In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.
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Question: i remember making a pact , right after ' patch adams ' , to not be easily be suckered by movies dripping with sentimentality .
but darn it , ' music of the heart ' is just layered with feel - good material and bright characterizations .
it 's hard to dislike a movie that uses such skill with it 's manipulation .
in addition , it 's also a terrific family film .
this is the true story of violin teacher
roberta guaspari , who fought the school board to keep the musical program active in a handful of inner city harlem schools .
it could also be described as ' mrs .
streep 's opus ' .
yes , meryl streep brings her dramatic clout to the demanding role of guaspari , and that brings both good news and bad .
out of the gate , possibly because of her distracting star power and the rushed writing , it is relatively difficult to identify with roberta 's character and grasp her academic point - of - view .
she is very strict with her students , but what insight does that create into the story ?
slowly but surely , we begin to recognize the intentions of the character , and show admiration for the thoughtfulness and human feeling that streep has once again applied .
one thoroughly interesting fact about ' music of the heart ' lies with the unlikely presence in the director 's chair : horror veteran wes craven .
after leaving an impression with the ' scream ' films and the original ' nightmare on elm street ' , craven has attempted a precarious cross - over to drama .
at first , his inexperience with the genre is fairly obvious , but as the film progresses craven finds a surprisingly comfortable niche with directing this material .
it does n't carry the heart - warming courage of ' mr .
holland 's opus ' , but ' music of the heart ' is casually assured and filled with little morsels of dramatic truth .
the tag team of streep and craven works better than you would anticipate .
yes , oscar could come calling once again for meryl streep , but it 's the solid ensemble cast that makes ' music of the heart ' work .
angela bassett displays her usual forceful stamina as janet williams , the principal at an inner city school who initially does n't hire roberta because of her lack of experience .
blue - eyed adian quinn is endearing , as always , playing a new love interest .
gloria estefan also delivers in the tiny role of a supportive second - grade teacher , and the three lead actresses together produce a flaming fireball of estrogenic force .
it 's like a schoolteacher 's version of ' thelma and louise ' , in a restrained but effective manner .
the movie tackles more issues than just guaspari 's teaching of violin .
there 's some powerful moments between roberta and her two sons , who must cope when their father leaves them for another woman .
in it 's dramatic build - up
, the movie manages to produce some authentic moments of feeling and warmth .
it 's a good movie for anyone to see , although missing out on the experience would not be a life - altering decision .
it 's commendable of wes craven to be attempting such a difficult cross - over , and also for achieving his intricate goal .
watching this heartfelt chick flick about morals and musical instruments , who may ask yourself : this is the guy who directed ' scream ' ?
of course , when the third installment of that series comes around in february 2000 ( with craven directing ) , you may find yourself wondering : this is the guy who directed ' music of the heart ' ?
mission accomplished , wes .
thankfully , there is no layer of artificial sentiment covering the film .
in it 's entirety , it 's a wholesome and agreeable movie for the whole family , despite the periodic flaws that surface every once in awhile .
the child actors are cute and perform up to par , even if some of their problems are clich ?
d and predictable in the extreme .
the mother who does n't want her son to be learning ' white man 's music ' , the unexpected casuality .
. .
basically everything is there .
it does n't strike the perfect chord , but ' music of the heart ' is highly convincing .
the uplifting true story of roberta guaspari could have been told better , but ' music of the heart ' is still edifying enough to properly divulge her morals .

Answer: P

Question: " psycho meets the exorcist with no holds barred " .
a blurb like that sounds like desperate publicity for some low budget , third rate rip - off .
but no , this tacky plug comes from the poster for suspiria , perhaps italian horror director dario argento 's most consistently successful film .
what impresses most in re - watching this surrealistic , supernatural thriller is that argento 's directorial flair and stylish visuals are matched by a near - fully coherent narrative .
screenplays have always been his achilles heel ; confusing subplots , gaping holes , totally illogical incidents and reactions .
no question : argento has always been a better director than a writer .
fortunately , he gets the plotting pretty well right with suspiria , taking his cue from a book by thomas de quincey called " suspiria de profundis " .
the film 's storyline suffers from no major lapses in logic , provided one can accept the premise of a ballet school being a front for a coven of witches .
jessica harper plays an american who travels to germany to further her studies in dance .
arriving at the school late at night in driving rain , she sees a girl leave and run into the storm in a clearly distressed state .
what happens next - and i do n't make the comparison lightly - is a murder sequence that for intensity , shock value and sheer directorial flair ranks alongside alfred hitchcock 's infamous shower scene in psycho .
it 's quite possibly a homage to hitchcock , but with its baroque sets , graphic gore and brilliantly chaotic musical accompaniment by the gothic rock group goblin , this stunning sequence remains very much argento 's own .
though nothing else quite equals the intensity of suspiria 's opening 15 minutes , the film continues to be never anything less than engrossing as harper begins her own investigations and slowly comes to realise this is no ordinary ballet school .
we meet an assortment of slightly sinister characters , most notably the head ballet teacher played by alida valli in another one of those delicious sour - old - matriarch - from - hell roles she does so well .
several more violent murders ensue , including a startling scene in a deserted square where a blind man is . . .
well , i would n't want to spoil things now , would i ?
and the film 's climax , staged amid secret corridors and hidden rooms , has a gothic ghoulishness
that 's most impressive .
the english language versions of most argento movies usually suffer trimming , and not just for the violence - deep red and phenomena , for example , have been appallingly hacked about .
fortunately , the cuts to suspiria ( about 7 minutes in this version ) have not adversely affected the film .
the dubbing of the italian actors into english is quite competently done , too , excepting one appalling and unintentionally hilarious effort with a conversation between harper and a professor about the history of witchcraft in the region .
and the soundtrack ?
it is interesting to imagine what power the film would have lost if it had been scored by someone else .
as it stands , the use of goblin 's music in suspiria is outstanding .
apparently , argento played the soundtrack on location while filming so the actors could hear the music as they acted out their parts .
a stereo video player adds greatly to the viewer 's overall experience .
even better , see suspiria in a cinema , where you 'll get the added bonus of widescreen .
and the colours !
deep reds , eerie blues , a superb use of shadow and contrast .
the cinematography of luciano tovoli , whose more recent credits include reversal of fortune and single white female , is uniformly superb .
a nod also must go to production designer giuseppe bassan for his wonderful baroque interiors .
these kinds of settings are crucial to the atmosphere of argento 's more surreal excursions , the other most notable example being inferno ( 1980 ) on which bassan also worked .
suspiria is the film that broke dario argento into the major league of european directors , and it is fully deserving of its cult status .
the gore is at times a little excessive and overstated - that 's always been one of argento 's shortcomings - but overall
this is a fascinating , compelling example of italian horror .

Answer: P

Question: " love to kill " starts off aimlessly and gets progressively less coherent as time passes .
at the outset , the movie appears to be about tony danza , who 's an illegal distributor of guns , trying to establish a relationship with an unsuspecting woman .
danza sets up a double date with her , her sister , and a collegue of his .
everything seems to be going well , until the sister accidentally dies by falling down a set of stairs .
much confusion and mahem ensues , as the death is covered up and other associates of danza 's begin to emerge , all after one thing or another .
sound confusing ?
it is .
i think what the filmmakers were trying to do is take the standard crime movie and throw in a little humour and levity .
in some respects , it works .
but the majority of the film is a convoluted and confusing mess .
characters keep popping up with no explanation , demanding money for deals that occur off - screen .
the only aspect of the movie that actually works is the budding relationship between danza and the dead woman 's sister .
but so little time is devoted to this part of the story , we never really become too familiar with these characters , and because of this , we do n't really care what happens to them .
well , i did n't , at least .
one thing i will give the movie is that it 's a complete departure for tony danza .
here 's a guy , because of his many sitcom roles , who 's ingrained in the consciousness as a nice guy who always does the right thing .
here , he plays a man who 's just looking out for himself , and if that means he needs to kill in order to save his own skin , so be it .
i was very impressed by his performance , and within minutes of the start of the film , i had forgotten all about his good - guy persona .
michael madsen is also good as an associate of danza 's who spends half the movie buddying up to him and the other half trying to kill him .
like i said , it 's not exactly a linear storyline .
" love to kill " should be praised for trying to do something different with the well worn crime genre , but it 's just too bad that the story does n't really add up to much .
the stars deserved better , and so did the audience .

Answer:
N