An example of a movie review. negative.

A: It is not un-common to see U.S. re-makes of foreign movies that fall flat on their face, but here is the flip side!!! This is an awful re-make of the U.S. movie "Wide Awake" by the British!

"Wide Awake" is strange but entertaining and funny! "Liam" on the other hand is just strange. I must give credit to "Liam" for one thing, and that is making it clear that I made the right choice in changing my religion!

An example of a movie review. negative.

A: We have all been asking ourselves "why don't they remake the slasher films that were only OK instead of remaking the ones that were great already, that way they can only make it better?" well with Prom Night they have remade the average but trashy fun 80s Jamie Lee Curtis film and made it even WORSE. Its a paint by numbers slasher film which is clearly trying to attract the young teens (hence no violence etc), the knife in this slasher flick is blunt.The director spends so much time focusing on trying to make the rather attractive killer look somewhat creepy that anything else goes out of the window.The cast who include Britney Snow (who was superb in Hairspray) try their hardest but the material gives them nothing to do but pout and look scared.More annoying is how the death scenes are handled (we will hear the attack but wont see it). It also looks like the only place the knife in this film worked was in the editing suite since the film looks like it has been butchered (im guessing anything remotely scary ended up on the cutting room floor so as not to scare the kids) Yet in pours the money from Americans sending this film to number 1 at the box office!!! Slasher movies are a lot of fun but in Prom Nights case it made me want to download the original.I've seen scarier OC and Dawsons Creek episodes

An example of a movie review. negative.

A:
When Marlene Dietrich was labeled box office poison in 1938 one of a handful of actresses so named by the trades papers, it was films like The Garden Of Allah. How a film could be so breathtakingly beautiful to behold and be so insipidly dull is beyond me. Also how Marlene if she was trying to expand her range and not play a sexpot got stuck with such an old fashioned story is beyond me.

The Garden Of Allah, one of the very first films in modern technicolor was a novel set at the turn of the last century by Robert Hitchens who then collaborated on a play adaption with Mary Anderson that ran for 241 performances in 1911-12. It then got two silent screen adaptions. The story is about a monk who runs away from the monastery out in French Tunisia to see some of what he's missed in the world. He runs into a similarly sheltered woman who was unmarried and spent her prime years caring for a sick parent. She's traveling now in the desert and the two meet on a train.

The woman is of course Marlene and the runaway monk is Charles Boyer. I'm not sure what was in David O. Selznick's mind in filming this story. Someone like Ingrid Bergman might have made it palatable for the audience. But you can bet that the movie-going public of 1936 when they plunked their money down for a ticket they expected to see Marlene as a modern day Salome rather than a saint with that title. The public still remembered Rudolph Valentino and you can bet that it was some desert romance and seduction that they were expecting.

As for the monks you have to remember that they are self supporting in their monasteries and this particular one bottles a special wine of which Boyer happens to be the one with the secret. The monastery will have to rethink it's economics if Boyer leaves. The monks are a sincerely pious group, but from the head man Charles Waldron on down they've a right to be a little concerned with some self interest.

Anyway a whole lot of religious platitudes get said here by a pair of leads that really are not suited for the parts. Most especially Marlene Dietrich. I would watch this film with an eye for the special color desert cinematography and forget the plot.