Problem: Background: Timothy James Pawlenty (; born November 27, 1960) is an American businessman and politician who is president and CEO of Financial Services Roundtable, a Washington, D.C.-based industry advocacy group. He was a Republican politician who served as the 39th Governor of Minnesota (2003-2011). He previously served in the Minnesota House of Representatives (1993-2003), where he was majority leader for two terms.
Context: Pawlenty was elected in 2002 on a platform of balancing the state's budget without raising taxes. He emphasized his campaign and first term with the Taxpayers League of Minnesota slogan "no new taxes." His governorship was characterized by a historically low rate of spending growth. According to the Minnesota Management and Budget Department, general-fund expenditures from 2004 to 2011 increased an average of 3.5 percent per two-year term, compared to an average of 21.1 percent from 1960 to 2003 (these numbers, however, are not inflation-adjusted). University of Minnesota political science professor Larry Jacobs said that slowing down state spending and opposing tax increases were the "signature issue" of Pawlenty's governorship. In his first year as governor, Pawlenty inherited a projected two-year budget deficit of $4.3 billion, the largest in Minnesota's history. After a contentious budget session with a Democrat-controlled Senate, he signed a package of fee increases, spending reductions, and government reorganization which eliminated the deficit. The budget reduced the rate of funding increases for state services, including transportation, social services, and welfare. It also enacted a perennial proposal to restructure city aid based on immediate need, rather than historical factors. In negotiations the governor agreed to several compromises, abandoning a desired public employee wage freeze and property tax restrictions. During his second term, Pawlenty erased a $2.7-billion deficit by cutting spending, shifting payments, and using one-time federal stimulus money. His final budget (2010-2011) was the state's first two-year period since 1960 in which net government expenditures decreased. Pawlenty has claimed this as "the first time in 150 years" that spending has been cut, but fact-checkers have disputed this claim as no public budget records prior to 1960 are known to exist. Pawlenty has been criticized by some for providing a short-term budget solution but coming up short in his long-term strategy as governor. The state department of Management and Budget reports that the two-year budget starting in July 2011 is projected to come up $4.4 billion short. Former Minnesota Governor Arne Carlson, a Republican, criticized Pawlenty's budget strategy: he borrowed more than $1 billion from the tobacco settlement (money set aside for health care), borrowed more than $1.4 billion from K-12 education funding, borrowed more than $400 [million] from the Health Care Access Fund for low-income families, among other short-term shifts in accounting. The result was a $5-billion deficit, the seventh largest in the United States. Minnesota property taxes rose $2.5 billion, more than the previous 16 years combined, and Moody's lowered the state's bond rating. Carlson told Time, "I don't think any governor has left behind a worse financial mess than he [Pawlenty] has." Pawlenty responded, "My friend governor Arne Carlson is, of course, now an Obama and John Kerry supporter."
Question: Did he serve a second term?
Answer: During his second term,

Problem: Background: Orchestral Manoeuvres in the Dark (OMD) are an English electronic music band formed in Wirral, Merseyside in 1978. Spawned by earlier group The Id, the outfit is composed of co-founders Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals), along with Martin Cooper (various instruments) and Stuart Kershaw (drums); McCluskey is the only constant member. OMD released their debut single, "Electricity", in 1979, and gained popularity throughout Europe with the 1980 anti-war song "Enola Gay".
Context: The eponymous first album (1980) showcased the band's live set at the time, and was basically recorded by the Humphreys/McCluskey duo, although included some guest drums from Id drummer Malcolm Holmes, and saxophone from Wirral musician Martin Cooper. It had a simple, raw, poppy, melodic synth-pop sound. Dindisc arranged for the song "Messages" to be re-recorded (produced by Gong bassist Mike Howlett) and released as a single (right) - this gave the band their first hit. Dave Hughes, a founder member of Dalek I Love You who joined OMD in early 1980, is featured in the "Messages" video. A tour followed, Winston the tape recorder was augmented with live drums from Malcolm Holmes, and Dalek I Love You's Dave Hughes on synths. Hughes then left OMD in November 1980, replaced by Martin Cooper. The second album Organisation (a reference to the band which preceded Kraftwerk, founded by Kraftwerk's original members Florian Schneider-Esleben and Ralf Hutter) followed later that year, recorded as a three-piece with Humphreys, McCluskey and Holmes. It was again produced by Howlett, and had a rather moodier, dark feel. The album spawned the hit single "Enola Gay", named after the plane that dropped an atomic bomb on Hiroshima. The song was intended to be included on the debut album, but was left out at the final selection. The tour for this album had a 4-piece band line-up, with saxophonist Martin Cooper (another Dalek I Love You alumnus) recruited for keyboard duties. In early 1981, Record Mirror named OMD as the fourth-best band of 1980; NME and Sounds both named the group as one of the 10 best new acts of that year. Howlett then presided over the recording of a further hit single, "Souvenir", co-written by Cooper & Humphreys. It ushered in a lush choral electronic sound. The song also became OMD's biggest UK hit to date. In November 1981, their most commercially successful album was released in the UK and Europe - Architecture & Morality. The group went into the studio with Richard Mainwaring producing. Cooper then temporarily dropped out and was replaced by Mike Douglas, but this change was reversed by the time the album was released and a tour embarked upon. The album's sound saw OMD's original synth-pop sound augmented by the Mellotron, an instrument previously associated with prog rock bands. They used it to add very atmospheric swatches of string, choir and other sounds to their palette. Two more hit singles "Joan of Arc" and "Maid of Orleans" (which became the biggest-selling single of 1982 in Germany) were taken from the album. "Joan of Arc" and "Maid of Orleans" were originally both titled "Joan of Arc"; the name of the latter single was changed at the insistence of the publishers and to avoid confusion. It became "Joan of Arc (Maid of Orleans)" and later simply "Maid of Orleans". In 1983 the band lost commercial momentum somewhat, with the release of their more experimental Dazzle Ships album, which mixed melancholy synth ballads and uptempo synth-pop with musique concrete and short wave radio tape collages. It was recorded by the 4-piece Humphreys/Holmes/Cooper/McCluskey line-up, and produced by Rhett Davies. Its relative commercial failure caused a crisis of confidence for Humphreys and McCluskey and brought about a deliberate move towards the mainstream.
Question: What was the classic line up?
Answer:
The eponymous first album (1980) showcased the band's live set at the time, and was basically recorded by the Humphreys/McCluskey duo,