input: Please answer the following: What is the answer for the question: What was the acquisition acquired from the Iroquois in the Second Treaty of Fort Stanwix called? from the following article ? The Iroquoian-speaking Susquehannocks were the earliest recorded inhabitants of the West Branch Susquehanna River basin, which includes Quehanna Wild Area. They were a matriarchal society that lived in stockaded villages of large long houses. The Susquehannocks' numbers were greatly reduced by disease and warfare with the Five Nations of the Iroquois, and by 1675 they had died out, moved away, or been assimilated into other tribes. After this, the Iroquois exercised nominal control of the lands of the West Branch Susquehanna River valley. They also lived in long houses, primarily in what is now New York, and had a strong confederacy which gave them power beyond their numbers. To fill the void left by the demise of the Susquehannocks, the Iroquois encouraged such displaced eastern tribes as the Shawnee and Lenape (or Delaware) to settle in the West Branch watershed.The Seneca tribe of the Iroquois hunted in much of Pennsylvania and the Quehanna area. The Iroquois and other tribes used the Great Shamokin Path, the major native eastwest path connecting the Susquehanna and Allegheny River basins, which passed south of what is now the wild area. The native village of Chinklacamoose (or Chingleclamouche) was on this path at the West Branch Susquehanna River, at what is now Clearfield to the southwest of Quehanna. The Sinnemahoning Path along Sinnemahoning Creek ran north of Quehanna; as the path with the gentlest grade, it may have been the route the first Paleo-Indians took entering this part of Pennsylvania from the west.The French and Indian War (17541763) and the subsequent colonial expansion encouraged the migration of many Native Americans westward to the Ohio River basin. In October 1784, the United States acquired a large tract of land, including what is now Quehanna Wild Area, from the Iroquois in the Second Treaty of Fort Stanwix; this acquisition is known as the Last Purchase, as it completed the series of purchases from the resident Native American tribes of lands within the boundaries of...
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output: Last Purchase

input: Please answer the following: What is the answer for the question: What is the exact title of that which is considered a Lady Mass, and a votive mass for Saturday performance? from the following article ? The paraphrase technique differs from the cantus-firmus technique in that the source material, though it still consists of a monophonic original, is embellished, often with ornaments. As in the cantus-firmus technique, the source tune may appear in many voices of the mass. Several of Josquin's masses feature the paraphrase technique, and they include some of his most famous work including the great Missa Gaudeamus. The relatively early Missa Ave maris stella, which probably dates from his years in the Sistine Chapel choir, paraphrases the Marian antiphon of the same name; it is also one of his shortest masses. The late Missa de Beata Virgine paraphrases plainchants in praise of the Virgin Mary; it is a Lady Mass, a votive mass for Saturday performance, and was his most popular mass in the 16th century.By far the most famous of Josquin's masses using the technique, and one of the most famous mass settings of the entire era, was the Missa pange lingua, based on the hymn by Thomas Aquinas for the Vespers of Corpus Christi. It was probably the last mass that Josquin composed. This mass is an extended fantasia on the tune, using the melody in all voices and in all parts of the mass, in elaborate and ever-changing polyphony. One of the high points of the mass is the et incarnatus est section of the Credo, where the texture becomes homophonic, and the tune appears in the topmost voice; here the portion which would normally set "Sing, O my tongue, of the mystery of the divine body" is instead given the words "And he became incarnate by the Holy Ghost from the Virgin Mary, and was made man."
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output: Missa de Beata Virgine

input: Please answer the following: What is the answer for the question: What did Christgau name as the second-best album of the 1980s? from the following article ? Of Human Feelings received considerable acclaim from contemporary critics. Reviewing the album for Esquire, Gary Giddins hailed it as another landmark recording from Coleman and his most accomplished work of harmolodics, partly because of compositions which he found clearly expressed and occasionally timeless. In his opinion, the discordant keys radically transmute conventional polyphony and may be the most challenging part for listeners, who he said should concentrate on Coleman's playing and "let the maelstrom resolve itself around his center". Giddins also highlighted the melody of "Sleep Talk", deeming it among the best of the saxophonist's career. Kofi Natambu from the Detroit Metro Times wrote that Coleman's synergetic approach displays expressive immediacy rather than superficial technical flair while calling the record "a multi-tonal mosaic of great power, humor, color, wit, sensuality, compassion and tenderness". He found the songs inspirational, danceable, and encompassing developments in African-American music over the previous century. Robert Christgau called its "warm, listenable harmolodic funk" an artistic "breakthrough if not a miracle". He found its exchange of rhythms and simple melodies heartfelt and sophisticated, writing in The Village Voice, "the way the players break into ripples of song only to ebb back into the tideway is participatory democracy at its most practical and utopian."Purist critics in jazz complained about the music's incorporation of danceable beats and electric guitar. In Stereo Review, Chris Albertson deemed the combination of saxophone and bizarre funk occasionally captivating but ultimately unfocused. Dan Sullivan of the Los Angeles Times believed the album's supporters in "hip rock circles" had overlooked flaws, arguing that Tacuma and Coleman's playing sound like a unique "beacon of clarity" amid an incessant background. Leonard Feather wrote in the Toledo Blade that the music is stylistically ambiguous, potentially controversial, and difficult to assess but...
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output:
Of Human Feelings