input: Neely played football at Vanderbilt University from 1920 to 1922 under head coach Dan McGugin. He was captain and halfback of the undefeated 1922 team, and its best passer. Neely belonged to the Delta Tau Delta fraternity. Although the Commodores expected a "hard game against the university rivals", Vanderbilt shut out Tennessee 20-0. All three Commodore touchdowns came from passes by Neely to Gink Hendrick. Neely's long first-quarter pass hit Hendrick, who ran 25 yards for the touchdown. In the second quarter Hendrick ran to the 4-yard line on a pass from Neely, and the first half ended with Vanderbilt in possession at the Tennessee one-foot line. Hendrick caught another 30-yard touchdown pass from Neely in the fourth quarter. Two weeks later the Commodores lost 56-6 to one of Auburn's greatest teams, Vanderbilt's worst defeat since its 83-0 loss to Georgia Tech in 1917. The Commodores had only one first down, and never moved the ball beyond their 40-yard line. Neely was one of Vanderbilt's few stars, blocking well and passing Vanderbilt's only touchdown to Hendrick in the end zone. In a "thriller from the start," the Alabama Crimson Tide defeated Vanderbilt for the first time on November 6, 1920 by a score of 14-7. A forward pass from Doc Kuhn to Neely gave the Commodores their sole touchdown. The following week, "expecting one of the greatest football games of the year", Vanderbilt had a difficult practice schedule before its game with the Virginia Cavaliers; Virginia and Vanderbilt tied, 7-7. Early in the game, Vanderbilt mounted a swift offense, with Neely throwing Hendrick a touchdown pass. That season, Vanderbilt opponents gained less on punt returns than they did against any other team in the South because of coverage by Percy Conyers and Neely.

Answer this question "What teams did he play against?"
output: Vanderbilt shut out Tennessee 20-0.

input: By 1946, Leslie was growing increasingly dissatisfied with the roles offered to her by the studio. She sought more serious and mature roles and wanted to break out of her ingenue image which was partly due to her young age. Her decision was also based on moral and religious grounds. With the help of her lawyer Oscar Cummings, she took Warner Brothers to court in order to get released from her contract. In 1947, the Catholic Theatre Guild gave Leslie an award because of her "consistent refusal to use her talents and art in film productions of objectionable character." As a result of this, Jack Warner used his influence to blacklist her from other major Hollywood studios. In 1947, she signed a two-picture contract with the poverty row studio Eagle-Lion Films. The first one was Repeat Performance (1947), a film noir in which she played a Broadway actress. The other was Northwest Stampede (1948) in which she performed with James Craig. After her contract with Eagle-Lion Films expired, she was cast in The Skipper Surprised His Wife (1950), appearing with Robert Walker. The film was distributed by MGM, the studio in which she began her film career in 1936. In the early 1950s, Leslie chose to focus on raising her daughters, which resulted in a more irregular film career. In 1952, she signed a short-term deal with Republic Pictures, the low-budget studio which primarily produced western pictures. One of the films she made for Republic was Flight Nurse (1953). Leslie's character, Polly Davis, was based on the successful flight nurse Lillian Kinkella Keil's career in the Air Force. It was described by the newspaper Kingsport Times-News as a thrilling film that "honors the courageous women who performed miracles of mercy above the clouds in evacuation of wounded GIs from Korean battlefields." Her last film was The Revolt of Mamie Stover (1956). However, she continued making sporadic appearances in television shows while her children were at school. She retired from acting in 1991, after appearing in the TV film Fire in the Dark.

Answer this question "Did this hurt her career?"
output: she signed a two-picture contract with the poverty row studio Eagle-Lion Films.

input: Luxemburg wanted to move to Germany to be at the centre of the party struggle, but she had no way of obtaining permission to remain there indefinitely. In April 1897 she married the son of an old friend, Gustav Lubeck, in order to gain a German citizenship. They never lived together and they formally divorced five years later. She returned briefly to Paris, then moved permanently to Berlin to begin her fight for Eduard Bernstein's constitutional reform movement. Luxemburg hated the stifling conservatism of Berlin. She despised Prussian men and resented what she saw as the grip of urban capitalism on social democracy. In the Social Democratic Party of Germany's women's section she met Clara Zetkin, of whom she made a lifelong friend. Between 1907 and his conscription in 1915 she was involved in a love affair with Clara's younger son, Kostja Zetkin, to which approximately 600 surviving letters (now mostly published) bear testimony. Luxemburg was a member of the uncompromising left-wing of the SPD. Their clear position was that the objectives of liberation for the industrial working class and all minorities could be achieved by revolution only. The recently published Letters of Rosa Luxemburg shed important light on her life in Germany. As Irene Gammel writes in a review of the English translation of the book in The Globe and Mail: "The three decades covered by the 230 letters in this collection provide the context for her major contributions as a political activist, socialist theorist and writer." Her reputation was tarnished by Joseph Stalin's cynicism in Questions Concerning the History of Bolshevism. In his rewriting of Russian events he placed the blame for the theory of permanent revolution on Luxemburg's shoulders, with faint praise for her attacks on Karl Kautsky, which she commenced in 1910. According to Gammel, "In her controversial tome of 1913, The Accumulation of Capital, as well as through her work as a co-founder of the radical Spartacus League, Luxemburg helped to shape Germany's young democracy by advancing an international, rather than a nationalist, outlook. This farsightedness partly explains her remarkable popularity as a socialist icon and its continued resonance in movies, novels and memorials dedicated to her life and oeuvre." Gammel also notes that for Luxemburg, "the revolution was a way of life," and yet that the letters also challenge the stereotype of "Red Rosa" as a ruthless fighter. But The Accumulation of Capital sparked angry accusations from the Communist Party of Germany; in 1923 Ruth Fischer and Arkadi Maslow denounced the work as "errors", a derivative work of economic miscalculation known as "spontaneity".

Answer this question "Are there any other interesting aspects about this article?"
output:
Her reputation was tarnished by Joseph Stalin's cynicism in Questions Concerning the History of Bolshevism.