Problem: Background: Cream were a 1960s British rock power trio consisting of drummer Ginger Baker, guitarist/singer Eric Clapton and lead singer/bassist Jack Bruce. The group's third album, Wheels of Fire (1968), was the world's first platinum-selling double album. The band is widely regarded as the world's first successful supergroup. In their career, they sold more than 15 million copies of their albums worldwide.
Context: The band first visited the United States in March 1967 to play nine dates at the RKO 58th Street Theatre in New York. There was little impact, as impresario Murray the K placed them at the bottom of a six-act bill that performed three times per date, eventually reducing the band to one song per concert. They returned to record Disraeli Gears in New York between 11 May and 15 May 1967. This, the band's second album, was released in November 1967 and reached the Top 5 in the charts on both sides of the Atlantic. Produced by Felix Pappalardi (who later co-founded the Cream-influenced quartet Mountain) and engineer Tom Dowd, it was recorded at Atlantic Studios in New York. Disraeli Gears is often considered to be the band's defining effort, successfully blending psychedelic British rock with American blues. In addition to "Strange Brew" and "Tales of Brave Ulysses", Disraeli Gears features "Sunshine of Your Love," which became the group's unofficial anthem. Bruce and Pete Brown came upon the idea in a state of near desperation in the wee hours. In a last-ditch attempt to salvage something from the long and fruitless night at his apartment, the bleary-eyed Bruce pulled out his double bass again and played a riff. At that point, Brown looked out the window and saw the sun was about to rise: "It's getting near dawn ...," he said to himself. Brown put the words on paper then thought some more: "When lights close their tired eyes". The album was originally slated for release in the summer of 1967, but the record label opted to scrap the planned cover and repackage it with a new psychedelic cover, designed by artist Martin Sharp, and the resulting changes delayed its release for several months. The album was remarkable for the time, with a psychedelic design patterned over a publicity photo of the trio. Although the album is considered one of Cream's finest efforts, it has never been well represented in the band's live sets. Although they consistently played "Tales of Brave Ulysses" and "Sunshine of Your Love," several songs from Disraeli Gears were quickly dropped from performances in mid-1967, favouring longer jams instead of short pop songs. "We're Going Wrong" was the only additional song from the album the group performed live. In fact, at their 2005 reunion shows in London, the band played only three songs from Disraeli Gears: "Outside Woman Blues", "We're Going Wrong," and "Sunshine of Your Love"; at their three October 2005 performances in New York, "Tales of Brave Ulysses" was also included in the setlist. In August 1967, they played their first headlining dates in the US, playing first at The Fillmore in San Francisco and later at The Pinnacle in Los Angeles. The concerts were a great success and proved very influential on both the band itself and the flourishing hippie scene surrounding them. Upon discovering a growing listening audience, the band began to stretch out on stage, incorporating more time in their repertoire, some songs reaching jams of twenty minutes. Long, drawn-out jams in numbers like "Spoonful", "N.S.U.", "I'm So Glad", and "Sweet Wine" became live favourites, while songs like "Sunshine of Your Love", "Crossroads", and "Tales of Brave Ulysses" remained reasonably short.
Question: Did they tour to support the album?
Answer: In August 1967, they played their first headlining dates in the US, playing first at The Fillmore in San Francisco and later at The Pinnacle in Los Angeles.

Problem: Background: At the Drive-In is an American post-hardcore band from El Paso, Texas, formed in 1994. The band currently consists of Cedric Bixler (vocals), Omar Rodriguez (guitar, vocals), Paul Hinojos (bass), Tony Hajjar (drums) and Keeley Davis (guitar, vocals). After several early line-up changes, the band solidified into a five-piece, consisting of Bixler, Rodriguez, Jim Ward, Hinojos and Hajjar. At the Drive-In released three studio albums and five EPs before breaking up in 2001.
Context: At the Drive-In's style is usually described as post-hardcore. Their sound has also been called punk rock, emo and art punk. Some of the group's influences are Indian Summer, Swing Kids, Fugazi, Sunny Day Real Estate (referred to by Ward as "Fugazi beyond Fugazi"), Bad Brains, and the Gravity Records-led post-hardcore sound of the 1990s that featured acts such as Antioch Arrow and Heroin. In their last period before their initial breakup, the biggest influences of At the Drive-In included bands such as Drive Like Jehu and The Nation of Ulysses, with frontman Bixler-Zavala going on to say that "there would be no Relationship of Command without Drive Like Jehu." The band also performed cover versions of songs such as "This Night Has Opened My Eyes" by The Smiths and "Take Up Thy Stethoscope and Walk" by Pink Floyd, both included in the 2004 compilation This Station Is Non-Operational. Their name was taken from the fact that Bad Brains took their name from the Ramones' song "Bad Brain" (from Road to Ruin), and Bixler liked the Bad Brains' song title "At the Movies" (track featured in Rock for Light); while Ward liked "at the drive-in", and his suggestion would eventually win out. Though In/Casino/Out was recorded live, "Relationship of Command may very well be the first record to harness the chaotic balance of adrenaline and intellect of ATDI's live performance." "Ross was instrumental in bringing out a lot of feeling from us," Bixler recalls. "We channeled a lot of emotion into this record. He pushed us farther than we thought we could go. I learned to cut loose the way we do live and not to be afraid to break something or whatever." While capturing the essence of ATDI's live shows in a way never before seen, the record also featured some of the band's most experimental songs, including "Rolodex Propaganda," "Non-Zero Possibility," and "Invalid Litter Dept." The band's guitar-playing, in the majority of their songs, is characterized by unusual chords, a fast tempo, and a quiet-loud-quiet song structure. While Jim and Paul provided the rhythmic structure of the song, Omar often played more experimental riffs and melodies over the top. Effects were heavily used by Omar, especially on Relationship of Command, while Jim used the keyboard to create melody, often switching between the guitar and keyboard such as in "Invalid Litter Department."
Question: What was their first album?
Answer:
melodies