Answer the question at the end by quoting:

Justine Henin (French pronunciation: [Zystin ene]; born 1 June 1982), between 2002 and 2007 Justine Henin-Hardenne, is a Belgian former professional tennis player known for her all-court style of play and notably being one of the few female players to use a single-handed backhand. She spent a total of 117 weeks as the world No. 1 and was the year-end No. 1 in 2003, 2006 and 2007.
Henin, known as "Juju" to many of her fans, was coached by Carlos Rodriguez of Argentina. In 1997, she won the junior girls' singles title at the French Open. Early in her senior career, she regularly reached the late rounds of international competitions and won five International Tennis Federation (ITF) tournaments by the end of 1998. She began her professional career on the Women's Tennis Association tour in May 1999 as a wild card entry in the Belgian Open clay tournament at Antwerp and became only the fifth player to win her debut WTA Tour event. She also won her hometown event, the Liege Challenger, in July 2000. Henin established herself as a major competitor in 2001, consequently reaching the women's singles semifinals of the French Open and then upset the reigning Australian Open and French Open champion Jennifer Capriati in the semifinals of Wimbledon, losing to defending champion Venus Williams in three sets in the final. By the end of the year, Henin was ranked 7th in singles, with three titles to her name. Also that year, she reached the French Open women's doubles semifinals with Elena Tatarkova and helped Belgium win the 2001 Fed Cup. In 2002, she reached four WTA finals, winning two of them, and finished the year ranked world No. 5. Her German Open victory, her first win at a Tier I tournament, was noteworthy as she beat Jennifer Capriati in a semifinal and Serena Williams in the final, the then No. 2 and No. 5 ranked players, respectively. At Wimbledon 2002, Henin beat former world No. 1, Monica Seles, in two tough sets.

What else is significant?

Henin established herself as a major competitor in 2001, consequently reaching the women's singles semifinals of the French Open

Answer the question at the end by quoting:

Patsy Cline (born Virginia Patterson Hensley; September 8, 1932 - March 5, 1963) was an American country music singer and part of the Nashville sound during the late 1950s and early 1960s. She successfully "crossed over" to pop music and was one of the most influential, successful, and acclaimed vocalists of the 20th century. She died at age 30 in the crash of a private airplane. Cline was known for her rich tone, emotionally expressive and bold contralto voice, and her role as a country music pioneer.
Bill Peer, her second manager, gave her the name Patsy, from her middle name, Patterson. (Bill Peer, who had a country music band in Brunswick, MD, also had an infant daughter named Patsy). In 1955 he gained a contract for her at Four Star Records, the label he was then affiliated with. Four Star was under contract to the Coral subsidiary of Decca Records. Patsy signed with Decca at her first opportunity three years later. Her first contract allowed her to record compositions only by Four Star writers, which Cline found limiting. Later, she expressed regret over signing with the label, but thinking that nobody else would have her, she took the deal. Her first record for Four Star was "A Church, A Courtroom & Then Good-Bye," which attracted little attention, although it led to appearances on the Grand Ole Opry. As these performances were not "records" per se, they were not governed by her contract, and she could sing what she wanted, within reason. This somewhat eased her "stifled" feeling. Between 1955 and 1957, Cline recorded honky tonk material, with songs like "Fingerprints," "Pick Me Up On Your Way Down," "Don't Ever Leave Me Again," and "A Stranger In My Arms." Cline co-wrote the last two. None of these songs gained notable success. She experimented with rockabilly. According to Decca Records producer Owen Bradley, the Four Star compositions only hinted at Patsy's potential. Bradley thought that her voice was best-suited for pop music, but Cline sided with Peer and the other Four Star producers, insisting that she could only record country songs, as her contract also stated. Every time Bradley tried to get her to sing the torch songs that would become her signature, she would panic, missing her familiar country fiddle and steel guitar. She often rebelled, only wishing to sing country and yodel. She recorded 51 songs with Four Star.

What did she record for Four Star?
Her first contract allowed her to record compositions only by Four Star writers, which Cline found limiting.