input: Please answer the following: The following article contains an answer for the question: What were used as used as house servants, farmers, miners, prostitutes, and gardeners? , can you please find it? In 1823, a year after independence, slaves made up 29% of the population of Brazil, a figure which fell throughout the lifetime of the Empire: from 24% in 1854, to 15.2% in 1872, and finally to less than 5% in 1887the year before slavery was completely abolished. Slaves were mostly adult males from southwestern Africa. Slaves brought to Brazil differed ethnically, religiously and linguistically, each identifying primarily with his or her own nation of origin, rather than by a shared African ethnicity. Some of the slaves brought to the Americas had been captured while fighting intertribal wars in Africa and had then been sold to slave dealers.Slaves and their descendants were usually found in regions devoted to producing exports for foreign markets. Sugarcane plantations on the eastern coast of the northeast region during the 16th and 17th centuries are typical of economic activities dependent on slave labor. In northern Maranhao province, slave labor was used in cotton and rice production in the 18th century. In this period, slaves were also exploited in Minas Gerais province where gold was extracted. Slavery was also common in Rio de Janeiro and Sao Paulo during the 19th century for the cultivation of coffee which became vital to the national economy. The prevalence of slavery was not geographically uniform across Brazil. Around 1870 only five provinces (Rio de Janeiro with 30%, Bahia with 15%, Minas Gerais with 14%, Sao Paulo with 7% and Rio Grande do Sul also with 7%) held 73% of the nation's total slave population. These were followed by Pernambuco (with 6%) and Alagoas (with 4%). Among the remaining 13 provinces none individually had even 3%.Most slaves worked as plantation laborers. Relatively few Brazilians owned slaves and most small and medium-sized farms employed free workers. Slaves could be found scattered throughout society in other capacities: some were used as house servants, farmers, miners, prostitutes, gardeners and in many other roles. Many emancipated slaves went on to acquire slaves and...
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output: Slaves
Please answer this: The following article contains an answer for the question: Who does the steel heiress reunite with in New York? , can you please find it? The film opens in the year 1958, where steel heiress Edna Buxton enters a talent contest. Her overbearing mother is at odds with her, arguing that Edna should choose a specific song and wardrobe for the contest. At the contest, Edna swaps dresses with a blue singer named Doris, and even changes her song at the last minute, infuriating her mother, who leaves before seeing Edna win the competition. An excited Edna decides to use her grand prize winnings to record a demo. The studio producer tactfully delivers the painful truth to Edna that not only are girl singers not getting signed, the record companies are trying to get rid of the ones currently on their rosters. However, when Edna tells him that she wrote the song, he is impressed enough to direct her to Joel Milner who takes her under his wing, renames her "Denise Waverly" and invents a blue-collar persona for her. Milner reworks her song for a male doo-wop group, the Stylettes, as male solo artists are groups are far more marketable. The song becomes a hit. Denise (formerly Edna) moves to New York City and becomes a songwriter in the Brill Building. At a party, she meets the arrogant songwriter Howard Caszatt, and despite an awkward initial meeting they become romantically involved. She also reunites with Doris. Denise offers to and writes a song specifically for Doris and her two girlfriends, persuading Milner to audition and hire the group. In 1965, Howard and Denise begin writing together; they pen a song called "Unwanted Number," based on a young girl's unwanted pregnancy. Although it is banned, it attracts the attention of prominent and influential disc jockey John Murray who, despite the negative attention of the song, credits Denise with sparking the craze for girl groups.
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Answer: Doris
input question: The following article contains an answer for the question: Who did Burges worked with on the restoration of Waltham Abbey? , can you please find it? In 1859 Burges began work with Ambrose Poynter on the Maison Dieu, Dover, which was completed in 1861. Emulation of the original medieval style can be seen in his renovation of the grotesque animals and in the coats of arms incorporated into his new designs. Burges later designed the Council Chamber, added in 1867, and in 1881 began work on Connaught Hall in Dover, a town meeting and concert hall. The new building contained meeting rooms and mayoral and official offices. Although Burges designed the project, most of it was completed after his death by his partners, Pullan and Chapple. The listed status of the Maison Dieu was reclassified as Grade I in 2017 and Dover District Council, the building's owner, is seeking grant funding to enable a restoration, focussing on Burges's work.In 185960, Burges took over the restoration of Waltham Abbey from Poynter, working with Poynter's son Edward Poynter and with furniture makers Harland and Fisher. He commissioned Edward Burne-Jones of James Powell & Sons to make three stained-glass windows for the east end, representing the Tree of Jesse. The Abbey is a demonstration of Burges's skills as a restorer, with "a profound sensitivity towards medieval architecture." Mordaunt Crook wrote of Burges's interior that, "it meets the Middle Ages as an equal." In 18612, Burges was commissioned by Charles Edward Lefroy, secretary to the Speaker of the House of Commons, to build All Saints Church, Fleet, as a memorial to Lefroy's wife. She was the daughter of James Walker, who established the marine engineering company of Walker and Burges with Burges's father Alfred, and this family connection brought Burges the commission. Pevsner says of Fleet that "it has no shape, nor character nor notable buildings, except one," that one being All Saints. The church is of red brick and Pevsner considered it "astonishingly restrained." The interior too is simply decorated but the massive sculpture, particularly of the tomb of the Lefroys and of the gabled arch below which the tomb originally...???
output answer:
furniture makers Harland and Fisher