IN: Dwayne Michael Carter Jr. was born on September 27, 1982, and grew up in the impoverished Hollygrove neighborhood of New Orleans, Louisiana. His mother, a cook, gave birth to him when she was 19 years old. His parents divorced when he was 2, and his father permanently abandoned the family. Although Wayne and Birdman have a father-son relationship and Birdman calls Carter his son, Wayne's biological father and namesake (Dwayne Carter) is still alive.

Carter's debut solo album Tha Block Is Hot was released when he was 17 and featured significant contributions from the Hot Boys. It debuted at No. 3 on the Billboard 200 and was later certified platinum by the RIAA. The album earned Carter a 1999 Source magazine nomination for "Best New Artist", and also became a Top Ten hit. The lead single was "Tha Block Is Hot". After the release of Tha Block is Hot, Carter was featured on the single "Bling Bling", with B.G., Juvenile, and Big Tymers. His verse appeared only on the radio version of the song, while on the album version he performed on the chorus. His 2000 follow-up album Lights Out failed to attain the level of success achieved by his debut but was certified gold by RIAA. Critics noted the lack of coherent narratives in his verses as evidence that he had yet to mature to the level of his fellow Hot Boys. The lead single was "Get Off the Corner", which was noticed for an improvement in its lyrical content and style. The second single, which received less attention, was "Shine" featuring the Hot Boys. Near the release of Lights Out, Lil Wayne was featured on the single, "Number One Stunna" with Big Tymers and Juvenile, which peaked at No. 24 on the Hot Rap Tracks chart. Lil Wayne's third album 500 Degreez, released in 2002, followed the format of his previous two, with significant contributions from the Hot Boys and Mannie Fresh. While being certified gold like its predecessor, it also failed to match the success of his debut. The title was a reference to the recently estranged Hot Boys member Juvenile's recording, 400 Degreez. The lead single was "Way of Life" which failed to match the success of his previous singles. After the release of 500 Degreez, Wayne was featured on the single "Neva Get Enuf" by 3LW.
QUESTION: Are there any other interesting aspects about this article?
IN: Timur was born in Transoxiana near the city of Kesh (modern Shahrisabz, Uzbekistan) some 80 kilometres (50 mi) south of Samarkand, part of what was then the Chagatai Khanate. His father, Taraqai, was a minor noble of the Barlas, a Mongolian tribe that had been turkified in many aspects. According to Gerard Chaliand, Timur was a Muslim, and he saw himself as Genghis Khan's heir. Though not a Borjigid or a descendent of Genghis Khan, he clearly sought to invoke the legacy of Genghis Khan's conquests during his lifetime.

Timur is regarded as a military genius, and as a brilliant tactician with an uncanny ability to work within a highly fluid political structure to win and maintain a loyal following of nomads during his rule in Central Asia. He was also considered extraordinarily intelligent - not only intuitively but also intellectually. In Samarkand and his many travels, Timur, under the guidance of distinguished scholars, was able to learn the Persian, Mongolian, and Turkish languages. (according to Ahmad ibn Arabshah, Timur didn't know Arabic) More importantly, Timur was characterized as an opportunist. Taking advantage of his Turco-Mongolian heritage, Timur frequently used either the Islamic religion or the law and traditions of the Mongol Empire to achieve his military goals or domestic political aims. Timur, mostly considered a barbarian, in fact was a well learned king, and did enjoy the company of scholars --he was tolerant and generous to them against his nature. Once Persian poet Hafez wrote a ghazal whose verse says if this Turk accept his homage: --For the black mole on his cheekI would give the cities of Samarkand and Bukhara Timur upbraided him for this verse and said; "By the blows of my well tempered sword I have conquered the greater part of the world to enlarge Samarkand and Bukhara, my capitals and residences; and you pitiful creature would exchange these two cities for a mole". Hafez replied "O Sovereign of the world, it is by the state of similar generosity that I have been reduced, as you see my present state of poverty." It is reported that the King was amazed by the witty answer and the poet departed with magnificent gifts. Timur used Persian expressions in his conversations often, and his motto was the Persian phrase rasti rusti (rsty rsty, meaning "truth is safety" or "veritas salus").
QUESTION: did he have many friends?
IN: Art Spiegelman (; born Itzhak Avraham ben Zeev on February 15, 1948) is an American cartoonist, editor, and comics advocate best known for his graphic novel Maus. His work as co-editor on the comics magazines Arcade and Raw has been influential, and from 1992 he spent a decade as contributing artist for The New Yorker, where he made several high-profile and sometimes controversial covers. He is married to designer and editor

Hired by Tina Brown as a contributing artist in 1992, Spiegelman worked for The New Yorker for ten years. Spiegelman's first cover appeared on the February 15, 1993, Valentine's Day issue and showed a black West Indian woman and a Hasidic man kissing. The cover caused turmoil at The New Yorker offices. Spiegelman intended it to reference the Crown Heights riot of 1991 in which racial tensions led to the murder of a Jewish yeshiva student. Spiegelman had twenty-one New Yorker covers published, and submitted a number which were rejected for being too outrageous. Within The New Yorker's pages, Spiegelman contributed strips such as a collaboration titled "In the Dumps" with children's illustrator Maurice Sendak and an obituary to Charles M. Schulz titled "Abstract Thought is a Warm Puppy". An essay he had published there on Jack Cole, the creator of Plastic Man, called "Forms Stretched to their Limits" was to form the basis for a book in 2001 about Cole called Jack Cole and Plastic Man: Forms Stretched to their Limits. The same year, Voyager Company published a CD-ROM version of Maus with extensive supplementary material called The Complete Maus, and Spiegelman illustrated a 1923 poem by Joseph Moncure March called The Wild Party. Spiegelman contributed the essay "Getting in Touch With My Inner Racist" in the September 1, 1997 issue of Mother Jones. Spiegelman's influence and connections in New York cartooning circles drew the ire of political cartoonist Ted Rall in 1999. In an article titled "The King of Comix" in The Village Voice, Rall accused Spiegelman of the power to "make or break" a cartoonist's career in New York, while denigrating Spiegelman as "a guy with one great book in him". Cartoonist Danny Hellman responded by sending a forged email under Rall's name to thirty professionals; the prank escalated until Rall launched a defamation suit against Hellman for $1.5 million. Hellman published a "Legal Action Comics" benefit book to cover his legal costs, to which Spiegelman contributed a back-cover cartoon in which he relieves himself on a Rall-shaped urinal. In 1997, Spiegelman had his first children's book published: Open Me... I'm a Dog, with a narrator who tries to convince its readers that it is a dog via pop-ups and an attached leash. From 2000 to 2003 Spiegelman and Mouly edited three issues of the children's comics anthology Little Lit, with contributions from Raw alumni and children's book authors and illustrators.
QUESTION:
what happened?