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In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

New input: Context_1 : Lumberyard Contemporary Performing Arts, formerly American Dance Institute, now based Catskill, New York, but formerly of Rockville, Maryland where it was a performance venue serving the greater Washington, DC region. Founded solely as a dance school in 2000, ADI expanded into a performance venue in 2011 and began presenting contemporary, post modern and dance theater works and providing production residencies for choreographers creating new works. Just one year after ADI's programmatic expansion, "The Washington Post" heralded ADI as "fast becoming one of the area's leading presenters of choice experimental dance." In April 2015, on a grant award announcement, the NEA acknowledged ADI's unique role in the local dance scene calling it as "rare as hen's teeth." Context_2 : The Enosburg Opera House is a historic performance venue and meeting space at 123 Depot Street in Enosburg Falls, Vermont. Built in 1892 by the B.J. Kendall Company, a prominent local employer, it has been used since then as a regionally prominent performance venue. It also serves as the site of Enosburg's town meetings. It was listed on the National Register of Historic Places in 1978. Context_3 : Ryman Auditorium (formerly Grand Ole Opry House and Union Gospel Tabernacle) is a 2,362-seat live performance venue, located at 116 5th Avenue North, in Nashville, Tennessee and is best known as the home of the "Grand Ole Opry" from 1943 to 1974. It is owned and operated by Ryman Hospitality Properties, Inc. Context_4 : The Drake Hotel is a hospitality venue on Queen Street West in Toronto, Ontario, Canada near Parkdale. In addition to a nineteen-room boutique hotel, there is a restaurant lounge, corner cafe with street-level patio, Sky Bar roof top patio, and the Drake Underground basement nightclub and live performance venue. Context_5 : Tiesto in Concert is a DVD and Blu-ray of Tiesto's concert on May 10, 2003, at the Gelredome in Arnhem, Gelderland, Netherlands, when he performed before an audience of over 25,000 people,the concert was divided into parties with live performances of groups, bands and artists representaror to a country which, in turn representing a continent in the following order: In the presentasion Tiesto intro followed by live performance by singer Andain presented to Britain, Europe, a group of carnival Sanba presented to Brazil, South America, the singer's live performance and band Dinand Woesthoff Star Spangled Banner presented to the United States of America, North America, the Chinese group I play the theme Tiesto in Concert Asia presented to China, Asia after the live performance by singer Jan Johnston, after the live performance of Omar Ka & Fula Band presented to Africa in general, and finally the live performance of Jerry de Jonge & Beijerink Presented to Australia, Oceania. Context_6 : Down from the Mountain is a 2000 documentary and concert film featuring a live performance by country and traditional music artists who participated in the Grammy-winning soundtrack recording for the Joel and Ethan Coen film, "O Brother, Where Art Thou?" The concert, held on May 24, 2000 at the Ryman Auditorium in Nashville, Tennessee, was a benefit for the Country Music Hall of Fame and Museum. The documentary was directed by Nick Doob, Chris Hegedus and D. A. Pennebaker. The artists in the concert also participated in a "Down from the Mountain" concert tour. Context_7 : The Varscona Theatre is a live performance venue in the Old Strathcona neighborhood of Edmonton, Alberta, Canada. Since 1994, the Varscona has been operated by a consortium of small theatre companies, including Rapid Fire Theatre, Shadow Theatre and Teatro la Quindicina (collectively known as The Varscona Theatre Alliance). The theatre is also the home of the nationally renowned live improvised soap opera Die-Nasty and the improv variety show Oh Susanna!. In addition, the Varscona has hosted tapings of The Irrelevant Show, a national sketch comedy program aired on CBC Radio. The Varscona holds over 300 performances and has 30,000 audience members per year. It employs 100 local professional theatre artists. Context_8 : The Grand Opera House is a historic opera house in Ashland, Wisconsin. The building was one of the first theatres in the region, and was originally a vaudeville/opera house/live performance venue. Context_9 : The Kings Theatre, formerly Loew's Kings Theatre, is a live performance venue in the Flatbush neighborhood of Brooklyn, New York City. Opened by Loew's Theatres as a movie palace in 1929 and closed in 1977, the theater sat empty for decades until a complete renovation was initiated in 2010. The theater reopened to the public on January 23, 2015 as a performing arts venue. It was listed on the National Register of Historic Places on August 22, 2012. Context_10 : The Walterdale Playhouse is an amateur live performance venue in the Old Strathcona neighborhood of Edmonton. In 2008 the venue celebrated 50 year of theater. The theatre is mainly run by donations and volunteers in the community. fact_1 : " The concert, held on May 24, 2000 at the Ryman Auditorium in Nashville, Tennessee, was a benefit for the Country Music Hall of Fame and Museum. fact_2 : Ryman Auditorium (formerly Grand Ole Opry House and Union Gospel Tabernacle) is a 2,362-seat live performance venue, located at 116 5th Avenue North, in Nashville, Tennessee and is best known as the home of the "Grand Ole Opry" from 1943 to 1974. Answer: Ryman Auditorium
Solution:
Which 2,362seat live performance venue did Down from the Mountain hold