Problem: Build a movie plot around this: What caused the change in fortune that forced families to live together? war

A: Elia Kazan,who directed the Broadway play on which the black and white film is based, invited Marlon Brando, the male lead, and Kim Hunter and Karl Malden, his supporting cast, to repeat their Broadway triumphs in the film remake.Brando plays Stanley, a poor boy who grew up tainted by ethnic slurs, made financially stable by the fortunes of the second world war. He does well as a blue collar travelling salesman, moves to New Orleans and marries Stella (Hunter), daughter of an Aristocratic MIssissippi family anxious to escape the war;s invitable destruction of her family's land, wealth, property and social status. Stanley has never met his sister-in-law Blanche, the female lead of the play ,Vivien Leigh in the movie remake. Blanche arranges a visit to see her sister in New Orleans and shows up on Stanley's doorstop obviously annoyed that there is neither a guest bedroom for herself nor a master bedroom for her sister and brother-in-law, in their cramped, dingy apartment in a bustling quarter of the city. The tensions of wartime emergency cohabitation of family members somehow forced to move in with each other in tight, cramped quarters because of the fortunes of war are noted when it is obvious that Blanche and Stanley immediately get on each others' nerves, especially when Blanche, who passes herself off as the only Aristocrat in her new neighborhood, is the only one in her new neighborhood who actually resorts to tough bar language and ethnic slurs in passing conversation. This becomes no ordinary domestic quarrel when their tensions escalate beyond a war of words to hurtful, spiteful deeds and then to climatic physical violence. Hollywood icons Marlon Brando and Vivien Leigh are given close, tight photography in their lengthy scenes of escalating conflict, played with such deep insight and such technical brilliance that the audience is given pause, from moment to moment. to decide whether one really has a point and the other should really be apprehended by the authorities. Stanley first wants to know why...

Problem: Build a movie plot around this: In the movie, who did Ilene have sex with at the party? Ron

A: Ilene and Bert Fisher move into a quiet suburban neighborhood with their daughter Cindy. The Fisher's marriage has been on the rocks for the past few years for Ilene's promiscuity has driven Bert to a state of near-alcoholism. Wanting to get familiar with their new neighbors, Ilene and Burt attend a swimming pool party at the home of the wealthy Ron Elstrom. Ignoring the presence of the other guests, including Ron's wife Margo, Ilene succumbs to the advances of Ron and has sex with him in a bedroom.In the weeks that follow, Ilene and Ron's secret affair heats up as the Fishers and Elstons join a third couple, Fran and Marty Conley, whom appear to be the perfect conservative suburban family complete with raising four kids, but they are in fact closeted swingers. The three couples partake in drunken parties at each of their houses which eventually leads one evening to them playing a form of roulette in which the prize is someone else's marital partner.Outraged by everyone's immorality, including his own, Bert demands to Ilene that they move out of the neighborhood, but Ilene refuses for she has quiet confidence that Ron will divorce Margo and marry her to make a new life for themselves. But one evening, when Ilene confides in Ron about her choice to leave her husband, Ron makes is clear to Ilene that his interest in her is only physical and that he has no intention of breaking up his family.Depressed over this turn of events, Ilene takes an overdose of sleeping pills, but is saved from death by Burt and their daughter, Cindy, who find her in time and rush her to the hospital. In the final scene, as the Ilene and Burt resolve to try to save their marriage, the debauched Ron and Margo, Fran and Marty, look for new participants in their continuing game of suburban roulette.

Problem: Build a movie plot around this: Who plays norbit? Eddie Murphy

A: Norbit (Eddie Murphy) was abandoned as a baby by being tossed from a moving car in front of the Chinese Golden Wonton Restaurant and Orphanage in Boiling Springs, Tennessee. Mr. Wong (Eddie Murphy), a kind and caring person, brought the baby into his orphanage. As children, Norbit met Kate (Thandie Newton), another orphan, and they became best of friends and were always together until Kate was adopted. Norbit was now alone until Rasputia (Eddie Murphy) rescues him from three school bullies on the school playground. The huge Rasputia makes Norbit her boyfriend. When they become adults, Norbit is intimidated into marrying the gigantic Rasputia, and they don't live happily ever after. Norbit was compelled to work for Raspitia's three brothers at the Latimore Construction Company. The whole town lives in fear of the three brothers and Raspitia. A new day comes for Norbit when Kate returns from Atlanta to buy the orphanage from Mr. Wong. However, the Larimores want to buy the orphanage and turn it into a strip club, "The Nipplopolis". Douglas Young (the-movie-guy)

Problem: Build a movie plot around this: How old is Cashril? 12

A:
The story begins in the mind of Cashril Plus, a twelve-year-old animator and son of graffiti artist Faith47. Through Cashril's eyes, we see his mother paint the streets and forgotten townships haloing Cape Town. Weaving through the lives of Faith47, Warongx (afro-blues), Emile Jansen (hip hop), Sweat.X (glam rap), Blaq Pearl (spoken word) and Mthetho (opera), the film culminates in an intertwined story. Born into separate areas of a formerly-segregated South Africa, the artists recraft historyand the impacts of apartheidin their own artistic languages. The lens reveals the impulse behind the artists' social consciousness, the individuals' eccentricities, and each creator's unique form of expression. Diving into the current of subversive art which fuels South Africa's many clashing and merging cultures, The Creators brings into focus the invisible connections among strangers' disparate livesand the creative expression used to traverse the divide. The result is an intimate, refreshing, and deeply revealing portrait of those remolding the legacy of apartheid.[1]