In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
A: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : Guillaume Emmanuel "Guy-Manuel" de Homem-Christo (] ; born 8 February 1974) is a French musician, record producer, singer, songwriter, DJ and film director, best known for being one half of the French house music duo Daft Punk, along with Thomas Bangalter. He has also produced several works from his record label Crydamoure with label co-owner Eric Chedeville. He and Chedeville formed the musical duo Le Knight Club. Context_2 : The Lycee Carnot is a public secondary and higher education school located at 145 Boulevard Malesherbes in the 17th arrondissement, Paris, France. Recognized as one of the most prestigious high schools in France, it is also ranked as one of the best "classe preparatoire aux ecoles de commerce". Some of its former students have been among the most influential personalities in the country, including Jacques Chirac, the former French President, and Pascal Lamy, the former president of the World Trade Organisation since (20052013). Daft Punk musicians Thomas Bangalter and Guy-Manuel de Homem-Christo met there in 1987. The poet Louis Aragon also attended Carnot. Context_3 : If You Give Me The Love I Want / Playground / Loaded is a vinyl 2002 EP by French electronic musicians Crydajam. Crydajam, is a varying collection of artists including Guy-Manuel de Homem-Christo of Daft Punk, Eric Chedeville, Play Paul, Mederic Nebinger, Ouk, J. Vatran, James Perry, Jade & Cyril Kebellian. Two of the members (Guy-Man & Eric Chedeville) form the duo Le Knight Club and are co-owners of the Crydamoure record label, along with Play Paul, Mederic Nebinger (who co-founded Pumpking Records), Cyril Kebellian and Juan Carlos Pellegrino. Context_4 : Waves II is the second compilation album released in 2003 on the Crydamoure label. The compilation album is similar to "Waves" except the album was mixed by Archigram instead of Le Knight Club. Context_5 : The Hot Club de France is a French organization of jazz fans dedicated to the promotion of "traditional" jazz, swing, and blues. It was founded in 1931 in Paris, France, by five students of the Lycee Carnot. In 1928, Jacques Bureaux, Hugues Panassie, Charles Delaunay, Jacques Auxenfans, and Elvin Dirat came together to listen to jazz and, later, promote its acceptance in France. The point was to make the public aware of jazz and to defend and promote the new style in the face of all opposition. The club began in the fall of 1931 as the Jazz Club Universitaire, as the members were all still students; it was reborn and reimagined in 1932 as the Hot Club de France. Context_6 : Sir Jean de Carrouges IV (c. 1330s 25 September 1396) was a fourteenth-century French knight who governed estates in Normandy as a vassal of Count Pierre d'Alencon and served under Admiral Jean de Vienne in several campaigns against the English and the forces of the Ottoman Empire. He became infamous in medieval France for fighting in the last judicial duel permitted by the French king and the Parlement of Paris. The combat was decreed in 1386 to contest charges of rape Carrouges had brought against his neighbour and erstwhile friend Jacques Le Gris on behalf of his wife Marguerite. It was attended by much of the highest French nobility of the time led by King Charles VI and his family, including a number of royal dukes. It was also attended by thousands of ordinary Parisians and in the ensuing decades was chronicled by such notable medieval historians as Jean Froissart, Jean Juvenal des Ursins and Jehan de Waurin. Context_7 : Waves is the first compilation album released on the Crydamoure label in 2000. The album was mixed by Le Knight Club, a duo consisting of Guy-Manuel de Homem-Christo and Eric Chedeville. Context_8 : Mohammedan Sporting Club, not to be confused with Mohammedan Sporting Club (Dhaka), founded in 1891 at Kolkata, is one of the oldest and leading football clubs in India. The club currently plays in the I-League 2nd Division and premier division of Calcutta Football League(CFL). Mohammedan Sporting is one of the most popular football clubs in India with a support base in all parts of the country. Mohammedan was the first Indian Club to win CFL in 1934 and continued their run till 1938 season. Before Independence, numerous triumph against British teams earned the club huge support from all Indian. Mohammedan Sporting Club became the entity against British oppression and the support continued even after Independence. The club also became the first Indian club to win Durand Cup in 1940. After Independence, the club also became the first Indian club to win on foreign soil by lifting Aga Khan Gold Cup in 1960. Context_9 : Gabriel Omer Descemet (December 1, 18791961) was a Senegalese colonial administrator. He served as acting lieutenant governor of Mauritania from 19 June 1931 to 22 June 1933 and lieutenant governor from 7 April 1934 to 5 July 1934. Born into a Metis family in Saint-Louis, Senegal, Descemet attended lycee in Paris and trained in Sudan. He climbed higher in the French administration than many Metis, serving for 25 years in Haut-Senegal-Niger. As governor of Mauritania, he initiated an investigation of the claims of Louis Hunkanrin, including those of murder and slavery. Context_10 : Emi Fujita ( , Fujita Emi , born May 15, 1963) is a Japanese singer. She debuted as a singer with her husband Ryuji Fujita as the duo Le Couple. Their first album was released in 1994. Fujita made her solo debut in 2001. Her series of "Camomile" CDs are covers of popular western songs. "Rembrandt Sky" is her first original album, a collaboration with music producers Toshiyuki Mori, Seiji Kameda and Yoshiyuki Sahashi. Several of her solo albums have charted in Japan, including "Camomile Best Audio", which reached number 27 on the Oricon chart. She has also found some success in Southeast Asia. fact_1 : Daft Punk musicians Thomas Bangalter and Guy-Manuel de Homem-Christo met there in 1987. fact_2 : He and Chedeville formed the musical duo Le Knight Club. Answer: Guy-Manuel de Homem-Christo
A:
What musician who was half of the duo Le Knight Club also attended Lycee Carnot?