Problem: Iron Man is a fictional superhero appearing in American comic books published by Marvel Comics. The character was created by writer and editor Stan Lee, developed by scripter Larry Lieber, and designed by artists Don Heck and Jack Kirby. The character made his first appearance in Tales of Suspense #39 (cover dated March 1963). A wealthy American business magnate, playboy, and ingenious scientist, Anthony Edward "Tony" Stark suffers a severe chest injury during a kidnapping in which his captors attempt to force him to build a weapon of mass destruction.

After issue #99 (March 1968), the Tales of Suspense series was renamed Captain America. An Iron Man story appeared in the one-shot comic Iron Man and Sub-Mariner (April 1968), before the "Golden Avenger" made his solo debut with Iron Man #1 (May 1968). The series' indicia gives its copyright title Iron Man, while the trademarked cover logo of most issues is The Invincible Iron Man. Artist George Tuska began a decade long association with the character with Iron Man #5 (Sept. 1968). Writer Mike Friedrich and artist Jim Starlin's brief collaboration on the Iron Man series introduced Mentor, Starfox, and Thanos in issue #55 (Feb. 1973). Friedrich scripted a metafictional story in which Iron Man visited the San Diego Comic Convention and met several Marvel Comics writers and artists. He then wrote the multi-issue "War of the Super-Villains" storyline which ran through 1975. Writer David Michelinie, co-plotter/inker Bob Layton, and penciler John Romita Jr. became the creative team on the series with Iron Man #116 (Nov. 1978). Micheline and Layton established Tony Stark's alcoholism with the story "Demon in a Bottle", and introduced several supporting characters, including Stark's bodyguard girlfriend Bethany Cabe; Stark's personal pilot and confidant James Rhodes, who later became the superhero War Machine; and rival industrialist Justin Hammer, who was revealed to be the employer of numerous high-tech armed enemies Iron Man fought over the years. The duo also introduced the concept of Stark's specialized armors as he acquired a dangerous vendetta with Doctor Doom. The team worked together through #154 (Jan. 1982), with Michelinie writing three issues without Layton. Following Michelinie and Layton's departures, Dennis O'Neil became the new writer of the series and had Stark relapse into alcoholism. Much of O'Neil's work on this plot thread was based on experiences with alcoholics he knew personally. Jim Rhodes replaced Stark as Iron Man in issue #169 (April 1983) and wore the armor for the next two years of stories. O'Neil returned Tony Stark to the Iron Man role in issue #200 (Nov. 1985). Michelinie and Layton became the creative team once again in issue #215 (Feb. 1987). They crafted the "Armor Wars" storyline beginning in #225 (Dec. 1987) through #231 (June 1988). John Byrne and John Romita Jr. produced a sequel titled "Armor Wars II" in issues #258 (July 1990) to #266 (March 1991). The series had a crossover with the other Avengers related titles as part of the "Operation: Galactic Storm" storyline.

What kind of crossover?

Answer with quotes: Operation: Galactic Storm"

Problem: Florence Leontine Mary Welch was born in Camberwell, London on 28 August 1986. Her father is Nick Russell Welch, an advertising executive. Her mother, Evelyn Welch (nee Evelyn Kathleen Samuels), is an American emigrant from New York City who was educated at Harvard University and the Warburg Institute, University of London. Evelyn is currently Professor of Renaissance Studies and Vice-Principal for Arts and Sciences at King's College London.

During interviews, Welch has cited Grace Slick and Alanis Morissette as influences and "heroes." She listed in her early influences the likes of John Cale, Siouxsie, David Byrne, Lou Reed, In a review of Ceremonials, Jody Rosen of Rolling Stone described Florence and the Machine's style as "dark, robust and romantic", deeming the ballad "Only If for a Night" as a mix of "classic soul and midnight-on-the-moors English art rock". Welch stated that her lyrics related to Renaissance artists : "We're dealing with all of the same things they did : love and death, time and pain, heaven and hell". Welch has used religious imagery in her music and performances, though she has stated "I'm not a religious person. Sex, violence, love, death, are the topics that I'm constantly wrestling with, it's all connected back to religion." Nick Welch, her father, contributed a "rock and roll element to the family mix"; in his twenties, he lived in a West End squat and attended the Squatters' Ball organised by Heathcote Williams where The 101ers played regularly. A self-confessed "frustrated performer", if Nick, as he put it, "nudged Flo in any way, it's only been to listen to the Ramones rather than Green Day". Evelyn had an equally strong yet completely different influence on her daughter. A visit to one of her mother's lectures left teenage Florence deeply impressed. She explained, "I aspire to something like that but with music. I hope that my music has some of the big themes--sex, death, love, violence--that will still be part of the human story in 200 years' time". Welch has stated she is an avid reader, and has been influenced by authors such as Gwendoline Riley, Kirsten Reed and David Vann. The art of literature is important to her. She actively participates in a fan run book club, 'Between Two Books'. Every few months, she will recommend a book to the club which they will read collectively. Welch enjoys poetry, and has mentioned that the poet Ted Hughes was a big influence on her first album, 'Lungs'.

Did her mother influence her music in any way?

Answer with quotes:
A visit to one of her mother's lectures left teenage Florence deeply impressed.