input: In mid-2000 Converge self-released a three track demo record titled Jane Doe Demos, the demo was released on tour and were limited to 100 copies. The demo contained unreleased demo versions of "Bitter & Then Some" and "Thaw" from their at the time upcoming album Jane Doe. Converge entered the studio to begin recording in the summer of 2001. On September 4, 2001 Converge released their fourth studio album Jane Doe. It was met with immediate critical acclaim, with critics praising its poetic lyrics, dynamic range, ferocity and production. The album was also a commercial success in comparison to Converge's previous outings, and both the band and the album have developed a cult following since its release. It is the band's first studio album to feature Newton and Koller, and the last to feature Dalbec, who was asked to leave the band due to his devotion to his at the time side-project Bane. Converge's first tour in support of Jane Doe was in September, 2001 with Drowningman and Playing Enemy, however Drowningman later dropped out of the tour to work on a new album. In 2002 a music video was released for the track/tracks "Concubine/Fault and Fracture" from the album Jane Doe; the music video was directed by Zach Merck. On January 28, 2003 Converge released their second compilation album, Unloved and Weeded Out. The album was originally released as a three track EP in 1995. The 2003 album version contains all three tracks from the 1995 EP but in total features 14 tracks, some of which were previously released rarities while others were previously unreleased. On February 25, 2003 Converge released their first official DVD, The Long Road Home. The DVD is modeled after band home videos such as Metallica's Cliff Em' All release. Deathwish Inc describes the DVD as a "two disc collection that is as energetic and exciting as the moments the release captures". The DVD also comes with a bonus disk that included three full live sets from the band.

Answer this question "What producer was the band working with during this period?"
output: the music video was directed by Zach Merck.

input: Two of Ablett's brothers played in the Victorian Football League - Kevin Ablett, who played for Hawthorn, Richmond and Geelong, and Geoff Ablett, who played for Hawthorn, Richmond and St Kilda. Ablett's eldest son, Gary Ablett Jr., has followed in his footsteps to play for Geelong. In 2007 and 2009, Ablett Jr. won the Cats' best and fairest award, emulating a feat established by his father in his first season with the Cats back in 1984; he also won the Brownlow Medal in 2009 and 2013. Another son, Nathan, was drafted in 2004 (48th pick) by Geelong under the father-son rule. Nathan initially refused to play AFL Football because of his father's experience with the media, but, with encouragement from the club, was signed ahead of the 2005 AFL Season and has since established himself in the full forward role Gary Snr made his own. On 29 September 2007, both Gary Jr. and Nathan contributed to Geelong winning its first flag in 44 years, capturing the premiership that proved elusive to Gary Snr in his 12 years at the club. Nathan retired suddenly before the 2008 season, but he and his brother Gary Jr. were members of the Gold Coast Football Club's inaugural team for the 2011 season. In addition to his sons, Ablett has a nephew, Luke Ablett, who played for the Sydney Swans and won a premiership with them in 2005. Two other nephews, from his sister's marriage to Hawthorn legend Michael Tuck, also played in the AFL - Richmond's Shane Tuck and Travis Tuck, who played for Hawthorn.

Answer this question "Did they play on the same team?"
output:

input: O'Keeffe then spent part of nearly every year working in New Mexico. She collected rocks and bones from the desert floor and made them and the distinctive architectural and landscape forms of the area subjects in her work. Known as a loner, O'Keeffe explored the land she loved often in her Ford Model A, which she purchased and learned to drive in 1929. She often talked about her fondness for Ghost Ranch and Northern New Mexico, as in 1943, when she explained: "Such a beautiful, untouched lonely feeling place, such a fine part of what I call the 'Faraway'. It is a place I have painted before ... even now I must do it again." Due to exhaustion and poor health, she did not work from late 1932 until about the mid-1930s. She was a popular and reputed artist. She received a number of commissions and her works were exhibited in New York and other places. In 1936, she completed what would become one of her most well-known paintings, Summer Days, in 1936. It depicted a desert scene with a deer skull with vibrant wildflowers. Resembling Ram's Head with Hollyhock, it depicted the skull floating above the horizon. In 1938, the advertising agency N. W. Ayer & Son approached O'Keeffe about creating two paintings for the Hawaiian Pineapple Company (now Dole Food Company) to use in their advertising. Other artists who produced paintings of Hawaii for the Hawaiian Pineapple Company's advertising include Lloyd Sexton, Jr., Millard Sheets, Yasuo Kuniyoshi, Isamu Noguchi, and Miguel Covarrubias. The offer came at a critical time in O'Keeffe's life: she was 51, and her career seemed to be stalling (critics were calling her focus on New Mexico limited, and branding her desert images "a kind of mass production"). She arrived in Honolulu February 8, 1939 aboard the SS Lurline, and spent nine weeks in Oahu, Maui, Kauai, and the island of Hawaii. By far the most productive and vivid period was on Maui, where she was given complete freedom to explore and paint. She painted flowers, landscapes, and traditional Hawaiian fishhooks. Back in New York, O'Keeffe completed a series of 20 sensual, verdant paintings. However, she did not paint the requested pineapple until the Hawaiian Pineapple Company sent a plant to her New York studio. During the 1940s O'Keeffe had two one-woman retrospectives, the first at the Art Institute of Chicago (1943). Her second was in 1946, when she was the first woman artist to have a retrospective at the Museum of Modern Art (MoMA) in Manhattan. Whitney Museum of American Art began an effort to create the first catalogue of her work in the mid-1940s. In the 1940s, O'Keeffe made an extensive series of paintings of what is called the "Black Place", about 150 miles west of her Ghost Ranch house. O'Keeffe said that the Black Place resembled "a mile of elephants with gray hills and white sand at their feet." She made paintings of the "White Place", a white rock formation located near her Abiquiu house.

Answer this question "What is O'Keeffe's connection to New York?"
output:
She received a number of commissions and her works were exhibited in New York