Problem: This review is like what?
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Review:I happened to catch this film at a screening in Brooklyn - it's difficult to describe the plot; it has a lot of wacky characters, but let's just say I'd have a hard time choosing which one made me laugh the hardest, I wouldn't know where to begin. Even the peripheral roles are well written and well acted.

There are numerous small touches that make it unique and very enjoyable, it has a few "devices" that pop up and add another hilarious layer. It is refreshing to watch; not some recycled stuff I'd seen many times before. If this film could reach a wider audience, I'm certain it would be a real crowd-pleaser, the story is so original and heartfelt.

There's a lot here to like, funny back-stories, mishaps and misunderstandings which set up the final act and dramatic conclusion. Cross Eyed is a very funny movie with a ton of heart; it's a touching story with fast paced comedy woven throughout. Definitely worth seeing!
+++++++++
A: positive

Problem: This review is like what?
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Review:Simple, meaningful and delivers an emotional punch. I regularly trail through dull short films and it's always nice to come across something that has a simple and enlightened message, without pretensions or self indulgent directing.

A boy at school has to attend a lesson when his friend plays truant and is given the most important lesson of his life, only to find that when there are not enough copies to go around he has to share with the school bully.

Unlike most short films featuring children or actors these kids hold their own and it's believable. The soundtrack nicely complements the emotion of the piece and the punchline of the film works well.
+++++++++
A: positive

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Review:Waldemar Daninsky (Paul Naschy) travels to Tibet and is bitten by a yeti, which causes him to become a werewolf. He is accidentally killed after he attacks his cheating wife and her lover, and is later revived by a female scientist, Dr. Ilona Ermann, who uses him in mind control experiments. Daninsky later discovers an underground asylum populated by the bizarre subjects of the doctor's failed experiments.

Upon hearing of Naschy's death from colleague Jon Kitley, I rummaged through my collection for a suitable film to watch. In my scramble, I found I own not one but three(!) copies of "Fury of the Wolfman". The film is of questionable video quality, the sound is dubbed in a mediocre fashion, the cinematography is sort of slapstick style at times. And the American versions have two love scenes removed. Quite frankly, without a remastered, uncut copy, I wasn't really getting the proper movie in all its glory.

This film claims to be the fourth in a long series about the werewolf Count Waldemar Daninsky. I suspect this is true, but you wouldn't know this from the film itself. The plot is confusing at times, and there's really no indication that this is a sequel. If you read the plot summaries on Wikipedia and compare them to what is printed on the box, you'll see that I'm not alone in my confusion.

Perhaps the film's shortcomings can be forgiven if we understand the production hell it went through. While floating around for years, it was only released in 1973, due to problems involved in finding a distributor. And Naschy said in his autobiography that the director, Zabalza, was an incompetent alcoholic, and that he hated working with him. Those really aren't light accusations, and I have no idea what Zabalza had to say on his own behalf.

Chances are, sooner or later you'll come across a low-grade version of "Fury of the Wolfman". It appears in a variety of three-packs and box sets, so you might accidentally acquire it and not even know. What really needs to happen is an American uncut version, with a decent sound and video mix, and the love scenes thrown back in. As far as I know, this does not exist. Let us honor Paul Naschy's legacy and get his films to a wider audience in a level of quality he deserves.
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A: negative

Problem: This review is like what?
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Review:This is a very rare film and probably the least known from Shirley Temple as it isn't on any of her collections.The reason why is probably because it doesn't have a happy ending,unlike all her other films.Its also not a musical,although she does belt out one song called' The world owes me a living'.The film was made in 1934 and originally in black and white,the version i have is in colour and on VHS,i would say they have done a fine job as the colour does look realistic,unlike i would say the colourised films of Laurel And Hardy which are dreadful.The film is good for its age and the story hasn't dated at all,I'm surprised no one has tried to do a remake.At times the film is a little bit to talky as some of the scenes with Gary Cooper and Carole Lombard seem really dragged out, in some scenes they seem to take fifteen minutes to say what they could have said in five.Although don't be put off by this because this film does have some genuinely good moments in it,especially when {Jerry}Gary Cooper steals a necklace,and hides it in Shirley's teddy bear.The tension and slow build up to his actions,{while at the same time his daughter is singing to an audience in another room}is very well directed.Gary and Caroles edgy facial expressions when they are put under scrutiny are also very good.In all this is a good film from the early 30's,accept it for its age.
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A:
positive