In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

The movie stars small-time hustler Elmo, and his best friend 'Stand-Up' Stevie, a used car dealer with questionable ethics. Stevie finds himself in trouble when he sells a counterfeit gold watch to biker Russian Tony. To buy his way out, Stevie agrees to do a job for local hood 'Bondi Bob' McLean. All he has to do is fly to Melbourne to pick up some stolen jewels in a briefcase.[2]When Stevie and Elmo arrive to collect the briefcase, a gunfight breaks out. The pair escape, but in the confusion, leave with the wrong briefcase - one belonging to Peter Cho, a Chinatown villain with a deadly reputation. The briefcase contains a rare go-fast potion said to turn any average horse into a race winner. The only thing to do is trade off with Cho.
Who owns the briefcase the two accidentally grab?

As the film opens, Joe Buck (Jon Voight), a young Texan working as a dishwasher, dresses in new cowboy clothing, packs a suitcase, and quits his job. He heads to New York City hoping to succeed as a male prostitute for women. Initially unsuccessful, he succeeds in bedding a well-to-do middle-aged New Yorker (Sylvia Miles), but Joe ends up giving her money.Joe then meets Enrico Salvatore "Ratso" Rizzo (Dustin Hoffman), a street con man with a limp who takes $20 from Joe by offering to introduce him to a known pimp (John McGiver). Joe flees the encounter in pursuit of Ratso. Joe spends his days wandering the city and sitting in his hotel room. Soon broke, he is locked out of his hotel room and most of his belongings are impounded.He tries to make money by agreeing to receive oral sex from a young man (Bob Balaban) in a movie theater. When Joe learns that the young man has no money, Joe threatens him and asks for his watch, but eventually lets him go. The following day, Joe spots Ratso and angrily shakes him down. Ratso offers to share the apartment in which he is squatting in a condemned building. Joe accepts reluctantly, and they begin a "business relationship" as hustlers. As they develop a bond, Ratso's health, which has never been good, grows steadily worse.Joe's story is told through flashbacks. His grandmother raises him after his mother abandons him, and his grandmother abuses him. He also has a tragic relationship with Annie, a local girl. Ratso's backstory comes through stories he tells Joe. His father was an illiterate Italian immigrant shoe-shiner, who worked in a subway station. He developed a bad back, and "coughed his lungs out from breathin' in that wax all day". Ratso learned shining from his father but won't stoop so low as to do so. He dreams of moving one day to Miami.An unusual couple approach Joe and Ratso in a diner and hand Joe a flyer, inviting him to a party. They enter a Warhol-esque party scene (with Warhol superstars in cameos). Joe smokes a joint, thinking it's a normal cigarette and, after taking a pill someone offered, begins to hallucinate. He leaves the party with a socialite (Brenda Vaccaro), who agrees to pay $20 for spending the night with him, but Joe cannot perform. They play scribbage together and Joe shows his limited academic prowess. She teasingly suggests that Joe may be gay and he is suddenly able to perform.In the morning, the socialite sets up her friend as Joe's next customer and it appears that his career is on its way. When Joe returns home, Ratso is bedridden and feverish. Ratso refuses medical help and begs Joe to put him on a bus to Florida. Desperate, Joe picks up a man in an amusement arcade (Barnard Hughes), and when things go wrong, robs the man when he tries to pay with a religious medallion instead of cash. With the stolen money, Joe buys bus tickets. On the journey, Ratso's frail physical condition further deteriorates. At a rest stop, Joe buys new clothing for Ratso and himself, discarding his cowboy outfit. As they near Miami, Joe talks of getting a regular job, only to realize Ratso has died. The driver tells Joe there is nothing else to do but continue on to Miami. The film closes with Joe, alone and afraid, seated with his arm around his dead friend.
How much does Ratso take from Joe?

Napoleon is in exile on St. Helena after the battle of Waterloo, and his followers smuggle a look-alike to the island, and smuggle Napoleon to a ship headed back to Europe. The plan is for the imposter to masquerade as Napoleon until the Emperor has time to reach Paris, and then for the imposter to declare his role as imposter, so that the real Napoleon can announce his return to Paris. The people of France will then flock to their leader and rise in glory under Napoleon once again.The trouble is, the imposter quickly warms to the role, privileges, and fine life of an exiled Emperor. He refuses to reveal his true identity, and when one of Napoleon's generals in exile with him tries to turn the imposter in, the imposter has the general sent away, as having lost his mind in the isolation of St. Helena. Meanwhile, the real Napoleon can't just stand in the square in Paris and announce his return, because the people all believe he is on St. Helena. Almost none of the citizenry has ever seen Napoleon up close, and in any case he's older and seedier looking now. In fact, we learn that whole groups of inhabitants of the Paris insane asylum walk around in Napoleon costumes, claiming to be the emperor!So the real Napoleon is stuck. And then the imposter dies on St. Helena. The death of Napoleon is announced to the world, and all hope of the real Napoleon being recognized as such disappears. Happily, in the meantime he has developed a wholesome common-law marriage with the widow of one of his soldiers of the Grand Army. Even she believes his claim to be Napoleon is an illusion of grandeur, but she sweetly tells him he can be "her Napoleon."The movie raised interesting questions of identity. Clearly we are who we are, at least partly because others agree that we are who we are.
Why does the imposter refuse to identify himself as an imposter?