In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

[EX Q]: Sloppy Mush . This review concentrates on the four live tracks. By December 1970, Miles Davis' fusion was evolving even beyond the Bitches Brew era. The emphasis was more and more in the rhythm, and less and less on coherent solos. Miles Davis stuck a wah-wah pedal on his horn, getting a sound that was thin, whiny and rather annoying. Keith Jarrett and Michael Henderson joined the band, lending the band a unique keyboard sound and a funkier bass respectively. Live Evil basically consists of several edited jams from the Cellar Door recordings of December 1970. SIVAD: The recording begins on a high point; vicious funk punctuated by Airto Moreira's squawking Cuica, and stabbed through with Miles Davis' electric trumpet. This is actually a version of "Directions" by Joe Zawinul, although the tune is so evolved it is basically unrecogniseable. The statements of the theme have been excised with a razor blade. Miles' horn is electric, and its sound is a mixture of Birth of the Cool and Axis: Bold as Love. Truly strange, and frankly not a very nice sound. Three and a half minutes in, the groove shifts to "Honky Tonk", a minimalistic and not very inspiring theme. The performance is sellotaped together from two separate live performances of the tune (!) and one studio version! Miles sometimes plays with an open horn on this section; and Airto Moreira makes weird wailing noises that sound rather corny. Sloppy and shapeless. WHAT I SAY: A feature for Jack de Johnette, a terrific drummer. The groove is extremely harsh and energetic, with Miles soloing with an open horn. Unlike the other tracks, this is actually a complete performance (segueing into "Sanctuary" at the end) and is quite impressive. I really like Jarret's electric piano/organ solo and Johnette's drum solo! FUNKY TONK/INAMORATA: In which Teo Macero goes nuts with the scissors. This is actually one big slab of a performance, cut arbitrarily in half to fit both sides of an LP. And it is not one piece of music, but three: 1. "Directions": Yet another performance of Zawinul's piece. Much more conventional than the "Sivad" version, though again with all the statements of the theme cut out. Miles soloes with electric trumpet. 2. Then the groove shifts to a piece which resembles the Mission Impossible theme! So this is where they got that theme. The name of the tune is sometimes called "Funky Tonk", and sometimes "Inamorata". A very long, sloppy, shapeless morass of solos. Again, Jarret's solo is most beautiful. 3.Finally the groove shifts to "It's About That Time" from "In a Silent Way". A performance that does not shift into the second bassline. Halfway through a gloomy voice narrates a weird, associative poem about the mysteries of Music. At the fade-out, you can hear the groove shifting to "Sanctuary..." Overall, the album is extremely messy, with a good deal of self-indulgent excess masking some excellent soloing. Atmospheric and very dense.
[EX A]: POS

[EX Q]: not worth it . This is definitely one of the worst cd purchases i've made. The Cd is poorly organized, and most of the music isn't as good as one would think. the songs that ARE worth listening to though, are: Disc 1: 8. Halifax - "sydney" 11. Say Anything - "Woe" 15. I can make a mess like nobody's business - "The best happiness money can buy" 56. Patent Pending - "Los Angeles" Disc 2: 1. Hellogoodbye - "Homewrecker" 5. Jack's Mannequin - "Kill the messenger" 8. Matchbook Romance - "My Eyes Burn" Other than that, this is really a minimal value Cd, in my opinion
[EX A]: NEG

[EX Q]: Gang Starr's best work. . Gang Starr really put out some classic ish here. This is one of those albums that you may dismay as being sub-par, or even bad first listen if you arn't into underground, but you soon relize how this album is a gem. DJ Premeir, and Guru have been putting out classic material sence the late 80's, with there first full album "No More Mr. Nice Guy". Premo is widely regaurded as one of the finest producers to ever grace the boards in hip hop history, and his partner in crime Guru is known as The King Of monotone Rap. This is artistically a incredible peice of work. Guru & Premo put out a style of Rap that wasnt commen in the 90's, and is non-existant now! A Minimalistic Producer known for playing a melody of three keys, and a obsession for scratching teaming up with a monotone soft spoken slow tempo rapper. Sound like a weird combonation right? Wrong... If Being a Hip Hop duo was a marrige Gang Starr would have been couple of the year for 10 years straight. This is the type of album you have to spend some time listening to, sure I have my favorite songs of the batch, but they are all solid, and the way Premo mixed together the songs, and even transitions is strokes of genius. Sure you can listen to "Im the man" 5 times, but you will get the full effect of "Im The Man" in the way Gang Starr men't for you to hear it if you listen to the tracks leading to it. Everything seems timed perfectly. Strong in your face, phony rapper, and conspiracy theorys come in at the proper time for a full listen thru. The Interludes are also excellently timed. After hearing "Im The Man" you want something a little chill, & relax, so Premo follows it up with "92 Interlude" a soft short, but sweet 30 second paino riff. And even the intro is a great beat, than instead of it sounding like a new track they programmed it to go immediatly into the next track, cause the beats mix together. Guru lyrically is sharp, and he does not need much help, with only 2 guest appearences, and literally 2 guest appearences, sence premo controlls all the hook's with mastery Guru shows his lyrical powress, consistently spitting 30 plus bars in his monotone serious voice every track, except the interludes. In this album DJ premier seems to be the Architect, and Guru seems to be the foundation. Premier uses his mastery of beatmaking, programming, mixing, scatching, and especially sampling to construct a masterpeice around Guru's lyrics which are the foundation. Bottomline, you gotta pick this up if your a Hip Hop Head
[EX A]:
POS