An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: For me personally this film goes down in my top four of all time. No exceptions. James Cameron has proved himself time and time again that he is a master storyteller. Through films such as Aliens, The Abyss and both Terminators it is clear that he was a brilliant and confidant director as far as action and science-fiction goes. He sees a story and adds a strange quality to the film. But Titanic is so much different to his other strokes of brilliance. The film is exceptionally moving and allows room for surprises, plot development and interesting character developments in a story that everyone knows. The story of the famed voyager sinking on her maiden voyage is legend so the challenge was for Cameron to make a truthful, interesting and entertaining film about it. The acting is wonderful as Leonardo DiCaprio who plays Jack and Kate Winslet who plays Rose became superstars overnight with the release of this film and in most films I get annoyed when the supporting characters aren't given a lot to do but in this film it is more purposeful because as an elderly Rose (Gloria Stuart) tells her story it is quickly apparent that it is Rose's and Jack's story alone, no one else. Emotionally it is entirely satisfying and can leave no dry eye in a theater or home. The music has become iconic and legendary. It is composer James Horner's finest soundtrack ever and evokes so much from the film and the audience. The song after so long has become annoying but I still appreciate it for the phenomenon it is and this film is. Only one problem, the usual James Cameron problem, is the dialogue which is memorable but in a bad way as in how cheesy it is at points but all that aside. James Cameron has delivered a masterpiece and a romantic epic that sweeps you away on a journey of a lifetime. My heart won't go on from this one.
Q: What's an example of a movie review?
An example of a movie review is here: Alfred Hitchcok is not my favorite director by any means but imagine what he could have done with this! The plot holds much potential for suspense. John Garfield is as almost always excellent and Raymond Massey is scarily cast against type. Nancy Coleman is not a very impressive leading lady but the supporting cast is large and very capable.

Yes it starts to sag fairly early. There are too many coincidences. And an important subject is trivialized by its being made into little more, in the end, than a love story.

It's fun to watch for Garfield, Massey, and the character performers. But it's not awfully good.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: does anyone think that this show actually helps some people, or does it only anger the people who watch it? when i am flipping through the channels and come upon this show i half to watch out of morbid curiosity. i understand that pat Roberson is not all together. what i do not know is if his viewers are like him or if they are good people and think they will have a better life if they listening to what he has to say. pat Roberson is of little consequence. he is an old man who thinks in an old way. fear of damnation no longer has the same affects as it once did (thank god). now if someone will please answer my question i will be dodging lightning bolts for the rest of eternity.
Problem: OPTIONS:
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Answer: till HBO began rerunning it this month. I remember laughing out loud in the theater back in 1991, and now again in my living room. If I see that it's on, I have to watch it. There's just no question. This is so much more entertaining to me than other, more popular spoofs like Airplane! (which I really like, BTW). Cathy Moriarty steals the show in my opinion. Quotes like "Sudden speech! The last symptoms of brain fever! She could blow at any moment!" put me over the edge. And Whoopie Goldberg hasn't been this funny since 'Jumpin' Jack Flash'. Kevin Klein, Sally Field, Robert Downey Jr. all turn in superb performances as expected. I started out giving this 9 out of 10 stars, but then I realized that for the type of film it's supposed to be, there isn't one thing I'd change or improve upon. So 10 it is. I have to get this on DVD, that's just all there is to it.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: This was a typical grade B movie in 1940s Hollywood and yet it succeeded way beyond its expectations. Why? It has a wonderful plot and backed up by Nina Foch, George MacReady and Dame May Witty, as a female villain, of all people.

When a young lady answers an advertisement for a secretary, she certainly gets more than she bargained for. The only talents her employers are seeking are those which will lead to her demise. Seems that Witty and MacReady want to pass her off as their daughter-in-law and wife, respectively. MacReady killed his real wife and wants to do Foch in as well so that a body can be claimed.

The film deals with how Foch tries to get town people to believe her and how she is thwarted in practically everything she does. Why don't people believe her?
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A:
Los Angeles TV news reporter Jennifer (the beautiful Barbara Bach of "The Spy Who Loved Me" fame) and her two assistants Karen (the appealingly spunky Karen Lamm) and Vicki (the pretty Lois Young, who not only gets killed first, but also bares her yummy bod in a tasty gratuitous nude bath scene) go to Solvang, California to cover an annual Danish festival. Since all the local hotels are booked solid, the three lovely ladies are forced to seek room and board at a swanky, but foreboding remote mansion owned by freaky Ernest Keller (deliciously played to geeky perfection by the late, great Sydney Lassick) and his meek sister Virginia (a solid Lelia Goldoni). Unfortunately, Keller has one very nasty and lethal dark family secret residing in his dank basement: a portly, pathetic, diapered, incest-spawned man-child Mongoloid named Junior (an alternately touching and terrifying portrayal by Stephen Furst; Flounder in "Animal House"), who naturally gets loose and wreaks some murderous havoc. Capably directed by Danny Steinmann, with uniformly fine acting from a sturdy cast, a compellingly perverse plot, excellent make-up by Craig Reardon, a nicely creepy atmosphere, a wonderfully wild climax, a slow, but steady pace, likable well-drawn characters, and a surprisingly heart-breaking final freeze frame (the incest subplot packs an unexpectedly strong and poignant punch), this unjustly overlooked early 80's psycho sleeper is well worth checking out.