input: Founded by brothers Hans and Rene Rutten and vocalist Bart Smits, The Gathering formed in the city of Oss, North Brabant, Netherlands in 1989. Soon after they were joined by Hugo Prinsen Geerligs, Jelmer Wiersma and Frank Boeijen to complete their first line-up. The Gathering's earliest recordings were categorized as atmospheric doom metal with influences from death metal acts like Celtic Frost and Hellhammer. In 1990 they recorded a demo tape entitled An Imaginary Symphony which met some positive reactions from the underground metal scene due to their unusual use of keyboards in metal-oriented music. A second demo, "Moonlight Archer" was recorded in April 1991, was picked up by several music journalists. Both demos suffered from poor production; however they did help establish the band's name on the live circuit opening for bands such as Deadhead, Invocator, Samael, Morbid Angel and Death. After signing with Foundation 2000, the group released their debut album Always... in 1992. On this album, Bart Smits was accompanied by Marike Groot on vocals, who also joined The Gathering on stage for most of the gigs. the album was a minor success on the European continent, where it went on to shift nearly 20,000 units over the next few years. In 1992 both Bart Smits and Marike Groot decided to leave the group due to musical differences; the other members wanted to change direction towards a lighter, more progressive sound. Smits went on to form his own project, called Wish, to explore a darker, heavier sound. In 1993 the group recruited two new vocalists, Niels Duffhues and female counterpart Martine van Loon. A second album, Almost a Dance, was recorded and released in 1993 by Foundation 2000. The album was met with much criticism aimed at Duffhues' punk-ish tone being decidedly out of step with the music, and the album was largely written off as a result. The group collectively acknowledged their disappointments with Almost a Dance and decided to start writing new material and start the search for a new vocalist.

Answer this question "where did the band each grow up?"
output: The Gathering formed in the city of Oss, North Brabant, Netherlands

input: Among his many philanthropic efforts, the establishment of public libraries throughout the United States, Britain, Canada and other English-speaking countries was especially prominent. In this special driving interest and project of his he was inspired by meetings with philanthropist Enoch Pratt (1808-1896). The Enoch Pratt Free Library (1886) impressed Carnegie deeply; he said, "Pratt was my guide and inspiration". Carnegie turned over management of the library project by 1908 to his staff, led by James Bertram, (1874-1934). The first Carnegie library opened in 1883 in Dunfermline. His method was to build and equip, but only on condition that the local authority matched that by providing the land and a budget for operation and maintenance. To secure local interest, in 1885, he gave $500,000 to Pittsburgh for a public library, and in 1886, he gave $250,000 to Allegheny City for a music hall and library; and $250,000 to Edinburgh for a free library. In total Carnegie funded some 3,000 libraries, located in 47 US states, and also in Canada, Britain, Ireland, Australia, New Zealand, South Africa, the West Indies, and Fiji. He also donated PS50,000 to help set up the University of Birmingham in 1899. As Van Slyck (1991) showed, the last years of the 19th century saw acceptance of the idea that free libraries should be available to the American public. But the design of the idealized free library was the subject of prolonged and heated debate. On one hand, the library profession called for designs that supported efficiency in administration and operation; on the other, wealthy philanthropists favored buildings that reinforced the paternalistic metaphor and enhanced civic pride. Between 1886 and 1917, Carnegie reformed both library philanthropy and library design, encouraging a closer correspondence between the two.

Answer this question "Did he donate any of his money?"
output: in 1885, he gave $500,000 to Pittsburgh for a public library,

input: West's recording career started in the early 1930s with releases of her film songs on shellac 78 rpm records. Most of her film songs were released as 78s, as well as sheet music. In 1955, she recorded her first album, The Fabulous Mae West. In 1965, she recorded two songs, "Am I Too Young" and "He's Good For Me", for a 45 rpm record released by Plaza Records. She recorded several tongue-in-cheek songs, including "Santa, Come Up to See Me", on the album Wild Christmas, which was released in 1966 and reissued as Mae in December in 1980. Demonstrating her willingness to keep in touch with the contemporary scene, in 1966 she recorded Way Out West, the first of her two rock-and-roll albums. The second, released in 1972 on MGM Records and titled Great Balls of Fire, covered songs by The Doors, among others, and had songs written for West by English songwriter-producer Ian Whitcomb. The April 18, 1969 issue of Life featured West at age 75, with images by child star, actor, and professional photographer Roddy McDowall. After a 27-year absence from motion pictures, West appeared as Leticia Van Allen in Gore Vidal's Myra Breckinridge (1970) with Raquel Welch, Rex Reed, Farrah Fawcett, and Tom Selleck in a small part. The movie was intended to be deliberately campy sex change comedy, but had serious production problems, resulting in a botched film that was both a box-office and critical failure. Author Vidal, at great odds with inexperienced and self-styled "art film" director Michael Sarne, later called the film "an awful joke". Though Mae West was given star billing to attract ticket buyers, her scenes were truncated by the inexperienced film editor, and her songs were filmed as though they were merely side acts. Despite Myra Breckinridge's mainstream failure, it continued to find an audience on the cult film circuit where West's films were regularly screened and West herself was dubbed "the queen of camp". Mae West's counterculture appeal included the young and hip, and by 1971, the student body of UCLA voted Mae West "Woman of the Century" in honor of her relevance as a pioneering advocate of sexual frankness and courageous crusader against censorship. In 1975, West released her book Sex, Health, and ESP (William Allen & Sons, publisher), and Pleasure Man (Dell publishers) based on her 1928 play of the same name. Her autobiography, Goodness Had Nothing to Do with It, was also updated and republished in the 1970s.

Answer this question "What other recordings did she make?"
output:
"Santa, Come Up to See Me