In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example output: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : The festival of San Fermin is a week-long, historically rooted celebration held annually in the city of Pamplona (in Navarre, Spain). The celebrations start at noon on the sixth of July, when the opening of the party is marked by setting off the pyrotechnic "chupinazo", and continue until midnight, on the fourteenth of July, with the singing of the "Pobre de Mi". While its most famous event is the encierro, or the running of the bulls, which happens at 8:00 AM from the 7th of July to the 14th July, the festival involves many other traditional and folkloric events. It is known locally as "Sanfermines" and is held in honor of Saint Fermin, the co-patron of Navarre. Its events were central to the plot of "The Sun Also Rises", by Ernest Hemingway, which brought it to the general attention of English-speaking people. It has become probably the most internationally renowned fiesta in Spain. Over 1,000,000 people come to participate in this festival. Context_2 : Common Chinese-language errors by non-native learners of Chinese (sometimes called Westernised Chinese ()), usually refers to a pattern of written or spoken Chinese language, characterised by the significant influence from European languages, with regards to grammar, vocabulary, syntax and word order. Influences from English are particularly noticeable, especially in translations of literary works and documents in English. Westernised Chinese lacks the characteristics of traditional Chinese writing, and sometimes poses reading or understanding difficulties to readers because of its awkwardness and/or wordiness. It is probable that most Westernized Chinese translations are a very direct translation from English into Chinese by native Chinese speakers, given the virtually non-existent demand for native English speakers to perform written translation into Chinese. In the first half of the 20th century, Lu Xun advocated that translations of Western works into Chinese closely follow the Western structure, but Lu Xun's arguments failed to be persuasive, and translators subsequently used a more natural translation style from English to Chinese. Context_3 : The Speaking Proficiency English Assessment Kit (SPEAK) is an oral test developed by the Educational Testing Service (ETS). The SPEAK test continues to be administered to non-native English speakers, though it is no longer supported by ETS. No new versions of this test exist. The test aims to evaluate the examinee's proficiency in spoken English; however, most academic institutions recognize that it is limited in that capacity, and have therefore abandoned using it. It is usually taken as a professional certification, especially for graduate teaching assistants in the American college and university system, who are often required to hold office hours and converse in English with students. It is also used in the medical profession, where communication with patients is required. The SPEAK test has been routinely criticized for not accurately testing how a speaker will perform in the real world, in part because it is administered by recording the individual speaking into a recording device rather than speaking to a person. The SPEAK test has also been criticized for using native speaker norms to judge non-native speakers. In fact, independent audits of the SPEAK test conducted in 2012 on some of the few institutions found to still administer this test revealed that the assessment standards provided by ETS were not even being used by the assessors. In fact, in some cases, the assessors of the test were not trained in any way to conduct the assessments, and were found to be assigning arbitrary grades to the candidates. Some of the raters audited were found to be non-native speakers of English with limited functional spoken grammar. Context_4 : Pancake sentences are a phenomenon in Scandinavian linguistics where sentence agreement does not follow conventional linguistic patterns. The phrase appears to have been coined by Hans-Olav Enger in a 2004 academic paper, "Scandinavian pancake sentences as semantic agreement". Enger states that pancake sentences are "where the predicative adjective apparently disagrees with its subject". This phenomenon may be related or compared to English language linguistics, where American English speakers might say "the team has arrived", syntactically agreeing the singular "team", versus British English speakers saying "the team have arrived", agreeing semantically to the collective noun "team". Context_5 : Allen Tate (born June 9, 1989, in Philadelphia, PA) is an American vocalist and songwriter based in Brooklyn, New York. He first received acclaim as the lead singer of San Fermin, the indie-rock band led by composer Ellis Ludwig-Leone. Tate's debut solo project, "Sleepwalker", co-produced by Ludwig-Leone, was released on October 28, 2016. Context_6 : San Fermin is an American indie rock band, led by Brooklyn-based composer and songwriter Ellis Ludwig-Leone. They released their self-titled debut album on Downtown Records on September 17, 2013. Their sophomore album "Jackrabbit" was released on April 21, 2015. Their third album "Belong" was released on April 7, 2017. Context_7 : Business English is a part of English for specific purposes and can be considered a specialism within English language learning and teaching. Many non-native English speakers study the subject with the goal of doing business with English-speaking countries, or with companies located outside the English-speaking world but which nonetheless use English as a shared language or lingua franca. Much of the English communication that takes place within business circles all over the world occurs between non-native speakers. In cases such as these, the object of the exercise is efficient and effective communication. The strict rules of grammar are in such cases sometimes ignored, when, for example, a stressed negotiator's only goal is to reach an agreement as quickly as possible. (See linguist Braj Kachru's theory of the "expanding circle".) Context_8 : Inaki Otxandorena (born May 16, 1977) is a Basque pelota player. He made his professional debut in March 1998 and has since played in various championships and has won at fairs such as San Fermin and Zarauz. In November 2012 he announced that he intended to retire from the sport. Context_9 : The Sun Also Rises is a 1926 novel written by American author Ernest Hemingway about a group of American and British expatriates who travel from Paris to the Festival of San Fermin in Pamplona to watch the running of the bulls and the bullfights. An early and enduring modernist novel, it received mixed reviews upon publication. Hemingway biographer Jeffrey Meyers writes that it is "recognized as Hemingway's greatest work", and Hemingway scholar Linda Wagner-Martin calls it his most important novel. The novel was published in the United States in October 1926 by the publishing house Scribner's. A year later, the London publishing house Jonathan Cape published the novel with the title of Fiesta. Since then it has been continuously in print. Context_10 : New Orleans English is American English native to the city of New Orleans and its metropolitan area. Native English speakers of the region actually speak a number of varieties, including: the variety most recently brought in and spreading since the 20th century among white communities of the South in general (Southern U.S. English); the variety primarily spoken by black residents (African American Vernacular English); the variety spoken by Cajuns in southern Louisiana (Cajun English); the variety traditionally spoken by affluent white residents of the city's Uptown and Garden District; and the variety traditionally spoken by lower middle- and working-class white residents of Eastern New Orleans, particularly the Ninth Ward (sometimes known, since at least the 1980s, as Yat). However, only the last two varieties are unique to New Orleans and are typically those referred to in the academic research as "New Orleans English." These two varieties specific to New Orleans likely developed around the turn of the nineteenth century and most noticeably combine speech features commonly associated with both New York City English and, to a lesser extent, Southern U.S. English. The noticeably New York-like characteristics include the NYC short-"a" split system (so that "mad" and "map", for example, do not have the same vowel), the diphthongizing of to [] or [] , non-rhoticity, "th"-stopping (so that, for example, "those" may merge with "doze"), and the recently disappearing coilcurl merger. Noticeably Southern characteristics include the fronting of and possible monophthongization of (just these features, plus non-rhoticity, often characterize the Uptown accent). fact_1 : The festival of San Fermin is a week-long, historically rooted celebration held annually in the city of Pamplona (in Navarre, Spain). fact_2 : Its events were central to the plot of "The Sun Also Rises", by Ernest Hemingway, which brought it to the general attention of English-speaking people. fact_3 : The Sun Also Rises is a 1926 novel written by American author Ernest Hemingway about a group of American and British expatriates who travel from Paris to the Festival of San Fermin in Pamplona to watch the running of the bulls and the bullfights. fact_4 : The novel was published in the United States in October 1926 by the publishing house Scribner's. Answer: Scribner's
A:
Who was Hemingways publisher for the novel that brought the festival of San Fermin to the attention of English speakers?