Question:
Sometimes traits can vary from parent to offspring. These changes are due to mutations. Mutations are a random change. Mutations are natural. Some mutations are harmful. In this case, the organism may not live to reproduce. The trait will not be passed onto offspring. Others variations in traits have no effect on survival. Can some mutations be good for a living thing? Other mutations can have great benefits. Imagine being the first moth that can blend into its background. It would have a better chance of survival. A living thing that survives is likely to have offspring. If it does, it may pass the new trait on to its offspring. Thats good news for the offspring. The offspring may be more likely to survive. Mutations are one way living things adapt to new conditions. After reading the above, is "No" the correct answer to the question "Is it natural for some traits to vary from parent to offspring?"? OPTIONS:
- no
- yes

Answer:
no

Question:
Triumph and Disaster: The 20th century saw a stupendous release of energies that had been pent up for the 250 years of Tokugawa isolation. By 1930 raw-material production had tripled the figure of 1900, manufactured goods had increased twelve-fold, and heavy industry was galloping towards maturity. Britain led the World War I Ailies in large orders for munitions, while Japan expanded sales of manufactured goods to Asian and other markets cut off from their usual European suppliers. Merchant shipping doubled in size and increased its income ten-fold as the European fleets were destroyed. Setbacks in the 1930s caused by the European postwar slump were only a spur to redouble efforts by diversifying heavy industry into the machine-making, metallurgical, and chemical sectors. Even the terrible 1923 Tokyo earthquake, which cost over 100,000 lives and billions of dollars, provided another stimulus due to the construction boom that followed. Riding the crest of this economic upsurge were the zaibatsu conglomeratesa dozen family-run combines, each involved in mining, manufacturing, marketing, shipping, and banking. These tightly controlled commercial pyramids were the true heirs to the old feudal structures. Japan's progress toward parliamentary democracy was halted in the 1930s by the growing nationalism being imposed on government by the generals and admirals. They proclaimed Japan's mission to bring progress to its backward Asian neighbors in language not so very different from that of the Europeans in Africa or the US in Latin America. After the Russian Revolution of 1917, the Soviet Union was regarded as a major threat to Japan's security, and the army felt it needed Manchuria and whatever other Chinese territory it could control as a buffer against Russian advances. In 1931 the Japanese occupied Manchuria. And then in 1937, with the popular support of ultra-right-wing groups, the army overrode parliamentary resistance in Tokyo and went to war against the Chinese Nationalists. By 1938, they held Nanking, Hankow, and Canton. Japanese expansionist policies were leading to direct confrontation with the West. Japan hoped that war in Europe would divert the Soviet Union from interference in East Asia, giving Japan a free hand both in China and, through its alliance with Germany, in French IndoChina after the defeat of France. The US responded to the Japanese invasion of IndoChina with a trade and fuel embargo, cutting off 90 percent of Japan's supplies. The result was the attack on the American fleet at Pearl Harbor (7 December 1941) and total war. After reading the above, is "Zaibatsu conglomerates" the correct answer to the question "What were a few of the tightly controlled commercial pyramids in Japan?"? OPTIONS:
- no
- yes

Answer:
yes

Question:
The old vaulted church was stripped down: there was no cloth on the altar, just a DJ's toolkit and his beer. Through the dark, I could see three bolts left in the wall from where they'd taken down the crucifix. A confessional too beaten-up to have been sold was shaking in a way that suggested activity inside, and where the pews had been taken out, a couple hundred people were testifying to the DJ's moving sermon. Rachel stepped forward into the crowd while I took a moment to drink in the ceiling's blue-lit, shadowed vault and the light-catching haze from who-knows-what rising between the DJ and the crowd. There was a terrific echo, each beat reverberating inside of the next, and the old stained-glass windows rattled in their frames. On the dance floor, people moved with their eyes closed and their hands in the air. I danced with Rachel for a while, but then something by the bar seemed to be pulling her eyes. She told me that she was heading for a drink and slipped out of the crowd. When she hadn't come back halfway through the next song, I glanced over at the bar. It was just a little set-up where someone had stacked a few crates and brought something alcoholic to share, mostly beer. Rachel was standing with a plastic cup, looking like she was having a conversation, but I couldn't see anyone else there. The next time the crowd split, I saw him. He stood in front of a blue light, so I couldn't see him clearly, but what I saw was memorable. He wore a jacket of what might have been blue velvet, and his hair gleamed black against his white skin. The blue haze seemed to stop just shy of his pallor, setting off his striking face without illuminating its details, and his wrists flashed white in the darkness. He didn't move, just stared and held his drink. The next time I saw them, his mouth was moving. She nodded and he took her arm. I watched them through the crush of dancers as they squeezed along the wall, and the feeling came to me that something was very wrong. Saturday morning, I woke up and saw that she still hadn't come home. After reading the above, is "She was heading to the bar" the correct answer to the question "Why did Rachel stop dancing with him"? OPTIONS:
- no
- yes

Answer:
yes

Question:
To say her face fell would do a disservice to Tasha and to literature. (Allow me my self-indulgences as you would those of a dying man -- when I convince my mindsmith to permit the wipe, there will be another Bernardo Flynn, one who knows no more of Tasha Cortez or Vega IV than he reads here.) Her brows drew together, creasing the lovely, caramel-colored skin around her eyes and showing the pattern for an old woman's wrinkles on her forehead. Her lower lip (a trifle too narrow for her face, perhaps her only physical flaw) thrust forward slightly as she started to speak. She caught herself, slid her jaw infinitesimally back into place, and said, "You don't like it?" I laughed. What could I do? I clapped her shoulder to show I was not laughing at her. "Like it? I hate it, despise it, abhor it! It's gaudy, graceless, pretentious -- That house is an affront to taste and intelligence. I should buy it to raze it, but I am not so kind-hearted. I might, however, rent it." I think she only heard the last words of my speech. "You will?" "It amuses me. Show me around, and then I shall decide." "Of course, Senor Flynn." "And stop calling me 'senor'. Not even Los Mundos is so polite. Call me Bernardo." After reading the above, is "Take a walk and look around" the correct answer to the question "What does Bernardo need to do before he can decide whether to rent the house?"? OPTIONS:
- no
- yes

Answer:
yes