Question: Read the following paragraph and extract the answer for the question: Who claims no memory of something? On August 22, 2010 in rural Ohio, serial killer Edward Scarka is shot to death during a police raid of his farmhouse. At the time of Edward's death, married couple Sarah and John give birth to their son, Miles, in Pennsylvania. Miles shows extreme wisdom and intelligence from quite a young age, and begins speaking fluently before he is even a toddler. When Miles turns eight in 2018, Sarah and John begin noticing behavioral changes in him. One night he plays a prank on his babysitter Zoe, seriously injuring her, but claims no memory of the incident. Days later at school, he attacks a classmate with a wrench he obtains from the janitor's closet. Sarah brings Miles to psychologist Elaine Strasser, and also turns over a tape recording of Miles talking apparent gibberish in his sleep. Elaine gives the tape to a colleague, Arthur Jacobson, an expert on rebirth and reincarnation. Arthur reveals that the gibberish Miles spoke on the tape is in fact Hungarian, and that the words translate to "I'll cut your eyes out and watch you die, whore." Unwilling to believe Arthur's assertion that an unsettled spirit is vying for control of Miles's body, Sarah dismisses him. Later at home, the family's dog goes missing, and John becomes infuriated when he finds that Miles has been recording the couple's bedroom with a baby monitor. John leaves to stay with his brother, leaving Sarah alone with Miles in the house. Miles awakens her in the middle of the night, and she finds a swarm of flies in the house. In the basement, Sarah discovers the family's dismembered dog. Miles apologizes, and explains that someone is invading his dreams every night, and that he has to "make room."
Answer: Miles
[Q]: Read the following paragraph and extract the answer for the question: Who overdoses on pills? After seeing several patients, Travis, a troubled psychiatrist, is contacted at home by a patient, Rachel. Travis invites her into his apartment, though he acknowledges this is unorthodox. As they talk, Rachel sees Travis take several pills, which he explains are to help him deal with the mounting stresses in his life. After they kiss, Rachel offers to help him, and Travis laughs derisively. Hurt, Rachel leaves his apartment and goes to the top of the apartment building, where she phones him. When he realises she means to commit suicide, he races upstairs, only to see her leap to her death. After one of his patients taunts him over this rumor, Travis reacts violently and is put on leave, though he angrily quits instead. Grace, a young woman, hands out pamphlets on a train and invites Travis to a support group. Though dismissive, Travis takes one of her pamphlets. After drinking heavily and becoming depressed over his life, Travis attends the meeting. Travis is disgusted when the group's leader, Father Jay, a military veteran and former drug addict, forces a young member, Marcus, to confront difficult personal issues in public. As Travis leaves, Grace urges him to seek the group's support. After a suicide attempt in which he overdoses on pills, Travis calls the group before slipping into unconsciousness. Father Jay, Grace, and another member, Tom, arrive and induce vomiting, saving his life.
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[A]: Travis
input: Please answer the following: Read the following paragraph and extract the answer for the question: What are the names of the band members whose dual playing draws on 1960s rock and avant-garde jazz styles? According to Rolling Stone, Marquee Moon is a post-punk album, while Jason Heller from The A.V. Club described it as "elegantly jagged" art punk. Robert Christgau regarded it as more of a rock record because of Television's formal and technical abilities as musicians: "It wasn't punk. Its intensity wasn't manic; it didn't come in spurts." Both sides of the album begin with three shorter, hook-driven songs, which Stylus Magazine's Evan Chakroff said veer between progressive rock and post-punk styles. The title track and "Torn Curtain" are longer and more jam-oriented. "As peculiar as it sounds, I've always thought that we were a pop band", Verlaine later told Select. "You know, I always thought Marquee Moon was a bunch of cool singles. And then I'd realise, Christ, [the title track] is ten minutes long. With two guitar solos." As Tom Moon observed, Verlaine's singing avoids the "cursory punk snarl" while the band's music demonstrates "extended instrumental sections, impenetrable moods" (as on "Torn Curtain") and historical rock influences like Chuck Berry and the early music of the Rolling Stones (as on "Friction").Verlaine and Lloyd's guitar parts on the album are interplayed around the rhythm section's drum hits and basslines. Their dual playing draws on 1960s rock and avant-garde jazz styles, abandoning the layered power chords of contemporary punk rock in favor of melodic lines and counter-melodies. Verlaine's guitar establishes the song's rhythmic phrase, against which Lloyd is heard playing dissonant melodies. Lloyd had learned to notate his solos by the time they recorded Marquee Moon, allowing him to develop his solo for a song from introduction to variation and resolution. Some songs have the two guitarists trading rhythmic and melodic lines several times while producing tension. "There weren't many bands where the two guitars played rhythm and melody back and forth, like a jigsaw puzzle", Lloyd said.Most of the solos on Marquee Moon follow a pattern wherein Verlaine runs up a major scale but...
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output: Verlaine
input: Please answer the following: Read the following paragraph and extract the answer for the question: Who is looking for the pregnant woman? Three hitmen, Willy, Norwood, and Simms are staying in a posh Los Angeles hotel. After failing a job, they take off in a car with a pregnant woman named Velma, who is in on their scheme. They flee to Mexico to escape the wrath of their boss, Amos Dade, and rob a bank along the way. While driving through the desert, their car breaks down. They bury their suitcase of money and begin to walk. Night falls, and they come upon a town, where they see a demolished car with a corpse inside. They enter an empty bar, where the three men get drunk and Velma pesters them to leave. As they exit the bar, the wrecked car has vanished, but the men are too inebriated to notice it. The group camps out for the night, and the following morning, Velma witnesses several trucks of cowboys enter the town, carrying espresso machines with them. Much to the dismay of Velma, who insists they keep a low profile and leave, the three men enter the town, which is now full of townspeople, and go back to the bar. There, they are confronted by a gang of cowboys addicted to coffee, and a shoot-out ensues, but they are ultimately welcomed by the townspeople. The bizarre townspeople include a couple who own a store full of pinatas, a man running a hot dog stand, and countless cowboys and prostitutes. The head honcho of the town, Tim McMahon, invites the gang to a party that evening. The following day, Tim McMahon's elderly father is pushed off of a building by his relative Sabrina McMahon and dies. The entire town has a funeral procession for him, and at the funeral, a friend of Amos', named Whitey, shows up looking for the hitmen and Velma.
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output:
Whitey