Please answer this: I am trying to decide whether it's worth it to invest in this film proposal. Can you help me answer a few questions? If you can't, please say "No I can't". Question: What name was given to the child by Dr. Jean Itard? Movie title: The Wild Child Movie plot: The film opens with the statement: "This story is authentic: it opens in 1798 in a French forest." One summer day in 1798, a naked boy of 11 or 12 years of age (Jean-Pierre Cargol) is found in a forest in the rural district of Aveyron in southern France. A woman sees him, then runs off screaming. She finds some hunters and tells them that she saw a wild boy. They hunt him down with a pack of dogs (a Beauceron, a German Shepherd, an Airedale Terrier and an English Springer Spaniel). The dogs, upon picking up the boy's scent, chase him up a tree. A branch breaks off, and the dogs attack him when he falls. He fights them off leaving one wounded, then continues to flee and hides in a hole. The dogs continue to follow his scent, eventually finding his hiding hole. The hunters arrive and force him out of the hole using smoke to cut off his air supply. After he emerges, the men grab him. Living like a wild animal and unable to speak or understand language, the child has apparently grown up in solitude in the forest since an early age. He is brought to Paris and initially placed in a school for "deaf-mutes". Dr. Jean Marc Gaspard Itard (Francois Truffaut) observes the boy and believes that he is neither deaf nor, as some of his colleagues believe, an "idiot". Itard thinks the boy's behavior is a result of his deprived environment, and that he can be educated. Itard takes custody of the boy, whom he eventually names Victor, and removes him to his house on the outskirts of Paris. There, under the patient tutelage of the doctor and his housekeeper (Francoise Seigner), Victor gradually becomes socialized and acquires the rudiments of language. There is a narrow margin between the laws of civilization in rough Parisian life and the brutal laws of life in nature. Victor finds a sort of equilibrium in the windows that mark the transition between the closed interiors and the world outside. But he gains his ability to have social relations by losing his capacity to live as a savage.[4]
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Answer: Victories

Please answer this: I am trying to decide whether it's worth it to invest in this film proposal. Can you help me answer a few questions? If you can't, please say "No I can't". Question: What was Guido's problem in the beginning of the movie? Movie title: Nine Movie plot: Nine tells the story of Guido Contini (Daniel Day-Lewis), a world famous film director as he confronts an epic mid-life crisis with both creative and personal problems. He must balance the many women of his life, including his wife (Marion Cotillard), his mistress (Penelope Cruz), his film star muse (Nicole Kidman), his confidant and costume designer (Judi Dench), an American fashion journalist (Kate Hudson), the whore from his youth (Fergie) and his mother (Sophia Loren).Guido Contini is a gifted Italian filmmaker who, at the age of fifty, has developed writer's block and urges all the women in his life, alive and dead, to help him with it - his mind wanders to his unfinished set, where dozens of dancers and the films leading ladies appear first Claudia Jenssen, his leading lady; then his wife Luisa; his mistress Carla; his costume designer and confidant Lilli; his beloved Mamma; Stephanie, an American fashion journalist from Vogue; and finally Saraghina, a prostitute from his childhood; ("Overture Delle Donne"). It is 1965, and at the famous Cinecitta movie studios, in Rome, 'everyone has questions for Signor Contini.' At a press conference at the Hotel Excelsior on the Via Veneto, hes charming and colorful, avoiding any clear answer on his new movie - his ninth with producer, Dante, - tentatively entitled "Italia". Here he meets Stephanie, a Vogue fashion journalist, with whom he begins a flirtation. Escaping the biting probes of the reporters, he creates an elaborate fantasy, which becomes ("Guidos Song") where he explains that he wishes he was young and energetic once again, since his talent was better then. He escapes the press conference, the reporters and his producer and arrives at the Bellavista Spa Hotel. While being examined by the doctor, he receives a call from Carla, his mistress ("A Call from the Vatican"). She describes her desire for him, as he excitedly listens on the other end. She arrives at the spa, expecting to share his suite, but is upset to find that shes staying in a shabby pensione...
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Answer: He has writer's block

Please answer this: I am trying to decide whether it's worth it to invest in this film proposal. Can you help me answer a few questions? If you can't, please say "No I can't". Question: How much is the sculpture insured for? Movie title: How to Steal a Million Movie plot: Paris, 1966...Monsieur Charles Bonnet (Hugh Griffin), the current head of the Bonnet family, custodian of the family's legendary collection of fine art, and a noted collector in his own right, is offering one of his prized paintings at auction. A Cezanne, it sells for a fabulous $515,000, the high point of the auction. When Bonnet's daughter, Nicole (Audrey Hepburn), hears the news on her car radio on her way home from work, she is shocked...and dismayed. The moment she arrives at their elegant old chateau, she runs upstairs calling her father. In his bedroom on the second floor, she opens the door to an antique wardrobe and steps inside, opens a false panel at the back of the wardrobe and climbs a hidden spiral staircase to her father's secret studio in the attic.Bonnet, it turns out, is a forger of fine art...cheerful and charming, but an unrepentant scoundrel. He is putting the finishing touches on his latest project, a flawless rendition of a famous lost Van Gogh. He has even found another painting from the same period, by an unknown artist, and has brushed dirt from the back of that canvas to transfer to his forgery. "I doubt if even Van Gogh himself would have gone to such pains with his work," he boasts. "He didn't have to, Papa," Nicole retorts, "he WAS Van Gogh!" She tells him in a tired voice (for what must surely be the thousandth time) that it's a crime to sell fake masterpieces. He replies that he only sells them to wealthy, private buyers, who get an undeniably fine painting in return.A noise in the driveway sends them both to the window: An armored car, a police van, a black limousine and half a dozen motorcycles have arrived and parked in front of the house. Nicole is terrified that the authorities have at last discovered Bonnet's hobby, but Bonnet explains that he has simply agreed to let the Claver-Lafayette Museum display their exquisite statuette of Venus, purportedly carved by 16th Century sculptor Benvenuto Cellini, in their latest exhibit. Nicole is not reassured: Their Cellini Venus is...
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Answer:
Zero dollars