Input: Read this: In Canada, the traditional ceremony for granting assent in parliament was regularly used until the 21st century, long after it had been discontinued in the United Kingdom and other Commonwealth realms. One result, conceived as part of a string of royal duties intended to demonstrate Canada's status as an independent kingdom, was that King George VI personally assented to nine bills of the Canadian parliament during the 1939 royal tour of Canada85 years after his great-grandmother, Queen Victoria, had last granted royal assent personally in the United Kingdom. Under the Royal Assent Act 2002, however, the alternative practice of granting assent in writing, with each house being notified separately ( the Speaker of the Senate or a representative reads to the senators the letters from the governor general regarding the written declaration of Royal Assent), was brought into force. As the act also provides, royal assent is to be signifiedby the governor general, or, more often, by a deputy, usually a Justice of the Supreme Court, at least twice each calendar year: for the first appropriation measure and for at least one other act, usually the first non-appropriation measure passed. However, the act provides that a grant of royal assent is not rendered invalid by a failure to employ the traditional ceremony where required.
Question: When did Canada finally cease to use the traditional ceremony for granting assent as regular practice?

Output: the 21st century

Input: Read this: In addition to films, Turner Classic Movies also airs original content, mostly documentaries about classic movie personalities, the world of filmmaking and particularly notable films. An occasional month-long series, Race and Hollywood, showcases films by and about people of non-white races, featuring discussions of how these pictures influenced white people's image of said races, as well as how people of those races viewed themselves. Previous installments have included "Asian Images on Film" in 2008, "Native American Images on Film" in 2010, "Black Images on Film" in 2006 "Latino Images on Film" in 2009 and "Arab Images on Film" in 2011. The network aired the film series Screened Out (which explored the history and depiction of homosexuality in film) in 2007 and Religion on Film (focusing on the role of religion in cinematic works) in 2005. In 2011, TCM debuted a new series entitled AFI's Master Class: The Art of Collaboration.
Question: What year saw the debut of Religion on Film?

Output: 2005

Input: Read this: Cardinals elevated to the diaconal order are mainly officials of the Roman Curia holding various posts in the church administration. Their number and influence has varied through the years. While historically predominantly Italian the group has become much more internationally diverse in later years. While in 1939 about half were Italian by 1994 the number was reduced to one third. Their influence in the election of the Pope has been considered important, they are better informed and connected than the dislocated cardinals but their level of unity has been varied. Under the 1587 decree of Pope Sixtus V, which fixed the maximum size of the College of Cardinals, there were 14 cardinal deacons. Later the number increased. As late as 1939 almost half of the cardinals were members of the curia. Pius XII reduced this percentage to 24 percent. John XXIII brought it back up to 37 percent but Paul VI brought it down to 27 percent where John Paul II has maintained this ratio.
Question: In 1939, how many Cardinals were Italian?

Output: about half

Input: Read this: Though almost any variety of acoustic mandolin might be adequate for Irish traditional music, virtually all Irish players prefer flat-backed instruments with oval sound holes to the Italian-style bowl-back mandolins or the carved-top mandolins with f-holes favoured by bluegrass mandolinists. The former are often too soft-toned to hold their own in a session (as well as having a tendency to not stay in place on the player's lap), whilst the latter tend to sound harsh and overbearing to the traditional ear. The f-hole mandolin, however, does come into its own in a traditional session, where its brighter tone cuts through the sonic clutter of a pub. Greatly preferred for formal performance and recording are flat-topped "Irish-style" mandolins (reminiscent of the WWI-era Martin Army-Navy mandolin) and carved (arch) top mandolins with oval soundholes, such as the Gibson A-style of the 1920s.
Question: Why is it said that the Italian style can hold their own session?

Output:
unanswerable