Problem: Background: This page is about the San Diego punk rock band Rocket from the Crypt. For the Cleveland protopunk band, see Rocket from the Tombs. Rocket from the Crypt is an American rock band from San Diego, California, originally active from 1989 to 2005, then active during 2011 and again from 2013 to the present. The band gained critical praise and the attention of major record labels after the release of their 1992 album Circa: Now!, leading to a recording contract with Interscope Records.
Context: Fueled by a label interest in Drive Like Jehu, both Rocket from the Crypt and Drive Like Jehu signed to Interscope Records in 1992, with Rocket negotiating a deal that included the freedom to record vinyl releases for other labels. Many of the band's vinyl singles and other rarities were compiled and released as All Systems Go, while Interscope re-released Circa: Now! and pushed for the band to continue touring in support of the album. Even with market saturation high, however, the band members decided to take a six-month break in 1994 while Reis recorded a second and final album with Drive Like Jehu. Regrouping after their hiatus, the band experienced a flurry of creative energy that resulted in several more vinyl singles and a trilogy of records in 1995, beginning with the EP The State of Art is on Fire and continuing with the critically acclaimed Hot Charity. They embarked on a six-week "free tour" in support of Hot Charity, with Interscope covering the costs so that fans were not charged admission to any of the band's performances across the United States. This was followed by the recording of their first album for Interscope, the critically acclaimed Scream, Dracula, Scream! The band took advantage of their large recording budget, bringing in string sections and hiring producers to make the album sound as epic as possible, and it would later be regarded by most as their creative peak. Music videos were filmed for the singles "On a Rope," "Born in '69" and "Young Livers" and the band embarked on tours of the US, UK and Europe. They experienced a surge of popularity in the UK, where "On a Rope" entered the UK Singles Chart at No. 12, and was a hit on MTV Europe, earning them rave reviews in NME and allowing them to play Top of the Pops. They were also an alternative rock hit in the US, where their videos were featured on MTV and the band received many positive reviews in both mainstream and underground music presses. Then-ubiquitous MTV VJ Kennedy sported a tattoo of the band's logo on her ankle on national television, and increased radio and MTV airplay continued. A large headlining tour ensued in 1996, as well as supporting tours with Rancid and Soundgarden. The band also gained a reputation for a series of interesting and, at times, seemingly ludicrous gimmicks and stage antics which included holding raffles during live performances, spinning a large game show wheel to determine set lists, onstage fire breathing, annual Halloween and New Year's shows, and the wearing of coordinated and progressively more ornate stage costumes. In Europe the band also hosted a German variety show, played children's shows and morning shows, and did interviews with fashion magazines.
Question: Did any other singles chart?
Answer:

Problem: Background: Thompson was born into a middle-class family in Louisville, Kentucky, the first of three sons of Virginia Ray Davison (1908, Springfield, Kentucky - March 20, 1998, Louisville), who worked as head librarian at the Louisville Free Public Library and Jack Robert Thompson (September 4, 1893, Horse Cave, Kentucky - July 3, 1952, Louisville), a public insurance adjuster and World War I veteran. His parents were introduced to each other by a friend from Jack's fraternity at the University of Kentucky in September 1934, and married on November 2, 1935. Thompson's first name came from a purported ancestor on his mother's side, the Scottish surgeon John Hunter.
Context: The book for which Thompson gained most of his fame had its genesis during the research for Strange Rumblings in Aztlan, an expose for Rolling Stone on the 1970 killing of the Mexican-American television journalist Ruben Salazar. Salazar had been shot in the head at close range with a tear gas canister fired by officers of the Los Angeles County Sheriff's Department during the National Chicano Moratorium March against the Vietnam War. One of Thompson's sources for the story was Oscar Zeta Acosta, a prominent Mexican-American activist and attorney. Finding it difficult to talk in the racially tense atmosphere of Los Angeles, Thompson and Acosta decided to travel to Las Vegas, and take advantage of an assignment by Sports Illustrated to write a 250-word photograph caption on the Mint 400 motorcycle race held there. What was to be a short caption quickly grew into something else entirely. Thompson first submitted to Sports Illustrated a manuscript of 2,500 words, which was, as he later wrote, "aggressively rejected." Rolling Stone publisher Jann Wenner was said to have liked "the first 20 or so jangled pages enough to take it seriously on its own terms and tentatively scheduled it for publication -- which gave me the push I needed to keep working on it", Thompson later wrote. The result of the trip to Las Vegas became the 1972 book Fear and Loathing in Las Vegas, which first appeared in the November 1971 issues of Rolling Stone as a two-part series. It is written as a first-person account by a journalist named Raoul Duke on a trip to Las Vegas with Dr. Gonzo, his "300-pound Samoan attorney", to cover a narcotics officers' convention and the "fabulous Mint 400". During the trip, Duke and his companion (always referred to as "my attorney") become sidetracked by a search for the American Dream, with "two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers ... and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether, and two dozen amyls." Coming to terms with the failure of the 1960s countercultural movement is a major theme of the novel, and the book was greeted with considerable critical acclaim, including being heralded by The New York Times as "by far the best book yet written on the decade of dope". "The Vegas Book", as Thompson referred to it, was a mainstream success and introduced his Gonzo journalism techniques to a wide public.
Question: Did it get good reviews?
Answer:
Thompson referred to it, was a mainstream success and introduced his Gonzo journalism techniques to a wide public.