Problem: During its development, MCA, which co-owned the technology, referred to it as the Optical Videodisc System, "Reflective Optical Videodisc" or "Laser Optical Videodisc", depending on the document; changing the name once in 1969 to Disco-Vision and then again in 1978 to DiscoVision (without the hyphen), which became the official spelling. Technical documents and brochures produced by MCA Disco-Vision during the early and mid-'70s also used the term "Disco-Vision Records" to refer to the pressed discs. MCA owned the rights to the largest catalog of films in the world during this time, and they manufactured and distributed the DiscoVision releases of those films under the "MCA DiscoVision" software and manufacturing label; consumer sale of those titles began on December 15, 1978, with the aforementioned Jaws.
Which company owned the rights to the world's largest collection of films during the 1970s?
The answer is the following: MCA

One wave of the population boom ended abruptly in the mid-1980s, as oil prices fell precipitously. The space industry also suffered in 1986 after the Space Shuttle Challenger disintegrated shortly after launch. There was a cutback in some activities for a period. In the late 1980s, the city's economy suffered from the nationwide recession. After the early 1990s recession, Houston made efforts to diversify its economy by focusing on aerospace and health care/biotechnology, and reduced its dependence on the petroleum industry. Since the increase of oil prices in the 2000s, the petroleum industry has again increased its share of the local economy.
In what year did the space shuttle Challenger explode after launch?
1986

Input: Avicenna
Following al-Farabi's lead, Avicenna initiated a full-fledged inquiry into the question of being, in which he distinguished between essence (Mahiat) and existence (Wujud). He argued that the fact of existence can not be inferred from or accounted for by the essence of existing things, and that form and matter by themselves cannot interact and originate the movement of the universe or the progressive actualization of existing things. Existence must, therefore, be due to an agent-cause that necessitates, imparts, gives, or adds existence to an essence. To do so, the cause must be an existing thing and coexist with its effect.

What two points did he write about?
Output: essence (Mahiat) and existence (Wujud)

Input: Article: In contrast to Catholic allegations of rationalism and naturalism, Protestant objections are more likely to be based on allegations of mysticism, occultism, and even Satanism. Masonic scholar Albert Pike is often quoted (in some cases misquoted) by Protestant anti-Masons as an authority for the position of Masonry on these issues. However, Pike, although undoubtedly learned, was not a spokesman for Freemasonry and was also controversial among Freemasons in general. His writings represented his personal opinion only, and furthermore an opinion grounded in the attitudes and understandings of late 19th century Southern Freemasonry of the USA. Notably, his book carries in the preface a form of disclaimer from his own Grand Lodge. No one voice has ever spoken for the whole of Freemasonry.

Now answer this question: Who do the Protestant anti-Masons believe is the absolute authority on the use of mysticism, Satanism and occultism in Freemasonry?

Output: Albert Pike

Article: It is in this time that the notation of music on a staff and other elements of musical notation began to take shape. This invention made possible the separation of the composition of a piece of music from its transmission; without written music, transmission was oral, and subject to change every time it was transmitted. With a musical score, a work of music could be performed without the composer's presence. The invention of the movable-type printing press in the 15th century had far-reaching consequences on the preservation and transmission of music.

Question: What can a musical scored be performed without?
Ans: the composer's presence

Input: Mosaic
The mosaics of St. Peter's often show lively Baroque compositions based on designs or canvases from like Ciro Ferri, Guido Reni, Domenichino, Carlo Maratta, and many others. Raphael is represented by a mosaic replica of this last painting, the Transfiguration. Many different artists contributed to the 17th- and 18th-century mosaics in St. Peter's, including Giovanni Battista Calandra, Fabio Cristofari (died 1689), and Pietro Paolo Cristofari (died 1743). Works of the Fabbrica were often used as papal gifts.

What was the art of the Fabbrica usually used for?
Output:
papal gifts