Some context: Maelgwn Gwynedd (Latin: Maglocunus; died c. 547) was king of Gwynedd during the early 6th century. Surviving records suggest he held a pre-eminent position among the Brythonic kings in Wales and their allies in the "Old North" along the Scottish coast. Maelgwn was a generous supporter of Christianity, funding the foundation of churches throughout Wales and even far beyond the bounds of his own kingdom. Nonetheless, his principal legacy today is the scathing account of his behavior recorded in De excidio
After the collapse of Roman authority in Britain, north Wales was invaded and colonized by Gaelic tribes from Ireland. The kingdom of Gwynedd began with the reconquest of the coast by northern Britons under the command of Maelgwn's great-grandfather Cunedda Wledig. Generations later, Maelgwn's father Cadwallon Long-Hand completed the process by destroying the last Irish settlements on Anglesey. Maelgwn was the first king to enjoy the fruits of his family's conquest and he is considered the founder of the medieval kingdom's royal family. He is thus most commonly referenced by appending the name of the kingdom to his own: Maelgwn Gwynedd. By tradition, his llys (English: royal court, literally hall) was located at Deganwy, in the Creuddyn peninsula of Rhos. Tradition also holds that he died at nearby Llanrhos, and was buried there. Other traditions say that he was buried at Ynys Seiriol (English: Island of St. Seiriol, Puffin Island), off easternmost Anglesey. There are no historical records to confirm or deny these traditions. Historical records of this early era are scant. Maelgwn appears in the royal genealogies of the Harleian genealogies, Jesus College MS. 20, and Hengwrt MS. 202. His death in a "great mortality" of 547 is noted in the Annales Cambriae. Tradition holds that he died of the 'Yellow Plague' of Rhos, but this is based on one of the Triads that was written much later. The record says only that it was a "great mortality", which followed the outbreak of the great Plague of Justinian in Constantinople by a few years. Maelgwn was a generous contributor to the cause of Christianity throughout Wales. He made donations to support Saint Brynach in Dyfed, Saint Cadoc in Gwynllwg, Saint Cybi in Anglesey, Saint Padarn in Ceredigion, and Saint Tydecho in Powys. He is also associated with the foundation of Bangor, but hard evidence of this is lacking. In his 1723 Mona Antiqua Restaurata, Henry Rowlands asserts that Bangor was raised to an episcopal see by Maelgwn in 550, but he provides no source for the assertion. The only contemporary information about the person is provided by Gildas, who includes Maelgwn among the five British kings who he condemns in allegorical terms in his De Excidio et Conquestu Britanniae. He says Maelgwn held a regional pre-eminence among the other 4 kings, going on to say that he overthrew his paternal uncle (Latin: avunculus) to gain the throne; that he had taken up life as a monk but then returned to the secular world; that he had been married and divorced, then remarried to the widow of his nephew after being responsible for his nephew's death; and that he was tall.
Where did the name Gwynedd come from?
A: He is thus most commonly referenced by appending the name of the kingdom to his own: Maelgwn Gwynedd.
Some context: Baldwin was born April 3, 1958, in Amityville, New York, and raised in the Nassau Shores neighborhood of nearby Massapequa, the eldest son of Carol Newcomb (nee Martineau; born 1930) and Alexander Rae Baldwin Jr. (October 26, 1927 - April 15, 1983), a high school history/social studies teacher and football coach. He has three younger brothers, Daniel, William, and Stephen, who also became actors. He also has two sisters, Beth and Jane. Alec and his siblings were raised as Roman Catholics.
Baldwin made his Broadway debut in 1986 in a revival of Joe Orton's Loot alongside Zoe Wanamaker, Zeljko Ivanek, Joseph Maher, and Charles Keating. This production closed after three months. His other Broadway credits include Caryl Churchill's Serious Money with Kate Nelligan and a revival of Tennessee Williams' A Streetcar Named Desire, for which his performance as Stanley Kowalski garnered a Tony Award nomination for Best Actor. Baldwin also received an Emmy nomination for the 1995 television version of the production, in which both he and Jessica Lange reprised their roles, alongside John Goodman and Diane Lane. In 1998, Baldwin played the title role in Macbeth at The Public Theater alongside Angela Bassett and Liev Schreiber in a production directed by George C. Wolfe. In 2004, Baldwin starred in a revival of Broadway's Twentieth Century about a successful and egomaniacal Broadway director (Baldwin), who has transformed a chorus girl (Anne Heche) into a leading lady. On June 9, 2005, he appeared in a concert version of the Rodgers and Hammerstein musical South Pacific at Carnegie Hall. He starred as Luther Billis, alongside Reba McEntire as Nellie and Brian Stokes Mitchell as Emile. The production was taped and telecast by PBS on April 26, 2006. In 2006, Baldwin made theater news in Roundabout Theatre Company's Off-Broadway revival of Joe Orton's Entertaining Mr. Sloane. In 2010, Baldwin starred opposite Sam Underwood in a critically acclaimed revival of Peter Shaffer's Equus, directed by Tony Walton at Guild Hall in East Hampton, New York. Baldwin has returned to Broadway as Harold in Orphans. The show, which opened April 18, 2013, was also to have starred Shia LaBeouf as Treat, but LaBoeuf left the production in rehearsals and was replaced by Ben Foster.
When was his most recent theater performance?
A:
Baldwin has returned to Broadway as Harold in Orphans. The show, which opened April 18, 2013, was also to have starred Shia LaBeouf as Treat,