You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Q: Dorian Gray is the subject of a full-length portrait in oil by Basil Hallward, an artist who is impressed and infatuated by Dorian's beauty; he believes that Dorian s beauty is responsible for the new mode in his art as a painter. Through Basil, Dorian meets Lord Henry Wotton, and he soon is enthralled by the aristocrat's hedonistic worldview: that beauty and sensual fulfilment are the only things worth pursuing in life.
Newly understanding that his beauty will fade, Dorian expresses the desire to sell his soul, to ensure that the picture, rather than he, will age and fade. The wish is granted, and Dorian pursues a libertine life of varied and amoral experiences, while staying young and beautiful; all the while his portrait ages and records every bad sin.The Picture of Dorian Gray begins on a beautiful summer day in Victorian era England, where Lord Henry Wotton, an opinionated man, is observing the sensitive artist Basil Hallward painting the portrait of Dorian Gray, a handsome young man who is Basil's ultimate muse. While sitting for the painting, Dorian listens to Lord Henry espousing his hedonistic world view, and begins to think that beauty is the only aspect of life worth pursuing. This prompts Dorian to wish that the painted image of himself would age instead of himself .
Under the hedonist influence of Lord Henry, Dorian fully explores his sensuality. He discovers the actress Sibyl Vane, who performs Shakespeare plays in a dingy, working-class theatre. Dorian approaches and courts her, and soon proposes marriage. The enamoured Sibyl calls him "Prince Charming", and swoons with the happiness of being loved, but her protective brother, James warns that if "Prince Charming" harms her, he will murder Dorian Gray.
Dorian invites Basil and Lord Henry to see Sibyl perform in Romeo and Juliet. Sibyl, too enamoured with Dorian to act, performs poorly, which makes both Basil and Lord Henry think Dorian has fallen in love with Sibyl because of her beauty instead of her acting talent. Embarrassed, Dorian rejects Sibyl, telling her that acting was her beauty; without that, she no longer interests him. On returning home, Dorian notices that the portrait has changed; his wish has come true, and the man in the portrait bears a subtle sneer of cruelty.
Conscience-stricken and lonely, Dorian decides to reconcile with Sibyl, but he is too late, as Lord Henry informs him that Sibyl killed herself by swallowing prussic acid. Dorian then understands that, where his life is headed, lust and good looks shall suffice. Dorian locks the portrait up, and over the following eighteen years, he experiments with every vice, influenced by a morally poisonous French novel that Lord Henry Wotton gave him.
[The narrative does not reveal the title of the French novel, but, at trial, Wilde said that the novel Dorian Gray read was Rebours ('Against Nature', 1884), by Joris-Karl Huysmans.]
One night, before leaving for Paris, Basil goes to Dorian's house to ask him about rumours of his self-indulgent sensualism. Dorian does not deny his debauchery, and takes Basil to see the portrait. The portrait has become so hideous that Basil is only able to identify it as his work by the signature he affixes to all his portraits. Basil is horrified, and beseeches Dorian to pray for salvation. In anger, Dorian blames his fate on Basil, and stabs him dead. Dorian then calmly blackmails an old friend, the scientist Alan Campbell, into using his knowledge of chemistry to destroy the body of Basil Hallward. Alan later kills himself over the deed.
To escape the guilt of his crime, Dorian goes to an opium den, where James Vane is unknowingly present. James had been seeking vengeance upon Dorian ever since Sibyl killed herself, but had no leads to pursue: the only thing he knew about Dorian was the name Sibyl called him by, "Prince Charming". In the opium den however he hears someone refer to Dorian as "Prince Charming", and he accosts Dorian. Dorian deceives James into believing that he is too young to have known Sibyl, who killed herself eighteen years earlier, as his face is still that of a young man. James relents and releases Dorian, but is then approached by a woman from the opium den who reproaches James for not killing Dorian. She confirms that the man was Dorian Gray and explains that he has not aged in eighteen years. James runs after Dorian, but he has gone.
James then begins to stalk Dorian, causing Dorian to fear for his life. However during a shooting party, one of the hunters accidentally kills James Vane who was lurking in a thicket. On returning to London, Dorian tells Lord Henry that he will be good from then on; his new probity begins with not breaking the heart of the na ve Hetty Merton, his current romantic interest. Dorian wonders if his new-found goodness has reverted the corruption in the picture, but when he looks he sees only an even uglier image of himself. From that, Dorian understands that his true motives for the self-sacrifice of moral reformation were the vanity and curiosity of his quest for new experiences.
Deciding that only full confession will absolve him of wrongdoing, Dorian decides to destroy the last vestige of his conscience, and the only piece of evidence remaining of his crimes the picture. In a rage, he takes the knife with which he murdered Basil Hallward, and stabs the picture. The servants of the house awaken on hearing a cry from the locked room; on the street, passers-by who also heard the cry fetch the police. On entering the locked room, the servants find an unknown old man, stabbed in the heart, his face and figure withered and decrepit. The servants identify the disfigured corpse by the rings on his fingers to belong to their master; beside him is the picture of Dorian Gray, restored to its original beauty.

A: How is James related to Sibyl?
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Q: Tina Gray, a teenager, walks through a boiler room dressed in a nightgown. She is stalked and attacked by a disfigured man wearing a blade-fixed glove. She awakens from the nightmare, but her mother points out four mysterious slashes in her gown.
The following morning, Tina is consoled by her friend Nancy and her boyfriend, Glen. Later, Nancy and Glen sleepover with Tina following her mother's out-of-town departure. The sleepover is interrupted by Tina's boyfriend Rod, who tries to have sex to reconcile after arguing. Falling asleep, she sees the man and runs. Awakened by Tina's thrashing, Rod witnesses her being fatally slashed by an unseen force. He flees as Nancy and Glen find Tina, mistakenly blaming Rod. Nancy tells her father, Lieutenant Don Thompson, of Tina's death.
The next day, Rod proclaims innocence to Nancy, but Don arrests him. At school, Nancy falls asleep in class and finds the man, calling himself Freddy Krueger, chasing her in the boiler room. Nancy burns her arm on a pipe and awakens in the middle of class, excusing herself. She notices the burn mark on her arm and is concerned. At home, Nancy falls asleep in the bathtub and nearly gets drowned by Freddy. Nancy goes to Rod, who tells her what happened to Tina, and Nancy believes Freddy is responsible for Tina's death.
Nancy has Glen watch over her as she falls asleep. She tries to find Freddy and sees him preparing to kill Rod. He turns his attention on her; she runs and wakes up when her alarm clock goes off. Nancy and Glen go to the jail and discover Rod has been hanged in his cell by his bed sheet in an apparent suicide. At Rod's funeral, Nancy's parents become worried when she describes the man in her dreams. Her mother, Marge, takes her to a dream clinic. In her dream, Nancy is attacked again and grabs Freddy's hat. When the staff wake her up, she has a gash in her arm and she somehow has Freddy's hat with her.
At home, Marge bars the windows and begins drinking heavily. Eventually, she tells Nancy that Freddy was a child murderer released on a technicality. In a form of vigilante justice, the parents in the neighborhood burned him alive. Realizing that Freddy desires revenge, Nancy convinces Glen to help her. She plans to take Freddy into the real world and set up booby traps in her house. Concerned over her influence, Glen's parents prevent the two from meeting. Glen falls asleep at their appointed hour, and Freddy kills him.
Alone, Nancy puts her drunken mother to bed and convinces her father across the street to break into the house in twenty minutes. In her sleep, she locates Freddy at the last second and pulls him out of the dream. In the real world, Nancy runs from Freddy, who trips on the booby traps. She lights him on fire, locks him in the basement, and rushes to the door for help. The police arrive, and they realize Freddy has escaped the basement. In Marge's bedroom, they see a still-burning Freddy smother her. After Don puts out the fire, Freddy and Marge have vanished. Despite her father's words, Nancy believes she is still in danger.
Freddy attacks Nancy once again. Realizing he is powered by his victim's fear, she calmly turns her back on him, reducing him to nothingness. She steps outside into a bright morning where all of her friends and mother are still alive. She gets into Glen's car to go to school when the top comes down and suddenly locks them in. As the car is driven uncontrollably down the street, Marge is grabbed through the window of their front door and is dragged through it to her apparent death.

A: What crime did Freddy commit?
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Q: (Note: The following synopsis was that of Emma Goldman, as published in a 1914 collection entitled The Social Significance of the Moden Drama:)
The play opens in the office of James How & Sons, solicitors. The senior clerk, Robert Cokeson, discovers that a check he had issued for nine pounds has been forged to ninety. By elimination, suspicion falls upon William Falder, the junior office clerk. The latter is in love with a married woman, the abused and ill-treated wife of a brutal drunkard. Pressed by his employer, a severe yet not unkindly man, Falder confesses the forgery, pleading the dire necessity of his sweetheart, Ruth Honeywill, with whom he had planned to escape to save her from the unbearable brutality of her husband. Notwithstanding the entreaties of young Walter How, who holds modern ideas, his father, a moral and law-respecting citizen, turns Falder over to the police.
The second act, in the court room, shows Justice in the very process of manufacture. The scene equals in dramatic power and psychologic verity the great court scene in "Resurrection". Young Falder, a youth of twenty-three, stands before the bar. Ruth, his faithful sweetheart, full of love and devotion, burns with anxiety to save the young man, whose affection for her has brought about his present predicament. Falder is defended by Lawyer Frome, whose speech to the jury is a masterpiece of social philosophy. He does not attempt to dispute the mere fact that his client had altered the check; and though he pleads temporary aberration in his defense, the argument is based on a social consciousness as fundamental and all-embracing as the roots of our social ills. He shows Falder to have faced the alternative of seeing the beloved woman murdered by her brutal husband, whom she cannot divorce, or of taking the law into his own hands. He pleads with the jury not to turn the weak young man into a criminal by condemning him to prison.
In prison the young, inexperienced convict soon finds himself the victim of the terrible "system." The authorities admit that young Falder is mentally and physically "in bad shape," but nothing can be done in the matter: many others are in a similar position, and "the quarters are inadequate."
The third scene of the third act takes place in Falder's prison cell.
Falder leaves the prison, a broken man. Thanks to Ruth's pleading, the firm of James How & Son is willing to take Falder back in their employ, on condition that he give up Ruth. Falder resents this:
It is then that Falder learns the awful news that the woman he loves had been driven by the chariot wheel of Justice to sell herself. At this moment the police appear to drag Falder back to prison for failing to report to the authorities as ticket-of-leave man. Completely overcome by the inexorability of his fate, Falder throws himself down the stairs, breaking his neck.
The socio-revolutionary significance of "Justice" consists not only in the portrayal of the in-human system which grinds the Falders and Honeywills, but even more so in the utter helplessness of society as expressed in the words of the Senior Clerk, Cokeson, "No one'll touch him now! Never again! He's safe with gentle Jesus!"

A:
How much was the check that was issued by Robert Cokeson forged for?
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