In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: in the past , tim burton has taken cinema by storm with the action packed batman , and the hilarious ed wood , but lately his films just do n't cut it .
sleepy hollow has some unique features , but the script is a terrible mess
.
for those who remember disney 's fantastic " adventures of ichabod crane " , it is actually superior to this .
disney 's version was at least interesting , while burton 's film drags on far too long , without any suspense or frights .
while the stories are similar , the new version adds too much to the once likable story , and throws in some weak dialogue to top it off .
ichabod crane ( johnny depp ) is now apparently a constable , who was sent to new york to investigate suspicious murders .
the victims are headless , and no traces of evidence were found , until the murderer reveals himself , hence the headless horseman .
now with the help of christina ricci and an orphaned boy , they must stop the headless horseman from a killing spree , that could destroy the whole town of sleepy hollow .
sure the headless horseman is an intriguing character , but the story has so many holes that even he nor depp can save this disaster
.
in the original , the headless horseman was meant to be unstoppable .
no one could stop him , not even ichabod .
by the end of the film , it had audiences in deep thought .
burton however concentrates far too much on the atmosphere , and how to make the main characters heroes .
he takes no risk what so ever , and this is where he fails .
another pathetic element of the film was the script .
like i said earlier , he just stuffed too much in at one time , and made it look real sloppy , kind of like the mess
the headless horseman made with his victims .
he completely butchered the story to pieces .
thankfully there are a few factors that i particularly liked .
the acting by depp was quite notable .
he took the nerdy character of the cartoon , and simply acted it out in a better manner .
if it was n't for his quirky one - liners , i doubt i could have remained awake , because quite frankly i was getting sleepy
.
just when i thought christina ricci was getting to be a good actress , she winds up doing this .
it just goes to show no actress or actor can pass up a big blockbuster .
it 's too tempting to let go , even if the script is mush .
the atmosphere too was quite involving .
i should have just gazed at the sets , and the eerie fog , rather than actually pay attention to what was going on .
at least burton 's films are eye candy , even if they are trash .
the only real scenes of value were the tree full of heads , and the fight between the horseman , depp and casper van dien .
other than that ,
i wish i could just fast forward through all the gaping holes in the film , and just sit back and stare at the scenery .
by the end , i can only think back and laugh at how bad sleepy hollow developed .
this is the biggest disappointment of the year , especially when such a talented director like burton handles a project like this .
do n't waste your time or money , because your head will feel hollow .

Output: N

Input: Consider Input: what would inspire someone who can not write or act to pen and star in a movie ?
a better question , what would inspire a studio to produce said movie ? if you have an answer , let me know .
foolish , the new movie written by and starring master p is a jaw - droppingly horrible film , one with no redeeming value
socially , cinematically or otherwise .
comedically it has some potential , but only in its stand - up comedy moments , which i can turn on comedy central for .
master p stars as fifty dollah '
( beat that ! )
as a mobster ( i think ) who is trying to start a comedy club / act with his little brother foolish ( eddie griffin ) .
but the two of them have to deal with an angry mob boss ( played by andrew dice clay , for the very first time entertaining ) , a stubborn club owner and family problems ( the latter in foolish is a perfect example of roger ebert 's " idiot plot ,
" if everyone here was n't an idiot , there would be no problem ) so what does foolish have to offer beside a bunch of idiotic character names ?
not a hell of a lot .
as i have mentioned , master p can not act or write
.
he acts like the rapper that he is .
the occasional despair that his script requires him to exhibit is excruciatingly forced , as are his warm and fuzzy scenes with his little bro .
as for his script -- well , i suppose he delivers what one would expect from a musical artist with no previous screenwriting experience .
if you have n't yet figured it out , that is not saying much .
co - star eddie griffin ( really the star of the show ) is quite a different story .
the fact of the matter is that griffin , whose most significant screen outing to date is probably the mildly successful tv show malcolm and eddie on the fledgling upn network , is an extremely talented comedian , stand - up and otherwise .
he has much in common with chris tucker ( rush hour , money talks ) in how quickly and effortlessly his speech flows from his lips .
he spouts profanity with impressive dexterity ( to the extent which that can be done ) , and
while i hope that does not become his trademark it works in a few scenes in this movie .
and indeed , i laughed at a few stand - up scenes here , but from a feature - length movie i expect more .
foolish provided me with no reason to care for these characters .
every scene which has any potential for dramatic impact is effectively diffused by either a stupid joke ( in a scene where tension escalates between the two brothers , foolish blurts out towards his jewelry - sporting sibling " you lay one hand on me and this cemetary is going to be a gold rush " ) or something even more idiotic such as foolish smashing his own car ( to which i said , a bit too loudly for the occasion
" huh ?
" ) after getting slightly upset with his wife . believe me when i say that there is nothing in foolish that warrants parting with your hard - earned $ 8 .
you 'll get more laughs from watching 30 minutes of comedy central or any virtually any sitcom if you do n't have cable .
eddie griffin fans may enjoy this derivative ( although offensive ) yarn , but everyone else should stay the hell away . & # 137 ;

Output: N

Input: Consider Input: now that " boogie nights " has made disco respectable again ( well , fashionable at least ) , we should n't be surprised to see more films glorifying that dubious era .
the latest art house interpretation is whit stillman 's " the last days of disco .
" stillman , who made " metropolitan " and " barcelona " using some of the same actors , uses disco 's final hours to highlight what is another conversation - heavy movie that benefits from typically astute writing from the director .
the young , upwardly - mobile professional
( do n't call them yuppies ! )
men and women of " the last days of disco
" frequent a prestigious new york city nightclub pulsating to the bass - pounding rhythms of earth wind and fire , amy grant , and andrea true connection .
here they talk and talk and talk , intellectualizing about such things as dating , success , and being liked , accepted , and admired .
if talk is cheap , " the last days of disco " must surely have been an extremely inexpensive movie to shoot .
what makes the film so entertaining is that this preppie , harvard - educated jet set actually have something to say and say it with wit , perception , and style ( including , at one point , a riotously inventive deconstruction of " the lady and the tramp " ) . na ?
ve alice
( chlo ? sevigny ) and sophisticated charlotte ( kate beckinsale ) are recent college graduates who work as assistant editors for a new york publishing house .
charlotte is confident and outspoken -- perhaps a little too outspoken ; alice is shy and introverted , " like a kindergarten teacher .
"
the two friends often doll themselves up and head out to the nameless nightspot , looking good and looking for excitement ( and that ms .
beckinsale sure looks good on a dancefloor ! ) .
here they meet , or re - meet , a variety of eligible men , many of whom they knew in college .
des ( played by stillman favorite christopher eigeman ) is one of the club 's managers whose job is on the line for sneaking his ad agency buddies in the back .
des has reached a crisis point in his life : he just found out -- last wednesday , in fact -- that he 's gay . whether it 's true or not , it makes for a convenient excuse to dump his latest girlfriend ( jennifer beals in a small but soul - baring turn ) .
charlotte observes cattily that the only gay thing about des is his mouth .
jimmy ( mackenzie astin ) is the advertising exec who , by the end of the picture , winds up heading for a new job opportunity in spain ( visions of " barcelona " ? ) .
josh ( matt keeslar ) is an assistant district attorney who dreams of being able to say , just once , " book this clown ! " and robert sean leonard plays another one of alice 's revolving suitors ;
the two have an amusing exchange about the true definition of virginity .
any film that can make robert sean leonard palatable is worthy of respect in my book . in fact , the entire ensemble is appealing in that well - spoken stillman way .
while the eschewing of " ferocious pairing " is a favored topic of conversation in the film , the protagonists tend to slip in and out of love , lust , and trouble with each other in an emotional merry - go - round
that cleverly develops its characters through the " preferred " dynamics of social group interaction .
more mature than stillman 's previous two films , " the last days of disco " is as consistently droll as it is stimulating .
it 's a movie you should definitely get on down to .
Output: P