instruction:
Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:'.
question:
CONTEXT: Maybe it's because with origami you can go from a simple non living material such as a simple sheet of paper and mold it into something that is a representation of a living thing. Although this might never get a true answer I like to think it has something to do with the artificial creation of something representing life or dreams. When thinking further along these lines it strikes me that indeed the origami are all artificial representations of something living, yet a unicorn can never be really alive which can then be some sort of an origami analogy for Deckard = Replicant. <sep> Q: What does the origami represent in Blade Runner? A: the origami are all artificial representations of something living
answer:
What types of origami does he make?

question:
CONTEXT: Carol had no problem understanding the guard. And the guard had no problem understanding her. The issue that Carol thought she had, was caused by pure confusion on the guards side, as the guard just witnessed some pretty freaky stuff and was still shocked by it. The guard simply didn't respond in a timely manner (actually not really at all), which made Carol think that the guard didn't understand her. <sep> Q: Why is Carol unable to understand English? A: Carol had no problem understanding Q: Is her "universal translator" working? A: The guard simply didn't respond in a timely manner (actually not really at all), which made Carol think that the guard didn't understand her
answer:
What happened when Kree captured her?

question:
CONTEXT: The movie is an adaptation of Peter Shaffer's play of the same name, which suffers from the same criticism of historical accuracy. I can't find any references to hand, but I imagine that Shaffer was using the historical setting to stage a story of artistic genius and professional rivalry that makes such a good story, and that accuracy was somewhat secondary. It is true that Salieri and Mozart were professional rivals, and that Mozart fairly obviously was the more successful - but it is also clear that their rivalry did not descend into hatred nor that Salieri had any part in Mozart's death, despite rumors. On a positive front the movie makes it very clear that Salieri admires and respects Mozart's abilities, and you could argue that the movie is less about professional rivalry, than about Salieri's argument with God about his somewhat less stellar skills. <sep> Q: Why is the Salieri-Mozart relationship projected falsely in the movie Amadeus? A: you could argue that the movie is less about professional rivalry, than about Salieri's argument with God about his somewhat less stellar skills
answer:
So, are you saying it wasn't based on factual events?