IN: Andriana refers to both the noble class and a title of nobility in Madagascar. Historically, many Malagasy ethnic groups lived in highly stratified caste-based social orders in which the andriana were the highest strata. They were above the Hova (free commoner castes) and Andevo (slaves). The Andriana and the Hova were a part of Fotsy, while the Andevo were Mainty in local terminology.

The Andriana caste were originally the source of nobility and they specialized in the rituals and warrior occupations in the Merina society. However, in 19th century when Merina conquered the other kingdoms and ruled most of the island, a much larger army was needed, and the soldiers then included the Hova caste as well. The Andriana benefited from numerous privileges in precolonial Madagascar. Land ownership in Imerina was reserved for the andriana class, who ruled over fiefs called menakely. The populace under the rule of an andriana lord owed him--and the king--a certain amount of free labor each year (fanompoana) for public works such as the construction of dikes, rice paddies, roads and town walls. Posts of privilege within the government, such as judges or royal advisers, were likewise reserved for certain groups of andriana. The valiha, the national instrument of Madagascar, was originally an instrument of the masses but came to be affiliated with the noble class in the 19th century. The valiha featured heavily in the music of the Merina royal court performed at palaces such as Ambohimanga or the Rova at Antananarivo. The strings of the valiha were more easily plucked with the fingernails, which were commonly grown long for this purpose; long fingernails became fashionable and symbolic of belonging to the andriana class within the Kingdom of Imerina. At Antananarivo, only andriana tombs were allowed to be constructed within town limits. Hovas (freemen) and slaves were required to bury their dead beyond the city walls. The highest ranks of andriana were permitted to distinguish their tombs by the construction of a small, windowless wooden tomb house on top of it, called a trano masina (sacred house) for the king and trano manara (cold house) for the Zanakandriana, Zazamarolahy and Andriamasinavalona. This tradition may have originated with King Andriantompokoindrindra, who is said to have ordered the first trano masina to be built on his tomb in honor of his memory.

What privileges did Andriana have?

OUT: Land ownership in Imerina was reserved for the andriana class, who ruled over fiefs called menakely.

IN: Lewis Allan Reed (March 2, 1942 - October 27, 2013) was an American musician, singer, and songwriter. He was the lead guitarist, singer and principal songwriter for the rock band the Velvet Underground, with a solo career that spanned five decades. The Velvet Underground achieved little commercial success during their existence, but are now regarded as one of the most influential bands in rock, underground, and alternative music. After leaving the band in 1970, he released 20 solo studio albums.

Throughout the 1970s Reed was a heavy user of methamphetamine and alcohol. Metal Machine Music (1975) was an hour of modulated feedback and guitar effects. Critics interpreted it as a gesture of contempt, an attempt to break his contract with RCA or to alienate his less sophisticated fans. Reed claimed that the album was a genuine artistic effort, even suggesting that quotations of classical music could be found buried in the feedback. Lester Bangs declared it "genius", though also psychologically disturbing. The album was reportedly returned to stores by the thousands and was withdrawn after a few weeks. 1976's Coney Island Baby still drew on the underbelly of city life. At this time his lover was a transgender woman, Rachel, mentioned in the dedication of "Coney Island Baby" and appearing in the photos on the cover of Reed's 1977 "best of" album, Walk on the Wild Side: The Best of Lou Reed. Rock and Roll Heart was his 1976 debut for his new record label Arista, and Street Hassle (1978) was released in the midst of the punk scene he had helped to inspire. Reed took on a watchful, competitive and sometimes dismissive attitude towards punk. Aware that he had inspired them, he regularly attended shows at CBGB to track the artistic and commercial development of numerous punk bands, and a cover illustration and interview of Reed appeared in the first issue of Punk by Legs McNeil. In 1978 Reed released his third live album, Live: Take No Prisoners, which some critics thought was his "bravest work yet," while others considered it his "silliest." Rolling Stone described it as "one of the funniest live albums ever recorded" and compared Reed's monologues with those of Lenny Bruce. Reed felt it was his best album to date. The Bells (1979) featured jazz trumpeter Don Cherry. Around this period Reed also appeared as a sleazy record producer in Paul Simon's film One-Trick Pony. From around 1979 Reed began to wean himself off drugs.

What was the name of his album

OUT:
Walk on the Wild Side: The Best of Lou Reed. Rock and Roll Heart was his 1976 debut for his new record label Arista, and Street Hassle (1978)