Question:
Robertson was born Jaime Royal Robertson on July 5, 1943. He was an only child. His mother was Rose Marie Chrysler, a Cayuga and Mohawk woman who was raised on the Six Nations Reserve southwest of Toronto, Ontario. Chrysler lived with an aunt in the Cabbagetown neighborhood, and worked at a jewelry plating factory.
The Hawks left Ronnie Hawkins at the beginning of 1964 to go on their own. The members of The Hawks were losing interest in playing in the rockabilly style in favor of playing blues and soul music. In early 1964, the group approached agent Harold Kudlets about representing them, which he agreed to do, booking them a years' worth of shows in the same circuits as they had been in before with Ronnie Hawkins. Originally dubbed The Levon Helm Sextet, the group included all of the future members of The Band, plus Jerry Penfound on saxophone and Bob Bruno on vocals. Bruno left in May 1964, and at that time the group changed their name to Levon and the Hawks. Penfound stayed with the group until 1965. Kudlets kept the group busy performing throughout 1964 and into 1965, finally booking them into two lengthy summer engagements at the popular nightclub Tony Mart's in Somers Point, New Jersey, where they played six nights a week alongside Conway Twitty and other acts. The members of Levon and the Hawks befriended blues artist John P. Hammond while he was performing in Toronto in 1964. Later in the year, the group agreed to work on Hammond's album So Many Roads (released in 1965) at the same time that they were playing The Peppermint Lounge in New York City. Robertson played guitar throughout the album, and was billed "Jaime R. Robertson" in the album's credits. Levon and the Hawks cut a single "Uh Uh Uh" b/w "Leave Me Alone" under the name The Canadian Squires in March 1965. Both songs were written by Robertson. The single was recorded in New York and released on Apex Records in the United States and on Ware Records in Canada. As Levon and The Hawks, the group cut an afternoon session for Atco Records later in 1965, which yielded two singles, "The Stones That I Throw" b/w "He Don't Love You" (Atco 6383) and "Go, Go, Liza Jane" b/w "He Don't Love You" (Atco 6625). Robertson also wrote all three of the tracks on Levon and the Hawks' Atco singles.
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Answer:
The members of Levon and the Hawks befriended blues artist John P. Hammond while he was performing in Toronto in 1964.

input: Unlike Lully, who collaborated with Philippe Quinault on almost all his operas, Rameau rarely worked with the same librettist twice. He was highly demanding and bad-tempered, unable to maintain longstanding partnerships with his librettists, with the exception of Louis de Cahusac, who collaborated with him on several operas, including Les fetes de l'Hymen et de l'Amour (1747), Zais (1748), Nais (1749), Zoroastre (1749; revised 1756), La naissance d'Osiris (1754), and Anacreon (the first of Rameau's operas by that name, 1754). He is also credited with writing the libretto of Rameau's final work, Les Boreades (c. 1763). Many Rameau specialists have regretted that the collaboration with Houdar de la Motte never took place, and that the Samson project with Voltaire came to nothing because the librettists Rameau did work with were second-rate. He made his acquaintance of most of them at La Poupliniere's salon, at the Societe du Caveau, or at the house of the Comte de Livry, all meeting places for leading cultural figures of the day. Not one of his librettists managed to produce a libretto on the same artistic level as Rameau's music: the plots were often overly complex or unconvincing. But this was standard for the genre, and is probably part of its charm. The versification, too, was mediocre, and Rameau often had to have the libretto modified and rewrite the music after the premiere because of the ensuing criticism. This is why we have two versions of Castor et Pollux (1737 and 1754) and three of Dardanus (1739, 1744, and 1760).

Answer this question "What is a librettist?"
output: librettists managed to produce a libretto

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Spitting Image is a British satirical puppet show, created by Peter Fluck, Roger Law and Martin Lambie-Nairn. The series was produced by 'Spitting Image Productions' for Central Independent Television over 18 series which aired on the ITV network. The series was nominated and won numerous awards during its run including 10 BAFTA Television Awards, including one for editing in 1989 and two Emmy Awards in 1985 and 1986 in the Popular Arts Category. The series featured puppet caricatures of celebrities prominent during the 1980s and 1990s, including British Prime Ministers Margaret Thatcher and John Major and other politicians, US president Ronald Reagan, and the British Royal Family; the series was the first to caricature Queen Elizabeth
The programme was first released on video in 1986 in a series of three collections, each a compilation of material from the first two series: Spit - With Polish!, A Floppy Mass Of Blubber & Rubber Thingies. All carried a 15 certificate and were reissued in 1988, also as a box set. 1989 saw the release by Central Video of two complete specials, Bumbledown: The Life & Times Of Ronald Reagan and The Sound Of Maggie. Next was a video containing a collection of the music videos from the programme, titled "The Klassik Music Video Vol 1", released in 1991 by Central Video under The Video Collection Ltd (VCI or 2entertain); there was never a Volume 2. "Is Nothing Sacred?" was released in 1992 by Surprise Video, compiling material from 1990-1991. The free booklet was written by Stewart Lee and Richard Herring. Havin' It Off: The Bonker's Guide was released in 1993. In 1996 FA to Fairplay was released on VHS, later reissued on DVD in 2005. Made specially for video, it provided an alternative look at the 1996 European football championship held in England. The Ronald Reagan song "Da Do Run Ron" featured in a straight to video release called Rockin' Ronnie (1986), an otherwise unrelated compilation of movie clips released by ATI Video. The first twelve series including An 11-disc set (containing the first 7 series broadcast 1984-89) have been released by Network Distributing under licence by ITV Studios, so far. Series 1-7 individual releases are now deleted . DVD releases do not include any of the specials made.

what video did they do?
The programme was first released on video in 1986 in a series of three collections,