Problem: Background: Robin Charles Thicke (born March 10, 1977) is an American singer, songwriter and record producer. Thicke has worked with numerous artists, such as Christina Aguilera,3t, T.I., Nicki Minaj, K. Michelle, Pharrell Williams, Usher, Jennifer Hudson, Flo Rida, Brandy, Kid Cudi and Mary J. Blige, among others. Thicke worked on albums such as Usher's Confessions and Lil Wayne's Tha Carter III, while releasing his own R&B singles in the US including "Lost Without U", "Magic", and "Sex Therapy". He rose to international fame in 2013 with his single "Blurred Lines", which reached number one on the US Billboard Hot 100.
Context: Thicke began his career by writing and producing songs for popular artists. He co-wrote and produced the Color Me Badd song "Sexual Capacity" in 1996. He also co-wrote on the self-titled debut album by Christina Aguilera, which sold 17 million copies worldwide. Albums on which Thicke's songwriting, producing, and other contributions have been featured include: Brandy, Brian Mcknight's I Remember You, Brownstone's Still Climbing, Jordan Knight, Chante Moore's This Moment Is Mine, Marc Anthony, P!nk's Can't Take Me Home, Ronan Keating's Ronan, Mya's Fear of Flying, BBMak's Sooner or Later, both Will Young's Friday's Child and Keep On. The Thicke original "When I Get You Alone" was performed by Guy Sebastian, the winner of the first Australian Idol 2003, during the competition and at the Idol grand finale. "When I Get You Alone" was a popular song choice for Sebastian; he put the live idol performance on his four-times platinum debut single "Angels Brought Me Here"; it was the fastest selling single in Australia debuting at number one and immediately breaking an ARIA record. In 2004, Thicke co-wrote and produced "Out With My Baby" with Guy Sebastian, along with being credited for work on two additional songs from Sebastian's second album, Beautiful Life. The single, "Out With My Baby", became a platinum selling #1 hit for Sebastian on the ARIA Singles Charts. During this same year, he co-wrote and produced a song with the singer and actress Raven-Symone for the album This Is My Time, with the song "Set Me Free". Thicke co-wrote "Can U Handle It?" for Usher's 2004 album, Confessions, with backing vocals provided by Paula Patton. Confessions would go on to sell 20 million copies worldwide and win the Grammy Award for Best Contemporary R&B Album in 2005. Thicke co-wrote and produced the song "Tie My Hands" on Lil' Wayne's multi-platinum selling album Tha Carter III which went on to win Best Rap Album. Thicke wrote and produced the song "Giving Myself" for the album Jennifer Hudson which went on to win Best R&B Album. In total, albums on which Thicke has been credited for his work (in capacities including writer, producer, arranger, vocalist, and musician) have sold over 60 million copies worldwide. Throughout his career, Thicke has worked most frequently with long-time production partner Pro Jay (James Gass), whose contributions have appeared on all of Thicke's own studio albums and whose name can be found alongside Thicke's in writing and producing credits for other artists. Thicke also often enlists veteran session guitarist and songwriter Bobby Keyes as well as keyboardist and music director Larry Cox to contribute to his projects.
Question: What was his biggest hit?
Answer: Confessions would go on to sell 20 million copies worldwide and win the Grammy Award for Best Contemporary R&B Album in 2005.

Problem: Background: Kenneth Anger (born Kenneth Wilbur Anglemyer; February 3, 1927) is an American underground experimental filmmaker, actor and author. Working exclusively in short films, he has produced almost forty works since 1937, nine of which have been grouped together as the "Magick Lantern Cycle". His films variously merge surrealism with homoeroticism and the occult, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle". Anger himself has been described as "one of America's first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner", and his "role in rendering gay culture visible within American cinema, commercial or otherwise, is impossible to overestimate", with several being released prior to the legalization of homosexuality in the United States.
Context: As Anger discovered his homosexuality, at a time when homosexual acts were still illegal in the United States, he began associating with the underground gay scene. At some point in the mid-1940s, he was arrested by the police in a "homosexual entrapment", after which he decided to move out of his parents' home, gaining his own sparse apartment largely financed by his grandmother, and abandoning the name Anglemyer in favor of Anger. He started attending the University of Southern California, where he studied cinema, and also began experimenting with the use of mind-altering drugs like cannabis and peyote. It was then that he decided to produce a film that would deal with his sexuality, just as other gay avant-garde film makers like Willard Maas were doing in that decade. The result was the short film Fireworks, which was created in 1947 but only exhibited publicly in 1948. Upon release of the work, Anger was arrested on obscenity charges. He was acquitted, after the case went to the Supreme Court of California, which deemed it to be art rather than pornography. Anger made the claim to have been seventeen years old when he made it, despite the fact that he was actually twenty, presumably to present himself as more of an enfant terrible. A homoerotic work lasting only 14 minutes, Fireworks revolves around a young man (played by Anger himself) associating with various navy sailors, who eventually turn on him, stripping him naked and beating him to death, ripping open his chest to find a compass inside. Several fireworks then explode, accompanied by a burning Christmas tree and the final shot shows the young man lying in bed next to another topless man. Of this film, Anger would later state in 1966 that "This flick is all I have to say about being 17, the United States Navy, American Christmas and the fourth of July." He would continuously alter and adapt the film up until 1980, with it finally being distributed on VHS in 1986. One of the first people to buy a copy of Fireworks was the sexologist Dr. Alfred Kinsey of the Institute for Sex Research. He and Anger struck up a friendship that would last until the doctor's death, during which time Anger aided Kinsey in his research. According to Anger's unofficial biographer Bill Landis, Kinsey became a "father figure" whom Anger "could both interact with and emulate." Meanwhile, in 1949 Anger began work on a film called Puce Women, which unlike Fireworks was filmed in color. It starred Yvonne Marquis as a glamorous woman going about her daily life; Anger would later state that "Puce Women was my love affair with Hollywood... with all the great goddesses of the silent screen. They were to be filmed in their homes; I was, in effect, filming ghosts." A lack of funding meant that only one scene was ever produced, which was eventually released under the title Puce Moment. That same year, Anger directed The Love That Whirls, a film based upon Aztec human sacrifice but, because of the nudity that it contained, it was destroyed by technicians at the film lab, who deemed it to be obscene.
Question: What he convicted?
Answer:
charges. He was acquitted, after the case went to the Supreme Court of California, which deemed it to be art rather than pornography.