IN: Antoine Dominique "Fats" Domino Jr. (February 26, 1928 - October 24, 2017) was an American pianist and singer-songwriter. One of the pioneers of rock and roll music, Domino sold more than 65 million records. Between 1955 and 1960, he had eleven Top 10 hits. His humility and shyness may be one reason his contribution to the genre has been overlooked.

Domino moved to ABC-Paramount Records in 1963. The label dictated that he record in Nashville, Tennessee, rather than New Orleans. He was assigned a new producer (Felton Jarvis) and a new arranger (Bill Justis). Domino's long-term collaboration with the producer, arranger, and frequent co-writer Dave Bartholomew, who oversaw virtually all of his Imperial hits, was seemingly at an end. Jarvis and Justis changed the Domino sound somewhat, notably by adding the backing of a countrypolitan-style vocal chorus to most of his new recordings. He released 11 singles for ABC-Paramount, several which hit the Top 100 but just once entering the Top 40 ("Red Sails in the Sunset", 1963). By the end of 1964 the British Invasion had changed the tastes of the record-buying public, and Domino's chart run was over. Despite the lack of chart success, Domino continued to record steadily until about 1970, leaving ABC-Paramount in mid-1965 and recording for Mercury Records, where he delivered a live album and two singles. A studio album was planned but stalled with just four tracks recorded . Dave Bartholomew's small Broadmoor label (reuniting with Bartholomew along the way), featured many contemporary Soul infused sides but an album was released overseas in 1971 to fulfill his Reprise Records contract. He shifted to that label after Broadmoor and had a Top 100 single, a cover of the Beatles' "Lady Madonna". Domino appeared in the Monkees' television special 33 1/3 Revolutions per Monkee in 1969. He continued to be popular as a performer for several decades. He made a cameo appearance in Clint Eastwood's movie Any Which Way You Can, filmed in 1979 and released in 1980 singing the country song "Whiskey Heaven" which later became a minor hit. His life and career were showcased in Joe Lauro's 2015 documentary The Big Beat: Fats Domino and the Birth of Rock 'n' Roll.

Notable info or facts about his popularity?

OUT: His life and career were showcased in Joe Lauro's 2015 documentary The Big Beat: Fats Domino and the Birth of Rock 'n' Roll.

Answer the question at the end by quoting:

Oingo Boingo was an American new wave band, best known for their hits "Dead Man's Party" and "Weird Science". They are noted for their high energy live concerts, movie soundtrack contributions, and their mixture of genre, which can be described as including ska, pop, rock, and world music. The band was founded in 1972 as The Mystic Knights of the Oingo Boingo, a performance art group. The band was led by songwriter/vocalist Danny Elfman, who has since achieved success as a composer for film and television.
With the move to MCA, the band made two personnel switches: Mike Bacich took over on keyboards from departing member Richard Gibbs, and John Avila replaced Kerry Hatch on bass. Oingo Boingo appeared in a number of soundtracks in the early to mid-1980s, including Fast Times at Ridgemont High, which features "Goodbye, Goodbye". Their song charting highest on Billboard Hot 100, "Weird Science", was written for the John Hughes film of the same name, and was later included on their 1985 album Dead Man's Party. Later, the band made an appearance playing their hit "Dead Man's Party" on stage in the film Back to School. In addition, they appeared in and performed several songs in the quirky 1984 Tom Hanks movie Bachelor Party, including "Who Do You Want to Be?", "Bachelor Party" and "Something Isn't Right". Then, starting with 1985's Pee-wee's Big Adventure, Danny Elfman began scoring major films with increasing frequency, including almost all of Tim Burton's films. Oingo Boingo's 1987 album BOI-NGO was released as a follow-up to the popular Dead Man's Party, but its chart performance was considered an underperformance. After this album, Bacich was replaced by new keyboardist Carl Graves. The band's 1988 release Boingo Alive was actually recorded live on a soundstage, with no studio audience; it consisted of a selection of songs from earlier albums, plus two new compositions. The Boingo Alive track "Winning Side" became a No. 14 hit on US Modern Rock radio stations. In 1990 the band released their seventh studio album, titled Dark at the End of the Tunnel.

Was there a song that hit the charts?

". Their song charting highest on Billboard Hot 100, "Weird Science",

input: Hassett allayed doubt about his selection when he began the tour with innings of 43, 146, 148 and 220 not out, against Worcestershire, Oxford University, Leicestershire and Cambridge University respectively as Australia won their first four matches by an innings. He added 57 and 98 in the next two matches against the Marylebone Cricket Club and Hampshire, and despite failing to pass 30 in the next four innings, he was selected to make his Test debut at Nottingham in the first match of the series. Hassett had an ignominious debut, scoring one and two in a high-scoring draw in which almost 1,500 runs were scored for the loss of only 24 wickets on a "batting paradise". He maintained his county form between Tests, adding 118 against Lancashire before scoring his only half-century in the Tests, adding 56 and 42 at Lord's in the drawn Second Test. The Third Test was abandoned without a ball being bowled due to rain, and Hassett prepared for what would be the decisive Fourth Test by scoring 94 and 127 in consecutive matches against Yorkshire and Nottinghamshire. The match at Headingley in Leeds was Australia's only Test victory, which was enough to ensure a drawn series and the retention of The Ashes. In a low-scoring match in a batsman-friendly series, Australia, chasing a target of only 105 runs to win, had slumped to 3/50 when Hassett came to the crease as an approaching storm threatened to either end the game or make the pitch difficult to bat on. Hassett calmly hit 33 runs from 36 balls, to guide the tourists to a five-wicket victory, much to the relief of his captain Don Bradman, who was so nervous about the outcome that he could not watch the play. The innings earned Hassett a reputation of being calm under pressure, and Bradman later wrote that Hassett was a "masterful player" in a crisis. After the match-winning innings, Hassett failed to pass 31 in his next six innings before Australia lost the Fifth Test by an innings and 579 runs, the heaviest defeat in Test history. He made 42 and 10 in the record-breaking match, and added a pair of half-centuries against Sussex thereafter. As he finished third in the batting averages for the tour, with 1,589 runs at 52.97, and the dry summer resulted in pitches mostly favourable to batting, Wisden found his Test performances, in which he made 199 runs at 24.88, anomalous: Hassett, adding together the runs he made and the runs he saved, was one of the most useful men on the side. He never quite fulfilled the promise of a sensational start ... He appeared to make his strokes very late and, although adopting almost a two-eyed stance, had, so far as could be seen, no technical faults ... there was a good deal of surprise that he did not come off in the big matches although it must not be forgotten that his second innings at Leeds counted a lot in Australia's victory.

Answer this question "Did he do well in his third test as well?"
output:
The Third Test was abandoned without a ball being bowled due to rain, and Hassett prepared for what would be the decisive Fourth Test