IN: Starsailor are an English post-Britpop band, formed in 2000. Since its formation the band has included guitarist and vocalist James Walsh, drummer Ben Byrne, bassist James Stelfox and keyboardist Barry Westhead. The band has released five studio albums, and have scored ten Top 40 hit singles in the UK.

For their second album, Silence Is Easy, which was recorded in Los Angeles, Starsailor teamed up with Phil Spector. The collaboration came about following Spector's daughter Nicole attending one of the band's American concerts in the winter of 2002. Spector was reported to have been fascinated by "Lullaby", the band's fourth single. After meeting the producer, the band agreed to work with him on their second album. However, the collaboration was short-lived; sessions at London's Abbey Road proved difficult. Spector is said to have dismissed Ben Byrne's drumming, and proved difficult to work with. Only two tracks made the band's second album: the title track, "Silence Is Easy", and "White Dove". The band co-produced seven of the other tracks with Danton Supple and former The Stone Roses and Radiohead producer John Leckie was brought in to oversee the recording of "Shark Food". The first single was "Silence Is Easy", which made the Top Ten (#9, the band's highest placing). The album spawned just three singles; the second of which, "Born Again" had evolved from a B-side to "Poor Misguided Fool", released in early 2002. The song was re-recorded for the album, and cut down for a radio edit. "Four to the Floor", which was remixed by Thin White Duke, became a popular club hit. Walsh wanted the track to become the band's "I Am the Resurrection", something to be played in "indie discos everywhere". The album charted well, but sales were sluggish in comparison to the band's first album. The release dropped out of the Top 40 soon thereafter. A full UK Tour began in Autumn 2003 shortly after the release of the album, culminating at London's Brixton Academy. The show featured the only performance before their American tour in 2006 of "Restless Heart", the closing track on the Silence Is Easy album. Mark Collins, from The Charlatans joined Starsailor for all dates between August 2003 to December 2004, playing additional and lead guitar.
QUESTION: Which songs were successful?
IN: Allen was born Allan Stewart Konigsberg in the Brooklyn borough of New York City, New York. He and his sister, Letty (b. 1943), were raised in Midwood, Brooklyn. He is the son of Nettie (nee Cherry; November 8, 1906 - January 27, 2002), a bookkeeper at her family's delicatessen, and Martin Konigsberg (December 25, 1900 - January 8, 2001), a jewelry engraver and waiter. His family was Jewish, and his grandparents immigrated to the US from Russia and Austria and spoke Yiddish, Hebrew, and German.

Allen is a passionate fan of jazz, featured prominently in the soundtracks to his films. He began playing the clarinet as a child and took his stage name from clarinetist Woody Herman. He has performed publicly at least since the late 1960s, notably with the Preservation Hall Jazz Band on the soundtrack of Sleeper. One of his earliest televised performances was on The Dick Cavett Show on October 20, 1971. Woody Allen and his New Orleans Jazz Band have been playing each Monday evening at Manhattan's Carlyle Hotel for many years (as of 2011, specializing in classic New Orleans jazz from the early twentieth century). He plays songs by Sidney Bechet, George Lewis, Johnny Dodds, Jimmie Noone and Louis Armstrong. The documentary film Wild Man Blues (directed by Barbara Kopple) documents a 1996 European tour by Allen and his band, as well as his relationship with Previn. The band has released two CDs: The Bunk Project (1993) and the soundtrack of Wild Man Blues (1997). In a 2011 review of a concert by Allen's jazz band, critic Kirk Silsbee of the L.A. Times suggested that Allen should be regarded as a competent musical hobbyist with a sincere appreciation for early jazz: "Allen's clarinet won't make anyone forget Sidney Bechet, Barney Bigard or Evan Christopher. His piping tone and strings of staccato notes can't approximate melodic or lyrical phrasing. Still his earnestness and the obvious regard he has for traditional jazz counts for something." Allen and his band played the Montreal International Jazz Festival on two consecutive nights in June 2008. For many years, Allen wanted to make a film about the origins of jazz in New Orleans. The film, tentatively titled American Blues, would follow the vastly different careers of Louis Armstrong and Sidney Bechet. Allen stated that the film would cost between $80 and $100 million and is therefore unlikely to be made.
QUESTION: What did he like about jazz music?
IN: Hattie McDaniel (June 10, 1895 - October 26, 1952) was an American stage actress, professional singer-songwriter, and comedian. She is best known for her role as "Mammy" in Gone with the Wind (1939), for which she won the Academy Award for Best Supporting Actress, the first Academy Award won by an African American entertainer. In addition to acting in many films, McDaniel was a radio performer and television star; she was the first black woman to sing on radio in the United States. She appeared in over 300 films, although she received screen credits for only 80 or so.

The whereabouts of McDaniel's Oscar are currently unknown. In 1992, Jet magazine reported that Howard University could not find it and alleged that it had disappeared during protests in the 1960s. In 1998, Howard University stated that it could find no written record of the Oscar having arrived at Howard. In 2007, an article in the Huffington Post repeated rumors that the Oscar had been cast into the Potomac River by angry civil rights protesters in the 1960s. The assertion reappeared in the Huffington Post under the same byline in 2009. In 2010, Mo'Nique, the winner of the Academy Award for Best Supporting Actress, wearing a blue dress and gardenias in her hair, as McDaniel had at the ceremony in 1940, in her acceptance speech thanked McDaniel "for enduring all that she had to so that I would not have to". Her speech revived interest in the whereabouts of McDaniel's plaque. In 2011, J. Freedom duLac reported in the Washington Post that the plaque had disappeared in the 1960s. In November 2011, W. B. Carter, of the George Washington University Law School, published the results of her year-and-a-half-long investigation into the Oscar's fate. Carter rejected claims that students had stolen the Oscar (and thrown it in the Potomac River) as wild speculation or fabrication that traded on long-perpetuated stereotypes of blacks. She questioned the sourcing of the Huffington Post stories. Instead, she argued that the Oscar was likely returned to Howard University's Channing Pollack Theater Collection between the spring of 1971 and the summer of 1973 or had possibly been boxed and stored in the drama department at that time. The reason for its removal, she argued, was not civil rights unrest but rather efforts to make room for a new generation of black performers. If neither the Oscar nor any paper trail of its ultimate destiny can be found at Howard today, she suggested, inadequate storage or record-keeping in a time of financial constraints and national turbulence may be blamed. She also suggested that a new generation of caretakers may have failed to realize the historic significance of the 5 1/2" x 6" plaque.
QUESTION:
When did McDaniel win the Oscar?