Question: Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The 1945 work was adapted from Ferenc Molnar's 1909 play Liliom, transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He participates in a robbery to provide for Julie and their unborn child; after it goes tragically wrong, he is given a chance to make things right.

A film version of the musical was made in 1956, starring Gordon MacRae and Shirley Jones. It follows the musical's story fairly closely, although a prologue, set in the Starkeeper's heaven, was added. The film was released only a few months after the release of the film version of Oklahoma!. It garnered some good reviews, and the soundtrack recording was a best seller. As the same stars appeared in both pictures, however, the two films were often compared, generally to the disadvantage of Carousel. Thomas Hischak, in The Rodgers and Hammerstein Encyclopedia, later wondered "if the smaller number of Carousel stage revivals is the product of this often-lumbering [film] musical". There was also an abridged (100 minute) 1967 network television version that starred Robert Goulet, with choreography by Edward Villella. The New York Philharmonic presented a staged concert version of the musical from February 28 to March 2, 2013, at Avery Fisher Hall. Kelli O'Hara played Julie, with Nathan Gunn as Billy, Stephanie Blythe as Nettie, Jessie Mueller as Carrie, Jason Danieley as Enoch, Shuler Hensley as Jigger, John Cullum as the Starkeeper, and Kate Burton as Mrs. Mullin. Tiler Peck danced the role of Louise to choreography by Warren Carlyle. The production was directed by John Rando. Charles Isherwood of The New York Times wrote, "this is as gorgeously sung a production of this sublime 1945 Broadway musical as you are ever likely to hear." It was broadcast as part of the PBS Live from Lincoln Center series, premiering on April 26, 2013.

Using a quote from the above article, answer the following question: were there any negative reviews?
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Answer: however, the two films were often compared, generally to the disadvantage of Carousel.

Question: Carl Franklin was raised outside of San Francisco, in Richmond, California. He never had the opportunity to know his biological father, who had died before Carl was born. Franklin was raised by his mother and stepfather. While Franklin speaks highly of his stepfather and has called him "very loving," he has spoken out about his stepfather's abusive tendencies, linking his outbursts to alcohol use.

Franklin supports the portrayal of African-American history in films, and has been quoted as saying "I am interested in the universal values of the black experience." However, just because Franklin is a filmmaker who is African American does not mean that all of his films are racially motivated. Not all of his films revolve around a central theme of culture: some of his films cover racial issues, while others do not. Franklin maintains a wide subject range in his films, choosing not to focus solely on his heritage. As a prominent African-American filmmaker, Franklin stands apart from the rest in his careful selection of projects. While many of his most notable films touch on the subject of racial climates and the struggles that ensue, Franklin does not hide behind his race. Explaining to The L.A Times, "My ethnicity is a plus, a tool. It gives me ammunition in terms of the way I view the world. There are certain stories in the black community that inform us all." Combining his humanitarian instincts and personal experiences, Franklin stands out as a visionary for community improvement through his films. However, a large part of Franklin's remarkable journey revolves around the fact that he is black. Discussing the realities for African Americans in the television and film industry, Franklin said: "When I came up, the only legitimate dramatic actor was Sidney Poitier, the bankable star was Richard Pryor and the other choice roles were action parts that went to Jim Brown. Even someone as good as Billy Dee Williams had a couple of great moments and then couldn't get a decent part." With a very small window of opportunity for African Americans at the time that Franklin was getting his start, his skills and educational background contributed to his success. Franklin is a standout filmmaker regardless of his race, yet he is often praised for his ability to overcome adversity, and is recognized for his highly regarded opinion as well as his relevant contributions. In February 2000, Franklin was featured as a Black History Month guest speaker at Indiana University's ''Black Film Center/Archive''. The group hosted an event called A Night with Filmmaker Carl Franklin, which gave Franklin the opportunity to talk about his experience in the movie industry as well as show a preview of his film Devil in a Blue Dress. Franklin's appearance was highly regarded by many students who were honored to meet him in person.

Using a quote from the above article, answer the following question: Did his career play in the his racial ties?
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Answer: projects. While many of his most notable films touch on the subject of racial climates and the struggles that ensue, Franklin does not hide behind his race.

Question: Sean John Combs was born on November 4, 1969 in Manhattan's Harlem neighborhood in New York City, and was raised in Mount Vernon, New York. His mother, Janice (Smalls), was a model and teacher's assistant, and his father, Melvin Earl Combs, served in the U.S. Air Force and was an associate of convicted New York drug dealer Frank Lucas. At age 33, Melvin was shot to death while sitting in his car on Central Park West, when Combs was 2 years old. Combs graduated from the Roman Catholic Mount Saint Michael Academy in 1987.

In 1998, Combs started a clothing line, Sean John. It was nominated for the Council of Fashion Designers of America (CFDA) award for Menswear Designer of the Year in 2000, and won in 2004. California billionaire Ronald Burkle invested $100 million into the company in 2003. Also in 2003, the National Labor Committee revealed that factories producing the clothing in Honduras were violating Honduran labor laws. Among the accusations were that workers were subjected to body searches and involuntary pregnancy tests. Bathrooms were locked and access tightly controlled. Employees were forced to work overtime and were paid sweatshop wages. Charles Kernaghan of the National Labor Committee told The New York Times that "Sean Puff Daddy obviously has a lot of clout, he can literally do a lot overnight to help these workers." Combs responded with an extensive investigation, telling reporters "I'm as pro-worker as they get". On February 14, 2004, Kernaghan announced that improvements had been implemented at the factory, including adding air conditioning and water purification systems, firing the most abusive supervisors, and allowing the formation of a labor union. In late 2006, the department store Macy's removed Sean John jackets from their shelves when they discovered that the clothing was made using raccoon dog fur. Combs had not known the jackets were made with dog fur, but as soon as he was alerted, he had production stopped. In November 2008, Combs added a men's perfume called "I Am King" to the Sean John brand. The fragrance, dedicated to Barack Obama, Muhammad Ali, and Martin Luther King, featured model Bar Refaeli in its advertisements. In early 2016, Sean John introduced the brand's GIRLS collection.

Using a quote from the above article, answer the following question: what happened when they discovered that
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Answer:
Combs had not known the jackets were made with dog fur, but as soon as he was alerted, he had production stopped.