Detailed Instructions: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : Fall Down is a song written and recorded by the American rock band Tantric. The song was originally recorded for the shelved ""Tantric III"" album, but due to leaving Maverick Records in 2006 the band released the song on their official Myspace page in May 2007 featuring a guest verse by the American country-rap group Nappy Roots, due to the band leaving their label and the original lineup collapsing the song remained unreleased. In November 2008 due to demanding popularity by fans the band re-recorded the song for a deluxe version of their album The End Begins but without the verse from Nappy Roots. The song was officially released as the third and final single from The End Begins on November 8, 2008. Context_2 : "Yard of Blonde Girls" is a song written by sisters Audrey Clark of the Boston band the 360s and Lori Kramer of the Paper Squares, who were performing together in the late nineties as Pendulum Floors. Inger Lorre contributed additional lyrics on the second verse, which were written about singer-songwriter Jeff Buckley. Lorre had a relationship with Buckley, but never told him that the verse was about him. Buckley and Lorre recorded a demo version of the song in 1996. The song is a tribute to Lori Kramer's childhood friend, who committed suicide in 1993. Context_3 : "Man Down" is a song by Barbadian singer Rihanna from her fifth studio album, "Loud" (2010). Singer Shontelle and production duo Rock City wrote the song with its main producer, Sham. They wrote it during a writing camp, in Los Angeles of March 2010, held by Rihanna's record label to gather compositions for possible inclusion on the then-untitled album. Rock City were inspired by Bob Marley's 1973 song "I Shot the Sheriff" and set out to create a song which embodied the same feel, but from a female perspective. "Man Down" is a reggae murder ballad which incorporates elements of ragga and electronic music. Lyrically, Rihanna is a fugitive after she shoots a man, an action she later regrets. Several critics singled out "Man Down" as "Loud"' s highlight, while others commented on her prominent West Indian accent and vocal agility. Context_4 : "Addiction" is a song written, produced, and performed by American singer and record producer Ryan Leslie. It features vocals by American singer Cassie and American rapper Fabolous, who wrote his guest rap verse. The song contains elements from the composition "I Can't Help It" written by Stevie Wonder and Susaye Greene, as performed by Michael Jackson. Released as the second single from his self-titled debut album, "Ryan Leslie" (2009), it was sent to rhythmic and urban contemporary radio stations in the United States on July 7, 2008. The track was made available for digital download the following day through Universal Motown Records and Leslie's NextSelection imprint. A version of the song featuring just Cassie was also included in physical versions of the single. Context_5 : Mi PC (English: My PC) is a 1998 song written and performed by Dominican singer-songwriter Juan Luis Guerra and his group, 4-40. The song was released as the first single from the album, Ni Es Lo Mismo Ni Es Igual which was produced by Guerra himself. The song became Guerra's second single to reach number-one on the Billboard Top Latin Songs after "El Costo de la Vida" in 1990. "Mi PC" combines lyrics and the sound of merengue to compare a woman to a personal computer. In the first verse of the lyrics, the singer brags about having a computer with "a gigabyte of your kisses", "a floppy of your personality", and "a mouse that moves your mouth". The second verse expresses disinterest in various contemporary status symbols - such as "a vest by Hugo Boss", "a painting by Miro" or "the ear of " - as compared to the woman's love. Context_6 : U.S. Marshals is a 1998 American action crime thriller film directed by Stuart Baird. The storyline was conceived from a screenplay written by Roy Huggins and John Pogue. The film is a spin-off to the 1993 motion picture "The Fugitive", which in turn was based on the 1960s television series of the same name, created by Huggins. The story does not involve the character of Dr. Richard Kimble, portrayed by Harrison Ford in the initial film, but instead the plot centers on United States Deputy Marshal Sam Gerard, once again played by Tommy Lee Jones. The plot follows Gerard and his team as they pursue another fugitive Mark Warren, played by Wesley Snipes, who attempts to escape government officials following an international conspiracy scandal. The cast features Robert Downey, Jr., Joe Pantoliano, Daniel Roebuck, Tom Wood, and LaTanya Richardson, several of whom portrayed Deputy Marshals in the previous film. Context_7 : Maurice "Verse" Simmonds is a Puerto Rican American singer, songwriter, and record producer. Based in Los Angeles California bit raised in the Virgin Islands, he moved to the United States after high school and he formed the production duo the Jugganauts in the 1990s. The duo has since co-written and produced tracks such as "Man Down" by Rihanna and "Who Gon Stop Me" by Kanye West and Jay-Z, both of which charted prominently on "Billboard". Context_8 : "The Fugitive' (later titled "I'm a Lonesome Fugitive" on the album) is a song recorded by American country music artist Merle Haggard, written by Liz Anderson and Casey Anderson (parents of country music singer Lynn Anderson). It was released in December 1966 as the first single and title track from the album "I'm a Lonesome Fugitive". The song was Haggard's first number one hit on the U.S. country singles chart, spending one week at number one and fifteen weeks on the chart. The B-side, "Someone Told My Story", peaked at number 32 on the country chart. Context_9 : "I Thank You" is a song written by David Porter and Isaac Hayes originally recorded by Sam & Dave, released in early 1968. The single was Sam & Dave's final release on Stax Records, reaching #9 on the Billboard Pop Singles chart and #4 on the R&B chart. Shortly after its release, Stax severed its distribution deal with Atlantic Records and Sam & Dave, who were actually signed to Atlantic and loaned out to Stax, began recording for Atlantic proper. The song begins with Sam's spoken introduction that goes: "I want everybody to get off your seat,/ And get your arms together,/ And your hands together,/ And give me some of that old soul Clapping". First, Sam sings the Refrain, plus the first verse, and the refrain, while Dave sings the second verse, the refrain, and the third verse, with both Sam and Dave sharing on the repeated "Thank Yous" portion. Following a brief instrumental, Sam sings the Refrain, with Dave, joining him, on the Coda with the repeated "Thank Yous". Context_10 : "Firm Biz" is the first single by the Hip hop supergroup The Firm from their singular collaborative LP "The Album". The song was produced by L.E.S, who based the song's track on a sample of Teena Marie's 1981 hit "Square Biz". "Firm Biz" also features a chorus performed by former En Vogue singer Dawn Robinson, reworked from the "Square Biz" chorus. AZ raps the first verse of the song, Nas the second, and Foxy Brown the third and final verse. The song never reached any US chart positions, but was a UK Top 20 hit in 1997. A remix of the song was released, featuring a verse from Half-A-Mill and a chorus by Mary J. Blige. The word "feds" is censored in the explicit version, in verse 2, performed by Nas, when he says "Never that though Black .4-4's for feds". fact_1 : The duo has since co-written and produced tracks such as "Man Down" by Rihanna and "Who Gon Stop Me" by Kanye West and Jay-Z, both of which charted prominently on "Billboard". fact_2 : Lyrically, Rihanna is a fugitive after she shoots a man, an action she later regrets. Answer: Rihanna
Solution:
Who performed a song written by Verse Simmons that features the story of a fugitive who has shot a man?