In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example output: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : The Missouri Reserve Force, originally known as the Military Reserve Military Force, is the official state defense force of Missouri. As a state defense force, the MRF is a reserve military force which serves parallel to the Missouri National Guard. MRF members serve as reservists and therefore can hold full-time jobs while serving, like their National Guard counterparts. As the MRF falls solely under the command of the state of Missouri, it cannot be federalized or deployed outside the borders of Missouri, unlike the National Guard. Although the MRF and the Missouri National Guard are separate organizations, the MRF's primary scope is to work alongside the National Guard during stateside operations, or in lieu of the National Guard when the National Guard is deployed outside of Missouri. Along with the Missouri Army National Guard, the Missouri Air National Guard, and the Missouri Naval Militia, the Missouri Reserve Force is recognized under Missouri law as part of the organized militia of Missouri. Context_2 : The South Dakota State Guard is the currently inactive state defense force of South Dakota. The State Guard is recognized as a military force separate from the South Dakota National Guard. Unlike the National Guard, the State Guard is a purely state-level military force under the command of the Governor of South Dakota, and cannot be federalized or deployed outside the borders of the state. The South Dakota State Guard was active during World War I, World War II, and the Vietnam War and provided military protection to the state of South Dakota while the National Guard was in federal service. Context_3 : A cataphract was a form of armored heavy cavalry used in ancient warfare by a number of peoples in Western Eurasia and the Eurasian Steppe. Context_4 : The Royal Johor Military Force (Malay: "Askar Timbalan Setia Negeri Johor"; Jawi: " ") is an independent military force raised in 1886 by Abu Bakar of Johor. The RJMF is believed to be the oldest military unit in Malaysia and is the only "state army" in the Federation The Force comes under the control of the Sultan of Johor. Its headquarters are located at Bukit Timbalan, Johor Bahru, Johor. The retention of the army was one of the stipulations in 1946 which Johor made when it participated in the Malay Federation. No other Malaysian state has their own army. Context_5 : The Sultan of Johor is a hereditary seat and the sovereign ruler of the Malaysian state of Johor. In the past, the sultan held absolute power over the state and was advised by a "bendahara". Currently, the role of "bendahara" has been taken over by chief minister (Malay: "Menteri Besar") with the constitutional monarchy system via Johor State Constitution. The Sultan is the constitutional head of state of Johor. The Sultan has own independent military force Royal Johor Military Force (Malay: "Askar Timbalan Setia Negeri Johor"). The Sultan is also the Head of Islam in Johor state. Context_6 : The Maine State Guard was the state defense force of the state of Maine during World War I, World War II, and the Vietnam War. As a state defense force, the State Guard served as a stateside replacement for the Maine National Guard when the National Guard was federalized. Like the National Guard, the State Guard was a reserve military force composed of members who held full-time civilian jobs and periodically met for drills, unless called into active service by the governor. However, unlike the National Guard, as a state defense force, the Maine State Guard was solely a state military force, which was immune from federalization and could not be deployed outside the state of Maine. Context_7 : Humanitarian Intervention has been defined as a state's use of "military force (publicly stated that its use is for ending the violation of human rights) against another state." This definition may be too narrow as it precludes non-military forms of intervention such as humanitarian aid and international sanctions. On this broader understanding, "Humanitarian intervention should be understood to encompass non-forcible methods, namely intervention undertaken without military force to alleviate mass human suffering within sovereign borders." Context_8 : Peace enforcement is the use of military force to compel peace in a conflict, generally against the will of those combatants. To do this, it generally requires more military force than peacekeeping operations. The United Nations, through its Security Council per Chapter VII of its charter, has the ability to authorize force to enforce its resolutions and ceasefires already created. Context_9 : The Grivpanvar (literally: neck-guard wearer), were an elite late Parthian and Sassanian division who fought as heavy knights or Cataphract cavalry. According to Roman sources, the Grivpanvar had the ability to impale two men on the long, heavy spears that they carried. Historical evidence suggests that the heavily armoured Parthian grivpanvar were at least partially influenced by the military of the Central Asian steppes, who in turn had inherited their armoured cavalry traditions from the Massagetae and the late Achaemenid Persians. Context_10 : An embarked military force is a military force that is carried by an amphibious assault ship. It may include troops, vehicles and other equipment. fact_1 : The Grivpanvar (literally: neck-guard wearer), were an elite late Parthian and Sassanian division who fought as heavy knights or Cataphract cavalry. fact_2 : A cataphract was a form of armored heavy cavalry used in ancient warfare by a number of peoples in Western Eurasia and the Eurasian Steppe. Question: What type of military force does Grivpanvar and Cataphract have in common?
A:
cavalry