Answer the question at the end by quoting:

Rakim is the nephew of the late American R&B singer and actress Ruth Brown. He grew up in Wyandanch, New York, and became involved in the New York hip hop scene when he was eighteen years old. Eric B. brought him to Marley Marl's house to record "Eric B. Is President" in 1986. Rakim, then known as Kid Wizard in 1985, made his first recordings live at Wyandanch High School.
Rakim retreated to his Connecticut estate to work leisurely on music. Not having released an album since 1999, he eschewed touring in favor of infrequent gigs. Rakim was able to retain the tracks he had made with Dr. Dre and, in 2006, announced that he would release a new studio album, The Seventh Seal. The album was delayed into 2009; instead, he followed up with a live album, The Archive: Live, Lost & Found, in 2008. In an interview with Billboard in 2007, when asked about story behind The Seventh Seal's title, Rakim said, The number 7 has a lot of significance. The seventh letter of the [Supreme] alphabet is G--that stands for God. There are seven continents, seven seas. The Seventh Seal deals with that and also some revelations in the Bible. Some call it the end of the world, but for me it's the end of the old and the beginning of the new. By me naming my album that, I'm using it metaphorically in hip hop. I'm hoping to kill the old state of hip hop and start with the new. In another interview with Billboard in 2009, he stated, The seals are from the Bible--Revelations and the coming of the Apocalypse. But Islam, Judaism, Christianity--all have a version of the same events. The Lion of Judah breaks the seven seals one by one, each imparting knowledge and inflicting catastrophe, ending with seven trumpets announcing the end of Times. After the Apocalypse, God rises from the ashes to recreate the Kingdom, taking only the greatest elements from the past with them. When you look at Hip-Hop, I want to do that: to spit fire and take our best from the ashes to build our kingdom; to recognize all the regional styles, conscious lyrics, the tracks, underground, mainstream, the way we treat each other. Lose the garbage and rebuild our scene. I've always tried to insert consciousness and spirituality in my records, interpreting the writings of all cultures and religions and how they apply to life in modern times. The Seventh Seal was released on November 17, 2009, after several delays on Rakim's own Ra Records, TVM, and SMC Recordings and distributed through Fontana and Universal Music Group. Considered a comeback album after a ten-year gap between releases, the album features the two singles: "Holy Are You", which was released on July 14, 2009, and "Walk These Streets" which was released on October 7, 2009. It features production from several renowned hip hop artists, including Nottz, J. Wells, Needlz, Jake One, and Nick Wiz The album sold 12,000 copies in the United States by November 22, 2009, according to SoundScan. Upon its release, The Seventh Seal received generally mixed or average reviews from most music critics; it holds an aggregate score of 59/100 at Metacritic.

What was the seventh seal

Rakim was able to retain the tracks he had made with Dr. Dre and, in 2006, announced that he would release a new studio album, The Seventh Seal.

Answer the question at the end by quoting:

Giacomo Costa (14 December 1919 - 22 January 2000) was an Italian Australian professional wrestler best known by his ring name, Al Costello. Costello was the first professional wrestler to be nicknamed "The Man of a Thousand Holds" because of his innovative and very technical style. Costello was the creator and original member of the tag team The Fabulous Kangaroos, whose "Ultra Australian" gimmick complete with boomerangs, bush hats and the song "Waltzing Matilda" as their entrance music, existed in various forms from 1957 until 1983. Costello was either an active wrestler, or a manager in all versions of The Fabulous Kangaroos.
For years, Al Costello had been working on an idea for a new tag team; he even knew who he wanted for a partner: a wrestler he had worked with some years ago named Roy Heffernan. Because Costello and Heffernan had lost touch over the years, the idea remained dormant until Costello toured Hawaii in 1956. Costello mentioned his idea of an "Ultra Australian" tag team to fellow wrestler, and future promoter, Joe Blanchard. Blanchard happened to be a good friend of Roy Heffernan and knew he was working in Stampede Wrestling at the time. Blanchard put the two in touch with each other, and Costello was soon off to Calgary, Alberta, Canada to join Heffernan and finally make his tag team a reality. Costello and Heffernan debuted as "The Fabulous Kangaroos" on 3 May 1957 for Stu Hart's Stampede Wrestling promotion in a match against Maurice LaPointe and Tony Baillargeon. Only weeks after that first match, The Kangaroos were working with the top tag teams in the promotion. After working in Stampede for a while, The Fabulous Kangaroos started to travel across the United States, headlining shows wherever they went due to their ability to rile up crowds with their heel (bad guy) tactics. On one occasion in August 1958, The Kangaroos, or "Kangaroo Men" as they were billed, nearly caused a riot in Madison Square Garden during a match against Antonino Rocca and Miguel Perez; the fans began to throw fruit and stones at them. After the match ended without a decisive winner, the promoters stepped in, turned up the arena lights, and played the National Anthem to stop a potential riot. This was a common tactic used at the time by the New York promoters in order to prevent riots and help the heels leave the arena unharmed. Later that year, Costello and Heffernan started working for Dory Funk's NWA Western States promotion based in Amarillo, Texas. Here, The Kangaroos won their first title as a team when they defeated Pepper Gomez and El Medico to win the Texas version of the NWA World Tag Team Championship on 17 November 1958. Their first title reign was short lived, however, as Gomez and Rito Romero defeated them to regain the titles two weeks later. Between 1957 and 1965, The Kangaroos wrestled in the United States, Canada, Asia and select tours of Australia and New Zealand. They worked for such companies as Capitol Wrestling Corporation (the future World Wrestling Entertainment), Championship Wrestling from Florida, NWA Ohio, the Japan Wrestling Association and the World Wrestling Association in Los Angeles, California. The Kangaroos never forgot their roots and continued to work in Canada off and on through the years; in addition to Stampede Wrestling, the team also worked for NWA All-Star Wrestling based in Vancouver, British Columbia. Costello featured in a National Film Board of Canada short subject La Lotta/Wrestling/Le Catch. Their stint in NWA All-Star Wrestling was the last time Costello and Heffernan teamed together. In June 1965, The Kangaroos lost to Don Leo Jonathan and Jim Hardy and then split up. Heffernan had left Australia to tour the world in 1953 and wanted to return to his homeland, while Costello was determined to remain in the United States for a while longer.

Are there any other interesting aspects about this article?
After working in Stampede for a while, The Fabulous Kangaroos started to travel across the United States, headlining shows wherever they went