IN: Michael Martin Murphey was born on March 14, 1945, to Pink Lavary Murphey and Lois (nee Corbett) Murphey, in the Oak Cliff section of Dallas, Texas, where he grew up. He has a brother Mark who is three years younger. When he was six years old, he started riding horses on his grandfather's and uncle's ranches.

In 1982, Murphey signed with Liberty Records and produced two original albums, Michael Martin Murphey and The Heart Never Lies, as well as a compilation of re-recorded versions of his A&M, Epic, and Liberty hits called The Best of Michael Martin Murphey. In the early 1980s, Murphey had significant commercial success with hits like "Still Taking Chances", "Disenchanted", "Don't Count the Rainy Days", "Will It Be Love by Morning", "Radio Land", "Maybe This Time", and the number one hit "What's Forever For", written by Rafe VanHoy, which also crossed over to number three at AC Radio and number nineteen on the Billboard Hot 100 Pop Singles Chart. In 1983, Murphey was voted Best New Male Vocalist of the Year by the Academy of Country Music. In 1985, his rerecorded version of "Carolina in the Pines" reached the Top 10. In 1985, Murphey signed a new recording contract with Warner Bros. Records and continued his streak of successful recordings. In 1986, he released the album Tonight We Ride, which included "Rollin' Nowhere", "Fiddlin' Man", and "Sante Fe Cantina". In 1987, he released the album Americana, which included "Once Upon a Time", "My Darling Wherever You Are", and another number one country hit with the song "A Long Line of Love". That same album produced the hit single "A Face in the Crowd" with Holly Dunn, which was nominated for a Grammy Award. In 1988, Murphey released the album River of Time, which produced three hit singles that reached number three on the charts: Jesse Winchester's "I'm Going to Miss You, Girl", his own "From the Word Go", and "Talkin' to the Wrong Man", which featured his son Ryan. In 1989, Murphey closed out a successful decade of recording with the album Land of Enchantment, which contained "Never Givin' Up on Love", "Got to Pay the Fiddler", "Route 66", and "Land of Enchantment", which became New Mexico's state ballad.

How many copies were sold ?

OUT:

Answer the question at the end by quoting:

Patti Ann LuPone (born April 21, 1949) is an American actress and singer, best known for her work in stage musicals. She is a two-time Grammy Award winner and a two-time Tony Award winner. She is also a 2006 American Theater Hall of Fame inductee. LuPone began her professional career with The Acting Company in 1972 and made her Broadway debut in Three Sisters in 1973.
LuPone opposes recording, photographs, and other electronic distractions in live theatre. "Where's the elegance?" she asked in a blog post on her official site. "I mean, I'm glad they show up because God knows it's a dying art form and I guess I'm glad they're all comfortable, sleeping, eating and drinking, things they should be doing at home and in a restaurant. But it's just not done in the theater or shouldn't be." LuPone has been the subject of some controversy due to the bluntness of her statements regarding this matter. A related incident occurred at the second to last performance of Gypsy on January 10, 2009. LuPone, irritated by flash photography, stopped in the middle of "Rose's Turn" and loudly demanded that the interloper be removed from the theatre. After he was removed, LuPone restarted her number. The audience applauded her stance. The event was recorded by another audience member, who released it on YouTube. She later stated that such distractions drive "people in the audience nuts. They can't concentrate on the stage if, in their peripheral vision, they're seeing texting, they're seeing cameras, they're listening to phone calls. How can we do our job if the audience is distracted?", and also mentioned that "the interesting thing is I'm not the first one that's done it". On July 8, 2015, during the second act of Shows for Days at the Lincoln Center Theater, LuPone grabbed an audience member's cellphone while leaving the stage as the audience member had been using their phone during the play. It was returned after the show. LuPone stated: We work hard on stage to create a world that is being totally destroyed by a few, rude, self-absorbed and inconsiderate audience members who are controlled by their phones. They cannot put them down. When a phone goes off or when a LED screen can be seen in the dark it ruins the experience for everyone else - the majority of the audience at that performance and the actors on stage. I am so defeated by this issue that I seriously question whether I want to work on stage anymore. Now I'm putting battle gear on over my costume to marshal the audience as well as perform.

Did she do any other things to audience members?

loudly demanded that the interloper be removed from the theatre.

input: The mid-1940s was a lull in Groucho Marx's career. His radio show Blue Ribbon Town, sponsored by Pabst Blue Ribbon beer, had begun in March 1943 and had failed to catch on. Groucho left the program in June 1944, replaced by vocalist Kenny Baker until the show's end two months later. He also reluctantly appeared in two movies with brothers Chico and Harpo Marx, A Night in Casablanca and the lackluster Love Happy. During a radio appearance with Bob Hope in March 1947, Marx ad-libbed most of his performance after being forced to stand by in a waiting room for 40 minutes before going live on the air. John Guedel, the Hope program's producer, formed an idea for a quiz show and approached Marx about the subject. After initial reluctance by Marx, Guedel was able to convince him to host the program once Marx realized the quiz would be only a backdrop for his contestant interviews and the storm of ad-libbing that they would elicit. Guedel also convinced Marx to invest in 50% of the show, in part by saying that he was "untouchable" at ad-libbing, but not at following a script. As Marx and the contestants were ad-libbing, he insisted that each show be filmed and edited before release to remove the risque or less interesting material. The show for the studio audience ran longer than the broadcast version. The president of Film Craft Productions, which did the filming, cited it as the first television show filmed before a live audience as part of a lengthy essay about production procedures.

Answer this question "Was anyone else involved besides Marx and Guedel?"
output:
The president of Film Craft Productions,