Q: What's an example of a movie review?
An example of a movie review is here: Delightful minor film, juggling comedy and detective, romance and drama genres as nimbly as Lt Kenny Williams (Melvyn Douglas) balances his devotion to his girl Maxine Carroll (Joan Blondell) and his duty to the force as an ace detective.

This hodge-podge may not appeal to all viewers today, but in its day, it had something to offer every member of the movie-going family, and the resolution to the rather tired feeling-versus-duty plot is original and refreshing, and well worth the wait.

"The Amazing Mr. Williams" contains what must be among the most outrageous blind dates in film history, and its bright comic repartee sparkles. Ludicrously frocked, Melvyn Douglas delivers some of the best lines: "I'd walk down Main Street in a Turkish towel before I'd let any woman control my life!" And the effervescent Joan Blondell lets her barbs fly with typical aplomb: "Good grief! You look like my Aunt Nellie!'

The crime-solving here is standard fare, although a fine cast of character actors helps bring the material to life.

From today's vantage point, "The Amazing Mr. Williams" is perhaps most interesting for its insightful commentary on gender as a socially defined construct, all the more malleable for its seemingly rigid boundaries. While much of the gender commentary takes place in a superficial battle of the sexes, at times it is both subtle and penetrating, playing out not only in some of the finer details of the film, but in the battle of genres that reaches its culmination in the final scene.

Q: What's an example of a movie review?
An example of a movie review is here: "Cry Freedom" is not just a movie. It is a historical account, heroic story, and insight into the cultural background of a major event in history. Not only does Denzel Washington do a terrific job of impersonating a motivating, determined hero, Steve Biko, but he delivers a message to the public about the horrors of South Arfrican Apartheid. The story of Biko, an influential leader, and his main "influencee", Donald Woods, is a heartbreaking one. But, the ultimate success of his life can go beyond the atrocities committed in South Africa. "Cry Freedom" manages to communicate to its audience the optimistic aspect of the seemingly disturbing plot. It is because of great films like this one, that the public can become educated on terrible events in history, great leaders who sought to end them, and how we can never allow them to happen in the future. Because of this importance, "Cry Freedom" is an amazing film that should be seen by all.

Q: What's an example of a movie review?
An example of a movie review is here: I'm not sure it was the language or the poor acting, but everything about this movie feels and looks cheap and fake.

After seeing Der Untergang this is a huge disappointment. There's no connection between different scenes, and the acting is so incredibly poor I couldn't even believe people could make such a mess of something that had great potential.

And above all, everyone in Germany speaks English. Big mistake. The German language has a certain sound to it, and especially Hitler himself only sounds like Hitler when he's speaking/yelling German.

The way the story is told made me believe it was improvised on the spot, the characters were empty and the movie seems to be a collection of random events that could have happened.

Whether it's the English or the fact that I've already seen Der Untergang, everything about this movie was fake and ridiculous.

Q: What's an example of a movie review?
An example of a movie review is here:
It's always difficult to put a stamp on any film as being 'the best,' whether of all time, a certain genre, or what have you, but I believe a strong argument could be made that in fact, Laputa is the greatest animated film ever made. It is in my mind the masterwork of Hayao Miyazaki, the most talented of Japan's animated directors, and it best captures his strengths as a director, storyteller, and designer, as well as encapsulating all of his favorite underlying themes. The version I'm reviewing is the 2003 American dub (I know, sacrilege for a hard-core anime fan to not watch it in its native language); there is at least one other English language dub out there, I have it on VHS (I have no idea from what source), and that version is the single best dub I have ever encountered of any film. But I thought it better to concentrate on the version people can actually find.

Laputa tells the story of a boy named Pazu (voiced by James Van Der Beek here), who's growing up in a mining town when one day a young girl named Sheeta (Anna Paquin) literally drops from the sky. It seems she is being pursued by a sinister government agent, Colonel Muska (Mark Hamill), who is more interested in the magical crystal that hangs around her neck. To keep things lively, there's also a wickedly funny pirate gang after the crystal, led by the aging but still boisterous Dola (Cloris Leachman). The plot revolves around the crystal's ability to reveal the location of the fabled flying city of Laputa, a potential treasure trove of scientific knowledge and hidden treasure. It's all very much in keeping with a fairy-tale setting, but Miyazaki knows exactly how far to take the story, and the plot is peppered with 'gosh-wow' moments and threaded with his customary morality and warnings about abusing the power of nature.

The design work on Laputa, nearly twenty years later, is still revolutionary. Flying machines of all sorts abound, utterly impossible but so meticulously designed that you instantly accept them without blinking. The world is set somewhere around the start of the twentieth century, with telegraphs and ancient motorcars alongside those wonderful impossible flying machines. But it is the city itself that is sheer brilliance in execution; Laputa is both the Garden of Eden and the Fire of Heaven itself, and in that juxtaposition lies its appeal, its power, and its danger.

Besides being a thoughtfully designed and beautifully rendered film, Laputa is blessed with a wonderful sense of cinematography. From sweeping flying shots to high speed chases on tiny one-man flyers to ships submerging into the clouds as if they were water, Laputa displays a scope that most films even with the magic of CGI can only daydream about. Though we only see a small fraction of this world, its simple elegance extends beyond the borders of the frame and we have no trouble believing in it. The film also contains one of my favorite, if not the most exciting, action sequences ever: a guardian robot that fell to Earth is accidentally reactivated and wreaks havoc on the fortress it is kept in, all the while trying to protect Sheeta (who was the one who woke it up). Meanwhile, Pazu and the pirates swoop in on their little flying machines to snatch her, literally, from the jaws of destruction. From the horrific sight of the robot incinerating the countryside to the exhilarating last-second rescue, the entire sequence is a masterpiece of timing and camera angles and knowing exactly how far to take the audience.

It helps that Laputa has an amazing score. Composer Joe Hisaishi captures the wondrous beauty of this world, the dewy innocence, the exciting action, and the creepy otherworldliness of the flying city and its bizarre robot guardians. Though he re-recorded it for this DVD release (which IMO is not an improvement over his original score), adding pieces here and there, the score matches the visuals perfectly, a rare total union of sound and vision.

This isn't a bad dub. I'm inordinately fond of the older English dub, and this one over-explains things just a tad in spots, but I was almost shocked how closely these voices matched those (and those matched the Japanese pretty well). Dola in particular is hard to get right, but Leachman is spot on as the fiery old pirate woman (her sons aren't quite as good as the original). Paquin does a good job as Sheeta, and Mark Hamill, while I knew it was him early, is more than talented enough to do Muska (I liked the other English dub of Muska a little more, but Hamill's good). Much of the film rests on Pazu's shoulders, and Van Der Beek is wonderful. Listening to him made me think this crew must have had access to the other English dub, because VDB matches up very closely with the original Pazu. Although again watching a dub is grounds for excommunication among the otaku faithful, as much as I love this film, I don't think you're sacrificing a great deal simply watching this particular Anglicized version. John Lassiter of Pixar introduces it up front, and my suspicion is that he, like so many others, simply love this film so much that they tried very hard to ensure its high quality.

Miyazaki has had success in America in recent years with Spirited Away and Mononoke (one of his few films I didn't care for), but to me Laputa is still his crowning achievement. Anyone familiar with his later work will almost certainly enjoy this earlier work, and again, this film is a master at the top of his form hitting on every cylinder. I'd pay big money to be able to see this on a large screen; while that will probably never happen, it's good to know that at least this classic has been preserved on DVD.