Q: Question: What style of cinema influenced the movie? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Ore wa matteru ze Context: Joji, a boxer in a world of feather and welter weights intimidates the underworld with his presence. He actually disarms a thug by asking for the gangster's gun. The gun is handed over to Joji who delivers a punch to the gun owner. Fight scenes are enacted with minimal if any music but hyper-real sound effects are used at times. It seems as if the fighters are performing on sand covered wooden floors. Very amateur fight moves compared to today's imports which gives it a nice innocent charm. Poetically shot scenes of reverie by an ocean embankment ( great diagonal shots) or in an empty restaurant lends a European feel to the movie, very French. The singer, Saeko, is revealed to have been an opera singer with an impeccable french accent who lost her talent due to illness. The spoiler revolves around Joji's brother.....Nice twist.
A: French

Question: Question: What else is Dr. Logan known as? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Day of the Dead Context: Cannibalistic zombies have overrun the entire world. The remaining fragments of the U.S. government and military hide out in fortified military bases and colonies, attempting to find a solution to the zombie pandemic. Sarah, Private Miguel Salazar, radio operator William "Bill" McDermott, and helicopter pilot John fly from their base to Fort Myers, Florida, in an attempt to locate additional survivors. They encounter a large horde of the undead, and return to their army base in the Everglades, where a small group of scientists, supported by a skeleton crew of soldiers, is searching for a way to stop or reverse the re-animation process. Dr. Logan, the lead scientist also known as "Frankenstein" due to his grisly surgical dissections of zombies believes that the zombies can be trained to become docile, and accordingly has amassed a collection of test subjects, which are kept in a large underground corral in the compound, in spite of the objections of base-commander Captain Henry Rhodes. The tension between soldiers and scientists worsens in the face of dwindling supplies, loss of communication with other survivors, and slow progress in research. During a meeting between the scientists and the soldiers, Rhodes announces that he is taking command of the base, that the scientists henceforth will work under his orders, and that anyone who objects will be instantly killed. Dr. Logan hopes to secure Rhodes' cooperation by showing him the results of his research. He is especially proud of "Bub", a docile zombie who remembers some parts of his past life and engages in rudimentary human behavior: listening to music, aiming a pistol, and saluting Captain Rhodes. "Civil behavior must be rewarded," Logan says. "If it's not rewarded, there's no use for it. There's just no use for it at all!" Rhodes is not impressed. During a zombie roundup mission, two of the soldiers, Miller and Johnson, are killed after a zombie escapes its harness; whereupon Miguel attempts to kill the creature, but is bitten on the arm. Sarah...
Answer: Frankenstein

[Q]: Question: Where does Josef wait? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: The Oyster Princess Context: Plot SynopsisA grotesque comedy in 4 acts.By Hans Kraly and Ernst LubitschACT1- Quaker Dictates The American oyster King dictates to a room full of typing writing women. He smokes a large cigar held by one of his many butlers at his side. One butler scurrys in to say, Your daughter is in a fit of raging madness Ossi, in the other room, has destroyed the room by throwing everything onto the floor. Mister Quaker oddly jogs through the house to see Ossi on the other side of the mansion. When Mister Quaker peeps in, Ossi throws newspapers at him. He asks, Why are you throwing those newspapers? and the brat replies with, Because all of the vases are broken. Ossi is clearly angered, and in a big mess. She shows her father a newspaper that says the Shoe cream kings daughter has married to a count. This is what Ossi is upset about. Mister Quaker is not impressed but tells Ossi that he will buy her a prince. With this, Ossi cant contain herself, jumps up, and hugs her dad ever so enthusiastically. She is so happy, she could smash the house with joy! We then meet Seligson, the matchmaker, who is dealing with a woman with a turned up nose. She complains about the price and how all of the bachelors have imperfections. She then leaves unsatisfied. As she exits, Ossi enters the room smiling and hands the matchmaker a note from Mister Quaker. It says, that because of the shoe cream kings daughter is married, and because oysters are more important, then his daughter should be married too. She needs a man with a family tree that is in accordance with the Oyster kings. The matchmaker searches his wall full of bachelors and comes across Prince Nucki. Nucki lives high up in a building on the 47th floor, he has heavy debts, and is not inclined to marriage. With the great match, the matchmaker leaves instantly. Meanwhile, Ossi is instructed in the ways or marriage which happen to be all about babies. Her instructor is a strict looking woman in black with thin glasses and hair ever so tightly pulled back. Ossi bathes the doll and...
****
[A]: In the drawing room.

Question: Question: Who is uneducated woman? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Bashu, the Little Stranger Context: The film opens in the midst of an Iraqi air raid in the state of Khuzestan in Southern Iran. Beizaei films Bashu (Adan Afravian) caught between bombs exploding, a scene of a Muslim woman (his Mother) burning, and a young girl (his sister) running lost in the smoke. He needs to escape and so he jumps into the back of a truck heading North out of the war. From this point on Bashu enters another reality in a remote farming village Gilan near the Russian border where the people are lighter skinned and speak a different language. There Bashu meets Naii (Susan Taslimi) and her children. By accepting him into her family as one of her own children, Naii poses the fundamental question we hear from the film - "Aren't we all children of Iran?" From out of war torn trauma, Bashu finds hope and trust with Naii's family.Parallels are drawn throughout the film between Bashu and Naii as culturally repressed figures in Iran. Bashu is a dark-skinned, Arab speaking boy, which at the time defied the Persian nationalism thought to unify the country. And, Naii being an uneducated woman who could not read or write would normally not be able to manage on the farm without her husband. Yet, these differences are what bring Bashu and Naii to depend on each other for support and their own sense of family and belonging. This bond is seal at the end of the film when the husband returns with a missing arm and therefore becomes grateful and accepting of Bashus role as his son on the farm.Although Naii and Bashu are culturally repressed characters due to their gender and race, Beizaei lifts them up as strong and successful characters able to survive on their own, care for each other, and thus defy the racial and sexist stereotypes against them.
Answer:
Naii