Problem: Background: Widespread Panic is an American rock band from Athens, Georgia. The current lineup includes guitarist/singer John Bell, bassist Dave Schools, drummer Duane Trucks, percussionist Domingo "Sunny" Ortiz, keyboardist John "JoJo" Hermann, and guitarist Jimmy Herring. The band's original drummer, Todd Nance, left in 2016. The band was formed in Athens, Georgia, in 1986, and is influenced by the Southern rock, blues-rock, progressive rock, funk and hard rock genres.
Context: John Bell and Michael Houser met in 1981 in their dorm at the University of Georgia. Bell had been playing guitar as a solo act, and invited his new friend Houser, also a guitarist, to join him. They began living together and collaborating on music in that year, writing still-popular songs such as "Driving Song" and "Chilly Water" together. Bassist Dave Schools met Bell and Houser in 1984 and first played with them on February 24, 1985, at the A-Frame house on Weymanda Court in Athens. On February 6, 1986, Houser called childhood friend and drummer Todd Nance to sit in with Houser, Bell, and Schools for a charity event in Athens; it was their first show as "Widespread Panic." The band was named for Houser's once-frequent panic attacks. Texan percussionist Domingo S. Ortiz ("Sunny") began sitting in with the band regularly later that year. The band played in fraternities and bars regularly before Panic signed a contract with Landslide Records in 1987. In February 1987 the band played the now-legendary series of one dollar Monday night shows at the Uptown Lounge in Athens and the crucial local press began to take notice--FLAGPOLE & Athens Observer art columnist Shan Clark emphasized Widespread Panic's musical virtuosity, songwriting and professionalism. In September of the same year, they recorded their first album, Space Wrangler, at John Keane's studio in Athens. Col. Bruce Hampton is rumored to have delivered the first pressing to the band. Songs on the album included "Chilly Water," "Travelin' Light," "Space Wrangler," "Coconut," "The Take Out," "Porch Song," "Stop-Go" and "Driving Song." After Space Wrangler, touring expanded to include additional northeastern dates, along with Texas, Colorado, the west coast, and internationally to Vancouver, Canada. It was also around this time (late 1988 or early 1989) that Domingo Ortiz joined the band full-time. They played their first show in Colorado in March 1990, opening for Jerry Joseph's band Little Women. Widespread Panic signed with Capricorn Records in January 1991. Later that year, they released their major label debut, Widespread Panic (a.k.a. Mom's Kitchen). That same year Billy Bob Thornton directed the movie Widespread Panic: Live from the Georgia Theatre which was recorded over two nights in Athens, Georgia. As the band began to tour more, John Hermann ("JoJo") joined the band as a keyboardist in March 1992 replacing Dixie Dregs keyboardist T. Lavitz who joined the band a year earlier. The band continued to tour throughout the entire US in 1992 joining the famous HORDE tour with Blues Traveler, Phish, and the Aquarium Rescue Unit, among others. They released "Everyday" in March 1993 and "Ain't Life Grand" in September 1994. Panic marked their rise by playing on network television for the first time in November 1994.
Question: What is subject of this article?
Answer: John Bell and Michael Houser met in 1981 in their dorm at the University of Georgia.

Problem: Background: "Mr. Tambourine Man" is a song written, composed, and performed by Bob Dylan, who released his original version of it on his 1965 album Bringing It All Back Home. The Byrds also recorded a version of the song that they released in the same year as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success.
Context: The Bringing it All Back Home version of "Mr. Tambourine Man" was included on Bob Dylan's Greatest Hits in 1967 and several later Dylan compilation albums, including Biograph, Masterpieces, and The Essential Bob Dylan. The two June 1964 recordings, one with Ramblin' Jack Elliott and the other at Witmark Music, have been released on The Bootleg Series Vol. 7: No Direction Home and The Bootleg Series Vol. 9: The Witmark Demos 1962-1964, respectively. Outtakes from the January 15, 1965 recording session were released on The Bootleg Series Vol. 12: The Cutting Edge 1965-1966 in 2015. The song has been in Dylan's live concert repertoire ever since it was written, usually as a solo acoustic song, and live performances have appeared on various concert albums and DVDs. An early performance, recorded during a songs workshop at the Newport Folk Festival on July 24, 1964 is included in both Murray Lerner's film The Other Side of the Mirror and the DVD release of Martin Scorsese's documentary No Direction Home. A live performance at New York's Philharmonic Hall dating from October 31, 1964, appeared on The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall. During his appearance at the Newport Folk Festival on July 25, 1965, after he was heckled by acoustic folk music fans during his electric set, Dylan returned to play acoustic versions of "Mr. Tambourine Man" and "It's All Over Now, Baby Blue"; this performance of "Mr. Tambourine Man" is also included in The Other Side of the Mirror. A live version from Dylan's famous May 17, 1966, concert in Manchester, England (popularly but mistakenly known as the Royal Albert Hall Concert) is included on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert. Dylan's August 31, 1969 performance of the song at the Isle of Wight Festival appears on Isle of Wight Live, part of the 4-CD deluxe edition of The Bootleg Series Vol. 10: Another Self Portrait (1969-1971). Dylan also played the song as part of his evening set at the August 1, 1971, Concert for Bangladesh, a benefit concert organized by George Harrison and Ravi Shankar. That performance is included on The Concert For Bangladesh album, although it was excluded from the film of the concert. Another live version, from the Rolling Thunder Revue tour of 1975, is on The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue, while electric band versions from 1978 and 1981 appear, respectively, on Bob Dylan at Budokan and the Deluxe Edition of The Bootleg Series Vol. 13: Trouble No More 1979-1981.
Question: Did he collaborate with George Harrison on any of his releases?
Answer:
benefit concert organized by George Harrison and Ravi Shankar.