In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution is here: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this: Context_1 : The Boch Center (formerly Citi Performing Arts Center and Wang Center for the Performing Arts) is a 501(c)(3) nonprofit performing arts organization located in Boston, Massachusetts. It manages the historic Wang and Shubert Theatres on Tremont Street in the Boston Theater District, where it offers theatre, opera, classical and popular music, comedy, dance, and Broadway musicals. The Center also offers a diverse mix of educational workshops and community activities; collaborates with artists and local performing arts organizations; and, acts as a champion for the arts in the Greater Boston community by aggressively helping to make the arts an integral part of the community's collective, daily experience. It maintains partnerships with numerous arts organizations in Boston, including the Celebrity Series of Boston, Fiddlehead Theatre Company, Express Yourself, and more. Context_2 : The Association of Performing Arts Professionals (Previously the Association of Performing Arts Presenters, also known as APAP), based in Washington, D.C., is the United States national service, advocacy and membership organization for the performing arts presenting sector and the convener of APAP|NYC, the world's leading gathering of performing arts professionals, every January in New York City. Through professional development programs and member services, APAP provides opportunities for artists, agents and managers, presenters, and producers to make the connections and gain the information, skills, and resources they need to make the arts a vibrant, valuable and sustainable part of everyday life. APAP supports and educates today's and tomorrow's performing arts leaders. Context_3 : The Museum of Performance + Design, formerly the San Francisco Performing Arts Library & Museum, is located in the SoMa District of San Francisco, California at 893B Folsom Street. The Museum collects and makes accessible materials about the performing arts, with a special emphasis on documenting and preserving the San Francisco Bay Area's rich and diverse performing arts heritage from the Gold Rush to the present. The museum produces public and educational programs, provides library services to researchers, and conservation and archival services to performing arts institutions.The Museum's collection includes personal papers of prominent artists, original costumes and design renderings, audio-visual recordings of live performances, original artwork, other artifacts and ephemera. The Museum also serves as the official archives for many local performing arts organizations including the San Francisco Ballet, San Francisco Opera, Stern Grove Festival, and the San Francisco Ethnic Dance Festival. Context_4 : Steven Libman (born October 5, 1959) is a nationally recognized performing arts leader known for producing dance, theatre and multi-disciplinary performing arts series. His career spans more than three decades and he has previously managed the Pittsburgh Ballet, the La Jolla Playhouse and the The Palladium at the Center for the Performing Arts. He is also an author, public speaker and is currently the co-host of "The Voice of the Performing Arts," a weekly public radio show devoted to the importance of arts education. Currently, Libman is the Chief Advancement Officer for Atlanta Ballet, and the President of The Libman Group, a consulting firm that works exclusively in the performing and visual arts arena. Context_5 : The Hillman Center for Performing Arts is a multi-stage performing arts venue on the campus of Shady Side Academy's Senior School in Fox Chapel, a northern suburb of Pittsburgh, Pennsylvania. Featuring dedicated music and vocal practice spaces, the Richard E. Rauh proscenium theater, and the Peter J. Kountz black box theater, the Hillman Center serves as Shady Side Academy's primary performing arts classroom. Additionally, undertaking the development of a professional performing arts series in the fall of 2006, the Hillman Center also serves the community as a public performing arts venue, whose programming goal is to feature "The Best of Pittsburgh and the World." The Hillman Center's artistic niche strives to support not only Shady Side Academy's curriculum but also the Pittsburgh community. Featuring traditional offerings (such as symphony and orchestral music, classical dance, and opera) and world music and culture performances, the Hillman Center offers globally diverse arts programming to the regional community. International performers celebrate the diverse ethnic and national communities of Pittsburgh and help connect the audience to the rest of the world. Context_6 : William "Smokey" Robinson Jr. (born February 19, 1940) is an American singer, songwriter, record producer, and former record executive. Robinson was the founder and front man of the Motown vocal group the Miracles, for which he also served as the group's chief songwriter and producer. Robinson led the group from its 1955 origins as the Five Chimes until 1972 when he announced a retirement from the group to focus on his role as Motown's vice president. Context_7 : The John F. Kennedy Center for the Performing Arts (formally called the John F. Kennedy Memorial Center for the Performing Arts, and commonly referred to as the Kennedy Center) is a performing arts center located on the Potomac River, adjacent to the Watergate complex in Washington, D.C. The Center, which opened September 8, 1971, is a multi-dimensional facility, and as memorial to John F. Kennedy and a cultural center, it produces a wide array of performances encompassing the genres of theater, dance, ballet, and orchestral, chamber, jazz, popular, and folk music, offers multi-media performances for adults and children, and is a nexus of arts education. Context_8 : The Mann Center for the Performing Arts (formerly known as the Mann Music Center) is a nonprofit performing arts center located in the Centennial District of Philadelphia's West Fairmount Park, built in 1976 as the summer home for the Philadelphia Orchestra. It is the successor in this role to the Robin Hood Dell, where the Philadelphians have given summer performances since 1935. It has since hosted numerous world-class artists and touring companies such as the American Ballet Theatre with Mikhail Baryshnikov, Marian Anderson, Leonard Bernstein, Buena Vista Social Club, Ray Charles, Judy Garland, the Metropolitan Opera, Mormon Tabernacle Choir, Paul Robeson, Itzhak Perlman, Lang Lang, Midori, and Yo-Yo Ma. Major Philadelphia premieres have included the Israel Philharmonic Orchestra, Bolshoi Ballet and Orchestra's production of Spartacus, and Britain's Royal Ballet's productions of Romeo and Juliet and Swan Lake. Among the scores of award-winning popular artists presented by the Mann in recent years are Jack Johnson, Ed Sheeran, Phish, Tony Bennett, Mary J. Blige, Roger Daltrey, Bob Dylan, Furthur, Arcade Fire, Aretha Franklin, Herbie Hancock, Norah Jones, Diana Krall, Wynton Marsalis, Willie Nelson, Smokey Robinson, Jill Scott, James Taylor, Damien Rice, Alabama Shakes, Bon Iver, Lana Del Rey, The National, and Stevie Ray Vaughan. In 2010, 2011 & 2014, the Mann was nominated by Pollstar, a concert industry trade publication, as "Best Major Outdoor Concert Venue" in North America. The venue has a total seating capacity of approximately 14,000, with 4,743 seats under the roof and over 8,600 outside. Context_9 : Peter Smith has been associate principal oboe of the Philadelphia Orchestra since 1991. He has spent summers participating in such festivals as the Colorado Music Festival, where he was principal oboe in 1991. He was featured in the Philadelphia Orchestra's performance of Martinu's Sinfonia concertante for violin, oboe, cello, bassoon, and orchestra at the Mann Center for the Performing Arts in July 1994. He was also a soloist in The Philadelphia Orchestra's Absolutely Mozart Festival in a performance of Mozart's Quintet for Piano and Winds with pianist Emanuel Ax in June 2003. Smith performed Mozart's Sinfonia Concertante for Oboe, Clarinet, Horn, Bassoon and Orchestra with the Philadelphia Orchestra in June 2004. Context_10 : The Cowles Center for Dance and the Performing Arts (formerly the Minnesota Shubert Performing Arts and Education Center) is a performing arts center and flagship for dance in downtown Minneapolis, Minnesota, United States. The Cowles Center was developed as an incubation project by Artspace Projects, Inc and includes the refurbished 500-seat Goodale Theater (formerly the Sam S. Shubert Theater); the Hennepin Center for the Arts, home to 20 leading dance and performing arts organizations; a state-of-the-art education studio housing a distance learning program; and an atrium connecting the buildings. The Cowles Center is a catalyst for the creation, presentation and education of dance in the Twin Cities. fact_1 : Among the scores of award-winning popular artists presented by the Mann in recent years are Jack Johnson, Ed Sheeran, Phish, Tony Bennett, Mary J. Blige, Roger Daltrey, Bob Dylan, Furthur, Arcade Fire, Aretha Franklin, Herbie Hancock, Norah Jones, Diana Krall, Wynton Marsalis, Willie Nelson, Smokey Robinson, Jill Scott, James Taylor, Damien Rice, Alabama Shakes, Bon Iver, Lana Del Rey, The National, and Stevie Ray Vaughan. fact_2 : William "Smokey" Robinson Jr. (born February 19, 1940) is an American singer, songwriter, record producer, and former record executive. fact_3 : Robinson was the founder and front man of the Motown vocal group the Miracles, for which he also served as the group's chief songwriter and producer. Question: The Mann Center for the Performing Arts has hosted which front man from the Miracles?
Solution:
William Smokey Robinson Jr.