Problem: Build a movie plot around this: Why wasn't the circle completed? one of the children got away

A: Theres something in this house... Something ancient and dark that remains still, hidden and silent. It can only wait, having been concealed in the shadows for years. In fact, its milieu is darkness. Only in it can it show itself and move. It even takes its name: DARKNESS. Its lived here since someone tried to call it, more than forty years ago. Because this house hides a secret, a terrible past, an inconceivably evil act Seven children, faceless people, a circle that must be completed. And blood, lots of blood But something went wrong. One of the children got away. The circle wasnt completed. Thats why what lives here isnt finished. Its just waiting It tries to carry out what it couldnt before, making plans in the shadows, to become complete, to be, to exist A new family has just moved into the house. A small child. An unstable father capable of losing his temper at any time. A perfect target. The right place at the right time. The pieces only have to be put in place. And then wait...

Problem: Given the question: Build a movie plot around this: How was John Milner killed? By a drunk driver
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The answer is:
The film, set over the course of four consecutive New Year's Eves from 1964 to 1967, depicts scenes from each of these years, intertwined with one another as though events happen simultaneously. The audience is protected from confusion by the use of a distinct cinematic style for each section. For example, the 1966 sequences echo the movie of Woodstock using split screens and multiple angles of the same event simultaneously on screen, the 1965 sequences (set in Vietnam) shot hand-held on grainy super 16 mm film designed to resemble war reporters' footage. The film attempts to memorialize the 1960s with sequences that recreate the sense and style of those days with references to Haight-Ashbury, the campus peace movement, the beginnings of the modern woman's liberation movement and the accompanying social revolt. One character burned his draft card, showing a younger audience what so many Americans had done on the television news ten years before the movie's release. Other characters are shown frantically disposing of their marijuana before a traffic stop as a police officer pulls them over, and another scene shows the police brutality with billy clubs during an anti-Vietnam protest.The listed fates of the main characters at the ending sequence of American Graffiti were updated again at the end of this sequel. In More American Graffiti, John Milner was revealed to have been killed by a drunk driver in December 1964, with the ending scene of the movie driving his trademark yellow Deuce at night on a lonely, hilly highway toward another vehicle's headlights. After disappearing over a small hill, neither his taillights nor the approaching car's headlights are seen again, hinting that the fatal crash occurred there. Set on New Year's Eve 1964, it is never actually shown that his tragic end comes after his racing win on the last day of the year, very probably instead into the first few moments of 1965, given that the 1967 segment was just barely into 1968. The anniversary of John's death is mentioned in both the...

input question: Build a movie plot around this: Hon orders Chan to smash what item? ashtray???
output answer: Infernal Affairs III uses parallel storytelling, flashing between the past and the present.Six months before Chan's death[edit]Undercover cop Chan Wing-yan seeks to uncover the link between Hong Kong triad boss Hon Sam and the mysterious Chinese gang leader Shen Cheng. Since Hon's ascension to the seat of triad boss was due to the death of his predecessor, Ngai Wing-hau, Hon is suspicious of all his men for fear they might usurp his position. He tests Chan's loyalty by ordering him to smash an ashtray on Shen's brother during a negotiation, resulting in Chan's arrest by Inspector Yeung Kam-wing. Yeung tells Chan that though Chan does not recognise him, he recognises Chan and he warns the latter to "be careful". Chan is released after both Hon and Shen fetch him at police headquarters.Concurrently, Chan is prosecuted for violent behaviour. His superior, Superintendent Wong Chi-shing, persuades the court to allow Chan to seek therapy, leading him to meet Dr. Lee Sum-yee. Hon asks Chan to deliver arms to Shen, but he and other triad members do not show up. When Chan delivers the cargo, Shen's men discover that the boxes are empty and open fire on Chan; Shen and Chan shoot each other in the limbs during the crossfire. Shen finds out that Chan is an undercover cop when Yeung unexpectedly arrives on the scene. Yeung tells Chan that Shen is also an undercover cop, working for Chinese authorities. Yeung also tells Chan that he gained top honours when he was in the police academy due to Chan's "expulsion". The three shake hands and wait for the chaos to subside before leaving.Ten months after Chan's death[edit]Lau Kin-ming (Andy Lau), Hon's former mole in the Hong Kong Police Force, has been demoted to administrative duty pending an investigation into the deaths of Chan and Inspector B. He falsely claims that B shot Chan in the head while holding him hostage, and that he killed B in retaliation. After months of investigation, Lau is transferred back to Internal Affairs, where he struggles to whitewash his past...

Build a movie plot around this: How does their relationship change? It becomes a BDSM relationship.
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Answer: Lee Holloway (Maggie Gyllenhaal), the socially awkward and emotionally sensitive youngest daughter of a dysfunctional family, adjusts to normal life after having been hospitalized following an incident of dangerous self-harm. She learns to type, and begins to work as a secretary for an eccentric attorney, E. Edward Grey (James Spader), who hires her despite her stilted social skills, unprofessional appearance and scoring higher than anyone he's ever interviewed, therefore being overqualified. Edward explains that it's dull work and they don't use computers; however, Lee remarks that she is okay with these conditions.Though at first Edward appears highly irritated by Lee's typos and other innocuous mistakes, it soon becomes apparent that he is sexually aroused by her obedient behavior. After he confronts her about her propensity for self-injury and commands that she never hurt herself again, the two embark on a BDSM relationship. Lee experiences a sexual and personal awakening, and she falls deeply in love. Edward, however, displays insecurity concerning his feelings for Lee, and he shows shame and disgust over his sexual habits. During this period of exploration with Edward, Lee has also been attempting to have a more conventional boyfriend in Peter (Jeremy Davies), even engaging in lukewarm sex with him. After a sexual encounter in Edward's office, he fires Lee.After Lee is fired from her job, Peter proposes to Lee, who reluctantly agrees to marry him. However, while trying on her wedding gown, she leaves and runs to Edward's office where she declares her love for him. Edward, still uncertain about their relationship, tests Lee by commanding her to sit in his chair without moving her hands or feet until he returns. Lee willingly complies. Hours pass, as several family members and acquaintances individually visit Lee to alternately attempt to dissuade or encourage her while Edward watches from afar, completely taken by Lee's compliance. Because of Lee's refusal to leave the office, she has gained news...

[Q]: Build a movie plot around this: Who is Harvey's runaway daughter ? Harvey's runaway daughter is Clara.
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[A]:
After refusing a demand for kinky sex from a frisky customer named Buck (Robert Englund), naive prostitute Clara Wood (Roberta Collins) is evicted from the town brothel by the Madame, Miss Hattie (Carolyn Jones). Clara makes her way to a decrepit hotel, called the Starlight Hotel, located deep in a swamp. There she encounters the middle-aged, demented, mentally disturbed proprietor, Judd (Neville Brand), and his pet Nile crocodile, who lives in the swamp beside the porch.Some days later, a fractious couple, the outgoing Faye (Marilyn Burns) and the disturbed Roy (William Finley), arrive at the hotel, along with their young daughter, Angie (Kyle Richards), and Angie's inquisitive dog. Harvey Wood (Mel Ferrer) and his daughter, Libby (Crystin Sinclaire), also arrive at the hotel seeking information on Clara, who is Harvey's runaway daughter, but leave when Judd denies having seen her. Accompanied by Sheriff Martin (Stuart Whitman), Harvey and Libby question Miss Hattie, who also denies ever seeing Clara. Harvey returns to the creepy swamp hotel alone, while Libby goes for dinner and drinks with the Sheriff. Meanwhile, Buck and his girlfriend, Lynette (Janus Blythe), venture to the hotel, much to the annoyance of Judd. Later, Libby arrives back at the hotel.Events at the remote, no-diamond-rated swamp hotel include fighting (with a firearm and farm tools), swamp chases (occasionally involving a harvesting implement), interrupted cleaning rituals, attempted sexual assaults, displays of amazing engineering in underground swamp architecture, human bondage, fortuitous revelations and discoveries, and, throughout, a well-fed crocodile.