input: On February 25, 1983, Williams was found dead in his suite at the Hotel Elysee in New York at age 71. The Chief Medical Examiner of New York City reported that Williams had choked to death from inhaling the plastic cap of a bottle of the type that might contain a nasal spray or eye solution. He wrote in his will in 1972: "I, Thomas Lanier (Tennessee) Williams, being in sound mind upon this subject, and having declared this wish repeatedly to my close friends-do hereby state my desire to be buried at sea. More specifically, I wish to be buried at sea at as close a possible point as the American poet Hart Crane died by choice in the sea; this would be ascrnatible [sic], this geographic point, by the various books (biographical) upon his life and death. I wish to be sewn up in a canvas sack and dropped overboard, as stated above, as close as possible to where Hart Crane was given by himself to the great mother of life which is the sea: the Caribbean, specifically, if that fits the geography of his death. Otherwise--whereever fits it [sic].". But his family buried him at Calvary Cemetery (St. Louis), Missouri. Williams left his literary rights to The University of the South in Sewanee, Tennessee, an Episcopal school, in honor of his grandfather, Walter Dakin, an alumnus of the university. The funds support a creative writing program. When his sister Rose died in 1996 after many years in a mental institution, she bequeathed $7 million from her part of the Williams estate to The University of the South as well.

Answer this question "What other odd facts are there about his death?"
output: declared this wish repeatedly to my close friends-do hereby state my desire to be buried at sea.

input: In July 1955, Evans returned to New York City and enrolled in the Mannes College of Music for a three-semester postgraduate course in musical composition. He also wrote classical settings of poems by William Blake. Along with his studies, Evans played in mostly low-profile "Tuxedo gigs" at the Friendship Club and the Roseland Ballroom, as well as Jewish weddings, intermission spots, and over-40 dances. However, better opportunities also arose, such as playing solo opposite the Modern Jazz Quartet at the Village Vanguard, where one day he saw Miles Davis listening to him. During this period, Evans also met Thelonious Monk. Evans soon began to perform in Greenwich Village clubs with Don Elliott, Tony Scott, and Mundell Lowe; as well as with bandleader Jerry Wald. While Evans may have played on some of Wald's discs, his first proven Wald recording was Listen to the Music of Jerry Wald, which also featured his future drummer Paul Motian. In early 1955, singer Lucy Reed moved to New York City to play at the Village Vanguard and The Blue Angel, and in August she recorded The Singing Reed with a group which included Evans. During this period, he met two of Reed's friends: manager Helen Keane, who, seven years later, would become his own agent; and George Russell, with whom he would soon work. That year, he also made his first recording, in a small ensemble, in Dick Garcia's A Message from Garcia. In parallel, Evans kept with his work with Scott, playing in Preview's Modern Jazz Club in Chicago during December-January 1956/7, and recording The Complete Tony Scott. After the Complete sessions, Scott left for a long overseas tour.

Answer this question "What kind of jobs did he find after that?"
output: However, better opportunities also arose, such as playing solo opposite the Modern Jazz Quartet at the Village Vanguard,

input: In 1987, Seagal began work on his first film, Above the Law (titled Nico in Europe), with director Andrew Davis and reportedly as a favor to a former aikido student, the agent Michael Ovitz. Ovitz took Seagal to Warner Brothers to put on an aikido demonstration and the executives were impressed by him and offered him several scripts; Seagal turned them down but agreed to write what would become Above the Law. Following its success, Seagal's subsequent movies were Hard to Kill, Marked for Death, and Out for Justice, all box office hits, making him an action hero. Later, he achieved wider, mainstream success in 1992 with the release of Under Siege (1992). That film reunited Seagal with director Andrew Davis, and was a blockbuster in the U.S. and abroad, grossing $156.4 million worldwide. Seagal hosted the April 20, 1991 episode of the late night variety show Saturday Night Live, which aired as the 18th episode of the 16th season. Cast member David Spade regarded Seagal as the show's worst host during Spade's time there. Spade and co-star Tim Meadows cite Seagal's humorlessness, his ill treatment of the show's cast and writers, and his refusal to do a "Hans and Franz" sketch because that skit's title characters stated that they could beat up Seagal. Seagal was never invited back to the show following that episode. Meadows commented, "He didn't realize that you can't tell somebody they're stupid on Wednesday and expect them to continue writing for you on Saturday." The cast and crew's difficulties with Seagal were later echoed on-air by producer Lorne Michaels during guest host Nicolas Cage's monologue in the September 26, 1992 Season 18 premiere. When Cage worried that he would do so poorly that the audience would regard him as "the biggest jerk who's ever been on the show", Michaels replied, "No, no. That would be Steven Seagal." Seagal directed and starred in On Deadly Ground (1994), featuring Michael Caine, R. Lee Ermey and Billy Bob Thornton in minor supporting roles. The film emphasized environmental and spiritual themes, signaling a break with his previous persona as a genre-ready inner-city cop. On Deadly Ground was poorly received by critics, especially denouncing Seagal's long environmental speech in the film. Regardless, Seagal considers it one of the most important and relevant moments in his career. Seagal filmed a sequel to one of his most successful films, Under Siege, titled Under Siege 2: Dark Territory (1995), and cop drama The Glimmer Man (1996). In 1996, he had a role in the Kurt Russell film Executive Decision, portraying a special ops soldier who only appears in the film's first 45 minutes. In another environmentally conscious and commercially unsuccessful film, Fire Down Below (1997), he was an EPA agent fighting industrialists dumping toxic waste in the Kentucky hills. This film ended his original multi-picture contract with Warner Bros.

Answer this question "What other work did he do at this time?"
output:
Saturday Night Live,