Here is a question about this article: Due to technical limitations, the original ReWritable CD could be written no faster than 4x speed. High Speed ReWritable CD has a different design, which permits writing at speeds ranging from 4x to 12x. Original CD-RW drives can only write to original ReWritable CDs. High Speed CD-RW drives can typically write to both original ReWritable CDs and High Speed ReWritable CDs. Both types of CD-RW discs can be read in most CD drives. Higher speed CD-RW discs, Ultra Speed (16x to 24x write speed) and Ultra Speed+ (32x write speed) are now available.
What is the answer to this question: How fast can Ultra Speed+ CDs write?
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So... 32x

Here is a question about this article: Scientists associated with BYU have created some notable inventions. Philo T. Farnsworth, inventor of the electronic television, received his education at BYU, and later returned to do fusion research, receiving an honorary degree from the university. Harvey Fletcher, also an alumnus of BYU, inventor of stereophonic sound, went on to carry out the now famous oil-drop experiment with Robert Millikan, and was later Founding Dean of the BYU College of Engineering. H. Tracy Hall, inventor of the man-made diamond, left General Electric in 1955 and became a full professor of chemistry and Director of Research at BYU. While there, he invented a new type of diamond press, the tetrahedral press. In student achievements, BYU Ad Lab teams won both the 2007 and 2008 L'Oreal National Brandstorm Competition, and students developed the Magnetic Lasso algorithm found in Adobe Photoshop. In prestigious scholarships, BYU has produced 10 Rhodes Scholars, four Gates Scholars in the last six years, and in the last decade has claimed 41 Fulbright scholars and 3 Jack Kent Cooke scholars.
What is the answer to this question: What did alumnus Philo T. Farnsworth invent before receiving his honorary degree from the college?
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So... the electronic television

Here is a question about this article: The stemmatic method's final step is emendatio, also sometimes referred to as "conjectural emendation." But in fact, the critic employs conjecture at every step of the process. Some of the method's rules that are designed to reduce the exercise of editorial judgment do not necessarily produce the correct result. For example, where there are more than two witnesses at the same level of the tree, normally the critic will select the dominant reading. However, it may be no more than fortuitous that more witnesses have survived that present a particular reading. A plausible reading that occurs less often may, nevertheless, be the correct one.
What is the answer to this question: At what point can a critic using the stemmatic become less concerned with critical analysis?
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So...
the critic employs conjecture at every step of the process