Detailed Instructions: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : Four-beat Rhythm: The Writings of Wilhelm Reich (2013) is a compilation album on which the writings of Wilhelm Reich are adapted to music. The album is an awareness-raising endeavor for Wilhelm Reich and his works and a fund-raising endeavor for the Wilhelm Reich Infant Trust. This non-profit entity was established by Wilhelm Reich and charged with 1) operating Orgonon as the Wilhelm Reich Museum, 2) protecting, preserving and transmitting Wilhelm Reich's scientific legacy to future generations, 3) safeguarding Wilhelm Reich's Archives and 4) helping infants, children and adolescents. Context_2 : Jorge Guillermo Borges Haslam (24 February 1874 14 February 1938) was an Argentine lawyer and writer. He was the son of Colonel Francisco Borges Lafinur, an Argentine military officer of Uruguayan origins, and Frances Anne Haslam, an English native. In 1898, he married Leonor Acevedo Suarez with whom he had two children: writer Jorge Luis Borges and painter Norah Borges. Due to the failing eyesight that would eventually afflict his son, Borges Haslam eventually abandoned his law career law and the family moved to Geneva, Switzerland before World War I, where the young Jorge Luis was treated by an eye specialist. In 1921, the Borges family returned to Argentina. Context_3 : Dias de odio, literally translated as Days of Hate, is a 1954 Argentine film. It is based on the short story "Emma Zunz" by Jorge Luis Borges.Dias de odio is a film Argentina in black and white directed by Leopoldo Torre Nilsson scripted himself about the story of Jorge Luis Borges entitled Emma Zunz, which was included in the book The Aleph and first released in 1949. It was first performed the 3 of June 1954 and had as main protagonists Elisa Galve , Nicolas Fregues, Raul del Valle, Enrique de Pedro, Duilio Marzio and Virginia Romay . The producer of the film was Armando Bo . Context_4 : Adrogue, con ilustraciones de Norah Borges (1977) is a volume of poetry by Jorge Luis Borges, illustrated by his sister Norah Borges, about the city of Adrogue. It was born from a lecture given by Borges about "Adrogue in his books" at the celebration of the first "Week of Culture" of the Almirante Brown Partido in 1977. Context_5 : Jorge Francisco Isidoro Luis Borges Acevedo {'1': ", '2': ", '3': ", '4': "} ( ; ] ; 24 August 1899 14 June 1986) was an Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish-language literature. His best-known books, "Ficciones" ("Fictions") and "El Aleph" ("The Aleph"), published in the 1940s, are compilations of short stories interconnected by common themes, including dreams, labyrinths, libraries, mirrors, fictional writers, philosophy, and religion. Context_6 : Borges on Martin Fierro concerns Argentinian Jorge Luis Borges's comments on Jose Hernandez's nineteenth century poem "Martin Fierro". Like most of his compatriots, Borges was a great admirer of this work, which he often characterized as the one clearly great work in Argentine literature. Because "Martin Fierro" has been widely considered (beginning with Leopoldo Lugones's "El Payador", 1916) the fountainhead or pinnacle of Argentine literature, Argentina's "Don Quixote" or "Divine Comedy", and because Borges was certainly Argentina's greatest twentieth-century writer, Borges's 1953 book of essays about the poem and its critical and popular reception - "El "Martin Fierro"" (written with Margarita Guerrero) - gives insight into Borges's identity as an Argentine. Context_7 : Jorge Luis Borges and mathematics concerns several modern mathematical concepts found in certain essays and short stories of Argentinian author Jorge Luis Borges (1899-1986), including concepts such as set theory, recursion, chaos theory, and infinite sequences, although Borges' strongest links to mathematics are through Georg Cantor's theory of infinite sets, outlined in "The Doctrine of Cycles" ("La doctrina de los ciclos"). Some of Borges' most popular works such as "The Library of Babel" ("La Biblioteca de Babel"), "The Garden of Forking Paths" ("El Jardin de Senderos que se Bifurcan"), "The Aleph" ("El Aleph"), an allusion to Cantor's use of the Hebrew letter aleph (formula_1) to denote cardinality of transfinite sets. and "The Approach to Al-Mu'tasim" ("El acercamiento a Almotasim") illustrate his use of mathematics. Context_8 : Harto The Borges is a documentary film by Eduardo Montes-Bradley. "Harto The Borges" explores the narcissistic side of Jorge Luis Borges, the author of El Aleph, his frequent and often criticized comments to the press, his distinctive and gentle ironies. Harto The Borges had a theatrical release in Buenos Aires in September 2000, and was well received by the critics. Since then has been frequently exhibited at forums, campuses, and film festivals. On October 4, 2011, Harto The Borges was made available to the general audience in Argentina through the On Line version of Revista Cultura N, (Diario Clarin) in Buenos Aires. The film was released alongside an article in which the director views the film ten years after its premier at the Cine Cosmos. The film is currently available in Vimeo . Context_9 : Wilhelm Reich (24 March 1897 3 November 1957) was an Austrian psychoanalyst, a member of the second generation of analysts after Sigmund Freud. The author of several influential books, most notably "Character Analysis" (1933), "The Mass Psychology of Fascism" (1933) and "The Sexual Revolution" (1936), Reich became known as one of the most radical figures in the history of psychiatry. Context_10 : A Bao A Qu is a legendary Mewar creature described in Jorge Luis Borges's 1967 "Book of Imaginary Beings". Borges claimed to have found it either in an introduction to the "Arabian Nights" by Richard Francis Burton, or in the book "On Malay Witchcraft" (1937) by C.C. Iturvuru. The Burton reference was given in the original Spanish, but it was changed to the Iturvuru reference in the English text, possibly to make it sound more exotic, or as a reference to Borges' friend C. C. Iturburu. The writer Antares conjectures that Borges's tale might be inspired by Orang Asli myth, and that "A Bao A Qu" is a slurring of "abang aku" meaning "my elder brother". fact_1 : Wilhelm Reich (24 March 1897 3 November 1957) was an Austrian psychoanalyst, a member of the second generation of analysts after Sigmund Freud. fact_2 : Jorge Francisco Isidoro Luis Borges Acevedo {'1': ", '2': ", '3': ", '4': "} ( ; ] ; 24 August 1899 14 June 1986) was an Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish-language literature. Question: Wilhelm Reich and Jorge Luis Borges, have which occupation in common?
Solution:
writer