Q: A toggle bolt with a hook consists of a bolt threaded through the center of two spring-loaded wings that distribute its weight in the drywall. A hook is attached to the end of the bolt instead of a standard bolt head. Toggle bolts are available at most home hardware stores and the packaging will say how much weight they can support. You can also use toggle bolts to hang hooks from other types of ceiling materials, such as wood-paneled, plaster, or popcorn ceilings. The process is the same as for drywall. Assemble the toggle bolt as directed by the packaging. Make sure the wing clip is oriented so that they fold down towards the bolt when you pinch them. Some toggle bolts come with a built-in hook, in which case you just need to screw the wing clip onto the opposite end of the hook. Some toggle bolts come with a more decorative hook hanger that screws on. Twist it on clockwise to the end of the hook opposite the wing clip. The types of hooks that screw onto a toggle bolt are also known as swag hooks. If you buy a toggle bolt that just has a wing clip and no built-in hook, then you can buy a swag hook that matches the thread size of the toggle bolt separately and screw it on to the end. Stand on something so that you can reach the ceiling and hold a stud finder flat against the ceiling. Turn it on and slide it around until there are no lights, which indicates that there is no ceiling joist there. A toggle bolt cannot be screwed into a wooden joist, so make sure you find a hollow area to install it. If you're hanging a lamp, make sure the area where you install the hook is close to a power outlet that you easily can plug it into. Draw a small circle with the pencil to indicate where you will drill through the ceiling. This is where you will install the toggle bolt. You will be drilling a fairly big hole, so don't worry too much about the size of the mark. It will disappear after you drill. Select a bit that is barely larger than the diameter of the toggle bolt when the wings are folded down. This will allow the bolt to pass through the hole when the wing clip is in the closed position. The packaging of your toggle bolt will often indicate what size hole you need to drill. If the packaging doesn't indicate the size, measure the diameter of the toggle when the wings are pinched closed with a measuring tape or ruler to determine how big of a hole to drill. Pinch the wings down against the bolt and hold them closed at the very ends between 2 fingers. Slide the top of the wings up through the hole. The wings will open when they reach the hollow space. If the wings won't fit through the hole, then drill it slightly wider until they do. You'll feel and hear the clip pop open on the other side when the wings are all the way through. Grab the hook and pull gently down. Turn the bolt clockwise to tighten it until the hook feels tight and is flush against the ceiling. Pulling down on the hook will hold the wings in place while you tighten it from below. The hook will cover up the hole you drilled when it is tightened all the way.
A: Use a toggle bolt to hang items less than 10lb (4.5kg) in drywall. Screw the wing clip onto one end of the bolt. Screw the hook hanger onto the other end if the toggle bolt has a separate hook. Use a stud finder to find a hollow area in the drywall. Mark a spot to drill a hole in the drywall with a pencil. Drill a hole through the mark with an electric drill. Pinch the wings together and insert them through the hole. Tighten the bolt to make sure the wings are secure against the inside.

Article: Right after the chocolate has finished heating, drop a tablespoon into 10 cupcake liners. The chocolate has to be warm for it to spread, so don't wait between melting the chocolate and making the cups. After pouring the chocolate, use a pastry brush or other small brush to coat the bottom and sides of the inside of the cupcake liner with chocolate. Try to evenly distribute the chocolate around the liner so that the cup has an even thickness. After spreading the chocolate, put the cups immediately in the freezer and leave them there for 30 minutes. This will allow the chocolate to firm. Melt the leftover chocolate by microwaving and stirring every fifteen seconds. Since the chocolate has already been melted, it will take less time to get warm again. Stop when the chocolate is warm and easily stirred. Spoon another tablespoon of chocolate into the chocolate cups and spread it to form another layer. Making another layer ensures that the chocolate cups are the right thickness and won't be too brittle. Put the cupcake liners in the freezer to let the second layer harden. Keep the chocolate cups in the freezer for at least one hour so they can get completely hard.
Question: What is a summary of what this article is about?
Spoon one tablespoon of chocolate into cupcake liners. Spread the chocolate using a brush. Freeze the cups for 30 minutes. Melt the chocolate again. Repeat the same process again to make another coat. Freeze for one hour.

Q: If you stumble upon an artist with work that you're interested in, contact them via email or show up at a gallery opening and tell them that you're interested in potentially buying their work. They'll likely have more work that they'd be able to show you, and you'll be able to learn more about a specific piece that you're interested in buying. Most artists have personal websites where they showcase and sell their work. Some artists will be resistant to working with a buyer that wants to buy their art as an investment, especially if they're well-established in their field. Many established artists have representatives and agents that deal with potential buyers. If you know an artist is being represented, contacting them directly can come off as an insult to the artist. Gallery owners make a living buying and selling art. They are likely to be regularly purchasing or soliciting investable art. Ask gallery owners to keep an eye out for work that you might be interested in buying. You'll be the first person they call when they come across a potential investment. Evaluators are professional appraisal experts, and their estimates hold quite a bit of weight when it comes to selling or buying art. A professional evaluation will put potential buyers at ease, since they'll know that they aren't overpaying for a work. Inversely, a professional evaluation will let you know whether or not a potential purchase is worth considering at its available price. Most galleries and studios have specific evaluators that they work with. Ask about evaluations when inquiring about a piece's price. Gallery owners will appreciate the ability to offer a piece to their clients before you put it on the open market without their assistance. Apart from being a courtesy, it's possible that the original gallery owner will have buyers readily available for you, since they're in contact with other people that are likely to have the same tastes in art. An easy way to test whether an evaluation is accurate or not is to try listing the work online for a price higher than its been evaluated at. You may be able to get a higher price than you'd expect by using a non-traditional venue to sell your work. This will also give you a sense if the original appraisal is an accurate representation of what a piece of art is worth at the current moment. Lumas, Society 6, SaatchiArt, and Artfinder are all reputable online venues to sell works of fine art. If the international market takes a dip during a recession or slow period, don't lose your cool. The market for fine art can be fickle, but that doesn't mean that you should sell at the first sign of trouble. Fine art is usually a long-term investment, and you should generally hold on to assets during tumultuous periods in the market. If you haven't gotten an evaluation that you're happy with and the market isn't particularly strong, hold on to your investment. Holding on to an asset is the best way to let it appreciate over time, especially if you've got your hands on a piece created by an up-and-coming or well-established artist. It can take time for a work to appreciate in value, so be patient! You may end up waiting for quite some time if you want to get high prices for your work, so don't buy a piece expecting to always sell it off right away.
A:
Contact an artist directly to look into buying their work. Enlist gallery owners to keep an eye out for work you're interested in. Hire an evaluator to appraise your art before buying or selling. Contact the gallery that you bought a piece from before selling it. Market your art online before going to an auction house or private seller. Don't panic and sell too quickly if the market turns. Hold a purchase when in doubt.