TASK DEFINITION: Write a question from the passage such that it identifies a character (a person or a thing) in the passage.
PROBLEM: The classic Key West-style house just off Fleming looked much like the rest of the residences on the block - two-story wooden frame walls and peaked roofs with shallow porches nearly butting up against the sidewalk. Chloe's rusting blue Vespa was tucked away beside the house, in the narrow space separating it from the neighbors. To anyone walking by outside, everything looked quiet and peaceful.
Inside, Chloe was pissed. Everything had been going great and then those stupid fuckers had decided to show up a week early, forcing her to scramble to pack a week's work into a single day. She wore a black bandana wrapped around her head, covering her buzz cut pink hair. Numerous smudges of dirt on her cheeks and the tip of her nose testified to the heavy-duty cleaning she'd been doing for the past five hours. She wore loose fitting shorts and a tight-fitting tank top that had once been white. In her bare feet she pushed a mop across the hardwood floors, grumbling to herself.
She heard the door open and looked up to see Paul standing in the doorway. Even though it wasn't his fault, she glared at him as he came in. As much as Chloe liked a clean house, she hated housework, and this wasn't even her house. This particular space was sparsely decorated with just a few worn pieces of furniture and some bad condo art on the walls. After six months of being sealed up tight with the air conditioner off, it smelled of dust and mildew and needed a good airing out.
"What are you doing?" asked Paul, closing the door behind him.
"Mopping," she said, her voice flat.
"Right. But why are you mopping here? Whose house is this anyway?"
"It's one we just added to the roster last week. The cleaning service hasn't had a chance to get in here yet."
"I see that," said Paul. "So why're you cleaning it tonight?"
"We're cleaning it tonight because the Guidarizzi's decided to make a surprise visit to their winter home in Key West. They're coming in tomorrow afternoon. Every other decent place is filled up, so we have to use this one instead."

SOLUTION: Who is cleaning?

PROBLEM: Think outside the box, whilst inside the box (studio):
As this studio is about working with constraints, I thought i'd google 'constraints in filmmaking' and see what comes up. One of the first links was to a journal article by Heidi Philipsen entitled 'Constraints in Film Making Processes Offer an Exercise to the Imagination'. Interestingly enough the first sentence of her article states: "I would like filmmakers interested in thinking "outside the box" to recognize that they can benefit from being placed "inside a box." I wonder if Paul had contemplated this whilst choosing the name for this studio.
Throughout her article Philipsen challenges the notion that creativity is an intangible innate quality, existing within the mind of one source, but rather creativity arises from a multitude of sources. Alike all things shared she suggests that creativity is easier to enhance by changing environmental conditions, rather than encouraging people to 'think more creatively'. Perceiving creativity in this way allows you to see it as an organisationally influenced phenomenon, rather than a psychological and individual phenomenon. Which enables you to have more control over creativity and to encourage creativity once being aware of how it can be environmentally enhanced. As Csikzentmihalyi (1996) states "a genuinely creative accomplishment is almost never the result of a sudden insight, a lightbulb flashing on in the dark, but comes after years of hard work".
Constraints, as Philipsen suggests is one such way to manipulate the environment to enhance creativity. Students who attended The Film School in Denmark, who were forced into working with constraints for their projects eventually considered constraints to be both useful and inspirational. Such constraints included: making a scene with a specific theme, within a specific deadline and with other specific conditions concerning the use of camera, sound, actors etc. Students stated that these constraints ultimately made them feel secure, inspired and focused and encouraged them to become more experimental as each student wanted to make their own 'personal film' and not the same kind of film as each of the other students. As many students stated it would have been much more difficult to make a film WITHOUT constraints than with. For it would have increased both the overwhelming options and the associated anxiety.

SOLUTION: Who ate the cake

PROBLEM: SINGAPORE What now? That is the question from the White House in Washington to the Blue House in Seoul and perhaps also inside the Ryongsong Residence in Pyongyang.
Following the historic handshake here between a U.S. president and a North Korean leader, who inked their names to a document with vague but compelling promises, the question emanating from Sentosa's Capella Hotel was what will actually change on the Korean peninsula?
Moments after the summit between Donald Trump and North Korea's Kim Jong Un concluded, VOA contributor Greta Van Susteren and I spent a few minutes with the U.S. president and his secretary of state, at the Capella.
Trump was elated and within the hour would make a surprising announcement suspending "provocative" joint U.S.-South Korean drills on the Korean peninsula.
"We had a great chemistry," the president, speaking to Van Susteren, said of himself and Kim. "We will do business."
Secretary of State Mike Pompeo told us, "it's a great day."
The president has essentially handed off to Pompeo the hard work of turning a sparse declaration on denuclearization into something truly transformative. Many will question whether Pompeo, who a decade ago was running an oilfield equipment company, is truly the man for the task.
In Pompeo's background, however, are indications of his capabilities: First in his class at the U.S. Military Academy, time served on the House of Representative's intelligence committee, a brief stint as director of the Central Intelligence Agency and two meetings with Kim in Pyongyang. Perhaps he is now as astute as any American official on piecing together the Pyongyang puzzle.
This correspondent an observer of the Korean peninsula over five decades, resident in Seoul for several years and once given the opportunity to frankly converse for a week (in 2013) in the North with KPA officers has gleaned some insight into the world's most reclusive state.
Rarely can any collection of a few hundred words adequately encapsulate the geo-political conundrum. It is difficult for an outsider to fathom the deep emotional yearning of Koreans on both sides of the 38th parallel for reunification despite the vast ideological divide.

SOLUTION:
Who inked their names to a document with vague but compelling promises?