Question:
Jesse Donald Knotts was born in Morgantown, West Virginia, the youngest of four sons born to farmer William Jesse Knotts and his wife, Elsie Luzetta Knotts (nee Moore). His parents were married in Spraggs, Pennsylvania. His English paternal ancestors immigrated to America in the 17th century, originally settling in Queen Anne's County, Maryland. Knotts' brothers were named Willis, William, and Ralph.
In 1960, Andy Griffith was offered the opportunity to headline his own sitcom, The Andy Griffith Show (1960-1968). Knotts took the role of Barney Fife, the deputy--and originally cousin--of Sheriff Andy Taylor (portrayed by Griffith). Knotts's portrayal of the deputy on the popular show earned him five Emmy Awards for Best Supporting Actor in a Television Comedy, three awards for the first five seasons that he played the character. A summary of the show from the website of the Museum of Broadcast Communications describes Deputy Barney Fife: Self-important, romantic, and nearly always wrong, Barney dreamed of the day he could use the one bullet Andy had issued to him, though he did fire his gun on a few occasions. He always fired his pistol accidentally while still in his holster or in the ceiling of the court house, at which point he would sadly hand his pistol to Andy. This is why Barney kept his one very shiny bullet in his shirt pocket. In episode #196, Andy gave Barney more bullets so that he would have a loaded gun to go after a bad guy that Barney unintentionally helped escape. While Barney was forever frustrated that Mayberry was too small for the delusional ideas he had of himself, viewers got the sense that he couldn't have survived anywhere else. Don Knotts played the comic and pathetic sides of the character with equal aplomb and he received three Emmy Awards during the show's first five seasons. When the show first aired, Griffith was intended to be the comedic lead with Knotts as his straight man, similar to their roles in No Time for Sergeants. However, it was quickly discovered that the show was funnier with the roles reversed. As Griffith maintained in several interviews, "By the second episode, I knew that Don should be funny, and I should play straight." Knotts believed remarks by Griffith that The Andy Griffith Show would end after five seasons, and he began to look for other work, signing a five-film contract with Universal Studios. He was caught off guard when Griffith announced that he would continue the show after all, but Knotts's hands were tied. In his autobiography, Knotts admitted that he had not yet signed a contract when Griffith announced his decision; but he had made up his mind to move on, believing he would not get the chance again. Knotts left the series in 1965. His character's absence on the show was explained by Deputy Fife's having finally made the "big time," joining the Raleigh, North Carolina police force.
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What did people say about his character

Answer:
A summary of the show from the website of the Museum of Broadcast Communications describes Deputy Barney Fife:

Question:
Toru Takemitsu (Wu Man Che , Takemitsu Toru, October 8, 1930 - February 20, 1996) pronounced [takemitsW to:rW] was a Japanese composer and writer on aesthetics and music theory. Largely self-taught, Takemitsu possessed consummate skill in the subtle manipulation of instrumental and orchestral timbre. He is famed for combining elements of oriental and occidental philosophy to create a sound uniquely his own, and for fusing opposites together such as sound with silence and tradition with innovation. He composed several hundred independent works of music, scored more than ninety films and published twenty books.
Takemitsu frequently expressed his indebtedness to Claude Debussy, referring to the French composer as his "great mentor". As Arnold Whittall puts it: Given the enthusiasm for the exotic and the Orient in these [Debussy and Messiaen] and other French composers, it is understandable that Takemitsu should have been attracted to the expressive and formal qualities of music in which flexibility of rhythm and richness of harmony count for so much. For Takemitsu, Debussy's "greatest contribution was his unique orchestration which emphasizes colour, light and shadow ... the orchestration of Debussy has many musical focuses." He was fully aware of Debussy's own interest in Japanese art, (the cover of the first edition of La mer, for example, was famously adorned by Hokusai's The Great Wave off Kanagawa). For Takemitsu, this interest in Japanese culture, combined with his unique personality, and perhaps most importantly, his lineage as a composer of the French musical tradition running from Rameau and Lully through Berlioz in which colour is given special attention, gave Debussy his unique style and sense of orchestration. During the composition of Green (November Steps II, for orchestra, 1967: "steeped in the sound-color world of the orchestral music of Claude Debussy") Takemitsu said he had taken the scores of Debussy's Prelude a l'Apres-midi d'un Faune and Jeux to the mountain villa where both this work and November Steps I were composed. For Oliver Knussen, "the final appearance of the main theme irresistibly prompts the thought that Takemitsu may, quite unconsciously, have been attempting a latter-day Japanese Apres-midi d'un Faune". Details of orchestration in Green, such as the prominent use of antique cymbals, and tremolandi harmonies in the strings, clearly point to the influence of Takemitsu's compositional mentor, and of these works in particular. In Quotation of Dream (1991), direct quotations from Debussy's La Mer and Takemitsu's earlier works relating to the sea are incorporated into the musical flow ("stylistic jolts were not intended"), depicting the landscape outside the Japanese garden of his own music.
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What qualities of Takemitsu's work are similar to Debussy's?

Answer:
Takemitsu said he had taken the scores of Debussy's Prelude a l'Apres-midi d'un Faune and Jeux to the mountain villa where both this work and November Steps I were composed.