input: Nazimova's theater career blossomed early; and by 1903 she was a major star in Moscow and Saint Petersburg. She toured Europe, including London and Berlin, with her boyfriend Pavel Orlenev, a flamboyant actor and producer. In 1905 they moved to New York City and founded a Russian-language theater on the Lower East Side. The venture was unsuccessful; and Orlenev returned to Russia while Nazimova stayed in New York. She was signed up by the American producer Henry Miller and made her Broadway debut in New York City in 1906 to critical and popular success. Her English-language premiere in November 1906 was in the title role of Hedda Gabler. She quickly became extremely popular (a theater was named after her) and remained a major Broadway star for years, often acting in the plays of Henrik Ibsen and Anton Chekhov. Dorothy Parker described her as the finest Hedda Gabler she had ever seen. Due to her notoriety in a 35-minute 1915 play entitled War Brides, Nazimova made her silent film debut in 1916 in the filmed version of the play, which was produced by Lewis J. Selznick. A young actor with a bit part in the movie was Richard Barthelmess, whose mother taught Nazimova English. Nazimova had encouraged him to try out for movies and he later became a star. In 1917, she negotiated a contract with Metro Pictures, a precursor to MGM, that included a weekly salary of $13,000. She moved from New York to Hollywood, where she made a number of highly successful films for Metro that earned her considerable money. In 1927, she became a naturalized citizen of the United States. Nazimova soon felt confident enough in her abilities to begin producing and writing films in which she also starred. In her film adaptations of works by such notable writers as Oscar Wilde and Ibsen, she developed her own filmmaking techniques, which were considered daring at the time. Her projects, including A Doll's House (1922), based on Ibsen, and Salome (1923), based on Wilde's play, were critical and commercial failures. By 1925 Nazimova could no longer afford to invest in more films; and financial backers withdrew their support. Left with few options, she gave up on the film industry, returning to perform on Broadway, notably starring as Natalya Petrovna in Rouben Mamoulian's 1930 New York production of Turgenev's A Month in the Country and an acclaimed performance as Mrs. Alving in Ibsen's Ghosts, which the critic Pauline Kael later described as the greatest performance she had ever seen on the American stage. In the early 1940s, she appeared in a few more films, playing Robert Taylor's mother in Escape (1940) and Tyrone Power's mother in Blood and Sand (1941). This late return to motion pictures fortunately preserves Nazimova and her art on sound film.

Answer this question "what as her broadway debut?"
output: Her English-language premiere in November 1906 was in the title role of Hedda Gabler.

input: On 5 September 2000, Def Leppard were inducted into the Rock Walk of Fame on Hollywood's Sunset Boulevard by their friend Brian May of Queen. In 2001, VH1 produced and aired Hysteria - The Def Leppard Story, a biopic that included Anthony Michael Hall as Mutt Lange and Amber Valletta as Lorelei Shellist (Steve Clark's girlfriend). The docudrama covered the band's history between 1977 through 1986, recounting the trials and triumphs of Rick Allen and Steve Clark. 18 July broadcast still produced some of the channel's highest-ever ratings and is available on DVD. Def Leppard's tenth album, X, saw the band's musical direction moving more towards pop and further away from the band's hard rock roots. X quickly disappeared from the charts, ultimately becoming the band's least successful release. However, the accompanying tour played to the band's strongest audiences since Adrenalize. An expanded and updated best-of collection, Best Of, was released internationally in October 2004. The North America-only version, Rock of Ages - The Definitive Collection, was released the following May. Def Leppard participated at the Live 8 show in Philadelphia and toured in the summer with Bryan Adams. In 2005, the band left their longtime management team, Q-Prime, and signed with HK Management. On 23 May 2006, Def Leppard released an all-covers album titled Yeah!. The disc pays homage to classic rock songs of their childhood, originally recorded by Blondie, The Kinks, Sweet, ELO, and Badfinger among others. It debuted at No. 16 in the US, their tenth consecutive Top 20 album. The band, along with Queen, Kiss, and Judas Priest, were the inaugural inductees of VH1 Rock Honors on 31 May 2006. During the show, The All-American Rejects paid homage to the band with a cover of "Photograph". Soon afterwards, they embarked on a US tour with Journey. That October, Hysteria was re-released in a two-disc deluxe edition format, which combined the original remastered album with b-sides, remixes, and bonus tracks from single releases. Def Leppard began their "Downstage Thrust Tour", on 27 June, which took them across the US and into Canada. Support bands were Foreigner and Styx.

Answer this question "Did they band tour during these years?"
output: Def Leppard began their "Downstage Thrust Tour", on 27 June, which took them across the US and into Canada.

input: Always one to be courting controversy due to his alleged radical treatment of music, Laswell released two albums of remixes from dead artists - Bob Marley's Dreams of Freedom on Axiom and Miles Davis Panthalassa. The first contained airy, ambient dub translations of some of Marley's Island catalog, largely sans Marley's voice. Chris Blackwell, largely the man responsible for bringing Marley to the masses in the 1970s, requested the album as part of a planned series of remix albums by various producers who were rooted in the reggae/dub tradition. Blackwell's departure from Island killed any further albums. For Panthalassa, Laswell took the tapes from Miles' "electric period" and re-imagined them, the impetus for the project being that the original releases were just mixes made by Teo Macero from long in-studio sessions. Nothing originally released was necessarily exactly what was done in the studio, but rather a cut-up and remix to begin with. Needless to say, critic and fan responses varied wildly, with Laswell and Macero conducting a public feud in the media. The late 1990s saw two other major changes. As noted before, Chris Blackwell left Island Records. Although he took the Axiom imprint with him to his new Palm Pictures label, the back catalog stayed with Island. Many of the albums are now out of print, and efforts to obtain master recordings and new distribution have been unsuccessful. The other change came in the form of studio space. Laswell, seeing that Greenpoint had turned into a sort of living space for hangers-on, moved his studio to West Orange, New Jersey, calling it Orange Music Sound Studios.

Answer this question "What did the music sound like?"
output:
The first contained airy, ambient dub translations of some of Marley's Island catalog,