Q: I thought I might get some good ideas if I went down to the hospital. I always have stayed away from hospitals. People died or were born. But now I thought I might get some idea if I went down to where it was all happening, the being born and the dying. Mostly the dying. It was the dying that interested me. I sat on a bench in a sort of waiting room. I wanted to call it a green room; it wasn't a place where the patients would wait to be called by the doctor; it was a place where the relatives would wait while the patient was in their room. It had a coffee bar, and comfortable couches, with trendy, muted colors on the walls and floor. Everything was clean and modern without being cold, a homogenized balancing act designed to keep everyone calm during their stressful time. It was a green room; patients were "guests"; their families were "guests" as well. Here was where the families would sit and be feted while they waited to be called out to perform, to smile and encourage or to don faces of appropriate mournfulness. The old ones would put on smiles, the young ones would look sad. I think I went there because it seemed to me that it was the place richest in emotional impact. It reeked of spent emotions, and the emotions were made all the stronger, here in the green room, by the efforts at suppression--the muted walls and gourmet coffees and scones, the overstuffed loveseats and couches, as if those in grief should not be permitted to sit on benches or folding chairs. It absolutely reeked of hush and hidden feeling. It was worse than a church. It was worse than a highschool hallway. It was more universal, more basic, something even the children could comprehend. When did the author see the coffee bar? Pick the correct answer from the following options: - Before walking into the green room - not enough information - After walking into the green room - Before deciding to go to the hospital
A: After walking into the green room

Q: My father lost something valuable to him that didn't resurface for years after his death. My dad was a World War II veteran and an officer. All officers were issued the classic Ray Ban sunglasses with the wraparound wire rims. He wore them almost all the time for the next thirty years after the War, then one day in the 1970's, he misplaced them. He was heartbroken, crestfallen, that he lost something he cherished from his military servicethe symbolic military issue Bausch & Lombs coveted by every officer who served. I wanted so badly to be my dad's Hero. I overturned every piece of furniture in the house, rifled every dresser drawer, every nook and crannie, underneath beds, the garage, the yard, you name it. I was on a Mission. I wanted to walk up to him and say, beaming, Here Dad! I found your sunglasses! But alas, after several weeks, no success. I was crushed by my own failure. He passed away, and his possessions were divided among our family. Fast forward to a few years ago. My Cocker Spaniel was sniffing around in the bathroom, and a box fell out of the bathroom closet with a crash. I went to investigate and chide the dogwhen the first thing I saw on the bathroom floor next to the overturned box was the yellowed leather case, and his wire rim sunglasses. I picked it up, held it in my hand, and I, a grown man, immediately burst into tears, sobbing. Suddenly, I was nineteen again. My wife asked what was the matter, and I told her the whole story. I figured after his passing, his sunglasseswhich evidently were in the house the whole timewere probably tossed into one of many anonymous cardboard boxes, and I happened to be the one who carried off the box containing them. So here Dad! I found your sunglasses! I love you! Am I still your hero? How does the son feel about his Dad losing his Ray Ban sunglasses? Pick the correct answer from the following options: - not enough information - indifferent - upset - glad because he'll finally get a new pair
A: upset

Q: Light dappled through the trees in the family courtyard, painting shadows on the paving stones. Li Reiko knelt by her son to look at his scraped knee. "I just scratched it." Nawi squirmed under her hands. Her daughter, Aya, leaned over her shoulder studying the healing. "Maybe Mama will show you her armor after she heals you." Nawi stopped wiggling. "Really?" Reiko shot Aya a warning look, but her little boy's dark eyes shone with excitement. Reiko smiled. "Really." What did tradition matter? "Now let me heal your knee." She laid her hand on the shallow wound. "Ow." "Shush." Reiko closed her eyes and rose in the dark space within her mind. In her mind's eye, Reiko took her time with the ritual, knowing it took less time than it appeared. In a heartbeat, green fire flared out to the walls of her mind. She dissolved into it as she focused on healing her son. When the wound closed beneath her hand, she sank to the surface of her mind. "There." She tousled Nawi's hair. "That wasn't bad, was it?" "It tickled." He wrinkled his nose. "Will you show me your armor now?" She sighed. She should not encourage his interest in the martial arts. His work would be with the histories that men kept, and yet... "Watch." Pulling the smooth black surface out of the ether, she manifested her armor. It sheathed her like silence in the night. Aya watched with obvious anticipation for the day when she earned her own armor. Nawi's face, full of sharp yearning for something he would never have, cut Reiko's heart like a new blade. "Can I see your sword?" She let her armor vanish back into thought. "No." Reiko brushed his hair from his eyes. "It's my turn to hide, right?" When did Li Reiko show Nawi her armor? Pick the correct answer from the following options: - After she healed Nawi's wound. - After she showed Nawi her sword. W - not enough information - Before she healed Nawi's wound.
A: After she healed Nawi's wound.