input question: Build a movie plot around this: Who destroys SID? Barnes???
output answer: Lt. Parker Barnes (Washington) and another officer, Donavan, step off of a subway car. Their surroundings appear to be glitching as they run down a crowded city street. Donavan is not sure of where he is going, but Parker runs confidently into a Japanese structure. Donavan asks what they are looking for, and Barnes replies that they will know when they find a man with eyes like his own. They see a man (Crowe) sitting behind a screen, and they begin firing upon him. He jumps out of the way and grabs a gun of his own to return the fire. The foe snidely knocks out his partner and promises to return for Barnes. Barnes searches for him inside the building, but the man is able to surprise him and injures his arm. As Barnes recovers, the man taunts him, until Barnes is able to successfully shoot him in the arm. Unfortunately, the villain cheats and is able to gain the upper hand. The men disappear from the scene, and is is shown that they are in a virtual reality mechanism and in peril. The men are going into shock, and Donavan dies.Wallace (Fichtner) and Elizabeth Deane (Fletcher) oversee the whole thing and argue about the failsafes before driving away. Parker claims again that the man, SID 6.7, cheated. He was not supposed to be able to electrocute people, as he found out by checking the database. The police chief, William Cochran (Forsythe) tells Barnes that he is trying to get him out of prison sooner, but all he wants is chalk. He then reprimands him for shooting another person within the program, but Barnes said that he wasn't real and he didn't want to end up like Donavan. Barnes then goes back to his automated prison cell, where it is revealed that he has a metal arm. He is forced to walk through a hall with many doors and people that are booing. A man emerges and attacks him with a knife, but Barnes wins handily and is dragged away by guards. Daryl Lidenmeyer (Spinelli), the program creator, approaches SID and tells him that he knows that he is the one that deactivated the protocols. SID says that killing...
Build a movie plot around this: Who is Sara and Peter trying to save? Matt
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Answer: As the movie opens over the sound of a piano playing we begin to see old black and white photographs, as the photos continue to change you see that the photos are being taken at a funeral home and show family members sitting with the bodies of dead loved ones.From the photos the scene changes to see Sarah Campbell (Virginia Madsen) preparing to be interviewed for a television show. The interviewer asks her why she thinks this happened to her and she says that he's really asking why bad things happen to good people. That she and her family didn't do anything wrong and didn't deserve what happened to them.We then jump to 1987 and Sarah is driving her son Matt (Kyle Gallner) home from the hospital where he has been undergoing cancer treatments. Sarah is praying out loud for his recovery when Matt wakes up and jokes with her that talking to herself is the first sign of madness. Sarah tells him that she is talking to God and he tells her that threatening the creator may not be the best idea. They laugh, and then Matt tells her to pull over, as he is about to be sick. Sarah pulls over and sits in the car as Matt vomits by the side of the road.The next morning Sarah is cooking breakfast amidst the chaos of her family. Her husband Peter (Martin Donovan) comes in and remarks that he didn't hear her come in the night before and asks her what time she got in. Sarah tells him that they got home at 4 am and he asks why the trip took them so long and she snaps that she didn't think he would want to know how many times they had to stop for Matt to be sick. She remarks that it would be a lot easier if they had a place to stay nearer the hospital and he asks how they could possibly afford that but tells her to see if she can find something.Sarah and Matt return to the hospital where Matt has been accepted into a trial of a new treatment. As we see him undergoing the treatment we see Sarah searching the classifieds for a rental house and not having much luck. She is driving down a street when she sees a man hammering a For...
Q: Build a movie plot around this: What does Katie grip so tightly that it bloodies her palm? A cross
A: Young couple Katie and Micah move to a new house in San Diego. Katie claims an evil presence has been haunting her since she was a child, so Micah sets up a camera in their bedroom to record any paranormal activity that occurs while they sleep. Katie hires psychic Dr. Fredrichs, who reveals that Katie is being haunted by a demon that feeds off of negative energy and is intent on tormenting Katie. He advises them not to communicate with the demon and to contact demonologist Dr. Johann Averies if needed. Katie seems interested, but Micah does not take this seriously.The camera manages to capture many strange occurrences, which are minor at first, such as noises, flickering lights, and doors moving on their own. On the thirteenth night they were awoken at the sound of a screeching demon downstairs. During the fifteenth night, Katie, in an apparent trance, stands beside the bed and stares at Micah for two hours before going outside. Micah tries to convince Katie to go back inside, but she refuses and appears to remember none of it the next day.One day Micah brings home a Ouija board, which infuriates Katie. When they leave the house, the camera records an unseen force moving the planchette to form an unknown message on the Ouija board, which then spontaneously catches fire. Katie sees the video and pleads with Micah to contact the demonologist, but again he refuses. During the seventeenth night, Micah sprinkles baby powder in the hallway and bedroom. The couple are awakened by creaks, and find non-human footprints leading to the attic, where Micah finds a burnt photograph of a young Katie, previously thought to have been destroyed in an unexplained house fire. Katie finally calls the demonologist, Dr. Averies, but he is occupied.They eventually call Dr. Fredrichs back to the house, but he is overwhelmed by the demonic energy upon entering. He apologetically leaves despite their pleas, stating that his presence only makes the demon angrier. During the twentieth night, Katie is pulled out of the bedroom by an...
Problem: Given the question: Build a movie plot around this: who does alma find in the garden? Mr. Vogler
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The answer is:
Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Var Tids Hjalte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces.A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son.Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiance, Karl-Henrik, who scolds her for lacking ambition "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiance in a menage a quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...