Question:
William Tatem Tilden II (February 10, 1893 - June 5, 1953), nicknamed "Big Bill," was an American male tennis player. He is often considered one of the greatest tennis players of all time. Tilden was the World No. 1 player for six years from 1920 through 1925. He won 15 Major singles titles including ten Grand Slam events, one World Hard Court Championships and four Pro Slam tournaments.
On 31 December 1930, in need of money, he turned professional and joined the fledgling pro tour, which had begun only in 1927. For the next 15 years, he and a handful of other professionals such as Hans Nusslein and Karel Kozeluh barnstormed across the United States and Europe in a series of one-night stands, with Tilden still the player that people primarily paid to see. Even with greats such as Ellsworth Vines, Fred Perry, and Don Budge as his opponents, all of them current or recent world no. 1 players, it was often Tilden who ensured the box-office receipts--and who could still hold his own against the much younger players for a first set or even an occasional match. Tilden thought he reached the apogee of his whole career in 1934 at 41 years old; nevertheless, that year he was dominated in the pro ranks by Ellsworth Vines. American Lawn Tennis reported that Vines had an edge of 11-9 in the first phase of their tour from January 10 through February 16 and that Vines led Tilden by 19 matches after the second phase of their tour, played from March 21 through May 17. Tilden had won 17 times for the entire year, per an Associated Press report, so a probable win-loss record at tour's end was 36-17 in Vines' favor. Both players then met at least 6 times during the rest of the year (Ray Bowers has listed 5 tournament matches and 1 one-night program), all lost by Tilden. In 1945, the 52-year-old Tilden and his long-time doubles partner Vinnie Richards won the professional doubles championship--they had won the United States amateur title 27 years earlier in 1918.
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Did he ever win a huge competition?

Answer:
In 1945, the 52-year-old Tilden and his long-time doubles partner Vinnie Richards won the professional doubles championship

Question:
Browning was born as Charles Albert Browning, Jr., in Louisville, Kentucky, the second son of Charles Albert and Lydia Browning, and the nephew of baseball star Pete Browning. As a young boy, he put on amateur plays in his backyard. He was fascinated by the circus and carnival life, and at the age of 16 he ran away from his well-to-do family to become a performer. Changing his name to "Tod", he traveled extensively with sideshows, carnivals, and circuses.
After Chaney's death in 1930, Browning was hired by his old employer Universal Pictures to direct Dracula (1931). Although Browning wanted to hire an unknown European actor for the title role and have him be mostly offscreen as a sinister presence, budget constraints and studio interference necessitated the casting of Bela Lugosi and a more straightforward approach. After directing the boxing melodrama Iron Man (1931), Browning began work on Freaks (1932). Based on the short story "Spurs" by Clarence Aaron "Tod" Robbins, the screenwriter of The Unholy Three, the film concerns a love triangle between a wealthy dwarf, a gold-digging aerialist, and a strongman; a murder plot; and the vengeance dealt out by the dwarf and his fellow circus freaks. The film was highly controversial, even after heavy editing to remove many disturbing scenes, and was a commercial failure and banned in the United Kingdom for thirty years. His career derailed, Browning found himself unable to get his requested projects greenlighted. After directing the drama Fast Workers (1933) starring John Gilbert, who was also not in good standing with the studio, he was allowed to direct a remake of London After Midnight, originally titled Vampires of Prague but later retitled Mark of the Vampire (1935). In the remake, the roles played by Lon Chaney in the original were split between Lionel Barrymore and Bela Lugosi (spoofing his Dracula image). After that, Browning directed The Devil-Doll (1936), originally titled The Witch of Timbuctoo, from his own script. The picture starred Lionel Barrymore as an escapee from an island prison who avenges himself on the people who imprisoned him using living "dolls" who are actually people shrunk to doll-size and magically placed under Barrymore's hypnotic control. Browning's final film was the murder mystery Miracles for Sale (1939).
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Did Tod Browning direct a movie after Iron Man?

Answer:

Question:
Armando Anthony "Chick" Corea (born June 12, 1941) is an American jazz pianist/electric keyboardist and composer. His compositions "Spain", "500 Miles High", "La Fiesta" and "Windows", are considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed the fusion band Return to Forever.
In the early 1970s, Corea took a profound stylistic turn from avant-garde to a crossover jazz fusion style that incorporated Latin jazz with Return to Forever. Named after their eponymous 1972 album, the band relied on both acoustic and electronic instrumentation and drew upon Latin American styles more than on rock music. On their first two records, Return to Forever consisted of Flora Purim on vocals, Joe Farrell on flute and soprano saxophone, Airto Moreira on drums , and Stanley Clarke on double bass. Drummer Lenny White and guitarist Bill Connors later joined Corea and Clarke to form the second version of the group, which expanded the earlier Latin jazz elements with a more rock and funk-oriented sound inspired by the Mahavishnu Orchestra, led by his Bitches Brew bandmate John McLaughlin. This incarnation of the group recorded the album Hymn of the Seventh Galaxy, before Connors' departure and replacement by Al Di Meola, who was present on the subsequent releases Where Have I Known You Before, No Mystery, and Romantic Warrior. Corea's composition "Spain" appeared on the 1972 Return to Forever album Light as a Feather. This is probably his most popular piece, and it has been recorded by a variety of artists. There are also a variety of recordings by Corea himself. These included an arrangement for piano and symphony orchestra that appeared in 1999 and a collabration with vocalist Bobby McFerrin on the 1992 album Play. Corea usually performs "Spain" with a prelude based on Joaquin Rodrigo's Concierto de Aranjuez (1940), which earlier received a jazz orchestration on Davis and Gil Evans' Sketches of Spain. In 1976, he issued My Spanish Heart, influenced by Latin American music and featuring vocalist Gayle Moran (Corea's wife) and electric violinist Jean-Luc Ponty. The album combined jazz and flamenco, supported by Minimoog backup and a horn section.
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Did he work with any other artists on this album?

Answer:
Gayle Moran (Corea's wife) and electric violinist Jean-Luc Ponty.