Detailed Instructions: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : Robert Sarazin Blake, now more commonly known by his middle name and surname, Sarazin Blake, is an American singer-songwriter hailing from Bellingham, WA. Blake is generally considered a folk musician, though his music incorporates elements of traditional Celtic songwriters, modern punk rock, country, and blues all blended together with a heavy dose of improvisation. This melding of varying genres produces a "speed strumming style" that functions as a backdrop to Blake's narrative style of songwriting. Although Blake also writes songs centered on love and his personal life, his leftist-anarchist politics feature prominently in many of his works. Examples of this can be found in songs such as "Didn't We," "Culture of Resistance," and "Philadelphia;" all of which promote the values of an anti-consumerist and independent spirit. He is known for his extensive touring; often traversing the entire United States and Ireland for much of the year. Although such an exhaustive touring schedule occupies a lot of Blake's time, he also makes sure to spend a good part of his time in and around his hometown of Bellingham, WA, where he organizes and performs in the Subdued String Band Jamboree each year in addition to playing and recording at many of the local bars and clubs. In addition to his extensive touring schedule, which takes him to venues ranging from the venerable 924 Gilman Street in Berkeley, CA and the folk club The Tin Angel in Philadelphia, PA, to garages and basements around the world, Blake also runs his own record label: Same Room Records. Context_2 : Tameka "Tiny" Harris (nee Cottle, born Tameka Pope; July 14, 1975) is an American singer-songwriter from Jonesboro, Georgia. Cottle is best known as a member of the American multi-platinum R&B vocal group Xscape, and for her marriage to rapper T.I.. Cottle received a Grammy Award for her writing contributions on the TLC hit "No Scrubs". Cottle acquired the nickname "Tiny" due to her small stature of 4'11". Context_3 : Scott Harris Friedman is an American multi-platinum songwriter, producer, and musician best known for his work with Shawn Mendes and co-writing hit song "Don't Let Me Down" by The Chainsmokers featuring Daya, which reached #1 on the US Mainstream Top 40 chart in 2016. Harris has 10 songs on Shawn Mendes' sophomore album "Illuminate" including the lead single "Treat You Better" which reached the top 3 at the US Mainstream Top 40 chart, "There's Nothing Holdin' Me Back which hit number 1 at the US Mainstream Top 40 chart and 10 songs on Shawn Mendes' debut album Handwritten which debuted at number 1 on the "Billboard" 200. Harris has also written songs for a number of artists, including Jessie J, Melanie Martinez, X Ambassadors, and Tiesto; he co-wrote every song on The Shawn Mendes EP in 2014, which debuted at number five on the "Billboard" 200. Context_4 : Luke Ebbin is a former American multi-platinum, five time Grammy-nominated record producer, composer and songwriter. Ebbin is credited for executing the comeback and extreme makeover of Bon Jovi with his production of the worldwide smash hit "It's My Life" and the 11 million selling album "Crush". He is currently a leading real estate agent in Montecito and Santa Barbara, CA. Context_5 : Gretchen Phillips (born 1963) is an American singer-songwriter known for her humorous and topical songs. Phillips has been openly gay throughout her life and her lesbianism has inspired much of her material. Context_6 : With One Word is the second release by American singersongwriter Alana Grace, released on April 10, 2009. It was produced by Nick Brophy (Avril Lavigne), Dwight Baker (Kelly Clarkson), and Mike Greene (Paramore, Good Charlotte). Context_7 : Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter. One of the leading contemporary recording artists, she is known for narrative songs about her personal life, which have received widespread media coverage. Context_8 : Nick Brophy is an American multi-platinum mixer, engineer, producer and songwriter. He has written for and collaborated with artists as diverse as Jason Aldean, the Rolling Stones, Avril Lavigne, Hootie & the Blowfish, Kenny Chesney, Carly Simon, Taylor Swift, Garbage, Everclear and many others. Nick's engineering credits include Everclear's 1x platinum "Sparkle and Fade", Avril Lavigne's 6x platinum "Let Go" and the Rolling Stones 4x platinum "40 Licks". His mixing credits include three consecutive #1 singles by Kip Moore; 2x platinum "Somethin' 'Bout a Truck", certified gold "Beer Money" and 1x platinum "Hey Pretty Girl" as well as Jimmy Fallon's Grammy Award-winning comedy album "Blow Your Pants Off". His songwriting credits include cuts by Hootie & the Blowfish, Jason Aldean, Kenny Chesney and Rascal Flatts. Context_9 : Mikal Blue (born 3 March 1966) is an English music producer, songwriter, engineer and mixer best known for his work with Colbie Caillat, Jason Reeves, Jason Mraz, Five For Fighting and OneRepublic. Originally from County Durham, England, Mikal Blue is currently based in Los Angeles and works from his studio "Revolver Recordings" in Thousand Oaks, California. In addition to his work as a producer, songwriter, engineer, mixer and instrumentalist, Blue has worked in developing acts such as Augustana, OneRepublic, Colbie Caillat, Angel Taylor, Chandler Juliet and Kevin Hammond. Context_10 : Daniel Ivan "Dan" Hicks (December 9, 1941 February 6, 2016) was an American singer-songwriter known for an idiosyncratic style that combined elements of cowboy folk, jazz, country, swing, bluegrass, pop, and gypsy music. He led Dan Hicks and His Hot Licks. He is perhaps best known for the songs "I Scare Myself" and "Canned Music." His songs are frequently infused with humor, as evidenced by the title of his tune, "How Can I Miss You When You Won't Go Away?" His album, "Live at Davies" (2013) capped over forty years of music. fact_1 : Nick Brophy is an American multi-platinum mixer, engineer, producer and songwriter. fact_2 : He has written for and collaborated with artists as diverse as Jason Aldean, the Rolling Stones, Avril Lavigne, Hootie & the Blowfish, Kenny Chesney, Carly Simon, Taylor Swift, Garbage, Everclear and many others. fact_3 : Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter. fact_4 : One of the leading contemporary recording artists, she is known for narrative songs about her personal life, which have received widespread media coverage. Question: The American multi-platinum mixer, engineer, producer and songwriter Nick Brophy worked with which American singer-songwriter known for arrative songs about her personal life?
Solution:
Taylor Swift