input: Signing a solo deal with Chiswick Records in 1981, Jakszyk began to record his debut solo album, Silesia, aided by Dave Stewart, David Jackson, and Amanda Parsons. During 1982, Chiswick released three singles ("The Night Has a Thousand Eyes", "Straining Our Eyes", and "Grab What You Can"), although none were hits. A full release of Silesia was shelved at the last minute when Chiswick declared bankruptcy while the album was at the manufacturing stage (although the album had a limited release in Germany). Strengthening his existing links to British art rock, Jakszyk began working with Peter Blegvad and would go on to play on the latter's first three solo albums (beginning with 1983's The Naked Shakespeare). In 1983, Jakszyk signed a second solo recording contract with Stiff Records. Three further singles followed between 1983 and 1984 ("Dangerous Dreams", "I Can't Stand This Pressure", and "Who's Fooling Who") and recordings were made for a second solo album. Due for release in 1985, this album met the same fate as Silesia. It was shelved in 1985 when Stiff Records filed for bankruptcy. Discouraged but not defeated, Jakko supplemented his income with acting work while continuing to pursue music. He continued his collaboration with Dave Stewart, contributing to his duo work with Barbara Gaskin and playing a prominent role on the Stewart-produced Neil's Heavy Concept Album (a 1984 spin-off from the Young Ones comedy series). During this time he also met an up-and-coming drummer Gavin Harrison, who would become one of his most frequent collaborators. It was also during this time that he finally visited the United States to meet his birth mother. Jakszyk's third attempt at recording a solo album, this time for MDM Records in 1986-87, was shelved when MDM's distributor, Virgin Records, dropped its support. Some of the "lost" material from this and the previously shelved albums resurfaced on Jakszyk's 1996 compilation album Are My Ears on Wrong?, while Jakko's ill-fated first album Silesia was briefly issued on CD in the late 1990s. In 1987, Jakszyk joined Peter and Kristoffer Blegvad, John Greaves, and Anton Fier in the short-lived New York-based band The Lodge, with whom he recorded one album, The Smell of a Friend.

Answer this question "What fate was that?"
output: It was shelved in 1985 when Stiff Records filed for bankruptcy.

input: While Pink Floyd began by playing cover versions of American R&B songs, by 1966 they had carved out their own style of improvised rock and roll, which drew as much from improvised jazz. After Bob Klose departed from the band, the band's direction changed. However, the change was not instantaneous, with more improvising on the guitars and keyboards. Mason reflected, "It always felt to me that most of the ideas were emanating from Syd at the time." At this time, Barrett's reading reputedly included: Grimm's Fairy Tales, Tolkien's The Hobbit and Lord of the Rings, Carlos Castaneda's The Teachings of Don Juan, and The I-Ching. During this period, Barrett wrote most of the songs for Pink Floyd's first album, and also songs that would later appear on his solo albums. In 1966, a new rock concert venue, the UFO (pronounced as "you-foe"), opened in London and quickly became a haven for British psychedelic music. Pink Floyd, the house band, was its most popular attraction and after making appearances at the rival Roundhouse, became the most popular musical group of the "London Underground" psychedelic music scene. By the end of 1966, Pink Floyd had gained a reliable management team in Andrew King and Peter Jenner. Towards the end of October 1966, Pink Floyd, with King and Jenner, set up Blackhill Enterprises, to manage the group's finances. Blackhill was staffed by lodgers Jenner found in his Edbrooke Road house, and among others, Barrett's flatmate, Peter Wynne Wilson (who became road manager, however, since he had more experience in lighting, he was also lighting assistant). King and Jenner wanted to prepare some demo recordings for a possible record deal, so at the end of October, they booked a session at Thompson Private Recording Studio, in Hemel Hempstead. King said of the demos: "That was the first time I realised they were going to write all their own material, Syd just turned into a songwriter, it seemed like overnight." King and Jenner befriended American expatriate Joe Boyd, the promoter of the UFO Club, who was making a name for himself as one of the more important entrepreneurs on the British music scene. The newly hired booking agent, Bryan Morrison, and Boyd had proposed sending in better quality recordings. From Morrison's agency the band played a gig outside London for the first time. In November, the band performed the first (of many) strangely named concerts: Philadelic Music for Simian Hominids, a multimedia event arranged by the group's former landlord, Mike Leonard, at Hornsey College of Art. They performed at the Free School for the following two weeks, before performing at the Psychodelphia Versus Ian Smith event at the Roundhouse in December, arranged by the Majority Rule for Rhodesia Campaign, and an Oxfam benefit at the Albert Hall (the band's biggest venue up to this point).

Answer this question "Did Barrett create any more albums?"
output: and after making appearances at the rival Roundhouse, became the most popular musical group of the "London Underground" psychedelic music scene.

input: In 1987, the Twins reached the post-season for the first time since 1970 despite finishing with a mark of 85-77 (a mark that would have put them 4 games behind fourth place New York in the American League East). Once there, Puckett helped lead the Twins to the 1987 World Series, the Twins' second series appearance since relocating to Minnesota and fifth in franchise history. For the season, Puckett batted .332 with 28 home runs and 99 RBI Although he hit only .208 in the Twins' five game AL Championship Series win over the Detroit Tigers, Puckett would produce in the seven-game World Series upset over the St. Louis Cardinals, where he batted .357. During the year, Puckett put on his best performance on August 30 in Milwaukee against the Brewers, when he went 6-for-6 with two home runs, one off Juan Nieves in the third and the other off closer Dan Plesac in the ninth. Statistically speaking, Puckett had his best all around season in 1988, hitting .356 with 24 home runs and 121 RBI, finishing third in the AL MVP balloting for the second straight season. Although the Twins won 91 games, six more than in their championship season, the team would finish a distant second in the American League West, 13 games behind the Oakland Athletics. Puckett won the AL batting title in 1989 with a mark of .339, while also finishing fifth in at bats, second in doubles, first in hits, and second in singles. The Twins, two years removed from the championship season, slumped further, going 80-82 and ended in fifth place, 19 games behind the Athletics. In April 1989, he recorded his 1,000th hit, becoming the fourth player in Major League Baseball history to do so in his first five seasons. He continued to play well in 1990, but had a down season, finishing with a .298 batting average, and the Twins mirrored his performance as the team slipped all the way to last place in the AL West with a record of 74-88.

Answer this question "What position did he play in outfield"
output:
Puckett batted .332 with 28 home runs and 99 RBI