Problem: John Griffith "Jack" London (born John Griffith Chaney; January 12, 1876 - November 22, 1916) was an American novelist, journalist, and social activist. A pioneer in the world of commercial magazine fiction, he was one of the first writers to become a worldwide celebrity and earn a large fortune from writing. He was also an innovator in the genre that would later become known as science fiction.

London was vulnerable to accusations of plagiarism, both because he was such a conspicuous, prolific, and successful writer and because of his methods of working. He wrote in a letter to Elwyn Hoffman, "expression, you see--with me--is far easier than invention." He purchased plots and novels from the young Sinclair Lewis and used incidents from newspaper clippings as writing material. In July 1901, two pieces of fiction appeared within the same month: London's "Moon-Face", in the San Francisco Argonaut, and Frank Norris' "The Passing of Cock-eye Blacklock", in Century Magazine. Newspapers showed the similarities between the stories, which London said were "quite different in manner of treatment, [but] patently the same in foundation and motive." London explained both writers based their stories on the same newspaper account. A year later, it was discovered that Charles Forrest McLean had published a fictional story also based on the same incident. Egerton Ryerson Young claimed The Call of the Wild (1903) was taken from Young's book My Dogs in the Northland (1902). London acknowledged using it as a source and claimed to have written a letter to Young thanking him. In 1906, the New York World published "deadly parallel" columns showing eighteen passages from London's short story "Love of Life" side by side with similar passages from a nonfiction article by Augustus Biddle and J. K Macdonald, titled "Lost in the Land of the Midnight Sun". London noted the World did not accuse him of "plagiarism", but only of "identity of time and situation", to which he defiantly "pled guilty". The most serious charge of plagiarism was based on London's "The Bishop's Vision", Chapter 7 of his novel The Iron Heel (1908). The chapter is nearly identical to an ironic essay that Frank Harris published in 1901, titled "The Bishop of London and Public Morality". Harris was incensed and suggested he should receive 1/60th of the royalties from The Iron Heel, the disputed material constituting about that fraction of the whole novel. London insisted he had clipped a reprint of the article, which had appeared in an American newspaper, and believed it to be a genuine speech delivered by the Bishop of London.

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Answer with quotes: In 1906, the New York World published "deadly parallel" columns showing eighteen passages from London's short story "Love of Life" side by side with similar passages from a nonfiction article

Background: Carrie Amelia Nation (forename sometimes spelled Carry; November 25, 1846 - June 9, 1911) was an American woman who was a radical member of the temperance movement, which opposed alcohol before the advent of Prohibition. She is particularly noteworthy for attacking alcohol-serving establishments (most often taverns) with a hatchet. Nation also had concerns about tight clothing for women. In fact, she refused to wear a corset and urged women not to wear them because of their harmful effects on vital organs.
Context: Nation continued her destructive ways in Kansas, her fame spreading through her growing arrest record. After she led a raid in Wichita, Kansas, her husband joked that she should use a hatchet next time for maximum damage. Nation replied, "That is the most sensible thing you have said since I married you." The couple divorced in 1901; they had no children. Between 1902-06 she lived in Guthrie, Oklahoma. Alone or accompanied by hymn-singing women, she would march into a bar and sing and pray while smashing bar fixtures and stock with a hatchet. Her actions often did not include other people, just herself. Between 1900 and 1910, she was arrested some 30 times for "hatchetations", as she came to call them. Nation paid her jail fines from lecture-tour fees and sales of souvenir hatchets. In April 1901, Nation went to Kansas City, Missouri, a city known for its wide opposition to the temperance movement, and smashed liquor in various bars on 12th Street in downtown Kansas City. She was arrested, hauled into court and fined $500 ($13,400 in 2011 dollars), although the judge suspended the fine so long as Nation never returned to Kansas City. She would be arrested over 32 times--one report is that she was placed in the Washington DC poorhouse for three days for refusing to pay a $35 fine. Nation also conducted women's rights marches in Topeka, Kansas. She led hundreds of women that were part of the Home Defender's Army to march in opposition to saloons. In Amarillo, Texas, Nation received a strong response, as she was sponsored by the noted surveyor W.D. Twichell, an active Methodist layman.
Question: What happened to her
Answer: Nation continued her destructive ways in Kansas, her fame spreading through her growing arrest record.

Question:
James Lawrence Levine (; born June 23, 1943) is an American conductor and pianist. He is primarily known for his tenure as Music Director of the Metropolitan Opera (the "Met"), a position he held for 40 years (1976-2016). He was formally terminated by the Met from all his positions and affiliations with the company on March 12, 2018 over sexual misconduct allegations which he denies.
Levine made his Metropolitan Opera (the "Met") debut at age 28 on June 5, 1971, leading a June Festival performance of Tosca. Following further appearances with the company, he was named principal conductor of the Metropolitan Opera in February 1972. He became the Met's principal conductor in 1973, and its Music Director in 1975. In 1983, he served as conductor and musical director for the Franco Zeffirelli screen adaptation of La Traviata, which featured the Met orchestra and chorus members. He became the company's first artistic director in 1986, and relinquished the title in 2004. In 2005, Levine's combined salary from the Boston Symphony Orchestra and the Met made him the highest-paid conductor in the country, at $3.5 million. During Levine's tenure, the Metropolitan Opera orchestra expanded its activities into the realms of recording, and separate concert series for the orchestra and chamber ensembles from The Met Orchestra at Carnegie Hall. Levine led the Metropolitan Opera on many domestic and international tours. For the 25th anniversary of his Met debut, Levine conducted the world premiere of John Harbison's The Great Gatsby, commissioned especially to mark the occasion. On his appointment as general manager of the Met, Peter Gelb emphasized that Levine was welcome to remain as long as he wanted to direct music there. Levine was paid $2.1 million by the Met in 2010. Following a series of injuries that began with a fall (see below), Levine's subsequent health problems led to his withdrawal from many Metropolitan Opera conducting engagements. Following a May 2011 performance of Die Walkure, Levine formally withdrew from all conducting engagements at the Met. After two years of physical therapy, Levine returned to conducting with a May 2013 concert with the Metropolitan Opera Orchestra at Carnegie Hall. On September 25, 2013, Levine conducted his first Met performance since May 2011, in a revival production of Cosi fan tutte. Levine was scheduled to conduct three productions at the opera house and three concerts at Carnegie Hall in the 2013-14 season. On April 14, 2016, Met management announced that Levine would step down from his position as Music Director at the end of the 2015-16 season. Levine was paid $1.8 million by the Met for the 2015/16 season. He assumed the new title of Music Director Emeritus, which he held until December 2017, when in the wake of allegations that Levine had sexually abused four young men, the Met suspended its relationship with him and cancelled all his future scheduled performances with the company.
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what was he known for?

Answer:
He became the Met's principal conductor in 1973, and its Music Director in 1975. In 1983, he served as conductor and musical director