Q: What's an example of a movie review?
An example of a movie review is here: When you wish for the dragon to eat every cast member, you know you're in for a bad ride.

I went in with very, very low expectations, having read some of the other comments, and was not let down. Unlike some other cheap and failed movies, however, this one doesn't really remain hilariously (and unintentionally) funny throughout.

-SPOILERS FOLLOW-

First of all, plot it very inconsistent. Looking past the "small" mistakes, such as the dragon growing up in 3 hours, the whole idea it's based on is messed up. See, the movie wants us to believe that dragons came from outer space in the form of meteorites which really were dragon eggs. After explaining this, they show some peasant poking at one with his pitchfork and the dragon pops out. Later, the obligatory "crazy scientist" guy babbles on about how dragons outlived the dinosaurs. So apparently humans were around when dinosaurs were, or we just have a fine little plot hole here. The other major thing is that the lab is blown up with a force "half as strong" as what was used for Hiroshima. Then two guys later walk in to check everything out, and it's almost unscathed! There's even another dragon, which grew out of who knows what. All in all it's very predictable. As soon as the guy mentioned cloning, I guessed they'd clone a dragon. That means that our Mr. Smarty-pants security guy isn't so intuitive and smart as the movie would have you believe, if you ignore that I knew this film would be about, you know, dragons.

Putting that aside, the second worst thing is the "special effects." Others have mentioned the fake rocks falling during the beginning, the CG helicopter, and the dragon. It looks a bit better than a blob, but it ruined whatever it had going for it when it trudged down the hall in the same manner time after time. To their credit, the flying dragons in the beginning looked OK from far away (although the one in the cave is probably the worst one in the whole movie.) These things are funny to watch, however. The scenes where a million different shots of the same person facing different ways are shown are not. Nor are the "introduction" screens with the vital stats.

Coming to the actors, they weren't the greatest, but I guess at least they tried? They seemed more enthusiastic about what they were doing than many of the actors participating in the recent "BloodRayne," for example, and you've got to give them points for that. One thing I noticed though was that the woman who plays Meredith often had her face covered in make-up that was many tones lighter than the rest of her. She looked like she had a bad run-in with some white-face.

The script is bad and cheesy. You don't really notice the music, but it's actually not too bad for the most part.

The bottom line is don't watch it unless you want to see it because you hear it's bad (like I did), although the only funny things are the bad CG effects. Other than that, don't waste your time and money.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: Victor McLaglen, the title character of John Ford's THE INFORMER, reminded me of the circus man from Fellini's LA STRADA. Anthony Quinn played the brutish man, who may have even been influenced by the pug-faced, Oscar-winning performance given by McLaglen. Poverty-stricken Dublin is the true-life, atmospheric setting of the picture, which takes place in 1922. Dense fog and a long damp night are the main elements of a story about deep Irish patriotism and the fight of the Irish Republican Army. The conflict of individuality and the cause is what makes THE INFORMER tick. McLaglen's large, simple character just wants to go to America and we're reminded by signs of the price for a ticket frequently. Two different signs become the psychological centerpiece for the drunken Irishman. One is the previous, the other a WANTED sign. Should he do it and get the money to go?

John Ford once famously said, "My name is Ford. I make Westerns." After seeing this film, he obviously could do a heck of a lot more. The serious social issues dealt with here are heartfelt and ones you will find yourself thinking about. And the look of the piece is amazing, consisting of long dark shadows cutting into a miserable Ireland night. Ford was always known for his luminescent, gorgeous cinematography that helped to foresee the conflicts within his characters. This is hard in color, but he did it in pictures like THE SEARCHERS, painting John Wayne in a sometimes vicious manner. Victor McLaglen's performance not only benefits from the lighting, but by the sheer simplicity of his acting. He shoves a lot. He knocks people out. He is a brute who knows no better. He should, however, know whether or not to cross the IRA.

See the film to find out the gritty details. See it also for McLaglen and Ford's patriotic portrayal of the IRA. Max Steiner's score is innovative in how it matches gestures of the characters, placing more emphasis on them. This was usually only seen in silent films, especially Chaplin. The topic of naming names or "informing" is obviously still important. Just look at how the media covered this year's Oscars, giving much attention to the Elia Kazan scandal.
Q: What's an example of a movie review?
An example of a movie review is here:
Scott is right. The best 2 person sword duel ever put on film is in the middle of this movie. The sword fights with multiple fighters are not the best although quite good. However, the fight in the middle is the best even compared to Japanese samurai movies. Chinese swordplay scenes in my opinion have never surpassed the Japanese in terms of entertainment value. Especially in scenes where one guy must battle a group of enemies, Japanese movies excel, example being the Lone Wolf and Cub series. Even though duels in Japanese cinema last only seconds or a minute at the most, the sheer intensity of those moments made them better. But, this is one example where Chinese swordplay surpasses the Japanese. The scene in the middle of this film was a five minute long fight with the most amazing choreography ever. The other fights in this movie are good too but even if they sucked this movie would get a 7 for that one scene. If you haven't seen it, you have to. John Woo is the man.