Background: Wilhelm II (Friedrich Wilhelm Viktor Albert von Hohenzollern; 27 January 1859 - 4 June 1941) was the last German Emperor (Kaiser) and King of Prussia, ruling the German Empire and the Kingdom of Prussia from 15 June 1888 to 9 November 1918. He was the eldest grandchild of the Queen Victoria of the United Kingdom and related to many monarchs and princes of Europe, most notably King George V of the United Kingdom and Emperor Nicholas II of Russia. Acceding to the throne in 1888, he dismissed the Chancellor, Otto von Bismarck, in 1890. He also launched Germany on a bellicose "New Course" in foreign affairs that culminated in his support for Austria-Hungary in the crisis of July 1914 that led in a matter of days to the First World War.
Context: Bismarck resigned at Wilhelm II's insistence in 1890, at the age of 75, to be succeeded as Chancellor of Germany and Minister-President of Prussia by Leo von Caprivi, who in turn was replaced by Chlodwig, Prince of Hohenlohe-Schillingsfurst, in 1894. Following the dismissal of Hohenlohe in 1900, Wilhelm appointed the man whom he regarded as "his own Bismarck", Bernhard von Bulow. In foreign policy Bismarck had achieved a fragile balance of interests between Germany, France and Russia--peace was at hand and Bismarck tried to keep it that way despite growing popular sentiment against Britain (regarding colonies) and especially against Russia. With Bismarck's dismissal the Russians now expected a reversal of policy in Berlin, so they quickly came to terms with France, beginning the process that by 1914 largely isolated Germany. In appointing Caprivi and then Hohenlohe, Wilhelm was embarking upon what is known to history as "the New Course", in which he hoped to exert decisive influence in the government of the empire. There is debate amongst historians as to the precise degree to which Wilhelm succeeded in implementing "personal rule" in this era, but what is clear is the very different dynamic which existed between the Crown and its chief political servant (the Chancellor) in the "Wilhelmine Era". These chancellors were senior civil servants and not seasoned politician-statesmen like Bismarck. Wilhelm wanted to preclude the emergence of another Iron Chancellor, whom he ultimately detested as being "a boorish old killjoy" who had not permitted any minister to see the Emperor except in his presence, keeping a stranglehold on effective political power. Upon his enforced retirement and until his dying day, Bismarck was to become a bitter critic of Wilhelm's policies, but without the support of the supreme arbiter of all political appointments (the Emperor) there was little chance of Bismarck exerting a decisive influence on policy. Bismarck did manage to create the "Bismarck myth," the view (which some would argue was confirmed by subsequent events) that Wilhelm II's dismissal of the Iron Chancellor effectively destroyed any chance Germany had of stable and effective government. In this view, Wilhelm's "New Course" was characterised far more as the German ship of state going out of control, eventually leading through a series of crises to the carnage of the First and Second World Wars. In the early twentieth century Wilhelm began to concentrate upon his real agenda; the creation of a German navy that would rival that of Britain and enable Germany to declare itself a world power. He ordered his military leaders to read Admiral Alfred Thayer Mahan's book, The Influence of Sea Power upon History, and spent hours drawing sketches of the ships that he wanted built. Bulow and Bethmann Hollweg, his loyal chancellors, looked after domestic affairs, while Wilhelm began to spread alarm in the chancellories of Europe with his increasingly eccentric views on foreign affairs.
Question: he ordered his military to do what?
Answer: power. He ordered his military leaders to read Admiral Alfred Thayer Mahan's book,

Background: Esma Redzepova-Teodosievska (Macedonian: Esma Redzhepova-Teodosievska Macedonian pronunciation: ['esma re'dZepova teo'dosiefska]; 8 August 1943 - 11 December 2016) was a Macedonian vocalist, songwriter, and humanitarian of Romani ethnicity. Because of her prolific repertoire, which includes hundreds of songs, and because of her contribution to Roma culture and its promotion, she was nicknamed Queen of the Gypsies.
Context: During the 1980s, the musical career of Esma Redzepova slowed down. In 1989, she settled back in Skopje with her husband. After independence in 1991, the Republic of Macedonia went through difficult times. Stevo Teodosievski died in 1997 at 72. However, Esma Redzepova toured the United States the year after, performing at a series of benefit concerts. She also released a selection of duets with Usnija Jasarova in 1994. The 2000s where very fruitful and marked a slight shift in the singer's career. In Macedonia and former Yugoslavia, Esma gained a more modern image and redefined herself as a worldbeat artist. For instance, she made several collaborations with young pop singers. In 2002, she recorded a song with the Croatian band Magazin and a duet with the Macedonian singer Todor Proeski. She also recorded a song with the Bosnian band Crno Vino in 2005 and made a collaboration with Kiril Dzajkovski in 2010. On the international scene, Esma Redzepova contributed towards the establishment of Roma music as a non-mass-market good, pleasing an urban and cultural elite. However, many of her new songs were not widely accepted by Western audience because they did not match its expectation about Roma music. For instance, some songs featured synthesizer, an instrument that is not used in traditional Roma music. Esma was even booed at a concert in Spain, but defended herself saying that Roma music has always adapted itself and borrowed external features. Her best known single, Caje Sukarije, is the feature song on the 2006 Borat movie soundtrack, which she claims was used without her permission. Together with Naat Veliov from Kocani Orkestar she sued the producers of the film for 800,000 euro (USD 1,000,000). Afterwards, Redzepova won a EUR26,000 compensation, since it turned out that Cohen got permission from her production house to take the song, which she was not notified about. Esma was particularly upset because her song was used to illustrate backwardness, something she always fought. However, Borat contributed towards the expansion of her fame internationally. Esma Redzepova was selected together with Vlatko Lozanoski to represent Macedonia in the Eurovision Song Contest 2013. Their song, "Imperija", was unveiled in March 2013, but it caused controversy in the country as its clip featured many monuments of the controversial project Skopje 2014. The song was thus viewed as a nationalist act. Macedonian Radio-Television requested the singers write a new song. Eventually, "Pred da se razdeni" was released a month later. The song failed to advance from the second semi-final of the competition on 16 May 2013, placing 16th in the field of 17 songs, scoring 28 points.
Question: What else did she do in her career?
Answer:
she made several collaborations with young pop singers.