"Congratulations, jackass, you just got us sued." My editor, Sharon, was standing in front of my desk. She was apparently not happy. I shrugged, slouching further down in my chair, trying to hide from her gigantic crazy eyes behind my computer. It was a white laptop with a sticker that said "This Machine Kills Yuppies" slapped over the corporate logo on back. She reached out with one of her freakish man-hands and slammed the screen shut. "Let me try this again. You just got us sued six times over." Sharon Sinclair was a six-foot-tall beast of a woman with a huge mane of wiry black and gray hair pulled back in a pony tail. I had every confidence that she could tear me in two and use my bloody carcass in some kinky hedonistic lesbian cult ritual or something. So I usually tried to choose my words with the appropriate care around her. "Jesus-fucking-Christ, I haven't even had my morning coffee yet, and my head's still reeling from the Louisville Slugger that pummeled it last night. So I really don't feel like dealing with whatever annoying hormonal episode you have going on here." She glared at me silently, watching me squirm a little before asking, "Are you done?" "Probably." "Good," she said with a suppressed grin as she took a seat next to me. "Because I just let you publicly accuse the mayor and the valley's most powerful corporations of conspiring to defraud the taxpayers. So what's your plan for keeping my ass off the firing line?" I tilted back in my chair and met Sharon's gaze. "Look, we knew we'd get a strong reaction. Let them sue. We have e-mails to back us up." "These legal briefings say your e-mails were forged," she responded, waving a thick stack of papers in my face. "Of course they're gonna say that. That's why I made sure to get corroboration. Abrasax confirmed that the e-mails between Dylan Maxwell and City Hall are legit. But you know all this, so I don't know why we're wasting time going over it again." According to the above context, choose the correct option to answer the following question. Question: Who was publicly accused in the story? Options: - not enough information - The mayor - The taxpayers - Sharon
The mayor

The U.S. has long had the unenviable distinction of holding the world's largest prison population, in part because of tough-on-crime policies enacted in the 1990s. But sentencing reforms passed in recent years appear to have made a dent, leading to declines in the population over the past eight years. A criminal justice reform organization reported Friday that in 2017, the U.S. prison population dropped below 1.5 million for the first time in more than a decade. The decline, according to the Washington-based Vera Institute for Justice, was driven by a sharp decrease in the number of inmates in federal prisons and decreases in several states with large prison populations. Total U.S. prison population dropped to 1,486,000 last year, a decline of nearly 16,000. The number of federal prisoners fell to 183,000, and the number of inmates in state prisons declined to 1.3 million, according to the report. (The overall figure does not include the more than 600,000 defendants held in local, state and federal jails.) The decline extended an eight-year downward trend in U.S. prison population that has been driven by federal and state sentencing reforms enacted over the past decade. But the Vera institute cautioned that it was unclear whether the trend would continue. "Whether criminal justice reform can continue to fuel this sustained decline in the prison population remains to be seen," said Jacob Kang-Brown, senior research associate at Vera. "We must continue to do the hard work, as advocates and agents of change, to ensure that all our communities feel the relief of decarceration." The report came as President Donald Trump called on Congress to pass legislation to help former inmates reintegrate into society and avoid going back to prison, as many do. "We want former inmates to find a path to success so they can support their families and support their communities," Trump said at a White House summit on prison reform attended by two state governors and Jared Kushner, the president's son-in-law, who is spearheading... According to the above context, choose the correct option to answer the following question. Question: Why was President Trump at the White House summit? Options: - To join Jared Kushner. - To aide his son-in-law. - not enough information - To call on Congress to pass legislation to help former inmates.
To call on Congress to pass legislation to help former inmates.

*Question*
I've learnt a great amount throughout this studio, first and foremost I was taught: how the art world functions, how specific galleries such as Gertrude St Contemporary run and how artists earn a living. The studio also provided me with basic filmmaking skills such as how to: create a shooting schedule, write a shooting script, set up three-point lighting, conduct an interview, utilise visual storytelling and edit a short film. Throughout the shooting process with my artist I also developed my abilities regarding how to use a: Sony Zoom H2N (and other such handy recorders), a lapel mic, my own Canon EOS 60D and Adobe Premiere Pro editing software. Overall I think the studio functioned quite successfully, it was great to be in a studio with nineteen people who all were interested in the same topics as you. I felt that overall, the studios had a very happy and supportive environment, and you walked away knowing a great deal about the art world and how to make short documentaries. The project itself taught me a great deal about how to work with talent, as well as my group members. Having to work independently forced me to be completely all over every aspect of the shoot, whether that be choosing which questions to ask, deciding what to focus on, where I wanted the shoot to happen, deciding what gear to use, getting to the shoot, carrying all the gear, what I wanted to shoot, managing the audio, managing the lighting, managing the camera set-ups, managing the talent, editing the film, and finding a great soundtrack for it. I'm a pretty self-conscious person and I often doubt the decisions I make or ask someone else for their opinion (should I shoot this angle, or what do you think of this question etc.). Working independently pushed me to go with my gut instincts, to make decisions and to not seek others approval. It forced me to develop my aesthetic as a filmmaker and to own the work that I ended up producing, so ultimately I was really glad with how everything panned out. According to the above context, choose the correct option to answer the following question. Question: Why was the narrator self-conscience? Options: - not enough information - Because he was tird - Because he was overwhelmed - Because he doubted his decisions
**Answer**
Because he doubted his decisions