IN: Pihos was born in 1923 in Orlando, Florida. His parents, Louis and Mary Pihos, were Greek immigrants. In August 1937, when Pihos was 13 years old, his father, the operator of an all-night restaurant in Orlando, was murdered. His body was discovered behind the counter of the restaurant with his skull fractured in 12 places.

When Pihos returned to Indiana after his military service, he played at the fullback position for the 1945 Indiana Hoosiers football team that compiled the only undefeated record (9-0-1) in Indiana football history, won the program's first Big Ten Conference championship, and finished the season ranked No. 4 in the final AP Poll. He had only two days of practice before his first game back, Indiana's second game of the season, against Northwestern. He scored Indiana's only touchdown in the game, when he caught a pass at the Northwestern five-yard line and dragged three defenders with him over the goal-line. He scored the first two touchdowns in Indiana's 26-0 win over Purdue in the final game of the year. Pihos finished the season having carried the ball 92 times for 410 yards and seven touchdowns. He earned first-team All-America honors from Yank, the Army Weekly magazine, and finished eighth in voting for the Heisman Trophy. As a senior, Pihos played three positions (fullback, halfback, and quarterback) and was named the most valuable player on the 1946 Indiana Hoosiers football team. In a show of versatility, and despite suffering from a throat infection and thigh injury during the 1946 season, he carried the ball 76 times for 262 rushing yards, completed seven of twelve passes for 84 passing yards, had ten catches for 213 receiving yards, and scored eight touchdowns. He ended his college career by scoring three touchdowns against the Purdue Boilermakers, helping the Hoosiers win the Old Oaken Bucket for that year. Pihos finished third in the voting for the Chicago Tribune Silver Football as the most valuable player in the Big Nine Conference. In four seasons at Indiana, Pihos scored 138 points, which was then the school's all-time scoring record. He also broke Indiana career records for touchdowns and receptions. Bo McMillin, Indiana's head football coach since 1934, called Pihos "the greatest all-around football player our team has known in my time at Indiana."
QUESTION: What position did he play for the Hoosiers?
IN: Mandaeism or Mandaeanism (Arabic: mndy'y@ Manda'iyah) is a gnostic religion with a strongly dualistic worldview. Its adherents, the Mandaeans, revere Adam, Abel, Seth, Enos, Noah, Shem, Aram, and especially John the Baptist. The Aramaic manda means "knowledge", as does Greek gnosis. According to most scholars, Mandaeaism originated sometime in the first three centuries AD, in Mesopotamia.

As noted above Mandaean theology is not systematic. There is no one single authoritative account of the creation of the cosmos, but rather a series of several accounts. Some scholars, such as Edmondo Lupieri, maintain that comparison of these different accounts may reveal the diverse religious influences upon which the Mandaeans have drawn and the ways in which the Mandaean religion has evolved over time. In contrast with the religious texts of the western Gnostic sects formerly found in Syria and Egypt, the earliest Mandaean religious texts suggest a more strictly dualistic theology, typical of other Iranian religions such as Zoroastrianism, Zurvanism, Manichaeism, and the teachings of Mazdak. In these texts, instead of a large pleroma, there is a discrete division between light and darkness. The ruler of darkness is called Ptahil (similar to the Gnostic Demiurge), and the originator of the light (i.e. God) is only known as "the great first Life from the worlds of light, the sublime one that stands above all works." When this being emanated, other spiritual beings became increasingly corrupted, and they and their ruler Ptahil created our world. The name Ptahil is suggestive of the Egyptian Ptah--the Mandaeans believe that they were resident in Egypt for a while--joined to the semitic El, meaning "god". The issue is further complicated by the fact that Ptahil alone does not constitute the demiurge but only fills that role insofar as he is the creator of our world. Rather, Ptahil is the lowest of a group of three "demiurgic" beings, the other two being Yushamin (a.k.a. Joshamin) and Abathur. Abathur's demiurgic role consists of his sitting in judgment upon the souls of mortals. The role of Yushamin, the senior being, is more obscure; wanting to create a world of his own, he was severely punished for opposing the King of Light. The name may derive from Iao has-sammayim (in Hebrew: Yahweh "of the heavens").
QUESTION: What was his relationship with Cosmology?
IN: Titas (Portuguese pronunciation: [tSi'tas]) are a rock band from Sao Paulo, Brazil. Though they basically play pop/alternative rock, their music has touched a number of other styles throughout their 30-year career, such as new wave, punk rock, grunge, MPB and electronic music. They are one of the most successful rock bands in Brazil, having sold more than 6,3 million albums as of 2005 and having been covered by several well-known Brazilian artists and a couple of international singers. They were awarded a Latin Grammy in 2009 and have won the Imprensa Trophy for Best Band a record four times.

On July 11, 2016, vocalist, guitarist and founding member Paulo Miklos announced he would leave the band to focus on his personal projects. He was then replaced by session member Beto Lee, son of Brazilian notorious rock singer Rita Lee. His first recording with the band is a version of "Pro Dia Nascer Feliz", originally by Barao Vermelho, for the soundtrack of the 24th season of Malhacao, a Rede Globo series. With Lee's inclusion, the band recovered some old songs for its live setlists, including Titanomaquia's "Sera Que E Disso Que Eu Necessito?" and " Nem Sempre se Pode Ser Deus". They also started to have Bellotto sing in some songs. Also in 2016, the band announced a new album for a possible 2017 release. According to Bellotto, it will be a rock opera, and the band intended to enter the studio until mid-2017 so the album could be released in the year's second half. Drawing inspiration from albums such as The Who's Quadrophenia and Green Day's American Idiot, the over 30-track rock opera will have its story written by Hugo Possolo and Marcelo Rubens Paiva. By April 2017, Mello said a handful of tracks were ready. Also in April, the band started a tour called "Uma Noite no Teatro" (A Night at the Theater) with a show that was also the inaugurating event of Shopping Villa-Lobos' theater Opus. The tour included three new songs: "Me Estuprem" (Rape Me), about sexual harassment and rape; "12 Flores Amarelas" (12 Yellow Flowers); and "A Festa" (The Party). By that time, none of them were expected to be featured in the band's next album. On 23 September, however, the band performed them again during their show at the Rock in Rio 7, and this time they were announced as part of the new project. On December 2017, they announced that they had already started recording the album and that it would be released via Universal Music. In January 31, they announced that the opera rock would be released in early 2018 and that its title would be 12 Flores Amarelas.
QUESTION:
anything else interesting in the article?