Question:
The Smiths were an English rock band formed in Manchester in 1982. The band consisted of vocalist Morrissey, guitarist Johnny Marr, bassist Andy Rourke and drummer Mike Joyce. Critics have called them one of the most important bands to emerge from the British independent music scene of the 1980s. NME named the Smiths the "most influential artist ever" in a 2002 poll.
The band next approached the record company EMI for a contract, but were turned down. Morrissey and Marr subsequently visited London to hand a cassette of their recordings to Geoff Travis of the independent record label Rough Trade Records. Although not signing them to a contract straight away, he agreed to cut their song "Hand in Glove" as a single. Morrissey insisted that the cover image on the single was a homoerotic photograph by Jim French which he had found in Margaret Walters' The Nude Male. The single was released in May 1983, and would sell well for the next 18 months although never made it into the UK Top 40. This coincided with the band's second gig in London, at the University of London Union. Present at the gig was John Walters, the producer of John Peel's Radio 1 show; interested, he invited the band to record a session for the programme. Peel expressed the view that "I was impressed because unlike most bands... you couldn't immediately tell what records they'd been listening to. That's fairly unusual, very rare indeed... It was that aspect of the Smiths that I found most impressive." Following this radio exposure, the band gained their first interviews, in music magazines NME and Sounds. The Smiths then agreed to sign a record contract with Rough Trade, with Travis travelling up to Manchester to meet the band at their Crazy Face rehearsal space; there they signed the contract. Only Morrissey and Marr signed it on behalf of the band, and there was no discussion at the time regarding how the band's earnings would be divided up, something that would lead to the eventual argument over royalties which resulted in the 1996 High Court case. To produce the band's first album, Travis brought in Troy Tate of The Teardrop Explodes, and under Tate's supervision the band recorded their first album, provisionally titled The Hand That Rocks the Cradle, at the Elephant Studios in Wapping, East London. Rough Trade were unhappy with the album that the band produced and Troy's production of it, ordering the band to redo it with a new producer, John Porter. The band soon generated controversy when Gary Bushell of The Sun tabloid alleged that their B-side "Handsome Devil" was an endorsement of paedophilia. The band denied this, with Morrissey stating that the song "has nothing to do with children, and certainly nothing to do with child molesting". The follow-up singles "This Charming Man" and "What Difference Does It Make?" fared better when they reached numbers 25 and 12 respectively on the UK Singles Chart. Aided by praise from the music press and a series of studio sessions for Peel and David Jensen at BBC Radio 1, the Smiths began to acquire a dedicated fan base.
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Why were they unhappy?

Answer:

Question:
Bill "Bojangles" Robinson (May 25, 1878 - November 25, 1949) was an American tap dancer and actor, the best known and most highly paid African-American entertainer in the first half of the twentieth century. His long career mirrored changes in American entertainment tastes and technology. He started in the age of minstrel shows and moved to vaudeville, Broadway, the recording industry, Hollywood, radio, and television.
In 1928, a white impresario, Lew Leslie, produced Blackbirds of 1928 on Broadway, a black revue for white audiences starring Adelaide Hall and Bill Robinson along with Aida Ward, Tim Moore and other black stars. The show was a huge success on Broadway, where it ran for over one year to sell-out performances. On stage, Adelaide Hall and Robinson danced and sang a duet together, which captivated the audiences. From then on, Robinson's public role was that of a dapper, smiling, plaid-suited ambassador to the white world, maintaining a connection with the black show-business circles through his continuing patronage of the Hoofers Club, an entertainer's haven in Harlem. So successful was Adelaide Hall's collaboration with Bojangles, they even appeared together on stage at the prestigious Palace Theatre (Broadway) before they were teamed up together again by Marty Forkins (Robinson's manager) to star in another Broadway musical titled, "Brown Buddies", that opened in 1930 at the Liberty Theatre, where it ran for four months before commencing a road tour of the States. In 1939, Robinson returned to the stage in The Hot Mikado, a jazz version of the Gilbert and Sullivan operetta. The show opened at the Broadhurst Theatre, with Robinson cast in the role of the Emperor. His rendition of My Object All Sublime stopped the show and produced eight encores. After Broadway, the show moved to the 1939 New York World's Fair, and was one of the greatest hits of the fair. August 25, 1939, was named Bill Robinson Day at the fair. Robinson's next Broadway show, All in Fun (1940), was with an all-white cast. Despite having Imogene Coca, Pert Kelton, and other stars, the show received poor reviews at out-of-town tryouts in New Haven and Boston. When the white stars and co-producers, Phil Baker and Leonard Sillman, withdrew, Robinson became the star, the first time an African-American headlined an otherwise all-white production. Although the reviewers were enthusiastic about Robinson, they panned the show, and it failed to attract audiences. All in Fun closed after four performances.
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Did he win any awards during his time on broadway?

Answer:
the 1939 New York World's Fair, and was one of the greatest hits of the fair. August 25, 1939, was named Bill Robinson Day at the fair.