Given a paragraph, generate a claim that is supported by the given paragraph. 1) The claim must contain information from within the paragraph. 2) A sentence within the paragraph can be used as a claim. 3) The claim should not have contradictions within the paragraph. 4) The claim should be at most one sentence long.

Q: After hearing about a few more episodes Breckenridge had, Berger suggested she get a gate for the top of the stairs, in case Breckenridge were to fall. She then asked Breckenridge if she had set up Alexa, the virtual assistant developed by Amazon, which she had. They then discussed different exercises they had gone over in the past. Berger asked the patient about her arm mobility asking her to lift her arm and stability, prompting her to stand up without holding on to anything. After about a 30-minute session, they said their goodbyes and logged off their computers. Berger, a physical therapist, certified dementia specialist and owner of Rehab Smarter, conducted the entire session online. Rehab Smarter is a local telehealth business that provides comprehensive rehabilitation services to patients over the internet. "This has been a saving grace for me," Breckenridge said. "It's not because I don't want to go to the doctor's office. It's because I can't get to them. If I could, I would be there." The Brunswick resident turned to telehealth services due to her decreased mobility. She is, for the most part, homebound due to having multiple seizures a day. While she has online sessions with doctors, they still recommend that she come into the office at times to run certain tests and other functions that physicians are not yet capable of completing online. She works with Berger through online sessions about twice a week. Working with her is "completely the same" as if she were sitting with Berger face to-face. "Just because you're stuck at home doesn't mean that you can't get the help that you need," she said. "People just need to find the help that they need, and sometimes it's on the internet." Berger started Rehab Smarter about 18 months ago. She conducts sessions with her patients through an online portal where she can email with them directly, upload videos and add notes for their benefit. Everything is Health Insurance Portability and Accountability Act, or HIPAA, compliant. She typically doesn't do a face-to-face assessment with the patient, but she has gone in-home to see the setup and suggested any modifications to help the patient with mobility. She may also do an initial assessment and meet with the caregiver, if there is one, and ask what the patient's goals are. "Most of what clinicians do is educate and teach the client how to take care of themselves," she said. She demonstrates different exercises with her patients online and, with her expertise, can detect muscle strength and functionality by just observing them perform simple tasks. "You can test cognition over the internet, you can test sensation," she said. "You can't listen to the heart without special equipment, but that exists." Her average client has COPD, heart failure, diabetes, kidney disease, arthritis, high blood pressure and other conditions, all at once. They turn to telehealth because it's difficult for them to get out of the home and go to a doctor's office, although they sometimes do so. "It's not really home care," she said. "It's not really outpatient. It's a platform for clients that either have maxed out their benefits through traditional means or have prevention and wellness issues that will not be covered. It's another opportunity for people." Telehealth can be beneficial to the healthcare provider as well. When Berger provides home care through a company she works for, she can see up to six clients a day and then has hours of paperwork to complete, for insurance purposes. Through virtual care, she can see up to 12 patients with minimal paperwork. Her telehealth service is not covered under insurance, which cuts out a lot of the paperwork. A session can range from $80 to $200. With telehealth, a patient is not limited to one doctor. If Berger finds that a patient needs care in an area in which she's not an expert, she can consult with a doctor across the country to get the patient the care they need. "So you can now get care by anybody who's appropriate, wherever you are, at least to a point that you could not have gotten before," she said. But even with the internet playing such a vital role in the future of medicine, there are still many limitations to telehealth. "You can't touch a patient," Berger said. "If you have an abdominal problem and your physician is palpitating your stomach to feel for tension and different things, you can't do that (over the internet). Blood tests and physical surgeries also can't be done, at this point in time at least." Frederick Memorial Hospital is also making headway in telehealth services. The Chronic Care Management Program gives patients tablets, blood pressure monitors, a pulse oximeter and a scale to detect their vitals in the comfort of their own home. They consult with a nurse on the team once a week by phone. By the end of the summer, they plan to have video conferencing, according to Lisa Hogan, a nurse at FMH and the team lead for both the Chronic Care Management and telemonitoring programs. The program took off in 2017 and started with 30 monitors for in-home patients. Today it has 203 in the community. Up to 200 more monitors will be added in 2020. There is already a waiting list to be a part of the program. This past winter, the hospital also launched a separate Virtual Visit Program through Monocacy Health Partners, the hospital's own physician group. The program is for employees and primary care patients of MHP, according to Alex Nason, director of IT innovation at FMH. Through a series of questions, primary care providers can assess ailments such as upper respiratory infections, flu, cold, rash and pink eye. Although physicians can make diagnoses and write prescriptions after conducting a telehealth session, about 20 percent of the time the provider decides that they would like to see the patient in person. Through these efforts, FMH saw an 84 percent reduction in readmission rates and a 56 percent reduction in emergency room visits in 2018, according to Hogan. "Telehealth as technology has become easier to use, less expensive and more accepted. And the clinical validation is there as more and more parts of health care are embracing it," Nason said. "I think as the technology advances, the research continues to accrue validation and the economics of healthcare continue to evolve, we're seeing more and more movement, acceptance and options of telehealth because the stars are starting to align." ___ Information from: The Frederick (Md.) News-Post, http://www.fredericknewspost.com

A: Telehealth rises as medium increases in validity.
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Q: Knox County's proposed ordinance hasn't been drafted yet, but County Attorney Yvette Kirchoff said the ordinance wouldn't be retroactive so homeowners won't have to remove existing plants. If the measure is approved, Knox County would be the first in Indiana to move forward with such an ordinance, Kirchoff told the Vincennes Sun-Commercial . Invasive species can take over and alter environments, said Will Drews, a natural resource specialist with the Knox County Soil and Water Conservation District. They can also disrupt pasture lands and agriculture. "We've introduced most of them, unfortunately, over time," he said. "They're mostly from other parts of the world, such as Europe or Asia, and the problem is that they have no natural predators, so they just kind of get out of control." One major issue is that some invasive species such as wintercreeper, Japanese honeysuckle and burning bush can be found in local nurseries and are used by landscapers, Drews said. "These are plants that are literally destroying our forests," Drews said. "That's frustrating to a lot of the folks that I work with and those who are aware of the problem." The state Department of Natural Resources and state lawmakers have been working on legislation that would attempt to regulate the spread of invasive species, but the process has been slow, Drews said. Drews and Kirchoff are drafting the ordinance and will present it to the county commissioners soon. ___ Information from: Vincennes Sun-Commercial, http://www.vincennes.com

A: Indiana county working on invasive plants ordinance.
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Q: The unveiling of former President Barack Obama's official portrait on 12 February 2018 also introduced many Americans to artist Kehinde Wiley for the first time as well, as opening the door to late-breaking controversy over some of Wiley's earlier work. Wiley, who has described his own visual style as "bombastic, syrupy, and garish," is celebrated in the contemporary art world for his large-scale portraits of black and brown men and women striking heroic poses modeled on those of aristocrats in classic European paintings. Two portraits in particular, both of them modern takes on the biblical story ofJudith beheading Holofernes and featuring elegantly-dressed black women brandishing the severed heads of white women, suddenly turned controversial in the context of Wiley's new role as a presidential portraitist. Images of the paintings were shared on social media with comments stating or implying that their content is racist: This what is confusing to me you can't have Confederate flags you take down historical statues because they are racist but the 44th POTUS picks the guy who painted these pictures to paint his presidential portrait and that's just fine? Maybe I'm missing something? #tcot pic.twitter.com/9RhYCGPQK7 Jeannie-ology (@jeanniology) February 12, 2018 So a racist ex-President selects a racist artist to paint his picture. Anyone surprised? Artist Who Painted Obama's Official Portrait Known For Painting Blacks Beheading Whites https://t.co/JarXVYUQ27 American Real News (@USArealnews) February 13, 2018 In a post on right-wing blog TheGatewayPundit.com, Kehinde Wiley was described as being "known for" and "having a great fondness for" painting black people beheading white people: Both beheading pieces are titled "Judith beheading Holofernes", referencing a story in the Book of Judith, which involves a beautiful woman who seduces an invading general before he is able to destroy their land, gets him drunk, and then decapitates him. Typical artists from the Rennaissance [sic] era have placed Judith in the role of a scriptural savior, "a type of the praying Virgin or the church or as a figure who tramples Satan and harrows Hell." Given the historical context and how Wiley recreated it in his works, is hard to interpret his use of this theme as anything other than a blatant statement of racism; black women are the powerful angels of the earth, conquering the white devils. Can you imagine for a second if George W. Bush, or any other former president, decided on a painter who was famous for depicting white people killing black people to paint his official portrait? It's hard to imagine, right? Yea, that's because it's disgusting and backward. It is not the case, however, that Wiley was "famous for depicting black people killing white people" before politically motivated commentators chose to make it so. Far from it. Of the scores of paintings the artist has produced, only the two based on the biblical beheading story depict such a scene. They generated very little controversy before Wiley's portrait of Obama was publicly unveiled. That the strong, couture-clad black females in the paintings are depicted in the immediate aftermath of decapitating white women is not incidental. As with many works of art, this was meant to be provocative ("I think at its best what art is doing is setting up a set of provocations," Wiley said in a 2015 interview). A 2012article on the web site of the North Carolina Museum of Art (NCMA) supplies some needed context: Known for his monumental portraits of young black men, placed in historical poses and settings appropriated from Old Master paintings, Kehinde Wiley critiques the racism of art history while also commenting on contemporary street culture and masculine identity. Reinventing classical portraiture and questioning who is represented in the portraits found in museums worldwide, Wiley states, "The whole conversation of my work has to do with power and who has it." Judith and Holofernes is from Wiley's most recent body of work and his first series of paintings to feature female subjects. Wiley uses "street casting" to find his models walking city streets and asking ordinary people if they would pose for a portrait. He met the model for this painting, Treisha Lowe, at Fulton Mall, a pedestrian shopping street in downtown Brooklyn. This painting references a specific art-historical work, a 17th-century painting by Giovanni Baglione, Judith and the Head of Holofernes (1608). The subject is taken from the apocryphal Old Testament Book of Judith, in which a Jewish town is under attack by the Assyrian army led by the general Holofernes. Judith, a widow from the town, goes to Holofernes under the pretense of helping him defeat the Jews. After he falls asleep, she cuts his head off with his own sword, and the town defeats the army. Wiley translates this image of a courageous, powerful woman into a contemporary version that resonates with fury and righteousness. "It's sort of a play on the 'kill whitey' thing," Wiley said in a 2012 interview with New York Magazine. The operative word is "play." What is all too easy to miss on a cursory glance is the deeply conceptual nature of these works. We turn again to the NCMA's commentary: Wiley takes obvious artistic license with the story Holofernes is represented by a woman's head, and Judith wears a gown designed by Riccardo Tisci of Givenchy. This new rendition can be interpreted on many different levels, including racial and gender identity and inequity, the representation of women throughout art history, and society's ideals for beauty. In Wiley's words, "I am painting women in order to come to terms with the depictions of gender within the context of art history. One has to broaden the conversation . . . This series of works attempts to reconcile the presence of black female stereotypes that surrounds their presence and/or absence in art history, and the notions of beauty, spectacle, and the 'grand' in painting." In contrast to the blunt literalism of those who prefer to interpret these paintings as a celebration of racial violence, art critic Walter Robinson writes that Wiley's take on Judith and Holofernes "suggests, with a jovial brutality, that Judith would prefer to be done with white standards of beauty." If, as Wiley has said, his intent as an artist is to be provocative, he can consider himself successful.

A:
Kehinde Wiley, the artist who painted former President Barack Obama's official portrait, also produced a pair of paintings depicting black women decapitating white people.
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