input: The Mandaeans have a large corpus of religious scriptures, the most important of which is the Ginza Rba or Ginza, a collection of history, theology, and prayers. The Ginza Rba is divided into two halves--the Genza Smala or "Left Ginza," and the Genza Yemina or "Right Ginza". By consulting the colophons in the Left Ginza, Jorunn J. Buckley has identified an uninterrupted chain of copyists to the late 2nd or early 3rd century CE. The colophons attest to the existence of the Mandaeans or their predecessors during the late Arsacid period at the very latest, a fact corroborated by the Harran Gaweta legend, which says that the Mandaeans left Judea after the destruction of Jerusalem in the 1st century CE, and settled within the Arsacid empire. Although the Ginza continued to evolve under the rule of the Sassanians and the Islamic empires, few textual traditions can lay claim to such extensive continuity. Other important books include the Qolasta, the "Canonical Prayerbook of the Mandaeans," which was translated by E. S. Drower. and here One of the chief works of Mandaean scripture, accessible to laymen and initiates alike, is the Drasa D-Iahia "The Book of John the Baptist" (text; German translation), which includes a dialogue between John and Jesus. In addition to the Ginza, Qolusta, and Drasa, there is the Divan, which contains a description of the 'regions' the soul ascends through, and the Asfar Malwashe, the "Book of the Zodiacal Constellations." Finally, there are some pre-Muslim artifacts which contain Mandaean writings and inscriptions, such as some Aramaic incantation bowls. The language in which the Mandaean religious literature was originally composed is known as Mandaic, and is a member of the Aramaic family of dialects. It is written in a cursive variant of the Parthian chancellory script. Many Mandaean lay people do not speak this language, though some members of the Mandaean community resident in Iran and Iraq continue to speak Neo-Mandaic, a modern version of this language.

Answer this question "What does that one ask or profess?"
output: collection of history, theology, and prayers.

input: Michael Gira has repeatedly stated he took the moniker Swans as it described the sound he wanted best. Gira's summation of the name follows along the lines of: "Swans are majestic, beautiful looking creatures. With really ugly temperaments." The earliest known lineup of Swans comprised Gira on bass guitar and vocals, Jonathan Kane on drums, Sue Hanel on guitar, Mojo on percussion and tape loops and either Thurston Moore, Dan Braun or Jon Tessler on the second bass guitar. Jon Tessler also played percussion and tape loops. Hanel's only recordings with the group are on the compilation Body to Body, Job to Job, but the ambiguous personnel credits do not make it clear on which songs she performed. Kane stated that "Sue was the most fearsome guitarist we'd ever heard in New York. She was unbelievable." Hanel did not stay long in the group, and by the time of their recording debut she had been replaced by Bob Pezzola. This lineup of the group also featured saxophonist Daniel Galli-Duani, who had previously played with Kane as the avant-garde duo Transmission. The debut EP, Swans, released on Labor, is markedly different from anything they would do later. The plodding tempos and distorted, detuned guitar work is reminiscent of such post-punk outfits as Joy Division. However, the minimal chord structures owe more to blues, while the jazz instrumentation and awkward time signatures are evidence of Swans' roots in the no wave scene of the late 1970s, which had more or less collapsed by the release of 1984's Cop.

Answer this question "Are there any other interesting aspects about this article?"
output: Gira's summation of the name follows along the lines of: "Swans are majestic, beautiful looking creatures. With really ugly temperaments.

input: Pfeiffer's subsequent career choices have met with varying degrees of success. After The Age of Innocence, she played the role of Laura Alden opposite Jack Nicholson in Wolf (1994), a horror film that garnered a mixed critical reception. The New York Times wrote: "Ms. Pfeiffer's role is underwritten, but her performance is expert enough to make even diffidence compelling". The movie grossed US$65 million (equivalent to $107.3 million) at the domestic box office and US$131 million worldwide (equivalent to $216.3 million). Her next role was that of high school teacher and former US Marine LouAnne Johnson in the surprise box office hit Dangerous Minds (1995), which was co-produced under Pfeiffer's film production company Via Rosa Productions. She appeared as her character in the music video for the soundtrack's lead single, "Gangsta's Paradise" by Coolio (featuring L.V.), which was used by the producer Jerry Bruckheimer for television advertising. A 60-second version was aired on music channels, while a 30-second cut was aired in the rest of the networks. The song won the 1996 Grammy Award for Best Rap Solo Performance, and the video won the MTV Video Music Award for Best Rap Video. In 1996, she turned down the Golden Globe Award-winning role of Eva Peron in the biopic Evita, which went to Madonna. Pfeiffer then portrayed Sally Atwater in the romantic drama Up Close & Personal (1996) opposite Robert Redford. The film's screenplay, co-written by husband and wife team John Gregory Dunne and Joan Didion, was intended to be a biographical account of the career of news anchor Jessica Savitch, but the final version had almost nothing to do with Savitch's life, leading Dunne to write an expose of his eight-year battle with the Hollywood producers, Monster: Living Off the Big Screen. She took the role of Gillian Lewis in To Gillian on Her 37th Birthday (1996), which was adapted by her husband David Kelley from Michael Brady's play of the same name. Pfeiffer and her producing partner Guinzburg were on a winning streak of producing three back to back films next under their Via Rosa Productions header that included, One Fine Day (1996), A Thousand Acres (1997) and The Deep End of the Ocean (1998). She served as an executive producer and starred as the divorced single mother architect Melanie Parker in the romantic comedy One Fine Day (1996) opposite George Clooney, Subsequent performances included Rose Cook Lewis in the film adaptation of Jane Smiley's Pulitzer Prize-winning novel A Thousand Acres (1997) with Jessica Lange and Jennifer Jason Leigh; Beth Cappadora in The Deep End of the Ocean (1998) about a married couple who found their son who was kidnapped nine years ago; Titania the Queen of the Fairies in A Midsummer Night's Dream (1999) with Kevin Kline, Rupert Everett and Stanley Tucci; and Katie Jordan in Rob Reiner's comedy-drama The Story of Us (1999) opposite Bruce Willis.

Answer this question "What year did she start her company?"
output:
hit Dangerous Minds (1995), which was co-produced under Pfeiffer's film production company Via Rosa Productions.