Background: Art Donovan, born June 5, 1924, was the son of Arthur Donovan, Sr., a boxing referee, and the grandson of Professor Mike Donovan, the world middleweight boxing champion in the 1870s. Art attended Mount Saint Michael Academy in the Bronx. He received a scholarship to the University of Notre Dame in 1942 but left after one semester to join the United States Marine Corps, enlisting in April 1943. He served four years, to include service in the Pacific Theatre during World War II.
Context: In each of his first three seasons, Donovan played for a team which went out of business. He started out with the first Baltimore Colts, who folded after his rookie season in 1950, followed by the New York Yanks in 1951, and their successor, the Dallas Texans, in 1952. After the Texans franchise was moved to Baltimore in 1953 and became the second Baltimore Colts, Donovan played with that team. He became one of the stars in an outstanding defense and was selected to five straight Pro Bowls, from 1953 through 1957. The Colts won back-to-back championships in 1958 and 1959. He was selected to the Pro Football Hall of Fame in 1968. During his career, Donovan played in what many believe was one of the most important games in NFL history, the 1958 title game between the Colts and the New York Giants. The contest between the two teams took place on December 28, 1958 and ended in a 17-17 tie. Because it was the championship game, it went into overtime, the first NFL game to do so. Donovan made an important tackle during the overtime, stopping the Giants and allowing Johnny Unitas to lead the Colts on an 80-yard scoring drive to win the game. "The NFL's first overtime game, witnessed by 40 million viewers on nationwide television, captured the public imagination and became known as the "greatest game ever played." Donovan was one of 12 Hall of Fame players to take part - six of them Colts - but at the time he was not aware of the game's significance"
Question: who did he go to after?
Answer: followed by the New York Yanks in 1951, and their successor, the Dallas Texans, in 1952.

Background: Frank Lloyd Wright (born Frank Lincoln Wright, June 8, 1867 - April 9, 1959) was an American architect, interior designer, writer and educator, who designed more than 1,000 structures, 532 of which were completed. Wright believed in designing structures that were in harmony with humanity and its environment, a philosophy he called organic architecture. This philosophy was best exemplified by Fallingwater (1935), which has been called "the best all-time work of American architecture". His creative period spanned more than 70 years.
Context: By 1901, Wright had completed about 50 projects, including many houses in Oak Park. As his son John Lloyd Wright wrote: "William Eugene Drummond, Francis Barry Byrne, Walter Burley Griffin, Albert Chase McArthur, Marion Mahony, Isabel Roberts and George Willis were the draftsmen. Five men, two women. They wore flowing ties, and smocks suitable to the realm. The men wore their hair like Papa, all except Albert, he didn't have enough hair. They worshiped Papa! Papa liked them! I know that each one of them was then making valuable contributions to the pioneering of the modern American architecture for which my father gets the full glory, headaches and recognition today!" Between 1900 and 1901, Frank Lloyd Wright completed four houses which have since been identified as the onset of the "Prairie style". Two, the Hickox and Bradley Houses, were the last transitional step between Wright's early designs and the Prairie creations. Meanwhile, the Thomas House and Willits House received recognition as the first mature examples of the new style. At the same time, Wright gave his new ideas for the American house widespread awareness through two publications in the Ladies' Home Journal. The articles were in response to an invitation from the president of Curtis Publishing Company, Edward Bok, as part of a project to improve modern house design. "A Home in a Prairie Town" and "A Small House with Lots of Room in it" appeared respectively in the February and July 1901 issues of the journal. Although neither of the affordable house plans was ever constructed, Wright received increased requests for similar designs in following years. Wright came to Buffalo and designed homes for three of the company's executives including the Darwin D. Martin House in 1904. Other Wright houses considered to be masterpieces of the Prairie Style are the Frederick Robie House in Chicago and the Avery and Queene Coonley House in Riverside, Illinois. The Robie House, with its soaring, cantilevered roof lines, supported by a 110-foot-long (34 m) channel of steel, is the most dramatic. Its living and dining areas form virtually one uninterrupted space. With this and other buildings, included in the publication of the Wasmuth Portfolio (1910), Wright's work became known to European architects and had a profound influence on them after World War I. It is sometimes called the "cornerstone of modernism". Wright's residential designs of this era were known as "prairie houses" because the designs complemented the land around Chicago. Prairie style houses often have a combination of these features: One or two-stories with one-story projections, an open floor plan, low-pitched roofs with broad overhanging eaves, strong horizontal lines, ribbons of windows (often casements), a prominent central chimney, built-in stylized cabinetry, and a wide use of natural materials--especially stone and wood.
Question: What about the design was different?
Answer:
The Robie House, with its soaring, cantilevered roof lines, supported by a 110-foot-long (34 m) channel of steel, is the most dramatic.