Background: Anton Friedrich Wilhelm (von) Webern (German: ['anton 've:ban] ( listen); 3 December 1883 - 15 September 1945) was an Austrian composer and conductor. Along with his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was in the core of those in the circle of the Second Viennese School, including Ernst Krenek and Theodor W. Adorno. As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, Krenek, and even Schoenberg himself.
Context: Webern published little of his early work in particular; like Brahms, though perhaps for not entirely the same reasons, Webern was characteristically meticulous and revised extensively. Many juvenilia remained unknown until the work and findings of the Moldenhauers in the 1960s, effectively obscuring and undermining formative facets of Webern's musical identity, highly significant even more so in the case of an innovator whose music was crucially marked by rapid stylistic shifts. Thus when Boulez first oversaw a project to record "all" of Webern's music, not including the juvenilia, the results fit on three rather than six CDs. Webern's earliest works consist primarily of lieder, the genre that most belies his roots in Romanticism, specifically German Romanticism; one in which the music yields brief but explicit, potent, and spoken meaning manifested only latently or programmatically in purely instrumental genres; one marked by significant intimacy and lyricism; and one which often associates nature, especially landscapes, with themes of homesickness, solace, wistful yearning, distance, utopia, and belonging. Robert Schumann's "Mondnacht" is an iconic example; Eichendorff, whose lyric poetry inspired it, is not far removed from the poets (e.g., Richard Dehmel, Gustav Falke, Theodor Storm) whose work inspired Webern and his contemporaries Alban Berg, Max Reger, Arnold Schoenberg, Richard Strauss, Hugo Wolf, and Alexander Zemlinsky. Wolf's Morike-Lieder were especially influential on Webern's efforts from this period. But well beyond these lieder alone, all of Webern's music may be said to possess such concerns and qualities, as is evident from his sketches, albeit in an increasingly symbolic, abstract, spare, introverted, and idealized manner. Other works include the orchestral tone poem Im Sommerwind (1904) and the Langsamer Satz (1905) for string quartet. Webern's first piece after completing his studies with Schoenberg was the Passacaglia for orchestra (1908). Harmonically, it is a step forward into a more advanced language, and the orchestration is somewhat more distinctive than his earlier orchestral work. However, it bears little relation to the fully mature works he is best known for today. One element that is typical is the form itself: the passacaglia is a form which dates back to the 17th century, and a distinguishing feature of Webern's later work was to be the use of traditional compositional techniques (especially canons) and forms (the Symphony, the Concerto, the String Trio, and String Quartet, and the piano and orchestral Variations) in a modern harmonic and melodic language.
Question: What is Formative juvenillia?
Answer: Webern's musical identity, highly significant even more so in the case of an innovator whose music was crucially marked by rapid stylistic shifts.

Problem: Background: Sir Donald George Bradman, AC (27 August 1908 - 25 February 2001), often referred to as "The Don", was an Australian international cricketer, widely acknowledged as the greatest batsman of all time. Bradman's career Test batting average of 99.94 has been cited as the greatest achievement by any sportsman in any major sport. The story that the young Bradman practised alone with a cricket stump and a golf ball is part of Australian folklore. Bradman's meteoric rise from bush cricket to the Australian Test team took just over two years.
Context: Bradman joined the Royal Australian Air Force (RAAF) on 28 June 1940 and was passed fit for air crew duty. The RAAF had more recruits than it could equip and train and Bradman spent four months in Adelaide before the Governor-General of Australia, Lord Gowrie, persuaded Bradman to transfer to the army, a move that was criticised as a safer option for him. Given the rank of Lieutenant, he was posted to the Army School of Physical Training at Frankston, Victoria, to act as a divisional supervisor of physical training. The exertion of the job aggravated his chronic muscular problems, diagnosed as fibrositis. Surprisingly, in light of his batting prowess, a routine army test revealed that Bradman had poor eyesight. Invalided out of service in June 1941, Bradman spent months recuperating, unable even to shave himself or comb his hair due to the extent of the muscular pain he suffered. He resumed stockbroking during 1942. In his biography of Bradman, Charles Williams expounded the theory that the physical problems were psychosomatic, induced by stress and possibly depression; Bradman read the book's manuscript and did not disagree. Had any cricket been played at this time, he would not have been available. Although he found some relief in 1945 when referred to the Melbourne masseur Ern Saunders, Bradman permanently lost the feeling in the thumb and index finger of his (dominant) right hand. In June 1945, Bradman faced a financial crisis when the firm of Harry Hodgetts collapsed due to fraud and embezzlement. Bradman moved quickly to set up his own business, utilising Hodgetts' client list and his old office in Grenfell Street, Adelaide. The fallout led to a prison term for Hodgetts, and left a stigma attached to Bradman's name in the city's business community for many years. However, the SA Cricket Association had no hesitation in appointing Bradman as their delegate to the Board of Control in place of Hodgetts. Now working alongside some of the men he had battled in the 1930s, Bradman quickly became a leading light in the administration of the game. With the resumption of international cricket, he was once more appointed a Test selector, and played a major role in planning for post-war cricket.
Question: What country is he from?
Answer:
Australia,