input: In 1929, he became a member of Eva Le Gallienne's Civic Repertory Theatre company in New York City. Although best known to the larger world audience for his film and television work, Meredith was an influential actor and director for the stage. He made his Broadway debut as Peter in Le Gallienne's production of Romeo and Juliet (1930) and became a star in Maxwell Anderson's Winterset (1935), which became his film debut the following year. His early life and theatre work were the subject of a New Yorker profile. He garnered critical acclaim in the 1935 Broadway revival of The Barretts of Wimpole Street starring Katharine Cornell. She subsequently cast him in several of her later productions. Other Broadway roles included Van van Dorn in High Tor (1937), Liliom in Liliom (1940), Christy Mahon in The Playboy of the Western World (1946), and Adolphus Cusins Major Barbara (1957). He created the role of Erie Smith in the English-language premiere of Eugene O'Neill's Hughie at the Theater Royal in Bath, England in 1963. He played Hamlet in avant garde theatrical and radio productions of the play. A distinguished theatre director, he won a Tony Award nomination for his 1974 Broadway staging of Ulysses in Nighttown, a theatrical adaptation of the "Nighttown" section of James Joyce's Ulysses. Meredith also shared a Special Tony Award with James Thurber for their collaboration on A Thurber Carnival (1960). In the late seventies, he directed Fionnula Flanagan's one-woman multi-role play "James Joyce's Women," which toured for several years.

Answer this question "Did he win any other awards while participating in theatre?"
output:

input: Friends since childhood, the four bandmates (singer/guitarist Travis Clark, guitarist Hunter Thomsen, his bassist brother Drew Thomsen, and drummer Danny Duncan) formed the group while attending high school. The band got its name from the middle school that all the members attended called Martha B. King Middle School. Before the band was known as We the Kings, the group went by the name Broken Image. The band's first tour was with Don't Die Cindy in the summer of 2005 where the group went by Broken Image, then later went under the moniker De Soto. The band A Heartwell Ending (later renamed Call the Cops) supported for the final leg of the tour. While teaming with Bret Disend in Fall of 2005, We the Kings went on its first tour under that name as a five piece, with the then-unknown Boys Like Girls as the group supported the new release of the "Great Escape" music video. We the Kings played on its first headlining tour Long Hair Don't Care with Valencia, The Cab, Sing It Loud, and Charlotte Sometimes during late March and throughout April. In May and June, We the Kings supported Cute Is What We Aim For and Boys Like Girls on the group's UK tour. Under the guidance of manager Bret Disend, the band placed a number of tracks on the social networking site Purevolume in 2007 to build online buzz. Meanwhile, the band also pursued a deal with EMI's imprint S-Curve Records, which eventually signed the group. We the Kings' self-titled debut album was produced by Sam Hollander and mixed by Lou Giordano, and was released in October 2007. The album peaked at number 151 on the Billboard 200 and spent fifteen weeks on the chart. The second single from the album, "Check Yes Juliet", became a minor hit, peaking at number seventy on the Billboard Hot 100 and number twenty-five on the Pop Songs chart. The single was later released in Australia in 2011 where it peaked at number twenty-six and was certified platinum by the Australian Recording Industry Association (ARIA). The album was also released in 2011 and was certified platinum by the ARIA for sales of 70,000 copies. For part of the fall of 2007, the band played a tour called Tourzilla with headliner Boys Like Girls, All Time Low, and The Audition. The group toured in support of Cobra Starship in early 2008 along with Metro Station and The Cab. We the Kings performed all dates of the Warped Tour 2008. On August 30, 2008 the band was a part of The Rays Summer Concert Series, playing on the field after a Tampa Bay Rays game. In late 2008, after completion of the Warped Tour, the band toured the US and UK with The Academy Is... (the tour was known as Bill & Trav's Bogus Journey), along with supporting bands including The Maine, Hey Monday and Carolina Liar. The Kings Carriage are skits that We The Kings film and post on YouTube. The King's Carriage detail the band's life on the road and give the fans insight into the band members' lives. These skits have generated over 300 million views.

Answer this question "When did they change their name?"
output:

input: In March 2013, D'Souza announced work on a documentary film titled America: Imagine the World Without Her for release in 2014. America was marketed to political conservatives and through Christian marketing firms. The Washington Times states that D'Souza is saying that Americans no longer have past heroes like Washington, Lincoln, and Reagan, but "we do have us" in "our struggle for the restoration of America." Lions Gate Entertainment released America in three theaters on June 27, 2014 and expanded its distribution on the weekend of the U.S. holiday Independence Day on July 4, 2014. CinemaScore reported that the opening-weekend audiences gave the film an "A+" grade. The film grossed $14.4 million, which made it the highest-grossing documentary in the United States in 2014. The film review website Metacritic surveyed 11 movie critics and assessed 10 reviews as negative and 1 as mixed, with none being positive. It gave an aggregate score of 15 out of 100, which indicates "overwhelming dislike". The similar website Rotten Tomatoes surveyed 24 critics and, categorizing the reviews as positive or negative, assessed 22 as negative and 2 as positive. Of the 24 reviews, it determined an average rating of 2.9 out of 10. The website gave the film an overall score of 8% and said of the consensus, "Passionate but poorly constructed, America preaches to the choir." The Hollywood Reporter's Paul Bond said the film performed well in its limited theatrical release, "overcoming several negative reviews in the mainstream media". Bond reported, "Conservatives... seem thrilled with the movie." John Fund of National Review said the documentary was a response to U.S. progressive critique of the country, "D'Souza's film and his accompanying book are a no-holds-barred assault on the contemporary doctrine of political correctness." Fund said D'Souza's message was "deeply pessimistic" but concluded, "Most people will leave the theater with a more optimistic conclusion: Much of the criticism of America taught in the nation's schools is easily refuted, America is worth saving, and we have the tools to do so in our DNA, just waiting to be harnessed." National Review's Jay Nordlinger said, "Dinesh is the anti-Moore: taking to the big screen to press conservative points... The shame narrators (let's call them) focus on maybe 20 percent of the American story. Dinesh simply puts the other 80 percent back in." In a second article, Jay Nordlinger said, "The second movie confirms for me that one of Dinesh's great advantages is that he is absolutely clear-eyed about the Third World. While liberal Americans romanticize it, he has lived it."

Answer this question "What was the documentary about?"
output:
John Fund of National Review said the documentary was a response to U.S. progressive critique of the country,