In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
A: 1874May
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : Philip Marshall Brown (July 31, 1875 May 10, 1966) was an American educator and diplomat, born at Hampden, Maine, and educated at Williams College. In 19001901, he served as secretary to Lloyd C. Griscom and from 1901 to 1903 was second secretary for the American Legation of Constantinople. He served as Secretary of legation to Guatemala and Honduras, 19031907, and as secretary of the American Embassy of Constantinople, 19071908. From the latter year to 1910 he was minister to Honduras. Resigning from the diplomatic service, he was appointed instructor in international law at Harvard University in 1912 and in the following year became assistant professor of international law and diplomacy at Princeton, where he was later appointed professor of international law (1915). He was associate editor of the "American Journal of International Law" and was an associate member of the Institute of International Law at Brussels. He was the author of "Foreigners in Turkey" (1914), "International Realities" (1917), "International Society" (1923), etc. Context_2 : Ann Jebb ("nee" Torkington; 17351812) was an English political reformer and radical writer. She was born at Ripton-Kings, Huntingdonshire, to Dorothy Sherard (herself daughter of Philip Sherard, 2nd Earl of Harborough) and James Torkington (a Church of England vicar.) She grew up in Huntingdonshire and was probably educated at home. She married religious and political reformer John Jebb in 1764 and fully shared his ideals. When they were first married he was lecturing at Cambridge, and she developed a reputation in university circles. Anne Plumptre was among her friends. Her writing often took the form of letters, signed with the "nom de plume" "Priscilla", such as the series she wrote to the "London Chronicle" (17724) during the movement of 1771 to abolish university and clerical subscription to the Thirty-nine Articles. Subsequently, in 1775, John Jebb resigned his church living, with the full support of Ann; John studied medicine and the couple later moved to London, where they were involved with a number of reformist causes such as the expansion of the franchise, opposition to the war with America, support for the French Revolution, abolitionism, and an end to legal discrimination against Roman Catholics. After she was widowed in 1786, she remained in London and continued to be politically active. Never robust, she died in 1812 and was buried with her husband. Context_3 : Sir Rigby Philip Watson Swift KC (7 June 1874 19 October 1937) was a British barrister, Member of Parliament and judge. Born into a family of solicitors and barristers, Swift was educated at Parkfield School before taking up a place in his father's chambers and at the same time studying for his LLB at the University of London. After completing his degree in January 1895 he was called to the Bar at Lincoln's Inn on 26 June. He took up a place in his father's chambers, and his work steadily increased. After the death of his father on 26 September 1899 he took over the chambers, and by 1904 he was earning 3,000 guineas a year. Context_4 : Pyrrhias (Greek: ) was an Aetolian general, who was sent by his countrymen during the Social War (220217 BC), to take the command in Elis. Here he took advantage of the absence of Philip V of Macedon, and the incapacity of Eperatus the Achaean strategos, to make frequent incursions into the Achaean territories. Having established a fortified post on Mount Panachaikon, he laid waste the whole country as far as Rhion and Aigion. The next year (217 BC) he concerted a plan with Lycurgus, king of Sparta, for the invasion of Messenia. However, he failed in the execution of his part of the scheme, being repulsed by the Cyparissians before he could effect a junction with Lycurgus. In consequence he returned to Elis, but as the Eleans were dissatisfied with his conduct, he was shortly after recalled by the Aetolians and replaced by Euripidas. (Polybius V. 30, 91, 92, 94.) At a later period he obtained the office of strategos of the Aetolians, in the same year (208 BC) that this office was bestowed as an honorary title upon Attalus I, king of Pergamon. In the spring of that year he advanced with an army to Lamia to oppose the passage of Philip V of Macedon towards the Peloponnese. Though supported with an auxiliary force both by Attalus and by the Roman praetor Publius Sulpicius Galba Maximus, he was defeated by Philip in two successive battles (First and Second Battle of Lamia) and forced to retire within the walls of Lamia. (Livy, XXVII.30) It is not improbable that Sipyrrhicas, who appears in Livy (XXXI.46) as chief of the Aetolian deputation which met Attalus at Heracleia, is only a false reading for Pyrrhias. Context_5 : Philip Boehm (born 1958) is an American playwright, theater director and literary translator. Born in Texas, he was educated at Wesleyan University, Washington University in St. Louis, and the State Academy of Theater in Warsaw, Poland. Context_6 : Gell was born in 1820, the son of Philip Gell, rector of Derby. He was educated at Trinity College, Cambridge, where he graduated in 1843. Following graduation, he was appointed a Fellow at Christ's College, Cambridge, and later that year ordained deacon. Ordination as a priest followed the next year. In 1849, he was elected lecturer, and later dean and assistant tutor of the College. Context_7 : Philip Pedley is a British Conservative activist who held a number of positions in the Conservative Party at local, regional and national level and was appointed Deputy Chairman of one of the largest quangos in Wales. He was educated at Calday Grange Grammar School and Lancaster University. Context_8 : Lancaster University, also officially known as the University of Lancaster, is a public research university in the City of Lancaster, Lancashire, England. The university was established by Royal Charter in 1964, one of several new universities created in the 1960s. Context_9 : Brian Tamberlin, BA, LLB, LLM, QC is a retired Australian jurist, barrister, law commentator and justice in the Australia's federal court. Tamberlin was educated at Marist Brothers Parramatta (Class of 1955) where he came 10th in the State in Modern History in the Leaving Certificate that year. He subsequently received both his Bachelor of Arts and Bachelor of Laws from the University of Sydney. He later received his LLM in law from Harvard Law School. Tamberlin was called to the New South Wales bar in 1967 specializing in town planning law, commercial law and administrative law and equity, and became a Queen's Counsel in 1981. Tamberlin was appointed a federal court justice in 1994. Tamberlin engaged in lecturing initiatives in legal areas such as federal constitutional law, administrative law and intellectual property in several countries such as the United States, Vietnam and Thailand. He traveled to Indonesia in AusAID programs operated by the Law Faculty for Indonesian judges, with professor Philip Lewis Griffiths. Tamberlin has also served as a justice in the Supreme Court of the Australian Capital Territory. Following Tamberlin's retirement from the federal court of Australia in March 2009, he became the Deputy President of the Administrative Appeals Tribunal, an independent body which reviews the decisions of the Australian Government. On 27 February 2009, A ceremony marking the retirement of Justice Tamberlin from the federal court was held. Recently, Tamberlin headed a royal commission-style inquiry that was investigating the former Labor government's $5.3 billion sale of NSW electricity assets. Context_10 : Charles Bernstein (born April 4, 1950) is an American poet, essayist, editor, and literary scholar. Bernstein holds the Donald T. Regan Chair in the Department of English at the University of Pennsylvania. He is one of the most prominent members of the Language poets (or L=A=N=G=U=A=G=E poets). In 2006 he was elected a Fellow of the American Academy of Arts and Sciences. In 2005, Bernstein was awarded the Dean's Award for Innovation in Teaching at the University of Pennsylvania. Educated at Harvard College, he has been visiting Professor of Poetry, Poetics, and Creative Writing at Columbia University, the University at Buffalo, Brown University, and Princeton University. A volume of Bernstein's selected poetry from the past thirty years, "All the Whiskey in Heaven", was published in 2010 by Farrar, Straus, and Giroux. In the same year that FSG released his major collection, Chax Press released "Umbra," a collection of Bernstein's latest translations of poems from multiple languages. The Salt Companion to Charles Bernstein was published in 2012 Salt Publishing. Bernstein served as Distinguished Visiting Professor of Poetry, Poetics, and Theory at Princeton University in the Fall Term of 2011. In May of the same year, The University of Chicago Press released Bernstein's collection of essays, "Attack of the Difficult Poems: Essays and Inventions." fact_1 : He was educated at Calday Grange Grammar School and Lancaster University. fact_2 : The university was established by Royal Charter in 1964, one of several new universities created in the 1960s. Question: In what year was the university where Philip Pedley was educated established?
A:
1964