instruction:
In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.
question:
Passage: Handel's earliest opera compositions, in the German style, date from his Hamburg years, 170406, under the influence of Johann Mattheson. In 1706 he traveled to Italy where he remained for three years, developing his compositional skills. He first settled in Florence where he was introduced to Alessandro and Domenico Scarlatti. His first opera composed in Italy, though still reflecting the influence of Hamburg and Mattheson, was Rodrigo (1707, original title Vincer se stesso e la maggior vittoria), was presented there. It was not particularly successful, but was part of Handel's process of learning to compose opera in the Italian style and to set Italian words to music.Handel then spent time in Rome, where the performance of opera was forbidden by Papal decree, and in Naples. He applied himself to the composition of cantatas and oratorios; at that time there was little difference (apart from increasing length) between cantata, oratorio and opera, all based on the alternation of secco recitative and aria da capo. Works from this period include Dixit Dominus and the dramatic cantata Aci, Galatea e Polifemo, written in Naples. While in Rome, probably through Alessandro Scarlatti, Handel had become acquainted with Cardinal Grimani, a distinguished diplomat who wrote libretti in his spare time, and acted as an unofficial theatrical agent for the Italian royal courts. He was evidently impressed by Handel and asked him to set his new libretto, Agrippina. Grimani intended to present this opera at his family-owned theatre in Venice, the Teatro San Giovanni Grisostomo, as part of the 170910 Carnevale season.
answer:
What is the name of the person that traveled to Italy in 1706?

question:
Passage: Justin Quayle, a low-level British diplomat and horticultural hobbyist posted in Kenya, learns that his wife Tessa was found dead in the veld. Tessa has been murdered at a crossroads along with her Kenyan driver. Her colleague, Dr. Arnold Bluhm, initially suspected of her murder, is then found to have been murdered on the same day as Tessa. Various rumours abound that the two were having an affair; it is later revealed that Bluhm was gay.
In flashbacks, we see how in London, Justin met his future wife Tessa, an outspoken humanitarian and Amnesty International activist. He falls in love with her, and she persuades him to take her back with him to Kenya. Despite their loving marriage, Tessa keeps from Justin the reason why she approached him in the first place: to investigate a suspicious drug trial in Kenya and expose it. When Tessa starts getting too close to uncovering the malpractices of an influential and powerful pharmaceutical company, she and her colleague are brutally murdered.
As the mystery surrounding his wife's death unfolds, Justin becomes determined to get to the bottom of her murder. He soon runs up against a drug corporation that is using Kenya's population for fraudulent testing of a tuberculosis drug. The drug has known harmful side effects, but the corporation completely disregards the well-being of its impoverished African test subjects.
answer:
What is the last name of the person who was murdered?

question:
Passage: Saint-Saens was born in Paris, the only child of Jacques-Joseph-Victor Saint-Saens (17981835), an official in the French Ministry of the Interior, and Francoise-Clemence, nee Collin. Victor Saint-Saens was of Norman ancestry, and his wife was from an Haute-Marne family; their son, born in the Rue du Jardinet in the 6th arrondissement of Paris, and baptised at the nearby church of Saint-Sulpice, always considered himself a true Parisian. Less than two months after the christening, Victor Saint-Saens died of consumption on the first anniversary of his marriage. The young Camille was taken to the country for the sake of his health, and for two years lived with a nurse at Corbeil, 29 kilometres (18 mi) to the south of Paris.
When Saint-Saens was brought back to Paris he lived with his mother and her widowed aunt, Charlotte Masson. Before he was three years old he displayed perfect pitch and enjoyed picking out tunes on the piano. His great-aunt taught him the basics of pianism, and when he was seven he became a pupil of Camille-Marie Stamaty, a former pupil of Friedrich Kalkbrenner. Stamaty required his students to play while resting their forearms on a bar situated in front of the keyboard, so that all the pianist's power came from the hands and fingers rather than the arms, which, Saint-Saens later wrote, was good training. Clemence Saint-Saens, well aware of her son's precocious talent, did not wish him to become famous too young. The music critic Harold C. Schonberg wrote of Saint-Saens in 1969, "It is not generally realized that he was the most remarkable child prodigy in history, and that includes Mozart." The boy gave occasional performances for small audiences from the age of five, but it was not until he was ten that he made his official public debut, at the Salle Pleyel, in a programme that included Mozart's Piano Concerto in B (K450), and Beethoven's Third Piano Concerto. Through Stamaty's influence, Saint-Saens was introduced to the composition professor Pierre Maleden and the organ teacher Alexandre Pierre Francois Boely. From the latter he acquired a lifelong love of the music of Bach, which was then little known in France.As a schoolboy Saint-Saens was outstanding in many subjects. In addition to his musical prowess, he distinguished himself in the study of French literature, Latin and Greek, divinity, and mathematics. His interests included philosophy, archaeology and astronomy, of which, particularly the last, he remained a talented amateur in later life.
answer:
What is the full name of the person who died of consumption?