Detailed Instructions: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : Peter Mettler (born September 7, 1958) is a Swiss-Canadian film director and cinematographer. He is best known for his unique, intuitive approach to documentary, evinced by such films as "Picture of Light" (1994), "Gambling, Gods and LSD" (2002), and "The End of Time" (2012). He has also worked as a cinematographer on films by Atom Egoyan, Patricia Rozema, Bruce McDonald, and Jennifer Baichwal, and has collaborated with numerous other artists, including Michael Ondaatje, Fred Frith, Jim O'Rourke, Jane Siberry, Robert Lepage, Edward Burtynsky, Greg Hermanovic, Richie Hawtin, Neil Young, Jeremy Narby, and Franz Treichler. Context_2 : I've Heard the Mermaids Singing is a 1987 feature film, directed by Patricia Rozema. The title is taken from "The Love Song of J. Alfred Prufrock" by T. S. Eliot. Context_3 : Vast is my Native Land (1958), also known as "Great is my Country", (Russian: , "Shiroka strana moya rodnaya" ), from the song of the same name, which is featured in the film, by the Russian composer Isaac Dunaevsky) was the first film shot in the Soviet wide-screen film format known as Kinopanorama. The film was directed by Roman Karmen, known for various documentary films produced in the Soviet Union. The music was composed by Kirill Molchanov, a noted composer of music for ballet and opera. Context_4 : Montreal Stories (French: "Montreal vu par..." ), also titled as Montreal Sextet in some releases, is a Canadian drama film, released in 1991 as an homage to the city of Montreal on the occasion of its 350th anniversary. Written and directed by Denys Arcand, Michel Brault, Atom Egoyan, Jacques Leduc, Lea Pool and Patricia Rozema, the film is an anthology of six short films, one by each of the credited directors. Context_5 : Oleg Makara-Kalmary (born October 13, 1954, Czechoslovakia) is a film director, screenwriter and Slovak writer. In 1969, he wrote his debut as a screenwriter "Pozlatene dievca" at the age of 14. He then went on to study film directing at All States Institute (now Gerasimov Institute of Cinematography) in Moscow under Roman Karmen. A pseudonym is after his grandfather, art carpenter, Eduard Kalmary. E. Kalmary was a chief manager of water sawmill in Remetske Hamre, East Slovakia, owned by family Vanderbilts. Context_6 : Mansfield Park is a 1999 British romantic comedy-drama film based on Jane Austen's novel of the same name, written and directed by Patricia Rozema. The film departs from the original novel in several respects. For example, the life of Jane Austen is incorporated into the film, as well as the issues of slavery and plantation life. The majority of the film was made at Kirby Hall in Northamptonshire. Context_7 : The Nuremberg Trials is a 1947 Soviet-made documentary film about the trials of the Nazi leadership. It was produced by Roman Karmen, and was an English-language version of the Russian language film " " (Judgment of the Peoples). Context_8 : Patricia Rozema (born August 20, 1958) is a Canadian film director, writer and producer. She was part of a loosely-affiliated group of filmmakers to emerge in 1980s from Toronto known as the Toronto New Wave. Context_9 : Kit Kittredge: An American Girl (also advertised as Kit Kittredge: An American Girl Mystery) is a 2008 American comedy-drama film directed by Patricia Rozema. The screenplay by Ann Peacock (based on the "Kit Kittredge" stories by Valerie Tripp) focuses on the American Girl character Kit Kittredge, who lives in Cincinnati, Ohio during the Great Depression. The film is the first and only in the "American Girl" film series to have a theatrical release; the first three were television movies. Julia Roberts served as one of the executive producers here (as she did with the TV movies). Context_10 : Roman Lazarevich Karmen (Russian: ; 29 November [O.S. 16 November] 1906 in Odessa 28 April 1978 in Moscow) was a Soviet war camera-man and film director and one of the most influential figures in documentary film making. fact_1 : Roman Lazarevich Karmen (Russian: ; 29 November [O.S. 16 November] 1906 in Odessa 28 April 1978 in Moscow) was a Soviet war camera-man and film director and one of the most influential figures in documentary film making. fact_2 : Patricia Rozema (born August 20, 1958) is a Canadian film director, writer and producer. Question: Roman Karmen and Patricia Rozema, have which occupation in common?
Solution:
film director