Question: Who was Rex's mother once married to? Answer the above question based on the context below: Lucille, a crippled man who is in a wheelchair from injuries sustained in the Gulf War, searches New Orleans for his friend Melvin so a documentary crew can follow Melvin. They find him passed out on the street. Melvin, an alcoholic and drug abuser, is in a downward spiral and spends most of his time partying with his friends. His estranged ex-wife, Doreen, has filed a restraining order against him and taken sole custody of their young son, Rex. Lucille wants Melvin to clean up and get sober, but Melvin only makes empty promises to eventually get his life together. Lucas, a science teacher at the local community college, performs regular tests on Melvin, who has telekinetic powers the ability to move objects with his mind. Lucas can not explain this except that Melvin has a slightly different brain structure than ordinary people. Melvin will not see a specialist despite Lucas' urging. Besides Lucas' tests, Melvin uses his powers to perform street shows for drug money. Lucille, however, blames the local drug dealer, Nathan, of being behind violence in the neighborhood and does not like him. This is echoed by Jimmy, a local cop. After a night of hard partying, Melvin's heart stops. When he wakes, the doctors tell him that he was clinically dead for several minutes. Changed by this experience, Melvin announces that he intends to become sober for the sake of Rex. Impressed, Jimmy requests that Melvin help clean up the neighborhood. After practicing his abilities, Melvin confronts Nathan's gang and threatens them. Nathan has Lucille shot in retaliation. After Lucille tells him to leave him alone, Melvin falls back into alcoholism and parties with a friend who was recently released from jail.
Answer: Melvin
[Q]: What is the name of the song from another band that Harrison denied deliberately plagiarizing when the case was heard in the United States district court in 1976? Answer the above question based on the context below: For many years, Harrison was restricted in his songwriting contributions to the Beatles' albums, but he released All Things Must Pass, a triple album with two discs of his songs and the third of recordings of Harrison jamming with friends. The album was regarded by many as his best work, and it topped the charts on both sides of the Atlantic. The LP produced the number-one hit single "My Sweet Lord" and the top-ten single "What Is Life". The album was co-produced by Phil Spector using his "Wall of Sound" approach, and the musicians included Starr, Clapton, Gary Wright, Preston, Klaus Voormann, the whole of Delaney and Bonnie's Friends band and the Apple group Badfinger. On release, All Things Must Pass was received with critical acclaim; Ben Gerson of Rolling Stone described it as being "of classic Spectorian proportions, Wagnerian, Brucknerian, the music of mountain tops and vast horizons". Author and musicologist Ian Inglis considers the lyrics of the album's title track "a recognition of the impermanence of human existence ... a simple and poignant conclusion" to Harrison's former band. In 1971, Bright Tunes sued Harrison for copyright infringement over "My Sweet Lord", owing to its similarity to the 1963 Chiffons hit "He's So Fine". When the case was heard in the United States district court in 1976, he denied deliberately plagiarising the song, but lost the case, as the judge ruled that he had done so subconsciously.In 2000, Apple Records released a thirtieth anniversary edition of the album, and Harrison actively participated in its promotion. In an interview, he reflected on the work: "It's just something that was like my continuation from the Beatles, really. It was me sort of getting out of the Beatles and just going my own way ... it was a very happy occasion." He commented on the production: "Well, in those days it was like the reverb was kind of used a bit more than what I would do now. In fact, I don't use reverb at all. I can't stand it ... You know, it's hard to go back to anything thirty years...
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[A]: He's So Fine
input: Please answer the following: Who assigned the man who would later use the Chac Mool as a motif the pointing machine assignment? Answer the above question based on the context below: After the Great War, Moore received an ex-serviceman's grant to continue his education and in 1919 he became a student at the Leeds School of Art (now Leeds College of Art), which set up a sculpture studio especially for him. At the college, he met Barbara Hepworth, a fellow student who would also become a well-known British sculptor, and began a friendship and gentle professional rivalry that lasted for many years. In Leeds, Moore also had access to the modernist works in the collection of Sir Michael Sadler, the University Vice-Chancellor, which had a pronounced effect on his development. In 1921, Moore won a scholarship to study at the Royal College of Art in London, along with Hepworth and other Yorkshire contemporaries. While in London, Moore extended his knowledge of primitive art and sculpture, studying the ethnographic collections at the Victoria and Albert Museum and the British Museum. The student sculptures of both Moore and Hepworth followed the standard romantic Victorian style, and included natural forms, landscapes and figurative modelling of animals. Moore later became uncomfortable with classically derived ideals; his later familiarity with primitivism and the influence of sculptors such as Constantin Brancusi, Jacob Epstein, Henri Gaudier-Brzeska and Frank Dobson led him to the method of direct carving, in which imperfections in the material and marks left by tools became part of the finished sculpture. Having adopted this technique, Moore was in conflict with academic tutors who did not appreciate such a modern approach. During one exercise set by Derwent Wood (the professor of sculpture at the Royal College), Moore was asked to reproduce a marble relief of Domenico Rosselli's The Virgin and Child by first modelling the relief in plaster, then reproducing it in marble using the mechanical aid known as a "pointing machine", a technique called "pointing". Instead, he carved the relief directly, even marking the surface to simulate the prick marks that would have been left by the pointing...
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output:
Derwent Wood