Background: Phillips was born Holly Michelle Gilliam in Long Beach, California, the second child of Joyce Leon (nee Poole), an accountant, and Gardner Burnett Gilliam, a merchant mariner. She has one older sister. Phillips's mother died of a brain aneurysm when Michelle was five years old. Between the ages of six and twelve, Phillips was raised in Mexico City, Mexico, where her father was studying sociology on the GI Bill at Mexico City College.
Context: Phillips starred for six seasons on Knots Landing as the constantly scheming Anne Matheson Sumner, the mother of star Nicollette Sheridan's character Paige Matheson (a role which Phillips returned to for the TV movie Knots Landing: Back to the Cul-de-Sac (1997)). During this time, she also appeared in the films Let It Ride (1989); the thriller Scissors (1991), opposite Sharon Stone; and Joshua Tree (1993), starring Dolph Lundgren. In the mid-1990s, she played Abby Malone, mother of Valerie Malone (Tiffani-Amber Thiessen) in Fox's Beverly Hills, 90210. In late 1987, Phillips sang backup vocals on Belinda Carlisle's number one hit, Heaven Is a Place on Earth, as well as on the Carlisle LP, Heaven on Earth. She had a guest role on the television series The Magnificent Seven, where she played Maude Standish, the mother of one of the Seven. Phillips' most recent serious acting job has been a recurring role on the WB drama 7th Heaven as Lily Jackson, sister of family matriarch Annie Jackson Camden (Catherine Hicks). She played Laura Collins in the television movie No One Would Tell (1996). After the millennium, Phillips continued to occasionally appear in films. She had supporting roles in the comedies Jane White Is Sick & Twisted (2002); the drama Harry + Max (2004); and the independent comedy Unbeatable Harold (2006) In 2009, Phillips appeared at the annual TV Land Awards for the 30th year celebration of Knots Landing. She also appeared in a minor role in the Norwegian historical film Betrayal, which chronicles the German occupation of Norway.
Question: Any other notable film works?
Answer: She had supporting roles in the comedies Jane White Is Sick & Twisted

Background: Lewis was born in 1935 to the poor farming family of Elmo and Mamie Lewis in Ferriday, Concordia Parish, in eastern Louisiana. In his youth, he began playing piano with two of his cousins, Mickey Gilley (later a popular country music singer) and Jimmy Swaggart (later a popular television evangelist). His parents mortgaged their farm to buy him a piano. Lewis was influenced by a piano-playing older cousin, Carl McVoy (who later recorded with Bill Black's Combo), the radio, and the sounds from Haney's Big House, a black juke joint across the tracks.
Context: Lewis's turbulent personal life was hidden from the public until a May 1958 British tour where Ray Berry, a news agency reporter at London's Heathrow Airport (the only journalist present), learned about Lewis's third wife, Myra Gale Brown. She was Lewis's first cousin once removed and was only 13 years old at the time. (Brown, Lewis, and his management all insisted that she was 15.) Lewis was 22 years old. The publicity caused an uproar, and the tour was cancelled after only three concerts. The scandal followed Lewis home to the United States; and, as a result, he was blacklisted from radio and almost vanished from the music scene. Lewis felt betrayed by numerous people who had been his supporters. Dick Clark dropped him from his shows. Lewis even felt that Sam Phillips had sold him out when the Sun Records boss released "The Return of Jerry Lee", a bogus "interview" spliced together by Jack Clement from excerpts of Lewis's songs that "answered" the interview questions, which made light of his marital and publicity problems. Only Alan Freed stayed true to Lewis, playing his records until Freed was removed from the air because of payola allegations. Lewis was still under contract with Sun Records, and kept recording, regularly releasing singles. He had gone from $10,000 a night for concerts to $250 a night for engagements in beer joints and small clubs. At the time he had few friends whom he felt he could trust. It was only through Kay Martin, the president of Lewis's fan club, T. L. Meade (also known as Franz Douskey), an occasional Memphis musician and friend of Sam Phillips, and Gary Skala, that Lewis went back to record at Sun Records. In 1960, Phillips opened a new state-of-the-art studio at 639 Madison Avenue in Memphis, abandoning the old Union Avenue studio where Phillips had recorded B.B. King, Howlin' Wolf, Elvis Presley, Roy Orbison, Carl Perkins, Lewis, Johnny Cash and others, and also opened a studio in Nashville. It was at the latter studio that Lewis recorded his only major hit during this period, a rendition of Ray Charles's "What'd I Say" in 1961. In Europe, other updated versions of "Sweet Little Sixteen" (September 1962 UK) and "Good Golly Miss Molly" (March 1963) entered the hit parade. On popular EPs, "Hang Up My Rock and Roll Shoes", "I've Been Twistin'", "Money" and "Hello Josephine" also became turntable hits, especially in nascent discotheques. Another recording of Lewis playing an instrumental boogie arrangement of the Glenn Miller Orchestra favorite "In the Mood" was issued on the Phillips International label under the pseudonym "The Hawk", but disc jockeys quickly figured out the distinctive piano style, and this gambit failed.
Question: What was turbulent about it?
Answer: The publicity caused an uproar, and the tour was cancelled after only three concerts.

Background: James Buchanan Jr. was born in a log cabin in Cove Gap, Pennsylvania (now Buchanan's Birthplace State Park), in Franklin County, on April 23, 1791, to James Buchanan, Sr. (1761-1821), a businessman, merchant, and farmer, and Elizabeth Speer, an educated woman (1767-1833). His parents were both of Ulster Scottish descent, the father having emigrated from Milford, County Donegal, Ireland, in 1783. One of eleven siblings, Buchanan was the oldest child in the family to survive infancy.
Context: In March 1860, the House created the Covode Committee to investigate the administration for evidence of offenses, some impeachable, such as bribery and extortion of representatives in exchange for their votes. The committee, with three Republicans and two Democrats, was accused by Buchanan's supporters of being nakedly partisan; they also charged its chairman, Republican Rep. John Covode, with acting on a personal grudge (since the president had vetoed a bill that was fashioned as a land grant for new agricultural colleges, but was designed to benefit Covode's railroad company). However, the Democratic committee members, as well as Democratic witnesses, were equally enthusiastic in their pursuit of Buchanan, and as pointed in their condemnations, as the Republicans. The committee was unable to establish grounds for impeaching Buchanan; however, the majority report issued on June 17 exposed corruption and abuse of power among members of his cabinet, as well as allegations (if not impeachable evidence) from the Republican members of the Committee, that Buchanan had attempted to bribe members of Congress in connection with the Lecompton constitution. (The Democratic report, issued separately the same day, pointed out that evidence was scarce, but did not refute the allegations; one of the Democratic members, Rep. James Robinson, stated publicly that he agreed with the Republican report even though he did not sign it.) Buchanan claimed to have "passed triumphantly through this ordeal" with complete vindication. Nonetheless, Republican operatives distributed thousands of copies of the Covode Committee report throughout the nation as campaign material in that year's presidential election.
Question: Why did they want to impeach him?
Answer:
exposed corruption and abuse of power among members of his cabinet, as well as allegations (if not impeachable evidence) from the Republican members of the Committee,