Problem: Background: Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by English rock band the Beatles. Released on 26 May 1967 in the United Kingdom and 2 June 1967 in the United States, it was an immediate commercial and critical success, spending 27 weeks at the top of the UK albums chart and 15 weeks at number one in the US. On release, the album was lauded by the vast majority of critics for its innovations in music production, songwriting and graphic design, for bridging a cultural divide between popular music and high art, and for providing a musical representation of its generation and the contemporary counterculture.
Context: In November 1966, during a return flight to London from Kenya, where he had been on holiday with Beatles tour manager Mal Evans, McCartney had an idea for a song that eventually formed the impetus of the Sgt. Pepper concept. His idea involved an Edwardian-era military band, for which Evans invented a name in the style of contemporary San Francisco-based groups such as Big Brother and the Holding Company and Quicksilver Messenger Service. In February 1967, McCartney suggested that the Beatles should record an entire album that would represent a performance by the fictional band. This alter ego group would give them the freedom to experiment musically. He explained: "I thought, let's not be ourselves. Let's develop alter egos." Martin remembered: "Sergeant Pepper" itself didn't appear until halfway through making the album. It was Paul's song, just an ordinary rock number ... but when we had finished it, Paul said, "Why don't we make the album as though the Pepper band really existed, as though Sergeant Pepper was making the record? We'll dub in effects and things." I loved the idea, and from that moment on it was as though Pepper had a life of its own. In 1966, the American musician and bandleader Brian Wilson's growing interest in the aesthetics of recording and his admiration for both record producer Phil Spector's Wall of Sound and the Beatles' album Rubber Soul resulted in the Beach Boys' Pet Sounds LP, which demonstrated his production expertise and his mastery of composition and arrangement. The author Thomas MacFarlane credits the release with influencing many musicians of the time, with McCartney in particular singing its praises and drawing inspiration to "expand the focus of the Beatles' work with sounds and textures not usually associated with popular music". McCartney thought that his constant playing of the album made it difficult for Lennon to "escape the influence", adding: "It's very cleverly done ... so we were inspired by it and nicked a few ideas." Martin stated: "Without Pet Sounds, Sgt. Pepper never would have happened ... Pepper was an attempt to equal Pet Sounds." Freak Out! by the Mothers of Invention has also been cited as having influenced Sgt. Pepper. According to the author Philip Norman, during the Sgt. Pepper recording sessions McCartney repeatedly stated: "This is our Freak Out!" The music journalist Chet Flippo states that McCartney was inspired to record a concept album after hearing Freak Out!, considered the first rock concept album.
Question: What was his inspiration?
Answer: work with sounds and textures not usually associated with popular music

Problem: Background: Broken Social Scene is a Canadian indie rock band, a musical collective including as few as six and as many as nineteen members, formed by Kevin Drew and Brendan Canning. Most of its members play in various other groups and solo projects, mainly in the city of Toronto. These associated acts include Metric, Feist, Stars, Apostle of Hustle, Do Make Say Think, KC Accidental, Emily Haines & The Soft Skeleton, Amy Millan, and Jason Collett.
Context: In June 2007, BSS founder Kevin Drew began recording an album which featured many members of Broken Social Scene. The album was produced by Ohad Benchetrit and Charles Spearin and was titled Broken Social Scene presents ..Spirit If.... The album was recorded throughout 2004 and 2006 in Ohad Benchetrit's house while the band was not on tour. Although billed as a solo project, most Broken Social Scene members make cameo appearances. The sound itself is Broken Social Scene's familiar mix of rough and ragged, sad and celebratory, with psychedelic swells and acoustic jangles. Also featured are Dinosaur Jr.'s J Mascis and Canadian rock icon Tom Cochrane playing and singing and handclapping along. The album was released on September 18, 2007 and a tour billed as Broken Social Scene Performs Kevin Drew's Spirit If... took place in late 2007. The second "Broken Social Scene presents..." record, by Brendan Canning, is entitled Something for All of Us and was released on Arts & Crafts in July, 2008. Broken Social Scene also took part in the 2008 Siren Music Festival in Coney Island, Brooklyn. On April 29, 2009, Kevin Drew and Brendan Canning guest-hosted 102.1 The Edge's program The Indie Hour to promote their concert at the Olympic Island Festival. The festival was later moved to Harbourfront Centre after a labour dispute resulted in the suspension of ferry service to the Toronto Islands. In May 2009 Arts & Crafts, with association from Anansi Press, released This Book Is Broken written by The Grid editor Stuart Berman, who had a close personal involvement with the band. The book includes artwork, concert posters and photographs (professional and amateur) of the band. Berman includes extensive interviews with band members and related persons, arranged by subject and chronology.
Question: what were some songs?
Answer:

Problem: Background: Kisan Baburao Hazare was born on 15 June 1937 (some sources say 15 January 1940) in Bhingar, near Ahmednagar. He was the eldest son of Baburao Hazare and Laxmi Bai. He has two sisters and four brothers. He later adopted the name Anna, which in Marathi means "elder person" or "father".
Context: Hazare and the youth group decided to take up the issue of alcoholism to drive a process of reform. At a meeting conducted in the temple, the villagers resolved to close down liquor dens and ban alcohol in the village. Since these resolutions were made in the temple, they became, in a sense, religious commitments. Over thirty liquor brewing units voluntarily closed their establishments. Those who did not succumb to social pressure were forced to close their businesses when the youth group smashed their premises. The owners could not complain as their businesses were illegal. Once 3 drunken villagers were tied to pillars and then flogged, personally by Hazare with his army belt. He justified this punishment by stating that "rural India was a harsh society", and that Doesn't a mother administer bitter medicines to a sick child when she knows that the medicine can cure her child? The child may not like the medicine, but the mother does it only because she cares for the child. The alcoholics were punished so that their families would not be destroyed. Hazare appealed to the government of Maharashtra to pass a law whereby prohibition would come into force in a village if 25% of the women in the village demanded it. In 2009 the state government amended the Bombay Prohibition Act, 1949 to reflect this. It was decided to ban the sale of tobacco, cigarettes, and beedies (an unfiltered cigarette where the tobacco is rolled in tendu also known as Diospyros melanoxylon leaves instead of paper) in the village. To implement this resolution, the youth group performed a unique "Holi" ceremony twenty two years ago. The festival of Holi is celebrated as a symbolic burning of evil. The youth group brought all the tobacco, cigarettes, and beedies from the shops in the village and burnt them in a Holi fire. Tobacco, cigarettes, or beedies are no longer sold.
Question: When did the prohibition of alcohol?
Answer:
In 2009 the state government amended the Bombay Prohibition Act, 1949 to reflect this.