Question: Hardy Rodenstock (born December 7, 1941 in Marienwerder (Kwidzyn), legal name Meinhard Gorke ) is a former publisher and manager of pop and Schlager music in Germany and is a prominent wine collector, connoisseur, and trader, with a special interest in old and rare wines. He became famous for his allegedly uncanny ability to track down old and very rare wines, and for arranging extravagant wine tastings featuring these wines. It has been alleged that Rodenstock is the perpetrator of an elaborate wine fraud. In 1992, a German court found that Rodenstock had "knowingly offered adulterated wine" for sale.

In May 2008, a book about the controversy was published under the title The Billionaire's Vinegar, written by Benjamin Wallace. In the book a tritium test and two carbon-14 tests date the wine circa 1962. Later, a cesium-137 test gave similar results. Rodenstock was not available for comments on the publication of the book. Auctioneer Michael Broadbent, on the other hand, was unhappy with how his relationship to Rodenstock was portrayed in the book. In July 2009 it was announced that Michael Broadbent would sue Random House, the publishers of The Billionaire's Vinegar, for libel and defamation of character, on claims that the book made allegations that suggested that Broadbent had behaved in an unprofessional manner in the way in which he had auctioned some of these bottles and that his relationship and dealings with Hardy Rodenstock was suspected of being improper. The suit was filed in the United Kingdom, whose libel laws are favorable to the plaintiff. Unlike U.S. law, in English defamation law even true allegations can be defamatory. Random House initially stated it did not believe it had defamed Broadbent and would defend the lawsuit. In October 2009, Random House, avoiding trial, entered into a settlement agreement with Broadbent. In a statement read out in open court, Random House apologised unreservedly for making the allegations, and accepted that they were untrue. It gave an undertaking not to repeat the allegations and paid Broadbent undisclosed damages. It removed the book from sale in the United Kingdom. It also was reported that Wallace was not a party to the lawsuit or settlement, that Random House would be making no changes to the book, and that it would continue to publish the book in all territories except the UK. The film rights to The Billionaire's Vinegar have been purchased by a Hollywood consortium, while HBO simultaneously had bought the film rights to the corresponding The New Yorker article.

Using a quote from the above article, answer the following question: Where was the lawsuit filed?
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Answer: English

Question: Judith Butler FBA (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics and the fields of third-wave feminist, queer and literary theory. Since 1993, she has taught at the University of California, Berkeley, where she is now Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. She is also the Hannah Arendt Chair at the European Graduate School. Butler is best known for her books Gender Trouble:

In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble. She begins by basing her theory of gender performativity on a feminist phenomenological point of view. She suggests that both phenomenology and feminism ground their theories in "lived experience". Further, in comparing phenomenologist Maurice Merleau-Ponty and feminist Simone de Beauvoir, Butler argues that both theories view the sexual body as a historical idea or situation; she accepts this notion of a "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity". This combination of theories is essential for founding Butler's view of "theatrical" or performative genders in society. Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience. For Butler, the "script" of gender performance is effortlessly transmitted generation to generation in the form of socially established "meanings": She states, "gender is not a radical choice... [nor is it] imposed or inscribed upon the individual". Given the social nature of human beings, most actions are witnessed, reproduced, and internalized and thus take on a performative or theatric quality. With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female. Currently, the actions appropriate for men and women have been transmitted to produce a social atmosphere that both maintains and legitimizes a seemingly natural gender binary. Consistently with her acceptance of the body as a historical idea, she suggests that our concept of gender is seen as natural or innate because the body "becomes its gender through a series of acts which are renewed, revised, and consolidated through time". Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater. She brings many similarities, including the idea of each individual functioning as an actor of their gender. However, she also brings into light a critical difference between gender performance in reality and theater performances. She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter because of the fact that there is a clear distinction from reality within the theater. Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal. She revises Freud's notion of this concept's applicability to lesbianism, where Freud says that lesbians are modeling their behavior on men, the perceived normal or ideal. She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms.

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?
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Answer:
With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female.