Input: MALS was formed here more than 30 years ago. Today, 14 staff attorneys, 26 office workers and 21 University of Memphis third- year law students work out of rented offices in the old Claridge Hotel building at 109 N. Main. Offices are spartan. There are no lush rugs or stylish furniture. The large table in the conference room is simple varnished wood. Offices are small and mostly plain, except for the eclectic mix of pop art, African statuary and neon that adorns litigation director Webb Brewer's space. Brewer, who has been at the agency 20 years, said there is a need for lawyers of all stripes to help with the problems of the poor. "The private bar could meet more of the need through pro bono work, but there are still cases that involve the systemic problems for low-income people that we would need to do," said Brewer. "The legal system marketplace just doesn't serve low-income people too well, except in fee-generat-ing type cases," Brewer said. "If a poor person gets run over by a bus, an attorney might take that case because they might be able to recover part of the damage award as attorney fees. But so many of the cases we handle have to do with basic rights and a decent life. There is just no profit motive." Larry Pivnick, law professor at the University of Memphis Law School and director of political programs at MALS, said Legal Services is a great learning laboratory for law students. "There are thousands and thousands of people who have problems that never get an opportunity to appear in court," Pivnick said. "Some people may not be particularly articulate. Courts have rules that clients don't always understand." Brewer said a major focus of the agency's work involves housing. "Although a lot of our work is grant-driven, we find that the lack of safe and decent affordable housing and the prevalence of predatory lending are the biggest problems in our client population," Brewer said, referring to clients such as James.
"What does the MALS office look like?" is "There are no lush rugs or stylish furniture"?

OPTIONS:
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- yes
Output: yes

Input: Rakal, her first officer, was staring pensively at his panel. He was what this was all about. She watched his graceful fingers ending in thick black claws tap out calculations on the panel. His pointed ears swiveled back and forth, catching every sound from the bridge, while his long tail swished to the rhythm of his thoughts. Only those of the Arrallin Insurrection inner team knew he was no common 'beta furry'. His silken fur, which would be tawny golden and striped with jet black bands, was dyed perfectly to a pure black, and his mane trimmed and thinned as to be indistinguishable from the rest of his coat. His eyes had been treated and darkened to a rich purple to disguise the brilliant golden yellow color that would mark him as an Alpha Arrallin, and leader of his hive. Right now, he looked like an overgrown wolf who'd learned touch-typing. The scout ship re-emerged from the hole - a brilliant speck emerging from a sphere of velvety blackness. It's hail crackled across the comm, and Tara spun to retake her seat at the helm. "Launch the second probe. Won't Central be crushed to learn that another gateway has yielded little more than a class F planet and a white dwarf system. Level 1 and 2 staffers should prepare to be briefed and move out. This sounds like it's the one." The distinctive whuffle of pleasure rippled through the betas on the bridge, and Rakal let loose a small growl, as if to caution his charges against false hope. They'd scouted twenty-seven gates so far, and none had turned up anything worth the Insurrection's time. Tara would not let giddy hopes drag them onto a rock that would spell the end for the project, and the Arrallin species.

Does the response "To escape from the terror of a poor dictator" correctly answer the question "What was the mission all about?"?

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- yes
***
Output: no

Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.

Question: "In what town and in what year was Durer born?"

OPTIONS:
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- yes

Answer: "European 1498"

Response: no

Problem: An insect can have one of three types of change in its life. A metamorphosis describes how insects change. Some insects do not go through a change. Instead, the young look like small versions of adults. The only change between young and mature is size. Other types of insects go through a change in physical appearance. There are two types of this type of change. Some insects change only slightly during their change. This type is called incomplete metamorphosis. Other types of insects go through a major change. They don't look at all like the adult when they are born. This type of change is called complete metamorphosis. Occurs in the most primitive insects. Newborn insect looks like a tiny version of the adult. Incomplete Three stages: egg, nymph, and adult. Young, called nymphs, usually similar to adult. Growth occurs during the nymph stage.

Question: "What do the young of insects who do not go through a change look like?"

Answer: "The young look like small versions of adults"

OPTIONS:
- no
- yes
Answer:
yes