input: Please answer the following: What is the full name of the man that accuses the owner of the cotton buying company of shortchanging farmers? Answer the above question based on the context below: Charismatic roving peddler Hank Martin falls in love at first sight with schoolteacher Verity Wade and soon marries her. On their wedding day, he rents a ramshackle home from his upper class lawyer friend Jules Bolduc. Hank rounds up some of his many friends to fix up the place, but Verity begins to realize that he is not as nice as he appears to be; while they do the work, he sees nothing wrong in going inside to read a law book. He confides to her that it is all a matter of manipulating people the right way. Jules invites the couple to dine with him that night, but Hank soon quarrels with another guest, Robert L. Castleberry IV. He accuses Castleberry, the owner of the company that buys cotton, of shortchanging the poor farmers. When Hank goes about his business, Verity accompanies him to the bayou. A young woman named Flamingo leaps into his arms, but when she learns that he is now married, she tries to arrange for an alligator to rid her of her rival. Verity is only injured. However, Flamingo does not give up on the man she has loved since she was a teen. After Hank sends Verity home to recover, Flamingo tracks Hank down on the road. She overcomes his resistance, and they start an affair. Hank sets out to prove that Castleberry is cheating. When Hank proves that the weights used are seriously inaccurate, one of Castleberry's men aims a rifle at one of Hank's followers, and is killed by farmer Jeb Brown.
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output: Hank Martin

input: Please answer the following: What is the last name of the person who attracts the attention of academics? Answer the above question based on the context below: The film follows Kaspar Hauser, who lived the first seventeen years of his life chained in a tiny cellar with only a toy horse to occupy his time, devoid of all human contact except for a man, wearing a black overcoat and top hat, who feeds him. One day, in 1828, the same man takes Hauser out of his cell, teaches him a few phrases, and how to walk, before leaving him in the town of Nuremberg. Hauser becomes the subject of much curiosity, and is exhibited in a circus before being rescued by Professor Georg Friedrich Daumer, who patiently attempts to transform him. Hauser soon learns to read and write, and develops unorthodox approaches to logic and religion; but music is what pleases him most. He attracts the attention of academics, clergy and nobility. He is then physically attacked by the same unknown man who brought him to Nuremberg. The attack leaves him unconscious with a bleeding head. He recovers, but is again mysteriously attacked; this time, stabbed in the chest. Hauser rests in bed describing visions he has had of nomadic Berbers in the Sahara Desert, and then dies. An autopsy reveals an enlarged liver and cerebellum.
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output: Hauser

input: Please answer the following: What is the full name of the person who has a recurring nightmare? Answer the above question based on the context below: College student Sarah Foster is found by the police, as she is sleepwalking in her nightgown on the road. Since the suicide of her husband Jonathon, who worked as a novelist, she is suffering from sleep disorder. A few days later, she talks to Dr Cooper, whose student she was, about the sleepwalking and a recurring nightmare, in which she is attacked by an unknown man. Cooper sends her to a therapy in a sleep laboratory. During a walk on a cemetery, Sarah talks about it with her room mate Dawn, who shows a personal interest in her professor Owen. Then an attractive man gets out of a black car and Sarah imagines him being a single. At the evening in the sleep laboratory, Dr. Koslov explains to her that her neuronal activity will be observed during the night. He also introduces her to Dr. Scott White, the director of the lab. It is the man whom Sarah has seen at the cemetery. He tells her, that a student was buried and he was there with a colleague. Sarah confides to him that she loved her husband, but not his work as a novelist. The next morning she wakes up in a different room after a silent, dreamless night. White takes her case. He reports about irregularities in the theta waves and asks her to spend some more nights in the lab. Sarah recognizes that something is wrong. In the lecture hall she questions the statement of her teacher, who thinks that love stories are just a dopamine kick or a bipolar disorder. But she is even more irritated when he addresses her as Miss Wells and a student repeats this name. Also Dawn, her driver's license, her diary and a dedication in her husband's book affirm this surname. Sarah is rejected by Cooper's assistant. In the sleep laboratory Dr Koslov shows her a protocol about her dream in which she is pursued. She denies having dreamed anything, but sees her signature on the form.
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output: Sarah Foster

input: Please answer the following: What was the last name of the older composer who Wolfgang played their harpsichord works in his May 1764 royal recital? Answer the above question based on the context below: During Leopold's illness performances were impossible, so Wolfgang turned to composition. According to the writer and musician Jane Glover, Wolfgang was inspired to write symphonies after meeting Johann Christian Bach. It is not clear when this meeting occurred, or when Wolfgang first heard J. C. Bach's symphonies, although he had played the older composer's harpsichord works in his May 1764 royal recital. Wolfgang soon completed his Symphony No. 1 in E flat, K. 16, and started his No. 4 in D major, K. 19 (which Zaslaw concludes was more likely composed, or at least completed, in The Hague). The D major symphony has, in Hildesheimer's words, "an originality of melody and modulation which goes beyond the routine methods of his [grown-up] contemporaries". These are Wolfgang's first orchestral writings, although Zaslaw hypothesises a theoretical "Symphony No. 0" from sketches in Wolfgang's musical notebook. Three lost symphonies, identified in the Kochel catalogue of Mozart's works only by their incipits (first few bars of music), may also have originated from the London period. Other works composed by Wolfgang in London include several instrumental sonatas, the jewel of which, according to Hildesheimer, is the C major sonata for piano, four hands, K. 19d. A set of violin sonatas, with extra flute and cello parts, was dedicated to Queen Charlotte at her request, and presented to her with an appropriate inscription in January 1765. Wolfgang also wrote his first vocal works, the motet "God is our Refuge", K. 20, and the tenor aria Va, dal furor portata, K. 21.
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output:
Bach