Detailed Instructions: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : Robert Dahlqvist (16 April 1976 1 February 2017) was a Swedish guitarist and vocalist best known for his tenure with the rock band The Hellacopters. He was also the lead singer and guitarist in Thunder Express, a band originally started as a side project to his work with The Hellacopters. At the time of his death, aged 40, Dahlqvist had nearly completed his second solo album, the first under the name of Strangen. Context_2 : Later som miljarder (Swedish for "Sounds Like Billions") is the tenth album by the Swedish indie rock band bob hund. It was released on 15 February 2012. The first single, "Stanna klocka stanna" was released on 20 September 2011. Context_3 : Man of Steel is a studio album by American country music artist Hank Williams Jr. It was released by Warner Bros./Curb Records in September 1983, peaking at number 3 on the "Billboard" Top Country Albums chart. The title track of the album and the song "Queen of My Heart" were released as singles, peaking at number 3 and number 5 respectively on the "Billboard" Hot Country Singles & Tracks chart. "Man of Steel" was Williams' tenth album to reach the top five on the Top Country Albums chart and was his tenth album to be certified Gold by the RIAA. "Man of Steel" was nominated by the Academy of Country Music for the Album of the Year award in 1984. Context_4 : Mike Wead (real name Mickael Vikstrom) (born 6 April 1967), is a Swedish guitarist who lives in Stockholm. Wead contributed to heavy metal bands such as "Hexenhaus", Memento Mori, Abstrakt Algebra, The Haunted, Edge of Sanity, Candlemass, The Project Hate. Currently Wead is the guitarist of Mercyful Fate, King Diamond, and bibleblack. As a guitarist in King Diamond, Wead shares lead guitar duties with Andy LaRocque. Wead also works as a producer and sound engineer. Context_5 : Lento is the eighth studio album by South Korean jazz singer-songwriter Na Yoon-Sun, released on March 12, 2013 by ACT Music. It is the third album that Yoon-Sun and ACT Music worked on music together. After Yoon-Sun refused to contract with French record label Bleu, she had formed quintet with French accordionist Vincent Peirani, Swedish guitarist Ulf Wakenius, French percussionist Xavier Desandre-Navarre, and Swedish bassist and cellist Lars Danielsson. This quintet has been working together since 2009 when they created Yoon-Sun's sixth album "Voyage". Context_6 : Yesterday Rules is the tenth album by the Berkeley, California punk rock band The Mr. T Experience (whose name is abbreviated on this release as MTX), released in 2004 by Lookout! Records. It was the band's first album to include bassist Bobby J, taking the position left vacant by Gabe Meline. It was also their first album to include second guitarist Ted Angel, making it the band's first release as a quartet since 1992's "Milk Milk Lemonade". Context_7 : Yngwie Johan Malmsteen ( ; born Lars Johan Yngve Lannerback; 30 June 1963) is a Swedish guitarist and bandleader. Malmsteen first became known in the 1980s for his neoclassical metal playing style in heavy metal. In 2009, "Time" magazine rated Malmsteen as among the 10 greatest electric guitar players of all time. Context_8 : Per Nilsson is a Swedish guitarist and producer. He is best known as one of the founding members of the melodic death metal/progressive metal band Scar Symmetry and as the guitarist for the Swedish progressive rock group Kaipa. As of June 2017 he is also the interim lead guitarist for Meshuggah, replacing Fredrik Thordendal, who went on hiatus. Context_9 : Facing the Animal is the tenth studio album by guitarist Yngwie Malmsteen, released on 23 February 1997 through Pony Canyon (Japan) and Mercury Records (United States). The album reached No. 20 on the Finnish albums chart and No. 39 on the Swedish albums chart. Context_10 : "De Revolutie" is the last single to be released from Flemish/Dutch girl group K3 with original member "Kathleen Aersts". It was written by Miquel Wiels, A. Putte, P. Gillis, and produced by Studio 100. The song premiered in 2008 in their 10th year anniversary show. The song was supposed to be the leading single of their tenth album, but the album did not make it because Kathleen wanted to quit K3. However, a year later, when Josje Huisman was chosen to replace Kathleen, the song was rerecorded and put on the tenth album "MaMaSe!". fact_1 : Facing the Animal is the tenth studio album by guitarist Yngwie Malmsteen, released on 23 February 1997 through Pony Canyon (Japan) and Mercury Records (United States). fact_2 : Yngwie Johan Malmsteen ( ; born Lars Johan Yngve Lannerback; 30 June 1963) is a Swedish guitarist and bandleader. Question: What is the birthdate of this Swedish guitarist and bandleader, whose tenth album was Facing the Animal?
Solution:
30 June 1963