IN: The Ting Tings are an English indie pop duo from Salford, Greater Manchester. The band consists of Katie White (vocals, guitar, bass drums, bass guitar, cowbells) and Jules De Martino (drums, lead guitar, bass guitar, vocals, piano). The duo's debut studio album, We Started Nothing, was released on 19 May 2008 by Columbia Records and peaked at number one on the UK Albums Chart.

Katie White started her music career as a school-time hobby in an all-female punk trio TKO--short for Technical Knock Out--with two friends from Lowton School, Marion Grethe Seaman and Emma Lally. The band had minimal success, once sharing the same stage as the bands Steps and Atomic Kitten. While De Martino was in Manchester, the pair bumped into each other and discovered they had a mutual love of Portishead. De Martino relocated to Islington Mill Studios (the Mill) in the Salford, Greater Manchester area. The pair, along with friend Simon Templeman, went on to form the Portishead-influenced trio Dear Eskiimo, who signed to Mercury Records. However, due to a change of directors and managers, the management style of the record label caused them to split. The experience left White and De Martino with a distrust of the music industry. White was a bartender at the Mill while De Martino produced tracks for various artists therein. The pair developed their sound from influences of performers at the Mill, and were inspired to form their own group, "The Ting Tings". "Ting Ting" was the name of a Chinese colleague of White at a shop, who told her that it sounded like the pronunciation of "bandstand" in Mandarin (Ting ). The band researched the name and found it to also mean the "sound of innovation on an open mind". Having created three songs, the band's first gig was a free-beer invite all at the Mill in their rented dwelling called "the Engine House". Subsequent gigs were funded on donations, and after their third gig they were name-checked on XFM. The Islington Mill gigs ended up as some of the most sought-after tickets on the Manchester party scene with various A&R reps and record producers, such as Rick Rubin, asking for tickets.

Did they have a good fan base?

OUT: after their third gig they were name-checked on XFM.

Answer the question at the end by quoting:

Odissi (Odia: odd'ishii Odisi), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha - an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism (Vishnu as Jagannath). Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism, Buddhism and Jainism.
The Buddhist, Jain and Hindu archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses - such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanas mentioned in NatyaShastra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakasha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannath temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services.

What types of sculptures survived?

There are several sculptures of dancers and musicians

input: In 1972, White got his big break producing a girl group he had discovered called Love Unlimited. Formed in imitative style of the Motown girl group The Supremes, the group members had gradually honed their talents with White for two years previously until they signed contracts with Uni Records. His friend Paul Politi hooked him up with music industry businessman Larry Nunes, who helped to finance their album. After it was recorded, Nunes took the recording to Russ Regan, who was the head of the Uni label owned by MCA. The album, 1972's From A Girl's Point of View We Give to You... Love Unlimited, became a million album seller and the first of White's string of long-titled albums and singles. White produced, wrote and arranged their classic soul ballad "Walkin' in the Rain with the One I Love", which climbed to #14 in the Billboard Hot 100 Pop chart and #6 on the Billboard R&B chart in late 1972. This single also reached #12 in the UK chart. White's voice can clearly be heard in this piece as he plays the lover who answers the phone call of the female lead. Soon after, Regan left Uni for 20th Century Records. Without Regan, White's relationship with Uni soured. With his relationship with Uni over and Love Unlimited contract-bound with the label, White was able to switch both his production deal and the group to 20th Century Records. They recorded several other hits throughout the 1970s, "I Belong to You", which spent over five months on the Billboard R&B chart in 1974 including a week at #1 and "Under the Influence of Love", which hit #3 on the Billboard Pop album charts. White married the lead singer of the group, Glodean James, on July 4, 1974.

Answer this question "Did Barry White produce any other albums?"
output:
The album, 1972's From A Girl's Point of View We Give to You...