In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

[Q]: Review: A famous orchestra conductor, Daniel Dareus, suffers what appears a heart attack as he finished conducting a concert. Suddenly, we watch him as he arrives in the small town that he has left years before. Since he left so young, and having his name changed contributes to give him a new persona. He has bought the old school building where he plans to stay. The building needs a lot of work. One would expect a man in his position to have all the comforts of the world he left behind to be installed in his new abode, but no, Daniel puts up with the harsh winter in his own way.The local pastor, Stig, whose church has a small choir, comes calling to see if he can interest Daniel in helping, but the conductor has no desire to go back to music. Daniel begins to explore his new universe. The town's people leave him alone. He makes an impression on Lena, who works in the local store where he goes to get his food supplies. Little by little, he comes around and decides to involve himself with the choir. Lena will ultimately fall in love with Daniel.At first, the relationship between Daniel and the choir members is not exactly what he expected. As they get to know him better, they come around to accept him and make him one of them. His new position doesn't endear him to the woman who used to be in charge. The members of the choir are a motley crew, but they realize the change Daniel has made in the way they interpret different songs. The new piece composed for Gabriella, a battered wife, makes a great impact in her life and that of her fellow singers.Daniel's ideas for the repertoire clash with Stig's own. The vicar suddenly begins seeing Daniel in a new light; he is a tormented man who likes to read pornographic magazines before making love to his wife, Siv. His ideas clash with the dogma, as Siv points to him. Stig decides to try to put a stop to what he considers an unhealthy influence of Daniel by firing him as the head of the choir.The choir, which has been invited to participate in a competition travels to Austria. Daniel, who by now has fallen totally for Lena, has a chance to show for the first time in his life his feelings for her when she starts to gets doubts about their relationship. Daniel who is late for his own concert, gets to hear them making extraordinary music even though he is not in among them.Kay Pollak, the director of this enormously appealing film, shows he was the man to direct it. The story involves the viewer from the start. Great part of the success of the movie goes to the ensemble cast that was put together. William Nykvist, who plays the leading role is the best excuse for watching the film. Frida Hallgren, Niklas Falk, Ylva Loof, do excellent work for Mr. Pollak.Stefan Nilsson is the composer for most of the beautiful music one hears. Harald Gunnar Paalgard's cinematography makes the film look better capturing different seasons for the viewer in their beauty. Question: is it a negative review?
[A]: no

[Q]: Review: Emory is a Cincinatti steel worker like his father before him and for most of the 20th century the twin pillars of his family's existence have been the steel mill and the union. The mill, which once employed 45,000, has seen its numbers dwindle to 5,000 recently and now 1, as the plant just shut its doors, leaving a single security guard. At first, newly-unemployed Emory and his pals enjoy their independence, hanging out around town and carousing at their favorite bar, where they down "depth charges" with reckless abandon. They think the mill will reopen after listening to their union rep's optimistic spiel, but reality starts to sink in when they find themselves selling their personal vehicles in a struggle to put food on the table and stave off foreclosure of their homes. Emory's father - a dedicated union man - is sure the plant will reopen and recalls for his son all the short-lived closures during his own 35 years at the mill. Meanwhile, some of the unemployed men take demeaning make-work jobs or hop in their trucks and take off in a desperate search for employment. Finally the union admits its helplessness, as Emory explains to his stubborn father that times have changed and that the mill won't ever open again. Emory tearfully asks "What did I do wrong?" as a lifetime of hard work and devotion to job, union, church and family have left him with nothing and nowhere to turn. He hits rock bottom when in a drunken rage he manhandles his young sons and knocks his wife to the floor. Tossed out of his own home and stinging from the plant manager's comments that he and his men didn't work hard enough to justify their substantial paychecks, Emory recruits the steel workers still left in town to do something that will demonstrate to all what they are capable of. Early in the morning they break into the mill, fire up the furnaces and work harder than they ever have in their lives, producing in one shift enough high-quality steel pipes to fill the loading docks from wall to wall, top to bottom - something the plant manager thought was impossible. Arriving at the suddenly-reopened plant, the stupefied manager looks around him at the tremendous output that came from a single day's work, realizing that production like this could make the plant profitable again. The manager asks Emory: "Can you do this every day?" Emory is forced to nod "No" and the manager asks: "Then what were you trying to prove?" Emory explains that the workers' decades of hard work, honesty and devotion to their jobs had meaning and that by showing how much they could produce in one day "We just spit in your eye." Emory bids a tearful farewell to his wife and kids as he takes off with his buddies to look for work down south, promising to relocate the family when he finds it. This is a powerful and honest treatment of the plight of American workers displaced by foreign competition and gives a realistic view of the costs they bear for the short-sightedness of concession-demanding unions and greedy plant owners who extracted every penny they could from their factories but never gave back by modernizing them. Peter Strauss as Emory, John Goodman as his best friend, Gary Cole as his college-boy brother, Pamela Reed as Emory's sympathetic wife and John Doucette as his dying father all turn in excellent performances in this fine picture. Question: is it a positive review?
[A]: yes

[Q]: Review: I wanted so much to enjoy this movie. It moved very slowly and was just boring. If it had been on TV, it would have lasted 15 to 20 minutes, maybe. What happened to the story? A great cast and photographer were working on a faulty foundation. If this is loosely based on the life of the director, why didn't he get someone to see that the writing itself was "loose". Then he directed it at a snail's pace which may have been the source of a few people nodding off during the movie. The music soars, but for a different film, not this one....for soap opera saga possibly. There were times when the dialogue was not understandable when Armin Meuller Stahl was speaking. I was not alone, because I heard a few rumblings about who said what to whom. Why can't Hollywood make better movies? This one had the nugget of a great story, but was just poorly executed. Question: is it a positive review?
[A]:
no