Question: Read the following paragraph and extract the answer for the question: What is the last name of the person that is arrested along with the fire chief after the local gangster confesses? Gabe Ryan is released from reform school and it taken to a new house by his sister Joy to start a new life where no one knows of his past. However, Gabe immediately joins a local gang, the Beale Street Termites, where he meets up with William Kroner, a local gangster. William accuses him of starting a fire at one of his properties, and Alfred Martino, the actual arsonist, uses this opportunity to frame Gabe for any fire. He decides to torch one of his apartment complexes so that he can collect the insurance money. Unfortunately, one of the kids, Sleepy is killed in the fire. Patrick Remson, the Assistant District Attorney, tries to prove Gabe's innocence. His motives are not only to prove Gabe's innocence, but also to get closer to his sister. Joy has devoted her life to helping Gabe and neglects her other interests, which was rallying against city government corruption, which pleases Martino. However, it is all for naught as Gabe is found guilty and sentenced to prison. The other boys, led by Billy, decide to do something to help Gabe. Billy runs for "boy mayor" and wins. He has Kroner arrested for a small infraction and sends him to jail. While there, Billy and the rest of the gang interrogate him and try to make him admit that Gabe is innocent. He does not cave in, that is until he is shown proof that his accomplices, Martino and the fire chief, are planning to skip the country. He confesses and Martino and the chief are arrested and sent to prison.
Answer: Martino
[Q]: Read the following paragraph and extract the answer for the question: What is the full name of the person that died in March 1861? In 1861 Saint-Saens accepted his only post as a teacher, at the Ecole de Musique Classique et Religieuse, Paris, which Louis Niedermeyer had established in 1853 to train first-rate organists and choirmasters for the churches of France. Niedermeyer himself was professor of piano; when he died in March 1861, Saint-Saens was appointed to take charge of piano studies. He scandalised some of his more austere colleagues by introducing his students to contemporary music, including that of Schumann, Liszt and Wagner. His best-known pupil, Gabriel Faure, recalled in old age: After allowing the lessons to run over, he would go to the piano and reveal to us those works of the masters from which the rigorous classical nature of our programme of study kept us at a distance and who, moreover, in those far-off years, were scarcely known. ... At the time I was 15 or 16, and from this time dates the almost filial attachment ... the immense admiration, the unceasing gratitude I [have] had for him, throughout my life. Saint-Saens further enlivened the academic regime by writing, and composing incidental music for, a one-act farce performed by the students (including Andre Messager). He conceived his best-known piece, The Carnival of the Animals, with his students in mind, but did not finish composing it until 1886, more than twenty years after he left the Niedermeyer school.In 1864 Saint-Saens caused some surprise by competing a second time for the Prix de Rome. Many in musical circles were puzzled by his decision to enter the competition again, now that he was establishing a reputation as a soloist and composer. He was once more unsuccessful. Berlioz, one of the judges, wrote: We gave the Prix de Rome the other day to a young man who wasn't expecting to win it and who went almost mad with joy. We were all expecting the prize to go to Camille Saint-Saens, who had the strange notion of competing. I confess I was sorry to vote against a man who is truly a great artist and one who is already well known, practically a celebrity....
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[A]: Louis Niedermeyer
input: Please answer the following: Read the following paragraph and extract the answer for the question: What is the full name of the character who has a wooden stake driven through his heart? One evening near the small Serbian village of Stetl, early in the nineteenth century, schoolmaster Albert Muller witnesses his wife Anna taking a little girl, Jenny Schilt, into the castle of Count Mitterhaus, a reclusive nobleman rumored to be a vampire responsible for the disappearances of other children. The rumours prove true, as Anna, who has become Mitterhaus' willing acolyte and mistress, gives Jenny to him to be drained of her blood. Men from the village, directed by Muller and including Jenny's father Mr. Schilt and the Burgermeister, invade the castle and attack the Count. After the vampire kills several of them, Muller succeeds in driving a wooden stake through his heart. With his dying breath, Mitterhaus curses the villagers, vowing that their children will die to give him back his life. The angry villagers force Anna to run a gauntlet, but when her husband intervenes, she runs back into the castle where the briefly revived Count tells her to find his cousin Emil at "the Circus of Night". After laying his body in the crypt, she escapes through an underground tunnel as the villagers blow the castle with gunpowder and set fire to it.
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output: Count Mitterhaus
input: Please answer the following: Read the following paragraph and extract the answer for the question: What is the name of the Sitwell's protege who they looked after both materially and culturally? The Sitwells looked after their protege both materially and culturally, giving him not only a home but a stimulating cultural education. He took music lessons with Ernest Ansermet, Ferruccio Busoni and Edward J. Dent. He attended the Russian ballet, met Stravinsky and Gershwin, heard the Savoy Orpheans at the Savoy Hotel and wrote an experimental string quartet heavily influenced by the Second Viennese School that was performed at a festival of new music at Salzburg in 1923. Alban Berg heard the performance and was impressed enough to take Walton to meet Arnold Schoenberg, Berg's teacher and the founder of the Second Viennese School.In 1923, in collaboration with Edith Sitwell, Walton had his first great success, though at first it was a succes de scandale. Facade was first performed in public at the Aeolian Hall, London, on 12 June. The work consisted of Edith's verses, which she recited through a megaphone from behind a screen, while Walton conducted an ensemble of six players in his accompanying music. The press was generally condemnatory. Walton's biographer Michael Kennedy cites as typical a contemporary headline: "Drivel That They Paid to Hear". The Daily Express loathed the work, but admitted that it was naggingly memorable. The Manchester Guardian wrote of "relentless cacophony". The Observer condemned the verses and dismissed Walton's music as "harmless". In The Illustrated London News, Dent was much more appreciative: "The audience was at first inclined to treat the whole thing as an absurd joke, but there is always a surprisingly serious element in Miss Sitwell's poetry and Mr Walton's music ... which soon induced the audience to listen with breathless attention." In The Sunday Times, Ernest Newman said of Walton, "as a musical joker he is a jewel of the first water".Among the audience were Evelyn Waugh, Virginia Woolf and Noel Coward. The last was so outraged by the avant-garde nature of Sitwell's verses and the staging, that he marched out ostentatiously during the performance. The players did...
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output:
Walton