input: At age 20, Fonda started his acting career at the Omaha Community Playhouse, when his mother's friend Dodie Brando (mother of Marlon Brando) recommended that he try out for a juvenile part in You and I, in which he was cast as Ricky. He was fascinated by the stage, learning everything from set construction to stage production, and embarrassed by his acting ability. When he received the lead in Merton of the Movies, he realized the beauty of acting as a profession, as it allowed him to deflect attention from his own tongue-tied personality and create stage characters relying on someone else's scripted words. Fonda decided to quit his job and go east in 1928 to seek his fortune. He arrived on Cape Cod and played a minor role at the Cape Playhouse in Dennis, Massachusetts. A friend took him to Falmouth, MA where he joined and quickly became a valued member of the University Players, an intercollegiate summer stock company. There he worked with Margaret Sullavan, his future wife. James Stewart joined the Players a few months after Fonda left, though they were soon to become lifelong friends. Fonda left the Players at the end of their 1931-1932 season after appearing in his first professional role in The Jest, by Sem Benelli. Joshua Logan, a young sophomore at Princeton who had been double-cast in the show, gave Fonda the part of Tornaquinci, "an elderly Italian man with a long white beard and even longer hair." Also in the cast of The Jest with Fonda and Logan were Bretaigne Windust, Kent Smith, and Eleanor Phelps. The tall (6 ft, 1.5 in) Fonda headed for New York City, to be with his then wife, Margaret Sullavan. The marriage was brief, but when James Stewart came to New York his luck changed. Getting contact information from Joshua Logan, Jimmy, as he was called, found Hank Fonda and these small town boys found they had a lot in common, as long as they didn't discuss politics. The two men became roommates and honed their skills on Broadway. Fonda appeared in theatrical productions from 1926 to 1934. They fared no better than many Americans in and out of work during the Great Depression, sometimes lacking enough money to take the subway.

Answer this question "Did he work anywhere else other than the Omaha Community Playhouse?"
output: He arrived on Cape Cod and played a minor role at the Cape Playhouse in Dennis, Massachusetts.

input: Abramoff spent 10 years in Hollywood. He developed (wrote the story) and produced, with his brother Robert, the 1989 film Red Scorpion. The film ultimately cost $16 million (from an $8 million initial budget) and starred Dolph Lundgren playing the Spetsnaz-like Soviet commando Nikolai, sent by the USSR to assassinate an African revolutionary in a country similar to Angola. Nikolai sees the evil of the Soviets and changes sides, becoming a freedom fighter for the African side. Abramoff also executive-produced its 1994 sequel Red Scorpion 2. The South African government financed the film via the International Freedom Foundation, a front-group chaired by Abramoff, as part of its efforts to undermine international sympathy for the African National Congress. The filming location was in South-West Africa (now Namibia). On April 27, 1998, Abramoff wrote a letter to the editor of The Seattle Times rebutting an article critical of him and his alleged role as effectively a Public Relations puppet of the then-apartheid South African military. Abramoff rebutted: The IFF was a conservative group which I headed. It was vigorously anti-Communist, but it was also actively anti-apartheid. In 1987, it was one of the first conservative groups to call for the release of Nelson Mandela, a position for which it was roundly criticized by other conservatives at the time. While I headed the IFF, we accepted funding only from private individuals and corporations and would have absolutely rejected any offer of South African military funding, or any other kind of funding from any government - good or evil. During this period in South Africa, Abramoff first met South African-born rabbi David Lapin, who would become his religious advisor. He also met Lapin's brother and fellow rabbi Daniel Lapin, who allegedly introduced Abramoff to Congressman Tom DeLay (R-TX) at a Washington, DC dinner shortly after the Republican takeover of Congress in 1994. Lapin later claimed that he did not recall making that introduction.

Answer this question "Did Jack and his brother Robert work well together?"
output:

input: The band changed musical styles throughout the late 1960s and early 1970s. They shortened their name to Exile in 1973 and released their eponymous debut album through Wooden Nickel Records that same year. Singles released from the album proved unsuccessful, and it would be a good five years before the band released a full-length follow-up album. In 1977, the band released the single "Try it On" on Atco Records, and it became a minor hit. The following year, Mike Chapman, an Australian who had established himself as a record producer in the UK, came to the United States in search of an experienced group who wrote their own material. Chapman heard an Exile demo and went to their next concert. Chapman evidently enjoyed what he saw. He and Exile decided to collaborate and together they produced the Mixed Emotions album on Warner/Curb Records. The first single release from that album was Kiss You All Over. The single reached Billboard's Top 40 on 5 August 1978. It remained on the chart for seventeen weeks and was No. 1 for four weeks in September. It was a best-seller for six months. Their follow up single, "You Thrill Me," also from the Mixed Emotions LP did not fare as well, although it did reach the Top 40 for one week on 3 February 1979. The band toured with Aerosmith, Heart, Dave Mason, Boston, Seals & Crofts and other hot pop acts of the late seventies throughout the United States, Europe and Africa. All There Is, the group's second Warner Bros. Records album, recorded a year later with a distinct disco beat, yielded a foreign hit, "The Part Of Me That Needs You Most." This single did particularly well in Europe and South Africa. Don't Leave Me This Way, their third album, produced by Peter Coleman, yielded two more singles, "Take Me Down" and "Smooth Sailing." Once again, it did well in Europe and South Africa although their popularity in the United States waned. Numerous personnel changes took place in 1979. Perhaps most significantly, Stokley would leave the group that year, forcing remaining members guitarist/vocalist J.P. Pennington, keyboardist Buzz Cornelison, keyboardist/vocalist Marlon Hargis, bassist/vocalist Sonny Lemaire and drummers Steve Goetzman and Gary Freeman to search for a new lead singer. A young singer, Les Taylor, accepted an invitation to join the group and shared lead vocal duties with Pennington. By the early 1980s, other lineup changes took place, including the exit of original member Buzz Cornelison, plus keyboardist Mark Gray, who co-wrote "The Closer You Get" and "Take Me Down", both of which became hits for the group Alabama, played a short stint from 1980 to 1982.

Answer this question "Who was his replacement?"
output:
A young singer, Les Taylor, accepted an invitation to join the group and shared lead vocal duties with Pennington.