Generate a question about the following movie plot: Professor Paul Kristan [Ralph Morgan] doesn't know that his mother was bitten by a vampire bat just before he was born. The doctor who delivered the baby some 40 years ago in a bat-infested cave within earshot of angry native drums in the darkest reaches of Africa, handed the bundle of joy to his colleague, Doctor Anders Bizet [Pedro de Cordoba], who raised the boy as his own son. Paul is now a grown man, beloved by everyone in the village because of his "goodness", and engaged to be married to the flower of the village, the beautiful Marguerite Mane [Maxine Doyle].Then the murders start. Three victims have been found lying in the caves, their throats torn open and the blood drained from their bodies. The cry goes up that this the work of a huge and loathsome vampire bat that kills during the dark of night and then carries the bodies into the caves. Only young David [Russell Gleason] cannot accept that there is a bat large enough to carry a human body. The good Professor isn't certain that it's a bat, but he is sure of one thing...the creature strikes only in the dark. Therefore, he suggests that everyone stay home after dusk and keep their lights burning.After bringing some roses to the good Professor, Marguerite meets David in the garden. David has been her friend since childhood, and he's in love with her. However, Marguerite is intent on marrying Professor Kristan because...well...he's so good. David attempts to convince Marquerite that what she feels is respect, admiration, and reverence but not love. Marquerite won't hear of it. She is honored that Professor Kristan (she's trying to learn to call him "Paul") has chosen her, and she intends to make the good Professor a good wife.That night, after seeing his last patient, Paul retires to his study to read his books by candlelight. The night gets darker, Paul falls asleep, and the candle burns out. When he awakens, it is dark outside. Suddenly, his face twists in pain. The good Professor has become the vampire. He climbs through the window of a sleeping...
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Answer: where is the cliff located

Generate a question about the following movie plot: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Var Tids Hjalte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces. A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiance, Karl-Henrik, who scolds her for lacking ambition "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiance in a menage a quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...
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Answer: why does alma leave the shards on the footpath?

Generate a question about the following movie plot: Nine tells the story of Guido Contini (Daniel Day-Lewis), a world famous film director as he confronts an epic mid-life crisis with both creative and personal problems. He must balance the many women of his life, including his wife (Marion Cotillard), his mistress (Penelope Cruz), his film star muse (Nicole Kidman), his confidant and costume designer (Judi Dench), an American fashion journalist (Kate Hudson), the whore from his youth (Fergie) and his mother (Sophia Loren).Guido Contini is a gifted Italian filmmaker who, at the age of fifty, has developed writer's block and urges all the women in his life, alive and dead, to help him with it - his mind wanders to his unfinished set, where dozens of dancers and the films leading ladies appear first Claudia Jenssen, his leading lady; then his wife Luisa; his mistress Carla; his costume designer and confidant Lilli; his beloved Mamma; Stephanie, an American fashion journalist from Vogue; and finally Saraghina, a prostitute from his childhood; ("Overture Delle Donne"). It is 1965, and at the famous Cinecitta movie studios, in Rome, 'everyone has questions for Signor Contini.' At a press conference at the Hotel Excelsior on the Via Veneto, hes charming and colorful, avoiding any clear answer on his new movie - his ninth with producer, Dante, - tentatively entitled "Italia". Here he meets Stephanie, a Vogue fashion journalist, with whom he begins a flirtation. Escaping the biting probes of the reporters, he creates an elaborate fantasy, which becomes ("Guidos Song") where he explains that he wishes he was young and energetic once again, since his talent was better then. He escapes the press conference, the reporters and his producer and arrives at the Bellavista Spa Hotel. While being examined by the doctor, he receives a call from Carla, his mistress ("A Call from the Vatican"). She describes her desire for him, as he excitedly listens on the other end. She arrives at the spa, expecting to share his suite, but is upset to find that shes staying in a shabby pensione...
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Answer:
Why does Guido's mother return?