Please answer this: Given the following context: Jack Dempsey starts out fighting in bars for half the take. He wins his first professional fight. After a later bout, he and his manager are held up at gunpoint and robbed of the purse. He sees the thieves later and beats them up to recover the cash. Jack meets Maxine Cates, but goes to New York to box. After a bout with John Lester Johnson is a draw, he breaks with his manager and goes back to Salt Lake City and marries Maxine. After money disputes with her Maxine leaves and Dempsey goes to San Francisco. Kerns becomes his manager. He wins fights goes to New York and divorces Maxine. He beats Jess Willard by a TKO and becomes heavyweight champ. He goes to Hollywood to make films and gets sued for non-support by Maxine. He fights Luis Firpo and is knocked out of the ring, but still wins. He is sick (perhaps poisoned), but still fights Gene Tunney and loses a decision. On September 22, 1927 he fights Tunney again. Dempsey knocks Tunney down, but the count doesn't start until Dempsey goes to a neutral corner. This gives Tunney time to recover and get up when the count reaches 9. In this famous "long count" fight Tunney wins by decision. answer the following question: What is the last name of the person who marries Jack?
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Answer: Cates

Problem: Given the following context: Gustav Theodore Holst (born Gustavus Theodore von Holst; 21 September 1874 25 May 1934) was an English composer, arranger and teacher. Best known for his orchestral suite The Planets, he composed a large number of other works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, Richard Wagner and Richard Strauss being most crucial early in his development. The subsequent inspiration of the English folksong revival of the early 20th century, and the example of such rising modern composers as Maurice Ravel, led Holst to develop and refine an individual style. There were professional musicians in the previous three generations of Holst's family and it was clear from his early years that he would follow the same calling. He hoped to become a pianist, but was prevented by neuritis in his right arm. Despite his father's reservations, he pursued a career as a composer, studying at the Royal College of Music under Charles Villiers Stanford. Unable to support himself by his compositions, he played the trombone professionally and later became a teachera great one, according to his colleague Ralph Vaughan Williams. Among other teaching activities he built up a strong tradition of performance at Morley College, where he served as musical director from 1907 until 1924, and pioneered music education for women at St Paul's Girls' School, where he taught from 1905 until his death in 1934. He was the founder of a series of Whitsun music festivals, which ran from 1916 for the remainder of his life. Holst's works were played frequently in the early years of the 20th century, but it was not until the international success of The Planets in the years immediately after the First World War that he became a well-known figure. A shy man, he did not welcome this fame, and preferred to be left in peace to compose and teach. In his later years his uncompromising, personal style of composition struck many music lovers as too austere, and his brief... answer the following question: What is the last person whose in whose right arm was neuritis, which prevented him from becoming a pianist?

A: Holst

Problem: Given the question: Given the following context: At the outbreak of the First World War, Holst tried to enlist but was rejected as unfit for military service. He felt frustrated that he could not contribute to the war effort. His wife became a volunteer ambulance driver; Vaughan Williams went on active service to France as did Holst's brother Emil; Holst's friends the composers George Butterworth and Cecil Coles were killed in battle. He continued to teach and compose; he worked on The Planets and prepared his chamber opera Savitri for performance. It was first given in December 1916 by students of the London School of Opera at the Wellington Hall in St John's Wood. It attracted no attention at the time from the main newspapers, though when professionally staged five years later it was greeted as "a perfect little masterpiece." In 1917 he wrote The Hymn of Jesus for chorus and orchestra, a work which remained unperformed until after the war.In 1918, as the war neared its end, Holst finally had the prospect of a job that offered him the chance to serve. The music section of the YMCA's education department needed volunteers to work with British troops stationed in Europe awaiting demobilisation. Morley College and St Paul's Girls' School offered him a year's leave of absence, but there remained one obstacle: the YMCA felt that his surname looked too German to be acceptable in such a role. He formally changed "von Holst" to "Holst" by deed poll in September 1918. He was appointed as the YMCA's musical organiser for the Near East, based in Salonica. answer the following question: Who continued to compose during the war?
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The answer is:
Holst

Q: Given the following context: A dialect of English (West Country English), known as Bristolian, Bristolese, Brizzle or Bristle (after the publication of Derek Robson's "Krek Waiters peak Bristle") is spoken by longtime residents, who are known as Bristolians. Bristol natives have a rhotic accent, in which the post-vocalic r in "car" and "card" is pronounced (unlike in Received Pronunciation). The unique feature of this accent is the "Bristol (or terminal) l", in which l is appended to words ending in a or o. Whether this is a broad l or a w is a subject of debate, with "area" pronounced "areal" or "areaw". The ending of "Bristol" is another example of the Bristol l. Bristolians pronounce -a and -o at the end of a word as -aw (cinemaw). To non-natives, the pronunciation suggests an l after the vowel.Until recently Bristolese was characterised by retention of the second-person singular, as in the doggerel "Cassn't see what bist looking at? Cassn't see as well as couldst, casst? And if couldst, 'ouldn't, 'ouldst?" The West Saxon bist is used for the English "art", and children were admonished with "Thee and thou, the Welshman's cow". In Bristolese, as in French and German, the second-person singular was not used when speaking to a superior (except by the egalitarian Quakers). The pronoun "thee" is also used in the subject position ("What bist thee doing?"), and "I" or "he" in the object position ("Give he to I."). Linguist Stanley Ellis, who found that many dialect words in the Filton area were linked to aerospace work, described Bristolese as "a cranky, crazy, crab-apple tree of language and with the sharpest, juiciest flavour that I've heard for a long time". answer the following question: What is the unique feature of a rhotic accent?
A:
is appended to words ending in a or o.