input: After Kago departed from Up-Front Agency, her mother attempted to sign her to a new talent agency in her hometown, Nara. Later that year, Josei Seven published an interview with her mother, revealing that Kago left Japan and started residing in New York City. Kago herself later revealed that she had actually not gone to New York, but rather to Los Angeles for three months because she felt like a criminal in Japan. During her stay, she met people who encouraged her, including Winona Ryder, and was able to reflect on her situation. She also considered suicide and cut her wrists. Kago made a well-publicized return to the entertainment industry in 2008 with plans of pursuing an acting career. She began appearing in multiple Hong Kong movies, including Kung Fu Chefs. On August 25, 2008, Kago released a book entitled Kago Ai Live--Miseinen Hakusho (LIVE--Wei Cheng Nian Bai Shu ). On her blog, she described the book as "a book where I talk to young teens about their various troubles and dreams." During 2009, Kago also focused on rebuilding her music career. On June 24, 2009, she released her first solo single "No HesitAtIon" [sic] on independent record label In Da Groove. On February 16, 2010, she held her first jazz concert at bar JZ Brat in Tokyo. Kago's first jazz album, Ai Kago meets Jazz: The First Door, was released on March 31, 2010 through P-Vine Records and Avex Marketing. In August 2010 she was invited to perform at music festival Summer Sonic.

Answer this question "How did she make her return to entertainment?"
output: her mother attempted to sign her to a new talent agency in her hometown, Nara.

input: The publishers of Homicide: A Year on the Killing Streets were eager for a screen adaptation and submitted it to numerous directors but there was little interest. Simon suggested that they send the book to Baltimore native and film director Barry Levinson. Levinson's assistant Gail Mutrux enjoyed the book and both she and Levinson became attached as producers. The project became the award-winning TV series Homicide: Life on the Street (1993-1999), on which Simon worked as a writer and producer. Simon was asked by Mutrux to write the show's pilot episode but declined, feeling he did not have the necessary expertise. He collaborated with his old college friend David Mills to write the season two premiere "Bop Gun". The episode was based on a story by executive producer Tom Fontana and featured Robin Williams in a guest starring role that garnered the actor an Emmy nomination. Simon and Mills won the WGA Award for Best Writing in a Drama for the episode. Simon also received Austin Film Festival's Outstanding Television Writer Award in 2010. Simon left his job with the Baltimore Sun in 1995 to work full-time on Homicide: Life on the Street during the production of the show's fourth season. Simon wrote the teleplay for the season four episodes "Justice: Part 2" and "Scene of the Crime" (with Anya Epstein). For season five he was the show's story editor and continued to contribute teleplays writing the episodes "Bad Medicine" and "Wu's on First?" (again with Epstein). He was credited as a producer on the show's sixth and seventh seasons. He wrote the teleplays for parts two and three of the sixth season premiere "Blood Ties" (the latter marking his third collaboration with Epstein) and provided the story for the later sixth season episodes "Full Court Press" and "Finnegan's Wake" (with James Yoshimura). He provided the story for the seventh season episodes "Shades of Gray" (with Julie Martin), "The Same Coin" (again with Yoshimura) and "Self Defense" (with Eric Overmyer). Simon wrote the story and teleplay for the seventh season episodes "The Twenty Percent Solution" and "Sideshow: Part 2". Simon, Martin and teleplay writer T. J. English won the Humanitas Prize in the 60 minutes category for the episode "Shades of Gray". Simon was nominated for a second WGA Award for Best Writing in a Drama for his work on "Finnegan's Wake" with Yoshimura and Mills (who wrote the teleplay). Simon has said that he thought the show was a "remarkable drama" but that it did not reflect the book. He has also said that when writing for the show he had to put his experiences of the real detectives aside as the characters became quite different, particularly in their more philosophical approach to the job. Simon said that TV must find shorthand ways of referencing anything real.

Answer this question "What is Homicide Life on the street?"
output: The publishers of Homicide: A Year on the Killing Streets were eager for a screen adaptation

input: On April 10, 2006, John Lott filed suit for defamation against Steven Levitt and HarperCollins Publishers over the book Freakonomics and against Levitt over a series of emails to retired economist John B. McCall. In the book Freakonomics, Levitt and coauthor Stephen J. Dubner claimed that the results of Lott's research in More Guns, Less Crime had not been replicated by other academics. In the emails to McCall, who had pointed to a number of papers in different academic publications that had replicated Lott's work, Levitt wrote that the work by authors supporting Lott in a special 2001 issue of the Journal of Law and Economics had not been peer reviewed, alleged that Lott had paid the University of Chicago Press to publish the papers, and that papers with results opposite of Lott's had been blocked from publication in that issue. A federal judge found that Levitt's replication claim in Freakonomics was not defamation but found merit in Lott's complaint over the email claims. Levitt settled the second defamation claim by admitting in a letter to John B. McCall that he himself was a peer reviewer in the 2001 issue of the Journal of Law and Economics, that Lott had not engaged in bribery (paying for extra costs of printing and postage for a conference issue is customary), and that he knew that "scholars with varying opinions" (including Levitt himself) had been invited to participate. The Chronicle of Higher Education characterized Levitt's letter as offering "a doozy of a concession." The dismissal of the first half of Lott's suit was unanimously upheld by The United States Court of Appeals for the Seventh Circuit on February 11, 2009.

Answer this question "Was that true?"
output:
In the emails to McCall, who had pointed to a number of papers in different academic publications that had replicated Lott's work,