Question: Browning was born as Charles Albert Browning, Jr., in Louisville, Kentucky, the second son of Charles Albert and Lydia Browning, and the nephew of baseball star Pete Browning. As a young boy, he put on amateur plays in his backyard. He was fascinated by the circus and carnival life, and at the age of 16 he ran away from his well-to-do family to become a performer. Changing his name to "Tod", he traveled extensively with sideshows, carnivals, and circuses.

Browning's feature film debut was Jim Bludso (1917), about a riverboat captain who sacrifices himself to save his passengers from a fire. It was well received. Browning moved back to New York in 1917. He directed two films for Metro Studios, Peggy, the Will O' the Wisp and The Jury of Fate. Both starred Mabel Taliaferro, the latter in a dual role achieved with double exposure techniques that were groundbreaking for the time. He moved back to California in 1918 and produced two more films for Metro, The Eyes of Mystery and Revenge. In the spring of 1918 he left Metro and joined Bluebird Productions, a subsidiary of Universal Pictures, where he met Irving Thalberg. Thalberg paired Browning with Lon Chaney for the first time for the film The Wicked Darling (1919), a melodrama in which Chaney played a thief who forces a poor girl (Priscilla Dean) from the slums into a life of crime and possibly prostitution. Browning and Chaney would ultimately make ten films together over the next decade. The death of his father sent Browning into a depression that led to alcoholism. He was laid off by Universal and his wife left him. However, he recovered, reconciled with his wife, and got a one-picture contract with Goldwyn Pictures. The film he produced for Goldwyn, The Day of Faith, was a moderate success, putting his career back on track. Thalberg reunited Browning with Lon Chaney for The Unholy Three (1925), the story of three circus performers who concoct a scheme to use disguises to con and steal jewels from rich people. Browning's circus experience shows in his sympathetic portrayal of the antiheroes. The film was a resounding success, so much so that it was later remade in 1930 as Lon Chaney's first (and only) talkie shortly before his death later that same year. Browning and Chaney embarked on a series of popular collaborations, including The Blackbird and The Road to Mandalay. The Unknown (1927), featuring Chaney as an armless knife thrower and Joan Crawford as his scantily clad carnival girl obsession, was originally titled Alonzo the Armless and could be considered a precursor to Freaks in that it concerns a love triangle involving a circus freak, a beauty, and a strongman. London After Midnight (1927) was Browning's first foray into the vampire genre and is a highly sought-after lost film which starred Chaney, Conrad Nagel, and Marceline Day. The last known print of London After Midnight was destroyed in an MGM studio fire in 1967. In 2002, a photographic reconstruction of London After Midnight was produced by Rick Schmidlin for Turner Classic Movies. Browning and Chaney's final collaboration was Where East is East (1929), of which only incomplete prints have survived. Browning's first talkie was The Thirteenth Chair (1929), which was also released as a silent and featured Bela Lugosi, who had a leading part as the uncanny inspector, Delzante, solving the mystery with the aid of the spirit medium. This film was directed shortly after Browning's vacation trip to Germany (arriving in the Port of New York, November 12, 1929).

Using a quote from the above article, answer the following question: Were there any other silent films he did?
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Answer: The film he produced for Goldwyn, The Day of Faith, was a moderate success, putting his career back on track.

Problem: Kidd was born in San Francisco, and raised in an upper middle class section of Oakland. His father, Steve, was African-American, and his mother, Anne, is Irish-American. As a youth, Kidd was highly scouted for AAU teams and tourneys, garnering various all-star and MVP awards. He attended the East Oakland Youth Development Center and frequented the city courts of Oakland, where he often found himself pitted against future NBA Hall of Famer Gary Payton.

Kidd was traded to the Phoenix Suns with Tony Dumas and Loren Meyer for Michael Finley, A. C. Green, and Sam Cassell during the 1996-97 season. In his first full season with the Suns in 1997-98, the team's win total improved by 16 games. The Suns, who finished the season with a 56-26 record, had been recognized for their fast-paced style of play with Kidd frequently leading a small lineup of four guards (Kidd, Kevin Johnson, Rex Chapman and Steve Nash) being on the floor at the same time together with Antonio McDyess playing at center. In the 1998-99 season, Kidd averaged 10.8 assists per game to dethrone Washington's Rod Strickland as the league's assists leader. He also led the NBA with seven triple-doubles (the rest of the league had just 11) and was second in the NBA with 41.2 minutes per game (behind Allen Iverson's 41.5 mpg). Kidd averaged career highs in points (16.9 ppg), field goal percentage (.444), rebounds (6.8 rpg, best among NBA guards) and steals (2.28 spg, fourth in the NBA) and was the only player to be ranked among the top 50 in the NBA in 10 different statistical categories. The Suns won all seven of the games in which he had triple-doubles. The Suns acquired Penny Hardaway from the Orlando Magic before the start of the 1999-00 season in hope of creating the best backcourt duo in the league. Combination of Kidd and Hardaway in the starting lineup was often labeled as the BackCourt 2000. Despite a decent 53-29 record, the Suns' season was spoiled by injuries to both of their superstars. Kidd, who broke his ankle late in the regular season, returned during the playoffs to help his team to beat the defending champion San Antonio Spurs and advance to the second round for the first time in his career. The 2000-01 season was affected by Kidd's personal problems as he was charged with domestic abuse of his wife. The Suns, who struggled in the middle part of the season, finished strongly with a 15-6 record to secure another 50-win season. Kidd took on more of the offensive load after his teammates encouraged him to be more selfish. He recorded 30-plus points six times on the year and five times in the last 19 games. In one particular hot stretch, he scored 36, 32 and 31 in three consecutive games in mid-March, prior to which he had never recorded consecutive 30-point games. During his stay in Phoenix, Kidd made the All-Star Game in 1998, 2000, and 2001 (in 1999 it was not held because of a lockout) and led the NBA in assists for three consecutive years (1999-2001). It was also with the Suns that Kidd rose to the status of the league's best playmaker as he was voted to the All-NBA First Team three years in a row (1999-2001). On June 28, 2001, after five seasons in Phoenix in which the team made the playoffs each year, he was traded, along with Chris Dudley, to the New Jersey Nets for Stephon Marbury, Johnny Newman, and Soumaila Samake.

What relationship did Jason Kidd have to the Phoenix Suns?

Answer with quotes:
Kidd was traded to the Phoenix Suns