Voters in Pennsylvania head to the polls Tuesday in a special congressional election with national implications for President Donald Trump and opposition Democrats. The election is taking place in a congressional district that Trump won by 19 points in 2016, but where Democrats now hope for an upset that could be a preview of the midterm congressional elections in November. The race pits Democrat Conor Lamb against Republican Rick Saccone. Saccone got some high-profile help on Saturday when Trump spoke on his behalf at a rally in Moon Township, Pennsylvania. "We need him. We need Republicans. We need the votes. Otherwise, they are going to take away your tax cuts. They are going to take away your Second Amendment rights," Trump warned the crowd. Though Trump easily won the district in 2016, Lamb appears to be competitive in part because he is a moderate-to-conservative Democrat who personally opposes abortion and any new gun control measures. Lamb is hoping to pull off an upset with help from former Vice President Joe Biden. "Passion and commitment rules in politics. Passion and commitment generates grass-roots support," Biden told a recent Lamb rally. Republicans have poured money into the race, including millions of dollars in television advertisements in the final days before the election. Trump is trying to help Republicans avoid another setback on the way to the November midterm elections, where Democrats are favored to make gains. In making his pitch to voters this election year, the president remains focused on his tax cut bill, new tariffs on steel and aluminum, and a diplomatic opening to North Korea. But Trump remains stuck at about 40 percent approval in the polls, historically low for a second-year president, and a potential drag for Republican candidates in November. "He's doing nothing to expand his base," said Jim Kessler of Third Way, a centrist Democrat advocacy group. "And also, political damage is kind of like sunburn. You don't really notice it as it is happening. And later in the day you... Question: What is the best explanation to President Trump urging people to vote unless they want their tax cuts and Second Amendment rights taken away? Options: - He is trying to get more support for Rick Saccone - not enough information - He is trying to get support for Conor Lamb - He is trying to get support for Joe Biden === The correct answer is
He is trying to get more support for Rick Saccone

Aage Llievang tried explaining to his mother, but she shook her head. "Now, Aage. Really. Your own car? A car? What would the other co-op members think?" "Mom, this is a classic! 1952 MG-TD. It's even--" "British Racing green... yes, Aage. I know. Your father knows. Your grandmother knows. We all know about the car." "But Mom, look." He waved his Handy at her. The MG glowed on its small screen. "There's one up for auction on carsforsale.com and I'm too young to bid. You've got to help me." "Aage!" She put her hands on her hips and shook her head. "Your age is not the problem. You can't even afford it." "I'd pay you back." How could he explain his fascination with the Vehicular Age to her? The seductive sheen, the rumble, the combustive power of automobiles called to him like a siren at sea. He coveted the sense of possibility inherent in the turn of a key. And the MG-TD held a place high in his list of hope. British Racing Green, wood dashboard and a four-stroke engine. He had only seen one MG-TD, when he'd gone on holiday with his folks to the U.K. They had been walking down the street in downtown London. Most of the traffic had been pedestrian or cyclist. The occasional fuel-cell car glided by like a ghostly leftover from the Vehicular Age. Double-decker biodiesel buses roared past regularly, trailing the odor of fish and chips after them. And then it came down the street toward them. A car that purred as its rounded lines soaked up the sun with a green so deep it was almost black. It pulled into the valet parking of a grand hotel and two people got out. Aage barely noticed them. He stared inside the car, where chrome and brass gleamed against a burled wood dashboard. The doors of the car shut with the heavy thunk of real metal. A valet pulled the car out of the parking circle and Aage never saw it again. Question: What is most likely true about Aage? Options: - not enough information - He is under the age of 18 - He is unable to drive a car - He has a job === The correct answer is
He is under the age of 18

*Question*
David Gauntlett makes a good point in his newest book (Making Media Studies: The Creativity Turn in Media and Communications Studies) and that is that traditional forms of media studies are no longer applicable. Gone are the days of massive institutions and production companies, gone are the traditional audiences and simplistic texts. In, is the new age media companies, the everyday media makers, the consistent consumers and the fantastical mess of The WWW. While universities are pumping out the same content areas since the 1980's (e.g. institutions, production, audiences and texts) that are only relevant to a handful of media forms (cinema, television, online broadcasting and publications), the rest of the world is moving on. David Gauntlett so rightly says that creativity in media, should also refer to thinking creatively about the subject. What are the new ways of running media and communication studies? How has the subject itself changed? What approaches and methods can help media and communications studies to become innovative and useful in spheres beyond itself? David Gauntlett encourages a kind of call to arms, an acquiescence of the incapacities of the old system and a redirected gaze to the future needs of media students and media studies programs. Inspired by Tim Ingold's book Making, David believes media studies should have making at it's front and centre. He also believes the ability to do things with media should be embraced over and above the ability to talk about what others do with media, or what media does to us. The notion is that media studies should be hands on, that it should be all about ideas and critical engagement and this should be expressed through actual making. To borrow three key distinctions from the anthropologist Tim Ingold: 1. It's about learning WITH media rather than ABOUT media. 2. There is an intent to move FORWARD rather than looking BACKWARDS at how things are. 3. It's aims are TRANSFORMATIONAL rather than DOCUMENTARY. Question: Why did David Gauntlett feel the need to write his new book? Options: - because he wanted to be creative and helpful - because traditional forms of media studies are no longer applicable - not enough information - because he wanted to make money === The correct answer is
**Answer**
because traditional forms of media studies are no longer applicable