*Question*
I was 14 at the time. My family and I took a family vacation to Tybee Island, Georgia. It is a beautiful place that I would highly recommend. I told my family that I was going to go find a port-a-pot. So I head off by myself. I'm in the port-a-pot, i'm in there for roughly 10 minutes. (you can assume what I was doing) I wash my hands and get ready to leave the port-a-pot, and I tried to open the door and it was locked. I'm claustrophobic, so I start to FREAK OUT. I started banging on the door, running into the door with all of my weight. Nothing was helping. I then start crying, I thought for sure that I was going to die. I knew it was the end, at the age of 14, locked in a port-a-pot, in 95 degree weather in the middle of a beach in Georgia. Looking back, i'm curious as to why my family never came to look for me, I was gone for like 30 minutes. So I'm banging on the door continuously, bawling my eyes out. Then a man opened the door for me, from the outside. He was about 6'3 with dreads about 12 inches long and weighed about 280 pounds. I ran out of the port-a-pot and jumped on the guy and gave him a hug and told him that I loved him and that he saved my life. I don't know how he managed to open the door for me, but I definitely know that my 14 year old self owes that man my life. I'm not sure where he is in life, or what he's doing, but I hope God is blessing him abundantly. It is definitely a funny story to tell my friends. Question: Who were those on vacation with the 14-year-old boy? Options: - Some other people in Georgia - His parents and siblings - not enough information - The stranger === The correct answer is
**Answer**
His parents and siblings

*Question*
ROLAND HELD HIS BODY STIFF AS HE FACED THE CATHAR FORTRESS and watched the tall wooden doors swing open. He saw now that the fire of that final night's battle, now fifteen days past, had left no structure standing but the stone keep. Inside the limestone walls stood forlorn, crude shelters made of tent cloths spread over blackened beams. Cries of farewell and loud wailing came from the battlements above and from the open gateway, as the condemned emerged from the fortress, a long line of men and women in black. Roland's heartbeat broke its rhythm. During the fifteen days of grace granted under the terms of surrender, he had waited in camp with the other crusaders. Now that Diane and Perrin were safely off on the road to Paris, he felt impelled to be with the Cathars in their final moments, to bear witness. He had volunteered, despite his dread, to help escort the prisoners to their execution. Those Cathars who joined the Catholic religion would now be allowed to leave in peace, though they would be forced to give everything they owned to the Church and wear the yellow crosses for the rest of their lives. But those who clung to their faith would die. As the Cathars emerged, a man-at-arms directed each to stop at a table beside the doorway, where two Dominican friars sat with parchment scrolls. The friars recorded the name of each person about to die. This meticulous record-keeping, Roland thought, was one source of the Inquisition's power. At the head of the procession was the Cathar bishop. Bertran d'en Marti's head glowed with the red-gold rays of the low afternoon sun striking his white hair, as if it were already enveloped in flames. "Form around them," called the leader of Roland's party. Roland reluctantly stepped forward with the other crusaders. His longsword and dagger swung heavy at his waist. He wore them only because, as a knight, he was expected to. He had left his helmet and mail shirt back in his tent. Question: Why didn't Roland wear his helmet and mail shirt? Options: - Because his longsword and dagger were heavy. - Because he was a knight. - Because he left them in his tent. - not enough information === The correct answer is
**Answer**
Because he left them in his tent.

*Question*
Bryan C. Keene and Alexandra Kaczenski of the Getty Museum's Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of "green spaces" such as gardens, vistas, and their relation to the divine. In particular, Bryan and Alexandra focus on the ways in which artists during the European Middle Ages and Renaissance embedded the pages of illuminated manuscripts with depictions of the natural world so that nature could guide prayer, chant, and meditation. For Bryan, this project represents a continuation of his interest in sacred gardens that began with his graduate work on the garden imagery that influenced Botticelli's Agony in the Garden painting. In 2013 he curated the exhibition and authored the accompanying book Gardens of the Renaissance. For Alexandra, interest in this subject stems from her scholarly focus on Flemish manuscripts and their relation to Flemish landscape paintings. She brought to the project a complementary interest in issues of environmental and landscape destruction, which also were themes of the exhibition and publication. Though floral and nature studies of the Renaissance and Early Modern periods have been extensively investigatedthe scientific notebooks of Leonardo da Vinci, for example, are well documentedthis exhibition turns its focus on landscape and the divine. Curatorial research has shed new light on subjects such as the seemingly "scattered" floral arrangements represented within the pages of these books and their relationship to humoral theory and religion. Bryan adds, "The tension that we find in these borders is, on the one hand, intricately rendered leaf and petal structures of plants or flowers, and on the other, hidden whimsical elements, all of which combine to create a rich tapestry of meaning, both symbolic and scientific. Alex and I will continue to explore the potential meaning within this botanical and arboreal chaos." Sacred... Question: Alexandra believes that: Options: - not enough information - Flemish manuscripts and landscape paintings are of interest - Iraq manuscripts are of interest - Iran's architecture is of interest === The correct answer is
**Answer**
Flemish manuscripts and landscape paintings are of interest