As I mentioned in my previous post on Sacre-Coeur, one of the other places I didn't get a chance to see when I was in Paris last summer was the catacombs so I wanted to be sure to fit in a visit this time around. Long Queue vs Online Tickets You can either wait in line to get in or buy tickets online for specific time slots to bypass the line. Wait times can be anywhere from 30 minutes to 3+ hours and in the summer time, it's common to wait for hours. I definitely recommend buying a ticket online. Keep in mind that they have a limited number of tickets for each time slot, so don't wait too long to buy or you may be stuck in that loooooong line. We got quite a few less-then-friendly looks from those in the line when we bypassed the entire queue and went right in. C'est la vie (insert Gallic shrug here). For some inexplicable reason, the site says you must print your tickets if you buy them online. Given that most visitors to the catacombs are tourists with limited or no access to a printer, this seems particularly silly, but what can you do? Luckily, we were in a hotel with a small business center so we printed our tickets there. Online tickets cost quite a bit more (27 compared to 12 for adults and 10 for those age 26 or under). Totally worth it if that works with your budget. Online tickets also come with an audio guide. If you buy tickets at the door, the guide is an extra 5. It's a nice cool 14C (57F) down there, a lovely break from the hot summer weather above. It is damp in places and the ground can be slippery so watch your step as you walk. Question: What issue did the author mention about the tickets for the catacombs? === The answer to the above question is

OPTIONS:
- not enough information
- waiting times a very long in the summer
- it's very damp and cool once you are in there
- the cost of the tickets is too much money

Answer: waiting times a very long in the summer

Problem: OPTIONS:
- not enough information
- Thirty seconds.
- A few hours.
- Five weeks.
Q: If you visited the Getty Center in July or early August, you may have encountered a group of high school students wearing white lab coats with "Teen Lab" splattered across the back. You might have spotted them testing kinetic sculptures made from recycled materials, sketching in front of artworks in the galleries, or taking Polaroid self-portraits inspired by David Hockney's photocollages. Online, you may have seen the playful social media stories they created to share their experiments with artistic and scientific processes. The teens were participants in the Getty Teen Lab, a four-week paid internship for high school students. Supported by a generous grant from the Vera R. Campbell Foundation, Teen Lab was the first of several teen-focused initiatives that the J. Paul Getty Museum is launching in 2017 and 2018. The Getty's Education Department developed Teen Lab in response to several seemingly disconnected questions that many art museums are grappling with today: How can we engage diverse youth in meaningful ways? How can museums help meet the rising demand for K-12 curriculum that integrates Science, Technology, Engineering, Arts, and Math (STEAM)? Can art museums themselves be sites for STEAM learning? To address these questions, we looked at other teen programs and discovered that the most successful models are those that give teens agency and a voice in the museum.(1) For example, many museums have teen councils that program events for their peers or offer opportunities for students to collaborate on projects with artists.(2) The Getty wanted to build on these models by empowering teens to be active creators of educational content. In keeping with this goal, we designed the program using the project-based learning approach, which develops skills and knowledge by inviting students to explore solutions to authentic, real-world problems. Question: How long did the students test kinetic sculptures? === The answer to the above question is
Answer: A few hours.

input with options: What is creativity? How de we define creativity? Where does creativity come from? How philosophical is the notion of creativity? Is everyone's 'creativity' different? Or is it an ill conceived, simplified term that is used to describe a very specific series of neuronal & bodily reactions to certain stimuli? These are all the questions I've been thinking (and googling, and youtubing) since beginning this Capturing Creativity studio* and I have found some answers or maybe I've just found more questions: Creativity is generally defined as the ability to make new things, or come up with new ideas, it's an ability to think outside the box, to see unique solutions and employ them in inventive ways. In this sense creativity is not always utilised when being 'creative', as to be creative is simply defined as the ability to make or produce something. However I guess that depends on your definition of creative, how different, unique, special, once off, un-influenced does something have to be, to be classified as creative? This is where creativity get's tricky. It's all well and good to be like oh this is what creativity is, so it's easy to investigate it, but what if you don't define that as being creative, maybe that was just following a formula, a somewhat inspired formula, but maybe it is just a formula. Creativity to most people seems to be a random mix of once off genius combined with solid skill and hard work and for us humans these percentages are unique to us. Maybe creativity to you is 90% unique idea, 5% skill and 5% hard work. Maybe creativity to you is 40% unique idea, 50% skill and 10% hard work. Maybe for you creativity doesn't have to involve any hard work at all. For me when it comes to creativity I'm most interested in that unique idea portion; where does that unique idea come from? Is it simply random? Is it a gift from the gods? Is our unique idea just a product of a lot of subconscious effort, only made aware to us in the sense of a 'random' idea? Have we been influenced by something, processed it... Question: What can be defined as an ability to think outside the box === The answer to the above question is
OPTIONS:
- Hard work
- A gift from the gods
- Creativity
- not enough information
output:
Creativity