Problem: Background: Eileen Jeanette Vancho Lyttle Garrett (17 March 1893 - 15 September 1970) was an Irish medium and parapsychologist. Garrett's alleged psychic abilities were tested in the 1930s by Joseph Rhine and others. Rhine claimed that she had genuine psychic abilities, but subsequent studies were unable to replicate his results, and Garrett's abilities were later shown to be consistent with chance guessing. Garrett elicited controversy after the R101 crash, when she held a series of seances at the National Laboratory of Psychical Research claiming to be in contact with victims of the disaster.
Context: On 7 October 1930 it was claimed by spiritualists that Garrett made contact with the spirit of Herbert Carmichael Irwin at a seance held with Harry Price at the National Laboratory of Psychical Research two days after the R101 disaster, while attempting to contact the then recently deceased Arthur Conan Doyle, and discussed possible causes of the accident. The event "attracted worldwide attention", thanks to the presence of a reporter. Major Oliver Villiers, a friend of Brancker, Scott, Irwin, Colmore and others aboard the airship, participated in further seances with Garrett, at which he claimed to have contacted both Irwin and other victims. Price did not come to any definite conclusion about Garrett and the seances: It is not my intention to discuss if the medium were really controlled by the discarnate entity of Irwin, or whether the utterances emanated from her subconscious mind or those of the sitters. "Spirit" or "trance personality" would be equally interesting explanations - and equally remarkable. There is no real evidence for either hypothesis. But it is not my intention to discuss hypotheses, but rather to put on record the detailed account of a remarkably interesting and thought-provoking experiment. In 1978, paranormal writer John G. Fuller wrote a book claiming that Irwin had spoken through Garrett. This claim has been questioned. Magician John Booth analyzed the mediumship of Garrett and the paranormal claims of R101 and considered her to be a fraud. According to Booth, Garrett's notes and writings show she followed the building of the R101 and she may have been given aircraft blueprints from a technician from the aerodrome. However, Melvin Harris a researcher who studied the original scripts from the case, wrote that no secret accomplice was needed as the information described in Garrett's seances were "either commonplace, easily absorbed bits and pieces, or plain gobbledegook. The so-called secret information just doesn't exist." Harris discovered that the original scripts of the seances did not contain any secret information and spiritualist writers such as Fuller had fabricated and misinterpreted content from these scripts. When experts and veteran pilots were shown the scripts they declared the information to be incorrect and technically empty. Archie Jarman who had interviewed witnesses wrote an 80,000-word report on the case concluded the seance information was valueless and that we should "best forget the psychic side of R-101; it's a dead duck-- absolutely!"
Question: What other controversies did she have?
Answer: In 1978, paranormal writer John G. Fuller wrote a book claiming that Irwin had spoken through Garrett. This claim has been questioned.

Problem: Background: Refused (also known as The Refused) is a Swedish punk rock band originating from Umea and formed in 1991. Refused is composed of vocalist Dennis Lyxzen, guitarist Kristofer Steen, drummer David Sandstrom, and bassist Magnus Flagge. Guitarist Jon Brannstrom was a member from 1994, through reunions, until he was fired in late-2014. Their lyrics are often of a non-conformist and politically far-left nature.
Context: On February 22, 2013, Refused were awarded "The special prize for Swedish music exports" by the Minister of Trade. Lyxzen and Sandstrom chose to criticize the current Government at the ceremony, instead thanking the efforts of popular education, in particular Workers' Educational Association (ABF) and youth centers (in Sweden associated with social democracy) while Jon Brannstrom chose to not accept the prize on his behalf later stating he wished they "[...] had said no to the prize and instead held a press conference about why we had turned it down". On October 31, 2014, Jon Brannstrom stated on the official Refused Facebook page that he had been fired from the band (the band would later state that he left the band in 2013), implying that Refused were still active and planned on performing again in the future. On November 25, 2014, the band announced that they would perform their first shows in three years at the Reading and Leeds Festivals, Groezrock and Amnesia Rockfest in the summer of 2015. They also headlined Punk Rock Bowling in Las Vegas in May 2015. Around the same time, rumours surfaced of a new album being recorded for release in 2015 after ...And You Will Know Us By The Trail Of Dead's Autrey Fulbright II posted a photo on Instagram claiming that Lyxzen had been in the studio recording vocals for the album. On April 27, 2015, it was announced that Refused would release their fourth studio album, Freedom, in June 2015 via Epitaph Records. The album was produced by Nick Launay and includes further collaborations such as two songs produced with Max Martin-collaborator Shellback (Taylor Swift). The news was announced along with the release of the album's opening track, "Elektra," as its lead single. On November 20, 2017, members of Refused revealed on social media that the band has been in the studio working on their next album.
Question: Why was he fired
Answer: the band would later state that he left the band in 2013

Problem: Background: Robert Schumann (; 8 June 1810 - 29 July 1856) was a German composer and an influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck, a German pianist, that he could become the finest pianist in Europe, but a hand injury ended this dream.
Context: During Eastertide 1830, he heard the Italian violinist, violist, guitarist, and composer Niccolo Paganini play in Frankfurt. In July he wrote to his mother, "My whole life has been a struggle between Poetry and Prose, or call it Music and Law." By Christmas he was back in Leipzig, at age 20 taking piano lessons from his old master Friedrich Wieck, who assured him that he would be a successful concert pianist after a few years' study with him. During his studies with Wieck, it has been claimed that Schumann permanently injured a finger on his right hand. Wieck claimed that Schumann damaged his finger by the use of a mechanical device designed to strengthen the weakest fingers, a device which held back one finger while he exercised the others. This claim has been discredited by Clara Schumann, who said that the disability was not due to a mechanical device, and Robert Schumann himself refers to it as "an affliction of the whole hand". Some have argued that, as the disability appeared to have been chronic and have affected the hand, and not just a finger, it was unlikely to have been caused by a finger strengthening device. Schumann abandoned the idea of a concert career and devoted himself instead to composition. To this end he began a study of music theory under Heinrich Dorn, a German composer six years his senior and, at that time, conductor of the Leipzig Opera. About this time Schumann considered composing an opera on the subject of Hamlet.
Question: Why did he abandon the idea of a concert career?
Answer:
During his studies with Wieck, it has been claimed that Schumann permanently injured a finger on his right hand.