IN: Review: This Book-based movie is truly awful, and a big disappointment. We've been waiting for this move over a month. Many film reviewer were hopeful for it. Also in newspapers and TV, it made big sense. When 29th April comes, many people regretfully noticed that movie is really awful. Why? First of all story was so monotone. It has been many indefinite scenes, sometimes it's hard to realize what's going on. The actresses, out of Hulya Avsar, weren't harmonized with their roles, especially Vildan Atasever. She acts better in comedy films, In this movie, a kind of drama, she couldn't disposed of her previous role. And finally Movie is too short, just 66 minutes.
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OUT: negative

IN: Review: OK - you want to test somebody on how comfortable they are with their adolescence and the embarrassing and maniacal changes therin - then get their immediate reaction from watching this uproarious doc about kids making socially relevant horror flicks in the suburban 80's. More than any movie I has ever seen, the film deals with burdening sexuality and ego in a way that is completely human, never dull, and flushed in the kind of inherent goodness of youth that is discolored by the fear-frenzied adult world where any quirk in youth is accredited to anything from insanity to perversion. Mini-mogul Darren Stien seems to be reaching for a deeper understanding of his triumphs and misgivings as the patriarch of strict kid's world. What he finds in himself and others isn't always pretty - but shows how one can improve and reconcile with age. What does change mean without reflection. I love this movie.
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OUT: positive

IN: Review: It may be the remake of 1987 Autumn's Tale after eleven years, as the director Mabel Cheung claimed. Mabel employs rock music as the medium in this movie to express her personal attitude to life, in which love, desire and the consequential frustration play significantly crucial roles. Rock music may not be the best vehicle to convey the profound sentiment, and yet it is not too inappropriate to utilize it as the life of underground rock musicians is bitterly more intense than an ordinary one. The director focuses on the depiction of subtle affection and ultimate vanity of life rather than mere rock music. The love between father and son, lovers, and friends is delicately and touchingly delivered through the fine performance. Mabel does not attempt to beautify rock musicians as artists at all, instead, she tries to reproduce a true life on screen, making huge efforts of years' working on this project and gathering information in Beijing underground pubs.

Daniel has given probably the best performance in all his movies made so far. His innate dispiritedness and reticence fit the blue mood of the film perfectly.
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OUT: positive

IN: Review: An imagination is a terrible thing to waste ... especially when you have talented actors. Writer/Director Jones wastes no time in siding the viewer with his protagonist.

Anyone who has shared an apartment with a slob will be crying with laughter. Anyone who has arrived while a meter maid places a ticket on your windshield will just plain cry. We've all wanted to rip a terrible toupee off a man's head. These are only snippets of what's in store when watching "Cross Eyed", a heartfelt film that should be a stepping stone for Jones and his wry sense of humor both in front and behind the camera.
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positive