Some context: Widespread Panic is an American rock band from Athens, Georgia. The current lineup includes guitarist/singer John Bell, bassist Dave Schools, drummer Duane Trucks, percussionist Domingo "Sunny" Ortiz, keyboardist John "JoJo" Hermann, and guitarist Jimmy Herring. The band's original drummer, Todd Nance, left in 2016. The band was formed in Athens, Georgia, in 1986, and is influenced by the Southern rock, blues-rock, progressive rock, funk and hard rock genres.
In 2003, the band released Ball, the first studio album with McConnell as the guitarist. The album was unique among the band's offerings in that none of the songs included had been performed live by the band prior to the recording. All of the material included was written specifically for the album with the exception of "Time Waits," a song which John Bell had performed in solo appearances, and "Don't Wanna Lose You," a song John Hermann had performed with his side-project Smiling Assassins. Late in 2003, the band announced that they would be taking a hiatus from both recording and performing in 2004. However, 2004 did see the release of three live albums, engineered by Billy Field: Night of Joy and Uber Cobra--both of which were recorded during a November 2003 three-night run of shows at the House of Blues in Myrtle Beach, SC--as well as Jackassolantern, a compilation of cover songs performed during the band's Halloween shows over the years. A third release from the Myrtle Beach shows, Live at Myrtle Beach was released in early 2005. In January 2006, the band recorded their 9th studio album, Earth to America, in Nassau, Bahamas at Compass Point Studios, with Terry Manning producing. It was released June 13, 2006. Their May 9 show at Atlanta's Fox Theatre was simulcast in LIVE HD, via satellite, in select movie theatres nationwide. Over 60,000 fans across the country watched it live in the theatres. This show was also released in DVD format on November 14, 2006, entitled 'Earth to Atlanta'. On August 2, 2006, nearing the end of the summer tour, the band announced that George McConnell had left the band, making July 30, 2006 at the Fox Theater in St. Louis, MO his last show. Producer John Keane and former guitar technician Sam Holt filled in on guitar for the remaining two weeks of the tour.
What was unique about it?
A: none of the songs included had been performed live by the band prior to the recording.
Some context: Pinhead is a fictional character from the Hellraiser series, first appearing as an unnamed figure in the Clive Barker novella The Hellbound Heart. The name "Pinhead" is derived from a sobriquet given to him by the crew of the first Hellraiser film; he is first credited as such in Hellbound: Hellraiser II. Nearly thirty years after The Hellbound Heart was published, the character was given the designations the Hell Priest and the Cold Man in the sequels that followed, The Scarlet Gospels and Hellraiser: The Toll. Pinhead is one of the leaders of the Cenobites, formerly humans but transformed into creatures which reside in an extradimensional realm, who travel to Earth through a puzzle box called the Lament Configuration in order to harvest human souls.
Described by Doug Bradley as stronger than Jason Voorhees and Michael Myers, Pinhead is an extremely powerful being, and as such, has several supernatural abilities. His preferred method of attack is by summoning hooks and chains to mutilate victims, often pulling said victims in several directions to tear them apart. These chains are subject to his total mental control and he may direct them at will. The chains may even change shape after having attached to a victim. Pinhead is highly resistant to damage and direct assault, being able to resist both gunshots and futuristic energy weapons. His magic is also used for creating objects out of thin air, teleporting, creating explosions at distances and deceiving opponents with illusions. He is capable of creating other cenobites from both living and dead victims. In order to act in the physical world, Pinhead needs to have been purposely summoned through the Lament Configuration, though this in itself is not usually enough for Pinhead to target the puzzle-solver: in Hellbound: Hellraiser II, Pinhead stops the Cenobites from torturing an emotionally traumatised girl who was manipulated as a proxy into opening the Configuration, remarking "...it is not hands that call us, it is desire." In Hell on Earth, he temporarily eliminates these restraints when he is separated from the part of him that is Elliot Spencer, wreaking havoc indiscriminately upon every human subject he encounters until he is finally defeated when Spencer willingly merges with Pinhead once again, the combination binding Pinhead as Spencer keeps his extremes in check. During this incident his powers were apparently expanded beyond their normal limits allowing him to physically warp reality to his will. Pinhead at first has no memory of his human past, though is reminded of it in Hellbound: Hellraiser II, which results in what screenwriter Peter Atkins described as him being "spiritually weakened" and subsequently killed by the Chanard Cenobite.
What is his weakness?
A: In order to act in the physical world, Pinhead needs to have been purposely summoned
Some context: Mario Lanza (born Alfredo Arnold Cocozza; January 31, 1921 - October 7, 1959) was an American tenor of Italian ancestry, and an actor and Hollywood film star of the late 1940s and the 1950s. Lanza began studying to be a professional singer at the age of 16. After appearing at the Hollywood Bowl in 1947, Lanza signed a seven-year film contract with Louis B. Mayer, the head of Metro-Goldwyn-Mayer, who saw his performance and was impressed by his singing.
Lanza was the first RCA Victor Red Seal artist to win a gold disc and the first artist to sell 2 1/2 million albums Lanza was referred to by some sources as the "new Caruso" after his "instant success" in Hollywood films, while MGM hoped he would become the movie studio's "singing Clark Gable" for his good looks and powerful voice. In 1994, outstanding tenor Jose Carreras paid tribute to Lanza during a worldwide concert tour, saying of him, "If I'm an opera singer, it's thanks to Mario Lanza." His equally outstanding colleague Placido Domingo echoed these comments in a 2009 CBS interview with, "Lanza's passion and the way his voice sounds are what made me sing opera. I actually owe my love for opera ... to a kid from Philadelphia." Even today "the magnitude of his contribution to popular music is still hotly debated," and because he appeared on the operatic stage only twice, many critics feel that he needed to have had more "operatic quality time" in major theaters before he could be considered a star of that art form. His films, especially The Great Caruso, influenced numerous future opera stars, including Joseph Calleja, Jose Carreras, Placido Domingo and Luciano Pavarotti. According to opera historian Clyde McCants, "Of all the Hollywood singers who performed operatic music ... the one who made the greatest impact was Mario Lanza." Hollywood gossip columnist Hedda Hopper concluded that "there had never been anyone like Mario, and I doubt whether we shall ever see his like again".
What have people said about him?
A:
Lanza was referred to by some sources as the "new Caruso" after his "instant success"