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In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

New input: Context_1 : Rapper's Best Friend 3 is the third installment in musician and producer The Alchemist's instrumental series "Rapper's Best Friend", and Alchemist's 10th instrumental release. The other two albums in the series, "Rapper's Best Friend" and "Rapper's Best Friend 2", were released in 2007 and 2012, respectively. Context_2 : "My Best Friend's Girl" is a song by American rock band The Cars from their 1978 self-titled debut album on Elektra Records, released on June 6 of that year. Written by Ric Ocasek and produced by Roy Thomas Baker, the song was released as the album's second single. It peaked at number 35 on the U.S. "Billboard" Hot 100 chart, and reached number three in the UK. "My Best Friend's Girl" was included on the soundtrack to the 1979 film "Over the Edge", and the song appears on numerous compilation albums, such as the band's 1985 "Greatest Hits", 1995's "", and 2002's "Complete Greatest Hits". A live version of the song by The New Cars appears on their 2006 debut album, "It's Alive!". The song originates from late 1976-early 1977 as another successful demo, like "Just What I Needed", of the song was done. Context_3 : Stabat Mater, FP 148, is a musical setting of the Stabat Mater sequence composed by Francis Poulenc in 1950. Poulenc wrote the piece in response to the death of his friend, artist Christian Berard; he considered writing a Requiem for Berard, but, after returning to the shrine of the Black Virgin of Rocamadour, he selected the medieval "Stabat Mater" text. Poulenc's setting, scored for soprano solo, mixed chorus, and orchestra, premiered in 1951 at the Strasbourg Festival. The "Stabat Mater" was well-received throughout Europe, and in the United States it won the New York Critics' Circle Award for Best Choral Work of the year. Context_4 : Mandeville-Anthony v. The Walt Disney Company, 11-56441 (9th Cir. 2012), is a United States Court of Appeals for the Ninth Circuit case in which the Court evaluated whether defendants Pixar, The Walt Disney Company and Walt Disney Pictures infringed on Jake Mandeville-Anthony's copyrighted works. Plaintiff Mandeville-Anthony's claim for copyright infringement was first dismissed by the United States District Court for the Central District of California, because the court found that the parties' works were not substantially similar. Mandeville-Anthony made copyright infringement claims with regards to his works "Cookie & Co." and "Cars/Auto-Excess/Cars Chaos", an animated television show and movie, that he believed Disney copied in order to make their own films, "Cars" and "Cars 2", both of which were very successful, and animation television show "Cars Toons: Mater's Tall Tales". He also made breach of contract claims stating that he and Disney signed a contract barring Disney from using the ideas contained in his works. The decision was affirmed by the Court of Appeals. Context_5 : My Best Friend's Girl is a 2006 novel by Dorothy Koomson. The book is based around a woman called Kamryn Matika, who finds out her best friend, Adele, is dying of cancer. Adele wants Kamryn to adopt her five-year-old daughter, Tegan after she dies. The book deals with themes of death and grief, innocence and forgiveness. The title is drawn from the 1976 song "My Best Friend's Girl" by The Cars. Context_6 : In 2005, Team Dynamics took advantage of a loophole in the British Touring Car Championship regulations that allowed cars to enter, whether they were on sale in the United Kingdom or not. They converted a pair of Honda Integra Type R Japanese imports into full blown BTC Touring spec racing cars, using the internals from the moderately successful Honda Civic Type R that had been competing in the BTCC since 2002. The car was an instant hit, winning its debut race at Donington Park despite only having a limited amount of testing. Matt Neal scored points in every single race to take his first BTCC title - the first for a privateer driver in the modern era. He repeated the feat in 2006 and by that point, five cars had been built, all of them race winners in the hands of the Dynamics drivers, before being passed into the hands of various independent teams. The cars remained in the championship until 2011, in the hands of Lea Wood, even finishing 7th at Oulton Park in that final season - an impressive result for a car that had been built 6 years previously. Indeed, it was the last of the BTC-Touring spec cars to be used in the BTCC; and was only finally retired as cars built to these regulations could no longer compete in 2012. Context_7 : In railroad terminology, a stock car, cattle car or cattle wagon (British English) is a type of rolling stock used for carrying livestock (not carcasses) to market. A traditional stock car resembles a boxcar with louvered instead of solid car sides (and sometimes ends) for the purpose of providing ventilation; stock cars can be single-level for large animals such as cattle or horses, or they can have two or three levels for smaller animals such as sheep, pigs, and poultry. Specialized types of stock cars have been built to haul live fish and shellfish and circus animals such as camels and elephants. Until the 1880s, when the Mather Stock Car Company and others introduced "more humane" stock cars, loss rates could be quite high as the animals were hauled over long distances. Improved technology and faster shipping times have greatly reduced losses. Context_8 : Cars 2 is a 2011 American computer-animated action comedy spy film produced by Pixar Animation Studios for Walt Disney Pictures. It is the sequel to 2006's "Cars", and features the voices of Owen Wilson, Larry the Cable Guy, Michael Caine, Emily Mortimer, John Turturro, and Eddie Izzard. In the film, race car Lightning McQueen and tow truck Mater head to Japan and Europe to compete in the World Grand Prix, but Mater becomes sidetracked with international espionage. The film was directed by John Lasseter, written by Ben Queen, and produced by Denise Ream. Context_9 : Sir Tow Mater, KBE most commonly referred to as Tow Mater or simply Mater is a major character in "Cars" and its sequels, "Cars 2" and "Cars 3" as well as "Cars Toons". He is voiced by Larry the Cable Guy and inspired by a 1951 International Harvester tow truck. Portrayed as Lightning McQueen's best friend and sidekick, he had a breakout role in "Cars Toons: Mater's Tall Tales" and in other media related to "Cars". Context_10 : Lightning McQueen, typically referred to by his surname McQueen, is an anthropomorphic stock car in the animated Pixar film "Cars" (2006), its sequels "Cars 2" (2011), "Cars 3" (2017), and TV shorts known as "Cars Toons." The character is not named after actor and race driver Steve McQueen, but actually Pixar animator Glenn McQueen, who died in 2002. His design is inspired by a stock car and "a more curvaceous Le Mans endurance racer," with "some Lola and some Ford GT40." During the scene where he helps restore Radiator Springs to its 1950s heyday, he is painted much like a 1950's Chevrolet Corvette C1, once again hinting at his Corvette lineage. His number was originally set to be 57, Lasseter's birth year, but was changed to 95, the release year of Pixar's first film "Toy Story". fact_1 : Portrayed as Lightning McQueen's best friend and sidekick, he had a breakout role in "Cars Toons: Mater's Tall Tales" and in other media related to "Cars". fact_2 : Lightning McQueen, typically referred to by his surname McQueen, is an anthropomorphic stock car in the animated Pixar film "Cars" (2006), its sequels "Cars 2" (2011), "Cars 3" (2017), and TV shorts known as "Cars Toons." Answer: an anthropomorphic stock car
Solution:
What type of car is Sir Tow Maters best friend in the movie Cars?