input: In 1972, Cabral began to form a People's Assembly in preparation for the independence of Guinea-Bissau, but disgruntled former PAIGC rival Inocencio Kani, together with another member of PAIGC, shot and killed him on the 20th January 1973 in Conakry, Guinea. The possible plan was to arrest Cabral (possibly to judge him summarily, later), but facing the peaceful resistance of Cabral, they immediately killed him. According to some theories, Portuguese PIDE agents, whose alleged plan eventually went awry, wanted to influence Cabral's rivals through agents operating within the PAIGC, in hope of arresting Cabral and placing him under the custody of Portuguese authorities. Another theory claims that Ahmed Sekou Toure, jealous of Cabral's greater international prestige, among other motives, orchestrated the conspiracy; both theories remain unproven and controversial. After the assassination, About one hundred officers and guerrilla soldiers of the PAIGC, accused of involvement in the conspiracy that resulted in the murder of Amilcar Cabral and the attempt to seize power in the movement, were summarily executed. His half-brother, Luis Cabral, became the leader of the Guinea-Bissau branch of the party and would eventually become President of Guinea-Bissau. A declassified United States Department of State brief notes that the motives of his assassination are unclear but may have linked to "a feud between mulattos from the [sic] Cape Verde islands and mainland Africans." Cabral was assassinated prior to the independence of the Portuguese colonies in Africa, and therefore died before he could see his homelands of Cabo Verde and Guinea Bissau gain independence from Portugal.

Answer this question "Was he buried?"
output:

input: Swift uses her life experiences as an inspiration in her work. In her songs, Swift often addresses the "anonymous crushes of her high school years" and celebrities. Swift frequently criticizes ex-boyfriends, an aspect of her songwriting downplayed by The Village Voice: "Being told What Songs Mean is like having a really pushy professor. And it imperils a true appreciation of Swift's talent, which is not confessional, but dramatic." However, New York believes the media scrutiny over her decision to "mine her personal life for music ... is sexist, inasmuch as it's not asked of her male peers". The singer herself has said that not all her songs are factual and that they are sometimes based on observations. Aside from her liner note clues, Swift tries not to talk about song subjects specifically "because these are real people. You try to give insight as to where you were coming from as a writer without completely throwing somebody under the bus". For a female to write about her feelings, and then be portrayed as some clingy, insane, desperate girlfriend in need of making you marry her and have kids with her, I think that's taking something that potentially should be celebrated--a woman writing about her feelings in a confessional way--that's taking it and turning it and twisting it into something that is frankly a little sexist. The Guardian has praised Swift for writing about teenage years "with a kind of wistful, sepia-toned nostalgia" over the course of her first two albums. New York has remarked that many singer-songwriters have made great records as teens, but "none made great records so explicitly about their teens". The magazine has also compared her work to Brian Wilson. In Fearless, Swift featured fairy tale imagery and explored the disconnect "between fairy tales and the reality of love". Her later albums address more adult relationships. In addition to romance and love, Swift's songs have discussed parent-child relationships, friendships, alienation, fame, and career ambitions. Swift frequently includes "a tossed-off phrase to suggest large and serious things that won't fit in the song, things that enhance or subvert the surface narrative". Rolling Stone describes Swift as "a songwriting savant with an intuitive gift for verse-chorus-bridge architecture". According to The Village Voice, she uses third-verse point of view reversals frequently. In terms of imagery, repetition is evident in Swift's songwriting. In The Guardian's words, "she spends so much time kissin' in the rain that it seems a miracle she hasn't developed trenchfoot". Slant Magazine adds, "to Swift's credit, she explores new lyrical motifs over the course of [her fourth] album". Although reviews of Swift's work are "almost uniformly positive", The New Yorker has said she is generally portrayed "more as a skilled technician than as a Dylanesque visionary".

Answer this question "What is special about her songwriting?"
output: Swift uses her life experiences as an inspiration in her work.

input: In 2007, the band played an acoustic set for the grand opening of a Warped Tour exhibit at the Rock and Roll Hall of Fame, and the dress Hayley Williams wore in the video for "Emergency" was also put on display in the exhibit. In June 2007, they were declared by Rolling Stone as "Ones to Watch". Paramore made their live television debut on Fuse Networks daily show, The Sauce. The second single from Riot!, "Hallelujah", was released on July 30, 2007, and is only available online and on UK television. The video, much like "All We Know", features backstage footage and live performances. In August 2007, Paramore had been featured in television spots on MTV, performing acoustic versions of their songs or acting in short accompaniments to MTV program commercials. As "MTV Artists of the Week", the band filmed the faux camping themed spots in Queens, New York, all written and directed by Evan Silver and Gina Fortunato. MTV.com also has a collection of short videos with the band to promote Riot! as well. For weeks in August 2007, the "Misery Business" video was the number one streamed video at MTV.com. On October 8, Paramore played "Misery Business" live on Late Night with Conan O'Brien, a booking made possible due to the friendship struck between the band and Max Weinberg during the 2007 Warped Tour. In August, Paramore participated in New Found Glory's music video for their cover of Sixpence None the Richer's song "Kiss Me". From September 29 to November 1, 2009, the band held a tour in North America to support Brand New Eyes. The tour for their self-titled fourth album, known as The Self-Titled Tour, took place in North America from October 15 to November 27, 2013. From June 19 through August 17, 2014, the band also supported the album with the Monumentour.

Answer this question "Did they tour?"
output:
the band held a tour in North America