Question: Grace Barnett Wing was born October 30, 1939, in the Chicago suburb of Highland Park, Illinois, to Ivan W. Wing (1907-1987), of Norwegian and Swedish descent, and Virginia (nee Barnett; 1910-1984), a lineal descendant of passengers of the Mayflower. Her parents met while they were both students at the University of Washington, and later married. In 1949, her brother Chris was born. Her father, working in the investment banking sector for Weeden and Company, was transferred several times when she was a child, and in addition to Chicagoland, she lived in Los Angeles and San Francisco, before her family finally settled in the San Francisco suburb of Palo Alto, California in the early 1950s.

After retiring, and after a house fire, divorce, and breakup, Slick began drawing and painting animals, mainly to amuse herself and because doing so made her happy during a difficult period in her life. Soon thereafter, she was approached about writing her memoir, which ultimately became Somebody to Love? A Rock-and-Roll Memoir. Her agent saw her artwork and asked her to do some portraits of some of her various contemporaries from the rock-and-roll genre to be included in the autobiography. Hesitant at first (because she thought "it was way too cute. Rock-n-Roll draws Rock-n-Roll"), she eventually agreed because she found she enjoyed it, and color renditions of Janis Joplin, Jimi Hendrix, and Jerry Garcia appeared in the completed autobiography. An "Alice in Wonderland"-themed painting and various other sketches are scattered throughout the book. Her paintings of Jorma Kaukonen and Jack Casady were used for the cover art of the album The Best of Hot Tuna. Though Slick has been drawing and painting since she was a child, she admits to not being able to multitask, so did not do much of it while she was focusing on her musical career. A notable exception is the cover art of her first solo album, Manhole, which she signed "Child Type Odd Art by Grace." Slick is not bound by any specific style or medium in her production of visual art and has no interest in developing one. She uses acrylic paints, saying oil takes too long to dry, canvas, pen, ink, scratchboard, pastels, and pencil. Many of her works are mixed media. Her styles range from the children's bookish "Alice in Wonderland" themes to the realism of the rock and roll portraits and scratchboards of animals to the minimalist ink wash styled nudes to a variety of other subjects and styles. The best-selling prints and originals are her various renditions of the white rabbit and the portraits of her colleagues in the music industry. In 2006, the popularity of her "Alice in Wonderland" works led to a partnership with Dark Horse Comics, Inc. that resulted in the release of stationery and journals with the "Wonderland" motif. While critics have variously panned and praised her work, Slick seems indifferent to the criticism. She views her visual artistry as just another extension of the artistic temperament that landed her in the music scene in the first place, as it allows her to continue to produce art in a way that does not require the physical demands of appearing on a stage nightly or traveling with a large group of people. Slick attends many of her art gallery shows across the United States, sometimes attending over 30 shows in a year. While she says she enjoys talking with the people who come to her art shows, she is not a fan of the traveling involved, particularly the flying. At most of her art shows, those who purchase a piece of her art get a photo with Slick, an opportunity to chat, and a personalized autograph on the back of the piece that has been purchased.

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?
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Answer: Slick attends many of her art gallery shows across the United States, sometimes attending over 30 shows in a year.

Question: Chapter 27 is a 2007 biographical drama film depicting the murder of John Lennon by Mark David Chapman. It was written and directed by Jarrett Schaefer, based on the book Let Me Take You Down by Jack Jones, produced by Robert Salerno, and stars Jared Leto as Chapman. The film takes place in December 1980, and is intended to be an exploration of Chapman's psyche. Its title is a reference to J. D. Salinger's novel The Catcher in the Rye, which has twenty-six chapters, and suggests a continuation of the book.

The script took Schaefer four years to write, but when it was finished, the film came together quickly. With the help of producers Alexandra Milchan and Robert Salerno, Schaefer cast Jared Leto as Mark David Chapman. For his role, Leto gained 67 pounds (30 kg) by drinking microwaved pints of ice cream mixed with soy sauce and olive oil every night. Gaining the weight, he said, was tougher than dieting himself into skeletal shape for his role as drug addict Harry Goldfarb in Requiem for a Dream (2000). The abruptness of Leto's weight gain gave him gout. He had to use a wheelchair due to the stress of the sudden increase in weight put on his body. After the shooting of the film, Leto quickly went on a liquid diet. He explained, "I've been fasting ever since. I've been doing this very strange, like, lemon and cayenne pepper and water fast. I didn't eat any food for 10 days straight; I think I lost 20 pounds that first 10 days." Losing the excess weight after Chapter 27 proved a challenge. "It took about a year to get back to a place that felt semi-normal," he said; "I don't know if I'll ever be back to the place I was physically. I'd never do it again; it definitely gave me some problems." Twenty-two years prior to this film's production, actor Mark Lindsay Chapman, while professionally using the name Mark Lindsay, had been almost cast as John Lennon in the biopic John and Yoko: A Love Story (1985). Yoko Ono had been deeply involved in the production and had herself been initially impressed with his audition and approved his casting prior to discovering his full name was Mark Lindsay Chapman. She then nixed his casting on the grounds it was "bad karma", and a great deal of press attention was given to his having almost gotten the role. The director of Chapter 27, Jarrett Schaefer, auditioned many Lennon impersonators, but was especially impressed with Mark Lindsay Chapman's tape because he conveyed the "tough town" street-smart quality of Lennon that the impersonators failed to convey, as they always played Lennon as larger-than-life. Schaefer described Lennon as having a "chip on his shoulder and always cracking these cynical one-liners", and felt that actor Chapman was best at conveying this quality. Schaefer had some difficulty negotiating the casting with the film's producers because of Chapman's name. After Chapman was cast, he asked Chapman how he should be billed to which Chapman replied "Mark fucking Lindsay Chapman. That's my fucking name." Schaefer remarks that this was so reflective of how Lennon talked, it just reinforced his sense that Chapman was right for the part.

Using a quote from the above article, answer the following question: Who was apart of the casting for the movie?
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Answer:
With the help of producers Alexandra Milchan and Robert Salerno, Schaefer cast Jared Leto as Mark David Chapman.