In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.
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Question: Frank Webster (John Ireland) has broken out of jail, charged with a murder he did not commit. While on the run, and the subject of radio news reports, he becomes cornered in a small coffee shop by a zealous citizen. He commits battery to escape, and kidnaps a young woman named Connie (Dorothy Malone) as he gets away. Frank drives off with Connie in her Jaguar. But she soon proves a difficult hostage, trying to escape a few times, which leads him to treat her more roughly than they both would prefer. This mutual struggle soon leads the two to fall in love with each other. Continuing to elude police, the couple slips into a cross-border sports car race, which Frank plans to take advantage of in order to escape into Mexico. Out of sympathy for Frank and a desire to be with him, Connie informs the police of the plan so he might face trial and be acquitted, and at the last moment he, too, decides it is better to turn himself in. The film ends with his capture by police imminent.

Answer: Question: Where is Frank trying to travel to to escape the police?, Answer: Mexico

Question: Grace Stewart (Nicole Kidman) is a devout Roman Catholic mother who lives with her two young children in a remote country house in the British Crown Dependency of Jersey in the immediate aftermath of World War II. The children, Anne (Alakina Mann) and Nicholas (James Bentley), have an uncommon disease, characterized by photosensitivity, so their lives are structured around a series of complex rules to protect them from inadvertent exposure to sunlight. The arrival of three servants at the house aging Mrs. Bertha Mills (Fionnula Flanagan), elderly gardener Edmund Tuttle (Eric Sykes), and a mute girl named Lydia (Elaine Cassidy) coincides with a number of odd events, and Grace begins to fear there are unknown others in the house.Anne draws pictures of four people she has seen in the house numerous times: a man, woman, a boy called Victor, and an old woman. Grace finds a 19th-century "book of the dead", an album of mourning portrait photos of deceased family members from a previous generation, with some missing pages. She hears noises in the house. With the servants, she tries hunting down the intruders but cannot find them. She does not believe her daughter has seen the others until she hears the ghosts herself. Convinced that something unholy is in the house, she runs out in the fog in search of the local priest to bless the house. Meanwhile, Mr. Tuttle is covering gravestones under autumn leaves.Outside, Grace discovers her husband Charles (Christopher Eccleston), whom she thought had been killed in the war, and brings him back to the house. Charles is distant during the short time he spends there, and Mrs. Mills says, "I do not think he knows where he is." During this time, Grace attacks someone dressed up like her daughter; she is frightened by the face she sees underneath Anne's First Communion veil. However, she finds that she has actually attacked her daughter. Mrs. Mills tells a distraught Anne that she too has seen the unknown people in the house and that big changes are coming. Charles says he must leave for the front and Grace wakes to find him gone again.One morning, Grace hears the children's screams: all of the curtains in the house have disappeared or have been taken down by the intruders, as Anne had said they might. When Grace sees the servants are not alarmed by this, she accuses them of being involved and banishes them from the house. That night, Anne and Nicholas sneak outside to find their father. Anne discovers the graveyard, which the servants have uncovered, and realizes that these are the servants' graves. At the same time, Grace finds a photograph from the book of the dead and is horrified to see it is of the three servants. The servants appear and follow the children back to the house. Grace has the children hide upstairs, while Mrs. Mills reveals that the three servants died of tuberculosis more than 50 years before. Hearing the children scream, she tells Grace to go upstairs and talk to the intruders.Grace walks upstairs to the bedroom with her rosary beads. There, she discovers that the old woman whom Anne had described is acting as a medium in a seance with Victor's parents, talking to Anne. The medium asks the children questions about how they died. The children begin to scream that they are not dead. In a frenzy of denial, Grace shakes the seance table, and rips the papers on which the medium has been writing. Victor's family sees only the table shaking and the paper being ripped. In using this supernatural incident as proof that they are not welcome in the house and should leave, Victor's mother reveals that Grace had smothered her children then shot herself.As Grace and the children huddle together in shock in the darkened school room, her memories return to her: stricken with grief for her missing husband, isolated by the children's condition and the servants leaving her, Grace lost her mind and smothered her children with a pillow. Realizing what she had done, she shot herself. When she then "awoke" and heard her children's laughter, she assumed God had granted her family a second chance at life. Anne asks if they are in Limbo; Grace is no longer sure of her Catholic teachings.Mrs. Mills tells Grace that they will learn to get along with the intruders who periodically come to the house, that sometimes they will notice them and sometimes they will not. The children find they are no longer photosensitive (as they are no longer living), and for the first time, they can enjoy playing in the sunlight. Victor's family, unable to rid the house of its former occupants' spirits, drive away as Grace and the children watch. Although the property is again put up for sale, Grace and the children are firm that "this house is ours," and "no one can make us leave."

Answer: Question: How did Grace murder her children?, Answer: Smothered them

Question: The film is structured as a largely non-linear series of key events from the life of Edith Piaf. [note 3] The film begins with elements from her childhood, and at the end with the events prior to and surrounding her death, poignantly juxtaposed by a performance of her song, "Non, je ne regrette rien".The film opens with Edith as a small child in 1918, crying after being teased by other children. Her mother stands across the alley singing, busking for change. Edith's mother writes to her child's father, the acrobat, who is fighting in the trenches of World War I battlefields, informing him that she is leaving Edith with her mother so she can pursue the life of the artist. Her father returns to Paris and scoops up a sick Edith, then in turn leaves the child with his own mother, who is a madam of a bordello in Normandy. Now living as a child in a brothel, surrounded by the often brutal and demeaning business of prostitution, Edith is taken under the wing of the women there, especially Titine, a young troubled redhead who becomes emotionally attached to the little girl. Titine sings to, plays with, and tenderly cares for Edith through travails including an episode of keratitis-induced blindness.Years later, Edith's father returns for her. Despite anguished protests from both Titine and Edith, he takes the child away to join him as he works as a circus acrobat. As Edith is outside cleaning up after dinner one night, she watches a fire eater practicing, and in the flames sees an apparition of St Therese, who assures her that she will always be with hera belief that she carries with her for the rest of her life.When Edith is nine years old, her father leaves the circus after an argument with the manager and begins performing on the streets of Paris. During a lackluster performance of her father's contortionist skills while Edith holds a hat for coins, a passerby asks if Edith is part of the show and, with prompting by her father to "do something" so the half-interested audience doesn't leave, she spontaneously sings "La Marseillaise" with raw emotion, mesmerizing the street crowd.Years later, a nightclub owner named Louis Leplee approaches Edith while she sings (and drinks) on the streets of Montmartre for supper money with her friend Momone. He invites her to his club for an informal audition. Impressed, he hires her, after creating for diminutive Edith (1.47m in height) a stage surname of Piaf, a colloquialism for sparrow.Soon, Leplee is shot dead, suspected by the police to be due to Edith's connections to the mafia through the pimp who has demanded a large portion of her street singing earnings. When Edith next attempts a show at a low grade cabaret, she is jeered and shouted off the stage by a hostile crowd. Things go from bad to worse when Momone is forcibly taken away to a convent for girls on orders from her mother. Desperate, Edith turns to Raymond Asso, a songwriter and accompanist. Through harsh means, he enlivens her performances by teaching her to gesture with her "great hands" while singing, and works with her on enunciation and other aspects of stage presence, including how to battle her initial fierce bouts of stage fright that almost prevent her from taking the stage for her first music hall performance.While performing in New York City, Edith meets Marcel Cerdan, a fellow French national who is a boxer competing for the World Champion title. Though she quickly learns from him that he has a wife, who runs their pig farm while he's away, Edith tells Momone that she is falling in love with Marcel. The affair that ensues (it begins shortly after he beats Tony Zale and becomes World Middleweight Champion), while supposedly secret, results in "La Vie En Rose" being played for Marcel wherever he goes. The morning after Edith has persuaded Marcel to fly from Paris and join her in New York, she wakes up to his kiss. She joyfully hurries to get him coffee and her gift to him of a watch, while she mocks and exasperatedly shouts at her oddly subdued entourage as they listlessly stand around her apartment. They finally break the news to her that Marcel's plane crashed. Edith hysterically searches for the ghost of Marcel that was lounging on her bed just a few moments before, crying out the name of her lost lover.The narrative bookends these scenes from Edith's middle life with repeated vignettes of an aged-looking Edith with frizzy red hair, being nursed and tended to. She spends much of her time sitting in a chair by the lakeside, and when she stands, she has the stooped posture and slowness of a much older person. Another set of fractured memories shows Edith with short curly hair, plastered to her face as though she is feverish, singing on stage and collapsing while she tries to sing, a moment when Edith herself realizes that her body is betraying her, when she is hosting a party at a Parisian bistro, and topples a bottle of champagne because of her developing arthritis, and to the morphine addiction that ultimately plays a large role in her demise, as she injects the drug with a young lover in her bedroom.After her husband, Jacques Pills, persuades her to enter rehabilitation for her addiction, she travels to California with him, and the audience sees the sober but manic-by-nature Edith being driven around in a convertible, laughing, joking, teasing her compatriots and generally being the life of the party, until she takes the wheel and promptly drives into a Joshua tree. The hilarity is uninterrupted as Edith gets out and pretends to hitchhikethe whole episode appearing to be a metaphor for her lifelong frantic efforts to be happy and distracted by entertaining others, through all manner of disasters.Years later, Piaf, now frail and hunched, squabbles with her entourage about whether or not she will be able to perform at the Olympia. No one but Edith thinks that she will be ready to attempt the feat, but she ultimately faces this reality herself. Then, a new songwriter and arranger shows up with a song, "Non, je ne regrette rien", and Edith exclaims: "You're marvelous! Exactly what I've been waiting for. It's incredible. It's me! That's my life, it's me." She announces that she will indeed perform it at the Olympia.Memories from prior to and during her last performance, when she collapses onstage, are interwoven through the film, foreshadowing the tragic end to a stellar but prematurely ended stage life. The memories appear to almost haunt Piaf. In one series, prior to what turns out to be her last performance, Edith is finally ready to go onstage after a series of delays, when she asks for the cross necklace that she always wears. As her staff rush away to get it, she sits and, in her quiet solitude, experiences more memories of her past, and after Edith puts on the retrieved cross and shuffles out onto the stage, the film presents more flashbacks as she is singing one of her signature songs, "Je ne regrette rien."She relives a sunny day on a beach with her knitting, when an older Edith with an obvious stoop graciously answers the simple and polite questions of an interviewer: what is her favorite color? (blue), her favorite food? (pot roast), and then more poignant questions that she also answers without hesitation, again showing the longings of her life. If you were to give advice to a woman, what would it be? "Love." To a young girl? "Love." To a child? "Love."As though he is carrying a swaddled infant, Louis easily carries Edith, tiny and wasted away at the age of 47, into her bedroom and tucks her into bed, while the subtitle removes any illusions that this is other than the last day of her life. She is afraid. She says she cannot remember things, but has a disjointed series of memories of the kind of small moments that somehow define all our lives more than the "big moments" doscrambled and fragmentary as a dying person might experienceher mother commenting on her "wild eyes," her father giving her a gift of a doll, and thoughts of her own dead child, Marcelle.The film ends with Edith performing "Non, je ne regrette rien" at the Olympia.

Answer:
Question: Why was Edith crying?, Answer: He was crying after being teased by other children.