In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution is here: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this: Context_1 : Richard III (2 October 1452 22 August 1485) was King of England from 1483 until his death in 1485, at the age of 32, in the Battle of Bosworth Field. He was the last king of the House of York and the last of the Plantagenet dynasty. His defeat at Bosworth Field, the last decisive battle of the Wars of the Roses, marked the end of the Middle Ages in England. He is the subject of the historical play "Richard III" by William Shakespeare. Context_2 : The Ballad of Bosworth Field is a poem in the English language, believed to have been written before 1495; the earliest extant copy dates from the mid-17th century. The poem is thought to have been written by someone closely connected with the Stanley family, because of the way it praises the Stanley brothers for their role in the Battle of Bosworth Field in 1485. Context_3 : Nicholas Gainsford, also written Gaynesford or Gaynesforde, (about 14271498) of Carshalton, Surrey, of an armigerous gentry family established at Crowhurst, was a Justice of the Peace, several times Member of Parliament and High Sheriff of Surrey and Sussex, Constable and Keeper of Odiham Castle and Park, Hampshire, who served in the royal households from around 1461 until his death in 1498. Rising to high office during the reign of Henry VI, he was an Usher to the Chamber of Edward IV and, by 1476, to his queen Elizabeth Woodville. Closely within the sphere of Woodville patronage, he was a favourer of Edward V, and was a leader in the Kentish rising of 1483 against Richard III. He was attainted in 1483, but was soon afterwards pardoned, and fully regained his position and estate as Esquire to Henry VII and Elizabeth of York after the Battle of Bosworth Field. He established the Carshalton branch of the Gainsford family. Context_4 : Sir Hugh Conway was created Lord Treasurer of Ireland in 1494 by King Henry VII of England. He replaced Sir James Ormonde as Lord Treasurer of Ireland. In 1504 he was appointed Treasurer of Calais by Henry VII ( Cal. Pat. Rolls Henry VIII, vol. ii, 365). Hugh Conway was an early supporter of Henry Tudor, Earl of Richmond (later Henry VII), was sent by Margaret Beaufort, Henry's mother to Henry, in exile in France, in 1483 with a large sum of money and encouragement to invade England through Wales and seize the crown from Richard III. Henry did so in 1485 and Richard was killed at the Battle of Bosworth, where Hugh was present. Hugh was appointed Keeper of the Great Wardrobe by King Henry VII on 21 September 1485, was knighted in January 1486 at the coronation of Queen Elizabeth of York, daughter of King Edward IV, and married Elizabeth Courtenay, daughter of Sir Thomas Courtenay, Earl of Devon, in 1490. Sir Hugh Conway was appointed Sheriff of Buckinghamshire and Bedfordshire by Henry VII in 1500. Sir Hugh was a son of John ' Aer Conwy Hen ' of Bodrhyddan Hall and Constable of Rhuddlan Castle, Flintshire, Wales, by his first marriage, and descended from the ancient line of Conway (Conwy = Wales) and de Crevecouer (The Journal Of The Flintshire Historical Society (Appendix D: Conwy Pedigree (British Museum Harleian MS 1971))). Sir Hugh's younger half-brother was Edward Conway who married the heiress of Arrow and Alcester, Warwickshire, and was great-grandfather to Edward Conway, 1st Viscount Conway of Ragley Hall, ancestor of the present family of Seymour Conways, Marquis of Hertford. Context_5 : Ricardians are people interested in altering the posthumous reputation of Richard III, King of England (reigned 14831485). Richard III has long been portrayed unfavourably, most notably in William Shakespeare's play "Richard III", in which Richard is portrayed as having murdered his nephew, the crown prince of England, a 12 year old child at the time, in order to secure the English throne for himself. Ricardians have worked in an effort to turn this around and to paint this portrayal, and the many other related assertions that followed, as most probably false politically motivated accusations. Context_6 : Dominic Mancini was an Italian who visited England in 1482-3. He witnessed the events leading up to Richard III being offered the English crown. He left in 1483 and wrote a report of what he had witnessed. He called it: "De Occupatione Regni Anglie per Riccardum Tercium" ("The Occupation of the Throne of England by Richard III"). The account is a major source of information about the period, but it sat unread in a French library until rediscovered in 1934. Context_7 : The Battle of Bosworth Field (or Battle of Bosworth) was the last significant battle of the Wars of the Roses, the civil war between the Houses of Lancaster and York that raged across England in the latter half of the 15th century. Fought on 22 August 1485, the battle was won by the Lancastrians. Their leader Henry Tudor, Earl of Richmond, by his victory became the first English monarch of the Tudor dynasty. His opponent, Richard III, the last king of the House of York, was killed in the battle. Historians consider Bosworth Field to mark the end of the Plantagenet dynasty, making it a defining moment of English and Welsh history. Context_8 : Sir James Harrington, KB, MP of Hornby (?1430 22 August 1485) was a prominent supporter of the House of York in Northern England during the Wars of the Roses, having been retained by Richard Neville, 5th Earl of Salisbury, who was brother-in-law to the head of the House of York, Richard of York. He was second son of Sir Thomas Harrington, who had died with the king's father at the Battle of Wakefield in December 1460. James himself had fought with Salisbury at the Battle of Blore Heath in 1459, where he had been captured and imprisoned by the Lancastrians until the next year. He was a significant regional figure during the reign of King Edward IV, although the early years of the new king's reign were mared by a bitter feud between him and the Stanley family over a castle in Lancashire. On the accession of King Richard III in 1485, he was appointed to the new king's Household, and as such was almost certainly with him at Battle of Bosworth two years later. It is likely that he fell in battle there, although precise details of his death are now unknown. Context_9 : The Black Adder is the first series of the BBC sitcom "Blackadder", written by Richard Curtis and Rowan Atkinson, directed by Martin Shardlow and produced by John Lloyd. The series was originally aired on BBC One from 15 June 1983 to 20 July 1983, and was a joint production with the Australian Seven Network. Set in 1485 at the end of the British Middle Ages, the series is written as a secret history which contends that King Richard III won the Battle of Bosworth Field, only to be unintentionally assassinated by his nephew Edmund and succeeded by Richard IV, one of the Princes in the Tower. The series follows the exploits of Richard IV's unfavoured second son Edmund (who calls himself "The Black Adder") in his various attempts to increase his standing with his father and, in the final episode, his quest to overthrow him. Context_10 : Sir Thomas Arundell (14541485) was an English nobleman. He was made a Knight of the Bath at the Coronation of Richard III in 1483. Two years later, when Richard III was defeated at the Battle of Bosworth (1485), he was attainted for rebelling against the King. Arundell then gave his support to Henry Tudor in his claim to the throne. His marriage to the heiress, Katherine Dynham, brought great wealth to the Arundell family. She was one of the four sisters and coheirs of John Dynham, 1st Baron Dynham. fact_1 : He called it: "De Occupatione Regni Anglie per Riccardum Tercium" ("The Occupation of the Throne of England by Richard III"). fact_2 : Richard III (2 October 1452 22 August 1485) was King of England from 1483 until his death in 1485, at the age of 32, in the Battle of Bosworth Field. Question: Dominic Mancini, was an Italian who visited England, in 1482-3, he wrote a report, and called it, The Occupation of the Throne of England by Richard III, was a King of England from 1483 until his death in 1485, at the age of what number, in the Battle of Bosworth Field?
Solution:
32