Teacher: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Teacher: Now, understand the problem? If you are still confused, see the following example:
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this instance: Context_1 : Mike Nichols: American Masters is a 2016 documentary film directed by Elaine May about the life of Mike Nichols broadcast on the PBS series "American Masters". It is derived from a lengthy interview with Nichols conducted by producer Julian Schlossberg. Brian Lowry of "Variety" has called it "the last memorable Nichols-May collaboration." Richard Brody said that although it is not a major contribution to May's life's work, it "is nonetheless distinctive in its sparseness, its fixed and almost obsessive concentration on Nichols's face and voice... [it's] May's highest tribute to Nichols." Context_2 : Ju Dou () is a 1990 Chinese film directed by Zhang Yimou and Yang Fengliang (though it is almost universally considered to be a product of Zhang's vision as director) and starring Gong Li as the title character. It is notable for being shot in vivid three-strip Technicolor long after the process had been abandoned in the United States. It was also the first Chinese film to be nominated for an Academy Award for Best Foreign Language Film, in 1990. Context_3 : Nikos Foskolos (Greek: ; 26 November 1927 30 October 2013) was a Greek screenwriter and director. He is one of the most commercially successful screenwriters of Greek cinema. He has been called the "Goldfinger of commercial shows". He has been described as "the "maitre" of exaggeration" and "the king of TV shows". His film "Ipolochagos Natassa" kept the most commercially successful film record for almost three decades from 1970 to 1999. Context_4 : Tony Southgate (born 25 May 1940, Coventry, England) is a British engineer and former racing car designer. He designed many successful cars, including Jaguar's Le Mans-winning XJR-9, and cars for almost every type of circuit racing. He was responsible for the chassis design of Ford's RS200 Group B rally car. Southgate was employed as chief designer or technical director for many Formula One teams for over twenty years. These teams included BRM, Shadow and Arrows. Southgate retired after producing the Audi R8C, which was a major influence in the Bentley Speed 8, which won Le Mans in 2003. He continues to be a regular visitor to current and historic race meetings. Context_5 : Eric B. & Rakim are a hip hop duo formed in Long Island, New York, in 1986, composed of Eric B. (born Eric Barrier) and MC Rakim (born William Michael Griffin Jr.). AllMusic wrote that "during rap's so-called golden age in the late '80s, Eric B. & Rakim were almost universally recognized as the premier DJ/MC team in all of hip-hop." Tom Terrell of NPR called them "the most influential DJ/MC combo in contemporary pop music period," while the editors of About.com ranked them as No. 5 on their list of the 10 Greatest Hip-Hop Duos of All-Time. Context_6 : Hersham and Walton Motors (HWM) is the world's longest established Aston Martin business (having acquired the franchise in 1951) and is well known as a racing car constructor. As a constructor, it is best known for its involvement in Formula Two from 1950 to 1953 and Formula One in 1954. When HWM owners George Abecassis and John Heath went racing together from 1946 and in 1948 they built a streamlined sports racing car on the chassis of a Sports Alta, and thus embarked upon the construction of racing cars and racing sports cars at their motor works in Walton-on-Thames, England. The 1948 car gave them encouraging results and so new car, this time called an HW-Alta, was constructed and raced in 1949; this car was sufficiently successful to convince the partners to embark upon building a full team of cars for the 1950 Formula Two season of British and continental events: these cars were known as HWMs. Context_7 : Olympia is a 1938 German documentary film written, directed and produced by Leni Riefenstahl, documenting the 1936 Summer Olympics, held in the Olympic Stadium in Berlin, Germany. The film was released in two parts: "Olympia 1. Teil Fest der Volker" (Festival of Nations) and "Olympia 2. Teil Fest der Schonheit" (Festival of Beauty). It was the first documentary feature film of the Olympic Games ever made. Many advanced motion picture techniques, which later became industry standards but which were groundbreaking at the time, were employed including unusual camera angles, smash cuts, extreme close-ups, placing tracking shot rails within the bleachers, and the like. The techniques employed are almost universally admired, but the film is controversial due to its political context. Nevertheless, the film appears on many lists of the greatest films of all time, including "Time" magazine's "All-Time 100 Movies." Context_8 : Michael Barnett (born 1969), better known by his stage name Big Mike, is an American rapper from New Orleans, Louisiana/Houston,Texas. He was originally a member of Convicts with Houston rapper Mr. 3-2. Its album would be the first of many releases Mike would put out on Houston-based Rap-A-Lot Records. Following the release of the eponymous "Convicts", Big Mike impressed the heads of Death Row Records and almost signed with that label before he was called by James Prince and asked to replace Willie D when he left the Geto Boys. He accepted and became a part of the group on its 1993 album "Till Death Do Us Part". When Willie D rejoined the group on its next album, he left the group. Big Mike has released five solo albums thus far, "Somethin' Serious" in 1994, "Still Serious" in 1997, "Hard to Hit" in 1999, "Keep it Playa" in 2006, and "Serious as Can Be" in 2009. "Still Serious" was his highest-charting album, peaking at #16 on the Billboard Hot 200. Context_9 : Mike's New Car is a 2002 Pixar computer animated short comedy film, starring the two main characters from "Monsters, Inc.", Sulley and Mike. Directed by Pete Docter and Roger L. Gould, it is the first Pixar short to use dialogue and the first to take characters and situations from a previously established work. Context_10 : Peter Hans "Pete" Docter (born October 9, 1968) is an American film director, animator, screenwriter, producer and voice actor from Bloomington, Minnesota. He is best known for directing the animated feature films "Monsters, Inc." (2001), "Up" (2009) and "Inside Out" (2015) and as a key figure and collaborator at Pixar Animation Studios. "The A.V. Club" has called him "almost universally successful". He has been nominated for eight Oscars (two wins thus far for "Up" and "Inside Out" Best Animated Feature), seven Annie Awards (winning five), a BAFTA Children's Film Award (which he won), and a Hochi Film Award (which he won). He has described himself as a "geeky kid from Minnesota who likes to draw cartoons." fact_1 : Mike's New Car is a 2002 Pixar computer animated short comedy film, starring the two main characters from "Monsters, Inc.", Sulley and Mike. fact_2 : Peter Hans "Pete" Docter (born October 9, 1968) is an American film director, animator, screenwriter, producer and voice actor from Bloomington, Minnesota. fact_3 : The A.V. Club" has called him "almost universally successful". Question: Mike's New Car is a film directed by this director, called "almost universally successful" by which group?
Student:
The A.V. Club