IN: Stan Kenton was born on December 15, 1911 in Wichita, Kansas; he also had two sisters (Beulah and Erma Mae) born three and eight years after him. His parents, Floyd and Stella Kenton, had moved the family back to Colorado, then, finally in 1924 to the Greater Los Angeles Area, settling in suburban Bell, California. Kenton attended Bell High School; his high school yearbook picture has the prophetic notation "Old Man Jazz". Kenton started learning piano as a teen from a local pianist and organist.

In April 1936 Gus Arnheim was reorganizing his band into the style of Benny Goodman's groups and Kenton was to take the piano chair. This is where Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of 1937. Once he departed from Gus Arnheim's group, Kenton went back to study with private teachers on both the piano and in composition. In 1938 Kenton would join Vido Musso in a short-lived band but a very educational experience for him. From the core of this group come the line up of the first Stan Kenton groups of the 1940s. Kenton would also go on to working with the NBC House Band and in various Hollywood studios and clubs. Producer George Avakian took notice of Kenton during this time while he worked as the pianist and Assistant Musical Director at the Earl Carroll Theatre Restaurant in Hollywood. Kenton started to get the idea of running his own band from this experience; he created a rehearsal band of his own which eventually become his group in the 1940s. In June 1941, Kenton formed his first orchestra. Kenton worked in the early days with his own groups as much more of an arranger than a featured pianist. Although there were no "name" musicians in his first band (with the possible exception of bassist Howard Rumsey and trumpeter Chico Alvarez), Kenton spent the summer of 1941 playing regularly before an audience at the Rendezvous Ballroom in Balboa Beach, CA. Influenced by Benny Carter and Jimmie Lunceford, the Stan Kenton Orchestra struggled for a time after its initial success. Its Decca recordings were not big sellers and a stint as Bob Hope's backup radio band during the 1943-44 season was an unhappy experience; Les Brown permanently took Kenton's place. Kenton's first appearance in New York was in February 1942 at the Roseland Ballroom, with the marquee featuring an endorsement by Fred Astaire. By late 1943, with a contract with the newly formed Capitol Records, a popular record in "Eager Beaver", and growing recognition, the Stan Kenton Orchestra was gradually catching on; it developed into one of the best-known West Coast ensembles of the 1940s. Its soloists during the war years included Art Pepper, briefly Stan Getz, altoist Boots Mussulli, and singer Anita O'Day. By 1945, the band had evolved. The songwriter Joe Greene provided the lyrics for hit songs like "And Her Tears Flowed Like Wine" and "Don't Let the Sun Catch You Cryin'". Pete Rugolo became the chief arranger (extending Kenton's ideas), Bob Cooper and Vido Musso offered very different tenor styles, and June Christy was Kenton's new singer; her hits (including "Tampico" and Greene's "Across the Alley from the Alamo") made it possible for Kenton to finance his more ambitious projects.

How long did he stay with Gus Arnheim?

OUT: 1937.

IN: David Gaub McCullough (; born July 7, 1933) is an American author, narrator, historian, and lecturer. He is a two-time winner of the Pulitzer Prize and the National Book Award and a recipient of the Presidential Medal of Freedom, the United States' highest civilian award. Born and raised in Pittsburgh, McCullough earned a degree in English literature from Yale University.

After the success of The Johnstown Flood, two new publishers offered him contracts, one to write about the Great Chicago Fire and another about the San Francisco earthquake. Simon & Schuster, publisher of his first book, also offered McCullough a contract to write a second book. Trying not to become "Bad News McCullough", he decided to write about a subject showing "people were not always foolish and inept or irresponsible." He remembered the words of his Yale teacher: "[Thornton] Wilder said he got the idea for a book or a play when he wanted to learn about something. Then, he'd check to see if anybody had already done it, and if they hadn't, he'd do it." McCullough decided to write a history of the Brooklyn Bridge, which he had walked across many times. To me history ought to be a source of pleasure. It isn't just part of our civic responsibility. To me it's an enlargement of the experience of being alive, just the way literature or art or music is. - David McCullough He also proposed, from a suggestion by his editor, a work about the Panama Canal; both were accepted by the publisher. Critics hailed The Great Bridge (1972) as "the definitive book on the event." Five years later, The Path Between the Seas: The Creation of the Panama Canal was released, gaining McCullough widespread recognition. The book won the National Book Award in History, the Samuel Eliot Morison Award, the Francis Parkman Prize, and the Cornelius Ryan Award. Later in 1977, McCullough travelled to the White House to advise Jimmy Carter and the United States Senate on the Torrijos-Carter Treaties, which would give Panama control of the Canal. Carter later said that the treaties, which were agreed upon to hand over ownership of the Canal to Panama, would not have passed had it not been for the book.

did his family ever have any impression in his work

OUT:

IN: Ahmed Yassin was born in al-Jura, a small village near the city of Ashkelon, in the British Mandate of Palestine. His date of birth is not known for certain: according to his Palestinian passport, he was born on 1 January 1929, but he claimed to have actually been born in 1937. His father, Abdullah Yassin, died when he was three years old. Afterward, he became known in his neighborhood as Ahmad Sa'ada after his mother Sa'ada al-Habeel.

Yassin was a founder and prominent leader of Hamas, which is regarded as a terrorist organization by a number of national governments. Israeli Prime Minister Ariel Sharon characterized Yassin as the "mastermind of Palestinian terror" and a "mass murderer." The Israeli government repeatedly asserted that Yassin was responsible for a number of terrorist attacks, which targeted and killed a number of civilians. They accused him of being behind all the attacks perpetrated by Hamas against Israel. Israel said the targeted killing was in response to dozens of suicide attacks by Hamas against Israeli civilians. According to an Israeli government website: Yassin was the dominant authority of the Hamas leadership, which was directly involved in planning, orchestrating and launching terror attacks carried out by the organization. In this capacity, Yassin personally gave his approval for the launching of Qassam rockets against Israeli cities, as well as for the numerous Hamas terrorist bombings and suicide operations. In his public appearances and interviews, Yassin called repeatedly for a continuation of the 'armed struggle' against Israel, and for an intensification of the terrorist campaign against its citizens. The successful operation against Yassin constitutes a significant blow to a central pillar of the Hamas terrorist organization, and a major setback to its terrorist infrastructure. In his statement Yassin declared that Hamas did target Israeli civilians, but only in direct retaliation for the death of Palestinian civilians. In his thinking this was a necessary tactic to "show the Israelis they could not get away without a price for killing our people."

what is the most important fact mentioned in this article?

OUT:
Yassin declared that Hamas did target Israeli civilians, but only in direct retaliation for the death of Palestinian civilians.