In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as 'a' for Yes or 'b' for No.

[EX Q]: Question: Which place is older, Chernihiv or Lutsk? Passage:In 1180, Ingvar Yaroslavich joined Ryurik Rostislavich in his struggle against Sviatoslav Vsevolodovich of Chernihiv. According to the Tale of Igor's Campaign, Ingvar was a brave man, however, he never wanted to irritate his powerful neighbors. In 1183, for instance, Ingvar refused to accommodate Vladimir II Yaroslavich in Dorogobuzh, who had been banished from Halych. It appears that Ingvar was wary of Yaroslav Osmomysl, Vladimir Yaroslavich's father. Soon after this, Ingvar took the place of his older brother Vsevolod Yaroslavich as the ruler of Lutsk. In 1202, Ingvar was appointed ruler of Kiev instead of the ousted Ryurik Rostislavich in accordance with a deal between Roman Mstislavich of Halych and Vsevolod the Big Nest, Grand Prince of Vladimir. Ryurik, however, would regain Kiev that same year with the help of the Olgovichs and polovtsy. In 1204, Ingvar took part in capturing the city of Volodymyr-Volyns'kyi together with Alexander of Belz. He was appointed ruler of the city on the spot, but was soon replaced by Alexander due to boyars' discontent. In 12081211, Ingvar sent his son to assist Daniil Romanovich in his struggle against the sons of Igor Sviatoslavich of Novhorod-Siverskyi. In 1212, Ingvar and Mstislav Romanovich attacked Vsevolod Sviatoslavich and captured Kiev. After a battle near Belgorod Ingvar voluntarily ceded Kiev to Mstislav Romanovich and left for Lutsk.

[EX A]: b

[EX Q]: Question: How old was the writer who gave the band a cryptical review in the Village Voice? Passage:While in London performing at The Rainbow Theatre, Dingwall's, and trendy Cabaret Futura, the Bongos recorded their early singles and their well-received debut EP Time and the River for UK-based Fetish Records. Cover designs for their Fetish releases were created by influential graphic artist Neville Brody, who was soon to become the designer of The Face magazine. The group's love of avant-garde performers brought them in touch with artists such as Throbbing Gristle and Clock DVA who performed with them live in London, and on their recordings. Their debut U.S. album, Drums Along the Hudson, compiled from the band's British singles, was released in 1982 to widely favorable reviews on both sides of the Atlantic. While Trouser Press suggested that the group "may trade a certain amount of substance for easy appeal," it added that "there's no better musical equivalent of whipped cream anywhere." Writing in the Village Voice, Robert Christgau dryly commented that "for all their jumpy originality [the songs are] still slight, and Richard Barone's lyrics are so oblique you have to wonder what his angle is." In 2007 however, Jim DeRegotis wrote in the Chicago Sun-Times: "The initial impression of naivete is offset by deceptively simple lyrics that actually hint at deep, dark mysteries and unfathomed mystical enigmas." The group's cover of T. Rex's "Mambo Sun" reached No.22 on the Billboard Dance Chart. A thriving Hoboken pop scene emerged, triggered by the Bongos and Maxwell's, which gained national media attention, and drew many bands and fans to the city. An August 1, 1982 article in the New York Times Real Estate section hinted at the scene's popularity as an influence on increasing rents and property values.

[EX A]: b

[EX Q]: Question: What country is the city the couple got married in, in 1910? Passage:In 1908, she met John Dailey de Angeli, a violinist, known as Dai. They were married in Toronto on April 12,1910. The first of their six children, John Shadrach de Angeli, was born one year later. After living in many locations in the American and Canadian West, they settled in the Philadelphia suburb of Collingswood, New Jersey. There in 1921 Marguerite started to study drawing under her mentor, Maurice Bower. In 1922, Marguerite began illustrating a Sunday School paper and was soon doing illustrations for magazines such as The Country Gentleman, Ladies' Home Journal, and The American Girl, besides illustrating books for authors including Helen Ferris, Elsie Singmaster, Cornelia Meigs, and Dorothy Canfield Fisher. Her last child, Maurice Bower de Angeli, was born in 1928, seven years before the 1935 publication of her first book, Ted and Nina Go to the Grocery Store. The de Angeli family moved frequently, returning to Pennsylvania and living north of Philadelphia in Jenkintown, west of Philadelphia in the Manoa neighborhood of Havertown, on Carpenter Lane in Germantown, Philadelphia, on Panama Street in Center City, Philadelphia, in an apartment near the Philadelphia Art Museum, and in a cottage in Green Lane, Pennsylvania. They also maintained a summer cabin on Money Island in Toms River, New Jersey. Marguerite's husband died in 1969, eight months before their 60th wedding anniversary.

[EX A]:
b