IN: The Chimu culture was centered on Chimor with the capital city of Chan Chan, a large adobe city in the Moche Valley of present-day Trujillo, Peru. The culture arose about 900. The Inca emperor Topa Inca Yupanqui led a campaign which conquered the Chimu around 1470. This was just fifty years before the arrival of the Spanish in the region.

The Chimu society was a four-level hierarchical system, with a powerful elite rule over administrative centers. The hierarchy was centered at the walled cities, called ciudadelas, at Chan Chan. The political power at Chan Chan is demonstrated by the organization of labor to construct the Chimu's canals and irrigated fields. Chan Chan was the top of the Chimu hierarchy, with Farfan in the Jequetepeque Valley as a subordinate. This organization, which was quickly established during the conquest of the Jequetepeque Valley, suggests the Chimu established the hierarchy during the early stages of their expansion. The existing elite at peripheral locations, such as the Jequetepeque Valley and other centers of power, were incorporated into the Chimu government on lower levels of the hierarchy. These lower-order centers managed land, water, and labor, while the higher-order centers either moved the resources to Chan Chan or carried out other administrative decisions. Rural sites were used as engineering headquarters, while the canals were being built; later they operated as maintenance sites. The numerous broken bowls found at Quebrada del Oso support this theory, as the bowls were probably used to feed the large workforce that built and maintained that section of canal. The workers were probably fed and housed at state expense. The state governed such social classes until the empire of the Sican culture conquered the kingdom of Lambayeque, Peru. The legends of war were said to have been told by the leaders Naylamp in the Sican language and Tacayanamo in Chimu. The people paid tribute to the rulers with products or labor. By 1470, the Inca Empire from Cusco defeated the Chimu. They moved Minchancaman, the final Chimu emperor, to Cusco and redirected gold and silver there to adorn the Qurikancha.
QUESTION: what is an interesting fact regarding this rule?
IN: SNFU is a Canadian hardcore punk band. They formed in 1981 in Edmonton, and relocated to Vancouver in 1992. They have released ten full-length albums and have been a formative influence on the skate punk subgenre. Their work has on occasion been included in rankings of the best Canadian music.

Ken Chinn met twin brothers Brent and Marc Belke in Edmonton in the late 1970s. The three were teenagers who shared interests in the skateboarding subculture and burgeoning punk rock movement. In 1981, they formed the punk band Live Sex Shows with drummer Ed Dobek and bassist Phil Larson. The band broke up later that year after a few gigs. Chinn and the Belkes began a new group, Society's No Fucking Use, shortened to Society's NFU. The initial lineup was completed by bassist Warren Bidlock and drummer Evan C. Jones. After a few months of gigging, Bidlock departed due to stage fright. The group recorded their debut, two-song demo cassette "Life of a Bag Lady", with Scott Juskiw playing bass as a studio guest. Bassist Jimmy Schmitz replaced Bidlock late in 1982, and the group adopted the SNFU moniker. Two studio tracks on the It Came From Inner Space compilation LP on Rubber Records followed early in 1983. (These recordings were later re-released on the Real Men Don't Watch Quincy bootleg 7" in 1990.) SNFU gradually built an audience throughout North America on the strength of their aggressive live set, their support for touring acts such as Youth Brigade, the Dead Kennedys, and GBH, and their track "Victims of the Womanizer" on the Something to Believe In compilation LP released on the American label BYO Records. SNFU's debut album, ...And No One Else Wanted to Play, was recorded in Los Angeles and released via BYO in 1985. The album made an immediate impact in the underground punk scene, with noted artist Pushead writing in Maximumrocknroll that the album's "[r]igorous energy push[es] the limits of power with knocking flurry and extreme excitement." Pushead concluded that the album was "a scorcher."
QUESTION: Were there any other band members?
IN: Stanley Donen ( DAWN-@n; born April 13, 1924) is an American film director and choreographer whose most celebrated works are Singin' in the Rain and On the Town, both of which he co-directed with actor and dancer Gene Kelly. Other noteworthy films include Royal Wedding, Seven Brides for Seven Brothers, Funny Face, Indiscreet, Damn Yankees!, Charade, and Two for the Road. He began his career in the chorus line on Broadway for director George Abbott, where he befriended Kelly.

After the success of Take Me Out to the Ball Game, Freed gave Donen and Kelly the chance to direct On the Town, released in 1949. The film was an adaptation of the Betty Comden and Adolph Green Broadway musical about sailors on leave in New York City and was the first musical to be filmed on location. Donen and Kelly had wanted to shoot the entire film in New York, but Freed would only allow them to spend one week away from the studio. That week produced the film's famous opening number New York, New York. Away from both studio interference and sound stage constrictions, Donen and cinematographer Harold Rosson shot a scene on the streets of New York City that pioneered many cinematic techniques that would not be used again until they were popularized by the French New Wave ten years later. These techniques included spatial jump cuts, 360-degree pans, hidden cameras, abrupt changes of screen direction and non-professional actors. Donen's biographer Joseph A. Casper stated that the scene avoids being gratuitous or amateurish, while still "developing plot, describing the setting while conveying its galvanizing atmosphere and manic mood, introducing and delineating character." Casper also said that "Today the film is regarded as a turning point: the first bona fide musical that moved dance, as well as the musical genre, out of the theater and captured it with and for film rather than on film; the first to make the city an important character; and the first to abandon the chorus." On the Town starred Kelly, Sinatra and Munshin as three sailors on a 24-hour shore leave in New York whose romantic pursuits lead them to Ann Miller, Betty Garrett and Vera-Ellen. The film was a success both financially and critically. It won the Academy Award for Best Music, Scoring of a Musical Picture and screenwriters Comden and Green won the Writers Guild of America Award for Best Written American Musical. Like Orson Welles, Donen made his directorial debut at 25. Donen stated that Kelly was "responsible for most of the dance movements. I was behind the camera in the dramatic and musical sequences." Kelly believed that he and Donen "were a good team. I thought we complemented each other very well."
QUESTION:
What films / filmmakers did it inspire ?