In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

[EX Q]: Question: When was the person who designed the new campus born? Passage:Consequently, in 1870, it moved to a (then greenfield) site on Gilmorehill in the West End of the city, around three miles (5km) west of its previous location, enclosed by a large meander of the River Kelvin. The original site on the High Street was sold to the City of Glasgow Union Railway and replaced by the College goods yard. The new-build campus was designed by Sir George Gilbert Scott in the Gothic revival style. The largest of these buildings echoed, on a far grander scale, the original High Street campus's twin-quadrangle layout, and may have been inspired by Ypres' late medieval cloth hall; Gilmorehill in turn inspired the design of the Clocktower complex of buildings for the new University of Otago in New Zealand. In 1879, Gilbert Scott's son, Oldrid, completed this original vision by building an open undercroft forming two quadrangles, above which is his grand Bute Hall (used for examinations and graduation ceremonies), named after its donor, John Crichton-Stuart, 3rd Marquess of Bute. Oldrid also later added a spire to the building's signature gothic bell tower in 1887, bringing it to a total height of some . The local Bishopbriggs blond sandstone cladding and Gothic design of the building's exterior belie the modernity of its Victorian construction; Scott's building is structured upon what was then a cutting-edge riveted iron frame construction, supporting a lightweight wooden-beam roof. The building also forms the second-largest example of Gothic revival architecture in Britain, after the Palace of Westminster. An illustration of the Main Building currently features on the reverse side of the current series of 100 notes issued by the Clydesdale Bank.
Links: a. Cloth hall b. Palace of Westminster c. George Gilbert Scott d. Banknotes of the pound sterling
[EX A]: c

[EX Q]: Question: Which professional ice hockey league that McNab ever played in was formed first? Passage:After playing junior hockey in Saskatoon, Saskatchewan, McNab played on the Omaha Knights of the USHL in the 194648 season before being called up to the Detroit Red Wings of the National Hockey League in 1947. He would play on and off with the Red Wings until 1951, playing on the team that won the Stanley Cup in 1950. He played for the Indianapolis Capitols of the American Hockey League in 195051. Before the 195152 season, he was traded by the Red Wings to the Chicago Black Hawks, but never played for the team. Back surgery kept him out of action in 195152 and McNab then joined the New Westminster Royals of the Western Hockey League, where he played for seven seasons, retiring in 1959. He was voted league MVP in 1955, scoring 32 goals and 81 points.
Links: a. Omaha Knights (AHA) b. Saskatoon c. National Hockey League d. United States Hockey League (19451951)
[EX A]: d

[EX Q]: Question: What year did the magazine that Jones father worked for begin publication? Passage:Carroll Nathaniel Jones III (July 2, 1944 - June 22, 2017) was an artist in the style of American realism. Carroll grew up in New Providence, New Jersey where his father, an illustrator for Life (magazine), was his first art teacher. He taught Carroll techniques of the Old Masters, who emphasized light, perspective, and composition. Carroll went to school in New York City (NYC) and enrolled in the Phoenix School of Design at age 17. He later attended Hartford Art School and became a commissioned portraitist for 10 years. His work, Church Window was recognized in the New York Times, and he moved away from portraits to recreate scenes that sparked memories of his childhood. He was most influenced by Andrew Wyeth and Edward Hopper. The Coe-Kerr Gallery of NYC and Whistler's Daughter Gallery of New Jersey represented him, as well as contemporaries Wyeth and Hopper. Malcolm Forbes, Frederick R. Koch, Stephen Sondheim, William Schuman, and Jean Shepherd held private collections of his work. He exhibited at Newark Museum and Trenton Art Museum in New Jersey, and in universities, galleries and museums in seven states by his mid-thirties. His work is part of the permanent collections of Seton Hall University and Newark Museum. Art critic Marion Filler considered his work Magic realism, a quiet movement made popular in America beginning in the 1920s by Hopper, and related to Surrealism.
Links: a. Magic realism b. Life (magazine) c. Life (magazine) d. Magic realism
[EX A]:
b