input: The Infamous Scientists disbanded, and their guitarist and vocalist Andy Kerr joined Nomeansno in 1983. Kerr brought a distinct hardcore punk edge to Nomeansno's sound, creating a buzz-saw guitar tone by playing through a Fender Bassman amplifier and a P.A. speaker. Nomeansno became a fixture in the British Columbia punk scene despite playing music which did not always conform to punk rock standards. The You Kill Me EP in 1985 on the Undergrowth Records imprint exhibited their experimental sound on dark and ponderous songs like "Body Bag" and a "tuneless" cover of "Manic Depression" by Jimi Hendrix. The three also began performing Ramones covers and more traditional punk music as The Hanson Brothers, a side project which would later receive more of their attention. Issued initially by the Montreal punk label Psyche Industry, the band released Sex Mad, their second LP and first with Kerr. The album further expanded the band's experimental and progressive punk sound, yielding the single "Dad". The song was a minor college radio hit, which AllMusic reviewer Adam Bregman called "a bit chilling, even though it's spit out at slam-pit's pace". Kerr, the song's lead vocalist, increasingly became responsible for lead vocals as Rob Wright suffered from nodules on his vocal cords. They soon signed with the seminal punk rock label Alternative Tentacles, run by Jello Biafra of the Dead Kennedys. This, along with frequent touring in North America and Europe, helped the band to garner a larger audience. In 1988, the group issued two releases which were recorded with producer Cecil English: The Day Everything Became Nothing, an EP, and the Small Parts Isolated and Destroyed album. Alternative Tentacles compiled the two together on a single CD, The Day Everything Became Isolated and Destroyed. AllMusic reviewer Sean Carruthers called the experimental recordings "less aggressive" than, but nonetheless worthy of, the band's previous efforts.

Answer this question "Did they tour?"
output: This, along with frequent touring in North America and Europe, helped the band to garner a larger audience.

input: In 1992, Tapper served as a Campaign Press Secretary for Democratic congressional candidate Marjorie Margolies-Mezvinsky (PA-13), and later served as her congressional press secretary. Tapper also worked for Powell Tate, a Washington, D.C., public relations firm run by Democrat Jody Powell and Republican Sheila Tate. Tapper also worked briefly for Handgun Control, Inc. (now the Brady Center to Prevent Gun Violence) in 1997. Tapper wrote several articles as a freelance writer and then began his full-time journalism career in 1998; for two years, he was a Senior Writer for the Washington City Paper. While there, Tapper wrote an article about going on a date with Monica Lewinsky, which skewered Washington's culture of scandal. Tapper won a Society of Professional Journalists award for his work at the Washington City Paper. Tapper was the Washington Correspondent for Salon.com from 1999 to 2002. Tapper's reports about Enron were nominated for a 2002 Columbia University School of Journalism online award, and he was an early questioner of the Bush administration's claims about Iraq having weapons of mass destruction. In 2001, Tapper was host of the CNN news talk show, Take Five. Tapper was also a columnist for TALK Magazine, and has written for The New Yorker, The New York Times Magazine, The Washington Post, the Los Angeles Times, The Weekly Standard, and other publications. Tapper was a frequent contributor to National Public Radio's All Things Considered and his work was included in "The Best American Political Writing 2002." Tapper was the correspondent for a series of VH1 news specials in 2002.

Answer this question "Where did he grow up?"
output: In 1992, Tapper served as a Campaign Press Secretary for Democratic congressional candidate Marjorie Margolies-Mezvinsky (PA-13),

input: A photo of a dazed Tittle in the end zone taken by Morris Berman of the Pittsburgh Post-Gazette on September 20, 1964, is regarded among the most iconic images in the history of American sports and journalism. Tittle, in his 17th and final season, was photographed helmet-less, bloodied and kneeling immediately after having been knocked to the ground by John Baker of the Pittsburgh Steelers and throwing an interception that was returned for a touchdown at the old Pitt Stadium. He suffered a concussion and cracked sternum on the play, but went on to play the rest of the season. Post-Gazette editors declined to publish the photo, looking for "action shots" instead, but Berman entered the image into contests where it took on a life of its own, winning a National Headliner Award. The photo was published in the October 2, 1964, issue of Life magazine. It is regarded as having changed the way that photographers look at sports, having shown the power of capturing a moment of reaction. It became one of three photos to hang in the lobby of the National Press Photographers Association headquarters, alongside Raising the Flag on Iwo Jima and the Hindenburg disaster. A copy now hangs in the Pro Football Hall of Fame. After at first having failed to see the appeal of the image, Tittle eventually grew to embrace it, putting it on the back cover of his 2009 autobiography. "That was the end of the road," he told the Los Angeles Times in 2008. "It was the end of my dream. It was over." Pittsburgh player John Baker, who hit Tittle right before the picture was taken, ran for sheriff in his native Wake County, North Carolina in 1978, and used the photo as a campaign tool. He was elected and went on to serve for 24 years. Tittle also held a fundraiser to assist Baker in his bid for a fourth term in 1989.

Answer this question "Was it circulated heavily in newspapers?"
output:
Post-Gazette editors declined to publish the photo, looking for "action shots" instead, but Berman entered the image into contests