Q: What's an example of a movie review?
An example of a movie review is here: Saw this piece of work at a film fest in CA. My god, what was the director thinking? Film professors should use this film as a case study on what NOT to do when making a short film. First off, this project makes absolutely no sense whatsoever. The film takes place partially in "The Waystation", some stupid vapid bar in the middle of nowhere, where nothing really takes place.

THe acting is beyond bad. So bad in fact that I almost thought it was a comedy. The lead actress Julia Reading is a step below the acting in most amateur porn films. There is one or two decent performances, including the guys who played Jacob and Fenner but it's like the director had no clue on how to work or use his thespians. The only thing worse than the acting was the dialogue, which bordered on absurd. The writer (whom I assume is also the director) writes each character like they are auditioning for a comic book villain.

The overall production value is pretty good, but to be honest, with a film this bad it's easy to overlook it. The production design is pretty good, although the Waystation looks like any ordinary bar. The costumes and make-up are okay, and I understand the production was working with a low budget. It's just when the characters speak, or they try and push the plot forward, the film unravels into a muck of crap.

As I've said, this film is god awful. It's like the director/writer watched a lot of sci-fi films and threw all the parts he liked into a blender and came up with this. My only hope is that he used other people's money on this, because if he used his own, he's a total sucker.

Q: What's an example of a movie review?
An example of a movie review is here: The first and only time I saw the woman in black was I think the only time to my knowledge it appeared on TV back in 1989. It was Christmas eve and my father and i were watching it in the living room shortly before we all went to a midnight service in the village church. I was quite young at the time but i'm not sure who was more terrified walking through the church yard to the entrance of the church that night me or my father!.

There are many factors about this film that make it so creepy but i think 0ne of them is the fact that there's not much in the way of a sound track that plays in the background of nearly every Hollywood movie, so every creak, thump and bang is more amplified in your head as there's no distraction. Another factor that makes it different from other ghost stories there's no jump factor involved like things bouncing out the closet so it makes it not necessarily what you see but what you hear and what you think is going on. This is a clever medium as nothing scares you more than your own mind running riot thinking whats around the corner or behind the door!

A superb ghost story, I've never seen anything that can match it and with all the dross thats repeated over and over on TV i cant believe the BBC has deleted it after (to my knowledge) only one showing!

Q: What's an example of a movie review?
An example of a movie review is here: If a more masterful adaptation than this one even existed, you need not look for it; you will find all and more in this near-perfect presentation of Charlotte Bronte's masterpiece.

Rarely have I seen a film that would urge me to read the novel on which it was based, but I admit to that here. Although I have not read Jane Eyre, I am convinced that I have missed very little in the way of dialogue and plot or of intensity and emotion. I only wish to explore the novel due to the immense curiosity and emotion that this masterpiece has stirred within me.

I need not divulge anything in the way of plot here. Let me just say this: if you are perhaps unsure as to whether you should watch or read the beautiful story that is Jane Eyre, I implore you to doubt no more! Every atom of might and magic that has reared Jane Eyre as a popular classic of English literature has successfully been captured in this film.

What Bronte did not bring herself, Clarke and Dalton managed to translate in the limelight with stupendous intensity. The movie's success is, no doubt, due in no small part to their acting prowess.

Love Jane Eyre or hate her, but appreciate the richness, the vitality, the truth of the story; love the characters; love the actors; all just as you would love what is great in cinema.

Q: What's an example of a movie review?
An example of a movie review is here:
Otto Preminger directs this light as a feather story. Bohemian Jean Seberg and her equally bohemian widower father David Niven holiday in the South of France with nutty Mylene Demongeot. Things are fine until family friend Deborah Kerr shows up. Nivens, a degenerate womanizer, finds the conquest of Kerr too hard to resist. That's fine with Seberg, as long as Niven loves her and leaves her (as he's done with all the women in his past...including Demongeot). When it appears as though she's becoming second banana in Niven's life, Seberg exact revenge on Kerr. Preminger tells the story in flashbacks from Seberg's perspective and cleverly combines black and white with sunnier color scenes. The cinematography by Georges Perinal is stunning. The film features some of Preminger's least heavy-handed direction, although he rarely allows any close-ups, which makes it difficult to make out what the actors are really feeling. Arthur Laurents wrote the script and it's full of acidic dialog and funny scenes (mostly involving bird-brained Demongeot). Seberg acquits herself fairly well, but Niven is at his least appealing...and he shows no chemistry with either Seberg or Kerr. Preminger really mis-steps with that casting. It's a role that seems tailor made for someone closer to Charles Boyer. With Geoffrey Horne as Seberg's would-be suitor and Martita Hunt as his daffy mother. Juliette Greco, playing herself, sings the title song in a Paris nightclub. The great titles are by Preminger regular Saul Bass.