Part 1. Definition
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Part 2. Example
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Answer: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Part 3. Exercise
Context_1 : The Weirdstone of Brisingamen: A Tale of Alderley is a children's fantasy novel written by the English author Alan Garner (born 1934). Garner began work on the novel, his literary debut, in 1957 after he moved into the late mediaeval house Toad Hall, in Blackden, Cheshire. The story, which took the local legend of The Wizard of the Edge as a partial basis for the novel's plot, was influenced by the folklore and landscape of the neighbouring Alderley Edge where he had grown up. Upon completion the book was picked up by the publisher Sir William Collins who released it through his publishing company Collins in 1960. Context_2 : Alfred Ollivant (18741927) was an English novelist known best for his novel "Owd Bob". Ollivant also published about a dozen other novels ranging from small-scale cautionary tales to grand historical stories. Context_3 : Krasnoludek (or "krasnal") (Russian: ) is a Polish mythological type of gnome / dwarf, common in many Polish and translated folk tales (for example, Brothers Grimm "Snow White and the Seven Dwarfs" is translated into Polish language as "Krolewna Sniezka i siedmiu krasnoludkow"). They resemble small humans and wear pointy red hats. Due to the popularization of fantasy literature, they are now differentiated from both gnomes (Polish: "gnom") and dwarfs (Polish: "krasnolud"), both of which are used in fantasy literature context, while the word "krasnoludek" still remains mostly the domain of older folk tales. The word "krasnal ogrodowy" is also used to describe garden dwarfs / gnomes. Context_4 : The Brothers Grimm ("die Bruder Grimm " or "die Gebruder Grimm "), Jacob and Wilhelm Grimm, were German academics, philologists, cultural researchers, lexicographers and authors who together collected and published folklore during the 19th century. They were among the best-known storytellers of folk tales, and popularized stories such as "Cinderella" ("Aschenputtel "), "The Frog Prince" ("Der Froschkonig "), "The Goose-Girl" ("Die Gansemagd"), "Hansel and Gretel" ("Hansel und Gretel "), "Rapunzel", "Rumpelstiltskin" ("Rumpelstilzchen "), "Sleeping Beauty" ("Dornroschen "), and "Snow White" ("Schneewittchen "). Their first collection of folk tales, "Children's and Household Tales" ("Kinder- und Hausmarchen "), was published in 1812. Context_5 : The Young Tradition were an English folk group of the 1960s, formed by Peter Bellamy, Royston Wood and Heather Wood. They recorded three albums of mainly traditional British folk music, sung in arrangements for their three unaccompanied voices. Context_6 : Alan Garner OBE (born 17 October 1934) is an English novelist best known for his children's fantasy novels and his retellings of traditional British folk tales. Much of his work is firmly rooted in the landscape, history and folklore of his native county of Cheshire, North West England, being set in the region and making use of the native Cheshire dialect. Context_7 : British folk rock (sometimes called electric folk) is a form of folk rock developed in the United Kingdom from the mid 1960s, and was at its most significant in the 1970s. Though the merging of folk and rock music came from several sources, it is widely regarded that the success of "The House of the Rising Sun" by British band the Animals in 1964 was a catalyst, prompting Bob Dylan to "go electric", in which, like the Animals, he brought folk and rock music together, from which other musicians followed. In the same year, the Beatles began incorporating overt folk influences into their music, most noticeably on the song "I'm a Loser" from their "Beatles for Sale" album. The Beatles and other British Invasion bands, in turn, influenced the Californian band the Byrds, who released their recording of Dylan's "Mr Tambourine Man" in April 1965, setting off the mid-1960s folk rock movement. A number of British groups, usually those associated with the British folk revival, moved into folk rock in the mid-1960s, including the Strawbs, Pentangle, Eclection, and Fairport Convention. Context_8 : Mr Fox were an early 1970s British folk rock band. They were seen as in the 'second generation' of British folk rock performers and for a time were compared with Steeleye Span and Sandy Denny's Fotheringay. Unlike Steeleye Span they mainly wrote their own material in a traditional style and developed a distinct 'northern' variant of the genre. They demonstrate the impact and diversity of the British folk rock movement and the members went on to pursue significant careers within the folk rock and traditional music genres after they disbanded in 1972 having recording two highly regarded albums. Context_9 : Liege & Lief is the fourth album by the English folk rock band Fairport Convention. It is the third and final album the group released in the UK in 1969, all of which prominently feature Sandy Denny as lead female vocalist (Denny did not appear on the group's 1968 debut album). It is also the very first Fairport album on which all songs have either been adapted (freely) from traditional British and Celtic folk material (for example "Matty Groves", "Tam Lin"), or else are original compositions (such as "Come All Ye", "Crazy Man Michael") written and performed in a similar style. By introducing songs of this genre into the group's repertoire Denny, who had previously sung and recorded traditional folk songs as a solo artist, was instrumental in this transformation. Although Denny quit the band even before the album's release, Fairport Convention has continued to the present day to make music almost exclusively within the traditional British folk music idiom, and are still most strongly associated with it. Context_10 : Wildwood: The Wildwood Chronicles, Book 1 is a 2011 children's fantasy novel by The Decemberists' singer-songwriter Colin Meloy, illustrated by his wife Carson Ellis. The 541 page novel, inspired by classic fantasy novels and folk tales, is the story of two seventh-graders who are drawn into a hidden, magical forest, while trying to rescue a baby kidnapped by crows. They get caught up in an epic struggle, and learn of their connection to a magical parallel world while confronting adult authorities who are often cowardly or dishonest. The natural beauty and local color of Portland, Oregon figure prominently in the book. fact_1 : The Weirdstone of Brisingamen: A Tale of Alderley is a children's fantasy novel written by the English author Alan Garner (born 1934). fact_2 : Upon completion the book was picked up by the publisher Sir William Collins who released it through his publishing company Collins in 1960. fact_3 : Alan Garner OBE (born 17 October 1934) is an English novelist best known for his children's fantasy novels and his retellings of traditional British folk tales. Question: Who is this English novelist known for his children's fantasy novels and his retellings of traditional British folk tales, one of which was published by Collins in 1960?
Answer:
Alan Garner