Question: Alfred Adler was born at Mariahilfer Strasse 208 in Rudolfsheim, then a village on the western fringes of Vienna, and today part of Rudolfsheim-Funfhaus, the 15th district of the city. He was second of the seven children of a Hungarian-born, Jewish grain merchant and his wife. Alfred's younger brother died in the bed next to him, when Alfred was only three years old. Alfred was an active, popular child and an average student who was also known for his competitive attitude toward his older brother, Sigmund.

In a late work, Social Interest: A Challenge to Mankind (1938), Adler turns to the subject of metaphysics, where he integrates Jan Smuts' evolutionary holism with the ideas of teleology and community: "sub specie aeternitatis". Unabashedly, he argues his vision of society: "Social feeling means above all a struggle for a communal form that must be thought of as eternally applicable... when humanity has attained its goal of perfection... an ideal society amongst all mankind, the ultimate fulfillment of evolution." Adler follows this pronouncement with a defense of metaphysics: I see no reason to be afraid of metaphysics; it has had a great influence on human life and development. We are not blessed with the possession of absolute truth; on that account we are compelled to form theories for ourselves about our future, about the results of our actions, etc. Our idea of social feeling as the final form of humanity - of an imagined state in which all the problems of life are solved and all our relations to the external world rightly adjusted - is a regulative ideal, a goal that gives our direction. This goal of perfection must bear within it the goal of an ideal community, because all that we value in life, all that endures and continues to endure, is eternally the product of this social feeling. This social feeling for Adler is Gemeinschaftsgefuhl, a community feeling whereby one feels he or she belongs with others and has also developed an ecological connection with nature (plants, animals, the crust of this earth) and the cosmos as a whole, sub specie aeternitatis. Clearly, Adler himself had little problem with adopting a metaphysical and spiritual point of view to support his theories. Yet his overall theoretical yield provides ample room for the dialectical humanist (modernist) and the postmodernist to explain the significance of community and ecology through differing lenses (even if Adlerians have not fully considered how deeply divisive and contradictory these three threads of metaphysics, modernism, and post modernism are).

Using a quote from the above article, answer the following question: What was his relationship with his brother?
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Question: Terius Nash was born in Rockingham, North Carolina. He moved with his mother to Atlanta when he was two years old. After first learning to play trumpet in elementary school, Nash learned how to play the drums and guitar. His mother died in 1992 when Nash was fifteen years old, an event which would inspire him to write songs.

In 2007 Nash signed a record contract with Def Jam Recordings and began working on his debut studio album Love Hate. The album was produced by The-Dream, his production partner Tricky Stewart, and Los da Mystro, and featured Fabolous and Rihanna. The album was written and recorded in eight days with twelve tracks making the final cut. Released December 11, 2007, on The-Dream's Def Jam imprint Radio Killa Records, the album featured the singles "Shawty Is a 10", "Falsetto" and "I Luv Your Girl" and received generally positive reviews from critics, as Rolling Stone called it "one of the most likable R&B records of the year" and UrbanMusicReviews.com said that the singer had "hit a home run". In June 2008, The-Dream was named Best New Artist at the BET Awards. Nash wrote and produced Beyonce's "Single Ladies (Put a Ring on It)", which was included on her third studio album I Am... Sasha Fierce and released in 2008. The song went on to win the Grammy Award for Song of the Year and Best R&B Song, becoming the first career wins at the Grammys for The Dream. On March 10, 2009, The-Dream released his second album Love vs. Money. He re-teamed with Tricky Stewart, who produced most of the tracks on the album, and Los da Mystro. The album featured Mariah Carey, Kanye West, and Lil Jon and featured the singled "Rockin' That Shit", "Walkin' on the Moon" and "Sweat It Out". Upon its release, the album received general acclaim from most music critics, based on an aggregate score of 83/100 from Metacritic and it was more commercially successful than its predecessor, debuting at number two on the Billboard 200. During the making of Love King, he recorded a song with T-Pain and expressed that he would like to make a collaborative album with Kanye West in the future. In January 2010, The-Dream stated he was finished recording the album and he called it the best of his three albums. The album was released on June 29, 2010. Before the album's release, The-Dream announced that Love King will be his last solo album. Once again produced by The-Dream, Christopher "Tricky" Stewart, and Los da Mystro, the album spawned the singles "Love King" and "Make Up Bag". Despite positive reviews from critics, the album was less commercially successful than Love vs. Money, and debuted at number four on the Billboard 200.

Using a quote from the above article, answer the following question: What happened in 2008?
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Answer: In June 2008, The-Dream was named Best New Artist at the BET Awards.

Question: Marion Lee "Mickey" Thompson (December 7, 1928 - March 16, 1988) was an American auto racing builder and promoter. A hot rodder since his youth, Thompson increasingly pursued land speed records in his late 20s and early 30s. He achieved international fame in 1960 when he became the first American to break the 400 mph barrier, driving his Challenger 1 to a one-way top speed of 406.60 mph at the Bonneville Salt Flats and surpassing John Cobb's one-way world record mark of 402 mph. Thompson then turned to racing, winning many track and dragster championships.

Thompson was born in Alhambra, California. In his early twenties, he worked as a pressman for the Los Angeles Times while pursuing a lifelong love of hot rodding. He later became involved in the new sport of drag racing. Tireless and innovative, he found success as a championship driver and instinctive automotive technician. Over the course of his career, Thompson set more speed and endurance records than any other man in automotive history. He is credited with designing and building the first slingshot dragster, in 1954, moving the seat behind the rear axle to improve traction when existing racing tires proved unable to handle the output of increasingly powerful custom engines. This car, the Panorama City Special, debuted at the first NHRA U.S. Nationals at the Great Bend Municipal Airport in Great Bend, Kansas in 1955. The car ultimately ran a best speed of 151.26 mph (243.43 km/h). A change so momentous would not happen again until Don Garlits introduced the rear-engined digger in 1971. Thompson also was noted for being the first manager of Lions Drag Strip in Wilmington, California, in 1955. Thompson collaborated with Fritz Voight on a 1958 twin-engined dragster. This car achieved a best speed of 294.117 mph (473.335 km/h). It provided lessons later applied to Challenger I. Determined to set a new land speed record, Thompson achieved fame when he drove his four-engined Challenger 1 at better than 400 mph (640 km/h) in 1960 at the Bonneville Salt Flats, becoming the first American to break that barrier.

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?
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Answer:
Determined to set a new land speed record, Thompson achieved fame when he drove his four-engined Challenger 1 at better than 400 mph (640 km/h)