Problem: Art of Noise (also The Art of Noise) were an English avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with arranger Anne Dudley, producer Trevor Horn and music journalist Paul Morley. The group had international Top 20 hits with "Kiss" and the instrumental "Peter Gunn", which won a 1986 Grammy Award. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time. Inspired by turn-of-the-20th-century revolutions in music, the Art of Noise were initially packaged as a faceless anti- or non-group, blurring the distinction between the art and its creators.

Although Dudley and Jeczalik had already dissolved the group, in 1990 they assisted in the promotion of the lightly remixed compilation The Ambient Collection, which the China label released to cash in on the burgeoning ambient house scene. Jeczalik approved the remixes that appeared on The FON Mixes the following year. The rest of the decade saw China Records releasing further Art of Noise compilations: The Drum and Bass Collection, Art Works, and reissues of Best of without the ZTT-era tracks. Some of these featured new remixes by other artists. According to an interview with J.J. Jeczalik reported in the ZTT fanzine Outside World in 1991, Jeczalik, Dudley and Langan were inspired by the commercial success of The FON Mixes and had discussed reuniting the group as a trio again. In preparation to record a new album, Jeczalik and Langan travelled to Cuba to gather new source material. However, no new recordings were produced with the new line-up, and the Art of Noise remained defunct. Dudley became well known for composing numerous film and television scores during the 1990s. The most famous of these is probably The Full Monty, which won an Academy Award for Original Music Score. She also collaborated with Killing Joke's Jaz Coleman on the 1990 album Songs from the Victorious City (inspired by a trip the two made to Egypt) and produced two tracks for the 1993 Deborah Harry album Debravation ("Strike Me Pink", which she also co-wrote and played keyboards on) and "Mood Ring"). She has scored orchestrations for dozens of pop releases over the years, and both scored and produced the album Voice for her neighbour Alison Moyet. Cathy Dennis added lyrics to one of Dudley's compositions and recorded it as "Too Many Walls", which became a US Top 10 hit in 1991. In 1995-1997, Jeczalik and In No Sense? Nonsense! coengineer Bob Kraushaar produced a number of instrumentals oriented toward dance clubs under the name Art of Silence, issuing an album titled artofsilence.co.uk. Jeczalik also embarked on a new career in trading in futures contracts. The Art of Noise also received a full writing credit for The Prodigy's "Firestarter", which samples the female "hey, hey" voice from "Close to the Edit". The Prodigy also contributed the remix "Instruments of Darkness (All of Us are One People)" to the 1991 compilation The FON Mixes. Also, an edited version of "Close to the Edit" is featured on the monthly educational Amiga game, Ready Robot Club. The Art of Noise are also credited for the music to the ITV series The Krypton Factor.

did she work in any movies?

Answer with quotes: Dudley became well known for composing numerous film and television scores

Question:
Gennady Golovkin was born on April 8, 1982, in the city of Karaganda in the Kazakh SSR, Soviet Union (now Karagandy, Kazakhstan) to a Russian coal miner and Korean mother, who worked as an assistant in a chemical laboratory. He has three brothers, two elder named Sergey and Vadim and a twin, Max. Sergey and Vadim had encouraged Golovkin to start boxing when Golovkin was eight years old. As a youth, Golovkin would walk the streets with them, who went around picking fights for him with grown men.
After ending his amateur career in 2005, Golovkin signed a professional deal with the Universum Box-Promotion (UBP) and made his professional debut in May 2006. By the end of 2008, Golovkin's record stood at 14-0 (11 KO) and while he had few wins over boxers regarded as legitimate contenders, he was regarded as one of the best prospects in the world. Golovkin was given 4 more relatively easy bouts in 2009. In 2010, Universum started to run into financial issues after having been dropped by German television channel ZDF. This caused a number of issues for Golovkin who was effectively unable to fight in Germany, and contract disputes between the two parties got complicated. Golovkin terminated his contract with Universum in January 2010 and stated the following in an interview: "The reason for this decision is that I've always been placed behind Felix Sturm and Sebastian Zbik by Universum. Our demands to fight against Felix Sturm or Sebastian Zbik have been always rejected on absurd grounds. Universum had no real plan or concept for me, they did not even try to bring my career forward. They would rather try to prevent me from winning a title as long as Sturm and Zbik are champions. Further more, bouts against well-known and interesting opponents were held out in prospect, but nothing happened. This situation was not acceptable. It was time to move forward." After cutting ties with Universum, the WBA issued an interim title fight between Golovkin, ranked #1 at the time, and Milton Nunez. Golovkin routed Nunez, defeating him in 58 seconds to become a world champion. Golovkin was promptly upgraded to WBA (Regular) champion. He tried to fight WBA (Super) champion Felix Sturm and Hassan N'Dam N'Jikam during this time, but was unable to get them in the ring. Oleg Hermann, Golovkin's manager, said "It is very hard to find a good opponent. Everybody knows that Felix Sturm is afraid of Gennady. Strictly speaking, Sturm should get out of boxing and become a marathon runner because he is running fast and long. He has an excellent chance to become a champion in athletics."
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Anything else about his early career that you want to share?

Answer:
Golovkin terminated his contract with Universum