A friend asked me to answer this question: What is the name of the person who gets an idea to make a Star Wars fanfilm?, using the article: The film begins with the opening credits of a typical Star Wars fanfilm entitled "Bond of the Force". Gregory plays Jacen Solo, and Jennifer plays the offscreen voice of Jaina Solo. Jacen is on a forest planet searching for Anakin Solo, but only encountering a Sith Lord named Darth Katai, played by Zarth. The two begin to duel, and it is an intense battle...until Greg misses his cue, incurring the wrath of writer-director Tom "Servo" Harrison. Tom gets into a fight with his friends, and they walk out on him. After a monologue based on High Fidelity, with Star Wars in the place of rock music, Tom reflects back a few months to the genesis of the fanfilm project. Tom, Greg, Jenny, and Zarth are seen hanging out at Excalibur Games, a hobby shop, playing the Star Wars pants game. Tom is revealed to be an employee at the store, working for store credit while he has his money saved up for film school. He claims the only downside to the job is the trekkiesspecifically, two irate, Star Wars-hating ones named James and Stewart. The two enter the store, arguing over a discrepancy between the film Star Trek Generations and the Technical Manual. While waiting for Tom to get their new Star Trek cards, Stewart accidentally spills soda on a set of comics that Greg's boss ordered. Tom demands they pay for the damaged goods, and the Trekkies overpay him before leaving the store in a rush. Tom realizes that they can sell the undamaged books to Greg's boss for full price and pocket the money from the Trekkies. At Greg's suggestion, Tom combines the money with his remaining store credit and buys model lightsabers, which prompts the idea in his mind of making a Star Wars fanfilm., what would be the answer ?
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Answer: Tom
Q: A friend asked me to answer this question: What is the last name of the person who was a guest conductor of the BBC Symphony Orchestra?, using the article: Sir John Barbirolli, CH (2 December 1899 29 July 1970), ne Giovanni Battista Barbirolli, was a British conductor and cellist. He is remembered above all as conductor of the Halle Orchestra in Manchester, which he helped save from dissolution in 1943 and conducted for the rest of his life. Earlier in his career he was Arturo Toscanini's successor as music director of the New York Philharmonic, serving from 1936 to 1943. He was also chief conductor of the Houston Symphony from 1961 to 1967, and was a guest conductor of many other orchestras, including the BBC Symphony Orchestra, London Symphony Orchestra, the Philharmonia, the Berlin Philharmonic and the Vienna Philharmonic, with all of which he made recordings. Born in London of Italian and French parentage, Barbirolli grew up in a family of professional musicians. After starting out as a cellist, he was given the chance to conduct, from 1926 with the British National Opera Company, and then with Covent Garden's touring company. On taking up the conductorship of the Halle he had less opportunity to work in the opera house, but in the 1950s he conducted productions of works by Verdi, Wagner, Gluck, and Puccini at Covent Garden with such success that he was invited to become the company's permanent musical director, an invitation he declined. Late in his career he made several recordings of operas, of which his 1967 set of Puccini's Madama Butterfly for EMI is probably the best known. Both in the concert hall and on record, Barbirolli was particularly associated with the music of English composers such as Elgar, Delius and Vaughan Williams. His interpretations of other late romantic composers, such as Mahler and Sibelius, as well as of earlier classical composers, including Schubert, are also still admired., what would be the answer ?
A: Barbirolli
Question: A friend asked me to answer this question: What is the name of person who Doug gets into a heated argument with about his plans to go out clubbing?, using the article: Wealthy Yemeni-American brothers Steve and Doug Butabi enjoy frequenting nightclubs, where they bob their heads in unison to Eurodance, a subgenre of dance music, and fail miserably at picking up women. Their goal is to party at the Roxbury, a fabled Los Angeles nightclub where they are continually denied entry by a hulking bouncer. By day, the brothers work at an artificial plant store owned by their wealthy father, Kamehl. They spend most of their time goofing off, daydreaming about opening a club as cool as the Roxbury together, and Doug using credit card transactions as an excuse to flirt with a card approval associate via telephone that he calls "Credit Vixen." The store shares a wall with a lighting emporium owned by Fred Sanderson. Mr. Butabi and Mr. Sanderson hope that Steve and Emily, Sanderson's daughter, will marry, uniting the families and the businesses to form the first plant-lamp emporium. After a day at the beach the brothers decide that night was to be the night they would finally get into the Roxbury. Returning home, Doug gets into a heated argument with their father about going out clubbing instead of staying home. Their father has planned a dinner party with Emily and her parents. The angered Mr. Butabi then refuses them access to their BMW car and their cell phones. They are given enormous cell phones by their mother, Barbara, and allowed use of the fake-plant store's delivery van, but they are immediately rejected once again by the doorman., what would be the answer ?
Answer: Kamehl
A friend asked me to answer this question: What were the names of the two reissued editions?, using the article: EMI reissued OK Computer again on 24 March 2009, alongside Pablo Honey and The Bends, without Radiohead's involvement. The reissue came in two editions: a 2-CD "Collector's Edition" and a 2-CD 1-DVD "Special Collector's Edition". The first disc contains the original studio album, the second disc contains B-sides collected from OK Computer singles and live recording sessions, and the DVD contains a collection of music videos and a live television performance. All the material on the reissue had been previously released. Press reaction to the reissue expressed concern that EMI was exploiting Radiohead's back catalogue. Larry Fitzmaurice of Spin accused EMI of planning to "issue and reissue [Radiohead's] discography until the cash stops rolling in". Pitchfork's Ryan Dombal said it was "hard to look at these reissues as anything other than a cash-grab for EMI/Capitolan old media company that got dumped by their most forward-thinking band." Daniel Kreps of Rolling Stone defended the release, saying: "While it's easy to accuse Capitol of milking the cash cow once again, these sets are pretty comprehensive."The reissue was critically well received, although reception was mixed about the supplemental material. Reviews in AllMusic, Uncut, Q, Rolling Stone, Paste and PopMatters praised the supplemental material, but with reservations. A review written by Scott Plagenhoef for Pitchfork awarded the reissue a perfect score, arguing that it was worth buying for fans who did not already own the rare material. Plagenhoef said, "That the band had nothing to do with these is beside the point: this is the final word on these records, if for no other reason that the Beatles' September 9 remaster campaign is, arguably, the end of the CD era." The A.V. Club writer Josh Modell praised both the bonus disc and the DVD, and said of the album, "It really is the perfect synthesis of Radiohead's seemingly conflicted impulses.", what would be the answer ?
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Answer:
Special Collector's Edition