input: In 1941, the National Football League franchise owners voted to change the league's constitution in an attempt to bring all professional football leagues under the authority of one commissioner, who would have similar powers to that of Commissioner of Baseball Kenesaw Mountain Landis. Chicago Tribune journalist Arch Ward was offered the position of commissioner, but he turned it down and suggested Elmer Layden for the position. Layden was appointed commissioner in February 1941. His appointment was not voted on by the entire league, which upset owners Alexis Thompson, Bert Bell, and Dan Topping. Chicago Bears owner George Halas contended that Layden's hiring was legal because it had been agreed upon by a majority of owners. Layden was signed to a five-year contract with an annual salary of $20,000. In five years as Commissioner, Layden saw the NFL through the World War II years, in which teams had to use many men of inferior abilities as replacements while most of the regulars were fighting in the war (as did Major League Baseball). During this period a few teams temporarily merged due to lack of manpower, most notably the Pittsburgh Steelers with the Philadelphia Eagles (who were nicknamed the Steagles). The Cleveland Rams ceased operations for the 1943 season. As NFL commissioner, Layden had once conducted an investigation into a betting scam, without advising the owners, which did not reveal any conspiracy. Layden's tenure as NFL commissioner came to an end in January 1946. After Brooklyn owner Dan Topping withdrew his team from the league to join the new All-America Football Conference, the remaining owners agreed not to renew Layden's contract, feeling that he was too much of a gentleman and not forceful enough. Layden was succeeded by Bert Bell.

Answer this question "When did he become commissioner?"
output: Layden was appointed commissioner in February 1941.

input: In her reporting of the 1961 Adolf Eichmann trial for The New Yorker, which evolved into Eichmann in Jerusalem: A Report on the Banality of Evil (1963), she coined the phrase "the banality of evil" to describe the phenomenon of Eichmann. She examined the question of whether evil is radical or simply a function of thoughtlessness, a tendency of ordinary people to obey orders and conform to mass opinion without a critical evaluation of the consequences of their actions. She was sharply critical of the way the trial was conducted in Israel. She also was critical of the way that some Jewish leaders, notably M. C. Rumkowski, acted during the Holocaust. This caused a considerable controversy and even animosity toward Arendt in the Jewish community. Her friend Gershom Scholem, a major scholar of Jewish mysticism, broke off relations with her. Arendt was criticized by many Jewish public figures, who charged her with coldness and lack of sympathy for the victims of the Holocaust. Because of this lingering criticism neither this book nor any of her other works were translated into Hebrew, until 1999. This controversy was answered by Hannah Arendt in the book's Postscript. The controversy began by calling attention to the conduct of the Jewish people during the years of the Final Solution, thus following up the question, first raised by the Israeli prosecutor, of whether the Jews could or should have defended themselves. I had dismissed that question as silly and cruel, since it testified to a fatal ignorance of the conditions at the time. It has now been discussed to exhaustion, and the most amazing conclusions have been drawn. The well-known historico-sociological construct of "ghetto mentality"... has been repeatedly dragged in to explain behavior which was not at all confined to the Jewish people and which therefore cannot be explained by specifically Jewish factors... This was the unexpected conclusion certain reviewers chose to draw from the "image" of a book, created by certain interest groups, in which I allegedly had claimed that the Jews had murdered themselves. Arendt ended the book by writing: Just as you Eichmann supported and carried out a policy of not wanting to share the earth with the Jewish people and the people of a number of other nations--as though you and your superiors had any right to determine who should and who should not inhabit the world--we find that no one, that is, no member of the human race, can be expected to want to share the earth with you. This is the reason, and the only reason, you must hang.

Answer this question "were there any protests?"
output: Because of this lingering criticism neither this book nor any of her other works were translated into Hebrew,

input: One of the judges of the Godrej Cinthol Supermodel Contest in which Basu participated, Vinod Khanna, wanted to launch her alongside his son Akshaye Khanna in Himalay Putra, but she felt she was too young and declined the role, which eventually went to Anjala Zaveri. After returning home, she was convinced by Jaya Bachchan to star opposite her son Abhishek Bachchan in J. P. Dutta's Aakhari Mughal. However, the film was cancelled, and Dutta instead changed the script and made Refugee with Kareena Kapoor. Basu was also offered a role in Refugee opposite Sunil Shetty, which she declined. In 2001, Basu finally made her debut opposite Akshay Kumar in Vijay Galani's Ajnabee. The film, directed by Abbas-Mustan, was inspired by the American film Consenting Adults. It was a moderate box-office success and attracted unfavorable reviews from critics. However, Basu's performance in a negative role was appreciated by critics and won her the Filmfare Award for Best Female Debut. In 2002, Basu starred in the year's most successful thriller, Raaz. Directed by Vikram Bhatt, it established Basu in the Hindi film industry. Her portrayal of a woman who is pursued by a spirit received positive reviews. One review in The Tribune noted, "... it is Bipasha Basu who steals the show with her fine performance." She was nominated for the Filmfare Award for Best Actress for Raaz. She was appreciated in a supporting role in Sanjay Gadhvi's Mere Yaar Ki Shaadi Hai, a moderate critical and commercial success. However, in David Dhawan's Chor Machaaye Shor, was her first commercial failure. She appeared in a supporting role opposite Mahesh Babu and Lisa Ray in the Telugu film, Takkari Donga. Gunaah, which released later that year, was also a box-office failure. She played the role of a cop who loves a convict and tries to reform him. Derek Elley of Variety observed that Basu was a miscast as the "idealistic cop".

Answer this question "What other films was she in during this time?"
output:
In 2002, Basu starred in the year's most successful thriller, Raaz.