input: Throughout much of her later career, Hopper was much in demand as a speaker at various computer-related events. She was well known for her lively and irreverent speaking style, as well as a rich treasury of early war stories. She also received the nickname "Grandma COBOL". While she was working on a Mark II Computer at a US Navy research lab in Dahlgren, Virginia in 1947, her associates discovered a moth that was stuck in a relay; the moth impeded the operation of the relay. While neither Hopper nor her crew mentioned the phrase "debugging" in their logs, the case was held as an instance of literal "debugging." For many years, the term bug had been in use in engineering. The remains of the moth can be found in the group's log book at the Smithsonian Institution's National Museum of American History in Washington, D.C. Grace Hopper is famous for her nanoseconds visual aid. People (such as generals and admirals) used to ask her why satellite communication took so long. She started handing out pieces of wire that were just under one foot long (11.80 inches = 300 millimeters)--the distance that light travels in one nanosecond. She gave these pieces of wire the metonym "nanoseconds." She was careful to tell her audience that the length of her nanoseconds was actually the maximum speed the signals would travel in a vacuum, and that signals would travel more slowly through the actual wires that were her teaching aids. Later she used the same pieces of wire to illustrate why computers had to be small to be fast. At many of her talks and visits, she handed out "nanoseconds" to everyone in the audience, contrasting them with a coil of wire 984 feet long, representing a microsecond. Later, while giving these lectures while working for DEC, she passed out packets of pepper, calling the individual grains of ground pepper picoseconds. Jay Elliot described Grace Hopper as appearing to be "'all Navy', but when you reach inside, you find a 'Pirate' dying to be released".

Answer this question "How so?"
output: She started handing out pieces of wire that were just under one foot long (11.80 inches = 300 millimeters)--

input: Gingold was born in Carlton Hill, Maida Vale, London, the elder daughter of a prosperous Vienna-born Jewish stockbroker James Gingold and his wife, Kate (nee Walter). Her paternal grandparents were the Ottoman-born British subject, Moritz "Maurice" Gingold, a London stockbroker, and his Austrian-born wife, Hermine, after whom Hermione was named (Gingold mentions in her autobiography that her mother might have got Hermione from the Shakespeare's play The Winter's Tale, which she was reading shortly before her birth). On her father's side, she was descended from the celebrated Solomon Sulzer, a famous synagogue cantor and Jewish liturgical composer in Vienna. Her mother was from a "well-to-do Jewish family". James felt that religion was something children needed to decide on for themselves, and Gingold grew up with no particular religious beliefs. Gingold first appeared on stage in a kindergarten staging of Shakespeare's Henry VIII, in the role of Wolsey. Her professional debut was in 1908 when she had just turned eleven. She played the herald in Herbert Beerbohm Tree's production of Pinkie and the Fairies by W. Graham Robertson, in a cast including Ellen Terry, Frederick Volpe, Marie Lohr and Viola Tree. She was promoted to the leading role of Pinkie for a provincial tour. Tree cast her as Falstaff's page, Robin, in The Merry Wives of Windsor. She attended Rosina Filippi's stage school in London. In 1911 she was cast in the original production of Where the Rainbow Ends which opened to very good reviews on 21 December 1911. Among her colleagues as child-actors in "Where the Rainbow Ends" were Philip Tonge and Noel Coward. On 10 December 1912, the day after her fifteenth birthday, Gingold played Cassandra in William Poel's production of Troilus and Cressida at the King's Hall, Covent Garden, with Esme Percy as Troilus and Edith Evans as Cressida. The following year she appeared in a musical production, The Marriage Market, in a small role in a cast that included Tom Walls, W H Berry, and Gertie Millar. In 1914 she played Jessica in The Merchant of Venice at the Old Vic. In 1918 Gingold married the publisher Michael Joseph, with whom she had two sons, the younger of whom, Stephen, became a pioneer of theatre in the round in Britain.

Answer this question "Where did she grow up?"
output:

input: In 2012, Kaif appeared in "Chikni Chameli", an item number in Agneepath that incorporated dance steps from the Lavani genre (a Maharashtrian folk dance). The song was filmed over a ten-day period and, according to the actress, "It was hard work. It was very fast and it was not a style I was used to, but I took it as a challenge". Kaif appeared next in Kabir Khan's espionage thriller Ek Tha Tiger as a Pakistani ISI agent who falls in love with an Indian RAW agent. Shubhra Gupta of The Indian Express wrote about her performance: "Katrina is an able, animated foil to Salman, her long legs making her leaps and kicks credible". The film received predominantly positive reviews, with Aniruddha Guha of Daily News and Analysis calling it "smart and stylish". With worldwide earnings of Rs3.1 billion (US$47 million), Ek Tha Tiger was the highest-grossing Bollywood film of the year. That year Kaif also appeared with Shah Rukh Khan and Anushka Sharma in Yash Chopra's swan song, the romance Jab Tak Hai Jaan. About working with Chopra, she remarked that he "undoubtedly is the king of romance and I have always admired the way he presents his heroines. It was always a dream to work with him and the reality is even better". She played Meera, a woman who promises God to end her affair with her comatose lover if he survives. Although the film received mostly positive reviews, Kaif's performance had a mixed reception. CNN-IBN wrote: "Meera's role was a difficult one and Katrina falls short in emotional scenes. It seems Katrina still doesn't feel very easy in front of the camera and has difficulty with complex expressions". Commercially, the film proved a box-office hit with revenues of Rs2.11 billion (US$32 million) worldwide. In 2013, she appeared briefly with Aamir Khan in Vijay Krishna Acharya's action thriller Dhoom 3. To prepare for her role as a circus performer, she undertook a year-long regimen of Pilates, functional training and aerial straps. The film received ambivalent reviews and Kaif was criticised for taking on an insubstantial part. Earning Rs5.42 billion (US$83 million) in box-office receipts, Dhoom 3 went on to become the highest-grossing Bollywood film of all time until it was surpassed by PK in 2014. Kaif's next appearance was in Siddharth Anand's Bang Bang! (2014), a remake of the 2010 action comedy Knight and Day. She played a bank receptionist who unwittingly gets caught up with a secret agent (Hrithik Roshan). Raja Sen of Rediff.com was disappointed with her performance, describing it as "insufferable". Although the film was commercially successful, financial analysts observed that it failed to meet box-office expectations. Ek Tha Tiger, Dhoom 3 and Bang Bang! still rank in the list of highest-grossing Indian films, while Jab Tak Hai Jaan still rank in the list of highest-grossing Indian films in overseas markets

Answer this question "What else was she in?"
output:
Kaif's next appearance was in Siddharth Anand's Bang Bang! (2014),