input question: Select the correct sentiment of the following review: I'm allowed to write 1000 words about this film, but one word could suffice: bizarre. Hubby and I didn't laugh so much as gawk at this truly dreadful movie. We kept looking at each other with our best "What the...?" expressions. There is no way to adequately describe this movie. Killer tomatoes were funny, but this is just sick. What kind of mind produces images like these and then puts them on film for others to see? What kind of mind includes innocent children in this weird, weird movie and then packages it as if it is appropriate for children? Parents, whatever you do, if your child still believes in Santa, don't let him/her see this movie. Preteens can watch it -- probably with "What the...?" expressions on their faces. If you decide to inflict this movie on others, you might want to spike their eggnog.

Quite possibly the worst film ever made.
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output answer: negative

input question: Select the correct sentiment of the following review: This was the worst movie I saw at WorldFest and it also received the least amount of applause afterwards! I can only think it is receiving such recognition based on the amount of known actors in the film. It's great to see J.Beals but she's only in the movie for a few minutes. M.Parker is a much better actress than the part allowed for. The rest of the acting is hard to judge because the movie is so ridiculous and predictable. The main character is totally unsympathetic and therefore a bore to watch. There is no real emotional depth to the story. A movie revolving about an actor who can't get work doesn't feel very original to me. Nor does the development of the cop. It feels like one of many straight-to-video movies I saw back in the 90s ... And not even a good one in those standards.

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output answer: negative

input question: Select the correct sentiment of the following review: Perhaps more than many films, this one is not for everyone. For some folks the idea of slowing down, reflecting and allowing things to happen in their own time is a good description of their personal hell. For others an approach like this speaks to some deep part of themselves they know exists, some part they long for contact with.

I suppose it's a function of where I am in my own life these days, but I count myself in the camp of the latter group. I found the meditative pace of this film almost hypnotic, gently guiding me into some realm almost mythological. This is indeed a journey story, a rich portrayal of the distance many of us must travel if we are to come full circle at the end of our days.

Much as been written of Mr Farnsworth's presentation of Alvin Straight, though I'm not sure there are words to express the exquisite balance of bemused sadness and wise innocence he conjured for us. Knowing now that he was indeed coming to terms with his own mortality as he sat on that tractor seat makes me wish I had had the opportunity to spend time with him before his departure. I hope he had a small glimmer of the satisfaction and truth he had brought to so many people, not just for "acting" but for sharing his absolute humanity with such brutal honesty.

Given the realities of production economics, I'm not sure full credit has been given Mr Lynch for the courage he showed in allowing the story to develop so slowly. An outsider to film production, I nonetheless understand there are few areas of modern life where the expression "time is money" is so accurately descriptive. Going deep into our hearts is not an adventure that can be rushed, and to his credit Mr Lynch seems to have understood that he was not simply telling a story--he was inviting his viewers to spend some time with their own mortality. No simple task, that.

If you'd like to experience the power of film to take introduce you to some precious part of yourself, you could do worse than spending a couple of hours with The Straight Story. And then giving yourself some time for the next little while simply listening to its echoes in the small hours of the night.
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output answer:
positive