Background: Rodriguez was born in San Antonio, Texas. Her mother, Carmen Milady Rodriguez (nee Pared Espinal), is Dominican, and her father, Rafael Rodriguez, was a Puerto Rican, who served in the U.S. Army. Rodriguez moved to the Dominican Republic with her mother when she was eight years old and lived there until age 11. Later, she moved to Puerto Rico until the age of 17, and finally settled in Jersey City, New Jersey.
Context: Having run across an ad for an open casting call and attending her first audition, Rodriguez beat 350 other applicants to win her first role in the low-budget 2000 independent film Girlfight. With her performance as Diana Guzman, a troubled teen who decides to channel her aggression by training to become a boxer, Rodriguez accumulated several awards and nominations for the role in independent circles, including major acting accolades from the National Board of Review, Deauville Film Festival, Independent Spirit Awards, Gotham Awards, Las Vegas Film Critics Sierra Awards, and many others. The film itself took home a top prize at the Sundance and won Award of the Youth at the Cannes Film Festival. Rodriguez has had notable roles in other successful movies, including Letty in The Fast and the Furious (2001) and Rain Ocampo in Resident Evil (2002). She also appeared in Blue Crush and S.W.A.T.. In 2004, Rodriguez lent her voice to the video game Halo 2, playing a Marine. She also provided the voice of Liz Ricarro in the Cartoon Network series IGPX. From 2005 to 2006, she played tough cop Ana Lucia Cortez on the television series Lost during the show's second season (the character's first appearance was a flashback during the first season's finale, "Exodus: Part 1"), and returned for a cameo in the second episode of the show's fifth season, "The Lie", in 2009. She returned again in the penultimate episode of the series, "What They Died For", in 2010. In 2006, Rodriguez was featured in her own episode of G4's show Icons. In 2008, Rodriguez appeared in the political drama Battle in Seattle opposite Charlize Theron and Woody Harrelson. In 2009, she appeared in Fast & Furious, the fourth installment of The Fast and the Furious film series. Later that year, Rodriguez starred in James Cameron's high-budget sci-fi adventure epic Avatar, which became the highest-grossing film in history and Rodriguez's most successful film to date. In 2009, Rodriguez also starred in Tropico de Sangre, an independent film based on the Dominican Republic's historic Mirabal sisters. In 2010, Rodriguez appeared in Robert Rodriguez's Machete. In 2011, she appeared with Aaron Eckhart in the science fiction film Battle: Los Angeles which grossed over US$200 million in the worldwide box office. In 2012, she returned to play the good clone and bad clone of Rain Ocampo in Resident Evil: Retribution. In 2013, she reprised her roles as Letty in Fast & Furious 6 and Luz / She in the Robert Rodriguez sequel Machete Kills. She also voiced a character in DreamWorks Animation's Turbo. In 2015, she appeared in Furious 7 which grossed over $1.5 billion worldwide. In 2017, she lent her voice to Smurfs: The Lost Village. She also starred in The Fate of the Furious, which broke records for the largest global box office opening of all-time. She'll next be reunited with director James Cameron for Alita: Battle Angel and star opposite Viola Davis in Widows from award-winning director Steve McQueen.
Question: What was her first film appearance?
Answer: Rodriguez beat 350 other applicants to win her first role in the low-budget 2000 independent film Girlfight.

Background: Alfred Cellier (1 December 1844 - 28 December 1891) was an English composer, orchestrator and conductor. In addition to conducting and music directing the original productions of several of the most famous Gilbert and Sullivan works and writing the overtures to some of them, Cellier conducted at many theatres in London, New York and on tour in Britain, America and Australia. He composed over a dozen operas and other works for the theatre, as well as for orchestra, but his 1886 comic opera, Dorothy, was by far his most successful work. It became the longest-running piece of musical theatre in the nineteenth century.
Context: In 1885, Cellier composed a song, "There once was a time, my darling", for a piece produced by George Edwardes, Little Jack Sheppard (1885). Meanwhile he had composed what would become his greatest success, the comic opera Dorothy, with a libretto by B. C. Stephenson. To create the score, Cellier repurposed some of his music from his 1876 failure, Nell Gwynne, which had, nevertheless, received praise for its music. Dorothy had been announced for production at the Royalty Theatre in 1884, but ultimately Edwardes mounted it at his Gaiety Theatre on 25 September 1886. Cellier was in Australia from February 1886 to February 1887, conducting The Mikado and other Gilbert and Sullivan operas for the J. C. Williamson organization and was absent from London during the productions of The Carp, at the Savoy, and Dorothy. Neither the music nor the libretto of Dorothy initially attracted critical praise. The Times wrote, "Gentility reigns supreme, and with it unfortunately also a good deal of the refined feebleness and the ineptitude which are the defects of that quality." Stephenson rewrote the lyrics of one of Cellier's old songs, "Old Dreams" as "Queen of My Heart"; this helped the work to find success after it transferred in December to the Prince of Wales Theatre. The following year H. J. Leslie took over the production from Edwardes and introduced new stars, including Marie Tempest. Dorothy became an even greater success at the box office and transferred in December 1888 to the Lyric Theatre, built using the profits from the production, where it ran into 1889. Its initial run of a total of 931 performances was the longest of any piece of musical theatre up to that time, longer than even The Mikado, a fact that caused consternation to Cellier's friend Arthur Sullivan. Some critics reconsidered their earlier condemnation, the work became regarded as a classic Victorian piece, and the initially despised plot was traced seriously back to the Restoration playwrights David Garrick and Aphra Behn, and to Oliver Goldsmith and even Shakespeare. Its success led to revivals of some of Cellier's earlier works. Cellier returned to Australia in 1888 to conduct Dorothy and made a final brief visit there for health reasons in early 1891, together with Stephenson. His last comic operas, Doris (1889, with Stephenson) and The Mountebanks (with Gilbert, produced in January 1892, a few days after the composer's death), were both modestly successful. Also after Cellier's death, Rutland Barrington used some of his music in his 1902 adaptation of Water Babies. Often in ill health throughout his life, Cellier was unable to finish The Mountebanks, and Ivan Caryll completed the score. Cellier owed much to the influence of Sullivan. He was a fertile melodist, and his writing exhibited elegance and refinement, although he was not able to infuse his music with humour in the way that Sullivan did. Cellier died at his home in Bloomsbury, London, at the age of 47. He was buried in West Norwood Cemetery.
Question: Where there any other later pieces after that?
Answer:
His last comic operas, Doris (1889, with Stephenson) and The Mountebanks (with Gilbert, produced in January 1892, a few days after the composer's death), were both modestly successful.