Question:
The Birth of a Nation (originally called The Clansman) is a 1915 American silent epic drama film directed and co-produced by D. W. Griffith and starring Lillian Gish. The screenplay is adapted from the novel and play The Clansman, both by Thomas Dixon Jr., as well as Dixon's novel The Leopard's Spots. Griffith co-wrote the screenplay with Frank E. Woods, and co-produced the film with Harry Aitken. It was released on February 8, 1915.
The Birth of a Nation, even more than other films in the public domain, has been poorly represented in later releases. The problem, in part, is that Griffith and others have reworked the film, leaving no definitive version. According to the silent film website Brenton Film, "there are a multitude of poor quality DVDs with different edits, scores, running speeds and usually in definitely unoriginal black and white". There are exceptions. Among them is film preservationist David Shepard's 1992 transfer of a 16mm print for VHS and laserdisc release via Image Entertainment. A short documentary, The Making of The Birth of a Nation, newly produced and narrated by Shepard, was also included. Both were released on DVD by Image in 1998 and the UK's Eureka Entertainment in 2000. In the UK, Photoplay Productions restored the Museum of Modern Art's 35mm print that was the source of Shepard's 16 mm print, though they also augmented it with extra material from the British Film Institute. It was also given a full orchestral recording of the original Breil score. Though broadcast on Channel 4 television and theatrically screened many times, Photoplay's 1993 version was never released on home video. Shepard's transfer and documentary were reissued in the US by Kino Video in 2002, this time in a 2-DVD set with added extras on the second disc. These included several Civil War shorts also directed by D.W. Griffith. In 2011, Kino prepared a HD transfer of a 35 mm negative from the Paul Killiam Collection. They added some material from the Library of Congress and gave it a new compilation score. This version was released on Blu-ray by Kino in the US, Eureka in the UK (as part of their "Masters of Cinema" collection) and Divisa Home Video in Spain. In 2015, the year of the film's centenary, Photoplay Productions' Patrick Stanbury, in conjunction with the British Film Institute, carried out the first full restoration. It mostly used new 4K scans of the LoC's original camera negative, along with other early generation material. It, too, was given the original Breil score and featured the film's original tinting for the first time since its 1915 release. The restoration was released on a 2-Blu-ray set by the BFI, alongside a host of extras, including many other newly restored Civil War-related films from the period.
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Was type of restorations occurred?

Answer:
In the UK, Photoplay Productions restored the Museum of Modern Art's 35mm print that was the source of Shepard's 16 mm print,

Question:
The Mongolian language (in Mongolian script: monggol qele MoNGgol kele; in Mongolian Cyrillic: mongol khel, mongol khel) is the official language of Mongolia and both the most widely-spoken and best-known member of the Mongolic language family. The number of speakers across all its dialects may be 5.2 million, including the vast majority of the residents of Mongolia and many of the Mongolian residents of the Inner Mongolia Autonomous Region. In Mongolia, the Khalkha dialect, written in Cyrillic (and at times in Latin for social networking), is predominant, while in Inner Mongolia, the language is dialectally more diverse and is written in the traditional Mongolian script. In the discussion of grammar to follow, the variety of Mongolian treated is Standard Khalkha Mongolian (i.e., the standard written language as formalized in the writing conventions and in the school grammar), but much of what is to be said is also valid for vernacular (spoken) Khalkha and for other Mongolian dialects, especially Chakhar.
The noun phrase has the order: demonstrative pronoun/numeral, adjective, noun. Attributive sentences precede the whole NP. Titles or occupations of people, low numerals indicating groups, and focus clitics are put behind the head noun. Possessive pronouns (in different forms) may either precede or follow the NP. Examples: The verbal phrase consists of the predicate in the center, preceded by its complements and by the adverbials modifying it and followed (mainly if the predicate is sentence-final) by modal particles, as in the following example with predicate bicsen: In this clause the adverbial, helehgujgeer 'without saying [so]' must precede the predicate's complement, uunijg 'it-accusative' in order to avoid syntactic ambiguity, since helehgujgeer is itself derived from a verb and hence an uunijg preceding it could be construed as its complement. If the adverbial was an adjective such as hurdan 'fast', it could optionally immediately precede the predicate. There are also cases in which the adverb must immediately precede the predicate. For Khalkha, the most complete treatment of the verbal forms is Luvsanvandan (ed.) 1987. However, the analysis of predication presented here, while valid for Khalkha, is adapted from the description of Khorchin by Matsuoka 2007. Most often, of course, the predicate consists of a verb. However, there are several types of nominal predicative constructions, with or without a copula. Auxiliaries that express direction and aktionsart (among other meanings) can with the assistance of a linking converb occupy the immediate postverbal position, e.g. uuz orhison drink-converb leave-perfect 'drank up'. The next position is filled by converb suffixes in connection with the auxiliary, baj- 'to be', e.g. ter gujz bajna s/he run-converb be-nonpast 'she is running'. Suffixes occupying this position express grammatical aspect, e.g., progressive and resultative. In the next position, participles followed by baj- may follow, e.g., ter irsen bajna s/he come-perfect be-nonpast 'he has come'. Here, an explicit perfect and habituality can be marked, which is aspectual in meaning as well. This position may be occupied by multiple suffixes in a single predication, and it can still be followed by a converbal Progressive. The last position is occupied by suffixes that express tense, evidentiality, modality, and aspect.
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Canyou tell me more about the constructions?

Answer:
with or without a copula.