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Povenmire was born in San Diego, California on September 18, 1963, and grew up in the city of Mobile, Alabama. A child prodigy, he began drawing at age two; by the time he was ten, his work was displayed in local art shows. His first efforts in animation included a series of flip books that he produced in his school text books. As a child, Povenmire considered animator Chuck Jones his hero; in a 2009 interview, he stated that "every drawing he [Jones] did was beautiful to look at and had so much energy in it".
In 1993, Povenmire and Marsh conceived the series Phineas and Ferb, based on their similar experiences of childhood summers spent outdoors. Povenmire spent 14-16 years pitching Phineas and Ferb to several networks. Most rejected it as unfeasible for the complexity of its plots, but Povenmire persevered, later observing "It was really the show we wanted to see: if this was on the air, I'd watch it, and I don't always feel that about every show I work on." Even the Walt Disney Company initially rejected Povenmire's pitch, but asked to keep the proposal packet: "Usually that means they throw it in the trash later," Povenmire recalled. Eventually Disney called Povenmire back with an acceptance, on the condition that he would produce an 11-minute pilot. He called Marsh, who was living in England, to ask him if he would like to work on the pilot; Marsh accepted immediately and moved back to the United States. Instead of a conventional script, the pair pitched the pilot by recording reels of its storyboard, which Povenmire then mixed and dubbed to produce action and vocals. The network approved the show for a 26-episode season. Povenmire left Family Guy to create the series. Povenmire and Marsh wanted to incorporate into Phineas and Ferb the kind of humor they had developed in their work on Rocko's Modern Life. They included action sequences and, with Disney's encouragement, featured musical numbers in every episode subsequent to "Flop Starz". Povenmire described the songs as his and Marsh's "jab at immortality", but the pair have earned two Emmy nominations for Phineas and Ferb songs to-date. A third Emmy nomination, for the episode "The Monster of Phineas-n-Ferbenstein" (2008), pitted the show against SpongeBob SquarePants, although neither nominee received the award due to a technicality. In 2010, Povenmire was nominated amongst several other Phineas and Ferb crew members for the Daytime Emmy Award for both "Outstanding Writing in Animation" and "Outstanding Original Song - Children's and Animation" for their work on the show, winning for "Outstanding Writing in Animation". The distinctive style of the animation legend Tex Avery influenced the show's artistic look. Like Avery, Povermire employed geometric shapes to build both the characters and the background. The style developed almost accidentally, with Povenmire's first sketch of title character, Phineas Flynn, which he produced while eating dinner with his family in a restaurant in South Pasadena, California. He doodled a triangle-shaped child on the butcher paper covering the table. He was so taken with sketch he tore it out, kept it, and used it as the prototype for Phineas and as the stylistic blueprint for the entire show.

Were there any other awards or accolades?

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Eric Aaron Bischoff (born May 27, 1955) is an American entrepreneur, television producer, professional wrestling booker, on-screen personality, occasional wrestler and retired amateur wrestler. He is best known for serving as Executive Producer and later President of World Championship Wrestling (WCW) and subsequently, the General Manager of World Wrestling Entertainment's Raw brand. Bischoff has also worked with Total Nonstop Action Wrestling (TNA) where he served as Executive Producer of Impact Wrestling. With an amateur background in taekwondo, Bischoff also sporadically performed as an in-ring competitor, and is a former WCW Hardcore Champion.
In 1996, Bischoff signed WWF superstar Scott Hall, better known at the time as "Razor Ramon". Two weeks later on Nitro, Hall was joined by Kevin Nash, better known as "Diesel", to become "The Outsiders". Bischoff intentionally depicted the duo as WWF rebels who were not under contract to WCW. To avoid legal action by the WWF, Bischoff in a worked interview at The Great American Bash, asked point blank if they worked for the WWF, which both Hall and Nash denied. The Outsiders expanded and became the New World Order when perennial fan-favorite Hulk Hogan aligned himself with the Outsiders in July 1996. The nWo was depicted as a rival company engaging in a "hostile takeover" of WCW. Week to week, the angle grew more complex, with a mixture of main-eventers, mid-carders, executives, referees, managers, and announcers involved in various subplots related to the onscreen "WCW vs nWo" power-struggle. Led by the nWo storyline, WCW overtook the WWF as the number one wrestling promotion in America with Nitro defeating Raw in the ratings by a wide margin for 84 consecutive weeks. During this era, Bischoff moved from his role as commentator and joined the nWo as a manager. His television character, dubbed "Eazy E" by Hall ("Sleazy E" by the WCW commentators), became a dictator and egomaniac as the nWo boss. Bischoff also enjoyed some mainstream exposure at the time, appearing on the HBO series Arli$$ as well as The Tonight Show with Jay Leno. Ted DiBiase said in shoot interviews about Bischoff, Bischoff originally hired DiBiase to be the spokesperson and financial backer for the NWO, but when the NWO was getting to be a bigger storyline, Bischoff replaced DiBiase as NWO spokesperson to make things better.

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the New World Order when perennial fan-favorite Hulk Hogan aligned himself with the Outsiders in July 1996.