In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.

[Q]: Question: When was the business that Fuller worked for after graduating college founded? Passage:Sir Nicholas Fuller (1543 23 February 1620) was an English barrister and Member of Parliament. After studying at Christ's College, Cambridge, Fuller became a barrister of Gray's Inn. His legal career there began prosperouslyhe was employed by the Privy Council to examine witnessesbut was hampered later by his representation of the Puritans, a religious tendency which did not conform with the established Church of England. Fuller was repeatedly in contention with the ecclesiastical courts, including the Star Chamber and Court of High Commission, and was once expelled for the zeal with which he defended his client. In 1593 he was returned as the Member of Parliament for St Mawes, where he campaigned against the extension of recusancy laws. Outside of Parliament, he successfully brought a patents case which not only undermined the right of the Crown to issue patents but accurately predicted the attitude taken by the Statute of Monopolies two decades later.

[A]: After studying at Christ's College, Cambridge, Fuller became a barrister of Gray's Inn

[Q]: Question: What's an instrument strongly associated with the traditional music found in the album's sixth track? Passage:It opens with two club-driven tracks: an interlude titled "Bridge to the Sky", and the promotional titular song. "Disco-munication" is the second interlude on the album, blending "sophisticated" electric guitars with electronic music. "Energize" is another electronic track, and is one of the only numbers on the album that include English phases ("Put your hands up together, keep your heads up forever, let me sing forever,"). The fifth track "Sparkle" was noted as a club song with an electronic arrangement, similar to the follow-up song "Rollin'". Both tracks feature autotune and vocoder pro-tools, a first for Hamasaki. The album's sixth track, "Green", shows a departure from the album's earlier electronic style; it focuses more on older traditional Japanese sound, alongside instrumentation of electric guitars and drums. The album's third interlude, "Load of the Shugyo", was described as an "atmospheric" number with heavy rock instruments in its composition. Rock music is then influenced on the following tracks "Identity"a song that discusses about self-confidencethe single "Rule", and the tune "Love 'n' Hate", which talks about the effects of lust. The album's fourth and final interlude "Pieces of Seven" was noted for its "atmospheric" sounds of an ocean, until the second half of the track diverges into a harder rock style. "Days" is the album's first pop ballad, and is described as a love song. It closes with the ballad "Curtain Call", which features a choir and piano riffs throughout its composition.

[A]: The album's sixth track, "Green", shows a departure from the album's earlier electronic style; it focuses more on older traditional Japanese sound, alongside instrumentation of electric guitars and drums

[Q]: Question: What is the population of the city where Filip worked after working with Odo? Passage:He was the son of a merchant, Adolf Abraham Eisenberg, and Ester nee Spiro. After finishing Sobieski Gymnasium in Krakow he studied medicine at the Jagiellonian University, where he obtained his PhD in medical studies in 1899. He then conducted postgraduate work in Vienna with Richard Paltauf and between 1901 and 1902 served as a research assistant to Odo Bujwid. Subsequently he worked in Paris, at the Pasteur Institute and then in Wrocaw (Breslau) under the direction of Richard Pfeiffer. Between 1919 and 1920 he was the head of a Military Hospital in Warsaw. In 1933 he became the director of the National Bacteriology Station in Krakow, a position he held until 1939. Until 1941 he was the head of the Institute of Medical Microbiology in Lwow (L'viv).

[A]:
Subsequently he worked in Paris, at the Pasteur Institute and then in Wrocaw (Breslau) under the direction of Richard Pfeiffer