input question: Select the correct sentiment of the following review: How can you gather this respectable cast of young British actors and come up with such a pile of filmic manure? Horrible script, annoyingly hectic camera, awfully edited, gruesomely badly acted. Only Rhys Ifans tries to fill his role with life. Another painful proof that "different" sometimes equals "dreck". Why do the money people fail to read the scripts beforehand? Do yourself a favour: spare yourself and do something else - like hitting a mallet onto your knees. It's less painful and more fun than this movie!
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output answer: negative

input question: Select the correct sentiment of the following review: Of course you could never go into a theatre and witness the types of sets you get in this film. From that point of view it is utter fantasy. But who cares? It is certainly true that you will not find this film listed in with Citizen Kane, Battleship Potyomkin and all the other films the pseuds tell us we should be watching. Films like this are worth a hundred Citizen Kanes.It is about what cinema does best: great camera-work, great settings and great performances.

The three spectacular scenes at the end are probably best in the order they are presented, keeping the best till last.

I will gladly watch this film again and again and again and...
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output answer: positive

input question: Select the correct sentiment of the following review: Raising Victor Vargas fails terribly in what it tries most to be: being real. Unfortunately, there is no reality to this film. The characters and situations feel completely artificial and fake.

The reason? Bad directing. Peter Sollett uses all the wrong tools in his arsenal. It seems Mr. Sollett read somewhere that not lighting his film would give it an authentic feel. Wrong! It just gives it a badly-made feel. Similarly, shaking the camera does not give a documentary style to your film, it just gives the audience a headache and detracts from what's on screen instead of enhance it.

Of course, what's on screen is so painfully fake, as if Mr. Sollett wrote his script with the only goal of trying to look "hip" to his Sundance buddies and show how "edgy" a filmmaker he is.

Overall, the only lasting impression this film leaves you with is what a bad director Mr. Sollett is. Next time, how about taking a few writing and directing classes?
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output answer:
negative