Question: Given the below context: The story begins with Foghorn being forced by his domineering wife to remain in the henhouse to sit on an egg that is about to hatch while his wife goes out to play bridge. The hen warns Foghorn not to leave the egg unattended or he'll get a lot of lumps on his head, to which Foghorn replies: "No, dreamboat" but then changes "dreamboat" to "tugboat" when the hen is out of earshot. The Dawg sees that Foghorn cannot leave and takes advantage of the situation by lobbing a watermelon at him, which breaks over Foghorn's head. As Foghorn gets up to retaliate, the Dawg states that Foghorn better not leave the egg, or the Dawg can tell Foghorn's "old lady" that he left. Foghorn then figures that he needs to find someone to sit on the egg for him, so that he can exact revenge on the Dawg. Henery, dressed as an Indian, is hunting for chickens when he spots Foghorn in the henhouse. Henery shoots him with a toy arrow, causing Foghorn to shriek. Foghorn turns the tables on Henery by telling him that he needs to hunt a chicken his own size, like the one in the unhatched egg. Foghorn leads Henery to believe that he can have the chicken once it hatches, but tells Henery he need to sit on the egg first to keep it warm. Free from his commitment, Foghorn goes to the Dawg's house and spanks him with a wooden plank, then as the Dawg attempts to give chase, Foghorn traps him in the stocks and then places light bulbs around the Dawg's head. Foghorn then flips and electrical switch and the lights begin to blink, then the words "Eat At Joe's" appear in the Dawg's nose, as if it were a neon sign. Guess a valid title for it!
Answer: The Egg-Cited Rooster

Question: Given the below context: Wheeler became famous in Britain as "the embodiment of popular archaeology through the medium of television". In 1952, Wheeler was invited to be a panelist on the new BBC television series, Animal, Vegetable, Mineral?. Based on the American quiz programme What in the World?, the show was hosted by Glyn Daniel and featured three experts in archaeology, anthropology, and natural history being asked to identify artefacts which had been selected from various museums. However, Wheeler is alleged to have prepared for the show by checking beforehand which objects had been temporarily removed from display. The show proved popular with British audiences, and would air for six more years. It brought Wheeler to public attention, resulting in a Television Personality of the Year award for him in 1954. He also appeared in an episode of Buried Treasure, an archaeology show also hosted by Daniel, in which the pair travelled to Denmark to discuss Tollund Man. In 1957, he appeared in a second episode of Buried Treasure, for which he travelled to Pakistan to discuss that nation's archaeology, and in 1958 again appeared in an episode, this time on the site of Great Zimbabwe in Southern Rhodesia. In 1959 he presented his own three-part series on The Grandeur That Was Rome, for which he travelled to Hadrian's Wall, Pompeii, and Leptis Magna; the show failed to secure high ratings, and was Wheeler's last major foray into television. Meanwhile, he also made appearances on BBC radio, initially featuring on the John Irving series The Archaeologist, but later presenting his own eight-part series on Roman Britain and also appearing on the series Asian Club, which was aimed primarily at newly arrived migrants from the Indian subcontinent. Guess a valid title for it!
Answer: Mortimer Wheeler

Question: Given the below context: Yorke said that the starting point for the record was the "incredibly dense and terrifying sound" of Bitches Brew, the 1970 avant-garde jazz fusion album by Miles Davis. He described the sound of Bitches Brew to Q: "It was building something up and watching it fall apart, that's the beauty of it. It was at the core of what we were trying to do with OK Computer." Yorke identified "I'll Wear It Proudly" by Elvis Costello, "Fall on Me" by R.E.M., "Dress" by PJ Harvey and "A Day in the Life" by the Beatles as particularly influential on his songwriting. Radiohead drew further inspiration from the recording style of film soundtrack composer Ennio Morricone and the krautrock band Can, musicians Yorke described as "abusing the recording process". Jonny Greenwood described OK Computer as a product of being "in love with all these brilliant records ... trying to recreate them, and missing."According to Yorke, Radiohead hoped to achieve an "atmosphere that's perhaps a bit shocking when you first hear it, but only as shocking as the atmosphere on the Beach Boys' Pet Sounds." They expanded their instrumentation to include electric piano, Mellotron, cello and other strings, glockenspiel and electronic effects. Jonny Greenwood summarised the exploratory approach as "when we've got what we suspect to be an amazing song, but nobody knows what they're gonna play on it." Spin characterised OK Computer as sounding like "a DIY electronica album made with guitars".Critics suggested a stylistic debt to 1970s progressive rock, an influence that Radiohead have disavowed. According to Andy Greene in Rolling Stone, Radiohead "were collectively hostile to seventies progressive rock ... but that didn't stop them from reinventing prog from scratch on OK Computer, particularly on the six-and-a-half-minute 'Paranoid Android'." Writing in 2017, The New Yorker's Kelefa Sanneh said OK Computer "was profoundly prog: grand and dystopian, with a lead single that was more than six minutes long." Guess a valid title for it!
Answer:
OK Computer