In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Input: Consider Input: Passage: 4 is the fourth solo studio album by American singer Beyonce. It was released on June 24, 2011 by Parkwood Entertainment and Columbia Records. Following a career hiatus that reignited her creativity, Beyonce was inspired to create a record with a basis in traditional rhythm and blues that stood apart from contemporary popular music. Her collaborations with songwriters and record producers The-Dream, Tricky Stewart and Shea Taylor produced a mellower tone, developing diverse vocal styles and influences from funk, hip hop, and soul music.
Severing professional ties with father and manager Mathew Knowles, Beyonce eschewed the music of her previous releases in favor of an intimate, personal album. 4's lyrics emphasize monogamy, female empowerment and self-reflection, a result of Beyonce considering a maturer message to contend artistic credibility. In May 2011, Beyonce submitted seventy-two songs to Columbia Records for consideration, twelve of which appeared on the standard edition.
4 was promoted in mid-2011 by television performances and festival appearances, such as Beyonce's headlining Glastonbury Festival set. The album received generally positive reviews by music critics; several publications included it on their year-end lists. It was her fourth consecutive album to debut at number one on the US Billboard 200, and it also reached number one in Brazil, France, Ireland, South Korea, Spain, Switzerland and the United Kingdom. 4 spawned the international singles "Run the World (Girls)", "Best Thing I Never Had", "Party", "Love on Top" and "Countdown". "Love on Top" won the Grammy Award for Best Traditional R&B Performance at the 55th annual ceremony. As of December 2015, 4 has sold 1.5 million copies in the United States.

Output: What is the name of the person whose collaborations with songwriters and record producers The-Dream, Stewart, and Taylor produced a mellower tone, developing diverse vocal styles and influences from funk, hip hop and soul music?

Input: Consider Input: Passage: The modern interest in the Hoysalas is due to their patronage of art and architecture rather than their military conquests. The brisk temple building throughout the kingdom was accomplished despite constant threats from the Pandyas to the south and the Seunas Yadavas to the north. Their architectural style, an offshoot of the Western Chalukya style, shows distinct Dravidian influences. The Hoysala architecture style is described as Karnata Dravida as distinguished from the traditional Dravida, and is considered an independent architectural tradition with many unique features.A feature of Hoysala temple architecture is its attention to exquisite detail and skilled craftsmanship. The tower over the temple shrine (vimana) is delicately finished with intricate carvings, showing attention to the ornate and elaborately detailed rather than to a tower form and height. The stellate design of the base of the shrine with its rhythmic projections and recesses is carried through the tower in an orderly succession of decorated tiers. Hoysala temple sculpture replicates this emphasis on delicacy and craftsmanship in its focus on depicting feminine beauty, grace and physique. The Hoysala artists achieved this with the use of Soapstone (Chloritic schist), a soft stone as basic building and sculptural material.The Chennakesava Temple at Belur (1117), the Hoysaleswara temple at Halebidu (1121), the Chennakesava Temple at Somanathapura (1279), the temples at Arasikere (1220), Amruthapura (1196), Belavadi (1200), Nuggehalli (1246), Hosaholalu (1250), Aralaguppe (1250), Korvangla (1173), Haranhalli (1235), Mosale and Basaralu (1234) are some of the notable examples of Hoysala art. While the temples at Belur and Halebidu are the best known because of the beauty of their sculptures, the Hoysala art finds more complete expression in the smaller and lesser known temples. The outer walls of all these temples contain an intricate array of stone sculptures and horizontal friezes (decorative mouldings) that depict the Hindu epics. These depictions are generally clockwise in the traditional direction of circumambulation (pradakshina). The temple of Halebidu has been described as an outstanding example of Hindu architecture and an important milestone in Indian architecture. The temples of Belur and Halebidu are a proposed UNESCO world heritage sites.

Output: What organization are the temples with known for their sculptures proposed to be world heritage sites?

Input: Consider Input: Passage: Apart from pieces purely in metal, a number are centred on either hardstone carvings or organic objects such as horns, seashells, ostrich eggshells, and exotic plant seeds. These "curiosities" are typical of the taste of the Renaissance "age of discovery" and show the schatzkammer and the cabinet of curiosities overlapping. A different form of novelty is represented by a table-ornament of a silver-gilt foot-high figure of a huntsman with a dog and brandishing a spear. There is a clockwork mechanism in his base which propels him along the table, and his head lifts off to show a cup, and he would have been used in drinking games. There are separate figures of a boar and stags for him to pursue, though not making a set; these can also function as cups.One of the most important objects in the collection is the Ghisi Shield, a parade shield never intended for use in battle, made by Giorgio Ghisi, who was both a goldsmith and an important printmaker. It is signed and dated 1554. With a sword hilt, dated 1570 and now in at the Hungarian National Museum in Budapest, this is the only surviving damascened metalwork by Ghisi. The shield is made of iron hammered in relief, then damascened with gold and partly plated with silver. It has an intricate design with a scene of battling horseman in the centre, within a frame, around which are four further frames containing allegorical female figures, the frames themselves incorporating minute and crowded subjects on a much smaller scale from the Iliad and ancient mythology, inlaid in gold.Other major pieces are sets of a ewer and basin, basin in this context meaning a large dish or salver, which when used were carried round by pairs of servants for guests to wash their hands without leaving the table. However the examples in the collection were probably hardly ever used for this, but were intended purely for display on sideboards; typically the basins are rather shallow for actual use. These were perhaps the grandest type of plate, with large surfaces where Mannerist inventiveness could run riot in the decoration. They were already expensive because of the weight of the precious metal, to which a huge amount of time by highly skilled silversmiths was added. The Aspremont-Lynden set in the bequest is documented in that family back to 1610, some 65 years after it was made in Antwerp, and weighs a little less than five kilos.
Output: What is now in the Hungarian National Museum?