Q: Given the following context: Professor Donald Hardwick, who lectures his students against swing music and jitterbugging, goes to New York City to get his symphony published, but accidentally writes a hit swing song ("Hooray for Spinach, Hooray for Milk") with the connivance of aspiring lyricist Linda McKay, which brings him into disrepute with the Dean of his college. After the teetotaling professor accidentally gets drunk, Hardwick promises to stay in New York City for the summer and write songs with McKay, and they have three more hits. Unfortunately, singer Zelda Manion exploits his talents to her own advantage by getting Hardwick drunk again, and tricking him into signing a contract with her publisher. His new lyricist, Joe Dirk, gets Hardwick in trouble by copying a classical piece of music and signing Hardwick's name to it. At Hardwick's trial, his aunts (Helen Broderick, ZaSu Pitts, Vera Lewis and Elizabeth Dunne) convince the judge, a songwriter himself, that the earlier melody was copied from an even earlier piece now in the public domain, and the judge throws the case out. answer the following question: What is the last name of the person whose talents are exploited?
A: Hardwick

Q: Given the following context: The film opens with Tom joining Lou and Mitchell at Lou's bar for their weekly poker games when a man enters and asks to be served. Upon being told the bar is closed the man refuses to leave. When Mitchell approaches, the man threatens Mitchell calling him by name. The man then gets up and angrily leaves only to return and violently shoot Lou, Mitchell, and Tom. The next morning Sam wakes up after dreaming about his former days as a bull rider. He starts his morning at the motel by reading about the shootings in the paper and then responding to a disturbance in room 128. Sam politely and shyly asks the tenant to quiet down, only to have the door shut in his face. Later that day, Tom's wife, Bernadette, goes on the porch during a gathering for her deceased husband and asks Sam if she can come by to no avail. Sam has trouble lifting his right arm and walks with a limp due to injuries suffered from bull riding. Bernadette, ignoring Sam's earlier wish, wakes Sam in the middle of the night for sex to which he obliges. They discuss whether Tom is in heaven or hell and Sam seems regretful of his relationship with Bernadette. Upon leaving the next morning, Bernadette picks up the picture Sam laid down. The photo is of a woman and a young girl. answer the following question: What is the name of the deceased man whose wife has sex with Sam?
A: Tom

Q: Given the following context: During the latter half of 2002, Sasha collaborated with big beat artist Junkie XL on the single "Breezer". Junkie XL, along with Charlie May, also assisted Sasha on his second album of original material, Airdrawndagger. Airdrawndagger took several years to produce due to Sasha's desire for the album to be "as near to perfection as possible." That March, Sasha suffered a perforated eardrum in a traffic accident, further delaying the album's production. Though the accident temporarily impaired his hearing, he drew inspiration for the album from his ordeal. Airdrawndagger was finally released, in August 2002, to much fanfare. However, the album was "received with a lot of head scratching", according to Sasha, which he attributed to its unexpected mix of genres. The album did not feature the heavier "club sound" of Sasha's previous mix albums, bearing a closer resemblance to ambient music. Airdrawndagger generally received favorable reviews, though critics noted that it was not as consistent and well produced as his DJ mixes. Sasha himself described it as "a selfish, slightly self-indulgent record", though he maintains that he is "happy with it to this day". Some critics, however, called it "sleepy"; E!Online described it as being "more in league with Yanni than Moby". To encourage listeners' interest, Sasha held an amateur remix contest for the album's single, "Wavy Gravy". Due to the contest's success, Sasha released all the tracks from Airdrawndagger on his website, so that fans could download and create their own versions.After the release of Airdrawndagger, Sasha took the young DJ James Zabiela "under his wing". He introduced Zabiela to the CDJ1000 turntable, and signed Zabiela to the Excession talent agency. The two toured the United States together, which extended Sasha's influence to already-popular American DJs such as Kimball Collins. In 2004, Sasha signed with Global Underground to produce another mix album. However, he found the process of creating a standard mix album unrewarding, and decided... answer the following question: What is the name of the person whose hearing was temporarily impaired?
A: Sasha

Q: Given the following context: In 2001, M.I.A. (Mathangi "Maya" Arulpragasam) had worked exclusively in the visual arts. While filming a documentary on Elastica's 2001 tour of the US, she was introduced to the Roland MC-505 sequencer/drum machine by electroclash artist Peaches, whose minimalistic approach to music inspired her. She found Peaches' decision to perform without additional instrumentation to be brave and liberating and felt that it emphasised the artist. Returning to London, she unexpectedly gained access to a 505 owned by her friend, former Elastica singer Justine Frischmann. M.I.A. used the 505 to make demo recordings in her bedroom. She initially planned to work as a producer. To this end, she approached Caribbean girls in clubs to see if they would provide vocals for the songs, but without success. M.I.A. secured a record deal with XL Recordings after Frischmann's manager overheard the demo. M.I.A. began work on the album by composing lyrics and melodies, and she programmed drum beats at home on the drum machine. Having produced rough tracks via trial and error, she honed the finished songs in collaboration with other writer-producers. Through these collaborations, she sought to produce a diverse style and "drag [her collaborators] out of their boxes, musically".DJ Diplo introduced elements of Brazilian baile funk to "Bucky Done Gun". Fellow composer-producer Richard X worked on the track "Hombre", which featured a drum pattern created from the sounds made by toys that M.I.A. had bought in India, augmented with sounds produced by objects such as pens and mobile phones. Steve Mackey and Ross Orton, known professionally as Cavemen, worked on "Galang", which M.I.A. had initially produced with her 505 and a basic four-track tape recorder. Working with Cavemen in a professional studio, she added a bass line and new vocals to give the song "a more analogue sound" than was possible with the 505. The track was co-written by Frischmann, whose input M.I.A. described as "refreshing". She initially hoped to feature guest vocalists on... answer the following question: What is the real name of the person who found someone's decision to perform without additional instrumentation to be brave and liberating?
A:
Mathangi "Maya" Arulpragasam