Problem: Lester Willis Young (August 27, 1909 - March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike". Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music.

In 1933 Young settled in Kansas City, where after playing briefly in several bands, he rose to prominence with Count Basie. His playing in the Basie band was characterized by a relaxed style which contrasted sharply with the more forceful approach of Coleman Hawkins, the dominant tenor sax player of the day. One of Young's key influences was Frank Trumbauer, who came to prominence in the 1920s with Paul Whiteman and played the C-melody saxophone (between the alto and tenor in pitch). Young left the Basie band to replace Hawkins in Fletcher Henderson's orchestra. He soon left Henderson to play in the Andy Kirk band (for six months) before returning to Basie. While with Basie, Young made small-group recordings for Milt Gabler's Commodore Records, The Kansas City Sessions. Although they were recorded in New York (in 1938, with a reunion in 1944), they are named after the group, the Kansas City Seven, and comprised Buck Clayton, Dicky Wells, Basie, Young, Freddie Green, Rodney Richardson, and Jo Jones. Young played clarinet as well as tenor in these sessions. Young is described as playing the clarinet in a "liquid, nervous style." As well as the Kansas City Sessions, his clarinet work from 1938-39 is documented on recordings with Basie, Billie Holiday, Basie small groups, and the organist Glenn Hardman. Billie and Lester met at a Harlem jam session in the early 30s and worked together in the Count Basie band and in nightclubs on New York's 52nd St. At one point Lester moved into the apartment Billie shared with her mother, Sadie Fagan. Holiday always insisted their relationship was strictly platonic. She gave Lester the nickname "Prez" after President Franklin Roosevelt, the "greatest man around" in Billie's mind. Playing on her name, he would call her "Lady Day." Their famously empathetic classic recordings with Teddy Wilson date from this era. After Young's clarinet was stolen in 1939, he abandoned the instrument until about 1957. That year Norman Granz gave him one and urged him to play it (with far different results at that stage in Young's life--see below).

what was it like with the count basie orchestra?

Answer with quotes: His playing in the Basie band was characterized by a relaxed style which contrasted sharply with the more forceful approach of Coleman Hawkins,

Problem: Nightcrawler (Kurt Wagner) is a fictional superhero appearing in American comic books published by Marvel Comics, commonly in association with the X-Men. Created by writer Len Wein and artist Dave Cockrum, he debuted in the comic book Giant-Size X-Men #1 (May 1975). Nightcrawler is a member of a fictional subspecies of humanity known as mutants, who are born with superhuman abilities. Nightcrawler possesses superhuman agility, the ability to teleport, and adhesive hands and feet.

In the 2008 miniseries X-Infernus, Pixie summons her Souldagger and stabs Kurt in the chest, knocking him out. When Pixie removes her Souldagger, Magik's Soulsword emerges from his chest. Magik teleports away after taking out Pixie, Mercury, Rockslide, and Beast. Kurt wakes up and stops Pixie from going after her and Pixie breaks down and apologizes for stabbing him. Later the X-Men gather and Kurt is put in charge of a team of X-Men to go help save Magik. Upon entering Limbo, Kurt, Mercury, Colossus, Rockslide, Pixie, and Wolverine fight their way through many demons. Pixie, Mercury, and Rockslide are horrified at how brutal the older X-Men are towards the demons. An octopus type creature attacks Kurt until Pixie jumps in and kills it with her Souldagger. Hearing the screams from the castle, Kurt teleports the X-Men into the throne room. Once there, Witchfire turns Colossus and Wolverine against Mercury and Rockslide. Kurt notices Illyana chained to a pillar and she asks him to stab her with Pixie's Souldagger, as it's the only way and he is the only one to do it because he is attuned to magic.He apologizes and he stabs her; at that moment Colossus punches Kurt, and Witchfire finishes making her fifth and final Bloodstone from the now demonic Pixie. The fact however that Colossus and Wolverine have not killed him, makes Kurt realize they are not fully under her control. Using Pixie's Dagger, Kurt then pulls Illyana's Soulsword from her, and uses it to free Wolverine and Colossus of Witchfire's control. Unfortunately, the demon manages to use the Bloodstones to summon the Elder Gods. Through their combined efforts, the X-Men and Magik managed to banish both Witchfire and the Elder Gods, but not without losing four of the five Bloodstones. Furious at losing another part of her soul, Pixie flees. Being told by Illyana to let her go, Kurt consoles Magik about the theology of a soul, before she teleports them back to Earth. Kurt, along with Colossus, Cyclops, and the former New Mutants team, convinces her to stay with them and join the X-Men.

did he save anyone else?

Answer with quotes:
Kurt then pulls Illyana's Soulsword from her, and uses it to free Wolverine and Colossus of Witchfire's control.