Problem: Write an article based on this summary: Locate the folder or file you want to hide. Rename the folder or file. Show hidden files.

Answer: Right click it and add a period to the beginning of the file name. For example, rename wikiHow to .wikiHow. To show the file, navigate to the file location and press Ctrl+H. To unhide the file, simply rename the file and remove the period.

Problem: Write an article based on this summary: Avoid melodrama. Focus on writing a quality story first. Add some humor. Remind the reader of the good times during sad moments. Make your audience love your characters. Draw connections between tragedies.

Answer: Melodrama is a common pitfall in sad stories. You do not want your readers to feel like you're trying to force sympathy for your characters. Avoid overwriting tragic descriptions or emotional dialogue. This is often where melodrama creeps in. Melodrama can sometimes be hard to spot, especially if you're invested in a story. In the first draft, you may be desperate to get everything out on the page. It's okay, and even helpful, to overwrite in your first draft. However, when you read your work over for revision, be very strict with yourself. Eliminate any bit of description or dialogue that isn't absolutely vital. Often, less is more when writing a sad scene. If you're describing Ada's dog dying, maybe you could describe this in only one or two sentences. This allows the audience to experience the moment on their own. A certain perspective will not be forced on them. Thinks of your audience's larger perspective, as well. In our modern world, sad stories are all too common. People are at a point where they may be somewhat numb to tragedy that feels generic. There are many stories on the news about death and disease. Zooming in on the emotions of a particular character can help you avoid melodrama. Yes, losing a pet is sad, but why is your character specifically sad? What unique brand of sadness does she feel? People are often resentful of work that's tragic for the sake of tragedy. People appreciate good storytelling, character development, humor, and dialogue. Remember, your story and your characters come first. The tragedies they experience come second. Really get inside your characters' heads. Establish backstories for your characters that are unrelated to the tragic events they face. Give characters believable personality traits, likes, dislikes, and other quirks. A character should not be defined solely by bad events. Make tragedy feel organic to the story. Do not have the protagonist's mother suddenly drop dead, despite having shown no previous signs of illness. This will feel like a cheap ploy to garner sympathy. If you plan on killing off a character, offer some hints first. Maybe that character is nervous after a doctor's appointment, for example. A story that's too heavily invested in tragedy can rub readers the wrong way. Many incredibly sad stories offer a great deal of levity along the way. For example, John Green's bestseller The Fault In Our Stars includes a lot of humor while telling a very sad story. The film Steel Magnolias is famous for its fusion of laughter and tears. Look at these works for inspiration on how to use humor. As you revise, you'll want to increase the sadness in the story. Comb through your work and look for ways you can increase the emotional intensity. One way to make sad moments sadder is to remind readers of better times. What makes sad moments upsetting is how much they contrast to happier times. This sharp contrast is often jarring. It can strike an emotional chord with readers. When describing a sad scene, add a throwback to a happier moment of your story. For example, say in an earlier scene Ada's dog could make a gurgling noise that sounded like, "Hello." This made Ada and her mother laugh. In a later scene, when the dog is on his deathbed, it could make that noise again. A previous happy noise is now tainted with a sad moment. Spend some time reviewing a character's good qualities. People will be more moved by tragedies if the characters involved made a positive impact on others. You can add a few sentences as a character is dying, for example, briefly reminding the reader of the positive impact he had. In our example, you could write something like, "Riley wagged his tail at Ada, still the loving and loyal dog he'd always been." A good way to help enhance sadness in a story is to link your tragedies. Make connections between different sad and traumatic moments. This adds extra emotional impact. In our example, you could easily draw a parallel between Ada's dog's death and her father's death. Ada could feel sad that, once again, she's failed to stop the inevitable. This will make readers feel for the character. She has gone through a lot.

Problem: Write an article based on this summary: Fake a fever. Try adding chills. Act like you don't have any energy.

Answer: Often, a fever will accompany a stomach problem, so you can try to fake one to help sell it. For instance, you can make yourself warm by placing a warm washcloth over your face or completely covering your head with a blanket for a few minutes. You can also warm up a thermometer by running it under warm water or drinking a warm drink before having your temperature taken in your mouth. Often, when you have a stomach ache, you may get chills to accompany your stomach issue, particularly if you've thrown up. You could try shivering or burrowing under a blanket like you can't get warm. If you're out somewhere, try putting on a sweater, or rubbing your arms like you can't get warm. A stomach problem can really drain you, so you have to look the part, too. Act like you can hardly move, and that getting up is draining. You'll have to keep this act up because if you suddenly get a burst of energy, others may get suspicious.

Problem: Write an article based on this summary: Discuss the issue. Be upfront about what you want. Focus on the relationship. Set boundaries.

Answer:
Some family members may not even realize they're still treating you like a child. It's hard for older adults in your family to let go of the thought of you being "little girl" or "little boy," even if you're well into adulthood. Therefore, you need to broach the topic with them and help them understand what you're feeling. Start with your feelings. That is, use an "I" statement to describe how you're feeling instead of a "you" statement that puts the blame on them. Blaming someone will put them on the defense. For instance, don't say, " You always treat me like a little kid." Instead, say "I feel upset when you still treat me like a child. I've grown up." Be specific by talking about particular statements or behaviors that bother you. For example, you could say, "I love that you help with the kids, but I don't like when you contradict the rules that I've made." You could also say, "I respect your rules when I'm in your house, but I don't like being asked where I am every second of every day." Tell them what you expect. For instance, you could say, "I would really appreciate if you would respect the rules I've set for my kids." or "I would appreciate it if you would treat me like any other adult who stays in your home." If you're telling your mom a story, tell her what you expect from her upfront. For instance, if you're just telling her the story to give her information and you don't really want advice, let her know that. You could say, "Mom, I need to tell you something, but I want you to promise me that you won't offer your judgment at the end. I feel like you need to know this information, but I don't want advice on my choices." That is, often in communication, people are trying to maintain control. It's a power struggle. Often, this type of communication pops up between a parent and an adult child, or even another type of relationship, such as an aunt and niece or nephew. The "adult" still wants to control the adult child, even if that person doesn't realize it. If you're the adult child, you may want to struggle to "win" in this situation. However, often letting go of the power struggle can lead to a healthier relationship. This type of power struggle can make people defensive. You probably feel defensive when another adult in your family, whether it be a parent, aunt, guardian, or grandparent, does it to you. However, by truly listening and letting go of the power struggle, you can cut through some of that defensiveness and both parties can feel more heard and valued. Sometimes, parents and other family members have trouble respecting boundaries because they still see you as a little kid they have a right to rule over. In that case, you need to politely but firmly set boundaries with them because you have your own life now. For instance, say your parents tend to just show up at your house unannounced. You could say, "We love having you here, but we'd appreciate it if you gave us some advanced notice. Sometimes, we have our family time planned, and we need that time to strengthen and grow together." Another way you could address an issue is to say, "I understand that you are concerned about when we're having children. However, it may be some time before we decide to do so. I will definitely let you know when we're thinking about it. Until then, I would appreciate it if you stop asking about it."