IN: Christopher Duan Johnson (born September 23, 1985) is an American football running back who is currently a free agent. Born in Orlando, Florida, Johnson emerged as a senior for East Carolina University where he broke out for 2,960 all-purpose yards and 24 touchdowns. He was drafted by the Tennessee Titans in the first round of the 2008 NFL Draft, after running a then-record breaking 4.24 seconds in the 40-yard dash at the NFL Combine. In 2009, he won the NFL rushing title with 2,006 yards (the sixth of only seven players ever to gain over 2,000 in a season), and broke Marshall Faulk's record of total yards from scrimmage with 2,509.

Johnson had his professional debut with the Titans on September 7, 2008 where he played in the season opener against the Jacksonville Jaguars, which the Titans won 17-10. Johnson rushed for 93 yards on 15 carries and had 3 receptions for 34 yards and a touchdown. In only his second career game, Johnson ran for 109 yards on 19 carries, including a 51-yard run, and 2 receptions for 12 yards against the Cincinnati Bengals. On September 28, Johnson rushed for the first touchdown of his career against the Minnesota Vikings. Johnson finished the game with 75 all-purpose yards (61 rushing, 14 receiving) and 2 touchdowns. In only his sixth professional game, he rushed for 168 yards and a touchdown on only 18 carries against the Kansas City Chiefs on October 19, 2008. Johnson finished the season with 1,228 yards on 251 carries for a 4.9 ypc and 43 receptions for 260 yards and 10 total touchdowns in 15 games. He led all rookies in rushing yards per game with 81.9 ypg. Johnson finished second in AP Rookie of the Year voting to Matt Ryan and was elected to the 2009 Pro Bowl. Johnson split carries with running back LenDale White for the duration of the 2008 season. White finished the 2008 season with 773 yards on 200 carries for a 3.9 ypc and 15 rushing touchdowns. They nicknamed this RB tandem "Smash and Dash." Smash referred to White due to his power, and Dash referred to Johnson due to his unusual quickness and speed. Entering into the 2009 season, however, Johnson dismissed the nickname of "Smash and Dash" and named himself "Every Coach's Dream."
QUESTION: How did Johnson come about?
IN: Natalie McIntyre was born in Canton, Ohio, the daughter of Laura McIntyre, a math schoolteacher, and Otis Jones who left when she was a baby. Her stepfather was a steelworker, and she has a sister who would become a biology teacher. She began piano lessons at age seven. A childhood bicycle mishap resulted in her noticing a mailbox of a man named Macy Gray; she used the name in stories she wrote and later decided to use it as her stage name.

Gray's The Id featured appearances by John Frusciante and Erykah Badu on the single "Sweet Baby" (which was co-written with longtime collaborator Joe Solo). The album peaked at number eleven on the Billboard 200. It fared even better in the UK, where it reached number one on the UK Albums Chart and was certified gold by the BPI. The underperformance in the United States, compared to her debut album, may have been due to The Id being released just a week after the September 11, 2001 attacks. In 2002, she appeared in Spider-Man and contributed a remix of her song "My Nutmeg Phantasy" to its accompanying soundtrack. Gray also worked with Santana on the track "Amore (Sexo)", for his album Shaman. Also in 2002, she appeared on the Red Hot Organization's compilation CD in tribute to Nigerian Afropop pioneer Fela Kuti, Red Hot and Riot. She appeared on a remake of Kuti's classic track "Water No Get Enemy" alongside prominent neo soul, hip hop and R&B artists, D'Angelo, the Soultronics, Nile Rodgers, Roy Hargrove, and Kuti's son, Femi Kuti. She recorded a duet with Zucchero called "Like the Sun (From Out of Nowhere)", which featured Jeff Beck on guitar released in 2004 on Zu & Co., a duets collection. Her song "Time of My Life" was included in the soundtrack to 8 Mile. A cartoon based on Gray's childhood was being developed, but it never came to fruition. In 2003, Gray released her third studio album, The Trouble with Being Myself, to rave reviews. The lead single, "When I See You", became a radio hit in the US and a top forty hit in the UK, although the album was not as well received by fans. Nevertheless, it became Gray's third top twenty album in the UK. A greatest hits collection and a live album were subsequently released: The Very Best of Macy Gray (2004) and Live in Las Vegas (2005). Additionally, Gray was featured on Marcus Miller's 2005 album Silver Rain, on a cover of Prince's 1986 song "Girls & Boys". She also appeared on the soundtrack to the film Chicago with Queen Latifah and Lil' Kim on "Cell Block Tango/He Had it Comin'."
QUESTION: How did the live album do?
IN: Richard Georg Strauss (11 June 1864 - 8 September 1949) was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier, Elektra, Die Frau ohne Schatten and Salome; his Lieder, especially his Four Last Songs; his tone poems, including Don Juan, Death and Transfiguration, Till Eulenspiegel's Merry Pranks, Also sprach Zarathustra, Ein Heldenleben, Symphonia Domestica, and An Alpine Symphony; and other instrumental works such as Metamorphosen and his Oboe Concerto. Strauss was also a prominent conductor in Western Europe and the Americas, enjoying quasi-celebrity status as his compositions became standards of orchestral and operatic repertoire.

Strauss wrote two early symphonies: Symphony No. 1 (1880) and Symphony No. 2 (1884). However, Strauss's style began to truly develop and change when, in 1885, he met Alexander Ritter, a noted composer and violinist, and the husband of one of Richard Wagner's nieces. It was Ritter who persuaded Strauss to abandon the conservative style of his youth and begin writing tone poems. He also introduced Strauss to the essays of Wagner and the writings of Arthur Schopenhauer. Strauss went on to conduct one of Ritter's operas, and at Strauss's request Ritter later wrote a poem describing the events depicted in Strauss's tone poem Death and Transfiguration. The new influences from Ritter resulted in what is widely regarded as Strauss's first piece to show his mature personality, the tone poem Don Juan (1888), which displays a new kind of virtuosity in its bravura orchestral manner. Strauss went on to write a series of increasingly ambitious tone poems: Death and Transfiguration (1889), Till Eulenspiegel's Merry Pranks (1895), Thus Spoke Zarathustra (1896), Don Quixote (1897), Ein Heldenleben (1898), Symphonia Domestica (1903) and An Alpine Symphony (1911-1915). One commentator has observed of these works that "no orchestra could exist without his tone poems, written to celebrate the glories of the post-Wagnerian symphony orchestra." James Hepokoski notes a shift in Strauss's technique in the tone poems, occurring between 1892 and 1893. It was after this point that Strauss rejected the philosophy of Schopenhauer and began more forcefully critiquing the institution of the symphony and the symphonic poem, thereby differentiating the second cycle of tone poems from the first.
QUESTION:
What was one of his orchestral works?