input: Allen used newsreel footage and inserted himself and other actors into the footage using bluescreen technology. To provide an authentic look to his scenes, Allen and cinematographer Gordon Willis used a variety of techniques, including locating some of the antique film cameras and lenses used during the eras depicted in the film, and even going so far as to simulate damage, such as crinkles and scratches, on the negatives to make the finished product look more like vintage footage. The virtually seamless blending of old and new footage was achieved almost a decade before digital filmmaking technology made such techniques in films like Forrest Gump (1994) and various television advertisements much easier to accomplish. The film uses cameo appearances by real figures from academia and other fields for comic effect. Contrasting the film's vintage black-and-white film footage, these persons appear in color segments as themselves, commenting in the present day on the Zelig phenomenon as if it really happened. They include essayist Susan Sontag, psychoanalyst Bruno Bettelheim, Nobel Prize-winning novelist Saul Bellow, political writer Irving Howe, historian John Morton Blum, and the Paris nightclub owner Bricktop. Also appearing in the film's vintage footage are Charles Lindbergh, Al Capone, Clara Bow, William Randolph Hearst, Marion Davies, Charlie Chaplin, Josephine Baker, Fanny Brice, Carole Lombard, Dolores del Rio, Adolf Hitler, Joseph Goebbels, Hermann Goring, James Cagney, Jimmy Walker, Lou Gehrig, Babe Ruth, Adolphe Menjou, Claire Windsor, Tom Mix, Marie Dressler, Bobby Jones, and Pope Pius XI. In the time it took to complete the film's special effects, Allen filmed A Midsummer Night's Sex Comedy and Broadway Danny Rose.

Answer this question "Are there any famous people of the era that appear in the movie?"
output: Charles Lindbergh, Al Capone, Clara Bow, William Randolph Hearst, Marion Davies, Charlie Chaplin, Josephine Baker, Fanny Brice, Carole Lombard, Dolores del Rio,

input: Hired by Tina Brown as a contributing artist in 1992, Spiegelman worked for The New Yorker for ten years. Spiegelman's first cover appeared on the February 15, 1993, Valentine's Day issue and showed a black West Indian woman and a Hasidic man kissing. The cover caused turmoil at The New Yorker offices. Spiegelman intended it to reference the Crown Heights riot of 1991 in which racial tensions led to the murder of a Jewish yeshiva student. Spiegelman had twenty-one New Yorker covers published, and submitted a number which were rejected for being too outrageous. Within The New Yorker's pages, Spiegelman contributed strips such as a collaboration titled "In the Dumps" with children's illustrator Maurice Sendak and an obituary to Charles M. Schulz titled "Abstract Thought is a Warm Puppy". An essay he had published there on Jack Cole, the creator of Plastic Man, called "Forms Stretched to their Limits" was to form the basis for a book in 2001 about Cole called Jack Cole and Plastic Man: Forms Stretched to their Limits. The same year, Voyager Company published a CD-ROM version of Maus with extensive supplementary material called The Complete Maus, and Spiegelman illustrated a 1923 poem by Joseph Moncure March called The Wild Party. Spiegelman contributed the essay "Getting in Touch With My Inner Racist" in the September 1, 1997 issue of Mother Jones. Spiegelman's influence and connections in New York cartooning circles drew the ire of political cartoonist Ted Rall in 1999. In an article titled "The King of Comix" in The Village Voice, Rall accused Spiegelman of the power to "make or break" a cartoonist's career in New York, while denigrating Spiegelman as "a guy with one great book in him". Cartoonist Danny Hellman responded by sending a forged email under Rall's name to thirty professionals; the prank escalated until Rall launched a defamation suit against Hellman for $1.5 million. Hellman published a "Legal Action Comics" benefit book to cover his legal costs, to which Spiegelman contributed a back-cover cartoon in which he relieves himself on a Rall-shaped urinal. In 1997, Spiegelman had his first children's book published: Open Me... I'm a Dog, with a narrator who tries to convince its readers that it is a dog via pop-ups and an attached leash. From 2000 to 2003 Spiegelman and Mouly edited three issues of the children's comics anthology Little Lit, with contributions from Raw alumni and children's book authors and illustrators.

Answer this question "did he collaborate with anyone else?"
output: From 2000 to 2003 Spiegelman and Mouly edited three issues of the children's comics anthology Little Lit,

input: Most ethnic Ukrainians live in Ukraine, where they make up over three-quarters of the population. The largest population of ethnic Ukrainians outside of Ukraine lives in Russia where about 1.9 million Russian citizens consider themselves ethnic Ukrainians, while millions of others (primarily in southern Russia and Siberia) have some Ukrainian ancestry. The inhabitants of the Kuban, for example, have vacillated among three identities: Ukrainian, Russian (an identity supported by the Soviet regime), and "Cossack". Approximately 800,000 people of Ukrainian ancestry live in the Russian Far East in an area known historically as "Green Ukraine". According to some previous assumptions, an estimated number of almost 2.4 million people of Ukrainian origin live in North America (1,359,655 in Canada and 1,028,492 in the United States). Large numbers of Ukrainians live in Brazil (600,000), Kazakhstan (338,022), Moldova (325,235), Argentina (305,000), Germany (272,000), Italy (234,354), Belarus (225,734), Uzbekistan (124,602), the Czech Republic (110,245), Spain (90,530-100,000) and Romania (51,703-200,000). There are also large Ukrainian communities in such countries as Latvia, Portugal, France, Australia, Paraguay, the UK, Israel, Slovakia, Kyrgyzstan, Austria, Uruguay and the former Yugoslavia. Generally, the Ukrainian diaspora is present in more than one hundred and twenty countries of the world. The number of Ukrainians in Poland amounted to some 51,000 people in 2011 (according to Polish Census). Since 2014, the country has experienced a large increase in immigration from Ukraine. More recent data put the number of Ukrainian workers at 1.2 - 1.3 million in 2016. In the last decades of the 19th century, many Ukrainians were forced by the Tsarist autocracy to move to the Asian regions of Russia, while many of their counterpart Slavs under Austro-Hungarian rule emigrated to the New World seeking work and better economic opportunities. Today, large ethnic Ukrainian minorities reside in Russia, Canada, the United States, Brazil, Kazakhstan, Italy and Argentina. According to some sources, around 20 million people outside Ukraine identify as having Ukrainian ethnicity, however the official data of the respective countries calculated together doesn't show more than 10 million. Ukrainians have one of the largest diasporas in the world.

Answer this question "WHAT WAS POPULATION OF EUROPE?"
output:
20 million