Article: Double-click the Project64 app icon, which resembles a green, stylized "PJ" next to a small, red "64" icon. This tab is at the top of the window. A drop-down menu will appear. It's near the bottom of the drop-down menu. Doing so opens the controller settings window. If you see a large image of a controller in the middle of the page, your controller is showing up on Project64; if not, try restarting Project64. If restarting Project64 doesn't work, restart your computer and then try to connect again. To map an action to a different button on the controller, click the action's name to the left of the keyboard button, then press the button that you want to use for that action on your controller. Click Save Profile at the top of the window, enter a name for the configuration, and click Save. You'll be able to load the saved settings by re-opening the Configure Controller Plugin... menu, clicking Load Profile, and double-clicking the saved settings file. It's helpful to save your controller's profile as something identifying (e.g., the name of the game with which you want to use the controller's specific controls).
Question: What is a summary of what this article is about?
Open Project64. Click Options. Click Configure Controller Plugin. Look for a controller's image. Change the controls. Save your controller configuration.
Article: Even if your hair is highlighted or colored, try to categorize it into one of the main shades: black, brown, blonde, red/auburn, or gray/white. This will make it easier when it comes to choosing an eyeshadow that works best for you. Similar to having brown eyes, all colors work with black/brown hair. However, bold colors like black, purple, yellow, green, or brown will really work in contrast to your hair color. On the other hand, if you have fair skin and dark hair, it's best to stick to neutral colors like gold and beige, or other pastels, so your skin doesn't look bruised. Those with blonde hair usually have fair or pale skin, so dark eyeshadow colors can be overpowering. Sticking to colors like gray, pink, black, blue, gold, or cream will enhance natural coloring without making you look bruised or tired. Since red or auburn hair is already bold in coloring, shades like black, pink, gold, olive, or copper will help the hair to stand out more without distracting from it. Shiny or shimmery colors may pull the focus away from the brightness of the hair. The lighter coloring will help complement the fairness of the hair color rather than detract from it. Colors like gray, lilac, or blue will help pull out the natural highlights in the hair. Anything goes for "unnatural" hair colors like purple, pink, or green, however choosing opposite colors on the color wheel can help make your hair color pop even more. For example, if you have green hair try pinks and purples to make it pop. Or if your hair is pink, try a lime green or chartreuse. For multicolored hair, try focusing on the colors that frame your face. For example, if you have blue bangs, a gold or dusky orange would look good.
Question: What is a summary of what this article is about?
Figure out your hair color. Try everything for black and brown hair. Try neutral or natural colors for blonde hair. Try strong, semi-muted colors for red or auburn hair. Try pastels for gray or white hair. Try different colors for brightly colored hair.
Article: If you truly want the behavior to stop, do not laugh or give "come hither" looks. And be careful how you use body language to confuse the matter, as some people can get mixed signals and assume there is more that you're simply too shy to vocalize. In one infamous case, an investment manager accused his date in an email rant of giving him reason to believe they'd have a second date, based simply on her hair twirling, constant eye contact and being nice to him, so he felt petulant when she refused to see him again! While that's a particularly awkward case, body language is something over which you have control, such as: Turn your head or look away when the other person begins to flirt or uses flirtatious body language. For example, if he or she comments on your appearance, look away and do not respond. Move away from the other person if he or she touches you. If the other person grabs your hand or puts his or her arm around your shoulders, back off and move away. It's fine (in fact probably desirable) to tell them not to touch you again too, saying you don't like it. Remain civil. Never lash out with nasty comments or mean remarks; it may not only encourage the behavior but can make an uncomfortable situation even worse. If you are a normally flirtatious person with everyone you meet, try to tone it down around this person because they may be unable to distinguish the fact that you act this way toward everyone and not just toward them. Alternatively, have a good friend take them aside and explain that this is the way you behave with everyone, so as to burst their balloon early on. If you are at an office party, social event or bar, politely excuse yourself and leave. Go and talk to other people, making it difficult for this person to get close to you again. In a professional context, you can draw the line using work as the excuse. Tell them that you (or they) have to leave because you have work to do, a meeting to attend, a deadline to meet, etc. If there is a habit of this person "hanging about", you'll need to get more specific and let them know that you don't appreciate having your work time interrupted so frequently. If your friend or peer witnesses the behavior and seems to egg it on, discuss your feelings and let him or her know you want to diffuse the situation, not encourage it. Hopefully next time you are together and the flirting begins, your friend has your back and you can both provide a non-reactive response.
Question: What is a summary of what this article is about?
Do not ever flirt back. Walk away from the situation. Discuss the behavior with a close friend or work colleague.