IN: Miranda Leigh Lambert was born November 10, 1983, to Rick and Bev (nee Hughes) Lambert in Longview, Texas, and was raised in Lindale, Texas. She was named after her great-grandmother, Lucy Miranda.She has one younger brother, Luke Lambert. She has English, Irish and Native American ancestry.

On April 4, 2011, during the taping of the Academy of Country Music's 'Girls' Night Out' television special in Las Vegas, Lambert debuted her new project, girl group Pistol Annies. The group consists of Lambert, Ashley Monroe, and Angaleena Presley. They released their single, "Hell on Heels," in May 2011, and released their debut album, Hell on Heels, on August 23, 2011, which debuted at No. 1 on Billboard's country chart. Sasha Frere-Jones of The New Yorker said the trio "is good enough to recall those transcendent moments of vocal harmony the Dixie Chicks used to hit every few months." Lambert's fourth studio album, Four the Record, was released on November 1, 2011; her first album for RCA Nashville, after Sony Music Nashville announced a corporate restructuring. Four the Record produced five singles: "Baggage Claim", "Over You", "Fastest Girl in Town", "Mama's Broken Heart", and "All Kinds of Kinds". "Over You", which Lambert and Shelton co-wrote, reached number 1 in early 2012. On February 8, 2012, Lambert made her acting debut on NBC's long-running legal drama, Law & Order: Special Victims Unit in an episode titled "Father's Shadow". Lambert later told CMT News she was a big fan of the show: "I never wanted to act. I still don't. I don't want to be an actress. I just wanted to be on that show mainly so I could be a groupie [for their autographs]." Late in 2012, Lambert appeared on Shelton's Christmas album Cheers, It's Christmas, to which she contributed guest vocals on a version of "Jingle Bell Rock". The soundtrack was released on October 2, 2012. On October 23, 2012, Lambert and Dierks Bentley announced the co-headlined 33-show Locked & Reloaded Tour, beginning on January 17, 2013. On May 7, 2013, A second Pistol Annies album, Annie Up, was released. This album produced the group's first country chart entry with "Hush Hush". The Pistol Annies are also one of many acts featured on Blake Shelton's 2013 single "Boys 'Round Here", which went to number 1 on Country Airplay. They had previously accompanied Shelton on a rendition of "Blue Christmas" on Cheers, It's Christmas.

Were there any hit singles on this album?

OUT: five singles: "Baggage Claim", "Over You", "Fastest Girl in Town", "Mama's Broken Heart", and "All Kinds of Kinds". "

IN: A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.

Victorian burlesque, sometimes known as "travesty" or "extravaganza", was popular in London theatres between the 1830s and the 1890s. It took the form of musical theatre parody in which a well-known opera, play or ballet was adapted into a broad comic play, usually a musical play, often risque in style, mocking the theatrical and musical conventions and styles of the original work, and quoting or pastiching text or music from the original work. The comedy often stemmed from the incongruity and absurdity of the classical subjects, with realistic historical dress and settings, being juxtaposed with the modern activities portrayed by the actors. Madame Vestris produced burlesques at the Olympic Theatre beginning in 1831 with Olympic Revels by J. R. Planche. Other authors of burlesques included H. J. Byron, G. R. Sims, F. C. Burnand, W. S. Gilbert and Fred Leslie. Victorian burlesque related to and in part derived from traditional English pantomime "with the addition of gags and 'turns'." In the early burlesques, following the example of ballad opera, the words of the songs were written to popular music; later burlesques mixed the music of opera, operetta, music hall and revue, and some of the more ambitious shows had original music composed for them. This English style of burlesque was successfully introduced to New York in the 1840s. Some of the most frequent subjects for burlesque were the plays of Shakespeare and grand opera. The dialogue was generally written in rhyming couplets, liberally peppered with bad puns. A typical example from a burlesque of Macbeth: Macbeth and Banquo enter under an umbrella, and the witches greet them with "Hail! hail! hail!" Macbeth asks Banquo, "What mean these salutations, noble thane?" and is told, "These showers of 'Hail' anticipate your 'reign'". A staple of burlesque was the display of attractive women in travesty roles, dressed in tights to show off their legs, but the plays themselves were seldom more than modestly risque. Burlesque became the speciality of certain London theatres, including the Gaiety and Royal Strand Theatre from the 1860s to the early 1890s. Until the 1870s, burlesques were often one-act pieces running less than an hour and using pastiches and parodies of popular songs, opera arias and other music that the audience would readily recognize. The house stars included Nellie Farren, John D'Auban, Edward Terry and Fred Leslie. From about 1880, Victorian burlesques grew longer, until they were a whole evening's entertainment rather than part of a double- or triple-bill. In the early 1890s, these burlesques went out of fashion in London, and the focus of the Gaiety and other burlesque theatres changed to the new more wholesome but less literary genre of Edwardian musical comedy.

how was it received?

OUT:
popular in London theatres between the 1830s and the 1890s.