Answer the question at the end by quoting:

A-Teens (stylized as A*Teens) were a Swedish pop music group from Stockholm, Sweden, formed by Niklas Berg in 1998 as an ABBA tribute band called ABBA Teens and later renamed A-Teens. The band members were Marie Serneholt, Amit Sebastian Paul, Dhani Lennevald and Sara Lumholdt. The band's debut album became a success around the world and in 2001 it was reported that the band had sold 6 million albums worldwide. After six years together, the band announced they would take a break in 2004 after the release of their Greatest Hits album.
In 1998, Marie, Sara, Dhani, and Amit were musically united as the ABBA Teens. However, the group's name was changed to the A-Teens to avoid litigation. This choice allowed the band more freedom in creating their own style of music. In early 1999, the band started the recording process of what would be their debut album, The ABBA Generation, consisting purely of ABBA covers reinterpreted with a modern pop and electronic flair to appeal to a new generation of young pop fans. Their first single, "Mamma Mia", topped the charts in over ten countries including their home country Sweden where it stayed at number one for eight consecutive weeks. The album hit the peak position in Sweden & Chile and became a top ten hit throughout the world. Further singles enjoyed similar success ensuring top ten placings across the globe, and the album overall sold more than 3 million copies worldwide, being certified Gold or Platinum in over 22 different countries. The band's music video for "Dancing Queen" features a plot very similar to the 1985 John Hughes film The Breakfast Club. In addition, the principal seen in the music video was played by Paul Gleason, the same actor who was the principal in the film. The single reached ninety-five on the Billboard Hot 100 and sold over 500,000 copies in the U.S. alone, being certified Gold. In early 2000, the band embarked on a U.S. promotional tour, and on the verge of the release of their album in the United States, the band was invited to tour with Britney Spears that summer in her U.S. Tour. They also made several appearances on Disney and Nickelodeon to promote their music. The band's debut became a hit in North America, where the album reached seventy-one on the Billboard 200 Albums Chart being certified Gold in September 2000, but its sales reached the million mark in 2001. That month, the A-Teens won a Viva Music Award for Best International Newcomer, competing with the likes of Christina Aguilera and Blink-182, and also the band announced what would be the lead single from their second album and their first to be an original song, "Upside Down", which would also become their signature song. The song was released to Swedish radios on 23 October 2000, and was later unleashed worldwide. When the single was commercially released, it reached number two in Sweden and was later certified 2x Platinum. The song became the band's biggest hit when it reached the top ten in several countries and when the single was released in the United States. The physical single reached number six on the Billboard Hot 100 Single Sales Chart, selling over 500,000 copies in three weeks and being certified Gold. In January 2001, the band was nominated for "Best Swedish Group" at the NRJ Awards.

Who worked with the A-Teens to produce The Abba Generation?

Answer the question at the end by quoting:

Good Night, and Good Luck is a 2005 American historical drama film directed by George Clooney and starring David Strathairn, George Clooney, Robert Downey, Jr., Patricia Clarkson and Jeff Daniels. The movie was written by Clooney and Grant Heslov (both of whom also have acting roles in the film) and portrays the conflict between veteran radio and television journalist Edward R. Murrow and U.S. Senator Joseph McCarthy of Wisconsin, especially relating to the anti-Communist Senator's actions with the Senate Permanent Subcommittee on Investigations. Although released in black and white, Good Night, and Good Luck was filmed on color film stock but on a greyscale set, and was color corrected to black and white during post-production. It focuses on the theme of media responsibility, and also addresses what occurs when the media offer a voice of dissent from government policy.
The film was critically acclaimed upon release. It was named "Best Reviewed Film of 2005 in Limited Release" by Rotten Tomatoes, where it achieved a 93% positive review rating, based on reviews from 217 critics. The film received six Academy Award nominations, including Best Picture, Director (Clooney), and Actor (Strathairn). Roger Ebert, in his Chicago Sun-Times review, contends that "the movie is not really about the abuses of McCarthy, but about the process by which Murrow and his team eventually brought about his downfall (some would say his self-destruction). It is like a morality play, from which we learn how journalists should behave. It shows Murrow as fearless, but not flawless." Margaret Pomeranz and David Stratton from the ABC show At the Movies each gave the film five stars, making Good Night, and Good Luck the only other film besides Brokeback Mountain to receive such a score from the hosts in 2005. Both described the film as "beautiful" but also praised Clooney for the film's importance. Margaret commented that "[The film] is so important, because it's about things that are really vital today, like the responsibility of the press and examining the press' role in forming opinion." David noted "Though [the film] is in black-and-white, there's nothing monochromatic about Clooney's passion for his subject or the importance of his message." Jack Shafer, a libertarian-leaning columnist for the online magazine Slate, accused the film of continuing what he characterizes as the hagiography of Murrow. Clooney's film gives the impression that Murrow brought down McCarthy single-handedly, while Shafer notes that in reality much of the mainstream media, many Democrats and some of McCarthy's Republican peers were condemning him before Murrow. Furthermore, Shafer writes, evidence obtained via the declassified Venona espionage program confirmed that many Soviet agents and sympathizers were in fact in positions of influence in the U.S. government, a disclosure the film entirely overlooks: "Clooney and company ignore the material that might argue against their simple-minded thesis about Murrow, the era, and the press to produce an after-school special". One complaint about the film among test audiences was their belief that the actor playing McCarthy was too over the top, not realizing that the film used actual archive footage of McCarthy himself.

Was his colaboration with them successful?
At the Movies each gave the film five stars,