Question: Tara Ann VanDerveer (born June 26, 1953) is an American basketball coach who has been the head women's basketball coach at Stanford University since 1985. Designated the Setsuko Ishiyama Director of Women's Basketball, VanDerveer led the Stanford Cardinal to two NCAA Women's Division I Basketball Championships: in 1990 and 1992. She stepped away from the Stanford program for a year to serve as the U.S. national team head coach at the 1996 Olympic Games. VanDerveer is the 1990 Naismith National Coach of the Year and a ten-time Pac-12 Coach of the Year.

VanDerveer was born on June 26, 1953, to Dunbar and Rita VanDerveer, who named their first child "Tara" after the plantation in Gone with the Wind. She was born in Melrose, Massachusetts, a part of Greater Boston, but grew up in a small town in West Hill, near Schenectady, New York. Her parents were interested in a well-rounded education. Her father was studying for a doctorate at the school now known as the University at Albany. He took the family to Chautauqua in the summer, where she immersed in arts as well as sports. At the age of ten, her parents bought her a flute, and arranged for lessons. Two years later, one of the premier flutists in the world was staying in Chautauqua, and her father arranged for lessons with this distinguished teacher. Although she learned to play, she did not enjoy the experience, and gave up the flute in ninth grade. The love of music stayed with her though, and in later years she would take up the piano. There were no sports teams for girls when she was in high school, but she played a number of sports including basketball, in rec leagues and pickup. When she was younger, she played with both boys and girls. As she entered her high school years, the girls dropped out for other interests, so she was more apt to play with boys. To help make sure she would be chosen, she bought the best basketball she could afford, so if the boys wanted to play with her basketball, they would have to pick her. Her father wasn't completely supportive of her basketball interest, calling her in from the neighbor's basketball hoop, telling her, "Basketball won't take you anywhere. Come in and do your algebra." Tara was equally certain that algebra wasn't going to take her anywhere. Her family moved to Niagara Falls in her sophomore year in high school. The house in West Hill had a gravel driveway, making a basketball hoop impractical, but when her parents got her a hoop for Christmas when they were in Niagara Falls. By then, she thought she was too old for basketball, although she would take it up again after she transferred to Buffalo Seminary, an all-girls college preparatory school, in her junior year. She ended up earning a place in the Buffalo Seminary's Athletic Hall of Fame.

Using a quote from the above article, answer the following question: What did she do with the piano?
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Question: Douglas Clare Fischer (October 22, 1928 - January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from which, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa".

In 1975, after ten years of studiowork and artistically successful yet obscure solo records, Fischer found a new direction. Just like Hancock and Chick Corea he was a pioneer on the electric keyboard, and in that capacity he joined vibraphonist Cal Tjader's group. The reunion with Tjader gave a new impulse to Fischer's love of Latin-American music. He started his own group with Latino musicians, "Salsa Picante", which showed great eclecticism in musical styles. Later he expanded to include four vocalists billed separately as "2 + 2". The album 2+2 won a Grammy in 1981. After that he recorded And Sometimes Voices and Free Fall with the vocal group. Free Fall was nominated in three categories for the Grammy Awards and won under the category of "Best Jazz Album By A Vocal Duo Or Group". Crazy Bird was with the instrumental group and Alone Together, a solo piano album recorded on a Hamburg Steinway. It was recorded for Hans Georg Brunner-Schwer and the German company MPS Records. In the seventies, Fischer began doing orchestral sweeteners for R&B groups. His nephew, Andre Fischer, was the drummer of the band Rufus, featuring Chaka Khan. "Apparently the arrangements I made for their early records were appreciated, for in the following years I was hired almost exclusively by black artists." Among the artists Fischer worked for are The Jacksons, Earl Klugh, Switch, Debarge, Shotgun (a late 70s offshoot of 24-Carat Black) and Atlantic Starr. His walls are now covered with gold and platinum records from these recordings, Grammy Award Nominations, and several NARAS MVP Awards, culminating in an MVP-emeritus in 1985. Once his fame as an arranger was established, Fischer also worked with pop musicians like Paul McCartney, Prince, Celine Dion and Robert Palmer. "I am surprised that my arrangements are now considered one of the prerequisites for a hit album. People feel that they make a song sound almost classical." Classical concert artist Richard Stoltzman commissioned him in 1983 to write a symphonic work using Duke Ellington and Billy Strayhorn themes. The result, "The Duke, Swee'pea and Me", an eleven and a half minute orchestral work, was performed with a symphony orchestra and Stoltzman on clarinet all around the world.

Using a quote from the above article, answer the following question: What languages did Clare Fischer perform in?
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"Apparently the arrangements I made for their early records were appreciated, for in the following years I was hired almost exclusively by black artists.