Problem: This review is like what?

Review:I'm kinda torn on DARK ANGEL. The film appears to be a "loving" tribute to the greatest pin-up to ever live - but there is so little actual "content" that the film itself is virtually pointless. I can't really see what the motivation or "point" of this film is - as there is very little biographical information provided in the narrative - so those who don't know much about Bettie aren't gonna know much more after watching DARK ANGEL either...

The film basically chronicles the last few years of Bettie's career in bondage modeling. Almost the entire film is comprised of "re-enactments" of some of Bettie's more "famous" photo-shoots and loops. These re-enactments take up literally 75% of the films run-time, and give virtually no insight into Bettie as a person. The film touches briefly on her short-lived legitimate acting pursuits, and her subsequent decision to leave the "business" and become religious - but all of this is pretty much glossed-over in favor of showing long and drawn-out re-enactment scenes...

DARK ANGEL isn't a horrible film - there's just no substance to it. The other problem is that the actress that plays Bettie only really resembles her in farther away shots - up-close it's a no-go. The other thing that irritated me, is that although Bettie did several topless modeling shoots - the only nudity in the film was a short segment shot in a zoo during the end credits. The film itself is obviously extremely low-budget, but does what it can set and costume-wise within it's limitations - so no gripes from me there. The acting is pretty wooden and unmemorable from everyone involved. In fact - the most memorable thing about the whole film for me, was noticing during the end credits that the actor who played Irving Klaw's real name is Dukey Flyswatter. No joke - check the cast list. Can't say that I recommend this one too highly unless you are a true Bettiefile completist and must own anything relating to her. And if you are that bad off - then you need to seek treatment anyway...4/10
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A: negative

Problem: This review is like what?

Review:Vivacious & irrepressible, ANNE OF GREEN GABLES brings unlooked-for happiness into the lives of a lonely old sister & brother on Prince Edward Island.

Lucy Maud Montgomery's well-loved novel comes to life in this wonderful little movie. Excellent production values, a literate script and first class performances gives the story exactly the touch of quality it deserves.

Taking her professional name from the character she portrayed, actress Anne Shirley is a joy as the red-headed fourteen-year-old orphan who completely alters the lives of her new guardians. Completely assured in her starring role, Miss Shirley is a delight, entertaining the viewer with Anne's boundless imagination, quick temper and not-so-secret sorrows.

Playing the stern spinster who gives the girl a home, Helen Westley also completely commands her role; the viewer will enjoy seeing this sharp-tongued woman slowly unbend to Anne's affection and child-like innocence. Australian character actor O. P. Heggie gives one of his finest performances as Westley's shy, gentle brother who welcomes Anne into his heart from the moment he arrives to fetch her from the railroad station.

Tom Brown most agreeably plays the schoolboy who quickly grabs Anne's attention. Sara Haden is appropriately prickly as a nosy neighbor. Charley Grapewin makes the most of his few moments as Avonlea's doctor.
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A: positive

Problem: This review is like what?

Review:Great, great, great! That is all I can say about that movie, but imdb want at least four lines of text so I'll elaborate. The cast was great (Jerry O'connel is soooo cute!), the music was great (The sixties had the best music ever, imho), the historical material was interesting, and so was the way they made the actors of the '90s seem like they were actually there in the '60s. And most of all - the stories of the main characters brought tears to my eyes, and that is the greatness of any drama. BUT IN ONE WORD: GREAT!
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A: positive

Problem: This review is like what?

Review:It's wonderful to see that Shane Meadows is already exerting international influence - LES CONVOYEURS ATTENDANT shares many themes with A ROOM FOR ROMEO BRASS: the vague class identity above working but well below middle, the unhinged father, the abandoned urban milieu, the sense of adult failure, the barely concealed fascism underpinning modern urban life.

But if Meadows is an expert formalist, Mariage trades in images, and his coolly composed, exquisitely Surreal, monochrome frames, serve to distance the grimy and rather bleak subject matter, which, Meadows-like, veers from high farce to tragedy within seconds.

There are longueurs and cliches, but Poelvoorde is compellingly mad, an ordinary man with ordinary ambitions, whose attempts to realise them are hatstand dangerous; while individual set-pieces - the popcorn/pidgeon explosions; the best marriage sequence since THE DEAD AND THE DEADLY - manage to snatch epiphany from despair.
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A:
positive