In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example output: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : InPhase Technologies is a technology company developing holographic storage devices and media, based in Longmont, Colorado. InPhase was spun out from Bell Labs in 2000 after recruiting two storage industry veterans, Steve Kitrosser (Digital Equipment Corporation, Maxtor, Maxoptics, Quinta, and Seagate) joined as Chairman, and Nelson Diaz (Digital Equipment Corporation, Seagate, StorageTek), with very strong operating experience, in particular high volume magnetic disk drive and tape drive manufacturing with very high quality. Their technology promised multiple terabyte storage. InPhase concentrated on applied research from 2001 to 2004 to understand what issues had to be addressed and solved in order to be able to deliver high volume storage media and drives with high reliability and high manufacturing yield. During this time frame, Stephen Socolof joined the Board of Directors representing New Venture Partners, and in late 2004 pushed the Inphase management team to get a product (a working disk drive and storage media) within one year; a number of the InPhase staff were surprised by this, and wrote a white paper explaining that the staff had tens of decades of experience in bringing digital storage products to market, and that based on where InPhase was at in product development in early 2005, it would require three to five years of additional engineering effort, in particular in manufacturing processes for storage media and drives, before InPhase could commence to sell prototype product to customers. This warning was ignored, and the Chairman and Chief Executive Officer said they would try to get a product out in a year, without telling any other investors. Nelson Diaz asked Demetri Lignos for a product plan, and Demetri responded with a rack mounted drive that would allow all the optics and light transmission to lie in a single two dimensional plane, enormously simplifying the manufacturing of such a product; Nelson Diaz rejected this because he had been told that StorageTek, his former employer, had a library that held five and a quarter inch form factor drives (in fact there is no such thing as a specification for a five and a quarter inch disk drive), but Demetri Lignos and his team attempted to develop a disk drive product plan that would fit into a StorageTek library and were NOT able to make all the optics and electronics fit, even thought light was following paths in THREE dimensions to complicate manufacturing, and the total length of the drive was twenty six inches). With this as prolog, Demetri Lignos elected to retire from InPhase (after having brought many digital storage products to market from raw technology), and surprise surprise, at the end of 2005, InPhase received additional funding led by New Venture Partners to get a product out within a year, having failed to do so in 2005. At the end of 2006, InPhase received additional funding led by New Venture Partners to get a product out within a year, having failed to do sin 2006. At the end of 2007, InPhase received additional funding led by New Venture Partners to get a product out within a year, having failed to do so in 2007. In April 2008 InPhase was scheduled to have a product launch at the National Association of Broadcasters (NAB) trade show in Las Vegas, NV, and at the show in the middle of the launch InPhase announced it did not have a viable product to sell to customers. In 2008 Stephen Socolof elected to shop InPhase and its extensive patent portfolio, but to no avail, and in 2009-2010 went through a financial restructuring resulting in Steve Socolof leaving the Board and all of the New Venture Partners preferred stock was purchased by Signal Lake. Context_2 : John Sturgill Simpson (born June 8, 1978) is an American Grammy Award-winning country music and roots rock singer-songwriter. As of August 2017, he has released three albums as a solo artist. He released two albums independently, "High Top Mountain" in 2013 and "Metamodern Sounds in Country Music" in 2014. His second album is notable for being nominated for a Grammy Award for Best Americana Album, being listed 18th on "Rolling Stone's" "50 Best Albums of 2014," and also being named among "NPR's 50 Favorite Albums of 2014." His third studio album, "A Sailor's Guide to Earth", was released on Atlantic Records and was Simpson's first major-label release, later earning him Best Country Album at the 59th Grammy Awards while also being nominated for Album of the Year. Context_3 : I Know is the eleventh studio album (sixteenth overall) by American R&B/soul singer Luther Vandross, released in August 1998 (see 1998 in music), and his only one for Virgin Records (after leaving his longtime home label Epic Records the previous year; three years later, he would sign with Clive Davis' then-new J Records, where he recorded his final two albums). It was nominated for a Grammy Award for Best Traditional R&B Vocal Performance and the song "I Know" was nominated for a Grammy Award for Best Male R&B Vocal Performance in 1999. In early 2005 (four months before his death), Dutch EMI affiliate Disky Records reissued the album in Europe with a different order of tracks as part of the budget series "The Ultra Selection". It features a cover of "When I Need You", originally recorded by Leo Sayer. Guest artists on this album include Stevie Wonder (who played harmonica on the title track), Cassandra Wilson (who performed the female vocals on "I'm Only Human", which originally appeared on the soundtrack to the film "Down in the Delta", which was also released in 1998), the rappers Precise and Guru (who performed on the original and remixed versions of "Nights in Harlem", respectively, with the former's vocals also appearing on "Get It Right") and Brandy (a future Epic signee whose background vocals appear on the remixed version of "Nights in Harlem", though uncredited). Context_4 : Whitney Houston is one of the most successful female singers of all time. Her accomplishments have been recognized with six competitive Grammy Awards, and one Grammy Hall of Fame Award, giving her a total of 7 Grammy Awards. Though she has been nominated twenty-six times and for two times songs performed by her were nominated for Song of the Year. She earned her first Grammy, Best Pop Vocal Performance, Female in 1986, and was honored with two general field Grammys: Album of the Year for "" and Record of the Year for "I Will Always Love You" at its 36th ceremonies in 1994. Below is a list of awards for which she has been nominated and those that she won (the winner in each category has mark). Context_5 : "Toxic" is a song recorded by American singer Britney Spears for her fourth studio album "In the Zone" (2003). It was written and produced by Christian Karlsson and Pontus Winnberg (known collectively as Bloodshy & Avant), with additional writing from Cathy Dennis and Henrik Jonback. The song released on January 13, 2004, by Jive Records, as the second single from "In the Zone". The song was originally offered to Kylie Minogue for her ninth studio album "Body Language" (2003), but she rejected it. After trying to choose between "(I Got That) Boom Boom" and "Outrageous" to be the second single from "In the Zone", Spears selected "Toxic" instead. A dance song with elements of bhangra music, "Toxic" features varied instrumentation, such as drums, synthesizers and surf guitar. It is accompanied by high-pitched Bollywood strings, sampled from Lata Mangeshkar and S. P. Balasubrahmanyam's "Tere Mere Beech Mein" (1981), and breathy vocals. Its lyrics draw an extended metaphor of a lover as a dangerous yet addictive drug. The song has received acclaim from music critics, deeming it the strongest track of "In the Zone", and praised its hook and chorus. "Toxic" won Spears her first and only Grammy Award at the 2005 ceremony in the category of Best Dance Recording. Context_6 : Lauren Ashley Daigle (born September 9, 1991) is an American contemporary Christian music singer-songwriter from Lafayette, Louisiana. Daigle is signed to the Centricity Music label. Her first full-length album, "How Can It Be," was released in April 2015 and went on to achieve Gold Record status. Daigle was awarded the New Artist of the Year title at the 2015 GMA Dove Awards, with her single "How Can It Be" winning the Song of the Year. The next year, she went on to win Dove Awards for Artist of the Year, Songwriter of the Year, and Best Contemporary Recorded Song of the Year, with her single "Trust in You." Daigle's album "How Can It Be" was nominated for a 2016 Grammy Award for Best Contemporary Christian Music Album; her single "Trust in You" was nominated for a 2017 Grammy Award for Best Contemporary Christian Music Performance/Song. Context_7 : M.I.A is an English recording artist, songwriter, painter and director of Tamil descent. Her compositions combine elements of electronic, dance, alternative, hip hop and world music. She has been nominated for various awards including Academy Award, MOBO Award, MTV Video Music Award, MTV Europe Music Award, Grammy Award and the prestigious Mercury Prize. She is the only artist in history to be nominated for an Academy Award, Grammy Award, Brit Award, Mercury Prize and Alternative Turner Prize, and the first artist of Asian descent to be nominated for an Academy and Grammy Award in the same year. Her award-winning career spans 13 years. This is the list of awards and nominations received by her. Context_8 : "Get Yourself High" is a 2003 single by The Chemical Brothers. It features Canadian rapper k-os and appeared as a bonus track on their collection "Singles 9303". A music video directed by Joseph Kahn, featuring a digitally enhanced version of an old martial arts film called "2 Champions of Shaolin" accompanied this song. The song was nominated for a Grammy for Best Dance Recording, but lost to "Toxic" by Britney Spears. Context_9 : Mikey Perfecto, (Miguel A. Soto Cordova), is a Puerto Rican reggaeton recording artist. He was first thrusted into the music scene as the lead vocal, leader, and songwriter for the Latin urban music group, 3-2 GET FUNKY. With 3-2 Get Funky, Mikey Perfecto recorded 5 studio albums from 1993 to 1998. He recorded his first solo album in 1999, "Angel Perdido", a mixture of salsa, hip hop, and reggaeton urban music. His second studio album "Evolucion Arrestada" (2004) reached number nineteen on the "Billboard" Tropical Albums chart. The lead single "La Matadora" featuring fellow recording artist Daddy Yankee reached number thirty-five on the "Billboard" Tropical Songs chart. Perfecto was featured on Cuban singer Celia Cruz's 2002 hit single "La Negra Tiene Tumbao". It reached number thirty on the "Billboard" Latin Songs chart and number four on the "Billboard" Tropical Songs chart. The song received nominations for Record of the Year, Song of the Year, and Music Video of the Year at the Latin Grammy Awards of 2002. The parent album won the Latin Grammy Award for Best Salsa Album. It was nominated for Album of the Year. The song was also nominated Tropical Song of the Year at the 2003 Lo Nuestro Awards. Mikey Perfecto whose real name is Miguel Angel Soto Cordova, obtained a master's degree in Social Work and a post-master's degree in Clinical Social Work from the Doctorate Program of the Interamerican University Of Puerto Rico. He is the author of the Book "En Cuerpo y Alma" (La Autobiografia de Mikey Perfecto) where he details his struggles and challenges during the first wave of Puerto Ricos' urban artist movement. He currently works with troubled youth, and communities afflicted by poverty, addiction, and other obstacles produced by these conditions. Context_10 : "Mas y Mas" (English: "More and More") is a single by Draco Rosa from his 2004 album "Como Me Acuerdo". It was nominated as Record of the Year and Song of the Year at the 2004 Latin Grammy Awards. The English-language version of the song, entitled "Crash Push", was released on the album "Mad Love". Rosa again produced this song as the first single for his 2013 album "Vida", the first one after his 2009 "Amor Vincit Omnia" as well as his first album after his cancer diagnosis in April 2011. It was released in 2004 as a CD single, while the duet with fellow ex-Menudo bandmate, Ricky Martin, was released as a digital download on January 6, 2013. The new recording nominated for the 2013 Latin Grammy Award for Record of the Year, the only song to be nominated twice in this category. fact_1 : The song was nominated for a Grammy for Best Dance Recording, but lost to "Toxic" by Britney Spears. fact_2 : "Toxic" won Spears her first and only Grammy Award at the 2005 ceremony in the category of Best Dance Recording. Question: In what year was Get Yourself High nominated for a grammy?
A:
2005