input: Stefani made most of the clothing that she wore on stage with No Doubt, resulting in increasingly eclectic combinations. Stylist Andrea Lieberman introduced her to haute couture clothing, which led to Stefani launching a fashion line named L.A.M.B. in 2004. The line takes influence from a variety of fashions, including Guatemalan, Japanese, and Jamaican styles. The line achieved popularity among celebrities and is worn by stars such as Teri Hatcher, Nicole Kidman, and Stefani herself. In June 2005, she expanded her collection with the less expensive Harajuku Lovers line, which she referred to as "a glorified merchandise line", with varied products including a camera, mobile phone charms, and undergarments. In late 2006, Stefani released a limited edition line of dolls called "Love. Angel. Music. Baby. Fashion dolls". The dolls are inspired by the various fashion that Stefani and the Harajuku Girls wore while touring for the album. In late summer 2007, Stefani launched a perfume, L, as a part of her L.A.M.B. collection of clothing and accessories. The perfume has high notes of sweet pea and rose. In September 2008, Stefani released a fragrance line as a part of her Harajuku Lovers product line. There are five different fragrances based on the four Harajuku Girls and Stefani herself called Love, Lil' Angel, Music, Baby and G (Gwen). As of January 2011, Stefani has become the spokesperson for L'Oreal Paris. In 2016, Urban Decay released a limited edition cosmetic collection in collaboration with Stefani. In 2014, Stefani announced the production of an animated series about her and the Harajuku Girls. Along with Vision Animation and Moody Street Kids, Stefani has helped create the show which features her, Love, Angel, Music, and Baby as the band, HJ5, who fight evil whilst trying to pursue their music career. Mattel have signed on as the global toy licensee and the series itself, Kuu Kuu Harajuku will be distributed worldwide by DHX Media.

Answer this question "Thus far, has ventures been really successful for her?"
output: Mattel have signed on as the global toy licensee and the series itself, Kuu Kuu Harajuku will be distributed worldwide by DHX Media.

input: On their return to England in September, Mary and Percy moved--with Claire Clairmont, who took lodgings nearby--to Bath, where they hoped to keep Claire's pregnancy secret. At Cologny, Mary Godwin had received two letters from her half-sister, Fanny Imlay, who alluded to her "unhappy life"; on 9 October, Fanny wrote an "alarming letter" from Bristol that sent Percy Shelley racing off to search for her, without success. On the morning of 10 October, Fanny Imlay was found dead in a room at a Swansea inn, along with a suicide note and a laudanum bottle. On 10 December, Percy Shelley's wife, Harriet, was discovered drowned in the Serpentine, a lake in Hyde Park, London. Both suicides were hushed up. Harriet's family obstructed Percy Shelley's efforts--fully supported by Mary Godwin--to assume custody of his two children by Harriet. His lawyers advised him to improve his case by marrying; so he and Mary, who was pregnant again, married on 30 December 1816 at St Mildred's Church, Bread Street, London. Mr and Mrs Godwin were present and the marriage ended the family rift. Claire Clairmont gave birth to a baby girl on 13 January, at first called Alba, later Allegra. In March of that year, the Chancery Court ruled Percy Shelley morally unfit to assume custody of his children and later placed them with a clergyman's family. Also in March, the Shelleys moved with Claire and Alba to Albion House at Marlow, Buckinghamshire, a large, damp building on the river Thames. There Mary Shelley gave birth to her third child, Clara, on 2 September. At Marlow, they entertained their new friends Marianne and Leigh Hunt, worked hard at their writing, and often discussed politics. Early in the summer of 1817, Mary Shelley finished Frankenstein, which was published anonymously in January 1818. Reviewers and readers assumed that Percy Shelley was the author, since the book was published with his preface and dedicated to his political hero William Godwin. At Marlow, Mary edited the joint journal of the group's 1814 Continental journey, adding material written in Switzerland in 1816, along with Percy's poem "Mont Blanc". The result was the History of a Six Weeks' Tour, published in November 1817. That autumn, Percy Shelley often lived away from home in London to evade creditors. The threat of a debtor's prison, combined with their ill health and fears of losing custody of their children, contributed to the couple's decision to leave England for Italy on 12 March 1818, taking Claire Clairmont and Alba with them. They had no intention of returning.

Answer this question "Did they stay there long?"
output: in March, the Shelleys moved with Claire and Alba to Albion House at Marlow, Buckinghamshire,

input: After her death Mead's Samoan research was criticized by anthropologist Derek Freeman, who published a book that argued against many of Mead's conclusions. Freeman argued that Mead had misunderstood Samoan culture when she argued that Samoan culture did not place many restrictions on youths' sexual explorations. Freeman argued instead that Samoan culture prized female chastity and virginity and that Mead had been misled by her female Samoan informants. Freeman's critique was met with a considerable backlash and harsh criticism from the anthropology community, whereas it was received enthusiastically by communities of scientists who believed that sexual mores were more or less universal across cultures. Some anthropologists who studied Samoan culture argued in favor of Freeman's findings and contradicted those of Mead, whereas others argued that Freeman's work did not invalidate Mead's work because Samoan culture had been changed by the integration of Christianity in the decades between Mead's and Freeman's fieldwork periods. While Mead was careful to shield the identity of all her subjects for confidentiality Freeman was able to find and interview one of her original participants, and Freeman reported that she admitted to having wilfully misled Mead. She said that she and her friends were having fun with Mead and telling her stories. On the whole, anthropologists have rejected the notion that Mead's conclusions rested on the validity of a single interview with a single person, finding instead that Mead based her conclusions on the sum of her observations and interviews during her time in Samoa, and that the status of the single interview did not falsify her work. Some anthropologists have however maintained that even though Freeman's critique was invalid, Mead's study was not sufficiently scientifically rigorous to support the conclusions she drew. Mead's reputation and significance as an anthropologist have not been diminished by Freeman's criticisms. In her book Galileo's Middle Finger, Alice Dreger argues that Freeman's accusations were unfounded and misleading. A detailed review of the controversy by Paul Shankman, published by the University of Wisconsin Press in 2009, supports the contention that Mead's research was essentially correct, and concludes that Freeman cherry-picked his data and misrepresented both Mead and Samoan culture.

Answer this question "How was it taken?"
output:
Freeman's critique was met with a considerable backlash and harsh criticism from the anthropology community,