Question: Read the following paragraph and extract the answer for the question: What is the name of the album for which "Dogs" took up almost the entire first side? In 1975, Pink Floyd bought a three-storey group of church halls at 35 Britannia Row in Islington and began converting the building into a recording studio and storage space. In 1976, they recorded their tenth album, Animals, in their newly finished 24-track studio. The concept of Animals originated with Waters, loosely based on George Orwell's political fable, Animal Farm. The album's lyrics described different classes of society as dogs, pigs, and sheep. Hipgnosis received credit for the packaging of Animals; however, Waters designed the final concept, choosing an image of the ageing Battersea Power Station, over which they superimposed an image of a pig.The division of royalties was a source of conflict between band members, who earned royalties on a per-song basis. Although Gilmour was largely responsible for "Dogs", which took up almost the entire first side of the album, he received less than Waters, who contributed the much shorter two-part "Pigs on the Wing". Wright commented: "It was partly my fault because I didn't push my material ... but Dave did have something to offer, and only managed to get a couple of things on there." Mason recalled: "Roger was in full flow with the ideas, but he was really keeping Dave down, and frustrating him deliberately." Gilmour, distracted by the birth of his first child, contributed little else toward the album. Similarly, neither Mason nor Wright contributed much toward Animals; Wright had marital problems, and his relationship with Waters was also suffering. Animals is the first Pink Floyd album that does not include a writing credit for Wright, who commented: "Animals ... wasn't a fun record to make ... this was when Roger really started to believe that he was the sole writer for the band ... that it was only because of him that [we] were still going ... when he started to develop his ego trips, the person he would have his conflicts with would be me."Released in January 1977, the album peaked on the UK chart at number two, and the US chart at number three. NME...
Answer: Animals

Question: Read the following paragraph and extract the answer for the question: What is the first name of the person who commits suicide? A gunfighter and gambler, John Oakhurst ends up caring for a baby girl whose mother dies in childbirth. He decides to call her "Luck" and looks to new schoolmarm Helen Colby and the Rev. Sam Woods to set a good example for the girl. Luck grows up and Poker Flat grows into a boom town. One day while John and the reverend are quarreling about the bad element John and his partner The Duchess permit in their gambling house, Luck ends up playing cards with Sonoma, a vicious outlaw. A furious John explodes at Helen, feeling she was supposed to be keeping an eye on Luck at the time. Helen decides to leave town, but Luck convinces her that John loves her. Determined to change into a better man, John refuses to be goaded into a showdown by Sonoma, at least until The Duchess taunts him, whereupon he shoots dead Sonoma and another man. A vigilante group orders John and The Duchess out of town and Helen goes along. Their horses are stolen and, in the mountains in winter, The Duchess freezes to death. Helen nearly dies, but just as Luck rides up to rescue her, they find that John, feeling guilt for what he's done, has taken his own life.
Answer: John

Question: Read the following paragraph and extract the answer for the question: What kind of consequences did Goya's handwritten title to the proofs for The Disasters of War reference? The Disasters of War (Spanish: Los desastres de la guerra) is a series of 82 prints created between 1810 and 1820 by the Spanish painter and printmaker Francisco Goya (17461828). Although Goya did not make known his intention when creating the plates, art historians view them as a visual protest against the violence of the 1808 Dos de Mayo Uprising, the subsequent Peninsular War of 180814 and the setbacks to the liberal cause following the restoration of the Bourbon monarchy in 1814. During the conflicts between Napoleon's French Empire and Spain, Goya retained his position as first court painter to the Spanish crown and continued to produce portraits of the Spanish and French rulers. Although deeply affected by the war, he kept private his thoughts on the art he produced in response to the conflict and its aftermath. He was in poor health and almost deaf when, at 62, he began work on the prints. They were not published until 1863, 35 years after his death. It is likely that only then was it considered politically safe to distribute a sequence of artworks criticising both the French and restored Bourbons. In total over a thousand sets have been printed, though later ones are of lower quality, and most print room collections have at least some of the set. The name by which the series is known today is not Goya's own. His handwritten title on an album of proofs given to a friend reads: Fatal consequences of Spain's bloody war with Bonaparte, and other emphatic caprices (Spanish: Fatales consequencias de la sangrienta guerra en Espana con Buonaparte, Y otros caprichos enfaticos). Aside from the titles or captions given to each print, these are Goya's only known words on the series. With these works, he breaks from a number of painterly traditions. He rejects the bombastic heroics of most previous Spanish war art to show the effect of conflict on individuals. In addition he abandons colour in favour of a more direct truth he found in shadow and shade.
Answer:
Fatal