Input: Karl Popper
Knowledge, for Popper, was objective, both in the sense that it is objectively true (or truthlike), and also in the sense that knowledge has an ontological status (i.e., knowledge as object) independent of the knowing subject (Objective Knowledge: An Evolutionary Approach, 1972). He proposed three worlds: World One, being the physical world, or physical states; World Two, being the world of mind, or mental states, ideas, and perceptions; and World Three, being the body of human knowledge expressed in its manifold forms, or the products of the second world made manifest in the materials of the first world (i.e., books, papers, paintings, symphonies, and all the products of the human mind). World Three, he argued, was the product of individual human beings in exactly the same sense that an animal path is the product of individual animals, and that, as such, has an existence and evolution independent of any individual knowing subjects. The influence of World Three, in his view, on the individual human mind (World Two) is at least as strong as the influence of World One. In other words, the knowledge held by a given individual mind owes at least as much to the total accumulated wealth of human knowledge, made manifest, as to the world of direct experience. As such, the growth of human knowledge could be said to be a function of the independent evolution of World Three. Many contemporary philosophers, such as Daniel Dennett, have not embraced Popper's Three World conjecture, due mostly, it seems, to its resemblance to mind-body dualism.

What constituted World One in Popper's theory?
Output: the physical world

Input: Middle Ages
From the early 12th century, French builders developed the Gothic style, marked by the use of rib vaults, pointed arches, flying buttresses, and large stained glass windows. It was used mainly in churches and cathedrals, and continued in use until the 16th century in much of Europe. Classic examples of Gothic architecture include Chartres Cathedral and Reims Cathedral in France as well as Salisbury Cathedral in England. Stained glass became a crucial element in the design of churches, which continued to use extensive wall-paintings, now almost all lost.

Among which builders was the Gothic style first used?
Output: French

Input: Detroit
The region grew based on the lucrative fur trade, in which numerous Native American people had important roles. Detroit's city flag reflects its French colonial heritage. (See Flag of Detroit). Descendants of the earliest French and French Canadian settlers formed a cohesive community who gradually were replaced as the dominant population after more Anglo-American settlers came to the area in the early 19th century. Living along the shores of Lakes St. Clair, and south to Monroe and downriver suburbs, the French Canadians of Detroit, also known as Muskrat French, remain a subculture in the region today.

What trade was instrumental to the growth of this region?
Output: fur

Input: Post-punk
Generally, post-punk music is defined as music that emerged from the cultural milieu of punk rock in the late 1970s, although many groups now categorized as post-punk were initially subsumed under the broad umbrella of punk or new wave music, only becoming differentiated as the terms came to signify more narrow styles. Additionally, the accuracy of the term's chronological prefix "post" has been disputed, as various groups commonly labeled post-punk in fact predate the punk rock movement. Reynolds defined the post-punk era as occurring loosely between 1978 and 1984.

What else was music incorrectly catagorized into before post-punk?
Output:
new wave music