instruction:
Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:', and the follow-up question has a prefix 'FOLLOWUP_Q:'.
question:
CONTEXT: Logan's plan earlier in the movie was to buy a sailboat and sail to the ocean with the Professor, where they would spend their last days. Out on the sea, the Professor wouldn't pose a threat to other humans when he lost his control over his ability. If I am not mistaken the Professor liked that idea - being out on the sea. When he died and Logan buried him, it was near a lake, so he was at least near water - Since Logan was emotional about the death of the Professor these were the only words he managed to say as a kind of eulogy. <sep> Q: What do you think the significance of the water is? A: Out on the sea, the Professor wouldn't pose a threat to other humans when he lost his control over his ability <sep> FOLLOWUP_Q: How dangerous do you think Professor X powers are when he loses his control?
answer:
No

question:
CONTEXT: I think it comes down to one point - can one mind actively dream two or more states simultaneously. For the dream within a dream thing to work .... the dreamer in level 1 (Yusuf) has to dream the Pasiv (sleep) machine into existence, in order to allow people to go down to the next level (the hotel dream of Arthur). For someone to simultaneously be maintaining level 1 and be able to go to 'sleep' and maintain level 2 seems unlikely - you'd essentially have to be 'awake' in each dream state. So it appears for the dream within a dream thing to work, you need as many people to dream as levels you wish to descend. This appears to be why Cobb wants Yusuf to 'go into the field', as he needs 3 dream levels (Yusuf, Arthur, Eames) - and he does not want to be a dreamer himself (for obvious reasons), and Ariadne was a late addition to the team. <sep> Q: Was it impossible to go into same person's dream each level down, or did it serve a purpose? A: I think it comes down to one point - can one mind actively dream two or more states simultaneously Q: Why did they have to choose a different person each time they went one level deeper in Inception? A: For the dream within a dream thing to work .... the dreamer in level 1 (Yusuf) has to dream the Pasiv (sleep) machine into existence Q: Couldn't they have kept going into Yusuf's dream all the way down? A: This appears to be why Cobb wants Yusuf to 'go into the field', as he needs 3 dream levels (Yusuf, Arthur, Eames <sep> FOLLOWUP_Q: How many dream levels are there?
answer:
Yes

question:
CONTEXT: It's hard to say because most of the camera angles in that scene are taken from the lance side of the knights. Any sheathed weapons, such as swords, would be on the shield side for a crossdraw, and thus away from the camera angle. There is one shot from a falling horse late in the scene where the hilt of a sheathed sword becomes briefly visible. Whether this sword is strapped to the horse (a common means of keeping secondary weapons), or belongs to one of the Scots on the ground, is difficult to determine. On the other hand, non-sheathed weapons such as maces, warhammers and battleaxes tended to be attached via a strap to the belt or trousers on the right hand side. These were common secondary weapons for knights, and we should be able to see some of them in the scene, but none are visible. Chances are you are correct, and these weapons were not included as part of the cavalry equipment. Most likely this was done to reduce the cost of filming. After all, the knights get slaughtered in the scene and we don't see any scenes where they get to fight back after falling from their horses, so these weapons are redundant from a filming standpoint. <sep> Q: Are the cavalry knights missing close melee weapons in Braveheart? A: It's hard to say because most of the camera angles in that scene are taken from the lance side of the knights Q: do u agree with me when i say they should have did different angles so we can better understand? A: There is one shot from a falling horse late in the scene where the hilt of a sheathed sword becomes briefly visible <sep> FOLLOWUP_Q: ok awesome i will look again, do you this melee would be a much needed wepon
answer:
Yes