In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.

The film begins with a young girl, Lucie Jurin, as she escapes from a disused abattoir where she has been imprisoned and physically abused for a long time. The perpetrators and their motivations remain a mystery. Lucie is placed in an orphanage, where she is befriended by a young girl named Anna Assaoui. Anna discovers that Lucie believes that she is constantly being terrorized by a ghoulish creature; a disfigured emaciated woman.Fifteen years later, Lucie (Mylene Jampanoi) bursts into the home of an apparently normal family with a shotgun, the BelfondsGabrielle, her husband, and their children Antoine and Marieand kills them all. Elsewhere, Anna (Morjana Alaoui) waits for Lucie. Although Anna knows that Lucie believes the Belfonds are the people responsible for her childhood abuse, she is horrified when Lucie tells her that she has killed them. She discovers that Gabrielle is still alive and tries to help her escape. Unfortunately, Lucie bludgeons Gabrielle to death. Lucie is again attacked by the scarred creature, but Anna only sees Lucie hurting herself; the 'creature' is nothing more than a psychological manifestation of Lucie's guilt for leaving behind another girl who was also tortured with her as a child. Lucie, realizing that her insanity will never leave her, commits suicide.[4]The next day, Anna, still at the family's house, telephones her mother, from whom she has been estranged; their conversation implies that Anna suffered abuse from her parents as a child. Anna discovers a secret underground chamber. Imprisoned within is a horribly tortured young girl, Sarah, proving that Lucie was right about the family. Anna helps Sarah but a group of strangers arrive and shoot Sarah dead. Captured, Anna meets their leader, an elderly lady referred to as Mademoiselle. Mademoiselle explains that she belongs to a secret philosophical society seeking to discover the secrets of the afterlife through the creation of "martyrs". Their experiments inflict systematic acts of torture upon young women in the belief that their suffering will result in a transcendental insight into the world beyond this one.As a result of her selfless actions of helping Lucie and Sarah, Anna becomes the group's latest subject. After a period of being beaten and degraded, Anna hallucinates a conversation with Lucie, and is later told she has progressed further than any other test subject, and has reached the "final stage." She is flayed alive and survives the procedure, entering a state that is "euphoric" and likened to achieving transcendence. Mademoiselle arrives eagerly and Anna whispers into her ear.Mademoiselle's assistant asks her if what Anna said was clear. Mademoiselle confirms that there is no room for interpretation, places a revolver in her mouth and shoots herself, implying that what Anna told her was too terrible for her to live with.The film ends with a shot of Anna on the table, in a catatonic state., Question: Who knows that Lucie believes the Belfonds are the people responsible for her childhood abuse?
Answer: Anna

The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girl's television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billy's wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in odz during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced she's being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelganger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsencompassing some of the subplots of the filmbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: What is the name of the apartment building in the story?
Answer: Axxon N

In Los Angeles, career-focused lawyer Fletcher Reede (Carrey) loves his son Max (Cooper), but his inability to keep his promises and the compulsive lying he engages in for his career often cause problems between them and with his former wife Audrey (Tierney), who has become involved with another man named Jerry (Elwes). In court, Fletcher is willing to exaggerate the stories of his clients, and his current client, the self-centered, money-grabbing Samantha Cole (Tilly) has garnered the attention of Mr. Allen, a partner at the law firm in which Fletcher works. If Fletcher wins this case, it will bring his firm a fortune and boost his career. Fletcher calls and lies to Audrey about missing Max's birthday due to work, when he is actually having sex with his boss, Miranda, in order to get a promotion. Dejected, Max makes a birthday wish that for one day his father cannot tell a lie. The wish immediately comes true, and Fletcher accidentally tells Miranda he has "had better" after they have sex.The following day, Fletcher immediately realizes that he is unable to do anything dishonest. He cannot lie, mislead, or even deceive by withholding a true answer, often uncontrollably blurting out offensive and painful truths that anger his co-workers, and his car ends up in an impound for several parking violations. This comes to a head when he realizes that he is unable to even ask questions when he knows the answer will be a lie, which is inconvenient as Samantha and her alleged affair partner Kenneth Faulk are willing to commit perjury to win the high profile case and he cannot ask him the questions they have been given answers for.Realizing that Max had wished for this to happen, Fletcher tries to convince him that adults need to lie, but cannot give any type of answer at why he should continue to lie to his son. Fletcher also figures out that since Max wished for him to tell the truth for only one day, he tries to do what he can to delay Samantha's case since the magic wish will expire at 8:15 p.m., 24 hours after Max made the wish. Things only get worse for Fletcher as he loses his loyal assistant Greta after admitting he had lied about the miserly reasons for denying her pay raises and the "expensive" gifts he gave her, and Audrey tells Fletcher that she and Max are moving to Boston with Jerry in order to prevent any more heartbreaks from Fletcher's broken promises.Fletcher's erratic behavior in court leads to several questions of his sanity as he objects to himself and badgers and provokes his own witnesses into admitting they had an affair against Samantha and her husband's prenuptial agreement. He even goes so far as to beat himself up and claim that someone attacked him in order to try and avoid the case, but when asked if he feels like he can continue, he can't deny it and he says yes. During the case, Fletcher finds a technicality that Samantha lied that she was underage when she signed the prenup prior to her marriage, rendering it void and entitling her to half of Mr. Cole's estate, allowing him to win the case truthfully. But when Samantha decides to contest full custody of their children, who Mr. Cole dearly loves, just because she wants more money from the child support payments, Fletcher regrets mentioning the technicality after seeing Mrs. Cole pull the children out of their father's arms, and shriek her demands for more money. Realizing now that winning the case has punished the loving husband and rewarded the cheating wife, Fletcher has a crisis of conscience and shouts at the Judge demanding that he reverse the decision, but he is arrested for contempt of court. He calls Audrey from the prison's phone and pleads with her to bail him out and give him another chance, but she hangs up on him.Greta returns and bails Fletcher from jail, who forgives him and realizes that telling the truth has made him a better man and he rushes to the airport to stop Audrey and Max from leaving forever. He misses their flight, but he sneaks onto the tarmac by hiding in a piece of luggage, steals a motorized staircase, and manages to gain the pilot's attention by throwing his shoe at the cockpit window, forcing him to abort the flight. However, Fletcher's victory is cut short when he crashes into a barrier and is sent flying into a baggage tug, which causes a chain reaction that leaves Fletcher unconscious and with both of his legs broken. After waking up, he tells Max how much he cares about him and how sorry he was for breaking his promises. Despite no longer being under the wish's influence, Fletcher means what he says and adds that Max is his priority, and Max convinces Audrey to stay in Los Angeles.One year later, Fletcher is healed and is running his own law firm with Greta as his continued assistant. Max makes a wish with his birthday cake and the lights come on to reveal Fletcher and Audrey kissing, but explains he wished for rollerblades instead of them reconciling. Fletcher clutches his hands into "The Claw" -a game he likes to play with Max by chasing him - and chases him and Audrey around the house with it., Question: Who does Fletcher rush to the airport to stop?
Answer: Audrey and Max