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In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input: Context_1 : Bugs Bunny's Easter Special (also known as "The Bugs Bunny Easter Special" and "Bugs Bunny's Easter Funnies") is a "Looney Tunes" television special featuring a number of Warner Bros. cartoons. It originally debuted on the CBS network on April 7, 1977. Context_2 : The Bugs Bunny/Road Runner Movie, originally released under the title The Great American Chase, is a 1979 "Looney Tunes" film with a compilation of classic Warner Bros. Cartoons shorts and newly animated bridging sequences, hosted by Bugs Bunny. The bridging sequences, which had been filmed in 1978, show Bugs at his home, which is cantilevered over a carrot-juice waterfall (modeled on Frank Lloyd Wright's "Fallingwater" house in Bear Run, Pennsylvania). Context_3 : Looney Tunes is an American animated series of comedy short films produced by Warner Bros. from 1930 to 1969 during the golden age of American animation, alongside its sister series "Merrie Melodies". It was known for introducing such famous cartoon characters as Bugs Bunny, Daffy Duck, Porky Pig, Elmer Fudd, Tweety, Sylvester, Yosemite Sam, Foghorn Leghorn, Marvin the Martian, Pepe Le Pew, Speedy Gonzales, Wile E. Coyote and the Road Runner, the Tasmanian Devil, and many others. These characters themselves are commonly referred to as "the Looney Tunes". Context_4 : Yosemite Sam is an American animated cartoon character in the "Looney Tunes" and "Merrie Melodies" series of cartoons produced by Warner Bros. Animation. The name is somewhat alliterative and is inspired by Yosemite National Park. Along with Elmer Fudd, he is the de facto archenemy of Bugs Bunny. He is commonly depicted as an extremely aggressive gunslinging prospector, outlaw, pirate, or cowboy with a hair-trigger temper and an intense hatred of rabbits, Bugs particularly. In cartoons with non-Western themes, he uses various aliases, including "Chilkoot Sam" (named for the Chilkoot Trail; Sam pronounces it "Chilli-koot") in "14 Carrot Rabbit" (although in the same cartoon, when he tries to gain Bugs Bunny's trust, he cleverly invents the alias "Square-deal Sam"), "Riff Raff Sam" in "Sahara Hare", "Sam Schultz" in "Big House Bunny", "Seagoin' Sam" in "Buccaneer Bunny", "Shanghai Sam" in "Mutiny on the Bunny", and "Sam Von Schamm the Hessian" in "Bunker Hill Bunny" and many others. During the Golden Age of American animation, Yosemite Sam appeared in 33 shorts. Context_5 : Invasion of the Bunny Snatchers is a Bugs Bunny short subject directed by Greg Ford and Terry Lennon and released in 1992. The cartoon was intended for theatrical release but eventually aired as part of the television special "Bugs Bunny's Creature Features". Its premise is modeled after "Invasion of the Body Snatchers", and it is considered subversive, critical of the greed of its production studio Warner Bros., and a lampoon of cheaply-drawn animation. Context_6 : Bugs Bunny on Broadway (also titled Bugs Bunny at the Symphony and Bugs Bunny at the Symphony II) is a concert musical featuring "Looney Tunes" characters such as Bugs Bunny, Daffy Duck, and Elmer Fudd. The production was conceived by George Daugherty, incorporating scores by Carl Stalling and Milt Franklyn. Context_7 : Box-Office Bunny, released in 1991, is a 4-minute "Looney Tunes" short starring Bugs Bunny, Daffy Duck and Elmer Fudd. It was shown in theaters as well as the VHS and LaserDisc release with "". This was Warner Bros.'s first Bugs Bunny theatrical release since 1964. It was issued to commemorate Bugs' 50th anniversary. It is included as a special feature on the DVD for "The Looney Looney Looney Bugs Bunny Movie". Context_8 : Bugs Bunny's Thanksgiving Diet is an animated television special released on November 15, 1979; it stars Bugs Bunny and incorporated parts of several "Looney Tunes" cartoons. The special followed up on the successful "Looney Tunes" special "Bugs and Daffy's Carnival of the Animals" that had aired in 1976, which reintroduced the character of Bugs Bunny in his first new material since 1964. The female rabbit from this special was rumored to be Honey Bunny, but is in fact a variation of Witch Hazel's rabbit form. Context_9 : Wideo Wabbit is a 1956 Warner Bros. cartoon featuring Bugs Bunny and Elmer Fudd. The voice of Bugs Bunny and other characters are played by Mel Blanc while the voice of Elmer Fudd is played by Arthur Q. Bryan. Bugs Bunny's Groucho Marx and Ed Norton impressions are performed by an uncredited Daws Butler (who had an uncanny ability to impersonate a whole host of celebrities of the time period). Context_10 : Baton Bunny is a Bugs Bunny cartoon of the "Looney Tunes" series, produced in 1958 and released in January 1959. It shows Bugs conducting an orchestra - with a fly bothering him. Bugs conducts, and in part, plays the overture to "Ein Morgen, ein Mittag und Abend in Wien" (A Morning, Noon, and Night in Vienna)", a composition by Franz von Suppe. Though Mel Blanc was credited for vocal characterizations, there is no dialogue in the short; the only vocal effect made was when an audience member is heard coughing. This is the third and last Bugs Bunny cartoon (the first two being "A Corny Concerto" and "Rhapsody Rabbit", although he says three lines in the latter) where Bugs is silent. Or, nearly silent; at one point, he 'shushes' the brass. fact_1 : The bridging sequences, which had been filmed in 1978, show Bugs at his home, which is cantilevered over a carrot-juice waterfall (modeled on Frank Lloyd Wright's "Fallingwater" house in Bear Run, Pennsylvania). fact_2 : It was known for introducing such famous cartoon characters as Bugs Bunny, Daffy Duck, Porky Pig, Elmer Fudd, Tweety, Sylvester, Yosemite Sam, Foghorn Leghorn, Marvin the Martian, Pepe Le Pew, Speedy Gonzales, Wile E. Coyote and the Road Runner, the Tasmanian Devil, and many others. Question: Bugs Bunny's home has been modeled after what famous piece of architecture?
Solution:
Fallingwater