Input: Valencia
The city went through serious troubles in the mid-fourteenth century. On the one hand were the decimation of the population by the Black Death of 1348 and subsequent years of epidemics and on the other, the series of wars and riots that followed. Among these were the War of the Union, a citizen revolt against the excesses of the monarchy, led by Valencia as the capital of the kingdom and the war with Castile, which forced the hurried raising of a new wall to resist Castilian attacks in 1363 and 1364. In these years the coexistence of the three communities that occupied the cityChristian, Jewish and Muslim was quite contentious. The Jews who occupied the area around the waterfront had progressed economically and socially, and their quarter gradually expanded its boundaries at the expense of neighbouring parishes. Meanwhile, Muslims who remained in the city after the conquest were entrenched in a Moorish neighbourhood next to the present-day market Mosen Sorel. In 1391 an uncontrolled mob attacked the Jewish quarter, causing its virtual disappearance and leading to the forced conversion of its surviving members to Christianity. The Muslim quarter was attacked during a similar tumult among the populace in 1456, but the consequences were minor.

Which three religious groups lived in Valencia?
Output: Christian, Jewish and Muslim

Input: Plymouth
The city's main theatres are the Theatre Royal (1,315 capacity), its Drum Theatre (200 capacity), and its production and creative learning centre, The TR2. The Plymouth Pavilions has multiple uses for the city staging music concerts, basketball matches and stand-up comedy. There are also three cinemas: Reel Cinema at Derrys Cross, Plymouth Arts Centre at Looe Street and a Vue cinema at the Barbican Leisure Park. The Plymouth City Museum and Art Gallery is operated by Plymouth City Council allowing free admission it has six galleries. The Plymouth Athenaeum, which includes a local interest library, is a society dedicated to the promotion of learning in the fields of science, technology, literature and art. From 1961 to 2009 it also housed a theatre.

How many galleries are present in the Plymouth City Museum and Art Gallery?
Output: six

Input: Lighting
Lighting illuminates the performers and artists in a live theatre, dance, or musical performance, and is selected and arranged to create dramatic effects. Stage lighting uses general illumination technology in devices configured for easy adjustment of their output characteristics.[citation needed] The setup of stage lighting is tailored for each scene of each production. Dimmers, colored filters, reflectors, lenses, motorized or manually aimed lamps, and different kinds of flood and spot lights are among the tools used by a stage lighting designer to produce the desired effects. A set of lighting cues are prepared so that the lighting operator can control the lights in step with the performance; complex theatre lighting systems use computer control of lighting instruments.

What is prepared prior to the performance for the lighting operator?
Output: lighting cues

Input: Mandolin
When Cowan Powers and his family recorded their old-time music from 1924-1926, his daughter Orpha Powers was one of the earliest known southern-music artists to record with the mandolin. By the 1930s, single mandolins were becoming more commonly used in southern string band music, most notably by brother duets such as the sedate Blue Sky Boys (Bill Bolick and Earl Bolick) and the more hard-driving Monroe Brothers (Bill Monroe and Charlie Monroe). However, the mandolin's modern popularity in country music can be directly traced to one man: Bill Monroe, the father of bluegrass music. After the Monroe Brothers broke up in 1939, Bill Monroe formed his own group, after a brief time called the Blue Grass Boys, and completed the transition of mandolin styles from a "parlor" sound typical of brother duets to the modern "bluegrass" style. He joined the Grand Ole Opry in 1939 and its powerful clear-channel broadcast signal on WSM-AM spread his style throughout the South, directly inspiring many musicians to take up the mandolin. Monroe famously played Gibson F-5 mandolin, signed and dated July 9, 1923, by Lloyd Loar, chief acoustic engineer at Gibson. The F-5 has since become the most imitated tonally and aesthetically by modern builders.

What was Bill Monroe's group called?
Output:
Blue Grass Boys