input: Shirley MacLaine in another tailor-made role. As the aunt to a single mom in a 1962 working-class Chicago neighborhood, the veteran character actress gets another work-out as a gutsy woman who won't let any set-backs defeat her spirit of success. The children, a pre-teen boy and girl, are drawn to their spirited Aunt Zoe, although the many magic tricks and practical jokes learned from her, and applied at all the wrong opportunities eventually get them expelled from school.

The plot is cleverly enveloped in the Cuban Missile Crisis, with all of the social implications. Men building bomb shelters, people watching news programs on what seemed to be the only TV set, at a diner, and a general mist of uneasiness and fear in the air. When a "harmless" miracle is blown out of proportions, the climactic conclusion nonetheless makes the viewer feel good. Yes, Virginia, the sun will come up tomorrow! Clearly a small-budget production, this is still a sweet little film, filled with the magic that Sunday Matinees were made of. With a few choice "Oldies" thrown into an effective Sound Track, the whole family is sure to enjoy this one.****

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input: In the trivia section for Pet Sematary, it mentions that George Romero (director of two Stephen King stories, Creepshow and The Dark Half) was set to direct and then pulled out. One wonders what he would've brought to the film, as the director Mary Lambert, while not really a bad director, doesn't really bring that much imagination to this adaptation of King's novel, of which he wrote the screenplay. There are of course some very effective, grotesquely surreal scenes (mainly involving the sister Zelda, likely more of a creep-out for kids if they see the film), and the casting in some of the roles is dead-perfect. But something feels missing at times, some sort of style that could correspond with the unmistakably King-like atmosphere, which is in this case about as morbid as you're going to get without incestuous cannibals rising from the graves being thrown in (who knows if he'll save that for his final novel...)

As mentioned though, some of the casting is terrific, notably Miko Hughes as Gage Creed, the little boy who goes from being one of the cutest little kids this side of an 80's horror movie, to being a little monster (I say that as a compliment, of course, especially in scenes brandishing a certain scalpel). And there is also a juicy supporting role for Fred Gwynne of the Munsters, who plays this old, secretive man with the right notes of under-playing and doom in tone. And applause goes to whomever did the make-up on Andrew Hubatsek. But there are some other flaws though in the other casting; Dale Midkiff is good, not great, as the conflicted, disturbed father figure Creed, and his daughter Ellie is played by an actress that just didn't work for me at all.

In terms of setting up some chilling set-pieces, only a couple really stand-out: a certain plot-thickening moment (not to spoil, it does involve a cool Ramones song), and the first visit to the pet sematary (the bigger one), including the sort of mystical overtones King had in the Shining. For the most part it's a very polished directing job, though it could've been made even darker to correspond with the script. If thought out in logical terms (albeit in King terms) it is really one of his more effective works of the period. But it doesn't add up like it could, or should. Still, it makes for a nifty little midnight movie.

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input: In reviewing this film I can only go by my experiences as a weekend warrior doing my basic training in July, August, and September of 1971 in that garden spot of the earth, Fort Polk, Louisiana. Take the High Ground was not anything like I remember basic training.

But one has to remember at the time this was post Korea which ended in a stalemate, but it was a conventional war as we knew them. It was not Vietnam, a jungle guerrilla war where we kept pouring draftees into an endless pit. The draft at that time was an unwelcome, but accepted as still necessary for the country's defense.

Richard Widmark is a veteran of Korea now assigned state side to train the troops to go overseas. The film is about one of his training cycles and the men of the platoon he has to train. They're the usual kind you would find in just about any war film from the previous decade.

One thing I will praise Take The High Ground for is the fact that MGM recognized our army was now an integrated one with the presence of William Hazard as a black recruit in the platoon. It was in keeping with the spirit of the times which were a changing.

But I will say that a recruit like Russ Tamblyn would have been cured of his smart mouth from day one. Richard Widmark would have not risked death or becoming a eunuch in order to give Jerome Courtland confidence with a weapon. And no way would have he worried so much about Robert Arthur deserting. He's have just let the MPs deal with him.

Of course being shot in and around Fort Bliss and El Paso, Texas did give Take the High Ground good authenticity. But view it as an army recruiting film and you can certainly understand why the government so eagerly gave cooperation back in the day.

I do remember the drill sergeants having their little conflicts which you could pick up on when you weren't worried about them getting on your case for something which was 95% of the time. But there ain't no way that Karl Malden would have slugged Widmark out in the open during training in front of several witnesses among the recruits. Both would have realized that would have undermined authority, something the military just doesn't let happen.

I wish I could have said something better about Take The High Ground because I certainly like its talented cast, it's talented director Richard Brooks, even the silly theme by Dimitri Tiomkin and Ned Washington, fresh from their Oscar a year before for High Noon. The film actually got an Oscar nomination for Best Screenplay and story by Millard Kaufman. It must have been for Kaufman's vivid imagination.

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input: I'm here again in your local shopping mall (of course, 'cause that's where the high school kids hang out!!!!!) to demonstrate how awful "BENDY POO: PROM COURIER" really is!!!!! To prove how bad this joke of a DCOM this is...

...we're going to take these four sumo wrestlers, and stuff them into this photo booth. How...cozy!!!!!

Hai! Huuuuuuuarrrrghhhhhh!!!!!!!!!!!!!! Uh!!!!!

How awful is it????? It's so bad, Disney Channel flushes away its money, yet again, with those exciting yet determining 10-second promos, keeping the viewers wondering, "WHEN IS THIS GOING TO BE ON?????" And then, suddenly, when it DOES come on, for one, this not only got a higher TV rating than usual, but this was only seen once!!!!! Oh, no!!!!! One time everyone!!!!! Plus, this movie is about high school and stuff, and believe me, I will NOT go any further with what else is in there.....

Say ch...smile!!!!! (SNAP!)

Avoid this one at all costs. 0/10

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negative