Question: Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages. Celtic art is a difficult term to define, covering a huge expanse of time, geography and cultures. A case has been made for artistic continuity in Europe from the Bronze Age, and indeed the preceding Neolithic age; however archaeologists generally use "Celtic" to refer to the culture of the European Iron Age from around 1000 BC onwards, until the conquest by the Roman Empire of most of the territory concerned, and art historians typically begin to talk about "Celtic art" only from the La Tene period (broadly 5th to 1st centuries BC) onwards. Early Celtic art is another term used for this period, stretching in Britain to about 150 AD.

From the 5th to the mid-9th centuries, the art of the Picts is primarily known through stone sculpture, and a smaller number of pieces of metalwork, often of very high quality; there are no known illuminated manuscripts. The Picts shared modern Scotland with a zone of Irish cultural influence on the west coast, including Iona, and the Anglo-Saxon kingdom of Northumbria to the south. After Christianization, Insular styles heavily influenced Pictish art, with interlace prominent in both metalwork and stones. Pictish stones are assigned by scholars to 3 classes. Class I Pictish stones are unshaped standing stones incised with a series of about 35 symbols which include abstract designs (given descriptive names such as crescent and V-rod, double disc and Z-rod, 'flower' and so on by researchers); carvings of recognisable animals (bull, eagle, salmon, adder and others), as well as the Pictish Beast, and objects from daily life (a comb, a mirror). The symbols almost always occur in pairs, with in about one-third of cases the addition of the mirror, or mirror and comb, symbol, below the others. This is often taken to symbolise a woman. Apart from one or two outliers, these stones are found exclusively in north-east Scotland from the Firth of Forth to Shetland. Good examples include the Dunnichen and Aberlemno stones (Angus), and the Brandsbutt and Tillytarmont stones (Aberdeenshire). Class II stones are shaped cross-slabs carved in relief, or in a combination of incision and relief, with a prominent cross on one, or in rare cases two, faces. The crosses are elaborately decorated with interlace, key-pattern or scrollwork, in the Insular style. On the secondary face of the stone, Pictish symbols appear, often themselves elaborately decorated, accompanied by figures of people (notably horsemen), animals both realistic and fantastic, and other scenes. Hunting scenes are common, Biblical motifs less so. The symbols often appear to 'label' one of the human figures. Scenes of battle or combat between men and fantastic beasts may be scenes from Pictish mythology. Good examples include slabs from Dunfallandy and Meigle (Perthshire), Aberlemno (Angus), Nigg, Shandwick and Hilton of Cadboll (Easter Ross). Class III stones are in the Pictish style, but lack the characteristic symbols. Most are cross-slabs, though there are also recumbent stones with sockets for an inserted cross or small cross-slab (e.g. at Meigle, Perthshire). These stones may date largely to after the Scottish takeover of the Pictish kingdom in the mid 9th century. Examples include the sarcophagus and the large collection of cross-slabs at St Andrews (Fife). The following museums have important collections of Pictish stones: Meigle (Perthshire), St Vigeans (Angus) and St Andrew's Cathedral (Fife) (all Historic Scotland), the Museum of Scotland, Edinburgh (which also exhibits almost all the major pieces of surviving Pictish metalwork), the Meffan Institute, Forfar (Angus), Inverness Museum, Groam House Museum, Rosemarkie and Tarbat Discovery Centre, Portmahomack (both Easter Ross) and Tankerness House Museum, Kirkwall, Orkney.

Using a quote from the above article, answer the following question: Are these in Scotland?
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Answer: the Museum of Scotland, Edinburgh (which also exhibits almost all the major pieces of surviving Pictish metalwork),

Question: Peter Rene Baumann (born 5 January 1968), better known as DJ BoBo, is a Swiss singer-songwriter, dancer and music producer. He has sold 14 million records worldwide and has released 12 studio albums as well as a few compilation albums which have included his previous hits in a reworked format. DJ BoBo has also released as many as 34 singles to date, some of which have charted high, not only in German speaking countries, but also in other European territories. As a dance music producer, his first big success came with the single "Somebody Dance with Me", which borrows its melody from Rockwell's Somebody's Watching Me.

The release of the album World in Motion in September, 1996, proved not only DJ BoBo's consistent presence in the charts, but with this album, Rene managed to break all his previous records. It took only a few weeks for the album to reach the No.3 position in Germany, which quickly was awarded Platinum for selling 500,000 units. In Switzerland, the album jumped from 0 to No.1 and was awarded Double-Platinum for selling 100,000 units, which was ranked in the top 40 albums of all-time, after remaining on the Swiss album chart for a staggering 67 weeks. Shortly after the release of World in Motion, Baumann went on a promotional tour in Asia for twenty days, which was then followed by another one month-tour in Brazil, Chile and Colombia. In April 1997, DJ BoBo received his third World Music Award in Monaco for being the "World's Best Selling Swiss Artist of the Year" where he performed his single "Respect Yourself". DJ BoBo maintained his original sound and experimented with new sounds and vocal arrangements when he introduced his singing skills first on his single "Where Is Your Love", which was released in March, 1998. A month thereafter, in April 1998, his album Magic was released which managed to stay in the No.1 position for four consecutive weeks in his native country and earned him a Platinum-award for sales of over 50,000 units. In Germany, the album peaked at No.5 and spent total of 21 weeks on the chart, eventually earning the Swiss artist another Gold-award for sales of over 250,000 units. In May of that the same year, DJ BoBo received the World Music Award for being the "World's Best Selling Swiss Artist of the Year" once again for the fourth time. Soon after, his single "Celebrate" was released introducing his The Ultimate Megamix '99. During this time Rene and his crew were busy preparing for his "Life on Tour" concert as well as the shows of the Magic, which were watched by 250,000 people in 35 concert arenas in Europe. Shortly thereafter, DJ BoBo was rewarded with yet another World Music Award for being the "World's Best Selling Swiss Artist of the Year" for the fifth time in a row.

Using a quote from the above article, answer the following question: What hits did the album include?
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Answer:
Respect Yourself