In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example output: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : Joseph H. Stratton (September 1854 1922) was elected mayor of Murray, Utah from 1904 to 1905. He was one of the first candidates for mayor of the new city, but was defeated by Chillion L. Miller. During Stratton's administration the Progress Company was granted a franchise to set poles and string wire to carry electric current within the limits of Murray city. In 1904, there was a move to bond the city for the purpose of installing a water system and proposed bonding but the matter did not develop into a bond. Murray city set up its water system and the first 21 hydrants were to be in place and ready for use in December 1905. The following streets received names Murray Street, Vine Street, and Atwood Street. During Mayor Stratton's term the poll tax was discontinued. Murray also began acquiring or constructing public buildings such as a courthouse and jail. Context_2 : 66th Street was an express station on the demolished IRT Ninth Avenue Line. It had two levels. The lower level was built first and had two tracks and two side platforms. The upper level was built as part of the Dual Contracts and had two track and two side platforms over the lower level local tracks. The station closed on June 11, 1940. The next southbound local stop was 59th Street. The next southbound express stop was 34th Street for Ninth Avenue trains, and 50th Street for IRT Sixth Avenue Line express trains. The next northbound local stop was 72nd Street. The next northbound express stop was 116th Street. Context_3 : The Maplewood Hotel is a historic residential hotel at 328-330 Maple Street in Holyoke, Massachusetts. It consists of two buildings that have become conjoined by internal connections. The 2.5 story brick block at 330 Maple Street was built first, between 1884 and 1889, while the four story building at 328 Maple Street was built c. 1890. The latter was opened as the Maplewood Hotel, providing furnished and unfurnished residences to middle and upper class residents of the city. In 1924 the two buildings were joined by connections through their adjacent walls. It continues to be used for residences. Context_4 : Conabeer Chrysler Building is a historic auto showroom located at Asheville, Buncombe County, North Carolina. It was built in 1928, and is a three-story steel frame building faced in orange brick and limestone. It features a tall decorated parapet. The building was erected as a new home for the Conabeer Motor Company, the local Chrysler agency. Context_5 : 34th Street was an express station on the demolished IRT Ninth Avenue Line, New York, United States. It was originally built on July 30, 1873 by the New York Elevated Railroad Company, and had two levels. The lower level was built first and had two tracks and two side platforms. The upper level was built as part of the Dual Contracts and had one track and two side platforms over the lower level local tracks. It closed on June 11, 1940. The next southbound local stop was 30th Street. The next southbound express stop was 14th Street. The next northbound local stop was 42nd Street. The next northbound express stop was 66th Street. This station also serviced Penn Station and was west of the IRT and IND subway stations at Penn Station. Context_6 : 111 Murray Street (formerly known as 101 Murray Street or 101 Tribeca) is a residential skyscraper under construction developed by Witkoff Group and Fisher Brothers in Tribeca, Manhattan, New York City. Context_7 : 30th Street was a local station on the demolished IRT Ninth Avenue Line. It was opened on December 13, 1873 as the replacement for the original northern terminus of the Ninth Avenue Line at 29th Street, which was built in 1868 The station which was originally built by the New York Elevated Railroad Company had two levels. The lower level was built first and had two tracks and two side platforms. The upper level was built as part of the Dual Contracts and had one track that served express trains that bypassed the station. It closed on June 11, 1940. The next southbound stop was 23rd Street. The next northbound stop was 34th Street. Context_8 : 89th Street was a local station on the demolished IRT Third Avenue Line. It was originally built on December 9, 1878, and had two levels. The lower level, built first, was served by local trains and had two tracks and two side platforms. The upper level was built as part of the Dual Contracts, had one track that bypassed the station and served express trains. 89th Street station was the terminus of the IRT Third Avenue Line until it was expanded to 129th Street on December 30, 1878. This station closed on May 12, 1955, with the ending of all service on the Third Avenue El south of 149th Street. North of the station were connecting tracks to the 98th Street Yard. Context_9 : The Chrysler Building is an Art Deco-style skyscraper located on the East Side of Midtown Manhattan, at the intersection of 42nd Street and Lexington Avenue in the Turtle Bay neighborhood. At 318.9 m , the structure was the world's tallest building for 11 months before it was surpassed by the Empire State Building in 1931. Context_10 : Park Congregational Chapel is a Congregational chapel in the town of Llanelli, Carmarthenshire, Wales. It was built in 1864 and is located at the junction between Murray Street and Inkerman Street. It was designated as a Grade II listed building on 3 December 1992. fact_1 : 111 Murray Street (formerly known as 101 Murray Street or 101 Tribeca) is a residential skyscraper under construction developed by Witkoff Group and Fisher Brothers in Tribeca, Manhattan, New York City. fact_2 : The Chrysler Building is an Art Deco-style skyscraper located on the East Side of Midtown Manhattan, at the intersection of 42nd Street and Lexington Avenue in the Turtle Bay neighborhood. fact_3 : At 318.9 m , the structure was the world's tallest building for 11 months before it was surpassed by the Empire State Building in 1931. Question: Was 111 Murray Street or the Chrysler Building built first?
A:
The Chrysler Building