Please answer this: Question: "Besides the playback system how were acoustic limitations negatively affected?" Context: "Delicate sounds and fine overtones were mostly lost, because it took a lot of sound energy to vibrate the recording horn diaphragm and cutting mechanism. There were acoustic limitations due to mechanical resonances in both the recording and playback system. Some pictures of acoustic recording sessions show horns wrapped with tape to help mute these resonances. Even an acoustic recording played back electrically on modern equipment sounds like it was recorded through a horn, notwithstanding a reduction in distortion because of the modern playback. Toward the end of the acoustic era, there were many fine examples of recordings made with horns." Answer:
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Answer: recording

Please answer this: Question: "What type of government was France in 1683" Context: "Strasbourg, well known as centre of humanism, has a long history of excellence in higher-education, at the crossroads of French and German intellectual traditions. Although Strasbourg had been annexed by the Kingdom of France in 1683, it still remained connected to the German-speaking intellectual world throughout the 18th century and the university attracted numerous students from the Holy Roman Empire, including Goethe, Metternich and Montgelas, who studied law in Strasbourg, among the most prominent. Nowadays, Strasbourg is known to offer among the best university courses in France, after Paris." Answer:
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Answer: Kingdom

Please answer this: Question: "What have professionals in translators usually done in terms of the practice of this field?" Context: "Despite occasional theoretical diversity, the actual practice of translation has hardly changed since antiquity. Except for some extreme metaphrasers in the early Christian period and the Middle Ages, and adapters in various periods (especially pre-Classical Rome, and the 18th century), translators have generally shown prudent flexibility in seeking equivalents "literal" where possible, paraphrastic where necessary for the original meaning and other crucial "values" (e.g., style, verse form, concordance with musical accompaniment or, in films, with speech articulatory movements) as determined from context." Answer:
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Answer:
translators have generally shown prudent flexibility in seeking equivalents "literal" where possible, paraphrastic where necessary for the original meaning and other crucial "values" (e.g., style, verse form, concordance with musical accompaniment or, in films, with speech articulatory movements) as determined from context