Problem: Gilliam was born in Minneapolis, Minnesota, the son of Beatrice (nee Vance) and James Hall Gilliam. His father was a travelling salesman for Folgers before becoming a carpenter. Soon after, they moved to nearby Medicine Lake, Minnesota. The family moved to the Los Angeles neighbourhood of Panorama City in 1952.

Gilliam was a part of Monty Python's Flying Circus from its outset, credited at first as an animator (his name was listed separately after the other five in the closing credits) and later as a full member. His cartoons linked the show's sketches together and defined the group's visual language in other media (such as LP and book covers and the title sequences of their films). His animations mix his own art, characterised by soft gradients and odd, bulbous shapes, with backgrounds and moving cutouts from antique photographs, mostly from the Victorian era. In 1978, Gilliam published Animations of Mortality, an illustrated, tongue-in-cheek, semi-autobiographical how-to guide to his animation techniques and the visual language in them. Roughly 15 years later, between the release of the CD-ROM game Monty Python's Complete Waste of Time in 1994, which used many of Gilliam's animation templates, and the making of Gilliam's film Fear and Loathing in Las Vegas (1998), Gilliam was in negotiations with Enteractive, a software company, to tentatively release in the autumn of 1996 a CD-ROM under the same title as his 1978 book, containing all of his thousands of 1970s animation templates as license-free clip arts for people to create their own flash animations, but the project hovered in limbo for years, probably because Enteractive was about to downsize greatly in mid-1996 and changed its focus from CD-ROM multimedia presentations to internet business solutions and web hosting in 1997 (in the introduction to their 2004 book Terry Gilliam: Interviews, David Sterrit and Lucille Rhodes claimed that the internet had overwhelmed the "computer-communications market" and gave this as the reason that the Animations of Mortality CD-ROM never materialised). Around the time of Gilliam's film The Imaginarium of Doctor Parnassus (2009), the project had changed into the idea of releasing his 1970s animation templates as a license-free download of Adobe After Effects or similar files. Besides creating the animations, he also appeared in several sketches, though he rarely had main roles and did considerably less acting in the sketches. He did, however, have some notable sketch roles, such as Cardinal Fang of the Spanish Inquisition; the bespectacled commenter who said, "I can't add anything to that!" in the sketch "Election Night Special"; Kevin Garibaldi, the brat on the couch shouting "I want more beans!" in the sketch "Most Awful Family in Britain 1974" (episode 45); the Screaming Queen in a cape and mask in The Visitors; and Percy Bysshe Shelly in Ant Poetry Reading. More frequently, he played parts that no one else wanted to play, generally because they required a lot of makeup or uncomfortable costumes (such as the recurring character of a knight in armour who ended sketches by walking on and hitting one of the other characters over the head with a plucked chicken). He took a number of small roles in the films, including Patsy in Monty Python and the Holy Grail (which he co-directed with Terry Jones; Gilliam was responsible for photography, while Jones guided the actors' performances) and the jailer in Monty Python's Life of Brian. He also designed the covers of most of the Monty Python albums, including Another Monty Python Record, The Monty Python Matching Tie and Handkerchief and Monty Python Live at Drury Lane, and their film soundtrack albums.

Who else was involved in Monty Python?

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Question:
Between the Buried and Me is an American progressive metal band from Raleigh, North Carolina. Formed in 2000, the band consists of Tommy Giles Rogers Jr. (lead vocals, keyboards), Paul Waggoner (lead guitar, backing vocals), Dustie Waring (rhythm guitar), Dan Briggs (bass, keyboards), and Blake Richardson (drums). Their debut eponymous album was released through Lifeforce Records in 2002, shifting to Victory Records for subsequent releases until their signing to Metal Blade in 2011, where Between the Buried and Me released their first extended play, The Parallax: Hypersleep Dialogues that year, and its full-length follow-up The Parallax II: Future Sequence the following year. Their seventh studio album, Coma Ecliptic, was released in 2015.
In August 2003, Between the Buried and Me traveled to Q Division Studios in Somerville, Massachusetts to record their second record, The Silent Circus, released in October the same year. It was later re-released in 2006 with a live DVD of the band's performance at The Cat's Cradle in Chapel Hill, North Carolina on July 17, 2005. Mark Castillo played drums on The Silent Circus, replacing Goodyear. After the release of The Silent Circus, the band went through numerous members before the current lineup was assembled for their third album, Alaska. On drums, Mark Castillo was replaced by Jason Roe, and later by Blake Richardson. On guitar, Fletcher was replaced by Shane Blay, and later by Dustie Waring. And on bass, King was replaced by Kevin Falk, and later by Dan Briggs. This remains the current lineup. In the summer of 2005, Between the Buried and Me released Alaska. The album released the songs "Selkies: The Endless Obsession", "The Primer", and "Backwards Marathon" as singles. In the following year, the band released their first cover album, The Anatomy Of, a collection of covers of bands that influenced Between the Buried and Me, including Metallica, King Crimson, Pantera, Faith No More, Queen, Pink Floyd, Earth Crisis, Counting Crows, and Soundgarden. In early 2006, Between the Buried and Me was on tour supporting Bleeding Through along with Every Time I Die and Haste the Day. They were also on the Ozzfest 2006 Second Stage. In late 2006, they were on the Radio Rebellion Tour headlined by Norma Jean.
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Is The Silent Circus an album title?

Answer:
record their second record, The Silent Circus, released in October the same year.