Please answer this: Extract the answer to the question from the following context. Question: What did Mary write in Geneva? Context: In 1816 Byron, Percy Bysshe Shelley and his wife Mary Shelley visited Geneva and all three were inspired by the scenery in their writings. During these visits Shelley wrote the poem "Mont Blanc", Byron wrote "The Prisoner of Chillon" and the dramatic poem Manfred, and Mary Shelley, who found the scenery overwhelming, conceived the idea for the novel Frankenstein in her villa on the shores of Lake Geneva in the midst of a thunderstorm. When Coleridge travelled to Chamonix, he declaimed, in defiance of Shelley, who had signed himself "Atheos" in the guestbook of the Hotel de Londres near Montenvers, "Who would be, who could be an atheist in this valley of wonders". By the mid-19th century scientists began to arrive en masse to study the geology and ecology of the region.
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Answer: Frankenstein

Problem: Extract the answer to the question from the following context. Question: What protects the online intermediaries from copyright infringement in the U.S. Digital Millennium Copyright Act? Context: The U.S. Digital Millennium Copyright Act (1998) and the European E-Commerce Directive (2000) provide online intermediaries with limited statutory immunity from liability for copyright infringement. Online intermediaries hosting content that infringes copyright are not liable, so long as they do not know about it and take actions once the infringing content is brought to their attention. In U.S. law this is characterized as "safe harbor" provisions. Under European law, the governing principles for Internet Service Providers are "mere conduit", meaning that they are neutral 'pipes' with no knowledge of what they are carrying; and 'no obligation to monitor' meaning that they cannot be given a general mandate by governments to monitor content. These two principles are a barrier for certain forms of online copyright enforcement and they were the reason behind an attempt to amend the European Telecoms Package in 2009 to support new measures against copyright infringement.

A: "safe harbor" provisions

Problem: Given the question: Extract the answer to the question from the following context. Question: There are more what than female street vendors? Context: Like the rest of India, Hyderabad has a large informal economy that employs 30% of the labour force.:71 According to a survey published in 2007, it had 4050,000 street vendors, and their numbers were increasing.:9 Among the street vendors, 84% are male and 16% female,:12 and four fifths are "stationary vendors" operating from a fixed pitch, often with their own stall.:1516 Most are financed through personal savings; only 8% borrow from moneylenders.:19 Vendor earnings vary from 50 (74 US) to 800 (US$12) per day.:25 Other unorganised economic sectors include dairy, poultry farming, brick manufacturing, casual labour and domestic help. Those involved in the informal economy constitute a major portion of urban poor.:71
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The answer is:
male

input question: Extract the answer to the question from the following context. Question: How was Black Rent taken from Cork City citizens? Context: The city's charter was granted by Prince John, as Lord of Ireland, in 1185. The city was once fully walled, and some wall sections and gates remain today. For much of the Middle Ages, Cork city was an outpost of Old English culture in the midst of a predominantly hostile Gaelic countryside and cut off from the English government in the Pale around Dublin. Neighbouring Gaelic and Hiberno-Norman lords extorted "Black Rent" from the citizens to keep them from attacking the city. The present extent of the city has exceeded the medieval boundaries of the Barony of Cork City; it now takes in much of the neighbouring Barony of Cork. Together, these baronies are located between the Barony of Barrymore to the east, Muskerry East to the west and Kerrycurrihy to the south.???
output answer: extorted

Extract the answer to the question from the following context. Question: Jesse Ventura is a wrestler who is given as example for what? Context: An individual wrestler may sometimes use their real name, or a minor variation of it, for much of their career, such as Angelo Poffo, Ernie Ladd, Verne Gagne, Bret Hart, and Randy Orton. Others can keep one ring name for their entire career (cases in point include Chris Jericho, Shawn Michaels, CM Punk and Ricky Steamboat), or may change from time to time to better suit the demands of the audience or company. Sometimes a character is owned and trademarked by the company, forcing the wrestler to find a new one when they leave (although a simple typeset change, such as changing Rhyno to Rhino, can usually get around this), and sometimes a character is owned by the wrestler. Sometimes, a wrestler may change their legal name in order to obtain ownership of their ring name (examples include Andrew Martin and Warrior). Many wrestlers (such as The Rock and The Undertaker) are strongly identified with their character, even responding to the name in public or between friends. It's actually considered proper decorum for fellow wrestlers to refer to each other by their stage names/characters rather than their birth/legal names, unless otherwise introduced. A professional wrestling character's popularity can grow to the point that it makes appearances in other media (see Hulk Hogan and El Santo) or even give the performer enough visibility to enter politics (Antonio Inoki and Jesse Ventura, among others).
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Answer: enter politics

Q: Extract the answer to the question from the following context. Question: Which comic theorist began studying comics after the start of the 21st century? Context: European comics studies began with Topffer's theories of his own work in the 1840s, which emphasized panel transitions and the visualverbal combination. No further progress was made until the 1970s. Pierre Fresnault-Deruelle then took a semiotics approach to the study of comics, analyzing textimage relations, page-level image relations, and image discontinuities, or what Scott McCloud later dubbed "closure". In 1987, Henri Vanlier introduced the term multicadre, or "multiframe", to refer to the comics a page as a semantic unit. By the 1990s, theorists such as Benoit Peeters and Thierry Groensteen turned attention to artists' poietic creative choices. Thierry Smolderen and Harry Morgan have held relativistic views of the definition of comics, a medium that has taken various, equally valid forms over its history. Morgan sees comics as a subset of "les litteratures dessinees" (or "drawn literatures"). French theory has come to give special attention to the page, in distinction from American theories such as McCloud's which focus on panel-to-panel transitions. Since the mid-2000s, Neil Cohn has begun analyzing how comics are understood using tools from cognitive science, extending beyond theory by using actual psychological and neuroscience experiments. This work has argued that sequential images and page layouts both use separate rule-bound "grammars" to be understood that extend beyond panel-to-panel transitions and categorical distinctions of types of layouts, and that the brain's comprehension of comics is similar to comprehending other domains, such as language and music.
A:
Neil Cohn