Problem: Bananarama is a British female pop music vocal group formed in London in 1981 by friends Sara Dallin, Siobhan Fahey and Keren Woodward. Their success on both pop and dance charts has earned them a listing in the Guinness World Records as the all-female group with the most chart entries in the world. In addition to their chart success, they are also known for their vocal style, generally singing in unison rather than in harmony like most vocal groups. The group's 10 UK Top 10 hits include "It Ain't What You Do..." (1982), "Really Saying Something" (1982), "Shy Boy" (1982), "Cruel Summer" (1983), "Robert De Niro's Waiting..." (1984) and "Love in the First Degree" (1987).

Bananarama were founded in London in 1981 by Fahey, Woodward and Dallin, the latter two having been childhood friends in Bristol since the age of four, and attending St. George's School for Girls together. Dallin and Fahey met in 1979 while studying fashion journalism at the London College of Fashion. They became friends because they both dressed more radically than the other students. The trio were ardent followers of the punk rock and post-punk music scene during the late 1970s and early 1980s and often performed impromptu sets or backing vocals at gigs for such bands as The Monochrome Set, Iggy Pop, The Jam, Department S and The Nipple Erectors. In 1981, Bananarama's members were living above the rehearsal room that was used by former Sex Pistols members Steve Jones and Paul Cook. With their help, Bananarama recorded their first demo "Aie a Mwana" (UK #92, a cover of a song by Black Blood, sung in Swahili). The demo was heard at Demon Records, who consequently offered Bananarama their first deal. The song was an underground hit and Bananarama were signed by Decca (later London Records) and remained on the label until 1993. During this early period Bananarama were approached by Malcolm McLaren, who offered to manage the group. McLaren, manager of the Sex Pistols and Bow Wow Wow, and notorious for generating scandal, proposed some new material that was sexually suggestive, and did not fit with what at the time was the band's tomboyish and straightforward image. Bananarama passed on both the material and McLaren as their manager. UK fashion magazine The Face featured an article on Bananarama after the release of their first single. This caught the attention of ex-Specials member Terry Hall, who invited them to collaborate with his new vocal group Fun Boy Three on the track "It Ain't What You Do It's The Way That You Do It". In 1982, the song hit the Top 5 in the UK and gave Bananarama their first significant mainstream success. Fun Boy Three then guest starred on Bananarama's single, "Really Saying Something", later that year.

When did they start writing music on more serious topics?

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Problem: Williams was born in Nassau, The Bahamas, on November 12, 1874, to Frederick Williams Jr. and his wife Julia. At the age of 11, Bert permanently emigrated with his parents, moving to Florida. The family later moved to Riverside, California, where he graduated from Riverside High School. In 1893, while still a teenager, he joined different West Coast minstrel shows, including Martin and Selig's Mastodon Minstrels, where he first met his future professional partner, George Walker.

The following month, Williams & Walker had their greatest success to date with Sons of Ham, a broad farce that was perhaps most notable for its lack of the extreme "darkie" stereotypes which were then common. One of the show's songs, "Miss Hannah from Savannah," even touched upon class divisions within the black community. The pair had already begun to transition away from racial minstrel conventions to a more human style of comedy. In 1901, they recorded 13 discs for the Victor Talking Machine Company. Some of these, such as "The Phrenologist Coon," were standard blackface material, but the financial lament "When It's All Going Out and Nothing Coming In" was race-blind, and became one of Williams' best-known songs. Another Williams composition, "Good Morning Carrie", was covered by many artists, becoming one of the biggest hits of 1901. These discs existed only in pressings of fewer than 1,000, and were not heard by very many listeners. Sons of Ham ran for two years. In September 1902, Williams & Walker debuted their next vehicle, In Dahomey, which was an even bigger hit. In 1903 the production, with music by Will Marion Cook and lyrics by Paul Laurence Dunbar moved to New York City, where it became the first black musical to open on Broadway. Part of the inspiration for the show was Williams' copy of a 1670 book, Africa, in which author John Ogilby traced the history of the continent's tribes and peoples. "With this volume, I could prove that every Pullman porter is the descendant of a king," said Williams. This was a landmark event, but seating inside the theater was segregated. One of the musical's songs, "I'm a Jonah Man," helped codify Williams' hard-luck persona and tales of woe. It helped to establish the character Williams played most frequently in his career: the slow-talking, deep-thinking victim of life's misfortunes. "Even if it rained soup," Williams later explained, "[my character] would be found with a fork in his hand and no spoon in sight." However, Williams and Walker were ebullient about their Broadway breakthrough, which came years after they had established themselves as profitable stage stars. Williams wrote, "We'd get near enough to hear the Broadway audiences applaud sometimes, but it was some one else they were applauding. I used to be tempted to beg for a $15 job in a chorus just for one week so as to be able to say I'd been on Broadway once." Walker recalled, "Some years ago we were doing a dance before an east side audience. They gave us a hand, and I called out to them, "Some day we'll do this dance on Broadway!" Then they gave us the laugh. Just the same we gave Broadway that same dance." In Dahomey then traveled to London, where it was enthusiastically received. A command performance was given at Buckingham Palace in June 1903. The show's British tour continued through June 1904. In May, Williams and Walker were both initiated into the Edinburgh Lodge of the Freemasons; the Scottish Masons did not racially discriminate as the United States chapters did, including the northern states.

What is Sons of Ham and In Dahomey?

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production,