Q: Generate a question that has the following answer: three for the following movie plot: The story follows the sexual exploits of two Amherst College roommates over a 25-year period, from the late 1940s to the early 1970s. Sandy (Art Garfunkel) is gentle and passive, while Jonathan Fuerst (Jack Nicholson) is tough and aggressive. Sandy idolizes women, Jonathan objectifies women. He frequently uses the term "ballbuster" to describe women as emasculating teases whose main pleasure as he sees it is to deny pleasure to men. Since each man's perspective of womanhood is extreme and self-serving, neither is able to sustain a relationship with a woman. The film has three parts. Part I occurs when Sandy and Jonathan are college roommates. Part II follows the men several years after college. In the final part, the men have become middle-aged. In the beginning, Sandy and Jonathan are discussing women, and what kind appeals to each. Sandy wants a woman who is intellectual. Jonathan is more interested in a woman's physical attributes. Sandy shyly meets Susan (Candice Bergen) at an on-campus event and they begin dating. Although they enjoy each other's company, Susan is reluctant to enter into a physical relationship. Unknown to Sandy, she meets Jonathan, feeling a physical attraction for him. They have sex. Jonathan convinces Susan not to have sex with Sandy. Susan therefore has a purely intellectual relationship with Sandy, while at the same having a purely physical relationship with Jonathan. Part II finds Sandy married to Susan, while Jonathan is still searching for his "perfect woman." Jonathan now defines perfection by a woman's bust size and figure. Jonathan begins a relationship with Bobbie (Ann-Margret), a beautiful woman who fulfills all of Jonathan's requirements. However, Jonathan constantly berates Bobbie for being shallow. Jonathan finds that this purely physical relationship is no more satisfying than his previous relationship with Susan. Sandy's relationship with Susan is faring no better. Sandy is dissatisfied with the physical part of their relationship. He relates how they are "patient with...
A: How many parts are in the movie

Q: Generate a question that has the following answer: Ines for the following movie plot: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (August 2014) (Learn how and when to remove this template message) In 1792, Spain reels amid the turmoil and upheaval of the French Revolution. Francisco Goya (Stellan Skarsgard) is a renowned painter, who, among others, does portraits for the royal family as the Official Court Painter to the King and Queen. The Spanish Inquisition is disturbed by part of Goya's work. Brother Lorenzo Casamares (Javier Bardem) is hiring Goya to paint a portrait and defends him, saying that his works are not evil, they just show evil. He recommends the Church step up the fight against anti-Catholic practices. He requests and is put in charge of intensifying the Inquisition. When posing in Goya's studio, Lorenzo asks Goya about a young model he uses, Ines (Natalie Portman), daughter of a rich merchant, Tomas Bilbatua (Jose Luis Gomez) who also has a son named Angel (Unax Ugalde). Ines is spotted by Inquisition spies (trained by Lorenzo) declining a dish of pork in a tavern. The Holy Office of the Inquisition orders Ines to come to the office. There she is arrested and accused of "judaizing", i.e. spreading Jewish rituals, because she did not eat pork the other evening. She is stripped naked and tortured by strappado ("put to The Question"), confesses, and is imprisoned. Naturally, the Inquisition's archives had already revealed that one of her father's ancestors had converted from Judaism to Christianity in 1624 upon arrival in Spain from Amsterdam. Tomas begs Goya for help, who in turn asks Lorenzo to find out about Ines's situation. Lorenzo visits Ines in prison telling her that he is going to help her and will pass a message to her family if she wishes. He offers to pray with Ines, but is clearly struggling with his desire to rape her as she prays in the nude with him at his request. At a dinner in Tomas's home, where he and Goya are guests, Lorenzo defends "The...
A: Goya tries to bring who to see Alicia?

Q: Generate a question that has the following answer: Vietnam for the following movie plot: The film, set over the course of four consecutive New Year's Eves from 1964 to 1967, depicts scenes from each of these years, intertwined with one another as though events happen simultaneously. The audience is protected from confusion by the use of a distinct cinematic style for each section. For example, the 1966 sequences echo the movie of Woodstock using split screens and multiple angles of the same event simultaneously on screen, the 1965 sequences (set in Vietnam) shot hand-held on grainy super 16 mm film designed to resemble war reporters' footage. The film attempts to memorialize the 1960s with sequences that recreate the sense and style of those days with references to Haight-Ashbury, the campus peace movement, the beginnings of the modern woman's liberation movement and the accompanying social revolt. One character burned his draft card, showing a younger audience what so many Americans had done on the television news ten years before the movie's release. Other characters are shown frantically disposing of their marijuana before a traffic stop as a police officer pulls them over, and another scene shows the police brutality with billy clubs during an anti-Vietnam protest. The listed fates of the main characters at the ending sequence of American Graffiti were updated again at the end of this sequel. In More American Graffiti, John Milner was revealed to have been killed by a drunk driver in December 1964, with the ending scene of the movie driving his trademark yellow Deuce at night on a lonely, hilly highway toward another vehicle's headlights. After disappearing over a small hill, neither his taillights nor the approaching car's headlights are seen again, hinting that the fatal crash occurred there. Set on New Year's Eve 1964, it is never actually shown that his tragic end comes after his racing win on the last day of the year, very probably instead into the first few moments of 1965, given that the 1967 segment was just barely into 1968. The anniversary of John's death is mentioned in both the...
A:
The film's 1965 sequences are set in what country?