In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
A: 1874May
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : The Department of State Lands (DSL), one of the oldest agencies of government of the U.S. state of Oregon, is principally responsible for the management of lands under state ownership, as its name implies. Unlike most other department-level state agencies, it is not headed by a sole elected official, but is the administrative arm of the Oregon State Land Board. Although established by the Constitution, subsequent statutes have added to its duties and authority, and include some provisions relating to its conduct. In addition to managing state-owned lands, the Board through the Department is responsible for the Common School Fund, off-shore lands and coastal estuarine tidelands, submerged and submersible lands of the navigable waterways, unclaimed property, estates with no heirs, and additional functions assigned by the Oregon Legislative Assembly from time to time. The Board decides cases, adopts rules, issues policy statements, and approves DSL recommendations. Context_2 : Martin "Marty" Baum (March 2, 1924 November 5, 2010) was an American talent agent known for his work at the Creative Artists Agency (CAA), including the first head of the agency's motion picture department. During his career, which spanned from the 1940s until 2010, his client list at CAA and other agencies included Bette Davis, Bo Derek, Richard Attenborough, Red Buttons, Maggie Smith and Rock Hudson. Baum was also the President of ABC Pictures, the film division of the American Broadcasting Company (ABC), from 1968 until 1971. Context_3 : Jeanette Winterson, OBE (born 27 August 1959) is an award-winning English writer, who became famous with her first book, "Oranges Are Not the Only Fruit", a semi-autobiographical novel about a sensitive teenage girl rebelling against conventional values. Some of her other novels have explored gender polarities and sexual identity. Winterson is also a broadcaster and a professor of creative writing. She is a two-time winner of the Lambda Literary Award, which focuses on LGBT issues. Context_4 : Stuart Piper is a London-based Agent and Producer represents actors, comedians and creatives, as Managing Director of Cole Kitchenn Personal Management Ltd and Director of CKP Comedy and ROAR Comedy. His client list includes actors Janie Dee, Dame Joan Collins, Pixie Lott, Katherine Jenkins OBE, Hannah Spearritt, Marc Pickering, Chizzy Akudolu, Glynis Barber, Rita Simons, Mica Paris, Phoebe Thomas, Louise Jameson, Mark Moraghan, Sid Owen, comedians Jan Ravens, Josie Lawrence, Lewis Macleod and Hal Cruttenden, West-End and Broadway theatre stars 2016 Evening Standard Award Winner Tyrone Huntley, 2017 Olivier Award winner David Bedella, 2017 Whatsonstage Award Winner Emma Williams, Amy Lennox, Cassie Compton, Julie Atherton, Christine Allado, Caroline O'Connor, Rosemary Ashe, Stephen Carlile, Lauren Samuels, Melanie La Barrie, Siobhan McCarthy, Alexandra Silber, Judy Kuhn, Mazz Murray, and creatives Arlene Phillips, Russell Labey and Nick Winston. In 2010, the agency became part of ROAR Group led by Chairman Jonathan Shalit, expanding to become part of a group of entertainment companies. His team of agents include Oliver Thomson, Alex Segal, Ashley Vallance, Adam Maskell, Brooke Kinsella MBE, Martha Atack, Sam Day, Charlie Royce, Alex MacMillan. In July 2015, The Stage called him a "Star Maker" in a front page interview, and Broadcast Magazine have announced him as a Director of new ROAR Comedy company with Corrie McGuire from Objective and Professor Jonathan Shalit OBE. In Jan 2017 he was announced to have masterminded the acquisition of CKP (Christian Knowles Productions) the agency that represents Micky Flanagan, Zoe Lyons, Hal Cruttenden and Mark Watson and was appointed Director as reported in The Stage and on Chortle. Context_5 : Joia Jefferson Nuri is a communications strategist and human rights activist from the United States. She is an expert in human rights advocacy. She is the Director and founder of In The Public Eye Communications. She is a consultant and senior adviser for human rights organizations and political activists. In the past, she has worked as a Technical Director and Senior Producer for news agencies such as NBC, CBS, NPR, and C-SPAN. Her topics of interest include racism, perceptions of minorities, sports and emerging democracies in West Africa. Today she is a contributor to political television and radio talk shows and is the author of a video blog on how cultural and historical images shape current politics and policy. Her client list includes Harry Belafonte, TransAfrica, the Calvert Foundation, Truly Living Well Center for Natural Urban Agriculture and SNV USA. Her company, In The Public Eye Communications, has served as event strategists for two Presidential Inaugural galas (2009 and 2013), Smithsonian Institution fundraisers, embassy celebrations, annual conferences, seminars and press events. Context_6 : Rick Rollens (born 1950) is an American lobbyist with a client list including ARCA (Association of Regional Center Agencies/California Department of Developmental Services), Autism Business Association, and Applied Behavior Consultants. He is also a political consultant and identifies as an internationally known advocate for autism research. His specific focus in terms of research and advocacy is for those "full syndrome" autistic individuals. Prior to his son Russell's autism diagnosis, Rollens was the secretary of the California State Senate. Rollens resides in Granite Bay, California where he runs a lobbying/consulting business. Context_7 : Klotzman dominated the world of live personal appearances for several decades, promoting and producing concerts for the greatest Artists in Entertainment History. His client list includes T.I., Elvis Presley, Paul Anka, The Beatles, The Rolling Stones, Frank Sinatra, The Eagles, Neil Diamond, Tom Jones, Liza Minnelli, The Jacksons, Madonna, Luther Vandross, Teddy Pendergrass, Alice Cooper, Earth, Wind & Fire, Diana Ross, Seals and Crofts, Stevie Wonder, Cream, Prince, The Who, Led Zeppelin, Dr. Dre, Snoop Dogg, Queen Latifah, Public Enemy and so many more. His client list is far too long to include in this summary. No one person has had a greater impact on the development of contemporary music concert promotion and exclusive entertainment event planning for facilities throughout North America as Klotzman. It was in the late fifties, at the age of 13 that Klotzman began his journey into the business of Entertainment. Beginning as a DJ for Radio, record hops and even Bar Mitzvahs, Klotzman knew early on that this was going to be his chosen career. His determination, tenacity, and creativity soon catapulted him to the top of his field. Context_8 : A talent agent, or booking agent, is a person who finds jobs for actors, authors, film directors, musicians, models, film producers, professional athletes, writers, screenwriters, broadcast journalists, and other people in various entertainment or broadcast businesses. In addition, an agent defends, supports and promotes the interest of their clients. Talent agencies specialize, either by creating departments within the agency or developing entire agencies that primarily or wholly represent one specialty. For example, there are modeling agencies, commercial talent agencies, literary agencies, voice-over agencies, broadcast journalist agencies, sports agencies, music agencies and many more. Context_9 : Peters Fraser and Dunlop (PFD) is a talent and literary agency based in London, England. One of the oldest agencies in Britain, and a co-founder of the Association of Authors' Agents, it is home to a distinguished and varied client list, including Jeanette Winterson, Ruby Wax, Steve Peters, Helen Rappaport, Simon Schama, William Hague, Sarah Raven, Twiggy, Sir Max Hastings, Chris Patten, Bear Grylls, Valentine Warner, Philip Norman and such estates as V.S. Pritchett, E.M. Forster, Georges Simenon, Margery Allingham C.S. Forester, Robert Bolt, Edmund Crispin and Storm Jameson. Context_10 : John Joseph Mattera (born 1962) is a writer and American shipwreck explorer and the subject of the book "Pirate Hunters" by Robert Kurson. Pirate Hunters is the story of two US divers, John Chatterton and John Mattera, finding the lost pirate ship "Golden Fleece" of Captain Joseph Bannister in the waters off the Dominican Republic in 2008. Mattera first became a certified diver in 1976, exploring the North Atlantic, he was an early pioneer of the shipwrecks in the waters around New York and New Jersey, performing penetration and decompression dives long before technical diving had a name. From the late 1970s on exploring some of the most famous shipwrecks of the northeast, with over sixty dives on the SS "Andrea Doria". Mattera is a former police officer/administrator and has spent over a two decades as a security consultant to a client list of the who's who of the rich and famous, becoming one of the highest paid executive protection specialist in the industry and working in over forty countries. Mattera performed primary security duty on three US and foreign Presidential campaigns. fact_1 : One of the oldest agencies in Britain, and a co-founder of the Association of Authors' Agents, it is home to a distinguished and varied client list, including Jeanette Winterson, Ruby Wax, Steve Peters, Helen Rappaport, Simon Schama, William Hague, Sarah Raven, Twiggy, Sir Max Hastings, Chris Patten, Bear Grylls, Valentine Warner, Philip Norman and such estates as V.S. Pritchett, E.M. Forster, Georges Simenon, Margery Allingham C.S. Forester, Robert Bolt, Edmund Crispin and Storm Jameson. fact_2 : Jeanette Winterson, OBE (born 27 August 1959) is an award-winning English writer, who became famous with her first book, "Oranges Are Not the Only Fruit", a semi-autobiographical novel about a sensitive teenage girl rebelling against conventional values. Question: One of the oldest agencies in Britain, and a co-founder of the Association of Authors' Agents, it is home to a distinguished and varied client list, including what person that become famous with a book?
A:
Jeanette Winterson