Question: Polly Jean Harvey was born on 9 October 1969 in Bridport, Dorset, the second child of Ray and Eva Harvey, who owned a stone quarrying business, and grew up on the family's farm in Corscombe. During her childhood, she attended school in nearby Beaminster, where she received guitar lessons from folk singer-songwriter Steve Knightley, and her parents introduced her to music that would later influence her work, including blues music, Captain Beefheart and Bob Dylan. Her parents were avid music fans and regularly arranged get-togethers and small gigs; among their oldest friends was Ian Stewart. As a teenager, Harvey began learning saxophone and joined an eight-piece instrumental group Bologne, based in Dorset.

As Harvey embarked on her solo career, she explored collaborations with other musicians. In 1995 she released her third studio album, To Bring You My Love, featuring former bandmate John Parish, Bad Seeds multi-instrumentalist Mick Harvey and French drummer Jean-Marc Butty, all of whom would continue to perform and record with Harvey throughout her career. The album was also her first material to be produced by Flood. Simultaneously a more blues-influenced and more futuristic record than its predecessors, To Bring You My Love showcased Harvey broadening her musical style to include strings, organs and synthesisers. Rolling Stone said in its review that "Harvey sings the blues like Nick Cave sings gospel: with more distortion, sex and murder than you remember. To Bring You My Love was a towering goth version of grunge." During the successive tours for the album, Harvey also experimented with her image and stage persona. The record generated a surprise modern rock radio hit in the United States with its lead single, "Down by the Water." Three consecutive singles -- "C'mon Billy", "Send His Love to Me" and "Long Snake Moan" -- were also moderately successful. The album was a commercial success selling one million copies worldwide including 370,000 in the United States. It was also certified Silver in the United Kingdom within seven months of its release, having sold over 60,000 copies. In the United States, the album was voted Album of the Year by The Village Voice, Rolling Stone, USA Today, People, The New York Times and the Los Angeles Times. Rolling Stone also named Harvey 1995's Artist of the Year and Spin ranked the album third in The 90 Greatest Albums of the '90s, behind Nirvana's Nevermind (1991) and Public Enemy's Fear of a Black Planet (1990). In 1996, following the international success of To Bring You My Love and other collaborations, Harvey began composing material that would end up on her fourth studio album, during what she referred to as "an incredibly low patch." The material diverged significantly from her former work and introduced electronica elements into her song-writing. During recording sessions in 1997 original PJ Harvey Trio drummer Rob Ellis rejoined Harvey's band, and Flood was hired again as producer. The sessions, which continued into April the following year, resulted in Is This Desire? (1998). Though originally released to mixed reviews in September 1998, the album was a success and received a Grammy Award nomination for Best Alternative Music Performance. The album's lead single, "A Perfect Day Elise," was moderately successful in the United Kingdom, peaking at number 25 on the UK Singles Chart, her most successful single to date.

Using a quote from the above article, answer the following question: How well did this album sell?
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Answer: The album was a commercial success selling one million copies worldwide

Question: Clarence White (born Clarence Joseph LeBlanc; June 7, 1944 - July 14, 1973), was an American bluegrass and country guitarist and singer. He is best known as a member of the bluegrass ensemble the Kentucky Colonels and the rock band the Byrds, as well as for being a pioneer of the musical genre of country rock during the late 1960s. White also worked extensively as a session musician, appearing on recordings by the Everly Brothers, Joe Cocker, Ricky Nelson, Pat Boone, the Monkees, Randy Newman, Gene Clark, Linda Ronstadt, Arlo Guthrie, and Jackson Browne amongst others. Together with frequent collaborator Gene Parsons, he invented the B-Bender, a guitar accessory that enables a player to mechanically bend the B-string up a whole tone and emulate the sound of a pedal steel guitar.

During 1964, White began to look beyond bluegrass music towards rock 'n' roll as an avenue for artistic expression. Although he was influenced by Country guitarists like Doc Watson, Don Reno and Joe Maphis, he also idolized the playing of jazz guitarist Django Reinhardt, rock 'n' roller Chuck Berry, and studio musician James Burton. White even anticipated the viability of a folk/rock hybrid when, in the summer of 1964, he was approached by Jim Dickson to record a version of the then-unreleased Bob Dylan song "Mr. Tambourine Man" with electric instruments. However, despite White's enthusiasm for the project, he was unable to convince his bandmates in the Kentucky Colonels of the experiment's validity and ultimately, the song was instead recorded by Dickson's proteges, the Byrds. By the time the original line-up of the Kentucky Colonels folded in late 1965, White had become a respected and well-known guitarist. Abandoning bluegrass temporarily, he switched from his Martin D-28 acoustic guitar to an electric Fender Telecaster, with the intention of becoming a studio musician like his hero James Burton. Transitioning to electric guitar required White to modify his right hand playing technique, switch from open chording to fretting the whole guitar neck with his left hand, and practice using the tone and volume controls. However, he soon mastered the intricacies of the instrument and, between 1965 and 1968, he undertook session work for artists including Ricky Nelson, the Monkees, and the Gosdin Brothers. As 1965 turned into 1966, White met Gene Parsons and Gib Guilbeau at a recording session for the Gosdin Brothers and shortly after, he began to perform live with the duo in local California clubs, as well as doing regular session work on their records, which were released under the moniker of Cajun Gib and Gene. 1966 also saw White begin playing with a country group called Trio, which featured drummer Bart Haney and former Kentucky Colonel, Roger Bush, on bass. In autumn of that year, as a result of his friendship with Gilbeau, Parsons and the Gosdin Brothers, White was asked to provide lead guitar to ex-Byrd Gene Clark's debut solo album, Gene Clark with the Gosdin Brothers. White also briefly joined Clark's touring band shortly thereafter. During the Clark album sessions, White reconnected with mandolin player and bassist Chris Hillman, who he had known during the early 1960s as a member of the bluegrass combo the Hillmen. Hillman was currently a member of the Byrds and in December 1966, he invited White to contribute countrified lead guitar playing to his songs "Time Between" and "The Girl with no Name", which both appeared on the Byrds' Younger Than Yesterday album. The country-oriented nature of the songs was something of a stylistic departure for the group and can be seen as an early indicator of the experimentation with country music that would color the Byrds' subsequent work. White also contributed guitar to the band's follow-up album, The Notorious Byrd Brothers, and to their seminal 1968 country rock release, Sweetheart of the Rodeo.

Using a quote from the above article, answer the following question: Did he release any songs?
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Answer:
"Mr. Tambourine Man