Background: Cable (Nathan Summers) is a fictional character appearing in American comic books published by Marvel Comics, commonly in association with X-Force and the X-Men. The character first appeared as a newborn infant in Uncanny X-Men #201 (Jan. 1986) created by writer Chris Claremont, while Cable's adult identity was created by writer Louise Simonson and artist/co-writer Rob Liefeld, and first appeared in The New Mutants #87 (March 1990). Nathan Summers is the biological son of the X-Men member Cyclops (Scott Summers) and Madelyne Pryor (Jean Grey's clone), the "half" brother of Rachel Summers and Nate Grey, and the genetic template for Stryfe. He is from a possible future timeline, having been transported as an infant to the future, where he grew into a warrior, before returning to the present.
Context: In his first adult appearance, Cable is seen in conflict with Stryfe's Mutant Liberation Front, the United States government, and Freedom Force. The New Mutants intervened and he asked for their help against the Mutant Liberation Front. Cable saw them as potential soldiers in his war against Stryfe. He became their new teacher and leader, and outfitted them. He came into conflict with Wolverine, noting that the two had an old feud between them. Cable and the New Mutants teamed up with Wolverine and Sunfire against the MLF. Cable also led the New Mutants against the Genoshans. With the aid of Domino, Cable reorganized the New Mutants into X-Force. The New Mutants ended with issue #100, with Cable and other characters then appearing the following month in X-Force #1. The X-Force series provided further detail for the character's back story revealing that he was from the future and that he had traveled to the past with the aim of stopping Stryfe's plans as well as preventing Apocalypse's rise to power. Cable traveled between the 1990s and his future with his ship Graymalkin, which contained a sentient computer program called Professor, the future version of the program built into X-Factor's Ship. In 1992, the character had a two issue miniseries, titled Cable: Blood and Metal, written by Fabian Nicieza, pencilled by John Romita, Jr., and inked by Dan Green, published in October and November of that year. The series explored Cable and the villain Stryfe's ongoing battle with one another, and its effect on the people that surround Cable.
Question: what was the first episode of new mutants
Answer: In his first adult appearance, Cable is seen in conflict with Stryfe's Mutant Liberation Front, the United States government, and Freedom Force. The New Mutants intervened

Background: He was born James Lablache Stewart in Old Brompton Road, Kensington, West London, the only son of Major James Stewart, OBE and his wife Frederica Eliza (nee Lablache). Granger was educated at Epsom College and the Webber Douglas Academy of Dramatic Art. He was the great-great-grandson of the opera singer Luigi Lablache and the grandson of the actor Luigi Lablache. When he became an actor, he was advised to change his name in order to avoid being confused with the American actor James Stewart.
Context: Granger's first starring film role was as the acid-tongued Rokeby in the Gainsborough Pictures period melodrama, The Man in Grey (1943), a film that helped to make him and his three co-stars - James Mason, Phyllis Calvert and Margaret Lockwood - into box office names in Britain. Granger followed it with The Lamp Still Burns (1943) playing the love interest of nurse Rosamund John. More popular was another for Gainsborough Pictures, Fanny by Gaslight (1944), which reunited him with Calvert and Mason, and added Jean Kent. The New York Times reported that Granger "is a young man worth watching. The customers... like his dark looks and his dash; he puts them in mind, they say of Cary Grant." It was the second most popular film at the British box office in 1944. Another hit was Love Story (1944) where he plays a blind pilot who falls in love with terminally ill Margaret Lockwood, with Patricia Roc co-starring. Granger filmed this at the same time as Waterloo Road (1945), playing his first villain, a "spiv" who has run off with the wife of John Mills. This film was popular too, and it is one of Granger's favourites. Madonna of the Seven Moons (1945), with Calvert and Roc, was more Gainsborough melodrama, another hit. Also popular was Caesar and Cleopatra, supporting Claude Rains and Vivien Leigh; this film lost money because of its high production cost but was widely seen, and was the first of Granger's films to be a hit in the USA. At the end of 1945 British exhibitors voted Granger the second-most popular British film star, and the ninth-most popular overall. The Times reported that "this six-foot black-visaged ex-soldier from the Black Watch is England's Number One pin up boy. Only Bing Crosby can match him for popularity." Caravan (1946), starring Granger and Kent, was the sixth most popular film at the British box office in 1946. Also well liked was The Magic Bow (1946), with Calvert and Kent, where Granger played Niccolo Paganini That year he was voted the third-most popular British star, and the sixth-most popular overall.
Question: Did Granger work on movies during this time?
Answer:
Granger's first starring film role was as the acid-tongued Rokeby in the Gainsborough Pictures period melodrama, The Man in Grey (1943), a film