In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
gregg araki 's the doom generation was
possibly the very worst film ever made .
so why did i see his latest teen bisexual angst opus ?
first of all , some of the reviews were fairly positive .
also , the cast , consisting of cameos from dozens of washed up
ex
tv stars ( including christopher knight , eve plumb , shannen doherty , and david leisure ) was promising .
last of all , i wanted to give arraki one more chance .
i mean , the guy ca n't be that untalented , can he ?
the answer to that question is three letters long .
nowhere follows the character dark on his wild and odd journey through los angeles .
since arraki does n't know how to make anything coherent , it 's hard to describe the plot .
let 's just say that dark spends the bulk of the movie whining that his girlfriend wo n't make a commitment to him and jealous because she sleeps around with other guys and girls .
the only remotely compelling storyline involves sarah lassez as a teen who has a chance encounter with a famous tv star .
he turns out to be a nice guy who does n't care for fame and wishes he could walk down the street without being mobbed by fans .
this story has a shocking twist and a tragic end that i did not see coming .
it is the first time i ever felt any compassion for a character created by arraki , and this can be attributed to the appealing performance of lassez .
i thought maybe arraki was improving in his craft .
he works better with the camera this time around , especially in the early scenes .
halfway through the film , i did n't necessarily find myself enjoying the film , but it seemed like a considerable improvement on the doom generation .
then as the movie went on , arraki loses all sensibility and introduces us to exploding heads , twisted sex games , and alien abductions .
it 's sad , because he almost actually had some decent material here , but he ruined it with his usual in your face
" i 'm such a renegade maverick filmmaker , look what i can do " attitude .
the performances are generally better than in the doom generation , which is n't saying much .
at least we do n't have to suffer jonathan
" i am the most hideous man in america " schaech .
we are , however treated to another round of james " i 'm more wooden than keanu " duval .
sarah lassez gives the best performance in the film , and kathleen robertson ( formerly of 90210 and now arraki 's wife ) and rachel true are talented actresses caught up in this mess . of the tv star cameos , john ritter is the most interesting as a deranged right wing tv evangelist .
if i prefer nowhere to the doom generation , it is only in the way that i would prefer being assassinated than receive constant physical torture .
maybe greg arraki does n't want you to like his characters .
maybe he wants to laugh and make fun of those of us who try to care about them .
maybe he just wanted to piss me off .
if so , he was successful .

Ex Output:
N

Ex Input:
and now the high - flying hong kong style of filmmaking has made its way down to the classics , and it is n't pretty .
this time out the nod to asia goes by way of france in the excruciating bland and lukewarm production of the musketeer , a version of dumas 's the three musketeers .
by bringing in popular asian actor / stunt coordinator xing xing xiong -- whose only prior american attempts at stunt choreography have been the laughable van damme vehicle double team and the dennis rodman cinematic joke simon sez -- our musketeers are thrown into the air to do their fighting .
the end result is a tepid and dull action / adventure rip - off that stinks of indiana jones and bad asian kung fu .
the story is so simple my grandmother could have adapted the screenplay .
d'artagnan ( justin chambers ) is the vengeful son of a slain musketeer .
he travels to paris to join the royal musketeers and find the man that killed his parents .
in paris , he meets the cunning cardinal richelieu ( stephen rea ) , who is trying to overthrow the king , and richelieu 's man - in - black associate febre ( tim roth ) , the killer of his folks .
he finds the musketeers in paris disbanded and drunk , so he rounds up aramis ( nick moran ) , athos ( jan gregor kremp ) and porthos ( steven spiers ) to free the musketeer 's wrongfully imprisoned leader treville from the king 's prison .
d'artagnan and his new frisky love interest / chambermaid francesca ( mena suvari ) play footsy and coo at each other as the cardinal hunts down the musketeers until finally the queen ( catherine deneuve ) ends up being captured by the menancing febre , forcing the musketeers to regroup , with d'artagnan leading the charge , and save the day .
director peter hyams ( end of days ) obviously wanted to blend eastern and western filmmaking styles , but here it 's a disaster .
one problem is that , in reality , most eastern films have taken their lead from western ones .
jet li 's high risk is a rip - off of die hard -- not the other way around .
ironically , there is awfully little swordplay or action in the film at all -- maybe ten minutes of swashbuckling spread over five scenes .
most asian action films carry the bulk of their production with 20- to 30-minute action sequences , because they know the scenes have to carry the picture .
the musketeer instead weighs itself down with a predictable and monotonous screenplay by gene quintano ( sudden death ) , horrible acting
by stephen rea and tim roth , and the prosaic attempt of justin chambers ( the wedding planner ) to deliver his mousy self as a leader .
chambers ' d'artangnan is n't a musketeer -- he 's a mouseketeer ! and hyam 's use of candles and torches to light the grime and filth of 17th century paris are well - noted , but that 's the only standout in
an overall flat production .

Ex Output:
N

Ex Input:
"
six days , seven nights " is a summer movie that gets the summer movie experience deliciously right , a commendable achievement considering the season thus far has been littered with some pretty uneven fare .
here 's a genuinely fun fluff piece that knows it 's fluff , recognizes it 's fluff and is admittedly proud to be fluff .
of course , the casting of harrison ford in the broadly comedic lead role plays a sizeable part in the movie 's success ; ford is such a concentrated dramatic actor that it 's easy to forget what a funny guy he can be .
as his female counterpart , anne heche also deserves a big pat on the back for her sweet , goofily charismatic performance .
the age difference ( ford 's 56 , heche 's 29 ) matters not -- these two click in a charged way that 's hard to come by .
the story is a no - brainer -- ford stars as gruff but loveable island aviator quinn harris , while heche is career - minded but loveable new york magazine editor robin monroe .
robin , on a tropical vacation with fianc ?
frank ( david schwimmer ) , gets assigned to supervise an emergency photo shoot in nearby tahiti
, so she reluctantly hires quinn to fly her there .
the plane crashes during a terrible storm , and they immediately find themselves stuck in a deserted paradise with few ideas on getting back to civilization .
a series of unpleasant , often hilarious catastrophes leaves little choice but for both members of this unlikely odd couple to fall for each other .
meanwhile , back at the resort , frank is tempted himself by quinn 's shapely female tagalong ( jacqueline obradors ) .
that subplot obviously exists to get us rooting for the quinn - robin pairing , and while it makes for a few good laughs early on , it eventually becomes a contrived distraction from the far more engrossing misadventures of quinn and robin .
and since the film spends most of its time with the castaways , this flaw is only a minor inconvenience .
director ivan reitman keeps the pace brisk . at a slim 101 minutes , " six days , seven nights "
never wears out its welcome , where a lesser film could have felt like it was as long as its title .
michael browning 's clever screenplay allows for plenty of notable one - liners
( my favorite , taken in context , is " you mean _ arrrgh _ pirates ? " ) , and though it essentially boils down to one mishap after another ,
they 're all quite engaging .
even the movie 's more " serious " moments are played with a wink .
heche has been under undeserved fire over whether or not her private life with ellen degeneres would affect the " believability " of " six days , seven nights " ' heterosexual pairing .
( so she 's a lesbian .
so what . deal with it . )
of course it does n't , and here ,
her naysayers are proved wrong in a big way .
in fact , her chemistry with ford is what really makes the film click ; these opposites attract with the utmost , endearing electricity .
at one point , when the two are discussing the likelihood of romantic interest , heche asks ford how old he is .
after several wrong guesses ( " forty - five ?
_ fifty
_ ?
" ) , he whispers his age to her .
"
you still look good , " heche stammers .
"
i still _ am _ good , " ford replies .
she 's good too , and together , they make " six days , seven nights
" one memorable ride .

Ex Output:
P