In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Let me give you an example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
The answer to this example can be: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Here is why: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

OK. solve this:
Context_1 : Williams Grove Amusement Park is an abandoned amusement park near Mechanicsburg, Pennsylvania. The park operated from 1850 until 2005. It is standing but not operating. The owners still live there and are trying to preserve the park and the historic buildings on the property but face frequent vandalism. Williams Grove Amusement Park Opened to the public on Halloween night on October 31, 2016. They had a Haunted Walk Through attraction throughout the park and a close up view which was provided by Halloween Park organization. Context_2 : A family entertainment center (or centre), often abbreviated FEC in the entertainment industry, (also known as indoor amusement park or indoor theme park) is a small amusement park marketed towards families with small children to teenagers, and often entirely indoors or associated with a larger operation such as a theme park. They usually cater to "sub-regional markets of larger metropolitan areas." FECs are generally small compared to full-scale amusement parks, with fewer attractions, a lower per-person per-hour cost to consumers than a traditional amusement park, and not usually major tourist attractions, but sustained by an area customer base. Many are locally owned and operated, although there are a number of chains and franchises in the field. FECs are sometimes called family amusement centers, play zones, family fun centers, or simply fun centers. Some non-traditional FECs, called urban entertainment centers (UECs), with more customized and branded attractions and retail outlets, are associated with major entertainment companies and may be tourist destinations. Others, sometimes operated by Non-Profit organizations as Children's Museums or Science Centers, tend to be geared toward edutainment experiences rather than simply amusement. FECs may also be adjuncts to full-scale amusement parks. Context_3 : White City (also known as White City Amusement Park) was an amusement park in Indianapolis, Indiana's Broad Ripple Park that was in operation from May 26, 1906 until June 26, 1908. The trolley park was constructed and owned by the Broad Ripple Transit Company. Similar to nearby rivals Riverside Amusement Park and Wonderland, White City was inspired by an exhibit in the 1893 World's Columbian Exposition in Chicago. Although the park's grand opening was immensely successful, White City's existence was the briefest of the three, having been open for two and one-half seasons before burning to the ground. Throughout the park's existence, advertisements touted White City as "the amusement park that satisfied." Context_4 : Castle Park, formerly Castle Amusement Park, is a 25-acre amusement park and family amusement center located in Riverside, California. The park utilizes a medieval "castle" theme and includes attractions such as a miniature golf course, arcade, and 27 amusement rides including three roller coasters such as "Merlin's Revenge", a junior rollercoaster, "Screamin' Demon" a spinning Wild Mouse rollercoaster, and "Little Dipper", a children's rollercoaster. The main "castle" themed building, houses the arcade as well as its only dark ride; "Ghost Blasters", an interactive attraction, designed by Sally Corporation, which can also be found at other amusement parks throughout North America. The park was designed, built and operated by Bud Hurlbut, who designed several rides at Knott's Berry Farm. Castle Park is currently owned and operated by Palace Entertainment. Context_5 : The Parque Diversiones Dr. Roberto Ortiz Brenes (English: National Amusement Park Dr. Roberto Ortiz Brenes ; also known as Parque Diversiones) is an amusement park located in San Jose, Costa Rica. The park's motto is "healthy children helping healing children". The park was named for Dr. Brenes because it was his proposal which resulted in it being established. His idea was that the profits from the amusement park would assist to support the National Children's Hospital "Dr. Carlos Saenz Herrera", which was established in 1964. The National Amusement Park began operating at the end of 1981. Context_6 : Cliff's Amusement Park (previously known as Uncle Cliff's Amusement Park prior to 1991) is a combination amusement park and water park in Albuquerque, New Mexico, United States. It opened in 1959. It features 24 rides for all ages, food, and carnival style games. It also features a water attraction, WaterMania!, which operates Memorial Day weekend through Labor Day weekend. It's also has the only wooden roller coaster in New Mexico, the New Mexico Rattler. Context_7 : Falcon's Fury is a free-standing Sky Jump drop tower attraction at the Busch Gardens Tampa amusement park in Tampa, Florida, United States. Manufactured by Intaride (a subsidiary of Intamin), the ride reaches a maximum height of 335 ft making it North America's tallest free-standing drop tower. Riders experience about five seconds of free fall, reaching a speed of 60 mph . The ride's name was chosen to invoke a falcon's ability to dive steeply at high speed to capture prey. Context_8 : LeSourdsville Lake Amusement Park was an amusement park located in Middletown, Ohio. Opening in 1922 as a family picnic and campground, LeSourdsville Lake transformed in the 1940s to an amusement park with rides, attractions, and an arcade. In 1977, the name was changed to Americana Amusement Park. Following an electrical fire in 1990 that caused over $5 million in damages, the park fell into decline and was eventually closed in 1999. Under new ownership, the park briefly opened again in 2002 returning to the name "LeSourdsville Lake Amusement Park", but after failed attempts to turn a profit and the operating company going bankrupt, it closed permanently near the end of the 2002 season. The park's remaining rides and attractions were either demolished or sold, or still sit today. Context_9 : Alongside sister waterpark Adventure Island (30 acre ), Busch Gardens is the anchor of Tampa's 365 acre amusement multiplex. Currently Busch Gardens competes with other such parks in Florida and charges comparable fees. Busch Gardens is currently accredited by the Association of Zoos and Aquariums (AZA). In 2015, the park hosted 4.2 million people, placing 11th as the most-visited theme parks in the United States. Context_10 : Wildwood was an amusement park and picnic grounds that existed from 1889 through 1932 on the southeast shore of White Bear Lake in Mahtomedi, Minnesota. The park was built and operated by the Minneapolis and St. Paul Suburban Railroad Company, a subdivision of the Twin City Rapid Transit Company, which ran a streetcar line from Mahtomedi to nearby St. Paul. It was the sister park of Big Island Amusement Park on Lake Minnetonka, as both were intended to draw crowds of people to opposite ends of the Minneapolis-St. Paul streetcar system on weekends. Wildwood Amusement Park proved to be more successful than Big Island Amusement Park, which closed in 1911, and lasted until 1932 when financial losses brought about its demise. fact_1 : Falcon's Fury is a free-standing Sky Jump drop tower attraction at the Busch Gardens Tampa amusement park in Tampa, Florida, United States. fact_2 : Busch Gardens is currently accredited by the Association of Zoos and Aquariums (AZA). Answer: Association of Zoos and Aquariums
Answer:
Falcons Fury is an attraction at an amusement park accredited by what association?