input question: Select the correct sentiment of the following review: Well, what can it be said about this disaster? I watched it because it aired on cable. I regret for wasting my time but at least I didn't waste money.

The creature is the cheesiest you can get! Please, you need to be very generous not to get angered by the CHEAP Halloween costume. Oh well, there are also displays of horrible acting, f/x, and dialogues. The confrontation with the creature is unbelievable, you can't get a more pathetic scene.

This is the worst you can get from direct to video flicks. "Creature Unknown" makes FULL MOON PICTURES movies look like "Halloween".

Avoid this one at all costs, please. The only "positive" thing about this trash are the sexy women.
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output answer: negative

input question: Select the correct sentiment of the following review: Nothing revolutionary here; just impeccably elegant, restrained cinema.

GARDE A VUE is confined almost exclusively to a drab police station, and mostly to one interrogation room, but director Claude Miller (who made the wonderful film THIS SWEET SICKNESS, among others) intercalates spare glimpses of exterior tableaux as minimalist locale scenography. Miller's restraint, especially early on, is breathtaking, and his exquisite handling of the consequently-pivotal interior mise-en-scene makes for captivating viewing.

Lino Ventura is superb as usual, succeeding to legitimize a character that, on paper, is cliche: the laconic, hard-nosed, world-weary homicide detective. Ventura lives the role, making it completely believable, even though the script allows us little access to his inner workings; the film ends at the very moment it appears he will be forced to confront his failure for the first time.

Michel Serrault is equal to the task as the suspected child-killer who shrewdly spars with the single-minded flic. The exchanges between the two are more-often-than-not pregnant with tension and the aura of a constantly metamorphosing playing field for a battle of wits. Serrault's character is by turns deplorably haughty and cunning, and pitiable; then later....

The "message" of GARDE A VUE, if one were to search for one, is a condemnation of police methodology and the kind of pressures that make a cop over-zealous to, if necessary, close cases at the expense of justice. For most of its length though the film shines as nothing more than an exemplar of how to turn a potentially soporific set-bound scenario into a suspenseful drama of the utmost cinematic economy.

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output answer: positive

input question: Select the correct sentiment of the following review: I saw this film at the NY Gay & Lesbian Film Festival and thought it was pretty bad. First and most distracting was the way much of it was shot; that is, a lot of slow motion and overly arty close-ups that seemed to have no point--story wise or aesthetically--other than to show the skills of the cinematographer (who I believe was also the director). This film seemed what a pretentious film student would come up with. The lead actor (Sam Levine) was certainly very cute, but was a mediocre actor at best; and the rest of the cast ranged from so-so, to bad. The story itself was mostly annoyingly predictable. I do have to concede that most of the audience seemed to enjoy the film; laughing and sighing constantly, but I disliked it a great deal.
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output answer:
negative