[Q]: Whose relationship with their team becomes strained? Answer the above question based on the context below: John, an ambitious young police officer, is sent undercover to join a violent football firm associated with the fictitious club Shadwell Town to track down the 'generals' - the shadowy figures who orchestrate the violence. His team of four gradually ingratiate themselves into the lives of The Dogs, the nickname that Shadwell's fans give themselves. The main site for this is The Rock, a public house around which The Dogs' lives revolve. Gradually, the hard drinking and hard fighting macho culture - where Saturday's match and Saturday's fight are all that matters - prove strangely irresistible to John and he slowly finds himself becoming one of the thugs he has been sent to entrap. His relationships with his wife, his superiors and even his team become strained. Eventually his wife returns to her parents' house and rebuffs his attempted reconciliation. The police operation is abruptly wound up for budgeting reasons, just as it seems John is making progress in identifying those who pull the strings. The closing sequence shows a shaven-headed John taking part in a racist march, having become nothing more than a neo-nazi fascist. One of his team approaches him to try to help him, but is rebuffed. John says that he is, again, working undercover. There is a degree of ambiguity, and it might be that he is working undercover, though it may also be that he has become deluded and has merely mired himself in an even less pleasant world. His fascist chanting at the very end makes it clear that whatever the truth, John is unable to prevent himself from sinking into his character.
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[A]: John

[Q]: What is the name of the person that did not love Lord Godfrey? Answer the above question based on the context below: The story opens with Linet chasing something she believes to be an elf fairy. Meanwhile, a Wolf tracks her. Linet climbs a tree over a river and nearly falls. She calls for help. but recovers and makes it back to land. As she senses the Wolf watching her, she is discovered by a woodsman, Peter, who scolds her for being foolish. As they walk back, Peter asks Linet why she can't stay home and be a good little girl. Linet answers how good little girls hardly ever see the world (Lost in the Woods). When they arrive at the house, Lady Jean raises an eyebrow at Linet's disheveled condition. Linet apologizes, but tells her mother how she came close to actually seeing an elf; and if she doesn't look, then she'll never know for sure. As Lady Jean sends her inside to change, Peter comments to her how Linet is growing up and shows no fear. They then talk about how when her husband, Lord Percival, was in the castle, there was no danger. But since Percival's disappearance, his evil twin brother, Lord Godfrey, has taken over, and no one in the castle is safe, which is why Jean and Linet live in the country. As Jean stands, she suddenly sees Godfrey approaching, and Peter leaves. Godfrey notes to Jean that today was the day her husband went off to war, and it has been seven years since, meaning that she is legally free to remarry. He sternly implores that it is the right thing for Jean to marry him, but Jean flatly refuses and explains she still loves Percival. Godfrey wonders, as Percival's exact twin, how Jean could not love him when it is clear she doesn't. He offers her riches and beauty, by proposing to enable her to resume her role as lady of the castle, but she refuses. Godfrey loudly proclaims that, as far as he is concerned, she is the only candidate for lady of the castle, meaning that she WILL be his wife.
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[A]: Lady Jean

[Q]: What is the full name of the organization that suffered the further difficulty that many of its former players had left for better-paid jobs in Hollywood studios? Answer the above question based on the context below: Monteux first conducted the San Francisco Symphony Orchestra (SFSO) in 1931, and in 1935 at the age of 60 he was offered the chief conductorship. He was doubtful about accepting, both on personal and on professional grounds. He did not want to leave the OSP, his wife did not want to live on the west coast of America, and the orchestra was so low in funds that it had been forced to cancel an entire season in 1934. Like most orchestras the SFSO had been badly hit financially by the depression, and it suffered the further difficulty that many of its former players had left for better-paid jobs in Hollywood studios. That problem was exacerbated by the insistence of the Musicians' Union that only local players could be recruited. Monteux nevertheless accepted the appointment. The SFSO concert season was never longer than five months a year, which enabled him to continue working with the OSP, and allowed him to conduct the inaugural concert of the NBC Symphony Orchestra on 13 November 1937. In The New York Times Olin Downes wrote that the new orchestra was "of very high rank" and that the broadcast concert had displayed Monteux "at the height of his powers."The Times said of Monteux's time in San Francisco that it had "incalculable effect on American musical culture", and gave him "the opportunity to expand his already substantial repertory, and by gradual, natural processes to deepen his understanding of his art." Monteux consistently programmed new or recent music. He generally avoided, as he did throughout his career, atonal or serial works, but his choice of modern works nevertheless drew occasional complaints from conservative-minded members of the San Francisco audience. Among guest conductors with the SFSO during Monteux's years were John Barbirolli, Beecham, Otto Klemperer, Stokowski and Stravinsky. Soloists included the pianists George Gershwin, Rachmaninoff, Arthur Rubinstein and Schnabel, the violinists Jascha Heifetz, Yehudi Menuhin and the young Isaac Stern, and singers such as Kirsten Flagstad and...
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[A]:
San Francisco Symphony Orchestra