input: The band released the second part of their triptych, Mechanical Animals, on September 15, 1998. Co-produced by the band's lead singer with Sean Beavan and Michael Beinhorn, the album moved away from the industrial rock production of its predecessor and was strongly influenced by 1970s glam rock, particularly David Bowie's 1974 album Diamond Dogs. Billy Corgan served as an unofficial consultant to the band during the early development of the album. After playing a few songs for him, Corgan advised them that "This is definitely the right direction" but to "go all the way with it. Don't just hint at it", referring to its inclusion of glam influences. To suit their new musical style, the band also recast itself as a glam rock outfit, setting aside the "rotting-corpse chic" of the previous era in favor of attire more suited to the genre, incorporating leather, platform boots and brightly dyed hair. The band also relocated from New Orleans to Los Angeles, while Zim Zum was replaced by guitarist John Lowery of 2wo. who dubbed himself John 5. Interscope's promotion of the album was massive, with the label erecting enormous billboards of the lead singer as an androgynous extraterrestrial in both Times Square and Sunset Strip. Repeated appearances on MTV and other networks helped propel the album's lead single, "The Dope Show", to number twelve on Billboard's Mainstream Rock chart, becoming the band's highest-charting single yet. The song's music video was critically acclaimed, winning two awards at the 1998 Billboard Music Video Awards as well as the Best Cinematography award at the 1999 MTV VMA's; while the song was also nominated for Best Hard Rock Performance at the 41st Annual Grammy Awards. The album would go on to debut at number one on the Billboard 200, with first week sales of over 223,000. After a brief promotional campaign, the band set out on the "Beautiful Monsters Tour" with Hole. The tour would be a problematic one, and was marred by frequent on-and-off stage exchanges between Manson and Hole vocalist Courtney Love. Private disputes also arose over the tour's financial arrangements, with Hole unwittingly financing most of Manson's production costs, which were disproportionately high relative to Hole's. The tour was to include thirty-seven shows spanning over a two-month period, although Hole left after taking part in just nine of the scheduled dates. A broken ankle from Manson also forced the postponement of the next two shows, with the remainder of the tour being renamed "Rock Is Dead" and Jack Off Jill and Nashville Pussy taking over select opening slots. The final four dates of the tour were canceled out of respect for the victims of the Columbine High School massacre. The latter half of 1999 and much of 2000 was a period of relative silence for the band, who refused to take part in interviews and retreated from public life. They shelved plans for a proposed single and music video for their cover of AC/DC's "Highway to Hell", which appeared on the soundtrack to Detroit Rock City. They spent this period writing and recording in a secluded studio in Death Valley, with only the live album The Last Tour on Earth appearing during this time. A studio outtake from Antichrist Superstar, titled "Astonishing Panorama of the Endtimes", served as its only single.

Answer this question "did it win any awards?"
output: The song's music video was critically acclaimed, winning two awards at the 1998 Billboard Music Video Awards as well as the Best Cinematography award at the 1999 MTV VMA's;

Question: Joan Agnes Theresa Sadie Brodel was born on January 26, 1925, in Highland Park, Michigan, the youngest child of John and Agnes Brodel. John was a bank clerk and Agnes was a pianist. Joan's two older sisters, Betty and Mary Brodel, shared their mother's musical interest and started to learn how to play instruments, such as the saxophone and the banjo, at an early age. They began performing in front of audiences in acts that included singing and dancing.

By 1946, Leslie was growing increasingly dissatisfied with the roles offered to her by the studio. She sought more serious and mature roles and wanted to break out of her ingenue image which was partly due to her young age. Her decision was also based on moral and religious grounds. With the help of her lawyer Oscar Cummings, she took Warner Brothers to court in order to get released from her contract. In 1947, the Catholic Theatre Guild gave Leslie an award because of her "consistent refusal to use her talents and art in film productions of objectionable character." As a result of this, Jack Warner used his influence to blacklist her from other major Hollywood studios. In 1947, she signed a two-picture contract with the poverty row studio Eagle-Lion Films. The first one was Repeat Performance (1947), a film noir in which she played a Broadway actress. The other was Northwest Stampede (1948) in which she performed with James Craig. After her contract with Eagle-Lion Films expired, she was cast in The Skipper Surprised His Wife (1950), appearing with Robert Walker. The film was distributed by MGM, the studio in which she began her film career in 1936. In the early 1950s, Leslie chose to focus on raising her daughters, which resulted in a more irregular film career. In 1952, she signed a short-term deal with Republic Pictures, the low-budget studio which primarily produced western pictures. One of the films she made for Republic was Flight Nurse (1953). Leslie's character, Polly Davis, was based on the successful flight nurse Lillian Kinkella Keil's career in the Air Force. It was described by the newspaper Kingsport Times-News as a thrilling film that "honors the courageous women who performed miracles of mercy above the clouds in evacuation of wounded GIs from Korean battlefields." Her last film was The Revolt of Mamie Stover (1956). However, she continued making sporadic appearances in television shows while her children were at school. She retired from acting in 1991, after appearing in the TV film Fire in the Dark.

Using a quote from the above article, answer the following question: In her later career what was her age?
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Answer:
wanted to break out of her ingenue image which was partly due to her young age.