Teacher: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Teacher: Now, understand the problem? If you are still confused, see the following example:
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this instance: Context_1 : One-nation conservatism (also known as one-nationism, or Tory democracy) is a form of British political conservatism that views society as organic and values paternalism and pragmatism. The phrase "One-nation Tory" originated with Benjamin Disraeli (18041881), who served as the chief Conservative spokesman and became Prime Minister in February 1868. He devised it to appeal to working-class men as a solution to worsening divisions in society through introducing factory and health acts, as well as greater protection for workers. Context_2 : The Fourth Party was a label given to a quartet of British MPs, Lord Randolph Churchill, Henry Drummond Wolff, John Gorst and Arthur Balfour, in the 18801885 parliament. Context_3 : James Henry Drummond (October 20, 1918 December 12, 1950) is a former Canadian ice hockey defenceman. He played in the NHL for the New York Rangers. Drummond was born in Toronto, Ontario, Canada. Context_4 : Benjamin Disraeli, 1st Earl of Beaconsfield, (21 December 1804 19 April 1881) was a British statesman of the Conservative Party who twice served as Prime Minister of the United Kingdom, as well as a novelist. He played a central role in the creation of the modern Conservative Party, defining its policies and its broad outreach. Disraeli is remembered for his influential voice in world affairs, his political battles with the Liberal Party leader William Ewart Gladstone, and his one-nation conservatism or "Tory democracy". He made the Conservatives the party most identified with the glory and power of the British Empire. He is the only UK Prime Minister to have been of Jewish birth. Context_5 : Tory Boy was a character in a television sketch by comedian Harry Enfield which portrayed a young, male, Conservative MP. The term has since been used as a caricature of young Conservative MPs. Tory Boy was a repulsive thirteen-year-old, combining the characteristics of a snobbish, unpopular boy who went to school with Enfield, and those of an imagined younger version of William Hague. Enfield also claimed to have mixed other recent Conservative politicians such as Michael Howard and Michael Portillo into the character, alleging that they were "Tory Boys who have never grown up." The traits of "Tory Boy" have also been said to mirror those of a stereotypical member of the Federation of Conservative Students. The Tory Boy image of a young Conservative MP has damaged some politicians. William Hague struggled to shake off the stereotype and was often ridiculed for it during his leadership of the party. Recently it has been argued that Conservative Future has managed to change the image of young Conservatives from that given by the FCS. Context_6 : Margaret MacDonald was born in 1815 in Port Glasgow, Scotland and died around 1840. She lived with her two older brothers, James and George, both of whom ran a shipping business. Beginning in 1826 and through 1829, a few preachers in Scotland emphasized that the world's problems could only be addressed through an outbreak of supernatural gifts from the Holy Spirit. In response, Isabella and Mary Campbell of the parish of Rosneath manifested charismatic experiences such as speaking in tongues. Around 1830, miraculous healings were reported through James Campbell, first of his sister Margaret MacDonald and then of Mary Campbell (through James's letter to Mary). Shortly thereafter, James and George MacDonald manifested the speaking and interpretations of tongues, and soon others followed suit in prayer meetings. These charismatic experiences garnered major national attention. Many came to see and investigate these events. Some, such as Edward Irving and Henry Drummond, regarded these events as genuine displays from the Holy Spirit. Others, including John Nelson Darby and Benjamin Wills Newton, whom the Plymouth Brethren sent on their behalf to investigate, came to the conclusion that these displays were demonic. Context_7 : Stanley Drummond Wolff (4 February 1916 9 April 2004) was an English organist, choirmaster, composer, and music educator who was primarily active in North America. His compositional output primarily consists of anthems for choir and works for solo organ. In the 1980s he completed and published four volumes of hymns. Many of his compositions have been published by Concordia Publishing House and MorningStar Music Publishers. Context_8 : Lord Randolph Henry Spencer-Churchill (13 February 184924 January 1895) was a British statesman. Churchill was a genuine Tory radical, who coined the term Tory Democracy. He inspired a generation of party managers, created the National Union of the Conservative Party, broke new ground in modern budgetary presentations, attracting admiration and criticism alike from across the political spectrum. His most acerbic critics resided in his own party among his closest friends; but his disloyalty to Lord Salisbury was the beginning of the end of what should have been a glittering career. His devoted son, Winston, who hardly knew his father in life, wrote a biography of him. Context_9 : The Drummond Professorship of Political Economy at All Souls College, Oxford has been held by a number of distinguished individuals, including three Nobel laureates. The professorship is named after and was founded by Henry Drummond. Holders of the Drummond Professorship include: Context_10 : Henry Maxence Cavendish Drummond Wolff (16 July 1899 8 February 1982), commonly known as Henry Drummond Wolff, was a British Conservative Party politician. Drummond Wolff was known for his close ties to the far right. fact_1 : The Fourth Party was a label given to a quartet of British MPs, Lord Randolph Churchill, Henry Drummond Wolff, John Gorst and Arthur Balfour, in the 18801885 parliament. fact_2 : Churchill was a genuine Tory radical, who coined the term Tory Democracy. Question: Who else was given the label in the quartet along with Henry Drummond Wolff, John Gorst and a genuine Tory radical, who coined the term Tory Democracy ?
Student:
Arthur Balfour