IN: Rose Tattoo is an Australian rock and roll band, now led by Angry Anderson, that was formed in Sydney in 1976. Their sound is hard rock mixed with blues rock influences, with songs including "Bad Boy for Love", "Rock 'n' Roll Outlaw", "Nice Boys", "We Can't Be Beaten" and "Scarred for Life". Their first four albums were produced by Harry Vanda and George Young who also worked with AC/DC. They disbanded in 1987, subsequently reforming briefly in 1993 to support Guns N' Roses on an Australian tour.

One-time Buster Brown bass guitarist Geordie Leach was recruited to record their self-titled debut LP, Rose Tattoo, which reached the top 40 on the Australian Kent Music Report Albums Chart in November 1978. The album, produced by Vanda & Young, was released in some markets as Rock N' Roll Outlaw after their second single, "Rock N' Roll Outlaw" which did not reach the top 50. Leach left the band in May 1979 to be replaced in October by guitarist Lobby Loyde filling in on bass (Coloured Balls, Purple Hearts, Wild Cherries). During his brief tenure, they recorded "Legalise Realise" which was released as an independent single in March 1980, backed with the track "Bong on Aussie" by country singer Colin Paterson, to publicise a campaign to legalise marijuana. Later in 1980, they toured the United States and then toured Europe (including UK), but by September Loyde had left and Leach had returned. Early in 1981, "Rock N' Roll Outlaw" started to chart in Europe, peaking at No. 2 in France, No. 5 in Germany and No. 60 in UK. The line up of Anderson, Cocks, Leach, Royall and Wells toured Europe from April. Three years after their debut the band issued the follow-up album, Assault and Battery in September, which reached the top 30 in Australia. Both Rock N' Roll Outlaw and Assault and Battery peaked at No. 1 on the UK heavy metal albums chart. Rose Tattoo's 1981 tour of Europe included an appearance at the Reading Festival, where Anderson repeatedly head butted the amp stacks until his scalp started bleeding. They were hailed as the loudest band to play London's Marquee Club since Led Zeppelin. Returning to Australia, the band began work on their third album; with new guitarist Robin Riley replacing Cocks, who went on to join Heaven, they issued Scarred for Life in 1982, subsequently touring the US in support of Aerosmith and ZZ Top. The band's US visit was not a major success but proved to be influential on the underground sleaze metal scene in Los Angeles, with bands such as Guns N' Roses which later cited Rose Tattoo as a favourite and recorded a cover of "Nice Boys" on Live ?!*@ Like a Suicide in 1986.
QUESTION: Was that one successfull
IN: Aaron Turner (born November 5, 1977) is an American musician, singer, graphic artist, and founder of label Hydra Head Records. He is most widely known for his role as guitarist and vocalist for the post-metal band Isis, while also participating in several other bands and projects such as Old Man Gloom, Lotus Eaters and Split Cranium, a collaboration with Jussi Lehtisalo of Finnish band Circle who toured with Isis in 2009. Though raised in New Mexico, Turner moved to the Boston area where he attended school and formed Isis and Hydra Head. In June 2003, Turner moved operations of both the band and label to Los Angeles, California.

Touring with Isis in 2007, Turner used two different guitars: a 1976 Fender Telecaster Custom (black), and a 1975 Fender Telecaster Deluxe (brown), played through various effects (his pedalboard layout changed every gig depending on what songs the band decided to play that night), a VHT/Fryette Pitbull Ultra Lead, and two 4x12 Sunn cabinets. He has also acquired a custom guitar from the Electrical Guitar Company (as did fellow Isis guitarist Michael Gallagher). In the past, Turner has also used a Gibson Les Paul Standard, PRS CE24, and has played through Sunn, Mesa Boogie, and Mackie amplifiers. When playing with Isis, Turner and his fellow guitarists usually tuned their instruments (low to high) B-F#-B-E-G#-B, to achieve a heavier sound. They also used other tunings, though less frequently, such as F# (octave below)-F#-B-E-G#-B. In 2016, Turner described the live rig he used with SUMAC as consisting of two custom-built guitars from the Electrical Guitar Company. Both have lucite bodies and aluminum necks, and custom-wound wide frequency range pickups. The newer of the two--a prototype for a signature model--has a slightly flatter fingerboard radius than the older instrument. On a tour of the Eastern US, Turner was using an Orange Dual Dark 100 amplifier head with a slaved Fryette Two/Ninety/Two power amp. Both heads drove Orange and Marshall cabinets, though Turner claimed to have no strong preferences for particular speaker cabinets. While recording, Turner prefers to use a Fryette Pitbull Ultra Lead, an amp model he's used consistently since his work in Isis. Turner described using a variety of effects pedals in his live rig. Specifically, he runs a BOSS TU-3 Chromatic Tuner, a Death By Audio Apocalypse fuzz, a MASF fuzz, a Strymon BlueSky reverb (which he described as the one essential pedal in his rig), a TC Electronics Ditto Looper X2, and an EHX Forty-Five Thousand sampler (used to trigger preset samples during performance. Turner prefers a Heil PR20 vocal microphone.
QUESTION:
What types of guitar strings did he use?