IN: Frank Joseph Kush (January 20, 1929 - June 22, 2017) was an American football player and coach. He served as the head coach at Arizona State University from 1958 to 1979, compiling a record of 176-54-1. Kush was also the head coach of the Canadian Football League's Hamilton Tiger-Cats in 1981, the National Football League's Baltimore/Indianapolis Colts from 1982 to 1984, and the Arizona Outlaws of the United States Football League in 1985. He was inducted into the College Football Hall of Fame as a coach in 1995.

In September 1979 former Sun Devil punter Kevin Rutledge filed a $1.1 million lawsuit against the school, accusing Kush and his staff of mental and physical harassment that forced him to transfer. The most dramatic charge was that Kush had punched Rutledge in the mouth after a bad punt in the October 28, 1978, game against the Washington Huskies. During the next few weeks, overzealous fans turned things ugly when the insurance office of Rutledge's father suffered a fire and the family's attorney received two death threats. On October 13, 1979, Kush was fired as head coach for interfering with the school's internal investigation into Rutledge's allegations. Athletic director Fred Miller cited Kush's alleged attempts to pressure players and coaches into keeping quiet. The decision came just three hours before the team's home game against Washington. Kush was allowed to coach the game, with the Sun Devils pulling off an emotional 12-7 upset of the sixth-ranked Huskies, fueled by the angry crowd incensed by the decision. After the game ended, Kush was carried off the field by his team. The win gave him a 3-2 record on the season, but all three victories were later forfeited when it was determined that Arizona State had used ineligible players. After nearly two years, Kush would be found not liable in the case, but remained absent from the sideline throughout 1980, the first time in more than 30 years that he had been away from the game. Future NFL players who played under Kush at Arizona State include Charley Taylor, Curley Culp, Danny White, Benny Malone, Mike Haynes, John Jefferson and Steve Holden. Baseball Hall of Famer Reggie Jackson also played a year of football at Arizona State for Kush on a football scholarship before switching to baseball.
QUESTION: Then what happened
IN: Walston was born Herman Raymond Walston on November 2, 1914, in Laurel, Mississippi, the second son and youngest of three children born to lumberjack Harry Norman Walston (1881-1946) and Mittie (nee Kimball) Walston (December 25, 1883-August 16, 1950). He had an older sister, Carrie (1906-1982), and an older brother, Earl (February 4, 1908 - December 4, 1998). His family moved from Mississippi to New Orleans, Louisiana around 1925. He started acting at an early age, beginning his tenure as a spear carrier rounding out productions at many New Orleans theaters.

Walston was popular with Margo Jones's team of actors before he traveled to Cleveland, Ohio, where he spent 3 years with the Cleveland Play House. He then traveled to New York City, where he made his Broadway debut in a 1945 production of Hamlet. Three years later, Walston became one of the first members admitted to the newly formed Actors Studio. In 1949, he appeared in the short-lived play Mrs. Gibbons' Boys, directed by George Abbott, who later cast him as Satan (who bore the name "Mr. Applegate") in the 1955 musical Damn Yankees opposite Gwen Verdon as his sexy aide Lola. The chemistry between the two was such that they both garnered critical success and won awards for their roles. After a decade in New York theater, he won a Tony Award. He starred as Luther Billis in the 1951 London production of South Pacific. He reprised that role in the 1958 film adaptation. He and Juanita Hall (as Bloody Mary) were the only cast members to appear in both the stage and movie versions. Additional Broadway credits included The Front Page, Summer and Smoke, King Richard III, Wish You Were Here, and House of Flowers. In 1957, Actress and Producer Katharine Cornell placed him in a role on Broadway in Robert E. Sherwood's Pulitzer Prize winning play about the Hungarian Revolution of 1956, There Shall Be No Night. The play was adapted for television for a Hallmark Hall of Fame production. He had a prominent role in the Rodgers & Hammerstein musical Me and Juliet, portraying the stage manager of the musical-within-the-musical, but his character did not participate in any of the musical numbers.
QUESTION: did he win any awards for this debut?
IN: The Macedonians (Greek: Makedones, Makedones) were an ancient tribe that lived on the alluvial plain around the rivers Haliacmon and lower Axios in the northeastern part of mainland Greece. Essentially an ancient Greek people, they gradually expanded from their homeland along the Haliacmon valley on the northern edge of the Greek world, absorbing or driving out neighbouring non-Greek tribes, primarily Thracian and Illyrian. They spoke Ancient Macedonian, a language closely related to Ancient Greek, perhaps a dialect, although the prestige language of the region was at first Attic and then Koine Greek. Their religious beliefs mirrored those of other Greeks, following the main deities of the Greek pantheon, although the Macedonians continued Archaic burial practices that had ceased in other parts of Greece after the 6th century BC.

By the reign of Archelaus I of Macedon, the Macedonian elite started importing significantly greater customs, artwork, and art traditions from other regions of Greece. However, they still retained more archaic, perhaps Homeric funerary rites connected with the symposium and drinking rites that were typified with items such as decorative metal kraters that held the ashes of deceased Macedonian nobility in their tombs. Among these is the large bronze Derveni Krater from a 4th-century BC tomb of Thessaloniki, decorated with scenes of the Greek god Dionysus and his entourage and belonging to an aristocrat who had a military career. Macedonian metalwork usually followed Athenian styles of vase shapes from the 6th century BC onward, with drinking vessels, jewellery, containers, crowns, diadems, and coins among the many metal objects found in Macedonian tombs. Surviving Macedonian painted artwork includes frescoes and murals on walls, but also decoration on sculpted artwork such as statues and reliefs. For instance, trace colors still exist on the bas-reliefs of the Alexander Sarcophagus. Macedonian paintings have allowed historians to investigate the clothing fashions as well as military gear worn by ancient Macedonians, such as the brightly-colored tomb paintings of Agios Athanasios, Thessaloniki showing figures wearing headgear ranging from feathered helmets to kausia and petasos caps. Aside from metalwork and painting, mosaics serve as another significant form of surviving Macedonian artwork, especially those discovered at Pella dating to the 4th century BC. The Stag Hunt Mosaic of Pella, with its three dimensional qualities and illusionist style, show clear influence from painted artwork and wider Hellenistic art trends, although the rustic theme of hunting was tailored for Macedonian tastes. The similar Lion Hunt Mosaic of Pella illustrates either a scene of Alexander the Great with his companion Craterus, or simply a conventional illustration of the generic royal diversion of hunting. Mosaics with mythological themes include scenes of Dionysus riding a panther and Helen of Troy being abducted by Theseus, the latter of which employs illusionist qualities and realistic shading similar to Macedonian paintings. Common themes of Macedonian paintings and mosaics include warfare, hunting and aggressive masculine sexuality (i.e. abduction of women for rape or marriage). In some instances these themes are combined within the same work, indicating a metaphorical connection that seems to be affirmed by later Byzantine Greek literature.
QUESTION:
Where were some of the art found?