Problem: Background: Cabaret is a 1972 American musical drama film which was directed by Bob Fosse and which starred Liza Minnelli, Michael York, and Joel Grey. Situated in Berlin during the Weimar Republic in 1931, under the presence of the growing Nazi Party, the film is loosely based on the 1966 Broadway musical Cabaret by Kander and Ebb, which was adapted from the novel The Berlin Stories / Goodbye to Berlin (1939) by Christopher Isherwood and the 1951 play I Am a Camera adapted from the same book. Only a few numbers from the stage score were used for the film; Kander and Ebb wrote new ones to replace those that were discarded. In the traditional manner of musical theater, called an "integrated musical", every significant character in the stage version sings to express his or her own emotion and to advance the plot.
Context: In 1995, Cabaret was the ninth live-action musical film selected by the Library of Congress for preservation in the United States National Film Registry as being deemed "culturally, historically, or aesthetically significant". Cabaret is cited on TV Guide's greatest films on TV and Video, and in Movieline magazine as one of the 100 Best Movies Ever. It was included in FilmFour's 100 Greatest Films of All Time at number 78 and in San Francisco Chronicle's film critics' "Hot 100 Films of the Past", being hailed as "The last great musical. Liza Minnelli plays Sally Bowles, an American adrift in pre-Nazi Berlin, in Bob Fosse's stylish, near-perfect film." David Benedict from The Observer has written about Cabaret's influence in musical films: "Back then, musicals were already low on filmgoers' lists, so how come it was such a success? Simple: Cabaret is the musical for people who hate them. Given the vibrancy of its now iconic numbers - Liza Minnelli in bowler and black suspenders astride a bentwood chair belting out 'Mein Herr' or shimmying and shivering with pleasure over 'Money' with Joel Grey - it sounds strange to say it but one of the chief reasons why Cabaret is so popular is that it's not shot like a musical." The film has been listed as one of the most important for queer cinema for its depictions of homosexuality, revolutionary at the time of its release. It turned Liza Minnelli into a gay icon. Film blogs have elected it as "the gayest winner in the history of the Academy".
Question: are there any other know actors in this legacy?
Answer:

Problem: Background: De Ruyter was born on 24 March 1607 in Vlissingen, Netherlands, as the son of beer porter Adriaen Michielszoon and Aagje Jansdochter. Little is known about De Ruyter's early life, but he probably became a sailor at the age of 11. It is said that once, when he was a child, he climbed up ladders to get to the roof of his home town's church. Not knowing that De Ruyter was there, some workers then removed the ladders.
Context: De Ruyter saved the situation for the Netherlands in the Third Anglo-Dutch War. His strategic victories over larger Anglo-French fleets at the Battles of Solebay (1672), the double Schooneveld (1673) and Texel (1673) warded off invasion. The new rank of Lieutenant-Admiral-General was created especially for him in February 1673, when the new stadtholder William III of Orange became Admiral-General. Again taking the fight to the Caribbean, this time against the French, De Ruyter arrived off Martinique aboard his flagship De Zeven Provincien on 19 July 1674. He led a substantial force of eighteen warships, nine storeships, and fifteen troop transports bearing 3,400 soldiers. When attempting to assault Fort Royal, his fleet was becalmed, allowing the greatly outnumbered French defenders time to solidify their defenses. The next day, newly placed booms prevented De Ruyter from entering the harbor, but regardless the Dutch soldiers went ashore. However, without the support of the fleet's guns they were severely mauled in their attempt to reach the French fortifications atop the steep cliffs. Within two hours, the soldiers returned to the fleet with 143 killed and 318 wounded - compared to only 15 French defenders lost. His ambitions thwarted and with the element of surprise lost, De Ruyter sailed north to Dominica and Nevis, then returned to Europe while disease spread aboard his ships. In 1676, he took command of a combined Dutch-Spanish fleet to help the Spanish suppress the Messina Revolt and fought a French fleet, under Duquesne, at the Battle of Stromboli and the Battle of Augusta, where he was fatally wounded when a cannonball struck him in the right leg. On 18 March 1677, De Ruyter was given an elaborate state funeral. His body was buried in the Nieuwe Kerk (New Church) in Amsterdam. He was succeeded as supreme commander by Cornelis Tromp in 1679.
Question: What happen in the 1600s?
Answer: His strategic victories over larger Anglo-French fleets at the Battles of Solebay (1672), the double Schooneveld (1673) and Texel (1673)

Problem: Background: O'Neill was born in a hotel, the Barrett House, at Broadway and 43rd Street, on what was then Longacre Square (now Times Square). A commemorative plaque was first dedicated there in 1957. The site is now occupied by 1500 Broadway, which houses offices, retail, and ABC Studios. He was the son of Irish immigrant actor James O'Neill and Mary Ellen Quinlan, who was also of Irish descent.
Context: After suffering from multiple health problems (including depression and alcoholism) over many years, O'Neill ultimately faced a severe Parkinsons-like tremor in his hands which made it impossible for him to write during the last 10 years of his life; he had tried using dictation but found himself unable to compose in that way. While at Tao House, O'Neill had intended to write a cycle of 11 plays chronicling an American family since the 1800s. Only two of these, A Touch of the Poet and More Stately Mansions, were ever completed. As his health worsened, O'Neill lost inspiration for the project and wrote three largely autobiographical plays, The Iceman Cometh, Long Day's Journey into Night, and A Moon for the Misbegotten. He managed to complete Moon for the Misbegotten in 1943, just before leaving Tao House and losing his ability to write. Drafts of many other uncompleted plays were destroyed by Carlotta at Eugene's request. O'Neill died in Room 401 of the Sheraton Hotel (now Boston University's Shelton Hall) on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "I knew it. I knew it. Born in a hotel room and died in a hotel room." Dr. Harry Kozol, the lead prosecuting expert of the Patty Hearst trial, treated O'Neill during these last years of illness. He also was present for O'Neill's death and announced the fact to the public. O'Neill is interred in the Forest Hills Cemetery in Boston's Jamaica Plain neighborhood. In 1956 Carlotta arranged for his autobiographical play Long Day's Journey into Night to be published, although his written instructions had stipulated that it not be made public until 25 years after his death. It was produced on stage to tremendous critical acclaim and won the Pulitzer Prize in 1957. This last play is widely considered to be his finest. Other posthumously-published works include A Touch of the Poet (1958) and More Stately Mansions (1967). The United States Postal Service honored O'Neill with a Prominent Americans series (1965-1978) $1 postage stamp.
Question: was he treated for the depression?
Answer:
O'Neill ultimately faced a severe Parkinsons-like tremor in his hands which made it impossible for him