In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution is here: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this: Context_1 : Policy Studies Journal is a quarterly peer-reviewed academic journal published by Wiley-Blackwell on behalf of the Policy Studies Organization and the American Political Science Association's Public Policy Section. The journal was established in 1972. The current editor-in-chief is Edella Schlager (University of Arizona). The journal publishes articles on a wide range of public policy issues. Context_2 : DePauw University in Greencastle, Indiana, is a private liberal arts college with an enrollment of approximately 2,300 students. The school has a Methodist heritage and was originally known as Indiana Asbury University. DePauw is a member of both the Great Lakes Colleges Association and the North Coast Athletic Conference. The Society of Professional Journalists was founded at DePauw. Context_3 : Middle East Critique is a peer reviewed Middle Eastern studies journal published by Taylor & Francis for the Center for Middle Eastern Studies at Lund University. Context_4 : Andrew "Andy" Sawyer (born 1952) is a librarian, critic and editor, as well as an active part of science fiction fandom (although he himself has not written much science fiction). Sawyer is the full-time Librarian/Administrator of the Science Fiction Foundation Collection in the Special Collections Department in the Sydney Jones Library at the University of Liverpool, as well as Course Director of the University's M.A. in Science Fiction Studies program. He also serves as Reviews Editor for "Foundation: The International Review of Science Fiction". For his work and commitment to the science fiction community, the Science Fiction Research Association awarded him their Thomas D. Clareson Award for Distinguished Service in 2008. Context_5 : James Edwin Gunn (born July 12, 1923) is an American science fiction writer, editor, scholar, and anthologist. His work as an editor of anthologies includes the six-volume "Road to Science Fiction" series. He won the Hugo Award for "Best Related Work" in 1983 and he has won or been nominated for several other awards for his non-fiction works in the field of science fiction studies. The Science Fiction and Fantasy Writers of America made him its 24th Grand Master in 2007 and he was inducted by the Science Fiction and Fantasy Hall of Fame in 2015. Context_6 : Marleen Barr teaches communication and media studies at Fordham University, New York City. She is notable for her significant contributions to science fiction studies, for which she won a Pilgrim Award from the Science Fiction Research Association in 1997. Her primary contributions have been her foundational work in the field of feminist science fiction criticism; her 1981 anthology "Future Females: A Critical Anthology" "served as an introduction and eye-opener to the field of Feminist Science Fiction." Context_7 : Alan N. Shapiro (born 23 April 1956 in Brooklyn, New York) is an American science fiction and media theorist. He is a lecturer and essayist in the fields of science fiction studies, media theory, French philosophy, technological art, sociology of culture, social choreography, software theory, robotics, artificial intelligence, and futuristic and transdisciplinary design. Shapiro's book and other published writings on Star Trek have contributed to a change in public perception about the importance of Star Trek for contemporary culture. His published essays on Jean Baudrillard - especially in the International Journal of Baudrillard Studies - have contributed to a change in public perception about the importance of Baudrillard's work for culture, philosophy, sociology, and design. Context_8 : Science Fiction Studies (SFS) is an academic journal founded in 1973 by R.D. Mullen. The journal is published three times per year at DePauw University. As the name implies, the journal publishes articles and book reviews on science fiction, but also occasionally on fantasy and horror when the topic also covers some aspect of science fiction as well. Known as one of the major academic publications of its type, "Science Fiction Studies" is considered the most "theoretical" of the academic journals that publish on science fiction. Context_9 : The Canadian Review of American Studies is a triannual peer-reviewed academic journal concerning American Studies journal outside the United States. It is the only journal in Canada that deals with cross-border themes and their implications for multicultural societies. It is published by the on behalf of the Canadian Association for American Studies with the support of Carleton University. Context_10 : Foundation: The International Review of Science Fiction is a critical peer-reviewed literary magazine established in 1972 that publishes articles and reviews about science fiction. It is published triannually (spring, summer, and winter) by the Science Fiction Foundation. "Worlds Without End" called it "the essential critical review of science fiction", whilst "The Encyclopedia of Science Fiction" has called it "perhaps the liveliest and indeed the most critical of the big three critical journals" (the others being Extrapolation (journal) and Science Fiction Studies). A long-running feature was the series of interviews and autobiographical pieces with leading writers, entitled "The Profession of Science Fiction", a selection of which was edited and published by Macmillan Publishers in 1992. Several issues have been themed, including #93 ("A Celebration of British Science Fiction", 2005), published also as part of the Foundation Studies in Science Fiction. The hundredth edition (Summer 2007) was unusual in that it was an all-fiction issue, including stories by such writers as Vandana Singh, Tricia Sullivan, Karen Traviss, Jon Courtenay Grimwood, John Kessel, Nalo Hopkinson, Greg Egan, and Una McCormack. Back issues of the journal are archived at the University of Liverpool's SF Hub whilst more recent issues can be found electronically via the database providers ProQuest. fact_1 : The journal is published three times per year at DePauw University. fact_2 : DePauw University in Greencastle, Indiana, is a private liberal arts college with an enrollment of approximately 2,300 students. Question: In which city is the Science Fiction Studies journal published?
Solution:
Greencastle, Indiana