Problem: OPTIONS:
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Answer: a friend gave it to me saying it was another classic like "Debbie does Dallas". Nowhere close. I think my main complaint is about the most unattractive lead actress in porn industry ever. Even more terrible is that she is on screen virtually all the time. But I read somewhere that back in those days, porn had to have some "artistic" value. I was unable to find it though. See it only if you are interested in history of development of porn into mainstream, or can appreciate art in porn movies. I know I am not. But the director of the movie appears to be a talented person. He even tried to get Simon & Garfunkel to give him permissions to use his songs. Of course, they rejected.
An example of a movie review. positive (OPTIONS:
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- positive).

A: I've watched almost all of the Gundam/Mech anime that have showed in the US and this by far has the best story. The way its plot twists and turns has u riveted. Gundam Wing is a series that mainly focuses on politics and war. The series follows a group of five 15 year old boys who have been trained to pilot state of the art mobile suits known as Gundams. The Gundam pilots were trained to battle a powerful insurgency known as Oz. As things begin to heat up between OZ and the Gundam pilots, new political groups will form and old ones will dissipate. Old conflicts will end and new ones will arise. To obtain peace the Gundam pilots must come to grips with the events taking place in their world and put an end to all the fighting. But, how far are people willing to go to obtain their goal. I recommend this anime to anyone who is looking for a show that has a deep plot.
Q: What's an example of a movie review?
An example of a movie review is here: A few months ago, I was involved in a debate with another IMDb poster (Hey, Kmadden) about this film. The poster insisted that if I gave 'Flushed Away' a chance, I would like it. Based partially on that argument, I agreed to watch the film.

'Flushed Away' has good intentions (At least on Aardman's part), but lacks the strength to pull it all together. Its best asset is sewer rat/boat captain, Rita (Played by Kate Winselt), who, IMO, should have been the movie's main character instead of Roddy (Hugh Jackman). Rita's cool, tough, and interesting, while Roddy spends much of his screen time sniveling.

One of the things that bothered me most about 'FA' is the repetition of jokes that aren't funny to begin with. When Roddy gets hit in the crouch, the film makes sure he gets hit five more times immediately. "My name's Shocky," says one of Rita's brothers, who then electrocutes Roddy at least three times. My tolerance for cheap gags that involve pain is at an all time low.

I won't waste time griping about Katzenberg's kleptomaniac tendencies toward Pixar (One similar film's a coincidence, five's a rip off.), but I will say I'm disappointed in Aardman. They can do (and have done) so much better. Try harder next time, guys.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: Walking home after the film, I was humming the familiar waltz music that Natalia and Alexandre were dancing to. I've heard that before - where? Ah, from Kubrick's "Eyes Wide Shut" (track 2), 'got it just as I arrived at the door. It's "Waltz No. 2 from Jazz Suite No. 2" composed by Dimitri Shostakovich, performed here by The City of Prague Philharmonic Orchestra. Yes, I went and picked up the soundtrack from Tower's. What a treat! The film score by Alexandre Desplat was fulfilling - there are fifteen tracks besides two tracks of the delightful waltz. It's not often these days we get a soundtrack entirely dedicated to a comprehensive film score. Reminds me of favorite scores by Maurice Jarre, Ennio Morricone (beginning notes of track 6 have traces of "Nuovo cinema Paradiso"), Georges Delerue, and John Barry. There are subtle nuances of strains and notes from the strings, celeste, piano, and harp.

Emily Watson and John Turturro delivered a credibly consuming paired performance. The love story, their intimate connection, is very much between Alexandre and Natalia - his childlike yet tormenting inner world, and her generous and bold understanding of him - a relationship alone to them both. Director Marleen Gorris of "Antonia's Line" (1996 Academy Award's Best Foreign Language Film from the Netherlands) gave us a quietly sensitive film - not without its unsettling human conflicts, intrigues, obsessions, family strives, lovingness and respect. The front-end subject is the mind-game and mathematical logic of chess. Beneath it can be a mild tearjerker of a drama set in the late 1920's. Cinematography captures the serene beauty of Lake Como in northern Italy near the Swiss border.

I highly recommend the soundtrack if you don't feel like going to the movies. Alexandre Desplat's lyrical film score of "The Luzhin Defence" is complete.
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Answer: My first Fassbinder was a wonderful experience. Film and alternative cinema (small hall, with uncomfortable seats; public had to wait while filmrolls were changed ) were perfect match.

There were many cliches used in the film, but Fassbinder presented them so cleverly that I found them really amusing. Sound was also brilliant (sometimes back being louder than dialogue).

Everything seemed to be in right place. And I loved the way how after-war-time was presented. Real fun!

Problem: OPTIONS:
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Answer:
We've been served - a terrible film.

Okay, I'll admit that since I'm white and have had no practical experience in the "competitive world of step-dancing," I might not exactly be an authority on this type of film. On the other hand, I do know a bad motion picture when I see it.

And, boy, have I just seen it.

Filmed in Low-Budget-Vision and directed by Ian Iqubal Rashid, ("A Touch of Pink"), "How She Move" tells the tale of how important it is to follow one's dreams - even if those dreams include bopping around to loud, irritating hip-hop music and speaking dialogue the average person would not understand if he or she had an international translator.

I'll try to give a small synopsis of the "plot." First of all there are two actors that look like LL Cool J who work in an auto shop in Toronto (the Mecca of racial diversity), but still have time to practice dancing for eight hours a day.

There are a few other guys in this "crew," including a token white dude and a guy that looks like Denzel Washington in "Malcolm X." There are also two women in the movie - one resembles Serena Williams and the other looks like Geraldine from the old "Flip Wilson Show." One of these ladies was kicked out of a private college because her parents spent all of her tuition on a drug-addicted sibling. The other girl, a member of Salt N Pepa, no doubt, is just plain no good.

There's another guy who looks like Eddie Murphy's Buckwheat, while still another actor who's a Huggy Bear knock-off. These guys are rival step dancers. Evidently, this activity is very hard-core in the 'hood, and they are all practicing for the big "Step Monster" jam in Detroit.

Since I was unable to understand 90 percent of the dialogue (perhaps some subtitles would have been useful, as in a Bergman film or that one music video by Snow), it's hard to explain what happens, other than there's a lot of arguing, the Serena Williams girl (who never smiles, by the way) becomes a freelance stepper (moving from group to group), there's some step-dancing and a lot of irritating hip-hop music.

It's a typical rags-to-riches story; sort of like "Rocky" with a really bad soundtrack, "Rudy" with annoying rap music in the background, "Cry Freedom" without the laughs.

But why does a film - which could have made a big impact on black audiences - have to contain drug addiction, bad parents and a title that sounds like a first-grader saying the phrase, "How she moves"?

I was "moved" by this movie, however. Moved to leave the theater as quickly as possible.