input: On November 11, 2011, it was revealed that Vampire Weekend had been in the studio, writing and recording material for their third album. On April 26, 2012, Rolling Stone reported that the new album could be released by the end of the year. Koenig said, "We do have a ton of stuff. It would be cool if it was [released] this year...We just never want to be in a position [where] when we put out something, we feel could've benefited from more time." Until its release, the band was discreet about the details of the next album, stating that a band "can give a bunch of interviews when they're working on stuff" but they "don't want something [they] said six months ago to influence how people hear it when it's done." Modern Vampires of the City was released in May 2013, and written and recorded in various locations including SlowDeath Studios in New York, Echo Park "Back House" in Los Angeles, Vox Recording Studios in Hollywood, Rostam Batmanglij's New York apartment and a guest house on Martha's Vineyard. The album was co-produced by Batmanglij and Ariel Rechtshaid. After Batmanglij produced the first two albums himself, this marked the first time the band worked with an outside producer on any of their records. In an interview for the February 2013 edition of Q (released in mid-January), Koenig described the upcoming album as "darker and more organic" and "very much the last of a trilogy". Says Koenig, "Things that we might have found boring in the past, we've started to find more fresh. This album has more piano and acoustic guitar and organ." Modern Vampires of the City also marks the band's first use of digital voice modulation, as heard in the songs "Diane Young" and "Ya Hey." (first use was actually in the song "California English" on the Contra album) The album was recorded and co-produced by Ariel Rechtshaid in his Los Angeles Studio (alongside Batmanglij). The band discussed the album with The FADER and appeared on the cover of the magazine's 84th issue. On March 16, 2013, the band played the closing show at Stubbs on the last day of the SXSW festival in Austin, Texas. In the show they played two new songs from the upcoming album: "Diane Young" and "Ya Hey". On March 18, 2013, Vampire Weekend released a double-sided single, "Diane Young"/"Step". On May 11, 2013, Vampire Weekend were featured as the musical guest on Saturday Night Live with Kristen Wiig hosting, their third time on the show. Released on May 14, 2013, the album debuted at #1 on the Billboard chart, marking the second time Vampire Weekend has achieved the feat: its second album Contra also debuted at #1 in 2010, making this the first time an independent rock band has entered at #1 with two consecutive releases. Modern Vampires of the City also shattered the previous record for first week vinyl sales, moving nearly 10,000 units on vinyl alone and debuting at #1 on the Soundscan Vinyl Charts. Additionally, the band charted #1 at Indie, Alternative, Digital and the top 200. In 2014, Modern Vampires of the City won a Grammy for Best Alternative Music Album.

Answer this question "What did he do next"
output: Until its release, the band was discreet about the details of the next album, stating that a band "can give a bunch of interviews when they're working on stuff"

input: In January 1919 Hamilton accepted a position as assistant professor in a newly-formed Department of Industrial Medicine (and after 1925 the School of Public Health) at Harvard Medical School, making her the first woman appointed to the Harvard University faculty in any field. Her appointment was hailed by the New York Tribune with the headline: "A Woman on Harvard Faculty--The Last Citadel Has Fallen--The Sex Has Come Into Its Own". Her own comment was "Yes, I am the first woman on the Harvard faculty--but not the first one who should have been appointed!" During her years at Harvard, from 1919 to her retirement in 1935, Hamilton never received a faculty promotion and held only a series of three-year appointments. At her request, the half-time appointments for which she taught one semester per year allowed her to continue her research and spend several months of each year at Hull House. Hamilton also faced discrimination as a woman. She was excluded from social activities, could not enter the Harvard Union, attend the Faculty Club, or receive a quota of football tickets. In addition, Hamilton was not allowed to march in the university's commencement ceremonies as the male faculty members did. Hamilton became a successful fundraiser for Harvard as she continued to write and conduct research on the dangerous trades. In addition to publishing "landmark reports for the U.S. Department of Labor" on research related to workers in Arizona copper mines and stonecutters at Indiana's limestone quarries, Hamilton also wrote Industrial Poisons in the United States (1925), the first American textbook on the subject, and another related textbook, Industrial Toxicology (1934). At tetraethyl lead conference in Washington, D.C. in 1925, Hamilton was the most prominent critic of adding tetraethyl lead to gasoline. Hamilton also remained an activist in social reform efforts. Her specific interests in civil liberties, peace, birth control, and protective labor legislation for women caused some of her critics to consider her a "radical" and a "subversive." From 1924 to 1930, she served as the only woman member of the League of Nations Health Committee. She also visited the Soviet Union in 1924 and Nazi Germany in April 1933. Hamilton wrote "The Youth Who Are Hitler's Strength," which was published in The New York Times. The article described Nazi exploitation of youth in the years between the two world wars. She also criticized the Nazi education, especially its domestic training for girls.

Answer this question "As a member of faculty at Harvard, what did she do?"
output: Hamilton became a successful fundraiser for Harvard as she continued to write and conduct research on the dangerous trades.

input: His career in motorsport began in 1976 when he joined March Engineering in the town of Bicester as a milling machine operator. Soon afterwards he joined their Formula 3 racing team as a mechanic. Brawn was hired by Sir Frank Williams in 1978 as a machinist for the newly formed Williams team. He quickly moved up through the ranks, working in the R&D department with Frank Dernie and as an aerodynamicist in the team's wind tunnel. Brawn joined the Haas Lola team in 1985 and was part of Neil Oatley's design team at FORCE that produced both the Lola THL1 and THL2 cars used by the team. However, with the 4 cylinder Hart engine in the THL1 and the new Ford V6 turbo powering the THL2, results were scarce against teams like McLaren and Williams with their TAG-Porsche and Honda turbo engines. This was despite the cars generally being regarded by most in the F1 paddock as being the best handling cars on the grid, as well as having 1980 World Champion Alan Jones and former factory Ferrari and Renault driver Patrick Tambay as the drivers. When the Haas team left F1 at the end of the 1986 season, Brawn moved to Arrows. There he designed the Megatron powered Arrows A10 and its update, the A10B for the 1987 and 1988 seasons respectively and the Ford V8 powered Arrows A11 used in 1989. Later in 1989 Brawn moved to the Jaguar Sportscar racing division, and was lead designer on the Jaguar XJR-14 which won the 1991 World Sportscar Championship.

Answer this question "How did his career get started?"
output:
His career in motorsport began in 1976 when he joined March Engineering in the town of Bicester as a milling machine operator.