In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution is here: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this: Context_1 : Traverse City West Senior High is a public high school in Traverse City, Michigan, located at 5376 N. Long Lake Road. The principal is Joe Esper who took over the role in December 2014, after Joseph Tibaldi retired. Tibaldi had been the principal since the school's opening in 1997. The school was originally built as a solution to the overcrowding at Traverse City Senior High School, which was Michigan's largest high school prior to the split. In 1997, Traverse City Senior High was split by the school district into two distinct high schools. The newly constructed Traverse City West Senior High School was opened, while the original high school facility was renamed as Traverse City Central High School. The name of Traverse City Senior High was discontinued at that time. Context_2 : D45 connects the A3 motorway Kutina interchange to Kutina, Garesnica and the D5 state road. The road forms two junctions to the D26 state road, one in Garesnica, where D26 branches off to Daruvar, and another 3 km further north, where the D26 branches off to Cazma and Vrbovec. Between those two junctions the D45 and D26 are concurrent. The northern terminus of the road is in Veliki Zdenci, at a junction to the D5 state road to Virovitica (to the north) and Daruvar and Pakrac (to the south). The road is 43.6 km long. Context_3 : The 73rd Road is one of the most major Roads of Mandalay. It joined from south to north. It started from the junction with MandalayMogok Highway Road near the North of Mandalay Hill and ends in Manawhari Road. It across the Mandalay University as Adipadi Road. Its major junctions are junctions with 26th (B) Road, 30th Road, 35th Road, Theikpan Road, Manawhari Road. Now, the road is constructing to the junction with National Highway 1. Context_4 : A traverse is a lateral move or route when climbing or descending (including skiing); "meaning" any movement operation going "mainly sideways" rather than up or down. The general sense of 'a Traverse' is to cross, or "cut across"; and in general mountaineering, a road or path traveled across the gradient traverses the steeper gradient of the face. In civil engineering, road bed cuttings (or 'traverses') dug by construction operations creating an navigable incline into a hillside traverse the slope, also cut across the gradient as does the skier, climber, or builder. In the engineered grade, the traverse can be level (a shelf suitable for building a new house is common) or on an negotiable incline (Railroad cut gradually climbing up a mount). Context_5 : Kimbolton is a village and parish in Herefordshire, England, around 3 mi north east of Leominster and 15 mi north of Hereford. The village is on the A4112 road, near its junction with the A49 road. The church is dedicated to St James, has 13th-century features and has two Norman windows in the chancel. The spire is shingled. Context_6 : B4347 road is a road in Monmouthshire, south-eastern Wales, and crosses the border into Herefordshire, England. The road begins at in Rockfield, to the northwest of Monmouth as a continuation of the B4233 road. It passes through the village of Skenfrith. The road ends at the junction with the B4348 road to the west of Kingstone, Herefordshire at . The road crosses the River Monnow. In its upper part the road and the B4348 is known as Golden Valley Road. Numerous notable landmarks lie along the road including Hilston Park, Grosmont Castle and Dore Abbey. Context_7 : The A4400 (or Inner Ring Road or Queensway) was a main road in Birmingham, United Kingdom that previously formed a ring around the city centre. Junctions on the road were largely grade separated, with pedestrians kept physically separate from vehicular traffic and most junctions allowing vehicles staying on the road to pass over or under those using the junction. It is now widely regarded as one of the classic urban planning blunders of the 20th century. Context_8 : D51 connects A3 motorway Nova Gradiska interchange to Nova Gradiska and Pozega. The road forms two junctions to D38 state road, one in Brestovac, where D38 branches off to Pakrac, and another 5 km further east, in Pozega, where D38 branches off to Pleternica. Between those two junctions D51 and D38 are concurrent. The eastern terminus of the road is near Gradiste, at a junction to D53 state road to Nasice (to the north) and Slavonski Brod (to the south). The road is 50.3 km long. Context_9 : Traverse is an unincorporated community in Traverse Township, Nicollet County, Minnesota, United States, near St. Peter. The community is located along Nicollet County Road 15, near its junctions with County Roads 19 (377th Avenue) and 40 (371st Avenue). The Traverse des Sioux Historic Site is nearby. Context_10 : The A49 is an A road in western England, which traverses the Welsh Marches region. It runs north from Ross-on-Wye in Herefordshire via Hereford, Leominster, Ludlow, Shrewsbury and Whitchurch, then continues through central Cheshire to Warrington and Wigan before terminating at its junction with the A6 road just south of Bamber Bridge, near the junction of the M6, M65 and M61 motorways. fact_1 : The village is on the A4112 road, near its junction with the A49 road. fact_2 : The A49 is an A road in western England, which traverses the Welsh Marches region. Question: What does the road that junctions with the road that Kimbolton, Herefordshire is on traverse?
Solution:
the Welsh Marches region