Q: Granted I had seen some "Speed Racer", but I never really watched it and I had also seen other shows some featuring these characters dressed as birds who flew a ship called the Phoenix and another revolving around a space ship that looked like a giant ocean vessel and it flew backwards at times for some reason and was really dark and hard to understand for someone who was maybe five. This one though I watched nearly every episode and the amazing to me at the time was that this show had some resolution to it. It actually ended, the bad guys done in unlike nearly every American cartoon where nothing really concludes such as the last episode of the generation one Transformers that ended with Galvatron and this new bad guy vowing to get the Autobots, Dungeons and Dragons with the kids never making it home, with GI Joe with Cobra still out there ready to try again and so on and so forth. This one did end and did feature a rather cool robot that got new weapons as the show progressed, it was a bit bland to begin with as it could not fly and had only a few really cool weapons. As it went on he got a cool shooting fist like the one Android 16 used against Cell in Dragonball Z, then that weapon evolved to include razors that shot out. Then the big robot even got wings so he could fly and even more weapons were incorporated into the wings. He would also get a couple of allies in a female robot and a rather funny one called Bobo in America. The villains not only consisted of Dr. Hell, but a really weird person that was half man half woman and a dude with a flying head. Interesting show and it was kind of nice seeing a conclusion.
A: positive
Q: As many reviewers here have noted, the film version differs quite a bit from the stage version of the story. I have never seen the stage version of the story, and therefore I have a more favorable review of the film than many other reviewers. Perhaps Richard Attenborough was not the best choice for director of the film, but the film is still an entertaining account of several dancers trying to make the big time in choreographer Michael Douglas' show. The film does right by not selecting any famous actors or performers to wind up in the final try-out group. This way our attention is focused on the dancers' movements and individual stories and struggles as they unfold during a marathon day of try-outs. Douglas is also probably not the best choice for the part. Apparently some songs were cut out in favor of a new one, and the backstage cliche-ridden story of a romantic liaison between a dancer and the choreographer was added. I have to say in all fairness this was the weakest part of the film. The repeated intrusions Cassie made during try-outs appear to mirror the almost desperate pleas one often has to make when engaging in the artistic professions in the absence of talent and/or luck. However, this aspect of the film has been done to death in the past, and it's curious to see this tired old shoe kicking its heel up once again. The revelations of the dancers themselves began promisingly enough with the "I can do that" number, but then it plodded a little at various points while the dancers were telling their stories. Frankly, their stories differed little from real life folks who never get a chance like this. *** of 4 stars.
A: positive
Q: Dreck about three beautiful women in California who go to cover some festival (or something). All the hotels are booked so they have to spend the night in a creepy old house. What they don't know is that there is a creepy inhabitant there who likes to kill...

Yawn. Boring, pointless, utterly stupid "horror" film. Bach and her two buddies are certainly beautiful but the movie itself is dull dull DULL! Bach and her friends are no actresses--their faces are blank all the way through. The final "revelation" is laughably predictable and there's no blood or gore to keep you interested along the way. There is some expected gratuitous female nudity but that's not enough to save this. Boring, pointless and unknown (for good reason). A 1 all the way.
A: negative
Q: One would have to be very jaded indeed not to be swept up into this gem of a film (and I've seen hundreds of Hindi and Bollywood movies, too). The actors, the beautiful settings, locations, and surroundings, the deep emotions portrayed, the sweet songs (especially the singing voice of Udit Narayan, my favorite) -- everything was just lovely. The human (imperfect) element was also woven in, to create some drama and drive the plot, as well as allowing a heartfelt resolution. Alok Nath is such a terrific actor, so open with the emotions of the characters he portrays, he almost steals the show from the young stars. I highly recommend this film to anyone who loves true romances -- ones that go beyond superficial beauty to real love -- as one of the best films out there, Hindi or otherwise!
A: positive