In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
A: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : Club Foot was a large live-music venue in Austin, Texas, in the early 1980s. Located downtown at the corner of 4th and Brazos Streets, it had a reputation as a punk rock venue for its support of local and touring punk bands, but it also booked a wide variety of other types of music. Context_2 : Saint Vitus is a bar and music venue located in the Greenpoint neighborhood of Brooklyn, New York. Opened in April 2011, the 2500 sqft venue is known for its heavy metal atmosphere. Some notable metal bands that have played there include Pentagram and Black Anvil. In April 2014, the surviving members of Nirvana performed at Saint Vitus with Joan Jett and Kim Gordon. Pitchfork writer Brandon Stosuy has also booked bands at the venue, such as Converge, Iceage, and Deafheaven. Context_3 : Slowdown is an entertainment venue located at 729 North 14 Street in NoDo, a new development near the Near North Side neighborhood in Omaha, Nebraska. A combination of a live music venue, shops, restaurants and apartments, the venue was developed by Saddle Creek Records as a direct competitor to the Sokol Auditorium in Little Bohemia. Slowdown is said to be "unlike anything in Omaha - or the Midwest" because of its comprehensive, mixed-use design. The venue is named after the group Slowdown Virginia (later renamed Cursive (band)), who have had a strong influence on "The Omaha Sound". Slowdown has shows 3 to 4 nights per week as well as a weekly pub quiz. The venue is open one hour before the event and stays open until around 2am, often offering a post-show Happy Hour. Slowdown's shows are usually all ages unless otherwise specified, but on nights there is not an event the venue functions as a bar. Slowdown is a place full of, "Rock shows, socializing, dancing, going to the bathroom, sitting, standing, walking, pool, video games, board games, some light reading, etc." Context_4 : Saint Vitus is an American heavy metal band formed in Los Angeles in 1979. They are one of the first doom metal bands, alongside Pentagram, Witchfinder General, Trouble and Pagan Altar. Having released eight studio albums to date, Saint Vitus never achieved a popular breakthrough, but have exerted great influence on the development of doom metal, sludge metal, and stoner rock. Context_5 : The Living Room was a music venue on Metropolitan Avenue in the Williamsburg neighborhood of Brooklyn, which was originally established on Stanton Street of the Lower East Side in New York City in New York City in 1988. The Living Room was co-owned by Steve Rosenthal and Jennifer Gilson. The Living Room has showcased some of the best of New York City's singer/songwriter, alt-country, and rock. It moved to Brooklyn in 2015 before closing down in December of the same year. This music venue has been called "an incubator of talent," and has been described as "a much mellower and tidier successor to CBGB." Some considered The Living Room as The Bottom Line of the "small bankroll" live rock venues. Other comparable venues include The Saint in Asbury Park, New Jersey, and The Cellar Door in Georgetown, Washington, D.C.. The Living Room's line up featured four or five singer-songwriters a night, yet the club did not typically charge a cover. It did have a one drink minimum and a recommended $5 donation for the bands. Context_6 : The Empty Bottle is a bar and music venue located at 1035 N. Western Avenue in Chicago, Illinois. Located in Chicago's Ukrainian Village neighborhood, this has been one of the many venues for Chicago's alternative music scene. This venue hosts a variety of forms of music, ranging from indie-rock, punk, metal, rock'n'roll, hip-hop, electronic, experimental and jazz. This venue opened by Bruce Finkelman in 1992 was originally a simple neighborhood bar. In 1993 the club moved to its current location, two blocks from its original location. The venue also owns a connected restaurant next door called Bite Cafe. Context_7 : The Newtown Creek Wastewater Treatment Plant is the largest sewage treatment facility operated by the New York City Department of Environmental Protection. Since 2010, its eight metallic "digester eggs," which are 140 feet (42 meters) tall and dramatically illuminated with blue light at night, have made it a local landmark, particularly to motorists on several nearby roadways in the New York City boroughs of Brooklyn, Queens, and Manhattan. It is located on the Newtown Creek in Brooklyn's Greenpoint neighborhood along Greenpoint Avenue. Context_8 : Palmer's Bar is a dive bar and music venue located in the Cedar-Riverside neighborhood of Minneapolis, Minnesota. Known for its strong drinks, the bar serves as a live music venue at night. Context_9 : Iceage is a Danish punk rock band from Copenhagen. They were formed in 2008, when the members of the band averaged 17 years old. They signed to Tambourhinoceros in Denmark and Dais Records in the United States. They were then picked up by What's Your Rupture? Records for international release, and their debut album "New Brigade" was released in January 2011 in Denmark and on June 21, 2011, in the US. Context_10 : WNYC Transmitter Park is a 6.61-acre public park located where Greenpoint Avenue dead-ends by the East River shoreline, in the Greenpoint neighborhood of Brooklyn, New York. The site was acquired by the public radio station WNYC in 1935 as the site of twin antennae used for broadcasting. From 1937 to 1990, the city-operated station broadcast its AM signal from this location. Following the adoption of antennae in Kearny, New Jersey and atop the World Trade Center, the Greenpoint property sat unused. Ground was broken for WNYC Transmitter Park in August 2010, followed by four years of construction. fact_1 : Pitchfork writer Brandon Stosuy has also booked bands at the venue, such as Converge, Iceage, and Deafheaven. fact_2 : Iceage is a Danish punk rock band from Copenhagen. Answer: Iceage
A:
Saint Vitus is a bar and music venue located in the Greenpoint neighborhood of Brooklyn, New York, pitchfork writer Brandon Stosuy has also booked bands at the venue, such as which Danish punk rock band from Copenhagen?