Background: Matthew William Sorum (born November 19, 1960) is an American drummer and percussionist. He is best known as both a former member of the hard rock band Guns N' Roses, with whom he recorded three studio albums, and as a member of the supergroup Velvet Revolver. Sorum is currently a member of the touring project, Kings of Chaos, and is a former member of both The Cult and Y Kant Tori Read. Sorum was also a member of Guns N' Roses side-projects, Slash's Snakepit and Neurotic Outsiders, and released a solo album, Hollywood Zen, in 2004.
Context: Sorum was born Matthew William Sorum on November 19, 1960, in an unincorporated area of Orange County, California that later became the city of Mission Viejo. He started to play drums after watching Ringo Starr with The Beatles on The Ed Sullivan Show in 1964. Later he was mainly influenced by Ian Paice, Keith Moon, Ginger Baker, John Bonham, Roger Taylor, Buddy Rich and Bill Ward. In his first couple of years in high school, Sorum was part of the Mission Viejo Marching Bands drum section. Sorum started out in Mission Viejo as a local hot musician in 1975. Wearing trademark "Union Flag" shorts and nothing else, he used to pound a huge acrylic drumset and overpower his first band "Prophecy," which consisted of him and lead singer / guitarist Jeff Harris (guitarist for the J. Harris Band and later guitarist for funk band Slapbak), and bass player David Pagan. Prophecy played many gigs ranging from high schools to concerts, all the way to the Hollywood scene, where they played clubs like Gazzarri's in 1977. A local songwriter, Stephen Douglas, pulled Sorum from the band and joined him with other talented musicians, Scott Andrews on guitar and Jay Fullmer on bass, in the area to form Chateau, a wall-of-sound band with grandiose themes and sounds in their songs. They recorded their first tracks at the Doug Moody's Mystic Studios in Hollywood, once famous for Led Zeppelins 'Lemon Song'. Chateau played the Hollywood circuit, appearing at Gazzarri's and almost getting into a fight with the original members of the band Ratt, which at the time was known as Mickey Ratt. Sorum's work with Chateau produced a four-song set that was covered by local radio stations for a short time, but the music scene changed from grandiose rock to punk and alternative new wave music. Sorum left and went to Hollywood to play with a series of bands, including Population Five, with the bassist Prescott Niles from The Knack. He then left on a tour around the country with a blues guitarist, playing nightclubs and bars. In 1988, he was recruited to play on the debut album of Y Kant Tori Read, a band fronted by a then unknown Tori Amos. In the wake of that project, he joined The Cult as their live drummer for the 1989 tour in support of Sonic Temple.
Question: what was there biggest hit
Answer: "Prophecy,"

Background: Joseph Frank "Buster" Keaton (October 4, 1895 - February 1, 1966) was an American actor, comedian, film director, producer, screenwriter, and stunt performer. He was best known for his silent films, in which his trademark was physical comedy with a consistently stoic, deadpan expression, earning him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929, [when] he worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies". His career declined afterward with a dispiriting loss of his artistic independence when he was hired by Metro-Goldwyn-Mayer and he descended into alcoholism, ruining his family life.
Context: Keaton signed with Metro-Goldwyn-Mayer in 1928, a business decision that he would later call the worst of his life. He realized too late that the studio system MGM represented would severely limit his creative input. For instance, the studio refused his request to make his early project, Spite Marriage, as a sound film and after the studio converted, he was obliged to adhere to dialogue-laden scripts. However, MGM did allow Keaton some creative participation on his last originally developed/written silent film The Cameraman, 1928, which was his first project under contract with them, but hired Edward Sedgwick as the official director. Keaton was forced to use a stunt double during some of the more dangerous scenes, something he had never done in his heyday, as MGM wanted badly to protect its investment. "Stuntmen don't get laughs," Keaton had said. Some of his most financially successful films for the studio were during this period. MGM tried teaming the laconic Keaton with the rambunctious Jimmy Durante in a series of films, The Passionate Plumber, Speak Easily, and What! No Beer? The latter would be Keaton's last starring feature in his home country. The films proved popular. (Thirty years later, both Keaton and Durante had cameo roles in It's a Mad Mad Mad Mad World, albeit not in the same scenes.) In the first Keaton pictures with sound, he and his fellow actors would shoot each scene three times: one in English, one in Spanish, and one in either French or German. The actors would phonetically memorize the foreign-language scripts a few lines at a time and shoot immediately after. This is discussed in the TCM documentary Buster Keaton: So Funny it Hurt, with Keaton complaining about having to shoot lousy films not just once, but three times. Keaton was so demoralized during the production of 1933's What! No Beer? that MGM fired him after the filming was complete, despite the film being a resounding hit. In 1934, Keaton accepted an offer to make an independent film in Paris, Le Roi des Champs-Elysees. During this period, he made another film, in England, The Invader (released in the United States as An Old Spanish Custom in 1936).
Question: Any more films after this one?
Answer:
The Passionate Plumber, Speak Easily, and What! No Beer?