Background: Ashley Abbott is a fictional character from The Young and the Restless and The Bold and the Beautiful, two American soap operas on the CBS network. She has been most notably portrayed by Eileen Davidson, who originated the role in June 1982 before departing in 1988. Brenda Epperson portrayed Ashley from 1988 to 1995, before Shari Shattuck portrayed the role for the next three years, until Davidson's return in 1999. Davidson was nominated in 2003 for Daytime Emmy Award for Outstanding Lead Actress in a Drama Series.
Context: Davidson describes Ashley as a "dynamic character". She has been characterized as "sassy" yet an "honorable heroine". The Record describes Ashley as "headstrong". She is recognized for her unluckiness and long-term suffering. Davidson stated, "She is a heroine. So often she was being victimized by people and trying to always rise above that, and being driven insane and losing babies, etc." In 1990, The Washington Times described Ashley as a "smart woman", known for her "level head" and "business success". Ashley is dedicated to her work and has a strong sense of family. She is a beloved member of the Genoa City community. Her passion for the family business, Jabot Cosmetics, cost Ashley her marriage to Cole Howard (J. Eddie Peck). Ashley has been involved in a number of different romantic relationships over her duration on the series. Her relationship with Brad Carlton (Don Diamont) came as a shock, due to Brad being beneath her socially. Epperson, who played Ashley at the time, was uncertain of Ashley and Brad's decision to get married. Davidson opined that a storyline in which Victor's son Adam Newman (Michael Muhney) gas lighted a pregnant Ashley in 2009 was payback for Ashley stealing Victor's sperm years ago to conceive Abby. She stated: "I think the character really suffered after she stole Victor's sperm from Diane [...] After that, the viewers lost a lot of respect for Ashley. People wanted Ashley to pay for it. My opinion? Although last summer's gaslighting storyline was used to propel a lot of other stories, it was also about making Ashley pay. Now we can close that entire chapter because Ashley paid. It was Ashley's redemption". Around this story arc, Tommy Garrett of Canyon News described Ashley as a "damsel in distress", stating that she had a "twisted mind" due to suffering a hysterical pregnancy after losing her unborn child at the hands of Adam. Following the death of John, Jack works desperately to remove his wife Gloria Abbott (Judith Chapman) from the family, even illegally making changes to John's will. Explaining Ashley's ambivalence towards the situation, Davidson stated: "Just because you don't like somebody doesn't mean you should do something illegal [...] The point is, their father loved her. And even if they don't like her, they have to honor what he wanted. Ashley never wanted to do anything that went against her father's wishes." The actress stated that Ashley "just wants" Jack to "do the right thing".
Question: Why did Newman gas lighted her?
Answer: was payback for Ashley stealing Victor's sperm years ago

Background: Clarence White (born Clarence Joseph LeBlanc; June 7, 1944 - July 14, 1973), was an American bluegrass and country guitarist and singer. He is best known as a member of the bluegrass ensemble the Kentucky Colonels and the rock band the Byrds, as well as for being a pioneer of the musical genre of country rock during the late 1960s. White also worked extensively as a session musician, appearing on recordings by the Everly Brothers, Joe Cocker, Ricky Nelson, Pat Boone, the Monkees, Randy Newman, Gene Clark, Linda Ronstadt, Arlo Guthrie, and Jackson Browne amongst others. Together with frequent collaborator Gene Parsons, he invented the B-Bender, a guitar accessory that enables a player to mechanically bend the B-string up a whole tone and emulate the sound of a pedal steel guitar.
Context: During 1964, White began to look beyond bluegrass music towards rock 'n' roll as an avenue for artistic expression. Although he was influenced by Country guitarists like Doc Watson, Don Reno and Joe Maphis, he also idolized the playing of jazz guitarist Django Reinhardt, rock 'n' roller Chuck Berry, and studio musician James Burton. White even anticipated the viability of a folk/rock hybrid when, in the summer of 1964, he was approached by Jim Dickson to record a version of the then-unreleased Bob Dylan song "Mr. Tambourine Man" with electric instruments. However, despite White's enthusiasm for the project, he was unable to convince his bandmates in the Kentucky Colonels of the experiment's validity and ultimately, the song was instead recorded by Dickson's proteges, the Byrds. By the time the original line-up of the Kentucky Colonels folded in late 1965, White had become a respected and well-known guitarist. Abandoning bluegrass temporarily, he switched from his Martin D-28 acoustic guitar to an electric Fender Telecaster, with the intention of becoming a studio musician like his hero James Burton. Transitioning to electric guitar required White to modify his right hand playing technique, switch from open chording to fretting the whole guitar neck with his left hand, and practice using the tone and volume controls. However, he soon mastered the intricacies of the instrument and, between 1965 and 1968, he undertook session work for artists including Ricky Nelson, the Monkees, and the Gosdin Brothers. As 1965 turned into 1966, White met Gene Parsons and Gib Guilbeau at a recording session for the Gosdin Brothers and shortly after, he began to perform live with the duo in local California clubs, as well as doing regular session work on their records, which were released under the moniker of Cajun Gib and Gene. 1966 also saw White begin playing with a country group called Trio, which featured drummer Bart Haney and former Kentucky Colonel, Roger Bush, on bass. In autumn of that year, as a result of his friendship with Gilbeau, Parsons and the Gosdin Brothers, White was asked to provide lead guitar to ex-Byrd Gene Clark's debut solo album, Gene Clark with the Gosdin Brothers. White also briefly joined Clark's touring band shortly thereafter. During the Clark album sessions, White reconnected with mandolin player and bassist Chris Hillman, who he had known during the early 1960s as a member of the bluegrass combo the Hillmen. Hillman was currently a member of the Byrds and in December 1966, he invited White to contribute countrified lead guitar playing to his songs "Time Between" and "The Girl with no Name", which both appeared on the Byrds' Younger Than Yesterday album. The country-oriented nature of the songs was something of a stylistic departure for the group and can be seen as an early indicator of the experimentation with country music that would color the Byrds' subsequent work. White also contributed guitar to the band's follow-up album, The Notorious Byrd Brothers, and to their seminal 1968 country rock release, Sweetheart of the Rodeo.
Question: was that song successful?
Answer:
the song was instead recorded by Dickson's proteges, the Byrds.