Problem: Born in Goulburn, New South Wales, Poidevin played rugby at St Patrick's College (now Trinity Catholic College) in New South Wales, and made the Australian Schoolboy side. Upon finishing school he played a season with the Goulburn Rugby Union Football Club and then, in 1978, he moved to Sydney to study at the University of New South Wales, from which he graduated in 1983 with a Bachelor of Science (Hons). He made his first grade debut with the university's rugby union team in 1978. In 1982 he moved clubs to Randwick, the famous Galloping Greens, home of the Ella brothers and many other Wallabies.

In March, Poidevin played in the World Sevens at Concord Oval. Australia was defeated by New Zealand 32-0 in the final. The final was the first time that Poidevin would oppose Wayne "Buck" Shelford, in what would be the beginning of a fierce rivalry between the two men. In For Love Not Money Poidevin remembered that: It was a tremendously physical game and was marred by Glen Ella being elbowed in the head by Wayne Shelford. It was the first time I'd come up against this character and to say I didn't like his approach was putting it mildly. I was sickened by what he did to my Randwick clubmate and simply couldn't contain myself. Within a minute of his clobbering Glen I got into a stouch with him and we finished up rolling around on the ground in front of the packed main grandstand, not only in front of Premier Neville Wran but in front of a far more important person - my mother. While we were grappling I thought to myself 'we really shouldn't be doing this', but my blood was boiling after the Ella incident. Poidevin then participated in the Hong Kong Sevens where Australia were knocked-out in the semi-final by the French Barbarians. He would later reflect that 'I thought my own play was diabolical. They scored a couple of easy tries early on through what I felt was my lax defence.' He further added that, 'I was pretty chopped up after that loss, particularly as I'd been very keen to make the final so that I could have another crack at the New Zealanders.'

what else can you tell me about this time period in his career?

Answer with quotes: Poidevin played in the World Sevens at Concord Oval. Australia was defeated by New Zealand 32-0 in the final.

Problem: A phonograph record (also known as a gramophone record, especially in British English, or record) is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac; starting in the 1950s polyvinyl chloride became common. In recent decades, records have sometimes been called vinyl records, or simply vinyl, although this would exclude most records made until after World War II.

78 rpm records were normally sold individually in brown paper or cardboard sleeves that were plain, or sometimes printed to show the producer or the retailer's name. Generally the sleeves had a circular cut-out exposing the record label to view. Records could be laid on a shelf horizontally or stood on an edge, but because of their fragility, breakage was common. German record company Odeon is often said to have pioneered the album in 1909 when it released the Nutcracker Suite by Tchaikovsky on 4 double-sided discs in a specially designed package. However, the previous year Deutsche Grammophon had produced an album for its complete recording of the opera Carmen. The practice of issuing albums was not adopted by other record companies for many years. One exception, HMV, produced an album with a pictorial cover for its 1917 recording of The Mikado (Gilbert & Sullivan). By about 1910, bound collections of empty sleeves with a paperboard or leather cover, similar to a photograph album, were sold as record albums that customers could use to store their records (the term "record album" was printed on some covers). These albums came in both 10-inch and 12-inch sizes. The covers of these bound books were wider and taller than the records inside, allowing the record album to be placed on a shelf upright, like a book, suspending the fragile records above the shelf and protecting them. In the 1930s, record companies began issuing collections of 78 rpm records by one performer or of one type of music in specially assembled albums, typically with artwork on the front cover and liner notes on the back or inside cover. Most albums included three or four records, with two sides each, making six or eight tunes per album. When the 12-inch vinyl LP era began in 1948, each disc could hold a similar number of tunes as a typical album of 78s, so they were still referred to as an "album", as they are today.

Any more interesting info?

Answer with quotes: By about 1910, bound collections of empty sleeves with a paperboard or leather cover, similar to a photograph album, were sold as record albums

Problem: The Twilight Sad are a Scottish post-punk/indie rock band, comprising James Graham (vocals) and Andy MacFarlane (guitar). The band are currently signed to Fat Cat Records and have released four full-length albums, as well as several EPs and singles. Their 2007 debut album, Fourteen Autumns & Fifteen Winters, drew widespread acclaim from critics, who noted Graham's thick Scottish accent and MacFarlane's dense sonic walls of shoegazing guitar and wheezing accordion. The Twilight Sad's notoriously loud live performances have been described as "completely ear-splitting," and the band toured for the album across Europe and the United States throughout 2007 and 2008.

Guitarist Andy MacFarlane composed the song "The Weath-er Is Bad" for Semiconductor Films' short film Brilliant Noise, a film pieced together from archive NASA footage of the sun's surface. The song was later included on the Killed My Parents and Hit the Road compilation. MacFarlane also provided a remix of Errors' song "Bridge or Cloud?" in January 2010, which was posted as a free download on NME's website. In February 2011, MacFarlane provided a remix of Fat Cat labelmate Ensemble's track "Before Night", which was posted as a "song of the day" on The Line of Best Fit's website. Singer James Graham appears on the live album Quietly Now! by fellow Scottish band Frightened Rabbit, providing additional vocals on the track "Keep Yourself Warm". In 2011, Graham appeared as a guest vocalist and songwriter on the album First Edition by The Fruit Tree Foundation, a supergroup collaboration of Scottish musicians headed by Rod Jones and Emma Pollock for the benefit of the Mental Health Foundation for Scotland. In 2015, Graham participated in Aidan Moffat's backing band during Moffat's UK tour performing Scottish folk songs. The tour was part of the documentary film Where You're Meant to Be, which was released the following year. In 2016, Graham featured as a guest vocalist with supergroup Minor Victories on their song "Scattered Ashes (Song for Richard)". The track appeared on Minor Victories' self-titled album. In 2017, Graham co-founded the band Out Lines, with fellow musicians Kathryn Joseph and Marcus Mackay. Out Lines's debut album, Conflats, was released on 27 October 2017 via Rock Action Records, Mogwai's label, where Graham also works outside his Twilight Sad duties. Under the name Orzelda, former bassist Craig Orzel released a solo album, The Wee Shop Is Filled with Delights, in 2008, with the EPs My Dress Up and Spiders following in 2010.

what instrument did he play on that?

Answer with quotes:
Rabbit, providing additional vocals