Input: (CNN) -- Shain Gandee, one of the stars of the MTV reality show "Buckwild," has been found dead along with two other people in Kanawha County, West Virginia, authorities said Monday. "This is a very sad and tragic event," Kanawha County Commissioner Kent Carper said. "We live in a very small community. Our thoughts and prayers are with the Gandee family." Gandee, 21, was found dead in a vehicle along with his uncle, David Dwight Gandee, 48, and Donald Robert Myers, 27, authorities said. 'Buckwild' producer talks about the show "Earlier this day after releasing information Shain Gandee was missing, the Kanawha County Sheriff's Office received word of a disabled vehicle in a wooded area near Thaxton Hollow, Sissonville, Kanawha County WV," said a statement from the Sheriff's Office. "Deputies and members of the Sissonville Volunteer Fire Department used all terrain vehicles to access that vehicle, a 1984 Ford Bronco belonging to the Gandee family. The vehicle was in a muddy area along a worn path. Inside were the bodies of three people." In a subsequent release, the Sheriff's Office said the vehicle was partially submerged in mud. It was uneven but upright; its muffler was below the surface. Mud covered the lower part of the Bronco's passenger side door, but the driver's side, where the younger Gandee sat, was free, the Sheriff's Office said. Gandee was happy with life before death He was one of the nine cast members of "Buckwild." The show follows a group of young adults trying to have fun in Sissonville, West Virginia, pulling stunts such as turning a dump truck into a swimming pool or just riding around the woods on their all-terrain vehicles. Gandee was billed as a former high school prom king who had done "every job from coal mining to being a garbage man."
"In what was Shain Gandee's vehicle partially submerged upon being found by authorities?" is "Mud"?
Output: yes
Input: We waited for half an hour, watching the smoke curling over the house, and then, judging that the Indians had made off for fear of being ambushed, we crossed the clearing. It took but a glance to read the story. The women had been washing by the little brook before the cabin, with the children playing about them, when the Indians had come up and with a single volley killed them all except the child we had heard crying. They had swooped down upon their victims, torn the scalps from their heads, looted the house, and set fire to it. We dragged out the body of the woman which had been thrown within, in the hope that a spark of life might yet remain, but she was quite dead. Beneath the warrior Spiltdorph had shot we found the child. It was a boy of some six or seven years, and so covered with blood that it seemed it must be dead. But we stripped it and washed it in the brook, and found no wounds upon it except in the head, where it had been struck with a hatchet before its scalp had been stripped off. The cold water brought it back to life and it began to cry again, whereat Spiltdorph took off his coat and wrapped it tenderly about it.
"Did the Indians strip the scalp off the boy?" is "No"?
Output: no
Input: Modern criticism of Pope focuses on the man, his circumstances and motivations, prompted by theoretical perspectives such as Marxism, feminism and other forms of post-structuralism. Brean Hammond focuses on Pope's singular achievement in making an independent living solely from his writing. Laura Brown (1985) adopts a Marxist approach and accuses Pope of being an apologist for the oppressive upper classes. Hammond (1986) has studied Pope's work from the perspectives of cultural materialism and new historicism. Along Hammond's lines, Raymond Williams explains art as a set of practices influenced by broad cultural factors rather than simply the vague ideas of genius alone. Hayden Carruth, wrote that it was "Pope's rationalism and pandeism with which he wrote the greatest mock-epic in English literature." In Politics and Poetics of Transgression (1985) Peter Stallybrass and Allon White charge that Pope drew upon the low culture which he despised in order to produce his own "high art". They assert Pope was implicated in the very material he was attempting to exclude, not dissimilar to observations made in Pope's time. Colin Nicholson reads the poetry in terms of the Financial Revolution, showing how Pope responded to the corruption of the traditional 'landed interest' by the newly dominant 'moneyed interest'. Feminists have also criticised Pope's works. Ellen Pollak's The Poetics of Sexual Myth (1985) argues that Pope followed an anti-feminist tradition, that regarded women as inferior to men both intellectually and physically. Carolyn Williams contends that a crisis in the male role during the 18th century in Britain impacted Pope and his writing.
"Pope is being criticized/supported for what type of work?" is "Intellectually and physically"?
Output:
no