Question:
Lifehouse is an American rock band from Los Angeles comprising Jason Wade (lead vocals, guitar), Rick Woolstenhulme, Jr. (drums, percussion), and Bryce Soderberg (bass, vocals). The band came to mainstream prominence in 2001 with the hit single "Hanging by a Moment" from their debut studio album, No Name Face. The song was number one for three weeks on the Billboard Modern Rock Tracks chart and peaked at number 2 on the Billboard Hot 100 charts, and the single won a Billboard Music Award for Hot 100 Single of the Year, having spent twenty weeks in the top 10 and more than a year on the charts. In 2002, Lifehouse released their follow-up album Stanley Climbfall.
Jason Wade and Rick Woolstenhulme remained the active members of Lifehouse. In September 2004, Bryce Soderberg (previously of AM Radio) signed on as Lifehouse's new bassist. On July 6, 2004, they went to Maryland to begin work on their eponymous third album, spending less than two months in the studio to record thirteen songs produced by John Alagia. Lifehouse was released on March 22, 2005. The album's first single, "You and Me", was released for airplay on January 18, 2005. It was written several years prior and was originally performed by Jason Wade for the 2000 independent film All Over Again. The song was a success and stayed on the U.S. Billboard Hot 100 for 62 weeks (the fifth longest-charted in history), peaking at No. 5. The song also appears on the soundtrack to Smallville. One episode, "Spirit", featured the band actually performing it and three other songs from the album ("Come Back Down", "Blind", and "Undone") on the show. The song has also appeared on Cold Case, Boston Legal, Gavin & Stacey, Everwood, Grey's Anatomy, The 4400 and Medium as well as the commercial for the final episode of Zoey 101. The song "All In All" was featured in Scrubs. The music video for the album's second single, "Blind", was released October 19, 2005. It starred Tina Majorino and featured several other up-and-coming young actors such as Sarch McClain, Stephen Cheung, Christopher Thien Duc Van and Andy Walters. In 2006, the newly-written song "Good Enough" was featured in the Disney film The Wild and was repeated over the end credits.
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Is there anything else notable about this album?

Answer:
In 2006, the newly-written song "Good Enough" was featured in the Disney film The Wild and was repeated over the end credits.

input: The publishers of Homicide: A Year on the Killing Streets were eager for a screen adaptation and submitted it to numerous directors but there was little interest. Simon suggested that they send the book to Baltimore native and film director Barry Levinson. Levinson's assistant Gail Mutrux enjoyed the book and both she and Levinson became attached as producers. The project became the award-winning TV series Homicide: Life on the Street (1993-1999), on which Simon worked as a writer and producer. Simon was asked by Mutrux to write the show's pilot episode but declined, feeling he did not have the necessary expertise. He collaborated with his old college friend David Mills to write the season two premiere "Bop Gun". The episode was based on a story by executive producer Tom Fontana and featured Robin Williams in a guest starring role that garnered the actor an Emmy nomination. Simon and Mills won the WGA Award for Best Writing in a Drama for the episode. Simon also received Austin Film Festival's Outstanding Television Writer Award in 2010. Simon left his job with the Baltimore Sun in 1995 to work full-time on Homicide: Life on the Street during the production of the show's fourth season. Simon wrote the teleplay for the season four episodes "Justice: Part 2" and "Scene of the Crime" (with Anya Epstein). For season five he was the show's story editor and continued to contribute teleplays writing the episodes "Bad Medicine" and "Wu's on First?" (again with Epstein). He was credited as a producer on the show's sixth and seventh seasons. He wrote the teleplays for parts two and three of the sixth season premiere "Blood Ties" (the latter marking his third collaboration with Epstein) and provided the story for the later sixth season episodes "Full Court Press" and "Finnegan's Wake" (with James Yoshimura). He provided the story for the seventh season episodes "Shades of Gray" (with Julie Martin), "The Same Coin" (again with Yoshimura) and "Self Defense" (with Eric Overmyer). Simon wrote the story and teleplay for the seventh season episodes "The Twenty Percent Solution" and "Sideshow: Part 2". Simon, Martin and teleplay writer T. J. English won the Humanitas Prize in the 60 minutes category for the episode "Shades of Gray". Simon was nominated for a second WGA Award for Best Writing in a Drama for his work on "Finnegan's Wake" with Yoshimura and Mills (who wrote the teleplay). Simon has said that he thought the show was a "remarkable drama" but that it did not reflect the book. He has also said that when writing for the show he had to put his experiences of the real detectives aside as the characters became quite different, particularly in their more philosophical approach to the job. Simon said that TV must find shorthand ways of referencing anything real.

Answer this question "What was the name of the show?"
output: TV series Homicide: Life on the Street (1993-1999),

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Bill Shankly was born in a small Ayrshire coal mining village, called Glenbuck, whose population in 1913, the year of Shankly's birth, was around 700. People born there would often move to find work in larger coal mines. As a result, Glenbuck became largely derelict and by the time Shankly's ghost writer John Roberts visited it in 1976, there were only 12 houses left, including a cottage owned by Shankly's sister, Elizabeth, whom Roberts described as "the last of the children of Glenbuck". Shankly's parents, John and Barbara, lived in one of the Auchenstilloch Cottages with their 10 children; five boys and five girls.
Shankly had a single season, 1932-33, at Carlisle United, then relatively new to the Football League and playing in the Third Division North, their reserve side playing in the North Eastern League. Shankly was recommended by a scout called Peter Carruthers who had seen him playing for Cronberry. He was invited for a month's trial and said it was the first time he had left Scotland. He was signed after just one trial match for Carlisle's reserves against Middlesbrough reserves, even though Carlisle reserves lost the match 6-0. A local newspaper report said that "Shankly played strenuously and might develop into a useful left back" but, in fact, he developed into a top-class right-half. Shankly made his senior debut on 31 December 1932 in a 2-2 draw against Rochdale and made 16 appearances for the first team. At the end of the season, the reserves won the North Eastern League Cup, defeating Newcastle United reserves 1-0 in the final. In his 1976 autobiography, Shankly stated: "I've still got the medal". At this stage of his career, Shankly was assessed as "a hard running, gritty right-half" whose displays brought him much praise and credit and he was "earmarked as a key young player capable of taking Carlisle on to greater things". He was paid four pounds ten shillings a week at Carlisle which he considered a good wage as the top rate at that time was eight pounds. Shankly was happy at Carlisle which was close to his home at Glenbuck and he had settled in well with almost a guarantee of first team football. When the opportunity came for him to move on, he was not convinced he wanted to leave.

Did he play in any notable games?
Shankly made his senior debut on 31 December 1932 in a 2-2 draw against Rochdale