IN: Review: House of games has a strong story where obsession and illusion play a big part. A psychologist offers to help a patient with his gambling debts and gets caught at the game.

Have you ever felt fascination for something that was both dangerous and wrong? Watch what happens if you pursue this urge and go all the way. Sit on the edge of your chair as tricksters are being tricked and victims turn into perpetrators. You're never sure of who is exactly who in this movie.

This is both a quality and a drawback of the script. As the movie ends you feel that the story lacks a bit of consistency. But all this is largely compensated by the excellent psychological development.

This is definitely one of the best movies about gambling.
What is this review like?
OUT: positive

IN: Review: Okay, so I have come a long way from Houston by now, but whenever I see this movie, I am taken back to a little cowgirl's dream to one day ride the bull at Gilley's. (It burned down before I was of drinking age.)

If you grew up in in East Texas, then you know this movie is an accurate depiction of contemporary life at that time. If you didn't then trust me and watch the movie. Either you will join the many who love it (and at the same time strangely repulsed), or at the very least, you can make fun of the red-necks. (There is plenty material for poking fun.) This movie doesn't try to be P.C. (what was that in the 80's) or hide the white trash element and it is honest to the time and place.

Gotta be a 10 for me!
What is this review like?
OUT: positive

IN: Review: Overshadowed by "Braveheart" released the same year, the two costume dramas beg comparison. I admit my bias against Mel Gibson, yet I maintain a rational preference for "Rob Roy." Both "Braveheart" and "Rob Roy" compellingly depict Scots history in bloody, romantic fashion. "Braveheart" is an epic paean to individual honor and courage and a fine revenge fantasy. It's also melodramatic, anachronistic and maudlin. Note its cornball usage of slow motion filming. Its violence is both ugly and glorious. It is the latter quality which makes it more appealing to the adolescent mindset. While "Braveheart" surpasses "Rob Roy" in sheer levels of carnage (not to mention its indulgent running time), the latter film is ultimately more mature and satisfying. Its action is more understated, yet more surprising and clever. Its sex is less showy, yet more erotic. "Rob Roy" also has a better realized romantic interest. Its dialog attempts to approximate the poetry of the period. Its rotted teeth in the mouths of the actors attempt to approximate the dentistry of the era. And Tim Roth is a superlative villain. Also recommended: "The Last of the Mohicans" and "The Patriot." You may find the latter more akin to "Braveheart" with its emphasis on blood lust, with the former more similar to "Rob Roy" in tone. All the of the aforementioned movies merit their R ratings for violence.
What is this review like?
OUT: positive

IN: Review: This has got to be the best movie I've ever seen.

Combine breathtaking cinematography with stunning acting and a gripping plot, and you have a masterpiece.

Dog Bite Dog had me gripping the edge of my seat during some scenes, recoiling in horror during others, and left me drowning in my own tears after the tragic ending.

The film left a deep impression on me. It's shockingly violent scenes contrasted sharply with the poignant and tender 'love' scenes. The film is undeserving of it's Cat III (nudity) rating; there are no nude scenes whatsoever, and the 'love' scenes do not even involve kissing or 'making out'.

The message which this film presented to me? All human beings, no matter how violent or cruel they may seem, have a tender side. Edison Chen does a superb job playing the part of the murderous Pang.

I rate this film 10/10. It's a must-watch.
What is this review like?
OUT:
positive