In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.
Example: plot : two teen couples go to a church party , drink and then drive .
they get into an accident .
one of the guys dies , but his girlfriend continues to see him in her life , and has nightmares .
what 's the deal ?
watch the movie and " sorta " find out . . .
critique : a mind - fuck movie for the teen generation that touches on a very cool idea , but presents it in a very bad package .
which is what makes this review an even harder one to write , since i generally applaud films which attempt to break the mold , mess with your head and such ( lost highway & memento ) , but there are good and bad ways of making all types of films , and these folks just did n't snag this one correctly
.
they seem to have taken this pretty neat concept , but executed it terribly .
so what are the problems with the movie ?
well , its main problem is that it 's simply too jumbled
.
it starts off " normal " but then downshifts into this " fantasy " world in which you , as an audience member ,
have no idea what 's going on
.
there are dreams , there are characters coming back from the dead , there are others who look like the dead , there are strange apparitions , there are disappearances , there are a looooot of chase scenes , there are tons of weird things that happen , and most of it is simply not explained .
now i personally do n't mind trying to unravel a film every now and then , but when all it does is give me the same clue over and over again , i get kind of fed up after a while , which is this film 's biggest problem .
it 's obviously got this big secret to hide , but it seems to want to hide it completely until its final five minutes .
and do they make things entertaining , thrilling or even engaging , in the meantime ?
not really .
the sad part is that the arrow and i both dig on flicks like this , so we actually figured most of it out by the half - way point , so all of the strangeness after that did start to make a little bit of sense , but it still did n't the make the film all that more entertaining .
i guess the bottom line with movies like this is that you should always make sure that the audience is " into it " even before they are given the secret password to enter your world of understanding .
i mean , showing melissa sagemiller running away from visions for about 20 minutes throughout the movie is just plain lazy ! !
okay , we get it .
. .
there are people chasing her and we do n't know who they are .
do we really need to see it over and over again ?
how about giving us different scenes offering further insight into all of the strangeness going down in the movie ?
apparently , the studio took this film away from its director and chopped it up themselves , and it shows .
there might 've been a pretty decent teen mind - fuck movie in here somewhere , but i guess " the suits " decided that turning it into a music video with little edge , would make more sense .
the actors are pretty good for the most part , although wes bentley just seemed to be playing the exact same character that he did in american beauty , only in a new neighborhood .
but my biggest kudos go out to sagemiller , who holds her own throughout the entire film , and actually has you feeling her character 's unraveling .
overall , the film does n't stick
because it does n't entertain , it 's confusing , it rarely excites and
it feels pretty redundant for most of its runtime , despite a pretty cool ending and explanation to all of the craziness that came before it .
oh ,
and by the way , this is not a horror or teen slasher flick . . .
it 's just packaged to look that way because someone is apparently assuming that the genre is still hot with the kids .
it also wrapped production two years ago and has been sitting on the shelves ever since .
whatever . .
. skip it !
where 's joblo coming from ?
a nightmare of elm street 3 ( 7/10 ) - blair witch 2 ( 7/10 ) - the crow ( 9/10 ) - the crow : salvation ( 4/10 )
- lost highway ( 10/10 ) - memento ( 10/10 ) - the others ( 9/10 ) - stir of echoes ( 8/10 )
Example solution: N
Example explanation: The phrases used in the review convey a negative sentiment (e.g. "presents it in a very bad package").

Problem: the calendar year has not even reached its midway point , but that has n't prevented columbia pictures from trotting out a lavish period drama more befitting of the winter oscar - bait season .
bille august 's high - profile adaptation of victor hugo 's classic les miserables delivers everything one would expect from a classy hollywood epic -- handsome production values , strong performances by a top - notch cast , a literate screenplay -- with one critically missing element : emotional sweep .
for those not familiar with hugo 's original novel or the hit stage musical it inspired , the hook of les miserables essentially boils down to something like a 19th - century french - set version of the fugitive .
after serving 19 years in a prison work camp for stealing a loaf of bread , the brutish jean valjean ( liam neeson ) is paroled . immediately upon release , he steals valuable silverware from a kindly bishop who takes him in for a night ; he is caught by authorities , only to be forgiven by the bishop , who lets valjean keep the silver to start a new life on the straight and narrow .
that he does , and in doing so breaks his parole , which sets the obsessively determined inspector javert ( geoffrey rush ) , who was one of the guards in valjean 's prison camp , on his trail .
thematically , however , les miserables is a story about redemption , which valjean finds through his dealings with two women , the hard - luck factory - worker - turned - prostitute fantine ( uma thurman ) , and her illegitimate daughter , cosette .
years after breaking parole , valjean becomes mayor of the town of vigau , where he forms a warm friendship with fantine after saving her from an unjust arrest by javert .
valjean promises the gravely ill fantine he will rescue the young cosette ( mimi newman ) from her cruel caretakers , the thenardiers , and raise the child as his own .
the " father " and " daughter " eventually land in paris , where the teenage cosette ( claire danes ) falls for dashing student revolutionary marius ( hans matheson ) .
the decades - spanning story is the stuff that cinematic epics are made of , and the danish august turns in his most accomplished english - language work , following the underrated 1994 superstar soap the house of the spirits and last year 's stylish but highly preposterous mystery smilla 's sense of snow .
he and screenwriter rafael yglesias bring the sprawling tale into clear focus and keep the events moving at a brisk pace .
production designer anna asp , costume designer gabriella pescucci , and cinematographer jorgen persson give les miserables a sumptuous period look whose accomplishment is mostly matched by the efforts of the cast .
neeson is commanding yet endearingly vulnerable ; rush 's finely modulated menace is far more rewarding than his overrated , oscar - winning theatrics in shine ; and thurman disappears nicely into her highly unglamorous role .
the younger members of the cast fare less well .
danes is convincing as cosette , but her overdone lip quivering during her crying scenes becomes a distraction ; and matheson , while competent , is a less interesting robert sean leonard .
as technically adept and cerebrally engaging the film is , by the time les miserables was over
, my emotions had only been superficially involved .
while i was touched by valjean 's relationships with fantine and cosette , i was not moved .
not even reaching the " touching " level is the cosette - marius pairing .
my only previous experience with les miserables is with the musical ( as i am sure many others ' is ) , and i was dismayed to see eponine , a friend of marius 's who selflessly dies in the name of her unspoken love for him , almost completely jettisoned from this adaptation ( the daughter of the thenardiers , here she is only briefly seen as a child ) .
her presence would have added
some much - needed conflict and emotional heft to the youthful romance , but i suppose august and yglesias felt one tragic heroine ( fantine ) was enough .
even so , as 1998 creeps into summer blockbuster season , les miserables is a thoughtful , well - made , entertaining film , one that will sate moviegoers hungry for a dose of drama before popcorn no - brainers invade the multiplex .
Solution: P