Q: What's an example of a movie review?
An example of a movie review is here: As winter approaches, our state-owned broadcaster, the ABC, has decided for some reason to have a partial Jane Austen Festival on Sunday nights. This commenced with a twelve-year old movie length version of "Emma" last Sunday; more recent versions of three other novels, "Persuasion", "Northanger Abbey" and "Mansfield Park" are to come.

The curious thing about this production by A&E Television Networks, with script by the ever-reliable Andrew Davies, is that it appeared almost simultaneously with two much bigger budget movie versions, one starring Gwyneth Paltrow, and "Clueless", a "modernized" version, starring Alicia Silverstone, which transported the plot to Beverly Hills. Perhaps as a result, even with Kate Beckinsale in the lead, this production sank without trace.

As a general rule, much is lost when novels are shrunk to fit feature movie length. The adaptations one tends to both enjoy and remember are those which have adequate room to develop both story and characters. An outstanding example is "Brideshead Revisited" which had 13 50-minute episodes back in 1982. You only have to compare the very ordinary movie-length version of "Pride and Prejudice" in 2005 with the brilliant 1995 six-part TV mini-series. It's not that a novel should be filmed page by page, and some novels (often not very good ones) adapt wonderfully to film ("Atonement" is a recent example), but novels of the Jane Austen sort need some time and space to exert their full charm.

Given the shortcomings of this type of adaptation, this production is OK. Kate Beckinsale gives Emma the right mix of self-assuredness and vulnerability and Mark Strong is a forthright Mr Knightly (he reminded me that Jane tended to recycle characters Knightly is a more articulate version of the moody Mr Darcy of P&P). Samantha Morton was a rather limp Harriet but Prunella Scales got the blabbermouth Miss Bates perfectly Sybil Fawlty on speed. Bernard Hepton as Emma's feeble father was also excellent. We saw the damp countryside, the mud and the poverty as well as the posh interiors, in case anyone thought this was a particularly idyllic age for everybody.

Even though this was a condensed adaptation it was oddly slow in places some of the conversations were rather stilted, even allowing for the formalities of the times. I'd have to look at the film again to be sure, but it might be due to the under-use of reaction shots.

If you do like filmed period stuff this is a perfectly nice example, and compares well with the Paltrow version. Anyway, there is more to come!

Q: What's an example of a movie review?
An example of a movie review is here: Animation always seems to be fringe. In Japan, this might not be the case, but in Europe and much more so in the USA animation has a big fat "KIDS" tag on it. France is probably one of the more comic-liberal countries, home of classics as Tin-Tin, Asterix, Lucky Luke, Valereon and so on(if you've never read these, it's not too late. There's no upper-age limit on them and they don't carry the nerd-stigma of DC or Marvel) It seems natural a movie like this one pops up in France. It suits my prejudiced image of the French as art-loving, anti-USA-oriented and talented movie-makers. Luckily there's also "A scanner darkly" out there to suppress that view - seems art is pretty much international.

Anyway, as you might have gathered Renaissance is artsy and French. If you're a normal person you will get scared by this. There's no need for that however! Beneath it's cool, sleek cel-shaded appearance there's a good thriller and a good movie overall.

That was one of my fears for this movie. It's so easy turning the spectacular animation to a gimmick, much like Sony & C:o are doing with their Pixar rip-offs. I was expecting a confusing, sometimes boring and not very engaging movie, but luckily I was wrong.

I would have enjoyed it anyway for the neo-noir stuff, but it was good that it was worthwhile on that level as well. NOTE: I've seen the French dub which was OK as far as I could see. English might be more interesting what with Craig and everything.

A final word of praise to the animation. It was awesome. Futuristic, well-crafted, nice camera-work, smart solutions(Eyes for example looked very good, which is hard to do) and so visually stunning I felt like bursting out "This is so damn impressive!". Then again, I really like animation and I appreciate the effort the studio put down, so my verdict is a bit biased.

Good movie anyway, definitely lives beyond it's "gimmick".

Q: What's an example of a movie review?
An example of a movie review is here: One of the worst movies I've ever seen with Robert De Niro, The Fan is a pointless cliche of an exercise in slasher flicks. It tries to spin or twist the genre with preposterous plot lines of a a crazed fan turned psychotic - the movie meanders into nothing. (spoiler) We're to believe that a knife-wielding idiot has access to and murders a baseball player in a lavish hotel with no witness, security, or cameras? The movie is nonsense trying to tug at our heart-strings through the hoopla of baseball ending up mockingly unsophisticated and gimmicky. Not sure what all the actors were thinking when they got onboard this razzie. This is as big a dud as they come. Stay far away if you prefer thought in your movies

Q: What's an example of a movie review?
An example of a movie review is here:
It is Queen Victoria's misfortune to be defined as an historical figure according to her relationships with men.Shortly after she succeeded to the throne she came under the influence of her Prime Minister Lord Melbourne to the extent that she became known as "Mrs Melbourne".After the death of her beloved husband,Albert,she was referred to as "The Widow at Windsor",and years later,a long friendship with her Scottish ghillie John Brown earned her the nickname "Mrs Brown".Such is the price women paid in a patriarchal society. The reality is somewhat different and "Young Victoria" goes some way towards putting the record straight,depicting the queen as an intelligent and independent young woman conscious of the inequities in her society and at her court. Courts have always been hotbeds of seething jealousy,plotting and counter-plotting,naked ambition and sometimes,outright murder. As an 18 year old innocent,Victoria ascended to her uncle's throne,thus initiating a positive orgy of intrigue and a power-struggle between Prime minister Lord Melbourne and his rival Sir Robert Peel. Lord Melbourne cuts a dash in the Old Public School Man kind of way with his finely-honed cynicism and his well-polished gems of advice. Hardly surprising then that the young queen finds herself in awe of him,and even perhaps a little in love,an awe that he ruthlessly exploits,drawing a fine line between attempted seduction and attempted sedition as he forces his policies through against Victoria's better judgement. Into the arena rides Prince Albert,on a mission from King Leopold of Belgium,keen on political rapprochement between Great Britain and the rest of Europe. At first a reluctant suitor,he soon falls in love with the English queen and palliates the influence of the politicians and courtiers. "The Young Victoria" is a beautifully photographed,brilliantly-scored and very sumptuous movie.I note that it has been criticised in some quarters for this sumptuousness as if a movie about 19th century English Royalty should somehow have shown the Empress of India and her family living in rags in a filthy workhouse........I don't think so. I must single out the remarkable Miss Emily Blunt whose beauty reminded me of the young Princess Margaret's.Hers is obviously the pivotal role, and she has absolutely no trouble in dominating the film despite strong performances from Mr Jim Broadbent,Miss Miranda Richardson and Miss Harriet Walter,all immeasurably more experienced. The music is suitably regal and forms a cohesive part of the whole movie without being in any way obtrusive. The fact that Britan flourished more under its two great queens,Elizabeth the First and Victoria,than at any other time is a matter Feminists might like to make more of,but,I suspect,like Prime Minister Margaret Thatcher really powerful women make them feel uncomfortable.If you can work out why there might be a Ph.D . in it.