Problem: Background: Alice Paul was born on January 11, 1885, at Paulsdale in Mount Laurel Township, New Jersey. She was the eldest of four children of William Mickle Paul I (1850-1902) and Tacie Paul (nee Parry), and a descendant of William Penn, the Quaker founder of Pennsylvania. Her siblings were Willam, Helen, and Parry. She grew up in the Quaker tradition of public service; her ancestors included participants in the New Jersey Committee of Correspondence in the Revolutionary era and a state legislative leader in the 19th century.
Context: While associated with the Women's Social and Political Union, Paul was arrested seven times and imprisoned three times. It was during her time in prison that Paul learned the tactics of civil disobedience from Emmeline Pankhurst. Chief among these tactics was demanding to be treated as a political prisoner upon arrest. This not only sent a message about the legitimacy of the suffragists to the public, but also had the potential to provide tangible benefits. In many European countries, including England, political prisoners were given a special status: "[T]hey were not searched upon arrest, not housed with the rest of the prisoner population, not required to wear prison garb, and not force-fed if they engaged in hunger strikes." Though arrested suffragettes often were not afforded the status of political prisoners, this form of civil disobedience provided a lot of press for the WSPU. For example, during a London arrest (after being denied political prisoner status), Paul refused to put on prisoner's clothing. After the prison matrons were unable to forcibly undress her, they requested assistance from male guards. This shockingly improper act provided extensive press coverage for the suffrage movement. Another popular civil disobedience tactic used by the Suffragettes was hunger striking. The first WSPU related hunger strike was conducted by sculptor Marion Wallace Dunlop in June 1909. By that fall it was being widely used by WSPU members because of its effectiveness in publicizing their mistreatment and gaining quick release from prison wardens. Refusing food worked in securing an early release for Paul during her first two arrests. However, during her third prison stint, the warden ordered twice daily force-feeding to keep Paul strong enough to finish out her month-long sentence. Though the prisons staunchly maintained that the force-feeding of prisoners was for their own benefit, Paul and other women described the process as torturous. At the end of her month in prison, Paul had developed severe gastritis. She was carried out of prison and immediately tended to by a doctor. However, after this event, her health was permanently scarred; she often developed colds and flu which would sometimes require hospitalization.
Question: Why was he imprisoned?
Answer: Though arrested suffragettes often were not afforded the status of political prisoners, this form of civil disobedience provided a lot of press for the WSPU.

Problem: Background: Sparks are an American pop and rock band formed in Los Angeles in 1972 by brothers Ron (keyboards) and Russell Mael (vocals). The duo formed in 1968 under the name Halfnelson. Known for their quirky approach to songwriting, Sparks' music is often accompanied by intelligent, sophisticated, and acerbic lyrics, and an idiosyncratic, theatrical stage presence, typified in the contrast between Russell's animated, hyperactive frontman antics and Ron's deadpan scowling. They are also noted for Russell Mael's distinctive falsetto voice and Ron Mael's intricate and rhythmic keyboard playing style.
Context: Relocating to England in 1973 with a new manager, John Hewlett, founder of John's Children, and a deal from Island Records, thanks in part to the exposure garnered by their BBC Two Whistle Test performance, they placed an ad in music weekly Melody Maker ("Wanted bass player for Sparks. Must be beard free and exciting") and through this hired Martin Gordon. With Adrian Fisher on guitar and Norman "Dinky" Diamond on drums, in the midst of power cuts and a threatened vinyl shortage, they recorded their breakthrough Kimono My House in 1974, scoring a No. 2 hit with the single "This Town Ain't Big Enough for Both of Us", despite Elton John betting producer Muff Winwood that the song would not break into the charts. Sparks became a UK teen sensation appearing on the cover of Melody Maker, Record Mirror and countless other pop magazines in the UK and Europe. Hits such as "This Town Ain't Big Enough for Both of Us", "Amateur Hour" and "Never Turn Your Back on Mother Earth" led to many appearances on the BBC's flagship music show Top of the Pops. Russell's hyperactive movements were in sharp contrast to the keyboard-bound, soberly dressed Ron's expressionless squint and Charlie Chaplin-esque moustache. Gordon and Fisher were later replaced by Trevor White and Ian Hampton. In 1975, the revised band returned to the US to tour supporting the Kimono and Propaganda albums which had gained strong cult attention in New York City, Cleveland, Chicago, San Francisco and Los Angeles primarily from FM radio play and a national TV appearance on Don Kirshner's Rock Concert. Flo & Eddie were the supporting act. Influential 1970s progressive FM radio station powerhouse WMMS in Cleveland and its famed DJs such as Kid Leo initially championed the band in America. Sparks also performed on American Bandstand in 1975 with host Dick Clark mugging with Ron and on countless other TV shows in the US and abroad post 1977. The follow-up albums, Propaganda and Indiscreet, the latter produced by Tony Visconti, were similarly successful and produced the hit singles "Looks, Looks, Looks", "Never Turn Your Back on Mother Earth" and "Something for the Girl with Everything".
Question: What was the first album released under Island Records?
Answer:
Kimono My House