IN: The Fall were an English post-punk band, formed in 1976 in Prestwich, Greater Manchester. They underwent many line up changes, with vocalist and founder Mark E. Smith as the only constant member. The Fall's long term musicians have included drummers Paul Hanley and Karl Burns; guitarists Marc Riley, Craig Scanlon and Brix Smith; and bassist Steve Hanley, whose melodic, circular bass lines are widely credited with shaping the band's sound from the early 1980s to the late-1990s. First associated with the late 1970s punk movement, the Fall's music underwent numerous stylistic changes, often concurrently with changes in the group's lineup.

In 1983, Rough Trade Records released the Fall's ninth single, "The Man Whose Head Expanded", and on 19 September issued the band's tenth single and double pack "Kicker Conspiracy". Bizarrely, in November Kamera Records released around two- to three-thousand copies of the planned 1982 single "Marquis Cha Cha", the release date having been put back due to Kamera's financial troubles in late 1982, making it the Fall's eleventh single issue. That year Smith's American girlfriend and later wife, Brix Smith joined the band on guitar. Born Laura Elise Salenger, she was nicknamed after the track "The Guns of Brixton" by the Clash, a favourite song of hers. Brix's tenure in the group marked a shift towards the relatively conventional, with the songs she co-wrote often having strong pop hooks and more orthodox verse-chorus-verse structures. Additionally, Brix's keen sense of fashion gradually influenced the group's members to give more attention to their clothing and styling--but her platinum blonde hair and glamorous style were always somewhat at odds to the otherwise working class appearance of the Fall. Brix's first live appearance with the Fall was on Wednesday, 21 September 1983 at the Hellfire Club, Wakefield. Perverted by Language, released 5 December, was the Fall's final album for Rough Trade Records, but the first to feature Brix. Also released in December was the live album In a Hole, recorded during the Fall's tour of New Zealand in 1982, on Flying Nun Records. This era, a favourite period amongst many critics and fans, was marked by Brix's effort to find a wider audience for the Fall. They achieved a few modest UK hits with singles -- including their versions of R. Dean Taylor's "There's a Ghost in My House" (no.30, 1987) and the Kinks' "Victoria" (no. 35, 1988) and their own songs "Hey! Luciani" (no.59, 1986) and "Hit the North" (no.57, 1987) -- and enjoyed a string of critically acclaimed albums: The Wonderful and Frightening World of The Fall (1984), This Nation's Saving Grace (1985), Bend Sinister (1986) and The Frenz Experiment (1988). I Am Kurious, Oranj is notable as the fruit of a ballet project between Smith and dancer Michael Clark. Simon Rogers and later Marcia Schofield played keyboards, and Simon Wolstencroft replaced Burns on drums after This Nation's Saving Grace. Wolstencroft's playing also shifted the group's sound; his drumming was described as "nimble" and "funky" when compared to Burns. In 2014 Wolstencroft published a memoir You Can Drum But You Can't Hide about his 11-year stint in the Fall.

were the songs succesful?

OUT:

IN: Bjorn Borg was born in Stockholm, Sweden, on 6 June 1956, as the only child of Rune and Margaretha Borg. He grew up in nearby Sodertalje. As a child, Borg became fascinated with a golden tennis racket that his father won at a table-tennis tournament. His father gave him the racket, beginning his tennis career.

Borg had one of the most distinctive playing styles in the Open Era. He played from the baseline, with powerful ground-strokes. His highly unorthodox backhand involved taking his racket back with both hands but actually generating his power with his dominant right hand, letting go of the grip with his left hand around point of contact, and following through with his swing as a one-hander. He hit the ball hard and high from the back of the court and brought it down with considerable topspin, which made his ground strokes very consistent. There had been other players, particularly Rod Laver and Arthur Ashe, who played with topspin on both the forehand and backhand, yet Laver and Ashe used topspin only as a way to mix up their shots to pass their opponents at the net easily. Borg was one of the first top players to use heavy topspin on his shots consistently. Complementing his consistent ground-strokes was his fitness. Both of these factors allowed Borg to be dominant at the French Open. One of the factors that made Borg unique was his dominance on the grass courts of Wimbledon, where baseliners since World War II did not usually succeed. Some experts attributed his dominance on this surface to his consistency, an underrated serve, equally underrated volleys, and his adaptation to grass courts. Against the best players, he almost always served-and-volleyed on his first serves (but he naturally played from the baseline after his second serves). Another trait usually associated with Borg is his grace under pressure. His calm court demeanor earned him the nickname of the "Ice Man" or "Ice-Borg." Borg's physical conditioning was legendary and unrivalled. He could outlast most of his opponents under the most grueling conditions. Contrary to popular belief, however, this wasn't due to his exceptionally low resting heart rate, often reported to be near 35 beats per minute. In his introduction to Borg's autobiography My Life and Game, Eugene Scott relates that this rumor arose from a medical exam the 18-year-old Borg once took for military service, where his pulse was recorded as 38. Scott goes on to reveal Borg's true pulse rate as "about 50 when he wakes up and around 60 in the afternoon." Borg is credited with helping to develop the style of play that has come to dominate the game today.

What made his style different?

OUT:
His highly unorthodox backhand involved taking his racket back with both hands but actually generating his power with his dominant right hand,