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Alice Paul was born on January 11, 1885, at Paulsdale in Mount Laurel Township, New Jersey. She was the eldest of four children of William Mickle Paul I (1850-1902) and Tacie Paul (nee Parry), and a descendant of William Penn, the Quaker founder of Pennsylvania. Her siblings were Willam, Helen, and Parry. She grew up in the Quaker tradition of public service; her ancestors included participants in the New Jersey Committee of Correspondence in the Revolutionary era and a state legislative leader in the 19th century.
While associated with the Women's Social and Political Union, Paul was arrested seven times and imprisoned three times. It was during her time in prison that Paul learned the tactics of civil disobedience from Emmeline Pankhurst. Chief among these tactics was demanding to be treated as a political prisoner upon arrest. This not only sent a message about the legitimacy of the suffragists to the public, but also had the potential to provide tangible benefits. In many European countries, including England, political prisoners were given a special status: "[T]hey were not searched upon arrest, not housed with the rest of the prisoner population, not required to wear prison garb, and not force-fed if they engaged in hunger strikes." Though arrested suffragettes often were not afforded the status of political prisoners, this form of civil disobedience provided a lot of press for the WSPU. For example, during a London arrest (after being denied political prisoner status), Paul refused to put on prisoner's clothing. After the prison matrons were unable to forcibly undress her, they requested assistance from male guards. This shockingly improper act provided extensive press coverage for the suffrage movement. Another popular civil disobedience tactic used by the Suffragettes was hunger striking. The first WSPU related hunger strike was conducted by sculptor Marion Wallace Dunlop in June 1909. By that fall it was being widely used by WSPU members because of its effectiveness in publicizing their mistreatment and gaining quick release from prison wardens. Refusing food worked in securing an early release for Paul during her first two arrests. However, during her third prison stint, the warden ordered twice daily force-feeding to keep Paul strong enough to finish out her month-long sentence. Though the prisons staunchly maintained that the force-feeding of prisoners was for their own benefit, Paul and other women described the process as torturous. At the end of her month in prison, Paul had developed severe gastritis. She was carried out of prison and immediately tended to by a doctor. However, after this event, her health was permanently scarred; she often developed colds and flu which would sometimes require hospitalization.
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For example, during a London arrest (after being denied political prisoner status),

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Povenmire was born in San Diego, California on September 18, 1963, and grew up in the city of Mobile, Alabama. A child prodigy, he began drawing at age two; by the time he was ten, his work was displayed in local art shows. His first efforts in animation included a series of flip books that he produced in his school text books. As a child, Povenmire considered animator Chuck Jones his hero; in a 2009 interview, he stated that "every drawing he [Jones] did was beautiful to look at and had so much energy in it".
In 1993, Povenmire and Marsh conceived the series Phineas and Ferb, based on their similar experiences of childhood summers spent outdoors. Povenmire spent 14-16 years pitching Phineas and Ferb to several networks. Most rejected it as unfeasible for the complexity of its plots, but Povenmire persevered, later observing "It was really the show we wanted to see: if this was on the air, I'd watch it, and I don't always feel that about every show I work on." Even the Walt Disney Company initially rejected Povenmire's pitch, but asked to keep the proposal packet: "Usually that means they throw it in the trash later," Povenmire recalled. Eventually Disney called Povenmire back with an acceptance, on the condition that he would produce an 11-minute pilot. He called Marsh, who was living in England, to ask him if he would like to work on the pilot; Marsh accepted immediately and moved back to the United States. Instead of a conventional script, the pair pitched the pilot by recording reels of its storyboard, which Povenmire then mixed and dubbed to produce action and vocals. The network approved the show for a 26-episode season. Povenmire left Family Guy to create the series. Povenmire and Marsh wanted to incorporate into Phineas and Ferb the kind of humor they had developed in their work on Rocko's Modern Life. They included action sequences and, with Disney's encouragement, featured musical numbers in every episode subsequent to "Flop Starz". Povenmire described the songs as his and Marsh's "jab at immortality", but the pair have earned two Emmy nominations for Phineas and Ferb songs to-date. A third Emmy nomination, for the episode "The Monster of Phineas-n-Ferbenstein" (2008), pitted the show against SpongeBob SquarePants, although neither nominee received the award due to a technicality. In 2010, Povenmire was nominated amongst several other Phineas and Ferb crew members for the Daytime Emmy Award for both "Outstanding Writing in Animation" and "Outstanding Original Song - Children's and Animation" for their work on the show, winning for "Outstanding Writing in Animation". The distinctive style of the animation legend Tex Avery influenced the show's artistic look. Like Avery, Povermire employed geometric shapes to build both the characters and the background. The style developed almost accidentally, with Povenmire's first sketch of title character, Phineas Flynn, which he produced while eating dinner with his family in a restaurant in South Pasadena, California. He doodled a triangle-shaped child on the butcher paper covering the table. He was so taken with sketch he tore it out, kept it, and used it as the prototype for Phineas and as the stylistic blueprint for the entire show.
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How did this become phineas?

Answer:
He was so taken with sketch he tore it out, kept it, and used it as the prototype for Phineas and as the stylistic blueprint for the entire show.