Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: Henry Sala's "Nightmare Weekend" is a rotten piece of sludge from Troma.This is a juvenile,sloppy and stupid low-budget horror film about some teenage girls spending the weekend at a mansion.The professor's evil assistant lures the girls into a bizarre scheme to perform hideous experiments.Using a brain implant she transforms her victims and their dates into zombies."Nightmare Weekend" is a completely braindead piece of garbage that features lots of nudity and some cheesy gore,not to mention a laughable musical score.The acting is horrendous and the script is utterly incoherent.Why such piece of crap is widely distributed is beyond me.Avoid it like the plague.1 out of 10.
Problem: OPTIONS:
- negative
- positive positive
=++++=
Answer: I don't know the stars, or modern Chinese teenage music - but I do know a thoroughly entertaining movie when I see one.

Kung Fu Dunk is pure Hollywood in its values - it's played for laughs, for love, and is a great blend of Kung Fu and basketball.

Everybody looks like they had a lot of fun making this - the production values are excellent - and modern China looks glossier than Los Angeles here.

The plot of the abandoned orphan who grows up in a kung fu school only to be kicked out and then discover superstardom as a basketball play (and love and more etc;) is great - this is fresh, fun, and immensely entertaining.

With great action and good dialogue this is one simply to enjoy - for all ages - and for our money was one of the best family movies we're seen in a long time.

Please ignore the negative reviews and give Dunk a chance - we were really glad we did - a GOOD sports comedy movie.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: OK, I don't really think that Trailer Park Boys has bad story lines, because they kick ass. They just... conflict with each other.

For Example: Near the end of the movie, it shows Ricky and Julian telling "Patrick Lewis" to put the dog down and walk away. Then at the end, it shows Ricky and Julian saying that they've been in jail for 2 years. In the TV series pilot, the first clip they show is the same clip of Ricky and Julian yelling at "Patrick Lewis". But in the TV series, they've supposedly only been in jail for 18 months.

Also, they give us the impression that the movie's story line and the TV series' story line are connected (because of the yelling scene between the guys). But some actors portray totally different characters. Of course, Patrick Roach plays "Patrick Lewis" in the movie, but in the series he plays Randy. Sam Tarasco plays one of the guys who pays Ricky for an extermination, and then he plays Sam Losco in the series.

Also (again... I know, I have a lot to say), in the movie, the guys snort coke instead of smoking hash. The thing is, they never actually confirm that the two story lines are connected in anyway, other than the yelling scene.

Sorry to keep on blabbing.
Q: What's an example of a movie review?
An example of a movie review is here: This movie was seriously awful. The acting was the worst! It was worse than a student film. Super cheesy, and I think the worst actor was the old lady. At first I thought to myself, well it's an old movie. Then I remembered that that is no excuse! I've seen older movies with way better acting and such.

The music was terrible to. It was really choppy. The editing was poor (most of the dialog was out of sync.)

Overall, this movie doesn't even deserve a 1. I only watched it because I was so bored, and the movie hardly entertained me. It was just laughable. My dead grandmother's left pinkie toe could make a better movie than this.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: C'mon guys some previous reviewers have nearly written a novel commenting on this episode. It's just an old 60's TV show ! This episode of Star Trek is notable because of the most serious babe (Yeoman Barrow's) ever used on Star Trek and the fact that it was filmed in a real outdoor location. Unlike the TNG and Voyager series which were totally confined to sound stages.

This use of an outdoor location (and babe) gives proper depth and an almost film like quality to a quite ordinary episode of this now dated and very familiar show.

Except a few notable exceptions i.e "The city on the edge of forever" , "assignment Earth" and "Tomorrow is Yesterday" The old series of Star Trek needs to be seriously moth-balled and put out of it's boring misery. Half a dozen good episodes from 79 is quite a poor batting average.

This is typical of the boring stuff Gene Roddenberry produced back then actually, contrary to popular belief where some people worshiped the ground he walked on, he actually made a LOT of rubbish! He doesn't deserve to be spoken of in the same breath as Irwin Allen for example.

Just look at the set of the bridge of the Enterprise from a modern point of view. They used wobbly plywood for the floor, cafeteria chairs with plastic backs and cheap cardboard above the instrument panels. You can clearly see the folds in the paper ! Every expense spared or what !
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer:
FULL OF SPOILERS.

This is a pretty fast and enjoyable crime thriller based on Ira Levin's play about two gay playwrights (Caine and Reeve) that plot the murder of one's rich wife (Cannon) to get the property and the insurance. The plot succeeds but Christopher Reeve as the younger and less established of the two writers decides to make a play out of the actual murder -- with only slight changes in the details. Reeve allows that Easthampton, Long Island, can become Southampton, Long Island, in the script, for instance. The rest of the play's plot is a dead giveaway and to tell the truth Reeve doesn't mind a little gossip or even an inquiry into Cannon's apparently accidental death. It will boost the revenues and his own Warhol quotient.

Michael Caine is Sidney Bruhl, the megabucks-making playwright whose last four productions bombed and who would like nothing more than to quietly get back to working on a new play, perhaps with Reeve's input, that would redeem his reputation. He cannot permit Reeve's scandalous play-a-clef to be produced. So -- what else? -- he tries to murder him. In the end they wind up killing one another, the manuscript is appropriated by their neighbor, the psychic Helga Tensdoorp, and she makes a million bucks selling it to Broadway.

It's a lot of fun for a number of reasons. One is the production design. That multi-roomed, multi-storied house with the big windmill atop, situated on nine of what must be the most valuable acres on earth (Easthampton!) would be a splendid set of digs anywhere. You wouldn't be able to afford a pup tent in Easthamptom. The house is not overly large or baroque in its decor. It's just magnificently modest, although it's a little tidy for my tastes, the kind of house that's so clean you're afraid to step on the thick carpet for fear of leaving the imprint of a foot.

Next, the acting could hardly be improved upon. Caine, Cannon, and Fred Jones are superb. Dyan Cannon gives a pitch-perfect performance as the anxious wife whose slacks are so tight they look as if they'd been sprayed on, which is okay given her assets. Even Reeve, whose talent was limited, seems to find a comfortable niche in his role of affable but psychopathic murderer. Irene Worth, as the psychic neighbor Helga, was in some way hard to define, a mistake. Granted she -- or someone like her -- was necessary to the plot, but, my God, what an offensive snoop her character is, going around and claiming, "I feel pain in zis woom!" I suppose in order to make her a little more interesting, she's got up in sweats and a goofy looking cap with bicycle reflectors on it. Still, she's a nuisance from beginning to end.

You have to love Ira Levin's bitchy dialog. The distraught Caine begs Reeve to tell him why he wrote the tell-all play. "Because it's THERE, Sidney!" says Reeve, and Caine shouts, "That's MOUNTAINS, not PLAYS! Plays aren't there until some ***hole WRITES them!" Great too is Caine's call to the police after his wife drops dead of fright, as planned. He works himself up into a torrent of sobs, barely able to speak, as he reports the incident and implores that an ambulance be sent immediately. When he hangs up, his face assumes its usual placid expression, he blows his nose into his handkerchief, and walks away, all business again.

The climax, though suitably ironic, is confusing and noisy and full of artifice, lacking in the wicked charm that Levin and Lumet brought to the earlier scenes. The score is mostly made up of light-hearted riffs on the harpsichord, neatly fitting into the film.

You'll probably enjoy it.