Q: Eddie Murphy for best supporting actor??? What an insult to Alan Arkin and Djimon Hounsou.

Jamie Foxx (who can act) walks through this film like a zombie.

Beyonce ??? That was acting???

This movie pales in comparison to CHICAGO or just about any other recent musical.

If it were not for the great singing and performance of Jennifer Hudson I would have given this a ZERO.

And no I never saw the stage play so I am not making the typical Broadway vs. Hollywood rap.
A: negative
Q: I just saw "Valentine" and I have to say that it was the best slasher movie that I've seen in years. Unlike the recent trend of 90's horror flicks, this movie is more concerned with being eerie than it is with being self-mocking. For those out there that hated "Scream," there is not one reference to "the horror rules" in this movie (even though the old slasher movie rules do apply here).

This is the perfect blend of 80's and 90's horror. You get the style, cinematography, and good acting of 90's films and the stalking-slasher madness of an 80's flick. I guess the year 2001 is going to finally give horror fans the kind of movies they were longing for. This is definitely a move in the right direction.

Denise Richards stands out here as a fun character. You can tell she liked her role, and that makes her stand out. I loved her in this movie.
A: positive
Q: This movie was worth five punches on my "hurter card". I saw this while stationed in Virginia in the mid '70's. I saw it alone so I was not distracted while I watched it. It sucked. It was the most ridiculous, total waste of celluloid I've ever seen.

I know that others who have reviewed this movie have thought that it was awesome. I offer you this: if it was so awesome what was it's box office take? End of discussion.
A: negative
Q: I mean the word "pedestrian". Seems the producers of the film forgot to have anything interesting happen. Faith Domergue can do better than this. She is supposed to be the mysterious, vengeful Cobra goddess torn by love for Marshall Thompson (there's an idea, eh?). Instead she's a common would-be housewife of the fifties, and the single, flat expression she wears throughout the film makes me think they shot it all in the early morning before Faith had her coffee. As for the rest of the cast, they are all so earnestly "all-American" that the result is laughable. This is ground more productively covered in Val Lewton in "The Cat People". I think "Cult of the Cobra" should really be titled "Cult of the Contractual Obligation". Why else would so many otherwise talented people sleepwalk their way though a slow-moving, predictable, derivative failure like this?
A: negative