IN: Seether are a South African rock band founded in May 1999 in Pretoria, Gauteng, South Africa. The band originally performed under the name Saron Gas until 2002, when they moved to the United States and changed it to Seether to avoid confusion with the deadly chemical known as sarin gas. Disclaimer is their original album and major label debut. They gained mainstream popularity in 2002 with their US Active Rock number one single "Fine Again", and their success was sustained in 2004 with the single "Broken" which peaked at number 20 on the Billboard Hot 100.

The band's follow-up album, Karma and Effect, was released in May 2005. Originally titled Catering to Cowards, the name was changed at the record label's demand. "Karma and Effect" debuted at number 8 on the US Billboard 200 album charts, and was certified gold in the US and Canada. The album spawned three singles, "Remedy", "Truth", and "The Gift". "Remedy" reached number 1 on the US Mainstream Rock Charts, Seether's first number 1 hit. Seether released an acoustic CD/DVD set titled One Cold Night, recorded at Grape Street, in Philadelphia, on 22 February 2006. Morgan had been suffering from a stomach ailment, and decided to do an acoustic performance of their set rather than cancel the show. The exclusion of "Needles" and "Burrito" from the album is due to the label's desire that it contain no obscenities. Lead guitarist Patrick Callahan's departure from the band was announced in June 2006. No reason was given, but he apparently did not enjoy Seether's new material. Shaun Morgan commented: "Um... relieved a little... actually a lot. He was the guy in the band that was always our naysayer, and he was the negative energy as far as writing. I personally have no love lost, which is weird for some reason 'cause he was my friend for four years. But when he walked out, it kinda walked out with him." Morgan entered a rehabilitation program for what he felt was "dependence on a combination of substances" in August 2006, which forced the band to cancel a tour with Staind and Three Days Grace.

What singles did either albums have?

OUT: The album spawned three singles, "Remedy", "Truth", and "The Gift". "Remedy" reached number 1 on the US Mainstream Rock Charts, Seether's first number 1 hit.

IN: Stanley Donen ( DAWN-@n; born April 13, 1924) is an American film director and choreographer whose most celebrated works are Singin' in the Rain and On the Town, both of which he co-directed with actor and dancer Gene Kelly. Other noteworthy films include Royal Wedding, Seven Brides for Seven Brothers, Funny Face, Indiscreet, Damn Yankees!, Charade, and Two for the Road. He began his career in the chorus line on Broadway for director George Abbott, where he befriended Kelly.

After the success of Take Me Out to the Ball Game, Freed gave Donen and Kelly the chance to direct On the Town, released in 1949. The film was an adaptation of the Betty Comden and Adolph Green Broadway musical about sailors on leave in New York City and was the first musical to be filmed on location. Donen and Kelly had wanted to shoot the entire film in New York, but Freed would only allow them to spend one week away from the studio. That week produced the film's famous opening number New York, New York. Away from both studio interference and sound stage constrictions, Donen and cinematographer Harold Rosson shot a scene on the streets of New York City that pioneered many cinematic techniques that would not be used again until they were popularized by the French New Wave ten years later. These techniques included spatial jump cuts, 360-degree pans, hidden cameras, abrupt changes of screen direction and non-professional actors. Donen's biographer Joseph A. Casper stated that the scene avoids being gratuitous or amateurish, while still "developing plot, describing the setting while conveying its galvanizing atmosphere and manic mood, introducing and delineating character." Casper also said that "Today the film is regarded as a turning point: the first bona fide musical that moved dance, as well as the musical genre, out of the theater and captured it with and for film rather than on film; the first to make the city an important character; and the first to abandon the chorus." On the Town starred Kelly, Sinatra and Munshin as three sailors on a 24-hour shore leave in New York whose romantic pursuits lead them to Ann Miller, Betty Garrett and Vera-Ellen. The film was a success both financially and critically. It won the Academy Award for Best Music, Scoring of a Musical Picture and screenwriters Comden and Green won the Writers Guild of America Award for Best Written American Musical. Like Orson Welles, Donen made his directorial debut at 25. Donen stated that Kelly was "responsible for most of the dance movements. I was behind the camera in the dramatic and musical sequences." Kelly believed that he and Donen "were a good team. I thought we complemented each other very well."

How much did it earn?

OUT:

IN: Dorothy Day, Obl.S.B. (November 8, 1897 - November 29, 1980) was an American journalist, social activist, and Catholic convert. Day initially lived a bohemian lifestyle before gaining fame as a social activist after her conversion. She later became a key figure in the Catholic Worker Movement and earned a national reputation as a political radical, perhaps the most famous radical in American Catholic Church history.

In the Catholic Worker in May 1951, Day wrote that Marx, Lenin, and Mao Tse-Tung "were animated by the love of brother and this we must believe though their ends meant the seizure of power, and the building of mighty armies, the compulsion of concentration camps, the forced labor and torture and killing of tens of thousands, even millions." She used them as examples because she insisted that the belief that "all men are brothers" required the Catholic to find the humanity in everyone without exception. She explained that she understood the jarring impact of such an assertion: Peter Maurin was constantly restating our position, and finding authorities from all faiths, and races, all authorities. He used to embarrass us sometimes by dragging in Marshall Petain and Fr. Coughlin and citing something good they had said, even when we were combating the point of view they were representing. Just as we shock people by quoting Marx, Lenin, Mao-Tse-Tung, or Ramakrishna to restate the case for our common humanity, the brotherhood of man and the fatherhood of God. In 1970, Day emulated Maurin when she wrote: the two words [anarchist-pacifist] should go together, especially at this time when more and more people, even priests, are turning to violence, and are finding their heroes in Camillo Torres among the priests, and Che Guevara among laymen. The attraction is strong, because both men literally laid down their lives for their brothers. "Greater love hath no man than this." "Let me say, at the risk of seeming ridiculous, that the true revolutionary is guided by great feelings of love." Che Guevara wrote this, and he is quoted by Chicano youth in El Grito Del Norte.

Are there any other interesting aspects about this article?

OUT:
Peter Maurin was constantly restating our position, and finding authorities from all faiths, and races, all authorities.