Some context: Jim McLean was born into a working-class family in Larkhall, Lanarkshire on 2 August 1937, the second of three sons of Tom and Annie McLean, and grew up in the nearby village of Ashgill. His maternal grandfather William Yuille had been a professional footballer, playing for Rangers before the First World War. Tom McLean, a baker, had been a promising junior footballer before joining the Plymouth Brethren when he married. The three brothers, Willie, Jim and Tommy, who all went on to become professional football players and managers, had a strict religious upbringing.
After he had been coaching at Dundee for 18 months, the club's local rivals Dundee United offered McLean the position of manager to replace the retiring Jerry Kerr in December 1971. He accepted the offer and began his managerial career at the age of 34. McLean immediately started a co-ordinated youth policy which was to produce many fine young players over the two decades which followed. In the short term, he used his knowledge of the Scottish scene to buy experienced players who would allow him to re-shape both the squad and the style of play in line with his approach to coaching. Initially, the club's league form was average, remaining mostly mid-table for the next few years. McLean's first hint of the success he would later achieve was leading the club to its first Scottish Cup final in 1974 and, despite defeat, it proved an important psychological step in McLean's and the club's development. The success of the Cup run was built upon the following season with a finish of fourth place, the club's best finish in the First Division before league restructuring. As McLean's youth policy began to bear fruit, the first of a number of talented young players began to emerge. McLean decided that his team should mount a challenge for the League championship in 1978-79, something of which the club, who had long lived in the shadow of McLean's former employers and rivals Dundee, had never previously proved capable of but after a poor finish in the first season of the new Premier Division, United started to prove that they were serious contenders for domestic honours. In December 1979, McLean guided his team to triumph in the League Cup and retained it a year later. At the same time as the club was enjoying a high standing Scottish football, McLean was gradually building the club's reputation in Europe, with wins over sides like Barcelona, AS Monaco, Borussia Monchengladbach, PSV Eindhoven, Anderlecht and Werder Bremen.
Did he take the job?
A: He accepted the offer and began his managerial career
Some context: Sara Lynn Evans (born February 5, 1971) is an American country music singer and songwriter. Evans has released eight studio albums: Three Chords and the Truth (1997), No Place That Far (1998), Born to Fly (2000), Restless (2003), Real Fine Place (2005), Stronger (2011), Slow Me Down (2014), Words (2017), plus one Christmas album, At Christmas (2014).
Evans' third studio album, Born to Fly, was released on October 10, 2000. She insisted on hiring Seattle-based rock drummer Matt Chamberlain (The Wallflowers, Edie Brickell), who brought a different sound to her music. The album's title track ("Born to Fly"), which was released as the lead single, was a Number One hit on the Hot Country Songs chart. Three more singles were released from the album ("I Could Not Ask for More," "I Keep Looking," and "Saints & Angels"), the first two reaching the Top 10, and the latter becoming a Top 20 hit. Born to Fly was eventually certified 2x Platinum by the RIAA in 2004. In 2001, Evans was the most-nominated artist at the Country Music Association awards with seven nominations overall, and she won her first CMA award when "Born to Fly" won the award for Video of the Year, her first major industry award. Evans released her fourth studio album, Restless, on August 19, 2003. The album's lead single, "Backseat of a Greyhound Bus," was a Top 20 hit on the Hot Country Songs chart. The album debuted at No. 3 on the Top Country Albums chart and at No. 20 on the Billboard 200 chart, with first-week sales of over 40,000 copies. "Perfect," the album's second single, was a No. 2 hit on the country charts. However, the album's third single, "Suds in the Bucket," was the most successful single; it became Evans' third Number One hit on the Hot Country Songs chart and was also her fifth Top 40 hit on the Billboard Hot 100. Additionally, it was Evans' first ever Gold-certified single by the RIAA. The album's fourth and final single, "Tonight," failed to reach the Top 40 country charts. Restless received a nomination in the 2005 Academy of Country Music Awards.
In which category did she win her first CMA award ?
A: award when "Born to Fly" won the award for Video of the Year, her first major industry award.
Some context: Eleanora Fagan (April 7, 1915 - July 17, 1959), better known as Billie Holiday, was an American jazz musician and singer-songwriter with a career spanning nearly thirty years. Nicknamed "Lady Day" by her friend and music partner Lester Young, Holiday had a seminal influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills, which made up for her limited range and lack of formal music education.
As a young teenager, Holiday started singing in nightclubs in Harlem. She took her professional pseudonym from Billie Dove, an actress she admired, and the musician Clarence Holiday, her probable father. At the outset of her career, she spelled her last name "Halliday", the birth surname of her father, but eventually changed it to "Holiday", his performing name. The young singer teamed up with a neighbor, the tenor saxophone player Kenneth Hollan. From 1929 to 1931, they were a team, performing at clubs such as the Grey Dawn, Pod's and Jerry's on 133rd Street, and the Brooklyn Elks' Club. Benny Goodman recalled hearing Holiday in 1931 at the Bright Spot. As her reputation grew, she played in many clubs, including Mexico's and the Alhambra Bar and Grill, where she met Charles Linton, a vocalist who later worked with Chick Webb. It was also during this period that she connected with her father, who was playing in Fletcher Henderson's band. Late in 1932, at the age of 17, Holiday replaced the singer Monette Moore at Covan's, a club on West 132nd Street. The producer John Hammond, who loved Moore's singing and had come to hear her, first heard Holiday there in early 1933. Hammond arranged for Holiday to make her recording debut, at age 18, in November 1933, with Benny Goodman. She recorded two songs: "Your Mother's Son-in-Law" and "Riffin' the Scotch", the latter being her first hit. "Son-in-Law" sold 300 copies, but "Riffin' the Scotch", released on November 11, sold 5,000 copies. Hammond was impressed by Holiday's singing style and said of her, "Her singing almost changed my music tastes and my musical life, because she was the first girl singer I'd come across who actually sang like an improvising jazz genius." Hammond compared Holiday favorably to Armstrong and said she had a good sense of lyric content at her young age. In 1935, Holiday had a small role as a woman abused by her lover in Duke Ellington's short Symphony in Black: A Rhapsody of Negro Life. In her scene, she sang "Saddest Tale".
what happened in 1929?
A:
Hollan. From 1929 to 1931, they were a team, performing at clubs such as the Grey Dawn, Pod's and Jerry's on 133rd Street, and the Brooklyn Elks' Club.