Question: Robert Mitchum was born in Bridgeport, Connecticut in 1917 into a Norwegian-Irish Methodist family. His mother Ann Harriet Gunderson was a Norwegian immigrant and sea captain's daughter; his father James Thomas Mitchum was a shipyard and railroad worker of Irish descent. His older sister, Annette (known as Julie Mitchum during her acting career), was born in 1914. Their father James Mitchum was crushed to death in a railyard accident in Charleston, South Carolina in February 1919, when Robert was less than two years old and Annette was not yet five.

Mitchum arrived in Long Beach, California in 1936, staying again with his sister Annette, now going by the name of Julie. She had migrated to the West Coast in the hope of acting in movies. Soon, the rest of the Mitchum family joined them in Long Beach. During this time, Mitchum worked as a ghostwriter for astrologer Carroll Righter. His sister Julie convinced him to join the local theater guild with her. In his years with the Players Guild of Long Beach, Mitchum made a living as a stagehand and occasional bit-player in company productions. He also wrote several short pieces which were performed by the guild. According to Lee Server's biography (Robert Mitchum: Baby, I Don't Care), Mitchum put his talent for poetry to work writing song lyrics and monologues for Julie's nightclub performances. In 1940, he returned to Delaware to marry Dorothy Spence, and they returned to California. He remained a footloose character until the birth of their first child James, nicknamed Josh. They had two more children: Chris and Petrine. Mitchum got a steady job as a machine operator with the Lockheed Aircraft Corporation. Mitchum suffered a nervous breakdown (which resulted in temporary blindness), apparently from job-related stress. He sought work as an actor or extra in films. His agent got him an interview with Harry Sherman, the producer of Paramount's Hopalong Cassidy western film series which starred William Boyd; Mitchum was hired to play minor villainous roles in several films in the series during 1942 and 1943. In 1943 he and Randolph Scott were soldiers in the Pacific Island war film Gung Ho! Mitchum continued to find work as an extra and supporting actor in numerous productions for various studios. After impressing director Mervyn LeRoy during the making of Thirty Seconds Over Tokyo, Mitchum signed a seven-year contract with RKO Radio Pictures. He was groomed for B-Western stardom in a series of Zane Grey adaptations. Following the moderately successful Western Nevada, Mitchum was lent from RKO to United Artists for The Story of G.I. Joe (1945). In the film, he portrayed war-weary officer Bill Walker (based on Captain Henry T. Waskow), who remains resolute despite the troubles he faces. The film, which followed the life of an ordinary soldier through the eyes of journalist Ernie Pyle (played by Burgess Meredith), became an instant critical and commercial success. Shortly after making the film, Mitchum was drafted into the United States Army, serving at Fort MacArthur, California. At the 1946 Academy Awards, The Story of G.I. Joe was nominated for four Oscars, including Mitchum's only nomination for Best Supporting Actor. He finished the year with a Western (West of the Pecos) and a story of returning Marine veterans (Till the End of Time), before filming in a genre that came to define Mitchum's career and screen persona: film noir.

Using a quote from the above article, answer the following question: What was his first film?
HHHHHH
Answer: His agent got him an interview with Harry Sherman, the producer of Paramount's Hopalong Cassidy western film series which starred William Boyd;

Question: Dario Fo (Italian pronunciation: ['da:rjo 'fo]; 24 March 1926 - 13 October 2016) was an Italian actor-playwright, comedian, singer, theatre director, stage designer, songwriter, painter, political campaigner for the Italian left-wing and the recipient of the 1997 Nobel Prize in Literature. In his time he was "arguably the most widely performed contemporary playwright in world theatre". Much of his dramatic work depends on improvisation and comprises the recovery of "illegitimate" forms of theatre, such as those performed by giullari (medieval strolling players) and, more famously, the ancient Italian style of commedia dell'arte. His plays have been translated into 30 languages and performed across the world, including in Argentina, Chile, Iran, the Netherlands, Poland, Romania, South Africa, South Korea, Spain, Sri Lanka Sweden, the UK and Yugoslavia.

An eldest child, Fo was born at Sangiano, in Lombardy's Province of Varese, near the eastern shore of Lago Maggiore. His younger brother Fulvio would become a theatre administrator, their younger sister Bianca Fo Garambois, a writer. Their mother, Pina Rota Fo, from a peasant background, wrote a book of reminiscences of the area between the wars, Il paese delle rane (Land of Frogs, 1978). Their father, Felice, was a station master for the Italian state railway, and the family frequently moved along the Swiss border when Felice was transferred to new postings. Felice, a socialist, was also an actor, appearing for an amateur theatre company in works by Ibsen among others. Fo learned storytelling from his maternal grandfather and Lombard fishers and glassblowers. Among the places in which Fo lived during his early years was Porto Valtravaglia, a glassblowing colony in which, it has been claimed, resided the highest percentage of insane people in Italy. In 1942, Fo moved to Milan to study at the Academy Brera Academy. However, the Second World War intervened. Fo joined the fascist army of Mussolini's Repubblica Sociale Italiana. Years later, Fo did not deny this affiliation but supported this moot thesis: he did it to avoid arousing suspicion, because his family was active in the anti-fascist Resistance and Fo helped his father to smuggle refugees and Allied soldiers to Switzerland by disguising them as Lombard peasants. His father is also thought to have helped smuggle Jewish scientists to the safety of Switzerland. As the end of the war approached, Fo joined an anti-aircraft division of the navy, anticipating an immediate discharge due to a shortage of munitions. He was mistaken and was instead dispatched to a camp in Monza at which Benito Mussolini himself arrived. Fo soon deserted with the aid of false documents and wandered for a while before joining a parachute squadron. He then deserted this as well, prompting a further unsuccessful search for the Resistance movement during which he slept rough in the countryside. After the war Fo returned to the Brera Academy, also taking up architectural studies at the Politecnico di Milano. He started a thesis on Roman architecture, but becoming disillusioned by the cheap impersonal work expected of architects after the war, he left his studies before his final examinations. He had a nervous breakdown; a doctor told him to spend time doing that which brought him joy. He began to paint and became involved in the piccoli teatri (small theatres) movement, in which he began to present improvised monologues. He considered his artistic influences to include Beolco, Brecht, Chekhov, De Filippo, Gramsci, Mayakovsky, Moliere, Shaw and Strehler.

Using a quote from the above article, answer the following question: Where did Dario Fo attend school?
HHHHHH
Answer:
In 1942, Fo moved to Milan to study at the Academy Brera Academy.