IN: Anton Friedrich Wilhelm (von) Webern (German: ['anton 've:ban] ( listen); 3 December 1883 - 15 September 1945) was an Austrian composer and conductor. Along with his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was in the core of those in the circle of the Second Viennese School, including Ernst Krenek and Theodor W. Adorno. As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, Krenek, and even Schoenberg himself.

Webern published little of his early work in particular; like Brahms, though perhaps for not entirely the same reasons, Webern was characteristically meticulous and revised extensively. Many juvenilia remained unknown until the work and findings of the Moldenhauers in the 1960s, effectively obscuring and undermining formative facets of Webern's musical identity, highly significant even more so in the case of an innovator whose music was crucially marked by rapid stylistic shifts. Thus when Boulez first oversaw a project to record "all" of Webern's music, not including the juvenilia, the results fit on three rather than six CDs. Webern's earliest works consist primarily of lieder, the genre that most belies his roots in Romanticism, specifically German Romanticism; one in which the music yields brief but explicit, potent, and spoken meaning manifested only latently or programmatically in purely instrumental genres; one marked by significant intimacy and lyricism; and one which often associates nature, especially landscapes, with themes of homesickness, solace, wistful yearning, distance, utopia, and belonging. Robert Schumann's "Mondnacht" is an iconic example; Eichendorff, whose lyric poetry inspired it, is not far removed from the poets (e.g., Richard Dehmel, Gustav Falke, Theodor Storm) whose work inspired Webern and his contemporaries Alban Berg, Max Reger, Arnold Schoenberg, Richard Strauss, Hugo Wolf, and Alexander Zemlinsky. Wolf's Morike-Lieder were especially influential on Webern's efforts from this period. But well beyond these lieder alone, all of Webern's music may be said to possess such concerns and qualities, as is evident from his sketches, albeit in an increasingly symbolic, abstract, spare, introverted, and idealized manner. Other works include the orchestral tone poem Im Sommerwind (1904) and the Langsamer Satz (1905) for string quartet. Webern's first piece after completing his studies with Schoenberg was the Passacaglia for orchestra (1908). Harmonically, it is a step forward into a more advanced language, and the orchestration is somewhat more distinctive than his earlier orchestral work. However, it bears little relation to the fully mature works he is best known for today. One element that is typical is the form itself: the passacaglia is a form which dates back to the 17th century, and a distinguishing feature of Webern's later work was to be the use of traditional compositional techniques (especially canons) and forms (the Symphony, the Concerto, the String Trio, and String Quartet, and the piano and orchestral Variations) in a modern harmonic and melodic language.
QUESTION: who romanticized his symphony?
IN: Christopher Maurice Brown was born on May 5, 1989, in the small town of Tappahannock, Virginia, to Joyce Hawkins, a former day care center director, and Clinton Brown, a corrections officer at a local prison. He has an older sister, Lytrell Bundy, who works in a bank. Music was always present in Brown's life beginning in his childhood. He would listen to soul albums that his parents owned, and eventually began to show interest in the hip-hop scene.

Brown's fourth studio album F.A.M.E. was first released on March 18, 2011. Although it received mixed critical reviews, the album debuted at number one on the US Billboard 200 chart, with first-week sales of 270,000 copies, giving Brown his first number-one album in the United States. Its lead single, "Yeah 3x", reached the top-ten in eleven countries, including Australia, Austria, Denmark, Ireland, Netherlands, New Zealand, Switzerland and the United Kingdom. The album's second single, "Look at Me Now", featuring rappers Lil Wayne and Busta Rhymes, reached number one on the US Hot R&B/Hip-Hop Songs chart, where it remained for eight consecutive weeks. It also reached number one on the US Hot Rap Songs chart. The album's third single, "Beautiful People", featuring Benny Benassi, peaked at number one on the US Hot Dance Club Songs chart, and became the first number-one single on the chart for both Brown and Benassi. "She Ain't You" was released as the album's fourth US single, while "Next 2 You", featuring Canadian recording artist Justin Bieber, served as the album's fourth international single. To further promote the album, Brown embarked on his F.A.M.E. Tour in Australia and North America. Brown received six nominations at the 2011 BET Awards and ultimately won five awards, including Best Male R&B Artist, Viewers Choice Award, The Fandemonium Award, Best Collaboration and Video of the Year for "Look at Me Now". He also won three awards at the 2011 BET Hip Hop Awards, including the People's Champ Award, Reese's Perfect Combo Award and Best Hip Hop Video for "Look at Me Now". At the 2011 Soul Train Music Awards, F.A.M.E. won Album of the Year. The album has also earned Brown three Grammy Award nominations at the 54th Grammy Awards for Best R&B Album, as well as Best Rap Performance and Best Rap Song for "Look at Me Now". On February 12, 2012, Brown won the Grammy Award for Best R&B Album. During the ceremony, Brown performed several songs marking his first appearance at the awards show since his conviction of felony assault. On October 7, 2011, RCA Music Group announced it was disbanding Jive Records along with Arista Records and J Records. With the shutdown, Brown (and all other artists previously signed to these three labels) will release future material on the RCA Records brand. Brown's fifth studio album Fortune was released on July 3, 2012. The album debuted atop the Billboard 200, but received once again negative reviews from critics. "Strip", featuring Kevin McCall, was released as the album's buzz single, with "Turn Up the Music" released as the lead single, and "Sweet Love", "Till I Die", "Don't Wake Me Up" and "Don't Judge Me" released as the album's following singles, respectively. To further promote the album, Brown embarked on his Carpe Diem Tour in Europe, Africa, Asia, and Trinidad.
QUESTION:
What was the negative critics about?