Input: The explosion, while killing one of the Cossacks and seriously wounding the driver and people on the sidewalk, had only damaged the bulletproof carriage, a gift from Napoleon III of France. The emperor emerged shaken but unhurt. Rysakov was captured almost immediately. Police Chief Dvorzhitsky heard Rysakov shout out to someone else in the gathering crowd. The surrounding guards and the Cossacks urged the emperor to leave the area at once rather than being shown the site of the explosion. Nevertheless, a second young member of the Narodnaya Volya, Ignacy Hryniewiecki, standing by the canal fence, raised both arms and threw something at the emperor's feet. He was alleged to have shouted, "It is too early to thank God". Dvorzhitsky was later to write:

Does the response "2, Rysakov and Hryniewiecki" correctly answer the question "How many assassins were at the scene of the bombing?"?
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Output: yes

Input: "Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness. In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsu into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction. In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale. In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not".

Does the response "A white snake" correctly answer the question "What does the word "Femme" refer to?"?
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Output: no

Input: Allan sat down at his desk and pulled the chair in close. Opening a side drawer, he took out a piece of paper and his inkpot. After filling his pen, Allan looked at his paper in the orange glow from the lantern set back in the desk's right-hand corner. His pen cast a forbidding line of shadow slanting across the page, echoing the inky darkness crouching in the edges of the lantern's struggling glow. The only other illumination came from a lurid moonlight filtered through thin branches and clouds, casting its bone-pale glow onto the pine floorboards. Allan unfolded another page, this one crowded with ranks of letters in tight formation from left to right. The lines of letters stepped into their divisions, in the shape of a story's outline: the loose, dry skeleton of a tale lay exposed beneath their feet, awaiting tendons, muscle and blushing skin. Allan reviewed the troops, all prepared to disembark, their task to form the tale of a young man returning home from Life Abroad to find his childhood friend a bride to-be, thus upsetting the apple cart of his life's plan, clarified of course by his very time away from her he loved best. Although the concept was a simple one, Allan thought it had potential. Besides, the public liked a good, simple romance. Perhaps this will be more saleable, he thought and began to write. They gazed at each other, lost in the rapture of love based so deeply within their hearts that they had never seen it before. "What about Roger?" she asked, knowing that the answer no longer mattered.

Does the response "First" correctly answer the question "Two pages are mentioned. Which is described with mixed metaphors, the first or second?"?
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Output: no

Input: (CNN) -- English club Chelsea have completed the signing of Oriol Romeu from Spanish and European champions Barcelona. The 19-year-old is currently playing for Spain at the World Under-20 Championships in Colombia and has signed a four-year deal with last season's Premier League runners-up. The deal is worth $7 million and includes a buy back clause, set at $14 million after the first year and $21 million after the second. Romeu started his career at Barcelona's city rivals Espanyol before joining the Camp Nou academy in 2004. The midfielder, who can also play in central defence, made his debut for Barcelona in last season's Spanish Supercup match with Seville and got his first taste of league action against Deportivo in May 2010. He has played 90 minutes in both of Spain's games at the World Under-20 Championships, when they beat Costa Rica and Ecuador. Chelsea official web site confirmed the signing and said Romeu is "renowned for his strength and his expansive passing ability." Another player leaving Barcelona is Jeffren Suarez after he agreed to join Sporting Lisbon. The Portuguese outfit have paid $5 million for the 23-year-old which, like the Romeu deal, includes a buy back option. Jeffren joined Barca from Tenerife in 2004 and made his debut for the Catalan club in the 2006-07 season.

Does the response "Jeffren Romeu" correctly answer the question "Which 23-year-old player is leaving the Spanish team?"?
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Output:
no