[Q]: Build a movie plot around this: Although the adult character is briefly glimpsed, what is the name of the main character? Mina
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[A]: Mina, a first-grader, finds her mother has failed to pick her up from school. The movie is about her endeavor to find her way home amidst the noise, confusion and chaos of Tehran. Mina is dressed in school uniform (with a head scarf), has one arm in a cast and is holding a school bag in the other. She meets a lot of people on her way and most of them try to help her while others are surprisingly apathetic to her situation. Eventually, the movie takes a turn when the girl looks into the camera for the first time, breaking the fourth wall, and someone shouts from off-screen, "Mina, don't look into the camera!" The movie is a real life capture of events thereon (or that is how it seems). Mina announces that she doesn't want to act in the movie any more and wants to go home. In the end she goes home after returning the microphone.

[Q]: Build a movie plot around this: Where does Anni move to? to her friend Gerda's apartment
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[A]: The movie begins with a title card one unemployed worker less. After the title card footage is shown of: the Brandenburg Gate, a smokestack, a few factories along a river way, a locomotive and buildings. The footage transitions to various newspaper headings that describe the current worldwide situation in addition to the unemployment in Germany. In the next scene, there is a group of young adults, mostly men, riding their bicycles or walking toward a community message board that is on the sidewalk. Upon the arrival of a delivery boy, the people are rushing him to grab the classified ads. There are more people than available classified ads and the deliver boy turned people away.Those that were fortunate to receive a classified ad look over the paper and start bicycling together to a jobsite. Upon their arrival at a jobsite they are turned away by a sign that reads, workers will not be hired. They continue riding in unison to another job location. They are shown riding into the entranceway one moment and the next moment riding out of the place. The men continue their journey to a third location. They momentarily enter the place on their bicycles, but quickly leave walking alongside their bicycle. As they are walking out of the jobsite, one of the men crumples the classified ad and tosses it onto the street. One of the men departs the group as he approaches a building. Another man briefly stops to hear a duo playing on the street and continues walking.The following scene shows a middle-aged man lying on the sofa reading a newspaper. He sits up from the sofa and tells his wife that he can no longer financially support his son. The wife does not reply prompting the man to rhetorically ask does she care about anything. The scene shifts to a young man entering the residence. It is the man that entered the building from the street. He enters the dinning room sitting next to his father looking dejected. The father and son do not speak to each other as the mother brings a pot to the table. As the mother is serving the...

[Q]: Build a movie plot around this: Who confronts Andrei? Daniil and Kirill
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[A]: Note: The following synopsis refers to the original, 205 minute version of the film.Andrei Rublev is divided into eight chapters, with a prologue and an epilogue only loosely related to the main film. The main film charts the life of the great icon painter through several episodes of his life. The background is 15th century Russia, a turbulent period characterized by fighting between rival princes and the Tatar invasions.The film's prologue shows the preparations for a hot air balloon ride. The balloon is tethered to the spire of a church next to a river, with a man named Yefim (Nikolay Glazkov) attempting to make the flight by use of a harness roped beneath the balloon. At the very moment of his attempt an ignorant mob arrive from the river and attempt to thwart the flight, putting a firebrand into the face of one of the men on the ground assisting Yefim. In spite of this the balloon is successfully released and Yefim is overwhelmed and delighted by the view from above and the sensation of flying, but he can not prevent a crash landing shortly after. He is the first of several creative characters, representing the daring escapist, whose hopes are easily crushed. After the crash, a horse is seen rolling on its back by a pond, a symbol of life one of many horses in the movie.Fresco Bosom of Abraham by the historical Daniil Chyorny (c. 13601430)I. The Jester (Summer 1400)Andrei (Anatoly Solonitsyn), Daniil (Nikolai Grinko) and Kirill (Ivan Lapikov) are wandering monks and religious icon painters, looking for work. The three represent different creative characters. Andrei is the observer, a humanist who searches for the good in people and wants to inspire and not frighten. Daniil is withdrawn and resigned, and not as bent on creativity as on self-realization. Kirill lacks talent as a painter, yet still strives to achieve prominence. He is jealous, self-righteous, very intelligent and perceptive. The three have just left the Andronikov Monastery, where they have lived for many years, heading to...

[Q]: Build a movie plot around this: How Frankenstein related to Felix Flanken? His Sister's Son
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[A]:
NOTE: All voices by Allen Swift, except where noted.Baron von Frankenstein [voice of Boris Karloff], the scientist who discovered the secret to creation, has just perfected the secret to destruction. In order to celebrate his discovery, the baron invites all his monster friends -- Dracula, the Werewolf, the Mummy, the Invisible Man, Dr Jekyll/Mr Hyde, the Creature from the Black Lagoon, and the Hunchback of Notre Dame -- to his Caribbean Island of Evil for a big party. The baron also has another reason for hosting such a gala. He has decided to retire as head of Monsters Incorporated and to pass on his secrets to his only "living" heir -- geeky, allergy-ridden pharmacist Felix Flankin, son of the baron's sister, the white sheep of the family. As the SS Herring bearing all the guests nears the island, the baron briefs his zombies about the necessity of remaining calm and collected no matter what happens. Only Yetch is having trouble keeping his head (and hands) attached. This is partly because it's been so long since Yetch has seen all their friends, but also because he is besotted with the baron's secretary, the lovely, well-stacked, red-headed, cool-as-a-cucumber Francesca [Gale Garnet].As the baron and Francesca prepare to greet their guests, they are joined by Frankenstein's Monster and his Mate [Phyllis Diller]. First to arrive is Dracula, who is enchanted to see Francesca. ("You have always been my type...O-negative, isn't it?") Next is the Werewolf. ("Wolfie, you old dog! This convention is going to be a howling success!") The Invisible Man arrives. ("You're looking well...I think.") The Hunchback carries in the Mummy, then comes Dr Jekyll/Mr Hyde, followed by the Creature. Meanwhile, in the kitchen, Chef Mafia Machiavelli is preparing the menu for the party. There's octopus soup and a poison ivy salad with toadstools, poison berries, and three kinds of dressings -- arsenic, cyanide, and nitroglycerin. The antipasto consists of black widows marinated in their own poison, smoked lizards and snakes, and...