If you visited the Getty Center in July or early August, you may have encountered a group of high school students wearing white lab coats with "Teen Lab" splattered across the back. You might have spotted them testing kinetic sculptures made from recycled materials, sketching in front of artworks in the galleries, or taking Polaroid self-portraits inspired by David Hockney's photocollages. Online, you may have seen the playful social media stories they created to share their experiments with artistic and scientific processes. The teens were participants in the Getty Teen Lab, a four-week paid internship for high school students. Supported by a generous grant from the Vera R. Campbell Foundation, Teen Lab was the first of several teen-focused initiatives that the J. Paul Getty Museum is launching in 2017 and 2018. The Getty's Education Department developed Teen Lab in response to several seemingly disconnected questions that many art museums are grappling with today: How can we engage diverse youth in meaningful ways? How can museums help meet the rising demand for K-12 curriculum that integrates Science, Technology, Engineering, Arts, and Math (STEAM)? Can art museums themselves be sites for STEAM learning? To address these questions, we looked at other teen programs and discovered that the most successful models are those that give teens agency and a voice in the museum.(1) For example, many museums have teen councils that program events for their peers or offer opportunities for students to collaborate on projects with artists.(2) The Getty wanted to build on these models by empowering teens to be active creators of educational content. In keeping with this goal, we designed the program using the project-based learning approach, which develops skills and knowledge by inviting students to explore solutions to authentic, real-world problems. Question: Who made the grant for the program? Options: - David Hockney. - The Vera R Campbell Foundation. - not enough information - J. Paul Getty. === The correct answer is
The Vera R Campbell Foundation.

Before writing what I did and what he did please let me tell you I was just a teenagerand it all seemed new, so kindly don't judge me. Even if you want to..I am anonymous for the same reason. So this happened when I was 16 year old. I belong to a very humble and conservative family, from Indore. @I never had a lot of exposure to guys, until we went to attend a marriage of one of our wealthy relatives in Delhi.. it was one of the best times I had, as we had a group of 45 similar aged cousins, though most of them were very distant relatives. One of them was a 19 year old dude, and he was kind of cute. But I never thought I would have this urge to you know it was teenage and everything seemed new and exciting. So the second day, after having roamed all around Noida, we finally returned to our hotel and that guy accompanied me to my room. I asked him if he wants to come in as my parents were involved in the late night Sangeet rehearsals. He nodded gently and before I could know, we were cuddling and watching TV. I felt like a rebel, though it was the strangest and least expected thing I had done. Then he kissed me. Before I knew it I let him in my mouth and he kept rolling his tongue on mine. It was my first kiss, and I don't regret it. The warmth of his mouth, the wetness of his lips and his breath felt like the only thing I ever wanted. I was a teen so please not judge. Sadly before we could proceed, rest of our cousins called us to play Antakhshree with them. Never have we met since, but we often exchange messages on Facebook. It will be hard and awkward to attend his marriage. I love him. Question: Whose wedding did they attend? Options: - A cousin's - An aunt's - An uncle's - not enough information === The correct answer is
not enough information

Q: One of the more surprising objects in the Getty Villa's newly reinstalled gallery of later Roman sculpture is a marble bust of a youth leaning out of a circular frame, mounted high on the gallery wall. J. Paul Getty originally acquired this particular sculpture in 1973, but it has been off view for many years. The recent reinstallation of the Getty Museum's antiquities collection at the Villa provided the opportunity to resurrect many such objects from storage and put them on display. Bringing this strange object back to the public eye enabled us to askand answerseveral questions about it. Whoif anyonedoes it represent? When was it carved? Where was it made, and how did it end up in Los Angeles? In preparation for its display, we researched and reinterpreted the object, exploring both its ancient function and modern history. In its new display, this object is fittingly surrounded by other examples of late Roman sculpture from the third and fourth centuries. Its inclusion in this gallery was not always a given, however, as the figure was long misidentified as a portrait of young Caracalla, who at ten years old became joint emperor with his father in A.D. 198.(1) But recent scholarship questioned the Caracalla identification and the object's date, suggesting it was carved at least a hundred years later.(2) In light of this research, curator Jens Daehner pushed to reexamine the sculpture and consider including it in the reinstallation. In early 2015, the Antiquities Department brought this tondo and many other potential objects for the new galleries out of storage for viewing, providing curators, conservators, mount makers, preps, and registrars a chance to approve and prepare artworks for possible display. After the storage viewing and subsequent research, we updated the object record to conform with what scholars had suggested: this is not a second-century portrait of Caracalla but a fourth-century bust of a youth or divinity. To answer our next question of who the tondo represents, we then had to take a... Question: How did Jens Daehner feel about the bust? Options: - Jens Daehner was bored by the bust - Jens Daehner was resentful of the bust - Jens Daehner was intrigued by the bust - not enough information === The correct answer is
A: Jens Daehner was intrigued by the bust