Problem: Sunset Boulevard (stylized onscreen as SUNSET BLVD.) is a 1950 American film noir directed and co-written by Billy Wilder, and produced and co-written by Charles Brackett. It was named after the thoroughfare that runs through Los Angeles and Beverly Hills, California. The film stars William Holden as Joe Gillis, an unsuccessful screenwriter, and Gloria Swanson as Norma Desmond, a faded silent-film star who draws him into her fantasy world, where she dreams of making a triumphant return to the screen.

The street known as Sunset Boulevard has been associated with Hollywood film production since 1911, when the town's first film studio opened there. The film workers lived modestly in the growing neighborhood, but during the 1920s, profits and salaries rose to unprecedented levels. With the advent of the star system, luxurious homes noted for their often incongruous grandeur were built in the area. As a young man living in Berlin in the 1920s, Billy Wilder was interested in American culture, with much of his interest fueled by the country's films. In the late 1940s, many of the grand Hollywood houses remained, and Wilder, then a Los Angeles resident, found them to be a part of his everyday world. Many former stars from the silent era still lived in them, although most were no longer involved in the film business. Wilder wondered how they spent their time now that "the parade had passed them by" and began imagining the story of a star who had lost her celebrity and box-office appeal. The character of Norma Desmond mirrors aspects of the twilight years of several real-life faded silent-film stars, such as the reclusive existence of Mary Pickford and the mental disorders of Mae Murray and Clara Bow. It is usually regarded as a fictional composite inspired by several different people, not just a thinly disguised portrait of one in particular. Nevertheless, some commentators have tried to identify specific models. One asserts that Norma Talmadge is "the obvious if unacknowledged source of Norma Desmond, the grotesque, predatory silent movie queen" of the film. The most common analysis of the character's name is that it is a combination of the names of silent film actress Mabel Normand and director William Desmond Taylor, a close friend of Normand's who was murdered in 1922 in a never-solved case sensationalized by the press.

When was the film made?

Answer with quotes: The street known as Sunset Boulevard has been associated with Hollywood film production since 1911,

Background: Jean-Marie Le Pen (French pronunciation: [Za ma.Ri l@.pen]; born 20 June 1928) is a French politician who has served as Honorary President of the National Front since January 2011 and a Member of the European Parliament (MEP) from France since 2004, previously between 1984 to 2003. He previously served as President of the National Front from 1972 to 2011.
Context: Le Pen is often nicknamed the "Menhir", due to his "granitic nature" as he is perceived as someone who does not give way to pressure or who cannot be easily knocked down. It also connects him to France's Celtic origins. Le Pen is often described as one of the most flamboyant and charismatic orators in Europe, whose speech blends folksy humour, crude attacks and rhetorical finesse. However, Le Pen remains a polarizing figure in France: opinions regarding him tend to be quite strong. A 2002 IPSOS poll showed that while 22% of the electorate have a good or very good opinion of Le Pen, and 13% an unfavorable opinion, 61% have a very unfavorable opinion. Le Pen and the National Front are described by much of the media and nearly all commentators as far right. Le Pen himself and the rest of his party disagree with this label; earlier in his political career, Le Pen described his position as "neither right, nor left, but French" (ni droite, ni gauche, francais). He later described his position as right-wing and opposed to the "socialo-communists" and other right-wing parties, which he deems are not real right-wing parties. At other times, for example during the 2002 election campaign, he declared himself "socially left-wing, economically right-wing, nationally French" (socialement a gauche, economiquement a droite, nationalement francais). He further contends that most of the French political and media class are corrupt and out of touch with the real needs of the common people, and conspire to exclude Le Pen and his party from mainstream politics. Le Pen criticizes the other political parties as the "establishment" and lumped all major parties (Communist, Socialist, Union for French Democracy (UDF) and Rally for the Republic (RPR)) into the "Gang of Four" (la bande des quatre - an allusion to the Gang of Four during China's Cultural Revolution).
Question: what did the people who didn't like him say?
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Sir Lawrence Alma-Tadema, (; born Lourens Alma Tadema Dutch pronunciation: ['l^ur@ns 'alma: 'ta:d@,ma:]; 8 January 1836 - 25 June 1912) was a Dutch painter of special British denizenship.
Alma-Tadema's output decreased with time, partly on account of health, but also because of his obsession with decorating his new home, to which he moved in 1883. Nevertheless, he continued to exhibit throughout the 1880s and into the next decade, receiving a plentiful amount of accolades along the way, including the medal of Honour at the Paris Exposition Universelle of 1889, election to an honorary member of the Oxford University Dramatic Society in 1890, the Great Gold Medal at the International Exposition in Brussels of 1897. In 1899 he was Knighted in England, only the eighth artist from the Continent to receive the honour. Not only did he assist with the organisation of the British section at the 1900 Exposition Universelle in Paris, he also exhibited two works that earned him the Grand Prix Diploma. He also assisted with the St. Louis World's Fair of 1904 where he was well represented and received. During this time, Alma-Tadema was very active with theatre design and production, designing many costumes. He also spread his artistic boundaries and began to design furniture, often modelled after Pompeian or Egyptian motifs, illustrations, textiles, and frame making. His diverse interests highlight his talents. Each of these exploits were used in his paintings, as he often incorporated some of his designed furniture into the composition, and must have used many of his own designs for the clothing of his female subjects. Through his last period of creativity Alma-Tadema continued to produce paintings, which repeat the successful formula of women in marble terraces overlooking the sea such as in Silver Favourites (1903). Between 1906 and his death six years later, Alma-Tadema painted less but still produced ambitious paintings like The Finding of Moses (1904). On 15 August 1909 Alma-Tadema's wife, Laura, died at the age of fifty-seven. The grief-stricken widower outlived his second wife by less than three years. His last major composition was Preparation in the Coliseum (1912). In the summer of 1912, Alma Tadema was accompanied by his daughter Anna to Kaiserhof Spa, Wiesbaden, Germany where he was to undergo treatment for ulceration of the stomach. He died there on 28 June 1912 at the age of seventy-six. He was buried in a crypt in St Paul's Cathedral in London.
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What other things inspired his work?

Answer:
which repeat the successful formula of women in marble terraces overlooking the sea such as in Silver Favourites (1903).