IN: Ellis-Bextor was born in London on 10 April 1979 to mother Janet Ellis, who was later a presenter on BBC's children's television programmes Blue Peter and Jigsaw, and father Robin Bextor, a film producer and director: they separated when she was four. As a young girl, she appeared on several Blue Peter items, with no indication given on-screen that she was Ellis's daughter. She attended St. Stephen's School and later Godolphin and Latymer School in Hammersmith.

According to Ellis-Bextor in April 2008, recording sessions for her scrapped greatest hits collection proved fruitful, so she decided to release a fourth studio album. In October 2008, Ellis-Bextor covered the Dolly Parton song "Jolene"; the track was released on the soundtrack to the BBC2 sitcom Beautiful People. In November 2008, Ellis-Bextor recorded a track with the French DJ Junior Caldera, "Can't Fight This Feeling", for his 2009 album Debut. Released as a single in February 2010, it reached the top 20 in France. In August 2009, she released a five-track live EP from the 2009 iTunes Festival, during which she performed previous singles of hers and a new track, "Starlight" (not included on the EP). Freemasons worked with Ellis-Bextor for their album Shakedown 2 on "Heartbreak (Make Me a Dancer)", which was released as a single in June 2009 and peaked at 13 in the UK. Ellis-Bextor's fourth album, Make a Scene, was released in June 2011. She described it as "very much [a dance album]--more so than any of my other albums." Looking to her next effort, Ellis-Bextor said she was planning an "album that's really different. I think I need to do something different now and move on from the dance stuff. I might come back to it, but I think this album is a good way to bow out of the dance sound for now. I think it's finishing on a high." She worked with Calvin Harris, Armin van Buuren, Richard X, Dimitri Tikovoi, Hannah Robinson, Metronomy, and Liam Howe from the Sneaker Pimps. The first single from the album, "Bittersweet" (co-written by Freemasons and Hannah Robinson), was released in May 2010 and reached 25 on the UK Singles Chart. "Not Giving Up on Love" was released as the second single from the album, in August 2010 in Europe, followed by "Starlight" as the third single in May 2011. "Off & On" was the fourth and final single.
QUESTION: How did it do on the charts?
IN: Aimee Semple McPherson (Aimee, in the original French; October 9, 1890 - September 27, 1944), also known as Sister Aimee or simply Sister, was a Canadian-American Pentecostal evangelist and media celebrity in the 1920s and 1930s, famous for founding the Foursquare Church. McPherson has been noted as a pioneer in the use of modern media, because she used radio to draw on the growing appeal of popular entertainment in North America and incorporated other forms into her weekly sermons at Angelus Temple, one of the first megachurches. In her time she was the most publicized Christian evangelist, surpassing Billy Sunday and her other predecessors. She conducted public faith healing demonstrations before large crowds; testimonies conveyed tens of thousands of people healed.

McPherson's ability to draw crowds was also greatly assisted by her apparently successful faith healing presentations. According to Nancy Barr Mavity, an early McPherson biographer, almost by accident, the evangelist discovered when she laid hands on sick or injured persons, they got well. Mavity further wrote, describing the healing power "beyond her conscience [sic] control" and "profoundly troubling" however a phenomenon familiar to the psychiatrist although "none the less [sic] mysterious." During a 1916 revival meeting in Corona, Long Island, New York, a young woman in the advanced stages of rheumatoid arthritis was brought to the altar by friends. McPherson would have preferred to pray with her privately. However, the woman insisted upon immediate prayer. McPherson laid hands on her and prayed. Before the gathered parishioners, the woman walked out of the church without crutches. McPherson's reputation as a faith healer rapidly became known and the sick and injured people came to her by the tens of thousands. The Faith Healing Ministry of Aimee Semple McPherson was extensively written about in the news media and was a large part of her early career legacy. No one has ever been credited by secular witnesses with anywhere near the numbers of faith healings attributed to McPherson, especially during the years 1919 to 1922. Over time, though, she almost withdrew from the faith-healing aspect of her services, since it was overwhelming other areas of her ministry. Scheduled weekly and monthly healing sessions nevertheless remained highly popular with the public until her death in 1944.
QUESTION: Are there any other interesting aspects about this article?
IN: Murray Bookchin (January 14, 1921 - July 30, 2006) was an American social theorist, author, orator, historian, and political philosopher. A pioneer in the ecology movement, Bookchin formulated and developed the theory of social ecology within anarchist, libertarian socialist, and ecological thought. He was the author of two dozen books covering topics in politics, philosophy, history, urban affairs, and ecology. Among the most important were Our Synthetic Environment (1962), Post-Scarcity Anarchism (1971) and The Ecology of Freedom (1982).

Bookchin was critical of class-centered analysis of Marxism and simplistic anti-state forms of libertarianism and liberalism and wished to present what he saw as a more complex view of societies. In The Ecology of Freedom: The Emergence and Dissolution of Hierarchy, he says that: My use of the word hierarchy in the subtitle of this work is meant to be provocative. There is a strong theoretical need to contrast hierarchy with the more widespread use of the words class and State; careless use of these terms can produce a dangerous simplification of social reality. To use the words hierarchy, class, and State interchangeably, as many social theorists do, is insidious and obscurantist. This practice, in the name of a "classless" or "libertarian" society, could easily conceal the existence of hierarchical relationships and a hierarchical sensibility, both of which-even in the absence of economic exploitation or political coercion-would serve to perpetuate unfreedom. Bookchin also points to an accumulation of hierarchical systems throughout history that has occurred up to contemporary societies which tends to determine the human collective and individual psyche: The objective history of the social structure becomes internalized as a subjective history of the psychic structure. Heinous as my view may be to modern Freudians, it is not the discipline of work but the discipline of rule that demands the repression of internal nature. This repression then extends outward to external nature as a mere object of rule and later of exploitation. This mentality permeates our individual psyches in a cumulative form up to the present day-not merely as capitalism but as the vast history of hierarchical society from its inception.
QUESTION:
what did he say about them?