Background: Sir Lawrence Alma-Tadema, (; born Lourens Alma Tadema Dutch pronunciation: ['l^ur@ns 'alma: 'ta:d@,ma:]; 8 January 1836 - 25 June 1912) was a Dutch painter of special British denizenship.
Context: The outbreak of the Franco-Prussian War in July 1870 compelled Alma-Tadema to leave the continent and move to London. His infatuation with Laura Epps played a great part in his relocation to England and Gambart felt that the move would be advantageous to the artist's career. In stating his reasons for the move, Tadema simply said "I lost my first wife, a French lady with whom I married in 1863, in 1869. Having always had a great predilection for London, the only place where, up till then my work had met with buyers, I decided to leave the continent and go to settle in England, where I have found a true home." With his small daughters and sister Atje, Alma-Tadema arrived in London at the beginning of September 1870. The painter wasted no time in contacting Laura, and it was arranged that he would give her painting lessons. During one of these, he proposed marriage. As he was then thirty-four and Laura was now only eighteen, her father was initially opposed to the idea. Dr Epps finally agreed on the condition that they should wait until they knew each other better. They married in July 1871. Laura, under her married name, also won a high reputation as an artist, and appears in numerous of Alma-Tadema's canvases after their marriage (The Women of Amphissa (1887) being a notable example). This second marriage was enduring and happy, though childless, and Laura became stepmother to Anna and Laurence. Anna became a painter and Laurence became a novelist. He would initially adopt the name Laurence Alma Tadema instead of Lourens Alma Tadema and later adopt the more English Lawrence for his forename, and incorporate Alma into his surname so that he appeared at the beginning of exhibition catalogues, under "A" rather than under "T". He did not actually hyphenate his last name, but it was done by others and this has since become the convention.
Question: Did they have any kids?
Answer: This second marriage was enduring and happy, though childless, and Laura became stepmother to Anna and Laurence. Anna became a painter and Laurence became a novelist.

Background: Edward Henry Weston (March 24, 1886 - January 1, 1958) was a 20th-century American photographer. He has been called "one of the most innovative and influential American photographers..." and "one of the masters of 20th century photography." Over the course of his 40-year career Weston photographed an increasingly expansive set of subjects, including landscapes, still lifes, nudes, portraits, genre scenes and even whimsical parodies. It is said that he developed a "quintessentially American, and specially Californian, approach to modern photography" because of his focus on the people and places of the American West.
Context: Weston always made contact prints, meaning that the print was exactly the same size as the negative. This was essential for the platinum printing that he preferred early in his career, since at that time the platinum papers required ultra-violet light to activate. Weston did not have an artificial ultra-violet light source, so he had to place the contact print directly in sunlight in order to expose it. This limited him to printing only on sunny days. When he wanted a print that was larger than the original negative size, he used an enlarger to create a larger inter-positive, then contact printed it to a new negative. The new larger negative was then used to make a print of that size. This process was very labor-intensive; he once wrote in his Daybooks "I am utterly exhausted tonight after a whole day in the darkroom, making eight contact negatives from the enlarged positives." In 1924 Weston wrote this about his darkroom process, "I have returned, after several years use of Metol-Hydroquinine open-tank" developer to a three-solution Pyro developer, and I develop one at a time in a tray instead of a dozen in a tank." Each sheet of film was viewed under either a green or an orange safelight in his darkroom, allowing him to control the individual development of a negative. He continued to use this technique for the rest of his life. Weston was known to extensively use dodging and burning to achieve the look he wanted in his prints.
Question: Did he work with anyone while in the darkroom?
Answer:

Background: Born on 17 February 1940 in the suburb of Huentitan El Alto in Guadalajara, Jalisco, Fernandez spent his early years on his father Ramon's ranch on the outskirts of Guadalajara. He also worked at a young age as a waiter, dish washer, cashier, and finally manager of his uncle's restaurant. "Chente", as he was known to all, became fond of the idyllic ranch lifestyle. His mother often took him to see the films of Pedro Infante; he has said of these films' significance: "When I was 6 or 7, I would go see Pedro Infante's movies, and I would tell my mother, 'When I grow up, I'll be like him.'
Context: In the spring of 1966, Javier Solis, Mexico's most popular traditional singer, died. Discos CBS, the recording label in the Mexican department of CBS Records International, offered Fernandez a recording contract. He released his first recording, "Perdoname", with the company in 1966; Fernandez still records for the label, which is now Sony Music Latin of Sony Music Entertainment. He branched into acting with the 1971 film Tacos al Carbon. His first hit movie, for which he did the soundtrack, was 1974's La Ley del Monte. He stopped acting in 1991. Maintaining the ranchera tradition, Fernandez always performs wearing the charro, an embroidered suit and sombrero. In 1970, just as Fernandez was about to go onstage, his father died. Overwhelmed by the tragic news but determined not to let the crowd go without a show, Fernandez went onstage and performed. By the end of the night the critics were comparing him to other famous ranchera artists like Jose Alfredo Jimenez, Jorge Negrete, and Javier Solis. Since then his music has expanded rapidly. In 1998, he continued to tour despite the kidnapping of his oldest son. (He was released 4 months later when ransom was paid.) Fernandez has recorded more than 50 albums in 35 years and claims to have recorded 300 more songs, making another 30 albums possible even if he retires. When he records an album, he spends 12-13 hours in the studio recording up to 18 songs; he takes a day off, then returns for another marathon session of recording another 15 or more songs. From this accumulation, he and his producer choose 12 tracks. Fernandez's greatest hit was "Volver, volver," released in 1972; his first million-selling album was 1983's 15 Grandes con el numero uno. In 1987 he launched his first tour outside the United States and Mexico when he traveled to Bolivia and Colombia. On April 16, 2016 Vicente Fernandez performed for the last time in his career at Estadio Azteca effectively announcing his retirement.
Question: Did Fernandez have a label?
Answer:
Fernandez still records for the label, which is now Sony Music Latin of Sony Music Entertainment.