In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
A: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : Glenn Slater (born 1968) is an American lyricist who collaborates with Alan Menken and other musical theatre composers. He was nominated for the Tony Award for Best Original Score for the Broadway version of "The Little Mermaid" at the 62nd Tony Awards in 2008, his second Tony nomination for "Sister Act" at the 65th Tony Awards in 2011, and his third Tony nomination for "School of Rock" at the 70th Tony Awards in 2016. Context_2 : Oscar Greeley Clendenning Hammerstein II ( ; July 12, 1895 August 23, 1960) was an American librettist, theatrical producer, and (usually uncredited) theatre director of musicals for almost forty years. Hammerstein won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalist's and jazz musicians. He co-wrote 850 songs. Hammerstein was the lyricist and playwright in his partnerships; his collaborators wrote the music. Hammerstein collaborated with numerous composers, such as Jerome Kern, with whom he wrote "Show Boat", Vincent Youmans, Rudolf Friml, Richard A. Whiting and Sigmund Romberg; but he is best known for his collaborations with Richard Rodgers, as the duo Rodgers and Hammerstein which include "Oklahoma!", "Carousel", "South Pacific", "The King and I", and "The Sound of Music". Context_3 : Stephen Joshua Sondheim ( ; born March 22, 1930) is an American composer and lyricist known for more than a half-century of contributions to musical theatre. Sondheim has received an Academy Award, eight Tony Awards (more than any other composer, including a Special Tony Award for Lifetime Achievement in the Theatre), eight Grammy Awards, a Pulitzer Prize, a Laurence Olivier Award, and a 2015 Presidential Medal of Freedom. He has been described by Frank Rich of "The New York Times" as "now the greatest and perhaps best-known artist in the American musical theater." His best-known works as composer and lyricist include "A Funny Thing Happened on the Way to the Forum", "Company", "Follies", "A Little Night Music", "Pacific Overtures", "", "Merrily We Roll Along", "Sunday in the Park with George", "Into the Woods", "Assassins", and "Passion". He also wrote the lyrics for "West Side Story" and "Gypsy". Context_4 : Yuki Shimoda (August 10, 1921 May 21, 1981) was an American actor best known for his starring role as Ko Wakatsuki in the NBC movie of the week, "Farewell to Manzanar" in 1976. He also co-starred in a 1960s television series, "Johnny Midnight" (39 episodes), with Edmond O'Brien. He was a star of the silver screen, early television and the stage. His Broadway theater stage credits include "Auntie Mame" with Rosalind Russell, nominated for eight Tony Awards and winner of three Tonys, and "Pacific Overtures", a Stephen Sondheim Broadway musical directed by Harold Prince nominated for ten Tony Awards. Context_5 : Onna White (March 24, 1922 April 8, 2005) was a Canadian choreographer and dancer, nominated for eight Tony Awards. Context_6 : Chita Rivera: The Dancer's Life is a musical revue based on the life of Chita Rivera, with a book by Terrence McNally and new songs by Stephen Flaherty and Lynn Ahrens as well as songs from various other composers. It earned Rivera her ninth Tony Award nomination (for Best Actress in a Musical). Context_7 : Seussical is a musical by Lynn Ahrens and Stephen Flaherty based on the stories of Dr. Seuss (mainly "Horton Hears a Who!", "Horton Hatches the Egg" and "Miss Gertrude McFuzz") that debuted on Broadway in 2000. The play's story is a complex amalgamation of many of Seuss's most famous books. After a Broadway run, the production spawned two US national tours and a UK tour. It has become a beloved classic for schools, communities, and regional theatres. Context_8 : Stephen Flaherty (born September 18, 1960) is an American composer of musical theatre. He works most often in collaboration with the lyricist/bookwriter Lynn Ahrens. They are best known for writing the Broadway musicals "Once on This Island", which was nominated for eight Tony Awards, "Seussical", which was nominated for the Grammy Award, and "Ragtime", which was nominated for twelve Tony Awards and won Best Original Score. Flaherty was also nominated for two Academy Awards and two Golden Globe Awards with Lynn Ahrens for his songs and song score for the animated film musical "Anastasia". Context_9 : Lynn Ahrens (born October 1, 1948) is an American writer and lyricist for the musical theatre, television and film. She has collaborated with Stephen Flaherty for many years. She won the Tony Award, Drama Desk Award, and Outer Critics Circle Award for the Broadway musical "Ragtime". Together with Flaherty, they have written many musicals, including "Lucky Stiff", "Once on This Island", "My Favorite Year", "Ragtime", "Seussical", "A Man of No Importance", "Dessa Rose", "The Glorious Ones", and most recently seen on Broadway, "Rocky the Musical". Context_10 : Maja Lidia Kossakowska (1972) is a Polish fantasy writer, archeologist and journalist. She was first published in 1997. She was nominated eight times for the Janusz A. Zajdel Award for her short stories and novels, and received it in 2007 for the short story "Smok tanczy dla Chung Fonga". She has also received several other awards. She is best known for using angel themes in her work. She is the author of five books and many short stories. fact_1 : They are best known for writing the Broadway musicals "Once on This Island", which was nominated for eight Tony Awards, "Seussical", which was nominated for the Grammy Award, and "Ragtime", which was nominated for twelve Tony Awards and won Best Original Score. fact_2 : Seussical is a musical by Lynn Ahrens and Stephen Flaherty based on the stories of Dr. Seuss (mainly "Horton Hears a Who! Answer: Dr. Seuss
A:
Which stories is the musical, in which Stephen Flaherty was nominated eight Tony Awards for, based on?