Question:
Hotel California My first thought: I was going crazy. Twenty-four hours of silence (vacuum, remember); was I hallucinating noises now? I heard it again. It was a fine bell, reminiscent of ancient stone churches and the towering cathedrals I'd seen in documentaries. And accompanying the bell, I saw a light. Now, there were two things here that made ridiculously small amounts of sense. First, the whole in-a-vacuum why's-there-a-bell thing. Second, I was floating in the dark remnants of my broken ship, and any conceivable light sources were not within view; starlight is a distinctly different color and significantly less bright. These signals were the heralds of my saviors. The first words they said to me meant nothing. I wasn't listening; I didn't care; I was going to live; I was going to keep breathing. Next to those, nothing else mattered. The recycled air tasted sweet in my mouth, and all thoughts that crossed my mind were cheap metaphors about life-giving substances and how breathing was like sex, only better. (I reserved the right to revise this opinion later.) When I was done mentally exclaiming over my impossible rescue, I looked around. The ship, it was odd and old, either so outdated or so heavily modified that I couldn't tell what make it was, and somehow, the crew standing around me fit the same description, a singularly atypical amalgamation of folk. And me, I guess I was one more piece in their puzzle. I was one more scrap to weld onto the rest, one more stranded survivor who was found. I was now one of them. After reading the above, is "He heard a sound and saw a light in a vacuum" the correct answer to the question "Why did the writer think he was going crazy?"? OPTIONS:
- no
- yes

Answer:
yes

Question:
Befitting a lush, tropical island stranded in the middle of the ocean, Madeira's origins are shrouded in mystery and fanciful legend. Some claim that the archipelago is what remains of Plato's lost Atlantis, or part of a landmass that once fused the continents of Europe and America. The Portuguese Step Ashore: Recorded history of the volcanic archipelago begins in relatively recent times: 1418, just as the golden age of Portuguese discovery was erupting. Under the leadership of Henry the Navigator, caravels set out from the westernmost point of the Algarve, in southern Portugal, in search of foreign lands, fame, and wealth. Joao Goncalves Zarco, sailing in the service of Prince Henry, made the first of many famous Portuguese discoveries, which would culminate a century later in Magellan's historic circumnavigation of the globe. Zarco happened upon a small volcanic archipelago 1,000 km from Lisbon. Perhaps Zarco knew precisely where he was heading, having learned of the existence of Madeira from a Castilian source. After all, the waters of the Canary Islands, only 445 km (275 miles) to the south, had occupied busy shipping lanes for very nearly a century, and Genovese maps from the mid-14th century depict both Madeira and Porto Santo. More likely, Zarco was heading for Guinea and storms forced him onto the beach of Porto Santo. If so, then he was extremely fortunate, for he managed to land on the only large, sandy beach for hundreds of miles around. Little wonder he subsequently named it Porto Santo (Holy Port). The following year Zarco returned to claim the larger island he had seen from Porto Santo, and with him went Tristao Vaz Teixeira and Bartolomeu Perestrelo. They officially became the first men to set foot on the heavily forested island, naming it Ilha da Madeira, "Island of Timber. " The Portuguese Crown, delighted with its first important discovery, immediately embarked on a program of colonization. Zarco and Teixeira were appointed co-governors of Madeira, while Perestrelo was awarded Porto Santo. After reading the above, is "Ilha da Madeira" the correct answer to the question "When Zarco first landed on the volcanic archipelago, had he landed on what he later named "Madeira"?"? OPTIONS:
- no
- yes

Answer:
no

Question:
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness. In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsu into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction. In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale. In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not". After reading the above, is "She is bewitchingly beautiful" the correct answer to the question "Why is Madam White Snake described as a "femme"?"? OPTIONS:
- no
- yes

Answer:
yes