In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

[EX Q]: Whittier Smith (Anne Judson-Yager) arrives at the fictional California State College hoping to join the national champion varsity cheerleading team. She meets up with her friend from cheerleading camp, Monica (Faune Chambers), and they're both impressive at the tryouts. Head cheerleader Tina (Bree Turner) is ready to ask them to join the team, but Greg (Bryce Johnson) goes a step further, telling Tina that Whittier will be the next head cheerleader. This angers Tina's pal Marni (Bethany Joy Lenz), who had the position staked out, but at the urging of Dean Sebastian (Kevin Cooney), Tina goes along with the plan, taking Whittier under her wing.Meanwhile, Whittier meets Derek (Richard Lee Jackson), a campus D.J. who immediately takes a shine to her. But Tina is very demanding and controlling. She warns Whittier that Derek is not the type of boy she should be dating. Monica is bothered by Tina's meddling, but Whittier momentarily lets her cheerleading ambition get the better of her, and breaks it off with Derek.Tina, upset with Monica's sassy attitude, forces Whittier to choose between her friendship and the squad. Whittier and Monica get fed up and quit the team, but Whittier's school spirit cannot be suppressed. With Monica's help, she gathers up the outcasts from the drama club, the dance club, and other groups that have lost their funding and forms a ragtag squad of her own, determined to battle the varsity squad for a spot at the national championship.The two teams end up competing for the spot at nationals, with Whittier's squad ultimately winning. Afterward Whittier offers Tina a spot on her squad, which Tina refuses but ends up wanting. The film ends with Tina sucking up to Whittier and Monica, deciding she wants to be on their squad after all.
[EX A]: Question: Who is Whittier's friend from cheerleading camp?, Answer: Monica

[EX Q]: The rocket, to a design reminiscent of every pulp comic book, ends up nose down in a field. Creating a wave of interest, the uniforms soon arrive, followed by our interpid hero (Prof Bernard Quartermass, Brian Donlevy) and his helpers in a early model VW people carrier. Also on board is an 'Astronauts Wife', and a man from the ministry (Blake, Lionel Jeffries).After some interplay between the uniforms and the scientists, the door to the rocket (amazingly visible just above ground level) is opened remotely. (Pity the poor fireman who seemed to be suffering a lack of pressure with his hose pipe - screen left at this critical moment). A single Astronaut rolls out of the door, and is greeted by his wife and Quatermass.He is whisked off in an ambulance (classic!) after Quatermass tries to glean some information from him about the rest of the crew, for by now it appears that there is no-one else on board - just two empty space suits.Headlines shown the next day indicate a mystery - and of course this leads to police involvement (they fingerprinted the poor bloke in the ambulance) led by Lomax of the Yard, played by that old stalwart copper, Jack Warner. The running gag here is that he is always trying to shave - watch toward the end of the film when the pressure builds, and he has a 9 o'clock shadow! Anyway, it appears that the Yard feel this is a murder enquiry, and Lomax's mood is not helped by the arrival in his office of Quatermass - a brusque initial exchange leads to an agreement of sorts, as Quatermass leaves full information on the three spacemen.Quatermass visits Victor Caroon (Richard Wordsworth) at the lab, and is disappointed to see that he still is not talking, although there are some strange marks appearing on his shoulder. The Wife arrives, and helps lead him to bed, to be monitored by the Professors able assistant.Inspector Lomax reappears in the Professors office, issuing the classic line "no one wins in a cold war", and shows that the fingerprints taken from the Astronaut in the ambulance are totally different from those provided by the Professor. The Professor indicates that '.... these are not human....!'At this stage, the Professors helper convinces him that he can no longer look after Caroon. He needs to be in a hospital, closely monitored and cared for. The professor concedes this point, so we next see the Wife and a helper outside the hospital in the rain, obviously trying to spring the poor bloke from his hospital bed. At one point, when the helper goes to get the lift, Caroon hits an innocent cactus plant so hard that the pot goes flying over the room - this has a bearing on subsequent events. After some light repartee, the helper, who seems to indicate that he is a PI of sorts, gets Caroon in the lift. All seems well, until the helper wants to know what he is hiding under his coat - and ends his role in the film for his trouble. Caroon leaves with his wife, and the body of the helper is found by a nurse with suitable screams.Caroon is seen with his wife, who thinks nothing of smoking and driving. She is rambling on about how she will look after him, when she also notices his hand under the coat, and pulls the car over. After Caroon shows her (but not the audience) his hand, she screams fit to burst whilst he makes his escape.Meanwhile, back a the hospital, all the main actors have arrived. The helper has had his skull caved in and is drained of blood.The police put out an APB for the missing man, whilst Quatermass tries to figure out what is going on. About now, a film from the space ship is finally processed, and in what is another key point in the film we are able to share with all the main actors some excellent effect work showing the three space men at work and play. It is obvious that something disabled the craft, finished off two of the Astronauts, and left Caroon with the mother of all problems.Caroon then proceeds to stumble around various locations; the chemists shop (with the actor who was to become Sam Pearson in Emmerdale Farm, Toke Townley) being erased; a young Jane Asher missing out on a similar fate whilst Caroon struggles with his metamorphis; and then London Zoo, where as we subsequently discover a number of animals do not manage to escape.As the creature mutates, it starts to leave a trail (evident at the Zoo) like a snail, but it seems that this is too obvious for the Police to follow. At the Zoo they discover a fragment of the creature, and back in the lab this seems to be self sufficient and develops in its own right. The danger is that the 'creature' can self procreate, and that within 24 hours London will be a morass of slithering life draining aliens.A young Thora Hird entertains as bag lady in the police station, but she is coherent enough to ensure that that Police arrive at the latest sighting point. This after mobilisation of the armed forces, all police, and the now disbanded Civil Defence units, who could find no trace. Good old Thora.It then seems that the 'trail' leads to Westminster Abbey, where we see the BBC Outside Broadcasting unit set up and about to give a live broadcast on the restoration work then being undertaken. The producer is played by Gordon Jackson (Upstairs, Downstairs, The Professionals), and eventually the cameras focus on the Thing - how it managed to get onto that scaffolding remains a secret - but its there is all its gruesome glory. No trace of the astronaut remain - just scales, and eye, and thorns from the cactus.Some discussion takes place about the best way to terminate the creature without releasing spores all over London - eventually it is decided to route the entire elctricity grid to the Abbey to a cable that will be attached to the scaffolding. A great shot here of Battersea Power station (I wonder if that was the actual interior?), and when all the lights in old London town are dimmed and go out, the creature meets its maker. Frazzled.Quatermass ends by saying that he will 'start again'; Lomax hopefully gets the shave he has been after all through the film; and we have been wonderfully entertained in a classic of British mid-50's cinema. Enjoy.
[EX A]: Question: Where is Quatermass walking through?, Answer: <No Answer>

[EX Q]: Pierre Peders (Buscemi) is a tough political correspondent infuriated by his editor's insistence he cover a tabloid-level story about the paparazzi favorite Katya (Miller). Pierre's chagrin increases given the news of a searing White House scandal that is just breaking; instead of covering the piece, Peders must visit a posh Manhattan restaurant and interview Katya, whom he instantly detests. The one-on-one is more of a disaster than either could have predicted, but by some strange twist of fate, Pierre is injured and brought back to Katya's loft. Once there, liquor is downed, cocaine is consumed, minor violence erupts, and the two begin to "dance a pas de deux" attempting, not so subtly, to outmaneuver one another psychologically, as dark secrets and long-hidden vulnerabilities emerge.Katya teases Peders into kissing her, which Peders passionately does, but as her cell phone rings and reality reasserts itself, Katya demands that he stop. Peders is exasperated and complains that she doesn't let him finish what she starts, unlike the male prostitute he once visited. During another of Katya's phone calls, Peders uses Katya's laptop and opens a folder containing what he believes is Katya's diary. He is able to barely conceal his surprise when Katya eyes him suspiciously, by saying he is merely Googling her, as per an earlier suggestion by her.When Katya's attention returns to her phone call, Peders e-mails a particularly expressive and emotional diary passage to himself. Later, unable to forget what he had read, Peders betrays his snooping by asking Katya what has made her lose hope. After an emotional outburst about her loss of privacy, she admits that she has cancer. At this, Peders is immediately contrite about the way he has been treating her. He learns that no one knows about Katya's illness; she feels that saying it aloud will make it more "real". Peders promises not to reveal the truth about her health; Katya demands that Peders reveal something about himself in return.As Katya films the confession with a camcorder, Peders admits that, as a reporter, he has made up stories and sources, and that he essentially caused his alcoholic former wife's death. (He took his time responding to her distress call to him - by the time he arrived, she was already dead.) Katya swaps out the camcorder tape when Peders is unaware, and a while later, Peders attempts to do the same. On a clandestine phone call to his editor, Peders - against his promise to Katya - tells him that Katya has cancer. Peders leaves Katya's loft, and as he is walking outside, she calls him on his cell phone.Katya reveals that not only did she lie about having cancer, (the diary Peders believed was hers was actually the diary of the character she played) but she has Peders' confessional tape. She inquires whether she should send it to his editor first or the police. Peders smugly retorts that he swapped the tape first; Katya disagrees and says he only has her rehearsal tape. The movie ends with Peders and Katya watching their tapes - Peders wearing a sullen expression. Katya sips a glass of wine while watching Peders' confessional tape, but it is unknown if she will follow through with her threat.
[EX A]:
Question: What is Peders' profession?, Answer: reporter