Some context: Sir Wesley Winfield Hall (born 12 September 1937) is a Barbadian former cricketer and politician. A tall, strong and powerfully built man, Hall was a genuine fast bowler and despite his very long run up, he was renowned for his ability to bowl long spells. Hall played 48 Test matches for the West Indies from 1958 to 1969. Hall's opening bowling partnership with fellow Barbadian Charlie Griffith was a feature of the strong West Indies teams throughout the 1960s.
Hall was born in Saint Michael, Barbados--"just outside the walls of [HM Prison] Glendairy"--to a teenaged mother, his father a sometime light-heavyweight boxer. Hall began his schooling at St Giles' Boys' School and later obtained a place at the renowned Combermere School thanks to a free scholarship. At Combermere, he played for the school cricket team initially as a wicketkeeper/batsman. At the time the leading schools in Barbados played against grown men in the elite Division 1 of the Barbados Cricket Association and Hall was exposed to a high standard of cricket at an early age. One of his teammates at Combermere was the school groundskeeper, the West Indian Test cricketer Frank King. After completing his schooling, Hall found employment with the cable office in Bridgetown. Hall played for the Cable Office cricket team and it was there that Hall took up fast bowling. In a match against Wanderers, Hall was asked to fill in when his team's regular opening bowler was absent. He took six wickets that day and decided that bowling would be his path to the West Indies team. His talent was soon recognised and in 1956 he was included in the Barbados team to play E. W. Swanton's XI in 1956. Hall, still very young and inexperienced, did not take a wicket in the match, his first-class cricket debut. Hall was unlucky, however, not to pick up a wicket having Colin Cowdrey dropped by Kenneth Branker at first slip. Despite the lack of success Hall did catch the eye of Swanton who marked him down as a bowler of "great promise". Based partly on this promise, Hall was selected in the West Indian squad to tour England in 1957. Despite great enthusiasm, Hall struggled in the unfamiliar surroundings, unable to pitch the ball anywhere near the wicket. Hall remarked later "When I hit the softer wickets I was like a fish out of water." Hall did not play in any of the Test matches and in first-class matches on the tour as a whole took 27 wickets at an average of 33.55. Hall's lack of success in England saw him overlooked for the entire home Test series against Pakistan in 1957-58.
who were his parents?
A: teenaged mother, his father a sometime light-heavyweight boxer.
Some context: King's X is an American rock band that combines progressive metal, funk and soul with vocal arrangements influenced by gospel, blues, and British Invasion rock groups. The band's lyrics are largely based on the members' struggles with religion and self-acceptance. King's X was ranked No. 83 on VH1's 100 Greatest Artists of Hard Rock.
The band was moved up to Megaforce's parent label Atlantic Records for the release of their fourth album, King's X, in early 1992. However, rising tensions with Taylor led the band to eschew the upbeat approach of previous albums and turn out a darker, more introspective effort. Unfortunately, despite critical praise, their new style did not translate well among the record-buying public, thus garnering fewer sales than Faith, Hope, Love. "Black Flag", the album's lone single, received only moderate airplay on MTV and radio. Not long after the release of King's X, the band parted ways with Taylor. The details of the split were not made public, but it was believed to be rather bitter. Taylor would admit in 1996 that his company Wilde Silas MusicWorks was growing and, as a result, he was no longer giving King's X, whom he considered "the top dogs," the attention they deserved. In the aftermath, King's X took over a year off to consider their collective future together. The band members followed other, non-musical pursuits; most notably, guitarist Ty Tabor took up semi-professional motocross motorcycle racing. With grunge at the peak of its popularity, and Pearl Jam's bassist Jeff Ament declaring that "King's X invented grunge" (despite the group's trademark sound being very different from that of the commercially successful grunge acts), the band went looking for a new sound upon their return. They enlisted veteran producer Brendan O'Brien, who had recently produced albums for Stone Temple Pilots and Pearl Jam. The resulting album, 1994's Dogman, showcased a much more muscular and heavy sound from the group, along with less abstract and spiritual lyrics. The record received a heavier promotional push from Atlantic including a compilation promotional CD entitled: Building Blox, as King's X enjoyed a successful tour, capped by an appearance at the Woodstock '94 festival in August. They also toured in support of such bands as the Scorpions, Pearl Jam, Motley Crue and Type O Negative, but despite a return to the Top 100 for the group, the album failed to sell as well as Atlantic had hoped, and the label's support for the group quickly faded. The band's third release under Atlantic, 1996's Ear Candy, would also be their last for the label (not including a subsequent Best of King's X compilation). Although it sold to the band's sizeable core following, it lacked the relative mainstream success of previous efforts. The record was soon out of print, and it seemed that the group's chance for commercial success had come and gone.
What else can you tell me about the atlantic era?
A:
The band's third release under Atlantic, 1996's Ear Candy, would also be their last for the label (