Background: Rohrabacher, who is of German and English descent, was born June 21, 1947, in Coronado, California, the son of Doris M. (nee Haring) and Donald Tyler Rohrabacher. He attended elementary school locally, and during his college years, he lived in Sunset Beach. Rohrabacher graduated from Palos Verdes High School in Palos Verdes Estates, California, attended Los Angeles Harbor College, and earned a bachelor's degree in history at California State University, Long Beach in 1969. He received his master's degree in American Studies at the University of Southern California.
Context: In terms of his positions, Rohrabacher voted to repeal Obamacare, disputes evidence of man-made global warming, is a staunch opponent of illegal immigration, and favors the legalization of marijuana. In foreign policy, he supported withdrawing U.S. troops from Afghanistan, called for Trump to punish Turkish President Erdogan on embassy violence, sided with Russia in the Russia-Georgia war, gave a qualified defense of the annexation of Crimea in 2014 and supports cooperating with Russia in Syria. On May 17, 2017, the Washington Post reported that a month before Donald Trump clinched the Republican nomination, House Majority Leader Kevin McCarthy stated "There's two people I think Putin pays: Rohrabacher and Trump. Swear to God." Brendan Buck, counselor to Paul Ryan, initially denied these reports but later, after being informed that the Post would cite a recording as evidence, said that McCarthy had been joking. He was warned in 2012 by the FBI that Russian spies may have been trying to recruit him to act on Russia's behalf, after he met with a member of the Russian foreign ministry privately in Moscow. Following the ISIS terrorist attacks in Tehran on June 7, 2017, in which 17 innocent civilians were killed, he suggested that the attack could be viewed as 'a good thing', and surmised that President Trump might have been behind the coordination of this terrorist attack. An article in The Atlantic suggested that there was serious concern in the State Department of ties between Rohrabacher and the Russian government. On November 21, 2017, the New York Times reported that Rohrabacher had come under scrutiny from special counsel Robert Mueller and the Senate Intelligence Committee for his close ties to the Kremlin. Rohrabacher has drawn public criticism for some of his positions. His controversial statements include the conspiracy theory claims, first promoted by the politically-biased conspiracy theory website Infowars, that Democrats secretly organized the Unite the Right Rally in Charlottesville to provoke the violence by the alt-right (which led to the murder of one anti-Nazi protester) in order to discredit President Trump. Rochabacher has also consistently supported Russian interests in Congress and has defended Trump's controversial remarks regarding Russia.
Question: Are there any other interesting aspects about this article?
Answer: In foreign policy, he supported withdrawing U.S. troops from Afghanistan,

Problem: Background: James Whale (22 July 1889 - 29 May 1957) was an English film director, theater director and actor. He is best remembered for his four classic horror films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935). Whale also directed films in other genres, including what is considered the definitive film version of the musical Show Boat (1936). He became increasingly disenchanted with his association with horror, but many of his non-horror films have fallen into obscurity.
Context: After the armistice he returned to Birmingham and tried to find work as a cartoonist. He sold two cartoons to the Bystander in 1919 but was unable to secure a permanent position. Later that year he embarked on a professional stage career. Under the tutelage of actor-manager Nigel Playfair, he worked as an actor, set designer and builder, "stage director" (akin to a stage manager) and director. In 1922, while with Playfair, he met Doris Zinkeisen. They were considered a couple for some two years, despite Whale's living as an openly gay man. They were reportedly engaged in 1924, but by 1925 the engagement was off. In 1928 Whale was offered the opportunity to direct two private performances of R.C. Sherriff's then-unknown play Journey's End for the Incorporated Stage Society, a theatre society that mounted private Sunday performances of plays. Set over a four-day period in March 1918 in the trenches at Saint-Quentin, France, Journey's End gives a glimpse into the experiences of the officers of a British infantry company in World War I. The key conflict is between Capt. Stanhope, the company commander, and Lt. Raleigh, the brother of Stanhope's fiancee. Whale offered the part of Stanhope to the then barely known Laurence Olivier. Olivier initially declined the role, but after meeting the playwright agreed to take it on. Maurice Evans was cast as Raleigh. The play was well received and transferred to the Savoy Theatre in London's West End, opening on 21 January 1929. A young Colin Clive was now in the lead role, Olivier having accepted an offer to take the lead in a production of Beau Geste. The play was a tremendous success, with critics uniform and effusive in their praise and with audiences sometimes sitting in stunned silence following its conclusion only to burst into thunderous ovations. As Whale biographer James Curtis wrote, the play "managed to coalesce, at the right time and in the right manner, the impressions of a whole generation of men who were in the war and who had found it impossible, through words or deeds, to adequately express to their friends and families what the trenches had been like". After three weeks at the Savoy, Journey's End transferred to the Prince of Wales Theatre, where it ran for the next two years. With the success of Journey's End at home, Broadway producer Gilbert Miller acquired the rights to mount a New York production with an all-British cast headed by Colin Keith-Johnston as Stanhope and Derek Williams as Raleigh. Whale also directed this version, which premiered at Henry Miller's Theatre on 22 March 1929. The play ran for over a year and cemented its reputation as the greatest play about World War I.
Question: how many openings did it have?
Answer:
a theatre society that mounted private Sunday performances of plays. Set over a four-day period in March 1918 in the trenches at Saint-Quentin, France,