Problem: Harel Skaat was born on 8 August 1981, in Kfar Saba, Israel, to a family of Yemenite-Jewish and Iraqi-Jewish descent. When he was six years old, he won a national children's festival competition entitled "A Star for the Evening - Singing Big" in his hometown and while still a child he appeared in an episode of a popular Israeli television show called Parpar Nehmad (prpr nkhmd, Nice Butterfly). Throughout his youth, he continued to appear at festivals and television shows, and at the age of 15 he was the lead singer of both the Kfar Saba city band and his high school band. At 18, he sang with the Israel Defense Forces' Communications Corps.

Skaat released his debut album, Harel Skaat (hrl sq't), in July 2006. Reviews of the album were mixed. A review in The Jerusalem Post criticized the lack of spontaneity of the album, and the inclusion of dance-tracks which the critic claimed undercut the singer's talents, but praised Skaat's soothing vocals and his ability to move listeners. In a review of the album for Ynet, Roman Singer compared Skaat to a cultured rose without the thorns. Another review claimed that Skaat was "trapped" singing "romantic stories", but praised his warm singing of "Ve'at", and his singing talents which the writer claimed allows him to "express at higher levels". Harel Skaat produced a string of "chart-leading hits", including "Kama Od Efshar" ("kmh 'vd pshr", "How Much More is Possible"), "Mashehu Mimeni" ("mshhv mmny", "Something from Me"), "Kol Hatziporim" ("kl htsypvrym", "All the Birds"), "Im Hu Yelech" ("m hv ylk", "If He Goes"), and the award-winning, romantic ballad, "Ve'at" ("vt", "And You"), which stayed number one on the major Israeli music charts for seven weeks and finished as the number one song of the year on the Reshet Gimmel's and Galgalatz's year-end music charts for 2006, and also on the BBC Israeli regional radio annual poll for 2006 ("Mashehu Mimeni" and "Kama Od Efshar" finished fourth and tenth respectively on the same poll). Skaat was named "Male Singer of 2006" by both Reshet Gimmel and Galgalatz. He also won "Singer of the Year" and "Song of the Year" for "Ve'at" in the Music 24 Channel's Israel Music Awards (AMI). In addition, "Im Hu Yelech" was named the best music video of the year by the Israeli Music Channel. Produced by veteran record producer, Izhar Ashdot, the album was certified gold less than one month after its release and eventually achieved platinum status. (Because of its small market size, the Israeli music industry certifies an album to be gold when it sells 20,000 copies.) The album's commercial success was not only important to Skaat's burgeoning career, but it also proved helpful in launching the careers of three young singer-songwriters, Keren Peles, Dor Daniel, and Kfir Epstein, who each wrote hit songs on the album, and went on to release successful debut albums of their own. Skaat co-wrote one song on the album, "Afilu Shesreifot" ("pylv shhshrypvt", "Even Though it's Burning").

What countries was he most popular in?

Answer with quotes: Im Hu Yelech" was named the best music video of the year by the Israeli Music Channel.

Question:
Jean-Christophe Lafaille (31 March 1965 - 27 January 2006 [presumed]) was a French mountaineer noted for a number of difficult ascents in the Alps and Himalaya, and for what has been described as "perhaps the finest self-rescue ever performed in the Himalaya", when he was forced to descend the mile-high south face of Annapurna alone with a broken arm, after his climbing partner had been killed in a fall. He climbed eleven of the fourteen eight-thousand-metre peaks, many of them alone or by previously unclimbed routes, but disappeared during a solo attempt to make the first winter ascent of Makalu, the world's fifth highest mountain.
On the strength of his climbs in the Alps, Lafaille was invited on an expedition to Annapurna by Pierre Beghin, one of the leading French climbers of the day. The pair attempted the mountain's vast South Face following the monsoon season in October 1992 in Alpine style, with no Sherpa support, pre-stocked campsites or fixed ropes on the upper mountain. They had reached a height of 7,400 metres when bad weather forced them to descend. The pair made a series of abseils down the face, but due to their lightweight approach they had little protective equipment and were often forced to abseil from a single anchor to conserve equipment. On the fourth or fifth abseil, Beghin fell to his death when the single cam he was using as an anchor became dislodged from the rock. Beghin had been carrying most of the pair's technical equipment, including all the ropes, and Lafaille was left alone on the face, a vertical mile above safety. With great difficulty, Lafaille managed to climb down the 75 degree face to the pair's last bivouac site, where he found 20 metres of thin rope, allowing him to make short abseils down some of the hardest parts. With no technical equipment to use as anchors he was forced to entrust his weight to tent pegs or, on one occasion, a plastic bottle. He finally reached what should have been the relative safety of the top of a fixed rope which he and Beghin had installed on a steep rock band, but almost immediately he was struck by a falling rock, which broke his right arm. Disabled and helpless, he lay on a ledge for two days in the hope that other climbers would rescue him. However, while there was a Slovenian team attempting a route on a different part of the South Face, they judged that a rescue attempt would be too dangerous to undertake, so help never came. The cruellest thing about the ordeal, Lafaille said, was being able to see life in the valley below, and by night, the flashbulbs of trekkers' cameras. In spite of this, he later agreed that the Slovenians had made the right decision in not trying to save him. Eventually, with all hope of rescue gone, Lafaille resolved to continue down alone. He initially tried to continue abseiling, but unable to control the rope with only one hand and his teeth he reverted to downclimbing one-handed, and was utterly exhausted when he reached the Slovenian team's base camp. By that time the climbers at the base of the mountain had given up hope for him, and his first wife, Veronique, had already been told that he had died. Reinhold Messner later said that the survival instinct he showed was of the sort which defines the best mountaineers.
Answer this question using a quote from the text above:

what did his wife do

Answer:
Veronique, had already been told that he had died.