Problem: Background: James Lance Bass (; born May 4, 1979) is an American pop singer, dancer, actor, film and television producer, and author. He grew up in Mississippi and rose to fame as the bass singer for the American pop boy band NSYNC. NSYNC's success led Bass to work in film and television. He starred in the 2001 film On the Line, which his company, Bacon & Eggs, also produced.
Context: Bass came out as gay in a cover story for People magazine on July 26, 2006. There had been considerable media speculation about his orientation due to numerous paparazzi snapshots of him at gay bars and nightclubs, most notably during the preceding Independence Day weekend in Provincetown, Massachusetts. Celebrity gossip blogger Perez Hilton had also been posting items on his website about Bass's orientation since September 2005, and New York gossip column Page Six ran a blurb on July 12, 2006, that reported a sighting of Bass at a gay bar with his then-boyfriend, Reichen Lehmkuhl. Bass's publicist, Ken Sunshine, chose to release the story exclusively to People magazine, who bumped actor Johnny Depp off of that week's cover in favor of Bass. In his coming out interview, Bass stated, Bass's announcement received a large amount of media attention. The American public's reaction was generally positive, with Bass receiving "overwhelming support" from many teenagers and young adults who grew up listening to 'N Sync. However, Bass received criticism from the LGBT community when he referred to himself and his friends as "straight-acting" in his People interview, stating, "I call them the SAGs - the straight-acting gays. We're just normal, typical guys. I love to watch football and drink beer." This comment angered some members of the LGBT community, who believed that Bass not only implied that effeminate gay men were not 'normal', but further enforced unneeded stereotypes. In a 2007 interview with The Advocate, Bass called his comment a "mistake" and noted that he was unaware of the negative implications surrounding the term. Bass stated, "Every community is hard to please. Our community is very fickle. It's a touchy community because it's the last civil rights movement we have left here in America. So when someone new like myself comes along and says off-the-mark things, yeah, I can see how people would get pissed." Bass found himself in the midst of further controversy later that year when he, along with then-boyfriend Reichen Lehmkuhl, was awarded the 2006 Human Rights Campaign Visibility Award on October 7, 2006. The Washington Blade printed a guest editorial from a long-time HRC supporter who claimed that neither recipient had done enough to deserve the award and that The Human Rights Campaign was simply capitalizing on Bass's fame to sell tickets. The Human Rights Campaign stood by Bass and defended his award, responding to critics by saying, "Bass is the biggest music star since Melissa Etheridge to come out, and maybe some people think HRC should just ignore these moments of cultural significance, but his declaration did initiate a positive, national conversation that continues today."
Question: what was his sexual orientation?
Answer: Bass came out as gay in a cover story

Problem: Background: Vaughan's father, Asbury "Jake" Vaughan, was a carpenter by trade and played guitar and piano. Her mother, Ada Vaughan, was a laundress and sang in the church choir. Jake and Ada Vaughan had migrated to Newark, New Jersey from Virginia during the First World War. Sarah was their only biological child, although in the 1960s they adopted Donna, the child of a woman who traveled on the road with Sarah Vaughan.
Context: In 1953, Treadwell negotiated a unique contract for Vaughan with Mercury Records. She would record commercial material for the Mercury label and more jazz-oriented material for its subsidiary EmArcy. Vaughan was paired with producer Bob Shad and their excellent working relationship yielded strong commercial and artistic success. Her debut Mercury recording session took place in February 1954 and she stayed with the label through 1959. After a stint at Roulette Records (1960 to 1963), Vaughan returned to Mercury from 1964 to 1967. Vaughan's commercial success at Mercury began with the 1954 hit, "Make Yourself Comfortable", recorded in the fall of 1954, and continued with a succession of hits, including: "How Important Can It Be" (with Count Basie), "Whatever Lola Wants", "The Banana Boat Song", "You Ought to Have A Wife" and "Misty". Her commercial success peaked in 1959 with "Broken Hearted Melody", a song she considered to be "corny", but, nonetheless, became her first gold record, and a regular part of her concert repertoire for years to come. Vaughan was reunited with Billy Eckstine for a series of duet recordings in 1957 that yielded the hit "Passing Strangers". Vaughan's commercial recordings were handled by a number of different arrangers and conductors, primarily Hugo Peretti and Hal Mooney. The jazz "track" of her recording career proceeded apace, backed either by her working trio or various combinations of stellar jazz players. One of her own favorite albums was a 1954 sextet date that included Clifford Brown. In the latter half of the 1950s she followed a schedule of almost non-stop touring, with many famous jazz musicians. She was featured at the first Newport Jazz Festival in the summer of 1954 and starred in subsequent editions of that festival at Newport and in New York City for the remainder of her life. In the fall of 1954, she performed at Carnegie Hall with the Count Basie Orchestra on a bill that also included Billie Holiday, Charlie Parker, Lester Young and the Modern Jazz Quartet. That fall, she again toured Europe successfully before embarking on a "Big Show" U.S. tour, a grueling succession of start-studded one-nighters that included Count Basie, George Shearing, Erroll Garner and Jimmy Rushing. At the 1955 New York Jazz Festival on Randalls Island, Vaughan shared the bill with the Dave Brubeck quartet, Horace Silver, Jimmy Smith, and the Johnny Richards Orchestra. Although the professional relationship between Vaughan and Treadwell was quite successful through the 1950s, their personal relationship finally reached a breaking point and she filed for a divorce in 1958. Vaughan had entirely delegated financial matters to Treadwell, and despite significant income figures reported through the 1950s, at the settlement Treadwell said that only $16,000 remained. The couple evenly divided the amount and their personal assets, terminating their business relationship.
Question: Are there any other interesting aspects about this article?
Answer:
Vaughan's commercial success at Mercury began with the 1954 hit, "Make Yourself Comfortable",