IN: Review: "Before Sunrise" is a wonderful love story and has to be among my Top 5 favorite movies ever. Dialog and acting are great. I love the characters and their ideas and thoughts. Of course, the romantic Vienna, introduced in the movie does not exist (you won't find a poet sitting by the river in the middle of the night) and it isn't possible to get to all the places in only one night, either (especially if you're a stranger and it's your first night in Vienna). But that's not the point. The relationship of the two characters is much more important and this part of the story is not at all unrealistic. Although, nothing ever really happens, the movie never gets boring. The ending is genuinely sad without being "Titanic" or something. Even if you don't like love stories you should watch this film! I'm a little skeptic about the sequel that is going to be released in summer. The first part is perfect as it is, in my opinion.
What is this review like?
OUT: positive

IN: Review: This has to be one of the most sincere and touching boy-meets-girl movies ever made. While "Rebel Without a Cause" and "Say Anything" deliver nice portrayals, this movies strips down useless subplots and Hollywood divergences. This movie focuses purely on watching the budding of a beautiful romance. You never doubt for a second that the film will lead towards the romantic pairing of these two people. You almost immediately sense the synergy and the chemistry between Jesse and Celine, and it is simply pure joy to watch them find it. This movie is mostly all dialogue -based. But, every conversation between these too is greatly intriguing. What makes this pairing so romantic is how real it is. How in all that conversation, while often having no real bearing on anything critical, you can sense the nuances as these two become more fond and trusting of each other. This is exactly they way you would dream that you meet that special someone. And what makes it so true is that it is not even too fantastic to believe. This could be what would happen if you had been confident enough to strike up a conversation with that person you noticed somewhere random. And what puts the icing on this film is the magnificent backdrop of Vienna in which this film takes place. It just adds to the feeling of romantic nirvana that the film suggests. And no matter how many times I watch this film, I don't think I will ever tire of that.
What is this review like?
OUT: positive

IN: Review: In the early 1970s, many of us who had embraced hippy/acid/alternative culture wholeheartedly, had realised that mainstream society was not going to change in the way we thought it would. For me this film defined the tension of "now what?" that many of the people I knew felt at that time. Do we head for the commune and create our own vision of utopia or do we radicalize and push for change?

From the futile gestures to police, the radical rhetoric, the music of Pink Floyd, to the love-making and the explosive images in the desert - so much is in there. It captures well a significant moment in time.
What is this review like?
OUT: positive

IN: Review: The British 'heritage film' industry is out of control. There's nothing wrong with filming classic novels, but why must they all be filmed by talentless nobodies? This film rips the guts out of Orwell's tough novel, turning it into a harmless, fluffy romantic comedy. 'Aspidistra' may not be Orwell's best work, but no-one who reads it can forget its superb depiction of poverty. Orwell emphasises not only the cold and the hunger, but the humiliation of being poor. In the novel, London is a bleak, grey, cold, heartless city, and Comstock prays for it to be blasted away by a squadron of bombers. But this film irons out anything that might be in any way disturbing, and creates instead a jolly nostalgic trip to charming 1930s London, in which everything is lit with shafts of golden sunlight, and even the slums of Lambeth are picturesque and filled with freshly scrubbed urchins and happy prostitutes. Comstock's poems about the sharp wind sweeping across the rubbish-strewn streets seem completely out of place in this chocolate-box world. Worst of all is the script's relentless bonhomie, ancient jokes, and clunking dialogue. It's so frustrating because Richard E. Grant is the perfect person to play Gordon Comstock, and the film is packed with great actors. But it's all for nothing. This film made me so angry! Britain's literary history is something to be proud of for its richness, complexity and power. And what do we do with it? We employ bland nobodies to turn it into soft-centred, anodyne pap for people who want to feel that they are 'getting some culture' while they drink their Horlicks and quietly doze off.
What is this review like?
OUT:
negative