Background: Murray Bookchin (January 14, 1921 - July 30, 2006) was an American social theorist, author, orator, historian, and political philosopher. A pioneer in the ecology movement, Bookchin formulated and developed the theory of social ecology within anarchist, libertarian socialist, and ecological thought. He was the author of two dozen books covering topics in politics, philosophy, history, urban affairs, and ecology. Among the most important were Our Synthetic Environment (1962), Post-Scarcity Anarchism (1971) and The Ecology of Freedom (1982).
Context: Bookchin was critical of class-centered analysis of Marxism and simplistic anti-state forms of libertarianism and liberalism and wished to present what he saw as a more complex view of societies. In The Ecology of Freedom: The Emergence and Dissolution of Hierarchy, he says that: My use of the word hierarchy in the subtitle of this work is meant to be provocative. There is a strong theoretical need to contrast hierarchy with the more widespread use of the words class and State; careless use of these terms can produce a dangerous simplification of social reality. To use the words hierarchy, class, and State interchangeably, as many social theorists do, is insidious and obscurantist. This practice, in the name of a "classless" or "libertarian" society, could easily conceal the existence of hierarchical relationships and a hierarchical sensibility, both of which-even in the absence of economic exploitation or political coercion-would serve to perpetuate unfreedom. Bookchin also points to an accumulation of hierarchical systems throughout history that has occurred up to contemporary societies which tends to determine the human collective and individual psyche: The objective history of the social structure becomes internalized as a subjective history of the psychic structure. Heinous as my view may be to modern Freudians, it is not the discipline of work but the discipline of rule that demands the repression of internal nature. This repression then extends outward to external nature as a mere object of rule and later of exploitation. This mentality permeates our individual psyches in a cumulative form up to the present day-not merely as capitalism but as the vast history of hierarchical society from its inception.
Question: what did he say about them?
Answer: My use of the word hierarchy in the subtitle of this work is meant to be provocative.

Background: Lewis Allan Reed (March 2, 1942 - October 27, 2013) was an American musician, singer, and songwriter. He was the lead guitarist, singer and principal songwriter for the rock band the Velvet Underground, with a solo career that spanned five decades. The Velvet Underground achieved little commercial success during their existence, but are now regarded as one of the most influential bands in rock, underground, and alternative music. After leaving the band in 1970, he released 20 solo studio albums.
Context: Throughout the 1970s Reed was a heavy user of methamphetamine and alcohol. Metal Machine Music (1975) was an hour of modulated feedback and guitar effects. Critics interpreted it as a gesture of contempt, an attempt to break his contract with RCA or to alienate his less sophisticated fans. Reed claimed that the album was a genuine artistic effort, even suggesting that quotations of classical music could be found buried in the feedback. Lester Bangs declared it "genius", though also psychologically disturbing. The album was reportedly returned to stores by the thousands and was withdrawn after a few weeks. 1976's Coney Island Baby still drew on the underbelly of city life. At this time his lover was a transgender woman, Rachel, mentioned in the dedication of "Coney Island Baby" and appearing in the photos on the cover of Reed's 1977 "best of" album, Walk on the Wild Side: The Best of Lou Reed. Rock and Roll Heart was his 1976 debut for his new record label Arista, and Street Hassle (1978) was released in the midst of the punk scene he had helped to inspire. Reed took on a watchful, competitive and sometimes dismissive attitude towards punk. Aware that he had inspired them, he regularly attended shows at CBGB to track the artistic and commercial development of numerous punk bands, and a cover illustration and interview of Reed appeared in the first issue of Punk by Legs McNeil. In 1978 Reed released his third live album, Live: Take No Prisoners, which some critics thought was his "bravest work yet," while others considered it his "silliest." Rolling Stone described it as "one of the funniest live albums ever recorded" and compared Reed's monologues with those of Lenny Bruce. Reed felt it was his best album to date. The Bells (1979) featured jazz trumpeter Don Cherry. Around this period Reed also appeared as a sleazy record producer in Paul Simon's film One-Trick Pony. From around 1979 Reed began to wean himself off drugs.
Question: What else was important in this article
Answer: Aware that he had inspired them, he regularly attended shows at CBGB to track the artistic and commercial development of numerous punk bands,

Background: Lyndon Baines Johnson (; August 27, 1908 - January 22, 1973), often referred to by his initials LBJ, was an American politician who served as the 36th President of the United States from 1963 to 1969, assuming the office after having served as the 37th Vice President of the United States from 1961 to 1963. A Democrat from Texas, he also served as a United States Representative and as the Majority Leader in the United States Senate. Johnson is one of only four people who have served in all four federal elected positions.
Context: In 1964, at Johnson's request, Congress passed the Revenue Act of 1964 and the Economic Opportunity Act, as part of the war on poverty. Johnson set in motion legislation creating programs such as Head Start, food stamps and Work Study. During Johnson's years in office, national poverty declined significantly, with the percentage of Americans living below the poverty line dropping from 23 percent to 12 percent. Johnson took an additional step in the War on Poverty with an urban renewal effort, presenting to Congress in January 1966 the "Demonstration Cities Program". To be eligible a city would need to demonstrate its readiness to "arrest blight and decay and make substantial impact on the development of its entire city." Johnson requested an investment of $400 million per year totaling $2.4 billion. In the fall of 1966 the Congress passed a substantially reduced program costing $900 million, which Johnson later called the Model Cities Program. Changing the name had little effect on the success of the bill; the New York Times wrote 22 years later that the program was for the most part a failure. Johnson's initial effort to improve healthcare was the creation of The Commission on Heart Disease, Cancer and Strokes (HDCS). Combined, these diseases accounted for 71 percent of the nation's deaths in 1962. To enact recommendations of the commission, Johnson asked Congress for funds to set up the Regional Medical Program (RMP), to create a network of hospitals with federally funded research and practice; Congress passed a significantly watered down version. As a back-up position, in 1965 Johnson turned his focus to hospital insurance for the aged under Social Security. The key player in initiating this program, named Medicare, was Wilbur Mills, Chairman of the House Ways and Means Committee. In order to reduce Republican opposition, Mills suggested that Medicare be fashioned as a three layer cake--hospital insurance under Social Security, a voluntary insurance program for doctor visits and an expanded medical welfare program for the poor, known as Medicaid. The bill passed the house by a margin of 110 votes on April 8. The effort in the Senate was considerably more complicated; however, the Medicare bill passed Congress on July 28 after negotiation in a conference committee. Medicare now covers tens of millions of Americans. Johnson gave the first two Medicare cards to former President Harry S Truman and his wife Bess after signing the Medicare bill at the Truman Library in Independence, Missouri.
Question: Why did he feel he needed to act?
Answer:
During Johnson's years in office, national poverty declined significantly, with the percentage of Americans living below the poverty line dropping from 23 percent to 12 percent.