Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: This movie should have been named Need For Speed: The Movie. For those who have not played the games Need For Speed is mostly about hot cars and beautiful women and almost no plot. This applies perfectly to Redline. The only thing about this movie that was A-Level were the cars. The acting seemed forced and scripted, the premise was flimsy at best, and the plot was almost nonexistent. I only really watched this movie to see how bad it was and, while it was pretty bad, it could have been worse. And at least it was entertaining. I just wish they had showed Eddie Griffin crashing the Enzo somewhere in the movie. All in all, don't pay for it, don't go out of your way to see it, but if it's on Showtime or HBO and there isn't anything else on, it's a decent distraction.
Problem: OPTIONS:
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- positive positive
=++++=
Answer: Very heart warming and uplifting movie. Outstanding performance by Alisan Porter (Curly Sue). I saw this movie when it was first released and enjoyed it immensely. I just caught it again on the Mplex channel, and Curly Sue touched my heart again.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: No one better spoil this piece of work! Awesome movie! Written expertly by the likes of Ira Levin and depicted with the best performance of Christopher Reeve's career and one of Caine's very best, this is simply excellent. I wish I could catch a staged version somewhere...maybe someday I will. I hope this grossly underrated, overlooked film has not become too difficult to locate because it a 'must' for any Hitchcockian, Agatha-phile or lover of great film. One of very few movies I couldn't instantly solve or predict and worth a second or even third viewing, "Deathtrap" gets a 9/10 and earns every iota of it. We need and deserve more movies like this!
Q: What's an example of a movie review?
An example of a movie review is here: An occasionally surrealistic thriller that will push most people's buttons., the 4th Man is sure to offend anyone with a taste for the politically correct. The story's protagonist is a bisexual alcoholic Catholic writer, Gerard (Krabbe), with a seriously twisted sense of imagination. Verhoeven offers up

Gerard has an example of everything wrong with the modern man. He's shiftless, delusional, unable to control his urges, afraid to commit to

meaningful relationships, and utterly apathetic about life in general. As the character himself states at one point, he is a professional liar, unable to recall the truth.

The movie opens with Gerard dreaming of spiders consuming Christ, and then waking to begin the long march to his own destruction. He chases off

one man (a boyfriend presumably), then chases another at a train station. Later, at a lecture, he meets a woman who seems to want to help him, or

perhaps she has more nefarious plans.. She quickly captures Gerard in her web, enticing him with sex and money, having plenty of both. She's also got

secrets, like three dead husbands. Is she lonely, and genuinely looking for someone to nurture - or is she a deadly black widow, luring Gerard to his

death? Will Garard be the 4th man she kills? The woman is Christine (Soutendijk), and Verhoeven does his best to keep you guessing what she's up to.

This is an interesting movie, with a lot of sex and intrigue. It's similar to Verhoeven's<em>Basic instinct</em>, but has a lot more depth, and is certainly more shocking. There's a lot of very strong gay content, which may make some viewers squirm. Highly recommended for fans of intelligent

psychological thrillers, or anyone looking for something entirely new.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: " It had to be You" is another sign that Hollywood is running out of ideas. This picture is about Charlie Hudson a former police officer turned Author. When Charlie's fiance goes out of town he's stuck with all of the wedding planning. He spends a week at a fancy hotel and meets Anna Penn a teacher who just happens to also be getting married. The two quickly become friends and set out to plan their separate weddings together. This is when the plot gets boring, Charlie falls in love with Anna and she has to choose between a safe life or Charlie. This movie rips off every romantic comedy ever made and just has you waiting for the end of the movie so you can do something else. Micahel Vartan and Natasha Henstridge give really mediocre performances which just makes this movie all the more gut wrenching to watch.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer:
I came here for a review last night before deciding which TV movie to settle in front of, and those I found made this one look unmissable. How misled I feel!

Firstly, it needs to be pointed out up front that this is very much a housewife's daytime movie. The performances are wooden, every sentence is an attempt at 'poignant' in the way that housewife's daytime movies and bad soap operas always are, and it is based in that predictable and well-trodden premise that men (particularly soldiers) are essentially violent and incompassionate. The whole movie is about the 'drama' apparent in the moments when the male characters threaten to develop a second dimension.

If that sounds tolerable (or even enjoyable) to you, then be warned. Linda Hamilton's German accent, while quite good, is painfully distracting - as is her face, for some reason. The other performances are no doubt an enduring source of embarrassment to their perpetrators, with painfully thin and obvious characterizations being the order of the day. There are few surprises, but do watch for the 'Monty Pythonesque' endless supply of food and drink that miraculously appears from the hungry soldiers' knapsacks!

I wasn't expecting action, but I had hoped for beautiful or textural or emotionally charged. What I got was a particularly bad Christmas 'feelgood' story that will have an intelligent audience cringing with the crapulence of it all.

Watch it under the folowing circumstances: 1: There's nothing else on. 2: You are a fan of predictable 'housewife takes on men and wins' TV movies. 3: The only way you can appreciate a true story is when Hollywood turns it into a feature film. 4: You've imbibed enough nog that your emotions are easily stirred by unsophisticated storytelling.