In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
A: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : The Verna Fields Award is the Golden Reel Award which is annually presented by Motion Picture Sound Editors to a filmmaking student in order to recognize the excellence of their sound editing work. Luke Dunn Gielmuda of the Australian Film Television and Radio School won the 1998 award for his work on "Preoccupied". At the 2004 Golden Reel Awards held at Century Plaza Hotel, Manny Holihan won the Verna Fields Award. Context_2 : Mark W. Ryan is an award-winning music editor for film and television, currently living in Los Angeles, California. A two-time winner of the Motion Picture Sound Editors "Golden Reel Award", he has worked on films such as "Liar, Liar" as well as many primetime television and animation shows. Also a singer and songwriter and an accomplished guitarist, Ryan began his entertainment career as a drummer in his hometown of Cleveland, Ohio. He earned a B.A. in music theory and percussion from Kent State University in 1983, and married before relocating to Los Angeles in 1986. He is also credited as a voice-over actor in the 1991 animated series "Little Shop", based on the film "Little Shop Of Horrors", in which he voiced the character Paine Driller. Context_3 : The Golden Screen Award, formerly known as the Golden Reel Award, is a Canadian film award, presented to the Canadian film with the biggest box office gross of the year. The Canadian Motion Picture Distributors Association introduced this award in 1976 as part of the Canadian Film Awards until 1979. The Golden Reel became part of the Genie Awards ceremonies in 1980, and is currently part of the Canadian Screen Awards. It was renamed from Golden Reel to Golden Screen as of the 3rd Canadian Screen Awards in 2015. Context_4 : "Treehouse of Horror VIII" is the fourth episode of "The Simpsons"<nowiki>'</nowiki> ninth season. It first aired on the Fox network in the United States on October 26, 1997. In the eighth annual "Treehouse of Horror" episode, Homer Simpson is the last man left alive when a neutron bomb destroys Springfield until a gang of mutants come after him, Homer buys a transporter that Bart uses to switch bodies with a housefly, and Marge is accused of witchcraft in a Puritan rendition of Springfield in 1649. It was written by Mike Scully, David X. Cohen and Ned Goldreyer, and was directed by Mark Kirkland. Context_5 : The Old Man and the Sea is a 1990 television movie based on the novel "The Old Man and the Sea" by Ernest Hemingway. The film was nominated for three Emmy Awards for Outstanding Achievement in Music for a Miniseries or a Special (Dramatic Underscore), Outstanding Sound Editing for a Miniseries for a Special, and Outstanding Sound Mixing for a Drama Miniseries or Special. Stephen Grubbs also won the Motion Picture Sound Editors Golden Reel Award for Best Sound Editing in Television Long Form - Dialogue & ADR Context_6 : Escape: Human Cargo is a 1998 American action television film, directed by Simon Wincer. In 1999, the film was nominated at the Motion Picture Sound Editors for the Golden Reel Award in the Best Sound Editing - Television movies category. It lost to "A Soldier's Sweetheart". Context_7 : "Greatest Hits" is the 21st episode of the third season of "Lost" and 70th episode of the series. It was written by co-executive producers Edward Kitsis and Adam Horowitz and directed by supervising producer Stephen Williams. The episode first aired on May 16, 2007, on ABC in the United States and on CTV in Canada. "Greatest Hits" was viewed by 12 million Americans and was well received by critics. "Lost"<nowiki>'</nowiki>s editors received a Golden Reel Award nomination. Context_8 : Vladan Nikolic is a Serbian independent film director, screenwriter and film producer. His awards include the TV Sarajevo Award and Zeta Film Award for Best Screenplay, Telluride Indiefest Best Film Award, and Tiburon International Film Festival Golden Reel Award. His feature film "Love" premiered at the Venice and Tribeca film festivals to critical acclaim and went on to win awards at film festivals in Geneva, Switzerland, and Barcelona, Spain. His subsequent film "Zenith", incorporated an extensive transmedia project, expanding the film over multiple platforms, including theatrical, video, and online releases. Context_9 : "Manchester" is the two-part third-season premiere of the American political drama television series "The West Wing". The episodes deal with President Bartlet's decision to run for re-election, and the activities of the weeks leading up to his official announcement. Both parts were written by Aaron Sorkin and directed by Thomas Schlamme, and the episodes contain the first appearances by Ron Silver, Evan Handler and Connie Britton. These episodes also mark the first episode where Stockard Channing is added to opening credits, marking that she became a regular character this season. The second episode was an Emmy nominee for Outstanding Art Direction For A Single-Camera Series. It also earned a Golden Reel Award nomination for Best Sound Editing in a Television Series. Context_10 : Travis F.Powers is a Sound Designer/Supervising sound effects editor and Composer who has worked on several animated television series, including "The Simpsons", "Futurama", "Dilbert", "The PJs", "The Critic", "The Tracey Ullman Show", "Mission Hill" and "King of the Hill". Powers has received multiple awards. Including a Golden Reel Award, in 1998 for "Best Sound Editing" for the episode "Treehouse of Horror VIII". fact_1 : Including a Golden Reel Award, in 1998 for "Best Sound Editing" for the episode "Treehouse of Horror VIII". fact_2 : "Treehouse of Horror VIII" is the fourth episode of "The Simpsons"<nowiki>'</nowiki> ninth season. fact_3 : It first aired on the Fox network in the United States on October 26, 1997. Answer: October 26, 1997
A:
On what date did the episode of The Simpsons air, that Travis Powers won a Golden Reel Award for?