Background: Baudelaire was born in Paris, France, on April 9, 1821, and baptized two months later at Saint-Sulpice Roman Catholic Church. His father, Francois Baudelaire, a senior civil servant and amateur artist, was 34 years older than Baudelaire's mother, Caroline. Francois died during Baudelaire's childhood, in 1827. The following year, Caroline married Lieutenant Colonel Jacques Aupick, who later became a French ambassador to various noble courts.
Context: Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness. This obsessive idea is above all a child of giant cities, of the intersecting of their myriad relations. Baudelaire is one of the major innovators in French literature. His poetry is influenced by the French romantic poets of the earlier 19th century, although its attention to the formal features of verse connects it more closely to the work of the contemporary "Parnassians". As for theme and tone, in his works we see the rejection of the belief in the supremacy of nature and the fundamental goodness of man as typically espoused by the romantics and expressed by them in rhetorical, effusive and public voice in favor of a new urban sensibility, an awareness of individual moral complexity, an interest in vice (linked with decadence) and refined sensual and aesthetic pleasures, and the use of urban subject matter, such as the city, the crowd, individual passers-by, all expressed in highly ordered verse, sometimes through a cynical and ironic voice. Formally, the use of sound to create atmosphere, and of "symbols" (images that take on an expanded function within the poem), betray a move towards considering the poem as a self-referential object, an idea further developed by the Symbolists Verlaine and Mallarme, who acknowledge Baudelaire as a pioneer in this regard. Beyond his innovations in versification and the theories of symbolism and "correspondences", an awareness of which is essential to any appreciation of the literary value of his work, aspects of his work that regularly receive much critical discussion include the role of women, the theological direction of his work and his alleged advocacy of "satanism", his experience of drug-induced states of mind, the figure of the dandy, his stance regarding democracy and its implications for the individual, his response to the spiritual uncertainties of the time, his criticisms of the bourgeois, and his advocacy of modern music and painting (e.g., Wagner, Delacroix). He made Paris the subject of modern poetry. He would bring the city's details to life in the eyes and hearts of his readers.
Question: what style were his poems written in?
Answer: attention to the formal features of verse connects it more closely to the work of the contemporary "Parnassians".

Background: Diosdado Macapagal was born on September 28, 1910, in Lubao, Pampanga, the third of five children in a poor family. His father, Urbano Macapagal y Romero (c. 1883 - 1946), was a poet who wrote in the local Pampangan language, and his mother, Romana Pangan Macapagal, daughter of Atanacio Miguel Pangan, a former cabeza de barangay of Gutad, Floridablanca, Pampanga and Lorenza Suing Antiveros. Urbano's mother, Escolastica Romero Macapagal is a midwife and schoolteacher who taught catechism. He is a distant descendant of Don Juan Macapagal, a prince of Tondo, who was a great-grandson of the last reigning Lakan of the Kingdom of Tondo, Lakan Dula.
Context: Macapagal excelled in his studies at local public schools, graduating valedictorian at Lubao Elementary School, and salutatorian at Pampanga High School. He finished his pre-law course at the University of the Philippines, then enrolled at Philippine Law School in 1932, studying on a scholarship and supporting himself with a part-time job as an accountant. While in law school, he gained prominence as an orator and debater. However, he was forced to quit schooling after two years due to poor health and a lack of money. Returning to Pampanga, he joined boyhood friend Rogelio de la Rosa in producing and starring in Tagalog operettas patterned after classic Spanish zarzuelas. It was during this period that he married his friend's sister, Purita de la Rosa in 1938. He had two children with de la Rosa, Cielo and Arturo. Macapagal raised enough money to continue his studies at the University of Santo Tomas. He also gained the assistance of philanthropist Don Honorio Ventura, the Secretary of the Interior at the time, who financed his education. He also received financial support from his mother's relatives notably from the Macaspacs who owned large tracts of land in barrio Sta. Maria, Lubao, Pampanga. After receiving his Bachelor of Laws degree in 1936, he was admitted to the bar, topping the 1936 bar examination with a score of 89.95%. He later returned to his alma mater to take up graduate studies and earn a Master of Laws degree in 1941, a Doctor of Civil Law degree in 1947, and a PhD in Economics in 1957.
Question: Who was his mentor?
Answer:

Background: William Henry "Lone Star" Dietz (August 17, 1884 - July 20, 1964) was an American football player and coach. He served as the head football coach at Washington State University (1915-1917), Purdue University (1921), Louisiana Tech University (1922-1923), University of Wyoming (1924-1926), Haskell Institute--now Haskell Indian Nations University (1929-1932), and Albright College (1937-1942). From 1933 to 1934, Dietz was the head coach of the National Football League's Boston Redskins, where he tallied a mark of 11-11-2. He was inducted into the College Football Hall of Fame as a coach in 2012.
Context: Historian Linda M. Waggoner has traced Dietz' heritage in several articles in Indian Country Today Media Network and at a 2013 symposium at the National Museum of the American Indian. According to census records and to his birth certificate, he was born William Henry Dietz, or "Willie," on August 17, 1884, in Rice Lake, Wisconsin, at 16 West Humbird Street. His father William Wallace Dietz, settled in the area in 1871 and was elected county sheriff in 1877. He married Leanna Ginder in November 1879. "Willie" attended Oklahoma's Chilocco Indian Agricultural School, where it is likely he feigned some kind of Indian identity for the first time. As Waggoner wrote, "Naturally, visitors to the St. Louis World's Fair exhibit, including Dietz's future wife, Winnebago artist Angel De Cora (1871-1919), thought Dietz was a Chilocco student." In 1921, Dietz took a coaching position with Purdue University in Indiana. After Angel De Cora died in 1919, he married Doris O. Pottlitzer, a middle-aged local journalist, on January 29, 1922. The week previous to their marriage, Purdue officials fired him for illegal recruiting. In spring 1933, George Preston Marshall, owner of the Boston Braves, hired Dietz to replace Coach Lud Wray. In 1937, the team moved to Washington, D.C. For the rest of his life, Dietz continued to promote himself as Lone Star Dietz, the son of W.W. and Julia One Star of Pine Ridge. He took on his last coaching job in 1937 for Albright College in Pennsylvania; in 1964, still married to Doris, Dietz died in Reading, Pennsylvania. He and Doris were so poor that former teammates purchased his headstone. It reads: "William 'Lone Star' Dietz born in South Dakota."
Question: Did this affect his ability to stay in the Oklahoma Chilocco Indian Agricultural School?
Answer:
Doris O. Pottlitzer, a middle-aged local journalist, on January 29, 1922. The week previous to their marriage, Purdue officials fired him