Background: Placebo is an alternative rock band, formed in London, England in 1994 by singer-guitarist Brian Molko and guitarist-bassist Stefan Olsdal. The band were soon joined by drummer Robert Schultzberg, who left in 1996 due to conflicts with Molko and was replaced the same year by Steve Hewitt. Placebo gained exposure in 1997, after releasing "Nancy Boy", a song which Brian Molko described as "obscene". The band has sparked controversy at the beginning of their career because Molko wore dresses and make-up in public and talked openly about sex, sexuality and drug use.
Context: Despite initially being considered a glam rock act, Placebo's music developed throughout their career, adopting diverse elements from other genres. Besides the alternative rock and glam rock classifications, critics have described the band as goth-rock, Britpop, pop punk, post-punk revival, electronic rock, experimental rock and industrial rock. Progressive rock elements in the band's earlier works along with grunge and punk rock influences were also noted. Placebo's influences include David Bowie, Can, Iggy Pop and the Stooges, Sonic Youth, The Cure, Pixies, Nirvana, The Smiths, PJ Harvey, Depeche Mode and Nine Inch Nails. Lyrically, Placebo's music contains many references to drugs and LGBT themes. The title of the song "Special K", for instance, is slang for ketamine. Molko has been open about his use of recreational drugs: in a 1997 interview with Kerrang! magazine he admitted that heroin was "probably the only drug on this planet I haven't tried". However, he later admitted to using heroin as well. Pharmaceutical drugs are also referenced, as evidenced by the band's name as well as the album Meds and its title track. Molko admitted in 2003 that many of his initial excesses were due to his mental issues; he was officially diagnosed with major depressive disorder in his late twenties. The singer claimed in 2016 that he gave up drugs completely after the recording and release of Meds. Outsider themes are also explored, as evidenced in lyrics such as "the back of the class is where I'm from" on "One of a Kind" and "I'm forever black-eyed/A product of a broken home" on "Black-Eyed". Molko has been quoted as calling the band "for outsiders, by outsiders".
Question: Which of the other genres are mentioned?
Answer: Besides the alternative rock and glam rock classifications, critics have described the band as goth-rock,

Question:
Bourke's father, Frank, was serving in the RAAF and on leave in Melbourne when he played a solitary game for Richmond in 1943. A tall (193 cm) and lean (85 kg) full forward with an excellent reputation in country football, Frank returned to the city after the war and resume his playing career with Richmond. In the opening weeks of the 1946 season Frank kicked five or more goals six times in the first seven matches to lead the VFL goalkicking table. Injury curtailed further progress.
Just months after his playing retirement, Bourke was controversially pitched into the coaching position at Punt Road. The Tigers had decided to sack Tony Jewell, a premiership teammate of Bourke, just twelve months after he coached Richmond to the 1980 premiership. Although few doubted that Bourke was coaching material, the nature of his appointment and his lack of coaching experience at any level were significant hurdles to overcome. However, in 1982 Bourke took the Tigers to only their third minor premiership since the war and impressed critics with a brilliant tactical display in the semi final against Carlton. Bourke made a series of positional changes at the beginning of the game and ordered his men to slow down the Carlton play-on game, giving away fifteen-metre penalties as necessary. The Tigers won easily, and Bourke became one of only a handful of coaches to make the Grand Final in his first season. The dream debut of a premiership was not to be. In the 1982 VFL Grand Final, Richmond led by 11 points at half time, only for Carlton to kick five unanswered goals in the third quarter and run away with the premiership by 18 points. During the off-season, the Tigers suffered an exodus of disgruntled star players that rocked the club and lost nine of the first eleven games in 1983. Media speculation about the security of Bourke's position began in earnest, and few believed the club when Richmond denied that there was an ongoing crisis. Although the team improved in the second half of the season, further player departures were mooted if Bourke remained as coach. It seemed that his hard-training style was not appreciated by all of his charges. Reluctantly, Bourke tendered his resignation at the end of the season, well aware that he would probably have been sacked had he not done so. His winning rate over the two seasons was a very reasonable 56.5%
Answer this question using a quote from the text above:

Did the media think he'd be asked to leave the team?

Answer:
and few believed the club when Richmond denied that there was an ongoing crisis.

Problem: Background: Nilsson was born in Bedford-Stuyvesant, Brooklyn in 1941. His paternal grandparents were Swedish circus performers and dancers, especially known for their "aerial ballet" (which is the title of one of Nilsson's albums). His maternal grandparents were the cornerstone of his young life. While his grandmother played piano, his grandfather Charlie supported the family in a tiny railroad apartment on Jefferson St in Brooklyn.
Context: Nilsson is the subject of a 2006 documentary, Who Is Harry Nilsson (And Why Is Everybody Talkin' About Him)? produced by David Leaf and John Schienfeld. The film was screened in 2006 at the Seattle International Film Festival and the Santa Barbara International Film Festival. In August 2006, the film received its Los Angeles premiere when it was screened at the 7th Annual Mods & Rockers Film Festival followed by a panel discussion about Nilsson featuring the filmmakers and two friends of Nilsson, producer Richard Perry and attorney/executive producer Lee Blackman. The filmmakers re-edited the film with rare found footage of Nilsson, further interviews, and family photographs, and finally released it on September 17, 2010 at selected theaters in the United States. A DVD, including additional footage not in the theatrical release, was released on October 26, 2010. Nilsson's final album, tentatively titled Papa's Got a Brown New Robe (produced by Mark Hudson) was not released, though several demos from the album were available on promotional CDs and online. The musical Everyday Rapture features three songs by Nilsson and, similarly, the film A Good Year features "Gotta get up", "Jump into the fire" and "How can I be sure of you". On July 29, 2013, Sony Music released a definitive box-set of his RCA era albums called The RCA Albums Collection. Each of the albums in the 17-CD set had additional bonus tracks, along with 3 of the 17 discs that contained rarities and outtakes spanning his entire career. Additionally, several weeks later on August 13, Flash Harry was finally issued on CD also featuring additional material. Completing the two CD releases, the first book written about Nilsson was published covering his life story.
Question: What happened with the film?
Answer:
The film was screened in 2006 at the Seattle International Film Festival and the Santa Barbara International Film Festival.