In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : This is a list of episodes for "Perry Mason", an American legal drama series that aired on CBS television for nine seasons (September 21, 1957 May 22, 1966). The title character, portrayed by Raymond Burr, is a fictional Los Angeles criminal defense lawyer who originally appeared in detective fiction by Erle Stanley Gardner. Many episodes are based on novels and short stories written by Gardner, with some stories having been adapted more than once. Context_2 : Marshall Kent (October 6, 1908 - January 15, 1985) was an American television and film actor who appeared in 30 television series or films between 1956 and 1977. He was best known for his role as "Doc" in the 1958 spoof of "Gunsmoke" presented as an episode of "Maverick" starring James Garner entitled "Gun-Shy." He also appeared in various other series including "Dragnet" with Jack Webb, "Perry Mason" with Raymond Burr, "The Deputy" with Henry Fonda, "The Gray Ghost", "The Millionaire", "Highway Patrol" with Broderick Crawford, "General Electric Theater", "The Loretta Young Show", "Dennis the Menace", "The Thin Man", "Room 222", "The Wonderful World of Disney", "The Doris Day Show", and "Little House on the Prairie". He was also a supporting player in films including "Beyond the Valley of the Dolls", "The Decks Ran Red" with James Mason and Dorothy Dandridge, "Teenage Thunder", "Ring of Fire" with David Janssen, and "The Last Voyage" with Robert Stack and Dorothy Malone. Context_3 : Russell S. Hughes (January 15, 1910 April 16, 1958) was a screenwriter of movies such as "Them!"; "Thunder Over the Plains" with Randolph Scott; Anthony Mann's "The Last Frontier" with Victor Mature and Robert Preston; "Yellow Mountain" with Mala Powers; "Jubal" with Ernest Borgnine and Rod Steiger; and a host of others and a variety of episodes for television series including "Maverick" episodes "According to Hoyle" and "The Seventh Hand," both featuring James Garner as Bret Maverick and Diane Brewster as Samantha Crawford, as well as "The Burning Sky" and Robert Louis Stevenson's "The Wrecker." Other series include "Perry Mason" with Raymond Burr, "Zane Grey Theater", and both the movie "Sugarfoot" with Randolph Scott and the unrelated TV series "Sugarfoot". Context_4 : Raymond William Stacy Burr (May 21, 1917September 12, 1993) was a Canadian-American actor, primarily known for his title roles in the television dramas "Perry Mason" and "Ironside". He was prominently involved in multiple charitable endeavors, such as working on behalf of the United Service Organizations. Context_5 : Rembrandt Pussyhorse is the second full-length studio album by American experimental rock band Butthole Surfers, released in April 1986. All songs were written and produced by Butthole Surfers, except "American Woman", which was written by Randy Bachman, Burton Cummings, Jim Kale, and Garry Peterson of The Guess Who, and "Perry", which borrows the tune from the theme music to the old "Perry Mason" TV show starring Raymond Burr. Context_6 : "The Case of the Restless Redhead" is the premiere episode of the CBS television series "Perry Mason". Adapted from the 1954 novel of the same title by Erle Stanley Gardner, this episode marked the beginning of Raymond Burr's long-running portrayal of the famous fictional lawyer. Context_7 : Paul Morgan Genge (29 March 1913 Brooklyn, New York 13 May 1988 Los Angeles, California) was an actor from the 1950s through to the late 1970s. Genge is most famous for his role as the shotgun toting gray-haired mob hitman 'Mike' in the 1968 film "Bullitt" (his character is the passenger in the black 1968 Dodge Charger during the famous car chase that goes out of control and causes his death and the driver's). Other film roles include that of a payoff man in "The Outfit" (1973), a California Highway Patrol officer in 1967's "Hot Rods to Hell", Whitey, a communist suspect in "The FBI Story" (1959) and Lieutenant Hagerman in "North By Northwest" (1959). He also appeared on many television shows from the 1950s, 1960s, and 1970s. He played in four episodes of "Perry Mason", starring Raymond Burr; in three of the roles he played a law-enforcement officer, such as San Francisco Inspector Wade in "The Case of the Poison Pen Pal" in 1962. In his final appearance in 1966 he played Bud in "The Case of the Sausalito Sunrise." Ironically, in that episode he and his comrade, in attempting to hijack goods from a truck driven by Paul Drake, are killed when their car loses control and rolls down the cliff, somewhat similar to the chase scene in "Bullitt". Context_8 : The New Perry Mason is a 1970s TV series that was a revival of the long-running hit television series of the 1950s and '60s about Erle Stanley Gardner's brilliant defense attorney. While several production personnel had worked on the original "Perry Mason" series (including executive producer Cornwell Jackson, producers Ernie Frankel and Art Seid, and director Arthur Marks), the series was made without the participation of any members of the original cast, with Monte Markham taking over the role that Raymond Burr played in the original series. Produced by 20th Century Fox Television, it aired Sundays at 7:30 pm (EST) on CBS, the same network which had aired the original series, during the 1973-74 season. A total of 15 episodes were produced and aired. Context_9 : The Perry Mason TV movies (198595) are a successful series of 30 television films aired on NBC as a sequel to the popular CBS-TV series "Perry Mason". After a hiatus of nearly 20 years, Raymond Burr reprised his role as Los Angeles defense attorney Perry Mason in 26 of the television films. Following Burr's death in 1993, Paul Sorvino and Hal Holbrook starred in the remaining four that aired from 1993 to 1995. Context_10 : Sharon Acker (born April 2, 1935) is a Canadian film, stage, and television actress and model. Acker appeared mostly on television in Canada and the United States from 19561992. She played Della Street, Perry Mason's loyal secretary in "The New Perry Mason". Her film roles include "Lucky Jim", "Point Blank" and "Don't Let the Angels Fall". fact_1 : While several production personnel had worked on the original "Perry Mason" series (including executive producer Cornwell Jackson, producers Ernie Frankel and Art Seid, and director Arthur Marks), the series was made without the participation of any members of the original cast, with Monte Markham taking over the role that Raymond Burr played in the original series. fact_2 : Raymond William Stacy Burr (May 21, 1917September 12, 1993) was a Canadian-American actor, primarily known for his title roles in the television dramas "Perry Mason" and "Ironside". Answer: Monte Markham
Solution: The New Perry Mason is a 1970s TV series that was a revival of the longrunning hit television series of the 1950s and 60s, the series was made without the participation of any members of the original cast, with who taking over the role that Raymond Burr played in the original series?