Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:', and the follow-up question has a prefix 'FOLLOWUP_Q:'.

Example Input: CONTEXT: Let us assume that the love that Persephone once enjoyed was with Merovingian. Merovingian and Persephone have slightly more human traits than other programs, they enjoy fine food, wine, languages. While Persephone talks of love, Merovingian displays lust ("The lipstick that is not on Merovingian's face"). Merovingian is shown to cheat on Persephone. Surprisingly, he uses a special code to trigger sexual reactions in a woman and gets serviced by her! Persephone's envy leads her to give Neo and gang the Key Maker's location. The Oracle mentions Merovingian to be the oldest of them, a powerful program. No program other than the Oracle has the purpose to be human like. The fact that Merovingian and Persephone turn human-like is them exhibiting programmatic roguishness. Their initial purpose is not mentioned, but the period of love that Persephone mentions is when they went rogue. Merovingian controls the virtual afterlife through the train-man program. This is where exiled programs seek refuge. Though this is the current operation, perhaps in the beginning, Merovingian was created with the purpose of Programmatic Garbage Collection. Once a program has served its purpose it needs to be de-allocated from the computing resource pool. (Eg: JVM provided by Java has a Garbage Collector which does a clean up periodically). The program Persephone was perhaps a supporting function to this Programmatic Garbage Collection, which is how they met. <sep> Q: What were the origins of Persephone in The Matrix: Reloaded? A: Though this is the current operation, perhaps in the beginning, Merovingian was created with the purpose of Programmatic Garbage Collection Q: Why would they create a program with no use? A: No program other than the Oracle has the purpose to be human like. The fact that Merovingian and Persephone turn human-like is them exhibiting programmatic roguishness Q: Are there any other characters in the matrix that are similar? A: Persephone turn human-like is them exhibiting programmatic roguishness <sep> FOLLOWUP_Q: What does the name persephone mean?
Example Output: Yes

Example Input: CONTEXT: In addition to Faizan's answer of giving them as sacrifices to be spared by the White Walkers, you also have to consider that Craster was sleeping with his own daughters, likely for his enjoyment (and less for theirs) and they were also doing all their work for him. So new daughters simply mean more workers and more "company", while a son is not really of use to him. And it is clear that Craster isn't really a man to shed tears for his dying kin. Rather on the contrary, a son could actually be a danger to him if he grows up and decides to revolt against his father's cruelty to his sisters. Craster has conditioned his daughters into obedience to him (and even more so in a medieval world where women were even less likely to revolt against their patriarch, even if they actually would have been able to do so in unison). A son might be harder to keep "under control" and as said, wouldn't have any use for Craster, since he doesn't really need a fighter, due to his arrangement with the Crows. It would merely mean a disruptance to the nice little life he's built himself there. So I think even without the White Walkers a son probably wouldn't have a long life at Craster's Keep. <sep> Q: Why does Craster give those sacrifices to the White Walkers? A: you also have to consider that Craster was sleeping with his own daughters <sep> FOLLOWUP_Q: Why are the newborn babies needed?
Example Output: Yes

Example Input: CONTEXT: Because appearing dead is not the same as being dead. Firstly, we do not know the extent of the shape-shifting abilities of the Faceless Men but these appear to be based on appearing as something other than what you are. The Dead are targeting the living and there is no indication that the abilities of the Faceless Men can make you be sensed as "unliving" to the Dead. Essentially, if Arya is alive, she's targeted by the Dead, regardless of what she looks like. <sep> Q: Why didn't Arya use the powers of The Faceless Men to get past the dead in the library? A: Because appearing dead is not the same as being dead <sep> FOLLOWUP_Q: How would the dead know if each other were dead?
Example Output:
Yes