Answer the question at the end by quoting:

Enrique Miguel Iglesias Preysler (; Spanish pronunciation: [en'rike mi'gel i'glesjas 'preizler]; born 8 May 1975) is a Spanish singer, songwriter, actor and record producer. He is widely regarded as the King of Latin Pop.
In 2002, Iglesias decided to release a fourth Spanish-language album titled Quizas (Perhaps). A more polished musical production than his previous Spanish albums and containing more introspective songs, the album's title track is a song about the strained relationship Iglesias has with his famous father. The album debuted at number twelve on the Billboard 200 albums chart, the highest placement of a Spanish language album on the chart at that period. Quizas sold a million copies in a week, making it the fastest-selling album in Spanish in five years. The three singles released from the album all ended up topping the Latin chart, giving Iglesias a total of sixteen number ones on the chart. He currently holds the record for the most number one singles on Billboard's Latin Chart. His last single from the album, "Para Que La Vida", reached a million spins on U.S. radio, the only Spanish language song to do so. The video to the song "Quizas" was the first Spanish language music video to be added to the selection on one of MTV's popular shows, Total Request Live. Iglesias performed the song on The Tonight Show with Jay Leno, becoming the first to sing a Spanish song on the show, and opening doors for other artists such as Ricky Martin, Juanes and Jorge Drexler to perform their Spanish material. Iglesias included songs from Quizas in his "Don't Turn Off the Lights Tour", and the album went on to win the Latin Grammy Award for Best Pop Vocal Album. By 2003 Iglesias released his seventh album, which he called 7, the second to be co-written by Iglesias. Among its more 1980s-inspired material, it features the song "Roamer", which he wrote with his friend and longtime guitarist, Tony Bruno. The CD also contained the song "Be Yourself", a song about independence (the chorus talks about how Iglesias' own parents did not believe he'd ever succeed in his singing career). The first single was the song "Addicted", and was followed closely by a remix of the song "Not in Love", featuring Kelis. With this album, Iglesias went on his biggest world tour to date. The highly publicised tour started with twelve shows in the United States ending with Iglesias playing at Houston Rodeo and continued on to several countries, most of which he'd never previously visited playing to sold-out arenas and stadiums in Australia, India, Egypt and Singapore before ending his tour in South Africa.

Did he work with any other stars?

IN: Rodgers and Hammerstein refers to composer Richard Rodgers (1902-1979) and lyricist-dramatist Oscar Hammerstein II (1895-1960), who together were an influential, innovative and successful American musical theatre writing team. They created a string of popular Broadway musicals in the 1940s and 1950s, initiating what is considered the "golden age" of musical theatre. Five of their Broadway shows, Oklahoma!, Carousel, South Pacific, The King and I and The Sound of Music, were outstanding successes, as was the television broadcast of Cinderella (1957). Of the other four that the team produced on Broadway during their lifetimes, Flower Drum Song was well-received, and none was an outright flop.

Independently of each other, Rodgers and Hammerstein had been attracted to making a musical based on Lynn Riggs' stage play Green Grow the Lilacs. When Jerome Kern declined Hammerstein's offer to work on such a project and Hart refused Rodgers' offer to do the same, Rodgers and Hammerstein began their first collaboration. The result, Oklahoma! (1943), marked a revolution in musical drama. Although not the first musical to tell a story of emotional depth and psychological complexity, Oklahoma! introduced a number of new storytelling elements and techniques. These included its use of song and dance to convey and advance both plot and character rather than act as a diversion from the story and the firm integration of every song into the plot-line. Oklahoma! was originally called Away We Go! and opened at the Shubert Theatre in New Haven in March 1943. Only a few changes were made before it opened on Broadway, but three would prove significant: the addition of a show-stopping number, "Oklahoma!"; the deletion of the musical number "Boys and Girls Like You and Me", which would soon after be replaced with a reprise of "People Will Say We're in Love"; and the decision to re-title the musical after the song. The original Broadway production opened on March 31, 1943, at the St. James Theatre. Although the typical musical of the time was usually written around the talents of a specific performer, such as Ethel Merman or Fred Astaire, no stars were used in the production. Ultimately the original cast included Alfred Drake (Curly), Joan Roberts (Laurey), Celeste Holm (Ado Annie), Howard Da Silva (Jud Fry), Betty Garde (Aunt Eller), Lee Dixon (Will Parker) and Joseph Bulloff (Ali Hakim). Marc Platt danced the role of "Dream Curly", and Katharine Sergava danced the part of "Dream Laurey". In Oklahoma!, the story and the songs were considered more important than sheer star power. Nevertheless, the production ran for a then-unprecedented 2,212 performances, finally closing on May 29, 1948. Many enduring musical standards come from this show, among them "Oh, What a Beautiful Mornin'", "The Surrey with the Fringe on Top", "I Cain't Say No", the aforementioned "People Will Say We're in Love", and "Oklahoma!". In 1955 it was made into an Academy Award-winning musical film, the first feature shot with the Todd-AO 70 mm widescreen process. The film starred Gordon MacRae and Shirley Jones, and its soundtrack was #1 on the 1956 album charts. After their initial success with Oklahoma!, the pair took a break from working together and Hammerstein concentrated on the musical Carmen Jones, a Broadway version of Bizet's Carmen with the characters changed to African Americans in the contemporary South, for which he wrote the book and lyrics. The musical was adapted to the screen in 1954, and scored a Best Actress Oscar nomination for leading lady Dorothy Dandridge.

What type of new storytelling elements were introduced?

OUT:
These included its use of song and dance to convey and advance both plot and character rather than act as a diversion from the story and