Problem: The dermis is the inner layer of skin. The dermis has blood vessels and nerve endings. The nerve endings explain why your skin is sensitive. You can sense pain, pressure, and temperature. You cut your finger and it starts to bleed. What has happened? If your skin bleeds, it means you have cut the dermis layer and damaged blood vessels. The cut really hurts. It hurts because of the nerve endings in this skin layer. The dermis also contains hair follicles and two types of glands. Hair follicles are structures where hairs originate. Each hair grows out of a follicle. Hair passes up through the epidermis. It then extends above the skin surface. Oil glands produce an oily substance. The oil is secreted into hair follicles.

Question: "What is one type of gland found in the dermis?"

Answer: "Epidermis"

OPTIONS:
- no
- yes
Answer: no

Problem: The cute red ball rolled over to the blue ball and said hello. The blue ball was scared and went to cry to the green ball. The green ball laughed at the blue ball. Then the green ball told the orange ball that blue ball was stupid. Most felt this was not good to do and so they punished the green ball by taking away all his air. From that day on everyone saw the air-less green ball and knew that they could not do or say any bad things. This is how the trouble started. The purple ball used the fear of everyone to become the leader that they all feared. The purple ball was mean to everyone. Until one day the red ball spoke up and got all the other colored balls together and they took the air from the purple ball and put it in the green ball. Sadly, the green ball had been without air for too long and was dead.

Question: "Who was the blue ball scared of?"

Answer: "The orange ball"

OPTIONS:
- no
- yes
Answer: no

Problem: Modern criticism of Pope focuses on the man, his circumstances and motivations, prompted by theoretical perspectives such as Marxism, feminism and other forms of post-structuralism. Brean Hammond focuses on Pope's singular achievement in making an independent living solely from his writing. Laura Brown (1985) adopts a Marxist approach and accuses Pope of being an apologist for the oppressive upper classes. Hammond (1986) has studied Pope's work from the perspectives of cultural materialism and new historicism. Along Hammond's lines, Raymond Williams explains art as a set of practices influenced by broad cultural factors rather than simply the vague ideas of genius alone. Hayden Carruth, wrote that it was "Pope's rationalism and pandeism with which he wrote the greatest mock-epic in English literature." In Politics and Poetics of Transgression (1985) Peter Stallybrass and Allon White charge that Pope drew upon the low culture which he despised in order to produce his own "high art". They assert Pope was implicated in the very material he was attempting to exclude, not dissimilar to observations made in Pope's time. Colin Nicholson reads the poetry in terms of the Financial Revolution, showing how Pope responded to the corruption of the traditional 'landed interest' by the newly dominant 'moneyed interest'. Feminists have also criticised Pope's works. Ellen Pollak's The Poetics of Sexual Myth (1985) argues that Pope followed an anti-feminist tradition, that regarded women as inferior to men both intellectually and physically. Carolyn Williams contends that a crisis in the male role during the 18th century in Britain impacted Pope and his writing.

Question: "Pope is being criticized/supported for what type of work?"

Answer: "His writing"

OPTIONS:
- no
- yes
Answer:
yes