Question:
Good Night, and Good Luck is a 2005 American historical drama film directed by George Clooney and starring David Strathairn, George Clooney, Robert Downey, Jr., Patricia Clarkson and Jeff Daniels. The movie was written by Clooney and Grant Heslov (both of whom also have acting roles in the film) and portrays the conflict between veteran radio and television journalist Edward R. Murrow and U.S. Senator Joseph McCarthy of Wisconsin, especially relating to the anti-Communist Senator's actions with the Senate Permanent Subcommittee on Investigations. Although released in black and white, Good Night, and Good Luck was filmed on color film stock but on a greyscale set, and was color corrected to black and white during post-production. It focuses on the theme of media responsibility, and also addresses what occurs when the media offer a voice of dissent from government policy.
In September 2005, Clooney explained his interest in the story to an audience at the New York Film Festival: "I thought it was a good time to raise the idea of using fear to stifle political debate." Having majored in journalism in college, Clooney was well-versed in the subject matter. His father, Nick Clooney, was a television journalist for many years, appearing as an anchorman in Cincinnati, Ohio, Salt Lake City, Utah, Los Angeles, California, and Buffalo, New York. The elder Clooney also ran for Congress in 2004. George Clooney was paid $1 each for writing, directing, and acting in Good Night, and Good Luck., which cost $7.5 million to make. Due to an injury he received on the set of Syriana a few months earlier, Clooney could not pass the tests to be insured. He then mortgaged his own house in Los Angeles in order to make the film. Dallas Mavericks owner Mark Cuban and former eBay president Jeff Skoll invested money in the project as executive producers. The film ultimately grossed more than $54 million worldwide. The CBS offices and studios seen in the movie were all sets on a soundstage. To accomplish a pair of scenes showing characters going up an elevator, different "floors" of the building were laid out on the same level. The "elevator" was actually built on a large turntable at the intersection of the two floor sets, and rotated once the doors were closed. When the doors reopened, the actors appeared to be in a different location. In doing so, the movie exercised a bit of dramatic license--the CBS executive offices at the time were located at 485 Madison Avenue. CBS News was located in an office building just north of Grand Central Terminal (demolished and now the site of the Met Life Building); and the See It Now studio was located in Grand Central Terminal itself, above the waiting room. For dramatic effect, all three areas were depicted as being in the same building. Clooney and producer Grant Heslov decided to use only archival footage of Joseph McCarthy in his depiction. As all of that footage was black-and-white, that determined the color scheme of the film. A young Robert Kennedy is also shown in the movie during McCarthy's hearing sessions. He was then a staff member on the Senate subcommittee chaired by McCarthy.
Answer this question using a quote from the text above:

who produced the film

Answer:
George Clooney

input: Taylor Alison Swift was born on December 13, 1989, in Reading, Pennsylvania. Her father, Scott Kingsley Swift, was a financial advisor, and her mother, Andrea Gardner Swift (nee Finlay), was a homemaker who had previously worked as a mutual fund marketing executive. Swift has a younger brother named Austin. The singer spent the early years of her life on a Christmas tree farm. She attended preschool and kindergarten at the Alvernia Montessori School, run by Franciscan nuns, before transferring to The Wyndcroft School. The family then moved to a rented house in the suburban town of Wyomissing, Pennsylvania, where she attended Wyomissing Area Junior/Senior High School. At the age of nine, Swift became interested in musical theater and performed in four Berks Youth Theatre Academy productions. She also traveled regularly to New York City for vocal and acting lessons. Swift later shifted her focus toward country music inspired by Shania Twain's songs, which made her "want to just run around the block four times and daydream about everything". She spent her weekends performing at local festivals and events. After watching a documentary about Faith Hill, Swift felt sure that she needed to go to Nashville, Tennessee, to pursue a music career. At the age of eleven, she traveled with her mother to visit Nashville record labels and submitted a demo tape of Dolly Parton and Dixie Chicks karaoke covers. However, she was rejected since "everyone in that town wanted to do what I wanted to do. So, I kept thinking to myself, I need to figure out a way to be different". When Swift was about 12 years old, computer repairman and local musician Ronnie Cremer taught her how to play guitar and helped with her first efforts as a songwriter, leading to her writing "Lucky You". In 2003, Swift and her parents started working with New York-based music manager Dan Dymtrow. With his help, Swift modelled for Abercrombie & Fitch as part of their "Rising Stars" campaign, had an original song included on a Maybelline compilation CD, and attended meetings with major record labels. After performing original songs at an RCA Records showcase, Swift was given an artist development deal and began making frequent trips to Nashville with her mother. To help Swift break into country music, her father transferred to the Nashville office of Merrill Lynch when she was 14, and the family relocated to a lakefront house in Hendersonville, Tennessee. Swift attended public high school, but after two years transferred to the Aaron Academy, which through homeschooling could accommodate her touring schedule, and she graduated a year early.

Answer this question "where did she go to school?"
output: She attended preschool and kindergarten at the Alvernia Montessori School,

Answer the question at the end by quoting:

The New York Public Library (NYPL) is a public library system in New York City. With nearly 53 million items and 92 locations, the New York Public Library is the second largest public library in the United States (behind the Library of Congress), and fourth largest in the world. It is a private, non-governmental, independently managed, nonprofit corporation operating with both private and public financing. The library has branches in the boroughs of Manhattan, The Bronx, and Staten Island, and affiliations with academic and professional libraries in the metropolitan area of New York State.
The New York Public Library was not created by government statute. From its earliest days, the library was formed from a partnership of city government with private philanthropy. As of 2010, the research libraries in the system are largely funded with private money, and the branch or circulating libraries are financed primarily with city government funds. Until 2009, the research and branch libraries operated almost entirely as separate systems, but that year various operations were merged. By early 2010, the NYPL staff had been reduced by about 16 percent, in part through the consolidations. In 2010, as part of the consolidation program, the NYPL moved various back-office operations to a new Library Services Center building in Long Island City. A former warehouse was renovated for this purpose for $50 million. In the basement, a new, $2.3 million book sorter uses bar codes on library items to sort them for delivery to 132 branch libraries. At two-thirds the length of a football field, the machine is the largest of its kind in the world, according to library officials. Books located in one branch and requested from another go through the sorter, which use has cut the previous waiting time by at least a day. Together with 14 library employees, the machine can sort 7,500 items an hour (or 125 a minute). On the first floor of the Library Services Center is an ordering and cataloging office; on the second, the digital imaging department (formerly at the Main Branch building) and the manuscripts and archives division, where the air is kept cooler; on the third, the Barbara Goldsmith Preservation Division, with a staff of 10 (as of 2010) but designed for as many as 30 employees. The NYPL maintains a force of NYC special patrolmen, who provide security and protection to various libraries, and NYPL special investigators, who oversee security operations at the library facilities. These officials have on-duty arrest authority granted by the New York Penal Law. Some library branches contract for security guards.

Was any other recent history added to this library?
In 2010, as part of the consolidation program, the NYPL moved various back-office operations to a new Library Services Center building in Long Island City.