Q: Great cast. Great acting. Unpredictable story line for the first half

hour or so. I was really wanting to know what was going to

happen to each of these unredeeming characters, and how their

seemingly disparate lives would become intertwined. But when

the writers took out the glue to start connecting the players, they

mistakenly used super glue and brought the movie to a standstill

for the last two hours. I kept thinking it would get better, but it only

got worse. Don't believe the reviews. This is a waste of time.

Think about it -- Tom Cruise made ugly -- why? The gorgeous

hunky bartender wearing braces -- why? I know it had to do with

the plot, but without them, at least there would have been one

attractive cast member to remember. OPTIONS:
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- positive
A: negative
Q: Although Twenty Minutes of Love is a harmless attempt at an early comedy, it was difficult to follow and the film quality was not very good. It does have a couple of moments that are funny, but I have seen better by Charlie Chaplin. OPTIONS:
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A: negative
Q: Like most people I was intrigued when I heard the concept of this film, especially the "film makers were then attacked" aspect that the case seems to emphasize, what with the picture on the cover of the film makers being chased by an angry mob.

Then, to watch the film and discover, oh, what they mean by "the film makers were attacked" was some kids threw rocks at a sign and a number of people complained loudly and said "Someone should beat those two kids up." The picture on the cover, "the chase" as it were? Total fabrication. Which I guess ties in with the theme of the film, lying and manipulation to satisfy vain, stupid children with more money and time then sense.

I have no idea what great truth the viewer is supposed to take away from this film. It's like Michael Moore's "Roger & Me", but if "Roger & Me" was Moore mocking the people of Flint. It's completely misdirected and totally inane. Wow! Can you believe that people who suffered under the yoke of Communism would be really excited to have markets full of food? What jerks! And it's not so much, "Look at the effects of capitalism and western media blah blah blah", since it wasn't just that their fake market had comparable prices to the competitors, it was that, as many people in the film say, the prices were absurdly low, someone mentions that they should've known it was fake by how much they were charging for duck. That's not proving anything except that people who are poor, will go to a store that has low prices, bravo fellas, way to stick it to the people on the bottom.

Way to play a stupid practical joke on elderly people. You should be very proud. How about for your next movie you make a documentary about Iraq and show how people there will get really excited for a house without bullet holes in the walls and then, say, "HAHA! NO SUCH HOUSE EXISTS! YOUR SO STUPID AND LOVED TO BE LIED TO BY THE MEDIA!".

Morgan "Please Like Me" Spurlock unleashed this wet fart of a film and it's no surprise since Spurlock as One Hit Wonder prince of the documentary world seems to throw his weight behind any silly sounding concept to stay relevant in a world that really has no need of him.

Avoid like the plague. OPTIONS:
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A: negative
Q: Michael Stearns plays Mike, a sexually frustrated individual with an interesting moral attitude towards sexuality. He has no problem ogling naked dancers but when women start having sex with men that's when he loses it. He believes that when women actually have sex that's when they lose any sense of "innocence" and/or "beauty". So he strolls through the Hollywood Hills stalking lovemaking couples at a distance, ultimately shooting the men dead with a high-powered rifle with a scope.

The seeming primary reason for this movie's existence is to indulge in sexual activity over and over again. The "story" comes off as more of an afterthought. This is bound to make many a happily heterosexual male quite pleased as we're treated to enough protracted scenes of nudity (the ladies here look awfully good sans clothes) and sex to serve as a major dose of titillation. Of course, seeing a fair deal of it through a scope ups the creepiness factor considerably and illustrates the compulsion towards voyeurism. (For one thing, Mike eyes the couples through the scope for minutes at a time before finally pulling the trigger.) This is all underscored by awfully intrusive if somewhat atmospheric music on the soundtrack.

Those with a penchant for lurid trash are bound to enjoy this to one degree or another. It even includes one lesbian tryst that confounds Mike and renders him uncertain *how* to react. It unfolds at a very slow pace, but wraps up with a most amusing ironic twist. It's a kinky and twisted rarity that if nothing else is going to definitely keep some viewers glued to the screen.

7/10 OPTIONS:
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A: positive