input: Day26 was founded on the Making the Band 4 Season 1 finale on August 26, 2007. Brian Andrews, Michael McCluney, Qwanell Mosley, Robert Curry, and Willie Taylor were chosen to be a part of Diddy's brand new all-male R&B music group, while fellow cast member Donnie Klang was chosen as a solo artist for Bad Boy Records. The name Day 26 was selected from the day that they were picked which was August 26, 2007. After being signed as a group to Bad Boy, Day 26 began another season of Making the Band with label mates Danity Kane and Donnie Klang. Upon this season, Day 26's debut single "Got Me Going" was released to download in January 2008. "Got Me Going" eventually peaked at #79 on the Billboard Hot 100. Day 26 later released their self-titled album Day26 on March 25, 2008. The next week, the album debuted at #1 on Billboard 200 selling 190,000 copies. This is the third feat. at #1 for Bad Boy winners. Album production includes Mario Winans, Danja, Bryan-Michael Cox, The Runners, and upon many others. The second single "Since You've Been Gone" was released on June 9, 2008. The song failed to reach Billboard Hot 100, but peaked at #52 on Billboard Hot R&B/Hip-Hop Songs. A third single was planned, but was scrapped due to low album sales, and production on their next album. Overall, the album sold 387,000 copies. On August 19, 2008, Day26 returned with another season of Making the Band. This season involved in Making the Band 4 - The Tour, which resolved to the break-up of Danity Kane.

Answer this question "Who are the members?"
output: Brian Andrews, Michael McCluney, Qwanell Mosley, Robert Curry, and Willie Taylor were chosen to be a part of Diddy's brand new all-male R&B music group,

input: Before appearing on America's Got Talent, Fator had almost given up on achieving success in show business as a ventriloquist. "It wasn't easy trying to keep going all these years, and by the time I was in my late 30s, I wasn't sure it was ever going to happen," says Fator. On June 19, 2007, Fator made his first national appearance on America's Got Talent. Speaking on the experience, he said, "Not in my wildest dreams did I imagine I would win that show ... Essentially I auditioned because the guy that was the ventriloquist the first season got on Late Show with David Letterman... So I figured I'd do three episodes like he did and end up on 'David Letterman'." After winning the show, Fator actually had to turn the Letterman gig down fourteen times before his schedule was clear so he could appear. "My schedule got so packed, and it broke my heart every time I had to turn him down," Fator says. When Fator first came onstage, judge David Hasselhoff said, "Oh, no, a ventriloquist." "I was thinking, there's no way I would win," Fator says. "I gave myself zero percent [chance]." The judges, Piers Morgan, Sharon Osbourne and David Hasselhoff loved Fator and he won the competition. Judge Piers Morgan told Fator "You're a great impersonator, a great singer and a great comedian." "You put a twist on the whole being a ventriloquist thing," added Judge Sharon Osbourne. Even Simon Cowell approved. "Simon Cowell said I was one of the top two entertainers on the planet," says Fator. "And getting a compliment from Simon Cowell, well, not many people get a compliment like that."

Answer this question "what did he do with the letterman gige?"
output:

input: He found work as an office secretary at Universal Pictures' New York office, and later became personal secretary to the studio's founder and president, Carl Laemmle. Among Thalberg's duties were transcribing and editing notes that Laemmle had written during screenings of his films. He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle. Laemmle took Thalberg to see his Los Angeles production facility, where he spent a month watching how movie production worked. Before returning to New York, Laemmle told Thalberg to remain and "keep an eye on things for me." Two months later, Laemmle returned to California, partly to see how well Thalberg was able to handle the responsibilities he was given. Thalberg gave him suggestions, which impressed Laemmle by his ability to understand and explain problems. Thalberg suggested, "The first thing you should do is establish a new job of studio manager and give him the responsibility of watching day-to-day operations." Laemmle immediately agreed, "All right. You're it." In shock, Thalberg replied, "I'm what?" Laemmle told him to take charge of the Los Angeles studio, which he did in early 1919. At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions and nearly thirty scenarios then under development. In describing the rationale for this early appointment as studio manager, film historian David Thomson writes that his new job "owed nothing to nepotism, private wealth, or experience in the film industry." He reasons that despite "Thalberg's youth, modest education, and frail appearance . . . it is clear that he had the charm, insight, and ability, or the appearance of it, to captivate the film world." Thalberg was one among the majority of Hollywood film industry workers who migrated from the East Coast, primarily from New York. Some film actors, such as Conrad Nagel, did not like the 5-day train trip or the sudden warmth of the California climate. Neither did Marion Davies, who was not used to such "big wide spaces." Samuel Marx, a close friend of Thalberg's from New York, recalled how easily Thalberg adapted to Southern California, often standing outside his doorway during moments of contemplation to enjoy the scenery. "We were all young," said comedian Buster Keaton. "The air in California was like wine. Our business was also young--and growing like nothing ever seen before."

Answer this question "Where did he work?"
output:
Universal Pictures' New York office,