[Q]: A friend asked me to answer this question: What is the first name of the person that switched from the history course to English after his first year, using the article: At the age of seventeen Lancaster passed his final school examinations and gained entrance to Lincoln College, Oxford, to study history. He persuaded his mother to allow him to leave Charterhouse at once, giving him several months between school and university, during which he enrolled on a course of life classes at the Byam Shaw School of Art in London. In October 1926 he started at Oxford. There, as at Charterhouse, he found two camps in which some students chose to group themselves: the "hearties" presented themselves as aggressively heterosexual and anti-intellectual; the "aesthetes" had a largely homosexual membership. Lancaster followed his elder contemporary Kenneth Clark in being contentedly heterosexual but nonetheless one of the aesthetes, and he was accepted as a leading member of their set. He cultivated the image of an Edwardian dandy, with large moustache, a monocle and check suits, modelling his persona to a considerable degree on Beerbohm, whom he admired greatly. He also absorbed some characteristics of the Oxford don Maurice Bowra; Lancaster's friend James Lees-Milne commented, "Bowra's influence over Osbert was marked, to the extent that he adopted the guru's booming voice, explosive emphasis of certain words and phrases, and habit in conversation of regaling his audiences with rehearsed witticisms and gossip." Lancaster's undergraduate set included Stephen Spender, Randolph Churchill, and most importantly John Betjeman, who became a close friend and lifelong influence.Lancaster tried rowing with the Oxford University Boat Club, but quickly discovered that he was no more suited to that than he had been to field games at school. He joined the Oxford University Dramatic Society (OUDS), acted in supporting roles, designed programme covers, wrote, and choreographed. He contributed prose and drawings to Isis and Cherwell magazines, engaged in student pranks, staged an exhibition of his pictures, attended life classes, and became established as a major figure in the Oxonian social scene. All..., what would be the answer ?
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[A]: Osbert

[Q]: A friend asked me to answer this question: Who designed the Monadnock Block?, using the article: With its 17 stories (16 rentable plus an attic), its 215 feet (66 m) high load-bearing walls were the tallest of any commercial structure in the world. To support the towering structure and reinforce against wind, the masonry walls were braced with an interior frame of cast and wrought iron. Root devised for this frame the first attempt at a portal system of wind bracing in America, in which iron struts were riveted between the columns of the frame for reinforcement. The narrow lot allowed only a single, double-loaded corridor, which was appointed with a 3-foot (0.91 m) high wainscot of white Carrara marble, red oak trim, and feather-chipped glass that allowed outside light to filter from the offices on each side into the hallways. Floors were covered with hand-carved marble mosaic tiles. Skylit open staircases were made of bronze-plated cast iron on upper floors. On the ground floor, they were crafted in cast aluminuman exotic and expensive material at the timerepresenting the first use of aluminum in building construction.The building was constructed by the firm of George A. Fuller, who trained as an architect but made his mark as the creator of the modern contracting system in building construction. His firm had supervised construction of the Rookery, and later built New York's Flatiron Building with Burnham in 1902. The Monadnock Block was built as a single structure but was legally two buildings, the Monadnock and the Kearsarge, named for Mount Monadnock and Mount Kearsarge in New Hampshire. Work was completed in 1891. The Monadnock, which Root called his "Jumbo", was his last project; he died suddenly while it was under construction., what would be the answer ?
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[A]: Root

[Q]: A friend asked me to answer this question: What type of change was made to The World Is Not Enough in order to accommodate Shirley Mason?, using the article: Two songwriters, Frank P. Fogerty and Nathan Crow, sued Eon, MGM, Universal Music and Universal Studios for copyright infringement over "The World Is Not Enough", alleging that it derived from their song "This Game We Play", which was submitted to MGM executives in February 1999 for consideration for the soundtrack of The Thomas Crown Affair. Their claim centered on a four-note sequence in "The World Is Not Enough" which they alleged was identical to part of "This Game We Play". When the songwriters were gathering evidence, one posed as an employee of composer James Horner to contact Don Black and solicit his services for Ocean's Eleven. They recorded their conversation with Black, trying to get him to disclose when he and Arnold composed "The World Is Not Enough", and contacted Shirley Manson in a similar manner.The case was argued in the United States District Court for the Middle District of Tennessee in June 2004. The court rejected the plaintiffs' claim, concluding that Arnold independently composed "The World Is Not Enough" and it did not share a passage with "This Game We Play". The plaintiffs conceded that Arnold did not have access to "This Game We Play" after journal entries, delivery invoices, telephone and computer records, written declarations from Michael G. Wilson and Barbara Broccoli and testimony from David Arnold, Don Black, Shirley Manson and Arnold's personal assistant provided "irrefutable evidence" that "The World Is Not Enough" had already been written and was not changed significantlyother than a lyrical alteration (the removal of one line to accommodate Shirley Manson) and an amendment to the score (the removal of the "three-note motif" to accommodate the MGM executives)from the date that "This Game We Play" was submitted to MGM., what would be the answer ?
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[A]: the removal of one line

[Q]: A friend asked me to answer this question: What is the name of the person who is hallucinating?, using the article: A collection of three macabre tales, presented by an agoraphobic middle-aged man, named Philip, who lives in a seedy section of Los Angeles. As he sorts through his piles of yellowed newspaper clippings, he relates his paranoid nightmares through three stories. "The People You Meet" is based on a couple, Joe and Amy, who are on their second honeymoon, when they are forced off the road by a speeding sportscar. They get a lift from an odd local who is not what he seems. They pick up another hiker, who just happens to be a friend of the local, and they kidnap Joe and Amy and take them to an abandoned cabin. It concludes with the man and woman both turning on one another, as they had set each other up."The Clinic" finds a workaholic traveling salesman, Crenshaw, who after stopping for gas late one night in a nowhere town is attacked by a vicious dog. He finds sanctuary in a private clinic where he is treated by the young Dr. Roberts and a beautiful nurse. Very strange things seem to be happening in this clinic. Blood on the walls, bone chilling screams, patients dancing in the hall. Crenshaw is told that the hallucinations are caused by a rare form of rabies however it turns out that inmates have taken over the clinic, which is an asylum."Stolen Moments" shows a shy and pretty Cindy Craig who has trouble meeting men, living her life in an apartment with a plethora of pets. One evening she goes to a bar and is picked up by two men, they go back to an abandoned house and have sex, but then she murders them and resumes her life as the 'quiet' woman she is., what would be the answer ?
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[A]:
Crenshaw