In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example output: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : Margaret "Talli" Tallichet (March 13, 1914 May 3, 1991) was an actress and longtime wife of movie director William Wyler. Her best-known leading role was with Peter Lorre in the film noir "Stranger on the Third Floor" (1940). Context_2 : The Passing of the Third Floor Back is a 1918 British/American silent allegorical film based on the 1908 play "The Passing of the Third Floor Back" by Jerome K. Jerome and directed by Herbert Brenon. The star of the film is Sir Johnston Forbes-Robertson, a legendary Shakespearean actor, who starred in the 1909 Broadway presentation of the play and its 1913 revival. Forbes-Robertson had been knighted by King George V in 1913 and had retired from acting in theatre that same year. In his retirement Forbes-Robertson had only dabbled in film acting making a 1913 film version of "Hamlet", the most famous role he had played on the stage. Filmed in 1916, it was released in 1918. Context_3 : The Dunnavant's Building is a historic commercial building in Huntsville, Alabama. It was built in 1905 by dry goods company Terry Brothers & Rogers. P. S. Dunnavant took control of the company in 1925, and the store remained in its downtown location until 1975. The third floor and roof were damaged in a fire in 1940. The ground floor on the Washington Street facade is framed by large brick piers with polished marble bases. Large display windows flank a recessed entry with a central column flush with the facade. All other windows are one-over-one sashes. A row of small, evenly spaced arched windows line the ground floor along the Clinton Avenue side. On the second floor facade there are two groups of four windows, each group sharing a stone sill. Third floor windows are smaller, and joined by brick arches. Windows along the Clinton Avenue side are similarly treated. The building is topped with a simple, denticulated cornice, with the roofline stepping down towards the rear of the building. The building was listed on the National Register of Historic Places in 1980. Context_4 : Peter Lorre (born Laszlo Lowenstein; 26 June 1904 23 March 1964) was an Austro-Hungarian-American actor. He began his stage career in Vienna before moving to Germany where he worked first on the stage, then in film in Berlin in the late 1920s and early 1930s. Lorre caused an international sensation in the German film "M" (1931), directed by Fritz Lang, in which he portrayed a serial killer who preys on little girls. Context_5 : Lee Marcus, also known as Lee S. Marcus (December 7, 1893 January 30, 1969), was an American film producer of the 1930s and 1940s. During his fifteen-year career he produced over 85 films, most of them between 1934 and 1941 while he was at RKO Studios. Prior to his production career, Marcus worked for FBO and then RKO as a sales executive, reaching the level of vice president in both organizations. At RKO, he was head of production of the studio's b-films during the late 1930s and the beginning of the 1940s. He was also responsible for producing what many consider to be the first film noir, 1940's "Stranger on the Third Floor". Context_6 : The House at 70-72 Main Street in Southbridge, Massachusetts was built around the turn of the 20th century for George Wells, president of the American Optical Company, to provide housing for his workers. A gambrel-roofed three family house its gable end faces the street, and is adorned with porches, of which the one on the third floor has since been enclosed. The roof line is pierced by long dormers, giving the third floor unit more space than it might otherwise have. Ownership of the house was eventually transferred to the company, which continued to use the property for worker housing into the 1940s. Context_7 : Stranger on the Third Floor is a 1940 film noir, starring Peter Lorre and released by RKO Radio Pictures. The film was directed by Boris Ingster and written by Frank Partos with Nathanael West (uncredited). Context_8 : The Dubuque Casket Company is a historic building located in Dubuque, Iowa, United States. The city was a leading national market in the production of caskets towards the end of the 19th century. This location had been the site of a casket manufacturing plant from 1877 to 1987. The Dubuque Furniture and Burial Case Company was the first firm in Dubuque and the first to locate here. The building was largely destroyed by fire in 1883 and the company was forced out of business. The Dubuque Casket Company was incorporated in 1893 and acquired this property. They started construction of the first part of this building the same year. The four-story brick Neoclassical building was one of the largest manufacturing facilities in Dubuque. The machine and equipment room was located on the first floor, they manufactured fine cloth covered caskets on the second floor, they manufactured undertaker's dry goods on the third floor, and the fourth floor was used for storage. The first addition, now known as the center section was begun in 1903, and another expansion that also unified the main facade was begun in 1911. Two other Dubuque casket manufacturers, Iowa Coffin Company and the Hawkeye Casket Company, were out of business by 1924. Context_9 : The C.M. Sanborn Building is a historic building located in Maquoketa, Iowa, United States. Built in 1896, it is significant as an example of High Victorian Italianate architecture. The three-story, brick building features cast hoodmolds above the windows, twin oriel windows, and an elaborate cornice. C.M. Sanborn was a local grocer whose business operated out of a number of buildings in the central business district before he built this building. He acted as the general contractor for the construction of this building, and hired two local builders to construct it. William Hancock was a brick mason, and W.P. Thomas was a carpenter. Sanborn filed for bankruptcy around 1911, and was forced to sell the building. A variety of retail establishments have occupied the main floor, while the second floor was rented as office space. A Masonic lodge occupied the third floor shortly after the building was completed, and remained until 1968. The Masons owned the building by that time. The building was listed on the National Register of Historic Places in 1991. Context_10 : John McGuire (October 22, 1910 September 30, 1980) was a film actor during the period from the 1930s to the 1950s. In many of his early films he was a leading man; however, later in his career he was forced to play bit parts. McGuire appeared in "Steamboat Round the Bend" (1935); " Charlie Chan at the Circus (1936);The Prisoner of Shark Island" (1936); "Stranger on the Third Floor" (1940), sometimes thought Hollywood's first film noir; "The Invisible Ghost" (1941); "Sands of Iwo Jima" (1949); and "Where the Sidewalk Ends" (1950). fact_1 : Her best-known leading role was with Peter Lorre in the film noir "Stranger on the Third Floor" (1940). fact_2 : Peter Lorre (born Laszlo Lowenstein; 26 June 1904 23 March 1964) was an Austro-Hungarian-American actor. Question: When was the Austro-Hungarian-American actor who acted a leading role with Margaret Tallichet in "Stranger on the Third Floor" (1940) born?
A:
26 June 1904