In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Input: Consider Input: clara bow's beauty and wonderful appeal are the chief reason to watch this film. "hula" is not quite up to par with clara's best films but it is still enjoyable. she dances, she rides her horse, and pursues the man that she loves. this film is just over an hour in length and was directed by future oscar winner victor fleming (gone with the wind).the film moves quickly and clara bow has lots of screen time. if you like clara, i would reccomend "hula."

Output: positive

Input: Consider Input: A superb and compelling drama about the hunt for the notorious Russian serial killer Andrea Chikatilo. Magnificent performance from Stephen Rea as the forensic scientist put in charge of the investigation, who finds the biggest obstacle to his progress is the Russian government, in particular the old communist party members who want to maintain a closed society.The film is has an underlying theme about the decline of the communist society, and progress in the hunt for the killer is reflected by progress in social and political change in Russia, which is subtly put across. There is a conflict of old ways and new ways, and these are represented by the two viewpoints of Rea's superior (played by Donald Sutherland), and Rea himself . These are at first polarised, with Sutherland 'high' in system looking down, and Rea 'low' on the ground, looking up. However, they have a common cause to catch the serial killer.Throughout the film the relationship between these two develops, and the tension gradually eases until at the end of the movie Rea and Sutherland and Rea and Sutherland have mutual respect for each other, the killer is caught, and Glasnost symbolically comes. Excellent script.Further credits go to Sutherland's performance, which is superb and sympathetic, Jeffrey DeMunn as the killer whom we despise but can't hate, and Max Von Sydow, who is thoroughly convincing as the humble psychologist who risks his reputation to help.

Output: positive

Input: Consider Input: Neither the total disaster the UK critics claimed nor the misunderstood masterpiece its few fanboys insist, Revolver is at the very least an admirable attempt by Guy Ritchie to add a little substance to his conman capers. But then, nothing is more despised than an ambitious film that bites off more than it can chew, especially one using the gangster/con-artist movie framework. As might be expected from Luc Besson's name on the credits as producer, there's a definite element of 'Cinema de look' about it: set in a kind of realistic fantasy world where America and Britain overlap, it looks great, has a couple of superbly edited and conceived action sequences and oozes style, all of which mark it up as a disposable entertainment. But Ritchie clearly wants to do more than simply rehash his own movies for a fast buck, and he's spent a lot of time thinking and reading about life, the universe and everything. If anything its problem is that he's trying to throw in too many influences (a bit of Machiavelli, a dash of Godard, a lot of the Principles of Chess), motifs and techniques, littering the screen with quotes: the film was originally intended to end with three minutes of epigrams over photos of corpses of mob victims, and at times it feels as if he never read a fortune cookie he didn't want to turn into a movie. Rather than a commercial for Kabbalism, it's really more a mixture of the overlapping principles of commerce, chess and confidence trickery that for the most part pulls off the difficult trick of making the theosophy accessible while hiding the film's central (somewhat metaphysical) con.The last third is where most of the problems can be found as Jason Statham takes on the enemy (literally) within with lots of ambitious but not always entirely successful crosscutting within the frame to contrast people's exterior bravado with their inner fear and anger, but it's got a lot going for it all the same. Not worth starting a new religion over, but I'm surprised it didn't get a US distributor. Maybe they found Ray Liotta's intentionally fake tan just too damn scary?
Output: positive