Problem: Gnarls Barkley is an American soul duo, composed of singer-songwriter CeeLo Green and producer Danger Mouse. They have released two studio albums, St. Elsewhere (2006) and The Odd Couple (2008). St. Elsewhere was recorded on the Warner Music UK label, and contained their hit single "Crazy" which topped at number two on the US Hot 100, and topped the charts in the UK. It was also nominated at the 2007 Grammy Awards for Record of the Year, and was platinum certified for shipping over 1,000,000 records.

In 2006, Sanjiv Bhattacharya interviewed the duo for The Guardian and asked about where their band name came from, to which Green replied: "You ask me why we're called Gnarls Barkley and I'm asking you 'why not?'...The name Gnarls Barkley isn't anchored down. It's a drifter. A High Plains drifter, I might add". Danger Mouse said: "There's no story behind it...The name doesn't have anything to do with anything". Although many people believe that their name has something to do with former NBA player Charles Barkley, the duo dismiss that idea. Sanjiv asked them about it, saying "Not even Charles Barkley, the basketball player?", to which Danger Mouse replied: "Nope. It's just like everything else on this record. There was no conscious decision about stuff". According to a Billboard article: "Burton and CeeLo have been cagey about what the name of the act means, and each live performance is an opportunity to play dress-up as tennis players, astronauts and chefs, among many other get-ups. The costuming extends to photo shoots, as Burton and Cee Lo would rather impersonate characters from such films as Back to the Future or Wayne's World. They also have dressed up as characters from films A Clockwork Orange and Napoleon Dynamite. About Gnarls Barkley, Green said in an interview: That is that electric industrial Euro soul, that's what I call it... if I can call it anything. It truly is shapeless and formless. My style and my approach is still water, and it runs so deep. So, with that project I got a chance to be a lil' zany, of course a continuation of eccentricity, abstract and vague, and all of those wonderful things that make art exactly what it is. And that's subject to interpretation. As far as the artiste himself, it does cater to and extend the legacy of Cee Lo Green, and showcase the diversity and range and intention of Cee Lo Green. It is a great project that I'm very, very proud of.

What else is unique about the band's name?

Answer with quotes: article: "Burton and CeeLo have been cagey about what the name of the act means, and each live performance is an opportunity to play dress-up as

Problem: Nieuwendyk was born September 10, 1966 in Oshawa, Ontario, and grew up in Whitby. He is the youngest of four children to Gordon and Joanne Nieuwendyk, who immigrated to Canada from the Netherlands in 1958. Gordon owned a car repair shop in Whitby. Joe grew up in a sporting family.

New Jersey, who had won the Stanley Cup in 2000 and reached the finals the following year, acquired Nieuwendyk for their playoff run in 2002. He scored 11 points in 14 regular season games for the Devils following the trade, but New Jersey was eliminated in the first round of the 2002 Stanley Cup playoffs by the Carolina Hurricanes. Nieuwendyk reached two offensive milestones in 2002-03. He scored his 500th career goal on January 17, 2003, against Carolina's Kevin Weekes. On February 23, he scored his 1,000th point in a win over the Pittsburgh Penguins. He and the Devils reached the 2003 Stanley Cup Finals, but Nieuwendyk suffered a hip injury in the sixth game of the Eastern Conference Final that prevented him from appearing in the championship series. The Devils defeated the Mighty Ducks of Anaheim in the final, capturing the franchise's third Stanley Cup. For Nieuwendyk, it was his third title with his third different team. The Toronto Maple Leafs signed Nieuwendyk to a one-year contract for the 2003-04 season. He scored 22 goals for Toronto in a season marred by abdominal and back injuries that limited him to 64 games played, and a groin injury that forced him out of the lineup for much of Toronto's second-round series loss to the Philadelphia Flyers. He signed another one-year deal for 2004-05, but the season was cancelled due to a labour dispute that was feared would mark the end of the 38-year-old Nieuwendyk's career. When NHL play resumed in 2005-06, the Florida Panthers sought to bolster their lineup with veteran players. They signed both Nieuwendyk and Roberts, who had played together in Calgary and Toronto and wanted to finish their careers together, to two-year, $4.5 million contracts. Nieuwendyk appeared in 65 games during the season, scoring 26 goals and 56 points. He appeared in 15 games in 2006-07 before chronic back pain forced him onto injured reserve. After missing 14 games, Nieuwendyk announced his retirement on December 7, 2006.

did he have any other injuries?

Answer with quotes: He appeared in 15 games in 2006-07 before chronic back pain forced him onto injured reserve.

Problem: Paul Frederic Bowles (; December 30, 1910 - November 18, 1999) was an American expatriate composer, author, and translator. He became associated with Tangier, where he settled in 1947 and lived for 52 years to the end of his life. Following a cultured middle-class upbringing in New York City, during which he displayed a talent for music and writing, Bowles pursued his education at the University of Virginia before making several trips to Paris in the 1930s. He studied music with Aaron Copland, and in New York wrote music for theatrical productions, as well as other compositions.

Paul Bowles is considered one of the artists to have shaped 20th-century literature and music. In his "Introduction" to Bowles' Collected Stories (1979,) Gore Vidal ranked the short stories as "among the best ever written by an American", writing: "the floor to this ramshackle civilization that we have built cannot bear much longer our weight. It was Bowles's genius to suggest the horrors which lie beneath that floor, as fragile, in its way, as the sky that shelters us from a devouring vastness". Critics have described his music, in contrast, "as full of light as the fiction [is] of dark...almost as if the composer were a totally different person from the writer." During the early 1930s, Bowles studied composition (intermittently) with Aaron Copland; his music from this period "is reminiscent of Satie and Poulenc." Returning to New York in the mid-30s, Bowles became one of the preeminent composers of American theater music, producing works for William Saroyan, Tennessee Williams, and others, "show[ing] exceptional skill and imagination in capturing the mood, emotion, and ambience of each play to which he was assigned." Bowles said that such incidental music allowed him to present "climaxless music, hypnotic music in one of the exact senses of the word, in that it makes its effect without the spectator being made aware of it." At the same time he continued to write concert music, assimilating some of the melodic, rhythmic, and other stylistic elements of African, Mexican, and Central American music. In 1991 Paul Bowles was awarded the annual Rea Award for the Short Story. The jury gave the following citation: "Paul Bowles is a storyteller of the utmost purity and integrity. He writes of a world before God became man; a world in which men and women in extremis are seen as components in a larger, more elemental drama. His prose is crystalline and his voice unique. Among living American masters of the short story, Paul Bowles is sui generis." The Library of America published Bowles' works in 2002. (It prepares scholarly editions of American literary classics and keeps them permanently in print.)

What is another example of his achievement?

Answer with quotes:
In 1991 Paul Bowles was awarded the annual Rea Award for the Short Story.