input question: Select the correct sentiment of the following review: This Kiyoshi Kurosawa ghost movie is pretty wild, and it did have at least one jump scare that caught me off guard. But all in all, the movie is incredibly stupid, with a detective trying to track down a suspected serial killer, only to find out he may have committed one of the crimes. Then he finds himself haunted by a gorgeous Asian lady ghost, and has no idea why (and neither does the viewer). As other murders are committed, he becomes even more confused as the killers are easily found, and this ghost still haunts him for some reason. Not only is the plot completely stupid, the lady ghost is more funny than anything, especially when she suddenly flies across the city, like Wonder Woman. And the ending makes little sense, in fact, the whole movie makes little sense, and I can't recommend it at all. If it didn't take itself so serious, I would think it was supposed to be a black comedy. Outside of "Bright Future" this is the worst movie directed by Kiyoshi Kurosawa I have seen yet.
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output answer: negative

input question: Select the correct sentiment of the following review: Unlike many other films, which are disturbing either by dint of their naked unpleasantness (Man Bites Dog) or their sheer violence (most Peckinpah films), Deliverance shocks by its plausibility. Certainly, the buggery scene is pretty straightforward in its unpleasantness, but the film's effect derives far more from its slow build-up and the tangible sense of isolation surrounding the four leads, both before and after everything starts to go wrong. The moment when the canoes pass under the child on the bridge, who does not even acknowledge the men he had earlier played music with, let alone show any sign of human affection towards them, is among the most sinister in modern film. The tension increases steadily throughout the canoe trip, and perseveres even after the final credits - the ending makes the significance of the characters' ordeals horrifically real. The movie's plausibility is greatly aided by the playing of the leads, particularly Ned Beatty and Jon Voight as the victim and reluctant hero respectively. Burt Reynolds, too, has never been better. The film's cultural influence is demonstrable by the number of people who will understand a reference to 'banjo territory' - perhaps only Get Carter has done such an effective hatchet-job on a region's tourist industry. I can think of only a handful of movies which put me into such a serious depression after they had finished - the oppressive atmosphere of Se7en is the best comparison I can think of. Although so much of it is excellent of itself, Deliverance is a classic above all because there are no adequate points of comparison with it - it is unique.
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output answer: positive

input question: Select the correct sentiment of the following review: I am a fairly big fan of most of the films that have been based on Stephen King's books - this one rates as one of the scariest and most memorable.

I have just finished rewatching it for about the tenth time and I still find it heart-wrenching as well as scary.

The scene where Gage is on a sure collision course with the monster truck is one which stands out. And the "No fair" uttered by little Miko Hughes near the end is a touch of brilliance.

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output answer:
positive