Background: Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
Context: The depiction of Jews in some of Eliot's poems has led several critics to accuse him of anti-Semitism. This case has been presented most forcefully in a study by Anthony Julius: T. S. Eliot, Anti-Semitism, and Literary Form (1996). In "Gerontion", Eliot writes, in the voice of the poem's elderly narrator, "And the jew squats on the window sill, the owner [of my building] / Spawned in some estaminet of Antwerp." Another well-known example appears in the poem, "Burbank with a Baedeker: Bleistein with a Cigar". In this poem, Eliot wrote, "The rats are underneath the piles. / The jew is underneath the lot. / Money in furs." Interpreting the line as an indirect comparison of Jews to rats, Julius writes, "The anti-Semitism is unmistakable. It reaches out like a clear signal to the reader." Julius's viewpoint has been supported by literary critics such as Harold Bloom, Christopher Ricks, George Steiner, Tom Paulin and James Fenton. In a series of lectures delivered at the University of Virginia in 1933, published under the title After Strange Gods: A Primer of Modern Heresy (1934), Eliot wrote of societal tradition and coherence, "What is still more important [than cultural homogeneity] is unity of religious background, and reasons of race and religion combine to make any large number of free-thinking Jews undesirable." Eliot never re-published this book/lecture. In his 1934 pageant play The Rock, Eliot distances himself from Fascist movements of the Thirties by caricaturing Oswald Mosley's Blackshirts, who 'firmly refuse/ To descend to palaver with anthropoid Jews'. The 'new evangels' of totalitarianism are presented as antithetic to the spirit of Christianity. Craig Raine, in his books In Defence of T. S. Eliot (2001) and T. S. Eliot (2006), sought to defend Eliot from the charge of anti-Semitism. Reviewing the 2006 book, Paul Dean stated that he was not convinced by Raine's argument. Nevertheless, he concluded, "Ultimately, as both Raine and, to do him justice, Julius insist, however much Eliot may have been compromised as a person, as we all are in our several ways, his greatness as a poet remains." In another review of Raine's 2006 book, the literary critic Terry Eagleton also questioned the validity of Raine's defence of Eliot's character flaws as well as the entire basis for Raine's book, writing, "Why do critics feel a need to defend the authors they write on, like doting parents deaf to all criticism of their obnoxious children? Eliot's well-earned reputation [as a poet] is established beyond all doubt, and making him out to be as unflawed as the Archangel Gabriel does him no favours."
Question: what did these allegations lead to?
Answer:

Background: Idlewild are a Scottish indie rock band that formed in Edinburgh in 1995. The band's line-up consists of Roddy Woomble (lead vocals), Rod Jones (guitar, backing vocals), Colin Newton (drums), Andrew Mitchell (bass) and Luciano Rossi (keyboards). To date, Idlewild have released seven full-length studio albums, with their latest, Everything Ever Written, released in February 2015. Initially, Idlewild's sound was faster and more dissonant than many of their 1990s indie rock contemporaries.
Context: The band continued to play more gigs while working on their next album. Meanwhile, Woomble started writing a column for Scottish newspaper The Sunday Herald and released an album with Kris Drever and John McCusker, entitled Before the Ruin, in September 2008. In December 2008 the band played five shows at King Tut's Wah Wah Hut, playing each of their studio albums in full. Roddy Woomble noted that the band were "going to try to play every track [they'd] ever written - including B-sides - which has to be more than 100 songs." In February 2009, they announced that they would be staging a similar residency at Dingwalls in Camden, London. A new song, "City Hall", appeared in a setlist, and the band entered the studio in January 2009. On his online diary, Roddy Woomble noted that he had: "been trying to work on lyrics for the new Idlewild record. At the moment it has the possibility of being about anything, so I've been trying to narrow that down a bit. I've been re-reading Jack Kerouac's novels and following this US election, and keeping up with all the new US groups, so maybe it'll take on a Stars and stripes theme. It'll probably end up being about mountains and Islands though." On 21 November the band sent an email to fans on the mailing list offering them a chance to preorder the new album (along with "exclusive packaging & including at least one bonus track") to be "shipped within weeks of completion". All fans who bought the album this way would also have their name appear in the CD booklet and on a roll call on the band's official website. On 9 May 2009, Roddy confirmed in his online diary that the new album would be entitled Post Electric Blues. The album was performed in full on 19 May. Initial emails indicated a release date to fans who had pre-ordered the album of mid-April, but the album was eventually mailed out on 10 June 2009. Fans who pre-ordered the album were also allowed to download their choice of live tracks that the band had recorded at the King Tut's series of shows. The album was officially released in October, preceded by the single "Readers & Writers". In April 2010, Roddy Woomble announced that the band would enter a hiatus following the band's tour in support of Post Electric Blues. However this comment only referred to the writing and recording of new material as Woomble later suggested. Idlewild announced their first American tour since 2005 and a short UK tour in support of the EMI re-release of 100 Broken Windows. During the UK shows (as well as a New York and Los Angeles show) the album was to be played in its entirety. However, due to an injury to Rod Jones, the American dates were cancelled. The 100 Broken Windows reissue was released on 8 November 2010 and featured a second disc of B-Sides and unreleased material.
Question: Where else did the band have concerts or tour to during this time?
Answer:
Dingwalls in Camden, London.