input: In my opinion, A GUY THING is a hilarious, witty, sexy, romantic, and totally beautiful chick flick that guys will also enjoy. I thought that Jason Lee and Julia Stiles dazzled as a bewildered groom-to-be and his soon-to-be sexy cousin-in-law. If you ask me, they lit up the screen like magic. You can also feel their chemistry between them. Before I wrap this up, I'd like to say that the performances were top grade, the direction was flawless, the production design was nice, the casting was perfect, and the costumes were perfectly designed. In conclusion, to anyone who's a fan of Jason Lee or Julia Stiles, I recommend this movie. You're in for lots of laughs and thrills, so, go to the video store, rent it or buy it, kick back with a friend, and watch it.

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pos/neg ans: positive

input: Once again a film classic has been pointlessly remade with predictably disastrous results. The title is false as is everything about this film. The period is not persuasively rendered, and the leads seem way too young and too vapid to even be criminals. Arthur Penn's film had style, humor, a point of view, and was made by talented people. Even if the 1967 version didn't exist this would still be an unnecessary film. The 1967 version strayed from the facts, presented a glamorized version of Bonnie and Clyde, but it was exciting, and innovative for 1967, and it had some outstanding performances that allowed you to care. This 1992 remake seems culled from the original film rather than the truth as known and the actors in this version are callow, unappealing, and not the least bit interesting. By all means skip this one and hope the 2010 version will be better. Could it possibly be worse?

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pos/neg ans: negative

input: On his birthday a small boys tells his mother he is not her son, and that he wants to go home to his real mother.

In some ways Comedy De L'Innocence feels like it comes from a different time of movie-making, perhaps the 60's or 70's. Certainly it reminded me of Losey's Secret Ceremony (1968), and Richard Loncraine's Full Circle (1977), both of which deal with loss, grief and relationships between parents and 'lost' children (curiously both films star Mia Farrow).

All three films are populated with unsympathetic characters who behave in strange and unexplained ways. All three films have a chilly feel, both emotionally and literally. All three films focus on mother-child relationships, and ultimately all three films pose the question - 'what is real, what is imagined?'

Beautiful but flawed, it offers no easy answers and leaves much hanging, unexplained and strange.

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pos/neg ans: negative

input: Almost a two-person play, and as such the dialog and the performances of the leads will be important. Neither are particularly good. This might have been stronger, in fact, if it had first been crafted as a two-person play, and then worked into a film.

Anyway, a twitchy vampire who seems slightly autistic becomes infatuated with a stripper (as a result of watching too much porn in his crappy home). He wants to have her tell him about the daylight. He would have been better off finding someone with a day job, or someone who excels at painting a picture with words like a poet, but then they might not have a hot bod.

After he gets her to do whatever he wants (and he's not terribly good at it), he intends to feed on her at 6 AM, at which point the sun rises. Much is made of that deadline, despite the fact that he also says that he can go without feeding, it will just make him hungrier. Additionally, he claims he can't let the stripper go, since she knows about him, but he lets a number of other people go who learn what he is. There are a lot of inconsistencies.

Why this vampire chooses to live in a house so poorly boarded up that light from streetlamps and neighboring buildings pours in as if it were daytime, I'm not sure. With all the time in the world, you'd think he'd have done a better job, or fixed the place up a bit. He's clearly not a wealthy vampire.

This is supposedly a remake, and I'm curious to see the original version of this, Dance of the Damned. Although, that was directed by Katt Shea, and the other films she directed for Corman (Stripped to Kill, StK II) were pretty bad.

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pos/neg ans:
negative