IN: Dennis Wayne Johnson (September 18, 1954 - February 22, 2007), nicknamed "DJ", was an American professional basketball player for the National Basketball Association's (NBA) Seattle SuperSonics, Phoenix Suns and Boston Celtics and coach of the Los Angeles Clippers. He was an alumnus of Dominguez High School, Los Angeles Harbor College and Pepperdine University. A prototypical late bloomer, Johnson overcame early struggles and had a successful NBA playing career. Drafted 29th overall in 1976 by the Seattle SuperSonics

In 1,100 games, Johnson scored 15,535 points, grabbed 4,249 rebounds and gave 5,499 assists, translating to career averages of 14.1 points, 3.9 rebounds and 5.0 assists per game. Known as a defensive stalwart, he was elected into nine straight All-Defensive First or Second Teams. NBA legend George Gervin said in a podcast with journalist Bill Simmons that Johnson was the hardest defender he ever played against. Johnson is also acknowledged by the NBA as a "money player" who was clutch in decisive moments, such as scoring 32 points for his team in a Game 4 overtime victory in the 1979 NBA Finals, playing smothering defense on Magic Johnson in the 1984 NBA Finals, and converting a last-second layup in Game 5 of the 1987 Eastern Conference Finals after a Larry Bird steal. Furthermore, Johnson is lauded by the NBA as a versatile all-around weapon who played with "contagious competitiveness" and was known for his durability: in 14 NBA seasons, he played in 1,100 of a possible 1,148 games and participated in 180 playoff games, the latter figure the 11th highest number of all time. At his retirement, Johnson was only the 11th NBA player to amass more than 15,000 points and 5,000 assists. On December 13, 1991, the Celtics franchise retired his number 3 jersey. Johnson said he would always be a Boston Celtic, and remarked that seeing his number in the rafters gave him a "special feeling". However, Johnson did not live to see an induction into the Naismith Memorial Basketball Hall of Fame, a fact that has been a considerable point of debate with sports journalists. Bill Simmons of ESPN called his Hall of Fame snub an "ongoing injustice", stating that according to him, Joe Dumars - a Hall of Famer known for strong defense rather than spectacular scoring, like Johnson - was no better [a basketball player] than him. Colleague Ken Shouler called Johnson "one of the first guys I'd give a Hall [of Fame] pass". Contemporary Boston Celtics Hall of Fame forward Larry Bird gave Johnson ultimate praise, calling him the best teammate he ever had in his autobiography Drive, which is especially significant considering Bird's teammates included Hall of Famers Kevin McHale, Robert Parish, Bill Walton, and Tiny Archibald. On April 3, 2010, ESPN Boston reported that Johnson was posthumously elected to the Basketball Hall of Fame. This was officially confirmed two days later when the Hall released the list of 2010 inductees. On October 26, 2007, a learning center was dedicated in Johnson's name in the Central Branch of the YMCA of Greater Boston. The center was made possible by the donations and effort of Larry Bird and M.L. Carr. Johnson's family, Danny Ainge, Carr, and members of the YMCA and local community were present for the ribbon cutting ceremony. Donna Johnson said on behalf of her husband, "If Dennis were alive he would really appreciate the thought and love the idea of the Learning Center." The NBA D-League Coach of the Year award is named after Johnson.
QUESTION: Was he well liked?
IN: Madness are an English ska band from Camden Town, north London, who formed in 1976. One of the most prominent bands of the late 1970s and early 1980s 2 Tone ska revival, they continue to perform with six of the seven members of their classic line-up. Madness achieved most of their success in the early to mid-1980s. Both Madness and UB40 spent 214 weeks on the UK singles charts over the course of the decade, holding the record for most weeks spent by a group in the 1980s UK singles charts.

During 1979, the band began to attract a live following in London, being regulars at the Dublin Castle in Camden Town. The band's first commercial recording was the Lee Thompson composition "The Prince". The song, like the band's name, paid homage to their idol, Prince Buster. The song was released through 2 Tone Records, the label of The Specials founder Jerry Dammers. The song was a surprise hit, peaking in the UK music charts at number 16. A performance of "The Prince" on popular UK music show Top of the Pops helped Madness gain public recognition. Madness then toured with fellow 2 Tone bands The Specials and The Selecter, before recording their debut album. That debut album, One Step Beyond... was released by Stiff Records. The album included a re-recording of "The Prince" and its B-side "Madness", and the band's second and third singles: "One Step Beyond" and "My Girl". The title song was a cover of the B-side of the 1960s Prince Buster hit "Al Capone". One Step Beyond... stayed in the British charts for 78 weeks, peaking at number 2. After the release of "My Girl", the band felt that they had exhausted the material from One Step Beyond..., and did not want to release any more singles from the album. However, Dave Robinson, head of Stiff Records, disagreed. Eventually, a compromise was made, and the band decided to release an EP featuring one album track and three new tracks. The result was the Work Rest and Play EP, which was headlined by the song "Night Boat to Cairo", from the One Step Beyond album. The EP reached number 6 in the UK singles chart. Live recordings of Madness performances as well as those by other 2 Tone bands were used in the documentary film and soundtrack album Dance Craze. In 1980, the band's second album, Absolutely reached number 2 in the UK album charts. Absolutely spawned some of the band's biggest hits, most notably "Baggy Trousers", which peaked at number 3 in the UK singles chart. "Embarrassment" reached number 4 in the charts, and the instrumental song "The Return of the Los Palmas 7" climbed to number 7. Although the album reviews were generally less enthusiastic than those of One Step Beyond..., they were mostly positive. Robert Christgau gave the album a favourable B- grade, but Rolling Stone awarded the album just one out of five stars. Rolling Stone was particularly scathing of the ska revival in general, stating that "The Specials wasn't very good" and Madness were simply "the Blues Brothers with English accents". A drama-documentary film entitled Take It or Leave It was released in 1981, featuring the band members playing themselves in a re-creation of their early days to the then-current period.
QUESTION:
when was their song released?