Article: Use the flute calculator, which also calculates the space between the edge of each hole and the open end of the flute. It gives the measurements based on each holes distance from the embouchure. So, mark where each hole should be to make sure that they will fit on your pole. Once, all your measurements seem correct and everything seems to fit on the bamboo, then you're ready to drill. You need to test it to make sure you get a familiar, mellow, "flute-like" tone. If you need to make adjustments, sand the outside edge of the embouchure with a sanding file at a downward slant, but only do this if you think it needs adjustment. If it sounds good to you, it's better to play it safe and not make any adjustments. Make sure that they are in the right place respective to the blowhole. The Flutomat calculator gives the space between each hold from the end of one hole to the end of the next hole. So, it doesn't give you the hole's center. You'll need to make your hole one radius up -- half the diameter-- of the hole. This is where the center of the hole will be and where you'll drill. Then, drill in the same manner that you drilled the blowhole. Make sure your holes are marked in a straight line. Drill in successively larger bits, which means start with the smaller bits to make a starter hole. Then, slowly increase to the larger bits to get to the size drill bit to make the appropriate size. Some parts of the bamboo and thinner than other such as where a branch was growing. So, be mindful of this when you're drilling. If you have to drill a hole over a node, this area will be thicker than other areas. Take your time and drill slowly. With your rotary tool, sand the edges of the hole so that they are smooth. If you are scared of making a mistakes or sanding too much, use the sanding file. They're also great for smaller holes. Once you've cleaned up the drill holes, you're ready to play.
Question: What is a summary of what this article is about?
Measure the length between the finger holes. Blow into the embouchure. Recheck your finger hole markings. Clean up the insides of the holes.

Problem: Article: Many vets have started using imiquimod (Aldara), a human wart cream, to treat aural plaque. The cream treats the plaques in many horses when using a 5% solution, by stimulating an immune response in the affected area. This treatment is primarily used if the ear plaque is causing problems or pain for the horse. Some horses and cases of ear plaque won't respond to imiquimod. Before using the cream, you have to remove the white crusty areas and any other build up on the ears. To remove the ear plaque, use baby oil or another agent to soften the crusty, flaky areas first. Then, carefully and as gently as possible, remove the crusts. Never scrape the flakes off the horse's ear without softening it first. You don't want to cause the horse any additional pain. Scraping the plaque off the ears without taking care to reduce pain can cause head shyness and resistance. Talk to your vet about the recommended treatment schedule for your horse. Generally, the cream is applied every other day for a few months. Some horses may only need to be treated every other week, however. Be sure to follow your vet's directions in applying the cream. If your horse is in a lot of pain, your vet may recommend applying the cream twice weekly instead. The wart cream can lead to reactions in some horses. The most common reaction is severe inflammation. The affected areas may become red, start swelling, or ooze. Some horses may have to be sedated. If the side effects are too much for your horse, your vet may prescribe Phenylbutazone. This is non-steroidal anti-inflammatory (NSAID) that helps with pain and inflammation. Don't stop treatment because of side effects consult with your vet, instead. By stopping early, you may end up losing valuable progress in healing.
Summary: Consider using a wart cream. Prepare the ear before using the cream. Apply the cream three times each week or as directed. Be aware of the side effects of the cream.

The content of your copy should be inspired and informed by the research you conducted on the product or service. The intended audience will likely have questions that are similar to your research questions. Good copy anticipates these questionsanswering them before the customer even has a chance to wonder. Always write with your audience in mind. Scrutinize each word, phrase, and sentence of the copy to ensure that it will be well received by your target audience. Provide your audience with a comprehensive understanding of the product or service. Explicitly state how the product or service will benefit, improve, or fill the need of your customer or client. Radio ads are frequently tuned out by listeners and extremely short. To compensate for these circumstances, copywriters must capture their audience's attention quickly and write short, precise, and clear copy that holds their listeners' attention. Achieving this delicate balance is tricky, but possible. Do not try to share every detail about the product or service in the copy. Keep your message simple and the focus on the product or servicedon't let the copy get bogged down by an overworked creative format. The product or service should not be overshadowed by a vignette, dialog, or testimonial. Revise your copy with an editing eye. Consider every word, phrase, and sentence carefully. Could you shorten a sentence from 15 words to 6 words? Is that joke relevant? Is there a better word? Remember that most people who are listening to radio advertisements are driving a car. When the music or show stops, they are apt to change the station. The copy must stop them from changing that station, or get through the other thoughts they have in their head while driving. In addition to presenting the product or service in comprehensive and articulate manner, radio ads must also call its listeners to action. In other words, you must explicitly tell the intended audience what it is you want them to do. Call to actions may include telling your listeners to: Buy the product or try the service Go to a sale at a specific store Contact the manufacturer or business Attend a concert or club Watch a specific television show Radio ads rely heavily on sound effects and music to help listeners visualize a scene. When incorporated into the copy correctly, sound effects and music can elevate and transform an ad. As you write the words of the radio ad, simultaneously envision the accompanying sound effects and music. Sound effects and music should never be an afterthought. You may also wish to include unusual voices in your ad. For instance, if you are selling a beverage, hearing the bottle open can be enticing. If you are selling season tickets to a baseball team, the crack of the bat and roar of the crowd can grab someone's attention. Rely on these other elements to enhance your ad.
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One-sentence summary --
Use your research on the product or service. Create copy that is engaging and simple. Provide your audience with a clear call to action. Use sound effects wisely.