Question:
Ray Washington Traylor Jr. (May 2, 1963 - September 22, 2004) was an American professional wrestler who was best known for his appearances with the World Wrestling Federation (WWF) under the ring name Big Bossman, as well as for his appearances with World Championship Wrestling (WCW) as The Boss, The Man, The Guardian Angel, and Big Bubba Rogers. During his appearances with the WWF, Big Boss Man held the WWF World Tag Team Championship once and the WWF Hardcore Championship four times. On March 7, 2016, Traylor was confirmed to be inducted into the WWE Hall of Fame Class of 2016.
Traylor rejoined the WWF shortly after his WCW release and once again became "Big Boss Man". On October 12, 1998, he returned to television with a new look, abandoning his blue police shirt for an all-black SWAT-style uniform, including a tactical vest and gloves. He served as Vince McMahon's bodyguard during his feud with Stone Cold Steve Austin and his later feud with D-Generation X. He briefly wore a mask, before his identity was revealed. Boss Man was one of the first members of McMahon's heel stable, The Corporation, and served as a bodyguard for other members, such as Vince's son Shane. While in The Corporation, Boss Man won the Tag Team Championship with Ken Shamrock, won the Hardcore Championship four times, and lost to The Undertaker at WrestleMania XV in a Hell in a Cell match. After this match, The Undertaker hanged him from the roof of the cage (an illusion made possible by a body harness concealed under Traylor's outfit). In the WWF's Hardcore division, Boss Man's major feud was with Al Snow, a feud that eventually involved Snow's pet chihuahua, Pepper. At SummerSlam, the two had a Falls Count Anywhere match that spilled into the backstage area, the street and, finally, into a nearby bar. Just prior to the match, Snow had set Pepper's pet carrier near the entranceway. Minutes into the match, Boss Man picked it up, taunted Pepper, struck Snow with the carrier and carelessly tossed it behind him. Commentator Jim Ross immediately apologized to viewers for the act, and stated that Pepper had been removed from the box before the match. Two weeks later, Boss Man kidnapped and ransomed Pepper, arranging a meeting in which he fed Snow a meat dish supposedly made from Pepper's remains. The two settled their feud in a Kennel from Hell match at Unforgiven, in which a blue solid steel cage surrounded the ring, itself and ringside surrounded by the chain-link fenced "cell". The object of the match was to escape from the cage and the cell while avoiding "attack dogs" (which turned out to be disappointingly docile) positioned outside the ring. Snow won the match and retained the Hardcore title, which had been returned to him by Davey Boy Smith, who had defeated Boss Man for it. Boss Man would later win back the Hardcore title in a triple threat match involving Al Snow and The Big Show, and would hold it until January 2000, when he lost it to Test. Boss Man then feuded with The Big Show over the WWF Championship. During the feud, Boss Man showed up at Big Show's father's funeral, made some disrespectful remarks, then chained the casket to the back of his car and drove off. The Big Show attempted to save the coffin by jumping on it, riding it for a few yards before losing his grip and tumbling off, the feud also included a segment in which Boss Man invaded the home of Big Show's mother and forced her on camera to admit her son was born an illegitimate child. Boss Man became the #1 contender for the WWF Championship by defeating The Rock on the November 15, 1999 episode of Raw. At Armageddon, The Big Show defeated him to retain the title and end the feud.
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Did he feud with any other wrestlers?

Answer:
Boss Man's major feud was with Al Snow,

Question:
The Future Sound of London (often abbreviated to FSOL) is a British electronic music group composed of Garry Cobain (sometimes stylised as Gaz Cobain) and Brian Dougans. The duo are often credited with pushing the boundaries of electronic music experimentation and of pioneering a new era of dance music. Although often associated with ambient music, Cobain and Dougans usually resist being typecast into any one particular genre. Their work covers many areas of electronic music, such as ambient techno, house music, trip hop, ambient dub, acid techno.
After a four-year hiatus, rumours of mental illness began to spread which turned out to be nothing more than exaggeration of Cobain's mercury poisoning from fillings in his teeth. Cobain gained much from the experience, realizing that music was a tool for psychic exploration and entertainment but also one for healing . The pair returned in 2002 with "The Isness", a record heavily influenced by 1960s and 1970s psychedelia and released under their alias Amorphous Androgynous. It was preceded by Papua New Guinea Translations, a mini album which contained a mixture of remixes of FSOL's track as well as new material from The Isness sessions. The album received mixed press due to the drastic change in sound which was inspired by Cobain's and Dougan's (separate) travels to India and immersion in spiritualism, nevertheless the majority was positive with Muzik magazine offering the album a 6/5 mark and dubbing it "...a white beam of light from heaven..." and other British publications such as The Times, The Guardian and MOJO praising the album and the band's ability to do something so completely different from what they had done before. Three years on, they followed the album with a continuation of the Amorphous Androgynous project, Alice in Ultraland. Rumoured to be accompanied by a film of the same title, the album took The Isness' psychedelic experimentation and toned it down, giving the album a singular theme and sound, and replacing the more bizarre moments with funk and ambient interludes. The album was ignored by the press, but was received more favourably among fans than its predecessor. Unlike The Isness, which featured almost 100 musicians over the course of it and the various alternative versions and remix albums, Alice in Ultraland featured a fairly solid band lineup throughout, which extended to live shows which the band had undertaken away from the ISDN cables from 2005 onwards. ...song form has just become too limited. And when I say 'psychedelic', it's not a reference to 60s music but to the basic outlook of a child, which we all have. I think this is the only salvation now. Dance music taught us how to use the studio in a new way, but we have to now take that knowledge and move on with it. This stuff, electronic music, is not dead. It's a process that is ongoing. We have to take hold of the past and go forward with it...
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What is an album they released during this period?

Answer:
. The pair returned in 2002 with "The Isness", a record heavily influenced by 1960s and 1970s psychedelia and released under their alias Amorphous Androgynous.