input: Even before the original Pink Floyd album was recorded, a film was intended to be made from it. However, the concept of the film was intended to be live footage from the album's tour, with Scarfe's animation and extra scenes. The film was going to star Waters himself. EMI did not intend to make the film, as they did not understand the concept. Director Alan Parker, a Pink Floyd fan, asked EMI whether The Wall could be adapted to film. EMI suggested that Parker talk to Waters, who had asked Parker to direct the film. Parker instead suggested that he produce it and give the directing task to Gerald Scarfe and Michael Seresin, a cinematographer. Waters began work on the film's screenplay after studying scriptwriting books. He and Scarfe produced a special-edition book containing the screenplay and art to pitch the project to investors. While the book depicted Waters in the role of Pink, after screen tests, he was removed from the starring role and replaced with punk musician and frontman of the Boomtown Rats, Bob Geldof. In Behind the Wall, both Waters and Geldof later admitted to a story during casting where Geldof and his manager took a taxi to an airport, and Geldof's manager pitched the role to the singer, who continued to reject the offer and express his contempt for the project throughout the fare, unaware that the taxi driver was Waters' brother, who promptly proceeded to tell Waters about Geldof's opinion. Since Waters was no longer in the starring role, it no longer made sense for the feature to include Pink Floyd footage, so the live film aspect was dropped. The footage culled from the five Wall concerts at Earl's Court from 13-17 June 1981 that were held specifically for filming was deemed unusable also for technical reasons as the fast Panavision lenses needed for the low light levels turned out to have insufficient resolution for the movie screen. Complex parts such as "Hey You" still had not been properly shot by the end of the live shows. Parker also managed to convince Waters and Scarfe that the concert footage was too theatrical and that it would jar with the animation and stage live action. After the concert footage was dropped, Seresin left the project and Parker became the only director connected to The Wall.

Answer this question "Did the band have any creative input?"
output:

input: Novak was registered Democratic, despite his conservative political views. He held more centrist views in his early career, and he supported the Democratic presidential candidacies of John F. Kennedy and Lyndon B. Johnson, of whom he was a friend. In later years, he said that he maintained his registered Democratic status so he could vote in District of Columbia Democratic primaries where victory would be tantamount to election. He was also close friends with Everett Dirksen. Novak later stated that reading Whittaker Chambers' book Witness changed his views from moderate-to-liberal to a strident anticommunism. Reading Chambers' message as a U.S. Army lieutenant in the Korean War gave him a feeling of moral absolutism in his cause. Novak's views turned further rightward through the 1970s, but Novak remained strongly critical toward Ronald Reagan and his supply side economics in the early 1980s. Novak changed his mind after debating economics with Reagan face to face, and he later wrote that Reagan was one of the very few politicians that he ever respected. Novak strongly supported wars in Korea, Vietnam, and Grenada, but he took an anti-interventionist stance after that. He was a hard-line social conservative as well, holding pro-life and anti-divorce views. He also generally tended toward low-tax, small-government libertarian views, but his disagreements with mainstream Republicans and neoconservatives--specifically his opposition to the Iraq War--earned him the label of being a "paleoconservative." Novak's political column once stated that he considered every single president in his lifetime to be a failure, with the lone exception of Reagan. After Novak's death on August 18, 2009, Chicago Sun-Times described him as an independent voice. The Daily Telegraph stated that Novak felt "glee" at starting interparty fighting. In July 2007, Novak expressed support for Ron Paul's bid for the presidency. In the same year, and shortly after the summer publication of Novak's memoirs, he was interviewed by former columnist Bill Steigerwald. Asked of the future of the country, Novak said: From my standpoint, I see the long Republican realignment ending and going into a period of Democratic supremacy. I think there will be a lot of mistakes and a lot of bad things done. But I do believe the American people are really up to making the best of their politicians.... When I am given a chance to address college students, I always tell them, "Always love your country but never trust your government." I believe that. David Frum, writing for National Review, essentially dismissed Novak as a contributor to the modern conservative movement in March 2003. His statement prompted a rejoinder from Novak and defenses by other commentators. Frum then wrote his book The Right Man motivated by what he called "Novak's disregard for truth." Novak attacked Frum again in his autobiography, labeling Frum a "liar" and a "cheat." After Novak's death, Frum wrote on his blog criticizing Novak while also reflecting that "Novak and I were fated always to misunderstand one another."

Answer this question "Did Robert Novak have an opinion on the Iraqi war?"
output: specifically his opposition to the Iraq War--earned him the label of being a "paleoconservative."

input: Christie had long been a fan of detective novels, having enjoyed Wilkie Collins's The Woman in White and The Moonstone, as well as Sir Arthur Conan Doyle's early Sherlock Holmes stories. She wrote her own detective novel, The Mysterious Affair at Styles, featuring Hercule Poirot, a former Belgian police officer noted for his twirly large "magnificent moustaches" and egg-shaped head. Poirot had taken refuge in Britain after Germany invaded Belgium. Christie's inspiration for the character stemmed from real Belgian refugees who were living in Torquay and the Belgian soldiers whom she helped treat as a volunteer nurse in Torquay during the First World War. Agatha began working on The Mysterious Affair at Styles in 1916, writing most of it on Dartmoor. Her original manuscript was rejected by such publishing companies as Hodder and Stoughton and Methuen. After keeping the submission for several months, John Lane at The Bodley Head offered to accept it, provided that Christie change the ending. She did so, and signed a contract which she later felt was exploitative. It was finally published in 1920. Christie, meanwhile, settled into married life, giving birth to her only child, daughter Rosalind Margaret Hicks, in August 1919 at Ashfield, where the couple spent much of their time, having few friends in London. Archie left the Air Force at the end of the war and started working in the City financial sector at a relatively low salary, though they still employed a maid. Christie's second novel, The Secret Adversary (1922), featured a new detective couple Tommy and Tuppence, again published by The Bodley Head. It earned her PS50. A third novel again featured Poirot, Murder on the Links (1923), as did short stories commissioned by Bruce Ingram, editor of The Sketch magazine. In order to tour the world promoting the British Empire Exhibition, the couple left their daughter Rosalind with Agatha's mother and sister. They travelled to South Africa, Australia, New Zealand, and Hawaii. They learned to surf prone in South Africa; then, in Waikiki, they were among the first Britons to surf standing up.

Answer this question "When was it written?"
output:
Agatha began working on The Mysterious Affair at Styles in 1916,