Please answer this: Suggest a movie title for the following movie plot: Middle-aged Cleopatra misses her children and is tired of her husband's excuses and drunkenness. She meets Sandra, a young soap star on her way to Hollywood, and to rebel against their seemingly inescapable destinies, they decide to go on the road through the Argentinian countryside. After a vehicle malfunction, they are picked up by Carlos with whom Sandra has an adventure and by twists and turns both women decide to leave their old unsatifying lives behind. Natalia Oreiro is truly charming in this small but pithy film from antipodes.
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Answer: Cleopatra

Problem: Suggest a movie title for the following movie plot: Various flashbacks and images introduce Lucy Harbin [Joan Crawford], a young woman who comes home unexpectedly to find her husband in bed with another woman. Carol, their very young daughter, is in bed right in the next room, but she is awake. Heartbroken, Lucy suffers a moment of fury and confusion that leads her to spontaneously pick up a nearby axe and decapitate her husband and his lover while they sleep. Carol watches in terror and shock as Lucy hacks the two bodies to pieces. Lucy is declared insane and sent to an asylum, where she endures traumatic shock treatments for her mental breakdown.The narrator of the flashback is revealed to be Carol, now a young woman. It is twenty years later, and Carol is opening up about her past to her boyfriend, Michael Fields. After Lucy's incarceration, Carol was taken in by her aunt and uncle, Bill and Emily, and the family lives on a farm in a rural location. Carol is revealing the family history to Michael because Lucy is being released from the asylum, and is coming to live with the family. When Lucy arrives, she is skittish. She cautiously acclimates to the farm, exploring the area with Carol and meeting the gritty-looking farm hand, Krause. But she is clearly thrilled to see Carol again, and is touched by the lovely young woman Carol has become. Carol is a sculptress and has a spacious studio filled with her work, and she thrills Lucy by giving her a bust of herself just as she was in her youth.Things quickly start to get strange. Carol shocks Lucy by presenting her with two bracelets she used to wear when she was a young woman, large dangling charm bracelets that jangle when she walks. Carol seems intent on recreating Lucy as a young woman, taking her clothes shopping and buying her a wig that mimics the hairstyle she wore the last time Carol saw her. Lucy is uncomfortable with this, but agrees to dress this way to please her daughter, whom she desperately wants to make amends with. While they are in the wig shop, Lucy hears strange voices, as if children are...

A: Strait-Jacket

Problem: Given the question: Suggest a movie title for the following movie plot: In New York City in a Local Brooklyn Fire Station, there are lots of firefighters. Charles 'Chuck' Levine (Who is a chronic womanizer) and Lawrence 'Larry' Valentine (Who is a bachelor and trying to raise his children after his wife passed away some time ago) are two veteran New York City Firefighters. During a routine sweep of a burned building, a segment of floor collapses and Chuck almost dies. Larry rescues Chuck by shielding him from the falling debris. As he and Larry awaken at a hospital later, Chuck vows to repay his debt in any way possible. The incident prompts Larry to realize the fact that death can come for him at any moment, but he has difficulties naming his children as primary beneficiaries in his life insurance policy. Larry was given at least a year to change his beneficiaries but he was profusely mourning his wife, and left it too late. However, One of the ways suggested for him to do so is to get married. Inspired by a newspaper article about domestic partnerships, Larry asks Chuck to enter a civil union with him. Although at first Chuck declines, he is reminded of his debt to Larry and finally agrees.Chuck and Larry become domestic partners and Chuck becomes Larry's primary beneficiary in the event of his death. Soon, New York City investigators arrive to inquire about their partnership. They lie to the investigator by saying that they are really in love with each other and insist they've been having "Loads of Sex, Gay-crazy sex, Man on Man, Loving Every Minute". Chuck and Larry then decide to enlist the help of a lawyer, Alex McDonough, who suggests that they get married. Chuck and Larry then marry in Canada and move in together. When they get married in Canada, the Asian minister who proclaims "I Now Pronounce You, 'Husband and Husband, You May Now Kiss The Husband" is shocked to see Chuck and Larry slap each other the cheek (as opposed to kissing) when ordered to "Kiss the Husband". Chuck and Larry then retort by saying "That's How We Roll In Our House, Baby".On the first night of...
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The answer is:
I Now Pronounce You Chuck and Larry

Q: Suggest a movie title for the following movie plot: It's 1941, and newspaper tycoon Charles Foster Kane (Orson Welles, who also directed and co-wrote the script) is dead. The opening shots show Xanadu, Kane's vast, elaborate, and now unkempt estate in Florida. Interspersed with segments of his newsreel obituary are scenes from his life and death. Most puzzling are his last moments: clutching a snowglobe, he mutters the word "rosebud." Kane, whose life was news and whose newspapers not only reported but formed public opinion, was central to his time, a larger-than-life figure. The newsreel editor feels that until they know who or what Rosebud is they won't have the whole story on Kane. He assigns a reporter called Thompson (William Alland) to investigate Rosebud.Thompson digs into Kane's life and hears a lot of stories, but none of them reveal the meaning of Rosebud. The reporter sees Susan Alexander Kane (Dorothy Comingore), the tycoon's ex-wife; she's drunk and won't speak to him. Then he reads the unpublished memoirs of Mr. Thatcher (George Coulouris), Kane's early financial adviser and childhood guardian, who later became a prime target of the Kane newspapers' trust-busting attacks. In one of many flashbacks, the Thatcher memoir shows Kane's mother signing guardianship of the boy and his fortune over to Thatcher, despite his father's objections. When Charles objected violently to being sent away with Thatcher, Kane Sr. remarked, "what the kid needs is a good thrashing." Mrs. Kane responded, "That's why he's going to be brought up where you can't get at him." (Some present-day fans of the film interpret this to mean that Mr. Kane was abusive. 1940s audiences were more likely to have believed that Mrs. Kane was over-protective and that if Charles had been allowed to grow up enjoying the love and discipline of his parents, his life would have turned out better.)Years later, as he was about to get control of his business affairs, Kane's interest in newspapers was piqued when he noticed that he owned the struggling New York Daily Inquirer. Don't sell it, he...
A:
Citizen Kane