In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : Lisa Angelle (New Orleans, Louisiana) is an American country music singer-songwriter. During the 1980s and 1990s, Angelle wrote songs for several country artists including Wynonna Judd, who reached number one on the "Billboard" Hot Country Singles & Tracks chart in 1991 with "I Saw the Light", co-written by pop singer Andrew Gold. As a recording artist, Angelle released two singles with EMI America Records in 1985, but did not release an album until 2000 via DreamWorks Nashville. She also recorded the theme song for the CBS TV series "Beauty and the Beast", which aired 1987 to 1990. Context_2 : Viktor Chaika (Russian: ); real name Viktor Grigorievich Sigal (Russian: ); (born December 11, 1958, Odessa, USSR) is a Soviet and Russian pop composer, songwriter, singer and musician. Known for dozens of songs for Aleksey Glyzin (""Winter Garden"", ""You're not an angel""), Tatyana Ovsiyenko (""Captain", "Beautiful Girl""), Irina Allegrova (""Transit passenger", "Drafts", "Imagined"") and many other pop stars. Some time singing solo (""Mona Lisa", "Where are you going anywhere""). He worked as a music producer on the show Boris Moiseev, and the manager of tours of foreign performers. ""Pesnya Goda"" Multiple nominee and winner of the festival. He wrote the music for several films. Context_3 : Viktor Mikhailovich Reznikov (Russian: ; 9 May 1952 in Leningrad 25 February 1992 in Saint-Petersburg) was a Soviet composer, lyricist and singer. He is mostly known for his songs written for many famous Soviet artists like Alla Pugacheva, Mikhail Boyarsky, Larisa Dolina, Anne Veski, Valery Leontiev, Sofia Rotaru, ensemble Pesniary, Irina Ponarovskaya, Dmitry Malikov, Roza Rymbayeva, Jaak Joala, Irina Otieva, american group The Cover Girls, soviet-american group "SUS" etc. Context_4 : Alan Earle O'Day (October 3, 1940 May 17, 2013) was an American singer-songwriter, best known for writing and singing "Undercover Angel," a million-selling Gold-certified American #1 hit in 1977. He also wrote songs for several other notable performers, such as 1974's Helen Reddy #1 hit "Angie Baby" and the Righteous Brothers' #3 Gold hit "Rock and Roll Heaven". In the 1980s he moved from pop music to television, co-writing over 100 songs for the Saturday morning "Muppet Babies" series, and in the 1990s he wrote and performed music on the National Geographic series "Really Wild Animals". Context_5 : Larisa Aleksandrovna Dolina (Russian: ] , nee Kudelman, first married surname Mionchinskaya) (born 10 September 1955 in Baku, Azerbaijan SSR, USSR) is an Azerbaijani-born prominent Russian (former Soviet) jazz and pop singer and an actress. She was awarded the Order of Honour in 2005. Context_6 : Sugluk (variously styled Sugluc, SUGLUC, or the Sugluk Group) were a Canadian rock band, based in northern Quebec. Led by singer George Kakayuk and guitarist Tayara Papigatuk, the group toured extensively through the 1970s and 1980s, and recorded two singles with the Canadian Broadcasting Corporation's Northern Service in 1975. The band wrote songs in both English and Inuktitut. The group was formed in Salluit, Quebec (formerly known as Sugluk) in the early 1970s, and reunited in 2013. Salluit-born pop singer Elisapie Isaac performed with the band in her youth. Context_7 : Mi Amigo El Principe ("My Friend The Prince") is the fourteenth studio album by Mexican pop singer Cristian Castro by Universal Music Latino. The album is follow-up to "Viva el principe" in which he pays a tribute to Jose Jose whom Castro considers his musical idol. The album consists of ten tracks. As with the previous album, Rafael Perez-Botija, who wrote songs and produced albums for Jose Jose in the past, produced the album. Context_8 : The Sound of White is the debut studio album by Australian pop singer-songwriter Missy Higgins, released 6 September 2004 by . It won the 2005 ARIA Music Award for Best Female Artist. Higgins had secured recording contracts with Eleven and Warner Bros. while still in high school, after winning a competition for unsigned artists run by radio station Triple J. Her winning song, "All For Believing", is included on this album. After a backpacking trip in 2002, Higgins toured and wrote songs during 2003. She wrote most tracks alone and collaborated on three songs, with Kevin Griffin, Jay Clifford and Clif Magness respectively. "The Sound of White" was recorded in 2004 with producer John Porter. Context_9 : Larry Santos (born 2 June 1941 in Oneonta, New York) is an American pop music singer-songwriter. Santos wrote songs for several American pop bands in the 1960s, including the 1963 hit "Candy Girl" for The Four Seasons which reached number 3 on "Billboard" Hot 100 chart. In the mid-Sixties, he recorded singles as part of a group called The Madisons, and then under his own name. He released three albums in the 1970s and scored one pop hit single, produced by Don Davis, "We Can't Hide it Anymore", which peaked on 10 April 1976 at number 36 on the Billboard Hot 100. Context_10 : Carola Christina Standertskjold-Liemola (23 March 1941 12 November 1997), professionally known as Carola, was a Finnish jazz and pop singer. Her style was partially inspired by American singers of the 1950s. Simultaneously, it was in the spirit of the modal jazz scene going down in Europe in the 1960s. Mostly, Carola's jazz repertoire consisted in idiosyncratic versions of American songs in English, while her most famous jazz track "The Flame" was an original composition by Esa Pethman and the lyrics by the singer herself. As the vocalist for Esa Pethman's quartet and 's sextet in the early 1960s, Carola made fame in Finland and Sweden, and toured Poland, Czechoslovakia, and Switzerland. Her most significant recording is a session with the Heikki Sarmanto Trio from 1966, which the Finnish Music Information Centre considers among the original blueprints of Finnish jazz. Carola's recordings have been credited for the accosting tone of her contralto voice and her phrasing. The singer also co-produced the groovy approach of her supporting orchestras. In late 1960s and early 1970s, she performed in nine languages and a wide variety of styles, including chanson, schlager, Latin, rock'n'roll, and soul. After her death of Alzheimer's disease in 1997, Carola's music was revived in 2004 with two "Best of" albums and "Carola & Heikki Sarmanto Trio" reaching the Finnish charts. fact_1 : He is mostly known for his songs written for many famous Soviet artists like Alla Pugacheva, Mikhail Boyarsky, Larisa Dolina, Anne Veski, Valery Leontiev, Sofia Rotaru, ensemble Pesniary, Irina Ponarovskaya, Dmitry Malikov, Roza Rymbayeva, Jaak Joala, Irina Otieva, american group The Cover Girls, soviet-american group "SUS" etc. fact_2 : Larisa Aleksandrovna Dolina (Russian: ] , nee Kudelman, first married surname Mionchinskaya) (born 10 September 1955 in Baku, Azerbaijan SSR, USSR) is an Azerbaijani-born prominent Russian (former Soviet) jazz and pop singer and an actress. Answer: Larisa Aleksandrovna Dolina
Solution: Viktor Reznikov wrote songs for which jazz and pop singer and actress?