Problem: This review is like what?

Review:Carrie Fisher has stated on more than one occasion that she made this movie during a period of her life when she had a heavy cocaine problem, and she doesn't remember very much of it. That would explain why she made this film, but it doesn't explain why anyone else in the cast or crew did; I can't believe that EVERYBODY had a coke problem. This has to be one of the absolute worst movies ever made, and that's saying something. The blame can't be laid at the feet of "director" Tim Kincaid or "writer" Buddy Giovinazzo, as it is obvious that this picture wasn't written or directed by anyone. Apparently it just spontaneously came together, as there is little evidence of coherency, consistency, design, plot, sense, intelligence or anything else. What is really amazing is that there were some actual professionals who were involved in this glop. Co-star Robert Joy has done good work in other films, and composer Jimmie Haskell and cinematographer Arthur Marks are both industry veterans, Marks also having been a director, and not a bad one. Why they got involved in this steaming pile of offal is beyond comprehension. Tim Kincaid, the alleged "director", has made quite a few low-rent sci-fi and horror films, and, having seen most of them, I can tell you that not a one of them is any good. This one, though, is by far the worst thing he's ever done, and that is a major accomplishment on his part. Everything, absolutely EVERYTHING, about this movie is 12th-rate--at best. The cinematography is terrible, the acting is laughable, the "special effects" make "Plan 9 From Outer Space" look like "Spider-Man", the story is trite, derivative and stupid. Don't waste your time even looking at the video box cover, let alone renting it. A complete, utter, annoying, total dud.
+++++++++
A: negative

Problem: This review is like what?

Review:This is one of those Film's/pilot that if you knew BattleStar Galactica it helps, but isn't necessary. What makes this even more believable of a story than BSG is that this isn't something so far away in the future. This has such a depth to it that it is quite astonishing it was not released theatrically. The leads could not have been chosen better in such experienced & quite talented actors. Eric Stoltz is superb as the father who will do anything to be re-united w/his daughter however real or not she is & he'll do it no matter the cost. Paula Malcomson of "Deadwood" fame is terrific as his wife as well. You are not sure completely of his motives whether it's love or money or both, but that is what makes this pilot even more intriguing. I see a star in the making of Zoe played by the relative unknown Alessandra Torresani & her performance. Esai Morales is terrific in his desire to see his loved one again & just how wrong to be even considering what he wants more than his moral objections. I didn't think this would be a good idea when it was announced but from the pilot alone I am thrilled to see how we got to the BSG stage story. It's great to see Adama as a child already being affected & influenced by the different sorts of Robots starting to permeate life at this stage. I just hope that they can keep up the stories so we can figure out even more how they got the the Humanoid typed robots. This is an almost perfect pilot & I hope they can keep up the fantastic storytelling. Even the Visual effects are better than most of the garbage you see on the big screen. If you haven't gotten into BSG, @ least try this & I'll bet you become a fan & will want to see how the BSG story came to be.
+++++++++
A: positive

Problem: This review is like what?

Review:How many centuries will pass until the Japanese/Asian horror films abandon the long-haired ghost-woman shtick? Admittedly, they've managed to rip off "Ringu" a million times, and often it worked well - which just goes to show that originality isn't that much of a requirement in the horror genre (or that I'm very uncritical and easy to please?). However, this time around I found myself a little restless, somewhat bored. It's not a bad film, but it's at least half-an-hour longer than it should be, with its absurd 110 minutes length. Compared to many other Japanese horror films, OMC lacks atmosphere and excitement. Plus, the ending is confusing: it makes no sense at all. As for the ring-tone: Miike could have come up with a melody that is more effective than that forgettable little thing. Even though it was played a dozen times I can't even remember it - that's how scary it was. Speaking of Miike, for him this is something of a commercial venture, so if anyone thinks they might be getting perversion of the "Bijita Q" or "Audition" kind, they're wasting their time.
+++++++++
A: negative

Problem: This review is like what?

Review:A young ( only 21 ) director with great talent, a powerful scenario, young and ambitious cast with all theatrical background...

One of the first tries of a thriller in Turkish cinema, which seems in the future we'll have some more based on the success...

Shot on high definition video, the movie is perhaps effected on world thrillers, especially the American thrillers. The technical and cinematographic character is quite well done, the scenes are all well worked on. Not too much blood but sufficient enough to make you think you're in a blood bath too...

The scenario is quite wise but with certain clues, a clever audience can easily predict what's going on and at the end when everything settles down you're getting somehow weird to conclude the result.

Well done Tiglon, one of the biggest DVD distributors in Turkey, it is not easy to decide for such a movie in their first try as a production company...
+++++++++
A:
positive