Question:
May was born in Pittsburgh, Pennsylvania. He started out playing the tuba in the high school band. "I sat in the rear of the stand. [...] I didn't realize it at the time, but I was intrigued with becoming an arranger and an orchestrator." At the age of seventeen May began playing with Gene Olsen's Polish-American Orchestra.
At Capitol, May wrote arrangements for many top artists. These included Frank Sinatra on the albums Come Fly with Me (1958), Come Dance with Me! (1959) and Come Swing with Me! (1961); Nat King Cole on the albums Just One of Those Things and Let's Face the Music!, as well as numerous singles (all his work with Cole being packaged later on the 2-CD set The Billy May Sessions); Stan Freberg, with whom he was a longtime collaborator, featuring on many of the artist's comedy recordings; Peggy Lee on the album Pretty Eyes; Sue Raney on her second album Songs for a Raney Day; Vic Damone on the albums The Lively Ones and Strange Enchantment; Jeri Southern on the album Jeri Southern Meets Cole Porter; Keely Smith on the album Politely and on a duet single, "Nothing In Common"/"How Are Ya Fixed For Love?", with Sinatra; Bobby Darin on the album Oh! Look at Me Now; Nancy Wilson on the albums Like In Love, Something Wonderful, Tender Loving Care, Nancy - Naturally! and various tracks from the albums Just For Now and Lush Life; Matt Monro on several tracks from the albums Invitation to the Movies, Invitation to Broadway, and These Years; Bing Crosby and Rosemary Clooney on the albums That Travelin' Two-Beat and Fancy Meeting You Here; and Sir George Shearing on the albums Satin Affair and Burnished Brass, co-arranged with Shearing (May also conducted Shearing's album Concerto for My Love, on which Shearing had sole credit for the arrangements). May's orchestra was featured on many Capitol Records children's projects, including cowboy star, Hopalong Cassidy. He worked closely with early 1950s satirist Stan Freberg, using his arranging skills to help Freberg create his spoofs of current hits by creating musical backing often stunningly close to the original hit single. On Freberg's Wun'erful, Wun'erful! a lacerating spoof of bandleader Lawrence Welk, May hired some of the best jazz musicians in Hollywood for his recording sessions, and they relished the idea of mocking the financially successful Welk sound, which they considered musically awful. The result was a note-perfect recreation of Welk's sound as Freberg and a group of vocalists created parodies of Welk's "musical family". Freberg has recounted that Welk was less than amused by the results. May also composed and conducted the music for Freberg's short-lived comedy radio series on CBS, which ran for fifteen episodes in 1957. His send-up of trashy horror-film music ("Gray Flannel Hat Full of Teenage Werewolves") is notable. May won two Grammy Awards including Best Performance by an Orchestra in 1958 and for Best Arrangement in 1959. Much of May's work for Capitol has been reissued on the Ultra-Lounge series of CDs.
Answer this question using a quote from the text above:

Are there any other interesting aspects about this article?

Answer:

Question:
Born in Goulburn, New South Wales, Poidevin played rugby at St Patrick's College (now Trinity Catholic College) in New South Wales, and made the Australian Schoolboy side. Upon finishing school he played a season with the Goulburn Rugby Union Football Club and then, in 1978, he moved to Sydney to study at the University of New South Wales, from which he graduated in 1983 with a Bachelor of Science (Hons). He made his first grade debut with the university's rugby union team in 1978. In 1982 he moved clubs to Randwick, the famous Galloping Greens, home of the Ella brothers and many other Wallabies.
Poidevin played for Sydney against France in the third game France played for their 1981 France rugby union tour of Australia, won by Sydney 16-14. Poidevin then played for New South Wales against France for the fifth match of France's Australia tour, lost 12-21. Poidevin achieved national selection for the two-Test series against France, despite competition for backrow positions in the Australian team. The first Test against France marked the first time Poidevin played with Australian eightman Mark Loane and contained the first try Poidevin scored at international Test level. In his biography For Love Not Money, written with Jim Webster, Poidevin recalls that: The first France Test at Ballymore held special significance for me because I was playing alongside Loaney for the first time. In my eyes he was something of a god, and I guess my feeling was the same as a young actor getting a bit part in a movie with Dustin Hoffman. Loaney was a huge inspiration, and I tailed him around the field hoping to feed off him whenever he made one of those titanic bursts where he'd split the defence wide open with his unbelievable strength and speed. Sticking to him in that Test paid off handsomely, because Loaney splintered the Frenchmen in one charge, gave to me and I went for the line for all I was worth. I saw Blanco coming at me out of the corner of my eye, but was just fast enough to make the corner for my first Test try. I walked back with the whole of the grandstand yelling and cheering. God and Loaney had been good to me." Poidevin played in Australia's second Test against France in Sydney, won by Australia 24-14, giving Australia a 2-0 series victory.
Answer this question using a quote from the text above:

was he a good player

Answer:
In my eyes he was something of a god,

Question:
All Time Low is an American rock band from Towson, Maryland, a suburb of Baltimore, formed in 2003. The band currently consists of lead vocalist and rhythm guitarist Alex Gaskarth, lead guitarist and backing vocalist Jack Barakat, bassist and backing vocalist Zack Merrick and drummer Rian Dawson. The band's name is taken from lyrics in the song "Head on Collision" by New Found Glory. The band consistently tours year-long, has headlined numerous tours, and has appeared at music festivals including Warped Tour, Reading and Leeds and Soundwave.
On March 8, 2014, All Time Low toured the UK as part of their "A Love Like War: UK Tour" before moving on to the states on March 28 for the remaining part of the tour. The music video for their song "The Irony of Choking on a Lifesaver" used clips from that tour and premiered on Kerrang! on May 14. Their next album would be recorded with producer John Feldman. The album, Future Hearts, was announced with the first single, "Something's Gotta Give", premiering on Radio One on January 11, 2015. The second single, "Kids In The Dark", was released on March 9, 2015. The band played Soundwave 2015 in Australia and headlined sideshows. They headlined a spring US 2015 tour for the album with support from Issues, Tonight Alive and State Champs, and co-headlining a UK tour with You Me At Six. Future Hearts debuted at No. 2 on the Billboard 200, selling 75,000 copies in its first week, becoming the band's highest charting and biggest selling week ever. It also topped the UK Albums Chart with almost 20,000 first week sales. In July 2015, the band won four awards at the 2015 Alternative Press Music Awards. The band has since toured and released music videos, including one for "Runaways" in August 2015. On September 1st, 2016, the band leaked a new song titled "Take Cover", which was later officially released with a music video the next day as a bonus track for their live album, "Straight to DVD II: Past, Present, and Future Hearts".
Answer this question using a quote from the text above:

Did any of the singles chart?

Answer:
Future Hearts debuted at No. 2 on the Billboard 200,