In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Ex Input:
Question: Is the political party Slobe joined in 1942 still exist? Passage 1:Elysium was produced by Bill Block, Neill Blomkamp, and Simon Kinberg, and written and directed by Neill Blomkamp, the director and co-writer of District 9 (2009). It reunites Blomkamp with some of his District 9 crew, such as editor Julian Clarke, production designer Philip Ivey, cinematographer Trent Opaloch, and actor Sharlto Copley, playing one of the film's antagonists. Elysium is a co-production of TriStar Pictures and MRC. Although the film's story is set in 2154, Blomkamp has stated that it is a comment on the contemporary human condition. "Everybody wants to ask me lately about my predictions for the future," the director has said, "No, no, no. This isn't science fiction. This is today. This is now." In January 2011, independent studio Media Rights Capital met with major studios to distribute Elysium, and Blomkamp shared art designs of his proposed science fiction film. The art designs won over the executives at Sony Pictures, who bought the film after making a more attractive offer than the other studios. With a production budget of , production began in July 2011. The film's Earth-bound scenes were shot in a dump in the poor Iztapalapa district on the outskirts of Mexico City, while the scenes for Elysium were shot in Vancouver and the wealthy Huixquilucan-Interlomas suburbs of Mexico City. Matt Damon shaved his head for the role of Max. The main role was first offered to Watkin Tudor Jones (aka Ninja), a South African rapper, who despite being a fan of District 9 (he has a D9 tattoo on his inner lip) did not take the role. The role was then offered to rapper Eminem, but he wanted the film to be shot in Detroit. That was not an option for the two studios, so Blomkamp moved on to Damon as his next choice. Futuristic designs were executed by Philip Ivey after long periods of researching and studying older science fiction films. Ivey has continuously cited Syd Mead as a substantial influence for the film. Weta Workshop created the exosuits for Damon and Copley's characters, while the complicated visual effects were handled primarily by Image Engine (who also collaborated on District 9) with additional work by Whiskytree, MPC, The Embassy and Industrial Light and Magic. Re-shoots took place through October 2012. The film's music score was composed by newcomer Ryan Amon and recorded at Abbey Road Studios with the Philharmonia Orchestra. The soundtrack was released on August 6, 2013.
Passage 2:Slobe was born in Pittsburgh to a well-to-do Jewish family, and grew up in Chicago, enrolling in the School of the Art Institute of Chicago at 16; by 19 she was exhibiting paintings and winning prizes. She began exhibiting sculpture as well by the late 1930s, and came eventually to be known more as a sculptor than as a painter. In 1939 and 1940 she worked for the Works Progress Administration, creating art and teaching in a number of states, including Oregon. She became acquainted at this point with George Perle, whom she married in 1940; in 1942 the couple joined the Socialist Workers Party, and she took the pseudonym "Laura Gray". She was soon tasked with assisting in the organization of automotive workers, and it was at this time that she began her cartooning career. Encouraged to submit drawings to The Militant, her first appeared in the paper on March 4, 1944; she went on to become the paper's staff artist, submitting at least one cartoon almost weekly for the rest of her life. These drawings, which have been compared to the work of Boardman Robinson, Hugo Gellert, and Robert Minor, would be published in Trotskyist publications around the world. Some of her cartoons on the subject of civil rights would also be published in the African-American press.
Passage 3:Major Granville O. Haller of the 4th Infantry led an expedition from Fort Dalles into central Washington, and Lieutenant William A. Slaughter also of the 4th Infantry with forty-eight men from Fort Steilacoom crossed Natchez Pass to aid Major Haller when attempts to move the Indians of Puget Sound onto reservations caused trouble between them and some white settlers. Captain Maloney of the 4th Infantry, and Captain Gilmore Hayes of the Washington Volunteers had started for Yakima via Natchez Pass when they were overtaken on 29 October 1855 by the Nisqually tribe under Chief Leschi. Lt. Slaughter and his men plus Captain Hayes' force met the Indians at the crossing of the White River, and on 4 November 1855 fought without decisive results. The following day the troops met hostiles in the difficult country between the White and Green Rivers. The troops fell back into the valleys and on 24 November 1855, Lt. Slaughter, commanding a platoon of the 4th Infantry and a company of volunteers, was attacked in his camp at Puyallup. The lieutenant moved to the present site of Auburn and here again the Indians attacked. Slaughter and two corporals of the volunteer company were killed, four other men were injured, one later dying of his wounds. For years the town, which sprang up on this site, was known as Slaughter in honor of this officer of the 4th Infantry; it was later changed to Auburn.

Ex Output:
2

Ex Input:
Question: Was the team that he debuted for Wycombe against founded before 1900? Passage 1:For his previous album, Irthes, Rouvas collaborated almost exclusively with Dimitris Kontopoulos, who was also commissioned to write all three of Rouvas' candidate songs for his participation in the Eurovision Song Contest 2009, as well as the composer and producer of his album, with the exception of one track. Working namely with one main composer is something that Rouvas had not done since Kati Apo Mena (1998) and not completely exclusively since Tora Arhizoun Ta Dyskola (1996). For Parafora, Rouvas reverted to using several songwriters and producers. The majority of the songwriters and producers are new collaborators and recent hit makers relatively new to the music industry. Kontopoulos, who first collaborated with Rouvas for To Hrono Stamatao (2003), resumed his role as a composer, producer, arranger, programmer, and instrumentalist, with eight contributions to the album, including the singles "Spase To Hrono" and the title track. Others who have never previously collaborated with Rouvas include Playmen, Beetkraft, Antonis Skokos, Greek-German Leonidas "Freakchild" Chantzaras, who composed "Nekros Okeanos" and produced "Emena Thes", and Dimitris Fakos who wrote both its music and lyrics. Songwriters who exclusively contributed lyrics to the album include Natalia Germanou, who first collaborated with Rouvas on Min Andistekese (1992), Pigi Konstantinou and Giannis Rentoumis who first collaborated with the artist on Irthes, and new collaborators Sunny Baltzi, Vagia Kalantzi, and Nikos Kostidakis, who wrote "Parafora".
Passage 2:Born in Blackburn, Lancashire, Bell started his career with hometown club Blackburn Rovers at the age of 10 and signed a professional contract in February 2001 after nearly a decade in the youth system. He had a trial at Wycombe Wanderers in April 2003 and after being released by Blackburn in the summer he signed for Wycombe on a month-to-month contract in September, making his debut and scoring both goals in a 52 defeat to Oldham Athletic. His contract was extended until 29 February in January, before being released and joining York City on trial. He signed for York on non-contract terms on 1 March and made his debut in a 00 draw at Oxford United. His only goal for York came in a 31 defeat to Scunthorpe United, after he scored into an empty goal from a Stuart Wise long ball. He finished the 200304 season with 10 appearances and one goal for York as they were relegated to the Conference National.
Passage 3:Mohen was born in the New York City borough of Queens, the oldest of twelve children of Joseph Conrad Mohen (1935-2017) and Virginia Ann (Kelly) Mohen (born 1935), both descendants of Irish immigrants. His maternal great-grandfather, James Morris, an immigrant from Liverpool, was one of the first full time staff of any motion picture studio, being hired by Adolph Zukor in 1912, at Famous Players, making sets for the silent films at Chelsea Studios in Manhattan; Famous Players was later merged with a competitor and renamed Paramount Pictures. In 1960, when Mohen was four, the family moved to Garden City on Long Island. There he attended a local Catholic School, St. Anne's, and later an Episcopal Preparatory School, St. Paul's; while in high school he attended Boys State, and was captain of the Cross Country and Track teams. He was offered a track scholarship to the University of Ohio, which he declined, instead electing to attend Johns Hopkins University in Baltimore where he studied Mathematics and Biochemistry, and Manhattan College in New York City studying Business.

Ex Output:
2

Ex Input:
Question: In which country is the material excavated from Mureybet stored? Passage 1:The first archaeological investigation of the site was carried out in 1964. In that year, the site was noted during an archaeological survey of the region directed by Maurits N. van Loon of the Oriental Institute of the University of Chicago, and a small sounding was made. In 1965, a more extensive excavation was carried out, again under the direction of Van Loon. Between 1971 and 1974, work on the site was resumed by a team of the French Centre national de la recherche scientifique (CNRS) directed by Jacques Cauvin. All excavations were part of the larger international and eventually UNESCO-coordinated effort to investigate as many archaeological sites as possible in the area that would be flooded by Lake Assad, the reservoir of the Tabqa Dam, which was being built at that time. The filling of Lake Assad eventually led to the flooding of Mureybet in 1976. Although the site is now submerged and no longer accessible, the material that has been retrieved during the excavations continues to generate new research. This material is currently stored at the National Museum of Aleppo and the Institute de Prehistoire Orientale in Jales-Berrias in France.
Passage 2:A Dish With One Spoon, also known as One Dish One Spoon, is a law used by indigenous peoples of the Americas since at least 1142 CE to describe an agreement for sharing hunting territory among two or more nations. People are all eating out of the single dish, that is, all hunting in the shared territory. One spoon signifies that all Peoples sharing the territory are expected to limit the game they take to leave enough for others, and for the continued abundance and viability of the hunting grounds into the future. Sometimes the Indigenous language word is rendered in English as bowl or kettle rather than dish. The Dish With One Spoon phrase is also used to denote the treaty or agreement itself. In particular, a treaty made between the Anishinaabe and Haudenosaunee nations at Montreal in 1701, as part of the Great Peace of Montreal is usually called the Dish With One Spoon treaty and its associated wampum belt the Dish With One Spoon wampum. The treaty territory includes part of the current province of Ontario between the Great Lakes and extending east along the north shore of the St. Lawrence River up to the border with the current province of Quebec. Some claim it also includes parts of the current states of New York and Michigan.
Passage 3:Hayes made his first-class debut for Lancashire against Oxford University in 1980. This was his only appearance for the county that season. The following year, Hayes began his university studies at the University of Oxford, making his first-class cricket debut for Oxford University against Gloucestershire at the University Parks, scoring a half century on debut. He made five first-class appearances for the university in 1981, including The University Match at Lord's Cricket Ground where he made another half century. His List A debut came in this season when he appeared twice for a Combined Universities team in the Benson & Hedges Cup against Somerset and Essex. He also made two further first-class appearances that season for Lancashire, against the touring Sri Lankans and Worcestershire in the County Championship, as well as a single List A appearance for the county in the John Player League against Worcestershire. Ten further first-class appearances for Oxford University followed in 1982, with Hayes scoring what would be his only century for the university against Warwickshire, with a score of 152. In what was his most successful season in first-class cricket in terms of runs, Hayes also made three first-class appearances for Lancashire, with his thirteen first-class matches in that season bringing him a total of 594 runs at an average of 31.26, with a high score of 152. In one-day cricket, Hayes made four appearances for the Combined Universities in the Benson & Hedges Cup, as well as appearing once for Lancashire in the John Player Special League.

Ex Output:
1