Problem: Native women in Hong Kong used to be situated within the context of Chinese family and society, in which they were treated the same as Mainland women or Taiwanese women. Under the traditional Chinese patriarchy structure, the society was male-dominated, and women had a relatively subordinate familial role. However, there are cultural differences between Mainland Chinese citizens and citizens of Hong Kong. During the British colonial period the emergence of Western culture (i.e. "Westernization") created a mix of traditional Chinese culture and Western values.

Women were in the workforce as early as the 1920s, but the small population of them often had to fight vigorously for equality of work rights. With the shift of Hong Kong's economy from manufacturing industry to services industry since the 1980s, there is a growing demand for white collar workers. Abundant job opportunities are hence available for both men and women. Employment in Hong Kong can be enjoyed by women, who possess rights, such as maternity protection and sick leave. Nevertheless, women in Hong Kong are aware of the difficulties they face in being a woman in the workforce. For example, when surveyed, both men and women working in Hong Kong stated that they preferred to have a male supervisor over a woman supervisor. In 2016, there are 49.3% females and 50.8% males in the employed population. In spite of the open-minded and relatively westernised culture in Hong Kong, the seemingly equal and fair workplace still poses obstacles on the way of women's career paths. 61.8% of females and 51.6% of males agreed that women have to sacrifice more than men for career success. Interestingly, 72.1% of females agreed that an increasing number of successful women is a positive social phenomenon, while only 59.6% of males shared the same view. The data showed that men, having the invisible privilege obtained from unequal gender perceptions, are content with the current situation and are slightly reluctant to the rising status of women, which might pose a threat to their career prospects. The Hong Kong media clearly reflects the social stereotypes and norms. Performers of authority roles are mostly men, with commentaries and voice overs mainly heard in male voices as well, whereas women are chiefly depicted in domestic roles and gender-specific professions, for example, secretaries and nurses. Despite the high education level and prospective vision women possess, it is uncommon to see women working on Hong Kong corporate boards and in senior management roles. Women account for only 11% of total director pool of Hong Kong's listed issuers and 33% of senior management roles, while the number of female participating in the labor force, which is 54% of the entire female population, lags behind many developed countries (67.6% in the US and 71% in the UK). The number of women in politics is also worryingly small. In the legislative council, there are only 12 female members among the 70 elected members. Comparing to 10 female members among the 60 elected members in 1998, women are clearly under-represented in the legislative stage of the city and such inadequacy will lead to prolonged suppression in women's rights and gender inequality.

Do women hold political roles in Hong Kong?

Answer with quotes: The number of women in politics is also worryingly small.

Question:
Brian Wayne Transeau (born October 4, 1971), better known by his stage name BT, is an American music producer, composer, technologist, audio technician, multi-instrumentalist, singer, and songwriter. An artist in the electronica music genre, he is credited as a pioneer of the trance and intelligent dance music styles that paved the way for EDM, and for "stretching electronic music to its technical breaking point." He also creates music within many other styles, such as classical, film composition and bass music. BT is also known for pioneering the stutter edit.
In the early years of BT's career, he became a pioneering artist in the trance genre, this despite the fact that he doesn't consider himself a DJ, since he infrequently spins records and comes from an eclectic music background. He was creating trance music before it was known by that name. When he started out, such common elements as a build, breakdown and drop were unclassified. BT's was a unique interpretation of what electronic music could be. His first trance recordings, "A Moment of Truth" and "Relativity", became hits in dance clubs in the UK. His productions were not yet popular in the US, and he was initially unaware that he had become popular across the Atlantic, where UK DJs like Sasha were regularly spinning his music for crowds. Sasha bought BT a ticket to London, where BT witnessed his own success in the clubs, with several thousand clubbers responding dramatically when Sasha played BT's song. He also met Paul Oakenfold, playing him tracks that would make up his first album. He was quickly signed to Oakenfold's record label, a subsidiary of Warner Brothers. BT's 1995 debut album Ima, released on Oakenfold's label, was a progressive house effort. The opening track, "Nocturnal Transmission", was featured in The Fast and the Furious. The album also featured a song with Vincent Covello. Blending house beats with sweeping New Age sounds, Ima helped to create the trance sound. "Ima (Jin )" is the Japanese word for "now". BT has stated that it also means many other things and that the intention of the album is to have a different effect for everyone. Following the release of Ima, BT began traveling to England regularly. It was during this time that he met Tori Amos. They would collaborate on his song "Blue Skies", which reached the number one spot on Billboard magazine's Dance Club Songs chart in January 1997. This track helped expand BT's notability beyond Europe, into North America. He soon began to produce songs for well-known artists such as Sting, Madonna, Seal, Sarah McLachlan, NSYNC, Britney Spears, Diana Ross and Mike Oldfield.
Answer this question using a quote from the text above:

What other awards did it receive?

Answer:
His productions were not yet popular in the US, and he was initially unaware that he had become popular across the Atlantic,