In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : Phantasialand is a theme park in Bruhl, North Rhine-Westphalia, Germany that attracts approximately 1.75 million visitors annually. The park was opened in 1967 by Gottlieb Loffelhardt and Richard Schmidt. Although starting as a family-oriented park, Phantasialand has also added thrill rides, especially during recent years. Furthermore, following the example of Europa-Park, they have decided to attract business customers beside the regular ones, calling it "Business der neuen Dimension" ("business of a new dimension"). Context_2 : The Giant Dipper, also known as the Mission Beach Roller Coaster, is a historical wooden roller coaster located in Belmont Park, a small amusement park in Mission Beach in San Diego, California. The Giant Dipper was built in 1925. The roller coaster and its namesake at the Santa Cruz Beach Boardwalk are the only remaining wooden roller coasters on the West Coast designed by noted roller coaster designers Frank Prior and Frederick Church. Context_3 : The Wild Cat (initially The Joy Ride) was a wooden roller coaster located at Hersheypark in Hershey, Pennsylvania, United States. The roller coaster was constructed in 1923 by the Philadelphia Toboggan Company (PTC). Under an agreement between Hersheypark and PTC, Hersheypark leased the land the coaster occupied, while PTC owned and operated the coaster. The agreement was for 15 years, at which point they had the option to extend the contract. The contract was ultimately extended to 1945. The roller coaster operated from June 16, 1923, through September 1945. PTC and Hershey Park elected to close The Wild Cat and construct a new roller coaster in 1946. Context_4 : Colorado Adventure is a steel roller coaster located at Phantasialand in Bruhl, North Rhine-Westphalia, Germany. During construction, it was decided to opt for a roller coaster in a Western style rather than a traditional roller coaster. The name Colorado is derived from the U.S. state of the same name, well known during the 'Wild West' period in the USA. Context_5 : The New Revolution (formerly known as Revolution, Great American Revolution, and La Revolucion) is a steel roller coaster located at Six Flags Magic Mountain in Valencia, California. Manufactured by Anton Schwarzkopf and designed by Werner Stengel, the roller coaster opened to the public on May 8, 1976. The New Revolution is the world's first modern roller coaster to feature a vertical loop and has been recognized for that accomplishment by American Coaster Enthusiasts (ACE), who awarded the roller coaster its Coaster Landmark status. Context_6 : Leap-The-Dips is a wooden roller coaster located at Lakemont Park in Altoona, Pennsylvania. Constructed in 1902 by the Federal Construction Company and designed by E. Joy Morris, it is the oldest operating roller coaster in the world and believed to be the last surviving side friction roller coaster of the figure-eight variety. Leap-the-Dips operated continuously until 1985, when it closed after falling into disrepair. A fund-raising campaign led to its restoration, with refurbishment efforts beginning in 1997 and ending with a grand-reopening in 1999. It was designated a National Historic Landmark in 1996 and received the Coaster Classic and Coaster Landmark awards from American Coaster Enthusiasts. Context_7 : Roller Coaster (Vietnamese: Tau Luon Sieu Toc) is a steel roller coaster located at Dam Sen Cultural Park in Ho Chi Minh City, Vietnam. Built in 1998, it is the first roller coaster in Vietnam. Until the opening of a similar roller coaster at ai Nam Van Hien which has 4 inversions, the Dam Sen roller coaster had the most inversions in Vietnam. Context_8 : Griffon is a steel Dive Coaster roller coaster located at the Busch Gardens Williamsburg amusement park in James City County, Virginia, United States. Designed by Bolliger & Mabillard, it is 205 ft high, and is the second-fastest (71 mph ) Dive Coaster built. The roller coaster features two Immelmann loops, a splashdown, two vertical drops and was the first of its kind to use floorless trains. Griffon was announced to the public on August 23, 2006 and opened on May 18, 2007 to positive reviews by both newspapers and enthusiasts. In 2007, "Amusement Today"' s annual Golden Ticket Awards voted it the third-best new steel roller coaster of that year and the 27th-best steel roller coaster. It was voted the 33rd-best steel roller coaster in 2013. Context_9 : Temple of the Night Hawk is an enclosed roller coaster located at Phantasialand. Founded in 1988 after 18 months of construction, the ride was originally called ''Space Center''. The ride led passengers past models of rockets and emulated asteroids and the darkened hall was dimly lit with thousands of tiny spots of light to resemble stars. Due to the construction of the neighbouring Wurze Town in 2001, the roller coaster was redeveloped with a fantasy jungle theme and was renamed as the "Temple of the Night Hawk". The roller coaster is now completely dark. Until 2006 there were some green moving lights and strobe lights in the first lifthill, still present today, but not operational. In 2008 the Lights on the coaster trains were turned off or broke down and have never been repaired since then. Till 2010 there was a green laser projection with the outlines of a flying hawk and until June 2012, there were some red strobe-lights at the final brakerun. In 2011, the park installed new strobe lights in the first lifthill, which broke down after about two months, and were never repaired since then. The ride has four trains and one spare train for repairs each with seven cars. Each car has two rows of seats each holding two people. During the four-minute ride time the trains are lifted by three lift hill chains, 1.174 metres of track. The roller coaster is therefore one of the longest indoor roller coasters in the World, slightly beaten by "Mindbender" in Galaxyland Amusement Park, Canada. The hall in which the track is located is around 120,000m in size and rests on 180 concrete pillars which are 12 metres deep in the ground. In the basement of the hall is the ''Hollywood Tour'' darkride. The total investment for the ride was around 15 million DM. Context_10 : Goliath is a steel Hyper Coaster located at the Six Flags Over Georgia amusement park in Cobb County, Georgia, United States. Designed by Bolliger & Mabillard it reaches a maximum height of 200 ft , a top speed of 70 mi/h , and has approximately 4480 ft of track. Great Gasp and Looping Starship were both removed by the end of the 2005 season to make room for the roller coaster. Goliath was announced to the public on September 1, 2005 and opened on April 1, 2006. In 2006, "Amusement Today"' s annual Golden Ticket Awards voted it the fourth-best new steel roller coaster of that year and the 9th-best steel roller coaster. It was voted the 7th-best steel roller coaster in 2013. fact_1 : Colorado Adventure is a steel roller coaster located at Phantasialand in Bruhl, North Rhine-Westphalia, Germany. fact_2 : Phantasialand is a theme park in Bruhl, North Rhine-Westphalia, Germany that attracts approximately 1.75 million visitors annually. Answer: Colorado Adventure
Solution:
What roller coaster located in North RhineWestphalia, Germany is designed in a western style?