Given the task definition, example input & output, solve the new input case.
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Output: 1874May
From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input case for you: Context_1 : Reformed Church on Staten Island is a historic Dutch Reformed church and cemetery at 54 Port Richmond Avenue in Port Richmond, Staten Island, New York. It was built in 1844 in the Greek Revival style. It is a brick building set on a fieldstone foundation. The front facade features a portico with twin sets of flanking brick pilasters and a central pair of fluted Doric order columns. Context_2 : The Richmond County Courthouse is a 1919 municipal courthouse in the civic center of St. George in the borough of Staten Island in New York City (Richmond County is coextensive with Staten Island). The neoclassical style courthouse is on Richmond Terrace next to Staten Island's Borough Hall and across the street from the Staten Island Ferry terminal. Context_3 : Staten Island Mall is a shopping mall in the New Springville neighborhood of the Staten Island borough of New York City, United States. It is the only indoor shopping mall in the borough. It is the largest retail center on the island and is the site of the island's third largest public transit hub after the St. George ferry terminal and Eltingville Transit Center, respectively, with numerous bus routes that connect to the periphery of the mall area. Context_4 : Port Richmond High School is on the North Shore of Staten Island, New York City, New York. It is in the Port Richmond neighborhood, located at 85 St Josephs Avenue, between Innis Street and Charles Avenue. The principal is the controversial Oneatha Swinton. It has approximately 100 full-time teachers and a student-to-teacher ratio of 21.5. Context_5 : Elm Park is the name of a small park in the Port Richmond section of Staten Island, one of the five boroughs of New York City, United States. The park is located across Innis Street from Port Richmond High School. Context_6 : Port Richmond is a station on the abandoned North Shore Branch of the Staten Island Railway. Located in Port Richmond on a concrete trestle at Park Avenue and Church Street, it has two tracks and an island platform. The station is located approximately 3 mi from Saint George Terminal. Context_7 : Staten Island Community Board 1 is a local government unit of the city of New York, encompassing the Staten Island neighborhoods of Arlington, northern Castleton Corners, Clifton Concord, Elm Park, Fort Wadsworth, northern Graniteville, Grymes Hill, Livingston, Mariners' Harbor, northern Meiers Corners, New Brighton, Port Ivory, Port Richmond, Randall Manor, Rosebank, Staten Island, St. George, Shore Acres, Silver Lake, Stapleton, Sunnyside, Tompkinsville, West Brighton, Westerleigh, and northern Willowbrook. Community Board 1 is essentially the entire area of Staten Island north of the Staten Island Expressway. Context_8 : New York State Route440 (NY440) is a state highway located entirely on Staten Island in New York City. The route acts as a connector between the two segments of New Jersey Route440, running from the Staten Island community of Richmond Valley to the south to Port Richmond to the north. NY440 is connected to the two New Jersey segments by the Outerbridge Crossing to the south and the Bayonne Bridge to the north. It is one of several signed New York State routes that are not connected to any others in the state, and one of only two NYS routes (NY426 being the other) that is the middle section of another state's highway bearing the same number. Much of NY440 is a limited-access highway. From the Richmond Parkway (Korean War Veterans Parkway) to Interstate278 (I-278), it is known as the West Shore Expressway. North of I-278, it is named the Dr. Martin Luther King Jr. Expressway (also known as the Willowbrook Expressway). NY 440 is the southernmost state route in the state of New York. Context_9 : Eltingville Transit Center is a park and ride transit center that is located in Eltingville, Staten Island. It is located at the intersection of Arthur Kill Road and Richmond Avenue, directly in the way of the end of the Korean War Veterans Parkway. The transit center was completed in 2004. Amenities include schedules, maps, free parking, and vending machines for soda, snacks, and MetroCards. The center is halfway between the Eltingville Staten Island Railway station and the Staten Island Mall, another (albeit unofficial) transit center, including the adjacent Yukon Depot. Context_10 : Port Richmond is a neighborhood situated on the North Shore of Staten Island, a borough of New York City. It is along the waterfront of the Kill Van Kull, with the southern terminus of the Bayonne Bridge serving as the boundary between it and Elm Park, the neighborhood which borders it on the west. Formerly an independent village, it is one of the oldest neighborhoods on the island. In the 19th century it was an important transportation and industrial center of the island, but this role has vanished nearly completely, leaving a largely blue collar residential area bypassed by the shift of development of the island to its interior after the 1960s. The formerly bustling commercial center along Richmond Avenue (now Port Richmond Avenue) had been largely abandoned at the time, But in recent years many small businesses have opened in the area with the commercial activity shifting inland to Forest Avenue (or leaving the neighborhood altogether and relocating to the Staten Island Mall when the latter opened in the summer of 1973). fact_1 : Port Richmond is a neighborhood situated on the North Shore of Staten Island, a borough of New York City. fact_2 : Staten Island Mall is a shopping mall in the New Springville neighborhood of the Staten Island borough of New York City, United States. Question: Port Richmond and Staten Island Mall are in what city?
Output:
New York City