In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

[EX Q]: Question: How many different directors did Prada work with in 1976 and 1977? Passage:When Jaya Prada was a teenager, she performed a dance at her school's annual function. A film director in the audience offered her a three-minute dance number in the Telugu film Bhoomi Kosam. She was hesitant, but her family encouraged her to accept it. She was paid only 10 rupees for her work in the film, but the rushes of those three minutes of film were shown to the major figures of the Telugu film industry. Major filmmakers offered her starring roles in quality films, and she accepted them. She became a huge star in 1976 with major hit films. Director K. Balachander's black-and-white film Anthuleni Katha (1976) showcased her dramatic skills; K. Viswanath's color film Siri Siri Muvva (1976) showed her playing a mute girl with excellent dancing skills; and her title role as Sita in the big-budget mythological film Seetha Kalyanam confirmed her versatility. In 1977, she starred in Adavi Ramudu, which broke box office records and which permanently cemented her star status. The song "Aaresukoboyi Paresukunnanu" performed by Prada and co-star N.T. Rama Rao became a mass hit. Important filmmakers were casting her and repeating her in their films. Filmmaker Vijay introduced her to Kannada cinema in his 1977 super-hit movie Sanadi Appanna alongside Kannada matinee idol Raj Kumar. The movie is also known to be the only movie to feature shehnai rendition by Ustad Bismillah Khan. Jaya Prada repeated her successful pairing with Rajkumar in films such as Huliya Halina Mevu (1979), Kaviratna Kalidasa (1983) and Shabdavedhi (2000). In 1979, K. Balachander repeated her in the Tamil film Ninaithale Inikkum opposite Kamal Haasan and Rajinikanth in which she played a terminally-ill patient. She continued to act in more films in Telugu opposite actors such NTR, ANR, Krishna, Krishnam Raju and Sobhan Babu throughout the 70s and 80s. K. Viswanath remade Siri Siri Muvva (1976) in Hindi as Sargam, introducing Jayaprada to Bollywood in 1979. The film was successful and she became a star there as well. She earned her first Filmfare nomination as Best Actress but couldn't capitalize on her success since she couldn't speak Hindi.
Links: a. Adavi Ramudu (1977 film) b. Filmfare c. Shehnai d. Anthuleni Katha
[EX A]: d

[EX Q]: Question: In what era did the architectural style of Ince Blundell Hall emerge? Passage:Ince Blundell Hall is in Georgian style. It is constructed in brick with sandstone dressings, and has an L-shaped plan. The main block faces southeast; it is in two storeys with an attic, and has a front of nine bays. Richard Pollard and Nikolaus Pevsner describe the front as being in late English Baroque style, and consider that it was "evidently inspired" by the front of Buckingham Palace, London. Between the upper storey and the attic is an entablature with a cornice and a panelled parapet. The central three bays project forward, the lower storeys are flanked by pairs of giant pilasters, and at the sides of the central doorway are giant columns. There are more pilasters at the ends of the building, and in the central three bays of the attic. All the pilasters and columns are Corinthian in style. The windows are sashes and are surrounded by architraves. The ground floor windows in the central bays have segmental heads with keystones, and those in the outer bays have friezes and pediments carried on consoles. Below the upper floor windows are panelled aprons and consoles. The central doorway has a segmental head and a keystone carved with the Blundell arms. At the corners of the front are quoins.
Links: a. Sash window b. Sandstone c. Nikolaus Pevsner d. Georgian architecture
[EX A]: d

[EX Q]: Question: Who invented the equipment that let airships locate U-boats in shallow waters? Passage:In 1944, Argentia served as one of the two stopover bases for the refuelling, maintenance, and crew changes of the six United States Navy (USN) K-class blimps that made the first transatlantic crossings of non-rigid airships. Blimps K-123 and K-130 from USN Blimp Squadron 14 (also known as ZP-14, Blimpron 14, or "The Africa Squadron") left South Weymouth Naval Air Station in Massachusetts on 28 May 1944 and landed at Argentia about 16 hours later. The two K-ships then flew for approximately 22 hours to Lages Field on Terceira Island in the Azores, the second stopover base for the transatlantic flights. The last leg was a ~20-hour flight to the squadron's final destination with Fleet Air Wing (FAW) 15 at Port Lyautey, French Morocco (now Kenitra, Morocco). Blimps K-123 and K-130 were followed by K-109 and K-134 then K-112 and K-101 which left South Weymouth on 11 and 27 June, respectively, in 1944. These six blimps initially conducted nighttime anti-submarine warfare operations to complement the daytime missions flown by FAW-15 aircraft (PBYs and PB4Y-2) using magnetic anomaly detection to locate U-boats in the relatively shallow waters around the Strait of Gibraltar. Later, ZP-14 K-ships conducted minespotting and minesweeping operations in key Mediterranean ports and various escort missions including that of the convoy carrying Franklin Roosevelt and Winston Churchill to the Yalta Conference in early 1945. In late April 1945, K-89 and K-114 left NAS Weeksville (now Coast Guard Air Station Elizabeth City) in North Carolina and flew a southern route to NAS Bermuda, the Azores, and Port Lyautey, where they arrived on 1 May 1945.
Links: a. Consolidated PBY Catalina b. French protectorate in Morocco c. Weeksville Dirigible Hangar d. Magnetic anomaly detector
[EX A]:
d