In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as 'a' for Yes or 'b' for No.

[EX Q]: Question: Which of the writers of the single "Little Bit of Everything" was older? Passage:The album's lead single "Little Bit of Everything", written by Brad and Brett Warren (both of The Warren Brothers) along with Kevin Rudolf, was released on 14 May 2013. This song reached number one on the US Billboard Country Airplay chart in September 2013, as did "We Were Us", which was released as the album's second international single. in September 2013. "Shame" was released as the second single in Australia and New Zealand only in August 2013. The third international single, "Cop Car" was released in January 2014. The fourth international single, "Somewhere in My Car", was released on 23 June 2014. That song also reached number one on the Country Airplay chart late that year. The fifth international single, "Raise 'Em Up" is duet with Eric Church. it was released on 26 January 2015, and became the fourth (of the five North American releases) to top the Country Airplay chart in May 2015.

[EX A]: a

[EX Q]: Question: What is the age difference between the author of the novel Witnesses and the person who adapted it for the screen? Passage:After the political changes in 2000, Croatian cinema proved it could work in a completely free environment for the first time. As a result, at the beginning of this decade Croatian cinema flourishes again, and many critics write about "third golden era" (after the 1950s and 1960s). One of the most popular authors in the contemporary Croatian cinema is Vinko Bresan whose comedies Kako je poceo rat na mom otoku (How the War Started on My Island, 1997), and Marsal (Marshal Tito's Spirit, 1999) mix grotesque humor and political provocation. Bresan's war drama Svjedoci (Witnesses, based on a novel by Jurica Pavicic) was the first feature film from countries of former Yugoslavia which discussed the war crimes committed by "our guys", not the enemy. Film was screened in competition at the Berlin Film Festival in 2003. A Wonderful Night in Split (Ta divna splitska noc, 2004) by Arsen A. Ostojic received a nomination for the European Discovery EFA award, and Tu (Here, 2003) by Zrinko Ogresta was awarded at the Karlovy Vary Film Festival. Among other distinguished contemporary directors, internationally most recognized is Ognjen Svilicic, whose two films premiered at the Berlin Film Festival - Oprosti za kung fu (Sorry about Kung Fu, 2004) and Armin (2006). Armin was also Croatia's submission for the 2008 Academy Award, and although it didn't earn a nomination in the Best Foreign Language Film category, it did nevertheless receive the prestigious Best Foreign Film of 2007 Award given by the International Federation of Film Critics.

[EX A]: b

[EX Q]: Question: How much time was between the periods? Passage:Prior to Nepal's unification, Srestha was a collective high-status title given to those Hindu clans referred to as 'Bhaju' (from Sanskrit bhadralok) who served as the key non-Brahmin class of ruling, administrative and merchant class of the Malla courts. From within this broad Srestha groups are two distinct caste groups. First, they count among them the high-caste aristocratic Kshatriyas, locally pronounced as Chathariya, who are descended from the nobles and courtiers of the Malla period and consist of the ruling, land-owning and literate Hindu caste group of the Nepal Mandala, which later formed the core of government bureaucracy during the Shah and Rana period. Second, Srestha title is also attributed to the Panchthariya, who now mostly write their surnames as 'Shrestha', who were historically the Hindu merchant clans of the Valley, as opposed to the Buddhist merchant caste of Uray. These Panchthariyas have Vaishya status in the traditional varna framework. Srestha group has also incorporated in it the socially upward Jyapu farmers and other peasants especially outside the Valley as a means of the Sanskritisation process, although their status is not accepted by the upper-level Srestha castes.

[EX A]:
a