Question: What is the answer for the question: What are the precise names of the first three symphonies to which Vaughan Williams assigned titles rather than numbers? from the following article ? The first three symphonies, to which Vaughan Williams assigned titles rather than numbers, form a sub-group within the nine, having programmatic elements, absent from the later six.A Sea Symphony (1910), the only one of the series to include a part for full choir, differs from most earlier choral symphonies in that the choir sings in all the movements. The extent to which it is a true symphony has been debated; in a 2013 study, Alain Frogley describes it as a hybrid work, with elements of symphony, oratorio and cantata. Its sheer lengthabout eighty minuteswas unprecedented for an English symphonic work, and within its thoroughly tonal construction it contains harmonic dissonances that pre-echo the early works of Stravinsky which were soon to follow.A London Symphony (19111913) which the composer later observed might more accurately be called a "symphony by a Londoner", is for the most part not overtly pictorial in its presentation of London. Vaughan Williams insisted that it is "self-expressive, and must stand or fall as 'absolute' music". There are some references to the urban soundscape: brief impressions of street music, with the sound of the barrel organ mimicked by the orchestra; the characteristic chant of the lavender-seller; the jingle of hansom cabs; and the chimes of Big Ben played by harp and clarinet. But commentators have heardand the composer never denied or confirmedsome social comment in sinister echoes at the end of the scherzo and an orchestral outburst of pain and despair at the opening of the finale. Schwartz comments that the symphony, in its "unified presentation of widely heterogeneous elements", is "very much like the city itself". Vaughan Williams said in his later years that this was his favourite of the symphonies.The last of the first group is A Pastoral Symphony (1921). The first three movements are for orchestra alone; a wordless solo soprano or tenor voice is added in the finale. Despite the title the symphony draws little on the folk-songs beloved of the composer, and the...
Answer: A Pastoral Symphony
[Q]: What is the answer for the question: What group was Raphael Wiggins in? from the following article ? Sons of Soul bridged the gap between commercial and critical success for Tony! Toni! Tone!, helping them become one of the most popular acts in R&B at the time. Its success exemplified the genre's commercial resurgence during the early 1990s, when hip hop became the predominant African-American music genre in the mainstream. In 1994, Greg Kot of the Chicago Tribune attributed its resurgence to younger artists' blend of live instrumentation and hip hop production values, and cited Sons of Soul as "the most accomplished merger of hip-hop attitude with a '70s R&B aesthetic." The Atlanta Journal-Constitution hailed it as "a gentle reminder of those glory days" and felt that the group having both vocal and musical talents is most indicative of a return to early R&B's aesthetics. Furthermore, they garnered mainstream attention in a year of several high-profile controversies with R&B and hip hop artists such as Michael Jackson and Snoop Dogg. David W. Brown of The Harvard Crimson wrote that Tony! Toni! Tone! is "known primarily for the quality of its music, not its extracurricular reputation, unlike other groups such as Jodeci who rely on a playa-gangsta-mack image to sell-records."Along with acts such as Mint Condition and R. Kelly, Tony! Toni! Tone! played live instruments that complemented their hip hop sensibilities. Their concerts featured visual elements such as incense smoke and kaleidoscopic stage lighting, the group's eccentric wardrobe, and additional instrumentalists, including another guitarist, two drummers, two keyboardists, a violinist, a trumpeter, and a saxophonist. The Charlotte Observer remarked on the group in 1994: "[T]heir use of live instruments on record and onstage makes them an anomaly in the synthesized and sampled world of modern R&B." With the group's reliance on traditional soul and R&B values of songwriting and instrumentation, Sons of Soul was a precursor to the neo soul movement of the 1990s. Matt Weitz of The Dallas Morning News wrote in 1993 that the group had distinguished...
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[A]: Tony! Toni! Tone!
input: Please answer the following: What is the answer for the question: What is the name of Bunny's love that she is worried for? from the following article ? In a run down apartment complex, Bunny is looking through a photo album of memories. The pictures start to come to life as she daydreams. At nursing school Bunny sings about how lonely she is. As she walks down the stairs she slips, and her journal falls into the hands of a handsome fighter pilot, Bear. He states how beautiful her smile is. They are soon on a date in which they both realize they are in love with each other. As he flies through the air Bear sings about how madly in love he is. Bunny's dreams are interrupted by a knock on the door (a pig invites her for bacon in which she quickly shuts the door on his face). As her dreams continue, the couple are seen outside a military ball they were invited to. The couple dance and sing to one another. Later in the night Bear is seen outside on one knee ready to propose. Just as the words are said, the General is seen in the doorway. War has begun and there was a red alert. Bear has been called to duty. The couple kiss goodbye and Bear heads out to war. As war goes on Bunny waits at nursing school, worried for her love. After a successful mission, the flight is about to head to base when Bear's plane is shot down. Wounded but not ready to give up, Bear trudges through the wilderness. After shooting down several enemy soldiers, he promises to a picture of Bunny that he will return home. Spotted by the enemy, Bear is shot down at open lines. We return to the apartment where Bunny sings to a portrait of her love of how she misses him. The picture suddenly comes alive and sings back to her. In song, Bear states that life will go on, and it is revealed that Bunny was pregnant and had a child before Bear went to war. As the movie closes, Bunny sings about how her and Bear's love will live on in their child.
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output:
Bear