Q: What's an example of a movie review?
An example of a movie review is here: One is tempted to define the genre of Gert de Graaff's movie as 'event of the thought' following the example of Merab Mamardashvili. The nominal storyline is a certain Bart Klever's torturous quest for that ephemeral substance which constitutes the essence of personality. The script for his new movie is taking shape simultaneously on his computer and in his own imagination. This film-monologue originated as a response to Fellini's '8 ' and cost Gert de Graaff 13 years of work. Excitedly playing with real and fictional characters as well as with the audience, it reveals the whimsical interconnection of the real and imaginary, the paradoxical co-existence in two different galaxies: that of Guttenberg and that of MacLhuen. For some time we are apt to side with the script writer, who believes that the cause of all misfortune is the damned stereotypes of mass mentality ('man', 'catholic', 'window washer'). And together with him we fall into a trap when the author-creator is finally faced with the insoluble dilemma: how can one eliminate from the future movie. Bart Klever? Just five minutes before the finale thanks to the common petty reproaches of the wife of the creator, who is deeply immersed in work, we realize that together with the main character we have again been 'framed'. Really, what is the price of the art for the sake of which it is acceptable to renounce one's own name and the day-to-day care for the young daughter?

So who is he, this Bart Klever? Is he a brilliant prophet or someone possessed like Frenhoffer from Balzac's masterpiece (just like the latter the script writer in the end erases from the computer memory everything has written)? Gert de Graaff suggests that we answer this question ourselves.

Q: What's an example of a movie review?
An example of a movie review is here: It is no wonder this movie won 4 prices, it is a movie that lingers to any soul, it isn't a wonder why it took Paul Reiser 20 years to finally give in and talk to Peter Falk about his idea. I can understand every part of it, this is a movie that will make you cry just a tear, or thousands.

Story: 10/10 When Sam kleinman gets a letter from his wife about her leaving him to find something else his son and him take out on a road trip to find her, and while they do that they find something lost, Friendship, family, and affection for each other. At the beginning you know whats going to happen, but none soever the story is not that easy to figure out from beginning to end, it is a ride between a father and his son, and a husband and his wife. It is no wonder it took Paul Reiser 20 years to write this beautiful romance/comedy.

Actors: 10/10 Well you cant say anything else that what i about to say, hey it is with Peter Falk in it, he is a legend everything he does in movies are magic, when you use Peter Falk in a romance/comedy what do you think you get? A perfect outcome, it is no wonder this movie is that perfect and won that many prices. As the son Paul Reiser does an excellent job, although he isn't a great actor always that doesn't mean that this didn't work actually Peter Falk and Paul Reiser plays the perfect Father and Son, the rest of the cast is good enough but you don't see them as much so just say they do what they shall to get this to shine even more.

Music: 10/10 It doesn't always work when using music sometimes it just doesn't fit but that is not the thing in this movie, the music is perfect in tune, it makes the movie even more compelling. This part of the movie will shine off as good as the other parts, a great soundtrack for a Romance/Comedy thats for sure.

Overall: 10/10 There are so many Romance/Comedy movies out on tapes, DVDs, Blu-ray and what not, but this movie is one of the special ones. it doesn't happen everyday that you can create a story like this, it takes years thinking about this and the fact is that actually what it took to make it, a great piece that should be bought and kept into the human soul, see it when you get old and see it with your father at a old age, i think then this movie will spark like no other ever made.

Q: What's an example of a movie review?
An example of a movie review is here: This is the second British Rank film to adapt the stories of Sommerset Maugham to film. All but one story from 'Quartet' does not travel well into the contempory era; and the actors speech is decidedly "clipped", as only British pre-1950's actors delivery can be. In anycase 'Trio' seems tighter and more filmic than the first film adaptation.

One of the problems these two films can't overcome is that their source material was written 25-30 years prior to the films. Consequently, by the 1950's Maughm's (pre-war) popularist "small morality" storyteling seemed rather quaint, if not downright coy.

Q: What's an example of a movie review?
An example of a movie review is here:
OK, I am not Japanese. I do know a little about Japanese culture, and a little less about Japanese pop culture. Other than that, I am Spanish, I eat paella and I like black humor.

Good, with that point set, I can comment on the movie: I have no idea on how it is enjoyable to the Japanese audiences, Mamoru Oshii is quite a good director- despite the overly pedantic postmodern stuff in the style of Talking Head, and even that was curious and somehow interesting- and I am surprised he came up with this. It may just be one of those lost-in-translation cases, I am afraid it is, but as a European viewer watching the film with subtext overloaded English subtitles I just thought it was horrible. The jokes seemed bad, the script was overcooked- I mean, give the audience a break, and shut up a little you damn narrator- to the point of almost making my head explode over an overkill of fast-paced speaking and absurd action.

However, I thought the animation was really cool. The idea is great, and it is well exploited in those animated scenes. However, the eye-candy finishes as soon as the characters are left aside to start with an endless not funny at all mumbo-jumbo speech over still pictures. It just makes you want to fast forward to the next cut-out hysterical characters scene.

I read Mamoru Oshii is actually planning on a sequel for this. The idea was good but horribly exploited. Maybe the second part will bring up the good parts of this first one and actually make an interesting movie, or maybe it will be more and more over-narrated scenes. But hell, if you thought Talking Head was dense, Amazing Lifes of Fast Food Gifters will give cause you a stroke.

Of course, all this comment is based on the experiences of someone who is European. Probably this is totally useless to Japanese people, maybe it was a really funny film lost in cultural frontiers and translation. Maybe.