In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
_ soldier _ is hands down one of the worst movies a person could ever have to sit through that does n't have jean claude van damme in it .
i could liken it to
the sci - fi cheese that was the hollywood product - of - choice back in the early 80s , but that would be too much of a compliment .
if there is a movie theater in hell , this film is playing there 24 hours a day .
the story , such that there is , revolves around todd ( kurt russell ) , an automaton of a man who has been raised from birth to be a merciless soldier in a not - too - distant ultra - conservative future ( is there any other kind ? )
after years of desensitization at a military academy full of other boys just like him , todd becomes a ground fighter in a series of wars all over the galaxy . who the enemies in these wars are is never revealed , but the few glimpses of todd in battle show that it does n't matter , because innocent hostages are wiped out as indifferently as the bad guys .
after ten minutes of this nihilistic trash --
yes folks , there 's more
-- we see todd as a buff , scarred adult , now so accustomed to the carnage that no confrontation at all causes him to break a sweat .
there 's a new wrinkle , though .
todd and his brethren are declared obsolete , and a new batch of soldiers takes their place .
after losing a sanctioned battle with _ dragon _ 's jason scott lee , the seemingly dead todd is dumped by a flying ice - cube tray
( well , that 's what is looked like ) on a remote garbage planet .
if you predict that todd meets a bunch of outcast settlers on this planet , and that they band together to fight a bunch of bad guys coming to destroy them , you 're way ahead of the game .
the renegade society on this trash heap is so clich you half - expect tina turner and master blaster to come strolling into frame any minute .
it 's surprising that _ soldier _ is the brain - child of _ blade runner _ co - writer david webb peoples .
unlike that mind - twisting classic , this film contains just barely enough dialogue to fill about three double - spaced pages .
add into the mix the _ mortal kombat _ 's paul anderson inept direction , and
it 's easy to see how _ soldier _ turned out so bad . and the special effects !
remember the flying steam irons in hardware wars ?
gary busey is in this movie .
'nuff said .
_
soldier _ is proof that hollywood still has plenty of bad ideas sitting in its script vaults .
that this sad film made it to the silver screen should encourage plenty of aspiring screenwriters out there that there is hope after all .
now if you 'll excuse me , i have to go weep for the future .

Ex Output:
N

Ex Input:
well , i know that stallone is 50 years old now , but in daylight he does n't look it !
daylight is a great disaster movie . if you 've seen cliffhanger , you 'll know stallone 's character already .
a guy with a bad past , but is in the right place at the wrong time .
a tunnel connecting new york and new jersey has both sides collapses when a group of robbers collide with a truck carrying * very * flammable toxic waste .
a dozen or so people survive the collapses and the incinerating fireball ( and what a fire ball it was ! )
stallone , a former emergency medical service man , is chauffeuring a rich couple around , when they reach the outside of the tunnel , before the explosion .
then , 30 minutes into the movie , boom !
>
from here on , the plot takes a back seat , and we are treated to some of the best camera work and action staged .
most all the action is plausible and will hold you at the edge of your seat .
there are a few melodramatic parts here , but , they tend to work out well .
there is no general antagonist in this film , but the action and suspense makes you forget all about that .
daylight is a great film
, i saw a non - matinee showing of it , and i thought it was worth every penny .
the characterizations are mostly flat , one dimesional , but they have enough in them to get you to care for some of the characters .
rob cohen ( dragonheart )
does a great job with this film .

Ex Output:
P

Ex Input:
there 's something about ben stiller that makes him a popular choice among casting directors these days .
stiller currently has three projects in circulation , and what other actor can lay claim to that ?
he 's in
" there 's something about mary , " which i * still * have n't seen .
and he 's in the acerbic " your friends & neighbors , " playing a talkative , sexually - frustrated drama coach called jerri .
now there 's " permanent midnight , " in which stiller plays another jerry , this one a heroin - addicted television writer , last name stahl .
there 's also something about this industry that pushes bankable stars like stiller into doing drug - addiction pictures the minute they 've proved themselves commercially .
ewan mcgregor springs to mind who , after successful turns in " emma " and " brassed off , " received greater respect and admiration for his mind - blowing realization as renton in danny boyle 's transatlantic junk - fest , " trainspotting .
"
the philosophy appears to be a simple one : if you want 'em to be taken seriously , make 'em do drugs .
" permanent midnight " is based on the true life experiences of jerry stahl , a successful hollywood writer who , in the mid - eighties , had a $ 5 , 000-a - week job churning out plotlines for disposable tv sitcoms and a $ 6 , 000-a - week heroin habit .
a habit , in stahl 's own words , " the size of utah .
" as stahl , stiller contributes a commanding performance .
unlike " trainspotting , " which was successful in having it both ways by chronicling both the highs and the lows of heroin abuse , " permanent midnight " instead focuses on the concept of drug addiction as maintenance .
one of the earliest observations in the film is a casual reference to " naked lunch " author william s . burroughs who , when asked why he shoots up first thing in the morning responds , " so i can shave .
" stahl rarely appears to be puncturing veins for the thrill of it all in " permanent midnight " ; it 's so he can talk to his mother on the phone , show up for work on time , even pay his bills .
while the film itself occasionally wobbles around along with stahl , the writing ( adapted from stahl 's autobiography by director david veloz ) is controlled and pointed .
" permanent midnight " shows how stahl moved from new york to l . a . to -- again in the author 's words-- " escape the drug scene " (
yeah , right ) ; why he entered into a convenient marriage with a british tv exec ( elizabeth hurley , so impossibly polite you 'd swear her single profanity was dubbed ) ; and that he conceived a child in between his random hirings and firings .
stahl narrates all this in a motel bedroom to a sympathetic lover called kitty ( norristown 's own maria bello ) with whom he spent some rehab time .
janeane garofalo is wasted -- and miscast -- as a heavily - bespectacled hollywood talent agent who fails to get her hooks into the doped - up wordsmith , and that 's stahl himself playing a jaded clinic counselor .
stiller , unshaven ( burroughs take note ) and with lots of mascara around the eyes , has stahl stumble through the film looking like a train wreck but , to his credit , never once pushes his pill - popping , needle - jabbing performance over the top .
the ubiquitous stiller is the reason to see " permanent midnight " ; a dark , comic , and strangely absorbing study of assisted living .

Ex Output:
P