Some context: Casino Royale is a 1967 British-American spy comedy film originally produced by Columbia Pictures featuring an ensemble cast. It is loosely based on Ian Fleming's first James Bond novel. The film stars David Niven as the "original" Bond, Sir James Bond 007. Forced out of retirement to investigate the deaths and disappearances of international spies, he soon battles the mysterious Dr. Noah and SMERSH.
Sellers left the production before all his scenes were shot, which is why his character, Tremble, is so abruptly captured in the film. Whether Sellers was fired or simply walked off is unclear. Given that he often went absent for days at a time and was involved in conflicts with Welles, either explanation is plausible. Regardless, Sellers was unavailable for the filming of an ending and of linking footage to explain the details, leaving the filmmakers to devise a way to make the existing footage work without him. The framing device of a beginning and ending with David Niven was invented to salvage the footage. Val Guest said that he was given the task of creating a narrative thread which would link all segments of the film. He chose to use the original Bond and Vesper as linking characters to tie the story together. In the originally released versions of the film, a cardboard cutout of Sellers in the background was used for the final scenes. In later versions, this cardboard cutout was replaced by footage of Sellers in highland dress, inserted by "trick photography". Signs of missing footage from the Sellers segments are evident at various points. Evelyn Tremble is not captured on camera; an outtake of Sellers entering a racing car was substituted. In this outtake, he calls for the car, a la Pink Panther, to chase down Vesper and her kidnappers; the next thing that is shown is Tremble being tortured. Out-takes of Sellers were also used for Tremble's dream sequence (pretending to play the piano on Ursula Andress' torso), in the finale - blowing out the candles whilst in highland dress - and at the end of the film when all the various "James Bond doubles" are together. In the kidnap sequence, Tremble's death is also very abruptly inserted; it consists of pre-existing footage of Tremble being rescued by Vesper, followed by a later-filmed shot of her abruptly deciding to shoot him, followed by a freeze-frame over some of the previous footage of her surrounded by bodies (noticeably a zoom-in on the previous shot). As well as this, an entire sequence involving Tremble going to the front for the underground James Bond training school (which turns out to be under Harrods, of which the training area was the lowest level) was never shot, thus creating an abrupt cut from Vesper announcing that Tremble will be James Bond to Tremble exiting the lift into the training school. So many sequences from the film were removed, that several well-known actors never appeared in the final cut, including Ian Hendry (as 006, the agent whose body is briefly seen being disposed of by Vesper), Mona Washbourne and Arthur Mullard.
Were any of these actors in sequels?
A:

Question: Marvin Neil Simon (born July 4, 1927) is an American playwright, screenwriter and author. He has written more than 30 plays and nearly the same number of movie screenplays, mostly adaptations of his plays. He has received more combined Oscar and Tony nominations than any other writer. Simon grew up in New York during the Great Depression, with his parents' financial hardships affecting their marriage, giving him a mostly unhappy and unstable childhood.

Simon's characters are typically portrayed as "imperfect, unheroic figures who are at heart decent human beings", according to Koprince, and she traces Simon's style of comedy to that of Menander, a playwright of ancient Greece. Menander, like Simon, also used average people in domestic life settings, the stories also blending humor and tragedy into his themes. Many of Simon's most memorable plays are built around two-character scenes, as in segments of California Suite and Plaza Suite. Before writing, Simon tries to create an image of his characters. He says that the play, Star Spangled Girl which was a box-office failure, was "the only play I ever wrote where I did not have a clear visual image of the characters in my mind as I sat down at the typewriter." Simon considers "character building" as an obligation, stating that the "trick is to do it skillfully". While other writers have created vivid characters, they have not created nearly as many as Simon: "Simon has no peers among contemporary comedy playwrights," states biographer Robert Johnson. Simon's characters often amuse the audience with sparkling "zingers," believable due to Simon's skill with writing dialogue. He reproduces speech so "adroitly" that his characters are usually plausible and easy for audiences to identify with and laugh at. His characters may also express "serious and continuing concerns of mankind ... rather than purely topical material". McGovern notes that his characters are always impatient "with phoniness, with shallowness, with amorality", adding that they sometimes express "implicit and explicit criticism of modern urban life with its stress, its vacuity, and its materialism." However, Simon's characters will never be seen thumbing his or her nose at society."

Using a quote from the above article, answer the following question: what were some of his plays?
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Answer: Star Spangled Girl

Some context: Gregory James "Greg" LeMond (born June 26, 1961) is an American former professional road racing cyclist who won the Road Race World Championship twice (1983 and 1989) and the Tour de France three times (1986, 1989 and 1990). He is also an entrepreneur and anti-doping advocate. LeMond was born in Lakewood, California, and raised in ranch country on the eastern slopes of the Sierra Nevada mountain range, near Reno. He is married and has three children with his wife Kathy, with whom he supports a variety of charitable causes and organizations.
LeMond is a longtime vocal opponent of performance-enhancing drug use. He first spoke on-record against doping in cycling after winning the 1989 Tour de France. LeMond received intense criticism in 2001 when he publicly expressed doubts about the legitimacy of Lance Armstrong's Tour success after learning of his relationship with Dr. Michele Ferrari. His outspokenness placed him in the center of the anti-doping controversy. LeMond has consistently questioned the relationship between riders and unethical sports doctors like Ferrari, and has pointed out that doping products ultimately victimize the professional cyclists who make use of them. Said LeMond: "When I speak out about doping people could translate it and think it was about the riders. Actually I feel like I am an advocate for the riders. I look at them as being treated like lab rats that are test vehicles for the doctors. The doctors, the management, the officials, they're the ones that have corrupted riders. The riders are the only ones that pay the price." LeMond's most notable conflicts have been with fellow Tour riders Lance Armstrong and Floyd Landis. He has also been critical of Alberto Contador, the UCI, and its former president, Pat McQuaid. In December 2012, LeMond claimed that a change needed to be made at the head of leadership for the UCI, and stated if called upon he would be willing to take the position himself if necessary to lead cycling out of the mire of doping. Said LeMond: "It is now or never to act. After the earthquake caused by the Armstrong case another chance will not arise. I am willing to invest to make this institution more democratic, transparent and look for the best candidate in the longer term." McQuaid rejected LeMond's call for new leadership and was dismissive of LeMond. Ultimately McQuaid was defeated in his bid for a third term by British Cycling president Brian Cookson at the September 2013 UCI Congress in Florence, Italy. Lemond had supported Cookson in the UCI Presidential battle.
Are there any other interesting aspects about this article?
A:
McQuaid rejected LeMond's call for new leadership and was dismissive of LeMond.