Problem: Gregorian calendar:

The Council of Trent approved a plan in 1563 for correcting the calendrical errors, requiring that the date of the vernal equinox be restored to that which it held at the time of the First Council of Nicaea in 325 and that an alteration to the calendar be designed to prevent future drift. This would allow for a more consistent and accurate scheduling of the feast of Easter. In 1577, a Compendium was sent to expert mathematicians outside the reform commission for comments. Some of these experts, including Giambattista Benedetti and Giuseppe Moleto, believed Easter should be computed from the true motions of the sun and moon, rather than using a tabular method, but these recommendations were not adopted. The reform adopted was a modification of a proposal made by the Calabrian doctor Aloysius Lilius (or Lilio).

What did the first Council of Nicaea require to be restored to the one set in 325?
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A: unanswerable

Problem: Despite their usurpation of imperial authority, the Fujiwara presided over a period of cultural and artistic flowering at the imperial court and among the aristocracy. There was great interest in graceful poetry and vernacular literature. Two types of phonetic Japanese script: katakana, a simplified script that was developed by using parts of Chinese characters, was abbreviated to hiragana, a cursive syllabary with a distinct writing method that was uniquely Japanese. Hiragana gave written expression to the spoken word and, with it, to the rise in Japan's famous vernacular literature, much of it written by court women who had not been trained in Chinese as had their male counterparts. Three late tenth century and early eleventh century women presented their views of life and romance at the Heian court in Kagero Nikki by "the mother of Fujiwara Michitsuna", The Pillow Book by Sei Shonagon and The Tale of Genji by Murasaki Shikibu. Indigenous art also flourished under the Fujiwara after centuries of imitating Chinese forms. Vividly colored yamato-e, Japanese style paintings of court life and stories about temples and shrines became common in the mid- and late Heian periods, setting patterns for Japanese art to this day.
What was written by court women trained in Chinese?
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Answer: unanswerable

Q: What is a question about this article? If the question is unanswerable, say "unanswerable".
The popularity of this particular representation of The Immaculate Conception spread across the rest of Europe, and has since remained the best known artistic depiction of the concept: in a heavenly realm, moments after her creation, the spirit of Mary (in the form of a young woman) looks up in awe at (or bows her head to) God. The moon is under her feet and a halo of twelve stars surround her head, possibly a reference to "a woman clothed with the sun" from Revelation 12:1-2. Additional imagery may include clouds, a golden light, and cherubs. In some paintings the cherubim are holding lilies and roses, flowers often associated with Mary.
Where is Mary depicted before her creation?
A: unanswerable

Context and question: Brahmi evolved into a multiplicity of Brahmic scripts, many of which were used to write Sanskrit. Roughly contemporary with the Brahmi, Kharosthi was used in the northwest of the subcontinent. Sometime between the fourth and eighth centuries, the Gupta script, derived from Brahmi, became prevalent. Around the eighth century, the Sarada script evolved out of the Gupta script. The latter was displaced in its turn by Devanagari in the 11th or 12th century, with intermediary stages such as the Siddham script. In East India, the Bengali alphabet, and, later, the Odia alphabet, were used.
What script was used in the northwest of India?
Answer: Kharosthi

Question: One hundred years after the fall of Constantinople in 1453, Pierre Belon described in his work Observations in 1553 that pissasphalto, a mixture of pitch and bitumen, was used in Dubrovnik for tarring of ships from where it was exported to a market place in Venice where it could be bought by anyone. An 1838 edition of Mechanics Magazine cites an early use of asphalt in France. A pamphlet dated 1621, by "a certain Monsieur d'Eyrinys, states that he had discovered the existence (of asphaltum) in large quantities in the vicinity of Neufchatel", and that he proposed to use it in a variety of ways "principally in the construction of air-proof granaries, and in protecting, by means of the arches, the water-courses in the city of Paris from the intrusion of dirt and filth", which at that time made the water unusable. "He expatiates also on the excellence of this material for forming level and durable terraces" in palaces, "the notion of forming such terraces in the streets not one likely to cross the brain of a Parisian of that generation". But it was generally neglected in France until the revolution of 1830. Then, in the 1830s, there was a surge of interest, and asphalt became widely used "for pavements, flat roofs, and the lining of cisterns, and in England, some use of it had been made of it for similar purposes". Its rise in Europe was "a sudden phenomenon", after natural deposits were found "in France at Osbann (BasRhin), the Parc (l'Ain) and the Puy-de-la-Poix (Puy-de-Dome)", although it could also be made artificially. One of the earliest uses in France was the laying of about 24,000 square yards of Seyssel asphalt at the Place de la Concorde in 1835.
Is there an answer to this question: In what year was the fall of Observations?

Answer: unanswerable

Q: What is a question about this article? If the question is unanswerable, say "unanswerable".
The poets generally associated with Cubism are Guillaume Apollinaire, Blaise Cendrars, Jean Cocteau, Max Jacob, Andre Salmon and Pierre Reverdy. As American poet Kenneth Rexroth explains, Cubism in poetry "is the conscious, deliberate dissociation and recombination of elements into a new artistic entity made self-sufficient by its rigorous architecture. This is quite different from the free association of the Surrealists and the combination of unconscious utterance and political nihilism of Dada." Nonetheless, the Cubist poets' influence on both Cubism and the later movements of Dada and Surrealism was profound; Louis Aragon, founding member of Surrealism, said that for Breton, Soupault, Eluard and himself, Reverdy was "our immediate elder, the exemplary poet." Though not as well remembered as the Cubist painters, these poets continue to influence and inspire; American poets John Ashbery and Ron Padgett have recently produced new translations of Reverdy's work. Wallace Stevens' "Thirteen Ways of Looking at a Blackbird" is also said to demonstrate how cubism's multiple perspectives can be translated into poetry.
What is the name of the american Poet who is associated with talking about the rigiorous architecture of Cubism?
A:
Kenneth Rexroth