IN: The Iberians (Latin: Hiberi, from Greek: Iberes, Iberes) were a set of peoples that Greek and Roman sources (among others, Hecataeus of Miletus, Avienus, Herodotus and Strabo) identified with that name in the eastern and southern coasts of the Iberian peninsula, at least from the 6th century BC. The Roman sources also use the term Hispani to refer to the Iberians. The term Iberian, as used by the ancient authors, had two distinct meanings. One, more general, referred to all the populations of the Iberian peninsula without regard to ethnic differences (Pre-Indo-European, Celts and non-Celtic Indo-Europeans).

The Iberians produced sculpture in stone and bronze, most of which was much influenced by the Greeks and Phoenicians, and other cultures such as Assyrian, Hittite and Egyptian influences. The styles of Iberian sculpture are divided geographically into Levantine, Central, Southern, and Western groups, of which the Levantine group displays the most Greek influence. Iberian pottery and painting was also distinct and widespread throughout the region. The Iberian polytheistic religion was influenced by the Greek and Phoenician practices, as it is evident in their sculptures. The man-bull Bicha of Balazote (possibly a fertility deity) and various depictions of sphinxes and lions bear a resemblance to eastern Mediterranean mythological creatures. The Lady of Elche and Lady of Guardamar show clear Hellenistic influence. Phoenician and Greek deities like Tanit, Baal, Melkart, Artemis, Demeter and Asclepius were known in the region and worshiped. Currently few native Iberian gods are known, though the oracular healing deity "Betatun" is known from a Latin inscription at Fuertes del Rey. There was clearly an important female deity associated with the earth and regeneration as depicted by the Lady of Baza and linked with birds, flowers and wheat. The horse was also an important religious figure and an important sanctuary dedicated to Horses has been found in Mula (Murcia). There are many depictions of a "horse taming god" or "lord of the horses" (despotes hippon). The female goddess Ataegina is also widely attested in the inscriptions. Iberians performed their rites in the open and also maintained sanctuaries in holy places like groves, springs and caves. Archaeological evidence suggests the existence of a priestly class and Silius Italicus mentions priests in the region of Tartessos at a temple of Melqart. Evidence from pottery reveals some information about Iberian myth and ritual. Common themes are a celebratory ritual dance described by Strabo [c.f. 3.3.7.] and seen in a relief from Fuerte del Rey known as the "Bastetania dance" and the confrontation between the deceased and a wolf figure. Ritual sacrifice of animals was also common. The Iberians incinerated their dead and placed their ashes in ceremonial urns, the remains were then placed in stone tombs. Iberians venerated the war god Cariociecus.

How did they influence the Iberian art?

OUT: depictions of sphinxes and lions bear a resemblance to eastern Mediterranean mythological creatures.

IN: Eileen Jeanette Vancho Lyttle Garrett (17 March 1893 - 15 September 1970) was an Irish medium and parapsychologist. Garrett's alleged psychic abilities were tested in the 1930s by Joseph Rhine and others. Rhine claimed that she had genuine psychic abilities, but subsequent studies were unable to replicate his results, and Garrett's abilities were later shown to be consistent with chance guessing. Garrett elicited controversy after the R101 crash, when she held a series of seances at the National Laboratory of Psychical Research claiming to be in contact with victims of the disaster.

Garrett took part in "clairvoyance" tests. One of the tests was organized by Joseph Rhine at Duke University in 1933 which involved Zener cards. Certain symbols that were placed on the cards and sealed in an envelope, and participants were asked to guess their contents. She performed poorly and later criticized the tests by claiming the cards lacked a psychic energy called "energy stimulus" and that she could not perform clairvoyance to order. The parapsychologist Samuel Soal and his colleagues tested Garrett in May 1937. Most of the experiments were carried out in the Psychological Laboratory at the University College London. A total of over 12,000 guesses were recorded but Garrett failed to produce above chance level. In his report Soal wrote: In the case of Mrs. Eileen Garrett we fail to find the slightest confirmation of Dr. J. B. Rhine's remarkable claims relating to her alleged powers of extra-sensory perception. Not only did she fail when I took charge of the experiments, but she failed equally when four other carefully trained experimenters took my place. The experiments of Rhine and the Zener cards used in the 1930s were discovered to contain procedural errors and flaws, the results have not replicated when the experiments have been conducted in other laboratories. Science writer Terence Hines has written "the methods used to prevent subjects from gaining hints and clues as to the design on the cards were far from adequate." Leonard Zusne and Warren Jones wrote "the keeping of records in Rhine's experiments was inadequate. Sometimes, the subject would help with the checking of his or her calls against the order of cards. In some long-distance telepathy experiments, the order of the cards passed through the hands of the percipient before it got from Rhine to the agent."

What other tests were done?

OUT:
The parapsychologist Samuel Soal and his colleagues tested Garrett in May 1937.