Problem: Background: Cooper was born on May 7, 1901, in Helena, Montana to Alice (nee Brazier, 1873-1967) and Charles Henry Cooper (1865-1946). His father had emigrated from Houghton Regis, Bedfordshire and was a prominent lawyer, rancher, and (later) a Montana Supreme Court justice. His mother had emigrated from Gillingham, Kent and married Charles in Montana. In 1906, Charles purchased the 600-acre (240 ha) Seven-Bar-Nine cattle ranch about fifty miles (eighty kilometers) north of Helena near the town of Craig on the Missouri River.
Context: In early 1925, Cooper began his film career in silent pictures such as The Thundering Herd and Wild Horse Mesa with Jack Holt, Riders of the Purple Sage and The Lucky Horseshoe with Tom Mix, and The Trail Rider with Buck Jones. He worked for several Poverty Row studios, including Famous Players-Lasky and Fox Film Corporation. While his skilled horsemanship led to steady work in Westerns, Cooper found the stunt work--which sometimes injured horses and riders--"tough and cruel". Hoping to move beyond the risky stunt work and obtain acting roles, Cooper paid for a screen test and hired casting director Nan Collins to work as his agent. Knowing that other actors were using the name "Frank Cooper", Collins suggested he change his first name to "Gary" after her hometown of Gary, Indiana. Cooper immediately liked the name. Cooper also found work in a variety of non-Western films, appearing, for example, as a masked Cossack in The Eagle (1925), as a Roman guard in Ben-Hur (1925), and as a flood survivor in The Johnstown Flood (1926). Gradually, he began to land credited roles that offered him more screen time, in films such as Tricks (1925), in which he played the film's antagonist, and the short film Lightnin' Wins (1926). As a featured player, he began to attract the attention of major film studios. On June 1, 1926, Cooper signed a contract with Samuel Goldwyn Productions for fifty dollars a week. Cooper's first important film role was in The Winning of Barbara Worth (1926) with Ronald Colman and Vilma Banky, in which he plays a young engineer who helps a rival suitor save the woman he loves and her town from an impending dam disaster. Cooper's experience living among the Montana cowboys gave his performance an "instinctive authenticity", according to biographer Jeffrey Meyers. The film was a major success. Critics singled out Cooper as a "dynamic new personality" and future star. Goldwyn rushed to offer Cooper a long-term contract, but he held out for a better deal--finally signing a five-year contract with Jesse L. Lasky at Paramount Pictures for $175 a week. In 1927, with help from Clara Bow, Cooper landed high-profile roles in Children of Divorce and Wings, the latter being the first film to win an Academy Award for Best Picture. That year, Cooper also appeared in his first starring roles in Arizona Bound and Nevada--both films directed by John Waters. In 1928, Paramount paired Cooper with a youthful Fay Wray in The Legion of the Condemned and The First Kiss--advertising them as the studio's "glorious young lovers". Their on-screen chemistry failed to generate much excitement with audiences. With each new film, Cooper's acting skills improved and his popularity continued to grow, especially among female movie-goers. During this time, he was earning as much as $2,750 per film and receiving a thousand fan letters a week. Looking to exploit Cooper's growing audience appeal, the studio placed him opposite popular leading ladies such as Evelyn Brent in Beau Sabreur, Florence Vidor in Doomsday, and Esther Ralston in Half a Bride. That year, Cooper also made Lilac Time with Colleen Moore for First National Pictures, his first movie with synchronized music and sound effects. It became one of the most commercially successful films of 1928.
Question: what silent films were made in 1925?
Answer: In early 1925, Cooper began his film career in silent pictures such as The Thundering Herd and Wild Horse Mesa with Jack Holt,

Problem: Background: Smith was born in Mobile, Alabama, the second of Clovi and Marvella Smith's six children (five boys and one girl). While the family lived in Mobile, his father worked as a sandblaster at Brookley Air Force Base. When Smith was six his family moved to the Watts section of Los Angeles. His father became a delivery truck driver for Safeway stores, while his mother became an aide at a nursing home.
Context: In 1985, Smith amassed a .276 batting average, 31 stolen bases, and 591 assists in the field. The Cardinals as a team won 101 games during the season and earned another postseason berth. Facing the Los Angeles Dodgers in the now best-of-seven NLCS, a split of the first four games set the stage for Game 5 at Busch Stadium. With the score tied at two runs apiece in the bottom of the ninth inning, Dodgers manager Tommy Lasorda called upon closer Tom Niedenfuer to pitch. Smith batted left-handed against Niedenfuer with one out. Smith, who had never hit a home run in his previous 3,009 left-handed major league at-bats, pulled an inside fastball down the right-field line for a walk-off home run, ending Game 5 in a 3-2 Cardinals victory. Smith said, "I was trying to get an extra-base hit and get into scoring position. Fortunately, I was able to get the ball up." The home run not only prompted broadcaster Jack Buck's "Go crazy folks" play-by-play call, but was also later voted the greatest moment in Busch Stadium history by Cardinals fans. After Smith's teammate Jack Clark hit a late-inning home run of his own in Game 6 to defeat the Dodgers, the Cardinals moved on to face the Kansas City Royals in the 1985 World Series. Once again sportswriters were quick to draw attention to Smith's outstanding defensive play instead of his 2 for 23 effort at the plate. After the Cardinals took a three-games-to-two advantage, a controversial Game 6 call by umpire Don Denkinger overshadowed the remainder of the Series (which the Royals won in seven games). What was not publicly known during the regular season and playoffs was that Smith had torn his rotator cuff after suffering an impingement in his right shoulder during the July 11-14 homestand against the Padres. After suffering the impingement diving back into first base on a pickoff throw, Smith altered his throwing motion to such a degree that the rotator cuff tear subsequently developed. The 5'10" (1.78 m), 180-pound (82 kg) Smith opted to forgo surgery and instead built up his arm strength via weightlifting, playing through whatever pain he encountered. Said Smith, "I didn't tell anybody about the injury, because I wanted to keep playing and didn't want anybody thinking they could run on me or take advantage of the injury. I tried to do almost everything, except throw a baseball, left-handed: opening a door, turning on the radio--everything. It didn't get any better, but it was good enough that I didn't have to have surgery." Because of his injury, Smith let his then four-year-old son Nikko perform his traditional Opening Day backflip before the Cardinals' first home game of the 1986 season. Smith made an "eye-popping" play later that season on August 5, during a game against the Philadelphia Phillies at Busch Stadium. In the top of the ninth inning, Phillies first baseman Von Hayes hit a short fly ball to left field, which was pursued by both Smith and left fielder Curt Ford. Running with his back to home plate, Smith dove forward, simultaneously catching the ball while parallel to the ground and flying over the diving Ford, avoiding a collision by inches.
Question: Did he suffer any injuries?
Answer:
the rotator cuff tear subsequently developed.