Question: Johan August Strindberg (; Swedish: [2strInd,baerj] ( listen); 22 January 1849 - 14 May 1912) was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg's career spanned four decades, during which time he wrote over sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis, and politics.

Influenced by the history of the Paris Commune, during 1871, young Strindberg embraced the view, that politics is a conflict between the upper and lower classes. He was admired by many as a far-left writer. He was a socialist (or perhaps more of an anarchist, meaning a libertarian socialist, which he himself claimed on at least one occasion). Strindberg's political opinions nevertheless changed considerably within this category over the years, and he was never primarily a political writer. Nor did he often campaign for any one issue, preferring instead to scorn his enemies manifesto-style - the military, the church, the monarchy, the politicians, the stingy publishers, the incompetent reviewers, the narrow-minded, the idiots - and he was not loyal to any party or ideology. Many of his works, however, had at least some politics and sometimes an abundance of it. They often displayed that life and the prevailing system were profoundly unjust and injurious to ordinary citizens. The changing nature of his political positions shows in his changing stance on the women's rights issue. Early on, Strindberg was sympathetic to women of 19th-century Sweden, calling for women's suffrage as early as 1884. However, during other periods he had strongly misogynistic opinions, calling for lawmakers to reconsider the emancipation of these "half-apes ... mad ... criminal, instinctively evil animals." This is controversial in contemporary assessments of Strindberg, as have his antisemitic descriptions of Jews (and, in particular, Jewish enemies of his in Swedish cultural life) in some works (e.g., Det nya riket), particularly during the early 1880s. Strindberg's antisemitic pronouncements, just like his opinions of women, have been debated, and also seem to have varied considerably. Many of these attitudes, passions and behaviours may have been developed for literary reasons and ended as soon as he had exploited them in books. In satirizing Swedish society - in particular the upper classes, the cultural and political establishment, and his many personal and professional foes - he could be very confrontational, with scarcely concealed caricatures of political opponents. This could take the form of brutal character disparagement or mockery, and while the presentation was generally skilful, it was not necessarily subtle. His daughter Karin Strindberg married a Russian Bolshevik of partially Swedish ancestry, Vladimir Smirnov ("Paulsson"). Because of his political views, Strindberg was promoted strongly in socialist countries in Central and Eastern Europe, as well as in the Soviet Union and Cuba.

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?
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Answer: His daughter Karin Strindberg married a Russian Bolshevik of partially Swedish ancestry, Vladimir Smirnov ("Paulsson").

Question: Donnie Iris (born Dominic Ierace on February 28, 1943) is an American rock musician known for his work with the Jaggerz and Wild Cherry during the 1970s, and for his solo career beginning in the 1980s with his band, the Cruisers. He wrote the #2 Billboard hit, "The Rapper", with the Jaggerz in 1970 and was a member of Wild Cherry after the group had a #1 hit with "Play That Funky Music." He also achieved fame as a solo artist in the early 1980s with the #29 hit "Ah! Leah!"

Dominic Ierace was born in New Castle, Pennsylvania, but grew up in Ellwood City, Pennsylvania. The son of father Sam and mother Carrie Ierace, young Dominic began to learn how to sing at an early age from his mother, who had sung in Curly Venezie's orchestra. He practiced earlier on by singing along with his mother's favorite singers, Frank Sinatra and Tony Bennett. Per his mother's encouragement, Ierace began singing at weddings at age five, and by eight was performing on local television and entering talent contests. Over time, Ierace began to develop his own interests in music with the advent of rock music, drawing inspiration from Elvis Presley and Buddy Holly and later from the Beatles, the Rolling Stones and even R&B and soul artists Marvin Gaye and Ray Charles in addition to other Motown acts. The popularity of rock and roll inspired Ierace to become a self-taught guitarist. When his voice changed around age 12, he gave up singing and took up the drums. About the time he was a senior in high school (circa 1961), Ierace's voice changed again, and he got back into singing. He formed a vocal doo-wop group called the Fabutons with Johnny Roth, Anthony Matteo, Lou Delessandro and Chuckie Hasson and performed gigs around Beaver and Lawrence counties in Pennsylvania. However, the group only performed a few times before they disbanded and Ierace went to college. While attending Slippery Rock State College, Ierace formed a band called the Tri-Vels with guitarist Jim Evans and drummer Dave Amodie, two fellow students at Slippery Rock. With the addition of bassist Dave Reiser, they renamed themselves Donnie and the Donnells. This band in both incarnations played R&B and pop rock covers at fraternity parties and lasted from about 1961 to 1964.

Using a quote from the above article, answer the following question: Did he learn how to play any instruments?
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Answer: The popularity of rock and roll inspired Ierace to become a self-taught guitarist.

Question: Nancy Grace was born in Macon, Georgia, the youngest of three children, to factory worker Elizabeth Grace and Mac Grace, a freight agent for Southern Railway. Her older siblings are brother Mac Jr. and sister Ginny. The Graces are longtime members of Macon's Liberty United Methodist Church, where Elizabeth plays the organ and Mac Sr. was once a Sunday School teacher. Grace graduated from Macon's Windsor Academy in 1977.

Sketch comedy show Saturday Night Live has parodied Grace, both in and out of the context of her show, a number of times since her rise to prominence. Originally Grace was portrayed by SNL cast member Amy Poehler. Her impression featured in a parody of the Nancy Grace show during Saturday Night Live's 32nd season (In episode 7.). The sketch parodied Grace's reactions to Michael Richards infamous appearance at the laugh factory, the O.J. Simpson trial and her own parking fines. During the sketch, host Matthew Fox portrays a parking attendant whom Grace's staff have brought off the street, where he was giving Grace a parking ticket. Poehler also voiced Grace, on May 21, 2005, as part of the show's Saturday TV Funhouse segment in a Divertor sketch. During this appearance, Grace says little more than "[Name of celebrity in question] should fry." Grace would later be impersonated by Saturday Night Live cast member Abby Elliott in the sketch 'So You've Committed A Crime... And You Think You Can Dance?', in which Grace features as a judge of the dance contest. In the sketch, Grace calls the show 'Disgusting'. Most recently, Grace was portrayed by featured player Noel Wells in Season 39, Episode 11. The sketch parodies Grace's reaction to the legalisation of Marijuana in Colorado and features host/musical guest Drake doing an impression of comedian Katt Williams. Much of Grace's dialogue from the sketch was lifted directly from an interview she conducted on January 6, 2013, with Brooke Baldwin on CNN's News Room, in particular the phrase 'I've got a sneaking suspicion that you are pro-pot. And I don't like it.'

Using a quote from the above article, answer the following question: Is there any other reason?
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Answer:
parodied Grace's reactions to Michael Richards infamous appearance at the laugh factory,