Detailed Instructions: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : Asian Californians are residents of the state of California who are of Asian ancestry. California has the largest Asian American population in the U.S., and second highest proportion of Asian American residents, after Hawaii. As of the 2010 U.S. Census, Asian-Americans were 13.6% of the state's population. The largest Asian American ethnic subgroups in California are Filipino Americans, Chinese Americans, Vietnamese Americans, and Indian Americans. Asian Americans are concentrated in the San Francisco Bay Area and Greater Los Angeles area. Context_2 : Margo Machida is an art historian, curator, cultural critic and artist. She is Professor of Art History and Asian and Asian American Studies at the University of Connecticut, Storrs. Her book, "Unsettled Visions: Contemporary Asian American Artists and the Social Imaginary", (Duke University Press, 2009) was awarded the Cultural Studies Book Award from the Association for Asian American Studies in 2011. In 2003 she co-edited the book, "Fresh Talk/Daring Gazes: Conversations on Asian American Art", published by the University of California Press. She was a co-founder of Godzilla, an arts advocacy organization for Asian American artists. Machida curated the exhibition, "Icons of Presence: Asian American Activist Art" presented at the Chinese Cultural Center in San Francisco, California. She received her PhD in American Studies from the State University of New York, Buffalo. Context_3 : Lenn Haruki Sakata (Japanese: born June 8, 1954) is a former professional baseball player who played in the Major Leagues primarily as a utility player from 1977 to 1987 and was a member of the Baltimore Orioles 1983 World Series Championship team. He was the second Asian American to play Major League Baseball. He is Yonsei (fourth-generation American of Japanese ancestry). Sakata graduated from Kalani High School in 1971. Sakata played college baseball for the Gonzaga Bulldogs of Gonzaga University in Spokane, Washington. Context_4 : Asian American literature is the body of literature produced in the United States by writers of Asian descent. Asian American literature became a category during the 1970s but didn't see a direct impact in viewership until later in the 1970s. Perhaps the earliest references to Asian American literature appeared with David Hsin-fu Wand's "Asian American Heritage: An Anthology of Prose and Poetry", published in 1974. One of the earlier pieces of Asian American literature produced by Combined Asian Resources Project (CARP) was "Aiiieeeee! An Anthology of Asian-American Writers" (1974). This anthology collected staples of long-forgotten Asian American literature and criticized the lack of visibility of this literature. This anthology brought to light the necessity of visibility and criticism of Asian American literature; with visibility came recognition of new literature. Elaine Kim's seminal book of criticism, "Asian American Literature: An Introduction to the Writings and Their Social Context", was published in 1982 and was the first critical book on the topic. Context_5 : Japanese Americans ( , Nikkei Amerikajin ) are Americans who are fully or partially of Japanese descent, especially those who identify with that ancestry, along with their cultural characteristics. Japanese Americans were among the three largest Asian American ethnic communities during the 20th century, but since the 2000 census, they have declined in number to constitute the sixth largest Asian American group at around 1.3 million, including those of partial ancestry. According to the 2010 census, the largest Japanese American communities were found in California with 272,528, Hawaii with 185,502, New York with 37,780, Washington with 35,008, Illinois with 17,542, and Ohio with 16,995. Southern California has the largest Japanese American population in North America, and the city of Torrance holds the densest Japanese American population in the 48 contiguous states. Context_6 : Lotus Long (July 18, 1909 September 14, 1990) was an American actress. She was born Lotus Pearl Shibata in New Jersey, to a father of Japanese ancestry and a mother of Hawaiian ancestry. She came to Southern California during the 1920s to act in Hollywood films, and usually portrayed ethnic Asian female characters in supporting roles. She used the name "Lotus Long" for stage and film. Because of her adopted surname, people generally assumed that she was of Chinese ancestry something she later relied on to avoid mass incarceration in American internment camps with other persons of Japanese ancestry, both legal permanent residents and American citizens, during World War II. Context_7 : Mark Izu is an American jazz double bass player and composer. He is of Japanese ancestry and frequently combines jazz with Asian traditional musics (particularly the ancient Japanese court music known as "gagaku") in his compositions. He has performed with Anthony Brown and Jon Jang. Izu is a seminal leader in the Asian American Jazz movement. His compositions include symphony, film, theater, dance and jazz. The principal curator of the original Asian American Jazz Festival held at the Asian Art Museum in San Francisco's Golden Gate Park for nearly two decades, he helped establish the genre. In addition to the double bass, he also plays the Japanese "sho" and Chinese "sheng" (both mouth organs). Context_8 : Aiiieeeee! An Anthology of Asian-American Writers is a 1974 anthology by Frank Chin, Jeffery Paul Chan, Lawson Fusao Inada, Shawn Wong and other members of the Combined Asian Resources Project (CARP). It helped establish Asian American Literature as a field by recovering and collecting representative selections from Chinese-, Japanese-, and Filipino-Americans from the past fifty yearsmany of whom had been mostly forgotten. This pan-Asian anthology included selections from Carlos Bulosan, Diana Chang, Louis Chu, Momoko Iko, Wallace Lin, Toshio Mori, John Okada, Oscar Penaranda, Sam Tagatac, Hisaye Yamamoto, Wakako Yamauchi, many of whom are now staples in Asian American literature course. Because of this anthology and the work of CARP, many of these authors have been republished; at that time, however, they received little attention from publishers critics because they didn't subscribe to popular stereotypes but depicted what Elaine H. Kim calls the "unstereotyped aspects of Asian American experience". The "aiiieeeee!" of the title comes from a stereotypical expression used by Asian characters in old movies, radio and television shows, comic books, etc. These same stereotypes affected the anthology itself: when the editors tried to find a publisher, they had to turn to a historically African-American press because, as Chin states:The blacks were the first to take us seriously and sustained the spirit of many Asian American writers... [I]t wasn't surprising to us that Howard University Press understood us and set out to publish our book with their first list. They liked our English we spoke [sic] and didn't accuse us of unwholesome literary devices. Context_9 : Ellison Shoji Onizuka (June 24, 1946 January 28, 1986 ) was an American astronaut from Kealakekua, Hawaii, who successfully flew into space with the Space Shuttle "Discovery" on STS-51-C. He died in the destruction of the Space Shuttle "Challenger", on which he was serving as Mission Specialist for mission STS-51-L. He was the first Asian American and the first person of Japanese ancestry to reach space. Context_10 : The Onizuka Prop Wash Award recognizes the student at the United States Air Force Test Pilot School (USAF TPS) who contributed most to class spirit and morale. The honoree from each class is selected by his or her fellow students rather than by school faculty. The award is named in memory of TPS graduate Ellison Onizuka who perished in the explosion of the Space Shuttle "Challenger" in 1986. fact_1 : The Onizuka Prop Wash Award recognizes the student at the United States Air Force Test Pilot School (USAF TPS) who contributed most to class spirit and morale. fact_2 : The award is named in memory of TPS graduate Ellison Onizuka who perished in the explosion of the Space Shuttle "Challenger" in 1986. fact_3 : Ellison Shoji Onizuka (June 24, 1946 January 28, 1986 ) was an American astronaut from Kealakekua, Hawaii, who successfully flew into space with the Space Shuttle "Discovery" on STS-51-C. fact_4 : He was the first Asian American and the first person of Japanese ancestry to reach space. Question: The Onizuka Prop Wash Award was named in memory of irst Asian American and the first person of Japanese ancestry to what?
Solution:
reach space