Problem: Background: A daughter of Charles and Anais Lenglen, Suzanne Lenglen was born in Paris. During her youth, she suffered from numerous health problems including chronic asthma, which also plagued her at a later age. Because his daughter was so frail and sickly, Charles Lenglen, the owner of a carriage company, decided that it would be good for her to compete in tennis and gain strength. Her first try at the game was in 1910, when she played on the tennis court at the family property in Marest-sur-Matz.
Context: The first major female tennis star to turn professional, Lenglen was paid US$50,000 by American entrepreneur Charles C. Pyle to tour the United States in a series of matches against Mary K. Browne. Browne, winner of the US Championships from 1912 to 1914, was 35 and considered to be past her prime, although she had reached the French final earlier that year (losing to Lenglen 6-1, 6-0). For the first time in tennis history, the women's match was the headline event of the tour (which also featured male players). In their first match in New York City, Lenglen put on a performance that New York Times writer Allison Danzig lauded as "one of the most masterly exhibitions of court generalship that has been seen in this country." When the tour ended in February 1927, Lenglen had defeated Browne, 38 matches to 0. She was exhausted from the lengthy tour, and a physician advised Lenglen that she needed a lengthy period away from the game to recover. Instead, Lenglen chose to retire from competitive tennis to run a Paris tennis school, which she set up with the help and money of her lover Jean Tillier. The school, located next to the courts of Roland Garros, slowly expanded and was recognised as a federal training centre by the French tennis federation in 1936. During this period, Lenglen also wrote several books on tennis. Lenglen was criticised widely for her decision to turn professional, and the All England Club at Wimbledon even revoked her honorary membership. Lenglen, however, described her decision as "an escape from bondage and slavery" and said in the tour programme, "In the twelve years I have been champion I have earned literally millions of francs for tennis and have paid thousands of francs in entrance fees to be allowed to do so.... I have worked as hard at my career as any man or woman has worked at any career. And in my whole lifetime I have not earned $5,000 - not one cent of that by my specialty, my life study - tennis.... I am twenty-seven and not wealthy - should I embark on any other career and leave the one for which I have what people call genius? Or should I smile at the prospect of actual poverty and continue to earn a fortune - for whom?" As for the amateur tennis system, Lenglen said, "Under these absurd and antiquated amateur rulings, only a wealthy person can compete, and the fact of the matter is that only wealthy people do compete. Is that fair? Does it advance the sport? Does it make tennis more popular - or does it tend to suppress and hinder an enormous amount of tennis talent lying dormant in the bodies of young men and women whose names are not in the social register?"
Question: Are there any other interesting aspects about this article?
Answer: Lenglen was criticised widely for her decision to turn professional, and the All England Club at Wimbledon even revoked her honorary membership.

Problem: Background: Carl Dean Switzer (August 8, 1927 - January 21, 1959) was an American singer, child actor, breeder and guide. Switzer began his career as a child actor in the mid-1930s appearing in the Our Gang short subjects series as Alfalfa, one of the series' most popular and best-remembered characters. After leaving the series in 1940, Switzer struggled to find substantial roles owing to typecasting. As an adult, he appeared mainly in bit parts and B-movies.
Context: Switzer's tenure on Our Gang ended in 1940, when he was twelve. His first role after leaving the series was as co-star in the 1941 comedy Reg'lar Fellers. The next year, he had a supporting role in Mrs. Wiggs of the Cabbage Patch. Switzer continued to appear in films in various supporting roles, including in Johnny Doughboy (1942), Going My Way (1944), and The Great Mike (1944). Switzer had an uncredited role as Auggie in the 1943 film The Human Comedy. Switzer's last starring roles were in a brief series of imitation Bowery Boys movies. He reprised his "Alfalfa" character, complete with comically sour vocals, in PRC's Gas House Kids comedies in 1946 and 1947. By this time Switzer was downplaying his earlier Our Gang work. In his 1946 resume, he referred to the films generically as "M-G-M short product." Switzer had small parts in both the 1946 Christmas film It's a Wonderful Life as Mary Hatch's (Donna Reed) date at a high school dance in the film's beginning and again in the 1948 film On Our Merry Way as the mayor's son, a trumpet player in a fixed musical talent contest. In the 1954 musical film White Christmas, his photo was used to depict "Freckle-Faced Haynes," an army buddy of lead characters Wallace and Davis (played by Bing Crosby and Danny Kaye) who was also the brother of the female leads the Haynes Sisters (played by Rosemary Clooney and Vera-Ellen). In the 1950s, Switzer turned to television. Between 1952 and 1955, he made six appearances on The Roy Rogers Show. He also guest-starred in an episode of the American science fiction anthology series Science Fiction Theatre and The George Burns and Gracie Allen Show. In 1953 and 1954, Switzer co-starred in three William A. Wellman-directed films: Island in the Sky and The High and the Mighty, both starring John Wayne, and Track of the Cat, starring Robert Mitchum. In 1956, he co-starred in The Bowery Boys film Dig That Uranium followed by a bit part as a Hebrew slave in Cecil B. DeMille's The Ten Commandments. Switzer's final film role was in the film drama The Defiant Ones. Besides acting, Switzer bred and trained hunting dogs and guided hunting expeditions. Among his notable clients were Roy Rogers and Dale Evans (Switzer's son's godparents), James Stewart, and Henry Fonda.
Question: What other acting did he do?
Answer:
He also guest-starred in an episode of the American science fiction anthology series Science Fiction Theatre and The George Burns and Gracie Allen Show.