Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.

[Q]: Premise: Tom went to a coffee shop.
Initial Context: He was working on his laptop.
Original Ending: He saw a friend named Susan. He walked over to Susan. He began talking with this friend Susan.
Counterfactual Context: He bought coffee and went out.
[A]: He saw a friend named Susan. He walked over to Susan. He began talking with this friend Susan.

[Q]: Premise: Maria was at the zoo.
Initial Context: She was so excited seeing all of the animals.
Original Ending: Her favorite, though, were the penguins. She went to see them, but saw that the exhibit was closed that day. She was very sad she missed them.
Counterfactual Context: She got to see all the animals she wanted.
[A]: Her favorite, though, were the penguins. She went to see them, and the exhibit was open that day. She was very happy she didn't miss them.

[Q]: Premise: As a nurse for the elderly, I have dealt with all sorts of characters.
Initial Context: One lady in particular was quite a hoot!
Original Ending: Every morning I would bend over her to take her pulse. Like clockwork, she would touch my breast and ask if it was a sandbag. She has since passed on but everytime I see a sandbag, I think of her.
Counterfactual Context: One man was particular ridiculous to deal with.
[A]:
Every morning I would bend over him to take his pulse. Like clockwork, he would touch my breast and ask if it was a sandbag. He has since passed on, but every time I see a sandbag I think of him.