Question:
Rose Tattoo is an Australian rock and roll band, now led by Angry Anderson, that was formed in Sydney in 1976. Their sound is hard rock mixed with blues rock influences, with songs including "Bad Boy for Love", "Rock 'n' Roll Outlaw", "Nice Boys", "We Can't Be Beaten" and "Scarred for Life". Their first four albums were produced by Harry Vanda and George Young who also worked with AC/DC. They disbanded in 1987, subsequently reforming briefly in 1993 to support Guns N' Roses on an Australian tour.
Anderson mounted his solo career from mid-1987. He released the ballad, "Suddenly" as a single. It was taken from Beats from a Single Drum, which was then re-released as his debut solo album in 1988. "Suddenly" had little chart success until it was used on television soap opera, Neighbours for the wedding of characters Scott Robinson (Jason Donovan) and Charlene Mitchell (Kylie Minogue). "Suddenly" peaked at No. 2 in September 1987 and was kept out of top spot by Minogue's debut single, "Locomotion". In the early 90s, Anderson tried to reunite Rose Tattoo, but the death of Royall, who died in 1991 of cancer while trying to overcome substance abuse in the form of a heroin addiction and alcoholism, stalled the reformation. In an interview with Australian journalist Nick Milligan on 25 March 2011, Anderson explained, "I was in Los Angeles in 1989 recording an album which the 'Bound For Glory' single came off and I was hanging around with the Gunners and a lot of other LA bad boy rock bands that we supposedly influenced. I realised then that apart from the fact that I was there to establish myself as a singer songwriter, there was still this great following for the band. I rang up the other members and said 'Let's reform. We've been apart for three years or more.' It was long enough for us to settle our differences and let all the wounds heal. I rang up each of the original members that were still interested and they all said, 'Yeah, let's get together.' So I said we should negotiate a deal where the band can come over and record in Los Angeles. But, of course, that was the year that our original drummer "Digger" Royall kicked his heroin habit. While he was recovering on methadone, cancer exploded through his body, quite sadly. That was the irony of it, because the cancer had been suppressed by the heroin addiction. Within months he was dead. That shook the band so badly on a personal level, because we had been so enthusiastic to reform. We didn't reform until '92. In '93, the word got around, because we had reformed with our existing drummer Paul DeMarco. The Gunners heard we were out playing again and said, 'We want you to do our support gigs throughout Australia.' We did those two Guns N' Roses raceways gigs - Eastern Creek in Sydney and the raceway down in Melbourne." Rose Tattoo supported Guns N' Roses on the Australian leg of their Use Your Illusion Tour. Anderson, Wells, Cocks, Leach and new drummer Paul DeMarco from Wells' solo band reunited for the 1993 tour. The reunion was brief and each returned to solo projects. Around this time, ex-members of Rose Tattoo formed a short lived band with ex-Candy Harlots vocalist Aiz Lynch. This band had numerous rehearsals, but only recorded one demo before disbanding.
Answer this question using a quote from the text above:

Could you give me some interesting information about the side projects and temporary reformations?

Answer:
We didn't reform until '92. In '93, the word got around, because we had reformed with our existing drummer Paul DeMarco.

Answer the question at the end by quoting:

Giuseppe Fortunino Francesco Verdi (Italian: [dZu'zeppe 'verdi]; 9 or 10 October 1813 - 27 January 1901) was an Italian opera composer. He was born near Busseto to a provincial family of moderate means, and developed a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Vincenzo Bellini, Gaetano Donizetti, and Gioachino Rossini, whose works significantly influenced him. By his 30s, he had become one of the pre-eminent opera composers in history.
Having achieved some fame and prosperity, Verdi began in 1859 to take an active interest in Italian politics. His early commitment to the Risorgimento movement is difficult to estimate accurately; in the words of the music historian Philip Gossett "myths intensifying and exaggerating [such] sentiment began circulating" during the nineteenth century. An example is the claim that when the "Va, pensiero" chorus in Nabucco was first sung in Milan, the audience, responding with nationalistic fervour, demanded an encore. As encores were expressly forbidden by the government at the time, such a gesture would have been extremely significant. But in fact the piece encored was not "Va, pensiero" but the hymn "Immenso Jehova". The growth of the "identification of Verdi's music with Italian nationalist politics" perhaps began in the 1840s. In 1848, the nationalist leader Giuseppe Mazzini, (whom Verdi had met in London the previous year) requested Verdi (who complied) to write a patriotic hymn. The opera historian Charles Osborne describes the 1849 La battaglia di Legnano as "an opera with a purpose" and maintains that "while parts of Verdi's earlier operas had frequently been taken up by the fighters of the Risorgimento...this time the composer had given the movement its own opera" It was not until 1859 in Naples, and only then spreading throughout Italy, that the slogan "Viva Verdi" was used as an acronym for Viva Vittorio Emanuele Re D'Italia (Viva Victor Emmanuel King of Italy), (who was then king of Piedmont). After Italy was unified in 1861, many of Verdi's early operas were increasingly re-interpreted as Risorgimento works with hidden Revolutionary messages that perhaps had not been originally intended by either the composer or his librettists. In 1859, Verdi was elected as a member of the new provincial council, and was appointed to head a group of five who would meet with King Vittorio Emanuele II in Turin. They were enthusiastically greeted along the way and in Turin Verdi himself received much of the publicity. On 17 October Verdi met with Cavour, the architect of the initial stages of Italian unification. Later that year the government of Emilia was subsumed under the United Provinces of Central Italy, and Verdi's political life temporarily came to an end. Whilst still maintaining nationalist feelings, he declined in 1860 the office of provincial council member to which he had been elected in absentia. Cavour however was anxious to convince a man of Verdi's stature that running for political office was essential to strengthening and securing Italy's future. The composer confided to Piave some years later that "I accepted on the condition that after a few months I would resign." Verdi was elected on 3 February 1861 for the town of Borgo San Donnino (Fidenza) to the Parliament of Piedmont-Sardinia in Turin (which from March 1861 became the Parliament of the Kingdom of Italy), but following the death of Cavour in 1861, which deeply distressed him, he scarcely attended. Later, in 1874, Verdi was appointed a member of the Italian Senate, but did not participate in its activities.

What did that lead to?
1840s. In 1848, the nationalist leader Giuseppe Mazzini, (whom Verdi had met in London the previous year) requested Verdi