Given the task definition, example input & output, solve the new input case.
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Output: 1874May
From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input case for you: Context_1 : Cure ( , Kyua ) is a 1997 Japanese psychological thriller film with elements of horror and film noir written and directed by Kiyoshi Kurosawa, starring Koji Yakusho, Masato Hagiwara, Tsuyoshi Ujiki and Anna Nakagawa. The film was released to strong critical acclaim in both the East and the West, with critics praising Kurosawa's direction as well as the visuals and atmosphere. In 2012, South Korean film director Bong Joon-ho listed the film as one of the greatest films of all time. Context_2 : Ju-On ( , Juon , lit. "Curse Grudge", also known as The Grudge) is a Japanese horror franchise created by Takashi Shimizu, consisting of 12 feature films. Shimizu attended the Film School of Tokyo, where he studied under Kiyoshi Kurosawa. Kurosawa helped Shimizu shepherd the "Ju-On" projects to fruition. Context_3 : World Apartment Horror ( , Warudo apatomento hora ) is a 1991 horror comedy film directed by Katsuhiro Otomo, with a screenplay by Otomo and Keiko Nobumoto from a story by Satoshi Kon. The film stars Sabu (later a film director) as a yakuza henchmen who encounters language problems and evil spirits in his attempts to evict a Tokyo apartment full of foreigners, a role for which he received the Best New Actor Award at the Yokohama Film Festival in 1992. Context_4 : Kiyoshi Kurosawa ( , Kurosawa Kiyoshi , born July 19, 1955) is a Japanese film director, screenwriter, film critic and a professor at Tokyo University of the Arts. Although he has worked in a variety of genres, Kurosawa is best known for his many contributions to the Japanese horror genre. Context_5 : Dreaming Machine ( , Yume Miru Kikai ) is an unfinished Japanese anime fantasy-adventure film by Satoshi Kon. It would have been the director's fifth feature film. After Kon's death on August 24, 2010, production continued at Madhouse, where the team used Satoshi Kon's directorial tapes and notes to guide them to completing the film, though the main work such as storyboards and script was already complete. In August 2011, Madhouse founder Masao Maruyama revealed that production of the film had been halted due to lack of finances. Only 600 of 1,500 shots have been animated. However, Maruyama still intends to finish the film, however long it takes. Context_6 : Real, known in Japan as Riaru: Kanzennaru Shucho Ryu no Hi ( ) is a 2013 Japanese science fiction drama film directed by Kiyoshi Kurosawa, starring Takeru Satoh and Haruka Ayase. It is Kurosawa's first feature film since "Tokyo Sonata" (2008). It is based on Rokuro Inui's novel "A Perfect Day for Plesiosaur". The film was released on June 1, 2013 in Japan. It was shown at the 2013 Toronto International Film Festival, and at the 2013 New York Film Festival. Context_7 : Paprika (Japanese: , Hepburn: Papurika ) is a 2006 Japanese science-fiction anime film co-written and directed by Satoshi Kon, based on Yasutaka Tsutsui's 1993 novel of the same name, about a research psychologist who uses a device that permits therapists to help patients by entering their dreams. It is Kon's fourth and final feature film before his death in 2010. The film stars the voices of Megumi Hayashibara, Toru Emori, Katsunosuke Hori, Toru Furuya, Akio Otsuka, Koichi Yamadera, and Hideyuki Tanaka. Context_8 : Pulse ( , Kairo ) is a 2001 Japanese horror film directed by Kiyoshi Kurosawa. The film was screened in the Un Certain Regard section at the 2001 Cannes Film Festival. The movie was well-received critically and has a cult following. An American remake, also titled "Pulse", debuted in 2006 and spawned two sequels. The script was also adapted into a novel of the same name by Kurosawa himself. Context_9 : Satoshi Kon ( , Kon Satoshi , October 12, 1963 August 24, 2010) was a Japanese film director, animator, screenwriter and manga artist from Sapporo, Hokkaido and a member of the Japanese Animation Creators Association (JAniCA). He was a graduate of the Graphic Design department of the Musashino Art University. He is sometimes credited as "Yoshihiro Wanibuchi" ( , Wanibuchi Yoshihiro ) in the credits of "Paranoia Agent". He was the younger brother of guitarist and studio musician Tsuyoshi Kon. Context_10 : Journey to the Shore ( , Kishibe no Tabi ) is a 2015 Japanese romantic drama film directed by Kiyoshi Kurosawa. It is adapted from the novel "Kishibe no Tabi" by Japanese writer Kazumi Yumoto. It was screened in the Un Certain Regard section at the 2015 Cannes Film Festival where Kurosawa won the prize for Best Director. It was selected to be screened in the Contemporary World Cinema section of the 2015 Toronto International Film Festival. fact_1 : Satoshi Kon ( , Kon Satoshi , October 12, 1963 August 24, 2010) was a Japanese film director, animator, screenwriter and manga artist from Sapporo, Hokkaido and a member of the Japanese Animation Creators Association (JAniCA). fact_2 : Kiyoshi Kurosawa ( , Kurosawa Kiyoshi , born July 19, 1955) is a Japanese film director, screenwriter, film critic and a professor at Tokyo University of the Arts. Question: Besides film director, what occupation do Satoshi Kon and Kiyoshi Kurosawa share?
Output:
screenwriter