In England, partly in response to a philosophy propounded by the Oxford Movement and others associated with the emerging revival of 'high church' or Anglo-Catholic ideas during the second quarter of the 19th century, neo-Gothic began to become promoted by influential establishment figures as the preferred style for ecclesiastical, civic and institutional architecture. The appeal of this Gothic revival (which after 1837, in Britain, is sometimes termed Victorian Gothic), gradually widened to encompass "low church" as well as "high church" clients. This period of more universal appeal, spanning 18551885, is known in Britain as High Victorian Gothic.
When was neo-Gothic popularized by influential figures?
during the second quarter of the 19th century

Some mozni (Magnates) descending from past tribal dynasties regarded themselves as co-proprietors of Piast realms, even though the Piasts attempted to deprive them of their independence. These mozni (Magnates) constantly sought to undermine princely authority.:75, 76 In Gall Anonym's chronicle, there is noted the nobility's alarm when the Palatine Sieciech "elevated those of a lower class over those who were noble born" entrusting them with state offices. (Manteuffel 1982, p. 149)
Who constantly sought to undermine princely authority?
mozni

Instruments were marketed by teacher-dealers, much as the title character in the popular musical The Music Man. Often, these teacher-dealers conducted mandolin orchestras: groups of 4-50 musicians who played various mandolin family instruments. However, alongside the teacher-dealers were serious musicians, working to create a spot for the instrument in classical music, ragtime and jazz. Like the teacher-dealers, they traveled the U.S., recording records, giving performances and teaching individuals and mandolin orchestras. Samuel Siegel played mandolin in Vaudeville and became one of America's preeminent mandolinists. Seth Weeks was an African American who not only taught and performed in the United States, but also in Europe, where he recorded records. Another pioneering African American musician and director who made his start with a mandolin orchestra was composer James Reese Europe. W. Eugene Page toured the country with a group, and was well known for his mandolin and mandola performances. Other names include Valentine Abt, Samuel Adelstein, William Place, Jr., and Aubrey Stauffer.
Who was the famous African American musican and director?
composer James Reese Europe.