Given the task definition, example input & output, solve the new input case.
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Output: 1874May
From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input case for you: Context_1 : The Bahamas sent a delegation of athletes to compete in the 2008 Summer Olympics, which were held in Beijing, People's Republic of China from 8 to 24 August 2008. Its Beijing appearance marked its fourteenth time at the Olympics since its debut at the 1952 Summer Olympics in Helsinki. The delegation included 25 athletes across four sports (track and field, boxing, swimming and tennis) and nineteen distinct events. Its athletes advanced to semifinals in eight events and finals in five events, medaling in two of them (a silver in men's 4x400meters relay by Andretti Bain, Michael Mathieu, Andrae Williams, Chris Brown, Avard Moncur and Ramon Miller, and a bronze in men's triple jump by Leevan Sands). The Bahamian delegation was one of the largest sent between its debut and 2008. The country's flag bearer was Debbie Ferguson-McKenzie. Context_2 : The 1968 Summer Olympics (Spanish: "Juegos Olimpicos de Verano de 1968"), officially known as the Games of the XIX Olympiad, were an international multi-sport event held in Mexico City, Mexico, in October 1968. Context_3 : Michael Sauer (born 27 August 1941) is a German former triple jumper who competed in the 1968 Summer Olympics. Context_4 : James William "Bill" George Roycroft, OBE (17 March 1915 29 May 2011) was an Australian Olympic equestrian champion. He grew up on a dairy farm and learnt to ride horses there. After serving in the army in World War II, he moved with his family to a soldier's block in western Victoria near Camperdown, where he raised his three sons, all of whom went on to compete alongside their father in the Olympics. At his first Olympics, the 1960 Rome Games, he played a key role on the final day of the team three-day event, despite being thrown off his horse the day before, allowing Australia to win the gold medal in the competition. He went on to compete in four more Olympics from 1964 to 1976, winning bronze medals in team eventing at the 1968 Mexico City and 1976 Munich Games. He later served as coach of the Australian eventing team. Context_5 : Suriname sent a delegation of four people to compete at the 2008 Summer Olympics in Beijing, China: two athletes (Jurgen Themen and Kirsten Nieuwendam and two swimmers (Gordon Touw Ngie Tjouw and Chinyere Pigot) who participated in four distinct events. The appearance of Suriname at Beijing marked its tenth Olympic appearance, which included every Olympic games since the 1968 Summer Olympics in Mexico City and excluded the 1980 Summer Olympics in Moscow. Its four athletes did not advance past the first round in each of their events. The Surinamese flag bearer in Beijing was not an athlete, but Anthony Nesty, the only medalist in Surinamese history (as of the Beijing Olympics) and the nation's Olympic swimming coach. Context_6 : Luke Thomas Michael Hall (born 16 April 1989) is a Swazi swimmer. He competed at the 2008 Summer Olympics and the 2012 Summer Olympics where he was the flag bearer for his country. In the 2012 Summer Olympics he came fourth in his heat with the time of 23.48s. His preparation for the Olympics was a very tough process. Fortunately enough, he was given a wildcard entry into the London 2012 Olympic Games. After his race, Luke said to the press "My hard work has paid off coming into the Olympics. But for Swaziland, we need pools like these {Pointing at olympic pool} in order to be able to compete in this event". This has certainly raised awareness in Swaziland and the government has already decided in putting in 20 m pools in some areas of Swaziland. Context_7 : Howard Wing (28 January 1916 7 March 2008) was a Chinese cyclist. He competed at the 1936 Summer Olympics and the 1948 Summer Olympics. The son of a Chinese father and an Irish mother, Howard Wing grew up in the Dutch port city of Rotterdam. As a teenager, Wing proved to be a talented track cyclist, and trained with the Dutch team. After it was discovered he did not possess a Dutch passport and was thus unable to compete in the Olympics, he was invited to join the Chinese team for the Berlin Games. Never having visited China, Wing accepted and travelled to Berlin. The Chinese cycling team turned out to be very poorly organized, and Wing was mostly left to himself. Despite this, he also represented China at eight World Championships, as well as the 1948 Olympics. In London, Wing broke his collar bone after a fall, effectively ending his cycling career. In 1956 Wing, who owned a business specializing in store displays, emigrated to Canada, where he lived in Niagara Falls until his death. Context_8 : "Playmate to Jesus" is a song by Danish-Norwegian pop band Aqua from their third studio album, "Megalomania". The song, which was released in 2011, is about universal love and "what goes around comes around". The song was published the same day as their other single, "Like a Robot", which was originally planned to be released in July 2011. Despite the song's positive critical reaction, it only charted in Denmark, becoming the group's second lowest-charting single. The music video, directed by Michael Sauer Christensen and filmed in Lyngby, Denmark, premiered on 22 September 2011. Context_9 : Michael Thomas Sauer (born 1937) is a Los Angeles County Superior Court judge. He is best known for sentencing socialite Paris Hilton to 45 days in jail for violating terms of her probation. He was previously a Deputy City Attorney for Los Angeles, California and unsuccessfully argued the famous "Cohen v. California" case before the United States Supreme Court. Context_10 : Michael D. Teruel (born February 1, 1970) is a Filipino-American alpine skier who represented the Philippines at the 1992 Winter Olympics in Albertville, France. He qualified to compete as an alpine-skier at the 1988 Winter Olympics but was not able to compete at the games in Calgary. fact_1 : Michael Sauer (born 27 August 1941) is a German former triple jumper who competed in the 1968 Summer Olympics. fact_2 : The 1968 Summer Olympics (Spanish: "Juegos Olimpicos de Verano de 1968"), officially known as the Games of the XIX Olympiad, were an international multi-sport event held in Mexico City, Mexico, in October 1968. Question: In what city did Michael Sauer compete in the Olympics?
Output:
Mexico City, Mexico