In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Example Input: Context_1 : Russian Easter Festival Overture: Overture on Liturgical Themes (Russian: , "Svetliy prazdnik" ), Op. 36, also known as the Great Russian Easter Overture, is a concert overture written by the Russian composer Nikolai Rimsky-Korsakov between August 1887 and April 1888. It was dedicated to the memories of Modest Mussorgsky and Alexander Borodin, two members of the group of composers known in English as "The Five". It is the last of what many call his three most exceptionally brilliant orchestral works, preceded by "Capriccio Espagnol" and "Scheherazade". The work received its premiere at a Russian symphony concert in St. Petersburg in late December 1888. Context_2 : Glenn Schellenberg is a Canadian composer. He is a frequent collaborator of director John Greyson, having composed the music for three of Greyson's films. For one of these films, "Zero Patience", Schellenberg was nominated, along with Greyson, for a Genie Award for Best Original Song for the song "Just Like Scheherazade". Context_3 : Nikolai Andreyevich Rimsky-Korsakov (18 March [O.S. 6 March] 1844 21 June [O.S. 8 June] 1908 ) was a Russian composer, and a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions"Capriccio Espagnol", the "Russian Easter Festival Overture", and the symphonic suite "Scheherazade"are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. "Scheherazade" is an example of his frequent use of fairy tale and folk subjects. Context_4 : Cinderella (Russian: , "Zolushka"; French: "Cendrillon") Op. 87, is a ballet composed by Sergei Prokofiev to a scenario by Nikolai Volkov. It is one of his most popular and melodious compositions, and has inspired a great many choreographers since its inception. The piece was composed between 1940 and 1944. Part way through writing it Prokofiev broke off to write his opera "War and Peace". The premiere of "Cinderella" was conducted by Yuri Fayer on November 21, 1945 at the Bolshoi Theatre, with choreography by Rostislav Zakharov and Galina Ulanova in the title role. "Cinderella" is notable for its jubilant music, lush scenery, and for the comic double-roles of the step-sisters (which can be performed in travesti), more mad than bad in this treatment. Context_5 : Christmas Eve (Russian: , "Noch' pered Rozhdestvom"), is an opera in four acts with music and libretto by Nikolai Rimsky-Korsakov. Composed between 1894 and 1895, Rimsky-Korsakov based his opera on a short story, "Christmas Eve", from Nikolai Gogol's "Evenings on a Farm Near Dikanka". The story had been used as the basis for an opera at least three times previously, including for Tchaikovsky's "Vakula the Smith" (1874). Oliver Knussen writes that "Rimsky is only interested in recreating the atmosphere of the folk-tale, fleshing it out for his stage pageant in a comparable way to Humperdinck in "Hansel". Context_6 : Zov Djungley (Russian: , lit. "Call of Jungles") was a TEFI-awarded Russian children's game show created and hosted by Sergei Suponev. Was aired on Saturdays for two years from 1993 on Channel One. In 1995 it was brought back to be hosted by Pyotr Fyodorov Sr. for 1997 and 1998, and Nikolai Gadomsky between 1998 and 2002. Music for the show was composed by Viktor Prudkovsky and Sergei Suponev performed the opening theme music "Djungli Zovut" (Russian: , lit. "Jungles Are Calling"). Context_7 : In mid- to late-19th-century Russia, Pyotr Ilyich Tchaikovsky and a group of composers known as The Five had differing opinions as to whether should be composed following Western or native practices. Tchaikovsky wanted to write professional compositions of such quality that they would stand up to Western scrutiny and thus transcend national barriers, yet remain distinctively Russian in melody, rhythm and other compositional characteristics. The Five, made up of composers Mily Balakirev, Alexander Borodin, Cesar Cui, Modest Mussorgsky, and Nikolai Rimsky-Korsakov, sought to produce a specifically Russian kind of art music, rather than one that imitated older European music or relied on European-style conservatory training. While Tchaikovsky himself used folk songs in some of his works, for the most part he tried to follow Western practices of composition, especially in terms of tonality and tonal progression. Also, unlike Tchaikovsky, none of The Five were academically trained in composition; in fact, their leader, Balakirev, considered academicism a threat to musical imagination. Along with critic Vladimir Stasov, who supported The Five, Balakirev attacked relentlessly both the Saint Petersburg Conservatory, from which Tchaikovsky had graduated, and its founder Anton Rubinstein, orally and in print. Context_8 : Facciolella castlei is an eel in the family Nettastomatidae (duckbill/witch eels). It was described by Nikolai Vasilyevich Parin and Emma Stanislavovna Karmovskaya in 1985. It is a marine, deep water-dwelling eel which is known from Chile, in the southeastern Pacific Ocean. The type specimen was retrieved from a depth of 230 metres. Context_9 : Arturo Berutti (c. 27 March 1862 in San Juan, Argentina - 3 January 1938 in Buenos Aires) was an Argentinian composer of classical music and librettos. He was best known for his notable theme "Pampa" (1897). The opera was based on the life of Juan Moreira. One of the influential Argentinian opera composers of the late 19th and early 20th century and his music was influenced by the Italian opera. In 1895, he composed the opera "Taras Bulba" inspired on the novel by Nikolai Gogol. Context_10 : Scheherazade, also commonly Sheherazade (Russian: , "Shekherazada"; ] ), Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on "One Thousand and One Nights", also known as "The Arabian Nights". This orchestral work combines two features typical of Russian music and of Rimsky-Korsakov in particular: dazzling, colorful orchestration and an interest in the East, which figured greatly in the history of Imperial Russia, as well as orientalism in general. The name "Scheherazade" refers to the main character "Shahrazad" of the "One Thousand and One Nights". It is considered Rimsky-Korsakov's most popular work. fact_1 : His best-known orchestral compositions"Capriccio Espagnol", the "Russian Easter Festival Overture", and the symphonic suite "Scheherazade"are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. fact_2 : 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on "One Thousand and One Nights", also known as "The Arabian Nights". Question: "Scheherazade", composed by Nikolai Rimsky-Korasakov is known as this type of music?
Example Output: symphonic suite

Example Input: Context_1 : Unfinished Monkey Business is the debut solo album by Ian Brown released in February 1998 via Polydor Records. The album was self-financed and produced by Brown, and was his first album release since the break-up of The Stone Roses in October 1996. Ex-Roses members Mani, Nigel Ipinson, Aziz Ibrahim and Robbie Maddix helped pen and perform the instruments on many of the album's tracks. "Ice Cold Cube", which premiered at The Stone Roses final concert, was first released on this album. Context_2 : Various, or Various Production, is an English dubstep/electronic music duo formed in 2002. The group blends samples, acoustic and electronic instrumentation, and singing from a revolving cast of vocalists. Its members, Adam and Ian, purposefully give very little information about the group or themselves, and tend to do little in the way of self-promotion. Nevertheless, the group began winning critical acclaim with its single releases in 2005 and 2006, with singers Rachel Thomas Davies and Nicola Kearey. Their full-length for XL, "The World is Gone", arrived in July 2006. They have released a large number of vinyl EPs and 7" records, as well as digital exclusives for Rough Trade, iTunes, and Boomkat. They have released remixes of a large variety of artists (sometimes uncredited) such as Thom Yorke, Adele, Virus Syndicate, Dave Cloud, Cat Power, Emma Pollock and Ian Brown and participated with one track on the Vexille Movie Soundtrack. Context_3 : Dave McCracken is a British songwriter and music producer. He is well known for his production on Ian Brown from The Stone Roses solo albums, "Golden Greats", "Music of the Spheres" and "Solarized". He has also produced "Vantage Point" by dEUS, The Rifles' second album and programmed and played keyboards on "Playing the Angel" by Depeche Mode. Context_4 : Stellify is the first single from Ian Brown's sixth solo album My Way. It was the first time that Brown "sort of consciously sat down and decided to write a love song". The song was released on 21 September 2009. In an interview with XFM Manchester he claimed that the song was originally written for Rihanna, for her upcoming studio album, but he realised he had created "a great sound" so claimed the track for himself. Context_5 : Ian George Brown (born 20 February 1963) is an English musician. He is the lead singer of the alternative rock band the Stone Roses from their formation in 1983. Following the split he began a solo career, releasing six studio albums, a greatest hits compilation, a remix album and 17 singles. He has performed solo shows in 45 countries. He returned to singing for the Stone Roses on 19 October 2011. On 20 October, he put out a statement to say that although he had reunited with the band, it did not spell the end of his solo endeavours. Brown is also known for a cameo role in "Harry Potter and the Prisoner of Azkaban". Context_6 : Golden Greats is the second solo album released by Ian Brown, a first made famous by his role as frontman in The Stone Roses. Despite the title, the album is not a compilation, but rather, a studio album. It was described by "NME" as "a left-field masterpiece and Brown's best work for a decade", contains soaring sonic textures and electronic dance beats; it is less song-oriented than "Unfinished Monkey Business". "Golden Greats" showcases a diverse usage of instruments including strings, mellotron and organs. A number of the tracks on the album were written by Brown whilst he was imprisoned for two months following a fracas with a flight attendant. Context_7 : Andy Cox (born Andrew Cox 25 January 1956 ) is a British guitarist, who along with Dave Wakeling, founded The Beat in 1978. Context_8 : General Public were a band formed by The Beat vocalists, Dave Wakeling and Ranking Roger, and which included former members of Dexys Midnight Runners, The Specials and The Clash. They are best remembered for their North American Top 40 hits "Tenderness" (1984) and "I'll Take You There" (1994). Context_9 : David Wakeling (born 19 February 1956 in Birmingham, England) is an English pop musician, known for his work with the band The Beat (known in the U.S. as the English Beat), and General Public. Context_10 : "Can't See Me" is a song by Ian Brown. It was written by Brown and Mani and produced by Brown. The song was remixed by Bacon & Quarmby and released as the third single from Brown's debut solo album "Unfinished Monkey Business". It was released in June 1998, and rose to number 21 on the UK Singles Chart. The song's lyrics refer to an incident when Brown saw His former Stone Roses band-mate John Squire in a village in Hale, Greater Manchester, not long after the split of the band. According to this story, Brown waved to Squire, but Squire hid behind a newspaper and would not acknowledge him. fact_1 : Ian George Brown (born 20 February 1963) is an English musician. fact_2 : David Wakeling (born 19 February 1956 in Birmingham, England) is an English pop musician, known for his work with the band The Beat (known in the U.S. as the English Beat), and General Public. Question: What do Ian Brown and Dave Wakeling have in common?
Example Output: musician

Example Input: Context_1 : Composition for Four Instruments (1948) is an early serial music composition written by American composer Milton Babbitt. It is Babbitt's first published ensemble work, following shortly after his "Three Compositions for Piano" (1947). In both these pieces, Babbitt expands upon the methods of twelve-tone composition developed by Arnold Schoenberg. He is notably innovative for his application of serial techniques to rhythm. "Composition for Four Instruments" is considered one of the early examples of "totally serialized" music. It is remarkable for a strong sense of integration and concentration on its particular premisesqualities that caused Elliott Carter, upon first hearing it in 1951, to persuade New Music Edition to publish it (Carter 1976, 30). Context_2 : Milton Byron Babbitt (May 10, 1916 January 29, 2011) was an American composer, music theorist, and teacher. He is particularly noted for his serial and electronic music. Context_3 : Stephen L. (Lucky) Mosko ((1947--) 7, 1947 5, 2005(2005--) (aged57 ) ) was an American composer. His music blends high modernism (including serialism) with world music, and he is an expert in Icelandic folk music. His, "seemingly contradictory," influences include uptown, downtown, and the West Coast school; including John Cage, Milton Babbitt, Elliott Carter, Morton Feldman, and Mel Powell. Context_4 : Bethany Beardslee (born December 25, 1925) is an American soprano particularly noted for her collaborations with major 20th-century composers, such as Igor Stravinsky, Milton Babbitt, Pierre Boulez, George Perle, Sir Peter Maxwell Davies and her performances of great contemporary classical music by Arnold Schoenberg, Alban Berg, Anton Webern. Her legacy amongst midcentury composers was as a "composer's singer"for her commitment to the highest art of new music. Milton Babbitt said of her "She manages to learn music no one else in the world can. She can work, work, work." In a 1961 interview for Newsweek, Beardslee flaunted her unflinching repertoire and disdain for commercialism: "I don't think in terms of the public... Music is for the musicians. If the public wants to come along and study it, fine. I don't go and try to tell a scientist his business because I don't know anything about it. Music is just the same way. Music is "not" entertainment." Context_5 : Marjorie Ann Hess a.k.a. Maura Bosch (born 1958) is an American composer. She was born in Reading, Pennsylvania, and studied at the Hartt College of Music where she received a Bachelor of Music degree in 1978, and at Princeton University where she received a Master of Fine Arts degree in 1982 and a Ph.D. in 2008, after studying with Alexander Lepak, Edward T. Cone, Milton Babbitt and Peter Westergaard. Context_6 : "Who Cares if You Listen?" is an article written by the American composer Milton Babbitt (May 10, 1916 January 29, 2011) and published in the February, 1958, issue of "High Fidelity". In addition to being the single most well-known work by Babbitt, it epitomized the distance that had grown between many composers and their listeners. In the words of Anthony Tommasini in the "New York Times", "To this day, it is seized as evidence that he and his ilk are contemptuous of audiences" . Context_7 : Composition for Twelve Instruments (1948, rev. 1954) is a serial music composition written by American composer Milton Babbitt for flute, oboe, clarinet, bassoon, horn, trumpet, harp, celesta, violin, viola, cello, and double bass. In it Babbitt for the first time employs a twelve-element duration set to serialize the rhythms as well as the pitches, predating Olivier Messiaen's (non-serial) "Mode de valeurs et d'intensites", but not the "Turangalila-Symphonie" (194648), in which Messiaen used this device for the first time in the opening episode of the movement titled "Turangalila II". Context_8 : John Rahn is a music theorist, composer, bassoonist, and Professor of Music in the University of Washington School of Music, Seattle. A former student of Milton Babbitt and Benjamin Boretz, he was editor of "Perspectives of New Music" from 1983 until 1993 and since 2001 has been co-editor with Benjamin Boretz and Robert Morris. Context_9 : James Romig (born 1971) is an American composer who studied at the University of Iowa and Rutgers University, where he earned a Ph.D. studying with both Charles Wuorinen and Milton Babbitt. He has composed solo, chamber, and large ensemble works that have been performed throughout the United States, Europe, and Asia. Recent guest-composer visits include Northwestern University, Columbia University, the University of Illinois, the Cincinnati Conservatory, Juilliard and the American Academy in Rome. He is associate professor of music theory and composition at Western Illinois University His works are available from Parallax Music Press, Curving Walkway Publications, Flute World and his personal page. Notable awards include a 2010 Aaron Copland Award and Aaron Copland House residency, and artist residencies at Petrified Forest National Park and Grand Canyon National Park. His work has been part of numerous new-music festivals such as the Aspen Composers Conference, Wien Modern, Alfeo Gigli, Total Music Festival, June in Buffalo, Imagine, Iowa Composers Forum, and SCI Regional and National conferences. His recordings have been released on labels such as Navona Records (distributed by Naxos Records) and published in journals such as Perspectives of New Music. Context_10 : David Rakowski (born June 13, 1958, St. Albans, Vermont) is an American composer. He studied under such composers as Robert Ceely, John Heiss, Milton Babbitt, Peter Westergaard, Paul Lansky, and Luciano Berio. In 2006, he was awarded the Chamber Music Society of Lincoln Center's 2004-2006 Elise L. Stoeger Prize. He has twice been a finalist for the Pulitzer Prize for Music: in 1999 for "Persistent Memory" and in 2002 for his second symphony "Ten of a Kind". fact_1 : "Who Cares if You Listen?" fact_2 : is an article written by the American composer Milton Babbitt (May 10, 1916 January 29, 2011) and published in the February, 1958, issue of "High Fidelity". fact_3 : Milton Byron Babbitt (May 10, 1916 January 29, 2011) was an American composer, music theorist, and teacher. Question: "Who Cares if You Listen?", is an article written by the American composer, music theorist, and teacher, Milton Babbitt, and published in the February, 1958, issue of which magazine?
Example Output:
High Fidelity