Answer the question at the end by quoting:

Richards was born to Malcolm and Gretel Richards in St. John's, Antigua, then part of the British Leeward Islands. He attended St. John's Boys School and then Antigua Grammar School on a scholarship. Richards discovered cricket at a young age. His brothers, Mervyn and Donald, both played the game, representing Antigua as amateurs, and they encouraged him to play.
Quiet and self-contained away from the pitch, Richards was a very powerful right-handed batsman with an extremely attacking style, "possibly the most destructive batsman the sport has ever seen". He was also an excellent fielder and a more than competent off-spin bowler. He is often regarded as the most physically devastating and exciting batsman that ever played the game by cricketers, journalists, fans and others alike, and played his entire 17-year career without a helmet. His fearless and aggressive style of play, and relaxed but determined demeanor made him a great crowd favourite and an intimidating prospect for opposition bowlers all over the world. The word "swagger" is frequently used to describe his batting style. His batting often completely dominated opposing bowlers. He had the ability to drive good-length balls from outside off-stump through midwicket, his trademark shot, and was one of the great exponents of the hook shot. Viv Richards was notorious for punishing bowlers that dared to sledge him. So much so, that many opposing captains banned their players from the practice. However playing for Somerset in a county game against Glamorgan, Greg Thomas attempted to sledge Richards after he had played and missed at several balls in a row. He sarcastically informed Richards: "It's red, round and it's about five ounces, in case you were wondering." Richards then hammered the next delivery for 6, straight out of the stadium and into a nearby river. Turning back to the bowler, he commented: "You know what it looks like, now go and find it."

how would he punish them?

Turning back to the bowler, he commented: "You know what it looks like, now go and find it."

Answer the question at the end by quoting:

A Hakka, Kate Tsui was born and raised in Hong Kong. Her father works in logistics, and while her mother is now a homemaker, she was a dancer when she was younger. Tsui also has an older sister, who is married with two kids. As of 2014, Tsui has expressed that with the exception of herself, her entire immediate family now resides in Taiwan.
Aside from her development in television acting, Tsui also experienced success in developing her career in the film industry. In 2007, through a series of auditions, Tsui was cast as the female lead, alongside A-list actors Tony Leung Ka-fai and Simon Yam, in Eye in the Sky, which is a film produced by Johnnie To and directed by Yau Nai-hoi. With her performance in the film, Eye in the Sky was praised by professional Hong Kong film critic, Sek Kei, as the best Hong Kong film in the first half of 2007. The film was subsequently entered into the Berlin International Film Festival, as well as the Shanghai International Film Festival. Through her performance in the film, Tsui was widely acclaimed to be talented in acting and a rising actress worth looking out for. With her performance in Eye in the Sky, Tsui earned the Best Newcomer - Gold Award from Hong Kong Film Directors' Guild 2007, as well as Hong Kong Film Award for Best New Performer from the 27th Hong Kong Film Awards, held in 2008. The latter is a particularly outstanding achievement, for Tsui is, so far, the only individual to have received a Hong Kong Film Award, while being fully contracted by TVB, since Anita Yuen, who coincidentally is also a Miss Hong Kong pageant winner, won the same award back in 1993. Professional Taiwanese film critic, Mai Ruoyu, had openly criticized the Golden Horse Film Festival and Awards, a film festival and awards ceremony held in Taiwan, for excluding Tsui and her performance in Eye in the Sky from a nomination in the Best New Performer category. He had further praised that Tsui has the most potential and talent in acting among all of TVB's Miss Hong Kong-turned-actresses, since Maggie Cheung.

What happened in 2008?

Best New Performer from the 27th Hong Kong Film Awards, held in 2008.

Answer the question at the end by quoting:

Hermione Ferdinanda Gingold (9 December 1897 - 24 May 1987) was an English actress known for her sharp-tongued, eccentric persona. Her signature drawling, deep voice was a result of nodes on her vocal cords she developed in the 1920s and early 1930s. After a successful career as a child actress, she later established herself on the stage as an adult, playing in comedy, drama and experimental theatre, and broadcasting on the radio. She found her milieu in revue, which she played from the 1930s to the 1950s, co-starring several times with Hermione Baddeley.
Gingold's adult stage career was slow to take off. She played Liza in If at the Ambassador's in May 1921, and the Old Woman in Ben Travers's farcical comedy The Dippers produced by Sir Charles Hawtrey at the Criterion in August 1922. In 1926 Gingold divorced from Joseph. Later in the same year she married the writer and lyricist Eric Maschwitz, whom she divorced in 1945. She underwent a vocal crisis in the late 1920s and early 1930s: she had hitherto described herself as "Shakespearian and soprano", but nodules on her vocal cords brought a drastic drop in pitch, about which she commented, "One morning it was Mozart and the next 'Old Man River'". The critic J. C. Trewin described her voice as "powdered glass in deep syrup". During this period she broadcast frequently for the BBC and established herself at the experimental theatre-club the Gate Theatre Studio in London, first as a serious actress and later in the genre for which she became famous, revue. According to The Times it was in Spread It Abroad (1936) a revue at another theatre, the Saville, with material by Herbert Farjeon that she truly found her milieu. In the ten years from 1938 Gingold concentrated on revue, appearing in nine different productions in the West End. The first four were The Gate Revue (transferred from the Gate to the Ambassador's, 1939), Swinging the Gate (1940), Rise Above It (1941) and Sky High (1942). During this period she and Hermione Baddeley established a stage partnership of what The Times called "briskly sustained mock-rivalry". In June 1943 she opened in a revue at the Ambassadors, Sweet and Low, which was continually revised and refreshed over a run of almost six years, first as Sweeter and Lower and then Sweetest and Lowest. In her sketches she tended, as the writer of the shows, Alan Melville, recalled, to portray "grotesque and usually unfortunate ladies of dubious age and occasionally, morals; the unhappy female painted by Picasso who found herself lumberered with an extra limb or two ... the even less fortunate female who, after years of playing the cello in Palm Court orchestras, ended up bow-legged beyond belief." In a biographical sketch, Ned Sherrin writes, "Gingold became a special attraction for American soldiers and 'Thanks, Yanks' was one of her most appropriate numbers. During the astringent, name-dropping 'Sweet' series, she played 1,676 performances, before 800,000 people, negotiating 17,010 costume changes."

What was life like for Hermione in the 1920's?
Gingold's adult stage career was slow to take off.