What are the names of the two people who venture to lovers' lane and find all the cars to be abandoned? Answer the above question based on the context below: Just outside the town of Crescent Cove, Mike Tobacco and his girlfriend Debbie Stone are parked with other couples at the local lovers' lane when they spot a strange glowing object falling to Earth. Nearby, farmer Gene Green also spies the object, and believing it to be Halley's Comet, he ventures into the woods to find the impact site. He instead stumbles upon a large circus tent-like structure, and he and his dog are abruptly captured by mysterious clown-like aliens, the "Klowns". Shortly thereafter, Mike and Debbie arrive to investigate for themselves. Entering the structure, they discover a complex interior with elevators and various bizarre rooms. They soon find a gelatinized Green encased in a cotton candy-like cocoon and are spotted by a klown, who shoots popcorn at them from a large gun. The couple flees, pursued by a group of klowns and a balloon animal dog that comes to life. Narrowly escaping, Mike and Debbie travel to the police station to report the incident to Debbie's ex-boyfriend, Deputy Dave Hanson, and his curmudgeonly partner, Deputy Curtis Mooney. The skeptical Mooney believes the story to be a hoax. After taking Debbie home, Mike and Dave return to the woods, only to find the circus tent has vanished, leaving a large crater in its place. They then travel to the lovers' lane, only to find all the cars abandoned and covered in a cotton candy-like substance. Back in town, the klowns arrive and begin capturing townspeople in cocoons using rayguns that resemble toys. Several klowns perform pranks and mock circus acts, all resulting in the deaths of several onlookers.
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Answer: Mike Tobacco
Q: What song doesn't have thousands of layers? Answer the above question based on the context below: Taylor stated in an interview with The Sun that he was "so proud of [the album] lyrically" and thought the song "Made in the Dark" contained the best lyrics he had ever written. Taylor explained that it was "very easy" for him to focus on the "more serious lyrics, like a love song very dear to [his] heart" but stated that "Wrestlers" was "equally as important and feels like a very different style of music than we have ever got down on record before." He discussed "Wrestlers" in the band's interview with The Sun, explaining that the song is "musically and lyrically quite direct" because "it doesn't have thousands of layers", in contrast to the song "Bendable Poseable". The concept of the song "Wrestlers", originates from a text message from James Murphy of LCD Soundsystem. After Doyle toured with Murphy, Murphy sent a text message that said, "Sorry you can't have Al back, I'll wrestle you for him. And I'll beat you because I'm bigger and stronger than you." Goddard explained that "the words in that song are about wrestling", and the band "have no doubt" that Murphy would defeat them in a wrestling fight.The song "Ready for the Floor" contains an allusion to the 1989 film, Batman, with the line, "You're my number one guy". In an interview with The Fader magazine, Taylor said the reference was a result of thinking about the Batman film, which has many things that Taylor is fond of, such as the Prince soundtrack. He commented that sometimes those items "seep into what we're writing about" and said that he likes to reference "in an oblique way". He conjectured that he had included the line to say something to "everyone in the band, particularly to Joe [Goddard], 'You're my number one guy, why is there any problems between any of us?' ""Shake a Fist" was written by Taylor after Goddard took a legal herbal substance during the Glastonbury Festival which produced feelings akin to teleportation. Goddard said, "it was a brilliant time" and told Alexis to write down words to go with his experience. The song features a...
A: Wrestlers
What is the full name of the person who was persuaded by Smith's then boyfriend Allen Lanier to let Television record demos? Answer the above question based on the context below: By the mid-1970s, Television had become a leading act in the New York music scene. They first developed a following from their residency at the Lower Manhattan club CBGB, where they helped persuade club manager Hilly Kristal to feature more unconventional musical groups. The band had received interest from labels by late 1974, but chose to wait for an appropriate record deal. They turned down a number of major labels, including Island Records, for whom they had recorded demos with producer Brian Eno. Eno had produced demos of the songs "Prove It", "Friction", "Venus", and "Marquee Moon" in December 1974, but Television frontman Tom Verlaine did not approve of Eno's sound: "He recorded us very cold and brittle, no resonance. We're oriented towards really strong guitar music ... sort of expressionistic."After founding bassist Richard Hell left in 1975, Television enlisted Fred Smith, whom they found more reliable and rhythmically adept. The band quickly developed a rapport and a musical style that reflected their individual influences: Smith and guitarist Richard Lloyd had a rock and roll background, drummer Billy Ficca was a jazz enthusiast, and Verlaine's tastes varied from the rock group 13th Floor Elevators to jazz saxophonist Albert Ayler. That same year, Television shared a residency at CBGB with singer and poet Patti Smith, who had recommended the band to Arista Records president Clive Davis. Although he had seen them perform, Davis was hesitant to sign them at first. He was persuaded by Smith's then boyfriend Allen Lanier to let them record demos, which Verlaine said resulted in "a much warmer sound than Eno got". However, Verlaine still wanted to find a label that would allow him to produce Television's debut album himself, even though he had little recording experience.
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Answer:
Clive Davis