Question: Grace Brewster Murray Hopper (nee Murray; December 9, 1906 - January 1, 1992) was an American computer scientist and United States Navy rear admiral. One of the first programmers of the Harvard Mark I computer, she was a pioneer of computer programming who invented one of the first compiler related tools. She popularized the idea of machine-independent programming languages, which led to the development of COBOL, an early high-level programming language still in use today. Hopper had attempted to enlist in the Navy during World War II, but she was rejected by the military because she was 34 years of age and thus too old to enlist.

In 1949, Hopper became an employee of the Eckert-Mauchly Computer Corporation as a senior mathematician and joined the team developing the UNIVAC I. Hopper also served as UNIVAC director of Automatic Programming Development for Remington Rand. The UNIVAC was the first known large-scale electronic computer to be on the market in 1950, and was more competitive at processing information than the Mark I. When Hopper recommended the development of a new programming language that would use entirely English words, she "was told very quickly that [she] couldn't do this because computers didn't understand English." Her idea was not accepted for 3 years, and she published her first paper on the subject, compilers, in 1952. In the early 1950s, the company was taken over by the Remington Rand corporation, and it was while she was working for them that her original compiler work was done. The program was known as the A compiler and its first version was A-0. In 1952 she had an operational link-loader, which at the time was referred to as a compiler. She later said that "Nobody believed that," and that she "had a running compiler and nobody would touch it. They told me computers could only do arithmetic." She goes on to say that her compiler "translated mathematical notation into machine code. Manipulating symbols was fine for mathematicians but it was no good for data processors who were not symbol manipulators. Very few people are really symbol manipulators. If they are they become professional mathematicians, not data processors. It's much easier for most people to write an English statement than it is to use symbols. So I decided data processors ought to be able to write their programs in English, and the computers would translate them into machine code. That was the beginning of COBOL, a computer language for data processors. I could say "Subtract income tax from pay" instead of trying to write that in octal code or using all kinds of symbols. COBOL is the major language used today in data processing." In 1954 Hopper was named the company's first director of automatic programming, and her department released some of the first compiler-based programming languages, including MATH-MATIC and FLOW-MATIC.

Using a quote from the above article, answer the following question: Where did she work
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Answer: Eckert-Mauchly Computer Corporation

Question: Hedwig and the Angry Inch is a rock musical about a fictional rock and roll band fronted by a transgender East German singer, Hedwig Robinson. The book is by John Cameron Mitchell, and the music and lyrics are by Stephen Trask. The story draws on Mitchell's life as the son of a U.S. Army Major General who once commanded the U.S. sector of occupied West Berlin. The character of Hedwig was inspired by a German divorced U.S. Army wife who was a Mitchell family babysitter and moonlighted as a prostitute at her Junction City, Kansas, trailer park home.

The character of Hedwig was originally a supporting character in the piece. She was loosely inspired by a German female babysitter/prostitute who worked for Mitchell's family when he was a teenager in Junction City, Kansas. The character of Tommy, originally conceived as the main character, was based on Mitchell himself: both were gay, the sons of an army general, deeply Roman Catholic, and fascinated with mythology. Hedwig became the story's protagonist when Trask encouraged Mitchell to showcase their earliest material in 1994 at NYC's drag-punk club Squeezebox, where Trask headed the house band and Mitchell's boyfriend, Jack Steeb, played bass. They agreed the piece should be developed through band gigs in clubs rather than in a theater setting in order to preserve a rock energy. Mitchell was deeply influenced by Squeezebox's roster of drag performers who performed rock covers. The setlists of Hedwig's first gigs included many covers with lyrics rewritten by Mitchell to tell Hedwig's story: Fleetwood Mac's "Oh Well"; Television's "See No Evil"; Wreckless Eric's "Whole Wide World"; Yoko Ono's "Death of Samantha"; Pere Ubu's "Non-Alignment Pact"; Cher's "Half Breed"; David Bowie's "Boys Keep Swinging"; Mott the Hoople's "All the Young Dudes"; and the Velvet Underground's "Femme Fatale." A German glam rendition of Debby Boone's "You Light Up My Life" once served as the musical's finale. Mitchell's second gig was as fill-in host at Squeezebox on a bill featuring singer Deborah Harry of Blondie. It was for this occasion that Mike Potter first designed Hedwig's trademark wig, which was initially constructed from toilet paper rolls wrapped with synthetic blond hair. Mitchell, Trask, and the band Cheater (Jack Steeb, Chris Wielding, Dave McKinley, and Scott Bilbrey) continued to workshop material at venues such as Fez Nightclub and Westbeth Theater Center for four years before premiering the completed musical Off-Broadway in 1998. Mitchell has explained that Hedwig is not a trans woman, but a genderqueer character. "She's more than a woman or a man," he has said. "She's a gender of one and that is accidentally so beautiful."

Using a quote from the above article, answer the following question: What was her name?
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Answer:
The character of Tommy, originally conceived as the main character, was based on Mitchell himself: