Read the following paragraph and extract the answer for the question: What is the full name of the person who was six years old when his mother died of tuberculosis? According to the Dictionary of American Hymnology "Amazing Grace" is John Newton's spiritual autobiography in verse.In 1725, Newton was born in Wapping, a district in London near the Thames. His father was a shipping merchant who was brought up as a Catholic but had Protestant sympathies, and his mother was a devout Independent unaffiliated with the Anglican Church. She had intended Newton to become a clergyman, but she died of tuberculosis when he was six years old. For the next few years, Newton was raised by his emotionally distant stepmother while his father was at sea, and spent some time at a boarding school where he was mistreated. At the age of eleven, he joined his father on a ship as an apprentice; his seagoing career would be marked by headstrong disobedience. As a youth, Newton began a pattern of coming very close to death, examining his relationship with God, then relapsing into bad habits. As a sailor, he denounced his faith after being influenced by a shipmate who discussed Characteristics of Men, Manners, Opinions, Times, a book by the Third Earl of Shaftesbury, with him. In a series of letters he later wrote, "Like an unwary sailor who quits his port just before a rising storm, I renounced the hopes and comforts of the Gospel at the very time when every other comfort was about to fail me." His disobedience caused him to be pressed into the Royal Navy, and he took advantage of opportunities to overstay his leave and finally deserted to visit Mary "Polly" Catlett, a family friend with whom he had fallen in love. After enduring humiliation for deserting, he managed to get himself traded to a slave ship where he began a career in slave trading.
----
Answer: John Newton
Q: Read the following paragraph and extract the answer for the question: What is the full name of the person who talks about a new law enforcing the eviction of alcohol with Big Jim? The story is of the rise and fall of the Chicago gangster Al Capone and the control he exhibited over the city during the prohibition years. On the evening of May 6, 1918, in Brooklyn, two police officers intercept a fur heist in an alleyway. Capone had tipped off the heist so that he could ambush the cops on arrival. As the officers arrest the men, Capone violently attacks them, and this results in a fight which ends when they throw Capone through a window, resulting in Capone having several scars on the left side of his face. The cops arrest Capone, but before they can interrogate him any further, the Police Lieutenant stops them and lets him loose. As he walks out of the station, Capone is picked up by Solly, an enforcer for racketeers Johnny Torrio and Frankie Yale. It is revealed that the two men in the fur heist were working for Johnny and Yale, and they decide to put Capone on Johnny's payroll. A year later, on September 23, 1919, Johnny talks with his boss Big Jim Colosimo about Prohibition - a new law enforcing the eviction of alcohol. Johnny wants Big Jim to invest millions in bootlegging, but Colosimo declines. Johnny calls up Frankie and tells him to send Capone to Chicago. Johnny introduces Capone to co-workers, including Iris Crawford (Blakely). Johnny, despite his affection for his boss, is infuriated that he won't listen to his ideas, and so appoints Capone to murder Colosimo. The next morning, as Colosimo enters his restaurant and tries to call someone, Capone sneaks in and unloads a gun into the back of Colosimo's neck before watching him die.
A: Johnny Torrio
Question: Read the following paragraph and extract the answer for the question: What is the full name of the place built to grind corn? The newest bridge across the Parrett is Cocklemoor Bridge, a pedestrian footbridge close to the Great Bow Bridge. It was erected in 2006 and forms part of the River Parrett Trail. The next bridge upstream is Bicknell's bridge, which was formerly known as Bickling bridge, which carries the road from Huish Episcopi to Muchelney. It replaced a footbridge in 1829 or 1830. At Muchelney the Westover Bridge carries a minor road over the river, and another minor road crosses on the Thorney Bridge close to the Thorney (or silent) Mill and a lock. The mill, with an iron overshot wheel, was built to grind corn in 1823. Another bridge and mill occur further upstream at Gawbridge west of Martock, where the mill has been the subject of a feasibility study by the South Somerset Hydropower Group. Carey's Mill Bridge was built of Ham stone in the 18th century and named after Carey's Mill, which originally occupied the site. It is surrounded by a collection of buildings known as the Parrett Iron Works, founded in 1855 on the site of a former snuff mill, which included a foundry, with a prominent chimney, ropewalk, workshops and several smaller workshops and cottages. The sluice which powered the waterwheel and sluice keeper's cottage still exist. Further south the river flows under the A303 near Norton-sub-Hamdon and the A356 near Chedington.
Answer: Thorney (or silent) Mill
Read the following paragraph and extract the answer for the question: What is the first name of the subject whose monumental stature reflects a tradition reaching back to an Italo-Byzantine type? Van Eyck gives Mary three roles: Mother of Christ, the personification of the "Ecclesia Triumphans" and Queen of Heaven, the latter apparent from her jewel-studded crown. The painting's near miniature size contrasts with Mary's unrealistically large stature compared with her setting. She physically dominates the cathedral; her head is almost level with the approximately sixty feet high gallery. This distortion of scale is found in a number of other van Eyck's Madonna paintings, where the arches of the mostly gothic interior do not allow headroom for the virgin. Pacht describes the interior as a "throne room", which envelopes her as if a "carrying case". Her monumental stature reflects a tradition reaching back to an Italo-Byzantine type perhaps best known through Giotto's Ognissanti Madonna (c. 1310) and emphasises her identification with the cathedral itself. Till-Holger Borchert says that van Eyck did not paint her as "the Madonna in a church", but instead as metaphor, presenting Mary "as the Church". This idea that her size represents her embodiment as the church was first suggested by Erwin Panofsky in 1941. Art historians in the 19th century, who thought the work was executed early in van Eyck's career, attributed her scale as the mistake of a relatively immature painter.The composition is today seen as deliberate, and opposite to both his Madonna of Chancellor Rolin and Arnolfini Portrait. These works show interiors seemingly too small to contain the figures, a device van Eyck used to create and emphasise an intimate space shared by donor and saint. The Virgin's height recalls his Annunciation of 143436, although in that composition there are no architectural fittings to give a clear scale to the building. Perhaps reflecting the view of a "relatively immature painter", a copy of the Annunciation by Joos van Cleve shows Mary at a more realistic proportion scale to her surroundings.Mary is presented as a Marian apparition; in this case she probably appears before a donor, who would have been kneeling...
----
Answer:
Mary