IN: Ashley Abbott is a fictional character from The Young and the Restless and The Bold and the Beautiful, two American soap operas on the CBS network. She has been most notably portrayed by Eileen Davidson, who originated the role in June 1982 before departing in 1988. Brenda Epperson portrayed Ashley from 1988 to 1995, before Shari Shattuck portrayed the role for the next three years, until Davidson's return in 1999. Davidson was nominated in 2003 for Daytime Emmy Award for Outstanding Lead Actress in a Drama Series.

Davidson describes Ashley as a "dynamic character". She has been characterized as "sassy" yet an "honorable heroine". The Record describes Ashley as "headstrong". She is recognized for her unluckiness and long-term suffering. Davidson stated, "She is a heroine. So often she was being victimized by people and trying to always rise above that, and being driven insane and losing babies, etc." In 1990, The Washington Times described Ashley as a "smart woman", known for her "level head" and "business success". Ashley is dedicated to her work and has a strong sense of family. She is a beloved member of the Genoa City community. Her passion for the family business, Jabot Cosmetics, cost Ashley her marriage to Cole Howard (J. Eddie Peck). Ashley has been involved in a number of different romantic relationships over her duration on the series. Her relationship with Brad Carlton (Don Diamont) came as a shock, due to Brad being beneath her socially. Epperson, who played Ashley at the time, was uncertain of Ashley and Brad's decision to get married. Davidson opined that a storyline in which Victor's son Adam Newman (Michael Muhney) gas lighted a pregnant Ashley in 2009 was payback for Ashley stealing Victor's sperm years ago to conceive Abby. She stated: "I think the character really suffered after she stole Victor's sperm from Diane [...] After that, the viewers lost a lot of respect for Ashley. People wanted Ashley to pay for it. My opinion? Although last summer's gaslighting storyline was used to propel a lot of other stories, it was also about making Ashley pay. Now we can close that entire chapter because Ashley paid. It was Ashley's redemption". Around this story arc, Tommy Garrett of Canyon News described Ashley as a "damsel in distress", stating that she had a "twisted mind" due to suffering a hysterical pregnancy after losing her unborn child at the hands of Adam. Following the death of John, Jack works desperately to remove his wife Gloria Abbott (Judith Chapman) from the family, even illegally making changes to John's will. Explaining Ashley's ambivalence towards the situation, Davidson stated: "Just because you don't like somebody doesn't mean you should do something illegal [...] The point is, their father loved her. And even if they don't like her, they have to honor what he wanted. Ashley never wanted to do anything that went against her father's wishes." The actress stated that Ashley "just wants" Jack to "do the right thing".

Why did Jack want to remove his wife Gloria Abbott?

OUT:

IN: Once is a 2007 Irish romantic musical drama film written and directed by John Carney. The film stars Glen Hansard and Marketa Irglova as two struggling musicians in Dublin, Ireland. Hansard and Irglova had previously performed music as the Swell Season, and composed and performed the film's original songs. Once spent years in development with the Irish Film Board and was made for a budget of EUR112,000.

Once was met with extremely positive reviews from critics. Upon its March 2007 release in Ireland, RTE's Caroline Hennessy gave the film 4 out of 5 stars and termed it "an unexpected treasure". About the acting, this Irish reviewer commented, "Once has wonderfully natural performances from the two leads. Although musicians first and actors second, they acquit themselves well in both areas. Irglova, a largely unknown quantity alongside the well-known and either loved or loathed Hansard, is luminous." Michael Dwyer of The Irish Times gave the film the same rating, calling it "irresistibly appealing" and noting that "Carney makes the point - without ever labouring it - that his protagonists are living in a changing city where the economic boom has passed them by. His keen eye for authentic locations is ... evident". In May, on Ebert & Roeper, both Richard Roeper and guest critic Michael Phillips of the Chicago Tribune gave enthusiastic reviews. Phillips called it, "the most charming thing I've seen all year", "the Brief Encounter for the 21st century", his favorite music film since 1984's Stop Making Sense and said, "It may well be the best music film of our generation". Roeper referred to the film's recording studio scene as "more inspirational and uplifting than almost any number of Dreamgirls or Chicago or any of those multi-zillion dollar musical showstopping films. In its own way, it will blow you away." Once won very high marks from U.S. critics; it is rated 97% "fresh" by the film review aggregation site Rotten Tomatoes and scored a grade of 88 ("universal acclaim") according to Metacritic. In late 2007, Amy Simmons of Time Out London wrote, "Carney's highly charged, urban mise-en-scene with its blinking street lamps, vacant shops and dishevelled bed-sits provides ample poetic backdrop for the film's lengthy tracking shots, epitomised in a sequence where the Girl walks to the corner shop in pyjamas and slippers while listening to one of the Guy's songs on her personal stereo. With outstanding performances from Hansard and new-comer Irglova, Carney has created a sublime, visual album of unassuming and self-assured eloquence." The Telegraph's Sukhdev Sandhu said, "Not since Before Sunset has a romantic film managed to be as touching, funny or as hard to forget as Once. Like Before Sunset, it never outstays its welcome, climaxing on a note of rare charm and unexpectedness." The film appeared on many North American critics' top ten lists of the best films of 2007: In 2008, the film placed third on Entertainment Weekly's "25 Best Romantic Movies of the Past 25 Years".

did it get any other good reviews

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Michael Dwyer of The Irish Times gave the film the same rating,