input: During his second term as the mayor of New York City, Bloomberg unveiled PlaNYC: A Greener, Greater New York on April 22, 2007, to fight global warming, protect the environment and prepare for the projected 1 million additional people expected to be living in the city by the year 2030. Under PlaNYC, in just 6 years New York City reduced citywide greenhouse gas emissions by 19% since 2005 and was on track to achieve a 30% reduction ahead of the PlaNYC 2030 goal. In October 2007 as part of PlaNYC, Bloomberg launched the Million Trees NYC initiative, which aimed to plant and care for one million trees throughout the city in the next decade. In November 2015, New York City planted its one millionth tree, two years ahead of the original 10-year schedule. In 2008, Bloomberg convened the New York City Panel on Climate Change (NPCC), an effort to prepare the city for climate change. In 2012, Travel + Leisure readers voted New York City the "Dirtiest American City," for having the most extant litter. Bloomberg has been involved in motivating other cities to make changes and has spoken about reducing carbon dioxide emissions, using cleaner and more efficient fuels, using congestion pricing in New York City, and encouraging public transportation. Bloomberg unveiled the Special Initiative for Rebuilding and Resiliency (SIRR) in June 2013, after the city was affected by Hurricane Sandy in October 2012. The $20-billion initiative laid out extensive plans to protect New York City against future the impacts of climate change. On September 26, 2013, Bloomberg announced that his administration's air pollution reduction efforts had resulted in the best air quality in New York City in more than 50 years. The majority of the air quality improvement was attributed to the phasing out of heavy polluting heating oils through New York's "Clean Heat" program. As a result of the improved air quality, the average life expectancy of New Yorkers had increased three years during Bloomberg's tenure, compared to 1.8 years in the rest of the country.

Answer this question "WHat is the plan called"
output: PlaNYC:

input: The 1980s brought about significant changes for Hall and Oates. The pair felt that the biggest hindrance to their success was that their music was being filtered through outside producers, and that studio musicians were not familiar with their own tastes and thoughts. They also wished to capture the sound of New York City which, by then, had become their home. As a result, instead of recording in Los Angeles, as they had done previously, they decided to record at Electric Lady Studios in New York City, just five minutes away from their apartments, and began producing their own recordings with their touring band backing them in the studio. They also enlisted Hall's girlfriend Sara Allen (and also her younger sister Janna) as songwriting collaborators, as well as beginning a working relationship with Neil Kernon, an engineer on Voices who would work as co-producer on their succeeding two albums. The resulting album, Voices, was written, produced and arranged by Daryl Hall & John Oates in one month, according to their authorized biography Dangerous Dances (by Nick Tosches). The first two singles from the album charted fairly well, with "How Does It Feel to Be Back" charting at Number 30. The well-received cover of The Righteous Brothers' "You've Lost That Lovin' Feelin'" just missed the Top 10, peaking at Number 12, but spent 14 weeks in the Top 40. After the release of that song, Oates' contribution as the lead vocalist diminished on future releases. The third single "Kiss on My List" hit Number 1 in April 1981 and remained there for three weeks. The follow-up single "You Make My Dreams" reached Number 5 in July of that year. The other well-known song from Voices is the emotive ballad "Everytime You Go Away", with powerful lead vocals by Hall, who wrote it. British singer Paul Young had a Billboard Number 1 hit with a cover of the song in 1985. Though the Hall and Oates original (recorded in a Memphis-soul style) was never released as a single, it remains a fan favorite on the duo's greatest hits albums and was featured on their Apollo Theater album in 1985, and is frequently featured in their live set to this day.

Answer this question "Are there any other interesting aspects about this article?"
output: The other well-known song from Voices is the emotive ballad "Everytime You Go Away", with powerful lead vocals by Hall, who wrote it.

input: Following his work for Fred Zinnemann on The Men (1950), Tiomkin composed the score for the same director's High Noon (1952). His theme song was "Do Not Forsake Me, Oh My Darlin'" ("The Ballad of High Noon"). At its opening preview to the press, the film, which starred Gary Cooper and Grace Kelly, did badly. Tiomkin writes that "film experts agreed that the picture was a flat failure... The producers hesitated to release the picture." Tiomkin bought the rights to the song and released it as a single for the popular music market, with singer Frankie Laine. The record became an immediate success worldwide. Based on the song's popularity, the studio released the film four months later, with the words sung by country western star Tex Ritter. The film received seven Academy Award nominations and won four awards, including two for Tiomkin: Best Original Music and Best Song. Walt Disney presented him with both awards that evening. According to film historian Arthur R. Jarvis, Jr., the score "has been credited with saving the movie." Another music expert, Mervyn Cooke, agrees, adding that "the song's spectacular success was partly responsible for changing the course of film-music history". Tiomkin was the second composer to receive two Oscars (score and song) for the same dramatic film. (The first was Leigh Harline, who won Best Original Score for Disney's Pinocchio and Best Song for "When You Wish Upon a Star". Ned Washington wrote its lyrics as he did for "Do Not Forsake Me, Oh My Darlin".) The song's lyrics briefly tell High Noon's entire story arc, a tale of cowardice and conformity in a small Western town. Tiomkin composed his entire score around this single western-style ballad. He also eliminated violins from the ensemble. He added a subtle harmonica in the background, to give the film a "rustic, deglamorized sound that suits the anti-heroic sentiments" expressed by the story. According to Russian film historian Harlow Robinson, building the score around a single folk tune was typical of many Russian classical composers. Robinson adds that the source of Tiomkin's score, if indeed folk, has not been proven. However, the Encyclopedia of Modern Jewish Culture, on page 124, states: "The fifty-year period in the USA between 1914, the start of the First World War and the year of Irving Berlin's first full score, Watch Your Step, and 1964, the premiere of Boek and Hamick's Fiddler on the Roof, is informed by a rich musical legacy from Yiddish folk tunes (for example Mark Warshavsky's "Di milners trem," The miller's tears: and Dimitri Tiomkin's "Do Not Forsake Me." High Noon)..." The composer worked again for Zinnemann on The Sundowners (1960). Tiomkin won two more Oscars in subsequent years: for The High and the Mighty (1954), directed by William A. Wellman, and featuring John Wayne; and The Old Man and the Sea (1958), adapted from an Ernest Hemingway novel. During the 1955 ceremonies, Tiomkin thanked all of the earlier composers who had influenced him, including Beethoven, Tchaikovsky, Rimsky-Korsakov, and other names from the European classical tradition.

Answer this question "who sang that?"
output:
with singer Frankie Laine.