input: The next few years saw Can release their most acclaimed works. While their earlier recordings tended to be at least loosely based on traditional song structures, on their mid-career albums the band reverted to an extremely fluid improvisational style. The double album Tago Mago (1971) is often seen as a groundbreaking, influential and deeply unconventional record, based on intensely rhythmic jazz-inspired drumming, improvised guitar and keyboard soloing (frequently intertwining each other), tape edits as composition, and Suzuki's idiosyncratic vocalisms. Czukay: "(Tago Mago) was an attempt in achieving a mystery musical world from light to darkness and return." In 1971 the band composed the music for the three-part German-language television crime mini-series Das Messer ("The Knife"), directed by Rolf von Sydow. The track used was "Spoon". Tago Mago was followed in 1972 by Ege Bamyasi, a more accessible but still avant-garde record which featured the catchy "Vitamin C" and the Top 10 German hit "Spoon". Czukay: "We could achieve an excellent dry and ambient sound... [Ege Bamyasi] reflects the group being in a lighter mood." It was followed by Future Days in 1973, which represents an early example of ambient music, as well as including the pop song "Moonshake". Czukay: "'Bel Air' [the 20 minute-long track which took up the whole of side two on the Future Days original vinyl LP] showed Can in a state of being an electric symphony group performing a peaceful though sometimes dramatic landscape painting." Suzuki left soon after the recording of Future Days to marry his German girlfriend, and become a Jehovah's Witness. Vocals were taken over by Karoli and Schmidt; however, after the departure of Suzuki, fewer of their tracks featured vocals, as Can found themselves experimenting with the ambient music they had begun with Future Days.

Answer this question "What are some of songs in the album ?"
output:

input: Leto formed the rock band Thirty Seconds to Mars in 1998 in Los Angeles, California with his brother Shannon. When the group first started, Jared Leto did not allow his position of Hollywood actor to be used in promotion of the band. Their debut album had been in the works for a couple of years, with Leto writing the majority of the songs. Their work led to a number of record labels being interested in signing Thirty Seconds to Mars, which eventually signed to Immortal Records. In 1999, Leto played a gay high school teacher who attracts the attentions of Robert Downey, Jr. in Black and White, and got a supporting role in the drama Girl, Interrupted, an adaptation of the memoir of the same name by Susanna Kaysen. He then portrayed Angel Face in Fight Club (1999), a film adaptation of Chuck Palahniuk's novel of the same name, directed by David Fincher. He began dating actress Cameron Diaz in 1999 and the couple became engaged in 2000. Leto played Paul Allen, a rival of Patrick Bateman, in the psychological thriller American Psycho (2000). Though the film polarized audiences and critics, Leto's performance was well received. The same year, he starred as heroin addict Harry Goldfarb in Requiem for a Dream, an adaptation of Hubert Selby, Jr.'s novel of the same name, directed by Darren Aronofsky and co-starring Ellen Burstyn, Jennifer Connelly, and Marlon Wayans. To prepare for his role, Leto lived on the streets of New York City and refrained from having sex for two months prior to shooting. He starved himself for months, losing 28 pounds to realistically play his heroin addict character. After the shooting of the film, Leto moved to Portugal and lived in a monastery for several months to gain weight. His performance received critical acclaim by film critics who notably praised the actor's emotional courage in portraying the character's physical and mental degradation. Peter Travers from Rolling Stone commented that Leto "excels by going beyond Harry's gaunt look to capture his grieving heart. His scenes with Ellen Burstyn as Sara, Harry's widowed mother, achieve a rare poignancy as son and mother drown in delusions." Leto next appeared in the independent film Highway. Set in 1994, Leto is caught with the wife of his employer, a Vegas thug, and flees to Seattle with his best friend Jake Gyllenhaal in the week preceding Kurt Cobain's suicide. Filming finished in early 2000, but the film was not released until March 2002 on home video formats, although originally scheduled for a theatrical release. During this period Leto focused increasingly on his music career, working with producers Bob Ezrin and Brian Virtue on his band's debut album 30 Seconds to Mars, which was released on August 27, 2002, in the United States through Immortal and Virgin. It reached number 107 on the US Billboard 200 and number one on the US Top Heatseekers. Upon its release, 30 Seconds to Mars was met with mostly positive reviews; music critic Megan O'Toole felt that the band managed to "carve out a unique niche for themselves in the rock realm." The album was a slow-burning success, and eventually sold two million copies worldwide.

Answer this question "What label did they sign too"
output: Immortal Records.

input: She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect. The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard. Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said: The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ...

Answer this question "Did she work with anyone important at Amerika?"
output:
While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman.