input: Fox starred alongside Mickey Rourke in Passion Play. The film's poor reception at the Toronto Film festival led to its conventional theatrical distribution being bypassed for a direct-to-video release, with only two screens briefly showing the film to fulfill contractual obligations. Mickey Rourke remarked that Passion Play was "terrible. Another terrible movie." Fox was the voice of the Hawaiian Spinner Dolphins in the Naya Legend of the Golden Dolphins, a 3D documentary film. The story is told by a cast including Kate Winslet, Ellen Page, Gerard Butler, James Franco, Julian Lennon, Diego Luna, Cheech Marin, Whoopi Goldberg, Isabella Rossellini and Daryl Hannah. In March 2009, Fox was set to star as the lead role of Aspen Matthews in the film adaptation of the comic book Fathom, which she would also co-produce with Brian Austin Green. Fox appeared with Dominic Monaghan in the music video for Eminem and Rihanna's single "Love the Way You Lie". In 2012, Fox appeared briefly in Sacha Baron Cohen's comedy The Dictator and had a featured role in Judd Apatow's comedy This Is 40. She was the voice of Lois Lane in the film Robot Chicken DC Comics Special, an episode of the television comedy series Robot Chicken, and it aired as a one-off special during Cartoon Network's Adult Swim on September 9, 2012. In January 2013, Fox was featured in a Brazilian television commercial for Brahma beer. In February 2013, Fox set aside her differences with her former director Michael Bay and worked again with him on his reboot of Teenage Mutant Ninja Turtles (2014). In October 2014, Fox was cast as the female lead in James Franco's film adaptation of Zeroville. In 2015, Fox was cast in the role of Amelia Delthanis in the Plarium video game, Stormfall: Rise of Balur. In October 2015, it was confirmed that Fox would be temporarily replacing Zooey Deschanel in the television show New Girl following Deschanel's maternity leave. Fox reprised the role of April O'Neil in the 2016 film Teenage Mutant Ninja Turtles: Out of the Shadows.

Answer this question "Did she win any awards?"
output:

input: With her Atlantic contract fulfilled after a 15-year stint, Amos signed to Epic in late 2001. In October 2002, Amos released Scarlet's Walk, another concept album. Described as a "sonic novel", the album explores Amos's alter ego, Scarlet, intertwined with her cross-country concert tour following 9/11. Through the songs, Amos explores such topics as the history of America, American people, Native American history, pornography, masochism, homophobia and misogyny. The album had a strong debut at No. 7 on the Billboard 200. Scarlet's Walk is Amos's last album to date to reach certified gold status from the RIAA. Not long after Amos was ensconced with her new label, she received unsettling news when Polly Anthony resigned as president of Epic Records in 2003. Anthony had been one of the primary reasons Amos signed with the label and as a result of her resignation, Amos formed the Bridge Entertainment Group. Further trouble for Amos occurred the following year when her label, Epic/Sony Music Entertainment, merged with BMG Entertainment as a result of the industry's decline. Amos would later hint in interviews that during the creation of her next album, those in charge at the label following the aforementioned merger were interested "only in making money", the effects of which on the album have not been disclosed. Amos released two more albums with the label, The Beekeeper (2005) and American Doll Posse (2007). Both albums received generally favorable reviews. The Beekeeper was conceptually influenced by the ancient art of beekeeping, which she considered a source of female inspiration and empowerment. Through extensive study, Amos also wove in the stories of the Gnostic gospels and the removal of women from a position of power within the Christian church to create an album based largely on religion and politics. The album debuted at No. 5 on the Billboard 200, placing her in an elite group of women who have secured five or more US Top 10 album debuts. While the newly merged label was present throughout the production process of The Beekeeper, Amos and her crew nearly completed her next project, American Doll Posse, before inviting the label to listen to it. American Doll Posse, another concept album, is fashioned around a group of girls (the "posse") who are used as a theme of alter-egos of Amos's. Musically and stylistically, the album saw Amos return to a more confrontational nature. Like its predecessor, American Doll Posse debuted at No. 5 on the Billboard 200. During her tenure with Epic Records, Amos also released a retrospective collection titled Tales of a Librarian (2003) through her former label, Atlantic Records; a two-disc DVD set Fade to Red (2006) containing most of Amos's solo music videos, released through the Warner Bros. reissue imprint Rhino; a five disc box set titled A Piano: The Collection (2006), celebrating Amos's 15-year solo career through remastered album tracks, remixes, alternate mixes, demos, and a string of unreleased songs from album recording sessions, also released through Rhino; and numerous official bootlegs from two world tours, The Original Bootlegs (2005) and Legs & Boots (2007) through Epic Records.

Answer this question "Why was the news of her resignation unsettling?"
output: Anthony had been one of the primary reasons Amos signed with the label

input: Before 1914, social dance in America was dominated by steps such as the waltz and polka. As jazz migrated from its New Orleans origin to Chicago and New York City, energetic, suggestive dances traveled with it. During the next decades, ballrooms filled with people doing the jitterbug and Lindy Hop. The dance duo Vernon and Irene Castle popularized the foxtrot while accompanied by the orchestra of James Reese Europe. One of the first bands to accompany the new rhythms was led by a drummer, Art Hickman, in San Francisco in 1916. Hickman's arranger, Ferde Grofe, wrote arrangements in which he divided the jazz orchestra into sections that combined in various ways. This intermingling of sections became a defining characteristic of big bands. In 1919, Paul Whiteman hired Grofe to use similar techniques for his band. Whiteman was educated in classical music, and he called his new band's music symphonic jazz. The methods of dance bands marked a step away from New Orleans jazz. With the exception of Jelly Roll Morton, who continued playing in the New Orleans style, bandleaders paid attention to the demand for dance music and created their own big bands. They incorporated elements of Broadway, Tin Pan Alley, ragtime, and vaudeville. Duke Ellington led his band at the Cotton Club in Harlem. Fletcher Henderson's career started when he was persuaded to audition for a job at Club Alabam in New York City, which eventually turned into a job as bandleader at the Roseland Ballroom. At these venues, which themselves gained notoriety, bandleaders and arrangers played a greater role than they had before. Hickman relied on Ferde Grofe, Whiteman on Bill Challis. Henderson and arranger Don Redman followed the template of King Oliver, but as the 1920s progressed they moved away from the New Orleans format and transformed jazz. They were assisted by a band full of talent: Coleman Hawkins on tenor saxophone, Louis Armstrong on cornet, and multi-instrumentalist Benny Carter, whose career lasted into the 1990s.

Answer this question "Was there a type of dance that was popular?"
output:
In 1919, Paul Whiteman hired Grofe to use similar techniques for his band. Whiteman was educated in classical music, and he called his new band's music symphonic jazz.