Some context: Day26 is an American male R&B music group formed in August 2007 by Sean "Diddy" Combs in a handpicked selection at the end of MTV's Making the Band 4. The group consists of Robert Curry, Brian Angel, Willie Taylor, Qwanell Mosley and Michael McCluney. The moniker is a tribute to the day when Angel, McCluney, Mosely, Curry, and Taylor went from unknowns to stars. The group released their first album, Day26, on March 25, 2008, one week after their then labelmates and Making the Band 3 winners Danity Kane released Welcome to the Dollhouse.
On Thursday November 21, 2013, fans received word through Twitter from several group members that the group would reunite and be planning a tour for the next year. Several videos have hit the web showing the group recording material for an upcoming new album. The group planned to release the album before the tour kicked off and in doing so, signed with BMG Rights Management. On May 26, 2014, Day26 releases their first single called "Bullshit" off their upcoming EP entitled "The Return", that was set to release on June 26, 2014. In Spring 2017, all members of Day26 announced over social media they would hold a "10 Year Anniversary Experience" concert that would take place at the Highline Ballroom in New York City on August 26, to commemorate the day they were formed in 2007. Due to the venue being sold out and overwhelming fans demanding more tickets, the band decided add an encore concert for August 27. Joining the concerts' roster of performances is the bands' fellow reality show Making The Band 4/label mate Donnie Klang, who will also celebrate his 10-year solo reunion of the day he was chosen by P. Diddy, which kick-started their careers. In a recent interview with radio personality Sway on his radio show, Sways Universe, Willie announced that the group was recording their third studio album, while also discussing what fame has done for the group in their 10-year run as well as opening up about the controversy with Diddy not allowing the band to appear in the Bad Boy Family Reunion Tour.
Did the band go out on tour?
A: In Spring 2017, all members of Day26 announced over social media they would hold a "10 Year Anniversary Experience" concert
Some context: William John Evans ( , August 16, 1929 - September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. Born in Plainfield, New Jersey, in 1929, he was classically trained, and studied at Southeastern Louisiana University and the Mannes School of Music, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell.
In July 1955, Evans returned to New York City and enrolled in the Mannes College of Music for a three-semester postgraduate course in musical composition. He also wrote classical settings of poems by William Blake. Along with his studies, Evans played in mostly low-profile "Tuxedo gigs" at the Friendship Club and the Roseland Ballroom, as well as Jewish weddings, intermission spots, and over-40 dances. However, better opportunities also arose, such as playing solo opposite the Modern Jazz Quartet at the Village Vanguard, where one day he saw Miles Davis listening to him. During this period, Evans also met Thelonious Monk. Evans soon began to perform in Greenwich Village clubs with Don Elliott, Tony Scott, and Mundell Lowe; as well as with bandleader Jerry Wald. While Evans may have played on some of Wald's discs, his first proven Wald recording was Listen to the Music of Jerry Wald, which also featured his future drummer Paul Motian. In early 1955, singer Lucy Reed moved to New York City to play at the Village Vanguard and The Blue Angel, and in August she recorded The Singing Reed with a group which included Evans. During this period, he met two of Reed's friends: manager Helen Keane, who, seven years later, would become his own agent; and George Russell, with whom he would soon work. That year, he also made his first recording, in a small ensemble, in Dick Garcia's A Message from Garcia. In parallel, Evans kept with his work with Scott, playing in Preview's Modern Jazz Club in Chicago during December-January 1956/7, and recording The Complete Tony Scott. After the Complete sessions, Scott left for a long overseas tour.
When did he return to New York City?
A:
In July 1955,