input question: Select the correct sentiment of the following review: Picture the scene: a mountainous alien landscape. Twin moons illuminate the blood red sky. The Tardis lands, and out steps the Doctor, a middle-aged man in a Victorian frock coat, and Rose, his companion from Earth. A flicker of recognition crosses his face. "Well, I never! Its the planet Saurious-7. Where I fought the warlike Kraggartians. They tried to use giant Skinkons to take over the planet.". The girl sniffs the air. "Can't we go, Doctor. I don't like the look of this place. I keep thinking we're being watched.". The Doctor wags a disapproving finger. "Don't be silly, girl. I wonder if the King and Queen of Cordaraby City remember me from my last visit. Come along, Rose, come along!". He strides off, the girl struggles to keep up. High on a hill, sinister red eyes regard them with hatred...

That was not how 'Rose' began back in 2005, and thank heavens for that say I. Unfairly derided at the time of its original U.K. broadcast, 'Rose' can now safely be regarded as a landmark episode, putting 'Dr.Who' back where it belonged, as one of the B.B.C.'s flagship programmes. The mistakes made by the McGann T.V. movie were well learnt. Instead of trying to shoehorn the new 'Who' into existing chronology, it represented a fresh start for the series, beginning with shop girl Rose Tyler ( Billie Piper ) going about her daily routine. One day she goes to the basement to find a man named Wilson, and then the trouble begins. Mannequins come to life and attack her. It is only through the intervention of a mysterious stranger ( Christopher Eccleston ) that she is saved.

The story, slight though it may be, is more than adequate as a starting-point for the series. The Autons are, of course, an old villain ( this was their first appearance since 1971 ), but no references are made to their past appearances - another wise move. The finale effectively recreated the famous scene in 'Spearhead From Space' when shop window dummies sprang to life. As the Doctor, Christopher Eccleston lacked the eccentricity of his predecessors, preferring a modern leather jacket to the Doctor's traditional period clothes, but this made him more accessible to the show's hoped-for new audience. Billie Piper confounded her critics by making a big impression as 'Rose'. Also good was Noel Clarke as her boyfriend 'Mickey'.

Yes, there was an added emphasis on special effects, but then there needed to be - the wobbly sets and unconvincing monsters of the past have no place on 21st century television. What is more important is how good a script this is. Ten million people tuned in to see the new Doctor.

'Dr.Who' was back - and back with a bang!
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output answer: positive

input question: Select the correct sentiment of the following review: Like many people here, I started out finding my patience being tried by this film. By the end, I actually shed a few tears.

It seems to be in the nature of most old films to drag for 7/8th length and then catch fire right at the end. Older film-goers learned to bide their time patiently through the slow parts, calm in the knowledge that the big payoff is on the way. But that isn't quite accurate. You see, to earlier audiences, what are to us the "slow parts" were the main body of the story. They watched and found anecdotal and thematic interest there. Modern audiences, post-Spielberg, are in a constant state of waiting to be hit with a small climax every two minutes when they see older films. It's the inflation problem of modern movies. Well, that isn't going to happen. It is not necessary to apologize for these films; it is simply that you have to adjust your expectations and personal rhythm when you watch them. At this point, the difference between Avatar and The Informer is like the difference between Euripides and a traveling production of Rent. Think about it for a minute or two. Not to strain at the obvious, but Euripides still deserves a hearing.

The "exciting part", for most modern viewers, begins with the IRA tribunal scene and escalates to the final couple of minutes, which, if you are at all on board or even paying attention by that time, will tear your heart out. It's not some high-tone universal abstract plea for forgiveness; it's a plea from one dimwit, and those who feel sorry for the big lummox, for a little mercy. It's that personal, and that embarrassingly naked an appeal. For after being mad at Gypo, irritated at him, thinking this is the dumbest character of all time, you finally find yourself won over by the scene of Gypo's erstwhile girlfriend pleading to another woman to talk her man into going easy him.

The film may be sentimental, but the sentimentality is not cheap as some here have charged. There's a matter of life and death that plays out here, and as long as you take the proposition of one life to a customer seriously, it's sentimentality wrung out of the most serious stuff.

8 of 10. And the fault for it not being 10 of 10 is my own and in some measure yours, if you are reading this. We have all asked for more, ever more, faster, ever faster until we cannot put ourselves in 1935 -- just yesterday, really -- as easily as we should be able.
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output answer: positive

input question: Select the correct sentiment of the following review: The humor implicit in the complete title proverb derives from the Sunday School dictum that one would be better advised to prepare before you're dead for the Devil's scrutiny, i.e. so the Devil doesn't care when you're dead. There's no percentage in trying to Beat the Devil. The characters apparently didn't pay attention at Sunday School, and find themselves forced into crisis management, having eschewed crisis avoidance. But even a seasoned CEO would have difficulty managing these crises. Throwing dice is far more unpredictable than flipping a coin; when people are involved, the list of possible outcomes becomes even longer than the long list of unforgettable Sidney Lumet films. Until now, Hawke may not have been an unforgettable actor but here perhaps had an eye toward earning billing among other Lumet All Stars like Steiger and Pacino.
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output answer:
positive