In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Review: When I first saw this film in the 1980's, I was in my middle teenage years and somewhat reluctant to see this since I considered myself grown up and out of the "Sesame Street/Muppets" age. I honestly don't remember if I liked it at the time or not. However, somewhere in college I watched this film again, and it wound up going (and staying) into my personal Best Films Ever collection.This film is LOADED with humor that goes far above and beyond what one would have expected from the Muppets. I mean, obviously the Muppets always have appealed to adults and children because there's humor geared towards both generations. But come on...Janice is accidentally overheard telling someone "I don't take my clothes off for anyone, even if it IS artistic"...there's a joke from a father to a son that if the son in love with Kermit the Frog then the father doesn't want to hear it...Gonzo saves a chicken with mouth-to-mouth resuscitation (sp?) and afterwards says "I think we're engaged now"...these and plenty of other moments in the film had me rolling. Add to that very smart dialogue, very smart New York/Broadway "wink wink" humor, the usual large amount of celebrity cameos and some really enjoyable songs that don't border on "kid-level cheesy" whatsoever...this film is a masterpiece! I don't throw "10"'s out on a regular basis...but this one deserves it. Over 20 years later, this film totally holds up, perhaps even more so. The Muppets never were and never will be again, as funny and smart and just plain brilliant as this film was and is. ---Q Question: is it a negative review?
no

Review: I get to the cinema every week or so, and regularly check out this site, but never before have I felt compelled to comment on a film.To my all time list of shockingly bad films - Last Man Standing, Spawn, The Bone Collector - I can now add the drivel that was 'Hollow Man'.From the awful opening titles - a ridiculously over-long run through of cast and crew put together with alphabetti spaghetti - through to the insulting finale - a world record number of cliches and some of the most absurd dialogue and acting to have ever made it to cinema - this film is dismal, and only the impressive computer graphics keep you from walking out long before the end.This isn't just my opinion - it was that of my friends, and everyone around us. When large sections of an audience are laughing and groaning during and after a serious thriller, its clear that the film is hopeless.Not only that, it was sick too. The director took the action beyond the bounds of realistic fare for a violent film, and into the realms of an over the top blood soaked B-movie. It's difficult not to imagine the director as some sort of dirty old man, because the extent of the invisible man's forays out of the lab and into the outside world extended only to two attempts at having a feel of some breasts. Perhaps sex could well be the first thing on a bloke's mind if made invisible, but aside from the aesthetic pleasures of the ladies involved, it hardly makes entertaining cinema.[spoilers follow]Get past the films sick exterior, and things are even worse. Whilst Kevin Bacon does a good job of acting increasingly twisted as 'hollow man', the rest of them - perhaps handicapped by a dire script - do an even better job of being hollow cast. One long time member of the team is found strangled in a locker by the invisible man, "He's finally snapped" shrugs one colleague without a hint of emotion. This is par for the course, and the lab team swing between sheer terror and complete indifference with such speed that you wonder how they got into acting. They pad their way through the lab corridors terrified, guns poised, but then seconds later one of the crew skips happily off back down the corridor to get blood for a hurt colleague. The lead female treats the invisible man with courtesy and good humour even after he's insulted and abused her, and there seems to be little reaction to his breakouts, even after he drowns the Pentagon chief, "He drowned in his pool last night" reports the same female, spectacularly failing to put two and two together.The script is littered with this kind of badly acted pedestrian dialogue, and the rest is just an A-Z of film cliches, which get laid on thicker and faster as the film progresses to the point of complete disbelief and amusement at the end.The 'eureka' moment at the computer, the female undressing at the window, the looped security video - the list really is endless - the predictable disregard for strength in numbers, the decision not to kill the two main stars but just put them in a place of probable impending death and leave them to their own devices, the almost-dead good guy appearing out of nothing to save the woman, the bomb and ubiquitous countdown timer, the fireball explosion which just burns up before reaching the heroes, the falling lift which just stops before hitting them, and more than anything else, the immortality of the bad guy.The invisible man is burnt to a shred with a makeshift flame-thrower, electrocuted, whacked round the head with a bar which had just sliced straight through one of the lesser actors, and then having apparently survived the explosion, fireball and total destruction of the labs, has more than enough life left to climb up through the fireball for one last pop at the films heroes - by which stage the disbelieving audience are cringing and looking at their watches.That this exceptionally bad film actually made it to the cinema is astounding. Even the name of the film is as hopeless as the movie itself, and not even impressive special effects come anywhere near saving this one, which should be avoided at all costs. Question: is it a positive review?
no

Review: After 'Aakrosh' , this was the second film for Govind Nihalani as a director.Till this movie was made there was no audience for documentaries in India.This movie proved a point that a documentary can fulfil the requirements of a commercial film without diluting its essence. It was one of the successful movies in the year in which it was released. This movie contested against the big banners of the bollywood like'COOLIE', 'BETAAB','HERO' in 1983.SmithaPatel, in this movie acted more like a conscience of the hero whenever he drifted away or lost his composure she was there to remind him. She was not like an usual heroine to do the usual stuff of running around the trees and shrubs.At one time,she even gave up her love when the hero's ruthlessness touched the roof top.There was another character in this movie, which was played by Om Puri contemporary, Naseeruddin Shah.He played as an inspector-turned-alcoholic character.The role conveyed the message of the end result of a honest cop who rubbed the wrong side of the system which also gave the viewers a chance to forecast the hero's ending.In his debut film,Sadashiv Amrapurkar captivated the audience with his cameo role which ultimately won him the best supporting actor by the filmfare.The cop in the movie was not a complete straight forward personality he was able to adjust to the system to an extent. The anger which left half handedly continued in Govind Nihalani's other film "Drohkaal". Even after two decades, this movie is remembered just because of the director and the entire crew. Each one played their part par excellence. Question: is it a positive review?
yes