In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Let me give you an example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
The answer to this example can be: 1874May
Here is why: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

OK. solve this:
Context_1 : The Harkness Ballet (19641975) was a New York ballet company named after its founder Rebekah Harkness. Ms. Harkness inherited her husband's fortune in Standard Oil holdings and was a dance lover. Ms. Harkness funded Joffrey Ballet, but when they refused to rename the company in her honour, she withdrew funding and hired most of the Joffery dancers for her new company. Joffery Ballet later moved to Chicago, and continues to function. Harkness Ballet, established in 1964, gave its debut performance in Cannes in 1965, with George Skibine as director, Marjorie Tallchief as ballerina and a repertory featuring work by Alvin Ailey, Skibine, Eric Bruhn, Brian Macdonald and Stuart Hodes, the company mostly toured abroad, in the major theaters of Europe, to great acclaim, giving its dancers and choreographers a cosmopolitan experience unknown to most of their American colleagues. Its New York debut was in 1967 and Macdonald was also appointed director, succeeded by Lawrence Rhodes (1968) and joined by Benjamin Harkarvy in 1969. The ballet teacher David Howard was recruited in 1966 and became co-director of the school in 1971 with Maria Vegh, who had begun teaching at the school in 1968. In 1970, Harkness combined it with the Harkness Youth Ballet (founded 1969), directed by Ben Stevenson, succeeded by Vicente Nebrada. Context_2 : Standard Oil Co. Inc. was an American oil producing, transporting, refining, and marketing company. Established in 1870 by John D. Rockefeller as a corporation in Ohio, it was the largest oil refinery in the world of its time. Its controversial history as one of the world's first and largest multinational corporations ended in 1911, when the United States Supreme Court ruled that Standard Oil was an illegal monopoly. Context_3 : Oman Oil Marketing Company SAOG (omanoil) was launched in October 2003, along with its new brand identity, when Oman Oil Company acquired shares of what was formally known as BP Oman in December 2003. Today, it is the only 100 percent Omani owned fuels marketing company, 49% of which is owned by Oman Oil Company. Other shareholders include Oman Cement Company, BankMuscat and Dhofar International Development and Investment Holding Company. The Chairman of the Board of directors is Salim Abdullah Al Rawas and the Chief Executive Officer is Omar Ahmad Salim Qatan. Context_4 : The Pan American Petroleum and Transport Company (PAT) was an oil company founded in 1916 by the American oil tycoon Edward L. Doheny after he had made a huge oil strike in Mexico. Pan American profited from fuel demand during World War I, and from the subsequent growth in use of automobiles. For several years Pan American was the largest American oil company, with holdings in the United States, Mexico, Colombia and Venezuela. In 1924 Pan American was involved in the Teapot Dome scandal over irregularities in the award of a U.S. government oil concession. Standard Oil of Indiana obtained a majority stake in 1925. The company sold its foreign properties to Standard Oil of New Jersey in 1932. What was left of Pan American was merged with Standard Oil of Indiana in 1954 to form Amoco. Context_5 : Getty Oil is an American oil marketing company with its origins as part of the large integrated oil company founded by the father of J. Paul Getty. Context_6 : Standard Oil was an integrated oil producing, transporting, refining, and marketing company established in 1870 and split into multiple companies in 1911. Various buildings bear the Standard Oil name and multiple individual stations with this branding are historically notable: Context_7 : The Catlettsburg Refinery is the 31st largest American oil refinery. It is located in northeastern Kentucky, at the intersection of Interstate 64 and U.S. Route 23 in Catlettsburg, Kentucky near the cities of Ashland, Kentucky and Huntington, West Virginia. The facility was built in 1916 by the Great Eastern Refining Company and purchased in 1924 by the Ashland Refining Company. The refinery now occupies a 650 acre plus site, producing more than 242000 oilbbl/d , and employing around 1,600 employees and contractors. Its location on the west banks of the Big Sandy River and only two miles south of the Ohio River, allows it to ship products by barge as well as pipeline. It is currently owned and operated by Marathon Petroleum Corporation out of Findlay, Ohio. Context_8 : The Nathaniel L. McCready House, also known as the Harkness Mansion, is a mansion at 4 East 75th Street on the Upper East Side of New York City. Completed in 1896 for Nathaniel L'Hommediue McCready, Jr., during the twentieth century it was occupied by Thomas J. Watson, Rebekah Harkness, whose name became associated with the building when she used it as the offices of the Harkness Ballet. In 2011, the home was purchased by Larry Gagosian, who demolished the mansion's interior. Context_9 : The Indian Refining Company was an American oil company in operation from the first decade of the 1900s to April 2, 1943. It was bought by the Texas Company in 1931. It had an oil refinery based in Lawrenceville, Illinois. Indian Refining patented the first "wax free" oil under the Havoline brand. The chemists at the Lawrenceville, Illinois refinery developed the wax free motor oil which led to an Indian Refining patent. The Texas Company (TEXACO) acquired Indian Refining in 1931 primarily to access the formulation for wax free motor oil, which was developed and is currently the standard for all conventional motor oils throughout the world. Context_10 : Rebekah West Harkness (April 17, 1915June 17, 1982) also known as Betty Harkness, was an American composer, sculptor, dance patron, and philanthropist who founded the Harkness Ballet. Her marriage to William Hale "Bill" Harkness, an attorney and heir to the Standard Oil fortune of William L. Harkness, made her one of the wealthiest women in America. fact_1 : The Harkness Ballet (19641975) was a New York ballet company named after its founder Rebekah Harkness. fact_2 : Ms. Harkness inherited her husband's fortune in Standard Oil holdings and was a dance lover. fact_3 : Standard Oil Co. Question: What is the name of this American oil producing, transporting, refining, and marketing company, for which Rebekah Harkness inherited the fortune in its holdings?
Answer:
Standard Oil