IN: Tapper was born in New York City and was raised in Queen Village in Philadelphia . He is the son of Theodore S. "Ted" and Helen Anne (nee Palmatier) Tapper.

In 1992, Tapper served as a Campaign Press Secretary for Democratic congressional candidate Marjorie Margolies-Mezvinsky (PA-13), and later served as her congressional press secretary. Tapper also worked for Powell Tate, a Washington, D.C., public relations firm run by Democrat Jody Powell and Republican Sheila Tate. Tapper also worked briefly for Handgun Control, Inc. (now the Brady Center to Prevent Gun Violence) in 1997. Tapper wrote several articles as a freelance writer and then began his full-time journalism career in 1998; for two years, he was a Senior Writer for the Washington City Paper. While there, Tapper wrote an article about going on a date with Monica Lewinsky, which skewered Washington's culture of scandal. Tapper won a Society of Professional Journalists award for his work at the Washington City Paper. Tapper was the Washington Correspondent for Salon.com from 1999 to 2002. Tapper's reports about Enron were nominated for a 2002 Columbia University School of Journalism online award, and he was an early questioner of the Bush administration's claims about Iraq having weapons of mass destruction. In 2001, Tapper was host of the CNN news talk show, Take Five. Tapper was also a columnist for TALK Magazine, and has written for The New Yorker, The New York Times Magazine, The Washington Post, the Los Angeles Times, The Weekly Standard, and other publications. Tapper was a frequent contributor to National Public Radio's All Things Considered and his work was included in "The Best American Political Writing 2002." Tapper was the correspondent for a series of VH1 news specials in 2002.
QUESTION: Any other interesting aspects?
IN: (Franz) Joseph Haydn (; German: ['jo:zef 'haId@n] ( listen); 31 March 1732 - 31 May 1809) was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the piano trio and his contributions to musical form have earned him the epithets "Father of the Symphony" and "Father of the String Quartet".

Haydn returned to Vienna in 1795. Prince Anton had died, and his successor Nikolaus II proposed that the Esterhazy musical establishment be revived with Haydn serving again as Kapellmeister. Haydn took up the position on a part-time basis. He spent his summers with the Esterhazys in Eisenstadt, and over the course of several years wrote six masses for them. By this time Haydn had become a public figure in Vienna. He spent most of his time in his home, a large house in the suburb of Windmuhle, and wrote works for public performance. In collaboration with his librettist and mentor Gottfried van Swieten, and with funding from van Swieten's Gesellschaft der Associierten, he composed his two great oratorios, The Creation (1798) and The Seasons (1801). Both were enthusiastically received. Haydn frequently appeared before the public, often leading performances of The Creation and The Seasons for charity benefits, including Tonkunstler-Societat programs with massed musical forces. He also composed instrumental music: the popular Trumpet Concerto, and the last nine in his long series of string quartets, including the Fifths, Emperor, and Sunrise. A brief work, "Gott erhalte Franz den Kaiser" (the "Emperor's Hymn"; 1797), achieved great success and became "the enduring emblem of Austrian identity right up to the First World War" (Jones); in modern times it became (with different words) the national anthem of Germany. During the later years of this successful period, Haydn faced incipient old age and fluctuating health, and he had to struggle to complete his final works. His last major work, from 1802, was the sixth mass for the Esterhazys, the Harmoniemesse.
QUESTION: What did he do after this?
IN: Rabindranath Tagore FRAS ( ( listen); Bengali: [robindronath thakur]), also written Ravindranatha Thakura (7 May 1861 - 7 August 1941), sobriquet Gurudev, was a Bengali polymath who reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of Gitanjali and its "profoundly sensitive, fresh and beautiful verse", he became in 1913 the first non-European to win the Nobel Prize in Literature. Tagore's poetic songs were viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal.

Dutta and Robinson describe this phase of Tagore's life as being one of a "peripatetic litterateur". It affirmed his opinion that human divisions were shallow. During a May 1932 visit to a Bedouin encampment in the Iraqi desert, the tribal chief told him that "Our prophet has said that a true Muslim is he by whose words and deeds not the least of his brother-men may ever come to any harm ..." Tagore confided in his diary: "I was startled into recognizing in his words the voice of essential humanity." To the end Tagore scrutinised orthodoxy--and in 1934, he struck. That year, an earthquake hit Bihar and killed thousands. Gandhi hailed it as seismic karma, as divine retribution avenging the oppression of Dalits. Tagore rebuked him for his seemingly ignominious implications. He mourned the perennial poverty of Calcutta and the socioeconomic decline of Bengal, and detailed these newly plebeian aesthetics in an unrhymed hundred-line poem whose technique of searing double-vision foreshadowed Satyajit Ray's film Apur Sansar. Fifteen new volumes appeared, among them prose-poem works Punashcha (1932), Shes Saptak (1935), and Patraput (1936). Experimentation continued in his prose-songs and dance-dramas-- Chitra (1914), Shyama (1939), and Chandalika (1938)-- and in his novels-- Dui Bon (1933), Malancha (1934), and Char Adhyay (1934). Tagore's remit expanded to science in his last years, as hinted in Visva-Parichay, a 1937 collection of essays. His respect for scientific laws and his exploration of biology, physics, and astronomy informed his poetry, which exhibited extensive naturalism and verisimilitude. He wove the process of science, the narratives of scientists, into stories in Se (1937), Tin Sangi (1940), and Galpasalpa (1941). His last five years were marked by chronic pain and two long periods of illness. These began when Tagore lost consciousness in late 1937; he remained comatose and near death for a time. This was followed in late 1940 by a similar spell, from which he never recovered. Poetry from these valetudinary years is among his finest. A period of prolonged agony ended with Tagore's death on 7 August 1941, aged eighty; he was in an upstairs room of the Jorasanko mansion he was raised in. The date is still mourned. A. K. Sen, brother of the first chief election commissioner, received dictation from Tagore on 30 July 1941, a day prior to a scheduled operation: his last poem. I'm lost in the middle of my birthday. I want my friends, their touch, with the earth's last love. I will take life's final offering, I will take the human's last blessing. Today my sack is empty. I have given completely whatever I had to give. In return if I receive anything--some love, some forgiveness--then I will take it with me when I step on the boat that crosses to the festival of the wordless end.
QUESTION:
Did he eventually die?