input: Shipman's trial began at Preston Crown Court on 5 October 1999. Shipman was charged with the murders of Marie West, Irene Turner, Lizzie Adams, Jean Lilley, Ivy Lomas, Muriel Grimshaw, Marie Quinn, Kathleen Wagstaff, Bianka Pomfret, Norah Nuttall, Pamela Hillier, Maureen Ward, Winifred Mellor, Joan Melia and Kathleen Grundy by lethal injections of diamorphine, all between 1995 and 1998. His legal representatives tried, but failed, to have the Grundy case, where a clear motive was alleged, tried separately from the others, where no motive was apparent. On 31 January 2000, after six days of deliberation, the jury found Shipman guilty of 15 counts of murder and one count of forgery. Mr Justice Forbes subsequently sentenced Shipman to life imprisonment on all 15 counts of murder, with a recommendation that he never be released, to be served concurrently with a sentence of four years for forging Grundy's will. On 11 February 2000, ten days after his conviction, the General Medical Council formally struck Shipman off its register. Two years later, Home Secretary David Blunkett confirmed the judge's whole life tariff, just months before British government ministers lost their power to set minimum terms for prisoners. While many additional charges could have been brought, authorities concluded that a fair hearing would be impossible in view of the enormous publicity surrounding the original trial. Furthermore, the 15 life sentences already handed down rendered further litigation unnecessary. Shipman consistently denied his guilt, disputing the scientific evidence against him. He never made any public statements about his actions. Shipman's wife, Primrose, steadfastly maintained her husband's innocence, even after his conviction. Shipman is the only doctor in the history of British medicine found guilty of murdering his patients. John Bodkin Adams was charged in 1957 with murdering a patient, amid rumours he had killed dozens more over a ten-year period and "possibly provided the role model for Shipman". However, he was acquitted. Historian Pamela Cullen has argued that because of Adams' acquittal, there was no impetus to examine the flaws in the British system until the Shipman case.

Answer this question "Who else?"
output: Kathleen Wagstaff, Bianka Pomfret, Norah Nuttall, Pamela Hillier, Maureen Ward, Winifred Mellor, Joan Melia and Kathleen Grundy

input: In 1998, Marie, Sara, Dhani, and Amit were musically united as the ABBA Teens. However, the group's name was changed to the A-Teens to avoid litigation. This choice allowed the band more freedom in creating their own style of music. In early 1999, the band started the recording process of what would be their debut album, The ABBA Generation, consisting purely of ABBA covers reinterpreted with a modern pop and electronic flair to appeal to a new generation of young pop fans. Their first single, "Mamma Mia", topped the charts in over ten countries including their home country Sweden where it stayed at number one for eight consecutive weeks. The album hit the peak position in Sweden & Chile and became a top ten hit throughout the world. Further singles enjoyed similar success ensuring top ten placings across the globe, and the album overall sold more than 3 million copies worldwide, being certified Gold or Platinum in over 22 different countries. The band's music video for "Dancing Queen" features a plot very similar to the 1985 John Hughes film The Breakfast Club. In addition, the principal seen in the music video was played by Paul Gleason, the same actor who was the principal in the film. The single reached ninety-five on the Billboard Hot 100 and sold over 500,000 copies in the U.S. alone, being certified Gold. In early 2000, the band embarked on a U.S. promotional tour, and on the verge of the release of their album in the United States, the band was invited to tour with Britney Spears that summer in her U.S. Tour. They also made several appearances on Disney and Nickelodeon to promote their music. The band's debut became a hit in North America, where the album reached seventy-one on the Billboard 200 Albums Chart being certified Gold in September 2000, but its sales reached the million mark in 2001. That month, the A-Teens won a Viva Music Award for Best International Newcomer, competing with the likes of Christina Aguilera and Blink-182, and also the band announced what would be the lead single from their second album and their first to be an original song, "Upside Down", which would also become their signature song. The song was released to Swedish radios on 23 October 2000, and was later unleashed worldwide. When the single was commercially released, it reached number two in Sweden and was later certified 2x Platinum. The song became the band's biggest hit when it reached the top ten in several countries and when the single was released in the United States. The physical single reached number six on the Billboard Hot 100 Single Sales Chart, selling over 500,000 copies in three weeks and being certified Gold. In January 2001, the band was nominated for "Best Swedish Group" at the NRJ Awards.

Answer this question "Who worked with the A-Teens to produce The Abba Generation?"
output:

input: Swift uses her life experiences as an inspiration in her work. In her songs, Swift often addresses the "anonymous crushes of her high school years" and celebrities. Swift frequently criticizes ex-boyfriends, an aspect of her songwriting downplayed by The Village Voice: "Being told What Songs Mean is like having a really pushy professor. And it imperils a true appreciation of Swift's talent, which is not confessional, but dramatic." However, New York believes the media scrutiny over her decision to "mine her personal life for music ... is sexist, inasmuch as it's not asked of her male peers". The singer herself has said that not all her songs are factual and that they are sometimes based on observations. Aside from her liner note clues, Swift tries not to talk about song subjects specifically "because these are real people. You try to give insight as to where you were coming from as a writer without completely throwing somebody under the bus". For a female to write about her feelings, and then be portrayed as some clingy, insane, desperate girlfriend in need of making you marry her and have kids with her, I think that's taking something that potentially should be celebrated--a woman writing about her feelings in a confessional way--that's taking it and turning it and twisting it into something that is frankly a little sexist. The Guardian has praised Swift for writing about teenage years "with a kind of wistful, sepia-toned nostalgia" over the course of her first two albums. New York has remarked that many singer-songwriters have made great records as teens, but "none made great records so explicitly about their teens". The magazine has also compared her work to Brian Wilson. In Fearless, Swift featured fairy tale imagery and explored the disconnect "between fairy tales and the reality of love". Her later albums address more adult relationships. In addition to romance and love, Swift's songs have discussed parent-child relationships, friendships, alienation, fame, and career ambitions. Swift frequently includes "a tossed-off phrase to suggest large and serious things that won't fit in the song, things that enhance or subvert the surface narrative". Rolling Stone describes Swift as "a songwriting savant with an intuitive gift for verse-chorus-bridge architecture". According to The Village Voice, she uses third-verse point of view reversals frequently. In terms of imagery, repetition is evident in Swift's songwriting. In The Guardian's words, "she spends so much time kissin' in the rain that it seems a miracle she hasn't developed trenchfoot". Slant Magazine adds, "to Swift's credit, she explores new lyrical motifs over the course of [her fourth] album". Although reviews of Swift's work are "almost uniformly positive", The New Yorker has said she is generally portrayed "more as a skilled technician than as a Dylanesque visionary".

Answer this question "Has Swift spoken of any other influences for her lyrics?"
output:
Swift often addresses the "anonymous crushes of her high school years" and celebrities.