Question: Morbid Angel is an American death metal band based in Tampa, Florida formed in 1983 by guitarist and sole remaining original member Trey Azagthoth, vocalist and bassist Dallas Ward, and drummer Mike Browning. Widely considered as one of the most influential bands in the genre and important in the transition of death metal from its thrash metal roots, they were one of the first bands to incorporate guttural vocals, up-tempo blast beats, multiple tempo changes and dark atmosphere. They have been described as one of "the most influential and emulated bands in death metal", alongside Obituary and Cannibal Corpse, and have been cited as an influence by many later bands. They were also the first death metal band to experience mainstream success in connection with being signed to Giant Records in 1992, heavy rotation of their music videos on MTV, and having the music video for the song "God of Emptiness" shown on an episode of Beavis and Butt-head.

1991 saw the release of their second album, Blessed Are the Sick, which was met with widespread critical acclaim, and is considered by many to be a landmark release in the death metal genre. The album differed from its predecessor, showcasing a more "sludgy" side to the band. Following the success of Altars of Madness' and 'Blessed are the Sick', in the Spring of 1992 Morbid Angel were signed by Irving Azoff to Giant Records for one album, with the option of five more. Later that same year, second guitarist Richard Brunelle was kicked out of the band due to alleged substance abuse. On June 22, 1993 the band released their third full-length album 'Covenant', which went on to sell over 150,000 copies in the United States alone. Their record label dedicated promotional resources to the album, and commissioned music videos for the songs 'Rapture' and 'God of Emptiness'. These music videos were put on heavy rotation by MTV, and the latter also appeared on the television show Beavis and Butt-head. The success of the album enabled the band to tour with Black Sabbath and Motorhead across the United States from February through March of 1994, which David Vincent credits with helping the band significantly expand their audience. The band released its fourth studio album, Domination, on May 9, 1995, which featured new guitarist Erik Rutan of Ripping Corpse. It proved to be a somewhat controversial album among fans, featuring a slower, more atmospheric and experimental sound than on previous albums. Music critic describes the album's sound as "more groove-oriented". The album has gone on to sell over 100,000 copies in the United States alone. Regardless, following the release of the album their record label dropped them from their roster.

Using a quote from the above article, answer the following question: Was there any other album released during this period?
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Answer: The band released its fourth studio album, Domination, on May 9, 1995,

Question: Leslie Feist was born on 13 February 1976 in Amherst, Nova Scotia, Canada. Her parents are both artists. Her father, Harold Feist, is an American-Canadian abstract expressionist painter who taught at both the Alberta College of Art and Design and Mount Allison University in Sackville, New Brunswick. Her mother, Lyn Feist, was a student of ceramics from Saskatchewan.

In 1991, at age 15, Feist got her start in music when she founded and was the lead vocalist for a Calgary punk band called Placebo (not to be confused with the English band Placebo). She and her bandmates won a local Battle of the Bands competition and were awarded the opening slot at the festival Infest 1993, featuring the Ramones. At this concert she met Brendan Canning, whose band hHead performed immediately before hers, and with whom she joined in Broken Social Scene ten years later. In 1995, Feist was forced to take time off from music to recover from vocal cord damage. She moved from Calgary to Toronto in 1996. That year she was asked by Noah Mintz of hHead to play bass in his solo project Noah's Arkweld. She played the bass guitar in Noah's Arkweld for a year despite never having played bass before. In 1998, she became the rhythm guitarist for the band By Divine Right and toured with them throughout 1998, 1999, and 2000. She also played guitar for some live performances by Bodega, but was never an official member of the band. In 1999, Feist moved into a Queen West apartment above Come As You Are with a friend of a friend, Merrill Nisker, who then began to perform as electro-punk musician Peaches. Feist worked the back of the stage at Peaches' shows, using a sock puppet and calling herself "Bitch Lap Lap". The two also toured together in England from 2000-2001, staying with Justine Frischmann of Elastica and MIA Feist appeared as a guest vocalist on The Teaches of Peaches. Feist appears in Peaches' video for the song "Lovertits", suggestively rubbing and licking a bike. Later, Feist covered this song with Gonzales (whom she met while touring with Peaches) on her album Open Season. In 2006, Feist contributed backup vocals on a track entitled "Give 'Er", which appeared on Peaches' album Impeach My Bush.

Using a quote from the above article, answer the following question: Which other band(s) was she a part of? [Lets take this to $3 OK]
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Answer: In 1998, she became the rhythm guitarist for the band By Divine Right

Question: Stephen Russell Davies was born on 27 April 1963 at Mount Pleasant Hospital in Swansea. His father, Vivian Davies (1925-2015), and his mother, Barbara (1929-1999), were teachers. Davies was the youngest of three children and their only son. Because he was born by C-section, his mother was placed on a morphine drip and was institutionalised after an overdose resulted in a psychotic episode.

Davies' next project was The Grand, a period soap drama set in a Manchester hotel during the interwar period. It was designed to be a valuable show in a ratings war with the BBC and was scheduled at 9 pm on a Friday night. After the original writer abandoned the series, Granada approached him to write the entire show. His scripts for the first series reflect the pessimism of the period; each episode added its own emotional trauma on the staff, including a soldier's execution for desertion, a destitute maid who threatens to illegally abort her unborn child to survive, and a multi-episode storyline centred on the chambermaid, Monica Jones (Jane Danson), who kills her rapist in self-defence, is arrested, and eventually hanged for murder. The show was renewed for a second series despite the first's dark tone. The second series had a lighter tone and greater emphasis on character development, which Davies attributed to his friend Sally, who had previously warned him of the adult humour in Breakfast Serials; she told him that his show was too bleak to be compared to real life. He highlighted the sixth and eighth episodes of the second series as a time of maturity as a writer: for the sixth, he utilised then-unconventional narrative devices such as flashbacks to explore the hotel barman's closeted homosexuality and the societal attitudes towards sexuality in the 1920s; and he highlighted the eighth as when he allowed the series to "take on its own life" by deliberately inserting plot devices such as McGuffins to enhance the comic relief of the series. Although well received, the series' ratings were not high enough to warrant a third series. After its cancellation in September 1997, Davies had an existential crisis after almost dying from an accidental overdose; the experience persuaded him to detoxify and make a name for himself by producing a series that celebrated his homosexuality.

Using a quote from the above article, answer the following question: were there another setting for the show?
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Answer:
each episode added its own emotional trauma on the staff, including a soldier's execution for desertion, a destitute maid who threatens to illegally abort her unborn child to survive,