Problem: Travis are a Scottish rock band formed in Glasgow in 1990, composed of Fran Healy (lead vocals, rhythm guitar), Dougie Payne (bass guitar, backing vocals), Andy Dunlop (lead guitar, banjo, backing vocals) and Neil Primrose (drums, percussion). The band's name comes from the Harry Dean Stanton character Travis Henderson from the film Paris, Texas. The band is widely claimed by the media as having paved the way for other bands such as Keane and Coldplay to go onto achieve worldwide success throughout the 2000s, particularly through the band's The Man Who (1999) album. The band released their debut album, Good Feeling (1997) to moderate success where it debuted at number nine on the UK Albums Chart and went onto achieve a silver certification from the BPI in January 2000.

The band that would become Travis was formed by brothers Chris Martyn (bass) and Geoff Martyn (keyboards) along with Simon Jarvis (drums). Andy Dunlop, a school friend at Lenzie Academy, was drafted in on guitar. The line-up was completed by a female vocalist, Catherine Maxwell, and the band's name became "Glass Onion", after the Beatles song of the same name. Neil Primrose joined to replace Jarvis. Parting company with their singer in the spring of 1991, they auditioned for a new vocalist. Having met each other through Primrose pouring him a pint, an untrained art student, Fran Healy, then joined after being invited to audition by Primrose. Healy joined the band on the day he enrolled at The Glasgow School of Art, in the autumn of 1991. Two years later, with the option of music holding more appeal, Healy dropped out of art school, and inspired by songwriters such as Joni Mitchell, assumed songwriting responsibilities. With brothers Chris and Geoff Martyn on bass and keyboards, in 1993, the fivesome released a privately made CD, The Glass Onion EP, featuring the tracks "Dream On", "The Day Before", "Free Soul" and "Whenever She Comes Round". 500 copies of the EP were made and were recently valued at PS1000 each. Other songs they recorded but were left off are "She's So Strange" and "Not About to Change". The band won a talent contest organised by the Music in Scotland Trust, who promised PS2,000 so that Travis could deal-hunt at a new music seminar in New York. Two weeks before they were due to leave, however, the prize was instead given to the Music in Scotland Trust Directory. When sent a copy of the directory, the band noticed that it seemed to feature every single band in Scotland--except for them. The band showed promise but had yet to evolve into a decent line-up capable of fulfilling it and spent several years treading water. According to their publisher Charlie Pinder: "They were a band that everyone in the A&R community knew about and would go and see every now and then. But they weren't very good. They had quite good songs; Fran always did write good songs." While on a visit to Scotland, American engineer and producer Niko Bolas, a long-time Neil Young and Rolling Stones associate, tuned into a Travis session on Radio Scotland, and heard something in the band's music which instantly made him travel to Perth to see them. Healy: "He told us we were shit, took us in the studio for four days, and taught us how to play properly, like a band. He was ballsy, rude, and New York pushy. He didn't believe my lyrics and told me to write what I believed in and not tell lies. He was Mary Poppins, he sorted us out." The band recorded a five-song demo, which included the song "All I Want to Do Is Rock".

did it have any singles?

Answer with quotes: The Glass Onion EP, featuring the tracks "Dream On", "The Day Before", "Free Soul" and "Whenever She Comes Round

Question:
Alexander Bell was born in Edinburgh, Scotland, on March 3, 1847. The family home was at 16 South Charlotte Street, and has a stone inscription marking it as Alexander Graham Bell's birthplace. He had two brothers: Melville James Bell (1845-70) and Edward Charles Bell (1848-67), both of whom would die of tuberculosis. His father was Professor Alexander Melville Bell, a phonetician, and his mother was Eliza Grace (nee Symonds).
His father encouraged Bell's interest in speech and, in 1863, took his sons to see a unique automaton developed by Sir Charles Wheatstone based on the earlier work of Baron Wolfgang von Kempelen. The rudimentary "mechanical man" simulated a human voice. Bell was fascinated by the machine and after he obtained a copy of von Kempelen's book, published in German, and had laboriously translated it, he and his older brother Melville built their own automaton head. Their father, highly interested in their project, offered to pay for any supplies and spurred the boys on with the enticement of a "big prize" if they were successful. While his brother constructed the throat and larynx, Bell tackled the more difficult task of recreating a realistic skull. His efforts resulted in a remarkably lifelike head that could "speak", albeit only a few words. The boys would carefully adjust the "lips" and when a bellows forced air through the windpipe, a very recognizable "Mama" ensued, to the delight of neighbours who came to see the Bell invention. Intrigued by the results of the automaton, Bell continued to experiment with a live subject, the family's Skye Terrier, "Trouve". After he taught it to growl continuously, Bell would reach into its mouth and manipulate the dog's lips and vocal cords to produce a crude-sounding "Ow ah oo ga ma ma". With little convincing, visitors believed his dog could articulate "How are you, grandma?" Indicative of his playful nature, his experiments convinced onlookers that they saw a "talking dog". These initial forays into experimentation with sound led Bell to undertake his first serious work on the transmission of sound, using tuning forks to explore resonance. At age 19, Bell wrote a report on his work and sent it to philologist Alexander Ellis, a colleague of his father (who would later be portrayed as Professor Henry Higgins in Pygmalion). Ellis immediately wrote back indicating that the experiments were similar to existing work in Germany, and also lent Bell a copy of Hermann von Helmholtz's work, The Sensations of Tone as a Physiological Basis for the Theory of Music. Dismayed to find that groundbreaking work had already been undertaken by Helmholtz who had conveyed vowel sounds by means of a similar tuning fork "contraption", Bell pored over the German scientist's book. Working from his own erroneous mistranslation of a French edition, Bell fortuitously then made a deduction that would be the underpinning of all his future work on transmitting sound, reporting: "Without knowing much about the subject, it seemed to me that if vowel sounds could be produced by electrical means, so could consonants, so could articulate speech." He also later remarked: "I thought that Helmholtz had done it ... and that my failure was due only to my ignorance of electricity. It was a valuable blunder ... If I had been able to read German in those days, I might never have commenced my experiments!"
Answer this question using a quote from the text above:

what did it sound like?

Answer:
The boys would carefully adjust the "lips" and when a bellows forced air through the windpipe, a very recognizable "Mama" ensued,