input: On January 21, 2004 (sol 17), Spirit abruptly ceased communicating with mission control. The next day the rover radioed a 7.8 bit/s beep, confirming that it had received a transmission from Earth but indicating that the craft believed it was in a fault mode. Commands would only be responded to intermittently. This was described as a very serious anomaly, but potentially recoverable if it were a software or memory corruption issue rather than a serious hardware failure. Spirit was commanded to transmit engineering data, and on January 23 sent several short low-bitrate messages before finally transmitting 73 megabits via X band to Mars Odyssey. The readings from the engineering data suggested that the rover was not staying in sleep mode. As such, it was wasting its battery energy and overheating - risk factors that could potentially destroy the rover if not fixed soon. On sol 20, the command team sent it the command SHUTDWN_DMT_TIL ("Shutdown Dammit Until") to try to cause it to suspend itself until a given time. It seemingly ignored the command. The leading theory at the time was that the rover was stuck in a "reboot loop". The rover was programmed to reboot if there was a fault aboard. However, if there was a fault that occurred during reboot, it would continue to reboot forever. The fact that the problem persisted through reboot suggested that the error was not in RAM, but in either the flash memory, the EEPROM, or a hardware fault. The last case would likely doom the rover. Anticipating the potential for errors in the flash memory and EEPROM, the designers had made it so that the rover could be booted without ever touching the flash memory. The radio itself could decode a limited command set - enough to tell the rover to reboot without using flash. Without access to flash memory the reboot cycle was broken. On sol 19 (January 24, 2004) the rover repair team announced that the problem was with Spirit's flash memory and the software that wrote to it. The flash hardware was believed to be working correctly but the file management module in the software was "not robust enough" for the operations the Spirit was engaged in when the problem occurred, indicating that the problem was caused by a software bug as opposed to faulty hardware. NASA engineers finally came to the conclusion that there were too many files on the file system, which was a relatively minor problem. Most of these files contained unneeded in-flight data. After realizing what the problem was, the engineers deleted some files, and eventually reformatted the entire flash memory system. On February 6 (sol 33), the rover was restored to its original working condition, and science activities resumed.

Answer this question "What did they do next?"
output: NASA engineers finally came to the conclusion that there were too many files on the file system, which was a relatively minor problem.

Question: Grandaddy is an American indie rock band from Modesto, California. The group was formed in 1992, and featured Jason Lytle, Aaron Burtch, Jim Fairchild, Kevin Garcia and Tim Dryden. After several self-released records and cassettes, the band signed to Will Records in the US and later the V2 subsidiary Big Cat Records in the UK, going on to sign an exclusive deal with V2. The bulk of the band's recorded output was the work of Lytle, who worked primarily in home studios.

Common lyrical themes include technology and a resistance to change. Adrien Begrand, writing for PopMatters, described the lyrics on The Sophtware Slump as "one's attempt to transcend the glut of technology in today's urban lifestyle, in search of something more real, more natural, more pastoral". Ben Sisario of The New York Times stated that the band "provided the soundtrack to dot-com-era alienation, singing in a cracked yet still innocent voice of life spent staring into a computer screen". Ross Raihala, reviewing Sumday for Spin, identified what he called Lytle's "geeky identification with technology". On The Sophtware Slump, CMJ writer Richard A. Martin commented on Lytle's "sympathy for the lost souls and machines of the high-tech dot-com landscape". Lytle described his empathy with machines in 2003, stating "I find it easier dealing with certain things by living through inanimate objects" and how the song "I'm on Standby" is about Lytle relating to a mobile phone: "I was spending so much time learning the art of turning off, while still being 'on'". Lytle said of the tracks on Excerpts from the Diary of Todd Zilla: "For some reason, they are tied together by the idea of being fed up with your environment." He stated in 2001: "I have a growing appreciation for that which is simple and natural. I get that from the outdoors, and seeing the accumulation of clutter and waste and not being too happy about it." There is also much humor in Lytle's songwriting, including the band's promotional Christmas single released in 2000, "Alan Parsons in a Winter Wonderland", which was also included on the charity compilation It's a Cool Cool Christmas, described by AllMusic's Tim DiGravina as possibly "the funniest song from 2000".

Using a quote from the above article, answer the following question: did she win any awards?
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Answer:
". On The Sophtware Slump, CMJ writer Richard A. Martin commented on Lytle's "sympathy for the lost souls and machines of the high-tech dot-com landscape".