In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: set in the wild west , this carry on centres around the arrival of the rumpo kid ( sidney james ) and his cronies in stodge city .
his dodgy dealings and summary shootings aggravate judge burke ( kenneth williams ) so much that he asks sheriff albert earp ( jon pertwee ) to drive rumpo out of town .
instead , the rumpo kid shoots the sheriff dead .
therefore , judge burke sends for a law marshall to come in and clean up the city .
due to a misunderstanding , an english sanitary engineer called marshall p .
knutt ( jim dale ) is assigned , without knowing it , as the law marshall for stodge city .
he arrives at the same time as annie oakley ( angela douglas ) who is seeking revenge for her father , the sheriff 's murder .
when marshall arrives at stodge city , he soon becomes aware of the misunderstanding and due to his rather limited intellect , he is manipulated by the rumpo kid and always ends up getting things wrong .
in the end , there is a head - to - head between rumpo and marshall .
with the rumpo 's past experience , it would seem that marshall is out of his depth , but using his sanitary skills and learning the ways of the west from annie oakley , he at least stands some chance !
sid james , with an american accent , is perfect as the rumpo kid , a part which suits him down to the ground .
jim dale provides one of his best carry on performances as the stupid sanitary engineer , and angela douglas is very effective in her role as the revengeful daughter .
other regulars that appear in this movie include charles hawtrey and bernard bresslaw ( in his debut ) as big heap and little heap respectively .
big heap is the local indian leader and the crazy casting of hawtrey for this part is very amusing , as is his performance : - he steals every scene he is in even though he does not enter the film until thirty minutes past .
joan sims provides useful and amusing support as belle , the local bar owner who takes a fancy to the rumpo kid .
however , the part of doc played by peter butterworth and sheriff albert earp played by jon pertwee are not really necessary , and pertwee 's performance is rather poor .
kenneth williams uses a new voice but struggles with the weak part of the ' judge ' .
even so , this carry on
was sid james and kenneth williams ' favourite .
a very different carry on film , in that it is played more seriously by the actors and possesses more realism than any other carry on .
the death count is the highest of any carry on film .
sets , costumes and action sequences are all very commendable .
the songs that are included in the movie ( the title song and annie 's song ) are very impressive .
a strange but therefore very interesting carry on film .
not the best of its kind
but it is certainly the most distinctive film of the series .

Output: P

Input: Consider Input: stars : armand assante ( mike hammer ) , barbara carrera ( dr . charlotte bennett ) , laurene landon ( velda ) , alan king ( charles kalecki ) , geoffrey lewis ( joe butler ) , paul sorvino ( detective pat chambers ) , judson scott ( charles hendricks ) , barry snider ( romero ) , julia barr ( norma childs ) / mpaa rating :
r / review : in the 1982 updating of mickey spillane 's 1947 novel " i , the jury , " hard - boiled detective mike hammer is a vietnam vet who drives a shiny bronze trans am , dresses like don johnson in " miami vice " with less pastels , and has sworn off alcohol .
however , he still smokes his lucky strikes , detests all forms of authority , and kills at a whim .
beyond that , the updated film retains little or no resemblance to the original pulpy page - turner by spillane , probably the most infamous and often reviled of all mystery writers .
the movie starts off with a bang : a howler of an opening credits sequence that is a cheap steal from the james bond series , complete with cheesy graphics and an overbearing jazz score by bill conti ( " rocky " ) .
after that , the movie and the book begin the same , with the murder of jack williams ( frederick downs ) , a one - armed detective and hammer 's best friend .
hammer declares that he will seek vengeance for jack 's death , and with the help of his devoted secretary , the blond and shapely velda ( laurene landon ) , and the alternately friendly / antagonistic police chief pat chambers ( paul sorvino ) , he is immediately on the killer 's trail .
here the movie splits completely from the book , and dives into a convoluted and improbable tale of government conspiracy and mind control tactics involving the mafia , the cia , one of hammer 's vietnam vet buddies , and a kinky sex clinic .
many of the same characters from the book appear in the movie , but they take on slightly different roles .
for instance , charles kalecki ( alan king ) , a numbers runner and narcotics dealer in the book , turns into a suave mob boss .
and , more importantly , hammer 's suspicious love interest , charlotte bennett ( barbara carrera ) , morphs from a run - of - the - mill psychiatrist into the coordinator and founder of the sex clinic .
"
i , the jury " is one of several cinematic renditions of spillane 's books ( including a 1953 version which was made in 3-d ) , but this film differs from those earlier versions in one major way :
it includes all of the sex and violence spillane wrote about that could never be given screen treatment due to hollywood 's production code .
although this takes the 1982 version of " i , the jury " closer to the core of the original subject matter , it is in this aspect that the film received the most criticism , because it took this new license to extremes that many argued surpassed what was in the book .
rest assured , the movie not only includes a great deal of nudity , but it is thoroughly violent , especially toward women .
it features one woman having her neck slashed , a set of twins forced to strip before being stabbed to death by a psychotic sexual deviant programmed by the cia ( judson scott ) , and another woman shot point - blank in the belly by hammer himself .
no one would deny that spillane 's writing has a definite misogynistic nature , but the movie seems to take it a step further by giving it such glorious screen treatment ; its constant equation of sex and violence , much of which is played with the intention of being erotic , is quite unsettling .
it 's no surprise that the movie , like the book , fades to black with a dead woman on the floor .
"
i , the jury " had a troubled production and was not well - supported by the studio that made it , which is one explanation why it did n't do well in theaters and many people have forgotten that it was ever made .
the script was written by larry cohen , who is best known for his creatively cheesy but nonetheless effective monster movies , like " it 's alive " ( 1974 ) and its two sequels , " q " ( 1981 ) , and " the stuff " ( 1985 ) .
cohen wrote the script thinking he was going to helm the project as well , but he was yanked from the director 's chair after only a week 's worth of shooting because he was already $ 100 , 000 over budget .
he was quickly replaced by richard t. heffron , who has worked for the last three decades on a handful of undistinguished movies and dozens of television projects .
heffron was obviously brought in not for his talent , but because he could make the movie rapidly and efficiently .
it shows in the final product .
cohen had personal interest in the updated version of hammer , but heffron has none .
he shot the movie quickly and clumsily , and although some scenes ring true , most of them are flat , trite , and invariably dull .
the movie features numerous car chases , shoot - outs , and stunts , but heffron 's background in television is the dominant tone ; despite the graphic violence and full - frontal nudity , " i , the jury , " takes on the air of a made - for - tv quickie , with no real punch or depth . but the problems in " i , the jury " run deeper than the technical .
the central fault in this updating is mike hammer , whose character was lost in the shuffle while updating from the fifties to the eighties .
because spillane wrote all his hammer mysteries in the first person , hammer 's character is central to the tale because all the events are filtered through his persona .
we never really get that impression in the movie -- there is no first - person voice - over narration and some scenes do n't have hammer in them at all .
consequently , a great deal of the texture of spillane 's storytelling is lost .
the period updating turns out to be a detrimentally bad idea because much of hammer 's moral code is thrown to the wind .
despite his characterization as a hard - nosed , violent , misogynistic killer , hammer always stuck fervently to his own moral code .
the title itself , " i , the jury , " refers to his anti - establishment notion of being his own law .
unlike private eyes who seek out the bad guys and then turn them over the police
, hammer both pursues the criminal and exacts the punishment .
in this way , he can be seen as " above the law , " but he still adheres strictly to her own personal code of conduct , his own morality .
the movie forgoes that aspect of his character , and hammer comes off not only as amoral in society 's terms , but in any terms , especially his own .
if anything , hammer always had his professionalism , but the movie does away with that in the first three minutes by showing him rolling in the sack with the wife of a client who had paid him to find out if that wife was being unfaithful .
maybe the scene was intended for laughs , but it only cheapens hammer 's character and is , by all accounts , a lousy way to start the movie .
the blame for hammer 's character ca n't be laid on assante 's shoulders , because despite some unnecessary marlon brandon - like mumbling , he delivers a fine performance .
spillane never once described hammer 's physical attributes in any
of the dozen books in which he appeared
, so any actor could conceivably portray him .
of course , because of the lack of written description , those who have read spillane 's books will have a strong personal notion of what hammer looks like , and therefore almost any screen incarnation will somehow fall short of expectations ( spillane , who played the character himself in 1963 's
" the girl hunters , " is generally considered the best of the film hammers ) .
the rest of actors are most un - noteworthy .
with the exceptions of alan king and paul sorvino , everyone who appeared in " i , the jury " were up - and - comers who basically went nowhere .
many of them ended up working in television ( like carrera , who had a short stint on " dallas " in the mid - eighties ) , which only adds to the made - for - tv atmosphere of the film .
maybe someday , someone will manage to get the right elements together and make an effective film rendition of a spillane book , but this is certainly not it .

Output: N

Input: Consider Input: the most absurd remake of 1998 ?
it 's a toss up between gus van sant 's psycho and mighty joe young , the new disney picture based on the old rko picture .
( i knew i was in trouble when a polished , computer - generated version of that famous rko logo appeared before the head credits . )
there is no great demand for another giant ape movie - make that ape movie , period .
( witness the quick deaths of buddy , born to be wild and congo . )
and while this latest entry is inoffensive and watchable , it 's also an assembly line product through and through , lacking the charm and unpredictability of the jungle serials that partly inspired it .
theron is jill young : as a young girl in the wilds of africa , she befriended a baby gorilla after both their mothers were slain by poachers .
that baby gorilla ( nicknamed joe ) grows to immense proportions , and adult jill basically bides her time looking after him , playing hide and seek with him and guarding him against poachers .
enter conservationist greg ( paxton ) , who convinces jill to move with joe to california , where they can protect him better in a controlled environment .
joe is restless at first ; no sooner does he finally settle in to the new place than those nasty poachers show up in l . a . , plotting joe 's demise .
suffice it to say , the movie could have been called " joe : ape in the city .
" theron ( so good in devil 's advocate ) and paxton ( so good in the recent a simple plan ) are fine actors , but not fine enough to transcend the material , a paint - by - numbers script from the hack writers of superman iv and mercury rising .
the plot arguably borrows more from steven spielberg 's the lost world than the 1949 original , with the computer - generated t - rex - i mean , joe - wreaking havoc on the busy streets for an encore ; the storytelling becomes especially lazy during this final third , with jill shouting , " look , joe 's headed for the movie theatre ! " followed by a shot of joe scaling mann 's chinese theater ; a moment later , jill shouts again something like " look , joe 's headed for an amusement park ! " and what do you know , there 's joe at the pallisades carnival , scaring the bejesus out of innocent thrillseekers .
the seams of last - minute edits to mighty joe young show - unrelated scenes are patched together with quick dissolves .
the movie sure feels uneven , regardless : act two is underdeveloped , while a little of joe smashing cars in act three goes a long , long way .
underwood ( tremors , speechless ) was perhaps not the director for the job ; even the plentiful , untamed landscape looks dull in his hands .
( capturing the beauty of nature requires more than his point and shoot style . )
i did enjoy certain sequences , especially the demoliton of a black - tie dinner sequence ; and the prologue , however implausible , is touching .
( as a tyke , joe acts just like e .
t . )
rick baker 's make - up effects and puppetry are outstanding , the real star of the show - yet , for all its technical flawlessness , the creature remains too grumpy and homicidal to love .
( his facial expressions are variations on a scowl . ) to be fair , i saw mighty joe young in a cinema packed with wailing children - it 's a wonder i was able to decipher the dialogue .
it 's certainly not a film for very young kids - intense fighting scenes may scare them , while any time joe 's not on camera may bore them to tears .
( note : older boys are more likely to be dazzled by theron 's colourful array of tank tops . )
i suspect bland mighty joe young is passable entertainment for a family outing , but they sure do n't make ?
em like they used to .
Output: N