In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example output: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : Chicago is an American rock band formed in 1967 in Chicago, Illinois. The self-described "rock and roll band with horns" began as a politically charged, sometimes experimental, rock band and later moved to a predominantly softer sound, generating several hit ballads. The group had a steady stream of hits throughout the 1970s and 1980s. Since at least 2008, "Billboard" has shown Chicago to be the "greatest of all time" American band in singles chart success, and since 2015, the "greatest of all time" American band in album chart success as well. Chicago is one of the longest-running and most successful rock groups, and one of the world's best-selling groups of all time, having sold more than 100 million records. Context_2 : American band Ivy has recorded material for six studio albums, one extended play (EP), and for various compilation albums and soundtracks. Formed in 1994, the musical trio consists of Dominique Durand, Andy Chase, and Adam Schlesinger. After releasing the EP "Lately" with Seed Records in 1994, the band recorded their debut album, "Realistic", which was released in 1995. A pop album, lead single "Get Enough" was named a "Single of the Week" by British newspaper "Melody Maker". After a brief hiatus, the band released their second album, "Apartment Life", in 1997 after signing with Atlantic Records. In order to make the pop-influenced album, the group collaborated with a number of high-profile musicians, including Chris Botti, Lloyd Cole, James Iha, and Dean Wareham. The album was, however, a commercial disappointment for their record label, who dropped Ivy while they were touring. Two songs from "Apartment Life" ("I Get the Message" and "This Is the Day") received further attention after being included on the official soundtrack to the 1998 film, "There's Something About Mary". Ivy signed to Nettwerk to release "Long Distance" in 2000; the album incorporated music from multiple genres, such as guitar pop, trip hop, and new wave. The third single released, "Edge of the Ocean", became Ivy's first song to enter a musical record chart, peaking at number 160 in the United Kingdom. Due to its popularity, Ivy considers it to be their signature song. Context_3 : "Must Get Out" is a song by American band Maroon 5, taken from their debut album, "Songs About Jane" (2002). Written by the band members Adam Levine and Jesse Carmichael, and produced by Matt Wallace, the song was released as the fifth and final single from the album on April 5, 2005. A downtempo song, "Must Get Out" has a "dreamy" lyrical story about a tough period of a relationship. The song received mostly positive reviews from music critics, who praised Levine's vocals and the song's hook, considering it a highlight on the album. "Must Get Out" charted inside the top-ten in Netherlands, while reaching the top-forty in other three territories, including the United Kingdom where it became the band's fifth top-forty hit. Context_4 : Fight with Tools is the debut album by Flobots originally released in October 2007 and re-released on May 20, 2008. The album was recorded in 2007 around the band's home state of Colorado. "Fight with Tools" received a mildly positive reception from critics who praised the production and serious subject matter. The album features the single "Handlebars" which became a popular hit on Modern Rock radio the following April, also becoming a popular hit in the UK (#14), New Zealand (#26) and Canada (#63). The album also features the single "Rise" which also became a popular hit on Modern Rock radio after its release. In the week of June 7, 2008, the album jumped on the "Billboard" 200 chart 168 places and peaked at number 15, selling over 265,000 copies. The album also peaked at number 52 on the UK Albums Chart. Context_5 : Upset are an American band formed in 2013. The band originally consisted of Ali Koehler on guitar and lead vocals, Jenn Prince on lead guitar and vocals, and Patty Schemel on drums. After the recording and release of their debut album She's Gone, Prince departed the band to work on other projects, with Lauren Freeman joining the band on lead guitar and Rachel Gagliardi on bass and vocals. Koehler is the former drummer of the bands Best Coast and Vivian Girls. Schemel rose to prominence as the drummer of Hole and currently also drums for the band Death Valley Girls. The band released their debut album on Don Giovanni Records on October 29, 2013. Context_6 : The Red Chord is an American band from Revere, Massachusetts, formed in 1999. The group comprises vocalist Guy Kozowyk, guitarist/vocalist Mike "Gunface" McKenzie, bassist Greg Weeks and drummer Michael Justian. The band gained a fanbase with its 2002 debut album "Fused Together in Revolving Doors". The second album, "Clients", was released in 2005 and sold over 50,000 copies in the U.S. They released their third album, "Prey for Eyes" in 2007, which sold in between 4,000 and 5,000 copies and debuted at No.198 on the "Billboard" 200 chart. Their latest album, 2009's "Fed Through the Teeth Machine", debuted at No.180 on the "Billboard" 200 chart. Context_7 : "Hoppipolla" (] , "Hopp i polla" is Icelandic for "Hopping into puddles") is a song by Icelandic band Sigur Ros from their 2005 album "Takk...". It was released as the album's second single on 28 November 2005. The lyrics are mainly in Icelandic, with some nonsensical phrases, a "language" the band calls Vonlenska ("Hopelandic"). Written with spaces, the song's title would be "Hoppa i polla" (the "a" in "hoppa" is not pronounced). As with many of the band's songs, it was given a nickname in the early stages of writing. "Hoppipolla" was "The Money Song", as the band was certain they had written a song which would have commercial success. It is the band's most successful single, charting at #24 on the UK Singles Chart in May 2006. It is considered the most well known song within its genre. The single also features "Me blonasir", an instrumental coda to "Hoppipolla", which is also featured on "Takk..."; and a studio remake of "Hafssol", a song previously released on the band's 1997 debut album, "Von". The title appears as "Hafsol" on the single. Context_8 : The Sugababes are an English girl group formed in 1998 by Siobhan Donaghy, Mutya Buena and Keisha Buchanan. Their debut album, "One Touch", was released in the UK through London Records on 27 November 2000. The album achieved moderate success, peaking at number 26 in April 2001 and eventually being certified Gold. In 2001, Donaghy departed the group amid rumours of a rift with Buchanan and the group were dropped by their record label. With the introduction of Heidi Range, former member of fellow English girl group Atomic Kitten, the group began to experience a higher level of commercial success whilst keeping the critical acclaim they had achieved with their debut album. They released three studio albums before Buena announced her departure in December 2005, leading to Amelle Berrabah being brought in to replace her. Following the release of their first greatest hits album, the new line-up released two studio albums. In September 2009, after 11 years in the Sugababes, Buchanan, the final original member, was replaced by former UK Eurovision entry Jade Ewen. Range, Berrabah and Ewen released the group's seventh studio album, "Sweet 7", in 2010, after which they signed to RCA Records, before announcing an indefinite hiatus in 2011. In 2013, Ewen confessed that the Sugababes had split two years earlier. The original line-up of the band reformed in 2011, under the new name Mutya Keisha Siobhan. Context_9 : "Handlebars" is a song by Flobots. It was released as the first single from their debut album, "Fight with Tools", and is the group's largest success, peaking at #3 on the Billboard Modern Rock Tracks. Context_10 : The Flobots are an American band, formed in 2005 by Jamie Laurie. The band's origins date back 5 years earlier to a similar project by Laurie. Flobots found mainstream success with their major label debut "Fight with Tools" (2007), featuring the single "Handlebars", which became a popular hit on Modern Rock radio in April 2008. The band has released 4 studio albums and 1 EP, with their latest "Noenemies" being released in May 2017. fact_1 : The Flobots are an American band, formed in 2005 by Jamie Laurie. fact_2 : Flobots found mainstream success with their major label debut "Fight with Tools" (2007), featuring the single "Handlebars", which became a popular hit on Modern Rock radio in April 2008. fact_3 : "Handlebars" is a song by Flobots. fact_4 : It was released as the first single from their debut album, "Fight with Tools", and is the group's largest success, peaking at #3 on the Billboard Modern Rock Tracks. Answer: Handlebars
A:
What song, by American band Flobots, formed in 2005 by Jamie Laurie appears on their debut album, Fight with Tools, and is the groups largest success?