Problem: Maurice Robert "Mike" Gravel (; born May 13, 1930) is an American politician who was a Democratic United States Senator from Alaska from 1969 to 1981 and a candidate in the 2008 U.S. presidential election. Born and raised in Springfield, Massachusetts, by French-Canadian immigrant parents, Gravel served in the U.S. Army in West Germany, and he later graduated from the Columbia University School of General Studies. He moved to Alaska in the late 1950s, becoming a real estate developer and entering politics. He served in the Alaska House of Representatives from 1963 to 1966 and also became Speaker of the Alaska House.

Gravel "decided to become a pioneer in a faraway place," and moved to pre-statehood Alaska in August 1956, without funds or a job, looking for a place where someone without social or political connections could be a viable candidate for public office. Alaska's voting age of 19, less than most other states' 21, played a role in his decision, as did its newness and cooler climate. Broke when he arrived, he immediately found work in real estate sales until winter arrived. Gravel then was employed as a brakeman for the Alaska Railroad, working the snow-clearing train on the Anchorage-Fairbanks run. Subsequently, he opened a small real estate brokerage in Anchorage (the Territory of Alaska not requiring a license) and saved enough so as not to have to work the railroad again. Gravel joined the Anchorage Unitarian Universalist Fellowship, and continued a sporadic relationship with the movement throughout his life. Gravel married Rita Jeannette Martin, who had been Anchorage's "Miss Fur Rendezvous" of 1958, on April 29, 1959. They had two children, Martin Anthony Gravel and Lynne Denise Gravel, born c. 1960 and 1962 respectively. Meanwhile, he went to Washington, D.C. in 1957 to campaign for Alaskan statehood via the "Tennessee Plan": dressed as Paul Revere, he rode with a petition to the steps of the U.S. Capitol. Seeing Alaska as a wide-open place with no political establishment or entrenched interests, and using the slogan "Gravel, the Roadbed to Prosperity", he ran for the territorial legislature in 1958 but lost. He went on a national speaking tour concerning tax reform in 1959, sponsored by the Jaycees. He ran without avail for the City Council in Anchorage in 1960. During this time, he had become a successful real estate agent; after the 1960 election, he became a property developer in a mobile home park on the outskirts of Anchorage. A partner ran into financial difficulty, however, and the project went into Chapter 11 bankruptcy and Gravel was forced out in 1962.

How long did he do that?

Answer with quotes: the project went into Chapter 11 bankruptcy and Gravel was forced out in 1962.

Background: CBC Radio 3 is a radio network that consists of two parts devoted to Canadian arts and music: a radio service which is available on Sirius XM Satellite Radio and streaming audio, and several daily and weekly podcasts from the CBC Radio 3 website. The audio stream is available from both CBC Music and from iTunes Radio, but geographical restrictions are in place to prevent access outside of Canada. The network evolved out of programming on CBC Radio 2, which also simulcasted the satellite network on Saturday and Sunday nights from its debut in December 2005 until March 17, 2007. Radio 3 is no longer heard on terrestrial radio, but is still available through its satellite radio and Internet operations.
Context: From 2005 to 2009, the Icecast stream available from the network's website was not a simulcast of the satellite radio broadcast, but was programmed separately. Initially, the webstream consisted exclusively of music with the occasional identification break, but on September 14, 2007 it was relaunched with hosts and feature content, similar to but still programmed separately from the satellite radio station. Due to funding cuts, however, the two services were merged in June 2009, such that the webstream is now a straight simulcast of the satellite radio channel. Prior to the merger, the two services had slightly different programming strategies - the satellite radio station aired a music mix of 85 per cent Canadian and 15 per cent international, while the web service's mix was 100 per cent Canadian. With the merger of the two services, the station announced that the program mix would be 100 per cent Canadian music on both platforms, although exceptions will be permitted for international music with some Canadian character - such as international artists covering Canadian songs, collaborations between Canadian and non-Canadian artists, international artists appearing on the bill with Canadian artists when the network is airing a live concert, or "honourary [sic] Canadian" artists such as Neko Case and Rose Melberg. In February 2009, CBC Radio 3 participated with Exclaim! and aux.tv to launch X3, a new collaborative cross-promotional platform which sees all three outlets air feature content spotlighting a particular "Artist of the Month". X3 artists of the month have included K'naan, Malajube, Thunderheist, Japandroids, Apostle of Hustle, The Rural Alberta Advantage, Owen Pallett, and Jenn Grant. In addition to the service's conventional radio programming, any song in the network's music library can also be played on demand from the artist's profile page on the site. In May 2011, Joel Plaskett became the first artist in the network's history to reach one million on-demand plays. In 2012, CBC Radio 3 was integrated into the new CBC Music service.
Question: When did it relaunch?
Answer: September 14, 2007

Question:
Rudolf Nureyev was born on a Trans-Siberian train near Irkutsk, Siberia, Soviet Union, while his mother, Feride, was travelling to Vladivostok, where his father Hamit, a Red Army political commissar, was stationed. He was raised as the only son with three older sisters in a Tatar Muslim family. When his mother took Rudolf Nureyev and his sisters into a performance of the ballet Song of the Cranes, he fell in love with dance. As a child he was encouraged to dance in Bashkir folk performances and his precocity was soon noticed by teachers who encouraged him to train in Saint Petersburg.
When AIDS appeared in France's news around 1982, Nureyev took little notice. The dancer tested positive for HIV in 1984, but for several years he simply denied that anything was wrong with his health. However, by the late 1980s his diminished capabilities disappointed his admirers who had fond memories of his outstanding prowess and skill. Nureyev began a marked decline only in the summer of 1991 and entered the final phase of the disease in the spring of 1992. In March 1992, living with advanced AIDS, he visited Kazan and appeared as a conductor in front of the audience at Musa Calil Tatar Academic Opera and Ballet Theater, which now presents the Rudolf Nureyev Festival in Tatarstan. Returning to Paris, with a high fever, he was admitted to the hospital Notre Dame du Perpetuel Secours in Levallois-Perret, a suburb northwest of Paris, and was operated on for pericarditis, an inflammation of the membranous sac around the heart. At that time, what inspired him to fight his illness was the hope that he could fulfill an invitation to conduct Prokofiev's Romeo and Juliet at an American Ballet Theatre benefit on 6 May 1992 at the Metropolitan Opera House in New York. He did so and was elated at the reception. In July 1992, Nureyev showed renewed signs of pericarditis but determined to forswear further treatment. His last public appearance was on 8 October 1992, at the premiere at Palais Garnier of a new production of La Bayadere that he choreographed after Marius Petipa for the Paris Opera Ballet. Nureyev had managed to obtain a photocopy of the original score by Minkus when in Russia in 1989. The ballet was a personal triumph although the gravity of his condition was evident. The French Culture Minister, Jack Lang, presented him that evening on stage with France's highest cultural award, the Commandeur de l'Ordre des Arts et des Lettres.
Answer this question using a quote from the text above:

What is notable about that appearance?

Answer:
The ballet was a personal triumph although the gravity of his condition was evident.