input: Please answer the following: Given the below context: Tchaikovsky played the finale of his Second Symphony, subtitled the Little Russian, at a gathering at Rimsky-Korsakov's house in Saint Petersburg on January 7, 1873, before the official premiere of the entire work. To his brother Modest, he wrote, "[T]he whole company almost tore me to pieces with raptureand Madame Rimskaya-Korsakova begged me in tears to let her arrange it for piano duet". Rimskaya-Korsakova was a noted pianist, composer and arranger in her own right, transcribing works by other members of the kuchka as well as those of her husband and Tchaikovsky's Romeo and Juliet. Borodin was present and may have approved of the work himself. Also present was Vladimir Stasov. Impressed by what he had heard, Stasov asked Tchaikovsky what he would consider writing next, and would soon influence the composer in writing the symphonic poem The Tempest.What endeared the Little Russian to the kuchka was not simply that Tchaikovsky had used Ukrainian folk songs as melodic material. It was how, especially in the outer movements, he allowed the unique characteristics of Russian folk song to dictate symphonic form. This was a goal toward which the kuchka strived, both collectively and individually. Tchaikovsky, with his Conservatory grounding, could sustain such development longer and more cohesively than his colleagues in the kuchka. (Though the comparison may seem unfair, Tchaikovsky authority David Brown has pointed out that, because of their similar time-frames, the finale of the Little Russian shows what Mussorgsky could have done with "The Great Gate of Kiev" from Pictures at an Exhibition had he possessed academic training comparable to that of Tchaikovsky.) Guess a valid title for it!
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output: Pyotr Ilyich Tchaikovsky and The Five
Please answer this: Given the below context: Silverchair were an Australian rock band, which formed in 1992 as Innocent Criminals in Merewether, Newcastle with the line-up of Ben Gillies on drums, Daniel Johns on vocals and guitars, and Chris Joannou on bass guitar. The group got their big break in mid-1994 when they won a national demo competition conducted by SBS TV show Nomad and ABC radio station, Triple J. The band was signed by Murmur, and were successful on the Australian and international rock stages. During their career, Silverchair won more ARIA Music Awards than any other artist in history with 21 wins from 49 nominations. The band have also received six APRA Awards with Johns winning three songwriting awards at the 2008 ceremony. All five of their studio albums have debuted at number-one on the ARIA Albums Chart: Frogstomp (1995), Freak Show (1997), Neon Ballroom (1999), Diorama (2002) and Young Modern (2007). Three of the group's singles have reached number-one on the related ARIA Singles Chart: "Tomorrow" (1994), "Freak" (1997) and "Straight Lines" (2007). Silverchair's alternative rock sound had evolved throughout their career, differing styles on specific albums steadily growing more ambitious over the years, from grunge on their debut to more recent work displaying orchestral and art rock influences. The songwriting and singing of Johns had evolved steadily while the band had developed an increased element of complexity. In 2003, following the release of Diorama, the band announced a hiatus, during which time members recorded with side projects The Dissociatives, The Mess Hall, and Tambalane. Silverchair were reunited at the 2005 Wave Aid concerts. In 2007, they released their fifth album, Young Modern, and played the Across the Great Divide tour with contemporaries Powderfinger. In May 2011, Silverchair announced an indefinite hiatus. As of January 2019, Silverchair have sold over 10 million albums worldwide. Guess a valid title for it!
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Answer: Silverchair
input question: Given the below context: In the Paris Zoo, Penelope Pussycat is starving and tries to beg the local zookeeper to give her some of the lions' food but he gently, though firmly, refuses. She then deliberately paints a white stripe on her back, disguising herself as a skunk, so as to be fed. The ploy works, but unfortunately for Penelope, she is discovered by Pepe, who immediately mistakes her for "le petite femme skunk" and pursues her affections. Suddenly however, Pepe remembers his plan of a rendezvous. He sets up a makeshift house, serving Penelope champagne. She escapes Pepe, who (of course,) pursues, believing her to be playing the "lovers' chase", to which he obliges. While looking for Penelope, he (unintentionally) scares off a French Poodle in the process. He later finds Penelope near a corner, and she hits him with a mallet. Pepe recovered from the blow and called her a "Flirt." Pepe follows his "lover" into a tunnel of love, but at the other side, he is smooching and hugging a dumbfounded man, mistaking him for Penelope. Once Pepe realizes he got the wrong person, he angrily declares that the man shall hear from his "second", to which the man (mechanically) replies by joining the French Foreign Legion and saluting before fainting. Penelope climbs a wall, running into Pepe once more, who acts like Maurice Chevalier, singing "Babyface" in an attempt to woo her. When that didn't quite work, he pursues her across Paris and caught her, and then Pepe dances with Penelope in a forceful French Apache dance, but she instinctively bashes him over the head with a club. Pepe was seeing multiple Penelopes in a daze, saying that one may remain, while the rest of them, another day. But, just as the chase was about to resume, the zookeeper then finally catches Pepe, who regretfully waves goodbye to Penelope, and is soon put back in his cage. It may turn out to be a headache for Pepe, but he closes the cartoon saying with a simple, "Vive l'amour." Guess a valid title for it!???
output answer:
Scentimental Romeo