[Q]: Question: What made an airplane disappear? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Mega Shark Vs. Giant Octopus Context: Off the coast of Alaska, oceanographer Emma MacNeil (Deborah Gibson) is studying the migration patterns of whales aboard an experimental submarine she took without permission from her employer. Meanwhile, a military helicopter drops experimental sonar transmitters into the water, causing a pod of whales to go out of control and start ramming a nearby glacier. In the chaos, the helicopter crashes into the glacier, and the combined damage breaks the glacier open, thawing two hibernating, prehistoric creatures. MacNeil narrowly avoids destruction as, unknown to her, a giant shark and octopus are freed. Some time later, a drilling platform off the coast of Japan is attacked by the octopus, which has tentacles large enough to wrap around the entire structure. After returning to Point Dume, California, MacNeil investigates the corpse of a beached whale covered with many bloody wounds. Her employer Dick Richie (Mark Hengst) believes them to be from a tanker propeller, but MacNeil insists they appear to be from a creature. Later, she extracts what appears to be a shark's tooth from one of the wounds. Elsewhere, the huge shark leaps tens of thousands of feet into the air from the ocean and attacks a commercial aircraft, forcing it to crash into the water. A review board convenes and fires MacNeil from the oceanographic institute for stealing the submarine. She brings the shark tooth to her old professor, former U.S. Navy pilot Lamar Sanders (Sean Lawlor), who believes it belonged to a Megalodon, an enormous species of shark believed to have become extinct 1.5 million years ago. The duo is visited by Dr. Seiji Shimada (Vic Chao), a Japanese scientist trying to determine what attacked the drilling platform. The three review a videotape recorded during MacNeil's submarine voyage, finding images of both the megalodon and a gigantic octopus. MacNeil reflects on the polar ice caps melting due to man-made global warming, and wonders if the creatures are mankind's "comeuppance". Meanwhile, a U.S. "naval destroyer"...
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[A]: The giant shark

[Q]: Question: How long is Zola's prison sentence? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: The Life of Emile Zola Context: Set in the mid through late 19th century, it depicts Zola's friendship with Post-Impressionist painter Paul Cezanne, and his rise to fame through his prolific writing, with particular focus on his involvement late in life in the Dreyfus affair. Struggling writer Emile Zola (Paul Muni) shares a drafty Paris attic with his friend, painter Paul Cezanne (Vladimir Sokoloff). A chance encounter with a street prostitute (Erin O'Brien-Moore) hiding from a police raid inspires his first bestseller, Nana, an expose of the steamy underside of Parisian life. Other successful books follow. Zola becomes rich and famous; he marries Alexandrine (Gloria Holden) and settles down to a comfortable life in his mansion. One day, his old friend Cezanne, still poor and unknown, visits him before leaving the city, and tells Zola that with his success he has become complacent, a far cry from the zealous reformer of his youth. Meanwhile, a French secret agent steals a letter addressed to a military officer in the German embassy. The letter confirms there is a spy within the top French army staff. With little thought, the army commanders decide that Jewish Captain Alfred Dreyfus (Joseph Schildkraut) is the traitor, is courtmartialed and imprisoned on Devil's Island in then French Guyana. Later, Colonel Picquart (Henry O'Neill), the new chief of intelligence, discovers evidence implicating as the spy Major Walsin-Esterhazy (Robert Barrat), but he is ordered by his superiors to remain silent to avert official embarrassment and is quickly reassigned to a distant post. Years go by. Finally, Dreyfus's loyal wife Lucie (Gale Sondergaard) pleads with Zola to take up her husband's cause. Zola is reluctant to give up a comfortable life, but she brings forth new evidence to pique his curiosity. A letter is published in the newspaper accusing the army of covering up the monstrous injustice. Zola barely escapes from an angry mob incited by military agents provocateurs. As expected, he is brought up for libel. His attorney, Maitre Labori...
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[A]: A year

[Q]: Question: What is Valentin clutching when he passes out in the burning house? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: The Artist Context: It's 1927 and we meet silent movie star George Valentin (Jean Dujardin) on top of the world. He's behind the screen; in front of it an ecstatic audience is enthralled by his latest starring role. As the credits roll, Valentin takes the stage for what a virtuosic display of bowing, his canine sidekick performing some cute tricks too.Outside the theatre, adoring fans and press push and surge to breathe the same air as their hero. A pretty young girl at the front of the crowd drops her wallet, and makes the most of picking it up to slip under the security cordon. There's silence as Valentin looks shocked, confused, angry even - but it's all his joke and, laughing at his own power to create such confusion, he gamely poses for photos with the young lady to the delight of the assembled press, and to the chagrin of his stern, world-weary wife who reads of the escapade in the papers the next day.The young girl - one Peppy Miller (Berenice Bejo), we learn - having shared a moment with her hero is inspired to follow his path, and turns up at the studio to audition, successfully, as an extra. Valentin himself arrives at the same studio where he is again the star, this time of 'A German Affair'. On entering the studio the star is enthralled by a pair of legs he sees rehearsing on the other side of a screen. He joins the dance from his side of the screen, and beckons to the set builders to remove the screen, hoping to surprise the girl. It's he, though, who is surprised to discover the legs belong to the same Peppy Miller from last night's crowd and this morning's papers.Years pass, one presumes in a similar fashion. One day though, Al Zimmer, the immaculately stereotyped cigar-chomping, braces-pinging studio boss (John Goodman) calls Valentin in to see the latest technological innovation - a primitive attempt to record sound with motion pictures. Valentin scoffs at the footage, but is clearly ruffled by it. He dreams a nightmare where everyday sounds are exaggerated (for the first time here the film takes on a diegetic...
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[A]:
A last roll of film.