Question: Build a movie plot around this: Who does the killer turn out to be? Willie
Answer: John Wintergreen (Robert Blake) is a motorcycle cop who patrols the rural Arizona highways with his partner Zipper (Billy "Green" Bush). Wintergreen is an experienced patrolman looking to be transferred to homicide. When he is informed by Crazy Willie (Elisha Cook, Jr.) of an apparent suicide via shotgun, Wintergreen believes the case is actually a murder. Detective Harve Poole (Mitchell Ryan) agrees it is a homicide, after a .22 bullet is found in the man's skull during the autopsy, as well hearing about a possible missing $5,000 from the man's home, and arranges for Wintergreen to be transferred to homicide to help with the case.Wintergreen gets his wish, but his joy is short-lived. He begins increasingly to identify with the hippies whom the other officers, including Detective Poole, are endlessly harassing. The final straw comes when Poole discovers that Wintergreen has been sleeping with his girlfriend Jolene (Jeannine Riley). The hostile workplace politics cause him to be quickly demoted back to traffic enforcement.Despite being demoted, Wintergreen is able to solve the murder. The killer turns out to be Willie, who confesses while Wintergreen goads him into talking about it. Wintergreen surmises Willie did it because he was jealous of the old man he killed, who frequently had young people over to his house to buy drugs. Shortly after, it is discovered that Zipper stole the $5,000, which he used to buy a fully dressed Electra Glide motorcycle. Wintergreen is forced to shoot Zipper after he becomes distressed and belligerent, and shoots an innocent bystander while brandishing a gun.As the film ends, Wintergreen is alone and back on his old beat, when he runs into a hippie that Zipper was needlessly harassing near the beginning of the film. Wintergreen lets him off with a warning but the hippie forgets his driver's license, and Wintergreen drives up behind his van to return it to him. The hippie's passenger points a shotgun out the back window and shoots Wintergreen, killing him.

[Q]: Build a movie plot around this: Where does Sam fall? Into a tank
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[A]: Bugs Bunny is drumming up business for a vaudeville show in a remote western town (notably one of the posters in the background is for "Frizby the Magician", a reference to director Friz Freleng). One of the main attractions is "Fearless Freep" and his high-dive act. As soon as Yosemite Sam hears the name "Fearless Freep", he goes into a joyful frenzy, buying as many tickets as he can. ("I'm a-splurgin'!")During the show, as Bugs is about to introduce Freep, he gets a telegram informing him that Freep is delayed by a storm and won't be able to appear until tomorrow. An angered Sam insists on seeing the high-diving act and forces Bugs at gunpoint to the top of a high-dive platform. But Bugs manages to pull out all his tricks and stops, and it is Sam who does all the diving, in a different comical setting nine separate times (in a variant of the diving act from "Stage Door Cartoon").1: Sam pushes Bugs to the edge of the platform (with Bugs baring his claws to secure himself to the board). Bugs tells Sam to cover his eyes while he puts on his bathing suit, and then proceeds to spin the board around so that Sam is at the diving edge. Bugs makes it look like he's taken the dive (accompanied with an audible "SPLASH"), while Sam turns around and starts to walk off, right off the edge and into the tank, which falls apart with the water still intact after the hoops break off the tank when he crashes in.2: Bugs springs on the board so hard that he sends Sam up, over his head and down (separating Sam from his pistols in the process). Bugs then realizes that he forgot to fill the tank with water, so he grabs a bucket of water and throws it down from the diving board past Sam. The water makes it into the tank, but Sam misses the tank altogether, smashing through the stage into the basement.3: Sam walks to the end of the board and finds Bugs standing on the board upside-down ("Great horny toads! What are ya doin' down there upside-downy?"). Bugs points out that it is actually Sam who is upside-down ("I'm not upside...

input: Please answer the following: Build a movie plot around this: Who is the mobster's wife? Anne Blake
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output: A patient of Chicago psychoanalyst Dr. Judd Stevens (Moore) is murdered after a session, stabbed while wearing a raincoat belonging to the doctor. Police detectives McGreavy (Steiger) and Angeli (Gould) investigate. McGreavy bitterly resents the doctor from a previous case in which Stevens' testimony led to a cop killer being institutionalized rather than sent to prison.The patient's personal problems are in question until Stevens' secretary is also found brutally murdered. Stevens realizes he is the murderer's target, while the detectives treat him as their prime suspect.A widower, Stevens expresses concern to his physician brother-in-law about the cops' behavior. McGreavy in particular is so aggressive in his interrogations, Angeli reports him to a superior and gets McGreavy thrown off the case.Posing as doormen, two armed gunmen break into Stevens' apartment. He holds them off until the brother-in-law and two paramedics arrive. Not trusting the cops, Stevens instead made an emergency call to the hospital for help.Choosing a name out of the Yellow Pages at random, Stevens hires an old, quirky private investigator named Morgens (Art Carney) who lives in a rundown apartment filled with clocks and cats. Morgens saves his life by finding a bomb planted in Stevens' car. After he reports this latest attempt on his life, Angeli promises to lend Stevens a more sympathetic ear than his partner had. McGreavy, however, has secretly cut a deal with their captain to keep an eye on the case from a distance.Morgens claims to know the killer's true identity, but refuses to reveal it over the phone because nobody can be trusted, not even the police. He tells Stevens to meet him after midnight at Navy Pier and mentions the name "Don Cicini." But when Stevens and Angeli arrive, they find the murdered body of Morgens, holding a cuckoo clock.After doing some research, Stevens believes that Don Cicini is an Italian code name for the head of an organized crime syndicate. Offering to hide Stevens in a safe house, Angeli...

input: Please answer the following: Build a movie plot around this: Who attracts the attention of lonely Mitch? Blanche
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output:
Elia Kazan,who directed the Broadway play on which the black and white film is based, invited Marlon Brando, the male lead, and Kim Hunter and Karl Malden, his supporting cast, to repeat their Broadway triumphs in the film remake.Brando plays Stanley, a poor boy who grew up tainted by ethnic slurs, made financially stable by the fortunes of the second world war. He does well as a blue collar travelling salesman, moves to New Orleans and marries Stella (Hunter), daughter of an Aristocratic MIssissippi family anxious to escape the war;s invitable destruction of her family's land, wealth, property and social status. Stanley has never met his sister-in-law Blanche, the female lead of the play ,Vivien Leigh in the movie remake. Blanche arranges a visit to see her sister in New Orleans and shows up on Stanley's doorstop obviously annoyed that there is neither a guest bedroom for herself nor a master bedroom for her sister and brother-in-law, in their cramped, dingy apartment in a bustling quarter of the city. The tensions of wartime emergency cohabitation of family members somehow forced to move in with each other in tight, cramped quarters because of the fortunes of war are noted when it is obvious that Blanche and Stanley immediately get on each others' nerves, especially when Blanche, who passes herself off as the only Aristocrat in her new neighborhood, is the only one in her new neighborhood who actually resorts to tough bar language and ethnic slurs in passing conversation. This becomes no ordinary domestic quarrel when their tensions escalate beyond a war of words to hurtful, spiteful deeds and then to climatic physical violence. Hollywood icons Marlon Brando and Vivien Leigh are given close, tight photography in their lengthy scenes of escalating conflict, played with such deep insight and such technical brilliance that the audience is given pause, from moment to moment. to decide whether one really has a point and the other should really be apprehended by the authorities. Stanley first wants to know why...