Background: Graeme Obree (born 11 September 1965), nicknamed The Flying Scotsman, is a Scottish racing cyclist who twice broke the world hour record, in July 1993 and April 1994, and was the individual pursuit world champion in 1993 and 1995. He was known for his unusual riding positions and for the Old Faithful bicycle he built which included parts from a washing machine. He joined a professional team in France but was fired before his first race. Obree has created some radical innovations in bicycle design and cycling position but has had problems with the cycling authorities banning the riding positions his designs required.
Context: Obree had built frames for his bike shop and made another for his record attempt. Instead of traditional dropped handlebars it had straight bars like those of a mountain bike. He placed them closer to the saddle than usual and rode with the bars under his chest, his elbows bent and tucked into his sides like those of a skier. Watching a washing machine spin at 1,200rpm led him to take the bearings, which he assumed must be of superior quality, and fit them to his bike. Obree later regretted admitting to the bearings experiment, because journalists referred to that before his achievements and other innovations. Obree called his bike "Old Faithful". It has a narrow bottom bracket, around which the cranks revolve, to bring his legs closer together, as he thought this is the "natural" position. As shown in the film, he thought a tread of "one banana" would be ideal. The bike has no top tube, so that his knees did not hit the frame. The chainstays are not horizontal to the ground. Thus the cranks can pass with a narrow bottom bracket. The fork had only one blade, carefully shaped to be as narrow as possible. A French writer who tried it said the narrow handlebars made it hard to accelerate the machine in a straight line but, once it was at speed, he could hold the bars and get into Obree's tucked style. At a high enough speed, [I could] tuck in my arms. And, above all, get in a very forward position on the bike, on the peak of the saddle. The Obree position isn't advantageous simply aerodynamically, it also allows, by pushing the point of pedalling towards the rear, to benefit from greater pressure while remaining in the saddle. You soon get an impression of speed, all the greater because you've got practically nothing [deux fois rien] between your hands. Two other things I noticed after a few hundred metres: I certainly didn't have the impression of turning 53 x 13, and the Obree position is no obstruction to breathing. But I wasn't pedalling at 55kmh, 100 turns of the pedals a minute, yet my arms already hurt.
Question: What other features does his bike have?
Answer: It has a narrow bottom bracket, around which the cranks revolve, to bring his legs closer together,

Background: John David Jackson (born November 18, 1977), better known by his stage name Fabolous, is an American rapper,hip hop recording artist from Brooklyn, New York City. Jackson's career began when he was a senior in high school and ended up rapping live on American record producer and music executive DJ Clue's radio show, then on Hot 97. Jackson was subsequently signed by DJ Clue to his label Desert Storm, and later secured a distribution deal with Elektra Records. Fabolous' first release, Ghetto Fabolous (2001), spawned the hit singles "Can't Deny It" and "Young'n (Holla Back)", which led Jackson to prominence.
Context: Fabolous released his debut album, Ghetto Fabolous, on September 11, 2001. It debuted at number four on the Billboard 200, selling over 140,000 copies in its first week. The album's first single, "Can't Deny It", was produced by Rick Rock and features a chorus by Nate Dogg interpolating Tupac Shakur's song "Ambitionz Az a Ridah". It charted on the US Billboard Hot 100 chart, along with two of the subsequent singles. The other charting singles were "Young'n (Holla Back)", which was produced by The Neptunes and "Trade It All", which features vocals from Jagged Edge and was produced by DJ Clue and Duro. Fabolous released his second album Street Dreams on March 4, 2003. Powered by a Just Blaze beat and guest vocals from Lil' Mo and Mike Shorey, "Can't Let You Go" reached number one on the Rhythmic Top 40 chart and number four on the Billboard Hot 100 chart. "Into You" with Tamia also reached number four on the Billboard Hot 100. Also released on Street Dreams was the lead single club banger "This Is My Party" and "Trade It All Pt. 2" which featured Jagged Edge as it did on the Ghetto Fabolous version, as well as Diddy. Exactly seven months later, on November 4, 2003, Fabolous dropped his official mixtape, More Street Dreams, Pt. 2: The Mixtape. It was an official release by his record label, Elektra. The album featured remixes and tracks not originally on Street Dreams. This album was also an outlet for his three-man crew, known as the Triangle Offense, consisting of himself, Paul Cain, and Joe Budden. The album actually features a remix to song Fire, which was originally on Joe Budden's self-titled debut album.
Question: did it make the charts?
Answer:

Background: Coppola was born in Detroit, Michigan, to father Carmine Coppola (1910-1991), a flautist with the Detroit Symphony Orchestra, and mother Italia Coppola (nee Pennino; 1912-2004). Coppola is the middle of three children: his older brother was August Coppola, his younger sister is actress Talia Shire. Born into a family of Italian immigrant ancestry, his paternal grandparents came to the United States from Bernalda, Basilicata. His maternal grandfather, popular Italian composer Francesco Pennino, immigrated from Naples, Italy.
Context: Coppola co-wrote the script for Patton in 1970 along with Edmund H. North. This earned him his first Academy Award for Best Original Screenplay. However, it was not easy for Coppola to convince Franklin J. Schaffner that the opening scene would work. Coppola later revealed in an interview: I wrote the script of Patton. And the script was very controversial when I wrote it, because they thought it was so stylized. It was supposed to be like, sort of, you know, The Longest Day. And my script of Patton was--I was sort of interested in the reincarnation. And I had this very bizarre opening where he stands up in front of an American flag and gives this speech. Ultimately, I wasn't fired, but I was fired, meaning that when the script was done, they said, "Okay, thank you very much," and they went and hired another writer and that script was forgotten. And I remember very vividly this long, kind of being raked over the coals for this opening scene. "When the title role was offered to George C. Scott, he remembered having read Coppola's screenplay earlier. He stated flatly that he would accept the part only if they used Coppola's script. 'Scott is the one who resurrected my version,' says Coppola." The movie opens with Scott's rendering of Patton's famous military "Pep Talk" to members of the Third Army, set against a huge American flag. Coppola and North had to tone down Patton's actual language to avoid an R rating; in the opening monologue, the word "fornicating" replaced "fucking" when criticizing The Saturday Evening Post. Over the years, this opening monologue has become an iconic scene and has spawned parodies in numerous films, political cartoons and television shows.
Question: did coppola recieve award for the movie?
Answer:
This earned him his first Academy Award for Best Original Screenplay.