input: Stephen Crane's fiction is typically categorized as representative of Naturalism, American realism, Impressionism or a mixture of the three. Critic Sergio Perosa, for example, wrote in his essay, "Stephen Crane fra naturalismo e impressionismo," that the work presents a "symbiosis" of Naturalistic ideals and Impressionistic methods. When asked whether or not he would write an autobiography in 1896, Crane responded that he "dare not say that I am honest. I merely say that I am as nearly honest as a weak mental machinery will allow." Similarities between the stylistic techniques in Crane's writing and Impressionist painting--including the use of color and chiaroscuro--are often cited to support the theory that Crane was not only an Impressionist but also influenced by the movement. H. G. Wells remarked upon "the great influence of the studio" on Crane's work, quoting a passage from The Red Badge of Courage as an example: "At nightfall the column broke into regimental pieces, and the fragments went into the fields to camp. Tents sprang up like strange plants. Camp fires, like red, peculiar blossoms, dotted the night.... From this little distance the many fires, with the black forms of men passing to and fro before the crimson rays, made weird and satanic effects." Although no direct evidence exists that Crane formulated a precise theory of his craft, he vehemently rejected sentimentality, asserting that "a story should be logical in its action and faithful to character. Truth to life itself was the only test, the greatest artists were the simplest, and simple because they were true." Poet and biographer John Berryman suggested that there were three basic variations, or "norms", of Crane's narrative style. The first, being "flexible, swift, abrupt and nervous", is best exemplified in The Red Badge of Courage, while the second ("supple majesty") is believed to relate to "The Open Boat", and the third ("much more closed, circumstantial and 'normal' in feeling and syntax") to later works such as The Monster. Crane's work, however, cannot be determined by style solely on chronology. Not only does his fiction not take place in any particular region with similar characters, but it varies from serious in tone to reportorial writing and light fiction. Crane's writing, both fiction and nonfiction, is consistently driven by immediacy and is at once concentrated, vivid and intense. The novels and short stories contain poetic characteristics such as shorthand prose, suggestibility, shifts in perspective and ellipses between and within sentences. Similarly, omission plays a large part in Crane's work; the names of his protagonists are not commonly used and sometimes they are not named at all. Crane was often criticized by early reviewers for his frequent incorporation of everyday speech into dialogue, mimicking the regional accents of his characters with colloquial stylization. This is apparent in his first novel, in which Crane ignored the romantic, sentimental approach of slum fiction; he instead concentrated on the cruelty and sordid aspects of poverty, expressed by the brashness of the Bowery's crude dialect and profanity, which he used lavishly. The distinct dialect of his Bowery characters is apparent at the beginning of the text; the title character admonishes her brother saying: "Yeh knows it puts mudder out when yes comes home half dead, an' it's like we'll all get a poundin'."

Answer this question "What was Stephen Crane's style?"
output: categorized as representative of Naturalism, American realism, Impressionism or a mixture of the three.

input: On April 2, 2005, Hogan was inducted into the WWE Hall of Fame class of 2005 by actor and friend Sylvester Stallone. At WrestleMania 21 on April 3, Hogan came out to rescue Eugene, who was being attacked by Muhammad Hassan and Khosrow Daivari. The build-up to Hogan's Hall of Fame induction and preparation for his WrestleMania angle was shown on the first season of Hogan Knows Best. The next night on Raw, Hassan and Daivari came out to confront and assault fan favorite Shawn Michaels. The following week on Raw, Michaels approached Raw General Manager Eric Bischoff demanding a handicap match with Hassan and Daivari. Bischoff refused, but told Michaels if he found a partner he would be granted a tag team match. Michaels then made a plea for Hogan to team with him. On the April 18 episode of Raw, Hassan again led an attack on Michaels until Hogan appeared, saving Michaels and accepting his offer. At Backlash, Hassan and Daivari lost to Hogan and Michaels. Hogan then appeared on July 4 episode of Raw, as the special guest of Carlito on his talk-show segment Carlito's Cabana. After being asked questions by Carlito concerning his daughter Brooke, Hogan attacked Carlito. Kurt Angle then also appeared, making comments about Brooke, which further upset Hogan, who was eventually double teamed by Carlito and Angle, but was saved by Shawn Michaels. Later that night, Michaels and Hogan defeated Carlito and Angle in a tag team match; during the post-match celebration, Michaels performed the Sweet Chin Music on Hogan and walked off. The following week on Raw, Michaels appeared on Piper's Pit and challenged Hogan to face him one-on-one for the first time. Hogan appeared on Raw one week later and accepted the challenge. The match took place at SummerSlam, which Hogan won. After the match, Michaels extended his hand to him, telling him that he "had to find out for himself", and Hogan and Michaels shook hands as Michaels left the ring to allow Hogan to celebrate with the crowd. Prior to WrestleMania 22 in April 2006, Hogan inducted friend and former announcer "Mean" Gene Okerlund into the WWE Hall of Fame class of 2006. Hogan returned on the July 15 episode of Saturday Night's Main Event with his daughter Brooke. During the show, Randy Orton kayfabe flirted with Brooke and later attacked Hogan in the parking lot. He later challenged Hogan to a match at SummerSlam, which Hogan won.

Answer this question "did he receive any other awards?"
output:

input: After a spell coaching at Leyton Orient, Gradi returned to management on 9 June 1983, when he accepted an offer to manage Crewe Alexandra, a team who regularly finished near the bottom of the Fourth Division and had been forced to apply for re-election on several occasions in order to avoid slipping into the Northern Premier League and, since its creation in 1979, the Football Conference. His first season signings included Mark Leonard from Tranmere, John Crabbe from Hereford and David Pullar from Exeter as Gradi looked to build an academy structure to develop players that could be sold to help fund the player development programme. Among his first transfer successes were Dave Waller (sold to Shrewsbury), Gary Blissett (sold to Brentford) and Geoff Thomas (sold to Crystal Palace); gradually the club moved forward. In 1988/89, after six seasons of steady progress, they won promotion to end 25 years in the league's basement division. Gradi signed a then unheard of ten-year contract with Crewe. They went back down again two years later, but in 1994 won promotion to Division Two and three years after that they reached Division One for the first time in their history. Shortly after the 1994 promotion, Gradi became the League's longest-serving manager. By 2002, he was one of just two managers, the other being Alex Ferguson, to have held their position since before 1990. He later joined the club's Board of Directors. Gradi's contract with Crewe was one of the most controversial in the football league, he receives a percentage of profit on any player sold to another club.

Answer this question "How did Crewe fare under Dario Gradi?"
output:
In 1988/89, after six seasons of steady progress, they won promotion to end 25 years in the league's basement division.