Question:
A disc jockey, often abbreviated as DJ, is a person who plays existing recorded music for a live audience. Most common types of DJs include radio DJ, club DJ who performs at a nightclub or music festival, and turntablist who uses record players, usually turntables, to manipulate sounds on phonograph records. Originally, the "disc" in "disc jockey" referred to gramophone records, but now "DJ" is used as an all-encompassing term to describe someone who mixes recorded music from any source, including cassettes, CDs, or digital audio files on a CDJ or laptop. The title "DJ" is commonly used by DJs in front of their real names or adopted pseudonyms or stage names.
In Western popular music, women musicians have achieved great success in singing and songwriting roles, however, there are relatively few women DJs or turntablists. Part of this may stem from a general low percentage of women in audio technology-related jobs. A 2013 Sound on Sound article stated that there are "...few women in record production and sound engineering." Ncube states that "[n]inety-five percent of music producers are male, and although there are female producers achieving great things in music, they are less well-known than their male counterparts." The vast majority of students in music technology programs are male. In hip hop music, the low percentage of women DJs and turntablists may stem from the overall male domination of the entire hip hop music industry. Most of the top rappers, MCs, DJs, record producers and music executives are men. There are a small number of high-profile women, but they are rare. In 2007 Mark Katz's article "Men, Women, and Turntables: Gender and the DJ Battle," stated that "very few women [do turntablism] battle[s]; the matter has been a topic of conversation among hip-hop DJs for years." In 2010 Rebekah Farrugia states "the male-centricity of EDM culture" contributes to "a marginalisation of women in these [EDM] spaces." While turntablism and broader DJ practices should not be conflated, Katz suggests use or lack of use of the turntable broadly by women across genres and disciplines is impacted upon by what he defines as "male technophilia." Historian Ruth Oldenziel concurs in her writing on engineering with this idea of socialization as a central factor in the lack of engagement with technology. She explains: "an exclusive focus on women's supposed failure to enter the field ... is insufficient for understanding how our stereotypical notions have come into being; it tends to put the burden of proof entirely on women and to blame them for their supposedly inadequate socialization, their lack of aspiration, and their want of masculine values. An equally challenging question is why and how boys have come to love things technical, how boys have historically been socialized as technophiles." Lucy Green has focused on gender in relation to musical performers and creators, and specifically on educational frameworks as they relate to both. She suggests that women's alienation from "areas that have a strong technological tendency such as DJ-ing, sound engineering and producing" are "not necessarily about her dislike of these instruments but relates to the interrupting effect of their dominantly masculine delineations." Despite this, women and girls do increasingly engage in turntable and DJ practices, individually and collectively, and "carve out spaces for themselves in EDM and DJ Culture". A 2015 article cited a number of prominent female DJs: Hannah Wants, Ellen Allien, Miss Kittin, Monika Kruse, Nicole Moudaber, B.Traits, Magda, Nina Kraviz, Nervo, and Annie Mac. There are various projects dedicated to the promotion and support of these practices such as Female DJs London. Some artists and collectives go beyond these practices to be more gender inclusive. For example, Discwoman, a New York-based collective and booking agency, describe themselves as "representing and showcasing cis women, trans women and genderqueer talent."
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In Western popular music, women musicians have achieved great success in singing and songwriting roles, however, there are relatively few women DJs

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Bhagat Singh, a Sandhu Jat, was born in 1907 to Kishan Singh and Vidyavati at Chak No. 105 GB, Banga village, Jaranwala Tehsil in the Lyallpur district of the Punjab Province of British India. His birth coincided with the release of his father and two uncles, Ajit Singh and Swaran Singh, from jail. His family members were Sikhs; some had been active in Indian Independence movements, others had served in Maharaja Ranjit Singh's army.
According to Neeti Nair, associate professor of history, "public criticism of this terrorist action was unequivocal." Gandhi, once again, issued strong words of disapproval of their deed. Nonetheless, the jailed Bhagat was reported to be elated, and referred to the subsequent legal proceedings as a "drama". Singh and Dutt eventually responded to the criticism by writing the Assembly Bomb Statement: We hold human life sacred beyond words. We are neither perpetrators of dastardly outrages ... nor are we 'lunatics' as the Tribune of Lahore and some others would have it believed ... Force when aggressively applied is 'violence' and is, therefore, morally unjustifiable, but when it is used in the furtherance of a legitimate cause, it has its moral justification. The trial began in the first week of June, following a preliminary hearing in May. On 12 June, both men were sentenced to life imprisonment for: "causing explosions of a nature likely to endanger life, unlawfully and maliciously." Dutt had been defended by Asaf Ali, while Singh defended himself. Doubts have been raised about the accuracy of testimony offered at the trial. One key discrepancy concerns the automatic pistol that Singh had been carrying when he was arrested. Some witnesses said that he had fired two or three shots while the police sergeant who arrested him testified that the gun was pointed downward when he took it from him and that Singh "was playing with it." According to the India Law Journal, which believes that the prosecution witnesses were coached, these accounts were incorrect and Singh had turned over the pistol himself. Singh was given a life sentence.

How did the trial go?
Doubts have been raised about the accuracy of testimony offered at the trial.