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Large numbers of Bolivian highland peasants retained indigenous language, culture, customs, and communal organization throughout the Spanish conquest and the post-independence period. They mobilized to resist various attempts at the dissolution of communal landholdings and used legal recognition of "empowered caciques" to further communal organization. Indigenous revolts took place frequently until 1953. While the National Revolutionary Movement government begun in 1952 discouraged self-identification as indigenous (reclassifying rural people as campesinos, or peasants), renewed ethnic and class militancy re-emerged in the Katarista movement beginning in the 1970s. Lowland indigenous peoples, mostly in the east, entered national politics through the 1990 March for Territory and Dignity organized by the CIDOB confederation. That march successfully pressured the national government to sign the ILO Convention 169 and to begin the still-ongoing process of recognizing and titling indigenous territories. The 1994 Law of Popular Participation granted "grassroots territorial organizations" that are recognized by the state certain rights to govern local areas.
What re-emerged during the Katarista movement in the 1970s?
A: ethnic and class militancy

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The words antenna (plural: antennas in US English, although both "antennas" and "antennae" are used in International English) and aerial are used interchangeably. Occasionally the term "aerial" is used to mean a wire antenna. However, note the important international technical journal, the IEEE Transactions on Antennas and Propagation. In the United Kingdom and other areas where British English is used, the term aerial is sometimes used although 'antenna' has been universal in professional use for many years.
What is one way of referring to more than one antenna?
A: antennae

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Antonio Vivaldi composed a mandolin concerto (Concerto in C major Op.3 6) and two concertos for two mandolins and orchestra. Wolfgang Amadeus Mozart placed it in his 1787 work Don Giovanni and Beethoven created four variations of it. Antonio Maria Bononcini composed La conquista delle Spagne di Scipione Africano il giovane in 1707 and George Frideric Handel composed Alexander Balus in 1748. Others include Giovani Battista Gervasio (Sonata in D major for Mandolin and Basso Continuo), Giuseppe Giuliano (Sonata in D major for Mandolin and Basso Continuo), Emanuele Barbella (Sonata in D major for Mandolin and Basso Continuo), Domenico Scarlatti (Sonata n.54 (K.89) in D minor for Mandolin and Basso Continuo), and Addiego Guerra (Sonata in G major for Mandolin and Basso Continuo).
Who placed it in his 1787 work?
A: Wolfgang Amadeus Mozart

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The innovative production techniques devised by post-punk producers such as Martin Hannett and Dennis Bovell during this period would become an important element of the emerging music, with studio experimentation taking a central role. A variety of groups that predated punk, such as Cabaret Voltaire and Throbbing Gristle, experimented with crude production techniques and electronic instruments in tandem with performance art methods and influence from transgressive literature, ultimately helping to pioneer industrial music. Throbbing Gristle's independent label Industrial Records would become a hub for this scene and provide it with its namesake.
Where did industrial music get it's name?
A:
Industrial Records