Problem: Background: Kaikhosru Shapurji Sorabji (born Leon Dudley Sorabji; 14 August 1892 - 15 October 1988) was an English composer, music critic, pianist and writer. He was one of the 20th century's most prolific piano composers. As a composer and pianist, Sorabji was largely self-taught, and he distanced himself from the main currents of contemporary musical life early in his career. He developed a highly idiosyncratic musical language, with roots in composers as diverse as Busoni, Debussy and Szymanowski, and he dismissed large portions of the established and contemporary repertoire.
Context: From 1936 on, several admirers tried unsuccessfully to persuade Sorabji to record Opus clavicembalisticum. Given that Sorabji had not recorded any of his works, and that none of them had been published since 1931, his friends and admirers began to be concerned about the fate of his output. The most ambitious attempt to ensure the preservation of his music and writings was initiated by Frank Holliday (1912-1997), who met Sorabji in 1937 and was his closest friend for about four decades. In the early 1950s Holliday organised the presentation of a letter inviting Sorabji to make recordings of his own music. Sorabji received the letter in 1953, but made no recordings then, in spite of the enclosed cheque for 121 guineas (just over PS127). Holliday's perseverance and closeness to Sorabji did, however, eventually change Sorabji's attitude, and several recordings were made in Sorabji's house between 1962 and 1968. Holliday also helped with the WNCN broadcast of Sorabji's music in 1970 (which took place without Sorabji's consent). Their friendship ended in 1979 as a result of disagreements about some of Sorabji's decisions. A similar initiative came from Norman Pierre Gentieu (1914-2009), an American writer who discovered Sorabji by reading his book Around Music just after the Second World War. Because of the post-war shortages in England, Gentieu sent Sorabji some provisions, and the depth of their friendship appears to have been such that he continued to do so for the next four decades. In the early 1950s Gentieu made an offer to Sorabji to pay for the microfilming of his major piano works and to give some copies to selected libraries. All of his unpublished musical manuscripts were eventually microfilmed. Gentieu also sent Sorabji a tape recorder to record some of his music, but Sorabji did not do so. Rapoport has argued that Sorabji's reluctance to make commercial recordings of his music stemmed from a fear of losing control over the making of future recordings of it, because of UK copyright laws of the time.
Question: What happened to his work?
Answer: Given that Sorabji had not recorded any of his works, and that none of them had been published since 1931,

Background: Orci was born in Mexico City on July 20, 1973, to a Mexican father and a Cuban mother. His mother immigrated to the United States with her parents after Fidel Castro came to power. Orci grew up in Mexico, and moved with his family to the United States at the age of 10. He was raised in Texas, Los Angeles and Canada.
Context: In April 2014, Orci and Kurtzman confirmed to Variety that they are no longer going to work together on film projects but will still collaborate on television. Kurtzman wanted to work on the Spider-Man film franchise, while Orci was linked to the directorial role for Star Trek 3. Orci confirmed later that year in July that he was not involved in the production of The Amazing Spider-Man 3 alongside Kurtzman. Orci and Kurtzman's K/O Paper Products continues to operate as a production company within CBS Television Studios, and has created the series Scorpion inspired by the life of Walter O'Brien for the 2014-15 season and Limitless was created for the 2015-16 season from the 2011 film. Prior to the split of Kurtzman and Orci, the duo were lined up to write the third film in the new Star Trek series. In May 2014, Skydance and Paramount Pictures announced that Orci was to direct the third installment of the Star Trek reboot franchise, after Abrams moved on to direct Star Wars: The Force Awakens. This would have marked Orci's directorial debut, and he was to write the script alongside co-writers JD Payne and Patrick McKay. Due to his commitment to Star Trek 3, he dropped out of a new Power Rangers film, for which he would have been executive producer. But on December 5, it was announced he would no longer be directing the Star Trek film. He remains credited as a producer on the film, and was replaced by Doug Jung and cast member Simon Pegg as the script writers after Orci's initial script was dropped. Orci was replaced as director by Justin Lin, who had previously directed films in The Fast and the Furious franchise. Orci created Matador with the idea that the main character would be a "soccer player by day who is a spy by night", and called him a "Latin James Bond". The series was broadcast on the El Rey Network created by Robert Rodriguez. It was renewed for a second season shortly before the pilot was broadcast, which had been directed by Rodriguez. But following the production of the first season, the series was cancelled despite the earlier renewal. This decision was blamed on poor international sales.
Question: What is Paper Products?
Answer:
continues to operate as a production company