Q: Please answer the following question about this movie plot. If it's un-answerable, please output "No answer". Question: When was John Killed by a drunk driver? Movie plot title: More American Graffiti Movie plot: The film, set over the course of four consecutive New Year's Eves from 1964 to 1967, depicts scenes from each of these years, intertwined with one another as though events happen simultaneously. The audience is protected from confusion by the use of a distinct cinematic style for each section. For example, the 1966 sequences echo the movie of Woodstock using split screens and multiple angles of the same event simultaneously on screen, the 1965 sequences (set in Vietnam) shot hand-held on grainy super 16 mm film designed to resemble war reporters' footage. The film attempts to memorialize the 1960s with sequences that recreate the sense and style of those days with references to Haight-Ashbury, the campus peace movement, the beginnings of the modern woman's liberation movement and the accompanying social revolt. One character burned his draft card, showing a younger audience what so many Americans had done on the television news ten years before the movie's release. Other characters are shown frantically disposing of their marijuana before a traffic stop as a police officer pulls them over, and another scene shows the police brutality with billy clubs during an anti-Vietnam protest. The listed fates of the main characters at the ending sequence of American Graffiti were updated again at the end of this sequel. In More American Graffiti, John Milner was revealed to have been killed by a drunk driver in December 1964, with the ending scene of the movie driving his trademark yellow Deuce at night on a lonely, hilly highway toward another vehicle's headlights. After disappearing over a small hill, neither his taillights nor the approaching car's headlights are seen again, hinting that the fatal crash occurred there. Set on New Year's Eve 1964, it is never actually shown that his tragic end comes after his racing win on the last day of the year, very probably instead into the first few moments of 1965, given that the 1967 segment was just barely into 1968. The anniversary of John's death is mentioned in both the...
A: December 1964
Question: Please answer the following question about this movie plot. If it's un-answerable, please output "No answer". Question: Where are Diane and Carol Anne pulled over to? Movie plot title: Poltergeist II: The Other Side Movie plot: One year after the events of Poltergeist, Cuesta Verde, the Freelings' neighborhood from the first film, is being evacuated and turned into an archaeological paranormal dig centered around the spot where the Freelings' home stood before it imploded. The excavation leads to the discovery of an underground cave by a ground crew. Its existence is revealed to psychic Tangina Barrons (Zelda Rubinstein), who tells a friend of hers, Taylor (Will Sampson), a Native American shaman. After investigating the cave for himself, Taylor realizes that Rev. Henry Kane (Julian Beck), a deceased, insane preacher, has located Carol Anne and goes to defend her. The Freeling familySteven (Craig T. Nelson), Diane (JoBeth Williams), Robbie (Oliver Robins), and Carol Anne (Heather O'Rourke)has relocated to Phoenix, Arizona and now live in a house with Diane's mother, "Grandma Jess" (Geraldine Fitzgerald). Having lost his real estate license, Steven is reduced to selling vacuum cleaners door-to-door while filing repeated insurance claims to cover the missing home. Grandma Jess is highly clairvoyant, and says that Diane and Carol Anne are clairvoyant as well. Grandma Jess later dies from natural causes, but not before telling Diane one last time that she'll always "be there" if she needs her. Taylor shows up as Kane begins his first assault on the home. Unable to get in through the television as the family has removed all television sets from the home, Kane's minions are forced to find another way in, this time through Carol Anne's toy telephone. The attack fails, and the family gets out of the house quickly. Taylor introduces himself and convinces them that running would be a waste of time since Kane would only find them again, and they return to the house, which Taylor has made safe for the time being. Kane himself shows up at the home one day in human form and demands to be let in, but Steven stands up to him and refuses. Taylor congratulates him for resisting Kane, and then takes Steven to the desert and gives him the "Power...
Answer: the Other Side
Question: Please answer the following question about this movie plot. If it's un-answerable, please output "No answer". Question: What type of hotel was teh Pice de rsistance? Movie plot title: We Live in Public Movie plot: The film details the experiences of "the greatest Internet pioneer you've never heard of,"[2] Josh Harris. The dot-com millionaire founded Pseudo.com, the first Internet television network during the infamous tech boom of the late '90s. After achieving prominence amongst the Silicon Valley set, Harris became interested in controversial human experiments which tested the effects of media and technology on the development of personal identity. Ondi Timoner documented the major business-related moments of Harris' life for more than a decade, setting the tone for her documentary of the virtual world and its supposed control of human lives.[2] Among Harris' experiments touched on in the film is the art project "Quiet: We Live in Public," an Orwellian, Big Brother concept developed in the late '90s which placed more than 100 artists in a human terrarium under New York City, with myriad webcams following and capturing every move the artists made.[3] The piece de resistance was a Japanese-style capsule hotel outfitted with cameras in every pod, and screens that allowed each occupant to monitor the other pods[4] installed in the basement by artist Jeff Gompertz.[5] The film's website describes how, "With Quiet, Harris proved how, in the not-so-distant future of life online, we will willingly trade our privacy for the connection and recognition we all deeply desire. Through his experiments, including another six-month stint living under 24-hour live surveillance online which led him to mental collapse, he demonstrated the price we will all pay for living in public."[2] "He climbs into the TV set and he becomes the rat in his own experiment at this point, and the results don't turn out very well for him,"[6] says Timoner of the six-month period Harris broadcast live, online his life in his NYC loft. "He really takes the only relationship that he's ever had that was close and intimate and beaches it on 30 motion-controlled surveillance cameras and 66 invasive microphones. I mean his girlfriend who signed on to it...
Answer:
Japanese-style