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In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

New input: Context_1 : Home dels nassos (] , ] ) is a character in Catalan myths and legends. Home dels nassos is translated as "Man of the noses". The legend says that this man has as many noses as the year has days, and loses one every day and can only be seen on December 31st. In this way, children of Catalonia are led to believe that there is a man with 365 noses, and they are asked to search him on last day of the year. but of course, being the last day of the year, he conveniently and ironically has only one nose remaining, the rest have been already lost. Context_2 : Debunking 9/11 Myths: Why Conspiracy Theories Can't Stand Up to the Facts is a non-fiction book published by Hearst Communications, Inc. on August 15, 2006. The book is based on the article "9/11: Debunking the Myths" in the March 2005 issue of "Popular Mechanics" and is written by David Dunbar and Brad Reagan, responding to various 9/11 conspiracy theories. The authors interviewed over 300 sources for the book, relying on expert and witness accounts. Context_3 : Marcus Sedgwick (born 8 April 1968) is a British writer, illustrator and musician. He has published novels such as "Floodland" (winner of the Branford Boase Award in 2001) and "The Dark Horse" (shortlisted for The Guardian Children's Fiction Prize 2002). He is also the author of several picture books, and has illustrated a collection of myths and a book of folk tales for adults. He wrote the thrilling adventure tale "Revolver" as well. The first U.S. edition of his 2011 novel "Midwinterblood" won the 2014 Michael L. Printz Award from the American Library Association as the preceding year's "best book written for teens, based entirely on its literary merit". Context_4 : Slaves of the Shinar is a historical fantasy novel that was written by Justin Allen and published in 2006. The book explores the early lives and origins of characters and peoples to be found in middle eastern myths and religious texts, especially the Biblical Book of Genesis and the Epic of Gilgamesh. Included from Genesis are depictions of the Nephilim (called Niphilim in the book), Jared (grandfather of Methuselah), Lamech (father of Noah) and Adah (wife of Lamech). The name Shinar also comes from the book of Genesis, chapter ten. Likewise, from the Epic of Gilgamesh and related middle-eastern myths come such figures as Gilgamesh, Enkidu and the gods Marduk, Baal, and Moloch. Context_5 : Anguta is the father of the sea goddess Sedna in Inuit mythology. In certain myths of the Greenland Inuit Anguta (also called "His Father" or Anigut) is considered the creator-god and is the supreme being among of the Inuit people. In other myths, Anguta is merely a mortal widower. His name, meaning "man with something to cut," refers to his mutilating of his daughter which ultimately resulted in her godhood, an act he carried out in both myths. Anguta is a psychopomp, ferrying souls from the land of the living to the underworld, called Adlivun, where his daughter rules. Those souls must then sleep there for a year before they go to Qudlivun (those above us) on the Moon where they will enjoy eternal bliss. He is also known as Aguta. Context_6 : Indian Tales is a collection of connected short narratives written and illustrated by Jaime de Angulo, published by A. A. Wyn in 1953. The stories revolve around an anthropomorphic animal family traveling across California, and encountering various mythological figures, such as Old Man Coyote, Loon Woman, and various animal tribes who live as the indigenous peoples of California did in pre-European times. The book is an imaginative retelling of many of the folktales and myths collected by de Angulo as an erstwhile anthropologist. The stories are written to be of interest to younger readers, but are also read by adults. The books foreword is by Carl Carmer. The "Indian Tales" were originally read live on KPFA radio in 1949, and released as a recording. The book has been used as a text in California history classes. De Angulo writes in the foreword, Context_7 : American Indian creationism refers to a belief among Native Americans that rejects the scientific theory of evolution and other scientific ideas of human origins, arguing that American Indians originated in North America. It has deep roots in Indian tradition and religion. Vine Deloria, Jr., an American Indian author, theologian, historian, and activist, was influential in its recent development. According to the Wikipedia article "Flood Myth," a very common factor that is present in most American Indian creation stories is the deluge. Usually the deluge, or great flood, is used to form the Earth or to rebirth the Earth. Just like the story in the Bible with Noah and the Ark, oftentimes in American Indian creation stories, the flood is used to cleanse the Earth and re-purify it. The website "Oral Tradition," explains how oral tradition is extremely important to Indian culture. If there was no oral tradition, there would be no story telling; therefore, no one would know these creation stories today. Often, these stories were used for amusement in the tribes or to learn the origin of his or her clan. Outside sources, such as the website "Native American Myths of Creation", and the book "The Myths and Legends of the Pima" written by William Lloyd, provides the creation myths of certain American Indian tribes in order to give insight to their beliefs. Context_8 : Opus Dei: An Objective Look Behind the Myths and Reality of the Most Controversial Force in the Catholic Church is a book written by American journalist John Allen, Jr. about the Prelature of the Holy Cross and Opus Dei, commonly known as Opus Dei, published in 2005. While the book received mixed reviews, there were more positive reviews than negative. Two journalists referred to it as "widely considered as the definitive book on Opus Dei." On the other hand, some said Allen "applied a daub of whitewash." Agenzia Giornalistica Italiana (AGI), a major Italian news agency, described his work as having an "empirical approach" and that his book is of "great historical and journalistic interest." Context_9 : Myths to Live By is a 1972 book, a collection of essays, originally given as lectures at the Cooper Union Forum, by mythologist Joseph Campbell between 1958 and 1971. The work has an introduction by Johnson E. Fairchild. Context_10 : Joseph John Campbell (March 26, 1904 October 30, 1987) was an American mythologist, writer, and lecturer, best known for his work in comparative mythology and comparative religion. His work covers many aspects of the human experience. Campbell's "magnum opus" is his book "The Hero with a Thousand Faces" (1949), in which he discusses his theory of the journey of the archetypal hero found in world mythologies. Since the book's publication, Campbell's theory has been consciously applied by a wide variety of modern writers and artists. His philosophy has been summarized by his own often repeated phrase: "Follow your bliss." fact_1 : Myths to Live By is a 1972 book, a collection of essays, originally given as lectures at the Cooper Union Forum, by mythologist Joseph Campbell between 1958 and 1971. fact_2 : Joseph John Campbell (March 26, 1904 October 30, 1987) was an American mythologist, writer, and lecturer, best known for his work in comparative mythology and comparative religion. Answer: 1987
Solution:
The book Myths to Live By was written by a man that died in what year?