Given the following context: Everything's going well at Disco Records, where singer Johnny Conroy is popular and publicity chief Marty Collins is good at her job, as well as in love with company boss Mack Adams. Everything changes when Barney Pearl shows up. Pearl is a crude businessman who supplies records to jukeboxes coast-to-coast. He demands to be made a full partner in Disco Records or he will yank their discs out of jukes everywhere. Furthermore, he insists that singer girlfriend Mona De Luce gets to make a record of her own. Implored not to agree, Mack goes along. Pearl keeps the pressure on, renaming the company after himself. Johnny quits and leaves on his sailboat for points unknown. Mona, meanwhile, is a much better singer than expected. Her record is a smash hit, annoying Barney, who wants her wholly dependent on him. Barney demands her career come to an end. Marty, Mack and Mona all travel to the West Indies, where Johnny is now enjoying the sun, fun and music. Johnny suggests they begin recording calypso songs. It all works out perfectly, and when Pearl tries to cut himself in, they find a way to keep him out. answer the following question: What is the full name of the person whose record is unexpectedly a smash hit?
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Answer: Mona De Luce

Given the following context: Alkan's large scale Duo (in effect a sonata) Op. 21 for violin and piano (dedicated to Chretien Urhan) and his Piano Trio Op. 30 appeared in 1841. Apart from these, Alkan published only a few minor works between 1840 and 1844, after which a series of virtuoso works was issued, many of which he had played at his successful recitals at Erard and elsewhere; these included the Marche funebre (Op. 26), the Marche triomphale (Op. 27) and Le chemin de fer (also published, separately, as Op. 27). In 1847 appeared the Op. 31 Preludes and his first large-scale unified piano work, the Grande sonate Les quatre ages (Op. 33). The sonata is structurally innovative in two ways; each movement is slower than its predecessor, and the work anticipates the practice of progressive tonality, beginning in D major and ending in G minor. Dedicated to Alkan Morhange, the sonata depicts in its successive movements its 'hero' at the ages of 20 (optimistic), 30 ("Quasi-Faust", impassioned and fatalistic), 40 (domesticated) and 50 (suffering: the movement is prefaced by a quotation from Aeschylus's Prometheus Unbound). In 1848 followed Alkan's set of 12 etudes dans tous les tons majeurs Op. 35, whose substantial pieces range in mood from the hectic Allegro barbaro (no. 5) and the intense Chant d'amour-Chant de mort (Song of Love Song of Death) (no. 10) to the descriptive and picturesque L'incendie au village voisin (The Fire in the Next Village) (no. 7).A number of Alkan's compositions from this period were never performed and have been lost. Among the missing works are some string sextets and a full-scale orchestral symphony in B minor, which was described in an article in 1846 by the critic Leon Kreutzer, to whom Alkan had shown the score. Kreutzer noted that the introductory adagio of the symphony was headed "by Hebrew characters in red ink ... This is no less than the verse from Genesis: And God said, Let there be light: and there was light." Kreutzer opined that, set beside Alkan's conception, Joseph Haydn's Creation was a "mere... answer the following question: What is the first name of the person who noted that the introductory adagio of the symphony was headed "by Hebrew characters in red ink?
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Answer: Leon

Given the following context: Until its acceptance by the National Trust, Belton House was always in the ownership of the family of its builder, though the failure of three generations to produce a son and heir caused the ownership to pass sideways and sometimes through the female line. The owners of Belton are buried in the village of Belton's parish church close to the house. Their tombs are collectively one of the most complete sets of family memorials in Englandcontinuous generation to generation for almost 350 years. The earliest Brownlow buried here is the founder of the family fortune the lawyer Richard Brownlow (15551638), and one of the most recent is the 6th Baron Brownlow (18991978). The owners of Belton House have been: Sir John Brownlow I (15941679) Bequeathed Belton to his great-nephew John Brownlow II. Sir John Brownlow II (16591697). Builder of Belton House Sir William Brownlow (16651702). Brother of Sir John Brownlow II, permitted his widowed sister-in-law Alice to retain Belton. Sir John Brownlow III (16901754). Created Viscount Tyrconnel in 1718. Nephew and son-in-law of Sir John Brownlow II. Sir John Cust, 3rd Baronet (17181770). Speaker of the House of Commons and nephew of Tyrconnel. Sir Brownlow Cust (17441807). Created Baron Brownlow in 1776. Son of Sir John Cust. John, 2nd Baron Brownlow (17791853). Created 1st Earl Brownlow in 1815. Son of Sir Brownlow Cust. John Egerton-Cust, 2nd Earl Brownlow (18421867) Grandson of John, 2nd Baron Brownlow. Adelbert, 3rd (and last) Earl Brownlow (18441921). Brother of John, 2nd Earl Brownlow. Adelbert Salusbury Cockayne Cust, 5th Baron Brownlow (18671927). Second cousin of Adelbert, 3rd Earl Brownlow. Peregrine Cust, 6th Baron Brownlow (18991978). Son of the 5th Baron Brownlow. Edward Cust, 7th Baron Brownlow (born 1936). Son of the 6th Baron Brownlow. The National Trust (1984 onwards). answer the following question: What is the full name and title of the builder of the Belton House?
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Answer:
Sir John Brownlow II