input: Please answer the following: Given the following context: Donald's Dilemma starts with Daisy narrating her problem to an unseen psychologist through flashback scenes. Her problem started on a spring day when she was out on a date with Donald and a flower pot fell on his head. He regained consciousness soon enough but with some marked differences. His singing voice was improved to the degree in which it sounds identical to Frank Sinatra. However, Donald had no memory of who Daisy was. He became a well-known crooner and his rendition of "When You Wish Upon a Star" from Pinocchio (which had been released seven years earlier) became a hit, which gave him a large number of fans. Daisy's loss resulted in a number of psychological symptoms - she suffered from anorexia, insomnia and self-described insanity. An often censored scene features her losing her will to live and pointing a gun at her head, while in front of a table of other different suicidal methods, including a noose, a grenade, a bomb, a knife, and poison. She decided that she would see Donald once again, at any cost, but failed to do so. That's when she decided to go to the psychologist - and the flashback meets the actual time of the cartoon. At the end of the cartoon, the psychologist determines that Donald would regain his memory of Daisy if another flower pot (with the same flower from the first pot, which Daisy kept as the only thing she had to remember Donald) would fall on his head. But he warns that his improved voice may be lost along with his singing career. He offers Daisy a dilemma. Either the world has its singer but Daisy loses him or Daisy regains Donald but the world loses him. Posed with the question "her or the world", Daisy answers with a resounding and possessive scream - "Me! Me! Me! MEEE!!". Soon, Donald returns to his old self and forgets about his singing career and Daisy regains her lover. answer the following question: Who warns that Donald may lose his singing voice and career?
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output: psychologist

input: Please answer the following: Given the following context: In July, two singles were issued on the Brother imprint: "Heroes and Villains" and "Gettin' Hungry". The former peaked at number 12 on the Billboard Hot 100. The latter was not credited to the Beach Boys, but instead to Brian Wilson and Mike Love. On September 18, 1967, Smiley Smile was released in the US. The LP peaked at number 41 on the Billboard charts, making it their worst-selling album to that date. It spent most of its 21-week chart time bubbling under 100 and 197. When released in the UK in November, it performed better, reaching number 9 of the UK Albums Chart.Critics and fans were generally underwhelmed by the album and controversy involving whether the band was to be taken as a serious rock group ensued. A review in Hit Parader praised the album for "probably [having] more a cappella harmony than on any album since the fall of the singing-group era in the late 1950s", but that they "still like Pet Sounds better". NME wrote of the album: "By the standards which this group has set itself, it's more than a grade disappointing." Hi Fidelity said: "... they are making the psychedelic route ... perhaps in the unforgettable city of Fresno. Until they reach the San Francisco Bay Bridge or return to the shores of Malibu ... their work can only receive partial approval." Rolling Stone referred to it as a "disaster" and an "abortive attempt to match the talents of Lennon and McCartney." On December 14, 1967, the magazine's editor and co-founder Jann Wenner printed an influential article that denounced Wilson's "genius" label, which he called a "promotional shuck", and the Beach Boys themselves, which he called "one prominent example of a group that has gotten hung up on trying to catch The Beatles". He wrote that "for some reason, [Smiley Smile] just doesn't make it ... [the songs] just don't move you. Other than displaying Brian Wilson's virtuosity for production, they are pointless."The Milwaukee Sentinel praised the LP as "probably the most valuable contribution to rock since the Beatles Revolver" and... answer the following question: What is the full name of the person who wrote that "for some reason, [Smiley Smile] just doesn't make it...[the songs] just don't move you"?
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output: Jann Wenner

input: Please answer the following: Given the following context: In 1997, director Roger Allers asks British singer-songwriter Sting to help write the music to a new Disney animated feature titled Kingdom of the Sun. He is intrigued with the project as is the cast and crew who all voice their love over the epic story, the songs and the quirky tone it is taking. The crew then present what they have finished so far to executive producers Thomas Schumacher and Peter Schneider in the titular sweatbox, the room where they screen their half finished product. The producers are harshly dissatisfied and demand that the film be redone, though they underhandedly admit that they liked the "love song" and the "llama song". Allers and the crew are taken aback as they feel that all of their hard work has been for nothing. They concoct a new plot though the animators are concerned over the new direction with many worried that their contribution will not make it into the final film. Mark Dindal takes up the directing duties with the title now slightly changed to Kingdom in the Sun. One of the film's stars, Owen Wilson, is replaced with John Goodman and the Prince and the Pauper style story with magic elements is replaced with a comical farce. This ends up earning the approval of Schneider and Schumacher, though Sting is slightly miffed at the new changes. Sting continues to work on the film, though he feels that his role has been reduced somewhat. Nevertheless, his complaints about the film's ending (which went against his conservationist beliefs) actually manages to get through to the higher ups who agree with altering the ending slightly. He later discovers that the title has been changed once again to The Emperor's New Groove. While at first indifferent to the title, he warms up to it once he sees a clip from the almost finished product. The documentary ends with Don Hahn admitting that despite the hard work and disagreements over the project, he is mostly satisfied with how it turned out. answer the following question: What are the full names of the people who came up with a new plot?
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output:
Roger Allers