Q: Found the following article online, use it to answer the question: What is the original name of the mine located in the land occupied by in the past by the Hohokam that closed permanently in 1942 when it became unprofitable? The earliest known residents of the land in and around what later became Saguaro National Park were the Hohokam, who lived there in villages between 200 and 1450 A.D. Petroglyphs and bits of broken pottery are among Hohokam artifacts found in the park. The Hohokam hunted deer and other animals, gathered cholla buds, prickly pears, palo verde pods, and saguaro fruit, and grew corn, beans, and squash. Subsequent indigenous cultures, the Sobaipuri of the Tucson Basin and the Tohono O'odham to the west, may be descendants of the Hohokam, though the evidence is inconclusive.Spanish explorers first entered Arizona in 153940. Non-native settlement of the region near the park did not occur until 1692 with the founding of San Xavier Mission along the Santa Cruz River, which flowed through Tucson. In 1775, the Spaniards built Presidio San Agustin del Tucson, a military fort in what was then part of New Spain, in part to protect against raids by Apaches.The lands that eventually would become Saguaro National Park remained relatively free of development until the mid-19th century, after Arizona had become part of the United States. After passage of the Homestead Act of 1862, the arrival of the railroad in 1880, and the end of the Apache Wars in 1886, homesteaders and ranchers established themselves in the Tucson and Rincon Mountains, and miners sought silver, copper, and other valuable ores and minerals. Mining in the park continued intermittently through 1942, while ranching on private in-holdings within the park continued until the mid-1970s.The defunct Loma Verde Mine, which is still visible in the Rincon Mountain District, produced a small amount of copper and gold between 1897 and 1907. Mining of igneous rock at 149 sites in the Tucson Mountain District sometimes produced ores of modest value in the late 19th and early 20th centuries. The most successful, the Copper King Mine (later renamed the Mile Wide Mine), yielded 34,000 tons of copper, gold, lead, zinc, and molybdenum ores, mostly during the war years of...
A: Copper King Mine

Q: Found the following article online, use it to answer the question: What is the last name of the person who performed with Katherine Jenkins at Royal Albert Hall? The day after the Britain's Got Talent finals, Max Clifford, speaking for Simon Cowell, said that it was "quite possible" that Cowell would be signing some of the finalists, including Smith. Though she did not sign with Syco, Cowell's record label, she did record a duet of "Walking in the Air" with Johnston, which appeared on his debut album, One Voice, and was tipped as a potential Christmas number-one. Before the release of One Voice, it was revealed that Smith and her father were finalising the details of her record deal. In November, it was announced that Smith would be performing on stage in Kettering with Sylvia Berryman, a vocal tutor who had worked with Smith prior to her appearance on Britain's Got Talent. Smith said that she was "really looking forward to singing locally again", and it was again reported that Smith hoped to soon sign her own record deal.In December 2008 the Daily Mail reported that Smith had signed a 2.3 million, multi-album deal with Universal Music Group that was the "most lucrative recording contract ever handed to a schoolgirl". Smith said "I'm honoured to be joining such a fantastic record company, especially since it's where [Jenkins] started." Dickon Stainer, speaking on behalf of Universal, said "as soon as we saw Faryl, it became an ambition to sign her." Universal claimed it intended to market Smith as a pop star. Smith signed the contract at the Royal Albert Hall, following which she performed with Katherine Jenkins. Neil Fisher, writing for The Times, described Smith as "heir apparent" to Jenkins; the pair had first met when Smith won a competition at the Llangollen International Musical Eisteddfod. By 2009, Jenkins was acting as a mentor to Smith.In January 2009 plans were released for Smith to perform with Placido Domingo, an idea originally suggested by him. In an interview with the Metro, Smith talked about her future plans, insisting that she did not wish to be dubbed as the next Charlotte Church. She later said that "In the papers, it sounded like I was snobby...
A: Smith

Q: Found the following article online, use it to answer the question: What is the full name of the work described by Ernest Newman as "lovely stuff, very simple that pregnant simplicity that has come upon Elgar's music in the last couple of years but with a profound wisdom and beauty underlying its simplicity"? In June 1911, as part of the celebrations surrounding the coronation of King George V, Elgar was appointed to the Order of Merit, an honour limited to twenty-four holders at any time. The following year, the Elgars moved back to London, to a large house in Netherhall Gardens, Hampstead, designed by Norman Shaw. There Elgar composed his last two large-scale works of the pre-war era, the choral ode, The Music Makers (for the Birmingham Festival, 1912) and the symphonic study Falstaff (for the Leeds Festival, 1913). Both were received politely but without enthusiasm. Even the dedicatee of Falstaff, the conductor Landon Ronald, confessed privately that he could not "make head or tail of the piece," while the musical scholar Percy Scholes wrote of Falstaff that it was a "great work" but, "so far as public appreciation goes, a comparative failure."When World War I broke out, Elgar was horrified at the prospect of the carnage, but his patriotic feelings were nonetheless aroused. He composed "A Song for Soldiers", which he later withdrew. He signed up as a special constable in the local police and later joined the Hampstead Volunteer Reserve of the army. He composed patriotic works, Carillon, a recitation for speaker and orchestra in honour of Belgium, and Polonia, an orchestral piece in honour of Poland. Land of Hope and Glory, already popular, became still more so, and Elgar wished in vain to have new, less nationalistic, words sung to the tune. By contrast, the remaining work, the Cello Concerto in E minor, had a disastrous premiere, at the opening concert of the London Symphony Orchestra's 191920 season in October 1919. Apart from the Elgar work, which the composer conducted, the rest of the programme was conducted by Albert Coates, who overran his rehearsal time at the expense of Elgar's. Lady Elgar wrote, "that brutal selfish ill-mannered bounder ... that brute Coates went on rehearsing." The critic of The Observer, Ernest Newman, wrote, "There have been rumours about during the week of inadequate rehearsal....
A:
Cello Concerto in E minor