Question: Kurita passed through San Bernardino Strait at 03:00 on 25 October and headed along the coast of Samar. The only thing standing in his path were three groups (Taffy 1, 2 and 3) of the Seventh Fleet, commanded by Admiral Thomas Kinkaid. Each group had six escort carriers, with a total of more than 500 planes, and seven or eight destroyers or destroyer escorts (DE). Kinkaid still believed that Lee's force was guarding the north, so the Japanese had the element of surprise when they attacked Taffy 3 at 06:45. Kurita mistook the Taffy carriers for large fleet carriers and thought he had the whole Third Fleet in his sights. Since escort carriers stood little chance against a battleship, Adm. Clifton Sprague directed the carriers of Taffy 3 to turn and flee eastward, hoping that bad visibility would reduce the accuracy of Japanese gunfire, and used his destroyers to divert the Japanese battleships. The destroyers made harassing torpedo attacks against the Japanese. For ten minutes Yamato was caught up in evasive action. Two U.S. destroyers and a DE were sunk, but they had bought enough time for the Taffy groups to launch planes. Taffy 3 turned and fled south, with shells scoring hits on some of its carriers and sinking one of them. The superior speed of the Japanese force allowed it to draw closer and fire on the other two Taffy groups. However, at 09:20 Kurita suddenly turned and retreated north. Signals had disabused him of the notion that he was attacking the Third Fleet, and the longer Kurita continued to engage, the greater the risk of major air strikes. Destroyer attacks had broken the Japanese formations, shattering tactical control. Three of Kurita's heavy cruisers had been sunk and another was too damaged to continue the fight. The Japanese retreated through the San Bernardino Strait, under continuous air attack. The Battle of Leyte Gulf was over; and a large part of the Japanese surface fleet destroyed.
Is there an answer to this question: How many of Kurita's heavy cruisers were sunk?

Answer: Three

Question: For example, one might refer to the A above middle C as a', A4, or 440 Hz. In standard Western equal temperament, the notion of pitch is insensitive to "spelling": the description "G4 double sharp" refers to the same pitch as A4; in other temperaments, these may be distinct pitches. Human perception of musical intervals is approximately logarithmic with respect to fundamental frequency: the perceived interval between the pitches "A220" and "A440" is the same as the perceived interval between the pitches A440 and A880. Motivated by this logarithmic perception, music theorists sometimes represent pitches using a numerical scale based on the logarithm of fundamental frequency. For example, one can adopt the widely used MIDI standard to map fundamental frequency, f, to a real number, p, as follows
Is there an answer to this question: Human perception of musical intervals is approximately what?

Answer: logarithmic

Question: In the mid-1980s Lucasfilm pioneered the EditDroid non-linear editing system for film and television based on computer-controlled LaserDisc players. Instead of printing dailies out on film, processed negatives from the day's shoot would be sent to a mastering plant to be assembled from their 10-minute camera elements into 20-minute film segments. These were then mastered onto single-sided blank LaserDiscs, just as a DVD would be burnt at home today, allowing for much easier selection and preparation of an Edit Decision List. In the days before video assist was available in cinematography, this was the only other way a film crew could see their work. The EDL went to the negative cutter who then cut the camera negative accordingly and assembled the finished film. Only 24 EditDroid systems were ever built, even though the ideas and technology are still in use today. Later EditDroid experiments borrowed from hard-drive technology of having multiple discs on the same spindle and added numerous playback heads and numerous electronics to the basic jukebox design so that any point on each of the discs would be accessible within seconds. This eliminated the need for racks and racks of industrial LaserDisc players since EditDroid discs were only single-sided.
Is there an answer to this question: Were EditDroid discs single or multi-sided?

Answer: single-sided

Question: Several works from the Golden Age of Animation matched the action to classical music. Notable examples are Walt Disney's Fantasia, Tom and Jerry's Johann Mouse, and Warner Bros.' Rabbit of Seville and What's Opera, Doc?.
Is there an answer to this question: Who starred in Johann Mouse?

Answer:
Tom and Jerry