Problem: Charles Edward "Charlie" Haden (August 6, 1937 - July 11, 2014) was an American jazz double bass player, bandleader, composer and educator known for his deep, warm sound, and whose career spanned more than fifty years. In the late 1950s, Haden was an original member of the ground-breaking Ornette Coleman Quartet. Haden revolutionized the harmonic concept of bass playing in jazz. About him, German musicologist Joachim-Ernst Berendt commented, "His ability to create serendipitous harmonies by improvising melodic responses to Coleman's free-form solos (rather than sticking to predetermined harmonies) was both radical and mesmerizing.

In 1984 Haden met the singer and former actress Ruth Cameron. They married in New York City, and throughout their marriage, Ruth managed Haden's career as well as co-producing many albums and projects with him. In 1986, Haden formed his band Quartet West at Ruth's suggestion. The original quartet consisted of Ernie Watts on sax, Alan Broadbent on piano, and long-time collaborator, Billy Higgins, on drums. Higgins was later replaced by Larance Marble. When Marable became too ill to perform, drummer Rodney Green was added to the band. In addition to original compositions by Haden and Broadbent, their repertoire also included 1940s pop ballads which they played a noir-infused, bop-oriented style. A brief collaboration with tenor saxophonist Joe Henderson and drummer Al Foster showcased Haden's playing in a more hard-driving jazz context. In 1989, Haden inaugurated the "Invitation" series at the Montreal Jazz Festival. With different musicians he selected, they performed in concert for eight consecutive nights of the festival. Each of these events was recorded, and most have been released in the series, The Montreal Tapes. Duets: Haden performing in duets as he loved the intimacy the format provided. In 1995, Haden released Steal Away: Spirituals, Hymns and Folk Songs with pianist Hank Jones, an album based on traditional spirituals and folk songs. Haden both played on and produced the album. In late 1996, he collaborated with guitarist Pat Metheny on the album Beyond the Missouri Sky (Short Stories), exploring the music that influenced them in their childhood experiences in, respectively southwest Iowa and northwest Missouri, with what Haden called "contemporary impressionistic Americana". Haden was awarded his first Grammy award for the album, for Best Jazz Instrumental Performance. In 1997, classical composer Gavin Bryars wrote By the Vaar, an extended adagio for Haden. Instrumentation included strings, bass clarinet and percussion. The piece was recorded with the English Chamber Orchestra, on the album Farewell to Philosophy. It is a synthesis of jazz and classical chamber music, featuring resonant pizzicato notes and gut strings in imitation of Haden's bass sound.

What was Charlie doing in 1984?

Answer with quotes: In 1984 Haden met the singer and former actress Ruth Cameron.

Problem: Robert Dale Owen (November 7, 1801 - June 24, 1877) was a Scottish-born social reformer who immigrated to the United States in 1825, became a U.S. citizen, and was active in Indiana politics as member of the Democratic Party in the Indiana House of Representatives (1835-39 and 1851-53) and represented Indiana in the U.S. House of Representatives (1843-47). As a member of Congress, Owen successfully pushed through the bill that established Smithsonian Institution and served on the Institution's first Board of Regents. Owen also served as a delegate to the Indiana Constitutional Convention in 1850 and was appointed as U.S. charge d'affaires (1853-58) to Naples. Owen was a knowledgeable exponent of the socialist doctrines of his father, Robert Owen, and managed the day-to-day operation of New Harmony, Indiana, the socialistic utopian community he helped establish with his father in 1825.

During the American Civil War, Owen served in the Ordnance Commission to supply the Union army; on March 16, 1863, he was appointed to the Freedman's Inquiry Commission. The commission was a predecessor to the Freedmen's Bureau. In 1862 Owen wrote a series of open letters to U.S. government officials, including President Abraham Lincoln and U.S. Secretary of the Treasury Salmon P. Chase, to encourage them to support general emancipation. Owen's letter of July 23, 1862, was published in the New York Evening Post on August 8, 1862, and his letter of September 12, 1862, was published in the same newspaper on September 22, 1862. In another open letter that Owen wrote to President Lincoln on September 17, 1862, he urged the president to abolish slavery on moral grounds. Owen also believed that emancipation would weaken the Confederate forces and help the Union army win the war. On September 23, 1862, Lincoln issued a preliminary version of the Emancipation Proclamation (as he had first resolved to do in mid-July). In Emancipation is Peace, a pamphlet that Owen wrote in 1863, he confirmed his view that general emancipation was a means to end the war. In The Wrong of Slavery, the Right of Emancipation, and the Future of the African Race, a report that Owen wrote in 1864, he also suggested that the Union should provide assistance to freedmen. Toward the end of his political career, Owen continued his effort to obtain federal voting rights for women. In 1865 he submitted an initial draft for a proposed Fourteenth Amendment to the U.S. Constitution that would not restrict voting rights to males. However, Article XIV, Section 2, in the final version of the Amendment, which became part of the U.S. Constitution in 1868, was modified to limit suffrage to males who were U.S. citizens over the age of twenty-one.

What were these letter include?

Answer with quotes:
to encourage them to support general emancipation.