Here is a question about this article: The NES dropped the hardwired controllers, instead featuring two custom 7-pin ports on the front of the console. Also in contrast to the Famicom, the controllers included with the NES were identical to each otherthe second controller lacked the microphone that was present on the Famicom model and possessed the same START and SELECT buttons as the primary controller. Some NES localizations of games, such as The Legend of Zelda, which required the use of the Famicom microphone in order to kill certain enemies, suffered from the lack of hardware to do so.
What is the answer to this question: What did the Legend of Zelda require in certain instances to kill enemies?
****
So... Famicom microphone

The problem: Answer a question about this article:
Established acts benefited from the new commercial climate, with Whitesnake's self-titled album (1987) selling over 17 million copies, outperforming anything in Coverdale's or Deep Purple's catalogue before or since. It featured the rock anthem "Here I Go Again '87" as one of 4 UK top 20 singles. The follow-up Slip of the Tongue (1989) went platinum, but according to critics Steve Erlwine and Greg Prato, "it was a considerable disappointment after the across-the-board success of Whitesnake". Aerosmith's comeback album Permanent Vacation (1987) would begin a decade long revival of their popularity. Crazy Nights (1987) by Kiss was the band's highest charting release in the US since 1979 and the highest of their career in the UK. Motley Crue with Girls, Girls, Girls (1987) continued their commercial success and Def Leppard with Hysteria (1987) hit their commercial peak, the latter producing seven hit singles (a record for a hard rock act). Guns N' Roses released the best-selling debut of all time, Appetite for Destruction (1987). With a "grittier" and "rawer" sound than most glam metal, it produced three top 10 hits, including the number one "Sweet Child O' Mine". Some of the glam rock bands that formed in the mid-1980s, such as White Lion and Cinderella experienced their biggest success during this period with their respective albums Pride (1987) and Long Cold Winter (1988) both going multi-platinum and launching a series of hit singles. In the last years of the decade, the most notable successes were New Jersey (1988) by Bon Jovi, OU812 (1988) by Van Halen, Open Up and Say... Ahh! (1988) by Poison, Pump (1989) by Aerosmith, and Motley Crue's most commercially successful album Dr. Feelgood (1989). New Jersey spawned five Top 10 singles, a record for a hard rock act. In 1988 from 25 June to 5 November, the number one spot on the Billboard 200 album chart was held by a hard rock album for 18 out of 20 consecutive weeks; the albums were OU812, Hysteria, Appetite for Destruction, and New Jersey. A final wave of glam rock bands arrived in the late 1980s, and experienced success with multi-platinum albums and hit singles from 1989 until the early 1990s, among them Extreme, Warrant Slaughter and FireHouse. Skid Row also released their eponymous debut (1989), reaching number six on the Billboard 200, but they were to be one of the last major bands that emerged in the glam rock era.
What Guns N Roses song became a number one single?
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The answer: "Sweet Child O' Mine"

Problem: Please answer a question about the following article about Gramophone record:
Evidence from the early technical literature concerning electrical recording suggests that it wasn't until the 19421949 period that there were serious efforts to standardize recording characteristics within an industry. Heretofore, electrical recording technology from company to company was considered a proprietary art all the way back to the 1925 Western Electric licensed method used by Columbia and Victor. For example, what Brunswick-Balke-Collender (Brunswick Corporation) did was different from the practices of Victor.
How far back did records show the art of sound recordings?
A: 1925

Question: Read this and answer the question

The degree to which adolescents are perceived as autonomous beings varies widely by culture, as do the behaviors that represent this emerging autonomy. Psychologists have identified three main types of autonomy: emotional independence, behavioral autonomy, and cognitive autonomy. Emotional autonomy is defined in terms of an adolescent's relationships with others, and often includes the development of more mature emotional connections with adults and peers. Behavioral autonomy encompasses an adolescent's developing ability to regulate his or her own behavior, to act on personal decisions, and to self-govern. Cultural differences are especially visible in this category because it concerns issues of dating, social time with peers, and time-management decisions. Cognitive autonomy describes the capacity for an adolescent to partake in processes of independent reasoning and decision-making without excessive reliance on social validation. Converging influences from adolescent cognitive development, expanding social relationships, an increasingly adultlike appearance, and the acceptance of more rights and responsibilities enhance feelings of autonomy for adolescents. Proper development of autonomy has been tied to good mental health, high self-esteem, self-motivated tendencies, positive self-concepts, and self-initiating and regulating behaviors. Furthermore, it has been found that adolescents' mental health is best when their feelings about autonomy match closely with those of their parents.

Adolescent cultural differences are especially visible in which type of autonomy?
Answer: Behavioral

Problem: Unicode can be implemented by different character encodings. The most commonly used encodings are UTF-8, UTF-16 and the now-obsolete UCS-2. UTF-8 uses one byte for any ASCII character, all of which have the same code values in both UTF-8 and ASCII encoding, and up to four bytes for other characters. UCS-2 uses a 16-bit code unit (two 8-bit bytes) for each character but cannot encode every character in the current Unicode standard. UTF-16 extends UCS-2, using one 16-bit unit for the characters that were representable in UCS-2 and two 16-bit units (4 8 bits) to handle each of the additional characters.
What does UTF-8 use in terms of bytes?
The answer is the following: UTF-8 uses one byte for any ASCII character

Input: Article: The Sydney Mandolins (Artistic Director: Adrian Hooper) have contributed greatly to the repertoire through commissioning over 200 works by Australian and International composers. Most of these works have been released on Compact Disks and can regularly be heard on radio stations on the ABC and MBS networks. One of their members, mandolin virtuoso Paul Hooper, has had a number of Concertos written for him by composers such as Eric Gross. He has performed and recorded these works with the Sydney Symphony Orchestra and the Tasmanian Symphony Orchestra. As well, Paul Hooper has had many solo works dedicated to him by Australian composers e.g., Caroline Szeto, Ian Shanahan, Larry Sitsky and Michael Smetanin.

Now answer this question: On what media was most of these work released?

Output:
Compact Disks