input: All good movies "inspire" some direct to video copycat flick. I was afraid that "Gladiator" wasn't really that good a film, because I hadn't seen any movie that had anything remotely resembling anything Roman on the new releases shelf for months. Then I spotted Full Moon's latest offering, Demonicus. I'm a fan of Full Moon's Puppetmaster series, and Blood Dolls, but had never seen one of their non-killer puppet films. Anyway...

Demonicus chronicles what happens to a group of campers in the mountains of the Alps. One of the campers, James, finds a cave with old gladiator artifacts, and feels impelled to remove a helmet from a corpse and try it on. He becomes possessed, and, as the demonic gladiator Tyrannus, is impelled to kill his friends to revive the corpse, who is the real Tyrannus.

Granted, like many Full Moon films, this has little or no budget. At times, the editing and direction was so amateurish I'd swear I was watching the Blair Witch Project. The attempts at chopping off of limbs and heads reminds me of a Monty Python skit. The weapons, although apparently real, look really plastic-y. It literally looks like this was filmed by a group of friends with a digital camcorder on a weekend. Granted, there's nothing wrong with such film-making, just don't rent this expecting a technical masterpiece. It looks like there were attempts at research for the script too, because, even though Tyrannus really doesn't act much like a gladiator until the end, at least he speaks Latin.

All trashing aside, I actually enjoyed this film. Not as much as a killer puppet film, perhaps, but Full Moon still delivers! The only thing that disappointed me was there was no Full Moon Videozone at the end!

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input: Shame Shame Shame on UA/DW for what you do!

I was appalled.

Do NOT take kids to see this movie. The humor is totally inappropriate for children - plus they'll be bored and disappointed. Certainly *we all* have read Theo's wonderful children book and certainly we have expectations...but this is pure trash. Dr. Seuss would be ashamed and certainly would've never given his "thumbs up" at such a dastardly attempt to capitalize on a classic.

What a pity.

Spend your money on the book. If you own a copy, then buy the book and donate it to a Toys for Tots program. This movie is NOT worth a "free" ticket viewing.

Stick with the book. The tv cartoon version works well if you want a visual portrayal - save your money...seriously. SAVE your money - it will be on cable by saint patty's day.

Shame shame shame on what they do!!

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input: A remarkable documentary about the landmark achievements of the Women Lawyers Association (WLA) of Kumba, in southwest Cameroon, in legally safeguarding the rights of women and children from acts of domestic violence. In this Muslim culture, where men have always been sovereign over women, according to Sharia law, one can well imagine the difficulty of imposing secular legal rights for women and children. After 17 years of failed efforts, leaders of the WLA began recently to score a few wins, and the purpose of this film is to share these victorious stories.

The leaders of this legal reform movement are Vera Ngassa, a state prosecutor, and Beatrice Ntuba, a senior judge (Court President). Both play themselves in this film, which may contain footage shot spontaneously, though I imagine much of it, if not all, consists of subsequent recreations of real events for the camera. Four cases are reviewed, and all of the plaintiffs also play themselves in the film.

Two cases involve repeated wife beating, with forcible sex in one case; another involves forced sex upon a 10 year old girl; and yet another concerns the repeated beatings of a child, age 8, by an aunt. One of the beaten wives also is seeking a divorce. We follow the cases from the investigation of complaints to the outcomes of the trials. The outcomes in each case are favorable to the women and children. The perpetrators receive stiff prison terms and/or fines; the divorce is granted.

The aggressive prosecution of the child beating aunt demonstrates that these female criminal justice officials are indeed gender-neutral when it comes to enforcing the law. Also noteworthy is the respect with which all parties, including those found guilty, are treated. This is a highly important and well made film. (Of interest is the fact that one of the directors, Ms. Longinotto, also co-directed the 1998 film, Divorce, Iranian Style, which dealt with related themes in Tehran.) (In broken English with English subtitles). My Grade: B+ 8/10

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positive