In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).

[EX Q]: The product of a bygone era in movie-making... . In "Lassie Come Home," "National Velvet," and "The Courage of Lassie," Elizabeth Taylor was eleven years old ... Nevertheless, her charm and beauty were extraordinary, and what she lacked in talent and experience was well hidden in a fine production that was nominated for five Academy Awards... As horse-trainer or dog-owner, as spurned wife or mistress, Liz is a female who is absorbed in the giving and receiving of love: devotion to the object of passion is the center of her life... Little Liz lavishes love on horses and dogs with remarkable intensity... Ecstatic; a dreamer with a turbulent emotional life, persistent, the young Liz dedicates herself to the prize-winning horse the way she later devotes herself to men... Anticipating her later images of young sex goddess, Liz as Velvet is both saintly and mature... Howard Barnes, in the New York Herald Tribune, called her a child who 'lights up with the integrity of a great passion.' Directed by Clarence Brown with loving attention to detail, the movie that made her a star is a big bestseller from another era set in Sussex, England, where Velvet Brown, a butcher's daughter, teams with a vagabond teenager named Mi Taylo (Mickey Rooney) to train for competition a horse she's won in a raffle... From the coastal plains with its beaches, to the rolling hills, thatched cottages, and miles of country walks, "National Velvet" is the product of a bygone era in movie-making... Following closely the structure of the popular Enid Bagnold novel, the movie is part horse story, part family portrait: scenes of training and riding are balanced by cozy family scenes, vignettes about young love and sermons from Mom on the virtues of courage and endurance... The Browns are a noble version of Hollywood rustic... Dedicated to a sober work ethic, they live quiet, exemplary lives... Mrs. Brown (Anne Revere) is the very spirit of plain-folk wisdom; the spokeswoman for common sense and fair play, she knows well enough not to silence the semi-hysterical energy of her horse-crazy daughter, and she lets the girl have her dream... Anne Revere won an Oscar as Velvet's mother, as did editor Robert J. Kern...
[EX A]: POS

[EX Q]: Remarkable! Pure Visual Poetry . Sergei Eisenstein's Que Viva Mexico is a film that captures the majesty, awe, and tragedy of Mexico better than any other I have ever seen. And it does so not with dialogue or plot, but rather thru "a sequence of short novellas" (Eisenstein's words) which each develop and play convincingly into the next. Each of these vignettes to me display a celebration of real Mexican culture and a subtle depreciation of those things which came from Spain. They evoke the heart of true Mexican patriotism as if it were struck directly from a Rivera mural. For anyone interested in Mexico or Mexican cinema, Que Viva Mexico is an absolute must. Que Viva Mexico is certainly one of the most famous "unfinished" films in history, with a tragic star-laced history about which whole books have been published. In a few words, Sergei Eisenstein went to Hollywood but was almost immediately ostracized by the old studio moguls. Douglas Fairbanks and Charlie Chaplin led him to the famed moralist, communist, and novelist Upton Sinclair, who agreed to finance a south-of-the border film. The budget was $25k and shooting was to take four months. Sinclair's brother-in-law was to tag along and supervise. A couple of Eisenstein's Russians comrades would handle the cinematography and equipment. Exactly what happened after that is a matter of some dispute, including countless cross and counter accusations of extremely lewd behavior and fabulous revelry. What is certain is that after 11 months in Mexico the film was still missing its final section and Sinclair pulled the plug on the whole operation. Furious, he then managed to block Eisenstein's return to America and convince Stalin he had been a poor communist. Sinclair kept all the footage and Eisenstein was sent back to Russia in shame. Eisenstein still believed he could make a great film out of his footage and fought to get it back, but Sinclair refused and had it edited by his own Hollywood producer. From this work came the feature Thunder Over Mexico (1933) and the shorts Eisenstein in Mexico (1933) and Death Day (1934). While these versions influenced great future directors like Welles, Huston, Bunuel, and Leone, they were not the real vision of the great director. In the 1970s, the Russians finally got the reels, and Grigori Aleksandrov, who had been there and assisted with the original filming, put it back together following Eisenstein's original plan. Back to the film, it is essentially a silent with narration, a music track, and limited sound effects added. I don't have any problem with this as the alternative would have been to fabricate intertitles which would have been even less natural. Anyway talkies were already completely dominant by 1932 and Chaplin used a sound effect track in all his later silents. The musical track is sheer magic and certainly benefits from the extra years. There is an abrupt break when the final unfilmed section is reached, before we are taken back to the Day of the Dead epilogue. Frankly, I don't think much was lost here: Eisenstein was right when he said he didn't need that last segment to finish the film. The third segment was already just a bit long, and adding the fourth (a continuation of the third) would have unbalanced the film. Hence I would have just run the third segment straight into a more somber start of the epilogue. But the way it was done does show us what was "lost", so in that sense it is valid. My only qualm with this DVD is the fact that it doesn't have Spanish subtitles, as I think all Mexicans should experience this film! One last thing: the 1946 epoca dorada classic Enamorada by famed Mexican director Emilio Fernandez could be seen as a sort of tribute film to Eisenstein and Que Viva Mexico, as it basically fills out a story based on the sodadera lost segment of this film.
[EX A]: POS

[EX Q]: This DVD is a MUST!!!! . I've been studying pilates and gyrotonics for six years with some of the top instructors in NYC but with the increasing popularity of pilates, the sessions have gotten absurdly expensive, which is why I wanted to try a DVD. I have never been one to work out in my home, but ths is truly an amazing workout and not only have I saved so much money by doing this DVD instead of my beloved studio sessions, but I'm able to incorporate it into my busy schedule and do it much more often than I ever could with the sessions. As the reviews before me have indicated, the DVD is broken up into four segments that each target a specific area, but I think that's slightly misleading. While about sixty or seventy percent of the exercises in each section do target the area they are labeled under, each section also contains a variety of stretches and counter-workouts as well, which make for a more overall workout, whether you're doing one section or four at a time. For instance, in the section entitled "abs" you'll also find exercises that strengthen the back muscles and legs. Therefore, you're able to get a lot of variety and a great overall workout! ******NOTE: I recommend this highly for intermediates and advanced students of pilates, but NOT for beginners!!! In order to do these exercises correctly, you must know the basic pilates foundation such as pelvic placement, breathing techniques, and proper alignment. If you are attempting these exercises as a beginner, they may seem straightforward, but without the proper foundation and knowledge (which is NOT explained), you may not be doing the exercises properly and worse, could get hurt.******* For those who are newer to pilates, I would recommend perhaps watching the video first, as it moves at what I would consider a fast intermediate pace.
[EX A]:
POS