Question: Canadian comics refers to comics and cartooning by citizens of Canada or permanent residents of Canada regardless of residence. Canada has two official languages, and distinct comics cultures have developed in English and French Canada. The English tends to follow American trends, and the French Franco-Belgian ones, with little crossover between the two cultures. Canadian comics run the gamut of comics forms, including editorial cartooning, comic strips, comic books, graphic novels, and webcomics, and are published in newspapers, magazines, books, and online.

Brigadier-General George Townshend's cartoons lampooning General James Wolfe in 1759 are recognized as the first examples of political cartooning in Canadian history. Cartoons did not have a regular forum in Canada until John Henry Walker's short-lived weekly Punch in Canada debuted in Montreal in 1849. The magazine was a Canadian version of Britain's humorous Punch and featured cartoons by Walker. It paved the way for a number of similar short-lived publications, until the success of the more straight-laced Canadian Illustrated News, published by George-Edouard Desbarats beginning in 1869, soon after Canadian Confederation. In 1873, John Wilson Bengough founded Grip, a humour magazine in the style of Punch and the American Harper's Weekly. It featured a large number of cartoons, especially Bengough's own. The cartoons tended to be political, and Prime Minister John A. Macdonald and Metis rebel leader Louis Riel were favourite targets. The Pacific Scandal in the early 1870s gave Bengough much fodder to raise his reputation as a political caricaturist. According to historian John Bell, while Bengough was probably the most significant pre-20th-century Canadian cartoonist, Henri Julien was likely the most accomplished. Published widely both at home and abroad, Julien's cartoons appeared in periodicals such as Harper's Weekly and Le Monde illustre. In 1888, he gained employment at the Montreal Star and became the first full-time newspaper cartoonist in Canada. Palmer Cox, a Canadian expatriate in the United States, at this time created The Brownies, a popular, widely merchandised phenomenon whose first book collection sold over a million copies. Cox began a Brownies comic strip in 1898 that was one of the earliest English-language strips, and had begun to use speech balloons by the time it ended in 1907.

Using a quote from the above article, answer the following question: Were any comics just for fun?
HHHHHH
Answer:

Question: Carl Wilhelm Scheele (German: [kaal 'vIlhelm 'Se:l@], Swedish: [ka:l 'vIlhelm 2he:le]

By the time he was a teenager, Scheele had learned the dominant theory of gases which in the 1770s was the phlogiston theory. Phlogiston, classified as "matter of fire", was supposed to be released from any burning material, and when it was exhausted, combustion would stop. When Scheele discovered oxygen he called it "fire air" as it supported combustion. Scheele explained oxygen using phlogistical terms because he did not believe that his discovery disproved the phlogiston theory. Before Scheele made his discovery of oxygen, he studied air. Air was thought to be an element that made up the environment in which chemical reactions took place but did not interfere with the reactions. Scheele's investigation of air enabled him to conclude that air was a mixture of "fire air" and "foul air;" in other words, a mixture of two gases. Scheele performed numerous experiments in which he heated substances such as saltpetre (potassium nitrate), manganese dioxide, heavy metal nitrates, silver carbonate and mercuric oxide. In all of these experiments, he isolated the same gas: his "fire air," which he believed combined with phlogiston in materials to be released during heat-releasing reactions. However, his first publication, Chemische Abhandlung von der Luft und dem Feuer, was delivered to the printer Swederus in 1775, but not published until 1777, at which time both Joseph Priestley and Lavoisier had already published their experimental data and conclusions concerning oxygen and the phlogiston theory. The first English edition, Chemical Observation and Experiments on Air and Fire was published in 1780, with an introduction "Chemical Treatise on Air and Fire".

Using a quote from the above article, answer the following question: what did he do with these theories?
HHHHHH
Answer: When Scheele discovered oxygen he called it "fire air" as it supported combustion.

Question: "Good Vibrations" is a song composed by Brian Wilson with words by Mike Love for the American rock band the Beach Boys, of which both were members. Released on October 10, 1966, the single was an immediate critical and commercial hit, topping record charts in several countries including the US and UK. Characterized by its complex soundscapes, episodic structure, and subversions of pop music formula, it was the costliest single ever recorded at the time of its release. "Good Vibrations" later became widely acclaimed as one of the greatest masterpieces of rock music.

Another tape splice occurs at 2:13, transitioning to an electric organ playing sustained chords set in the key of F accompanied by a maraca shaken on every beat. Sound on Sound highlights this change as the "most savage edit in the track ... most people would go straight into a big splash hook-line section. Brian Wilson decided to slow the track even further, moving into a 23-bar section of church organ ... Most arrangers would steer clear of this kind of drop in pace, on the grounds that it would be chart suicide, but not Brian." Harrison says: The appearance of episode 1 was unusual enough but could be explained as an extended break between verse and refrain sections. Episode 2 however, makes that interpretation untenable, and both listener and analyst must entertain the idea that "Good Vibrations" develops under its own power, as it were, without the guidance of overdetermined formal patterns. Brian's [sic] own description of the song--a three-and-a-half-minute 'pocket symphony'--is a telling clue about his formal ambitions here. The slowed pace is complemented by the lyric ("Gotta keep those loving good vibrations a-happening with her"), sung once first as a solo voice, with the melody repeated an octave higher the second time with an accompanying harmony. This two-part vocal fades as a solo harmonica plays a melody on top of the persistent quarter-note bass line and maraca that maintain the only rhythm throughout Episode 2. The section ends with a five-part harmony vocalizing a whole-note chord that is sustained by reverb for a further four beats. Lambert calls it the song's "wake-up chord at the end of the meditation that transports the concept into a whole new realm: it's an iconic moment among iconic moments. As it rouses us from a blissful dream and echoes into the silence leading into the chorus, it seems to capture every sound and message the song has to say."

Using a quote from the above article, answer the following question: What happens to the song at 2:13 ?
HHHHHH
Answer:
transitioning to an electric organ playing sustained chords set in the key of F accompanied by a maraca shaken on every beat.