In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example output: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : Samors has authored, co-authored and/or published twenty five books about Chicago's neighborhoods, downtown, Michigan Avenue, the Chicago River, Lake Shore Drive, and Chicago's airports, and in addition has written and published nostalgic books about growing up in Chicago in the eras of the 1930s, 1940s, 1950s, and 1960s. His book, co-authored with Michael Williams, "The Old Chicago Neighborhood: Remembering Chicago in the 1940s", won the 2003 Independent Publisher Book Award first place award in history, his book "Chicago in the Sixties: Remembering a Time of Change" won the 2007 Independent Publisher Book first place award in history, his book, "Downtown Chicago in Transition", co-authored with Eric Bronsky, won the 2008 Independent Publisher Book second place award for Midwest Region books, and his book, "The Rise of The Magnificent Mile," (co-authored with Eric Bronsky), won the 2009 Independent Publisher Book first place award in the Great Lakes region. He co-authored and published three new books in 2008, including "Clark Weber's Rock and Roll Radio", by Clark Weber, "Never Put Ketchup On A Hot Dog", by Bob Schwartz, and "The Rise of the Magnificent Mile", co-authored with Eric Bronsky. In 2010, he published and/or co-authored, with Tony Macaluso and Julia S. Bachrach, "Sounds of Chicago's Lakefront: A Celebration of the Grant Park Music Festival, "A Kid From The Windy City," co-authored by Lee B. Stern and Neal Samors, and "Paths Through The Wilderness: American Indian Trail Marker Trees" by Dennis Downes, with Neal Samors. Next, he was the publisher and co-author of "Chicago's Lake Shore Drive: Urban America's Most Beautiful Roadway" and served as publisher of "Chicago From The Sky: A Region Transformed" by Lawrence Okrent. In 2011, he published and co-authored, "Chicago's Classic Restaurants: Past, Present and Future" with Eric Bronsky and Robert Dauber, in 2013 he published and co-authored "Chicago's River At Work And At Play" with Steven Dahlman, and, in 2015, he published and co-authored "Now Arriving: Traveling To And From Chicago By Air, 90 Years of Flight" with Christopher Lynch. Dr. Samors publishes books through his company, Chicago's Books Press, an imprint of Chicago's Neighborhoods, Inc. He has a PhD and MALS from Northwestern University, an MA from Northern Illinois University and a BA from the University of WisconsinMadison. In 2010, Dr. Samors was selected as a Prominent Alumnus by the Sullivan High School Alumni Association. Context_2 : Satya Mohan Verma is an Indian poet. Born in December 1933 at Damoh and named "Mohan" on "Mahatma Gandhi" by his Gandhian father. Verma completed his studies from "Saugor University" and chooses teaching as his career. He first came in scene on a kavi sammelan with Vrindavan Lal Verma and then with the motivation of "Bhavani Prasad Mishra" first joint collection of poems with Vitthalbhai Patel and "Dinkar Sonwalkar" "Deewaron Ke Khilaaf" was published. He organized the mega literary event "Sarjana-77" the biggest and memorable event in Bundelkhand area. His book on small poems named "Pal Do Pal" was very popular in early 70s. About his another book Vikalp Ka Samikaran Dr. Harivansh Rai Bachhan said that "poems of Satyamohan are as soft as his personality". His book "Vyom-Dharma" gained lot of critical acclaim and became his signature. He did translation of English poems of several famous poets such as Robert Frost, Pablo Neruda etc. in Hindi and "Chintan" the official diary of SPIC MACAY. He also edited the famous book Karm Sanyasi Krishna written by his father. He is the writer of "Bundeli Gaan" 'veer bundeli dharti par pahun pag dhaaro ju' sung by famous singer Vinod Rathore. Context_3 : Robert Maynard Pirsig (September 6, 1928 April 24, 2017) was an American writer and philosopher. He was the author of the philosophical novels "Zen and the Art of Motorcycle Maintenance: An Inquiry into Values" (1974) and "" (1991). Context_4 : Zen and the Art of Motorcycle Maintenance: An Inquiry into Values (ZAMM), by Robert M. Pirsig, is a book that was first published in 1974. It is a work of fictionalized autobiography, and is the first of Pirsig's texts in which he explores his Metaphysics of Quality. Context_5 : The Abecedar was a school book first published in Athens, Greece in 1925. The book became the subject of controversy with Bulgaria and Serbia when cited by Greece as proof it had fulfilled its international obligations towards its Slavic-speaking minority, because it had been printed in the Latin alphabet rather than the Cyrillic used by the Slavic languages of the southern Balkans. The book was initially published for the Slavic Macedonians in the Lerin dialect, and today it is published in Standard Macedonian, Standard Greek and Standard English. Context_6 : Reisehaandbog over Norge is a Norwegian travel guide book first published in 1879 by Yngvar Nielsen. It was re-issued in twelve different editions between 1879 and 1915. The guide book became quite popular, and played an important role in the development of tourism in Norway. An English edition of the guide book was published in 1886. Context_7 : 1001 Albums You Must Hear Before You Die is a musical reference book first published in 2005 by Universe Publishing. It compiles writings and information on albums chosen by a panel of music critics to be the most important, influential, and best in popular music between the 1950s and the 2000s. The book was edited by Robert Dimery, an English writer and editor who had previously worked for magazines such as "Time Out" and "Vogue". Context_8 : The German Shepherd Dog in Word and Picture is a book first published in 1923. The book is a revised translation from German into English of Der deutsche Schaferhund in Wort und Bild which was written by Max von Stephanitz (the founder of the German Shepherd Dog breed) and first published in 1901 as a 72-page booklet (plus 24 pages of advertising). Der deutsche Schaferhund in Wort und Bild was subsequently expanded with later editions, and a complete makeover was published in 1921 with the sixth edition. A seventh edition of the German book was published in the same year as the first editions in English, 1923. Context_9 : The World of Yesterday: Memories of a European (German title Die Welt von Gestern: Erinnerungen eines Europaers) is the memoir of Austrian writer Stefan Zweig. It is considered the most famous book on the Habsburg Empire. He started writing it in 1934 when, anticipating Anschluss and Nazi persecution, he uprooted himself from Austria to England and later to Brazil. He posted the manuscript, typed by his second wife Lotte Altmann, to the publisher the day before they both committed suicide in February 1942. The book was first published in Stockholm (1942), as "Die Welt von Gestern". It was first published in English in April 1943 by Viking Press. In 2011, Plunkett Lake Press reissued it in eBook form. Context_10 : King's American Dispensatory is a book first published in 1854 that covers the uses of herbs used in American medical practice, especially by those involved in Eclectic medicine which was the botanical school of medicine in the 19th to 20th centuries. In 1880 John Uri Lloyd, without a doubt, the most famous and accomplished eclectic pharmacist of the late 19th and early 20th centuries, promised his friend, Professor King, to revise the pharmaceutical and chemical sections of the "American Dispensatory". Eighteen years later an entirely rewritten eighteenth edition (third revision) was published in 1898. It was co-authored by eclectic physician Harvey Wickes Felter, M.D. fact_1 : Zen and the Art of Motorcycle Maintenance: An Inquiry into Values (ZAMM), by Robert M. Pirsig, is a book that was first published in 1974. fact_2 : Robert Maynard Pirsig (September 6, 1928 April 24, 2017) was an American writer and philosopher. fact_3 : He was the author of the philosophical novels "Zen and the Art of Motorcycle Maintenance: An Inquiry into Values" (1974) and "" (1991). Answer: 1974
A:
In what year was Robert M. Pirsigs most famous book first published?