Problem: Salvador Domingo Felipe Jacinto Dali i Domenech, Marquis of Dali de Pubol (11 May 1904 - 23 January 1989), known professionally as Salvador Dali ( Catalan: [s@lb@'do d@'li]; Spanish: [salba'dor da'li]), was a prominent Spanish surrealist born in Figueres, Catalonia, Spain. Dali was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters.

Dali built a repertoire in the fashion and photography businesses as well. His cooperation with Italian fashion designer Elsa Schiaparelli was well-known, when Dali was commissioned to produce a white dress with a lobster print. Other designs Dali made for her include a shoe-shaped hat, and a pink belt with lips for a buckle. He was also involved in creating textile designs and perfume bottles. In 1950, Dali created a special "costume for the year 2045" with Christian Dior. Photographers with whom he collaborated include Man Ray, Brassai, Cecil Beaton, and Philippe Halsman. With Man Ray and Brassai, Dali photographed nature; with the others, he explored a range of obscure topics, including (with Halsman) the Dali Atomica series (1948) -- inspired by his painting Leda Atomica -- which in one photograph depicts "a painter's easel, three cats, a bucket of water, and Dali himself floating in the air." One of Dali's most unorthodox artistic creations may have been an entire persona, in addition to his own. At a French nightclub in 1965, Dali met Amanda Lear, a fashion model then known as Peki D'Oslo. Lear became his protegee and muse, later writing about their affair in her authorized biography My Life With Dali (1986). Transfixed by the mannish, larger-than-life Lear, Dali masterminded her successful transition from modeling to the music world, advising her on self-presentation and helping spin mysterious stories about her origin as she took the disco-art scene by storm. According to Lear, she and Dali were united in a "spiritual marriage" on a deserted mountaintop. She was referred to as Dali's "Frankenstein", and some observers believed Lear's assumed name was a pun on the French phrase "L'Amant Dali", or "Lover of Dali". Lear took the place of an earlier muse, Ultra Violet (Isabelle Collin Dufresne), who had left Dali's side to join The Factory of Andy Warhol. Both former apprentices would go on to successfully promote their own careers in the arts. On April 10, 2005, they joined a panel discussion "Reminiscences of Dali: A Conversation with Friends of the Artist" as part of a symposium "The Dali Renaissance" for a major retrospective Dali show at the Philadelphia Museum of Art. Their conversation is recorded in the 236-page exhibition catalog The Dali Renaissance: New Perspectives on His Life and Art after 1940.

Was his photography award winning?

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Problem: Slavoj Zizek ( ( listen) SLAH-voy ZHIZH-ek; Slovene: ['slavoj 'ZiZek]; born 21 March 1949) is a Slovenian continental philosopher. He is a senior researcher at the Institute for Sociology and Philosophy at the University of Ljubljana, Global Distinguished Professor of German at New York University, and international director of the Birkbeck Institute for the Humanities of the University of London. He works in subjects including continental philosophy, political theory, cultural studies, psychoanalysis, film criticism, Marxism, Hegelianism and theology. In 1989, Zizek published his first English text, The Sublime Object of Ideology, in which he departed from traditional Marxist theory to develop a materialist conception of ideology that drew heavily on Lacanian psychoanalysis and Hegelian idealism.

Zizek argues: The state is a system of regulatory institutions that shape our behavior. Its power is purely symbolic and has no normative force outside of collective behavior. In this way, the term the law signifies society's basic principles, which enable interaction by prohibiting certain acts. Political decisions have become depoliticized and accepted as natural conclusions. For example, controversial policy decisions (such as reductions in social welfare spending) are presented as apparently "objective" necessities. Although governments make claims about increased citizen participation and democracy, the important decisions are still made in the interests of capital. The two-party system dominant in the United States and elsewhere produces a similar illusion. It is still necessary to engage in particular conflicts - such as labor disputes - but the trick is to relate these individual events to the larger struggle. Particular demands, if executed well, might serve as metaphorical condensation for the system and its injustices. The real political conflict is between an ordered structure of society and those without a place in it. In stark contrast to the intellectual tenets of the European "universalist Left" in general, and those Jurgen Habermas defined as postnational in particular, pro-sovereignty and pro-independence processes opened in Europe are good. The postmodern subject is cynical toward official institutions, yet at the same time believes in conspiracies. When we lost our shared belief in a single power, we constructed another of the Other in order to escape the unbearable freedom that we faced. It is not enough to merely know that you are being lied to, particularly when continuing to live a normal life under capitalism. For example, that despite people being aware of ideology, they may continue to act as automata, mistakenly believing that they are thereby expressing their radical freedom. Although one may possess a self-awareness, just because one understands what one is doing does not mean that one is doing the right thing. Religion is not an enemy but rather one of the fields of struggle. Atheism is good. Religious fundamentalists are, in a way, no different from "godless Stalinist Communists." They both value divine will and salvation over moral or ethical action.

what were the political thoughts?

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Political decisions have become depoliticized and accepted as natural conclusions.