Some context: Keane are an English rock band from Battle, East Sussex, formed in 1995. The band currently comprises Tom Chaplin (lead vocals, electric/acoustic guitar), Tim Rice-Oxley (piano, synthesisers, bass guitar, backing vocals), Richard Hughes (drums, percussion, backing vocals), and Jesse Quin (bass guitar, acoustic/electric guitar, backing vocals). Their original line-up included founder and guitarist Dominic Scott, who left in 2001. Keane achieved mainstream, international success with the release of their debut album, Hopes and Fears, in 2004.
Tom Chaplin and Tim Rice-Oxley became friends when very young. Chaplin's father David was the headmaster of Vinehall School in Robertsbridge, East Sussex, (owned by Chaplin's family) for 25 years, the school all three attended until the age of 13. They later attended Tonbridge School in Kent, where Rice-Oxley met Dominic Scott; both of them discovered rapidly their liking for music. Richard Hughes, Keane's future drummer, also attended Tonbridge. Chaplin had also learned to play the flute but none of them considered music as a proper career at the time. In 1995, while studying at University College London for a degree in classics, Rice-Oxley formed a rock band with Scott, and invited Hughes to play drums. The band, named "Lotus Eaters", started as a cover band, playing songs by the members' favourite bands, including U2, Oasis, and The Beatles, and rehearsing at home. After listening to Rice-Oxley's piano playing during a weekend at Virginia Water, Surrey in 1997, Chris Martin invited him to join his newly formed band Coldplay. However, Rice-Oxley declined because he did not want to leave "The Lotus Eaters", stating, "I was seriously interested, but Keane were already operational and Coldplay's keyboard player idea was dropped." Because of Martin's offer, and although Hughes and Scott were originally opposed to it, Chaplin joined the band in 1997, taking Rice-Oxley's place as vocalist and adding himself as the acoustic guitarist. Chaplin's recruitment also marked a change of name from "The Lotus Eaters" to "Cherry Keane", after a friend of Chaplin's mother, whom Rice-Oxley and Chaplin knew when they were young. She took care of them and would tell them to go for their dreams. At her death from cancer, she had left money for Chaplin's family. Chaplin commented: "I used some of the money to see me through the harder times with the music." The name was shortened to Keane soon afterward. Chaplin departed for South Africa in the summer of 1997 to work as a volunteer during his gap year. Chaplin's early experiences there would later be reflected in the band's position for the Make Poverty History campaign. Returning a year later, in July 1998, following a meeting with friend David Lloyd Seaman, Hughes' first words when the band picked up Chaplin at the airport were, "we've got a gig in ten days." With original material, Keane made their debut live appearance at the "Hope & Anchor" pub on 13 July 1998. In this same year, Chaplin went to Edinburgh University to study for a degree in art history. However, he later quit his degree and moved to London in order to pursue a full-time musical career with his friends. After their debut performance, the band went touring London's pub gig circuit throughout 1998 and 1999.
Name one of their songs
A:

Some context: Electric Ladyland is the third and final studio album by English-American rock band the Jimi Hendrix Experience, released in October 1968 by Track Records/Polydor, and Reprise Records in North America. The double album was the only record from the band produced by Jimi Hendrix. By mid-November, it had charted at number one in the United States, where it spent two weeks at the top spot. Electric Ladyland was the Experience's most commercially successful release and their only number one album.
According to music journalist David Stubbs, Electric Ladyland is "undoubtedly a rock album, albeit rock on the point of evolving into something else." Uncut magazine's John Robinson said that its music reconciles the psychedelic pop of Hendrix's earlier recordings with the aggressive funk he would explore on his 1970 album Band of Gypsys. During its recording, Kramer experimented with innovative studio techniques such as backmasking, chorus effect, echo, and flanging, which AllMusic's Cub Koda said recontextualized Hendrix's psychedelic and funk sounds on the album. Electric Ladyland is a cross-section of Hendrix's wide range of musical talent. It includes examples of several genres and styles of music: the psychedelic "Burning of the Midnight Lamp", a UK single the previous summer (1967), the extended blues jam "Voodoo Chile", the New Orleans-style R&B of Earl King's "Come On", the epic studio production of "1983... (A Merman I Should Turn to Be)", the social commentary of "House Burning Down", and the Sixties-era Britpop of Noel Redding's "Little Miss Strange". The album also features an electric reworking of the Bob Dylan classic "All Along the Watchtower", which has been well received by critics as well as by Dylan himself, and also "Voodoo Child (Slight Return)", a staple of both radio and guitar repertoire. Rolling Stone's Holly George-Warren praised "Crosstown Traffic" for its hard rock guitar riff. "All Along the Watchtower" became the band's highest-selling single and their only US top 40 hit, peaking at number 20; it reached number five in the UK. The album also included one of Hendrix's most prominent uses of a wah-wah pedal, on "Burning of the Midnight Lamp", which reached number 18 in the UK charts.
Are there any other covers?
A:
", and the Sixties-era Britpop of Noel Redding's "Little Miss Strange".