input: Among LuPone's film credits are Fighting Back, Witness, Just Looking, The Victim, Summer of Sam, Driving Miss Daisy, King of the Gypsies, 1941, Wise Guys, Nancy Savoca's The 24 Hour Woman and Savoca's Union Square (in post-production, late 2010), Family Prayers, and City by the Sea. She has also worked with playwright David Mamet on The Water Engine, the critically acclaimed State and Main, and Heist. In 2011, the feature film Union Square, co-written and directed by the Sundance Film Festival's Grand Jury Award Winner, Nancy Savoca, was premiered at the Toronto International Film Festival. In it, LuPone co-starred with Mira Sorvino, Tammy Blanchard, Mike Doyle, Michael Rispoli and Daphne Rubin-Vega. She played Lady Bird Johnson in the TV movie, LBJ: The Early Years (1987). LuPone played Libby Thatcher on the television drama Life Goes On, which ran on ABC from 1989 to 1993. In the 1990s she had a recurring role as defense attorney Ruth Miller on Law & Order. She has twice been nominated for an Emmy Award: for the TV movie The Song Spinner (1995, Daytime Emmy Award nominee), and for Outstanding Guest Actress in a Comedy Series on Frasier in 1998. She had a cameo as herself that year on an episode of Saturday Night Live hosted by Kelsey Grammer. LuPone's TV work also included a recurring role on her cousin Tom Fontana's HBO series in its final season, Oz (2003). She appeared as herself on a February 2005 episode of Will & Grace. She also appeared on the series Ugly Betty in March 2007 as the mother of Marc St. James (played by Michael Urie). LuPone had a recurring guest role as Frank Rossitano's mother on 30 Rock. LuPone appeared as herself in the season two finale of the television series Glee. LuPone guest starred on Army Wives on July 8, 2012. She reunited with fellow guest star Kellie Martin as her mother once again. LuPone appeared in the 2013 film Parker, an action-thriller. In 2013, LuPone was cast in the third season of the FX series American Horror Story as Joan Ramsey, a religious mother with a hidden past, and played herself in the third season of HBO's Girls. In 2015, she appeared in several episodes of the Showtime horror series Penny Dreadful as a cantankerous yet powerful white witch. She returned to the show in 2016 in the role of Dr. Seward, an alienist aiding Eva Green's character. Seward is an adaptation of John Seward from Bram Stoker's Dracula, and claims to be a descendant of Joan Clayton, the character LuPone portrayed in the second season. Also in 2016, she began appearing in Steven Universe as the voice of Yellow Diamond.

Answer this question "In what movie or tv role?"
output: in the TV movie, LBJ: The Early Years (1987).

Question: Born Florence Annie Bridgwood in Hamilton, Ontario, she was youngest of three children of George Bridgwood, an English-born carriage builder and Charlotte "Lotta" Bridgwood (nee Dunn), a vaudeville actress. Charlotte Bridgwood had emigrated to Canada from Ireland after the Great Famine with her family as a child. She was known professionally as Lotta Lawrence and was the leading lady and director of the Lawrence Dramatic Company. At the age of three, Lawrence made her debut onstage with her mother in a song and dance routine.

Also at Vitagraph was a young actor, Harry Solter, who was looking for "a young, beautiful equestrian girl" to star in a film to be produced by the Biograph Studios under the direction of D.W. Griffith. Griffith, the most prominent producer-director at Biograph Studios, had noticed the beautiful blonde-haired woman in one of Vitagraph's films. Because the film's actors received no mention, Griffith had to make discreet inquiries to learn she was Florence Lawrence and to arrange a meeting. Griffith had intended to give the part to Biograph's leading lady, Florence Turner, but Lawrence managed to convince Solter and Griffith that she was the best suited for the starring role in The Girl and the Outlaw. With the Vitagraph Company, she had been earning $20 a week, working also as a costume seamstress over and above acting. Griffith offered her a job, acting only, for $25 a week. After her success in this role, she appeared as a society belle in Betrayed by a Handprint and as an Indian in The Red Girl. In total, she had parts in most of the 60 films directed by Griffith in 1908. Toward the end of 1908 Lawrence married Harry Solter. Lawrence gained much popularity, but because her name was never publicized, fans began writing the studio asking for it. Even after she had gained wide recognition, particularly after starring in the highly successful Resurrection, Biograph Studios refused to publicly announce her name and fans simply called her "The Biograph Girl". During cinema's formative years, silent screen actors were not named, because studio owners feared that fame might lead to demands for higher wages. She continued to work for Biograph in 1909. Her demand to be paid by the week rather than daily was met, and she received double the normal rate. She achieved great popularity in the "Jones" series, filmdom's first comedy series, in which she played Mrs. Jones in around a dozen films. More popular still were the dramatic love stories in which she co-starred with John R. Cumpson, as Mr. Jones, and Arthur Johnson. The two played husband and wife in The Ingrate, and the adulterous lovers in Resurrection. Lawrence and Solter began to look elsewhere for work, writing to the Essanay Company to offer their services as leading lady and director. Rather than accepting this offer, however, Essanay reported the offer to Biograph's head office, and they were promptly fired.

Using a quote from the above article, answer the following question: Where work came as a result of them writing to the Essanay Company?
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Answer:
Rather than accepting this offer, however, Essanay reported the offer to Biograph's head office, and they were promptly fired.