Background: Iron Man is a fictional superhero appearing in American comic books published by Marvel Comics. The character was created by writer and editor Stan Lee, developed by scripter Larry Lieber, and designed by artists Don Heck and Jack Kirby. The character made his first appearance in Tales of Suspense #39 (cover dated March 1963). A wealthy American business magnate, playboy, and ingenious scientist, Anthony Edward "Tony" Stark suffers a severe chest injury during a kidnapping in which his captors attempt to force him to build a weapon of mass destruction.
Context: The original Iron Man title explored Cold War themes, as did other Stan Lee projects in the early years of Marvel Comics. Where The Fantastic Four and The Incredible Hulk respectively focused on American domestic and government responses to the Communist threat, Iron Man explored industry's role in the struggle. Tony Stark's real-life model, Howard Hughes, was a significant defense contractor who developed new weapons technologies. Hughes was an icon both of American individualism and of the burdens of fame. Historian Robert Genter, in The Journal of Popular Culture, writes that Tony Stark specifically presents an idealized portrait of the American inventor. Where earlier decades had seen important technological innovations come from famous individuals (e.g., Nikola Tesla, Thomas Edison, Alexander Graham Bell, the Wright brothers), the 1960s saw new technologies (including weapons) being developed mainly by the research teams of corporations. As a result, little room remained for the inventor who wanted credit for, and creative and economic control over, his/her own creations. Issues of entrepreneurial autonomy, government supervision of research, and ultimate loyalty figured prominently in early Iron Man stories -- the same issues affecting American scientists and engineers of that era. Tony Stark, writes Genter, is an inventor who finds motive in his emasculation as an autonomous creative individual. This blow is symbolized by his chest wound, inflicted at the moment he is forced to invent things for the purposes of others, instead of just himself. To Genter, Stark's transformation into Iron Man represents Stark's effort to reclaim his autonomy, and thus his manhood. The character's pursuit of women in bed or in battle, writes Genter, represents another aspect of this effort. The pattern finds parallels in other works of 1960s popular fiction by authors such as "Ian Fleming (creator of James Bond), Mickey Spillane (Mike Hammer), and Norman Mailer, who made unregulated sexuality a form of authenticity."
Question: And what are some of the other themes?
Answer: Historian Robert Genter, in The Journal of Popular Culture, writes that Tony Stark specifically presents an idealized portrait of the American inventor.

Background: Alaska Natives are indigenous peoples of Alaska, United States: Inupiat, Yupik, Aleut, Eyak, Tlingit, Haida, Tsimshian, and a number of Northern Athabaskan cultures. They are often defined by their language groups. Many Alaska Natives are enrolled in federally recognized Alaska Native tribal entities, who in turn belong to 13 Alaska Native Regional Corporations, who administer land and financial claims. Ancestors of the Alaska Natives are known to have migrated into the area thousands of years ago, in at least two different waves.
Context: In 1971 the United States Congress passed the Alaska Native Claims Settlement Act (ANCSA), which settled land and financial claims for lands and resources which the peoples had lost to European Americans. It provided for the establishment of 13 Alaska Native Regional Corporations to administer those claims. Similar to the separately defined status of the Canadian Inuit and First Nations in Canada, which are recognized as distinct peoples, in the United States, Alaska Natives are in some respects treated separately by the government from other Native Americans in the United States. This is in part related to their interactions with the US government in a different historic period than indigenous peoples in the colonies and early federal period. Europeans and Americans did not have sustained encounters with the Alaska Natives until the late nineteenth and early twentieth centuries, when many were attracted to the region in gold rushes. The Alaska Natives were not allotted individual title in severalty to land under the Dawes Act of 1887 but were instead treated under the Alaska Native Allotment Act of 1906. It was repealed in 1971, following ANSCA, at which time reservations were ended. Another characteristic difference is that Alaska Native tribal governments do not have the power to collect taxes for business transacted on tribal land, per the United States Supreme Court decision in Alaska v. Native Village of Venetie Tribal Government (1998). Except for the Tsimshian, Alaska Natives no longer hold reservations but do control some lands. Under the Marine Mammal Protection Act of 1972, Alaska Natives are reserved the right to harvest whales and other marine mammals.
Question: What is the ANSCA?
Answer: Alaska Native Claims Settlement Act (ANCSA),

Background: Eunhyuk was born Lee Hyuk-jae in Seoul, South Korea. He has an older sister Lee So-ra. Raised in a family that struggled financially, he was interested in street performing as a child. Inspired by the likes of H.O.T's Jang Woo-hyuk, Michael Jackson and singer-dancer Yoo Seung-jun, Eunhyuk trained himself at a young age.
Context: On 16 December 2011 Eunhyuk and Donghae released digital single Oppa, Oppa, where they first performed it at Super Junior's Super Show 4 Seoul concert on 19 November 2011. This marks the first release of their collaborations. The single was also released in Japanese with an original Japanese music video on 4 April 2012. On the day of its release, it reached number two on Oricon Daily Chart with 42,114 copies sold. While also preparing for Super Junior's first world tour Super Show 4, the pair held a fan meeting, Premium Mini Live Event, in support of the single on 11 April at Shibuya-AX, Tokyo. Eunhyuk is MC for MBC every1's Super Junior Foresight, along with fellow members Leeteuk, Kyuhyun, Yesung and Shindong. From 23 March 2012, he took over as MC for the last three live shows of singing-survival program Great Birth 2, better known as MBC Star Audition, on MBC. As of the 10 April 2012 broadcast, following the change in MCs and the departure of Shindong from Strong Heart, the show was re-vamped with Leeteuk and Eunhyuk billed as two of the 'six-fixed guests'. In June 2012, Eunhyuk reunited with his Super Junior bandmates for their sixth studio album, Sexy, Free & Single released on 4 July. On 21 June 2012, the first teaser photo of Eunhyuk was released showing him in a white shirt, blue jeans, styled with a mullet-like hairstyle and blindfolded with white and pink flowers. In October SM Entertainment and Hyundai partnered up to release the "Maxstep" featuring Eunhyuk and other SM artists Super Junior-M's Henry Lau, SHINee's Lee Taemin, EXO-K's Kai, EXO-M's Luhan and Girl's Generation's Hyoyeon. The group became the official dance unit; Younique Unit. The official cover of Zedd's Spectrum was released via SBS Gayo Daejeon held on December 29, 2012, with Eunhyuk featuring. The single was performed by the members of SM The Performance and also included Donghae, along with TVXQ's Yunho, Shinee's Taemin and Minho and EXO's Kai and Lay.
Question: What show was he on?
Answer:
MBC Star Audition,