Q: Before you start putting the songs into a playlist, you should spend time thinking of what songs you want. Browse through your music collection and start writing down songs that catch your eye with the audience and theme in mind. If you consider some songs you haven't heard in a long time, play those and see if they fit with your intended feel. Don't worry about writing down more songs than you need, because you can also narrow the list down later. There's a good chance that you'll pick some songs that you know are great but that you haven't listened to in a while. It's good to listen to the songs again just to refresh yourself on how they go. Maybe there is a lengthy intro that isn't right for this mix, or a word of profanity somewhere that you want to avoid. Listening to the songs also helps you see if it really fits the tone and message of the CD that you are hoping to achieve. It is also good to read the lyrics while you listen to make sure you don't miss anything. You want to make sure there's not a stray lyric or something you usually don't notice when listening that someone else could pick up on. Examine lyric books or liner notes included in CDs you own, or visit one of the many lyrics websites available online. Using CDs means working within the storage limitations, which for most burnable CDs is around 80 minutes. When considering what your final mix will be, narrow down your list by checking song lengths. Pick the best set that fills the time available. Beginnings and endings don't necessarily make or break the mix, but both will likely make an impact on the listener. Start out with a song that sets the tone you want the CD have and let it move forward from there. The last song is what you want the listener to feel once it is over. You can go out with a bang or let the tone mellow as the CD closes. This may be affected by what the purpose of the mix is, but for general listening, you don't want the mix to be too heavy on one particular tempo or style. A whole CD of fast and loud songs might be right for the gym, but probably won't be right for a long drive. Put a few songs in a row that build the intensity and then drop it down during the next couple of songs. Think of a DJ at a wedding reception or other party, and mimic their routines by trying to form patterns and keep a wide variety. You might use a pattern of fast, medium, slow, or loud, average, soft. But don't repeat the exact pattern for the whole CD. Break the pattern partway through. This is similar to peaks and valleys, but with a focus more on content than on style and pacing. You want to create a CD that has a sort of unity and put the songs in an order that makes them fit together. You wouldn't want to put Three Days Grace's song "I Hate Everything About You" next to Michael Jackson's "The Way You Make Me Feel." Try to put songs next to each with lyrical content that seems somewhat similar rather than completely opposite. This is much more of an art than a science, so it will not be perfect. You just want the mix to feel like it was put together in a specific way on purpose, not a bunch of songs that are on shuffle.
A: Brainstorm the track list. Listen to every potential song. Manage the length of the CD. Pay attention to the first and last song. Create peaks and valleys. Nurture the mix's flow.

Article: The beneficial microbes in the tea will not survive for more than a few days. Because of their short life span, it's important to use the tea when it's fresh. The sooner you use the tea the better, but don't keep it around longer than three days. Compost tea can be applied directly to the soil in your garden beds. Transfer the tea to a watering can and apply the tea to the soil around your plants. You can also place the tea in a spray bottle and apply it to the soil that way. For the best results, apply compost tea to the soil two weeks before your plants start to bud. Compost tea is also a great soil addition for young plants and newly transplanted ones. A foliar spray is something that gets applied directly to the leaves of a plant. If the tea is very dark, combine it with equal parts water and transfer it to a spray bottle. Add teaspoon (0.6 ml) of vegetable oil and shake the mixture. Spray the tea mixture onto leaves in the early morning or late evening. The vegetable oil will help the tea stick to the leaves. Always use diluted tea on young or delicate plants. Don't spray plants with foliar spray in the middle of the day, as the sun can burn the leaves.
Question: What is a summary of what this article is about?
Use the tea within 36 hours. Soak the soil with the tea. Transfer the tea to a spray bottle to use as a foliar spray.

Q: Treat tagging just like any other art form. Learn about its evolution over the years so you can spot the difference between modern, classic, and outdated trends. There are plenty of books and other materials on the subject, but popular titles include: Subway Art, written by Martha Cooper Style Wars, directed by Henry Chalfant Before you attempt your own tag, check out other people's styles. Photograph local artwork or save online images that impress you. Use these as reference as you start to develop your own style. Find these by: Searching online for uploaded images of tags. Taking a walking tour highlighting areas with active graffiti artists. Going on your own hunt for tags in your area. Keep in mind that a lot of graffiti is against the law, which means many artists have to work with only half their mind on the job at hand. Since the other half is distracted by having to keep an eye out for the cops, expect illegal tags to often be rushed and less than stellar. Because of this, focus your attention on legal artwork, since those artists were able to devote their full attention on what they were doing. Visit https://legal-walls.net/ to locate nearby artwork that was done by permission. Expect tagging to develop just like any other artform. This means that certain cities and regions may develop their own nuances, so pay attention to what's being done around you. Bring yourself up-to-date on local styles and trends. Reach out to local artists to find out their personal take on both the medium at large and their own contributions to it. This isn't to say that you should limit yourself to just your area. In fact, comparing and contrasting what local artists are doing versus what's being done in, say, Los Angeles or Berlin could be just as enlightening.
A:
Research its history. Study others' handiwork. Favor legal artwork. Focus on your own area.