Detailed Instructions: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : Kay Musical Instrument Company was a musical instrument manufacturer of the United States, in operation since the 1930s until the 1960s. It was established in 1931 at Chicago, Illinois by Henry Kay Kuhrmeyer, from the assets of the former Stromberg-Voisinet, which was founded as Groeschel Mandolin Company in 1890. Kay offered their first electric guitar in 1936five years after the Rickenbacker "Frying pan", and the same year as the Gibson ES-150. Nonetheless, Kay is considered an "electric guitar pioneer" because Kuhrmeyer bought their past company, Stromberg-Voisinet, and produced the first commercial electric guitar, the "Stromberg Electro", in 1928. Context_2 : Robert Lee "Bob" Dunn (February 5, 1908 - May 27, 1971) was an American jazz trombonist and a pioneer Western swing steel guitarist. Although much influenced by influential, key Hawaiian lap steel guitar player Sol Hoopii, Dunn played in his own original bluesy style and was the first to record an electric guitar, preceding other country & western guitarists following him shortly. He preceded by over three years George Barnes (with Big Bill Broonzy in 1938), Leonard Ware and, slightly later, Eddie Durham. Context_3 : Charles Henry Christian (July 29, 1916 March 2, 1942) was an American swing and jazz guitarist. Context_4 : An electric guitar is a fretted stringed instrument with a neck and body that uses a pickup to convert the vibration of its strings into electrical signals. The vibration occurs when a guitarist strums, plucks, fingerpicks, or taps the strings. It is sensed by a pickup, most commonly by a magnetic pickup that uses the principle of direct electromagnetic induction. The signal generated by an electric guitar is too weak to drive a loudspeaker, so it is plugged into a guitar amplifier before being sent to a loudspeaker, which makes a sound loud enough to hear. The output of an electric guitar is an electric signal, and the signal can easily be altered by electronic circuits to add "color" to the sound or change the sound. Often the signal is modified using effects such as reverb and distortion and "overdrive", with the growling sound of the latter being a key element of the sound of the electric guitar as it is used in blues and rock music. Context_5 : George Van Eps (August 7, 1913 November 29, 1998) (often called the Father of the Seven-String Guitar) was an American swing and mainstream jazz guitarist. Context_6 : George Warren Barnes (July 17, 1921 September 5, 1977) was an American swing jazz guitarist who played the first electric guitar in 1931, preceding Charlie Christian by five years. He made the first commercial recording of an electric guitar on March 1, 1938, in sessions with Big Bill Broonzy. Context_7 : The Supro Ozark 1560 S is a vintage electric guitar. It has 10 mm gauge strings and employs a single pickup near the bridge. It was recreated by Roy Dalvin in December, 1990. The guitar is most famous for being the first electric guitar Jimi Hendrix owned. His white Supro Ozark was from his father, who purchased it from Myers Music shop in Seattle in 1958. Context_8 : Dorlis (born February 23, 1982) is the stage name for a Japanese musician from Okayama, Okayama Prefecture. She started out in classical guitar, but at about age 17 became a street musician and dropped out of high school. In time, she became a jazz and swing musician. Her music has at times been deemed nostalgic because of its Swing Revival style. This makes her work somewhat analogous to American swing revivalists like The Brian Setzer Orchestra or Big Bad Voodoo Daddy, though stylistically it is more similar to 1920s and 1930s swing jazz such as Django Reinhardt's. She is primarily a jazz singer, though also is a guitarist. She is signed with Avex Group's Rhythm Zone sublabel. She used to be connected with Victor Entertainment. Context_9 : Kevin R. Gallagher is a guitarist who plays both the electric guitar and the classical guitar. As a classical guitarist, he has received top honors at some of the most prestigious guitar competitions in the world, including the 1993 Guitar Foundation of America, the 1994 American String Teachers Association, the 1993 Artists International Competition, and 1997 Francisco Tarrega Guitar Competition in Spain. As an electric guitarist, he is known for transcribing violin music for electric guitar and for founding the avant-rock ensemble Electric Kompany. He has also produced, in cooperation with John Zorn, a music festival titled "Full Force: The New Rock Complexity" that showcases bands that have combined styles such as classical, rock, jazz, and metal. He has produced a CD for Naxos Records titled "Guitar Recital - Music from the Renaissance and Baroque," a duo CD with Antigoni Goni titled "Evocacion," and an EP featuring his work on solo electric guitar and with Electric Kompany. Context_10 : Michael Nicolella (born December 31, 1963 in Providence, RI) is an American classical guitarist and composer. Described as an iconoclast, he is known for his versatile, adventurous and eclectic approach to repertoire, including the incorporation of electric guitar into his concert programs and recordings. Nicolella's repertoire ranges from the Baroque to the present. His most recent recording is his own arrangement of the complete cello suites of Johann Sebastian Bach; while his past four recordings focused on contemporary music, including his own compositions, alongside those of Toru Takemitsu, Elliott Carter, Luciano Berio, Hans Werner Henze and Steve Reich. He has championed music by such emerging composers as Laurence Crane and Jacob ter Veldhuis and has premiered many works written for him by other composers, including: Joshua Kohl, (of the Degenerate Art Ensemble), David Mesler, Christopher DeLaurenti and John Fitz Rogers, who in 2001 wrote the forty-five-minute piece "Transit" for Nicolella, scored for electric guitar and computer generated sound. His own compositions include works for solo guitar, chamber music with guitar, a classical guitar concerto ("Guitar Concerto"), and an electric guitar concerto ("Ten Years Passed"). His most recent major composition for soprano, guitar (electric and classical) and orchestra, "The Flame of the Blue Star of Twilight", was premiered by the Northwest Symphony Orchestra and soprano Alexandra Picard in April 2012. He has performed and collaborated with a wide range of groups and artists including: violinist Gil Shaham, rock singer Jon Anderson, best known for his work as lead vocalist in the progressive rock band Yes, broadway legends Bernadette Peters and Brian Stokes Mitchell, the Seattle Guitar Trio, jazz singer Johnaye Kendrick, classical music comedians Igudesman and Joo and is a frequent guest with the Seattle Symphony. Nicolella is a graduate of Yale University, Berklee College of Music and the Accademia Musicale Chigiana. He is currently based in Seattle, where he serves on the music faculty of Cornish College of the Arts. He is married to the painter Ann Gale. fact_1 : George Warren Barnes (July 17, 1921 September 5, 1977) was an American swing jazz guitarist who played the first electric guitar in 1931, preceding Charlie Christian by five years. fact_2 : Charles Henry Christian (July 29, 1916 March 2, 1942) was an American swing and jazz guitarist. Question: What is the name of this American swing and jazz guitarist who was preceded by George Barnes in playing the first electric guitar?
Solution:
Charlie Christian