input: After forming the band and finalizing the lineup in 1971, the band started to garner some local success doing live shows. Originally booked through the Ed Malhoit Agency, the band signed a promotion deal with Frank Connelly and eventually secured a management deal with David Krebs and Steve Leber in 1972. Krebs and Leber invited Columbia Records President Clive Davis to see the band at Max's Kansas City in New York City. Aerosmith was not originally scheduled to play that night at the club, but they paid from their own pockets to secure a place on the bill, reportedly the only band ever to do so at Max's. "No Surprize" from their Night in the Ruts album celebrates the moment their fame began. Aerosmith signed with Columbia in mid-1972 for a reported $125,000 and issued their debut album, Aerosmith. Released in January 1973, the album peaked at number 166. The album was straightforward rock and roll with well-defined blues influences, laying the groundwork for Aerosmith's signature blues rock sound. Although the highest-charting single from the album was "Dream On" at number 59, several tracks, such as "Mama Kin" and "Walkin' the Dog", would become staples of the band's live shows and receive airplay on rock radio. The album reached gold status initially, eventually went on to sell two million copies, and was certified double platinum after the band reached mainstream success over a decade later. After constant touring, the band released their second album Get Your Wings in 1974, the first of a string of multi-platinum albums produced by Jack Douglas. This album included the rock radio hits "Same Old Song and Dance" and "Train Kept A-Rollin'", a cover done previously by the Yardbirds. The album also contained several fan favorites including "Lord of the Thighs", "Seasons of Wither", and "S.O.S. (Too Bad)", darker songs that have become staples in the band's live shows. To date, Get Your Wings has sold three million copies. It was 1975's Toys in the Attic, however, that established Aerosmith as international stars competing with the likes of Led Zeppelin and the Rolling Stones. Originally derided as Rolling Stones knockoffs in part due to the physical resemblance between lead singers Steven Tyler and Mick Jagger, Toys in the Attic showed that Aerosmith was a unique and talented band in their own right. Toys in the Attic was an immediate success, starting with the single "Sweet Emotion", which became the band's first Top 40 hit. This was followed by a successful re-release of "Dream On" which hit number 6, becoming their best charting single of the 1970s. "Walk This Way", re-released in 1976, reached the Top 10 in early 1977. In addition, "Toys in the Attic" and "Big Ten Inch Record" (a song originally recorded by Bull Moose Jackson) became concert staples. As a result of this success, both of the band's previous albums re-charted. Toys in the Attic has gone on to become the band's bestselling studio album in the States, with certified U.S. sales of eight million copies. The band toured in support of Toys in the Attic, where they started to get more recognition. Also around this time, the band established their home base as "the Wherehouse" in Waltham, Massachusetts, where they would record and rehearse music, as well as conduct business.

Answer this question "Did this album win any awards?"
output: multi-platinum

input: Dennis DeYoung and Tommy Shaw released a string of solo albums, beginning with DeYoung's Desert Moon and Shaw's Girls with Guns in 1984. Both Shaw and DeYoung generated a moderate amount of interest with their first solo albums. DeYoung scored a Top 10 hit with the title track, "Desert Moon", which was also heavily featured on MTV. Shaw also cracked the Top Forty with "Girls with Guns" and he made a cameo appearance on the NBC television series Miami Vice. DeYoung's follow up single "Don't Wait for Heroes" also featured a video that was heavily featured on MTV, but it failed to generate significant radio airplay, only peaking at No. 83. During the filming of the video, DeYoung injured his back, causing him to back out of opening a North American concert tour for Huey Lewis and the News. Shaw, however, did tour in the fall of 1984 as an opening act for the Kinks. Shaw's 1985 album What If and DeYoung's 1986 album Back to the World also charted, along with singles from film soundtracks. Shaw's "What If (Remo's Theme)" from Remo Williams: The Adventure Begins entered the Billboard Hot 100, while DeYoung's "This Is the Time" from The Karate Kid, Part II soundtrack was featured for a short while on MTV. The first single from DeYoung's Back to the World album, "Call Me", peaked at No. 6 on the Adult Contemporary chart and was a modest pop hit, peaking at No. 54 on the Billboard Hot 100. However, by the late 1980s, both Styx members' solo careers gradually simmered down to a modest but loyal fan base. Neither Shaw's Ambition (1987) nor DeYoung's Boomchild (1989) achieved nearly the same levels of earlier albums, although Shaw's cover of Jim Peterik's "Ever Since the World Began" charted briefly. Shaw also recorded sessions with Peterik's group, Survivor, on 1986's When Seconds Count, and Shaw's solo band opened the majority of the US shows for Rush's 1987-88 Hold Your Fire Tour. Meanwhile, James Young recorded his own solo albums: City Slicker (1985 with Jan Hammer) and Out on a Day Pass (1988), both attracting only minimal attention. In 1995 James Young partnered with other Chicago musicians and released an album under name James Young Group titled "Raised by Wolves". In 1989, Tommy Shaw formed Damn Yankees with Ted Nugent, Jack Blades and Michael Cartellone. Meanwhile, the remaining members of Styx made plans for a comeback in the new decade.

Answer this question "What was the name of DeYoung's solo album?"
output:
Desert Moon