Question: Build a movie plot around this: What does the scientist say that Kronos is? Energy accumulator
Answer: A huge, blinking flying saucer from deep space emits a glowing object, which races to Earth. It intercepts a man who's driving his car down an isolated road. The object takes over the man's body and directs it to LabCentral, a U. S. research facility that's been tracking the saucer, thinking it was an asteroid.The man's possessed body forces its way into the lab and the entity inside takes control of the chief scientist. The possessed scientist directs three nuclear missiles to be fired at the saucer. Everyone is shocked when the explosion fails to destroy the object. The saucer crashes into the Pacific Ocean off the coast of Mexico. Impatient with the delay in getting a formal expedition to the crash scene, two of the lab's scientists (one with his photographer girlfriend in tow) head down to Mexico. After their arrival, they see the saucer appear on the ocean's surface. Terrified, they flee back to their lodging for the night.The next morning, both scientists and the girlfriend see a large, stories-tall machine that has appeared on the beach. Its four-legged body features two mobile antennae that resemble the terminals of a capacitor. They use a small helicopter to land atop the strange machine, glimpsing its inner workings before being forced to leave.Under the direction of the possessed lab scientist, who now has lists of power stations and atom-bomb arsenals around the world, the large machine, which has since been named Kronos, methodically attacks power plants in Mexico, draining their energy entirely. In doing so Kronos grows larger with every energy-absorption episode, consuming more and more power as it moves, unhindered, from one power source to the next. Four Mexican Air Force fighter jets attack Kronos, but the growing alien machine easily destroys them and continues on its energy-draining rampage.In a lucid, unpossessed, moment the scientist tells his returned colleagues that Kronos is an energy accumulator, sent by an alien race that has exhausted its own natural resources; they have sent...

Question: Build a movie plot around this: who is the enemy of sentiment and whimsy? Mary Poppins
Answer: In 1961, the financially strapped author Pamela "P. L." Travers reluctantly travels from her home in London to Los Angeles to work with Walt Disney at the urging of her agent, Diarmuid Russell. Disney has pursued the film rights to her Mary Poppins stories for twenty years, having promised his daughters that he would produce a film based on them. Travers has steadfastly resisted Disney's efforts because she fears what he would do to her character. However, she has not written anything in a while and her book royalties have dwindled to nothing, so she risks losing her house. Still, Russell has to remind her that Disney has agreed to two major stipulationsno animation and unprecedented script approvalbefore she agrees to go.Travers' difficult childhood in Allora, Queensland, Australia, is depicted through flashbacks, and is the inspiration for much of Mary Poppins. Travers idolized her loving, imaginative father, Travers Robert Goff, but his chronic alcoholism resulted in his repeated firings, strained her parents' marriage, and caused her distressed mother to attempt suicide. Goff died at an early age from tuberculosis when Travers was seven years old.In Los Angeles, Travers is irritated by what she perceives as the city's unreality and the inhabitants' intrusive friendliness, personified by her limousine driver, Ralph. At the Walt Disney Studios in Burbank, Travers meets the creative team that are developing Mary Poppins for the screen: screenwriter Don DaGradi, and music composers Richard and Robert Sherman. She finds their presumptions and casual manners highly improper, a view she also holds of the jocular Disney.Travers' working relationship with Disney and his team is difficult from the outset, with her insistence that Mary Poppins is the enemy of sentiment and whimsy. Disney and his people are puzzled by Travers' disdain for fantasy, given the nature of the Mary Poppins story, as well as Travers' own rich imagination. She particularly objects to how the character George Banks, the estranged...

Question: Build a movie plot around this: Who calls out "cut"? The director of the musical.
Answer:
In 1927, silent film star George Valentin is posing for pictures outside the premiere of his latest hit film when a young woman, Peppy Miller, accidentally bumps into him. Valentin reacts with humor to the accident and shows off with Peppy for the cameras. The next day, Peppy finds herself on the front page of Variety with the headline "Who's That Girl?" Later, Peppy auditions as a dancer and is spotted by Valentin, who insists that she have a part in Kinograph Studios' next production, despite objections from the studio boss, Al Zimmer. While performing a scene in which they dance together, Valentin and Peppy show great chemistry, despite her being merely an extra. With a little guidance from Valentin (he draws a beauty spot on her, which will eventually be her trademark, after finding her in his dressing room), Peppy slowly rises through the industry, earning more prominent starring roles.Two years later, Zimmer announces the end of production of silent films at Kinograph Studios, but Valentin is dismissive, insisting that sound is just a fad. In a dream, Valentin begins hearing sounds from his environment (as does the audience), but cannot speak himself, then wakes up in a sweat. He decides to produce and direct his own silent film, financing it himself. The film opens on the same day as Peppy's new sound film as well as the 1929 Stock Market Crash. Now Valentin's only chance of avoiding bankruptcy is for his film to be a hit. Unfortunately audiences flock to Peppy's film instead and Valentin is ruined. His wife, Doris, kicks him out, and he moves into an apartment with his valet/chauffeur, Clifton, and his dog. Peppy goes on to become a major Hollywood star.Later, the bankrupt Valentin is forced to auction off all of his personal effects, and after realizing he has not paid loyal Clifton in over a year, gives him the car and fires him, telling him to get another job. Depressed and drunk, Valentin angrily sets a match to his private collection of his earlier films. As the nitrate film quickly blazes out...