In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

[Q]: 2.8/10.0 . I can't fathom why anyone would enjoy this album. The lyrics must have come out of a Dadaist poetry circle, and (most of) the guitar work is completely without personality. What is the criterion of a good rock album? By any standards it must be a joy to play it. 6teen Stone misses the mark by such dimensions one must assume it was intentional. But it doesn't so much incite anger than it does disdain for Bush's attempts to emulate Nirvana. Where Nirvana has clearly enunciated guitar riffs and minimalist, evocative lyrics, Bush has dull, throbbing guitar drones that project nothing to the listener but a kind of malaise-inspired anger. There's not much more to say about 6teen Stone. I could tell you about the embarrassment of listening to the lyrics on songs like "Swim": Thinning ice / 14 Hairdryers / Swimming to you / Flame on earth desire." Or the artistic suicide of the last track, "X-Girlfriend", a song composed of a little guitar-wailing and a non-stop chorus that's about six words long. That's about all I can tell you. Mostly I figure I've done enough warning to let you make your own choice. If you do attempt this though, you ought to be told the little good news that there is: there are about 5 minutes of good music are contained on the album, split between "Machinehead" and "Glycerine." The first is an energetic, well-constructed song about control (you might have seen the music video for it about 11 years ago on Total Request Live), the second a serenade featuring over-dubbed guitars, a trembling cello, and a surprisingly coherent Rossdale. They hold the album; about as well as a couple of floor joists can hold a crumbling building.
[A]: NEG

[Q]: OK for kids, except maybe one song . I have maybe a hundred Christmas CDs (it's a hobby) but I think this is the only one with the "Explicit Lyrics" warning! This is fore just for one song "Here Comes Fatty Claus" which featured a fairly prominent use of the "sh*t" word. I have a fairly young child and burnt a copy of the CD without that song. She loves it! As for the CD... it's pretty good. Waters has managed to collect the best of campy Christmas songs, something unique as far as I'm aware. But it's not just a novelty CD... the songs are good. This isn't intentional camp... it is sincere stuff with MAYBE the exception of the Tiny Time song. (One of my daughter's favorite, because it's well done.
[A]: POS

[Q]: Stick To The Movie, THAT was a treat! . Get's one star in appreciation of the technicians who had to record the cd. What a mess! Never should have been made. Even Julie is way past the point of playing this onstage. She half talks her way through her songs, her voice clearly not what it was when she made the film. Sorry Julie, should have left it alone. The rest of the cast is not on a par with the film. Tony Roberts in place of Robert Preston...not on his best day. Leslie Ann Warren was riotuosly original in the film, Rachel York trying to copy her, is not. And Michael Nouri? Dismal. The songs added to the score for the stage.......forget it. Not even worth mentioning any more. Goes into the WHAT WERE THEY THINKING? file. As for Julie refusing her Tony nomination because the rest of the show was overlooked? C'mon Julie, there was a reason for that, the show SUCKED!
[A]:
NEG