IN: Graziano was the son of Ida Scinto and Nicola Barbella. Barbella, nicknamed Fighting Nick Bob, was a boxer with a brief fighting record. Born in Brooklyn, Graziano later moved to an Italian enclave centered on East 10th Street, between First Avenue and Avenue A in Manhattan's East Village. He grew up as a street fighter and learned to look after himself before he could read or write.

As he grew older and seeing no other way to raise his standard of living, Graziano signed a few boxing contracts, but the rigors of training disinterested him. He and his early managers went their separate ways but eventually, he was picked up by Irving Cohen who had the sense to give him a long leash. Cohen changed the young fighter's name from Barbella to Graziano (his grandfather's surname) and lined up a fight. Refusing to train much, Graziano nevertheless showed his killer instinct and won by a knockout. Other fights were lined up with Cohen trying, in his subtle way, to overmatch Graziano, get him defeated, and thereby show him the value of getting into condition. He even demanded a match against Sugar Ray Robinson. In March 1945, at Madison Square Garden, Graziano scored a major upset over Billy Arnold, whose style was similar to that of Sugar Ray Robinson; he was a slick boxer with lightning-fast combinations and a knockout punch. The Ring magazine and various newspapers across the United States touted Arnold as the next Joe Louis or Sugar Ray Robinson. Arnold was a heavy favorite to defeat Graziano and then to go on to fight for the world title, but Graziano absorbed a beating in the early going, before going on to batter and knock Arnold out in the third round of the scheduled eight-round bout. Following his defeat to Graziano, Arnold was never the same. Graziano is most famous for his three title bouts with Tony Zale, all for the middleweight title. In their first match (September 27, 1946), after flooring Graziano in the first round, Zale took a savage beating from him, and was on the verge of losing the fight by TKO. However, he rallied and knocked him out in the sixth round to retain his title. The rematch, a year later in Chicago (July 16, 1947), was a mirror image of their first fight. The referee almost stopped the second fight in the third round because of a severe cut over Graziano's left eye, which would have awarded the victory to Zale, but Graziano's cutman, Morris ("Whitey") Bimstein, was able to stop the bleeding to let the fight continue. Graziano was battered around the ring, suffered a closed eye and appeared ready to lose by a knockout, then rallied and knocked Zale out in the sixth round, becoming world middleweight champion. Their last fight was held in New Jersey the following year (June 10, 1948). Zale regained his crown, winning the match by a knockout in the third round. The knockout blows consisted of a perfect combination of a right to Graziano's body, then a left hook to his jaw. He was knocked unconscious. His last attempt at the middleweight title came in April 1952, when he fought Sugar Ray Robinson. He dropped him to his knee with a right in the third round. Less than a minute later, Robinson knocked him out for the count with a right to the jaw. He retired after losing his very next fight, a 10-round decision to Chuck Davey.

Did he have a trainer?

OUT: He and his early managers went their separate ways but eventually, he was picked up by Irving Cohen

IN: Hole was an American alternative rock band formed by singer and guitarist Courtney Love and lead guitarist Eric Erlandson in Los Angeles, California in 1989. Influenced by Los Angeles' punk rock scene, and produced by Kim Gordon of Sonic Youth, the band's debut album, Pretty on the Inside (1991), attracted critical interest from British and American alternative press. Their second album, Live Through This, released 1994 by DGC Records, which featured less aggressive melodies and more restrained lyrical content, was widely acclaimed and reached platinum status within a year of its release. Their third album, Celebrity Skin (1998), which garnered them four Grammy nominations, marked a notable departure from their earlier punk influences, boasting a more commercially viable, "mature" sound.

In a 1991 interview, Love stated that lyrics were "the most important" element of songwriting for her. Her lyrics explored a variety of themes throughout Hole's career, including body image, rape, child abuse, addiction, celebrity, suicide, elitism, and inferiority complex; all of which were addressed mainly from a female, and often feminist standpoint. This underlying feminism in Love's lyrics often led the public and critics to mistakenly associate her with the riot grrrl movement, of which Love was highly critical. In a 1991 interview with Everett True, Love said: "I try to place [beautiful imagery] next to fucked up imagery, because that's how I view things... I sometimes feel that no one's taken the time to write about certain things in rock, that there's a certain female point of view that's never been given space." Charles Cross has referred to her lyrics on Live Through This as being "true extensions of her diary," and she has admitted that a great deal of the lyrics from Pretty on the Inside were excisions from her journals. Throughout Hole's career, Love's lyrics were often influenced by literature: The title of the band's second album Live Through This, for example (as well as lyrics from the track "Asking for It") is directly drawn from Gone With the Wind; and the group's single "Celebrity Skin" (the title track to their 1998 album), contains quotes from Shakespeare's The Merchant of Venice and Dante Rossetti's poem A Superscription. Love had had a minor background in literature, having briefly studied English literature in her early twenties.

What was her lyrical content like?

OUT:
Her lyrics explored a variety of themes throughout Hole's career, including body image, rape, child abuse, addiction,