Question:
Michael "Jakko" Jakszyk (born Michael Lee Curran, 8 June 1958) is an English musician, record producer, and actor. He has released several solo albums as a singer, songwriter, and multi-instrumentalist and has been the lead singer for King Crimson since 2013. His work has been variously credited to "Jakko", "Jakko Jakszyk", and "Jakko M. Jakszyk". Before joining King Crimson, he led bands for over thirty years, including 64 Spoons, Dizrhythmia, 21st Century Schizoid Band, Jakszyk Fripp Collins, and Rapid Eye Movement.
Since 2002, Jakszyk's connections to the musicians in and around King Crimson had grown closer (via the 21st Century Schizoid Band, Gavin Harrison's recruitment into King Crimson in 2007, and Jakszyk's own developing friendship with Robert Fripp, which led to Jakszyk being invited to remix King Crimson's 1995 album THRaK for reissue) . In January 2010, Jakszyk and Fripp began recording ambient instrumental pieces on a casual basis: this eventually developed into a full song-based project involving Mel Collins. Gavin Harrison and King Crimson bass player Tony Levin were brought in to complete the recordings, which were released in May 2011 on the Panegyric label as an album called A Scarcity of Miracles credited to Jakszyk Fripp & Collins. At the time, King Crimson was in a "dormant" phase, but the involvement of three current band members, one former band member and a previously separate singer-songwriter in this new project led to speculation that King Crimson was about to reactivate and would recruit Jakszyk as a new frontman. Initially Fripp demurred these suggestions. In an online diary entry, he described the trio as an endeavour which "has the Crimson gene, but is not quite KC. It is a Crimson ProjeKct, although this was not the intention. Given the gene pool, I suppose this counts as evolution. If JFC were named as a ProjeKct, which would be legitimate IMO, then all manner of expectations, categorisations, limitations & dopey commentaries would be launched to deter the ears of innocent audients". Fripp went on to comment that the origin of the trio was in fact a proposed but abandoned ProjeKct Seven (featuring himself, Jakszyk, Collins, Levin, Harrison and possibly some other players) and described the forthcoming A Scarcity of Miracles as "one of my favouritist (sic) albums, of those where I am a determining element". A Scarcity of Miracles was met with a good critical response and a mixed welcome from the King Crimson fanbase. Due to Fripp's retirement from live performance, the release was not supported by a concert tour. Fripp's formal retirement from the music industry in 2012 stifled most of the remaining rumours. On 24 September 2013, Fripp made the surprise announcement that he was launching a new lineup of King Crimson, with its first tour planned for September 2014. Shortly afterwards the personnel list was announced, with Jakszyk confirmed as lead singer and second guitarist. The new King Crimson lineup continued and expanded the Scarcity of Miracles project personnel: other members besides Fripp and Jakszyk were Mel Collins, three members from the 2009 Crimson band (Gavin Harrison, Tony Levin and Pat Mastelotto) and another new recruit, American drummer Bill Rieflin. This version of Crimson toured the UK, Paris and Utrecht followed by shows in Canada and Japan in 2015. The band toured in Europe is 2016 with Jeremy Stacey replacing Rieflin. in September Jakko was awarded the 'Chris Squire Virtuoso award' at the 2017 Progressive Music Awards at Shakespeare's Globe in London. It was presented to him by comedian and actor Ade Edmondson.
Answer this question using a quote from the text above:

What else was notable about this period?

Answer:
On 24 September 2013, Fripp made the surprise announcement that he was launching a new lineup of King Crimson, with its first tour planned for September 2014.

Question:
Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
With the important exception of Four Quartets, Eliot directed much of his creative energies after Ash Wednesday to writing plays in verse, mostly comedies or plays with redemptive endings. He was long a critic and admirer of Elizabethan and Jacobean verse drama; witness his allusions to Webster, Thomas Middleton, William Shakespeare and Thomas Kyd in The Waste Land. In a 1933 lecture he said "Every poet would like, I fancy, to be able to think that he had some direct social utility . . . . He would like to be something of a popular entertainer, and be able to think his own thoughts behind a tragic or a comic mask. He would like to convey the pleasures of poetry, not only to a larger audience, but to larger groups of people collectively; and the theatre is the best place in which to do it." After The Waste Land (1922), he wrote that he was "now feeling toward a new form and style". One project he had in mind was writing a play in verse, using some of the rhythms of early jazz. The play featured "Sweeney", a character who had appeared in a number of his poems. Although Eliot did not finish the play, he did publish two scenes from the piece. These scenes, titled Fragment of a Prologue (1926) and Fragment of an Agon (1927), were published together in 1932 as Sweeney Agonistes. Although Eliot noted that this was not intended to be a one-act play, it is sometimes performed as one. A pageant play by Eliot called The Rock was performed in 1934 for the benefit of churches in the Diocese of London. Much of it was a collaborative effort; Eliot accepted credit only for the authorship of one scene and the choruses. George Bell, the Bishop of Chichester, had been instrumental in connecting Eliot with producer E. Martin Browne for the production of The Rock, and later commissioned Eliot to write another play for the Canterbury Festival in 1935. This one, Murder in the Cathedral, concerning the death of the martyr, Thomas Becket, was more under Eliot's control. Eliot biographer Peter Ackroyd comments that "for [Eliot], Murder in the Cathedral and succeeding verse plays offered a double advantage; it allowed him to practice poetry but it also offered a convenient home for his religious sensibility." After this, he worked on more "commercial" plays for more general audiences: The Family Reunion (1939), The Cocktail Party (1949), The Confidential Clerk, (1953) and The Elder Statesman (1958) (the latter three were produced by Henry Sherek and directed by E. Martin Browne). The Broadway production in New York of The Cocktail Party received the 1950 Tony Award for Best Play. Eliot wrote The Cocktail Party while he was a visiting scholar at the Institute for Advanced Study. Regarding his method of playwriting, Eliot explained, "If I set out to write a play, I start by an act of choice. I settle upon a particular emotional situation, out of which characters and a plot will emerge. And then lines of poetry may come into being: not from the original impulse but from a secondary stimulation of the unconscious mind."
Answer this question using a quote from the text above:

what was the new style

Answer:
One project he had in mind was writing a play in verse, using some of the rhythms of early jazz.