instruction:
In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.
question:
Passage: In 1986, Mehboob met music composer Ismail Darbar who used to play the violin in film orchestras in those days. And it was Darbar who taught him the difference between poetry and film lyrics. Darbar introduced Mehboob to filmmaker Ram Gopal Varma and he began his song writing career with Varma's 1992 film Drohi whose music was composed by R. D. Burman. He then worked with A.R.Rahman on Varma's Rangeela. Rahman liked his work and introduced him to Mani Ratnam and Mehboob penned the lyrics for the Hindi (dubbed) version of Bombay. Mehboob went on to work with Rahman on films such as Thakshak, Doli Saja Ke Rakhna and Dubbed version of Dil Hi Dil Mein. He has also written the lyrics for Rahman's non-film album Maa Tujhe Salaam as well as Ratnam's Yuva.
Link Information: Gopala Ratnam Subramaniam (born 2 June 1956) Answer: 36
answer:
How old was Mani Ratnam when the film Drohi was released?

question:
Passage: Harold Henry Joachim was born in London, the son of a wool merchant who had come to England as a boy from Hungary. He was educated at Harrow School and Balliol College, Oxford, where he was a pupil of R. L. Nettleship. He was elected to a Prize Fellowship at Merton College in 1890, and in 1892 became a philosophy lecturer at the University of St Andrews. Returning to Oxford in 1894, he was lecturer at Balliol until becoming a Fellow and Tutor at Merton in 1897. In 1907 he married his first cousin, a daughter of the violinist Joseph Joachim. He became Wykeham Professor of Logic of the University of Oxford from 1919, succeeding the realist John Cook Wilson, and occupied the chair until his death. Whilst at Oxford he taught the American poet T.S. Eliot. Joachim was a nephew of the great 19th Century violinist Joseph Joachim, and was himself a talented amateur violinist.
Link Information: Its foundation can be traced back to the 1260s when Walter de Merton Answer: 1260s
answer:
When was the university where Joachim was elected to a Prize Fellowship founded?

question:
Passage: It opens with two club-driven tracks: an interlude titled "Bridge to the Sky", and the promotional titular song. "Disco-munication" is the second interlude on the album, blending "sophisticated" electric guitars with electronic music. "Energize" is another electronic track, and is one of the only numbers on the album that include English phases ("Put your hands up together, keep your heads up forever, let me sing forever,"). The fifth track "Sparkle" was noted as a club song with an electronic arrangement, similar to the follow-up song "Rollin'". Both tracks feature autotune and vocoder pro-tools, a first for Hamasaki. The album's sixth track, "Green", shows a departure from the album's earlier electronic style; it focuses more on older traditional Japanese sound, alongside instrumentation of electric guitars and drums. The album's third interlude, "Load of the Shugyo", was described as an "atmospheric" number with heavy rock instruments in its composition. Rock music is then influenced on the following tracks "Identity"a song that discusses about self-confidencethe single "Rule", and the tune "Love 'n' Hate", which talks about the effects of lust. The album's fourth and final interlude "Pieces of Seven" was noted for its "atmospheric" sounds of an ocean, until the second half of the track diverges into a harder rock style. "Days" is the album's first pop ballad, and is described as a love song. It closes with the ballad "Curtain Call", which features a choir and piano riffs throughout its composition.
Link Information: traditional Japanese sound, Answer: bamboo flute
answer:
What's an instrument strongly associated with the traditional music found in the album's sixth track?