input question: Select the correct sentiment of the following review: "GI Samurai" sees Sonny Chiba and some other guys get transported back to civil war stricken feudal Japan for no particular reason, and much carnage ensues. It's a rather over the top essay of sword vs. machine gun that ultimately yields some interesting results.

The plot essentially runs along the rails that you might expect from the title; initial fish-out-the-water antics ("what is this flying metal box?" etc etc), "aren't we better off here" discussions and ultimately a huge battle. The latter is proof that the film doesn't take itself seriously at all, the carnage taking up most of the second half as samurai army battles Chiba's platoon; a face off one would fully expect from the title but it still manages to overwhelm with its inventiveness and extravagance. It's certainly one of the most unique battle sequences of its time and doesn't drag despite its extended length.

Chiba gives a gruff performance as Iba, initially a good leader but someone who finally finds himself questioning his own morals as the situation slowly has an effect on him. This is certainly one of his better vehicles from his terrific CV. By the final act the two worlds have had such an effect on each other you have to wonder if it was a bit of nihilism on the part of the writers, as they seem to be asking "weren't we better off back then?'. But this is maybe reading a bit much into was can generally be described as a hugely entertaining two hours of (almost) non stop action.
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output answer: positive

input question: Select the correct sentiment of the following review: What more could anyone want? He's a history lesson, foreign language tutor, NRA representative and ambassador to Burundi dressed in a nice silk frock and heels. I laughed so hard I left a puddle. His woes about puberty, transvestism, public school, and done in several languages made the absolute finest stand-up routine I have ever seen. I think about it now, years later when I see cake (tea and cake or death) and hear something translated into French (the mouse is under the table, the cat is on the chair and the monkey is on the branch. I like his versions of what Jerry Dorsey could have been named before he settled on Englebert Humperdinck. I really hope to see a lot more from this wonderful guy. He has a lot to teach us, and a wonderful way of telling it. Thanks for your time.
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output answer: positive

input question: Select the correct sentiment of the following review: Manoj Agrawal after the failure of PARDESI BABU(1998) returned with this film

The film has Govinda in 8-9 roles, as his father, mother, grandfather, sister and later-on he also has disguises

He in short is a useless detective send on a case by his friend to get proofs against his wife, whose photos he looses at the airport while flirting with Rani

He disguises as a Sardarji in the plane and again as a girl The funny part is how easily and in short time he does that?

Then he disguises as a french singer and enters a TV to get proofs lol and then as a maharashtrian(yes inside the TV itself)

The rest of the film has the same mistaken identities and ends on a predictable note There are some funny scenes like Govinda being bashed by an African and also many other portions

Direction by Manoj Agrawal is okay Music is okay

Amongst actors Govinda again proves he is one of the most watchable actors He as usual is fantastic though he has done such roles before he fits in all the get ups and roles too well here again though the much hyped 6-7 roles don't actually fit in the film Rani looks fat, teams up well with Govinda thatz it She is nothing great and kept doing such type of roles Amongst rest Nirmal Pandey is as usual Johny Lever is too loud at times and funny in places in 1 role and irritates as the older Tinnu Anand is okay Satish Kaushik is hilarious, Paresh is okay Tanaaz is okay
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output answer:
negative