Given a question and a context passage, generate the answer having the word or phrase from the context passage. Here, the answer should be a shortest continous span from the passage.

Context: Rose Elliot (Irene Miracle), a poet living alone in New York City, discovers an ancient book called The Three Mothers. It tells of the existence of three evil sisters who rule the world with sorrow, tears, and darkness. The book, written by an architect named Varelli, reveals that the three dwell inside separate homes that had been specially designed and built for them by the architect in Rome, Freiburg, and New York. Rose suspects that she is living in one of the buildings and writes to her brother Mark (Leigh McCloskey), a music student in Rome, urging him to visit her. Using clues provided in Varelli's book as a guide, Rose searches the cellar of her building and discovers a hole in the floor which leads to a water-filled ballroom. After accidentally dropping her keys into the water, she enters the flooded room. Swimming under the surface, she sees a portrait bearing the words "Mater Tenebrarum" and is able to reclaim the keys. A putrid corpse suddenly rises from the depths, frightening her. She escapes, although a shadowy figure watches her leave the basement.In Rome, Mark attempts to read Rose's letter during class. He is distracted by the intense gaze of a beautiful student (Ania Pieroni). When the class ends she leaves suddenly; Mark follows, leaving the letter behind. His friend Sara (Eleonora Giorgi) picks up the letter, and eventually reads it. Horrified by the letter's contents, she takes a taxi to a library and locates a copy of The Three Mothers. While looking for an exit, Sara is attacked by a monstrous figure who recognizes the book. She throws the book to the ground and escapes. Later that night, she seeks the company of a neighbor named Carlo (Gabriele Lavia) and both are stabbed to death by a gloved killer. Mark discovers the bodies and two torn fragments from Rose's letter. After the police arrive, he walks out of Sara's apartment and sees a taxi slowly driving by. In it is the music student, staring at him intently once again.Mark telephones Rose but is unable to hear her clearly. He promises to visit just before the connection fails. Cut off, Rose sees two shadowy figures preparing to enter her apartment. She leaves through a back door, but is followed. In a decrepit room, she is grabbed from behind by a clawed assailant and brutally murdered.Upon arriving in New York, Mark meets some of the residents of Rose's building, including a nurse (Veronica Lazar) who is caring for the elderly Professor Arnold (Feodor Chaliapin, Jr.), a wheelchair-bound mute. Mark learns from the sickly Countess Elise (Daria Nicolodi) that Rose has disappeared. Elise explains how Rose had been acting strangely. After the two find blood on the carpet outside Rose's room, Mark follows the stains. He suddenly becomes ill and falls unconscious. Elise sees a black-robed figure dragging Mark away, but the figure suddenly stops and gives chase to Elise. She is attacked by dozens of cats, who bite and claw at her flesh. The hooded figure then stabs her to death. Mark staggers to the house's foyer where the nurse and caretaker (Alida Valli) put him to bed.The next day, Mark asks Kazanian (Sacha Pitoeff), the antique dealer who sold Rose the Three Mothers book, about Rose. However, the man provides no information. That night, Kazanian drowns several cats in a Central Park pond and accidentally falls into the water. Hundreds of rats from a nearby drain crawl all over him, gnawing his flesh. A hot dog vendor hears Kazanian's cries and rushes over. The man kills Kazanian with a knife.Carol, the caretaker, discovers the horribly mutilated corpse of Elise's butler (Leopoldo Mastelloni) in the Countess' apartment. Shocked, she drops a lit candle which starts a fire. Attempting to put out the flames, she becomes entangled in burning draperies and falls from a window to her death.Meanwhile, Mark uses a clue from Rose's letter to discover that beneath each floor is a secret
Question: Who is the caretaker?
carol

Context: The 1688 Glorious Revolution replaced James II and VII with his Protestant daughter Mary II and her husband William III and II. Since neither Mary or her sister Anne had surviving children, the 1701 Act of Settlement ensured a Protestant successor by excluding Catholics from the English and Irish thrones, and that of Great Britain after the 1707 Act of Union. When Anne became the last Stuart monarch in 1702, her heir was the distantly related but Protestant Sophia of Hanover, not her Catholic half-brother James Francis Edward. Sophia died two months before Anne in August 1714; her son became George I and the pro-Hanoverian Whigs controlled government for the next 30 years.
Question: What happened first, 1701 Act of Settlement or 1707 Act of Union?
1701 act of settlement

Context: The film is concerned chiefly with four topics: Chemno, where mobile gas vans were first used by Germans to exterminate Jews; the death camps of Treblinka and Auschwitz-Birkenau; and the Warsaw Ghetto, with testimonies from survivors, witnesses, and perpetrators. The sections on Treblinka include testimony from Abraham Bomba, who survived as a barber;[5] Richard Glazar, an inmate; and Franz Suchomel, an SS officer who worked at the camp, who reveals intricate details of the camp's gas chamber. Bomba breaks down while describing how a barber friend of his came across his wife and sister while cutting hair in an anteroom of the gas chamber. Suchomel states he did not know about extermination at Treblinka until he arrived there. This section includes Henryk Gawkowski, who said he drove one of the transport trains while intoxicated with vodka. Gawkowski's photograph appears on the poster used for the film's marketing campaign. Testimonies on Auschwitz are provided by Rudolf Vrba, who escaped from the camp before the end of the war; and Filip Muller, who worked in an incinerator burning the bodies from the gassings. Muller recounts what prisoners said to him, and describes the experience of personally going into the gas chamber: bodies were piled up by the doors 'like stones'. He breaks down as he recalls the prisoners starting to sing while being forced into the gas chamber. Accounts include some from local villagers, who witnessed trains heading daily to the camp and returning empty; they quickly guessed the fate of those on board. Lanzmann also interviews bystanders. He asks whether they knew what was going on in the death camps. Their answers reveal that they did but they justified their inaction by the fear of death. Two survivors of Chemno are interviewed: Simon Srebnik, who was forced to sing military songs to entertain the Nazis; and Mordechai Podchlebnik. Lanzmann also has a secretly filmed interview with Franz Schalling, a German security guard, who describes the workings of Chemno. Walter Stier, a former Nazi bureaucrat, describes the workings of the railways. Stier insists he was too busy managing railroad traffic to notice his trains were transporting Jews to their deaths. The Warsaw ghetto is described by Jan Karski, who worked for the Polish government-in-exile and Franz Grassler, a Nazi administrator who liaised with Jewish leaders. A Christian, Karski snuck into the Warsaw ghetto and escaped to England to try to convince the Allied governments to intervene more strongly on behalf of the Jews, but failed to do so. Memories from Jewish survivors of the Warsaw Ghetto uprising conclude the documentary. Lanzmann also interviews Holocaust historian Raul Hilberg, who discusses the historical significance of Nazi propaganda against the European Jews, and the Nazi development of the Final Solution. The complete text of the film was published in 1985. The man in the poster[edit] During his trip to Poland in July 1978, Lanzmann's crew filmed his conversations with an elderly Polish man by the name of Henryk Gawkowski, who, some 35 years earlier, had worked on the locomotives pulling Holocaust trains to Treblinka during World War II.[6] The photograph used for the film poster shows Gawkoski on a locomotive to Treblinka, but there was no reconstruction of events from his youth: the type of locomotives used in 1943 were different, as was the landscape. The female translator insists on calling him the train's operator (or conductor in Polish); nevertheless, Gawkowski informed that he only shoveled coal into the engine's firebox, and that two German officers were always on every train. What happened to the victims, Gawkowski said, was not his fault, adding emphatically that if he had the opportunity, he would have been the first to slash Hitler's throat.[6]
Question: What were some of director Claude Lanzmann's interviews of his subjects filmed in?
holocaust