Problem: Background: Good Night, and Good Luck is a 2005 American historical drama film directed by George Clooney and starring David Strathairn, George Clooney, Robert Downey, Jr., Patricia Clarkson and Jeff Daniels. The movie was written by Clooney and Grant Heslov (both of whom also have acting roles in the film) and portrays the conflict between veteran radio and television journalist Edward R. Murrow and U.S. Senator Joseph McCarthy of Wisconsin, especially relating to the anti-Communist Senator's actions with the Senate Permanent Subcommittee on Investigations. Although released in black and white, Good Night, and Good Luck was filmed on color film stock but on a greyscale set, and was color corrected to black and white during post-production. It focuses on the theme of media responsibility, and also addresses what occurs when the media offer a voice of dissent from government policy.
Context: In September 2005, Clooney explained his interest in the story to an audience at the New York Film Festival: "I thought it was a good time to raise the idea of using fear to stifle political debate." Having majored in journalism in college, Clooney was well-versed in the subject matter. His father, Nick Clooney, was a television journalist for many years, appearing as an anchorman in Cincinnati, Ohio, Salt Lake City, Utah, Los Angeles, California, and Buffalo, New York. The elder Clooney also ran for Congress in 2004. George Clooney was paid $1 each for writing, directing, and acting in Good Night, and Good Luck., which cost $7.5 million to make. Due to an injury he received on the set of Syriana a few months earlier, Clooney could not pass the tests to be insured. He then mortgaged his own house in Los Angeles in order to make the film. Dallas Mavericks owner Mark Cuban and former eBay president Jeff Skoll invested money in the project as executive producers. The film ultimately grossed more than $54 million worldwide. The CBS offices and studios seen in the movie were all sets on a soundstage. To accomplish a pair of scenes showing characters going up an elevator, different "floors" of the building were laid out on the same level. The "elevator" was actually built on a large turntable at the intersection of the two floor sets, and rotated once the doors were closed. When the doors reopened, the actors appeared to be in a different location. In doing so, the movie exercised a bit of dramatic license--the CBS executive offices at the time were located at 485 Madison Avenue. CBS News was located in an office building just north of Grand Central Terminal (demolished and now the site of the Met Life Building); and the See It Now studio was located in Grand Central Terminal itself, above the waiting room. For dramatic effect, all three areas were depicted as being in the same building. Clooney and producer Grant Heslov decided to use only archival footage of Joseph McCarthy in his depiction. As all of that footage was black-and-white, that determined the color scheme of the film. A young Robert Kennedy is also shown in the movie during McCarthy's hearing sessions. He was then a staff member on the Senate subcommittee chaired by McCarthy.
Question: Where is the location of the movie?
Answer: the CBS executive offices at the time were located at 485 Madison Avenue.

Problem: Background: SMAP was a Japanese boy band, composed of Masahiro Nakai, Takuya Kimura, Goro Inagaki, Tsuyoshi Kusanagi, and Shingo Katori. The group was created in 1988 by music producer Johnny Kitagawa, founder of Johnny & Associates, originally as a six-piece with Katsuyuki Mori, until his departure from the band in 1996. After making their debut in 1991, the group took the Japanese entertainment industry by storm, becoming the most successful boy band in Japanese history and the bestselling band in Asia, often referred to as a "national treasure" and a "fortune and property of the country" in Japan. SMAP was regarded as an iconic figure in Japan, after achieving an unprecedented level of success in numerous genres in the entertainment industry, including music, television, film, radio, and theater, as a group and individually.
Context: SMAP was heavily involved in philanthropic activities. They have actively offered philanthropic support especially to the victims and regions affected by the 2011 Tohoku earthquake and tsunami and the 2016 Kumamoto earthquakes. On August 26 and 27, 1995, SMAP hosted NTV's annual telethon, 24 Hour Television, and raised 1.1 billion yen. On August 27 and 28, 2005, Kusanagi and Katori hosted the 24 Hour Television, again, and raised one billion yen. In 2011, after the Tohoku earthquake and tsunami, they bought a 30-second television commercial block in their weekly television program, SMAPxSMAP, to air a commercial on the information about the Japanese Red Cross Society and a message from the band members encouraging people to donate. Rather than reusing the ones aired in the past, they have been reshooting the commercial every time they have a taping and have them aired every week at the end of the program. Since March 2011, they have actively worked as the members of Marching J, a charity organization established by their agency, Johnny & Associates. Each band member have also made individual donations. On May 4, 2011, their first and only digital single, "Not Alone" was released. Initially scheduled to serve as the band's 46th single, it was later canceled and released digitally in light of the earthquake and the situation in Japan, considering circumstances in power shortages and distribution. One hundred yen per single downloaded was donated to the victims. On July 23 and 24, 2011, Nakai hosted the annual twenty-seven hour long television special, FNS 27 Hour Television, for the fifth time. A special episode of "Bistro SMAP", a cooking segment on SMAPxSMAP, was aired during the show, titled "Bistro SMAP On The Go". Four members flew to regions that were affected by the earthquake and tsunami, Kimura and Inagaki to Iwate prefecture and Kusanagi and Katori to Fukushima. The four members cooked a total of one-thousand meals to the victims evacuated in these areas. Nakai started to host his own music show, Ongaku no Hi, meaning "music day", to show their support to all those affected by the earthquake and tsunami. The program is aired every summer since 2011. On August 17, 2011, the band released their fifth compilation album, SMAP Aid, to support the people affect by the earthquake and tsunami. Two-hundred yen per album sold were donated to the victims. Being that it was the band's twentieth anniversary, many predicted a tour after the release of the album but the band canceled it due to power shortage in Japan that year. After the 2016 Kumamoto earthquakes, the content of their 30-second long commercial changed, adding a new message by the band members toward the victims in Kumamoto. On April 24, ten days after the earthquake, Nakai made an unannounced surprise visit to an elementary school in Kumamoto, used as a shelter for the evacuees. He, later went back to Kumamoto on 2 more occasions: May 7 and again on May 15 with Katori. On June 12, Kimura made a visit to Kumamoto as well.
Question: Were they involved with any other philanthropic endeavors?
Answer:
after the Tohoku earthquake and tsunami, they bought a 30-second television commercial block in their weekly television program,