Background: The Drive-By Truckers are an alternative country/Southern rock band based in Athens, Georgia, though two of five current members (Patterson Hood and Mike Cooley) are originally from The Shoals region of northern Alabama, and the band strongly identifies with Alabama. The band currently consists of Mike Cooley (lead vocals, guitar, banjo), Patterson Hood (lead vocals, guitar), Brad Morgan (drums), Jay Gonzalez (keys, guitar, accordion, backing vocals), and Matt Patton (bass guitar, backing vocals). Like many alternative country acts, the Drive-By Truckers record in analog (using 2 inch, 16-track open-reel tape recorders). The band's constant touring has developed its dedicated following.
Context: After signing a new deal with Austin-based record label New West, Drive-By Truckers set about recording the follow-up to Southern Rock Opera. The result was 2003's Decoration Day, which like its predecessor, received much critical praise. It was another concept album, containing characters who are faced with hard decisions about marriage, incest, break-ups, revenge, murder, and suicide. The album featured an eclectic mix of the band's newer rootsy, hard-rocking sound with some of their older alt-country sound. Former member John Neff returned as a guest to play pedal steel on about half the album, although he did not tour with the band for the album. After years of producing and playing with Drive-By Truckers, bassist Earl Hicks left the band on December 22, 2003. Hicks was immediately replaced by studio bassist Shonna Tucker, then-wife of guitarist Jason Isbell. Tucker had previously guested on Decoration Day, playing upright bass on the Cooley-penned track, "Sounds Better in the Song." In 2004, Drive-By Truckers released yet another concept album entitled The Dirty South, which further explored the mythology of the South, with songs focusing on Sam Phillips and Sun Records, John Henry, and a three-song suite about Sheriff Buford Pusser. With Cooley and Isbell each contributing 4 songs on the 14-song set, it was the band's first album for which Hood did not write the majority of songs. After touring throughout 2004 and 2005, Drive-By Truckers found their way to the Fidelitorium Recording Studio in Forsyth County, North Carolina, during late 2005. These recording sessions, once again produced by David Barbe, resulted in the band's seventh LP, A Blessing and a Curse. Released on April 18, 2006, A Blessing and a Curse showcased Drive-By Truckers' ability to branch out into new territory, and can be seen as the band's attempt at shaking labeling by critics, detractors, fans, and followers, particularly the Southern rock label that has haunted the band since Southern Rock Opera. The album sounds less like Lynyrd Skynyrd, and more closely resembles the bare-bones British rock of the early 1970s such as The Rolling Stones and Faces. Tom Petty, Blue Oyster Cult, and Neil Young's influence on the band's sound is more prominent on this album, as well. On September 1, 2009, Drive-By Truckers released a collection of B-sides and rarities entitled The Fine Print: A Collection of Oddities and Rarities which were recorded during the Decoration Day and Dirty South sessions. Though released after he left the band, the album includes two tracks written by Jason Isbell.
Question: what album was he in?
Answer: Decoration Day,

Problem: Background: A Cleveland, Ohio native nicknamed "Big Ed", Delahanty was an outfielder and powerful right-handed batter in the 1890s. Crazy Schmit, who pitched for the Giants and Orioles, said of him, "When you pitch to [Ed] Delahanty, you just want to shut your eyes, say a prayer and chuck the ball. The Lord only knows what'll happen after that." (quoted in Autumn Glory by Louis P. Masur)
Context: Delahanty blossomed in 1893 with a .368 average, 19 home runs, and 146 RBI. He narrowly missed the Triple Crown, as teammates Billy Hamilton and Sam Thompson led the league in batting with .380 and .370 averages respectively. While with the Phillies, Delahanty played under manager Harry Wright, the man who assembled, managed, and played center field for baseball's first fully professional team, the 1869 Cincinnati Red Stockings. Wright managed the Phillies with Delahanty for four seasons, from 1890 to 1893, with the two and their fine supporting cast leading the Phils to "first division" finishes during those years, though the team never won a pennant. Between 1894 and 1896 Delahanty compiled astonishing batting marks: .407, 4 HR, 131 RBI; .404, 11 HR, 106 RBI; .397, 13 HR, 126 RBI. In 1894, despite his high average of .407, the batting title went to Hugh Duffy with a major league record-setting .440. The 1894 Phillies outfield had a big season, with all four players averaging over .400. That season, Delahanty hit .407, Sam Thompson batted .407, Billy Hamilton .404 and spare outfielder Tuck Turner finished second to Hugh Duffy in hitting at .416. Delahanty won his first batting title in 1899 with a .410 batting average, adding nine homers and 137 RBI and becoming the first player in major league history to hit .400 three times. Delahanty was surrounded by talent in the Philadelphia outfield. Author Bill James wrote, "Any way you cut it, the Phillies had the greatest outfield of the 19th century." On July 13, 1896, Delahanty became the second player to hit four home runs in a game. He was the first player to do so in a losing effort. (The Phillies lost the game, 9-8.) Two of them were hit into the bleachers while the other two were inside-the-park. In 1899, Delahanty hit four doubles in the same game. He remains the only man with a four-homer game and a four-double game. The same year Delahanty collected hits in 10 consecutive at bats. He tallied six-hit games in 1890 and 1894.
Question: What team did he play for?
Answer:
While with the Phillies,