IN: Birth of the Cool is a compilation album by American jazz musician Miles Davis, released in 1957 on Capitol Records. It compiles eleven tracks recorded by Davis's nonet for the label over the course of three sessions during 1949 and 1950. Featuring unusual instrumentation and several notable musicians, the music consisted of innovative arrangements influenced by classical music techniques such as polyphony, and marked a major development in post-bebop jazz. As the title suggests, these recordings are considered seminal in the history of cool jazz.

In 1947, Miles Davis was playing in Charlie Parker's quintet, replacing Dizzy Gillespie, who had left in 1945 due to Parker's growing alcohol and drug problems. Davis recorded several albums worth of material with Parker at this time, including Parker's Sessions for the Savoy and Dial labels. Davis' first records sold under his own name were recorded with Parker's band, in 1947, and were more arranged and rehearsed than Parker's usual approach to recording. By 1948, Davis had three years of bebop playing under his belt, but he struggled to match the speed and ranges of the likes of Gillespie and Parker, choosing instead to play in the mid range of his instrument. In 1948, Davis, becoming increasingly concerned about growing tensions within the Parker quintet, left the group and began looking for a new band to work with. At the same time, arranger Gil Evans began hosting informal salons at his apartment, located on 55th Street in Manhattan, three blocks away from the jazz nightclubs of 52nd Street. Evans had gained a reputation in the jazz world for his orchestration of bebop tunes for the Claude Thornhill orchestra in the mid-1940s. Keeping an open door policy, Evans' apartment came to host many of the young jazz artists of late-1940s New York. The salon featured discussions about the future of jazz, including a proposed group with a new sound. According to jazz historian Ted Gioia: [The salon members] were developing a range of tools that would change the sound of contemporary music. In their work together, they relied on a rich palette of harmonies, many of them drawn from European impressionist composers. They explored new instrumental textures, preferring to blend the voices of the horns like a choir rather than pit them against each other as the big bands had traditionally done with their thrusting and parrying sections. They brought down the tempos of their music . . . they adopted a more lyrical approach to improvisation . . .

Why were there tensions?

OUT: Dizzy Gillespie, who had left in 1945 due to Parker's growing alcohol and drug problems.

Answer the question at the end by quoting:

Gary Barlow OBE (born 20 January 1971) is an English singer, songwriter and record producer. He is best known as the lead singer of the British pop group Take That. Barlow also served as head judge of The X Factor UK in 2011, 2012 and 2013 and Let It Shine in 2017. Barlow is one of Britain's most successful songwriters, having written fourteen number one singles and twenty-four top 10 hits.
After leaving his career as a solo artist Barlow returned to his first love of writing music. He soon signed a song writing publishing deal with Sony and went to the US on a six-month songwriting project, residing in Nashville, Los Angeles and New York with his wife, Dawn and first child, Daniel. Upon his return he set up True North Productions with Eliot Kennedy and Tim Woodcock. In his autobiography 'My Take' Barlow partly blames his fall as a solo artist on his commitments to being a star in the United States. After his disappointing second album, Barlow remained out of the public eye for half a decade, choosing to continue to write and produce songs for other artists such as Shirley Bassey and Charlotte Church In October 2007, Barlow founded San Remo Live Publishings as an independently run management company to establish and support artists and songwriters. In 2010 Barlow signed a new 5-year song writing publishing deal with Sony music. He has been voted as the greatest British songwriter of all time in a 2009 OnePoll, who surveyed 3,000 people John Lennon and Paul McCartney, of The Beatles, were placed second and third respectively. In 2011, Barlow wrote the song "Run for Your Life" for The X Factor series 7 winner Matt Cardle's debut album. Cardle told The Sun: "We had 99% of the album finished then the track came through from Gary. I'd been trying to write a song like that for a long, long time, probably five or six years. As soon as I heard it I just felt the song was mine. Lyrically it's about not being good enough for the person you're with. I was nearly in tears recording the vocals. I'm proud that I've written a lot of the album but Gary is a genius as a writer - I couldn't pass it up." He has also written for the likes of Robbie Williams, Westlife, Lily Allen, Blue, Elton John, Olly Murs Matt Cardle, T-Pain, Will Young N-Dubz, Lawson, Shirley Bassey, Donny Osmond, Delta Goodrem, Elaine Paige, Agnetha Faltskog and many more while also being commissioned by the Queen to write the official single for her Diamond Jubilee which saw Barlow collaborate with Andrew Lloyd Webber. To date Barlow has written 14 number 1 singles in the UK, and 2 Billboard Hot 100 top 10 singles in the United States including Back for Good which went to number 1 in 31 countries across the world.

Did he write any songs?

After leaving his career as a solo artist Barlow returned to his first love of writing music. He soon signed a song writing publishing deal with Sony

input: Robinson announced he would retire from basketball after the 2002-03 season. On June 15, 2003, in the finale of Robinson's career, the Spurs won another NBA title with an 88-77 victory over the New Jersey Nets in Game 6 of the 2003 NBA Finals. Turning back the clock, Robinson scored 13 points and grabbed 17 rebounds in his final game for the Spurs. He and the year's regular season and NBA Finals MVP Tim Duncan shared Sports Illustrated magazine's 2003 Sportsmen of the Year award. Robinson averaged 21.1 points per game, 10.7 rebounds per game, 3 blocks per game, and 2.5 assists per game over 987 games in his NBA career. Also, he is one of only a very small group of players to have scored over 20,000 career points in the NBA, as well as being one of only four players to have recorded a quadruple-double (with 34 points, 10 rebounds, 10 assists, and 10 blocks against the Detroit Pistons on February 17, 1994). He is also one of only six players to record 70 or more points in a single game with 71 points against the Los Angeles Clippers on April 24, 1994. Only Elgin Baylor (71 points), Wilt Chamberlain (70, 72, 73 twice, 78, 100 points), David Thompson (73 points), Devin Booker (70 points), and Kobe Bryant (81 points) have scored 70 or more points in a single game. Robinson is also noteworthy for his harmonious relationship with Tim Duncan. Sportswriter Chris Sheridan noted that it was rare for someone like Robinson to have welcomed and mentored Duncan as willingly as he did.

Answer this question "Are there any other interesting aspects about this article?"
output:
He and the year's regular season and NBA Finals MVP Tim Duncan shared Sports Illustrated magazine's 2003 Sportsmen of the Year award.