Problem: Background: Margaret Mead (December 16, 1901 - November 15, 1978) was an American cultural anthropologist who featured frequently as an author and speaker in the mass media during the 1960s and 1970s. She earned her bachelor's degree at Barnard College in New York City and her M.A. and Ph.D. degrees from Columbia University. Mead was a respected and often controversial academic who popularized the insights of anthropology in modern American and Western culture. Her reports detailing the attitudes towards sex in South Pacific and Southeast Asian traditional cultures influenced the 1960s sexual revolution.
Context: After her death Mead's Samoan research was criticized by anthropologist Derek Freeman, who published a book that argued against many of Mead's conclusions. Freeman argued that Mead had misunderstood Samoan culture when she argued that Samoan culture did not place many restrictions on youths' sexual explorations. Freeman argued instead that Samoan culture prized female chastity and virginity and that Mead had been misled by her female Samoan informants. Freeman's critique was met with a considerable backlash and harsh criticism from the anthropology community, whereas it was received enthusiastically by communities of scientists who believed that sexual mores were more or less universal across cultures. Some anthropologists who studied Samoan culture argued in favor of Freeman's findings and contradicted those of Mead, whereas others argued that Freeman's work did not invalidate Mead's work because Samoan culture had been changed by the integration of Christianity in the decades between Mead's and Freeman's fieldwork periods. While Mead was careful to shield the identity of all her subjects for confidentiality Freeman was able to find and interview one of her original participants, and Freeman reported that she admitted to having wilfully misled Mead. She said that she and her friends were having fun with Mead and telling her stories. On the whole, anthropologists have rejected the notion that Mead's conclusions rested on the validity of a single interview with a single person, finding instead that Mead based her conclusions on the sum of her observations and interviews during her time in Samoa, and that the status of the single interview did not falsify her work. Some anthropologists have however maintained that even though Freeman's critique was invalid, Mead's study was not sufficiently scientifically rigorous to support the conclusions she drew. Mead's reputation and significance as an anthropologist have not been diminished by Freeman's criticisms. In her book Galileo's Middle Finger, Alice Dreger argues that Freeman's accusations were unfounded and misleading. A detailed review of the controversy by Paul Shankman, published by the University of Wisconsin Press in 2009, supports the contention that Mead's research was essentially correct, and concludes that Freeman cherry-picked his data and misrepresented both Mead and Samoan culture.
Question: Why were they misleading?
Answer: Freeman cherry-picked his data and misrepresented both Mead and Samoan culture.

Background: Bill "Bojangles" Robinson (May 25, 1878 - November 25, 1949) was an American tap dancer and actor, the best known and most highly paid African-American entertainer in the first half of the twentieth century. His long career mirrored changes in American entertainment tastes and technology. He started in the age of minstrel shows and moved to vaudeville, Broadway, the recording industry, Hollywood, radio, and television.
Context: The idea for bringing a black dancer to Fox to star with Temple in The Little Colonel was actually first proposed by Fox head Winfield Sheehan after a discussion with D. W. Griffith. Sheehan set his sights on Robinson but, unsure of his ability as an actor, arranged for a contract that was void if Robinson failed the dramatic test. Robinson passed the test and was brought in to both star with Temple and to teach her tap dancing. They quickly hit it off, as Temple recounted years later: Robinson walked a step ahead of us, but when he noticed me hurrying to catch up, he shortened his stride to accommodate mine. I kept reaching up for his hand, but he hadn't looked down and seemed unaware. Fannie called his attention to what I was doing, so he stopped short, bent low over me, his eyes wide and rows of brilliant teeth showing in a wide smile. When he took my hand in his, it felt large and cool. For a few moments, we continued walking in silence. "Can I call you Uncle Billy?" I asked. "Why sure you can", he replied... "But then I get to call you darlin.'" It was a deal. From then on, whenever we walked together it was hand in hand, and I was always his "darlin.'" Temple had already appeared in five films released in 1934, and had performed a tap routine with James Dunn in Stand Up and Cheer! After Robinson was signed by 20th Century Fox, it was decided that he would perform his famous stair dance with Temple. While Robinson liked the idea, he quickly realized that he could not teach his complex stair dance to a seven-year-old in the few days permitted by the shooting schedule. Instead, he taught Temple to kick the riser (face) of each stairstep with her toe. After watching her practice his choreography, Robinson modified his routine to mimic her movements, so that it appeared on film that she was imitating his steps. The sequence was the highlight of the film. Robinson and Temple became the first interracial dance partners in Hollywood history. The scene was controversial for its time, and was cut out in the south along with all other scenes showing the two making physical contact. Temple and Robinson appeared in four films together: The Little Colonel, The Littlest Rebel, Rebecca of Sunnybrook Farm and Just Around the Corner. Robinson and Temple became close friends as a result of his dance coaching and acting with her. Robinson carried pictures of Temple with him wherever he traveled, and Temple considered him a lifelong friend, saying in an interview "Bill Robinson treated me as an equal, which was very important to me. He didn't talk down to me, like to a little girl. And I liked people like that. And Bill Robinson was the best of all."
Question: How does Bill Robinson relate to Shirley Temple?
Answer:
it was decided that he would perform his famous stair dance with Temple.