Question: Motion City Soundtrack was an American rock band that formed in Minneapolis, Minnesota in 1997. The band's line-up consisted of vocalist and guitarist Justin Pierre, lead guitarist Joshua Cain, keyboardist Jesse Johnson, bassist Matthew Taylor, and drummer Tony Thaxton.

Motion City Soundtrack was formed in Minneapolis, Minnesota in 1997 by singer-songwriter Justin Pierre and guitarist Joshua Cain. Previously, the duo had separately played in a number of bands. Cain was in a group named the Saddest Girl Story, and recruited Pierre to join as a singer. He was subsequently in a band called Boxcar, and following its dissolution, he and Pierre founded Motion City Soundtrack together. The band's name was created by Cain's brother, Brian. Their early days were difficult, as they found it hard to break out of their local scene. When they could get weeks off from their jobs, they would tour. According to Cain, the members of the band soon realized that there "wasn't really anywhere to play [shows] in Minneapolis", and that they would have to "tour all the time" to rise in popularity. In its early years, the group went through several lineup changes. Through these, Cain and Pierre would often have to take over keyboard duties during shows. The group's first release was a 7" single, "Promenade / Carolina", released in 1999. Their next two releases, both extended plays--Kids for America and Back to the Beat--were released the following year. Over the course of the early 2000s, the band continued to tour and shuffle through members. In late 2001, while touring in Milton, Pennsylvania with the band Submerge, they convinced two of its members--bassist Matthew Taylor and drummer Tony Thaxton--to join Motion City. Thaxton initially took about a year to convince to join the band. Jesse Johnson, a friend and co-worker of Cain's, joined the band as keyboardist just three weeks before the band recorded their first album. Johnson had never played the keyboard before but Cain taught him the parts that had already been written. After their first attempt at self-recording an album failed, the band culled together $6,000 to record with producer Ed Rose, best known for his work with the Get Up Kids. They recorded much of their debut album, I Am the Movie, in ten days. Initial copies were hand-packaged inside floppy disks, which were sold out of the back of their tour van for a year. The band began receiving offers from various record labels, including Universal, Triple Crown Records, and Drive-Thru Records, and they performed at industry showcases. Meanwhile, Brett Gurewitz, founder of Epitaph Records, learned of the band from members of the group Matchbook Romance. He attended four of their shows in Los Angeles that Pierre later regarded as among his worst, as his voice was poor from constant touring. While they were interested in Universal, they chose to sign to Epitaph as they felt the contract was less restrictive and more honest. Eli Janney from Girls Against Boys helped the band secure management and a lawyer. Motion City became part of a slew of Epitaph signings, including Matchbook Romance, Scatter the Ashes and From First to Last, amid concerns the Southern California label had strayed too far from its roots, and seemed "a little too emo."

Using a quote from the above article, answer the following question: Did they have anymore releases?
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Answer: Kids for America and Back to the Beat

Question: Keane was born into a working class family in Ballinderry Park, Mayfield, Cork. His father, Maurice, took work wherever he could find, which led to jobs at a local knitwear company and at Murphy's Irish Stout brewery, among others. His family were keen on sport, football especially, and many of his relatives had played for junior clubs in Cork, including Rockmount. Keane took up boxing at the age of nine and trained for a number of years, winning all of his four bouts in the novice league.

Keane made headlines again in the 2001 Manchester derby, when five minutes from the final whistle, he was sent off for a blatant knee-high foul on Alf-Inge Haland in what was seen by many as an act of revenge. He initially received a three-match suspension and a PS5,000 fine from The Football Association (FA), but further punishment was to follow after the release of Keane's autobiography in August 2002, in which he stated that he intended "to hurt" Haland. Keane's account of the incident was as follows: I'd waited long enough. I fucking hit him hard. The ball was there (I think). Take that you cunt. And don't ever stand over me sneering about fake injuries. An admission that the tackle was in fact a premeditated assault, it left the FA with no choice but to charge Keane with bringing the game into disrepute. He was banned for a further five matches and fined PS150,000 in the ensuing investigation. Despite widespread condemnation, he later maintained in an interview that he had no regrets about the incident: "My attitude was, fuck him. What goes around comes around. He got his just rewards. He fucked me over and my attitude is an eye for an eye", and said he would probably do the same thing again. Haland later implied that the tackle effectively finished his playing career as he never played a full game afterwards. However, Haland did complete the match and played 68 minutes of the following game. He also played a friendly for Norway in between both matches. It was, in fact, a long-standing injury to his left knee that ended his career rather than his right.

Using a quote from the above article, answer the following question: Why did he attack the player?
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Answer:
in what was seen by many as an act of revenge.