Problem: Background: Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin.
Context: In 1929, Monroe moved to Indiana to work at an oil refinery with his brothers Birch and Charlie, and childhood friend and guitarist William "Old Hickory" Hardin. Together with a friend Larry Moore, they formed the "Monroe Brothers", to play at local dances and house parties. Birch Monroe and Larry Moore soon left the group, and Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations-- first in Indiana and then, sponsored by Texas Crystals, on several radio broadcasts in Iowa, Nebraska, South Carolina and North Carolina from 1934 to 1936. RCA Victor signed the Monroe Brothers to a recording contract in 1936. They scored an immediate hit single with the gospel song "What Would You Give in Exchange For Your Soul?" and ultimately recorded 60 tracks for Victor's Bluebird label between 1936 and 1938. After the Monroe Brothers disbanded in 1938, Bill Monroe formed The Kentuckians in Little Rock, Arkansas, but the group only lasted for three months. Monroe then left Little Rock for Atlanta, Georgia, to form the first edition of the Blue Grass Boys with singer/guitarist Cleo Davis, fiddler Art Wooten, and bassist Amos Garren. Bill had wanted "Old Hickory" to become one of the original members of his "Blue Grass Boys", however William Hardin had to decline. In October 1939, Monroe successfully auditioned for a regular spot on the Grand Ole Opry, impressing Opry founder George D. Hay with his energetic performance of Jimmie Rodgers's "Mule Skinner Blues". Monroe recorded that song, along with seven others, at his first solo recording session for RCA Victor in 1940; by this time, the Blue Grass Boys consisted of singer/guitarist Clyde Moody, fiddler Tommy Magness, and bassist Bill Wesbrooks. While the fast tempos and instrumental virtuosity characteristic of bluegrass music are apparent even on these early tracks, Monroe was still experimenting with the sound of his group. He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies as he had in the Monroe Brothers. A 1945 session for Columbia Records featured an accordion, soon dropped from the band. Most importantly, while Monroe added banjo player David "'Stringbean" Akeman to the Blue Grass Boys in 1942, Akeman played the instrument in a relatively primitive style and was rarely featured in instrumental solos. Monroe's pre-1946 recordings represent a transitional style between the string-band tradition from which he came and the musical innovation to follow.
Question: Did he play an instrument or sing in the Grad Ole Opry?
Answer: He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies

Problem: Background: Geronimo (Mescalero-Chiricahua: Goyaale [koja:le] "the one who yawns"; June 16, 1829 - February 17, 1909) was a prominent leader and medicine man from the Bedonkohe band of the Chiricahua Apache tribe.
Context: Geronimo was born to the Bedonkohe band of the Apache, near Turkey Creek, a tributary of the Gila River in the modern-day state of New Mexico, then part of Mexico, though the Apache disputed Mexico's claim. His grandfather, Mahko, had been chief of the Bedonkohe Apache. He had three brothers and four sisters. His parents raised him according to Apache traditions; after the death of his father, his mother took him to live with the Tchihende and he grew up with them. Geronimo married a woman named Alope, from the Nedni-Chiricahua band of Apache when he was 17; they had three children. She was the first of nine wives. On March 5, 1858, a company of 400 Mexican soldiers from Sonora led by Colonel Jose Maria Carrasco attacked Geronimo's camp outside Janos (Kas-Ki-Yeh in Apache) while the men were in town trading. Among those killed were his wife, children and mother. The loss of his family led Geronimo to hate all Mexicans for the rest of his life; he and his followers would frequently attack and kill any group of Mexicans that they encountered. Recalling that at the time his band was at peace with the Mexicans, Geronimo remembered the incident as follows: Late one afternoon when returning from town we were met by a few women and children who told us that Mexican troops from some other town had attacked our camp, killed all the warriors of the guard, captured all our ponies, secured our arms, destroyed our supplies, and killed many of our women and children. Quickly we separated, concealing ourselves as best we could until nightfall, when we assembled at our appointed place of rendezvous -- a thicket by the river. Silently we stole in one by one, sentinels were placed, and when all were counted, I found that my aged mother, my young wife, and my three small children were among the slain. Geronimo's chief, Mangas Coloradas, sent him to Cochise's band for help in his revenge against the Mexicans. It was during this incident that the name Geronimo came about. This appellation stemmed from a battle in which, ignoring a deadly hail of bullets, he repeatedly attacked Mexican soldiers with a knife. The origin of the name is a source of controversy with historians, some writing that it was appeals by the soldiers to Saint Jerome ("Jeronimo!") for help. Others source it as the mispronunciation of his name by the Mexican soldiers.
Question: Did he ever settle down anywhere
Answer:
after the death of his father, his mother took him to live with the Tchihende and he grew up with them.