input: The Dark Side of the Moon became one of the best-selling albums of all time and is in the top 25 of a list of best-selling albums in the United States. Although it held the number one spot in the US for only a week, it remained in the Billboard album chart for 741 weeks. The album re-appeared on the Billboard charts with the introduction of the Top Pop Catalog Albums chart in May 1991, and has been a perennial feature since then. In the UK, it is the seventh-best-selling album of all time and the highest selling album never to reach number one. In the US the LP was released before the introduction of platinum awards on 1 January 1976. It therefore held only a gold disc until 16 February 1990, when it was certified 11x platinum. On 4 June 1998 the Recording Industry Association of America (RIAA) certified the album 15x platinum, denoting sales of fifteen million in the United States - making it their biggest-selling work there (The Wall is 23x platinum, but as a double album this signifies sales of 11.5 million). "Money" has sold well as a single, and as with "Time", remains a radio favourite; in the US, for the year ending 20 April 2005, "Time" was played on 13,723 occasions, and "Money" on 13,731 occasions. Industry sources suggest that worldwide sales of the album total about 45 million. "On a slow week" between 8,000 and 9,000 copies are sold, and a total of 400,000 were sold in 2002, making it the 200th-best-selling album of that year - nearly three decades after its initial release. The album has sold 9,502,000 copies in the US since 1991 when Nielsen SoundScan began tracking sales for Billboard. To this day, it occupies a prominent spot on Billboard's Pop Catalog Chart. It reached number one when the 2003 hybrid CD/SACD edition was released and sold 800,000 copies in the US. On the week of 5 May 2006 The Dark Side of the Moon achieved a combined total of 1,716 weeks on the Billboard 200 and Pop Catalog charts. One in every fourteen people in the US under the age of 50 is estimated to own, or to have owned, a copy. Upon a chart rule change in 2009 allowing catalogue titles to re-enter the Billboard 200, The Dark Side of the Moon returned to the chart at number 189 on 12 December of that year for its 742nd charting week. It has continued to sporadically appear on the Billboard 200 since then, reaching 900 weeks on the chart in April 2015. "The combination of words and music hit a peak," explained Gilmour. "All the music before had not had any great lyrical point to it. And this one was clear and concise. The cover was also right. I think it's become like a benevolent noose hanging behind us. Throughout our entire career, people have said we would never top the Dark Side record and tour. But The Wall earned more in dollar terms."

Answer this question "How well did the album sell"
output: became one of the best-selling albums of all time and is in the top 25 of a list of best-selling albums in the United States.

input: On 26 August 2007 Johns was arrested for fare evasion on the London Underground, and subsequently found to be in possession of one ecstasy tablet. He was cautioned and released with no further charges. Johns initially claimed that an unknown person had pushed the tablet into his pocket which he later forgot to remove before leaving the crowded venue. This initial statement was met with a great deal of cynicism from both the press and the public. On 30 August, Johns revealed, live on the Footy Show, that he had regularly taken ecstasy throughout his playing career, mainly during the off-season. He claimed he had suffered from depression and bipolar disorder and the drugs helped him in dealing with the high level of psychological 'pressure' associated with his career as an elite sportsman. Not long after the incident he released his 'tell-all' autobiography that went into further details regarding his depression and drug use while playing in the NRL. The ARU released a press statement shortly after the controversy arose, stating that Johns' drug use was known to the ARU and was a key factor in its decision to not proceed with contractual negotiations in 2004. Brett Robinson, then high-performance unit manager, said that, as well as Johns' age and injury history, the knowledge of his drug taking had been influential in the ARU making its final decision. When Johns was named the Best Player of the Last 30 Years in early 2008, the accolade allayed concern that Johns' shock drug admission the year before had tarnished his remarkable efforts on the field for Newcastle, NSW and Australia. On receiving the award he was quoted as saying his health was now in great shape. "I'm at the best place I have been in a long time," he said. "It's not until you step away that I realise all the pressure I was under, I'm not going to miss playing at all."

Answer this question "What did he do after this?"
output: "It's not until you step away that I realise all the pressure I was under, I'm not going to miss playing at all."

input: Timmons left Blakey for the second time in June 1961, encouraged by the success of his compositions, including jukebox plays of "Dat Dere", which Oscar Brown had recorded after adding lyrics. Timmons then formed his own bands, initially with Ron Carter on bass and Tootie Heath on drums. They toured around the US, including the West Coast, but played most in and around New York. In the initial stages of this trio, Timmons liked the group sounds of the trios led by Red Garland and Ahmad Jamal. According to Tootie Heath, Timmons was at the peak of his fame at that point, but was addicted to heroin, and used a lot of the money that the band was paid maintaining his habit. In 1963 Timmons' playing, with Lewis Powers on bass and Ron McCurdy on drums, was described by a Washington Post reviewer as "flexible and adventuresome [...] Glossing over everything is an undeniable sheen of church music and spirituals." In 1965 the same reviewer commented that Timmons was employing musicians who were of much lower ability: "Timmons lacks a certain passion but I wonder if this is not the fault of his sidemen." Timmons started playing vibes in the mid-1960s. He occasionally played organ, but recorded only one track on that instrument - a 1964 version of "Moanin'" on From the Bottom. Recordings as a leader continued, usually as part of a trio or quartet, but, after joining Milestone Records around 1967, Timmons' album Got to Get It! featured him as part of a nonet, playing arrangements by Tom McIntosh. Timmons' career declined quickly in the 1960s, in part because of drug abuse and alcoholism and partly as a result of frustration at being typecast as a composer and player of seemingly simple pieces of music. In 1968 he made his second, final, recording for Milestone, Do You Know the Way? In the following year he played in a quartet led by Sonny Red, with Dexter Gordon on one of the saxophonist's temporary returns to the US from Europe, and in a trio backing vocalist Etta Jones. Timmons continued to play in the early 1970s, mostly in small groups or in combination with other pianists, and mainly in the New York area. According to saxophonist Jimmy Heath, Timmons joined Clark Terry's big band for a tour of Europe in 1974. He was unwell and drank on the plane to Sweden, and fell while drinking at the bar before the band's first concert, in Malmo. Susceptible to blood clotting, he was flown back to the US. On March 1, 1974, he died from cirrhosis, at the age of 38, at St Vincent's Hospital in New York. He had been in hospital for a month. He was buried in Philadelphia, and was survived by his wife, Estelle, and son, also Bobby.

Answer this question "What happened to the trio"
output:
Timmons liked the group sounds of the trios led by Red Garland and Ahmad Jamal.