IN: Masami Akita (Qiu Tian Chang Mei , Akita Masami, born December 19, 1956), better known by his stage name Merzbow (merutsubau, Merutsubau), is a Japanese noise musician. He is best known for his style of harsh, confrontational noise exemplified on his 1996 release, Pulse Demon. Since 1980, he has released over 400 recordings, and has collaborated with various artists.

During the European tour in September-October 1989, Merzbow could only bring simple and portable gear; this led to the harsh noise style Merzbow became known for in the 1990s. Cloud Cock OO Grand (1990) was the first example of this new style, Merzbow's first digital recording (on DAT), and the first recording made for the CD format. It also includes live material recorded during the tour. But when I started live in late 1980s I didn't like to use tape on stage. I like only live electronics. So, my studio works changed to more live composition style. I'm still using many tapes in studio works, but difference is I treat tapes and instruments. Before, I used tapes as overdubbing concept. But now tapes are crashing together, no static overdub. I found that style on Cloud Cock OO Grand. Beginning in the mid-1990s, Merzbow began to be influenced by death metal and grindcore. Recordings from this time are mostly recorded at extreme volume, some mastered at levels far beyond standard (Noisembryo, Pulse Demon). In 1994, Akita acquired a vintage EMS synthesizer. From 1996, plans were made to release a "10 (or maybe 12)" CD box set on Extreme Records. In 2000, Extreme Records released the Merzbox, a fifty CD set of Merzbow records, twenty of them not previously released. Throughout most of the 1990s, Merzbow live was a trio with Reiko A. on electronics and Bara on voice and dance. Masami Akita occasionally played drums for Hijokaidan during the early-mid 1990s. In the early 1990s, Masami Akita composed the soundtracks to numerous kinbaku videos by Fuji Planning (Bu Er Qi Hua , Fuji Kikaku) and seppuku-themed videos by their sub-label Right Brain. Akita also directed Lost Paradise (Shi Le Yuan Cheng Ma Fu Nu Fu Qie ri, Shitsurakuen: Jobafuku onna harakiri) for Right Brain. Some of this music was included on Music for Bondage Performance and Music for Bondage Performance 2, co-credited to Right Brain Audile. Director Ian Kerkhof would use a Merzbow track for his 1992 film La sequence des barres paralleles, and Akita composed original music for Kerhof's 1994 film The Dead Man 2: Return of the Dead Man. Kerkhof made the documentary Beyond Ultra Violence: Uneasy Listening by Merzbow in 1998. Akita also created music for Ilppo Pohjola's Asphalto (1998) and Routemaster (2000).
QUESTION: Did any chart?
IN: Reginald Martinez Jackson (born May 18, 1946) is an American former professional baseball right fielder who played 21 seasons for the Kansas City / Oakland Athletics, Baltimore Orioles, New York Yankees, and California Angels of Major League Baseball (MLB). Jackson was inducted into the National Baseball Hall of Fame in 1993. Jackson was nicknamed "Mr. October" for his clutch hitting in the postseason with the Athletics and the Yankees. He helped Oakland win five consecutive American League West divisional pennants, three consecutive American League pennants and three consecutive World Series titles, from 1971 to 1975.

In football, he was recruited by Alabama, Georgia, and Oklahoma, all of whom were willing to break the color barrier just for Jackson (Oklahoma had black football players before 1964- including Prentice Gautt, a star running back recruited in 1957, who played in the NFL with the St. Louis Cardinals). Jackson declined Alabama and Georgia because he was fearful of the South at the time, and declined Oklahoma because they told him to stop dating white girls. For baseball, Jackson was scouted by Hans Lobert of the San Francisco Giants who was desperate to sign him. The Los Angeles Dodgers and Minnesota Twins also made offers, and the hometown Philadelphia Phillies gave him a tryout but declined because of his "hitting skills". His father wanted his son to go to college, where Jackson wanted to play both football and baseball. He accepted a football scholarship from Arizona State University in Tempe; his high school football coach knew ASU's head football coach Frank Kush, and they discussed the possibility of his playing both sports. After a recruiting trip, Kush decided that Jackson had the ability and willingness to work to join the squad. One day after football practice, he approached ASU baseball coach Bobby Winkles and asked if he could join the team. Winkles said he would give Jackson a look, and the next day while still in his football gear, he hit a home run on the second pitch he saw; in five at bats he hit three home runs. He was allowed to practice with the team, but could not join the squad because the NCAA had a rule forbidding the use of freshman players. Jackson switched permanently to baseball following his freshman year, as he did not want to become a defensive back. To hone his skills, Winkles assigned him to a Baltimore Orioles-affiliated amateur team. He broke numerous team records for the squad, and the Orioles offered him a $50,000 signing bonus if he joined the team. Jackson declined the offer stating that he did not want to forfeit his college scholarship. In the beginning of his sophomore year in 1966, Jackson replaced Rick Monday (the first player ever selected in the Major League Baseball draft and a future teammate with the A's) at center field. He broke the team record for most home runs in a single season, led the team in numerous other categories and was first team All-American. Many scouts were looking at him play, including Tom Greenwade of the New York Yankees (who discovered Mickey Mantle), and Danny Murtaugh of the Pittsburgh Pirates. In his final game at Arizona State, he showed his potential by being only a triple away from hitting for the cycle, making a sliding catch, and having an assist at home plate. Jackson was the first college player to hit a home run out of Phoenix Municipal Stadium.
QUESTION:
Why did he chose baseball over football