In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
A: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : Raised on Rock / For Ol' Times Sake is a studio album by American singer and musician Elvis Presley released in 1973. Along with the album "Elvis", it was released after the massive success of "Aloha From Hawaii" (although the entire "Elvis" album contained material recorded "before" the "Aloha" show). The album, which sold over one million copies worldwide, was recorded at Stax Studios in Memphis, Tennessee in July 1973 and at Presley's home in Palm Springs, California in September 1973. Two songs from these sessions would be retained for release on the "Good Times" album the following spring. The initial vocal tracks were recorded in July 1973. "Raised on Rock" backed by "For Ol' Times Sake" was the only single released from the album, reaching #41 on the Billboard chart and #42 on the Country chart in September 1973. Context_2 : Garga Hora is a very ancient treatise on the predictive part of Hindu astrology. Its author, Rsi Garga, is one of the sages of the Puranika times. He was the son of Rsi Bharadvaja. There are 8 Siddhantas of Hindu astrology, they are Brahma, Surya, Soma, Vasisthta, Pulastya, Romaka, Arya, and Garga Siddhantas the last named is named after the author of Garga Hora, and Garga Samhita, and with whom Jyotisa is associated. Garga Hora is written in the Sanskrit Sutra format and from this work Varahamihira has drawn profusely. Incidentally, both, Garga and Varahamihira, have in their respective works referred to the proficiencies of the Greeks in the field of Astronomy. Context_3 : "It Is 'He' (Jai Sri Krishna)" is a song by English musician George Harrison, released as the final track of his 1974 album "Dark Horse". Harrison was inspired to write the song while in the Hindu holy city of Vrindavan, in northern India, with his friend Ravi Shankar. The composition originated on a day that Harrison describes in his autobiography as "my most fantastic experience", during which his party and their ascetic guide toured the city's temples. The song's choruses were adapted from the Sanskrit chant they sang before visiting Seva Kunj, a park dedicated to Krishna's childhood. The same pilgrimage to India led to Harrison staging Shankar's Music Festival from India in September 1974 and undertaking a joint North American tour with Shankar at the end of that year. Context_4 : al-Barahin al-Ahmadiyyah 'ala Haqiqatu KitabAllah al-Qur'an wa'n-Nabuwwatu al-Muhammadiyyah (Arguments in Support of the Book of Allah - the Qur'an, and the Prophethood of Muhammad) is a five-part book written by Mirza Ghulam Ahmad, the founder of the Ahmadiyya Islamic Movement. The first two parts were published in 1880 CE, the third volume was published in 1882, the fourth volume in 1884 and the fifth volume in 1905. In writing the book, Ghulam Ahmad sought to rejuvenate Islam by arguing for the validity of its principles and vindicating its teachings in response to Christian and Hindu polemics against Islam as well as atheistic philosophies. In this context, a significant portion of the subject matter of the book is dedicated to the defence of Islam as a whole against the criticism of Muhammad, the Qur'an and Islam that was raised in the 18th and 19th centuries predominantly by Christian missionaries. Context_5 : Noel Thomas David Gallagher (born 29 May 1967) is an English musician, singer, songwriter and guitarist. He served as the lead guitarist, co-lead vocalist and principal songwriter of the English rock band Oasis. Raised in Burnage, Manchester, Gallagher began learning guitar at the age of thirteen. After a series of odd jobs in construction, he worked for local Manchester band Inspiral Carpets as a roadie and technician in 1988. Whilst touring with them, he learned that his brother Liam Gallagher had formed a band of his own, known as The Rain, which eventually took on the name Oasis. After Gallagher returned to England, he was invited by his brother to join Oasis as songwriter and guitarist. Context_6 : "Living in the Material World" is a song by English musician George Harrison, released as the title track to his 1973 solo album. In the song's lyrics, Harrison presents a contrast between the world of material things and his spiritual goals, and the conflicting themes are represented in the musical arrangement, via juxtaposing sections in the rock genre and an Indian music setting. Inspired by Gaudiya Vaishnava teacher A.C. Bhaktivedanta Swami Prabhupada, the song promotes the need to recognise the illusory nature of human existence and escape the constant cycle of reincarnation, and thereby attain moksha in the Hindu faith. The contrasts presented in "Living in the Material World" inspired both a photograph by Ken Marcus that appeared inside the album's gatefold cover, and designer Tom Wilkes's incorporation of Krishna-related symbolism elsewhere in the packaging. Context_7 : "The Hindu Times" is a song by English rock band Oasis. Written by lead guitarist Noel Gallagher, it was released as the first single from their fifth album, "Heathen Chemistry" (2002) on 15 April 2002. Noel got the name "The Hindu Times" from a T-shirt he saw in a charity shop. The song was the band's sixth number one single on the UK Singles Chart, staying on top for one week before being dislodged by the Sugababes' "Freak Like Me". The single also topped the charts in Canada and Italy, and peaked at number two in the Republic of Ireland and Spain. Context_8 : The Fiji Sanatan Society of Alberta, also known as Vishnu Mandir (Devanagri: ) in Edmonton, Alberta, Canada is a modern-style Hindu temple that was built by some of the very first Fijian Hindu immigrants in Edmonton in 1984. Hindus have been living in Canada for over a century, especially in Edmonton. Fijian Hindus began to settle in Edmonton in larger proportions starting in the 1960s and 1970s. They conducted prayers and meditated in individual households via groups they formed in the community. Talks of the need of a temple started in 1983 by four major Hindu Bhakti groups in Edmonton at the time, Shree Sanatan Dharam Ramayan Society, Edmonton Geeta Ramayan Congregation, Edmonton Vedic Congregation and later joined by Edmonton Prem Society, the group founded the Sanatan Board and raised funds to buy a property for the temple. It became the first Fijian Hindu cultural society in all of Canada, and till date is the largest. It started as a small place of worship in the Balwin residential area, constructed out of an old Church building. Since then it has been renovated 2 times, first adding a basement, then in 2006 expanded further making it the second largest Hindu temple in Edmonton. Context_9 : "I Am Missing You" is a song by Indian musician Ravi Shankar, sung by his sister-in-law Lakshmi Shankar and released as the lead single from his 1974 album "Shankar Family & Friends". The song is a rare Shankar composition in the Western pop genre, with English lyrics, and was written as a love song to the Hindu god Krishna. The recording was produced and arranged by George Harrison, in a style similar to Phil Spector's signature sound, and it was the first single issued on Harrison's Dark Horse record label. Other contributing musicians include Tom Scott, Nicky Hopkins, Billy Preston, Ringo Starr and Jim Keltner. A second version appears on "Shankar Family & Friends", titled "I Am Missing You (Reprise)", featuring an arrangement closer to a folk ballad. Context_10 : "Battleship Chains" is a song written by Terry Anderson and recorded by his band The Woods. It was covered and made famous by the band The Georgia Satellites in 1986. Appearing on their debut album, It reached number 86 on the "Billboard" Hot 100. The song also appeared on the album "Hindu Love Gods" by the band Hindu Love Gods, a collaboration between members of R.E.M. and Warren Zevon. fact_1 : "The Hindu Times" is a song by English rock band Oasis. fact_2 : Written by lead guitarist Noel Gallagher, it was released as the first single from their fifth album, "Heathen Chemistry" (2002) on 15 April 2002. fact_3 : Noel Thomas David Gallagher (born 29 May 1967) is an English musician, singer, songwriter and guitarist. fact_4 : Raised in Burnage, Manchester, Gallagher began learning guitar at the age of thirteen. Answer: Burnage, Manchester
A:
The Hindu Times is a song that was written by musician who was raised where?