Question:
Donnie Iris (born Dominic Ierace on February 28, 1943) is an American rock musician known for his work with the Jaggerz and Wild Cherry during the 1970s, and for his solo career beginning in the 1980s with his band, the Cruisers. He wrote the #2 Billboard hit, "The Rapper", with the Jaggerz in 1970 and was a member of Wild Cherry after the group had a #1 hit with "Play That Funky Music." He also achieved fame as a solo artist in the early 1980s with the #29 hit "Ah! Leah!"
Iris' first album, Back on the Streets, was released in July 1980 on the small Cleveland, Ohio-based Midwest Records. With the track "Ah! Leah!" receiving airplay in Boston, Cleveland and Pittsburgh, MCA Records took notice and quickly signed Iris to a five-album deal and re-released the album nationally in October. The first single "Ah! Leah!" peaked at #29 on the Billboard Hot 100 (and #34 in Australia) in February 1981 and became one of the most frequently played AOR tracks of the year, and the album reached #57 on the Billboard 200. In addition, the band launched a national tour to promote the album and its follow-up during the summer of 1981. The follow-up album, King Cool, credited to Donnie Iris and the Cruisers, was released in August 1981 and garnered the band more AOR success, with "Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart. Two other songs from the album received significant AOR airplay; "My Girl" at #25 and "Sweet Merilee" at #31, charted on the Rock Tracks chart. In addition, he gained the nickname King Cool from this album in the later part of his career. However, the album itself charted less successfully, at #84. After the long tour promoting their two previous albums, the band continued songwriting and in the fall of 1982 released The High and the Mighty. The album contained the single "Tough World," but only charted at #180, marking a decline in his success, but the band still was determined to release new material. Their next album one year later, Fortune 410, contained the hit single "Do You Compute?" which was used by their label MCA and the computer company Atari to form a cross-marketing promotion. Because the promotional partnership was secured prior to release of the album, it was possible to use the Atari 1200 XL Home Computer in poster photography, as well as in the video clip for "Do You Compute?", which aired on MTV. The title of the album is a reference to the trademark glasses Iris wears, Fortune 410's. The combination of marketing and the promotion for its hit single allowed the album to chart higher than its predecessor. Despite Fortune 410 charting higher than The High and the Mighty, MCA was displeased that both albums didn't chart as high as Back on the Streets and King Cool had. The label suggested that the band allow them to bring in a new producer, displacing Mark Avsec, as well bring in new songwriters. Iris and the Cruisers, wanting to keep as much of their creative freedom and sound as they could, said no. As a result, MCA dropped the band in 1984. Shortly after being let go from MCA, the band signed with the small HME Records label. Their next album, No Muss...No Fuss, released in 1985, continued the trend set by Fortune 410 by charting at #115 with the single "Injured in the Game of Love". Both of the aforementioned albums ended up being more critically acclaimed than The High and the Mighty.
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Were there any other hits tht charted during this time?

Answer:
"Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart.

Answer the question at the end by quoting:

Augusta Jane Evans, or Augusta Evans Wilson (May 8, 1835 - May 9, 1909), was an American author of Southern literature. She was the first woman to earn US$100,000 through her writing. Wilson was a native of Columbus, Georgia, and her first book, Inez, a Tale of the Alamo, was written when she was still young.
Augusta Evans Wilson was not a professional writer and her style was severely criticized as "pedantic." She wrote in the domestic, sentimental style of the Victorian Age. Critics have praised the intellectual competence of her female characters, but as her heroes eventually succumb to traditional values, Wilson has been described as an antifeminist. Of St. Elmo one critic maintained, "the trouble with the heroine of St. Elmo was that she swallowed an unabridged dictionary." Wilson was the first American woman author to earn over $100,000. This would be a record unsurpassed until Edith Wharton. Macaria, or Altars of Sacrifice, published in 1864, was popular with Southerners and Northerners alike. Melissa Homestead writes that the transportation of the novel to New York was deliberate, done in installments and nearly simultaneous with the novel's preparation for publication in the South. Thus, while previous critics, scholars and biographers have all treated Macaria's appearance in the North as unauthorized, the truth is much more meaningful. Some scholars say that by dispensing with the romantic notion that the novel appeared in a "bootleg" edition, Homestead debunks the hard and fast distinction between Northern and Southern readerships as an invention of historians and critics rather than an accurate reflection of reading practices of the period. However, a great number of discrepancies exist between the version published in the North and the version published in the South, which remove huge portions of the text which romanticize the Southern heroes that are portrayed. Her novel St. Elmo was her most famous and it was frequently adapted for both the stage and screen. It inspired the naming of towns, hotels, steamboats, and a cigar brand. The book's heroine, Edna Earl, became the namesake of Eudora Welty's heroine (Edna Earle Ponder) in The Ponder Heart published in 1954. The novel also inspired a parody of itself called St. Twel'mo, or the Cuneiform Cyclopedist of Chattanooga (1867) by Charles Henry Webb.

what other books did she write?
Altars of Sacrifice,