input: Franklin supports the portrayal of African-American history in films, and has been quoted as saying "I am interested in the universal values of the black experience." However, just because Franklin is a filmmaker who is African American does not mean that all of his films are racially motivated. Not all of his films revolve around a central theme of culture: some of his films cover racial issues, while others do not. Franklin maintains a wide subject range in his films, choosing not to focus solely on his heritage. As a prominent African-American filmmaker, Franklin stands apart from the rest in his careful selection of projects. While many of his most notable films touch on the subject of racial climates and the struggles that ensue, Franklin does not hide behind his race. Explaining to The L.A Times, "My ethnicity is a plus, a tool. It gives me ammunition in terms of the way I view the world. There are certain stories in the black community that inform us all." Combining his humanitarian instincts and personal experiences, Franklin stands out as a visionary for community improvement through his films. However, a large part of Franklin's remarkable journey revolves around the fact that he is black. Discussing the realities for African Americans in the television and film industry, Franklin said: "When I came up, the only legitimate dramatic actor was Sidney Poitier, the bankable star was Richard Pryor and the other choice roles were action parts that went to Jim Brown. Even someone as good as Billy Dee Williams had a couple of great moments and then couldn't get a decent part." With a very small window of opportunity for African Americans at the time that Franklin was getting his start, his skills and educational background contributed to his success. Franklin is a standout filmmaker regardless of his race, yet he is often praised for his ability to overcome adversity, and is recognized for his highly regarded opinion as well as his relevant contributions. In February 2000, Franklin was featured as a Black History Month guest speaker at Indiana University's ''Black Film Center/Archive''. The group hosted an event called A Night with Filmmaker Carl Franklin, which gave Franklin the opportunity to talk about his experience in the movie industry as well as show a preview of his film Devil in a Blue Dress. Franklin's appearance was highly regarded by many students who were honored to meet him in person.

Answer this question "Did his career play in the his racial ties?"
output: projects. While many of his most notable films touch on the subject of racial climates and the struggles that ensue, Franklin does not hide behind his race.

input: Kibaki was born in 1931 in Kikuyu village, Othaya division of Kenya's then Nyeri District, now Nyeri County. He is the youngest son of Kikuyu peasants Kibaki Githinji and Teresia Wanjiku. Though baptised as Emilio Stanley by Italian missionaries in his youth, he has been known as Mwai Kibaki throughout his public life. Family oral history maintains that his early education was made possible by his much older brother-in-law, Paul Muruthi, who insisted that young Mwai should go to school instead of spending his days grazing his father's sheep and cattle and baby-sitting his little nephews and nieces for his older sister. Kibaki turned out to be an exemplary student. He attended Gatuyaini School for the first two years, where he completed what was then called Sub "A" and sub "B" (the equivalent of standard one and two or first and second grade). He later joined Karima mission school for the three more classes of primary school. He later moved to Mathari School (now Nyeri High School) between 1944 and 1946 for Standard four to six, where, in addition to his academic studies, he learnt carpentry and masonry as students would repair furniture and provide material for maintaining the school's buildings. He also grew his own food as all students in the school were expected to do, and earned extra money during the school holidays by working as a conductor on buses operated by the defunct Othaya African Bus Union. After Karima Primary and Nyeri Boarding primary schools, he proceeded to Mang'u High School where he studied between 1947 and 1950. He passed with a maximum of six points in his "O" level examination by passing six subjects with Grade 1 Distinction. Influenced by the veterans of the First and Second World Wars in his native village, Kibaki considered becoming a soldier in his final year in Mang'u. However, a ruling by the Chief colonial secretary, Walter Coutts, which barred the recruitment of the Kikuyu, Embu and Meru communities into the army, put paid to his military aspirations. Kibaki instead attended Makerere University in Kampala, Uganda, where he studied Economics, History and Political Science, and graduated best in his class in 1955 with a First Class Honours Degree (BA) in Economics. After his graduation, Kibaki took up an appointment as Assistant Sales Manager Shell Company of East Africa, Uganda Division. During the same year, he earned a scholarship entitling him to postgraduate studies in any British University. He consequently enrolled at the prestigious London School of Economics for a B.Sc. in public finance, graduating with a distinction. He went back to Makerere in 1958 where he taught as an Assistant Lecturer in the economics department until 1961. In 1961, Kibaki married Lucy Muthoni, the daughter of a church minister, who was then a secondary school head teacher.

Answer this question "Does he have siblings?"
output: He is the youngest son of Kikuyu peasants Kibaki Githinji and Teresia Wanjiku.

input: In 1915, New York City Mayor John Purroy Mitchel appointed Hopkins executive secretary of the Bureau of Child Welfare which administered pensions to mothers with dependent children. Hopkins at first opposed America's entrance into World War I, but, when war was declared in 1917, he supported it enthusiastically. He was rejected for the draft because of a bad eye. Hopkins moved to New Orleans where he worked for the American Red Cross as director of Civilian Relief, Gulf Division. Eventually, the Gulf Division of the Red Cross merged with the Southwestern Division and Hopkins, headquartered now in Atlanta, was appointed general manager in 1921. Hopkins helped draft a charter for the American Association of Social Workers (AASW) and was elected its president in 1923. In 1922, Hopkins returned to New York City, where the AICP was involved with the Milbank Memorial Fund and the State Charities Aid Association in running three health demonstrations in New York State. Hopkins became manager of the Bellevue-Yorkville health project and assistant director of the AICP. In mid-1924 he became executive director of the New York Tuberculosis Association. During his tenure, the agency grew enormously and absorbed the New York Heart Association. In 1931, New York Governor Franklin D. Roosevelt named R. H. Macy's department store president Jesse Straus as president of the Temporary Emergency Relief Administration (TERA). Straus named Hopkins, then unknown to Roosevelt, as TERA's executive director. His efficient administration of the initial $20 million outlay to the agency gained Roosevelt's attention, and in 1932, he promoted Hopkins to the presidency of the agency. Hopkins and Eleanor Roosevelt began a long friendship, which strengthened his role in relief programs.

Answer this question "did he do any charity work?"
output:
Hopkins and Eleanor Roosevelt began a long friendship, which strengthened his role in relief programs.