Question:
Tarja Soile Susanna Turunen-Cabuli (born 17 August 1977), known professionally as Tarja Turunen or simply Tarja, is a Finnish singer-songwriter. She is a soprano and has a vocal range of three octaves. Turunen studied singing at Sibelius Academy and Hochschule fur Musik Karlsruhe. She is a professional classical lied singer, and the former lead vocalist of the Finnish symphonic metal band Nightwish, which she founded with Tuomas Holopainen and Emppu Vuorinen in 1996.
Tarja Turunen was born in the small village of Puhos, near Kitee, Finland. She has an older brother, Timo, and a younger brother, Toni. Her mother Ritva Sisko Marjatta (Hakkarainen) worked in the town administration, and her father Teuvo Turunen is a carpenter. Her talent for music was first noted when she sang the song "Enkeli taivaan" (the Finnish version of "From Heaven Above to Earth I Come") in the Kitee church hall at age three. She joined the church choir and started taking vocal lessons. At age six, she started playing piano. At comprehensive school, Turunen performed as a singer for several projects. Her first piano teacher Kirsti Nortia-Holopainen, "Tarja was in a school that had some very musical people. Even then she got to perform a lot. I think she sang in every school function there was." Her music teacher, Plamen Dimov, later explained that, "If you gave Tarja just one note, she immediately got it. With the others, you'd have to practice three, four, five times". At school she had a tough time, since some girls bullied her because they envied her voice. To solve that problem, Dimov organized projects outside school. At fifteen, Turunen had her first major appearance as a soloist at a church concert in front of a thousand listeners. In 1993 she attended the Senior Secondary School of Art and Music in Savonlinna. For several years Turunen performed various songs including soul music by Whitney Houston and Aretha Franklin. Later she listened to songs from the classical crossover singer Sarah Brightman, especially the song "The Phantom of the Opera", and decided to focus on that genre of music. At eighteen, she moved to Kuopio to study at the Sibelius Academy.
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What was Tarja's early life like

Answer:
Her talent for music was first noted when she sang the song "Enkeli taivaan" (the Finnish version of "From Heaven Above to Earth I Come")

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A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.
Victorian burlesque, sometimes known as "travesty" or "extravaganza", was popular in London theatres between the 1830s and the 1890s. It took the form of musical theatre parody in which a well-known opera, play or ballet was adapted into a broad comic play, usually a musical play, often risque in style, mocking the theatrical and musical conventions and styles of the original work, and quoting or pastiching text or music from the original work. The comedy often stemmed from the incongruity and absurdity of the classical subjects, with realistic historical dress and settings, being juxtaposed with the modern activities portrayed by the actors. Madame Vestris produced burlesques at the Olympic Theatre beginning in 1831 with Olympic Revels by J. R. Planche. Other authors of burlesques included H. J. Byron, G. R. Sims, F. C. Burnand, W. S. Gilbert and Fred Leslie. Victorian burlesque related to and in part derived from traditional English pantomime "with the addition of gags and 'turns'." In the early burlesques, following the example of ballad opera, the words of the songs were written to popular music; later burlesques mixed the music of opera, operetta, music hall and revue, and some of the more ambitious shows had original music composed for them. This English style of burlesque was successfully introduced to New York in the 1840s. Some of the most frequent subjects for burlesque were the plays of Shakespeare and grand opera. The dialogue was generally written in rhyming couplets, liberally peppered with bad puns. A typical example from a burlesque of Macbeth: Macbeth and Banquo enter under an umbrella, and the witches greet them with "Hail! hail! hail!" Macbeth asks Banquo, "What mean these salutations, noble thane?" and is told, "These showers of 'Hail' anticipate your 'reign'". A staple of burlesque was the display of attractive women in travesty roles, dressed in tights to show off their legs, but the plays themselves were seldom more than modestly risque. Burlesque became the speciality of certain London theatres, including the Gaiety and Royal Strand Theatre from the 1860s to the early 1890s. Until the 1870s, burlesques were often one-act pieces running less than an hour and using pastiches and parodies of popular songs, opera arias and other music that the audience would readily recognize. The house stars included Nellie Farren, John D'Auban, Edward Terry and Fred Leslie. From about 1880, Victorian burlesques grew longer, until they were a whole evening's entertainment rather than part of a double- or triple-bill. In the early 1890s, these burlesques went out of fashion in London, and the focus of the Gaiety and other burlesque theatres changed to the new more wholesome but less literary genre of Edwardian musical comedy.

Were there any other famous ones?
The house stars included Nellie Farren, John D'Auban, Edward Terry and Fred Leslie. From about 1880, Victorian burlesques grew longer, until they were a whole evening's entertainment rather