input: Please answer the following: Generate a question that has the following answer: early-1930s for the following movie plot: The movie begins with a title card one unemployed worker less. After the title card footage is shown of: the Brandenburg Gate, a smokestack, a few factories along a river way, a locomotive and buildings. The footage transitions to various newspaper headings that describe the current worldwide situation in addition to the unemployment in Germany. In the next scene, there is a group of young adults, mostly men, riding their bicycles or walking toward a community message board that is on the sidewalk. Upon the arrival of a delivery boy, the people are rushing him to grab the classified ads. There are more people than available classified ads and the deliver boy turned people away.Those that were fortunate to receive a classified ad look over the paper and start bicycling together to a jobsite. Upon their arrival at a jobsite they are turned away by a sign that reads, workers will not be hired. They continue riding in unison to another job location. They are shown riding into the entranceway one moment and the next moment riding out of the place. The men continue their journey to a third location. They momentarily enter the place on their bicycles, but quickly leave walking alongside their bicycle. As they are walking out of the jobsite, one of the men crumples the classified ad and tosses it onto the street. One of the men departs the group as he approaches a building. Another man briefly stops to hear a duo playing on the street and continues walking.The following scene shows a middle-aged man lying on the sofa reading a newspaper. He sits up from the sofa and tells his wife that he can no longer financially support his son. The wife does not reply prompting the man to rhetorically ask does she care about anything. The scene shifts to a young man entering the residence. It is the man that entered the building from the street. He enters the dinning room sitting next to his father looking dejected. The father and son do not speak to each other as the mother brings a pot to the table. As the mother is serving the...
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output: which year this movie takes place?

input: Please answer the following: Generate a question that has the following answer: John for the following movie plot: Sally Jones (Rachel Ward), an Australian schoolteacher, finds herself in a fight for life--both her students and her own--when four armed, masked men burst into their isolated one-room school. The men round up Sally and her eight students, who range in age from six to fourteen, and force them into a van, claiming they are going to hold the school for ransom. At first Sally urges her students to comply, but she manages to help the children escape during a rest stop. They make their way to a farmhouse where an elderly couple (with no telephone) offers to hide them until the police can be contacted. But when their kidnappers track them down and murder their saviours, Sally knows that their chances of survival are slim.The kidnappers herd the school into a cave, sealing the entrance. Sally encourages the children to be brave and to organise themselves. Travelling further back into the cave, they find an exit and escape, only to find their armed kidnappers in pursuit and furious. The school isolates itself into a second, "fortress"-like cave at the top of a hill, where they must prepare for the coming night, when the kidnappers will reach them at last. Sally realises that the kidnappers will have to die, and also that she cannot defeat four grown men without help. The children will have to fight back in order to save their own lives, but Sally grapples with the idea that she must, in essence, give these children permission to commit murder.
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output: Who takes Poe hostage to release Karen?

input: Please answer the following: Generate a question that has the following answer: Alma for the following movie plot: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Var Tids Hjalte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiance, Karl-Henrik, who scolds her for lacking ambition "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiance in a menage a quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...
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output:
who becomes pregnant?