Problem: O'Keeffe was born on November 15, 1887, in a farmhouse located at 2405 Hwy T in the town of Sun Prairie, Wisconsin. Her parents, Francis Calyxtus O'Keeffe and Ida (Totto) O'Keeffe, were dairy farmers. Her father was of Irish descent. Her maternal grandfather George Victor Totto, for whom O'Keeffe was named, was a Hungarian count who came to the United States in 1848.

O'Keeffe then spent part of nearly every year working in New Mexico. She collected rocks and bones from the desert floor and made them and the distinctive architectural and landscape forms of the area subjects in her work. Known as a loner, O'Keeffe explored the land she loved often in her Ford Model A, which she purchased and learned to drive in 1929. She often talked about her fondness for Ghost Ranch and Northern New Mexico, as in 1943, when she explained: "Such a beautiful, untouched lonely feeling place, such a fine part of what I call the 'Faraway'. It is a place I have painted before ... even now I must do it again." Due to exhaustion and poor health, she did not work from late 1932 until about the mid-1930s. She was a popular and reputed artist. She received a number of commissions and her works were exhibited in New York and other places. In 1936, she completed what would become one of her most well-known paintings, Summer Days, in 1936. It depicted a desert scene with a deer skull with vibrant wildflowers. Resembling Ram's Head with Hollyhock, it depicted the skull floating above the horizon. In 1938, the advertising agency N. W. Ayer & Son approached O'Keeffe about creating two paintings for the Hawaiian Pineapple Company (now Dole Food Company) to use in their advertising. Other artists who produced paintings of Hawaii for the Hawaiian Pineapple Company's advertising include Lloyd Sexton, Jr., Millard Sheets, Yasuo Kuniyoshi, Isamu Noguchi, and Miguel Covarrubias. The offer came at a critical time in O'Keeffe's life: she was 51, and her career seemed to be stalling (critics were calling her focus on New Mexico limited, and branding her desert images "a kind of mass production"). She arrived in Honolulu February 8, 1939 aboard the SS Lurline, and spent nine weeks in Oahu, Maui, Kauai, and the island of Hawaii. By far the most productive and vivid period was on Maui, where she was given complete freedom to explore and paint. She painted flowers, landscapes, and traditional Hawaiian fishhooks. Back in New York, O'Keeffe completed a series of 20 sensual, verdant paintings. However, she did not paint the requested pineapple until the Hawaiian Pineapple Company sent a plant to her New York studio. During the 1940s O'Keeffe had two one-woman retrospectives, the first at the Art Institute of Chicago (1943). Her second was in 1946, when she was the first woman artist to have a retrospective at the Museum of Modern Art (MoMA) in Manhattan. Whitney Museum of American Art began an effort to create the first catalogue of her work in the mid-1940s. In the 1940s, O'Keeffe made an extensive series of paintings of what is called the "Black Place", about 150 miles west of her Ghost Ranch house. O'Keeffe said that the Black Place resembled "a mile of elephants with gray hills and white sand at their feet." She made paintings of the "White Place", a white rock formation located near her Abiquiu house.

What happen in New Mexico

Answer with quotes: O'Keeffe then spent part of nearly every year working in New Mexico.

Question:
Kevin Jeffrey Clash (born September 17, 1960) is an American puppeteer, director and producer whose characters include Elmo, Clifford, Benny Rabbit, and Hoots the Owl. Clash developed an interest in puppetry at an early age and began performing for local TV children's shows in his hometown of Baltimore, Maryland, as a teenager. In the early 1980s, he began working in Captain Kangaroo and began performing in Sesame Street in 1984. He was the fifth puppeteer to perform Elmo, the character he became the most famous for and became an executive producer and director for the show.
Captain Kangaroo was cancelled in 1984 after 29 seasons, and Great Space Coaster ended, freeing up Clash to work on projects with Henson such as the film Labyrinth and Sesame Street. Clash started working at Sesame Street for ten episodes in 1983, mostly performing nondescript, stand-in puppets known as Anything Muppets. Some of his earliest characters included the saxophone-playing Hoots the Owl (based on Louis Armstrong), the infant Baby Natasha, and inventor Dr. Nobel Price. After 1985, Elmo, a furry red monster, became his main character. Four puppeteers, including Richard Hunt, had performed Elmo previously, but it was Clash's development, with a falsetto voice, that established the character. He based Elmo's character on the preschool children that attended his mother's daycare in Baltimore and upon his own personality and the personality of his parents. Clash followed the advice of fellow puppeteer Frank Oz, who told Clash to always "find one special hook" for each character. Clash decided that the central characteristic for Elmo should be that he "should represent love". After the height of Elmo's popularity, especially the "Tickle Me Elmo" craze in 1996, Clash's responsibilities at Sesame Street increased. He recruited, auditioned, and trained its puppeteers, and became the senior Muppet coordinator, a writer, director, and co-producer of the "Elmo's World" segment of the show. Clash worked with and mentored the puppeteers of Sesame Street's international co-productions. He found working with the co-productions "a lot of fun" and "very rewarding". He worked on the 1985 feature film Follow That Bird. In 2007, he was promoted to senior creative adviser for the Sesame Workshop. Until 2011, he was the sole performer as Elmo in all his public relations appearances, making his schedule, as he called it, "crazy". Cheryl Henson, president of the Jim Henson Foundation, called him "essential" to the show. Clash worked on the first film version of Teenage Mutant Ninja Turtles, in 1990 and the sequel, Teenage Mutant Ninja Turtles II: The Secret of the Ooze, which was dedicated to Henson, in 1991, voicing Master Splinter. He performed in several productions with Jim Henson Productions, including as the Muppet Clifford in The Jim Henson Hour (1989), and performing the puppetry for Frank Oz's characters (Miss Piggy, Fozzie Bear, Sam the Eagle, and Animal) in Muppet Treasure Island (1996). Clash performed in the films Muppets from Space (1999) and The Muppets' Wizard of Oz (2005), and the TV series Muppets Tonight (1996--1998), in which he reprised Clifford, who served as the show's host. He performed characters and worked behind the scenes on the sitcom Dinosaurs. In 1999, Clash worked on a film starring Elmo, The Adventures of Elmo in Grouchland. In 2006, Clash published his autobiography, co-written by Gary Brozek and Louis Henry Mitchell, entitled My Life as a Furry Red Monster: What Being Elmo Has Taught Me About Life, Love and Laughing Out Loud. His life was featured in the 2011 documentary Being Elmo: A Puppeteer's Journey.
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has he done anything that does not involve puppets?

Answer:
Clash worked on the first film version of Teenage Mutant Ninja Turtles, in 1990 and the sequel, Teenage Mutant Ninja Turtles II: The Secret of the Ooze,