input: This is a strange sex comedy because there's very little comedy but a whole lot of sex , most of which takes place in the back of a car and is so graphic it makes BASIC INSTINCT look like an edition of TELETUBBIES . I kid you not , the sex in this film is so in your face it might just choke you , especially if you're watching with your grandparents .

As for the rest of RITA , SUE AND BOB TOO there's not much else worth mentioning except the language where every single sentence seems to contain the F word . This a rather bleak hyper-realist British film made at a time when Channel 4 was the main investor in British movies which explains its made for television low budget feel

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pos/neg ans: negative

input: David Lynch's new short is a very "Lynchian" piece, full of darkness, tension, silences, discreet but very textured background music, and features again two beautiful actresses, a blonde and a brunette, a recurrent theme in his work.

Both characters create a very intriguing slave-mistress relationship that could be seen as a direct follow up to the same kind of relationship featured in Mulholland Dr.

Beautiful. For Lynch fan's.

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pos/neg ans: positive

input: One of the those "coming of age" films that should have nostalgia for adults and promise for the kids. This movie has neither. It is a poor excuse to let Sylvia Kristel's body double frolic with a dorky Eric Brown. To make matters worse, the movie is either silly or stupid when it tries to be funny, sexy, or dramatic. Laugh awkwardly as we are supposed to believe that a teenager would go alone with burying a dead woman in his front yard. Ponder vigorously on why a woman famous for Emmanuelle needs a body double. As the movie went on and on, I started to imagine a hybrid of Private Lessons and Little Miss Millions that had Sylvia Kristel seduce Jennifer Love Hewitt as Howard Hesseman makes us nostalgic for WKRP. Watch this to laugh at other people's stupidity, or for Ed Begley Jr.'s committed performance, or to wonder what Sylvia Kristel would look like with Jennifer Love Hewitt. But I can give you an idea of your lesson, stay away from movies staring Sylvia Kristel that are not Emmanuelle.

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pos/neg ans: negative

input: While flipping through the channels on a late Saturday night, my friends and I stumbled across this film. First of all, Irish actor Pierce Brosnan as a Native American? Seriously?! His accent was breaking through so much, although his character was apparently Scottish. Next, I was stunned to find that this film was made after he had already played James Bond/Agent 007 at least twice. This movie plays up the stereotypes, with the inspiring professor figure. The girl who played Pony should be paid to keep her mouth shut. And, this film won an award? I cannot believe it. Brosnan is an attractive man, but we seriously wanted to gauge our eyes out after watching this for just 10 seconds. We switched from "Kicking and Screaming" to this, and we wanted to switch back. We watched the 1995 children's classic "The Indian in the Cupboard" earlier in the night, which also discussed the Iroquois. The following line represents our desire to run away: "Take me outside, earth grasper." From "Grey Owl": "If you don't like it, you don't have to watch."

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pos/neg ans:
negative