Summarize the following:
Decide where you will put the bruise and consider what would have caused a bruise in that particular area. This will help you decide where the bruise should be as well as it's shape and size. Put the bruise in a place which is easy to reach to make applying makeup simple. The shape of the bruise should reflect whatever you think would have caused it. Consider a bruise on your forearm as if it was hit by a blunt object like a bat, which would be an oval bruise. It would be a little longer than it is wide and have rounded edges. Another option is giving yourself a black eye as if you were punched in the face. Let them notice the bruise before you go around showing it off. They are more likely to believe it is real if you don't say anything about it. Let them ask you what happened and be prepared with a fake story. If they don't ask about it, you can "accidentally" touch the bruise or hit it on something, then react as if it hurt.

summary: Place the bruise. Fool your friends.

Summarize the following:
your car by hand before "claying" it. Remove as much of the dirt, grime, and other contaminants from the surface as possible. This will make "claying" go much more quickly. Don't use an automatic car wash, because they tend to leave behind a lot of soap residue and other contaminants. In fact, most auto detailers will likely tell you to never use automatic car washes. Clay bars come in 2 main categories"fine" and "medium"although some brands have additional sub-categories (e.g., "ultra fine"). Fine grade bars should remove most surface contaminants and any wax, but are less likely to mar the paint finish than medium-grade bars. In the hands of an experienced auto detailer, medium grade bars usually won't result in any marring, and can remove a great deal of contamination from a car that's gone years without a "claying." However, especially if you're a novice "clayer," a fine grade bar is the safer bet. If the clay bar kit doesn't come with a bottle of lubricating spray, buy a bottle that is the same brand as the bar. They'll be in the same section of the auto supply store. Clay bars usually come in sizes ranging from 28oz (57227g). The 2oz (57g) size is more than enough for 1 car, and is a very manageable piece of clay to work with. If you buy a larger bar, you can cut it into sections with a sharp knife and seal up the pieces you don't need for later use. For example, you can cut a 6oz (170g) bar into 3 pieces, use 1 now, and seal the other 2 in zip-close bags. The warmth of your hands will soften the clay as you work it back and forth into a ball shape. Once it softens up, flatten it into a circular shape that is about 0.75in (1.9cm) thick. At this thickness, 2oz (57g) of clay will create a disc that's roughly equal to 3-4 finger-widthswhich is a perfect size for "claying."

summary: Wash and dry Buy a fine grade clay bar with its matching lubricating spray. Buy a 2oz (57g) bar for 1 car, or cut a larger bar. Squeeze the clay in your hand until it's a pliable disc.

Summarize the following:
A composition's tonality states the key and whether it is Major or Minor. At an early stage of composition, a key could be as simple as making an arbitrary choice, but it will have the biggest impact on the sound of your composition. If you finish your work later on and want to try it out in different keys, you should do so, but be forewarned that it takes a fair amount of work to transpose a composition note by note into another key. The piano keyboard has been explored to death. Every possible combination has been tried and studied at this point. With that, theory can suggest the most appropriate chords. The most famous of these is the I-IV-V-vi progression (the lower case denotes a Minor chord). The Roman numerals indicate how many keys above the root the given chord is. These four chords have been proven to go together very well. Try using a chord map to get you started. Although this might sound too mathematical at the start, the truth is that it'll come without thinking to you once you get the basics of theory down pat. Scales are useful tools in the creation of melody. Although melodies need to be properly felt out in order to be memorable and effective, using a scale will narrow down the notes you're conventionally supposed to use. Make sure the scale you're using is in accordance with the chords and key you've chosen. The standard scale is a C Major scale. This scale is often used for vocal warm-ups before a performance. Some avant-garde composers in the 20th century would open up the piano itself and change the tuning of the strings, but prior to the adoption of equal temperament for keyboard instruments in the 18th century, there were numerous tunings in use. Changing all of the keys even a 16th of a step can result in a strange new experience of the piano. Be advised that messing around with a piano should only be done if you are an expert. Otherwise, you'll probably just end up sabotaging your piano for regular use. Notation is the technical language of music. If you're a serious composer, it's essential that you have at least some knowledge of notation and how to get your ideas down accurately on paper. Although it takes a little bit of time to get used to, there are fortunately lots of free online resources to help get you up to par with your notation reading and writing. If you're completely new to notation, you should try sight-reading a few basic songs on the piano until you're more used to it. There are digital notation programs that may prove easier to work with than pen and paper.
summary: Decide upon a tonality. Explore chord progressions leading from the root chord. Develop melodies from a chosen scale. Experiment with tuning. Record your work via notation.