Around the 6th century, Slavs appeared on Byzantine borders in great numbers.[page needed] The Byzantine records note that grass would not regrow in places where the Slavs had marched through, so great were their numbers. After a military movement even the Peloponnese and Asia Minor were reported to have Slavic settlements. This southern movement has traditionally been seen as an invasive expansion. By the end of the 6th century, Slavs had settled the Eastern Alps regions.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Where else reported Slavic settlements?
Ah, so.. Peloponnese and Asia Minor

In 2009, Hispanic and Latino Americans represented 52.0% of the Bronx's population. Puerto Ricans represented 23.2% of the borough's population. Over 72,500 Mexicans lived in the Bronx, and they formed 5.2% of the population. Cubans numbered over 9,640 members and formed 0.7% of the population. In addition, over 319,000 people were of various Hispanic and Latino groups, such as Dominican, Salvadoran, and so on. These groups collectively represented 22.9% of the population. At the 2010 Census, 53.5% of Bronx's population was of Hispanic, Latino, or Spanish origin (they may be of any race). Asian Americans are a small but sizable minority in the borough. Roughly 49,600 Asians make up 3.6% of the population. Roughly 13,600 Indians call the Bronx home, along with 9,800 Chinese, 6,540 Filipinos, 2,260 Vietnamese, 2,010 Koreans, and 1,100 Japanese.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What percent of the Bronx is Asian?
Ah, so.. 3.6%

Monroe's style involved playing lead melodies in the style of a fiddler, and also a percussive chording sound referred to as "the chop" for the sound made by the quickly struck and muted strings. He also perfected a sparse, percussive blues style, especially up the neck in keys that had not been used much in country music, notably B and E. He emphasized a powerful, syncopated right hand at the expense of left-hand virtuosity. Monroe's most influential follower of the second generation is Frank Wakefield and nowadays Mike Compton of the Nashville Bluegrass Band and David Long, who often tour as a duet. Tiny Moore of the Texas Playboys developed an electric five-string mandolin and helped popularize the instrument in Western Swing music.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Who was Monroe's least influential follower?
Ah, so..
unanswerable