Background: Stallman was born to Alice Lippman, a school teacher, and Daniel Stallman, a printing press broker, in 1953 in New York City. Stallman had a difficult relationship with his parents, as his father had a drinking habit and verbally abused his stepmother. He later came to describe his parents as "tyrants". He was interested in computers at a young age; when Stallman was a pre-teen at a summer camp, he read manuals for the IBM 7094.
Context: Stallman places great importance on the words and labels people use to talk about the world, including the relationship between software and freedom. He asks people to say free software and GNU/Linux, and to avoid the terms intellectual property and piracy (in relation to copyright). One of his criteria for giving an interview to a journalist is that the journalist agree to use his terminology throughout the article. He has been known to turn down speaking requests over some terminology issues. Stallman argues that the term "intellectual property" is designed to confuse people, and is used to prevent intelligent discussion on the specifics of copyright, patent, trademark, and other laws by lumping together areas of law that are more dissimilar than similar. He also argues that by referring to these laws as property laws, the term biases the discussion when thinking about how to treat these issues. These laws originated separately, evolved differently, cover different activities, have different rules, and raise different public policy issues. Copyright law was designed to promote authorship and art, and covers the details of a work of authorship or art. Patent law was intended to encourage publication of ideas, at the price of finite monopolies over these ideas - a price that may be worth paying in some fields and not in others. Trademark law was not intended to promote any business activity, but simply to enable buyers to know what they are buying. An example of cautioning others to avoid other terminology while also offering suggestions for possible alternatives is this sentence of an e-mail by Stallman to a public mailing list: I think it is ok for authors (please let's not call them creators, they are not gods) to ask for money for copies of their works (please let's not devalue these works by calling them content) in order to gain income (the term compensation falsely implies it is a matter of making up for some kind of damages).
Question: Did he think all software should be free?
Answer: a price that may be worth paying in some fields and not in others.

Background: Nicholas Edward Cave (born 22 September 1957) is an Australian musician, singer-songwriter, author, screenwriter, composer and occasional film actor, best known as the frontman of the rock band Nick Cave and the Bad Seeds. Cave's music is generally characterised by emotional intensity, a wide variety of influences, and lyrical obsessions with death, religion, love and violence. Born and raised in rural Victoria, Cave studied art before turning to music in the 1970s. As frontman of the Boys Next Door (later renamed the Birthday Party), he became a central figure in Melbourne's burgeoning post-punk scene.
Context: Cave's work was featured in a scene in the 1986 film, Dogs in Space by Richard Lowenstein. Cave performed parts of the Boys Next Door song "Shivers" twice during the film, once on video and once live. Another early fan of Cave's was German director Wim Wenders, who lists Cave, along with Lou Reed and Portishead, as among his favorites. Two of Cave's songs were featured in his 1987 film Wings of Desire. Nick Cave and the Bad Seeds also make a cameo appearance in this film. Two more songs were included in Wenders' 1993 sequel Faraway, So Close!, including the title track. The soundtrack for Wenders' 1991 film Until the End of the World features Cave's "(I'll Love You) Till the End of the World." His most recent production, Palermo Shooting, also contains a Nick Cave song, as does his 2003 documentary The Soul of a Man. Cave's songs have also appeared in a number of Hollywood blockbusters - "There is a Light" appears on the 1995 soundtrack for Batman Forever, and "Red Right Hand" appeared in a number of films including The X-Files, Dumb & Dumber; Scream, its sequels Scream 2 and 3, and Hellboy (performed by Pete Yorn). In Scream 3, the song was given a reworking with Cave writing new lyrics and adding an orchestra to the arrangement of the track. "People Ain't No Good" was featured in the animated movie Shrek 2 and the song "O Children" was featured in the 2010 movie of Harry Potter and the Deathly Hallows - Part 1. In 2000 Andrew Dominik used "Release the Bats" in his film Chopper. Numerous other movies use Cave's songs including Box of Moonlight (1996), Mr In-Between (2001), Romance & Cigarettes (2005), Cirque du Freak: The Vampire's Assistant (2009), The Freshman, Gas Food Lodging, Kevin & Perry Go Large, About Time His works also appear in a number of major TV programs among them Trauma, The L Word, Traveler, The Unit, I Love the '70s, Outpatient, The Others, Nip/Tuck, and Californication. Most recently his work has appeared in the BBC series Peaky Blinders and the Australian series Jack Irish.
Question: who aided him in his early days of his career
Answer:
was German director Wim Wenders, who lists Cave,