Problem: Build a movie plot around this: Who purchases a Mexican Purepecha statue? Vandamm

A: At the end of an ordinary work day, advertising executive Roger O. Thornhill (Cary Grant) hurries from a Madison Avenue office building to a business meeting at the Oak Room bar of the Plaza Hotel. After asking his secretary to phone his mother, he realizes that she won't be able to reach her by telephone, so he will need to send a telegram instead. When a hotel pageboy passes by calling for a Mr. George Kaplan, Thornhill flags him down, to inquire about sending a telegram. Unfortunately, this also draws the attention of two henchmen, names Valerian (Adam Williams) and Licht (Robert Ellenstein), who mistake Roger for Kaplan because from the vantage point they are standing at, he appears to be answering the page. As Roger steps into the corridor to send his wire, the henchmen abduct Roger at gunpoint and force him into a waiting car.Wordlessly, they drive him out of Manhattan to a Long Island country estate displaying the name "Townsend" at its entrance. The car snakes up a long winding driveway to the front entrance. A maid lets them in the front door, and Roger is locked inside the library of the mansion. Left alone, he finds a newspaper on the desk addressed to "Mr. Lester Townsend, 169 Baywood, Glen Cove, N.Y."Shortly, the library door opens and there enters an urbane English-accented gentleman (James Mason), evidently none other than Townsend himself, followed soon after by his personal secretary, Leonard (Martin Landau). The gentleman addresses his captive as "Kaplan," and by his questions, Roger can only assume that the real Kaplan must be some sort of secret agent on this man's trail. Roger tries to convince him that his name is Thornhill and has never been anything else, but his skeptic captor will not hear of it. To "prove" his point, the man proceeds to recite the elusive Kaplan's recent itinerary of hotels, cities, and ever-changing hometowns, including Kaplan's present occupancy of room 796 at the Plaza Hotel, and his future stops in the next few days in Chicago and Rapid City, South Dakota. To...
Problem: Given the question: Build a movie plot around this: who is boufriend of Amber von Tussle ? Link Larkin (Michael St. Gerard)
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The answer is:
Tracy Turnblad (Ricki Lake) and her best friend, Penny Pingleton (Leslie Ann Powers), audition for The Corny Collins Show, a popular Baltimore teenage dance show based on the real-life Buddy Deane Show. Penny is too nervous and stumbles over her answers, and another girl, Nadine, is cut for being black (there is a 'Negro Day' on the show on the last Thursday of every month, she is told). However, despite being overweight, Tracy is a strong enough dancer to become a regular on the show, infuriating the show's reigning queen, Amber Von Tussle (Colleen Fitzpatrick), a mean, privileged, beautiful high school classmate whose pushy stage parents, Velma (Debbie Harry) and Franklin Von Tussle (Sonny Bono), own Tilted Acres amusement park (based on Baltimore's Gwynn Oak Amusement Park, where racial problems occurred). Tracy steals Amber's boyfriend, Link Larkin (Michael St. Gerard), and competes against her for the title of Miss Auto Show 1963, fueling Amber's hatred of her.Tracy's growing confidence leads to her being hired as a plus-size model for the Hefty Hideaway clothing store owned by Mr. Pinky (Alan J. Wendl). She is also inspired to bleach, tease, and rat her big hair into styles popular in the 1960s. At school, a teacher brands her hairstyle as a "hair-don't" and sends her to the principal's office, from which Tracy is sent to special education classes, where she meets several black classmates who have been put there to hold them back academically. The students introduce Tracy to Motormouth Maybelle (Ruth Brown), an R&B record shop owner and host of the monthly "Negro Day" on The Corny Collins Show. They teach Tracy, Penny, and Link dance moves and Penny begins an interracial romance with Motormouth Maybelle's son, Seaweed (Clayton Prince). This horrifies Penny's mother, Prudence (Joann Havrilla), who imprisons her daughter in her bedroom and tries to brainwash her into dating white boys and oppose integration with the help of a quack psychiatrist, Dr. Fredrickson (director John Waters). Seaweed later...
input question: Build a movie plot around this: Who plays Dr. Ken Melrose? Austin Stoker???
output answer: We open with a zoom in from outside our galaxy, the planet Saturn, a view of the earthrise over the surface of the moon, and the earth zooming in on Egypt. Credits roll with the pyramids in the background. A modern archeological team is working when an earthquake rattles their site. When the lights come back on we see King Tut's tomb and a section of wall collapsed. Holding a flashlight is Prof. Douglas McCadden (Ben Murphy). His assistant, Abdellah (Behrouz Vossoughi) is at his side; inside the chamber is another tomb, surrounded by skeletonized remains.A Boeing 727 lands at an airport in Southern California. We see a panning shot of the California Institute of the Sciences (the campus of CSU, Northridge). McCadden is supervising the removal of the sarcophagus of Ankh Venharis from a truck. Annoying the professor is the campus photographer, Linda Flores (Shari Belafonte-Harper). After the tomb is set up in the lab/classroom, his student aid, Susie Fuller (Nina Axelrod) assists with removal of the seals. They remove the outer lid revealing a decorative inner lid. They read the cartouche--Ankh Venharis, translated as "a noble traveler." Michael Goldstein (Gary Dubin) asks why they would bury a foreign dignitary with King Tut. They start to remove the inner lid when they are interrupted by Peter Sharpe (Kevin Brophy) and his assistant wheeling in an X-Ray machine. They carefully remove the inner lid revealing the mummified remains of a humanoid body covered with wrappings that are covered with a green powdery substance. McCadden tells Michael to get a sample, but in doing so he gets a little on his wrist, despite wearing protective gloves. Susie hands McCadden a jar; he places the scroll of dedication into same and seals the jar. Class is dismissed. Sharpe derisively dismisses Jack Parker (Robert Random), but McCadden overrules him, explaining he is the chief engineer and he wants him present. Sharpe X-Rays the mummy, but after the third shot, Parker notices the setting on the machine and immediately pulls the...
[Q]: Build a movie plot around this: What does the protagonist reach for in the driveway before being taken? The Cars Handle
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[A]:
Waking Life is about an unnamed[3] young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanity, the film theory of Andre Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker, though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to...