In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : David Huntsinger is a pianist, composer, songwriter, and arranger who moved from his native California to Nashville, TN, in 1976 and played for the Rambos. He co-wrote the song, "Holy Spirit, Thou Art Welcome", with Dottie Rambo, as well as the children's musical, "Down By The Creek Bank". In 1979 he left the Rambos to pursue a career as a studio pianist. He wrote and arranged music for the 1989 Grammy-winning album "A Child's Gift of Lullabyes", and arranged for and co-produced Andy Griffith's 1996 Grammy-winning album, "I Love To Tell The Story: 25 Timeless Hymns". He has worked with many artists, such as Sandi Patti, Steve Green, Kathy Troccoli, Michael Crawford, Glen Campbell, Carman, Larnelle Harris, Johnny Cash and Dolly Parton. He toured with Vince Gill for a Christmas tour in 1999, and in 2001 for the Amy Grant/Vince Gill Christmas tour. He has also written a number of children's musicals, as well as produced many albums of his own original works and arrangements. He played the piano for "An Unfinished Life", and contributed to two songs heard in "The Great Debaters". He arranged for and played piano in the 1997 Christmas album "Piano Winterlude" (Unison). He has done several projects for Discovery House Music. In 2010 he composed a number of pieces for a special 25th Anniversary concert for the international television network 3ABN called "Pillars of Our Faith". Context_2 : Kierra Valencia "Kiki" Sheard (born June 20, 1987 in Detroit, Michigan) is an American gospel singer, fashion designer, and radio host. She is the daughter of gospel singer Karen Clark Sheard (member of gospel singing group The Clark Sisters) and the granddaughter of gospel choral director Mattie Moss Clark. Sheard portrayed Litha in the 2010 Christian-drama film "Preacher's Kid". After appearing on her mother's albums, Sheard broke onto the music scene with the release of her debut album "I Owe You" in 2004. Her hit single "You Don't Know" was written about her mother's bout with an almost fatal blood clot. Context_3 : George Beverly Shea (February 1, 1909 April 16, 2013) was a Canadian-born American gospel singer and hymn composer. Shea was often described as "America's beloved gospel singer" and was considered "the first international singing 'star' of the gospel world," as a consequence of his solos at Billy Graham Crusades and his exposure on radio, records and television. Because of the attendance at Graham's Crusades, Shea has sung live before more people than anyone else in history. Context_4 : I Need Your Lovin' (also: "Need Your Lovin'") is a popular rhythm and blues song written by Bobby Robinson and Don Gardner. Gardner, teamed up with singer Dee Dee Ford and scored a Top 20 hit with the song in 1962. The song was unusual at the time in that it was a 5:45 two-part composition, but it was Part 2 that got the airplay. The song also featured a full false ending during the second half, coming to a complete stop and then starting up again, much in the manner of African American gospel music of the era, in which the singer who surged beyond the "ending" of the song implied that the Holy Spirit is so strong that it cannot be stopped by mere musical convention. Context_5 : Dottie Rambo (March 2, 1934 May 11, 2008) was an American gospel singer and songwriter. She was a Grammy and multiple Dove Award-winning artist. Along with husband Buck and daughter Reba, she formed the award-winning southern Gospel group, The Rambos. She wrote more than 2,500 songs, including her most notable, "He Looked Beyond My Fault and Saw My Need", "We Shall Behold Him", and "I Go To the Rock". Context_6 : Darlene Jenise "McCoy" Johnson (born October 31, 1971; "nee", Johnson), is an American gospel singer, songwriter, author, radio personality, and Christian R&B recording artist. She started her music career, in 2005, with the release of "Fallen in Love" single by EMI Gospel. She would release a precursor extended play, in 2007's "Fallen in Love", again with EMI Gospel. This will lead into the release of "Darlene McCoy" later on that year. This album was her breathrough release on the "Billboard" magazine charts, which it placed on the Gospel Albums chart. She is the First African American Female to host a Nighttime Syndication. She is the Host of the Nighly Spirit under Reach Media Inc. Context_7 : ". . . That Thou Art Mindful of Him" (also signed as "That Thou Art Mindful of Him") is a science fiction short story by American writer Isaac Asimov, which he intended to be an "ultimate" probe into the subtleties of his Three Laws of Robotics. The story first appeared in the May 1974 issue of "Fantasy and Science Fiction" and the 1974 anthology "Final Stage", edited by Edward L. Ferman and Barry Malzberg. It was collected in "The Bicentennial Man and Other Stories" (1976) and "The Complete Robot" (1982). Context_8 : The Reverend Cleophus Robinson (March 18, 1932, Canton, MississippiJuly 2, 1998, Saint Louis, Missouri) was an American gospel singer and preacher. He hosted a gospel television series which ran for over 20 years. He was often referred to as "The World's Greatest Gospel Singer". Context_9 : "I Luh God" is a song by American gospel singer Erica Campbell of Mary Mary. The song also features American gospel rapper LaShawn Daniels, who produced the song, also known as Big Shizz, who is uncredited. It is her second single from her album Help 2.0. The song is considered to be an example of an uprising music genre called "Trap Gospel", as it has a drum machine, bass, and a rap tone in Campbell's voice. The song has caused controversy, with many people claiming the song's sound too secular. YouTuber KevOnStage has uploaded a response video addressing the song. In the course of the song, Campbell seems to call out the very voices and messages that are traditionally associated with the beat. "You ain't got the money moving by yourself/And you know you did it with a lot of help/You know it's only one, it ain't nobody else "The lines immediately recall Drake's "All Me," featuring Big Sean and 2 Chainz, which boasts "Came up, that's all me/Stayed true, that's all me/No help that's all me, all me for real." The Yolonda Adams Morning Show wrote on their website. Context_10 : Donald Malloy (born November 28, 1955), is an American gospel musician. He first came to prominence singing with the New Jersey Mass Choir and is a featured singer on the group's own 1985 version of the song they had originally recorded with Foreigner, "I Want to Know What Love Is." The following year, Malloy began his solo career, releasing the album, "Holy Spirit". However, his solo career truly took off four years later in 1990, with the release of, "There Is No Limit", that was released by Atlanta International Records. Malloy released albums in 1993 with "Everything Will Be Alright" by A&M Records, 1994's "Hold on to the Promise" with Light Records, "Jesus Reigns" in 1999 with Savoy Records. All but two of these albums chart upon the "Billboard" magazine charts, exclusively on the Gospel Albums chart. fact_1 : David Huntsinger is a pianist, composer, songwriter, and arranger who moved from his native California to Nashville, TN, in 1976 and played for the Rambos. fact_2 : He co-wrote the song, "Holy Spirit, Thou Art Welcome", with Dottie Rambo, as well as the children's musical, "Down By The Creek Bank". fact_3 : Dottie Rambo (March 2, 1934 May 11, 2008) was an American gospel singer and songwriter. Answer: Dottie Rambo
Solution:
Which American gospel singer did David Huntsinger cowrite the song Holy Spirit, Thou Art Welcome?