[Q]: Suggest a movie title for the following movie plot: Psychedelic rock band the Flaming Lips present Christmas on Mars: A Fantastical Film Freakout Featuring the Flaming Lips, a glorious science fiction film that marks the directorial debut of the Lips' visionary frontman Wayne Coyne. Seven years in the making, Christmas on Mars features original music by the Flaming Lips ("The greatest US band today" - The Guardian), with acting performances by all band members, and many others from their Oklahoma City-based team. Comedian Fred Armisen (Saturday Night Live) and actor Adam Goldberg (Dazed and Confused, Two Days in Paris) also appear.It's Christmastime, and the colonization of Mars is underway. However, when an oxygen generator and a gravity control pod malfunction, Major Syrtis (the Lips' Steven Drozd) and his team (including the Lips' Michael Ivins) fear the worst. Syrtis also hallucinates about the birth of a baby, and many other strange things. Meanwhile, a compassionate alien superbeing (Coyne) arrives, inspiring and helping the isolated astronauts.
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[A]: Christmas on Mars

[Q]: Suggest a movie title for the following movie plot: A mysterious, middle-aged man wearing a dark suit and black leather gloves is the only customer in a Hoboken, New Jersey bar. He looks longingly at a picture of a woman that he keeps in his wallet. He then has a tense conversation with the bartender, in which he reveals that he once lived in Hoboken years ago, but is now passing through "on business" because he is a "travelling salesman." While the man is in the bar's restroom, a teenage boy named Lake, dressed as a cowboy and brandishing a gun, bursts into the bar. He tells the bartender that the middle-aged man is actually the "Man with No Name" (a.k.a. "Mr. Smith"), a notorious hitman on the FBI's "most wanted" list. Using a makeshift silencer, Lake shoots and kills the bartender and ambushes the "Man with No Name" when the older man returns to pay his bill. Lake, a violent but inexperienced gunman, holds the "Man with No Name" at gunpoint and reveals his intention to kill the hitman in order to bolster his own criminal reputation; but the hitman calmly outwits the teenager, lulls him into a false sense of security, and then knocks him out with a punch. However, Lake recovers, the two struggle, and Lake pins the hitman to the floor and prepares to shoot him in cold blood. During a brief exchange of words, the hitman realizes that (unbeknownst to the boy) his young challenger is the son that he was forced to abandon years earlier. Appealing to Lake's vanity, the hitman convinces the boy to engage him in a fair test of their respective skills: a fast draw. The two have a showdown, which the "Man with No Name" easily wins by shooting the gun out of Lake's hand. Instead of killing the teenager, he shoots the boy's other hand. Demoralized, defeated, and suffering from the pain of two wounded hands, the teenager slumps to floor. The "Man with No Name" then reveals that he is Lake's father; he proves it by taking out his wallet and showing the boy the picture of the woman he was looking at earlier. The woman in the picture was the hitman's beloved, deceased wife...
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[A]: Gunmen's Blues

[Q]: Suggest a movie title for the following movie plot: Victoria 'Vicky' Page (Moira Shearer) is a young, unknown dancer from an aristocratic background. At an after-ballet party, arranged by her aunt as a surreptitious audition, she meets Boris Lermontov (Anton Walbrook), the ruthless but charismatic impresario of the Ballet Lermontov. Lermontov takes her on as a student, where she is taught by, among others, Grisha Ljubov (Leonide Massine), the company's chief choreographer. After seeing her dance in a matinee performance of Swan Lake,[4] Lermontov realises her potential and invites Vicky to go with the company to Paris and Monte Carlo. When he loses his prima ballerina (Ludmilla Tcherina) to marriage, Lermontov begins to see Vicky as a possible successor. He decides to create a starring role for her in a new ballet, The Red Shoes, the music for which is to be written by Julian Craster (Marius Goring) a brilliant young composer engaged as orchestral coach the same day that Vicky was brought into the company. As the premiere of the ballet approaches, Vicky and Julian lock horns artistically, and then fall in love. The ballet is a great success, and Lermontov talks with Vicky about her future. Lermontov revitalizes the company's repertoire with Vicky in the lead roles, with Julian composing some of the most successful scores. The tale turns toward tragedy when Lermontov begins to have personal feelings toward Vicky. Lermontov's suppressed jealousy clouds his aesthetic discrimination: he rejects Julian's latest composition as childish and vulgar, which Julian (and the viewer) knows to be untrue. Lermontov fires Julian, and Vicky decides to leave the company with him. They marry and live in London where Julian works on composing a new opera. Lermontov relents his decision to enforce Vicky's contract, and permits her to dance where and when she pleases. The one exception is The Red Shoes; Lermontov retains the rights to the ballet and ownership of Julian's music, and refuses to mount it again or allow anyone else to produce the ballet. Original publicity still...
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[A]:
The Red Shoes