In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution is here: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this: Context_1 : The Kings of the Kilburn High Road is a play by Irish playwright Jimmy Murphy first produced by Red Kettle Theatre Company at the Garter Lane Theatre Waterford Ireland in 2000. The first American production was staged by the Rochester Community Players of Rochester, New York, in April 2005. The name is an ironic reference to the characters, who frequent the Irish pubs of Kilburn High Road in the Kilburn district of London, an area renowned for its large Irish population. Context_2 : The Power of Unreasonable People: How Social Entrepreneurs Create Markets That Change the World is a 2008 non-fiction book written by John Elkington and Pamela Hartigan and published by Harvard Business School Publishing. The title of the book is based on a quote from Irish playwright George Bernard Shaw: "The reasonable man adapts himself to the world; the unreasonable man persists in trying to adapt the world to himself. Therefore, all progress depends on the unreasonable man." The book focuses on two groups of "unreasonable people": social entrepreneurs and environmental entrepreneurs. Context_3 : Arms and the Man is a comedy by George Bernard Shaw, whose title comes from the opening words of Virgil's "Aeneid", in Latin: Context_4 : George Bernard Shaw ( ; 26 July 1856 2 November 1950), known at his insistence simply as Bernard Shaw, was an Irish playwright, critic and polemicist whose influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as "Man and Superman" (1902), "Pygmalion" (1912)" and Saint Joan" (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature. Context_5 : Terence James MacSwiney ( ; Irish: "Toirdhealbhach Mac Suibhne" ; 28 March 1879 25 October 1920) was an Irish playwright, author and politician. He was elected as Sinn Fein Lord Mayor of Cork during the Irish War of Independence in 1920. He was arrested by the British on charges of sedition and imprisoned in Brixton Prison in England. His death there in October 1920 after 74 days on hunger strike brought him and the Irish struggle to international attention. Context_6 : Henry Burnell (c.1590-c.1654) was an Irish politician, playwright and landowner. The details of his life are not well recorded, but he was a prominent member of the Irish Confederacy, and belonged to a leading Dublin landowning family who lost their possessions after the failure of the Irish Rebellion of 1641. He is now remembered mainly as the author of "Landgartha", the first play by an Irish playwright to be produced in an Irish theatre, and as the father of the poet Eleanor Burnell. Context_7 : Translations is a three-act play by Irish playwright Brian Friel, written in 1980. It is set in Baile Beag (Ballybeg), a Donegal village in 19th century agricultural Ireland. Friel has said that "Translations" is "a play about language and only about language", but it deals with a wide range of issues, stretching from language and communication to Irish history and cultural imperialism. Friel responds strongly to both political and language questions in the modern-day Republic of Ireland. He said that his play "should have been written in Irish" but, despite this fact, he crafted carefully the verbal action in English which makes the dynamics of the play come alive, and brings its political questions into true focus. Context_8 : Richard Pine (born 21 August 1949) is the author of critical works on the Irish playwright Brian Friel and the Anglo-Irish novelist Lawrence Durrell. He worked for the Irish national broadcaster RTE Raidio Teilifis Eireann before moving to Greece in 2001 to found the Durrell School of Corfu which he directed until 2010. In 2012, to mark the centenary of the birth of Lawrence Durrell, Pine edited and introduced a previously unpublished novel by Durrell, "Judith". He writes a column on Greek affairs for The Irish Times and is an obituarist for The Guardian. His work on Friel has been described by the writer and critic David Ian Rabey as 'immensely stimulating, courageous and encouraging...' Lawrence Durrell described Pine's work as 'the best unpacking of my literary baggage I have heard' Context_9 : Philip O'Sullivan is an Irish actor with contributions to Irish arts and culture through his roles and performances in theatre, on film and on television. O'Sullivan has been involved with the Abbey Theatre Ireland since the 1970s. In 1975 he appeared in an Abbey Theatre production of a play by Irish playwright Teresa Deevy called Katie Roche where he played the part of Michael Maguire, this production ran for 21 performances. Context_10 : (Matthew) Edward McNulty (18561943) was an Irish playwright and novelist, known for his penned portrayals of Irish peasant life. Two of McNulty's plays, the 1914 comedy "The Lord Mayor" and the 1921 comedy "The Courting of Mary Doyle", were successfully produced at the Abbey Theatre. McNulty's other works include the novels "Misther O'Ryan" (1894), "The Son of a Peasant" (1897), "Maureen" (1904) and "Mrs. Mulligan's Millions" (1918). All of these novels were published by Edward Arnold, London, except "Mrs. Mulligan's Millions", which was also a play and was published separately as a novel and as a play by Maunsel, Dublin. The play "The Lord Mayor" was published by Talbot, Dublin. McNulty's other remaining play, "The Courting Couple", was published by Gill, Dublin, posthumously, in 1944. McNulty's close personal friend, the Nobel laureate in literature and literary critic, George Bernard Shaw (18561950), referred to McNulty as a "genius". fact_1 : Arms and the Man is a comedy by George Bernard Shaw, whose title comes from the opening words of Virgil's "Aeneid", in Latin: fact_2 : George Bernard Shaw ( ; 26 July 1856 2 November 1950), known at his insistence simply as Bernard Shaw, was an Irish playwright, critic and polemicist whose influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. Question: Arms and the Man in a comedy by which Irish playwright?
Solution:
George Bernard Shaw