Problem: Background: Sir Lawrence Alma-Tadema, (; born Lourens Alma Tadema Dutch pronunciation: ['l^ur@ns 'alma: 'ta:d@,ma:]; 8 January 1836 - 25 June 1912) was a Dutch painter of special British denizenship.
Context: Alma-Tadema's works are remarkable for the way in which flowers, textures and hard reflecting substances, like metals, pottery, and especially marble, are painted - indeed, his realistic depiction of marble led him to be called the 'marbellous painter'. His work shows much of the fine execution and brilliant colour of the old Dutch masters. By the human interest with which he imbues all his scenes from ancient life he brings them within the scope of modern feeling, and charms us with gentle sentiment and playfulness. From early in his career, Alma-Tadema was particularly concerned with architectural accuracy, often including objects that he would see at museums - such as the British Museum in London - in his works. He also read many books and took many images from them. He amassed an enormous number of photographs from ancient sites in Italy, which he used for the most precise accuracy in the details of his compositions. Alma-Tadema was a perfectionist. He worked assiduously to make the most of his paintings, often repeatedly reworking parts of paintings before he found them satisfactory to his own high standards. One humorous story relates that one of his paintings was rejected and instead of keeping it, he gave the canvas to a maid who used it as her table cover. He was sensitive to every detail and architectural line of his paintings, as well as the settings he was depicting. For many of the objects in his paintings, he would depict what was in front of him, using fresh flowers imported from across the continent and even from Africa, rushing to finish the paintings before the flowers died. It was this commitment to veracity that earned him recognition but also caused many of his adversaries to take up arms against his almost encyclopaedic works. Alma-Tadema's work has been linked with that of European Symbolist painters. As an artist of international reputation, he can be cited as an influence on European figures such as Gustav Klimt and Fernand Khnopff. Both painters incorporate classical motifs into their works and use Alma-Tadema's unconventional compositional devices such as abrupt cut-off at the edge of the canvas. They, like Alma-Tadema, also employ coded imagery to convey meaning to their paintings.
Question: What's the most important aspect of his style?
Answer: From early in his career, Alma-Tadema was particularly concerned with architectural accuracy,

Problem: Background: Mark Reed Levin (; born September 21, 1957) is an American lawyer, author, and radio personality. He is the host of syndicated radio show The Mark Levin Show, as well as Life, Liberty & Levin on Fox News. Levin worked in the administration of President Ronald Reagan and was a chief of staff for Attorney General Edwin Meese. He is president of the Landmark Legal Foundation, has authored seven books, and contributes commentary to various media outlets such as National Review Online.
Context: Mark Reed Levin, one of three boys, was born in Philadelphia, Pennsylvania, and grew up in Erdenheim as well as Elkins Park, Pennsylvania. His father, Jack E. Levin, is the author of several books. He graduated from Cheltenham High School after three years in 1974. After high school, Levin enrolled at Temple University Ambler and graduated summa cum laude and Phi Beta Kappa with a B.A. in Political Science in 1977 at age 19. Levin won election to the Cheltenham school board in 1977 on a platform of reducing property taxes. In 1980, Levin earned a J.D. from Temple University Beasley School of Law. Levin worked for Texas Instruments after law school. He is Jewish. Beginning in 1981, Levin served as an adviser to several members of President Ronald Reagan's cabinet, eventually becoming the associate director of presidential personnel and ultimately chief of staff to Attorney General Edwin Meese; Levin also served as deputy assistant secretary for elementary and secondary education at the U.S. Department of Education, and deputy solicitor of the U.S. Department of the Interior. He practiced law in the private sector and is president of Landmark Legal Foundation, a public interest law firm founded in 1976 with offices in Kansas City, Missouri and Leesburg, Virginia. Levin has participated in Freedom Concerts, an annual benefit concert to aid families of fallen soldiers, and uses his radio program to promote aid to military families. Levin is also involved with Troopathon, a charity that sends care packages to soldiers serving overseas. In 2001 the American Conservative Union awarded Levin its Ronald Reagan Award. He was awarded the inaugural Citizens United Andrew Breitbart Defender of the First Amendment Award at CPAC in 2014. Politico reported in 2014 that Levin was president of a legal non-profit and drew a salary of more than $300,000 a year.
Question: What was his major at Temple University?
Answer: Political Science

Problem: Background: You Bet Your Life is an American comedy quiz series that aired on both radio and television. The original and best-known version was hosted by Groucho Marx of the Marx Brothers, with announcer and assistant George Fenneman. The show debuted on ABC Radio on October 27, 1947, then moved to CBS Radio debuting October 5, 1949, before making the transition to NBC-TV and NBC Radio on October 4, 1950. Because of its simple format, it was possible to broadcast the show simultaneously on radio and television.
Context: The mid-1940s was a lull in Groucho Marx's career. His radio show Blue Ribbon Town, sponsored by Pabst Blue Ribbon beer, had begun in March 1943 and had failed to catch on. Groucho left the program in June 1944, replaced by vocalist Kenny Baker until the show's end two months later. He also reluctantly appeared in two movies with brothers Chico and Harpo Marx, A Night in Casablanca and the lackluster Love Happy. During a radio appearance with Bob Hope in March 1947, Marx ad-libbed most of his performance after being forced to stand by in a waiting room for 40 minutes before going live on the air. John Guedel, the Hope program's producer, formed an idea for a quiz show and approached Marx about the subject. After initial reluctance by Marx, Guedel was able to convince him to host the program once Marx realized the quiz would be only a backdrop for his contestant interviews and the storm of ad-libbing that they would elicit. Guedel also convinced Marx to invest in 50% of the show, in part by saying that he was "untouchable" at ad-libbing, but not at following a script. As Marx and the contestants were ad-libbing, he insisted that each show be filmed and edited before release to remove the risque or less interesting material. The show for the studio audience ran longer than the broadcast version. The president of Film Craft Productions, which did the filming, cited it as the first television show filmed before a live audience as part of a lengthy essay about production procedures.
Question: Was anyone else involved besides Marx and Guedel?
Answer:
The president of Film Craft Productions,