input: When he was approximately 15, Stiller obtained a small part with one line on the television soap opera Guiding Light, although in an interview he characterized his performance as poor. He was later cast in a role in the 1986 Broadway revival of John Guare's The House of Blue Leaves, alongside John Mahoney; the production would garner four Tony Awards. During its run, Stiller produced a satirical mockumentary whose principal was fellow actor Mahoney. His comedic work was well received by the cast and crew of the play, and he followed up with a 10-minute short called The Hustler of Money, a parody of the Martin Scorsese film The Color of Money. The film featured him in a send-up of Tom Cruise's character and Mahoney in the Paul Newman role, only this time as a bowling hustler instead of a pool shark. The short got the attention of Saturday Night Live, which aired it in 1987, and two years later offered him a spot as a writer. In the meantime, he had a bit role in Steven Spielberg's Empire of the Sun. In 1989, Stiller wrote and appeared on Saturday Night Live as a featured performer. However, since the show did not want him to make more short films, he left after four episodes. He then put together Elvis Stories, a short film about a fictitious tabloid focused on recent sightings of Elvis Presley. The film starred friends and co-stars John Cusack, Jeremy Piven, Mike Myers, Andy Dick, and Jeff Kahn. The film was considered a success, and led him to develop the short film Going Back to Brooklyn for MTV; it was a music video starring comedian Colin Quinn that parodied LL Cool J's recent hit "Going Back to Cali".

Answer this question "What is the work he got most acclaim for ?"
output: He then put together Elvis Stories, a short film about a fictitious tabloid focused on recent sightings of Elvis Presley.

input: Abby was conceived when Ashley Abbott, desperate to have Victor Newman's child to replace the one whom she aborted years prior, stole his sperm from Diane Jenkins, who had obtained the sample illegally from a fertility lab. Ashley then secretly inseminated herself, and Abigail, "Abby" for short, was born on November 13, 2000. Abby believed her father was Brad Carlton, and was consequently given his last name. When Ashley had cancer, she recorded a video message for Abby to see when was older, and revealed Victor was her biological father. Ashley survived her cancer, but Abby saw the video without her mother's knowledge, and ran to Victor. After the truth came out, she changed her name to Abigail Carlton Newman. In 2008, Abby's birth year was revised to 1994 when she was said to be 14 years old in December 2008. With the role being recast in 2010, Abby's birth year is revised to 1988 when she is aged to 21. Rylan was initially afraid that Abby was very similar to Lizzie Spaulding as they were both wealthy rich heiresses who caused trouble. Rylan embraces typecast and stated that as an actor, it is good to be seen as someone who can play "good, bad, and the in-between." Rylan's Abby first appears in May 2010, promoting herself as an animal rights activist. She garners the nickname, 'The Naked Heiress' when she flashes photographers in the lobby of Jabot Cosmetics. Rylan states that Abby is a member of both the Newmans and the Abbotts and "Abby is a little more half-and-half." Marcy Rylan believes that Abby is such a rebel because she needs attention to feel like she matters to those around her. Abby's reality-TV star personality leads many to believe that Abby is the next Paris Hilton. After a short departure, Abby returns to Genoa City in 2013. Rylan felt that she was "more mature" and said, "For the first time, Abby is feeling a little embarrassed about her previous choices [...] She's trying really hard to be a better person...and figure out where she fits if she's not running around naked."

Answer this question "Was there any other drama?"
output: She garners the nickname, 'The Naked Heiress' when she flashes photographers in the lobby of Jabot Cosmetics.

input: Koolhaas's next landmark publications were a product of his position as professor at Harvard University, in the Design school's "Project on the City"; firstly the 720-page Mutations, followed by The Harvard Design School Guide to Shopping (2002) and The Great Leap Forward (2002). All three books involved Koolhaas's students analysing what others would regard as "non-cities", sprawling conglomerates such as Lagos in Nigeria, west Africa, which the authors argue are highly functional despite a lack of infrastructure. The authors also examine the influence of shopping habits and the recent rapid growth of cities in China. Critics of the books have criticised Koolhaas for being cynical - as if Western capitalism and globalization demolish all cultural identity - highlighted in the notion expounded in the books that "In the end, there will be little else for us to do but shop". However, such cynicism can alternatively be read as a "realism" about the transformation of cultural life, where airports and even museums (due to finance problems) rely just as much on operating gift shops. When it comes to transforming these observations into practice, Koolhaas mobilizes what he regards as the omnipotent forces of urbanism into unique design forms and connections organised along the lines of present-day society. Koolhaas continuously incorporates his observations of the contemporary city within his design activities: calling such a condition the 'culture of congestion'. Again, shopping is examined for "intellectual comfort", whilst the unregulated taste and densification of Chinese cities is analysed according to "performance", a criterion involving variables with debatable credibility: density, newness, shape, size, money etc. For example, in his design for the new CCTV headquarters in Beijing (2009), Koolhaas did not opt for the stereotypical skyscraper, often used to symbolise and landmark such government enterprises, but instead designed a series of volumes which not only tie together the numerous departments onto the nebulous site, but also introduced routes (again, the concept of cross-programming) for the general public through the site, allowing them some degree of access to the production procedure. Through his ruthlessly raw approach, Koolhaas hopes to extract the architect from the anxiety of a dead profession and resurrect a contemporary interpretation of the sublime, however fleeting it may be. In 2003, Content, a 544-page magazine-style book designed by &&& Creative and published by Koolhaas, gives an overview of the last decade of OMA projects including his designs for the Prada shops, the Seattle Public Library, a plan to save Cambridge from Harvard by rechanneling the Charles River, Lagos' future as Earth's third-biggest city, as well as interviews with Martha Stewart and Robert Venturi and Denise Scott Brown.

Answer this question "Was this book written by Koolhaas with help from students?"
output:
books involved Koolhaas's students analysing what others would regard as "non-cities", sprawling