In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
A: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : "Mrs. McGrath" (also known as "Mrs. McGraw", "My Son Ted", "My Son John", and "The Sergeant and Mrs. McGrath") is an Irish folk song set during the Peninsular War of the early 19th century. The song tells the story of a woman whose son enters the British Army and returns seven years later having lost his legs to a cannonball while fighting against Napoleon presumably at the Battle of Fuentes de Onoro (fought between 3 and 5 May 1811). The general theme of the song is one of opposition to war. Along with "Johnny I Hardly Knew Ye", it is one of the most graphic of all Irish folk songs that deal with sickness and injuries caused by warfare. Irish folk song collector Colm O Lochlainn described "Mrs. Grath" as "known to every true born citizen of Dublin". It was very popular among the Irish Volunteers in the years leading up to the 1916 Rising and has been recorded by many singers and folk groups. Context_2 : "Cumberland Gap" is an Appalachian folk song that likely dates to the latter half of the 19th century and was first recorded in 1924. The song is typically played on banjo or fiddle, and well-known versions of the song include instrumental versions as well as versions with lyrics. A version of the song appeared in the 1934 book, "American Ballads and Folk Songs", by folk song collector John Lomax. Woody Guthrie recorded a version of the song at his Folkways sessions in the mid-1940s, and the song saw a resurgence in popularity with the rise of bluegrass and the American folk music revival in the 1950s. In 1957, the British musician Lonnie Donegan had a No. 1 UK hit with a skiffle version of "Cumberland Gap". Context_3 : "Wee Cooper O'Fife" is a Scottish folk song about a cooper who beats his wife because she will not cook, clean, and sew. It was recorded by Burl Ives on 11 February 1941 for his debut album "Okeh Presents the Wayfaring Stranger". It has also been recorded by Hedy West, Ed McCurdy, and Ian Campbell. Context_4 : Jerry Silverman is an American folksinger, guitar teacher and author of music books. He has had over 200 books published, which have sold in the millions, including folk song collections, anthologies and method books for the guitar, banjo and fiddle. He has taught guitar to hundreds of students. He has presented concerts and lectures at schools, universities and concert halls in the U.S. and abroad. Context_5 : Hedy West (April 6, 1938 July 3, 2005) was an American folksinger and songwriter. Context_6 : Margaret Christl is a Scottish-Canadian folksinger. Christl was born in England, grew up in Scotland and West Wales and emigrated to Canada in 1966. She became active in the folk revival scene, playing many folk festivals, including the Mariposa Folk Festival, Edmonton Folk Festival and the Calgary Folk Music Festival, as well as the club and coffeehouse circuit. She has released a number of albums with different folk labels, including "The Barley grain for me". This album was recorded with Ian Robb and William Laskin in 1976 with Folk-Legacy Records and was dedicated to Edith Fowke, a very important scholar, folklorist and collector of folk music in Canada. Christl performs traditional Scottish and Canadian songs, as well as more contemporary songs. She is often accompanied by guitarists, but also plays the mountain dulcimer and the Bodhran. Christl frequently performed with Ian Robb, Grit (William) Laskin and Stewart Cameron. Context_7 : "Old Settler's Song (Acres of Clams)" is a Northwest United States folk song written by Francis D. Henry around 1874. The lyrics are sung to the tune "Old Rosin the Beau." The song also goes by the names "Acres of Clams", "Lay of the Old Settler," "Old Settler's Song," while the melody is known as "Rosin the Beau," "Old Rosin the Beau," "Rosin the Bow," "Mrs. Kenny," "A Hayseed Like Me," "My Lodging's on the Cold, Cold Ground." The tune was also used for the song "Denver", which was recorded by The New Christy Minstrels in their 1963 album "In Person". Context_8 : Albert Viau (6 November 1910 27 June 2001) was a Canadian baritone, folksinger, composer, and music educator. After beginning his career as a musician in the classical repertoire, he specialized in folk music and traditional songs. He released about 50 78 rpm records during his career, mostly for La Bonne Chanson. He also recorded a few songs under the pseudonym Jacques Dupont, including "Partons, la mer est belle", "Le Soir sur l'eau", and "Le Lac des amours", and recorded the song "Le Reve passe" with the Canadian Grenadier Guards Band for RCA. Many of his recordings include his own compositions. During his lifetime he wrote more than 200 songs, many of them comic patter songs, as well as hymns and two requiem masses. Context_9 : Alan Mills, CM, (born Albert Miller September 7, 1913(sometimes given as 1912) June 14, 1977 ) was a Canadian folksinger, writer, and actor. He was best known for popularizing Canadian folk music, and he composed the classic folk song "I Know an Old Lady Who Swallowed a Fly" (with lyrics by Rose Bonne) which was later recorded by Burl Ives, Peter Paul and Mary and many others. He also appeared on several radio and television programs and in movies. He was made a Member of the Order of Canada in 1974 for his contributions to Canadian folklore. Mills has also released several albums on Folkways Records of Canadian and French folk songs. Context_10 : Min'yo ( ) is a genre of traditional Japanese music. The term is a translation of the German word "Volkslied" (folk song) and has only been in use since the twentieth century. Japanese traditional designations referring to more or less the same genre include "inaka bushi" ("country song") "inaka buri" ("country tune"), "hina uta" ("rural song") and the like, but for most of the people who sang such songs they were simply "uta" (song). The term min'yo is now sometimes also used to refer to traditional songs of other countries, though a preceding adjective is needed: Furansu min'yo = French folk song; for this reason, many sources in Japanese also feel the need to preface the term with "Nihon": Nihon min'yo = Japanese [traditional] folk song. fact_1 : "Wee Cooper O'Fife" is a Scottish folk song about a cooper who beats his wife because she will not cook, clean, and sew. fact_2 : It has also been recorded by Hedy West, Ed McCurdy, and Ian Campbell. fact_3 : Hedy West (April 6, 1938 July 3, 2005) was an American folksinger and songwriter. Answer: Hedy West
A:
Wee Cooper OFife is a folk song also recorded by which folksinger that died in 2005?