Question:
O'Neill was born in a hotel, the Barrett House, at Broadway and 43rd Street, on what was then Longacre Square (now Times Square). A commemorative plaque was first dedicated there in 1957. The site is now occupied by 1500 Broadway, which houses offices, retail, and ABC Studios. He was the son of Irish immigrant actor James O'Neill and Mary Ellen Quinlan, who was also of Irish descent.
O'Neill was married to Kathleen Jenkins from October 2, 1909 to 1912, during which time they had one son, Eugene O'Neill, Jr. (1910-1950). In 1917, O'Neill met Agnes Boulton, a successful writer of commercial fiction, and they married on April 12, 1918. They lived in a home owned by her parents in Point Pleasant, New Jersey, after their marriage. The years of their marriage--during which the couple lived in Connecticut and Bermuda and had two children, Shane and Oona--are described vividly in her 1958 memoir Part of a Long Story. They divorced in 1929, after O'Neill abandoned Boulton and the children for the actress Carlotta Monterey (born San Francisco, California, December 28, 1888; died Westwood, New Jersey, November 18, 1970). O'Neill and Carlotta married less than a month after he officially divorced his previous wife. In 1929, O'Neill and Monterey moved to the Loire Valley in central France, where they lived in the Chateau du Plessis in Saint-Antoine-du-Rocher, Indre-et-Loire. During the early 1930s they returned to the United States and lived in Sea Island, Georgia, at a house called Casa Genotta. He moved to Danville, California in 1937 and lived there until 1944. His house there, Tao House, is today the Eugene O'Neill National Historic Site. In their first years together, Monterey organized O'Neill's life, enabling him to devote himself to writing. She later became addicted to potassium bromide, and the marriage deteriorated, resulting in a number of separations, although they never divorced. In 1943, O'Neill disowned his daughter Oona for marrying the English actor, director, and producer Charlie Chaplin when she was 18 and Chaplin was 54. He never saw Oona again. He also had distant relationships with his sons. Eugene O'Neill, Jr., a Yale classicist, suffered from alcoholism and committed suicide in 1950 at the age of 40. Shane O'Neill became a heroin addict and moved into the family home in Bermuda, Spithead, with his new wife, where he supported himself by selling off the furnishings. He was disowned by his father before also committing suicide (by jumping out of a window) a number of years later. Oona ultimately inherited Spithead and the connected estate (subsequently known as the Chaplin Estate). In 1950 O'Neill joined The Lambs, the famed theater club.
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how was his married life?

Answer:
they had one son, Eugene O'Neill,

Question:
Mortimer was born in Hampstead, London, the only child of Kathleen May (nee Smith) and Clifford Mortimer, a barrister who became blind in 1936 when he hit his head on the door frame of a London taxi but still pursued his career. Clifford's loss of sight was not acknowledged openly by the family. John Mortimer was educated at the Dragon School in Oxford and Harrow School, where he joined the Communist Party, forming a one-member cell. Originally Mortimer intended to be an actor (his lead role in the Dragon's 1937 production of Richard II gained glowing reviews in The Draconian) and then a writer, but his father persuaded him against it, advising: "My dear boy, have some consideration for your unfortunate wife...
Mortimer was called to the Bar (Inner Temple) in 1948, at the age of 25. His early career consisted of testamentary and divorce work, but on taking silk in 1966, he began to undertake work in criminal law. His highest profile, though, came from cases relating to claims of obscenity, which, according to Mortimer, were "alleged to be testing the frontiers of tolerance." He has sometimes been incorrectly cited as a member in the Lady Chatterley's Lover obscenity trial defence team, though this is inaccurate. Mortimer did however successfully represent publishers John Calder and Marion Boyars in their 1968 appeal against their conviction for publishing Hubert Selby, Jr.'s Last Exit to Brooklyn. He assumed a similar role three years later, this time unsuccessfully, for Richard Handyside, the English publisher of The Little Red Schoolbook. Mortimer was also defence counsel at the Oz conspiracy trial later in 1971. In 1976, he defended Gay News editor Denis Lemon (Whitehouse v. Lemon) for the publication of James Kirkup's "The Love that Dares to Speak its Name" against charges of blasphemous libel; Lemon was convicted with a suspended prison sentence, later overturned on appeal. His defence of Virgin Records in the 1977 obscenity hearing for their use of the word bollocks in the title of the Sex Pistols album Never Mind the Bollocks, Here's the Sex Pistols, and the manager of the Nottingham branch of the Virgin record shop chain for the record's display in a window and its sale, led to the defendants' being found not guilty. Mortimer retired from the bar in 1984.
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Was he succesful in his legal career?

Answer:
Mortimer did however successfully represent publishers John Calder and Marion Boyars

Question:
Faber was born on a farm near Cascade, Iowa, on September 6, 1888. He was of Luxembourgish ancestry. While Faber was a child, his father managed a tavern and later ran the Hotel Faber in Cascade. His father became one of the wealthiest citizens in Cascade.
Faber enjoyed the greatest success of his career in the early 1920s. The live-ball era was beginning, but he was among the pitchers who made the most successful transition. The spitball was phased out after the 1920 season, with Faber one of the 17 pitchers permitted to use it for the remainder of their careers. He took advantage of Comiskey Park's spacious dimensions, surrendering only 91 home runs--barely one homer per month--from 1920 to 1931. He was one of only six pitchers to win 100 or more games in both the "dead ball" (through 1920) and live ball eras. Faber finished the 1920 season with 23 wins and led the league in games started. During the summer of 1921, Faber and several other players had to leave a road trip in Washington after receiving subpoenas for the Black Sox trial in Chicago. Faber made the trip but was not asked to testify and he returned to the White Sox without missing a start. In 1921 and 1922, he posted win totals of 25 and 21, respectively, leading the league in ERA (1921-1922), innings (1922) and complete games (1921-1922). He was also among the league leaders in strikeouts each year, while pitching at least 25 complete games and over 300 innings. In the wake of the Black Sox scandal, winning on a consistent basis became increasingly difficult. After being one of the top teams in the league with a powerful offense in the late 1910s, the White Sox had only two winning seasons in his last 13 years, never finishing above fifth place. In the 1921 season, he earned a 25-15 win-loss record for the post-scandal team that limped to a 62-92 finish; from 1921 to 1929 his record was 126-103. In 1927, Ty Cobb had a 21-game hitting streak which was broken when he faced Faber. Despite the widespread hitting of the era, he did not post an ERA over 3.88 until he was 41. Perhaps his last great performance was a one-hitter at age 40 in 1929.
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How did he reach his success?

Answer:
He was one of only six pitchers to win 100 or more games in both the "dead ball" (through 1920) and live ball eras.