Typically you must sign your application and affidavit in the presence of a notary. Make copies of your application and affidavit after you sign them so you have copies for your records and copies to serve on the defendant's employer, since the clerk will keep the originals when you file them. Once you've completed and signed your application you must file it with the clerk for the same court where your judgment was entered. You must pay a filing fee when you file your application and affidavit, typically under $100. You can add the filing fee to the total amount you'll be collecting from the defendant. In some jurisdictions, you may be able to file your application and affidavit electronically and avoid a trip to the courthouse. A writ of garnishment tells the defendant's employer that he or she must withhold a certain amount of money from the defendant's paycheck. Provided all the information in your application and affidavit is complete, the clerk will issue your writ. In some states this form is called a writ of execution, but the effect is the same. You may have to pay an additional fee for the clerk to issue a writ. You must contact the sheriff's department in the county where the defendant's employer is located to serve the writ and begin the garnishment process. You typically will have to pay the sheriff's department a small fee up front to serve your writ of garnishment. In some jurisdictions you also will have a notice form. Typically you don't have to fill out anything on this form, it simply tells the defendant that his or her wages are being garnished and outlines the rights of judgment debtors. If the defendant objects to the garnishment or believes his wages are exempt, he may file a claim of exemption with the court that issued the writ. The defendant also can avoid the garnishment by paying the total amount of the judgment directly to the sheriff's department that served the writ.

Summary: Sign your application and affidavit. File your application and affidavit with the clerk of court. Ask the clerk for a writ of garnishment. Have the writ of garnishment served on the defendant's employer.

A huge part of performing punk music happens with what you do around the singing, as much as the singing itself. Good punk singers are like performance artists and stage maniacs, flailing about and getting people whipped into a frenzy. Check out performances by these classic punk performers: Lux Interior from The Cramps Iggy Pop from The Stooges Darby Crash The Germs Cole Alexander from Black Lips earn to handle the mic. Most of the classic punk vocalists are singers, not singers and guitar players. If you're going to be on stage with nothing but the mic, it's important to learn to handle it, both to get the best sound possible, and look cool doing it. That spot between your nose and your top lip, where a mustache would be? Jam the microphone into that spot and keep it there while you sing. Don't worry about over-blowing it. Grab the mic as close to the head as possible, like rappers do. Try wrapping the cord around the hand you're holding the mic with, to keep it out of the way for head banging. Don't grab the mic cable and swing the microphone. Sound guys hate this, and it makes you look like a dork. If you want to buck the trend, keep the mic on the mic stand and wrestle with it, swinging it around and bending it to your height, then straight up, then back again. This is strangely compelling. Cheap mics work best for singing punk rock, and if you can dial up a little reverb or gain on the PA that you're singing through, all the better. Try thinking of your voice like another guitar or another instrument on stage: it's there to make sound more than it is there to communicate specific messages. That's what the lyric sheet is for. It's not dancing, it's flailing. Punk vocalists will often perform the songs just as much by moving around. For different vocalists, this might mean hopping around, pumping fists, head-banging, rolling around on the floor, oras in Iggy Pop's casesmearing peanut butter on your chest. You might not need to go that crazy, but it always helps to get wild when you're performing punk. Practice performing your songs in the dark to help to free yourself and get comfortable. It doesn't matter if you "look cool," speaking strictly. You just need to look uninhibited and free. Punk bands should play at the same level as the audience whenever possible, attempting to blur the line between performer and spectator. If there's a stage at the venue where you're playing, set-up on the floor. Better yet, perform in basements and union halls, or other all ages venues. Avoid lame "classic rock" gestures, like stage diving and other cliches. Punk isn't about acting like some kind of rock god. . Punk style is a controversial topic, for obvious reasons, but that doesn't mean it doesn't exist. Think about it this way: you want to dress in the way that will make you confident to perform punk music. If that means you wear a plain white tee and a pair of Dickies, you'll be in good company, right along with Henry Rollins. If you want a jean jacket and some combat boots, all the better. Leather jacket and pink mohawk? Maybe. Try to match your concept of punk style to the punk scene you're a part of and the aesthetics of your music. Want to learn how to sing punk? Go to shows. Local shows. Buy band tees from local punk bands and rep them whenever you go out. Put on shows and promote the local scene. That's punk.
Summary: Watch the masters. . Distort the mic. Move around. Get down into the crowd. Look like your audience