In this task, you're given a passage, further information available on a particular linked term from the statement, and a question. Your job is to generate the answer to the question by using the information provided. If there is no clear answer obtainable, output 'none'.

Passage: In 1971, Bob Shad, who had worked with her as producer at Mercury, asked her to record for his label, Mainstream, which he had founded after leaving Mercury. Breaking a four-year hiatus, Vaughan signed a contract with Mainstream and returned to the studio for A Time in My Life, a step away from jazz into pop music with songs by Bob Dylan, John Lennon, and Marvin Gaye arranged by Ernie Wilkins. She didn't complain about this eclectic change in direction, but she chose the material for her next album after admiring the work of Michel Legrand. He conducted an orchestra of over one hundred musicians for Sarah Vaughan with Michel Legrand, an album of compositions by Legrand with lyrics by Alan and Marilyn Bergman. The songs brought some of the musicians to tears during the sessions. But Shad wanted a hit, and the album yielded none. She sang a version of the pop hit "Rainy Days and Mondays" by the Carpenters for Feelin' Good. This was followed by Live in Japan, her first live album since 1963. Sarah Vaughan and the Jimmy Rowles Quintet (1974) was more experimental, containing free improvisation and some unconventional scatting.
Link Information: Sarah Vaughan with Michel Legrand is a 1972 studio album by Sarah Vaughan, arranged by Michel Legrand Question: What year did Vaughan's second album with Mainstream come out?
Answer: 1972

Passage: A mixture of songs that inspired his own musical development, together with some of his own compositions, allied to a backing band and orchestra (The Caledonia Soul Orchestra) and several performances (as noted in the album's liner notes) that were recorded in concerts at The Troubadour in Los Angeles, California (2427 May 1973), the Santa Monica Civic Auditorium (29 June 1973) and The Rainbow (2324 July 1973) in London. These performance result in what Myles Palmer of the Times reviewed as demolishing "all barriers between the soul, blues, jazz and rock genres". The songs chosen went back to his days with Them with versions of "Gloria" and "Here Comes the Night". His first solo hit "Brown Eyed Girl" was performed but not included on the album until the reissue in 2008. M. Mark called the album "an intelligent selection of songs that draws on six of Morrison's records and five of the musicians he learned from." These musicians were Bobby Bland ("Ain't Nothing You Can Do"), Ray Charles ("I Believe to My Soul"), Sam Cooke ("Bring It On Home to Me"), two songs by Sonny Boy Williamson II ("Help Me" and "Take Your Hands Out of My Pocket") and a cover of a Willie Dixon song, "I Just Want to Make Love to You", which was popularized by Muddy Waters.
Link Information: May 1973 Question: Which location is older, where he recorded in May of 1973 or in July of 1973?
Answer: The Rainbow

Passage: Evan Weiss grew up in Cherry Hill, New Jersey. His first exposure to the genre of emo was hearing the band Sunny Day Real Estate in the seventh grade while browsing a record shop. He continued his interest in music through buying Jade Tree and Polyvinyl records and going to local shows in Philadelphia. In the "fourth or fifth grade", Weiss started, with school friends, the band J.A.R., which eventually became The Progress, garnering modest local success. He was unable to convince his bandmates to play in the band full-time, and after their breakup in 2008 he started a solo project under the moniker Into It Over It. He first released music through two unorthodox concept projects: 52 Weeks, entailing the writing, recording and release of one song each week for a year (later released as a compilation record); and Twelve Towns, a twelve song project initially released over six separate splits with several different bands and each song being named after a town. In May 2011, the band made an appearance at Bled Fest. A month later, Weiss released Into It Over It's first studio album, Proper on No Sleep Records, produced by Ed Rose. In the last two months of the year, Into It Over It supported The Swellers on their tour of the UK and Europe. In March and April the next year, Into It Over It supported The Wonder Years on the Glamour Kills Spring 2012 tour in the US. To promote the tour, a compilation showcasing the bands covering each others' songs with released. Into It Over It's contribution was a cover of The Wonder Years's track "Don't Let Me Cave In". This was followed up in 2013 with Intersections, released on Triple Crown Records and on Big Scary Monsters in UK/Europe.
Link Information: In 1992, guitarist Dan Hoerner and bassist Nate Mendel met when they became housemates at the University of Washington. After jam sessions, they decided to form a band Question: The band that exposed Weiss to the emo genre was formed in what year?
Answer: 1992