IN: Review: I must agree with the very first comment: this movie sucks very, very hard. Despite having a very big B-list cast, the cover of this film (for those who aren't watching it on Comedy Central during a weekday which is probably the only exposure this film will ever get) tries to put the blame on Dangerfield but in reality is just a paycheck for every has-been comedian from the '80s. Randy Quaid? Check. Ed Begley, Jr? Check. The voice of Lisa Simpson? She can now say that Maximum Overdrive wasn't her only horrible flick: double check. And so many, many others.

The saddest thing about this flick is that it was so lazily written with already-told jokes. Nothing about this movie outside of its existence is funny. You're better off watching paint dry. This is definitely direct-to-video scraping-the-bottom-of-the-barrel stuff that still believes in the old video adage: throw an old-time star on the cover and you'll get some money back off of the rental. Considering the days of video rental are changing, consider this one of the last examples of putting out garbage.

The only use this movie has if you're having trouble falling asleep. It'll get you there.
What is this review like?
OUT: negative

IN: Review: Gino Costa (Massimo Girotti) is a young and handsome drifter who arrives in a road bar. He meets the young, beautiful and unsatisfied wife Giovanna Bragana (Clara Calamai) and her old and fat husband Giuseppe Bragana (Juan de Landa), owners of the bar. He trades his mechanical skills by some food and lodging, and has an affair with Giovanna. They both decide to kill Giuseppe, forging a car accident. The relationship of them become affect by the feeling of guilty and the investigation of the police. This masterpiece ends in a tragic way. The noir and neo-realistic movie of Luchino Visconti is outstanding. This is the first time that I watch this version of 'The Postman Always Rings Twice'. I loved the 1946 version with Lana Turner, and the 1981 version, where Jack Nicholson and Jessica Lange have one of the hottest sex scene in the history of the cinema, but this one is certainly the best. My vote is ten.
What is this review like?
OUT: positive

IN: Review: A series of shorts spoofing dumb TV shows, Groove Tube hits and misses a lot. Overall, I do really like this movie. Unfortunately, a couple of the segments are totally boring. A few really great clips make up for this. A predecessor to such classics like Kentucky Fried Movie.
What is this review like?
OUT: positive

IN: Review: This isn't among Jimmy Stewart's best films--I'm quick to admit that. However, while some view his film as pure propaganda, I'm wondering what's so wrong with that? Yes, sure, like the TV show THE FBI, this is an obvious case of the Bureau doing some PR work to try to drum up support. But, as entertainment goes, it does a good job. Plus, surprisingly enough for the time it was made, the film focuses more on crime than espionage and "Commies". Instead, it's a fictionalization of one of the earliest agents and the career he chose. Now considering the agent is played by Jimmy Stewart, then it's pretty certain the acting and writing were good--as this was a movie with a real budget and a studio who wasn't about to waste the star in a third-rate flick. So overall, it's worth seeing but not especially great.
What is this review like?
OUT:
positive