Question:
Nomo was born into the working-class Osaka family of Shizuo, a fisherman and postal worker, and Kayoko, a part-time supermarket employee. As a youth, Nomo was shy and withdrawn, although passionate about baseball. He developed his corkscrew-style pitching motion in order to impress his father while playing catch. He believed that rotating from having his back turned to his target would help him add speed to his pitches.
Nomo began to struggle again in 2004. After undergoing shoulder surgery in October 2003, he was benched after going 4-11 with an 8.25 ERA for the Dodgers (the worst ERA in the history of baseball for a player with at least 15 decisions in a season). Before the start of spring training for 2005, he signed a $800,000 contract with the Tampa Bay Devil Rays. The contract also included a $700,000 incentive that kicked in if Nomo started 20 games. The stipulation was allegedly included because Devil Rays upper management was unsure if Nomo had fully recovered from his injury. After a poor start in which he posted a 7.24 ERA, he was released on July 25. Coincidentally or not, this was two days before he was slated to make his twentieth major league start. On July 27, Nomo was picked up off waivers by the New York Yankees, who signed him to a minor league contract, but never recalled him. Nomo was signed to a minor league contract by the Chicago White Sox during spring training in 2006 to play for the Triple-A Charlotte Knights of the International League, but the White Sox released him on June 7 of that year. In 2007, Nomo signed on with the Leones del Caracas of the Venezuelan Winter League, managed by his former catcher, Carlos Hernandez. His participation in the Venezuelan league was viewed as a first step toward an eventual Major League comeback. He made his debut on October 20, 2007, against Tiburones de La Guaira. Nomo pitched one inning, allowing one hit and no runs. On January 4, 2008, Nomo signed a minor league contract for 2008 with the Kansas City Royals. If added to the roster Nomo would have received a $600,000 one-year contract and the chance to earn $100,000 in performance bonuses. On April 5, his contract was bought by the Royals and was added to the 25-man roster. On April 10, Nomo made his first major league appearance since 2005. He faced the New York Yankees in relief. He was brought in to start the seventh inning of a game while the Yankees were leading 4-1. Nomo loaded the bases, but was able to retire his native countryman, Hideki Matsui, to strand all three runners. However, he later surrendered back-to-back homers to Alex Rodriguez and Jorge Posada in the ninth inning. On April 20, Nomo was designated for assignment. The Royals released him on April 29, 2008. On July 17, 2008, Nomo officially announced his retirement from Major League Baseball.
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was he playing baseball in 1995?

Answer:

Question:
Joe Simon was born in 1913 as Hymie Simon and raised in Rochester, New York, the son of Harry Simon, who had emigrated from Leeds, England, in 1905, and Rose (Kurland), whom Harry met in the United States. Harry Simon moved to Rochester, then a clothing-manufacturing center where his younger brother Isaac lived, and the couple had a daughter, Beatrice, in 1912. A poor Jewish family, the Simons lived in "a first-floor flat which doubled as my father's tailor shop." Simon attended Benjamin Franklin High School, where he was art director for the school newspaper and the yearbook - earning his first professional fee as an artist when two universities each paid $10 publication rights for his art deco, tempera splash pages for the yearbook sections.
Upon graduation in 1932, Simon was hired by Rochester Journal-American art director Adolph Edler as an assistant, replacing Simon's future comics colleague Al Liederman, who had quit. Between production duties, he did occasional sports and editorial cartoons for the paper. Two years later, Simon took an art job at the Syracuse Herald in Syracuse, New York, for $45 a week, supplying sports and editorial cartoons here as well. Shortly thereafter, for $60 a week, he succeeded Liederman as art director of a paper whose name Simon recalled in his 1990 autobiography as the Syracuse Journal American, although the Syracuse Journal and the Syracuse Sunday American, were the separate weekday and Sunday papers, respectively. The paper soon closed, and Simon, at 23, ventured to New York City. There, Simon took a room at the boarding house Haddon Hall, in the Morningside Heights neighborhood of Manhattan, near Columbia University. At the suggestion of the art director of the New York Journal American, he sought and found freelance work at Paramount Pictures, working above the Paramount Theatre on Broadway, retouching the movie studio's publicity photos. He also found freelance work at Macfadden Publications, doing illustrations for True Story and other magazines. Sometime afterward, his boss, art director Harlan Crandall, recommended Simon to Lloyd Jacquet, head of Funnies, Inc., one of that era's comic-book "packagers" that supplied comics content on demand to publishers testing the new medium. That day, Simon received his first comics assignment, a seven-page Western. Four days later, Jacquet asked Simon, at the behest of Timely Comics publisher Martin Goodman, to create a flaming superhero like Timely's successful character the Human Torch. From this came Simon's first comic-book hero, the Fiery Mask. Simon used the pseudonym Gregory Sykes on at least one story during this time, "King of the Jungle", starring Trojak The Tiger Man, in Timely's Daring Mystery Comics #2 (Feb. 1940).
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What did he do after this?

Answer:
Two years later, Simon took an art job at the Syracuse Herald in Syracuse, New York, for $45 a week, supplying sports and editorial cartoons here as well.