[Q]: Given the below context: Balch Creek begins in the Forest Park neighborhood in unincorporated Multnomah County near the intersection of Northwest Skyline Boulevard and Northwest Thompson Road at the crest of the West Hills. It flows generally east about 3.5 miles (5.6 km) to its confluence with the Willamette River, a major tributary of the Columbia River. The creek drops from 1,116 feet (340 m) above sea level at its source to 46 feet (14 m) at its mouth, a total of 1,070 feet (330 m). Most of this occurs in the first 2.5 miles (4.0 km). In the hills, the stream gradient (slope) generally ranges from 15 to 30 percent interspersed with sections of less than 15 percent along the middle reaches.From its source, the creek runs east on private property near Forest Park, a large municipal park in Portland, before turning briefly south about 3 miles (5 km) from the mouth. Soon thereafter, the stream receives an unnamed tributary on the right bank and turns southeast on private property along Northwest Cornell Road. It enters the city and the Audubon Society of Portland simultaneously about 2 miles (3 km) from the mouth, receives two more unnamed tributaries on the right, and flows northeast, entering the part of Forest Park known as Macleay Park.For about 0.25 miles (0.40 km) the creek parallels Wildwood Trail, the main hiking trail in Forest Park, until reaching a former public restroom known as the Stone House. From here Balch Creek runs beside the Lower Macleay Trail, another hiking trail, for about 0.8 miles (1.3 km). Near Northwest Thurman Street, roughly 1 mile (1.6 km) from the mouth, the creek flows through a trash rack into an 84-inch (210 cm) diameter storm sewer. City workers first diverted the creek into a pipe in the early 20th century. The water empties into the Willamette River in the city's Northwest Industrial neighborhood at Outfall 17. About 10 miles (16 km) below this outfall, the Willamette enters the Columbia River. Guess a valid title for it!
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[A]: Balch Creek

[Q]: Given the below context: Hooter College student Chuck has decided academics aren't going to get him anywhere in life, so he's taken to managing a band his classmates have formed called The Splitz, which consists of lead singer Joan, guitarist Gina and drummer Susie. The Splitz struggle to make a name for themselves and resort to playing in dive bars where the patrons are more interested in boozing and brawling than appreciating the music. The day after a disastrous show, Chuck escorts Gina to her home, where he meets her former-mobster father, who becomes obsessed with the percentage of the band's income that Chuck is claiming. Chuck also meets Gina's cousin Vinnie, a sweet but oversexed meathead who can't score a date, so Chuck encourages him to try hypnosis. Meanwhile, the evil Dean Hunta informs the heads of three sororities that they'll have to compete in a trio of events to determine who's going to lose their house to make way for a new sewage treatment plant. The dean favors Sigma Phi's Lois Scagliani and Delta Phi's Fern Hymenstein and informs them that the Phi Betas have to lose. When asked if she has an axe to grind with the Phi Beta sorority, the Dean replies that it's "just another act of random, senseless violence perpetrated against the underdogs." At the first competition, a soccer game, Gina is disgusted to see the way that Phi Beta's Midge and her peers are being trampled by their competitors, so she gets into the game herself and the other Splitz quickly follow suit. Although the Phi Betas lose the game, they gain an all-girl rock band, who immediately become part of their sorority. Guess a valid title for it!
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[A]: Splitz

[Q]: Given the below context: The opening soprano solo in E major, "I know that my Redeemer liveth" is one of the few numbers in the oratorio that has remained unrevised from its original form. Its simple unison violin accompaniment and its consoling rhythms apparently brought tears to Burney's eyes. It is followed by a quiet chorus that leads to the bass's declamation in D major: "Behold, I tell you a mystery", then the long aria "The trumpet shall sound", marked pomposo ma non-allegro ("dignified but not fast"). Handel originally wrote this in da capo form, but shortened it to dal segno, probably before the first performance. The extended, characteristic trumpet tune that precedes and accompanies the voice is the only significant instrumental solo in the entire oratorio. Handel's awkward, repeated stressing of the fourth syllable of "incorruptible" may have been the source of the 18th-century poet William Shenstone's comment that he "could observe some parts in Messiah wherein Handel's judgements failed him; where the music was not equal, or was even opposite, to what the words required". After a brief solo recitative, the alto is joined by the tenor for the only duet in Handel's final version of the music, "O death, where is thy sting?" The melody is adapted from Handel's 1722 cantata Se tu non-lasci amore, and is in Luckett's view the most successful of the Italian borrowings. The duet runs straight into the chorus "But thanks be to God".The reflective soprano solo "If God be for us" (originally written for alto) quotes Luther's chorale Aus tiefer Not. It ushers in the D major choral finale: "Worthy is the Lamb", leading to the apocalyptic "Amen" in which, says Hogwood, "the entry of the trumpets marks the final storming of heaven". Handel's first biographer, John Mainwaring, wrote in 1760 that this conclusion revealed the composer "rising still higher" than in "that vast effort of genius, the Hallelujah chorus". Young writes that the "Amen" should, in the manner of Palestrina, "be delivered as though through the aisles and... Guess a valid title for it!
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[A]:
Messiah (Handel)