input: Wheatley believed that the power of poetry is immeasurable. John C. Shields notes that her poetry did not simply reflect the literature that she read but was based on her personal ideas and beliefs. Shields writes, "Wheatley had more in mind than simple conformity. It will be shown later that her allusions to the sun god and to the goddess of the morn, always appearing as they do here in close association with her quest for poetic inspiration, are of central importance to her." This poem is arranged into three stanzas of four lines in iambic tetrameter followed by a concluding couplet in iambic pentameter. The rhyme scheme is ababcc. She used three primary elements: Christianity, classicism, and hierophantic solar worship. The hierophantic solar worship is what she brought with her from Africa; the worship of sun gods is expressed as part of her African culture. As her parents were sun worshipers, it may be why she used so many different words for the sun. For instance, she uses Aurora eight times, "Apollo seven, Phoebus twelve, and Sol twice." Shields believes that the word "light" is significant to her as it marks her African history, a past that she has left physically behind. He notes that Sun is a homonym for Son, and that Wheatley intended a double reference to Christ. Wheatley also refers to "heav'nly muse" in two of her poems: "To a Clergy Man on the Death of his Lady" and "Isaiah LXIII," signifying her idea of the Christian deity. Shields believes that her use of classicism set her work apart from that of her contemporaries. He writes, "Wheatley's use of classicism distinguishes her work as original and unique and deserves extended treatment." Shields sums up Wheatley's writing by characterizing it as "contemplative and reflective rather than brilliant and shimmering."

Answer this question "What influence did Wheatley have on poetry?"
output: Wheatley's use of classicism distinguishes her work as original and unique and deserves extended treatment.

input: The Foundations drew much interest and intrigue due to the size and structure of the group. Not only was there a diverse ethnic mix in the group, but there was also diversity in ages and musical backgrounds. The oldest member of the group was Mike Elliott, who was 38 years old. The youngest was Tim Harris, who, at 18, was barely out of school. The West Indian horn section, which consisted of Jamaican-born Mike Elliott and Pat Burke, both saxophonists and Dominican-born Eric Allandale on trombone. They were all highly experienced musicians who came from professional jazz and rock-and-roll backgrounds. Mike Elliott had played in various jazz and rock and roll bands including Tubby Hayes and Ronnie Scott, the Cabin Boys (led by Tommy Steele's brother, Colin Hicks), and others. Pat Burke, a professional musician, was from the London Music Conservatorium. Eric Allandale had led his own band at one stage as well as having played with Edmundo Ros and being a former member of the Terry Lightfoot and Alex Welsh bands. Alan Warner was the guitarist. Bassist Peter Macbeth was a former teacher. Tony Gomez, the keyboard player, was a former clerk, while Clem Curtis had been an interior decorator and professional boxer. The story of the origins of the Foundations can be somewhat surprising and a bit confusing as to who was responsible for choosing the band's name, and various sources give slightly different accounts of their beginnings. One version is that they were originally called The Ramong Sound, or The Ramongs, and there were two lead singers, Clem Curtis and Raymond Morrison aka Ramong Morrison. When Raymond was imprisoned for six months, a friend of the band suggested Psychedelic shock rocker Arthur Brown. The Foundations actually did come together in Bayswater, London, in January 1967. They practiced and played in a basement club called the Butterfly Club, which they ran. While managing the club themselves, they played music nightly, and handled the cooking and cleaning. They would get to bed around 6 or 7 a.m., sleep until 4 p.m., get up and begin again to get ready to open at 8 p.m. Sometimes they barely made enough money to pay the rent, let alone feed themselves. At times, they lived off the leftovers and a couple of pounds of rice.

Answer this question "What instruments did the others play?"
output: Alan Warner was the guitarist. Bassist Peter Macbeth was a former teacher.

input: Rumors that Caray was having an affair with Susan Busch, wife of August Busch III, the oldest son of Cardinals president Gussie Busch, then a company executive and later CEO of Cardinals' owner Anheuser-Busch, began to circulate after she was involved in a single-car accident near her home in the St. Louis suburb of Ladue late one night in May 1968. She told police she was returning from a visit to "a friend"; the cause of the accident was never disclosed publicly and no further action was taken. However, her marriage to the younger Busch was failing due to his extreme commitment to the family business. According to Anheuser-Busch historian William Knoedelseder, the two had been seen eating together at Tony's, a popular and well-regarded St. Louis restaurant (where Knoedelseder later worked, and heard the story from more senior staff). Waitstaff present said the two were both extremely inebriated and openly affectionate. They stood out not only because both were well-recognized around St. Louis but because Caray was 22 years older than she. The restaurant's owner had to tell the staff not to stare at the couple. It also was rumored that the near-fatal car accident Caray suffered later that year was actually intentional and related to the alleged affair. Private investigators working for Busch had found that telephone records showed Caray and Susan Busch had made many calls to each other. They supposedly confronted him about the reported affair while he was in Florida recuperating. Susan divorced her husband shortly afterwards. She has only spoken about the alleged affair once since then, denying it. While she and the broadcaster were friends, "we were not a romance item by any means", she told the St. Louis Post-Dispatch. Caray cited the rumors of the affair as the real reason the Cardinals declined to renew his contract after the disappointing 1969 season. Like Susan Busch, Caray, too denied that the affair had occurred when asked, but according to Knoedelseder was less consistent, sometimes suggesting it had indeed occurred, and usually saying how flattered he was at the idea that a woman as attractive as Susan Busch would see him the same way.

Answer this question "What happened after she had the car accident?"
output:
She told police she was returning from a visit to "a friend"; the cause of the accident was never disclosed publicly and no further action was taken.