Question:
Wales was born in Huntsville, Alabama, shortly before midnight on August 7, 1966; however, his birth certificate lists his date of birth as the 8th. His father, Jimmy, worked as a grocery store manager, while his mother, Doris Ann (nee Dudley), and his grandmother, Erma, ran the House of Learning, a small private school in the tradition of the one-room schoolhouse, where Wales and his three siblings received their early education. As a child, Wales was a keen reader with an acute intellectual curiosity. When he was three, his mother bought a World Book Encyclopedia from a door-to-door salesman.
Though Bomis had struggled to make money, it provided Wales with the funding to pursue his greater passion, an online encyclopedia. While moderating an online discussion group devoted to the philosophy of Objectivism in the early 1990s, Wales had encountered Larry Sanger, a skeptic of the philosophy. The two had engaged in detailed debate on the subject on Wales's list and then on Sanger's, eventually meeting offline to continue the debate and becoming friends. Years later, after deciding to pursue his encyclopedia project and seeking a credentialed academic to lead it, Wales hired Sanger--who at that time was a doctoral student in philosophy at Ohio State University--to be its editor-in-chief, and in March 2000, Nupedia ("the free encyclopedia"), a peer-reviewed, open-content encyclopedia, was launched. The intent behind Nupedia was to have expert-written entries on a variety of topics, and to sell advertising alongside the entries in order to make profit. The project was characterized by an extensive peer-review process designed to make its articles of a quality comparable to that of professional encyclopedias. The idea was to have thousands of volunteers writing articles for an online encyclopedia in all languages. Initially we found ourselves organizing the work in a very top-down, structured, academic, old-fashioned way. It was no fun for the volunteer writers because we had a lot of academic peer review committees who would criticize articles and give feedback. It was like handing in an essay at grad school, and basically intimidating to participate in. In an October 2009 speech, Wales recollected attempting to write a Nupedia article on Nobel Prize-winning economist Robert C. Merton, but being too intimidated to submit his first draft to the prestigious finance professors who were to peer review it, even though he had published a paper on Option Pricing Theory and was comfortable with the subject matter. Wales characterized this as the moment he realized that the Nupedia model was not going to work. In January 2001, Sanger was introduced to the concept of a wiki by extreme programming enthusiast Ben Kovitz after explaining to Kovitz the slow pace of growth Nupedia endured as a result of its onerous submission process. Kovitz suggested that adopting the wiki model would allow editors to contribute simultaneously and incrementally throughout the project, thus breaking Nupedia's bottleneck. Sanger was excited about the idea, and after he proposed it to Wales, they created the first Nupedia wiki on January 10, 2001. The wiki was initially intended as a collaborative project for the public to write articles that would then be reviewed for publication by Nupedia's expert volunteers. The majority of Nupedia's experts, however, wanted nothing to do with this project, fearing that mixing amateur content with professionally researched and edited material would compromise the integrity of Nupedia's information and damage the credibility of the encyclopedia. Thus, the wiki project, dubbed "Wikipedia" by Sanger, went live at a separate domain five days after its creation.
Answer this question using a quote from the text above:

What did he do

Answer:
two had engaged in detailed debate on the subject on Wales's list and then on Sanger's, eventually meeting offline to continue the debate

input: In 1887, James W. Bryan vacated his seat in the Kentucky Senate to pursue the office of lieutenant governor. Goebel decided to seek election to the vacant seat representing the Covington area. His platform of railroad regulation and championing labor causes, combined with the influence of Stevenson, his former partner, should have given Goebel an easy victory, but this was not to be. A third political party, the Union Labor party, had risen to power in the area with a platform similar to Goebel's. However, while Goebel had to stick close to his allies in the Democratic party, the Union Labor party courted the votes of both Democrats and Republicans, and made the election close - decided in Goebel's favor by a mere fifty-six votes. With only the two years remaining in former senator Bryan's term to distinguish himself before a re-election bid, Goebel took aim at a large and popular target: the Louisville and Nashville Railroad. A proposal from pro-railroad legislators in the Kentucky House of Representatives to abolish Kentucky's Railroad Commission was passed and sent to the Senate. Senator Cassius M. Clay responded by proposing a committee to investigate lobbying by the railroad industry. Goebel served on the committee, which uncovered significant violations by the railroad lobby. Goebel also helped defeat the bill to abolish the Railroad Commission in the Senate. These actions made him a hero in his district. He ran for a full term as senator unopposed in 1889, and won another term in 1893 by a three-to-one margin over his Republican opponent. In 1890, Goebel was a delegate to Kentucky's fourth constitutional convention, which produced the current Kentucky Constitution. Despite the high honor of being chosen as a delegate, Goebel showed little interest in participating in the process of creating a new constitution. The convention was in session for 250 days; Goebel was present for just 100 of them. He did, however, successfully secure the inclusion of the Railroad Commission in the new constitution. As a constitutional entity, the Commission could only be abolished by an amendment ratified by popular vote. This would effectively protect the Commission from ever being unilaterally dismantled by the General Assembly.

Answer this question "How many terms did he serve?"
output:

Answer the question at the end by quoting:

Migration Period art denotes the artwork of the Germanic peoples during the Migration period (ca. 300-900). It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in the British Isles. It covers many different styles of art including the polychrome style and the animal style.
In the 3rd century the Roman Empire almost collapsed and its army was becoming increasingly Germanic in make-up, so that in the 4th century when Huns pushed German tribes westward, they spilled across the Empire's borders and began to settle there. The Visigoths settled in Italy and then Spain, in the north the Franks settled into Gaul and western Germany, and in the 5th century Scandinavians such as the Angles, Saxons and Jutes invaded Britain. By the close of the 6th century the Western Roman Empire was almost completely replaced with smaller less politically organized, but vigorous, Germanic kingdoms. Although these kingdoms were never homogeneous, they shared certain common cultural features. They settled in their new lands and become farmers and fishermen. Archaeological evidence shows no tradition of monumental artwork, such as architecture or large sculpture in permanent materials, but a preference instead for "mobile" art for personal display, usually also with a practical function, such as weapons, horse harness, tools, and jewelry which fastened clothes. The surviving art of the Germanic peoples is almost entirely personal adornment, portable, and before conversion to Christianity was buried with its owner. Much art in organic materials has no doubt not survived. Three styles dominate Germanic art. The polychrome style originated with the Goths who had settled in the Black Sea area. The animal style was found in Scandinavia, north Germany and England. Finally there was Insular art or the Hiberno-Saxon style, a brief but prosperous period after Christianization that saw the fusion of animal style, Celtic, Mediterranean and other motifs and techniques.

Can you clarify how the art is portable?
a preference instead for "mobile" art for personal display, usually also with a practical function,