Some context: Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin.
In 1929, Monroe moved to Indiana to work at an oil refinery with his brothers Birch and Charlie, and childhood friend and guitarist William "Old Hickory" Hardin. Together with a friend Larry Moore, they formed the "Monroe Brothers", to play at local dances and house parties. Birch Monroe and Larry Moore soon left the group, and Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations-- first in Indiana and then, sponsored by Texas Crystals, on several radio broadcasts in Iowa, Nebraska, South Carolina and North Carolina from 1934 to 1936. RCA Victor signed the Monroe Brothers to a recording contract in 1936. They scored an immediate hit single with the gospel song "What Would You Give in Exchange For Your Soul?" and ultimately recorded 60 tracks for Victor's Bluebird label between 1936 and 1938. After the Monroe Brothers disbanded in 1938, Bill Monroe formed The Kentuckians in Little Rock, Arkansas, but the group only lasted for three months. Monroe then left Little Rock for Atlanta, Georgia, to form the first edition of the Blue Grass Boys with singer/guitarist Cleo Davis, fiddler Art Wooten, and bassist Amos Garren. Bill had wanted "Old Hickory" to become one of the original members of his "Blue Grass Boys", however William Hardin had to decline. In October 1939, Monroe successfully auditioned for a regular spot on the Grand Ole Opry, impressing Opry founder George D. Hay with his energetic performance of Jimmie Rodgers's "Mule Skinner Blues". Monroe recorded that song, along with seven others, at his first solo recording session for RCA Victor in 1940; by this time, the Blue Grass Boys consisted of singer/guitarist Clyde Moody, fiddler Tommy Magness, and bassist Bill Wesbrooks. While the fast tempos and instrumental virtuosity characteristic of bluegrass music are apparent even on these early tracks, Monroe was still experimenting with the sound of his group. He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies as he had in the Monroe Brothers. A 1945 session for Columbia Records featured an accordion, soon dropped from the band. Most importantly, while Monroe added banjo player David "'Stringbean" Akeman to the Blue Grass Boys in 1942, Akeman played the instrument in a relatively primitive style and was rarely featured in instrumental solos. Monroe's pre-1946 recordings represent a transitional style between the string-band tradition from which he came and the musical innovation to follow.
When was his first album poduced?
A: 60 tracks for Victor's Bluebird label between 1936 and 1938.
Some context: Miranda was born Maria do Carmo Miranda da Cunha in Varzea da Ovelha e Aliviada, a village in the northern Portuguese municipality of Marco de Canaveses. She was the second daughter of Jose Maria Pinto da Cunha (17 February 1887 - 21 June 1938) and Maria Emilia Miranda (10 March 1886, Rio de Janeiro - 9 November 1971). In 1909, when Miranda was ten months old, her father emigrated to Brazil and settled in Rio de Janeiro, where he opened a barber shop.
Desiring creative freedom, Miranda decided to produce her own film in 1947 and played opposite Groucho Marx in Copacabana. The film's budget was divided into about ten investors' shares. A Texan investor who owned one of the shares sent his brother, David Sebastian (23 November 1907 - 11 September 1990), to keep an eye on Miranda and his interests on the set. Sebastian befriended her, and they began dating. Miranda and Sebastian married on 17 March 1947 at the Church of the Good Shepherd in Beverly Hills, with Patrick J. Concannon officiating. In 1948 Miranda became pregnant, but miscarried after a show. Although the marriage was brief, Miranda (who was Catholic) did not want a divorce. Her sister, Aurora, said in the documentary Bananas is My Business: "He married her for selfish reasons; she got very sick after she married and lived with a lot of depression". The couple announced their separation in September 1949, but reconciled several months later. Miranda was discreet, and little is known about her private life. Before she left for the U.S., she had relationships with Mario Cunha, Carlos da Rocha Faria (son of a traditional family in Rio de Janeiro) and Aloysio de Oliveira, a member of the Bando da Lua. In the U.S., Miranda maintained relationships with John Payne, Arturo de Cordova, Dana Andrews, Harold Young, John Wayne, Donald Buka and Carlos Niemeyer. During her later years, in addition to heavy smoking and alcohol consumption, she began taking amphetamines and barbiturates and they took a toll on her health.
when did she die
A:
Some context: Chris Palko was born in Wurzburg, Germany, to American parents. His father was stationed on a West German military base as a member of the military police. Palko lived there until the age of four when his father was dishonorably discharged for selling and using heroin, and the family was sent back to the United States where they lived in Middletown, New York. His father would often force Palko to pull homemade tourniquets around his arm as he injected heroin.
When Palko was released from the hospital at eighteen, he pursued a career as a rapper, giving himself the stagename "Alex", after the protagonist of Anthony Burgess' novel A Clockwork Orange. After hiring a manager and recording a demo, he was introduced to rapper Pete Nice, and Cage was featured on the 1993 album Dust to Dust. Pete Nice also introduced Palko to radio personality Bobbito Garcia, who featured Palko on his program several times, increasing his reputation among New York's underground hip hop scene, where he became associated with KMD, Kurious Jorge, K-Solo, Godfather Don, Necro, Artifacts, Pharoahe Monch and El-P. Palko signed a recording contract with Columbia Records, but frequently recorded while intoxicated, and the label found his efforts to be unsatisfactory. Palko briefly put his career on hold and his drug use increased. When Garcia founded the label Fondle 'Em Records, he offered Palko a record deal, and Cage released a single featuring the songs "Radiohead" and "Agent Orange" in 1997, to success and acclaim. Following the release of The Slim Shady EP in December 1997, Palko accused Detroit-based rapper Eminem of imitating his style. After several more singles with Fondle 'Em, Palko met Mr. Eon and DJ Mighty Mi of The High & Mighty, and the trio formed the group Smut Peddlers, releasing the album Porn Again on Rawkus Records in 2001. The album peaked at #10 on the Billboard Heatseekers chart, #43 on the Top R&B/Hip-Hop Albums chart, and #184 on the Billboard 200, while its single "That Smut" peaked at #9 on the Hot Rap Singles chart and #96 on the Hot R&B/Hip-Hop Singles & Tracks chart. In 2001, Palko's music was featured on the soundtrack to the psychological crime film Bully.
How did he break into the business?
A:
After hiring a manager and recording a demo, he was introduced to rapper Pete Nice, and Cage was featured on the 1993 album Dust to Dust.