Problem: Dorothy Dandridge was born on November 9, 1922 in Cleveland, Ohio, to aspiring entertainer Ruby Dandridge (nee Butler) (March 3, 1900 - October 17, 1987) and Cyril Dandridge (October 25, 1895 - July 9, 1989), a cabinetmaker and Baptist minister, who had separated just before her birth. Ruby created a song-and-dance act for her two young daughters, Vivian and Dorothy, under the name The Wonder Children, that was managed by Geneva Williams. The sisters toured the Southern United States almost nonstop for five years (rarely attending school), while Ruby worked and performed in Cleveland.

Dandridge married dancer and entertainer Harold Nicholas on September 6, 1942, and gave birth to her only child, Harolyn Suzanne Nicholas, on September 2, 1943. Unfortunately, Harolyn was born brain-damaged and required constant care. By 1948, their marriage had deteriorated and Nicholas abandoned his family. Due to his adultery and abandonment, the couple divorced in October 1951. While filming Carmen Jones (1954), the director Otto Preminger began an affair with his film's star, Dandridge. It lasted four years, during which period he advised her on career matters, demanding she accept only starring roles, advice Dandridge later regretted accepting. She became pregnant by him in 1955, but was forced to have an abortion by the studio. She ended the affair when she realized that Preminger had no plans to leave his wife to marry her. Their affair was depicted in the HBO Films biopic, Introducing Dorothy Dandridge, in which Preminger was portrayed by Austrian actor Klaus Maria Brandauer. Dandridge married Jack Denison on June 22, 1959. They divorced in 1962 amid financial setbacks and allegations of domestic violence. At this time, Dandridge discovered that the people who were handling her finances had swindled her out of $150,000 and that she was $139,000 in debt for back taxes. Forced to sell her Hollywood home and place her daughter in a state mental institution in Camarillo, California, Dandridge moved into a small apartment at 8495 Fountain Avenue in West Hollywood, California. Dandridge became involved with the National Urban League and the National Association for the Advancement of Colored People. As a result of the racism she encountered in the industry, she developed an interest in activism.

What other facts were interesting about her personal life?

Answer with quotes: Their affair was depicted in the HBO Films biopic,

Problem: Gregory LeNoir Allman was born at Saint Thomas Hospital on December 8, 1947 in Nashville, Tennessee, to Willis Turner Allman (1918-1949) and Geraldine Robbins Allman (1917-2015). The couple had met during World War II in Raleigh, North Carolina, when Allman was on leave from the U.S. Army, and were later married. Their first child, Duane Allman, was born in Nashville in 1946. On December 26, 1949, Willis offered a hitchhiker a ride home and was subsequently shot and killed in Norfolk, Virginia.

After the dissolution of the Allman Brothers, Allman kept busy performing music with his solo band, releasing the live album Gregg Allman Live: Back to Macon, GA in 2015. In 2016, he received an honorary doctorate from Mercer University in Macon, presented by former President Jimmy Carter. However, his health problems remained; he had atrial fibrillation, and though he kept it private, his liver cancer had returned. "He kept it very private because he wanted to continue to play music until he couldn't", his manager Michael Lehman said. He attempted to keep a light schedule at the advice of doctors, who warned that too many performances might amplify his conditions. His last concert took place in Atlanta at his own Laid Back Festival along with ZZ Top at Lakewood Amphitheatre on Saturday October 29, 2016, and he continued to cancel concerts citing "serious health issues". He denied reports that he had entered hospice care, but was resting at home on doctor's orders. Allman died at his home in Richmond Hill, Georgia, on May 27, 2017, due to complications from liver cancer. He was 69 years old. His funeral took place at Snow's Memorial Chapel in Macon on June 3, and was attended by once-estranged bandmate Dickey Betts, his ex-wife Cher, and former President Carter, among others. According to Rolling Stone, the mourners dressed casually in jeans per Allman's request, and "hundreds of fans, many wearing Allman Brothers shirts and listening to the band's music, lined the route along the funeral procession." He was buried at Rose Hill Cemetery in Macon, beside his brother Duane, and fellow band member Berry Oakley. Before his death, Allman recorded his last album, Southern Blood, with producer Don Was at FAME Studios in Muscle Shoals, Alabama. The album was recorded with his then-current backing band. The album was released on September 8, 2017, and received critical acclaim. In My Cross to Bear, Allman reflected on his life and career: Music is my life's blood. I love music, I love to play good music, and I love to play music for people who appreciate it. And when it's all said and done, I'll go to my grave and my brother will greet me, saying, "Nice work, little brother--you did all right." I must have said this a million times, but if I died today, I have had me a blast.

what did he do after his last concert

Answer with quotes: and he continued to cancel concerts citing "serious health issues". He denied reports that he had entered hospice care, but was resting at home on doctor's orders.

Problem: Anton Friedrich Wilhelm (von) Webern (German: ['anton 've:ban] ( listen); 3 December 1883 - 15 September 1945) was an Austrian composer and conductor. Along with his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was in the core of those in the circle of the Second Viennese School, including Ernst Krenek and Theodor W. Adorno. As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, Krenek, and even Schoenberg himself.

Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music; this is evidenced by anecdotes, correspondence, extant recordings of Schubert's Deutsche Tanze (arr. Webern) and Berg's Violin Concerto under his direction, many such detailed markings in his scores, and finally by his compositional process as both publicly stated and later revealed in the musical and extramusical metaphors and associations everywhere throughout his sketches. As both a composer and conductor he was one of many (e.g., Wilhelm Furtwangler, Dimitri Mitropoulos, Hermann Scherchen) in a contemporaneous tradition of conscientiously and non-literally handling notated musical figures, phrases, and even entire scores so as to maximize expressivity in performance and to cultivate audience engagement and understanding. This aspect of Webern's work had been typically missed in his immediate post-war reception, however, even as it may radically affect the music's reception. For example, Boulez's "complete" recording of Webern's music yielded more to this aesthetic the second time after largely missing it the first; but Eliahu Inbal's rendition of Webern's symphony with the hr-Sinfonieorchester is still far more within the spirit of the late Romantic performance tradition (which Webern seemingly intended for his music), nearly slowing to half-tempo for the whole of first movement and taking care to delineate and shape each melodic strand and expressive gesture throughout the entirety of the work. Gunter Wand's 1966 recording of the Cantata No. 1 (1938-40), op. 29, with the Symphonieorchester des Bayerischen Rundfunks et al., may likewise be contrasted with both of Boulez's renditions.

What was notable about his music style?

Answer with quotes:
extramusical metaphors and associations everywhere throughout his sketches.