input: "I didn't even know what a producer did, I spent two years-day and night-in that studio trying to learn what the hell was going on." - Max Martin, 19 March 2001. In 1993, Martin was hired by Cheiron Studios and spent some time learning the basics, before the first production collaboration between PoP and Martin: the Rednex song "Wish You Were Here" in 1994. They both worked on Ace of Base's second album, The Bridge (1995), shortly thereafter, as well as on albums by 3T, Army of Lovers and Leila K. To date, The Bridge has sold more than six million copies worldwide, including one million in the United States. When Martin eventually left his band It's Alive in late 1995, he was replaced by Anders Jansson. In 1995, the Cheiron Studios was hired by Zomba to work on Backstreet Boys' self-titled debut album Backstreet Boys (1996). Zomba became the main working partner since the success in 1995. Martin took part in the production of "Quit Playing Games (With My Heart)" (1996), co-written with Herbie Crichlow, a single which quickly went platinum and climbed to No. 2 on the Billboard Hot 100, as well as the singles "As Long As You Love Me" (1997) and "Everybody (Backstreet's Back)" (1997). The album was not released in the U.S. until 1997, but was released overseas and caught on all across Europe, eventually selling around 8 million copies worldwide. This led to the Backstreet Boys being relaunched in their home country later on, this time more successfully. Later that year, Martin co-wrote and co-produced Robyn's hits "Show Me Love" and "Do You Know (What It Takes)" which ended up on the Billboard Hot 100 top 10. In 1998, Cheiron Productions worked on albums by Five and Jessica Folcker. Jessica Folcker had first been hired as a backing singer for tracks with Ace of Base and Dr. Alban, and her debut album Jessica became an instant hit with singles like "Tell Me What You Like" and "How Will I Know Who You Are" which both sold platinum. After Denniz PoP died of cancer that same summer, Martin took over as director of Cheiron Studios. He soon started working with writer/producer Rami Yacoub, who continued to be his partner for many years. Martin also wrote two songs with Bryan Adams during this time, "Cloud Number Nine" and "Before The Night Is Over."

Answer this question "What were some things produced?"
output: I spent two years-day and night-in that studio trying to learn what the hell was going on." - Max Martin,

input: Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse on the streets of LA and flagged him down, a meeting described in a recent solo track "Round the Bend." The band would release three albums: Buffalo Springfield, Buffalo Springfield Again, and Last Time Around, and enjoy only one hit single, the Stills-penned "For What It's Worth" before disbanding. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. During the disintegration of Buffalo Springfield, Stills played on the Super Session album with Al Kooper and joined up with David Crosby, who had recently been ejected from the Byrds in the autumn of 1967. At a party in Laurel Canyon, Crosby was introduced to Graham Nash by a mutual friend, Cass Elliot (formerly of the Mamas and the Papas), and Nash found himself soon joining in singing with Crosby and Stills. Renditions of the latter's "You Don't Have to Cry," led to the formation of Crosby, Stills & Nash. Several of Stills's songs, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry" on the debut album were inspired by his on-again-off-again relationship with singer Judy Collins. In a 1971 interview in Rolling Stone the interviewer noted, "so many of your songs seem to be about Judy Collins." Stills replied, "Well, there are three things men can do with women: love them, suffer for them, or turn them into literature. I've had my share of success and failure at all three." The cover photo pictured on the debut was taken on the back porch of a house in West Hollywood, which was torn down the next day. Wanting to be able to tour and needing additional musicians, the band invited Neil Young to join them for their subsequent tour and second album to make the group the quartet Crosby Stills Nash & Young. Having played at the Monterey Pop Festival with Buffalo Springfield, and both Woodstock and Altamont with CSNY, Stills performed at all three of the iconic U.S. rock festivals of the 1960s.

Answer this question "When did the group get together?"
output: During the disintegration of Buffalo Springfield, Stills played on the Super Session album with Al Kooper and joined up with David Crosby,

input: With the Asgardian population other than Thor still wary of Loki, Loki revealed to his brother that he was attempting to learn more about Earth and humans, to which Thor approves. When a magpie exploded in his quarters carrying a key, it led to a chain of events where at the end, Loki was contacted by an echo of his former incarnation, who revealed he chose to sacrifice himself fighting the Void as part of a greater plan which would involve his death and return. The child Loki refused to follow this path, wanting to be his own person, and transformed the spirit of his former self into a magpie named Ikol. On returning to Earth, he witnessed Odin striking down Thor. Odin prepared all of Asgard for an unknown battle and imprisoned Thor for attempting to protect Midgard from being scoured. Loki, who disagreed with Odin's actions, was put to work by Volstagg into cleaning the stables of Thor's goats to keep him out of trouble and danger. Using the wool of one of the goats, Loki descended into the roots of the World Tree at the advice of Ikol to ask questions from the Nornish women who live there. After receiving his answers, Loki wept but decided to turn to the imprisoned Thor for his opinion before making his final decision. Breaking into the prison by stealth, Loki asked his brother what he would do if he had to let something bad happen in order to prevent something worse from happening and what if it cost him everything. With Thor's answer, Loki decided to free one of the imprisoned Hel Wolves and bind it to him in servitude using the bridle of Thor's goats. He revealed he needed help from one more 'personage' before heading for the realm of Hela. Having recovered Thor's hammer after he was killed and erased from memory following the war against the Serpent, Loki was able to work with the Silver Surfer to restore the hammer to its natural state and send it to Thor in the afterlife, restoring his memory and allowing him to fight his way back into the realm of the living. After Thor's return, Ikol would afterwards reveal that circumstances had been manipulated to force the young Loki to allow his former personality to subsume him and live again, his former slate wiped clean by the "new" Loki's actions. During his adventures, the young Loki had inadvertently helped create and was tied to a powerful artifact that was about to be used by Mephisto to conquer all the Hells and ultimately everything. However, if the new Loki ceased to be, the artifact would lose all power. Seeing no other option, Loki allowed Ikol to become Loki again, ceasing to be, but he warned beforehand that the Ikol personality was incapable of true change and believed this older persona would ultimately be stopped by those who always stopped him before, his brother included.

Answer this question "Are there any other interesting aspects about this article?"
output:
Loki, who disagreed with Odin's actions, was put to work by Volstagg into cleaning the stables of Thor's goats to keep him out of trouble and danger.