In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution is here: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this: Context_1 : Gaia is a 2003 album by Spanish folk metal band Mago de Oz. It is the first rock opera of a trilogy. The album tells of a woman, the reincarnation of Azzak (or Gaia), who after his execution, is relieved of his soul: the soul of Azzak. Gaia, now free of her mortal skin, uses an e-mail to converse with the man who ordered her execution and tells him the story of Azzak and her affair in Colonial times. Upon his finishing the e-mail, she appears before him and it is left as a cliffhanger for "" to finish. Context_2 : The Memoirs of Lady Hyegyeong is an autobiographical manuscript written by Lady Hyegyeong of Joseon that details her life during the years she was confined to Changgyeong Palace. The Memoirs of Lady Hyegyong, or its direct translation Records Written in Silence (Korean: Hanjungnot), is a collection of four autobiographical memoirs written by Lady Hyegyong (6 August 1735 13 January 1816), also known as Queen Heongyeong of the Choson Dynasty. The Memoirs of Lady Hyegyong consist of four memoirs that were written within a ten year period from 1795 to 1805, depicting Lady Hyegyong's life before and after being chosen to marry Crown Prince Sado. Perhaps most famously, the memoirs discuss Crown Prince Sado's descent into violent madness until his execution was ordered by his father, King Yongjo. Although Lady Hyegyong's descriptions of her husband's madness and execution are the most famous parts of her collection, each of Lady Hyegyong's four memoirs center around a different aspect of her life and have a different political purpose. Context_3 : Annia Aurelia Fadilla, most commonly known as Fadilla (159-died after 211) was an influential Roman Princess and was one of the daughters born to Roman Emperor Marcus Aurelius and Roman Empress Faustina the Younger. She was a sister to Roman Empress Lucilla and Roman Emperor Commodus. Fadilla was named in honor of her late maternal aunt Aurelia Fadilla. The cognomen Fadilla, was the cognomen of the mother and a half-sister of the previous Roman Emperor Antoninus Pius. Her maternal grandparents were Roman Emperor Antoninus Pius and Roman Empress Faustina the Elder and her paternal grandparents were Domitia Lucilla and praetor Marcus Annius Verus. Context_4 : Marcus Peducaeus Plautius Quintillus (died 205) was a Roman noble closely related by birth, adoption, and marriage to the Nerva-Antonine emperors. Through his marriage to Fadilla, the daughter of Emperor Marcus Aurelius and Empress Faustina the Younger, he became the brother-in-law to the future emperor, Commodus. Despite his position, he never became emperor himself. After Commodus was assassinated in 192, he fell out of favor with Septimus Severus during the Year of the Five Emperors. In 205, he committed suicide after Septimus issued an order for his execution. Context_5 : Jehosheba (alternately Jehoshebeath) (Hebrew: "Yehosheba", "the LORD is an oath"), or Josaba, is a figure in the Hebrew Bible. She was the daughter of King Jehoram of Judah, sister to King Ahaziah of Judah and wife of Jehoiada the priest. She was a daughter of Jehoram, but not necessarily of Athaliah. After the death of Ahaziah, his mother, Athaliah, made herself Queen of Judah and ordered the execution of all members of the royal family that could claim the throne. However, according to 2 Kings , Jehosheba saved from the massacre her infant nephew Jehoash, Ahaziah's son and Athaliah's grandson: Context_6 : Annia Aurelia Galeria Lucilla or Lucilla (March 7, 148 or 150182) was the second daughter and third child of Roman Emperor Marcus Aurelius and Roman Empress Faustina the Younger and an elder sister to future Roman Emperor Commodus. Commodus ordered Lucilla's execution after a failed assassination and coup attempt when she was about 33 years old. Context_7 : The Pinsk massacre was the mass execution of thirty-five Jewish residents of Pinsk on April 5, 1919 by the Polish Army. The event occurred during the opening stages of the Polish-Soviet War, after the Polish Army had captured Pinsk. The Jews who were executed had been arrested whilst engaged in an illegal gathering presumably of a Bolshevik cell. The Polish officer-in-charge ordered the summary execution of the meeting participants without trial in fear of a trap, and based on the information about the gathering's purpose that was founded on hearsay. The officer's decision was defended by high-ranking Polish military officers, but was widely criticized by international public opinion. Context_8 : George Corwin (February 26, 1666 April 12, 1696) was the High Sheriff of Essex County, Massachusetts during the Salem witch trials, which he signed warrants for the arrest and execution of those condemned of witchcraft. Corwin was also responsible for choosing the execution site in Salem for the 19 innocent people hanged. On September 16, 1692, he was ordered by the Court of Oyer and Terminer to preside over the interrogation under torture of Giles Corey, who was pressed to death for refusing to stand trial for witchcraft. Context_9 : Republican marriage (French: mariage republicain ) was a method of execution that allegedly occurred in Nantes during the Reign of Terror in Revolutionary France and "involved tying a naked man and woman together and drowning them". This was reported to have been practised during the drownings at Nantes ("noyades") that were ordered by local Jacobin representative-on-mission Jean-Baptiste Carrier between November 1793 and January 1794 in the city of Nantes. Most accounts indicate that the victims were drowned in the Loire River, although a few sources describe an alternative means of execution in which the bound couple is run through with a sword, either before, or instead of drowning. Context_10 : The Nerbudda incident was the execution of 197 personnel of the British transport ship "Nerbudda" and brig "Ann" in southern Taiwan, on 10 August 1842 during the First Opium War. An additional 87 prisoners died from ill-treatment in captivity. In September 1841, the "Nerbudda" became shipwrecked off the northern Taiwan near Keelung. In March 1842, the "Ann" also became shipwrecked in central Taiwan near Tai An Harbour. Survivors from both ships were captured and marched south to the capital of Taiwan Prefecture, where they were imprisoned before being beheaded on 10 August. Out of the nearly 300 who landed in Taiwan, 11 survived captivity and execution. The Daoguang Emperor ordered the execution on 14 May 1842, after the Chinese defeat in Zhejiang. fact_1 : She was a sister to Roman Empress Lucilla and Roman Emperor Commodus. fact_2 : Commodus ordered Lucilla's execution after a failed assassination and coup attempt when she was about 33 years old. Question: Who ordered the execution of Fadilla's sister?
Solution:
Roman Emperor Commodus