Question:
Robert Emmanuel Pires (born 29 October 1973) is a former French footballer and footballing coach. Pires played for French clubs Metz and Marseille prior to his time with Arsenal, where he won three FA Cups and two Premier League titles including the club's unbeaten season of 2003-04. A former France international, Pires earned 79 caps between 1996 and 2004 for his country, including winning both the 1998 FIFA World Cup and UEFA Euro 2000. He has been included in the PFA Team of the Year for the 2001-02, 2002-03 and 2003-04 seasons, was the Player of the Tournament for the 2001 FIFA Confederations Cup, FWA Player of the Year for the 2001-02 season, Ligue 1 Young Player of the Year for the 1995-96 season, and was included in the FIFA 100 by Pele.
During the 2005-06 season, Pires wrangled with Arsenal over a new contract, in the hope of a new two-year deal. In keeping with the club's policy regarding players over 30, Pires was only offered a 12-month extension to his contract, which expired in June 2006. In May 2006, Pires agreed to an offer from Villarreal CF after a month of speculation, during which time he and Arsenal defeated Villarreal in the Champions League semi-final. Arsenal fans and players alike were saddened by Pires's departure. His ex-Arsenal teammate Cesc Fabregas told the August 2006 edition of the Sky magazine how sad it was to lose him. One of the main reasons Pires gave for leaving Arsenal was that he felt he was no longer a first choice under manager Arsene Wenger. Pires was quoted saying: "I have to say I have had some disappointments this season. For instance, I was on the bench very often". Pires additionally suggested that Wenger's decision to withdraw him in the UEFA Champions League Final showed he had slipped in the eyes of his French boss. Pires said that he felt hurt by how Wenger did not trust him anymore, which was a major factor that convinced him that it was time to move on from Arsenal. On the official Arsenal matchday program for the game against Wigan Athletic on 11 February 2007, Pires revealed his heartbreak of being substituted so early on during the Champions League final. Pires stated: "I was very disappointed. When I saw my number on the fourth official's board to be substituted, I couldn't believe it. It was my last game after six years at the club, a Champions League Final in front of all my family in Paris where I became World Cup champion and it lasted just 12 minutes. That was very hard to take". Pires was in fact substituted on 18 minutes for backup goalkeeper Manuel Almunia after goalkeeper Jens Lehmann who had received a straight red card.
Answer this question using a quote from the text above:

what did Piers depart from?

Answer:
One of the main reasons Pires gave for leaving Arsenal

Question:
The Future Sound of London (often abbreviated to FSOL) is a British electronic music group composed of Garry Cobain (sometimes stylised as Gaz Cobain) and Brian Dougans. The duo are often credited with pushing the boundaries of electronic music experimentation and of pioneering a new era of dance music. Although often associated with ambient music, Cobain and Dougans usually resist being typecast into any one particular genre. Their work covers many areas of electronic music, such as ambient techno, house music, trip hop, ambient dub, acid techno.
"Cascade", released as a single in 1993, introduced the commercial music world to the new FSOL sound. Despite its length, clocking in at nearly forty minutes and stretched over six parts, the track made the UK top 30, and previewed what was to come. In 1994, they released Lifeforms to critical acclaim. The album featured unconventional use of percussion interspersed with ambient segments. The eponymous single from the album featured Elizabeth Fraser of the Cocteau Twins on vocals. The album itself featured epic, ambient soundscapes, with tracks flowing from one to the next with no pauses in between. Throughout the record, familiar motifs and samples repeated themselves, sitting alongside tropical birdsong, rainfall, wind and an array of other exotic sounds, lending the album a natural, organic feel, backed up by the environmental landscapes that filled the artwork booklet. Brian Dougan's father was involved with the BBC Radiophonic Workshop which was a heavy influence in the almost musique concrete feel to Lifeforms. The album was also a top 10 hit on the UK album chart. Cobain has said that around this time that journalists would come to talk to them and one of the first things they would ask would be if they liked Brian Eno (whom they cite as an influence), to which they would laugh and say that they were about looking forward, not to the past. It was, to them, very much a new work rather than just another Eno-type ambient album. We wanted to release a very immersive, mind-blowing piece of music that was long and would deeply drench you in it...Lifeforms was redefining 'classical ambient electronic experimental' - that was the phrase we used. That year, they released the limited edition album ISDN, which featured live broadcasts they had made over ISDN lines to various radio stations worldwide to promote Lifeforms, including The Kitchen, an avant-garde performance space in New York and several appearances on the late John Peel's celebrated BBC radio Sessions shows. These shows marked the evolution of the Kiss FM shows of 1992 and 1993, moving away from DJ sets and into ambient soundscapes, with previously released material performed alongside unheard tracks. One live performance to BBC Radio 1 featured Robert Fripp performing alongside the band. The released album's tone was darker and more rhythmic than Lifeforms. Cobain stated that with ISDN they had wanted to achieve something epic and grand but no matter how much technological or personal support they had (and they had everything they could have possibly wanted) they never got to truly do what they envisioned; he admits to wanting too much at this time, even though the album was successful; the 90s, for Cobain in particular, were a time of frustration and feelings of not being able to do what they wanted to, because the technology at the time didn't fit the band's ideas. The following year, the album was re-released with expanded artwork and a slightly altered track list as an unlimited pressing.
Answer this question using a quote from the text above:

what is lifeforms?

Answer:
they released Lifeforms to critical acclaim. The album featured unconventional use of percussion