Problem: Background: Lewis Robert "Hack" Wilson (April 26, 1900 - November 23, 1948) was an American Major League Baseball player who played 12 seasons for the New York Giants, Chicago Cubs, Brooklyn Dodgers and Philadelphia Phillies. Despite his diminutive stature, he was one of the most accomplished power hitters in the game during the late 1920s and early 1930s. His 1930 season with the Cubs is widely considered one of the most memorable individual single-season hitting performances in baseball history. Highlights included 56 home runs, the National League record for 68 years; and 191 runs batted in, a mark yet to be surpassed. "
Context: Lewis Robert Wilson was born April 26, 1900, in the Pennsylvania steel mill town of Ellwood City, north of Pittsburgh. His mother, Jennie Kaughn, 16, was an unemployed drifter from Philadelphia; his father, Robert Wilson, 24, was a steel worker. His parents never married; both were heavy drinkers, and in 1907 his mother died of appendicitis at the age of 24. In 1916 Lewis left school to take a job at a locomotive factory, swinging a sledge hammer for four dollars a week. Although only five feet six inches tall, he weighed 195 pounds with an 18-inch neck, and feet that fit into size-five-and-one-half shoes. Sportswriter Shirley Povich later observed that he was "built along the lines of a beer keg, and was not wholly unfamiliar with its contents." While his unusual physique was considered an oddity at the time, his large head, tiny feet, short legs and broad, flat face are now recognized as hallmarks of the Fetal Alcohol Syndrome. In 1921 Wilson moved to Martinsburg, West Virginia, to join the Martinsburg Mountaineers of the Class "D" Blue Ridge League. After breaking his leg while sliding into home plate during his first professional game, he was moved from the catcher's position to the outfield. In 1922 he met Virginia Riddleburger, a 34-year-old office clerk; they married the following year. In 1923, playing for the "B" division Portsmouth Truckers, he led the Virginia League in hitting with a .388 batting average. Late in the season, New York Giants manager John McGraw purchased his contract from Portsmouth for $10,500.
Question: is there any other interesting fact in the article that you liked?
Answer: Although only five feet six inches tall, he weighed 195 pounds with an 18-inch neck, and feet that fit into size-five-and-one-half shoes.

Problem: Background: Miriam Johnson was born in 1943 in Phoenix, Arizona and raised in a strict Pentecostal home. Her mother was a Pentecostal preacher and her father was a race-car driver. At age 11, Colter became the pianist at her church. After graduating from Mesa High, Ariz. in 1961, she began singing in local clubs in Phoenix.
Context: In 1981, Colter and her husband returned to release a duet album entitled Leather and Lace. The album's first single, "Storms Never Last," was written by Colter, and the second single, "The Wild Side of Life"/"It Wasn't God Who Made Honky Tonk Angels," was also a major hit in 1981, peaking at No. 10 on the Billboard Country Chart. The album was certified Gold in sales by the RIAA that year, Colter's second RIAA-certified album to date. Stevie Nicks wrote the title track of the album; however, after receiving word that Colter and Jennings might divorce, Nicks released her own version of the song as a duet with Don Henley. It peaked at No. 6 on Pop chart, also in 1981. Also in 1981 Colter released her final studio album on Capitol records, Ridin' Shotgun, which also spawned Colter's last charting single on the country charts, "Holdin' on." As the decade progressed, Colter's success began to decline. She released an album in 1984 on the Triad label titled Rock and Roll Lullaby, produced by Chips Moman. However, in the later years of the decade, she decided to let her recording career decline in order to help take care of and nurse her husband through his drug abuse and various medical problems. She remained active during this time. In the early 1990s, she focused her attention on performing and released an album of children's music titled Jessi Colter Sings Just for Kids: Songs from Around the World in early 1996. It featured a guest appearance by Jennings, who recited some of his poetry for the video. In 2000, Colter performed on Jennings's live album Never Say Die, released two years before his death in 2002, at age 64.
Question: Did he produce any albums?
Answer: In 1981, Colter and her husband returned to release a duet album entitled Leather and Lace.

Problem: Background: Me and Orson Welles is a 2008 British-American period drama film directed by Richard Linklater and starring Zac Efron, Christian McKay, and Claire Danes. Based on Robert Kaplow's novel of the same name, the story, set in 1937 New York, tells of a teenager hired to perform in Orson Welles's groundbreaking stage adaptation of William Shakespeare's Julius Caesar. He becomes attracted to a career-driven production assistant. The film was shot in London and New York and on the Isle of Man in February, March and April 2008, and was released in the United States on November 25, 2009, and the United Kingdom on December 4, 2009.
Context: Holly Gent Palmo and Vincent Palmo Jr. adapted the film's screenplay from Robert Kaplow's novel of the same name about a teenager (in reality, the 15-year-old Arthur Anderson, who played Lucius in Welles' production) involved in the founding of Orson Welles' Mercury Theatre. After receiving funding from CinemaNX, a production company backed by the Isle of Man film fund, and an offer from Framestore Features to co-finance the film, Richard Linklater came on board to direct Me and Orson Welles. Zac Efron signed on as the lead in early January 2008, claiming he decided to take the role of Richard Samuels because "It's a completely different project than I've ever done before," while Claire Danes joined the cast as the protagonist's love interest Sonja Jones in late January. In the theatre, Christian McKay had portrayed Orson Welles in the one-man play Rosebud: The Lives of Orson Welles at a number of venues, including the Edinburgh Festival and King's Head (London). He reprised the role in the U.S. at the 2007 "Brits Off Broadway" festival, where Linklater saw his performance and then cast McKay as Welles, retaining him over the subsequent objections of the project's producer. Me and Orson Welles underwent filming in the Isle of Man, Pinewood Studios, London and New York from February to April 2008. Filming in London commenced first in mid-February, before scenes in the Isle of Man were shot February 24-March 14, 2008, where filming locations included Gaiety Theatre and various other parts of Douglas. During filming in Douglas, Efron and Danes believe they sighted a ghost, or "supernatural" being, outside a window on set at Gaiety Theatre. Filming in Britain resumed in late March for six weeks at Pinewood Studios. Other locations included Crystal Palace Park, where a facade of New York's Mercury Theatre was set up for a scene. Actor James Tupper claimed that the best replica of an old New York theater was in England, while many of the actors who filled the company were from the Royal Shakespeare Company. The production crew only briefly visited New York; photographs were taken and footage shot to be added into the film as digital effects. Every exterior shot was filmed on a single street built at Pinewood Studios with a green screen at one end; different angles and slightly altered set designs were used between shots to make the street appear different each time.
Question: What happened during production
Answer:
During filming in Douglas, Efron and Danes believe they sighted a ghost, or "supernatural" being, outside a window on set at Gaiety Theatre.