Problem: OPTIONS:
- negative
- positive negative
=++++=
Answer: Hee hee hee. This movie is so bad that it doesn't even try to hide the fact that it sucks big time. I remember the day I first saw this on MST. Sun was shining, looked like a good day. then, I saw this product of Rick Sloane which consisted of horrible plush dolls wreaking havoc in the crappy 80s fest land. Kevin, wussy extraordinaire, tries to impress his girlfriend, manages an assistant security guard job, fights with rakes, and plenty more stuff in this very badly made series of images. No plot or story is needed. Obviously no acting is necessary as the film proves. An army guy and his sex crazed girl will make you wanna leap off a cliff, and the dorky friend who gets his kicks off phone sex will make you say, " He has got some nice red shorts". Plus, I really hated the old security guard and wished he had an accident in his supermarket cart. Just when you think it's over, wait until the Club Scum scene. Ask for Road Rash.

I advise that after viewing this film, a good month to regain senses and sanity. And if you see Rick Sloane, give him a good kick to the groin to show how much we appreciate this crapsterpiece called Hobgoblins.
An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: I liked it but then I think I might have been ironing at the same time. This reworking of Cyrano de Bergerac/Roxanne is an utterly undemanding, formulaic romcom rescued from straight-to-video ignominy on its release by the sharp turn of Janeane Garofalo. Playing the Frasier of Pets, she finds herself caught in a love trap when insecurity leads her to pass her best friend (Uma Thurman) off as herself when a caller comes a-courtin'.

This is an interesting film in the fascinating career of Ben Chaplin. An average British actor, he gave the Hollywood treadmill a shot with this film. He is unremarkable and his anonymity in studio productions is unsurprising on the basis of it, although he has appeared in substantial cameos in both the later Terence Malick films. Uma Thurman does a ditzy turn on autopilot and Michael Lehmann packages it all together competently. Icky phone sex though. 4/10
Q: What's an example of a movie review?
An example of a movie review is here: For every series that makes it to television, a 100 ideas are formed, 50 scripts are written, 15 pilots are made, and one, just one, actually makes it to production. From such a selection process, we are lead to believe that the final product must be the cream of the crop, for what other reason could so many ideas be rejected to give us a single television series.

And so it goes with True Blood; all the stars were in alignment and what started as a series of novels was transformed into an idea, a screen play, a pilot, and finally a series. Unfortunately, it can sometimes be a long journey and along the way there are many turns that ultimately change what was good and pure into and show that production people feel would be best for ratings. Oh how wrong they so often are...

True Blood is an example of a creative concept that has developed into one of the poorest story lines, worst acting, and silliest subplots as anything in recent television history. Its international cast of relatively unknown actors struggle to find their voices but keep tripping over their fake southern accents. Alan Ball's not so secret desires for Ryan (Jason Stackhouse) gives us a fresh nude shot each week although it often has nothing to do with the storyline. Tara's angry black woman characterization fails to connect and you find yourself secretly hoping the vamps take her out quickly before she goes into another speech about white suppression while attend a ceremony for the Glorious Dead of the Confedercy. Sam finds suppressed love for Sookie and suddenly we are to believe he needs to watch over her morning, noon, and night despite years of working with her and avoiding any such relationship.

As for Bill the Vampire, his moral high ground is quickly surrendered at the first chance to make love with Sookie and has no issue with make a quick snack of her (although she remains somewhat unharmed). We find the other vampires not so mainstream as Bill but greatly desiring to become accepted by a public as they look at the living as Happy Meals with legs.

Despite my best efforts of suffering through the first six episodes, I have come to the realization that no matter how long you watch a bad show, its still bad. Somethings die for a reason, even vampires. Maybe this show should to.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: Anarchy and lawlessness reign supreme in the podunk hick hamlet of Elk Hills. The town elders deputize tough, cagey Vietnam veteran Aaron (a wonderfully robust and engaging performance by Kris Kristofferson) and several of his fellow vet buddies to clean up the place. The plan goes sour when Aaron and his cruel cronies decide to take over Elk Hills after they get rid of all the bad elements. It's up to Aaron's decent do-gooder brother Ben (amiably played by Jan-Michael Vincent) to put a stop to him before things get too out of hand. Writer/director George ("Miami Blues," "Gross Pointe Blank") Armitage whips up a delightfully amoral, cynical and wickedly subversive redneck drive-in exploitation contemporary Western winner: he expertly creates a gritty, no-nonsense tone, keeps the pace brisk and unflagging throughout, and stages the plentiful action scenes with considerable muscular aplomb (the rousing explosive climax is especially strong and stirring). The first-rate cast of familiar B-feature faces constitutes as a major asset: Victoria Principal as Ben's sweet hottie girlfriend Linda, the fabulous Bernadette Peters as flaky saloon singer Little Dee, Brad Dexter as the feckless mayor, David Doyle as a slimy bank president, Andrew Stevens as an affable gas station attendant, John Carpenter movie regular Charles Cyphers as one of the 'Nam vets, Anthony Carbone as a smarmy casino manager, John Steadman as a folksy old diner owner, Paul Gleason as a mean strong-arm shakedown bully, and Dick Miller as a talentless piano player. Moral: Don't hire other people to do your dirty work. William Cronjager's slick cinematography, Gerald Fried's lively, harmonic hillbilly bluegrass score, and the abundant raw violence further add to the overall trashy fun of this unjustly neglected little doozy.
Problem: OPTIONS:
- negative
- positive positive
=++++=
Answer:
Oh it's so cool to watch a Silent Classic once in while! Director Vidor is simply delightful and even makes a lengthy (at least for 1928) cameo as himself. The story is about having success in life and the way it changes you. Marion Davies plays a girl that leaves its friends in a little comedy studio to be part of a larger "drama" studio. She becomes a big star and the consequences are she really alienates from the real world. For a moment she even denies her (poor) past! The cameos are simply hilarious, certainly the scene where the main character (Marion Davies) sees...Marion Davies in the studios and concludes she doesn't seem that special... It's got to be one of the first movie-in-the-movies here and for real freaks it's awesome to see the cameras and material from way back then. A must-see if you ask me!!