In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution is here: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this: Context_1 : Rambo: First Blood Part II (also known as Rambo II or First Blood II) is a 1985 American action film directed by George P. Cosmatos and starring Sylvester Stallone, who reprises his role as Vietnam veteran John Rambo. It is the sequel to the 1982 film "First Blood", and the second installment in the "Rambo" film series. Picking up where the first film left, the sequel is set in the context of the Vietnam War POW/MIA issue; it sees Rambo released from prison by federal order to document the possible existence of POWs in Vietnam, under the belief that he will find nothing, thus enabling the government to sweep the issue under the rug. In addition to Stallone, Richard Crenna reprises his role as Col. Samuel Trautman, with Charles Napier, Steven Berkoff, Julia Nickson, Martin Kove, George Cheung, and Andy Wood also included in the cast. Context_2 : Moon 44 is a 1990 German English-language science fiction action film from Centropolis Film Productions, directed by Roland Emmerich and starring Michael Pare and Lisa Eichhorn alongside Brian Thompson and Malcolm McDowell. The film is set on a futuristic mining site on an unspecific moon, where convicts and teenage technicians are partnered. An undercover agent (Pare) must discover what has happened to missing corporate shuttles. Context_3 : Francis of Assisi is a 1961 DeLuxe CinemaScope film directed by Michael Curtiz, based on the novel "The Joyful Beggar" by Louis de Wohl. It was shot entirely in Italy. The film was a box office loss. It starred Bradford Dillman in one of his few sympathetic leading film roles (he usually played a villainous character onscreen, despite having originated the role of Jamie in the original stage version of Eugene O'Neill's "Long Day's Journey into Night" in 1956). Context_4 : George Pan Cosmatos (4 January 1941 19 April 2005) was a Greco-Italian film director and screenwriter. Following early success in his home country with drama films such as "Massacre in Rome" with Richard Burton (based on the real-life Ardeatine massacre), Cosmatos retooled his career towards mainstream 'blockbuster' action and adventure films, including "The Cassandra Crossing" and "Escape to Athena", both of which were British-Italian co-productions. After relocating to North America, he directed the horror film "Of Unknown Origin". This was followed by some of his best-known work, including the action films "" and "Cobra" (both of which star Sylvester Stallone), the science-fiction horror film "Leviathan", and the critically acclaimed Western "Tombstone". Context_5 : The Extendables (also known as "Action Hero") is a 2014 American parody film directed by Brian Thompson. The film is a parody of "The Expendables" and similar action movies. The director, Brian Thompson said it contained actual events he had witnessed. The film was released on iTunes. Context_6 : George Brian Thompson (born 7 August 1952), known as Brian Thompson, is an English former professional footballer who played as a striker or as a defender in the Football League for York City and Mansfield Town, in non-League football for Yeovil Town and Maidstone United, and was on the books of Sunderland without making a league appearance. He was capped 15 times by the semi-professional national team from 1979 to 1984. Context_7 : Mortal Kombat: Annihilation is a 1997 American martial arts action film directed by John R. Leonetti. Based on the "Mortal Kombat" series of fighting games, the film is the sequel to 1995's "Mortal Kombat". It stars Robin Shou, Talisa Soto, Brian Thompson, Sandra Hess, Irina Pantaeva and James Remar. The storyline was largely an adaptation of "Mortal Kombat 3", following a band of warriors as they attempt to save Earth from the evil Shao Kahn. Although the story picks up where the last film left off, only two of the lead actors reprised their roles. It has a 3% approval rating at Rotten Tomatoes and 11/100 at Metacritic. Context_8 : Lionheart (also known as Wrong Bet, A.W.O.L.: Absent Without Leave, Leon and Full Contact) is a 1990 action film, directed by Sheldon Lettich, starring Jean-Claude Van Damme and co-starring Brian Thompson, along with Harrison Page, Deborah Rennard, Lisa Pelikan, and Ashley Johnson. Context_9 : Brian Earl Thompson (born August 28, 1959) is an American actor. Thompson has worked in the action adventure and science fiction genres where his stature and unique appearance often lends him to imposing roles, although he has earned many comedic parts as well. His career began with a small role in the 1984 film "The Terminator". His second feature was the hit comedy "The Three Amigos". He played the villainous "Night Slasher" in the 1986 film Cobra. His first named role was on "Werewolf", a horror series that ran during Fox's inaugural broadcasting year of 19871988. Thompson has played several characters in the "Star Trek" franchise, the Alien Bounty Hunter on "The X-Files", and Eddie Fiori on "". In 2014, he produced, wrote and starred in the B movie parody "The Extendables". Context_10 : Cobra is a 1986 American action film directed by George P. Cosmatos, and written by Sylvester Stallone, who also starred in the title role. The film co-stars Reni Santoni, Brigitte Nielsen and Andrew Robinson. It is the first film where Brian Thompson plays a prominent role. The film was loosely based on the novel "Fair Game" by Paula Gosling, which was later filmed under that title in 1995. However, Stallone's screenplay was originally conceived from ideas he had during pre-production of "Beverly Hills Cop", whose screenplay he heavily revised. He had wanted to make "Beverly Hills Cop" a less comedic and more action-oriented film, which the studio rejected as being far too expensive. When he left that project, Eddie Murphy was brought in to play the lead role. fact_1 : He played the villainous "Night Slasher" in the 1986 film Cobra. fact_2 : Cobra is a 1986 American action film directed by George P. Cosmatos, and written by Sylvester Stallone, who also starred in the title role. Question: Brian Thompson played a villainous character in which 1986 American action film directed by George Cosmatos?
Solution:
Cobra