QUES: Ratners Group PLC, a fast-growing, acquisition-minded London-based jeweler, raised its price for Seattle-based specialty jeweler Weisfield's Inc. to $57.50 a share, or $62.1 million, from $50 a share, or $55 million, after another concern said it would be prepared to outbid Ratners's initial offer. The other concern wasn't identified. Ratners's chairman, Gerald Ratner, said the deal remains of "substantial benefit to Ratners." In London at mid-afternoon yesterday, Ratners's shares were up 2 pence (1.26 cents), at 260 pence ($1.64). The sweetened offer has acceptances from more than 50% of Weisfield's shareholders, and it is scheduled for completion by Dec. 10. The acquisition of 87-store Weisfield's raises Ratners's U.S. presence to 450 stores. About 30% of Ratners's profit already is derived from the U.S.
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MY QUESTION: What concern prompted Ratners Group PLC to raise the price of their shares for Weisfield's Inc. to $57.50 a share?

QUES: Do not look for the Danteum in the Eternal City. In true Dantean form, politics stood in the way of its construction in 1938. Ironically this literature-inspired building can itself most easily be found in book form. Reading this book I remembered Goethe's quote about frozen music. Did Terragni try to freeze Dante's medieval miracle of song? Certainly a cold-poem seems artistically repulsive. Unflattering comparisons to the lake of Cocytus spring to mind too. While I cannot read Italian, I can read some German. After locating the original quotation I discovered that 'frozen' is a problematic (though common) translation of Goethe's original 'erstarrte.' The verb 'erstarren' more properly means 'to solidify' or 'to stiffen.' This suggests a chemical reaction in which the art does not necessarily chill in the transformation. Nor can simple thawing yield the original work. Like a chemical reaction it requires an artistic catalyst, a muse. Indeed the Danteum is not a physical translation of the Poem. Terragni thought it inappropriate to translate the Comedy literally into a non-literary work. The Danteum would not be a stage set, rather Terragni generated his design from the Comedy's structure, not its finishes.
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MY QUESTION: Which two works are being discussed in the passage?

QUES: Dirk Diggler was born as Steven Samuel Adams on April 15 , 1961 outside of Saint Paul , Minnesota . His parents were a construction worker and a boutique shop owner who attended church every Sunday and believed in God . Looking for a career as a male model , Diggler dropped out of school at age 16 and left home . He was discovered at a falafel stand by Jack Horner . Diggler met his friend , Reed Rothchild , through Horner in 1979 while working on a film . Horner slowly introduced Diggler to the business until he became noticeable within the industry . Diggler became a prominent model and began appearing in pornographic films , after Which his career took off . He had critical and box office hits Which led him to stardom . The hits and publicity led to fame and money Which led Diggler to the world of drugs . With the amount of money Diggler was making he was able to support both his and Rothchild's addictions . The drugs eventually caused a breakup between Diggler and Horner since Diggler was having issues with his performance on set . After the breakup Diggler tried to make a film himself but the film was never completed . He then attempted a music career Which was also successful but led him deeper into drugs because of the amount of money he was making . He then starred in a TV show Which was a failure both critically and commercially . Having failed and with no work , Diggler returned to the porn industry taking roles in low-budget homosexual films to help support his habit .
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MY QUESTION: How old was Diggler when he met Reed Rothchild?

QUES: Rolfe put down the little dog he had been holding, and went out into the hall. The dog accompanied him, frisking about him in friendly fashion. Rolfe first examined the bedroom that he had seen Inspector Chippenfield enter. It was a small room, containing a double bed. It was prettily furnished in white, with white curtains, and toilet-table articles in ivory to match. A glance round the room convinced Rolfe that it was impossible for a man to secrete himself in it. The door of the wardrobe had been flung open by the inspector, and the dresses and other articles of feminine apparel it contained flung out on the floor. There was no other hiding-place possible, except beneath the bed, and the ruthless hand of the inspector had torn off the white muslin bed hangings, revealing emptiness underneath. Rolfe went out into the hall again, and entered the room next the bedroom. This apartment was apparently used as a dining-room, for it contained a large table, a few chairs, a small sideboard, a spirit-stand, a case of books and ornaments, and two small oak presses. Plainly, there was no place in it where a man could hide himself. The next room was the bathroom, which was also empty. Opposite the bathroom was a small bedroom, very barely furnished, offering no possibility of concealment. Then the passage opened into a large roomy kitchen, the full width of the rooms on both sides of the hall, and the kitchen completed the flat.
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MY QUESTION:
What room did Rolfe examine after the dining room?