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During 734 BC the Phoenicians, a sea trading people from the north of ancient Canaan, built a small settlement on the natural harbor of Palermo. Some sources suggest they named the settlement "Ziz." It became one of the three main Phoenician colonies of Sicily, along with Motya and Soluntum. However, the remains of the Phoenician presence in the city are few and mostly preserved in the very populated center of the downtown area, making any excavation efforts costly and logistically difficult. The site chosen by the Phoenicians made it easy to connect the port to the mountains with a straight road that today has become Corso Calatifimi. This road helped the Phoenicians in trading with the populations that lived beyond the mountains that surround the gulf.

Why cant artifacts from the Phoenicians be easily excavated?
Answer: remains of the Phoenician presence in the city are few and mostly preserved in the very populated center of the downtown area
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The second truth is that the origin of dukkha can be known. Within the context of the four noble truths, the origin of dukkha is commonly explained as craving (Pali: tanha) conditioned by ignorance (Pali: avijja). On a deeper level, the root cause of dukkha is identified as ignorance (Pali: avijja) of the true nature of things. The third noble truth is that the complete cessation of dukkha is possible, and the fourth noble truth identifies a path to this cessation.[note 7]

What is a contributing factor to Dukkha?
Answer: ignorance
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While medieval pageants and festivals such as Corpus Christi were church-sanctioned, Carnival was also a manifestation of medieval folk culture. Many local Carnival customs are claimed to derive from local pre-Christian rituals, such as elaborate rites involving masked figures in the SwabianAlemannic Fastnacht. However, evidence is insufficient to establish a direct origin from Saturnalia or other ancient festivals. No complete accounts of Saturnalia survive and the shared features of feasting, role reversals, temporary social equality, masks and permitted rule-breaking do not necessarily constitute a coherent festival or link these festivals. These similarities may represent a reservoir of cultural resources that can embody multiple meanings and functions. For example, Easter begins with the resurrection of Jesus, followed by a liminal period and ends with rebirth. Carnival reverses this as King Carnival comes to life, a liminal period follows before his death. Both feasts are calculated by the lunar calendar. Both Jesus and King Carnival may be seen as expiatory figures who make a gift to the people with their deaths. In the case of Jesus, the gift is eternal life in heaven and in the case of King Carnival, the acknowledgement that death is a necessary part of the cycle of life. Besides Christian anti-Judaism, the commonalities between church and Carnival rituals and imagery suggest a common root. Christ's passion is itself grotesque: Since early Christianity Christ is figured as the victim of summary judgement, is tortured and executed by Romans before a Jewish mob ("His blood is on us and on our children!" Matthew 27:2425). Holy Week processions in Spain include crowds who vociferously insult the figure of Jesus. Irreverence, parody, degradation and laughter at a tragicomic effigy God can be seen as intensifications of the sacred order. In 1466, the Catholic Church under Pope Paul II revieved customs of the Saturnalia carnival: Jews were forced to race naked through the streets of the city of Rome. "Before they were to run, the Jews were richly fed, so as to make the race more difficult for them and at the same time more amusing for spectators. They ran amid Rome's taunting shrieks and peals of laughter, while the Holy Father stood upon a richly ornamented balcony and laughed heartily", an eyewitness reports.

How do both Jesus and King Carnival make a gift to the people?
Answer:
with their deaths