Problem: Dean Edwards Smith (February 28, 1931 - February 7, 2015) was an American men's college basketball head coach. Called a "coaching legend" by the Basketball Hall of Fame, he coached for 36 years at the University of North Carolina at Chapel Hill. Smith coached from 1961 to 1997 and retired with 879 victories, which was the NCAA Division I men's basketball record at that time.

Smith next served a stint in the United States Air Force in Germany, later working as a head coach of United States Air Force Academy's baseball and golf teams. Yet, Smith's big break would come in the United States. In 1958, North Carolina coach Frank McGuire asked Smith to join his staff as an assistant coach. Smith served under McGuire for three years until 1961, when McGuire was forced to resign by Chancellor William Aycock in the wake of a major recruiting scandal, and consequently, an NCAA mandated probation. Aycock told WNCN that McGuire told him he was leaving on a Saturday, and Aycock called in Smith and hired him later on that day. Smith's elevation occurred amid rumors of a point shaving scandal involving UNC players. Smith was told that wins and losses didn't matter as much as running a clean program and representing the university well. The Atlantic Coast Conference (ACC) had canceled the Dixie Classic, an annual basketball tournament in Raleigh, North Carolina, due to a national point-shaving scandal including a North Carolina player (Lou Brown). As a result of the scandal, North Carolina de-emphasized basketball by cutting their regular-season schedule. In Smith's first season, North Carolina played only 17 games and went 8-9. This was the only losing season he endured during his career. In 1965, he was famously hanged in effigy on the university campus following a disappointing loss to Wake Forest. After that game, UNC would win nine of their last eleven games, and Smith would subsequently go on to turn the program into a consistent success. From 1965-66 onward, Smith's teams never finished worse than tied for third in the ACC. For the first 21 of those years, they did not finish worse than a tie for second. By comparison, during that time the ACC's other charter members each finished last at least once. His first major successes came in the late 1960s, when his teams won consecutive regular-season and ACC tournament championships, and went to three straight Final Fours. However, this run occurred in the middle of UCLA's stretch of 10 titles in 12 years, and in fact Smith lost to UCLA's John Wooden in the 1968 title game.

Where did he go on to coach after the air force?

Answer with quotes: In 1958, North Carolina coach Frank McGuire asked Smith to join his staff as an assistant coach.

Problem: Hedy Lamarr (; born Hedwig Eva Maria Kiesler, November 9, 1914 - January 19, 2000) was an Austrian-born American film actress and inventor. At the beginning of World War II, Lamarr and composer George Antheil developed a radio guidance system for Allied torpedoes, which used spread spectrum and frequency hopping technology to defeat the threat of jamming by the Axis powers. Although the US Navy did not adopt the technology until the 1960s, the principles of their work are arguably incorporated into Bluetooth technology, and are similar to methods used in legacy versions of CDMA and Wi-Fi.

On August 10, 1933, Lamarr married Mandl, an Austrian military arms merchant and munitions manufacturer who was reputedly the third-richest man in Austria. She was 18 years old and he was 33. In her autobiography Ecstasy and Me, she described Mandl as an extremely controlling husband who strongly objected to her simulated orgasm scene in Ecstasy and prevented her from pursuing her acting career. She claimed she was kept a virtual prisoner in their castle home, Schloss Schwarzenau. Mandl had close social and business ties to the fascist government of Italy, selling munitions to Mussolini, and although like Hedy, his own father was Jewish, had ties to the Nazi government of Germany, as well. Lamarr wrote that Mussolini and Hitler attended lavish parties at the Mandl home. Lamarr accompanied Mandl to business meetings, where he conferred with scientists and other professionals involved in military technology. These conferences were her introduction to the field of applied science and nurtured her latent talent in science. Lamarr's marriage to Mandl eventually became unbearable, and she decided to separate herself from both him and her country. In her autobiography, she wrote that she disguised herself as her maid and fled to Paris, but by other accounts, she persuaded Mandl to let her wear all of her jewelry for a dinner party, then disappeared afterward. She writes about her marriage: I knew very soon that I could never be an actress while I was his wife.... He was the absolute monarch in his marriage.... I was like a doll. I was like a thing, some object of art which had to be guarded--and imprisoned--having no mind, no life of its own.

Who did he marry?

Answer with quotes: Mandl,

Problem: Ludwig Mies van der Rohe ( MEESS; German: [mi:s]; born Maria Ludwig Michael Mies; March 27, 1886 - August 17, 1969) was a German-American architect. He is commonly referred to and was addressed as Mies, his surname.

Mies was born March 27, 1886 in Aachen, Germany. He worked in his father's stone carving shop and at several local design firms before he moved to Berlin, where he joined the office of interior designer Bruno Paul. He began his architectural career as an apprentice at the studio of Peter Behrens from 1908 to 1912, where he was exposed to the current design theories and to progressive German culture, working alongside Le Corbusier and Walter Gropius, who was later also involved in the development of the Bauhaus. Mies served as construction manager of the Embassy of the German Empire in Saint Petersburg under Behrens. His talent was quickly recognized and he soon began independent commissions, despite his lack of a formal college-level education. A physically imposing, deliberative, and reticent man, Ludwig Mies renamed himself as part of his rapid transformation from a tradesman's son to an architect working with Berlin's cultural elite, adding "van der" and his mother's surname "Rohe", using the Dutch "van der", because the German form "von" was a nobiliary particle legally restricted to those of genuine aristocratic lineage. He began his independent professional career designing upper-class homes, joining the movement seeking a return to the purity of early 19th-century Germanic domestic styles. He admired the broad proportions, regularity of rhythmic elements, attention to the relationship of the man-made to nature, and compositions using simple cubic forms of the early nineteenth century Prussian Neo-Classical architect Karl Friedrich Schinkel. He rejected the eclectic and cluttered classical styles so common at the turn of the 20th century as irrelevant to the modern times.

Did he have any inspiration or influence?

Answer with quotes:
He rejected the eclectic and cluttered classical styles so common at the turn of the 20th century as irrelevant to the modern times.