Teacher: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
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Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this instance: Context_1 : This article contains the discography of American pop and R&B singer Janet Jackson and includes information relating to her album and single releases. She has sold an estimated 100 million records worldwide, and is listed as the eleventh best-selling female recording artist in the US. She has attained 10 Hot 100 number-one singles, 14 Hot R&B number-one singles, and 16 Hot Dance/Club Play number one singles. She also has a career high of 28 top 10 hits on the Hot 100, 29 top 10 hits on the Hot R&B chart, and 29 top 10 hits on the Hot Dance/Club Play chart. She is the first and only artist in history to produce seven top five hits from one album, "Janet Jackson's Rhythm Nation 1814". Context_2 : Corbin Bleu Reivers (born February 21, 1989), known professionally as Corbin Bleu, is an American actor, model, dancer, film producer and singer-songwriter. He performed in the "High School Musical" film series. Songs from the films also charted worldwide, with the song "I Don't Dance" peaking inside the Top 10 of the "Billboard" Hot 100. It was also named as the official theme song for the 2007 Little League World Series. During this time, he also starred in the Disney Channel Original Movie "Jump In!" (2007). His first lead role was in the film "Catch That Kid" (2004). He has since appeared in the Discovery Kids drama series "Flight 29 Down" (20052007), and in films like "Soldier" (1998), "Mystery Men" (1999), "Scary or Die" (2012), "Nurse 3D" (2013), and "To Write Love on Her Arms" (2015). Context_3 : Alessia Caracciolo (] ; born July 11, 1996), known professionally as Alessia Cara, is a Canadian singer and songwriter. After producing acoustic covers of songs on YouTube, she signed with Def Jam Recordings and released her debut single, "Here", which was a sleeper hit and reached the top 5 in the United States and the top 20 in Canada. Cara's debut studio album, "Know-It-All", was released in 2015. The third single from the album, "Scars to Your Beautiful", reached the top 10 on the "Billboard" Hot 100 the following year. In 2017, Cara collaborated with producer Zedd to create the single "Stay", and rapper Logic to feature in his song "1-800-273-8255". With both songs reaching number 7 and number 3 respectively on the "Billboard" Hot 100, they became Cara's third and fourth songs to reach the US top 10. Context_4 : "Achy Breaky Heart" is a country song written by Don Von Tress. Originally titled "Don't Tell My Heart" and performed by The Marcy Brothers in 1991, its name was later changed to "Achy Breaky Heart" and performed by Billy Ray Cyrus on his 1992 album "Some Gave All". As Cyrus' debut single and signature song, it made him famous and has been his most successful song. It became one of the first singles ever to achieve triple Platinum status in Australia and also 1992's best-selling single in the same country. In the United States it became a crossover hit on pop and country radio, peaking at number 4 on the "Billboard" Hot 100 and topping the Hot Country Songs chart, becoming the first country single to be certified Platinum since Kenny Rogers and Dolly Parton's "Islands in the Stream" in 1983. The single topped in several countries, and after being featured on "Top of the Pops" in the United Kingdom, peaked at number 3 on the UK Singles Chart. It remains Cyrus's biggest hit single in the U.S. to date, and his only one to reach the top 10 of the "Billboard" Hot 100. Thanks to the video of this hit, there was the explosion of the line dance into the mainstream, becoming a craze. The song is considered by some as one of the worst songs of all time, featuring at number two in VH1 and "Blender"'s list of the "50 Most Awesomely Bad Songs Ever." Context_5 : "Wanted Dead or Alive" is a single by American rock band Bon Jovi. It is from their 1986 album "Slippery When Wet". The song was written by Jon Bon Jovi and Richie Sambora and was released in 1987 as the album's third single. During a February 20, 2008 encore performance in Detroit, Jon Bon Jovi told the crowd about running into Bob Seger at a Pistons game. As he introduced his song "Wanted Dead or Alive", he said it was inspired by Seger's "Turn the Page" hit and called the song the band's anthem. The song peaked at #7 on the "Billboard" Hot 100 chart and #13 on the Mainstream Rock Tracks chart, making it the third single from the album to reach the Top 10 of the Hot 100. As a result, "Slippery When Wet" became the first hard rock album to have 3 top 10 hits on the "Billboard" Hot 100. Context_6 : "It's Still Rock and Roll to Me" is a hit 1980 song performed by Billy Joel, from the hit album "Glass Houses". The song was number 1 on the "Billboard" Hot 100 charts for two weeks, from July 19 through August 1, 1980. The song spent 11 weeks in the top 10 of the "Billboard" Hot 100 and was the 7th biggest hit of 1980 according to American Top 40. The song is an examination of the themes of a musician's degrading fame and public tastes that were expressed in his 1975 hit "The Entertainer". Context_7 : "Bartender" is an R&B/hip-hop song by T-Pain, Co-written by Ali Noordin and the official second single from his second album, "Epiphany". The song debuted on the "Billboard" Hot 100 chart on the issue date of June 16, 2007 at #97 and has since peaked at #5, making the single T-Pain's 4th consecutive top 10 hit single on the "Billboard" Hot 100 as well as Akon's 9th top 10 hit single on the same chart. In 2008 the song was nominated for a Grammy for Best R&B Performance by a Duo or Group. Context_8 : How Could It Be is the debut musical studio album by comedian/actor Eddie Murphy. The album was released on July 20, 1985, on Columbia Records and was produced by Aquil Fudge, with the exception of the hit top ten single "Party All the Time", which was produced by Rick James. The album was met with overwhelmingly negative reviews but was a commercial success, making it to #26 on the "Billboard" 200 and #17 on the Top R&B/Hip-Hop Albums. Two singles were released: "Party All the Time", which made it to #2 on the "Billboard" Hot 100 and the title track, which became a minor R&B hit. Context_9 : Luis Salgado (born August 30, 1980 in Bayamon, Puerto Rico) is a Puerto Rican performer, director, choreographer, and producer. His career has led him to Broadway, film, television, and stages around the world. He has worked with performers such as Corbin Bleu, Lin-Manuel Miranda, Patti LuPone, Laura Benanti, Amy Adams, Patrick Dempsey and Diego Luna. Context_10 : "Can We Talk" is a song recorded by American R&B singer Tevin Campbell and composed and produced by Babyface. It was the first single to be released from his double platinum second release "I'm Ready". The song hit top ten on the pop charts peaking at number nine on the "Billboard" Hot 100 and spent a total of three weeks at number one on the US R&B chart. It sold 500,000 copies and earned a gold certification from the Recording Industry Association of America. The song was also Nominated for a Grammy Award for Best Rhythm & Blues Vocal Performance - Male. It was also nominated and later won the Soul Train Music Award for Best R&B/Soul Single - Male ("Can We Talk"). Cover versions of the hit song have been done by The Whispers, Sanchez, and Kirk Whalum (on his 2005 album "Kirk Whalum Performs the Babyface Songbook"). The song was later covered by British boyband Code Red in 1996, for their debut album "Scarlet" and was released as the album's lead single becoming a modest hit and reaching #1 in Asia. The song has also been covered by a Japanese/Korean singer during June 2008. The song became the opening theme to the 2012 sitcom "1600 Penn". The song was sampled in hip hop duo Luniz's song "Playa Hata" from their debut album "Operation Stackola". The song was sung by 19-year-old Victor Sulfa during the semi-finals on season 3 of "New Zealand Idol" as well as Nikko Smith during the Top 10 round on season 4 of "American Idol". The song has been featured on at least two different compilation albums including Disc 14 of "Classic Soul Ballads" entitled "Tender Love" and Volume 6 of MTV's "Party to Go" compilation albums series entitled "MTV Party to Go 6". fact_1 : He has worked with performers such as Corbin Bleu, Lin-Manuel Miranda, Patti LuPone, Laura Benanti, Amy Adams, Patrick Dempsey and Diego Luna. fact_2 : Songs from the films also charted worldwide, with the song "I Don't Dance" peaking inside the Top 10 of the "Billboard" Hot 100. Answer: "I Don't Dance"
Student:
What song that hit Top 10 of the billboard hot 100 by an actor that worked with Luis Salgado?