Detailed Instructions: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : "Only Girl (In the World)" is a song by Barbadian singer Rihanna from her fifth album, "Loud" (2010). The album's lead single, it was released on September 10. Crystal Johnson wrote the song in collaboration with producers Stargate and Sandy Vee. Rihanna contacted Stargate before "Loud"'s production and asked them to create lively, uptempo music. "Only Girl (In the World)" was the first song composed for the album, and the singer decided to include it on the track list before she recorded her vocals. Backed by strong bass and synthesizer, it is a eurodance song that incorporates elements of hi-NRG, rave and R&B in its composition. In its lyrics, Rihanna demands physical attention from her lover. Context_2 : "The Monster" is a song by American rapper Eminem, featuring guest vocals from Barbadian singer Rihanna, taken from Eminem's album "The Marshall Mathers LP 2" (2013). The song was written by Eminem, Jon Bellion, and Bebe Rexha, with production handled by Frequency. "The Monster" marks the fourth collaboration between Eminem and Rihanna, following "Love the Way You Lie", its sequel "Love the Way You Lie (Part II)" (2010), and "Numb" (2012). "The Monster" was released on October 29, 2013, as the fourth single from the album. The song's lyrics present Rihanna coming to grips with her inner demons, while Eminem ponders the negative effects of his fame. Context_3 : Shabe Sepid is an album by Iranian pop star Googoosh. It was released on March 26, 2008, with her concert in Dubai, United Arab Emirates and on March 28 worldwide. In this album, she collaborates with Mehrdad Asemani, who is one of her colleagues, and creates and makes it a split album; 5 songs Googoosh and 5 songs Mehrdad. She remade some of her oldest songs for this album but does have one new one. The second current song on the album, Shabe Sepid the song, was released actually in September 2006 and was added on the album, thus the name, Shabe Sepid. She also recorded the song Medley Baen Almalli, which is a medley of some of her old international songs. It features: Love Story (He Fills My Heart), Malaguena Salerousa (Spanish), Mi Son Chiesta Tante Volte (Italian), and Retour de la Ville (French). In her song Medley Hamseda, she records another medley of old songs in Persian. They include: Hamsafar, Gharibeh Ashena, Mano Toh, Kooh, and Hamseda (Bemoon ta Bemoonam). In addition, her old song Talagh (Divorce) was remade and added to the album. It was released by Century Records. Context_4 : Lion is the first official release of the homemade tapes of Memphis musician, Scott Taylor. The earlier songs on this compilation were recorded when Taylor was only eighteen. The songs are most often bitter or ouright angry love songs or simply songs of longing. The songs have many layers of guitar effects, which gives what are somewhat recognizable Southern blues roots a dark psychedelic edge. Some of the homemade recordings on "Lion" found their way into the hands of David Shouse, who then asked the much younger Taylor to join his new band, which would later become known as The Grifters. Though Taylor was originally reluctant to use his Hot Monkey material in a band format, "Nothin' At All" would be recorded with A Band Called Bud, while "Need You" and "Another Song" would end up on the first two Grifters EPs. It would be another five years before "Arizona" would appear on the Grifters' best-selling album, Crappin' You Negative. Context_5 : "Yo No Se Que Me Paso" ("I Do Not Know What Happened To Me") is a song written, produced and performed by Mexican singer-songwriter Juan Gabriel. It was released in 1986 as the first single from his studio album "Pensamientos". This song deals with the end of a love relationship, falling out of love. It peaked at number-one in the "Billboard" Hot Latin Tracks chart on September 13, 1986, being the second song to do so, replacing "La Guirnalda", another song written by Gabriel; however, in the printed version of the same chart, the song is recognized as the first song ever to top the chart. "Yo No Se Que Me Paso" has been covered by Rocio Durcal, Pedro Fernandez and Julio Preciado. Context_6 : "Shut Out" is a single from the Paul Jabara album of the same name and features special guest vocals by Donna Summer. On the album, it is used as the first half of a medley another with another song called "Heaven is a Disco." Context_7 : John DeNicola (born October 4, 1955) is an American songwriter and producer. He is best known for co-writing the song "(I've Had) The Time of My Life", for which he won both an Academy Award and a Golden Globe Award, as well as receiving a Grammy nomination, in 1988. In 1989 he was the co-winner of ASCAP Awards' "Most Performed Songs from Motion Pictures" for "Time of My Life" as well as for "Hungry Eyes", another song from the film. In addition to "Dirty Dancing" hits for Bill Medley, Jennifer Warnes and Eric Carmen, he has also written songs with and for Eddie Money, John Waite, Kristine W, Steve Holy, Jeannie Kendall, Sugar Jones, Annie Haslam, Bernie Worrell, The Sighs and Martin Briley. Context_8 : Ryan Hamilton and Jaret Reddick decided to start writing songs together after Hamilton's band, Smile Smile, opened for Reddick's band, Bowling for Soup, on a few of their tour dates. After four days of writing, the duo had written six songs, which later resulted in the formation of the band People on Vacation. The band began streaming a song titled, "Better Off Dead," on their official site in late 2010. During his eleventh Bowling for Soup podcast regarding the band's newly announced side projects, Reddick played a demo that he described as "the first People on Vacation song," titled "Rainy Day." The band has since announced they have written and recorded fifteen songs and plans to release album in Fall 2011, through Kirtland Records. The band released another song, titled "She Was the Only One," as a free download via Twitter as a "Tweet for a Track" promotion, in addition to streaming it on their official site in January 2011. The band's music video for "Better Off Dead" premiered on the Dallas Observer website on January 19, 2011. In an interview with aduioADD, Hamilton jokingly named the album "Buskin' & Name Droppin"'. Another song "Because of the Sun" was played live on 102.1 FM for the first time in March 2011. In order to promote the project, the band joined Bowling for Soup's 2011 UK Acoustic Tour as an opening act, alongside Linus of Hollywood and Erik Chandler and the Mulberry Street Socialites. In July 2011, Reddick explained the band expects "a long EP out around the end of November, with a full length album hoping to be out by next summer with all new material," stating the band has fifteen songs that are "written, recorded, done" except for drums while they have written six to eight other songs that have yet to be recorded. The band will be having its CD release show for "The Carry On EP" on November 24, 2011, at the Kessler Theater in Dallas, Texas. Reddick announced in a recent podcast that People on Vacation would be making a music video for the song "Where Do We Go," which the duo filmed with Built By Ninjas in January 2012. Context_9 : "The Only Way" is a song recorded by British singer Lisa Stansfield. It was written by David Pickerill and Paul O'Donoughue, and produced by Pickerill. "The Only Way" was released as a single by the Devil Records/Polydor Records in the United Kingdom in November 1982. The single's B-side included another song recorded by Stansfield, "Only Love." Both songs were released on the "In Session" album in 1996. Context_10 : "Love the Way You Lie (Part II)" is a song by Barbadian singer Rihanna from her fifth studio album "Loud" (2010). It features guest vocals from American rapper Eminem, who wrote the song alongside Skylar Grey and the producer Alex da Kid. It is the sequel to the 2010 hit single "Love the Way You Lie", which appears on Eminem's seventh studio album "Recovery". It received positive reviews from critics and was performed for at the American Music Awards of 2010 on November 21, 2010, as part of a medley with "What's My Name?" and "Only Girl (In the World)". fact_1 : It received positive reviews from critics and was performed for at the American Music Awards of 2010 on November 21, 2010, as part of a medley with "What's My Name? fact_2 : " and "Only Girl (In the World)". fact_3 : "Only Girl (In the World)" is a song by Barbadian singer Rihanna from her fifth album, "Loud" (2010). Answer: Loud
Solution:
Love the Way You Lie was a song that was part of a medley with another song from what 2010 album?