In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example solution: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : Who the Hell is Juliette? (Spanish: Quien diablos es Juliette? ) is a Mexican 1997 documentary film written and directed by Carlos Marcovich. The film is about Yuliet Ortega, a teenage prostitute who lives in Havana, Cuba and Fabiola Quiroz, a Mexican model. Marcovich intentionally misspelled the title character, "Yuliet Ortega", as "Juliette Ortega" in the credits. Context_2 : Role Model is the second full-length release by Cex. It was released in 2000. Role Model's album ID is meow004, meaning it is the fourth release on the Tigerbeat6 label. Context_3 : A role model is a person whose "behavior", example, or success is or can be emulated by others, especially by younger people. The term "role model" is credited to sociologist Robert K. Merton, who coined the phrase during his career. Merton hypothesized that individuals compare themselves with reference groups of people who occupy the social role to which the individual aspires. An example being the way young fans will idolize and imitate professional athletes or entertainment artists. Context_4 : Justine Paris, real name Bienfait (1705-1774) was a French courtesan and madam. She hosted several of the most famous brothels in mid 18th-century Paris and was one of the most known and successful of her trade. She and her brothel are portrayed in the memoirs of Casanova. She has been suggested to be the role model for the title character in "Juliette" by the Marquis de Sade. Context_5 : Donatien Alphonse Francois, Marquis de Sade (2 June 1740 2 December 1814) (] ), was a French aristocrat, revolutionary politician, philosopher, and writer, famous for his libertine sexuality. His works include novels, short stories, plays, dialogues, and political tracts; in his lifetime some were published under his own name, while others appeared anonymously, of which Sade denied being their author. Sade is best known for his erotic works, which combined philosophical discourse with pornography, depicting sexual fantasies with an emphasis on violence, criminality, and blasphemy against Christianity. He was a proponent of extreme freedom, unrestrained by morality, religion, or law. The words "sadism" and "sadist" are derived from his name. Context_6 : Cesar Mora is an Australian professional vert skater. Cesar is the poster boy for professionalism in rollerblading. He has strong beliefs in being a role model, as he has never believed in the use of drugs, alcohol, or cigarettes Cesar is the only vert skater to compete in all of the 1st ten X Games. In 1998, he won vert gold, and he has two vert silver medals ('95, '99) and a bronze ('00). A number one ranked skater and world champion several times. Skating for Roces skates from 1994 to 1998 then switching to K2 skates from 1999 to 2004. Born in Madrid, Spain, 3 February, and having lived most of his life in Sydney Australia, Cesar represented Australia also in soccer at a youth level, travelling to US and England before landing in his city of birth Madrid and training with professional Spanish side Rayo Vallecano for several months who at the time were in the 4th division of the Spanish league. He returned to Sydney and started skating at the beautiful Bondi Beach where he honed his skills on the ramp and launched himself on an international skating career that took him around the world and back several times. Always creative, explosive and exciting to watch, Cesar made his mark on many up and coming skaters offering a drug-free life style and a healthy living. An artist, not only on the ramp and soccer field, Cesar also loves art, illustration, creative drawing and is a qualified graphic designer. His many achievements didn't go un-noticed and at the change of the century he headlined a video game called Roll, sharing the titles with some of the best skaters in the world. Sometimes referred to as the king of vert, Cesar pushed the sport in 1998 by being the 1st skater in history to land a 1080 and later on that year a reverse 1260. Hailing from the very innovative Australian skating scene he always tried to push the boundaries and try new things, create new ways of performing tricks and innovating, adding his unique style to everything he did, and with these efforts and risks comes injuries, he certainly had his share but somehow managed to avoid broken bones until the end of 2000 whilst performing at the melbourne planet x games he fell and broke his left arm and wrist. The physical recovery was fast but the mental recovery took some time, and that year he took on less competitions and concentrated on healing and safety. Once the confidence returned the usual big tricks were on display and among the variety of spins, flips and airs for many years he was known for his giant backflips, always a crowd pleaser. Cesar, ever the showman, never left a ramp without giving his all, whether it be the x games or a small show in a village in Peru where the ramp may have been less than appropriate. He always wanted to leave the kids and fans with something special and signed every autograph. He relished his position as a role model and this made him actually wear a helmet, because when he started and on his 1st tour of the states he never liked wearing a helmet and was told no helmet-no skate. A proud person with an enviable list of achievements, he relished his time on tour and is always grateful of anyone who helped him along the way. Context_7 : Wendela Hebbe nee "Astrom" (9 September 1808, Jonkoping 27 August 1899, Stockholm), was a Swedish journalist, writer, salon hostess and role model. She was arguably the first permanently employed female journalist at a Swedish newspaper. She had a significant place in the radical literary circles of mid 19th-century Sweden and a controversial role model for the emancipated woman. Context_8 : Juliette is a novel written by the Marquis de Sade and published 17971801, accompanying Sade's "Nouvelle Justine". While Justine, Juliette's sister, was a virtuous woman who consequently encountered nothing but despair and abuse, Juliette is an amoral nymphomaniac murderer who is successful and happy. The full title of the novel in the original French is "L'Histoire de Juliette ou les Prosperites du vice", and the English title is "Juliette, or Vice Amply Rewarded" (versus "Justine, or Good Conduct Well-Chastised", about Juliette's virtuous sister). As many other of his works, "Juliette" follows a pattern of violently pornographic scenes followed by long treatises on a broad range of philosophical topics, including theology, morality, aesthetics, naturalism and also Sade's dark, fatalistic view of world metaphysics. Context_9 : Carrasco was born in El Paso, Texas to Mexican-American parents. She was the second-oldest child and oldest girl in her family. She had two brothers and two sisters growing up. When she was around a year or so of age, her family moved to Los Angeles. They lived in government Veteran's housing in Culver City since her father was a Korean War Navy veteran. She recalls that they were poor and lived off of food stamps. Carrasco's childhood growing up in the predominantly Mexican-American and African-American community of Mar Vista Gardens was sometimes painful, because she was teased for having lighter skin than her peers and stood out for her green eyes; being called "white girl," "green eyes" and ""guera"." Her experiences with being simultaneously perceived as not truly Mexican-American and being told to "take advantage of being light skinned" makes up of part of her artistic subject matter later on in life. Carrasco said that her father encouraged her to broaden her horizons, go to college and encouraged her artwork. He had appreciated art and he was considered artistic. Her father, who worked as a bus driver for Santa Monica Bus Lines said that "anybody could be a bus driver but not everybody could be an artist." Carrasco's father died of a heart attack when she was twelve and it was difficult for her because she was always close to her father. Carrasco's mother, who also volunteered as a Girl Scout leader, was also artistically inclined. Her mother admired Japanese art and decorated the house with it. Carrasco felt that growing up with Japanese images influenced her sense of line. She also felt that her mother was a personal role model because she was a strong woman. Her mother was also, however, very protective of her girls, and she expected Carrasco to act as a role model of traditional femininity for her sisters. Context_10 : William Martin (born 13 April 1898 ?) was an American classical tenor. Born in Massachusetts, he studied singing with Leveret Merrill, A Sujol, and Florence Holtzman. A graduate of Harvard University, he was for many years a member of the Harvard Glee Club. He made his professional opera debut in 1923 in the title role of Jules Massenet's "Werther". He was committed to the Opera-Comique in Paris from 1925-1929 where he notably sang the role of Philipp in the world premiere of Lucien Chevaillier's "Le poeme du soir". In 1927 he and Mary McCormic became the first two Americans to appear in leading roles at the Opera National de Paris, respectively portraying the title role and the role of Marguerite in Charles Gounod's "Faust". In 1929 he had a major success at the Palais Garnier as the Duke of Mantua in Giuseppe Verdi's "Rigoletto". In 1930 he sang Romeo to Grace Moore's Juliette in Gounod's "Romeo et Juliette" at the Opera Royal de Wallonie. Martin is best remembered today for creating the role of Amelia's lover in the world premiere of Gian Carlo Menotti's "Amelia Goes to the Ball" on 1 April 1937 at the Philadelphia Academy of Music. fact_1 : She has been suggested to be the role model for the title character in "Juliette" by the Marquis de Sade. fact_2 : Donatien Alphonse Francois, Marquis de Sade (2 June 1740 2 December 1814) (] ), was a French aristocrat, revolutionary politician, philosopher, and writer, famous for his libertine sexuality. Question: When was the philosopher by which Justine Paris was asked to be the role model for the title character in "Juliette" born?
Solution: 2 June 1740