Given the question: Information: - Throbbing Gristle were an English music and visual arts group formed in 1976 in Kingston upon Hull. The band comprised Genesis P-Orridge (born Neil Megson; bass guitar, violin, vocals, vibraphone), Cosey Fanni Tutti (born Christine Newby; guitars, cornet, vocals), Peter "Sleazy" Christopherson (tapes, found sounds, horns, piano, vibraphone, synthesizer) and Chris Carter (synthesizers, tapes, electronics). - Industrial Records is a record label established in 1976 by industrial music group and performance artists Throbbing Gristle. The group created the label primarily for self-releases but also signed several other groups and artists. The label gave a name to the industrial music genre. - The Second Annual Report is the debut album by English industrial music pioneers Throbbing Gristle, released in November 1977 through Industrial Records. It is a combination of live and studio recordings which date from October 1976 to September 1977. - AllMusic (previously known as All Music Guide or AMG) is an online music guide service website. It was launched in 1991 by All Media Guide which later became All Media Network. - Genesis Breyer P-Orridge (born Neil Andrew Megson; 22 February 1950) is an English singer-songwriter, musician, poet, performance artist, and occultist. After rising to notability as the founder of the COUM Transmissions artistic collective and then fronting the industrial band Throbbing Gristle, P-Orridge was a founding member of Thee Temple ov Psychick Youth occult group, and fronted the experimental band Psychic TV. P-Orridge identifies as third gender. Born in Manchester, P-Orridge developed an early interest in art, occultism, and the avant-garde while at Solihull School. After dropping out of studies at the University of Hull, they moved into a counter-cultural commune in London and adopted "Genesis P-Orridge" as a nom-de-guerre. On returning to Hull, P-Orridge founded COUM Transmissions with Cosey Fanni Tutti, and in 1973 they relocated to London. COUM's confrontational performance work, dealing with such subjects as sex work, pornography, serial killers, and occultism, represented a concerted attempt to challenge societal norms and attracted the attention of the national press. COUM's 1976 "Prostitution" show at London's Institute of Contemporary Arts was particularly vilified by tabloids, gaining them the moniker of the "wreckers of civilization." P-Orridge's band, Throbbing Gristle, grew out of COUM, and were active from 1975 to 1981 as pioneers in the industrial music genre. In 1981, P-Orridge co-founded Psychic TV, an experimental band that from 1988 onward came under the increasing influence of acid house. In 1981, P-Orridge co-founded Thee Temple ov Psychick Youth, an informal occult order influenced by chaos magic and experimental music. P-Orridge was often seen as the group's leader, but rejected that position, and left the group in 1991. Amid the Satanic ritual abuse hysteria, a 1992 Channel 4 documentary accused P-Orridge of sexually abusing children, resulting in a police investigation. P-Orridge was subsequently cleared and Channel 4 retracted their allegation. P-Orridge left the United... - 20 Jazz Funk Greats is the third studio album by industrial music pioneers Throbbing Gristle , recorded in August 1979 and released in December 1979 by the band 's record label Industrial . Despite its tongue - in - cheek title , most of the thirteen tracks on the album consist of the group 's signature industrial , ambient , and electronic music , with only brief experiments with jazz , funk , and other genres . - Musique concrete (meaning "concrete music") is a form of musique experimentale (experimental music) that exploits acousmatic listening, meaning sound identities can often be intentionally obscured or appear unconnected to their source cause. It can feature sounds derived from recordings of musical instruments, the human voice, and the natural environment as well as those created using synthesizers and computer-based digital signal processing. Compositions in this idiom are not restricted to the normal musical rules of melody, harmony, rhythm, metre, and so on. Originally contrasted with "pure" "elektronische Musik" (based solely on the production and manipulation of electronically produced sounds rather than recorded sounds), the theoretical basis of "musique concrete" as a compositional practice was developed by Pierre Schaeffer, beginning in the early 1940s. From the late 1960s onward, and particularity in France, the term acousmatic music (musique acousmatique) started to used in reference to fixed media compositions that utilized both musique concrete based techniques and live sound spatialisation. - Industrial music is a genre of experimental/electronic music that draws on transgressive or provocative sounds and themes. The term was coined in the mid-1970s with the founding of Industrial Records by Genesis P-Orridge of Throbbing Gristle and Monte Cazazza; on Throbbing Gristle's debut album "The Second Annual Report", they coined the slogan "industrial music for industrial people". In general, the style is harsh and challenging. AllMusic defines industrial as the "most abrasive and aggressive fusion of rock and electronic music"; "initially a blend of avant-garde electronics experiments (tape music, musique concrete, white noise, synthesizers, sequencers, etc.) and punk provocation". - Monte Cazazza is an American artist and composer best known for his seminal role in helping shape industrial music through recordings with the London-based Industrial Records in the mid-1970s. After reading the paragraphs above, choose the best answer for the entity that related to '20 jazz funk greats' with the relationship of 'record label'. Choices: - album - digital - english - industrial records - label - melody - onward - record label - service - violin
The answer is:
industrial records