Question: Frank Lloyd Wright (born Frank Lincoln Wright, June 8, 1867 - April 9, 1959) was an American architect, interior designer, writer and educator, who designed more than 1,000 structures, 532 of which were completed. Wright believed in designing structures that were in harmony with humanity and its environment, a philosophy he called organic architecture. This philosophy was best exemplified by Fallingwater (1935), which has been called "the best all-time work of American architecture". His creative period spanned more than 70 years.

By 1901, Wright had completed about 50 projects, including many houses in Oak Park. As his son John Lloyd Wright wrote: "William Eugene Drummond, Francis Barry Byrne, Walter Burley Griffin, Albert Chase McArthur, Marion Mahony, Isabel Roberts and George Willis were the draftsmen. Five men, two women. They wore flowing ties, and smocks suitable to the realm. The men wore their hair like Papa, all except Albert, he didn't have enough hair. They worshiped Papa! Papa liked them! I know that each one of them was then making valuable contributions to the pioneering of the modern American architecture for which my father gets the full glory, headaches and recognition today!" Between 1900 and 1901, Frank Lloyd Wright completed four houses which have since been identified as the onset of the "Prairie style". Two, the Hickox and Bradley Houses, were the last transitional step between Wright's early designs and the Prairie creations. Meanwhile, the Thomas House and Willits House received recognition as the first mature examples of the new style. At the same time, Wright gave his new ideas for the American house widespread awareness through two publications in the Ladies' Home Journal. The articles were in response to an invitation from the president of Curtis Publishing Company, Edward Bok, as part of a project to improve modern house design. "A Home in a Prairie Town" and "A Small House with Lots of Room in it" appeared respectively in the February and July 1901 issues of the journal. Although neither of the affordable house plans was ever constructed, Wright received increased requests for similar designs in following years. Wright came to Buffalo and designed homes for three of the company's executives including the Darwin D. Martin House in 1904. Other Wright houses considered to be masterpieces of the Prairie Style are the Frederick Robie House in Chicago and the Avery and Queene Coonley House in Riverside, Illinois. The Robie House, with its soaring, cantilevered roof lines, supported by a 110-foot-long (34 m) channel of steel, is the most dramatic. Its living and dining areas form virtually one uninterrupted space. With this and other buildings, included in the publication of the Wasmuth Portfolio (1910), Wright's work became known to European architects and had a profound influence on them after World War I. It is sometimes called the "cornerstone of modernism". Wright's residential designs of this era were known as "prairie houses" because the designs complemented the land around Chicago. Prairie style houses often have a combination of these features: One or two-stories with one-story projections, an open floor plan, low-pitched roofs with broad overhanging eaves, strong horizontal lines, ribbons of windows (often casements), a prominent central chimney, built-in stylized cabinetry, and a wide use of natural materials--especially stone and wood.

Using a quote from the above article, answer the following question: What was special about this style?
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Answer: Two, the Hickox and Bradley Houses, were the last transitional step between Wright's early designs and the Prairie creations.

Problem: Abbey Road is the eleventh album by English rock band the Beatles, released on 26 September 1969 by Apple Records. The recording sessions for the album were the last in which all four Beatles participated. Although Let It Be was the final album that the Beatles completed before the band's dissolution in April 1970, most of the album had been recorded before the Abbey Road sessions began. A double A-side single from the album, "Something"/"Come

The front cover design, a photograph of the group on a zebra crossing, was based on ideas sketched by McCartney, and taken on 8 August 1969 outside EMI Studios in Abbey Road. At 11:35 that morning, photographer Iain Macmillan was given only ten minutes to take the photo whilst he stood on a step-ladder and a policeman held up traffic behind the camera. Macmillan took six photographs, which McCartney later examined with a magnifying glass before deciding which of the shots would be used upon the album sleeve. In the image selected by McCartney, the group walk across the street in single file from left to right, with Lennon leading, followed by Starr, McCartney, and Harrison. McCartney is barefoot and out of step with the other members. Apart from Harrison, the group are wearing suits designed by Tommy Nutter. To the left of the picture, parked next to the zebra crossing, is a white Volkswagen Beetle which belonged to one of the people living in the block of flats across from the recording studio. After the album was released, the number plate (LMW 281F) was stolen repeatedly from the car. In 1986, the car was sold at auction for PS2,530 and in 2001 was on display in a museum in Germany. The man standing on the pavement to the right of the picture is Paul Cole (7 July 1911 - 13 February 2008), an American tourist unaware he had been photographed until he saw the album cover months later. On the original cover, McCartney holds a cigarette; in 2003 several US poster companies airbrushed this cigarette out of the image, without permission from either Apple or McCartney. Shortly after the album's release the cover became part of the "Paul is dead" rumour that was spreading across college campuses in the United States. According to followers of the rumour, the cover depicted the Beatles walking out of a cemetery in a funeral procession. The procession was led by Lennon, dressed in white, as a religious figure, Starr, dressed in black, as the undertaker, McCartney, out of step with the others, as a barefoot corpse and Harrison, dressed in denim, as the gravedigger. The left-handed McCartney is holding a cigarette in his right hand, said to indicate an imposter and the license plate on the Volkswagen parked on the street is 28IF, meaning McCartney would have been 28 if he had lived.

what happened when they did that

Answer with quotes:
Shortly after the album's release the cover became part of the "Paul is dead" rumour that was spreading across college campuses