In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: after enduring mariah carey 's film debut , glitter , i 'm reminded of a bit from chris rock 's bigger and blacker .
in response to women saying that they can raise a child without a man , rock says , " you can drive a car with your feet , but that do n't mean it should be done .
" to that i say , you can give mariah carey a movie , but that certainly do n't mean it should be done .
sure , there are plenty of pop star film vehicles out there -- from the beatles ' a hard day 's night to the spice girls ' spice world -- but none have been so vapidly pointless or laughable as glitter .
everything about this complete tripe is ludicrous .
start off with the story , which -- as gruesomely predictable as it is -- is the least offensive part of the movie .
the film is inexplicably set in the 80s ,
a period piece that really shows no sign of its period except for a few chicks in leg warmers .
worse yet
, everyone 's speaking late 90s hip - hop slang in what should be 1983 .
meant to be partially autobiographical , carey plays billie frank , a young singer in new york who struggles to overcome a rough childhood and abandonment by her alcoholic mother .
influential club dj julian dice , a .
k . a .
" lucky 7
" ( max beesley playing a bad mix of puff daddy and robert de niro ) , hears her sing on a track , and decides to make her a star .
in predictably rapid succession , billie and dice fall for each other , she starts hitting it big , dice gets jealous and starts acting like an ass , and suddenly billie 's on " the roller coaster of superstardom .
" in the meantime , billie is on an emotional hunt for her missing mom .
i wo n't give away the ending , but -- honestly -- just think of unicorns and rainbows .
. .
you 'll figure it out .
the movie screams to be made with camp , and that could 've been fun .
but the filmmakers thought making the bulk of glitter weepy and dramatic would be better .
what a mistake .
the brief attempts at comic relief -- as in a scene where an effeminate russian - sounding director gets wacky with filming billie 's first music video -- go over like lead balloons .
instead , the audience at my screening tended to laugh loudest during mariah 's most dramatic scenes .
which brings us to the performances , of which there 's nothing good that can be said
.
mariah is primarily seen with a wide - eyed deer - in - the - headlights look frozen on her face .
she actually looks scared during her one love scene .
but you have to wonder if the writing is n't even worse .
so much of the dialogue is so hackneyed and watered down for carey 's virginal target audience that it 's probably impossible for any actor to pull it off with aplomb .
even the characters could n't have been written more absurdly .
they 're all members of a barbie playset : the important film director who swoons , " billie , i 'd love to put you in a movie i 'm making , " and the big - time record executive who takes billie 's demo tape and says , " oh , i 'll make sure the whole team listens to it in the morning .
" everyone in the film is a device , and it 's painful to keep watching just to see another one appear .
to say more would be a waste .
there 's so much wrong with this film .
and , it pains me that mariah carey -- with her ego and sanity in such fragile condition these days , as evidenced by her multiple hospital stays -- will have to suffer through all the negative reviews she 's likely to get .
but , then again , i had to suffer through her movie .
[EX A]: N

[EX Q]: i can imagine how good krippendorf 's tribe must have looked on paper .
it does not surprise me in the least that a group of extremely talented actors , led by the great richard dreyfuss and a good director ( todd holland ) , all wanted to make this film .
in fact , it is only the expertise by which this excruciatingly bad script has been executed that keeps me from suggesting that you stay as far away from krippendorf 's tribe as possible .
in retrospect , i can imagine how bad this film could have been .
i shudder at the possibilities of awfulness
had it starred an actor less able than dreyfuss .
dreyfuss plays james krippendorf , an anthropologist who is granted $ 100 , 000 by his university to find an undiscovered tribe in new guinea .
halfway into his two - year expedition , his wife ( apparently ) dies .
i say apparently because when or how she dies is never truly established .
later , we find out that much of the grant money was spent on big - screen tvs and other such pleasures .
so , when krippendorf finds out what happens to professors who do not use their grant money wisely , he decides to construct an elaborate lie .
he makes his own tribe , using his three children as actors in a video .
he simply makes up certain incredible facts about this tribe ( which he calls the shelmickedmu ) .
audiences at krippendorf 's lectures are amazed by his findings that the shelmickedmu practice circumcision .
and proof that the typical family unit is led by a single father is truly amazing to the anthropological community .
like all films like this , the lie becomes more and more complex , and the suspense is generated with us wondering at what point it is all going to fall out from under our hero .
dreyfuss is a funny , talented man , and he is funny in this film .
he has lots of positive energy and , unlike most comical actors , really manages to play people like this realistically .
this film also requires a lot of physical humor that i 've never seen dreyfuss perform , and he does a great job .
jenna elfman , who plays veronica mecilli , a scientist who wants in on krippendorf 's work , is also very funny and appealing here .
and the kid actors are great , as well .
but we 're talking about the script from hell .
this is one of those stories that requires such extreme suspension of disbelief that they might as well have established that the story just takes place in an alternate universe where things like this can happen .
but the ridiculousness of the story is not really
what is so bad about it .
all the cliches and the irritating plot devices could have easily been overcome by dreyfuss and crew .
no , the script is plagued with so many clueless stereotypes and mean - spirited characters that i was in disbelief as i watched .
furthermore , the manor in which all of this material is covered up is truly shameless .
take , for instance , the scene in which krippendorf gets veronica drunk so he can tape them having sex .
they get all decked out in the tribe getup , complete with paint to darken their skin .
krippendorf does this because he needs footage of the mating rituals of his tribe .
now , i saw this scene coming from a mile away , but i said to myself , " no , that would be far too tasteless .
there 's no way they 'll do that . . .
oh god !
"
they did do it .
it 's there .
i was almost more appalled by the fact that this did n't bother the other audience members with whom i saw this film .
i found it deplorable .
and when krippendorf is forced to admit that he did it , he simply apologizes without the slightest hint of conviction in his voice .
the film is filled with scenes like these .
they not only insult the audience , but they insult the types of people that the film portrays .
it would take some truly professional work to create videos convincing enough to fool an entire community of scientists , yet krippendorf
does it easily in an afternoon .
and watching dreyfuss stumble over a completely unprepared speech is funny and entertaining , but i think that most members of the on - screen audience would be able to see that he is making everything up as he goes .
if i were an anthropologist , this film would insult me immensely .
moving right along , the film plays off every stereotype our culture has ever learned regarding african tribes .
sure , dreyfuss dressing up like a chief is really funny , and it allows for some entertaining scenes , but the heart of this material is deeply clueless as to the themes and thoughts that it provokes .
it is because of dreyfuss as an actor that i was able to watch this film .
his character here is not a good subject for a film because he is a shameless liar , and never once does he show any kind of penance for what he does .
i suppose it was interesting to see the formula defied in this case , but for the purposes of good taste , i would have expected something .
no , this man sets a terrible example for his kids and colleagues , and the writer of the film ( charlie peters ) did n't include a single scene in which krippendorf takes his kids aside and tells them that what he is doing is very bad .
in fact , it 's his eldest daughter that frequently tells him that he is doing the wrong thing , and he continually shrugs off her warnings .
i suppose it 's important to admit that this is a funny film .
dreyfuss and elfman , and many of the contrived and insulting scenes , add up to a picture that is anything but boring .
and if you 're less serious than i , you probably will enjoy it .
i , however , ca n't get past these elements .
krippendorf 's tribe is being marketed as a family comedy , but this is the kind of film that teaches the kids of our society faulty lessons that they should n't be learning .
with a little more insight into its story and themes , this could have been a good movie .
[EX A]: N

[EX Q]: barb wire , pamela anderson lee 's first foray into films , highlights the fact that her only talent lies in her silicone enhanced assets .
being the only notable member of the cast , the camera lingers lustily o n her body at every opportunity , making her character 's catch line , " do n't call me babe , " sound very ironic indeed .
from the very opening of the movie , we are treated to a striptease routine from anderson , ending in her hurling her stiletto smack between the eyes of a lusty male who happened to call her babe .
throughout the movie , there is ample footage of enormous breasts and cleavage , if not of anderson 's , then at least of the female extras .
this alone is enough to retitle the movie babe wire . for a plot
, barb wire rehashes the casablanca storyline .
it is 2017 , the middle of the second american civil war , and barb wire , a former resistance fighter , runs a joint in steel harbour called hammerhead ( ! ! ) .
known for attracting resistance fighters an d characters of all sorts
, the bar attracts the attention of the government forces who appear dressed in nazi - style uniforms .
in between bashing up helpless males and showing off her trademark breasts , barb wire has to help a former lover and his wife get to the airport on the other side of the town , past the government - controlled areas , and to freedom .
even the airport looks like the one in casablanca , except that the plane in the background is a modern , private jet .
there are hardly any significant moments in this film , and one gets the impression that it was designed for young teenagers familiar with the dark horse comics version of " barb wire .
"
if anything , one leaves the film with the confirmation that anderson di d not do her own stunts . who could fight and jump in a skimpy , strapless leather top , and yet keep her breasts from spilling out ?
only a stuntwoman . not pamela anderson lee .
[EX A]:
N