Background: Wasim Akram (Urdu: wsym khrm; born 3 June 1966) is a former Pakistani first-class cricketer, cricket commentator and television personality. He is acknowledged as one of the greatest bowlers of all time. A left-arm fast bowler who could bowl with significant pace, he represented the Pakistan cricket team in Test cricket and One Day International (ODI) matches. In October 2013, Wasim Akram was the only Pakistani cricketer to be named in an all-time Test World XI to mark the 150th anniversary of Wisden Cricketers' Almanack.
Context: During his professional career he bowled with genuine speed and hostility. Akram was a man possessed of accurate control of line and length, accompanied by seam and swing bowling skills, extended to both inswingers and outswingers. With a very quick bowling action, he could bowl equally well from both sides of the wicket. His mastery of reverse swing with the cricket ball meant he was at his most dangerous towards a bowling innings, and earned him the nickname of one of the "Sultans of Swing", the other one being Waqar Younis. As well as often being able to find the edge of the bat, Akram would also focus his bowling attack on the stumps and had a particularly lethal inswinging yorker. Of his 414 Test wickets, 193 were taken caught, 119 were taken leg before wicket and 102 were bowled. In partnership with Waqar Younis, he intimidated international batsmen in the 1990s. Together Wasim and Waqar, known as "the two Ws" of the Pakistani team, were one of the most successful bowling partnerships in cricket. With the bat he was especially effective against spin bowlers. However, he liked to slog and was criticised for his lack of high scores and giving away his wicket too cheaply. In October 1996 he scored 257 runs not out, of the team's total of 553 against lowly Zimbabwe on a typical flat South Asian pitch at Sheikhupura. He also achieved good scores for the Pakistan team such as his scores of 123 and 45* against Australia to take Pakistan to victory in a low scoring match. His batting was also valuable sometimes to the Pakistan ODI side, such as in the Nehru Cup in 1989, when needing six runs and two balls to win the match, he hit the first delivery he faced, from part-time off-spinner and batting legend, Viv Richards, for a six and secured the cup. In December 2012 after Ricky Ponting announced his retirement he said that Wasim Akram and Curtly Ambrose were the toughest bowlers he had faced "Akram for the exact opposite, you could get a few runs off him, but you just knew there was an unplayable ball around the corner, be it with an old ball or with a new ball," - Ricky Ponting.
Question: What was his legacy?
Answer: His mastery of reverse swing with the cricket ball meant he was at his most dangerous towards a bowling innings,

Background: Louis Thomas Hardin (May 26, 1916 - September 8, 1999), also known as Moondog, was an American musician, composer, theoretician, poet and inventor of several musical instruments. He was blind from the age of 16. Hardin lived in New York from the late 1940s until 1972, and during this time he could often be found on 6th Avenue, between 52nd and 55th Streets, wearing a cloak and a horned helmet sometimes busking or selling music, but often just standing silently on the sidewalk. He was widely recognized as "the Viking of 6th Avenue" by thousands of passersby and residents who weren't aware of his musical career.
Context: Born to an Episcopalian family in Marysville, Kansas, Hardin started playing a set of drums that he made from a cardboard box at the age of five. His family relocated to Wyoming and his father opened a trading post at Fort Bridger. He attended school in a couple of small towns. At one point, his father took him to an Arapaho Sun Dance where he sat on the lap of Chief Yellow Calf and played a tom-tom made from buffalo skin. Hardin played drums for the high school band in Hurley, Missouri before losing his sight at the age of 16 in a farm accident on July 4, 1932, involving a dynamite cap. After learning the principles of music in several schools for blind young men across middle America, he taught himself the skills of ear training and composition. He studied with Burnet Tuthill and at the Iowa School for the Blind. He then moved to Batesville, Arkansas where he lived until 1942, when he got a scholarship to study in Memphis, Tennessee. Although the majority of his musical training was self-taught by ear, he learned some music theory from books in braille there. In 1943 Hardin moved to New York, where he met noted classical music luminaries such as Leonard Bernstein and Arturo Toscanini, as well as legendary jazz performer-composers such as Charlie Parker and Benny Goodman, whose upbeat tempos and often humorous compositions would influence Hardin's later work. One of his early street posts was near the famed 52nd Street nightclub strip, and he was well-known to many jazz musicians and fans. By 1947 Hardin had adopted the name "Moondog" in honor of a dog "who used to howl at the moon more than any dog I knew of".
Question: When did he gain recognition?
Answer:
In 1943 Hardin moved to New York, where he met noted classical music luminaries such as Leonard Bernstein and Arturo Toscanini,