Problem: Lester Willis Young (August 27, 1909 - March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike". Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music.

Young left the Basie band in late 1940. He is rumored to have refused to play with the band on Friday, December 13 of that year for superstitious reasons spurring his dismissal, although Young and drummer Jo Jones would later state that his departure had been in the works for months. He subsequently led a number of small groups that often included his brother, drummer Lee Young, for the next couple of years; live and broadcast recordings from this period exist. During this period Young accompanied the singer Billie Holiday in a couple of studio sessions (during 1937 - 1941 period) and also made a small set of recordings with Nat "King" Cole (their first of several collaborations) in June 1942. His studio recordings are relatively sparse during the 1942 to 1943 period, largely due to the recording ban by the American Federation of Musicians. Small record labels not bound by union contracts continued to record and he recorded some sessions for Harry Lim's Keynote label in 1943. In December 1943 Young returned to the Basie fold for a 10-month stint, cut short by his being drafted into the army during World War II (see below). Recordings made during this and subsequent periods suggest Young was beginning to make much greater use of a plastic reed, which tended to give his playing a somewhat heavier, breathier tone (although still quite smooth compared to that of many other players). While he never abandoned the cane reed, he used the plastic reed a significant share of the time from 1943 until the end of his life. Another cause for the thickening of his tone around this time was a change in saxophone mouthpiece from a metal Otto Link to an ebonite Brilhart. In August 1944 Young appeared alongside drummer Jo Jones, trumpeter Harry "Sweets" Edison, and fellow tenor saxophonist Illinois Jacquet in Gjon Mili's short film Jammin' the Blues.

did he ever come back to the band

Answer with quotes: During this period Young accompanied the singer Billie Holiday in a couple of studio sessions (during 1937 - 1941 period)

Problem: Hatfield was born in Wiscasset, Maine, the daughter of Philip M. Hatfield, a radiologist, and Julie Hatfield, a former Boston Globe features, society, travel writer, and fashion critic who currently works as a freelance travel writer. Hatfield grew up in the Boston suburb of Duxbury. Although well known for the early 1990s hit, "My Sister", Hatfield has two brothers, but no sisters. Hatfield's father claimed his family were descendants of the West Virginia Hatfields of the Hatfield-McCoy feud following the Civil War.

In 2014 The Juliana Hatfield Three was reformed after two decades of hiatus, and Hatfield, drummer Todd Philips, and bassist Dean Fisher began practicing new material for an album. The album marked the band's first release in twenty two years, since their LP Become What You Are in 1993. Stated Hatfield about the new album, "We haven't totally reinvented the wheel or anything," and that the tracks exhibit the "stuff I am sort of known for, I guess. But I am a lot more confident now than I was then with the first album. And I had more fun recording this one." The twelve tracks for Whatever, My Love were recorded at Nuthouse Recording in Hoboken, New Jersey, with Beaujour and Hatfield co-producing the project. The lead single from the album, "If I Could," was released in December 2014, and was premiered in publications such as Rolling Stone. That month the album was made available for pre-order on American Laundromat Records, with an announced release date for Whatever, My Love on February 17, 2015. The band announced they would tour the United States in support of the album throughout February, hitting cities on both coasts and the midwest, as well as venues such as the Bowery Ballroom in New York city and The Roxy Theatre in Los Angeles in late March. In late December 2014, Stereogum named the album "one of their most anticipated albums of 2015," and on January 4, 2015, Consequence of Sound named it "one of the 50 most anticipated albums of 2015." On January 9, 2015, Hatfield was featured at Nylon.com, who wrote that the upcoming album came off as "unforced, and with its sly lyrics and mega-hooky coffeehouse-grunge aesthetic." The album's second single "Ordinary Guy" premiered on Consequence of Sound on January 14, 2015.

What happened to Hatfield in 2014?

Answer with quotes: The Juliana Hatfield Three was reformed after two decades of hiatus, and

Problem: Clarence Edwin "Cito" Gaston (; born March 17, 1944) is a former Major League Baseball outfielder and manager. His major league career as a player lasted from 1967 to 1978, most notably for the San Diego Padres and the Atlanta Braves. He spent his entire managerial career with the Toronto Blue Jays, becoming the first African-American manager in Major League history to win a World Series title. Cito Gaston managed the Toronto Blue Jays from 1989 to 1997, and again from 2008 to 2010.

Gaston's fortunes, like those of the Blue Jays franchise as a whole, faded after the championship years. The World Series winning clubs had dissipated because of aging players, increased post-Series salary demands, and the failure of new owner Interbrew (which merged with founding owner Labatt in 1995) to raise the budget substantially. After Major League Baseball solved its labor problems in 1994, Pat Gillick and eventually Paul Beeston left the organization and annual attendance began to drop considerably. Yet, the Blue Jays were still trying to compete in the American League East and in 1997 signed free agent Roger Clemens. When the team could barely break the .500 mark all season, Gaston was fired by GM Gord Ash. He had failed to lead the team to a winning record since 1993 and seemed uninterested in keeping his position. Gaston forced Ash's hand by telling his boss that he was taking a vacation at season's end and would not be around for the usual post season evaluation process. He was replaced by then-pitching coach Mel Queen on an interim basis for the last week of the 1997 season. Joe Carter wore Gaston's No. 43 on his jersey for the remainder of the season in part to honor him and in part to express his displeasure at his firing. He finished his first stint as manager with a 683-636 regular season record and 18-16 post-season record. Gaston was a final candidate for the Detroit Tigers manager's job in the 1999-2000 season and was the runner-up in the Chicago White Sox manager position in the 2003-2004 off season. Sox GM Kenny Williams, a former Blue Jays player, had Gaston as one of two finalists for the job but decided to hire Ozzie Guillen. Gaston had several offers to rejoin major league teams as a hitting instructor, namely the Kansas City Royals, but declined offers. After interviewing unsuccessfully for several other managerial jobs, Gaston said that he would only manage again if he were hired directly without an interview. Gaston rejoined the team as a hitting coach after the 1999 season but was not retained after a disappointing 2001 campaign and the sale of the franchise to Rogers Communications. In 2002, he was hired by the Jays for a third time, as special assistant to president and chief executive officer Paul Godfrey.

What happen in the post world series

Answer with quotes:
Gaston had several offers to rejoin major league teams as a hitting instructor, namely the Kansas City Royals, but declined offers.