Question: Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The 1945 work was adapted from Ferenc Molnar's 1909 play Liliom, transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He participates in a robbery to provide for Julie and their unborn child; after it goes tragically wrong, he is given a chance to make things right.

A film version of the musical was made in 1956, starring Gordon MacRae and Shirley Jones. It follows the musical's story fairly closely, although a prologue, set in the Starkeeper's heaven, was added. The film was released only a few months after the release of the film version of Oklahoma!. It garnered some good reviews, and the soundtrack recording was a best seller. As the same stars appeared in both pictures, however, the two films were often compared, generally to the disadvantage of Carousel. Thomas Hischak, in The Rodgers and Hammerstein Encyclopedia, later wondered "if the smaller number of Carousel stage revivals is the product of this often-lumbering [film] musical". There was also an abridged (100 minute) 1967 network television version that starred Robert Goulet, with choreography by Edward Villella. The New York Philharmonic presented a staged concert version of the musical from February 28 to March 2, 2013, at Avery Fisher Hall. Kelli O'Hara played Julie, with Nathan Gunn as Billy, Stephanie Blythe as Nettie, Jessie Mueller as Carrie, Jason Danieley as Enoch, Shuler Hensley as Jigger, John Cullum as the Starkeeper, and Kate Burton as Mrs. Mullin. Tiler Peck danced the role of Louise to choreography by Warren Carlyle. The production was directed by John Rando. Charles Isherwood of The New York Times wrote, "this is as gorgeously sung a production of this sublime 1945 Broadway musical as you are ever likely to hear." It was broadcast as part of the PBS Live from Lincoln Center series, premiering on April 26, 2013.

Using a quote from the above article, answer the following question: What else was said about the musical
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Answer: It was broadcast as part of the PBS Live from Lincoln Center series, premiering on April 26, 2013.

Problem: Johnnie Mae Young was born in Sand Springs, Oklahoma on March 12, 1923. She was the youngest of eight children (one died at birth). Her mother Lilly Mae Young was a single mother (her partner left to find work and never returned) living during the Great Depression. Young's oldest sister Inie was severely disabled by whooping cough at a very young age.

On the July 29, 2002 episode of Raw, Young returned along with longtime friend The Fabulous Moolah to promote Moolah's new book: "The Fabulous Moolah: First Goddess of the Squared Circle" before being attacked by 3-Minute Warning by orders of general manager, Eric Bischoff. On the September 15, 2003 episode of Raw, she accompanied Moolah into which came to be her last wrestling singles match before passing away, where she defeated Victoria before being attacked by Randy Orton and an infuriated Victoria. On June 15 at Bad Blood, Young appeared during a segment along with Stone Cold and Eric Bischoff where she stripped herself in the ring and performed a bronco buster on Bischoff before receiving an Stone Cold Stunner from Cold. In 2004, Young was inducted into the Professional Wrestling Hall of Fame and Museum as part of their Lady wrestler category class of that year. On the September 23 episode of SmackDown!, Young teamed with Moolah and defeated Dawn Marie and Torrie Wilson. On March 23, 2005, Moolah and Young appeared on the Late Night with Conan O'Brien show to promote their 2005 documentary in which they starred in an about their 1950s heyday along with several other lady wrestlers of their era. On January 8, 2006 at New Year's Revolution, Young re-appeared along with Moolah during a bra & panties gauntlet match where she stripped herself before being attacked by Victoria as she left the ring, which led to both women retaliate and rip off Victoria's shirt. At WrestleMania 22 on April 2, Young appeared along with Moolah during a backstage segment with Snitsky. At WrestleMania 23 on April 1, 2007, Young appeared during a backstage segment along with several other WWE superstars and hall of famers. On the August 24 episode of SmackDown!, Young made a special appearance winning a Divas bikini contest. Mae's last appearance with Moolah before her death came at SummerSlam in August 2007, both appeared during a backstage segment along with Vince McMahon and Raw's general manager, William Regal, two months prior to her friend's death.

Anything else interesting in this article?

Answer with quotes: On March 23, 2005, Moolah and Young appeared on the Late Night with Conan O'Brien show to promote their 2005 documentary

Problem: Guys and Dolls is a musical with music and lyrics by Frank Loesser and book by Jo Swerling and Abe Burrows. It is based on "The Idyll of Miss Sarah Brown" and "Blood Pressure" - two short stories by Damon Runyon - and also borrows characters and plot elements from other Runyon stories - most notably "Pick the Winner". The premiere on Broadway was in 1950. It ran for 1200 performances and won the Tony Award for Best Musical.

The original Broadway production of Guys and Dolls opened to unanimously positive reviews. Critics praised the musical's faithfulness to Damon Runyon's style and characterizations. Richard Watts of the New York Post said "Guys and Dolls is just what it should be to celebrate the Runyon spirit...[it is] filled with the salty characters and richly original language sacred to the memory of the late Master". William Hawkins of the New York World-Telegram & Sun stated, "It recaptures what [Runyon] knew about Broadway, that its wickedness is tinhorn, but its gallantry is as pure and young as Little Eva". Robert Coleman of the New York Daily Mirror declared, "We think Damon would have relished it as much as we did". The book and score were greatly praised as well; John Chapman of the New York Daily News declared, "The book is a work of easy and delightful humor. Its music and lyrics, by Frank Loesser, are so right for the show and so completely lacking in banality, that they amount to an artistic triumph". Coleman stated, "Frank Loesser has written a score that will get a big play on the juke boxes, over the radio, and in bistros throughout the land. His lyrics are especially notable in that they help Burrows's topical gags to further the plot". In The New York Times, Brooks Atkinson wrote, "Mr. Loesser's lyrics and songs have the same affectionate appreciation of the material as the book, which is funny without being self-conscious or mechanical". Multiple critics asserted that the work was of great significance to musical theatre. John McClain of the New York Journal American proclaimed, "it is the best and most exciting thing of its kind since Pal Joey. It is a triumph and a delight". Atkinson stated, "we might as well admit that Guys and Dolls is a work of art. It is spontaneous and has form, style, and spirit." Chapman asserted, "In all departments, Guys and Dolls is a perfect musical comedy".

Who was the late Master?

Answer with quotes:
Critics praised the musical's faithfulness to Damon Runyon's style and characterizations.