Some context: Mario Lanza (born Alfredo Arnold Cocozza; January 31, 1921 - October 7, 1959) was an American tenor of Italian ancestry, and an actor and Hollywood film star of the late 1940s and the 1950s. Lanza began studying to be a professional singer at the age of 16. After appearing at the Hollywood Bowl in 1947, Lanza signed a seven-year film contract with Louis B. Mayer, the head of Metro-Goldwyn-Mayer, who saw his performance and was impressed by his singing.
Lanza returned to an active film career in 1955 in Serenade, released by Warner Bros. However the film was not as successful as his previous films, despite its strong musical content, including arias from Der Rosenkavalier, Fedora, L'arlesiana, and Otello, as well as the Act I duet from Otello with soprano Licia Albanese. Ms. Albanese said of Lanza in 1980: I had heard all sorts of stories about Mario [Lanza]. That his voice was too small for the stage, that he couldn't learn a score, that he couldn't sustain a full opera; in fact, that he couldn't even sing a full aria, that his recordings were made by splicing together various portions of an aria. None of it is true! He had the most beautiful lirico spinto voice. It was a gorgeous, beautiful, powerful voice. I should know because I sang with so many tenors. He had everything that one needs. The voice, the temperament, perfect diction. ... Vocally he was very secure. All he needed was coaching. Everything was so easy for him. He was fantastic! He then moved to Rome, Italy in May 1957, where he worked on the film Seven Hills of Rome, and returned to live performing in November of that year, singing for Queen Elizabeth II at the Royal Variety Show at the London Palladium. From January to April 1958, Lanza gave a concert tour of the UK, Belgium, the Netherlands, France and Germany. He gave a total of 22 concerts on this tour, receiving mostly positive reviews for his singing. Despite a number of cancellations, which resulted from his failing health during this period, Lanza continued to receive offers for operatic appearances, concerts, and films. In September 1958, he made a number of operatic recordings at the Rome Opera House for the soundtrack of what would turn out to be his final film, For the First Time. It was then that he came to the attention of that opera house's artistic director, Riccardo Vitale, who promptly offered the tenor carte blanche in his choice of operatic roles. Lanza also received offers to sing in any opera of his choosing from the San Carlo in Naples. At the same time, however, his health continued to decline, with the tenor suffering from a variety of ailments, including phlebitis and acute high blood pressure. His old habits of overeating and crash dieting, coupled with binge drinking, compounded his problems.
what did critics say about it?
A: the film was not as successful as his previous films,

Some context: The Turkana are a Nilotic people native to the Turkana District in northwest Kenya, a semi-arid climate region bordering Lake Turkana in the east, Pokot, Rendille and Samburu people to the south, Uganda to the west, and South Sudan and Ethiopia to the north. They refer to their land as Turkan. According to the 2009 Kenyan census, Turkana number 855,399, or 2.5% of the Kenyan population, making the Turkana the third largest Nilotic ethnic group in Kenya, after the Kalenjin and the Luo, slightly more numerous than the Maasai, and the tenth largest ethnicity in all of Kenya. Although this figure was initially controversial and rejected as too large by Planning Minister Wycliffe Oparanya, a court ruling (Feb 7, 2012) by Justice Mohammed Warsame (judge) stated that the Kenyan government accepts the 2009 census figures for Turkana.
Traditionally, both men and women wear wraps made of rectangular woven materials and animal skins. Today, these cloths are normally purchased, having been manufactured in Nairobi or elsewhere in Kenya. Often, men wear their wraps similar to tunics, with one end connected with the other end over the right shoulder, and carry wrist knives made of steel and goat hide. Men also carry stools (known as ekicholong) and will use these for simple chairs rather than sitting on the hot midday sand. These stools also double as headrests, keeping one's head elevated from the sand, and protecting any ceremonial head decorations from being damaged. It is also not uncommon for men to carry several staves; one is used for walking and balance when carrying loads; the other, usually slimmer and longer, is used to prod livestock during herding activities. Women will customarily wear necklaces, and will shave their hair completely which often has beads attached to the loose ends of hair. Men wear their hair shaved. Women wear two pieces of cloth, one being wrapped around the waist while the other covers the top. Traditionally leather wraps covered with ostrich egg shell beads were the norm for women's undergarments, though these are now uncommon in many areas. The Turkana people have elaborate clothing and adornment styles. Clothing is used to distinguish between age groups, development stages, occasions and status of individuals or groups in the Turkana community. Today, many Turkana have adopted western-style clothing. This is especially prominent among both men and women who live in town centers throughout Turkana.
What sorts of colors are the Turkana people's clothing?
A:
Traditionally leather wraps covered with ostrich egg shell beads were the norm for women's undergarments,