IN: Masami Akita (Qiu Tian Chang Mei , Akita Masami, born December 19, 1956), better known by his stage name Merzbow (merutsubau, Merutsubau), is a Japanese noise musician. He is best known for his style of harsh, confrontational noise exemplified on his 1996 release, Pulse Demon. Since 1980, he has released over 400 recordings, and has collaborated with various artists.

Since 1999, Akita has used computers in his recordings, having first acquired a Macintosh to work on art for the Merzbox. Also at this time he began referring to his home studio as "Bedroom, Tokyo". At live performances, Akita has produced noise music from either two laptop computers or combination of a laptop and analog synthesizers/guitar pedals. Reiko A. and Bara left Merzbow during this time, Reiko Azuma now has a solo career. Since 2001, Jenny Akita (nee Kawabata) started being credited for artwork on various releases. Since 2001, Akita started utilising samples of animal sounds in various releases starting with Frog. Around 2002, Akita became a vegan, he stated how it began: I started raising four bantams, the little ornamental chickens. With this experience as a start, I gradually started to be concerned and care about chickens and all the barn animals I used to eat without giving it a second thought before. So I started reading books and researching on the internet about Animal Rights and that triggered an awareness of "evil" that human society has done. During this period, Akita also became a supporter of PETA which is reflected in his animal-themed releases. An example of this is Minazo Vol. 1 and Vol. 2, dedicated to an elephant seal he visited often at the zoo and Bloody Sea, a protest against Japanese whaling. He has also produced several works centered around recordings of his pet chickens (notably Animal Magnetism and Turmeric). Also in 2002, Akita released Merzbeat, which was seen as a significant departure from his trademark abstract style in that it contains beat-oriented pieces. This has sparked some controversy among fans, though some reviewers pointed out that it sounded very similar to Aqua Necromancer (1998) which features samples of progressive rock drumming. Merzbird (2004) and Merzbuddha (2005) followed in a similar vein with sampled beats combined with Merzbow's signature harsh noise.
QUESTION: Did he stop producing music with laptops in 2009?
IN: Gisele Caroline Bundchen (; Portuguese pronunciation: [Zi'zeli karo'lini 'bitSej], German pronunciation: [gi'zel@ kaRo'li:n@ 'bYntcn]; born 20 July 1980) is a Brazilian supermodel and actress. Since 2004, Bundchen has been among the highest-paid models in the world, and as of 2007 was the 16th richest woman in the entertainment industry. In 2012, she placed first on the Forbes top-earning models list.

Bundchen travelled to London in 1997, where she auditioned for 42 shows. She got her big break when chosen for her ability to walk in towering heels on a slippery runway for Alexander McQueen's spring 1998 "rain" ready-to-wear show. Echoing similar accolades for Elle Macpherson a decade earlier, McQueen dubbed Bundchen "the Body", immediately boosting her bookings. In 1998, she posed for Missoni, Chloe, Dolce & Gabbana, Valentino, Gianfranco Ferre, Ralph Lauren, and Versace campaigns. She made the cover of the French edition of Vogue, and fashion magazine i-D featured her on its cover, profiling "A Girl Called Gisele." The Vogue online encyclopedia of models states, "As the year 2000 approached, Gisele Bundchen was the world's hottest model, opening up a new category in the popular imagination: the Brazilian bombshell." She appeared on the cover of Vogue in July, November and December 1999. She won the VH1/Vogue Model of the Year for 1999, and a January 2000 cover gave her three consecutive Vogue covers. In 2000, she became the fourth model to appear on the cover of the music magazine Rolling Stone when she was named "The Most Beautiful Girl in the World". Bundchen has appeared on the covers of many top fashion magazines, including W, Harper's Bazaar, Elle, Allure, as well as style and lifestyle publications such as The Face, Arena, Citizen K, Flair, GQ, Esquire, and Marie Claire, and in the Pirelli Calendar in 2001 and 2006. She has also been seen in TIME, Vanity Fair, Forbes, Newsweek, and Veja. Bundchen has appeared on more than 1,200 magazine covers throughout the world. She simultaneously featured on the covers of both the US and British editions of Vogue in January 2000. Take the case of 18-year-old Gisele Bundchen, a.k.a. Gisele, fashion's new uber- (not super-) model. Gisele is currently shooting five massive advertising campaigns, starring on the cover of W, and playing the muse to t/bersnappers Steven Meisel and Mario Testino. In short, Gisele is huge.
QUESTION: How well did that show go?
IN: Art of Noise (also The Art of Noise) were an English avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with arranger Anne Dudley, producer Trevor Horn and music journalist Paul Morley. The group had international Top 20 hits with "Kiss" and the instrumental "Peter Gunn", which won a 1986 Grammy Award. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time. Inspired by turn-of-the-20th-century revolutions in music, the Art of Noise were initially packaged as a faceless anti- or non-group, blurring the distinction between the art and its creators.

By 1987, the band's membership was down to just Jeczalik and Dudley. That year saw the release of their album In No Sense? Nonsense! The album featured Jeczalik's most advanced rhythmic collages to date, plus lush string arrangements, pieces for boys' choir, and keyboard melodies from Dudley. It did not produce any hits, although their record label made efforts to push remixes of "Dragnet" into the dance clubs and the single reached No. 60 on the UK charts. In 1987, The Art of Noise provided the score for two movies, Hiding Out and Dragnet, and one particular movement was used in both films. Their brass-based connecting passage between sections from the original Dragnet television show's theme song was used as incidental music during a dramatic scene--an armed chase through the rafters of a gymnasium--near the end of Hiding Out. In 1988, a one-off collaboration with singer Tom Jones (a cover of Prince's "Kiss"--a staple in Jones' stage shows) renewed the public's interest in the Art of Noise and provided the group's biggest hit in the mainstream. The track appeared on several albums by Jones, and China Records included the song on the greatest hits compilation The Best of The Art of Noise, the first edition of which also contained tracks licensed from ZTT. The follow-up album, Below the Waste, failed to achieve much success upon its release in 1989. While it did spawn the memorable single "Yebo!" (featuring the unique vocals of Zulu performers Mahlathini and the Mahotella Queens). Both cassette and CD versions include two bonus tracks in the form of "Robinson Crusoe", and the "James Bond Theme". In 1990, Dudley and Jeczalik declared that the Art of Noise had officially disbanded.
QUESTION:
Who was in the band during this period?