An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: I have a deep liking for this film despite it appearing deliberately less 'polished' than the other Fred and Ginger films, not to mention the slightly problematic casting of Harriet Hillard in the lead romantic role.

Once again with these films, the plot is of a minor consequence - Astaire plays a rather unlikely sailor (who happens to be a brilliant former hoofer (of course!)) and Rogers an aspiring performer in a seedy dime-a-dance music hall. Although their relationship is bright and fun to watch, they are bogged down by an un-involving main story of Hilliard and Randolph Scott not succeeding in finding any chemistry between them.

Although it was a last minute decision, Hilliard was rather miscast in this as she doesn't have the screen presence to give this film what it needs despite being sweet and likable throughout. The film may have benefited in promoting Lucille Ball's wise-cracking worldy brassy character to a larger role as she simply shined in every small scene, and would have made a great Helen Broderick-type side-kick to Rogers in this kind of bright film (See 'Stage Door', made the following year, for an example of wonderful scenes between these two fantastic actresses). That Scott's one-dimensional Neanderthal character eventually falls in love with Hilliard's is even harder to believe than Astaire being in the Navy!

Now onto the important part, the singing and dancing: Nothing more can be said about "Let's Face the Music and Dance" other than it is brilliant and moving and perfectly executed and I often finish watching that scene with tears in my eyes. However other songs in the film deserve some recognition as well; "I'm putting all my Eggs in One Basket" is a lovely example of the comedic instincts of Astaire and Rogers, and almost pokes fun at their reputation of bursting into spontaneous, perfectly synchronized dancing. Other highlights are "I'd Rather Lead the Band" and "Let Yourself Go" which show how these two talents could perform as brilliantly alone as together. I nearly forgot to mention that this is one of the few (if not the only) time we see Astaire brilliantly play on the piano; It seems this man's talents were endless!

Overall, I actually prefer this to 'Top Hat' and 'Swing Time' (although only just), as it is more earthy and performed so enthusiastically by all involved, it is hard to dislike the fun factor.
Q: What's an example of a movie review?
An example of a movie review is here: Strummer's hippie past was a revelation, but overall this felt like crashing a wake. Campfire stories work best around the intimacy of a campfire. There were just too many semi-boring old friends anecdotes and too much filler stock footage. I love The Clash and Joe for not reuniting and selling their songs until now (FU Mick Jones), but this doc left me wanting..to relate more. Using campfire storytellers without proper explanation of who is telling the anecdote alienates the viewer to some extent. They should have been interviewed on their own. Even using Strummer's 'radio DJ voice' did little to glue the film together. And can someone explain all the flags flying behind the campfire scenes? After the awesome "Filth And The Fury" I hoped Temple could deliver. A Joe Strummer doc deserves better.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: Fast paced and funny satire about that original "reality TV", the soap opera. The script by playwright Robert Harling is packed with one liners and ridiculous situations. The best of them is the climax, a live broadcast that quickly deteriorates into bad improv and a brain transplant. Keven Kline's murdering of his lines, due to not wearing his glasses, is hilarious. "Her brain will laterally explore within the next few houses." The brilliant cast is on the same page as Kline. Sally Field, Elizabeth Shue, Cathy Moriarty, Robert Downey Jr., Whoopi Goldberg, Teri Hatcher, Garry Marshall, and Kathy Najimy are all perfect. It is a treat to see a cast click like it does in this movie. This is a classic that has somehow slipped through the cracks.

P.S. The score by Alan Silvestri is an added bonus. It fits the soap opera with it's flamboyant and melodramatic air.
Problem: OPTIONS:
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- positive positive
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Answer: FORGET CREDIBILITY

You must not expect credibility with action movies where the superhero has to perform an endless string of unbelievable feats, being trodden upon in the process but recovering at lightning speed, and transforming innocuous gadgets in lethal weapons... especially when Renny Harlin is directing.

"CLIFFHANGER " is no exception. But the movie has numerous assets : breathtaking scenery gorgeously photographed, stunning special and visual effects ( the first five minutes are gripping and give the tone of the film ), excellent musical score, welcome attempts at levity to relieve some of the tension, and a solid cast : two heroes ( Stallone, star and cowriter, has the lion's share of the footage, but the excellent Michael Rooker more than stands his ground ), a charming heroin ( Janine Turner ), and one of the most darstardy bunch of villains ever ( priceless John Lithgow and deceivingly feminine Caroline Goodall, but also Rex Linn - in a longer than usual part and who makes the most of it, Leon, Craig Fairbrass ) Good, solid entertainment then , if no credibility.As Roger Ebert wrote ( about another film )"It's the kind of movie you can sit back and enjoy as long as you don't make the mistake of thinking too much."

An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: And I absolutely adore Isabelle Blais!!! She was so cute in this movie, and far different from her role in "Quebec-Montreal" where she was more like a man-eater. I think she should have been nominated for a Jutra. I mean, Syvlie Moreau was good, but Isabelle was far superior, IMO. Pelletier has done fine work for his first time out, and I noticed he snuck in a couple of his buddies from Rock et Belles Oreilles, Guy A. LePage & Andre Ducharme. It was fun to see them in this, I didn't know they were going to appear.

I don't think I've seen a romantic comedy from Quebec that I didn't like, and this one is as good as any I've had the pleasure to see. And if you're in the states and wondering how you can get a copy of the DVD, www.archambault.ca delivered it to me in less than a week.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A:
The fourth of five westerns Anthony Mann did with James Stewart, this one involves a hard bitten cattleman named Jeff Webster who takes a cattle drive from Wyoming to Alaska, via Seattle. He hooks up in Seattle with his partners Ben Tatum (Walter Brennan) and Rube Morris (Jay C. Flippen) that he has sent ahead of time in order to make preparations for the boat trip, north.

But first, he has to put up with insubordinate trail hands, cheating riverboat captains and the charms of coy, manipulative Ronda Castle (Ruth Roman) who believes Jeff could be a valuable ally in the future. That's why she hides him out on the boat while the captain's looking for him for the earlier (and justifiable) killing of a trail hand.

Jeff also has the misfortune of running into sleazy Judge Gannon (John McIntire) who runs the town of Skagway, Alaska. Gannon locks Jeff up for disrupting his public hanging by running his cattle through town. He fines Jeff the ownership of his cattle and Jeff just has to eat crow for the time being.

In the meantime, Jeff agrees to ride point for Ronda up to Dawson in order to deliver supplies. But this is just a ruse so Jeff, Ben and Rube can slip back into Skagway and steal his cattle back. Of course Judge Gannon finds out about this and is right behind but is delayed by Jeff with a rifle while Ben races the cattle over the Canadian border out of Gannon's reach.

After avoiding an avalanche and another shootout with some other Skagway men, they finally reach Dawson where Jeff sells his cattle to the highest bidder, which just happens to be Ronda who then promptly sets up a new gambling house in Dawson. Jeff then takes his money and buys himself a claim and starts panning for gold.

But then Judge Gannon comes up to Dawson to get in on the gold action up there, and tells Jeff that he was getting a little bored with Skagway and wants to try his luck up in the Klondike, himself. That involves bring some hired gunman with him and forcibly stealing some of the other miner's claims. Jeff and Ben now feel it's time to clear out while the goings are good, leaving Rube to fend for himself as a most ineffective sheriff against Gannon and his gang.

They look for a back way out only to find themselves ambushed by Gannon's men because Ben made the mistake of opening his big mouth. Ben is killed and Jeff is severely wounded but that doesn't save Judge Gannon from his just due. The ending shootout at night on the muddy Dawson street pretty much takes care of that. First Jeff kills two of Gannon's best gunman (Jack Elam and Robert Wilkie). Then as Ronda comes out to warn Jeff that Gannon is trying to slip around behind him, Gannon shoots her in the back and she dies right there in Jeff's arms. Then Jeff kills Gannon as he's hiding under a wooden sidewalk. Revenge has spoken.

This is another rip-roaring western that's right up there with THE NAKED SPUR and THE MAN FROM LARAMIE. Why the Universal DVD uses a pan-and-scan print instead of the widescreen print TCM uses, is beyond me. You'll wind up missing half the glorious Alberta cinematography by William Daniels. So if you like well-written 50s westerns, then this one's an A-list keeper.

8 out of 10