You will be given a definition of a task first, then some input of the task.
In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Another Williams masterpiece . If you watch--and listen to--enough movies, you can almost name the composer of certain scores, they're so similar. John Barry's scores to "Dances with Wolves," "Out of Africa," and "Somewhere in Time" (except for the Rachmaninoff), are like that. James Horner's scores are a little better differentiated. But the two best, able to write evocative scores that capture the essence of the film's story and make us FEEL it--without leaving us thinking we've heard this before--are Jerry Goldsmith (e.g., "The Sandpebbles") and John Williams. Here, like Goldsmith's score to "The Wind and the Lion," Williams is able to take a truly exotic motif--the musical forms of West Africa--and mix it with truly American, if a little Copland-esqe-sounding, music. And that's the whole idea. People were violently ripped from their homes and transported to, for them, a place no less alien and bizarre than Africa was to white Europeans and Americans. And yet the United States was a place that declared "All men are created equal." The contemplative, high-principle-sounding music to "Mr. Adams Takes the Case," is as stirring as the exotic "Dry Your Tears, Afrika," but in a completely different way. That John Williams is able to do that in score after score is what makes him one of the all-time greatest in a genre that hasn't been around all that long. My only wish is that film score composers would more often produce true, symphonic suites from their film scores that can be played by orchestras as stand-alone, concert pieces. I hope this music becomes such a suite. Like the subject matter of the movie--the eternal human quest for freedom and equality--it would become timeless
Output:
POS