Some context: Megan Denise Fox (born May 16, 1986) is an American actress and model. She began her acting career in 2001, with several minor television and film roles, and played a regular role on the Hope & Faith television sitcom. In 2004, she made her film debut with a role in the teen comedy Confessions of a Teenage Drama Queen. In 2007, she co-starred as Mikaela Banes, the love interest of Shia LaBeouf's character, in the blockbuster action film Transformers, which became her breakout role.
Fox was born on May 16, 1986 in Oak Ridge, Tennessee. Her parents are Gloria Darlene (Cisson) and Franklin Thomas Fox. Fox's father, a parole officer, and her mother divorced when Fox was three years old. Her mother later remarried, and Fox and her sister were raised by her mother and her stepfather, Tony Tonachio. She was raised "very strictly Pentecostal", but later attended Catholic school for 12 years. Fox's parents divorced when she was young. She said that the two were "very strict" and that she was not allowed to have a boyfriend or invite friends to her house. She lived with her mother until she made enough money to support herself. Fox began her training in dance and drama at age five, in Kingston, Tennessee. She attended a dance class at the community center there and was involved in Kingston Elementary School's chorus and the Kingston Clippers swim team. At 10 years of age, after moving to St. Petersburg, Florida, Fox continued her training. When she was 13 years old, Fox began modeling after winning several awards at the 1999 American Modeling and Talent Convention in Hilton Head, South Carolina. At age 17, she tested out of school via correspondence in order to move to Los Angeles, California. Fox has spoken extensively of her time in education; that in middle school she was bullied; consequently she ate lunch in the bathroom to avoid being "pelted with ketchup packets". She said that the problem was not her looks, but that she had "always gotten along better with boys" and that "rubbed some people the wrong way". Fox also said of high school that she was never popular and that "everyone hated me, and I was a total outcast, my friends were always guys, I have a very aggressive personality, and girls didn't like me for that. I've had only one great girlfriend my whole life". In the same interview, she mentions that she hated school and has "never been a big believer in formal education" and that "the education I was getting seemed irrelevant. So, I was sort of checked out on that part of it".
Where did she get her education?
A: Catholic school for 12 years.
Some context: Browning was born as Charles Albert Browning, Jr., in Louisville, Kentucky, the second son of Charles Albert and Lydia Browning, and the nephew of baseball star Pete Browning. As a young boy, he put on amateur plays in his backyard. He was fascinated by the circus and carnival life, and at the age of 16 he ran away from his well-to-do family to become a performer. Changing his name to "Tod", he traveled extensively with sideshows, carnivals, and circuses.
Browning's feature film debut was Jim Bludso (1917), about a riverboat captain who sacrifices himself to save his passengers from a fire. It was well received. Browning moved back to New York in 1917. He directed two films for Metro Studios, Peggy, the Will O' the Wisp and The Jury of Fate. Both starred Mabel Taliaferro, the latter in a dual role achieved with double exposure techniques that were groundbreaking for the time. He moved back to California in 1918 and produced two more films for Metro, The Eyes of Mystery and Revenge. In the spring of 1918 he left Metro and joined Bluebird Productions, a subsidiary of Universal Pictures, where he met Irving Thalberg. Thalberg paired Browning with Lon Chaney for the first time for the film The Wicked Darling (1919), a melodrama in which Chaney played a thief who forces a poor girl (Priscilla Dean) from the slums into a life of crime and possibly prostitution. Browning and Chaney would ultimately make ten films together over the next decade. The death of his father sent Browning into a depression that led to alcoholism. He was laid off by Universal and his wife left him. However, he recovered, reconciled with his wife, and got a one-picture contract with Goldwyn Pictures. The film he produced for Goldwyn, The Day of Faith, was a moderate success, putting his career back on track. Thalberg reunited Browning with Lon Chaney for The Unholy Three (1925), the story of three circus performers who concoct a scheme to use disguises to con and steal jewels from rich people. Browning's circus experience shows in his sympathetic portrayal of the antiheroes. The film was a resounding success, so much so that it was later remade in 1930 as Lon Chaney's first (and only) talkie shortly before his death later that same year. Browning and Chaney embarked on a series of popular collaborations, including The Blackbird and The Road to Mandalay. The Unknown (1927), featuring Chaney as an armless knife thrower and Joan Crawford as his scantily clad carnival girl obsession, was originally titled Alonzo the Armless and could be considered a precursor to Freaks in that it concerns a love triangle involving a circus freak, a beauty, and a strongman. London After Midnight (1927) was Browning's first foray into the vampire genre and is a highly sought-after lost film which starred Chaney, Conrad Nagel, and Marceline Day. The last known print of London After Midnight was destroyed in an MGM studio fire in 1967. In 2002, a photographic reconstruction of London After Midnight was produced by Rick Schmidlin for Turner Classic Movies. Browning and Chaney's final collaboration was Where East is East (1929), of which only incomplete prints have survived. Browning's first talkie was The Thirteenth Chair (1929), which was also released as a silent and featured Bela Lugosi, who had a leading part as the uncanny inspector, Delzante, solving the mystery with the aid of the spirit medium. This film was directed shortly after Browning's vacation trip to Germany (arriving in the Port of New York, November 12, 1929).
What role did Tod play in silent feature films?
A:
Browning's feature film debut was Jim Bludso (1917), about a riverboat captain who sacrifices himself to save his passengers from a fire. It was well received.