Question: What is the answer for the question: Whose lieutenant encourages Hulk to escape? from the following article ? Hulk's allies, the Avengers, decide he is too dangerous to remain on Earth, so they put him in a shuttle and attempt to send him to a peaceful world. He awakens on board the shuttle before it arrives at its intended destination. When he goes into a fit of rage, breaking his restraints, he also causes enough damage to veer it off course, resulting in a crash on the planet Sakaar. Imperial guards appear and attach an obedience disk to Hulk, allowing them to communicate. Hulk is imprisoned with Hiroim, Korg, Miek, Elloe Kaifi, Lavin Skee, an Android, and a few hived natives. The slaves are forced to fight for their freedom in three gladiator battles. Their first opponents are Korg's brothers. Lavin Skee and the natives die in the battle. Hulk attacks the Red King who presides over the arena, but is defeated by the emperor's lieutenant, Caiera. Red King allows the Hulk to live because the crowd is entertained, but secretly plots his death. The other gladiators hold a service for Lavin Skee and form a Warbound pact, revealing their pasts to each other. Elloe also tells Hiroim that some civilians believe Hulk is the true "Sakaarson", a foretold savior. Hulk refuses the title. The other gladiators fight their second round against the Wildebots, and are victorious. Later, Caiera comes to the Hulk and reveals her past. As a child, creatures known as "Spikes" attacked her home-town. The Red Prince (now the Red King) killed off the Spikes with his Death's Head guards (Hiroim called them Death's Hand) after which Caiera pledged allegiance to the prince. She worries Hulk's popularity will turn the people away from the Red King, and encourages him to escape. That night the resistance comes to rescue the gladiators but the Hulk refuses to go, warning there's a trap. Elloe leaves, and the rest of Warbound are forced to listen to the resistance fighters being attacked.
Answer: the emperor's
[Q]: What is the answer for the question: What are the full names of the two individuals whose children, Eleanor and Curtis, attended the Scarborough School? from the following article ? Frank A. Vanderlip was president of the National City Bank of New York, Assistant Secretary of the Treasury, and a founder of the Federal Reserve System. He lived at the Beechwood estate and created the first Montessori school in the United States, the Scarborough School, nearby. Vanderlip also helped found and was the first president of Scarborough's Sleepy Hollow Country Club. Ella Holmes White and her partner Marie Grice Young lived in the Briarcliff Lodge, where an extension was built for them to reside. The two held a long-term lease there before they boarded the RMS Titanic and survived its sinking; they continued to live at the lodge until later in their lives. Marian Cruger Coffin, a landscape architect, was born and grew up in Scarborough. Emily Taft Douglas, a U.S. Representative and wife of Senator Paul Douglas, lived in Briarcliff Manor from 1986 to her death in 1994. Composer and conductor Aaron Copland, famous for Rodeo and Fanfare for the Common Man, began spending weekdays at Mary Churchill's house in Briarcliff Manor in early 1929, and had a post office box in Briarcliff Manor. He spent almost a month living there before moving to nearby Bedford; his ultimate residence is in nearby Cortlandt Manor. Brooke Astor, a philanthropist, socialite, and member of the Astor family, lived in Briarcliff Manor for much of her life. Children's author C. B. Colby was on the village board, was the village's Fire Commissioner, and researched for the village historical society's 1977 history book. He lived on Pine Road until his death in 1977. Anna Roosevelt Halsted lived with Curtis Bean Dall on Sleepy Hollow Road; their children, Eleanor and Curtis, attended the Scarborough School. Blanchette Ferry Rockefeller, twice-president of the Museum of Modern Art, lived in the village until her death. Eugene T. Booth, a nuclear physicist and Manhattan Project developer, lived in the village. John Cheever lived in Scarborough, and spent most of his writing career in Westchester towns such as Briarcliff Manor and...
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[A]: Curtis Bean Dall
input: Please answer the following: What is the answer for the question: What is the last name of the man who described the artist who had an antinaturalistic style as someone who "painted horrors in the Escorial"? from the following article ? El Greco was disdained by the immediate generations after his death because his work was opposed in many respects to the principles of the early baroque style which came to the fore near the beginning of the 17th century and soon supplanted the last surviving traits of the 16th-century Mannerism. El Greco was deemed incomprehensible and had no important followers. Only his son and a few unknown painters produced weak copies of his works. Late 17th- and early 18th-century Spanish commentators praised his skill but criticized his antinaturalistic style and his complex iconography. Some of these commentators, such as Antonio Palomino and Juan Agustin Cean Bermudez, described his mature work as "contemptible", "ridiculous" and "worthy of scorn". The views of Palomino and Bermudez were frequently repeated in Spanish historiography, adorned with terms such as "strange", "queer", "original", "eccentric" and "odd". The phrase "sunk in eccentricity", often encountered in such texts, in time developed into "madness".With the arrival of Romantic sentiments in the late 18th century, El Greco's works were examined anew. To French writer Theophile Gautier, El Greco was the precursor of the European Romantic movement in all its craving for the strange and the extreme. Gautier regarded El Greco as the ideal romantic hero (the "gifted", the "misunderstood", the "mad"), and was the first who explicitly expressed his admiration for El Greco's later technique. French art critics Zacharie Astruc and Paul Lefort helped to promote a widespread revival of interest in his painting. In the 1890s, Spanish painters living in Paris adopted him as their guide and mentor. However, in the popular English-speaking imagination he remained the man who "painted horrors in the Escorial" in the words of Ephraim Chambers' Cyclopaedia in 1899.In 1908, Spanish art historian Manuel Bartolome Cossio published the first comprehensive catalogue of El Greco's works; in this book El Greco was presented as the founder of the Spanish School. The same year...
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output:
Chambers