input: Please answer the following: Question: "What occurred in the 19th year of the 20th century?" Context: "In 1901, 10-inch disc records were introduced, followed in 1903 by 12-inch records. These could play for more than three and four minutes respectively, while contemporary cylinders could only play for about two minutes. In an attempt to head off the disc advantage, Edison introduced the Amberol cylinder in 1909, with a maximum playing time of 4 minutes (at 160 rpm), which in turn were superseded by Blue Amberol Records, which had a playing surface made of celluloid, a plastic, which was far less fragile. Despite these improvements, during the 1910s discs decisively won this early format war, although Edison continued to produce new Blue Amberol cylinders for an ever-dwindling customer base until late in 1929. By 1919 the basic patents for the manufacture of lateral-cut disc records had expired, opening the field for countless companies to produce them. Analog disc records would dominate the home entertainment market until they were outsold by the digital compact disc in the late 1980s (which was in turn supplanted by digital audio recordings distributed via online music stores and Internet file sharing)." Answer:
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output: the basic patents for the manufacture of lateral-cut disc records had expired, opening the field for countless companies to produce them

input: Please answer the following: Question: "Left-wing ideas were against what economic structure?" Context: "Scholars in the United Kingdom and the United States developed somewhat different versions of cultural studies after the late 1970s. The British version of cultural studies had originated in the 1950s and 1960s, mainly under the influence first of Richard Hoggart, E. P. Thompson, and Raymond Williams, and later that of Stuart Hall and others at the Centre for Contemporary Cultural Studies at the University of Birmingham. This included overtly political, left-wing views, and criticisms of popular culture as "capitalist" mass culture; it absorbed some of the ideas of the Frankfurt School critique of the "culture industry" (i.e. mass culture). This emerges in the writings of early British cultural-studies scholars and their influences: see the work of (for example) Raymond Williams, Stuart Hall, Paul Willis, and Paul Gilroy." Answer:
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output: capitalist

input: Please answer the following: Question: "What happens with shorter wavelengths?" Context: "The net quality of a ground reflection depends on the topography of the surface. When the irregularities of the surface are much smaller than the wavelength, we are in the regime of specular reflection, and the receiver sees both the real antenna and an image of the antenna under the ground due to reflection. But if the ground has irregularities not small compared to the wavelength, reflections will not be coherent but shifted by random phases. With shorter wavelengths (higher frequencies), this is generally the case." Answer:
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output: reflections will not be coherent but shifted by random phases

input: Please answer the following: Question: "What kind of patron went to the Fitzroy?" Context: "The Fitzroy Tavern is a pub situated at 16 Charlotte Street in the Fitzrovia district, to which it gives its name. It became famous (or according to others, infamous) during a period spanning the 1920s to the mid-1950s as a meeting place for many of London's artists, intellectuals and bohemians such as Dylan Thomas, Augustus John, and George Orwell. Several establishments in Soho, London, have associations with well-known, post-war literary and artistic figures, including the Pillars of Hercules, The Colony Room and the Coach and Horses. The Canonbury Tavern, Canonbury, was the prototype for Orwell's ideal English pub, The Moon Under Water." Answer:
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output:
artists, intellectuals and bohemians