Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:'.

Input: Consider Input: CONTEXT: We aren't really meant to know how Jack's men managed to get into their home, specifically into the baby's room, and the scene is supposed to show how skilled Jack's men are at getting to people, even if they're under police surveillance. We're supposed to feel the same dread and confusion Skyler feels by not fully understanding how they were able to get in, simply knowing that they can and will. <sep> Q: In Breaking Bad how did the masked men break into Skyler's home? A: We aren't really meant to know how Jack's men managed to get into their home Q: One night masked men managed to break into Skyler's home and threaten her. I believe Marie's house was protected by armed-guards at the time A: We're supposed to feel the same dread and confusion Skyler feels

Output: why did the police not protect Skyler's home?

Input: Consider Input: CONTEXT: The point is that it's not about being smart.. It's about knowing what you are talking about and and having the guts to hold a position. We see, in the scene prior to the elevator sequence, that the other CIA officials are all hedging their bets about the location of Bin Laden, Chastain's character is the only one who will commit to being certain. This is why, even though, all of them are smart... he discounts that as being the deciding factor. Being knowledgeable, and committed to an opinion, even an internally unpopular one, carries more weight with him Which is why, in the very next scene, the Director talks to Chastain's character to weigh her up for himself. He's convinced, not only by her certainty but by the fact that the only thing she's done for the CIA in her 12 years...is hunt Bin Laden. <sep> Q: What is the meaning of the elevator scene in Zero Dark Thirty? A: We see, in the scene prior to the elevator sequence, that the other CIA officials are all hedging their bets about the location of Bin Laden

Output: Why is she so certain?

Input: Consider Input: CONTEXT: Because this is the most natural and comfortable way of reading a vertical list of credits. While the major credited actors/film crew can enjoy fancy transforms on their listings, it would become exhausting to see the names of rest of the bazillion film crew members to be similarly displayed. Horizontal scrolling won't really work because someone's name/role will invariably scroll off one side before you have a chance to read it (especially when there's a full screen-full of names). Generally, producers want you to see the full list as quickly as reasonably possible (especially as all of these people worked hard for you to enjoy that movie). <sep> Q: Why do movie credits scroll from the bottom to the top of the screen? A: Because this is the most natural and comfortable way of reading a vertical list of credits Q: Couldn't they be scrolled from left to right? A: Horizontal scrolling won't really work because someone's name/role will invariably scroll off one side before you have a chance to read it (especially when there's a full screen-full of names
Output: Do you think before computers the screen was done manually or by machine?