Question: What was the maiden name of the woman whose mother is living with her and her husband? Answer the above question based on the context below: Young married couple Andrew Hinklin and Clara Hinklin nee Fields, who were college sweethearts, are well matched: both are unexciting and unmotivated, only wanting to carve out a plain, simple uninteresting life for themselves. Their marriage is not helped by Clara's opinionated mother living with them in their small one bedroom apartment. However, Clara does wish that their life would be a little more exciting as Andrew said on their honeymoon that their married life would be, least of all by Andrew acknowledging their latest wedding anniversary, their fifth. Clara's wish takes an unexpected turn when Andrew, at work, is assigned to show the visiting Mr. Battingcourt Jr. - the younger half of the head of their London office and who is majority shareholder of their accounting firm - a good time while he's in the US. "Batty" as he is affectionately called by his friends is a party animal, and Andrew, who Batty rechristens "Hinky", feels he has to party along all in the name of job security. Clara feels that she is losing her stable husband Andrew to Hinky the party animal. Feeling he is partly to blame for the Hinklins' marital problems, Batty advises Clara that she can make herself more exciting to Hinky by changing her demeanor and appearance, more like Mercedes Vasquez, a beautiful and exciting woman who Clara could resemble if made up correctly. Clara agrees to Batty's plan to come to one of their parties masquerading as exotic Latina Dolores Alvaradez, to woo Hinky and thus ultimately show him that she can be exotic like he probably now wants. Complications ensue when others find out about Batty's scheme and when Mercedes Vasquez also attends that party leading to a few mistaken identities.
Answer: Fields
[Q]: Who calls the sheriff of Oakwood Estates "a corrupt old coward"? Answer the above question based on the context below: The concept of the movie is explained in a voiceover intro by G. W. Bailey, who wonders what it would be like if one of the 1930s/1940s Rex O'Herlihan movies were to be made today. At that point, in a scene reminiscent of The Wizard of Oz, the cinematography shifts from black and white to color and the soundtrack changes from mono to surround sound. As a consequence of this paradigm shift, Rex O'Herlihan, a "singing cowboy", is the only character aware of the plot outline. He explains that he "knows the future" inasmuch as "these Western towns are all the same" and that it's his "karma" to "ride into a town, help the good guys, who are usually poor for some reason, against the bad guys, who are usually rich for some reason, and ride out again". Rex's knowledge is also connected to the unspecified "root" vegetables he digs up and eats. On his high-stepping horse Wildfire, Rex rides into the town of Oakwood Estates, walks into a saloon and meets Peter, the Town Drunk. In exchange for a free drink, Peter explains the background: the town, and especially the sheep herders ("nice enough, but they smell God-awful"), are being terrorized by the cattle ranchers, headed by Colonel Ticonderoga. Also there is Miss Tracy, the traditional Prostitute with a Heart of Gold. A local sheriff is "a corrupt old coward who takes his orders from the Colonel".
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[A]: Peter
input: Please answer the following: What is the last name of the critic who claimed that the album that offered a middle ground between funk and jazz appealed to neither demographic? Answer the above question based on the context below: A few weeks after Of Human Feelings was recorded, Mwanga went to Japan to negotiate a deal with Trio Records to have the album released on Phrase Text. Trio, who had previously released a compilation of Coleman's 1966 to 1971 live performances in Paris, prepared to press the album once Mwanga provided the label with the record stamper. Coleman was also set to perform his song "Skies of America" with the NHK Symphony Orchestra, but cancelled both deals upon Mwanga's return from Japan. Mwanga immediately quit after less than four months as Coleman's manager. In 1981, Coleman hired Stan and Sid Bernstein as his managers, who sold the album's recording tapes to Island Records. He signed with the record label that year, and Of Human Feelings was released in 1982 on Island's subsidiary jazz label Antilles Records. Billboard magazine published a front-page story at the time about its distinction as both the first digital album recorded in New York City and the first digital jazz album recorded by an American label.According to jazz writer Francis Davis, "a modest commercial breakthrough seemed imminent" for Coleman, who appeared to be regaining his celebrity. German musicologist Peter Niklas Wilson said the album may have been the most tuneful and commercial-sounding of his career at that point. The album's clean mix and relatively short tracks were interpreted as an attempt for radio airplay by Mandel, who described its production as "the surface consistency that would put it in the pop sphere". Of Human Feelings had no success on the American pop charts, only charting on the Top Jazz Albums, where it spent 26 weeks and peaked at number 15. Because the record offered a middle ground between funk and jazz, McRae argued that it consequently appealed to neither demographic of listeners. Sound & Vision critic Brent Butterworth speculated that it was overlooked because it had electric instruments, rock and funk drumming, and did not conform to what he felt was the hokey image of jazz that many of the genre's fans...
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output: McRae
input: Please answer the following: What does the biology teacher want to save by raising money? Answer the above question based on the context below: Former Division I collegiate wrestler Scott Voss is a 42-year-old bored and disillusioned biology teacher at the failing Wilkinson High School. Budget cutbacks at the school jeopardize the continuation of its music program, which would result in its teacher, Marty Streb, being laid off. Concerned for both his colleague and his students, Scott attempts to raise the $48,000 necessary to keep the music program alive. He moonlights as a night instructor for an adult citizenship class, where student Niko asks him for outside tutoring. When Scott arrives at Niko's apartment, he learns that Niko was a former mixed martial arts fighter. While watching the UFC at Niko's apartment, Scott learns that the loser of a fight receives $10,000, which gives him the idea of raising the money by fighting and losing in MMA. Scott, helped by Niko and Marty, begins with small unsanctioned bouts paying only $750 to the loser. Niko begins training him in defense, later adding trainer Mark to teach offense, after Scott knocks out an opponent and realizes that wins give larger payouts, needing fewer fights to achieve his $48,000 goal. While Mark trains with Scott, Malia De La Cruz, one of Scott's students and a band member, helps Niko study for his citizenship test by putting the information into songs. Scott then begins fighting in small MMA fights and gradually gaining higher amounts of money for the school.
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output:
the music program