In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
bob the happy bastard 's quickie review : i must admit , no doubt 's single " new " is quite catchy .
it was bouncy and energetic enough to get me to go see this new film from director doug limon , the man who had brought us the humorous swingers a little while back .
the result ?
a movie that 's just as good
as that song , really .
it follows the lives of several individuals over the course of one weekend .
first we hear about a grocery bagger ( sara polley ) who runs into a monetary situation problem and ends up selling bogus drugs at a rave ( with bad results , as a drug dealer feels he 's been swindled by her )
; then comes the story of an english grocery store worker ( same store ) who heads to vegas for the weekend with friends , where sex , gunplay , and stolen car trouble come into play ; then we see the story of two gay movie actors ( played by scott wolf and jay mohr ) who deal with a cop 's strange insurance presentation and hitting a girl ( sara ) with their car ; and , finally , we come to another grocery worker ( katie holmes ) who has a strange fascination with said drug dealer ( the one mentioned earlier ) .
really , it 's all confusing to keep track of in review format
, your best bet is to just , well , go .
the movie features some very good acting from all angles , and limon adds the same humorous energy he had with swingers to this particular product .
the dialogue is pretty snappy and the resolution is pretty well realized , not going for the sappy happy ending nor the dreaded bad ending .
think of it as a , well , ending .
the intertwining of stories is a particularly good element to the movie , as it 's never really confusing and tells different sides of the story , like sliding doors kinda did .
however , it 's better suited for the younger generation who want a little spice in their flicks , which sliding doors kinda is n't .

Ex Output:
P

Ex Input:
with his last two films - shine and snow falling on cedars - australian director scott hicks has proven his cinematic flashbacks to be some of the best out there , and his latest , hearts in atlantis , is no different .
its structure - beginning and ending in present day with one long flashback in the middle - is similar to the green mile , which is a bit ironic considering both were based on stephen king books .
the parallels do n't end there , either .
atlantis was adapted by william goldman , who had previously penned the big - screen version of misery and is in the process of working on the script for king 's dreamcatcher .
even the film 's content is a bit reminiscent of mile .
in fact , it 's the perfect blend of the feel - good ' 60s nostalgia of stand by me ( also by king ) and mystical power hokum of mile .
king 's atlantis is a book comprised of five related short stories , but the main focus here is on the first ( and longest ) tale , called low men in yellow coats ( the film 's title comes from the second chapter ) .
it 's set in 1960 harwich , connecticut , where 11-year - old bobby garfield ( anton yelchin )
lives in a boarding house run by his cold , self - centered mother elizabeth ( hope davis , joe gould 's secret ) , who seems to care more about her wardrobe than her son .
bobby spends his time with his two closest friends , john sullivan ( will rothhaar ) and tomboy carol gerber ( mika boorem ) , who become something like the kevin , paul and winnie of harwich .
when a new tenant moves into the vacant room , the fatherless bobby finds a male role model in ted brautigan ( anthony hopkins , hannibal ) , a mysterious stranger who is vague enough about his past to make bobby 's mom suspicious enough to at least momentarily turn her head away from the mirror .
ted teaches his young neighbor about the wonders of literature ( after his cheapskate mother gives him a library card for his birthday ) , dispenses prophetic words of wisdom and even pays bobby one dollar a week to read him the local newspaper and keep his eyes peeled for the low men , a group of people chasing ted to exploit his special powers .
i wo n't go into what these powers are , but they 're considerably toned down from the book ( and do n't involve black stuff flying out of ted 's mouth , a la mile ) .
atlantis ' present - day setting which bookends the film is based on the novel 's final chapter , titled heavenly shades of night are falling , and features david morse ( in yet another connection to the green mile ) as a married , middle - aged bobby who learns of the death of both of his childhood friends and returns to the dilapidated boarding house in which he spent his formative years .
atlantis is nowhere near as flashy as hicks ' cedars , which is disappointing but understandable considering the switch from the completely amazing robert richardson to the occasionally amazing piotr sobocinski , the oscar - nominated cinematographer behind krzysztof kieslowski 's red .
the acting is solid from everyone , including hopkins , who never once makes you think of dr .
lecter .
most impressive are youngsters yelchin and boorem , who both had tiny parts in along came a spider .
while i did n't really have much of a problem with goldman 's screenplay , i do need to point out at least one inconsistency .
goldman , for those of you who do n't read premiere , writes what seems like an annual criticism of everybody else 's films , carefully explaining why they all suck , make no sense and insult their audiences , while somehow failing to mention the crap that he 's penned ( like the general 's daughter ) .
it 's mean - spirited but fun to read , mostly on account of nobody else in hollywood having the balls to say anything remotely negative about anybody else in the business ( including michael jackson , o .
j . and robert blake ) .
in atlantis , which is supposed to be told through the eyes of young bobby , one would assume he would have to be in each scene in order to have the memory to which to flash back .
well , he 's not , and it does n't make sense .
1
: 41 - pg-13 for violence and thematic elements

Ex Output:
P

Ex Input:
"
the beach " is a structurally confusing film that i can only describe has having multiple personality disorder .
every forty minutes of this two - hour film begins with a new theme , virtually discarding what has been set up in the preceding act .
it starts off purposefully as a film about an innocent man seeking new thrills in a dangerous environment .
but then in the second act , the mood of the film abruptly changes
and it becomes a story about a love triangle on an idyllic island paradise that evokes visions of " blue lagoon " .
forty minutes later , the mood changes once more , and it becomes a dumbed down version of " lord of the flies " where an isolated community is discovered , where their moral code touts maintaining a sense of bliss at all costs .
by the time it 's over , you can only scratch your head and wonder what this film was really meant to be about .
the main character of " the beach " is angst - ridden richard ( leonardo dicaprio ) .
he travels to the netherworld of bangkok where back alley merchants push their wares upon unsuspecting tourists and scantily clad women brazenly ask if you 're looking for a good time .
richard 's voice - over tells the audience that he has come to this place because he is bored with his life and feels that one way to reinvigorate himself is to let go of the familiar and to enter into a world of the unknown .
this seedy environment is just what richard is looking for .
he checks into a fleabag hotel where he meets the crazed daffy ( robert carlisle ) .
he seems like a raving lunatic , obviously high from heavy drug use and looking as if he is afflicted with some sort of psychosis .
though his jagged behavior would distress most of us , richard listens to him as he speaks of a mysterious island that contains the most perfect beach that anyone has ever seen .
moreover , the island itself flourishes with enough hemp plants that can make a small city high for life .
captivated by the idea , he asks two other hotel guests to join him on his journey .
they are worldly etienne and the alluring francoise , who have also come to thailand for reasons similar to richard 's .
once they finally arrive at this paradise , however , the mood of the story shifts to richard 's growing desire for francoise .
this particular plot point is weak at best because there is absolutely no question in my mind that francoise will wind up with richard .
etienne is about as exciting as fluffy , white sand .
it 's odd that etienne never sees this coming , but paradise has a way of hiding potential threats just out of view .
and once the three stumble across the hidden community ( mood shift imminent ) , more events transpire that depict its hidden dangers .
for example , there are marijuana fields close by patrolled by armed guards .
and the lagoon in which they swim invites the occasional shark .
there are several ideas that are introduced in " the beach " and each one could merit its own feature - length film .
there 's the man vs .
nature angle , the love triangle angle , and the utopia - gone - awry angle .
but the film meanders so tremendously that its entire purpose becomes blurred .
dicaprio , as a result , has an almost impossible time of trying to embody the different states of mind that he and the film goes through .
consequently , the audience has an equally difficult time trying to keep up .

Ex Output:
N