IN: Bruno Latour (French: [latuR]; born 22 June 1947) is a French philosopher, anthropologist and sociologist. He is especially known for his work in the field of science and technology studies (STS). After teaching at the Ecole des Mines de Paris (Centre de Sociologie de l'Innovation) from 1982 to 2006, he became Professor at Sciences Po Paris (2006-2017), where he was the scientific director of the Sciences Po Medialab. He retired from several university activities in 2017.

In a 2004 article, Latour questioned the fundamental premises on which he had based most of his career, asking, "Was I wrong to participate in the invention of this field known as science studies?" He undertakes a trenchant critique of his own field of study and, more generally, of social criticism in contemporary academia. He suggests that critique, as currently practiced, is bordering on irrelevancy. To maintain any vitality, Latour argues that social critiques require a drastic reappraisal: "our critical equipment deserves as much critical scrutiny as the Pentagon budget." (p. 231) To regain focus and credibility, Latour argues that social critiques must embrace empiricism, to insist on the "cultivation of a stubbornly realist attitude -- to speak like William James". (p. 233) Latour suggests that about 90% of contemporary social criticism displays one of two approaches which he terms "the fact position and the fairy position." (p. 237) The fairy position is anti-fetishist, arguing that "objects of belief" (e.g., religion, arts) are merely concepts created by the projected wishes and desires of the "naive believer"; the "fact position" argues that individuals are dominated, often covertly and without their awareness, by external forces (e.g., economics, gender). (p. 238) "Do you see now why it feels so good to be a critical mind?" asks Latour: no matter which position you take, "You're always right!" (p. 238-239) Social critics tend to use anti-fetishism against ideas they personally reject; to use "an unrepentant positivist" approach for fields of study they consider valuable; all the while thinking as "a perfectly healthy sturdy realist for what you really cherish." (p. 241) These inconsistencies and double standards go largely unrecognized in social critique because "there is never any crossover between the two lists of objects in the fact position and the fairy position." (p. 241) The practical result of these approaches being taught to millions of students in elite universities for several decades is a widespread and influential "critical barbarity" that has--like a malign virus created by a "mad scientist"--thus far proven impossible to control. Most troubling, Latour notes that critical ideas have been appropriated by those he describes as conspiracy theorists, including global warming skeptics and the 9/11 Truth movement: "Maybe I am taking conspiracy theories too seriously, but I am worried to detect, in those mad mixtures of knee-jerk disbelief, punctilious demands for proofs, and free use of powerful explanation from the social neverland, many of the weapons of social critique." (p. 230) The conclusion of the article is to argue for a positive framing of critique, to help understand how matters of concern can be supported rather than undermined: "The critic is not the one who lifts the rugs from under the feet of the naive believers, but the one who offers the participants arenas in which to gather. The critic is not the one who alternates haphazardly between antifetishism and positivism like the drunk iconoclast drawn by Goya, but the one for whom, if something is constructed, then it means it is fragile and thus in great need of care and caution."

DId he publish a book on this subject?

OUT:

Answer the question at the end by quoting:

Sixx was born Frank Carlton Serafino Feranna, Jr. on December 11, 1958 in San Jose, California. He is of Italian ancestry on his father's side. Sixx was partially raised by his single mother, Deana Richards, and by his grandparents after his father left the family. Nikki later moved in with his grandparents after his mother abandoned him.
Launched on February 8, 2010, Sixx Sense with Nikki Sixx broadcasts Monday through Friday from 7 p.m. to midnight local time on rock/alternative music stations. Each night, host Nikki Sixx discusses music and lifestyle topics as he gives listeners a backstage look at the world and mind of a rock star. Sixx was joined by co-host Kerri Kasem, from its first episode until March 28, 2014. On April 2, it was announced that radio personality Jenn Marino would be joining the show in Kasem's place. The show is based in Dallas, Texas in a studio in the Northpark Center. Starting on May 7, 2012, KEGL in Dallas/Fort Worth, Texas moved the show to mornings, making it the only station to carry the show in the mornings at 6 to 10 AM local time instead of the evening's time slot. The show is customized for the Dallas/Fort Worth listeners for broadcast in the mornings on KEGL. Sixx said that bringing Sixx Sense to mornings "has always been our goal. Who better to start your morning with than a rock star and a hot chick? It's a dream come true to have a morning show on one of America's best rock stations." however, one year later, Sixx Sense returned to Evenings at KEGL. In addition, recent episodes of "Sixx Sense" airs 24/7 on its own iHeartRadio streaming page. The Side Show with Nikki Sixx is a two-hour original weekend program. Airing Saturday or Sunday between 6 a.m. and midnight local time, Nikki Sixx will air top-charting songs, showcase new and emerging artists, and welcome guests from the worlds of music and entertainment. In October 2017 Sixx announced that he would step down from Sixx Sense on December 31, 2017.

What was the first radio show Nikki Sixx was on?

Launched on February 8, 2010, Sixx Sense with Nikki Sixx broadcasts Monday through Friday from 7 p.m. to midnight local time on rock/alternative music stations.

input: On December 23, 2006, Brown became very ill and arrived at his dentist's office in Atlanta, Georgia, several hours late. His appointment was for dental implant work. During that visit, Brown's dentist observed that he looked "very bad... weak and dazed." Instead of performing the work, the dentist advised Brown to see a doctor right away about his medical condition. Brown went to the Emory Crawford Long Memorial Hospital the next day for medical evaluation and was admitted for observation and treatment. According to Charles Bobbit, his longtime personal manager and friend, Brown had been struggling with a noisy cough since returning from a November trip to Europe. Yet, Bobbit said, the singer had a history of never complaining about being sick and often performed while ill. Although Brown had to cancel upcoming concerts in Waterbury, Connecticut, and Englewood, New Jersey, he was confident that the doctor would discharge him from the hospital in time for his scheduled New Year's Eve shows at the Count Basie Theatre in New Jersey and the B. B. King Blues Club in New York, in addition to performing a song live on CNN for the Anderson Cooper New Year's Eve special. Brown remained hospitalized, however, and his condition worsened throughout the day. On Christmas Day, 2006, Brown died at approximately 1:45 am EST (06:45 UTC), at age 73, from congestive heart failure, resulting from complications of pneumonia. Bobbit was at his bedside and later reported that Brown stuttered, "I'm going away tonight," then took three long, quiet breaths and fell asleep before dying.

Answer this question "What did they say"
output:
According to Charles Bobbit, his longtime personal manager and friend, Brown had been struggling with a noisy cough