input: Progressive organizations such as Fairness and Accuracy In Reporting (FAIR) and Media Matters for America (MMfA) have criticized Stossel's work, for what they perceived as a lack of balance of coverage and distortion of facts. For example, Stossel was criticized for a segment on his October 11, 1999, show during which he argued that AIDS research has received too much funding, "25 times more than on Parkinson's, which kills more people." FAIR responded that AIDS had killed more people in the United States in 1999, but Stossel was speaking in more broad terms than a single country over a single year. In a February 2000 Salon.com feature on Stossel entitled "Prime-time propagandist", David Mastio wrote that Stossel has a conflict of interest in donating profits from his public speaking engagements to, among others, a non-profit called "Stossel in the Classroom" which includes material for use in schools, some of which uses material made by Stossel. University of Texas economist James K. Galbraith has alleged that Stossel, in his September 1999 special Is America #1?, used an out-of-context clip of Galbraith to convey the notion that Galbraith advocated the adoption by Europe of the free market economics practiced by the United States, when in fact Galbraith actually advocated that Europe adopt some of the United States' social benefit transfer mechanisms such as Social Security, which is the economically opposite view. Stossel denied any misrepresentation of Galbraith's views and stated that it was not his intention to convey that Galbraith agreed with all of the special's ideas. However, he re-edited that portion of the program for its September 2000 repeat, in which Stossel paraphrased, "Even economists who like Europe's policies, like James Galbraith, now acknowledge America's success."

Answer this question "Why did he use that clip?"
output: Stossel denied any misrepresentation of Galbraith's views and stated that it was not his intention to convey that Galbraith agreed with all of the special's ideas.

input: Before Hammer's successful music career (with his mainstream popularity lasting approximately between 1988 and 1998) and his "rags-to-riches-to-rags-and-back saga", Burrell formed a Christian rap music group with CCM's Jon Gibson (or "J.G.") called Holy Ghost Boys. Some songs produced were called "Word" and "B-Boy Chill". "The Wall", featuring Burrell (it was originally within the lyrics of this song he first identified himself as K.B. and then eventually M.C. Hammer once it was produced), was later released on Gibson's album Change of Heart (1988). This was Contemporary Christian music's first rap hit ever. Burrell also produced "Son of the King" at that time, releasing it on his debut album. "Son of the King" showed up on Hammer's debut album Feel My Power (1987), as well as the re-released version Let's Get It Started (1988). With exception to later remixes of early releases, Hammer produced and recorded many rap songs that were never made public, yet are now available on the Internet. Via his record labels such as Bust It Records, Oaktown Records and FullBlast, Hammer has introduced, signed and produced new talent including Oaktown's 3.5.7, Ho Frat Hoo!, the vocal quintet Special Generation, Analise, James Greer, One Cause One Effect, B Angie B, The Stooge Playaz, DASIT (as seen on ego trip's The (White) Rapper Show), Teabag, Common Unity, Geeman and Pleasure Ellis; both collaborating with him and producing music of their own during his career. At about the age of 12, Oakland native Keyshia Cole recorded with Hammer and sought career advice from him.

Answer this question "Was that the only two record labels he worked with?"
output: Oaktown Records and FullBlast,

input: The song is a first-person narrative to "sparse" musical accompaniment. It reveals a tale, mostly in the form of brief dialog extracts by the narrator's family at dinnertime, on the day that a local boy - and apparently friend of the narrator - jumped to his death from a nearby bridge. Throughout the song, the suicide and other tragedies are contrasted against the banality of everyday routine and polite conversation. The final verse conveys the quick passage of events and other deaths in a year's time. The song begins with the narrator, her brother and her father returning, after agricultural morning chores, to the family house for dinner (on June 3). After cautioning them about tracking in dirt, "Mama" says that she "got some news this mornin' from Choctaw Ridge" that "Billie Joe McAllister jumped off the Tallahatchie Bridge". At the dinner table, the narrator's father appears unmoved and almost dismissive; he comments that "Billie Joe never had a lick o' [meaning, any] sense", and asks for the biscuits to be passed to him, and comments that he has "five more acres in the lower forty" to plow. Her brother seems somewhat taken aback ("I saw him at the sawmill yesterday ... And now you tell me Billie Joe has jumped off the Tallahatchie Bridge"), but follows the comment by asking for a second slice of pie. He recalls a prank that he and his friends played on the narrator, and that he saw her and Billie Joe talking after church a few days previously. The only person who seems genuinely upset is the narrator. Her mother - who eventually notices the narrator's abrupt and complete change of mood at the news - seems unable to realize she is affected by the news ("Child, what's happened to your appetite? I been cookin' all mornin' and you haven't touched a single bite"). She shares other news instead, that a local preacher visited earlier in the day, and almost as an aside, that the preacher had mentioned seeing Billie Joe and a girl who looked very much like the narrator herself "throwin' somethin' off the Tallahatchie Bridge" - the object they were throwing is not identified. But again, the narrator's mother fails to connect this in any way to her daughter's emotional distress. In the song's final verse, a year has passed, and brought more harm and pain. The narrator's brother has married Becky Thompson, but they have moved away to another town ("bought a store in Tupelo"). Their father died from an unspecified viral infection, and their mother has been depressed and despondent, and "doesn't seem to wanna do much of anything". The narrator is also affected by the malaise; the main change she describes in her own life, is that she often visits Choctaw Ridge and picks flowers there to drop from the Tallahatchie Bridge into the murky waters of the river where Billy Joe jumped to his death.

Answer this question "what other interesting aspects are there about this article?"
output:
In the song's final verse, a year has passed, and brought more harm and pain. The narrator's brother has married Becky Thompson, but they have moved away to another town