Background: Mwai Kibaki, C.G.H. (born 15 November 1931) is a Kenyan politician who was the third President of Kenya, serving from December 2002 until April 2013. Kibaki was previously Vice-President of Kenya for ten years from 1978 to 1988 under President Daniel arap Moi. He also held cabinet ministerial positions in the Kenyatta and Moi governments, including time as minister for Finance (1969-1981) under Kenyatta, and Minister for Home Affairs (1982-1988) and Minister for Health (1988-1991) under Moi. Kibaki served as an opposition Member of Parliament from 1992 to 2002.
Context: The 2005 Kenyan constitutional referendum was held on 21 November 2005. The main issue of contention in the Constitution review process was how much power should be vested in the Kenyan Presidency. In previous drafts, those who feared a concentration of power in the president added provisions for European-style power-sharing between a ceremonial President elected via universal suffrage and an executive Prime Minister elected by Parliament. The draft presented by the Attorney General Amos Wako for the referendum retained sweeping powers for the Presidency. Though Kibaki the proposal, some members of his own cabinet, mainly from the LDP wing led by Raila Odinga, allied with the main opposition party KANU to mobilize a powerful NO campaign that resulted in a majority of 58% of voters rejecting the draft. As a consequence of, and immediately after, the referendum loss, on 23 November 2005, Kibaki dismissed his entire cabinet in the middle of his administration's term, with the aim of purging all Raila-allied ministers from the cabinet. About his decision Kibaki said, "Following the results of the Referendum, it has become necessary for me, as the President of the Republic, to re-organize my Government to make it more cohesive and better able to serve the people of Kenya". The only members of the cabinet office to be spared a midterm exit were the Vice President and Minister of Home Affairs, Moody Awori, and the Attorney General whose position is constitutionally protected. A new cabinet of Kibaki loyalists, including MP's from the opposition, termed the Government of National Unity (GNU), was thereafter appointed, but some MP's who were offered ministerial positions declined to take up posts. A report by a Kenyan Commission of Inquiry, the Waki Commission, contextualises some issues. They reported that Kibaki, after agreeing to an informal Memorandum of Understanding (MoU) to create the post of Prime Minister, reneged on this pact after being elected. They cite criticism of Kibaki neglecting his pre-election agreement, leaving the public to identify it as an attempt by the Kibaki Government to "keep power to itself rather than share it."
Question: Did they try to get rid of him?
Answer:

Question:
Santana is a Latin music and rock band formed in San Francisco, California in 1966 by Mexican-American guitarist Carlos Santana. The band came to public attention with their performance of "Soul Sacrifice" at Woodstock in 1969. This exposure helped propel their first album, also named Santana, into a hit, followed in the next two years by Abraxas and Santana III. Lineup changes were common.
13 months after Caravanserai, Santana released Welcome. Welcome was the first of four consecutive albums to achieve gold certification, as opposed to the previous four, which all at least reached platinum status. The album peaked at number 25 on the Billboard 200, the lowest of the band's career so far. The next few albums contained a more experimental style than their previous work, beginning with Borboletta, which fared arguably worse than its predecessor, despite climbing five spots on the US charts. The group's 1976 release, Amigos, was far more successful. Reaching number 10 on the US charts, and also hitting the top 10 in France, Australia, New Zealand, Austria and The Netherlands, it was a form of return to the success of their early albums. Festival, somewhat contradicted that new-found success, but was a short blip before another successful album, Moonflower, released in 1977. The album was possibly the most successful since Santana III, achieving 2x platinum in the US, and being the first album since 1974's Borboletta, to break the top 10 in the UK. It was characterized by a stylistic shift for the band, as it contained heavier influences from the more conventional sound of the group's early work, while still maintaining the experimental sound of their last few albums. Their next two releases, Inner Secrets and Marathon, released in 1978 and '79, respectively, were a further musical shift for the band, moving away from the Latin-fused rock music that had characterized their work in the late 1960s and the majority of the '70s, to move towards a more album-oriented, conventional rock sound. These albums, however, fared poorly commercially, although both achieved gold status in the US.
Answer this question using a quote from the text above:

Was Welcome an album?

Answer:
Welcome was the first of four consecutive albums to achieve gold certification,

Problem: Background: Ellington was born on April 29, 1899, to James Edward Ellington and Daisy (Kennedy) Ellington in Washington, D.C. Both his parents were pianists. Daisy primarily played parlor songs and James preferred operatic arias.
Context: When his drummer Sonny Greer was invited to join the Wilber Sweatman Orchestra in New York City, Ellington made the fateful decision to leave behind his successful career in Washington, D.C., and move to Harlem, ultimately becoming part of the Harlem Renaissance. New dance crazes such as the Charleston emerged in Harlem, as well as African-American musical theater, including Eubie Blake's Shuffle Along. After the young musicians left the Sweatman Orchestra to strike out on their own, they found an emerging jazz scene that was highly competitive and hard to crack. They hustled pool by day and played whatever gigs they could find. The young band met stride pianist Willie "The Lion" Smith, who introduced them to the scene and gave them some money. They played at rent-house parties for income. After a few months, the young musicians returned to Washington, D.C., feeling discouraged. In June 1923, a gig in Atlantic City, New Jersey, led to a play date at the prestigious Exclusive Club in Harlem. This was followed in September 1923 by a move to the Hollywood Club - 49th and Broadway - and a four-year engagement, which gave Ellington a solid artistic base. He was known to play the bugle at the end of each performance. The group was initially called Elmer Snowden and his Black Sox Orchestra and had seven members, including trumpeter James "Bubber" Miley. They renamed themselves The Washingtonians. Snowden left the group in early 1924 and Ellington took over as bandleader. After a fire, the club was re-opened as the Club Kentucky (often referred to as the Kentucky Club). Ellington made eight records in 1924, receiving composing credit on three including "Choo Choo". In 1925, Ellington contributed four songs to Chocolate Kiddies starring Lottie Gee and Adelaide Hall, an all-African-American revue which introduced European audiences to African-American styles and performers. Duke Ellington and his Kentucky Club Orchestra grew to a group of ten players; they developed their own sound by displaying the non-traditional expression of Ellington's arrangements, the street rhythms of Harlem, and the exotic-sounding trombone growls and wah-wahs, high-squealing trumpets, and sultry saxophone blues licks of the band members. For a short time soprano saxophonist Sidney Bechet played with them, imparting his propulsive swing and superior musicianship to the young band members.
Question: Did any person aid him in his early career?
Answer:
Ellington made the fateful decision to leave behind his successful career in Washington, D.C., and move to Harlem, ultimately becoming part of the Harlem Renaissance.