Detailed Instructions: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : Homie was a side project of Rivers Cuomo, lead singer of the band Weezer. Homie, as it stands now, was a one-time effort. Homie has released just one song, "American Girls", for the soundtrack of the 1998 film "Meet the Deedles". For this recording, Cuomo was joined by Greg Brown (member of Cake and Deathray), Matt Sharp (formerly of Weezer, lead singer of The Rentals), Adam Orth of Shufflepuck and Yuval Gabay of Soul Coughing and Sulfur. Context_2 : Matt Sharp is a self-titled debut from former Weezer bassist and The Rentals frontman Matt Sharp. The album is notable for featuring no electric guitar, synths, or percussion. Instead lap steel, acoustic guitar, piano, and organ are the only accompaniment to Sharp's vocals. The album was recorded in Tennessee. Context_3 : Return of the Rentals is the debut album by alternative rock band The Rentals, released on October 24, 1995, through Maverick Records, a subsidiary of Reprise Records. The album features Matt SharpWeezer's bassist at the timeon vocals and bass, as well as Weezer drummer Patrick Wilson. Other contributors include Tom Grimley (Moog, production), Petra Haden (violin, vocals), Rachel Haden (vocals), Guy Oseary (album artwork), and Stephen Marcussen (mastering). Context_4 : The Rentals are an American rock band fronted by vocalist Matt Sharp, best known as the former bassist for Weezer. Sharp has been the only consistent member since the group's inception. The band is best known for their 1995 single "Friends of P." The Rentals released two albums, "Return of the Rentals" (1995) and "Seven More Minutes" (1999) on Maverick Records before quietly splitting in 1999 following a world tour. The group reformed in 2005 and have since released several EPs and a third full-length album, "Lost in Alphaville", which was released August 26, 2014, on Polyvinyl Records. Due to the revolving nature of studio and live collaborators, determining who is actually an official member of the group at any one point is difficult. Context_5 : Michael Edward "Mikey" Welsh (April 20, 1971 October 8, 2011) was an American artist and musician, best known as the former bassist of Weezer. He played with Weezer frontman Rivers Cuomo during Cuomo's time in Boston during the hiatus in the band Homie. Following original bassist Matt Sharp's decision to leave Weezer to focus on his group, The Rentals, Welsh was chosen to take over on bass. Welsh played with Weezer from the time that they unofficially regrouped in 1998 until August 2001, when he suffered a mental breakdown. Shortly afterwards, he retired from music to focus on his art career. Welsh died on October 8, 2011. Context_6 : Weezer, also known as the Green Album, is the third studio album by American rock band Weezer, released on May 15, 2001, through Geffen Records. Produced by Ric Ocasek, this is the only Weezer album to feature bassist Mikey Welsh, who replaced Matt Sharp. The album is grounded in the power pop genre, featuring strong melodies, crisp vocal harmonies, and prominent guitar riffs. It is also Weezer's quickest-selling album. Context_7 : Songs from the Black Hole is an unfinished, unreleased album by the American alternative rock band Weezer recorded between 1994 and 1996. Intended to follow their 1994 self-titled debut album, it was to be a science fiction rock opera that expressed songwriter Rivers Cuomo's mixed feelings about rock and roll success. Its six characters were to be voiced by Cuomo, guitarist Brian Bell and bassist Matt Sharp of Weezer, Rachel Haden of That Dog and the Rentals, Joan Wasser of the Dambuilders, and Weezer collaborator Karl Koch. Context_8 : Pinkerton is the second studio album by American rock band Weezer, released on September 24, 1996 on DGC Records. After abandoning plans for a rock opera titled "Songs from the Black Hole", Weezer recorded "Pinkerton" between songwriter Rivers Cuomo's terms at Harvard University, where he wrote much of the album. It was the last Weezer album to feature bassist Matt Sharp. Context_9 : Weezer is an American rock band formed in Los Angeles in 1992, consisting of Rivers Cuomo (lead vocals, guitar), Patrick Wilson (drums), Brian Bell (guitar, backing vocals, keyboards), and Scott Shriner (bass guitar, backing vocals). Weezer has sold 9.2 million albums in the US and over 17 million worldwide. Context_10 : Matthew Kelly "Matt" Sharp (born September 22, 1969) is an American multi-instrumentalist, singer, songwriter and producer, and is best known as a founding member and former bassist of the alternative rock band Weezer. In 1994, Sharp started a band named The Rentals, who released their debut album shortly after Weezer's first release, followed by their 2nd album in 1999, and an EP in 2007. In addition, Sharp has released one full-length album and one EP as a solo artist. fact_1 : Matthew Kelly "Matt" Sharp (born September 22, 1969) is an American multi-instrumentalist, singer, songwriter and producer, and is best known as a founding member and former bassist of the alternative rock band Weezer. fact_2 : Weezer is an American rock band formed in Los Angeles in 1992, consisting of Rivers Cuomo (lead vocals, guitar), Patrick Wilson (drums), Brian Bell (guitar, backing vocals, keyboards), and Scott Shriner (bass guitar, backing vocals). Question: What year did Matt Sharp become a founding member of the band Weezer?
Solution:
1992