Some context: Gakuto Oshiro (Da Cheng gakuto, Oshiro Gakuto, born July 4, 1973), better known by his mononymous stage name Gackt, is a Japanese musician, singer, songwriter, record producer and actor. He has been active since 1993, first as the frontman of the short-lived independent band Cains:Feel, and then for the now defunct visual kei rock band Malice Mizer, before starting his solo career in 1999. He has released nine studio albums and, with forty-eight singles released, holds the male soloist record for most top ten consecutive singles in Japanese music history. His single "Returner (Yami no Shuen)", released on June 20, 2007, was his first single to reach the number one spot on the Oricon charts.
On July 31, 2008, Internet Co., Ltd. released Gackpoid, a Vocaloid using a recorded selection of Gackt's voice. On December 3, his twenty-eighth single "Jesus" was released, his first single release in over a year. It peaked at number seven, spending 10 weeks on the charts. On December 14, Gackt went on his longest nationwide tour Requiem et Reminiscence II -Saisei to Kaiko- (Requiem et Reminiscence II -Zai Sheng toXie Hou -, -Rebirth and Reunion-), which included over 60 concerts in more than forty-five cities. On January 28, 2009, his twenty-ninth single "Ghost" was released, and peaked at number six on the charts. On May 18, Gackt was scheduled to perform a concert in South Korea at Seoul's Olympic Hall, but due to the effects of the global recession, the sponsors of the concert withdrew their support. In commemoration of his 10th anniversary as a solo artist, Gackt released four singles: "Koakuma Heaven", "Faraway", "Lost Angels", and "Flower", one week after another, starting from June 17 and ending on July 1. They all managed to enter the top ten on the charts. On June 13, Gackt began the arena part of the tour, and on July 4 held a fanclub concert to celebrate his birthday at the Yoyogi National Stadium. On July 11 and 12, he held the final concerts at the Saitama Super Arena. As both Gackt and the Kamen Rider Series' Heisei period run had its 10th anniversary, he became involved in the 2009 edition of the franchise, Kamen Rider Decade, to perform its theme songs. These are the first singles that were not written by him, and were released by Avex Trax and Avex Entertainment. In March, his thirtieth single and the series' opening theme, "Journey Through the Decade", was released, peaking at number two and spending 25 weeks on the charts, and certified gold by RIAJ. In August, he released the second theme single for the Kamen Rider Decade film All Riders vs. Dai-Shocker, "The Next Decade". It peaked at number four and spent nine weeks on the charts. He also appeared in the film as Decade's iteration of the character Joji Yuki. The collaboration finished in January with the release of the final single, "Stay the Ride Alive", which charted the same as his previous one. In September, he performed as a representative of Japan at the Asia Song Festival in Korea. He also participated in the 2009 Animelo Summer Live concert. In October, Gackt performed as the main artist in the "Wow Live! Thanks For Music" show held in Yoyogi National Gymnasium, in Japan. On December 2, he released his seventh studio album, Re:Born, which continued the story he had originally created in 2001. It reached number nine on the charts. On December 12, he held a fanclub cover concert conceptualized around fictional school, at the Saitama Super Arena.
how did the album do?
A: On January 28, 2009, his twenty-ninth single "Ghost" was released, and peaked at number six on the charts.

Some context: Laurence Kerr Olivier, Baron Olivier, (; 22 May 1907 - 11 July 1989) was an English actor and director who, along with his contemporaries Ralph Richardson and John Gielgud, dominated the British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career, he had considerable success in television roles.
Olivier had intended to step down from the directorship of the National Theatre at the end of his first five-year contract, having, he hoped, led the company into its new building. By 1968 because of bureaucratic delays construction work had not even begun, and he agreed to serve for a second five-year term. His next major role, and his last appearance in a Shakespeare play, was as Shylock in The Merchant of Venice, his first appearance in the work. He had intended Guinness or Scofield to play Shylock, but stepped in when neither was available. The production by Jonathan Miller, and Olivier's performance, attracted a wide range of responses. Two different critics reviewed it for The Guardian: one wrote "this is not a role which stretches him, or for which he will be particularly remembered"; the other commented that the performance "ranks as one of his greatest achievements, involving his whole range". In 1969 Olivier appeared in two war films, portraying military leaders. He played Field Marshal French in the First World War film Oh! What a Lovely War, for which he won another BAFTA award, followed by Air Chief Marshal Hugh Dowding in Battle of Britain. In June 1970 he became the first actor to be created a peer for services to the theatre. Although he initially declined the honour, Harold Wilson, the incumbent prime minister, wrote to him, then invited him and Plowright to dinner, and persuaded him to accept. After this Olivier played three more stage roles: James Tyrone in Eugene O'Neill's Long Day's Journey into Night (1971-72), Antonio in Eduardo de Filippo's Saturday, Sunday, Monday and John Tagg in Trevor Griffiths's The Party (both 1973-74). Among the roles he hoped to play, but could not because of ill-health, was Nathan Detroit in the musical Guys and Dolls. In 1972 he took leave of absence from the National to star opposite Michael Caine in Joseph L. Mankiewicz's film of Anthony Shaffer's Sleuth, which The Illustrated London News considered to be "Olivier at his twinkling, eye-rolling best"; both he and Caine were nominated for the Academy Award for Best Actor, losing to Marlon Brando in The Godfather. The last two stage plays Olivier directed were Jean Giradoux's Amphitryon (1971) and Priestley's Eden End (1974). By the time of Eden End, he was no longer director of the National Theatre; Peter Hall took over on 1 November 1973. The succession was tactlessly handled by the board, and Olivier felt that he had been eased out--although he had declared his intention to go--and that he had not been properly consulted about the choice of successor. The largest of the three theatres within the National's new building was named in his honour, but his only appearance on the stage of the Olivier Theatre was at its official opening by the Queen in October 1976, when he made a speech of welcome, which Hall privately described as the most successful part of the evening.
Are there any other interesting aspects about this article?
A:
In 1969 Olivier appeared in two war films, portraying military leaders.