Answer the question at the end by quoting:

Spielberg was born on December 18, 1946 in Cincinnati, Ohio. His mother, Leah (nee Posner, later Adler; January 12, 1920 - February 21, 2017), was a restaurateur and concert pianist, and his father, Arnold Spielberg (born 1917), was an electrical engineer involved in the development of computers. His family was Orthodox Jewish. Spielberg's paternal grandparents were Jewish Ukrainian immigrants who settled in Cincinnati in the 1900s; his grandmother was from Sudylkiv, while his grandfather was from Kamianets-Podilskyi.
A collector of film memorabilia, Spielberg purchased a balsa Rosebud sled from Citizen Kane (1941) in 1982. He bought Orson Welles's own directorial copy of the script for the radio broadcast The War of the Worlds (1938) in 1994. Spielberg has purchased Academy Award statuettes being sold on the open market and donated them to the Academy of Motion Picture Arts and Sciences, to prevent their further commercial exploitation. His donations include the Oscars that Bette Davis received for Dangerous (1935) and Jezebel (1938), and Clark Gable's Oscar for It Happened One Night (1934). Spielberg is a major collector of the work of American illustrator and painter Norman Rockwell. A collection of 57 Rockwell paintings and drawings owned by Spielberg and fellow Rockwell collector and film director George Lucas were displayed at the Smithsonian American Art Museum July 2, 2010 - January 2, 2011, in an exhibition titled Telling Stories. Spielberg is an avid film buff, and, when not shooting a picture, he will watch many films in a single weekend. He sees almost every major summer blockbuster in theaters if not preoccupied and enjoys most of them. Since playing Pong while filming Jaws in 1974, Spielberg has been an avid video gamer. Spielberg played many of LucasArts adventure games, including the first Monkey Island games. He owns a Wii, a PlayStation 3, a PSP and Xbox 360, and enjoys playing first-person shooters such as the Medal of Honor series and Call of Duty 4: Modern Warfare. He has also criticized the use of cutscenes in games, calling them intrusive, and feels making story flow naturally into the gameplay is a challenge for future game developers.

Does he have any other hobbies?

Spielberg is an avid film buff, and, when not shooting a picture, he will watch many films in a single weekend.

Some context: Color Me Badd is an American contemporary R&B group that was formed in Oklahoma City, Oklahoma. The original members of the group were lead singer Bryan Abrams (born November 16, 1969), second tenor Mark Calderon (born September 27, 1970), second tenor Sam Watters (born July 23, 1970) and baritone Kevin Thornton (born June 17, 1969). They formed in 1985 and broke up in 1998 before reuniting in 2010, with various lineups since. As of 2016, they operate as a trio with Abrams, Calderon and Adam Emil.
Thornton and Abrams became friends in junior high school, and Watters and Calderon became friends in grade school. The four met in the mid-1980s while attending Northwest Classen High School in Oklahoma City. They were all members of the school choir. The group originally formed in 1985 as Take One, but changed their name to Color Me Badd to avoid confusion with an a cappella band named Take 6. Watters selected the name, after a horse at the racetrack named Color Me Bad. They aimed to be a vocal group in the vein of New Edition and New Kids on the Block. They first performed together in a school talent show, influenced by doo-wop a cappella groups of the past, such as Sam Cooke, The Temptations and the Four Tops. The group came up with a plan to spontaneously audition for any big name acts playing in Oklahoma City. They met Robert Bell of Kool & the Gang on May 27, 1987, when they were in Oklahoma City for a performance. They auditioned for him and he introduced them to his then-road manager, Adil Bayyan, who would become Color Me Badd's manager and convince them to move to New York City to pursue a record deal. They also sang for Huey Lewis and the News, Sheila E. and Ronnie Milsap, and opened for Tony! Toni! Tone! in Oklahoma City in 1988. One afternoon in 1989, Thornton saw Jon Bon Jovi in a movie theater and called the other band members to join him. They waited for him to leave the theater and then sung the 1961 doo-wop hit "Daddy's Home" a cappella for him. Bon Jovi invited them to be his band's opening act the following night, to perform in front of 20,000 audience members. They moved to New York City on September 23, 1989. In 1990, they bumped into Tony! Toni! Tone!, who got them into the ASCAP Music Awards. There, Color Me Badd approached producers Jimmy Jam and Terry Lewis and started singing for them. The producers advised that, being a multicultural group, they write a half-English, half-Spanish song. They wrote "I Adore Mi Amor" back in Oklahoma City with their producer and friend Hamza Lee. Giant Records executive Cassandra Mills heard a tape of the band singing the song, and they signed with Giant on August 11, 1990.
When did htey move to New York City?
A: move to New York City to pursue a record deal.

IN: Hans Holbein the Younger (German: Hans Holbein der Jungere) (c. 1497 - between 7 October and 29 November 1543) was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century. He also produced religious art, satire and Reformation propaganda, and made a significant contribution to the history of book design.

Throughout his life, Holbein designed for both large-scale decorative works such as murals and smaller objects, including plate and jewellery. In many cases, his designs, or copies of them, are the sole evidence for such works. For example, his murals for the Hertenstein House in Lucerne and for the House of the Dance in Basel are known only through his designs. As his career progressed, he added Italian Renaissance motifs to his Gothic vocabulary. Many of the intricate designs etched into suits of Greenwich armour, including King Henry's own personal tournament harnesses, were based on designs by Holbein. His style continued to influence the unique form of English armour for nearly half a century after his death. Holbein's cartoon for part of the dynastic Tudor wall painting at Whitehall reveals how he prepared for a large mural. It was made of 25 pieces of paper, each figure cut out and pasted onto the background. Many of Holbein's designs for glass painting, metalwork, jewellery, and weapons also survive. All demonstrate the precision and fluidity of his draughtsmanship. In the view of art historian Susan Foister, "These qualities so animate his decorative designs, whether individual motifs, such as his favoured serpentine mermen and women, or the larger shapes of cups, frames, and fountains, that they scintillate on paper even before their transformation into precious metal and stone". Holbein's way of designing objects was to sketch preliminary ideas and then draw successive versions with increasing precision. His final draft was a presentation version. He often used traditional patterns for ornamental details such as foliage and branches. When designing precious objects, Holbein worked closely with craftsmen such as goldsmiths. His design work, suggests art historian John North, "gave him an unparalleled feel for the textures of materials of all kinds, and it also gave him the habit of relating physical accessories to face and personality in his portraiture". Although little is known of Holbein's workshop, scholars assume that his drawings were partly intended as sources for his assistants.

How did he continue to influence armour?

OUT:
Many of the intricate designs etched into suits of Greenwich armour, including King Henry's own personal tournament harnesses, were based on designs by Holbein.