Some context: Patty Loveless (born Patricia Lee Ramey; January 4, 1957) is an American country music singer. Since her emergence on the country music scene in late 1986 with her first (self-titled) album, Loveless has been one of the most popular female singers of neotraditional country. She has also recorded albums in the country pop and bluegrass genres.
In North Carolina, Patty and her husband Terry played in a circuit of small bars and concert halls. She sang covers of late 70s rock songs, along with Linda Ronstadt and Bonnie Raitt tunes, with the occasional country song. (After her marriage, she adopted the professional name Patty Loveless, as not to draw any connection to adult film actress Linda Lovelace. During this time of her life she also was distant from her family, as she had married without their consent. According to Loveless, "...I think my father thought I had lost my mind. This music is going to just ruin your life... it ruined your life... But it was a music that I learned from again... You wouldn't believe the people that would come to this club. They would get off from work, and they wouldn't go home. They'd come to this club and have a few beers, or ... dance.... I learned a lot about people and life in those places. I mean there was all walks of life... people who had hit the very bottom. And myself, there was times I felt myself becoming one of those people too. There was some hard times for us both, my ex-husband and I. And I think at the time, it caused us to be torn apart, and we lost respect for each other. And it got to the point that we didn't know each other..." A low point of her life was in October 1979, when her father, whom she idolized, died near Louisville while Loveless was in North Carolina. The years in North Carolina were not successful for her, as the police started busting the clubs she would perform in and shut them down. When she wasn't performing she was working as a waitress at her mother-in-law's restaurant. By 1984, she was singing in a club and was singing country music for a change of the rock she would normally perform. There was a new generation of artists in Nashville, singers like George Strait and Reba McEntire who were changing the traditions of country music. According to Loveless, "...I learned so much about what to feel in a song from those years of playing those clubs. I was saddened sometimes because I thought 'I left Nashville, I left all that for this? What happened to me? What is wrong with me?' But I think what was happening was that I was beginning to find... me. Find who I really was. And what kind of person I was inside and out. I still believe to this day it happened the way it was supposed to happen.
Did they also get famous when she hit it big?
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Some context: Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The 1945 work was adapted from Ferenc Molnar's 1909 play Liliom, transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He participates in a robbery to provide for Julie and their unborn child; after it goes tragically wrong, he is given a chance to make things right.
The cast album of the 1945 Broadway production was issued on 78s, and the score was significantly cut--as was the 1950 London cast recording. Theatre historian John Kenrick notes of the 1945 recording that a number of songs had to be abridged to fit the 78 format, but that there is a small part of "Soliloquy" found on no other recording, as Rodgers cut it from the score immediately after the studio recording was made. A number of songs were cut for the 1956 film, but two of the deleted numbers had been recorded and were ultimately retained on the soundtrack album. The expanded CD version of the soundtrack, issued in 2001, contains all of the singing recorded for the film, including the cut portions, and nearly all of the dance music. The recording of the 1965 Lincoln Center revival featured Raitt reprising the role of Billy. Studio recordings of Carousel's songs were released in 1956 (with Robert Merrill as Billy, Patrice Munsel as Julie, and Florence Henderson as Carrie), 1962 and 1987. The 1987 version featured a mix of opera and musical stars, including Samuel Ramey, Barbara Cook and Sarah Brightman. Kenrick recommends the 1962 studio recording for its outstanding cast, including Alfred Drake, Roberta Peters, Claramae Turner, Lee Venora, and Norman Treigle. Both the London (1993) and New York (1994) cast albums of the Hytner production contain portions of dialogue that, according to Hischak, speak to the power of Michael Hayden's portrayal of Billy. Kenrick judges the 1994 recording the best all-around performance of Carousel on disc, despite uneven singing by Hayden, due to Sally Murphy's Julie and the strong supporting cast (calling Audra McDonald the best Carrie he has heard). The Stratford Festival issued a recording in 2015.
Any other versions after this one?
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Kenrick judges the 1994 recording the best all-around performance of Carousel on disc,