In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Ex Input:
Another Williams masterpiece . If you watch--and listen to--enough movies, you can almost name the composer of certain scores, they're so similar. John Barry's scores to "Dances with Wolves," "Out of Africa," and "Somewhere in Time" (except for the Rachmaninoff), are like that. James Horner's scores are a little better differentiated. But the two best, able to write evocative scores that capture the essence of the film's story and make us FEEL it--without leaving us thinking we've heard this before--are Jerry Goldsmith (e.g., "The Sandpebbles") and John Williams. Here, like Goldsmith's score to "The Wind and the Lion," Williams is able to take a truly exotic motif--the musical forms of West Africa--and mix it with truly American, if a little Copland-esqe-sounding, music. And that's the whole idea. People were violently ripped from their homes and transported to, for them, a place no less alien and bizarre than Africa was to white Europeans and Americans. And yet the United States was a place that declared "All men are created equal." The contemplative, high-principle-sounding music to "Mr. Adams Takes the Case," is as stirring as the exotic "Dry Your Tears, Afrika," but in a completely different way. That John Williams is able to do that in score after score is what makes him one of the all-time greatest in a genre that hasn't been around all that long. My only wish is that film score composers would more often produce true, symphonic suites from their film scores that can be played by orchestras as stand-alone, concert pieces. I hope this music becomes such a suite. Like the subject matter of the movie--the eternal human quest for freedom and equality--it would become timeless

Ex Output:
POS

Ex Input:
Klute covers the whole spectrum . I've seen (heard--whatever) Klute spin a few times, and he is unbelievable. Mostly dark , hard stuff (which is my taste--see his Breakbeat Science Exercise mix CD). This orginally produced music by him brings out some different tastes I didn't realize he had in him. I'm not going to get into his "collage of genres" cd (#2) [revision--I actually wrote this review before I had given disc #2 a full listen. There is some really good sh** here--especially for you breaks/ party dj's--that would probably never think to look in a D&B's producers direction for such trax--check "Artificial Sense" and "Overchoice"], but cd #1 has a lot of flavours on it. I'm not a big 2 step fan, but "Part of Me" is completely addicting. "Problem Reaction" and "Tacky"--("Ether" falls somewhere in between 2 step & jungle)-- are typical Klute standouts, and only he and High Conrast could even get me in the 2 stepping groove (if you can call it that). According to silly people who don't have a clue about music, D&B is fading as a genre. But w/ more producers like Klute (and High Contrast) around, it will be here to stay.

Ex Output:
POS

Ex Input:
Millennium ~ Front Line Assembly . When I first heard this album back in 1994, I did not like it all. I was expecting Tactical Neural Implant part two. However, later on in life and with a much broader palate for music I must say that I love it. It was a stroke of genius to add the layer of guitars and I love the hard edged sound which sounds like a mix between Ministry, FLA, Die Krupps and even Front 242. The cover is a very odd thing that does not look like anything at all and the text is not all that great. The lyrics are interesting and they make up for the not so great vocals with plenty of energy and a tremendous tallent to make cross over music. The guitar layer is amazing and add a brutal edge to an already grimm sound. FLA show on this album that they can mix and match their sound and still be able to create amazing music.

Ex Output:
POS