Background: Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin.
Context: Monroe's fortunes began to improve during the "folk revival" of the early 1960s. Many college students and other young people were beginning to discover Monroe, associating his style more with traditional folk music than with the country-and-western genre with which it had previously been identified. The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists such as Flatt and Scruggs, the Stanley Brothers, Reno and Smiley, Jim and Jesse, and the Osborne Brothers. While Flatt and Scruggs immediately recognized the potential for a lucrative new audience in cities and on college campuses in the North, Monroe was slower to respond. Under the influence of Ralph Rinzler, a young musician and folklorist from New Jersey who briefly became Monroe's manager in 1963, Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit. Rinzler was also responsible for a lengthy profile and interview in the influential folk music magazine Sing Out! that first publicly referred to Monroe as the "father" of bluegrass. Accordingly, at the first bluegrass festival organized by Carlton Haney at Roanoke, Virginia in 1965, Bill Monroe was the central figure. The growing national popularity of Monroe's music during the 1960s was also apparent in the increasingly diverse background of musicians recruited into his band. Non-southerners who served as Blue Grass Boys during this period included banjo player Bill Keith and singer/guitarist Peter Rowan from Massachusetts, fiddler Gene Lowinger from New York, banjo player Lamar Grier from Maryland, banjo player Steve Arkin from New York, and singer/guitarist Roland White and fiddler Richard Greene from California.
Question: What is the most interesting thing in the article?
Answer: The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists

Background: Richard Bruce Cheney (; born January 30, 1941) is an American politician who served as the 46th Vice President of the United States from 2001 to 2009. Born in Lincoln, Nebraska, Cheney was primarily raised in Sumner, Nebraska, and Casper, Wyoming. He attended Yale and then the University of Wyoming, at the latter of which he earned a BA and an MA in Political Science.
Context: A total of 147 U.S. military personnel died in combat, and another 236 died as a result of accidents or other causes. Iraq agreed to a formal truce on March 3, and a permanent cease-fire on April 6. There was subsequent debate about whether UN Coalition forces should have driven as far as Baghdad to oust Saddam Hussein from power. Bush agreed that the decision to end the ground war when they did was correct, but the debate persisted as Hussein remained in power and rebuilt his military forces. Arguably the most significant debate concerned whether U.S. and Coalition forces had left Iraq too soon. In an April 15, 1994 interview with C-SPAN, Cheney was asked if the U.S. and UN forces should have moved into Baghdad. Cheney replied that occupying and attempting to take over the country would have been a "bad idea" and would have led to a "quagmire", explaining that: Because if we'd gone to Baghdad we would have been all alone. There wouldn't have been anybody else with us. There would have been a U.S. occupation of Iraq. None of the Arab forces that were willing to fight with us in Kuwait were willing to invade Iraq. Once you got to Iraq and took it over, took down Saddam Hussein's government, then what are you going to put in its place? That's a very volatile part of the world, and if you take down the central government of Iraq, you could very easily end up seeing pieces of Iraq fly off: part of it, the Syrians would like to have to the west, part of it--eastern Iraq--the Iranians would like to claim, they fought over it for eight years. In the north you've got the Kurds, and if the Kurds spin loose and join with the Kurds in Turkey, then you threaten the territorial integrity of Turkey. It's a quagmire if you go that far and try to take over Iraq. The other thing was casualties. Everyone was impressed with the fact we were able to do our job with as few casualties as we had. But for the 146 Americans killed in action, and for their families--it wasn't a cheap war. And the question for the president, in terms of whether or not we went on to Baghdad, took additional casualties in an effort to get Saddam Hussein, was how many additional dead Americans is Saddam worth? Our judgment was, not very many, and I think we got it right. Cheney regarded the Gulf War as an example of the kind of regional problem the United States was likely to continue to face in the future. We're always going to have to be involved [in the Middle East]. Maybe it's part of our national character, you know we like to have these problems nice and neatly wrapped up, put a ribbon around it. You deploy a force, you win the war and the problem goes away. But it doesn't work that way in the Middle East. It never has, and isn't likely to in my lifetime.
Question: who were his supporters
Answer:
None of the Arab forces that were willing to fight with us in Kuwait were willing to invade Iraq.