input: In early 1925, Cooper began his film career in silent pictures such as The Thundering Herd and Wild Horse Mesa with Jack Holt, Riders of the Purple Sage and The Lucky Horseshoe with Tom Mix, and The Trail Rider with Buck Jones. He worked for several Poverty Row studios, including Famous Players-Lasky and Fox Film Corporation. While his skilled horsemanship led to steady work in Westerns, Cooper found the stunt work--which sometimes injured horses and riders--"tough and cruel". Hoping to move beyond the risky stunt work and obtain acting roles, Cooper paid for a screen test and hired casting director Nan Collins to work as his agent. Knowing that other actors were using the name "Frank Cooper", Collins suggested he change his first name to "Gary" after her hometown of Gary, Indiana. Cooper immediately liked the name. Cooper also found work in a variety of non-Western films, appearing, for example, as a masked Cossack in The Eagle (1925), as a Roman guard in Ben-Hur (1925), and as a flood survivor in The Johnstown Flood (1926). Gradually, he began to land credited roles that offered him more screen time, in films such as Tricks (1925), in which he played the film's antagonist, and the short film Lightnin' Wins (1926). As a featured player, he began to attract the attention of major film studios. On June 1, 1926, Cooper signed a contract with Samuel Goldwyn Productions for fifty dollars a week. Cooper's first important film role was in The Winning of Barbara Worth (1926) with Ronald Colman and Vilma Banky, in which he plays a young engineer who helps a rival suitor save the woman he loves and her town from an impending dam disaster. Cooper's experience living among the Montana cowboys gave his performance an "instinctive authenticity", according to biographer Jeffrey Meyers. The film was a major success. Critics singled out Cooper as a "dynamic new personality" and future star. Goldwyn rushed to offer Cooper a long-term contract, but he held out for a better deal--finally signing a five-year contract with Jesse L. Lasky at Paramount Pictures for $175 a week. In 1927, with help from Clara Bow, Cooper landed high-profile roles in Children of Divorce and Wings, the latter being the first film to win an Academy Award for Best Picture. That year, Cooper also appeared in his first starring roles in Arizona Bound and Nevada--both films directed by John Waters. In 1928, Paramount paired Cooper with a youthful Fay Wray in The Legion of the Condemned and The First Kiss--advertising them as the studio's "glorious young lovers". Their on-screen chemistry failed to generate much excitement with audiences. With each new film, Cooper's acting skills improved and his popularity continued to grow, especially among female movie-goers. During this time, he was earning as much as $2,750 per film and receiving a thousand fan letters a week. Looking to exploit Cooper's growing audience appeal, the studio placed him opposite popular leading ladies such as Evelyn Brent in Beau Sabreur, Florence Vidor in Doomsday, and Esther Ralston in Half a Bride. That year, Cooper also made Lilac Time with Colleen Moore for First National Pictures, his first movie with synchronized music and sound effects. It became one of the most commercially successful films of 1928.

Answer this question "did he win any other awards?"
output:

Question: Miranda was born in New York City and raised in the neighborhood of Inwood, the son of Luz Towns, a clinical psychologist, and Luis A. Miranda, Jr., a Democratic Party consultant who advised New York City mayor Ed Koch. Miranda has one older sister, Luz, who is the Chief Financial Officer of the MirRam Group. During childhood and his teens, he spent at least one month each year with his grandparents in Vega Alta, Puerto Rico. He is of mostly Puerto Rican descent.

In 2002, Miranda and John Buffalo Mailer worked with director Thomas Kail to revise In the Heights. Book writer Quiara Alegria Hudes joined the team in 2004. After success off-Broadway, the musical went to Broadway, opening in March 2008. It was nominated for 13 Tony Awards, winning four, including Best Musical and Best Original Score. It also won the 2009 Grammy Award for Best Musical Theater Album. Miranda's performance in the leading role of Usnavi earned him a nomination for the Tony Award for Best Actor in a Musical. Miranda left the cast of the Broadway production on February 15, 2009. Miranda reprised the role when the national tour of In the Heights played in Los Angeles from June 23 to July 25, 2010. He again joined the tour in San Juan, Puerto Rico. Miranda rejoined the Broadway cast as Usnavi from December 25, 2010 until the production closed on January 9, 2011, after 29 previews and 1,185 regular performances. Miranda created other work for the stage during this period. He wrote Spanish language dialogue and worked with Stephen Sondheim to translate into Spanish song lyrics for the 2009 Broadway revival of West Side Story. In 2008, he was invited by composer-lyricist Stephen Schwartz to contribute two new songs to a revised version of Schwartz and Nina Faso's 1978 musical Working, which opened in May 2008 at the Asolo Repertory Theatre in Sarasota, Florida. Miranda also did work for film and television. In 2007, he made a guest appearance on the television series The Sopranos in the episode "Remember When", and in 2009, he played Alvie, Gregory House's roommate in a psychiatric hospital, in the two-hour season six premiere episode of House; he returned to the role in May 2010. He also has done work for Sesame Street, playing occasional roles and singing the theme song to the recurring segment Murray Has a Little Lamb. He was a composer and actor on the 2009 revival of The Electric Company and appeared in the CollegeHumor sketch "Hardly Working: Rap Battle", playing himself working as an intern and rapper. During these years, Miranda also worked as an English teacher at his former high school, wrote for the Manhattan Times as a columnist and restaurant reviewer, and composed music for commercials.

Using a quote from the above article, answer the following question: Who else worked on this musical?
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Answer:
Book writer Quiara Alegria Hudes joined the team in 2004.