input: In 2012, Miyavi performed on February 19 at the second EMI Rocks event in Saitama Super Arena. On June 29, he performed at the EHZ Festival in Helette, while on June 30, he was the only Asian representative at the Main Square Festival in Arras, France. On July 11, his thirteenth major single, "Day 1," was released in collaboration with the French electronic producer and DJ, Yuksek. In August, he performed at the Kubana Festival in Russia. On September 8, Miyavi performed at the 908 Festival, organized by Kreva, in Saitama Super Arena. In October two concerts were held in Indonesia. On November 14, Samurai Sessions vol.1, his second EP, was released, which featured collaboration with various artists, and it was followed by a short nationwide tour. It reached 21 on the Oricon charts. On February 28, 2013, "Ahead of the Light", Miyavi's fourteenth single, was released; a promotional tour of the same name followed. On June 19, his seventh studio album, Miyavi, was released in Japan. It is his best-selling album so far, reaching number eight on the Oricon charts. On October 12, 2013, it was announced that Miyavi would venture into professional acting with his international debut in the film Unbroken. He played the role of Imperial Japanese Army sergeant Mutsuhiro Watanabe, nicknamed "The Bird", in what was Angelina Jolie's second feature film as director. It was released in December 2014. Miyavi commented that as the movie was somewhat sensitive to the Japanese people, he had hesitated as to whether he should take this role. However, after meeting with Jolie, and given that the underlying theme of this story is forgiveness, he wholeheartedly decided to accept it. Miyavi was featured in the same month's edition of Vogue Italia. In 2013 Miyavi was nominated for the MTV Europe Music Award for Best Japanese Act, and at the MTV Video Music Awards Japan he won the Best Collaboration category with Yuksek. In 2014, the music video of "Horizon" was nominated for the Best Male Video at the MTV Video Music Awards Japan. In 2014, Miyavi went on his fourth world tour, "Slap the World", which started on February 22 in Malaysia. He continued throughout Europe, followed by the European release of his latest studio album, and visited Mexico City and Los Angeles, with United States release of the album, before returning to Japan for his longest nationwide tour so far. Miyavi composed the music for the single "Top Of The World" by SMAP, which topped the Oricon singles charts. On August 25, he performed for the first time at Fuji Rock Festival. On September 9, his new single "Real?" was released, on which Miyavi collaborated with Jam and Lewis and Jeff Blue, and also the live video recording from the world tour.

Answer this question "What movie was he in?"
output: Unbroken.

input: Evola's dissent from standard biological concepts of race had roots in his aristocratic elitism, since Nazi Volkisch ideology inadequately separated aristocracy from "commoners." According to Furlong, Evola developed "the law of the regression of castes" in Revolt Against the Modern World and other writings on racism from the 1930s and World War II period. In Evola's view "power and civilization have progressed from one to another of the four castes--sacred leaders, warrior nobility, bourgeoisie (economy, 'merchants') and slaves". Furlong explains: "for Evola, the core of racial superiority lay in the spiritual qualities of the higher castes, which expressed themselves in physical as well as in cultural features, but were not determined by them. The law of the regression of castes places racism at the core of Evola's philosophy, since he sees an increasing predominance of lower races as directly expressed through modern mass democracies." Prior to the end of War, Evola had frequently used the term "Aryan" to mean the nobility, who in his view were imbued with traditional spirituality. Wolff notes that Evola seems to have stopped writing about race in 1945, but adds that the intellectual themes of Evola's writings were otherwise unchanged. Evola continued to write about elitism and his contempt for the weak. His "doctrine of the Aryan-Roman 'super-race was simply restated as a doctrine of the 'leaders of men'...no longer with reference to the SS, but to the mediaeval Teutonic knights of the Knights Templar, already mentioned in Rivolta." Evola spoke of "inferior non-European races". Peter Merkl wrote that "Evola was never prepared to discount the value of blood altogether". Evola wrote: "a certain balanced consciousness and dignity of race can be considered healthy" in a time where "the exaltation of the negro and all the rest, anticolonialist psychosis and integrationist fanatiscm [are] all parallel phenomena in the decline of Europe and the West." While not totally against race-mixing, in 1957, Evola wrote an article attributing the perceived acceleration of American decadence to the influence of "negroes" and the opposition to segregation. Furlong noted that this article is "among the most extreme in phraseology of any he wrote, and exhibits a degree of intolerance that leaves no doubt as to his deep prejudice against black people."

Answer this question "Did he have any accomplishments?"
output: Furlong noted that this article is "among the most extreme in phraseology of any he wrote,

input: An aspiring writer and obsessive fan, James began writing baseball articles after leaving the United States Army in his mid-twenties. Many of his first baseball writings came while he was doing night shifts as a security guard at the Stokely-Van Camp's pork and beans cannery. Unlike most writers, his pieces did not recount games in epic terms or offer insights gleaned from interviews with players. A typical James piece posed a question (e.g., "Which pitchers and catchers allow runners to steal the most bases?"), and then presented data and analysis written in a lively, insightful, and witty style that offered an answer. Editors considered James's pieces so unusual that few believed them suitable for their readers. In an effort to reach a wider audience, James began self-publishing an annual book titled The Bill James Baseball Abstract beginning in 1977. The first edition, titled 1977 Baseball Abstract: Featuring 18 categories of statistical information that you just can't find anywhere else, presented 68 pages of in-depth statistics compiled from James's study of box scores from the preceding season and was offered for sale through a small advertisement in The Sporting News. Seventy-five people purchased the booklet. The 1978 edition, subtitled The 2nd annual edition of baseball's most informative and imaginative review, sold 250 copies. Beginning in 1979, James wrote an annual preview of the baseball season for Esquire, and continued to do so through 1984. The first three editions of the Baseball Abstract garnered respect for James's work, including a very favorable review by Daniel Okrent in Sports Illustrated. New annual editions added essays on teams and players. By 1982 sales had increased tenfold, and a media conglomerate agreed to publish and distribute future editions. While writers had published books about baseball statistics before (most notably Earnshaw Cook's Percentage Baseball, in the 1960s), few had ever reached a mass audience. Attempts to imitate James's work spawned a flood of books and articles that continues to this day.

Answer this question "Where did he write the baseball abstracts?"
output:
Many of his first baseball writings came while he was doing night shifts as a security guard at the Stokely-Van Camp's pork and beans cannery.