In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example output: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : Lee Terrence Sullivan (born 6 March 1971) is the drummer for the London-based alternative rock band Boa. Lee is the son of Terence Sullivan, the drummer for the rock band Renaissance and his wife, Christine Sullivan. He plays drums, piano and percussion. At the age of seven, Lee first performed with father on stage at one of Renaissance's concerts at the Apollo. He later joined the band Chapter VI. The band produced a single track called "The King of Comedy" and an EP called "Bucket Chemistry". Context_2 : Seven was the fourth album from English alternative rock band James, released February 1992. Half of the album was produced by Youth, but after being unimpressed with some of the early records the band's studio time ran out, so the band produced the rest of the album itself with the help of Steve Chase. The song, "Ring the Bells", was featured in the season 3 episode of "The X-Files", "D.P.O." Context_3 : Alive is an EP released by American Hard Rock band Adler's Appetite on April 2, 2012. It is a sequel to the band's first EP, the self-titled "Adler's Appetite" that was released in February 2005. In 2010 the band released their single "Alive" on iTunes from their upcoming "Alive" EP that was slated to be released in 2011. Also a radio edit of the Alder's Appetite's album's single "Alive" was released on July 29, 2010 in conjunction with Steven Adler's tell-all autobiography, "My Appetite for Destruction: Sex, and Drugs, and Guns N' Roses", and the band began recording the album in November 2011 in North Hollywood, California, and unlike the bands first EP which the band produced itself, "Alive" was produced by Cinderella band member and drummer Fred Coury, and was also recorded in a different studio as well. The album was mixed by Adler's long time friend Anthony Focx, and was released under the record label "Down Boys Records". There is a digital as well as a limited-edition physical release, as "Alive" is available in both CD and digital music formats. Context_4 : Brockhampton, stylized as BROCKHAMPTON, is a Texas-based American boyband formed in San Marcos, Texas in 2015. Brockhampton was founded on Internet forum KanyeToThe, leading them to be described as 'The Internet's first boy band'. They released their first mixtape "All-American Trash" in 2016, their first album "Saturation" in June 2017, and their second album "Saturation II" in August 2017. Context_5 : Saturation (stylized as SATURATION) is the debut studio album by American boy band BROCKHAMPTON, released on June 9, 2017. It primarily features Brockhampton members Kevin Abstract, Ameer Vann, Merlyn Wood, Dom McLennon, Matt Champion and Russell "JOBA" Boring. Group member bearface also contributes to the album's closing track. Production was primarily handled by Romil Hemnani and Q3a production duo consisting of Jabari Manwarring and Kiko Merley. Context_6 : The Black and White Album is the fourth studio album by Swedish rock band The Hives. The track listing for "The Black and White Album" was confirmed on the band's German website on 13 September 2007, and later through "NME". The Hives recorded 20 to 30 songs (including seven recorded with super producers The Neptunes) for this album from which they finally chose the best. Other tracks were produced by Jacknife Lee and Dennis Herring. Sessions were held with Timbaland, with whom the band produced the song "Throw It On Me", but took place too late for any of the resulting tracks to be on the album. They hoped to use these songs as B-sides. Context_7 : Kako Band (Persian: "The Brother Band" ; ) is an Iranian new-style integrative and vocal Fusion band. Kako band produced an album called "Invite" in English and "Da'vat" (Persian: ) in Persian. Context_8 : Hyperalgesia is the second full-length studio album by American alternative rock band Victorian Halls from Chicago, Illinois, United States. The album, that contains 11-tracks , was recorded in Gossip Studios, Chicago, produced by Sean Lenart, then mixed at legendary Sunset Sound Recorders in Hollywood, California, with help of renowned music producer and mixer Joe Chiccarelli, who has in the past produced dozens of albums for well-known acts and singers (such as Frank Zappa's Joe's Garage) and released in May 2015. The band produced the music video to the song "Scarlets" from the album in June 2016 and then promoted the material from their new release on their "All My Friends Are Dead" US-wide Tour (name taken from the lyrics of the first track of the album "All My Friends"), partnering with "Pseudo Future" rock group, throughout September 2016. Context_9 : Saturation II (stylized as SATURATION II) is the second studio album by American boy band Brockhampton, released on August 25, 2017. Production is primarily handled by Romil Hemnani, alongside production duo Q3, bearface., Kevin Abstract and JOBA. Context_10 : The Nights were an American soul funk band produced by H.B. Barnum. The band produced only one self-titled album in 1976 and then disbanded. Members included Anthony Brahum, Ira Clark, Anthony Williams, Dennis Hagger, Joey L. Mingo, Rickey Blain, and Vincent Rocto. fact_1 : Brockhampton, stylized as BROCKHAMPTON, is a Texas-based American boyband formed in San Marcos, Texas in 2015. fact_2 : Production was primarily handled by Romil Hemnani and Q3a production duo consisting of Jabari Manwarring and Kiko Merley. Answer: San Marcos, Texas
A:
Where did the band produced by Romil Hemnani and Q3 originate?