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The Doors were an American rock band formed in 1965 in Los Angeles, with vocalist Jim Morrison, keyboardist Ray Manzarek, guitarist Robby Krieger, and John Densmore on drums. The band got its name, at Morrison's suggestion from the title of Aldous Huxley's book The Doors of Perception, which itself was a reference to a quote made by William Blake, "If the doors of perception were cleansed, everything would appear to man as it is, infinite." They were unique and among the most controversial and influential rock acts of the 1960s, mostly because of Morrison's lyrics and charismatic but unpredictable stage persona. After Morrison's death in 1971, the remaining members continued as a trio until disbanding in 1973.
The Doors staged a return to form with their 1970 LP Morrison Hotel, their fifth album. Featuring a consistent hard rock sound, the album's opener was "Roadhouse Blues". The record reached No. 4 in the United States and revived their status among their core fanbase and the rock press. Dave Marsh, the editor of Creem magazine, said of the album: "the most horrifying rock and roll I have ever heard. When they're good, they're simply unbeatable. I know this is the best record I've listened to ... so far". Rock Magazine called it "without any doubt their ballsiest (and best) album to date". Circus magazine praised it as "possibly the best album yet from the Doors" and "good hard, evil rock, and one of the best albums released this decade". The album also saw Jim Morrison returning as main songwriter, writing or co-writing all of the album's tracks. The 40th Anniversary CD reissue of Morrison Hotel contains outtakes and alternate takes, including different versions of "The Spy" and "Roadhouse Blues" (with Lonnie Mack on bass guitar and the Lovin' Spoonful's John Sebastian on harmonica). July 1970 saw the release of the Doors' first live album, Absolutely Live. The band continued to perform at arenas throughout the summer. Morrison faced trial in Miami in August, but the group made it to the Isle of Wight Festival on August 29. They performed alongside Jimi Hendrix, the Who, Joni Mitchell, Jethro Tull, Taste, Leonard Cohen, Miles Davis, Emerson, Lake & Palmer and Sly and the Family Stone. Two songs from the show were featured in the 1995 documentary Message to Love.
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Were these singles successful?

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Leonard Bernstein ( BURN-styne; August 25, 1918 - October 14, 1990) was an American composer, conductor, author, music lecturer, and pianist. He was among the first conductors born and educated in the US to receive worldwide acclaim. According to music critic Donal Henahan, he was "one of the most prodigiously talented and successful musicians in American history."
Bernstein recorded extensively from the mid-1940s until just a few months before his death. Aside from those 1940s recordings, which were made for RCA Victor, Bernstein recorded primarily for Columbia Masterworks Records, especially when he was music director of the New York Philharmonic between 1958 and 1971. His typical pattern of recording at that time was to record major works in the studio immediately after they were presented in the orchestra's subscription concerts or on one of the Young People's Concerts, with any spare time used to record short orchestral showpieces and similar works. Many of these performances were digitally remastered and reissued by Sony as part of their 100 Volume, 125 CDs "Royal Edition" and their later "Bernstein Century" series. In 2010 many of these recordings were repackaged in a 60 CD "Bernstein Symphony Edition". His later recordings (starting with Bizet's Carmen in 1972) were mostly made for Deutsche Grammophon, though he would occasionally return to the Columbia Masterworks label. Notable exceptions include recordings of Gustav Mahler's Song of the Earth and Mozart's 15th piano concerto and "Linz" symphony with the Vienna Philharmonic Orchestra for Decca Records (1966); Berlioz's Symphonie fantastique and Harold in Italy (1976) for EMI; and Wagner's Tristan und Isolde (1981) for Philips Records, a label that like Deutsche Grammophon was part of PolyGram at that time. Unlike his studio recordings for Columbia Masterworks, most of his later Deutsche Grammophon recordings were taken from live concerts (or edited together from several concerts with additional sessions to correct errors). Many replicate repertoire that he recorded in the 1950s and 60s. In addition to his audio recordings, many of Bernstein's concerts from the 1970s onwards were recorded on motion picture film by the German film company Unitel. This included a complete cycle of the Mahler symphonies (with the Vienna Philharmonic and London Symphony Orchestra), as well as complete cycles of the Beethoven, Brahms and Schumann symphonies recorded at the same series of concerts as the audio recordings by Deutsche Grammophon. Many of these films appeared on Laserdisc and are now on DVD. In total Bernstein was awarded 16 Grammys for his recordings in various categories, including several for posthumously released recordings. He was also awarded a Lifetime Achievement Grammy in 1985.
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What type of music is Bernstein known for?

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Yelberton Abraham Tittle Jr. (October 24, 1926 - October 8, 2017), better known as Y. A. Tittle, was a professional American football quarterback. He played in the National Football League (NFL) for the San Francisco 49ers, New York Giants, and Baltimore Colts, after spending two seasons with the Colts in the All-America Football Conference (AAFC). Known for his competitiveness, leadership, and striking profile, Tittle was the centerpiece of several prolific offenses throughout his seventeen-year professional career from 1948 to 1964. Tittle played college football for Louisiana State University, where he was a two-time All-Southeastern Conference (SEC) quarterback for the LSU Tigers football team.
A photo of a dazed Tittle in the end zone taken by Morris Berman of the Pittsburgh Post-Gazette on September 20, 1964, is regarded among the most iconic images in the history of American sports and journalism. Tittle, in his 17th and final season, was photographed helmet-less, bloodied and kneeling immediately after having been knocked to the ground by John Baker of the Pittsburgh Steelers and throwing an interception that was returned for a touchdown at the old Pitt Stadium. He suffered a concussion and cracked sternum on the play, but went on to play the rest of the season. Post-Gazette editors declined to publish the photo, looking for "action shots" instead, but Berman entered the image into contests where it took on a life of its own, winning a National Headliner Award. The photo was published in the October 2, 1964, issue of Life magazine. It is regarded as having changed the way that photographers look at sports, having shown the power of capturing a moment of reaction. It became one of three photos to hang in the lobby of the National Press Photographers Association headquarters, alongside Raising the Flag on Iwo Jima and the Hindenburg disaster. A copy now hangs in the Pro Football Hall of Fame. After at first having failed to see the appeal of the image, Tittle eventually grew to embrace it, putting it on the back cover of his 2009 autobiography. "That was the end of the road," he told the Los Angeles Times in 2008. "It was the end of my dream. It was over." Pittsburgh player John Baker, who hit Tittle right before the picture was taken, ran for sheriff in his native Wake County, North Carolina in 1978, and used the photo as a campaign tool. He was elected and went on to serve for 24 years. Tittle also held a fundraiser to assist Baker in his bid for a fourth term in 1989.
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What was the famous photo about?

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A photo of a dazed Tittle in the end zone taken by Morris Berman of the Pittsburgh Post-Gazette on September 20, 1964,