input: The band's third album Audio Secrecy, was recorded at the Blackbird Studios in Nashville, Tennessee with producer Nick Raskulinecz, who was the producer for the band's second album Come What(ever) May. and released on September 7, 2010 . Taylor stated that "Audio Secrecy is the summation of everything we want, everything we crave and everything we fight for...The dimensions go further than anything we've ever tried before. It's metal, rock, slow, soft, hard, fast, bitter, beautiful and most importantly, it's real. You can't get an album like this out of a band that doesn't exist. We're throwing caution out the damn window." Stone Sour played the first annual Rockstar Energy Drink Uproar Festival with Avenged Sevenfold and Hollywood Undead among others. Stone Sour set the release date of Audio Secrecy as September 7. Stone Sour were part of the Soundwave Festival in late February/early March in Australia 2011. Stone Sour headlined The Avalanche Tour, supported by Theory of a Deadman, Skillet, Halestorm and Art of Dying. It was also announced that a Stone Sour live DVD will be released, filmed at the Brighton Centre in the United Kingdom. The band toured with Avenged Sevenfold, New Medicine and Hollywood Undead on the "Nightmare After Christmas Tour" 2011. On April 16, 2011, it was announced that bassist Shawn Economaki had left the tour for personal reasons. Jason Christopher, who had played with Corey Taylor previously during his solo performances and with the Junk Beer Kidnap Band, filled in for the tour. In May 2011, Stone Sour canceled the remaining dates from their headline tour as drummer, Roy Mayorga suffered a minor stroke. He made a full recovery. The band played their last show of 2011 at the second day of the Rock in Rio IV festival, which took place in Rio de Janeiro, Brazil, between September 23 - October 2. Drummer Roy Mayorga was not present at the show as he was expecting his first child back home, and filling-in for him was ex-Dream Theater and The Winery Dogs drummer Mike Portnoy. Bassist Shawn Economaki was also absent from the performance.

Answer this question "Did they tour internationally?"
output:

input: Lewis Hoad was born on 23 November 1934, in the working-class Sydney inner suburb of Glebe, the eldest of three sons of tramway electrician Alan Hoad and his wife Ailsa Lyle. Hoad started playing tennis at age five with a racket gifted by a local social club. As a young child he would wake up at 5 a.m. and hit tennis balls against a wall and garage door until the neighbours complained and he was allowed to practice on the courts of the Hereford Tennis Club behind the house. At age 10 he competed in the seaside tournament at Manly in the under 16 category. In his youth he often played with Ken Rosewall and they became known as the Sydney 'twins', although they had very different physiques, personalities and playing styles. Their first match was in their early teens and was played as an opener of an exhibition match between Australia and America. Rosewall won 6-0, 6-0. Hoad built up great physical strength, especially in his hands and arms, by training at a police boys' club, where he made a name as a boxer. Hoad was about 12 when he was introduced to Adrian Quist, a former Australian tennis champion and then general manager of the Dunlop sports goods company. Quist played a couple of sets with Hoad and was impressed by his natural ability. When Hoad was 14 he left school and joined the Dunlop payroll, following the pattern of that 'shamateur' era when most of Australia's brightest tennis prospects were employed by sporting goods companies. Hoad had just turned 15 when he and Rosewall were selected to play for New South Wales in an interstate contest against Victoria. In November 1949 Hoad won the junior title at the New South Wales Championships and that same weekend he also competed in the final of the junior table tennis championship in Sydney.

Answer this question "What did he do as a child?"
output: Hoad started playing tennis at age five with a racket gifted by a local social club.

input: In 1991, Astbury and Duffy were writing again for their next album. During the demo recordings, Todd Hoffman and James Kottak played bass and drums respectively. During the actual album recording sessions, Curry was recruited again to play drums, with Charley Drayton on bass, and various other performers. Astbury and Duffy's working relationship had disintegrated by that time, with the two men reportedly rarely even being in the studio together during recording. The resulting album Ceremony was released to mixed responses. The album climbed to US No. 34, but sales were not as impressive as the previous three records, only selling around one million copies worldwide. Only two official singles were released from the record: "Wild Hearted Son" (UK No. 34, Canada No. 41) and "Heart of Soul" (UK No. 50), although "White" was released as a single only in Canada, "Sweet Salvation" was released as a single (as "Dulce Salvacion") in Argentina in 1992, and the title track "Ceremony" was released in Spain. The Cult's Ceremonial Stomp tour went through Europe in 1991 and North America in 1992. In 1991 the Cult played a show at the Marquee Club in London, which was recorded and released in February 1993, packaged with some vinyl UK copies of their first greatest hits release. Only a handful of CD copies of it were ever manufactured originally, however it was subsequently reissued on CD in 1999. An incomplete bootleg video of this show is also in circulation. The band were sued by the parents of the Native American boy pictured on the cover of Ceremony, for alleged exploitation and for the unauthorized use of the child's image. This image of the boy is also burned in the video for "Wild Hearted Son". This lawsuit delayed the release of Ceremony in many countries including South Korea and Thailand, which did not see the record's release until late 1992, and it was unreleased in Turkey until the Cult played several shows in Istanbul in June 1993. A world tour followed with backing from future Thin Lizzy drummer Michael Lee and bassist Kinley Wolfe, and keyboardist John Sinclair returning one last time, and the Gathering of the Tribes moved to the UK. Here artists such as Pearl Jam performed. The warm-up gig to the show, in a small nightclub, was dedicated to the memory of Nigel Preston, who had died a few weeks earlier at the age of 31. Following the release of the single "The Witch" (#9 in Australia) and the performance of a song for the 1992 Buffy the Vampire Slayer movie soundtrack entitled "Zap City", produced by Steve Brown and originally a B-side to "Lil' Devil", two volumes of remixes of "She Sells Sanctuary", called Sanctuary Mixes MCMXCIII, volumes one and two, and in support of Pure Cult: for Rockers, Ravers, Lovers, and Sinners, a greatest hits compilation which debuted at No. 1 on the British charts and later went to number one in Portugal, Astbury and Duffy fired the "backing band" and recruited Craig Adams (the Mission) and Scott Garrett for performances across Europe in 1993, with some shows featuring Mike Dimkich on rhythm guitar. This tour marked the first time the band performed in Turkey, Greece, and the Slovak Republic.

Answer this question "was it well received?"
output:
The album climbed to US No. 34, but sales were not as impressive as the previous three records, only selling around one million copies worldwide.