Problem: OPTIONS:
- negative
- positive positive
=++++=
Answer: Well, for starters, this actually was THE most elegant Clausen film to this date.

The man's always got a sense for characters with a slice of humor to them, but I think that he in this movie adds a dimension unparrallel to anything he's made earlier. His work has - in very black n' white words - been accepted by the broad but not that critical audience, and we've always appreciated his sense of humor and his ability to mix it with human problems and a distinct way of letting the audience know what he needs to say.

In "Villa Paranoia, however, for the first time, he surprises with an unseen wisdom and a respect for the minorities. Not only the ethnic but also the normal people you tend to forget. Set in Jutland - in 'the country' - it deals with the everlasting issue of lack of love, but in a close and at times brutal way that keeps you looking and keeps you focused. And on top of that, he himself manages to play a b******d! A true b*****d, who wants the right thing but has no clue how to get there, and people therefore suffer. Bitterly.

I'd have to say it's one of the best movies I've seen this year and I'm greatly anticipating his next.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: This was a favorite of my childhood - I can remember seeing it on television and thrilling to it each time. Now that I'm grown up and have a kid of my own, I wanted to introduce him to this classic movie. We watched it last Friday, and he liked it. During Abu's fight with the giant spider, my son's hand crept over and took hold of mine - he was genuinely scared. "Is he gonna beat the spider, Poppa?" Just watch, you'll see. He has no historical frame of reference to speak of (eight years old), so Bagdad under the grandson of Haroun al-Raschid might as well be Oz under Ozma.

I think he especially liked how much of the heroics and derring-do were perpetrated by the boy-thief, and not the grown-up king. In fact, if you deconstruct the film's narrative a bit, the king is the thief's sidekick, not the hero at all - which must be very satisfying to imaginative, adventurous young boys.

It's definitely a period piece - I suspect that by the time he's eleven or twelve, my son will find it 'corny' or whatever word the next generation will be using by then. The love story is barely one-dimensional - as a cynical friend commented, "Why does Ahmad love the Princess? Because the narrative demands it." The willingness of Abu to put himself in jeopardy (repeatedly) for the clueless, love-struck deposed king is equally improbable. But to quibble about such things while accepting flying mechanical horses, fifty-foot genies and the Temple of the All-Seeing Eye would be fatuous in the extreme. The satisfaction of seeing the prophecy fulfilled at the movie's climax is tremendous, as is the final shot of Abu triumphantly flying away on his (stolen) magic carpet, seeking "some fun, and adventure at last!"
Q: What's an example of a movie review?
An example of a movie review is here: I, like many other Bachchan fans, having been eagerly awaiting the remake of Sholay. This movie was not it. Thank god they didn't let them use the name "Sholay" in the movie title. Ram Gopal's remake is not worthy of the title. The camera work, the locations, the costumes, the totally out-of-place dancing, the dialogue all combined to make the worst movie I have ever seen. You wonder if the cast of actors agreed to make this movie because they needed money and Ram Gopal was paying a lot of money for the cast. The only non-paid actor, the ant, was the only resemblance to the first movie. Abishek's role was totally ridiculous, did he need money to pay for the wedding to Ash? Save your money, your mind and your time, don't bother with this movie or the DVD when that comes out.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: If I only had one camera that was accidentally glued to the floor, enough film for only one take of each shot, and then lost all that film and had to scrounge up some bucks to buy a few digital video tapes, and was forced to make an over-2-hour movie about the French Revolution, and also didn't have any sets and had to have my 4-year-old autistic son paint the backgrounds, and also the only actors I could find were the people who didn't make the auditions of that year's soap opera, and I was also forced to not use any music in the entire film, and also the zoom function on the camera didn't work except for one time when it accidentally started zooming in and couldn't stop, oh and if I hated my audience, then I might make something kind of like this awful, yet mistakenly hilarious, Hell-worthy waste of time. The almost grand looking but completely fake looking backdrops reminded me of some of George Lucas' latest creations, which made it so much more disappointing because through the whole movie, there was that little glimmer of hope in the back of my mind that the film would climax in a lightsaber duel/space laser battle. I don't mean to spoil the movie for those who haven't seen it, but that's not how it ends. The only thing I can think of that wasted more time than watching this movie was writing this review. Peace.
Problem: OPTIONS:
- negative
- positive negative
=++++=
Answer: 3lbs is obviously just a self indulgent programme for Stanley Tucci to be a producer/moody deep doctor. Unlike House he has absolutely no personality and unlike Grey's Anatomy the brain surgery cases are't even interesting. This programme is supposed to be set in a leading centre for Neurlogical cases - yet there's nothing interesting or exciting going on! Not even the so called pathetic 'feud' between him and a rival adds anything to the show and neither do those hallucinations. In the pilot there was a brief glimpse into the leads's social life as a father - snooze! boring and pointless.

This show is pants,there's a glut of medical dramas around at the moment and this does nothing to make it stand out as special.
Problem: OPTIONS:
- negative
- positive negative
=++++=
Answer:
Years have gone by since Don Wilson used his martial arts expertise to take down a robot who was programmed to destroy him, he's also married to the blonde reporter (Stacie Foster) who led the rebellion in the first film, now a new conspiracy is in the works, one that involves look-alike droids who frame our two heroes, and a corporation looking to rule the world (There is no plot to back any of this up) and Cyber Tracker 2 becomes a virtual replay of the first movie. I admit that I have bought DVDs from the bargain bin that were made by PM, PM was a company that specialized in cheap-jack action flicks (like this) which had tons of explosions, little story and overall nothing but mean edged action. Some of these titles have been (mildly) enjoyable (Last Man Standing and The Sweeper) however Cyber Tracker 2 is stuck with the casting of the charisma-less Don Wilson. When comparing the protagonists of similar PM efforts both Jeff Wincott and C. Thomas Howell are Oscar nominees when compared to Don Wilson. Another telling sign is that this was directed by Richard Pepin who has none of the flair Joseph Merhi seems to have in crafting action sequences that feel much more expensive than their budgets. Then again though both C. Thomas and Wincott are probably more expensive to obtain. Cyber Tracker 2 is a rip off with a capitol R, there are so many steals from better movies (Robocop, Terminator, Universal Soldier to even Halloween III!) that it's almost as if Richard Pepin is trying to infuse a sense of identity to the pedestrian material yet without the intelligent ideas or at least the mindless zip of great action, Cyber Tracker 2 falls flat. There is literally no good idea that isn't borrowed from a better movie and the supporting cast overact. The only exception comes from Tony Burton who is miles better than the material. Also Stacie Foster looks like she could be better with far better material. However Cyber Tracker 2 comes off mainly as noisy, bland and lackluster as its leading man, however with no real martial arts sequences to fall back on, all there is, is lots of cars tipping over and that alone is no substitute for the bankruptcy of ambition expressed here.

*1/2 out of 4-(Poor)