Problem: OPTIONS:
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- positive positive
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Answer: Gentleman Jim not really a boxing film. It is a vehicle for Errol Flynn as Jim Corbett. But having said that, the boxing scenes are a real eye-opener to the modern viewer. There are no 12 round, points decisions here.

Errol Flynn plays the Irish bank clerk who gets a shot at the heavyweight world title. Flynn is well suited to the role of suave but unpredictable Corbett. His opponent John Sullivan is still better however, a bruiser of the old school played by Ward Bond.

The theme of the film is a man pushing for his big chance. Corbett leaves his mundane life behind and builds a new persona as Gentleman Jim. Jim is a chancer who can adapt to any social environment. He is a liar and an egotist. Sullivan the heavyweight boxing champion is portrayed as a simple brute but his honesty and sportsmanship gives a certain contrast to the main character.

There is action and excitement aplenty and a wonderful ending with the requisite redemption for all. And Errol Flynn gets the girl.
An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: It's telling that as of the entry of this comment, NO females have submitted a vote of any kind for this movie. Not surprisingly, cheesy science fiction doesn't appeal to them quite as much... If you like a good "B" movie, and especially if you like to satirize them as you watch, you will like this. If you don't have fun watching bad movies, this one's not for you.
Q: What's an example of a movie review?
An example of a movie review is here: I watched it subtitled as it was in Russian, but really enjoyed it. The main character Sasha was born cursed, with a deadly weapon as an extension of his body. He lived his whole life unhappy because he was different and because anger caused him to do deadly things.

When Sasha finally found love in a young woman named Katya everyone tried to take her away from him ending in a deadly battle. There was a fair amount of gore, but not too much for the weak stomached.

Not for people who like the regular old Hollywood movie, but for those who enjoy independent films. Kinda got the feeling of an Asian fantasy film.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: With a relatively small budget for an animated film of only $60 million the people at Fox Animation and Blue Sky Studios have done an incredible job.

They have combined state-of-the-art digital animation, the perfectly cast voice talents of Ray Romano, John Leguizamo and Dennis Leary (among many others) to create a highly entertaining, family film with a strong message about cooperation, friendship and caring for your fellow herd members. And how sometimes it takes many different creatures to make up a herd.

While watching this film I got a strong political message about getting along with the people that share your space -- maybe it should be required viewing for all world leaders!

David Newman -- yet another member of the Newman family of Hollywood composers -- provides a superb score that is not intrusive yet serves to move the action along and, at times, is positively toe tapping.

The overall look of the film is incredible; an intensely coloured, strangely believable fantasyland of snow, geysers, mud, rocks and ice. The individual characters were delightfully believable too, with the facial expressions of Ray Romano's 'Manfred' being a particular treat.

The entire sequence with the DoDos will leave no doubt as to where the expression 'Dumb as a DoDo comes from.'

This is a good family film that keeps the things that could alarm or frighten children pretty much sanitized -- but real nonetheless.

It would be a great movie to see in the theater and to buy for home.
Problem: OPTIONS:
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- positive positive
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Answer: This entertainingly tacky'n'trashy distaff "Death Wish" copy stars the exceptionally gorgeous and well-endowed brunette hottie supreme Karin Mani as Billie Clark, a top-notch martial arts fighter and one woman wrecking crew who opens up a gigantic ten gallon drum of ferocious chopsocky whup-a** on assorted no-count scuzzy muggers, rapists, drug dealers and street gang members after some nasty low-life criminals attack her beloved grand parents. The stunningly voluptuous Ms. Mani sinks her teeth into her feisty butt-stomping tough chick part with winningly spunky aplomb, beating jerky guys up with infectious glee and baring her smoking hot bod in a few utterly gratuitous, but much-appreciated nude scenes. Unfortunately, Mani possesses an extremely irritating chewing-on-marbles harsh and grating voice that's sheer murder on the ears (my favorite moment concerning Mani's dubious delivery of her dialogue occurs when she quips "Don't mess with girls in the park; that's not nice!" after clobbering a few detestable hooligans. The delectable Karin's sole subsequent film role was in "Avenging Angel," in which she does a truly eye-popping full-frontal nude scene, but doesn't have any lines.) The film's single most sensationally sleazy sequence transpires when Mani gets briefly incarcerated on a contempt of court charge and shows her considerably substantial stuff in a group prison shower scene. Of course, Mani's lascivious lesbian cell mate tries to seduce her only to have her unwanted advances rebuffed with a severe beatdown! Strangely enough, the lesbian forgives Mani and becomes her best buddy while she's behind bars. Given an extra galvanizing shot in the vigorously rough'n'ready arm by Edward Victor's punchy direction, a funky-rockin' score, endearingly crummy acting by a game (if lame) cast, a constant snappy pace, numerous pull-out-all-the-stops exciting fight scenes, and Howard Anderson III's gritty photography, this immensely enjoyable down'n'dirty exploitation swill is essential viewing for hardcore fans of blithely low-grade low-budget grindhouse cinema junk.
Problem: OPTIONS:
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- positive negative
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Answer:
This could have been the gay counterpart to Gone With The Wind given its epic lenght, but instead it satisfied itself by being a huge chain of empty episodes in which absolutely nothing occurs. The characters are uni-dimensional and have no other development in the story (there's actually no story either) than looking for each other and kissing. It's a shame that an interesting aesthetic proposition like having almost no dialog is completely wasted in a film than makes no effort in examining the psychology of its characters with some dignity, and achieving true emotional resonance. On top of that, it pretends to be an "art" film by using the worst naive cliches of the cinematic snobbery. But anyway, if someone can identify with its heavy banality, I guess that's fine.