Some context: Remment Lucas "Rem" Koolhaas (Dutch pronunciation: [rem ko:lha:s]; born 17 November 1944) is a Dutch architect, architectural theorist, urbanist and Professor in Practice of Architecture and Urban Design at the Graduate School of Design at Harvard University. Koolhaas studied at the Architectural Association School of Architecture in London and at Cornell University in Ithaca, New York. Koolhaas is the founding partner of OMA, and of its research-oriented counterpart AMO based in Rotterdam, the Netherlands. In 2005, he co-founded Volume Magazine together with Mark Wigley and Ole Bouman.
Following the signing of Treaties of Nice in May 2001, which made Brussels the de facto capital of the European Union, the then President of the European Commission, Romano Prodi and the Belgian Prime Minister Guy Verhofstadt invited Koolhaas to discuss the necessities and requirements of a European capital. During these talks and as an impetus for further discussion, Koolhaas and his think-tank AMO - an independent part of OMA - suggested the development of a visual language. This idea inspired a series of drawings and drafts, including the "Barcode". The barcode seeks to unite the flags of the EU member countries into a single, colourful symbol. In the current European flag, there is a fixed number of stars. In the barcode however, new Member States of the EU can be added without space constraints. Originally, the barcode displayed 15 EU countries. In 2004, the symbol was adapted to include the ten new Member States. Since the time of the first drafts of the barcode it has very rarely been officially used by commercial or political institutions. During the Austrian EU Presidency 2006, it was officially used for the first time. The logo was used for the EU information campaign, but was very negatively criticized. In addition to the initial uproar caused by the Estonian flag stripes being displayed incorrectly, the proposed flag failed to achieve its main objective as a symbol. Critics pointed the lack of capability to relate the signified (the mental concept, the European Union) with the signifier (the physical image, the stripes) as the major problem, as well as the presented justification for the order in which the color stripes were displayed (as every country in the EU should be regarded as equal in importance and priority).
How would the development work?
A: This idea inspired a series of drawings and drafts, including the "Barcode". The barcode seeks to unite the flags of the EU member countries into a single, colourful symbol.
Some context: Richard John Santorum (born May 10, 1958) is an American attorney, author, politician, and CNN Senior Political Commentator. A member of the Republican Party, he served as a United States Senator from Pennsylvania from 1995 to 2007 and was the Senate's third-ranking Republican from 2001 to 2007. He ran as a candidate for the 2012 Republican Party presidential nomination, finishing second to Mitt Romney. Santorum was elected as a United States Senator from Pennsylvania in 1994.
Santorum served in the United States Senate representing Pennsylvania from 1995 to 2007. From 2001 until 2007, he was the Senate's third-ranking Republican. He was first elected to the Senate during the 1994 Republican takeover, narrowly defeating incumbent Democrat Harris Wofford, 49% to 47%. The theme of Santorum's 1994 campaign signs was "Join the Fight!" During the race, he was considered an underdog, as his opponent was 32 years his senior. He was reelected in 2000, defeating U.S. Congressman Ron Klink by a 52-46% margin. In his reelection bid of 2006, he lost to Democrat Bob Casey, Jr. by a 59-41% margin. After his election to the Senate in 1994, Santorum sought to "practice what [he] preached" and hired five people for his staff who were on welfare, food stamps, or other government aid. In 1996, Santorum served as Chairman of the Republican Party Task Force on Welfare Reform, and contributed to legislation that became the Personal Responsibility and Work Opportunity Act. Santorum was an author and the floor manager of the bill. In 1996, Santorum endorsed moderate Republican Arlen Specter in his short-lived campaign for president. Reporters have observed that though Santorum and Specter differed on social policy, Specter provided him with key political staff for his successful run in 1994. The National Taxpayers Union, a fiscal conservative organization, gave Santorum an "A-" score for his votes on fiscal issues, meaning that he was one of "the strongest supporters of responsible tax and spending policies" during his tenure, and ranked fifth in the group's rankings out of 50 senators who served at the same time.
What about the next re-election?
A: In his reelection bid of 2006, he lost to Democrat Bob Casey, Jr. by a 59-41% margin.
Some context: Bakhtin was born in Oryol, Russia, to an old family of the nobility. His father was the manager of a bank and worked in several cities. For this reason Bakhtin spent his early childhood years in Oryol, in Vilnius, and then in Odessa, where in 1913 he joined the historical and philological faculty at the local university (the Odessa University). Katerina Clark and Michael Holquist write: "Odessa..., like Vilnius, was an appropriate setting for a chapter in the life of a man who was to become the philosopher of heteroglossia and carnival.
During World War II Bakhtin submitted a dissertation on the French Renaissance writer Francois Rabelais which was not defended until some years later. The controversial ideas discussed within the work caused much disagreement, and it was consequently decided that Bakhtin be denied his higher doctorate. Thus, due to its content, Rabelais and Folk Culture of the Middle Ages and Renaissance was not published until 1965, at which time it was given the title Rabelais and His World (Russian: Tvorchestvo Fransua Rable i narodnaia kul'tura srednevekov'ia i Renessansa, Tvorcestvo Fransua Rable i narodnaja kul'tura srednevekov'ja i Renessansa). In Rabelais and His World, a classic of Renaissance studies, Bakhtin concerns himself with the openness of Gargantua and Pantagruel; however, the book itself also serves as an example of such openness. Throughout the text, Bakhtin attempts two things: he seeks to recover sections of Gargantua and Pantagruel that, in the past, were either ignored or suppressed, and conducts an analysis of the Renaissance social system in order to discover the balance between language that was permitted and language that was not. It is by means of this analysis that Bakhtin pinpoints two important subtexts: the first is carnival (carnivalesque) which Bakhtin describes as a social institution, and the second is grotesque realism which is defined as a literary mode. Thus, in Rabelais and His World Bakhtin studies the interaction between the social and the literary, as well as the meaning of the body and the material bodily lower stratum. In his chapter on the history of laughter, Bakhtin advances the notion of its therapeutic and liberating force, arguing that "laughing truth ... degraded power".
Are there any other interesting aspects about this article?
A:
In his chapter on the history of laughter, Bakhtin advances the notion of its therapeutic and liberating force, arguing that "laughing truth ... degraded power