input: In 2002, Ambrose was accused of plagiarizing several passages in his book The Wild Blue. Fred Barnes reported in The Weekly Standard that Ambrose had taken passages from Wings of Morning: The Story of the Last American Bomber Shot Down over Germany in World War II, by Thomas Childers, a history professor at the University of Pennsylvania. Ambrose had footnoted sources, but had not enclosed in quotation marks numerous passages from Childers's book. Ambrose asserted that only a few sentences in all his numerous books were the work of other authors. He offered this defense: I tell stories. I don't discuss my documents. I discuss the story. It almost gets to the point where, how much is the reader going to take? I am not writing a Ph.D. dissertation. I wish I had put the quotation marks in, but I didn't. I am not out there stealing other people's writings. If I am writing up a passage and it is a story I want to tell and this story fits and a part of it is from other people's writing, I just type it up that way and put it in a footnote. I just want to know where the hell it came from. A Forbes investigation of his work found cases of plagiarism involving passages in at least six books, with a similar pattern going all the way back to his doctoral dissertation. The History News Network lists seven of Ambrose's more than 40 works--The Wild Blue, Undaunted Courage, Nothing Like It In the World, Nixon: Ruin and Recovery, Citizen Soldiers, The Supreme Commander, and Crazy Horse and Custer--contained content from twelve authors without appropriate attribution from Ambrose.

Answer this question "What were the names of the books?"
output: The History News Network lists seven of Ambrose's more than 40 works--The Wild Blue, Undaunted Courage, Nothing Like It In the World,

input: Following Uncle Tupelo's final tour, Tweedy encouraged his bandmates to join him in a new group, while Farrar searched for members for a band of his own. Tweedy was able to retain the rest of the Uncle Tupelo lineup, and created Wilco. Wilco began rehearsing a few days after the final Uncle Tupelo concert, and by August 1994 they were in the recording studio for their first album, A.M.. Farrar asked Jim Boquist to join his new band, Son Volt; Boquist was a multi-instrumentalist who had performed with Joe Henry as the opening act on Uncle Tupelo's last tour. Boquist also recruited his brother Dave, and Farrar convinced Mike Heidorn to leave Belleville to join the group. Farrar's new four-piece began recording their debut album Trace in November 1994. Wilco signed to Reprise Records while Son Volt signed with Warner Bros. Records. Son Volt had an early college rock hit with "Drown" from the album Trace, but Wilco maintained a more commercially successful career in the years to follow. Regarding the possibility of a reunion, Mike Heidorn reported in a PopMatters interview that "nothing's ever for sure, but I would have to say, 'No such thing' ". Farrar said that he does not want the band to get back together, while Tweedy said that he believes that a reunion would not be productive musically. Farrar and Tweedy sued Rockville Records and Dutch East India Trading CEO Barry Tenenbaum in 2000 over royalties that the label allegedly owed them, winning reparations from Tenenbaum and the joint rights to Uncle Tupelo's first three albums. After securing the rights, the band released a compilation entitled 89/93: An Anthology. In 2003, Uncle Tupelo re-issued their first three albums, which before the lawsuit had cumulatively sold over 200,000 copies.

Answer this question "what took place post break up?"
output: Tweedy encouraged his bandmates to join him in a new group, while Farrar searched for members for a band of his own.

input: Dixon left Mississippi for Chicago in 1936. A man of considerable stature, standing 6 and a half feet tall and weighing over 250 pounds, he took up boxing, at which he was successful, winning the Illinois State Golden Gloves Heavyweight Championship (Novice Division) in 1937. He became a professional boxer and worked briefly as Joe Louis's sparring partner, but after four fights he left boxing in a dispute with his manager over money. Dixon met Leonard Caston at a boxing gym, where they would harmonize at times. Dixon performed in several vocal groups in Chicago, but it was Caston that persuaded him to pursue music seriously. Caston built him his first bass, made of a tin can and one string. Dixon's experience singing bass made the instrument familiar. He also learned to play the guitar. In 1939, Dixon was a founding member of the Five Breezes, with Caston, Joe Bell, Gene Gilmore and Willie Hawthorne. The group blended blues, jazz, and vocal harmonies, in the mode of the Ink Spots. Dixon's progress on the upright bass came to an abrupt halt with the advent of World War II, when he refused induction into military service as a conscientious objector and was imprisoned for ten months. He refused to go to war because he would not fight for a nation in which institutionalized racism and racist laws were prevalent. After the war, he formed a group named the Four Jumps of Jive. He then reunited with Caston, forming the Big Three Trio, which went on to record for Columbia Records.

Answer this question "did anything else important happen in his adulthood?"
output:
World War II, when he refused induction into military service as a conscientious objector and was imprisoned for ten months.