Detailed Instructions: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : Billy Currington is the first solo album by country singer Billy Currington. Released in 2003 on Mercury Nashville Records, the album produced the singles "Walk a Little Straighter" and "I Got a Feelin'", both of which were Top Ten hits for Currington on the "Billboard" Hot Country Songs charts. "Ain't What It Used to Be" was later recorded by Megan Mullins, whose version was released as a single in 2006. Currington co-wrote all but one of the songs on the album. Context_2 : "I Got a Feelin'" is a song co-written and recorded by American country music singer Billy Currington. It was released in January 2004 as the second and final single from his debut self-titled album. The song reached a peak of #5 on the U.S. country singles charts in mid-2004. It was written by Currington, Casey Beathard and Carson Chamberlain. Context_3 : Marty Dodson (born September 17, 1964 in Apple Valley, California) is an American singer-songwriter/producer. He has had songs recorded by artists such as Carrie Underwood, Kenny Chesney, George Strait, The Oak Ridge Boys, The Plain White T's, Saving Jane, Lonestar, Billy Currington, and Craig Morgan. His first #1 song, "Must Be Doin' Somethin' Right" spent two weeks at the top of the country charts and was the first #1 for Billy Currington as well. Marty produced two songs on "Saving Jane" in 2009 and continues to write and produce new acts. His song "Bounce", recorded by Cho Yong Pil won "Song of the Year" at the Mnet Asian Music Awards in 2013 and the same award at the 2013 MAMA Awards in South Korea. Context_4 : "People Are Crazy" is a song written by Bobby Braddock and Troy Jones, recorded by American country music singer Billy Currington. It was released in March 2009 as the second single from his album "Little Bit of Everything". The song is Currington's ninth single on the "Billboard" country singles charts, and has become his third number-one single. On December 2, 2009, "People Are Crazy" was Grammy-nominated for Best Male Country Vocal Performance and Best Country Song. The song has also received a "Song of the Year" nomination on the 2010 Academy of Country Music Awards. Context_5 : "Let Me Down Easy" is a song written by Mark Nesler, Jennifer Hanson and Marty Dodson, recorded by American country music artist Billy Currington. It was released in October 2010 as the second single his album "Enjoy Yourself". The song is Currington's eleventh single release. The song reached number one on the Hot Country Songs chart for the week of April 2, 2011, becoming Currington's fourth consecutive and sixth number 1 single. Context_6 : "Walk a Little Straighter" is a debut song co-written and recorded by American country music artist Billy Currington. It was released in April 2003 as the first single from the album "Billy Currington". It reached the Top Ten on the "Billboard" Hot Country Singles & Tracks, peaking at #8. The song was written by Currington, Casey Beathard and Carson Chamberlain. Context_7 : Dallas Davidson is an American country music singer and songwriter from Albany, Georgia, who has written for artists such as Blake Shelton, Jake Owen, Luke Bryan, Randy Houser, Lady Antebellum, and Billy Currington. He generally writes with others, notably as a member of The Peach Pickers. Context_8 : Little Bit of Everything is the third studio album of American country music singer Billy Currington. It was released on October 14, 2008 on Mercury Nashville. Its lead-off single, "Don't", became his sixth Top Ten hit on the "Billboard" country charts. Before that song, Currington released a song in late 2007 called "Tangled Up", which peaked at number 30 and was not included on an album. "People Are Crazy" was released as the second single in March 2009 and became Currington's third Number One single in August 2009. The album's third single, "That's How Country Boys Roll," was released in September 2009 and became his fourth Number One single in March 2010. The album had sold 500,000 copies as of October 2010. Context_9 : "That's How Country Boys Roll" is a song co-written and recorded by American country music artist Billy Currington. It was released in September 2009 as the third single from his album "Little Bit of Everything". The song became Currington's 10th consecutive Top 40 hit on the "Billboard" Hot Country Songs charts on the chart dated October 10, 2009. The song was written by Currington, Dallas Davidson and Brett Jones. Context_10 : William Matthew "Billy" Currington (born November 19, 1973) is an American country music singer and songwriter, signed to Mercury Nashville Records in 2003. He has released six studio albums for the label: "Billy Currington" (2003), "Doin' Somethin' Right" (2005), "Little Bit of Everything" (2008), "Enjoy Yourself" (2010), "We Are Tonight" (2013), and "Summer Forever" (2015). fact_1 : Dallas Davidson is an American country music singer and songwriter from Albany, Georgia, who has written for artists such as Blake Shelton, Jake Owen, Luke Bryan, Randy Houser, Lady Antebellum, and Billy Currington. fact_2 : William Matthew "Billy" Currington (born November 19, 1973) is an American country music singer and songwriter, signed to Mercury Nashville Records in 2003. Answer: songwriter
Solution:
Dallas Davidson is famous for working with Billy Currington by doing what?