Question: Generate a question about the following movie plot: On October 23, 2006, Paul Conroy, an American civilian truck driver working in Iraq, wakes up and finds himself buried alive in a wooden coffin, bound and gagged, with only a Zippo lighter and a BlackBerry phone at hand. Although he initially has no idea how he got there, he starts to piece together what has happened to him. He remembers that his and several other trucks were ambushed by terrorists, who killed his colleagues; he was hit by a rock and passed out. He receives a call from his kidnapper, Jabir, demanding that he pay a ransom of $5 million by 9PM or he will be left in the coffin to die. Conroy calls the State Department, which tells him that due to the government policy of not negotiating with terrorists, it will not pay the ransom but will try to rescue him. They connect him with Dan Brenner, head of the Hostage Working Group, who tells Conroy they are doing their best to find him. His kidnapper calls Conroy and demands he make a ransom video, threatening to execute one of his colleagues who survived the attack. Conroy insists that no one will pay $5 million, so the kidnapper drops the amount to $1 million. Despite his compliance in making a video, the kidnappers execute his colleague and send him the recording of it, which he watches in horror. Shortly afterwards, distant explosions shake the area, damaging his coffin, which begins to slowly fill with sand. Conroy continues sporadic phone calls with Brenner, skeptical of the man's promises of help. To reaffirm his wholehearted intentions, Brenner tells Conroy about a 26-year-old named Mark White who was rescued from a similar situation three weeks previously, telling him that the kid is home with his family and happy. Later on, Conroy receives a phone call from his employers, who inform him that he was fired from his job due to an alleged prohibited relationship with a colleague (the one who was executed), and thus he and his family will not be entitled to any benefits or pension he earned during his time with the company. Brenner calls back and...
Answer: What happens to Conroy's colleague?

[Q]: Generate a question about the following movie plot: The film begins with Jane Eyre running away from Thornfield Hall in the middle of the night and finding herself alone on the moors, in the pouring rain. She manages to reach the doorstep of Moor House, the home of Mr. St. John Rivers, a clergyman, and his two sisters. They take Jane in, saving her life. There follows a flashback, to the 10-year-old Jane Eyre, an orphan, living with her maternal uncle's family, the Reeds, at Gateshead Hall. Jane's aunt, Sarah Reed, doesn't like Jane and is very cruel to her; Mrs. Reed's three children are also abusive towards her. One day, Jane is locked in the Red Room, where her uncle died, and which Jane believes is haunted. She knocks herself unconscious on the door, after a huge puff of smoke comes down the chimney. Jane's aunt sends her to Lowood School for Girls, which is run by a cruel clergyman, Mr. Brocklehurst. Mrs. Reed tells him that Jane is a deceitful child and is not to be trusted. Jane tells her aunt how much she hates her and that she is a hard-hearted woman. At Lowood, while another pupil, Helen Burns, is being beaten, Jane accidentally drops her slate. Mr. Brocklehurst brands her a liar and makes her stand on a chair all day. Jane and Helen become close friends, but Helen later dies of consumption (tuberculosis). Eight years later, Jane leaves Lowood and takes up a post with Alice Fairfax of Thornfield Hall. She will be a governess to Adele Varens, a young French orphan girl. When she first arrives at Thornfield, a gloomy, isolated mansion, Jane mistakes Mrs. Fairfax for her employer, but she finds out that she is only the housekeeper for her absent master. While Jane is walking into town to post a letter, a horse passes her and throws its rider. Jane helps the gentleman to his horse. Later, back at the mansion, she learns that the horse rider is Edward Rochester, master of the house. He jokingly tells her that she must have bewitched his horse to make him fall. They gradually fall in love with one another. One night, Jane is awoken by a strange noise at...
****
[A]: What is the name of the housekeeper?

input: Please answer the following: Generate a question about the following movie plot: Waking Life is about an unnamed young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanism, the film theory of Andre Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream. The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to accept God's...
++++++++++
output:
How does one become free from the illusion of life?