Problem: OPTIONS:
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Answer: This is a lovely tale of guilt-driven obsession.

Matiss, on a lonely night stroll in Riga (?) passes by a woman on the wrong side of a bridge railing. He passes by without a word. Only the splash in the water followed by a cry for help causes him to act. And then only too little and too late.

The film chronicles his efforts at finding out more about the woman. On a troll of local bars, he finds her pocketbook. He pieces more and more of her life together. His "look" changes as his obsession grows. He has to make things right. In a marvelously filmed dialog with the "bastard ex-boyfriend" he forces Alexej to face up to the guilt that both feel.

Haunting long takes, a gritty soundtrack to accentuate the guilt, barking dogs. Footsteps. Lovely film noir with a lovely twist. A good Indie ending.
An example of a movie review. positive (OPTIONS:
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- positive).

A: The message of a world on the brink of war is disregarded by the masses; the mythical city of Everytown in 1940 represents England in general, but it could just as well stand for any nation of the world. When war finally does arrive, it's ravages continue not for another five years, but until 1966 at which time Everytown is completely destroyed. Adding to the desolation and toll on humanity is the "wandering sickness", a pestilence that continues for another four years.

"Things to Come" balances both a fatalistic and futuristic world view, where science holds out a hope for a revived civilization. The "Wings Over the World" concept plays out a bit corny, though it's spokesman Cabal (Raymond Massey) is unwavering in his mission and dedicated to his cause. If he fails, others will follow. This message is continually reinforced throughout the film, brought home convincingly in Massey's end of movie speech. Man's insatiable need to test the limits of knowledge and achievement requires an "all the universe or nothing" mindset.

The film's imagery of automation and machinery in the second half is reminiscent of the great silent film "Metropolis". As Everytown is rebuilt and transformed by the year 2036, the spectacle of the city's rebirth strikes a resonant chord, as architecture of modern cities of today suggest the movie's eerily prophetic vision is coming to fruition. Where the movie gets it wrong by sixty seven years though is man's first mission to the moon, but in 1936, a hundred year timetable probably seemed more legitimate than 1969.

"Things to Come" is one of those rarities in film, a picture that makes you think. Which side will you come down on, the forces for advancement in the face of uncertainty or maintain the status quo? It's not a comfortable question, as both choices offer inherent dangers and unknowable outcomes. Those who choose to be bystanders risk being swept away by forces beyond their control.
Q: What's an example of a movie review?
An example of a movie review is here: This film was amazing. It is an inspiring piece of cinema. The characters are fully developed through the truth in which Director, Lucy Walker brings to the film. I highly recommend this to any one looking for that special film that shows the humanity in the human condition. Lucy Wlaker showcases the landscape beauty. This film id a true example of man vs. nature and sometimes man vs. man. The inner turmoil and triumph is tremendous in its subject matter. The subject of how the Tiebtans view blindness as a sign of demons is interesting. This film sheds light on a particular culture that has never been showcased. Lucy Walker has given Erik Weihenmayer a voice when he would have not normally been heard. Thank you Lucy for being true to your vison as a filmmaker.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: The Ogre doesn't seem to have won itself a very good reputation since its release in 1988, and I guess a reason for that may be down to the fact that it was given the subtitle 'Demons 3' in order to help it sell better. Well, the film is directed by Lamberto Bava; the man behind the first two Demons films, and ogres and demons are somewhat alike (in that they're both 'monsters' anyway)...but other than that, this film has no connections to the other two films. It is, however, rather good! Italian filmmakers are famous for ripping off popular films, and while it's not completely obvious; it seems to me that this one has taken a fair bit of influence from Hellraiser. The plot focuses on a female horror writer who moves with her husband and son to a castle in Italy. She is haunted by memories from when she was a child and found an Ogre living in her basement. It's not long after moving into the castle before these visions return...and it may be more than just a coincidence as she comes to believe there's a murderous ogre living in the basement.

The film was obviously shot on a budget and it was made for Italian TV, so it would be unrealistic to expect something brilliant; but for what it is, this is certainly a very decent horror film. Lamberto Bava may not have as keen an eye as his father Mario did; but he takes time in building up a foreboding atmosphere that really compliments the film well. The central setting, a large castle, makes the perfect place for a story like this to take place in and Lamberto makes the best of it; even if it does involve ripping off superior films at times; such as the Inferno-style pool scene. The plot itself is not quite as good as the atmosphere as several scenes are drawn out far too long and the relationship between the characters is rather strange (particularly between the husband and wife). There's not a great deal of bloodshed, but Bava does get to do a little bit with the special effects. The ogre itself looks really silly and it's a good job that we don't get to see it very often. We do boil down to a fitting, if highly predictable, ending and overall I have to say that this film is much better than expected and comes recommended.
Problem: OPTIONS:
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Answer: Okay, that was a pretty damn good episode. Much better than the credit it receives.

The camera work is splendid. Best yet. I love that final shot. The atmosphere is fantastic, the costumes are great and the guest cast (minus the helpless victims) is strong.

What I don't like about this episode is that many things that are left unexplained. why does it change sex? what's the purpose? and they're aliens? what kind? why were they never shown again in the later mythology?

I'm giving this episode a high THREE stars. One of my favorites yet, but the plot holes bother me. Still... not gonna let it ruin my entertainment.
Problem: OPTIONS:
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Answer:
Of course, he did have to INVENT EVERYTHING about cinematography, film directing, etc. before he could make classics like "The Gardner," so I suppose he may be forgiven this initial excursion into mere sociological documentary. Today we call them "home movies," and they are just as boring now as this one is