Hayek received new attention in the 1980s and 1990s with the rise of conservative governments in the United States, United Kingdom, and Canada. After winning the United Kingdom general election, 1979, Margaret Thatcher appointed Keith Joseph, the director of the Hayekian Centre for Policy Studies, as her secretary of state for industry in an effort to redirect parliament's economic strategies. Likewise, David Stockman, Ronald Reagan's most influential financial official in 1981 was an acknowledged follower of Hayek.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): In what year was Margaret Thatcher elected Prime Minister?
Ah, so.. 1979

Penalties never result in a score for the offence. For example, a point-of-foul infraction committed by the defence in their end zone is not ruled a touchdown, but instead advances the ball to the one-yard line with an automatic first down. For a distance penalty, if the yardage is greater than half the distance to the goal line, then the ball is advanced half the distance to the goal line, though only up to the one-yard line (unlike American football, in Canadian football no scrimmage may start inside either one-yard line). If the original penalty yardage would have resulted in a first down or moving the ball past the goal line, a first down is awarded.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): A play that results in what outcome will never also be a scoring play?
Ah, so.. Penalties

British post-punk entered the 1980s with support from members of the critical communityAmerican critic Greil Marcus characterised "Britain's postpunk pop avant-garde" in a 1980 Rolling Stone article as "sparked by a tension, humour and sense of paradox plainly unique in present day pop music"as well as media figures such as BBC DJ John Peel, while several groups, such as PiL and Joy Division, achieved some success in the popular charts. The network of supportive record labels that included Industrial, Fast, E.G., Mute, Axis/4AD and Glass continued to facilitate a large output of music, by artists such as the Raincoats, Essential Logic, Killing Joke, the Teardrop Explodes, and the Psychedelic Furs.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Which record labels really supported the British post-punk movement?
Ah, so..
Industrial, Fast, E.G., Mute, Axis/4AD and Glass