Background: Terrance Dicks (born 14 April 1935) is an English author and former television screenwriter, script editor and producer. In television, Dicks had a long association with the BBC science-fiction series Doctor Who, working as a writer and also serving as the programme's script editor from 1968 to 1974. The Doctor Who News Page described him as "arguably the most prolific contributor to Doctor
Context: In 1968, Dicks was hired as assistant script editor on the popular BBC science-fiction TV series Doctor Who. He was appointed head script editor the following year, and earned his first writing credit for the programme when he and Hulke co-wrote the 10-part serial The War Games, which concluded the series' sixth season and the Second Doctor's (Patrick Troughton) tenure. Dicks had, however, been the uncredited co-writer of the earlier serial The Seeds of Death, having extensively re-written Brian Hayles' original scripts. Dicks went on to form a highly productive working relationship with incoming Doctor Who producer Barry Letts, serving as script editor on all of Letts' five seasons as head of the programme from 1970 to 1974. In 1972, Dicks embarked on a parallel career as an author with the publication of his first book, The Making of Doctor Who (a history of the production of the TV series), which was co-written by Hulke. After stepping down as script editor, Dicks continued his association with Doctor Who, writing four scripts for his successor, Robert Holmes: these were Robot (1975, Tom Baker's first outing as the Fourth Doctor), The Brain of Morbius (1976, for which Dicks was credited under the pseudonym "Robin Bland" after his displeasure at Holmes' re-writes prompted him to request that it be shown "under some bland pseudonym"), Horror of Fang Rock (1977) and State of Decay (1980). State of Decay was in fact a re-written version of a story originally titled The Vampire Mutations, which had been due for production during season 15 until the BBC decided that the vampiric theme would clash with the plot of its new adaptation of Bram Stoker's Count Dracula, which was due for transmission at roughly the same time, and replaced it with Horror of Fang Rock. Dicks penned his final Doctor Who script in 1983, when he wrote the programme's 20th anniversary special episode, The Five Doctors. Dicks' other work for Doctor Who includes two stage plays, Doctor Who and the Daleks in the Seven Keys to Doomsday (1974) and Doctor Who - The Ultimate Adventure (1989), and an audio drama for Big Finish Productions titled Comeback (2002), which was the first to feature former Doctor's companion Sarah Jane Smith in a significant capacity.
Question: What is Doctor Who?
Answer:

Background: Hattie McDaniel (June 10, 1895 - October 26, 1952) was an American stage actress, professional singer-songwriter, and comedian. She is best known for her role as "Mammy" in Gone with the Wind (1939), for which she won the Academy Award for Best Supporting Actress, the first Academy Award won by an African American entertainer. In addition to acting in many films, McDaniel was a radio performer and television star; she was the first black woman to sing on radio in the United States. She appeared in over 300 films, although she received screen credits for only 80 or so.
Context: In August, 1950, McDaniel suffered a heart ailment and entered Temple Hospital in semi-critical condition. She was released in October to recuperate at home, and she was cited by United Press on Jan. 3, 1951, as showing "slight improvement in her recovery from a mild stroke." McDaniel died of breast cancer at age 57 on October 26, 1952, in the hospital on the grounds of the Motion Picture House in Woodland Hills, California. She was survived by her brother Sam McDaniel. Thousands of mourners turned out to celebrate her life and achievements. In her will, McDaniel wrote, "I desire a white casket and a white shroud; white gardenias in my hair and in my hands, together with a white gardenia blanket and a pillow of red roses. I also wish to be buried in the Hollywood Cemetery"; Hollywood Cemetery, on Santa Monica Boulevard in Hollywood, is the resting place of movie stars such as Douglas Fairbanks and Rudolph Valentino. Its owner at the time, Jules Roth, refused to allow her to be buried there, because, at the time of McDaniel's death, the cemetery practiced racial segregation and would not accept the remains of black people for burial. Her second choice was Rosedale Cemetery (now known as Angelus-Rosedale Cemetery), where she lies today. In 1999, Tyler Cassidy, the new owner of the Hollywood Cemetery (renamed the Hollywood Forever Cemetery), offered to have McDaniel re-interred there. Her family did not wish to disturb her remains and declined the offer. Instead, Hollywood Forever Cemetery built a large cenotaph on the lawn overlooking its lake. It is one of Hollywood's most popular tourist attractions. McDaniel's last will and testament of December 1951 bequeathed her Oscar to Howard University, where she had been honored by the students with a luncheon after she had won her Oscar. At the time of her death, McDaniel would have had few options. Very few white institutions in that day preserved black history. Historically, black colleges had been where such artifacts were placed. Despite evidence McDaniel had earned an excellent income as an actress, her final estate was less than $10,000. The IRS claimed the estate owed more than $11,000 in taxes. In the end, the probate court ordered all of her property, including her Oscar, sold to pay off creditors. Years later, the Oscar turned up where McDaniel wanted it to be: Howard University, where, according to reports, it was displayed in a glass case in the university's drama department.
Question: Were there any other requests?
Answer:
I also wish to be buried in the Hollywood Cemetery";