Some context: The Incredible String Band (sometimes abbreviated as ISB) were a psychedelic folk band formed by Clive Palmer, Robin Williamson and Mike Heron in Scotland in 1966. The band built a considerable following, especially in the British counterculture, notably with their albums The 5000 Spirits or the Layers of the Onion, The Hangman's Beautiful Daughter, and Wee Tam and the Big Huge. They became pioneers in psychedelic folk and, through integrating a wide variety of traditional music forms and instruments, in the development of world music. Following Palmer's early departure, Williamson and Heron performed as a duo, later augmented by other musicians.
1968 was the band's annus mirabilis with the release of their two most-celebrated albums, The Hangman's Beautiful Daughter and the double LP Wee Tam and the Big Huge (issued as two separate albums in the US). Hangman's reached the top 5 in the UK album charts soon after its release in March 1968 and was nominated for a Grammy in the US. Robert Plant of Led Zeppelin said his group found their way by playing Hangman's and following the instructions. A departure from the band's previous albums, the set relied heavily on a more layered production, with imaginative use of the then new multitrack recording techniques. The album featured a series of vividly dreamlike Williamson songs, such as "The Minotaur's Song", a surreal music-hall parody told from the point of view of the mythical beast, and its centrepiece was Heron's "A Very Cellular Song", a 13-minute reflection on life, love and amoebas, its complex structure incorporating a Bahamian spiritual ("I Bid You Goodnight"). Williamson and Heron in this album had added their girlfriends, Licorice McKechnie and Rose Simpson, to the band to contribute additional vocals and various instruments, including organ, guitar and percussion. Despite their initially rudimentary skills, Simpson swiftly became a proficient bass guitarist, and some of McKechnie's songs were recorded by the band. By early 1968 the group were capable of filling major venues in the UK. They left behind their folk club origins and embarked on a nationwide tour incorporating a critically acclaimed appearance at the London Royal Festival Hall. Later in the year they performed at the Royal Albert Hall, at open-air festivals, and at prestigious rock venues, such as the Fillmore auditoriums in San Francisco and New York. After their appearance at the Fillmore East in New York they were introduced to the practice of Scientology by David Simons (aka "Rex Rakish" and "Bruno Wolfe", once of Jim Kweskin's Jug Band). Joe Boyd, in his book White Bicycles: Making Music in the 1960s and elsewhere, described how he was inadvertently responsible for their "conversion" when he introduced the band to Simons, who, having become a Scientologist, persuaded them to enrol in his absence. The band's support for Scientology over the next few years was controversial among some fans and seemed to coincide with what many saw as the beginning of a decline in the quality of their work. In an interview with Oz magazine in 1969 the band spoke enthusiastically of their involvement with it, although the question of its effect on their later albums has provoked much discussion ever since. Their November 1968 album Wee Tam and the Big Huge, recorded before the US trip, was musically less experimental and lush than Hangman's but conceptually even more avant-garde, a full-on engagement with the themes of mythology, religion, awareness and identity. Williamson's otherworldly songs and vision dominate the album, though Heron's more grounded tracks are also among his very best, and the contrast between the two perspectives gives the record its uniquely dynamic interplay between a sensual experience of life and a quest for metaphysical meaning. The record was released as a double album and also simultaneously as two separate LPs, a strategy which lessened its impact on the charts.
Did the band tour in 1968?
A:
Some context: John David Jackson (born November 18, 1977), better known by his stage name Fabolous, is an American rapper,hip hop recording artist from Brooklyn, New York City. Jackson's career began when he was a senior in high school and ended up rapping live on American record producer and music executive DJ Clue's radio show, then on Hot 97. Jackson was subsequently signed by DJ Clue to his label Desert Storm, and later secured a distribution deal with Elektra Records. Fabolous' first release, Ghetto Fabolous (2001), spawned the hit singles "Can't Deny It" and "Young'n (Holla Back)", which led Jackson to prominence.
Fabolous' third album Real Talk was released on November 5, 2004. It debuted at number six on the Billboard 200 with 10,000 copies and had two charting singles, the lowest in his career. The two charting singles are his street anthem "Breathe" and "Baby," which features Mike Shorey, and shows his more sensitive side that he has shown on many songs in the past. His second single was not promoted until weeks after the album's release. "Tit 4 Tat" was his third single. Pharrell of The Neptunes produced it and did the hook. Fab feels that the single didn't hit it as big as it should have due to poor advertising. Making the music video for his fourth single, "Do the Damn Thing" cost Jackson $30,000. The song featured Young Jeezy, who became known to the public through the video. The same year, Fabolous was nominated for a Grammy Award for his collaboration on the "Dip It Low" remix by Christina Milian. Fabolous stated in 2004 that he wanted to release his own clothing line. The line called "Rich Yung Society" was launched in 2006. In early 2006, Fabolous was let out of his contract with Atlantic and officially signed a recording contract with Def Jam Recordings, after a de facto trade that sent Def Jam artist Musiq, to Atlantic. His fourth studio album, From Nothin' to Somethin, was released in June 2007. Fabolous took the number one spot on Billboard's Top R&B/Hip-Hop Albums and Top Rap Albums charts for the first time in his career and it debuted at number two on the Billboard 200, selling 159,000 copies in its first week. The album was certified Gold in July 2007. It is his first album on Def Jam Recordings. He was featured on the cover of video game Def Jam: Icon. The first single and video, "Diamonds", features Young Jeezy who also appeared on the Real Talk track "Do the Damn Thing". Lil Wayne and Remy Ma are featured on the remix. His second single was "Return of the Hustle" which featured Swizz Beatz, also came out before the album release, to some acclaim, but little airplay. His third single though, "Make Me Better," which features fellow Def Jam artist Ne-Yo, and is produced by Timbaland, was his biggest hit to date, spending 14 weeks at number one on the Hot Rap Track Billboard Chart. The fourth single was "Baby Don't Go." Jermaine Dupri produced it and T-Pain sings the hook. However, in music video version of the song, Jermaine Dupri sings the hook. This song also found success, reaching number four on the Hot Rap Track Chart.
What other album did they release
A:
His fourth studio album, From Nothin' to Somethin,