In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.
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Question: This had high intellectual pretensions.The main lead intends to give a "deep" "meaningful" rendering(with voice over for his frames of mind naturally) and he was certainly influenced by the fifties/sixties "method " -which,when the script and the direction were worthwhile did give stunning results (see Clift,Newman,Winters).But here the story is abysmal.Besides it moves too slow,you could edit at least 20 minutes -including pointless flashbacks-and the plot line would not be changed .At times ,it's very doubtful that Bruce Dern believes in his "Uncle "character and his portraying often verges on parody.An interesting side is only skimmed over:the relationship young boy/hero -if we admit that the hero is himself some kind of child- When he says to the young kid that he would let nobody do harm to him,some welcome tenderness emerges.But it's botched and only the final scene returns to it.Word to the wise:Take Foley's "at close range" instead:it has two great actors (Christopher Walken and Sean Penn together!),it's also an offbeat movie ,but it's gripping,suspenseful.Here my hitchcockometer points sullenly towards zero throughout.

Answer: negative

Question: In the immortal "Shaun of the Dead", we are introduced to a London where the slackers and the high-and-mighty alike are forced to battle flesh-eating, reanimated corpse versions of their friends and family. At the end of the film, it is suggested that the zombies are rendered harmless and used as cheap labour. "Fido" presents us with an epilogue to "Shaun" set in 1950's America, in a hilariously witty and original "what-if...?" movie.The film is set post-zombie-apocalypse, for a change; after the terrors of the Zombie Wars, ended by the creation of the ZomCon company and their patented zombie collars which make the corpses as docile as lambs. Every town in the world is fenced off from the Wild Zone, the once-fertile landscape torn asunder by the surviving zombies and left-overs from the apocalyptic wars. The idyllic town of Willard is your typical, pristine 50's suburbia, with one small difference; social status is measured by a family's amount of domesticated zombies. Unfortunately, the Robinson family has no zombies whatsoever, due to their patriarch, Bill's, fear of the reanimated dead. Timmy Robinson and his mother Helen both suffer from the pressures of suburban life, until the day that Helen purchases a zombie servant in a desperate attempt to impress the neighbours.The zombie earns Timmy's love when he rescues him from a pair of violent bullies, and the two form a bond to rival the classic "boy-and-his-dog" cliche... a boy and his zombie. Timmy names his "pet" Fido, and he soon becomes an aid for both Timmy and Helen to escape the prison-like routine Bill has put them in. But when Fido's domestication collar goes on the fritz and he devours the elderly Mrs Henderson, the Robinsons have to contain their connection the sudden wild zombie epidemic and still manage to keep their beloved Fido.A film whose sharp wit and satirical gore carry it just as much as its all-star cast (including "The Matrix"'s Carrie-Anne Moss as Helen Robinson and Billy Connelly as Fido), "Fido" is a zom-com for the ages. With some rather twisted subplots - for example, the sweet and unsettling feelings that Helen and Fido begin to have for each other - and a poignant commentary on 50's suburbia and the zombie genre, the film manages to bring out the worst (and the best) in its characters while still enabling you to care for them."Fido" is, by far, one of the best dark comedies I've ever seen, one of the best films that I've seen in a long time, and THE best zom-com since the incredible "Shaun of the Dead".

Answer: positive

Question: This movie is like the material S.E. Hinton was writing in the 1970s and Copola was adapting to the screen in the early 80s, and, had Trueblood actually been a product of either, the results might've been much better (especially in the acting department). Instead, we get a rather so-bad-its-funny piece of mediocrity.Jeff Fahey plays Ray Trueblood, a former street rumbler, I suppose is the accurate description. This was in the days of action movies that used guys in their 40s and mid30s and dressed them up in greaser threads or some kind of more effeminate selection of gang garb and they fought to lousy 80s music. Nonetheless, Ray is the lone caretaker of his younger brother, Donny (Chad Lowe in a part where he screams a lot), who he is forced to leave behind inexplicably in a train station when, on the run from the cops, he is nabbed and forced to serve time in the Marines. Flash forward to present day and Ray is back in town and looking for his brother who has also become part of the street gangs, although in a gang that was Ray's adversary and now old scores must be violently settled (and again, cops must be dodged and this time, a lady's honor defended in the action film sense) before Ray can carry on life at normal pace with his brother, Donny.For the most part, the film is quite ridiculous. For me, most of this has to do with far too much overacting, although not by Fahey or Sherlyn Fenn who plays the waitress he befriends. The guys in the gang and Lowe himself seem to do quite a bit of needless exaggerated as New York street toughs. Although, the bigger hang up is recycled plot lines and perhaps a kind of movie that was well past its prime as a product of 1989.

Answer:
negative