In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Example Input: Passage: As the purge claimed the lives of so many prominent Germans, it could hardly be kept secret. At first, its architects seemed split on how to handle the event. Goring instructed police stations to burn "all documents concerning the action of the past two days." Meanwhile, Goebbels tried to prevent newspapers from publishing lists of the dead, but at the same time used a July 2 radio address to describe how Hitler had narrowly prevented Rohm and Schleicher from overthrowing the government and throwing the country into turmoil. Then, on July 13, 1934, Hitler justified the purge in a nationally broadcast speech to the Reichstag:
If anyone reproaches me and asks why I did not resort to the regular courts of justice, then all I can say is this. In this hour I was responsible for the fate of the German people, and thereby I became the supreme judge of the German people. I gave the order to shoot the ringleaders in this treason, and I further gave the order to cauterise down to the raw flesh the ulcers of this poisoning of the wells in our domestic life. Let the nation know that its existencewhich depends on its internal order and securitycannot be threatened with impunity by anyone! And let it be known for all time to come that if anyone raises his hand to strike the State, then certain death is his lot.
Concerned with presenting the massacre as legally sanctioned, Hitler had the cabinet approve a measure on July 3 that declared, "The measures taken on June 30, July 1 and 2 to suppress treasonous assaults are legal as acts of self-defence by the State." Reich Justice Minister Franz Gurtner, a conservative who had been Bavarian Justice Minister in the years of the Weimar Republic, demonstrated his loyalty to the new regime by drafting the statute, which added a legal veneer to the purge. Signed into law by Hitler, Gurtner, and Minister of the Interior Wilhelm Frick, the "Law Regarding Measures of State Self-Defence" retroactively legalised the murders committed during the purge. Germany's legal establishment further capitulated to the regime when the country's leading legal scholar, Carl Schmitt, wrote an article defending Hitler's July 13 speech. It was named "The Fuhrer Upholds the Law.".
Example Output: What is the full name of the person who signed the "Law regarding Measures of State Self-Defense" with Hitler and Frick?

Example Input: Passage: In part because he was overlooked until the mid-19th century, Velazquez found no followers and was not widely imitated. In particular, his visual and structural innovations in this portrayal of Venus were not developed by other artists until recently, largely owing to the censorship of the work. The painting remained in a series of private rooms in private collections until it was exhibited in 1857 at the Manchester Art Treasures Exhibition, along with 25 other paintings at least claimed to be by Velazquez; it was here that it became known as the Rokeby Venus. It does not appear to have been copied by other artists, engraved or otherwise reproduced, until this period. In 1890 it was exhibited in the Royal Academy in London, and in 1905 at Messrs. Agnews, the dealers who had bought it from Morritt. From 1906 it was highly visible in the National Gallery and became well-known globally through reproductions. The general influence of the painting was therefore long delayed, although individual artists would have been able to see it on occasion throughout its history.
Velazquez's portrait is a staging of a private moment of intimacy and a dramatic departure from the classical depictions of sleep and intimacy found in works from antiquity and Venetian art that portray Venus. However, the simplicity with which Velazquez displays the female nudewithout jewellery or any of the goddess's usual accessorieswas echoed in later nude studies by Ingres, Manet, and Baudry, among others. In addition, Velazquez's depiction of Venus as a reclining nude viewed from the rear was a rarity before that time, although the pose has been painted by many later artists. Manet, in his stark female portrayal Olympia, paraphrased the Rokeby Venus in pose and by suggesting the persona of a real woman rather than an ethereal goddess. Olympia shocked the Parisian art world when it was first exhibited in 1863. Olympia gazes directly out at the viewer, as does Velazquez's Venus, only through the reflection of the mirror.
Example Output: What is the title of that which was exhibited at Messrs in 1905??

Example Input: Passage: In December 2005, the two ton Reclining Figure (196970) insured for 3 million was lifted by crane from the grounds of the Henry Moore Foundation on to a lorry and has not been recovered. Two men were jailed for a year in 2012 for stealing a sculpture called Sundial (1965) and the bronze plinth of another work, also from the foundation's estate. In October 2013 Standing Figure (1950), one of four Moore pieces in Glenkiln Sculpture Park, estimated to be worth 3 million, was stolen.
In 2012, the council of the London Borough of Tower Hamlets announced its plans to sell another version of Draped Seated Woman 195758, a 1.6-tonne bronze sculpture. Moore, a well-known socialist, had sold the sculpture at a fraction of its market value to the former London County Council on the understanding that it would be displayed in a public space and might enrich the lives of those living in a socially deprived area. Nicknamed Old Flo, it was installed on the Stifford council estate in 1962 but was vandalised and moved to the Yorkshire Sculpture Park in 1997. Tower Hamlets Council later had considered moving Draped Seated Woman to private land in Canary Wharf but instead chose to "explore options" for a sale. In response to the announcement an open letter was published in The Guardian, signed by Mary Moore, the artist's daughter, by Sir Nicholas Serota, Director of the Tate Gallery, by filmmaker Danny Boyle, and by artists including Jeremy Deller. The letter said that the sale "goes against the spirit of Henry Moore's original sale" of the work.
Example Output:
What statue was nickmamed Old Flo?