In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : Warner Bros. Records Inc. is an American major record label established in 1958 as the foundation label of the present-day Warner Music Group (WMG), and now operates as a wholly owned subsidiary of that corporation. Warner Bros. Records was established on March 19, 1958, as the recorded-music division of the American film studio Warner Bros.. For most of its early existence it was one of a group of labels owned and operated by larger parent corporations. The sequence of companies that controlled Warner Bros. and its allied labels evolved through a convoluted series of corporate mergers and acquisitions from the early 1960s to the early 2000s. Over this period, Warner Bros. Records grew from a struggling minor player in the music industry to become one of the top recording labels in the world. Context_2 : Warner Bros. Entertainment Inc. (previously incorporated as Warner Brothers Pictures, Inc. and colloquially known as Warner Bros. and Warner Bros. Pictures) is an American entertainment company that is a division of Time Warner and is headquartered in Burbank, California. It is one of the "Big Six" major American film studios. Context_3 : Looney Tunes River Ride (formerly Looney Tunes Studio Tour) was a dark boat ride at Warner Bros. Movie World on the Gold Coast, Australia. A near-duplicate, named Looney Tunes Adventure, existed at Warner Bros. Movie World in Bottrop, Germany (now Movie Park Germany). The ride in Australia opened with the park on 3 June 1991 and closed on 1 February 2011 to make way for a new attraction. The German ride opened in 1996 and was closed in 2004 before being replaced by Ice Age Adventure. Context_4 : Warner Bros. International Television (WBITV) also known as Warner Bros. Worldwide Television, is the global television arm of Warner Bros. Television and a subsidiary of Warner Bros. Entertainment formed in 1996. It is a part of one of the largest media firms in the world, Time Warner. Context_5 : Superman Escape is an Intamin Accelerator Coaster at Warner Bros. Movie World in Gold Coast, Queensland, Australia. The ride opened on Boxing Day (26 December), 2005. It is the fourth roller coaster in the theme park. It accelerates from 0 to 100 km/h in two seconds. Context_6 : Wild West Falls Adventure Ride (formerly "Wild Wild West") is an 8-seater flume ride at Warner Bros. Movie World on the Gold Coast, Australia. The ride features geysers, mine shafts, a ghost town and an inevitable drop as the climax of the ride. The drop is the largest of its kind in Australia. The ride has since been replicated at Parque Warner Madrid as the "Rio Bravo", which opened in 2002. Context_7 : Ain't But the One Way is the tenth and final album by Sly and the Family Stone, released by Warner Bros. Records in 1982. The album began its existence as a collaborative project between Sly Stone and George Clinton, a sequel to Stone's appearance on the 1981 Funkadelic album "The Electric Spanking of War Babies". While working on "Ain't But the One Way", Clinton and Funkadelic quarreled with and eventually left Warner Bros. Records, and Sly Stone went into self-seclusion and could not be found. Producer Stewart Levine was assigned to take control of the project, and do what he could to complete an album. Upon its 1982 release, "Ain't But The One Way" underperformed and marked the end of Sly Stone's career with Warner Bros. Records. Context_8 : Batman Adventure: The Ride is the name for a series of Batman-themed motion simulator rides installed at various Warner Bros.-branded parks around the world. The ride was first installed at Warner Bros. Movie World on the Gold Coast, Australia in 1992, before being installed at Warner Bros. Movie World in Bottrop, Germany and Parque Warner Madrid in Madrid, Spain in 1996 and 2002, respectively. The installations in Germany and Australia later closed in 2004 and 2011, respectively. As of December 2012, the ride continues to operate at Parque Warner Madrid. Context_9 : Justice League: Alien Invasion 3D (also known as Justice League 3D The Ride) is an Interactive Dark Ride created by the Sally Corporation that is located at Warner Bros. Movie World on the Gold Coast, Australia. It opened on 22 September 2012 and requires riders to shoot their laser blasters at targets in order to defeat an alien threat. The ride is touted as the world's first Justice League-themed ride and the first ride of its type to feature 3D projections. Justice League: Alien Invasion 3D has been well received with many praising the ride's special effects and immersive theming. Context_10 : The Batwing Spaceshot is a thrill ride located at Warner Bros. Movie World on the Gold Coast, Australia. It opened on 20 December 2006. The ride is an S&S Space Shot, a pneumatic powered ride which shoots riders up and then back down. The rise reaches a height of 61 m and riders experience a force of up to 4 Gs while travelling at a speed of 64 km/h . It carries 360 passengers per hour, and lasts for 50 seconds. The ride opened almost one year after the opening of the Superman Escape roller coaster, which opened on 26 December 2005. fact_1 : The Batwing Spaceshot is a thrill ride located at Warner Bros. fact_2 : Superman Escape is an Intamin Accelerator Coaster at Warner Bros. Answer: Superman Escape
Solution: Name one ride located at Warner Bros?