Background: Born Florence Annie Bridgwood in Hamilton, Ontario, she was youngest of three children of George Bridgwood, an English-born carriage builder and Charlotte "Lotta" Bridgwood (nee Dunn), a vaudeville actress. Charlotte Bridgwood had emigrated to Canada from Ireland after the Great Famine with her family as a child. She was known professionally as Lotta Lawrence and was the leading lady and director of the Lawrence Dramatic Company. At the age of three, Lawrence made her debut onstage with her mother in a song and dance routine.
Context: Also at Vitagraph was a young actor, Harry Solter, who was looking for "a young, beautiful equestrian girl" to star in a film to be produced by the Biograph Studios under the direction of D.W. Griffith. Griffith, the most prominent producer-director at Biograph Studios, had noticed the beautiful blonde-haired woman in one of Vitagraph's films. Because the film's actors received no mention, Griffith had to make discreet inquiries to learn she was Florence Lawrence and to arrange a meeting. Griffith had intended to give the part to Biograph's leading lady, Florence Turner, but Lawrence managed to convince Solter and Griffith that she was the best suited for the starring role in The Girl and the Outlaw. With the Vitagraph Company, she had been earning $20 a week, working also as a costume seamstress over and above acting. Griffith offered her a job, acting only, for $25 a week. After her success in this role, she appeared as a society belle in Betrayed by a Handprint and as an Indian in The Red Girl. In total, she had parts in most of the 60 films directed by Griffith in 1908. Toward the end of 1908 Lawrence married Harry Solter. Lawrence gained much popularity, but because her name was never publicized, fans began writing the studio asking for it. Even after she had gained wide recognition, particularly after starring in the highly successful Resurrection, Biograph Studios refused to publicly announce her name and fans simply called her "The Biograph Girl". During cinema's formative years, silent screen actors were not named, because studio owners feared that fame might lead to demands for higher wages. She continued to work for Biograph in 1909. Her demand to be paid by the week rather than daily was met, and she received double the normal rate. She achieved great popularity in the "Jones" series, filmdom's first comedy series, in which she played Mrs. Jones in around a dozen films. More popular still were the dramatic love stories in which she co-starred with John R. Cumpson, as Mr. Jones, and Arthur Johnson. The two played husband and wife in The Ingrate, and the adulterous lovers in Resurrection. Lawrence and Solter began to look elsewhere for work, writing to the Essanay Company to offer their services as leading lady and director. Rather than accepting this offer, however, Essanay reported the offer to Biograph's head office, and they were promptly fired.
Question: How was her work recieved?
Answer: More popular still were the dramatic love stories in which she co-starred with John R. Cumpson, as Mr. Jones, and Arthur Johnson.

Background: Goldfrapp are an English electronic music duo from London, formed in 1999. The duo consists of Alison Goldfrapp (vocals, synthesizer) and Will Gregory (synthesizer). Despite favourable reviews and a short-listing for the Mercury Prize, their 2000 debut studio album Felt Mountain did not chart highly. Goldfrapp's second album Black Cherry, which incorporated glam rock and synthpop sounds into their music, was released in 2003.
Context: Goldfrapp's second album Black Cherry was released in April 2003. The band recorded the album in a darkened studio in Bath, England. The album focused more heavily on dance music and glam rock-inspired synths than its predecessor. Alison Goldfrapp commented that the album differed from Felt Mountain because the band "felt that we really didn't want to repeat what we had done...we kind of wanted to do something that felt equally as fresh to us as the first one felt fresh to us, and we wanted to put more kind of "oomph" in it." The album received positive reviews from critics. The Guardian found it to be an "unexpected delight" and About.com called it a "rare electronica album of warmth and depth...the ultimate chillout pleasure". Black Cherry peaked at number 19 on the UK Albums Chart and number four on the Billboard Top Electronic Albums chart in the United States. It sold well, reaching platinum status in the UK and selling 52,000 copies in the US as of August 2006. The first single released from the album was "Train", which reached number 23 on the UK Singles Chart. The song's lyrics discuss obsession and overindulgence and were inspired by Goldfrapp's visit to Los Angeles while touring in support of Felt Mountain. "Strict Machine" was released as the album's second single. The song proved successful on several formats, and reached number one on the US Hot Dance Club Play chart. In 2004, "Strict Machine" won an Ivor Novello Award for "Best Dance Single". The third single released from Black Cherry was "Twist", a song inspired by a fantasy that Goldfrapp had about a boy who worked in a fairground. The title track was released as the album's fourth single and reached number 28 in the UK. In 2003, Alison Goldfrapp modified her image, from a sophisticated Marlene Dietrich inspired look to that of a new wave diva. The reinvented image included false eyelashes, customised T-shirts, military uniforms and fishnet stockings. Starting in March 2003, the band toured the album, with a concert series entitled Black Cherry Tour. In 2004, the band further toured Australia, Japan, Europe and North America and embarked on the Wonderful Electric Tour. Sections of the stage show featured Goldfrapp in a white dress wearing a horse tail and dancers with deer heads, and were inspired by Goldfrapp's interest in animals and mythology.
Question: was the album a success
Answer:
" The album received positive reviews from critics. The Guardian found it to be an "unexpected delight"