Q: Suggest a movie title for the following movie plot: In 1893 London, England, popular writer Herbert George "H.G." Wells (Malcolm McDowell) displays a time machine to his skeptical dinner guests. After explaining how it works (including a "non-return key" that keeps the machine at the traveler's destination and a "vaporizing equalizer" that keeps the traveler and machine on equal terms), police constables arrive at the house searching for the serial killer Jack the Ripper. One finds a bag, with blood-stained gloves, belonging to one of Herbert's friends, a surgeon named John Leslie Stevenson (David Warner), whom they are unable to locate in the house, concluding that Stevenson might be the infamous killer. Wells races to his laboratory, but the time machine is gone.Stevenson has escaped to the future, but because he does not have the "non-return" key, it automatically returns to 1893. Herbert uses it to pursue Stevenson to November 5, 1979, where the machine has ended up on display at a museum in San Francisco realizing that due to the machine traveling backwards by the geographic longitide and latitude, the machine had ended up in the unfamiliar USA.As Herbert walks around the city, he is deeply shocked by the future, having expected it to be an enlightened socialist utopia, only to find chaos in the form of airplanes, automobiles and a worldwide history of war, crime and bloodshed.Searching numerous banks for Stevenson - he believes an Englishman might need to exchange old currency - Herbert meets liberated Chartered Bank of London employee Amy Robbins (Mary Steenburgen). She directs Herbert to the Hyatt Regency hotel, as she previously had Stevenson.Confronted in his room by his onetime friend Herbert, Stevenson confesses that he finds modern society to be pleasingly violent. Apologetically, he states: "Ninety years ago, I was a freak. Now... I'm an amateur." Herbert demands he return with him to 1893 to face justice, but Stevenson, who without the "return key" would be unable to prevent the machine from automatically returning (and thereby blocking Herbert...
A: Time After Time

Question: Suggest a movie title for the following movie plot: The opening scene is a film-within-a-film of two young women watching a horror slasher film. One of them goes to the ladies room and becomes scared when she feels that someone in the ladies room is watching her. She returns to her seat and tries to tell her friend that there was a man in the ladies room stalking her. The mysterious man sits behind the young woman and waits until there is a murder on the movie screen and then stabs the woman through her seat and then makes a quick getaway into the night. Her friend soon realizes that she is dead and screams.The killer (Tom Rolfing) then boards a bus near the movie theater in Southampton, Long Island. While traveling all night, the killer dozes off and has a flashback to seven years ago; a young bride is murdered on her wedding day by the man she rejected for her current fiance Len Gamble, a police detective.Meanwhile in the present, Detective Len Gamble investigates the murder at the movie theater and after learning from the murder victim's friend that the dead woman was going to be married, Detective Gamble concludes that the same killer from seven years ago is back and is killing brides-to-be. The killer's name is revealed to be Ray Carlton.The next morning, the killer arrives at Staten Island where he disembarks and sees from a distance university student Amy Jensen (Caitlin O'Heaney). Amy is preparing for her wedding and she sees off her husband-to-be, Phil, and his two friends who leave town for a bachelor party the weekend before the wedding. The killer begins to stalk Amy from this point on.After attending a ballet class with her friends Nancy and Joyce, Amy and her friends run into their psychology professor, Carl (James Rebhorn), with whom Joyce is having an affair. Amy leaves to go to a dress fitting, stopping to get ice cream on the way, where she notices a man following her. She is startled by Marvin (Don Scardino), her ex-boyfriend, outside the ice cream shop, on his break from his job at the local morgue.Amy then goes to the dress shop for her...
Answer: He Knows You're Alone

Question: Suggest a movie title for the following movie plot: We are driving a flat, winding, dry and isolated road through desert brush. Everything is quiet. Two young men in a car say nothing to each other. They arrive at a marked "wilderness" trail and head off without anything but the clothes on their back and an extra shirt. With energy and boundlessness they go and go and go. They mention the "thing" that they're apparently going to and how it should be there somewhere. They have no map. The landscape changes, they run, they smoke cigarettes and finally they decide they don't really want to go to this "thing" and they turn around. The shots are very long and tedious. We realize they're lost. The brush disappears and it is mountains, then it is rocks, then it is desert. Then it is night and they sit by a fire. The next day goes on and on and it is unclear how many days are now passing, though the landscape still keeps changing: a lunar surface, and crags of jagged rocks. Their clothes and faces dirty, their clipped exchanges almost indecipherable. They separate and then find each other again, Gerry stuck at the top of a huge rock formation. They discuss him jumping down and the other Gerry makes him a "dirt mattress", which is successful and they keep going. Finally flat white salt is all that's beneath them. They are both barely moving, shuffling their feet like broken-down machines. Gerry, who was falling behind, drops to his knees and lays down. Gerry stops and walks back to him, lying on the ground beside him. After a while, Gerry says that he's leaving and slowly, painfully, reaches over to Gerry as if to find comfort in holding his hand as he draws his last breath. Gerry shakes him off and, his movements stilting and awkward, he rolls on top of him, struggling, not with a hug but with a fraughtful busrt of energy to strangle him. He then lays still. After a while he gets up and walks in another direction, leaving dead Gerry, seeing moving forms on the horizon. We see the vast unbearable landscape move by quickly, no longer within it we are safely on the...
Answer:
Gerry