Problem: In the mid-fifteenth century, the religion of Sikhism was born. During the Mughal empire, many Hindus increasingly adopted Sikhism. These became a formidable military force against the Mughals and later against the Afghan Empire. After fighting Ahmad Shah Durrani in the later eighteenth century, the Sikhs took control of Punjab and managed to establish the Sikh Empire under Maharaja Ranjit Singh, which lasted from 1799 to 1849. The capital of Ranjit Singh's empire was Lahore, and the empire also extended into Afghanistan and Kashmir. Bhangi Misl was the fist Sikh band to conquer Lahore and other towns of Punjab. Syed Ahmad Barelvi a Muslim, waged jihad and attempted to create an Islamic state with strict enforcement of Islamic law. Syed Ahmad Barelvi in 1821 with many supporters and spent two years organising popular and material support for his Punjab campaign. He carefully developed a network of people through the length and breadth of India to collect funds and encourage volunteers, travelling widely throughout India attracting a following among pious Muslims. In December 1826 Sayyid Ahmad and his followers clashed with Sikh troops at Akora Khattak, but with no decisive result. In a major battle near the town of Balakot in 1831, Sayyid Ahmad and Shah Ismail Shaheed with volunteer Muslims were defeated by the professional Sikh Army.
When did Ahmad fight at Akora Khattak?
The answer is the following: December 1826

Problem: A later literary standard, dating from the later 10th century, arose under the influence of Bishop thelwold of Winchester, and was followed by such writers as the prolific lfric of Eynsham ("the Grammarian"). This form of the language is known as the "Winchester standard", or more commonly as Late West Saxon. It is considered to represent the "classical" form of Old English. It retained its position of prestige until the time of the Norman Conquest, after which English ceased for a time to be of importance as a literary language.
What is another term for the Winchester standard?
The answer is the following: Late West Saxon

Problem: In January 1938, Milt Gabler started recording for his new label, Commodore Records, and to allow for longer continuous performances, he recorded some 12-inch records. Eddie Condon explained: "Gabler realized that a jam session needs room for development." The first two 12-inch recordings did not take advantage of the extra length: "Carnegie Drag" was 3:15; "Carnegie Jump", 2:41. But at the second session, on April 30, the two 12-inch recordings were longer: "Embraceable You" was 4:05; "Serenade to a Shylock", 4:32. Another way around the time limitation was to issue a selection on both sides of a single record. Vaudeville stars Gallagher and Shean recorded "Mr. Gallagher and Mr. Shean", written by Irving and Jack Kaufman, as two sides of a 10-inch 78 in 1922 for Cameo. An obvious workaround for longer recordings was to release a set of records. An early multi-record release was in 1903, when HMV in England made the first complete recording of an opera, Verdi's Ernani, on 40 single-sided discs. In 1940, Commodore released Eddie Condon and his Band's recording of "A Good Man Is Hard to Find" in four parts, issued on both sides of two 12-inch 78s. This limitation on the duration of recordings persisted from 1910 until the invention of the LP record, in 1948. In popular music, this time limitation of about 3:30 on a 10-inch 78 rpm record meant that singers usually did not release long pieces on record. One exception is Frank Sinatra's recording of Rodgers and Hammerstein's "Soliloquy", from Carousel, made on May 28, 1946. Because it ran 7:57, longer than both sides of a standard 78 rpm 10-inch record, it was released on Columbia's Masterwork label (the classical division) as two sides of a 12-inch record. The same was true of John Raitt's performance of the song on the original cast album of Carousel, which had been issued on a 78-rpm album set by American Decca in 1945.
What was a way musicians got sounds such short recording times?
The answer is the following: release a set of records

Problem: In 1968, Reprise planned to release a series of 78 rpm singles from their artists on their label at the time, called the Reprise Speed Series. Only one disc actually saw release, Randy Newman's I Think It's Going to Rain Today, a track from his self-titled debut album (with The Beehive State on the flipside). Reprise did not proceed further with the series due to a lack of sales for the single, and a lack of general interest in the concept. Guitarist & vocalist Leon Redbone released a promotional 78 rpm record in 1978 featuring two songs (Alabama Jubilee and Please Don't Talk About Me When I'm Gone) from his Champagne Charlie album. In 1980 Stiff Records in the United Kingdom issued a 78 by Joe "King" Carrasco containing the songs Buena (Spanish for "good," with the alternate spelling "Bueno" on the label) and Tuff Enuff. Underground comic cartoonist and 78 rpm record collector Robert Crumb released three discs with his Cheap Suit Serenaders in the 1980s.
What two songs were featured on the 1978 release by Leon Redbone in 78 rpm format?
The answer is the following:
Alabama Jubilee and Please Don't Talk About Me When I'm Gone