Some context: Taylor Hicks was born in Birmingham, Alabama on October 7, 1976, to Bradley Hicks and Pamela Dickinson. He and his family moved to the suburb of Hoover when he was eight years old. His hair started turning gray by the time he was 14. His parents divorced, and stepmother Linda shared custody of their son until he became of age.
While in college, Hicks was part of a band called Passing Through, which he later quit to start his own band. In 1997, he independently recorded In Your Time, an album which included both studio and live tracks. In 2000, he moved to pursue a music career in Nashville, Tennessee, where he worked with Nashville veterans Billy Earl McClelland and Percy Sledge to record a three-track demo but was unable to find a label that would sign him. He left Nashville after a year due to what he called the "oversaturation of the market". Hicks returned to Alabama and launched a professional music career, performing at various venues and parties mostly around the Southeastern United States, including The War Eagle Supper Club (a popular college bar) in Auburn, Alabama. Hicks has performed with the likes of Widespread Panic, James Brown, Tom Petty, Jackson Browne, Drive-By Truckers, Robert Randolph, Snoop Dogg and Keb Mo. He also performed in the huge infield of Talladega Superspeedway in 2004 during a NASCAR race weekend. He recorded, produced, and released a second album, Under the Radar, in 2005. Despite releasing two albums prior to appearing on American Idol, he did not violate their requirements for contestants, as he had never held a recording contract. Hicks has allowed audience members to record his concerts for personal, non-commercial use, and has authorized the Internet Archive to create a section for fans to upload and share their recordings. The Archive does not accept the upload of concerts recorded after January 1, 2006 due to the terms of his "American Idol" contract.
Did he do albums with them?
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Some context: Bad Brains is an American hardcore punk band formed in Washington, D.C., in 1977. They are widely regarded as among the pioneers of hardcore punk, though the band's members have objected to this term to describe their music. They are also an adept reggae band, while later recordings featured elements of other genres like funk, heavy metal, hip hop and soul. Bad Brains are followers of the Rastafari movement.
The band was first founded in 1976 as a jazz fusion ensemble called Mind Power in the mold of bands such as Chick Corea's Return to Forever and John McLaughlin's Mahavishnu Orchestra as well as R&B musician Stevie Wonder. In 1977, their friend Sid McCray introduced the band, who were already interested in bands such as Black Sabbath, to punk rock, including the Dickies, the Dead Boys, and the Sex Pistols. Mind Power became obsessed with punk rock and changed their name to "Bad Brains", after the Ramones song "Bad Brain", but with the word "bad" in the sense of "good". Despite their burgeoning punk sound, the early Bad Brains, after seeing Bob Marley in concert, also delved deep into reggae music and the Rastafari movement. Sid McCray became their first singer but left in the early days of the group's hardcore punk era, and guitarist H.R. became the band's new singer. The band developed an early reputation in Washington D.C., due in part to the relative novelty of an entirely black band playing punk rock at the time, but also due to their high-energy performances and undeniable talent. In 1979, Bad Brains found themselves the subject of an unofficial ban among Washington D.C. area clubs and performance venues (later addressed in their song, "Banned in D.C."). The band subsequently relocated to New York City, where they would serve as a catalyst for that city's burgeoning hardcore scene. At first, the Brains stayed with their NYC friends in the bands The Mad and The Stimulators. Their self-titled debut album was released on Neil Cooper's ROIR on "cassette only" on February 5, 1982, followed in 1983 by Rock for Light, produced by Ric Ocasek of The Cars.
Was this name liked by the fans?
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Some context: Odissi (Odia: odd'ishii Odisi), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha - an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism (Vishnu as Jagannath). Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism, Buddhism and Jainism.
After 12th-century, Odia temples, monasteries and nearby institutions such as the Nalanda in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (1360-1361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khurda. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannath temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations". Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were dehumanized and stigmatized as prostitutes during the British period. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma.
What happened to the dancers after this happened?
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the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma.