IN: Tyson Cleotis Chandler (born October 2, 1982) is an American professional basketball player for the Phoenix Suns of the National Basketball Association (NBA). Chandler was the second overall pick of the 2001 NBA draft by the Los Angeles Clippers, then was immediately traded to the Chicago Bulls. He has also played for the New Orleans Hornets, Charlotte Bobcats, Dallas Mavericks, and New York Knicks. As starting center for Dallas, he played an integral role in the franchise's first NBA championship in 2011.

Chandler was born to Frank Chandler and Vernie Threadgill, though he did not meet his father Frank until later in his life. He grew up in a family farm in Hanford, California, just south of Fresno, California. Chandler began playing basketball at the age of three years on a basket Chandler's grandfather, Cleotis, fixed on a tree. Chandler grew up doing farm work such as milking cows, slopping pigs, and cultivating crops. At the age of nine years, Chandler and his mother moved to San Bernardino, California; he was already nearly six feet tall. As a child, Chandler was teased because of his height; children on his school basketball team joked that he was older than he really was, and that he had been left back several times in school. Chandler and his family then moved to Compton, California, where he enrolled at Dominguez High School, a school known for its athletics, producing basketball players such as Dennis Johnson and Cedric Ceballos. In his freshman year, Chandler made the varsity team and played with future NBA player Tayshaun Prince, who was then a senior. With the Dominguez Dons, Chandler became a teenage sensation; current players such as DeMar DeRozan watched him play and claimed "he was like Shaq". Point guard Brandon Jennings, who was a ball boy for Dominguez at the time, said, "You'd see the girls around Tyson, the Escalade he drove, and you wanted to be like him". Chandler earned accolades from Parade Magazine and USA Today, and was selected to the McDonald's High School All-America Team. As a freshman, he was profiled on current affairs TV program 60 Minutes. In his junior year, Chandler averaged 20 points, 12 rebounds, 6 assists and 3 blocks. In his senior year, Chandler led Dominguez to a state championship and a 31-4 record, averaging 26 points, 15 rebounds, and 8 blocks a game. Chandler was recruited by several universities and considered UCLA, Arizona, Syracuse, Memphis, Kentucky and Michigan. Chandler then declared for the 2001 NBA draft as a prep-to-pro.

Where did he grow up

OUT: He grew up in a family farm in Hanford, California, just south of Fresno, California.

IN: Gilliam was born in Minneapolis, Minnesota, the son of Beatrice (nee Vance) and James Hall Gilliam. His father was a travelling salesman for Folgers before becoming a carpenter. Soon after, they moved to nearby Medicine Lake, Minnesota. The family moved to the Los Angeles neighbourhood of Panorama City in 1952.

Gilliam was a part of Monty Python's Flying Circus from its outset, credited at first as an animator (his name was listed separately after the other five in the closing credits) and later as a full member. His cartoons linked the show's sketches together and defined the group's visual language in other media (such as LP and book covers and the title sequences of their films). His animations mix his own art, characterised by soft gradients and odd, bulbous shapes, with backgrounds and moving cutouts from antique photographs, mostly from the Victorian era. In 1978, Gilliam published Animations of Mortality, an illustrated, tongue-in-cheek, semi-autobiographical how-to guide to his animation techniques and the visual language in them. Roughly 15 years later, between the release of the CD-ROM game Monty Python's Complete Waste of Time in 1994, which used many of Gilliam's animation templates, and the making of Gilliam's film Fear and Loathing in Las Vegas (1998), Gilliam was in negotiations with Enteractive, a software company, to tentatively release in the autumn of 1996 a CD-ROM under the same title as his 1978 book, containing all of his thousands of 1970s animation templates as license-free clip arts for people to create their own flash animations, but the project hovered in limbo for years, probably because Enteractive was about to downsize greatly in mid-1996 and changed its focus from CD-ROM multimedia presentations to internet business solutions and web hosting in 1997 (in the introduction to their 2004 book Terry Gilliam: Interviews, David Sterrit and Lucille Rhodes claimed that the internet had overwhelmed the "computer-communications market" and gave this as the reason that the Animations of Mortality CD-ROM never materialised). Around the time of Gilliam's film The Imaginarium of Doctor Parnassus (2009), the project had changed into the idea of releasing his 1970s animation templates as a license-free download of Adobe After Effects or similar files. Besides creating the animations, he also appeared in several sketches, though he rarely had main roles and did considerably less acting in the sketches. He did, however, have some notable sketch roles, such as Cardinal Fang of the Spanish Inquisition; the bespectacled commenter who said, "I can't add anything to that!" in the sketch "Election Night Special"; Kevin Garibaldi, the brat on the couch shouting "I want more beans!" in the sketch "Most Awful Family in Britain 1974" (episode 45); the Screaming Queen in a cape and mask in The Visitors; and Percy Bysshe Shelly in Ant Poetry Reading. More frequently, he played parts that no one else wanted to play, generally because they required a lot of makeup or uncomfortable costumes (such as the recurring character of a knight in armour who ended sketches by walking on and hitting one of the other characters over the head with a plucked chicken). He took a number of small roles in the films, including Patsy in Monty Python and the Holy Grail (which he co-directed with Terry Jones; Gilliam was responsible for photography, while Jones guided the actors' performances) and the jailer in Monty Python's Life of Brian. He also designed the covers of most of the Monty Python albums, including Another Monty Python Record, The Monty Python Matching Tie and Handkerchief and Monty Python Live at Drury Lane, and their film soundtrack albums.

What else did you find interesting in this section?

OUT:
Besides creating the animations, he also appeared in several sketches,