Question:
Wilbur Dorsey "Buck" Clayton (November 12, 1911 - December 8, 1991) was an American jazz trumpet player who was a leading member of Count Basie's "Old Testament" orchestra and a leader of mainstream-oriented jam session recordings in the 1950s. His principal influence was Louis Armstrong. The Penguin Guide to Jazz says that he "synthesi[zed] much of the history of jazz trumpet up to his own time, with a bright brassy tone and an apparently limitless facility for melodic improvisation". Clayton worked closely with Li Jinhui, father of Chinese popular music in Shanghai.
The English critic Stanley Dance coined the term "mainstream" in the 1950s to describe the style of those swing era players who fell between the revivalist and modernist camps. Clayton was precisely one of the players to whom this appellation most applied. In December 1953 Clayton embarked on a series of jam session albums for Columbia, which had been the idea of John Hammond, though George Avakian was the principal producer. The recording sessions for these albums lasted until 1956. The tracks could last the length of an LP side, and it had been the new format that had given Hammond the idea, but sometimes this led to unfortunate anomalies. The title track on the Jumping at the Woodside album was compiled from two takes recorded four months apart, each with a completely different rhythm section. Clayton's Jazz Spectacular album from this series (with Kai Winding, J. J. Johnson and vocals by Frankie Laine) is loved by jazz and pop fans alike. Clayton also recorded at this time for Vanguard, with Hammond producing, under his own name and on dates led by Ruby Braff, Mel Powell and Sir Charles Thompson. In 1955 he appeared in The Benny Goodman Story, also working with Goodman in New York at the Waldorf-Astoria Hotel two years later. In 1958 he was at the World Fair in Brussels for concerts with Sidney Bechet, and toured Europe the following year and annually through the 1960s. For the Swingville label (a subsidiary of Prestige Records) he co-led two albums with former Basie colleague Buddy Tate and supported Pee Wee Russell on his own outing for the label. In 1964 he performed in Japan, Australia and New Zealand with Eddie Condon, with whom he had already occasionally worked for several years. In 1965 he toured England with trombonist Vic Dickenson and blues singer Big Joe Turner accompanied by British trumpeter Humphrey Lyttelton and his Band. This group featured on Jazz 625 for BBC television (later released on DVR). He made numerous visits to England thereafter and recorded three albums with Lyttelton. In order to hoodwink the musicians' union in the UK, it was necessary to claim that these albums were recorded in Switzerland. A live audio recording made on a club date with Lyttelton was released on Lyttelton's own Calligraph Records label (CLG CD 048).
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1955 he appeared in The Benny Goodman Story, also working with Goodman in New York at the Waldorf-Astoria Hotel two years later.

input: Before the start of the next season, Hasek was traded to the Detroit Red Wings in an attempt to lower the Sabres' payroll and to send Hasek to a more competitive team. He was dealt for Vyacheslav Kozlov, a first round selection in the 2002 NHL Entry Draft and future considerations, which eventually became the draft pick of Jim Slater. During his first season with Detroit, Hasek posted a career high 41 wins with just 15 losses, helping the Red Wings earn the President's Trophy with the league's best record. In the playoffs, he led the Wings past the Vancouver Canucks, the St. Louis Blues, the Colorado Avalanche and eventually the Carolina Hurricanes in the finals to win the Stanley Cup. During the conference finals against Colorado, he became the first goalie to be awarded an assist on an overtime game-winning goal in the post-season after passing the puck to Wings captain Steve Yzerman, who then assisted Fredrik Olausson in scoring the final goal of the third game of that series. He also set a record for most shutouts in a post-season with six, broken the year after by Martin Brodeur with seven. That summer, Hasek officially announced his retirement so that he could spend time with his family and other hobbies. However, after Detroit's first round loss to the Mighty Ducks of Anaheim in the following season, he expressed his desire to play again. This created a difficult situation for the Red Wings, who had two years left on Curtis Joseph's three-year $24 million contract, which had a no-trade clause. Detroit was also under pressure knowing that the rival Avalanche would be looking for a goalie to replace Patrick Roy after his retirement. With Manny Legace also on the Wings' roster, Detroit now had three potential starting goalies. In the 2003-04 season Hasek injured his groin after playing just 14 games. On January 9, he and the team agreed he should rest his injury for two to four weeks. Hasek privately told general manager Ken Holland that he would not accept any pay while he was injured. On February 10, he announced that he was not going to continue to play that season, surprising the Red Wings management. He eventually revealed that he refused about $3 million of his $6 million salary. In April 2004, he underwent groin surgery in Prague, and returned to his hometown of Pardubice to recuperate.

Answer this question "did he have to stop playing?"
output: he and the team agreed he should rest his injury for two to four weeks.

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David Gaub McCullough (; born July 7, 1933) is an American author, narrator, historian, and lecturer. He is a two-time winner of the Pulitzer Prize and the National Book Award and a recipient of the Presidential Medal of Freedom, the United States' highest civilian award. Born and raised in Pittsburgh, McCullough earned a degree in English literature from Yale University.
McCullough was born in the Point Breeze neighborhood of Pittsburgh, Pennsylvania, the son of Ruth (nee Rankin) and Christian Hax McCullough. He is of Scots-Irish descent. He was educated at Linden Avenue Grade School and Shady Side Academy, in his hometown of Pittsburgh. One of four sons, McCullough had a "marvelous" childhood with a wide range of interests, including sports and drawing cartoons. McCullough's parents and his grandmother, who read to him often, introduced him to books at an early age. His parents often talked about history, a topic he says should be discussed more often. McCullough "loved school, every day"; he contemplated many career choices, ranging from architect, actor, painter, writer, to lawyer, and contemplated attending medical school for a time. In 1951, McCullough began attending Yale University. He said that it was a "privilege" to study English at Yale because of faculty members such as John O'Hara, John Hersey, Robert Penn Warren, and Brendan Gill. McCullough occasionally ate lunch with the Pulitzer Prize-winning novelist and playwright Thornton Wilder. Wilder, says McCullough, taught him that a competent writer maintains "an air of freedom" in the storyline, so that a reader will not anticipate the outcome, even if the book is non-fiction. While at Yale, he became a member of Skull and Bones. He served apprenticeships at Time, Life, the United States Information Agency, and American Heritage, where he enjoyed research. "Once I discovered the endless fascination of doing the research and of doing the writing, I knew I had found what I wanted to do in my life." While attending Yale, McCullough studied Arts and earned his bachelor's degree in English, with the intention of becoming a fiction writer or playwright. He graduated with honors in English literature (1955).

Did he graduate from there?
He graduated with honors in English literature (1955).