IN: Peter Leslie Shilton OBE (born 18 September 1949) is an English former footballer who played as a goalkeeper. He currently holds the record for playing more games for England than anyone else, earning 125 caps, and held the all-time record for the most competitive appearances in world football - 1,249 - until being surpassed by Paul Bastock in 2017. The IFFHS ranked Shilton among the top ten keepers of the 20th century in 2000. His 30-year career includes being at 11 different clubs, winning two European Cup finals, and playing more than 1,300 competitive matches.

Shilton was selected by Ramsey for the match, walking out behind captain Martin Peters to earn his 15th cap. Aside from one incident, Shilton spent most of the game watching the opposing goalkeeper Jan Tomaszewski as he kept shot after shot out of Poland's net. When the ball finally did get into the net it was at Shilton's end. Midway through the second half, Norman Hunter trod on the ball near the touchline and Poland broke away, with Grzegorz Lato feeding the ball across to the onrushing Jan Domarski. As Domarski moved to hit the ball first time, Shilton got into position to attempt to block the shot. Domarski's drive, struck beyond defender Emlyn Hughes' challenge, was low and not well hit but was aimed inside the near goalpost and very close to Shilton. Shilton needed to deal with the shot but dived late, leaving the shot too close to his body, and Poland scored. Shilton later said he was trying to make "the perfect save" and forgot that his first priority was to keep the ball out of the net rather than make sure he held on to it. Shilton also claimed in his autobiography that this was the only mistake he made in his 125 caps for England. England equalised swiftly through a penalty from Allan Clarke, with Shilton turning his back on the ball at the opposite end because he could not bear to look, but Tomaszewski's continued heroics kept England out to the final whistle, and England failed to qualify for the World Cup. Poland would go on to finish third in the competition. As the season came to an end, Leicester reached the FA Cup semi-finals where Shilton was beaten -- in a replay after the initial game ended goalless -- by a lobbed volley from Liverpool's Kevin Keegan.
QUESTION: Who played the shot that Shilton missed?
IN: Native women in Hong Kong used to be situated within the context of Chinese family and society, in which they were treated the same as Mainland women or Taiwanese women. Under the traditional Chinese patriarchy structure, the society was male-dominated, and women had a relatively subordinate familial role. However, there are cultural differences between Mainland Chinese citizens and citizens of Hong Kong. During the British colonial period the emergence of Western culture (i.e. "Westernization") created a mix of traditional Chinese culture and Western values.

Women were in the workforce as early as the 1920s, but the small population of them often had to fight vigorously for equality of work rights. With the shift of Hong Kong's economy from manufacturing industry to services industry since the 1980s, there is a growing demand for white collar workers. Abundant job opportunities are hence available for both men and women. Employment in Hong Kong can be enjoyed by women, who possess rights, such as maternity protection and sick leave. Nevertheless, women in Hong Kong are aware of the difficulties they face in being a woman in the workforce. For example, when surveyed, both men and women working in Hong Kong stated that they preferred to have a male supervisor over a woman supervisor. In 2016, there are 49.3% females and 50.8% males in the employed population. In spite of the open-minded and relatively westernised culture in Hong Kong, the seemingly equal and fair workplace still poses obstacles on the way of women's career paths. 61.8% of females and 51.6% of males agreed that women have to sacrifice more than men for career success. Interestingly, 72.1% of females agreed that an increasing number of successful women is a positive social phenomenon, while only 59.6% of males shared the same view. The data showed that men, having the invisible privilege obtained from unequal gender perceptions, are content with the current situation and are slightly reluctant to the rising status of women, which might pose a threat to their career prospects. The Hong Kong media clearly reflects the social stereotypes and norms. Performers of authority roles are mostly men, with commentaries and voice overs mainly heard in male voices as well, whereas women are chiefly depicted in domestic roles and gender-specific professions, for example, secretaries and nurses. Despite the high education level and prospective vision women possess, it is uncommon to see women working on Hong Kong corporate boards and in senior management roles. Women account for only 11% of total director pool of Hong Kong's listed issuers and 33% of senior management roles, while the number of female participating in the labor force, which is 54% of the entire female population, lags behind many developed countries (67.6% in the US and 71% in the UK). The number of women in politics is also worryingly small. In the legislative council, there are only 12 female members among the 70 elected members. Comparing to 10 female members among the 60 elected members in 1998, women are clearly under-represented in the legislative stage of the city and such inadequacy will lead to prolonged suppression in women's rights and gender inequality.
QUESTION: How are those females viewed?
IN: Spitting Image is a British satirical puppet show, created by Peter Fluck, Roger Law and Martin Lambie-Nairn. The series was produced by 'Spitting Image Productions' for Central Independent Television over 18 series which aired on the ITV network. The series was nominated and won numerous awards during its run including 10 BAFTA Television Awards, including one for editing in 1989 and two Emmy Awards in 1985 and 1986 in the Popular Arts Category. The series featured puppet caricatures of celebrities prominent during the 1980s and 1990s, including British Prime Ministers Margaret Thatcher and John Major and other politicians, US president Ronald Reagan, and the British Royal Family; the series was the first to caricature Queen Elizabeth

The programme was first released on video in 1986 in a series of three collections, each a compilation of material from the first two series: Spit - With Polish!, A Floppy Mass Of Blubber & Rubber Thingies. All carried a 15 certificate and were reissued in 1988, also as a box set. 1989 saw the release by Central Video of two complete specials, Bumbledown: The Life & Times Of Ronald Reagan and The Sound Of Maggie. Next was a video containing a collection of the music videos from the programme, titled "The Klassik Music Video Vol 1", released in 1991 by Central Video under The Video Collection Ltd (VCI or 2entertain); there was never a Volume 2. "Is Nothing Sacred?" was released in 1992 by Surprise Video, compiling material from 1990-1991. The free booklet was written by Stewart Lee and Richard Herring. Havin' It Off: The Bonker's Guide was released in 1993. In 1996 FA to Fairplay was released on VHS, later reissued on DVD in 2005. Made specially for video, it provided an alternative look at the 1996 European football championship held in England. The Ronald Reagan song "Da Do Run Ron" featured in a straight to video release called Rockin' Ronnie (1986), an otherwise unrelated compilation of movie clips released by ATI Video. The first twelve series including An 11-disc set (containing the first 7 series broadcast 1984-89) have been released by Network Distributing under licence by ITV Studios, so far. Series 1-7 individual releases are now deleted . DVD releases do not include any of the specials made.
QUESTION:
what were the three collections?