In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.
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Question: studio expectations must not have been high for " great expectations " -- the film 's release date was pushed from late december to late january at what appeared to be the last minute , therefore putting any academy awards chances it has off until this time in 1999 .
it 's actually a smart move , because while this updated take on the charles dickens tale is n't quite oscar fodder , it * is * strong enough to be distinguished from the cinematic dumping ground that usually makes up the first five or six weeks of any given year .
" great expectations " also demonstrates how to modernize a classic story right , especially after the excruciatingly wretched excesses of baz luhrmann 's " william shakespeare 's romeo + juliet .
" " great expectations " opens somewhere in 1970s florida ( the original story is set in 19th - century england ) , as eight - year - old finn ( jeremy james kissner ) meets a trio of people who will have a profound effect on his life in the future .
there 's icy , 11-year - old estella ( raquel beaudene ) , a pseudo - playmate of finn 's ; ms .
dinsmoor ( anne bancroft ) , estella 's auntie who 's quite off - kilter over a past romance that never took off ; and a mysterious prisoner ( robert de niro ) whom finn saves the life of .
finn , who lives with his sister 's affable boyfriend ( lone star 's chris cooper ) , fancies himself an aspiring artist , and proves his prowess by whipping up an unusual portrait of estella using only ms .
dinsmoor 's lipstick , eyebrow pencil and the wallpaper from her dilapidating mansion .
flash forward into
the ' 90s ( after a brief stop in the ' 80s ) , and finn ( now played by ethan hawke ) , despondent over a strange hot - and - cold relationship with the elusive estella ( gwyneth paltrow ) , receives quite a bit of money from an unknown benefactor ; it 's enough cash to send him to new york to focus on a career in art .
there , finn seems to gain everything he could ever want -- wealth , prestige and a high place in the glamorous art world .
when estella resurfaces -- albeit with an aloof fianc ?
( hank azaria ) --
finn also sees the chance to renew their mutual attraction .
but she 's not the only ghost from finn 's past that 's going to be paying him a visit .
comparisons with the afore - mentioned " romeo + juliet " seem inevitable since these films are the only ones in recent memory to plop classic drama into a current setting .
" great expectations " is a much better venture , though , because it treats its source with even - handed respect , where " romeo " was never quite sure whether to be a spoof , a homage or both .
the movie is a visual banquet thanks to emmanuel lubezki 's sexy cinematography ; notably , he captures a revisited fountain kiss between the two leads with a luscious , erotic charge that 's steamier than the film 's ( surprisingly muted ) love scenes .
the eclectic rock soundtrack compliments the on - screen action beautifully , especially new songs by tori amos , mono and duncan sheik .
acting credits are first - rate , often hiding the screenplay 's occasional slip - ups .
hawke is sincere and solid as a leading man ( something we also learned from " gattaca " ) , and his finn is quite a likeable guy .
paltrow 's estella , on the other hand , is rather underdeveloped .
while the actress is at her icily seductive best , we 're not told very much about her character , and as a result , it 's often hard to understand why finn would appreciate her beyond a physical level ( but , oh , * what * a physical level ) ; sometimes , we root for finn although we do n't quite understand why she 's fueling his fire .
robert de niro is nice and sophisticated in the benevolent kind of role he rarely gets to play ; on the other end of the acting spectrum is bancroft , a macabre , throaty delight who mambos and sucks down cigarettes with an eerie enthusiasm that would make norma desmond jealous .
alfonso cuaron 's visually elegant direction helps to distract from the dry moments that pop up more frequently around the movie 's climax .
another problem is predictability ; you can guess your way through the plot even if you are n't familiar with the story .
despite its script flaws , though , " great expectations " is undeniably romantic without being corny or gloppy .
and frankly , it 's nice to see a film that embraces softened sensuality other than explicit sexuality .
perhaps that renovated release date , awfully close to valentine 's day , will end up helping " great expectations " ' seemingly average box office chances after all .

Answer: P

Question: you know something , christmas is not about presents .
it 's about over - hyped holiday films with lots of merchandising and product tie - ins . at least that would seem to be the message of " the grinch , " which has been advertised since last christmas and whose logo is currently plastered all over stores .
hollywood expects us to ignore this cynical greed as the movie scolds us about losing the true spirit of the season .
you know the plot : there 's this evil furry green guy called the grinch ( jim carrey ) who lives on a mountain overlooking whoville .
down below all the who s are preparing for their whobilation , but the grinch is determined to steal their christmas .
the movie is , of course , a live - action version of the beloved children 's book , which was previously adapted into a 1966 tv special by looney tunes animator chuck jones .
it 's rare that a big budget hollywood release is shamed by a thirty - year - old half - hour cartoon , but that 's the case when jones ' version is compared to ron howard 's .
the tv grinch hit all the right notes : boris karloff 's soft , deep narration ; thurl ravenscroft singing " mr . grinch " ; max the dog weighed down by the gigantic antler tied to his head ; and the grinch 's wide
, toothless grin .
by contrast , the movie hits one sour note after another .
first
, there are the numerous bad choices that jeffrey price and peter seaman made in padding out the short book into a 105-minute movie .
young wide - eyed cindy lou who ( taylor momsen ) is depressed about the misplaced priorities of her parents ( bill irwin and molly shannon ) during the holiday season .
she begins to sympathize with the grinch , who turns out to be surprisingly sympathetic .
cindy lou discovers that the grinch turned tearfully away from whoville in grammar school when he was publicly humiliated while expressing his love for the prettiest girl in the class , martha may whovier ( played as an adult by christine baranski ) .
are we expected to like the grinch , hate the who s , and want him to steal christmas ?
the grinch is n't even the villain here ; that role is filled by the corrupt mayor of whoville ( jeffrey tambor ) who was the grinch 's rival for martha 's affection .
not only are the characters needlessly complex ,
but the once - simple plot becomes so convoluted that the actual theft of christmas seems like an afterthought .
the casting choices are n't any better than the screenwriting decisions .
jim carrey seems woefully miscast .
while his face is so supple that the rubber make - up seems superfluous , carrey brings nothing else to the role .
his accent keeps changing ; i assume he was shooting for karloff ,
but he ends up sounding like a weird slurry of richard nixon , sean connery , and cartman from " south park .
" not knowing what else to do during his many scenes alone in the grinch 's home , carrey falls back on his stand - up comedy and clowns around ace ventura - style .
needless to say , his wise - cracking antics do n't quite fit the character of the grinch , who is an embittered loner filled with hate .
little taylor momsen brings little to role of cindy lou except big eyes and a cute smile .
she would have been fine if cindy lou was limited to her original purpose in the seuss story ( finding " santa " in her living room stealing the tree ) .
however , the expanded script makes cindy as important as the grinch , and momsen is not up to the challenge .
bottom line : when you 're stealing christmas ( movies ) , leave this one behind .

Answer: N

Question: hollywood has a . 750 batting average with elmore leonard adaptations .
last year 's touch was ill - conceived and just plain odd but get shorty , jackie brown and
now out of sight all were highly entertaining movies .
steven soderburgh , master of sex , lies and videotape , now adds crime to his repertoire in this tale of bank robbery , prison , double - crossing , uncut diamonds and ,
oh yeah , true love .
george clooney is the protagonist , a risky choice after such duds as batman and robin and the peacemaker , but for once i did n't want to slap the taste out of his mouth .
he plays his role in out of sight as the suave cary grant - type perfected in hitchcock movies , the kind of guy to whom crime is just a profession like any other .
nowhere present is clooney 's usual ain't - i - sexy sneer -- there 's just enough leftover lightheartedness to fit in with the leonard style .
clooney is definitely a perfect successor to john travolta in get shorty .
clooney plays a man who 's robbed about 200 banks without ever using a gun .
in the opening scene , he walks into one bank and robs it not only with ease but with charm .
of course , he gets caught , so it 's not all good .
it 's while doing time in a florida prison that clooney learns of one rich inmate 's ( albert brooks in a frightful bald wig ) collection of diamonds in detroit .
clooney and cohort ving rhames plan the score , while protection artist and fight promoter don cheadle begins rival plans .
meanwhile , there 's jennifer lopez .
unintentionally funny in selena and intentionally funny in anaconda , she 's finally graduated to a worthy role as the u . s .
marshal who happens to be driving up to the jail on the night clooney escapes .
rhames is waiting to give him a ride in a stolen car , and lopez makes it a threesome , her hostage ass locked in a trunk with clooney .
he 's covered in dirt and has a gun to her neck , and it 's a little cramped in there , but they manage to make a love connection anyway , probably because it 's a movie .
the relationship between clooney and lopez is at the heart of the movie , and one of the details that elevates it beyond your normal noir - ish crime story .
the leonard movies are more obsessed with dialogue than crime , and this is no exception .
although they 're not really germane to the plot , lopez 's relationship with her father ( dennis farina of get shorty ) , rhames ' relationship with his christian sister ( you could call her sister christian ) and a pop - in cameo by michael keaton
all lend extra class to a movie already full of it .
out of sight spans at least three years but has a non - linear structure , focusing on the jailbreak / brooks score and flashing back to earlier times .
this is a movie with a brain , as smooth and calculated
as the clooney and lopez characters themselves .
the entire cast does the material justice -- clooney and lopez coming into their own , and rhames and cheadle cementing their positions as two of my favorites .
here 's hoping future leonard adaptations continue to carry the torch .
serving america for almost 1/20th of a century !

Answer:
P