IN: William Taylor (July 24, 1921 - December 28, 2010) was an American jazz pianist, composer, broadcaster and educator. He was the Robert L. Jones Distinguished Professor of Music at East Carolina University in Greenville, and from 1994 was the artistic director for jazz at the John F. Kennedy Center for the Performing Arts in Washington, D.C. A jazz activist, Taylor sat on the Honorary Founders Board of The Jazz Foundation of America, an organisation he started in 1989, with Ann Ruckert, Herb Storfer and Phoebe Jacobs, to save the homes and the lives of America's elderly jazz and blues musicians, later including musicians who survived Hurricane Katrina. Taylor was also a jazz educator, who lectured in colleges, served on panels and travelled worldwide as a jazz ambassador.

In 1952 Taylor composed one of his most famous tunes, "I Wish I Knew How It Would Feel to Be Free", which achieved more popularity with the civil rights movement of the 1950s and 1960s. Nina Simone covered the song in her 1967 album Silk & Soul. The tune is widely known in the UK as a piano instrumental version, used for BBC Television's long-running Film... programme. He made dozens of recordings in the 1950s and 1960s, notably the album with Cuban percussionist Candido Camero, entitled Billy Taylor Trio with Candido, My Fair Lady Loves Jazz, Cross Section and Taylor Made Jazz. Taylor's broadcast career also thrived. In 1961, he founded New York's Jazzmobile, which provides an arts education program via workshops, master classes, lecture demonstrations, arts enrichment programs, outdoor summer mobile concerts, special indoor concerts and special projects. In 1958, he became the Musical Director of NBC's The Subject Is Jazz, the first ever television series focusing on jazz. The 13-part series was produced by the new National Educational Television Network (NET) and hosted guests including Ellington, Aaron Copland, Bill Evans, Cannonball Adderley, Jimmy Rushing and Langston Hughes. Taylor also worked as a DJ and program director on radio station WLIB in New York in the 1960s. During the 1960s, the Billy Taylor Trio was a regular feature of the Hickory House on West 55th Street in Manhattan. From 1969 to 1972, he served as the music director for The David Frost Show and was the first African American to lead a talk-show band. Louis Armstrong, Count Basie, Benny Goodman and Buddy Rich were just a few of the musicians who played on the show. In 1981, Jazzmobile produced a jazz special for National Public Radio, for which the program received the Peabody Award for Excellence in Broadcasting Programs. Jazzmobile's 1990 Tribute Concert to Dr. Taylor at Avery Fisher Hall, part of the JVC Jazz Festival, featured Nancy Wilson, Ahmad Jamal Trio and Terence Blanchard Quintet.
QUESTION: What album were they on?
IN: Robert Matthew Van Winkle was born in Dallas, Texas, on October 31, 1967. Van Winkle has never known his biological father; he was given the family name of the Dutch man his mother was married to at the time of his birth. When Van Winkle was four, his mother divorced. Afterward, he grew up moving between Dallas and Miami, where his new stepfather worked at a car dealership.

As of the late 2000s, Ice's live performances feature a mix of newer, rock and techno-influenced material and old-school hip hop. Ice performs with a live drummer and DJ, and sometimes sprays his audience with bottled water. Ice's performances often feature an inflatable grim reaper balloon, a dancer in a clown mask, and confetti thrown into the audience. Describing his performances, Ice stated "It's high energy, stage diving, pyrotechnics, girls showing their breasts. It's crazy party atmosphere." Ice stated that his musical style was influenced by underground music, rather than mainstream music, and that his influences included hip hop and funk artists such as Funkadelic, Rick James, Roger Troutman, Egyptian Lover and Parliament. Ice is a big fan of 50's and 60's reggae and Bob Marley's work and has also stated that he enjoys Rage Against the Machine, Slipknot, and System of a Down. Ice sometimes plays bass, drums and keyboards on studio recordings. Vanilla Ice referred to his mainstream music as "above-ground" rather than underground, as he tried to make danceable beats and removed expletives so that the songs could reach a wider audience. A lot of his early hits had Ice boasting sexual conquests, in 1991, Ice was quoted "I rap about what I know. Girls and stuff. That's what is going through my head." When asked about his darker sound in 2002, Ice replied; "Music is about reflection and I'm just reflecting my life and everything it's been and there's no way I'm going to be able to stress what I want and mean over a break beat, you know, it's too emotional and it's too intense, so you have to have the intensity of the band, it's like a symphony, you know, you have to build on the intense parts, and so it just wasn't going to happen, to come extreme over some hip hop record, so to exorcise my demons I had to have the band."
QUESTION:
What influenced Vanilla Ice?