Problem: Norman Ernest Borlaug (March 25, 1914 - September 12, 2009) was an American agronomist and humanitarian who led initiatives worldwide that contributed to the extensive increases in agricultural production termed the Green Revolution. Borlaug was awarded multiple honors for his work, including the Nobel Peace Prize, the Presidential Medal of Freedom and the Congressional Gold Medal. Borlaug received his B.Sc. in Forestry in 1937 and Ph.D. in plant pathology and genetics from the University of Minnesota in 1942.

Initially, Borlaug's work had been concentrated in the central highlands, in the village of Chapingo near Texcoco, where the problems with rust and poor soil were most prevalent. He realized that he could speed up breeding by taking advantage of the country's two growing seasons. In the summer he would breed wheat in the central highlands as usual, then immediately take the seeds north to the Yaqui Valley research station near Ciudad Obregon, Sonora. The difference in altitudes and temperatures would allow more crops to be grown each year. Borlaug's boss, George Harrar, was against this expansion. Besides the extra costs of doubling the work, Borlaug's plan went against a then-held principle of agronomy that has since been disproved. It was believed that to store energy for germination before being planted, seeds needed a rest period after harvesting. When Harrar vetoed his plan, Borlaug resigned. Elvin Stakman, who was visiting the project, calmed the situation, talking Borlaug into withdrawing his resignation and Harrar into allowing the double wheat season. As of 1945, wheat would then be bred at locations 700 miles (1000 km) apart, 10 degrees apart in latitude, and 8500 feet (2600 m) apart in altitude. This was called "shuttle breeding". As an unexpected benefit of the double wheat season, the new breeds did not have problems with photoperiodism. Normally, wheat varieties cannot adapt to new environments, due to the changing periods of sunlight. Borlaug later recalled, "As it worked out, in the north, we were planting when the days were getting shorter, at low elevation and high temperature. Then we'd take the seed from the best plants south and plant it at high elevation, when days were getting longer and there was lots of rain. Soon we had varieties that fit the whole range of conditions. That wasn't supposed to happen by the books". This meant that the project would not need to start separate breeding programs for each geographic region of the planet.

Were others against is as well as Harrar?

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Problem: Kasabian ( k@-SAY-bee-@n) are an English rock band formed in Leicester in 1997. The band's original members consisted of vocalist Tom Meighan, guitarist and vocalist Sergio Pizzorno, guitarist Chris Karloff, and bassist Chris Edwards. The band's line-up was completed by drummer Ian Matthews in 2004 after a string of session drummers. Karloff left the band in 2006 and founded a new band called Black Onassis.

In 2016, the band played a short tour in May, culminating in two concerts at Leicester City Football Club's ground, the King Power Stadium, to celebrate them winning the Premier League. At the first of these two concerts, Kasabian debuted a new song, "Put Your Life On It", dedicated to the city and those who are no longer with us to see the cities recent sporting achievements, accompanied by a gospel choir from De Montfort University. They also performed a short set in Leicester's Victoria Park, as part of the LCFC victory parade on 16 May. Numerous inspirations for the sixth album also have been listed, including Nirvana, Bruce Springsteen, David Bowie and Claudio Ranieri. On 8 September, it was confirmed that "Comeback Kid" will be featured on the soundtrack of EA Sports game FIFA 17. In December 2016 the group were rumoured to play Reading & Leeds Festival the following year, but insisted that, "The band are currently finishing their new album". The band have been announced for several festivals in summer 2017, including a slot at Reading & Leeds Festival in August. In January 2017, in an interview to NME Pizzorno revealed that the upcoming album would contain a track called "Bless This Acid House", which, in the musician's opinion, is one of the best songs he has written. In March 2017, it was confirmed that the band's sixth album would be titled For Crying Out Loud, and released in of that year. The album cover features a photograph of the band's guitar technician Rick Graham. The band embarked on a world tour in support, that included performances at the Reading and Leeds Festivals and headling TRNSMT in Glasgow.

Where did the band tour?

Answer with quotes: In 2016, the band played a short tour in May, culminating in two concerts at Leicester City Football Club's ground, the King Power Stadium,

Problem: Odissi (Odia: odd'ishii Odisi), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha - an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism (Vishnu as Jagannath). Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism, Buddhism and Jainism.

After 12th-century, Odia temples, monasteries and nearby institutions such as the Nalanda in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (1360-1361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khurda. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannath temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations". Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were dehumanized and stigmatized as prostitutes during the British period. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma.

Which centuries did the Mughal and British rule cover?

Answer with quotes:
The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage.