Q: Just start painting gently, using tiny amounts of paint on your brush to start forming shapes. If you're just painting from your imagination, let the paint create the shapes and follow the shapes. If you've already started with a sketch, once you've got a good background of colors on your page or canvas, you can start overlapping colors and shapes to create a sense of space. As you start in on painting your subject, you need to work hard to make the flat surface look more dynamic and three-dimensional. Create perspective by spacing the objects appropriately. If everything is equidistant and the same shape, it'll look flat on your paper, rather than dynamic. Things farther back in the subject should be proportionately smaller, while things closer up should be larger. Some painters find it effective to put their painting upside down to examine it. The mind supplies a symbolic version of what you're painting--in your mind, you know what an apple is, so you'll tend to paint that version of the apple, rather than what you're seeing in front of you. Looking from another perspective sometimes can help you see the shapes for what they are, rather than the symbols. Identify the light source and the shadow to start adding value to the painting. Start adding the lightest colors and gradually create the darker tones. It's much easier to layer darker colors over lighter colors, rather than the other way around. Don't paint yourself into a corner. Mix small amounts of paint as you go, adding color judiciously and slowly. Vary the amount of paint on your brush and the kinds of strokes you use with the brush to make different textures. Short little strokes can look like fur, while longer smoother strokes will flatten out the paint. Using less paint can help "age" the subject, while using more can thicken it and create density. If you screw up a part by adding too much paint, don't panic. Embrace happy accidents and integrate them into the painting. Don't spend too much extra time layering over it, just let it be and look back over it at the end to see how it effects the composition. Keep moving forward. It's a good idea to focus on one part of the painting, working it through, before moving around. But figure out what works best for you. Some painters jump around the page, painting in different regions, depending on the shapes and the subject being painted. It'll depend on you. But in general, keep working on one part of the painting before moving elsewhere. It's also important to stand back and appreciate the "big picture." Pay attention to how your little moments affect the overall composition and the painting itself. Even if you're just painting a stack of books or a bowl of oranges, it needs to force the eye to move around it. Everything from the composition, to the use of color should be varied and textured, something that takes time and practice. Try studying color theory a bit to get more of a sense of how to use color, if you feel like your picture is looking flat. Painting is hard work! Don't get frustrated when you're first getting started. Now that you've got all the materials and the space set up, experiment with painting different subjects and keep developing your craft. If you tend more toward one type of painting, switch it up every now and then and paint different types of pictures. Keep making things.
A: Start painting your subject and let accidents happen. Add color from light to dark. Use your brush to create texture. Work on one thing at a time. Make the painting move. Keep at it.

Q: Use the application tool provided with your wax to apply the wax in even amounts. Avoid getting the wax on anything else such as your clothes or carpet. You can use any commercial hair removal wax, which can be found at most drug stores. Look for hard wax, as it doesn't need to be pulled off in the opposite direction of the hair's growth, and is therefore less painful. Wait for the wax to set. It should have a sticky consistency once it's ready to remove. Place the cloth strips provided with the wax on top of the wax. Grab the cloth from the edge and pull it off in one swift motion. Apply wax over another section of the hairy area of your stomach. Remove the wax with the cloth strips. Repeat this until you've waxed all the desired areas of your stomach.
A: Apply the wax. Remove wax with cloth strips. Repeat on all unwanted stomach hair.

Q: Blue eyes can match well with a variety of shades, but classic neutral shades go great with blue during the day. Neutrals include colors like navy, olive, gold, silver, cream, and camel. Neutrals tend to go with anything. If you don't want a look that's completely lacking in color, you can use neutrals to bring out your eyes while still having some bright colors in your outfit. For example, if you want to wear a pink top, wear it with olive green jeans. Corals tend to bring out green eyes during the day. Corals contrast with green just slightly to make your eyes really pop. Look for coral wardrobe items to highlight green eyes during the day. For example, look for coral dresses, undershirts, blazers, or pants to bring out your green eyes during the day. While hazel eyes do tend to pair well with darker colors, during the day you should go lighter. Lavender can really bring out your hazel eyes for daytime wear. If lavender is too soft or feminine for your tastes, you can incorporate it in small ways. For example, wear a lavender undershirt with a suit. Deep blues work great at bringing out brown eyes during the day. For daytime events, look for your best deep blue wardrobe items. For a more casual event, blue jeans can actually be a great way to bring out your brown eyes. For a more formal event, go for a dark blue button shirt, suit jacket, blazer, dress, or dress pants.
A:
Pick neutrals during the day for blue eyes. Choose coral colors for the day with green eyes. Pick lavender for hazel eyes. Wear deep blues to bring out brown eyes.