Answer the question at the end by quoting:

The Buggles were an English new wave band formed in London, England in 1977 by singer and bassist Trevor Horn and keyboardist Geoffrey Downes. They are best known for their 1979 debut single "Video Killed the Radio Star" that topped the UK Singles Chart and reached number one in 15 other countries. The duo released their first album, The Age of Plastic, in January 1980 with "Video Killed the Radio Star" as its lead single. Soon after the album's release, Horn and Downes joined the progressive rock band
In early 1981, following the disbanding of Yes, Downes and Horn reconvened at Sarm East Studios to record The Buggles' second studio album, Adventures in Modern Recording. However, Downes left the group on the day the recording of the album was meant to begin to help form Asia with Howe citing musical differences. Horn was angry that Island Records renegotiated publishing terms for Downes to join Asia, but never did for Horn since, in his words, he was "washed up, career-wise". To fix this problem, Jill Sinclair made a deal with the French label Carrere, whose leader Claude Carrere, whom Horn described as a "very nice man", helped fund the album. Horn was now left to complete much of the album with several additional personnel. Released in November 1981, Adventures in Modern Recording involved Horn experimenting with numerous production techniques, especially with the heavy use of sampling with the Fairlight CMI, with instruments from the computer such as the drums on "Inner City" and the big band jazz sounds on "Vermillion Sands". These same sampling techniques would later be used in records he produced such as Slave To The Rhythm by Grace Jones, Yes's 90125, Art of Noise's The Seduction of Claude Debussy and Frankie Goes To Hollywood's Welcome to the Pleasuredome. While the album garnered little attention in the United Kingdom, Horn recalled in 2010 that the album was a commercial success in France, and in the United States the album peaked at number 161 on the American Billboard 200. By the time of the album's release, when Horn was also producing ABC's album The Lexicon of Love, he decided to take Sinclair's advice that he always was meant to be a producer rather than a performer or songwriter, thus the performance of "Lenny" on a TV show in the Netherlands, with ABC as the backing band, marked the end of the Buggles. As Horn recalled when he was interviewed after the show: "I'll never forget it because the guy said to me, 'well, things are not looking so good for you', and I said 'how do you mean?' And he said 'well, you know, your first record was a big hit now this record is number eleven, so your career is going downhill'. And I said 'well you know what? You see these guys, this is a band called ABC and I'm a producer now I don't really care about this stuff, I'm just doing it to promote the record. And I may be on the skids as an artist but things are looking up in other areas. End of interview. Fuck off.'"

what were the highlights of adventures in modern recording?

Downes left the group on the day the recording of the album was meant to begin to help form Asia with Howe citing musical differences.

IN: Robert Tyre Jones Jr. (March 17, 1902 - December 18, 1971) was an American amateur golfer who was one of the most influential figures in the history of the sport; he was also a lawyer by profession. Jones founded and helped design the Augusta National Golf Club, and co-founded the Masters Tournament. The innovations that he introduced at the Masters have been copied by virtually every professional golf tournament in the world. Jones was the most successful amateur golfer ever to compete at a national and international level.

Jones was not only a consummately skilled golfer but exemplified the principles of sportsmanship and fair play. In the first round of the 1925 U.S. Open at the Worcester Country Club near Boston, his approach shot to the 11th hole's elevated green fell short into the deep rough of the embankment. As he took his stance to pitch onto the green, the head of his club brushed the grass and caused a slight movement of the ball. He took the shot, then informed his playing partner Walter Hagen and the USGA official covering their match that he was calling a penalty on himself. Hagen was unable to talk him out of it, and they continued play. After the round and before he signed his scorecard, officials argued with Jones but he insisted that he had violated Rule 18, moving a ball at rest after address, and took a 77 instead of the 76 he otherwise would have carded. Jones' self-imposed one-stroke penalty eventually cost him the win by a stroke in regulation, necessitating a playoff, which he then lost. Although praised by many sports writers for his gesture, Jones was reported to have said, "You might as well praise me for not robbing banks." A similar event occurred in the next U.S. Open, played at the Scioto Country Club in Columbus, Ohio. In the second round, after his opening round put him in second place, Jones was putting on the 15th green in the face of a strong wind. After grounding his putter during address to square up the club face, the ball rolled a half turn in the wind when Jones lifted the club head to place it behind the ball. Although no one else observed this movement of the ball either, again Jones called a penalty on himself, but this time Jones went on to win the tournament, the second of his four U.S. Open victories. The USGA's sportsmanship award is named the Bob Jones Award in his honor.

What was he most well known for?

OUT:
Jones was not only a consummately skilled golfer but exemplified the principles of sportsmanship and fair play.