Problem: Irving Grant Thalberg (May 30, 1899 - September 14, 1936) was an American film producer during the early years of motion pictures. He was called "The Boy Wonder" for his youth and ability to select scripts, choose actors, gather production staff, and make profitable films, including Grand Hotel, China Seas, Camille, Mutiny on the Bounty, and The Good Earth. His films carved out an international market, "projecting a seductive image of American life brimming with vitality and rooted in democracy and personal freedom," states biographer Roland Flamini.

He found work as an office secretary at Universal Pictures' New York office, and later became personal secretary to the studio's founder and president, Carl Laemmle. Among Thalberg's duties were transcribing and editing notes that Laemmle had written during screenings of his films. He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle. Laemmle took Thalberg to see his Los Angeles production facility, where he spent a month watching how movie production worked. Before returning to New York, Laemmle told Thalberg to remain and "keep an eye on things for me." Two months later, Laemmle returned to California, partly to see how well Thalberg was able to handle the responsibilities he was given. Thalberg gave him suggestions, which impressed Laemmle by his ability to understand and explain problems. Thalberg suggested, "The first thing you should do is establish a new job of studio manager and give him the responsibility of watching day-to-day operations." Laemmle immediately agreed, "All right. You're it." In shock, Thalberg replied, "I'm what?" Laemmle told him to take charge of the Los Angeles studio, which he did in early 1919. At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions and nearly thirty scenarios then under development. In describing the rationale for this early appointment as studio manager, film historian David Thomson writes that his new job "owed nothing to nepotism, private wealth, or experience in the film industry." He reasons that despite "Thalberg's youth, modest education, and frail appearance . . . it is clear that he had the charm, insight, and ability, or the appearance of it, to captivate the film world." Thalberg was one among the majority of Hollywood film industry workers who migrated from the East Coast, primarily from New York. Some film actors, such as Conrad Nagel, did not like the 5-day train trip or the sudden warmth of the California climate. Neither did Marion Davies, who was not used to such "big wide spaces." Samuel Marx, a close friend of Thalberg's from New York, recalled how easily Thalberg adapted to Southern California, often standing outside his doorway during moments of contemplation to enjoy the scenery. "We were all young," said comedian Buster Keaton. "The air in California was like wine. Our business was also young--and growing like nothing ever seen before."

Did he have other jobs with universal?

Answer with quotes: later became personal secretary to the studio's founder and president, Carl Laemmle.

Problem: Francis "Frank" Hague, born in Jersey City, was the fourth of eight children to John D. and Margaret Hague (nee Fagen), immigrants from County Cavan, Ireland. He was raised in Jersey City's Second ward, an area known as The Horseshoe due to its shape which wrapped around a railroad loop. The ward was created when the Republican-controlled legislature gerrymandered a district within Jersey City in 1871 to concentrate and isolate Democratic, and mostly Catholic, votes. By age 14, Hague was expelled from school prior to completing the sixth grade for poor attendance and unacceptable behavior.

Hague's use of voter fraud is the stuff of legend. In 1937, for instance, Jersey City had 160,050 registered voters, but only 147,000 people who were at least 21 years old--the legal voting age. In 1932, Governor Moore appointed a lawyer named Thomas J. Brogan, who had served as Hague's personal attorney in corruption hearings, to an associate Justice seat on the state's Supreme Court. Less than a year later Brogan was named as Chief Justice. In at least two instances of alleged voting fraud in the 1930s (Ferguson v. Brogan, 112 N.J.L. 471; Clee v. Moore, 119 N.J.L. 215; In re Clee, 119 N.J.L. 310), Brogan's court issued extraordinary rulings in favor of the Democratic machine, in one case asserting that the district superintendent of elections had no authority to open ballot boxes, and in another case ruling that the boxes could be opened, but no one had the right to look inside. Brogan also assigned himself to the Hudson County jurisdiction, thereby controlling the local grand jury process and squelching other election fraud cases. Although Hague, like other political bosses of the time, was not above outright fraud at the polls, the keys to Hague's success were his matchless organizational skills and demand for complete loyalty from his subordinates. His command over the Democratic voters of Hudson County, a densely populated urban area in a state that was still mostly rural, made him a man to reckon with among state Democrats and Republicans alike. He was a close friend of Al Smith, the New York governor who would become the first Irish-American presidential candidate in 1928. In addition, Hague's support of Roosevelt for President was rewarded with a steady stream of perks that sustained Hague's organization throughout the Depression.

Did he coerce voters?

Answer with quotes: His command over the Democratic voters of Hudson County, a densely populated urban area in a state that was still mostly rural, made him a man to reckon with

Problem: Mark Romanek (born September 18, 1959) is an American filmmaker whose directing work includes feature films, television, music videos and commercials. Romanek wrote and directed the 2002 film One Hour Photo and directed the 2010 film Never Let Me Go. His most notable music videos include "Hurt" (Johnny Cash), "Closer" (Nine Inch Nails), "Can't Stop" (Red Hot Chili Peppers), "Bedtime Story" (Madonna), "Scream" (Michael & Janet Jackson), and "Shake It Off" (Taylor Swift).

Romanek was born in Chicago, Illinois, the son of Shirlee and Marvin Romanek. He is Jewish. He credits seeing Stanley Kubrick's 2001: A Space Odyssey at the age of nine which inspiring him to become a film director. He experimented with Super 8 and 16mm film as a teenager while attending New Trier High School. There, he studied first with Kevin Dole, a local filmmaker who was already creating a form of music video on his own in the mid-1970s, and then with Peter Kingsbury, a filmmaker who had studied with experimentalists Owen Land, John Luther Schofill, and Stan Brakhage at the School of the Art Institute of Chicago. Both teachers exposed students to works by significant figures of the American avant-garde cinema, such as Maya Deren, Kenneth Anger, and Paul Sharits. Romanek subsequently attended Ithaca College in Ithaca, New York, and graduated from its Roy H. Park School of Communications with a degree in cinema and photography. He served as second assistant director for Brian De Palma on Home Movies, an autobiographical film De Palma conceived as an exercise for his students at Sarah Lawrence College (having returned to his alma mater as an instructor of film production). On set, Romanek met Keith Gordon, playing De Palma's alter ego. Gordon remembers Romanek's entrance into film production: Romanek released his first film, Static, in 1986. It was co-written with Gordon and starred Gordon as a man who claimed he had invented a television set capable of showing a live picture of Heaven. The film achieved something of a cult following in London and led to Romanek's first job at the helm of a music video for the British new wave group The The, who featured on the soundtrack for Static, in 1986.

Which film is Mark known most for?

Answer with quotes:
He served as second assistant director for Brian De Palma on Home Movies, an autobiographical film De Palma