Some context: Aimee Semple McPherson (Aimee, in the original French; October 9, 1890 - September 27, 1944), also known as Sister Aimee or simply Sister, was a Canadian-American Pentecostal evangelist and media celebrity in the 1920s and 1930s, famous for founding the Foursquare Church. McPherson has been noted as a pioneer in the use of modern media, because she used radio to draw on the growing appeal of popular entertainment in North America and incorporated other forms into her weekly sermons at Angelus Temple, one of the first megachurches. In her time she was the most publicized Christian evangelist, surpassing Billy Sunday and her other predecessors. She conducted public faith healing demonstrations before large crowds; testimonies conveyed tens of thousands of people healed.
By early 1926, McPherson had become one of the most charismatic and influential women and ministers of her time. Her fame equaled, to name a few, Charles Lindbergh, Johnny Weissmuller, Jack Dempsey, Babe Ruth, Ty Cobb, Knute Rockne, Bobby Jones, Louise Brooks, and Rudolph Valentino. She was a major American phenomenon, who along with some other high-profile preachers of the time, unlike Hollywood celebrities, could be admired by their adoring public, "without apparently compromising their souls." According to Carey McWilliams, she had become "more than just a household word: she was a folk hero and a civic institution; an honorary member of the fire and police departments; a patron saint of the service clubs; an official spokesman for the community on problems grave and frivolous." She was influential in many social, educational and political areas. McPherson made personal crusades against anything that she felt threatened her Christian ideals, including the drinking of alcohol and teaching evolution in schools. McPherson became a strong supporter of William Jennings Bryan during the 1925 Scopes trial, in which John Scopes was tried for illegally teaching evolution at a Dayton, Tennessee, school. Bryan and McPherson had worked together in the Angelus Temple and they believed Darwinism had undermined students' morality. According to The New Yorker, McPherson said, evolution "is the greatest triumph of Satanic intelligence in 5,931 years of devilish warfare, against the Hosts of Heaven. It is poisoning the minds of the children of the nation." She sent Bryan a telegram saying, "Ten thousand members of Angelus Temple with her millions of radio church membership send grateful appreciation of your lion-hearted championship of the Bible against evolution and throw our hats in the ring with you." She organized "an all-night prayer service, a massive church meeting preceded by a Bible parade through Los Angeles."
did she have supporters"
A: According to Carey McWilliams, she had become "more than just a household word: she was a folk hero

Question: Andrea Jane Corr MBE (born 17 May 1974) is an Irish musician, songwriter, and actress. Corr debuted in 1990 as the lead singer of the Celtic folk rock and pop rock group The Corrs along with her three elder siblings Caroline, Sharon, and Jim. Aside from singing lead vocals Corr plays the tin whistle, the ukulele, and the piano.

While her siblings were on hiatus to raise their families, Andrea launched a solo career. She released her first album, Ten Feet High, on 25 June 2007. It was produced by Nellee Hooper, who has worked with Gwen Stefani and Madonna; Bono was an executive producer. Her first single, "Shame on You" was an up-tempo pop song about men and women going to war and leaving behind partners they may never see again. It received positive reviews from music critics; IndieLondon described the song as a "slick package" that was "polished, well produced and with a message that's difficult to ignore". Losing Today's David Adair gave the song a strong review, writing that Corr's vocals were "crisp and uplifting". Liverpool's Daily Post gave the song a three-star rating, commenting that it was "deceptively upbeat", which masked its "heavier message about conscription and war". On 10 April 2009 Andrea announced on Claudia Winkleman's BBC Radio 2 show that she would be releasing a second album of old songs and covers. She spoke of her disappointment and how 'gutted' she had been when her 2007 album Ten Feet High had failed to gain commercial success. She also spoke at length of her experiences while acting in the play Dancing at Lughnasa and how it has given her hope for upcoming projects, including a second solo album of 'old songs'. In late January 2011, her new album was announced for "early summer", and a downloadable MP3 of her cover of John Lennon's Number 9 Dream was made available to subscribers. Lifelines was released on 30 May. In the summer of 2012, she re-recorded the track "Pale Blue Eyes" (which had first appeared on her album "Lifelines") with German electronic musician Christopher von Deylen, better known under his alias Schiller. It was released in Germany on 5 October on the Schiller album Sonne.

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?
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Answer: On 10 April 2009 Andrea announced on Claudia Winkleman's BBC Radio 2

Some context: The North American fur trade was the industry and activities related to the acquisition, trade, exchange, and sale of animal furs in North America. Aboriginal peoples in Canada and Native Americans in the United States of different regions traded among themselves in the Pre-Columbian Era, but Europeans participated in the trade beginning from the time of their arrival in the New World and extended its reach to Europe. The French started trading in the 16th century, the English established trading posts on Hudson Bay in present-day Canada in the 17th century, and the Dutch had trade by the same time in New Netherland. The 19th-century North American fur trade, when the industry was at its peak of economic importance, involved the development of elaborate trade networks.
Deerskin trade was at its most profitable in the mid-18th century. The Creeks rose up as the largest deerskin supplier, and the increase in supply only intensified European demand for deerskins. Native Americans continued to negotiate the most lucrative trade deals by forcing England, France, and Spain to compete for their supply of deerskins. In the 1750s and 1760s, the Seven Years' War disrupted France's ability to provide manufactures goods to its allies, the Choctaws and Chickasaw. The French and Indian War further disrupted trade, as the British blockaded French goods. The Cherokees allied themselves with France, who were driven out from the southeast in accordance with the Treaty of Paris in 1763. The British were now the dominant trading power in the southeast. While both the Cherokee and the Creek were the main trading partners of the British, their relationships with the British were different. The Creeks adapted to the new economic trade system, and managed to hold onto their old social structures. Originally Cherokee land was divided into five districts; however, the number soon grew to thirteen districts with 200 hunters assigned per district due to deerskin demand. Charleston and Savannah were the main trading ports for the export of deerskins. Deerskins became the most popular export, and monetarily supported the colonies with the revenue produced by taxes on deerskins. Charleston's trade was regulated by the Indian Trade Commission, composed of traders who monopolized the market and profited off the sale of deerskins. From the beginning of the 18th century to mid-century, the deerskin exports of Charleston more than doubled in exports. Charleston received tobacco and sugar from the West Indies and rum from the North in exchange for deerskins. In return for deerskins, Great Britain sent woolens, guns, ammunition, iron tools, clothing, and other manufactured goods that were traded to the Native Americans.
What was happening in the fur trade during this time?
A:
Deerskin trade was at its most profitable in the mid-18th century.