In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: synopsis : in this movie , steven spielberg , one of today 's finest directors , attempts to spice up the 1800s story of a long courtroom battle over the fate of prisoner cinque ( djimon hounsou ) - - a young angry man from sierra leone who was kidnapped into slavery - - and his fellow prisoners .
cinque and friends have landed a ship on the shores of america after escaping spanish slave traders , but since the americans do n't speak cinque 's language , the black men are hauled into court to determine whether or not they are legally slaves .
technically , since the international slave trade was outlawed at that time , people like cinque could n't be kidnapped into slavery ; one had to be born a slave to be legally considered a slave .
lawyers baldwin and adams ( matthew
mcconaughey and anthony hopkins ) must prove cinque and the others were captured into slavery , rather than born slaves , in order to get them out of prison as free men .
three lengthy court cases are portrayed with spielberg 's trademark panache - - flashy beginning , lots of facial close - ups , big music , and dramatic imagery .
a final speech by adams is followed by an anticlimax where subtitles show what eventually happened to the various characters .
opinion : making a fictional movie is easier than making one about real life .
in fiction , one invents purposeful , clear - cut good guys and bad guys , puts the fictional characters in conflict , and takes the tale to its exciting conclusion .
real life , however , consists of long stretches of boredom with a few dramatic moments and characters who stand around , think thoughts and do nothing , or come and go before events are resolved .
spielberg gives us a visually spicy and historically accurate real life story .
djimon hounsou and anthony hopkins turn in excellent performances .
Example Output: P

Example Input: moviemaking is a lot like being the general manager of an nfl team in the post - salary cap era -- you 've got to know how to allocate your resources .
every dollar spent on a free - agent defensive tackle is one less dollar than you can spend on linebackers or safeties or centers .
in the nfl , this leads to teams like the detroit lions , who boast a superstar running back with a huge contract , but can only field five guys named herb to block for him .
in the movies , you end up with films like " spawn " , with a huge special - effects budget but not enough money to hire any recognizable actors .
jackie chan is the barry sanders of moviemaking .
he spins and darts across the screen like sanders cutting back through the defensive line .
watching jackie in operation condor as he drives his motorcycle through the crowded streets of madrid , fleeing an armada of pursuers in identical black compact cars , is reminiscent of sanders running for daylight with the chicago bears in hot pursuit , except that sanders does n't have to worry about rescuing runaway baby carriages .
but like the lions star , jackie does n't have anybody to block for him .
almost every cent that 's invested in a jackie chan movie goes for stunts , and as chan does his own stunts , the rest of the money goes to pay his hospital bills .
this leaves about 75 cents to pay for things like directors ( chan directs ) , scripts and dubbing and supporting characters , not to mention the hideous title sequence .
this also explains why the movie was shot in odd places like morocco and spain .
( chan 's first release in this country , " rumble in the bronx " , was supposedly set in new york , but was filmed in vancouver , and in the chase scenes the canadian rockies are clearly visible . )
heck , jackie does n't even have enough money for a haircut , looks like , much less a personal hairstylist .
in condor , chan plays the same character he 's always played , himself ,
a mixture of bruce lee and tim allen , a master of both kung - fu and slapstick - fu .
jackie is sent by the un to retrieve a cache of lost nazi gold in the north african desert , and is chased by a horde of neo - nazi sympathizers and two stereotypical arabs ( one of the things i like about jackie chan movies : no political correctness ) .
he is joined by three women , who have little to do except scream , " jackie , save us ! " , and misuse firearms .
the villain is an old nazi whose legs were broken in the secret base so that he has to be carried everywhere , and he 's more pathetic than evil .
en route , we have an extended motorcycle chase scene , a hilarious fight in the moroccan version of motel 6 with the neo - nazis , and two confrontations with savage natives .
once at the secret desert base , there is a long chop - socky sequence , followed by the film 's centerpiece , a wind - tunnel fight that 's even better than the one in face / off .
this is where the money was spent , on well - choreographed kung - fu sequences , on giant kevlar hamster balls , on smashed - up crates of bananas , and on scorpions .
ignore the gaping holes in the plot ( how , exactly , if the villain 's legs were broken , did he escape from the secret nazi base , and why did n't he take the key with him ? ) .
do n't worry about the production values , or what , exactly , the japanese girl was doing hitchhiking across the sahara .
just go see the movie .
operation condor has pretentions of being a " raiders of the lost ark " knockoff , but one wonders what jackie could do with the raiders franchise blocking for him -- with a lawrence kazdan screenplay , a john williams score , spielberg directing and george lucas producing , condor might be an a+ movie .
however , you 've got to go with what you 've got , and what you 've got in jackie chan is something special -- a talent that mainstream hollywood should , could , and ought to utilize .
Example Output: P

Example Input: a life less ordinary ( r ) while the extremely peculiar a life less ordinary does live up to its title , a more appropriate moniker would be a movie more misguided , for this confused , confusing attempt
at romantic comedy is a most disarming disaster from the talented trainspotting team of director danny boyle , producer andrew macdonald , and screenwriter john hodge .
at the core of this strange film is a fairly basic -- and , yes , ordinary -- premise .
after robert ( boyle regular ewan mcgregor ) , an aspiring writer of trashy novels , is fired from his janitorial job at the naville corporation , he kidnaps naville 's ( ian holm ) spoiled daughter celine ( cameron diaz ) and holds her for ransom .
the joke here is that celine is a willing victim -- her father threatened to cut her off financially , so she wants revenge -- and that she soon becomes not only an accomplice but the brains behind the scheme , teaching the inept robert a thing or two about kidnapping . .
.
and , ultimately ( did n't we see this one coming ? ) , love .
so far , so mediocre .
but mediocre is better than dreadful , which this film is
, thanks in no small part to the hodge 's contextual frame for the romance .
it turns out that god is displeased with the divorce and romantic breakup rate on earth , so the chief of heaven 's police , gabriel ( dan hedaya ) dispatches two angels , o'reilly ( holly hunter ) and jackson ( delroy lindo ) , to earth to hook up celine and robert -- or lose their angel status .
this conceit might have worked if the angel dimension played an integral role in the entire picture .
but it could have easily been cut without any clear loss to the film ; as it stands , it is simply a waste of time that distracts from the romance at hand .
not that there is much of a romance to begin with .
try as diaz and mcgregor may , celine and robert are too one - note to become very endearing characters .
celine is rich bitch ; robert is a dullard .
as such , it is quite hard for the audience to really connect with these two -- then again ,
they never seem to really connect with each other .
when celine and robert start to overtly act on their " feelings , " it comes off more like something scripted than anything natural .
but i am not exactly sure
if boyle and company 's point was romance ; honestly , i am not exactly sure what they were trying to accomplish .
boyle juices up the visuals with his characteristic razzmatazz , but it remains just that -- energy , not energy in service of a story or even acting .
the cast seems lost , especially hunter , whose performance is so adrift as to be baffling .
and then there are the many eccentricities splattered onto the film : some violent confrontations involving the angels , who are not exactly angelic
-- in fact , they end up staging their own ransom scheme ; some mystical hokum in the climax ; and a cutesy claymation epilogue .
watching much of a life less ordinary is like being trapped in indie hipster hell , stockpiling quirks in the name of cool .
instead , the film just gives quirky a bad name .
my best guess as to what the filmmakers wanted to accomplish is an atmosphere of warped womantic ( yes , misspelling intended ) whimsy , which comes through in only one scene : an extended musical number where celine and robert sing " beyond the sea " at a karaoke bar .
after a verse or two , the couple are magically dolled up in snazzy outfits and hairdos , and engage in a spirited dance routine on the counter .
the scene works not only because of its relative simplicity but also because it does not try too hard , just relying on the innate charm of the leads , allowing them to build a romantic rapport .
alas , not nearly enough is built , for this moment comes to an abrupt end .
i applaud any attempt to bring something fresh and unique to movie houses , but sometimes even cleverness can reach overkill .
a life less ordinary certainly delivers something " different , " but by the time the film was over , i was clamoring for a life more ordinary .
"
i can accept failure .
everyone fails at something .
but i ca n't accept not trying .
it does n't matter if you win as long as you give everything in your heart .
"
--michael jordan
Example Output:
N