Based on cultural traditions and the changing face of contemporary British communities, the Festival of Muslim Cultures joins young people from Muslim and non-Muslim backgrounds together through the creation of innovative , high quality cultural activities. We have been working with arts and educational institutions across the UK to promote the mainstreaming of Muslim cultures within UK everyday life. The Festival was created out of the need to encourage a better understanding between Muslims and non-Muslims, to promote respect for Muslim cultures and to show how culture creates the pathways that connect us all together. The program launched with a visit by the Festival's patron , the Prince of Wales, to the exhibition "Palace and Mosque" in Sheffield and since then there have been more than 100 events that have ranged from a Somali community day in Cardiff at the National Museum of Wales to a late-night Dance with Radio Tarifa (from Spain) and Dimi Mint Abba (form Mauritania) in the Royal Albert Hall and from a home-grown play in Nottingham about the Kashmir earthquake to the exhibition"Beyond the Palace Walls" at the Royal Museum Edinburgh of Islamic art from the Hermitage Museum, St Petersburg. We are now working on a number of long-term projects which stay true to our commitment to promoting Muslim cultures through arts collaborations and build on the extensive network of local, national and international partners that Festival has created. These include a three-year national program that connects young Muslims to their local cultural institutions; a UK Muslim cookbook; an exhibition of the Ottoman architect Sinan; and a project for schools around the 1000-year old story "The Animals' Lawsuit against Humanity". For more information about the Festival, please click on another page: Who's Who. Which is NOT the purpose of holding the Festival of Muslim Cultures? A) To promote people's respect for Muslim cultures. B) To show to people how cultures join the people together. C) To try to change the beliefs of various religions. D) To make Muslims and non-Muslims understand each other better.
C
(Question)
After the Summer Olympics are over, when all the athletes have gone home and the television audience has switched off, another group of athletes and fans will arrive at the host city, and another competition will begin. These are the Paralympics, the games for athletes with a disability. But in Beijing in 2008, for the first time, one of the greatest Paralympics athletes did not take part. She is a British athlete by the name of Tanni Grey-Thormpson. Born with spine hifida which left her paralysed from the waist. Tanni used a wheelchair from the age of 7. at first, she did not like sports, apart from horse-riding, which gave her a sense of freedom. But in her teens, she started taking sports more seriously. She tried swimming, basketball and tennis. Eventually she found she began to love athletics, and never looked back. Indeed, Tanni's athletic career took off . In 1984, when she was 15, she pulled off a surprise victory in the 100metres at the Junior National Wheelchair Games. In 1988, Tanni went to her first Paralympic Games in Seoul. She won bronze in the 400 metres. Even greater success followed at the 1992 Barcelonn. Paralympics. Tanni won gold in the 100, 200, 400 and 800 metres relay, setting two world records in the process. In the same year she achieved the first of her six London Wheelchair Marathon victories. Tanni's success had been part motivation , part preparation, "The training I do that enables me to be a good sprinter enables me to be good at a marathon too. I train 50 weeks of the year and that keeps me prepared for whatever distance I want to see.... I am still competing at a very high level, but as I get older, things get harder and I want to retire before I fall apart." Indeed Tanni retired finally after the Visa Paralympic World Cup in 2007. Her wish is to coach young athletes for Beijing 2008 Olympic Games. In spite of ups and downs, she never takes her fate lying down. In her splendid life, she has won an amazing eleven gold medals, four silvers and one bronze in series of... Which of the following sports did Tanni like before thirteen? A) Basketball B) Swimming. C) Tennis. D) Horse-riding.
(Answer)
D
Ques:Though war is something people hate, Director Feng Xiaoning often exposes his audience to it. "If we don't impress the audience, who are without the painful experience of war, with the cruel injury to life and human nature war causes, how can we bring them a love of peace and objection to war?" asked the director with a glance in his eyes. After Red River Valley and Lover's Grief over the Yellow River, both of which star Chinese model and actress Ning Jing, Feng drew a satisfactory full stop to his war trilogy last month with Purple Sunset. The film tells a story which took place in 1945, at the very moment when World War II was drawing to an end. A Chinese peasant and a Soviet woman soldier flee into a forest, where they seize a Japanese girl. They follow the girl in the hope that she will take them out of the forest, but instead they arrive in a Japanese base. Humanity prevents them from killing the young, innocent victim of Japanese militarism. This humanity, the longing for peace and eagerness to survive, make the three unite. "If people are touched by justice, tolerance and unselfishness, I think I have achieved my goal," Feng said. Feng admits that there are violent and bloody scenes in the film, such as tanks fighting and Japanese burning Chinese people alive, to show the cruelty of the war. But that's never his personal preference, he says. "Everyone who has watched my films can tell how much I hate war," he said. "I wrote all the things for my war films by myself. Whenever I finished one, I felt as though I had suffered great pain." Feng regards every one of his productions as an opportunity to learn about human nature and humanity. In spite of violent scenes which frighten and sicken the audience, a balance is sought with beautiful scenery. Just like the snowy mountains in Red River Valley and the grand plateau in Lover's Grief over the Yellow River, a beautiful vast grassland appears in this film. "I used to study art, and I appreciate beautiful things," Feng said. "I believe that films... Scenes of Japanese burning Chinese people alive in the film are to _ . A) show that war is cruel B) attract people's interest C) show Feng's personal preference in dealing with details D) make the film moving and interesting

Ans:
A