Q: What's an example of a movie review?
An example of a movie review is here: A killer, cannibal rapist is killed by a crazed cop on the scene of his latest murder. At his grave a cult have gathered with plans to resurrect him by peeing onto the grave. This of course works and he awakes ripping the guys penis off and he is back into his old killing ways with an all new zombie look. The two cops one of who is going a little crazy about the scum of the city and has a drug problem, are back on the case. Two of the original cult member also tries to stop the killer by resurrecting some other kind of dead thing. Thinking they have filed they leave but out from the grave comes a plastic baby doll that was used in the original resurrection. Sounds a bit confusing really but no its just rubbish.

The acting is terrible and one of the cops is the same guy that plays Dr Vincent van Gore in the faces of gore series and he is just as terrible as the annoying cop in this film. The other cop just about struggles to get his terrible lines out. Now I'm all for low budget cinema but this film is just terrible. If it wasn't for the very easy on the eye ladies and their nakedness I would probably have fallen asleep. There is a bit of gore but it's never more than some animal guts placed on the stomach of the victims. The zombie makeup on the other hand looks great and his foot long penis that he uses to rape his victims with is kind of funny at times. There is also a half decent scene where the killer falls in love with a sex doll. The doll with the chipmunks voice is the stupidest thing I have ever seen in a film. It is just a plastic toy on a fishing line.

The ending is extremely bad. You would expect the killer to put up much more of a fight than he does. God knows how they made enough money to make a sequel.

4/10
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: What a great actor to have in such an awful story...

The film and its production, however, is quite good, even though set in London but with exteriors in Bristol. No matter see one cathedral, you've seen 'em all, sort of.

The story however...is about a man born with the power to wreak death and destruction upon anybody and anything, should he so wish. With just a passing reference to true life instances of telekinesis, the narrative builds a picture of a man misused and misjudged as a boy, a teenager and finally as a man; so much so, in fact, that he exacts vengeance at will, literally. Over time, he comes to the conclusion that the whole world is heading the wrong way and thus sets out to destroy the lot just by thinking about it!

The trouble with the narrative, however, is that it tries to mix genuine scientific data about strange mental powers and merge it all with quasi-religious claptrap to produce a hodge-podge theory about it all. Mixing fact and fantasy in this fashion rarely works and I'm afraid Richard Burton had to overact awfully on some occasions when trying to sound convincing. His very best scene, however, is when he gave his wife and her lover a verbal pasting as they left his home: sharp, witty and deadly dialog, delivered as only Burton could.

A good supporting cast helps to make things look and sound a lot better, though, beginning with Lino Ventura, whom I last saw in Garde A Vu (1981), as Inspector Brunel; Harry Andrews as Assistant Commissioner; the much under-rated Lee Remick as Dr Zonfeld; Derek Jacobi as a publisher, Towney, and a few other well known character actors.

I liked the way the story was presented, as flashback within flashback to fill in the back story and thus solve the immediate mystery of the attempted murder of Morlar (Richard Burton), the writer with the killer disposition. Up till that point, it was a good piece of visual detective work by Brunel and his English sidekick. Still, it was very predictable as it became quickly very obvious to me about the identity of the would-be murderer.

Then, they went and spoilt it all in the last fifteen minutes. If you want a clue about what that is, think Samson and Delilah (1949), from the illustrious Cecil B. de Mille, and how Samson got the bad guys in the end. And, the very last scene is just plain stupid. Why? Because there are at least a hundred ways that Morlar's rampaging could have been stopped, absolutely.

Shame, actually, because this could have been a lot better story and movie. I guess Burton really needed the money.

If you're Burton fan, then spend the time to see that scene I mentioned above. Otherwise, don't bother.
Problem: OPTIONS:
- negative
- positive positive
=++++=
Answer: This is the Columbo that got directed by Steven Spielberg at an early point in his career. It's nothing sensational but some small hint of great things to come for Spielberg can be seen in this movie. The movie is basically in the same style as most of Spierlberg's '70's movies and TV works. So that means that some characters tend to show some quirkiness's and no I'm not just talking about the Columbo character alone. The kind of character quirkiness which perhaps can be best seen in the 1975 Spielberg movie "Jaws". But other than some small hints of typical early Spielberg elements, you can't call this movie the work of- and fine example of a rising director star. Not that its bad, of course it isn't but as I said earlier, it also isn't anything too sensational.

This movie began really well and very promising but after it's fine opening, in which as always the murder occurred, the movie became sort of more slow and also dull to watch. Dull because it's mostly a Columbo movie by the book that doesn't have real memorable moments in it, not dull because it's a boring movie to watch.

The murder itself was quite ingenious and the concept of having a crime story writer murdering his writing partner showed some great and interesting potential. The story however didn't really explored all of its possibilities. At least that's the feeling this movie left me with.

The movie was still a good one to watch nevertheless thanks to the character of Jack Cassidy, who thinks he's smarter then Columbo, due to his mystery/crime writing experience and tries to give him all kinds of possible hints, leading away from himself. But of course Columbo knows better and he is his number one suspect from the first moment on but he as usual plays the game along.

The movie does have a good overall style and uses some fine camera position and editing. Funny to see that also most of this was all mostly consistent with Spielberg's later work, especially some of the camera-angles.

A fine and perfectly watchable Columbo movie but don't let the name of Spielberg attached to it rise your expectations for it too highly.

7/10
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: This one is quite a nice surprise. Cute little story of the heroine's quest, very surprising metamorphosis of the four-eye prissy soon-to-be-spinster type into a raunchy DD-cup sex queen.

Visually a sight for sore eyes, not only for two quite stunning actresses but also for (most of) the costumes and make-up of the actors. An unnecessary bit of cheapness came in some ridiculous castle imitation.

Back to the positives: The movie is spiced with some unusually explicit camera-shots which you would not expect in a soft core. Loved that scene with the icicles, absolute classics potential. A slight minus only for (very) few odd scenes where bad acting by minor casts shortly suspended the suspension of disbelief.

9/10 including an extra credit for the serious drooling effect.
Q: What's an example of a movie review?
An example of a movie review is here:
I really enjoyed this episode, which was a great surprise given the bad reputation it seems to have acquired. From a pure writing perspective, 'The 16mm shrine' is an absolute treat, with fantastic dialogue and character analysis, typical of Sterling. In particular I really enjoyed the philosophical indulgences of the episode, tackling themes of existence and reality, whilst balancing it with more psychological topics such as denial, pride, and desire. 'The sixteen-millimeter shrine' is an episode about how these ideas based around an unwillingness to accept change can seemingly alienate a person from the rest of the ever-changing world. It is also a fantastic example of cerebral Twilight Zone; one that explores the mind rather than the world outside it. These elements all come together very nicely to create a thought provoking and incredibly interesting 25 minutes.

The episode is not without its faults however, which mainly lay in Lupino and Leisen shoes. Ironically, I felt Lupino was unconvincing throughout, with only a few scenes that could count as memorable. This of course being an absolute shame considering how well Sterling had written her character. Furthermore Leisen didn't seem to know what to do with most of his characters, sometimes having them stand around on set doing next to nothing -which probably explains why accepted the poor performances from Lupino half the time-. Thankfully Balsam does a good job of covering up a lot of weak spots, helping redeem the show from an acting perspective at least.

As I said previously however, if you're a fan of classic film and cerebral science fiction, this shouldn't be as bad as it's sometimes made out to be. In addition to the writing that I mentioned above, the episode also features some fantastic photography (it still amazes me that the show looks this good nearly fifty years later!) and decent enough set-design. Overall 'The sixteen-millimeter shrine" is a great episode and above all is certainly one to make you think.