input: The word first appears in a title in Francesco Berni's Opere burlesche of the early 16th century, works that had circulated widely in manuscript before they were printed. For a time, burlesque verses were known as poesie bernesca in his honour. 'Burlesque' as a literary term became widespread in 17th century Italy and France, and subsequently England, where it referred to a grotesque imitation of the dignified or pathetic. Shakespeare's Pyramus and Thisbe scene in Midsummer Night's Dream and the general mocking of romance in Beaumont and Fletcher's The Knight of the Burning Pestle were early examples of such imitation. In 17th century Spain, playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works. Among Cervantes' works are Exemplary Novels and the Eight Comedies and Eight New Interludes published in 1615. The term burlesque has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics. Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". Burlesque depended on the reader's (or listener's) knowledge of the subject to make its intended effect, and a high degree of literacy was taken for granted. 17th and 18th century burlesque was divided into two types: High burlesque refers to a burlesque imitation where a literary, elevated manner was applied to a commonplace or comically inappropriate subject matter as, for example, in the literary parody and the mock-heroic. One of the most commonly cited examples of high burlesque is Alexander Pope's "sly, knowing and courtly" The Rape of the Lock. Low burlesque applied an irreverent, mocking style to a serious subject; an example is Samuel Butler's poem Hudibras, which described the misadventures of a Puritan knight in satiric doggerel verse, using a colloquial idiom. Butler's addition to his comic poem of an ethical subtext made his caricatures into satire. In more recent times, burlesque true to its literary origins is still performed in revues and sketches. Tom Stoppard's 1974 play Travesties is an example of a full-length play drawing on the burlesque tradition.

Answer this question "Where did the name Burlesque come from?"
output: The word first appears in a title in Francesco Berni's Opere burlesche of the early 16th century,

input: Jean and other musicians formed a group in the 1980s under the name Tranzlator Crew. After they signed with Ruffhouse Records and Columbia Records in 1993, they renamed their group as Fugees - an abbreviation of "refugees", and also a reference to Haitian immigrants. The group's debut album, Blunted on Reality, was released in 1994. It achieved limited commercial success, peaking at number 62 on the US Top R&B/Hip-Hop Albums chart. The album peaked at number 122 on the UK Albums Chart in 1997, and it was certified gold by the Syndicat National de l'Edition Phonographique (SNEP). Blunted on Reality spawned three singles: "Boof Baf", "Nappy Heads" and "Vocab." "Nappy Heads" was the Fugees' first single to be ranked on the US Billboard Hot 100, charting at number 49. In 1996, the Fugees released their second album, titled The Score. The album achieved significant commercial success in the United States, topping the US Billboard 200. It was later certified as six-times platinum by the Recording Industry Association of America (RIAA). It performed well in several overseas nations, topping the Austrian, Canadian, French, German and Swiss albums charts, while also peaking at number two in Sweden and the United Kingdom. Four commercially successful singles were released from The Score; "Fu-Gee-La", the first single from the album, peaked at number 29 on the Billboard Hot 100 and was certified gold by the RIAA and by the Bundesverband Musikindustrie (BVMI). The other three singles - "Killing Me Softly", "Ready or Not" and "No Woman, No Cry" - did not appear on the Billboard Hot 100 as they were not released for commercial sale, making them ineligible to appear on the chart, although they all received sufficient airplay to appear on the Hot 100 Airplay and Hot R&B/Hip-Hop Airplay charts. "Killing Me Softly", a cover of the Roberta Flack song "Killing Me Softly with His Song", performed strongly in other territories, topping the singles charts in Australia, Austria, Germany and the United Kingdom, among several others. "Ready or Not" peaked at number one in the UK and at number three in Sweden. "No Woman, No Cry" - a cover of the Bob Marley & The Wailers song of the same name - topped the singles chart in New Zealand. Fugees collaborated with singer Bounty Killer on the single "Hip-Hopera" and recorded the single "Rumble in the Jungle" for the soundtrack to the film When We Were Kings in 1997: although they have not released any studio albums since The Score, a compilation album, Greatest Hits, was released in 2003, and spawned the single "Take It Easy".

Answer this question "What album did they release next?"
output:
their second album, titled The Score.