Background: Blood, Sweat & Tears (also known as "BS&T") is a jazz-rock American music group. They are noted for their combination of brass and rock band instrumentation. The group recorded songs by rock/folk songwriters such as Laura Nyro, James Taylor, the Band and the Rolling Stones as well as Billie Holiday and Erik Satie. They also incorporated music from Thelonious Monk and Sergei Prokofiev into their arrangements.
Context: Al Kooper, Jim Fielder, Fred Lipsius, Randy Brecker, Jerry Weiss, Dick Halligan, Steve Katz and Bobby Colomby formed the original band. The creation of the group was inspired by the "brass-rock" ideas of the Buckinghams and its producer, James William Guercio, as well as the early 1960s Roulette-era Maynard Ferguson Orchestra (according to Kooper's autobiography). Al Kooper was the group's initial bandleader, having insisted on that position based on his experiences with the Blues Project, his previous band with Steve Katz, which had been organized as an egalitarian collective. Jim Fielder was from Frank Zappa's the Mothers of Invention and had played briefly with Buffalo Springfield. Kooper's fame as a high-profile contributor to various historic sessions of Bob Dylan, Jimi Hendrix and others was a catalyst for the prominent debut of Blood, Sweat & Tears in the musical counterculture of the mid-sixties. Kooper, Colomby, Katz and Fielder did a few shows as a quartet at the Cafe Au Go Go in New York City in September 1967, opening for Moby Grape. Fred Lipsius then joined the others two months later. A few more shows were played as a quintet, including one at the Fillmore East in New York. Lipsius then recruited the other three, Dick Halligan, Randy Brecker and Jerry Weiss, who were New York jazz horn players Lipsius knew. The final lineup debuted at the Cafe Au Go Go on November 17-19, 1967, then moved over to play The Scene the following week. The band was a hit with the audience, who liked the innovative fusion of jazz with acid rock and psychedelia. After signing to Columbia Records, the group released Child Is Father to the Man. The album cover was considered quite innovative showing the band members sitting and standing with child-sized versions of themselves. The album slowly picked up in sales despite growing artistic differences among the founding members which resulted in several personnel changes for the second album. Colomby and Katz wanted to move Kooper exclusively to keyboard and composing duties, while hiring a stronger vocalist for the group, causing Kooper's departure in April 1968. He became a record producer for the Columbia label, but not before arranging some songs that would be on the next BS&T album. The group's trumpeters, Randy Brecker and Jerry Weiss, also left and were replaced by Lew Soloff and Chuck Winfield. Brecker joined Horace Silver's band with his brother Michael, and together they eventually formed their own horn-dominated musical outfits, Dreams and The Brecker Brothers. Jerry Weiss went on to start the similarly-styled group Ambergris.
Question: What song did Al Kooper make?
Answer: Child Is Father to the Man.

Background: Xenomania is an English songwriting and production team founded by Brian Higgins and based in Kent, England. Formed after Higgins met Miranda Cooper, Xenomania has written and produced for renowned artists such as Cher, Kylie Minogue, Dannii Minogue, Sophie Ellis-Bextor, Pet Shop Boys, The Saturdays and the Sugababes. In particular, all but one of Girls Aloud's studio albums have been entirely written and produced by Xenomania. Sugababes' "Round Round" and Girls Aloud's "Sound of the Underground" have been credited with reshaping British pop music for the 2000s.
Context: Higgins and Xenomania were once again given free rein for Girls Aloud's third album, Chemistry. The album's second single, "Biology", was critically acclaimed, being called "the best pop single of the last decade". Despite the group's near total obscurity in the United States, the song was listed at number 245 on Pitchfork Media's "The Top 500 Tracks of the 2000s" list. It was also listed at number 23 on The Observer Music Monthly's 75 best singles of the decade. Chemistry was praised by critics upon its release. BBC Music decided that the album was "quirky, modern and dripping with attitude" and "holds no disappointments." Virgin Media gave the album five stars, saying it was "bursting [...] with invention, quirky lyrics, tongue-in-cheek sauciness and [...] appeals to grown-up pop fans and music critics as well as to the teenyboppers." In 2008, Slant Magazine said that "Chemistry is probably still their crowning glory". Xenomania worked with other British artists such as Bananarama, Texas, and Rachel Stevens. They contributed tracks to Stevens' album Come and Get It, a commercial failure that The Guardian listed among its "1000 Albums to Hear Before You Die" and hailed as "a riot, thanks to a stellar team of pop producers [...] who seem to have taken the precarious state of Stevens' career as an excuse to let their imaginations run amok". Xenomania continued their work with both Saint Etienne and Sugababes, producing the latter's UK top five single "Red Dress" (from the 2005 album Taller in More Ways), described by The Observer as "a thumping tour de force from Xenomania [...] Not unexpectedly, it flirts vivaciously with pop songwriting convention, boasting not one but two killer choruses". Xenomania also produced Totally Frank stars Frank's 2006 debut album; the group was dropped after their album failed to perform well. In 2006, Girls Aloud released their first greatest hits collection, The Sound of Girls Aloud, which featured their singles to date--all produced by Xenomania--including the new track "Something Kinda Ooooh". The song was referred to as "another head-spinningly innovative number from the Xenomania team." The Sound of Girls Aloud has been recognised by the IFPI as a million-seller. Their fourth studio album, 2007's Tangled Up, was labelled "yet another unrelenting pop masterpiece." The Times included it at number 62 on a list of the decade's best pop albums. The single "Call the Shots" was critically acclaimed, with pop music journalist Peter Robinson calling it the "greatest pop song of the 21st century." Xenomania also worked with Alesha Dixon (on the single "Knockdown"), Sophie Ellis-Bextor, and produced two songs for Sugababes' fifth studio album, Change.
Question: did they make any other music?
Answer:
Xenomania were once again given free rein for Girls Aloud's third album,