IN: Review: This film concerns a very young girl, Cassie, (Melissa Sagemiller) who leaves her family and heads off to become a college freshman. One night Cassie and her friends decide to go to a wild party with plenty of drinking and dancing and Cassie is riding with her boyfriend who she likes but never told him she loved him. As Cassie was driving, a car was stopped in the middle of the road and she was unable to avoid an accident and as a result there is a bloody loss of lives along with her boyfriend. Cassie becomes very emotionally upset and has nightmares which cause her to have hallucinations about her boyfriend coming back to life and encounters men trying to murder her and she is struggling to find out who her real friends are, who wants her dead and will she survive this entire horror ordeal. Cassie dreams she is being made love to by her boyfriend after he died and finds another guy in her bed and is told she was asking him to make love. This is a way out film, and not very good at all.
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OUT: negative

IN: Review: Don't get me wrong - I love David Suchet as Poirot. I love the series as well as the movies but enough already re: Death On The Nile. Everyone has done this one! We know who dies. We know why they die. We know who the killer is. We know how it was done. So I say enough already! Mr. Suchet could have used that awesome talent in another one of Agatha Christie's novels. I will say that the acting by all the actors was superb. The sets were terrific and very realistic. I especially liked David Soul but I was surprised at how 'awful' he looked. I hope he doesn't look that way in 'real' life! I honestly can't remember from other movies whether the very end was the same. Somehow I don't think so. I thought that was a rather brilliant touch whether or not Ms. Christie wrote it that way. I would much rather have that ending then wasting away in prison!
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OUT: negative

IN: Review: ... Hawk Heaven for lovers of French cinema and by extension French Screen actors/actresses. At its worst it's an indulgence, actors getting to bitch about other actors, question the validity of acting as a profession at all, etc whilst at its best it's a glorious celebration/send-up of some of the finest actors currently working. From a simple premise - Jean-Pierre Marielle's request for water being ignored in a restaurant - Blier spins off in all directions and allows the cream of French cinema to strut their stuff before the camera even throwing in nods to those no longer around (Jean Gabin, Lino Ventura) including the Director's father, Bernard, one of the great stalwarts of French cinema, from whom he fields a celestial phone call at the end of the film. Discursive and prolix, yes, guilty as charged but also something of a guilty pleasure.
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OUT: positive

IN: Review: "One of Hung's better early efforts. The humor is dead-on in parts as Hung tries to imitate Lee's moves and facial expressions, and also in a bit where Hung pokes fun at Jackie Chan's Drunken Master. The action is also pretty good, especially when Hung takes on a trio on martial arts experts at the end. It's not the greatest film, but pretty good for '70's kung fu, especially if you're a fan of Hung and/or Lee. Be warned, though: most video versions of the movie have pretty shoddy quality. There is also a character in blackface which some people might find offensive.

Sammo Hung is a rural swine-herder who moves to Hong Kong to fight off some bad guys. Sammo turns on his dead-on Bruce Lee impersonation when fighting!

This film is often billed as a parody of Bruce Lee's "Enter The Dragon", but it's not exactly that... Sammo is a rural swine herder--obsessed with Bruce Lee--who moves to Hong Kong to help his relatives run a small open-air restaurant. Once situated at the new job, he is forced to defend the eatery from local gangsters looking for protection money. When Sammo switches into fighting mode, he switches on his Bruce Lee impersonation, which must be seen to be believed! This film is pretty sloppy, in many of the fight scenes Sammo battles against people who are obviously actors rather than martial artists, and there's one character who's supposed to be black who is played by an Asian man in heavy (and preposterous) makeup. But what this film lacks in budget and accuracy, it more than makes up for in atmosphere and energy. Highly recommended for a good mood."
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OUT:
positive