In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
A: 1874May
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : Ask a Policeman is a 1939 British comedy film directed by Marcel Varnel which stars Will Hay, Moore Marriott and Graham Moffatt. The title comes from the popular music hall song "Ask a Policeman". The Turnbotham Round police force are threatened with dismissal by their Chief Constable and decide to manufacture some smugglers to keep their jobs. When they encounter real smugglers, their plans begins to fall apart. Context_2 : "All I Ask of You" is a song performed by Cliff Richard and Sarah Brightman during the 1986 English musical "The Phantom of the Opera". It was written by Andrew Lloyd Webber, Charles Hart and Richard Stilgoe, and produced by Lloyd Webber. The duet was meant for characters Christine Daae and Raoul during the stage musical. An operatic pop piece, its lyrics serve as dialogue between the two characters and discuss themes such as commitment and romance. During the stage performance of "All I Ask of You", Steve Barton performs as the role of Raoul instead of Richard. Like Lloyd Webber's song "The Music of the Night", "All I Ask of You" was compared to the music found in Giacomo Puccini's 1910 opera "La fanciulla del West". Context_3 : "You Ask Me To" is a song written by Billy Joe Shaver and Waylon Jennings. It was originally recorded by Jennings on his 1973 album "Honky Tonk Heroes". This record spent fifteen weeks on the Billboard country singles charts, reaching a peak of number eight. Shaver recorded his own version in 1977 for the album "Gypsy Boy", with special guest Willie Nelson on guitar and vocals. "You Ask Me To" also appeared as the closing song on Elvis Presley's 1975 album "Promised Land", it was recorded in December 1973 at Stax Records studios in Memphis and released on Presley's 40th birthday. It also appeared, with an alternate arrangement in Elvis Presley's posthumous 1981 album "Guitar Man", which reached the Top 50 in the US. Context_4 : The Burglar and the Lady is a play written by Langdon McCormick. Like many of McCormick's plays, it was primarily a touring show and first premiered on October 1, 1905, at the State Street Theatre in Trenton, New Jersey. It came to Broadway in September 1906, appearing for a week at the American Theatre. The story pitted Sherlock Holmes, the famous fictional detective created by Arthur Conan Doyle, against A. J. Raffles, a fictional criminal created by E. W. Hornung. McCormick did not bother to ask permission for the use of either character. Former boxer "Gentleman Jim" Corbett played Raffles. The character's nationality was changed from English to American to match Corbett's casting. It was adapted as a movie in 1914, with Corbett again playing Raffles, although the adaptation removed the Holmes character. Context_5 : Steven Patrick Morrissey (born 22 May 1959), professionally known as Morrissey, is an English singer, songwriter and author. He rose to prominence as the lead singer of the indie rock band the Smiths, which was active from 1982 to 1987. Since then, Morrissey has had a solo career, making the top ten of the UK Singles Chart on ten occasions. Context_6 : Timothy Allen "Tim" James is an American songwriter whose credits are mostly in the field of country music. One of his compositions is Toby Keith's "My List," which was a Number One single on the country music charts in 2002. James signed to a publishing contract with Warner/Chappell Music in 2008. Other songs that he co-wrote include "Good People" by Jeff Bates, "It's Good to Be Us" by Bucky Covington, "All I Ask For Anymore" by Trace Adkins, "Holler Back" by The Lost Trailers, "Love Like Crazy" by Lee Brice, "Give It All We Got Tonight" by George Strait, and "He's Mine", which was recorded by both Billy Ray Cyrus and Rodney Atkins. "All I Ask For Anymore" was nominated for a Grammy Award for Best Country Song in 2010. Tim James' songs are represented by Downtown Music Publishing. Context_7 : "Ain't That Loving You, Baby" is a song written by Clyde Otis and Ivory Joe Hunter and originally recorded by Eddie Riff in 1956. It was recorded by Elvis Presley on June 10, 1958, but wasn't released as a single by him until September 1964 (with no comma in the title) when it reached number 16 on the Billboard chart, with "Ask Me" as the flipside. It is a standard shuffle in E major. The song, along with "Ask Me", was later included on the 1968 compilation album "Elvis' Gold Records Volume 4", and an alternate take with a faster tempo was released in 1985 on the compilation album "Reconsider Baby". Context_8 : Ask Harriet is an American television sitcom that ran for one season in 1998 on FOX. "Ask Harriet" was created by David Cassidy, Jonathan Prince, and Billy Riback. Cassidy also wrote and performed the theme song. Context_9 : "Ask" is a song recorded by the English rock band the Smiths. It was released as a single on 20 October 1986 through Rough Trade Records. Credited to vocalist Morrissey and guitarist Johnny Marr, "Ask" is an upbeat, positive pop song built around major chords. Its lyrics touch on shyness and encourages the listener to release their inhibitions. Its multiple guitar parts and complex production led to disagreements regarding its final mix. In addition, Craig Gannon, one-time rhythm guitarist for the group, has claimed he wrote and was denied credit for the song's chord structure. Context_10 : There is an introduction and then the books delves into chapters on race and nationality, social class, heredity, childhood, marriage, life, pathology, stature, pigments, other miscellaneous things, and a conclusion. Ellis begins by saying people had not been able to have an efficient comprehensive study of men and women before him. The "Dictionary of National Biography" had a large collection of descriptions of people, but it had been too unwieldy and large to be useful. Ellis then analyzes people and their natural tendencies to contribute successfully to society, but people born into royalty are excluded. They cannot be included with the rest of the population because they were given advantages at a young age that others were not given. The term genius is used to describe intelligence every time the word is mentioned throughout the text. He examines the concept of tracking down the origin of intelligence to a specific region of the world. In order to do this, each person must be asked about their birthplace to create an accurate record. The best way of asking though, is to ask each grandparent where they came from. In the chapter on social class, to determine the social class of people most precisely, it was best to ask the fathers what their occupation was. The occupation had to be considered at the time when the kid was born. fact_1 : Credited to vocalist Morrissey and guitarist Johnny Marr, "Ask" is an upbeat, positive pop song built around major chords. fact_2 : Steven Patrick Morrissey (born 22 May 1959), professionally known as Morrissey, is an English singer, songwriter and author. Question: What nationality is the vocalist to which the song Ask is credited ?
A:
English