input: Thompson was born in Alhambra, California. In his early twenties, he worked as a pressman for the Los Angeles Times while pursuing a lifelong love of hot rodding. He later became involved in the new sport of drag racing. Tireless and innovative, he found success as a championship driver and instinctive automotive technician. Over the course of his career, Thompson set more speed and endurance records than any other man in automotive history. He is credited with designing and building the first slingshot dragster, in 1954, moving the seat behind the rear axle to improve traction when existing racing tires proved unable to handle the output of increasingly powerful custom engines. This car, the Panorama City Special, debuted at the first NHRA U.S. Nationals at the Great Bend Municipal Airport in Great Bend, Kansas in 1955. The car ultimately ran a best speed of 151.26 mph (243.43 km/h). A change so momentous would not happen again until Don Garlits introduced the rear-engined digger in 1971. Thompson also was noted for being the first manager of Lions Drag Strip in Wilmington, California, in 1955. Thompson collaborated with Fritz Voight on a 1958 twin-engined dragster. This car achieved a best speed of 294.117 mph (473.335 km/h). It provided lessons later applied to Challenger I. Determined to set a new land speed record, Thompson achieved fame when he drove his four-engined Challenger 1 at better than 400 mph (640 km/h) in 1960 at the Bonneville Salt Flats, becoming the first American to break that barrier.

Answer this question "Did he ever race internationally?"
output:

input: Tiomkin received his first break from Columbia director Frank Capra, who picked him to write and perform the score for Lost Horizon (1937). The film gained significant recognition for Tiomkin in Hollywood. It was released the same year that he became a naturalized U.S. citizen. In his autobiography, Please Don't Hate Me! (1959), Tiomkin recalls how the assignment by Capra forced him to first confront a director in a matter of music style: [H]e gave me the job without reservation. I could write the score without interference, and he would hear it when it was done. Lost Horizon offered me a superb chance to do something big... I thought I might be going a little too far in the matter of expense, and went to Frank one day as he sat in the projection room [and explained the score.]... He looked shocked. "No, Dimi, the lama is a simple man. His greatness is in being simple. For his death the music should be simple, nothing more than the muttering rhythm of a drum." "But Frank, death of lama is not ending one man, but is death of idea. Is tragedy applying to whole human race. I must be honest. Music should rise high, high. Should give symbolism of immense loss. Please don't hate me." He worked on other Capra films during the following decade, including the comedy You Can't Take It With You (1938), Mr. Smith Goes to Washington (1939), Meet John Doe (1941), and It's a Wonderful Life (1946). During World War II, he continued his close collaboration with Capra by composing scores for his Why We Fight series. These seven films were commissioned by the U.S. government to show American soldiers the reason for United States participation in the war. They were later released to the general U.S. public to generate support for American involvement. Tiomkin credited Capra for broadening his musical horizons by shifting them away from a purely Eurocentric and romantic style to a more American style based on subject matter and story.

Answer this question "Was he involved in the Why We Fight series?"
output: During World War II, he continued his close collaboration with Capra by composing scores for his Why We Fight series.

input: On July 18, 1951, while in Air Force training, Cash met 17-year-old Vivian Liberto at a roller skating rink in her native San Antonio, Texas. They dated for three weeks until Cash was deployed to Germany for a three-year tour. During that time, the couple exchanged hundreds of pages of love letters. On August 7, 1954, one month after his discharge, they were married at St. Ann's Roman Catholic Church in San Antonio. The ceremony was performed by her uncle, Vincent Liberto. They had four daughters: Rosanne, Kathy, Cindy, and Tara. In 1961, Johnny moved his family to a hilltop home overlooking Casitas Springs, California, a small town south of Ojai on Highway 33. He had previously moved his parents to the area to run a small trailer park called The Johnny Cash Trailer Park. Johnny's drinking led to several run-ins with local law enforcement. Liberto later said that she had filed for divorce in 1966 because of Cash's severe drug and alcohol abuse, as well as constant touring, affairs with other women, and his close relationship with June Carter. Their four daughters were then raised by their mother. Cash met singer June Carter, of the famed Carter Family while on tour, and the two became infatuated with each other. In 1968, 13 years after they first met backstage at the Grand Ole Opry, Cash proposed to June, during a live performance in London, Ontario. The couple married on March 1, 1968, in Franklin, Kentucky. They had one child together, John Carter Cash, born March 3, 1970. Cash and Carter continued to work, raising their child, create music, and tour together for 35 years until June's death in May 2003. Throughout their marriage, June attempted to keep Cash off of amphetamines, often taking his drugs and flushing them down the toilet. June remained with him even throughout his multiple admissions for rehab treatment and years of drug abuse. After June's death, Cash believed that his only reason for living was his music. He died four months after her.

Answer this question "What happened to the family"
output:
In 1961, Johnny moved his family to a hilltop home overlooking Casitas Springs, California,