In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution is here: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this: Context_1 : The history of Brasenose College, Oxford stretches back to 1509, when the college was founded on the site of Brasenose Hall. Its name is believed to derive from the name of a bronze knocker that adorned the hall's door. The college was associated with Lancashire and Cheshire, the county origins of its two founders Sir Richard Sutton and the Bishop of Lincoln, William Smyth a link that was maintained strongly until the latter half of the nineteenth century. The first principals navigated Brasenose, with its Catholic sympathisers, through the reformation and continuing religious reforms. Most of Brasenose favoured the Royalist side during the English Civil War, although it produced notable generals and clergy on both sides. The library and chapel were completed in the mid-seventeenth century, despite Brasenose suffering continuing financial problems. Context_2 : Born on 25 February 1851 and educated at Marlborough and Brasenose College, Oxford he was ordained in 1876. In 1880 he went on the Oxford Mission to Calcutta, returning in 1884. From 1885 to 1892 he was Vicar of St Columba's, Southwick, Sunderland when he was elevated to the Episcopate as Bishop of Nyasaland. After only two years he returned to England where he was Rector of St Clement's Church, Norwich then Vicar of Chollerton. In 1904 he was appointed Bishop of Nassau, a post he held until 1919. He died on 5 June 1935. Context_3 : Sir Richard Sutton (died c. 1524) was an English lawyer. He was founder, with William Smyth, bishop of Lincoln, of Brasenose College, Oxford, and the first lay founder of any college. Context_4 : Sir Ernest Laurence Kennaway FRS (23 May 1881 1 January 1958) was a British pathologist and Royal Medal winner. He first became interested in natural life when, due to a childhood illness, he was encouraged to spend time outdoors. He was trained at University College London, and in 1898 was accepted into New College, Oxford on an open scholarship to study natural sciences. He graduated with a B.A. in 1903, and after three years at Middlesex Hospital he completed a Bachelor of Medicine and Surgery. After graduating he worked for The Lister Institute for Preventive Medicine and UCL before returning to Oxford, this time to Brasenose College on a Hulme scholarship in 1909. He became a Travelling Fellow of Brasenose in 1910, a Doctor of Medicine in 1911 and a Doctor of Science (specifically physiological chemistry) in 1915. Context_5 : Born in 1860, he was educated at Marlborough and University College, Oxford, and ordained in 1883. He began his career as Chaplain to Brasenose College, Oxford, where he was also tutor and elected a Fellow. Later, he was chaplain to the Bishop of Salisbury. He was Rector of Poplar from 1891 until late 1901 when he was appointed to the Episcopate. He was enthroned in the Cathedral, Cape Town on 2 February 1902, and arrived at his see shortly thereafter. Context_6 : Peter Leycester was born at Nether Tabley, near Knutsford, Cheshire, England, the eldest son of Peter Leycester (15881647) and Elizabeth, the daughter of Sir Randle Mainwaring of Over Peover, Cheshire. He entered Brasenose College, Oxford in 1629 as a gentleman commoner but did not take a degree. In 1632 he was admitted to Gray's Inn. When the Civil War started he was appointed as one of the king's commissioners of array for Cheshire. He was in Oxford in June 1646 when the city surrendered to Thomas Fairfax. Consequently, he was excluded from other responsibilities and had time to develop his interest in antiquarian research. Among the subjects he studied was the pedigree of the Mainwaring family. In 1649 he purchased a transcript of the section of the Domesday book relating to Cheshire. In 1655 he had a period of imprisonment, but following the Restoration he was released and returned to the bench as a justice of the peace. He was created a baronet in 1660 as a reward for his loyalty to the royalist cause. Context_7 : Brasenose College Boat Club (BNCBC) is the rowing club of Brasenose College, Oxford, in Oxford, England. It is one of the oldest boat clubs in the world, having beaten Jesus College Boat Club in the first modern rowing race, held at Oxford in 1815. Although rowing at schools such as Eton and Westminster School Boat Club predates this, the 1815 contest is the first recorded race between rowing clubs anywhere in the world. Context_8 : William Smyth (or Smith) (c. 1460 2 January 1514) was Bishop of Coventry and Lichfield from 1493 to 1496 and then Bishop of Lincoln until his death. He held political offices, the most important being Lord President of the Council of Wales and the Marches. He became very wealthy and was a benefactor of a number of institutions. He was a co-founder of Brasenose College, Oxford and endowed a grammar school in the village of his birth in Lancashire. Context_9 : Sir Thomas Graham Jackson, 1st Baronet {'1': ", '2': ", '3': ", '4': "} (21 December 1835 7 November 1924) was one of the most distinguished English architects of his generation. He is best remembered for his work at Oxford for Oxford Military College as well as the University, notably: the Examination Schools, most of Hertford College (including the Bridge of Sighs over New College Lane), much of Brasenose College, a range at Trinity College, and the Acland Nursing Home in North Oxford. Much of his career was devoted to the architecture of education and he worked extensively for various schools, notably Giggleswick and his own alma mater Brighton College. Jackson designed the former town hall in Tipperary Town, Ireland. He also worked on many parish churches and the college chapel at the University of Wales, Lampeter. He is also famous for designing the chapel (amongst other things) at Radley College. The City of Oxford High School in George Street, Oxford was another building designed by him. Context_10 : Brasenose College ( BNC), officially The King's Hall and College of Brasenose, is one of the constituent colleges of the University of Oxford in the United Kingdom. It was founded in 1509, with the College library and current chapel added in the mid-seventeenth century. The College's New Quadrangle was completed in the late nineteenth and early twentieth centuries, with additional residence areas completed in the 1960s and 1970s. fact_1 : The history of Brasenose College, Oxford stretches back to 1509, when the college was founded on the site of Brasenose Hall. fact_2 : The college was associated with Lancashire and Cheshire, the county origins of its two founders Sir Richard Sutton and the Bishop of Lincoln, William Smyth a link that was maintained strongly until the latter half of the nineteenth century. fact_3 : William Smyth (or Smith) (c. 1460 2 January 1514) was Bishop of Coventry and Lichfield from 1493 to 1496 and then Bishop of Lincoln until his death. Question: Name the Bishop of Coventry and Lichfield from 1493 to 1496 and then Bishop of Lincoln until his death who was co-founder of Brasenose College, Oxford which had strong associations with Lancashire and Cheshire until the latter half of the nineteenth century?
Solution:
William Smyth