IN: Yelberton Abraham Tittle Jr. (October 24, 1926 - October 8, 2017), better known as Y. A. Tittle, was a professional American football quarterback. He played in the National Football League (NFL) for the San Francisco 49ers, New York Giants, and Baltimore Colts, after spending two seasons with the Colts in the All-America Football Conference (AAFC). Known for his competitiveness, leadership, and striking profile, Tittle was the centerpiece of several prolific offenses throughout his seventeen-year professional career from 1948 to 1964. Tittle played college football for Louisiana State University, where he was a two-time All-Southeastern Conference (SEC) quarterback for the LSU Tigers football team.

Tittle threw the ball from a sidearm, almost underhand position, something novel at those times, though it was common practice in earlier decades. It was this seemingly underhand style that drew the curiosity and admiration of many fans. In tandem with his baldness--for which he was frequently referred to as the "Bald Eagle"--he made for a very striking personality. Despite his throwing motion, he had a very strong and accurate arm with a quick release. It was because of his quick release and ability to read defenses that he became one of the best screen passers in the NFL. He was a perfectionist and highly competitive, and he expected the same of his teammates. He possessed rare leadership and game-planning skills, and played with great enthusiasm even in his later years. "Tittle has the attitude of a high school kid, with the brain of a computer," said Giants teammate Frank Gifford. Baltimore Colts halfback Lenny Moore, when asked in 1963 to compare Tittle and Colts quarterback Johnny Unitas, said: I played with Tittle in the Pro Bowl two years ago, and I discovered he's quite a guy ... He and John, however, are entirely different types ... Tittle is a sort of 'con man' with his players ... he comes into a huddle and 'suggests' that maybe this or that will work on account of something he saw happen on a previous play ... The way he puts it, you're convinced it's a good idea and maybe it will work. John, now, he's a take-charge guy ... He tells you what the other guy's going to do, what he's going to do, and what he wants you to do. Tittle's most productive years came when he was well beyond his athletic prime. On his ability to improve with age, he credited a feel for the game that came from his years of experience in the league. "If you could learn it by studying movies, a good smart college quarterback could learn all you've got to learn in three weeks and then come in and be as good as the old heads," he told Sports Illustrated in 1963. "But they can't."

What was notable about his profile?

OUT: It was because of his quick release and ability to read defenses that he became one of the best screen passers in the NFL.

IN: Emilie Autumn Liddell (born on September 22, 1979), better known by her stage name Emilie Autumn, is an American singer-songwriter, poet, violinist, and actress. Autumn's musical style has been described by her as "Fairy Pop", "Fantasy Rock" or "Victoriandustrial". It is influenced by glam rock and from plays, novels, and history, particularly the Victorian era. Performing with her all-female backup dancers

As part of a recording project, Autumn traveled to Chicago, Illinois, in 2001, and decided to stay because she enjoyed the public transportation system and music scene there. She released the 2001 EP Chambermaid while finishing Enchant--she alternatively labeled the musical style on Chambermaid as "fantasy rock" and cabaret--and wrote the 2001 charity single "By the Sword" after the events of September 11, 2001. According to her, the song is about strength, not violence; the act of swearing by the sword represents "an unbreakable promise to right a wrong, to stay true". On February 26, 2003, she released her concept album Enchant, which spanned multiple musical styles: "new-age, pop and trip hop chamber music". Written during her late teenage years, Enchant revolved around the supernatural realm and its effect on the modern-day world. Autumn labeled it as "fantasy rock", which dealt with "dreams and stories and ghosts and faeries who'll bite your head off if you dare to touch them". The faery-themed "Enchant Puzzle" appeared on the artwork of the album; her reward for the person who would solve it consisted of faery-related items. Her bandmates consisted of cellist Joey Harvey, drummer Heath Jansen, guitarist Ben Lehl, and bassist Jimmy Vanaria, who also worked on the electronics. At the same time of Enchant's release, Autumn had several side projects: Convent, a musical group for which she recorded all four voices; Ravensong, "a classical baroque ensemble" that she formed with friends in California; and The Jane Brooks Project, which she dedicated to the real-life, 16th-century Jane Brooks--a woman executed for witchcraft. On the night of the Enchant release party, Autumn learned that Courtney Love had invited her to record an album, America's Sweetheart, and embark on the tour to promote it. Contributing violin and vocals, Autumn appeared in Love's backing band The Chelsea--Radio Sloan, Dvin Kirakosian, Samantha Maloney, and Lisa Leveridge--on the 2004 tour. Much of Autumn's violin work did not get released on the album; she commented: "This had to do entirely with new producers taking over the project after our little vacation in France, and carefully discarding all of our sessions." She performed live with Love and The Chelsea on Late Show with David Letterman on March 17, 2004, and at Bowery Ballroom the next day. In September 2004, her father died from lung cancer, even though he had quit smoking twenty years earlier. Near the end of 2004, she was filmed for an appearance on an episode of HGTV's Crafters Coast to Coast, showing viewers how to create faery wings and sushi-styled soap--both products she sold in her online "web design and couture fashion house", WillowTech House. On December 23, 2004, she appeared on the Chicago-based television station WGN as part of the string quartet backing up Billy Corgan and Dennis DeYoung's duet of "We Three Kings".

What styles were incorporated?

OUT:
"new-age, pop and trip hop chamber music".