In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution is here: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this: Context_1 : Blank: A Vinylmation Love Story is a stop-motion web series by Vinylmation and Disney Interactive. The series was first announced at the 2013 D23 Expo. The series is created by Gino Roy, Paul Foyder, Greg Shewchuk, Mike Ambs, and Whitfield Scheidegger with original music composed by Alfred Montejano'. The film premiered on February 14, 2014 on Google Play. It played as a double-feature with Lady and the Tramp at the El Capitan Theater in LA on Valentine's Day. Context_2 : Rose Leclercq (2 February 1843 2 April 1899) was an English actress, possibly best known for creating the role of Lady Bracknell in Oscar Wilde's "The Importance of Being Earnest" in 1895. Context_3 : Todd Kelman (born January 5, 1975) is a Canadian retired ice hockey defenceman who is currently the General Manager of the Cardiff Devils of the Elite Ice Hockey League, having been an original member of the first Giants squad that played in the old Ice Hockey Superleague in the 200001 season. He won the Superleague title twice, once with the Giants in 200102 (a mere one season after the team was founded) and previously with the Bracknell Bees two seasons earlier in 199900. He also won the Superleague Playoff Championship and the Elite League with the Giants in 200203 and 200506 respectively. During his tenure at the Giants, 'The Killer' became a huge favourite amongst the fans for his offensive style of play that created goals for the Giants as well as his strong defensive style and solid penalty killing. In seven seasons he played 366 games, more than any other player in Giants history. He is also the leading points scoring defenceman in Giants history with 67 goals and 122 assists for 189 points. At the end of the 200607 season, Kelman retired as a player and began his new role as General Manager. He did however play 14 more games for the Giants during the 200708 season to cover for the injured Roman Gavalier. Context_4 : Ariadne was the pseudonym of a "Young Lady" who wrote the play She Ventures and He Wins, which was first performed at The New Theatre in its 1694-95 season. Little is known of her, however she was likely a novice writer who was "keenly aware of theatrical conventions and the politics of the theater". In the preface to her play, Ariadne says that she is not "altogether unacquainted with the Stage". Then, in her prologue, she attacks the owners of a rival theatre, saying that they "out of spite / Trump'd up a Play upon us in a Night", suggesting that she was at least some way involved with the theatre world of 17th century London. Context_5 : The Importance of Being Earnest, A Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious person to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. Contemporary reviews all praised the play's humour, though some were cautious about its explicit lack of social messages, while others foresaw the modern consensus that it was the culmination of Wilde's artistic career so far. Its high farce and witty dialogue have helped make "The Importance of Being Earnest" Wilde's most enduringly popular play. Context_6 : Little Eyolf ("Lille Eyolf" in the original Norwegian title) is an 1894 play by Norwegian playwright Henrik Ibsen. The play was first performed on January 12, 1895 in the Deutsches Theater in Berlin. Context_7 : Hymie Jacobson, also known as Hy Jacobson (18951952), was an American Jewish actor and composer in Yiddish vaudeville, films and theater. Born 1895 in Chicago to actors Joseph and Bessie Jacobson. His sister, Henrietta, married Yiddish theatre actor Julius Adler; his brother, Irving, was also a performer. He and Irving also owned some of the key venues for Yiddish theater in New York City. He played child roles from the age of 4 in Cincinnati. His first adult role was at the Arch Street Theater in Philadelphia (1917) as the comic in "Panie Romani". In 1918 he played in the Peoples Theater and the following year was buff-comic (the company buffoon) at the Second Avenue Theater in the Yiddish Theater District. In 1921 he played at Boris Thomashevsky's National Theater, in 1927 at the Public Theater, then in Boston and Chicago. Context_8 : Trilby is a stage play based on the 1895 novel "Trilby" by George du Maurier. The novel was adapted into a long-running play starring Sir Herbert Beerbohm Tree as Svengali and Dorothea Baird in the title role at the Haymarket Theatre in London in October 1895. The role of Svengali was originally created by American actor Wilton Lackaye in an earlier version of the play performed at the Boston Museum in March 1895. Context_9 : Lady Frederick is a comedy by the British writer W. Somerset Maugham, written early in his career. The play was first seen in London in 1907, and was very successful, running for 422 performances. The title role was played by Ethel Irving. In New York it was first performed in 1908, with Lady Frederick played by Ethel Barrymore, who reprised her role in the play's film adaptation, "The Divorcee". Context_10 : The Shoemakers' Holiday, or the Gentle Craft is an Elizabethan play written by Thomas Dekker. It is considered one of Dekker's greatest works, and is certainly his most well-known. It was first performed in 1599 by the Admiral's Men. It falls into the subgenre of city comedy. It contains the poem, The Merry Month of May.The play was first published in 1600 by the printer Valentine Simmes. The first edition prefaces the play with an "Epistle to the Professors of the Gentle Craft," and the Prologue spoken before Queen Elizabeth when the play was acted at Court. (The Admiral's Men performed at Court on 1 January 1600; this was probably the date of the performance of "The Shoemaker's Holiday").Philip Henslowe's Diary records a payment of 3 to "Thomas Dickers" for the play; since this is at most half of Henslowe's usual fee for a play, one or more other payments, not recorded in the Diary, are likely. This play followed in the tradition that Dekker had created for himself of depicting everyday life in London. Due to this skill, in The Shoemaker's Holiday and other plays, Dekker was later called the "Dickens of English theater", due to his commitment to portraying the lives of Londoners. Dekker based his play on a prose tract titled "The Gentle Craft", by Thomas Deloney, printed in 1598. fact_1 : Rose Leclercq (2 February 1843 2 April 1899) was an English actress, possibly best known for creating the role of Lady Bracknell in Oscar Wilde's "The Importance of Being Earnest" in 1895. fact_2 : The Importance of Being Earnest, A Trivial Comedy for Serious People is a play by Oscar Wilde. fact_3 : First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious person to escape burdensome social obligations. Question: Rose Leclercq created the role of Lady Bracknell in a play that was first performed on February 14, 1895, at what London theater?
Solution:
St Jamess Theatre