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Richard was born on 2 October 1452 at Fotheringhay Castle, the twelfth of thirteen children of Richard Plantagenet, 3rd Duke of York and Cecily Neville at the beginning of what has traditionally been labelled the "Wars of the Roses", a period of "three or four decades of political instability and periodic open civil war in the second half of the fifteenth century", between supporters of Richard's father (a potential claimant to the throne of King Henry VI from birth)--"Yorkists"--in opposition to the regime of Henry VI and his wife, Margaret of Anjou, and those loyal to the crown ("Lancastrians"). When his father and the Nevilles were forced to flee to Ludlow in 1459, Richard and his older brother, George (later Duke of Clarence), were placed in the custody of the Duchess of Buckingham, and the Archbishop of Canterbury. When his father and elder brother Edmund, Earl of Rutland, were killed at the Battle of Wakefield on 30 December 1460, Richard, who was eight years old, and George were sent by his mother, the Duchess of York, to the Low Countries. They returned to England following the defeat of the Lancastrians at the Battle of Towton and participated in the coronation of Richard's eldest brother as King Edward IV in June 1461.
Richard's Council of the North, described as his "one major institutional innovation", derived from his ducal council following his own viceregal appointment by Edward IV; when Richard himself became king, he maintained the same conciliar structure in his absence. It officially became part of the royal council machinery under the presidency of John de la Pole, Earl of Lincoln in April 1484, based at Sandal Castle in Wakefield. It is considered to have greatly improved conditions for northern England, as it was, in theory at least, intended to keep the peace and punish law breakers, as well as resolving land disputes. Bringing regional governance directly under the control of central government, it has been described as the king's "most enduring monument", surviving unchanged until 1641. In December 1483, Richard instituted what later became known as the Court of Requests, a court to which poor people who could not afford legal representation could apply for their grievances to be heard. He also improved bail in January 1484, to protect suspected felons from imprisonment before trial and to protect their property from seizure during that time. He founded the College of Arms in 1484, he banned restrictions on the printing and sale of books, and he ordered the translation of the written Laws and Statutes from the traditional French into English. He ended the arbitrary benevolences (a device by which Edward IV raised funds), made it punishable to conceal from a buyer of land that a part of the property had already been disposed of to somebody else, required that land sales be published, laid down property qualifications for jurors, restricted the abusive Courts of Piepowders, regulated cloth sales, instituted certain forms of trade protectionism, prohibited the sale of wine and oil in fraudulent measure, and prohibited fraudulent collection of clergy dues, among others. Churchill implies he improved the law of trusts. Richard's death at Bosworth resulted in the end of the Plantagenet dynasty, which had ruled England since the succession of Henry II in 1154. The last legitimate male Plantagenet, Richard's nephew, Edward, Earl of Warwick (son of Richard III's brother Clarence), was executed by Henry VII in 1499. The only extant direct male line of Plantagenets is the House of Beaufort, headed today by Henry Somerset, 12th Duke of Beaufort. But the Beaufort line was barred from the succession by Henry IV.

What was his legacy?

Bringing regional governance directly under the control of central government, it has been described as the king's "most enduring monument",

Answer the question at the end by quoting:

Kenneth Anger (born Kenneth Wilbur Anglemyer; February 3, 1927) is an American underground experimental filmmaker, actor and author. Working exclusively in short films, he has produced almost forty works since 1937, nine of which have been grouped together as the "Magick Lantern Cycle". His films variously merge surrealism with homoeroticism and the occult, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle". Anger himself has been described as "one of America's first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner", and his "role in rendering gay culture visible within American cinema, commercial or otherwise, is impossible to overestimate", with several being released prior to the legalization of homosexuality in the United States.
In 1953, soon after the production of Eaux d'Artifice, Anger's mother died and he temporarily returned to the United States in order to assist with the distribution of her estate. It was during this return that he began to once more immerse himself in the artistic scene of California, befriending the film maker Stan Brakhage, who had been inspired by Fireworks, and the two collaborated on producing a film, but it was confiscated at the film lab for obscenity and presumably destroyed. Around this time, two of Anger's friends, the couple Renate Druks and Paul Mathiesin held a party based upon the theme of "Come As Your Madness"; Anger himself attended dressed in drag as the ancient Greek goddess Hekate. The party and its many costumes inspired Anger, who produced a painting of it, and asked several of those who attended to appear in a new film that he was creating - Inauguration of the Pleasure Dome. Inauguration, which was created in 1954, was a 38-minute surrealist work featuring many Crowleyan and Thelemite themes, with many of the various characters personifying various pagan gods such as Isis, Osiris and Pan. One of the actresses in the film was Marjorie Cameron, the widow of Jack Parsons, the influential American Thelemite who had died a few years previously, while Anger himself played Hecate. He would subsequently exhibit the film at various European film festivals, winning the Prix du Cine-Club Belge and the Prix de l'Age d'Or, as well as screening it in the form of a projected triptych at Expo 58, the World Fair held in Brussels in 1958. In 1955, Anger and his friend Alfred Kinsey traveled to the derelict Abbey of Thelema in Cefalu, Sicily, to film a short documentary titled Thelema Abbey. The abbey itself had been used by Aleister Crowley for his commune during the 1920s, and Anger restored many of the erotic wall-paintings that were found there, as well as performing certain Crowleyan rituals at the site. The documentary was made for the British television series Omnibus, but was later lost. The following year Kinsey died and Anger decided to return to Paris, where he was described at the time as being "extremely remote and lonely". In desperate need of money, Anger wrote a book titled Hollywood Babylon in which he collected together gossip regarding celebrities, some of which he claims he had been told. This included claiming (with no corroboration or citing of sources) that Rudolph Valentino liked to play a sexually submissive role to dominant women, that Walt Disney was a drug user, addicted to opiates (reflected in the character of Goofy, who's perpetually stoned on cannabis), as well as describing the nature of the deaths of Peg Entwistle and Lupe Velez. The work was not published in the United States initially, and it was first released by the French publisher Jean-Jacques Pauvert. A pirated (and incomplete) version was first published in the U.S. in 1965, with the official American version not being published until 1974. Now with some financial backing from the publication of Hollywood Babylon, his next film project was The Story of O; essentially a piece of erotica featuring a heterosexual couple engaged in sadomasochistic sexual activities, although it refrained from showing any explicit sexual images.

What was the film about?
was a 38-minute surrealist work featuring many Crowleyan and Thelemite themes, with many of the various characters personifying various pagan gods such as Isis, Osiris and Pan.