In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as 'a' for Yes or 'b' for No.

[EX Q]: Question: Which opera house Easterlin has performed in during his career is the oldest? Passage:Easterlin received his Bachelor of Music degree from the University of Miami and his Bachelor of Science degree from Florida International University, and after a successful career in corporate advertising, began his performing career in musical theatre before moving into opera. He went on to perform at many of America's leading opera houses and festivals, including the Lyric Opera of Chicago, San Francisco Opera, Los Angeles Opera, Seattle Opera, New York City Opera, Dallas Opera, the Opera Company of Philadelphia, the Ravinia Festival with the Chicago Symphony conducted by Daniel Barenboim for the opening night of the Centennial Season, and Spoleto Festival USA in a new production of Ariadne auf Naxos conducted by Emmanual Villaume. He made his debut at the Glimmerglass Opera Festival in the summer of 2009 as 'The Magician' in a new production of Menotti's The Consul. According to Opera News, Easterlin spent 200 hours learning magic tricks for this production, which included producing a live rabbit on stage. Another unusual role for him was Houston Grand Opera's 2006 all-puppet production of Humperdinck's opera Hansel and Gretel in which he sang the role of the Witch as well as operating her twelve-foot high puppet.

[EX A]: a

[EX Q]: Question: How old was John Sargent the year Vassos moved to Boston? Passage:Vassos moved to Boston, Massachusetts in 1919, where he attended the Fenway Art School at night. He studied alongside American artist John Singer Sargent and worked as an assistant for Joseph Urban. In 1924 he moved to New York, where he attended the Art Students League of New York, studying under George Bridgman, John Sloan, and others. He opened his own studio creating window displays for department stores, like Wanamakers, murals, and advertisements for Saks Fifth Avenue, Bonwit Teller, and Packard Motor Cars in his unique black and white illustrated style. At the same time, he illustrated a series of books by Oscar Wilde for E.P. Dutton followed by others including Phobia on which he based his life-long design focus on psychology, his area of expertise as noted by Fortune Magazine's list of top designers in the country. He entered the emergent field of industrial design and was hired by rapidly-growing RCA Victor, under the leadership of David Sarnoff, who discovered Vassos while painting murals at the WCAU skyscraper in Philadelphia. The company had recently acquired Victor Phonograph, built Radio City, and owned NBC Broadcasting, but needed to amplify and modernize their radio manufacturing business. By hiring Vassos, an up-and-coming industrial designer who created their first Styling department, launched Vassos on a four-decade relationship with the company for whom he designed hundreds of items, while also consulting for numerous other clients like Coca-Cola, Waterman, Universal Artists, Remington, and the United States Government. Vassos's work as an interior designer included the Chrysler Building apartment of photographer Margaret Bourke-White, Nedick's Hot Dog stands, displays for RCA in department stores and the World's Fair,and many others for which he employed modular furniture. He eschewed trendy styles like the extreme-streamlined look, popular in the 1930s, and favored the clean, modern look unadorned with unnecessary elements. He expressed his design philosophy for magazines like Pencil Points and in lectures on modern design and art. Although he was hailed as a top designer in the United States during the 1930s, he slipped away from the spotlight of his industrial design peers like Raymond Loewy, Henry Dreyfuss, and Norman Bel Geddes, largely because he did not open a large firm. Unique among the industrial designers of the 20th century, his work was focused on the intersections between interior decorating, furniture design, and the shapes of phonographs, radios and televisions. His contributions include creating a futuristic living room including television, the slide rule dial on radios, emphasis on the haptic experience of media (knobs and buttons), and the "user experience," years before this term was coined.

[EX A]: b

[EX Q]: Question: Did more than 50 million people die in the conflict that forced Clothier to cut his studies short? Passage:Clothier was born in 1919 in Liverpool to a devout Catholic family. He was educated at Stonyhurst College and won a senior history scholarship to read law at Lincoln College, Oxford. The outbreak of the Second World War cut short his studies and he refused to apply for a post in the Judge Advocate General's office in 1939. This led to a twenty-year-long rift with his father, a dentist who had seen dreadful jaw injuries during the First World War. Clothier joined the Royal Signals and served with the 51st (Highland) Division at the Second Battle of El Alamein, where he was responsible for laying communication lines and setting up radio equipment. He undertook deception duties in a radio truck and made transmissions from unmanned positions in English and Scottish accents to confuse the enemy. He discovered that the greatest danger came from enemy aircraft and from a lack of sleep, instanced by an occasion when he woke to discover that he was riding his motorcycle down an embankment into a minefield. Clothier acquired the nickname 'Spike' after a film character. He became a popular pianist in the officers' mess and acquired a love of flying when an American pilot offered a flight and landed on a road by a Sicilian village where they had an impromptu swim. In 1943 Clothier was transferred to Washington, D.C. where he served as a staff officer, sitting on committees dealing with technical developments and radio-frequency allocation. He continued his passion for flying by qualifying as a pilot. He also encountered the actress Mae West who was so impressed with Clothier that she said she would send her son to Oxford University to learn to speak like him. Clothier developed a lasting love of the United States during his time in Washington, D.C. When Clothier left the Army in 1946, he had reached the rank of Lieutenant-Colonel.

[EX A]:
b