IN: Carroll Baker was born and raised in Johnstown, Pennsylvania, in a Roman Catholic family, the daughter of Edith Gertrude (nee Duffy) and William Watson Baker, a traveling salesman. She is of Polish descent, which has given rise to a rumor that her birth name was Karolina Piekarski. However, this currently cannot be substantiated by known records. Baker's parents separated when she was eight years old, and she moved with her mother and younger sister, Virginia, to Turtle Creek, Pennsylvania.

Baker portrayed a pacifist Quaker schoolteacher in John Ford's Cheyenne Autumn (1964), and received critical acclaim for the role. She then had a supporting role as Saint Veronica in George Stevens' The Greatest Story Ever Told (1965), and portrayed a cynical, alcoholic movie star in The Carpetbaggers (1964), which brought her a second wave of notoriety in spite of the film's lackluster reviews. The New York Times called the film "a sickly sour distillation" of the source novel, but said Baker's performance "brought some color and a sandpaper personality as the sex-loaded widow." The film was the top moneymaker of that year, with domestic box-office receipts of $13,000,000, and marked the beginning of a tumultuous relationship with the film's producer, Joseph E. Levine. Based on her Carpetbaggers performance, Levine began to develop Baker as a movie sex symbol, and she appeared posing in the December 1964 issue of Playboy. She was subsequently cast by Levine in the title roles of two 1965 potboilers-- Sylvia, as an ex-prostitute and con artist, and as Jean Harlow in Harlow. Baker appeared on the cover of the Saturday Evening Post on their November 2, 1963, issue dressed as Harlow, promoting the film's upcoming production. In 1965, she became an official celebrity spokesperson for Foster Grant sunglasses and appeared in advertisements for the company. Baker likened this era of her career to "being a beauty contest winner [as opposed to] an actress." Despite much prepublicity, Harlow received a lukewarm response from critics: Variety referred to Baker's portrayal of Harlow as "a fairly reasonable facsimile, although she lacks the electric fire of the original." Relations between Baker and Levine soured; in a 1965 interview, Baker sardonically commented: "I'll say this about Joe Levine: I admire his taste in leading ladies," which led the press to suspect a rift between the actress and producer. Baker sued Levine over her contract with Paramount Pictures in 1966, and was ultimately fired by Paramount and had her paychecks from Harlow frozen amid the contentious legal dispute; this left Baker hundreds of thousands of dollars in debt (however, she was eventually awarded $1 million in compensation). In an interview with Rex Reed in his book People Are Crazy Here (1974), Baker revealed that she had felt pressure in both her working relationship with Levine, and her domestic life with her husband, the latter of whom she said wanted to maintain an expensive lifestyle: "We'd been very poor when we started out at the Actors Studio in New York," she told Reed. "I was under contract to Joe Levine, who was going around giving me diamonds and behaving like he owned me. I never slept with him or anything, but everyone thought I was his mistress." In the spring of 1966, Baker returned to theatre, performing in a production of Anna Christie at the Huntington Hartford Theater in Los Angeles. The production was directed by Garfein. The production was heralded as the "theatre event of the week" in Los Angeles, though its reception was middling. Cecil Smith of The Los Angeles Times wrote of the production: "The beautiful Miss Baker's vehicle becomes a hearse." The play was also performed at the Tappan Zee Playhouse in Nyack, New York in June 1966.

What were some sex symbol roles?

OUT: she appeared posing in the December 1964 issue of Playboy.

IN: The Turkana are a Nilotic people native to the Turkana District in northwest Kenya, a semi-arid climate region bordering Lake Turkana in the east, Pokot, Rendille and Samburu people to the south, Uganda to the west, and South Sudan and Ethiopia to the north. They refer to their land as Turkan. According to the 2009 Kenyan census, Turkana number 855,399, or 2.5% of the Kenyan population, making the Turkana the third largest Nilotic ethnic group in Kenya, after the Kalenjin and the Luo, slightly more numerous than the Maasai, and the tenth largest ethnicity in all of Kenya. Although this figure was initially controversial and rejected as too large by Planning Minister Wycliffe Oparanya, a court ruling (Feb 7, 2012) by Justice Mohammed Warsame (judge) stated that the Kenyan government accepts the 2009 census figures for Turkana.

The Turkana entered Turkana basin from the north as one unit of the Ateker confederation. This cluster split as a result of internal differences, leading to the emergence of distinct independent groups. The Turkana people emerged as a victorious group in the subsequent conflict, which led to enmity between the Turkana and other Ateker cluster groups, who formed military alliances against the Turkana. The Turkana emerged victorious again by co-opting young people from conquered groups. The military power and wealth of the Turkana increased in what is now the northern plains of Turkana. The establishment of the Turkana people developed as a distinct group which expanded southwards conquering ethnic nations south of its borders. The Turkana people easily conquered groups it came in contact with by employing superior tactics of war, better weapons and military organization. By the 1600s, the Turkana basin had been fully occupied by the Turkana and their allies. There was a relative long period of peace among indigenous ethnic communities around Turkana until the onset of European colonization of Africa. Sporadic conflicts involved Turkana fights against Arab, Swahili and Abyssinian slave raiders and ivory traders. European colonization brought a new dimension to conflict with Turkana putting up a lasting resistance to a complex enemy, the British. The Turkana put up and maintained active resistance to British colonial advances leading to a passive presence of colonial administration. By the outbreak of World War I, few parts of Turkana had been put under colonial administration. From World War I through to the end of World War II, Turkana actively participated in the wars as allies of Britain against invading Italy. Turkana was used as the launching pad for the war against invading Italian forces leading to the liberation of Abyssinia. After World War II, the British led disarmament and pacification campaigns in Turkana, leading to massive disruptions and dispossession of Turkana pastoralists. The colonial administration practiced a policy of deliberate segregation of Turkana people by categorizing Turkana Province as a closed district. This led to marginalization and underdevelopment in the lead up to Kenya's independence.

What is historical about the Turkana people?

OUT:
The Turkana people easily conquered groups it came in contact with by employing superior tactics of war, better weapons and military organization.