input: By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, "Let Me Go" and "Behind Those Eyes" charted with the most success. "Live for Today", "Landing in London" (on which Bob Seger sang the second verse and provided back-up vocals), and "Here by Me" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of "It's Not Me" and "Father's Son", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles "It's Not My Time", "Train", "Let Me Be Myself" and "Citizen/Soldier", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song "In the Presence of the Lord" on the compilation album Oh Happy Day: An All-Star Music Celebration. The band recorded in 2009 a Christmas song called "Where My Christmas Lives", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of "Where my Christmas Lives".

Answer this question "What other albums did they release?"
output: self-titled fourth album on May 20, 2008.

input: Reviews of The Colbert Report upon its 2005 premiere were positive, although critics were generally skeptical that the character could extend beyond one season without growing tiresome. While positively reviewing the program as a whole, Maureen Ryan of the Chicago Tribune echoed these sentiments: "The biggest question hanging over The Colbert Report is whether the show's sendup of the pomposity and fear-mongering of cable news blowhards will be as appealing in the long term." Melanie McFarland of the Seattle Post-Intelligencer summarized the show's early reaction: "Critics and bloggers either loved the premiere or declared themselves to be unmoved, but that's the standard reaction after any late-night program's debut. A truer measure will be seen in coming weeks, after the hype wears off and the ratings lose their exuberance." Gilbert Cruz of Entertainment Weekly noted that "Colbert proves that the line between serious TV journalism and utter nonsense is a very thin one indeed." Heather Havrilesky of Salon was effusive, remarking, "Not only does Colbert maintain his persona without skipping a beat throughout the entire show, but he's got great comic timing, the show's writers are brilliant, and the whole thing is pure foolish, bizarre, idiotic fun." Barry Garron of The Hollywood Reporter dubbed it an "auspicious debut", writing, "The new show dovetails nicely with its lead-in to present a solid hour of skewered news and punctured pomposity." Variety's Brian Lowry commented that the show had an "impressive start with a topnotch premiere followed by a respectable second outing." Paul Brownfield of the Los Angeles Times wrote, "In the run-up to the show it all sounded a bit hard to get your head around, but in the flesh the show zinged, at least this first week." The Boston Globe's Matthew Gilbert praised the show's wordplay, summarizing, "Colbert's a clever creation, and a necessary one, and he deserves an opportunity to offend as many people as possible with his pompous blather." Alessandra Stanley of The New York Times commented that the show was a welcome addition to the Comedy Central lineup, remarking, "What puts Mr. Colbert over the top is that he is not just impersonating well known television personalities, he also uses parody to score larger points about politics and the press." Nevertheless, there were more negative reviews: USA Today's Robert Bianco opined that the show "tried too hard", writing, "Unfortunately, in just two weeks on the air, this half-hour spoof of a no-spin-zone type show has already stretched Colbert's character and the artifice that supports it past its natural breaking point."

Answer this question "Did the show ever face criticism?"
output: critics were generally skeptical that the character could extend beyond one season without growing tiresome.

input: Cohan began writing original skits (over 150 of them) and songs for the family act in both vaudeville and minstrel shows while in his teens. Soon he was writing professionally, selling his first songs to a national publisher in 1893. In 1901 he wrote, directed and produced his first Broadway musical, The Governor's Son, for The Four Cohans. His first big Broadway hit in 1904 was the show Little Johnny Jones, which introduced his tunes "Give My Regards to Broadway" and "The Yankee Doodle Boy." Cohan became one of the leading Tin Pan Alley songwriters, publishing upwards of 300 original songs noted for their catchy melodies and clever lyrics. His major hit songs included "You're a Grand Old Flag," "Forty-Five Minutes from Broadway," "Mary Is a Grand Old Name," "The Warmest Baby in the Bunch," "Life's a Funny Proposition After All," "I Want To Hear a Yankee Doodle Tune," "You Won't Do Any Business If You Haven't Got a Band," "The Small Town Gal," "I'm Mighty Glad I'm Living, That's All," "That Haunting Melody," "Always Leave Them Laughing When You Say Goodbye", and America's most popular World War I song "Over There", which was recorded by Enrico Caruso among others. The latter song reached such currency among troops and shipyard workers that a ship was named "Costigan" after Cohan's grandfather, Dennis Costigan. During the christening, "Over There" was played. From 1904 to 1920, Cohan created and produced over 50 musicals, plays and revues on Broadway together with his friend Sam H. Harris, including Give My Regards to Broadway and the successful Going Up in 1917, which became a smash hit in London the following year. His shows ran simultaneously in as many as five theatres. One of Cohan's most innovative plays was a dramatization of the mystery Seven Keys to Baldpate in 1913, which baffled some audiences and critics but became a hit. Cohan further adapted it as a film in 1917, and it was adapted for film six more times, as well as for TV and radio. He dropped out of acting for some years after his 1919 dispute with Actors' Equity Association. In 1925, he published his autobiography, Twenty Years on Broadway and the Years It Took To Get There.

Answer this question "what was his next acomplishment"
output:
selling his first songs to a national publisher in 1893.