Question:
Redd Foxx was born John Elroy Sanford on December 9, 1922, in St. Louis, Missouri and raised on Chicago's South Side. His father, Fred Sanford, an electrician and auto mechanic from Hickman, Kentucky, left his family when Foxx was four years old. He was raised by his half-Seminole Indian mother, Mary Hughes from Ellisville, Mississippi, his grandmother and his minister. Foxx attended DuSable High School in Chicago's Bronzeville neighborhood with future Chicago mayor Harold Washington.
Foxx achieved his most widespread fame starring in the television sitcom Sanford and Son, an adaptation of the BBC series Steptoe and Son. He used his starring role on Sanford and Son to help get jobs for his acquaintances such as LaWanda Page, Slappy White, Gregory Sierra, Don Bexley, Beah Richards, Stymie Beard, Leroy Daniels, Ernest Mayhand and Noriyuki "Pat" Morita. The series premiered on the NBC television network on January 14, 1972 and was broadcast for six seasons. The final episode aired on March 25, 1977. Foxx played the role of Fred G. Sanford ("Fred Sanford" was actually Foxx's father's and brother's name), while Foxx's co-star Demond Wilson played the role of his son Lamont. In this sitcom, Fred and Lamont were owners of a junk/salvage store in Watts who dealt with many humorous situations that would arise. The series was notable for its racial humor and overt prejudices which helped redefine the genre of black situation comedy. The show also had several running gags. When angry with Lamont, Fred would often say "You big dummy" or would often fake heart attacks by putting his hand on his chest and saying (usually while looking up at the sky) "It's the big one, I'm coming to join ya honey/Elizabeth" (referring to his late wife). Fred would also complain about having "arthur-itis" to get out of working by showing Lamont his cramped hand. Foxx depicted a character in his 60s, although in real-life he was a decade younger. Demond Wilson had responded if he kept in touch with everybody from Sanford & Son; esp. the series' star, himself, after the series was canceled: "No. I saw Redd Foxx once before he died, circa 1983, and I never saw him again. At the time I was playing tennis at the Malibu Racquet Club and I was approached by some producers about doing a Redd Foxx 50th Anniversary Special. I hadn't spoken to him since 1977, and I called the club where (Redd) was playing. And we met at Redd's office, but he was less than affable. I told those guys it was a bad idea. I never had a cross word with him. People say I'm protective of Redd Foxx in my book (Second Banana, Wilson's memoir of the Sanford years). I had no animosity toward Foxx for (quitting the show in 1977) because I had a million dollar contract at CBS to do Baby I'm Back. My hurt was that he didn't come to me about throwing the towel in - I found out in the hallway at NBC from a newscaster. I forgave him and I loved Redd, but I never forgot that. The love was there. You can watch any episode and see that."
Answer this question using a quote from the text above:

what was his relationship with Lamont like?

Answer:
When angry with Lamont, Fred would often say "You big dummy"

input: By the 1920s, Tucker's success had spread to Europe, and she began a tour of England, performing for King George V and Queen Mary at the London Palladium in 1926. Tucker re-released her hit song "Some of These Days", backed by Ted Lewis and his band, which stayed at the number 1 position of the charts for five weeks beginning 23 November 1926. It sold over one million copies and was awarded a gold disc by the RIAA. Tucker was strongly affected by the decline of vaudeville. Speaking about performing in the final show at E. F. Albee's Palace in New York City, she remarked, "Everyone knew the theater was to be closed down, and a landmark in show business would be gone. That feeling got into the acts. The whole place, even the performers, stank of decay. I seemed to smell it. It challenged me. I was determined to give the audience the idea: why brood over yesterday? We have tomorrow. As I sang I could feel the atmosphere change. The gloom began to lift, the spirit which formerly filled the Palace and which made it famous among vaudeville houses the world over came back. That's what an entertainer can do." During this time, Tucker began to look to film and radio as possible extensions of her career. In 1929, she made her first movie appearance, in the sound picture Honky Tonk. During the 1930s, Tucker brought elements of nostalgia for the early years of 20th century into her show. She was billed as "The Last of the Red Hot Mamas," as her hearty sexual appetite was a frequent subject of her songs, unusual for female performers of the day after the decline of vaudeville. The Beatles once introduced the song "Till There Was You" as previously being performed "by our favorite American group, Sophie Tucker." The cartoon The Woods Are Full of Cuckoos caricatures Tucker as "Sophie Turkey".

Answer this question "Did she have any other successful songs"
output: The Beatles once introduced the song "Till There Was You" as previously being performed "by our favorite American group, Sophie Tucker."

Answer the question at the end by quoting:

Michael Joseph Jackson (August 29, 1958 - June 25, 2009) was an American singer, songwriter, and dancer. Dubbed the "King of Pop", he was one of the most popular entertainers in the world, and was the best-selling music artist during the year of his death. Jackson's contributions to music, dance, and fashion along with his publicized personal life made him a global figure in popular culture for over four decades. The eighth child of the Jackson family, Michael made his professional debut in 1964 with his elder brothers Jackie, Tito, Jermaine, and Marlon as a member of the Jackson 5.
Jackson was influenced by musicians including Little Richard, James Brown, Jackie Wilson, Diana Ross, Fred Astaire, Sammy Davis Jr., Gene Kelly, David Ruffin, the Isley Brothers, and the Bee Gees. While Little Richard had a substantial influence on Jackson, James Brown was his greatest inspiration; he said: "Ever since I was a small child, no more than like six years old, my mother would wake me no matter what time it was, if I was sleeping, no matter what I was doing, to watch the television to see the master at work. And when I saw him move, I was mesmerized. I had never seen a performer perform like James Brown, and right then and there I knew that was exactly what I wanted to do for the rest of my life because of James Brown." Jackson owed his vocal technique in large part to Diana Ross, especially his use of the oooh interjection, which he used from a young age; Ross had used this effect on many of the songs recorded with the Supremes. Not only a mother figure to him, she was often observed in rehearsal as an accomplished performer. He said: "I got to know her well. She taught me so much. I used to just sit in the corner and watch the way she moved. She was art in motion. I studied the way she moved, the way she sang - just the way she was." He told her: "I want to be just like you, Diana." She said: "You just be yourself." According to choreographer David Winters, who met and befriended Jackson while choreographing the 1971 Diana Ross TV special Diana!, Jackson watched the musical West Side Story almost every week, and it was his favorite film; he paid tribute to it in "Beat It" and the "Bad" video.

Was there anything else interesting you learned in this section?
According to choreographer David Winters, who met and befriended Jackson while choreographing the 1971 Diana Ross TV special Diana!,