Question:
Neil Leslie Diamond (born January 24, 1941) is an American singer-songwriter, musician and actor. With 38 songs in the Top 10 on the Billboard Adult Contemporary charts, Diamond has sold more than 100 million records worldwide, making him one of the best-selling musicians of all time. Neil Diamond has been touring around the world consecutively for 50 years. Neil Diamond 50 - 50th Anniversary Collection Diamond was inducted into the Songwriters Hall of Fame in 1984 and into the Rock and Roll Hall of Fame in 2011.
Diamond was born in Brooklyn, New York, to a Jewish family descended from Russian and Polish immigrants. His parents were Rose (nee Rapaport) and Akeeba "Kieve" Diamond, a dry-goods merchant. He grew up in several homes in Brooklyn, having also spent four years in Cheyenne, Wyoming, where his father was stationed in the army. In Brooklyn he attended Erasmus Hall High School and was a member of the Freshman Chorus and Choral Club, along with classmate Barbra Streisand. They were not close friends at the time, Diamond recalls: "We were two poor kids in Brooklyn. We hung out in the front of Erasmus High and smoked cigarettes." After his family moved he then attended Abraham Lincoln High School, and was a member of the fencing team. Also on the team was his best friend, future Olympic fencer Herb Cohen. For his 16th birthday, he received his first guitar. When he was 16, and still in high school, Diamond spent a number of weeks at Surprise Lake Camp, a camp for Jewish children in upstate New York, when folk singer Pete Seeger performed a small concert. Seeing the widely recognized singer perform, and watching other children singing songs for Seeger that they wrote themselves, had an immediate effect on Diamond, who then became aware of the possibility of writing his own songs. "And the next thing, I got a guitar when we got back to Brooklyn, started to take lessons and almost immediately began to write songs," he said. He adds that his attraction to songwriting was the "first real interest" he had growing up, besides helping him release his youthful "frustrations". Diamond also used his newly developing skill to write poetry. By writing poems for girls he was attracted to in school, he soon learned it often won their hearts. His male classmates took note and began asking him to write poems for them which they would sing and use with equal success. He spent the summer following his graduation as a waiter in the Catskills resort area. There he first met Jaye Posner, who would years later become his wife. Diamond next attended New York University as a pre-med major on a fencing scholarship, again on the fencing team with Herb Cohen. He was a member of the 1960 NCAA men's championship fencing team. Often bored in class, he found writing song lyrics more to his liking. He began cutting classes and taking the train up to Tin Pan Alley, where he tried to get some of his songs heard by local music publishers. In his senior year, when he was just 10 units short of graduation, Sunbeam Music Publishing offered him a 16-week job writing songs for $50 a week (equivalent to about US$405 per week, in 2017 dollars), and he dropped out of college to accept it.
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Where did he attend school

Answer:
In Brooklyn he attended Erasmus Hall High School and was a member of the Freshman Chorus and Choral Club, along with classmate Barbra Streisand.

Question:
Sir Pelham Grenville Wodehouse (; 15 October 1881 - 14 February 1975) was an English author and one of the most widely read humorists of the 20th century. Born in Guildford, the son of a British magistrate based in Hong Kong, Wodehouse spent happy teenage years at Dulwich College, to which he remained devoted all his life. After leaving school, he was employed by a bank but disliked the work and turned to writing in his spare time.
A third milestone in Wodehouse's life came towards the end of 1915: his old songwriting partner Jerome Kern introduced him to the writer Guy Bolton, who became Wodehouse's closest friend and a regular collaborator. Bolton and Kern had a musical, Very Good Eddie, running at the Princess Theatre in New York. The show was successful, but they thought the song lyrics weak and invited Wodehouse to join them on its successor. This was Miss Springtime (1916), which ran for 227 performances--a good run by the standards of the day. The team produced several more successes, including Leave It to Jane (1917), Oh, Boy! (1917-18) and Oh, Lady! Lady!! (1918), and Wodehouse and Bolton wrote a few more shows with other composers. In these musicals Wodehouse's lyrics won high praise from critics as well as fellow lyricists such as Ira Gershwin. Unlike his original model, Gilbert, Wodehouse preferred the music to be written first, fitting his words into the melodies. Donaldson suggests that this is the reason why his lyrics have largely been overlooked in recent years: they fit the music perfectly, but do not stand on their own in verse form as Gilbert's do. Nonetheless, Donaldson adds, the book and lyrics for the Princess Theatre shows made the collaborators an enormous fortune and played an important part in the development of the American musical. In the Grove Dictionary of American Music Larry Stempel writes, "By presenting naturalistic stories and characters and attempting to integrate the songs and lyrics into the action of the libretto, these works brought a new level of intimacy, cohesion, and sophistication to American musical comedy." The theatre writer Gerald Bordman calls Wodehouse "the most observant, literate, and witty lyricist of his day". The composer Richard Rodgers wrote, "Before Larry Hart, only P.G. Wodehouse had made any real assault on the intelligence of the song-listening public." In the years after the war, Wodehouse steadily increased his sales, polished his existing characters and introduced new ones. Bertie and Jeeves, Lord Emsworth and his circle, and Ukridge appeared in novels and short stories; Psmith made his fourth and last appearance; two new characters were the Oldest Member, narrating his series of golfing stories, and Mr Mulliner, telling his particularly tall tales to fellow patrons of the bar at the Angler's Rest. Various other young men-about-town appeared in short stories about members of the Drones Club. The Wodehouses returned to England, where they had a house in London for some years, but Wodehouse continued to cross the Atlantic frequently, spending substantial periods in New York. He continued to work in the theatre. During the 1920s he collaborated on nine musical comedies produced on Broadway or in the West End, including the long-running Sally (1920, New York), The Cabaret Girl (1922, London) and Rosalie (1928, New York). He also wrote non-musical plays, including The Play's the Thing (1926), adapted from Ferenc Molnar, and A Damsel in Distress (1928), a dramatisation of his 1919 novel. Though never a naturally gregarious man, Wodehouse was more sociable in the 1920s than at other periods. Donaldson lists among those with whom he was on friendly terms writers including A.A. Milne, Ian Hay, Frederick Lonsdale and E. Phillips Oppenheim, and stage performers including George Grossmith, Jr., Heather Thatcher and Dorothy Dickson.
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What happened in 1915?

Answer:
Jerome Kern introduced him to the writer Guy Bolton, who became Wodehouse's closest friend and a regular collaborator.