Question:
Sven Anders Hedin, KNO1kl RVO, (19 February 1865 - 26 November 1952) was a Swedish geographer, topographer, explorer, photographer, travel writer, and illustrator of his own works. During four expeditions to Central Asia, he made the Transhimalaya known in the West and located sources of the Brahmaputra, Indus and Sutlej Rivers. He also mapped lake Lop Nur, and the remains of cities, grave sites and the Great Wall of China in the deserts of the Tarim Basin. In his book Fran pol till pol (From Pole to Pole), Hedin describes a journey through Asia and Europe between the late 1880s and the early 1900s.
Hedin was a monarchist. From 1905 onwards he took a stand against the move toward democracy in his Swedish homeland. He warned of the dangers he assumed to be coming from Czarist Russia, and called for an alliance with the German Empire. Therefore, he advocated a strengthened national defence, with a vigilant military preparedness. August Strindberg was one of his opponents on this issue, which divided Swedish politics at the time. In 1912 Hedin publicly supported the Swedish coastal defense ship Society. He helped collect public donations for the building of the coastal defense ship HSwMS Sverige, which the Liberal and anti-militarist government of Karl Staaff had been unwilling to finance. In early 1914, when the Liberal government enacted cutbacks to the country's defenses, Hedin wrote the Courtyard Speech, in which King Gustaf V promised to strengthen the country's defenses. The speech led to a political crisis that ended with Staaff and his government resigning and being replaced by a non-party, more conservative government. He developed a lasting affinity for the German empire, with which he became acquainted during his formal studies. This is also shown in his admiration for Kaiser Wilhelm II, whom he even visited in exile in the Netherlands. Influenced by imperial Russian and later the Soviet union's attempts to dominate and control territories outside its borders, especially in Central Asia and Turkestan, Hedin felt that Soviet Russia posed a great threat to the West, which may be part of the reason why he supported Germany during both World Wars. He viewed World War I as a struggle of the German race (particularly against Russia) and took sides in books like Ein Volk in Waffen. Den deutschen Soldaten gewidmet (A People in Arms. Dedicated to the German Soldier). As a consequence, he lost friends in France and England and was expelled from the British Royal Geographical Society, and from the Imperial Russian Geographical Society. Germany's defeat in World War I and the associated loss of its international reputation affected him deeply. That Sweden gave asylum to Wolfgang Kapp as a political refugee after the failure of the Kapp Putsch is said to be primarily attributable to his efforts.
Answer this question using a quote from the text above:

What was his main political view?

Answer:
Hedin was a monarchist.

Question:
Salvador Domingo Felipe Jacinto Dali i Domenech, Marquis of Dali de Pubol (11 May 1904 - 23 January 1989), known professionally as Salvador Dali ( Catalan: [s@lb@'do d@'li]; Spanish: [salba'dor da'li]), was a prominent Spanish surrealist born in Figueres, Catalonia, Spain. Dali was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters.
Dali employed extensive symbolism in his work. For instance, the hallmark "melting watches" that first appear in The Persistence of Memory suggest Einstein's theory that time is relative and not fixed. The idea for clocks functioning symbolically in this way came to Dali when he was staring at a runny piece of Camembert cheese on a hot August day. The elephant is also a recurring image in Dali's works. It appeared in his 1944 work Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening. The elephants, inspired by Gian Lorenzo Bernini's sculpture base in Rome of an elephant carrying an ancient obelisk, are portrayed "with long, multijointed, almost invisible legs of desire" along with obelisks on their backs. Coupled with the image of their brittle legs, these encumbrances, noted for their phallic overtones, create a sense of phantom reality. "The elephant is a distortion in space", one analysis explains, "its spindly legs contrasting the idea of weightlessness with structure." "I am painting pictures which make me die for joy, I am creating with an absolute naturalness, without the slightest aesthetic concern, I am making things that inspire me with a profound emotion and I am trying to paint them honestly." --Salvador Dali, in Dawn Ades, Dali and Surrealism. The egg is another common Daliesque image. He connects the egg to the prenatal and intrauterine, thus using it to symbolize hope and love; it appears in The Great Masturbator and The Metamorphosis of Narcissus. The Metamorphosis of Narcissus also symbolized death and petrification. There are also giant sculptures of eggs in various locations at Dali's house in Port Lligat as well as at the Dali Theatre and Museum in Figueres. Various other animals appear throughout his work as well: ants point to death, decay, and immense sexual desire; the snail is connected to the human head (he saw a snail on a bicycle outside Freud's house when he first met Sigmund Freud); and locusts are a symbol of waste and fear. Both Dali and his father enjoyed eating sea urchins, freshly caught in the sea near Cadaques. The radial symmetry of the sea urchin fascinated Dali, and he adapted its form to many art works. Other foods also appear throughout his work.
Answer this question using a quote from the text above:

Was Salvador a symbol?

Answer:
Dali employed extensive symbolism in his work. For instance, the hallmark "melting watches"