Problem: Article: If you do not own a shop vacuum, you can rent one from most home improvement stores. These machines work great to suck-up moisture that lies deep within fabrics. This product comes in white granules and works to absorb moisture. It can hold double its weight in water and liquefies as it absorbs moisture. Here is how to properly use anhydrous calcium chloride: Put the granules in a waxed cardboard container that has perforated holes. Place the container in an enameled pot to collect the liquid that drips away from the container. Leave the pot in the automobile until only liquid is let in the container and then refill it. This is a helpful tip to consider when there is too much moisture for you to get rid of on your own. The heat from the sun will warm up the inside of the car and work to evaporate some of the moisture left behind on seats, the floor and anywhere the mold smell originates.
Summary: Use a shop vacuum to suck-up any moisture. Absorb the moisture with anhydrous calcium chloride. Leave the car windows open to let the car air out.

Problem: Article: Enjoy the subtle mix of the coffee, orange, cream, and whiskey flavors. This classic shot is great when enjoyed as a dessert! Legend has it that the B-52 shot was created by a bartender in the 1970s who was a huge fan of the band The B-52s.
Summary: Lift the shot to your mouth and drink it all at once.

Problem: Article: When a bone is fractured severely due to trauma (like a car crash) or a fall, it is common for the victim to go into a state of shock, which can shut down the body's ability to repair and regulate. It's important that you keep the person as calm as possible until emergency help arrives, or until you can transport them to the hospital. Talk in a soothing voice and reassure the person that you are there to help and that you will not leave her. Let her know help is on the way, or tell her that you will transport her to the hospital. Try to keep her as comfortable as possible, in a laying position. Keep her warm, keep crowds back, and give her small sips of water. Learn to recognize and treat symptoms of shock like sudden shortness of breath, paleness, sweating, dissociation, and dizziness; call 911 if the person does go into shock. Most fractures to the foot may be very painful but are not severe. But sometimes a traumatic injury like a car wreck or a very heavy object falling onto the foot can cause a very serious injury. If a bone is visible, the foot joint is out of place or the foot looks deformed or misshapen, or the person is losing a lot of blood, call 911 immediately. Even in closed fractures of the foot, if the toes are pale and cold and you are unable to find a pedal pulse (a pulse felt on the top of the foot), call 911. Place ABV pads or other clean, padded-type cloth over the wound. Do not attempt to bandage, as this will aggravate the injury. If you have a blanket or a pillow, long bandages or pins, you can make a support splint for the injury. Take a blanket folded into a 2' by 3' length or a pillow and gently place it in a horizontal alignment under the heel, supporting the foot while you have to move it. Fold the pillow/blanket gently up on either side of the ankle and secure with pins or a bandage wrapped securely. Then pin or bandage the area at the far end of the structure up around the fracture, keeping pressure gentle but firm. This makes a great, low-tech splint for injuries and allows doctors to see the damage without removing the support. These pillow splints can be used for closed fractures as well, as they fulfill the requirement of having the joint above the injury site immobilized.
Summary: Keep the person calm. Assess the fracture. Stop any bleeding and immobilize the fracture.

Problem: Article: When you're nervous, your muscles lock up and your breathing gets irregular, which can negatively impact your performance. To counteract this, close your eyes and take big, deep breaths to relax. Hold the breath for 3-5 seconds, then slowly let it out. Stage fright is natural, and something that many performers struggle with. One thing not to do when you're nervous is to run away from the feelingthat makes it seem even scarier. Instead, take a step back and look at your anxiety objectively. Tell yourself your nerves are normal and OK to have, and that they can even make you a better performer! Being nervous isn't something to be afraid of. It might not feel comfortable, but you know you're strong enough to handle the discomfort and perform your best anyway. For example, you could tell yourself, "This is a big recital, so of course I'm nervous. That's OK. I'm going to perform the best I can anyway." with focused, positive thoughts about the performance. Being nervous means that you have adrenaline coursing through your body, and that can be a good thing before a big performance. Instead of allowing that adrenaline to run wild and make you nervous and worried, focus it into positive thoughts and actions to boost your confidence. For example, you could channel your adrenaline into physical movement, such as drumming your fingers or nodding your head. You could also walk or even dance around to get out your jitters. Mentally, use your energy to acknowledge your worried thoughts, then turn towards excited, upbeat ones. Think about how hard you've worked for this, how excited you are, and how ready you feel. Many performers find that some healthy pre-show jitters give them the burst of adrenaline they need to give an amazing show. Embrace your nerves as a way to help you perform your best. Bad nerves can sometimes send you into a worry spiral that's hard to break out of. Stop the cycle before it starts by first noticing when you begin to worry. Stop yourself and accept that you feel nervous, but that that feeling doesn't have to control you. For example, you might find yourself thinking something like, "I'm not prepared for this. I'm going to mess everything up." Instead of continuing in this vein, say, "This just means I have some nerves. I practiced hard for this. It's natural to be nervous, but it doesn't mean I'm going to mess up." If you're worrying about past mistakes or failures, try saying to yourself, "I've worked hard since then and learned from mistakes. I've improved a lot, and now I get the chance to show it." Sit or stand in a comfortable position and close your eyes. Picture yourself giving a great performance, and let yourself feel those emotionsconfidence, strength, elation, and more. Letting that image fill you up will give you the boost of confidence you need to make it a reality. Positive visualization has been proven to improve performance in many different arenas, so give it a shot! You still might feel a rush of nerves when you step onstage. Instead of freezing up, channel that nervous energy into a big smile or an enthusiastic wave or gesture. This is a great way to cover up your anxiety while connecting with the audience. If you're a musician, you could smile, nod to the crowd, and walk briskly to your spot. In less formal settings, you could even jump around or run onstage. If you're acting or giving a speech, walk on confidently and in character. If you're dancing, walk onstage as you've rehearsed, smiling or looking confidently at the crowd if it matches the mood of your performance.
Summary:
Breathe deeply to calm your body. Allow yourself to acknowledge and accept the nerves. Control your adrenaline Cut off repetitive worrying when you notice it. Try positive visualization and meditation to relax. Turn your nerves into enthusiasm once you're onstage.