Q: What's an example of a movie review?
An example of a movie review is here: The often-reliable Leonard Maltin says this is a "delightful romance" and that Sanders is "superb." Maltin must have confused this movie with something else. Sanders is snide and droll and superb, as usual, you can imagine his delivery of the line regarding adultery, "Sometimes the chains of matrimony are so heavy they have to be carried by three," but dull, wooden and dated describe this movie more accurately. The storyline itself, an autobiography with Sanders as a suave jewel thief, Francois Eugene Vidocq, who becomes chief of police but can hardly resist the lure of fine jewels, is entertaining enough, but it has the same kind of hollow historical Hollywood treatment that marred such period epics as *Marie Antoinette*, and certainly the deplorable *Forever Amber* (which screams for a classy remake). Though, in his defense, Sanders tries mightily to add some depth to his character, it is all for naught. I am an unabashed Douglas Sirk fan, but this is 1946, and it is one of Sirk's earliest American efforts, lacking many of the signature touches that would define his florid, breast-heaving potboilers. Sirk is just getting his feet wet here, and made a number of unmemorable films over the next ten years until he struck gold with *Magnificent Obsession*, and hit his stride, bombarding us with such estrogen-fests as *All That Heaven Allows*, *Written on the Wind*, and *Imitation of Life*. But *Scandal In Paris* is hardly his best work a relatively low-budget affair with cheesy sets and ineffective costuming.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: I am a huge Woody Allen fan and so when I saw that this was playing at the cinema I couldn't help myself. I wanted to see how Allen would follow up his magnificent film Match Point seeing as this is another one of his films shot in G.B. (which is unique among Allen's work) along with what seems to be his new muse Scarlett Johanson. Scoop is much lighter than MP and the humor is Scoop's most enjoyable aspect. The plot revolves around Johanson's character (a journalism student) who gets a tip on a hot story from beyond the grave. She falls in love with a suspected serial killer (Jackman) and she must decide whether the truth is worth finding. Oh and all of this is done with the help of a bumbling magician turned detective played by Allen.

I must say that I thoroughly enjoyed Johanson's performance but I am a bit bias, I could watch a three hour film with Johanson in ever frame and remain enchanted. She plays a ditsy, yappy, bumbling sweetheart that is kind of a variation in a sense of Allen's stereotypical neurosis stricken character. She adds appropriate body language for comic effect. Needless to say almost anyone who sees this will find Johanson's character sickeningly cute and that is a plus.

Allen is Allen... He is still playing the same character much like Chaplin and his Little Tramp character. Something that occur in this film makes me wonder if I will see the neurotic little hypochondriac again however. He is not in the cast of his next picture and has been spending more time exclusively behind the camera as of late...

Jackman is also enjoyable as the suave, millionaire murder suspect. I cannot say that Jackman does anything in particular to make the role his but he suits his character none the less.

In terms of the plot I cannot help but feel that this is fresh... In fact it stinks of Curse of the Jade Scorpion. Johanson and Allen are more detective-like than anything. However I must applaud Allen on his ending because it is a bit more clever than your typical unoutstanding Hollywood version of this film. Instead of everything being black and white, things are painted in shades of gray. Being entirely innocent has nothing to do with it nor does unequivocal guilt. Though the plot seemed old Woody still has a knack for one liners. I did find his allusions to his last film interesting... Come for the humor, laugh and be merry.

Needless to say if you enjoy Allen's work watch it. If not watch something else...
Problem: OPTIONS:
- negative
- positive positive
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Answer: Saving Grace is a nice movie to watch in a boring afternoon,when you are looking for something different than the regular scripts and wants to have some fun. I mean,the whole idea of this movie and all the marijuana in it is such a craziness! It was the first movie I watched with this theme(drugs/marijuana) that is not really criticizing it,only making jokes about it. Grace Trevethyn is a widow,who lives in a small town in U.K. and has many financial problems because of her dead husband, who committed suicide since he was full of debts. The problem is that Grace, who imagined to have some money saved for her, discovers that she needs to pay all of her husband's pounds in debts to not lose all of her things, specially her house that she loves so much. She never worked before, and is in a tragic situation until Matthew,her gardener who is very found of smoking pot, decides to make a partnership with her in selling marijuana in large scale.
An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: This mini-series is actually more entertaining than some others with much bigger budgets and grander aspirations. SOTD falls somewhere between "Kung-Fu" and "H R Pufnstuff" on the entertainment spectrum. If it weren't so long (nearly 3 hours) I think that kids would like it quite a bit. It's got adventure, action, "cliffhanger scenes", and not too much romance or other "icky" stuff. When you're young, you're not too critical of flexing rubber swords, campy acting, and scenes that are repeated. (At least two scenes are repeated identically in the movie, just as was done in old-time serials in order to bring the audience up to speed.) Finally, kids are usually more accepting of American English dialogue coming out of the mouths of Asian actors. (Not to mention the fact that several of the leading roles are played by non-Asian actors.)

I was going to give this movie three stars, but I felt like the director, producers, and cast deserved some extra credit for at least carrying through on the project. This movie is not art, but, like painting your house, it actually took some time, effort, and discipline to get it made.

Overall, not a recommended use for your time, but it might keep the kids entertained while traveling in the mini-van.

Oh, yeah...hey, IMDb! "Dialogue" is the preferred and traditional spelling. Your spell-checking seems to think that "dialog" is the proper spelling. While "dialog" is acceptable, both Webster's and the OED consider it an alternative form.
Q: What's an example of a movie review?
An example of a movie review is here: Such a film of beauty that it's hard to describe. Maybe it's the absence of superfluous dialogue, or maybe it's the absolutely stellar soundtrack, or maybe it's just Meena Mumari's feet, but it's a joy to watch this movie again and again. I've never seen another Indian movie that comes close to it, and few from any country rival its perfection.
Q: What's an example of a movie review?
An example of a movie review is here:
In the Citadel film series book The Films of Gene Kelly, Anchors Aweigh is described as a kingpin of a musical. I sure can't do better than that. It's such an important film in both the careers of Gene Kelly and Frank Sinatra. Kathryn Grayson didn't do too badly with this either.

Louis B. Mayer had lent Gene Kelly out to Columbia where Harry Cohn had an inspiration to let Kelly choreograph his own numbers and because of it, Cover Girl became a classic. So if Mayer didn't learn a lesson, producer Joe Pasternak did and allowed Kelly artistic control. When Anchors Aweigh was finished, Fred Astaire at last had a dancing rival for monarch of cinema dance.

The main number everyone talks about with Gene Kelly here is the dance with Jerry Mouse. Originally Kelly wanted to do the number with Walt Disney's Mickey Mouse, but Disney wasn't lending Mickey out to nobody. Mickey would have to wait until Who Framed Roger Rabbit to do an outside film. Not to worry because MGM had it's own animated rodent one half the team of Tom and Jerry.

Kelly as dancer always strived to do something new and different on screen as did Fred Astaire. For the next dozen years, these two were allowed all kinds of artistic control and were praised for their work even if the films themselves weren't up to snuff. It was like each inspired the other to bigger and better creativity, Kelly for MGM, Astaire for MGM and any number of other studios. In Anchors Aweigh, Kelly got Sinatra to dance a bit. In fact Frank Sinatra always gave credit to Gene Kelly for showing him how musicals should be done as he gave credit to both Burt Lancaster and Montgomery Clift for their help in earning him is Oscar for From Here to Eternity.

When Frank Sinatra had half of his contract bought from RKO by MGM he insisted on a little artistic creativity on his own. He'd become friends with the songwriting team of Jule Styne and Sammy Cahn. In his autobiography Sammy Cahn tells about how Sinatra insisted that they write his songs for this film. Louis B. Mayer gave in and the team wrote some really fine ballads for him to sing. One of my favorite Sinatra numbers comes from Anchors Aweigh, I Fall in Love Too Easily. Frank sings it accompanying himself on the piano at an empty Hollywood Bowl. It's Sinatra at his best.

With Jule Styne and later with Jimmy Van Heusen, Sammy Cahn richly earned the title of having put more song lyrics in Frank Sinatra's mouth than any other person. They were lifetime friends and Cahn always credited Sinatra with this milestone boost in his career.

On a bet Styne and Cahn said they could write a song just using a chromatic scale. They proved it in Anchors Aweigh when Kathryn Grayson put her soprano to work on All of a Sudden My Heart Sings. She also did some classical numbers.

Here singing in fact is the basis of the plot. Two sailors on leave through a combination of circumstances meet up with Kathryn Grayson and her orphaned nephew Dean Stockwell. Trying to fix her up with Sinatra, Kelly says he can get her an audition with Jose Iturbi. They spend the film trying to accomplish just that.

My only disappointment in Anchors Aweigh was that Pamela Britton, who plays the waitress 'Brooklyn' never got a number herself. She had gotten rave reviews from her performance as Meg Brockie in Brigadoon on Broadway and that's what brought her to Hollywood. I have a suspicion she had a number that was cut and somewhere in MGM's vaults it might still be.

Anchors Aweigh is a great example of why musicals just aren't made any more. All that creative talent was under contract to Metro-Goldwyn- Mayer. If you had to pay market value for it, the cost might retire some third world country's debt.

But the film results would be extraordinary.