Part 1. Definition
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Part 2. Example
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Answer: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Part 3. Exercise
Context_1 : Dante's Inferno (1924) is a silent film released by Fox Film Corporation, and adapted from "Inferno", part of Dante Alighieri's epic poem "The Divine Comedy". Context_2 : Inferno (] ; Italian for "Hell") is the first part of Dante Alighieri's 14th-century epic poem "Divine Comedy". It is followed by "Purgatorio" and "Paradiso". The "Inferno" tells the journey of Dante through Hell, guided by the ancient Roman poet Virgil. In the poem, Hell is depicted as nine concentric circles of torment located within the Earth; it is the "realm ... of those who have rejected spiritual values by yielding to bestial appetites or violence, or by perverting their human intellect to fraud or malice against their fellowmen". As an allegory, the "Divine Comedy" represents the journey of the soul toward God, with the "Inferno" describing the recognition and rejection of sin. Context_3 : The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the "Inferno" (Hell), "Purgatorio" (Purgatory), and "Paradiso" (Paradise), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos. Set at Easter 1300, the poem describes the living poet's journey through hell, purgatory, and paradise. Context_4 : Dante's Inferno: An Animated Epic is a direct to DVD animated dark fantasy action film released on February 9, 2010. The film is based on "Dante's Inferno" video game which is itself loosely based on Dante's "Inferno". Context_5 : Vanni Fucci di Pistoia is a minor character in "Inferno", the first part of Dante Alighieri's epic poem the "Divine Comedy", appearing in Cantos 24 and 25. He was a thief who lived in Pistoia, as his name ("di Pistoia" meaning "of Pistoia") indicates; when he died, he was sent to the eighth circle of Hell in the seventh bolgia (round; in Italian, "ditch" or "pouch"), where thieves are punished. In that bolgia his punishment was to be stung by a serpent, reduced to ashes, and then restored to his former shape for more torturing. Dante and Virgil meet him and ask him why he was there. He replied that he stole a treasure from the Church of St. James in his hometown; he had wrongly accused an innocent man, Vanni della Nona, with the crime, for which della Nona was executed. Fucci says he was not caught but he still went to Hell. He then predicts the overthrow of the Florentine Whites to spite Dante and then insults God by making obscene gestures at him, and is attacked by numerous nearby serpents and by the monster Cacus, who was put in the bolgia for stealing Hercules's cattle. Context_6 : Dante's Inferno is a 2007 comedy film performed with hand-drawn paper puppets on a toy theater stage. The film was adapted from the book "Dante's Inferno" by Sandow Birk and Marcus Sanders (Chronicle Books, 2004), which is a modern update of the canticle "Inferno" from Dante Alighieri's epic poem "The Divine Comedy". The film chronicles Dante's (voiced by Dermot Mulroney) journeys through the underworld, guided by Virgil (voiced by James Cromwell). The head puppeteer was Paul Zaloom and the puppets were designed by Elyse Pignolet and drawn by Sandow Birk. The film premiered January 20, 2007 at the 2007 Slamdance Film Festival. The film has also been shown at the Santa Barbara International Film Festival, Sarasota Film Festival, Atlanta Film Festival, Newport Beach Film Festival, Maryland Film Festival, Silver Lake Film Festival, the Boston Underground Film Festival, and on the Ovation TV cable network. Context_7 : Dante's Inferno was a dark ride created by Anton Schwarzkopf that was located at Astroland on Coney Island; a similar ride called Dante's Dungeon is at Morey's Piers at Wildwood, New Jersey. Dante's Inferno is decorated with a purple Cerberus in each tower, a werewolf out of one window, and skeleton warriors in another, its exterior's centerpiece is a large devil holding a victim in his hand that is connecting to the tongue of an upside-down, lolling eyed creature, and a pitchfork in the other. The ride's exterior resembles a castle, and its open area is decorated in graffiti style artwork including Medusa's severed head held by a Grim Reaper, as well as a mad scientist and several dragons. Context_8 : The Dante Club is a mystery novel by Matthew Pearl and his debut work, set amidst a series of murders in the American Civil War era. It also concerns a club of poets, including such historical figures as Henry Wadsworth Longfellow, Oliver Wendell Holmes, Sr., and James Russell Lowell, who are translating Dante Alighieri's "Divine Comedy" from Italian into English and who notice parallels between the murders and the punishments detailed in Dante's "Inferno". Context_9 : Purgatorio (] ; Italian for "Purgatory") is the second part of Dante's "Divine Comedy", following the "Inferno", and preceding the "Paradiso". The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Context_10 : Paradiso (] ; Italian for "Paradise" or "Heaven") is the third and final part of Dante's "Divine Comedy", following the "Inferno" and the "Purgatorio". It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God. fact_1 : It also concerns a club of poets, including such historical figures as Henry Wadsworth Longfellow, Oliver Wendell Holmes, Sr., and James Russell Lowell, who are translating Dante Alighieri's "Divine Comedy" from Italian into English and who notice parallels between the murders and the punishments detailed in Dante's "Inferno". fact_2 : Inferno (] ; Italian for "Hell") is the first part of Dante Alighieri's 14th-century epic poem "Divine Comedy". Question: What poem does The Dante Club and Inferno have in common?
Answer:
Divine Comedy