Problem: Background: Jeffrey Leonard Jarrett (born July 14, 1967) is an American professional wrestler, professional wrestling promoter and businessman. Beginning his career in his father's Continental Wrestling Association (CWA), in 1986, Jarrett first came to prominence upon debuting in the World Wrestling Federation (WWF, now WWE) in 1992. Over the next nine years, he alternated between the WWF and its main competitor, World Championship Wrestling (WCW). After WCW was purchased by the WWF in 2001, Jarrett joined the upstart World Wrestling All-Stars (WWA) promotion.
Context: Jarrett returned to TNA on the July 14 episode of Impact Wrestling, showing off the "Mexican Heavyweight Championship" belt, playing off the AAA Mega Championship he had won during his stay in Mexico. On the August 18 episode of Impact Wrestling, Jarrett aligned himself with the Mexican America stable by helping its members Anarquia and Hernandez defeat Beer Money, Inc. for the TNA World Tag Team Championship. In October, Jarrett began feuding with the returning Jeff Hardy. On November 13 at Turning Point, Jarrett lost to Hardy three times in a row, first in six seconds, then in six minutes and finally in ten seconds. On December 11 at Final Resolution, Jarrett was defeated by Hardy in a steel cage match. As per stipulation of the match, Jarrett was, in storyline, fired from TNA on the following episode of Impact Wrestling. In reality, he was written off television to oversee Ring Ka King, a new promotion based in India that is a subsidiary of TNA. After Ring Ka King, Jarrett wrestled for AAA without work in TNA. In 2013, Jarrett assumed the backstage role of Executive Vice President of Development/Original Programming. In 2013, Jarrett and Country star Toby Keith tried to buy TNA; however, when both met Bob Carter, he demanded that his daughter Dixie remain in the company as on-screen President. Jarrett and Keith decided to create their own company. On December 22, 2013, Jarrett resigned from TNA Entertainment. Jarrett remained an investor in TNA Wrestling after his resignation came in effect on January 6, 2014.
Question: How long did he serve in this role?
Answer: On December 22, 2013, Jarrett resigned from TNA Entertainment.

Background: Judith Butler FBA (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics and the fields of third-wave feminist, queer and literary theory. Since 1993, she has taught at the University of California, Berkeley, where she is now Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. She is also the Hannah Arendt Chair at the European Graduate School. Butler is best known for her books Gender Trouble:
Context: In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble. She begins by basing her theory of gender performativity on a feminist phenomenological point of view. She suggests that both phenomenology and feminism ground their theories in "lived experience". Further, in comparing phenomenologist Maurice Merleau-Ponty and feminist Simone de Beauvoir, Butler argues that both theories view the sexual body as a historical idea or situation; she accepts this notion of a "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity". This combination of theories is essential for founding Butler's view of "theatrical" or performative genders in society. Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience. For Butler, the "script" of gender performance is effortlessly transmitted generation to generation in the form of socially established "meanings": She states, "gender is not a radical choice... [nor is it] imposed or inscribed upon the individual". Given the social nature of human beings, most actions are witnessed, reproduced, and internalized and thus take on a performative or theatric quality. With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female. Currently, the actions appropriate for men and women have been transmitted to produce a social atmosphere that both maintains and legitimizes a seemingly natural gender binary. Consistently with her acceptance of the body as a historical idea, she suggests that our concept of gender is seen as natural or innate because the body "becomes its gender through a series of acts which are renewed, revised, and consolidated through time". Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater. She brings many similarities, including the idea of each individual functioning as an actor of their gender. However, she also brings into light a critical difference between gender performance in reality and theater performances. She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter because of the fact that there is a clear distinction from reality within the theater. Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal. She revises Freud's notion of this concept's applicability to lesbianism, where Freud says that lesbians are modeling their behavior on men, the perceived normal or ideal. She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms.
Question: What were the Performative Acts?
Answer:
Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience.