IN: A Funny Thing Happened on the Way to the Forum is a musical with music and lyrics by Stephen Sondheim and book by Burt Shevelove and Larry Gelbart. Inspired by the farces of the ancient Roman playwright Plautus (251-183 BC), specifically Pseudolus, Miles Gloriosus, and Mostellaria, the musical tells the bawdy story of a slave named Pseudolus and his attempts to win his freedom by helping his young master woo the girl next door. The plot displays many classic elements of farce, including puns, the slamming of doors, cases of mistaken identity (frequently involving characters disguising themselves as one another), and satirical comments on social class. The title derives from a line often used by vaudeville comedians to begin a story: "A funny thing happened on the way to the theater".

A revival opened on Broadway at the Lunt-Fontanne Theatre on April 4, 1972 and closed on August 12, 1972 after 156 performances. Directed by co-author Burt Shevelove the cast starred Phil Silvers as Pseudolus (later replaced by Tom Poston), Lew Parker as Senex, Carl Ballantine as Lycus and Reginald Owen as Erronius. Larry Blyden, who played Hysterium, the role created by Jack Gilford, also co-produced. "Pretty Little Picture" and "That'll Show Him" were dropped from the show, and were replaced with "Echo Song" (sung by Hero and Philia), and "Farewell" (added for Nancy Walker as Domina, as she and Senex depart for the country). "Echo Song" and "Farewell" had been added to a production staged in Los Angeles the previous year and were composed by Sondheim. They had to close soon after Phil Silvers suffered a stroke. The show won two Tony Awards, Best Leading Actor in a Musical for Silvers, and Best Featured Actor in a Musical for Blyden. The musical was revived again with great success in 1996, opening at the St. James Theatre on April 18, 1996 and closing on January 4, 1998 after 715 performances. The cast starred Nathan Lane as Pseudolus (replaced by Whoopi Goldberg and later by David Alan Grier), Mark Linn-Baker as Hysterium, Ernie Sabella as Lycus, Jim Stanek as Hero, Lewis J. Stadlen as Senex, and Cris Groenendaal as Miles Gloriosus. The production was directed by Jerry Zaks, with choreography by Rob Marshall. Lane won the 1996 Tony Award for Best Leading Actor and the Dramas Desk Award, Outstanding Actor in a Musical; the production was nominated for the 1996 Tony Award and Drama Desk Award, Revival of a Musical. Every actor who has opened in the role of Pseudolus on Broadway (Zero Mostel, Phil Silvers, and Nathan Lane) has won a Best Leading Actor Tony Award for his performance. In addition, Jason Alexander, who performed as Pseudolus in one scene in Jerome Robbins' Broadway, also won a Tony for Best Actor in a Musical.

Are there any other interesting aspects about this article?

OUT: Every actor who has opened in the role of Pseudolus on Broadway (Zero Mostel, Phil Silvers, and Nathan Lane) has won a Best Leading

Answer the question at the end by quoting:

Biffy Clyro are a Scottish rock band that formed in Kilmarnock, East Ayrshire, composed of Simon Neil (guitar, lead vocals), James Johnston (bass, vocals) and Ben Johnston (drums, vocals). Currently signed to 14th Floor Records, they have released seven studio albums, four of which (Puzzle, Only Revolutions, Opposites and Ellipsis) reached the top five in the UK Albums Chart, with their sixth studio album, Opposites claiming their first UK number-one album. After their first three albums, the band expanded their following significantly in 2007 with the release of their fourth, Puzzle, creating more mainstream songs with simpler rhythms and distancing themselves from the more unusual dissonant style that was present in their previous three albums. Puzzle peaked at number 2 on the official UK album charts on 16 June 2007.
In 2006, Biffy Clyro left Beggars Banquet and signed a deal with 14th Floor, an offshoot of Warner Bros. In September, the band went to Canada to record their fourth album at The Warehouse Studio in Vancouver (where it was engineered by Mike Fraser), and The Farm Studio in Gibsons. From these sessions the song "Semi-Mental" was released as a digital download on 25 December. On 5 March 2007 "Saturday Superhouse" was released, reaching No. 13 on the UK Singles Chart, the band's highest single chart position to date. Puzzle was released in June and helped the band to reach their highest UK Albums Chart position ever, hitting No. 2 in the first week of release, also reaching No. 17 in Ireland, and No. 39 in the overall world charts. The album is certified Gold in the UK, having sold over 220,000 copies, and as of February 2009 has sold over 300,000 worldwide. This album is notable for having somewhat more straightforward song structures and a more melodic overall sound than their previous work, while still retaining some more unusual elements. Puzzle was voted the best album of 2007 by Kerrang! and Rock Sound. On 25 August, it was announced that "Machines" would be the next single from Puzzle, which was released on 8 October. Support slots for acts such as Muse (at the new Wembley Stadium), The Who, Red Hot Chili Peppers and The Rolling Stones were significant in expanding Biffy's fan base. The band also played the Download 2007, Glastonbury 2007, Reading and Leeds Festival and T in the Park for a record seventh time. The band opened for Linkin Park during January on their European tour. In 2008, the band toured with Queens Of The Stone Age on their European and North American tours for Era Vulgaris, and opened for New Jersey rockers Bon Jovi at Twickenham during the Lost Highway Tour. In December 2008 the band played their biggest headline shows, including a date at Glasgow's 10,000 capacity SECC.

What year did this get released?

Puzzle was voted the best album of 2007 by Kerrang! and Rock Sound.

input: Stallman places great importance on the words and labels people use to talk about the world, including the relationship between software and freedom. He asks people to say free software and GNU/Linux, and to avoid the terms intellectual property and piracy (in relation to copyright). One of his criteria for giving an interview to a journalist is that the journalist agree to use his terminology throughout the article. He has been known to turn down speaking requests over some terminology issues. Stallman argues that the term "intellectual property" is designed to confuse people, and is used to prevent intelligent discussion on the specifics of copyright, patent, trademark, and other laws by lumping together areas of law that are more dissimilar than similar. He also argues that by referring to these laws as property laws, the term biases the discussion when thinking about how to treat these issues. These laws originated separately, evolved differently, cover different activities, have different rules, and raise different public policy issues. Copyright law was designed to promote authorship and art, and covers the details of a work of authorship or art. Patent law was intended to encourage publication of ideas, at the price of finite monopolies over these ideas - a price that may be worth paying in some fields and not in others. Trademark law was not intended to promote any business activity, but simply to enable buyers to know what they are buying. An example of cautioning others to avoid other terminology while also offering suggestions for possible alternatives is this sentence of an e-mail by Stallman to a public mailing list: I think it is ok for authors (please let's not call them creators, they are not gods) to ask for money for copies of their works (please let's not devalue these works by calling them content) in order to gain income (the term compensation falsely implies it is a matter of making up for some kind of damages).

Answer this question "Did he think all software should be free?"
output:
a price that may be worth paying in some fields and not in others.