In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: let me start off by saying that leading up to the release of the latest bond film , i really was n't looking forward to it as much as i have with some of the previous films .
i 'm not sure if it was the fairly lackluster trailers or the ever - present dread that the next film will fall back into the miserable ways of the timothy dalton years .
i 'm happy to report that any doubts were erased after about the first 10 minutes of the film .
by that point , it was evident that mr .
bond was back with a vengeance .
all doubts would have probably been erased sooner except for the fact that the first ten minutes of the film were n't exactly a pleasant experience .
it seems that nobody told the geniuses working at the theater that the house lights are supposed to be turned off when the movie starts .
it took a reminder from an audience member to clue them in .
i guess they can be excused though , taking tickets and cleaning up popcorn between shows is extremely taxing on the brain .
anyway , after somebody remembered what the light switch was for , i settled in for bond .
i think the most noticeable aspect of this , the 19th film in the series , is that it really goes back to the almost tongue in cheek style of the roger moore films .
there were probably more one - liners in this movie than in the last several combined .
and bond 's last one - liner in the film is about the best of the series .
the world is not enough also contained perhaps the most action of any movie of the series .
everything from wild boat chases to the usual assortment of cool bond gadgets trotted out just when there seems to be no way out for 007 . for the most part , the action sequences worked very well .
although , there were a couple of times that i thought some things were a bit over the top , even for a bond film .
i think some of the blame can be laid at the feet of director michael apted .
while he did a good job for the most part , there were points in the movie , specifically during action sequences , that he seemed to loose site of the fact that he was making essentially an action film .
most noticeably sequences on a snow covered mountain and one involving bond getting through a closing door looked like apted thought he was filming some sort of high brow art movie .
he almost seemed like he did n't know what he was doing .
but they were brief scenes and really should n't take away from the otherwise solid job that apted did in directing
.
if you have ever seen a bond film , you wo n't be shocked to learn that plot has never been their strong suit .
the world is not enough is no exception .
this time we have yet another over villain that bond has to stop for the good of the world .
007 matches wits with the terrorist renard ( robert carlyle ) , a man who has a bullet lodged in his brain that makes him impervious to pain .
why this point is included is beyond me .
they took great pains to explain his condition , but it only came up later in the movie as a scene that can only be described as looking like an afterthought .
anyway , renard , like the typical terrorist that he is , is bent on some harebrained scheme involving a mid - east oil pipeline .
i guess world domination just is n't as attractive to terrorists as a money making venture anymore .
bond is brought in to protect the pipeline 's owner , elektra king ( sophie marceau ) , who is the daughter of one of renard 's recent victims .
along the way , bond has to enlist the help of a nuclear scientist , dr .
christmas jones ( denise richards ) , and his old rival valentin zukovsky ( robert carlyle ) .
like all bond films , you basically just have to suspend disbelief over the plot , since it is ridiculous beyond words .
my biggest complaint would be that it was about the most disjointed of any of the bond films .
there was at least one point that i had to stop and try to remember why bond was where he was and why he was doing what he was doing .
the buddy that i saw the movie with was completely confused over an earlier kidnapping of marceau 's character .
it was alluded to earlier in the movie briefly -- although not included in the film .
later , it became a big part of the story and left him with the distinct feeling that he had missed something .
but because it is a bond film , the beautiful women and nifty gadgets seem to make you forget about script problems quite quickly .
after all , it is n't shakespeare .
how about the cast ?
brosnan seems to get better with each of his appearances as 007 .
i grew up with the roger moore version of bond , so i really enjoyed the lighter style that brosnan brings to the character .
judi dench , as m , had a bigger role in this film than in her two previous appearances in the role .
she brought the talent with her that one would expect from an oscar winner .
robbie coltrane was easily one of the best parts in goldeneye , so it was nice to see his russian mobster character revived in this movie .
coltrane gets more screen time , which simply leads to him stealing even more scenes .
then there are the bond girls .
sophie marceau might be one of the most beautiful actresses working today .
there is just something about her breathtaking eyes that makes her a natural to play the innocent victim .
those that saw her in braveheart know she is more than just a pretty face .
marceau may be the most talented actress to ever play a bond love interest .
then we have denise richards .
there was no doubt in my mind that she was cast exclusively for her looks .
and after you see the outfits she wears , you wo n't have any trouble guessing what part of her anatomy caught the producer 's eyes .
i was pleasantly surprised to find that she really did a good job playing a nuclear scientist .
admittedly , there was one point that the audience snickered a bit at one of her technical lines of dialogue , but other than that
she stacks up ( no pun intended ) to her bond girl predecessors nicely .
i must say that the biggest disappointment was robert carlyle 's character .
while carlyle did a fine job with the material that he had , his character just never worked for me .
the producers tried very hard to add more complexity to his character , but it just never quite got off the ground .
i guess i was hoping for a bit more regarding the whole impervious to pain aspect of his character , but the writers decided to play up the emotional side of his character .
this might have worked well in another movie , but i do n't go to see bond movies for their deep characterizations .
last , but not least , we have desmond llewelyn as q .
this is the 17th appearance for llewelyn as bond 's gadget guy , and he is as good as ever .
although his screen time has grown far more limited in the past few films , he is still a treat to watch .
rumors abound that this may be his last appearance in the role .
he says future appearances are up to a higher power .
the producers have introduced his protege and future replacement , a bumbling and somewhat pompous character played by comedy master john cleese .
while we do n't see much of him in this film , i think it is fair to say that desmond llewelyn 's legacy , whenever it is passed on , will be in very capable hands .
so how does it stack up ?
despite some problems , the world is not enough is a very entertaining movie .
and , all things considered , what problems it does have are small compared to some that have plagued earlier bond movies .
this is easily the best of the brosnan films .
it may even be the best of the entire series , certainly in the top 3 .
one thing is for sure , even after 19 movies , there is still plenty of life left in the james bond series .
here 's looking forward to bond number 20 .
[EX A]: P

[EX Q]: "
an intimate , character - driven drama about a troubled youth at a crossroads in his life , " read the press notes for _
reach_the_rock
_ .
i 'm not really sure what film that statement is describing because those words bear little resemblance to the slow , completely uninvolving bore i saw --
at least , it certainly does not describe what goes on for most of the film .
alessandro nivola plays robin fleming , a troubled , directionless 21-year - old who has a penchant for breaking storefront windows in a small town .
police sergeant phil quinn ( william sadler ) takes him in , and what ensues for the first 70 minutes is a tedious series of sneak - outs and sneak - ins where robin slips out of his jail cell , breaks a window , then returns , all without quinn ever noticing .
also added to the pointless proceedings is some would - be humorous shenanigans involving quinn 's dimwitted deputy ernie attempting to engage in clandestine patrol car sex with his girlfriend donna ( karen sillas ) .
with a half hour ( if even that long ) remaining , director william ryan and writer john hughes ( yes , john hughes of ' 80s youth films
and _ home_alone _ ) finally approach something close to a point .
turns out robin still pines for his high school sweetheart lise ( brooke langton ) , who has long gone on with her life , and hughes 's main concern at long last reveals itself as a tired " live in the present and for the future " message .
most moviegoers , however , will likely be asleep by that time .
wide awake , however , is the cast , who individually tackle their showcase dramatic scenes with energy and skill -- thus revealing the _ real _ purpose behind
this listless enterprise : to serve as a series of acting exercises .
such a glorified workshop may have its rewards for the actors , but it leaves audiences with a booby prize .
( opens october 16 )
[EX A]: N

[EX Q]: susan granger 's review of " the closet " ( miramax films ) in this hilarious french farce , a shy , boring accountant ( daniel auteil ) named francois pignon discovers
he 's going to be fired from his job at a condom factory .
lonely and distraught , he contemplates suicide .
but then he runs into belone ( michel aumont ) , an elderly homosexual neighbor , who suggests a " sex discrimination " lawsuit to intimidate management .
as evidence , belone concocts provocative photographs of pignon locked in a leather - clad embrace with another man and mails them anonymously to pignon 's boss .
when the racy snapshots start circulating around the factory , not only does pignon get his job back
but he suddenly finds himself the focus of attention as an openly gay man .
his lusty supervisor ( michele laroque ) is so intrigued that she wonders if , perhaps , she could change his sexual preferences .
even his ex - wife ( alexandra vandernoot ) and indifferent teenage son ( stanislas crevillen ) drop their disdain .
but not everyone is enchanted .
a mucho macho co - worker felix ( gerard depardieu ) , a self - righteous homophobe , is stunned and repulsed when he 's forced by the pr director ( thierry lhermite ) to grovel and court pignon 's friendship or risk losing his own job .
writer / director francis verber artfully milks the farcical comedy as he dissects the hypocrisy of political correctness , veering off - track only occasionally into pedophilia .
daniel auteuil (
" the widow of saint - pierre " ) is delightful - particularly with a blown - up condom perched on his head , riding on a float in a gay pride parade - and gerard depardieu delivers one of his most restrained , and effective , performances .
on the granger movie gauge of 1 to 10 , " the closet " is a frankly sexual , adult 8 .
it 's so clever
, in fact , that hollywood is already planning to re - make it in english , like " la cage aux folles .
"
[EX A]:
P