Teacher: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
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Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this instance: Context_1 : Tujiko Noriko ( ) is a Japanese pop artist, from Osaka. Because of her experimental style, she is sometimes compared to Mum, or Bjork. Much of her music consists of repetitive layers of samples and electronic beats and melodies being gradually added on top of each other, with her vocals recorded over it all. Her lyrics are in Japanese and English. She has worked for the Austrian label Mego, and the German Tomlab. In 2004, she teamed up with Peter 'Pita' Rehberg to form DACM making the album "Stereotypie". In 2005, she collaborated with French artist Saadane Afif to create film using four texts by French artist Lili Reynaud-Dewar. She is currently living in Paris and is also working on experimental short films. According to an article in The Japan Times, she has completed two films: "Sand and Mini Hawaii" and "Sun". In Spring 2012 she was artist in residence at WORM, a Rotterdam-based institute for avant garde music and art to record new music. Context_2 : "Forgot About Dre" is a Grammy Award-winning single from rapper Dr. Dre's "2001", featuring vocals from rapper Eminem. The track reached No. 25 on the "Billboard" Hot 100, No. 14 on the U.S. R&B chart, No. 32 on the U.S. Pop chart, and No. 7 on the UK Singles Chart. Released as the album's second single on January 29, 2000, like "Still D.R.E.", the song addresses Dre's critics in a defiant manner, as Dre announces his return to the hip-hop scene and reminds listeners of his significant influence on the genre. "Forgot About Dre" won Best Rap Performance by a Duo or Group at the 2001 Grammy Awards. Context_3 : Nigerian recording artist and music producer Slim Burna has recorded a total of twenty three songs including remixes, covers and guest features. After he quit his production job at Grafton Records in 2008, he formed Street Rhymes and has since made beats and created music in his own studio. In 2009, he released his own version of "Oyoyo" (originally by J Martins) which helped gain him some attention. The song became a hit record, appearing on several mix albums put together by the Nigerian DJs Coalition. He collaborated with award-winning Nigerian rapper M-Trill on the song "Oya Na", which was duly released in May 2012. The following month, Burna released "I'm on Fire" and hinted towards a new mixtape. He later confirmed through a video footage that he had begun work on his debut project. The second single released from the tape was "All Day" which Burna recorded with some vocal assistance from fellow Garden City singer Bukwild Da Ikwerrian. Bukwild contributed to the songwriting and delivered the second verse of the track. Burna also collaborated with P.I. Piego, a member of Hip hop group Ruud Boiz, on the third single "Claro", released on February 8, 2013. His first full length project "I'm on Fire" was released on April 11, 2013. Later that same year, Burna also contributed a guest verse to the song "Bad Girl" for Young Paperboyz's second studio album, "Naija Boss Techno Reloaded" and released the song "Oh Na Na Na" in commemoration of Nigeria's 53rd Independence Day Anniversary, which ultimately became the first top ten hit of his career. Context_4 : "Outta Control" is a song by American hip-hop artist 50 Cent, recorded for his second studio album, "The Massacre" (2005). The song features production from Dr. Dre and Mike Elizondo. A remixed version of the song (although it bears no resemblance to the original) was released as the fourth and final single from "The Massacre", although it is only included on the re-released version and replaces the original version. The remix is also produced by Dr. Dre and Elizondo and features a guest appearance from hip-hop group Mobb Deep. It also appears as a bonus track on Mobb Deep's seventh studio album "Blood Money" (2006). Context_5 : Holly Palmer (born c. 1971) is an American singer-songwriter based in Los Angeles, California. She has released five albums as a solo artist, and has toured extensively as a vocalist with acts including David Bowie and Gnarls Barkley. She is also the "Cheesecake" partner in Bubbles & Cheesecake, an Internet-based, multi-media collaboration with multi-disciplinary artist Allee Willis. Other musicians with whom she has collaborated include David Bowie, Paula Cole, Dr. Dre, Billy Preston, Dave Navarro and Michael Buble, among others. Context_6 : "Still D.R.E." is a song by American rapper Dr. Dre, featuring fellow American rapper Snoop Dogg. It was released on October 13, 1999 as the lead single from Dre's multi-platinum second studio album, "2001" (1999). Context_7 : Cause An Effect is the first album by the former 1200 Techniques frontman, N'fa. The Australian hip hop artist collaborated with various producers around the world including Roots Manuva, Mr Yoshiaki (The Black Eyed Peas), DJ Peril (of 1200 Techniques) and Deceptikonz (Dawn Raid Entertainment). Three singles were released from the album, "Seduction is Evil (She's Hot)", "Cause An Effect" and "Universal King (Left Right Left)". The actor, Heath Ledger, directed two video clips for the album, "Seduction is Evil (She's Hot)" and "Cause An Effect". In 2010, N'fa re-released the single "Cause An Effect" as an EP with various remixes of the track and video clip on iTunes. Context_8 : American recording artist Kelly Rowland has recorded songs for her four studio albums and has collaborated with other artists for duets and featured songs on their respective albums and charity singles. Her discography as a solo artist began in 2000 on the remix of R&B recording artist Avant's single "Separated". It also includes three studio albums (and an upcoming fourth album), two compilation albums, one box set, two extended plays, thirty-seven singles, including thirteen as a featured artist and five promotional singles, and two charted songs. Context_9 : Where We Come From is the debut studio album by Jamaican dancehall artist Popcaan, released on 10 June 2014 by Mixpak Records. A prolific dancehall artist from Jamaica, Popcaan collaborated with several producers on the album: Dre Skull (who also served as the album's Executive Producer), Dubbel Dutch, Anju Blaxx, Jaime YVP and Adde Instrumentals. Context_10 : "New Day" is a song by American hip hop recording artist 50 Cent. The song was released on July 27, 2012, originally as a single from his upcoming fifth studio album "Street King Immortal" (2014), but it was eventually removed from the project. The song was produced by Dr. Dre and mixed by Eminem, while co-written by the two along with 50 Cent, Alicia Keys, Royce da 5'9", Swizz Beatz, Andrew Brissett, Amber Streeter from RichGirl and Lawrence Jr from Aftermath Records. The song features a verse from Dr. Dre, while the hook is sung by Alicia Keys. Keys also recorded and released her own version of "New Day" which is featured on her fifth album "Girl on Fire" (2012). fact_1 : "Forgot About Dre" is a Grammy Award-winning single from rapper Dr. Dre's "2001", featuring vocals from rapper Eminem. fact_2 : "Still D.R.E." is a song by American rapper Dr. Dre, featuring fellow American rapper Snoop Dogg. Question: Which artist collaborated with the artist who recorded "Forgot About Dre"?
Student:
Snoop Dogg