[Q]: Extract the answer to the question from the following context. Question: Aesthetics perceived as traditionalist, rockist and what were rejected during the post-punk movement? Context: Though the music varied widely between regions and artists, the post-punk movement has been characterized by its "conceptual assault" on rock conventions and rejection of aesthetics perceived of as traditionalist, hegemonic or rockist in favor of experimentation with production techniques and non-rock musical styles such as dub, electronic music, disco, noise, jazz, krautrock, world music and the avant-garde. While post-punk musicians often avoided or intentionally obscured conventional influences, previous musical styles did serve as touchstones for the movement, including particular brands of glam, art rock and "[the] dark undercurrent of '60s music".[nb 1] According to Reynolds, artists once again approached the studio as an instrument, using new recording methods and pursuing novel sonic territories. Author Matthew Bannister wrote that post-punk artists rejected the high cultural references of 1960s rock artists like the Beatles and Bob Dylan as well as paradigms that defined "rock as progressive, as art, as 'sterile' studio perfectionism ... by adopting an avant-garde aesthetic".
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[A]: hegemonic

[Q]: Extract the answer to the question from the following context. Question: Liability is involved when something is? Context: Notably, the most broadly influential innovation of 20th-century American tort law was the rule of strict liability for defective products, which originated with judicial glosses on the law of warranty. In 1963, Roger J. Traynor of the Supreme Court of California threw away legal fictions based on warranties and imposed strict liability for defective products as a matter of public policy in the landmark case of Greenman v. Yuba Power Products. The American Law Institute subsequently adopted a slightly different version of the Greenman rule in Section 402A of the Restatement (Second) of Torts, which was published in 1964 and was very influential throughout the United States. Outside the U.S., the rule was adopted by the European Economic Community in the Product Liability Directive of July 1985 by Australia in July 1992 and by Japan in June 1994.
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[A]: defective

[Q]: Extract the answer to the question from the following context. Question: Whose support did EOKA hope for? Context: The Greek Cypriot population, meanwhile, had become hopeful that the British administration would lead to enosis. The idea of enosis was historically part of the Megali Idea, a greater political ambition of a Greek state encompassing the territories with Greek inhabitants in the former Ottoman Empire, including Cyprus and Asia Minor with a capital in Constantinople, and was actively pursued by the Cypriot Orthodox Church, which had its members educated in Greece. These religious officials, together with Greek military officers and professionals, some of whom still pursued the Megali Idea, would later found the guerrilla organisation Ethniki Organosis Kyprion Agoniston or National Organisation of Cypriot Fighters (EOKA). The Greek Cypriots viewed the island as historically Greek and believed that union with Greece was a natural right. In the 1950s, the pursuit of enosis became a part of the Greek national policy,
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[A]: British administration

[Q]: Extract the answer to the question from the following context. Question: What classification is a Zintl phase determinate? Context: An alloy is a mixture of metals or a mixture of a metal and another element. Alloys are defined by metallic bonding character. An alloy may be a solid solution of metal elements (a single phase) or a mixture of metallic phases (two or more solutions). Intermetallic compounds are alloys with a defined stoichiometry and crystal structure. Zintl phases are also sometimes considered alloys depending on bond types (see also: Van Arkel-Ketelaar triangle for information on classifying bonding in binary compounds).
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[A]:
bond types