Problem: The Aquabats are an American rock band formed in Orange County, California in 1994. Throughout many fluctuations in the group's line-up, singer The MC Bat Commander and bassist Crash McLarson have remained the band's two constant fixtures. Since 2006, The Aquabats' members also include keyboardist Jimmy the Robot, drummer Ricky Fitness and guitarist Eagle "Bones" Falconhawk. Easily identified by their masks and matching costumes, The Aquabats are perhaps most recognized for their comedic persona in which they claim to be crime-fighting superheroes.

By late 1996, propelled by the multi-platinum success of No Doubt and Sublime, ska had broken through into the American mainstream to become one of the most popular forms of alternative music. With record labels now turning their attention towards ska bands, The Aquabats were promptly signed to Goldenvoice Records and released their second album The Fury of The Aquabats! in October 1997 through Time Bomb Recordings. While still predominantly a ska album, The Fury showcased a more ambitious musical streak than The Return, incorporating stronger elements of punk and surf, as well as featuring instrumentals, parodies of ragtime and tango music, and a variety of unconventional instruments including sousaphones and banjos. Released at the commercial height of the American ska revival, The Fury soon became The Aquabats' most successful album to date, peaking at number 172 on the Billboard 200 and number 12 on its Top Heatseekers, while lead single "Super Rad!" found regular airplay on MTV and Los Angeles' influential KROQ-FM. On July 25, 1998, they fought the alien rock band GWAR during The Ska Parade. The Aquabats spent 1997 and 1998 touring extensively behind The Fury, carrying out both supporting and headlining tours of the United States and traveling internationally as part of the 1998 Warped Tour. By this time, the band had settled into a stable touring line-up of Jacobs (The Bat Commander), Larson (Crash McLarson), Terry (Catboy), drummer Travis Barker (The Baron Von Tito), guitarists Charles Gray (Ultra Kyu) and Courtney Pollock (Chainsaw, the Prince of Karate), trumpeter Adam Deibert (Prince Adam) and keyboardist/saxophonist James Briggs (Jaime the Robot, later Jimmy the Robot). This line-up would last The Aquabats up until 1998, when, in the middle of a tour with pop punk trio Blink-182, Blink unexpectedly fired their drummer Scott Raynor and recruited Barker as a last-minute replacement to sit in for the rest of the tour. By the tour's close, the band was so impressed with Barker's performance that they invited him to join Blink-182 as a full-time member, an offer which Barker accepted, amicably parting ways with The Aquabats. Barker was succeeded by Gabe Palmer (Doctor Rock), solidifying a line-up which would last the remainder of the decade. With the band now finding enough success to generate both an adequate income and media visibility, Jacobs -- a former child actor with ties in the entertainment industry -- began to conceive the idea of adapting The Aquabats' superhero mythology into a television series. After pitching the concept to several networks, Buena Vista Television eventually agreed to help produce a short live-action pilot in 1998, directed by comedian Bobcat Goldthwait. Titled simply The Aquabats!, the pilot followed the fictional misadventures of the eight band members in an intentionally campy style similar to Saturday morning cartoon shows. The pilot, which has yet to be made available for public viewing, failed to attract any network interest and was later openly disowned by the band themselves.

Were any albums produces with that label?

Answer with quotes: The Fury

Problem: Evita is a musical with music by Andrew Lloyd Webber and lyrics by Tim Rice. It concentrates on the life of Argentine political leader Eva Peron, the second wife of Argentine president Juan Peron. The story follows Evita's early life, rise to power, charity work, and eventual death. The musical began as a rock opera concept album released in 1976.

In Buenos Aires on July 26, 1952, an audience is watching a film ("A Cinema in Buenos Aires, July 26, 1952"). The film is interrupted when news breaks of the death of Eva Peron, Argentina's First Lady, at the age of 33. The nation goes into public mourning as they sing "Requiem for Evita" (in Latin, which is modelled on a Catholic requiem). Che, a member of the public, marvels at the spectacle and promises to show how Eva did "nothing, for years" ("Oh What a Circus"). In 1934, 15-year-old Eva Duarte (later Eva Duarte de Peron) lives in the provincial town of Junin, and longs to seek a better life in Buenos Aires. Eva falls in love with a tango singer, Agustin Magaldi, after she meets him at one of his shows ("On This Night of a Thousand Stars"). Eva persuades Magaldi into taking her with him to Buenos Aires and though he is initially resistant, he eventually accepts ("Eva, Beware of the City"). Upon her arrival at the city, Eva sings about her hopes and ambitions of glory as an actress ("Buenos Aires"). After Magaldi leaves her, and Che relates the story of how Eva goes through several relationships with increasingly influential men, becoming a model, actress and radio personality ("Goodnight and Thank You"). He then tells of both a right-wing coup in 1943 and Eva's success, implying that Argentine politics and Eva's career may soon coincide. Che also makes a point to introduce the figure of Colonel Juan Domingo Peron, an ambitious military colonel who was making his way up the Argentine political ladder ("The Lady's Got Potential"). In a game of musical chairs that represents the rise of political figures, Peron and other military figures compete for power and exhibit their political strategy ("The Art of the Possible"). After the 1944 San Juan earthquake, Peron organises a charity concert at Luna Park to provide aid to the victims. Eva attends and briefly reunites with Magaldi, who spurns her for her past actions. Peron addresses the crowd with words of encouragement and leaps off the stage, meeting Eva as soon as he exits ("Charity Concert"). Eva and Peron share a secret rendezvous following the charity concert, where Eva hints that she could help Peron rise to power ("I'd Be Surprisingly Good For You"). Eva dismisses Peron's Mistress (the character is known only by that title), who ponders the rejection ("Another Suitcase in Another Hall"). After moving in with Peron, Eva is introduced to high society, but she is met with disdain from the upper classes and the Argentine Army ("Peron's Latest Flame"). In 1946, Peron launches his presidential bid after being promoted to general in the army, and while in bed with Eva, he discusses his chances of winning the election. Eva reassures him and soon they organise rallies where the people show their support and hope for a better future, while on the sidelines Peron and his allies plot to dispose of anyone who stands in their way ("A New Argentina").

What is okay

Answer with quotes:
Eva persuades Magaldi into taking her with him to Buenos Aires and though he is initially resistant, he eventually accepts