Problem: Background: Shelton was born in Ada, Oklahoma, to Dorothy, a beauty salon owner, and Richard Shelton, a used car salesman. Shelton began singing at an early age and by the age of 12, he was taught how to play the guitar by his uncle. By age 15, he had written his first song. By age 16, he had received a Denbo Diamond Award in his home state.
Context: Shelton released his fourth studio album, Pure BS, in early 2007. Unlike with his first three albums, which were produced entirely by Bobby Braddock, Shelton worked with Braddock, Brent Rowan, and Paul Worley as producers for this album. Its first two singles--"Don't Make Me" and "The More I Drink"--were both Top 20 hits on the country charts, respectively reaching No.12 and No. 19. Also in late 2007, Shelton made appearances on television shows: first as a judge on the talent competition Nashville Star, and later on Clash of the Choirs. Pure BS was re-released in 2008 with three bonus tracks, including a cover of Michael Buble's hit single "Home". This cover, released in early 2008 as the album's third single, became his fourth No.1 hit in July. "Home" was followed in August 2008 by the single "She Wouldn't Be Gone", his 14th chart entry and his fifth No. 1 hit. It was the first time in his career that he had two consecutive number ones. "She Wouldn't Be Gone" is the lead-off to Shelton's fifth studio album, Startin' Fires, which has also produced the single "I'll Just Hold On." This album also includes "Bare Skin Rug," a duet with Lambert. It was produced by Scott Hendricks, except for one track which was produced by Brent Rowan, and another ("I Don't Care", which carried over from Pure BS) was produced by Braddock. After "I'll Just Hold On" fell off the chart in October 2009, Blake Shelton released a duet with Trace Adkins titled "Hillbilly Bone". It was the lead single on Shelton's EP, Hillbilly Bone, released on March 2, 2010 through Reprise Records Nashville. After "Hillbilly Bone" reached No. 1 in February, came the August release of "All About Tonight", the lead-off single to his EP of the same name. In September, he released the second single from All About Tonight, "Who Are You When I'm Not Looking", his 18th single release. He released his first greatest hits album, Loaded: The Best of Blake Shelton in November 2010. Shelton was invited to join the Grand Ole Opry during the September 28, 2010 "Country Comes Home" concert celebrating reopening of the Grand Ole Opry House after the Cumberland River flooded the Opry House in May 2010. The formal invitation was extended on his Twitter account and was announced by Opry star Trace Adkins. He was formally inducted by Adkins at the October 23, 2010 Opry performance. Shelton recorded the title track for the remake of Footloose released on October 14, 2011. Shelton appeared on the 44th Annual Country Music Awards on November 10, 2010 where he performed "All About Tonight" and won Male Vocalist of the Year. In 2011, Shelton started working as a judge/coach to singers on the NBC reality television series The Voice.
Question: How did the album do on the charts?
Answer: was followed in August 2008 by the single "She Wouldn't Be Gone", his 14th chart entry and his fifth No. 1 hit.

Problem: Background: MC5 was an American rock band from Lincoln Park, Michigan, formed in 1964. The original band line-up consisted of vocalist Rob Tyner, guitarists Wayne Kramer and Fred "Sonic" Smith, bassist Michael Davis, and drummer Dennis Thompson. "Crystallizing the counterculture movement at its most volatile and threatening", according to AllMusic critic Stephen Thomas Erlewine, the MC5's leftist political ties and anti-establishment lyrics and music positioned them as emerging innovators of the punk movement in the United States.
Context: The origins of MC5 can be traced to the friendship between guitarists Wayne Kramer and Fred Smith. Friends since their teen years, they were both fans of R&B music, blues, Chuck Berry, Dick Dale, The Ventures, and what would later be called garage rock: they adored any music with speed, energy and a rebellious attitude. Each guitarist/singer formed and led a rock group (Smith's Vibratones and Kramer's Bounty Hunters). As members of both groups left for college or straight jobs, the most committed members eventually united (under Kramer's leadership and the "Bounty Hunters" name) with Billy Vargo on guitar and Leo LeDuc on drums (at this point Smith played bass), and were popular and successful enough in and around Detroit that the musicians were able to quit their day jobs and make a living from the group. Kramer felt they needed a manager, which led him to Rob Derminer, a few years older than the others, and deeply involved in Detroit's hipster and left-wing political scenes. Derminer originally auditioned as a bass guitarist (a role which he held briefly in 1964, with Smith switching to guitar to replace Vargo and with Bob Gaspar replacing LeDuc), though they quickly realized that his talents could be better used as a lead singer: Though not conventionally attractive and rather paunchy by traditional frontman standards, he nonetheless had a commanding stage presence, and a booming baritone voice that evidenced his abiding love of American soul and gospel music. Derminer renamed himself Rob Tyner (after Coltrane's pianist McCoy Tyner). Tyner also invented their new name, MC5: it reflected their Detroit roots (it was short for "Motor City Five'). In some ways the group was similar to other garage bands of the period, composing soon-to-be historic workouts such as "Black to Comm" during their mid-teens in the basement of the home of Kramer's mother. Upon Tyner's switch from bassist to vocalist, he was initially replaced by Patrick Burrows, however the lineup was stabilised in 1965 by the arrival of Michael Davis and Dennis Thompson to replace Burrows and Gaspar respectively. The music also reflected Smith and Kramer's increasing interest in free jazz--the guitarists were inspired by the likes of Albert Ayler, Archie Shepp, Sun Ra and late period John Coltrane, and tried to imitate the ecstatic sounds of the squealing, high-pitched saxophonists they adored. MC5 even later opened for a few U.S. midwest shows for Sun Ra, whose influence is obvious in "Starship". Kramer and Smith were also deeply inspired by Sonny Sharrock, one of the few electric guitarists working in free jazz, and they eventually developed a unique interlocking style that was like little heard before: Kramer's solos often used a heavy, irregular vibrato, while Smith's rhythms contained an uncommon explosive energy, including patterns that conveyed great excitement, as evidenced in "Black to Comm" and many other songs.
Question: What was the improvement they made afterwards?
Answer:
Kramer felt they needed a manager,