Answer the question at the end by quoting:

Jones was born on May 13, 1931 in a rural area of Crete, Indiana, to James Thurman Jones (1887-1951), a World War I veteran, and Lynetta Putnam (1902-1977). Jones was of Irish and Welsh descent; he later claimed partial Cherokee ancestry through his mother, but his maternal second cousin later stated this was likely untrue. Economic difficulties during the Great Depression necessitated that Jones' family move to the town of Lynn in 1934, where he grew up in a shack without plumbing.
In 1951, Jones began attending gatherings of the Communist Party USA in Indianapolis. He became flustered with harassment he received during the McCarthy Hearings, particularly regarding an event he attended with his mother focusing on Paul Robeson, after which she was harassed by the FBI in front of her co-workers for attending. He also became frustrated with ostracism of open communists in the United States, especially during the trial of Julius and Ethel Rosenberg. This frustration, among other things, provoked a seminal moment for Jones in which he asked himself, "How can I demonstrate my Marxism? The thought was, infiltrate the church." Jones was surprised when a Methodist superintendent helped him get a start in the church even though he knew Jones to be a communist and Jones did not meet him through the Communist Party USA. In 1952, he became a student pastor in Sommerset Southside Methodist Church, but claimed he left that church because its leaders barred him from integrating blacks into his congregation. Around this time, Jones witnessed a faith-healing service at a Seventh Day Baptist Church. He observed that it attracted people and their money and concluded that, with financial resources from such healings, he could help accomplish his social goals. Jones organized a mammoth religious convention to take place on June 11 through June 15, 1956, in a cavernous Indianapolis hall called Cadle Tabernacle. To draw the crowds, Jim needed a religious headliner, and so he arranged to share the pulpit with Rev. William M. Branham, a healing evangelist and religious author who at the time was as highly revered as Oral Roberts. Following the convention, Jones was able to launch his own church, which changed names until it became the Peoples Temple Christian Church Full Gospel. The Peoples Temple was initially made as an inter-racial mission.

Where was he born?

Some context: Sources differ on the precise year of Crazy Horse's birth, but most agree he was born between 1840 and 1845. According to a close friend, he and Crazy Horse "were both born in the same year at the same season of the year," which census records and other interviews place in 1842. Encouraging Bear, an Oglala medicine man and spiritual adviser to the Oglala war leader, reported that Crazy Horse was born "in the year in which the band to which he belonged, the Oglala, stole One Hundred Horses, and in the fall of the year," a reference to the annual Lakota calendar or winter count. Among the Oglala winter counts, the stealing of 100 horses is noted by Cloud Shield, and possibly by American Horse and Red Horse owner, as equivalent to the year 1840-41.
Rattling Blanket Woman was the daughter of Black Buffalo and White Cow (also known as Iron Cane). Her older siblings were Lone Horn (born 1790, died 1877) and Good Looking Woman (born 1810). Her younger sister was named Looks At It (born 1815), later given the name They Are Afraid of Her. The historian George Hyde wrote that Rattling Blanket Woman was Miniconjou and the sister of Spotted Tail, who became a Brule head chief. In the summer of 1844, Waglula went on a buffalo hunt. He came across a Miniconjou Lakota village under attack by Crow warriors. He led his small party of warriors to the village and rescued it. Corn, the head man of the village, had lost his wife in the raid. In gratitude he gave Waglula his two eldest daughters as wives: Iron Between Horns (age 18) and Kills Enemy (age 17). Corn's youngest daughter, Red Leggins, who was 15 at the time, requested to go with her sisters; all became Waglula's wives. According to Frederick Hoxie's Encyclopedia of North American Indians, Crazy Horse was the third in his male line to bear the name of Crazy Horse, which in Lakota is ThasuNGke Witko. ThasuNGke Witko III (1840-1877) was the son of Rattling Blanket Woman and ThasuNGke Witko II. The love of his life was Black Buffalo Woman, whom he courted, but she married another man named No Water. At one point, Crazy Horse persuaded Black Buffalo Woman to run away with him. No Water borrowed a pistol and ran after his wife. When he found her with Crazy Horse, he fired at him, injuring him in the face and leaving a noticeable scar. Crazy Horse was married two times, first to Black Shawl and second to Nellie Larrabee (Laravie). Nellie Larrabee was given the task of spying on Crazy Horse for the military, so the "marriage" is suspect. Only Black Shawl bore him any children, a daughter named They Are Afraid of Her, who died at age three.
Who were Crazy Horse's offspring?
A: Black Shawl bore him any children, a daughter named They Are Afraid of Her, who died at age three.

IN: Cabaret is a 1972 American musical drama film which was directed by Bob Fosse and which starred Liza Minnelli, Michael York, and Joel Grey. Situated in Berlin during the Weimar Republic in 1931, under the presence of the growing Nazi Party, the film is loosely based on the 1966 Broadway musical Cabaret by Kander and Ebb, which was adapted from the novel The Berlin Stories / Goodbye to Berlin (1939) by Christopher Isherwood and the 1951 play I Am a Camera adapted from the same book. Only a few numbers from the stage score were used for the film; Kander and Ebb wrote new ones to replace those that were discarded. In the traditional manner of musical theater, called an "integrated musical", every significant character in the stage version sings to express his or her own emotion and to advance the plot.

In 1995, Cabaret was the ninth live-action musical film selected by the Library of Congress for preservation in the United States National Film Registry as being deemed "culturally, historically, or aesthetically significant". Cabaret is cited on TV Guide's greatest films on TV and Video, and in Movieline magazine as one of the 100 Best Movies Ever. It was included in FilmFour's 100 Greatest Films of All Time at number 78 and in San Francisco Chronicle's film critics' "Hot 100 Films of the Past", being hailed as "The last great musical. Liza Minnelli plays Sally Bowles, an American adrift in pre-Nazi Berlin, in Bob Fosse's stylish, near-perfect film." David Benedict from The Observer has written about Cabaret's influence in musical films: "Back then, musicals were already low on filmgoers' lists, so how come it was such a success? Simple: Cabaret is the musical for people who hate them. Given the vibrancy of its now iconic numbers - Liza Minnelli in bowler and black suspenders astride a bentwood chair belting out 'Mein Herr' or shimmying and shivering with pleasure over 'Money' with Joel Grey - it sounds strange to say it but one of the chief reasons why Cabaret is so popular is that it's not shot like a musical." The film has been listed as one of the most important for queer cinema for its depictions of homosexuality, revolutionary at the time of its release. It turned Liza Minnelli into a gay icon. Film blogs have elected it as "the gayest winner in the history of the Academy".

what was the film Legacy?

OUT:
Cabaret was the ninth live-action musical film