In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : Oral Fixation, Vol. 2 (Spanish: "Fijacion Oral, Vol. 2") is the seventh studio album and second English language album by Colombian singer and songwriter Shakira, released on 28 November 2005, by Epic Records. After attaining international success with her third studio effort, "Laundry Service" (2001), Shakira decided to create a two-part follow-up record. She released the project as the follow-up to her sixth studio effort "Fijacion Oral, Vol. 1", with which she had attained international success five months prior. As co-producer, Shakira enlisted producers including previous collaborators Gustavo Cerati, Lester Mendez, Luis Fernando Ochoa and Rick Rubin to work alongside newer partners Jerry Duplessis, Wyclef Jean, Tim Mitchell and The Matrix. Context_2 : Sarah Connor is a studio album by German recording artist Sarah Connor. It was released by Epic Records and Sony Music on March 9, 2004 in the United States, marking her North American debut. It compiles selected songs from her first three studio albums "Green Eyed Soul" (2001), "Unbelievable" (2002) and "Key to My Soul" (2003). Comprising nearly all of her singles released up to then, "Sarah Connor" includes the number-one hits "From Sarah with Love" and "Music is the Key", both produced by frequent collaborators Rob Tyger and Kay Denar, as well as production by Bulent Aris, Mekong Age, and American musicians Jerry Duplessis, and Wyclef Jean. Context_3 : Jerry "Wonda" Duplessis (born 9 August) is a Haitian Grammy Award-winning musical composer and record producer. His first major success was as producer for The Fugees' 1996 album "The Score". He also played the bass guitar with The Fugees, and group member Wyclef Jean is his cousin. Context_4 : Nel Ust Wyclef Jean ( ; born on October 17, 1969), better known by his professional name Wyclef Jean, is a Haitian rapper, musician and actor. At the age of nine, Jean emigrated as a child to the United States with his family and settled there. He first achieved fame as a member of the New Jersey hip hop group the Fugees. Jean has won three Grammy Awards for his musical work. Context_5 : Life is the soundtrack to the 1999 film, "Life". It was released on March 16, 1999 through Rock Land/Interscope Records and was almost entirely produced by R&B singer R. Kelly, with Wyclef Jean and Jerry Duplessis producing four tracks on the album. The soundtrack was a huge success, making it to No. 10 on the "Billboard" 200 and No. 2 on the Top R&B/Hip-Hop Albums. It spawned the hit single "Fortunate" by Maxwell, which peaked at No. 4 on the "Billboard" Hot 100. The soundtrack was certified platinum on June 18, 1999, while "Fortunate" was certified gold on June 2 that same year. "What Would You Do?", by City High, would go on to chart in 2001. A version of the classic Harold Melvin & the Blue Notes song "Wake Up Everybody" plays during the film's opening credits. Context_6 : She Wolf (Spanish: Loba ) is the eighth studio album by Colombian singer-songwriter Shakira. It was released on 9 October 2009, by Epic Records and Sony Music Latin. As executive producers, Shakira and Amanda Ghost enlisted collaborators including The Neptunes, John Hill, Wyclef Jean, Lukas Burton, Future Cut, Jerry Duplessis and Timbaland. Musically, the record shifts from her traditional Latin pop and pop rock musical styles, instead exploring electropop, with influences of folk and world music. The lyrical themes of the album mostly focus on love and relationships and were based on the conversations Shakira had with her friends. Context_7 : Unbelievable is the second studio album by German recording artist Sarah Connor, released by X-Cell Records on September 30, 2002 in German-speaking Europe. Connor re-teamed with Rob Tyger and Kay Denar to work on the majority of the production of the album, consulting additional help from Wyclef Jean, Jerry Duplessis, Bulent Aris, Sugar P, and Triage. Context_8 : "One Nite Stand (Of Wolves and Sheep)" is a song by German singersongwriter Sarah Connor featuring American rapper Wyclef Jean. Written by Jean, Jerry Duplessis, O.G. Fortuna, and Connor, the song was released in German-speaking Europe on 2 September 2002 as the lead single from Connor's second studio album, "Unbelievable" (2002). Context_9 : "Party to Damascus" is a song by Haitian rapper Wyclef Jean featuring guest vocals from Missy Elliott. It was written by Jean, Elliott, and Jerry Duplessis for his fourth studio album, "The Preacher's Son" (2003). Released as the album's lead single, it peaked at #65 on the Billboard Hot 100, #34 on the Hot R&B/Hip-Hop Songs Chart, #49 on the Swedish Singles Chart and #20 on the Norwegian Singles Chart. In Europe, the song was released as a double A-side with "Industry", a song which charted at #73 on the U.S. R'n'B chart due to strong downloads. Context_10 : Unexpected is the second studio album by American hip-hop and R&B recording artist Lumidee, released by TVT Records on April 17, 2007 in the United States and on June 21, 2007 in the United Kingdom. The album was produced primarily by J. Marty with contributions made by Scott Storch, T.C. Love, Lenky, Ron Browz, Wyclef Jean, Jerry Duplessis and Red Spyda. fact_1 : His first major success was as producer for The Fugees' 1996 album "The Score". fact_2 : Nel Ust Wyclef Jean ( ; born on October 17, 1969), better known by his professional name Wyclef Jean, is a Haitian rapper, musician and actor. Answer: Haitian rapper
Solution:
Jerry Duplessis is the cousin to Wyclef Jean, who is Wyclef Jean?