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Regine Velasquez was born in Tondo, Manila, on April 22, 1970. Her father, Gerardo Velasquez, was a construction estimator, and her mother, Teresita (nee Ansong), was a homemaker. The singer has three younger sisters, Cacai, Diane and Deca, and a younger brother, Jojo. The family moved to Hinundayan, Southern Leyte where Velasquez spent the early years of her life.
After winning Ang Bagong Kampeon, Velasquez was signed to OctoArts International (now PolyEast Records). She was introduced as 'Chona' Velasquez--her nickname--and recorded the single "Love Me Again", which was released in early 1986. However, the single was commercially unsuccessful. On February 16, 1986, at the behest of another OctoArts recording artist, Pops Fernandez, Velasquez was invited to appear on her live late night musical television show, The Penthouse Live! While she was rehearsing for the live show, the producer and talent manager Ronnie Henares showed interest and signed her. At the suggestion of Fernandez's husband and the show's co-host, Martin Nievera, Velasquez adopted the stage name "Regine". Under Henares' management, Velasquez was introduced to the head of VIVA Records, Vicente del Rosario Jr., who signed her and started production of her debut album. Del Rosario enlisted top songwriters, including Joaquin Francisco Sanchez, Vehnee Saturno and Christine Bendebel. He and Henares, who were both serving as executive producers, planned to market Velasquez as one of their main female pop artists, hoping to attain commercial success as they had done with Nora Aunor and Sharon Cuneta. After Velasquez completed her debut album, Regine, VIVA released the lead single "Kung Maibabalik Ko Lang" in 1987. Despite a weak start, the album gained mainstream appeal after Velasquez's promotional appearances on the ABS-CBN television variety shows Triple Treat and Teen Pan Alley. The album produced two more singles--"Urong Sulong" and "Isang Lahi". Two years after the release of her debut album, Velasquez represented the Philippines in the 1989 Asia Pacific Singing Contest. She was initially apprehensive and skeptical of the idea of participating in another competition at that stage in her career. At Henares' urging she agreed to compete and won the contest in Hong Kong, performing the songs "You'll Never Walk Alone" from the 1945 Rodgers and Hammerstein musical Carousel and "And I Am Telling You I'm Not Going" from the musical Dreamgirls.
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Did she have any other successes at that label?

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Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages. Celtic art is a difficult term to define, covering a huge expanse of time, geography and cultures. A case has been made for artistic continuity in Europe from the Bronze Age, and indeed the preceding Neolithic age; however archaeologists generally use "Celtic" to refer to the culture of the European Iron Age from around 1000 BC onwards, until the conquest by the Roman Empire of most of the territory concerned, and art historians typically begin to talk about "Celtic art" only from the La Tene period (broadly 5th to 1st centuries BC) onwards. Early Celtic art is another term used for this period, stretching in Britain to about 150 AD.
The ancient peoples now called "Celts" spoke a group of languages that had a common origin in the Indo-European language known as Common Celtic or Proto-Celtic. This shared linguistic origin was once widely accepted by scholars to indicate peoples with a common genetic origin in southwest Europe, who had spread their culture by emigration and invasion. Archaeologists identified various cultural traits of these peoples, including styles of art, and traced the culture to the earlier Hallstatt culture and La Tene culture. More recent genetic studies have indicated that various Celtic groups do not all have shared ancestry, and have suggested a diffusion and spread of the culture without necessarily involving significant movement of peoples. The extent to which "Celtic" language, culture and genetics coincided and interacted during prehistoric periods remains very uncertain and controversial. Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages. The term "Celt" was used in classical times as a synonym for the Gauls (Keltoi, Celtae). Its English form is modern, attested from 1607. In the late 17th century the work of scholars such as Edward Lhuyd brought academic attention to the historic links between Gaulish and the Brythonic--and Goidelic--speaking peoples, from which point the term was applied not just to continental Celts but those in Britain and Ireland. Then in the 18th century the interest in "primitivism", which led to the idea of the "noble savage", brought a wave of enthusiasm for all things Celtic and Druidic. The "Irish revival" came after the Catholic Emancipation Act of 1829 as a conscious attempt to demonstrate an Irish national identity, and with its counterpart in other countries subsequently became the "Celtic Revival".
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The term "Celt" was used in classical times as a synonym for the Gauls (Keltoi, Celtae).