Input: Flowing water causes sediment to move. Flowing water can erode both rocks and soil. You have already learned that materials can dissolve in water. With enough time, even rocks can be dissolved by water. This process happens really slowly. It may take over a million years to dissolve a rock. It doesnt matter how big the rock is. With enough time, flowing water can dissolve it. Moving water also has the ability to move small pieces of rock and soil. How can water move a rock? Doesnt it need energy? Of course, water gets its energy because it is moving. Moving water has kinetic energy. Things that have more energy can do more work. When water stops moving it will have no energy. It will no longer be able to move the rock and soil. When this happens the rock and soil will settle to the bottom of the calm water. Scientists call this process deposition.

Does the response "Power of energy" correctly answer the question "What are some things flowing water causes?"?

OPTIONS:
- no
- yes
***
Output: no

Gravitational Potential Energy is affected by position. Like the leaves on trees, anything that is raised up has the potential to fall. It has potential energy. You can see examples of people with gravitational potential energy in 1.5 Figure below. Gravitational potential energy depends on two things. It depends on its weight, because a large falling rock can do more damage than a leaf falling from a tree. It also depends on its height above the ground. Like the skateboarder, the higher the ramp, the faster he will be going when he reaches the bottom. Like all energy, gravitational potential energy has the ability to do work. In this case, weight has the potential to deliver a force. More important for us is that it has the ability to cause change. What kind of change you may ask? Gravitational potential energy has the ability to cause motion.

Question: "Name two examples of the effect of gravitational potential energy that are given in the paragraph."

OPTIONS:
- no
- yes

Answer: "Large falling rock"

Response: no

The explosion, while killing one of the Cossacks and seriously wounding the driver and people on the sidewalk, had only damaged the bulletproof carriage, a gift from Napoleon III of France. The emperor emerged shaken but unhurt. Rysakov was captured almost immediately. Police Chief Dvorzhitsky heard Rysakov shout out to someone else in the gathering crowd. The surrounding guards and the Cossacks urged the emperor to leave the area at once rather than being shown the site of the explosion. Nevertheless, a second young member of the Narodnaya Volya, Ignacy Hryniewiecki, standing by the canal fence, raised both arms and threw something at the emperor's feet. He was alleged to have shouted, "It is too early to thank God". Dvorzhitsky was later to write:

Question: "Who is Rysakov?"

Response: "The person responsible for the explosion and a member of the young member of the Narodnaya Volya"
OPTIONS:
- no
- yes

A: yes

Problem: Late on the next Sunday afternoon Gifford had gone for a country walk which he had arranged to bring him round in time for the evening service at the little village church of Wynford standing just outside the park boundary. His way took him by well-remembered field-paths which, although towards the end of his walk darkness had set in, he had no difficulty in tracing. The last field he crossed brought him to a by-road joining the highway which ran through Wynford, the junction being about a quarter of a mile from the church. As he neared the stile which admitted to the road he saw, on the other side of the hedge and showing just above it, the head of a man. At the sound of his footsteps the man quickly turned, and, as for a moment the fitful moonlight caught his face, Gifford was sure he recognized Gervase Henshaw. But he took no notice and kept on his way to the stile, which he crossed and gained the road. As he did so he glanced back. A horse and trap was waiting there with Henshaw in it. He was now bending down, probably with the object of concealing his identity, and had moved on a few paces farther down the road.

Question: "Would darkness fall before Gifford's arrival at the church?"

Answer: "Yes"

OPTIONS:
- no
- yes
Answer: yes

Question:
Sam Farragut is a sociopathic business executive in Southern California who forces a team of advertising agency employees to embark on a dangerous dirtbike trip to the Baja California desert in order to compete for his business . The men are Warren Summerfield , a suicidal middle-aged ad executive who has been fired from the agency ; the straightlaced Paul McIlvain who is inattentive to his wife , and brash art designer Maxon who feels suddenly trapped after his girlfriend announces she is pregnant . There are numerous long sequences of motorcycle riding on desert backroads . Summerfield has been having an affair with McIlvian's wife . He has not told his wife that he was fired and is simply serving out his tenure at the agency while looking for a new position . His wife is actually aware of the affair . Farragut convinces the ad men to make the motorcycle journey on the pretext of looking for a location to shoot a commercial . In reality , Farragut is reckless and looking to involve the men in spontaneous edgy adventure of his own manipulation . After they leave , McIlvain's wife suspects that Summerfield is planning to kill himself for the insurance money , but she can not convince Summerfield's wife to instigate a search . The four men travel deeper into Mexico on isolated dirt roads . At one point Summerfield contemplates plunging off a cliff . After being humiliated by a young American couple in a Baja bar , Farragut tracks them down on the beach while accompanied by Maxon . After reading the above, is "Maxon's girlfriend" the correct answer to the question "Whose wife is having an affair with Summerfield?"? OPTIONS:
- no
- yes

Answer:
no

Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.

Question: "How old was Durer when he was patronized by emperor Maximilian I?"

Response: "41"
OPTIONS:
- no
- yes

A:
no