An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: 'The Rookie' was a wonderful movie about the second chances life holds for us and also puts an emotional thought over the audience, making them realize that your dreams can come true. If you loved 'Remember the Titans', 'The Rookie' is the movie for you!! It's the feel good movie of the year and it is the perfect movie for all ages. 'The Rookie' hits a major home run!
Q: What's an example of a movie review?
An example of a movie review is here: I actually had quite high hopes going into this movie, so I took what was given with a grain of salt and hoped for the best. About 1/3 of the way through the film I simply had to give up, quite simply the movie is a mish-mash of stuff happening for no apparent reason and it's all disconnected. I love movies that make you think, but this movie was just a bunch of ideas thrown together and never really connected.

Don't think it's David Lynch-esquire as some would have you believe, it is nowhere near that realm other than some trippy visuals. Saying it's artsy to disguise the fact there's no apparent plot or story is just a manner or justifying why you wasted the 1.5 hours in the film. The acting was good, but that cannot save lack of story. I do agree with the one comment posted previously... "it's like being in some other person's head... while they're on drugs," in other words nothing makes sense.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: I thought this film would be a lot better then it was. It sounded like a spoof off of the spy gener, and the start of it reminded me of Pleasantvil, but this film came up short.

The plot is just to ridiculous. The KGB and Soviet Union in Russia have started up a spy school to teach their spies' how to act like Americans, but the town they set up in it for training is a bit dated, so they grab two yanks from the US to spice things up. I don't know, but this seems just to out there. It gets really odd when next to no one in this all Russian town speaks in a Russian accent. Someone screwed up in the casting job.

Also, for a comedy this is painfully dry. There is one, two funny spots tops, and they are nothing to sing and dance about. The film in the end will likely put you to sleep.

And, as a twisted punch in the face, this film is so pro the US it makes me sick. The movie keeps on saying again and again, the US is God and Russia is the devil. This is the kind of smear campaign that was done against the Japanese in World War 2. It's films like these that makes everyone think that the US is full of itself.

This gets a 4 out of 10, and I'm being kind. It should really get a one, but the dance scene was funny, but then again it dragged far to long to be really funny.
Problem: OPTIONS:
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Answer: I am frankly surprised how little has been done in film on the Columbine Massacre. There isn't a major documentary, very puzzling. Fortunately we are graced with the talent of Ben Coccio who directed ZERO DAY, and Gus Van Sant who did the equally fine ELEPHANT. Two different takes on the event, which have in common the idea that the real cause of the massacre will always be a mystery, that there's something ultimately baffling and unknowable about the motivations of the two killers, and what actually drove them to carry it beyond fantasy into horrible reality. ZERO DAY, purportedly made up of videotapes made by the shooters and found after the event, is absolutely riveting. Even if you know where it's going, you still harbor hope that it WON'T "go there" ... and the tension in the final minutes of the movie is excruciating. The film is terrific from top to bottom, from director to script (not much improvised, though it appears very spontaneous) to the two lead actors, and the supporting players as well. There is only one aspect of ZERO DAY that troubled me. Okay, so we can't fathom why the shooters would do what they did, but certainly one of the contributors was their ANGER. Yet these boys don't really seem angry. They may say some things to indicate that they are, but in fact they didn't convince me that they had SOMETHING inside them that compelled them to kill innocent people. But this still leaves me with the sense of "why???" that director Coccio wants me to have. Anyway, rent or buy this movie, it will creep up on you and stay with you for a long time. The BLAIR WITCH folks could only WISH for the kind of success these guys had at making a mock documentary.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A:

Human Body --- WoW.

There are about 27,000 Sunrises in human life....

Hardly one thousand Sunrises will be watched by 90% of Humans on this planet....

Our days are limited...

Excellent movie for all women.... makers of human body...

Thanks and Regards.

An example of a movie review. positive (OPTIONS:
- negative
- positive).

A:
Sunday July 16, 8:00pm The Castro, San Francisco

"As a Southern colonel your make-up is very Indiana"

The yammering gossips of Hollywood have managed to sling more than a little mud in Marion Davies direction over the years. That she had fame handed to her and was undeserving, is often speculated. Considering the mawkish dramas she was so often pushed into, this criticism would seem to have some validity. As a comedienne however, her star shone very brightly. Left to pursue a career in light comedy and slapstick she might have rivaled Mabel Normand. One of her better outings was King Vidor's Show People (1928), which survives and is so well known largely because MGM filled it with star cameos. This happy coincidence inadvertently saved what is surely among the best work of its two stars, Davies and that notorious Joe College wise-cracker, William Haines. Rumor has it Show People was loosely based on the life of Gloria Swanson, who began in Sennett comedies and rose to grand drama (And don't think she didn't spend the rest of her life reminding everyone!) with von Stroheim, Walsh and DeMille. Coincidentally, the comedy studios used in this film are the original digs Keystone had abandoned the year before (Think of who worked there!).

Colonel Marmaduke Oldfish Pepper (Dell Henderson) drives his daughter Peggy (Davies) from Georgia to Hollywood to star in the movies. These two country hicks are unsuspecting fodder for incorrigible Billy Boone (Haines), " a custard pie artist " who descends on their cafeteria table in an outrageously funny entrance (watch for the bit with the noodle), and then helps Peggy land a part in his next picture. What she thinks is high drama turns out to be screwball, but a job is a job and Billy convinces her " . . all the stars have to take it on the chin ". At the preview, Billy and Peggy bump into .. Charlie Chaplin, who asks for her autograph! She pushes the little fellow aside and a horrified Billy grabs the book and makes her sign. Chaplin climbs in his car and Billy tells Peggy who shes just snubbed, so naturally, she faints. It's so very funny, considering Davies character isn't supposed to recognize this guy! Peggy soon moves on to work at the High Art Studios, changes her name to 'Patricia Pepoire' and leaves poor Billy behind. Davies does a wonderful send-up of a serious actress, with all the prerequisite fluttering eyelashes and quivering lips. Vidor throws in a parade of stars eating lunch in a long tracking shot (and they're all sitting shoulder to shoulder, facing the camera!) that includes Polly Moran (Who's also sensationally funny playing Davies' maid), Louella Parsons (one of the friendly vampires), Estelle Taylor, Claire Windsor Aileen Pringle, the comedy duo of Karl Dane (with his arm in a sling) and George K. Arthur (pretending he's stealing the silverware), Leatrice Joy (amused by Arthur's antics), Renee Adoree, Rod (eating and smoking) La Rocque, Mae Murray, John (in a robe) Gilbert (who also appears driving through the MGM gates early in the picture), Norma (eeeww!) Talmadge (looking bitchy and aloof as usual) and Patricia dressed like Marie Antoinette, sandwiched between Douglas Fairbanks (as he does an amusing trick) and William S. Hart (protecting her from Doug). Billy runs into the High Art crew on location when the comedy troupe disrupts their filming, with predictably nutty results. Vidor even works himself into the final scene as the director of Peggy's current production. Also worth noting are Harry Gribbon as the comedy director doing a great caricature of Eddie Sedgwick, Sidney Bracy as the dramatic director who can't get Peggy to cry for her screen test and then can't stop her once she does, and Paul Ralli as Andre, her dramatic love interest and a hilarious phony. When her character tries to 'act' its as though Davies is poking fun at all the awful dramas she'd been forced into and she's brilliant doing it.

While it's true Show People is a hokey satire of the 'good ole days' ten years hence, it remains a highly entertaining example of quality work from MGM, Irving Thalberg, and their tremendous wealth of assembled talent. What a shame so much has been lost. There are also far too many examples of great films like The Patsy (1928), Vidor and Davies' hugely successful comedy from earlier that same year, languishing in vaults when they could be seen and enjoyed.