In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
A: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : Pascal-Emmanuel Sinamoyi Tabu (13 November 1937 or 1940 30 November 2013), better known as Tabu Ley Rochereau, was a leading African rumba singer-songwriter from the Democratic Republic of the Congo. He was the leader of "Orchestre Afrisa International", as well as one of Africa's most influential vocalists and prolific songwriters. Along with guitarist Dr Nico Kasanda, Tabu Ley pioneered soukous (African rumba) and internationalised his music by fusing elements of Congolese folk music with Cuban, Caribbean and Latin American rumba. He has been described as "the Congolese personality who, along with Mobutu, marked Africa's 20th century history." He was dubbed "the African Elvis" by the "Los Angeles Times". After the fall of the Mobutu regime, Tabu Ley also pursued a political career. His musical career ran parallel to the other great Congolese rhumba bandleader and rival Franco Luambo Makiadi who ran the band TPOK Jazz throughout the 1960s, 1970s and 80s. Context_2 : Patsy Cline (born Virginia Patterson Hensley; September 8, 1932 March 5, 1963) was an American country music singer. Part of the late 1950s/early 1960s Nashville sound, Cline successfully "crossed over" to pop music and was one of the most influential, successful and acclaimed vocalists of the 20th century. She died at the age of 30 in a multiple-fatality crash of the private plane of her manager, Randy Hughes. Context_3 : A taqtuqa (Arabic: plural: taqatiq, ) is a genre of light Arabic vocal music sung in regional or colloquial Arabic. It was associated with female vocalists around the turn of the 20th century, and became very popular during the first decades of the 20th century, as the gramophone and cinema grew in popularity. Context_4 : Karl Paul Reinhold Niebuhr ( ; June 21, 1892June 1, 1971) was an American theologian, ethicist, commentator on politics and public affairs, and professor at Union Theological Seminary for more than 30 years. Niebuhr was one of America's leading public intellectuals for several decades of the 20th century and received the Presidential Medal of Freedom in 1964. A public theologian, he wrote and spoke frequently about the intersection of religion, politics, and public policy, with his most influential books including "Moral Man and Immoral Society" and "The Nature and Destiny of Man", the second of which Modern Library ranked one of the top 20 nonfiction books of the twentieth century. Andrew Bacevich labelled Niebuhr's book "The Irony of American History" "the most important book ever written on U.S. foreign policy." Historian Arthur Schlesinger Jr. described Niebuhr as "the most influential American theologian of the 20th century" and "Time" posthumously called Niebuhr "the greatest Protestant theologian in America since Jonathan Edwards." Context_5 : Madurai Mani Iyer (Tamil: ) (October 25, 1912 June 8, 1968) was a Carnatic music singer, who was famous for his unique style. He was one of the most highly celebrated carnatic vocalists during the first half of the 20th century. He, along with his contemporaries Semmangudi Srinivasa Iyer and G.N. Balasubramaniam, are referred to as the 20th century male trinity of Carnatic music. He was renowned for his adept skills at singing kalpana swarams, neraval, and raga alapana. His music continues to be highly regarding today. Context_6 : She's Got You is an EP released by American country music singer, Patsy Cline on April 20, 1962. It was the second EP Cline released in that year. Context_7 : Henrietta Cornelia Mears (October 23, 1890 March 19, 1963) was a Christian educator, evangelist and author who had a significant impact on evangelical Christianity in the 20th century and one of the founders of the National Sunday School Association Best known as the innovative and dynamic Director of Christian Education at First Presbyterian Church of Hollywood, California and in charge of the college and young adult people in the mid 1900s, she built a dedicated, enthusiastic staff, trained and mentored her teachers and implemented a graded, age-appropriate curriculum from "cradle roll" to adults. Henrietta lectured and wrote passionately about Sunday school's power to teach others the Bible. Within two years Sunday School attendance at Hollywood "Pres" was averaging more than 4,200 per week. She served in leading the Sunday School program from 400 to 6500. Henrietta Mears taught the college age program herself. Henrietta Mears was one of the most influential Christian leaders of the 20th Century. She founded , a publishing company for many of her training materials, Forest Home, a Christian conference center nestled in a wooded setting of California's coastal range, and , and profoundly impacted the ministries of Bill Bright and Vonette Zachary Bright (Campus Crusade), Jim Rayburn (Young Life) and Billy Graham (Billy Graham Evangelistic Association) and Louis Evans, Jr. who was the organizing pastor of Bel Air Church (where Ronald Reagan and many other stars attended) and led the congregation of the National Presbyterian Church, Washington, D.C. with her emphasis on Scripture and a clear Gospel message for young people. Mears is believed by many theologians to have most directly shaped Bill Bright's Four Spiritual Laws, which defined modern evangelism in the 20th century. Context_8 : The Architecture of Provence includes a rich collection of monuments from the Roman Empire; Cistercian monasteries from the Romanesque Period, medieval palaces and churches; fortifications from the time of Louis XIV, as well as numerous hilltop villages and fine churches. Provence was a very poor region after the 18th century, but in the 20th century it had an economic revival and became the site of one of the most influential buildings of the 20th century, the Unite d'Habitation of the architect Le Corbusier in Marseille. Context_9 : Carmen Mercedes McRae (April 8, 1922 November 10, 1994) was an American jazz singer. She is considered one of the most influential jazz vocalists of the 20th century and is remembered for her behind-the-beat phrasing and ironic interpretation of lyrics. McRae was inspired by Billie Holiday, but she established her own voice. She recorded over sixty albums and performed worldwide. Context_10 : Michigan J. Frog is an animated cartoon character who debuted in the Merrie Melodies cartoon "One Froggy Evening" (December 31, 1955), written by Michael Maltese and directed by Chuck Jones. In this cartoon, partly inspired by a 1944 Cary Grant film entitled "Once Upon a Time", Michigan is a male frog who wears a top hat, carries a cane, sings pop music, ragtime, Tin Pan Alley hits, and other songs from the late 19th and early 20th century while dancing and performing acrobatics in the style of early 20th century vaudeville. He appeared in a later cartoon titled "Another Froggy Evening" which was released on October 6, 1995. He was also a former mascot of The WB Television Network from that year until 2005, and after "The Night of Favorites and Farewells", he was shown as the final image of a white silhouette bowing down to viewers, bringing up The CW Television Network. fact_1 : She's Got You is an EP released by American country music singer, Patsy Cline on April 20, 1962. fact_2 : Part of the late 1950s/early 1960s Nashville sound, Cline successfully "crossed over" to pop music and was one of the most influential, successful and acclaimed vocalists of the 20th century. Answer: Patsy Cline
A:
Who successfully crossed over to pop music and was one of the most influential, successful and acclaimed vocalists of the 20th century, who released an EP on April 20, 1962 ?