What is the full name of the person who has sex with two cheerleaders? Answer the above question based on the context below: In the 1970s, Bay City Police detectives David Starsky and Ken 'Hutch' Hutchinson are forced to work as partners. The macho Starsky loves his Ford Gran Torino and recklessly pursues minor offenders, while the easy-going Hutchinson often works alongside criminals to investigate their activity. Jewish-American drug kingpin Reese Feldman and partner-in-crime Kevin Jutsum develop a new type of cocaine untraceable in scent and taste. When one of his dealers botches an operation, Feldman kills him. The body washes ashore a few days later, and Starsky and Hutch investigate the scene. A clue leads them to Feldman, who denies any knowledge of the crime, but his wife mentions the dealer had been dating a cheerleader. After meeting cheerleaders Stacey and Holly, the detectives learn from cheerleader Heather that the dealer's jacket was made by Big Earl. Their street-wise informant Huggy Bear directs the pair to Big Earl's motorcycle bar. Disguised as "Captain America" and "Billy" from Easy Rider, Starsky and Hutch learn Big Earl is in jail, where they question him on his connection to Feldman's illicit dealings. Big Earl, implied to be gay and obsessed with dragons, forces the detectives into humiliating acts in exchange for a packet of what they believe is cocaine. Captain Doby, angered by their wild interrogation, tells them the packet contains artificial sweetener and takes them off the case. The duo invite Stacy and Holly to Starsky's place where Starsky puts the "sweetener" in his coffee while Hutch sings Don't Give Up on Us (first recorded by David Soul, the original "Hutch"). The four visit a disco where Starsky, suffering the effects what proves to be Feldman's modified cocaine, loses a dance-off. Hutch takes him home and proceeds to have a threesome with Holly and Stacey.
----
Answer: Ken 'Hutch' Hutchinson
Q: What kind of cancer killed Ferrier? Answer the above question based on the context below: Kathleen Mary Ferrier, CBE (22 April 1912 8 October 1953) was an English contralto singer who achieved an international reputation as a stage, concert and recording artist, with a repertoire extending from folksong and popular ballads to the classical works of Bach, Brahms, Mahler and Elgar. Her death from cancer, at the height of her fame, was a shock to the musical world and particularly to the general public, which was kept in ignorance of the nature of her illness until after her death. The daughter of a Lancashire village schoolmaster, Ferrier showed early talent as a pianist, and won numerous amateur piano competitions while working as a telephonist with the General Post Office. She did not take up singing seriously until 1937, when after winning a prestigious singing competition at the Carlisle Festival she began to receive offers of professional engagements as a vocalist. Thereafter she took singing lessons, first with J.E. Hutchinson and later with Roy Henderson. After the outbreak of the Second World War Ferrier was recruited by the Council for the Encouragement of Music and the Arts (CEMA), and in the following years sang at concerts and recitals throughout the UK. In 1942 her career was boosted when she met the conductor Malcolm Sargent, who recommended her to the influential Ibbs and Tillett concert management agency. She became a regular performer at leading London and provincial venues, and made numerous BBC radio broadcasts. In 1946, Ferrier made her stage debut, in the Glyndebourne Festival premiere of Benjamin Britten's opera The Rape of Lucretia. A year later she made her first appearance as Orfeo in Gluck's Orfeo ed Euridice, a work with which she became particularly associated. By her own choice, these were her only two operatic roles. As her reputation grew, Ferrier formed close working relationships with major musical figures, including Britten, Sir John Barbirolli, Bruno Walter and the accompanist Gerald Moore. She became known internationally through her three tours to the United...
A: breast cancer
What is the first name of the person who went on to dominate opera in England for several decades Answer the above question based on the context below: Rinaldo (HWV 7) is an opera by George Frideric Handel, composed in 1711, and was the first Italian language opera written specifically for the London stage. The libretto was prepared by Giacomo Rossi from a scenario provided by Aaron Hill, and the work was first performed at the Queen's Theatre in London's Haymarket on 24 February 1711. The story of love, war and redemption, set at the time of the First Crusade, is loosely based on Torquato Tasso's epic poem Gerusalemme liberata ("Jerusalem Delivered"), and its staging involved many original and vivid effects. It was a great success with the public, despite negative reactions from literary critics hostile to the contemporary trend towards Italian entertainment in English theatres. Handel composed Rinaldo quickly, borrowing and adapting music from operas and other works that he had composed during a long stay in Italy in the years 170610, during which he established a considerable reputation. In the years following the premiere, he made numerous amendments to the score. Rinaldo is regarded by critics as one of Handel's greatest operas. Of its individual numbers, the soprano aria "Lascia ch'io pianga" has become a particular favourite, and is a popular concert piece. Handel went on to dominate opera in England for several decades. Rinaldo was revived in London regularly up to 1717, and in a revised version in 1731; of all Handel's operas, Rinaldo was the most frequently performed during his lifetime. After 1731, however, the opera was not staged for more than 200 years. Renewed interest in baroque opera during the 20th century led to the first modern professional production in Handel's birthplace, Halle, Germany, in 1954. The opera was mounted sporadically over the following thirty years; after a successful run at New York's Metropolitan Opera in 1984, performances and recordings of the work have become more frequent worldwide. Rinaldo was the first Handel Opera to have found its way to the Metropolitan. The opera's tercentenary in 2011 brought a modernized...
----
Answer:
George