Problem: Build a movie plot around this: In what city does the flashback begin? Kobe.

A: The date is September 25, 1945, shortly after the end of World War II. A young boy sits against a pillar at Sannomiya Station, dying of starvation. Later that night, a janitor removes his body and digs through his possessions, finding nothing but a candy tin containing ashes and a few fragments of bone which he throws away into a nearby field. From the tin springs the spirit of the young boy followed by his little sister along with a cloud of fireflies. The spirit of the young boy, Seita (Tsutomu Tatsumi, English: J. Robert Spencer), narrates the story of how he and his sister, Setsuko (Ayano Shiraishi, English: Rhoda Chrosite), fared in the wake of the firebombings of Kobe during the war.14 year-old Seita and 4 year-old Setsuko live with their mother (Yoshiko Shinohara), English: Veronica Taylor) comfortably in Kobe while their father serves as a captain in the Imperial Japanese Navy. One day, air raid sirens go off as a fleet of American B-29 Superfortress bombers flies overhead. The children's mother, who suffers from a heart condition, puts Setsuko in the care of her older brother and instructs him to secure the home while she goes ahead to a bomb shelter. Hundreds of incendiary bombs are dropped on the city and most of the civilians are caught off-guard. Seita and Setsuko manage to survive the bombing unscathed and go in search of their mother. They find her at a makeshift clinic set up within a school, horribly burnt and covered head to foot with bloody bandages. She dies a short time later and is cremated in a mass grave with other casualties.Despite their loss, Seita is determined to care for Setsuko and protect her at all costs. They travel to the home of their aunt (Akemi Yamaguchi, English: Amy Jones) who allows them to stay but convinces Seita to sell his mother's kimonos for rice. While living there, Seita goes out to retrieve leftover supplies he had buried in the ground before the bombing and gives them all to his aunt, however, he keeps one tin of fruit drops for himself. The children's aunt...
Problem: Given the question: Build a movie plot around this: Who was the concierge in Bradbury hotel? Doug Ireland
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The answer is:
This article needs an improved plot summary. (September 2015)Doug Ireland is a concierge at the Bradbury, a luxurious hotel in New York City that is beginning to decline. Doug is very well-connected and is very good at his job, giving personal attention to guests like Harry Wegman while occasionally pocketing a big tip. Doug's dream is to open his own hotel on Roosevelt Island. He has saved every cent and obtained an option on an old hotel. But he only has a few weeks to begin development and needs at least $3 million immediately to start or the development goes back to the city.Doug's best chance is Christian Hanover, a somewhat unscrupulous billionaire. Christian considers the proposal and asks Doug to "take care" of his mistress, Andy Hart, a perfume saleswoman. Doug pretends to date Andy so that she can get close to Christian without his wife suspecting.Doug learns that Christian is deceiving Andy about getting a divorce. But because his hotel proposal is urgent and Andy is old enough to make her own decisions, he doesn't intervene. However, as he and Andy spend time together, he develops feelings for her.Andy learns that a document Christian has asked Doug to sign was intended to permit the billionaire to take over the hotel project and force Doug out. Christian reveals that an IRS agent who was tailing Doug about the real estate property he (Doug) bought until he (Christian) and his lawyers took care of it was actually working with Christian to get the property. Christian smugly tells Andy that the project was going to make a fortune and he wasn't going to share it with a mere concierge. Andy abandons him for Doug, who is chasing after her. After the two reunite at the Queensboro Bridge and reveal to each other about the deception, Doug never signed the document, so Christian can't take over the property.In the end, after Doug and Andy marry, he gets a call from Harry Wegman, who has accidentally been sent Doug's business plan by a senile member of the hotel staff Doug refused to fire and has...
input question: Build a movie plot around this: What is Anabel's profession? violinist???
output answer: A narrater introduces two tales based on the stories of the writer Edgar Allen Poe (1809-1849). Both of these stories take place in modern-day Pittsburgh, Pennsylvania.THE FACTS IN THE CASE OF MR. VALDEMARJessica Valdemar (Adrienne Barbeau), an attractive 40-year-old woman, rides in a taxi to the downtown Pittsburgh office of Steven Pike (E.G. Marshall), her husband's lawyer with some paperwork for Mr. Pike approval. Pike sees that Jessica's elderly 63-year-old husband, who is dying from an unnamed terminal illness, is liquidating a number of his assets for cash and suspects Jessica of having undue influence on him. Jessica denies the allegations that shes any negative influence over her husband, while Pike makes a phone call to the house to talk with Ernest Valdemar (Bingo O'Malley), who speaks over the phone in a weak but coherent voice explaining about his decision to let Jessica take control of his money and assets from his personal signature on the written documents. Pike reluctantly agrees to let Jessica have access to the money, but warns her that if anything were to happen to Mr. Valdemar within the next three weeks before the transfer of his estate over to Jessica is finalized, she will be investigated by the authorities.Jessica returns home to Ernest Valdemar's large suburban mansion where she meets with Dr. Robert Hoffman (Ramy Zada) where it's revealed that he and Jessica have been conspiring to cheat the terminally ill Mr. Valdemar out of his estate by hypnotizing him and having him do what they wish from his deathbed. Jessica doesnt like the procedure, but Robert wants it done because he used to have a romance with Jessica and wants to run off with her after they acquire his $3 million assets. The next day, Jessica goes to a bank where she withdraws $300,000 and stores it in a safe. Robert sees this. But then, Mr. Valdemar goes into cardiac arrest and dies while under another hypnosis spell. Not wanting to reveal his death just yet, Robert and Jessica carry his body to the basement where they...
[Q]: Build a movie plot around this: Who wander through the wilderness without food or water? Gerry
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[A]:
We are driving a flat, winding, dry and isolated road through desert brush. Everything is quiet. Two young men in a car say nothing to each other. They arrive at a marked "wilderness" trail and head off without anything but the clothes on their back and an extra shirt. With energy and boundlessness they go and go and go. They mention the "thing" that they're apparently going to and how it should be there somewhere. They have no map. The landscape changes, they run, they smoke cigarettes and finally they decide they don't really want to go to this "thing" and they turn around. The shots are very long and tedious. We realize they're lost. The brush disappears and it is mountains, then it is rocks, then it is desert. Then it is night and they sit by a fire. The next day goes on and on and it is unclear how many days are now passing, though the landscape still keeps changing: a lunar surface, and crags of jagged rocks. Their clothes and faces dirty, their clipped exchanges almost indecipherable. They separate and then find each other again, Gerry stuck at the top of a huge rock formation. They discuss him jumping down and the other Gerry makes him a "dirt mattress", which is successful and they keep going. Finally flat white salt is all that's beneath them. They are both barely moving, shuffling their feet like broken-down machines. Gerry, who was falling behind, drops to his knees and lays down. Gerry stops and walks back to him, lying on the ground beside him. After a while, Gerry says that he's leaving and slowly, painfully, reaches over to Gerry as if to find comfort in holding his hand as he draws his last breath. Gerry shakes him off and, his movements stilting and awkward, he rolls on top of him, struggling, not with a hug but with a fraughtful busrt of energy to strangle him. He then lays still. After a while he gets up and walks in another direction, leaving dead Gerry, seeing moving forms on the horizon. We see the vast unbearable landscape move by quickly, no longer within it we are safely on the...