input question: Select the correct sentiment of the following review: You spend most of this two-hour film wondering "what's the story regarding the lead character?"

Will Smith, as a low-key "Ben Thomas" will keep you guessing. The last 20-25 minutes is when you find out, and it's a shocker....but you knew something dramatic was going to be revealed. Until then, Smith, plays it mysterious, almost stalking people. You know he has a good reason for doing it, but it's never really explained, once again, to keep us guessing until the end.

All of it, including a on again/off again but touching romance with Rosario Dawkins ("Emily Posa") might make some viewers frustrated or wanting to quit this film.....but don't because the final long segment puts all the pieces of this puzzle together.

This is a two-hour film and not the typical action-packed macho Will Smith film. In fact, the most shocking aspect might be seeing the drawn, sad face of Smith throughout this story. It almost doesn't even look like him in a number of shots. He looks like he's lost weight and is sick. Smith does a great job portraying a man carrying around a lot of sadness.

Like a good movie will often do, this film will leave you thinking long after the ending credits.
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output answer: positive

input question: Select the correct sentiment of the following review: This movie appears to have been an on the job training exercise for the Coppola family. It doesn't seem to know whether to be an "A" or a "B" western. I mean, the hero is called Hopalong Cassidy for God's sake. William Boyd must be spinning in his grave.

All the "B" western cliches are here. The two-gun pearly toothed hero in the white hat with the trusty steed ("C'mon Thunder"), the all-in-black bearded villain, the heroine in distress, the rancher in trouble, the cowardly sheriff, over the top bad guys etc.

The acting, with few exceptions, is strictly from the Yakima Canutt School of Acting. Chris Lybbert (who?) as the hero and Louis Schweibert (who?) as the villain look like they would have been more at home in a 30's Poverty Row quickie. The addition to the cast of veteran performers Martin Sheen, Robert Carradine, Clu Gulager and Will Hutchins helps a little, but they are not given enough to do to salvage this one.

What was the point of the Martin Sheen/Robert Carradine framing sequences? Are we to believe that the Sheen character was a ghost? What was the purpose of the black gloves? It just didn't make sense.

Being a great lover of westerns from all genres, I tried hard to find some redeeming qualities in this film. The cinematography was quite good and the settings looked very authentic. Aside from the hero and main villain, the other characters looked authentic.

If the producers were going to resurrect the Hopalong Cassidy character, they might have given some thought to portraying him as he was originally written - a grizzled foul-mouthed ranch hand with a chip on his shoulder, the kind of part Lee Marvin would have excelled in.

What else can I say but..on Thunder, on big fellow.
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output answer: negative

input question: Select the correct sentiment of the following review: Fox's "The True Story Of Jesse James" (1957) is a remarkably poor widescreen remake of their prestigious 1939 Tyrone Power/Henry Fonda classic "Jesse James". I'm not sure where the fault lies but the casting in this version of the two central characters, the uneven direction of Nicholas Ray and the ham-fisted screenplay must surely have something to do with it.

In the late thirties and forties Tyrone Power was Fox's top leading man but in the fifties his star began to wane and studio head Darryl Zanuck started to groom newcomer Robert Wagner to take his place. This was a major error on Zanuck's part as Wagner proved to be a less than a suitable replacement. With the possible exceptions of "Broken Lance" (1954) and "Between Heaven & Hell" (1956) it is hard to think of Wagner distinguishing himself in anything! Also, Jeffrey Hunter was nothing more than a Fox contract player before being assigned to play Frank James to Wagner's Jesse in "The True Story Of Jesse James". Borrowed from the studio the previous year this actor's one distinguishing mark was his excellent and revealing performance in John Ford's classic "The Searchers". But his playing here, along with Wagner as the second half of the James Brothers, is nothing short of boring. Neither player bring any personality or colour to their respective roles. They totally miss the mark, lacking the charisma and appeal so vividly displayed by Power and Fonda in the original. The movie is also marred by too many flashbacks and with the all over the place screenplay Wagner, as the Robin Hood of the American west, comes across as a charmless introverted twit that you can feel no empathy for whatsoever. The supporting cast are hardly worth mentioning but it is a shame to see such a great actress as Agnes Moorhead barely getting a look in as Ma James.

The best aspects of this uninvolving so-so western is the wonderful Cinemascope/Colour cinematography by the great Joe McDonald and the excellent music score by the underrated and little known composer Leigh Harline!
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output answer:
negative