Problem: Professional wrestling shows can be considered a form of theatre in the round, with the ring, ringside area, and entryway comprising a thrust stage. However, there is a much more limited concept of a fourth wall than in most theatric performances. The audience is recognized and acknowledged by the performers as spectators to the sporting event being portrayed, and are encouraged to interact as such. This leads to a high level of audience participation; in fact, their reactions can dictate how the performance unfolds. Often, individual matches will be part of a longer storyline conflict between "babyfaces" (often shortened to just "faces") and "heels". "Faces" (the "good guys") are those whose actions are intended to encourage the audience to cheer, while "heels" (the "bad guys") act to draw the spectators' ire.
How does the audience being acknowledged by the wrestlers impact the show?
The answer is the following: This leads to a high level of audience participation

Problem: Media anthropology (also known as anthropology of media or mass media) emphasizes ethnographic studies as a means of understanding producers, audiences, and other cultural and social aspects of mass media. The types of ethnographic contexts explored range from contexts of media production (e.g., ethnographies of newsrooms in newspapers, journalists in the field, film production) to contexts of media reception, following audiences in their everyday responses to media. Other types include cyber anthropology, a relatively new area of internet research, as well as ethnographies of other areas of research which happen to involve media, such as development work, social movements, or health education. This is in addition to many classic ethnographic contexts, where media such as radio, the press, new media and television have started to make their presences felt since the early 1990s.
Following audiences in their everyday responses to media is encompassed by what type of context?
The answer is the following: media reception

Problem: The record attendance for an Everton home match is 78,299 against Liverpool on 18 September 1948. Amazingly, there was only 1 injury at this game-Tom Fleetwood was hit on the head by a coin thrown from the crowd whilst he marched around the perimeter with St Edward's Orphanage Band, playing the cornet. Goodison Park, like all major English football grounds since the recommendations of the Taylor Report were implemented, is now an all-seater and only holds just under 40,000, meaning it is unlikely that this attendance record will ever be broken at Goodison. Everton's record transfer paid was to Chelsea for Belgian forward Romelu Lukaku for a sum of 28m. Everton bought the player after he played the previous year with the team on loan.
How many fans were injured in Everton's 1948 match against Liverpool that drew the largest crowd they've had?
The answer is the following: 1

Problem:
Thailand: The April 18 relay through Bangkok was the Olympic flame's first visit to Thailand. The relay covered just over 10 km, and included Bangkok's Chinatown. The torch was carried past Democracy Monument, Chitralada Palace and a number of other city landmarks. M.R. Narisa Chakrabongse, Green World Foundation (GWF) chairwoman, withdrew from the torch-running ceremony, protesting against China's actions in Tibet. Several hundred protesters were present, along with Olympic supporters. Thai authorities threatened to arrest foreign protesters and ban them from future entry into Thailand. A coalition of Thai human rights groups announced that it would organise a "small demonstration" during the relay, and several hundred people did indeed take part in protests, facing Beijing supporters. Intended torchbearer Mom Rajawongse Narissara Chakrabongse boycotted the relay, to protest against China's actions in Tibet. In Bangkok, students told the media that the Chinese Embassy provided them with transportation and gave them shirts to wear.
When did the Olympic torch reach Bangkok?
The answer is the following:
April 18