In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

[Q]: Question: What year was the state founded that Gorham's Rangers started in? Passage 1:Gorham's Rangers was one of the most famous and effective ranger units raised in the colonial North America. Formed by John Gorham, the unit served as the prototype for many subsequent ranger forces, including the better known Rogers' Rangers. The unit started out as a Massachusetts provincial auxiliary company, which means it was not part of the province's normal militia system. Recruited in the summer of 1744 at the start of King George's War, Governor William Shirley ordered the unit raised as reinforcements for the then-besieged British garrison at Fort Anne in Annapolis Royal. Over the next eight years the unit proved remarkably effective at suppressing Acadian and Mi'kmaq resistance to British rule in Nova Scotia and helped to both expand and secure the British sphere of influence in the region. Initially a sixty-man all-Indian company led by British colonial officers, the original Native American members of the unit were gradually replaced by Anglo-Americans and recent Scots and Irish immigrants and were a minority in the unit by the mid-1750s. The company were reconnaissance experts as well as renowned for their expertise at both water-borne operations and frontier guerrilla warfare. They were known for surprise amphibious raids on Acadian and Mi'kmaq coastal or riverine settlements, using large whaleboats, which carried between ten and fifteen rangers each. This small unit was the main British military force defending Nova Scotia from 1744 to 1749. The company became part of the British army and was expanded during the Seven Years' War and went on to play an important role in fighting in Nova Scotia as well as participating in many of the important campaigns of the war, particularly distinguishing itself at the Siege of Quebec in 1759.
Passage 2:He tied the UT freshman record for rebounds in a game (LaSalle Thompson, 197980) with 17 boards at Texas Tech. He recorded a team-high of eight double-doubles, and pulled down 10 or more rebounds in a game 10 times. His put-back of a Kris Clack miss with 15 seconds left proved to be the game-winner in UT's 81-80 Big Monday victory at Texas A&M. Mihm got a piece of Rayford Young's last-second shot to preserve an 82-80 win at Texas Tech, he has hit a pair of free throws with eight seconds left to provide the final margin in an 86-83 UT win over Texas Tech in the first round of the Big 12 Tournament. He blocked at least one shot in 29 of 31 games, Mihm would miss the first month of practice (his foot was in a plastic boot for three weeks) while recovering from a mild stress injury in his right foot. He was limited to four practices prior to the season opener.
Passage 3:After the battery returned from the Philippines in 1899, March was assigned as the aide to Major General Arthur MacArthur, Jr. during the PhilippineAmerican War. Later that year he was promoted to major. He continued to serve in the Philippines, participated as part of General Loyd Wheaton's expedition in battles at San Fabian, Buntayan Bridge and San Jacinto. He commanded the U.S. forces in the Battle of Tirad Pass, 2 December 1899, where General Gregorio del Pilar was killed, and received the surrender of General Venacio Concepcion, Chief of Staff to Philippine President Aguinaldo at Cayan, 5 December 1899. He served as provincial governor of districts including Lepanto-Bontoc and Ilocos Sur from February to June 1900, and then the Abra Province from June 1900 to February 1901. He then served as Commissary General of Prisoners for the Philippine Islands through 30 June 1901, when he mustered out of the U.S. Volunteers.

[A]: 1

[Q]: Question: How old was Luke Taft when Daniel Day started the first woolen mill in Uxbridge? Passage 1:The American Taft family first settled in what later became Uxbridge in the 17th Century. A descendant, Luke Taft became one of the earliest industrial pioneers here.) Luke Taft was the son in law of Daniel Day, and married his daughter Nancy. In 1809, Daniel Day had started the first woolen mill in Uxbridge and the Blackstone River Valley, one of the first woolen mills in the US (third), a little bit downstream. The Wheelocks, (descended from the Rev. Ralph Wheelock, the pioneer of American public education), also settled in Uxbridge, in the 18th Century. Lt. Simeon Wheelock, a Revolutionary War soldier, fought and died in Shays' Rebellion. His son Jerry, became one of the earliest textile pioneers in Uxbridge, and worked with Luke Taft. Luke and Nancy (Day) Taft had a son, Moses, who born in January 1812. Jerry Wheelock's daughter, Sylvia A Wheelock, then married Moses Taft in 1834. Luke Taft established a mill at the site in 1833, and Moses Taft, (Luke's son and Daniel Day's grandson) established what later became the larger Stanley Mill in 1852. Uxbridge was an early industrial center that played key roles in the early textile industry in America, pioneering satinets, cashmeres, blended fabrics, and power looms for woolens. Stanley Woolen Mill later would become a legacy of both the Taft and Wheelock families, continuing woolen and textile innovations of Uxbridge, begun by Jerry, Luke and their contemporaries. Stanley Woolen Mill became the first mill to offer complete vertical integration from raw materials to clothing. Stanley Woolen Mill, was a continuously operating family business, from 1833 at the present site, and from 1809, with its connections to Daniel Day.
Passage 2:Bricher was born in Portsmouth, New Hampshire. He was educated in an academy at Newburyport, Massachusetts. He began his career as a businessman in Boston, Massachusetts. When not working, he studied at the Lowell Institute. He also studied with Albert Bierstadt, William Morris Hunt, and others. He attained noteworthy skill in making landscape studies from nature, and after 1858 devoted himself to the art as a profession. He opened a studio in Boston, and met with some success there. In 1868 he moved to New York City, and at the National Academy of Design that year he exhibited "Mill-Stream at Newburyport." Soon afterward he began to use watercolors in preference to oils, and in 1873 was chosen a member of the American Watercolor Society. In the 1870s, he primarily did maritime themed paintings, with attention to watercolor paintings of landscape, marine, and coastwise scenery. He often spent summers in Grand Manan, where he produced such notable works as Morning at Grand Manan (1878). In 1879, Bricher was elected into the National Academy of Design as an Associate member.
Passage 3:Tasker was a color commentator for CBS football telecasts (with Andrew Catalon (play-by-play) and Steve Beuerlein (the other color commentator) starting in 2014). CBS did not renew his contract at the end of the 2018 season. He also does color commentary for the local broadcasts of Bills pre-season games, teaming with either his former broadcast partner Andrew Catalon or Rob Stone. He is also the spokesperson for the West Herr Auto Group. Tasker was on the sidelines with Jim Nantz and Phil Simms during the playoffs until 2013. He also worked with Don Criqui (Criqui, himself a Buffalo native, and Tasker were assigned to the majority of Bills games from 1999 to 2005) and was best known working with Gus Johnson in 1998, week 13 in 1999, week 5 in 2004, and from 2005 to 2010. Johnson left for FOX Sports the following year. He and Johnson called the David Garrard game winning Hail Mary touchdown pass for the Jacksonville Jaguars' win over the Houston Texans in 2010. CBS dismissed Tasker prior to the 2019 season as they chose not to renew his contract.

[A]: 1

[Q]: Question: Which cut made the band who wrote the song that Greil Marcus rated as one of three masterpieces more money, "A Man I'll Never Be" or "More Than a Feeling"? Passage 1:Ibrahim was born in Cape Town on 9 October 1934, and was baptized Adolph Johannes Brand. He attended Trafalgar High School in Cape Town's District Six, and began piano lessons at the age of seven, making his professional debut at 15. He is of mixed-race heritage, making him a Coloured person according to the South African government. His mother played piano in a church, the musical style of which would remain an influence; in addition, he learned to play several genres of music during his youth in Cape Town, including marabi, mbaqanga, and American jazz. He became well known in jazz circles in Cape Town and Johannesburg. In 1959 and 1960, Ibrahim played with the Jazz Epistles group in Sophiatown, alongside saxophonist Kippie Moeketsi, trumpeter Hugh Masekela, trombonist Jonas Gwangwa (who were all in the orchestra of the musical King Kong that opened in Johannesburg in February 1959), bassist Johnny Gertze and drummer Makaya Ntshoko; in January 1960, the six musicians went into the Gallo studio and recorded the first full-length jazz LP by Black South African musicians, Jazz Epistle Verse One, with 500 copies being produced. Although the group avoided explicitly political activity, the apartheid government was suspicious of it and other jazz groups, and targeted them heavily during the increase in state repression following the Sharpeville massacre, and eventually, the Jazz Epistles broke up.
Passage 2:Sara Jordan Powell was born on October 6, 1938 in Houston, Texas, the daughter of a minister and pastor at the Turner Memorial Church of God in Christ, and his wife, who was a homemaker. She was born the third of twelve children in her family. Powell started singing at the age of two years. She is a Texas Southern University graduate with a Bachelor's degree in English while minoring in drama and history. After graduation from Texas Southern University, she headed out to Chicago, Illinois to live with her sister, and she apprenticed under, Thomas A. Dorsey, while she was working for him during her tenure in Chicago. She was found by the Sallie Martin Singers while in Chicago with Dorsey, and she joined the group, after auditioning successfully. After the Sallie Martin Singers, she was a part of the Voices of Melody, headed by Dr. Charles Clency. Soon thereafter her father became ill and died, and she and her husband departed for Houston in order to handle the church's affairs. While she was back in Houston, Powell became a teacher at a school, where she was encouraged to sing during a commencement ceremony, and after that she was a highly sought after local artist. Around 1971, Rev. James Cleveland eavesdropped on one of her singing engagements in Los Angeles, California, and at his request, she met with him the next day. He asked her about recording, but Powell had never given it much thought. He encouraged her, and she quickly found success in 1972 with the songs, "Touch Somebody's Life" and "When Jesus Comes," which achieved significant radio airtime, and were on her debut album "Touch Somebody's Life" that came out in 1975 on the Savoy label. She attended Southwest Theological Seminary, and obtained her Master's degree from University of St. Thomas, after achieving musical success. Powell had the opportunity to perform "Amazing Grace" for President Jimmy Carter at the White House, while they were honoring the Black Music Association, with the likes of Chuck Berry, Billy Eckstine, Evelyn "Champagne" King, and Andrae Crouch on June 7, 1979. She was an academic advisor at Oral Roberts University after she and her husband relocated there for her husband to pursue his Juris Doctor degree. Powell was the Church of God in Christ's Fine Arts Executive Director for ten years. She was asked to served on the Year of the Bible Committee by President Ronald Reagan. Powell had the opportunity to minister to President Bill Clinton in Memphis, Tennessee, along with Dr. Bernard Johnson, at the requested of Bishop Lewis Henry Ford.
Passage 3:Billboard Magazine rated the song one of the best cuts on Don't Look Back. Greil Marcus rated the song as one of three masterpieces on Don't Look Back, along with "A Man I'll Never Be" and "Used to Bad News." Allmusic critic Tim Sendra described its riff as "killer," saying that it was similar to that in "More Than a Feeling." The New Rolling Stone Album Guide critic Paul Evans felt that "Don't Look Back" was the one song on its album that could "hold its own" on Boston's first album. Ultimate Classic Rock critic Eduardo Rivadavia similarly stated that it "met every expectation set by Boston's nearly perfect debut." Ultimate Classic Rock critic Michael Gallucci rated it the band's 4th all time best song. AXS contributor Bill Craig similarly rated it Boston's 3rd greatest song, describing it as an "arena rock style sonic blast." Philip Booth of the Lakeland Ledger called it one "of the most-played-by-garage-band rockers of the '70s." Pete Prown and Harvey P. Newquist praised the "layers of guitar harmonies" as well as Barry Goudreau's slide guitar playing and rideout guitar solo. Ottawa Journal critic Mike Voslin rated the song as a live performance highlight.

[A]:
3