input: Please answer the following: Suggest a movie title for the following movie plot: Set in Mexico during the 1850s, the film tells the story of Sara Sandoval (Salma Hayek) and Maria Alvarez (Penelope Cruz). Maria is an uneducated, poor farm-girl whose caring father is being forced off his land by a cruel U.S. land baron, named Tyler Jackson (Dwight Yoakam). Sara is the highly educated, wealthy daughter of the arrogant owner of the nearby properties, and has recently returned from Europe where she attended numerous grade schools and colleges in England, Spain, and France for several years. In one fell swoop, both Maria's and Sara's fathers fall under attack by the baron, (Sara's father is killed, Maria's is shot but survives) giving him free rein in the nearby territories. As an act of revenge, Maria and Sara team up to become bank robbers, stealing and giving back to the poor Mexicans who had lost their lands. At first, the two are catty and quick to fight over the smallest matters over their different backgrounds, but under the tutelage of famed bank robber Bill Buck they learn to trust each other. During a training session, the two women are testing their strength by hanging off a cliff over a wide river, and at the last moment Maria swallows her pride and tells Sara she can't swim. Maria nearly drowns but is saved by Sara, and it is then that the two women put aside their differences and agree that, while they are not friends yet, they can at least work together as partners. Maria turns out to be a crack shot and, while Sara can barely hold a gun, she shows that she is an expert with throwing knives. Angered by the recent attacks by the newly infamous 'Bandidas', Jackson brings in a specialist criminal investigator named Quentin Cooke. It doesn't take long for Sara and Maria to hear of this, and they quickly capture Cooke and seduce him to help them. He has already figured out that Sara's father was murdered and therefore discovers that his employer is actually a criminal. Now there are three robbers, each playing their part in bigger, more ambitious heists. As time goes on,...
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output: Bandidas

input: Please answer the following: Suggest a movie title for the following movie plot: A marble Greek bas relief explodes to reveal black men dancing the samba to drums in a favela. Eurydice (Marpessa Dawn) arrives in Rio de Janeiro, and takes a trolley driven by Orfeu (Breno Mello). New to the city, she rides to the end of the line, where Orfeu introduces her to the station guard, Hermes (Alexandro Constantino), who gives her directions to the home of her cousin Serafina (Lea Garcia). Although engaged to Mira (Lourdes de Oliveira), Orfeu is not very enthusiastic about the upcoming marriage. The couple go to get a marriage license. When the clerk at the courthouse hears Orfeu's name, he jokingly asks if Mira is Eurydice, annoying her. Afterward, Mira insists on getting an engagement ring. Though Orfeu has just been paid, he would rather use his money to get his guitar out of the pawn shop for the carnival. Mira finally offers to loan Orfeu the money to buy her ring. When Orfeu goes home, he is pleased to find Eurydice staying next door with Serafina. Eurydice has run away to Rio to hide from a strange man who she believes wants to kill her. The man Death dressed in a stylized skeleton costume finds her, but Orfeu gallantly chases him away. Orfeu and Eurydice fall in love, yet are constantly on the run from both Mira and Death. When Serafina's sailor boyfriend Chico (Waldemar De Souza) shows up, Orfeu offers to let Eurydice sleep in his home, while he takes the hammock outside. Eurydice invites him to her bed. Orfeu, Mira, and Serafina are the principal members of a samba school, one of many parading during Carnival. Serafina decides to have Eurydice dress in her costume so that she can spend more time with her sailor. A veil conceals Eurydice's face; only Orfeu is told of the deception. During the parade, Orfeu dances with Eurydice rather than Mira. Eventually, Mira spots Serafina among the spectators and rips off Eurydice's veil. Eurydice is forced once again to run for her life first from Mira, then from Death. Trapped in Orfeu's own trolley station, she hangs from a power line to...
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output: Black Orpheus

input: Please answer the following: Suggest a movie title for the following movie plot: Set in Ireland, beginning in 1964, so-called "fallen" women were considered sinners who needed to be redeemed. The film follows the stories of four young women - Margaret (raped by her cousin), Bernadette (too beautiful and coquettish), Rose (an unmarried mother) and Crispina (an intellectually disabled unmarried mother) - who are all forced by their families or caretakers into the Magdalene Asylum. The film details the disastrous lives of the four girls whilst they are inmates of the laundries, portraying their harsh daily regimen, their squalid living conditions and the oppressive nature of the Catholic faith at the time. Each woman suffers unspeakable cruelty and violence from the Mother Superior, Sister Bridget, despite her gentle-faced appearance and outwardly soft-spoken demeanour. She is characterised as sadistic and almost inhuman at times, as conveyed through her merciless beating of Rose in full view of Bernadette, or when she mockingly laughs at Una as she hopelessly clutches at her fallen hair locks. The film also criticises the hypocrisy and corruption within the staff of the laundries. Sister Bridget relishes the money the business receives and it is suggested that little of it is distributed appropriately. Those who liken themselves to Mary Magdalene, who deprived herself of all pleasures of the flesh including food and drink, eat hearty breakfasts of buttered toast and bacon while the working women subsist on oatmeal. In one particularly humiliating scene, the women are forced to stand naked in a line after taking a communal shower. The nuns then hold a "contest" on who has the most pubic hair, biggest bottom, biggest breasts and smallest breasts. The corruption of the resident priest, Father Fitzroy, is made very clear through his sexual abuse of Crispina. Three of the girls are shown, to some extent, to triumph over their situation and their captors. Margaret, although she is allowed to leave by the intervention of her younger brother, does not leave the asylum without leaving her mark. When...
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output:
The Magdalene Sisters