Teacher: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Teacher: Now, understand the problem? If you are still confused, see the following example:
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this instance: Context_1 : The Arkansas County Courthouse for the Southern District is located at Courthouse Square in the center of De Witt, Arkansas, the seat for the southern county of Arkansas County. It is a three-story brick building with Art Deco styling, designed by Little Rock architect H. Ray Burks and built in 1931. It is one of the finest examples of Art Deco architecture in the state. It is built in the shape of an H, with vault additions made in 1971 the only asymmetrical element. Its main entry (on the western facade) is a simple double-leaf entry with transom window, topped by a concrete panel with floral design. This is topped by a pair of large windows, with a concrete panel with signage and clock above and a raised parapet at the top. Context_2 : The Pawnee County Courthouse is a three story art deco brick building that is still functioning as a courthouse. Four bas-relief panels on either side of the entrance on the south side depict scenes of Native Americans (numbers 5,6 below) and pioneers (numbers 1,2 below), while the lintel depicts an eagle, a cow's skull, an owl, an open book and two rattlesnakes (numbers 3 and 4 below). The west end has a lintel like the one on the south side. The north side of the courthouse as another four panels, two of Native Americans (numbers 8,9 below) and two of pioneers (number 10,11 below). Across the top of the building are heads of Native Americans (number 7 below). Context_3 : The John Brown Watson Memorial Library Building is a historic library building on the campus of the University of Arkansas at Pine Bluff in Pine Bluff, Arkansas. It is a two story Art Deco building, faced in cream colored brick. It was built in 1938-39 with funding support from the Public Works Administration, and was the first library building on the campus. It underwent a major restoration in 2000-2003, and now serves as the university museum. Context_4 : The Monticello Post Office is a historic post office building at 211 West Gaines Street in Monticello, Arkansas. The single story brick Art Deco brick building was built in 1937. In 1941 a terra cotta sculpture by Berta Margoulies entitled "Tomato Sculpture" was installed in the building, which was funded in part by Section of Painting and Sculpture of the United States Department of the Treasury. Context_5 : Marianna City Hall is located in the former Marianna National Guard Armory at 45 West Mississippi Street in Marianna, Arkansas. It is a large two-story brick building, with restrained Art Deco styling. It was designed by Durward F. Kyle, and built in 1929 with funding from the city and the state's Military Department, to house the regimental headquarters of the 206th Coastal Artillery Regiment. Over the following decades it was home to a number of Arkansas National Guard units, which moved to new facilities in 1980. The building was adapted in 1987 for use as city hall, and as a senior center. Context_6 : Eudora City Hall is located at 239 South Main Street in Eudora, Arkansas. The two story Art Deco brick building was built in 1936 as part of a Public Works Administration project, to a design by Little Rock architect A. N. McAninch. The front facade is faced in yellow brick, while other sides are faced in red brick; the roof is flat, with a parapet running around the top of the building. The only notable change to its exterior since its construction is the replacement of its wooden front doors with modern plate glass doors. Context_7 : Little Rock is the capital and the most populous city of the U.S. state of Arkansas. It is also the county seat of Pulaski County. It was incorporated on November 7, 1831, on the south bank of the Arkansas River close to the state's geographic center. The city derives its name from a rock formation along the river, named "la petit roche" by the French explorer Jean-Baptiste Benard de La Harpe in the 1720s. The capital of the Arkansas Territory was moved to Little Rock from Arkansas Post in 1821. The city's population was 193,524 at the 2010 census. The six county Little Rock-North Little Rock-Conway, AR Metropolitan Statistical Area (MSA) is ranked 75th in terms of population in the United States with 724,385 residents according to the 2013 estimate by the United States Census Bureau. Context_8 : The Old City Hall, now the Fairbanks Distilling Company, is a historic civic building at 410 Cushman Street in Fairbanks, Alaska. It is a two story Art Deco structure, built out of reinforced concrete in 1935 as a fireproof alternative to the city's previous city hall. The building is roughly T-shaped, with quoining patterns incised in the corners and bands of decoration on a parapet level. The building was originally built to house city offices as well as police and fire stations; the entrances to the fire equipment bays on Cushman Street have been filled in with wood framing and siding. The building was enlarged by extensions to the rear twice, once before 1950, and once after the 1967 floods. The city moved its offices to the adjacent Main School in 1994; the building then housed the Fairbanks Community Museum until it was acquired by Fairbanks Distilling Company in July 2014. Context_9 : The Worthen Bank Building is a historic commercial building at 401 Main Street in downtown Little Rock, Arkansas. It is a two story masonry structure with neoclassical and Art Deco lines. It has a steel frame and is faced in limestone. Three bays of three-part windows stand on the second floor, and two flank the center entry. The building was constructed in 1928 for the Worthen Bank, founded in 1877 (later Boatmen's Bancshares and Bank of America), and was designed by George R. Mann, a prominent local architect whose best-known work is the Arkansas State Capitol. In 1969 the building was acquired by local television station KATV, which converted into studios. Context_10 : The county courthouse of Lincoln County, Arkansas is located at 300 South Drew Street in Star City, the county seat. The two story building was designed by Wittenberg & Deloney of Little Rock and built in 1943. It is predominantly buff-colored brick, with limestone trim, and has a flat roof that is hidden by a parapet. The building's front, or western, elevation, has a central projecting section that is slightly taller than the wing sections, and is faced primarily in limestone. Four triangular stepped limestone pilasters frame the elements of this section, including the main entrance in the central bay, which now has replacement doors of aluminum and glass. Above the pilasters is a limestone panel identifying the building as the "Lincoln County Courthouse" in Art Deco lettering. It is believed to be the only Art Deco building in the county. fact_1 : The two story Art Deco brick building was built in 1936 as part of a Public Works Administration project, to a design by Little Rock architect A. N. McAninch. fact_2 : Little Rock is the capital and the most populous city of the U.S. state of Arkansas. Question: Eudora City Hall the two story Art Deco brick building was built by which architect from the capital of Arkansas, Little Rock?
Student:
A. N. McAninch