input: Meg Greenfield, editorial page editor for The Washington Post who edited Krauthammer's columns for 15 years, called his weekly column "independent and hard to peg politically. It's a very tough column. There's no 'trendy' in it. You never know what is going to happen next." Hendrik Hertzberg, also a former colleague of Krauthammer while they worked at The New Republic in the 1980s, said that when the two first met in 1978, Krauthammer was "70 percent Mondale liberal, 30 percent 'Scoop Jackson Democrat,' that is, hard-line on Israel and relations with the Soviet Union"; in the mid-1980s, he was still "50-50: fairly liberal on economic and social questions but a full-bore foreign-policy neoconservative." Hertzberg now calls Krauthammer a "pretty solid 90-10 Republican." Krauthammer has been described by some as a conservative. Krauthammer's major monograph on foreign policy, "Democratic Realism: An American Foreign Policy for a Unipolar World," is critical both of the neoconservative Bush doctrine for being too expansive and utopian, and of foreign policy "realism" for being too narrow and immoral; instead, he proposes an alternative he calls "Democratic Realism." In a 2005 speech (later published in Commentary Magazine) he called neoconservatism "a governing ideology whose time has come." He noted that the original "fathers of neoconservatism" were "former liberals or leftists." More recently, they have been joined by "realists, newly mugged by reality" such as Condoleezza Rice, Richard Cheney, and George W. Bush, who "have given weight to neoconservatism, making it more diverse and, given the newcomers' past experience, more mature." In "Charlie Gibson's Gaffe" in The Washington Post, September 13, 2008, Krauthammer elaborated on the changing meanings of the Bush Doctrine in light of Gibson's questioning of Republican vice-presidential candidate Sarah Palin regarding what exactly the Bush Doctrine was, which resulted in criticism of Palin's response. Krauthammer states that the phrase originally referred to "the unilateralism that characterized the pre-9/11 first year of the Bush administration," but elaborates, "There is no single meaning of the Bush doctrine. In fact, there have been four distinct meanings, each one succeeding another over the eight years of this administration." Krauthammer refused to vote for Donald Trump, and believes there is evidence that the Trump campaign colluded with the Russian government.

Answer this question "what was his monograph"
output: Democratic Realism: An American Foreign Policy for a Unipolar World,

input: The principal themes in Updike's work are religion, sex, and America as well as death. Often he would combine them, frequently in his favored terrain of "the American small town, Protestant middle class", of which he once said, "I like middles. It is in middles that extremes clash, where ambiguity restlessly rules." For example, the decline of religion in America is chronicled in In the Beauty of the Lilies (1996) alongside the history of cinema, and Rabbit Angstrom contemplates the merits of sex with the wife of his friend Reverend Jack Eccles while the latter is giving his sermon in Rabbit, Run (1960). Critics have often noted that Updike imbued language itself with a kind of faith in its efficacy, and that his tendency to construct narratives spanning many years and books--the Rabbit series, the Henry Bech series, Eastwick, the Maples stories--demonstrates a similar faith in the transcendent power of fiction and language. Updike's novels often act as dialectical theological debates between the book itself and the reader, the novel endowed with theological beliefs meant to challenge the reader as the plot runs its course. Rabbit Angstrom himself acts as a Kierkegaardian Knight of Faith. Describing his purpose in writing prose, Updike himself, in the introduction to his Early Stories: 1953-1975 (2004), wrote that his aim was always "to give the mundane its beautiful due." Elsewhere he famously said, "When I write, I aim my mind not towards New York but towards a vague spot east of Kansas." Some have suggested that the "best statement of Updike's aesthetic comes in his early memoir 'The Dogwood Tree'" (1962): "Blankness is not emptiness; we may skate upon an intense radiance we do not see because we see nothing else. And in fact there is a color, a quiet but tireless goodness that things at rest, like a brick wall or a small stone, seem to affirm."

Answer this question "Did the critics say anything about this?"
output: Critics have often noted that Updike imbued language itself with a kind of faith in its efficacy,

input: In 1820, Cooper's wife Susan wagered that he could write a book better than the one that she was reading. In response to the wager, Cooper wrote the novel Precaution (1820). Its focus on morals and manners was influenced by Jane Austen's approach to fiction. He anonymously published Precaution and it received favorable notice from the United States and England. By contrast, his second novel The Spy (1821) was inspired by a tale related to him by neighbor and family friend John Jay. It was more successful and became a bestseller; the setting of this Revolutionary War tale is widely believed to have been John Jay's family home "The Locusts" in Rye, New York. In 1823, Cooper published The Pioneers, the first of the Leatherstocking series. The series features Natty Bumppo, a resourceful American woodsman at home with the Delaware Indians and their chief Chingachgook. Bumppo was also the main character of Cooper's most famous novel The Last of the Mohicans (1826), written in New York City where Cooper and his family lived from 1822 to 1826. The book became one of the most widely read American novels of the 19th century. In 1823, Cooper was living in New York on Beach Street in what is now downtown's Tribeca. While there, he became a member of the Philadelphia Philosophical Society. In August of that year, his first son died. In 1824, General Lafayette arrived from France aboard the Cadmus at Castle Garden in New York City as the nation's guest. Cooper witnessed his arrival and was one of the active committee of welcome and entertainment.

Answer this question "What were some of his first endeavors?"
output:
reading. In response to the wager, Cooper wrote the novel Precaution (1820).