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In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

New input: Context_1 : The monarchs of Prussia were members of the House of Hohenzollern who were the hereditary rulers of the former German state of Prussia from its founding in 1525 as the Duchy of Prussia. The Duchy had evolved out of the Teutonic Order, a Roman Catholic crusader state and theocracy located along the eastern coast of the Baltic Sea. The Teutonic Knights were under the leadership of a Grand Master, the last of whom, Albert, converted to Protestantism and secularized the lands, which then became the Duchy of Prussia. The Duchy was initially a vassal of the Kingdom of Poland, as a result of the terms of the Prussian Homage whereby Albert was granted the Duchy as part of the terms of peace following the Prussian War. When the main line of Prussian Hohenzollerns died out in 1618, the Duchy passed to a different branch of the family, who also reigned as Electors of Brandenburg in the Holy Roman Empire. While still nominally two different territories, Prussia under the suzerainty of Poland and Brandenburg under the suzerainty of the Holy Roman Empire, the two states are known together historiographically as Brandenburg-Prussia. Following the Second Northern War, a series of treaties freed the Duchy of Prussia from any vassalage to any other state, making it a fully sovereign Duchy in its own right. This complex situation (where the Hohenzollern ruler of the independent Duchy of Prussia was also a subject of the Holy Roman Emperor as Elector of Brandenburg) laid the eventual groundwork for the establishment of the Kingdom of Prussia in 1701. For diplomatic reasons, the rulers of the state were known as the King in Prussia from 1701 to 1772; largely because they still owed fealty to the Emperor as Electors of Brandenburg, the "King in Prussia" title (as opposed to "King of Prussia") avoided offending the Emperor. As the Prussian state grew through several wars and diplomatic moves throughout the 18th century, it became apparent that Prussia had become a Great Power that did not need to submit meekly to the Holy Roman Empire. By 1772, the pretense was dropped, and the style "King of Prussia" was adopted. Thus it remained until 1871, when in the aftermath of the Franco-Prussian War, the King of Prussia Wilhelm I was crowned German Emperor. From that point forward, though the Kingdom of Prussia retained its status as a constituent state of the German Empire, all remaining Kings of Prussia also served as German Emperor, and that title took precedence. Context_2 : Wipo of Burgundy (also Wippo; c. 995 c. 1048) was a priest and writer. He was a chaplain to the Holy Roman Emperor Conrad II, whose biography he wrote in chronicle form, "Gesta Chuonradi II imperatoris". Present at the election of Conrad II, he most likely followed the emperor on his campaigns into Burgundy (1033) and against the Slavs (1035), both of which he wrote with extensive clarity. Context_3 : Karl Anselm, 4th Prince of Thurn and Taxis, full German name: "Karl Anselm Furst von Thurn und Taxis" (2 June 1733, Frankfurt am Main, Free Imperial City of Frankfurt, Holy Roman Empire 13 November 1805, Winzer bei Regensburg, Electorate of Bavaria, Holy Roman Empire) was the fourth Prince of Thurn and Taxis, Postmaster General of the Imperial Reichspost, and Head of the Princely House of Thurn and Taxis from 17 March 1773 until his death on 13 November 1805. Karl Anselm served as "Prinzipalkommissar" at the Perpetual Imperial Diet in Regensburg for Joseph II, Holy Roman Emperor and Francis II, Holy Roman Emperor from 1773 to 1797. Context_4 : Gerasim Zelic (Serbian: ; 17521828) was a renowned Serbian Orthodox Church archimandrite, traveller and writer (a contemporary and compatriot of Dositej Obradovic). His chief work is "Zitije" (Lives), in three volumes. They are memoirs of his travels throughout western Europe, Russia and Asia Minor from the latter half of the 18th century to the first decade of the 19th century and the famous personalities (Napoleon, Prince Eugene, Viceroy of Naples, Joseph II, Holy Roman Emperor, Leopold II, Holy Roman Emperor, Francis II, Holy Roman Emperor, Semyon Zorich, Catherine the Great, Alexander I of Russia, Stanisaw August Poniatowski, Dositej Obradovic) he met. He had valuable original notes on people, religions, manners, customs, trade, etc. Context_5 : The Treaty of Merseburg of 1033 was an agreement between the Salian Holy Roman Emperor Conrad II and the Piast king of Poland Mieszko II, settling the question of Polish succession which had been contested between Mieszko and his half-brothers Bezprym, Otto, and Dietric, since the death of Bolesaw I Chrobry. Poland was divided into three parts with Mieszko designated as the supreme ruler. In exchange for the Emperor's support however, Mieszko was forced to renounce the title of king, which had been acquired in 1025 by his father and give up control over Lusatia and Upper Lusatia. Soon after the treaty was concluded however, Otto died of natural causes and Mieszko prevented Dietric from assuming power in his portion of the divided Poland. Mieszko also subsequently continued to use the title of king until his death shortly after the treaty in 1034. Context_6 : Holy Roman Empress or Empress of the Holy Roman Empire is the title given to the consort (wife) or regent of the Holy Roman Emperor. The elective dignity of Holy Roman Emperor was restricted to males only, therefore there was never a Holy Roman Empress regnant, though women such as Theophanu or Maria Theresa of Austria, who controlled the power of rule, served as de facto Empresses regnant. Context_7 : The Concordat of Worms (Latin: "Concordatum Wormatiense" ), sometimes called the Pactum Calixtinum by papal historians, was an agreement between Pope CalixtusII and Holy Roman Emperor HenryV on September23, 1122, near the city of Worms. It brought to an end the first phase of the power struggle between the Papacy and the Holy Roman Emperors and has been interpreted as containing within itself the germ of nation-based sovereignty that would one day be confirmed in the Treaty of Westphalia (1648). In part this was an unforeseen result of strategic maneuvering between the Church and the European sovereigns over political control within their domains. The King was recognised as having the right to invest bishops with secular authority ("by the lance") in the territories they governed, but not with sacred authority ("by ring and staff"). The result was that bishops owed allegiance in worldly matters both to the pope and to the king, for they were obliged to affirm the right of the sovereign to call upon them for military support, under his oath of fealty. Previous Holy Roman Emperors had thought it their right, granted by God, to name Church officials within their territories (such as bishops) and to confirm the Papal election (and, at times of extraordinary urgency, actually name popes). In fact, the Emperors had been heavily relying on bishops for their secular administration, as they were not hereditary or quasi-hereditary nobility with family interests. A more immediate result of the Investiture struggle identified a proprietary right that adhered to sovereign territory, recognising the right of kings to income from the territory of a vacant diocese and a basis for justifiable taxation. These rights lay outside feudalism, which defined authority in a hierarchy of personal relations, with only a loose relation to territory. The pope emerged as a figure above and out of the direct control of the Holy Roman Emperor. Context_8 : Conrad II (12 February 1074 27 July 1101) was the Duke of Lower Lorraine (107687), King of Germany (108798) and King of Italy (109398). He was the second son of Holy Roman Emperor HenryIV and Bertha of Savoy, and their eldest son to reach adulthood, his older brother Henry having been born and died in the same month of August 1071. Conrad's rule in Lorraine and Germany was nominal. He spent most of his life in Italy and there he was king in fact as well as in name. Context_9 : Bruno of Wurzburg (c. 1005 27 May 1045), also known as Bruno of Carinthia, was imperial chancellor of Italy from 1027 to 1034 for Conrad II, Holy Roman Emperor, to whom he was related, and from 1034 until his death prince-bishop of Wurzburg. Context_10 : Conrad II (c.990 4 June 1039), also known as Conrad the Elder and Conrad the Salic , was Emperor of the Holy Roman Empire from 1027 until his death in 1039. The founder of the Salian dynasty of emperors, Conrad also served as King of Germany from 1024, King of Italy from 1026, and King of Burgundy from 1033. fact_1 : Bruno of Wurzburg (c. 1005 27 May 1045), also known as Bruno of Carinthia, was imperial chancellor of Italy from 1027 to 1034 for Conrad II, Holy Roman Emperor, to whom he was related, and from 1034 until his death prince-bishop of Wurzburg. fact_2 : Conrad II (c.990 4 June 1039), also known as Conrad the Elder and Conrad the Salic , was Emperor of the Holy Roman Empire from 1027 until his death in 1039. Answer: Italy
Solution:
In which country did both Bruno of Wurzburg and Conrad II, Holy Roman Emperor serve in?