input: Goldfrapp's second album Black Cherry was released in April 2003. The band recorded the album in a darkened studio in Bath, England. The album focused more heavily on dance music and glam rock-inspired synths than its predecessor. Alison Goldfrapp commented that the album differed from Felt Mountain because the band "felt that we really didn't want to repeat what we had done...we kind of wanted to do something that felt equally as fresh to us as the first one felt fresh to us, and we wanted to put more kind of "oomph" in it." The album received positive reviews from critics. The Guardian found it to be an "unexpected delight" and About.com called it a "rare electronica album of warmth and depth...the ultimate chillout pleasure". Black Cherry peaked at number 19 on the UK Albums Chart and number four on the Billboard Top Electronic Albums chart in the United States. It sold well, reaching platinum status in the UK and selling 52,000 copies in the US as of August 2006. The first single released from the album was "Train", which reached number 23 on the UK Singles Chart. The song's lyrics discuss obsession and overindulgence and were inspired by Goldfrapp's visit to Los Angeles while touring in support of Felt Mountain. "Strict Machine" was released as the album's second single. The song proved successful on several formats, and reached number one on the US Hot Dance Club Play chart. In 2004, "Strict Machine" won an Ivor Novello Award for "Best Dance Single". The third single released from Black Cherry was "Twist", a song inspired by a fantasy that Goldfrapp had about a boy who worked in a fairground. The title track was released as the album's fourth single and reached number 28 in the UK. In 2003, Alison Goldfrapp modified her image, from a sophisticated Marlene Dietrich inspired look to that of a new wave diva. The reinvented image included false eyelashes, customised T-shirts, military uniforms and fishnet stockings. Starting in March 2003, the band toured the album, with a concert series entitled Black Cherry Tour. In 2004, the band further toured Australia, Japan, Europe and North America and embarked on the Wonderful Electric Tour. Sections of the stage show featured Goldfrapp in a white dress wearing a horse tail and dancers with deer heads, and were inspired by Goldfrapp's interest in animals and mythology.

Answer this question "Did they tour with other bands or artists?"
output: In 2004, the band further toured Australia, Japan, Europe and North America and embarked on the Wonderful Electric Tour.

input: Eakins' first works upon his return from Europe included a large group of rowing scenes, eleven oils and watercolors in all, of which the first and most famous is Max Schmitt in a Single Scull (1871; also known as The Champion Single Sculling). Both his subject and his technique drew attention. His selection of a contemporary sport was "a shock to the artistic conventionalities of the city". Eakins placed himself in the painting, in a scull behind Schmitt, his name inscribed on the boat. Typically, the work entailed critical observation of the painting's subject, as well as preparatory drawings of the figure and perspective plans of the scull in the water. Its preparation and composition indicates the importance of Eakins' academic training in Paris. It was a completely original conception, true to Eakins' firsthand experience, and an almost startlingly successful image for the artist, who had struggled with his first outdoor composition less than a year before. His first known sale was the watercolor The Sculler (1874). Most critics judged the rowing pictures successful and auspicious, but after the initial flourish, Eakins never revisited the subject of rowing and went on to other sports themes. At the same time that he made these initial ventures into outdoor themes, Eakins produced a series of domestic Victorian interiors, often with his father, his sisters or friends as the subjects. Home Scene (1871), Elizabeth at the Piano (1875), The Chess Players (1876), and Elizabeth Crowell and her Dog (1874), each dark in tonality, focus on the unsentimental characterization of individuals adopting natural attitudes in their homes. It was in this vein that in 1872 he painted his first large scale portrait, Kathrin, in which the subject, Kathrin Crowell, is seen in dim light, playing with a kitten. In 1874 Eakins and Crowell became engaged; they were still engaged five years later, when Crowell died of meningitis in 1879.

Answer this question "What did the critics think of his early works?"
output: Most critics judged the rowing pictures successful and auspicious, but after the initial flourish, Eakins never revisited the subject of rowing and went on to other sports themes.

input: President Aquino envisioned agrarian and land reform as the centerpiece of her administration's social legislative agenda. However, her family background and social class as a privileged daughter of a wealthy and landed clan became a lightning rod of criticisms against her land reform agenda. On February 22, 1987, three weeks after the resounding ratification of the 1987 Constitution, agrarian workers and farmers marched to the historic Mendiola Street near the Malacanan Palace to demand genuine land reform from Aquino's administration. However, the march turned violent when Marine forces fired at farmers who tried to go beyond the designated demarcation line set by the police. As a result, at least 12 were killed and 51 protesters were injured in this incident now known as the Mendiola Massacre. This incident led some prominent members of the Aquino Cabinet to resign their government posts. In response to calls for agrarian reform, President Aquino issued Presidential Proclamation 131 and Executive Order 229 on July 22, 1987, which outlined her land reform program, which included sugar lands. In 1988, with the backing of Aquino, the new Congress of the Philippines passed Republic Act No. 6657, more popularly known as the Comprehensive Agrarian Reform Law". The law paved the way for the redistribution of agricultural lands to tenant-farmers from landowners, who were paid in exchange by the government through just compensation but were also allowed to retain not more than five hectares of land. However, corporate landowners were also allowed under the law to "voluntarily divest a proportion of their capital stock, equity or participation in favor of their workers or other qualified beneficiaries", in lieu of turning over their land to the government for redistribution. Despite the flaws in the law, the Supreme Court upheld its constitutionality in 1989, declaring that the implementation of the comprehensive agrarian reform program (CARP) provided by the said law, was "a revolutionary kind of expropriation". Despite the implementation of CARP, Aquino was not spared from the controversies that eventually centered on Hacienda Luisita, a 6,453-hectare estate located in the Province of Tarlac, which she, together with her siblings inherited from her father Jose Cojuangco (Don Pepe). Critics argued that Aquino bowed to pressure from relatives by allowing stock redistribution under Executive Order 229. Instead of land distribution, Hacienda Luisita reorganized itself into a corporation and distributed stock. As such, ownership of agricultural portions of the hacienda were transferred to the corporation, which in turn, gave its shares of stocks to farmers. The arrangement remained in force until 2006, when the Department of Agrarian Reform revoked the stock distribution scheme adopted in Hacienda Luisita, and ordered instead the redistribution of a large portion of the property to the tenant-farmers. The Department stepped into the controversy when in 2004, violence erupted over the retrenchment of workers in the Hacienda, eventually leaving seven people dead.

Answer this question "What is the most important Agrarian reform by Corazon Aquino ?"
output:
President Aquino envisioned agrarian and land reform as the centerpiece of her administration's social legislative agenda.