Problem: Robert Walser (15 April 1878 - 25 December 1956) was a German-speaking Swiss writer. Walser is understood to be the missing link between Kleist and Kafka. "Indeed," writes Susan Sontag, "At the time [of Walser's writing], it was more likely to be Kafka [who was understood by posterity] through the prism of Walser. Robert Musil, another admirer among Walser's contemporaries, when he first read Kafka pronounced [Kafka's work] as, 'a peculiar case of the Walser type.'

In 1913, Walser returned to Switzerland. He lived for a short time with his sister Lisa in the mental home in Bellelay, where she worked as a teacher. There, he got to know Lisa Mermet, a washer-woman with whom he developed a close friendship. After a short stay with his father in Biel, he went to live in a mansard in the Biel hotel Blaues Kreuz. In 1914, his father died. In Biel, Walser wrote a number of shorter stories that appeared in newspapers and magazines in Germany and Switzerland and selections of which were published in Der Spaziergang (1917), Prosastucke (1917), Poetenleben (1918), Seeland (1919) and Die Rose (1925). Walser, who had always been an enthusiastic wanderer, began to take extended walks, often by night. In his stories from that period, texts written from the point of view of a wanderer walking through unfamiliar neighborhoods alternate with playful essays on writers and artists. During World War I, Walser repeatedly had to go into military service. At the end of 1916, his brother Ernst died after a time of mental illness in the Waldau mental home. In 1919, Walser's brother Hermann, geography professor in Bern, committed suicide. Walser himself became isolated in that time, when there was almost no communication with Germany because of the war. Even though he worked hard, he could barely support himself as a freelance writer. At the beginning of 1921, he moved to Bern in order to work at the public record office. He often changed lodgings and lived a very solitary life. During his time in Bern, Walser's style became more radical. In a more and more condensed form, he wrote "micrograms" ("Mikrogramme"), called thus because of his minuscule pencil hand that is very difficult to decipher. He wrote poems, prose, dramolets and novels, including The Robber (Der Rauber). In these texts, his playful, subjective style moved toward a higher abstraction. Many texts of that time work on multiple levels - they can be read as naive-playful Feuilleton or as highly complex montages full of allusions. Walser absorbed influences from serious literature as well as from formula fiction and retold, for example, the plot of a pulp novel in a way that the original (the title of which he never revealed) was unrecognizable. Much of his work was written during these very productive years in Bern.

Are there any other interesting aspects about this article?

Answer with quotes: In Biel, Walser wrote a number of shorter stories that appeared in newspapers and magazines in Germany and Switzerland

Problem: The New York Dolls were an American hard rock band formed in New York City in 1971. Along with the Velvet Underground and the Stooges, they were one of the first bands of the early punk rock scenes. Although their original line-up fell apart quickly, the band's first two albums--New York Dolls (1973) and Too Much Too Soon (1974)--became among the most popular cult records in rock.

Sylvain Sylvain and Billy Murcia, who went to junior high school and high school together, started playing in a band called "the Pox" in 1967. After the frontman quit, Murcia and Sylvain started a clothing business called Truth and Soul and Sylvain took a job at A Different Drummer, a men's boutique that was across the street from the New York Doll Hospital, a doll repair shop. Sylvain said that the shop inspired the name for their future band. In 1970 they formed a band again and recruited Johnny Thunders to join on bass, though Sylvain ended up teaching him to play guitar. They called themselves the Dolls. When Sylvain left the band to spend a few months in London, Thunders and Murcia went their separate ways. Thunders was eventually recruited by Kane and Rick Rivets, who had been playing together in the Bronx. At Thunders' suggestion, Murcia replaced the original drummer. Thunders played lead guitar and sang for the band Actress. An October 1971 rehearsal tape recorded by Rivets was released as Dawn of the Dolls. When Thunders decided that he no longer wanted to be the front man, David Johansen joined the band. Initially, the group was composed of singer David Johansen, guitarists Johnny Thunders and Rick Rivets (who was replaced by Sylvain Sylvain after a few months), bass guitarist Arthur "Killer" Kane and drummer Billy Murcia. The original lineup's first performance was on Christmas Eve 1971 at a homeless shelter, the Endicott Hotel. After getting a manager and attracting some music industry interest, the New York Dolls got a break when Rod Stewart invited them to open for him at a London concert.

Can you share anything else interesting about the formation?

Answer with quotes: An October 1971 rehearsal tape recorded by Rivets was released as Dawn of the Dolls.

Problem: Nash was born on July 9, 1959, to a devout Christian family, in southwest Detroit, Michigan. Nash's father, Robert, died of a heart attack on April 4, 1968, aged 36, when Nash was eight years old. On December 27, 1994, Nash's mother, Wanda, died after a four-year struggle against breast cancer. He attended Aquinas High School, followed by the University of Tennessee, where he majored in psychology and minored in educational philosophy.

Nash debuted in World Championship Wrestling (WCW) as the orange-mohawked "Steel", one half of the tag team known as the Master Blasters. He was initially partnered Master Blaster Iron, with whom he made his debut at the Clash of the Champions on September 5, 1990, defeating Brad Armstrong and Tim Horner. At the following Worldwide taping on September 7, the Masters Blasters began a feud with Tim Horner and Mike Rotundo. They would defeat Horner and Rotundo on several house shows. On September 22, Nash's partner Master Blaster Iron was replaced by "Blade". The reconstituted Master Blasters continued their undefeated streak in October. Meanwhile, Nash would have his first singles match on September 28 by defeating Tom Zenk. At Halloween Havoc on October 27, 1990, the Blasters upended The Southern Boys and began to move up the WCW tag team ratings. However, their winning streak would finally come to an end on November 22, when Tom Zenk and Brian Pillman handed them their first defeat with Pillman pinning Blade. They rebounded to go on another undefeated streak by defeating The Southern Boys as well as Alan Iron Eagle and Tim Horner, and earning a NWA United States Tag Team Championship title shot against then champions The Steiner Brothers, but were defeated in two occasions. They were squashed on television in 52 seconds by the Steiners in a match that aired on Worldwide on February 2, 1991. Following this loss, their momentum began to dissipate as the Blasters would suffer follow-up losses to The Southern Boys and Ricky Morton and Tommy Rich. The tag team disbanded at the end of the month. Nash was then rebranded as simply The Master Blaster in February 1991 and suffered his first singles defeat on February 27, 1991 when he was pinned by The Junkyard Dog. He also lost to Brian Pillman in house show matches, while appearing in tag team matches with Stan Hansen and Arn Anderson. His final match in this guise was against Pillman at a house show on May 12.

How long did they remain undefeated?

Answer with quotes:
However, their winning streak would finally come to an end on November 22,