In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Ex Input:
Review: CitizenX(1995) is the developing world's answer to Silence of the Lambs. Where 'Silence' terrorized our peace of mind, 'Citizen' exhausts and saddens us instead. This dramatization of the Chikatilo case translates rather well, thanks to a Westernized friendship between two Rostov cops who become equals.CitizenX may also argue against(!) the death penalty far better than Kevin Spacey's The Life of David Gayle(2002).Humans are Machiavellian mammals, under which lie limbic brains (lizard-logic). Why did two kids, who knew better, stone to death a toddler they kidnapped? Why do bloodthirsty women yell 'li-lilililililii' at acts of OBSCENE terrorism? -My own term for this is 'limbic domination', the lizard-logic urge to dominate an 'enemy'. If you have the words 'enemy'/'vengeance' in your vocabulary, you're easily capable of 'limbic domination'.In WWII-devastated 1980s Rostov (located at the mouth of the Don river near the Black Sea), nothing suppressed Andrei Chikatilo's urge for 'limbic domination' from overpowering his layers of civilization. Chikatilo(Jeffrey DeMunn)'s easy victims were paupers, usually children, who rode the interurban train for fun, since they couldn't afford anything else.CitizenX reminds us that the denials of a rampant Soviet bureaucracy cost the lives of 52 such 'lambs'. Rostov's serial killer roamed free for almost 7 years AFTER the police arrested and let him go.The politicization of crimefighting is harmful to police forces everywhere. Although policing routinely suffers from corruption all over the world, in the west, vote-grabbing by politicians can set up chronic inter-agency rivalries, stymieing a more coordinated response to crime. In the Soviet Union of CitizenX, however, Viktor Burakov(Stephen Rea)'s Killer Department was suffering from a repressive bureaucracy.Geoffrey DeMunn plays the psychosexually inadequate Chikatilo with faultless but understated authority--to the point of complete obscurity. In real life, too, Chikatilo had a lifetime's experience blending in and evading capture.His pursuer, on the other hand, sticks out as a strange bird, given to unheralded, naive outbursts. Perhaps by design, Stephen Rea gives a very strange performance as forensics chief Burakov. Rea's Russian accent is impenetrable; and his Burakov is humourless and sullen, at odds with everyone.So it's Donald Sutherland who walks away with the picture. Sutherland's Col.Fetisov, Burakov's boss, and at first his only supporter, is an overly restrained, patient Militiaman whose dignified carriage bears testimony to decades of bureaucratic machinations. His reawakening as a logic-driven yet still passionate cop becomes the film's cornerstone idealism.Joss Ackland does another turn as a vicious apparatchik, Secretary of Communist Ideology Bondarchuk, overseeing the investigation. Naturally, he quashed the arrest of the most likely suspect, a Communist, in 1984, a man carrying rope and a knife in his bag, supposedly going home: Andrei Chikatilo.Soon, he replaced Burakov with another Moscow apparatchik, Detective Gorbunov(John Wood), insisting that the investigation now focus on 'known homosexuals'. The funniest scene of this sad, sad film comes during Bondarchuk's & Gorbunov's institutionalized harassment: one stupid cop earnestly reports, 'As I suspected, comrade, it's fornication. I've made some drawings'--cue howling laughter.5yrs after the bodies began piling up, in 1987, the police finally tried soliciting criminal profiles. The only cooperating Soviet psychiatrist was Dr Aleksandr Bukhanovsky(Max Von Sydow), who termed the UNSUB 'CitizenX'. He later also observed to Fetisov & Burakov that '...together you make a wonderful person'. We concur.The drawn-out pace, spread over a decade, perfectly captures the institutional inertia of Glasnost--'openness'--that wasn't. The contrast with Perestroika--'restructuring'--couldn't've been greater for the case. Although Chikatilo was still prowling railway stations, police plans were about to bear fruit.In 1990, Col.Fetisov was expeditiously promoted to General. His nemesis Bondarchuk disappeared off the scene, allowing the investigation to finally proceed without political interference. Staff, communications, publicity--suddenly all were available. In just one night of telephoning around, Fetisov got his depressed forensics chief access to the FBI's Serial Murder Task Force at Quantico, where, Fetisov discovered, staff are regularly rotated off serial murder cases to stave off just such psychological damage to investigators.Fetisov advises his newly promoted forensics chief, now 'Colonel' Burakov, of all these changes in an avalanche of confession that becomes the movie's powerhouse watershed scene. Fetisov's is the most tender apology I've ever seen on film: 'Privately, I offer my deepest apologies to you and your wife. I hope that someday you can forgive me my ignorance', he almost whispers.A HBO production, CitizenX is a film of the highest caliber. Not only do the exteriors look authentically bleak (shot exclusively in the most run-down parts of otherwise spectacular Budapest), but Randy Edelman's soaring soundtrack is entirely overwhelming--and frequently our only respite from the bleak brutality. Those who speak Hungarian will recognize the many Hungarian accents and credits.Chikatilo's actual murders are depicted as bleak, aberrant behaviour born of character flaws and ignorance in an equally bleak world. This makes the murders seem not-entirely-out-of-place--but of course they were. As President Kennedy reminded us, 'we all cherish the futures of our children'.CitizenX communicates perfectly that killing is far more grisly and obscene than any vengeance fantasy might imply. Serial rapists rape to dominate; serial killers kill to dominate. So do some soldiers. Such 'limbic dominators' make poor humans.WARNING-SPOILER:----------------------------------------------- The real Andrei Chikatilo WAS the world's most prolific known serial killer. Convicted, he was executed in 1992 in the manner of all Soviet Union death sentences: one shot, in the back of the head. Foolishly, such methods destroy any possibility of studying a deviant brain after death.Conclusion:------------------------------------------------------------ The best outcome is always the prevention of killings, not their prosecution. Executions merely guarantee society's failure to learn from the complex reality of victims' deaths when we dispatch even anecdotal evidence of HOW/WHY they died. Nor do killers learn regret if they're dead.Vengeance doesn't unkill victims. Baying for the killer's blood constitutes nothing better than counter-domination--once it's too late.Vengeance on behalf of the grieving isn't justice for the deceased--it's appeasement of the living.(10/10) Question: is it a negative review?

Ex Output:
no

Ex Input:
Review: There are few uplifting things to say about this, but I can mention Matt Dillon doing his best to make something out of nothing and the many split screens and graphics that are worthwhile. As most race movies suffer from the premise that car lovers are not that intelligent, we end up with movies like this.Lindsay Lohan who surprised so much in Mean Girls has to make better decisions which roles to take. Here she can only fail.Children will only be mildly entertained because it tries to appeal more to adults than children (although still pretty dumb). The ones in the theater I saw it with showed no real interest after a couple of minutes. And as a family sports movie this is horrible. The better moments are in the beginning at the scrapyard creating some sentiment and later in the car-bash fest creating some tension. If you develop a car as a central character you have to develop it better than here. After a few obligatory race scenes you are in for the best part: being able to leave the multiplex in your own car. Question: is it a positive review?

Ex Output:
no

Ex Input:
Review: I had a recent spectator experience with The Perfect Witness (2007) because the NetFlix computer recommendation engine suggested I watch this film. Apparently, at some point, I told it how much I liked Michael Haneke's, Benny's Video. I don't know about you, but this parallel being drawn provoked in me a maelstrom of emotion and excitement over Thomas C. Dunn's film and made the allocation of my time toward it virtually impossible to refuse. Just this kind of recommendation from the NetFlix computer intelligence, for me, had the aesthetic/moral movie bar set to level so high that, upon reflection, it represented something pretty much unaccomplished in every film produced in the year 2007.Having prefaced my response to the film that way, I'm going to proceed in knocking this picture down as poorly executed and banal; and I really hate to do that because I think our boy, Wes Bentley, happens to be not only one of the most interesting young faces in contemporary cinema, but also one its most overlooked and underrated screenacting talents in the US. I'm more than moderately concerned that the poor guy's going to miss the fame ship if he keeps fiddling around with first time movie directors like this.The Perfect Witness is about Micky (Wes Bentley), who, about thirty, still lives with Mom ("You're not drinkin' again area ya's?"), but he's a "filmmaker" or at the very least some kind of street-level voyeur with a pension for shooting would-be Johns in the seedy back alleys of Philadelphia with his DVX 100B. Out there, doing his private investigator-like drills, Micky "inadvertently" video-tapes a brutal murder on a hapless early-twenty-ish coed with his hand held camcorder. Baring the notion in mind that snuff and movies as cultural currency can be his equated with his ticket out of the white urban ghetto (and not to the debts of his unwitting friends and relatives who put up the money for his atrocious films), Micky approaches the assailant, James LeMac (Mark Borkowski: also takes a writing credit) or "Mac the Knife" whichever- and blackmails the killer into making a documentary about his murder impulses, holding this found footage over the attacker with threats of the police.The problem with this movie is not that no interesting ideas exist because they do. While both the writing and direction are amateurish, that alone doesn't make a film bad. It's that these guys commit a rather poor assumption that what they are presenting is shocking in the context of a culture in which just about any person in the free world with access to a private computer can log-on to the web and catch the veracity of the action of a beheading on their little Mac or PC. No film relies on shock value alone any more (unless of course, ironically, it's a film about torture on animals) and therefore cinematic images of violence (real or fake) have less and less cultural capital with each year that passes. Also, we've got this astounding actor-talent in the lead all styled-up, real hip guy: his two inch beard and skull cap with the little bill on it, backwards, just like the dork from high school who craved after the potential services of my primary love interest same guy who just now calls himself a "poet."Spare me. "I'm an artist," "I'm a filmmaker." Okay. Please do, carry on with that shtick, Cronnie. Seems to have bought you a lot of expensive 35mm stock. And go ahead, you can wear all the accrutements of a "creative" but don't expect us top respond to you, to follow your below average character through your two hour movie while you take down Wes Bentley's career. Why don't we just let history speak to the merits of what you do, filmmaker guy. My guess is history will eventually have say something about that like, probably that's in not is good as you think it is. And yeah, odds are you'll be laying the blame on your dear ole ma, end up like our man Micky here in The Perfect Witness; hooked on smack and covered in your buddy's blood with a video camera in your hand. Great. Question: is it a positive review?

Ex Output:
no