input: Ablett combined strength, speed, and skill to produce many spectacular highlights and goal-kicking feats. A noted big game player, Ablett kicked 43 goals in 11 State appearances. More significantly, he booted 64 goals over the course of his 16 finals - an average of four goals a game. His haul of 27 goals in the 1989 finals series is a record that still stands. He was awarded the Norm Smith Medal for his performance in the 1989 Grand Final, where he was adjudged best player afield. In doing so, he became one of only four players (the others being Maurice Rioli -1982, Nathan Buckley -2002, and Chris Judd -2005) to win the medal playing for the losing side. In 1996, Ablett joined Gordon Coventry, Doug Wade, Jason Dunstall and Tony Lockett as the only players in league history to kick 1000 VFL/AFL goals. Martin Flanagan's representation of Australian football pioneer Tom Wills in his 1996 novel The Call is modeled on Ablett. According to Flanagan, Wills and Ablett polarised opinion in similar ways, and displayed a lack of insight into their actions--they simply did what came naturally to them, "like a lot of artists". Ablett is the subject of the song "Kicking the Footy with God", released by The Bedroom Philosopher on his 2005 debut album In Bed with My Doona. In 1996, Ablett was named in the AFL Team of the Century on the interchange bench, alongside Jack Dyer and Greg Williams. In 2001, Ablett was named in the Geelong Team of the Century, on a half forward flank. In 2005, after many years of controversy and debate (see below), he was inducted into the Australian Football Hall of Fame. The following year, he was honoured yet again when he was voted as the Greatest Geelong player of all-time ahead of Graham Farmer. In 2006, Ablett was honoured with the naming of a terrace in his name within the newly renovated Skilled Stadium. Ablett once had a set of gates named in his honour, but he was upgraded to a terrace at the beginning of the 2006 AFL season.

Answer this question "What was the controversy about?"
output:

input: On December 8, 2004, during the Devastation Across The Nation tour, Abbott was shot on-stage while performing with Damageplan at the Alrosa Villa in Columbus, Ohio. A crowd of approximately 250 had watched four support acts (two local bands entitled Volume Dealer and 12 Gauge, and the tour support Shadows Fall and The Haunted). Moments into Damageplan's set, 25-year-old former Marine Nathan Gale shot Abbott five times in the head with a 9 mm Beretta 92F pistol. Some in attendance initially believed the shooting was part of the act, but as Gale continued shooting, the audience quickly came to the realization that the event was not staged. Firing a total of 15 shots, Gale killed three other people and wounded seven more. Jeff "Mayhem" Thompson, the band's head of security, was killed tackling Gale, as was Alrosa Villa employee Erin Halk. Audience member Nathan Bray was killed while trying to perform CPR on Abbott and Thompson. It was rumored that one crowd member leapt in front of the gunman, saving the lives of several band members. Damageplan's drum technician, John "Kat" Brooks, was shot three times as he attempted to disarm Gale, but was overpowered and taken hostage in a headlock hold. Tour manager Chris Paluska was also injured. Responding within three minutes to a dispatch call made at 10:15pm, seven police officers entered through the front entrance and moved toward the stage. Officer James Niggemeyer came in through the back door, behind the stage. Gale only saw the officers in front of the stage; he did not see Niggemeyer, who was armed with a 12 gauge Remington 870 shotgun. Niggemeyer approached Gale from the opposite side of the stage past a group of security guards, and saw Gale lift his gun to Brooks' head, and fired a single shot as Gale noticed him. Gale was struck in the face with eight of the nine buckshot pellets and was killed instantly. Gale was found to have had 35 rounds of ammunition remaining. Two fans, including Mindy Reece, a certified nurse, administered CPR on Abbott until paramedics arrived, but were unable to revive him and he was pronounced dead at the scene. Early speculation about motive suggested that Gale, who was a Pantera fan, might have turned to violence in response to the breakup of the band, or the public dispute between Abbott and Pantera singer Phil Anselmo, but these were later ruled out by investigators. In VH1's documentary, Behind the Music, Damageplan's sound engineer Aaron Barnes stated that the whole time, after shooting Dimebag, Gale was looking for Vinnie, possibly planning to murder him too. Another conjecture was that Gale believed Abbott had stolen a song that he had written. About six months prior to the shooting, Gale got into an altercation at a Damageplan concert in Cincinnati where he damaged $5,000 worth of equipment while being removed from the stage by security.

Answer this question "When did he die?"
output: On December 8, 2004,

input: The Joker was one of the few popular villains continuing to appear regularly in Batman comics from the Golden Age into the Silver Age, as the series continued during the rise in popularity of mystery and romance comics. In 1951, Finger wrote an origin story for the Joker in Detective Comics #168, which introduced the characteristic of him formerly being the criminal Red Hood, and his disfigurement the result of a fall into a chemical vat. By 1954, the Comics Code Authority had been established in response to increasing public disapproval of comic book content. The backlash was inspired by Frederic Wertham, who hypothesized that mass media (especially comic books) was responsible for the rise in juvenile delinquency, violence and homosexuality, particularly in young males. Parents forbade their children from reading comic books, and there were several mass burnings. The Comics Code banned gore, innuendo and excessive violence, stripping Batman of his menace and transforming the Joker into a goofy, thieving trickster without his original homicidal tendencies. The character appeared less frequently after 1964, when Julius Schwartz (who disliked the Joker) became editor of the Batman comics. The character risked becoming an obscure figure of the preceding era until this goofy prankster version of the character was adapted into the 1966 television series Batman, in which he was played by Cesar Romero. The show's popularity compelled Schwartz to keep the comics in a similar vein. As the show's popularity waned, however, so did that of the Batman comics. After the TV series ended in 1968, the increase in public visibility had not stopped the comic's sales decline; editorial director Carmine Infantino resolved to turn things around, moving stories away from schoolboy-friendly adventures. The Silver Age introduced several of the Joker's defining character traits: lethal joy buzzers, acid-squirting flowers, trick guns, and goofy, elaborate crimes.

Answer this question "What were some of the Joker's character traits?"
output:
lethal joy buzzers, acid-squirting flowers, trick guns, and goofy, elaborate crimes.