Teacher: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Teacher: Now, understand the problem? If you are still confused, see the following example:
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this instance: Context_1 : Sancha of Aragon (1478 in Gaeta 1506 in Naples), or Sancia of Aragon, was an illegitimate daughter of King Alfonso II of Naples and his mistress Trogia Gazzela. In 1494, she was married to Gioffre Borgia, youngest son of Pope Alexander VI. Upon her marriage, she and her husband were created Prince and Princess of Squillace, a province in the south of Italy. For the majority of their marriage, Sancha and her husband lived in the Vatican with the rest of his family. There Sancha became friends with her sister-in-law Lucrezia, and allegedly had affairs with both of her husband's older brothers: Juan Borgia, 2nd Duke of Gandia, also known as Giovanni Borgia, and Cesare Borgia. Her affair with Juan is sometimes said to be the reason for Cesare's alleged murder of Juan in 1497. Context_2 : Andregoto Galindez (literally Lady Goth, daughter of Galindo, from Basque title "andre") was daughter of Count Galindo II Aznarez Count of Aragon by his second wife, Sancha Garces of Pamplona. Context_3 : Sancha of Castile (21 September 1154/5 9 November 1208) was the only surviving child of King Alfonso VII of Castile by his second wife, Richeza of Poland. On January 18, 1174, she married King Alfonso II of Aragon at Zaragoza; they had at least eight children who survived into adulthood. Context_4 : Alfonso II (1174 February 1209) was the second son of Alfonso II of Aragon and Sancha of Castile. His father transferred the County of Provence from his uncle Sancho to him in 1185. Alfonso II was born in Barcelona. Context_5 : The Cantar de los Siete Infantes de Lara (Song of the Seven Lara Princes) is a legend, perhaps derived from a lost "cantar de gesta", that relates a tale of family feuding and revenge, centering on the murder of the eponymous seven "infantes", princes, of Lara or Salas. The legend survives in prose form in medieval chronicles, the oldest being in the extended version of the "Estoria de Espana" (History of Spain) compiles during the reign of Sancho IV of Castile, before 1289 (edited by Ramon Menendez Pidal under the name "Primera Cronica General"). From the account found in this chronicle as well as mention in the "Cronica de 1344" ("Segunda Cronica General") and interpolations into a copy of the "Tercera Cronica General" dating from 1512, Menendez Pidal found evidence for the existence of an ancient "cantar de gesta", lost but partially reconstructed, dating back to the year 1000, that would, along with the "Cantar de Mio Cid" and the "Poema de Fernan Gonzalez", represent one of the most important epic "cantares" of Castilian literature, and the most primitive example of the Spanish epic. The legendary tradition of the "Infantes de Lara" has also been developed though ballads. Some more recent scholars have rejected this, dating the story to shortly before the surviving prose versions. The "Infantes de Lara" were the children of Castilian nobleman Gonzalo Gustioz of Lara or Salas and his wife ""Dona Sancha"" (lady Sancha). The story revolves around a family feud, an escalating tit-for-tat cycle of revenge, between their family and that of Sancha's brother, Ruy Velazquez and his wife "Dona" Lambra.<ref name="Barton137/8">Barton, pp. 137138</ref> Context_6 : Joan (1220 Castle of Corneto near Siena, 25 August 1271), was Countess of Toulouse from 1249 until her death. She was the only child of Raymond VII, Count of Toulouse by his first wife Sancha, daughter of King Alfonso II of Aragon. Context_7 : Giovanni Borgia, 2nd Duke of Gandia (1474 or 14761497) was the son of Pope Alexander VI a member of the House of Borgia who was murdered in 1497. He was the brother of Cesare, Gioffre, and Lucrezia Borgia. Giovanni, commonly known as Juan (or sometimes, Joan), is believed to be the eldest of the Pope's four children by Vannozza dei Cattanei, but this is disputed. Due to the contents of a number of papal bulls issued after his murder, it is unclear whether Giovanni was born in 1476 or 1477. Context_8 : Sancha Ramirez (born 1045, died 1097) was an Aragonese princess, the daughter of King Ramiro I and Queen Ermesinda. She was the Countess of Urgell from 1063 until 1065 as the wife of Count Ermengol III. Her brothers Sancho Ramirez and Garcia Ramirez became king of Aragon and bishop of Pamplona, respectively. During her brother's reign she played an important role in consolidating the kingdom of Aragon, which had been founded by her father in 1035. Context_9 : Monasterio de Santa Maria de Sigena is a convent in Villanueva de Sigena, region of Aragon, Spain. It was constructed between 1183 and 1208, founded by Queen Sancha of Castile, wife of Alfonso II of Aragon, for nuns from the richest families of Aragon. Context_10 : The Crown of Aragon ( ; Aragonese: "Corona d'Aragon" , Catalan: "Corona d'Arago" , Spanish: "Corona de Aragon" ) was a composite monarchy, also nowadays referred to as a confederation of individual polities or kingdoms ruled by one king, with a personal and dynastic union of the Kingdom of Aragon and the County of Barcelona. At the height of its power in the 14th and 15th centuries, the Crown of Aragon was a thalassocracy (a state with primarily maritime realms) controlling a large portion of present-day eastern Spain, parts of what is now southern France, and a Mediterranean "empire" which included the Balearic Islands, Sicily, Corsica, Sardinia, Malta, Southern Italy (from 1442) and parts of Greece (until 1388). The component realms of the Crown were not united politically except at the level of the king, who ruled over each autonomous polity according to its own laws, raising funds under each tax structure, dealing separately with each "Corts" or "Cortes". Put in contemporary terms, it has sometimes been considered that the different lands of the Crown of Aragon (mainly the Kingdom of Aragon, the Principality of Catalonia and the Kingdom of Valencia) functioned more as a confederation than as a single kingdom. In this sense, the larger Crown of Aragon must not be confused with one of its constituent parts, the Kingdom of Aragon, from which it takes its name. fact_1 : There Sancha became friends with her sister-in-law Lucrezia, and allegedly had affairs with both of her husband's older brothers: Juan Borgia, 2nd Duke of Gandia, also known as Giovanni Borgia, and Cesare Borgia. fact_2 : Giovanni Borgia, 2nd Duke of Gandia (1474 or 14761497) was the son of Pope Alexander VI a member of the House of Borgia who was murdered in 1497. Answer: Giovanni Borgia
Student:
What is the name of the man who had an affair with Sancha of Aragon?