Question:
Patsy Cline (born Virginia Patterson Hensley; September 8, 1932 - March 5, 1963) was an American country music singer and part of the Nashville sound during the late 1950s and early 1960s. She successfully "crossed over" to pop music and was one of the most influential, successful, and acclaimed vocalists of the 20th century. She died at age 30 in the crash of a private airplane. Cline was known for her rich tone, emotionally expressive and bold contralto voice, and her role as a country music pioneer.
Bill Peer, her second manager, gave her the name Patsy, from her middle name, Patterson. (Bill Peer, who had a country music band in Brunswick, MD, also had an infant daughter named Patsy). In 1955 he gained a contract for her at Four Star Records, the label he was then affiliated with. Four Star was under contract to the Coral subsidiary of Decca Records. Patsy signed with Decca at her first opportunity three years later. Her first contract allowed her to record compositions only by Four Star writers, which Cline found limiting. Later, she expressed regret over signing with the label, but thinking that nobody else would have her, she took the deal. Her first record for Four Star was "A Church, A Courtroom & Then Good-Bye," which attracted little attention, although it led to appearances on the Grand Ole Opry. As these performances were not "records" per se, they were not governed by her contract, and she could sing what she wanted, within reason. This somewhat eased her "stifled" feeling. Between 1955 and 1957, Cline recorded honky tonk material, with songs like "Fingerprints," "Pick Me Up On Your Way Down," "Don't Ever Leave Me Again," and "A Stranger In My Arms." Cline co-wrote the last two. None of these songs gained notable success. She experimented with rockabilly. According to Decca Records producer Owen Bradley, the Four Star compositions only hinted at Patsy's potential. Bradley thought that her voice was best-suited for pop music, but Cline sided with Peer and the other Four Star producers, insisting that she could only record country songs, as her contract also stated. Every time Bradley tried to get her to sing the torch songs that would become her signature, she would panic, missing her familiar country fiddle and steel guitar. She often rebelled, only wishing to sing country and yodel. She recorded 51 songs with Four Star.
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What was her experience with 4 star records?

Answer:
she expressed regret over signing with the label,

input: At the Drive-In's style is usually described as post-hardcore. Their sound has also been called punk rock, emo and art punk. Some of the group's influences are Indian Summer, Swing Kids, Fugazi, Sunny Day Real Estate (referred to by Ward as "Fugazi beyond Fugazi"), Bad Brains, and the Gravity Records-led post-hardcore sound of the 1990s that featured acts such as Antioch Arrow and Heroin. In their last period before their initial breakup, the biggest influences of At the Drive-In included bands such as Drive Like Jehu and The Nation of Ulysses, with frontman Bixler-Zavala going on to say that "there would be no Relationship of Command without Drive Like Jehu." The band also performed cover versions of songs such as "This Night Has Opened My Eyes" by The Smiths and "Take Up Thy Stethoscope and Walk" by Pink Floyd, both included in the 2004 compilation This Station Is Non-Operational. Their name was taken from the fact that Bad Brains took their name from the Ramones' song "Bad Brain" (from Road to Ruin), and Bixler liked the Bad Brains' song title "At the Movies" (track featured in Rock for Light); while Ward liked "at the drive-in", and his suggestion would eventually win out. Though In/Casino/Out was recorded live, "Relationship of Command may very well be the first record to harness the chaotic balance of adrenaline and intellect of ATDI's live performance." "Ross was instrumental in bringing out a lot of feeling from us," Bixler recalls. "We channeled a lot of emotion into this record. He pushed us farther than we thought we could go. I learned to cut loose the way we do live and not to be afraid to break something or whatever." While capturing the essence of ATDI's live shows in a way never before seen, the record also featured some of the band's most experimental songs, including "Rolodex Propaganda," "Non-Zero Possibility," and "Invalid Litter Dept." The band's guitar-playing, in the majority of their songs, is characterized by unusual chords, a fast tempo, and a quiet-loud-quiet song structure. While Jim and Paul provided the rhythmic structure of the song, Omar often played more experimental riffs and melodies over the top. Effects were heavily used by Omar, especially on Relationship of Command, while Jim used the keyboard to create melody, often switching between the guitar and keyboard such as in "Invalid Litter Department."

Answer this question "How did the other member contributed to the music ?"
output: While Jim and Paul provided the rhythmic structure of the song,

Answer the question at the end by quoting:

Ghomeshi was born on June 9, 1967 in London, England, to Iranian parents Farhang (Frank), a civil engineer, and Azar (Sara) Ghomeshi. When he was a child, he was teased by classmates, who called him "Blackie". According to Ghomeshi, he grew up in a Muslim household but elsewhere noted that his family was secularist and even celebrated Christmas and Easter. When Ghomeshi was seven, his father moved to Canada and got a job and Ghomeshi's family followed, first living in an apartment on Don Mills Road before settling in Thornhill, Ontario.
On November 26, 2014, following termination by the CBC, Ghomeshi turned himself in to Toronto Police and was charged with four counts of sexual assault and one count of overcoming resistance by choking, after an investigation that began on October 31, 2014. The charges concern three separate women. He appeared in court on the same day and was released on $100,000 bail on the conditions that he surrender his passport, stay within Ontario and live with his mother. Ghomeshi appeared in court again on January 8, 2015, and was charged with three additional counts of sexual assault related to three more women. In a court appearance on February 26, 2015, a judicial pretrial was set for March 27, 2015, and was later put over to April 28, 2015. His lawyer, Marie Henein, stated that he would plead not guilty to all charges. On October 1, 2015, Ghomeshi pleaded not guilty to one count of choking and four counts of sexual assault. The trial of Ghomeshi began on February 1, 2016, and lasted eight days. On March 24, 2016, the judge acquitted Ghomeshi of all charges on the basis that there was insufficient evidence to establish proof beyond a reasonable doubt. The inconsistency and "outright deception" of the witness' testimony had irreparably weakened the prosecution's case. Judge William Horkins accused the complainants of "lying or trying to conceal evidence from the court". A second trial for one additional charge was scheduled for June 2016. On May 11, 2016, however, the Crown withdrew the last remaining charge, re: the alleged sexual assault against Borel, after Ghomeshi signed a peace bond which does not include an admission of guilt. (The publication ban as to the name of the victim, Borel, was lifted on May 11, 2016.) According to Borel, Henein approached Borel's representation to ask for an alternative to a trial, and after several exchanges Ghomeshi agreed to apologize to Borel and did so formally. Afterwards, Borel issued a formal statement to the media, maintaining that Ghomeshi was guilty of sexual assault but that "a trial would have maintained his lie, the lie that he was not guilty, and would have further subjected me to the very same pattern of abuse that I am currently trying to stop".

When did he go to trial?
Ghomeshi appeared in court again on January 8, 2015,