 1946 - 13 January 2004) was a British general practitioner and one of the most prolific serial killers in recorded history. On 31 January 2000, a jury found Shipman guilty of fifteen murders for killing patients under his care. He was sentenced to life imprisonment with the recommendation that he never be released. The Shipman Inquiry, a two-year-long investigation of all deaths certified by Shipman, which was chaired by Dame Janet Smith, examined Shipman's crimes.
Context: In March 1998, Linda Reynolds of the Donneybrook Surgery in Hyde, prompted by Deborah Massey from Frank Massey and Son's funeral parlour, expressed concerns to John Pollard, the coroner for the South Manchester District, about the high death rate among Shipman's patients. In particular, she was concerned about the large number of cremation forms for elderly women that he had needed countersigned. The matter was brought to the attention of the police, who were unable to find sufficient evidence to bring charges; the Shipman Inquiry later blamed the police for assigning inexperienced officers to the case. Between 17 April 1998, when the police abandoned the investigation, and Shipman's eventual arrest, he killed three more people. His last victim was Kathleen Grundy, who was found dead at her home on 24 June 1998. Shipman was the last person to see her alive and later signed her death certificate, recording "old age" as the cause of death. In August 1998, taxi driver John Shaw, from Hyde, contacted the police, informing them that he suspected Shipman of murdering 21 of his patients. Grundy's daughter, lawyer Angela Woodruff, became concerned when solicitor Brian Burgess informed her that a will had been made, apparently by her mother. There were doubts about its authenticity. The will excluded her and her children, but left PS386,000 to Shipman. Burgess told Woodruff to report it, and she went to the police, who began an investigation. Grundy's body was exhumed and when examined, was found to contain traces of diamorphine, often used for pain control in terminal cancer patients. Shipman claimed that she was an addict and showed them comments in his computerised medical journal, but a program on his computer showed they were written after her death. Shipman was arrested on 7 September 1998, and was found to own a typewriter of the kind used to make the forged will. The police then investigated other deaths Shipman had certified, and created a list of 15 specimen cases to investigate. They discovered a pattern of his administering lethal doses of diamorphine, signing patients' death certificates, and then falsifying medical records to indicate that they had been in poor health. Prescription For Murder, a 2000 book by journalists Brian Whittle and Jean Ritchie, advanced two theories on Shipman's motive for forging the will: that he wanted to be caught because his life was out of control, or that he planned to retire at age 55 and leave the UK. In 2003, David Spiegelhalter et al. suggested that "statistical monitoring could have led to an alarm being raised at the end of 1996, when there were 67 excess deaths in females aged over 65 years, compared with 119 by 1998."
Question: How long will he be in prision?
Answer: 2003, David Spiegelhalter et al. suggested that "statistical monitoring could have led to an alarm being raised at the end of 1996, when there

Background: Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.
Context: From 1936, Ellington began to make recordings with smaller groups (sextets, octets, and nonets) drawn from his then-15-man orchestra and he composed pieces intended to feature a specific instrumentalist, as with "Jeep's Blues" for Johnny Hodges, "Yearning for Love" for Lawrence Brown, "Trumpet in Spades" for Rex Stewart, "Echoes of Harlem" for Cootie Williams and "Clarinet Lament" for Barney Bigard. In 1937, Ellington returned to the Cotton Club which had relocated to the mid-town Theater District. In the summer of that year, his father died, and due to many expenses, Ellington's finances were tight, although his situation improved the following year. After leaving agent Irving Mills, he signed on with the William Morris Agency. Mills though continued to record Ellington. After only a year, his Master and Variety labels, the small groups had recorded for the latter, collapsed in late 1937, Mills placed Ellington back on Brunswick and those small group units on Vocalion through to 1940. Well known sides continued to be recorded, "Caravan" in 1937, and "I Let a Song Go Out of My Heart" the following year. Billy Strayhorn, originally hired as a lyricist, began his association with Ellington in 1939. Nicknamed "Swee' Pea" for his mild manner, Strayhorn soon became a vital member of the Ellington organization. Ellington showed great fondness for Strayhorn and never failed to speak glowingly of the man and their collaborative working relationship, "my right arm, my left arm, all the eyes in the back of my head, my brain waves in his head, and his in mine". Strayhorn, with his training in classical music, not only contributed his original lyrics and music, but also arranged and polished many of Ellington's works, becoming a second Ellington or "Duke's doppelganger". It was not uncommon for Strayhorn to fill in for Duke, whether in conducting or rehearsing the band, playing the piano, on stage, and in the recording studio. The 1930s ended with a very successful European tour just as World War II loomed in Europe.
Question: DId he do any touring during this time?
Answer:
The 1930s ended with a very successful European tour just as World War II loomed in Europe.