Teacher: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Teacher: Now, understand the problem? If you are still confused, see the following example:
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this instance: Context_1 : Sherds ("fragments of pottery" or "potsherds") is a 2007 short novel or novelette written by Filipino National Artist for Literature and multi-awarded author F. Sionil Jose. According to Elmer A. Ordonez, a writer from "The Manila Times", in "Sherds" Jose achieved "lyrical effects", specially in the novel's final chapters, by putting into "good use" Joseph Conrad's and Ford Madox Ford's so-called "progression d'effet" (literally "progression of the effect"). "Sherds" is the latest and last novel by Jose. According to "The Atlantic" National Correspondent James Fallows, the novel is dedicated to the author's wife Teresita Jose. The novel, which can be read in one sitting, was described by Li-an de la Cruz-Busto, a reporter for "Sun.Star Davao" as "very light but candid and insightful", a description that complements "The Manila Times" reporter Perry Gil S. Mallari's calling Jose's "Sherds" as an "easy read and a guaranteed page-turner". A novel composed of twelve chapters with a "tight and palpable" narrative pacing, "Sherds" deals with topics related to "personal conscience, greed and the position of art" in social class struggle, thus serving as a cogitation on "what is wrong" with the Philippines as a nation. Jose wrote "Sherds" while he was in Japan. Context_2 : A short story is a piece of prose fiction that can be read in one sitting. Emerging from earlier oral storytelling traditions in the 17th century, the short story has grown to encompass a body of work so diverse as to defy easy characterization. At its most prototypical the short story features a small cast of named characters, and focuses on a self-contained incident with the intent of evoking a "single effect" or mood. In doing so, short stories make use of plot, resonance, and other dynamic components to a far greater degree than is typical of an anecdote, yet to a far lesser degree than a novel. While the short story is largely distinct from the novel, authors of both generally draw from a common pool of literary techniques. Context_3 : Regina Rheda (1957) is a Brazilian-born writer who lives in the United States. She is known for her prose fiction concerning urbanism, transnational migration, class conflicts, and animal rights. Before becoming a writer, she had worked with film, video and television, and she had been awarded many prizes as a writer-director of short films and videos. She earned the Jabuti prize for literature (1995) with her debut collection of short stories "Arca sem Noe - Historias do Edificio Copan", which was translated by Adria Frizzi and REYoung as "Stories From the Copan Building," and included in the volume "First World Third Class and Other Tales of the Global Mix" (University of Texas Press). The most substantial segment in this volume is the title piece, a novel of discovery translated by David Coles and volume editor Charles A. Perrone. Rheda's book "Humana Festa, A Novel" has been considered a pioneer work of fiction for having veganism and the abolition of all animal exploitation as a guiding theme. Analysts have underlined originality, wit and irony in Rheda's style. Her work has interested scholars of Inter-American literature, Latin American literature, literature of Brazil, women writers, post-humanism, ecocriticism, animal studies, and veganism. Context_4 : Benjamin A. Rogge (June 18, 1920 November 17, 1980) was an American economist, college administrator, and libertarian writer, speaker and foundation advisor. Rogge received an A.B. degree from Hastings College and an M.A. from the University of Nebraska Lincoln. Rogge received his PhD in economics from Northwestern. At Wabash College, Rogge taught in the summer Institute for Professional Development, in addition to his usual teaching in economics. Rogge co-authored an economics principles textbook with John Van Sickle. One strength of the text is the account that it gives of Joseph Schumpeter's process of creative destruction. Rogge helped organize a series of lectures by Milton Friedman at Wabash that were eventually developed into Friedman's "Capitalism and Freedom" book. Much later, Rogge participated in a brainstorming session for Friedman's Free to Choose television series. Liberty Fund was founded with money from Pierre Goodrich, who sought advice from Rogge during the Fund's early years. Rogge served for many years as a Liberty Fund trustee. Thomas Sowell gives Rogge credit for encouraging him to write a book on economics and race. Rogge also was a frequent presenter at the seminars of the Foundation for Economic Education (FEE). FEE's founder, Leonard Read, thought of Rogge as Read's eventual successor, an outcome prevented by Read outliving Rogge. An extended (but somewhat grainy) video clip of a Rogge FEE lecture on "Competition and Monopoly" on YouTube illustrates the dry wit that made him a popular speaker. Rogge attended 13 meetings of the influential international Mont Pelerin Society. Rogge helped produce, and narrated, a documentary on Adam Smith that was funded by Liberty Fund. Rogge wrote the introduction to a collection of quotations from Adam Smith. A collection of Rogge's speeches, often on topics in economics or education, was published under the title "Can Capitalism Survive?" Wabash College, where he taught for many years, established a speaker series in his honor. Rogge's archives are mainly housed at the Hoover Institute on the campus of Stanford University. A posthumous collection of Rogge's speeches and essays has appeared under the title "A Maverick's Defense of Freedom". Context_5 : The Description of a New World, Called The Blazing-World, better known as The Blazing World, is a 1666 work of prose fiction by the English writer Margaret Cavendish, the Duchess of Newcastle. Feminist critic Dale Spender calls it a forerunner of science fiction. It can also be read as a utopian work. Context_6 : A chapter book or chapterbook is a story book intended for intermediate readers, generally age 7-10. Unlike picture books for beginning readers, a chapter book tells the story primarily through prose, rather than pictures. Unlike books for advanced readers, chapter books contain plentiful illustrations. The name refers to the fact that the stories are usually divided into short chapters, which provide readers with opportunities to stop and resume reading if their attention spans are not long enough to finish the book in one sitting. Chapter books are usually works of fiction of moderate length and complexity. Context_7 : Joseph Andrews, or The History of the Adventures of Joseph Andrews and of his Friend Mr. Abraham Adams, was the first published full-length novel of the English author Henry Fielding, and indeed among the first novels in the English language. Published in 1742 and defined by Fielding as a "comic epic poem in prose", it is the story of a good-natured footman's adventures on the road home from London with his friend and mentor, the absent-minded parson Abraham Adams. The novel represents the coming together of the two competing aesthetics of 18th-century literature: the mock-heroic and neoclassical (and, by extension, aristocratic) approach of Augustans such as Alexander Pope and Jonathan Swift; and the popular, domestic prose fiction of novelists such as Daniel Defoe and Samuel Richardson. Context_8 : Murphy, first published in 1938, is an avant-garde novel as well as the third work of prose fiction by the Irish author and dramatist Samuel Beckett. The book was Beckett's second published prose work after the short-story collection "More Pricks than Kicks" (published in 1934) and his unpublished first novel "Dream of Fair to Middling Women" (published posthumously in 1992). It was written in English, rather than the French of much of Beckett's later writing. After many rejections, it was published by Routledge on the recommendation of Beckett's painter friend Jack Butler Yeats. Context_9 : "Everest" is a science fiction short story by Isaac Asimov. It was first published in the December 1953 issue of "Universe Science Fiction" and reprinted in the 1975 collection "Buy Jupiter and Other Stories". Asimov wrote the story in one sitting while visiting the Chicago, Illinois editorial offices of "Universe" on 7 April 1953. Context_10 : Crown of Stars is a posthumous collection of Alice Sheldon (aka James Tiptree, Jr.)'s unpublished short stories and those published in the final years of her career. All but one of the stories ("Come Live With Me") had previously been published elsewhere, in Science fiction magazines or anthologies. It is copyrighted to "the Estate of Alice B. Sheldon" and was first published in 1988 by Tom Doherty Associates. "Crown of Stars" is 340 pages in length. Here we have ten short stories that generally represent Sheldon's last contributions to literature, said to include her final burst of creativity. fact_1 : Crown of Stars is a posthumous collection of Alice Sheldon (aka James Tiptree, Jr.)'s unpublished short stories and those published in the final years of her career. fact_2 : A short story is a piece of prose fiction that can be read in one sitting. Question: What author has a published work from a posthumous collection that is piece of prose fiction that can be read in one sitting?
Student:
Alice Sheldon