In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Example Input: This is the 2nd time I've seen this movie in about 12 years. These remarks come from someone who finds Kane and Ambersons to be amazing, worthy films. But the remainder of Welles career is, unfortunately, squandered on material unworthy of his talent and too flimsy to withstand his filmic embroidering. And when he makes a potboiler like Shanghai, the lack of anything substantial to hang his filmic tricks on, is just kind of sad. I couldn't tell you what he was exploring here. It's all as mannered as Welle's godawful Irish brogue; which takes a lot of effort, but adds absolutely zero to the film. Several Welles projects became this overdeveloped and baroque. Mr Arkadin (pick a version, any version) is a similarly belabored project. The material is inconsequential. It just can't bear the weight of all this noodling. For a director trafficking in reality-based drama (as here), he never feels any pull to tie his bundle of conceits back to reality; or to a coherent story. The murder-for-hire scheme is ridiculous. Kudos to Welles though, for having Hayworth cut her hair, and getting that performance out of her. The camera loves her. She's the classiest, most upscale, sultry and ravishing femme fatale ever put on film. But her treachery comes so late in the film it feels like some desperate decision, made so the movie will have some genre it fits into. The movie can't be saved by a noir convention deployed in the last 60 seconds.When all is said and done in L.F.S., the convolutions are all for what?; to convince you you've seen something thoughtful? to give Welles more to do? to make you roll your eyes? Welles has no sensitivity to the scale of a story, or to telling a story directly. One wonders what Shanghai has to say to anyone who isn't a crippled billionaire, arranging a quadruple-cross murder-for-hire scheme, or a fanboy in love with filmic conceits devoid of meaning or substance. Overwrought, preposterous, unengaging.
Example Output: negative

Example Input: Kate Beckinsale is excellent as the manipulative and yet irresistibly charming Emma in this TV-adaptation of Jane Austen's novel. When I read that novel I was sometimes quite doubtful whether the protagonist really deserved to be considered the heroine of the story: for honestly, she is so terribly self-righteous and scheming that one is tempted to dislike her seriously. Kate Beckinsale's interpretation, however, saves Emma from herself so to speak: she is portrayed with all the innocence and generosity of her character in full view, and one can't help but give in and like (not to say love) her in spite of her less amiable qualities. Kate Beckinsale is the main, but not the only, reason why this TV-series is so delightful; Raymond Coulthard is perfect as Mr. Frank Churchill, expressing this character's personal magnetism to the full (which is all the more conspicuous because of this role being not very well handled by Ewan McGregor in the 1996-screen adaptation of Emma), and Mark Strong, Samantha Morton, Bernard Hepton, and Olivia Williams are all as they should be in their respective roles. This production is, in short, a great achievement and one to view many times with increasing pleasure.
Example Output: positive

Example Input: It's just breathtaking in it's awfulness-- you really must see it!Depending on your perspective, Dylan Walsh is either the savior or the problem here: since he's the only one on screen that can actually get his lines out with something akin to natural cadences and inflection, he either ruins the movie by pointing up everyone else's flaws, or he saves it by providing some context for their awfulness.I'm inclined to the later view-- thanks to him, it works as high comedy. He's the 7 footer in a game of dwarf basketball, his skill set just doesn't apply in this context, and his discombobulation is delicious.The real treat though is Ms. Eastwood, whose inability to speak in plain English is so pervasive I actually googled her, expecting to learn that she was a Russian beauty who pronounced her lines phonetically, with no understanding of their meaning. But no: she's just a talent free American who will leave you laughing with every line she drops. Whether she knew what the lines meant must remain an open question.
Example Output:
negative