Context and question: From the 19th century, there was a revival in many ancient glass-making techniques including cameo glass, achieved for the first time since the Roman Empire and initially mostly used for pieces in a neo-classical style. The Art Nouveau movement made great use of glass, with Rene Lalique, Emile Galle, and Daum of Nancy producing colored vases and similar pieces, often in cameo glass, and also using luster techniques. Louis Comfort Tiffany in America specialized in stained glass, both secular and religious, and his famous lamps. The early 20th-century saw the large-scale factory production of glass art by firms such as Waterford and Lalique. From about 1960 onwards there have been an increasing number of small studios hand-producing glass artworks, and glass artists began to class themselves as in effect sculptors working in glass, and their works as part fine arts.
What early civilization made cameo glass?
Answer: Roman Empire
Context and question: Unlike most other cities, Strasbourg's collections of European art are divided into several museums according not only to type and area, but also to epoch. Old master paintings from the Germanic Rhenish territories and until 1681 are displayed in the Musee de l'uvre Notre-Dame, old master paintings from all the rest of Europe (including the Dutch Rhenish territories) and until 1871 as well as old master paintings from the Germanic Rhenish territories between 1681 and 1871 are displayed in the Musee des Beaux-Arts. Old master graphic arts until 1871 is displayed in the Cabinet des estampes et dessins. Decorative arts until 1681 ("German period") are displayed in the Musee de l'uvre Notre-Dame, decorative arts from 1681 to 1871 ("French period") are displayed in the Musee des Arts decoratifs. International art (painting, sculpture, graphic arts) and decorative art since 1871 is displayed in the Musee d'art moderne et contemporain. The latter museum also displays the city's photographic library.
When was the Musee de I'OEuvre Notre-Dame completed?
Answer: unanswerable
Context and question: The war entered a new phase with the unprecedented defeat of the Japanese at Battle of Suixian-Zaoyang and 1st Battle of Changsha. After these victories, Chinese nationalist forces launched a large-scale counter-offensive in early 1940; however, due to its low military-industrial capacity, it was repulsed by Japanese army in late March 1940. In August of 1940, Chinese communists launched an offensive in Central China; in retaliation, Japan instituted the "Three Alls Policy" ("Kill all, Burn all, Loot all") in occupied areas to reduce human and material resources for the communists. By 1941 the conflict had become a stalemate. Although Japan had occupied much of northern, central, and coastal China, the Nationalist Government had retreated to the interior with a provisional capital set up at Chungking while the Chinese communists remained in control of base areas in Shaanxi. In addition, Japanese control of northern and central China was somewhat tenuous, in that Japan was usually able to control railroads and the major cities ("points and lines"), but did not have a major military or administrative presence in the vast Chinese countryside. The Japanese found its aggression against the retreating and regrouping Chinese army was stalled by the mountainous terrain in southwestern China while the Communists organised widespread guerrilla and saboteur activities in northern and eastern China behind the Japanese front line.
What slowed the Japanese in their attacks on China?
Answer:
mountainous terrain