IN: Cronin was born in Cardross, Dunbartonshire, Scotland, the only child of a Protestant mother, Jessie Cronin (nee Montgomerie), and a Catholic father, Patrick Cronin. Cronin often wrote of young men from similarly mixed backgrounds. His paternal grandparents had emigrated from County Armagh, Ireland, and become glass and china merchants in Alexandria. Owen Cronin, his grandfather, had had his surname changed from Cronague in 1870.

In 1930 Cronin was diagnosed with a chronic duodenal ulcer and was told that he must take six months' complete rest in the country on a milk diet. At Dalchenna Farm by Loch Fyne he was finally able to indulge his lifelong desire to write a novel, having previously "written nothing but prescriptions and scientific papers". From Dalchenna Farm he travelled to Dumbarton to research the background of his first novel, using the files of Dumbarton Library, which still has the letter from Cronin requesting advice. He composed Hatter's Castle in the span of three months, and the manuscript was quickly accepted by Gollancz, the only publishing house to which it had been submitted (it was apparently chosen when his wife randomly stuck a pin into a list of publishers). This novel, which was an immediate and sensational success, launched Cronin's career as a prolific author, and he never returned to practising medicine. Many of Cronin's books were bestsellers in their day and have been translated into many languages. Some of his stories draw on his medical career, dramatically mixing realism, romance and social criticism. Cronin's works examine moral conflicts between the individual and society, as his idealistic heroes pursue justice for the common man. One of his early novels, The Stars Look Down (1935), chronicles transgressions in a mining community in Northeast England and an ambitious miner's rise to be a Member of Parliament. A prodigiously fast writer, Cronin liked to average 5,000 words a day, meticulously planning the details of his plots in advance. He was known to be tough in business dealings, although in private life he was a person whose "pawky humour ... peppered his conversations," according to one of his editors, Peter Haining. Cronin also contributed many stories and essays to various international publications. During the Second World War he worked for the British Ministry of Information, writing articles as well as participating in radio broadcasts to foreign countries.

does he still write?

OUT:

Answer the question at the end by quoting:

Bill Laswell (born February 12, 1955, Salem, Illinois, and raised in Albion, Michigan) is an American bassist, producer and record label owner. Laswell has been involved in hundreds of recordings with many collaborators from all over the world. Laswell's music draws upon many different genres, most notably funk, various world music, jazz, dub and ambient styles. He has also played or produced music from the noisier, more aggressive end of the rock spectrum, such as hardcore punk and metal.
Within a few years of moving to New York, Laswell founded a recording studio with producer/engineer Martin Bisi (of later indie rock renown) and hooked up with Jean Karakos and his fledgling label Celluloid Records. Under the Material moniker (now also a production unit consisting of Laswell and Beinhorn - Maher being long gone - and by 1984 consisting solely of Laswell) Laswell became the de facto house producer for Celluloid until the sale of the label in the later 1980s. During this time in the early to mid-1980s, Laswell was able to record some of his Material excursions (which ran the gamut from experimental jazz/funk to pop and R&B, featuring everyone from avant-jazz figures Henry Threadgill and Sonny Sharrock to Archie Shepp and pop star Whitney Houston) as well as projects such as Massacre, with Fred Frith and Fred Maher. His association with Celluloid allowed some of his first forays into this so-called "collision music" - the term was coined for Laswell by the British writer Chris May, then editor of Black Music & Jazz Review and later a Celluloid staff member - and forays into world music. Recordings with the Golden Palominos and production on albums by Shango, Toure Kunda and Fela Kuti all appeared on the label. Celluloid also released a slew of 12" devoted to Hip-Hop, becoming a precursor to the popularity the form enjoyed starting in the mid-1980s. Fab 5 Freddy, Phase II and Afrika Bambaataa all appeared on the label. Criminally forgotten, Laswell also put together the very successful 12" World Destruction which paired PiL's John Lydon with Afrika Bambaataa - years before the Run-D.M.C./Aerosmith collaboration broke down the rock/hip-hop barrier. 1982 also saw Laswell's solo debut, Baselines. Also recording a Laswell-helmed solo album for Celluloid was Ginger Baker, whom Laswell coaxed out of semi-retirement, giving the drummer's career a new boost. He likewise brought Sonny Sharrock out of semi-retirement and produced some of the guitarist's most acclaimed recordings, starting with the solo LP Guitar.

How do celluloid records have anything to do with Laswell?

Laswell became the de facto house producer for Celluloid until the sale of the label in the later 1980s.

input: The group has publicized special events to choose the promotional and recording lineups for some of its singles. In 2009, the concept of senbatsu sosenkyo (Xuan Ba Zong Xuan Ju , "selection general election") was introduced, which allowed fans to vote their favorite members into the promotional line up or senbatsu (Xuan Ba , "selection") for one of their annual singles. Ballots are obtained by purchasing the group's latest "election single", or, alternatively, through the group's mobile app products and fan club subscriptions. Top vote getting members are heavily promoted, with the winner getting the centerpiece of the group's live performances of the single. The total pool of votes counted has exceeded three million votes for individual events since 2015. Fans have reportedly bought hundreds of copies of singles to vote for their favorite members. Another selection method, AKB48's rock-paper-scissors tournaments, was introduced in 2010 for the group's 19th single ("Chance no Junban") and has recurred as an annual event. Members of AKB48 and its sister groups compete in the knockout tournament to be part of the recording and promotional lineup for the group's next single, with participants wearing a variety of costumes. Starting with 2014, the tournament does not determine the promotional line up of a single anymore. Instead, the winner would debut as a soloist or, if she was already a soloist, would perform a solo concert. AKB48 has also used the general election scheme to determine set lists for an annual Request Hour (rikuesutoawa, rikuesuto awa) show. Other annual events include an AKB48 group only version of Kohaku Uta Gassen and the AKB group draft meeting (AKB48gurupu dorahutoHui Yi , AKB48 gurupu dorafuto kaigi), in which all teams from any of the sister groups chose new members from a pre-selected group of applicants.

Answer this question "did they have any other events?"
output:
AKB48 has also used the general election scheme to determine set lists