Question: Club play from pioneering Chicago DJs such as Hardy and Lil Louis, local dance music record shops such as Importes, State Street Records, Loop Records, Gramaphone Records and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago. Later, visiting DJs & producers from Detroit fell into the genre. Trax Records and DJ International Records, Chicago labels with wider distribution, helped popularize house music inside and outside of Chicago. One 1986 house tune called "Move Your Body" by Marshall Jefferson, taken from the appropriately titled "The House Music Anthem" EP, became a big hit in Chicago and eventually worldwide. By 1986, UK labels were releasing house music by Chicago acts, and by 1987 house tracks by Chicago DJs and producers were appearing on and topping the UK music chart. By this time, house music released by Chicago-based labels was considered a must-play in clubs.
Try to answer this question if possible: what european country were big house music hits being released in, in 1987?
Answer: UK
Question: The term prime minister in the sense that we know it originated in the 18th century in the United Kingdom when members of parliament disparagingly used the title in reference to Sir Robert Walpole. Over time, the title became honorific and remains so in the 21st century.
Try to answer this question if possible: When did the modern usage of prime minister come into being?
Answer: 18th century
Question: Congo-Brazzaville has had a multi-party political system since the early 1990s, although the system is heavily dominated by President Denis Sassou Nguesso; he has lacked serious competition in the presidential elections held under his rule. Sassou Nguesso is backed by his own Congolese Labour Party (French: Parti Congolais du Travail) as well as a range of smaller parties.
Try to answer this question if possible: What kind of political system has existed in Congo-Brazzaville since the '90s?
Answer: multi-party
Question: Some of the later writers about the show were more positive, Michael Slezak, again of Entertainment Weekly, thought that "for all its bloated, synthetic, product-shilling, money-making trappings, Idol provides a once-a-year chance for the average American to combat the evils of today's music business." Singer Sheryl Crow, who was later to act as a mentor on the show, however took the view that the show "undermines art in every way and promotes commercialism". Pop music critic Ann Powers nevertheless suggested that Idol has "reshaped the American songbook", "led us toward a new way of viewing ourselves in relationship to mainstream popular culture", and connects "the classic Hollywood dream to the multicentered popular culture of the future." Others focused on the personalities in the show; Ramin Setoodeh of Newsweek accused judge Simon Cowell's cruel critiques in the show of helping to establish in the wider world a culture of meanness, that "Simon Cowell has dragged the rest of us in the mud with him." Some such as singer John Mayer disparaged the contestants, suggesting that those who appeared on Idol are not real artists with self-respect.
Try to answer this question if possible: What magazine does Ramin Wetoodeh write for?
Answer:
Newsweek