Background: The Sweet (also known as Sweet) is a British glam rock band that rose to worldwide fame in the 1970s. Their best known line-up consisted of lead vocalist Brian Connolly, bass player Steve Priest, guitarist Andy Scott, and drummer Mick Tucker. The group was originally called Sweetshop. The band was formed in London in 1968 and achieved their first hit, "Funny Funny", in 1971 after teaming up with songwriters Nicky Chinn and Mike Chapman and record producer Phil Wainman.
Context: The Sweet made their UK television debut in December 1970 on a pop show called Lift Off, performing the song "Funny Funny". A management deal was signed with the aforementioned songwriting team of Nicky Chinn and Mike Chapman. Phil Wainman resumed his collaboration with Sweet, as executive producer. This management deal also included a worldwide (the U.S. excepted) record contract with RCA Records (in the United States and Canada Bell Records issued the group's music until late 1973; followed by Capitol Records). In March 1971 RCA issued "Funny Funny", written by Chinn and Chapman, which became the group's first international hit, climbing to the Top 20 on many of the world's charts. EMI reissued their 1970 single "All You'll Ever Get from Me" (May 1971) and it again failed to chart. Their next RCA release "Co-Co" (June 1971) went to number two in the U.K. and their follow up single, "Alexander Graham Bell" (October 1971), only went to #33. These tracks still featured session musicians on the instruments with the quartet providing only the vocals. The Sweet's first full LP album, Funny How Sweet Co-Co Can Be, was released in November 1971. A collection of the band's recent singles supplemented by some new Chinn/Chapman tunes (including "Chop Chop" and "Tom Tom Turnaround") and pop covers (such as the Lovin' Spoonful's "Daydream" and the Supremes' "Reflections"), the album, recorded at Nova Studios in London, was produced by Phil Wainman and engineered by Richard Dodd and Eric Holland. It was not a serious contender on the charts. Their albums' failure to match the success of their singles was a problem that would plague the band throughout their career.
Question: What other singles topped the chart?
Answer: Chop Chop" and "Tom Tom Turnaround") and pop covers (such as the Lovin' Spoonful's "Daydream"

Background: Sir Curtly Elconn Lynwall Ambrose, KCN (born 21 September 1963) is a former cricketer from Antigua who played 98 Test matches for the West Indies. A fast bowler, he took 405 Test wickets at an average of 20.99 and topped the ICC Player Rankings for much of his career to be rated the best bowler in the world. His great height--he is 6 feet 7 inches (2.01 m) tall--allowed him to make the ball bounce unusually high after he delivered it; allied to his pace and accuracy, it made him a difficult bowler for batsmen to face. A man of few words during his career, he was notoriously reluctant to speak to journalists.
Context: During the 1991-92 season, West Indies played mainly one-day cricket, taking part in tournaments in Sharjah--where Ambrose took seven wickets, including an analysis of five for 53--and Australia, and took part in the World Cup in Australia and New Zealand. In this tournament, Ambrose took seven wickets in seven games at an average of 33.57 and was the seventh most economical bowler among those who played more than one game. West Indies finished sixth in the qualifying table and failed to reach the semi-finals. Ambrose returned home to play twice for the Leeward Islands in January 1992. In April 1992, South Africa toured West Indies for the first time, and played their first Test match for 22 years. Ambrose played in all three ODIs, all of which were won by West Indies. The Test match was the first time West Indies bowled under a new playing regulation which permitted only one bouncer per over; this seemed to affect the home bowlers, but Ambrose took two for 47 from 36 overs. South Africa began the final day of the match requiring 79 runs to win with just two batsmen out, but Ambrose and Courtney Walsh took the last eight wickets for 26 runs to bowl West Indies to a 52-run win. On a difficult pitch for batting, the ball bounced unevenly, and both bowlers concentrated on accuracy. Ambrose took six for 34 in the second innings, and was named joint man of the match; in just over 60 overs, he took eight for 81 in the match. Returning to play for Northamptonshire, he was less effective. Hampered by a knee injury, which necessitated surgery after the English season, and suffering from many dropped catches, he took 50 first-class wickets at an average of 26.14, but his performance compared unfavourably with other bowlers on the team. He was more effective in the NatWest Trophy, a one-day competition that Northamptonshire won that season, in which he conceded fewer than two runs per over across five games.
Question: Did his team ever win any awards?
Answer: He was more effective in the NatWest Trophy,

Background: Miriam Johnson was born in 1943 in Phoenix, Arizona and raised in a strict Pentecostal home. Her mother was a Pentecostal preacher and her father was a race-car driver. At age 11, Colter became the pianist at her church. After graduating from Mesa High, Ariz. in 1961, she began singing in local clubs in Phoenix.
Context: In 1981, Colter and her husband returned to release a duet album entitled Leather and Lace. The album's first single, "Storms Never Last," was written by Colter, and the second single, "The Wild Side of Life"/"It Wasn't God Who Made Honky Tonk Angels," was also a major hit in 1981, peaking at No. 10 on the Billboard Country Chart. The album was certified Gold in sales by the RIAA that year, Colter's second RIAA-certified album to date. Stevie Nicks wrote the title track of the album; however, after receiving word that Colter and Jennings might divorce, Nicks released her own version of the song as a duet with Don Henley. It peaked at No. 6 on Pop chart, also in 1981. Also in 1981 Colter released her final studio album on Capitol records, Ridin' Shotgun, which also spawned Colter's last charting single on the country charts, "Holdin' on." As the decade progressed, Colter's success began to decline. She released an album in 1984 on the Triad label titled Rock and Roll Lullaby, produced by Chips Moman. However, in the later years of the decade, she decided to let her recording career decline in order to help take care of and nurse her husband through his drug abuse and various medical problems. She remained active during this time. In the early 1990s, she focused her attention on performing and released an album of children's music titled Jessi Colter Sings Just for Kids: Songs from Around the World in early 1996. It featured a guest appearance by Jennings, who recited some of his poetry for the video. In 2000, Colter performed on Jennings's live album Never Say Die, released two years before his death in 2002, at age 64.
Question: Did something happen later in her music career?
Answer:
In 1981, Colter and her husband returned to release a duet album entitled Leather and Lace.