Background: Raitt was born in Burbank, California. She is the daughter of the Broadway musical star John Raitt and his first wife, the pianist Marjorie Haydock, and was raised in the Quaker tradition. She began playing guitar at Camp Regis-Apple Jack in Paul Smiths, NY, at an early age. Later she gained notice for her bottleneck-style guitar playing.
Context: 1977's Sweet Forgiveness album gave Raitt her first commercial breakthrough when it yielded a hit single in her remake of "Runaway." Recast as a heavy rhythm and blues recording based on a rhythmic groove inspired by Al Green, Raitt's version of "Runaway" was disparaged by many critics. However, the song's commercial success prompted a bidding war for Raitt between Warner Bros. and Columbia Records. "There was this big Columbia-Warner war going on at the time", recalled Raitt in a 1990 interview. "James Taylor had just left Warner Bros. and made a big album for Columbia...And then, Warner signed Paul Simon away from Columbia, and they didn't want me to have a hit record for Columbia - no matter what! So, I renegotiated my contract, and they basically matched Columbia's offer. Frankly the deal was a really big deal." Warner Brothers held higher expectations for Raitt's next album, The Glow, in 1979, but it was released to poor reviews as well as modest sales. Raitt would have one commercial success in 1979 when she helped organize the five Musicians United for Safe Energy (MUSE) concerts at Madison Square Garden in New York City. The shows spawned the three-record gold album No Nukes, as well as a Warner Brothers feature film of the same name. The shows featured co-founders Jackson Browne, Graham Nash, John Hall, and Raitt as well as Bruce Springsteen, Tom Petty and the Heartbreakers, the Doobie Brothers, Carly Simon, James Taylor, Gil Scott-Heron, and numerous others. For her next record, 1982's Green Light, Raitt made a conscious attempt to revisit the sound of her earlier records. However, to her surprise, many of her peers and the media compared her new sound to the burgeoning new wave movement. The album received her strongest reviews in years, but her sales did not improve and this would have a severe impact on her relationship with Warner Brothers.
Question: were there any other notable albums during that time period?
Answer: Green Light,

Background: James Tiberius "Jim" Kirk is a fictional character in the Star Trek franchise. Kirk first appears in Star Trek: The Original Series and has been portrayed in numerous films, books, comics, webisodes, and video games. As the captain of the starship USS Enterprise, Kirk leads his crew as they explore "new worlds, where no man has gone before".
Context: Shatner did not expect Star Trek to be successful, so when it was cancelled in 1969, he assumed it would be the end of his association with the franchise. He went on to voice Kirk in the animated Star Trek series, star in the first seven Star Trek films, and provide voice acting for several games. Star Trek II: The Wrath of Khan director and writer Nicholas Meyer, who had never seen an episode of Star Trek before he was assigned to direct, conceived a "Hornblower in outer space" atmosphere, unaware that those books had been an influence on the show. Meyer also emphasized parallels to Sherlock Holmes, in that both characters waste away in the absence of stimuli: new cases for Holmes; starship adventures for Kirk. Meyer's The Wrath of Khan script focuses on Kirk's age, with McCoy giving him a pair of glasses as a birthday present. The script states that Kirk is 49, but Shatner was unsure about being specific about Kirk's age because he was hesitant to portray a middle-aged version of himself. Shatner changed his mind when producer Harve Bennett convinced Shatner that he could age gracefully like Spencer Tracy. Spock's sacrifice at the end of the film allows for Kirk's spiritual rebirth; after commenting earlier that he feels old and worn out, Kirk states in the final scene that he feels "young." Additionally, Spock's self-sacrificing solution to the no-win Kobayashi Maru scenario, which Kirk had cheated his way through, forces Kirk to confront death and to grow as a character. Both Shatner and test audiences were dissatisfied that Kirk was fatally shot in the back in the original ending of the film Star Trek Generations. An addendum inserted while Shatner's Star Trek Movie Memories memoir was being printed expresses his enthusiasm at being called back to film a rewritten ending. Despite the rewrite, Generations co-writer Ronald D. Moore said that Kirk's death, which was intended to "resonate throughout the Star Trek franchise", failed to "pay off the themes [of death and mortality] in the way we wanted". Malcolm McDowell, whose character kills Kirk, was dissatisfied with both versions of Kirk's death: he believed Kirk should have been killed "in a big way". McDowell claims to have received death threats after Generations was released.
Question: What was the first film he appeared in?
Answer: Star Trek II: The Wrath of Khan director and writer Nicholas Meyer, who had never seen an episode of Star Trek before he was assigned to direct,

Background: Ramis was born on November 21, 1944, in Chicago, Illinois, the son of Ruth (nee Cokee) and Nathan Ramis, who owned the Ace Food & Liquor Mart on the city's far North Side. Ramis had a Jewish upbringing. In his adult life, he did not practice any religion. He graduated from Stephen K. Hayt Elementary School in June 1958 and Nicholas Senn High School in 1962, both Chicago public schools, and in 1966 from Washington University in St. Louis, Missouri, where he was a member of the Alpha Xi chapter of Zeta Beta Tau fraternity.
Context: Ramis began writing parodic plays in college, saying years later, "In my heart, I felt I was a combination of Groucho and Harpo Marx, of Groucho using his wit as a weapon against the upper classes, and of Harpo's antic charm and the fact that he was oddly sexy--he grabs women, pulls their skirts off, and gets away with it". He avoided the Vietnam War military draft by taking methamphetamine to fail his draft physical. Following his work in St. Louis, Ramis returned to Chicago, where by 1968, he was a substitute teacher at schools serving the inner-city Robert Taylor Homes. He also became associated with the guerrilla television collective TVTV, headed by his college friend Michael Shamberg, and wrote freelance for the Chicago Daily News. "Michael Shamberg, right out of college, had started freelancing for newspapers and got on as a stringer for a local paper, and I thought, 'Well, if Michael can do that, I can do that.' I wrote a spec piece and submitted it to the Chicago Daily News, the Arts & Leisure section, and they started giving me assignments [for] entertainment features." Additionally, Ramis had begun studying and performing with Chicago's Second City improvisational comedy troupe. Ramis' newspaper writing led to his becoming joke editor at Playboy magazine. "I called ... just cold and said I had written several pieces freelance and did they have any openings. And they happened to have their entry-level job, party jokes editor, open. He liked my stuff and he gave me a stack of jokes that readers had sent in and asked me to rewrite them. I had been in Second City in the workshops already and Michael Shamberg and I had written comedy shows in college". Ramis was eventually promoted to associate editor.
Question: Did he gain recognition?
Answer:
Ramis was eventually promoted to associate editor.