Background: The New York Dolls were an American hard rock band formed in New York City in 1971. Along with the Velvet Underground and the Stooges, they were one of the first bands of the early punk rock scenes. Although their original line-up fell apart quickly, the band's first two albums--New York Dolls (1973) and Too Much Too Soon (1974)--became among the most popular cult records in rock.
Context: According to AllMusic editor Stephen Thomas Erlewine, the New York Dolls developed an original style of hard rock that presaged both punk rock and heavy metal music, and drew on elements such as the "dirty rock & roll" of the Rolling Stones, the "anarchic noise" of the Stooges, the glam rock of David Bowie and T. Rex, and girl group pop music. Erlewine credited the band for creating punk rock "before there was a term for it." Ken Tucker, who referred to them as a proto-punk band, wrote that they were strongly influenced by the "New York sensibility" of Lou Reed: "The mean wisecracks and impassioned cynicism that informed the Dolls' songs represented an attitude that Reed's work with the Velvet Underground embodied, as did the Dolls' distinct lack of musicianship." When they began performing, four of the band's five members wore Spandex and platform boots, while Johansen--the band's lyricist and "conceptmaster"-- often preferred high heels and a dress occasionally. Fashion historian Valerie Steele said that, while the majority of the punk scene pursued an understated "street look", the New York Dolls followed an English glam rock "look of androgyny--leather and knee-length boots, chest hair, and bleach". Music journalist Nick Kent argued that the New York Dolls were "quintessential glam rockers" because of their flamboyant fashion, while their technical shortcomings as musicians and Johnny Thunders' "trouble-prone presence" gave them a punk-rock reputation. By contrast, Robert Christgau preferred for them to not be categorized as a glam rock band, but instead as "the best hard-rock band since the Rolling Stones". Robert Hilburn, writing for the Los Angeles Times, said that the band exhibited a strong influence from the Rolling Stones, but had distinguished themselves by Too Much Too Soon (1974) as "a much more independent, original force" because of their "definite touch of the humor and carefreeness of early (ie. mid-1950s) rock". Simon Reynolds felt that, by their 2009 album Cause I Sez So, the band exhibited the sound "not of the sloppy, rambunctious Dolls of punk mythology but of a tight, lean hard-rock band."
Question: what else can be said about his artistry?
Answer: When they began performing, four of the band's five members wore Spandex and platform boots, while Johansen--the band's lyricist and "conceptmaster"--

Question:
Alison Maria Krauss was born in Decatur, Illinois, to Fred and Louise Krauss. Her father was a German immigrant who came to the United States in 1952 and taught his native language. Her mother, of German and Italian descent, is the daughter of artists. Krauss grew up in the college town of Champaign, home to the University of Illinois at Urbana-Champaign.
Krauss made her recording debut in 1985 on the independent album, Different Strokes, featuring her brother Viktor Krauss, Swamp Weiss and Jim Hoiles. From the age of 12 she performed with bassist and songwriter John Pennell in a band called "Silver Rail", replacing their previous fiddler Andrea Zonn. Pennell later changed the band's name to Union Station after another band was discovered with the name Silver Rail. Pennell remains one of her favorite songwriters and wrote some of her early work including the popular "Every Time You Say Goodbye". Later that year, she signed to Rounder Records, and in 1987, at 16, she released her debut album Too Late to Cry with Union Station as her backup band. Krauss' debut solo album was quickly followed by her first group album with Union Station in 1989, Two Highways. The album includes the traditional tunes "Wild Bill Jones" and "Beaumont Rag", along with a bluegrass interpretation of The Allman Brothers' "Midnight Rider". Krauss' contract with Rounder required her to alternate between releasing a solo album and an album with Union Station, and she released the solo album I've Got That Old Feeling in 1990. It was her first album to rise onto the Billboard charts, peaking in the top seventy-five on the country chart. The album also was a notable point in her career as she earned her first Grammy Award, the single "Steel Rails" was her first single tracked by Billboard, and the title single "I've Got That Old Feeling" was the first song for which she recorded a music video.
Answer this question using a quote from the text above:

What singles were released from Too Late to Cry

Answer:
The album includes the traditional tunes "Wild Bill Jones" and "Beaumont Rag",

Problem: Background: Swans () are an American experimental rock band formed in 1982 by singer, songwriter and multi-instrumentalist Michael Gira. One of few acts to emerge from the New York City-based no wave scene and stay intact into the next decade, Swans have become recognized for a unique, ever-changing sound which has contributed to the development of genres such as noise rock, post-punk, industrial and post-rock. Initially, their music was known for its sonic brutality and misanthropic lyrics. Following the addition of singer, songwriter and keyboardist Jarboe, who first appeared on the 1986 single "Time Is Money (Bastard)" and debuted as a songwriter on the 1987 album Children of God, Swans began to incorporate more melody and intricacy into their music.
Context: Michael Gira has repeatedly stated he took the moniker Swans as it described the sound he wanted best. Gira's summation of the name follows along the lines of: "Swans are majestic, beautiful looking creatures. With really ugly temperaments." The earliest known lineup of Swans comprised Gira on bass guitar and vocals, Jonathan Kane on drums, Sue Hanel on guitar, Mojo on percussion and tape loops and either Thurston Moore, Dan Braun or Jon Tessler on the second bass guitar. Jon Tessler also played percussion and tape loops. Hanel's only recordings with the group are on the compilation Body to Body, Job to Job, but the ambiguous personnel credits do not make it clear on which songs she performed. Kane stated that "Sue was the most fearsome guitarist we'd ever heard in New York. She was unbelievable." Hanel did not stay long in the group, and by the time of their recording debut she had been replaced by Bob Pezzola. This lineup of the group also featured saxophonist Daniel Galli-Duani, who had previously played with Kane as the avant-garde duo Transmission. The debut EP, Swans, released on Labor, is markedly different from anything they would do later. The plodding tempos and distorted, detuned guitar work is reminiscent of such post-punk outfits as Joy Division. However, the minimal chord structures owe more to blues, while the jazz instrumentation and awkward time signatures are evidence of Swans' roots in the no wave scene of the late 1970s, which had more or less collapsed by the release of 1984's Cop.
Question: When did they come together?
Answer:
The earliest known lineup of Swans comprised Gira on bass guitar and vocals, Jonathan Kane on drums, Sue Hanel on guitar, Mojo on percussion