Q: What's an example of a movie review?
An example of a movie review is here: Black guy becomes rich white guy, and rich white guy seems to embrace hip-hop culture, and most of the "funny" moments of this film play off of this. The problem I have is that it doesn't work and almost never works.

OK, so no one would expect Lance to grab a body like that and suddenly start acting like Charles Wellington. That would be too much to ask. I'll grant that. But at the same time, it goes too far the other direction. I'm supposed to imagine a rich white guy singing rap and completely upending things, playing like he's a bastion of hip-hop culture, and people just *accept* him? And what about Sontee, who falls in love with him *as a rich white guy*, even though she doesn't care about his money or power? This is so completely unbelievable it's not even funny.

I just couldn't suspend disbelief and I couldn't finish the movie. I added one extra star because it did make me laugh, even hard, a couple of times. But I just couldn't get get past the whole "white guy doing hip hop" thing that has never been well done in any movie I've ever seen that tries it. This was no exception.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: Another Channel 4 great canned long before it's time. Compelling acting from Phil Davis and the rest of the cast. Sexy, intelligent and funny. I remember watching it at the time and even then, asking around, no-one had really heard of it. But trying to find someone now who can recall it is even harder. Perhaps Channel 4 don't do their job well enough in drumming up the enthusiasm needed. Either that or the general public is too interested in the TV vomit that is Big Brother. I suspect the latter. Downloading of Garth Merengie's Dark Place prompted Channel 4 to release a DVD of that series. Let's hope the same can happen with North Square.
Problem: OPTIONS:
- negative
- positive negative
=++++=
Answer: The highlight of this movie for me was without doubt Tom Hanks. As Mike Sullivan, he was definitely cast against type and showed that he can handle an untraditional (for him) role. Hanks is usually the good guy in a movie - the one you like, admire and root for. Sullivan was definitely not a good guy. It's true that in the context of this movie he came across as somewhat noble - his purpose being to avenge the murders of his wife and youngest son. Even so, he was already a gangster and murderer before those killings. So Hanks took a role I wouldn't have expected him in, and he pulled it off well.

Hanks' good performance aside, though, I certainly couldn't call this an enjoyable movie. After an opening that I would best describe as enigmatic (it wasn't entirely clear to me for a while where this was going) it turns into a very sombre movie, about the complicated relationships Sullivan has developed as a gangster - largely raised by Rooney (Paul Newman), who's a sort of mob boss, and trying to raise his own two sons and to keep them "clean" so to speak; isolated from his business. After the older son witnesses a murder, the gang tries to kill him to keep him quiet, gets the wrong son (and the mother), and leaves Sullivan and his older son (Mike, Jr.) on the run. It becomes a weird sort of father/son bonding movie.

Although it ends on a somewhat hopeful note (at least in the overall context of the story) it's really very dark throughout, that mood being reinforced with many of the scenes being shot in darkness and torrential rainfall. I have to confess that while I appreciated Hanks' performance, the movie as a whole just didn't pull me in. 4/10
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: Went to see this finnish film and I've got to say that it is one of the better films I've seen this year. The intrigue is made up of 5-6 different stories, all taking place the very same day in a small finnish town. The stories come together very nicely in the end, reminding, perhaps, a bit of the way Tarantino's movies are made. Most of the actors performed very well, which most certainly is needed in realistic dramas of this type. I especially enjoyed the acting by Sanna Hietala, the lead actress, and Juha Kukkonen. I noticed btw that IMDB has got the wrong information about Sanna. Her name, as you might have noticed in my review ;), is NOT Heikkila, but Hietala.
Q: What's an example of a movie review?
An example of a movie review is here: The Woman in Black (1989) is a TV adaptation of Susan Hill's modern classic ghost story, published only a few years earlier than the film was made. Sadly, this film has not been released on DVD, and as far as I am aware it has been deleted on VHS. It's availability is in direct contrast to it's popularity amongst those in the know about horror films. The story revolves around events in a seaside community in the early 20th century where a young solicitor is sent by his firm to conclude the affairs of a recently deceased widow, who died on her isolated marshland estate. What he thought would be a routine and probably tedious task turns into a nightmare as he discovers that the old woman was haunted to her death, and that the ghosts of her past are not content to rest. The story is told in a subtle but concise way, never being self-indulgent, flashy or over-expositional. The obviously tight budget may have contributed to the no-nonsense approach, but it's just what the story needs, and why it works so well. It's what you don't see that scares. Having said that, there is one particularly terrifying scene that relies on the visual, and it works to perfection. I watched this film during the day, and it still gave me nightmares nearly a week later. If you love being terrified, do what you must to get hold of and watch a copy of The Woman In Black.
Q: What's an example of a movie review?
An example of a movie review is here:
I had started to lose my faith in films of recent being inundated with the typical Genre Hollywood film. Story lines fail, and camera work is merely copied from the last film of similiar taste. But, then I saw Zentropa (Europa) and my faith was renewed. Not only is the metaphorical storyline enthralling but the use of color and black and white is visually stimulating. The narrator (Max Von Sydow) takes you through a spellbounding journey every step of the way and engrosses you into Europa 1945. We have all seen death put on screen in a hundred thousand ways but the beauty of this film is how it takes you through every slow-moving moment that leads you to death. Unlike many films it doesn't cut after one second of showing (for example) a knife but forces you to watch the devastating yet sensuous beauty of a man's final moments. I think we can all take something different away from what this movie is trying to say but it is definitely worth taking the time to find out what it all really means. I would love to talk more in depth about the film for any one who wishes to send me an email. Enjoy it!