Problem: Background: Philippa York (previously known as Robert Millar; born 13 September 1958) is a Scottish journalist and former professional road racing cyclist. York is one of Britain's most successful cyclists of all time. Competing throughout her cycling career as Robert Millar, York won the "King of the Mountains" competition in the 1984 Tour de France and finished fourth overall. York was the first rider from an English speaking country to have won the Mountains classification in the Tour de France.
Context: York was born and raised in Glasgow, Scotland, as Robert Millar. At one time destined for a career as a factory engineer, York attended Shawlands Academy in the south of the city. In 2017, York revealed that she had first felt "different" aged five, but was unaware that this difference came from discomfort with her gender. She initially began riding for Glenmarnock Wheelers cycling club and quickly established herself as a leading amateur road racing rider. As Robert Millar, she was a relatively small man meaning she had comparatively less weight to carry uphill and she excelled as a specialist hill and mountain cyclist. She won the Scottish junior title in 1976 and was Scottish hill-climb champion the following year. In 1978, York established herself on the British scene. She was twenty-first in the Milk Race, and won the British amateur road race championship. She moved to France in 1979 to join the Athletic Club de Boulogne Billancourt (A.C.B.B.), one of Europe's top amateur teams. York was as ever focused and quickly began winning races such the Grand Prix de la Ville de Lillers. This success brought her the admiration of her A.C.B.B. manager Claude Escalon. In 1979, after retaining her British road title, taking fourth place in the world amateur road championship, claiming five wins in France and winning the French 'Best Amateur' Trophy, she turned professional for the Peugeot cycling team, and as a climbing specialist focused on single-day road races and stage races in hilly or mountainous terrain. York was happy to travel abroad and wasn't homesick. As Millar, she married a French woman and lived with her in France.
Question: did Philippa win any other trophies?
Answer: British road title,

Problem: Background: Evita is a musical with music by Andrew Lloyd Webber and lyrics by Tim Rice. It concentrates on the life of Argentine political leader Eva Peron, the second wife of Argentine president Juan Peron. The story follows Evita's early life, rise to power, charity work, and eventual death. The musical began as a rock opera concept album released in 1976.
Context: In Buenos Aires on July 26, 1952, an audience is watching a film ("A Cinema in Buenos Aires, July 26, 1952"). The film is interrupted when news breaks of the death of Eva Peron, Argentina's First Lady, at the age of 33. The nation goes into public mourning as they sing "Requiem for Evita" (in Latin, which is modelled on a Catholic requiem). Che, a member of the public, marvels at the spectacle and promises to show how Eva did "nothing, for years" ("Oh What a Circus"). In 1934, 15-year-old Eva Duarte (later Eva Duarte de Peron) lives in the provincial town of Junin, and longs to seek a better life in Buenos Aires. Eva falls in love with a tango singer, Agustin Magaldi, after she meets him at one of his shows ("On This Night of a Thousand Stars"). Eva persuades Magaldi into taking her with him to Buenos Aires and though he is initially resistant, he eventually accepts ("Eva, Beware of the City"). Upon her arrival at the city, Eva sings about her hopes and ambitions of glory as an actress ("Buenos Aires"). After Magaldi leaves her, and Che relates the story of how Eva goes through several relationships with increasingly influential men, becoming a model, actress and radio personality ("Goodnight and Thank You"). He then tells of both a right-wing coup in 1943 and Eva's success, implying that Argentine politics and Eva's career may soon coincide. Che also makes a point to introduce the figure of Colonel Juan Domingo Peron, an ambitious military colonel who was making his way up the Argentine political ladder ("The Lady's Got Potential"). In a game of musical chairs that represents the rise of political figures, Peron and other military figures compete for power and exhibit their political strategy ("The Art of the Possible"). After the 1944 San Juan earthquake, Peron organises a charity concert at Luna Park to provide aid to the victims. Eva attends and briefly reunites with Magaldi, who spurns her for her past actions. Peron addresses the crowd with words of encouragement and leaps off the stage, meeting Eva as soon as he exits ("Charity Concert"). Eva and Peron share a secret rendezvous following the charity concert, where Eva hints that she could help Peron rise to power ("I'd Be Surprisingly Good For You"). Eva dismisses Peron's Mistress (the character is known only by that title), who ponders the rejection ("Another Suitcase in Another Hall"). After moving in with Peron, Eva is introduced to high society, but she is met with disdain from the upper classes and the Argentine Army ("Peron's Latest Flame"). In 1946, Peron launches his presidential bid after being promoted to general in the army, and while in bed with Eva, he discusses his chances of winning the election. Eva reassures him and soon they organise rallies where the people show their support and hope for a better future, while on the sidelines Peron and his allies plot to dispose of anyone who stands in their way ("A New Argentina").
Question: What was the main actor
Answer:
Che, a member of the public, marvels at the spectacle and promises to show how Eva did "nothing, for years" ("Oh What a Circus").