Article: The .icns file format works best on OS X, since this file type automatically converts photos and icons to the correct size. For example, to use a family photo as an app icon, convert the photo's file type to .icns. No resizing is necessary. Use an online file converter app such as CloudConvert.com or iConvertIcons.com to convert new images or app icons into .icns format. " The info panel for the app selected will open and display on-screen. " This will highlight the original icon. You may be asked to enter the administrator password before the original icon can be replaced. " This will refresh the icons displayed in the Dock. The original app icon will now be replaced with the new icon.
Question: What is a summary of what this article is about?
Verify that the new images or icons you plan on using to replace the originals are in .icns file format. Open the Applications folder and navigate to the app icon you want changed. Right-click on the app icon and select "Get Info. Navigate to the new app icon you plan on using to replace the original. Right-click on the new app icon and select "Copy. Click back over to the "Get Info" window and click directly on the original app icon displayed at the top left corner. Press "Command" + "V" to paste the new icon over the existing icon. Open the Applications folder and select "Utilities. Open "Terminal," then type "killall Dock" on the command line. Press "Enter" on your keyboard.
Article: If you have to end the fight as quickly as possible by striking first, strike hard, and strike as many times as you can, then run for help. Getting ambushed in an alley by a mugger isn't the time to worry about fighting honorably. Keep yourself safe by making the confrontation as quickly as possible.. The eyes and nose are the most sensitive soft spots on your attacker's face and are vulnerable to elbows, knees, and your forehead With the hardest part of your forehead, right near the hairline, try to smash your assailant's nose by tensing your neck and driving your forehead into the middle of their face. This is the quickest and most unexpected way to end a fight completely. However strong, experienced, or violent your attacker, it's very difficult to quickly recover from a hard head-butt to the nose. Bringing a knee sharply into the groin of an attacker or grabbing the groin with your hand and twisting is an instantly effective move that will take your attacker down. Again, this isn't the time to worry about fighting dirty. If your life is in danger, go for the groin. If this doubles up your opponent, consider smashing your knee into his nose to ensure that he'll be down for the count. If your being attacked from the back, chances are the attacker has his/her arms around your upper half. If your wearing heels or shoes such as heavy heel boots, this is especially effective. Move your foot near the attacker's, lift your foot up and bring it down on their foot as hard as you can. If they let you go, run; if they don't, try the next idea. If, for example, you are being choked, or your assailant has their hands up in your face, attacking their legs will give you the opportunity to open him up to more attacks, or allow you to escape. This is especially effective on larger attackers and easy to do from your guarded position. Kick at shins and knees soccer-style, with the instep of your foot. This is a quick and painful kick. In addition, if his/her legs are close enough, lift your knees into their inner leg (femoral nerve), outer leg, knee, or groin. These will break down your attacker and may disable them. Try to poke or press on the eyes. No one can defend an eye poke, regardless of your attacker's size. Clapping on the ears can stun or, if done perfectly, breaks the eardrums. In some cases you may also want to attack your attacker's neck. To effectively choke someone, do not do the typical Hollywood "hands around the entire neck," but instead just put your thumb and fingers around the trachea (especially easy to find on men with large Adam's apples). Dig, drive, and sink your fingers into this notch and they will experience intense pain and probably fall down. Note that poking the eyes, breaking the eardrums, and choking someone can all be extremely harmful. Only do these actions in extreme circumstances in which your life may be in danger otherwise. If you fall, try to fall on top of your attacker. You'll want to avoid taking the fight to the ground at all costs, but if it's unavoidable, use your weight to your advantage. While falling, keep the pointy parts of your body pointy (your knees and your elbows) and aim for your attacker's groin, ribs, and neck. If an attacker attacks with a weapon, know where the weapon is effective. If your attacker has a knife, try to stay out of arm's length. If there is a gun, consider running and dodging from left to right. If you get a chance to leave safely, go for it. Be sure that you're safe from your opponent when you decide to stop defending yourself. In many cases, you can end the situation immediately by giving the attacker your wallet. This is a logical choice, especially if at knife or gunpoint. Your life is worth much more than the cash and cards you have on you. Toss the wallet away from you and run.
Question: What is a summary of what this article is about?
Go for the eyes and nose. Kick or grab the groin of a male attacker. Stomp your heel. Go for the kneecaps. Follow up. Fall onto your attacker if you lose your balance. Be prepared for an assault with a weapon.
Article: When using third person objective, the writer can describe the actions and words of any character at any time and place within the story. There does not need to be a single main character to focus on. The writer can switch between characters, following different characters throughout the course of the narrative, as often as needed. Stay away from first person terms like "I" and second person terms like "you" in the narrative, though. Only use first and second person within dialog. Unlike omniscient pov where the narrator looks into everyone's head, objective pov doesn't look into anyone's head. Imagine that you are an invisible bystander observing the actions and dialog of the characters in your story. You are not omniscient, so you do not have access to any character's inner thoughts and feelings. You only have access to each character's actions. Correct example: "After class, Graham hurriedly left the room and rushed back to his dorm room." Incorrect example: "After class, Graham raced from the room and rushed back to his dorm room. The lecture had made him so angry that he felt as though he might snap at the next person he met." Even though a third person objective writer cannot share a character's inner thoughts, the writer can make external observations that suggest what those internal thoughts might be. Describe what is going on. Instead of telling the reader that a character is angry, describe his facial expression, body language, and tone of voice to show that he is mad. Correct example: "When no one else was watching her, Isabelle began to cry." Incorrect example: "Isabelle was too prideful to cry in front of other people, but she felt completely broken-hearted and began crying once she was alone." The writer's purpose when using third person objective is to act as a reporter, not a commentator. Let the reader draw his or her own conclusions. Present the actions of the character without analyzing them or explaining how those actions should be viewed. Correct example: "Yolanda looked over her shoulder three times before sitting down." Incorrect example: "It might seem like a strange action, but Yolanda looked over her shoulder three times before sitting down. This compulsive habit is an indication of her paranoid state of mind."
Question: What is a summary of what this article is about?
Follow the actions of many characters. Do not attempt to get into directly into a character's head. Show but don't tell. Avoid inserting your own thoughts.