input: MxPx released the full-length album Secret Weapon in 2007, the band's first release on its original label Tooth & Nail since 1996's Life in General. The album debuted at No. 76 on the Billboard 200; it also went to No. 1 on the Billboard's Christian chart. The album's sound goes back to the group's beginning sound. In 2009, the released a six-song EP entitled Left Coast Punk EP, which was the first record released by Rock City Recording Company, MxPx's own record label. Also in 2009, the group released a Christmas album, titled Punk Rawk Christmas. In late 2009, Mike Herrera teamed up with frontman of The Ataris, Kris Roe and the drummer of The Summer Obsession, Chris Wilson (formerly of Good Charlotte) for the MxPx All Stars tour in Japan and Malaysia. The band released a documentary entitled Both Ends Burning on December 1, 2011. In addition, Mike, Tom, and Yuri were working on their ninth studio album. On December 19, 2011, the band announced that the album would be called Plans Within Plans. It was released on April 3, 2012. In 2012, drummer Yuri Ruley announced his retirement from touring, but said that the band was not breaking up and that the group would continue to write and record new material together. In honor of the 20th anniversary of the album, the band released the re-recorded version of Life in General free of charge for a limited time only on September 18, 2016. As of 2016, Chris Adkins is a second guitarist and touring musician.

Answer this question "What is Rock City?"
output: In 2009, the released a six-song EP entitled Left Coast Punk EP, which was the first record released by Rock City Recording Company, MxPx's own record label.

input: Mukerji portrayed a rape victim who is forced to marry her rapist in Raja Ki Aayegi Baraat, which released in 1997. Although the film was a commercial failure, Mukerji's performance was praised, and she won a special recognition trophy at the annual Screen Awards ceremony. Following the film's poor showing at the box office, Mukerji returned to college to complete her education. However, inspired by her cousin Kajol's success in Bollywood, she decided to pursue a full-time career in films. In 1998, Mukerji starred opposite Aamir Khan in Vikram Bhatt's Ghulam (1998), her first commercial success. Though her role in the film was small, the song "Aati Kya Khandala" earned her widespread recognition. Due to Mukerji's broken voice texture, Bhatt hired a dubbing artist with a much higher pitched voice to dub for her lines. When asked if the director's decision to not use her voice in the film affected her, she said that her voice was dubbed as it "did not suit the character". Later that year, Karan Johar cast Mukerji opposite Shah Rukh Khan and Kajol in his directorial debut Kuch Kuch Hota Hai. The role was originally written for Twinkle Khanna, but when she rejected it, Johar signed Mukerji on the insistence of Khan and Aditya Chopra. Johar had originally intended that a dubbing artist dub Mukerji's lines in the film, but she improved her diction and eventually dubbed for her own lines. She portrayed Tina Malhotra, a college student who is in a relationship with Khan's character. Writing for India Today, film critic Nandita Chowdhury considered Mukerji to be the scene-stealer and added, "Oozing oomph from every pore, she [..] proves herself an actress whose time has come." Kuch Kuch Hota Hai proved a breakthrough for Mukerji; it emerged as a blockbuster in India and abroad with earnings of over Rs1.03 billion (US$16 million), and won eight Filmfare Awards, including a Best Supporting Actress trophy for Mukerji. Following the success of Kuch Kuch Hota Hai, Mukerji played leading roles in the social drama Mehndi (1998) and the comedy Hello Brother (1999). Both these films were critical and commercial disappointments which failed to propel her career forward.

Answer this question "What was her first film?"
output: Raja Ki Aayegi Baraat,

input: World War II brought about a swift end to the big band era as musicians went off to serve in the military and travel restrictions made touring difficult. When the war ended, the focus of popular music shifted towards crooners such as Frank Sinatra and Jo Stafford, so Ellington's wordless vocal feature "Transblucency" (1946) with Kay Davis was not going to have a similar reach. With inflation setting in after 1945, the cost of hiring big bands went up and club owners preferred smaller jazz groups who played in new styles such as bebop. Dancing in clubs also subjected club owners to a new wartime tax which continued for many years after, which made small bands more cost-effective for club owners. Ellington continued on his own course through these tectonic shifts. While Count Basie was forced to disband his whole ensemble and work as an octet for a time, Ellington was able to tour most of Western Europe between April 6 and June 30, 1950, with the orchestra playing 74 dates over 77 days. During the tour, according to Sonny Greer, the newer works were not performed, though Ellington's extended composition, Harlem (1950) was in the process of being completed at this time. Ellington later presented its score to music-loving President Harry Truman. Also during his time in Europe, Ellington would compose the music for a stage production by Orson Welles. Titled Time Runs in Paris and An Evening With Orson Welles in Frankfurt, the variety show also featured a newly discovered Eartha Kitt, who performed Ellington's original song "Hungry Little Trouble" as Helen of Troy. In 1951, Ellington suffered a significant loss of personnel: Sonny Greer, Lawrence Brown, and most importantly Johnny Hodges left to pursue other ventures, although only Greer was a permanent departee. Drummer Louie Bellson replaced Greer, and his "Skin Deep" was a hit for Ellington. Tenor player Paul Gonsalves had joined in December 1950 after periods with Count Basie and Dizzy Gillespie and stayed for the rest of his life, while Clark Terry joined in November 1951. During the early 1950s, Ellington's career was at a low point with his style being generally seen as outmoded, but his reputation did not suffer as badly as some artists. Andre Previn said in 1952: "You know, Stan Kenton can stand in front of a thousand fiddles and a thousand brass and make a dramatic gesture and every studio arranger can nod his head and say, Oh, yes, that's done like this. But Duke merely lifts his finger, three horns make a sound, and I don't know what it is!" However, by 1955, after three years of recording for Capitol, Ellington lacked a regular recording affiliation.

Answer this question "did he tour at all?"
output:
was able to tour most of Western Europe between April 6 and June 30, 1950,