Problem: Background: Buffalo Springfield was a Canadian-American rock band active from 1966 to 1968 whose most prominent members were Stephen Stills, Neil Young, and Richie Furay. The band released three albums and several singles, including "For What It's Worth". The band combined elements of folk and country music with British invasion and psychedelic-rock influences, and, along with the Byrds, were part of the early development of folk-rock. With a name taken from a brand of steamroller, Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Dewey Martin (drums, vocals), Bruce Palmer (electric bass), Furay (guitar, vocals), and Young (guitar, harmonica, piano, vocals).
Context: Chris Hillman of the Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood. The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year. In November 1966, Stills composed "For What It's Worth" in response to a protest that had turned into a riot following the closing of a nightclub called Pandora's Box on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc.,
Question: Who manages them?
Answer: Charlie Greene and Brian Stone;

Problem: Background: Cudi was born Scott Ramon Seguro Mescudi on January 30, 1984, in Cleveland, Ohio, and grew up in Shaker Heights and Solon. He is the youngest of four children, with two brothers, Domingo and Dean, and a sister, Maisha. His mother, Elsie Harriet (Banks), is a middle-school choir teacher at Roxboro Middle School in Cleveland Heights, Ohio. His father, Lindberg Styles Mescudi, was a house painter, substitute teacher and World War II Air Force veteran.
Context: Kid Cudi's musical style has been described as "an atmospheric take on melodic rap, with a dollop of charming, off-key singing". He has also been called "introspective, with the ability to lay his insecurities on record and expose his fallibility." In 2015, Kris Ex of Billboard, wrote "he's always been an emotional artist, dealing with expansive and nebulous feelings in acute and often destructive ways." Kid Cudi's sound is what inspired and led Kanye West to create his cathartic 808s & Heartbreak (2008), with West later stating that he and Cudi were "the originators of the style, kinda like what Alexander McQueen is to fashion.... Everything else is just Zara and H&M." West also complimented Cudi by saying, "His writing is just so pure and natural and important." In March 2014, Cudi talked about wanting to provide guidance for young listeners with his music: "my mission statement since day one [...] all I wanted to do was help kids not feel alone, and stop committing suicide." In a 2013 article for The BoomBox, the author wrote: "On [A Kid Named Cudi], Cudi raps and croons over samples and interpolations of Gnarls Barkley, Paul Simon, Band of Horses, J Dilla, Nosaj Thing, N.E.R.D. and Outkast. He melded indie rock, electronica and dubstep seamlessly with hip-hop without pandering or reaching. Before Drake broke through with 2009's So Far Gone, rapping and singing over Swedish indie poppers Lykke Li and Peter Bjorn and John, Cudi tweaked with multi-genre covers and seamless transitions between singing and rapping." In a 2009 interview with HipHopDX, when speaking on his debut album Cudi stated: "Well one thing I wanted to do was combine sounds that really bring out intense moods." Kid Cudi's music has also been described as trip hop. Furthermore, he is known for harmonizing and humming in his music, which helps formulate his signature sound. On 2011's WZRD and 2015's Speedin' Bullet 2 Heaven, Cudi incorporated the use of screamed vocals, and can be heard yodeling on his 2016 album Passion, Pain & Demon Slayin'. Throughout the years he has also incorporated elements of psychedelia, R&B, electronica, synthpop and grunge, in his music.
Question: Are there any other interesting aspects about this article?
Answer:
and croons over samples and interpolations of Gnarls Barkley, Paul Simon, Band of Horses, J Dilla, Nosaj Thing, N.E.R.D. and Outkast.