input: Vaughan began her solo career in 1945 by freelancing in clubs on New York's 52nd Street such as the Three Deuces, the Famous Door, the Downbeat and the Onyx Club. Vaughan hung around the Braddock Grill, next to the Apollo Theater in Harlem. On May 11, 1945, Vaughan recorded "Lover Man" for the Guild label with a quintet featuring Gillespie and Parker, with Al Haig on piano, Curly Russell on double bass and Sid Catlett on drums. Later that month, she went into the studio with a slightly different and larger Gillespie/Parker aggregation and recorded three more sides. After being invited by violinist Stuff Smith to record the song "Time and Again" in October, Vaughan was offered a contract to record for the Musicraft label by owner Albert Marx, although she would not begin recording as a leader for Musicraft until May 7, 1946. In the intervening time, Vaughan made a handful of recordings for the Crown and Gotham labels and began performing regularly at Cafe Society Downtown, an integrated club in New York's Sheridan Square. While at Cafe Society, Vaughan became friends with trumpeter George Treadwell. Treadwell became Vaughan's manager and she ultimately delegated to him most of the musical director responsibilities for her recording sessions, leaving her free to focus almost entirely on singing. Over the next few years, Treadwell made changes in Vaughan's stage appearance. Aside from a new wardrobe and hair style, Vaughan had her teeth capped, eliminating a gap between her two front teeth. Many of Vaughan's 1946 Musicraft recordings became quite well known among jazz aficionados and critics, including "If You Could See Me Now" (written and arranged by Tadd Dameron), "Don't Blame Me", "I've Got a Crush on You", "Everything I Have Is Yours" and "Body and Soul". With Vaughan and Treadwell's professional relationship on solid footing, the couple married on September 16, 1946. Vaughan's recording success for Musicraft continued through 1947 and 1948. Her recording of "Tenderly"--she was proud to be the first to have recorded that Jazz standard--became an unexpected pop hit in late 1947. Her December 27, 1947, recording of "It's Magic" (from the Doris Day film Romance on the High Seas) found chart success in early 1948. Her recording of "Nature Boy" from April 8, 1948, became a hit around the time the better-known Nat King Cole version was released. Because of a second recording ban imposed by the musicians' union, "Nature Boy" was recorded with an a cappella choir as the only accompaniment, adding an ethereal air to a song with a vaguely mystical lyric and melody.

Answer this question "What was the first song she did?"
output: "Lover Man"

input: The Conservatives' unexpected success in the 1992 election led Cameron to hit back at older party members who had criticised him and his colleagues, saying "whatever people say about us, we got the campaign right," and that they had listened to their campaign workers on the ground rather than the newspapers. He revealed he had led other members of the team across Smith Square to jeer at Transport House, the former Labour headquarters. Cameron was rewarded with a promotion to Special Adviser to the Chancellor of the Exchequer, Norman Lamont. Cameron was working for Lamont at the time of Black Wednesday, when pressure from currency speculators forced the pound sterling out of the European Exchange Rate Mechanism. At the 1992 Conservative Party conference, Cameron had difficulty trying to arrange to brief the speakers in the economic debate, having to resort to putting messages on the internal television system imploring the mover of the motion, Patricia Morris, to contact him. Later that month Cameron joined a delegation of Special Advisers who visited Germany to build better relations with the Christian Democratic Union; he was reported to be "still smarting" over the Bundesbank's contribution to the economic crisis. Lamont fell out with John Major after Black Wednesday and became highly unpopular with the public. Taxes needed to be raised in the 1993 Budget, and Cameron fed the options Lamont was considering through to Conservative Campaign Headquarters for their political acceptability to be assessed. By May 1993, the Conservatives' average poll rating dropped below 30%, where they would remain until the 1997 general election. Major and Lamont's personal ratings also declined dramatically. However, Lamont's unpopularity did not necessarily affect Cameron: he was considered as a potential "kamikaze" candidate for the Newbury by-election, which includes the area where he grew up. However, Cameron decided not to stand. During the by-election, Lamont gave the response "Je ne regrette rien" to a question about whether he most regretted claiming to see "the green shoots of recovery" or admitting to "singing in his bath" with happiness at leaving the European Exchange Rate Mechanism. Cameron was identified by one journalist as having inspired this gaffe; it was speculated that the heavy Conservative defeat in Newbury may have cost Cameron his chance of becoming Chancellor himself, even though as he was not a Member of Parliament he could not have been. Lamont was sacked at the end of May 1993, and decided not to write the usual letter of resignation; Cameron was given the responsibility to issue to the press a statement of self-justification.

Answer this question "When did Cameron become special adviser to the chancellor?"
output: 1992

input: The success of the various productions of Journey's End brought Whale to the attention of movie producers. Coming at a time when motion pictures were making the transition from silent to talking, producers were interested in hiring actors and directors with experience with dialogue. Whale traveled to Hollywood in 1929 and signed a contract with Paramount Pictures. He was assigned as "dialogue director" for a film called The Love Doctor (1929). He completed work on the film in 15 days and his contract was allowed to expire. It was at around this time that he met David Lewis. Whale was hired by independent film producer and aviation pioneer Howard Hughes, who planned to turn the previously silent Hughes production Hell's Angels (1930) into a talkie. Whale directed the dialogue sequences. When his work for Hughes was completed, he headed to Chicago to direct another production of Journey's End. Having purchased the film rights to Journey's End, British producers Michael Balcon and Thomas Welsh agreed that Whale's experience directing the London and Broadway productions of the play made him the best choice to direct the film. The two partnered with a small American studio, Tiffany-Stahl, to shoot it in New York. Colin Clive reprised his role as Stanhope, and David Manners was cast as Raleigh. Filming got underway on 6 December 1929 and wrapped on 22 January 1930. Journey's End was released in Great Britain on 14 April and in the United States on 15 April. On both sides of the Atlantic the film was a tremendous critical and commercial success.

Answer this question "How did he become famous in Hollywood?"
output:
The success of the various productions of Journey's End brought Whale to the attention of movie producers.