Teacher:In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.
Teacher: Now, understand the problem? Solve this instance: Question: In what county is the Melrose Historic District locted? Passage 1:The music festivals that would thrust Victorian Birmingham to the forefront of European musical life had their roots in the private music societies of the Midlands Enlightenment, and in the economic difficulties faced by the town in the years following the end of the Seven Years' War. The first music meeting to be held in Birmingham for a charitable purpose took place on Christmas Day 1766, when James Kempson organised members of the Birmingham Musical and Amicable Society to hold a one-day festival at St. Bartholemew's Chapel to aid "aged and distressed housekeepers" a tradition that would continue annually until 1838. The success of this, together with that of a three-day festival of oratorio held by Richard Hobbs and Capel Bond in 1767, led to Kempson's suggestion that large-scale musical performances "upon similar principles to those at St. Bartholemew's" might be used to raise money to support the Birmingham General Hospital, which was then lying half-built for lack of funds. This resulted in the first three-day Birmingham Music Meeting, which was held in September 1768. Oratorios were performed at St Philip's and at the King Street Theatre to a "brilliant and crowded audience" including a "concourse of Nobility and Gentry from this and the neighbouring counties", with an orchestra of 25 conducted by Bond and a chorus of 45 from the Musical and Amicable Society trained by Kempson, raising a total of 200 (the equivalent of 10,000 in late 20th century terms) for the hospital. A second Music Meeting like that of 1768 was held in 1774 to raise money for the building of St. Mary's Chapel in Whittal Street, and with building work on the General Hospital again paused for lack of funds, in 1778 Kempson suggested a similar event be held for the joint benefit of the hospital and St Paul's Church in the Jewellery Quarter, where was newly installed as choirmaster. Further festivals were held in 1780 and 1784, after which the trustees of the General Hospital resolved to establish the event as the regular Birmingham Triennial Music Festival, which would take place every three years with only two interruptions until 1914.
Passage 2:The Melrose Historic District is a nationally recognized historic district located in Iowa City, Iowa, United States. It was listed on the National Register of Historic Places in 2004. At the time of its nomination it consisted of 134 resources, which included 112 contributing buildings, one contributing site, 20 non-contributing buildings, and one non-contributing structure. This neighborhood first developed as a sparsely populated rural area, and between World War I and World War II developed into an automobile suburb. It grew along with the University of Iowa when it expanded to the west side of the Iowa River, and it borders the large University of Iowa Hospitals and Clinics complex. Among the prominent people who lived here was Howard Jones who coached the Iowa football team from 1916 to 1923. Other prominent residents included professors and local professionals and politicians.
Passage 3:After she starred in the Broadway production of Bloomer Girl, 20th Century Fox signed Holm to a movie contract in 1946. She made her film debut that same year in Three Little Girls in Blue, making a startling entrance in a "Technicolor red" dress singing "Always a Lady," a belting Ado Annie-type song, although the character was differenta lady. In 1947 she won an Oscar and Golden Globe for Best Supporting Actress in Gentleman's Agreement. However, after another supporting role in All About Eve, Holm realized she preferred live theater to movie work, and only accepted a few select film roles over the next decade. The most successful of these were the comedy The Tender Trap (1955) and the musical High Society (1956), both of which co-starred Frank Sinatra. She starred as a professor-turned-reporter in New York City in the CBS television series Honestly, Celeste! (fall 1954) and was thereafter a panelist on Who Pays? (1959). She also appeared several times on ABC's The Pat Boone Chevy Showroom.

Student:
2