Some context: The Birth of a Nation (originally called The Clansman) is a 1915 American silent epic drama film directed and co-produced by D. W. Griffith and starring Lillian Gish. The screenplay is adapted from the novel and play The Clansman, both by Thomas Dixon Jr., as well as Dixon's novel The Leopard's Spots. Griffith co-wrote the screenplay with Frank E. Woods, and co-produced the film with Harry Aitken. It was released on February 8, 1915.
Thomas Dixon, Jr. was a former classmate of then-president Woodrow Wilson at Johns Hopkins University. Dixon arranged a screening of The Birth of a Nation at the White House for Wilson, members of his cabinet, and their families, in one of the first ever screenings at the White House. Wilson was falsely reported to have said of the film, "It is like writing history with lightning. And my only regret is that it is all so terribly true". Wilson's aide, Joseph Tumulty, denied the claims and said that "the President was entirely unaware of the nature of the play before it was presented and at no time has expressed his approbation of it." Historians believe the quote attributed to Wilson originated with Dixon, who was relentless in publicizing the film. After controversy over the film had grown, Wilson wrote that he disapproved of the "unfortunate production". Besides having the film screened at the White House, Dixon persuaded all nine justices of the Supreme Count to attend a screening of The Birth of a Nation as well as many members of Congress. With the help of the Navy Secretary, Josephus Daniels, Dixon was able to meet the Chief Justice of the Supreme Court, Edward Douglass White. Initially Justice White was not interested in seeing the film, but when Dixon told him it was the "true story" of Reconstruction and the Klan's role in "saving the South", White, recalling his youth in Louisiana, jumped to attention and said: "I was a member of the Klan, sir". With White agreeing to see the film, the rest of the Supreme Court followed. Dixon was clearly rattled and upset by criticism by African-Americans that the film version of his books was projecting hatred against them, and wanted the endorsement of many powerful men as possible to offset such criticism. Dixon always vehemently denied having anti-black prejudices--despite the way his books promoted white supremacy--and stated: "My books are hard reading for a Negro, and yet the Negroes, in denouncing them, are unwittingly denouncing one of their greatest friends". In a letter sent on May 1, 1915, to Joseph P. Tumulty, the press secretary to President Wilson, Dixon wrote: "The real purpose of my film was to revolutionize Northern sentiments by a presentation of history that would transform every man in the audience into a good Democrat...Every man who comes out of the theater is a Southern partisan for life!" In a letter to President Wilson sent on September 5, 1915, Dixon boasted: "This play is transforming the entire population of the North and the West into sympathetic Southern voters. There will never be an issue of your segregation policy". Dixon was alluding to the fact that Wilson upon becoming president in 1913 had imposed segregation on federal workplaces in Washington D.C. while reducing the number of black employees through demotion or dismissal.
What was the birth of the nation
A:

Question: Hippolytus of Rome (170 - 235 AD) was one of the most important 3rd-century theologians in the Christian Church in Rome, where he was probably born. Photios I of Constantinople describes him in his Bibliotheca (cod. 121) as a disciple of Irenaeus, who was said to be a disciple of Polycarp, and from the context of this passage it is supposed that he suggested that Hippolytus so styled himself. However, this assertion is doubtful.

The facts of his life as well as his writing were soon forgotten in the West, perhaps by reason of his criticism of the bishops of Rome and because he wrote in Greek. Pope Damasus I dedicated to him one of his famous epigrams, making him, however, a priest of the Novatianist schism, a view later accepted by Prudentius in the 5th century in his "Passion of St Hippolytus". In the Passionals of the 7th and 8th centuries he is represented as a soldier converted by Saint Lawrence, a legend that long survived in the Roman Breviary. He was also confused with a martyr of the same name who was buried in Portus, of which city he was believed to have been a bishop, who was put to death by drowning in a deep well. According to Prudentius' account, Hippolytus was dragged to death by wild horses, a striking parallel to the story of the mythological Hippolytus, who was dragged to death by wild horses at Athens. He described the subterranean tomb of the saint and states that he saw there a picture representing Hippolytus' execution. He also confirms August 13 as the date on which a Hippolytus was celebrated but this again refers to the convert of Lawrence, as preserved in the Menaion of the Eastern Orthodox Church. The latter account led to Hippolytus being considered the patron saint of horses. During the Middle Ages, sick horses were brought to St Ippolyts, Hertfordshire, England, where a church is dedicated to him.

Using a quote from the above article, answer the following question: Who was the first person to talk about the legend?
HHHHHH
Answer: Prudentius

Some context: Harry Connick Jr. was born and raised in New Orleans, Louisiana. His mother, Anita Frances (nee Levy; later Livingston; May 22, 1926 - July 1981), was a lawyer and judge in New Orleans and, later, a Louisiana Supreme Court justice. His father, Joseph Harry Fowler Connick Sr., was the district attorney of Orleans Parish from 1973 to 2003. His parents also owned a record store.
With Connick's reputation growing, director Rob Reiner asked him to provide a soundtrack for his romantic comedy, When Harry Met Sally... (1989), starring Meg Ryan and Billy Crystal. The soundtrack consisted of several standards, including "It Had to Be You", "Let's Call the Whole Thing Off" and "Don't Get Around Much Anymore", and achieved double-platinum status in the United States. He won his first Grammy Award for Best Jazz Male Vocal Performance for his work on the soundtrack. Connick made his screen debut in Memphis Belle (1990), a fictional story about a B-17 Flying Fortress bomber crew in World War II. In that year he began a two-year world tour. In addition, he released two albums in July 1990: the instrumental jazz trio album Lofty's Roach Souffle and a big-band album of mostly original songs titled We Are in Love, which also went double platinum. We Are in Love earned him his second consecutive Grammy for Best Jazz Male Vocal. "Promise Me You'll Remember", his contribution to the Godfather III soundtrack, was nominated for both an Academy Award and a Golden Globe Award in 1991. In a year of recognition, he was also nominated for an Emmy Award for Best Performance in a Variety Special for his PBS special Swingin' Out Live, which was also released as a video. In October 1991, he released his third consecutive multi-platinum album, Blue Light, Red Light, on which he wrote and arranged the songs. Also in October 1991, he starred in Little Man Tate, directed by Jodie Foster, playing the friend of a child prodigy who goes to college. In November 1992, Connick released 25, a solo piano collection of standards that again went platinum. He also re-released the album Eleven. Connick contributed "A Wink and a Smile" to the Sleepless in Seattle soundtrack, released in 1993. His multi-platinum album of holiday songs, When My Heart Finds Christmas, was the best-selling Christmas album in 1993.
What song gave him chart success?
A:
"Promise Me You'll Remember", his contribution to the Godfather III soundtrack,