input: Nakamori kicked off 1985 with "Meu Amore," another great success for her, debuting #1 with 631,000 copies sold ultimately and also winning Nakamori the Grand Prix award at the 27th Japan Record Awards. She became the youngest person at the time (20) to be awarded such an honor. Originally, the single was to be titled "Akaitori Nigeta fly away" (The red bird flies away), but the producers felt that the lyrics were not Samba-ish enough. "Meu Amore" was the result of the newly penned lyrics. "Akaiatori Nigeta fly away" was released as a 12-inch single instead, making the No.1 spot as well. Despite the superb b-side song of Babylon which was remixed, it sold a dismal 354,000 overall. She then released "Sand Beige - Sabaku e" which sold 461,000 copies and debuted at number 1. Her next single, "Solitude" also debuted at number 1, but sold merely 336,000 copies. She also released two albums in 1985. Firstly, Bitter and Sweet, which contained the album version of the earlier hit of "Kazari Janai No Yo Namida Wa" and "BABYLON." It sold 556,000 copies and debuted at number 1 again. Her next album, D404ME, only had a remix version of the hit single "Meu Amore" included. Yet this album sold an impressive 651,000 copies and debuted at number 1. In 1986, at 21, Nakamori matured in her singing style and choice of songs. The first single of that year, "Desire - jonetsu," proved to be one of the highlights in Nakamori's career. This was also the theme song of PIONEER PRIVATE commercial, and was awarded the Grand Prix at the 28th Japan Record Awards in 1986. She became the youngest winner for two consecutive years. It sold 516,000 copies and debuted at number 1. Her next single "Gypsy Queen" was a calmer song than "Desire - jonetsu" and sold a mere 358,000 copies, but still debuted at number 1. The single "Fin" followed, and sold less than its predecessor, at 318,000 copies. Again, it debuted at number 1. To commemorate her first 4 years in the business, Nakamori released her first "BEST" album. It sold impressively, 766,000 copies and a comfortable number 1 debut spot. Then Nakamori released Fushigi, a concept album with echoing singing and obscure musical arrangement. It caused quite a stir amongst the mainly conservative Japanese public and thus sold 464,000 copies, nearly 200,000 less than Crimson, an entire album composed by only women, which sold 601,000 copies. But both managed to debut at number 1, Fushigi stayed number 1 for only 3 weeks, while Crimson stayed number 1 for 4.

Answer this question "did it win any awards?"
output: debuted at number 1 again. Her next album, D404ME, only had a remix version of the hit single "Meu Amore" included.

input: Iris' first album, Back on the Streets, was released in July 1980 on the small Cleveland, Ohio-based Midwest Records. With the track "Ah! Leah!" receiving airplay in Boston, Cleveland and Pittsburgh, MCA Records took notice and quickly signed Iris to a five-album deal and re-released the album nationally in October. The first single "Ah! Leah!" peaked at #29 on the Billboard Hot 100 (and #34 in Australia) in February 1981 and became one of the most frequently played AOR tracks of the year, and the album reached #57 on the Billboard 200. In addition, the band launched a national tour to promote the album and its follow-up during the summer of 1981. The follow-up album, King Cool, credited to Donnie Iris and the Cruisers, was released in August 1981 and garnered the band more AOR success, with "Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart. Two other songs from the album received significant AOR airplay; "My Girl" at #25 and "Sweet Merilee" at #31, charted on the Rock Tracks chart. In addition, he gained the nickname King Cool from this album in the later part of his career. However, the album itself charted less successfully, at #84. After the long tour promoting their two previous albums, the band continued songwriting and in the fall of 1982 released The High and the Mighty. The album contained the single "Tough World," but only charted at #180, marking a decline in his success, but the band still was determined to release new material. Their next album one year later, Fortune 410, contained the hit single "Do You Compute?" which was used by their label MCA and the computer company Atari to form a cross-marketing promotion. Because the promotional partnership was secured prior to release of the album, it was possible to use the Atari 1200 XL Home Computer in poster photography, as well as in the video clip for "Do You Compute?", which aired on MTV. The title of the album is a reference to the trademark glasses Iris wears, Fortune 410's. The combination of marketing and the promotion for its hit single allowed the album to chart higher than its predecessor. Despite Fortune 410 charting higher than The High and the Mighty, MCA was displeased that both albums didn't chart as high as Back on the Streets and King Cool had. The label suggested that the band allow them to bring in a new producer, displacing Mark Avsec, as well bring in new songwriters. Iris and the Cruisers, wanting to keep as much of their creative freedom and sound as they could, said no. As a result, MCA dropped the band in 1984. Shortly after being let go from MCA, the band signed with the small HME Records label. Their next album, No Muss...No Fuss, released in 1985, continued the trend set by Fortune 410 by charting at #115 with the single "Injured in the Game of Love". Both of the aforementioned albums ended up being more critically acclaimed than The High and the Mighty.

Answer this question "Did Donnie Iris and the Cruisers win any awards?"
output:
became one of the most frequently played AOR tracks of the year,