input: Barclay was an occasional character in The Next Generation as an engineer, often being used as comic relief. His addiction to the holodeck is first seen in the episode "Hollow Pursuits", in which he creates holographic reproductions of the ship's bridge officers, who are completely responsive to Barclay's every whim. Being totally unlike their ship-board counterparts, they serve to bolster his self-esteem. With encouragement from Chief Engineer Geordi La Forge, however, Barclay redeems himself and helps to uncover the cause of a critical multi-system failure on the Enterprise in time to avert the ship's destruction. In the episode "The Nth Degree", Barclay's brain is mutated by an ancient race from the center of the Milky Way galaxy, the Cytherians, radically increasing his intellect. Under this influence, Barclay seizes control of the Enterprise and brings the ship into contact with the Cytherians. Barclay explains to Picard that they only desire an exchange of information with the Federation. After the exchange, the Cytherians return the Enterprise to Federation space, restoring Barclay to normal and leaving him with only the memory of his actions and an enhanced ability at chess. This episode also sees Barclay try his hand at acting, performing the title role in Dr. Crusher's production of Cyrano de Bergerac. While his unaided performance was poor, his enhanced performance riveted the onlookers and greatly impressed Dr. Crusher. In the episode "Realm of Fear", Barclay deals with his transporter phobia when assigned to an away team. Though he becomes capable of allowing himself to be transported, he believes that he sees large worm-like creatures while in transit. When no evidence of a problem is found, Barclay believes himself to be going mad. However, he later discovers that these are actually human survivors trapped inside the transporter beam. With Barclay's help, these people are successfully rescued. In "Ship in a Bottle", Barclay unwittingly revives a sentient holo-simulation of Sherlock Holmes' arch-foe, Professor James Moriarty (previously seen in "Elementary, Dear Data") while performing holodeck maintenance. This results in Picard, Data, and Barclay unknowingly becoming trapped in a Moriarty-created simulation of the Enterprise, and forced to research a method of making holo-simulations "real" outside of the holodeck through Moriarty's manipulations. When the ruse is discovered, Moriarty and a holographic companion are tricked into a simulation within the simulation, and stored in a computer where they will continue to exist, believing that they have gained freedom from the holodeck. In "Genesis", Barclay's T-cells have a bizarre reaction to a medicine, creating an airborne virus that causes Barclay to de-evolve into a spider-like ancestral form, and causes its other victims to revert to their various evolutionary forms, after multiple dormant introns in his body are accidentally activated. Upon recovery, the disease is named after him as he was the first to have had contracted it: Barclay's Protomorphosis Syndrome.

Answer this question "Did he get a chance to play bigger roles?"
output:

input: In 1991, the band started recording their major label debut Hit to Death in the Future Head. The album's release was halted for nearly a year due to the use of a sample from Michael Kamen's score for the film Brazil in the track "You Have to Be Joking (Autopsy of the Devil's Brain)", which required a lengthy clearance process. After the recording of this album Donahue left the band to concentrate on Mercury Rev and Roberts left the band as well, citing creative differences. They were replaced by Ronald Jones and Steven Drozd respectively. In 1993, they released Transmissions from the Satellite Heart. This was the only studio album since In a Priest Driven Ambulance to date in which Dave Fridmann has not been involved. Because of the success of the album and the single "She Don't Use Jelly", the band was featured on four popular television series: Beverly Hills, 90210, Late Show with David Letterman, Charmed and Beavis and Butt-head. The success of this record led to long stints of touring, opening for bands including the Red Hot Chili Peppers and Candlebox. Clouds Taste Metallic was released to much critical fanfare in late 1995, though it did not achieve the commercial success of its predecessor. The strain of the year-long Clouds tour, added to the stress from the three years touring in support of Transmissions, was a major factor in the departure of Ronald Jones in late 1996. He was said to be suffering from a severe case of agoraphobia, although the documentary Fearless Freaks states that he left because of his growing concerns over Drozd's drug use. In September 2014, the Lips paid tribute to former bandmate Ronald Jones and the impact his music had on their developing sound by performing Transmissions from the Satellite Heart live at First Avenue. In February 2015, they performed Clouds Taste Metallic live at the same venue and in December 2015, a 20th Anniversary box set called Heady Nuggs: 20 Years After Clouds Taste Metallic 1994-1997 surrounding the album's release, and the cult status it has achieved over the years was also released.

Answer this question "What was the first album with Warner Bros?"
output: Hit to Death in the Future Head.

input: In the field of epistemology, Putnam is known for his "brain in a vat" thought experiment (a modernized version of Descartes's evil demon hypothesis). The argument is that one cannot coherently state that one is a disembodied "brain in a vat" placed there by some "mad scientist". This follows from the causal theory of reference. Words always refer to the kinds of things they were coined to refer to, thus the kinds of things their user, or the user's ancestors, experienced. So, if some person, Mary, were a "brain in a vat", whose every experience is received through wiring and other gadgetry created by the "mad scientist", then Mary's idea of a "brain" would not refer to a "real" brain, since she and her linguistic community have never seen such a thing. Rather, she saw something that looked like a brain, but was actually an image fed to her through the wiring. Similarly, her idea of a "vat" would not refer to a "real" vat. So, if, as a brain in a vat, she were to say "I'm a brain in a vat", she would actually be saying "I'm a brain-image in a vat-image", which is incoherent. On the other hand, if she is not a brain in a vat, then saying that she is a brain in a vat is still incoherent, but now because she actually means the opposite. This is a form of epistemological externalism: knowledge or justification depends on factors outside the mind and is not solely determined internally. Putnam has clarified that his real target in this argument was never skepticism, but metaphysical realism. Since realism of this kind assumes the existence of a gap between how man conceives the world and the way the world really is, skeptical scenarios such as this one (or Descartes' evil demon) present a formidable challenge. Putnam, by arguing that such a scenario is impossible, attempts to show that this notion of a gap between man's concept of the world and the way it is, is in itself absurd. Man cannot have a "God's eye" view of reality. He is limited to his conceptual schemes. Metaphysical realism is therefore false, according to Putnam.

Answer this question "What did the experiment prove?"
output:
Putnam has clarified that his real target in this argument was never skepticism, but metaphysical realism.