Question: Vivien Leigh (born Vivian Mary Hartley, and also known as Lady Olivier after 1947; 5 November 1913 - 8 July 1967) was an English stage and film actress. She won two Academy Awards for Best Actress, for her iconic performances as Scarlett O'Hara in Gone with the Wind (1939) and Blanche DuBois in the film version of A Streetcar Named Desire (1951), a role she had also played on stage in London's West End in 1949. She also won a Tony Award for her work in the Broadway musical version of Tovarich (1963). After completing her drama school education, Leigh appeared in small roles in four films in 1935 and progressed to the role of heroine in Fire Over England (1937).

Leigh next sought the role of Blanche DuBois in the West End stage production of Tennessee Williams's A Streetcar Named Desire and was cast after Williams and the play's producer Irene Mayer Selznick saw her in The School for Scandal and Antigone; Olivier was contracted to direct. The play contained a rape scene and references to promiscuity and homosexuality, and was destined to be controversial; the media discussion about its suitability added to Leigh's anxiety. Nevertheless, she believed strongly in the importance of the work. When the West End production of Streetcar opened in October 1949, J. B. Priestley denounced the play and Leigh's performance; and the critic Kenneth Tynan, who was to make a habit of dismissing her stage performances, commented that Leigh was badly miscast because British actors were "too well-bred to emote effectively on stage". Olivier and Leigh were chagrined that part of the commercial success of the play lay in audience members attending to see what they believed would be a salacious story, rather than the Greek tragedy that they envisioned. The play also had strong supporters, among them Noel Coward, who described Leigh as "magnificent". After 326 performances, Leigh finished her run, and she was soon assigned to reprise her role as Blanche DuBois in the film version of the play. Her irreverent and often bawdy sense of humour allowed her to establish a rapport with Brando, but she had an initial difficulty in working with director Elia Kazan, who was displeased with the direction that Olivier had taken in shaping the character of Blanche. Kazan had favoured Jessica Tandy and later, Olivia de Havilland over Leigh, but knew she had been a success on the London stage as Blanche. He later commented that he did not hold her in high regard as an actress, believing that "she had a small talent." As work progressed, however, he became "full of admiration" for "the greatest determination to excel of any actress I've known. She'd have crawled over broken glass if she thought it would help her performance." Leigh found the role gruelling and commented to the Los Angeles Times, "I had nine months in the theatre of Blanche DuBois. Now she's in command of me." Olivier accompanied her to Hollywood where he was to co-star with Jennifer Jones in William Wyler's Carrie (1952). Leigh's performance in A Streetcar Named Desire won glowing reviews, as well as a second Academy Award for Best Actress, a British Academy of Film and Television Arts (BAFTA) Award for Best British Actress, and a New York Film Critics Circle Award for Best Actress. Tennessee Williams commented that Leigh brought to the role "everything that I intended, and much that I had never dreamed of". Leigh herself had mixed feelings about her association with the character; in later years, she said that playing Blanche DuBois "tipped me over into madness".

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?
HHHHHH
Answer: The play also had strong supporters, among them Noel Coward, who described Leigh as "magnificent".

Question: The Cimmerians (also Kimmerians; Greek: Kimmerioi, Kimmerioi) were an ancient people, who appeared about 1000 BC and are mentioned later in 8th century BC in Assyrian records. Probably originating in the Pontic steppe and invading by means of the Caucasus, they are likely to be those who in c. 714 BC assaulted Urartu, a state in north eastern Anatolia subject to the Neo-Assyrian Empire. They were defeated by Assyrian forces under Sargon II in 705 and turned towards Anatolia, conquering Phrygia in 696/5. They reached the height of their power in 652 after taking Sardis, the capital of Lydia; however an invasion of Assyrian controlled Anshan (Persia) was thwarted.

The supposed origin of the Cimmerians north of the Caucasus at the end of the Bronze Age loosely corresponds with the early Koban culture (Northern Caucasus, 12th to 4th centuries BC), but there is no compelling reason to associate this culture with the Cimmerians specifically. There is a tradition in archaeology of applying Cimmerian to the archaeological record associated with the earliest transmission of Iron Age culture along the Danube to Central and Western Europe, associated with the Cernogorovka (9th to 8th centuries) and Novocerkassk (8th to 7th centuries) between the Danube and the Volga. This association is "controversial", or at best conventional, and is not to be taken as a literal claim that specific artifacts are to be associated with the "Cimmerians" of the Greek or Assyrian record. The use of the name "Cimmerian" in this context is due to Paul Reinecke, who in 1925 postulated a "North-Thracian-Cimmerian cultural sphere" (nordthrakisch-kimmerischer Kulturkreis) overlapping with the younger Hallstatt culture of the Eastern Alps. The term Thraco-Cimmerian (thrako-kimmerisch) was first introduced by I. Nestor in the 1930s. Nestor intended to suggest that there was a historical migration of Cimmerians into Eastern Europe from the area of the former Srubna culture, perhaps triggered by the Scythian expansion, at the beginning of the European Iron Age. In the 1980s and 1990s, more systematic studies[by whom?] of the artifacts revealed a more gradual development over the period covering the 9th to 7th centuries, so that the term "Thraco-Cimmerian" is now rather used by convention and does not necessarily imply a direct connection with either the Thracians or the Cimmerians.

Using a quote from the above article, answer the following question: Are there any notable archaeologists that have researched the Cimmerians?
HHHHHH
Answer:
The use of the name "Cimmerian" in this context is due to Paul Reinecke,