input: "The Brain Machine" will at least put your own brain into overdrive trying to figure out what it's all about. Four subjects of varying backgrounds and intelligence level have been selected for an experiment described by one of the researchers as a scientific study of man and environment. Since the only common denominator among them is the fact that they each have no known family should have been a tip off - none of them will be missed.

The whole affair is supervised by a mysterious creep known only as The General, but it seems he's taking his direction from a Senator who wishes to remain anonymous. Good call there on the Senator's part. There's also a shadowy guard that the camera constantly zooms in on, who later claims he doesn't take his direction from the General or 'The Project'. Too bad he wasn't more effective, he was overpowered rather easily before the whole thing went kablooey.

If nothing else, the film is a veritable treasure trove of 1970's technology featuring repeated shots of dial phones, room size computers and a teletype machine that won't quit. Perhaps that was the basis of the film's alternate title - "Time Warp"; nothing else would make any sense. As for myself, I'd like to consider a title suggested by the murdered Dr. Krisner's experiment titled 'Group Stress Project'. It applies to the film's actors and viewers alike.

Keep an eye out just above The General's head at poolside when he asks an agent for his weapon, a boom mic is visible above his head for a number of seconds.

You may want to catch this flick if you're a die hard Gerald McRaney fan, could he have ever been that young? James Best also appears in a somewhat uncharacteristic role as a cryptic reverend, but don't call him Father. For something a little more up his alley, try to get your hands on 1959's "The Killer Shrews". That one at least doesn't pretend to take itself so seriously.

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input: ...and Ethel Merman buffs, too, will love her loud, bossy vocals as the wicked witch Mombi, but this cartoon sequel to "The Wizard Of Oz" is bereft of real imagination, substituting fantasy and excitement with noisy action (and cheaply repeating its footage like a bad music video). Little Dorothy is whisked back to Oz, which has gone to ruin, and meets old and new friends. The inelegant animation is stuck somewhere between the weakest Walt Disney and the less-inspired shows from Hanna-Barbera, however many of the songs are good, particularly Dorothy's sweet lament "It's a Far Away Land", superbly performed by Liza Minnelli. You can count on Minnelli for energy, which is why the movie perks up whenever Dorothy is around. Much of it is unmemorable, and I'm not even sure baby-boomers will get a charge from it since it has been out of circulation for so long. As a curiosity item, just fair. ** from ****

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input: This film is excellently paced, you never have to wait for a belly laugh to come up for more than about a minute and there's much more going on than the initial premise of the film. Throughout it there are mockeries of the traditional schmaltzy local-boys-done-good-overcoming-adversity genre of which this parodies. Don't let anyone tell you that they're trying to get cheap laughs just by using obscenities;- sure, there's plenty of that but it's all contextual, not gratuitous. I loved this film and it only cost me 2.99 on DVD , so in terms of entertainment value for money, it has been the best film I've seen this year.

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pos/neg ans: positive

input: Martin Sheen, Michelle Phillips, Stuart Margolin and the late Vic Morrow are the human stars of this movie about a young man looking for answers about his brother's death. Mr. Sheen, Mr. Margolin and Mr. Morrow all turn in first rate performances in their respective roles; Ms. Phillips has the slightly less than enviable task of trying to spice up a made-for-TV movie (twenty-five years ago), by supplying the "sex interest" in an otherwise sexless film. The real star, however, is the "California Kid"; a 1934 Ford coupe, borrowed from "Jake" Jacobs, put before a camera and given a workout that'll leave the viewer panting, gasping and holding the edge of the seat with breathless anticipation.

The action scenes are spectacular, (although some of the dialog is a bit lame) making for a fine evening's diversion. This is how all "car movies" should be made.

Try to catch this one on the late movie channel; it's well worth the missed sleep.

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positive