In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: how many of us would become strippers ?
for those of us who would n't , is it a moral reason , or purely a lack of confidence ?
that 's probably not a fair question , and for a lot of us ,
it could very well be for neither of those reasons .
as you watch the full monty , however , you may begin asking yourself these kinds of questions .
would you be willing to grin and bare it to bring in some much needed dough ?
in case you have n't guessed , the full monty is about stripping , but striptease it ai n't .
it 's actually quite a charming comedy that uses its ideas with a great deal of tact and sophistication .
it is the story of six out - of - work , out - of - shape blue collar brits whose recent job losses have left the boys penniless , but not without need .
what to do ?
it hits our main character gaz ( robert carlyle ) as he notices the large crowds of women who pour into a local male strip club on a regular basis .
it seems that simple : take it off and bring in the cash .
eventually , gaz is able to convince his friends to join him in starting their own exotic dance routine despite their initial reluctance .
these include the overweight , confidence - lacking dave ( mark addy ) , the uptight , overly - officious gerald ( tom wilkinson ) , the once suicidal lomper ( steve huison ) , and two additional fellows who gain their place among the group by audition : horse ( paul barber ) , an older gentlemen chock full of graceless energy , and guy ( hugo speer ) , a young well - endowed looker who compares himself to cary grant .
when the sextet is complete , we 're given a hefty dose of physical comedy .
we watch the bumbling middle - aged men choreograph pseudo - sexy dance numbers , all the while proving why none of them were strippers in the first place .
as if there anti - appeal was n't enough , they decide to boost interest in the group by promising " the full monty " on opening night , which for us americans , means baring it all .
..
and i mean
* all
* .
the movie actually ends on opening night ; a hilarious applause worthy ending
i might add .
it 's sure to leave nothing short of a big smile on your face as you leave the theater .
with the subject matter , you might not expect the fully monty to be such a feel - good , almost inspiring film , but it surprisingly turns out that way .
the amount of light , touching drama also comes as a nice surprise , never feeling off - balance from the otherwise highly upbeat moments of the film .
there 's a lot more to this movie than you might think in other words , and
the ensemble cast could n't be better .
each character is completely individual , interesting , funny , and most importantly , real .
the full monty is never offensive , a very impressive attribute since its subject matter alone could 've easily fallen prey to tastelessness .
it 's one of those movies that is best described as a solid piece of entertainment , perfect for a great night on the town , or as a saturday night movie rental .
either way you see it
, it should n't let you down in the slightest .
and , pun heavily intended , when it 's all said and done
, you 'll be smiling from cheek to cheek .
Example Output: P

Example Input: be warned . .
brit love story in the offing .
effeminate , mild - mannered karl is about to take a beatng from a bunch of ruffians at school as he bathes himself under a shower , his genitals tucked between his legs in the manner of a posing transvestite .
he is only just saved by prentice , who appears in all respects barring his protective attitude towards karl to be your average street - wise punk - in - the - making .
the ensuing scene ends up with both boys being ridiculed and then unfairly expelled from the school .
they do not see each other for another eighteen yeas .
in that time , prentice has matured into a somewhat loveable , if brash and bull - heaed goon who screws up his jobs and relationships while gamely clinging onto perennial adolescence via lether jackets , motorcycles and punk rock music .
karl
, on the other hand , has grown up to become kim , a drabby , insecure woman who works as a verse writer for a greeting card company .
chance brings the two together , and love , such as will inevitably blossom in your quirky british romantic comedy , is what this skewed little story is largely about .
if at this point you think you 're going to get any cheap laughs with that gender - bending theme ( see the birdcage , to wong foo .
. .
, priscilla queen of the desert ) ,
you can just go home and brood on your own maladjusted sexuality you low - life deadbeat .
kim is a post - operative transsexual , thank you very much . . .
a new - born woman for all purposes , with confusions and sensitivities that deserve treatment with a touch of delicacy .
personally , give me those cheap laughs any day .
i 'd rather enjoy obvious camp than endure the shallow exploration of a soft- hearted transsexual love story .
different for girls comes up with a promising enough proposition , but does nothing that surpasses the merely workmanlike with it .
by refusing to make the audience really uncomfortable with the notion of kim and prentice 's relation- ship , or at the very least feel uncomfortable for them ( prentice for example , does n't seem to give hiself all that much grief when he becomes attracted to kim despite being a fight - picking , beer - drinking , macho kind of guy , and kim , for all her insecurities and fears is always saved any truly disturbing victimisation in the film ) , and instead drawing them into a basically wimpy love story , the film manages to lobotomise itself .
lightweight comedy as it 's doomed to be , it could 've still have hacked it with the requisitive endearing couple .
but this does n't either , since even mrs doubtfire is sexier than steven mackintosh 's kim foyle , and as either sex , he 's just plainly a simpering wanker
nobody should like .
prentice does though , and that 's never explained .
but then rupert graves gives us so heroic performance as prentice , the guy who never grew up ( and
if there is a bafta prize for most convincing portrayal of a rabid fan at a buzzcocks ' concert , he should win that too ) that i guess there 's no reason to explain why he 's so screwed up .
if oddly enough you grow to like this show
, you 'll be wanting your happy ending , and the film wo n't fail you there either .
snide underling at kim 's office gets her come - uppance .
misogynistic police officer who beats up prentice gets his come - uppance .
the couple prevail against a disagreeable society and come together in kim 's apartment .
kim 's sister and her impotent sarge - type husband kiss and make up after a tiff ( tv movie sub - plot with incidental juxtaposition ) .
and best of all , kim sheds her insecurities and learns how to ride the motorcycle and wear leathers , making prentice ride pilion .
awwww .
terrific closure .
happy ending .
but just what is it that 's differnt for girls
anyway ?
if you figure that one out , let me know .
the flying inkpot rating system :
* wait for the tv2 broadcast .
*
* a little creaky , but still better than staying at home with gotcha !
*
* * pretty good , bring a friend .
*
*
* * amazing , potent stuff .
*
*
*
* * perfection . see it twice .
Example Output: N

Example Input: in a flashback , the teenage girl in the eccentric family in the canadian film , the hanging garden , tells her senile grandmother that she is going to a school dance .
horrified , the grandmother wants to know if her granddaughter knows " the rule of 6 .
" if you do n't break off a kiss by the count of 6 , then you committed a sin with the boy .
and most of all , the grandmother wants to know if she has " protection ?
"
she must carry a rosary in her pocket at all times .
the richly acted film is written and directed by thom fitzgerald in a quirky but loving style .
although some may refer to the film as yet another dysfunctional family picture , that moniker misses the mark .
yes , every member of the household has their own special problems , but the writer did n't choose to name so many characters for various flowers by accident .
this delightful little picture mixes love , tragedy and pathos , resulting in a hopeful and almost magical concoction .
during the opening credits we observe the boy , sweet william , at the center of the story .
first , he 's an average sized young lad who is slapped off - screen by his father .
next , he 's 300 pound teenager , played with hopelessness and depression by troy veinotte .
when the opening credits end , we cut to 10 years later .
william is now an average - sized , reasonably happy adult , played with love and compassion by chris leavins .
william has returned after 10 years absence to attend the marriage of his free - spirited and foul - mouthed sister rosemary to his first childhood lover , fletcher ( joe s .
keller ) .
kerry fox from an angel at my table and shallow grave plays rosemary with a compelling joy .
nicole burnell , who gave such a devastating performance in the sweet hereafter , plays the teenage rosemary .
the father of the family , whiskey mac ( peter macneill ) , is an alcoholic autocrat who is more obnoxious than harmful .
his wife , iris ( seana mckenna ) , says that she would have left him years ago to at least go to some place warm were it not for her lack of money and her obligations to the kids . rounding out the family is christine dunsworth as nine - year - old violet , the sister whom william meets for the first time .
as the exuberant irish music fills the air at the wedding in the family home , william wanders off to try on one of his old coats , which causes him to laugh at the size of his former self .
the director manages to stage simple scenes in wonderfully imaginative ways .
he takes a common wedding dress train and uses it to set up scenes in fresh and fascinating ways .
rosmary 's trip to the bathroom after drinking too much beer is beautifully orchestrated , and kerry fox is at her hilarious best trying to cope with the long train in a small bath , all while talking to her brother . as much as anything , the film is a series of character sketches .
in one of the strongest we watch william in a flashback as he has his first sexual encounter , a homosexual one . although he is perfectly happy liking the same sex , his mother is aghast .
a woman friend of hers suggests she take william to a local housewife , dusty miller ( martha irving ) , who , for a fee , will have heterosexual sex with william .
with absolute finesse the director crafts a subtle scene that manages to yield significant emotional punch without being sensational .
dusty , after asking iris to watch her daughter , takes william and gently introduces him to the joys of sex with the opposite sex .
all of this notwithstanding
, he still prefers males .
the film is at its most poignant in several sequences in which the grown william comes face - to - face with himself when younger .
this causes his ugly old memories to be reignited .
in the most devastating , he has to come to grips with his former self who was so overwhelmed with the stress that he tried to hang himself .
even here , the director touches your heart without ever letting the story dissolve into anything approaching a tearjerker .
the ultimate result is an uplifting story that has more hope that one would ever expect from the outline of its plot .
the hanging garden runs 1 : 31 .
it is rated r for strong sexuality , language , violence and some teen drug use and would be acceptable for teenagers only if they are quite old and mature .
Example Output:
P