Input: Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.

Does the response "German humanist" correctly answer the question "What are three mediums that he is known for?"?

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Output: no

The opening shot of the movie shows Kunti praying for Lord Krishna's protection for the Pandavas . Lord Krishna consoles Kunti and promises to ever protect the Pandavas and guide them through troubles and problems that may occur in life . The sons of Pandu and Dhritarashtra progeny break into an argument . When Duryodhana insults the Pandavas as '' dependents '' , Bheema counters by saying that , the Kauravas are the progeny of a widow . Duryodhana asks Veda Vyasa for an explanation . He is then told that , since his mother , Gandhari had an astrological defect , she is first married of to a goat and then married to his father . Duryodhana gains animosity towards the kingdom of Gandhara where the king , the father of his mother Gandhari , rules . He attacks Gandhara and lays waste of the whole kingdom . He them imprisons the royal family in his prison . He gives them only one rice grain per prisoner . The king of Gandhara then stops everyone from grabbing the little food that is provided . He says that instead of everyone dying , they could keep at least one of their princes alive . He chooses Sakuni to be alive . Sakuni takes an oath that he will do everything he can to destroy the entire Kaurava clan . He makes magic dice from his father's spinal cord . The magic dice show exactly the number that he would want . Duryodhana takes pity on the lone prisoner , Sakuni after the rest of the Gandhara royal family dies in prison out of starvation . Sakuni joins the evil of coterie of Duryodhana , Karna and Dushyasana .

Question: "Who makes dice from his father's spinal cord, and do they roll the right number?"

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Answer: "Bheema"

Response: no

After the 1998 embassy bombings, the U.S. government tried to develop a clearer picture of Bin Laden's finances. A U.S. interagency group traveled to Saudi Arabia twice, in 1999 and 2000, to get information from the Saudis about their understanding of those finances. The group eventually concluded that the oft-repeated assertion that Bin Laden was funding al Qaeda from his personal fortune was in fact not true. The officials developed a new theory: al Qaeda was getting its money elsewhere, and the United States needed to focus on other sources of funding, such as charities, wealthy donors, and financial facilitators. Ultimately, although the intelligence community devoted more resources to the issue and produced somewhat more intelligence, it remained difficult to distinguish al Qaeda's financial transactions among the vast sums moving in the international financial system. The CIA was not able to find or disrupt al Qaeda's money flows. The NSC staff thought that one possible solution to these weaknesses in the intelligence community was to create an all-source terrorist-financing intelligence analysis center. Clarke pushed for the funding of such a center at Treasury, but neither Treasury nor the CIA was willing to commit the resources. Within the United States, various FBI field offices gathered intelligence on organizations suspected of raising funds for al Qaeda or other terrorist groups. By 9/11, FBI agents understood that there were extremist organizations operating within the United States supporting a global jihadist movement and with substantial connections to al Qaeda. The FBI operated a web of informants, conducted electronic surveillance, and had opened significant investigations in a number of field offices, including New York, Chicago, Detroit, San Diego, and Minneapolis. On a national level, however, the FBI never used the information to gain a systematic or strategic understanding of the nature and extent of al Qaeda fundraising. Treasury regulators, as well as U.S. financial institutions, were generally focused on finding and deterring or disrupting the vast flows of U.S. currency generated by drug trafficking and high-level international fraud. Large-scale scandals, such as the use of the Bank of New York by Russian money launderers to move millions of dollars out of Russia, captured the attention of the Department of the Treasury and of Congress. Before 9/11, Treasury did not consider terrorist financing important enough to mention in its national strategy for money laundering.

Question: "What types of activities did the Treasury Department focus on while missing the boat on terrorist funding?"

Response: "Drug trafficing, international fraud and Russian money laundering"
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A: yes

Grim disappeared upstairs himself, and returned about ten minutes later in the uniform of a Shereefian officer--that is to say, of Emir Feisul's Syrian army. Nothing could be smarter, not anything better calculated to disguise a man. Disguise, as any actor or detective can tell you, is not so much a matter of make- up as suggestion. It is little mannerisms--unstudied habits that identify. The suggestion that you are some one else is the thing to strive for, not the concealment of who you really are. Grim's skin had been sun-tanned in the Arab campaign under Lawrence against the Turks. The Shereefian helmet is a compromise between the East and West, having a strip of cloth hanging down behind it as far as the shoulders and covering the ears on either side, to take the place of the Arab head-dress. The khaki uniform had just enough of Oriental touch about it to distinguish it from that of a British officer. No man inexperienced in disguise would dream of choosing it; for the simple reason that it would not seem to him disguise enough. Yet Grim now looked so exactly like somebody else that it was hard to believe he was the same man who had been in the room ten minutes before. His mimicry of the Syrian military walk--blended of pride and desire not to seem proud--was perfect.

Question: "When Grim disappeared upstairs for 10 minutes, who did he come down disguised as?"

Response: "Shereefian officer"
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A:
yes