In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: ugh .
that about sums this movie up .
just , ugh .
the original godzilla movies are somewhat of a cult classic , and when reviewing the previous films , each film had a certain degree of intelligence .
and that was the reason they found such an enviable cult following ; in spite of bad special effects , horrible dubbing , and a man in a lizard suit , they maintained a certain degree of . . .
how to put this ? . . .
dignity ?
not quite the word i 'm looking for .
you understand , right ?
and in 50 years , godzilla has maintained that degree of ' whatever ' . leave it to america to screw the whole thing up .
> from the ' geniuses ' that brought us " independece day " , arguably the worst sci - fi movie of all time , to ruin whatever reputation godzilla had .
while they do bring us eye - popping special effects that will amaze you ,
they lost what was at the center of all the original godzilla movies -- a storyline .
summing up the movie is simple .
heck , i can do it in one sentence : giant lizard attacks a giant city and a bunch of nobodies stop it .
simple as that .
matthew broderick
stumbles over his lines , and it 's hard to picture hank azaria in any role besides his classic dog - walking character on the television show " mad about you " .
the dialogue seems to be improvized , almost as if there was no rehearsel done at all .
i can see the scene on the set right now .
"
all right !
we spent all of this money making big special effects , and we 've got ta get this movie out by summer
or it 's going to bomb in our faces .
so , you actors just say what ever comes to the top of your head , all right ?
make up something , m'kay ?
good .
roll film ! !
"
the special effects are enough to keep you interested through one viewing , and some of the cinemtography is well - done ( the scene with the black umbrellas comes to mind ) .
still , an hour into it , you will become antsy , wondering how long they can drag it out . and drag it out they do ! !
i have to laugh .
the slogan for the film is , " size does matter " .
i think they cut this too short .
it should read , " size does matter .
acting does not .
"

Output: N

Input: Consider Input: talk about beating a dead horse !
when home alone was released in 1990 , it was a breath of fresh air , and the final box office tally indicated how much audiences appreciated a genuinely - funny family film .
the unexpectedly high gross guaranteed a sequel , so ,
two years later , we were subjected to home alone 2 , which might as well have been called clone alone for all of the originality it exhibited .
for john hughes , two home alone movies were n't enough ?
he began recycling the same kinds of villains and situations in almost every movie he was involved with , including a pathetic box office bomb called baby 's day out , last year 's live - action 101 dalmatians , and this year 's flubber .
now , inexplicably , hughes has exhumed not only these worn - out plot elements , but the " home alone " name as well . the result ?
1997 's worst sequel
( edging out speed 2 and batman and robin ) , home alone 3 . by changing the characters , hughes ( who wrote and co - produced the film ) , along with his co - conspirator , director raja gosnell , has attempted to inject new life into a series that is way past the point of cardiac arrest .
the new kid , alex pruitt , is played by alex d .
linz ( one fine day ) , and
the only thing he has going for him is terminal cuteness .
he 's not half as interesting as macaulay culkin once was .
the villains , pale copies of joe pesci and daniel stern , are even less engaging than the pair of idiots in flubber .
in home alone 3 , there are four of them ( olek krupa , david thornton , lenny von dohlen , and rya kihlstedt ) , but all that means is an opportunity for twice as many pratfalls .
this time , the kid is n't left home alone because his parents have gone on a trip .
instead , he has developed a bad case of chicken pox , so he ca n't go to school .
his dad ( kevin kilner ) is away on business and his mom ( haviland morris ) has to run errands , so , for the most part , he 's all by himself during the day .
through a series of coincidences too irritating to relate , a top secret u . s .
air force integrated circuit comes into his possession .
it 's wanted by a gang of four international crooks who intend to break into alex 's home to retrieve it .
the eight- year old , who is wise beyond his years , booby traps the house with all sorts of rube goldberg - type devices designed to humiliate and incapacitate the villains .
the movie 's climax takes place during a raging snowstorm ?
only none of the falling flakes looks remotely believable .
previously , the most counterfeit - looking snow effects i can remember were in star
trek iii .
these are far worse .
in fact , the production values are so shoddy that there are some scenes in the midst of this near - blizzard when a shining sun can be seen .
if it 's a wonderful life could generate real- looking snow back in the 1940s , why ca n't home alone 3 , which has a significantly larger budget and ' 90s technology at its disposal ?
there has been an ongoing debate regarding the appropriateness of live - action cartoon violence for young children .
home alone 3 will add fuel to the fire .
it 's one thing to see wyle e . coyote flattened by a 10 ton acme weight , but quite another to watch a running lawn mower fall on
lenny von dohlen .
adults and even older children will recognize that this is obviously fake and intended to be humorous , but what about five and six - year olds ?
the level of violence in home alone 3 is extreme ?
many of alex 's schemes are nasty enough to kill .
but , because this is a " family film , " no one dies , despite being electrocuted , falling thirty feet , and getting smacked on the head by a barbell .
not only is home alone 3 unnecessary , but it 's offensive .
it 's an exercise in tediousness , and there is n't a genuine laugh to be found from the beginning to the end ( unless , by some strange quirk of fate , you have missed every 1990s movie associated with john hughes , and thus have n't seen this stuff before ) .
i ca n't imagine anyone with a reasonable attention span being more than momentarily distracted by this pointless adventure .
maybe that 's why the only ones laughing at the screening i attended were still in their thumb - sucking years .

Output: N

Input: Consider Input: in october of 1962 the united states found itself on the brink of nuclear holocaust when u2 spy plane fly - overs of cuba revealed that the soviet union was actively deploying and installing medium range ballistic missiles 90 miles from the us .
president john kennedy ( bruce greenwood ) and
his staff must face this major threat to world peace and stop soviet expansionism in director roger donaldson 's dramatic recreation of the most dangerous crisis in american history in " thirteen days .
"
one of the highlights to come out of made - for - tv movies was a 1974 entry called " missiles of october " that also recreated the historic event that almost embroiled the us , ussr and the world in an all out nuclear showdown .
that teleplay , starring william devane and martin sheen as john and bobby , showed the political tensions of the period that brought to the fore the danger the world faced in those two weeks in 1962 .
now , a quarter of a century after the landmark tv movie , director roger donaldson and producer kevin costner team together again ( the last time was for the taught spy thriller " no way out " ) to re - enact the events of that most dangerous time in america 's and the world 's history .
taken from the viewpoint of special assistant to the president kenneth p .
o'donnell ( costner ) , donaldson and crew recreate
that volatile event , once again , as the country is plunged into what could have been total nuclear war .
as o'donnell gets ready to head to work one october morning , he deals with the usual family crises and problems .
meanwhile , a u2 spy plane photo mission over cuba has produced some startling images - medium range nuclear missiles in the first stage of deployment .
suddenly , ken 's routine day switches into crisis mode as the president and his key advisor bobby begin to muster the considerable forces of the us military to face the soviet threat .
where " thirteen days " differs most from " missiles of october " is , as expected , in the scope of the project .
there is a big difference , budget - wise , between making a television docudrama and one that goes to the big screen .
it shows as the makers of " thirteen days " craft a recreation of the cuban missile crisis that encompasses not only the political intrigue within the white house , it also depicts the events that took place as america girds itself for nuclear confrontation .
the cast , a true ensemble , is led , surprisingly , by bruce greenwood as jfk and not by kevin costner .
costner 's o'donnell represents the family guy thing as the drama of the crisis has its impact on him and his family .
this puts a personal spin on the film as we see both the crisis and america 's preparation for war and the pressure it brings to bear on those in the know .
kenny reassures his wife and kids that all will be okay
and they will be safe , but he knows that , if the crisis comes to a head , his family will be no more .
the meat of " thirteen days " is in the big picture , not the microcosm of family , though .
this is where the film stands out as we see the workings of our government on the highest levels .
the story does not just cover the face - off between the world 's two most powerful countries ; it also depicts the animosity between the president and the military / cia .
the disaster of the bay of pigs invasion the year before left a distrustful taste in the mouths of the generals and admirals who blame the kennedys for not backing the cuban expatriates fighting fidel castro .
the missile crisis becomes a struggle for power as the army / navy / air force want to flex their might and invade cuba , while jfk wants to end the confrontation peaceably but with america 's dignity and world leadership intact .
while the internal battle for power rages in the white house , with air force chief curtis lemay ( kevin conway ) advising the president to bomb cuba into the stone age , our armed forces are set into motion to stop the soviets with a blockade of offensive weapons to cuba .
this is where the political intrigues of high office are replaced by exciting action .
when the first confrontation takes place between a us warship and a soviet freighter , the tension is palpable .
the most involving action sequence takes place late in the game as another u2 is sent up to shoot some snaps of the buildup and the fully prepared soviet forces launch an anti - aircraft attack on the hapless pilot of the spy plane .
this is a sweaty palm sequence to say the least , making you squirm in your seat as you try to help the pilot avoid those missiles .
the ensemble cast places greenwood as the first among equals with like weight given to all the principle players .
greenwood does not play act at being a caricature of jfk , foregoing the typical kennedy boston accent .
instead , he plays the man as a powerful figure who has to maintain the dignity of the office , directing his subordinates but giving them the latitude to make clear all of his options .
kennedy used this decision by committee method to good effect as his senior staff uncovers all the options available to the president .
costner , as ken o'donnell , is really a supporting cast member as a kennedy crony brought on board as a personal political favor .
costner plays o'donnell as if he crammed on old jfk speeches with a forced kennedyesque twang to his speech .
the rest of the players are first rate from start to finish with steven culp looking and sounding just like robert kennedy .
the rest of the familiar players in this drama are uniformly well cast , too .
standing out are michael fairman as the beleaguered us ambassador to the un , adlai stevenson , who was forced to become the challenging voice of the united states in the united nations and i remember the confrontation vividly .
the filmmakers capture the accusations laid down by stevenson with accuracy , using old style video footage to good effect .
dylan baker has the look and feel of the intelligentsia as the brainy secretary of defense robert mcnamara .
kevin conway gives his general lemay
the right " bomb them to hell " attitude .
also notable is christopher lawford as navy pilot william ecker who , with his wingman , takes on the dangerous mission of a low - level photo recon into the heart of cuba , bravely challenging kenny o'donnell 's admonition , " don ' get shot .
" tech credits are superb across the board with an admirable depiction of the us armed forces being placed on a war footing .
it 's an impressive production with the careful use of period aircraft and ships that gives the film a veracity fitting the event .
solid costuming
by isis mussenden is subtle but has the look of the kennedys .
there is the usual array of vintage cars from the period to make things look right .
the special f / x of the u2 sequences are a nice crafting of computer imaging .
the cuban missile crisis is probably the most intense two weeks that the united states has ever faced in its survival as a world leader .
helmer donaldson and his fine crew and cast have given the depiction of this crucial event with the care and attention to details that make this one of the finest docudramas of the year .
i give " thirteen days " an a- .
Output: P