Teacher: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
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Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this instance: Context_1 : The Sixth Day: Single Collection is a compilation album released by Gackt on February 25, 2004. The album collects the artist's previous single's title songs, some of them having been re-recorded for this release. "The Sixth Day" complements "", an unplugged album released three months later. Context_2 : Get Your Phil is the sixth studio album released by Disappear Fear. This release marks the return of the harmonizing vocals of sisters: Sonia Rutstein (SONiA) and Cindy Frank (CiNDY); which have not been featured since the group's 1996 album, "Seed in the Sahara". The album has been described as, "100% made in America, folk music." All tracks are songs written by Phil Ochs, except for "Because the Night" which was penned by Patti Smith and Bruce Springsteen. The album was released on July 4, 2011. Cindy said of the release date, "We think a new anti-war album released on Independence Day is a great idea and we hope that Phil would be proud." The majority of the instrumentation on the album is done by Sonia. She plays the acoustic guitar, piano and harmonica. The album was engineered and produced by Grammy nominee, John Jacob. Context_3 : The Story of Light "Real Illusions: ...of a..." is the eighth studio album by guitarist Steve Vai, released on August 14, 2012 through Favored Nations Entertainment. It is Vai's first full-length studio album since 2005's "". On May 23, 2012 "The Story of Light" was made available for pre-order through Vai's official website with an instant download of "Gravity Storm". The track "John the Revelator" contains a sample of Blind Willie Johnson's song of the same name. "The Moon and I" was initially released as a VaiTunes digital only single in 2010. However, due to the personal nature of the song, Vai decided to remix it and include it on the album. Context_4 : Playing the Angel is the eleventh studio album by the English electronic music band Depeche Mode, released on 17 October 2005 in the UK by Mute Records and on 18 October in the United States, Mexico and Canada by Sire Records and Reprise Records. It was supported by the Touring the Angel tour. Context_5 : NEWS is the twenty-seventh studio album by American recording artist Prince. It was released on May 26, 2003 by NPG Records. The album is the second instrumental album released under Prince's own name, containing four tracks of 14 minutes duration each. Recorded at Prince's Paisley Park Studios over a single day, the album was initially available through Prince's NPG Music Club website on May 26, 2003 before becoming widely commercially available on July 29. The album can be seen as a modern incarnation of Madhouse, but this time as a Prince release. Original Madhouse member Eric Leeds lends his talents, as well as The New Power Generation members John Blackwell, Rhonda Smith and Renato Neto. The album is reportedly the lowest-selling Prince album released to date, with just 30,000 copies sold, but it did become a top ten hit on the "Billboard" Internet sales chart, and garnered a Grammy nomination for Best Pop Instrumental Album. Context_6 : "John the Revelator"/"Lilian" is the second double A-side single by Depeche Mode and their forty-fourth single overall, released on 5 June 2006. Both songs are featured on Depeche Mode's 2005 album, "Playing the Angel" and serve as the fourth single from the album (see 2006 in British music). The single became another UK Top 20 hit for the band, reaching number 18. Context_7 : Mytown is the eponymous only studio album released by Irish boy band Mytown. The debut album was the only album released by the band before their break-up in 2001, with two of its members later going on to form the alternative rock band The Script. Four singles were released from the album: "Do It Like This", which was only released in Ireland, "Body Bumpin'", which was only released in the United States, "Now That I Found You", which was only released in the United States and Australia, and "Party All Night". Only the latter of these reached the UK Singles chart, peaking at No.22. Although the album was planned for release internationally, both the British and Irish releases never saw the light of day; and the album was only released in the United States, Canada and Australia. Context_8 : "Fragile Tension"/"Hole to Feed" is Depeche Mode's third single from their studio album, "Sounds of the Universe", their 48th UK single overall, and their third double A-side single, following "Blasphemous Rumours / Somebody" and "John the Revelator / Lilian". "Hole to Feed" is the second Depeche Mode single written by Dave Gahan along with co-writers Christian Eigner and Andrew Phillpott, succeeding the first being "Suffer Well", from their previous album "Playing The Angel". Gahan told "The Guardian" that "Hole to Feed" is, "a very cynical song about wanting to fill a gaping hole but not knowing what to fill it with. About sometimes the idea of having a hole to feed all being a figment of my imagination when I'm actually fine." Context_9 : The Neuromancer is the fourth studio album by William Control. Preceded by a lyric video for "Illuminator", the album was released on April 4, 2014, through Control Records, and was produced and engineered by William Control. It was recorded at Control's own Hell's Half Acre studio in September/October 2013, mixed by Ryan O John, and mastered by Alan Douches at West West Side. All lyrics are by William Francis. The single "Revelator" was also released in April, and accompanied by a video. This was followed in May by a second single, "Price We Pay". The album had been scheduled for release in late 2013, but was delayed in order to make it 'the best it could possibly be'. Context_10 : Big Day Out 06 is a New Zealand compilation album released to coincide with the Big Day Out music festival in 2006. To date, this was the last album released in this series. fact_1 : Both songs are featured on Depeche Mode's 2005 album, "Playing the Angel" and serve as the fourth single from the album (see 2006 in British music). fact_2 : Playing the Angel is the eleventh studio album by the English electronic music band Depeche Mode, released on 17 October 2005 in the UK by Mute Records and on 18 October in the United States, Mexico and Canada by Sire Records and Reprise Records. Question: "John the Revelator"/"Lilian" from an album released on which day ?
Student:
17 October 2005